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-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm41
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex39
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/lion.mm120
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/lion.tex117
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm440
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex436
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex62
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm481
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex477
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm57
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex53
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex99
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex51
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm511
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex498
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex139
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex22
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex105
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex9
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm64
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex59
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm39
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm108
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex105
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm77
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex74
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex66
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex36
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex16
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm252
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex226
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/test.mm46
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/test.tex45
-rw-r--r--Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex129
34 files changed, 5099 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
new file mode 100644
index 00000000000..052d1f0d0a8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
@@ -0,0 +1,41 @@
+% elephant.mm -- The old fable of the blind men and the elephant
+% last edit: 04-APR-1993
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+$cila janmaandhanmar (piRavikkuruTanmaar) yad.rcchayaa oru svalattu vannukuTi tan"n"aL{}kku
+oru aanaye kaaNiccu koTukkeeNamenn oru aanappaappaanooTu taatpayyattooTe aapee
+kSiccatinnu avan: parishoodhiccu pooykkoL{}vinennu paRan~n~u. aanayuTe kaal
+tappinookkiya kuruTanum atinRe tunbikkai taTavinookkiya veroru kuruTanum
+atinRe cethi tapooTinookkiya maRRooruttanum atinRe vaal toTTunookkiya
+maRReeyavanum at nallatennu paRan~n~u. ivvaNNam aanaye parishoodhanakazhicca sheeSam
+avar pookamvazhiyil anyoonyom aanayuTe mahiMayekkooNTu paRavaan tuTan"n"i. kaal
+tappi nookkiyavan aan uralpoolee ennum inbikkai taTavinookkiyavan atu ulakkapoolee
+ennum vaal tooTTunookkiyavan atu cuul (maaccil) poolee ennum cevi
+talooTi yavan atu muRampoolee ennum paRan~n~u. in"n"inee anyoonyam vipariitamaayi
+colli tiiraatta shaNThayiTTu naTannu.\par$
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
new file mode 100644
index 00000000000..22d96b85267
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
@@ -0,0 +1,39 @@
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+{\mm \X{\<26>\<63>}\X{\<50>} \X{\<28>}\X{\<193>\<62>}\X{\<219>}\X{\<193>}\X{\<80>} {\RMF(}\X{\<42>\<63>}\X{\<49>}\X{\<53>\<63>}\X{\<168>}\X{\<136>}\X{\<31>}\X{\<193>\<62>}\X{\<80>}{\RMF)} \X{\<47>}\X{\<153>}\X{\M{\<26>}{\Z\<27>}}\X{\<47>\<62>} \X{\<18>}\X{\<136>} \X{\<56>\K{-.5}\<86>}\X{\<50>}\X{\<172>} \X{\<53>}\X{\<174>}\X{\<128>}\X{\<31>\<63>} \X{\<36>}\X{\<161>}\X{\<82>}{}\X{\<168>}
+\X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<21>\<62>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<71>\<160>}\X{\<35>}\X{\<70>\<46>}\X{\mmV{\<167>}} \X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<242>\<62>}\X{\<242>\<62>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}} \X{\<36>\<62>}\X{\M{\<36>}{\Z\<42>}}\X{\<249>}\X{\<71>\<165>\<62>}\X{\<70>\<31>} \X{\<6>}\X{\<71>\<42>}
+\X{\<251>\<63>}\X{\<247>}\X{\<36>\<63>}\X{\<174>} \X{\<5>}\X{\<53>}\X{\<79>}{\RMF:} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>\<63>}\X{\M{\<247>}{\<65>}} \X{\<71>\<42>\<62>}\X{\<70>\M{\<47>}{\<115>}\<62>}\X{\<82>}{}\X{\<53>\<63>}\X{\<70>\<40>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<133>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<70>\<53>}\X{\<70>\<48>\<62>}\X{\<136>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>}
+\X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<37>\<63>} \X{\<36>}\X{\<71>\<42>\<62>}\X{\<31>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<46>}\X{\<71>\<243>\<62>}\X{\<136>}\X{\<165>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<62>}\X{\<81>} \X{\<70>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}
+\X{\<46>}\X{\<71>\<243>}\X{\<47>}\X{\<53>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<81>} \X{\<40>}\X{\M{\<50>}{\<85>}}\X{\<70>\<36>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<250>}\X{\<241>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>}\X{\<40>}\X{\<21>}\X{\<52>\<63>}\X{\<247>} \X{\<71>\<54>}\X{\<55>}\X{\<2>}
+\X{\<5>}\X{\<53>}\X{\<80>} \X{\<71>\<42>\<62>}\X{\<21>}\X{\<46>\K{-.5}\<86>}\X{\<52>\<63>}\X{\<47>\<63>}\X{\<81>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<70>\<40>\<83>\<62>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<46>}\X{\<57>\<63>}\<2>\X{\<5>}\X{\<70>\<47>}\X{\<71>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>}\X{\<49>}\X{\<53>\<62>}\X{\<79>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>} \X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<6>}\X{\<79>} \X{\<9>}\X{\<48>}\X{\<81>\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<7>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\<9>}\X{\<50>}\X{\<160>}\X{\<71>\<42>\<62>}\X{\<71>\<50>}
+\X{\<14>}\X{\<174>}\X{\<2>} \X{\<53>\<62>}\X{\<81>} \X{\<71>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<26>}{\<66>}}\X{\<81>} {\RMF(}\X{\<46>\<62>}\X{\<247>\<63>}\X{\<81>}{\RMF)} \X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<70>\<26>}\X{\<53>\<63>}
+\X{\<36>}\X{\<71>\<50>\<62>}\X{\<31>\<63>} \X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<71>\<220>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<161>\<63>}\X{\<71>\<40>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<40>\<83>}\X{\<2>} \X{\<53>\<63>}\X{\<42>}\X{\<48>\<64>}\X{\<36>}\X{\<46>\<62>}\X{\<47>\<63>}
+\X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>} \X{\<36>\<64>}\X{\<48>\<62>}\X{\<165>} \X{\<54>}\X{\M{\<35>}{\Z\<32>}}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}} \X{\<40>}\X{\<31>}\X{\<174>}{\RMF.}\par}
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
new file mode 100644
index 00000000000..5fdca69777d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
@@ -0,0 +1,120 @@
+% lion.mm -- The old fable of the lion and the mouse
+% last edit: 26-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$\bigskip
+
+$$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$$
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000%
+\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
new file mode 100644
index 00000000000..1f8323f1809
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
@@ -0,0 +1,117 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+{\mm \X{\<18>}\X{\<136>} \X{\<56>\<63>}\X{\<2>\<57>}\X{\<2>} \X{\<9>}\X{\M{\<55>}{\Z\<35>}}\X{\<165>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<40>\<62>}\X{\<47>\<62>}\X{\<164>\<63>}\X{\<40>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<36>}\X{\<51>}\X{\T{\<76>}{\R{.8ex}{\<174>}}} \X{\<251>\<64>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}}\<2>\X{\<71>\<21>\<62>}\X{\M{\<187>}{\<65>}}
+\X{\<36>}\X{\<35>}\X{\M{\<50>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<31>\<63>}\X{\<247>} \X{\<18>}\X{\<136>} \X{\<21>}\X{\<136>}\X{\<71>\<53>}\X{\<50>}\X{\<21>}\X{\M{\<53>}{\<67>}}\X{\<251>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<63>}\X{\<31>}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<36>\<62>}\X{\<47>} \X{\<70>\<21>\<62>}\X{\M{\<220>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<70>\<31>}
+\X{\<21>\<64>}\X{\<70>\<52>} \X{\<53>\<63>}\X{\<210>\<62>}\X{\<46>}\X{\<165>\<63>}\X{\<40>\<62>}\X{\<47>\<63>} \X{\<21>\<63>}\X{\<31>}\X{\<167>\<63>}\X{\<136>}\X{\<174>}{\RMF.} \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>} \X{\<21>\<63>}\X{\<31>}\X{\<174>}\X{\<49>}\X{\M{\<161>}{\<65>}}\X{\<71>\<220>\<62>}\X{\<82>}{\RMF,}
+\X{\<21>}\X{\<50>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<18>}\X{\<136>} \X{\<139>}\X{\<164>}\X{\<2>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\M{\<46>}{\<66>}}\X{\<160>\<63>}\X{\<71>\<193>}\X{\<81>}
+\X{\<18>\<62>}\X{\<31>\<63>}\X{\<160>}\X{\<47>}\X{\<49>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<40>} \X{\<9>}\X{\<35>}\X{\T{\<76>}{\R{.8ex}{\<165>}}\<63>}{\RMF.} \X{\<6>}\X{\<47>}\X{\<133>}\X{\<40>\<63>}\X{\<46>\<63>}\X{\<165>}\X{\<2>} \X{\<70>\<30>}\X{\<164>\<63>} \X{\<5>}\X{\<53>}\X{\<47>\<63>}\X{\<81>} \X{\<18>}\X{\<167>\<63>}\X{\<70>\<40>} \X{\<36>}\X{\<70>\<79>\<49>}
+\X{\<70>\<70>\<21>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<50>}{\<85>}\<62>}\X{\<49>\<62>}\X{\<160>\<63>}{\RMF.} \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<53>}\X{\<51>}\X{\<71>\<48>}
+\X{\<53>\<83>}\X{\<56>}\X{\<40>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<21>}\X{\<136>}\X{\<35>}\X{\mmV{\<160>}} \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.} \X{\<7>}\X{\<205>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<40>\<63>}\X{\<150>}\X{\M{\<55>}{\Z\<31>}}\X{\<28>}\X{\<222>}\X{\<53>\<63>}\X{\<70>\<79>\<49>}
+\X{\<48>}\X{\<176>}\X{\<70>\<165>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<128>}\X{\<50>\<64>}\X{\<40>}\X{\<36>}\X{\<168>} \X{\<45>}\<2>\X{\<23>}\X{\<2>} \X{\<53>}\X{\<136>}\X{\<165>}\X{\<136>}\X{\<133>} \X{\<14>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}
+\X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<2>} \X{\<21>\<62>}\X{\T{\<76>}{\R{.8ex}{\<249>}}}\X{\<2>} \X{\<6>}\X{\<71>\<50>\<62>}\X{\<26>\<63>}\X{\M{\<247>}{\<65>}} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<5>}\X{\<71>\<42>}\X{\<251>}\X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<70>\<26>}\X{\M{\<249>}{\<65>}}\X{\<167>}\X{\<36>\<62>}\X{\<132>}\<77>
+\X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<36>} \X{\<14>}\X{\<174>} \X{\<21>}\X{\M{\<187>}{\<65>}}\<77> \X{\<53>\<63>}\X{\<49>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<36>}\X{\<31>}\X{\M{\<53>}{\<65>}}\X{\<21>\<62>}\X{\<48>}\X{\<70>\<40>} \X{\<251>}\X{\<35>}\X{\<165>\<63>}\X{\<81>}
+\X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<15>}\X{\<49>} \X{\<21>\<62>}\X{\<50>}\X{\<2>} \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\M{\<46>}{\<65>}}\X{\<71>\<220>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<7>}\X{\<70>\<48>}\X{\<160>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}\X{\<51>\K{-.2}\<51>}
+\X{\<56>}\X{\<185>\<62>}\X{\<49>}\X{\<165>\<63>}\X{\<81>} \X{\<21>\<62>}\X{\<164>\<63>}\X{\M{\<50>}{\<66>}}\X{\<71>\<31>} \X{\<42>\<62>}\X{\<163>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<71>\<53>}\X{\<31>}\X{\<80>}\X{\<70>\<53>}\X{\<247>} \X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>\<63>}\X{\<81>}
+\X{\<21>}\X{\M{\<31>}{\<65>}}\X{\M{\<161>}{\<65>}}\X{\<53>\<62>}\X{\<79>} \X{\<56>}\<2>\X{\<23>}\X{\<36>\<63>}\X{\<47>\<62>}\X{\<47>\<63>}{\RMF.} \X{\<5>}\X{\<36>\<63>}\X{\<81>\<40>\<63>}\X{\<174>} \X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<53>\<62>}\X{\<79>} \X{\<36>}\X{\<40>\<63>}\X{\<168>} \X{\<21>}\X{\<52>\<63>}\X{\<53>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<47>}{\<112>}}
+\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<15>}\X{\<49>}\X{\<49>}\X{\M{\<53>}{\<65>}}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<181>}\X{\<48>}\X{\<40>\<62>}\X{\<38>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<5>}\X{\<50>}\X{\<49>\<63>}\X{\<70>\<160>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<174>}{\RMF.}
+\X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<7>}\X{\<133>} \X{\<71>\<21>}\X{\<164>\<63>}\X{\M{\<164>}{\<65>}} \X{\<6>} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<54>}\X{\M{\<44>}{\Z\<38>}}\X{\<46>\<62>}\X{\<70>\<35>}\X{\<167>}\X{\<49>\<63>}\X{\<163>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\mmV{\<187>}}
+\X{\<9>}\X{\<31>}\X{\<71>\<40>} \X{\<6>} \X{\<56>\K{-.5}\<88>}\X{\<50>}\X{\<71>\<165>}\X{\<168>} \X{\<70>\<26>}\X{\<174>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<44>}\X{\M{\<219>}{\<65>}} \X{\<6>}\X{\<70>\<35>}\X{\<174>}\X{\<2>} \X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}
+{\RMF``}\X{\<18>}\X{\<174>}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<70>\<242>}\X{\<71>\<31>}\X{\<187>}{\RMF''} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<42>\<63>}\X{\<70>\<167>} \X{\<9>}\X{\<31>}\X{\<70>\<40>}
+\X{\<36>}\X{\<70>\<79>\<49>} \X{\<42>}\X{\<35>\<63>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF:} \X{\M{\<46>}{\<66>}}\X{\T{\<76>}{\R{.8ex}{\<247>}}}\X{\M{\<47>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<42>}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\<70>\<160>\<62>}\X{\mmV{\<187>}}
+\X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>}\X{\<70>\<31>} \X{\<128>}\X{\M{\<31>}{\<65>}}\X{\<168>}\X{\<21>} \X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<21>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<21>}\X{\<31>\<63>}\X{\<247>}\X{\M{\<49>}{\<65>}}\X{\<172>}{\RMF,} \X{\<71>\<21>}\X{\<56>}\X{\<48>\<63>}\X{\<53>\<64>}\X{\<48>}\X{\<70>\<40>}
+\X{\<56>\K{-.5}\<86>}\X{\<36>}\X{\<215>}\X{\<40>\<62>}\X{\<160>\<63>} \X{\<5>}\X{\<47>}\X{\<160>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}
+
+\smallskip
+
+\X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}{\RMF:} {\RMF``}\X{\M{\<42>}{\<66>}}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<82>}{}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<2>} \X{\<9>}\X{\<42>}\X{\<21>\<62>}\X{\<48>}\X{\<2>} \X{\<9>}\X{\<187>\<62>}\X{\<128>}\X{\<2>}{\RMF.}{\RMF''}
+
+}\bigskip
+
+{\mmtr Oru simham u\d s\d natt\=alum n\=ay\=a\d t\d tin\=alum ta\d larnnu k\d s{\=\i}\d niccu\.nk\=o\d n\d tu
+ta\d nalu\d l\d la ta\d ticca oru karuv\=elakav\d rk\d satti\b n\b te vi\d tarnnat\=aya konpuka\d lu\d te
+k{\=\i}\b ze vi\'sr\=amattin\=ayi ki\d tannirunnu. Avi\d te ki\d tannu\b ra\.n\.nunp\=o\d l,
+kalahiccuko\d n\d tirunna oru k\=u\d t\d tam cu\d n\d teli ati\b n\b te m\=ukkinm\=el
+\=o\d tikkaya\b ri atine u\d nartti. \=Ayatunimittam \~ne\d t\d ti avayil onnine ta\b n\b te
+kaiko\d n\d tu pi\d ticcu koll\=a\b r\=akki. App\=o\d l ce\b riya cu\d n\d teli va\d lar\=e
+vyasanatt\=o\d t\=e karu\d nakk ap\=ek\d siccu. Itra ce\b riya nik\d r\d s\d tajantuvi\b n\b te
+raktattekko\d n\d tu si\d mhatti\b n\b te kul{\=\i}natakku bha\.ngam varuttarutu ennu pa\b rakayum
+ceytu. Si\d mham k\=aryyam \=al\=ociccu ati\b n\b te ap\=ek\d sap\=ol\=e ceyyunnat\=a\d n\u u
+y\=ogyata ennu ka\d n\d t\u u vi\b raccuko\d n\d tirunna ce\b riya ta\d tavuk\=arane k\d sa\d nattil
+vi\d t\d tuka\d la\~n\~nu. \=E\b ra k\=alam ka\b ziyum munp\=e ta\b n\b te irekk\=ayi\d t\d tu\d l\d la
+sa\~nc\=a\b rattil k\=a\d t\d til\=u\d t\=e p\=a\~n\~napp\=o\d l v\=e\d tarvecca ke\d niyil
+ka\d tu\.n\.nuv\=an sa\.ngatiy\=ayi. Atilninnu vi\d t\d tup\=ov\=an tanikku ka\b zivill\=ayka
+ko\d n\d tu \=e\b ra\b ravum bhaya\.nkaran\=adatt\=o\d t\=e ala\b rikko\d n\d tirunnu.
+Cu\d n\d teli itu k\=e\d t\d ti\d t\d tu \=a si\d mhatti\b n\b te \'sabdam\=a\d nenna\b ri\~n\~natuko\d n\d t
+u\d tan\=e \=a sthalatt\=ekku cennu ta\b n\b te bandhu \=a\d nennum atuko\d n\d tu
+``onnum bhayappe\d t\=e\d n\d ta'' ennum pa\b ra\~n\~nu. Pinne u\d tane
+ta\b n\b te pa\d ni tu\d ta\.n\.ni: m\=urccayu\d l\d la ta\b n\b te ce\b riya palluka\d lekko\d n\d t
+ke\d niya\d te ku\d tukkuka \d leyum ke\d t\d tuka\d leyum ka\d ticca\b ruttu, k\=esariv{\=\i}rane
+svatantran\=akki ayakkayum ceytu.
+
+\smallskip
+
+Atuko\d n\d tu: ``p\=ulluka\d l{}ko\d n\d tum upak\=aram u\d n\d t\=akum.''
+
+}
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL,
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
new file mode 100644
index 00000000000..74a16cdcba8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
@@ -0,0 +1,440 @@
+% mmarticle.mm -- article about Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala,
+employs a beautiful but complicated script. This script uses numerous
+ligatures and places glyphs on top of each other and out of phonetic
+order. To be able to typeset Malayalam, a \MF\ containing all
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called
+Malayalam-\TeX. This package enables the user to type Malayalam in an
+adaptable roman transliteration, which after being processed by the
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings
+of the \TeX\ system appeared, which made a straightforward
+implementation of the Malayalam script difficult. Several additions to
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and
+\TeX\ together proved to be a powerful tool that made the development
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ($malayaaLam$), which is the first language of
+an estimated {\os30}~million people in the South Indian state Kerala,
+uses its own script, which is characterised by curly shaped
+characters. It is believed that those rounded shapes developed because
+it was written on palm leaves with a metal nib, which would have
+pricked through the medium, if the script had contained sharp curves.
+The same rounded shapes can be found in the other South Indian and
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts
+and variations of scripts. Until a few centuries ago, the Malayalam
+language was normally written in the Old Tamil or $^mappiLLa$
+($$^mappiLLa$$) alphabet, also known as $vaTTezhuttu$
+($$vaTTezhuttu$$), the `rounded characters'. This script however, did
+not contain many letters necessary for writing Sanskrit. They became
+necessary in writing Malayalam since the language absorbed many
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet $^tun~jettu
+^ezhuttacchan_$ ($$^tun~jettu ^ezhuttacchan_$$)\footnote*{literally
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called $^aaryavezhuttu$ ($$^aaryavezhuttu$$) or `Aryan characters'
+from the Tamil Grantha alphabet to render Sanskrit poetry in
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient
+Brahmi script. His alphabet quickly became the standard for writing
+Malayalam. (however, a variant of the old script, called $koolezhuttu$
+($$koolezhuttu$$) was in use far into this century for keeping records
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but
+unlike Tamil, it uses complex conjunct characters, with letters
+subscribed to others, and out of phonetic order, as can be seen in
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in
+the {\os18}th~century, printing letters for Malayalam where designed,
+modelled after the, at that time, popular Latin Bodoni types, with
+large differences between thin and thick strokes. Printing Malayalam,
+however, proved to be quite complicated; in traditional typography,
+several hundreds of distinct lead glyphs where needed to typeset the
+language.
+
+To ease learning and typesetting, the government of the state of
+Kerala adopted a reformed script in {\os1974}. It abandons most of the
+subscribed conjuncts and all the irregular vowel signs. Although this
+script is now teached in all schools in Kerala, and newspapers are
+printed in it, the original script is still in widespread use, and
+mixtures of the two styles in one document can be seen regularly. In
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither
+purely syllabic, nor purely alphabetic. The modern alphabet consists
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and
+{\os36}~for the consonants followed by an `inherent'~$$a$$. To write a
+syllable with another vowel, a special sign is applied to the normal
+consonant character. When two consonants appear next to each other
+without an intermediate vowel, They are joined to each other in some
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the
+Sanskrit order, on phonetic principles, putting related sounds
+together. For the sounds not used in Sanskrit, new letters where added
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also
+includes the Sanskrit vowels $.r.r$, $.l$, and $.l.l$ for respectively
+$$.r.r$$, $$.l$$, and $$.l.l$$.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$a$ & $aa$ & $i$ & $ii$ & $u$ & $uu$ & $.r$ \cr
+$$a$$ & $$aa$$ & $$i$$ & $$ii$$ & $$u$$ & $$uu$$ & $$.r$$ \cr
+$e$ & $ee$ & $ai$ & $o$ & $oo$ & $au$ \cr
+$$e$$ & $$ee$$ & $$ai$$& $$o$$ & $$oo$$& $$au$$ \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers $M$,
+$$M$$, and $H$, $$H$$. They are called {\it anusvaram} and {\it
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+$ka$ & $kha$ & $ga$ & $gha$ & $n"a$ & $ya$ & $ra$ & $la$ & $va$ \cr
+$$ka$$ & $$kha$$ & $$ga$$ & $$gha$$ & $$n"a$$ & $$ya$$ & $$ra$$ & $$la$$ & $$va$$ \cr
+$ca$ & $cha$ & $ja$ & $jha$ & $n~a$ & $sha$ & $Sa$ & $sa$ \cr
+$$ca$$ & $$cha$$ & $$ja$$ & $$jha$$ & $$n~a$$ & $$sha$$ & $$Sa$$ & $$sa$$ \cr
+$Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ & $ha$ & $La$ & $zha$ & $Ra$ \cr
+$$Ta$$ & $$Tha$$ & $$Da$$ & $$Dha$$ & $$Na$$ & $$ha$$ & $$La$$ & $$zha$$ & $$Ra$$ \cr
+$ta$ & $tha$ & $da$ & $dha$ & $na$ \cr
+$$ta$$ & $$tha$$ & $$da$$ & $$dha$$ & $$na$$ \cr
+$pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr
+$$pa$$ & $$pha$$ & $$ba$$ & $$bha$$ & $$ma$$ \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel
+sign, some of them standing to the left, or on both sides of the
+consonant to which they belong. This can be quite confusing in the
+when one starts learning the script. Here the vowel signs are given
+with the letter $ka$, {\it$$ka$$}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$ka$ & $kaa$ & $ki$ & $kii$ & $ku$ & $kuu$ & $k.r$ \cr
+$$ka$$ & $$kaa$$ & $$ki$$ & $$kii$$ & $$ku$$ & $$kuu$$ & $$k.r$$ \cr
+$ke$ & $kee$ & $kai$ & $ko$ & $koo$ & $kau$ \cr
+$$ke$$ & $$kee$$ & $$kai$$& $$ko$$ & $$koo$$& $$kau$$ \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow
+each other. In that case there are several alternatives. First, the
+consonants are joined with each other to form a new conjunct, like in
+$jja$, $nta$, and $NTa$; second one can write the second consonant as
+a subscript to the first, like in $ppa$, and $NNa$; the third option
+is to use a special symbol, $+$, called $candrakala$,
+{\it$$candrakala$$}, to indicate the absence of the inherent vowel in
+a consonant. This symbol is also used when a word ends in a consonant.
+Several letters form a ligature with this sign: $k$ for $ka+$, $N$ for
+$Na+$, $t$ for $ta+$ or $la+$, $n$ for $na+$, $m$ for $ma+$, $r$ for
+$ra+$, and $L$ for $La+$.
