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%%
%% This is file `exbiblio.bib',
%% generated with the docstrip utility.
%%
%% The original source files were:
%%
%% confproc.dtx  (with options: `exbiblio')
%% 
%% This is `exbiblio.bib', an example file for the confproc package.
%% Copyright (C) 2007 by Vincent Verfaille <vincent@music.mcgill.ca>
%% 
%% This file is part of the confproc package.
%% -------------------------------------------
%% 
%% It may be distributed and/or modified under the conditions of the
%% LaTeX Project Public License, either version 1.2 of this license or
%% (at your option) any later version.
%% 
%% The latest version of this license is in
%%   http://www.latex-project.org/lppl.txt
%% and version 1.2 or later is part of all distributions of LaTeX version
%% 1999/12/01 or later.
%% 
%% This file may not be distributed without the original source file
%% `confproc.dtx'.
%% 
%% The list of all files belonging to the confproc package is given in
%% the file `readme.txt'.
%% 
%% For more details, LaTeX the source `confproc.dtx'.
%% 
@misc{bib:intro,
  Author = {~},
  Title = {\procbibintro\newline{}%
    \centerline{\underline{\hspace*{5cm}}}}}

@book{Mitra:Kaiser:1993:DSP:handbook,
  Author = {S.~K. Mitra and J.~F. Kaiser},
  Title = {Handbook for Digital Signal Processing},
  Publisher = {J. Wiley {\&} Sons},
  Year = {1993}}

@book{Haykin:1991:adaptive:filter,
  Author = {Simon Haykin},
  Title = {Adaptive Filter Theory},
  Publisher = {Prentice Hall},
  Address = {Englewood Cliffs},
  Edition = {Second},
  Year = {1991}}

@inbook{Serra:1996:sms,
  Author = {X. Serra},
  Chapter = {Musical Sound Modeling with Sinusoids plus Noise},
  Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads,%
    Eds.~Swets~\&~Zeitlinger},
  Title = {Musical Signal Processing},
  Pages = {91--122},
  Year = {1996}}

@article{Moorer:2000:AES:audio:millenium,
  Author = {James A. Moorer},
  Title = {Audio in the New Millennium},
  Journal = {Journal of the {AES}},
  Volume = 48,
  Number = 5,
  Year = 2000,
  Month = may,
  Pages = {490--498}}

@inproceedings{Arfib:1998:DAFx,
  Author = {D. Arfib},
  Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects %
    (DAFx-98)},
  Title = {Different Ways to Write Digital Audio Effects Programs},
  Address = {Barcelona, Spain},
  Pages = {188--91},
  Year = {1998}}

@techreport{Askenfelt:1976:automatic:transcription,
  Author = {A. Askenfelt},
  Title = {Automatic notation of played music (status report)},
  Institution = {{STL-QPSR, Vol. 1, pp. 1--11}},
  Year = {1976}}

@mastersthesis{Egozy:1995:MIT:features:gesture,
  Author = {E.~B. Egozy},
  title = {Deriving musical control features from a real-time timbre %
    analysis of the clarinet},
  School = {Massachusetts Institute of Technology},
  Year = {1995}}

@phdthesis{Dutilleux:1991,
  Author = {P. Dutilleux},
  School = {University of Aix-Marseille II},
  Title = {Vers la machine \`a sculpter le son, modification en %
    temps-r\'eel des caract\'eristiques fr\'equentielles et temporelles%
    des sons},
  Year = {1991}}

@unpublished{Fitz:Haken:2003:Web:morphing:loris,
  Author = {K. Fitz and L. Haken},
  Title = {{Current Research in Real-time Sound Morphing}},
  Note = {Available at \href{http://www.cerlsoundgroup.org/RealTimeMorph/}%
    {http://www.cerlsoundgroup.org/RealTimeMorph/}},
  Year = {Accessed March 08, 2006}}
\endinput
%%
%% End of file `exbiblio.bib'.