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Diffstat (limited to 'fonts/junicode/doc')
26 files changed, 6309 insertions, 686 deletions
diff --git a/fonts/junicode/doc/About.tex b/fonts/junicode/doc/About.tex index af584d850f..92b71b1151 100644 --- a/fonts/junicode/doc/About.tex +++ b/fonts/junicode/doc/About.tex @@ -26,7 +26,9 @@ the University. Examples of all these typefaces can be found in {\itshape A Specimen of the Several Sorts of Letter Given to the University by Dr. John Fell, Sometime Lord Bishop of Oxford. To Which Is Added the Letter Given by -Mr. F. Junius} (Oxford, 1693). +Mr. F. Junius} (Oxford, 1693).\footnote{There is a facsimile of this +work at the +\href{https://digital.bodleian.ox.ac.uk/objects/876b73f0-3e03-41c1-9fd1-0688a1785561/}{Digital Bodleian}.} Junicode has two distinct Greek faces. The first, newly designed to harmonize with the roman face, is up\-right and modern. The other, accompanying the italic face, is based on type designed by Alexander diff --git a/fonts/junicode/doc/Feature_Reference.tex b/fonts/junicode/doc/Feature_Reference.tex index 032e0af18a..54e7ac3fe8 100644 --- a/fonts/junicode/doc/Feature_Reference.tex +++ b/fonts/junicode/doc/Feature_Reference.tex @@ -116,7 +116,7 @@ acute} (\unic{U+0301}) will change \textex{t̨́} to \textex{\textsc{t̨́}}. \subsection{\textSourceText{c2sc} -- Small Capitals from Capitals} Use with \textSourceText{smcp} for all-small-cap text. ABCDE $\rightarrow $ {\addfontfeature{Letters = UppercaseSmallCaps}ABCDE}. -Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters} below) have no lowercase equivalents. Their small capital forms can be +Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their small capital forms can be accessed only through this feature. \subsection{\textSourceText{pcap} -- Petite Capitals} @@ -129,7 +129,7 @@ $\rightarrow $ {\addfontfeature{Letters = PetiteCaps}klmno\th}. Produces petite capitals from capitals. Use with \textSourceText{pcap} to convert mixed-case texts to petite capitals. PQRST $\rightarrow $ {\addfontfeature{Letters=UppercasePetiteCaps}PQRST}. -Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters} below) have no lowercase equivalents. Their petite capital forms can be +Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their petite capital forms can be accessed only through this feature. \subsection{\textSourceText{case} -- Case-Sensitive Forms} @@ -140,157 +140,6 @@ feature on automatically for runs of capitals, and precomposed characters already use case-appropriate combining marks. This feature also changes oldstyle to lining figures, since these harmonize better with uppercase letters. -\section{Numbers and Sequencing} -\subsection{\textSourceText{frac} -- Fractions} -Applied to a slash and surrounding numbers, produces fractions with diagonal -slashes. 6/9 becomes {\addfontfeature{Fractions=On}6/9}, 16/91 becomes {\addfontfeature{Fractions=On}16/91}. - -\subsection{\textSourceText{numr} -- Numerators} -Changes numbers to those suitable for use on the left/upper side of fractions -with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{dnom}, to manually construct -fractions, but for most users \textSourceText{frac} will be a better solution. - -\subsection{\textSourceText{dnom} -- Denominators} -Changes numbers to those suitable for use on the right/lower side of fractions -with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{numr}, to manually construct -fractions, but for most users \textSourceText{frac} will be a better solution. - -\subsection{\textSourceText{nalt} -- Alternate Annotation Forms} -Produces letters and numbers circled, in parenthesis, or followed by periods, as follows: - -\textSourceText{nalt[1]}, circled letters or numbers: {\addfontfeature{Annotation=0}a b .~.~. z; 0 1 2 .~.~. 20}. - -\textSourceText{nalt[2]}, letter or numbers in parentheses: {\addfontfeature{Annotation=1}a .~.~. z; 0 1 .~.~. 20}. - -\textSourceText{nalt[3]}, double-circled numbers: {\addfontfeature{Annotation=2}0 1 .~.~. 10}. - -\textSourceText{nalt[4]}, white numbers in black circles: {\addfontfeature{Annotation=3}0 1 2 3 . . . 20}. - -\textSourceText{nalt[5]}, numbers followed by period: {\addfontfeature{Numbers={Monospaced,Uppercase},Annotation=4}0 1 . . . 20} - -\noindent For enclosed figures 10 and higher, \textSourceText{rlig} (Required Ligatures) must also be enabled (as it should -be by default: see \hyperlink{req}{Required Features} below). - -\subsection{\textSourceText{tnum} -- Tabular -Figures} -Fixed-width figures: \ltab{0123456789} (with \textSourceText{lnum}), \otab{0123456789} (default or with -\textSourceText{onum}). - -\subsection{\textSourceText{onum} -- Oldstyle Figures} -Junicode's default figures are oldstyle and proportional, harmonizing with lowercase characters: -0123456789. Use this feature to switch temporarily to oldstyle figures in a context where -\textSourceText{lnum} is active. - -\subsection{\textSourceText{pnum} -- Proportional Figures} -Junicode's default figures are proportionally spaced: unlike tabular figures, they are not -all the same width: 0123456789. Use this feature to switch temporarily to proportional figures in a context where -\textSourceText{tnum} is active. - -\subsection{\textSourceText{lnum} -- Lining Figures} -Figures in a uniform height, harmonizing with uppercase letters: \ltab{0123456789} (with -\textSourceText{tnum}), \lprop{0123456789} (default or with \textSourceText{pnum}). - -\subsection{\textSourceText{zero} -- Slashed Zero} -Produces slashed zero in all number styles, including superscripts, subscripts, and fractions made with -\textSourceText{frac}: {\addfontfeature{Numbers=SlashedZero}\ltab{0} \otab{0} \lprop{0} \oprop{0}, -\addfontfeature{Fractions=On} 10/30}. - -\subsection{\textSourceText{ss09} -- Alternate Figures} -In the manner of old typefaces, Junicode's default number one is shaped like a small capital I and -its zero is a plain ring. This feature provides more modern-looking figures: -{\addfontfeature{StylisticSet=9}01}. Only oldstyle figures -are affected by this feature. - -\section{Superscripts and Subscripts} -\subsection{\textSourceText{sups} -- Superscripts} -Produces superscript numbers and letters. Superscript numbers are in one of two styles: oldstyle proportional -(from oldstyle numbers) and lining tabular (from lining numbers). All lowercase -letters of the basic Latin alphabet are covered, and most uppercase letters: \sups{\ltab{0123} \oprop{4567} abcde ABDEG}. Wherever -superscripts are needed (e.g. for footnote numbers), use \textSourceText{sups} instead of the raised and scaled -characters generated by some programs. With sups: \sups{4567}. Scaled: \textsuperscript{4567}. - -\subsection{\textSourceText{subs} -- Subscripts} -Produces subscript numbers. Only produces oldstyle proportional and lining tabular figures: -\subs{\oprop{2345} \ltab{8901}}. - -\section{Ornaments} -\subsection{\textSourceText{ornm} -- Ornaments} -Produces ornaments (fleurons) in either of two ways: as an indexed variant of the bullet character (\unic{U+2022}) or as -variants of a-z, A-C: - -\begin{multicols}{4} -a, 1{\tabto{4em}}\ornm{a} - -b, 2{\tabto{4em}}\ornm{b} - -c, 3{\tabto{4em}}\ornm{c} - -d, 4{\tabto{4em}}\ornm{d} - -e, 5{\tabto{4em}}\ornm{e} - -f, 6{\tabto{4em}}\ornm{f} - -g, 7{\tabto{4em}}\ornm{g} - -h, 8{\tabto{4em}}\ornm{h} - -i, 9{\tabto{4em}}\ornm{i} - -j, 10{\tabto{4em}}\ornm{j} - -k, 11{\tabto{4em}}\ornm{k} - -l, 12{\tabto{4em}}\ornm{l} - -m, 13{\tabto{4em}}\ornm{m} - -n, 14{\tabto{4em}}\ornm{n} - -o, 15{\tabto{4em}}\ornm{o} - -p, 16{\tabto{4em}}\ornm{p} - -q, 17{\tabto{4em}}\ornm{q} - -r, 18{\tabto{4em}}\ornm{r} - -s, 19{\tabto{4em}}\ornm{s} - -t, 20{\tabto{4em}}\ornm{t} - -u, 21{\tabto{4em}}\ornm{u} - -v, 22{\tabto{4em}}\ornm{v} - -w, 23{\tabto{4em}}\ornm{w} - -x, 24{\tabto{4em}}\ornm{x} - -y, 25{\tabto{4em}}\ornm{y} - -z, 26{\tabto{4em}}\ornm{z} - -A, 27{\tabto{4em}}\ornm{A} - -B, 28{\tabto{4em}}\ornm{B} - -C, 29{\tabto{4em}}\ornm{C} -\end{multicols} - -\noindent The method with letters of the alphabet is easier, but the method with bullets will produce a more satisfactory result -when text is displayed in an environment where Junicode is not available or \textSourceText{ornm} is not -implemented. - -\subsection{Lady Junicode} -Lady Junicode cannot be produced by an OpenType feature, believing that it would be vulgar to make herself so accessible. She has, indeed, -commanded that the author of this document not publish her code point, located in one of the more private corners of the -Private Use Area. She has, however, given permission to publish her miniature: -\begin{center} -{\huge\char"0F19F} -\end{center} -If you encounter her while adventuring in her domains, greet her respectfully, and she will welcome you graciously. - \section{Alphabetic Variants} \subsection{\textSourceText{cv01-cv52} -- Basic Latin Variants} These features also affect small cap (\textSourceText{smcp}) and underdotted (\textSourceText{ss07}) forms, @@ -495,7 +344,8 @@ the default only in the way it forms a double-p ligature with \textSourceText{hl \subsection{\textSourceText{cv53-cv66}, \textSourceText{cv91} -- Other Latin Letters}\hypertarget{OtherLatin}{} Some features affect both upper- and lowercase forms. \textSourceText{cv62} also affects -combining \textex{e} with ogonek, accessible via \textSourceText{\hyperlink{ss10}{ss10}} with the +combining \textex{e} with ogonek, accessible via either \textSourceText{\hyperlink{cv84}{cv84}} or +\textSourceText{\hyperlink{ss10}{ss10}} with the entity reference \textSourceText{\&\_eogo;}. \begin{center} @@ -550,7 +400,7 @@ cv61 & % {\narrow Ę, ę ... (U+0118, U+0119)} & cv62 & -{1=\cvd{62}{Ę, ę ...}; 2=\cvd[1]{62}{Ę, ę ...}}*\\ +{1=\cvd{62}{Ę, ę ...}; 2=\cvd[1]{62}{Ę, ę ...