+
+Some consonants have a special sign when they occur as the last
+element of a consonant cluster:
+$ya$ becomes ${}<<ya$ as in $kya$, {\it$$kya$$};
+$ra$ becomes ${}<<ra$ , standing to the left of the cluster, as in
+$kra$, {\it$$kra$$};
+$la$ becomes ${}<<la$, as in $kla$, {\it$$kla$$}; and
+$va$ becomes ${}<<va$ as in $kva$, {\it$$kva$$}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I
+have no knowledge of the language; I had no clear arrangement of all
+needed conjuncts, nor a good example typeface, which I could use as a
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the
+traditional typographic style, I decided to switch to a `script' style
+of letters, for two reasons. First designing and coding a font in the
+traditional style, with unnatural thick-thin transistions --~i.e.,
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on
+it. Second, the traditional design is hard on the eyes, because it has
+a big difference between thick and thin. It often produces a page
+which looks `stained' from distance, instead of the more evenly
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew
+each character about {\os2}~centimetres high out of free hand on graph
+paper with a yellow marker-pen, the same type you use to highlight
+text. When I was satisfied with this character, I decided where to put
+control points, and marked them with a black dot, measured the
+positions of the dots on the graph paper and coded them, together with
+the path my pen had made through those points, in \MF. After running
+\MF\ the character appeared on the screen for the first time. When I
+was not satisfied with its look, I would move some control points a
+bit, and re-run \MF. I repeated this process until I was satisfied
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it
+is build up of, I defined a macro for most consonants. This way all
+that was needed to define the shape of a conjunct was a macro-call for
+each of the constituent consonants, sometimes adjusting some points
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend
+on average about half an hour per character --~although I needed
+several hours to get some, notably $ja$ and $ya$, right~-- Still the
+results are acceptable, thanks to \MF, which does a great job of
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build
+by placing a smaller variant of the glyph of the second consonant
+below the normal sized glyph of the first consonant. To avoid coding
+these smaller consonants again, I decided to create a second font,
+called the {\it subfont\/}, which contains only the characters that
+can be subscribed. This font uses the same code to produce the glyphs,
+but \MF-parameters have been adjusted, so that this font combines well
+with the `main'-font. The job of combining glyphs from the `sub' and
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike
+Donald Knuth's Computer Modern fonts, only a few variations in letter
+style can be derived from the \MF-source. I produced several styles: a
+regular, slanted, and bold style drawn with a circular pen, and a
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8},
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I
+created some `big' bold fonts for headlines and a few more
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is
+straightforward. Roughly speaking, all you have to do is to place the
+letters in a row, in the same order as you type them, taking care to
+move to the next line when the current line is filled up. There is
+roughly a one-to-one relationship between characters, letters, and
+glyphs. Typesetting Malayalam text is much more complicated. You have
+to use conjuncts, stack glyphs on top of each other, or place glyphs
+that represent sounds that come after a consonant before the glyph of
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can
+be said to consist of syllables, which are just as easily placed on a
+line from left to right as English. The remaining problem is how to
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue.
+To build a syllable, you can put a glyph in a box, place it relative
+to another character, and put the resulting construction into another
+box for use it in further constructing, until the syllable is
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is
+possible to let \TeX\ do all the necessary processing, however, at a
+high cost in both processor load and memory usage at run time, which
+makes it impossible to use Telugu-\TeX\ on a small personal computer.
+Also, programming these tasks in the \TeX-programming language is
+awkward, requiring many `dirty tricks'. For these reasons I decided to
+implement a pre-processor, written in~C, which does most of the
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has
+many very long `words'. Both in speaking as in writing, the boundaries
+between words tend to disappear, and often the last letter of a word
+changes and/or forms a conjunct with the first of the next word. This
+effect, know as `Sandhi', appears in most languages, but in Malayalam
+it is quite prominent, and also reflected in the orthography. As a
+result, a text contains very long sequences of characters and few
+spaces, which can serve as line-break points. As a result, it is
+difficult to obtain even spacing between words, especially in narrow
+columns. Several of \TeX's line-breaking parameters had to be adjusted
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need
+some way to {\it input\/} it. Unfortunately, I have no keyboard or
+editor on which I can type Malayalam script directly. So I was forced
+to use some transcription scheme in ASCII. The transcription I decided
+to use was based on the following principles. First it should be
+easily readable, avoiding as much as possible non-letters and capital
+letters in the middle of words, non-ambiguous, so that it can be
+converted automatically, easily recognisable, and finally, besides
+being able to produce Malayalam text from it, I wanted to be able to
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be
+very `religious' about what they consider a good transcription-scheme.
+Beside that they can also have huge texts already available in some
+transcription, and be unwilling to convert that, so I decided to have
+the pre-processor read the transcription from a file, which can easily
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers,
+who may not even know the roman alphabet, and also awkward for
+entering large pieces of text, since many typing errors only show up
+when the text is seen after processing by \TeX, so it should be
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many
+things remain to be desired. The pre-processing stage, and the need to
+represent non-Latin scripts with a sequence of inpenetratable commands
+to typeset glyphs is far from ideal. A much more workable scheme would
+be to have \TeX\ understand that some characters are Malayalam
+characters, while others are Latin or from yet another script, and
+have \TeX\ typeset them as such correctly, including contextual
+analysis.
+
+This first of all raises the issue of character-sets. Some few years
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a
+final concession to user-demand for multi-lingual support, but by now
+it would be very desirous to make the leap to 16-bit characters, and
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual,
+since many more obscure or obsolete writing systems have been left
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal
+with them in a way that makes sense. Nowadays, \TeX\ only truly
+understands two writing systems --~that of English, and that of
+mathematics~-- and does a wonderful, although not perfect, job in
+handling those. But other scripts require some kind of pre-processor,
+or extremely clever hacking with \TeX-macros, as is is done in Klaus
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would
+be to add more modes to \TeX, for example an Arabic-mode for the
+Arabic script, and a Malayalam mode for Malayalam script --~one can,
+however, also imagine one generalized mode for all Indic scripts~--,
+and to take the idea further, a mode for music and dance notation, and
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make
+the development of these a managable task; no single person can know
+all the relevant details of all writing systems. A script or writing
+system `module' or `driver' would come into action whenever a
+character of its script, or token requiring the explicit change of
+mode, is encountered, and handle all consequent characters and tokens,
+until one arrives that it cannot handle --~these may include some
+normal tokens like a `space' character, which is common in most
+writing systems.
+
+While processing its part of the input, a module will add boxes to the
+current horizontal list, which will then be handled by \TeX's
+paragraph handling mechanism as usual --~although some extensions may
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of
+how to represent characters with the glyphs of that font. An extended
+font metric format should provide information about how to build
+conjunct forms or use contextual variants of glyphs available in a
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already
+supports a 16-bit character set, and also incorporates code to do
+vertical typesetting as is required by some writing systems. The
+adaptation of P-\TeX\ to Unicode for at least the ideographic
+characters will be reasonable straightforward. Adding the various
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch
+oriented text formatter like \TeX, but one that understands Unicode
+and uses functional instead of typographical tagging of the input
+text. Preferably it would understand SGML, and format this using some
+lay-out style definition, which then should be defined in a language
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which
+points, constrains between points and pen strokes through them can be
+added or moved and their effects can be seen immediately. I very much
+prefer the its pen-stroke metaphor above the outline editing most
+other font design tools offer, but maybe the idea of changing
+`pressure' on or rotation of the a pen during its movement can be
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated
+typesetting of the traditional script is no longer a big problem.
+Malayalam \TeX\ can both produce the traditional style script and the
+reformed script, as well as a scientific transliteration from the same
+input file.
+
+The world knows many scripts, many of them have only a very limited
+use, --~compared with some of them, Malayalam, is a very widely used
+script. As shown with my experience with Malayalam, it is only several
+months of work to obtain acceptable typesetting quality for most
+scripts (The exception being ideographic or logographic scripts as
+Chinese), thus bringing computerized typography within the reach of
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the
+traditional script, followed by an automatically derived transcription,
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
new file mode 100644
index 00000000000..7089879b539
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
@@ -0,0 +1,436 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala,
+employs a beautiful but complicated script. This script uses numerous
+ligatures and places glyphs on top of each other and out of phonetic
+order. To be able to typeset Malayalam, a \MF\ containing all
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called
+Malayalam-\TeX. This package enables the user to type Malayalam in an
+adaptable roman transliteration, which after being processed by the
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings
+of the \TeX\ system appeared, which made a straightforward
+implementation of the Malayalam script difficult. Several additions to
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and
+\TeX\ together proved to be a powerful tool that made the development
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ({\mm \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}), which is the first language of
+an estimated {\os30}~million people in the South Indian state Kerala,
+uses its own script, which is characterised by curly shaped
+characters. It is believed that those rounded shapes developed because
+it was written on palm leaves with a metal nib, which would have
+pricked through the medium, if the script had contained sharp curves.
+The same rounded shapes can be found in the other South Indian and
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts
+and variations of scripts. Until a few centuries ago, the Malayalam
+language was normally written in the Old Tamil or {\mm \X{\<46>}\X{\<242>\<63>}\X{\<51>\K{-.2}\<51>}}
+({\mmtr Mappi\d l\d la}) alphabet, also known as {\mm \X{\<53>}\X{\<70>\<164>}\X{\<52>\<72>}\X{\<165>\<72>}}
+({\mmtr va\d t\d te\b zuttu}), the `rounded characters'. This script however, did
+not contain many letters necessary for writing Sanskrit. They became
+necessary in writing Malayalam since the language absorbed many
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet {\mm \X{\<36>\<72>}\X{\<70>\<186>}\X{\<165>\<72>}
+\X{\<14>}\X{\<52>\<72>}\X{\<165>}\X{\mmV{\<26>}\<27>}\X{\<79>}} ({\mmtr Tu\~njettu E\b zuttaccha\b n})\footnote*{literally
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called {\mm \X{\<6>}\X{\<80>\<47>}\X{\<70>\<53>}\X{\<52>\<72>}\X{\<165>\<72>}} ({\mmtr \=Aryave\b zuttu}) or `Aryan characters'
+from the Tamil Grantha alphabet to render Sanskrit poetry in
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient
+Brahmi script. His alphabet quickly became the standard for writing
+Malayalam. (however, a variant of the old script, called {\mm \X{\<71>\<21>\<62>}\X{\<70>\<50>}\X{\<52>\<72>}\X{\<165>\<72>}}
+({\mmtr k\=ole\b zuttu}) was in use far into this century for keeping records
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but
+unlike Tamil, it uses complex conjunct characters, with letters
+subscribed to others, and out of phonetic order, as can be seen in
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in
+the {\os18}th~century, printing letters for Malayalam where designed,
+modelled after the, at that time, popular Latin Bodoni types, with
+large differences between thin and thick strokes. Printing Malayalam,
+however, proved to be quite complicated; in traditional typography,
+several hundreds of distinct lead glyphs where needed to typeset the
+language.
+
+To ease learning and typesetting, the government of the state of
+Kerala adopted a reformed script in {\os1974}. It abandons most of the
+subscribed conjuncts and all the irregular vowel signs. Although this
+script is now teached in all schools in Kerala, and newspapers are
+printed in it, the original script is still in widespread use, and
+mixtures of the two styles in one document can be seen regularly. In
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither
+purely syllabic, nor purely alphabetic. The modern alphabet consists
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and
+{\os36}~for the consonants followed by an `inherent'~{\mmtr a}. To write a
+syllable with another vowel, a special sign is applied to the normal
+consonant character. When two consonants appear next to each other
+without an intermediate vowel, They are joined to each other in some
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the
+Sanskrit order, on phonetic principles, putting related sounds
+together. For the sounds not used in Sanskrit, new letters where added
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also
+includes the Sanskrit vowels {\mm \X{\<96>}}, {\mm \X{\<12>}}, and {\mm \X{\<97>}} for respectively
+{\mmtr {\rii}}, {\mmtr \d l}, and {\mmtr {\lii}}.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<5>}} & {\mm \X{\<6>}} & {\mm \X{\<7>}} & {\mm \X{\<7>\<87>}} & {\mm \X{\<9>}} & {\mm \X{\<9>\<87>}} & {\mm \X{\<11>}} \cr
+{\mmtr a} & {\mmtr \=a} & {\mmtr i} & {\mmtr {\=\i}} & {\mmtr u} & {\mmtr \=u} & {\mmtr \d r} \cr
+{\mm \X{\<14>}} & {\mm \X{\<15>}} & {\mm \X{\<70>\<14>}} & {\mm \X{\<18>}} & {\mm \X{\<18>\<62>}} & {\mm \X{\<18>\<87>}} \cr
+{\mmtr e} & {\mmtr \=e} & {\mmtr ai}& {\mmtr o} & {\mmtr \=o}& {\mmtr au} \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers {\mm \<2>},
+{\mmtr \d m}, and {\mm \<3>}, {\mmtr \d h}. They are called {\it anusvaram} and {\it
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}} & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}} \cr
+{\mmtr ka} & {\mmtr kha} & {\mmtr ga} & {\mmtr gha} & {\mmtr \.na} & {\mmtr ya} & {\mmtr ra} & {\mmtr la} & {\mmtr va} \cr
+{\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}} & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}} \cr
+{\mmtr ca} & {\mmtr cha} & {\mmtr ja} & {\mmtr jha} & {\mmtr \~na} & {\mmtr \'sa} & {\mmtr \d sa} & {\mmtr sa} \cr
+{\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}} & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr
+{\mmtr \d ta} & {\mmtr \d tha} & {\mmtr \d da} & {\mmtr \d dha} & {\mmtr \d na} & {\mmtr ha} & {\mmtr \d la} & {\mmtr \b za} & {\mmtr \b ra} \cr
+{\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}} \cr
+{\mmtr ta} & {\mmtr tha} & {\mmtr da} & {\mmtr dha} & {\mmtr na} \cr
+{\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}} \cr
+{\mmtr pa} & {\mmtr pha} & {\mmtr ba} & {\mmtr bha} & {\mmtr ma} \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel
+sign, some of them standing to the left, or on both sides of the
+consonant to which they belong. This can be quite confusing in the
+when one starts learning the script. Here the vowel signs are given
+with the letter {\mm \X{\<21>}}, {\it{\mmtr ka}}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}} & {\mm \X{\<21>\<62>}} & {\mm \X{\<21>\<63>}} & {\mm \X{\<21>\<64>}} & {\mm \X{\<21>\<72>}} & {\mm \X{\<21>\<73>}} & {\mm \X{\<21>\<75>}} \cr
+{\mmtr ka} & {\mmtr k\=a} & {\mmtr ki} & {\mmtr k{\=\i}} & {\mmtr ku} & {\mmtr k\=u} & {\mmtr k\d r} \cr
+{\mm \X{\<70>\<21>}} & {\mm \X{\<71>\<21>}} & {\mm \X{\<70>\<70>\<21>}} & {\mm \X{\<70>\<21>\<62>}} & {\mm \X{\<71>\<21>\<62>}} & {\mm \X{\<21>\<87>}} \cr
+{\mmtr ke} & {\mmtr k\=e} & {\mmtr kai}& {\mmtr ko} & {\mmtr k\=o}& {\mmtr kau} \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow
+each other. In that case there are several alternatives. First, the
+consonants are joined with each other to form a new conjunct, like in
+{\mm \X{\<162>}}, {\mm \X{\<194>}}, and {\mm \X{\<187>}}; second one can write the second consonant as
+a subscript to the first, like in {\mm \X{\<242>}}, and {\mm \X{\<241>}}; the third option
+is to use a special symbol, {\mm \<77>}, called {\mm \X{\<26>}\X{\<74>\<195>}\X{\<21>}\X{\<50>}},
+{\it{\mmtr candrakala}}, to indicate the absence of the inherent vowel in
+a consonant. This symbol is also used when a word ends in a consonant.
+Several letters form a ligature with this sign: {\mm \X{\<94>}} for {\mm \X{\<21>}\<77>}, {\mm \X{\<78>}} for
+{\mm \X{\<35>}\<77>}, {\mm \X{\<81>}} for {\mm \X{\<36>}\<77>} or {\mm \X{\<50>}\<77>}, {\mm \X{\<79>}} for {\mm \X{\<40>}\<77>}, {\mm \X{\<2>}} for {\mm \X{\<46>}\<77>}, {\mm \X{\<80>}} for
+{\mm \X{\<48>}\<77>}, and {\mm \X{\<82>}} for {\mm \X{\<51>}\<77>}.
+
+Some consonants have a special sign when they occur as the last
+element of a consonant cluster:
+{\mm \X{\<47>}} becomes {\mm {}\hbox{}\<83>} as in {\mm \X{\<21>\<83>}}, {\it{\mmtr kya}};
+{\mm \X{\<48>}} becomes {\mm {}\<74>\hbox{}} , standing to the left of the cluster, as in
+{\mm \X{\<74>\<21>}}, {\it{\mmtr kra}};
+{\mm \X{\<50>}} becomes {\mm {}\M{\hbox{}}{\<85>}}, as in {\mm \X{\M{\<21>}{\<85>}}}, {\it{\mmtr kla}}; and
+{\mm \X{\<53>}} becomes {\mm {}\hbox{}\K{-.5}\<86>} as in {\mm \X{\<21>\K{-.5}\<86>}}, {\it{\mmtr kva}}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I
+have no knowledge of the language; I had no clear arrangement of all
+needed conjuncts, nor a good example typeface, which I could use as a
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the
+traditional typographic style, I decided to switch to a `script' style
+of letters, for two reasons. First designing and coding a font in the
+traditional style, with unnatural thick-thin transistions --~i.e.,
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on
+it. Second, the traditional design is hard on the eyes, because it has
+a big difference between thick and thin. It often produces a page
+which looks `stained' from distance, instead of the more evenly
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew
+each character about {\os2}~centimetres high out of free hand on graph
+paper with a yellow marker-pen, the same type you use to highlight
+text. When I was satisfied with this character, I decided where to put
+control points, and marked them with a black dot, measured the
+positions of the dots on the graph paper and coded them, together with
+the path my pen had made through those points, in \MF. After running
+\MF\ the character appeared on the screen for the first time. When I
+was not satisfied with its look, I would move some control points a
+bit, and re-run \MF. I repeated this process until I was satisfied
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it
+is build up of, I defined a macro for most consonants. This way all
+that was needed to define the shape of a conjunct was a macro-call for
+each of the constituent consonants, sometimes adjusting some points
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend
+on average about half an hour per character --~although I needed
+several hours to get some, notably {\mm \X{\<28>}} and {\mm \X{\<47>}}, right~-- Still the
+results are acceptable, thanks to \MF, which does a great job of
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build
+by placing a smaller variant of the glyph of the second consonant
+below the normal sized glyph of the first consonant. To avoid coding
+these smaller consonants again, I decided to create a second font,
+called the {\it subfont\/}, which contains only the characters that
+can be subscribed. This font uses the same code to produce the glyphs,
+but \MF-parameters have been adjusted, so that this font combines well
+with the `main'-font. The job of combining glyphs from the `sub' and
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike
+Donald Knuth's Computer Modern fonts, only a few variations in letter
+style can be derived from the \MF-source. I produced several styles: a
+regular, slanted, and bold style drawn with a circular pen, and a
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8},
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I
+created some `big' bold fonts for headlines and a few more
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is
+straightforward. Roughly speaking, all you have to do is to place the
+letters in a row, in the same order as you type them, taking care to
+move to the next line when the current line is filled up. There is
+roughly a one-to-one relationship between characters, letters, and
+glyphs. Typesetting Malayalam text is much more complicated. You have
+to use conjuncts, stack glyphs on top of each other, or place glyphs
+that represent sounds that come after a consonant before the glyph of
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can
+be said to consist of syllables, which are just as easily placed on a
+line from left to right as English. The remaining problem is how to
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue.
+To build a syllable, you can put a glyph in a box, place it relative
+to another character, and put the resulting construction into another
+box for use it in further constructing, until the syllable is
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is
+possible to let \TeX\ do all the necessary processing, however, at a
+high cost in both processor load and memory usage at run time, which
+makes it impossible to use Telugu-\TeX\ on a small personal computer.
+Also, programming these tasks in the \TeX-programming language is
+awkward, requiring many `dirty tricks'. For these reasons I decided to
+implement a pre-processor, written in~C, which does most of the
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has
+many very long `words'. Both in speaking as in writing, the boundaries
+between words tend to disappear, and often the last letter of a word
+changes and/or forms a conjunct with the first of the next word. This
+effect, know as `Sandhi', appears in most languages, but in Malayalam
+it is quite prominent, and also reflected in the orthography. As a
+result, a text contains very long sequences of characters and few
+spaces, which can serve as line-break points. As a result, it is
+difficult to obtain even spacing between words, especially in narrow
+columns. Several of \TeX's line-breaking parameters had to be adjusted
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need
+some way to {\it input\/} it. Unfortunately, I have no keyboard or
+editor on which I can type Malayalam script directly. So I was forced
+to use some transcription scheme in ASCII. The transcription I decided
+to use was based on the following principles. First it should be
+easily readable, avoiding as much as possible non-letters and capital
+letters in the middle of words, non-ambiguous, so that it can be
+converted automatically, easily recognisable, and finally, besides
+being able to produce Malayalam text from it, I wanted to be able to
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be
+very `religious' about what they consider a good transcription-scheme.
+Beside that they can also have huge texts already available in some
+transcription, and be unwilling to convert that, so I decided to have
+the pre-processor read the transcription from a file, which can easily
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers,
+who may not even know the roman alphabet, and also awkward for
+entering large pieces of text, since many typing errors only show up
+when the text is seen after processing by \TeX, so it should be
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many
+things remain to be desired. The pre-processing stage, and the need to
+represent non-Latin scripts with a sequence of inpenetratable commands
+to typeset glyphs is far from ideal. A much more workable scheme would
+be to have \TeX\ understand that some characters are Malayalam
+characters, while others are Latin or from yet another script, and
+have \TeX\ typeset them as such correctly, including contextual
+analysis.
+
+This first of all raises the issue of character-sets. Some few years
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a
+final concession to user-demand for multi-lingual support, but by now
+it would be very desirous to make the leap to 16-bit characters, and
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual,
+since many more obscure or obsolete writing systems have been left
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal
+with them in a way that makes sense. Nowadays, \TeX\ only truly
+understands two writing systems --~that of English, and that of
+mathematics~-- and does a wonderful, although not perfect, job in
+handling those. But other scripts require some kind of pre-processor,
+or extremely clever hacking with \TeX-macros, as is is done in Klaus
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would
+be to add more modes to \TeX, for example an Arabic-mode for the
+Arabic script, and a Malayalam mode for Malayalam script --~one can,
+however, also imagine one generalized mode for all Indic scripts~--,
+and to take the idea further, a mode for music and dance notation, and
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make
+the development of these a managable task; no single person can know
+all the relevant details of all writing systems. A script or writing
+system `module' or `driver' would come into action whenever a
+character of its script, or token requiring the explicit change of
+mode, is encountered, and handle all consequent characters and tokens,
+until one arrives that it cannot handle --~these may include some
+normal tokens like a `space' character, which is common in most
+writing systems.
+
+While processing its part of the input, a module will add boxes to the
+current horizontal list, which will then be handled by \TeX's
+paragraph handling mechanism as usual --~although some extensions may
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of
+how to represent characters with the glyphs of that font. An extended
+font metric format should provide information about how to build
+conjunct forms or use contextual variants of glyphs available in a
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already
+supports a 16-bit character set, and also incorporates code to do
+vertical typesetting as is required by some writing systems. The
+adaptation of P-\TeX\ to Unicode for at least the ideographic
+characters will be reasonable straightforward. Adding the various
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch
+oriented text formatter like \TeX, but one that understands Unicode
+and uses functional instead of typographical tagging of the input
+text. Preferably it would understand SGML, and format this using some
+lay-out style definition, which then should be defined in a language
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which
+points, constrains between points and pen strokes through them can be
+added or moved and their effects can be seen immediately. I very much
+prefer the its pen-stroke metaphor above the outline editing most
+other font design tools offer, but maybe the idea of changing
+`pressure' on or rotation of the a pen during its movement can be
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated
+typesetting of the traditional script is no longer a big problem.
+Malayalam \TeX\ can both produce the traditional style script and the
+reformed script, as well as a scientific transliteration from the same
+input file.
