doc/fonts

git-svn-id: svn://tug.org/texlive/trunk@83 c570f23f-e606-0410-a88d-b1316a301751

34 files changed, 5099 insertions, 0 deletions

diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
new file mode 100644
index 00000000000..052d1f0d0a8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm
@@ -0,0 +1,41 @@
+% elephant.mm -- The old fable of the blind men and the elephant
+% last edit: 04-APR-1993
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+$cila janmaandhanmar (piRavikkuruTanmaar) yad.rcchayaa oru svalattu vannukuTi tan"n"aL{}kku
+oru aanaye kaaNiccu koTukkeeNamenn oru aanappaappaanooTu taatpayyattooTe aapee
+kSiccatinnu avan: parishoodhiccu pooykkoL{}vinennu paRan~n~u. aanayuTe kaal
+tappinookkiya kuruTanum atinRe tunbikkai taTavinookkiya veroru kuruTanum
+atinRe cethi tapooTinookkiya maRRooruttanum atinRe vaal toTTunookkiya
+maRReeyavanum at nallatennu paRan~n~u.  ivvaNNam aanaye parishoodhanakazhicca sheeSam
+avar pookamvazhiyil anyoonyom aanayuTe mahiMayekkooNTu paRavaan tuTan"n"i. kaal
+tappi nookkiyavan aan uralpoolee ennum inbikkai taTavinookkiyavan atu ulakkapoolee
+ennum vaal tooTTunookkiyavan atu cuul (maaccil) poolee ennum cevi
+talooTi yavan atu muRampoolee ennum paRan~n~u. in"n"inee anyoonyam vipariitamaayi
+colli tiiraatta shaNThayiTTu naTannu.\par$
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another 
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
new file mode 100644
index 00000000000..22d96b85267
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex
@@ -0,0 +1,39 @@
+
+\input mmmacs
+\input ornament
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The blind men and the elephant}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}}
+\ornline{\Sine}
+
+{\mm \X{\<26>\<63>}\X{\<50>} \X{\<28>}\X{\<193>\<62>}\X{\<219>}\X{\<193>}\X{\<80>} {\RMF(}\X{\<42>\<63>}\X{\<49>}\X{\<53>\<63>}\X{\<168>}\X{\<136>}\X{\<31>}\X{\<193>\<62>}\X{\<80>}{\RMF)} \X{\<47>}\X{\<153>}\X{\M{\<26>}{\Z\<27>}}\X{\<47>\<62>} \X{\<18>}\X{\<136>} \X{\<56>\K{-.5}\<86>}\X{\<50>}\X{\<172>} \X{\<53>}\X{\<174>}\X{\<128>}\X{\<31>\<63>} \X{\<36>}\X{\<161>}\X{\<82>}{}\X{\<168>}
+\X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<21>\<62>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<71>\<160>}\X{\<35>}\X{\<70>\<46>}\X{\mmV{\<167>}} \X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<242>\<62>}\X{\<242>\<62>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}} \X{\<36>\<62>}\X{\M{\<36>}{\Z\<42>}}\X{\<249>}\X{\<71>\<165>\<62>}\X{\<70>\<31>} \X{\<6>}\X{\<71>\<42>}
+\X{\<251>\<63>}\X{\<247>}\X{\<36>\<63>}\X{\<174>} \X{\<5>}\X{\<53>}\X{\<79>}{\RMF:} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>\<63>}\X{\M{\<247>}{\<65>}} \X{\<71>\<42>\<62>}\X{\<70>\M{\<47>}{\<115>}\<62>}\X{\<82>}{}\X{\<53>\<63>}\X{\<70>\<40>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<133>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<70>\<53>}\X{\<70>\<48>\<62>}\X{\<136>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>}
+\X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<37>\<63>} \X{\<36>}\X{\<71>\<42>\<62>}\X{\<31>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<46>}\X{\<71>\<243>\<62>}\X{\<136>}\X{\<165>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<62>}\X{\<81>} \X{\<70>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}
+\X{\<46>}\X{\<71>\<243>}\X{\<47>}\X{\<53>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<81>} \X{\<40>}\X{\M{\<50>}{\<85>}}\X{\<70>\<36>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}  \X{\<7>}\X{\<250>}\X{\<241>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>}\X{\<40>}\X{\<21>}\X{\<52>\<63>}\X{\<247>} \X{\<71>\<54>}\X{\<55>}\X{\<2>}
+\X{\<5>}\X{\<53>}\X{\<80>} \X{\<71>\<42>\<62>}\X{\<21>}\X{\<46>\K{-.5}\<86>}\X{\<52>\<63>}\X{\<47>\<63>}\X{\<81>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<70>\<40>\<83>\<62>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<46>}\X{\<57>\<63>}\<2>\X{\<5>}\X{\<70>\<47>}\X{\<71>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>}\X{\<49>}\X{\<53>\<62>}\X{\<79>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.} \X{\<21>\<62>}\X{\<81>}
+\X{\<36>}\X{\<242>\<63>} \X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<6>}\X{\<79>} \X{\<9>}\X{\<48>}\X{\<81>\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<7>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\<9>}\X{\<50>}\X{\<160>}\X{\<71>\<42>\<62>}\X{\<71>\<50>}
+\X{\<14>}\X{\<174>}\X{\<2>} \X{\<53>\<62>}\X{\<81>} \X{\<71>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<26>}{\<66>}}\X{\<81>} {\RMF(}\X{\<46>\<62>}\X{\<247>\<63>}\X{\<81>}{\RMF)} \X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<70>\<26>}\X{\<53>\<63>}
+\X{\<36>}\X{\<71>\<50>\<62>}\X{\<31>\<63>} \X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<71>\<220>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<161>\<63>}\X{\<71>\<40>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<40>\<83>}\X{\<2>} \X{\<53>\<63>}\X{\<42>}\X{\<48>\<64>}\X{\<36>}\X{\<46>\<62>}\X{\<47>\<63>}
+\X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>} \X{\<36>\<64>}\X{\<48>\<62>}\X{\<165>} \X{\<54>}\X{\M{\<35>}{\Z\<32>}}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}} \X{\<40>}\X{\<31>}\X{\<174>}{\RMF.}\par}
+
+\ornline{\Sine}
+
+Some men, all blind from their birth, (happening) to be together at one place, requested
+earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off.
+It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind
+man stroking his trunk, (so said) another passing his hand over the ear, (so said) another 
+thouching his tail. Having thus examined the elephant, as they went away, they began to
+speak to one another of the greatness of the elephant. He that had felt the leg said the
+elephant was like a mortar for poundig rice. He that felt the trunk, that it was like
+a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that
+had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling
+without end, each declaring the contrary to the other.
+
+\ornline{\Orn}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
new file mode 100644
index 00000000000..5fdca69777d
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm
@@ -0,0 +1,120 @@
+% lion.mm -- The old fable of the lion and the mouse
+% last edit: 26-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu 
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe 
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, 
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel 
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e 
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree 
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu 
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$\bigskip
+
+$$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu 
+taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe 
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, 
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel 
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e 
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree 
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e
+raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu 
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+
+\smallskip
+
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+
+$$
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while 
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving 
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000%
+\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu 
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe 
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, 
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel 
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e 
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree 
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu 
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
new file mode 100644
index 00000000000..1f8323f1809
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex
@@ -0,0 +1,117 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{{\twelvebf The lion and the mouse}}
+\medskip
+\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}}
+\bigskip
+
+{\mm \X{\<18>}\X{\<136>} \X{\<56>\<63>}\X{\<2>\<57>}\X{\<2>} \X{\<9>}\X{\M{\<55>}{\Z\<35>}}\X{\<165>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<40>\<62>}\X{\<47>\<62>}\X{\<164>\<63>}\X{\<40>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<36>}\X{\<51>}\X{\T{\<76>}{\R{.8ex}{\<174>}}} \X{\<251>\<64>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}}\<2>\X{\<71>\<21>\<62>}\X{\M{\<187>}{\<65>}} 
+\X{\<36>}\X{\<35>}\X{\M{\<50>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<31>\<63>}\X{\<247>} \X{\<18>}\X{\<136>} \X{\<21>}\X{\<136>}\X{\<71>\<53>}\X{\<50>}\X{\<21>}\X{\M{\<53>}{\<67>}}\X{\<251>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<63>}\X{\<31>}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<36>\<62>}\X{\<47>} \X{\<70>\<21>\<62>}\X{\M{\<220>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<70>\<31>} 
+\X{\<21>\<64>}\X{\<70>\<52>} \X{\<53>\<63>}\X{\<210>\<62>}\X{\<46>}\X{\<165>\<63>}\X{\<40>\<62>}\X{\<47>\<63>} \X{\<21>\<63>}\X{\<31>}\X{\<167>\<63>}\X{\<136>}\X{\<174>}{\RMF.} \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>} \X{\<21>\<63>}\X{\<31>}\X{\<174>}\X{\<49>}\X{\M{\<161>}{\<65>}}\X{\<71>\<220>\<62>}\X{\<82>}{\RMF,} 
+\X{\<21>}\X{\<50>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<18>}\X{\<136>} \X{\<139>}\X{\<164>}\X{\<2>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\M{\<46>}{\<66>}}\X{\<160>\<63>}\X{\<71>\<193>}\X{\<81>} 
+\X{\<18>\<62>}\X{\<31>\<63>}\X{\<160>}\X{\<47>}\X{\<49>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<40>} \X{\<9>}\X{\<35>}\X{\T{\<76>}{\R{.8ex}{\<165>}}\<63>}{\RMF.} \X{\<6>}\X{\<47>}\X{\<133>}\X{\<40>\<63>}\X{\<46>\<63>}\X{\<165>}\X{\<2>} \X{\<70>\<30>}\X{\<164>\<63>} \X{\<5>}\X{\<53>}\X{\<47>\<63>}\X{\<81>} \X{\<18>}\X{\<167>\<63>}\X{\<70>\<40>} \X{\<36>}\X{\<70>\<79>\<49>} 
+\X{\<70>\<70>\<21>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<50>}{\<85>}\<62>}\X{\<49>\<62>}\X{\<160>\<63>}{\RMF.} \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<53>}\X{\<51>}\X{\<71>\<48>} 
+\X{\<53>\<83>}\X{\<56>}\X{\<40>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<21>}\X{\<136>}\X{\<35>}\X{\mmV{\<160>}} \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.} \X{\<7>}\X{\<205>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<40>\<63>}\X{\<150>}\X{\M{\<55>}{\Z\<31>}}\X{\<28>}\X{\<222>}\X{\<53>\<63>}\X{\<70>\<79>\<49>}
+\X{\<48>}\X{\<176>}\X{\<70>\<165>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<128>}\X{\<50>\<64>}\X{\<40>}\X{\<36>}\X{\<168>} \X{\<45>}\<2>\X{\<23>}\X{\<2>} \X{\<53>}\X{\<136>}\X{\<165>}\X{\<136>}\X{\<133>} \X{\<14>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}
+\X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<2>} \X{\<21>\<62>}\X{\T{\<76>}{\R{.8ex}{\<249>}}}\X{\<2>} \X{\<6>}\X{\<71>\<50>\<62>}\X{\<26>\<63>}\X{\M{\<247>}{\<65>}} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<5>}\X{\<71>\<42>}\X{\<251>}\X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<70>\<26>}\X{\M{\<249>}{\<65>}}\X{\<167>}\X{\<36>\<62>}\X{\<132>}\<77>
+\X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<36>} \X{\<14>}\X{\<174>} \X{\<21>}\X{\M{\<187>}{\<65>}}\<77> \X{\<53>\<63>}\X{\<49>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<36>}\X{\<31>}\X{\M{\<53>}{\<65>}}\X{\<21>\<62>}\X{\<48>}\X{\<70>\<40>} \X{\<251>}\X{\<35>}\X{\<165>\<63>}\X{\<81>}
+\X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<15>}\X{\<49>} \X{\<21>\<62>}\X{\<50>}\X{\<2>} \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\M{\<46>}{\<65>}}\X{\<71>\<220>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<7>}\X{\<70>\<48>}\X{\<160>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}\X{\<51>\K{-.2}\<51>}
+\X{\<56>}\X{\<185>\<62>}\X{\<49>}\X{\<165>\<63>}\X{\<81>} \X{\<21>\<62>}\X{\<164>\<63>}\X{\M{\<50>}{\<66>}}\X{\<71>\<31>} \X{\<42>\<62>}\X{\<163>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<71>\<53>}\X{\<31>}\X{\<80>}\X{\<70>\<53>}\X{\<247>} \X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>\<63>}\X{\<81>}
+\X{\<21>}\X{\M{\<31>}{\<65>}}\X{\M{\<161>}{\<65>}}\X{\<53>\<62>}\X{\<79>} \X{\<56>}\<2>\X{\<23>}\X{\<36>\<63>}\X{\<47>\<62>}\X{\<47>\<63>}{\RMF.} \X{\<5>}\X{\<36>\<63>}\X{\<81>\<40>\<63>}\X{\<174>} \X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<53>\<62>}\X{\<79>} \X{\<36>}\X{\<40>\<63>}\X{\<168>} \X{\<21>}\X{\<52>\<63>}\X{\<53>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<47>}{\<112>}}
+\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<15>}\X{\<49>}\X{\<49>}\X{\M{\<53>}{\<65>}}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<181>}\X{\<48>}\X{\<40>\<62>}\X{\<38>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<5>}\X{\<50>}\X{\<49>\<63>}\X{\<70>\<160>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<174>}{\RMF.}
+\X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<7>}\X{\<133>} \X{\<71>\<21>}\X{\<164>\<63>}\X{\M{\<164>}{\<65>}} \X{\<6>} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<54>}\X{\M{\<44>}{\Z\<38>}}\X{\<46>\<62>}\X{\<70>\<35>}\X{\<167>}\X{\<49>\<63>}\X{\<163>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\mmV{\<187>}}
+\X{\<9>}\X{\<31>}\X{\<71>\<40>} \X{\<6>} \X{\<56>\K{-.5}\<88>}\X{\<50>}\X{\<71>\<165>}\X{\<168>} \X{\<70>\<26>}\X{\<174>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<44>}\X{\M{\<219>}{\<65>}} \X{\<6>}\X{\<70>\<35>}\X{\<174>}\X{\<2>} \X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} 
+{\RMF``}\X{\<18>}\X{\<174>}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<70>\<242>}\X{\<71>\<31>}\X{\<187>}{\RMF''} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<42>\<63>}\X{\<70>\<167>} \X{\<9>}\X{\<31>}\X{\<70>\<40>}
+\X{\<36>}\X{\<70>\<79>\<49>} \X{\<42>}\X{\<35>\<63>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF:} \X{\M{\<46>}{\<66>}}\X{\T{\<76>}{\R{.8ex}{\<247>}}}\X{\M{\<47>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<42>}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\<70>\<160>\<62>}\X{\mmV{\<187>}}
+\X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>}\X{\<70>\<31>} \X{\<128>}\X{\M{\<31>}{\<65>}}\X{\<168>}\X{\<21>} \X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<21>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<21>}\X{\<31>\<63>}\X{\<247>}\X{\M{\<49>}{\<65>}}\X{\<172>}{\RMF,} \X{\<71>\<21>}\X{\<56>}\X{\<48>\<63>}\X{\<53>\<64>}\X{\<48>}\X{\<70>\<40>}
+\X{\<56>\K{-.5}\<86>}\X{\<36>}\X{\<215>}\X{\<40>\<62>}\X{\<160>\<63>} \X{\<5>}\X{\<47>}\X{\<160>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}
+
+\smallskip
+
+\X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}{\RMF:} {\RMF``}\X{\M{\<42>}{\<66>}}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<82>}{}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<2>} \X{\<9>}\X{\<42>}\X{\<21>\<62>}\X{\<48>}\X{\<2>} \X{\<9>}\X{\<187>\<62>}\X{\<128>}\X{\<2>}{\RMF.}{\RMF''}
+
+}\bigskip
+
+{\mmtr Oru simham u\d s\d natt\=alum n\=ay\=a\d t\d tin\=alum ta\d larnnu k\d s{\=\i}\d niccu\.nk\=o\d n\d tu 
+ta\d nalu\d l\d la ta\d ticca oru karuv\=elakav\d rk\d satti\b n\b te vi\d tarnnat\=aya konpuka\d lu\d te 
+k{\=\i}\b ze vi\'sr\=amattin\=ayi ki\d tannirunnu. Avi\d te ki\d tannu\b ra\.n\.nunp\=o\d l, 
+kalahiccuko\d n\d tirunna oru k\=u\d t\d tam cu\d n\d teli ati\b n\b te m\=ukkinm\=el 
+\=o\d tikkaya\b ri atine u\d nartti. \=Ayatunimittam \~ne\d t\d ti avayil onnine ta\b n\b te 
+kaiko\d n\d tu pi\d ticcu koll\=a\b r\=akki. App\=o\d l ce\b riya cu\d n\d teli va\d lar\=e 
+vyasanatt\=o\d t\=e karu\d nakk ap\=ek\d siccu. Itra ce\b riya nik\d r\d s\d tajantuvi\b n\b te
+raktattekko\d n\d tu si\d mhatti\b n\b te kul{\=\i}natakku bha\.ngam varuttarutu ennu pa\b rakayum
+ceytu. Si\d mham k\=aryyam \=al\=ociccu ati\b n\b te ap\=ek\d sap\=ol\=e ceyyunnat\=a\d n\u u
+y\=ogyata ennu ka\d n\d t\u u vi\b raccuko\d n\d tirunna ce\b riya ta\d tavuk\=arane k\d sa\d nattil
+vi\d t\d tuka\d la\~n\~nu. \=E\b ra k\=alam ka\b ziyum munp\=e ta\b n\b te irekk\=ayi\d t\d tu\d l\d la
+sa\~nc\=a\b rattil k\=a\d t\d til\=u\d t\=e p\=a\~n\~napp\=o\d l v\=e\d tarvecca ke\d niyil
+ka\d tu\.n\.nuv\=an sa\.ngatiy\=ayi. Atilninnu vi\d t\d tup\=ov\=an tanikku ka\b zivill\=ayka
+ko\d n\d tu \=e\b ra\b ravum bhaya\.nkaran\=adatt\=o\d t\=e ala\b rikko\d n\d tirunnu.
+Cu\d n\d teli itu k\=e\d t\d ti\d t\d tu \=a si\d mhatti\b n\b te \'sabdam\=a\d nenna\b ri\~n\~natuko\d n\d t
+u\d tan\=e \=a sthalatt\=ekku cennu ta\b n\b te bandhu \=a\d nennum atuko\d n\d tu 
+``onnum bhayappe\d t\=e\d n\d ta'' ennum pa\b ra\~n\~nu. Pinne u\d tane
+ta\b n\b te pa\d ni tu\d ta\.n\.ni: m\=urccayu\d l\d la ta\b n\b te ce\b riya palluka\d lekko\d n\d t
+ke\d niya\d te ku\d tukkuka \d leyum ke\d t\d tuka\d leyum ka\d ticca\b ruttu, k\=esariv{\=\i}rane
+svatantran\=akki ayakkayum ceytu.
+
+\smallskip
+
+Atuko\d n\d tu: ``p\=ulluka\d l{}ko\d n\d tum upak\=aram u\d n\d t\=akum.''
+
+}
+
+\bigskip
+
+A lion, faint with heat and weary with hunting, was lying down to take his
+repose under the spreading bows of a thick shady oak. It happened that, while 
+he slept, a company of quarreling mice ran over his nose and waked him; upon which,
+starting up, he clapped his paw upon one of them and was just about to put
+it to death, when the little suppliant implored his mercy in a very moving 
+manner, begging him not to stain his noble character with the blood of a despicable and
+small beast. The lion considering the matter, thought proper to do as he was
+desired and immediately released his little trembling prisoner. Not long after, traversing
+the forest in pursuit of his prey, he chanced to run into the toils of the hunters,
+from whence, not able to disengage himself, he set up a most hideous and loud
+roar. The mouse hearing the voice, and knowing it to be the lion's, immediately
+repaired to the place and bid him fear nothing, for that he was his friend.
+Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots
+ad fastenings of the toils, set the royal brute at liberty.
+
+\smallskip
+
+Moral: The least may help the greatest.
+
+\bigskip
+
+{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu 
+taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe 
+kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, 
+kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel 
+ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e 
+kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree 
+vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e
+raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum
+ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+
+yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil
+viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa
+san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil
+kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka
+koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu.
+^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT
+uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu 
+``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane
+tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT
+keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane
+svatantranaakki ayakkayum ceytu.
+\smallskip
+\bslash smallskip
+\smallskip
+^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.''
+\dollar
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
new file mode 100644
index 00000000000..74a16cdcba8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm
@@ -0,0 +1,440 @@
+% mmarticle.mm -- article about Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+        June\or July\or August\or September\or October\or November\or December\fi
+        \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala, 
+employs a beautiful but complicated script. This script uses numerous 
+ligatures and places glyphs on top of each other and out of phonetic 
+order. To be able to typeset Malayalam, a \MF\ containing all 
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called 
+Malayalam-\TeX. This package enables the user to type Malayalam in an 
+adaptable roman transliteration, which after being processed by the 
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings 
+of the \TeX\ system appeared, which made a straightforward 
+implementation of the Malayalam script difficult. Several additions to 
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and 
+\TeX\ together proved to be a powerful tool that made the development 
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ($malayaaLam$), which is the first language of 
+an estimated {\os30}~million people in the South Indian state Kerala, 
+uses its own script, which is characterised by curly shaped 
+characters. It is believed that those rounded shapes developed because 
+it was written on palm leaves with a metal nib, which would have 
+pricked through the medium, if the script had contained sharp curves. 
+The same rounded shapes can be found in the other South Indian and 
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts 
+and variations of scripts. Until a few centuries ago, the Malayalam 
+language was normally written in the Old Tamil or $^mappiLLa$ 
+($$^mappiLLa$$) alphabet, also known as $vaTTezhuttu$ 
+($$vaTTezhuttu$$), the `rounded characters'. This script however, did 
+not contain many letters necessary for writing Sanskrit. They became 
+necessary in writing Malayalam since the language absorbed many 
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet $^tun~jettu 
+^ezhuttacchan_$ ($$^tun~jettu ^ezhuttacchan_$$)\footnote*{literally 
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called $^aaryavezhuttu$ ($$^aaryavezhuttu$$) or `Aryan characters' 
+from the Tamil Grantha alphabet to render Sanskrit poetry in 
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient 
+Brahmi script. His alphabet quickly became the standard for writing 
+Malayalam. (however, a variant of the old script, called $koolezhuttu$ 
+($$koolezhuttu$$) was in use far into this century for keeping records 
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but 
+unlike Tamil, it uses complex conjunct characters, with letters 
+subscribed to others, and out of phonetic order, as can be seen in 
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in 
+the {\os18}th~century, printing letters for Malayalam where designed, 
+modelled after the, at that time, popular Latin Bodoni types, with 
+large differences between thin and thick strokes. Printing Malayalam, 
+however, proved to be quite complicated; in traditional typography, 
+several hundreds of distinct lead glyphs where needed to typeset the 
+language.
+
+To ease learning and typesetting, the government of the state of 
+Kerala adopted a reformed script in {\os1974}. It abandons most of the 
+subscribed conjuncts and all the irregular vowel signs. Although this 
+script is now teached in all schools in Kerala, and newspapers are 
+printed in it, the original script is still in widespread use, and 
+mixtures of the two styles in one document can be seen regularly. In 
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither 
+purely syllabic, nor purely alphabetic. The modern alphabet consists 
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and 
+{\os36}~for the consonants followed by an `inherent'~$$a$$. To write a 
+syllable with another vowel, a special sign is applied to the normal 
+consonant character. When two consonants appear next to each other 
+without an intermediate vowel, They are joined to each other in some 
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the 
+Sanskrit order, on phonetic principles, putting related sounds 
+together. For the sounds not used in Sanskrit, new letters where added 
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also 
+includes the Sanskrit vowels $.r.r$, $.l$, and $.l.l$ for respectively 
+$$.r.r$$, $$.l$$, and $$.l.l$$.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$a$     & $aa$      & $i$   & $ii$      & $u$   & $uu$      & $.r$    \cr
+$$a$$   & $$aa$$    & $$i$$ & $$ii$$    & $$u$$ & $$uu$$    & $$.r$$  \cr
+$e$     & $ee$      & $ai$  & $o$       & $oo$  & $au$      \cr
+$$e$$   & $$ee$$    & $$ai$$& $$o$$     & $$oo$$& $$au$$    \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers $M$, 
+$$M$$, and $H$, $$H$$. They are called {\it anusvaram} and {\it 
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+$ka$      & $kha$     & $ga$      & $gha$     & $n"a$    & $ya$     & $ra$      & $la$      & $va$      \cr
+$$ka$$    & $$kha$$   & $$ga$$    & $$gha$$   & $$n"a$$  & $$ya$$   & $$ra$$    & $$la$$    & $$va$$    \cr
+$ca$      & $cha$     & $ja$      & $jha$     & $n~a$    & $sha$    & $Sa$      & $sa$      \cr
+$$ca$$    & $$cha$$   & $$ja$$    & $$jha$$   & $$n~a$$  & $$sha$$  & $$Sa$$    & $$sa$$    \cr
+$Ta$      & $Tha$     & $Da$      & $Dha$     & $Na$     & $ha$     & $La$      & $zha$      & $Ra$      \cr
+$$Ta$$    & $$Tha$$   & $$Da$$    & $$Dha$$   & $$Na$$   & $$ha$$   & $$La$$    & $$zha$$    & $$Ra$$    \cr
+$ta$      & $tha$     & $da$      & $dha$     & $na$     \cr
+$$ta$$    & $$tha$$   & $$da$$    & $$dha$$   & $$na$$   \cr
+$pa$      & $pha$     & $ba$      & $bha$     & $ma$     \cr
+$$pa$$    & $$pha$$   & $$ba$$    & $$bha$$   & $$ma$$   \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel 
+sign, some of them standing to the left, or on both sides of the 
+consonant to which they belong. This can be quite confusing in the 
+when one starts learning the script. Here the vowel signs are given 
+with the letter $ka$, {\it$$ka$$}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+$ka$     & $kaa$      & $ki$   & $kii$      & $ku$   & $kuu$      & $k.r$    \cr
+$$ka$$   & $$kaa$$    & $$ki$$ & $$kii$$    & $$ku$$ & $$kuu$$    & $$k.r$$  \cr
+$ke$     & $kee$      & $kai$  & $ko$       & $koo$  & $kau$      \cr
+$$ke$$   & $$kee$$    & $$kai$$& $$ko$$     & $$koo$$& $$kau$$    \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow 
+each other. In that case there are several alternatives. First, the 
+consonants are joined with each other to form a new conjunct, like in 
+$jja$, $nta$, and $NTa$; second one can write the second consonant as 
+a subscript to the first, like in $ppa$, and $NNa$; the third option 
+is to use a special symbol, $+$, called $candrakala$, 
+{\it$$candrakala$$}, to indicate the absence of the inherent vowel in 
+a consonant. This symbol is also used when a word ends in a consonant. 
+Several letters form a ligature with this sign: $k$ for $ka+$, $N$ for 
+$Na+$, $t$ for $ta+$ or $la+$, $n$ for $na+$, $m$ for $ma+$, $r$ for 
+$ra+$, and $L$ for $La+$.
+
+Some consonants have a special sign when they occur as the last 
+element of a consonant cluster:
+$ya$ becomes ${}<<ya$ as in $kya$, {\it$$kya$$};
+$ra$ becomes ${}<<ra$ , standing to the left of the cluster, as in
+$kra$, {\it$$kra$$};
+$la$ becomes ${}<<la$, as in $kla$, {\it$$kla$$}; and
+$va$ becomes ${}<<va$ as in $kva$, {\it$$kva$$}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I 
+have no knowledge of the language; I had no clear arrangement of all 
+needed conjuncts, nor a good example typeface, which I could use as a 
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the 
+traditional typographic style, I decided to switch to a `script' style 
+of letters, for two reasons. First designing and coding a font in the 
+traditional style, with unnatural thick-thin transistions --~i.e., 
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on 
+it. Second, the traditional design is hard on the eyes, because it has 
+a big difference between thick and thin. It often produces a page 
+which looks `stained' from distance, instead of the more evenly 
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew 
+each character about {\os2}~centimetres high out of free hand on graph 
+paper with a yellow marker-pen, the same type you use to highlight 
+text. When I was satisfied with this character, I decided where to put 
+control points, and marked them with a black dot, measured the 
+positions of the dots on the graph paper and coded them, together with 
+the path my pen had made through those points, in \MF. After running 
+\MF\ the character appeared on the screen for the first time. When I 
+was not satisfied with its look, I would move some control points a 
+bit, and re-run \MF. I repeated this process until I was satisfied 
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it 
+is build up of, I defined a macro for most consonants. This way all 
+that was needed to define the shape of a conjunct was a macro-call for 
+each of the constituent consonants, sometimes adjusting some points 
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend 
+on average about half an hour per character --~although I needed 
+several hours to get some, notably $ja$ and $ya$, right~-- Still the 
+results are acceptable, thanks to \MF, which does a great job of 
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build 
+by placing a smaller variant of the glyph of the second consonant 
+below the normal sized glyph of the first consonant. To avoid coding 
+these smaller consonants again, I decided to create a second font, 
+called the {\it subfont\/}, which contains only the characters that 
+can be subscribed. This font uses the same code to produce the glyphs, 
+but \MF-parameters have been adjusted, so that this font combines well 
+with the `main'-font. The job of combining glyphs from the `sub' and 
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike 
+Donald Knuth's Computer Modern fonts, only a few variations in letter 
+style can be derived from the \MF-source. I produced several styles: a 
+regular, slanted, and bold style drawn with a circular pen, and a 
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8}, 
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I 
+created some `big' bold fonts for headlines and a few more 
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is 
+straightforward. Roughly speaking, all you have to do is to place the 
+letters in a row, in the same order as you type them, taking care to 
+move to the next line when the current line is filled up. There is 
+roughly a one-to-one relationship between characters, letters, and 
+glyphs. Typesetting Malayalam text is much more complicated. You have 
+to use conjuncts, stack glyphs on top of each other, or place glyphs 
+that represent sounds that come after a consonant before the glyph of 
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can 
+be said to consist of syllables, which are just as easily placed on a 
+line from left to right as English. The remaining problem is how to 
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue. 
+To build a syllable, you can put a glyph in a box, place it relative 
+to another character, and put the resulting construction into another 
+box for use it in further constructing, until the syllable is 
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is 
+possible to let \TeX\ do all the necessary processing, however, at a 
+high cost in both processor load and memory usage at run time, which 
+makes it impossible to use Telugu-\TeX\ on a small personal computer. 
+Also, programming these tasks in the \TeX-programming language is 
+awkward, requiring many `dirty tricks'. For these reasons I decided to 
+implement a pre-processor, written in~C, which does most of the 
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has 
+many very long `words'. Both in speaking as in writing, the boundaries 
+between words tend to disappear, and often the last letter of a word 
+changes and/or forms a conjunct with the first of the next word. This 
+effect, know as `Sandhi', appears in most languages, but in Malayalam 
+it is quite prominent, and also reflected in the orthography. As a 
+result, a text contains very long sequences of characters and few 
+spaces, which can serve as line-break points. As a result, it is 
+difficult to obtain even spacing between words, especially in narrow 
+columns. Several of \TeX's line-breaking parameters had to be adjusted 
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need 
+some way to {\it input\/} it. Unfortunately, I have no keyboard or 
+editor on which I can type Malayalam script directly. So I was forced 
+to use some transcription scheme in ASCII. The transcription I decided 
+to use was based on the following principles. First it should be 
+easily readable, avoiding as much as possible non-letters and capital 
+letters in the middle of words, non-ambiguous, so that it can be 
+converted automatically, easily recognisable, and finally, besides 
+being able to produce Malayalam text from it, I wanted to be able to 
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be 
+very `religious' about what they consider a good transcription-scheme. 
