From 3c5c546fb80f5f601cfab3242be081d25249e6bd Mon Sep 17 00:00:00 2001 From: Karl Berry Date: Fri, 19 Dec 2014 23:20:51 +0000 Subject: dramatist (20dec14) git-svn-id: svn://tug.org/texlive/trunk@35866 c570f23f-e606-0410-a88d-b1316a301751 --- Master/texmf-dist/doc/latex/dramatist/README | 189 +++++----- .../texmf-dist/doc/latex/dramatist/dramatist.pdf | Bin 285539 -> 415250 bytes .../doc/latex/dramatist/marlowe-poemscol.tex | 377 -------------------- .../doc/latex/dramatist/marlowe-verse.tex | 387 --------------------- Master/texmf-dist/doc/latex/dramatist/schiller.tex | 338 ------------------ .../source/latex/dramatist/dramatist.dtx | 35 +- .../source/latex/dramatist/dramatist.ins | 34 +- .../texmf-dist/tex/latex/dramatist/dramatist.sty | 16 +- Master/tlpkg/libexec/ctan2tds | 1 + 9 files changed, 146 insertions(+), 1231 deletions(-) delete mode 100644 Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex delete mode 100644 Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex delete mode 100644 Master/texmf-dist/doc/latex/dramatist/schiller.tex diff --git a/Master/texmf-dist/doc/latex/dramatist/README b/Master/texmf-dist/doc/latex/dramatist/README index f02b5d7bf2e..c758ab68e76 100644 --- a/Master/texmf-dist/doc/latex/dramatist/README +++ b/Master/texmf-dist/doc/latex/dramatist/README @@ -1,92 +1,97 @@ -This package contains the following files: - - - `Readme': this file. - - `dramatist.dtx': the package source file. - - `dramatist.ins': the installation driver file. - -In order to get file `dramatist.sty' you have to run tex on -`dramatist.ins' (you'll get also the example files). - -In order to get documentation you have to run latex on -`dramatist.dtx'. - -Then move `dramatist.sty' in a directory where TeX looks for style -files and move documentation files in the directory you like. -N.B.: if you have a file `docstrip.cfg' in your system you only -need to create directories /tex/latex/dramatist and -/doc/latex/dramatist - TeX will automatically move the -files in these directories. - -This package is released under the GNU General Public License. The -related documentation is released under the terms of the FDPL Free -Documentation Public Licence. For further details concerning these -licenses see the documentation. - - - +-------------+ - | DRAMATIST | - +-------------+ - - - Overview - - -The present package provides support for drama both in verse and -in prose. The following facilities are given: two environments for -typesetting dialogues in prose or in verse; new document divisions -corresponding to acts and scenes; macros that control the -appearance of characters and stage directions; and automatical -generation of a `Dramatis Personae' list. - - - Changelog - - -v1.0 First public release. - -v1.1 Added support for line numbering. - - Added a \speaker command for characters not included in - the `Dramatis Personae' list. - - Changes made to the `drama*' environment. - - \act \scene and \DramPer made more compliant to the standard - document division commands. - -v1.2 Added support for `poemscol' package. - - Introduced an `uppercase' series of sectioning commands. - - First argument in \Character made optional (this causes - incompatibility with previous versions). - - Added environment (`CharacterGroup') for characters groups in - the `Dramatis Personae' list. - - Added various hooks for user customization. - -v1.2a Fixed a bug in the vertical spacing of \DramPer. - - Changed name of counter 'linenumber' to 'verselinenumber' - in order to mantain compatibility with package 'poemscol'. - -v1.2c Fixed a conflict with the spanish extension of `babel'. - - Fixed a bug in macro \direct: issuing a \ command - at the end of this macro no more produces unwanted spaces. - - Fixed a typo in the author e-mail address. - -v1.2d Fixed a bug in the spacing of characters' groups inside a - dramatis personae list. - - Fixed a bug with \dirdelimiter. - - Fixed a bug with \speaksdel inside a verse drama environment. - - - Bugs Report - - -Please report any bugs you find, sending an e-mail to this -address: mlgdominici@interfree.it. While I don't guarantee you an -immediate answer, I'll try to solve any problem and I'll be glad -to receive suggestions. I hope you'll enjoy this poor result of my -efforts. - -Massimiliano Dominici. +This package contains the following files: + + - `Readme': this file. + - `dramatist.dtx': the package source file. + - `dramatist.ins': the installation driver file. + +In order to get file `dramatist.sty' you have to run tex on +`dramatist.ins' (you'll get also the example files). + +In order to get documentation you have to run latex on +`dramatist.dtx'. + +Then move `dramatist.sty' in a directory where TeX looks for style +files and move documentation files in the directory you like. +N.B.: if you have a file `docstrip.cfg' in your system you only +need to create directories /tex/latex/dramatist and +/doc/latex/dramatist - TeX will automatically move the +files in these directories. + +This package is released under the GNU General Public License. The +related documentation is released under the terms of the FDPL Free +Documentation Public Licence. For further details concerning these +licenses see the documentation. + + + +-------------+ + | DRAMATIST | + +-------------+ + + - Overview - + +The present package provides support for drama both in verse and +in prose. The following facilities are given: two environments for +typesetting dialogues in prose or in verse; new document divisions +corresponding to acts and scenes; macros that control the +appearance of characters and stage directions; and automatical +generation of a `Dramatis Personae' list. + + - Changelog - + +v1.0 First public release. + +v1.1 Added support for line numbering. + + Added a \speaker command for characters not included in + the `Dramatis Personae' list. + + Changes made to the `drama*' environment. + + \act \scene and \DramPer made more compliant to the standard + document division commands. + +v1.2 Added support for `poemscol' package. + + Introduced an `uppercase' series of sectioning commands. + + First argument in \Character made optional (this causes + incompatibility with previous versions). + + Added environment (`CharacterGroup') for characters groups in + the `Dramatis Personae' list. + + Added various hooks for user customization. + +v1.2a Fixed a bug in the vertical spacing of \DramPer. + + Changed name of counter 'linenumber' to 'verselinenumber' + in order to mantain compatibility with package 'poemscol'. + +v1.2c Fixed a conflict with the spanish extension of `babel'. + + Fixed a bug in macro \direct: issuing a \ command + at the end of this macro no more produces unwanted spaces. + + Fixed a typo in the author e-mail address. + +v1.2d Fixed a bug in the spacing of characters' groups inside a + dramatis personae list. + + Fixed a bug with \dirdelimiter. + + Fixed a bug with \speaksdel inside a verse drama environment. + +v1.2e Fixed a bug with \actcontentsline and \scenecontentsline not + actually used by \Act, \act, \Scene and \scene. + + Updated e-mail contact. + + - Bugs Report - + +Please report any bugs you find, sending an e-mail to this +address: mlgdominici@gmail.com. While I don't guarantee you an +immediate answer, I'll try to solve any problem and I'll be glad +to receive suggestions. I hope you'll enjoy this poor result of my +efforts. + +Massimiliano Dominici. diff --git a/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf b/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf index 98d004d3b51..4e753cade5b 100644 Binary files a/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf and b/Master/texmf-dist/doc/latex/dramatist/dramatist.pdf differ diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex deleted file mode 100644 index 3767f128025..00000000000 --- a/Master/texmf-dist/doc/latex/dramatist/marlowe-poemscol.tex +++ /dev/null @@ -1,377 +0,0 @@ -%% -%% This is file `marlowe-poemscol.