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-rw-r--r--Master/texmf-dist/doc/latex/musicography/README.md11
-rw-r--r--Master/texmf-dist/doc/latex/musicography/musicography.pdfbin0 -> 262850 bytes
-rw-r--r--Master/texmf-dist/doc/latex/musicography/musicography.tex130
-rw-r--r--Master/texmf-dist/tex/latex/musicography/musicography.sty222
-rwxr-xr-xMaster/tlpkg/bin/tlpkg-ctan-check2
-rw-r--r--Master/tlpkg/tlpsrc/collection-music.tlpsrc1
-rw-r--r--Master/tlpkg/tlpsrc/musicography.tlpsrc0
7 files changed, 365 insertions, 1 deletions
diff --git a/Master/texmf-dist/doc/latex/musicography/README.md b/Master/texmf-dist/doc/latex/musicography/README.md
new file mode 100644
index 00000000000..65bca60bc05
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/musicography/README.md
@@ -0,0 +1,11 @@
+# The `musicography` package: Symbols for Music Writing with `pdflatex`
+
+This package makes available the most commonly used symbols in writing about
+music in a way that can be used with `pdflatex` and looks consistent and
+attractive.
+It includes accidentals, meters, and notes of different rhythmic values.
+The package provides a flexible, user-friendly interface written using `xparse`.
+
+This material is subject to the current version of the LaTeX Project Public
+License.
+The author and maintainer is Andrew A. Cashner, `andrewacashner@gmail.com`.
diff --git a/Master/texmf-dist/doc/latex/musicography/musicography.pdf b/Master/texmf-dist/doc/latex/musicography/musicography.pdf
new file mode 100644
index 00000000000..871488be172
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/musicography/musicography.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/latex/musicography/musicography.tex b/Master/texmf-dist/doc/latex/musicography/musicography.tex
new file mode 100644
index 00000000000..b20a6c69620
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/musicography/musicography.tex
@@ -0,0 +1,130 @@
+\documentclass{article}
+
+\usepackage{lmodern}
+\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{geometry}
+\usepackage{semantic-markup}
+\usepackage{musicography}
+\usepackage{fancyvrb}
+\frenchspacing
+
+\newenvironment{codetable}
+{\begin{quote}\begin{tabular}{lll}}
+{\end{tabular}\end{quote}}
+
+\usepackage[
+ pdftitle={The musicography Package: Symbols for Music Writing with
+ pdflatex},
+ pdfauthor={Andrew A. Cashner},
+ pdfsubject={LaTeX package},
+ pdfkeywords={LaTeX, symbols, music, musicology, humanities}
+]{hyperref}
+
+\title{The \code{musicography} Package: Symbols for Music Writing with
+\code{pdflatex}}
+\author{Andrew A. Cashner\thanks{%
+ \href{mailto:andrewacashner@gmail.com}
+ {\nolinkurl{andrewacashner@gmail.com}}%
+ }%
+}
+
+\begin{document}
+\maketitle
+
+Font packages for \code{pdflatex} only provided a limited range of musical
+symbols.
+The \code{lilyglyphs} package uses Lilypond's fonts, but requires
+\code{lualatex}.
+This package makes available the most commonly used symbols in writing about
+music in a way that can be used with \code{pdflatex} and looks consistent and
+attractive.
+It includes accidentals, meters, and notes of different rhythmic values.
+
+This package builds on the approach used in the \code{harmony} package, where
+the symbols are taken from the MusiXTeX fonts.
+But it provides a larger range of symbols and a more flexible, user-friendly
+interface written using \code{xparse}.
+
+\tableofcontents
+
+\section{Package Options}
+
+To use the package, write \verb|\usepackage{musicography}| in your preamble.
+If you are also using this author's \code{semantic-markup} package, load
+\code{semantic-markup} first, since \code{musicography} modifies the commands
+for accidentals in the other package.
+
+The \code{bigger} option provides larger font sizes that match better with
+certain fonts.
+
+The \verb|\musNumFont| command allows you to change the font of the numerals
+used.
+For example, if using the \code{ebgaramond} font package, it looks better if you
+do this:
+\begin{quote}
+ \verb|\renewcommand{\musNumFont}[1]{\liningnums{#1}}|.
+\end{quote}
+
+\section{Symbols and Commands}
+
+\subsection{Accidentals}
+
+\begin{codetable}
+ Flat & \verb|\musFlat| or \verb|\fl| & \musFlat\\
+ Sharp & \verb|\musSharp| or \verb|\sh| & \musSharp\\
+ Natural & \verb|\musNatural| or \verb|\na| & \musNatural\\
+ Double Flat & \verb|\musDoubleFlat| & \musDoubleFlat\\
+ Double Sharp & \verb|\musDoubleSharp| & \musDoubleSharp\\
+\end{codetable}
+
+\subsection{Notes of Different Rhythmic Values}
+
+Commands are available using modern (United States) note names; in several cases
+there are also aliases for older note names.
