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+%%
+%% This is file `exbiblio.bib',
+%% generated with the docstrip utility.
+%%
+%% The original source files were:
+%%
+%% confproc.dtx (with options: `exbiblio')
+%%
+%% This is `exbiblio.bib', an example file for the confproc package.
+%% Copyright (C) 2007 by Vincent Verfaille <vincent@music.mcgill.ca>
+%%
+%% This file is part of the confproc package.
+%% -------------------------------------------
+%%
+%% It may be distributed and/or modified under the conditions of the
+%% LaTeX Project Public License, either version 1.2 of this license or
+%% (at your option) any later version.
+%%
+%% The latest version of this license is in
+%% http://www.latex-project.org/lppl.txt
+%% and version 1.2 or later is part of all distributions of LaTeX version
+%% 1999/12/01 or later.
+%%
+%% This file may not be distributed without the original source file
+%% `confproc.dtx'.
+%%
+%% The list of all files belonging to the confproc package is given in
+%% the file `readme.txt'.
+%%
+%% For more details, LaTeX the source `confproc.dtx'.
+%%
+@misc{bib:intro,
+ Author = {~},
+ Title = {\procbibintro\newline{}%
+ \centerline{\underline{\hspace*{5cm}}}}}
+
+@book{Mitra:Kaiser:1993:DSP:handbook,
+ Author = {S.~K. Mitra and J.~F. Kaiser},
+ Title = {Handbook for Digital Signal Processing},
+ Publisher = {J. Wiley {\&} Sons},
+ Year = {1993}}
+
+@book{Haykin:1991:adaptive:filter,
+ Author = {Simon Haykin},
+ Title = {Adaptive Filter Theory},
+ Publisher = {Prentice Hall},
+ Address = {Englewood Cliffs},
+ Edition = {Second},
+ Year = {1991}}
+
+@inbook{Serra:1996:sms,
+ Author = {X. Serra},
+ Chapter = {Musical Sound Modeling with Sinusoids plus Noise},
+ Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads,%
+ Eds.~Swets~\&~Zeitlinger},
+ Title = {Musical Signal Processing},
+ Pages = {91--122},
+ Year = {1996}}
+
+@article{Moorer:2000:AES:audio:millenium,
+ Author = {James A. Moorer},
+ Title = {Audio in the New Millennium},
+ Journal = {Journal of the {AES}},
+ Volume = 48,
+ Number = 5,
+ Year = 2000,
+ Month = may,
+ Pages = {490--498}}
+
+@inproceedings{Arfib:1998:DAFx,
+ Author = {D. Arfib},
+ Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects %
+ (DAFx-98)},
+ Title = {Different Ways to Write Digital Audio Effects Programs},
+ Address = {Barcelona, Spain},
+ Pages = {188--91},
+ Year = {1998}}
+
+@techreport{Askenfelt:1976:automatic:transcription,
+ Author = {A. Askenfelt},
+ Title = {Automatic notation of played music (status report)},
+ Institution = {{STL-QPSR, Vol. 1, pp. 1--11}},
+ Year = {1976}}
+
+@mastersthesis{Egozy:1995:MIT:features:gesture,
+ Author = {E.~B. Egozy},
+ title = {Deriving musical control features from a real-time timbre %
+ analysis of the clarinet},
+ School = {Massachusetts Institute of Technology},
+ Year = {1995}}
+
+@phdthesis{Dutilleux:1991,
+ Author = {P. Dutilleux},
+ School = {University of Aix-Marseille II},
+ Title = {Vers la machine \`a sculpter le son, modification en %
+ temps-r\'eel des caract\'eristiques fr\'equentielles et temporelles%
+ des sons},
+ Year = {1991}}
+
+@unpublished{Fitz:Haken:2003:Web:morphing:loris,
+ Author = {K. Fitz and L. Haken},
+ Title = {{Current Research in Real-time Sound Morphing}},
+ Note = {Available at \href{http://www.cerlsoundgroup.org/RealTimeMorph/}%
+ {http://www.cerlsoundgroup.org/RealTimeMorph/}},
+ Year = {Accessed March 08, 2006}}
+\endinput
+%%
+%% End of file `exbiblio.bib'.