}}\\ % \bluerow{\narrow Ȝ, ȝ (U+021C, U+021D)} & cv63 & @@ -570,10 +420,6 @@ cv66 & \end{supertabular} \end{center} -\noindent * \textSourceText{cv62} affects upper- and lowercase ę, and also dotted forms, enlarged forms, -and the combining mark ◌\&\_eogo;, accessible via \textSourceText{cv84} and as entity -\textSourceText{\&\_\char"200C{}eogo;}. - \subsection{\textSourceText{ss01} -- Alternate thorn and eth} Produces Nordic thorn and eth (\textex{\eng\revthorn{{\th}{\dh}{\TH}}}) when the language is English, and English thorn and eth (\textex{\icel\revthorn{{\th}{\dh}{\TH}}}) with any other language, reversing the font’s ordinary usage. @@ -736,13 +582,11 @@ z\hfill→\hfill\enla{z} instead, for reasons of flexibility and accessibility. \subsection{\textSourceText{ss07} -- Underdotted Text} -Produces underdotted text (indicating deletion in medieval manuscripts) for many -letters (including -the whole of the basic Latin alphabet and a number of other letters), e.g. -\textex{\addfontfeature{StylisticSet=7}abcdefg HIJKLM}. This also affects small -caps, e.g. \textex{\textsc{abcdef} $\rightarrow $ {\addfontfeature{StylisticSet=7}\textsc{abcdef}}}. -For letters without corresponding underdotted forms (e.g. \unic{U+A751}, ꝑ), -use \unic{U+0323}, combining dot below (\textex{\hspace{0.05em}ꝑ̣}). +Produces underdotted text (indicating deletion in medieval manuscripts) for most +Latin and Greek letters, e.g. +\textex{\addfontfeature{StylisticSet=7}abcdefg HIJKLM αβγδεζη ΑΒΓΔΕΖΗ}. This also affects small +caps, e.g. \textex{{\addfontfeature{StylisticSet=7}\textsc{hijklmn θικλμνξ}}}. +If this feature fails for any letter, use \unic{U+0323}, combining dot below. \subsection{\textSourceText{ss08} -- Contextual Long s} In English, French, and Latin text only, varies \textex{s} and \textex{ſ} according to rules @@ -831,6 +675,445 @@ Provides alternate shapes of {\addfontfeature{Language=Greek}β γ θ π φ χ \textex{\addfontfeature{StylisticSet=3}β γ θ π φ χ ω}. These are chiefly useful in linguistics, as they harmonize with IPA characters. +\section{Gothic} +\subsection{\textSourceText{ss19} -- Latin to Gothic Transliteration} +Produces Gothic letters from Latin: \revthorn{Warþ þan in dagans jainans} $\rightarrow $ +{\addfontfeature{StylisticSet=19}Warþ þan in dagans +jainans}. In web pages, the letters will be searchable as their Latin equivalents. + +\section{Runic} +\subsection{\textSourceText{ss12} -- Early English Futhorc} +Changes Latin letters to their equivalents in the early English futhorc. Because of the variability of the runic +alphabet, this method of transliteration may not produce the result you want. In that case, it may be necessary to +manually edit the result. fisc flodu ahof $\rightarrow $ {\addfontfeature{StylisticSet=12}fisc flodu ahof}. + +\subsection{\textSourceText{ss13} -- Elder +Futhark} +Changes Latin letters to their equivalents in the Elder Futhark. Because of the variability of the runic alphabet, this +method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit the +result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=13}ABCDEFG}. + +\subsection{\textSourceText{ss14} -- Younger +Futhark} +Changes Latin letters to their equivalents in the Younger Futhark. Because of the variability of the runic alphabet, +this method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit +the result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=14}ABCDEFG}. + +\subsection{\textSourceText{ss15} -- +Long Branch to Short Twig} +In combination with \textSourceText{ss14}, converts long branch (the default for the Younger Futhark) to short twig runes: +{\addfontfeature{StylisticSet=14}{ABCDEFG $\rightarrow $ +\addfontfeature{StylisticSet=15}ABCDEFG}}. + +\subsection{\textSourceText{rtlm} +-- Right to Left Mirrored Forms} +Produces mirrored runes, e.g. {\addfontfeature{StylisticSet=12}ABCDEFG $\rightarrow $ \addfontfeature{MyStyle=mirrored}GFEDCBA}. +This feature cannot change the direction of text or reverse its order. + +\section{Ligatures and Digraphs} + +Old-style fonts typically contain a standard collection of ligatures (conjoined letters), including +\textex{fi}, \textex{fl}, \textex{ff}, \textex{ffi}, and \textex{ffl}. +Most software will display these ligatures automatically (except +Microsoft Word, for which they must be enabled explicitly). Junicode has a large number of ligatures, +including the standard f-ligatures, a similar set for long s, e.g. \textex{ſl}, \textex{ſſ}, \textex{ſſi}, but also more +specialized forms like \textex{ſꞇ}, +\textex{\addfontfeatures{StylisticSet=2,CharacterVariant=38:10}st}, +\textex{\addfontfeatures{Language=English,StylisticSet=2,CharacterVariant=38:10}sw} +(the last two with \textSourceText{ss02} and \textSourceText{cv38[11]}), and a few more. Most of Junicode’s +ligatures, however, are not automatic, but belong to the set of either Historic Ligatures +or Discretionary Ligatures, both of which must be invoked explicitly. These are listed in the following sections. + +\subsection{\textSourceText{hlig} -- Historic Ligatures} + +Produces ligatures for combinations that should not ordinarily be rendered as +ligatures in modern text.\footnote{\ Some +fonts define \textSourceText{hlig} differently, as including all ligatures in which at least one +element is an archaic character, e.g. +those involving long s (\textrm{ſ\hspace{0.2em}}). In Junicode, however, a +historic ligature is defined not by the characters it is composed of, but +rather by the join between them. If two characters (though modern) should not be joined except +in certain historic contexts, they form a historic ligature. If they should be +joined in all contexts (even if archaic), the ligature is not historic +and should be defined in \textSourceText{liga}.} Most of these are from the MUFI recommendation, +ranges B.1.1(b) and B.1.4. This feature does +not produce digraphs (which have a phonetic value), for which see +\textSourceText{\hyperlink{ss17}{ss17}}. The ligatures: +\addfontfeatures{Ligatures=Historic} + +\begin{multicols}{5} +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}f\hfill→\hfill{}af} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}ꝼ\hfill→\hfill{}aꝼ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}g\hfill→\hfill{}ag} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}l\hfill→\hfill{}al} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}n\hfill→\hfill{}an} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}N\hfill→\hfill{}aN} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}p\hfill→\hfill{}ap} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}r\hfill→\hfill{}ar} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}R\hfill→\hfill{}aR} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\addfontfeature{Language=Icelandic}a{\textcompwordmark}{\th}\hfill→\hfill{}a{\th}}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}v\hfill→\hfill{}av} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\cvd[1]{2}{a}{\textcompwordmark}{v}\hfill→\hfill{}\cvd[1]{2}{av}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}b\hfill→\hfill{}bb} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}g\hfill→\hfill{}bg} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}o\hfill→\hfill{}bo} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +c{\textcompwordmark}h\hfill→\hfill{}ch} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +c{\textcompwordmark}k\hfill→\hfill{}ck} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝺ{\textcompwordmark}ꝺ\hfill→\hfill{}ꝺꝺ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +d{\textcompwordmark}e\hfill→\hfill{}de} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝺ{\textcompwordmark}e\hfill→\hfill{}ꝺe} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}a\hfill→\hfill{}ea} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}c\hfill→\hfill{}ec} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꝼ\hfill→\hfill{}eꝼ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ᵹ\hfill→\hfill{}eᵹ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}m\hfill→\hfill{}em} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}n\hfill→\hfill{}en} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}o\hfill→\hfill{}eo} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞃ\hfill→\hfill{}eꞃ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞅ\hfill→\hfill{}eꞅ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞇ\hfill→\hfill{}eꞇ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}x\hfill→\hfill{}ex} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}y\hfill→\hfill{}ey} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +f{\textcompwordmark}ä\hfill→\hfill{}fä} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}d\hfill→\hfill{}gd} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}\revthorn{ð}\hfill→\hfill{}\revthorn{gð}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}ꝺ\hfill→\hfill{}gꝺ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}g\hfill→\hfill{}gg} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\cvd[2]{14}{ɡ{\textcompwordmark}ɡ}\hfill→\hfill{}ɡɡ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}o\hfill→\hfill{}go} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}p\hfill→\hfill{}gp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}r\hfill→\hfill{}gr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +H{\textcompwordmark}r\hfill→\hfill{}Hr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}r\hfill→\hfill{}hr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}ſ\hfill→\hfill{}hſ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}ẝ\hfill→\hfill{}hẝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}r\hfill→\hfill{}kr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}ſ\hfill→\hfill{}kſ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}ẝ\hfill→\hfill{}kẝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +l{\textcompwordmark}l\hfill→\hfill{}ll} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}a\hfill→\hfill{}na} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}i\hfill→\hfill{}ni} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\textsc{n}{\textcompwordmark}ſ\hfill→\hfill{}\textsc{nſ}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}v\hfill→\hfill{}nv} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}c\hfill→\hfill{}oc} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +O{\textcompwordmark}Ꝛ\hfill→\hfill{}OꝚ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}ꝛ\hfill→\hfill{}oꝛ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +O{\textcompwordmark}Ꝝ\hfill→\hfill{}OꝜ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}ꝝ\hfill→\hfill{}oꝝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}P\hfill→\hfill{}PP} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}p\hfill→\hfill{}pp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝓ{\textcompwordmark}p\hfill→\hfill{}ꝓp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}s\hfill→\hfill{}Ps} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}e\hfill→\hfill{}pe} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}s\hfill→\hfill{}ps} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}si\hfill→\hfill{}Psi} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}si\hfill→\hfill{}psi} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +q{\textcompwordmark}ꝩ\hfill→\hfill{}qꝩ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\narrow