+
+\begin{codetable}
+ Whole note (semibreve) & \verb|\musWhole| or \verb|\musSemibreve| &
+ \musWhole\\
+ Half note (minim) & \verb|\musHalf| or \verb|\musMinim| & \musHalf\\
+ Quarter note (semiminim) & \verb|\musQuarter| or \verb|\musSeminimin| &
+ \musQuarter\\
+ Eighth note (corchea) & \verb|\musEighth| or \verb|\musCorchea| &
+ \musEighth\\
+ Sixteenth note & \verb|\musSixteenth| & \musSixteenth\\
+\end{codetable}
+
+A dot may be added to any of the above by adding \code{Dotted} to the end of the
+command. For example:
+
+\begin{codetable}
+ Dotted whole note & \verb|\musWholeDotted| & \musWholeDotted\\
+ Dotted quarter note & \verb|\musQuarterDotted| & \musQuarterDotted\\
+\end{codetable}
+
+\subsection{Meter Signatures}
+
+\begin{codetable}
+ Common duple & \verb|\meterC| & \meterC\\
+ \term{Alla breve} & \verb|\meterCutC| & \meterCutC\\
+ Ternary (16th--18th cent.) & \verb|\meterCThree| & \meterCThree\\
+ Ternary with $3:2$ proportion & \verb|\meterCThreeTwo| &
+ \meterCThreeTwo\\
+ Spanish 17th-cent. ternary & \verb|\meterCZ| & \meterCZ\\
+\end{codetable}
+
+\subsection{Customization}
+
+It would be a simple matter of using \verb|\newcommand| or \verb|\let| to create
+aliases for these commands, say, for British usage (such as \verb|\quaver|).
+
+\LaTeX{} programmers may wish to use the package's internal commands directly
+(such as \verb|\musSymbol| and \verb|\musAccidental|) to
+access more symbols from the fonts or to fine-tune their appearance (see the
+code listing below).
+
+\section{Code}
+
+\VerbatimInput{musicography.sty}
+
+\end{document}
diff --git a/Master/texmf-dist/tex/latex/musicography/musicography.sty b/Master/texmf-dist/tex/latex/musicography/musicography.sty
new file mode 100644
index 00000000000..b592b2a8f5f
--- /dev/null
+++ b/Master/texmf-dist/tex/latex/musicography/musicography.sty
@@ -0,0 +1,222 @@
+\NeedsTeXFormat{LaTeX2e}
+\ProvidesClass{musicography}
+[2017/08/29 Symbols for music writing with pdflatex]
+
+% Copyright 2017 Andrew A. Cashner, andrewacashner@gmail.com
+
+% This work may be distributed and/or modified under the
+% conditions of the LaTeX Project Public License, either
+% version 1.3 of this license or (at your option) any
+% later version.
+% The latest version of this license is in
+% http://www.latex-project.org/lppl.txt
+% and version 1.3 or later is part of all distributions
+% of LaTeX version 2005/12/01 or later.
+%
+% This work has the LPPL maintenance status `maintained'.
+% The Current Maintainer of this work is Andrew A. Cashner.
+% This work consists of the package file musicography.sty
+% and the documentation file musicography.tex.
+
+% CHANGE LOG
+% 2017-08-29 First version on CTAN
+% 2017-04-12 Created
+
+\newif\ifLargeFont
+\LargeFontfalse
+\DeclareOption{bigger}{\LargeFonttrue}
+\ProcessOptions\relax
+
+\RequirePackage{xparse}
+
+\ifLargeFont
+ \newfont{\musFont}{musix13}
+ \newfont{\musFontBig}{musix16}
+ \newfont{\musFontLarge}{musix20}
+\else
+ \newfont{\musFont}{musix11}
+ \newfont{\musFontBig}{musix13}
+ \newfont{\musFontLarge}{musix16}
+\fi
+
+% Font for numbers in \musStack
+% Could redefine to use lining figures, math mode, sans-serif, etc.
