dramatist (20dec14)

git-svn-id: svn://tug.org/texlive/trunk@35866 c570f23f-e606-0410-a88d-b1316a301751

9 files changed, 146 insertions, 1231 deletions

diff --git a/Master/texmf-dist/doc/latex/dramatist/README b/Master/texmf-dist/doc/latex/dramatist/README
index f02b5d7bf2e..c758ab68e76 100644
--- a/Master/texmf-dist/doc/latex/dramatist/README
+++ b/Master/texmf-dist/doc/latex/dramatist/README
@@ -1,92 +1,97 @@
-This package contains the following files:

-

-     - `Readme': this file.

-     - `dramatist.dtx': the package source file.

-     - `dramatist.ins': the installation driver file.

-

-In order to get file `dramatist.sty' you have to run tex on

-`dramatist.ins' (you'll get also the example files).

-

-In order to get documentation you have to run latex on

-`dramatist.dtx'.

-

-Then move `dramatist.sty' in a directory where TeX looks for style

-files and move documentation files in the directory you like.

-N.B.: if you have a file `docstrip.cfg' in your system you only

-need to create directories <basedir>/tex/latex/dramatist and

-<basedir>/doc/latex/dramatist - TeX will automatically move the

-files in these directories.

-

-This package is released under the GNU General Public License. The

-related documentation is released under the terms of the FDPL Free

-Documentation Public Licence. For further details concerning these

-licenses see the documentation.

-

-

-                    +-------------+

-                    |  DRAMATIST  |

-                    +-------------+

-

-                      - Overview -

-

-The present package provides support for drama both in verse and

-in prose. The following facilities are given: two environments for

-typesetting dialogues in prose or in verse; new document divisions

-corresponding to acts and scenes; macros that control the

-appearance of characters and stage directions; and automatical

-generation of a `Dramatis Personae' list.

-

-                     - Changelog -

-

-v1.0 First public release.

-

-v1.1 Added support for line numbering.

-

-     Added a \speaker command for characters not included in

-     the `Dramatis Personae' list.

-

-     Changes made to the `drama*' environment.

-

-     \act \scene and \DramPer made more compliant to the standard

-     document division commands.

-

-v1.2 Added support for `poemscol' package.

-

-     Introduced an `uppercase' series of sectioning commands.

-

-     First argument in \Character made optional (this causes

-     incompatibility with previous versions).

-

-     Added environment (`CharacterGroup') for characters groups in

-     the `Dramatis Personae' list.

-

-     Added various hooks for user customization.

-

-v1.2a Fixed a bug in the vertical spacing of \DramPer.

-

-      Changed name of counter 'linenumber' to 'verselinenumber'

-      in order to mantain compatibility with package 'poemscol'.

-      

-v1.2c Fixed a conflict with the spanish extension of `babel'.

-      

-      Fixed a bug in macro \direct: issuing a \<name> command

-      at the end of this macro no more produces unwanted spaces.

-      

-      Fixed a typo in the author e-mail address.

-

-v1.2d Fixed a bug in the spacing of characters' groups inside a

-      dramatis personae list.

-

-      Fixed a bug with \dirdelimiter.

-

-      Fixed a bug with \speaksdel inside a verse drama environment.

-      

-                 - Bugs Report -

-

-Please report any bugs you find, sending an e-mail to this

-address: mlgdominici@interfree.it. While I don't guarantee you an

-immediate answer, I'll try to solve any problem and I'll be glad

-to receive suggestions. I hope you'll enjoy this poor result of my

-efforts.

-

-Massimiliano Dominici.