q{\textcompwordmark}ꝫ/q\cvd[1]{83}{ꝫ}\hfill→\hfill\hlig{{}qꝫ/\cvd[1]{83}{qꝫ}}}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝗ{\textcompwordmark}ꝗ\hfill→\hfill{}ꝗꝗ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +Q{\textcompwordmark}Ꝛ\hfill→\hfill{}QꝚ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +q{\textcompwordmark}ꝛ\hfill→\hfill{}qꝛ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}\"a\hfill→\hfill{}ſ\"a} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}c{\textcompwordmark}h\hfill→\hfill{}ſch} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}t{\textcompwordmark}r\hfill→\hfill{}ſtr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}ꝩ\hfill→\hfill{}ſꝩ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}ƿ\hfill→\hfill{}ſƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꞇ{\textcompwordmark}ꞇ\hfill→\hfill{}ꞇꞇ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +U{\textcompwordmark}E\hfill→\hfill{}UE} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +u{\textcompwordmark}e\hfill→\hfill{}ue} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +U{\textcompwordmark}U\hfill→\hfill{}UU} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +u{\textcompwordmark}u\hfill→\hfill{}uu} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\revthorn{{\th}{\textcompwordmark}r\hfill→\hfill{}{\th}r}} + +%{\color[rgb]{0.38039216,0.09019608,0.16078432} +%\revthorn{{\th}{\textcompwordmark}s\hfill→\hfill{}{\th}s}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\revthorn{{\th}{\textcompwordmark}ẝ\hfill→\hfill{}{\th}ẝ}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ð{\textcompwordmark}ð\hfill→\hfill{}ðð} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\th}\textcompwordmark{\th}\hfill→\hfill{}{\th}{\th}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432}\addfontfeature{Language=English} +ꝥ{\textcompwordmark}ꝥ\hfill→\hfill{}ꝥꝥ} + +\end{multicols} + +\noindent\addfontfeatures{Ligatures=histoff} +Note: For the ligature \textex{\textsc{\hlig{nſ}}} to +work properly, \unic{U+017F} \textex{ſ} must be entered directly, not by applying an OpenType feature to +\textex{s}. + +\subsection{\textSourceText{dlig} -- +Discretionary Ligatures} +Produces lesser-used ligatures: +\textex{\textcolor[rgb]{0.5529412,0.15686275,0.11764706}{\addfontfeature{Ligatures=Rare}ct, ſp, str, st, tr, tt, ty}}. +The collection of discretionary ligatures in the italic face also includes +\textex{\textit{\addfontfeature{Ligatures=Rare}as, is, us}}. + + +\subsection{\textSourceText{ss17} -- Rare +Digraphs}\hypertarget{ss17}{} +By ``digraph'' we mean conjoined letters that represent a phonetic value: the most common examples +for western languages are \textex{{\ae}} and \textex{{\oe}} (though these, because they +are so common, are not included in this feature). Use of this feature in web pages enables easier searches: for +example, producing \textex{\addfontfeature{StylisticSet=17}{\th}au} from +\textex{{\th}au} allows the word to be +searched as ``{\th}au.'' The digraphs covered by this feature are \textcolor[rgb]{0.5529412,0.15686275,0.11764706}{% +\addfontfeature{StylisticSet=17,Language=Icelandic}aa, ao, au, av, ay, ꝺv, ðv, gv, oo, vy,} plus capital and small cap +equivalents and digraph + +diacritic combinations anticipated in the +MUFI recommendation. To produce such a digraph + diacritic combination, either type a letter + diacritic combination as +the second element of the digraph or type the diacritic after the second element. For example, +\textex{a} + \textex{\'u} yields \textex{\addfontfeature{StylisticSet=17}a\'u}, and so does +\textex{a} + \textex{u} + \unic{U+0301} (combining acute accent). To produce a digraph + +diacritic combination not covered by MUFI (e.g. \textex{ꜵ̀}), you may have to place \unic{U+034F} +\textUName{combining grapheme joiner} (see \hyperlink{cv84}{cv84}) between the second element of the digraph and the combining mark. + +\section{Numbers and Sequencing} +\subsection{\textSourceText{frac} -- Fractions} +Applied to a slash and surrounding numbers, produces fractions with diagonal +slashes. 6/9 becomes {\addfontfeature{Fractions=On}6/9}, 16/91 becomes {\addfontfeature{Fractions=On}16/91}. + +\subsection{\textSourceText{numr} -- Numerators} +Changes numbers to those suitable for use on the left/upper side of fractions +with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{dnom}, to manually construct +fractions, but for most users \textSourceText{frac} will be a better solution. + +\subsection{\textSourceText{dnom} -- Denominators} +Changes numbers to those suitable for use on the right/lower side of fractions +with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{numr}, to manually construct +fractions, but for most users \textSourceText{frac} will be a better solution. + +\subsection{\textSourceText{nalt} -- Alternate Annotation Forms} +Produces letters and numbers circled, in parenthesis, or followed by periods, as follows: + +\textSourceText{nalt[1]}, circled letters or numbers: {\addfontfeature{Annotation=0}a b .~.~. z; 0 1 2 .~.~. 20}. + +\textSourceText{nalt[2]}, letter or numbers in parentheses: {\addfontfeature{Annotation=1}a .~.~. z; 0 1 .~.~. 20}. + +\textSourceText{nalt[3]}, double-circled numbers: {\addfontfeature{Annotation=2}0 1 .~.~. 10}. + +\textSourceText{nalt[4]}, white numbers in black circles: {\addfontfeature{Annotation=3}0 1 2 3 . . . 20}. + +\textSourceText{nalt[5]}, numbers followed by period: {\addfontfeature{Numbers={Monospaced,Uppercase},Annotation=4}0 1 . . . 20} + +\noindent For enclosed figures 10 and higher, \textSourceText{rlig} (Required Ligatures) must also be enabled (as it should +be by default: see \hyperlink{req}{Required Features} below). + +\subsection{\textSourceText{tnum} -- Tabular Figures} +Fixed-width figures: \ltab{0123456789} (with \textSourceText{lnum}), \otab{0123456789} (default or with +\textSourceText{onum}). + +\subsection{\textSourceText{onum} -- Oldstyle Figures} +Junicode's default figures are oldstyle and proportional, harmonizing with lowercase characters: +0123456789. Use this feature to switch temporarily to oldstyle figures in a context where +\textSourceText{lnum} is active. + +\subsection{\textSourceText{pnum} -- Proportional Figures} +Junicode's default figures are proportionally spaced: unlike tabular figures, they are not +all the same width: 0123456789. Use this feature to switch temporarily to proportional figures in a context where +\textSourceText{tnum} is active. + +\subsection{\textSourceText{lnum} -- Lining Figures} +Figures in a uniform height, harmonizing with uppercase letters: \ltab{0123456789} (with +\textSourceText{tnum}), \lprop{0123456789} (default or with \textSourceText{pnum}). + +\subsection{\textSourceText{zero} -- Slashed Zero} +Produces slashed zero in all number styles, including superscripts, subscripts, and fractions made with +\textSourceText{frac}: {\addfontfeature{Numbers=SlashedZero}\ltab{0} \otab{0} \lprop{0} \oprop{0} +\addfontfeature{Fractions=On} 10/30}. + +\subsection{\textSourceText{ss09} -- Alternate Figures} +In the manner of old typefaces, Junicode's default number one is shaped like a small capital I and +its zero is a plain ring. This feature provides more modern-looking figures: +{\addfontfeature{StylisticSet=9}01}. Only oldstyle figures +are affected by this feature. + +\section{Superscripts and Subscripts} +\subsection{\textSourceText{sups} -- Superscripts} +Produces superscript numbers and letters. Superscript numbers are in one of two styles: oldstyle proportional +(from oldstyle numbers) and lining tabular (from lining numbers). All lowercase +letters of the basic Latin alphabet are covered, and most uppercase letters: \sups{\ltab{0123} \oprop{4567} abcde ABDEG}. Wherever +superscripts are needed (e.g. for footnote numbers), use \textSourceText{sups} instead of the raised and scaled +characters generated by some programs. With sups: \sups{4567}. Scaled: \textsuperscript{4567}. + +\subsection{\textSourceText{subs} -- Subscripts} +Produces subscript numbers. Only produces oldstyle proportional and lining tabular figures: +\subs{\oprop{2345} \ltab{8901}}. + \section{Punctuation} MUFI encodes nearly twenty marks of punctuation in the PUA. In Junicode these can be accessed in either of two ways: all are indexed variants of \textex{.} (period), and all are associated with the Unicode marks of @@ -894,21 +1177,11 @@ this purpose. Junicode defines it as a variant of the asterisk---the most common \subsection{\textSourceText{cv7}\textSourceText{9} -- Variants of / (slash)} 1=\cvd{79}{/}, 2=\cvd[1]{79}{/}. The first of these is Unicode, \unic{U+2E4E}. -\section{Abbreviations} +\section{Spacing Abbreviations} \subsection{\textSourceText{cv80} -- Variant of ꝝ (\unic{U+A75D}, rum abbreviation)} 1=\cvd{80}{ꝝ}. -\subsection{\textSourceText{cv81} -- Variants of ◌͛ (\unic{U+035B}, combining -zigzag above)} -1=\cvd{81}{◌͛}, 2=\cvd[1]{81}{◌͛}, 3=\cvd[2]{81}{◌͛}. Positioning of the zigzag can differ from that of other combining -marks, e.g. \textex{b͛ f͛ d͛}. If \textSourceText{calt} ``Contextual Alternates'' is enabled (as it is by -default in most apps), variant forms of \textSourceText{cv81[2]} will be used with several letters, e.g. -\textex{\cvd[1]{81}{d͛ \ f͛ \ k͛}}. Enable \textSourceText{case} for forms that harmonize with capitals -(\textex{\addfontfeature{Letters=Uppercase}\cvd[1]{81}{A͛ B͛ C͛ D͛}}), -\textSourceText{smcp} for forms that harmonize with small caps -(\textex{\textsc{\cvd[1]{81}{e͛ f͛ g͛ h͛}}}). - \subsection{\textSourceText{cv82} -- Variants of spacing ꝰ (\unic{U+A770})} 1=\cvd{82}{ꝰ}, 2=\cvd[1]{82}{ꝰ}. \textSourceText{cv82[1]} produces the baseline \textit{{}-us} abbreviation (same as MUFI \unic{U+F1A6}). MUFI also has an uppercase baseline \textit{{}-us} abbreviation (\unic{U+F1A5}), but as there is no uppercase version @@ -921,8 +1194,14 @@ it is preferable to use those characters with this feature. \textSourceText{[2]} produces a subscript version of the character, a common variant in early printed books. +\subsection{\textSourceText{cv67} -- Spacing zigzag (variant of \unic{U+00AF}, spacing macron)} +A spacing version of ◌͛ (\unic{U+035B}, combining zigzag) appears in John Hutchins, +\textit{The History and Antiquities of the County of Dorset} (London, 1774). It +is not in Unicode or MUFI. In the future this feature may be used, as necessary, +for other spacing marks of abbreviation. + \section{Combining Marks} -\subsection{\textSourceText{cv84} -- MUFI combining marks (variants of \unic{U+0304})} +\subsection{\textSourceText{cv84} -- MUFI combining marks (variants of \unic{U+0304})}\hypertarget{cv84}{} MUFI encodes a number of combining marks in the PUA (with code points between \unic{E000} and \unic{F8FF}), but when these characters are entered directly, they can interfere with searching and accessibility, and some important applications fail to position them correctly over their base characters. To avoid these problems, enter \unic{U+0304} (◌̄, \textUName{combining @@ -1033,11 +1312,15 @@ with the diacritic properly positioned. 