+% Example for ebgaramond: \renewcommand{\musNumFont}[1]{\liningnums{#1}}
+\NewDocumentCommand{\musNumFont}{}{}
+
+% Print a music symbol from the \musFont, specifying space before, after, and
+% baseline adjustment
+% #1 optional font command (default: \musFont)
+% #2 kern before
+% #3 raisebox value
+% #4 kern after
+% #5 symbol code (e.g., \symbol{4})
+\NewDocumentCommand{\musSymbol}{ O{\musFont} m m m m }{%
+ {#1\kern#2\raisebox{#3}{#5}\kern#4}%
+}
+
+% Accidentals
+% #1 symbol command for accidental
+\NewDocumentCommand{\musAccidental}{ m }{%
+ \musSymbol[\musFontLarge]{0.1em}{0.5ex}{-0.1pt}{#1}%
+}
+\NewDocumentCommand{\musFlat} {}{\musAccidental{\symbol{90}}}
+\NewDocumentCommand{\musDoubleFlat} {}{\musAccidental{\symbol{91}}}
+\NewDocumentCommand{\musSharp} {}{\musAccidental{\symbol{92}}}
+\NewDocumentCommand{\musDoubleSharp}{}{\musAccidental{\symbol{93}}}
+\NewDocumentCommand{\musNatural} {}{\musAccidental{\symbol{94}}}
+
+% Shorthand accidental commands
+% These commands are defined differently in the semantic-markup package,
+% so LaTeX will use musicography commands instead, if this package is called
+% after
+\let\fl\musFlat
+\let\sh\musSharp
+\let\na\musNatural
+
+% Print a composite music symbol of a notehead plus stem
+% #1 Symbol musSymbol command for notehead
+\NewDocumentCommand{\musStemmedNote}{ m }{%
+ \musSymbol{0.05em}{0.5ex}{0.2em}{#1\musStem}%
+}
+
+% Stemmed note plus flag
+% #1 symbol command for base note
+% #2 symbol command for flag
+\NewDocumentCommand{\musFlaggedNote}{ m m }{%
+ \musSymbol{0.05em}{0.5ex}{0pt}{#1\musStem}%
+ \musSymbol{0pt}{0pt}{0.9em}{#2}%
+}
+
+% Note plus dot
+% #1 \musSymbol command for note to be dotted
+\NewDocumentCommand{\musDottedNote}{ m }{#1\musDot}
+
+\NewDocumentCommand{\musStem}{}{%
+ \musSymbol{0.955em}{0.55ex}{0pt}{\symbol{16}}%
+}
+\NewDocumentCommand{\musSegno}{}{%
+ \musSymbol{0.55em}{-0.4ex}{1.5em}{\symbol{86}}%
+}
+\NewDocumentCommand{\musDot}{}{%
+ \musSymbol{-0.2em}{-0.5ex}{0.7em}{\symbol{24}}%
+}
+
+\NewDocumentCommand{\musWhole}{}{%
+ \musSymbol{0.05em}{0.5ex}{1.35em}{\symbol{9}}%
+}
+\NewDocumentCommand{\musHalf}{}{%
+ \musStemmedNote{\symbol{9}}%
+}
+\NewDocumentCommand{\musQuarter}{}{%
+ \musStemmedNote{\symbol{7}}%
+}
+\NewDocumentCommand{\musEighth}{}{%
+ \musFlaggedNote{\symbol{8}}{\symbol{40}}%
+}
+\NewDocumentCommand{\musSixteenth}{}{%
+ \musFlaggedNote{\symbol{8}}{\symbol{41}}%
+}
+
+\NewDocumentCommand{\musWholeDotted}{}{%
+ \musDottedNote{\musWhole}%
+}
+\NewDocumentCommand{\musHalfDotted}{}{%
+ \musDottedNote{\musHalf}%
+}
+\NewDocumentCommand{\musQuarterDotted}{}{%
+ \musDottedNote{\musQuarter}%
+}
+\NewDocumentCommand{\musEighthDotted}{}{%
+ \musDottedNote{\musEighth}%
+}
+\NewDocumentCommand{\musSixteenthDotted}{}{%
+ \musDottedNote{\musSixteenth}%
+}
+
+% Command to stack numerals
+% Adapted from harmony.sty's \ueber command
+\newdimen\tmpdima
+\newdimen\tmpdimb
+\newdimen\tmpdimc
+\newdimen\tmpdimd
+\newdimen\tmpdime
+\newbox\nbxa
+\newbox\nbxb
+\newbox\nbxc
+\newbox\nbxd
+\newbox\nbxe
+\newbox\nbxf
+\newbox\nbxg
+\newbox\nbxh
+\newbox\nbxi
+
+\NewDocumentCommand{\musStack}{ m m }{%
+ \setbox\nbxi=\hbox{%