+Beside that they can also have huge texts already available in some 
+transcription, and be unwilling to convert that, so I decided to have 
+the pre-processor read the transcription from a file, which can easily 
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers, 
+who may not even know the roman alphabet, and also awkward for 
+entering large pieces of text, since many typing errors only show up 
+when the text is seen after processing by \TeX, so it should be 
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in 
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many 
+things remain to be desired. The pre-processing stage, and the need to 
+represent non-Latin scripts with a sequence of inpenetratable commands 
+to typeset glyphs is far from ideal. A much more workable scheme would 
+be to have \TeX\ understand that some characters are Malayalam 
+characters, while others are Latin or from yet another script, and 
+have \TeX\ typeset them as such correctly, including contextual 
+analysis.
+
+This first of all raises the issue of character-sets. Some few years 
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a 
+final concession to user-demand for multi-lingual support, but by now 
+it would be very desirous to make the leap to 16-bit characters, and 
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really 
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual, 
+since many more obscure or obsolete writing systems have been left 
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal 
+with them in a way that makes sense. Nowadays, \TeX\ only truly 
+understands two writing systems --~that of English, and that of 
+mathematics~-- and does a wonderful, although not perfect, job in 
+handling those. But other scripts require some kind of pre-processor, 
+or extremely clever hacking with \TeX-macros, as is is done in Klaus 
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would 
+be to add more modes to \TeX, for example an Arabic-mode for the 
+Arabic script, and a Malayalam mode for Malayalam script --~one can, 
+however, also imagine one generalized mode for all Indic scripts~--, 
+and to take the idea further, a mode for music and dance notation, and 
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make 
+the development of these a managable task; no single person can know 
+all the relevant details of all writing systems. A script or writing 
+system `module' or `driver' would come into action whenever a 
+character of its script, or token requiring the explicit change of 
+mode, is encountered, and handle all consequent characters and tokens, 
+until one arrives that it cannot handle --~these may include some 
+normal tokens like a `space' character, which is common in most 
+writing systems.
+
+While processing its part of the input, a module will add boxes to the 
+current horizontal list, which will then be handled by \TeX's 
+paragraph handling mechanism as usual --~although some extensions may 
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of 
+how to represent characters with the glyphs of that font. An extended 
+font metric format should provide information about how to build 
+conjunct forms or use contextual variants of glyphs available in a 
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already 
+supports a 16-bit character set, and also incorporates code to do 
+vertical typesetting as is required by some writing systems. The 
+adaptation of P-\TeX\ to Unicode for at least the ideographic 
+characters will be reasonable straightforward. Adding the various 
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch 
+oriented text formatter like \TeX, but one that understands Unicode 
+and uses functional instead of typographical tagging of the input 
+text. Preferably it would understand SGML, and format this using some 
+lay-out style definition, which then should be defined in a language 
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which 
+points, constrains between points and pen strokes through them can be 
+added or moved and their effects can be seen immediately. I very much 
+prefer the its pen-stroke metaphor above the outline editing most 
+other font design tools offer, but maybe the idea of changing 
+`pressure' on or rotation of the a pen during its movement can be 
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like 
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated 
+typesetting of the traditional script is no longer a big problem. 
+Malayalam \TeX\ can both produce the traditional style script and the 
+reformed script, as well as a scientific transliteration from the same 
+input file.
+
+The world knows many scripts, many of them have only a very limited 
+use, --~compared with some of them, Malayalam, is a very widely used 
+script. As shown with my experience with Malayalam, it is only several 
+months of work to obtain acceptable typesetting quality for most 
+scripts (The exception being ideographic or logographic scripts as 
+Chinese), thus bringing computerized typography within the reach of 
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the 
+traditional script, followed by an automatically derived transcription, 
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order 
+to produce a Malayalam character. The third column shows the 
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
new file mode 100644
index 00000000000..7089879b539
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex
@@ -0,0 +1,436 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\def\q{\hfill\quad}
+\def\os{\oldstyle}
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+        June\or July\or August\or September\or October\or November\or December\fi
+        \space\number\year}
+
+\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}}
+
+
+\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip
+\centerline{Jeroen Hellingman}\bigskip
+
+{\narrower
+\noindent{\bf Abstract}\medskip
+
+\noindent Malayalam, a language spoken in the Indian state of Kerala, 
+employs a beautiful but complicated script. This script uses numerous 
+ligatures and places glyphs on top of each other and out of phonetic 
+order. To be able to typeset Malayalam, a \MF\ containing all 
+necessary letter forms, a pre-processor and a collection of
+\TeX-macro's were designed. Together they form a package called 
+Malayalam-\TeX. This package enables the user to type Malayalam in an 
+adaptable roman transliteration, which after being processed by the 
+pre-processor, can be typeset with \TeX.
+
+During the design and development of the package, several shortcomings 
+of the \TeX\ system appeared, which made a straightforward 
+implementation of the Malayalam script difficult. Several additions to 
+\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and 
+\TeX\ together proved to be a powerful tool that made the development 
+of the package an enjoyable task.\par}
+
+\beginsection Introduction
+
+The Malayalam language, ({\mm \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}), which is the first language of 
+an estimated {\os30}~million people in the South Indian state Kerala, 
+uses its own script, which is characterised by curly shaped 
+characters. It is believed that those rounded shapes developed because 
+it was written on palm leaves with a metal nib, which would have 
+pricked through the medium, if the script had contained sharp curves. 
+The same rounded shapes can be found in the other South Indian and 
+Sri~Lankan scripts, which are all closely related to Malayalam script.
+
+Through the centuries, Malayalam has been written in various scripts 
+and variations of scripts. Until a few centuries ago, the Malayalam 
+language was normally written in the Old Tamil or {\mm \X{\<46>}\X{\<242>\<63>}\X{\<51>\K{-.2}\<51>}} 
+({\mmtr Mappi\d l\d la}) alphabet, also known as {\mm \X{\<53>}\X{\<70>\<164>}\X{\<52>\<72>}\X{\<165>\<72>}} 
+({\mmtr va\d t\d te\b zuttu}), the `rounded characters'. This script however, did 
+not contain many letters necessary for writing Sanskrit. They became 
+necessary in writing Malayalam since the language absorbed many 
+Sanskrit loans, which could only be written in an ambiguous way.
+
+To overcome those problems, the {\os17}th~century poet {\mm \X{\<36>\<72>}\X{\<70>\<186>}\X{\<165>\<72>} 
+\X{\<14>}\X{\<52>\<72>}\X{\<165>}\X{\mmV{\<26>}\<27>}\X{\<79>}} ({\mmtr Tu\~njettu E\b zuttaccha\b n})\footnote*{literally 
+``Father of Letters.''} adopted the modern Malayalam script, the
+so-called {\mm \X{\<6>}\X{\<80>\<47>}\X{\<70>\<53>}\X{\<52>\<72>}\X{\<165>\<72>}} ({\mmtr \=Aryave\b zuttu}) or `Aryan characters' 
+from the Tamil Grantha alphabet to render Sanskrit poetry in 
+Malayalam. Tamil Grantha, in its turn, was derived from the ancient 
+Brahmi script. His alphabet quickly became the standard for writing 
+Malayalam. (however, a variant of the old script, called {\mm \X{\<71>\<21>\<62>}\X{\<70>\<50>}\X{\<52>\<72>}\X{\<165>\<72>}} 
+({\mmtr k\=ole\b zuttu}) was in use far into this century for keeping records 
+in the Raja's palaces.)
+
+The Malayalam script still looks very similar to the Tamil script, but 
+unlike Tamil, it uses complex conjunct characters, with letters 
+subscribed to others, and out of phonetic order, as can be seen in 
+most Indian scripts.
+
+With the introduction of the printing press in Kerala, somewhere in 
+the {\os18}th~century, printing letters for Malayalam where designed, 
+modelled after the, at that time, popular Latin Bodoni types, with 
+large differences between thin and thick strokes. Printing Malayalam, 
+however, proved to be quite complicated; in traditional typography, 
+several hundreds of distinct lead glyphs where needed to typeset the 
+language.
+
+To ease learning and typesetting, the government of the state of 
+Kerala adopted a reformed script in {\os1974}. It abandons most of the 
+subscribed conjuncts and all the irregular vowel signs. Although this 
+script is now teached in all schools in Kerala, and newspapers are 
+printed in it, the original script is still in widespread use, and 
+mixtures of the two styles in one document can be seen regularly. In 
+the following section I will explain the reformed script.
+
+\beginsection The Malayalam Script
+
+Like all scripts derived from Brahmi, Malayalam script is neither 
+purely syllabic, nor purely alphabetic. The modern alphabet consists 
+of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and 
+{\os36}~for the consonants followed by an `inherent'~{\mmtr a}. To write a 
+syllable with another vowel, a special sign is applied to the normal 
+consonant character. When two consonants appear next to each other 
+without an intermediate vowel, They are joined to each other in some 
+way.
+
+Traditionally, the Malayalam syllabary has been ordered, following the 
+Sanskrit order, on phonetic principles, putting related sounds 
+together. For the sounds not used in Sanskrit, new letters where added 
+to the end of the syllabary.
+
+\noindent The vowels are:\footnote*{The traditional alphabet also 
+includes the Sanskrit vowels {\mm \X{\<96>}}, {\mm \X{\<12>}}, and {\mm \X{\<97>}} for respectively 
+{\mmtr {\rii}}, {\mmtr \d l}, and {\mmtr {\lii}}.}
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<5>}}     & {\mm \X{\<6>}}      & {\mm \X{\<7>}}   & {\mm \X{\<7>\<87>}}      & {\mm \X{\<9>}}   & {\mm \X{\<9>\<87>}}      & {\mm \X{\<11>}}    \cr
+{\mmtr a}   & {\mmtr \=a}    & {\mmtr i} & {\mmtr {\=\i}}    & {\mmtr u} & {\mmtr \=u}    & {\mmtr \d r}  \cr
+{\mm \X{\<14>}}     & {\mm \X{\<15>}}      & {\mm \X{\<70>\<14>}}  & {\mm \X{\<18>}}       & {\mm \X{\<18>\<62>}}  & {\mm \X{\<18>\<87>}}      \cr
+{\mmtr e}   & {\mmtr \=e}    & {\mmtr ai}& {\mmtr o}     & {\mmtr \=o}& {\mmtr au}    \cr
+}}}
+\bigskip
+
+\noindent After the vowels, are normally listed the modifiers {\mm \<2>}, 
+{\mmtr \d m}, and {\mm \<3>}, {\mmtr \d h}. They are called {\it anusvaram} and {\it 
+visargam} and represent a nasal sound and a aspiration respectively.
+
+The consonants are:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}}      & {\mm \X{\<22>}}     & {\mm \X{\<23>}}      & {\mm \X{\<24>}}     & {\mm \X{\<25>}}    & {\mm \X{\<47>}}     & {\mm \X{\<48>}}      & {\mm \X{\<50>}}      & {\mm \X{\<53>}}      \cr
+{\mmtr ka}    & {\mmtr kha}   & {\mmtr ga}    & {\mmtr gha}   & {\mmtr \.na}  & {\mmtr ya}   & {\mmtr ra}    & {\mmtr la}    & {\mmtr va}    \cr
+{\mm \X{\<26>}}      & {\mm \X{\<27>}}     & {\mm \X{\<28>}}      & {\mm \X{\<29>}}     & {\mm \X{\<30>}}    & {\mm \X{\<54>}}    & {\mm \X{\<55>}}      & {\mm \X{\<56>}}      \cr
+{\mmtr ca}    & {\mmtr cha}   & {\mmtr ja}    & {\mmtr jha}   & {\mmtr \~na}  & {\mmtr \'sa}  & {\mmtr \d sa}    & {\mmtr sa}    \cr
+{\mm \X{\<31>}}      & {\mm \X{\<32>}}     & {\mm \X{\<33>}}      & {\mm \X{\<34>}}     & {\mm \X{\<35>}}     & {\mm \X{\<57>}}     & {\mm \X{\<51>}}      & {\mm \X{\<52>}}      & {\mm \X{\<49>}}      \cr
+{\mmtr \d ta}    & {\mmtr \d tha}   & {\mmtr \d da}    & {\mmtr \d dha}   & {\mmtr \d na}   & {\mmtr ha}   & {\mmtr \d la}    & {\mmtr \b za}    & {\mmtr \b ra}    \cr
+{\mm \X{\<36>}}      & {\mm \X{\<37>}}     & {\mm \X{\<38>}}      & {\mm \X{\<39>}}     & {\mm \X{\<40>}}     \cr
+{\mmtr ta}    & {\mmtr tha}   & {\mmtr da}    & {\mmtr dha}   & {\mmtr na}   \cr
+{\mm \X{\<42>}}      & {\mm \X{\<43>}}     & {\mm \X{\<44>}}      & {\mm \X{\<45>}}     & {\mm \X{\<46>}}     \cr
+{\mmtr pa}    & {\mmtr pha}   & {\mmtr ba}    & {\mmtr bha}   & {\mmtr ma}   \cr
+}}}
+\bigskip
+
+\noindent When a vowel follows a consonant, it is written with a vowel 
+sign, some of them standing to the left, or on both sides of the 
+consonant to which they belong. This can be quite confusing in the 
+when one starts learning the script. Here the vowel signs are given 
+with the letter {\mm \X{\<21>}}, {\it{\mmtr ka}}:
+
+\bigskip
+\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr
+{\mm \X{\<21>}}     & {\mm \X{\<21>\<62>}}      & {\mm \X{\<21>\<63>}}   & {\mm \X{\<21>\<64>}}      & {\mm \X{\<21>\<72>}}   & {\mm \X{\<21>\<73>}}      & {\mm \X{\<21>\<75>}}    \cr
+{\mmtr ka}   & {\mmtr k\=a}    & {\mmtr ki} & {\mmtr k{\=\i}}    & {\mmtr ku} & {\mmtr k\=u}    & {\mmtr k\d r}  \cr
+{\mm \X{\<70>\<21>}}     & {\mm \X{\<71>\<21>}}      & {\mm \X{\<70>\<70>\<21>}}  & {\mm \X{\<70>\<21>\<62>}}       & {\mm \X{\<71>\<21>\<62>}}  & {\mm \X{\<21>\<87>}}      \cr
+{\mmtr ke}   & {\mmtr k\=e}    & {\mmtr kai}& {\mmtr ko}     & {\mmtr k\=o}& {\mmtr kau}    \cr
+}}}
+\bigskip
+
+\noindent The biggest complexities arise when two consonants follow 
+each other. In that case there are several alternatives. First, the 
+consonants are joined with each other to form a new conjunct, like in 
+{\mm \X{\<162>}}, {\mm \X{\<194>}}, and {\mm \X{\<187>}}; second one can write the second consonant as 
+a subscript to the first, like in {\mm \X{\<242>}}, and {\mm \X{\<241>}}; the third option 
+is to use a special symbol, {\mm \<77>}, called {\mm \X{\<26>}\X{\<74>\<195>}\X{\<21>}\X{\<50>}}, 
+{\it{\mmtr candrakala}}, to indicate the absence of the inherent vowel in 
+a consonant. This symbol is also used when a word ends in a consonant. 
+Several letters form a ligature with this sign: {\mm \X{\<94>}} for {\mm \X{\<21>}\<77>}, {\mm \X{\<78>}} for 
+{\mm \X{\<35>}\<77>}, {\mm \X{\<81>}} for {\mm \X{\<36>}\<77>} or {\mm \X{\<50>}\<77>}, {\mm \X{\<79>}} for {\mm \X{\<40>}\<77>}, {\mm \X{\<2>}} for {\mm \X{\<46>}\<77>}, {\mm \X{\<80>}} for 
+{\mm \X{\<48>}\<77>}, and {\mm \X{\<82>}} for {\mm \X{\<51>}\<77>}.
+
+Some consonants have a special sign when they occur as the last 
+element of a consonant cluster:
+{\mm \X{\<47>}} becomes {\mm {}\hbox{}\<83>} as in {\mm \X{\<21>\<83>}}, {\it{\mmtr kya}};
+{\mm \X{\<48>}} becomes {\mm {}\<74>\hbox{}} , standing to the left of the cluster, as in
+{\mm \X{\<74>\<21>}}, {\it{\mmtr kra}};
+{\mm \X{\<50>}} becomes {\mm {}\M{\hbox{}}{\<85>}}, as in {\mm \X{\M{\<21>}{\<85>}}}, {\it{\mmtr kla}}; and
+{\mm \X{\<53>}} becomes {\mm {}\hbox{}\K{-.5}\<86>} as in {\mm \X{\<21>\K{-.5}\<86>}}, {\it{\mmtr kva}}.
+
+\beginsection The font
+
+I faced several problems while designing the font for Malayalam: I 
+have no knowledge of the language; I had no clear arrangement of all 
+needed conjuncts, nor a good example typeface, which I could use as a 
+guideline; and finally, I also had very little experience with \MF.
+
+After some trials, in which I produced Malayalam letters in the 
+traditional typographic style, I decided to switch to a `script' style 
+of letters, for two reasons. First designing and coding a font in the 
+traditional style, with unnatural thick-thin transistions --~i.e., 
+transistions that do not appear when writing with a calligraphic
+pen~--, would have costed a lot of time, which I could not spend on 
+it. Second, the traditional design is hard on the eyes, because it has 
+a big difference between thick and thin. It often produces a page 
+which looks `stained' from distance, instead of the more evenly 
+distributed gray you see when you look at a page typeset in English.
+
+After this decision was made, I proceeded as follows. First, I drew 
+each character about {\os2}~centimetres high out of free hand on graph 
+paper with a yellow marker-pen, the same type you use to highlight 
+text. When I was satisfied with this character, I decided where to put 
+control points, and marked them with a black dot, measured the 
+positions of the dots on the graph paper and coded them, together with 
+the path my pen had made through those points, in \MF. After running 
+\MF\ the character appeared on the screen for the first time. When I 
+was not satisfied with its look, I would move some control points a 
+bit, and re-run \MF. I repeated this process until I was satisfied 
+with the character.
+
+Because many conjuncts consist of a part of each of the characters it 
+is build up of, I defined a macro for most consonants. This way all 
+that was needed to define the shape of a conjunct was a macro-call for 
+each of the constituent consonants, sometimes adjusting some points 
+where one consonant goes over into the other.
+
+This way of producing characters has proven very productive. I spend 
+on average about half an hour per character --~although I needed 
+several hours to get some, notably {\mm \X{\<28>}} and {\mm \X{\<47>}}, right~-- Still the 
+results are acceptable, thanks to \MF, which does a great job of 
+producing nice curves.
+
+Malayalam script includes many conjuncts of consonants which are build 
+by placing a smaller variant of the glyph of the second consonant 
+below the normal sized glyph of the first consonant. To avoid coding 
+these smaller consonants again, I decided to create a second font, 
+called the {\it subfont\/}, which contains only the characters that 
+can be subscribed. This font uses the same code to produce the glyphs, 
+but \MF-parameters have been adjusted, so that this font combines well 
+with the `main'-font. The job of combining glyphs from the `sub' and 
+`main' font to create stacked conjuncts is left to \TeX.
+
+My way of coding glyphs results in little `{\logo META}-ness'. Unlike 
+Donald Knuth's Computer Modern fonts, only a few variations in letter 
+style can be derived from the \MF-source. I produced several styles: a 
+regular, slanted, and bold style drawn with a circular pen, and a 
+style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8}, 
+{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I 
+created some `big' bold fonts for headlines and a few more 
+experimental fonts. A sample of each style is given in appendix~C.
+
+\beginsection Typesetting Malayalam
+
+When you have a font for the English alphabet, typesetting is 
+straightforward. Roughly speaking, all you have to do is to place the 
+letters in a row, in the same order as you type them, taking care to 
+move to the next line when the current line is filled up. There is 
+roughly a one-to-one relationship between characters, letters, and 
+glyphs. Typesetting Malayalam text is much more complicated. You have 
+to use conjuncts, stack glyphs on top of each other, or place glyphs 
+that represent sounds that come after a consonant before the glyph of 
+representing that consonant.
+
+But when we look at Malayalam script from a different position, it can 
+be said to consist of syllables, which are just as easily placed on a 
+line from left to right as English. The remaining problem is how to 
+construct the syllables.
+
+Here it is where \TeX's box-building capabilities come to the rescue. 
+To build a syllable, you can put a glyph in a box, place it relative 
+to another character, and put the resulting construction into another 
+box for use it in further constructing, until the syllable is 
+complete, and it can be added to the current line.
+
+As has been shown by the implementation of Telugu-\TeX\ [???], it is 
+possible to let \TeX\ do all the necessary processing, however, at a 
+high cost in both processor load and memory usage at run time, which 
+makes it impossible to use Telugu-\TeX\ on a small personal computer. 
+Also, programming these tasks in the \TeX-programming language is 
+awkward, requiring many `dirty tricks'. For these reasons I decided to 
+implement a pre-processor, written in~C, which does most of the 
+syllable-composing work.
+
+Another problem in typesetting Malayalam is that this language has 
+many very long `words'. Both in speaking as in writing, the boundaries 
+between words tend to disappear, and often the last letter of a word 
+changes and/or forms a conjunct with the first of the next word. This 
+effect, know as `Sandhi', appears in most languages, but in Malayalam 
+it is quite prominent, and also reflected in the orthography. As a 
+result, a text contains very long sequences of characters and few 
+spaces, which can serve as line-break points. As a result, it is 
+difficult to obtain even spacing between words, especially in narrow 
+columns. Several of \TeX's line-breaking parameters had to be adjusted 
+to get acceptable results.
+
+\beginsection Typing Malayalam
+
+Now that we have all the elements to {\it output\/} Malayalam, we need 
+some way to {\it input\/} it. Unfortunately, I have no keyboard or 
+editor on which I can type Malayalam script directly. So I was forced 
+to use some transcription scheme in ASCII. The transcription I decided 
+to use was based on the following principles. First it should be 
+easily readable, avoiding as much as possible non-letters and capital 
+letters in the middle of words, non-ambiguous, so that it can be 
+converted automatically, easily recognisable, and finally, besides 
+being able to produce Malayalam text from it, I wanted to be able to 
+create a scientific transcription from the same source.
+
+However desirable some standard transcription may be, people can be 
+very `religious' about what they consider a good transcription-scheme. 
+Beside that they can also have huge texts already available in some 
+transcription, and be unwilling to convert that, so I decided to have 
+the pre-processor read the transcription from a file, which can easily 
+be changed to reflect the users favourite transcription.
+
+The transcription method is only of limited use to native speakers, 
+who may not even know the roman alphabet, and also awkward for 
+entering large pieces of text, since many typing errors only show up 
+when the text is seen after processing by \TeX, so it should be 
+replaced by some way of entering text directly.
+
+\beginsection Some thoughts on a future \TeX\par
+
+Creating a typesetting system for Malayalam was an enjoyable task, in 
+which \TeX\ and \MF\ proved to be very powerful tools. Still, many 
+things remain to be desired. The pre-processing stage, and the need to 
+represent non-Latin scripts with a sequence of inpenetratable commands 
+to typeset glyphs is far from ideal. A much more workable scheme would 
+be to have \TeX\ understand that some characters are Malayalam 
+characters, while others are Latin or from yet another script, and 
+have \TeX\ typeset them as such correctly, including contextual 
+analysis.
+
+This first of all raises the issue of character-sets. Some few years 
+ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a 
+final concession to user-demand for multi-lingual support, but by now 
+it would be very desirous to make the leap to 16-bit characters, and 
+have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS
+character set standard, and make \TeX\ really 
+multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual, 
+since many more obscure or obsolete writing systems have been left 
+out of ISO-10464}
+
+Having all the characters defined isn't enough. \TeX\ needs to deal 
+with them in a way that makes sense. Nowadays, \TeX\ only truly 
+understands two writing systems --~that of English, and that of 
+mathematics~-- and does a wonderful, although not perfect, job in 
+handling those. But other scripts require some kind of pre-processor, 
+or extremely clever hacking with \TeX-macros, as is is done in Klaus 
+Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would 
+be to add more modes to \TeX, for example an Arabic-mode for the 
+Arabic script, and a Malayalam mode for Malayalam script --~one can, 
+however, also imagine one generalized mode for all Indic scripts~--, 
+and to take the idea further, a mode for music and dance notation, and 
+chemical structure formulas.
+
+I suggest to take a modular approach in creating these modes, to make 
+the development of these a managable task; no single person can know 
+all the relevant details of all writing systems. A script or writing 
+system `module' or `driver' would come into action whenever a 
+character of its script, or token requiring the explicit change of 
+mode, is encountered, and handle all consequent characters and tokens, 
+until one arrives that it cannot handle --~these may include some 
+normal tokens like a `space' character, which is common in most 
+writing systems.
+
+While processing its part of the input, a module will add boxes to the 
+current horizontal list, which will then be handled by \TeX's 
+paragraph handling mechanism as usual --~although some extensions may 
+be needed, as to handle right-to-left and top-down scripts correctly.
+
+Each script module would have its own active fonts, and knowledge of 
+how to represent characters with the glyphs of that font. An extended 
+font metric format should provide information about how to build 
+conjunct forms or use contextual variants of glyphs available in a 
+font.
+
+A nice starting point may be the Japanese P-\TeX-system, which already 
+supports a 16-bit character set, and also incorporates code to do 
+vertical typesetting as is required by some writing systems. The 
+adaptation of P-\TeX\ to Unicode for at least the ideographic 
+characters will be reasonable straightforward. Adding the various 
+script modules and extra character-categories may be more difficult.
+
+In the long term, I favour, however, a completely redesigned batch 
+oriented text formatter like \TeX, but one that understands Unicode 
+and uses functional instead of typographical tagging of the input 
+text. Preferably it would understand SGML, and format this using some 
+lay-out style definition, which then should be defined in a language 
+less arcane than \TeX's.
+
+\MF, I would like to see develop into an interactive program, in which 
+points, constrains between points and pen strokes through them can be 
+added or moved and their effects can be seen immediately. I very much 
+prefer the its pen-stroke metaphor above the outline editing most 
+other font design tools offer, but maybe the idea of changing 
+`pressure' on or rotation of the a pen during its movement can be 
+incorporated in this metaphor as well. Its output should ofcourse be
+typographically scalable, and also modifiable to add effects like 
+slanting, bolding, or stretching, --~to align lines of
+Arabic or Hebrew script, or, as I have once seen in a beautiful
+handwritten letter in Tamil, in scripts where it has not been done
+before because of techical limitations~-- in a typographycally
+acceptable way.
+
+\beginsection Conclusion
+
+Because of the powers of \TeX, and its companion \MF, automated 
+typesetting of the traditional script is no longer a big problem. 
+Malayalam \TeX\ can both produce the traditional style script and the 
+reformed script, as well as a scientific transliteration from the same 
+input file.
+
+The world knows many scripts, many of them have only a very limited 
+use, --~compared with some of them, Malayalam, is a very widely used 
+script. As shown with my experience with Malayalam, it is only several 
+months of work to obtain acceptable typesetting quality for most 
+scripts (The exception being ideographic or logographic scripts as 
+Chinese), thus bringing computerized typography within the reach of 
+many people.
+
+\beginsection Appendix A
+
+The following table shows all glyphs in the Malayalam font {\tt mm10}.
+\bigskip
+\input mmchart.tex
+\table mm10
+
+\beginsection Appendix B
+
+A sample of text in Malayalam, typeset in {\tt mm10}, using the 
+traditional script, followed by an automatically derived transcription, 
+an English translation, and finally the transcription actually input.
+\bigskip
+\input lion.tex
+
+\beginsection Appendix C
+
+\input mmsample
+
+\beginsection Appendix D
+
+The following table shows the character(s) you have to type in order 
+to produce a Malayalam character. The third column shows the 
+scientific transliteration of each character.