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% dramatist.dtx (with options: `pmarlowe') -%% -%% IMPORTANT NOTICE: -%% -%% For the copyright see the source file. -%% -%% Any modified versions of this file must be renamed -%% with new filenames distinct from marlowe-poemscol.tex. -%% -%% For distribution of the original source see the terms -%% for copying and modification in the file dramatist.dtx. -%% -%% This generated file may be distributed as long as the -%% original source files, as listed above, are part of the -%% same distribution. (The sources need not necessarily be -%% in the same archive or directory.) -%% dramatist.dtx -%% Copyright (C) 2003-2005 Massimiliano Dominici -%% \CharacterTable%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -%% -%%\section{The GNU General Public License} -%% This file shows some basic features of package `dramatist', when -%% typesetting a drama in verse. Here we use package `poemscol' as a -%% support for text in verse; if you usually use package `verse' -%% instead, you may give a look to file `marlowe-verse.tex'. -%% -%% The source for this example is taken from Marlowe's `Jew of -%% Malta'. I took leave to insert division in scenes, which is not -%% present in the original edition, in order to show more features. - -\documentclass{book} -\usepackage{fancyhdr,newmarn,geometry} -\usepackage{keyval,ifthen,newcropmark} -\usepackage{poemscol} - -%% Load package `dramatist' after `poemscol' -\usepackage{dramatist} - -%% comment out one of the following lines (and comment out the -%% previous one) if you want line numbering per act or per scene. -%%\usepackage[lnpa]{dramatist} -%%\usepackage[lnps]{dramatist} - -%% We may change some parameters in the look of acts and scenes: -%%\renewcommand{\actnamefont}{\bfseries\Large} -%%\renewcommand{\theact}{\Roman{act}} -%%\renewcommand{\scenenamefont}{\bfseries\large} -%%\renewcommand{\thescene}{\Roman{scene}} - -%% We may change some parameters in the look of characters: -%%\renewcommand{\castfont}{\bfseries} -%%\renewcommand{\speaksfont}{\itshape} -%%\renewcommand{\speaksdel}{:} - -%% We may change some parameters in the look of stage directions: -%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}} - -%% Comment out the following lines if you want to insert a vertical -%% space between speeches. -%%\makeatletter -%%\renewcommand{\speakstab}{\if@stagedir\global\@stagedirfalse\else\bigskip\fi\hspace{\speaksskip}} -%%\makeatother - -%% Maybe you want acts and scenes print their marks in the headings. -%% The following lines should work. -%%\renewcommand{\drampermark}[1]{\volumeheader{#1}} -%%\renewcommand{\actmark}[1]{\leftheader{#1}} -%%\renewcommand{\scenemark}[1]{\volumeheader{#1}} -%%\fancyhf{} -%%\fancyhead[CO]{\scshape \volumeheadervalue} -%%\fancyhead[CE]{\scshape \leftheadervalue} -%%\fancyfoot[CE]{\thepage} -%%\fancyfoot[CO]{\thepage} - -\author{Christopher Marlowe} -\title{The Jew of Malta} -\date{} - -\begin{document} -\begin{titlepage} -\maketitle -\end{titlepage} - -\tableofcontents - -%% We define some characters appearing in the play. -\Character[FERNEZE, governor of Malta.]{Ferneze}{fer} -\Character[LODOWICK, his son.]{Lodowick}{lod} -\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal} -\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar} -\Character[MATHIAS, a gentleman.]{Mathias}{mat} -%% group of characters. -\begin{CharacterGroup}{friars.} -\GCharacter{JACOMO,}{Jacomo}{jac} -\GCharacter{BARNARDINE,}{Barnardine}{barn} -\end{CharacterGroup} -\Character[BARABAS, a wealthy Jew.]{Barabas}{bar} -\Character[ITHAMORE, a slave.]{Ithamore}{ith} -\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb} -%% the following three collective characters appear in the play as -%% single instances, so we don't need define commands and entries -%% for them. -\Character[Two Merchants.]{}{} -\Character[Three Jews.]{}{} -\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{} -\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat} -\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi} -\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel} -\Character[ABBESS.]{Abbess}{abb} -\Character[NUN.]{Nun}{nun} -%% This character doesn't appear in the dramatist personae list. -\Character{Machiavel}{mac} - -%% We call the dramatis personae list. -\DramPer - -%% The Prologue: we use \Act, but prevent it from printing \actname -%% and \theact. -\setcounter{secnumdepth}{-1} -\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1} -%% This is needed only with customized headings. -%%\renewcommand{\actname}{} -%%\renewcommand{\theact}{} -\Act{Prologue} - -\StageDir{Enter \mac.} - -\begin{drama*} -\macspeaks -Albeit the world think Machiavel is dead,\verseline -Yet was his soul but flown beyond the Alps;\verseline -And, now the Guise is dead, is come from France,\verseline -To view this land, and frolic with his friends.\verseline -To some perhaps my name is odious;\verseline -But such as love me, guard me from their tongues,\verseline -And let them know that I am Machiavel,\verseline -And weigh not men, and therefore not men's words.\verseline -Admir'd I am of those that hate me most:\verseline -Though some speak openly against my books,\verseline -Yet will they read me, and thereby attain\verseline -To Peter's chair; and, when they cast me off,\verseline -Are poison'd by my climbing followers.\verseline -I count religion but a childish toy,\verseline -And hold there is no sin but ignorance.\verseline -Birds of the air will tell of murders past!\verseline -I am asham'd to hear such fooleries.\verseline -Many will talk of title to a crown:\verseline -What right had Caesar to the empery?\verseline -Might first made kings, and laws were then most sure\verseline -When, like the Draco's, they were writ in blood.\verseline -Hence comes it that a strong-built citadel\verseline -Commands much more than letters can import:\verseline -Which maxim had Phalaris observ'd,\verseline -H'ad never bellow'd, in a brazen bull,\verseline -Of great ones' envy: o' the poor petty wights\verseline -Let me be envied and not pitied.\verseline -But whither am I bound? I come not, I,\verseline -To read a lecture here in Britain,\verseline -But to present the tragedy of a Jew,\verseline -Who smiles to see how full his bags are cramm'd;\verseline -Which money was not got without my means.\verseline -I crave but this,--grace him as he deserves,\verseline -And let him not be entertain'd the worse\verseline -Because he favours me.\verseline -\direct{Exit.} -\end{drama*} - -%% Now we restore the default settings. -\setcounter{act}{0} -\setcounter{secnumdepth}{0} -\renewcommand{\printacttitle}[1]{\acttitlefont #1} -%% This is needed only with customized headings. -%%\renewcommand{\actname}{Act} -%%\renewcommand{\theact}{\roman{act}} -%%\renewcommand{\theact}{\Roman{act}} - -%% Without a title, the command to be used is \act. We add a -%% footnote, just to show a feature. -\act[\footnote{This is the first act.