+This package contains the following files:
+
+     - `Readme': this file.
+     - `dramatist.dtx': the package source file.
+     - `dramatist.ins': the installation driver file.
+
+In order to get file `dramatist.sty' you have to run tex on
+`dramatist.ins' (you'll get also the example files).
+
+In order to get documentation you have to run latex on
+`dramatist.dtx'.
+
+Then move `dramatist.sty' in a directory where TeX looks for style
+files and move documentation files in the directory you like.
+N.B.: if you have a file `docstrip.cfg' in your system you only
+need to create directories <basedir>/tex/latex/dramatist and
+<basedir>/doc/latex/dramatist - TeX will automatically move the
+files in these directories.
+
+This package is released under the GNU General Public License. The
+related documentation is released under the terms of the FDPL Free
+Documentation Public Licence. For further details concerning these
+licenses see the documentation.
+
+
+                    +-------------+
+                    |  DRAMATIST  |
+                    +-------------+
+
+                      - Overview -
+
+The present package provides support for drama both in verse and
+in prose. The following facilities are given: two environments for
+typesetting dialogues in prose or in verse; new document divisions
+corresponding to acts and scenes; macros that control the
+appearance of characters and stage directions; and automatical
+generation of a `Dramatis Personae' list.
+
+                     - Changelog -
+
+v1.0 First public release.
+
+v1.1 Added support for line numbering.
+
+     Added a \speaker command for characters not included in
+     the `Dramatis Personae' list.
+
+     Changes made to the `drama*' environment.
+
+     \act \scene and \DramPer made more compliant to the standard
+     document division commands.
+
+v1.2 Added support for `poemscol' package.
+
+     Introduced an `uppercase' series of sectioning commands.
+
+     First argument in \Character made optional (this causes
+     incompatibility with previous versions).
+
+     Added environment (`CharacterGroup') for characters groups in
+     the `Dramatis Personae' list.
+
+     Added various hooks for user customization.
+
+v1.2a Fixed a bug in the vertical spacing of \DramPer.
+
+      Changed name of counter 'linenumber' to 'verselinenumber'
+      in order to mantain compatibility with package 'poemscol'.
+      
+v1.2c Fixed a conflict with the spanish extension of `babel'.
+      
+      Fixed a bug in macro \direct: issuing a \<name> command
+      at the end of this macro no more produces unwanted spaces.
+      
+      Fixed a typo in the author e-mail address.
+
+v1.2d Fixed a bug in the spacing of characters' groups inside a
+      dramatis personae list.
+
+      Fixed a bug with \dirdelimiter.
+
+      Fixed a bug with \speaksdel inside a verse drama environment.
+
+v1.2e Fixed a bug with \actcontentsline and \scenecontentsline not
+      actually used by \Act, \act, \Scene and \scene.
+
+      Updated e-mail contact.
+      
+                 - Bugs Report -
+
+Please report any bugs you find, sending an e-mail to this
+address: mlgdominici@gmail.com. While I don't guarantee you an
+immediate answer, I'll try to solve any problem and I'll be glad
+to receive suggestions. I hope you'll enjoy this poor result of my
+efforts.
+
+Massimiliano Dominici.
diff --git a/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf b/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf
index 98d004d3b51..4e753cade5b 100644
--- a/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf
+++ b/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf
diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex
deleted file mode 100644
index 3767f128025..00000000000
--- a/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex
+++ /dev/null
@@ -1,377 +0,0 @@
-%%
-%% This is file `marlowe-poemscol.tex',
-%% generated with the docstrip utility.
-%%
-%% The original source files were:
-%%
-%% dramatist.dtx  (with options: `pmarlowe')
-%% 
-%% IMPORTANT NOTICE:
-%% 
-%% For the copyright see the source file.
-%% 
-%% Any modified versions of this file must be renamed
-%% with new filenames distinct from marlowe-poemscol.tex.
-%% 
-%% For distribution of the original source see the terms
-%% for copying and modification in the file dramatist.dtx.
-%% 
-%% This generated file may be distributed as long as the
-%% original source files, as listed above, are part of the
-%% same distribution. (The sources need not necessarily be
-%% in the same archive or directory.)
-%% dramatist.dtx
-%% Copyright (C) 2003-2005 Massimiliano Dominici
-%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
-%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
-%%   Digits        \0\1\2\3\4\5\6\7\8\9
-%%   Exclamation   \!     Double quote  \"     Hash (number) \#
-%%   Dollar        \$     Percent       \%     Ampersand     \&
-%%   Acute accent  \'     Left paren    \(     Right paren   \)
-%%   Asterisk      \*     Plus          \+     Comma         \,
-%%   Minus         \-     Point         \.     Solidus       \/
-%%   Colon         \:     Semicolon     \;     Less than     \<
-%%   Equals        \=     Greater than  \>     Question mark \?
-%%   Commercial at \@     Left bracket  \[     Backslash     \\
-%%   Right bracket \]     Circumflex    \^     Underscore    \_
-%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
-%%   Right brace   \}     Tilde         \~}
-%%
-%%\section{The GNU General Public License}
-%% This file shows some basic features of package `dramatist', when
-%% typesetting a drama in verse. Here we use package `poemscol' as a
-%% support for text in verse; if you usually use package `verse'
-%% instead, you may give a look to file `marlowe-verse.tex'.
-%%
-%% The source for this example is taken from Marlowe's `Jew of
-%% Malta'. I took leave to insert division in scenes, which is not
-%% present in the original edition, in order to show more features.
-
-\documentclass{book}
-\usepackage{fancyhdr,newmarn,geometry}
-\usepackage{keyval,ifthen,newcropmark}
-\usepackage{poemscol}
-
-%% Load package `dramatist' after `poemscol'
-\usepackage{dramatist}
-
-%% comment out one of the following lines (and comment out the
-%% previous one) if you want line numbering per act or per scene.
-%%\usepackage[lnpa]{dramatist}
-%%\usepackage[lnps]{dramatist}
-
-%% We may change some parameters in the look of acts and scenes:
-%%\renewcommand{\actnamefont}{\bfseries\Large}
-%%\renewcommand{\theact}{\Roman{act}}
-%%\renewcommand{\scenenamefont}{\bfseries\large}
-%%\renewcommand{\thescene}{\Roman{scene}}
-
-%% We may change some parameters in the look of characters:
-%%\renewcommand{\castfont}{\bfseries}
-%%\renewcommand{\speaksfont}{\itshape}
-%%\renewcommand{\speaksdel}{:}
-
-%% We may change some parameters in the look of stage directions:
-%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}}
-
-%% Comment out the following lines if you want to insert a vertical
-%% space between speeches.
-%%\makeatletter
-%%\renewcommand{\speakstab}{\if@stagedir\global\@stagedirfalse\else\bigskip\fi\hspace{\speaksskip}}
-%%\makeatother
-
-%% Maybe you want acts and scenes print their marks in the headings.
-%% The following lines should work.
-%%\renewcommand{\drampermark}[1]{\volumeheader{#1}}
-%%\renewcommand{\actmark}[1]{\leftheader{#1}}
-%%\renewcommand{\scenemark}[1]{\volumeheader{#1}}
-%%\fancyhf{}
-%%\fancyhead[CO]{\scshape \volumeheadervalue}
-%%\fancyhead[CE]{\scshape \leftheadervalue}
-%%\fancyfoot[CE]{\thepage}
-%%\fancyfoot[CO]{\thepage}
-
-\author{Christopher Marlowe}
-\title{The Jew of Malta}
-\date{}
-
-\begin{document}
-\begin{titlepage}
-\maketitle
-\end{titlepage}
-
-\tableofcontents
-
-%% We define some characters appearing in the play.
-\Character[FERNEZE, governor of Malta.]{Ferneze}{fer}
-\Character[LODOWICK, his son.]{Lodowick}{lod}
-\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal}
-\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar}
-\Character[MATHIAS, a gentleman.]{Mathias}{mat}
-%% group of characters.
-\begin{CharacterGroup}{friars.}
-\GCharacter{JACOMO,}{Jacomo}{jac}
-\GCharacter{BARNARDINE,}{Barnardine}{barn}
-\end{CharacterGroup}
-\Character[BARABAS, a wealthy Jew.]{Barabas}{bar}
-\Character[ITHAMORE, a slave.]{Ithamore}{ith}
-\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb}
-%% the following three collective characters appear in the play as
-%% single instances, so we don't need define commands and entries
-%% for them.
-\Character[Two Merchants.]{}{}
-\Character[Three Jews.]{}{}
-\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{}
-\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat}
-\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi}
-\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel}
-\Character[ABBESS.]{Abbess}{abb}
-\Character[NUN.]{Nun}{nun}
-%% This character doesn't appear in the dramatist personae list.