+\bigskip
+\input mmtrans
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
new file mode 100644
index 00000000000..09ef121a4ad
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex
@@ -0,0 +1,62 @@
+% mmchart.tex -- chart of Malayalam font
+% (c) 1992 Jeroen Hellingman
+% last edit: 06-DEC-1992
+
+%%%%%%%
+
+\font\cmss=cmss10
+\newcount\counter\counter=0
+
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\cell#1{\hfil#1\hfil}
+\def\>{\global\advance\counter by-255}
+\def\:{{\setbox0\hbox{\sfont\char\counter}%
+  \dimen0=\ht0\advance\dimen0by1pt\ht0=\dimen0%
+  \dimen0=\dp0\advance\dimen0by1pt\dp0=\dimen0%
+  \kern1pt\box0\kern1pt}%
+  \global\advance\counter by16}
+\def\tablerule{\noalign{\hrule}}
+
+\def\chart{{\cmss\vbox{\tabskip=0pt\offinterlineskip\global\counter=0
+\halign to \hsize{\vrule width.8pt\chartstrut##\tabskip0pt plus10pt%
+	&\cell{##}&\vrule width.8pt##%
+	&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+	&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+	&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##%
+	&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}%
+	&\vrule width.8pt##\tabskip=0pt\cr
+  \noalign{\hrule height.8pt}
+  &\multispan{33}\fontname\hfill&\cr
+  \noalign{\hrule height.8pt}
+  & &&0&&1&&2&&3&&4&&5&&6&&7&&8&&9&&A&&B&&C&&D&&E&&F&\cr\noalign{\hrule height.8pt}
+  &0&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&1&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&2&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&3&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&4&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&5&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&6&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&7&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&8&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&9&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&A&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&B&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&C&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&D&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&E&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule
+\>&F&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\noalign{\hrule height.8pt}
+}}}}
+
+\def\table #1 {
+  \font\sfont=#1%
+  \edef\fontname{#1}
+  \chart\bigskip
+}
+
+%%%%%%
+
+\endinput
+
+
+
+	
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
new file mode 100644
index 00000000000..ad1c14c0e17
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm
@@ -0,0 +1,481 @@
+% mmconj.tex -- table of conjuncts
+% (c) 1993 Jeroen Hellingman
+% last edit: 07-FEB-1993
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+$k$ + $ka$ = $kka$
+$k$ + $kha$ = $kkha$
+$k$ + $Ta$ = $kTa$
+$k$ + $ta$ = $kta$
+$k$ + $ra$ = $kra$
+$k$ + $la$ = $kla$
+$k$ + $Sa$ = $kSa$
+$k$ + $S$ + $ma$ = $kSma$
+
+$kh$ + $ra$ = $khra$
+
+$g$ + $ga$ = $gga$
+$g$ + $da$ = $gda$
+$g$ + $d$ + $dha$ = $gddha$
+$g$ + $na$ = $gna$
+$g$ + $ma$ = $gma$
+$g$ + $ra$ = $gra$
+$g$ + $la$ = $gla$
+
+$gh$ + $ra$ = $ghra$
+
+$n"$ + $ka$ = $n"ka$
+$n"$ + $n"a$ = $n"n"a$
+
+$c$ + $ca$ = $cca$
+$c$ + $cha$ = $ccha$
+
+$j$ + $ja$ = $jja$
+$j$ + $n~a$ = $jn~a$
+
+$n~$ + $ca$	= $n~ca$
+$n~$ + $ja$ = $n~ja$
+$n~$ + $n~a$ = $n~n~a$
+
+$T$ + $Ta$ = $TTa$
+$T$ + $Tha$ = $TTha$
+$T$ + $ra$ = $Tra$
+
+$D$ + $Da$ = $DDa$
+
+$N<<+$ + $ka$ = $Nka$
+$N<<+$ + $Ta$ = $NTa$
+$N<<+$ + $Da$ = $NDa$
+$N<<+$ + $Dha$ = $NDha$
+$N<<+$ + $Na$ = $NNa$
+
+$t<<+$ + $ta$ = $tta$
+$t<<+$ + $tha$ = $ttha$
+$t<<+$ + $na$ = $tna$
+$t<<+$ + $ma$ = $tma$
+$t<<+$ + $ra$ = $tra$
+
+$d$ + $da$ = $dda$
+$d$ + $dha$ = $ddha$
+$d$ + $ra$ = $dra$
+
+$n<<+$ + $ta$ = $nta$
+$n<<+$ + $t<<+$ + $ra$ = $ntra$
+$n<<+$ + $tha$ = $ntha$
+$n<<+$ + $da$ = $nda$
+$n<<+$ + $d$ + $ra$ = $ndra$
+$n<<+$ + $dha$ = $ndha$
+$n<<+$ + $na$ = $nna$
+$n<<+$ + $pa$ = $npa$
+$n<<+$ + $ma$ = $nma$
+
+$p$ + $ta$ = $pta$
+$p$ + $pa$ = $ppa$
+$p$ + $pha$ = $ppha$
+$p$ + $ra$ = $pra$
+
+$ph$ + $ra$ = $phra$
+
+$b$ + $dha$ = $bdha$
+$b$ + $ba$ = $bba$
+$b$ + $bha$ = $bbha$
+$b$ + $ra$ = $bra$
+
+$bh$ + $da$ = $bhda$
+$bh$ + $ra$ = $bhra$
+
+$m<<+$ + $ma$ = $mma$
+$m<<+$ + $ra$ = $mra$
+$m<<+$ + $la$ = $mla$
+
+$y$ + $k$ + $ka$ = $ykka$
+$y$ + $Ta$ = $yTa$
+$y$ + $ta$ = $yta$
+$y$ + $ya$ = $yya$
+
+$R<<+$ + $Ra$ = $RRa$
+
+$l<<+$ + $k$ + $ka$ = $lkka$
+$l<<+$ + $pa$ = $lpa$
+$l<<+$ + $la$ = $lla$
+
+$v$ + $va$ = $vva$
+
+$sh$ + $ma$ = $shma$
+$sh$ + $ra$ = $shra$
+$sh$ + $la$ = $shla$
+$sh$ + $sha$ = $shsha$
+
+$S$ + $Ta$ = $STa$
+$S$ + $T$ + $ra$ = $STra$
+$S$ + $ma$ = $Sma$
+
+$s$ + $ka$ = $ska$
+$s$ + $k$ + $ka$ = $skka$
+$s$ + $Ta$ = $sTa$
+$s$ + $T$ + $ra$ = $sTra$
+$s$ + $ta$ = $sta$
+$s$ + $t<<+$ + $ra$ = $stra$
+$s$ + $tha$ = $stha$
+$s$ + $na$ = $sna$
+$s$ + $ma$ = $sma$
+$s$ + $ra$ = $sra$
+$s$ + $R$ + $Ra$ = $sRRa$
+$s$ + $sa$ = $ssa$
+
+$h$ + $na$ = $hna$
+$h$ + $ma$ = $hma$
+
+$L<<+$ + $La$ = $LLa$
+
+$zh$ + $ca$ = $zhca$
+
+}
+
+\mmc
+
+$
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kla khla gla ghla n"la cla chla jla jhla n~la
+Tla Thla Dla Dhla Nla tla thla dla dhla nla
+pla phla bla bhla mla yla rla lla vla shla Sla sla
+hla Lla Rla zhla
+
+kva khva gva ghva n"va cva chva jva jhva n~va
+Tva Thva Dva Dhva Nva tva thva dva dhva nva
+pva phva bva bhva mva yva rva lva vva shva Sva sva
+hva Lva Rva zhva
+
+$
+
+\bye
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+        && $ka$     & $kha$     & $ga$      & $gha$     & $n"a$
+        & $ca$      & $cha$     & $ja$      & $jha$     & $n~a$
+        & $Ta$      & $Tha$     & $Da$      & $Dha$     & $Na$
+        & $ta$      & $tha$     & $da$      & $dha$     & $na$
+        & $pa$      & $pha$     & $ba$      & $bha$     & $ma$
+        & $ya$      & $ra$      & $la$      & $va$  
+        & $sha$     & $Sa$      & $sa$
+        & $ha$      & $La$      & $zha$     & $Ra$      \cr
+\noalign{\hrule}
+$ka$    && $kka$    & $kkha$    & $kga$     & $kgha$    & $kn"a$
+        & $kca$     & $kcha$    & $kja$     & $kjha$    & $kn~a$
+        & $kTa$     & $kTha$    & $kDa$     & $kDha$    & $kNa$
+        & $kta$     & $ktha$    & $kda$     & $kdha$    & $kna$
+        & $kpa$     & $kpha$    & $kba$     & $kbha$    & $kma$
+        & $kya$     & $kra$     & $kla$     & $kva$  
+        & $ksha$    & $kSa$     & $ksa$
+        & $k>ha$    & $kLa$     & $kzha$    & $kRa$     \cr
+$kha$   && $khka$   & $khkha$   & $khga$    & $khgha$   & $khn"a$
+        & $khca$    & $khcha$   & $khja$    & $khjha$   & $khn~a$
+        & $khTa$    & $khTha$   & $khDa$    & $khDha$   & $khNa$
+        & $khta$    & $khtha$   & $khda$    & $khdha$   & $khna$
+        & $khpa$    & $khpha$   & $khba$    & $khbha$   & $khma$
+        & $khya$    & $khra$    & $khla$    & $khva$  
+        & $khsha$   & $khSa$    & $khsa$
+        & $kh>ha$   & $khLa$    & $khzha$   & $khRa$    \cr
+$ga$    && $gka$    & $gkha$    & $gga$     & $ggha$    & $gn"a$
+        & $gca$     & $gcha$    & $gja$     & $gjha$    & $gn~a$
+        & $gTa$     & $gTha$    & $gDa$     & $gDha$    & $gNa$
+        & $gta$     & $gtha$    & $gda$     & $gdha$    & $gna$
+        & $gpa$     & $gpha$    & $gba$     & $gbha$    & $gma$
+        & $gya$     & $gra$     & $gla$     & $gva$  
+        & $gsha$    & $gSa$     & $gsa$
+        & $g>ha$    & $gLa$     & $gzha$    & $gRa$     \cr
+$gha$   && $ghka$   & $ghkha$   & $ghga$    & $ghgha$   & $ghn"a$
+        & $ghca$    & $ghcha$   & $ghja$    & $ghjha$   & $ghn~a$
+        & $ghTa$    & $ghTha$   & $ghDa$    & $ghDha$   & $ghNa$
+        & $ghta$    & $ghtha$   & $ghda$    & $ghdha$   & $ghna$
+        & $ghpa$    & $ghpha$   & $ghba$    & $ghbha$   & $ghma$
+        & $ghya$    & $ghra$    & $ghla$    & $ghva$  
+        & $ghsha$   & $ghSa$    & $ghsa$
+        & $gh>ha$   & $ghLa$    & $ghzha$   & $ghRa$    \cr
+$n"a$   && $n"ka$   & $n"kha$   & $n"ga$    & $n"gha$   & $n"n"a$
+        & $n"ca$    & $n"cha$   & $n"ja$    & $n"jha$   & $n"n~a$
+        & $n"Ta$    & $n"Tha$   & $n"Da$    & $n"Dha$   & $n"Na$
+        & $n"ta$    & $n"tha$   & $n"da$    & $n"dha$   & $n"na$
+        & $n"pa$    & $n"pha$   & $n"ba$    & $n"bha$   & $n"ma$
+        & $n"ya$    & $n"ra$    & $n"la$    & $n"va$  
+        & $n"sha$   & $n"Sa$    & $n"sa$
+        & $n">ha$   & $n"La$    & $n"zha$   & $n"Ra$    \cr
+\noalign{\hrule}
+$ca$    && $cka$    & $ckha$    & $cga$     & $cgha$    & $cn"a$
+        & $cca$     & $ccha$    & $cja$     & $cjha$    & $cn~a$
+        & $cTa$     & $cTha$    & $cDa$     & $cDha$    & $cNa$
+        & $cta$     & $ctha$    & $cda$     & $cdha$    & $cna$
+        & $cpa$     & $cpha$    & $cba$     & $cbha$    & $cma$
+        & $cya$     & $cra$     & $cla$     & $cva$  
+        & $csha$    & $cSa$     & $csa$
+        & $c>ha$    & $cLa$     & $czha$    & $cRa$     \cr
+$cha$   && $chka$   & $chkha$   & $chga$    & $chgha$   & $chn"a$
+        & $chca$    & $chcha$   & $chja$    & $chjha$   & $chn~a$
+        & $chTa$    & $chTha$   & $chDa$    & $chDha$   & $chNa$
+        & $chta$    & $chtha$   & $chda$    & $chdha$   & $chna$
+        & $chpa$    & $chpha$   & $chba$    & $chbha$   & $chma$
+        & $chya$    & $chra$    & $chla$    & $chva$  
+        & $chsha$   & $chSa$    & $chsa$
+        & $ch>ha$   & $chLa$    & $chzha$   & $chRa$    \cr
+$ja$    && $jka$    & $jkha$    & $jga$     & $jgha$    & $jn"a$
+        & $jca$     & $jcha$    & $jja$     & $jjha$    & $jn~a$
+        & $jTa$     & $jTha$    & $jDa$     & $jDha$    & $jNa$
+        & $jta$     & $jtha$    & $jda$     & $jdha$    & $jna$
+        & $jpa$     & $jpha$    & $jba$     & $jbha$    & $jma$
+        & $jya$     & $jra$     & $jla$     & $jva$  
+        & $jsha$    & $jSa$     & $jsa$
+        & $j>ha$    & $jLa$     & $jzha$    & $jRa$     \cr
+$jha$   && $jhka$   & $jhkha$   & $jhga$    & $jhgha$   & $jhn"a$
+        & $jhca$    & $jhcha$   & $jhja$    & $jhjha$   & $jhn~a$
+        & $jhTa$    & $jhTha$   & $jhDa$    & $jhDha$   & $jhNa$
+        & $jhta$    & $jhtha$   & $jhda$    & $jhdha$   & $jhna$
+        & $jhpa$    & $jhpha$   & $jhba$    & $jhbha$   & $jhma$
+        & $jhya$    & $jhra$    & $jhla$    & $jhva$  
+        & $jhsha$   & $jhSa$    & $jhsa$
+        & $jh>ha$   & $jhLa$    & $jhzha$   & $jhRa$    \cr
+$n~a$   && $n~ka$   & $n~kha$   & $n~ga$    & $n~gha$   & $n~n"a$
+        & $n~ca$    & $n~cha$   & $n~ja$    & $n~jha$   & $n~n~a$
+        & $n~Ta$    & $n~Tha$   & $n~Da$    & $n~Dha$   & $n~Na$
+        & $n~ta$    & $n~tha$   & $n~da$    & $n~dha$   & $n~na$
+        & $n~pa$    & $n~pha$   & $n~ba$    & $n~bha$   & $n~ma$
+        & $n~ya$    & $n~ra$    & $n~la$    & $n~va$  
+        & $n~sha$   & $n~Sa$    & $n~sa$
+        & $n~>ha$   & $n~La$    & $n~zha$   & $n~Ra$    \cr
+\noalign{\hrule}
+$Ta$    && $Tka$    & $Tkha$    & $Tga$     & $Tgha$    & $Tn"a$
+        & $Tca$     & $Tcha$    & $Tja$     & $Tjha$    & $Tn~a$
+        & $TTa$     & $TTha$    & $TDa$     & $TDha$    & $TNa$
+        & $Tta$     & $Ttha$    & $Tda$     & $Tdha$    & $Tna$
+        & $Tpa$     & $Tpha$    & $Tba$     & $Tbha$    & $Tma$
+        & $Tya$     & $Tra$     & $Tla$     & $Tva$  
+        & $Tsha$    & $TSa$     & $Tsa$
+        & $T>ha$    & $TLa$     & $Tzha$    & $TRa$     \cr
+$Tha$   && $Thka$   & $Thkha$   & $Thga$    & $Thgha$   & $Thn"a$
+        & $Thca$    & $Thcha$   & $Thja$    & $Thjha$   & $Thn~a$
+        & $ThTa$    & $ThTha$   & $ThDa$    & $ThDha$   & $ThNa$
+        & $Thta$    & $Ththa$   & $Thda$    & $Thdha$   & $Thna$
+        & $Thpa$    & $Thpha$   & $Thba$    & $Thbha$   & $Thma$
+        & $Thya$    & $Thra$    & $Thla$    & $Thva$  
+        & $Thsha$   & $ThSa$    & $Thsa$
+        & $Th>ha$   & $ThLa$    & $Thzha$   & $ThRa$    \cr
+$Da$    && $Dka$    & $Dkha$    & $Dga$     & $Dgha$    & $Dn"a$
+        & $Dca$     & $Dcha$    & $Dja$     & $Djha$    & $Dn~a$
+        & $DTa$     & $DTha$    & $DDa$     & $DDha$    & $DNa$
+        & $Dta$     & $Dtha$    & $Dda$     & $Ddha$    & $Dna$
+        & $Dpa$     & $Dpha$    & $Dba$     & $Dbha$    & $Dma$
+        & $Dya$     & $Dra$     & $Dla$     & $Dva$  
+        & $Dsha$    & $DSa$     & $Dsa$
+        & $D>ha$    & $DLa$     & $Dzha$    & $DRa$     \cr
+$Dha$   && $Dhka$   & $Dhkha$   & $Dhga$    & $Dhgha$   & $Dhn"a$
+        & $Dhca$    & $Dhcha$   & $Dhja$    & $Dhjha$   & $Dhn~a$
+        & $DhTa$    & $DhTha$   & $DhDa$    & $DhDha$   & $DhNa$
+        & $Dhta$    & $Dhtha$   & $Dhda$    & $Dhdha$   & $Dhna$
+        & $Dhpa$    & $Dhpha$   & $Dhba$    & $Dhbha$   & $Dhma$
+        & $Dhya$    & $Dhra$    & $Dhla$    & $Dhva$  
+        & $Dhsha$   & $DhSa$    & $Dhsa$
+        & $Dh>ha$   & $DhLa$    & $Dhzha$   & $DhRa$    \cr
+$Na$    && $Nka$    & $Nkha$    & $Nga$     & $Ngha$    & $Nn"a$
+        & $Nca$     & $Ncha$    & $Nja$     & $Njha$    & $Nn~a$
+        & $NTa$     & $NTha$    & $NDa$     & $NDha$    & $NNa$
+        & $Nta$     & $Ntha$    & $Nda$     & $Ndha$    & $Nna$
+        & $Npa$     & $Npha$    & $Nba$     & $Nbha$    & $Nma$
+        & $Nya$     & $Nra$     & $Nla$     & $Nva$  
+        & $Nsha$    & $NSa$     & $Nsa$
+        & $N>ha$    & $NLa$     & $Nzha$    & $NRa$     \cr
+\noalign{\hrule}
+$ta$    && $tka$    & $tkha$    & $tga$     & $tgha$    & $tn"a$
+        & $tca$     & $tcha$    & $tja$     & $tjha$    & $tn~a$
+        & $tTa$     & $tTha$    & $tDa$     & $tDha$    & $tNa$
+        & $tta$     & $ttha$    & $tda$     & $tdha$    & $tna$
+        & $tpa$     & $tpha$    & $tba$     & $tbha$    & $tma$
+        & $tya$     & $tra$     & $tla$     & $tva$  
+        & $tsha$    & $tSa$     & $tsa$
+        & $t>ha$    & $tLa$     & $tzha$    & $tRa$     \cr
+$tha$   && $thka$   & $thkha$   & $thga$    & $thgha$   & $thn"a$
+        & $thca$    & $thcha$   & $thja$    & $thjha$   & $thn~a$
+        & $thTa$    & $thTha$   & $thDa$    & $thDha$   & $thNa$
+        & $thta$    & $ththa$   & $thda$    & $thdha$   & $thna$
+        & $thpa$    & $thpha$   & $thba$    & $thbha$   & $thma$
+        & $thya$    & $thra$    & $thla$    & $thva$  
+        & $thsha$   & $thSa$    & $thsa$
+        & $th>ha$   & $thLa$    & $thzha$   & $thRa$    \cr
+$da$    && $dka$    & $dkha$    & $dga$     & $dgha$    & $dn"a$
+        & $dca$     & $dcha$    & $dja$     & $djha$    & $dn~a$
+        & $dTa$     & $dTha$    & $dDa$     & $dDha$    & $dNa$
+        & $dta$     & $dtha$    & $dda$     & $ddha$    & $dna$
+        & $dpa$     & $dpha$    & $dba$     & $dbha$    & $dma$
+        & $dya$     & $dra$     & $dla$     & $dva$  
+        & $dsha$    & $dSa$     & $dsa$
+        & $d>ha$    & $dLa$     & $dzha$    & $dRa$     \cr
+$dha$   && $dhka$   & $dhkha$   & $dhga$    & $dhgha$   & $dhn"a$
+        & $dhca$    & $dhcha$   & $dhja$    & $dhjha$   & $dhn~a$
+        & $dhTa$    & $dhTha$   & $dhDa$    & $dhDha$   & $dhNa$
+        & $dhta$    & $dhtha$   & $dhda$    & $dhdha$   & $dhna$
+        & $dhpa$    & $dhpha$   & $dhba$    & $dhbha$   & $dhma$
+        & $dhya$    & $dhra$    & $dhla$    & $dhva$  
+        & $dhsha$   & $dhSa$    & $dhsa$
+        & $dh>ha$   & $dhLa$    & $dhzha$   & $dhRa$    \cr
+$na$    && $nka$    & $nkha$    & $nga$     & $ngha$    & $nn"a$
+        & $nca$     & $ncha$    & $nja$     & $njha$    & $nn~a$
+        & $nTa$     & $nTha$    & $nDa$     & $nDha$    & $nNa$
+        & $nta$     & $ntha$    & $nda$     & $ndha$    & $nna$
+        & $npa$     & $npha$    & $nba$     & $nbha$    & $nma$
+        & $nya$     & $nra$     & $nla$     & $nva$  
+        & $nsha$    & $nSa$     & $nsa$
+        & $n>ha$    & $nLa$     & $nzha$    & $nRa$     \cr
+\noalign{\hrule}
+$pa$    && $pka$    & $pkha$    & $pga$     & $pgha$    & $pn"a$
+        & $pca$     & $pcha$    & $pja$     & $pjha$    & $pn~a$
+        & $pTa$     & $pTha$    & $pDa$     & $pDha$    & $pNa$
+        & $pta$     & $ptha$    & $pda$     & $pdha$    & $pna$
+        & $ppa$     & $ppha$    & $pba$     & $pbha$    & $pma$
+        & $pya$     & $pra$     & $pla$     & $pva$  
+        & $psha$    & $pSa$     & $psa$
+        & $p>ha$    & $pLa$     & $pzha$    & $pRa$     \cr
+$pha$   && $phka$   & $phkha$   & $phga$    & $phgha$   & $phn"a$
+        & $phca$    & $phcha$   & $phja$    & $phjha$   & $phn~a$
+        & $phTa$    & $phTha$   & $phDa$    & $phDha$   & $phNa$
+        & $phta$    & $phtha$   & $phda$    & $phdha$   & $phna$
+        & $phpa$    & $phpha$   & $phba$    & $phbha$   & $phma$
+        & $phya$    & $phra$    & $phla$    & $phva$  
+        & $phsha$   & $phSa$    & $phsa$
+        & $ph>ha$   & $phLa$    & $phzha$   & $phRa$    \cr
+$ba$    && $bka$    & $bkha$    & $bga$     & $bgha$    & $bn"a$
+        & $bca$     & $bcha$    & $bja$     & $bjha$    & $bn~a$
+        & $bTa$     & $bTha$    & $bDa$     & $bDha$    & $bNa$
+        & $bta$     & $btha$    & $bda$     & $bdha$    & $bna$
+        & $bpa$     & $bpha$    & $bba$     & $bbha$    & $bma$
+        & $bya$     & $bra$     & $bla$     & $bva$  
+        & $bsha$    & $bSa$     & $bsa$
+        & $b>ha$    & $bLa$     & $bzha$    & $bRa$     \cr
+$bha$   && $bhka$   & $bhkha$   & $bhga$    & $bhgha$   & $bhn"a$
+        & $bhca$    & $bhcha$   & $bhja$    & $bhjha$   & $bhn~a$
+        & $bhTa$    & $bhTha$   & $bhDa$    & $bhDha$   & $bhNa$
+        & $bhta$    & $bhtha$   & $bhda$    & $bhdha$   & $bhna$
+        & $bhpa$    & $bhpha$   & $bhba$    & $bhbha$   & $bhma$
+        & $bhya$    & $bhra$    & $bhla$    & $bhva$  
+        & $bhsha$   & $bhSa$    & $bhsa$
+        & $bh>ha$   & $bhLa$    & $bhzha$   & $bhRa$    \cr
+$ma$    && $mka$    & $mkha$    & $mga$     & $mgha$    & $mn"a$
+        & $mca$     & $mcha$    & $mja$     & $mjha$    & $mn~a$
+        & $mTa$     & $mTha$    & $mDa$     & $mDha$    & $mNa$
+        & $mta$     & $mtha$    & $mda$     & $mdha$    & $mna$
+        & $mpa$     & $mpha$    & $mba$     & $mbha$    & $mma$
+        & $mya$     & $mra$     & $mla$     & $mva$  
+        & $msha$    & $mSa$     & $msa$
+        & $m>ha$    & $mLa$     & $mzha$    & $mRa$     \cr
+\noalign{\hrule}
+$ya$    && $yka$    & $ykha$    & $yga$     & $ygha$    & $yn"a$
+        & $yca$     & $ycha$    & $yja$     & $yjha$    & $yn~a$
+        & $yTa$     & $yTha$    & $yDa$     & $yDha$    & $yNa$
+        & $yta$     & $ytha$    & $yda$     & $ydha$    & $yna$
+        & $ypa$     & $ypha$    & $yba$     & $ybha$    & $yma$
+        & $yya$     & $yra$     & $yla$     & $yva$  
+        & $ysha$    & $ySa$     & $ysa$
+        & $y>ha$    & $yLa$     & $yzha$    & $yRa$     \cr
+$ra$    && $rka$    & $rkha$    & $rga$     & $rgha$    & $rn"a$
+        & $rca$     & $rcha$    & $rja$     & $rjha$    & $rn~a$
+        & $rTa$     & $rTha$    & $rDa$     & $rDha$    & $rNa$
+        & $rta$     & $rtha$    & $rda$     & $rdha$    & $rna$
+        & $rpa$     & $rpha$    & $rba$     & $rbha$    & $rma$
+        & $rya$     & $rra$     & $rla$     & $rva$  
+        & $rsha$    & $rSa$     & $rsa$
+        & $r>ha$    & $rLa$     & $rzha$    & $rRa$     \cr
+$la$    && $lka$    & $lkha$    & $lga$     & $lgha$    & $ln"a$
+        & $lca$     & $lcha$    & $lja$     & $ljha$    & $ln~a$
+        & $lTa$     & $lTha$    & $lDa$     & $lDha$    & $lNa$
+        & $lta$     & $ltha$    & $lda$     & $ldha$    & $lna$
+        & $lpa$     & $lpha$    & $lba$     & $lbha$    & $lma$
+        & $lya$     & $lra$     & $lla$     & $lva$  
+        & $lsha$    & $lSa$     & $lsa$
+        & $l>ha$    & $lLa$     & $lzha$    & $lRa$     \cr
+$va$    && $vka$    & $vkha$    & $vga$     & $vgha$    & $vn"a$
+        & $vca$     & $vcha$    & $vja$     & $vjha$    & $vn~a$
+        & $vTa$     & $vTha$    & $vDa$     & $vDha$    & $vNa$
+        & $vta$     & $vtha$    & $vda$     & $vdha$    & $vna$
+        & $vpa$     & $vpha$    & $vba$     & $vbha$    & $vma$
+        & $vya$     & $vra$     & $vla$     & $vva$  
+        & $vsha$    & $vSa$     & $vsa$
+        & $v>ha$    & $vLa$     & $vzha$    & $vRa$     \cr
+\noalign{\hrule}
+$sha$   && $shka$   & $shkha$   & $shga$    & $shgha$   & $shn"a$
+        & $shca$    & $shcha$   & $shja$    & $shjha$   & $shn~a$
+        & $shTa$    & $shTha$   & $shDa$    & $shDha$   & $shNa$
+        & $shta$    & $shtha$   & $shda$    & $shdha$   & $shna$
+        & $shpa$    & $shpha$   & $shba$    & $shbha$   & $shma$
+        & $shya$    & $shra$    & $shla$    & $shva$  
+        & $shsha$   & $shSa$    & $shsa$
+        & $sh>ha$   & $shLa$    & $shzha$   & $shRa$    \cr
+$Sa$    && $Ska$    & $Skha$    & $Sga$     & $Sgha$    & $Sn"a$
+        & $Sca$     & $Scha$    & $Sja$     & $Sjha$    & $Sn~a$
+        & $STa$     & $STha$    & $SDa$     & $SDha$    & $SNa$
+        & $Sta$     & $Stha$    & $Sda$     & $Sdha$    & $Sna$
+        & $Spa$     & $Spha$    & $Sba$     & $Sbha$    & $Sma$
+        & $Sya$     & $Sra$     & $Sla$     & $Sva$  
+        & $Ssha$    & $SSa$     & $Ssa$
+        & $S>ha$    & $SLa$     & $Szha$    & $SRa$     \cr
+$sa$    && $ska$    & $skha$    & $sga$     & $sgha$    & $sn"a$
+        & $sca$     & $scha$    & $sja$     & $sjha$    & $sn~a$
+        & $sTa$     & $sTha$    & $sDa$     & $sDha$    & $sNa$
+        & $sta$     & $stha$    & $sda$     & $sdha$    & $sna$
+        & $spa$     & $spha$    & $sba$     & $sbha$    & $sma$
+        & $sya$     & $sra$     & $sla$     & $sva$  
+        & $ssha$    & $sSa$     & $ssa$
+        & $s>ha$    & $sLa$     & $szha$    & $sRa$     \cr
+\noalign{\hrule}
+$ha$    && $hka$    & $hkha$    & $hga$     & $hgha$    & $hn"a$
+        & $hca$     & $hcha$    & $hja$     & $hjha$    & $hn~a$
+        & $hTa$     & $hTha$    & $hDa$     & $hDha$    & $hNa$
+        & $hta$     & $htha$    & $hda$     & $hdha$    & $hna$
+        & $hpa$     & $hpha$    & $hba$     & $hbha$    & $hma$
+        & $hya$     & $hra$     & $hla$     & $hva$  
+        & $hsha$    & $hSa$     & $hsa$
+        & $h>ha$    & $hLa$     & $hzha$    & $hRa$     \cr
+$La$    && $Lka$    & $Lkha$    & $Lga$     & $Lgha$    & $Ln"a$
+        & $Lca$     & $Lcha$    & $Lja$     & $Ljha$    & $Ln~a$
+        & $LTa$     & $LTha$    & $LDa$     & $LDha$    & $LNa$
+        & $Lta$     & $Ltha$    & $Lda$     & $Ldha$    & $Lna$
+        & $Lpa$     & $Lpha$    & $Lba$     & $Lbha$    & $Lma$
+        & $Lya$     & $Lra$     & $Lla$     & $Lva$  
+        & $Lsha$    & $LSa$     & $Lsa$
+        & $L>ha$    & $LLa$     & $Lzha$    & $LRa$     \cr
+$zha$   && $zhka$    & $zhkha$    & $zhga$     & $zhgha$    & $zhn"a$
+        & $zhca$     & $zhcha$    & $zhja$     & $zhjha$    & $zhn~a$
+        & $zhTa$     & $zhTha$    & $zhDa$     & $zhDha$    & $zhNa$
+        & $zhta$     & $zhtha$    & $zhda$     & $zhdha$    & $zhna$
+        & $zhpa$     & $zhpha$    & $zhba$     & $zhbha$    & $zhma$
+        & $zhya$     & $zhra$     & $zhla$     & $zhva$  
+        & $zhsha$    & $zhSa$     & $zhsa$
+        & $zh>ha$    & $zhLa$     & $zhzha$    & $zhRa$     \cr
+$Ra$    && $Rka$    & $Rkha$    & $Rga$     & $Rgha$    & $Rn"a$
+        & $Rca$     & $Rcha$    & $Rja$     & $Rjha$    & $Rn~a$
+        & $RTa$     & $RTha$    & $RDa$     & $RDha$    & $RNa$
+        & $Rta$     & $Rtha$    & $Rda$     & $Rdha$    & $Rna$
+        & $Rpa$     & $Rpha$    & $Rba$     & $Rbha$    & $Rma$
+        & $Rya$     & $Rra$     & $Rla$     & $Rva$  
+        & $Rsha$    & $RSa$     & $Rsa$
+        & $R>ha$    & $RLa$     & $Rzha$    & $RRa$     \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
new file mode 100644
index 00000000000..5fc700c1fb8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex
@@ -0,0 +1,477 @@
+
+\nopagenumbers
+\input mmqmacs
+\twelvemm
+
+\beginsection Conjuncts
+
+{\obeylines
+
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<160>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<22>}} = {\mm \X{\M{\<21>}{\Z\<22>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<176>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<200>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<21>}{\<85>}}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<55>}} = {\mm \X{\<251>}}
+{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<251>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<22>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<22>}{\<84>}}}
+
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<23>}} = {\mm \X{\<240>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<177>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<178>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<179>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<180>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<201>}}
+{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<23>}{\<85>}}}
+
+{\mm \X{\Q{\<24>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<24>}{\<127>}}}
+
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<181>}}
+{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<25>}} = {\mm \X{\<161>}}
+
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<247>}}
+{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<27>}} = {\mm \X{\M{\<26>}{\Z\<27>}}}
+
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<162>}}
+{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<184>}}
+
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<185>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<186>}}
+{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<163>}}
+
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<164>}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<32>}} = {\mm \X{\B{\<31>}{\Z\<32>}}}
+{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<204>}}
+
+{\mm \X{\Q{\<33>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\M{\<33>}{\<89>}}}
+
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<35>}{\<112>}}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<187>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\<188>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<34>}} = {\mm \X{\<78>\<34>}}
+{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<35>}} = {\mm \X{\<241>}}
+
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<165>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<36>\K{-.5}\<88>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<191>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<190>}}
+{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<205>}}
+
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<166>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<192>}}
+{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<206>}}
+
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<194>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<215>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<40>\K{-.5}\<88>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<195>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<216>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<219>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<167>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<220>}}
+{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<193>}}
+
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<42>}{\Z\<36>}}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<242>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<43>}} = {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}}
+{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<42>}{\<124>}}}
+
+{\mm \X{\Q{\<43>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<43>}{\<125>}}}
+
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\M{\<44>}{\Z\<39>}}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<44>}} = {\mm \X{\<248>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<45>}} = {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}}
+{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<44>}{\<126>}}}
+
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\M{\<45>}{\Z\<38>}}}
+{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<209>}}
+
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<46>\K{-.27}\<46>}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<46>}{\<123>}}}
+{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<46>}{\<85>}}}
+
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<47>}{\<115>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<47>}{\Z\<36>}}}
+{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<47>}} = {\mm \X{\<249>}}
+
+{\mm \X{\Q{\<49>}{\N{.8}{\<77>}}}} + {\mm \X{\<49>}} = {\mm \X{\<243>}}
+
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<50>}{\<115>}}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<81>\<42>}}
+{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<50>}{\<85>}}}
+
+{\mm \X{\Q{\<53>}{\N{.8}{\<77>}}}} + {\mm \X{\<53>}} = {\mm \X{\<250>}}
+
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<210>}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<54>}{\<85>}}}
+{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<54>}} = {\mm \X{\<244>}}
+
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\M{\<55>}{\Z\<31>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<55>}{\Z\<204>}}}
+{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<55>}{\Z\<46>}}}
+
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<112>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<115>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\M{\<31>}{\<84>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<56>}{\Z\<36>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<56>}{\Z\<205>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<56>\K{-.5}\<88>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<56>}{\Z\<46>}}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<211>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<80>}} + {\mm \X{\<49>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<243>}}
+{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<56>}} = {\mm \X{\<245>}}
+
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<199>}}
+{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<198>}}