}] - -\scene -%% Scene are not marked in the original edition. I have introduced -%% them (somehow arbitrarily, I suppose) to give a complete review -%% of the available features. - -\StageDir{\bar discovered in his counting-house, with heaps -of gold before him.} - -\begin{drama*} -\barspeaks So that of thus much that return was made;\verseline -And of the third part of the Persian ships\verseline -There was the venture summ'd and satisfied.\verseline -As for those Samnites, and the men of Uz,\verseline -That bought my Spanish oils and wines of Greece,\verseline -Here have I purs'd their paltry silverlings.\verseline -Fie, what a trouble 'tis to count this trash!\verseline -Well fare the Arabians, who so richly pay\verseline -The things they traffic for with wedge of gold,\verseline -Whereof a man may easily in a day\verseline -Tell that which may maintain him all his life.\verseline -The needy groom, that never finger'd groat,\verseline -Would make a miracle of thus much coin;\verseline -But he whose steel-barr'd coffers are cramm'd full,\verseline -And all his life-time hath been tired,\verseline -Wearying his fingers' ends with telling it,\verseline -Would in his age be loath to labour so,\verseline -And for a pound to sweat himself to death.\verseline -Give me the merchants of the Indian mines,\verseline -That trade in metal of the purest mould;\verseline -The wealthy Moor, that in the eastern rocks\verseline -Without control can pick his riches up,\verseline -And in his house heap pearl like pebble-stones,\verseline -Receive them free, and sell them by the weight;\verseline -Bags of fiery opals, sapphires, amethysts,\verseline -Jacinths, hard topaz, grass-green emeralds,\verseline -Beauteous rubies, sparkling diamonds,\verseline -And seld-seen costly stones of so great price,\verseline -As one of them, indifferently rated,\verseline -And of a carat of this quantity,\verseline -May serve, in peril of calamity,\verseline -To ransom great kings from captivity.\verseline -This is the ware wherein consists my wealth;\verseline -And thus methinks should men of judgment frame\verseline -Their means of traffic from the vulgar trade,\verseline -And, as their wealth increaseth, so inclose\verseline -Infinite riches in a little room.\verseline -But now how stands the wind?\verseline -Into what corner peers my halcyon's bill?\verseline -Ha! to the east? yes. See how stand the vanes--\verseline -East and by south: why, then, I hope my ships\verseline -I sent for Egypt and the bordering isles\verseline -Are gotten up by Nilus' winding banks;\verseline -Mine argosy from Alexandria,\verseline -Loaden with spice and silks, now under sail,\verseline -Are smoothly gliding down by Candy-shore\verseline -To Malta, through our Mediterranean sea.--\verseline -But who comes here?\verseline -%% We need another character -\Character{Merchant}{mer} -\direct{Enter a \mer.} -How now!\verseline - -\merspeaks Barabas, thy ships are safe,\verseline -Riding in Malta-road; and all the merchants\verseline -With other merchandise are safe arriv'd,\verseline -And have sent me to know whether yourself\verseline -Will come and custom them.\verseline - -\barspeaks The ships are safe thou say'st, and richly fraught?\verseline - -\merspeaks They are.\verseline - -\barspeaks Why, then, go bid them come ashore,\verseline -And bring with them their bills of entry:\verseline -I hope our credit in the custom-house\verseline -Will serve as well as I were present there.\verseline -Go send 'em threescore camels, thirty mules,\verseline -And twenty waggons, to bring up the ware.\verseline -But art thou master in a ship of mine,\verseline -And is thy credit not enough for that?\verseline -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\scene -%%Other characters. - -\Character{knights}{knights} -\Character{officers}{officers} -\Character{bassoes}{bassoes} -\Character{First Basso}{fb} - -%% An alternative formulation for \StageDir. -\begin{stagedir} -Enter \fer, governor of Malta, \knights, and \officers; -met by \cal, and \bassoes of the Turk. -\end{stagedir} - -\begin{drama*} -\ferspeaks Now, bassoes, what demand you at our hands?\verseline - -\fbspeaks Know, knights of Malta, that we came from Rhodes,\verseline -From Cyprus, Candy, and those other isles\verseline -That lie betwixt the Mediterranean seas.\verseline - -\ferspeaks What's Cyprus, Candy, and those other isles\verseline -To us or Malta? what at our hands demand ye?\verseline - -\calspeaks The ten years' tribute that remains unpaid.\verseline - -\ferspeaks Alas, my lord, the sum is over-great!\verseline -I hope your highness will consider us.\verseline - -\calspeaks I wish, grave governor, 'twere in my power\verseline -To favour you; but 'tis my father's cause,\verseline -Wherein I may not, nay, I dare not dally.\verseline -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\act - -\scene - -\StageDir{Enter \bar with a light.} - -\begin{drama*} -\barspeaks Thus, like the sad-presaging raven, that tolls\verseline -The sick man's passport in her hollow beak,\verseline -And in the shadow of the silent night\verseline -Doth shake contagion from her sable wings,\verseline -Vex'd and tormented runs poor Barabas\verseline -With fatal curses towards these Christians.\verseline -The incertain pleasures of swift-footed time\verseline -Have ta'en their flight, and left me in despair;\verseline -And of my former riches rests no more\verseline -But bare remembrance; like a soldier's scar,\verseline -That has no further comfort for his maim.--\verseline -O Thou, that with a fiery pillar ledd'st\verseline -The sons of Israel through the dismal shades,\verseline -Light Abraham's offspring; and direct the hand\verseline -Of Abigail this night! or let the day\verseline -Turn to eternal darkness after this!--\verseline -No sleep can fasten on my watchful eyes,\verseline -Nor quiet enter my distemper'd thoughts,\verseline -Till I have answer of my Abigail.\verseline -\end{drama*} - -\StageDir{Enter \abi above.} - -\begin{drama*} -\abispeaks Now have I happily espied a time\verseline -To search the plank my father did appoint;\verseline -And here, behold, unseen, where I have found\verseline -The gold, the pearls, and jewels, which he hid.\verseline - -\barspeaks Now I remember those old women's words,\verseline -Who in my wealth would tell me winter's tales,\verseline -And speak of spirits and ghosts that glide by night\verseline -About the place where treasure hath been hid:\verseline -And now methinks that I am one of those;\verseline -For, whilst I live, here lives my soul's sole hope,\verseline -And, when I die, here shall my spirit walk.\verseline -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\end{document} - -\endinput -%% -%% End of file `marlowe-poemscol.tex'. diff --git a/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex b/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex deleted file mode 100644 index 38189340559..00000000000 --- a/Master/texmf-dist/doc/latex/dramatist/marlowe-verse.tex +++ /dev/null @@ -1,387 +0,0 @@ -%% -%% This is file `marlowe-verse.