37\hfill=\hfill\cvd[34]{84}{◌͏̄} \end{multicols} -\subsection{\textSourceText{cv67} -- Spacing zigzag (variant of \unic{U+00AF}, spacing macron)} -A spacing version of ◌͛ (\unic{U+035B}, combining zigzag) appears in John Hutchins, -\textit{The History and Antiquities of the County of Dorset} (London, 1774). It -is not in Unicode or MUFI. In the future this feature may be used, as necessary, -for other spacing marks of abbreviation. +\subsection{\textSourceText{cv81} -- Variants of ◌͛ (\unic{U+035B}, combining +zigzag above)} +1=\cvd{81}{◌͛}, 2=\cvd[1]{81}{◌͛}, 3=\cvd[2]{81}{◌͛}. Positioning of the zigzag can differ from that of other combining +marks, e.g. \textex{b͛ f͛ d͛}. If \textSourceText{calt} ``Contextual Alternates'' is enabled (as it is by +default in most apps), variant forms of \textSourceText{cv81[2]} will be used with several letters, e.g. +\textex{\cvd[1]{81}{d͛ \ f͛ \ k͛}}. Enable \textSourceText{case} for forms that harmonize with capitals +(\textex{\addfontfeature{Letters=Uppercase}\cvd[1]{81}{A͛ B͛ C͛ D͛}}), +\textSourceText{smcp} for forms that harmonize with small caps +(\textex{\textsc{\cvd[1]{81}{e͛ f͛ g͛ h͛}}}). \subsection{\textSourceText{ss10} -- Character Entities for Combining Marks}\hypertarget{ss10}{} Instead of \textSourceText{\hyperlink{cv84}{cv84}} for representing non-Unicode combining marks, some users may @@ -1191,8 +1474,7 @@ combining overline)} \subsection{\textSourceText{cv}\textSourceText{90} -- Variants of ◌͞◌ (\unic{U+035E}, combining double macron)} 1=\cvd{90}{◌͞◌}, 2=\cvd[1]{90}{◌͞◌}. -\subsection{\textSourceText{cv92} -- Variant of breve -below (\unic{U+032E})} +\subsection{\textSourceText{cv92} -- Variant of combining breve below (\unic{U+032E})} 1=\cvd{92}{◌◌̮◌}. Position the mark after the middle of three glyphs, and apply \textSourceText{cv92} to both the mark and (at least) the middle glyph. This mark is not available via \textSourceText{cv84}. @@ -1276,374 +1558,85 @@ F2EE, F2EF}, pound signs from various locales. \subsection{\textSourceText{cv98} -- Variant of ℥ (\unic{U+2125}, Ounce sign)} 1=\cvd{98}{℥}. Same as MUFI \unic{U+F2FD}, Script ounce sign. -\section{Gothic} -\subsection{\textSourceText{ss19} -- Latin to Gothic Transliteration} -Produces Gothic letters from Latin: \revthorn{Warþ þan in dagans jainans} $\rightarrow $ -{\addfontfeature{StylisticSet=19}Warþ þan in dagans -jainans}. In web pages, the letters will be searchable as their Latin equivalents. - -\section{Runic} -\subsection{\textSourceText{ss12} -- Early English Futhorc} -Changes Latin letters to their equivalents in the early English futhorc. Because of the variability of the runic -alphabet, this method of transliteration may not produce the result you want. In that case, it may be necessary to -manually edit the result. fisc flodu ahof $\rightarrow $ {\addfontfeature{StylisticSet=12}fisc flodu ahof}. - -\subsection{\textSourceText{ss13} -- Elder -Futhark} -Changes Latin letters to their equivalents in the Elder Futhark. Because of the variability of the runic alphabet, this -method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit the -result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=13}ABCDEFG}. - -\subsection{\textSourceText{ss14} -- Younger -Futhark} -Changes Latin letters to their equivalents in the Younger Futhark. Because of the variability of the runic alphabet, -this method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit -the result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=14}ABCDEFG}. - -\subsection{\textSourceText{ss15} -- -Long Branch to Short Twig} -In combination with \textSourceText{ss14}, converts long branch (the default for the Younger Futhark) to short twig runes: -{\addfontfeature{StylisticSet=14}{ABCDEFG $\rightarrow $ -\addfontfeature{StylisticSet=15}ABCDEFG}}. - -\subsection{\textSourceText{rtlm} --- Right to Left Mirrored Forms} -Produces mirrored runes, e.g. {\addfontfeature{StylisticSet=12}ABCDEFG $\rightarrow $ \addfontfeature{MyStyle=mirrored}GFEDCBA}. -This feature cannot change the direction of text or reverse its order. - -\section{Ligatures and Digraphs} - -Old-style fonts typically contain a standard collection of ligatures (conjoined letters), including -\textex{fi}, \textex{fl}, \textex{ff}, \textex{ffi}, and \textex{ffl}. -Most software will display these ligatures automatically (except -Microsoft Word, for which they must be enabled explicitly). Junicode has a large number of ligatures, -including the standard f-ligatures, a similar set for long s, e.g. \textex{ſl}, \textex{ſſ}, \textex{ſſi}, but also more -specialized forms like \textex{ſꞇ}, -\textex{\addfontfeatures{StylisticSet=2,CharacterVariant=38:10}st}, -\textex{\addfontfeatures{Language=English,StylisticSet=2,CharacterVariant=38:10}sw} -(the last two with \textSourceText{ss02} and \textSourceText{cv38[11]}), and a few more. Most of Junicode’s -ligatures, however, are not automatic, but belong to the set of either Historic Ligatures -or Discretionary Ligatures, both of which must be invoked explicitly. These are listed in the following sections. - -\subsection{\textSourceText{hlig} -- Historic Ligatures} - -Produces ligatures for combinations that should not ordinarily be rendered as -ligatures in modern text.\footnote{\ Some -fonts define \textSourceText{hlig} differently, as including all ligatures in which at least one -element is an archaic character, e.g. -those involving long s (\textrm{ſ\hspace{0.2em}}). In Junicode, however, a -historic ligature is defined not by the characters it is composed of, but -rather by the join between them. If two characters (though modern) should not be joined except -in certain historic contexts, they form a historic ligature. If they should be -joined in all contexts (even if archaic), the ligature is not historic -and should be defined in \textSourceText{liga}.} Most of these are from the MUFI recommendation, -ranges B.1.1(b) and B.1.4. This feature does -not produce digraphs (which have a phonetic value), for which see -\textSourceText{\hyperlink{ss17}{ss17}}. The ligatures: -\addfontfeatures{Ligatures=Historic} - -\begin{multicols}{5} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}f\hfill→\hfill{}af} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}ꝼ\hfill→\hfill{}aꝼ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}g\hfill→\hfill{}ag} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}l\hfill→\hfill{}al} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}n\hfill→\hfill{}an} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}N\hfill→\hfill{}aN} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}p\hfill→\hfill{}ap} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}r\hfill→\hfill{}ar} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}R\hfill→\hfill{}aR} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -{\addfontfeature{Language=Icelandic}a{\textcompwordmark}{\th}\hfill→\hfill{}a{\th}}} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -a{\textcompwordmark}v\hfill→\hfill{}av} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -\cvd[1]{2}{a}{\textcompwordmark}{v}\hfill→\hfill{}\cvd[1]{2}{av}} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -b{\textcompwordmark}b\hfill→\hfill{}bb} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -b{\textcompwordmark}g\hfill→\hfill{}bg} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -b{\textcompwordmark}o\hfill→\hfill{}bo} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -c{\textcompwordmark}h\hfill→\hfill{}ch} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -c{\textcompwordmark}k\hfill→\hfill{}ck} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ꝺ{\textcompwordmark}ꝺ\hfill→\hfill{}ꝺꝺ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -d{\textcompwordmark}e\hfill→\hfill{}de} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ꝺ{\textcompwordmark}e\hfill→\hfill{}ꝺe} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}a\hfill→\hfill{}ea} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}c\hfill→\hfill{}ec} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}ꝼ\hfill→\hfill{}eꝼ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}ᵹ\hfill→\hfill{}eᵹ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}m\hfill→\hfill{}em} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}n\hfill→\hfill{}en} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}o\hfill→\hfill{}eo} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}ꞃ\hfill→\hfill{}eꞃ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}ꞅ\hfill→\hfill{}eꞅ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}ꞇ\hfill→\hfill{}eꞇ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}x\hfill→\hfill{}ex} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -e{\textcompwordmark}y\hfill→\hfill{}ey} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -f{\textcompwordmark}ä\hfill→\hfill{}fä} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}d\hfill→\hfill{}gd} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}\revthorn{ð}\hfill→\hfill{}\revthorn{gð}} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}ꝺ\hfill→\hfill{}gꝺ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}g\hfill→\hfill{}gg} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -\cvd[2]{14}{ɡ{\textcompwordmark}ɡ}\hfill→\hfill{}ɡɡ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}o\hfill→\hfill{}go} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}p\hfill→\hfill{}gp} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -g{\textcompwordmark}r\hfill→\hfill{}gr} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -H{\textcompwordmark}r\hfill→\hfill{}Hr} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -h{\textcompwordmark}r\hfill→\hfill{}hr} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -h{\textcompwordmark}ſ\hfill→\hfill{}hſ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -h{\textcompwordmark}ẝ\hfill→\hfill{}hẝ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -k{\textcompwordmark}r\hfill→\hfill{}kr} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -k{\textcompwordmark}ſ\hfill→\hfill{}kſ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -k{\textcompwordmark}ẝ\hfill→\hfill{}kẝ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -l{\textcompwordmark}l\hfill→\hfill{}ll} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -n{\textcompwordmark}a\hfill→\hfill{}na} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -n{\textcompwordmark}i\hfill→\hfill{}ni} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -\textsc{n}{\textcompwordmark}ſ\hfill→\hfill{}\textsc{nſ}} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -n{\textcompwordmark}v\hfill→\hfill{}nv} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -o{\textcompwordmark}c\hfill→\hfill{}oc} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -O{\textcompwordmark}Ꝛ\hfill→\hfill{}OꝚ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -o{\textcompwordmark}ꝛ\hfill→\hfill{}oꝛ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -O{\textcompwordmark}Ꝝ\hfill→\hfill{}OꝜ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -o{\textcompwordmark}ꝝ\hfill→\hfill{}oꝝ} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -P{\textcompwordmark}P\hfill→\hfill{}PP} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -p{\textcompwordmark}p\hfill→\hfill{}pp} - -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ꝓ{\textcompwordmark}p\hfill→\hfill{}ꝓp} +\section{Ornaments} +\subsection{\textSourceText{ornm} -- Ornaments}\hypertarget{ornm}{} +Produces