+
+{\mm \X{\Q{\<51>}{\N{.8}{\<77>}}}} + {\mm \X{\<51>}} = {\mm \X{\<51>\K{-.2}\<51>}}
+
+{\mm \X{\Q{\<52>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}}
+
+}
+
+\mmc
+
+{\mm 
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\T{\<76>}{\R{.8ex}{\<47>}}} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<200>} \X{\M{\<22>}{\<84>}} \X{\<201>} \X{\M{\<24>}{\<127>}} \X{\M{\<25>}{\<84>}} \X{\M{\<26>}{\<124>}} \X{\<202>} \X{\<203>} \X{\M{\<29>}{\<84>}} \X{\M{\<30>}{\<126>}}
+\X{\<204>} \X{\M{\<32>}{\<123>}} \X{\M{\<33>}{\<126>}} \X{\M{\<34>}{\<126>}} \X{\M{\<35>}{\<127>}} \X{\<205>} \X{\M{\<37>}{\<84>}} \X{\<206>} \X{\<207>} \X{\<208>}
+\X{\M{\<42>}{\<124>}} \X{\M{\<43>}{\<125>}} \X{\M{\<44>}{\<126>}} \X{\<209>} \X{\M{\<46>}{\<123>}} \X{\M{\<47>}{\<84>}} \X{\T{\<76>}{\R{.8ex}{\<48>}}} \X{\M{\<50>}{\<84>}} \X{\M{\<53>}{\<84>}} \X{\<210>} \X{\M{\<55>}{\<125>}} \X{\<211>}
+\X{\<212>} \X{\M{\<51>}{\<84>}} \X{\M{\<49>}{\<84>}} \X{\M{\<52>}{\<84>}}
+
+\X{\M{\<21>}{\<85>}} \X{\M{\<22>}{\<85>}} \X{\M{\<23>}{\<85>}} \X{\M{\<24>}{\<85>}} \X{\M{\<25>}{\<85>}} \X{\M{\<26>}{\<85>}} \X{\M{\<27>}{\<85>}} \X{\M{\<28>}{\<85>}} \X{\M{\<29>}{\<85>}} \X{\M{\<30>}{\<85>}}
+\X{\M{\<31>}{\<85>}} \X{\M{\<32>}{\<85>}} \X{\M{\<33>}{\<85>}} \X{\M{\<34>}{\<85>}} \X{\M{\<35>}{\<85>}} \X{\M{\<36>}{\<85>}} \X{\M{\<37>}{\<85>}} \X{\M{\<38>}{\<85>}} \X{\M{\<39>}{\<85>}} \X{\M{\<40>}{\<85>}}
+\X{\M{\<42>}{\<85>}} \X{\M{\<43>}{\<85>}} \X{\M{\<44>}{\<85>}} \X{\M{\<45>}{\<85>}} \X{\M{\<46>}{\<85>}} \X{\M{\<47>}{\<85>}} \X{\T{\<76>}{\R{.8ex}{\<50>}}} \X{\M{\<50>}{\<85>}} \X{\M{\<53>}{\<85>}} \X{\M{\<54>}{\<85>}} \X{\M{\<55>}{\<85>}} \X{\M{\<56>}{\<85>}}
+\X{\M{\<57>}{\<85>}} \X{\M{\<51>}{\<85>}} \X{\M{\<49>}{\<85>}} \X{\M{\<52>}{\<85>}}
+
+\X{\<21>\K{-.5}\<86>} \X{\<22>\K{-.5}\<86>} \X{\<23>\K{-.5}\<86>} \X{\<24>\K{-.5}\<86>} \X{\<25>\K{-.5}\<86>} \X{\<26>\K{-.5}\<86>} \X{\<27>\K{-.5}\<86>} \X{\<28>\K{-.5}\<86>} \X{\<29>\K{-.5}\<86>} \X{\<30>\K{-.5}\<86>}
+\X{\<31>\K{-.5}\<86>} \X{\<32>\K{-.5}\<86>} \X{\<33>\K{-.5}\<86>} \X{\<34>\K{-.5}\<86>} \X{\<35>\K{-.5}\<86>} \X{\<36>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<38>\K{-.5}\<86>} \X{\<39>\K{-.5}\<86>} \X{\<40>\K{-1.5}\<93>}
+\X{\<42>\K{-.5}\<86>} \X{\<43>\K{-.5}\<86>} \X{\<44>\K{-.5}\<86>} \X{\<45>\K{-.5}\<86>} \X{\<46>\K{-.5}\<86>} \X{\<47>\K{-.5}\<86>} \X{\T{\<76>}{\R{.8ex}{\<53>}}} \X{\<50>\K{-.5}\<86>} \X{\<250>} \X{\<54>\K{-.5}\<86>} \X{\<55>\K{-.5}\<86>} \X{\<56>\K{-.5}\<86>}
+\X{\<57>\K{-1.5}\<93>} \X{\<51>\K{-.5}\<86>} \X{\<49>\K{-.5}\<86>} \X{\<52>\K{-.5}\<86>}
+
+}
+
+\bye
+
+
+\nointerlineskip
+\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr
+        && {\mm \X{\<21>}}     & {\mm \X{\<22>}}     & {\mm \X{\<23>}}      & {\mm \X{\<24>}}     & {\mm \X{\<25>}}
+        & {\mm \X{\<26>}}      & {\mm \X{\<27>}}     & {\mm \X{\<28>}}      & {\mm \X{\<29>}}     & {\mm \X{\<30>}}
+        & {\mm \X{\<31>}}      & {\mm \X{\<32>}}     & {\mm \X{\<33>}}      & {\mm \X{\<34>}}     & {\mm \X{\<35>}}
+        & {\mm \X{\<36>}}      & {\mm \X{\<37>}}     & {\mm \X{\<38>}}      & {\mm \X{\<39>}}     & {\mm \X{\<40>}}
+        & {\mm \X{\<42>}}      & {\mm \X{\<43>}}     & {\mm \X{\<44>}}      & {\mm \X{\<45>}}     & {\mm \X{\<46>}}
+        & {\mm \X{\<47>}}      & {\mm \X{\<48>}}      & {\mm \X{\<50>}}      & {\mm \X{\<53>}}  
+        & {\mm \X{\<54>}}     & {\mm \X{\<55>}}      & {\mm \X{\<56>}}
+        & {\mm \X{\<57>}}      & {\mm \X{\<51>}}      & {\mm \X{\<52>}}     & {\mm \X{\<49>}}      \cr
+\noalign{\hrule}
+{\mm \X{\<21>}}    && {\mm \X{\<160>}}    & {\mm \X{\M{\<21>}{\Z\<22>}}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\M{\<21>}{\Z\<26>}}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\<176>}}     & {\mm \X{\<21>\K{-.5}\<88>}}    & {\mm \X{\M{\<21>}{\Z\<38>}}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<21>\<83>}}     & {\mm \X{\<200>}}     & {\mm \X{\M{\<21>}{\<85>}}}     & {\mm \X{\<21>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\<251>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<22>}}   && {\mm \X{\M{\<22>}{\<112>}}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<22>\K{-.5}\<88>}}   & {\mm \X{\M{\<22>}{\Z\<38>}}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<22>\<83>}}    & {\mm \X{\M{\<22>}{\<84>}}}    & {\mm \X{\M{\<22>}{\<85>}}}    & {\mm \X{\<22>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<23>}}    && {\mm \X{\M{\<23>}{\<112>}}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\<240>}}     & {\mm \X{\<218>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\M{\<23>}{\Z\<28>}}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<23>\K{-.5}\<88>}}    & {\mm \X{\<177>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\<179>}}
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\<180>}}
+        & {\mm \X{\<23>\<83>}}     & {\mm \X{\<201>}}     & {\mm \X{\M{\<23>}{\<85>}}}     & {\mm \X{\<23>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<24>}}   && {\mm \X{\M{\<24>}{\<112>}}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<24>\K{-.5}\<88>}}   & {\mm \X{\M{\<24>}{\Z\<38>}}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<24>\<83>}}    & {\mm \X{\M{\<24>}{\<127>}}}    & {\mm \X{\M{\<24>}{\<85>}}}    & {\mm \X{\<24>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<25>}}   && {\mm \X{\<181>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\<161>}}
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<25>\K{-.5}\<88>}}   & {\mm \X{\M{\<25>}{\Z\<38>}}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<25>\<83>}}    & {\mm \X{\M{\<25>}{\<84>}}}    & {\mm \X{\M{\<25>}{\<85>}}}    & {\mm \X{\<25>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<49>}}    \cr
+\noalign{\hrule}
+{\mm \X{\<26>}}    && {\mm \X{\M{\<26>}{\<112>}}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\<247>}}     & {\mm \X{\M{\<26>}{\Z\<27>}}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<26>\K{-.5}\<88>}}    & {\mm \X{\M{\<26>}{\Z\<38>}}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<26>\<83>}}     & {\mm \X{\M{\<26>}{\<124>}}}     & {\mm \X{\M{\<26>}{\<85>}}}     & {\mm \X{\<26>\K{-.5}\<86>}}  
+        & {\mm \X{\M{\<26>}{\Z\<54>}}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<27>}}   && {\mm \X{\M{\<27>}{\<112>}}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<27>\K{-.5}\<88>}}   & {\mm \X{\M{\<27>}{\Z\<38>}}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<27>\<83>}}    & {\mm \X{\<202>}}    & {\mm \X{\M{\<27>}{\<85>}}}    & {\mm \X{\<27>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<28>}}    && {\mm \X{\M{\<28>}{\<112>}}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\<162>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\<184>}}
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<28>\K{-.5}\<88>}}    & {\mm \X{\M{\<28>}{\Z\<38>}}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<28>\<83>}}     & {\mm \X{\<203>}}     & {\mm \X{\M{\<28>}{\<85>}}}     & {\mm \X{\<28>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<29>}}   && {\mm \X{\M{\<29>}{\<112>}}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<29>\K{-.5}\<88>}}   & {\mm \X{\M{\<29>}{\Z\<38>}}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<29>\<83>}}    & {\mm \X{\M{\<29>}{\<84>}}}    & {\mm \X{\M{\<29>}{\<85>}}}    & {\mm \X{\<29>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<30>}}   && {\mm \X{\M{\<30>}{\<112>}}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\<185>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\<186>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\<163>}}
+        & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<30>\K{-.5}\<88>}}   & {\mm \X{\M{\<30>}{\Z\<38>}}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<30>\<83>}}    & {\mm \X{\M{\<30>}{\<126>}}}    & {\mm \X{\M{\<30>}{\<85>}}}    & {\mm \X{\<30>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<49>}}    \cr
+\noalign{\hrule}
+{\mm \X{\<31>}}    && {\mm \X{\M{\<31>}{\<112>}}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\<164>}}     & {\mm \X{\B{\<31>}{\Z\<32>}}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<31>\K{-.5}\<88>}}    & {\mm \X{\M{\<31>}{\Z\<38>}}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<31>\<83>}}     & {\mm \X{\<204>}}     & {\mm \X{\M{\<31>}{\<85>}}}     & {\mm \X{\<31>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<32>}}   && {\mm \X{\M{\<32>}{\<112>}}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<32>\K{-.5}\<88>}}   & {\mm \X{\M{\<32>}{\Z\<38>}}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<32>\<83>}}    & {\mm \X{\M{\<32>}{\<123>}}}    & {\mm \X{\M{\<32>}{\<85>}}}    & {\mm \X{\<32>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<33>}}    && {\mm \X{\M{\<33>}{\<112>}}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\M{\<33>}{\Z\<23>}}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\M{\<33>}{\<89>}}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<33>\K{-.5}\<88>}}    & {\mm \X{\M{\<33>}{\Z\<38>}}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<33>\<83>}}     & {\mm \X{\M{\<33>}{\<126>}}}     & {\mm \X{\M{\<33>}{\<85>}}}     & {\mm \X{\<33>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<34>}}   && {\mm \X{\M{\<34>}{\<112>}}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\M{\<34>}{\<89>}}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<34>\K{-.5}\<88>}}   & {\mm \X{\M{\<34>}{\Z\<38>}}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<34>\<83>}}    & {\mm \X{\M{\<34>}{\<126>}}}    & {\mm \X{\M{\<34>}{\<85>}}}    & {\mm \X{\<34>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<35>}}    && {\mm \X{\M{\<35>}{\<112>}}}    & {\mm \X{\<78>\<22>}}    & {\mm \X{\<78>\<23>}}     & {\mm \X{\<78>\<24>}}    & {\mm \X{\<78>\<25>}}
+        & {\mm \X{\<78>\<26>}}     & {\mm \X{\<78>\<27>}}    & {\mm \X{\<78>\<28>}}     & {\mm \X{\<78>\<29>}}    & {\mm \X{\<78>\<30>}}
+        & {\mm \X{\<187>}}     & {\mm \X{\M{\<35>}{\Z\<32>}}}    & {\mm \X{\<188>}}     & {\mm \X{\<78>\<34>}}    & {\mm \X{\<241>}}
+        & {\mm \X{\<78>\<36>}}     & {\mm \X{\<35>\K{-.5}\<88>}}    & {\mm \X{\M{\<35>}{\Z\<38>}}}     & {\mm \X{\<78>\<39>}}    & {\mm \X{\<78>\<40>}}
+        & {\mm \X{\<78>\<42>}}     & {\mm \X{\<78>\<43>}}    & {\mm \X{\<78>\<44>}}     & {\mm \X{\<78>\<45>}}    & {\mm \X{\<78>\<46>}}
+        & {\mm \X{\<35>\<83>}}     & {\mm \X{\M{\<35>}{\<127>}}}     & {\mm \X{\M{\<35>}{\<85>}}}     & {\mm \X{\<35>\K{-.5}\<86>}}  
+        & {\mm \X{\<78>\<54>}}    & {\mm \X{\<78>\<55>}}     & {\mm \X{\<78>\<56>}}
+        & {\mm \X{\<78>\<57>}}    & {\mm \X{\<78>\<51>}}     & {\mm \X{\<78>\<52>}}    & {\mm \X{\<78>\<49>}}     \cr
+\noalign{\hrule}
+{\mm \X{\<36>}}    && {\mm \X{\M{\<36>}{\<112>}}}    & {\mm \X{\<81>\<22>}}    & {\mm \X{\<81>\<23>}}     & {\mm \X{\<81>\<24>}}    & {\mm \X{\<81>\<25>}}
+        & {\mm \X{\<81>\<26>}}     & {\mm \X{\<81>\<27>}}    & {\mm \X{\<81>\<28>}}     & {\mm \X{\<81>\<29>}}    & {\mm \X{\<81>\<30>}}
+        & {\mm \X{\<81>\<31>}}     & {\mm \X{\<81>\<32>}}    & {\mm \X{\<81>\<33>}}     & {\mm \X{\<81>\<34>}}    & {\mm \X{\<81>\<35>}}
+        & {\mm \X{\<165>}}     & {\mm \X{\<36>\K{-.5}\<88>}}    & {\mm \X{\M{\<36>}{\Z\<38>}}}     & {\mm \X{\<81>\<39>}}    & {\mm \X{\<191>}}
+        & {\mm \X{\M{\<36>}{\Z\<42>}}}     & {\mm \X{\<81>\<43>}}    & {\mm \X{\<81>\<44>}}     & {\mm \X{\<81>\<45>}}    & {\mm \X{\<190>}}
+        & {\mm \X{\<36>\<83>}}     & {\mm \X{\<205>}}     & {\mm \X{\M{\<36>}{\<85>}}}     & {\mm \X{\<36>\K{-.5}\<86>}}  
+        & {\mm \X{\<81>\<54>}}    & {\mm \X{\<81>\<55>}}     & {\mm \X{\<221>}}
+        & {\mm \X{\<81>\<57>}}    & {\mm \X{\<81>\<51>}}     & {\mm \X{\<81>\<52>}}    & {\mm \X{\<81>\<49>}}     \cr
+{\mm \X{\<37>}}   && {\mm \X{\M{\<37>}{\<112>}}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<37>\K{-.5}\<88>}}   & {\mm \X{\M{\<37>}{\Z\<38>}}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<37>\<83>}}    & {\mm \X{\M{\<37>}{\<84>}}}    & {\mm \X{\M{\<37>}{\<85>}}}    & {\mm \X{\<37>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<38>}}    && {\mm \X{\M{\<38>}{\<112>}}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<38>\K{-.5}\<88>}}    & {\mm \X{\<166>}}     & {\mm \X{\<192>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<38>\<83>}}     & {\mm \X{\<206>}}     & {\mm \X{\M{\<38>}{\<85>}}}     & {\mm \X{\<38>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<39>}}   && {\mm \X{\M{\<39>}{\<112>}}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<39>\K{-.5}\<88>}}   & {\mm \X{\M{\<39>}{\Z\<38>}}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<39>\<83>}}    & {\mm \X{\<207>}}    & {\mm \X{\M{\<39>}{\<85>}}}    & {\mm \X{\<39>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<40>}}    && {\mm \X{\M{\<40>}{\<112>}}}    & {\mm \X{\<79>\<22>}}    & {\mm \X{\<79>\<23>}}     & {\mm \X{\<79>\<24>}}    & {\mm \X{\<79>\<25>}}
+        & {\mm \X{\<79>\<26>}}     & {\mm \X{\<79>\<27>}}    & {\mm \X{\<79>\<28>}}     & {\mm \X{\<79>\<29>}}    & {\mm \X{\<79>\<30>}}
+        & {\mm \X{\<79>\<31>}}     & {\mm \X{\<79>\<32>}}    & {\mm \X{\<79>\<33>}}     & {\mm \X{\<79>\<34>}}    & {\mm \X{\<79>\<35>}}
+        & {\mm \X{\<194>}}     & {\mm \X{\<40>\K{-.5}\<88>}}    & {\mm \X{\<195>}}     & {\mm \X{\<219>}}    & {\mm \X{\<167>}}
+        & {\mm \X{\<220>}}     & {\mm \X{\<79>\<43>}}    & {\mm \X{\<79>\<44>}}     & {\mm \X{\<79>\<45>}}    & {\mm \X{\<193>}}
+        & {\mm \X{\<40>\<83>}}     & {\mm \X{\<208>}}     & {\mm \X{\M{\<40>}{\<85>}}}     & {\mm \X{\<40>\K{-1.5}\<93>}}  
+        & {\mm \X{\<79>\<54>}}    & {\mm \X{\<79>\<55>}}     & {\mm \X{\<79>\<56>}}
+        & {\mm \X{\<79>\<57>}}    & {\mm \X{\<79>\<51>}}     & {\mm \X{\<79>\<52>}}    & {\mm \X{\<79>\<49>}}     \cr
+\noalign{\hrule}
+{\mm \X{\<42>}}    && {\mm \X{\M{\<42>}{\<112>}}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\M{\<42>}{\Z\<36>}}}     & {\mm \X{\<42>\K{-.5}\<88>}}    & {\mm \X{\M{\<42>}{\Z\<38>}}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\M{\<42>}{\Z\<40>}}}
+        & {\mm \X{\<242>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<42>\<83>}}     & {\mm \X{\M{\<42>}{\<124>}}}     & {\mm \X{\M{\<42>}{\<85>}}}     & {\mm \X{\<42>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<43>}}   && {\mm \X{\M{\<43>}{\<112>}}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<43>\K{-.5}\<88>}}   & {\mm \X{\M{\<43>}{\Z\<38>}}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<43>\<83>}}    & {\mm \X{\M{\<43>}{\<125>}}}    & {\mm \X{\M{\<43>}{\<85>}}}    & {\mm \X{\<43>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<44>}}    && {\mm \X{\M{\<44>}{\<112>}}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<44>\K{-.5}\<88>}}    & {\mm \X{\M{\<44>}{\Z\<38>}}}     & {\mm \X{\M{\<44>}{\Z\<39>}}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\<248>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<44>\<83>}}     & {\mm \X{\M{\<44>}{\<126>}}}     & {\mm \X{\M{\<44>}{\<85>}}}     & {\mm \X{\<44>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<45>}}   && {\mm \X{\M{\<45>}{\<112>}}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<26>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\<196>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<45>\K{-.5}\<88>}}   & {\mm \X{\M{\<45>}{\Z\<38>}}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<45>\<83>}}    & {\mm \X{\<209>}}    & {\mm \X{\M{\<45>}{\<85>}}}    & {\mm \X{\<45>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<54>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<46>}}    && {\mm \X{\M{\<46>}{\<112>}}}    & {\mm \X{\<2>\<22>}}    & {\mm \X{\<2>\<23>}}     & {\mm \X{\<2>\<24>}}    & {\mm \X{\<2>\<25>}}
+        & {\mm \X{\<2>\<26>}}     & {\mm \X{\<2>\<27>}}    & {\mm \X{\<2>\<28>}}     & {\mm \X{\<2>\<29>}}    & {\mm \X{\<2>\<30>}}
+        & {\mm \X{\<2>\<31>}}     & {\mm \X{\<2>\<32>}}    & {\mm \X{\<2>\<33>}}     & {\mm \X{\<2>\<34>}}    & {\mm \X{\<2>\<35>}}
+        & {\mm \X{\<2>\<36>}}     & {\mm \X{\<46>\K{-.5}\<88>}}    & {\mm \X{\M{\<46>}{\Z\<38>}}}     & {\mm \X{\<2>\<39>}}    & {\mm \X{\M{\<46>}{\Z\<40>}}}
+        & {\mm \X{\<220>}}     & {\mm \X{\<2>\<43>}}    & {\mm \X{\<2>\<44>}}     & {\mm \X{\<2>\<45>}}    & {\mm \X{\<46>\K{-.27}\<46>}}
+        & {\mm \X{\<46>\<83>}}     & {\mm \X{\M{\<46>}{\<123>}}}     & {\mm \X{\M{\<46>}{\<85>}}}     & {\mm \X{\<46>\K{-.5}\<86>}}  
+        & {\mm \X{\<2>\<54>}}    & {\mm \X{\<2>\<55>}}     & {\mm \X{\<2>\<56>}}
+        & {\mm \X{\<2>\<57>}}    & {\mm \X{\<2>\<51>}}     & {\mm \X{\<2>\<52>}}    & {\mm \X{\<2>\<49>}}     \cr
+\noalign{\hrule}
+{\mm \X{\<47>}}    && {\mm \X{\M{\<47>}{\<112>}}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\M{\<47>}{\Z\<36>}}}     & {\mm \X{\<47>\K{-.5}\<88>}}    & {\mm \X{\M{\<47>}{\Z\<38>}}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<249>}}     & {\mm \X{\M{\<47>}{\<84>}}}     & {\mm \X{\M{\<47>}{\<85>}}}     & {\mm \X{\<47>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<48>}}    && {\mm \X{\T{\<76>}{\R{.8ex}{\<21>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<22>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<23>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<24>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<25>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<26>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<27>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<28>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<29>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<30>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<31>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<32>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<33>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<34>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<35>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<36>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<37>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<38>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<39>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<40>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<42>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<43>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<44>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<45>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<46>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<47>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<48>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<50>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<53>}}}}  
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<54>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<55>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<56>}}}}
+        & {\mm \X{\T{\<76>}{\R{.8ex}{\<57>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<51>}}}}     & {\mm \X{\T{\<76>}{\R{.8ex}{\<52>}}}}    & {\mm \X{\T{\<76>}{\R{.8ex}{\<49>}}}}     \cr
+{\mm \X{\<50>}}    && {\mm \X{\M{\<50>}{\<112>}}}    & {\mm \X{\<81>\<22>}}    & {\mm \X{\<81>\<23>}}     & {\mm \X{\<81>\<24>}}    & {\mm \X{\<81>\<25>}}
+        & {\mm \X{\<81>\<26>}}     & {\mm \X{\<81>\<27>}}    & {\mm \X{\<81>\<28>}}     & {\mm \X{\<81>\<29>}}    & {\mm \X{\<81>\<30>}}
+        & {\mm \X{\<81>\<31>}}     & {\mm \X{\<81>\<32>}}    & {\mm \X{\<81>\<33>}}     & {\mm \X{\<81>\<34>}}    & {\mm \X{\<81>\<35>}}
+        & {\mm \X{\<81>\<36>}}     & {\mm \X{\<50>\K{-.5}\<88>}}    & {\mm \X{\M{\<50>}{\Z\<38>}}}     & {\mm \X{\<81>\<39>}}    & {\mm \X{\<81>\<40>}}
+        & {\mm \X{\<81>\<42>}}     & {\mm \X{\<81>\<43>}}    & {\mm \X{\<81>\<44>}}     & {\mm \X{\<81>\<45>}}    & {\mm \X{\<81>\<46>}}
+        & {\mm \X{\<50>\<83>}}     & {\mm \X{\M{\<50>}{\<84>}}}     & {\mm \X{\M{\<50>}{\<85>}}}     & {\mm \X{\<50>\K{-.5}\<86>}}  
+        & {\mm \X{\<81>\<54>}}    & {\mm \X{\<81>\<55>}}     & {\mm \X{\<81>\<56>}}
+        & {\mm \X{\<81>\<57>}}    & {\mm \X{\<81>\<51>}}     & {\mm \X{\<81>\<52>}}    & {\mm \X{\<81>\<49>}}     \cr
+{\mm \X{\<53>}}    && {\mm \X{\M{\<53>}{\<112>}}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<53>\K{-.5}\<88>}}    & {\mm \X{\M{\<53>}{\Z\<38>}}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<53>\<83>}}     & {\mm \X{\M{\<53>}{\<84>}}}     & {\mm \X{\M{\<53>}{\<85>}}}     & {\mm \X{\<250>}}  
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<49>}}     \cr
+\noalign{\hrule}
+{\mm \X{\<54>}}   && {\mm \X{\M{\<54>}{\<112>}}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<22>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<23>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<24>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\<197>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<27>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<28>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<29>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<31>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<32>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<33>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<34>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<36>}}    & {\mm \X{\<54>\K{-.5}\<88>}}   & {\mm \X{\M{\<54>}{\Z\<38>}}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<39>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<42>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<43>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<44>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<45>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<54>\<83>}}    & {\mm \X{\<210>}}    & {\mm \X{\M{\<54>}{\<85>}}}    & {\mm \X{\<54>\K{-.5}\<86>}}  
+        & {\mm \X{\<244>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<55>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<57>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<51>}}    & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<52>}}   & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<49>}}    \cr
+{\mm \X{\<55>}}    && {\mm \X{\M{\<55>}{\<112>}}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\M{\<55>}{\Z\<31>}}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\M{\<55>}{\Z\<35>}}}
+        & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<55>\K{-.5}\<88>}}    & {\mm \X{\M{\<55>}{\Z\<38>}}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\M{\<55>}{\Z\<46>}}}
+        & {\mm \X{\<55>\<83>}}     & {\mm \X{\M{\<55>}{\<125>}}}     & {\mm \X{\M{\<55>}{\<85>}}}     & {\mm \X{\<55>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<56>}}    && {\mm \X{\M{\<56>}{\<112>}}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\M{\<56>}{\Z\<36>}}}     & {\mm \X{\<56>\K{-.5}\<88>}}    & {\mm \X{\M{\<56>}{\Z\<38>}}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\M{\<56>}{\Z\<46>}}}
+        & {\mm \X{\<56>\<83>}}     & {\mm \X{\<211>}}     & {\mm \X{\M{\<56>}{\<85>}}}     & {\mm \X{\<56>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\<245>}}
+        & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<49>}}     \cr
+\noalign{\hrule}
+{\mm \X{\<57>}}    && {\mm \X{\M{\<57>}{\<112>}}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<57>\K{-.5}\<88>}}    & {\mm \X{\M{\<57>}{\Z\<38>}}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\<199>}}
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\<198>}}
+        & {\mm \X{\<57>\<83>}}     & {\mm \X{\<212>}}     & {\mm \X{\M{\<57>}{\<85>}}}     & {\mm \X{\<57>\K{-1.5}\<93>}}  
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<51>}}    && {\mm \X{\M{\<51>}{\<112>}}}    & {\mm \X{\<82>\<22>}}    & {\mm \X{\<82>\<23>}}     & {\mm \X{\<82>\<24>}}    & {\mm \X{\<82>\<25>}}
+        & {\mm \X{\<82>\<26>}}     & {\mm \X{\<82>\<27>}}    & {\mm \X{\<82>\<28>}}     & {\mm \X{\<82>\<29>}}    & {\mm \X{\<82>\<30>}}
+        & {\mm \X{\<82>\<31>}}     & {\mm \X{\<82>\<32>}}    & {\mm \X{\<82>\<33>}}     & {\mm \X{\<82>\<34>}}    & {\mm \X{\<82>\<35>}}
+        & {\mm \X{\<82>\<36>}}     & {\mm \X{\<51>\K{-.5}\<88>}}    & {\mm \X{\M{\<51>}{\Z\<38>}}}     & {\mm \X{\<82>\<39>}}    & {\mm \X{\<82>\<40>}}
+        & {\mm \X{\<82>\<42>}}     & {\mm \X{\<82>\<43>}}    & {\mm \X{\<82>\<44>}}     & {\mm \X{\<82>\<45>}}    & {\mm \X{\<82>\<46>}}
+        & {\mm \X{\<51>\<83>}}     & {\mm \X{\M{\<51>}{\<84>}}}     & {\mm \X{\M{\<51>}{\<85>}}}     & {\mm \X{\<51>\K{-.5}\<86>}}  
+        & {\mm \X{\<82>\<54>}}    & {\mm \X{\<82>\<55>}}     & {\mm \X{\<82>\<56>}}
+        & {\mm \X{\<82>\<57>}}    & {\mm \X{\<51>\K{-.2}\<51>}}     & {\mm \X{\<82>\<52>}}    & {\mm \X{\<82>\<49>}}     \cr
+{\mm \X{\<52>}}   && {\mm \X{\M{\<52>}{\<112>}}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<22>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<23>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<24>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<25>}}
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<27>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<28>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<29>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<30>}}
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<31>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<32>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<33>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<34>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<35>}}
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<36>}}     & {\mm \X{\<52>\K{-.5}\<88>}}    & {\mm \X{\M{\<52>}{\Z\<38>}}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<39>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<40>}}
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<42>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<43>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<44>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<45>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<46>}}
+        & {\mm \X{\<52>\<83>}}     & {\mm \X{\M{\<52>}{\<84>}}}     & {\mm \X{\M{\<52>}{\<85>}}}     & {\mm \X{\<52>\K{-.5}\<86>}}  
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<54>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<55>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<56>}}
+        & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<57>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<51>}}     & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<52>}}    & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<49>}}     \cr
+{\mm \X{\<49>}}    && {\mm \X{\M{\<49>}{\<112>}}}    & {\mm \X{\<80>\<22>}}    & {\mm \X{\<80>\<23>}}     & {\mm \X{\<80>\<24>}}    & {\mm \X{\<80>\<25>}}
+        & {\mm \X{\<80>\<26>}}     & {\mm \X{\<80>\<27>}}    & {\mm \X{\<80>\<28>}}     & {\mm \X{\<80>\<29>}}    & {\mm \X{\<80>\<30>}}
+        & {\mm \X{\<80>\<31>}}     & {\mm \X{\<80>\<32>}}    & {\mm \X{\<80>\<33>}}     & {\mm \X{\<80>\<34>}}    & {\mm \X{\<80>\<35>}}
+        & {\mm \X{\<80>\<36>}}     & {\mm \X{\<49>\K{-.5}\<88>}}    & {\mm \X{\M{\<49>}{\Z\<38>}}}     & {\mm \X{\<80>\<39>}}    & {\mm \X{\<80>\<40>}}
+        & {\mm \X{\<80>\<42>}}     & {\mm \X{\<80>\<43>}}    & {\mm \X{\<80>\<44>}}     & {\mm \X{\<80>\<45>}}    & {\mm \X{\<80>\<46>}}
+        & {\mm \X{\<49>\<83>}}     & {\mm \X{\M{\<49>}{\<84>}}}     & {\mm \X{\M{\<49>}{\<85>}}}     & {\mm \X{\<49>\K{-.5}\<86>}}  
+        & {\mm \X{\<80>\<54>}}    & {\mm \X{\<80>\<55>}}     & {\mm \X{\<80>\<56>}}
+        & {\mm \X{\<80>\<57>}}    & {\mm \X{\<80>\<51>}}     & {\mm \X{\<80>\<52>}}    & {\mm \X{\<243>}}     \cr
+}
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
new file mode 100644
index 00000000000..bd71bd5dab5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm
@@ -0,0 +1,57 @@
+% mmexp.mm --- Malayalam experimental font style samples
+% (c) 1993 Jeroen Hellingman
+% Last edit: 07-FEB-1993
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for 
+\MF. You can define your own experimental fonts by copying one of the 
+parameter files to your own file, and change the following parameters 
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr 
+
+\+ht\# :=       & 1.667mm\#;	& {\rm height of normal characters.}\cr
+\+u\#  :=       & 0.8333mm\#;   & {\rm unit width (0.5 ht).}\cr
+\+rm\# :=     	& 0.5mm\#;		& {\rm space inbetween characters.}\cr
+\+slant :=		& 0;			& {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot :=        & 45; 			& {\rm angle of pen.}\cr
+\+thick\# :=    & 0.75pt\#;		& {\rm thickness of thickest lines.}\cr
+\+thin\# :=     & 0.333pt\#;    & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#;    & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size :=	& 10pt\#;		& {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan\smallskip$}
+{\hugemmr\mmcurrm Malayalam Huge 36pt:  $muunnu saMvatsaran"n"aL+>>kkakaM\smallskip$}
+}
+
+%%%%%% end of mmexp.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
new file mode 100644
index 00000000000..f9b2b3afde5
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex
@@ -0,0 +1,53 @@
+
+\input mmqmacs
+\input mmtrmacs
+\input mmxfont
+
+\font\logo=logo10
+\def\MF{{\logo METAFONT}}
+\parindent=0pt
+
+This file shows some more `experimental' settings of the parameters for 
+\MF. You can define your own experimental fonts by copying one of the 
+parameter files to your own file, and change the following parameters 
+--~the values below come from {\tt mmc10.mf}:
+
+\bigskip
+
+{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr 
+
+\+ht\# :=       & 1.667mm\#; & {\rm height of normal characters.}\cr
+\+u\#  :=       & 0.8333mm\#;   & {\rm unit width (0.5 ht).}\cr
+\+rm\# :=      & 0.5mm\#;  & {\rm space inbetween characters.}\cr
+\+slant :=  & 0;   & {\rm slant of characters.}\cr
+
+\medskip
+
+\+rot :=        & 45;    & {\rm angle of pen.}\cr
+\+thick\# :=    & 0.75pt\#;  & {\rm thickness of thickest lines.}\cr
+\+thin\# :=     & 0.333pt\#;    & {\rm thickness of thinnest lines.}\cr
+\+subthick\# := & 0.550pt\#;    & {\rm thickness of thickest lines in subscribed characters.}\cr
+
+\medskip
+
+\+font\_size := & 10pt\#;  & {\rm font size as seen by \TeX.}\cr
+\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr
+}