+
+The world knows many scripts, many of them have only a very limited
+use, --~compared with some of them, Malayalam, is a very widely used
+script. As shown with my experience with Malayalam, it is only several
+months of work to obtain acceptable typesetting quality for most
+scripts (The exception being ideographic or logographic scripts as
+Chinese), thus bringing computerized typography within the reach of
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the
+traditional script, followed by an automatically derived transcription,
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
new file mode 100644
index 00000000000..09ef121a4ad
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
@@ -0,0 +1,62 @@
+% mmchart.tex -- chart of Malayalam font
+% (c) 1992 Jeroen Hellingman
+% last edit: 06-DEC-1992
+
+%%%%%%%
+
+\font\cmss=cmss10
+\newcount\counter\counter=0
+
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\cell#1{\hfil#1\hfil}
+\def\>{\global\advance\counter by-255}
+\def\:{{\setbox0\hbox{\sfont\char\counter}%
+ \dimen0=\ht0\advance\dimen0by1pt\ht0=\dimen0%
+ \dimen0=\dp0\advance\dimen0by1pt\dp0=\dimen0%
+ \kern1pt\box0\kern1pt}%
+ \global\advance\counter by16}
+\def\tablerule{\noalign{\hrule}}
+
+\def\chart{{\cmss\vbox{\tabskip=0pt\offinterlineskip\global\counter=0
+\halign to \hsize{\vrule width.8pt\chartstrut##\tabskip0pt plus10pt%
+ &\cell{##}&\vrule width.8pt##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+ &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}%
+ &\vrule width.8pt##\tabskip=0pt\cr
+ \noalign{\hrule height.8pt}
+ &\multispan{33}\fontname\hfill&\cr
+ \noalign{\hrule height.8pt}
+ & &&0&&1&&2&&3&&4&&5&&6&&7&&8&&9&&A&&B&&C&&D&&E&&F&\cr\noalign{\hrule height.8pt}
+ &0&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&1&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&2&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&3&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&4&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&5&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&6&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&7&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&8&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&9&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&A&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&B&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&C&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&D&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&E&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&F&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\noalign{\hrule height.8pt}
+}}}}
+
+\def\table #1 {
+ \font\sfont=#1%
+ \edef\fontname{#1}
+ \chart\bigskip
+}
+
+%%%%%%
+
+\endinput
+
+
+
+ \ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
new file mode 100644
index 00000000000..ad1c14c0e17
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
@@ -0,0 +1,481 @@
+% mmconj.tex -- table of conjuncts
+% (c) 1993 Jeroen Hellingman
+% last edit: 07-FEB-1993
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+$k$ + $ka$ = $kka$
+$k$ + $kha$ = $kkha$
+$k$ + $Ta$ = $kTa$
+$k$ + $ta$ = $kta$
+$k$ + $ra$ = $kra$
+$k$ + $la$ = $kla$
+$k$ + $Sa$ = $kSa$
+$k$ + $S$ + $ma$ = $kSma$
+
+$kh$ + $ra$ = $khra$
+
+$g$ + $ga$ = $gga$
+$g$ + $da$ = $gda$
+$g$ + $d$ + $dha$ = $gddha$
+$g$ + $na$ = $gna$
+$g$ + $ma$ = $gma$
+$g$ + $ra$ = $gra$
+$g$ + $la$ = $gla$
+
+$gh$ + $ra$ = $ghra$
+
+$n"$ + $ka$ = $n"ka$
+$n"$ + $n"a$ = $n"n"a$
+
+$c$ + $ca$ = $cca$
+$c$ + $cha$ = $ccha$
+
+$j$ + $ja$ = $jja$
+$j$ + $n~a$ = $jn~a$
+
+$n~$ + $ca$ = $n~ca$
+$n~$ + $ja$ = $n~ja$
+$n~$ + $n~a$ = $n~n~a$
+
+$T$ + $Ta$ = $TTa$
+$T$ + $Tha$ = $TTha$
+$T$ + $ra$ = $Tra$
+
+$D$ + $Da$ = $DDa$
+
+$N<<+$ + $ka$ = $Nka$
+$N<<+$ + $Ta$ = $NTa$
+$N<<+$ + $Da$ = $NDa$
+$N<<+$ + $Dha$ = $NDha$
+$N<<+$ + $Na$ = $NNa$
+
+$t<<+$ + $ta$ = $tta$
+$t<<+$ + $tha$ = $ttha$
+$t<<+$ + $na$ = $tna$
+$t<<+$ + $ma$ = $tma$
+$t<<+$ + $ra$ = $tra$
+
+$d$ + $da$ = $dda$
+$d$ + $dha$ = $ddha$
+$d$ + $ra$ = $dra$
+
+$n<<+$ + $ta$ = $nta$
+$n<<+$ + $t<<+$ + $ra$ = $ntra$
+$n<<+$ + $tha$ = $ntha$
+$n<<+$ + $da$ = $nda$
+$n<<+$ + $d$ + $ra$ = $ndra$
+$n<<+$ + $dha$ = $ndha$
+$n<<+$ + $na$ = $nna$
+$n<<+$ + $pa$ = $npa$
+$n<<+$ + $ma$ = $nma$
+
+$p$ + $ta$ = $pta$
+$p$ + $pa$ = $ppa$
+$p$ + $pha$ = $ppha$
+$p$ + $ra$ = $pra$
+
+$ph$ + $ra$ = $phra$
+
+$b$ + $dha$ = $bdha$
+$b$ + $ba$ = $bba$
+$b$ + $bha$ = $bbha$
+$b$ + $ra$ = $bra$
+
+$bh$ + $da$ = $bhda$
+$bh$ + $ra$ = $bhra$
+
+$m<<+$ + $ma$ = $mma$
+$m<<+$ + $ra$ = $mra$
+$m<<+$ + $la$ = $mla$
+
+$y$ + $k$ + $ka$ = $ykka$
+$y$ + $Ta$ = $yTa$
+$y$ + $ta$ = $yta$
+$y$ + $ya$ = $yya$
+
+$R<<+$ + $Ra$ = $RRa$
+
+$l<<+$ + $k$ + $ka$ = $lkka$
+$l<<+$ + $pa$ = $lpa$
+$l<<+$ + $la$ = $lla$
+
+$v$ + $va$ = $vva$
+
+$sh$ + $ma$ = $shma$
+$sh$ + $ra$ = $shra$
+$sh$ + $la$ = $shla$
+$sh$ + $sha$ = $shsha$
+
+$S$ + $Ta$ = $STa$
+$S$ + $T$ + $ra$ = $STra$
+$S$ + $ma$ = $Sma$
+
+$s$ + $ka$ = $ska$
+$s$ + $k$ + $ka$ = $skka$
+$s$ + $Ta$ = $sTa$
+$s$ + $T$ + $ra$ = $sTra$
+$s$ + $ta$ = $sta$
+$s$ + $t<<+$ + $ra$ = $stra$
+$s$ + $tha$ = $stha$
+$s$ + $na$ = $sna$
+$s$ + $ma$ = $sma$
+$s$ + $ra$ = $sra$
+$s$ + $R$ + $Ra$ = $sRRa$
+$s$ + $sa$ = $ssa$
+
+$h$ + $na$ = $hna$
+$h$ + $ma$ = $hma$
+
+$L<<+$ + $La$ = $LLa$
+
+$zh$ + $ca$ = $zhca$
+
+}
+
+\mmc
+
+$
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kla khla gla ghla n"la cla chla jla jhla n~la
+Tla Thla Dla Dhla Nla tla thla dla dhla nla
+pla phla bla bhla mla yla rla lla vla shla Sla sla
+hla Lla Rla zhla
+
+kva khva gva ghva n"va cva chva jva jhva n~va
+Tva Thva Dva Dhva Nva tva thva dva dhva nva
+pva phva bva bhva mva yva rva lva vva shva Sva sva
+hva Lva Rva zhva
+
+$
+
+\bye
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+ && $ka$ & $kha$ & $ga$ & $gha$ & $n"a$
+ & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$
+ & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$
+ & $ta$ & $tha$ & $da$ & $dha$ & $na$
+ & $pa$ & $pha$ & $ba$ & $bha$ & $ma$
+ & $ya$ & $ra$ & $la$ & $va$
+ & $sha$ & $Sa$ & $sa$
+ & $ha$ & $La$ & $zha$ & $Ra$ \cr
+\noalign{\hrule}
+$ka$ && $kka$ & $kkha$ & $kga$ & $kgha$ & $kn"a$
+ & $kca$ & $kcha$ & $kja$ & $kjha$ & $kn~a$
+ & $kTa$ & $kTha$ & $kDa$ & $kDha$ & $kNa$
+ & $kta$ & $ktha$ & $kda$ & $kdha$ & $kna$
+ & $kpa$ & $kpha$ & $kba$ & $kbha$ & $kma$
+ & $kya$ & $kra$ & $kla$ & $kva$
+ & $ksha$ & $kSa$ & $ksa$
+ & $k>ha$ & $kLa$ & $kzha$ & $kRa$ \cr
+$kha$ && $khka$ & $khkha$ & $khga$ & $khgha$ & $khn"a$
+ & $khca$ & $khcha$ & $khja$ & $khjha$ & $khn~a$
+ & $khTa$ & $khTha$ & $khDa$ & $khDha$ & $khNa$
+ & $khta$ & $khtha$ & $khda$ & $khdha$ & $khna$
+ & $khpa$ & $khpha$ & $khba$ & $khbha$ & $khma$
+ & $khya$ & $khra$ & $khla$ & $khva$
+ & $khsha$ & $khSa$ & $khsa$
+ & $kh>ha$ & $khLa$ & $khzha$ & $khRa$ \cr
+$ga$ && $gka$ & $gkha$ & $gga$ & $ggha$ & $gn"a$
+ & $gca$ & $gcha$ & $gja$ & $gjha$ & $gn~a$
+ & $gTa$ & $gTha$ & $gDa$ & $gDha$ & $gNa$
+ & $gta$ & $gtha$ & $gda$ & $gdha$ & $gna$
+ & $gpa$ & $gpha$ & $gba$ & $gbha$ & $gma$
+ & $gya$ & $gra$ & $gla$ & $gva$
+ & $gsha$ & $gSa$ & $gsa$
+ & $g>ha$ & $gLa$ & $gzha$ & $gRa$ \cr
+$gha$ && $ghka$ & $ghkha$ & $ghga$ & $ghgha$ & $ghn"a$
+ & $ghca$ & $ghcha$ & $ghja$ & $ghjha$ & $ghn~a$
+ & $ghTa$ & $ghTha$ & $ghDa$ & $ghDha$ & $ghNa$
+ & $ghta$ & $ghtha$ & $ghda$ & $ghdha$ & $ghna$
+ & $ghpa$ & $ghpha$ & $ghba$ & $ghbha$ & $ghma$
+ & $ghya$ & $ghra$ & $ghla$ & $ghva$
+ & $ghsha$ & $ghSa$ & $ghsa$
+ & $gh>ha$ & $ghLa$ & $ghzha$ & $ghRa$ \cr
+$n"a$ && $n"ka$ & $n"kha$ & $n"ga$ & $n"gha$ & $n"n"a$
+ & $n"ca$ & $n"cha$ & $n"ja$ & $n"jha$ & $n"n~a$
+ & $n"Ta$ & $n"Tha$ & $n"Da$ & $n"Dha$ & $n"Na$
+ & $n"ta$ & $n"tha$ & $n"da$ & $n"dha$ & $n"na$
+ & $n"pa$ & $n"pha$ & $n"ba$ & $n"bha$ & $n"ma$
+ & $n"ya$ & $n"ra$ & $n"la$ & $n"va$
+ & $n"sha$ & $n"Sa$ & $n"sa$
+ & $n">ha$ & $n"La$ & $n"zha$ & $n"Ra$ \cr
+\noalign{\hrule}
+$ca$ && $cka$ & $ckha$ & $cga$ & $cgha$ & $cn"a$
+ & $cca$ & $ccha$ & $cja$ & $cjha$ & $cn~a$
+ & $cTa$ & $cTha$ & $cDa$ & $cDha$ & $cNa$
+ & $cta$ & $ctha$ & $cda$ & $cdha$ & $cna$
+ & $cpa$ & $cpha$ & $cba$ & $cbha$ & $cma$
+ & $cya$ & $cra$ & $cla$ & $cva$
+ & $csha$ & $cSa$ & $csa$
+ & $c>ha$ & $cLa$ & $czha$ & $cRa$ \cr
+$cha$ && $chka$ & $chkha$ & $chga$ & $chgha$ & $chn"a$
+ & $chca$ & $chcha$ & $chja$ & $chjha$ & $chn~a$
+ & $chTa$ & $chTha$ & $chDa$ & $chDha$ & $chNa$
+ & $chta$ & $chtha$ & $chda$ & $chdha$ & $chna$
+ & $chpa$ & $chpha$ & $chba$ & $chbha$ & $chma$
+ & $chya$ & $chra$ & $chla$ & $chva$
+ & $chsha$ & $chSa$ & $chsa$
+ & $ch>ha$ & $chLa$ & $chzha$ & $chRa$ \cr
+$ja$ && $jka$ & $jkha$ & $jga$ & $jgha$ & $jn"a$
+ & $jca$ & $jcha$ & $jja$ & $jjha$ & $jn~a$
+ & $jTa$ & $jTha$ & $jDa$ & $jDha$ & $jNa$
+ & $jta$ & $jtha$ & $jda$ & $jdha$ & $jna$
+ & $jpa$ & $jpha$ & $jba$ & $jbha$ & $jma$
+ & $jya$ & $jra$ & $jla$ & $jva$
+ & $jsha$ & $jSa$ & $jsa$
+ & $j>ha$ & $jLa$ & $jzha$ & $jRa$ \cr
+$jha$ && $jhka$ & $jhkha$ & $jhga$ & $jhgha$ & $jhn"a$
+ & $jhca$ & $jhcha$ & $jhja$ & $jhjha$ & $jhn~a$
+ & $jhTa$ & $jhTha$ & $jhDa$ & $jhDha$ & $jhNa$
+ & $jhta$ & $jhtha$ & $jhda$ & $jhdha$ & $jhna$
+ & $jhpa$ & $jhpha$ & $jhba$ & $jhbha$ & $jhma$
+ & $jhya$ & $jhra$ & $jhla$ & $jhva$
+ & $jhsha$ & $jhSa$ & $jhsa$
+ & $jh>ha$ & $jhLa$ & $jhzha$ & $jhRa$ \cr
+$n~a$ && $n~ka$ & $n~kha$ & $n~ga$ & $n~gha$ & $n~n"a$
+ & $n~ca$ & $n~cha$ & $n~ja$ & $n~jha$ & $n~n~a$
+ & $n~Ta$ & $n~Tha$ & $n~Da$ & $n~Dha$ & $n~Na$
+ & $n~ta$ & $n~tha$ & $n~da$ & $n~dha$ & $n~na$
+ & $n~pa$ & $n~pha$ & $n~ba$ & $n~bha$ & $n~ma$
+ & $n~ya$ & $n~ra$ & $n~la$ & $n~va$
+ & $n~sha$ & $n~Sa$ & $n~sa$
+ & $n~>ha$ & $n~La$ & $n~zha$ & $n~Ra$ \cr
+\noalign{\hrule}
+$Ta$ && $Tka$ & $Tkha$ & $Tga$ & $Tgha$ & $Tn"a$
+ & $Tca$ & $Tcha$ & $Tja$ & $Tjha$ & $Tn~a$
+ & $TTa$ & $TTha$ & $TDa$ & $TDha$ & $TNa$
+ & $Tta$ & $Ttha$ & $Tda$ & $Tdha$ & $Tna$
+ & $Tpa$ & $Tpha$ & $Tba$ & $Tbha$ & $Tma$
+ & $Tya$ & $Tra$ & $Tla$ & $Tva$
+ & $Tsha$ & $TSa$ & $Tsa$
+ & $T>ha$ & $TLa$ & $Tzha$ & $TRa$ \cr
+$Tha$ && $Thka$ & $Thkha$ & $Thga$ & $Thgha$ & $Thn"a$
+ & $Thca$ & $Thcha$ & $Thja$ & $Thjha$ & $Thn~a$
+ & $ThTa$ & $ThTha$ & $ThDa$ & $ThDha$ & $ThNa$
+ & $Thta$ & $Ththa$ & $Thda$ & $Thdha$ & $Thna$
+ & $Thpa$ & $Thpha$ & $Thba$ & $Thbha$ & $Thma$
+ & $Thya$ & $Thra$ & $Thla$ & $Thva$
+ & $Thsha$ & $ThSa$ & $Thsa$
+ & $Th>ha$ & $ThLa$ & $Thzha$ & $ThRa$ \cr
+$Da$ && $Dka$ & $Dkha$ & $Dga$ & $Dgha$ & $Dn"a$
+ & $Dca$ & $Dcha$ & $Dja$ & $Djha$ & $Dn~a$
+ & $DTa$ & $DTha$ & $DDa$ & $DDha$ & $DNa$
+ & $Dta$ & $Dtha$ & $Dda$ & $Ddha$ & $Dna$
+ & $Dpa$ & $Dpha$ & $Dba$ & $Dbha$ & $Dma$
+ & $Dya$ & $Dra$ & $Dla$ & $Dva$
+ & $Dsha$ & $DSa$ & $Dsa$
+ & $D>ha$ & $DLa$ & $Dzha$ & $DRa$ \cr
+$Dha$ && $Dhka$ & $Dhkha$ & $Dhga$ & $Dhgha$ & $Dhn"a$
+ & $Dhca$ & $Dhcha$ & $Dhja$ & $Dhjha$ & $Dhn~a$
+ & $DhTa$ & $DhTha$ & $DhDa$ & $DhDha$ & $DhNa$
+ & $Dhta$ & $Dhtha$ & $Dhda$ & $Dhdha$ & $Dhna$
+ & $Dhpa$ & $Dhpha$ & $Dhba$ & $Dhbha$ & $Dhma$
+ & $Dhya$ & $Dhra$ & $Dhla$ & $Dhva$
+ & $Dhsha$ & $DhSa$ & $Dhsa$
+ & $Dh>ha$ & $DhLa$ & $Dhzha$ & $DhRa$ \cr
+$Na$ && $Nka$ & $Nkha$ & $Nga$ & $Ngha$ & $Nn"a$
+ & $Nca$ & $Ncha$ & $Nja$ & $Njha$ & $Nn~a$
+ & $NTa$ & $NTha$ & $NDa$ & $NDha$ & $NNa$
+ & $Nta$ & $Ntha$ & $Nda$ & $Ndha$ & $Nna$
+ & $Npa$ & $Npha$ & $Nba$ & $Nbha$ & $Nma$
+ & $Nya$ & $Nra$ & $Nla$ & $Nva$
+ & $Nsha$ & $NSa$ & $Nsa$
+ & $N>ha$ & $NLa$ & $Nzha$ & $NRa$ \cr
+\noalign{\hrule}
+$ta$ && $tka$ & $tkha$ & $tga$ & $tgha$ & $tn"a$
+ & $tca$ & $tcha$ & $tja$ & $tjha$ & $tn~a$
+ & $tTa$ & $tTha$ & $tDa$ & $tDha$ & $tNa$
+ & $tta$ & $ttha$ & $tda$ & $tdha$ & $tna$
+ & $tpa$ & $tpha$ & $tba$ & $tbha$ & $tma$
+ & $tya$ & $tra$ & $tla$ & $tva$
+ & $tsha$ & $tSa$ & $tsa$
+ & $t>ha$ & $tLa$ & $tzha$ & $tRa$ \cr
+$tha$ && $thka$ & $thkha$ & $thga$ & $thgha$ & $thn"a$
+ & $thca$ & $thcha$ & $thja$ & $thjha$ & $thn~a$
+ & $thTa$ & $thTha$ & $thDa$ & $thDha$ & $thNa$
+ & $thta$ & $ththa$ & $thda$ & $thdha$ & $thna$
+ & $thpa$ & $thpha$ & $thba$ & $thbha$ & $thma$
+ & $thya$ & $thra$ & $thla$ & $thva$
+ & $thsha$ & $thSa$ & $thsa$
+ & $th>ha$ & $thLa$ & $thzha$ & $thRa$ \cr
+$da$ && $dka$ & $dkha$ & $dga$ & $dgha$ & $dn"a$
+ & $dca$ & $dcha$ & $dja$ & $djha$ & $dn~a$
+ & $dTa$ & $dTha$ & $dDa$ & $dDha$ & $dNa$
+ & $dta$ & $dtha$ & $dda$ & $ddha$ & $dna$
+ & $dpa$ & $dpha$ & $dba$ & $dbha$ & $dma$
+ & $dya$ & $dra$ & $dla$ & $dva$
+ & $dsha$ & $dSa$ & $dsa$
+ & $d>ha$ & $dLa$ & $dzha$ & $dRa$ \cr
+$dha$ && $dhka$ & $dhkha$ & $dhga$ & $dhgha$ & $dhn"a$
+ & $dhca$ & $dhcha$ & $dhja$ & $dhjha$ & $dhn~a$
+ & $dhTa$ & $dhTha$ & $dhDa$ & $dhDha$ & $dhNa$
+ & $dhta$ & $dhtha$ & $dhda$ & $dhdha$ & $dhna$
+ & $dhpa$ & $dhpha$ & $dhba$ & $dhbha$ & $dhma$
+ & $dhya$ & $dhra$ & $dhla$ & $dhva$
+ & $dhsha$ & $dhSa$ & $dhsa$
+ & $dh>ha$ & $dhLa$ & $dhzha$ & $dhRa$ \cr
+$na$ && $nka$ & $nkha$ & $nga$ & $ngha$ & $nn"a$
+ & $nca$ & $ncha$ & $nja$ & $njha$ & $nn~a$
+ & $nTa$ & $nTha$ & $nDa$ & $nDha$ & $nNa$
+ & $nta$ & $ntha$ & $nda$ & $ndha$ & $nna$
+ & $npa$ & $npha$ & $nba$ & $nbha$ & $nma$
+ & $nya$ & $nra$ & $nla$ & $nva$
+ & $nsha$ & $nSa$ & $nsa$
+ & $n>ha$ & $nLa$ & $nzha$ & $nRa$ \cr
+\noalign{\hrule}
+$pa$ && $pka$ & $pkha$ & $pga$ & $pgha$ & $pn"a$
+ & $pca$ & $pcha$ & $pja$ & $pjha$ & $pn~a$
+ & $pTa$ & $pTha$ & $pDa$ & $pDha$ & $pNa$
+ & $pta$ & $ptha$ & $pda$ & $pdha$ & $pna$
+ & $ppa$ & $ppha$ & $pba$ & $pbha$ & $pma$
+ & $pya$ & $pra$ & $pla$ & $pva$
+ & $psha$ & $pSa$ & $psa$
+ & $p>ha$ & $pLa$ & $pzha$ & $pRa$ \cr
+$pha$ && $phka$ & $phkha$ & $phga$ & $phgha$ & $phn"a$
+ & $phca$ & $phcha$ & $phja$ & $phjha$ & $phn~a$
+ & $phTa$ & $phTha$ & $phDa$ & $phDha$ & $phNa$
+ & $phta$ & $phtha$ & $phda$ & $phdha$ & $phna$
+ & $phpa$ & $phpha$ & $phba$ & $phbha$ & $phma$
+ & $phya$ & $phra$ & $phla$ & $phva$
+ & $phsha$ & $phSa$ & $phsa$
+ & $ph>ha$ & $phLa$ & $phzha$ & $phRa$ \cr
+$ba$ && $bka$ & $bkha$ & $bga$ & $bgha$ & $bn"a$
+ & $bca$ & $bcha$ & $bja$ & $bjha$ & $bn~a$
+ & $bTa$ & $bTha$ & $bDa$ & $bDha$ & $bNa$
+ & $bta$ & $btha$ & $bda$ & $bdha$ & $bna$
+ & $bpa$ & $bpha$ & $bba$ & $bbha$ & $bma$
+ & $bya$ & $bra$ & $bla$ & $bva$
+ & $bsha$ & $bSa$ & $bsa$
+ & $b>ha$ & $bLa$ & $bzha$ & $bRa$ \cr
+$bha$ && $bhka$ & $bhkha$ & $bhga$ & $bhgha$ & $bhn"a$
+ & $bhca$ & $bhcha$ & $bhja$ & $bhjha$ & $bhn~a$
+ & $bhTa$ & $bhTha$ & $bhDa$ & $bhDha$ & $bhNa$
+ & $bhta$ & $bhtha$ & $bhda$ & $bhdha$ & $bhna$
+ & $bhpa$ & $bhpha$ & $bhba$ & $bhbha$ & $bhma$
+ & $bhya$ & $bhra$ & $bhla$ & $bhva$
+ & $bhsha$ & $bhSa$ & $bhsa$
+ & $bh>ha$ & $bhLa$ & $bhzha$ & $bhRa$ \cr
+$ma$ && $mka$ & $mkha$ & $mga$ & $mgha$ & $mn"a$
+ & $mca$ & $mcha$ & $mja$ & $mjha$ & $mn~a$
+ & $mTa$ & $mTha$ & $mDa$ & $mDha$ & $mNa$
+ & $mta$ & $mtha$ & $mda$ & $mdha$ & $mna$
+ & $mpa$ & $mpha$ & $mba$ & $mbha$ & $mma$
+ & $mya$ & $mra$ & $mla$ & $mva$
+ & $msha$ & $mSa$ & $msa$
+ & $m>ha$ & $mLa$ & $mzha$ & $mRa$ \cr
+\noalign{\hrule}
+$ya$ && $yka$ & $ykha$ & $yga$ & $ygha$ & $yn"a$
+ & $yca$ & $ycha$ & $yja$ & $yjha$ & $yn~a$
+ & $yTa$ & $yTha$ & $yDa$ & $yDha$ & $yNa$
+ & $yta$ & $ytha$ & $yda$ & $ydha$ & $yna$
+ & $ypa$ & $ypha$ & $yba$ & $ybha$ & $yma$
+ & $yya$ & $yra$ & $yla$ & $yva$
+ & $ysha$ & $ySa$ & $ysa$
+ & $y>ha$ & $yLa$ & $yzha$ & $yRa$ \cr
+$ra$ && $rka$ & $rkha$ & $rga$ & $rgha$ & $rn"a$
+ & $rca$ & $rcha$ & $rja$ & $rjha$ & $rn~a$
+ & $rTa$ & $rTha$ & $rDa$ & $rDha$ & $rNa$
+ & $rta$ & $rtha$ & $rda$ & $rdha$ & $rna$
+ & $rpa$ & $rpha$ & $rba$ & $rbha$ & $rma$
+ & $rya$ & $rra$ & $rla$ & $rva$
+ & $rsha$ & $rSa$ & $rsa$
+ & $r>ha$ & $rLa$ & $rzha$ & $rRa$ \cr
+$la$ && $lka$ & $lkha$ & $lga$ & $lgha$ & $ln"a$
+ & $lca$ & $lcha$ & $lja$ & $ljha$ & $ln~a$
+ & $lTa$ & $lTha$ & $lDa$ & $lDha$ & $lNa$
+ & $lta$ & $ltha$ & $lda$ & $ldha$ & $lna$
+ & $lpa$ & $lpha$ & $lba$ & $lbha$ & $lma$
+ & $lya$ & $lra$ & $lla$ & $lva$
+ & $lsha$ & $lSa$ & $lsa$
+ & $l>ha$ & $lLa$ & $lzha$ & $lRa$ \cr
+$va$ && $vka$ & $vkha$ & $vga$ & $vgha$ & $vn"a$
+ & $vca$ & $vcha$ & $vja$ & $vjha$ & $vn~a$
+ & $vTa$ & $vTha$ & $vDa$ & $vDha$ & $vNa$
+ & $vta$ & $vtha$ & $vda$ & $vdha$ & $vna$
+ & $vpa$ & $vpha$ & $vba$ & $vbha$ & $vma$
+ & $vya$ & $vra$ & $vla$ & $vva$
+ & $vsha$ & $vSa$ & $vsa$
+ & $v>ha$ & $vLa$ & $vzha$ & $vRa$ \cr
+\noalign{\hrule}
+$sha$ && $shka$ & $shkha$ & $shga$ & $shgha$ & $shn"a$
+ & $shca$ & $shcha$ & $shja$ & $shjha$ & $shn~a$
+ & $shTa$ & $shTha$ & $shDa$ & $shDha$ & $shNa$
+ & $shta$ & $shtha$ & $shda$ & $shdha$ & $shna$
+ & $shpa$ & $shpha$ & $shba$ & $shbha$ & $shma$
+ & $shya$ & $shra$ & $shla$ & $shva$
+ & $shsha$ & $shSa$ & $shsa$
+ & $sh>ha$ & $shLa$ & $shzha$ & $shRa$ \cr
+$Sa$ && $Ska$ & $Skha$ & $Sga$ & $Sgha$ & $Sn"a$
+ & $Sca$ & $Scha$ & $Sja$ & $Sjha$ & $Sn~a$
+ & $STa$ & $STha$ & $SDa$ & $SDha$ & $SNa$
+ & $Sta$ & $Stha$ & $Sda$ & $Sdha$ & $Sna$
+ & $Spa$ & $Spha$ & $Sba$ & $Sbha$ & $Sma$
+ & $Sya$ & $Sra$ & $Sla$ & $Sva$
+ & $Ssha$ & $SSa$ & $Ssa$
+ & $S>ha$ & $SLa$ & $Szha$ & $SRa$ \cr
+$sa$ && $ska$ & $skha$ & $sga$ & $sgha$ & $sn"a$
+ & $sca$ & $scha$ & $sja$ & $sjha$ & $sn~a$
+ & $sTa$ & $sTha$ & $sDa$ & $sDha$ & $sNa$
+ & $sta$ & $stha$ & $sda$ & $sdha$ & $sna$
+ & $spa$ & $spha$ & $sba$ & $sbha$ & $sma$
+ & $sya$ & $sra$ & $sla$ & $sva$
+ & $ssha$ & $sSa$ & $ssa$
+ & $s>ha$ & $sLa$ & $szha$ & $sRa$ \cr
+\noalign{\hrule}
+$ha$ && $hka$ & $hkha$ & $hga$ & $hgha$ & $hn"a$
+ & $hca$ & $hcha$ & $hja$ & $hjha$ & $hn~a$
+ & $hTa$ & $hTha$ & $hDa$ & $hDha$ & $hNa$
+ & $hta$ & $htha$ & $hda$ & $hdha$ & $hna$
+ & $hpa$ & $hpha$ & $hba$ & $hbha$ & $hma$
+ & $hya$ & $hra$ & $hla$ & $hva$
+ & $hsha$ & $hSa$ & $hsa$
+ & $h>ha$ & $hLa$ & $hzha$ & $hRa$ \cr
+$La$ && $Lka$ & $Lkha$ & $Lga$ & $Lgha$ & $Ln"a$
+ & $Lca$ & $Lcha$ & $Lja$ & $Ljha$ & $Ln~a$
+ & $LTa$ & $LTha$ & $LDa$ & $LDha$ & $LNa$
+ & $Lta$ & $Ltha$ & $Lda$ & $Ldha$ & $Lna$
+ & $Lpa$ & $Lpha$ & $Lba$ & $Lbha$ & $Lma$
+ & $Lya$ & $Lra$ & $Lla$ & $Lva$
+ & $Lsha$ & $LSa$ & $Lsa$
+ & $L>ha$ & $LLa$ & $Lzha$ & $LRa$ \cr
+$zha$ && $zhka$ & $zhkha$ & $zhga$ & $zhgha$ & $zhn"a$
+ & $zhca$ & $zhcha$ & $zhja$ & $zhjha$ & $zhn~a$
+ & $zhTa$ & $zhTha$ & $zhDa$ & $zhDha$ & $zhNa$
+ & $zhta$ & $zhtha$ & $zhda$ & $zhdha$ & $zhna$
+ & $zhpa$ & $zhpha$ & $zhba$ & $zhbha$ & $zhma$
+ & $zhya$ & $zhra$ & $zhla$ & $zhva$
+ & $zhsha$ & $zhSa$ & $zhsa$
+ & $zh>ha$ & $zhLa$ & $zhzha$ & $zhRa$ \cr
+$Ra$ && $Rka$ & $Rkha$ & $Rga$ & $Rgha$ & $Rn"a$
+ & $Rca$ & $Rcha$ & $Rja$ & $Rjha$ & $Rn~a$
+ & $RTa$ & $RTha$ & $RDa$ & $RDha$ & $RNa$
+ & $Rta$ & $Rtha$ & $Rda$ & $Rdha$ & $Rna$
+ & $Rpa$ & $Rpha$ & $Rba$ & $Rbha$ & $Rma$
+ & $Rya$ & $Rra$ & $Rla$ & $Rva$
+ & $Rsha$ & $RSa$ & $Rsa$
+ & $R>ha$ & $RLa$ & $Rzha$ & $RRa$ \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
new file mode 100644
index 00000000000..5fc700c1fb8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
@@ -0,0 +1,477 @@
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<160>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<22>}} = {\mm \X{\M{\<21>}{\Z\<22>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<176>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<200>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<21>}{\<85>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<55>}} = {\mm \X{\<251>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<251>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<22>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<22>}{\<84>}}}
+
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<23>}} = {\mm \X{\<240>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<177>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<178>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<179>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<180>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<201>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<23>}{\<85>}}}
+
+{\mm \X{\Q{\<24>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<24>}{\<127>}}}
+
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<181>}}
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<25>}} = {\mm \X{\<161>}}
+
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<247>}}
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<27>}} = {\mm \X{\M{\<26>}{\Z\<27>}}}
+
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<162>}}
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<184>}}
+
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<185>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<186>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<163>}}
+
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<164>}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<32>}} = {\mm \X{\B{\<31>}{\Z\<32>}}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<204>}}
+
+{\mm \X{\Q{\<33>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\M{\<33>}{\<89>}}}
+
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<35>}{\<112>}}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<187>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\<188>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<34>}} = {\mm \X{\<78>\<34>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<35>}} = {\mm \X{\<241>}}
+
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<165>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<36>\K{-.5}\<88>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<191>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<190>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<205>}}
+
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<166>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<192>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<206>}}
+
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<194>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<215>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<40>\K{-.5}\<88>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<195>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<216>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<219>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<167>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<220>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<193>}}