-\Character{Machiavel}{mac}
-
-%% We call the dramatis personae list.
-\DramPer
-
-%% The Prologue: we use \Act, but prevent it from printing \actname
-%% and \theact.
-\setcounter{secnumdepth}{-1}
-\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1}
-%% This is needed only with customized headings.
-%%\renewcommand{\actname}{}
-%%\renewcommand{\theact}{}
-\Act{Prologue}
-
-\StageDir{Enter \mac.}
-
-\begin{drama*}
-\macspeaks
-Albeit the world think Machiavel is dead,\verseline
-Yet was his soul but flown beyond the Alps;\verseline
-And, now the Guise is dead, is come from France,\verseline
-To view this land, and frolic with his friends.\verseline
-To some perhaps my name is odious;\verseline
-But such as love me, guard me from their tongues,\verseline
-And let them know that I am Machiavel,\verseline
-And weigh not men, and therefore not men's words.\verseline
-Admir'd I am of those that hate me most:\verseline
-Though some speak openly against my books,\verseline
-Yet will they read me, and thereby attain\verseline
-To Peter's chair; and, when they cast me off,\verseline
-Are poison'd by my climbing followers.\verseline
-I count religion but a childish toy,\verseline
-And hold there is no sin but ignorance.\verseline
-Birds of the air will tell of murders past!\verseline
-I am asham'd to hear such fooleries.\verseline
-Many will talk of title to a crown:\verseline
-What right had Caesar to the empery?\verseline
-Might first made kings, and laws were then most sure\verseline
-When, like the Draco's, they were writ in blood.\verseline
-Hence comes it that a strong-built citadel\verseline
-Commands much more than letters can import:\verseline
-Which maxim had Phalaris observ'd,\verseline
-H'ad never bellow'd, in a brazen bull,\verseline
-Of great ones' envy:  o' the poor petty wights\verseline
-Let me be envied and not pitied.\verseline
-But whither am I bound?  I come not, I,\verseline
-To read a lecture here in Britain,\verseline
-But to present the tragedy of a Jew,\verseline
-Who smiles to see how full his bags are cramm'd;\verseline
-Which money was not got without my means.\verseline
-I crave but this,--grace him as he deserves,\verseline
-And let him not be entertain'd the worse\verseline
-Because he favours me.\verseline
-\direct{Exit.}
-\end{drama*}
-
-%% Now we restore the default settings.
-\setcounter{act}{0}
-\setcounter{secnumdepth}{0}
-\renewcommand{\printacttitle}[1]{\acttitlefont #1}
-%% This is needed only with customized headings.
-%%\renewcommand{\actname}{Act}
-%%\renewcommand{\theact}{\roman{act}}
-%%\renewcommand{\theact}{\Roman{act}}
-
-%% Without a title, the command to be used is \act. We add a
-%% footnote, just to show a feature.
-\act[\footnote{This is the first act.}]
-
-\scene
-%% Scene are not marked in the original edition. I have introduced
-%% them (somehow arbitrarily, I suppose) to give a complete review
-%% of the available features.
-
-\StageDir{\bar discovered in his counting-house, with heaps
-of gold before him.}
-
-\begin{drama*}
-\barspeaks So that of thus much that return was made;\verseline
-And of the third part of the Persian ships\verseline
-There was the venture summ'd and satisfied.\verseline
-As for those Samnites, and the men of Uz,\verseline
-That bought my Spanish oils and wines of Greece,\verseline
-Here have I purs'd their paltry silverlings.\verseline
-Fie, what a trouble 'tis to count this trash!\verseline
-Well fare the Arabians, who so richly pay\verseline
-The things they traffic for with wedge of gold,\verseline
-Whereof a man may easily in a day\verseline
-Tell that which may maintain him all his life.\verseline
-The needy groom, that never finger'd groat,\verseline
-Would make a miracle of thus much coin;\verseline
-But he whose steel-barr'd coffers are cramm'd full,\verseline
-And all his life-time hath been tired,\verseline
-Wearying his fingers' ends with telling it,\verseline
-Would in his age be loath to labour so,\verseline
-And for a pound to sweat himself to death.\verseline
-Give me the merchants of the Indian mines,\verseline
-That trade in metal of the purest mould;\verseline
-The wealthy Moor, that in the eastern rocks\verseline
-Without control can pick his riches up,\verseline
-And in his house heap pearl like pebble-stones,\verseline
-Receive them free, and sell them by the weight;\verseline
-Bags of fiery opals, sapphires, amethysts,\verseline
-Jacinths, hard topaz, grass-green emeralds,\verseline
-Beauteous rubies, sparkling diamonds,\verseline
-And seld-seen costly stones of so great price,\verseline
-As one of them, indifferently rated,\verseline
-And of a carat of this quantity,\verseline
-May serve, in peril of calamity,\verseline
-To ransom great kings from captivity.\verseline
-This is the ware wherein consists my wealth;\verseline
-And thus methinks should men of judgment frame\verseline
-Their means of traffic from the vulgar trade,\verseline
-And, as their wealth increaseth, so inclose\verseline
-Infinite riches in a little room.\verseline
-But now how stands the wind?\verseline
-Into what corner peers my halcyon's bill?\verseline
-Ha! to the east? yes.  See how stand the vanes--\verseline
-East and by south:  why, then, I hope my ships\verseline
-I sent for Egypt and the bordering isles\verseline
-Are gotten up by Nilus' winding banks;\verseline
-Mine argosy from Alexandria,\verseline
-Loaden with spice and silks, now under sail,\verseline
-Are smoothly gliding down by Candy-shore\verseline
-To Malta, through our Mediterranean sea.--\verseline
-But who comes here?\verseline
-%% We need another character
-\Character{Merchant}{mer}
-\direct{Enter a \mer.}
-How now!\verseline
-
-\merspeaks Barabas, thy ships are safe,\verseline
-Riding in Malta-road; and all the merchants\verseline
-With other merchandise are safe arriv'd,\verseline
-And have sent me to know whether yourself\verseline
-Will come and custom them.\verseline
-
-\barspeaks The ships are safe thou say'st, and richly fraught?\verseline
-
-\merspeaks They are.\verseline
-
-\barspeaks Why, then, go bid them come ashore,\verseline
-And bring with them their bills of entry:\verseline
-I hope our credit in the custom-house\verseline
-Will serve as well as I were present there.\verseline
-Go send 'em threescore camels, thirty mules,\verseline
-And twenty waggons, to bring up the ware.\verseline
-But art thou master in a ship of mine,\verseline
-And is thy credit not enough for that?\verseline
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\scene
-%%Other characters.
-
-\Character{knights}{knights}
-\Character{officers}{officers}
-\Character{bassoes}{bassoes}
-\Character{First Basso}{fb}
-
-%% An alternative formulation for \StageDir.
-\begin{stagedir}
-Enter \fer, governor of Malta, \knights, and \officers;
-met by \cal, and \bassoes of the Turk.
-\end{stagedir}
-
-\begin{drama*}
-\ferspeaks Now, bassoes, what demand you at our hands?\verseline
-
-\fbspeaks Know, knights of Malta, that we came from Rhodes,\verseline
-From Cyprus, Candy, and those other isles\verseline
-That lie betwixt the Mediterranean seas.\verseline
-
-\ferspeaks What's Cyprus, Candy, and those other isles\verseline
-To us or Malta? what at our hands demand ye?\verseline
-
-\calspeaks The ten years' tribute that remains unpaid.\verseline
-
-\ferspeaks Alas, my lord, the sum is over-great!\verseline
-I hope your highness will consider us.\verseline
-
-\calspeaks I wish, grave governor, 'twere in my power\verseline
-To favour you; but 'tis my father's cause,\verseline
-Wherein I may not, nay, I dare not dally.\verseline
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\act
-
-\scene
-
-\StageDir{Enter \bar with a light.}
-
-\begin{drama*}
-\barspeaks Thus, like the sad-presaging raven, that tolls\verseline
-The sick man's passport in her hollow beak,\verseline
-And in the shadow of the silent night\verseline
-Doth shake contagion from her sable wings,\verseline
-Vex'd and tormented runs poor Barabas\verseline
-With fatal curses towards these Christians.\verseline
-The incertain pleasures of swift-footed time\verseline
-Have ta'en their flight, and left me in despair;\verseline
-And of my former riches rests no more\verseline
-But bare remembrance; like a soldier's scar,\verseline
-That has no further comfort for his maim.--\verseline
-O Thou, that with a fiery pillar ledd'st\verseline
-The sons of Israel through the dismal shades,\verseline
-Light Abraham's offspring; and direct the hand\verseline
-Of Abigail this night! or let the day\verseline
-Turn to eternal darkness after this!--\verseline
-No sleep can fasten on my watchful eyes,\verseline
-Nor quiet enter my distemper'd thoughts,\verseline
-Till I have answer of my Abigail.\verseline
-\end{drama*}
-
-\StageDir{Enter \abi above.}
-
-\begin{drama*}
-\abispeaks Now have I happily espied a time\verseline
-To search the plank my father did appoint;\verseline
-And here, behold, unseen, where I have found\verseline