+ \setbox\nbxa=\hbox{\scriptsize{\musNumFont{#1}}}%
+ \setbox\nbxb=\hbox{\scriptsize{\musNumFont{#2}}}%
+ \ifdim\wd\nbxa>\wd\nbxb%
+ \tmpdima=\wd\nbxa%
+ \else%
+ \tmpdima=\wd\nbxb%
+ \fi%
+ \setbox\nbxa=\hbox to \tmpdima{%
+ \scriptsize\hss{\musNumFont{#1}}\hss}%
+ \setbox\nbxb=\hbox to \tmpdima{\scriptsize\hss{%
+ \musNumFont{#2}}\hss}%
+ \lower0.3ex\copy\nbxb%
+ \kern-\wd\nbxb%
+ \raise0.8\ht\nbxb%
+ \box\nbxa%
+ }%
+ \unhbox\nbxi%
+}
+
+% Meter symbols
+% #1 symbol code for meter sign
+\NewDocumentCommand{\musSymbolMeter}{ m }{%
+ \raisebox{0.58ex}[8pt][2pt]{%
+ {\kern-1pt\musFontBig\raisebox{0.3ex}{#1}\kern0.3em}%
+ }%
+}
+% Meter that combines \meterC with numerals (e.g., C3 C3/2)
+\NewDocumentCommand{\meterCplus}{ m }{\meterC{}\kern-0.7pt#1}
+
+% Numeric meter signatures (e.g., 3/4)
+% #1 number on top
+% #2 number on bottom
+\NewDocumentCommand{\musMeter}{ m m }{%
+ \musStack{#1}{#2}\kern0.05em
+}
+% Same command used for figured bass
+\NewDocumentCommand{\musFigures}{}{\musMeter}
+
+\NewDocumentCommand{\meterC}{}{%
+ \musSymbolMeter{\symbol{83}}%
+}
+\NewDocumentCommand{\meterCutC}{}{%
+ \musSymbolMeter{\symbol{82}}%
+}
+% Ternary meters used in 16th--18th c. music
+\NewDocumentCommand{\meterCThree}{}{%
+ \meterCplus{\musNumFont{3}}%
+}
+\NewDocumentCommand{\meterCThreeTwo}{}{%
+ \meterCplus{\musStack{3}{2}}%
+}
+% Ternary meter used in 17th-century Spanish music
+\NewDocumentCommand{\meterCZ}{}{%
+ \meterCplus{Z}%
+}
+
+% Aliases for older note names
+\NewDocumentCommand{\musSemibreve} {}{\musWhole}
+\NewDocumentCommand{\musMinim} {}{\musHalf}
+\NewDocumentCommand{\musSemiminim} {}{\musQuarter}
+\NewDocumentCommand{\musCorchea} {}{\musEighth}
+\NewDocumentCommand{\musSemibreveDotted} {}{\musWholeDotted}
+\NewDocumentCommand{\musMinimDotted} {}{\musHalfDotted}
+\NewDocumentCommand{\musSeminiminimDotted} {}{\musQuarterDotted}
+\NewDocumentCommand{\musCorcheaDotted} {}{\musEighthDotted}
+
+\endinput
diff --git a/Master/tlpkg/bin/tlpkg-ctan-check b/Master/tlpkg/bin/tlpkg-ctan-check
index a48d89b55c1..86ef689d109 100755
--- a/Master/tlpkg/bin/tlpkg-ctan-check
+++ b/Master/tlpkg/bin/tlpkg-ctan-check
@@ -433,7 +433,7 @@ my @TLP_working = qw(
mucproc mugsthesis multenum
multiaudience multibbl multibib multibibliography
multicap multienv multiexpand multirow
- multidef multido multilang multiobjective munich musixguit
+ multidef multido multilang multiobjective munich musicography musixguit
musixtex musixtex-fonts musixtnt musuos muthesis
mversion mwcls mwe mweights mxedruli
mychemistry mycv mylatexformat mynsfc
diff --git a/Master/tlpkg/tlpsrc/collection-music.tlpsrc b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
index 3c5397df3b5..25df4193495 100644
--- a/Master/tlpkg/tlpsrc/collection-music.tlpsrc
+++ b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
@@ -17,6 +17,7 @@ depend harmony
depend leadsheets
depend lilyglyphs
depend m-tx
+depend musicography
depend musixguit
depend musixtex
depend musixtex-fonts
diff --git a/Master/tlpkg/tlpsrc/musicography.tlpsrc b/Master/tlpkg/tlpsrc/musicography.tlpsrc
new file mode 100644
index 00000000000..e69de29bb2d
--- /dev/null
+++ b/Master/tlpkg/tlpsrc/musicography.tlpsrc