ornaments (fleurons) in either of two ways: as an indexed variant of the bullet character (\unic{U+2022}) or as +variants of a-z, A-C: -{\color[rgb]{0.38039216,0.09019608,0.16078432} -P{\textcompwordmark}s\hfill→\hfill{}Ps} +\begin{multicols}{4} +a, 1{\tabto{4em}}\ornm{a} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -p{\textcompwordmark}e\hfill→\hfill{}pe} +b, 2{\tabto{4em}}\ornm{b} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -p{\textcompwordmark}s\hfill→\hfill{}ps} +c, 3{\tabto{4em}}\ornm{c} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -P{\textcompwordmark}si\hfill→\hfill{}Psi} +d, 4{\tabto{4em}}\ornm{d} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -p{\textcompwordmark}si\hfill→\hfill{}psi} +e, 5{\tabto{4em}}\ornm{e} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -q{\textcompwordmark}ꝩ\hfill→\hfill{}qꝩ} +f, 6{\tabto{4em}}\ornm{f} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -{\narrow q{\textcompwordmark}ꝫ/q\cvd[1]{83}{ꝫ}\hfill→\hfill\hlig{{}qꝫ/\cvd[1]{83}{qꝫ}}}} +g, 7{\tabto{4em}}\ornm{g} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ꝗ{\textcompwordmark}ꝗ\hfill→\hfill{}ꝗꝗ} +h, 8{\tabto{4em}}\ornm{h} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -Q{\textcompwordmark}Ꝛ\hfill→\hfill{}QꝚ} +i, 9{\tabto{4em}}\ornm{i} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -q{\textcompwordmark}ꝛ\hfill→\hfill{}qꝛ} +j, 10{\tabto{4em}}\ornm{j} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ſ{\textcompwordmark}\"a\hfill→\hfill{}ſ\"a} +k, 11{\tabto{4em}}\ornm{k} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ſ{\textcompwordmark}c{\textcompwordmark}h\hfill→\hfill{}ſch} +l, 12{\tabto{4em}}\ornm{l} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ſ{\textcompwordmark}t{\textcompwordmark}r\hfill→\hfill{}ſtr} +m, 13{\tabto{4em}}\ornm{m} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ſ{\textcompwordmark}ꝩ\hfill→\hfill{}ſꝩ} +n, 14{\tabto{4em}}\ornm{n} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ſ{\textcompwordmark}ƿ\hfill→\hfill{}ſƿ} +o, 15{\tabto{4em}}\ornm{o} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ꞇ{\textcompwordmark}ꞇ\hfill→\hfill{}ꞇꞇ} +p, 16{\tabto{4em}}\ornm{p} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -U{\textcompwordmark}E\hfill→\hfill{}UE} +q, 17{\tabto{4em}}\ornm{q} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -u{\textcompwordmark}e\hfill→\hfill{}ue} +r, 18{\tabto{4em}}\ornm{r} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -U{\textcompwordmark}U\hfill→\hfill{}UU} +s, 19{\tabto{4em}}\ornm{s} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -u{\textcompwordmark}u\hfill→\hfill{}uu} +t, 20{\tabto{4em}}\ornm{t} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} +u, 21{\tabto{4em}}\ornm{u} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -\revthorn{{\th}{\textcompwordmark}r\hfill→\hfill{}{\th}r}} +v, 22{\tabto{4em}}\ornm{v} -%{\color[rgb]{0.38039216,0.09019608,0.16078432} -%\revthorn{{\th}{\textcompwordmark}s\hfill→\hfill{}{\th}s}} +w, 23{\tabto{4em}}\ornm{w} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -\revthorn{{\th}{\textcompwordmark}ẝ\hfill→\hfill{}{\th}ẝ}} +x, 24{\tabto{4em}}\ornm{x} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ð{\textcompwordmark}ð\hfill→\hfill{}ðð} +y, 25{\tabto{4em}}\ornm{y} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -{\th}\textcompwordmark{\th}\hfill→\hfill{}{\th}{\th}} +z, 26{\tabto{4em}}\ornm{z} -{\color[rgb]{0.38039216,0.09019608,0.16078432} -ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} +A, 27{\tabto{4em}}\ornm{A} -{\color[rgb]{0.38039216,0.09019608,0.16078432}\addfontfeature{Language=English} -ꝥ{\textcompwordmark}ꝥ\hfill→\hfill{}ꝥꝥ} +B, 28{\tabto{4em}}\ornm{B} +C, 29{\tabto{4em}}\ornm{C} \end{multicols} -\noindent\addfontfeatures{Ligatures=histoff} -Note: For the ligature \textex{\textsc{\hlig{nſ}}} to -work properly, \unic{U+017F} \textex{ſ} must be entered directly, not by applying an OpenType feature to -\textex{s}. - -\subsection{\textSourceText{dlig} -- -Discretionary Ligatures} -Produces lesser-used ligatures: -\textex{\textcolor[rgb]{0.5529412,0.15686275,0.11764706}{\addfontfeature{Ligatures=Rare}ct, ſp, str, st, tr, tt, ty}}. -The collection of discretionary ligatures in the italic face also includes -{\textit{\addfontfeature{Ligatures=Rare}as, is, us}}. - +\noindent The method with letters of the alphabet is easier, but the method with bullets will produce a more satisfactory result +when text is displayed in an environment where Junicode is not available or \textSourceText{ornm} is not +implemented. -\subsection{\textSourceText{ss17} -- Rare -Digraphs}\hypertarget{ss17}{} -By ``digraph'' we mean conjoined letters that represent a phonetic value: the most common examples -for western languages are \textex{{\ae}} and \textex{{\oe}} (though these, because they -are so common, are not included in this feature). Use of this feature in web pages enables easier searches: for -example, producing \textex{\addfontfeature{StylisticSet=17}{\th}au} from -\textex{{\th}au} allows the word to be -searched as ``{\th}au.'' The digraphs covered by this feature are \textcolor[rgb]{0.5529412,0.15686275,0.11764706}{% -\addfontfeature{StylisticSet=17,Language=Icelandic}aa, ao, au, av, ay, ꝺv, ðv, gv, oo, vy,} plus capital and small cap -equivalents and digraph + -diacritic combinations anticipated in the -MUFI recommendation. To produce such a digraph + diacritic combination, either type a letter + diacritic combination as -the second element of the digraph or type the diacritic after the second element. For example, -\textex{a} + \textex{\'u} yields \textex{\addfontfeature{StylisticSet=17}a\'u}, and so does -\textex{a} + \textex{u} + \unic{U+0301} (combining acute accent). To produce a digraph + -diacritic combination not covered by MUFI (e.g. \textex{ꜵ̀}), you may have to place \unic{U+034F} -\textUName{combining grapheme joiner} (see \hyperlink{cv84}{cv84} above) between the second element of the digraph and the combining mark. +\subsection{Lady Junicode} +Lady Junicode cannot be produced by an OpenType feature, believing that it would be vulgar to make herself so accessible. She has, indeed, +commanded that the author of this document not publish her code point, located in one of the more private corners of the +Private Use Area. She has, however, given permission to publish her miniature: +\begin{center} +{\huge\char"0F19F} +\end{center} +If you encounter her while adventuring in her domains, greet her respectfully, and she will welcome you graciously. -\section{Required Features} +\section{Required Features}\hypertarget{req}{} Required features, which provide some of the font’s most basic functionality---ligatures, support for other features, kerning, and more---include \textSourceText{ccmp} (Glyph Composition/Decomposition), \textSourceText{calt} (Contextual Alternates), \textSourceText{liga} (Standard Ligatures), diff --git a/fonts/junicode/doc/GettingStarted.tex b/fonts/junicode/doc/GettingStarted.tex index 6dfee0eb4d..ca984d3e34 100644 --- a/fonts/junicode/doc/GettingStarted.tex +++ b/fonts/junicode/doc/GettingStarted.tex @@ -46,7 +46,7 @@ a font upgrade. To do this, press Shift-Alt-Control (on Windows) or Shift-Control-Option-Command (on the Mac) all together, \textit{immediately} after clicking to launch InDesign.} LibreOffice has supported variable fonts since version 7.5 (2023). {\LuaTeX} has excellent support -for variable fonts: make sure your TeX installation is up to date (since in +for variable fonts: make sure your {\TeX} installation is up to date (since in recent years support for variable fonts has improved with every release), and always choose “harf” mode in your font-selection code. For an example of font-selection code for a variable font, see the file @@ -58,7 +58,10 @@ Sketch, and CorelDRAW. The static version of Junicode has five weights and five widths, which are combined in many ways for a total of nineteen styles in -both roman and italic. It is not necessary to install all of these; in fact, +both roman and italic.\footnote{Several of the twenty-five possible combinations +(e.g. {\lightexp light expanded}) +have been omitted as unlikely to be useful; however, these can be accessed via the variable font.