-The gold, the pearls, and jewels, which he hid.\verseline
-
-\barspeaks Now I remember those old women's words,\verseline
-Who in my wealth would tell me winter's tales,\verseline
-And speak of spirits and ghosts that glide by night\verseline
-About the place where treasure hath been hid:\verseline
-And now methinks that I am one of those;\verseline
-For, whilst I live, here lives my soul's sole hope,\verseline
-And, when I die, here shall my spirit walk.\verseline
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\end{document}
-
-\endinput
-%%
-%% End of file `marlowe-poemscol.tex'.
diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex
deleted file mode 100644
index 38189340559..00000000000
--- a/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex
+++ /dev/null
@@ -1,387 +0,0 @@
-%%
-%% This is file `marlowe-verse.tex',
-%% generated with the docstrip utility.
-%%
-%% The original source files were:
-%%
-%% dramatist.dtx  (with options: `vmarlowe')
-%% 
-%% IMPORTANT NOTICE:
-%% 
-%% For the copyright see the source file.
-%% 
-%% Any modified versions of this file must be renamed
-%% with new filenames distinct from marlowe-verse.tex.
-%% 
-%% For distribution of the original source see the terms
-%% for copying and modification in the file dramatist.dtx.
-%% 
-%% This generated file may be distributed as long as the
-%% original source files, as listed above, are part of the
-%% same distribution. (The sources need not necessarily be
-%% in the same archive or directory.)
-%% dramatist.dtx
-%% Copyright (C) 2003-2005 Massimiliano Dominici
-%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
-%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
-%%   Digits        \0\1\2\3\4\5\6\7\8\9
-%%   Exclamation   \!     Double quote  \"     Hash (number) \#
-%%   Dollar        \$     Percent       \%     Ampersand     \&
-%%   Acute accent  \'     Left paren    \(     Right paren   \)
-%%   Asterisk      \*     Plus          \+     Comma         \,
-%%   Minus         \-     Point         \.     Solidus       \/
-%%   Colon         \:     Semicolon     \;     Less than     \<
-%%   Equals        \=     Greater than  \>     Question mark \?
-%%   Commercial at \@     Left bracket  \[     Backslash     \\
-%%   Right bracket \]     Circumflex    \^     Underscore    \_
-%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
-%%   Right brace   \}     Tilde         \~}
-%%
-%%\section{The GNU General Public License}
-%% This file shows some basic features of package `dramatist', when
-%% typesetting a drama in verse. Here we use package `verse' as a
-%% support for text in verse; if you usually use package `poemscol'
-%% instead, you may give a look to file `marlowe-poemscol.tex'.
-%%
-%% The source for this example is taken from Marlowe's `Jew of
-%% Malta'. I took leave to insert division in scenes, which is not
-%% present in the original edition, in order to show more features.
-
-\documentclass{book}
-\usepackage{verse}
-%% Warning: in this document I have used `\\!' (end of stanzas) to
-%% mark the end of a speech, so that a space would be inserted
-%% between speeches. This works only with the verse package or the
-%% memoir class. Otherwise you must insert such a space by hand or
-%% try to redefine \speakstab: e.g.
-%% \renewcommand{\speakstab}{\bigskip\hspace{\speaksskip}}.
-
-%% Load package `dramatist' after `verse'
-\usepackage{dramatist}
-
-%% comment out one of the following lines (and comment out the
-%% previous one) if you want line numbering per act or per scene.
-%%\usepackage[lnpa]{dramatist}
-%%\usepackage[lnps]{dramatist}
-
-\pagestyle{plain}
-%% Maybe you want acts and scenes print their marks in the headings.
-%% The following lines should work.
-%%\makeatletter
-%%\def\ps@myheadings{%%
-%%    \renewcommand\drampermark[1]{\markboth{##1}{}}
-%%    \renewcommand\actmark[1]{\markboth{##1}{}}
-%%    \renewcommand\scenemark[1]{\markright{##1}}
-%%    \def\@oddfoot{\hfil\thepage\hfil}
-%%    \def\@evenfoot{\hfil\thepage\hfil}
-%%    \def\@evenhead{\hfil\scshape\leftmark\hfil}%%
-%%    \def\@oddhead{\hfil\scshape\rightmark\hfil}%%
-%%}
-%%\makeatother
-%%\pagestyle{myheadings}
-
-%% We may change some parameters in the look of acts and scenes:
-%%\renewcommand{\actnamefont}{\bfseries\Large}
-%%\renewcommand{\theact}{\Roman{act}}
-%%\renewcommand{\scenenamefont}{\bfseries\large}
-%%\renewcommand{\thescene}{\Roman{scene}}
-
-%% We may change some parameters in the look of characters:
-%%\renewcommand{\castfont}{\bfseries}
-%%\renewcommand{\speaksfont}{\itshape}
-%%\renewcommand{\speaksdel}{:}
-
-%% We may change some parameters in the look of stage directions:
-%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}}
-
-%% This is from verse package (or memoir class), for line numbering.
-\poemlines{5}
-
-\author{Christopher Marlowe}
-\title{The Jew of Malta}
-\date{}
-
-\begin{document}
-\begin{titlepage}
-\maketitle
-\end{titlepage}
-
-\tableofcontents
-
-%% We define some characters appearing in the play.
-\Character[FERNEZE, governor of Malta.]{Ferneze}{fer}
-\Character[LODOWICK, his son.]{Lodowick}{lod}
-\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal}
-\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar}
-\Character[MATHIAS, a gentleman.]{Mathias}{mat}
-%% group of characters.
-\begin{CharacterGroup}{friars.}
-\GCharacter{JACOMO,}{Jacomo}{jac}
-\GCharacter{BARNARDINE,}{Barnardine}{barn}
-\end{CharacterGroup}
-\Character[BARABAS, a wealthy Jew.]{Barabas}{bar}
-\Character[ITHAMORE, a slave.]{Ithamore}{ith}
-\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb}
-%% the following three collective characters appear in the play as
-%% single instances, so we don't need define commands and entries
-%% for them.
-\Character[Two Merchants.]{}{}
-\Character[Three Jews.]{}{}
-\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{}
-\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat}
-\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi}
-\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel}
-\Character[ABBESS.]{Abbess}{abb}
-\Character[NUN.]{Nun}{nun}
-%% This character doesn't appear in the dramatist personae list.
-\Character{Machiavel}{mac}
-
-%% We call the dramatis personae list.
-\DramPer
-
-%% The Prologue: we use \Act, but prevent it from printing \actname
-%% and \theact.
-\setcounter{secnumdepth}{-1}
-\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1}
-%% This is needed only with myheadings.
-%%\renewcommand{\actname}{}
-%%\renewcommand{\theact}{}
-
-\Act{Prologue}
-
-\StageDir{Enter \mac.}
-
-\begin{drama*}
-\macspeaks
-Albeit the world think Machiavel is dead,\\
-Yet was his soul but flown beyond the Alps;\\
-And, now the Guise is dead, is come from France,\\
-To view this land, and frolic with his friends.\\
-To some perhaps my name is odious;\\
-But such as love me, guard me from their tongues,\\
-And let them know that I am Machiavel,\\
-And weigh not men, and therefore not men's words.\\
-Admir'd I am of those that hate me most:\\
-Though some speak openly against my books,\\
-Yet will they read me, and thereby attain\\
-To Peter's chair; and, when they cast me off,\\
-Are poison'd by my climbing followers.\\
-I count religion but a childish toy,\\
-And hold there is no sin but ignorance.\\
-Birds of the air will tell of murders past!\\
-I am asham'd to hear such fooleries.\\
-Many will talk of title to a crown:\\
-What right had Caesar to the empery?\\
-Might first made kings, and laws were then most sure\\
-When, like the Draco's, they were writ in blood.\\
-Hence comes it that a strong-built citadel\\
-Commands much more than letters can import:\\
-Which maxim had Phalaris observ'd,\\
-H'ad never bellow'd, in a brazen bull,\\
-Of great ones' envy:  o' the poor petty wights\\
-Let me be envied and not pitied.\\
-But whither am I bound?  I come not, I,\\
-To read a lecture here in Britain,\\
-But to present the tragedy of a Jew,\\
-Who smiles to see how full his bags are cramm'd;\\
-Which money was not got without my means.\\
-I crave but this,--grace him as he deserves,\\
-And let him not be entertain'd the worse\\
-Because he favours me.\\
-\direct*{Exit.}
-%% The starred version of \direct can be used only at the end of a
-%% speech, when the verse package or the memoir class has been
-%% loaded.
-\end{drama*}
-
-%% Now we restore the default settings.
-\setcounter{act}{0}
-\setcounter{secnumdepth}{0}
-\renewcommand{\printacttitle}[1]{\acttitlefont #1}
-%% This is needed only with myheadings.
-%%\renewcommand{\actname}{Act}
-%%\renewcommand{\theact}{\roman{act}}
-%%\renewcommand{\theact}{\Roman{act}}
-
-%% Without a title, the command to be used is \act. We add a
-%% footnote, just to show a feature.
-\act[\footnote{This is the first act.}]
-
-\scene
-%% Scene are not marked in the original edition. I have introduced
-%% them (somehow arbitrarily, I suppose) to give a complete review
