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diff --git a/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_007/p_007.bib b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_007/p_007.bib new file mode 100644 index 0000000000..c93d8482ba --- /dev/null +++ b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_007/p_007.bib @@ -0,0 +1,31 @@ +@inbook{Serra:1996:sms, + Author = {X. Serra}, + Chapter = {Musical Sound Modeling with Sinusoids plus Noise}, + Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads, Eds.~Swets~\&~Zeitlinger}, + Title = {Musical Signal Processing}, + Pages = {91--122}, + Year = {1996}} + +@article{Moorer:2000:AES:audio:millenium, + Author = {James A. Moorer}, + Title = {Audio in the New Millennium}, + Journal = {Journal of the {AES}}, + Volume = 48, + Number = 5, + Year = 2000, + Month = may, + Pages = {490--498}} + +@inproceedings{Arfib:1998:DAFx, + Author = {D. Arfib}, + Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-98)}, + Title = {Different Ways to Write Digital Audio Effects Programs}, + Address = {Barcelona, Spain}, + Pages = {188--91}, + Year = {1998}} + +@mastersthesis{Egozy:1995:MIT:features:gesture, + Author = {E.~B. Egozy}, + title = {Deriving musical control features from a real-time timbre analysis of the clarinet}, + School = {Massachusetts Institute of Technology}, + Year = {1995}} |