} +It is not necessary to install all of these; in fact, your life will be simplified (font menus easier to navigate) if you make a selection. You will probably want the traditional Regular, Bold, Italic, and Bold Italic fonts, but you should survey the styles displayed in the Specimen @@ -118,8 +121,9 @@ enter bases and marks separately. To position a mark correctly over a base character, first enter the base, followed by the mark or marks. The sequence \textbf{m} + \textbf{◌ᷙ} (\unic{U+1DD9}) -will make \textbf{mᷙ}; \textbf{y} + \textbf{◌̄} (\unic{U+0304}) + \textbf{◌̆} (\unic{U+0306}) will make \textbf{ȳ̆}; -\textbf{e} + \textbf{◌̣} (\unic{U+0323}) + \textbf{◌ᷠ} (\unic{U+1DE0}) will make \textbf{ẹᷠ}. +will make \textex{mᷙ}; +\mbox{\textbf{y} + \textbf{◌̄}} (\unic{U+0304}) + \textbf{◌̆} (\unic{U+0306}) will make \textex{ȳ̆}; +\textbf{e} + \textbf{◌̣} (\unic{U+0323}) + \textbf{◌ᷠ} (\unic{U+1DE0}) will make \textex{ẹᷠ}. More than sixteen hundred characters in Junicode can only be accessed via OpenType features—that is, by way of the programming built into the font—and many others \textit{should} be diff --git a/fonts/junicode/doc/JunicodeManual.pdf b/fonts/junicode/doc/JunicodeManual.pdf Binary files differindex ba8ee05843..62f94f2354 100644 --- a/fonts/junicode/doc/JunicodeManual.pdf +++ b/fonts/junicode/doc/JunicodeManual.pdf diff --git a/fonts/junicode/doc/JunicodeManual.sty b/fonts/junicode/doc/JunicodeManual.sty index f44c58f378..7c5ba43628 100644 --- a/fonts/junicode/doc/JunicodeManual.sty +++ b/fonts/junicode/doc/JunicodeManual.sty @@ -65,8 +65,8 @@ SizeFeatures={ {Size={-8.5}, RawFeature={axis={wght=550,wdth=118}}}, {Size={8.6-10.99}, RawFeature={axis={wght=475,wdth=114}}}, - {Size={11-21.59}, RawFeature={axis={wght=400,wdth=111}}}, - {Size={21.6-}, RawFeature={axis={wght=352,wdth=98}}} + {Size={11-21.59}, RawFeature={axis={wght=450,wdth=111}}}, + {Size={21.6-}, RawFeature={axis={wght=372,wdth=98}}} }, }, BoldFeatures={ @@ -174,6 +174,15 @@ {Size={22-}, RawFeature={axis={wght=301,wdth=100}}} }, ] +\setfontface\lightexp{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={8.5-11}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={11-22}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={22-}, RawFeature={axis={wght=300,wdth=125}}} + }, +] %\newfontface\medium{Junicode SmExp Medium} \setfontface\medium{JunicodeVF-Roman.ttf}[ RawFeature={mode=harf}, diff --git a/fonts/junicode/doc/JunicodeManual.tex b/fonts/junicode/doc/JunicodeManual.tex index 2f14042f8d..ab6c96dad1 100644 --- a/fonts/junicode/doc/JunicodeManual.tex +++ b/fonts/junicode/doc/JunicodeManual.tex @@ -13,7 +13,7 @@ \huge \centering the font for medievalists \\[1cm] \Huge\centering {\color{myRed}} \\[1cm] \huge\centering {\stditalic specimens and user manual} \\[1ex] - \Large\centering{\regular for version 2.204}\\ + \Large\centering{\regular for version 2.205}\\ \vfill {\color{myRed}} \end{titlepage} diff --git a/fonts/junicode/doc/OFL.txt b/fonts/junicode/doc/OFL.txt deleted file mode 100644 index 76a6e3810a..0000000000 --- a/fonts/junicode/doc/OFL.txt +++ /dev/null @@ -1,93 +0,0 @@ -Copyright 2020 by Peter S. Baker (b.tarde@gmail.com) - -This Font Software is licensed under the SIL Open Font License, Version 1.1. -This license is copied below, and is also available with a FAQ at: -http://scripts.sil.org/OFL - - ------------------------------------------------------------ -SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 ------------------------------------------------------------ - -PREAMBLE -The goals of the Open Font License (OFL) are to stimulate worldwide -development of collaborative font projects, to support the font creation -efforts of academic and linguistic communities, and to provide a free and -open framework in which fonts may be shared and improved in partnership -with others. - -The OFL allows the licensed fonts to be used, studied, modified and -redistributed freely as long as they are not sold by themselves. The -fonts, including any derivative works, can be bundled, embedded, -redistributed and/or sold with any software provided that any reserved -names are not used by derivative works. The fonts and derivatives, -however, cannot be released under any other type of license. The -requirement for fonts to remain under this license does not apply -to any document created using the fonts or their derivatives. - -DEFINITIONS -"Font Software" refers to the set of files released by the Copyright -Holder(s) under this license and clearly marked as such. This may -include source files, build scripts and documentation. - -"Reserved Font Name" refers to any names specified as such after the -copyright statement(s). - -"Original Version" refers to the collection of Font Software components as -distributed by the Copyright Holder(s). - -"Modified Version" refers to any derivative made by adding to, deleting, -or substituting -- in part or in whole -- any of the components of the -Original Version, by changing formats or by porting the Font Software to a -new environment. - -"Author" refers to any designer, engineer, programmer, technical -writer or other person who contributed to the Font Software. - -PERMISSION & CONDITIONS -Permission is hereby granted, free of charge, to any person obtaining -a copy of the Font Software, to use, study, copy, merge, embed, modify, -redistribute, and sell modified and unmodified copies of the Font -Software, subject to the following conditions: - -1) Neither the Font Software nor any of its individual components, -in Original or Modified Versions, may be sold by itself. - -2) Original or Modified Versions of the Font Software may be bundled, -redistributed and/or sold with any software, provided that each copy -contains the above copyright notice and this license. These can be -included either as stand-alone text files, human-readable headers or -in the appropriate machine-readable metadata fields within text or -binary files as long as those fields can be easily viewed by the user. - -3) No Modified Version of the Font Software may use the Reserved Font -Name(s) unless explicit written permission is granted by the corresponding -Copyright Holder. This restriction only applies to the primary font name as -presented to the users. - -4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font -Software shall not be used to promote, endorse or advertise any -Modified Version, except to acknowledge the contribution(s) of the -Copyright Holder(s) and the Author(s) or with their explicit written -permission. - -5) The Font Software, modified or unmodified, in part or in whole, -must be distributed entirely under this license, and must not be -distributed under any other license. The requirement for fonts to -remain under this license does not apply to any document created -using the Font Software. - -TERMINATION -This license becomes null and void if any of the above conditions are -not met. - -DISCLAIMER -THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, -EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF -MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT -OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE -COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, -INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL -DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING -FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM -OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/fonts/junicode/doc/Record_Interpreter_notes.tex b/fonts/junicode/doc/Record_Interpreter_notes.tex index ae07d9cb31..a80c4a6fb8 100644 --- a/fonts/junicode/doc/Record_Interpreter_notes.tex +++ b/fonts/junicode/doc/Record_Interpreter_notes.tex @@ -28,7 +28,7 @@ your text less accessible and less searchable. Indexing, concordance and bibliog screen readers will misinterpret it. To solve one problem (that of visual representation), you may well have introduced a host of far more serious problems. -Fortunately, Junicode offers a solution for this particular problem. The OpenType feature \textbf{cv63} substitutes for +Fortunately, Junicode offers a solution for this particular problem. The OpenType feature \textSourceText{cv63} substitutes for the yogh a character that \textit{looks} like the ezh but is semantically a yogh and therefore will be handled correctly by applications. But neither Junicode nor any other font can solve every problem of this kind. Sometimes you will have to call to mind the important principle stated above: \textit{A transcript is not a @@ -37,25 +37,25 @@ that it should have the same \textit{look}. This document concerns the transcription of texts in Latin (and to some extent, other archaic languages, e.g. Old and Middle English, Old French). It is long-standing custom, when transcribing certain kinds of documents, to retain marks -of abbreviation---for example, the \textbf{\hlig{\char"0A753p\char"0363}} you may find in a manuscript or printed edition representing +of abbreviation---for example, the \textex{\hlig{\char"0A753p\char"0363}} you may find in a manuscript or printed edition representing the word \textit{propterea}. This is okay---and Junicode can help with the task. But when dealing with the abbreviations, punctuation, and diacritics of an old text it is more important than ever that you use semantically correct characters for your transcription, as this will help readers who already face significant challenges. -For example, the abbreviation \textbf{\hlig{\char"0A753p\char"0363}} as printed here consists of an underlying sequence of Unicode -characters: \textbf{\char"0A753} (\unic{U+A753}, the common abbreviation for \textit{pro}) + \textbf{p} + \textbf{\char"25CC\char"0363} -(\unic{U+0363}, the combining small \textit{a}). The OpenType feature \textbf{hlig} (Historical Ligatures) has been +For example, the abbreviation \textex{\hlig{\char"0A753p\char"0363}} as printed here consists of an underlying sequence of Unicode +characters: \textex{\char"0A753} (\unic{U+A753}, the common abbreviation for \textit{pro}) + \textex{p} + \textex{\char"25CC\char"0363} +(\unic{U+0363}, the combining small \textit{a}). The OpenType feature \textSourceText{hlig} (Historical Ligatures) has been applied to this sequence, changing its appearance but not its underlying value. That underlying value is intelligible to computer applications in the sense that they can recognize each character. -This doesn't mean, though, that computer programs can correctly interpret \textbf{\hlig{\char"0A753p\char"0363}} as +This doesn't mean, though, that computer programs can correctly interpret \textex{\hlig{\char"0A753p\char"0363}} as \textit{propterea}. Many (probably \textit{most}) Latin abbreviations are ambiguous: this one, for example, can mean \textit{propterea} or \textit{propria}. Some abbreviations (most -notoriously \textbf{\char"25CC\char"035B} \unic{U+035B}) can mean many things, depending on context. It takes a human being with a +notoriously \textex{\char"25CC\char"035B} \unic{U+035B}) can mean many things, depending on context. It takes a human being with a knowledge of Latin to interpret them correctly. So another way you can add value in your transcript is by interpreting abbreviations like -\textbf{\hlig{\char"0A753p\char"0363}} and +\textex{\hlig{\char"0A753p\char"0363}} and supplying expansions of them. Fortunately, systems for representing texts often