-%% of the available features.
-
-\StageDir{\bar discovered in his counting-house, with heaps
-of gold before him.}
-
-\begin{drama*}
-\barspeaks So that of thus much that return was made;\\
-And of the third part of the Persian ships\\
-There was the venture summ'd and satisfied.\\
-As for those Samnites, and the men of Uz,\\
-That bought my Spanish oils and wines of Greece,\\
-Here have I purs'd their paltry silverlings.\\
-Fie, what a trouble 'tis to count this trash!\\
-Well fare the Arabians, who so richly pay\\
-The things they traffic for with wedge of gold,\\
-Whereof a man may easily in a day\\
-Tell that which may maintain him all his life.\\
-The needy groom, that never finger'd groat,\\
-Would make a miracle of thus much coin;\\
-But he whose steel-barr'd coffers are cramm'd full,\\
-And all his life-time hath been tired,\\
-Wearying his fingers' ends with telling it,\\
-Would in his age be loath to labour so,\\
-And for a pound to sweat himself to death.\\
-Give me the merchants of the Indian mines,\\
-That trade in metal of the purest mould;\\
-The wealthy Moor, that in the eastern rocks\\
-Without control can pick his riches up,\\
-And in his house heap pearl like pebble-stones,\\
-Receive them free, and sell them by the weight;\\
-Bags of fiery opals, sapphires, amethysts,\\
-Jacinths, hard topaz, grass-green emeralds,\\
-Beauteous rubies, sparkling diamonds,\\
-And seld-seen costly stones of so great price,\\
-As one of them, indifferently rated,\\
-And of a carat of this quantity,\\
-May serve, in peril of calamity,\\
-To ransom great kings from captivity.\\
-This is the ware wherein consists my wealth;\\
-And thus methinks should men of judgment frame\\
-Their means of traffic from the vulgar trade,\\
-And, as their wealth increaseth, so inclose\\
-Infinite riches in a little room.\\
-But now how stands the wind?\\
-Into what corner peers my halcyon's bill?\\
-Ha! to the east? yes.  See how stand the vanes--\\
-East and by south:  why, then, I hope my ships\\
-I sent for Egypt and the bordering isles\\
-Are gotten up by Nilus' winding banks;\\
-Mine argosy from Alexandria,\\
-Loaden with spice and silks, now under sail,\\
-Are smoothly gliding down by Candy-shore\\
-To Malta, through our Mediterranean sea.--\\
-But who comes here?\\
-%% We need another character
-\Character{Merchant}{mer}
-\direct{Enter a \mer.}
-How now!\\!
-
-\merspeaks Barabas, thy ships are safe,\\
-Riding in Malta-road; and all the merchants\\
-With other merchandise are safe arriv'd,\\
-And have sent me to know whether yourself\\
-Will come and custom them.\\!
-
-\barspeaks The ships are safe thou say'st, and richly fraught?\\!
-
-\merspeaks They are.\\!
-
-\barspeaks Why, then, go bid them come ashore,\\
-And bring with them their bills of entry:\\
-I hope our credit in the custom-house\\
-Will serve as well as I were present there.\\
-Go send 'em threescore camels, thirty mules,\\
-And twenty waggons, to bring up the ware.\\
-But art thou master in a ship of mine,\\
-And is thy credit not enough for that?\\!
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\scene
-%%Other characters.
-
-\Character{knights}{knights}
-\Character{officers}{officers}
-\Character{bassoes}{bassoes}
-\Character{First Basso}{fb}
-
-%% An alternative formulation for \StageDir.
-\begin{stagedir}
-Enter \fer, governor of Malta, \knights, and \officers;
-met by \cal, and \bassoes of the Turk.
-\end{stagedir}
-
-\begin{drama*}
-\ferspeaks Now, bassoes, what demand you at our hands?\\!
-
-\fbspeaks Know, knights of Malta, that we came from Rhodes,\\
-From Cyprus, Candy, and those other isles\\
-That lie betwixt the Mediterranean seas.\\!
-
-\ferspeaks What's Cyprus, Candy, and those other isles\\
-To us or Malta? what at our hands demand ye?\\!
-
-\calspeaks The ten years' tribute that remains unpaid.\\!
-
-\ferspeaks Alas, my lord, the sum is over-great!\\
-I hope your highness will consider us.\\!
-
-\calspeaks I wish, grave governor, 'twere in my power\\
-To favour you; but 'tis my father's cause,\\
-Wherein I may not, nay, I dare not dally.\\!
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\act
-
-\scene
-
-\StageDir{Enter \bar with a light.}
-
-\begin{drama*}
-\barspeaks Thus, like the sad-presaging raven, that tolls\\
-The sick man's passport in her hollow beak,\\
-And in the shadow of the silent night\\
-Doth shake contagion from her sable wings,\\
-Vex'd and tormented runs poor Barabas\\
-With fatal curses towards these Christians.\\
-The incertain pleasures of swift-footed time\\
-Have ta'en their flight, and left me in despair;\\
-And of my former riches rests no more\\
-But bare remembrance; like a soldier's scar,\\
-That has no further comfort for his maim.--\\
-O Thou, that with a fiery pillar ledd'st\\
-The sons of Israel through the dismal shades,\\
-Light Abraham's offspring; and direct the hand\\
-Of Abigail this night! or let the day\\
-Turn to eternal darkness after this!--\\
-No sleep can fasten on my watchful eyes,\\
-Nor quiet enter my distemper'd thoughts,\\
-Till I have answer of my Abigail.\\!
-\end{drama*}
-
-\StageDir{Enter \abi above.}
-
-\begin{drama*}
-\abispeaks Now have I happily espied a time\\
-To search the plank my father did appoint;\\
-And here, behold, unseen, where I have found\\
-The gold, the pearls, and jewels, which he hid.\\!
-
-\barspeaks Now I remember those old women's words,\\
-Who in my wealth would tell me winter's tales,\\
-And speak of spirits and ghosts that glide by night\\
-About the place where treasure hath been hid:\\
-And now methinks that I am one of those;\\
-For, whilst I live, here lives my soul's sole hope,\\
-And, when I die, here shall my spirit walk.\\!
-\end{drama*}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\end{document}
-
-\endinput
-%%
-%% End of file `marlowe-verse.tex'.
diff --git a/Master/texmf-dist/doc/latex/dramatist/schiller.tex b/Master/texmf-dist/doc/latex/dramatist/schiller.tex
deleted file mode 100644
index 5d048fa43ac..00000000000
--- a/Master/texmf-dist/doc/latex/dramatist/schiller.tex
+++ /dev/null
@@ -1,338 +0,0 @@
-%%
-%% This is file `schiller.tex',
-%% generated with the docstrip utility.
-%%
-%% The original source files were:
-%%
-%% dramatist.dtx  (with options: `schiller')
-%% 
-%% IMPORTANT NOTICE:
-%% 
-%% For the copyright see the source file.
-%% 
-%% Any modified versions of this file must be renamed
-%% with new filenames distinct from schiller.tex.
-%% 
-%% For distribution of the original source see the terms
-%% for copying and modification in the file dramatist.dtx.
-%% 
-%% This generated file may be distributed as long as the
-%% original source files, as listed above, are part of the
-%% same distribution. (The sources need not necessarily be
-%% in the same archive or directory.)
-%% dramatist.dtx
-%% Copyright (C) 2003-2005 Massimiliano Dominici
-%% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
-%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
-%%   Digits        \0\1\2\3\4\5\6\7\8\9
-%%   Exclamation   \!     Double quote  \"     Hash (number) \#
-%%   Dollar        \$     Percent       \%     Ampersand     \&
-%%   Acute accent  \'     Left paren    \(     Right paren   \)
-%%   Asterisk      \*     Plus          \+     Comma         \,
-%%   Minus         \-     Point         \.     Solidus       \/
-%%   Colon         \:     Semicolon     \;     Less than     \<
-%%   Equals        \=     Greater than  \>     Question mark \?
-%%   Commercial at \@     Left bracket  \[     Backslash     \\
-%%   Right bracket \]     Circumflex    \^     Underscore    \_
-%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
-%%   Right brace   \}     Tilde         \~}
-%%
-%%\section{The GNU General Public License}
-%% This file shows some basic features of package `dramatist', when
-%% typesetting a drama in prose. See the commented line for more
-%% informations.
-%%
-%% The source for this example is taken from Schiller's `The
-%% Robbers'.
-
-\documentclass{book}
-\usepackage{dramatist}
-
-\pagestyle{plain}
-%% Maybe you want acts and scenes print their marks in the headings.
-%% The following lines should work.
-%%\makeatletter
-%%\def\ps@myheadings{%%
-%%    \renewcommand\drampermark[1]{\markboth{##1}{}}
-%%    \renewcommand\actmark[1]{\markboth{##1}{}}
-%%    \renewcommand\scenemark[1]{\markright{##1}}
-%%    \def\@oddfoot{\hfil\thepage\hfil}
-%%    \def\@evenfoot{\hfil\thepage\hfil}
-%%    \def\@evenhead{\hfil\scshape\leftmark\hfil}%%
-%%    \def\@oddhead{\hfil\scshape\rightmark\hfil}%%
-%%}
-%%\makeatother
-%%\pagestyle{myheadings}
-
-%% We may change some parameters in the look of acts and scenes:
-%%\renewcommand{\actnamefont}{\bfseries\Large}
-%%\renewcommand{\theact}{\Roman{act}}
-%%\renewcommand{\scenenamefont}{\bfseries\large}
-%%\renewcommand{\thescene}{\Roman{scene}}
-
-%% We may change some parameters in the look of characters:
-%%\renewcommand{\castfont}{\bfseries}
-%%\renewcommand{\speaksfont}{\itshape}