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\xamm\mmcurrm Malayalam Experimental A 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xbmm\mmcurrm Malayalam Experimental B 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\xcmm\mmcurrm Malayalam Experimental C 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\bigmmr\mmcurrm Malayalam Big 21pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>}\smallskip}}
+{\hugemmr\mmcurrm Malayalam Huge 36pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2>\smallskip}}
+}
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
new file mode 100644
index 00000000000..51dd9f7cb3a
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex
@@ -0,0 +1,99 @@
+% mmfont.tex -- load fonts for Malayalam TeX
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts
+
+\font\sixmmf=mm6                % Malayalam Regular 6pt
+\font\sixmmsf=mm6s              % Malayalam Regular 6pt Subscript
+\font\sixrm=cmr6
+
+\font\eightmmf=mm8              % Malayalam Regular 8pt
+\font\eightmmsf=mm8s            % Malayalam Regular 8pt Subscript
+
+\font\mmf=mm10                  % Malayalam Regular 10pt
+\font\mmsf=mm10s                % Malayalam Regular 10pt Subscript
+\font\mmbf=mmb10                % Malayalam Bold 10pt
+\font\mmbsf=mmb10s              % Malayalam Bold 10pt Subscript
+\font\mmslf=mmsl10              % Malayalam Slanted 10pt
+\font\mmslsf=mmsl10s            % Malayalam Slanted 10pt Subscript
+\font\mmcf=mmc10                % Malayalam Calligraphic Regular 10pt
+\font\mmcsf=mmc10s              % Malayalam Calligraphic Regular 10pt Subscript
+\font\mmcbf=mmcb10              % Malayalam Calligraphic Bold 10pt
+\font\mmcbsf=mmcb10s            % Malayalam Calligraphic Bold 10pt Subscript
+\font\mmcslf=mmcsl10            % Malayalam Calligraphic Slanted 10pt
+\font\mmcslsf=mmcsl10s          % Malayalam Calligraphic Slanted 10pt Subscript
+
+\font\twelvemmf=mm12            % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s          % Malayalam Regular 12pt Subscript
+\font\twelvemmbf=mmb12          % Malayalam Bold 12pt
+\font\twelvemmbsf=mmb12s        % Malayalam Bold 12pt Subscript
+\font\twelvemmslf=mmsl12        % Malayalam Slanted 12pt
+\font\twelvemmslsf=mmsl12s      % Malayalam Slanted 12pt Subscript
+\font\twelvemmcf=mmc12          % Malayalam Calligraphic Regular 12pt
+\font\twelvemmcsf=mmc12s        % Malayalam Calligraphic Regular 12pt Subscript
+\font\twelvemmcbf=mmcb12        % Malayalam Calligraphic Bold 12pt
+\font\twelvemmcbsf=mmcb12s      % Malayalam Calligraphic Bold 12pt Subscript
+\font\twelvemmcslf=mmcsl12      % Malayalam Calligraphic Slanted 12pt
+\font\twelvemmcslsf=mmcsl12s    % Malayalam Calligraphic Slanted 12pt Subscript
+\font\twelverm=cmr12
+\font\twelvebf=cmbx12
+\font\twelvesl=cmsl12
+
+\font\seventeenmmf=mm17         % Malayalam Regular 17pt
+\font\seventeenmmsf=mm17s       % Malayalam Regular 17pt Subscript
+\font\seventeenmmcf=mmc17       % Malayalam Calligraphic Regular 17pt
+\font\seventeenmmcsf=mmc17s     % Malayalam Calligraphic Regular 17pt Subscript
+\font\seventeenmmbf=mmb17       % Malayalam Bold 17pt
+\font\seventeenmmbsf=mmb17s     % Malayalam Bold 17pt Subscript
+\font\seventeenmmcbf=mmcb17     % Malayalam Calligraphic Bold 17pt
+\font\seventeenmmcbsf=mmcb17s   % Malayalam Calligraphic Bold 17pt Subscript
+\font\seventeenrm=cmr17
+\font\seventeenbf=cmbx12 at 17.28pt
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+  \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+  \mmcbls=10.5pt\ifmmmode\setmm\fi}
+  
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
new file mode 100644
index 00000000000..c253325e3d4
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex
@@ -0,0 +1,51 @@
+% mmfuture.tex
+% (c) 1992 Jeroen Hellingman
+% Last edit: 09-DEC-1992
+
+
+\beginsection On the future of \TeX
+
+Working on Malayalam-\TeX, I met with more and more limitations of 
+\TeX, which needed ad-hoc solutions, that will not win an elegance 
+price. It made me dream of a future \TeX-like system, that would 
+incorporate all scripts in a more elegant way. Several people have 
+made suggestions on the future of \TeX, but most of them, again, 
+focussed on the Western languages. I think a transistion to the 
+emerging 16-bit Unicode (ISO 10646) standard will be the most natural 
+next step.
+
+\TeX\ was orignally designed for two `scripts', English and 
+Mathematics, and it does a very good job of typesetting both of them, 
+but one gets in problems when one tries to typeset another script with  
+it, for example Malayalam, or one of the various other scripts in use 
+for writing the spoken languages of the world, or to name the most 
+difficult of all, typesetting music. A future-\TeX\ should be build up 
+in some modular manner, so that other scripts can be added more 
+easily.
+
+Apart from being a typesetting system, \TeX\ is a fullfledged 
+programming language, but a horrible ackward one. As Frank Mittelbach, 
+suggested, it would be nice to replace it with a more conventional 
+one, although his suggestion to use lisp fills me with new horrors. I 
+think a more modern functional language like miranda would be a much  
+candidate. A functional language with some very basic functions needed 
+for typesetting would be a good kernel in my eyes. All logic needed 
+for typesetting a script could then be coded in the language itself, 
+instead of being hardwired into the system.
+
+Adding a new script would then be as easy as designing a font for the 
+script (A difficult enough task in itself) and writing the logic for 
+composing the script from a character-stream, which then could be 
+loaded into the system.
+
+An anochronism that has annoyed me more and more when I started making 
+several variants and sizes of my font is the use of bitmaps, with took 
+up more and more space on my harddisk.
+
+I would propose to join the powers of \TeX\ and \MF into one program, 
+that use the speak the same language, so that one can have direct 
+access to character-programs, to create the letter in the size and 
+style wanted at the a certain moment.
+
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
new file mode 100644
index 00000000000..9bb4c194525
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm
@@ -0,0 +1,511 @@
+% mmguide.mm -- Malayalam-\TeX\ user guide
+% Copyright 1993, 1994, 1995 Jeroen Hellingman
+%
+% pre-process this file using mltr
+%
+% History
+%   04-MAY-1998 Updated transcription (JH)
+%   23-NOV-1995 Updated for new transcription scheme (JH)
+%   22-JAN-1994 Last edit (JH)
+%   22-JAN-1994 Added instruction for getting cillu/virama variants (JH)
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+    June\or July\or August\or September\or October\or November\or December\fi
+    \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+$$.d$$, $$sh$$ or~$$zh$$ to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as $\mmfigures 1234567890\rmfigures$. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle $[]$, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ($k, .n, t, n$, and $r$) will be
+used automatically at the end of words, as well as anusvaram ($m$).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+$t<<+$ and {\tt m<<+} yields $m<<+$.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between  {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr      & \\eightmmr    \cr
+\+\\mmr         & \\mmsl        & \\mmb         & \\mmc         & \\mmcsl       & \\mmcb        \cr
+\+\\twelvemmr   & \\twelvemmsl  & \\twelvemmb   & \\twelvemmc   &\\twelvemmcsl  & \\twelvemmcb  \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+$ya$, $ra$, $la$, and $va$.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12}   & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mmz12} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12}   & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc           & {\rm to select {\tt\\twelvemmr}:}  \cr
+\+\quad\\let\\mmcurf=\\twelvemmf    & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf  & {\rm define the current sub-font,}  \cr
+\+\quad\\let\\mmcurrm=\\twelverm    & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt              & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\}      & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}.  Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build $pla$ from $pa$ and ${}<<la$. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+%%%%%%%
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
+%%%%%% end of mmguide.txt
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
new file mode 100644
index 00000000000..5e582135f91
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex
@@ -0,0 +1,498 @@
+
+\def\editdate{4 May 1998}
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\def\@{@}
+
+\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or
+    June\or July\or August\or September\or October\or November\or December\fi
+    \space\number\year}
+
+\def\MT{Malayalam-\TeX}
+
+\headline={{\hfil \it \MT\ v1.6 User's Guide}}
+
+
+\beginsection {\twelvebf Introduction}
+
+\MT\ is a package to typeset Malayalam with
+\TeX\footnote*{\MT\ will work only with \TeX3.0 or later
+versions of \TeX.}. It can be used to typeset in both
+the traditional and reformed script. The complete package
+includes a pre-processor and fonts in various styles (regular, bold,
+slanted, calligraphic) and various sizes.
+
+Malayalam Text
+is entered in an easily adaptable ASCII transcription.
+This text is then converted to commands for \TeX\ to typeset
+the Malayalam by a pre-processor, which takes care of applying the
+correct conjunct letters and placing the vowel signs on the right position.
+The same ASCII transcription can also be used to derive scientific
+transcription of the text, which will save scholars lots of time
+spend in typing the macros for accented letters themselves.
+
+This document assumes a working knowledge of \TeX, and will not
+try to explain things already explained in the \TeX-book. It
+can roughly be divided in three parts. The first part explains how to
+use \MT\ in a standard fashion. The second part goes deeper
+into the internals, so that you are able to change the behaviour of
+\MT. This part can be skipped if you are happy with the
+standard settings. Some appendices complete this manual.
+
+\vfill\eject
+\beginsection {\twelvebf Preparing Your Document}
+
+When you want to use \MT, all you have to do is say
+
+\medskip
+{\tt\bslash input mmmacs}
+\medskip
+
+somewhere near the beginning of your document, before the first
+occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in
+a directory where it can be found by \TeX. This file will load the
+fonts and define the commands necessary. After this, you can use the
+commands as described below.
+
+\beginsection How To Type Malayalam
+
+Since on most computers it is impossible to enter Malayalam directly,
+Malayalam text needs to be entered in transcription. Traditionally,
+Western scholars have used a transcription with various accents, like
+{\mmtr \d d}, {\mmtr \'s} or~{\mmtr \b z} to represent Malayalam characters, but even
+these cannot be reproduced on most computers. To solve this
+problem, \MT\ uses a
+transcription that only uses the characters of the standard
+ASCII character set.
+
+The following table shows the character(s) you have to type in order
+to produce a Malayalam character. The third column shows the
+scientific transcription of each character.
+
+\bigskip
+\input mmtrans
+\bigskip
+
+Malayalam text can only be entered when in {\it Malayalam mode}.
+Malayalam mode starts and ends with a {\tt\dollar}-sign.
+
+Punctuation marks can be typed in Malayalam the same way as in English.
+They will show up as expected. A nice ornamental star
+\ornstar\ can be produced with {\tt\bslash ornstar}.
+
+Figures in Malayalam mode will appear as
+European figures. If you want Malayalam figures, you will have to
+say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will
+appear as {\mm \mmfigures {\mmone}{\mmtwo}{\mmthree}{\mmfour}{\mmfive}{\mmsix}{\mmseven}{\mmeight}{\mmnine}{\mmzero}\rmfigures}. To switch back to
+European figures, say {\tt\bslash rmfigures}.
+
+More precise control over the formation of ligatures can be reached with
+the characters {\tt >>} and {\tt<<}. {\tt >>} will
+prevent the formation of a ligature, and a virama will be used between
+the consonants instead. {\tt<<} will force the
+pre-processor to use the secondary variant for the following
+character. This can be used to show vowel-signs or secondary letters
+on themselves. {\tt []} will produce a dotted circle {\mm \<00>}, to make
+tables like the above, and, last but not least, {\tt >} will
+disambiguate the transcription if needed.
+
+The cillu letters ({\mm \X{\mmV{\<21>}}{\RMF,} \X{\<78>}{\RMF,} \X{\<81>}{\RMF,} \X{\<79>}}, and {\mm \X{\<80>}}) will be
+used automatically at the end of words, as well as anusvaram ({\mm \X{\<2>}}).
+If a full letter with candrakala is desired, you should
+place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields
+{\mm \X{\mmV{\<36>}}} and {\tt m<<+} yields {\mm \X{\mmV{\<46>}}}.
+
+The usage of the {\tt\dollar}-sign by \MT\ overrides its normal
+meaning in
+\TeX. To enter and leave normal math-mode, you will have to type
+{\tt\bslash math}, for display math you just say {\tt\bslash Math}.
+The \dollar-sign itself is produced by {\tt\bslash dollar}.
+
+\beginsection Malayalam transcription
+
+Malayalam Text can also be printed in scientific transcription.
+When you want a Malayalam passage to appear in scientific
+transcription, you have to switch to {\it Malayalam-transcription
+mode}, which is started and ended with {\tt\dollar\dollar}. The
+transcription used follows, but for a few exceptions, the
+standardized transcription of the National Library in Calcutta.
+
+If you want to use a capital letter in Malayalam-transcription mode,
+you can precede the letter with a {\tt\char"5E}. This will be ignored
+in Malayalam mode. If the need may arise to typeset a whole passage
+of transcribed Malayalam in capital letters, the trick can be done
+by enclosing it between  {\tt\char"5E\char"5E} and
+{\tt\char"5E\char"5E}.
+
+\beginsection Choosing Fonts
+
+With \MT\ you can use, as in English, several font-styles:
+regular, {\sl slanted}, and {\bf bold}. There is no {\it italic},
+since italic fonts, which have a different design are unknown in
+Malayalam typography, but the font is available in two flavours, the
+normal style, using the same line thickness every where in the
+character, and a `calligraphic' version, which shows differences in
+line thickness in the character, as if it was written with a
+calligraphic pen. Of course, the fonts are provided in several sizes:
+6, 8, 10, 12, and 17~points high.
+
+Every style and size is given a macro, which you have to enter to use
+a certain style and size. For example, if you want to use 12pt
+Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If
+you use it in normal mode, the font-change will be in effect the next
+time you switch to Malayalam mode, in Malayalam mode, it works
+immediately.
+
+Available fonts are:
+
+{\bigskip\tt\def\\{\bslash}
+\settabs6\columns
+\+\\sixmmr      & \\eightmmr    \cr
+\+\\mmr         & \\mmsl        & \\mmb         & \\mmc         & \\mmcsl       & \\mmcb        \cr
+\+\\twelvemmr   & \\twelvemmsl  & \\twelvemmb   & \\twelvemmc   &\\twelvemmcsl  & \\twelvemmcb  \cr
+\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr
+}\bigskip
+
+A sample of each font-style appears in the Appendix.
+
+\beginsection {\twelvebf Using the Pre-Processor}
+
+When you have finished typing (a part of) your document, you cannot
+feed it to \TeX\ immediately. First you have to run it trough the
+pre-processor, which will replace the Malayalam in transcription you
+entered with instructions for \TeX\ to typeset the correct glyphs. The
+pre-processor takes care of placing the vowel-signs around
+consonants, and using the correct conjuncts for consonants without
+intervening vowels.
+
+To pre-process you document, you type:
+\medskip
+{\tt ml} {\it input-file output-file}
+\medskip
+This will process the file for traditional script. If you want to use
+the nowadays normal reformed script, say:
+\medskip
+{\tt mlr} {\it input-file output-file}
+\medskip
+
+Actually, the commands {\tt ml} and {\tt mlr} are two small command
+files, which call two programs with various parameters that do the
+actual pre-processing. The first is called {\tt patc}, which takes
+care of Malayalam-transcription mode, the second is {\tt mm} which
+task it is to do the contextual analysis for the Malayalam script.
+If you don't use Malayalam transcription in your document, you can
+run only {\tt mm} to save some time.
+
+\beginsection {\twelvebf Advanced Topics}
+
+This part of this guide explains how to use the components of
+\MT\ separately, and how to modify its tables, for
+example to change the transcription it understands, or to change the
+way it composes conjuncts. It should be read carefully, and care
+should be taken when you tamper with the tables, since several tables
+depend on each other in delicate ways. If you want to change the
+transcription only, the best way is to use Patc to translate your
+transcription to the standard transcription. To show you how this
+can be accomplished, I have include the file {\tt ack.pat}, that
+translates the transcription used on the {\tt alt.culture.kerala} newsgroup
+to the transcription used with {\tt mm}, assuming that Malayalam text
+is delimited with {\tt\dollar} in the source already (If they are
+missing, you should place them manually; it is a non-trivial
+task to have a computer automatically recognize Malayalam passages in
+English text). With this file, you can convert texts in this
+transcription by giving the command:
+
+\medskip
+{\tt patc -p ack.pat {\it input-file output-file}}
+\medskip
+
+\beginsection Patc
+
+Patc is a program that can translate patterns occurring in a input file
+to other patterns in the output file. It is fully table driven, and
+both the patterns it reads as well as those it outputs are defined in
+tables or {\it pattern-files}. It is an ideal tool to switch from one
+transcription scheme to another. Within the \MT\ package it
+is used to translate the easy-to-type transcription of Malayalam I
+adopted into a sequence of \TeX-commands that will produce scientific
+transcription. The transcription it reads and the commands it outputs
+are given in a pattern-file called {\tt mm.pat}.
+
+Patc should be called as follows:
+
+\medskip
+{\tt patc [-v] -p {\it pattern-file input-file output-file}}
+\medskip
+
+The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p}
+option tells it that the next parameter given is the name of a
+pattern file. The last two
+parameters tells it to read from {\it input-file} and to write to
+{\it output-file}. The actual format of a pattern-file
+is described in the documentation that comes with {\tt patc}. (Read
+this first, the following sections assume knowledge of its contents)
+
+\beginsection mm
+
+{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam
+script. It uses the correct shapes for vowels depending on whether they
+appear initially or after a consonant, and selects the correct
+conjuncts. This program, too, is table driven.
+
+{\tt mm} is called by:
+
+\medskip
+{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]}
+\medskip
+
+Available options are {\tt-v}, {\tt-V}, and {\tt-h}.
+The {\tt -v} option tells {\tt mm} to be verbose, if given,
+the pre-processor will inform you about files read.
+if you give the {\tt-V} option instead, it will also print
+a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced
+to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm}
+will do nothing but print a help message.
+
+The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from
+the file given in the next parameter. The transcription definition defines which
+Roman characters are used to transcribe Malayalam characters. If it is omitted,
+{\tt mm} will use {\tt mmr.trs}.
+The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the
+file given in the next parameter. The script definition defines which glyphs from the
+font are to be used to represent Malayalam characters in various
+contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which
+defines reformed script.
+
+The last two parameters tell {\tt mm} where to read its input from and
+where to put its output. Default, the name of the input file ends with
+{\tt.mm} and the name of the output file with {\tt.tex}.
+If the name of the output file is omitted, {\tt mm}
+will construct it from the input file name by replacing the extension
+of it with {\tt.tex}.
+
+{\tt mm} will look for it's transcription and script files in the
+current directory first, and then in the directory pointed at by the
+environment variable {\tt MMDIR}.
+
+\beginsection Transcription Files
+
+As stated above, a transcription definition tells the preprocessor
+how to interprete an input-file. It not only tells it which sequence
+of Roman characters stands for which Malayalam characters, but also how to
+separate Malayalam text from English text, which the pre-processor
+should leave untouched, and also tells the pre-processor how to
+recognize \TeX-commands (in a limited way) and comments --~which it
+strips from the input-file.
+
+A transcription definition is given in a {\it transcription file}.
+The general structure of a transcription file is the same as that of a patc
+file. Inside a transcription file, the following {\tt\@}-commands can
+occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}.
+
+{\tt\@atbegin} defines which patterns will start
+and {\tt\@atend} defines which patterns that will end Malayalam mode.
+You can give several patterns, in double quotes, on the same line as the
+command is. A quick glance in {\tt mm.trs} will learn you that, apart
+from the {\tt\dollar}-sign, you can also use
+{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it.
+Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to
+delimit reformed script, while {\tt<{}ml>} and
+{\tt<{}/ml>} delimit traditional script, so that you can use both
+in the same document, in which case you will have to run the pre-processor
+twice on the input-file. These delimiters are provided, in case
+you want to be more clear about the language used, or want to use the
+{\tt\dollar}-sign for some other purpose. Imagine writing a book about
+the relationships between Dravidian languages, in which most of the
+examples are from Tamil, I guess you would prefer to reserve the
+{\tt\dollar}-signs for Tamil then (but in that case you will have to
+remove them in the current transcription files).
+
+{\tt\@table} starts the table of patterns that are used for
+transcribing Malayalam characters. Each following non-empty line until
+the next {\tt\@}-command is considered to be an entry in the table. The
+format is basically the same as that of the {\tt\@patterns}-tables of
+patc, but you may not use pattern-set switching, and an extra action,
+{\tt=} is added. This action maps a transcription pattern to an
+internal code. Extreme care is required when changing these codes,
+since they are hardwired into the pre-processor, that knows that some
+of them are consonants, and others vowels, and uses that knowledge to
+perform its task. Also, the same codes are used in the script
+definition to identify characters. The codes should match in
+the transcription-table, internally in the pre-processor and in the
+script-file.
+
+Finally, {\tt\@end} tells the preprocessor the transcription file has
+ended. It will not try the parse the rest, but close immediately after
+reading this command. If a file ends before the {\tt\@end} command is
+seen, the pre-processor will complain, but that is nothing to bother
+about.
+
+\beginsection Script Files
+
+A script files contain a script-definition. A script definition tells the
+pre-processor how to place graphical elements to represent a string of
+characters. Because the output of the pre-processor is fed to \TeX\
+for actual typesetting, the script file contains \TeX-commands to
+typeset those graphical elements, to place them on top or below of
+another, etc. The general structure of a script file is the same as
+that of a transcription file, but, since scripts can be quite
+complicated, it can (and will) contain much more commands. In a script
+file you will find the following commands: {\tt \@malayalam,
+\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild,
+\@primary, \@secondary, \@reepham{\rm, and} \@end}.
+
+The {\tt\@malayalam} command tells the pre-processor that it is
+dealing with Malayalam script. It must be given as the first command
+in a script file. At this time the pre-processor does not understand
+any other script, but if it will in future, it will be functional,
+since pre-processor needs to know which script it is dealing with,
+since not all peculiarities of Malayalam script are expressed in
+general mechanisms defined in a script file.
+
+{\tt\@atbegin} defines the sequence that is output every time the
+pre-processor enters Malayalam mode. At this time the file {\tt
+mm.scr} it contains a begingroup brace and a \TeX-command that selects
+the current Malayalam font.
+
+{\tt\@atend} defines the sequence that is output every time the
+pre-processor leaves Malayalam mode, currently only a endgroup brace.
+
+{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences
+that are output at the begin respectively the end of every syllable. In
+{\tt mm.scr} you will find commands that make a separate h-box of
+every syllable.
+
+{\tt\@prebuild} starts a table that defines a sequence of
+\TeX-commands for each character and for sequences of characters for
+which the general construction method will fail. Each non-empty line
+of the table describes how to typeset a sequence of one or more
+characters. The first element of the line is the character sequence in
+the character string, the second element the sequence of \TeX-commands
+that will produce its graphical representation. If the pre-processor
+encounters a single character for which no way of typesetting it is
+given in this table, it will complain, and forget the character.
+
+{\tt\@primary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the start
+of a syllable. Every entry in this table contains three elements. The
+first is the character-sequence, the second the \TeX-commands that
+will be placed in front of the syllable, the third the \TeX-commands
+that will be placed after it. In {\tt mm.scr} this table is very
+short, since Malayalam script does not modify the first letters of a
+syllable (as in Devanagari), but the last ones. The only entry
+describes the reepham character.
+
+{\tt\@secondary} starts a table that defines the \TeX-commands for each
+character and for sequences of characters when they occur at the end
+of a syllable. The table has the same format as the {\tt\@primary}
+table, but in {\tt mm.scr} it is much longer, since it defines the
+glyphs for all the vowel-signs, and for the secondary variants of
+{\mm \X{\<47>}}, {\mm \X{\<48>}}, {\mm \X{\<50>}}, and {\mm \X{\<53>}}.
+
+{\tt\@reepham} tells the pre-processor that a traditional style
+reepham is used: a little upright stroke centered above the
+consonant (cluster). This command is needed because otherwise, the
+pre-processor will center the reepham, incorrectly, above the whole
+syllable.
+
+\beginsection Macros defined by \MT
+
+The traditional Malayalam script is so complicated, that it was impossible
+to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam
+font consists of two physical fonts, one with characters at normal size,
+called the {\it base-font}, and
+one with smaller sized characters, called the {\it sub-font}, that can be
+used to build conjunct characters on the fly.
+
+One can be tempted to use a normal font for a smaller size for this purpose,
+but that wouldn't work out as nice, since smaller sized fonts are
+normally also drawn with thinner lines, while the sub-font is drawn with
+exactly the same pen as the base-font --~and also some other parameters
+are set in such a way that composing conjuncts will work fine.
+
+The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font,
+if a glyph from that font is needed. It is not aware of the current style used.
+This means that {\tt\bslash Z} has to be redefined to select the correct
+sub-font, depending on current style. This is done behind the scenes when
+you select a font style.
+
+The macro that selects a font style, sets the base-font, the sub-font, and
+a corresponding roman font from with several punctuation marks are borrowed, and,
+when in Malayalam mode, makes the base-font current, otherwise the base-font
+is made current when Malayalam mode is entered.
+For a font styles in Malayalam three fonts need to be loaded in as follows:
+
+\bigskip
+
+\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr
+{\def\\{\bslash}
+\+{\tt\\font\\twelvemmf=mm12}   & load the base-font\cr
+\+{\tt\\font\\twelvemmsf=mm12s} & load the sub-font\cr
+\+{\tt\\font\\twelverm=cmr12}   & load the roman font for punctuation marks\cr
+}
+
+\bigskip
+
+An example of a macro to select a style is
+
+\bigskip
+
+{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt
+\+\\def\\twelvemmr\{\perc           & {\rm to select {\tt\\twelvemmr}:}  \cr
+\+\quad\\let\\mmcurf=\\twelvemmf    & {\rm define the current base-font,} \cr
+\+\quad\\let\\mmcursf=\\twelvemmsf  & {\rm define the current sub-font,}  \cr
+\+\quad\\let\\mmcurrm=\\twelverm    & {\rm define the current roman font,}\cr
+\+\quad\\mmcbls=15.6pt              & {\rm set the current baselineskip,} \cr
+\+\quad\\ifmmmode\\setmm\\fi\}      & {\rm and if we are in Malayalam mode select it.}\cr
+}
+
+\bigskip
+
+If you wish to include more styles, you should define new font selection
+macro's following this example. The baselineskip should be larger than
+for roman text, since Malayalam script tends to have taller characters.