+
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<42>}{\Z\<36>}}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<242>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<43>}} = {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<42>}{\<124>}}}
+
+{\mm \X{\Q{\<43>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<43>}{\<125>}}}
+
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\M{\<44>}{\Z\<39>}}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<44>}} = {\mm \X{\<248>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<45>}} = {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<44>}{\<126>}}}
+
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\M{\<45>}{\Z\<38>}}}
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<209>}}
+
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<46>\K{-.27}\<46>}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<46>}{\<123>}}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<46>}{\<85>}}}
+
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<47>}{\<115>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<47>}{\Z\<36>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<47>}} = {\mm \X{\<249>}}
+
+{\mm \X{\Q{\<49>}{\N{.8}{\<77>}}}} + {\mm \X{\<49>}} = {\mm \X{\<243>}}
+
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<50>}{\<115>}}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<81>\<42>}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<50>}{\<85>}}}
+
+{\mm \X{\Q{\<53>}{\N{.8}{\<77>}}}} + {\mm \X{\<53>}} = {\mm \X{\<250>}}
+
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<210>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<54>}{\<85>}}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<54>}} = {\mm \X{\<244>}}
+
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\M{\<55>}{\Z\<31>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<55>}{\Z\<204>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<55>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<112>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<115>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\M{\<31>}{\<84>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<56>}{\Z\<36>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<56>}{\Z\<205>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<56>\K{-.5}\<88>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<56>}{\Z\<46>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<211>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<80>}} + {\mm \X{\<49>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<243>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<56>}} = {\mm \X{\<245>}}
+
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<199>}}
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<198>}}
+
+{\mm \X{\Q{\<51>}{\N{.8}{\<77>}}}} + {\mm \X{\<51>}} = {\mm \X{\<51>\K{-.2}\<51>}}
+
+{\mm \X{\Q{\<52>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}}
+
+}
+
+\mmc
+
+{\mm
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\T{\<76>}{\R{.8ex}{\<47>}}} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<200>} \X{\M{\<22>}{\<84>}} \X{\<201>} \X{\M{\<24>}{\<127>}} \X{\M{\<25>}{\<84>}} \X{\M{\<26>}{\<124>}} \X{\<202>} \X{\<203>} \X{\M{\<29>}{\<84>}} \X{\M{\<30>}{\<126>}}
+\X{\<204>} \X{\M{\<32>}{\<123>}} \X{\M{\<33>}{\<126>}} \X{\M{\<34>}{\<126>}} \X{\M{\<35>}{\<127>}} \X{\<205>} \X{\M{\<37>}{\<84>}} \X{\<206>} \X{\<207>} \X{\<208>}
+\X{\M{\<42>}{\<124>}} \X{\M{\<43>}{\<125>}} \X{\M{\<44>}{\<126>}} \X{\<209>} \X{\M{\<46>}{\<123>}} \X{\M{\<47>}{\<84>}} \X{\T{\<76>}{\R{.8ex}{\<48>}}} \X{\M{\<50>}{\<84>}} \X{\M{\<53>}{\<84>}} \X{\<210>} \X{\M{\<55>}{\<125>}} \X{\<211>}
+\X{\<212>} \X{\M{\<51>}{\<84>}} \X{\M{\<49>}{\<84>}} \X{\M{\<52>}{\<84>}}
+
+\X{\M{\<21>}{\<85>}} \X{\M{\<22>}{\<85>}} \X{\M{\<23>}{\<85>}} \X{\M{\<24>}{\<85>}} \X{\M{\<25>}{\<85>}} \X{\M{\<26>}{\<85>}} \X{\M{\<27>}{\<85>}} \X{\M{\<28>}{\<85>}} \X{\M{\<29>}{\<85>}} \X{\M{\<30>}{\<85>}}
+\X{\M{\<31>}{\<85>}} \X{\M{\<32>}{\<85>}} \X{\M{\<33>}{\<85>}} \X{\M{\<34>}{\<85>}} \X{\M{\<35>}{\<85>}} \X{\M{\<36>}{\<85>}} \X{\M{\<37>}{\<85>}} \X{\M{\<38>}{\<85>}} \X{\M{\<39>}{\<85>}} \X{\M{\<40>}{\<85>}}
+\X{\M{\<42>}{\<85>}} \X{\M{\<43>}{\<85>}} \X{\M{\<44>}{\<85>}} \X{\M{\<45>}{\<85>}} \X{\M{\<46>}{\<85>}} \X{\M{\<47>}{\<85>}} \X{\T{\<76>}{\R{.8ex}{\<50>}}} \X{\M{\<50>}{\<85>}} \X{\M{\<53>}{\<85>}} \X{\M{\<54>}{\<85>}} \X{\M{\<55>}{\<85>}} \X{\M{\<56>}{\<85>}}
+\X{\M{\<57>}{\<85>}} \X{\M{\<51>}{\<85>}} \X{\M{\<49>}{\<85>}} \X{\M{\<52>}{\<85>}}
+
+\X{\<21>\K{-.5}\<86>} \X{\<22>\K{-.5}\<86>} \X{\<23>\K{-.5}\<86>} \X{\<24>\K{-.5}\<86>} \X{\<25>\K{-.5}\<86>} \X{\<26>\K{-.5}\<86>} \X{\<27>\K{-.5}\<86>} \X{\<28>\K{-.5}\<86>} \X{\<29>\K{-.5}\<86>} \X{\<30>\K{-.5}\<86>}
+\X{\<31>\K{-.5}\<86>} \X{\<32>\K{-.5}\<86>} \X{\<33>\K{-.5}\<86>} \X{\<34>\K{-.5}\<86>} \X{\<35>\K{-.5}\<86>} \X{\<36>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<38>\K{-.5}\<86>} \X{\<39>\K{-.5}\<86>} \X{\<40>\K{-1.5}\<93>}
+\X{\<42>\K{-.5}\<86>} \X{\<43>\K{-.5}\<86>} \X{\<44>\K{-.5}\<86>} \X{\<45>\K{-.5}\<86>} \X{\<46>\K{-.5}\<86>} \X{\<47>\K{-.5}\<86>} \X{\T{\<76>}{\R{.8ex}{\<53>}}} \X{\<50>\K{-.5}\<86>} \X{\<250>} \X{\<54>\K{-.5}\<86>} \X{\<55>\K{-.5}\<86>} \X{\<56>\K{-.5}\<86>}
+\X{\<57>\K{-1.5}\<93>} \X{\<51>\K{-.5}\<86>} \X{\<49>\K{-.5}\<86>} \X{\<52>\K{-.5}\<86>}
+
+}
+
+\bye
+
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+ && {\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}}
+ & {\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}}
+ & {\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}}
+ & {\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}}
+ & {\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}}
+ & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}}
+ & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}}
+ & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<21>}} && {\mm \X{\<160>}} & {\mm \X{\M{\<21>}{\Z\<22>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\M{\<21>}{\Z\<26>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\<176>}} & {\mm \X{\<21>\K{-.5}\<88>}} & {\mm \X{\M{\<21>}{\Z\<38>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<21>\<83>}} & {\mm \X{\<200>}} & {\mm \X{\M{\<21>}{\<85>}}} & {\mm \X{\<21>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\<251>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<22>}} && {\mm \X{\M{\<22>}{\<112>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<22>\K{-.5}\<88>}} & {\mm \X{\M{\<22>}{\Z\<38>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<22>\<83>}} & {\mm \X{\M{\<22>}{\<84>}}} & {\mm \X{\M{\<22>}{\<85>}}} & {\mm \X{\<22>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<23>}} && {\mm \X{\M{\<23>}{\<112>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\<240>}} & {\mm \X{\<218>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\M{\<23>}{\Z\<28>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<23>\K{-.5}\<88>}} & {\mm \X{\<177>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\<179>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<180>}}
+ & {\mm \X{\<23>\<83>}} & {\mm \X{\<201>}} & {\mm \X{\M{\<23>}{\<85>}}} & {\mm \X{\<23>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<24>}} && {\mm \X{\M{\<24>}{\<112>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<24>\K{-.5}\<88>}} & {\mm \X{\M{\<24>}{\Z\<38>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<24>\<83>}} & {\mm \X{\M{\<24>}{\<127>}}} & {\mm \X{\M{\<24>}{\<85>}}} & {\mm \X{\<24>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<25>}} && {\mm \X{\<181>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\<161>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<25>\K{-.5}\<88>}} & {\mm \X{\M{\<25>}{\Z\<38>}}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<25>\<83>}} & {\mm \X{\M{\<25>}{\<84>}}} & {\mm \X{\M{\<25>}{\<85>}}} & {\mm \X{\<25>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<26>}} && {\mm \X{\M{\<26>}{\<112>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<247>}} & {\mm \X{\M{\<26>}{\Z\<27>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<26>\K{-.5}\<88>}} & {\mm \X{\M{\<26>}{\Z\<38>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<26>\<83>}} & {\mm \X{\M{\<26>}{\<124>}}} & {\mm \X{\M{\<26>}{\<85>}}} & {\mm \X{\<26>\K{-.5}\<86>}}
+ & {\mm \X{\M{\<26>}{\Z\<54>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<27>}} && {\mm \X{\M{\<27>}{\<112>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<27>\K{-.5}\<88>}} & {\mm \X{\M{\<27>}{\Z\<38>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<27>\<83>}} & {\mm \X{\<202>}} & {\mm \X{\M{\<27>}{\<85>}}} & {\mm \X{\<27>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<28>}} && {\mm \X{\M{\<28>}{\<112>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<162>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<184>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<28>\K{-.5}\<88>}} & {\mm \X{\M{\<28>}{\Z\<38>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<28>\<83>}} & {\mm \X{\<203>}} & {\mm \X{\M{\<28>}{\<85>}}} & {\mm \X{\<28>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<29>}} && {\mm \X{\M{\<29>}{\<112>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<29>\K{-.5}\<88>}} & {\mm \X{\M{\<29>}{\Z\<38>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<29>\<83>}} & {\mm \X{\M{\<29>}{\<84>}}} & {\mm \X{\M{\<29>}{\<85>}}} & {\mm \X{\<29>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<30>}} && {\mm \X{\M{\<30>}{\<112>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<185>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<186>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<163>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<30>\K{-.5}\<88>}} & {\mm \X{\M{\<30>}{\Z\<38>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<30>\<83>}} & {\mm \X{\M{\<30>}{\<126>}}} & {\mm \X{\M{\<30>}{\<85>}}} & {\mm \X{\<30>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<31>}} && {\mm \X{\M{\<31>}{\<112>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\<164>}} & {\mm \X{\B{\<31>}{\Z\<32>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<31>\K{-.5}\<88>}} & {\mm \X{\M{\<31>}{\Z\<38>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<31>\<83>}} & {\mm \X{\<204>}} & {\mm \X{\M{\<31>}{\<85>}}} & {\mm \X{\<31>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<32>}} && {\mm \X{\M{\<32>}{\<112>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<32>\K{-.5}\<88>}} & {\mm \X{\M{\<32>}{\Z\<38>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<32>\<83>}} & {\mm \X{\M{\<32>}{\<123>}}} & {\mm \X{\M{\<32>}{\<85>}}} & {\mm \X{\<32>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<33>}} && {\mm \X{\M{\<33>}{\<112>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\M{\<33>}{\Z\<23>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\M{\<33>}{\<89>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<33>\K{-.5}\<88>}} & {\mm \X{\M{\<33>}{\Z\<38>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<33>\<83>}} & {\mm \X{\M{\<33>}{\<126>}}} & {\mm \X{\M{\<33>}{\<85>}}} & {\mm \X{\<33>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<34>}} && {\mm \X{\M{\<34>}{\<112>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\M{\<34>}{\<89>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<34>\K{-.5}\<88>}} & {\mm \X{\M{\<34>}{\Z\<38>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<34>\<83>}} & {\mm \X{\M{\<34>}{\<126>}}} & {\mm \X{\M{\<34>}{\<85>}}} & {\mm \X{\<34>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<35>}} && {\mm \X{\M{\<35>}{\<112>}}} & {\mm \X{\<78>\<22>}} & {\mm \X{\<78>\<23>}} & {\mm \X{\<78>\<24>}} & {\mm \X{\<78>\<25>}}
+ & {\mm \X{\<78>\<26>}} & {\mm \X{\<78>\<27>}} & {\mm \X{\<78>\<28>}} & {\mm \X{\<78>\<29>}} & {\mm \X{\<78>\<30>}}
+ & {\mm \X{\<187>}} & {\mm \X{\M{\<35>}{\Z\<32>}}} & {\mm \X{\<188>}} & {\mm \X{\<78>\<34>}} & {\mm \X{\<241>}}
+ & {\mm \X{\<78>\<36>}} & {\mm \X{\<35>\K{-.5}\<88>}} & {\mm \X{\M{\<35>}{\Z\<38>}}} & {\mm \X{\<78>\<39>}} & {\mm \X{\<78>\<40>}}
+ & {\mm \X{\<78>\<42>}} & {\mm \X{\<78>\<43>}} & {\mm \X{\<78>\<44>}} & {\mm \X{\<78>\<45>}} & {\mm \X{\<78>\<46>}}
+ & {\mm \X{\<35>\<83>}} & {\mm \X{\M{\<35>}{\<127>}}} & {\mm \X{\M{\<35>}{\<85>}}} & {\mm \X{\<35>\K{-.5}\<86>}}
+ & {\mm \X{\<78>\<54>}} & {\mm \X{\<78>\<55>}} & {\mm \X{\<78>\<56>}}
+ & {\mm \X{\<78>\<57>}} & {\mm \X{\<78>\<51>}} & {\mm \X{\<78>\<52>}} & {\mm \X{\<78>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<36>}} && {\mm \X{\M{\<36>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}}
+ & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}}
+ & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}}
+ & {\mm \X{\<165>}} & {\mm \X{\<36>\K{-.5}\<88>}} & {\mm \X{\M{\<36>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<191>}}
+ & {\mm \X{\M{\<36>}{\Z\<42>}}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<190>}}
+ & {\mm \X{\<36>\<83>}} & {\mm \X{\<205>}} & {\mm \X{\M{\<36>}{\<85>}}} & {\mm \X{\<36>\K{-.5}\<86>}}
+ & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<221>}}
+ & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr
+{\mm \X{\<37>}} && {\mm \X{\M{\<37>}{\<112>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<37>\K{-.5}\<88>}} & {\mm \X{\M{\<37>}{\Z\<38>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<37>\<83>}} & {\mm \X{\M{\<37>}{\<84>}}} & {\mm \X{\M{\<37>}{\<85>}}} & {\mm \X{\<37>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<38>}} && {\mm \X{\M{\<38>}{\<112>}}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<38>\K{-.5}\<88>}} & {\mm \X{\<166>}} & {\mm \X{\<192>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<38>\<83>}} & {\mm \X{\<206>}} & {\mm \X{\M{\<38>}{\<85>}}} & {\mm \X{\<38>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<39>}} && {\mm \X{\M{\<39>}{\<112>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<39>\K{-.5}\<88>}} & {\mm \X{\M{\<39>}{\Z\<38>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<39>\<83>}} & {\mm \X{\<207>}} & {\mm \X{\M{\<39>}{\<85>}}} & {\mm \X{\<39>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<40>}} && {\mm \X{\M{\<40>}{\<112>}}} & {\mm \X{\<79>\<22>}} & {\mm \X{\<79>\<23>}} & {\mm \X{\<79>\<24>}} & {\mm \X{\<79>\<25>}}
+ & {\mm \X{\<79>\<26>}} & {\mm \X{\<79>\<27>}} & {\mm \X{\<79>\<28>}} & {\mm \X{\<79>\<29>}} & {\mm \X{\<79>\<30>}}
+ & {\mm \X{\<79>\<31>}} & {\mm \X{\<79>\<32>}} & {\mm \X{\<79>\<33>}} & {\mm \X{\<79>\<34>}} & {\mm \X{\<79>\<35>}}
+ & {\mm \X{\<194>}} & {\mm \X{\<40>\K{-.5}\<88>}} & {\mm \X{\<195>}} & {\mm \X{\<219>}} & {\mm \X{\<167>}}
+ & {\mm \X{\<220>}} & {\mm \X{\<79>\<43>}} & {\mm \X{\<79>\<44>}} & {\mm \X{\<79>\<45>}} & {\mm \X{\<193>}}
+ & {\mm \X{\<40>\<83>}} & {\mm \X{\<208>}} & {\mm \X{\M{\<40>}{\<85>}}} & {\mm \X{\<40>\K{-1.5}\<93>}}
+ & {\mm \X{\<79>\<54>}} & {\mm \X{\<79>\<55>}} & {\mm \X{\<79>\<56>}}
+ & {\mm \X{\<79>\<57>}} & {\mm \X{\<79>\<51>}} & {\mm \X{\<79>\<52>}} & {\mm \X{\<79>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<42>}} && {\mm \X{\M{\<42>}{\<112>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<42>}{\Z\<36>}}} & {\mm \X{\<42>\K{-.5}\<88>}} & {\mm \X{\M{\<42>}{\Z\<38>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\M{\<42>}{\Z\<40>}}}
+ & {\mm \X{\<242>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<42>\<83>}} & {\mm \X{\M{\<42>}{\<124>}}} & {\mm \X{\M{\<42>}{\<85>}}} & {\mm \X{\<42>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<43>}} && {\mm \X{\M{\<43>}{\<112>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<43>\K{-.5}\<88>}} & {\mm \X{\M{\<43>}{\Z\<38>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<43>\<83>}} & {\mm \X{\M{\<43>}{\<125>}}} & {\mm \X{\M{\<43>}{\<85>}}} & {\mm \X{\<43>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<44>}} && {\mm \X{\M{\<44>}{\<112>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<44>\K{-.5}\<88>}} & {\mm \X{\M{\<44>}{\Z\<38>}}} & {\mm \X{\M{\<44>}{\Z\<39>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\<248>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<44>\<83>}} & {\mm \X{\M{\<44>}{\<126>}}} & {\mm \X{\M{\<44>}{\<85>}}} & {\mm \X{\<44>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<45>}} && {\mm \X{\M{\<45>}{\<112>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\<196>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<45>\K{-.5}\<88>}} & {\mm \X{\M{\<45>}{\Z\<38>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<45>\<83>}} & {\mm \X{\<209>}} & {\mm \X{\M{\<45>}{\<85>}}} & {\mm \X{\<45>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<46>}} && {\mm \X{\M{\<46>}{\<112>}}} & {\mm \X{\<2>\<22>}} & {\mm \X{\<2>\<23>}} & {\mm \X{\<2>\<24>}} & {\mm \X{\<2>\<25>}}
+ & {\mm \X{\<2>\<26>}} & {\mm \X{\<2>\<27>}} & {\mm \X{\<2>\<28>}} & {\mm \X{\<2>\<29>}} & {\mm \X{\<2>\<30>}}
+ & {\mm \X{\<2>\<31>}} & {\mm \X{\<2>\<32>}} & {\mm \X{\<2>\<33>}} & {\mm \X{\<2>\<34>}} & {\mm \X{\<2>\<35>}}
+ & {\mm \X{\<2>\<36>}} & {\mm \X{\<46>\K{-.5}\<88>}} & {\mm \X{\M{\<46>}{\Z\<38>}}} & {\mm \X{\<2>\<39>}} & {\mm \X{\M{\<46>}{\Z\<40>}}}
+ & {\mm \X{\<220>}} & {\mm \X{\<2>\<43>}} & {\mm \X{\<2>\<44>}} & {\mm \X{\<2>\<45>}} & {\mm \X{\<46>\K{-.27}\<46>}}
+ & {\mm \X{\<46>\<83>}} & {\mm \X{\M{\<46>}{\<123>}}} & {\mm \X{\M{\<46>}{\<85>}}} & {\mm \X{\<46>\K{-.5}\<86>}}
+ & {\mm \X{\<2>\<54>}} & {\mm \X{\<2>\<55>}} & {\mm \X{\<2>\<56>}}
+ & {\mm \X{\<2>\<57>}} & {\mm \X{\<2>\<51>}} & {\mm \X{\<2>\<52>}} & {\mm \X{\<2>\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<47>}} && {\mm \X{\M{\<47>}{\<112>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<47>}{\Z\<36>}}} & {\mm \X{\<47>\K{-.5}\<88>}} & {\mm \X{\M{\<47>}{\Z\<38>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<249>}} & {\mm \X{\M{\<47>}{\<84>}}} & {\mm \X{\M{\<47>}{\<85>}}} & {\mm \X{\<47>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<48>}} && {\mm \X{\T{\<76>}{\R{.8ex}{\<21>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<22>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<23>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<24>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<25>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<26>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<27>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<28>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<29>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<30>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<31>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<32>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<33>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<34>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<35>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<36>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<37>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<38>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<39>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<40>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<42>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<43>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<44>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<45>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<46>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<47>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<48>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<50>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<53>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<54>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<55>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<56>}}}}
+ & {\mm \X{\T{\<76>}{\R{.8ex}{\<57>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<51>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<52>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<49>}}}} \cr
+{\mm \X{\<50>}} && {\mm \X{\M{\<50>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}}
+ & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}}
+ & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}}
+ & {\mm \X{\<81>\<36>}} & {\mm \X{\<50>\K{-.5}\<88>}} & {\mm \X{\M{\<50>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<81>\<40>}}
+ & {\mm \X{\<81>\<42>}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<81>\<46>}}
+ & {\mm \X{\<50>\<83>}} & {\mm \X{\M{\<50>}{\<84>}}} & {\mm \X{\M{\<50>}{\<85>}}} & {\mm \X{\<50>\K{-.5}\<86>}}
+ & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<81>\<56>}}
+ & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr
+{\mm \X{\<53>}} && {\mm \X{\M{\<53>}{\<112>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<53>\K{-.5}\<88>}} & {\mm \X{\M{\<53>}{\Z\<38>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<53>\<83>}} & {\mm \X{\M{\<53>}{\<84>}}} & {\mm \X{\M{\<53>}{\<85>}}} & {\mm \X{\<250>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<54>}} && {\mm \X{\M{\<54>}{\<112>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\<197>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<54>\K{-.5}\<88>}} & {\mm \X{\M{\<54>}{\Z\<38>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<54>\<83>}} & {\mm \X{\<210>}} & {\mm \X{\M{\<54>}{\<85>}}} & {\mm \X{\<54>\K{-.5}\<86>}}
+ & {\mm \X{\<244>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<55>}} && {\mm \X{\M{\<55>}{\<112>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\M{\<55>}{\Z\<31>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\M{\<55>}{\Z\<35>}}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<55>\K{-.5}\<88>}} & {\mm \X{\M{\<55>}{\Z\<38>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<55>}{\Z\<46>}}}
+ & {\mm \X{\<55>\<83>}} & {\mm \X{\M{\<55>}{\<125>}}} & {\mm \X{\M{\<55>}{\<85>}}} & {\mm \X{\<55>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<56>}} && {\mm \X{\M{\<56>}{\<112>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\M{\<56>}{\Z\<36>}}} & {\mm \X{\<56>\K{-.5}\<88>}} & {\mm \X{\M{\<56>}{\Z\<38>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<56>}{\Z\<46>}}}
