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authorNorbert Preining <norbert@preining.info>2019-09-02 13:46:59 +0900
committerNorbert Preining <norbert@preining.info>2019-09-02 13:46:59 +0900
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+@inbook{Serra:1996:sms,
+ Author = {X. Serra},
+ Chapter = {Musical Sound Modeling with Sinusoids plus Noise},
+ Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads, Eds.~Swets~\&~Zeitlinger},
+ Title = {Musical Signal Processing},
+ Pages = {91--122},
+ Year = {1996}}
+
+@article{Moorer:2000:AES:audio:millenium,
+ Author = {James A. Moorer},
+ Title = {Audio in the New Millennium},
+ Journal = {Journal of the {AES}},
+ Volume = 48,
+ Number = 5,
+ Year = 2000,
+ Month = may,
+ Pages = {490--498}}
+
+@inproceedings{Arfib:1998:DAFx,
+ Author = {D. Arfib},
+ Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-98)},
+ Title = {Different Ways to Write Digital Audio Effects Programs},
+ Address = {Barcelona, Spain},
+ Pages = {188--91},
+ Year = {1998}}
+
+@mastersthesis{Egozy:1995:MIT:features:gesture,
+ Author = {E.~B. Egozy},
+ title = {Deriving musical control features from a real-time timbre analysis of the clarinet},
+ School = {Massachusetts Institute of Technology},
+ Year = {1995}}