+
+\bigskip
+
+The \TeX-macros given in {\tt mm.scr} to compose glyphs are all
+one-letter macros.
+They are defined in the file {\tt mmmacs.tex}.  Care is taken that they
+do not redefine standard \TeX\ macros, and you should not redefine
+them in your document. They are the following:
+
+\bigskip
+
+{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font.
+
+{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used,
+for example, to build <ml>zhu</ml> from <ml>zha</ml> and
+<ml>{}<<u</ml> in traditional script.
+
+{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to
+build, for example, to build {\mm \X{\M{\<42>}{\<85>}}} from {\mm \X{\<42>}} and {\mm {}\M{\hbox{}}{\<85>}}. Note that if the subscribed character is
+wider than the character it is subscribed to, the width of the resulting box
+will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml>
+and <ml>{}<<ra</ml>.
+
+{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is
+used to position the reepham stroke in traditional script.
+
+{\tt\bslash Z}: switch to the subfont, the font that contains the
+somewhat smaller glyphs that are subscribed to characters.
+
+{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}.
+
+{\tt\bslash K\#1}: kern {\tt\#1} em.
+
+{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}.
+
+
+\input tamil.tex
+
+\input dng.tex
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
new file mode 100644
index 00000000000..bbf5464dd72
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex
@@ -0,0 +1,139 @@
+% mmmacs -- macros for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 02-APR-1993
+%
+% History:
+%   02-APR-1993 made virama stick out halfway. (JH)
+%   12-JAN-1993 version 1.0 (Jeroen Hellingman)
+
+\ifx\mmmacsloaded\relax\endinput\else\let\mmmacsloaded=\relax\fi
+
+%%%%%% fonts
+
+\input mmfont.tex		% load fonts
+
+%%%%%% font selection
+
+\newdimen\mmcbls        % Malayalam Current BaseLineSkip
+\def\mmslant{0}         % slant factor of current Malayalam font
+\newif\ifmmmode\mmmodefalse
+
+% trick from the TeXbook, p. 375
+{\catcode`p=12 \catcode`t=12 \gdef\xxx#1pt{#1}}
+\let\getfactor=\xxx
+\def\getslant#1{\expandafter\getfactor\the\fontdimen1#1}
+
+\def\Z{\mmcursf}
+\def\RMF{\mmcurrm}
+
+\def\mm{\setmm\noexpand\mmmodetrue}
+\def\setmm{\pretolerance=9999\tolerance=5000\hyphenpenalty=10000%
+  \language=13\mmcurf\gdef\mmslant{\getslant\mmcurf}%
+  \baselineskip=\mmcbls\emergencystretch=30pt}
+
+\mmr                    % select Malayalam Regular 10pt
+
+%%%%%% glyph composing macros
+
+% put #1 centered on top of #2, taking into account \mmslant
+\def\puton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+    \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+    \dimen1=\ht0\advance\dimen1by\dp1%
+    \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+    \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+    \advance\dimen0by-\dimen5
+    \advance\dimen3by-\dimen5
+    \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the right on top of #2, taking into account \mmslant
+\def\putrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+    \dimen0=\wd1%
+    \dimen1=\ht0\advance\dimen1by\dp1%
+    \dimen3=0pt%
+    \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+    \advance\dimen0by-\dimen5
+    \advance\dimen3by-\dimen5
+    \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+% put #1 to the far right on top of #2, taking into account \mmslant
+% #1 will stick partly out #2, for placing virama
+\def\putfarrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+    \dimen0=0.667\wd1%
+    \dimen1=\ht0\advance\dimen1by\dp1%
+    \dimen3=-0.333\wd1%
+    \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts
+    \advance\dimen0by-\dimen5
+    \advance\dimen3by-\dimen5
+    \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+\def\mmV#1{\putfarrighton{\N{.8}{\<77>}}{#1}}   	% place virama
+
+% put #1 centered underneath #2, taking into account \mmslant
+\def\putbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+    \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+    \dimen1=\dp0\advance\dimen1by\ht1%
+    \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+    % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+    \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+    	\hbox{}\kern0.5\dimen7%
+    	\advance\dimen3by0.5\dimen7%
+    \fi
+    \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+    \advance\dimen0by-\dimen5
+    \advance\dimen3by-\dimen5
+    \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+\def\B#1#2{\putbelow{#2}{#1}}
+
+% put #1 right aligned underneath #2, taking into account \mmslant
+\def\putrightbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}%
+    \dimen1=\dp0\advance\dimen1by\ht1%
+    % test: if #1 wider than #2, kern wd1-wd0 extra.
+    \ifdim\wd1>\wd0\dimen0=\wd1\advance\dimen0by-\wd0\kern\dimen0\fi
+    \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts
+    \box0\kern-\wd1%
+      \ifdim\dimen5=0pt\else\kern\dimen5\fi % avoid unneccessary kerns
+      \lower\dimen1\box1
+      \ifdim\dimen5=0pt\else\kern-\dimen5\fi}}
+
+% lower height of box #2 with #1
+% to be used in conjunction with \M to construct consonant clusters
+\def\R#1#2{\setbox0=\hbox{#2}%
+  \dimen0=\ht0\advance\dimen0by-#1%
+  \ht0=\dimen0\box0}
+  
+% lower glyph #2 with #1 ex
+% to be used to lower the virama sign when it is placed on top of a glyph
+\def\N#1#2{\setbox0=\hbox{\lower#1ex\hbox{#2}}\dp0=0pt\box0}
+
+%%%%%% single letter commands
+
+\def\D#1{{\mm\char#1}}		% show single Malayalam characters
+\def\C{\char}
+\def\K#1{\kern#1em}
+\def\T{\puton}
+\def\Q#1#2{\putrighton{#2}{#1}}
+\def\M#1#2{\putrightbelow{#2}{#1}}
+\def\X{\leavevmode\hbox}
+\def\<#1>{\leavevmode{\char#1}}
+
+%%%%%% digit usage
+
+\newif\ifmmfigs\mmfigsfalse
+
+\def\mmfigures{\mmfigstrue}
+\def\rmfigures{\mmfigsfalse}
+
+\def\mmzero{\ifmmfigs\<102>\else{\RMF 0}\fi}
+\def\mmone{\ifmmfigs\<103>\else{\RMF 1}\fi}
+\def\mmtwo{\ifmmfigs\<104>\else{\RMF 2}\fi}
+\def\mmthree{\ifmmfigs\<105>\else{\RMF 3}\fi}
+\def\mmfour{\ifmmfigs\<106>\else{\RMF 4}\fi}
+\def\mmfive{\ifmmfigs\<107>\else{\RMF 5}\fi}
+\def\mmsix{\ifmmfigs\<108>\else{\RMF 6}\fi}
+\def\mmseven{\ifmmfigs\<109>\else{\RMF 7}\fi}
+\def\mmeight{\ifmmfigs\<110>\else{\RMF 8}\fi}
+\def\mmnine{\ifmmfigs\<111>\else{\RMF 9}\fi}
+
+\endinput
+
+%%%%%% end of mmmacs
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
new file mode 100644
index 00000000000..e317417348e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex
@@ -0,0 +1,22 @@
+% mmtrmacs -- macros for Malayalam text in phonetic script
+% copyright 1992 Jeroen Hellingman
+% last edit: 21-JUL-1992
+
+% we use the wsuipa font
+
+\font\ipa=wsuipa10
+
+\def\mmph{%
+  \def\m{{\ipa\char"34}}%
+  \def\ng{{\ipa\char"38}}%
+  \def\ny{{\ipa\char"37}}%
+  \def\nn{{\ipa\char"39}}%
+  \def\tt{{\ipa\char"50}}%
+  \def\dd{{\ipa\char"11}}%
+  \def\ll{{\ipa\char"30}}%
+  \def\sh{{\ipa\char"4D}}%
+  \def\ss{{\ipa\char"4C}}%
+  \def\rr{{\ipa\char"46}}%
+  \def\u{{\ipa\char"15}}}
+  
+% eof
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
new file mode 100644
index 00000000000..a770baea1be
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex
@@ -0,0 +1,105 @@
+% mmqfont.tex -- load fonts for Malayalam TeX (quickly, only essentials)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi
+
+%%%%%% fonts (use only the most `essential', the others will be replaced)
+
+\font\mmf=mm10                  % Malayalam Regular 10pt
+\font\mmsf=mm10s                % Malayalam Regular 10pt Subscript
+
+\font\twelvemmf=mm12            % Malayalam Regular 12pt
+\font\twelvemmsf=mm12s          % Malayalam Regular 12pt Subscript
+\font\twelverm=cmr12
+
+%%%%%% Replacements for the other fonts:
+
+\let\seventeenmmf=\twelvemmf    % Malayalam Regular 17pt
+\let\seventeenmmsf=\twelvemmsf  % Malayalam Regular 17pt Subscript
+\let\seventeenrm=\twelverm
+
+\let\sixmmf=\mmf               	% Malayalam Regular 6pt
+\let\sixmmsf=\mmsf             	% Malayalam Regular 6pt Subscript
+\let\sixrm=\rm
+
+\let\eightmmf=\mmf             	% Malayalam Regular 8pt
+\let\eightmmsf=\mmsf            % Malayalam Regular 8pt Subscript
+
+\let\mmbf=\mmf                	% Malayalam Bold 10pt
+\let\mmbsf=\mmsf              	% Malayalam Bold 10pt Subscript
+\let\mmslf=\mmf              	% Malayalam Slanted 10pt
+\let\mmslsf=\mmsf            	% Malayalam Slanted 10pt Subscript
+\let\mmcf=\mmf               	% Malayalam Calligraphic Regular 10pt
+\let\mmcsf=\mmsf              	% Malayalam Calligraphic Regular 10pt Subscript
+\let\mmcbf=\mmf              	% Malayalam Calligraphic Bold 10pt
+\let\mmcbsf=\mmsf            	% Malayalam Calligraphic Bold 10pt Subscript
+\let\mmcslf=\mmf           		% Malayalam Calligraphic Slanted 10pt
+\let\mmcslsf=\mmsf         		% Malayalam Calligraphic Slanted 10pt Subscript
+
+\let\twelvemmsf=\twelvemmsf		% Malayalam Regular 12pt Subscript
+\let\twelvemmbf=\twelvemmf      % Malayalam Bold 12pt
+\let\twelvemmbsf=\twelvemmsf    % Malayalam Bold 12pt Subscript
+\let\twelvemmslf=\twelvemmf     % Malayalam Slanted 12pt
+\let\twelvemmslsf=\twelvemmsf  	% Malayalam Slanted 12pt Subscript
+\let\twelvemmcf=\twelvemmf    	% Malayalam Calligraphic Regular 12pt
+\let\twelvemmcsf=\twelvemmsf  	% Malayalam Calligraphic Regular 12pt Subscript
+\let\twelvemmcbf=\twelvemmf    	% Malayalam Calligraphic Bold 12pt
+\let\twelvemmcbsf=\twelvemmsf  	% Malayalam Calligraphic Bold 12pt Subscript
+\let\twelvemmcslf=\twelvemmf  	% Malayalam Calligraphic Slanted 12pt
+\let\twelvemmcslsf=\twelvemmsf 	% Malayalam Calligraphic Slanted 12pt Subscript
+\let\twelvebf=\twelverm
+\let\twelvesl=\twelverm
+
+\let\seventeenmmcf=\seventeenmmf	% Malayalam Calligraphic Regular 17pt
+\let\seventeenmmcsf=\seventeenmmsf	% Malayalam Calligraphic Regular 17pt Subscript
+\let\seventeenmmbf=\seventeenmmf 	% Malayalam Bold 17pt
+\let\seventeenmmbsf=\seventeenmmsf 	% Malayalam Bold 17pt Subscript
+\let\seventeenmmcbf=\seventeenmmf  	% Malayalam Calligraphic Bold 17pt
+\let\seventeenmmcbsf=\seventeenmmsf	% Malayalam Calligraphic Bold 17pt Subscript
+\let\seventeenbf=\seventeenrm
+
+%%%%%% font-selection macros
+
+\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm
+  \mmcbls=7.8pt\ifmmmode\setmm\fi}
+
+\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm
+  \mmcbls=10.5pt\ifmmmode\setmm\fi}
+  
+\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf
+  \mmcbls=13pt\ifmmmode\setmm\fi}
+
+\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf
+  \mmcbls=22.5pt\ifmmmode\setmm\fi}
+
+%%%%%% end of mmqfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
new file mode 100644
index 00000000000..6330d9af538
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex
@@ -0,0 +1,9 @@
+% mmqmacs.tex -- load macros for Malayalam TeX (quickly, only essential fonts will be used)
+% copyright 1993 Jeroen Hellingman
+% last edit: 02-JAN-1993
+
+\input mmqfont
+\input mmmacs
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
new file mode 100644
index 00000000000..7c4ea4af716
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm
@@ -0,0 +1,64 @@
+% mmsample.mm -- Sample of each style
+% (c) 1993 Jeroen Hellingman
+% Last edit: 04-JAN-1993
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+% ``How within the period of three years a gentleman may change into 
+% an evident profligate is something that I cannot comprehend.''
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmr\mmcurrm Malayalam Regular 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmsl\mmcurrm Malayalam Slanted 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmb\mmcurrm Malayalam Bold 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat pookkiri aayibhaviccatu\smallskip$}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt:  $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan 
+oru saakSaat\smallskip$}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
new file mode 100644
index 00000000000..cfaa6e09423
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex
@@ -0,0 +1,59 @@
+
+\input mmmacs
+\input mmtrmacs
+
+\parindent=0pt
+\emergencystretch=50pt
+
+\centerline{\twelvebf Samples}
+
+
+\bigskip
+
+{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright
+{\sixmmr\mmcurrm Malayalam Regular 6pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\eightmmr\mmcurrm Malayalam Regular 8pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmr\mmcurrm Malayalam Regular 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmsl\mmcurrm Malayalam Slanted 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmb\mmcurrm Malayalam Bold 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\mmc\mmcurrm Malayalam Calligraphic 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmr\mmcurrm Malayalam Regular 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmsl\mmcurrm Malayalam Slanted 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmb\mmcurrm Malayalam Bold 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}}
+
+{\seventeenmmr\mmcurrm Malayalam Regular 17pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}}
+{\seventeenmmb\mmcurrm Malayalam Bold 17pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>}\smallskip}}
+{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt:  {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} 
+\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>}\smallskip}}
+}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
new file mode 100644
index 00000000000..a296bca277f
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm
@@ -0,0 +1,39 @@
+
+The vowels, $svaraM$, or $uyir$.
+
+($hrasvaM$ or short vowels and $diirghaM$, or long vowels
+
+the $vyanjanaM$, or consonants:
+
+\vfill\eject
+
+the $varggyaM$, or `letters in classes':
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000\noindent#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+{\twelvemmr\halign{\malstrut\col{5cm}{#}\q
+  &\col{1.5cm}{#}\q
+  &\col{1.5cm}{#}\q
+  &\col{1.5cm}{#}\q
+  &\col{1.5cm}{#}\q
+  &\col{1.5cm}{#}\q\cr
+$varggaM$, or class             &
+$kharaM$, `hard' or `strong'    &
+$atikharaM$, `very hard'        &
+$m.rdu$, `soft'                 &
+$ghooSaM$, `voice'              &
+$anunaasikaM$, `nasal'          \cr
+$kaNTyaM$, or velar sounds          & $ka$  & $kha$ & $ga$  & $gha$ & $n"a$ \cr
+$taalavyaM$, or palatal sounds      & $ca$  & $cha$ & $ja$  & $jha$ & $n~a$ \cr
+$muurdhanyaM$, or retroflex sounds  & $Ta$  & $Tha$ & $Da$  & $Dha$ & $Na$  \cr
+$dantyaM$, or dental sounds         & $ta$  & $tha$ & $da$  & $dha$ & $na$  \cr
+$oSThyaM$, or labial sounds         & $pa$  & $pha$ & $ba$  & $bha$ & $ma$  \cr
+\noalign{\hrule}
+$antastha$, $iTaiyinaM$, or $madhyamaM$, `intermediate'
+consonants                          & $ya$  & $ra$  & $la$  & $va$  \cr
+$uuSmaavu+$, or fricatives          & $sha$ & $Sa$  & $sa$  & $ha$  \cr
+Dravidian consonants                & $La$  & $zha$ & $Ra$  \cr
+}}
+\medskip
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
new file mode 100644
index 00000000000..5c796fe4745
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm
@@ -0,0 +1,108 @@
+% mmtable.mm -- table of malayaaLam script
+% copyright 1992 Jeroen Hellingman
+% last edit: 25-DEC-1992
+
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape}        &
+\col{1.75cm}{secondary form}                &
+\col{1.75cm}{\rm ASCII transcription}       &
+\col{1.75cm}{scientific transcription}      &
+\col{4cm}{remark}                       \cr
+\noalign{\hrule}
+$a$         &           & a         & $$a$$             & $$a$$ is inherent in consonants. \cr
+$aa$        & $[]<<aa$  & aa        & $$aa$$			\cr
+$i$         & $[]<<i$   & i         & $$i$$             \cr
+$ii$        & $[]<<ii$  & ii        & $$ii$$			& older form: $MraM$, $M[]M$.   \cr
+$u$         & $[]<<u$   & u         & $$u$$             & irregular secundary shape.    \cr
+$uu$        & $[]<<uu$  & uu        & $$uu$$			& idem.                         \cr
+$.r$        & $[]<<.r$  & .r        & $$.r$$ (\r{r})    & used in Sanskrit loan words.  \cr
+$.r.r$      & $[]<<.r.r$& .r.r      & $$.r.r$$ (\r{\=r}) & only used in a few Sanskrit words. \cr
+$.l$        & $[].l$    & .l        & $$.l$$ (\r{l})    & idem.                         \cr
+$.l.l$      & $[].l.l$  & .l.l      & $$.l.l$$ (\r{\=l}) & not used in any word at all. \cr
+$e$         & $[]<<e$   & e         & $$e$$             \cr
+$ee$        & $[]<<ee$  & ee        & $$ee$$			\cr
+$ai$        & $[]<<ai$  & ai        & $$ai$$            \cr
+$o$         & $[]<<o$   & o         & $$o$$             \cr
+$oo$        & $[]<<oo$  & oo        & $$oo$$			\cr
+$au$        & $[]<<au$  & au        & $$au$$            & now normally written $[]<<au"$, ({\tt au"}). \cr
+\noalign{\hrule}
+$aM$     &   $[]M$      & aM	    & $$aM$$ ({\mmph a\m})  & anusvara, or $muRakkaM$.      \cr
+$aH$     &   $[]H$      & aH        & $$aH$$        & visarga, or $visarggaM$.      \cr
+\noalign{\hrule}
+$ka$        & $[]<<ka$  & ka        & $$ka$$            \cr
+$kha$       &           & kha       & $$kha$$           \cr
+$ga$        &           & ga        & $$ga$$            \cr
+$gha$       &           & gha       & $$gha$$           \cr
+$n"a$       &           & n"a       & $$n"a$$ ({\mmph \ng a}) \cr
+\noalign{\hrule}
+$ca$        &           & ca        & $$ca$$ (\v ca)    \cr
+$cha$       &           & cha       & $$cha$$ (\v cha)  \cr
+$ja$        &           & ja        & $$ja$$ (\v\j a)   \cr
+$jha$       &           & jha       & $$jha$$ (\v\j ha) \cr
+$n~a$       &           & n\~{}a    & $$n~a$$ ({\mmph\ny a})    \cr
+\noalign{\hrule}
+$Ta$        &           & Ta        & $$Ta$$ ({\mmph\tt a})     \cr
+$Tha$       &           & Tha       & $$Tha$$ ({\mmph\tt ha})   \cr
+$Da$        &           & Da        & $$Da$$ ({\mmph\dd a})     \cr
+$Dha$       &           & Dha       & $$Dha$$ ({\mmph\dd ha})   \cr
+$Na$        &           & Na        & $$Na$$ ({\mmph\nn a})     \cr
+\noalign{\hrule}
+$ta$        &           & ta		& $$ta$$   		\cr
+$tha$       &           & tha       & $$tha$$       \cr
+$da$        &           & da        & $$da$$        \cr
+$dha$       &           & dha       & $$dha$$       \cr
+$na$        &           & na, n\_a  & $$na, n_a$$ (\v na) \cr
+\noalign{\hrule}
+$pa$        &           & pa        & $$pa$$        \cr
+$pha$       &           & pha, fa   & $$pha$$, $$fa$$ \cr
+$ba$        &           & ba        & $$ba$$        \cr
+$bha$       &           & bha       & $$bha$$       \cr
+$ma$        &           & ma        & $$ma$$        \cr
+\noalign{\hrule}
+$ya$        & $[]<<ya$  & ya        & $$ya$$        \cr
+$ra$        & $[]<<ra$  & ra        & $$ra$$        & primary shape: $r<<[]$            \cr
+$Ra$        & $[]<<Ra$  & Ra, t\_a  & $$Ra$$ (\v ra, \dd ra), $$t_a$$ & $valiya Ra$, `large $$Ra$$'.     \cr
+$RRa$       &           & RRa, t\_t\_a & $$RRa$$    \cr
+$la$        & $[]<<la$  & la        & $$la$$        \cr
+$va$        & $[]<<va$  & va        & $$va$$        \cr
+$sha$       &           & sha       & $$sha$$ (sha, {\mmph\sh a})   & $ciRiya sha$, `small $$sha$$'.    \cr
+$Sa$        &           & Sa        & $$Sa$$ ({\mmph\ss a})     & $valiya Sa$, `large $$Sa$$'.      \cr
+$sa$        &           & sa        & $$sa$$        \cr
+$ha$        &           & ha        & $$ha$$        \cr
+$La$        &           & La        & $$La$$ ({\mmph\ll a})     & $valiya La$, `large $$La$$'.      \cr
+$zha$       &           & zha       & $$zha$$ (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+            & $[]<<+$   & +         &               & virama, or $candrakala$, `cresent'. \cr
+            & $[]<<u+$  & u+        & $$u+$$ (\.u, {\mmph\u})       & half $$u+$$, or $arayukaram$. \cr
+\noalign{\hrule}
+$0$         &           & 0         & 0             \cr
+$1$         &           & 1         & 1             \cr
+$2$         &           & 2         & 2             \cr
+$3$         &           & 3         & 3             \cr
+$4$         &           & 4         & 4             \cr
+$5$         &           & 5         & 5             \cr
+$6$         &           & 6         & 6             \cr
+$7$         &           & 7         & 7             \cr
+$8$         &           & 8         & 8             \cr
+$9$         &           & 9         & 9             \cr
+\noalign{\hrule}
+            &           & <<        &               & join. \cr
+            &           & >>        &               & non-join. \cr
+$[]$        &           & []        & $$[]$$        & dotted circle. \cr
+            &           & >         &               & disambiguating character.     \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
new file mode 100644
index 00000000000..0f92518ac1e
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex
@@ -0,0 +1,105 @@
+ 
+\input mmmacs
+\input mmtrmacs
+\input mmphmacs
+
+\parindent=0pt
+
+\centerline{\twelvebf Table of Malayalam letters with transcription}
+
+\bigskip
+
+\def\q{\quad\hfill}
+\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}}
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr
+\col{1.75cm}{normal character shape}        &
+\col{1.75cm}{secondary form}                &
+\col{1.75cm}{\rm ASCII transcription}       &
+\col{1.75cm}{scientific transcription}      &
+\col{4cm}{remark}                       \cr
+\noalign{\hrule}
+{\mm \X{\<5>}}         &           & a         & {\mmtr a}             & {\mmtr a} is inherent in consonants. \cr
+{\mm \X{\<6>}}        & {\mm \<00>\<62>}  & aa        & {\mmtr \=a}   \cr
+{\mm \X{\<7>}}         & {\mm \<00>\<63>}   & i         & {\mmtr i}             \cr
+{\mm \X{\<7>\<87>}}        & {\mm \<00>\<64>}  & ii        & {\mmtr {\=\i}}   & older form: {\mm \<2>\X{\<48>}\<2>}, {\mm \<2>\<00>\<2>}.   \cr
+{\mm \X{\<9>}}         & {\mm \M{\<00>}{\<65>}}   & u         & {\mmtr u}             & irregular secundary shape.    \cr
+{\mm \X{\<9>\<87>}}        & {\mm \M{\<00>}{\<66>}}  & uu        & {\mmtr \=u}   & idem.                         \cr
+{\mm \X{\<11>}}        & {\mm \M{\<00>}{\<67>}}  & .r        & {\mmtr \d r} (\r{r})    & used in Sanskrit loan words.  \cr
+{\mm \X{\<96>}}      & {\mm \M{\<00>}{\<68>}}& .r.r      & {\mmtr {\rii}} (\r{\=r}) & only used in a few Sanskrit words. \cr
+{\mm \X{\<12>}}        & {\mm \<00>\X{\<12>}}    & .l        & {\mmtr \d l} (\r{l})    & idem.                         \cr
+{\mm \X{\<97>}}      & {\mm \<00>\X{\<97>}}  & .l.l      & {\mmtr {\lii}} (\r{\=l}) & not used in any word at all. \cr
+{\mm \X{\<14>}}         & {\mm \<70>\<00>}   & e         & {\mmtr e}             \cr
+{\mm \X{\<15>}}        & {\mm \<71>\<00>}  & ee        & {\mmtr \=e}   \cr
+{\mm \X{\<70>\<14>}}        & {\mm \<70>\<70>\<00>}  & ai        & {\mmtr ai}            \cr
+{\mm \X{\<18>}}         & {\mm \<70>\<00>\<62>}   & o         & {\mmtr o}             \cr
+{\mm \X{\<18>\<62>}}        & {\mm \<71>\<00>\<62>}  & oo        & {\mmtr \=o}   \cr
+{\mm \X{\<18>\<87>}}        & {\mm \<70>\<00>\<87>}  & au        & {\mmtr au}            & now normally written {\mm \<00>\<87>}, ({\tt au"}). \cr
+\noalign{\hrule}
+{\mm \X{\<5>}\<2>}     &   {\mm \<00>\<2>}      & aM     & {\mmtr a\d m} ({\mmph a\m})  & anusvara, or {\mm \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<160>}\<2>}.      \cr
+{\mm \X{\<5>}\<3>}     &   {\mm \<00>\<3>}      & aH        & {\mmtr a\d h}        & visarga, or {\mm \X{\<53>\<63>}\X{\<56>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\<2>}.      \cr
+\noalign{\hrule}
+{\mm \X{\<21>}}        & {\mm \M{\<00>}{\<112>}}  & ka        & {\mmtr ka}            \cr
+{\mm \X{\<22>}}       &           & kha       & {\mmtr kha}           \cr
+{\mm \X{\<23>}}        &           & ga        & {\mmtr ga}            \cr
+{\mm \X{\<24>}}       &           & gha       & {\mmtr gha}           \cr
+{\mm \X{\<25>}}       &           & n"a       & {\mmtr \.na} ({\mmph \ng a}) \cr
+\noalign{\hrule}
+{\mm \X{\<26>}}        &           & ca        & {\mmtr ca} (\v ca)    \cr
+{\mm \X{\<27>}}       &           & cha       & {\mmtr cha} (\v cha)  \cr
+{\mm \X{\<28>}}        &           & ja        & {\mmtr ja} (\v\j a)   \cr
+{\mm \X{\<29>}}       &           & jha       & {\mmtr jha} (\v\j ha) \cr
+{\mm \X{\<30>}}       &           & n\~{}a    & {\mmtr \~na} ({\mmph\ny a})    \cr
+\noalign{\hrule}
+{\mm \X{\<31>}}        &           & Ta        & {\mmtr \d ta} ({\mmph\tt a})     \cr
+{\mm \X{\<32>}}       &           & Tha       & {\mmtr \d tha} ({\mmph\tt ha})   \cr
+{\mm \X{\<33>}}        &           & Da        & {\mmtr \d da} ({\mmph\dd a})     \cr
+{\mm \X{\<34>}}       &           & Dha       & {\mmtr \d dha} ({\mmph\dd ha})   \cr
+{\mm \X{\<35>}}        &           & Na        & {\mmtr \d na} ({\mmph\nn a})     \cr
+\noalign{\hrule}
+{\mm \X{\<36>}}        &           & ta  & {\mmtr ta}     \cr
+{\mm \X{\<37>}}       &           & tha       & {\mmtr tha}       \cr
+{\mm \X{\<38>}}        &           & da        & {\mmtr da}        \cr
+{\mm \X{\<39>}}       &           & dha       & {\mmtr dha}       \cr
+{\mm \X{\<40>}}        &           & na, n\_a  & {\mmtr na, \b na} (\v na) \cr
+\noalign{\hrule}
+{\mm \X{\<42>}}        &           & pa        & {\mmtr pa}        \cr
+{\mm \X{\<43>}}       &           & pha, fa   & {\mmtr pha}, {\mmtr fa} \cr
+{\mm \X{\<44>}}        &           & ba        & {\mmtr ba}        \cr