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% dramatist.dtx (with options: `vmarlowe') -%% -%% IMPORTANT NOTICE: -%% -%% For the copyright see the source file. -%% -%% Any modified versions of this file must be renamed -%% with new filenames distinct from marlowe-verse.tex. -%% -%% For distribution of the original source see the terms -%% for copying and modification in the file dramatist.dtx. -%% -%% This generated file may be distributed as long as the -%% original source files, as listed above, are part of the -%% same distribution. (The sources need not necessarily be -%% in the same archive or directory.) -%% dramatist.dtx -%% Copyright (C) 2003-2005 Massimiliano Dominici -%% \CharacterTable%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -%% -%%\section{The GNU General Public License} -%% This file shows some basic features of package `dramatist', when -%% typesetting a drama in verse. Here we use package `verse' as a -%% support for text in verse; if you usually use package `poemscol' -%% instead, you may give a look to file `marlowe-poemscol.tex'. -%% -%% The source for this example is taken from Marlowe's `Jew of -%% Malta'. I took leave to insert division in scenes, which is not -%% present in the original edition, in order to show more features. - -\documentclass{book} -\usepackage{verse} -%% Warning: in this document I have used `\\!' (end of stanzas) to -%% mark the end of a speech, so that a space would be inserted -%% between speeches. This works only with the verse package or the -%% memoir class. Otherwise you must insert such a space by hand or -%% try to redefine \speakstab: e.g. -%% \renewcommand{\speakstab}{\bigskip\hspace{\speaksskip}}. - -%% Load package `dramatist' after `verse' -\usepackage{dramatist} - -%% comment out one of the following lines (and comment out the -%% previous one) if you want line numbering per act or per scene. -%%\usepackage[lnpa]{dramatist} -%%\usepackage[lnps]{dramatist} - -\pagestyle{plain} -%% Maybe you want acts and scenes print their marks in the headings. -%% The following lines should work. -%%\makeatletter -%%\def\ps@myheadings{%% -%% \renewcommand\drampermark[1]{\markboth{##1}{}} -%% \renewcommand\actmark[1]{\markboth{##1}{}} -%% \renewcommand\scenemark[1]{\markright{##1}} -%% \def\@oddfoot{\hfil\thepage\hfil} -%% \def\@evenfoot{\hfil\thepage\hfil} -%% \def\@evenhead{\hfil\scshape\leftmark\hfil}%% -%% \def\@oddhead{\hfil\scshape\rightmark\hfil}%% -%%} -%%\makeatother -%%\pagestyle{myheadings} - -%% We may change some parameters in the look of acts and scenes: -%%\renewcommand{\actnamefont}{\bfseries\Large} -%%\renewcommand{\theact}{\Roman{act}} -%%\renewcommand{\scenenamefont}{\bfseries\large} -%%\renewcommand{\thescene}{\Roman{scene}} - -%% We may change some parameters in the look of characters: -%%\renewcommand{\castfont}{\bfseries} -%%\renewcommand{\speaksfont}{\itshape} -%%\renewcommand{\speaksdel}{:} - -%% We may change some parameters in the look of stage directions: -%%\StageDirConf{\begin{center}\begin{minipage}{.4\textwidth}\bfseries}{\end{minipage}\end{center}} - -%% This is from verse package (or memoir class), for line numbering. -\poemlines{5} - -\author{Christopher Marlowe} -\title{The Jew of Malta} -\date{} - -\begin{document} -\begin{titlepage} -\maketitle -\end{titlepage} - -\tableofcontents - -%% We define some characters appearing in the play. -\Character[FERNEZE, governor of Malta.]{Ferneze}{fer} -\Character[LODOWICK, his son.]{Lodowick}{lod} -\Character[SELIM CALYMATH, son to the Grand Seignior.]{Calymath}{cal} -\Character[MARTIN DEL BOSCO, vice-admiral of Spain.]{Martin Del Bosco}{mar} -\Character[MATHIAS, a gentleman.]{Mathias}{mat} -%% group of characters. -\begin{CharacterGroup}{friars.} -\GCharacter{JACOMO,}{Jacomo}{jac} -\GCharacter{BARNARDINE,}{Barnardine}{barn} -\end{CharacterGroup} -\Character[BARABAS, a wealthy Jew.]{Barabas}{bar} -\Character[ITHAMORE, a slave.]{Ithamore}{ith} -\Character[PILIA-BORZA, a bully, attendant to BELLAMIRA.]{Pilia-Borza}{pb} -%% the following three collective characters appear in the play as -%% single instances, so we don't need define commands and entries -%% for them. -\Character[Two Merchants.]{}{} -\Character[Three Jews.]{}{} -\Character[Knights, Bassoes, Officers, Guard, Slaves, Messenger, and Carpenters]{}{} -\Character[KATHARINE, mother to MATHIAS.]{Katharine}{kat} -\Character[ABIGAIL, daughter to BARABAS.]{Abigail}{abi} -\Character[BELLAMIRA, a courtezan.]{Bellamira}{bel} -\Character[ABBESS.]{Abbess}{abb} -\Character[NUN.]{Nun}{nun} -%% This character doesn't appear in the dramatist personae list. -\Character{Machiavel}{mac} - -%% We call the dramatis personae list. -\DramPer - -%% The Prologue: we use \Act, but prevent it from printing \actname -%% and \theact. -\setcounter{secnumdepth}{-1} -\renewcommand{\printacttitle}[1]{\centering\acttitlefont #1} -%% This is needed only with myheadings. -%%\renewcommand{\actname}{} -%%\renewcommand{\theact}{} - -\Act{Prologue} - -\StageDir{Enter \mac.} - -\begin{drama*} -\macspeaks -Albeit the world think Machiavel is dead,\\ -Yet was his soul but flown beyond the Alps;\\ -And, now the Guise is dead, is come from France,\\ -To view this land, and frolic with his friends.\\ -To some perhaps my name is odious;\\ -But such as love me, guard me from their tongues,\\ -And let them know that I am Machiavel,\\ -And weigh not men, and therefore not men's words.\\ -Admir'd I am of those that hate me most:\\ -Though some speak openly against my books,\\ -Yet will they read me, and thereby attain\\ -To Peter's chair; and, when they cast me off,\\ -Are poison'd by my climbing followers.\\ -I count religion but a childish toy,\\ -And hold there is no sin but ignorance.\\ -Birds of the air will tell of murders past!\\ -I am asham'd to hear such fooleries.\\ -Many will talk of title to a crown:\\ -What right had Caesar to the empery?\\ -Might first made kings, and laws were then most sure\\ -When, like the Draco's, they were writ in blood.\\ -Hence comes it that a strong-built citadel\\ -Commands much more than letters can import:\\ -Which maxim had Phalaris observ'd,\\ -H'ad never bellow'd, in a brazen bull,\\ -Of great ones' envy: o' the poor petty wights\\ -Let me be envied and not pitied.\\ -But whither am I bound? I come not, I,\\ -To read a lecture here in Britain,\\ -But to present the tragedy of a Jew,\\ -Who smiles to see how full his bags are cramm'd;\\ -Which money was not got without my means.\\ -I crave but this,--grace him as he deserves,\\ -And let him not be entertain'd the worse\\ -Because he favours me.\\ -\direct*{Exit.} -%% The starred version of \direct can be used only at the end of a -%% speech, when the verse package or the memoir class has been -%% loaded. -\end{drama*} - -%% Now we restore the default settings. -\setcounter{act}{0} -\setcounter{secnumdepth}{0} -\renewcommand{\printacttitle}[1]{\acttitlefont #1} -%% This is needed only with myheadings. -%%\renewcommand{\actname}{Act} -%%\renewcommand{\theact}{\roman{act}} -%%\renewcommand{\theact}{\Roman{act}} - -%% Without a title, the command to be used is \act. We add a -%% footnote, just to show a feature. -\act[\footnote{This is the first act.}] - -\scene -%% Scene are not marked in the original edition. I have introduced -%% them (somehow arbitrarily, I suppose) to give a complete review -%% of the available features. - -\StageDir{\bar discovered in his counting-house, with heaps -of gold before him.} - -\begin{drama*} -\barspeaks So that of thus much that return was made;\\ -And of the third part of the Persian ships\\ -There was the venture summ'd and satisfied.