+ & {\mm \X{\<56>\<83>}} & {\mm \X{\<211>}} & {\mm \X{\M{\<56>}{\<85>}}} & {\mm \X{\<56>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\<245>}}
+ & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<49>}} \cr
+\noalign{\hrule}
+{\mm \X{\<57>}} && {\mm \X{\M{\<57>}{\<112>}}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<57>\K{-.5}\<88>}} & {\mm \X{\M{\<57>}{\Z\<38>}}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\<199>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<198>}}
+ & {\mm \X{\<57>\<83>}} & {\mm \X{\<212>}} & {\mm \X{\M{\<57>}{\<85>}}} & {\mm \X{\<57>\K{-1.5}\<93>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<51>}} && {\mm \X{\M{\<51>}{\<112>}}} & {\mm \X{\<82>\<22>}} & {\mm \X{\<82>\<23>}} & {\mm \X{\<82>\<24>}} & {\mm \X{\<82>\<25>}}
+ & {\mm \X{\<82>\<26>}} & {\mm \X{\<82>\<27>}} & {\mm \X{\<82>\<28>}} & {\mm \X{\<82>\<29>}} & {\mm \X{\<82>\<30>}}
+ & {\mm \X{\<82>\<31>}} & {\mm \X{\<82>\<32>}} & {\mm \X{\<82>\<33>}} & {\mm \X{\<82>\<34>}} & {\mm \X{\<82>\<35>}}
+ & {\mm \X{\<82>\<36>}} & {\mm \X{\<51>\K{-.5}\<88>}} & {\mm \X{\M{\<51>}{\Z\<38>}}} & {\mm \X{\<82>\<39>}} & {\mm \X{\<82>\<40>}}
+ & {\mm \X{\<82>\<42>}} & {\mm \X{\<82>\<43>}} & {\mm \X{\<82>\<44>}} & {\mm \X{\<82>\<45>}} & {\mm \X{\<82>\<46>}}
+ & {\mm \X{\<51>\<83>}} & {\mm \X{\M{\<51>}{\<84>}}} & {\mm \X{\M{\<51>}{\<85>}}} & {\mm \X{\<51>\K{-.5}\<86>}}
+ & {\mm \X{\<82>\<54>}} & {\mm \X{\<82>\<55>}} & {\mm \X{\<82>\<56>}}
+ & {\mm \X{\<82>\<57>}} & {\mm \X{\<51>\K{-.2}\<51>}} & {\mm \X{\<82>\<52>}} & {\mm \X{\<82>\<49>}} \cr
+{\mm \X{\<52>}} && {\mm \X{\M{\<52>}{\<112>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<25>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<30>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<35>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<52>\K{-.5}\<88>}} & {\mm \X{\M{\<52>}{\Z\<38>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<40>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<46>}}
+ & {\mm \X{\<52>\<83>}} & {\mm \X{\M{\<52>}{\<84>}}} & {\mm \X{\M{\<52>}{\<85>}}} & {\mm \X{\<52>\K{-.5}\<86>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<56>}}
+ & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<49>}} \cr
+{\mm \X{\<49>}} && {\mm \X{\M{\<49>}{\<112>}}} & {\mm \X{\<80>\<22>}} & {\mm \X{\<80>\<23>}} & {\mm \X{\<80>\<24>}} & {\mm \X{\<80>\<25>}}
+ & {\mm \X{\<80>\<26>}} & {\mm \X{\<80>\<27>}} & {\mm \X{\<80>\<28>}} & {\mm \X{\<80>\<29>}} & {\mm \X{\<80>\<30>}}
+ & {\mm \X{\<80>\<31>}} & {\mm \X{\<80>\<32>}} & {\mm \X{\<80>\<33>}} & {\mm \X{\<80>\<34>}} & {\mm \X{\<80>\<35>}}
+ & {\mm \X{\<80>\<36>}} & {\mm \X{\<49>\K{-.5}\<88>}} & {\mm \X{\M{\<49>}{\Z\<38>}}} & {\mm \X{\<80>\<39>}} & {\mm \X{\<80>\<40>}}
+ & {\mm \X{\<80>\<42>}} & {\mm \X{\<80>\<43>}} & {\mm \X{\<80>\<44>}} & {\mm \X{\<80>\<45>}} & {\mm \X{\<80>\<46>}}
+ & {\mm \X{\<49>\<83>}} & {\mm \X{\M{\<49>}{\<84>}}} & {\mm \X{\M{\<49>}{\<85>}}} & {\mm \X{\<49>\K{-.5}\<86>}}
+ & {\mm \X{\<80>\<54>}} & {\mm \X{\<80>\<55>}} & {\mm \X{\<80>\<56>}}
+ & {\mm \X{\<80>\<57>}} & {\mm \X{\<80>\<51>}} & {\mm \X{\<80>\<52>}} & {\mm \X{\<243>}} \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
new file mode 100644
index 00000000000..bd71bd5dab5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
@@ -0,0 +1,57 @@
+% mmexp.mm --- Malayalam experimental font style samples
+% (c) 1993 Jeroen Hellingman
+% Last edit: 07-FEB-1993
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for
+\MF. You can define your own experimental fonts by copying one of the
+parameter files to your own file, and change the following parameters
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr
+
+\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr
+\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr
+\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr
+\+slant := & 0; & {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot := & 45; & {\rm angle of pen.}\cr
+\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr
+\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan\smallskip$}
+{\hugemmr\mmcurrm Malayalam Huge 36pt: $muunnu saMvatsaran"n"aL+>>kkakaM\smallskip$}
+}
+
+%%%%%% end of mmexp.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
new file mode 100644
index 00000000000..f9b2b3afde5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
@@ -0,0 +1,53 @@
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for
+\MF. You can define your own experimental fonts by copying one of the
+parameter files to your own file, and change the following parameters
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr
+
+\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr
+\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr
+\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr
+\+slant := & 0; & {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot := & 45; & {\rm angle of pen.}\cr
+\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr
+\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>}\smallskip}}
+{\hugemmr\mmcurrm Malayalam Huge 36pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2>\smallskip}}
+}
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
new file mode 100644
index 00000000000..51dd9f7cb3a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
@@ -0,0 +1,99 @@
+% mmfont.tex -- load fonts for Malayalam TeX
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts
+
+\font\sixmmf=mm6 % Malayalam Regular 6pt
+\font\sixmmsf=mm6s % Malayalam Regular 6pt Subscript
+\font\sixrm=cmr6
+
+\font\eightmmf=mm8 % Malayalam Regular 8pt
+\font\eightmmsf=mm8s % Malayalam Regular 8pt Subscript
+
+\font\mmf=mm10 % Malayalam Regular 10pt
+\font\mmsf=mm10s % Malayalam Regular 10pt Subscript
+\font\mmbf=mmb10 % Malayalam Bold 10pt
+\font\mmbsf=mmb10s % Malayalam Bold 10pt Subscript
+\font\mmslf=mmsl10 % Malayalam Slanted 10pt
+\font\mmslsf=mmsl10s % Malayalam Slanted 10pt Subscript
+\font\mmcf=mmc10 % Malayalam Calligraphic Regular 10pt
+\font\mmcsf=mmc10s % Malayalam Calligraphic Regular 10pt Subscript
+\font\mmcbf=mmcb10 % Malayalam Calligraphic Bold 10pt
+\font\mmcbsf=mmcb10s % Malayalam Calligraphic Bold 10pt Subscript
+\font\mmcslf=mmcsl10 % Malayalam Calligraphic Slanted 10pt
+\font\mmcslsf=mmcsl10s % Malayalam Calligraphic Slanted 10pt Subscript
+
+\font\twelvemmf=mm12 % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript
+\font\twelvemmbf=mmb12 % Malayalam Bold 12pt
+\font\twelvemmbsf=mmb12s % Malayalam Bold 12pt Subscript
+\font\twelvemmslf=mmsl12 % Malayalam Slanted 12pt
+\font\twelvemmslsf=mmsl12s % Malayalam Slanted 12pt Subscript
+\font\twelvemmcf=mmc12 % Malayalam Calligraphic Regular 12pt
+\font\twelvemmcsf=mmc12s % Malayalam Calligraphic Regular 12pt Subscript
+\font\twelvemmcbf=mmcb12 % Malayalam Calligraphic Bold 12pt
+\font\twelvemmcbsf=mmcb12s % Malayalam Calligraphic Bold 12pt Subscript
+\font\twelvemmcslf=mmcsl12 % Malayalam Calligraphic Slanted 12pt
+\font\twelvemmcslsf=mmcsl12s % Malayalam Calligraphic Slanted 12pt Subscript
+\font\twelverm=cmr12
+\font\twelvebf=cmbx12
+\font\twelvesl=cmsl12
+
+\font\seventeenmmf=mm17 % Malayalam Regular 17pt
+\font\seventeenmmsf=mm17s % Malayalam Regular 17pt Subscript
+\font\seventeenmmcf=mmc17 % Malayalam Calligraphic Regular 17pt
+\font\seventeenmmcsf=mmc17s % Malayalam Calligraphic Regular 17pt Subscript
+\font\seventeenmmbf=mmb17 % Malayalam Bold 17pt
+\font\seventeenmmbsf=mmb17s % Malayalam Bold 17pt Subscript
+\font\seventeenmmcbf=mmcb17 % Malayalam Calligraphic Bold 17pt
+\font\seventeenmmcbsf=mmcb17s % Malayalam Calligraphic Bold 17pt Subscript
+\font\seventeenrm=cmr17
+\font\seventeenbf=cmbx12 at 17.28pt
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+ \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+ \mmcbls=10.5pt\ifmmmode\setmm\fi}
+
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
new file mode 100644
index 00000000000..c253325e3d4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
@@ -0,0 +1,51 @@
+% mmfuture.tex
+% (c) 1992 Jeroen Hellingman
+% Last edit: 09-DEC-1992
+
+
+\beginsection On the future of \TeX
+
+Working on Malayalam-\TeX, I met with more and more limitations of
+\TeX, which needed ad-hoc solutions, that will not win an elegance
+price. It made me dream of a future \TeX-like system, that would
+incorporate all scripts in a more elegant way. Several people have
+made suggestions on the future of \TeX, but most of them, again,
+focussed on the Western languages. I think a transistion to the
+emerging 16-bit Unicode (ISO 10646) standard will be the most natural
+next step.
+
+\TeX\ was orignally designed for two `scripts', English and
+Mathematics, and it does a very good job of typesetting both of them,
+but one gets in problems when one tries to typeset another script with
+it, for example Malayalam, or one of the various other scripts in use
+for writing the spoken languages of the world, or to name the most
+difficult of all, typesetting music. A future-\TeX\ should be build up
+in some modular manner, so that other scripts can be added more
+easily.
+
+Apart from being a typesetting system, \TeX\ is a fullfledged
+programming language, but a horrible ackward one. As Frank Mittelbach,
+suggested, it would be nice to replace it with a more conventional
+one, although his suggestion to use lisp fills me with new horrors. I
+think a more modern functional language like miranda would be a much
+candidate. A functional language with some very basic functions needed
+for typesetting would be a good kernel in my eyes. All logic needed
+for typesetting a script could then be coded in the language itself,
+instead of being hardwired into the system.
+
+Adding a new script would then be as easy as designing a font for the
+script (A difficult enough task in itself) and writing the logic for
+composing the script from a character-stream, which then could be
+loaded into the system.
+
+An anochronism that has annoyed me more and more when I started making
+several variants and sizes of my font is the use of bitmaps, with took
+up more and more space on my harddisk.
+
+I would propose to join the powers of \TeX\ and \MF into one program,
+that use the speak the same language, so that one can have direct
+access to character-programs, to create the letter in the size and
+style wanted at the a certain moment.
+
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
new file mode 100644
index 00000000000..9bb4c194525
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
@@ -0,0 +1,511 @@
+% mmguide.mm -- Malayalam-\TeX\ user guide
+% Copyright 1993, 1994, 1995 Jeroen Hellingman
+%
+% pre-process this file using mltr
+%
+% History
+% 04-MAY-1998 Updated transcription (JH)
+% 23-NOV-1995 Updated for new transcription scheme (JH)
+% 22-JAN-1994 Last edit (JH)
+% 22-JAN-1994 Added instruction for getting cillu/virama variants (JH)
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+$$.d$$, $$sh$$ or~$$zh$$ to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as $\mmfigures 1234567890\rmfigures$. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle $[]$, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ($k, .n, t, n$, and $r$) will be
+used automatically at the end of words, as well as anusvaram ($m$).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+$t<<+$ and {\tt m<<+} yields $m<<+$.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr & \\eightmmr \cr
+\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr
+\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+$ya$, $ra$, $la$, and $va$.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mmz12} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr
+\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr
+\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}. Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build $pla$ from $pa$ and ${}<<la$. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+%%%%%%%
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
+%%%%%% end of mmguide.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
new file mode 100644
index 00000000000..5e582135f91
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
@@ -0,0 +1,498 @@
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+ June\or July\or August\or September\or October\or November\or December\fi
+ \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+{\mmtr \d d}, {\mmtr \'s} or~{\mmtr \b z} to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as {\mm \mmfigures {\mmone}{\mmtwo}{\mmthree}{\mmfour}{\mmfive}{\mmsix}{\mmseven}{\mmeight}{\mmnine}{\mmzero}\rmfigures}. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle {\mm \<00>}, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ({\mm \X{\mmV{\<21>}}{\RMF,} \X{\<78>}{\RMF,} \X{\<81>}{\RMF,} \X{\<79>}}, and {\mm \X{\<80>}}) will be
+used automatically at the end of words, as well as anusvaram ({\mm \X{\<2>}}).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+{\mm \X{\mmV{\<36>}}} and {\tt m<<+} yields {\mm \X{\mmV{\<46>}}}.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr & \\eightmmr \cr
+\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr
+\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+{\mm \X{\<47>}}, {\mm \X{\<48>}}, {\mm \X{\<50>}}, and {\mm \X{\<53>}}.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mm12s} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr
+\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr
+\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}. Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build {\mm \X{\M{\<42>}{\<85>}}} from {\mm \X{\<42>}} and {\mm {}\M{\hbox{}}{\<85>}}. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
new file mode 100644
index 00000000000..bbf5464dd72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
@@ -0,0 +1,139 @@
+% mmmacs -- macros for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+%
+% History:
+% 02-APR-1993 made virama stick out halfway. (JH)
+% 12-JAN-1993 version 1.0 (Jeroen Hellingman)
+
+\ifx\mmmacsloaded\relax\endinput\else\let\mmmacsloaded=\relax\fi
+
+%%%%%% fonts
+
+\input mmfont.tex % load fonts
+
+%%%%%% font selection
+
+\newdimen\mmcbls % Malayalam Current BaseLineSkip
+\def\mmslant{0} % slant factor of current Malayalam font
+\newif\ifmmmode\mmmodefalse
+
+% trick from the TeXbook, p. 375
+{\catcode`p=12 \catcode`t=12 \gdef\xxx#1pt{#1}}
+\let\getfactor=\xxx
+\def\getslant#1{\expandafter\getfactor\the\fontdimen1#1}
+
+\def\Z{\mmcursf}
+\def\RMF{\mmcurrm}
+
+\def\mm{\setmm\noexpand\mmmodetrue}
+\def\setmm{\pretolerance=9999\tolerance=5000\hyphenpenalty=10000%
+ \language=13\mmcurf\gdef\mmslant{\getslant\mmcurf}%
+ \baselineskip=\mmcbls\emergencystretch=30pt}
+
+\mmr % select Malayalam Regular 10pt
+
+%%%%%% glyph composing macros
+
+% put #1 centered on top of #2, taking into account \mmslant
+\def\puton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the right on top of #2, taking into account \mmslant
+\def\putrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=0pt%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the far right on top of #2, taking into account \mmslant
+% #1 will stick partly out #2, for placing virama
+\def\putfarrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=0.667\wd1%
+ \dimen1=\ht0\advance\dimen1by\dp1%
+ \dimen3=-0.333\wd1%
+ \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+\def\mmV#1{\putfarrighton{\N{.8}{\<77>}}{#1}} % place virama
+
+% put #1 centered underneath #2, taking into account \mmslant
+\def\putbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+ \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+ \hbox{}\kern0.5\dimen7%
+ \advance\dimen3by0.5\dimen7%
+ \fi
+ \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \advance\dimen0by-\dimen5
+ \advance\dimen3by-\dimen5
+ \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+\def\B#1#2{\putbelow{#2}{#1}}
+
+% put #1 right aligned underneath #2, taking into account \mmslant
+\def\putrightbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ % test: if #1 wider than #2, kern wd1-wd0 extra.
+ \ifdim\wd1>\wd0\dimen0=\wd1\advance\dimen0by-\wd0\kern\dimen0\fi
+ \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+ \box0\kern-\wd1%
+ \ifdim\dimen5=0pt\else\kern\dimen5\fi % avoid unneccessary kerns
+ \lower\dimen1\box1
+ \ifdim\dimen5=0pt\else\kern-\dimen5\fi}}
+
+% lower height of box #2 with #1
+% to be used in conjunction with \M to construct consonant clusters
+\def\R#1#2{\setbox0=\hbox{#2}%
+ \dimen0=\ht0\advance\dimen0by-#1%
+ \ht0=\dimen0\box0}
+
+% lower glyph #2 with #1 ex
+% to be used to lower the virama sign when it is placed on top of a glyph
+\def\N#1#2{\setbox0=\hbox{\lower#1ex\hbox{#2}}\dp0=0pt\box0}
+
+%%%%%% single letter commands
+
+\def\D#1{{\mm\char#1}} % show single Malayalam characters
+\def\C{\char}
+\def\K#1{\kern#1em}
+\def\T{\puton}
+\def\Q#1#2{\putrighton{#2}{#1}}
+\def\M#1#2{\putrightbelow{#2}{#1}}
+\def\X{\leavevmode\hbox}
+\def\<#1>{\leavevmode{\char#1}}
+
+%%%%%% digit usage
+
+\newif\ifmmfigs\mmfigsfalse
+
+\def\mmfigures{\mmfigstrue}
+\def\rmfigures{\mmfigsfalse}
+
+\def\mmzero{\ifmmfigs\<102>\else{\RMF 0}\fi}
+\def\mmone{\ifmmfigs\<103>\else{\RMF 1}\fi}
+\def\mmtwo{\ifmmfigs\<104>\else{\RMF 2}\fi}
+\def\mmthree{\ifmmfigs\<105>\else{\RMF 3}\fi}
+\def\mmfour{\ifmmfigs\<106>\else{\RMF 4}\fi}
+\def\mmfive{\ifmmfigs\<107>\else{\RMF 5}\fi}
+\def\mmsix{\ifmmfigs\<108>\else{\RMF 6}\fi}
+\def\mmseven{\ifmmfigs\<109>\else{\RMF 7}\fi}
+\def\mmeight{\ifmmfigs\<110>\else{\RMF 8}\fi}
+\def\mmnine{\ifmmfigs\<111>\else{\RMF 9}\fi}
+
+\endinput
+
+%%%%%% end of mmmacs
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
new file mode 100644
index 00000000000..e317417348e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
@@ -0,0 +1,22 @@
+% mmtrmacs -- macros for Malayalam text in phonetic script
+% copyright 1992 Jeroen Hellingman
+% last edit: 21-JUL-1992
+
+% we use the wsuipa font
+
+\font\ipa=wsuipa10
+
+\def\mmph{%
+ \def\m{{\ipa\char"34}}%
+ \def\ng{{\ipa\char"38}}%
+ \def\ny{{\ipa\char"37}}%
+ \def\nn{{\ipa\char"39}}%
+ \def\tt{{\ipa\char"50}}%
+ \def\dd{{\ipa\char"11}}%
+ \def\ll{{\ipa\char"30}}%
+ \def\sh{{\ipa\char"4D}}%
+ \def\ss{{\ipa\char"4C}}%
+ \def\rr{{\ipa\char"46}}%
+ \def\u{{\ipa\char"15}}}
+
+% eof
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
new file mode 100644
index 00000000000..a770baea1be
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
@@ -0,0 +1,105 @@
+% mmqfont.tex -- load fonts for Malayalam TeX (quickly, only essentials)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts (use only the most `essential', the others will be replaced)
+
+\font\mmf=mm10 % Malayalam Regular 10pt
+\font\mmsf=mm10s % Malayalam Regular 10pt Subscript
+
+\font\twelvemmf=mm12 % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript
+\font\twelverm=cmr12
+
+%%%%%% Replacements for the other fonts:
+
+\let\seventeenmmf=\twelvemmf % Malayalam Regular 17pt
+\let\seventeenmmsf=\twelvemmsf % Malayalam Regular 17pt Subscript
+\let\seventeenrm=\twelverm
+
+\let\sixmmf=\mmf % Malayalam Regular 6pt
+\let\sixmmsf=\mmsf % Malayalam Regular 6pt Subscript
+\let\sixrm=\rm
+
+\let\eightmmf=\mmf % Malayalam Regular 8pt
+\let\eightmmsf=\mmsf % Malayalam Regular 8pt Subscript
+
+\let\mmbf=\mmf % Malayalam Bold 10pt
+\let\mmbsf=\mmsf % Malayalam Bold 10pt Subscript
+\let\mmslf=\mmf % Malayalam Slanted 10pt
+\let\mmslsf=\mmsf % Malayalam Slanted 10pt Subscript
+\let\mmcf=\mmf % Malayalam Calligraphic Regular 10pt
+\let\mmcsf=\mmsf % Malayalam Calligraphic Regular 10pt Subscript
+\let\mmcbf=\mmf % Malayalam Calligraphic Bold 10pt
+\let\mmcbsf=\mmsf % Malayalam Calligraphic Bold 10pt Subscript
+\let\mmcslf=\mmf % Malayalam Calligraphic Slanted 10pt
+\let\mmcslsf=\mmsf % Malayalam Calligraphic Slanted 10pt Subscript
+
+\let\twelvemmsf=\twelvemmsf % Malayalam Regular 12pt Subscript
+\let\twelvemmbf=\twelvemmf % Malayalam Bold 12pt
+\let\twelvemmbsf=\twelvemmsf % Malayalam Bold 12pt Subscript
+\let\twelvemmslf=\twelvemmf % Malayalam Slanted 12pt
+\let\twelvemmslsf=\twelvemmsf % Malayalam Slanted 12pt Subscript
+\let\twelvemmcf=\twelvemmf % Malayalam Calligraphic Regular 12pt
+\let\twelvemmcsf=\twelvemmsf % Malayalam Calligraphic Regular 12pt Subscript
+\let\twelvemmcbf=\twelvemmf % Malayalam Calligraphic Bold 12pt
+\let\twelvemmcbsf=\twelvemmsf % Malayalam Calligraphic Bold 12pt Subscript
+\let\twelvemmcslf=\twelvemmf % Malayalam Calligraphic Slanted 12pt
+\let\twelvemmcslsf=\twelvemmsf % Malayalam Calligraphic Slanted 12pt Subscript
+\let\twelvebf=\twelverm
+\let\twelvesl=\twelverm
+
+\let\seventeenmmcf=\seventeenmmf % Malayalam Calligraphic Regular 17pt
+\let\seventeenmmcsf=\seventeenmmsf % Malayalam Calligraphic Regular 17pt Subscript
+\let\seventeenmmbf=\seventeenmmf % Malayalam Bold 17pt
+\let\seventeenmmbsf=\seventeenmmsf % Malayalam Bold 17pt Subscript
+\let\seventeenmmcbf=\seventeenmmf % Malayalam Calligraphic Bold 17pt
+\let\seventeenmmcbsf=\seventeenmmsf % Malayalam Calligraphic Bold 17pt Subscript
+\let\seventeenbf=\seventeenrm
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+ \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+ \mmcbls=10.5pt\ifmmmode\setmm\fi}
+
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+ \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+ \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmqfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
new file mode 100644
index 00000000000..6330d9af538
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
@@ -0,0 +1,9 @@
+% mmqmacs.tex -- load macros for Malayalam TeX (quickly, only essential fonts will be used)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\input mmqfont
+\input mmmacs
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
new file mode 100644
index 00000000000..7c4ea4af716
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
@@ -0,0 +1,64 @@
+% mmsample.mm -- Sample of each style
+% (c) 1993 Jeroen Hellingman
+% Last edit: 04-JAN-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+% ``How within the period of three years a gentleman may change into
+% an evident profligate is something that I cannot comprehend.''
