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%%
%% This is file `exbiblio.bib',
%% generated with the docstrip utility.
%%
%% The original source files were:
%%
%% confproc.dtx (with options: `exbiblio')
%%
%% This is `exbiblio.bib', an example file for the confproc package.
%% Copyright (C) 2007 by Vincent Verfaille <vincent@music.mcgill.ca>
%%
%% This file is part of the confproc package.
%% -------------------------------------------
%%
%% It may be distributed and/or modified under the conditions of the
%% LaTeX Project Public License, either version 1.2 of this license or
%% (at your option) any later version.
%%
%% The latest version of this license is in
%% http://www.latex-project.org/lppl.txt
%% and version 1.2 or later is part of all distributions of LaTeX version
%% 1999/12/01 or later.
%%
%% This file may not be distributed without the original source file
%% `confproc.dtx'.
%%
%% The list of all files belonging to the confproc package is given in
%% the file `readme.txt'.
%%
%% For more details, LaTeX the source `confproc.dtx'.
%%
@misc{bib:intro,
Author = {~},
Title = {\procbibintro\newline{}%
\centerline{\underline{\hspace*{5cm}}}}}
@book{Mitra:Kaiser:1993:DSP:handbook,
Author = {S.~K. Mitra and J.~F. Kaiser},
Title = {Handbook for Digital Signal Processing},
Publisher = {J. Wiley {\&} Sons},
Year = {1993}}
@book{Haykin:1991:adaptive:filter,
Author = {Simon Haykin},
Title = {Adaptive Filter Theory},
Publisher = {Prentice Hall},
Address = {Englewood Cliffs},
Edition = {Second},
Year = {1991}}
@inbook{Serra:1996:sms,
Author = {X. Serra},
Chapter = {Musical Sound Modeling with Sinusoids plus Noise},
Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads,%
Eds.~Swets~\&~Zeitlinger},
Title = {Musical Signal Processing},
Pages = {91--122},
Year = {1996}}
@article{Moorer:2000:AES:audio:millenium,
Author = {James A. Moorer},
Title = {Audio in the New Millennium},
Journal = {Journal of the {AES}},
Volume = 48,
Number = 5,
Year = 2000,
Month = may,
Pages = {490--498}}
@inproceedings{Arfib:1998:DAFx,
Author = {D. Arfib},
Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects %
(DAFx-98)},
Title = {Different Ways to Write Digital Audio Effects Programs},
Address = {Barcelona, Spain},
Pages = {188--91},
Year = {1998}}
@techreport{Askenfelt:1976:automatic:transcription,
Author = {A. Askenfelt},
Title = {Automatic notation of played music (status report)},
Institution = {{STL-QPSR, Vol. 1, pp. 1--11}},
Year = {1976}}
@mastersthesis{Egozy:1995:MIT:features:gesture,
Author = {E.~B. Egozy},
title = {Deriving musical control features from a real-time timbre %
analysis of the clarinet},
School = {Massachusetts Institute of Technology},
Year = {1995}}
@phdthesis{Dutilleux:1991,
Author = {P. Dutilleux},
School = {University of Aix-Marseille II},
Title = {Vers la machine \`a sculpter le son, modification en %
temps-r\'eel des caract\'eristiques fr\'equentielles et temporelles%
des sons},
Year = {1991}}
@unpublished{Fitz:Haken:2003:Web:morphing:loris,
Author = {K. Fitz and L. Haken},
Title = {{Current Research in Real-time Sound Morphing}},
Note = {Available at \href{http://www.cerlsoundgroup.org/RealTimeMorph/}%
{http://www.cerlsoundgroup.org/RealTimeMorph/}},
Year = {Accessed March 08, 2006}}
\endinput
%%
%% End of file `exbiblio.bib'.
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