offer ways to handle this task gracefully. For example, in a TEI (Text Encoding Initiative) text, you would use this construction:\\[1ex] @@ -74,14 +74,15 @@ edition. \section[Common combining marks]{Common combining marks} A \textbf{combining mark} is a character that combines with another character (called the \textbf{base}) to form a -character with accent (e.g. \textbf{\'e}) or an abbreviation (e.g. \textbf{\cvd[1]{81}{p\char"035B}} for \textit{prae}). +character with accent (e.g. \textex{\'e}) or an abbreviation (e.g. \textex{\cvd[1]{81}{p\char"035B}} for \textit{prae}). Unicode and the Medieval Unicode Font Initiative (MUFI) offer code points for many precomposed combinations of base + combining mark, but it is also possible to place any mark over any base character by entering first the base and then the combining mark. It is also possible to place a combining mark over another combining mark. For example, to produce -\textbf{\cvd[32]{84}{q\char"0363\char"0304}}, enter this sequence: q (\unic{U+0071}) + \unic{U+0363} + \unic{U+0304}. +\textex{\cvd[32]{84}{q\char"0363\char"0304}}, enter this sequence: q (\unic{U+0071}) + \unic{U+0363} + \unic{U+0304}. Junicode 2 contains many variants of combining marks: for example the curly zigzag \cvd[1]{81}{\char"25CC\char"035B} is a variant of -Unicode's angular zigzag {\char"25CC\char"035B} (\unic{U+035B}), produced by applying the OpenType feature \textbf{cv81[2]} to \textbf{both the base character and the combining mark}. Sometimes the combination of base + combining mark + OpenType +Unicode's angular zigzag {\char"25CC\char"035B} (\unic{U+035B}), produced by applying the OpenType feature \textSourceText{cv81[2]} to +\textbf{both the base character and the combining mark}. Sometimes the combination of base + combining mark + OpenType feature will not produce the desired effect. When this happens, place \unic{U+034F} (a special invisible combining mark, included in Unicode for exactly this purpose) between the base and the (visible) mark.\\ @@ -91,11 +92,11 @@ included in Unicode for exactly this purpose) between the base and the (visible) \textit{dampna}. \end{quote} The combining macron can also be applied above superscripts and combining marks. Apply the OpenType feature -\textbf{cv84[33]} for a narrower macron: +\textSourceText{cv84[33]} for a narrower macron: \begin{quote} \cvd[32]{84}{antiqua\char"034F\char"0304} \textit{antiquam}; \cvd[32]{84}{q\char"0363\char"0304} \textit{quam}. \end{quote} -For the superscript \textit{a}, use the OpenType feature \textbf{sups} (see r. below).\\[1ex] +For the superscript \textit{a}, use the OpenType feature \textSourceText{sups} (see r. below).\\[1ex] \noindent\secletter{b.}\ \ For a straight stroke through a tall letter, use the \textsc{combining short stroke overlay} (\unic{U+0335}): \textex{f\char"0335\ d\char"0335\ l\char"0335}. But Unicode also has precomposed versions of \textex{d}, \textex{l} and other characters \mbox{with} stroke, e.g. @@ -127,19 +128,19 @@ zigzag} (\char"25CC\char"035B, \unic{U+035B}), but the best match in Junicode 2 \textit{Record Interpreter} and the \textit{Statutes} is a gothic variant of this, which MUFI encodes as \unic{U+F1C8} (the curly form zigzag). However, because for technical reasons many applications will not position the MUFI character correctly over the base, that code point should be avoided. The best way to access this variant is -to apply \textsc{\textbf{cv81[2]}} to \unic{U+035B}, as here: +to apply \textSourceText{cv81[2]} to \unic{U+035B}, as here: \begin{quote} \cvd[1]{81}{deb\char"035Be \textit{debere}; int\char"035B\ \textit{inter}; f\char"035B\hspace{0.2em}r\=u \textit{ferrum}; gn\char"035Bo \textit{generatio}; p\char"035B; \textit{prae}; seru\char"035Be \textit{servire}}. \end{quote} The curly form of the combining zigzag may be attached to any letter, and it may change shape depending on the letter it -is attached to (including caps, for which use the \textbf{case} feature, and small caps: -\cvd[1]{81}{A\char"035B B\char"035B \textsc{c\char"035B -d\char"035B\hspace{0.2em}}}).\\[1ex] +is attached to (including caps, for which use the \textSourceText{case} feature, and small caps: +\textex{\cvd[1]{81}{A\char"035B B\char"035B \textsc{c\char"035B +d\char"035B\hspace{0.2em}}}}).\\[1ex] \noindent\secletter{g.}\ \ All letters a--z, and several others too, have combining forms. You may access these via their code points, when they are standard Unicode, via the -\textbf{\textsc{cv84}} feature, or via +\textSourceText{\textsc{cv84}} feature, or via Junicode's special entity references. For details, see \hyperlink{ss10}{4.10.3, Character Entities for Combining Marks}. \begin{quote} @@ -153,7 +154,7 @@ for\char"0A76D\ \textit{foris}; o\={m}\char"0A76D\ \textit{omnes}; \char"0A76Ft\ \textit{competentes}; inf\char"0A76D\ \textit{infortunium}. \end{quote} This character will sometimes ligature with the preceding letter. The italic version differs from the roman -stylistically (\textit{for\char"0A76D\ o\={m}\char"0A76D\ \char"0A76Ft\char"0A76D\ inf\char"0A76D}), but it will be +stylistically (\ \textex{\textit{for\char"0A76D\ o\={m}\char"0A76D\ \char"0A76Ft\char"0A76D\ inf\char"0A76D}}), but it will be intelligible to informed readers.\\[1ex] \noindent\secletter{i.}\ \ There are two characters for \textit{{}-us} in Unicode: @@ -165,13 +166,14 @@ Interpreter} and \textit{Statutes} appear to use only the spacing character: \textit{postea}; p\char"0A770\ \textit{post}.} \end{quote} \noindent\secletter{j.}\ \ The three-like sign is the \textsc{et sign} (\char"25CC\char"0A76B, \unic{U+A76B}, also used for -\textit{us}{}---do not confuse this with Middle English yogh: \textex{\char"021D}, \unic{U+021D}): +\textit{us} in the Latin ending \textit{-ibus}). Do not use the numeral three (\textex{3}) +or the Middle English yogh (\textex{\char"021D}, \unic{U+021D}): \begin{quote} quib\char"0A76B\ \textit{quibus}; lic\char"0A76B\ \textit{licet}; s\char"0A76B\ \textit{sed}. \end{quote} \noindent\secletter{k.}\ \ For \textit{{}-rum} the Unicode \textsc{rum rotunda} (\unic{U+A75D}) is like the one in MUFI/Junicode. The one in the \textit{Record Interpreter} and \textit{Statutes} is a late stylized version of -this. Use \unic{U+A75D} and apply OpenType feature \textsc{\textbf{cv80}} to obtain the correct shape: +this. Use \unic{U+A75D} and apply OpenType feature \textsc{\textSourceText{cv80}} to obtain the correct shape: \begin{quote} \cvd{80}{a\~{i}a\char"0A75D\ \textit{animarum}; co\char"0A75Dpere \textit{corrumpere}; beato\char"0A75D\ \textit{beatorum}}. @@ -201,9 +203,9 @@ former, and neither is listed among the \textit{Statutes} abbreviations): \char"0A757\ \textit{quod}; \char"0A757d \textit{quid}; \char"0A757b\char"0A76B\ \textit{quibus}. \end{quote} \noindent\secletter{q.}\ \ For \textit{quae}, \textit{que}, use \textex{q} -followed by \textsc{et} (\unic{U+A76B}) with or without \textbf{hlig}: \textex{q\char"0A76B} -\textex{\hlig{q\char"0A76B}}. For the semicolon-like \textsc{et} sign (\textbf{\cvd{83}{q\char"0A76B}}), use -\textbf{cv83[1]}; for the subscripted version (which can also form a ligature via \textbf{hlig}), use \textbf{cv83[2]}: +followed by \textsc{et} (\unic{U+A76B}) with or without \textSourceText{hlig}: \textex{q\char"0A76B} +\textex{\hlig{q\char"0A76B}}. For the semicolon-like \textsc{et} sign (\textex{\cvd{83}{q\char"0A76B}}), use +\textSourceText{cv83[1]}; for the subscripted version (which can also form a ligature via \textSourceText{hlig}), use \textSourceText{cv83[2]}: \textex{\cvd[1]{83}{q\char"0A76B\ \hlig{q\char"0A76B}}}.\\[1ex] \noindent\secletter{r.}\ \ All of the letters a-z are available in superscript form. Access with the \textex{sups} @@ -213,8 +215,8 @@ q\sups{o}s \textit{quos}; c\sups{i}lo \textit{circulo}; cap\sups{i} \textit{capi \end{quote} The basic Latin letters a--z have anchors that allow you to position combining marks over them (see a. above)\\[1ex] -\noindent\secletter{s.}\ \ Tironian \textsc{et} sign \char"204A\ \unic{U+204A}, cap \char"2E52\ \unic{U+2E52}. With \textbf{cv69[1]} \cvd{69}{\char"204A\char"2E52}; with -\textbf{cv69[2]} \cvd[1]{69}{\char"204A\char"2E52}.\\[1ex] +\noindent\secletter{s.}\ \ Tironian \textsc{et} sign \char"204A\ \unic{U+204A}, cap \char"2E52\ \unic{U+2E52}. With \textSourceText{cv69[1]} \cvd{69}{\char"204A\char"2E52}; with +\textSourceText{cv69[2]} \cvd[1]{69}{\char"204A\char"2E52}.\\[1ex] \noindent\secletter{t.}\ \ For \textit{est}, use \textex{\char"223B} \unic{U+223B} \textsc{homothetic}. Use of a mathematical sign for this purpose is not ideal, but Unicode offers no better solution.\\[1ex] @@ -226,7 +228,7 @@ use \textex{\textrecipe} \unic{U+211E} or \textex{\char"211F} \unic{U+211F}.\\[1 \noindent\secletter{w.}\ \ At least one edition uses a spacing version of the \textsc{combining zigzag} (\textbf{f.} above). -Neither Unicode nor MUFI has a matching character: with Junicode, apply \textbf{cv67} to the spacing +Neither Unicode nor MUFI has a matching character: with Junicode, apply \textSourceText{cv67} to the spacing \textsc{macron} (\unic{U+00AF}): \textex{\cvd{67}{\char"25CC\char"00AF}}. \section[Other formatting]{Other formatting} @@ -250,7 +252,7 @@ body { } \end{verbatim} -\noindent But the \textbf{hlig} feature, if applied to the whole text, will produce many unwanted effects, so it should be +\noindent But the \textSourceText{hlig} feature, if applied to the whole text, will produce many unwanted effects, so it should be included in a class definition to be used in a <span> applied just to the target sequence: \begin{verbatim} .que { diff --git a/fonts/junicode/doc/Specimens.tex b/fonts/junicode/doc/Specimens.tex index 911a757ae3..f5a8c220a3 100644 --- a/fonts/junicode/doc/Specimens.tex +++ b/fonts/junicode/doc/Specimens.tex @@ -191,7 +191,7 @@ uczynimy sobie znak, abyśmy się nie rozproszyli po całej ziemi.} (Condensed M {\small\semiconditalic Junicode contains a number of fleurons (floral ornaments) copied from a 1785 Caslon specimen book. Access - these via the OpenType feature \hyperlink{SectionD}{ornm}. Fleurons have only one weight and + these via the OpenType feature \hyperlink{ornm}{ornm}. Fleurons have only one weight and width, and they are the same in roman and italic.} \begin{center} diff --git a/fonts/junicode/doc/encoded-glyphs.tex b/fonts/junicode/doc/encoded-glyphs.tex index 83f35fbf0d..9ca1726099 100644 --- a/fonts/junicode/doc/encoded-glyphs.tex +++ b/fonts/junicode/doc/encoded-glyphs.tex @@ -13,5 +13,5 @@ and these spill out on one or more sides. \displayfonttable[color=blue,title-format=\caption{Encoded Glyphs in Junicode}, title-format-cont=\caption{Encoded Glyphs in Junicode, \emph{cont.