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmr\mmcurrm Malayalam Regular 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmsl\mmcurrm Malayalam Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmb\mmcurrm Malayalam Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat pookkiri aayibhaviccatu\smallskip$}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan
+oru saakSaat\smallskip$}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
new file mode 100644
index 00000000000..cfaa6e09423
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
@@ -0,0 +1,59 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmr\mmcurrm Malayalam Regular 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmsl\mmcurrm Malayalam Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmb\mmcurrm Malayalam Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>}\smallskip}}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>}
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>}\smallskip}}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
new file mode 100644
index 00000000000..a296bca277f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
@@ -0,0 +1,39 @@
+
+The vowels, $svaraM$, or $uyir$.
+
+($hrasvaM$ or short vowels and $diirghaM$, or long vowels
+
+the $vyanjanaM$, or consonants:
+
+\vfill\eject
+
+the $varggyaM$, or `letters in classes':
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000\noindent#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+{\twelvemmr\halign{\malstrut\col{5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q
+ &\col{1.5cm}{#}\q\cr
+$varggaM$, or class &
+$kharaM$, `hard' or `strong' &
+$atikharaM$, `very hard' &
+$m.rdu$, `soft' &
+$ghooSaM$, `voice' &
+$anunaasikaM$, `nasal' \cr
+$kaNTyaM$, or velar sounds & $ka$ & $kha$ & $ga$ & $gha$ & $n"a$ \cr
+$taalavyaM$, or palatal sounds & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$ \cr
+$muurdhanyaM$, or retroflex sounds & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ \cr
+$dantyaM$, or dental sounds & $ta$ & $tha$ & $da$ & $dha$ & $na$ \cr
+$oSThyaM$, or labial sounds & $pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr
+\noalign{\hrule}
+$antastha$, $iTaiyinaM$, or $madhyamaM$, `intermediate'
+consonants & $ya$ & $ra$ & $la$ & $va$ \cr
+$uuSmaavu+$, or fricatives & $sha$ & $Sa$ & $sa$ & $ha$ \cr
+Dravidian consonants & $La$ & $zha$ & $Ra$ \cr
+}}
+\medskip
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
new file mode 100644
index 00000000000..5c796fe4745
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
@@ -0,0 +1,108 @@
+% mmtable.mm -- table of malayaaLam script
+% copyright 1992 Jeroen Hellingman
+% last edit: 25-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape} &
+\col{1.75cm}{secondary form} &
+\col{1.75cm}{\rm ASCII transcription} &
+\col{1.75cm}{scientific transcription} &
+\col{4cm}{remark} \cr
+\noalign{\hrule}
+$a$ & & a & $$a$$ & $$a$$ is inherent in consonants. \cr
+$aa$ & $[]<<aa$ & aa & $$aa$$ \cr
+$i$ & $[]<<i$ & i & $$i$$ \cr
+$ii$ & $[]<<ii$ & ii & $$ii$$ & older form: $MraM$, $M[]M$. \cr
+$u$ & $[]<<u$ & u & $$u$$ & irregular secundary shape. \cr
+$uu$ & $[]<<uu$ & uu & $$uu$$ & idem. \cr
+$.r$ & $[]<<.r$ & .r & $$.r$$ (\r{r}) & used in Sanskrit loan words. \cr
+$.r.r$ & $[]<<.r.r$& .r.r & $$.r.r$$ (\r{\=r}) & only used in a few Sanskrit words. \cr
+$.l$ & $[].l$ & .l & $$.l$$ (\r{l}) & idem. \cr
+$.l.l$ & $[].l.l$ & .l.l & $$.l.l$$ (\r{\=l}) & not used in any word at all. \cr
+$e$ & $[]<<e$ & e & $$e$$ \cr
+$ee$ & $[]<<ee$ & ee & $$ee$$ \cr
+$ai$ & $[]<<ai$ & ai & $$ai$$ \cr
+$o$ & $[]<<o$ & o & $$o$$ \cr
+$oo$ & $[]<<oo$ & oo & $$oo$$ \cr
+$au$ & $[]<<au$ & au & $$au$$ & now normally written $[]<<au"$, ({\tt au"}). \cr
+\noalign{\hrule}
+$aM$ & $[]M$ & aM & $$aM$$ ({\mmph a\m}) & anusvara, or $muRakkaM$. \cr
+$aH$ & $[]H$ & aH & $$aH$$ & visarga, or $visarggaM$. \cr
+\noalign{\hrule}
+$ka$ & $[]<<ka$ & ka & $$ka$$ \cr
+$kha$ & & kha & $$kha$$ \cr
+$ga$ & & ga & $$ga$$ \cr
+$gha$ & & gha & $$gha$$ \cr
+$n"a$ & & n"a & $$n"a$$ ({\mmph \ng a}) \cr
+\noalign{\hrule}
+$ca$ & & ca & $$ca$$ (\v ca) \cr
+$cha$ & & cha & $$cha$$ (\v cha) \cr
+$ja$ & & ja & $$ja$$ (\v\j a) \cr
+$jha$ & & jha & $$jha$$ (\v\j ha) \cr
+$n~a$ & & n\~{}a & $$n~a$$ ({\mmph\ny a}) \cr
+\noalign{\hrule}
+$Ta$ & & Ta & $$Ta$$ ({\mmph\tt a}) \cr
+$Tha$ & & Tha & $$Tha$$ ({\mmph\tt ha}) \cr
+$Da$ & & Da & $$Da$$ ({\mmph\dd a}) \cr
+$Dha$ & & Dha & $$Dha$$ ({\mmph\dd ha}) \cr
+$Na$ & & Na & $$Na$$ ({\mmph\nn a}) \cr
+\noalign{\hrule}
+$ta$ & & ta & $$ta$$ \cr
+$tha$ & & tha & $$tha$$ \cr
+$da$ & & da & $$da$$ \cr
+$dha$ & & dha & $$dha$$ \cr
+$na$ & & na, n\_a & $$na, n_a$$ (\v na) \cr
+\noalign{\hrule}
+$pa$ & & pa & $$pa$$ \cr
+$pha$ & & pha, fa & $$pha$$, $$fa$$ \cr
+$ba$ & & ba & $$ba$$ \cr
+$bha$ & & bha & $$bha$$ \cr
+$ma$ & & ma & $$ma$$ \cr
+\noalign{\hrule}
+$ya$ & $[]<<ya$ & ya & $$ya$$ \cr
+$ra$ & $[]<<ra$ & ra & $$ra$$ & primary shape: $r<<[]$ \cr
+$Ra$ & $[]<<Ra$ & Ra, t\_a & $$Ra$$ (\v ra, \dd ra), $$t_a$$ & $valiya Ra$, `large $$Ra$$'. \cr
+$RRa$ & & RRa, t\_t\_a & $$RRa$$ \cr
+$la$ & $[]<<la$ & la & $$la$$ \cr
+$va$ & $[]<<va$ & va & $$va$$ \cr
+$sha$ & & sha & $$sha$$ (sha, {\mmph\sh a}) & $ciRiya sha$, `small $$sha$$'. \cr
+$Sa$ & & Sa & $$Sa$$ ({\mmph\ss a}) & $valiya Sa$, `large $$Sa$$'. \cr
+$sa$ & & sa & $$sa$$ \cr
+$ha$ & & ha & $$ha$$ \cr
+$La$ & & La & $$La$$ ({\mmph\ll a}) & $valiya La$, `large $$La$$'. \cr
+$zha$ & & zha & $$zha$$ (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+ & $[]<<+$ & + & & virama, or $candrakala$, `cresent'. \cr
+ & $[]<<u+$ & u+ & $$u+$$ (\.u, {\mmph\u}) & half $$u+$$, or $arayukaram$. \cr
+\noalign{\hrule}
+$0$ & & 0 & 0 \cr
+$1$ & & 1 & 1 \cr
+$2$ & & 2 & 2 \cr
+$3$ & & 3 & 3 \cr
+$4$ & & 4 & 4 \cr
+$5$ & & 5 & 5 \cr
+$6$ & & 6 & 6 \cr
+$7$ & & 7 & 7 \cr
+$8$ & & 8 & 8 \cr
+$9$ & & 9 & 9 \cr
+\noalign{\hrule}
+ & & << & & join. \cr
+ & & >> & & non-join. \cr
+$[]$ & & [] & $$[]$$ & dotted circle. \cr
+ & & > & & disambiguating character. \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
new file mode 100644
index 00000000000..0f92518ac1e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
@@ -0,0 +1,105 @@
+
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape} &
+\col{1.75cm}{secondary form} &
+\col{1.75cm}{\rm ASCII transcription} &
+\col{1.75cm}{scientific transcription} &
+\col{4cm}{remark} \cr
+\noalign{\hrule}
+{\mm \X{\<5>}} & & a & {\mmtr a} & {\mmtr a} is inherent in consonants. \cr
+{\mm \X{\<6>}} & {\mm \<00>\<62>} & aa & {\mmtr \=a} \cr
+{\mm \X{\<7>}} & {\mm \<00>\<63>} & i & {\mmtr i} \cr
+{\mm \X{\<7>\<87>}} & {\mm \<00>\<64>} & ii & {\mmtr {\=\i}} & older form: {\mm \<2>\X{\<48>}\<2>}, {\mm \<2>\<00>\<2>}. \cr
+{\mm \X{\<9>}} & {\mm \M{\<00>}{\<65>}} & u & {\mmtr u} & irregular secundary shape. \cr
+{\mm \X{\<9>\<87>}} & {\mm \M{\<00>}{\<66>}} & uu & {\mmtr \=u} & idem. \cr
+{\mm \X{\<11>}} & {\mm \M{\<00>}{\<67>}} & .r & {\mmtr \d r} (\r{r}) & used in Sanskrit loan words. \cr
+{\mm \X{\<96>}} & {\mm \M{\<00>}{\<68>}}& .r.r & {\mmtr {\rii}} (\r{\=r}) & only used in a few Sanskrit words. \cr
+{\mm \X{\<12>}} & {\mm \<00>\X{\<12>}} & .l & {\mmtr \d l} (\r{l}) & idem. \cr
+{\mm \X{\<97>}} & {\mm \<00>\X{\<97>}} & .l.l & {\mmtr {\lii}} (\r{\=l}) & not used in any word at all. \cr
+{\mm \X{\<14>}} & {\mm \<70>\<00>} & e & {\mmtr e} \cr
+{\mm \X{\<15>}} & {\mm \<71>\<00>} & ee & {\mmtr \=e} \cr
+{\mm \X{\<70>\<14>}} & {\mm \<70>\<70>\<00>} & ai & {\mmtr ai} \cr
+{\mm \X{\<18>}} & {\mm \<70>\<00>\<62>} & o & {\mmtr o} \cr
+{\mm \X{\<18>\<62>}} & {\mm \<71>\<00>\<62>} & oo & {\mmtr \=o} \cr
+{\mm \X{\<18>\<87>}} & {\mm \<70>\<00>\<87>} & au & {\mmtr au} & now normally written {\mm \<00>\<87>}, ({\tt au"}). \cr
+\noalign{\hrule}
+{\mm \X{\<5>}\<2>} & {\mm \<00>\<2>} & aM & {\mmtr a\d m} ({\mmph a\m}) & anusvara, or {\mm \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<160>}\<2>}. \cr
+{\mm \X{\<5>}\<3>} & {\mm \<00>\<3>} & aH & {\mmtr a\d h} & visarga, or {\mm \X{\<53>\<63>}\X{\<56>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\<2>}. \cr
+\noalign{\hrule}
+{\mm \X{\<21>}} & {\mm \M{\<00>}{\<112>}} & ka & {\mmtr ka} \cr
+{\mm \X{\<22>}} & & kha & {\mmtr kha} \cr
+{\mm \X{\<23>}} & & ga & {\mmtr ga} \cr
+{\mm \X{\<24>}} & & gha & {\mmtr gha} \cr
+{\mm \X{\<25>}} & & n"a & {\mmtr \.na} ({\mmph \ng a}) \cr
+\noalign{\hrule}
+{\mm \X{\<26>}} & & ca & {\mmtr ca} (\v ca) \cr
+{\mm \X{\<27>}} & & cha & {\mmtr cha} (\v cha) \cr
+{\mm \X{\<28>}} & & ja & {\mmtr ja} (\v\j a) \cr
+{\mm \X{\<29>}} & & jha & {\mmtr jha} (\v\j ha) \cr
+{\mm \X{\<30>}} & & n\~{}a & {\mmtr \~na} ({\mmph\ny a}) \cr
+\noalign{\hrule}
+{\mm \X{\<31>}} & & Ta & {\mmtr \d ta} ({\mmph\tt a}) \cr
+{\mm \X{\<32>}} & & Tha & {\mmtr \d tha} ({\mmph\tt ha}) \cr
+{\mm \X{\<33>}} & & Da & {\mmtr \d da} ({\mmph\dd a}) \cr
+{\mm \X{\<34>}} & & Dha & {\mmtr \d dha} ({\mmph\dd ha}) \cr
+{\mm \X{\<35>}} & & Na & {\mmtr \d na} ({\mmph\nn a}) \cr
+\noalign{\hrule}
+{\mm \X{\<36>}} & & ta & {\mmtr ta} \cr
+{\mm \X{\<37>}} & & tha & {\mmtr tha} \cr
+{\mm \X{\<38>}} & & da & {\mmtr da} \cr
+{\mm \X{\<39>}} & & dha & {\mmtr dha} \cr
+{\mm \X{\<40>}} & & na, n\_a & {\mmtr na, \b na} (\v na) \cr
+\noalign{\hrule}
+{\mm \X{\<42>}} & & pa & {\mmtr pa} \cr
+{\mm \X{\<43>}} & & pha, fa & {\mmtr pha}, {\mmtr fa} \cr
+{\mm \X{\<44>}} & & ba & {\mmtr ba} \cr
+{\mm \X{\<45>}} & & bha & {\mmtr bha} \cr
+{\mm \X{\<46>}} & & ma & {\mmtr ma} \cr
+\noalign{\hrule}
+{\mm \X{\<47>}} & {\mm \<00>\<83>} & ya & {\mmtr ya} \cr
+{\mm \X{\<48>}} & {\mm \M{\<00>}{\<84>}} & ra & {\mmtr ra} & primary shape: {\mm \X{\T{\<76>}{\R{3.5ex}{\<00>}}}} \cr
+{\mm \X{\<49>}} & {\mm \Q{\<00>}{\N{.8}{\<77>}}\<49>} & Ra, t\_a & {\mmtr \b ra} (\v ra, \dd ra), {\mmtr \b ta} & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<49>}}, `large {\mmtr \b ra}'. \cr
+{\mm \X{\<243>}} & & RRa, t\_t\_a & {\mmtr \b ta} \cr
+{\mm \X{\<50>}} & {\mm \M{\<00>}{\<85>}} & la & {\mmtr la} \cr
+{\mm \X{\<53>}} & {\mm \<00>\K{-.5}\<86>} & va & {\mmtr va} \cr
+{\mm \X{\<54>}} & & sha & {\mmtr \'sa} (sha, {\mmph\sh a}) & {\mm \X{\<26>\<63>}\X{\<49>\<63>}\X{\<47>} \X{\<54>}}, `small {\mmtr \'sa}'. \cr
+{\mm \X{\<55>}} & & Sa & {\mmtr \d sa} ({\mmph\ss a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<55>}}, `large {\mmtr \d sa}'. \cr
+{\mm \X{\<56>}} & & sa & {\mmtr sa} \cr
+{\mm \X{\<57>}} & & ha & {\mmtr ha} \cr
+{\mm \X{\<51>}} & & La & {\mmtr \d la} ({\mmph\ll a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<51>}}, `large {\mmtr \d la}'. \cr
+{\mm \X{\<52>}} & & zha & {\mmtr \b za} (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & + & & virama, or {\mm \X{\<26>}\X{\<216>}\X{\<21>}\X{\<50>}}, `cresent'. \cr
+ & {\mm \M{\<00>}{\<65>}\<77>} & u+ & {\mmtr \u u} (\.u, {\mmph\u}) & half {\mmtr \u u}, or {\mm \X{\<5>}\X{\<48>}\X{\M{\<47>}{\<65>}}\X{\<21>}\X{\<48>}\X{\<2>}}. \cr
+\noalign{\hrule}
+{\mm {\mmzero}} & & 0 & 0 \cr
+{\mm {\mmone}} & & 1 & 1 \cr
+{\mm {\mmtwo}} & & 2 & 2 \cr
+{\mm {\mmthree}} & & 3 & 3 \cr
+{\mm {\mmfour}} & & 4 & 4 \cr
+{\mm {\mmfive}} & & 5 & 5 \cr
+{\mm {\mmsix}} & & 6 & 6 \cr
+{\mm {\mmseven}} & & 7 & 7 \cr
+{\mm {\mmeight}} & & 8 & 8 \cr
+{\mm {\mmnine}} & & 9 & 9 \cr
+\noalign{\hrule}
+ & & << & & join. \cr
+ & & >> & & non-join. \cr
+{\mm \<00>} & & [] & {\mmtr \dotcircle} & dotted circle. \cr
+ & & > & & disambiguating character. \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
new file mode 100644
index 00000000000..20f1bb95775
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
@@ -0,0 +1,77 @@
+% mmtrans.mm -- Malayalam-\TeX\ transcription table
+% (c) Jeroen Hellingman 1992
+% Last edit: 25-DEC-1992
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a & $a$ or implicit & $$a$$ &
+ka & $ka$ & $$ka$$ &
+pa & $pa$ & $$pa$$ \cr
+aa & $aa$ or $[]<<aa$ & $$aa$$ &
+kha & $kha$ & $$kha$$ &
+pha, fa & $pha$ & $$pha, fa$$ \cr
+i & $i$ or $[]<<i$ & $$i$$ &
+ga & $ga$ & $$ga$$ &
+ba & $ba$ & $$ba$$ \cr
+ii & $ii$ or $[]<<ii$ & $$ii$$ &
+gha & $gha$ & $$gha$$ &
+bha & $bha$ & $$bha$$ \cr
+u & $u$ or $[]<<u$ & $$u$$ &
+n"a & $n"a$ & $$n"a$$ &
+ma & $ma$ & $$ma$$ \cr
+uu & $uu$ or $[]<<uu$ & $$uu$$ &
+ca & $ca$ & $$ca$$ &
+ya & $ya$ & $$ya$$ \cr
+.r & $.r$ or $[]<<.r$ & $$.r$$ &
+cha & $cha$ & $$cha$$ &
+ra & $ra$ & $$ra$$ \cr
+.r.r & $.r.r$ or $[]<<.r.r$ & $$.r.r$$ &
+ja & $ja$ & $$ja$$ &
+Ra, t\_a& $Ra$ & $$Ra, t_a$$ \cr
+.l & $.l$ & $$.l$$ &
+jha & $jha$ & $$jha$$ &
+RRa, t\_t\_a & $RRa$ & $$RRa$$ \cr
+.l.l, .L& $.l.l$ & $$.l.l$$ &
+n\~{}a & $n~a$ & $$n~a$$ &
+la & $la$ & $$la$$ \cr
+e & $e$ or $[]<<e$ & $$e$$ &
+Ta & $Ta$ & $$Ta$$ &
+va & $va$ & $$va$$ \cr
+ee & $ee$ or $[]<<ee$ & $$ee$$ &
+Tha & $Tha$ & $$Tha$$ &
+sha & $sha$ & $$sha$$ \cr
+ai & $ai$ or $[]<<ai$ & $$ai$$ &
+Da & $Da$ & $$Da$$ &
+Sa & $Sa$ & $$Sa$$ \cr
+o & $o$ or $[]<<o$ & $$o$$ &
+Dha & $Dha$ & $$Dha$$ &
+sa & $sa$ & $$sa$$ \cr
+oo & $oo$ or $[]<<oo$ & $$oo$$ &
+Na & $Na$ & $$Na$$ &
+ha & $ha$ & $$ha$$ \cr
+au & $au$ or $[]<<au$ & $$au$$ &
+ta & $ta$ & $$ta$$ &
+La & $La$ & $$La$$ \cr
+au" & $au"$ or $[]<<au"$ & $$au"$$ &
+tha & $tha$ & $$tha$$ &
+zha & $zha$ & $$zha$$ \cr
+M & $M$ & $$M$$ &
+da & $da$ & $$da$$ &
++ & $[]<<+$ & \cr
+H & $H$ & $$H$$ &
+dha & $dha$ & $$dha$$ &
+u+ & $[]<<u+$ & $$u+$$ \cr
+ & & &
+na, n\_a& $na$ & $$na, n_a$$ &
+ & & \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
new file mode 100644
index 00000000000..28da2196ac7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
@@ -0,0 +1,74 @@
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a & {\mm \X{\<5>}} or implicit & {\mmtr a} &
+ka & {\mm \X{\<21>}} & {\mmtr ka} &
+pa & {\mm \X{\<42>}} & {\mmtr pa} \cr
+aa, A & {\mm \X{\<6>}} or {\mm \<00>\<62>} & {\mmtr \=a} &
+kha & {\mm \X{\<22>}} & {\mmtr kha} &
+pha, fa & {\mm \X{\<43>}} & {\mmtr pha, fa} \cr
+i & {\mm \X{\<7>}} or {\mm \<00>\<63>} & {\mmtr i} &
+ga & {\mm \X{\<23>}} & {\mmtr ga} &
+ba & {\mm \X{\<44>}} & {\mmtr ba} \cr
+ii, I & {\mm \X{\<7>\<87>}} or {\mm \<00>\<64>} & {\mmtr {\=\i}} &
+gha & {\mm \X{\<24>}} & {\mmtr gha} &
+bha & {\mm \X{\<45>}} & {\mmtr bha} \cr
+u & {\mm \X{\<9>}} or {\mm \<00>\<72>} & {\mmtr u} &
+n"a & {\mm \X{\<25>}} & {\mmtr \.na} &
+ma & {\mm \X{\<46>}} & {\mmtr ma} \cr
+uu, U & {\mm \X{\<9>\<87>}} or {\mm \<00>\<73>} & {\mmtr \=u} &
+ca & {\mm \X{\<26>}} & {\mmtr ca} &
+ya & {\mm \X{\<47>}} & {\mmtr ya} \cr
+.r & {\mm \X{\<11>}} or {\mm \<00>\<75>} & {\mmtr \d r} &
+cha & {\mm \X{\<27>}} & {\mmtr cha} &
+ra & {\mm \X{\<48>}} & {\mmtr ra} \cr
+.r.r, .R& {\mm \X{\<96>}} or {\mm \M{\<00>}{\<68>}} & {\mmtr {\rii}} &
+ja & {\mm \X{\<28>}} & {\mmtr ja} &
+Ra, t\_a& {\mm \X{\<49>}} & {\mmtr \b ra, \b ta} \cr
+.l & {\mm \X{\<12>}} & {\mmtr \d l} &
+jha & {\mm \X{\<29>}} & {\mmtr jha} &
+RRa, t\_t\_a & {\mm \X{\<243>}} & {\mmtr \b ta} \cr
+.l.l, .L& {\mm \X{\<97>}} & {\mmtr {\lii}} &
+n\~{}a & {\mm \X{\<30>}} & {\mmtr \~na} &
+la & {\mm \X{\<50>}} & {\mmtr la} \cr
+e & {\mm \X{\<14>}} or {\mm \<70>\<00>} & {\mmtr e} &
+Ta & {\mm \X{\<31>}} & {\mmtr \d ta} &
+va & {\mm \X{\<53>}} & {\mmtr va} \cr
+ee, E & {\mm \X{\<15>}} or {\mm \<71>\<00>} & {\mmtr \=e} &
+Tha & {\mm \X{\<32>}} & {\mmtr \d tha} &
+sha & {\mm \X{\<54>}} & {\mmtr \'sa} \cr
+ai & {\mm \X{\<70>\<14>}} or {\mm \<70>\<70>\<00>} & {\mmtr ai} &
+Da & {\mm \X{\<33>}} & {\mmtr \d da} &
+Sa & {\mm \X{\<55>}} & {\mmtr \d sa} \cr
+o & {\mm \X{\<18>}} or {\mm \<70>\<00>\<62>} & {\mmtr o} &
+Dha & {\mm \X{\<34>}} & {\mmtr \d dha} &
+sa & {\mm \X{\<56>}} & {\mmtr sa} \cr
+oo, O & {\mm \X{\<18>\<62>}} or {\mm \<71>\<00>\<62>} & {\mmtr \=o} &
+Na & {\mm \X{\<35>}} & {\mmtr \d na} &
+ha & {\mm \X{\<57>}} & {\mmtr ha} \cr
+au & {\mm \X{\<18>\<87>}} or {\mm \<00>\<87>} & {\mmtr au} &
+ta & {\mm \X{\<36>}} & {\mmtr ta} &
+La & {\mm \X{\<51>}} & {\mmtr \d la} \cr
+au" & {\mm \<87>} or {\mm \<70>\<00>\<87>} & {\mmtr au} &
+tha & {\mm \X{\<37>}} & {\mmtr tha} &
+zha & {\mm \X{\<52>}} & {\mmtr \b za} \cr
+M & {\mm \<2>} & {\mmtr \d m} &
+da & {\mm \X{\<38>}} & {\mmtr da} &
++ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & \cr
+H & {\mm \<3>} & {\mmtr \d h} &
+dha & {\mm \X{\<39>}} & {\mmtr dha} &
+u+ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & {\mmtr \u u} \cr
+ & & &
+na, n\_a& {\mm \X{\<40>}} & {\mmtr na, \b na} &
+ & & \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
new file mode 100644
index 00000000000..0a138605747
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
@@ -0,0 +1,66 @@
+% mmtrmacs -- macros for Malayalam text in transcription
+% (c) 1993 Jeroen Hellingman
+% last edit: 10-JAN-1993
+
+\ifx\mmtrmacsloaded\relax\endinput\else\let\mmtrmacsloaded=\relax\fi
+
+%%%%%% nothing special to start Malayalam transcription
+
+\def\mmtr{}
+
+%%%%%% we need the mm-fonts for dotted circle and ornamental star
+
+\def\dotcircle{{\mm\char0}}
+\def\ornstar{{\mm\char255}}
+
+%%%%%% make math-mode available
+
+\def\math{$}
+\def\Math{$$}
+\def\dollar{\$}
+\def\lbrace{{\char"7B}}
+\def\rbrace{{\char"7D}}
+\def\bslash{{\char"5C}}
+
+%%%%%% accent-jiggling
+
+% double dot below accent (uses umlaut)
+\def\dd#1{\putaccentbelow{\char"7F}{#1}}
+% ring below accent
+\def\r#1{\putaccentbelow{\char"17}{#1}}
+% override default TeX definitions
+%\def\`#1{\putaccentontop{\char"12}{#1}}
+%\def\'#1{\putaccentontop{\char"13}{#1}}
+%\def\v#1{\putaccentontop{\char"14}{#1}}
+%\def\u#1{\putaccentontop{\char"15}{#1}}
+%\def\=#1{\putaccentontop{\char"16}{#1}}
+
+\def\rii{\putaccentontop{\char"16}{\d r}}
+\def\lii{\putaccentontop{\char"16}{\d l}}
+\def\Rii{\putaccentontop{\char"16}{\d R}}
+\def\Lii{\putaccentontop{\char"16}{\d L}}
+\def\RII{\Rii}
+\def\LII{\Lii}
+
+% put accent #1, which is normally put on top, centered below #2
+\def\putaccentbelow#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1\advance\dimen1by.2ex%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \setbox2=\hbox{\box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}%
+ \dimen4=\dp2%
+ \advance\dimen4by-1.3ex% adjust depth of box
+ \dp2=\dimen4%
+ \box2}}
+
+% put accent #1 centered on top of #2
+\def\putaccentontop#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\ht0\advance\dimen1by-1ex% was: .45em%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+%%%%%% That's all
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
new file mode 100644
index 00000000000..5e5ebd00ea8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
@@ -0,0 +1,36 @@
+% mmxfont.tex -- load extra fonts for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 22-JAN-1992
+
+% The following fonts are only available for reformed script,
+% when used with traditional script, various glyphs will be missing.