+{\mm \X{\<45>}}       &           & bha       & {\mmtr bha}       \cr
+{\mm \X{\<46>}}        &           & ma        & {\mmtr ma}        \cr
+\noalign{\hrule}
+{\mm \X{\<47>}}        & {\mm \<00>\<83>}  & ya        & {\mmtr ya}        \cr
+{\mm \X{\<48>}}        & {\mm \M{\<00>}{\<84>}}  & ra        & {\mmtr ra}        & primary shape: {\mm \X{\T{\<76>}{\R{3.5ex}{\<00>}}}}            \cr
+{\mm \X{\<49>}}        & {\mm \Q{\<00>}{\N{.8}{\<77>}}\<49>}  & Ra, t\_a  & {\mmtr \b ra} (\v ra, \dd ra), {\mmtr \b ta} & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<49>}}, `large {\mmtr \b ra}'.     \cr
+{\mm \X{\<243>}}       &           & RRa, t\_t\_a & {\mmtr \b ta}    \cr
+{\mm \X{\<50>}}        & {\mm \M{\<00>}{\<85>}}  & la        & {\mmtr la}        \cr
+{\mm \X{\<53>}}        & {\mm \<00>\K{-.5}\<86>}  & va        & {\mmtr va}        \cr
+{\mm \X{\<54>}}       &           & sha       & {\mmtr \'sa} (sha, {\mmph\sh a})   & {\mm \X{\<26>\<63>}\X{\<49>\<63>}\X{\<47>} \X{\<54>}}, `small {\mmtr \'sa}'.    \cr
+{\mm \X{\<55>}}        &           & Sa        & {\mmtr \d sa} ({\mmph\ss a})     & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<55>}}, `large {\mmtr \d sa}'.      \cr
+{\mm \X{\<56>}}        &           & sa        & {\mmtr sa}        \cr
+{\mm \X{\<57>}}        &           & ha        & {\mmtr ha}        \cr
+{\mm \X{\<51>}}        &           & La        & {\mmtr \d la} ({\mmph\ll a})     & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<51>}}, `large {\mmtr \d la}'.      \cr
+{\mm \X{\<52>}}       &           & zha       & {\mmtr \b za} (\dd la, {\mmph\rr a}) \cr
+\noalign{\hrule}
+            & {\mm \Q{\<00>}{\N{.8}{\<77>}}}   & +         &               & virama, or {\mm \X{\<26>}\X{\<216>}\X{\<21>}\X{\<50>}}, `cresent'. \cr
+            & {\mm \M{\<00>}{\<65>}\<77>}  & u+        & {\mmtr \u u} (\.u, {\mmph\u})       & half {\mmtr \u u}, or {\mm \X{\<5>}\X{\<48>}\X{\M{\<47>}{\<65>}}\X{\<21>}\X{\<48>}\X{\<2>}}. \cr
+\noalign{\hrule}
+{\mm {\mmzero}}         &           & 0         & 0             \cr
+{\mm {\mmone}}         &           & 1         & 1             \cr
+{\mm {\mmtwo}}         &           & 2         & 2             \cr
+{\mm {\mmthree}}         &           & 3         & 3             \cr
+{\mm {\mmfour}}         &           & 4         & 4             \cr
+{\mm {\mmfive}}         &           & 5         & 5             \cr
+{\mm {\mmsix}}         &           & 6         & 6             \cr
+{\mm {\mmseven}}         &           & 7         & 7             \cr
+{\mm {\mmeight}}         &           & 8         & 8             \cr
+{\mm {\mmnine}}         &           & 9         & 9             \cr
+\noalign{\hrule}
+            &           & <<        &               & join. \cr
+            &           & >>        &               & non-join. \cr
+{\mm \<00>}        &           & []        & {\mmtr \dotcircle}        & dotted circle. \cr
+            &           & >         &               & disambiguating character.     \cr
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
new file mode 100644
index 00000000000..20f1bb95775
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm
@@ -0,0 +1,77 @@
+% mmtrans.mm -- Malayalam-\TeX\ transcription table
+% (c) Jeroen Hellingman 1992
+% Last edit: 25-DEC-1992
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a       & $a$ or implicit       & $$a$$         &
+ka      & $ka$                  & $$ka$$        &
+pa      & $pa$                  & $$pa$$        \cr
+aa      & $aa$ or $[]<<aa$      & $$aa$$        &
+kha     & $kha$                 & $$kha$$       &
+pha, fa & $pha$                 & $$pha, fa$$   \cr
+i       & $i$ or $[]<<i$        & $$i$$         &
+ga      & $ga$                  & $$ga$$        &
+ba      & $ba$                  & $$ba$$        \cr
+ii      & $ii$ or $[]<<ii$      & $$ii$$        &
+gha     & $gha$                 & $$gha$$       &
+bha     & $bha$                 & $$bha$$       \cr
+u       & $u$ or $[]<<u$        & $$u$$         &
+n"a     & $n"a$                 & $$n"a$$       &
+ma      & $ma$                  & $$ma$$        \cr
+uu      & $uu$ or $[]<<uu$      & $$uu$$        &
+ca      & $ca$                  & $$ca$$        &
+ya      & $ya$                  & $$ya$$        \cr
+.r      & $.r$ or $[]<<.r$      & $$.r$$        &
+cha     & $cha$                 & $$cha$$       &
+ra      & $ra$                  & $$ra$$        \cr
+.r.r    & $.r.r$ or $[]<<.r.r$  & $$.r.r$$      &
+ja      & $ja$                  & $$ja$$        &
+Ra, t\_a& $Ra$                  & $$Ra, t_a$$   \cr
+.l      & $.l$                  & $$.l$$        &
+jha     & $jha$                 & $$jha$$       &
+RRa, t\_t\_a & $RRa$            & $$RRa$$       \cr
+.l.l, .L& $.l.l$                & $$.l.l$$      &
+n\~{}a  & $n~a$                 & $$n~a$$       &
+la      & $la$                  & $$la$$        \cr
+e       & $e$ or $[]<<e$        & $$e$$         &
+Ta      & $Ta$                  & $$Ta$$        &
+va      & $va$                  & $$va$$        \cr
+ee      & $ee$ or $[]<<ee$      & $$ee$$        &
+Tha     & $Tha$                 & $$Tha$$       &
+sha     & $sha$                 & $$sha$$       \cr
+ai      & $ai$ or $[]<<ai$      & $$ai$$        &
+Da      & $Da$                  & $$Da$$        &
+Sa      & $Sa$                  & $$Sa$$        \cr
+o       & $o$ or $[]<<o$        & $$o$$         &
+Dha     & $Dha$                 & $$Dha$$       &
+sa      & $sa$                  & $$sa$$        \cr
+oo      & $oo$ or $[]<<oo$      & $$oo$$        &
+Na      & $Na$                  & $$Na$$        &
+ha      & $ha$                  & $$ha$$        \cr
+au      & $au$ or $[]<<au$      & $$au$$        &
+ta		& $ta$                  & $$ta$$   		&
+La      & $La$                  & $$La$$        \cr
+au"     & $au"$ or $[]<<au"$    & $$au"$$       &
+tha     & $tha$                 & $$tha$$       &
+zha     & $zha$                 & $$zha$$       \cr
+M       & $M$                   & $$M$$         &
+da      & $da$                  & $$da$$        &
++       & $[]<<+$               &               \cr
+H       & $H$                   & $$H$$         &
+dha     & $dha$                 & $$dha$$       &
+u+      & $[]<<u+$              & $$u+$$        \cr
+        &                       &               &
+na, n\_a& $na$                  & $$na, n_a$$   &
+        &                       &               \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
new file mode 100644
index 00000000000..28da2196ac7
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex
@@ -0,0 +1,74 @@
+
+\bgroup
+\def\malstrut{\vtop to4pt{}\vbox to10pt{}}
+\def\q{\quad\hfill}
+\def\x{\vrule\ }
+\def\xx{\vrule width.8pt}
+\offinterlineskip
+\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr
+\noalign{\hrule height.8pt}
+a       & {\mm \X{\<5>}} or implicit       & {\mmtr a}         &
+ka      & {\mm \X{\<21>}}                  & {\mmtr ka}        &
+pa      & {\mm \X{\<42>}}                  & {\mmtr pa}        \cr
+aa, A   & {\mm \X{\<6>}} or {\mm \<00>\<62>}      & {\mmtr \=a}        &
+kha     & {\mm \X{\<22>}}                 & {\mmtr kha}       &
+pha, fa & {\mm \X{\<43>}}                 & {\mmtr pha, fa}   \cr
+i       & {\mm \X{\<7>}} or {\mm \<00>\<63>}        & {\mmtr i}         &
+ga      & {\mm \X{\<23>}}                  & {\mmtr ga}        &
+ba      & {\mm \X{\<44>}}                  & {\mmtr ba}        \cr
+ii, I   & {\mm \X{\<7>\<87>}} or {\mm \<00>\<64>}      & {\mmtr {\=\i}}        &
+gha     & {\mm \X{\<24>}}                 & {\mmtr gha}       &
+bha     & {\mm \X{\<45>}}                 & {\mmtr bha}       \cr
+u       & {\mm \X{\<9>}} or {\mm \<00>\<72>}        & {\mmtr u}         &
+n"a     & {\mm \X{\<25>}}                 & {\mmtr \.na}       &
+ma      & {\mm \X{\<46>}}                  & {\mmtr ma}        \cr
+uu, U   & {\mm \X{\<9>\<87>}} or {\mm \<00>\<73>}      & {\mmtr \=u}        &
+ca      & {\mm \X{\<26>}}                  & {\mmtr ca}        &
+ya      & {\mm \X{\<47>}}                  & {\mmtr ya}        \cr
+.r      & {\mm \X{\<11>}} or {\mm \<00>\<75>}      & {\mmtr \d r}        &
+cha     & {\mm \X{\<27>}}                 & {\mmtr cha}       &
+ra      & {\mm \X{\<48>}}                  & {\mmtr ra}        \cr
+.r.r, .R& {\mm \X{\<96>}} or {\mm \M{\<00>}{\<68>}}  & {\mmtr {\rii}}      &
+ja      & {\mm \X{\<28>}}                  & {\mmtr ja}        &
+Ra, t\_a& {\mm \X{\<49>}}                  & {\mmtr \b ra, \b ta}   \cr
+.l      & {\mm \X{\<12>}}                  & {\mmtr \d l}        &
+jha     & {\mm \X{\<29>}}                 & {\mmtr jha}       &
+RRa, t\_t\_a & {\mm \X{\<243>}}            & {\mmtr \b ta}       \cr
+.l.l, .L& {\mm \X{\<97>}}                & {\mmtr {\lii}}      &
+n\~{}a  & {\mm \X{\<30>}}                 & {\mmtr \~na}       &
+la      & {\mm \X{\<50>}}                  & {\mmtr la}        \cr
+e       & {\mm \X{\<14>}} or {\mm \<70>\<00>}        & {\mmtr e}         &
+Ta      & {\mm \X{\<31>}}                  & {\mmtr \d ta}        &
+va      & {\mm \X{\<53>}}                  & {\mmtr va}        \cr
+ee, E   & {\mm \X{\<15>}} or {\mm \<71>\<00>}      & {\mmtr \=e}        &
+Tha     & {\mm \X{\<32>}}                 & {\mmtr \d tha}       &
+sha     & {\mm \X{\<54>}}                 & {\mmtr \'sa}       \cr
+ai      & {\mm \X{\<70>\<14>}} or {\mm \<70>\<70>\<00>}      & {\mmtr ai}        &
+Da      & {\mm \X{\<33>}}                  & {\mmtr \d da}        &
+Sa      & {\mm \X{\<55>}}                  & {\mmtr \d sa}        \cr
+o       & {\mm \X{\<18>}} or {\mm \<70>\<00>\<62>}        & {\mmtr o}         &
+Dha     & {\mm \X{\<34>}}                 & {\mmtr \d dha}       &
+sa      & {\mm \X{\<56>}}                  & {\mmtr sa}        \cr
+oo, O   & {\mm \X{\<18>\<62>}} or {\mm \<71>\<00>\<62>}      & {\mmtr \=o}        &
+Na      & {\mm \X{\<35>}}                  & {\mmtr \d na}        &
+ha      & {\mm \X{\<57>}}                  & {\mmtr ha}        \cr
+au      & {\mm \X{\<18>\<87>}} or {\mm \<00>\<87>}      & {\mmtr au}        &
+ta  & {\mm \X{\<36>}}                  & {\mmtr ta}     &
+La      & {\mm \X{\<51>}}                  & {\mmtr \d la}        \cr
+au"     & {\mm \<87>} or {\mm \<70>\<00>\<87>}    & {\mmtr au}       &
+tha     & {\mm \X{\<37>}}                 & {\mmtr tha}       &
+zha     & {\mm \X{\<52>}}                 & {\mmtr \b za}       \cr
+M       & {\mm \<2>}                   & {\mmtr \d m}         &
+da      & {\mm \X{\<38>}}                  & {\mmtr da}        &
++       & {\mm \Q{\<00>}{\N{.8}{\<77>}}}               &               \cr
+H       & {\mm \<3>}                   & {\mmtr \d h}         &
+dha     & {\mm \X{\<39>}}                 & {\mmtr dha}       &
+u+      & {\mm \Q{\<00>}{\N{.8}{\<77>}}}              & {\mmtr \u u}        \cr
+        &                       &               &
+na, n\_a& {\mm \X{\<40>}}                  & {\mmtr na, \b na}   &
+        &                       &               \cr
+\noalign{\hrule height.8pt}
+}\egroup
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
new file mode 100644
index 00000000000..0a138605747
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex
@@ -0,0 +1,66 @@
+% mmtrmacs -- macros for Malayalam text in transcription
+% (c) 1993 Jeroen Hellingman
+% last edit: 10-JAN-1993
+
+\ifx\mmtrmacsloaded\relax\endinput\else\let\mmtrmacsloaded=\relax\fi
+
+%%%%%% nothing special to start Malayalam transcription
+
+\def\mmtr{}
+
+%%%%%%  we need the mm-fonts for dotted circle and ornamental star
+
+\def\dotcircle{{\mm\char0}}
+\def\ornstar{{\mm\char255}}
+
+%%%%%% make math-mode available
+
+\def\math{$}
+\def\Math{$$}
+\def\dollar{\$}
+\def\lbrace{{\char"7B}}
+\def\rbrace{{\char"7D}}
+\def\bslash{{\char"5C}}
+
+%%%%%% accent-jiggling
+
+% double dot below accent (uses umlaut)
+\def\dd#1{\putaccentbelow{\char"7F}{#1}}
+% ring below accent
+\def\r#1{\putaccentbelow{\char"17}{#1}}
+% override default TeX definitions
+%\def\`#1{\putaccentontop{\char"12}{#1}}
+%\def\'#1{\putaccentontop{\char"13}{#1}}
+%\def\v#1{\putaccentontop{\char"14}{#1}}
+%\def\u#1{\putaccentontop{\char"15}{#1}}
+%\def\=#1{\putaccentontop{\char"16}{#1}}
+
+\def\rii{\putaccentontop{\char"16}{\d r}}
+\def\lii{\putaccentontop{\char"16}{\d l}}
+\def\Rii{\putaccentontop{\char"16}{\d R}}
+\def\Lii{\putaccentontop{\char"16}{\d L}}
+\def\RII{\Rii}
+\def\LII{\Lii}
+
+% put accent #1, which is normally put on top, centered below #2
+\def\putaccentbelow#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+    \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+    \dimen1=\dp0\advance\dimen1by\ht1\advance\dimen1by.2ex%
+    \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+    \setbox2=\hbox{\box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}%
+    \dimen4=\dp2%
+    \advance\dimen4by-1.3ex% adjust depth of box
+    \dp2=\dimen4%
+    \box2}}
+      
+% put accent #1 centered on top of #2
+\def\putaccentontop#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}%
+    \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+    \dimen1=\ht0\advance\dimen1by-1ex% was: .45em%
+    \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+    \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}}
+
+%%%%%% That's all
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
new file mode 100644
index 00000000000..5e5ebd00ea8
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex
@@ -0,0 +1,36 @@
+% mmxfont.tex -- load extra fonts for Malayalam TeX
+% (c) 1993 Jeroen Hellingman
+% last edit: 22-JAN-1992
+
+% The following fonts are only available for reformed script,
+% when used with traditional script, various glyphs will be missing.
+
+%%%%% some fonts for headlines
+
+\font\bigmmf=mmbig              		% Malayalam Big 21pt
+\font\bigmmof=mmbigo					% Malayalam Big Outline 21pt
+\font\bigrm=cmbx12 scaled \magstep3
+\font\hugemmf=mmbig scaled \magstep3 	% Malayalam Big 36pt
+\font\hugerm=cmbx12 scaled 2986 % \magstep6 not available
+
+\def\bigmmr{\let\mmcurf=\bigmmf\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+  \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\bigmmo{\let\mmcurf=\bigmmof\let\mmcursf=\mmsf\let\mmcurrm=\bigrm
+  \mmcbls=28pt\ifmmmode\setmm\fi}
+\def\hugemmr{\let\mmcurf=\hugemmf\let\mmcursf=\mmsf\let\mmcurrm=\hugerm
+  \mmcbls=48pt\ifmmmode\setmm\fi}
+
+%%%%% some experimental fonts
+
+\font\mmxa=mmexpa12				% Malayalam Experimental A 12pt
+\font\mmxb=mmexpb12				% Malayalam Experimental B 12pt
+\font\mmxc=mmexpc12				% Malayalam Experimental C 12pt
+
+\def\xamm{\let\mmcurf=\mmxa\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xbmm{\let\mmcurf=\mmxb\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+\def\xcmm{\let\mmcurf=\mmxc\let\mmcursf=\mmsf\let\mmcurrm=\twelverm
+  \mmcbls=15.6pt\ifmmmode\setmm\fi}
+
+%%%%% end of mmexfont.tex
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
new file mode 100644
index 00000000000..123c289ddfa
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex
@@ -0,0 +1,16 @@
+% ornament.tex -- load ornament font
+% (c) Jeroen Hellingman 1993
+% last edit: 04-APR-1993
+
+\font\ornament=orn10
+
+\def\orn{{\ornament\char0}}
+\def\Orn{{\ornament\char1}}
+\def\ORN{{\ornament\char2}}
+\def\sine{{\ornament\char3}}
+\def\Sine{{\ornament\char4}}
+\def\SINE{{\ornament\char5}}
+
+\def\ornline#1{\bigskip\centerline{#1}\bigskip}
+
+\endinput
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
new file mode 100644
index 00000000000..f4557417ce2
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm
@@ -0,0 +1,252 @@
+% prodigal.mm -- the fable of the prodigal son with parallel
+%				 transcription and translation, taken from Grierson.
+% last edit: 07-FEB-1993
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{$$^^malayaaLam^^$$}
+\bigskip
+
+\beginthreelines
+
+[$oru$|$$^oru$$|One] [$manuSyannu$|$$manuSyannu$$|man-to]
+[$raNTu$|$$raNDu$$|two] [$makkaL$|$$makkaL$$|sons]
+[$uNTaayirunnu.$|$$uND-aay-irunnu.$$|having-become-were.]
+[$atil$|$$^adil$$|That-in] [$iLayavan$|$$iLayavan$$|the-younger]
+[$appanooTu,$|$$appanooDu,$$|the-father-to,]
+[$`appaa,$|$$`appaa,$$|`father,]
+[$vastukkaLil$|$$vastu-kkaLil$$|goods-in] [$enikku$|$$enikku$$|me-to]
+[$vareeNTunna$|$$var-eeNDunna$$|coming] [$pan"ku$|$$pan"gu$$|share]
+[$tareeNamee,'$|$$tar-eeNam-ee,'$$|give-should,']
+[$ennu$|$$ennu$$|having-said] [$paRun~n~u,$|$$paRun~n~u,$$|said,]
+[$avanum$|$$avan-um$$|he-and] [$mutaline$|$$mudaline$$|property]
+[$avarkku$|$$avarkku$$|them-to] 
+[$pakuti ceytu.$|$$pagudi-ceydu.$$|share-made.]
+%
+[$eeRe$|$$^eeRe$$|Many] [$naal$|$$naal$$|days]
+[$kazhiyum$|$$kazhiyum$$|passing] [$munpe$|$$mumbe$$|before]
+[$iLaya$|$$iLaya$$|younger] [$makan$|$$makan$$|son]
+[$sakalavum$|$$sakalavum$$|all]
+[$svaruupiccukoNTu$|$$svaruupiccu-koNDu$$|having-collected-for-himself]
+[$duura$|$$duura$$|far]
+[$deeshatteekku$|$$deeshatteekku$$|country-to]
+[$yaatra$|$$yaatra$$|journey] [$pooyi$|$$pooyi$$|having-gone]
+[$aviTe$|$$aviDe$$|there]
+[$durnnaTappaayi$|$$durnnaDapp-aayi$$|bad-conduct-becoming]
+[$jiiviccu$|$$jiiviccu$$|having-lived]
+[$tanRe$|$$tanRe$$|his] [$vastu$|$$vastu$$|property]
+[$naanaavidham$|$$naanaavidham$$|in-various-ways]
+[$aakkikkaLan~n~u.$|$$aakki-kkaLan~n~u.$$|made-wasted.]
+%
+[$ellaam$|$$^ellaam$$|All]
+[$celavazhicca$|$$celavazhicca$$|spent] [$sheeSam$|$$sheeSam$$|after]
+[$aa$|$$aa$$|that] [$deeshattil$|$$deeshattil$$|country-in]
+[$kaThina$|$$kaThina$$|severe] [$kSaamam$|$$kSaamam$$|famine]
+[$uNTaayiTTu$|$$uNDaay-iTTu$$|having-become]
+[$avannu$|$$avannu$$|him-to] [$muTTu$|$$muTTu$$|want]
+[$vannu$|$$vannu$$|coming] [$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+%
+[$ennaaRe$|$$^ennaaRe$$|Then] [$avan$|$$avan$$|he]
+[$pooyi$|$$pooyi$$|having-gone] [$aa$|$$aa$$|that]
+[$deeshattilee$|$$deeshattil-ee$$|country-in-being]
+[$pauranmaaril$|$$pauranmaaril$$|citizens-among]
+[$oruttanooTu$|$$oruttanooDu$$|one-with]
+[$paRRikkoNTu$|$$paRRi-kkoNDu$$|joining-himself]
+[$aayavan$|$$aay-avan$$|having-become-he]
+[$avane$|$$avane$$|him] [$tanRe$|$$tanRe$$|his]
+[$nilan"n"aLil$|$$nilan"n"aLil$$|fields-in]
+[$pannikaLe$|$$pannigaLe$$|pigs] [$meeypaan$|$$meeypaan$$|to-feed]
+[$ayaccu.$|$$ayaccu.$$|sent.]
+%
+[$pannikaL$|$$^pannigaL$$|Pigs] [$tinnunna$|$$tinunna$$|eating]
+[$marappayaRu$|$$marappayaRu$$|husk] [$koNTu$|$$koNDu$$|taking]
+[$tanRe$|$$tanRe$$|his] [$vayaRu$|$$vayaRu$$|belly]
+[$niReppaan$|$$niReppaan$$|to-fill]
+[$avan$|$$avan$$|he] [$aagrahiccu$|$$aagrahiccu$$|wished]
+[$en"kilum$|$$en"gilum$$|though] [$aarum$|$$aar-um$$|anybody]
+[$avannu$|$$avannu$$|him-to] [$koTuttilla.$|$$koDutt-illa.$$|gave-not.]
+%
+[$appooL$|$$^appooL$$|Then] [$buddhi$|$$buddhi$$|sense]
+[$teLin~n~iTTu$|$$teLin~n~iTTu$$|having-cleared] [$avan$|$$avan$$|he]
+[$paRan~n~u,$|$$paRan~n~u,$$|said,] [$`enRe$|$$`enRe$$|`my]
+[$appanRe$|$$appanRe$$|father-of] [$etra$|$$etra$$|how-many]
+[$kuulikkaar$|$$kuulikkaar$$|servants] [$appam$|$$appam$$|bread]
+[$tinnu$|$$tinnu$$|having-eaten]
+[$sheeSippikkunnuNTu$|$$sheeSippikkunn-uNDu$$|saving-are]
+[$n~aanoo$|$$n~aan-oo$$|I-but] [$vishappu$|$$vishappu$$|hunger]
+[$koNTu$|$$koNDu$$|taking]
+[$nashiccupookunnu.$|$$nashiccu-poogunnu.$$|perishing-go.]
+%
+[$n~aan$|$$^n~aan$$|I] [$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$enRe$|$$enRe$$|my] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleekku$$|presence-to]
+[$pooyi$|$$pooyi$$|going] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$``appaa,$|$$``appaa,$$|``father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanalla.$|$$yoogyan-alla.$$|fit-man-am-not.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kuulikkaaril$|$$kuulikkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$poole$|$$poole$$|like]
+[$enne$|$$enne$$|me]
+[$aakkikkoLLeeNamee,''$|$$aakki-kkoLL-eeNam-ee,''$$|having-made-to-take-is-wanted,'']
+[$ennu$|$$ennu$$|saying] [$paRayum.'$|$$paRayum.'$$|shall-say.']
+%
+[$enniTTu$|$$^enniTTu$$|Having-said]
+[$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen]
+[$tanRe$|$$tanRe$$|his] [$appanRe$|$$appanRe$$|father's]
+[$aTukkaleekku$|$$aDukkaleeku$$|presence-to] [$pooyi.$|$$pooyi.$$|went.]
+%
+[$avan$|$$^avan$$|He]
+[$duurattuLLappooL$|$$duurattuLL-appool$$|far-being-time-at]
+[$tannee$|$$tannee$$|indeed] [$appan$|$$appan$$|the-father]
+[$avane$|$$avane$$|him] [$kaNTu$|$$kaNDu$$|seeing]
+[$karaLalin~n~u$|$$karaL-alin~n~u$$|heart-melting]
+[$ooTiccennu$|$$ooDi-ccennu$$|running-going] [$avanRe$|$$avanRe$$|his]
+[$kazhuttil$|$$kazhuttil$$|neck-on]
+[$keTTippiTiccu$|$$keTTippiDiccu$$|having-attached-seized]
+[$avane$|$$avane$$|him]
+[$cunpiccu.$|$$cumbiccu.$$|kissed.]
+%
+[$makan$|$$^magan$$|The-son] [$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`appaa,$|$$`appaa,$$|`father,] [$n~aan$|$$n~aan$$|I]
+[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and]
+[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin]
+[$ceytu.$|$$ceydu.$$|did.]
+%
+[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy]
+[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying]
+[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called]
+[$yoogyanumalla,'$|$$yoogyan-um-alla,'$$|fit-man-at-all-am-not,']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$appan$|$$appan$$|the-father]
+[$tanRe$|$$tanRe$$|his] [$daasarooTu,$|$$daasarooTu,$$|slaves-to,]
+[$`veekam$|$$`vegam$$|`quickly]
+[$meelttaramaaya$|$$meel-ttaram-aaya$$|high-class-being]
+[$an"ki$|$$an"gi$$|robe]
+[$koNTuvannu$|$$koNDu-vannu$$|having-taken-having-come]
+[$ivane$|$$ivane$$|him] [$uTuppippin,$|$$uDuppippin,$$|dress-ye,]
+[$keikku$|$$keikku$$|hand-on] [$moodiravum$|$$moodirav-um$$|ring-and]
+[$kaalukaLkku$|$$kaalugaLkku$$|feet-on]
+[$cerippukaLum$|$$cerippugaLum$$|shoes-and]
+[$iTuvippin.$|$$iDuvippin.$$|put-ye.]
+%
+[$naam$|$$^naam$$|We] [$bhakSiccu$|$$bhakSiccu$$|eating]
+[$aanandikka.$|$$aanandikka.$$|shall-feast.]
+%
+[$ii$|$$^ii$$|This] [$enRe$|$$enRe$$|my] [$makan$|$$magan$$|son]
+[$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyrittu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|gone-man]
+[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,]
+[$kaNTukiTTakayum$|$$kaNDukiTTagayum$$|seeing-finding]
+[$ceytuvalloo?'$|$$ceydu-v-alloo?'$$|made-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.]
+%
+[$avar$|$$^avar$$|They] [$aanandiccu$|$$aanandiccu$$|feasting]
+[$tuTan"n"i.$|$$tuDan"n"i.$$|began.]
+
+
+[$ennaal$|$$^ennaal$$|Now] [$avanRe$|$$avanRe$$|his]
+[$muutta$|$$muutta$$|elder] [$makan$|$$magan$$|son]
+[$vayalil$|$$vayalil$$|field-in] [$aayirunnu,$|$$aay-irunnu,$$|had-been,]
+[$aayavan$|$$aay-avan$$|having-become-he] [$vannu$|$$vannu$$|coming]
+[$viiTTinooTu$|$$viiTTinooDu$$|house-to]
+[$aTuttappooL$|$$aDuttappooL$$|coming-when]
+[$vaadyavum$|$$vaadyav-um$$|music-and]
+[$n.rttaghooSan"n"aLum$|$$n.rttaghooSan"n"aL-um$$|dancing-sounds-and]
+[$keeTTu$|$$keeTTu$$|hearing]
+[$baalyakkaaril$|$$baalya-kkaaril$$|servants-among]
+[$oruttane$|$$oruttane$$|one] [$viLiccu,$|$$viLiccu,$$|calling,]
+[$`itentu?'$|$$`id-endu?'$$|`this-what?'] [$ennu$|$$ennu$$|saying]
+[$coodiccu.$|$$coodiccu.$$|asked.]
+%
+[$avan$|$$^avan$$|he] [$avanooTu$|$$avanooDu$$|him-to]
+[$paRun~n~u,$|$$paRun~n~u,$$|said,] [$`ninRe$|$$`ninRe$$|`thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$vannu$|$$vannu$$|coming]
+[$`ninRe$|$$`ninRe$$|`thy] [$appan$|$$appan$$|father]
+[$avane$|$$avane$$|him] [$saukhyattooTe$|$$saukhyattooDe$$|healthy]
+[$kiTTiyatukoNTu$|$$kiTTiyadu-koNDu$$|finding-on-account-of]
+[$virunnu$|$$virunnu$$|feast] [$kazhiccu.'$|$$kazhiccu.'$$|made.']
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$koopiccu$|$$koopiccu$$|getting-angry] [$akam$|$$agam$$|house]
+[$bukavaan$|$$bugavaan$$|to-enter]
+[$manassillaan~n~u,$|$$manass-illaan~n~u,$$|mind-was-not,]
+[$enniTTu$|$$enniTTu$$|having said] [$appan$|$$appan$$|the-father]
+[$puRattu$|$$puRattu$$|out] [$vannu$|$$vannu$$|having-come]
+[$avanooTu$|$$avanooDu$$|him-with] 
+[$apeekSiccu.$|$$apeekSiccu.$$|entreated.]
+%
+[$ennaaRe$|$$^ennaaRe$$|But] [$avan$|$$avan$$|he]
+[$avanooTu,$|$$avanooDu,$$|him-to,]
+[$`kaNTaalum,$|$$`kaND-aalum,$$|`see-please,] [$itra$|$$itra$$|so-many]
+[$varSamaayi$|$$varSam-aayi$$|years-having-become]
+[$n~aan$|$$n~aan$$|I] [$ninne$|$$ninne$$|thee]
+[$seevikkunnu.$|$$seevikkunnu.$$|serve.]
+%
+[$ninRe$|$$^ninRe$$|Thy] [$kalpana$|$$kalpana$$|order]
+[$oru$|$$oru$$|one] [$naaLum$|$$naaL-um$$|day-even]
+[$laMghiccatum$|$$lan"ghiccad-um$$|trangressing-even]
+[$illa,$|$$illa,$$|was-not,] [$ennaal$|$$ennaal$$|but] [$enRe$|$$enRe$$|my]
+[$can"n"aatikaLumaayi$|$$can"n"aatikaLum-aayi$$|friends-with-having-become]
+[$aanandikkeeNTatinnu$|$$aanandikk-eeNDadinnu$$|to-feast-wanted-being-for]
+[$nii$|$$nii$$|thou] [$orikkalum$|$$orikkal-um$$|once-even]
+[$enikku$|$$enikku$$|me-to] [$or$|$$or$$|one]
+[$aaTTinkuTTi$|$$aaTTinkuTTi$$|kid]
+[$tanniTTilla.$|$$tann-iTT-illa.$$|gavest-not.]
+%
+[$veeshyamaaroTu$|$$^veeshyamaaroDu$$|Harlots-with]
+[$kuuTi$|$$kuuDi$$|joining] [$ninRe$|$$ninRe$$|thy]
+[$mutal$|$$mudal$$|property] [$tinnu$|$$tinnu$$|eating]
+[$kaLan~n~a$|$$kaLan~n~a$$|having-wasted] [$ii$|$$ii$$|this]
+[$ninRe$|$$ninRe$$|thy] [$makan$|$$magan$$|son]
+[$vannappoozhekkoo$|$$vann-appoozhekkoo$$|coming-when]
+[$avannaayi$|$$avann-aayi$$|him-for] [$virunnu$|$$virunnu$$|feast]
+[$kazhiccuvalloo?'$|$$kazhiccuv-alloo?'$$|madest-is-it-not?']
+[$ennu$|$$ennu$$|saying] [$uttaram$|$$uttaram$$|reply]
+[$colli.$|$$colli.$$|spoke.]