\\ -As for those Samnites, and the men of Uz,\\ -That bought my Spanish oils and wines of Greece,\\ -Here have I purs'd their paltry silverlings.\\ -Fie, what a trouble 'tis to count this trash!\\ -Well fare the Arabians, who so richly pay\\ -The things they traffic for with wedge of gold,\\ -Whereof a man may easily in a day\\ -Tell that which may maintain him all his life.\\ -The needy groom, that never finger'd groat,\\ -Would make a miracle of thus much coin;\\ -But he whose steel-barr'd coffers are cramm'd full,\\ -And all his life-time hath been tired,\\ -Wearying his fingers' ends with telling it,\\ -Would in his age be loath to labour so,\\ -And for a pound to sweat himself to death.\\ -Give me the merchants of the Indian mines,\\ -That trade in metal of the purest mould;\\ -The wealthy Moor, that in the eastern rocks\\ -Without control can pick his riches up,\\ -And in his house heap pearl like pebble-stones,\\ -Receive them free, and sell them by the weight;\\ -Bags of fiery opals, sapphires, amethysts,\\ -Jacinths, hard topaz, grass-green emeralds,\\ -Beauteous rubies, sparkling diamonds,\\ -And seld-seen costly stones of so great price,\\ -As one of them, indifferently rated,\\ -And of a carat of this quantity,\\ -May serve, in peril of calamity,\\ -To ransom great kings from captivity.\\ -This is the ware wherein consists my wealth;\\ -And thus methinks should men of judgment frame\\ -Their means of traffic from the vulgar trade,\\ -And, as their wealth increaseth, so inclose\\ -Infinite riches in a little room.\\ -But now how stands the wind?\\ -Into what corner peers my halcyon's bill?\\ -Ha! to the east? yes. See how stand the vanes--\\ -East and by south: why, then, I hope my ships\\ -I sent for Egypt and the bordering isles\\ -Are gotten up by Nilus' winding banks;\\ -Mine argosy from Alexandria,\\ -Loaden with spice and silks, now under sail,\\ -Are smoothly gliding down by Candy-shore\\ -To Malta, through our Mediterranean sea.--\\ -But who comes here?\\ -%% We need another character -\Character{Merchant}{mer} -\direct{Enter a \mer.} -How now!\\! - -\merspeaks Barabas, thy ships are safe,\\ -Riding in Malta-road; and all the merchants\\ -With other merchandise are safe arriv'd,\\ -And have sent me to know whether yourself\\ -Will come and custom them.\\! - -\barspeaks The ships are safe thou say'st, and richly fraught?\\! - -\merspeaks They are.\\! - -\barspeaks Why, then, go bid them come ashore,\\ -And bring with them their bills of entry:\\ -I hope our credit in the custom-house\\ -Will serve as well as I were present there.\\ -Go send 'em threescore camels, thirty mules,\\ -And twenty waggons, to bring up the ware.\\ -But art thou master in a ship of mine,\\ -And is thy credit not enough for that?\\! -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\scene -%%Other characters. - -\Character{knights}{knights} -\Character{officers}{officers} -\Character{bassoes}{bassoes} -\Character{First Basso}{fb} - -%% An alternative formulation for \StageDir. -\begin{stagedir} -Enter \fer, governor of Malta, \knights, and \officers; -met by \cal, and \bassoes of the Turk. -\end{stagedir} - -\begin{drama*} -\ferspeaks Now, bassoes, what demand you at our hands?\\! - -\fbspeaks Know, knights of Malta, that we came from Rhodes,\\ -From Cyprus, Candy, and those other isles\\ -That lie betwixt the Mediterranean seas.\\! - -\ferspeaks What's Cyprus, Candy, and those other isles\\ -To us or Malta? what at our hands demand ye?\\! - -\calspeaks The ten years' tribute that remains unpaid.\\! - -\ferspeaks Alas, my lord, the sum is over-great!\\ -I hope your highness will consider us.\\! - -\calspeaks I wish, grave governor, 'twere in my power\\ -To favour you; but 'tis my father's cause,\\ -Wherein I may not, nay, I dare not dally.\\! -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\act - -\scene - -\StageDir{Enter \bar with a light.} - -\begin{drama*} -\barspeaks Thus, like the sad-presaging raven, that tolls\\ -The sick man's passport in her hollow beak,\\ -And in the shadow of the silent night\\ -Doth shake contagion from her sable wings,\\ -Vex'd and tormented runs poor Barabas\\ -With fatal curses towards these Christians.\\ -The incertain pleasures of swift-footed time\\ -Have ta'en their flight, and left me in despair;\\ -And of my former riches rests no more\\ -But bare remembrance; like a soldier's scar,\\ -That has no further comfort for his maim.--\\ -O Thou, that with a fiery pillar ledd'st\\ -The sons of Israel through the dismal shades,\\ -Light Abraham's offspring; and direct the hand\\ -Of Abigail this night! or let the day\\ -Turn to eternal darkness after this!--\\ -No sleep can fasten on my watchful eyes,\\ -Nor quiet enter my distemper'd thoughts,\\ -Till I have answer of my Abigail.\\! -\end{drama*} - -\StageDir{Enter \abi above.} - -\begin{drama*} -\abispeaks Now have I happily espied a time\\ -To search the plank my father did appoint;\\ -And here, behold, unseen, where I have found\\ -The gold, the pearls, and jewels, which he hid.\\! - -\barspeaks Now I remember those old women's words,\\ -Who in my wealth would tell me winter's tales,\\ -And speak of spirits and ghosts that glide by night\\ -About the place where treasure hath been hid:\\ -And now methinks that I am one of those;\\ -For, whilst I live, here lives my soul's sole hope,\\ -And, when I die, here shall my spirit walk.\\! -\end{drama*} - -\begin{center} -[\dots] -\end{center} - -\end{document} - -\endinput -%% -%% End of file `marlowe-verse.tex'. diff --git a/Master/texmf-dist/doc/latex/dramatist/schiller.tex b/Master/texmf-dist/doc/latex/dramatist/schiller.tex deleted file mode 100644 index 5d048fa43ac..00000000000 --- a/Master/texmf-dist/doc/latex/dramatist/schiller.tex +++ /dev/null @@ -1,338 +0,0 @@ -%% -%% This is file `schiller.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% dramatist.dtx (with options: `schiller') -%% -%% IMPORTANT NOTICE: -%% -%% For the copyright see the source file. -%% -%% Any modified versions of this file must be renamed -%% with new filenames distinct from schiller.tex. -%% -%% For distribution of the original source see the terms -%% for copying and modification in the file dramatist.dtx. -%% -%% This generated file may be distributed as long as the -%% original source files, as listed above, are part of the -%% same distribution. (The sources need not necessarily be -%% in the same archive or directory.) -%% dramatist.dtx -%% Copyright (C) 2003-2005 Massimiliano Dominici -%% \CharacterTable%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -%% -%%\section{The GNU General Public License} -%% This file shows some basic features of package `dramatist', when -%% typesetting a drama in prose. See the commented line for more -%% informations. -%% -%% The source for this example is taken from Schiller's `The -%% Robbers'. - -\documentclass{book} -\usepackage{dramatist} - -\pagestyle{plain} -%% Maybe you want acts and scenes print their marks in the headings. -%% The following lines should work. -%%\makeatletter -%%\def\ps@myheadings{%% -%% \renewcommand\drampermark[1]{\markboth{##1}{}} -%% \renewcommand\actmark[1]{\markboth{##1}{}} -%% \renewcommand\scenemark[1]{\markright{##1}} -%% \def\@oddfoot{\hfil\thepage\hfil} -%% \def\@evenfoot{\hfil\thepage\hfil} -%% \def\@evenhead{\hfil\scshape\leftmark\hfil}%% -%% \def\@oddhead{\hfil\scshape\rightmark\hfil}%% -%%} -%%\makeatother -%%\pagestyle{myheadings} - -%% We may change some parameters in the look of acts and scenes: -%%\renewcommand{\actnamefont}{\bfseries\Large} -%%\renewcommand{\theact}{\Roman{act}} -%%\renewcommand{\scenenamefont}{\bfseries\large} -%%\renewcommand{\thescene}{\Roman{scene}} - -%% We may change some parameters in the look of characters: -%%\renewcommand{\castfont}{\bfseries} -%%\renewcommand{\speaksfont}{\itshape} -%%\renewcommand{\speaksdel}{.