-%%\renewcommand{\speaksdel}{.\\}
-%%\renewcommand{\namefont}{\bfseries}
-
-%% We may change some parameters in the look of stage directions:
-%%\StageDirConf{\begin{center}\begin{minipage}{.7\textwidth}\bfseries\centering}{\end{minipage}\end{center}}
-%%\renewcommand{\dirdelimiter}[1]{[#1]}
-
-%% If you want the name of character printed centered above the
-%% dialogue, you should comment out the following lines.
-%%\Dlabelsep=0pt
-%%\renewcommand{\speakslabel}[1]{%%
-%%    \hbox to\textwidth{\hfill\speaksfont{#1}\hfill}}
-
-\author{Friederich Schiller}
-\title{The Robbers}
-\date{}
-
-\begin{document}
-\begin{titlepage}
-\maketitle
-\end{titlepage}
-
-\tableofcontents
-
-%% We define some characters appearing in the play.
-\Character[MAXIMILIAN, COUNT VON MOOR.]{Old Moor}{moor}
-%% group of characters.
-\begin{CharacterGroup}{his Sons.}
-\GCharacter{CHARLES,}{Charles Von Moor}{cha}
-\GCharacter{FRANCIS,}{Francis}{fran}
-\end{CharacterGroup}
-\Character[AMELIA VON EDELREICH, his Niece.]{Amelia}{amelia}
-%% group of characters.
-\begin{CharacterGroup}{Libertines, afterwards Banditti}
-\GCharacter{SPIEGELBERG,}{Spiegelberg}{spie}
-\GCharacter{SCHWEITZER,}{Schweitzer}{schwei}
-\GCharacter{GRIMM,}{Grimm}{grim}
-\GCharacter{RAZMANN,}{Razmann}{raz}
-\GCharacter{SCHUFTERLE,}{Schufterle}{schuf}
-\GCharacter{ROLLER,}{Roller}{rol}
-\GCharacter{KOSINSKY,}{Kosinsky}{kos}
-\GCharacter{SCHWARTZ,}{Schwartz}{schwa}
-\end{CharacterGroup}
-\Character[HERMANN, the natural son of a Nobleman.]{Hermann}{her}
-\Character[DANIEL, an old Servant of Count von Moor.]{Daniel}{dan}
-\Character[PASTOR MOSER.]{Pastor Moser}{pm}
-\Character[FATHER DOMINIC, a Monk.]{Father Dominic}{fd}
-%% the following collective character appears in the play as single
-%% instances, so we don't need define commands and entries for it.
-\Character[BAND OF ROBBERS, SERVANTS, ETC.]{}{}
-
-%% We call the dramatis personae list.
-\DramPer
-
-\act
-
-%% Schiller puts some general informations about location in the
-%% scene heading. So, we must use uppercase version of `\scene'. On
-%% the other hand we don't want this information to appear in
-%% headers and table of contents; hence the empty optional argument.
-\Scene[]{. -- Franconia}
-
-\StageDir{Apartment in the Castle of COUNT MOOR.\\\fran, \moor}
-
-\begin{drama}
-\franspeaks But are you really well, father? You look so pale.
-
-\moorspeaks Quite well, my son -- what have you to tell me?
-
-\franspeaks The post is arrived -- a letter from our correspondent at
-Leipsic.
-
-\moorspeaks \direct{eagerly} Any tidings of my son Charles?
-
-\franspeaks Hem! Hem! -- Why, yes. But I fear -- I know not -- whether I dare
- -- your health. -- Are you really quite well, father?
-
-\moorspeaks As a fish in water. Does he write of my son? What means this
-anxiety about my health? You have asked me that question twice.
-
-\franspeaks If you are unwell -- or are the least apprehensive of being so --
-permit me to defer -- I will speak to you at a fitter season. -- \direct{Half
-aside.} These are no tidings for a feeble frame.
-
-\moorspeaks Gracious Heavens? what am I doomed to hear?
-
-\franspeaks First let me retire and shed a tear of compassion for my lost
-brother. Would that my lips might be forever sealed -- for he is your
-son! Would that I could throw an eternal veil over his shame -- for he is
-my brother! But to obey you is my first, though painful, duty -- forgive
-me, therefore.
-
-\moorspeaks Oh, Charles! Charles! Didst thou but know what thorns thou
-plantest in thy father's bosom! That one gladdening report of thee would
-add ten years to my life! yes, bring back my youth! whilst now, alas,
-each fresh intelligence but hurries me a step nearer to the grave!
-
-\franspeaks Is it so, old man, then farewell! for even this very day we
-might all have to tear our hair over your coffin.
-
-\moorspeaks Stay! There remains but one short step more -- let him have his
-will! \direct{He sits down.} The sins of the father shall be visited unto the
-third and fourth generation -- let him fulfil the decree.
-
-\franspeaks \direct{takes the letter out of his pocket}. You know our
-correspondent! See! I would give a finger of my right hand might I
-pronounce him a liar -- a base and slanderous liar! Compose yourself!
-Forgive me if I do not let you read the letter yourself. You cannot,
-must not, yet know all.
-
-\moorspeaks All, all, my son. You will but spare me crutches.
-
-\franspeaks \direct{reads} ``Leipsic, May 1. Were I not bound by an inviolable
-promise to conceal nothing from you, not even the smallest particular,
-that I am able to collect, respecting your brother's career, never, my
-dearest friend, should my guiltless pen become an instrument of torture
-to you. I can gather from a hundred of your letters how tidings such as
-these must pierce your fraternal heart. It seems to me as though I saw
-thee, for the sake of this worthless, this detestable'' -- \direct{\moor covers
-his face}. Oh! my father, I am only reading you the mildest passages --
-``this detestable man, shedding a thousand tears.'' Alas! mine flowed -- ay,
-gushed in torrents over these pitying cheeks. ``I already picture to
-myself your aged pious father, pale as death.'' Good Heavens! and so you
-are, before you have heard anything.
-
-\moorspeaks Go on! Go on!
-\end{drama}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\Scene[]{. -- A Tavern on the Frontier of Saxony.}
-
-\StageDir{\cha intent on a book; \spie drinking at the table.}
-
-\begin{drama}
-\chaspeaks \direct{lays the book aside}. I am disgusted with this age of
-puny scribblers when I read of great men in my Plutarch.
-
-\spiespeaks \direct{places a glass before him, and drinks.} Josephus is the book
-you should read.
-
-\chaspeaks The glowing spark of Prometheus is burnt out, and now
-they substitute for it the flash of lycopodium, a stage-fire which will
-not so much as light a pipe. The present generation may be compared to
-rats crawling about the club of Hercules.
-
-A French abbe lays it down that Alexander was a poltroon; a phthisicky
-professor, holding at every word a bottle of sal volatile to his nose,
-lectures on strength. Fellows who faint at the veriest trifle criticise
-the tactics of Hannibal; whimpering boys store themselves with phrases
-out of the slaughter at Canna; and blubber over the victories of Scipio,
-because they are obliged to construe them.
-
-\spiespeaks Spouted in true Alexandrian style.
-
-\chaspeaks A brilliant reward for your sweat in the battle-field
-truly to have your existence perpetuated in gymnasiums, and your
-immortality laboriously dragged about in a schoolboy's satchel. A
-precious recompense for your lavished blood to be wrapped round
-gingerbread by some Nuremberg chandler, or, if you have great luck, to
-be screwed upon stilts by a French playwright, and be made to move on
-wires! Ha, ha, ha!
-
-\spiespeaks \direct{drinks.} Read Josephus, I tell you.
-
-\chaspeaks Fie! fie upon this weak, effeminate age, fit for nothing
-but to ponder over the deeds of former times, and torture the heroes of
-antiquity with commentaries, or mangle them in tragedies. The vigor of
-its loins is dried up, and the propagation of the human species has
-become dependent on potations of malt liquor.
-\end{drama}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\act
-
-\Scene[]{. -- {\scshape Francis von Moor} in his chamber -- in meditation.}
-
-\begin{drama}
-\franspeaks It lasts too long -- and the doctor even says is recovering -- an
-old man's life is a very eternity! The course would be free and plain
-before me, but for this troublesome, tough lump of flesh, which, like
-the infernal demon-hound in ghost stories, bars the way to my treasures.
-
-Must, then, my projects bend to the iron yoke of a mechanical system?
-Is my soaring spirit to be chained down to the snail's pace of matter?
-To blow out a wick which is already flickering upon its last drop of
-oil -- 'tis nothing more. And yet I would rather not do it myself, on
-account of what the world would say. I should not wish him to be
-killed, but merely disposed of. I should like to do what your clever
-physician does, only the reverse way -- not stop Nature's course by
-running a bar across her path, but only help her to speed a little
-faster. Are we not able to prolong the conditions of life? Why,
-then, should we not also be able to shorten them? Philosophers and
-physiologists teach us how close is the sympathy between the emotions of
-the mind and the movements of the bodily machine. Convulsive sensations
-are always accompanied by a disturbance of the mechanical vibrations --
-passions injure the vital powers -- an overburdened spirit bursts its
-shell. Well, then -- what if one knew how to smooth this unbeaten path,
-for the easier entrance of death into the citadel of life? -- to work the
-body's destruction through the mind -- ha! an original device! -- who can