+
+%%%%% some fonts for headlines
+
+\font\bigmmf=mmbig % Malayalam Big 21pt
+\font\bigmmof=mmbigo % Malayalam Big Outline 21pt
+\font\bigrm=cmbx12 scaled \magstep3
+\font\hugemmf=mmbig scaled \magstep3 % Malayalam Big 36pt
+\font\hugerm=cmbx12 scaled 2986 % \magstep6 not available
+
+\def\bigmmr{\let\mmcurf=\bigmmf\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+ \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\bigmmo{\let\mmcurf=\bigmmof\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+ \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\hugemmr{\let\mmcurf=\hugemmf\let\mmcursf=\mmsf\let\mmcurrm=\hugerm
+ \mmcbls=48pt\ifmmmode\setmm\fi}
+
+%%%%% some experimental fonts
+
+\font\mmxa=mmexpa12 % Malayalam Experimental A 12pt
+\font\mmxb=mmexpb12 % Malayalam Experimental B 12pt
+\font\mmxc=mmexpc12 % Malayalam Experimental C 12pt
+
+\def\xamm{\let\mmcurf=\mmxa\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xbmm{\let\mmcurf=\mmxb\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xcmm{\let\mmcurf=\mmxc\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+ \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+%%%%% end of mmexfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
new file mode 100644
index 00000000000..123c289ddfa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
@@ -0,0 +1,16 @@
+% ornament.tex -- load ornament font
+% (c) Jeroen Hellingman 1993
+% last edit: 04-APR-1993
+
+\font\ornament=orn10
+
+\def\orn{{\ornament\char0}}
+\def\Orn{{\ornament\char1}}
+\def\ORN{{\ornament\char2}}
+\def\sine{{\ornament\char3}}
+\def\Sine{{\ornament\char4}}
+\def\SINE{{\ornament\char5}}
+
+\def\ornline#1{\bigskip\centerline{#1}\bigskip}
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
new file mode 100644
index 00000000000..f4557417ce2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
@@ -0,0 +1,252 @@
+% prodigal.mm -- the fable of the prodigal son with parallel
+% transcription and translation, taken from Grierson.
+% last edit: 07-FEB-1993
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{$$^^malayaaLam^^$$}
+\bigskip
+
+\beginthreelines
+
+[$oru$|$$^oru$$|One] [$manuSyannu$|$$manuSyannu$$|man-to]
+[$raNTu$|$$raNDu$$|two] [$makkaL$|$$makkaL$$|sons]
+[$uNTaayirunnu.$|$$uND-aay-irunnu.$$|having-become-were.]
+[$atil$|$$^adil$$|That-in] [$iLayavan$|$$iLayavan$$|the-younger]
+[$appanooTu,$|$$appanooDu,$$|the-father-to,]
+[$`appaa,$|$$`appaa,$$|`father,]
+[$vastukkaLil$|$$vastu-kkaLil$$|goods-in] [$enikku$|$$enikku$$|me-to]
+[$vareeNTunna$|$$var-eeNDunna$$|coming] [$pan"ku$|$$pan"gu$$|share]
+[$tareeNamee,'$|$$tar-eeNam-ee,'$$|give-should,']
+[$ennu$|$$ennu$$|having-said] [$paRun~n~u,$|$$paRun~n~u,$$|said,]
+[$avanum$|$$avan-um$$|he-and] [$mutaline$|$$mudaline$$|property]
+[$avarkku$|$$avarkku$$|them-to]
+[$pakuti ceytu.$|$$pagudi-ceydu.$$|share-made.]
+%
+[$eeRe$|$$^eeRe$$|Many] [$naal$|$$naal$$|days]
+[$kazhiyum$|$$kazhiyum$$|passing] [$munpe$|$$mumbe$$|before]
+[$iLaya$|$$iLaya$$|younger] [$makan$|$$makan$$|son]
+[$sakalavum$|$$sakalavum$$|all]
+[$svaruupiccukoNTu$|$$svaruupiccu-koNDu$$|having-collected-for-himself]
+[$duura$|$$duura$$|far]
+[$deeshatteekku$|$$deeshatteekku$$|country-to]
+[$yaatra$|$$yaatra$$|journey] [$pooyi$|$$pooyi$$|having-gone]
+[$aviTe$|$$aviDe$$|there]
+[$durnnaTappaayi$|$$durnnaDapp-aayi$$|bad-conduct-becoming]
+[$jiiviccu$|$$jiiviccu$$|having-lived]
+[$tanRe$|$$tanRe$$|his] [$vastu$|$$vastu$$|property]
+[$naanaavidham$|$$naanaavidham$$|in-various-ways]
+[$aakkikkaLan~n~u.$|$$aakki-kkaLan~n~u.$$|made-wasted.]
+%
+[$ellaam$|$$^ellaam$$|All]
+[$celavazhicca$|$$celavazhicca$$|spent] [$sheeSam$|$$sheeSam$$|after]
+[$aa$|$$aa$$|that] [$deeshattil$|$$deeshattil$$|country-in]
+[$kaThina$|$$kaThina$$|severe] [$kSaamam$|$$kSaamam$$|famine]
+[$uNTaayiTTu$|$$uNDaay-iTTu$$|having-become]
+[$avannu$|$$avannu$$|him-to] [$muTTu$|$$muTTu$$|want]
+[$vannu$|$$vannu$$|coming] [$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+%
+[$ennaaRe$|$$^ennaaRe$$|Then] [$avan$|$$avan$$|he]
+[$pooyi$|$$pooyi$$|having-gone] [$aa$|$$aa$$|that]
+[$deeshattilee$|$$deeshattil-ee$$|country-in-being]
+[$pauranmaaril$|$$pauranmaaril$$|citizens-among]
+[$oruttanooTu$|$$oruttanooDu$$|one-with]
+[$paRRikkoNTu$|$$paRRi-kkoNDu$$|joining-himself]
+[$aayavan$|$$aay-avan$$|having-become-he]
+[$avane$|$$avane$$|him] [$tanRe$|$$tanRe$$|his]
+[$nilan"n"aLil$|$$nilan"n"aLil$$|fields-in]
+[$pannikaLe$|$$pannigaLe$$|pigs] [$meeypaan$|$$meeypaan$$|to-feed]
+[$ayaccu.$|$$ayaccu.$$|sent.]
+%
+[$pannikaL$|$$^pannigaL$$|Pigs] [$tinnunna$|$$tinunna$$|eating]
+[$marappayaRu$|$$marappayaRu$$|husk] [$koNTu$|$$koNDu$$|taking]
+[$tanRe$|$$tanRe$$|his] [$vayaRu$|$$vayaRu$$|belly]
+[$niReppaan$|$$niReppaan$$|to-fill]
+[$avan$|$$avan$$|he] [$aagrahiccu$|$$aagrahiccu$$|wished]
+[$en"kilum$|$$en"gilum$$|though] [$aarum$|$$aar-um$$|anybody]
+[$avannu$|$$avannu$$|him-to] [$koTuttilla.$|$$koDutt-illa.$$|gave-not.]
+%
+[$appooL$|$$^appooL$$|Then] [$buddhi$|$$buddhi$$|sense]
+[$teLin~n~iTTu$|$$teLin~n~iTTu$$|having-cleared] [$avan$|$$avan$$|he]
+[$paRan~n~u,$|$$paRan~n~u,$$|said,] [$`enRe$|$$`enRe$$|`my]
+[$appanRe$|$$appanRe$$|father-of] [$etra$|$$etra$$|how-many]
+[$kuulikkaar$|$$kuulikkaar$$|servants] [$appam$|$$appam$$|bread]
+[$tinnu$|$$tinnu$$|having-eaten]
+[$sheeSippikkunnuNTu$|$$sheeSippikkunn-uNDu$$|saving-are]
+[$n~aanoo$|$$n~aan-oo$$|I-but] [$vishappu$|$$vishappu$$|hunger]
+[$koNTu$|$$koNDu$$|taking]
+[$nashiccupookunnu.$|$$nashiccu-poogunnu.$$|perishing-go.]
+%
+[$n~aan$|$$^n~aan$$|I] [$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$enRe$|$$enRe$$|my] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleekku$$|presence-to]
+[$pooyi$|$$pooyi$$|going] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$``appaa,$|$$``appaa,$$|``father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanalla.$|$$yoogyan-alla.$$|fit-man-am-not.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kuulikkaaril$|$$kuulikkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$poole$|$$poole$$|like]
+[$enne$|$$enne$$|me]
+[$aakkikkoLLeeNamee,''$|$$aakki-kkoLL-eeNam-ee,''$$|having-made-to-take-is-wanted,'']
+[$ennu$|$$ennu$$|saying] [$paRayum.'$|$$paRayum.'$$|shall-say.']
+%
+[$enniTTu$|$$^enniTTu$$|Having-said]
+[$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$tanRe$|$$tanRe$$|his] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleeku$$|presence-to] [$pooyi.$|$$pooyi.$$|went.]
+%
+[$avan$|$$^avan$$|He]
+[$duurattuLLappooL$|$$duurattuLL-appool$$|far-being-time-at]
+[$tannee$|$$tannee$$|indeed] [$appan$|$$appan$$|the-father]
+[$avane$|$$avane$$|him] [$kaNTu$|$$kaNDu$$|seeing]
+[$karaLalin~n~u$|$$karaL-alin~n~u$$|heart-melting]
+[$ooTiccennu$|$$ooDi-ccennu$$|running-going] [$avanRe$|$$avanRe$$|his]
+[$kazhuttil$|$$kazhuttil$$|neck-on]
+[$keTTippiTiccu$|$$keTTippiDiccu$$|having-attached-seized]
+[$avane$|$$avane$$|him]
+[$cunpiccu.$|$$cumbiccu.$$|kissed.]
+%
+[$makan$|$$^magan$$|The-son] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`appaa,$|$$`appaa,$$|`father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanumalla,'$|$$yoogyan-um-alla,'$$|fit-man-at-all-am-not,']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$appan$|$$appan$$|the-father]
+[$tanRe$|$$tanRe$$|his] [$daasarooTu,$|$$daasarooTu,$$|slaves-to,]
+[$`veekam$|$$`vegam$$|`quickly]
+[$meelttaramaaya$|$$meel-ttaram-aaya$$|high-class-being]
+[$an"ki$|$$an"gi$$|robe]
+[$koNTuvannu$|$$koNDu-vannu$$|having-taken-having-come]
+[$ivane$|$$ivane$$|him] [$uTuppippin,$|$$uDuppippin,$$|dress-ye,]
+[$keikku$|$$keikku$$|hand-on] [$moodiravum$|$$moodirav-um$$|ring-and]
+[$kaalukaLkku$|$$kaalugaLkku$$|feet-on]
+[$cerippukaLum$|$$cerippugaLum$$|shoes-and]
+[$iTuvippin.$|$$iDuvippin.$$|put-ye.]
+%
+[$naam$|$$^naam$$|We] [$bhakSiccu$|$$bhakSiccu$$|eating]
+[$aanandikka.$|$$aanandikka.$$|shall-feast.]
+%
+[$ii$|$$^ii$$|This] [$enRe$|$$enRe$$|my] [$makan$|$$magan$$|son]
+[$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyrittu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|gone-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$kaNTukiTTakayum$|$$kaNDukiTTagayum$$|seeing-finding]
+[$ceytuvalloo?'$|$$ceydu-v-alloo?'$$|made-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$avar$|$$^avar$$|They] [$aanandiccu$|$$aanandiccu$$|feasting]
+[$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+
+
+[$ennaal$|$$^ennaal$$|Now] [$avanRe$|$$avanRe$$|his]
+[$muutta$|$$muutta$$|elder] [$makan$|$$magan$$|son]
+[$vayalil$|$$vayalil$$|field-in] [$aayirunnu,$|$$aay-irunnu,$$|had-been,]
+[$aayavan$|$$aay-avan$$|having-become-he] [$vannu$|$$vannu$$|coming]
+[$viiTTinooTu$|$$viiTTinooDu$$|house-to]
+[$aTuttappooL$|$$aDuttappooL$$|coming-when]
+[$vaadyavum$|$$vaadyav-um$$|music-and]
+[$n.rttaghooSan"n"aLum$|$$n.rttaghooSan"n"aL-um$$|dancing-sounds-and]
+[$keeTTu$|$$keeTTu$$|hearing]
+[$baalyakkaaril$|$$baalya-kkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$viLiccu,$|$$viLiccu,$$|calling,]
+[$`itentu?'$|$$`id-endu?'$$|`this-what?'] [$ennu$|$$ennu$$|saying]
+[$coodiccu.$|$$coodiccu.$$|asked.]
+%
+[$avan$|$$^avan$$|he] [$avanooTu$|$$avanooDu$$|him-to]
+[$paRun~n~u,$|$$paRun~n~u,$$|said,] [$`ninRe$|$$`ninRe$$|`thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$vannu$|$$vannu$$|coming]
+[$`ninRe$|$$`ninRe$$|`thy] [$appan$|$$appan$$|father]
+[$avane$|$$avane$$|him] [$saukhyattooTe$|$$saukhyattooDe$$|healthy]
+[$kiTTiyatukoNTu$|$$kiTTiyadu-koNDu$$|finding-on-account-of]
+[$virunnu$|$$virunnu$$|feast] [$kazhiccu.'$|$$kazhiccu.'$$|made.']
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$koopiccu$|$$koopiccu$$|getting-angry] [$akam$|$$agam$$|house]
+[$bukavaan$|$$bugavaan$$|to-enter]
+[$manassillaan~n~u,$|$$manass-illaan~n~u,$$|mind-was-not,]
+[$enniTTu$|$$enniTTu$$|having said] [$appan$|$$appan$$|the-father]
+[$puRattu$|$$puRattu$$|out] [$vannu$|$$vannu$$|having-come]
+[$avanooTu$|$$avanooDu$$|him-with]
+[$apeekSiccu.$|$$apeekSiccu.$$|entreated.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$avan$|$$avan$$|he]
+[$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`kaNTaalum,$|$$`kaND-aalum,$$|`see-please,] [$itra$|$$itra$$|so-many]
+[$varSamaayi$|$$varSam-aayi$$|years-having-become]
+[$n~aan$|$$n~aan$$|I] [$ninne$|$$ninne$$|thee]
+[$seevikkunnu.$|$$seevikkunnu.$$|serve.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kalpana$|$$kalpana$$|order]
+[$oru$|$$oru$$|one] [$naaLum$|$$naaL-um$$|day-even]
+[$laMghiccatum$|$$lan"ghiccad-um$$|trangressing-even]
+[$illa,$|$$illa,$$|was-not,] [$ennaal$|$$ennaal$$|but] [$enRe$|$$enRe$$|my]
+[$can"n"aatikaLumaayi$|$$can"n"aatikaLum-aayi$$|friends-with-having-become]
+[$aanandikkeeNTatinnu$|$$aanandikk-eeNDadinnu$$|to-feast-wanted-being-for]
+[$nii$|$$nii$$|thou] [$orikkalum$|$$orikkal-um$$|once-even]
+[$enikku$|$$enikku$$|me-to] [$or$|$$or$$|one]
+[$aaTTinkuTTi$|$$aaTTinkuTTi$$|kid]
+[$tanniTTilla.$|$$tann-iTT-illa.$$|gavest-not.]
+%
+[$veeshyamaaroTu$|$$^veeshyamaaroDu$$|Harlots-with]
+[$kuuTi$|$$kuuDi$$|joining] [$ninRe$|$$ninRe$$|thy]
+[$mutal$|$$mudal$$|property] [$tinnu$|$$tinnu$$|eating]
+[$kaLan~n~a$|$$kaLan~n~a$$|having-wasted] [$ii$|$$ii$$|this]
+[$ninRe$|$$ninRe$$|thy] [$makan$|$$magan$$|son]
+[$vannappoozhekkoo$|$$vann-appoozhekkoo$$|coming-when]
+[$avannaayi$|$$avann-aayi$$|him-for] [$virunnu$|$$virunnu$$|feast]
+[$kazhiccuvalloo?'$|$$kazhiccuv-alloo?'$$|madest-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$uttaram$|$$uttaram$$|reply]
+[$colli.$|$$colli.$$|spoke.]
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$avanooTu$|$$avanooDu$$|him-to] [$paRan~n~u,$|$$paRan~n~u,$$|said,]
+[$`makanee,$|$$`magan-ee,$$|`son-O,] [$nii$|$$nii$$|thou]
+[$eppoozhum$|$$eppoozh-um$$|always] [$ennooTu$|$$ennooDu$$|me-with]
+[$kuTe$|$$kuDe$$|together]
+[$aakunnuvalloo?'$|$$aagunnuv-alloo?'$$|art-is-it-not?']
+[$enikkuLLatu$|$$enikk-uLLadu$$|me-to-being-that]
+[$ellaam$|$$ellaam$$|all] [$ninReeTu$|$$ninReeDu$$|thine]
+[$aakunnu.$|$$aagunnu.$$|is.]
+%
+[$ennaal$|$$^ennaal$$|But] [$ii$|$$ii$$|this] [$ninRe$|$$ninRe$$|thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu$|$$aay-irunnu$$|had-become]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyirttu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|goer]
+[$aayirunnu,$|$$aay-irunnu,$$|had-become,]
+[$kaNTukiTTiyirikkayaal$|$$kaNDu-kiTTiy-irikkayaal$$|seeing-reaching-being-because]
+[$naam$|$$naam$$|we] [$aanandiccu$|$$aanandiccu$$|having-been-merry]
+[$santooSikkeeNTatalloo?$|$$santooSikk-eeNDadalloo?$$|to-feast-wanted-being-is-it-not?]
+[$aakunnu.'$|$$aagunnu.'$$|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
new file mode 100644
index 00000000000..3ea084ea4d3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
@@ -0,0 +1,226 @@
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{{\mmtr MALAY\=A\d LAM}}
+\bigskip
+
+\beginthreelines
+
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr Oru}|One] [{\mm \X{\<46>}\X{\<134>}\X{\<55>\<83>}\X{\<174>}}|{\mmtr manu\d syannu}|man-to]
+[{\mm \X{\<48>}\X{\M{\<187>}{\<65>}}}|{\mmtr ra\d n\d du}|two] [{\mm \X{\<46>}\X{\<160>}\X{\<82>}}|{\mmtr makka\d l}|sons]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF.}}|{\mmtr u\d n\d d-\=ay-irunnu.}|having-become-were.]
+[{\mm \X{\<5>}\X{\<36>\<63>}\X{\<81>}}|{\mmtr Adil}|That-in] [{\mm \X{\<7>}\X{\<51>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr i\d layavan}|the-younger]
+[{\mm \X{\<5>}\X{\<242>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr appan\=o\d du,}|the-father-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,]
+[{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}\X{\<160>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr vastu-kka\d lil}|goods-in] [{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to]
+[{\mm \X{\<53>}\X{\<71>\<48>}\X{\M{\<187>}{\<65>}}\X{\<167>}}|{\mmtr var-\=e\d n\d dunna}|coming] [{\mm \X{\<42>}\X{\<182>}}|{\mmtr pa\.ngu}|share]
+[{\mm \X{\<36>}\X{\<71>\<48>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF'}}|{\mmtr tar-\=e\d nam-\=e,'}|give-should,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|having-said] [{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,]
+[{\mm \X{\<5>}\X{\<53>}\X{\<134>}\X{\<2>}}|{\mmtr avan-um}|he-and] [{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<50>\<63>}\X{\<70>\<40>}}|{\mmtr mudaline}|property]
+[{\mm \X{\<5>}\X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<168>}}}}|{\mmtr avarkku}|them-to]
+[{\mm \X{\<42>}\X{\<128>}\X{\<36>\<63>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr pagudi-ceydu.}|share-made.]