\\} -%%\renewcommand{\namefont}{\bfseries} - -%% We may change some parameters in the look of stage directions: -%%\StageDirConf{\begin{center}\begin{minipage}{.7\textwidth}\bfseries\centering}{\end{minipage}\end{center}} -%%\renewcommand{\dirdelimiter}[1]{[#1]} - -%% If you want the name of character printed centered above the -%% dialogue, you should comment out the following lines. -%%\Dlabelsep=0pt -%%\renewcommand{\speakslabel}[1]{%% -%% \hbox to\textwidth{\hfill\speaksfont{#1}\hfill}} - -\author{Friederich Schiller} -\title{The Robbers} -\date{} - -\begin{document} -\begin{titlepage} -\maketitle -\end{titlepage} - -\tableofcontents - -%% We define some characters appearing in the play. -\Character[MAXIMILIAN, COUNT VON MOOR.]{Old Moor}{moor} -%% group of characters. -\begin{CharacterGroup}{his Sons.} -\GCharacter{CHARLES,}{Charles Von Moor}{cha} -\GCharacter{FRANCIS,}{Francis}{fran} -\end{CharacterGroup} -\Character[AMELIA VON EDELREICH, his Niece.]{Amelia}{amelia} -%% group of characters. -\begin{CharacterGroup}{Libertines, afterwards Banditti} -\GCharacter{SPIEGELBERG,}{Spiegelberg}{spie} -\GCharacter{SCHWEITZER,}{Schweitzer}{schwei} -\GCharacter{GRIMM,}{Grimm}{grim} -\GCharacter{RAZMANN,}{Razmann}{raz} -\GCharacter{SCHUFTERLE,}{Schufterle}{schuf} -\GCharacter{ROLLER,}{Roller}{rol} -\GCharacter{KOSINSKY,}{Kosinsky}{kos} -\GCharacter{SCHWARTZ,}{Schwartz}{schwa} -\end{CharacterGroup} -\Character[HERMANN, the natural son of a Nobleman.]{Hermann}{her} -\Character[DANIEL, an old Servant of Count von Moor.]{Daniel}{dan} -\Character[PASTOR MOSER.]{Pastor Moser}{pm} -\Character[FATHER DOMINIC, a Monk.]{Father Dominic}{fd} -%% the following collective character appears in the play as single -%% instances, so we don't need define commands and entries for it. -\Character[BAND OF ROBBERS, SERVANTS, ETC.]{}{} - -%% We call the dramatis personae list. -\DramPer - -\act - -%% Schiller puts some general informations about location in the -%% scene heading. So, we must use uppercase version of `\scene'. On -%% the other hand we don't want this information to appear in -%% headers and table of contents; hence the empty optional argument. -\Scene[]{. -- Franconia} - -\StageDir{Apartment in the Castle of COUNT MOOR.\\\fran, \moor} - -\begin{drama} -\franspeaks But are you really well, father? You look so pale. - -\moorspeaks Quite well, my son -- what have you to tell me? - -\franspeaks The post is arrived -- a letter from our correspondent at -Leipsic. - -\moorspeaks \direct{eagerly} Any tidings of my son Charles? - -\franspeaks Hem! Hem! -- Why, yes. But I fear -- I know not -- whether I dare - -- your health. -- Are you really quite well, father? - -\moorspeaks As a fish in water. Does he write of my son? What means this -anxiety about my health? You have asked me that question twice. - -\franspeaks If you are unwell -- or are the least apprehensive of being so -- -permit me to defer -- I will speak to you at a fitter season. -- \direct{Half -aside.} These are no tidings for a feeble frame. - -\moorspeaks Gracious Heavens? what am I doomed to hear? - -\franspeaks First let me retire and shed a tear of compassion for my lost -brother. Would that my lips might be forever sealed -- for he is your -son! Would that I could throw an eternal veil over his shame -- for he is -my brother! But to obey you is my first, though painful, duty -- forgive -me, therefore. - -\moorspeaks Oh, Charles! Charles! Didst thou but know what thorns thou -plantest in thy father's bosom! That one gladdening report of thee would -add ten years to my life! yes, bring back my youth! whilst now, alas, -each fresh intelligence but hurries me a step nearer to the grave! - -\franspeaks Is it so, old man, then farewell! for even this very day we -might all have to tear our hair over your coffin. - -\moorspeaks Stay! There remains but one short step more -- let him have his -will! \direct{He sits down.} The sins of the father shall be visited unto the -third and fourth generation -- let him fulfil the decree. - -\franspeaks \direct{takes the letter out of his pocket}. You know our -correspondent! See! I would give a finger of my right hand might I -pronounce him a liar -- a base and slanderous liar! Compose yourself! -Forgive me if I do not let you read the letter yourself. You cannot, -must not, yet know all. - -\moorspeaks All, all, my son. You will but spare me crutches. - -\franspeaks \direct{reads} ``Leipsic, May 1. Were I not bound by an inviolable -promise to conceal nothing from you, not even the smallest particular, -that I am able to collect, respecting your brother's career, never, my -dearest friend, should my guiltless pen become an instrument of torture -to you. I can gather from a hundred of your letters how tidings such as -these must pierce your fraternal heart. It seems to me as though I saw -thee, for the sake of this worthless, this detestable'' -- \direct{\moor covers -his face}. Oh! my father, I am only reading you the mildest passages -- -``this detestable man, shedding a thousand tears.'' Alas! mine flowed -- ay, -gushed in torrents over these pitying cheeks. ``I already picture to -myself your aged pious father, pale as death.'' Good Heavens! and so you -are, before you have heard anything. - -\moorspeaks Go on! Go on! -\end{drama} - -\begin{center} -[\dots] -\end{center} - -\Scene[]{. -- A Tavern on the Frontier of Saxony.} - -\StageDir{\cha intent on a book; \spie drinking at the table.} - -\begin{drama} -\chaspeaks \direct{lays the book aside}. I am disgusted with this age of -puny scribblers when I read of great men in my Plutarch. - -\spiespeaks \direct{places a glass before him, and drinks.} Josephus is the book -you should read. - -\chaspeaks The glowing spark of Prometheus is burnt out, and now -they substitute for it the flash of lycopodium, a stage-fire which will -not so much as light a pipe. The present generation may be compared to -rats crawling about the club of Hercules. - -A French abbe lays it down that Alexander was a poltroon; a phthisicky -professor, holding at every word a bottle of sal volatile to his nose, -lectures on strength. Fellows who faint at the veriest trifle criticise -the tactics of Hannibal; whimpering boys store themselves with phrases -out of the slaughter at Canna; and blubber over the victories of Scipio, -because they are obliged to construe them. - -\spiespeaks Spouted in true Alexandrian style. - -\chaspeaks A brilliant reward for your sweat in the battle-field -truly to have your existence perpetuated in gymnasiums, and your -immortality laboriously dragged about in a schoolboy's satchel. A -precious recompense for your lavished blood to be wrapped round -gingerbread by some Nuremberg chandler, or, if you have great luck, to -be screwed upon stilts by a French playwright, and be made to move on -wires! Ha, ha, ha! - -\spiespeaks \direct{drinks.