-accomplish this? -- a device without a parallel! Think upon it, Moor!
-That were an art worthy of thee for its inventor. Has not poisoning
-been raised almost to the rank of a regular science, and Nature
-compelled, by the force of experiments, to define her limits, so that
-one may now calculate the heart's throbbings for years in advance, and
-say to the beating pulse, ``So far, and no farther''? Why should not one
-try one's skill in this line?
-
-And how, then, must I, too, go to work to dissever that sweet and
-peaceful union of soul and body? What species of sensations should I
-seek to produce? Which would most fiercely assail the condition of
-life? Anger? -- that ravenous wolf is too quickly satiated. Care? that
-worm gnaws far too slowly. Grief? -- that viper creeps too lazily for me.
-Fear? -- hope destroys its power. What! and are these the only
-executioners of man? is the armory of death so soon exhausted? \direct{In deep
-thought.} How now! what! ho! I have it! \direct{Starting up.} Terror! What
-is proof against terror? What powers have religion and reason under
-that giant's icy grasp! And yet -- if he should withstand even this
-assault? If he should! Oh, then, come Anguish to my aid! and thou,
-gnawing Repentance! -- furies of hell, burrowing snakes who regorge your
-food, and feed upon your own excrements; ye that are forever destroying,
-and forever reproducing your poison! And thou, howling Remorse, that
-desolatest thine own habitation, and feedest upon thy mother. And come
-ye, too, gentle Graces, to my aid; even you, sweet smiling Memory,
-goddess of the past -- and thou, with thy overflowing horn of plenty,
-blooming Futurity; show him in your mirror the joys of Paradise, while
-with fleeting foot you elude his eager grasp. Thus will I work my
-battery of death, stroke after stroke, upon his fragile body, until the
-troop of furies close upon him with Despair! Triumph! triumph! -- the
-plan is complete -- difficult and masterly beyond compare -- sure -- safe; for
-then \direct{with a sneer} the dissecting knife can find no trace of wound or
-of corrosive poison.
-
-\direct{Resolutely.} Be it so! \direct{Enter \her.} Ha! \emph{Deus ex machina}!
-Hermann!
-
-\herspeaks At your service, gracious sir!
-
-\franspeaks \direct{shakes him by the hand.} You will not find it that of an
-ungrateful master.
-
-\herspeaks I have proofs of this.
-
-\franspeaks And you shall have more soon -- very soon, Hermann! -- I have
-something to say to thee, Hermann.
-
-\herspeaks I am all attention.
-\end{drama}
-
-\begin{center}
-[\dots]
-\end{center}
-
-\end{document}
-
-\endinput
-%%
-%% End of file `schiller.tex'.
diff --git a/Master/texmf-dist/source/latex/dramatist/dramatist.dtx b/Master/texmf-dist/source/latex/dramatist/dramatist.dtx
index 64b27a31ae3..3643b74f1eb 100644
--- a/Master/texmf-dist/source/latex/dramatist/dramatist.dtx
+++ b/Master/texmf-dist/source/latex/dramatist/dramatist.dtx
@@ -1,6 +1,6 @@
 %\iffalse
 %% dramatist.dtx
-%% Copyright (C) 2003-2005 Massimiliano Dominici
+%% Copyright (C) 2003-2014 Massimiliano Dominici
 %
 % This program is free software; you can redistribute it and/or modify
 % it under the terms of the GNU General Public License as published by
@@ -104,7 +104,7 @@
 %
 %\DoNotIndex{\@afterheading,\@afterindentfalse,\@break@tfor,\@empty}
 %\DoNotIndex{\@ifstar,\@let@token,\@namedef,\@nameuse,\@nil}
-%\DoNotIndex{\@tempswafalse,\@tempswatrue,\@tfor,\\,\ }
+%\DoNotIndex{\@tempswafalse,\@tempswatrue,\@tfor,\\}
 %\DoNotIndex{\ae,\baselineskip,\begin,\bgroup,\centering}
 %\DoNotIndex{\csname,\def,\do,\egroup,\else,\emph,\end}
 %\DoNotIndex{\expandafter,\fi,\futurelet,\hspace,\if@tempswa}
@@ -123,10 +123,17 @@
 %\DoNotIndex{\global,\ht,\left,\leftmargini,\newsavebox,\raggedright,\right,\Roman,\rule}
 %\DoNotIndex{\tbox,\usebox,\xdef,\@undefined,\c@secnumdepth,\endlist,\list,\m@ne,\newdimen}
 %\DoNotIndex{\parsep,\thispagestyle}
-%
+%\expandafter\DoNotIndex\expandafter{\string\}}
+% \begingroup
+%     \makeatletter
+%     \lccode`9=32\relax
+%     \lowercase{%^^A
+%       \edef\x{\noexpand\DoNotIndex{\@backslashchar9}}%^^A
+%     }%^^A
+%   \expandafter\endgroup\x%
 %\title{The \Filename{dramatist} package\thanks{This file has version
 %number \fileversion{} dated \filedate{}.} \\User Guide}
-%\author{Massimiliano Dominici\\\texttt{mlgdominici@interfree.it}}
+%\author{Massimiliano Dominici\\\texttt{mlgdominici@gmail.com}}
 %\date{\filedate}
 %\maketitle
 %
@@ -504,7 +511,7 @@
 %
 %If you encounter new bugs, or have suggestions about the solution
 %of the known ones, please send me a mail to this address:
-%\texttt{mlgdominici@interfree.it.}
+%\texttt{mlgdominici@gmail.com.}
 %
 %\section{Code}
 %
@@ -512,7 +519,7 @@
 %
 %    \begin{macrocode}
 %<*dramatist>
-\ProvidesPackage{dramatist}[2005/12/01 v1.2d Package for typesetting drama -- Author: Massimiliano Dominici]
+\ProvidesPackage{dramatist}[2014/12/18 v1.2e Package for typesetting drama -- Author: Massimiliano Dominici]
 \NeedsTeXFormat{LaTeX2e}
 \RequirePackage{xspace}
 %    \end{macrocode}
@@ -685,6 +692,7 @@
 %\changes{v1.1}{2004/01/19}{\cs{act} is now defined in a standard way
 %and has an optional argument (to use for footnotes and the like).}
 %\changes{v1.2}{2004/05/10}{Shared code moved to \cs{@openact}.}
+%\changes{v1.2e}{2014/12/18}{Now \cs{act} actually uses \cs{actcontentsline}.}
 %|\act| switches between |\@act| and |\@sact|; in the first case a
 %line is added to the table of contents and an argument is assigned
 %to |\actmark|. The actual task of printing the heading is left to
@@ -695,7 +703,7 @@
     \secdef\@act\@sact}
 \newcommand\@act[1][]{%
     \phantomsection
-    \addcontentsline{toc}{chapter}{\actname\ \theact}
+    \addcontentsline{toc}{chapter}{\actcontentsline}
     \actmark{\actname\ \theact}
     \m@ke@cthead{#1}
     \@afterindentfalse
@@ -709,6 +717,7 @@
 %\begin{macro}{\Act}
 %\changes{v1.2}{2004/05/10}{Introduced macro \cs{Act} for sections
 %with a title.}
+%\changes{v1.2e}{2014/12/18}{Now \cs{Act} actually uses \cs{actcontentsline}.}
 %|\Act| is defined in the standard way for sectioning commands. For
 %its starred version relies upon |\@sact|
 %    \begin{macrocode}
@@ -718,7 +727,7 @@
 \def\@Act[#1]#2{%
     \phantomsection
     \ifnum\c@secnumdepth>\m@ne
-        \addcontentsline{toc}{chapter}{\actname\ \theact\ #1}
+        \addcontentsline{toc}{chapter}{\actcontentsline~#1}
     \else
         \addcontentsline{toc}{chapter}{#1}
     \fi
@@ -764,6 +773,7 @@
 %way and has an optional argument (to use for footnotes and the
 %like).}
 %\changes{v1.2}{2004/05/10}{Shared code moved to \cs{@penscene}.}
+%\changes{v1.2e}{2014/12/18}{Now \cs{scene} actually uses \cs{scenecontentsline}.}
 %|\scene| switches between |\@scene| and |\@sscene|; in the first case a
 %line is added to the table of contents and an argument is assigned
 %to |\scenemark|. The actual task of printing the heading is left to
@@ -774,7 +784,7 @@
     \secdef\@scene\@sscene}
 \newcommand\@scene[1][]{%
     \phantomsection
-    \addcontentsline{toc}{section}{\scenename\ \thescene}
+    \addcontentsline{toc}{section}{\scenecontentsline}
     \scenemark{\scenename\ \thescene}
     \m@kescenehead{#1}
     \@afterindentfalse
@@ -788,6 +798,7 @@
 %\begin{macro}{\Scene}
 %\changes{v1.2}{2004/05/10}{Introduced macro \cs{Scene} for sections
 %with a title.}
+%\changes{v1.2e}{2014/12/18}{Now \cs{Scene} actually uses \cs{scenecontentsline}.}
 %|\Scene| is defined in the standard way for sectioning commands. For
 %its starred version relies upon |\@sscene|
 %    \begin{macrocode}
@@ -797,7 +808,7 @@
 \def\@Scene[#1]#2{%
     \phantomsection
     \ifnum\c@secnumdepth>\z@
-        \addcontentsline{toc}{section}{\scenename\ \thescene\ #1}
+        \addcontentsline{toc}{section}{\scenecontentsline~#1}
     \else
         \addcontentsline{toc}{section}{#1}
     \fi
@@ -1075,7 +1086,7 @@
 %\end{macro}
 %\subsection{Configuration settings}
 %    \begin{macrocode}
-\newcommand\actcontentsline[1]{\actname\ \theact}
+\newcommand\actcontentsline{\actname\ \theact}
 \newcommand{\actnamefont}{\scshape\Large}
 \newcommand{\actnumfont}{\actnamefont}
 \newcommand{\acttitlefont}{\actnamefont}
@@ -1083,7 +1094,7 @@
 \newcommand{\printactname}{\centering\actnamefont \actname}
 \newcommand{\printactnum}{\actnumfont \theact}
 \newcommand{\printacttitle}[1]{\acttitlefont\ #1}
-\newcommand\scenecontentsline[1]{\scenename\ \thescene}
+\newcommand\scenecontentsline{\scenename\ \thescene}
 \newcommand{\scenenamefont}{\scshape\large}
 \newcommand{\scenenumfont}{\scenenamefont}
 \newcommand{\scenetitlefont}{\scenenamefont}
diff --git a/Master/texmf-dist/source/latex/dramatist/dramatist.ins b/Master/texmf-dist/source/latex/dramatist/dramatist.ins
index f88ceeb7956..a273f0fc578 100644
--- a/Master/texmf-dist/source/latex/dramatist/dramatist.ins
+++ b/Master/texmf-dist/source/latex/dramatist/dramatist.ins
@@ -1,17 +1,17 @@
-\input docstrip.tex