+[{\mm \X{\<15>}\X{\<70>\<49>}}|{\mmtr \=E\b re}|Many] [{\mm \X{\<40>\<62>}\X{\<81>}}|{\mmtr n\=al}|days]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\b ziyum}|passing] [{\mm \X{\M{\<46>}{\<65>}}\X{\<70>\<220>}}|{\mmtr mumbe}|before]
+[{\mm \X{\<7>}\X{\<51>}\X{\<47>}}|{\mmtr i\d laya}|younger] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr makan}|son]
+[{\mm \X{\<56>}\X{\<21>}\X{\<50>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr sakalavum}|all]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\<147>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr svar\=upiccu-ko\d n\d du}|having-collected-for-himself]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}}|{\mmtr d\=ura}|far]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<71>\<165>}\X{\<168>}}|{\mmtr d\=e\'satt\=ekku}|country-to]
+[{\mm \X{\<47>\<62>}\X{\<205>}}|{\mmtr y\=atra}|journey] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone]
+[{\mm \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>}}|{\mmtr avi\d de}|there]
+[{\mm \X{\M{\<38>}{\<65>}}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<31>}\X{\<242>\<62>}\X{\<47>\<63>}}|{\mmtr durnna\d dapp-\=ayi}|bad-conduct-becoming]
+[{\mm \X{\<28>\<64>}\X{\<53>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr j{\=\i}viccu}|having-lived]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}}|{\mmtr vastu}|property]
+[{\mm \X{\<40>\<62>}\X{\<40>\<62>}\X{\<53>\<63>}\X{\<39>}\X{\<2>}}|{\mmtr n\=an\=avidham}|in-various-ways]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<160>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr \=akki-kka\d la\~n\~nu.}|made-wasted.]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr Ell\=am}|All]
+[{\mm \X{\<70>\<26>}\X{\<50>}\X{\<53>}\X{\<52>\<63>}\X{\<247>}}|{\mmtr celava\b zicca}|spent] [{\mm \X{\<71>\<54>}\X{\<55>}\X{\<2>}}|{\mmtr \'s\=e\d sam}|after]
+[{\mm \X{\<6>}}|{\mmtr \=a}|that] [{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<81>}}|{\mmtr d\=e\'sattil}|country-in]
+[{\mm \X{\<21>}\X{\<32>\<63>}\X{\<40>}}|{\mmtr ka\d thina}|severe] [{\mm \X{\<251>\<62>}\X{\<46>}\X{\<2>}}|{\mmtr k\d s\=amam}|famine]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr u\d n\d d\=ay-i\d t\d tu}|having-become]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\M{\<46>}{\<65>}}\X{\M{\<164>}{\<65>}}}|{\mmtr mu\d t\d tu}|want]
+[{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] [{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone] [{\mm \X{\<6>}}|{\mmtr \=a}|that]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<71>\<50>}}|{\mmtr d\=e\'sattil-\=e}|country-in-being]
+[{\mm \X{\<70>\<42>\<87>}\X{\<48>}\X{\<193>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr pauranm\=aril}|citizens-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr oruttan\=o\d du}|one-with]
+[{\mm \X{\<42>}\X{\<243>\<63>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr pa\b ti-kko\d n\d du}|joining-himself]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his]
+[{\mm \X{\<40>\<63>}\X{\<50>}\X{\<161>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr nila\.n\.na\d lil}|fields-in]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<70>\<51>}}|{\mmtr panniga\d le}|pigs] [{\mm \X{\<71>\<46>}\X{\Q{\<47>}{\N{.8}{\<77>}}\<42>\<62>}\X{\<79>}}|{\mmtr m\=eyp\=an}|to-feed]
+[{\mm \X{\<5>}\X{\<47>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ayaccu.}|sent.]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<82>}}|{\mmtr Panniga\d l}|Pigs] [{\mm \X{\<36>\<63>}\X{\<174>}\X{\<167>}}|{\mmtr tinunna}|eating]
+[{\mm \X{\<46>}\X{\<48>}\X{\<242>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr marappaya\b ru}|husk] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr vaya\b ru}|belly]
+[{\mm \X{\<40>\<63>}\X{\<70>\<49>}\X{\<242>\<62>}\X{\<79>}}|{\mmtr ni\b repp\=an}|to-fill]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] [{\mm \X{\<6>}\X{\<201>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=agrahiccu}|wished]
+[{\mm \X{\<14>}\X{\<181>\<63>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr e\.ngilum}|though] [{\mm \X{\<6>}\X{\<136>}\X{\<2>}}|{\mmtr \=ar-um}|anybody]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<165>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr ko\d dutt-illa.}|gave-not.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\M{\<44>}{\<65>}}\X{\<192>\<63>}}|{\mmtr buddhi}|sense]
+[{\mm \X{\<70>\<36>}\X{\<51>\<63>}\X{\<163>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr te\d li\~n\~ni\d t\d tu}|having-cleared] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr `en\b re}|`my]
+[{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father-of] [{\mm \X{\<14>}\X{\<205>}}|{\mmtr etra}|how-many]
+[{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<80>}}|{\mmtr k\=ulikk\=ar}|servants] [{\mm \X{\<5>}\X{\<242>}\X{\<2>}}|{\mmtr appam}|bread]
+[{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|having-eaten]
+[{\mm \X{\<71>\<54>}\X{\<55>\<63>}\X{\<242>\<63>}\X{\<168>}\X{\<174>}\X{\M{\<187>}{\<65>}}}|{\mmtr \'s\=e\d sippikkunn-u\d n\d du}|saving-are]
+[{\mm \X{\<30>\<62>}\X{\<71>\<40>\<62>}}|{\mmtr \~n\=an-\=o}|I-but] [{\mm \X{\<53>\<63>}\X{\<54>}\X{\M{\<242>}{\<65>}}}|{\mmtr vi\'sappu}|hunger]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<40>}\X{\<54>\<63>}\X{\M{\<247>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr na\'siccu-p\=ogunnu.}|perishing-go.]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~N\=an}|I] [{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=ekku}|presence-to]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|going] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF``}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr ``app\=a,}|``father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<40>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr y\=ogyan-alla.}|fit-man-am-not.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr k\=ulikk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<71>\<42>\<62>}\X{\<70>\<50>}}|{\mmtr p\=ole}|like]
+[{\mm \X{\<14>}\X{\<70>\<167>}}|{\mmtr enne}|me]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<70>\<160>\<62>}\X{\<71>\<51>\K{-.2}\<51>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF''}}|{\mmtr \=akki-kko\d l\d l-\=e\d nam-\=e,''}|having-made-to-take-is-wanted,'']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<47>}{\<65>}}\X{\<2>}{\RMF.}{\RMF'}}|{\mmtr pa\b rayum.'}|shall-say.']
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr Enni\d t\d tu}|Having-said]
+[{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=eku}|presence-to] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}{\RMF.}}|{\mmtr p\=oyi.}|went.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|He]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}\X{\<172>}\X{\<51>\K{-.2}\<51>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr d\=urattu\d l\d l-app\=ol}|far-being-time-at]
+[{\mm \X{\<36>}\X{\<71>\<167>}}|{\mmtr tann\=e}|indeed] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}}|{\mmtr ka\d n\d du}|seeing]
+[{\mm \X{\<21>}\X{\<48>}\X{\<51>}\X{\<50>\<63>}\X{\M{\<163>}{\<65>}}}|{\mmtr kara\d l-ali\~n\~nu}|heart-melting]
+[{\mm \X{\<18>\<62>}\X{\<31>\<63>}\X{\<70>\<247>}\X{\<174>}}|{\mmtr \=o\d di-ccennu}|running-going] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\<21>}\X{\B{\<52>}{\<65>}}\X{\<165>\<63>}\X{\<81>}}|{\mmtr ka\b zuttil}|neck-on]
+[{\mm \X{\<70>\<21>}\X{\<164>\<63>}\X{\<242>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr ke\d t\d tippi\d diccu}|having-attached-seized]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him]
+[{\mm \X{\M{\<26>}{\<65>}}\X{\<220>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr cumbiccu.}|kissed.]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr Magan}|The-son] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<134>}\X{\<46>}\X{\M{\<50>}{\<85>}}{\RMF,}{\RMF'}}|{\mmtr y\=ogyan-um-alla,'}|fit-man-at-all-am-not,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<38>\<62>}\X{\<56>}\X{\<71>\<48>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr d\=asar\=o\d tu,}|slaves-to,]
+[{\mm {\RMF`}\X{\<71>\<53>}\X{\<21>}\X{\<2>}}|{\mmtr `vegam}|`quickly]
+[{\mm \X{\<71>\<46>}\X{\B{\<50>}{\Z\<165>}}\X{\<48>}\X{\<46>\<62>}\X{\<47>}}|{\mmtr m\=el-ttaram-\=aya}|high-class-being]
+[{\mm \X{\<5>}\X{\<181>\<63>}}|{\mmtr a\.ngi}|robe]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<53>}\X{\<174>}}|{\mmtr ko\d n\d du-vannu}|having-taken-having-come]
+[{\mm \X{\<7>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr ivane}|him] [{\mm \X{\<9>}\X{\M{\<31>}{\<65>}}\X{\<242>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF,}}|{\mmtr u\d duppippin,}|dress-ye,]
+[{\mm \X{\<70>\<21>}\X{\<7>}\X{\<168>}}|{\mmtr keikku}|hand-on] [{\mm \X{\<71>\<46>\<62>}\X{\<38>\<63>}\X{\<48>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr m\=odirav-um}|ring-and]
+[{\mm \X{\<21>\<62>}\X{\M{\<50>}{\<65>}}\X{\<21>}\X{\<82>\<168>}}|{\mmtr k\=aluga\d lkku}|feet-on]
+[{\mm \X{\<70>\<26>}\X{\<48>\<63>}\X{\M{\<242>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr cerippuga\d lum}|shoes-and]
+[{\mm \X{\<7>}\X{\M{\<31>}{\<65>}}\X{\<53>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF.}}|{\mmtr i\d duvippin.}|put-ye.]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr N\=am}|We] [{\mm \X{\<45>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr bhak\d siccu}|eating]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<160>}{\RMF.}}|{\mmtr \=anandikka.}|shall-feast.]
+[{\mm \X{\<7>\<87>}}|{\mmtr \=I}|This] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyrittu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|gone-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\d n\d duki\d t\d tagayum}|seeing-finding]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ceydu-v-all\=o?'}|made-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<80>}}|{\mmtr Avar}|They] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|feasting]
+[{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+
+
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|Now] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\M{\<46>}{\<66>}}\X{\<165>}}|{\mmtr m\=utta}|elder] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<47>}\X{\<50>\<63>}\X{\<81>}}|{\mmtr vayalil}|field-in] [{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-been,]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm \X{\<53>\<64>}\X{\<164>\<63>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr v{\=\i}\d t\d tin\=o\d du}|house-to]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<165>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr a\d duttapp\=o\d l}|coming-when]
+[{\mm \X{\<53>\<62>}\X{\<38>\<83>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr v\=adyav-um}|music-and]
+[{\mm \X{\<155>}\X{\<165>}\X{\<71>\<24>\<62>}\X{\<55>}\X{\<161>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\d rttagh\=o\d sa\.n\.na\d l-um}|dancing-sounds-and]
+[{\mm \X{\<71>\<21>}\X{\M{\<164>}{\<65>}}}|{\mmtr k\=e\d t\d tu}|hearing]
+[{\mm \X{\<44>\<62>}\X{\<50>\<83>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr b\=alya-kk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\M{\<247>}{\<65>}}{\RMF,}}|{\mmtr vi\d liccu,}|calling,]
+[{\mm {\RMF`}\X{\<7>}\X{\<70>\<36>}\X{\<222>}{\RMF?}{\RMF'}}|{\mmtr `id-endu?'}|`this-what?'] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<71>\<26>\<62>}\X{\<38>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr c\=odiccu.}|asked.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|he] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to]
+[{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<70>\<56>\<87>}\X{\<22>\<83>}\X{\<71>\<165>\<62>}\X{\<70>\<31>}}|{\mmtr saukhyatt\=o\d de}|healthy]
+[{\mm \X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ki\d t\d tiyadu-ko\d n\d du}|finding-on-account-of]
+[{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast] [{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}{\RMF'}}|{\mmtr ka\b ziccu.'}|made.']
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<21>\<62>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr k\=opiccu}|getting-angry] [{\mm \X{\<5>}\X{\<21>}\X{\<2>}}|{\mmtr agam}|house]
+[{\mm \X{\M{\<44>}{\<65>}}\X{\<21>}\X{\<53>\<62>}\X{\<79>}}|{\mmtr bugav\=an}|to-enter]
+[{\mm \X{\<46>}\X{\<40>}\X{\<245>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr manass-ill\=a\~n\~nu,}|mind-was-not,]
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr enni\d t\d tu}|having said] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\M{\<42>}{\<65>}}\X{\<49>}\X{\<172>}}|{\mmtr pu\b rattu}|out] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|having-come]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-with]
+[{\mm \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ap\=ek\d siccu.}|entreated.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<21>}\X{\<187>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>}{\RMF,}}|{\mmtr `ka\d n\d d-\=alum,}|`see-please,] [{\mm \X{\<7>}\X{\<205>}}|{\mmtr itra}|so-many]
+[{\mm \X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<55>}}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr var\d sam-\=ayi}|years-having-become]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] [{\mm \X{\<40>\<63>}\X{\<70>\<167>}}|{\mmtr ninne}|thee]
+[{\mm \X{\<71>\<56>}\X{\<53>\<63>}\X{\<168>}\X{\<174>}{\RMF.}}|{\mmtr s\=evikkunnu.}|serve.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<21>}\X{\<81>\<42>}\X{\<40>}}|{\mmtr kalpana}|order]
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr oru}|one] [{\mm \X{\<40>\<62>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\=a\d l-um}|day-even]
+[{\mm \X{\<50>}\<2>\X{\<24>\<63>}\X{\<247>}\X{\<133>}\X{\<2>}}|{\mmtr la\.nghiccad-um}|trangressing-even]
+[{\mm \X{\<7>}\X{\M{\<50>}{\<85>}}{\RMF,}}|{\mmtr illa,}|was-not,] [{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr enn\=al}|but] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my]
+[{\mm \X{\<26>}\X{\<161>\<62>}\X{\<36>\<63>}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr ca\.n\.n\=atika\d lum-\=ayi}|friends-with-having-become]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>\<63>}\X{\<174>}}|{\mmtr \=anandikk-\=e\d n\d dadinnu}|to-feast-wanted-being-for]
+[{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou] [{\mm \X{\<18>}\X{\<48>\<63>}\X{\<160>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr orikkal-um}|once-even]
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to] [{\mm \X{\<18>}\X{\<80>}}|{\mmtr or}|one]
+[{\mm \X{\<6>}\X{\<164>\<63>}\X{\M{\<40>}{\<113>}}\X{\<164>\<63>}}|{\mmtr \=a\d t\d tinku\d t\d ti}|kid]
+[{\mm \X{\<36>}\X{\<167>\<63>}\X{\<164>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr tann-i\d t\d t-illa.}|gavest-not.]
+[{\mm \X{\<71>\<53>}\X{\<54>\<83>}\X{\<46>\<62>}\X{\<70>\<48>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr V\=e\'syam\=aro\d du}|Harlots-with]
+[{\mm \X{\<139>}\X{\<31>\<63>}}|{\mmtr k\=u\d di}|joining] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<81>}}|{\mmtr mudal}|property] [{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|eating]
+[{\mm \X{\<21>}\X{\<51>}\X{\<163>}}|{\mmtr ka\d la\~n\~na}|having-wasted] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<167>}\X{\<71>\<242>\<62>}\X{\<70>\<52>}\X{\<71>\<160>\<62>}}|{\mmtr vann-app\=o\b zekk\=o}|coming-when]
+[{\mm \X{\<5>}\X{\<53>}\X{\<167>\<62>}\X{\<47>\<63>}}|{\mmtr avann-\=ayi}|him-for] [{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ka\b ziccuv-all\=o?'}|madest-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<9>}\X{\<165>}\X{\<48>}\X{\<2>}}|{\mmtr uttaram}|reply]
+[{\mm \X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>}{\RMF.}}|{\mmtr colli.}|spoke.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,]
+[{\mm {\RMF`}\X{\<46>}\X{\<21>}\X{\<71>\<40>}{\RMF,}}|{\mmtr `magan-\=e,}|`son-O,] [{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou]
+[{\mm \X{\<14>}\X{\<71>\<242>\<62>}\X{\B{\<52>}{\<65>}}\X{\<2>}}|{\mmtr epp\=o\b z-um}|always] [{\mm \X{\<14>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr enn\=o\d du}|me-with]
+[{\mm \X{\<128>}\X{\<70>\<31>}}|{\mmtr ku\d de}|together]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr \=agunnuv-all\=o?'}|art-is-it-not?']
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}\X{\<51>\K{-.2}\<51>}\X{\<133>}}|{\mmtr enikk-u\d l\d ladu}|me-to-being-that]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr ell\=am}|all] [{\mm \X{\<40>\<63>}\X{\<71>\<79>\<49>}\X{\M{\<31>}{\<65>}}}|{\mmtr nin\b r\=e\d du}|thine]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr \=agunnu.}|is.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|But] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr \=ay-irunnu}|had-become]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyirttu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|goer]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-become,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>\<63>}\X{\<48>\<63>}\X{\<160>}\X{\<47>\<62>}\X{\<81>}}|{\mmtr ka\d n\d du-ki\d t\d tiy-irikkay\=al}|seeing-reaching-being-because]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr n\=am}|we] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|having-been-merry]
+[{\mm \X{\<56>}\X{\<71>\<194>\<62>}\X{\<55>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}}|{\mmtr sant\=o\d sikk-\=e\d n\d dadall\=o?}|to-feast-wanted-being-is-it-not?]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}{\RMF'}}|{\mmtr \=agunnu.'}|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.mm b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
new file mode 100644
index 00000000000..a253a998fc9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
@@ -0,0 +1,46 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+%\tracingmacros=1
+
+
+$pp+ v+ kush acchan$
+
+
+\beginsection A test of $\mmcb malayaaLam$-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+<malayalam>
+
+a aa i ii u uu .r e ee ai o oo au
+
+ka kha ga gha n"a ca cha ja jha n~a Ta Tha Da Dha Na ta tha da dha na
+pa pha ba bha ma ya ra la va sha Sa sa ha La zha Ra
+
+
+kka gga n"n"a cca jja TTa DDa NNa tta dda nna ppa bba mma yya lla vva shsha ssa LLa RRa
+
+. , : ; ? ! ( ) - -- ---
+
+1,23,45,67,890 \mmfigures 1,23,45,67,890
+
+\mmc
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kSa kSma kva thva nva hva ggya
+
+</malayalam>
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.tex b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
new file mode 100644
index 00000000000..f8f7db41df9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
@@ -0,0 +1,45 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+
+
+{\mm \X{\Q{\<242>}{\N{.8}{\<77>}}} \X{\Q{\<53>}{\N{.8}{\<77>}}} \X{\<21>\<72>}\X{\Q{\<54>}{\N{.8}{\<77>}}} \X{\<5>}\X{\Q{\<26>}{\N{.8}{\<77>}}\<27>}\X{\<79>}}
+
+
+\beginsection A test of {\mm \mmcb \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+{\mm
+
+\X{\<5>} \X{\<6>} \X{\<7>} \X{\<7>\<87>} \X{\<9>} \X{\<9>\<87>} \X{\<11>} \X{\<14>} \X{\<15>} \X{\<70>\<14>} \X{\<18>} \X{\<18>\<62>} \X{\<18>\<87>}
+
+\X{\<21>} \X{\<22>} \X{\<23>} \X{\<24>} \X{\<25>} \X{\<26>} \X{\<27>} \X{\<28>} \X{\<29>} \X{\<30>} \X{\<31>} \X{\<32>} \X{\<33>} \X{\<34>} \X{\<35>} \X{\<36>} \X{\<37>} \X{\<38>} \X{\<39>} \X{\<40>}
+\X{\<42>} \X{\<43>} \X{\<44>} \X{\<45>} \X{\<46>} \X{\<47>} \X{\<48>} \X{\<50>} \X{\<53>} \X{\<54>} \X{\<55>} \X{\<56>} \X{\<57>} \X{\<51>} \X{\<52>} \X{\<49>}
+
+
+\X{\<160>} \X{\<240>} \X{\<161>} \X{\<247>} \X{\<162>} \X{\<164>} \X{\M{\<33>}{\<89>}} \X{\<241>} \X{\<165>} \X{\<166>} \X{\<167>} \X{\<242>} \X{\<248>} \X{\<46>\K{-.27}\<46>} \X{\<249>} \X{\M{\<50>}{\<85>}} \X{\<250>} \X{\<244>} \X{\<245>} \X{\<51>\K{-.2}\<51>} \X{\<243>}
+
+{\RMF.} {\RMF,} {\RMF:} {\RMF;} {\RMF?} {\RMF!} {\RMF(} {\RMF)} {\RMF-} {\RMF--} {\RMF---}
+
+{\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero} \mmfigures {\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero}
+
+\mmc
+
+\X{\<74>\<21>} \X{\<74>\<22>} \X{\<74>\<23>} \X{\<74>\<24>} \X{\<74>\<25>} \X{\<74>\<26>} \X{\<74>\<27>} \X{\<74>\<28>} \X{\<74>\<29>} \X{\<74>\<30>}
+\X{\<74>\<31>} \X{\<74>\<32>} \X{\<74>\<33>} \X{\<74>\<34>} \X{\<74>\<35>} \X{\<74>\<36>} \X{\<74>\<37>} \X{\<74>\<38>} \X{\<74>\<39>} \X{\<74>\<40>}
+\X{\<74>\<42>} \X{\<74>\<43>} \X{\<74>\<44>} \X{\<74>\<45>} \X{\<74>\<46>} \X{\<74>\<47>} \X{\<80>\<48>} \X{\<74>\<50>} \X{\<74>\<53>} \X{\<74>\<54>} \X{\<74>\<55>} \X{\<74>\<56>}
+\X{\<74>\<57>} \X{\<74>\<51>} \X{\<74>\<49>} \X{\<74>\<52>}
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\<80>\<47>} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<21>\K{-.5}\<90>} \X{\Q{\<21>\K{-.5}\<90>}{\N{.8}{\<77>}}\<46>} \X{\<21>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<40>\K{-.5}\<86>} \X{\<57>\K{-.5}\<86>} \X{\<240>\<83>}
+
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
new file mode 100644
index 00000000000..c274d60f349
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
@@ -0,0 +1,129 @@
+% twolines.tex -- macros to create double lines, one with the
+% translation in parallel below the other.
+% (c) Jeroen Hellingman 1993
+% last edit: 04-JAN-1993
+
+{\catcode`\[=\active
+\gdef[{\stacktwo}
+
+\gdef\begintwolines{\bgroup\catcode`\[=\active
+ \def[{\stacktwo}
+ \def\firstonly{\def\stacktwo{\stacktwofirstonly}}
+ \def\secondonly{\def\stacktwo{\stacktwosecondonly}}}
+\gdef\endtwolines{\egroup}
+
+\gdef\beginthreelines{\bgroup\catcode`\[=\active
+ \def[{\stackthree}
+ \def\firstonly{\def\stackthree{\stackthreefirstonly}}
+ \def\secondonly{\def\stackthree{\stackthreesecondonly}}
+ \def\thirdonly{\def\stackthree{\stackthreethirdonly}}}
+\gdef\endthreelines{\egroup}
+}
+
+%%%%%% commands to be placed before material in lines
+
+\def\firststyle{\rm}
+\def\secondstyle{\it}
+\def\thirdstyle{\bf}
+
+%%%%%%
+
+\def\stacktwo#1|#2]{\putunder{{\secondstyle#2}}{\firststyle#1}}
+\def\stacktwofirstonly#1|#2]{{\firststyle#1}}
+\def\stacktwosecondonly#1|#2]{{\secondstyle#2}}
+
+\def\stackthree#1|#2|#3]{\putunder{{\putunder{{\thirdstyle#3}}{\secondstyle#2}}}{\firststyle#1}}
+\def\stackthreefirstonly#1|#2|#3]{{\firststyle#1}}
+\def\stackthreesecondonly#1|#2|#3]{{\secondstyle#2}}
+\def\stackthreethirdonly#1|#2|#3]{{\thirdstyle#3}}
+
+%%%%%% actual stacking macro
+
+% put #1 centered underneath #2
+\def\putunder#1#2{\hskip0pt{\setbox1=\hbox{\strut#1}\setbox0=\hbox{\strut#2}%
+ \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+ \dimen1=\dp0\advance\dimen1by\ht1%
+ \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+ % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+ \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+ \hbox{}\kern0.5\dimen7%
+ \advance\dimen3by0.5\dimen7%
+ \fi
+ \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+
+%%%%%% end of twolines.tex
+
+\message{This file contains a demo, edit it to see it.}
+\endinput % Remove this line to see the demo.
+
+\parindent=0pt
+
+\begintwolines
+\beginsection [A|Een] [Demo|demonstratie] [of|van] [Twolines|Twolines]
+
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,]
+[|zijn] [the|de] [Dutch|Engelse]
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,]
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in]
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\firstonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\secondonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\thirdonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\begintwolines\secondonly
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,]
+[|zijn] [the|de] [Dutch|Engelse]
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,]
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in]
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bye