} Read Josephus, I tell you. - -\chaspeaks Fie! fie upon this weak, effeminate age, fit for nothing -but to ponder over the deeds of former times, and torture the heroes of -antiquity with commentaries, or mangle them in tragedies. The vigor of -its loins is dried up, and the propagation of the human species has -become dependent on potations of malt liquor. -\end{drama} - -\begin{center} -[\dots] -\end{center} - -\act - -\Scene[]{. -- {\scshape Francis von Moor} in his chamber -- in meditation.} - -\begin{drama} -\franspeaks It lasts too long -- and the doctor even says is recovering -- an -old man's life is a very eternity! The course would be free and plain -before me, but for this troublesome, tough lump of flesh, which, like -the infernal demon-hound in ghost stories, bars the way to my treasures. - -Must, then, my projects bend to the iron yoke of a mechanical system? -Is my soaring spirit to be chained down to the snail's pace of matter? -To blow out a wick which is already flickering upon its last drop of -oil -- 'tis nothing more. And yet I would rather not do it myself, on -account of what the world would say. I should not wish him to be -killed, but merely disposed of. I should like to do what your clever -physician does, only the reverse way -- not stop Nature's course by -running a bar across her path, but only help her to speed a little -faster. Are we not able to prolong the conditions of life? Why, -then, should we not also be able to shorten them? Philosophers and -physiologists teach us how close is the sympathy between the emotions of -the mind and the movements of the bodily machine. Convulsive sensations -are always accompanied by a disturbance of the mechanical vibrations -- -passions injure the vital powers -- an overburdened spirit bursts its -shell. Well, then -- what if one knew how to smooth this unbeaten path, -for the easier entrance of death into the citadel of life? -- to work the -body's destruction through the mind -- ha! an original device! -- who can -accomplish this? -- a device without a parallel! Think upon it, Moor! -That were an art worthy of thee for its inventor. Has not poisoning -been raised almost to the rank of a regular science, and Nature -compelled, by the force of experiments, to define her limits, so that -one may now calculate the heart's throbbings for years in advance, and -say to the beating pulse, ``So far, and no farther''? Why should not one -try one's skill in this line? - -And how, then, must I, too, go to work to dissever that sweet and -peaceful union of soul and body? What species of sensations should I -seek to produce? Which would most fiercely assail the condition of -life? Anger? -- that ravenous wolf is too quickly satiated. Care? that -worm gnaws far too slowly. Grief? -- that viper creeps too lazily for me. -Fear? -- hope destroys its power. What! and are these the only -executioners of man? is the armory of death so soon exhausted? \direct{In deep -thought.} How now! what! ho! I have it! \direct{Starting up.} Terror! What -is proof against terror? What powers have religion and reason under -that giant's icy grasp! And yet -- if he should withstand even this -assault? If he should! Oh, then, come Anguish to my aid! and thou, -gnawing Repentance! -- furies of hell, burrowing snakes who regorge your -food, and feed upon your own excrements; ye that are forever destroying, -and forever reproducing your poison! And thou, howling Remorse, that -desolatest thine own habitation, and feedest upon thy mother. And come -ye, too, gentle Graces, to my aid; even you, sweet smiling Memory, -goddess of the past -- and thou, with thy overflowing horn of plenty, -blooming Futurity; show him in your mirror the joys of Paradise, while -with fleeting foot you elude his eager grasp. Thus will I work my -battery of death, stroke after stroke, upon his fragile body, until the -troop of furies close upon him with Despair! Triumph! triumph! -- the -plan is complete -- difficult and masterly beyond compare -- sure -- safe; for -then \direct{with a sneer} the dissecting knife can find no trace of wound or -of corrosive poison. - -\direct{Resolutely.} Be it so! \direct{Enter \her.} Ha! \emph{Deus ex machina}! -Hermann! - -\herspeaks At your service, gracious sir! - -\franspeaks \direct{shakes him by the hand.} You will not find it that of an -ungrateful master. - -\herspeaks I have proofs of this. - -\franspeaks And you shall have more soon -- very soon, Hermann! -- I have -something to say to thee, Hermann. - -\herspeaks I am all attention. -\end{drama} - -\begin{center} -[\dots] -\end{center} - -\end{document} - -\endinput -%% -%% End of file `schiller.tex'. diff --git a/Master/texmf-dist/source/latex/dramatist/dramatist.dtx b/Master/texmf-dist/source/latex/dramatist/dramatist.dtx index 64b27a31ae3..3643b74f1eb 100644 --- a/Master/texmf-dist/source/latex/dramatist/dramatist.dtx +++ b/Master/texmf-dist/source/latex/dramatist/dramatist.dtx @@ -1,6 +1,6 @@ %\iffalse %% dramatist.dtx -%% Copyright (C) 2003-2005 Massimiliano Dominici +%% Copyright (C) 2003-2014 Massimiliano Dominici % % This program is free software; you can redistribute it and/or modify % it under the terms of the GNU General Public License as published by @@ -104,7 +104,7 @@ % %\DoNotIndex{\@afterheading,\@afterindentfalse,\@break@tfor,\@empty} %\DoNotIndex{\@ifstar,\@let@token,\@namedef,\@nameuse,\@nil} -%\DoNotIndex{\@tempswafalse,\@tempswatrue,\@tfor,\\,\ } +%\DoNotIndex{\@tempswafalse,\@tempswatrue,\@tfor,\\} %\DoNotIndex{\ae,\baselineskip,\begin,\bgroup,\centering} %\DoNotIndex{\csname,\def,\do,\egroup,\else,\emph,\end} %\DoNotIndex{\expandafter,\fi,\futurelet,\hspace,\if@tempswa} @@ -123,10 +123,17 @@ %\DoNotIndex{\global,\ht,\left,\leftmargini,\newsavebox,\raggedright,\right,\Roman,\rule} %\DoNotIndex{\tbox,\usebox,\xdef,\@undefined,\c@secnumdepth,\endlist,\list,\m@ne,\newdimen} %\DoNotIndex{\parsep,\thispagestyle} -% +%\expandafter\DoNotIndex\expandafter{\string\}} +% \begingroup +% \makeatletter +% \lccode`9=32\relax +% \lowercase{%^^A +% \edef\x{\noexpand\DoNotIndex{\@backslashchar9}}%^^A +% }%^^A +% \expandafter\endgroup\x% %\title{The \Filename{dramatist} package\thanks{This file has version %number \fileversion{} dated \filedate{}.} \\User Guide} -%\author{Massimiliano Dominici\\\texttt{mlgdominici@interfree.it}} +%\author{Massimiliano Dominici\\\texttt{mlgdominici@gmail.com}} %\date{\filedate} %\maketitle % @@ -504,7 +511,7 @@ % %If you encounter new bugs, or have suggestions about the solution %of the known ones, please send me a mail to this address: -%\texttt{mlgdominici@interfree.it.} +%\texttt{mlgdominici@gmail.com.} % %\section{Code} % @@ -512,7 +519,7 @@ % % \begin{macrocode} %<*dramatist> -\ProvidesPackage{dramatist}[2005/12/01 v1.2d Package for typesetting drama -- Author: Massimiliano Dominici] +\ProvidesPackage{dramatist}[2014/12/18 v1.2e Package for typesetting drama -- Author: Massimiliano Dominici] \NeedsTeXFormat{LaTeX2e} \RequirePackage{xspace} % \end{macrocode} @@ -685,6 +692,7 @@ %\changes{v1.1}{2004/01/19}{\cs{act} is now defined in a standard way %and has an optional argument (to use for footnotes and the like).} %\changes{v1.2}{2004/05/10}{Shared code moved to \cs{@openact}.} +%\changes{v1.2e}{2014/12/18}{Now \cs{act} actually uses \cs{actcontentsline}.