-

-{\usedir{tex/latex/dramatist}

-

-\generate{\file{dramatist.sty}{\from{dramatist.dtx}{dramatist}}

-         }

-}

-{\usedir{doc/latex/dramatist}

-

-\generate{\file{schiller.tex}{\from{dramatist.dtx}{schiller}}

-         }

-\generate{\file{marlowe-verse.tex}{\from{dramatist.dtx}{vmarlowe}}

-         }

-\generate{\file{marlowe-poemscol.tex}{\from{dramatist.dtx}{pmarlowe}}

-         }

-}

-\endbatchfile

+\input docstrip.tex
+
+{\usedir{tex/latex/dramatist}
+
+\generate{\file{dramatist.sty}{\from{dramatist.dtx}{dramatist}}
+         }
+}
+%{\usedir{doc/latex/dramatist}
+%
+%\generate{\file{schiller.tex}{\from{dramatist.dtx}{schiller}}
+%         }
+%\generate{\file{marlowe-verse.tex}{\from{dramatist.dtx}{vmarlowe}}
+%         }
+%\generate{\file{marlowe-poemscol.tex}{\from{dramatist.dtx}{pmarlowe}}
+%         }
+%}
+\endbatchfile
diff --git a/Master/texmf-dist/tex/latex/dramatist/dramatist.sty b/Master/texmf-dist/tex/latex/dramatist/dramatist.sty
index eee9a2f05cb..cff4aaa2ffb 100644
--- a/Master/texmf-dist/tex/latex/dramatist/dramatist.sty
+++ b/Master/texmf-dist/tex/latex/dramatist/dramatist.sty
@@ -21,7 +21,7 @@
 %% same distribution. (The sources need not necessarily be
 %% in the same archive or directory.)
 %% dramatist.dtx
-%% Copyright (C) 2003-2005 Massimiliano Dominici
+%% Copyright (C) 2003-2014 Massimiliano Dominici
 %% \CharacterTable%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
 %%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
 %%   Digits        \0\1\2\3\4\5\6\7\8\9
@@ -37,7 +37,7 @@
 %%   Grave accent  \`     Left brace    \{     Vertical bar  \|
 %%   Right brace   \}     Tilde         \~}
 %%
-\ProvidesPackage{dramatist}[2005/12/01 v1.2d Package for typesetting drama -- Author: Massimiliano Dominici]
+\ProvidesPackage{dramatist}[2014/12/18 v1.2e Package for typesetting drama -- Author: Massimiliano Dominici]
 \NeedsTeXFormat{LaTeX2e}
 \RequirePackage{xspace}
 \@ifundefined{if@openright}{\newif\if@openright}{}
@@ -129,7 +129,7 @@
     \secdef\@act\@sact}
 \newcommand\@act[1][]{%
     \phantomsection
-    \addcontentsline{toc}{chapter}{\actname\ \theact}
+    \addcontentsline{toc}{chapter}{\actcontentsline}
     \actmark{\actname\ \theact}
     \m@ke@cthead{#1}
     \@afterindentfalse
@@ -144,7 +144,7 @@
 \def\@Act[#1]#2{%
     \phantomsection
     \ifnum\c@secnumdepth>\m@ne
-        \addcontentsline{toc}{chapter}{\actname\ \theact\ #1}
+        \addcontentsline{toc}{chapter}{\actcontentsline~#1}
     \else
         \addcontentsline{toc}{chapter}{#1}
     \fi
@@ -177,7 +177,7 @@
     \secdef\@scene\@sscene}
 \newcommand\@scene[1][]{%
     \phantomsection
-    \addcontentsline{toc}{section}{\scenename\ \thescene}
+    \addcontentsline{toc}{section}{\scenecontentsline}
     \scenemark{\scenename\ \thescene}
     \m@kescenehead{#1}
     \@afterindentfalse
@@ -192,7 +192,7 @@
 \def\@Scene[#1]#2{%
     \phantomsection
     \ifnum\c@secnumdepth>\z@
-        \addcontentsline{toc}{section}{\scenename\ \thescene\ #1}
+        \addcontentsline{toc}{section}{\scenecontentsline~#1}
     \else
         \addcontentsline{toc}{section}{#1}
     \fi
@@ -333,7 +333,7 @@
     \renewcommand\StageDirOpenSettings{#1}
     \renewcommand\StageDirCloseSettings{#2}
 }
-\newcommand\actcontentsline[1]{\actname\ \theact}
+\newcommand\actcontentsline{\actname\ \theact}
 \newcommand{\actnamefont}{\scshape\Large}
 \newcommand{\actnumfont}{\actnamefont}
 \newcommand{\acttitlefont}{\actnamefont}
@@ -341,7 +341,7 @@
 \newcommand{\printactname}{\centering\actnamefont \actname}
 \newcommand{\printactnum}{\actnumfont \theact}
 \newcommand{\printacttitle}[1]{\acttitlefont\ #1}
-\newcommand\scenecontentsline[1]{\scenename\ \thescene}
+\newcommand\scenecontentsline{\scenename\ \thescene}
 \newcommand{\scenenamefont}{\scshape\large}
 \newcommand{\scenenumfont}{\scenenamefont}
 \newcommand{\scenetitlefont}{\scenenamefont}
diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds
index 982a1da4052..333012483bc 100755
--- a/Master/tlpkg/libexec/ctan2tds
+++ b/Master/tlpkg/libexec/ctan2tds
@@ -2216,6 +2216,7 @@ my $core_latex = "$Master/texmf-dist/tex/latex";
  'dotseqn'      => 'latex',  # requires interaction
  'delimtxt'     => 'latex -translate-file=empty.tcx',   # no 8-bit
  'download'     => 'pdflatex', # fancy fonts, doc and subfiles combined
+ 'dramatist'	=> 'latex',  # requires interaction
  'drm'          => 'latex',  # requires interaction
  'ejpecp'       => 'latex',  # requires interaction
  'elteikthesis' => 'latex',  # requires interaction