+%
+[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he]
+[$avanooTu$|$$avanooDu$$|him-to] [$paRan~n~u,$|$$paRan~n~u,$$|said,]
+[$`makanee,$|$$`magan-ee,$$|`son-O,] [$nii$|$$nii$$|thou]
+[$eppoozhum$|$$eppoozh-um$$|always] [$ennooTu$|$$ennooDu$$|me-with]
+[$kuTe$|$$kuDe$$|together]
+[$aakunnuvalloo?'$|$$aagunnuv-alloo?'$$|art-is-it-not?']
+[$enikkuLLatu$|$$enikk-uLLadu$$|me-to-being-that]
+[$ellaam$|$$ellaam$$|all] [$ninReeTu$|$$ninReeDu$$|thine]
+[$aakunnu.$|$$aagunnu.$$|is.]
+%
+[$ennaal$|$$^ennaal$$|But] [$ii$|$$ii$$|this] [$ninRe$|$$ninRe$$|thy]
+[$sahoodaran$|$$sahoodaran$$|brother] [$mariccavan$|$$mariccavan$$|dead-man]
+[$aayirunnu$|$$aay-irunnu$$|had-become]
+[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyirttu;$$|revived;]
+[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|goer]
+[$aayirunnu,$|$$aay-irunnu,$$|had-become,]
+[$kaNTukiTTiyirikkayaal$|$$kaNDu-kiTTiy-irikkayaal$$|seeing-reaching-being-because]
+[$naam$|$$naam$$|we] [$aanandiccu$|$$aanandiccu$$|having-been-merry]
+[$santooSikkeeNTatalloo?$|$$santooSikk-eeNDadalloo?$$|to-feast-wanted-being-is-it-not?]
+[$aakunnu.'$|$$aagunnu.'$$|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
new file mode 100644
index 00000000000..3ea084ea4d3
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex
@@ -0,0 +1,226 @@
+
+\input mmmacs
+\input mmtrmacs
+\input twolines
+
+\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}}
+\def\firststyle{\malstrut}
+\def\secondstyle{\rm}
+\def\thirdstyle{\it}
+
+\raggedbottom
+\emergencystretch=30pt
+\parindent=0pt
+
+\centerline{{\mmtr MALAY\=A\d LAM}}
+\bigskip
+
+\beginthreelines
+
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr Oru}|One] [{\mm \X{\<46>}\X{\<134>}\X{\<55>\<83>}\X{\<174>}}|{\mmtr manu\d syannu}|man-to]
+[{\mm \X{\<48>}\X{\M{\<187>}{\<65>}}}|{\mmtr ra\d n\d du}|two] [{\mm \X{\<46>}\X{\<160>}\X{\<82>}}|{\mmtr makka\d l}|sons]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF.}}|{\mmtr u\d n\d d-\=ay-irunnu.}|having-become-were.]
+[{\mm \X{\<5>}\X{\<36>\<63>}\X{\<81>}}|{\mmtr Adil}|That-in] [{\mm \X{\<7>}\X{\<51>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr i\d layavan}|the-younger]
+[{\mm \X{\<5>}\X{\<242>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr appan\=o\d du,}|the-father-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,]
+[{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}\X{\<160>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr vastu-kka\d lil}|goods-in] [{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to]
+[{\mm \X{\<53>}\X{\<71>\<48>}\X{\M{\<187>}{\<65>}}\X{\<167>}}|{\mmtr var-\=e\d n\d dunna}|coming] [{\mm \X{\<42>}\X{\<182>}}|{\mmtr pa\.ngu}|share]
+[{\mm \X{\<36>}\X{\<71>\<48>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF'}}|{\mmtr tar-\=e\d nam-\=e,'}|give-should,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|having-said] [{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,]
+[{\mm \X{\<5>}\X{\<53>}\X{\<134>}\X{\<2>}}|{\mmtr avan-um}|he-and] [{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<50>\<63>}\X{\<70>\<40>}}|{\mmtr mudaline}|property]
+[{\mm \X{\<5>}\X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<168>}}}}|{\mmtr avarkku}|them-to] 
+[{\mm \X{\<42>}\X{\<128>}\X{\<36>\<63>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr pagudi-ceydu.}|share-made.]
+[{\mm \X{\<15>}\X{\<70>\<49>}}|{\mmtr \=E\b re}|Many] [{\mm \X{\<40>\<62>}\X{\<81>}}|{\mmtr n\=al}|days]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\b ziyum}|passing] [{\mm \X{\M{\<46>}{\<65>}}\X{\<70>\<220>}}|{\mmtr mumbe}|before]
+[{\mm \X{\<7>}\X{\<51>}\X{\<47>}}|{\mmtr i\d laya}|younger] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr makan}|son]
+[{\mm \X{\<56>}\X{\<21>}\X{\<50>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr sakalavum}|all]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\<147>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr svar\=upiccu-ko\d n\d du}|having-collected-for-himself]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}}|{\mmtr d\=ura}|far]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<71>\<165>}\X{\<168>}}|{\mmtr d\=e\'satt\=ekku}|country-to]
+[{\mm \X{\<47>\<62>}\X{\<205>}}|{\mmtr y\=atra}|journey] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone]
+[{\mm \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>}}|{\mmtr avi\d de}|there]
+[{\mm \X{\M{\<38>}{\<65>}}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<31>}\X{\<242>\<62>}\X{\<47>\<63>}}|{\mmtr durnna\d dapp-\=ayi}|bad-conduct-becoming]
+[{\mm \X{\<28>\<64>}\X{\<53>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr j{\=\i}viccu}|having-lived]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}}|{\mmtr vastu}|property]
+[{\mm \X{\<40>\<62>}\X{\<40>\<62>}\X{\<53>\<63>}\X{\<39>}\X{\<2>}}|{\mmtr n\=an\=avidham}|in-various-ways]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<160>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr \=akki-kka\d la\~n\~nu.}|made-wasted.]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr Ell\=am}|All]
+[{\mm \X{\<70>\<26>}\X{\<50>}\X{\<53>}\X{\<52>\<63>}\X{\<247>}}|{\mmtr celava\b zicca}|spent] [{\mm \X{\<71>\<54>}\X{\<55>}\X{\<2>}}|{\mmtr \'s\=e\d sam}|after]
+[{\mm \X{\<6>}}|{\mmtr \=a}|that] [{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<81>}}|{\mmtr d\=e\'sattil}|country-in]
+[{\mm \X{\<21>}\X{\<32>\<63>}\X{\<40>}}|{\mmtr ka\d thina}|severe] [{\mm \X{\<251>\<62>}\X{\<46>}\X{\<2>}}|{\mmtr k\d s\=amam}|famine]
+[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr u\d n\d d\=ay-i\d t\d tu}|having-become]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\M{\<46>}{\<65>}}\X{\M{\<164>}{\<65>}}}|{\mmtr mu\d t\d tu}|want]
+[{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] [{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone] [{\mm \X{\<6>}}|{\mmtr \=a}|that]
+[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<71>\<50>}}|{\mmtr d\=e\'sattil-\=e}|country-in-being]
+[{\mm \X{\<70>\<42>\<87>}\X{\<48>}\X{\<193>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr pauranm\=aril}|citizens-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr oruttan\=o\d du}|one-with]
+[{\mm \X{\<42>}\X{\<243>\<63>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr pa\b ti-kko\d n\d du}|joining-himself]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his]
+[{\mm \X{\<40>\<63>}\X{\<50>}\X{\<161>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr nila\.n\.na\d lil}|fields-in]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<70>\<51>}}|{\mmtr panniga\d le}|pigs] [{\mm \X{\<71>\<46>}\X{\Q{\<47>}{\N{.8}{\<77>}}\<42>\<62>}\X{\<79>}}|{\mmtr m\=eyp\=an}|to-feed]
+[{\mm \X{\<5>}\X{\<47>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ayaccu.}|sent.]
+[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<82>}}|{\mmtr Panniga\d l}|Pigs] [{\mm \X{\<36>\<63>}\X{\<174>}\X{\<167>}}|{\mmtr tinunna}|eating]
+[{\mm \X{\<46>}\X{\<48>}\X{\<242>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr marappaya\b ru}|husk] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr vaya\b ru}|belly]
+[{\mm \X{\<40>\<63>}\X{\<70>\<49>}\X{\<242>\<62>}\X{\<79>}}|{\mmtr ni\b repp\=an}|to-fill]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] [{\mm \X{\<6>}\X{\<201>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=agrahiccu}|wished]
+[{\mm \X{\<14>}\X{\<181>\<63>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr e\.ngilum}|though] [{\mm \X{\<6>}\X{\<136>}\X{\<2>}}|{\mmtr \=ar-um}|anybody]
+[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<165>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr ko\d dutt-illa.}|gave-not.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\M{\<44>}{\<65>}}\X{\<192>\<63>}}|{\mmtr buddhi}|sense]
+[{\mm \X{\<70>\<36>}\X{\<51>\<63>}\X{\<163>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr te\d li\~n\~ni\d t\d tu}|having-cleared] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr `en\b re}|`my]
+[{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father-of] [{\mm \X{\<14>}\X{\<205>}}|{\mmtr etra}|how-many]
+[{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<80>}}|{\mmtr k\=ulikk\=ar}|servants] [{\mm \X{\<5>}\X{\<242>}\X{\<2>}}|{\mmtr appam}|bread]
+[{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|having-eaten]
+[{\mm \X{\<71>\<54>}\X{\<55>\<63>}\X{\<242>\<63>}\X{\<168>}\X{\<174>}\X{\M{\<187>}{\<65>}}}|{\mmtr \'s\=e\d sippikkunn-u\d n\d du}|saving-are]
+[{\mm \X{\<30>\<62>}\X{\<71>\<40>\<62>}}|{\mmtr \~n\=an-\=o}|I-but] [{\mm \X{\<53>\<63>}\X{\<54>}\X{\M{\<242>}{\<65>}}}|{\mmtr vi\'sappu}|hunger]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking]
+[{\mm \X{\<40>}\X{\<54>\<63>}\X{\M{\<247>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr na\'siccu-p\=ogunnu.}|perishing-go.]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~N\=an}|I] [{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=ekku}|presence-to]
+[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|going] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF``}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr ``app\=a,}|``father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<40>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr y\=ogyan-alla.}|fit-man-am-not.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr k\=ulikk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<71>\<42>\<62>}\X{\<70>\<50>}}|{\mmtr p\=ole}|like]
+[{\mm \X{\<14>}\X{\<70>\<167>}}|{\mmtr enne}|me]
+[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<70>\<160>\<62>}\X{\<71>\<51>\K{-.2}\<51>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF''}}|{\mmtr \=akki-kko\d l\d l-\=e\d nam-\=e,''}|having-made-to-take-is-wanted,'']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<47>}{\<65>}}\X{\<2>}{\RMF.}{\RMF'}}|{\mmtr pa\b rayum.'}|shall-say.']
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr Enni\d t\d tu}|Having-said]
+[{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=eku}|presence-to] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}{\RMF.}}|{\mmtr p\=oyi.}|went.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|He]
+[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}\X{\<172>}\X{\<51>\K{-.2}\<51>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr d\=urattu\d l\d l-app\=ol}|far-being-time-at]
+[{\mm \X{\<36>}\X{\<71>\<167>}}|{\mmtr tann\=e}|indeed] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}}|{\mmtr ka\d n\d du}|seeing]
+[{\mm \X{\<21>}\X{\<48>}\X{\<51>}\X{\<50>\<63>}\X{\M{\<163>}{\<65>}}}|{\mmtr kara\d l-ali\~n\~nu}|heart-melting]
+[{\mm \X{\<18>\<62>}\X{\<31>\<63>}\X{\<70>\<247>}\X{\<174>}}|{\mmtr \=o\d di-ccennu}|running-going] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\<21>}\X{\B{\<52>}{\<65>}}\X{\<165>\<63>}\X{\<81>}}|{\mmtr ka\b zuttil}|neck-on]
+[{\mm \X{\<70>\<21>}\X{\<164>\<63>}\X{\<242>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr ke\d t\d tippi\d diccu}|having-attached-seized]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him]
+[{\mm \X{\M{\<26>}{\<65>}}\X{\<220>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr cumbiccu.}|kissed.]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr Magan}|The-son] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I]
+[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and]
+[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.]
+[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called]
+[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<134>}\X{\<46>}\X{\M{\<50>}{\<85>}}{\RMF,}{\RMF'}}|{\mmtr y\=ogyan-um-alla,'}|fit-man-at-all-am-not,']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<38>\<62>}\X{\<56>}\X{\<71>\<48>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr d\=asar\=o\d tu,}|slaves-to,]
+[{\mm {\RMF`}\X{\<71>\<53>}\X{\<21>}\X{\<2>}}|{\mmtr `vegam}|`quickly]
+[{\mm \X{\<71>\<46>}\X{\B{\<50>}{\Z\<165>}}\X{\<48>}\X{\<46>\<62>}\X{\<47>}}|{\mmtr m\=el-ttaram-\=aya}|high-class-being]
+[{\mm \X{\<5>}\X{\<181>\<63>}}|{\mmtr a\.ngi}|robe]
+[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<53>}\X{\<174>}}|{\mmtr ko\d n\d du-vannu}|having-taken-having-come]
+[{\mm \X{\<7>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr ivane}|him] [{\mm \X{\<9>}\X{\M{\<31>}{\<65>}}\X{\<242>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF,}}|{\mmtr u\d duppippin,}|dress-ye,]
+[{\mm \X{\<70>\<21>}\X{\<7>}\X{\<168>}}|{\mmtr keikku}|hand-on] [{\mm \X{\<71>\<46>\<62>}\X{\<38>\<63>}\X{\<48>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr m\=odirav-um}|ring-and]
+[{\mm \X{\<21>\<62>}\X{\M{\<50>}{\<65>}}\X{\<21>}\X{\<82>\<168>}}|{\mmtr k\=aluga\d lkku}|feet-on]
+[{\mm \X{\<70>\<26>}\X{\<48>\<63>}\X{\M{\<242>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr cerippuga\d lum}|shoes-and]
+[{\mm \X{\<7>}\X{\M{\<31>}{\<65>}}\X{\<53>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF.}}|{\mmtr i\d duvippin.}|put-ye.]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr N\=am}|We] [{\mm \X{\<45>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr bhak\d siccu}|eating]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<160>}{\RMF.}}|{\mmtr \=anandikka.}|shall-feast.]
+[{\mm \X{\<7>\<87>}}|{\mmtr \=I}|This] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyrittu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|gone-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\d n\d duki\d t\d tagayum}|seeing-finding]
+[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ceydu-v-all\=o?'}|made-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<80>}}|{\mmtr Avar}|They] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|feasting]
+[{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.]
+
+
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|Now] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his]
+[{\mm \X{\M{\<46>}{\<66>}}\X{\<165>}}|{\mmtr m\=utta}|elder] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<47>}\X{\<50>\<63>}\X{\<81>}}|{\mmtr vayalil}|field-in] [{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-been,]
+[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm \X{\<53>\<64>}\X{\<164>\<63>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr v{\=\i}\d t\d tin\=o\d du}|house-to]
+[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<165>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr a\d duttapp\=o\d l}|coming-when]
+[{\mm \X{\<53>\<62>}\X{\<38>\<83>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr v\=adyav-um}|music-and]
+[{\mm \X{\<155>}\X{\<165>}\X{\<71>\<24>\<62>}\X{\<55>}\X{\<161>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\d rttagh\=o\d sa\.n\.na\d l-um}|dancing-sounds-and]
+[{\mm \X{\<71>\<21>}\X{\M{\<164>}{\<65>}}}|{\mmtr k\=e\d t\d tu}|hearing]
+[{\mm \X{\<44>\<62>}\X{\<50>\<83>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr b\=alya-kk\=aril}|servants-among]
+[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\M{\<247>}{\<65>}}{\RMF,}}|{\mmtr vi\d liccu,}|calling,]
+[{\mm {\RMF`}\X{\<7>}\X{\<70>\<36>}\X{\<222>}{\RMF?}{\RMF'}}|{\mmtr `id-endu?'}|`this-what?'] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying]
+[{\mm \X{\<71>\<26>\<62>}\X{\<38>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr c\=odiccu.}|asked.]
+[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|he] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to]
+[{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming]
+[{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|father]
+[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<70>\<56>\<87>}\X{\<22>\<83>}\X{\<71>\<165>\<62>}\X{\<70>\<31>}}|{\mmtr saukhyatt\=o\d de}|healthy]
+[{\mm \X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ki\d t\d tiyadu-ko\d n\d du}|finding-on-account-of]
+[{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast] [{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}{\RMF'}}|{\mmtr ka\b ziccu.'}|made.']
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<71>\<21>\<62>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr k\=opiccu}|getting-angry] [{\mm \X{\<5>}\X{\<21>}\X{\<2>}}|{\mmtr agam}|house]
+[{\mm \X{\M{\<44>}{\<65>}}\X{\<21>}\X{\<53>\<62>}\X{\<79>}}|{\mmtr bugav\=an}|to-enter]
+[{\mm \X{\<46>}\X{\<40>}\X{\<245>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr manass-ill\=a\~n\~nu,}|mind-was-not,]
+[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr enni\d t\d tu}|having said] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father]
+[{\mm \X{\M{\<42>}{\<65>}}\X{\<49>}\X{\<172>}}|{\mmtr pu\b rattu}|out] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|having-come]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-with] 
+[{\mm \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ap\=ek\d siccu.}|entreated.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,]
+[{\mm {\RMF`}\X{\<21>}\X{\<187>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>}{\RMF,}}|{\mmtr `ka\d n\d d-\=alum,}|`see-please,] [{\mm \X{\<7>}\X{\<205>}}|{\mmtr itra}|so-many]
+[{\mm \X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<55>}}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr var\d sam-\=ayi}|years-having-become]
+[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] [{\mm \X{\<40>\<63>}\X{\<70>\<167>}}|{\mmtr ninne}|thee]
+[{\mm \X{\<71>\<56>}\X{\<53>\<63>}\X{\<168>}\X{\<174>}{\RMF.}}|{\mmtr s\=evikkunnu.}|serve.]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<21>}\X{\<81>\<42>}\X{\<40>}}|{\mmtr kalpana}|order]
+[{\mm \X{\<18>}\X{\<136>}}|{\mmtr oru}|one] [{\mm \X{\<40>\<62>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\=a\d l-um}|day-even]
+[{\mm \X{\<50>}\<2>\X{\<24>\<63>}\X{\<247>}\X{\<133>}\X{\<2>}}|{\mmtr la\.nghiccad-um}|trangressing-even]
+[{\mm \X{\<7>}\X{\M{\<50>}{\<85>}}{\RMF,}}|{\mmtr illa,}|was-not,] [{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr enn\=al}|but] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my]
+[{\mm \X{\<26>}\X{\<161>\<62>}\X{\<36>\<63>}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr ca\.n\.n\=atika\d lum-\=ayi}|friends-with-having-become]
+[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>\<63>}\X{\<174>}}|{\mmtr \=anandikk-\=e\d n\d dadinnu}|to-feast-wanted-being-for]
+[{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou] [{\mm \X{\<18>}\X{\<48>\<63>}\X{\<160>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr orikkal-um}|once-even]
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to] [{\mm \X{\<18>}\X{\<80>}}|{\mmtr or}|one]
+[{\mm \X{\<6>}\X{\<164>\<63>}\X{\M{\<40>}{\<113>}}\X{\<164>\<63>}}|{\mmtr \=a\d t\d tinku\d t\d ti}|kid]
+[{\mm \X{\<36>}\X{\<167>\<63>}\X{\<164>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr tann-i\d t\d t-illa.}|gavest-not.]
+[{\mm \X{\<71>\<53>}\X{\<54>\<83>}\X{\<46>\<62>}\X{\<70>\<48>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr V\=e\'syam\=aro\d du}|Harlots-with]
+[{\mm \X{\<139>}\X{\<31>\<63>}}|{\mmtr k\=u\d di}|joining] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<81>}}|{\mmtr mudal}|property] [{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|eating]
+[{\mm \X{\<21>}\X{\<51>}\X{\<163>}}|{\mmtr ka\d la\~n\~na}|having-wasted] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this]
+[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son]
+[{\mm \X{\<53>}\X{\<167>}\X{\<71>\<242>\<62>}\X{\<70>\<52>}\X{\<71>\<160>\<62>}}|{\mmtr vann-app\=o\b zekk\=o}|coming-when]
+[{\mm \X{\<5>}\X{\<53>}\X{\<167>\<62>}\X{\<47>\<63>}}|{\mmtr avann-\=ayi}|him-for] [{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast]
+[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ka\b ziccuv-all\=o?'}|madest-is-it-not?']
+[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<9>}\X{\<165>}\X{\<48>}\X{\<2>}}|{\mmtr uttaram}|reply]
+[{\mm \X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>}{\RMF.}}|{\mmtr colli.}|spoke.]
+[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he]
+[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,]
+[{\mm {\RMF`}\X{\<46>}\X{\<21>}\X{\<71>\<40>}{\RMF,}}|{\mmtr `magan-\=e,}|`son-O,] [{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou]
+[{\mm \X{\<14>}\X{\<71>\<242>\<62>}\X{\B{\<52>}{\<65>}}\X{\<2>}}|{\mmtr epp\=o\b z-um}|always] [{\mm \X{\<14>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr enn\=o\d du}|me-with]
+[{\mm \X{\<128>}\X{\<70>\<31>}}|{\mmtr ku\d de}|together]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr \=agunnuv-all\=o?'}|art-is-it-not?']
+[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}\X{\<51>\K{-.2}\<51>}\X{\<133>}}|{\mmtr enikk-u\d l\d ladu}|me-to-being-that]
+[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr ell\=am}|all] [{\mm \X{\<40>\<63>}\X{\<71>\<79>\<49>}\X{\M{\<31>}{\<65>}}}|{\mmtr nin\b r\=e\d du}|thine]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr \=agunnu.}|is.]
+[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|But] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy]
+[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr \=ay-irunnu}|had-become]
+[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyirttu;}|revived;]
+[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|goer]
+[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-become,]
+[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>\<63>}\X{\<48>\<63>}\X{\<160>}\X{\<47>\<62>}\X{\<81>}}|{\mmtr ka\d n\d du-ki\d t\d tiy-irikkay\=al}|seeing-reaching-being-because]
+[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr n\=am}|we] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|having-been-merry]
+[{\mm \X{\<56>}\X{\<71>\<194>\<62>}\X{\<55>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}}|{\mmtr sant\=o\d sikk-\=e\d n\d dadall\=o?}|to-feast-wanted-being-is-it-not?]
+[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}{\RMF'}}|{\mmtr \=agunnu.'}|is.']
+
+
+\endthreelines
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.mm b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
new file mode 100644
index 00000000000..a253a998fc9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm
@@ -0,0 +1,46 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+%\tracingmacros=1
+
+
+$pp+   v+  kush  acchan$
+
+
+\beginsection A test of $\mmcb malayaaLam$-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+<malayalam>
+
+a aa i ii u uu .r e ee ai o oo au
+
+ka kha ga gha n"a ca cha ja jha n~a Ta Tha Da Dha Na ta tha da dha na
+pa pha ba bha ma ya ra la va sha Sa sa ha La zha Ra
+
+
+kka gga n"n"a cca jja TTa DDa NNa tta dda nna ppa bba mma yya lla vva shsha ssa LLa RRa
+
+. , : ; ? ! ( ) - -- --- 
+
+1,23,45,67,890 \mmfigures 1,23,45,67,890
+
+\mmc
+
+kra khra gra ghra n"ra cra chra jra jhra n~ra
+Tra Thra Dra Dhra Nra tra thra dra dhra nra
+pra phra bra bhra mra yra rra lra vra shra Sra sra
+hra Lra Rra zhra
+
+kya khya gya ghya n"ya cya chya jya jhya n~ya
+Tya Thya Dya Dhya Nya tya thya dya dhya nya
+pya phya bya bhya mya yya rya lya vya shya Sya sya
+hya Lya Rya zhya
+
+kSa kSma kva thva nva hva ggya
+
+</malayalam>
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.tex b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
new file mode 100644
index 00000000000..f8f7db41df9
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex
@@ -0,0 +1,45 @@
+
+\input mmqmacs
+
+\twelvemmc
+
+
+
+{\mm \X{\Q{\<242>}{\N{.8}{\<77>}}}   \X{\Q{\<53>}{\N{.8}{\<77>}}}  \X{\<21>\<72>}\X{\Q{\<54>}{\N{.8}{\<77>}}}  \X{\<5>}\X{\Q{\<26>}{\N{.8}{\<77>}}\<27>}\X{\<79>}}
+
+
+\beginsection A test of {\mm \mmcb \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}-mode
+
+Below are given the letters of the Malayalam alphabet:
+
+{\mm 
+
+\X{\<5>} \X{\<6>} \X{\<7>} \X{\<7>\<87>} \X{\<9>} \X{\<9>\<87>} \X{\<11>} \X{\<14>} \X{\<15>} \X{\<70>\<14>} \X{\<18>} \X{\<18>\<62>} \X{\<18>\<87>}
+
+\X{\<21>} \X{\<22>} \X{\<23>} \X{\<24>} \X{\<25>} \X{\<26>} \X{\<27>} \X{\<28>} \X{\<29>} \X{\<30>} \X{\<31>} \X{\<32>} \X{\<33>} \X{\<34>} \X{\<35>} \X{\<36>} \X{\<37>} \X{\<38>} \X{\<39>} \X{\<40>}
+\X{\<42>} \X{\<43>} \X{\<44>} \X{\<45>} \X{\<46>} \X{\<47>} \X{\<48>} \X{\<50>} \X{\<53>} \X{\<54>} \X{\<55>} \X{\<56>} \X{\<57>} \X{\<51>} \X{\<52>} \X{\<49>}
+
+
+\X{\<160>} \X{\<240>} \X{\<161>} \X{\<247>} \X{\<162>} \X{\<164>} \X{\M{\<33>}{\<89>}} \X{\<241>} \X{\<165>} \X{\<166>} \X{\<167>} \X{\<242>} \X{\<248>} \X{\<46>\K{-.27}\<46>} \X{\<249>} \X{\M{\<50>}{\<85>}} \X{\<250>} \X{\<244>} \X{\<245>} \X{\<51>\K{-.2}\<51>} \X{\<243>}
+
+{\RMF.} {\RMF,} {\RMF:} {\RMF;} {\RMF?} {\RMF!} {\RMF(} {\RMF)} {\RMF-} {\RMF--} {\RMF---} 
+
+{\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero} \mmfigures {\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero}
+
+\mmc
+
+\X{\<74>\<21>} \X{\<74>\<22>} \X{\<74>\<23>} \X{\<74>\<24>} \X{\<74>\<25>} \X{\<74>\<26>} \X{\<74>\<27>} \X{\<74>\<28>} \X{\<74>\<29>} \X{\<74>\<30>}
+\X{\<74>\<31>} \X{\<74>\<32>} \X{\<74>\<33>} \X{\<74>\<34>} \X{\<74>\<35>} \X{\<74>\<36>} \X{\<74>\<37>} \X{\<74>\<38>} \X{\<74>\<39>} \X{\<74>\<40>}
+\X{\<74>\<42>} \X{\<74>\<43>} \X{\<74>\<44>} \X{\<74>\<45>} \X{\<74>\<46>} \X{\<74>\<47>} \X{\<80>\<48>} \X{\<74>\<50>} \X{\<74>\<53>} \X{\<74>\<54>} \X{\<74>\<55>} \X{\<74>\<56>}
+\X{\<74>\<57>} \X{\<74>\<51>} \X{\<74>\<49>} \X{\<74>\<52>}
+
+\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>}
+\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>}
+\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\<80>\<47>} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>}
+\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>}
+
+\X{\<21>\K{-.5}\<90>} \X{\Q{\<21>\K{-.5}\<90>}{\N{.8}{\<77>}}\<46>} \X{\<21>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<40>\K{-.5}\<86>} \X{\<57>\K{-.5}\<86>} \X{\<240>\<83>}
+
+}
+
+\bye
diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
new file mode 100644
index 00000000000..c274d60f349
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex
@@ -0,0 +1,129 @@
+% twolines.tex -- macros to create double lines, one with the
+%                 translation in parallel below the other.
+% (c) Jeroen Hellingman 1993
+% last edit: 04-JAN-1993
+
+{\catcode`\[=\active
+\gdef[{\stacktwo}
+
+\gdef\begintwolines{\bgroup\catcode`\[=\active
+	\def[{\stacktwo}
+	\def\firstonly{\def\stacktwo{\stacktwofirstonly}}
+	\def\secondonly{\def\stacktwo{\stacktwosecondonly}}}
+\gdef\endtwolines{\egroup}
+
+\gdef\beginthreelines{\bgroup\catcode`\[=\active
+	\def[{\stackthree}
+	\def\firstonly{\def\stackthree{\stackthreefirstonly}}
+	\def\secondonly{\def\stackthree{\stackthreesecondonly}}
+	\def\thirdonly{\def\stackthree{\stackthreethirdonly}}}
+\gdef\endthreelines{\egroup}
+}
+
+%%%%%% commands to be placed before material in lines
+
+\def\firststyle{\rm}
+\def\secondstyle{\it}
+\def\thirdstyle{\bf}
+
+%%%%%%
+
+\def\stacktwo#1|#2]{\putunder{{\secondstyle#2}}{\firststyle#1}}
+\def\stacktwofirstonly#1|#2]{{\firststyle#1}}
+\def\stacktwosecondonly#1|#2]{{\secondstyle#2}}
+
+\def\stackthree#1|#2|#3]{\putunder{{\putunder{{\thirdstyle#3}}{\secondstyle#2}}}{\firststyle#1}}
+\def\stackthreefirstonly#1|#2|#3]{{\firststyle#1}}
+\def\stackthreesecondonly#1|#2|#3]{{\secondstyle#2}}
+\def\stackthreethirdonly#1|#2|#3]{{\thirdstyle#3}}
+
+%%%%%% actual stacking macro
+
+% put #1 centered underneath #2
+\def\putunder#1#2{\hskip0pt{\setbox1=\hbox{\strut#1}\setbox0=\hbox{\strut#2}%
+    \dimen0=.5\wd0\advance\dimen0by.5\wd1%
+    \dimen1=\dp0\advance\dimen1by\ht1%
+    \dimen3=.5\wd0\advance\dimen3by-.5\wd1%
+    % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra.
+    \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0%
+    	\hbox{}\kern0.5\dimen7%
+    	\advance\dimen3by0.5\dimen7%
+    \fi
+    \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}}
+
+%%%%%% end of twolines.tex
+
+\message{This file contains a demo, edit it to see it.}
+\endinput % Remove this line to see the demo.
+
+\parindent=0pt
+
+\begintwolines
+\beginsection [A|Een] [Demo|demonstratie] [of|van] [Twolines|Twolines]
+
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,] 
+[|zijn] [the|de] [Dutch|Engelse] 
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,] 
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in] 
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\firstonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\secondonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines\thirdonly
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\beginthreelines
+[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen]
+[also|ook|auch] [be||] [produced.|geproduceerd|produciert]
+[|worden.|worden.]
+\endthreelines
+
+\bigskip
+
+\begintwolines\secondonly
+[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie]
+[to|om] [show|] [the|het] [effect|effekt] [of|van]
+[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,] 
+[|zijn] [the|de] [Dutch|Engelse] 
+[equivalents|equivalenten] [of|van] [these|deze] [words|woorden]
+[are|] [placed|] [centered|gecentreerd] [below|boven]
+[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,] 
+[as far as|voor zover] [the|de] [difference|verschillen] [in|in] 
+[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|]
+\endtwolines
+
+\bye