} %|\act| switches between |\@act| and |\@sact|; in the first case a %line is added to the table of contents and an argument is assigned %to |\actmark|. The actual task of printing the heading is left to @@ -695,7 +703,7 @@ \secdef\@act\@sact} \newcommand\@act[1][]{% \phantomsection - \addcontentsline{toc}{chapter}{\actname\ \theact} + \addcontentsline{toc}{chapter}{\actcontentsline} \actmark{\actname\ \theact} \m@ke@cthead{#1} \@afterindentfalse @@ -709,6 +717,7 @@ %\begin{macro}{\Act} %\changes{v1.2}{2004/05/10}{Introduced macro \cs{Act} for sections %with a title.} +%\changes{v1.2e}{2014/12/18}{Now \cs{Act} actually uses \cs{actcontentsline}.} %|\Act| is defined in the standard way for sectioning commands. For %its starred version relies upon |\@sact| % \begin{macrocode} @@ -718,7 +727,7 @@ \def\@Act[#1]#2{% \phantomsection \ifnum\c@secnumdepth>\m@ne - \addcontentsline{toc}{chapter}{\actname\ \theact\ #1} + \addcontentsline{toc}{chapter}{\actcontentsline~#1} \else \addcontentsline{toc}{chapter}{#1} \fi @@ -764,6 +773,7 @@ %way and has an optional argument (to use for footnotes and the %like).} %\changes{v1.2}{2004/05/10}{Shared code moved to \cs{@penscene}.} +%\changes{v1.2e}{2014/12/18}{Now \cs{scene} actually uses \cs{scenecontentsline}.} %|\scene| switches between |\@scene| and |\@sscene|; in the first case a %line is added to the table of contents and an argument is assigned %to |\scenemark|. The actual task of printing the heading is left to @@ -774,7 +784,7 @@ \secdef\@scene\@sscene} \newcommand\@scene[1][]{% \phantomsection - \addcontentsline{toc}{section}{\scenename\ \thescene} + \addcontentsline{toc}{section}{\scenecontentsline} \scenemark{\scenename\ \thescene} \m@kescenehead{#1} \@afterindentfalse @@ -788,6 +798,7 @@ %\begin{macro}{\Scene} %\changes{v1.2}{2004/05/10}{Introduced macro \cs{Scene} for sections %with a title.} +%\changes{v1.2e}{2014/12/18}{Now \cs{Scene} actually uses \cs{scenecontentsline}.} %|\Scene| is defined in the standard way for sectioning commands. For %its starred version relies upon |\@sscene| % \begin{macrocode} @@ -797,7 +808,7 @@ \def\@Scene[#1]#2{% \phantomsection \ifnum\c@secnumdepth>\z@ - \addcontentsline{toc}{section}{\scenename\ \thescene\ #1} + \addcontentsline{toc}{section}{\scenecontentsline~#1} \else \addcontentsline{toc}{section}{#1} \fi @@ -1075,7 +1086,7 @@ %\end{macro} %\subsection{Configuration settings} % \begin{macrocode} -\newcommand\actcontentsline[1]{\actname\ \theact} +\newcommand\actcontentsline{\actname\ \theact} \newcommand{\actnamefont}{\scshape\Large} \newcommand{\actnumfont}{\actnamefont} \newcommand{\acttitlefont}{\actnamefont} @@ -1083,7 +1094,7 @@ \newcommand{\printactname}{\centering\actnamefont \actname} \newcommand{\printactnum}{\actnumfont \theact} \newcommand{\printacttitle}[1]{\acttitlefont\ #1} -\newcommand\scenecontentsline[1]{\scenename\ \thescene} +\newcommand\scenecontentsline{\scenename\ \thescene} \newcommand{\scenenamefont}{\scshape\large} \newcommand{\scenenumfont}{\scenenamefont} \newcommand{\scenetitlefont}{\scenenamefont} diff --git a/Master/texmf-dist/source/latex/dramatist/dramatist.ins b/Master/texmf-dist/source/latex/dramatist/dramatist.ins index f88ceeb7956..a273f0fc578 100644 --- a/Master/texmf-dist/source/latex/dramatist/dramatist.ins +++ b/Master/texmf-dist/source/latex/dramatist/dramatist.ins @@ -1,17 +1,17 @@ -\input docstrip.tex - -{\usedir{tex/latex/dramatist} - -\generate{\file{dramatist.sty}{\from{dramatist.dtx}{dramatist}} - } -} -{\usedir{doc/latex/dramatist} - -\generate{\file{schiller.tex}{\from{dramatist.dtx}{schiller}} - } -\generate{\file{marlowe-verse.tex}{\from{dramatist.dtx}{vmarlowe}} - } -\generate{\file{marlowe-poemscol.tex}{\from{dramatist.dtx}{pmarlowe}} - } -} -\endbatchfile +\input docstrip.tex + +{\usedir{tex/latex/dramatist} + +\generate{\file{dramatist.sty}{\from{dramatist.dtx}{dramatist}} + } +} +%{\usedir{doc/latex/dramatist} +% +%\generate{\file{schiller.tex}{\from{dramatist.dtx}{schiller}} +% } +%\generate{\file{marlowe-verse.tex}{\from{dramatist.dtx}{vmarlowe}} +% } +%\generate{\file{marlowe-poemscol.tex}{\from{dramatist.dtx}{pmarlowe}} +% } +%} +\endbatchfile diff --git a/Master/texmf-dist/tex/latex/dramatist/dramatist.sty b/Master/texmf-dist/tex/latex/dramatist/dramatist.sty index eee9a2f05cb..cff4aaa2ffb 100644 --- a/Master/texmf-dist/tex/latex/dramatist/dramatist.sty +++ b/Master/texmf-dist/tex/latex/dramatist/dramatist.sty @@ -21,7 +21,7 @@ %% same distribution. (The sources need not necessarily be %% in the same archive or directory.) %% dramatist.dtx -%% Copyright (C) 2003-2005 Massimiliano Dominici +%% Copyright (C) 2003-2014 Massimiliano Dominici %% \CharacterTable%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z %% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z %% Digits \0\1\2\3\4\5\6\7\8\9 @@ -37,7 +37,7 @@ %% Grave accent \` Left brace \{ Vertical bar \| %% Right brace \} Tilde \~} %% -\ProvidesPackage{dramatist}[2005/12/01 v1.2d Package for typesetting drama -- Author: Massimiliano Dominici] +\ProvidesPackage{dramatist}[2014/12/18 v1.2e Package for typesetting drama -- Author: Massimiliano Dominici] \NeedsTeXFormat{LaTeX2e} \RequirePackage{xspace} \@ifundefined{if@openright}{\newif\if@openright}{} @@ -129,7 +129,7 @@ \secdef\@act\@sact} \newcommand\@act[1][]{% \phantomsection - \addcontentsline{toc}{chapter}{\actname\ \theact} + \addcontentsline{toc}{chapter}{\actcontentsline} \actmark{\actname\ \theact} \m@ke@cthead{#1} \@afterindentfalse @@ -144,7 +144,7 @@ \def\@Act[#1]#2{% \phantomsection \ifnum\c@secnumdepth>\m@ne - \addcontentsline{toc}{chapter}{\actname\ \theact\ #1} + \addcontentsline{toc}{chapter}{\actcontentsline~#1} \else \addcontentsline{toc}{chapter}{#1} \fi @@ -177,7 +177,7 @@ \secdef\@scene\@sscene} \newcommand\@scene[1][]{% \phantomsection - \addcontentsline{toc}{section}{\scenename\ \thescene} + \addcontentsline{toc}{section}{\scenecontentsline} \scenemark{\scenename\ \thescene} \m@kescenehead{#1} \@afterindentfalse @@ -192,7 +192,7 @@ \def\@Scene[#1]#2{% \phantomsection \ifnum\c@secnumdepth>\z@ - \addcontentsline{toc}{section}{\scenename\ \thescene\ #1} + \addcontentsline{toc}{section}{\scenecontentsline~#1} \else \addcontentsline{toc}{section}{#1} \fi @@ -333,7 +333,7 @@ \renewcommand\StageDirOpenSettings{#1} \renewcommand\StageDirCloseSettings{#2} } -\newcommand\actcontentsline[1]{\actname\ \theact} +\newcommand\actcontentsline{\actname\ \theact} \newcommand{\actnamefont}{\scshape\Large} \newcommand{\actnumfont}{\actnamefont} \newcommand{\acttitlefont}{\actnamefont} @@ -341,7 +341,7 @@ \newcommand{\printactname}{\centering\actnamefont \actname} \newcommand{\printactnum}{\actnumfont \theact} \newcommand{\printacttitle}[1]{\acttitlefont\ #1} -\newcommand\scenecontentsline[1]{\scenename\ \thescene} +\newcommand\scenecontentsline{\scenename\ \thescene} \newcommand{\scenenamefont}{\scshape\large} \newcommand{\scenenumfont}{\scenenamefont} \newcommand{\scenetitlefont}{\scenenamefont} diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds index 982a1da4052..333012483bc 100755 --- a/Master/tlpkg/libexec/ctan2tds +++ b/Master/tlpkg/libexec/ctan2tds @@ -2216,6 +2216,7 @@ my $core_latex = "$Master/texmf-dist/tex/latex"; 'dotseqn' => 'latex', # requires interaction 'delimtxt' => 'latex -translate-file=empty.tcx', # no 8-bit 'download' => 'pdflatex', # fancy fonts, doc and subfiles combined + 'dramatist' => 'latex', # requires interaction 'drm' => 'latex', # requires interaction 'ejpecp' => 'latex', # requires interaction 'elteikthesis' => 'latex', # requires interaction -- cgit v1.2.3