}}, missing-glyph=•, -missing-glyph-color=blue, range-end=F005F, glyph-width=12pt, hex-digits=head]{Junicode VF}[Renderer=HarfBuzz] +missing-glyph-color=blue, range-end=F005F, glyph-width=12pt, hex-digits=head]{JunicodeVF-Roman.ttf}[Renderer=HarfBuzz] diff --git a/fonts/junicode/doc/junicode-package.pdf b/fonts/junicode/doc/junicode-package.pdf Binary files differindex 43635a0471..94a88bcc11 100644 --- a/fonts/junicode/doc/junicode-package.pdf +++ b/fonts/junicode/doc/junicode-package.pdf diff --git a/fonts/junicode/doc/junicode-package.tex b/fonts/junicode/doc/junicode-package.tex index 221c9171ff..8bfd429b4f 100644 --- a/fonts/junicode/doc/junicode-package.tex +++ b/fonts/junicode/doc/junicode-package.tex @@ -1,47 +1,66 @@ \documentclass{article} -\usepackage[medium,semiexpanded]{Junicode} +\usepackage[ + medium, + semiexpanded, + SmCondLightFeatures={ + Language=English, + StylisticSet=8 + } +]{junicode} \usepackage{microtype} \usepackage{multicol} \usepackage{supertabular} +\usepackage{metalogo} +s\setmonofont{Fira Mono}[Scale=MatchLowercase,Numbers=Lowercase] +\setsansfont{Fira Sans}[Scale=MatchLowercase,Numbers=Lowercase] +\newcommand{\fspec}{{\sffamily fontspec}} \linespread{1.1} +\tolerance=1500 \title{Junicode} \author{Peter S. Baker} -\date{} +\date{\today} \begin{document} \maketitle \section{Introduction} This package supports the Junicode static fonts (version 2.204 or higher) -for XeLaTeX and LuaLaTeX. The current version of the Junicode font should -be installed in your system. If the font is included in your TeX installation, -it is an obsolete version: you should remove it if possible. This package loads -fontspec, so it is not necessary to load it separately, even if you are using +for {\XeLaTeX} and {\LuaLaTeX}. If your {\TeX} installation has an older version of +Junicode (probably version 1.002), you should upgrade to the latest version. +This package loads +\fspec, so it is not necessary to load it separately, even if you are using other fonts alongside Junicode. \section{Loading Junicode} -Load Junicode in the usual way, with {\small\verb|\usepackage{Junicode}|}. Several options are available: +Load Junicode in the usual way, with {\verb|\usepackage{junicode}|}. Several options are available: \begin{description} -\item[fonttype] The type of font to look for, CFF or TrueType. These font types differ in the -way they draw outlines, and their hinting technologies are very different. Values may be otf -(the default) or ttf, e.g.\\ -\hspace*{1in}{\small\verb|\usepackage[fonttype=ttf]{Junicode}|} -\item[light] The weight of the type for the main text is Light instead of Regular. -\item[medium] The weight of the type for the main text is Medium, somewhat heavier than Regular. +%\item[fonttype] The type of font to look for, \textbf{otf} (the default) or \textbf{ttf}. +%These font types differ in the +%way they draw outlines, and their hinting technologies are very different. They may look subtly +%different on a computer screen. Example:\\ +%\hspace*{1in}{\verb|\usepackage[fonttype=ttf]{junicode}|} +\item[light] The weight of the type for the main text is light instead of regular. +\item[medium] The weight of the type for the main text is medium, somewhat heavier than regular. +The main text in this document is set in Junicode Medium. \item[semibold] The weight of bold type is somewhat lighter than the usual bold. This may be a -good choice if you have selected the light option. +good choice if you have selected the \textbf{light} option. \item[condensed] The width of the type is narrow. Note that bold type cannot be condensed: when this option is selected, any bold type in the text will have normal width. \item[semicondensed] The width of the type is wider than condensed but narrower than the default. Note that bold type cannot be semicondensed: when this option is selected, any bold type in the text will have normal width. \item[expanded] The width of the type is wide. Note that light type cannot be expanded: using -both the light and the expanded options will produce an error. +both the \textbf{light} and the \textbf{expanded} options will produce an error. \item[semiexpanded] The width of the type is wider than the default but narrower than expanded. -Note that light type cannot be semiexpanded: using both the light and the semiexpanded options +Note that light type cannot be semiexpanded: using both the \textbf{light} and the \textbf{semiexpanded} options will produce an error. +\item[proportional] Numbers in the document will be proportionally spaced. This is the default. +\item[tabular] Numbers will be tabular (or monospaced). +\item[oldstyle] Numbers will be old-style, harmonizing with lowercase letters. +\item[lining] Numbers will be lining, harmonizing with uppercase letters. +\item[style options] These will be discussed in the next section. \end{description} \section{Selecting Alternate Styles} @@ -125,37 +144,58 @@ if you keep these abbreviations in mind: Sm = Semi, Cond = Condensed, Exp = Expa \textbackslash jSmExpSmbold - \textbackslash jSmExpSmboldItalic + \textbackslash jSmExpSmboldItalic \end{multicols} +\noindent You can customize these styles by passing options when you load the package. +The name of each option is based on the corresponding stylename, but without the +prefixed “j” or any suffixed “Italic” (since each of these options +affects both the roman and the matching italic face), and with “Features” suffixed. +The content of the option must be one or more of the {\fspec} features appropriate to +Junicode. For example, this is the {\verb|\usepackage|} command from the preamble to +this document: + +\begin{verbatim} + \usepackage[ + medium, + semiexpanded, + SmCondLightFeatures={ + Language=English, + StylisticSet=8 + } + ]{junicode} +\end{verbatim} + +\noindent After the options for setting the main text, the \textbf{SmCondLightFeatures} +option sets the language to English and turns on Stylistic Set 8 (“Contextual Long s”) +for the semicondensed light face: +{\jSmCondLight \textcv[4]{\jcvf}{self\char"200Clessness}}. + \section{Other Commands} -These commands do nothing more than wrap fontspec commands, which can still be -used with the Junicode package and are actually needed if you want to take full -advantage of the Junicode font’s features. Some of these commands are more mnemonic -than the corresponding fontspec commands, and others are more compact. Each command +This package's other commands are offered as conveniences---shorter and more +mnemonic than the {\fspec} commands they invoke (though of course all {\fspec} commands +remain available). Each of these commands also has a corresponding “text” command that works like -{\small\verb|\textit{}|}—that is, it takes +{\verb|\textit{}|}—that is, it takes as its sole argument the text to which the command will be applied. Each “text” command consists of the main command with “text” prefixed—for example, -{\small\verb|\textInsularLetterForms{}|} -corresponding to {\small\verb|\InsularLetterForms|}. For a fuller account of the OpenType features -applied by these commands, see Chapter 4, Feature Reference. +{\verb|\textInsularLetterForms{}|} +corresponding to {\verb|\InsularLetterForms|}. For a fuller account of the OpenType features +applied by these commands, see Chapter 4 of the \textit{Junicode Manual}, “Feature Reference.” \begin{center} \tablehead{\hline} \tabletail{\hline} \begin{supertabular}{| l | p{2.75in} |} \textbackslash AltThornEth & Applies ss01, Alternate thorn and eth.\\\hline -\textbackslash InsularLetterForms & Applies ss02, Insular letter-forms. -This has an effect only with English and Irish text.\\\hline +\textbackslash InsularLetterForms & Applies ss02, Insular letter-forms.\\\hline \textbackslash IPAAlternates & Applies ss03, IPA alternates.\\\hline \textbackslash HighOverline & Applies ss04, High Overline.\\\hline \textbackslash MediumHighOverline & Applies ss05, Medium-high Overline.\\\hline \textbackslash EnlargedMinuscules & Applies ss06, Enlarged minuscules.\\\hline \textbackslash Underdotted & Applies ss07, Underdotted.\\\hline -\textbackslash ContextualLongS & Applies ss08, Contextual long s. This should be used only in English or -French text. With other languages it simply converts all instances of s to ſ.\\\hline +\textbackslash ContextualLongS & Applies ss08, Contextual long s.\\\hline \textbackslash AlternateFigures & Applies ss09, Alternate Figures.\\\hline \textbackslash EntitiesAndTags & Applies ss10, Entities and Tags.\\\hline \textbackslash EarlyEnglishFuthorc & Applies ss12, Early English Futhorc.\\\hline @@ -172,13 +212,13 @@ French text. With other languages it simply converts all instances of s to ſ.\\ \end{center} \noindent The syntax of \textbackslash jcv -is {\small\verb|\jcv[num]{num}|}, where the second (required) argument is the number of the Character Variant feature, +is {\verb|\jcv[num]{num}|}, where the second (required) argument is the number of the Character Variant feature, and the first (optional) argument is an index into the variants provided by that feature (starting with zero, the default). -\textbackslash textcv takes an additional required argument ({\small\verb|\textcv[num]{num}{text}|}—the text to which the +\textbackslash textcv takes an additional required argument ({\verb|\textcv[num]{num}{text}|}—the text to which the feature should be applied. Character Variant features can also be selected with mnemonics, listed below. For example, a feature for -lowercase \textbf{a} can be expressed as {\small\verb|\textcv[2]{\jcva}{a}|}, yielding \textbf{\textcv[2]{\jcva}{a}}. +lowercase \textbf{a} can be expressed as {\verb|\textcv[2]{\jcva}{a}|}, yielding \textbf{\textcv[2]{\jcva}{a}}. \begin{multicols}{3} \jCond\textbackslash jcvA @@ -380,4 +420,4 @@ lowercase \textbf{a} can be expressed as {\small\verb|\textcv[2]{\jcva}{a}|}, yi \textbackslash jcvYogh \end{multicols} -\end{document} +\end{document}
\ No newline at end of file diff --git a/fonts/junicode/doc/junicode-samples.pdf b/fonts/junicode/doc/junicode-samples.pdf Binary files differindex 3a5d3079a6..a064300e0b 100644 --- a/fonts/junicode/doc/junicode-samples.pdf +++ b/fonts/junicode/doc/junicode-samples.pdf diff --git a/fonts/junicode/doc/junicode-samples.tex b/fonts/junicode/doc/junicode-samples.tex index 4775ae2e97..6218a12bea 100644 --- a/fonts/junicode/doc/junicode-samples.tex +++ b/fonts/junicode/doc/junicode-samples.tex @@ -2,7 +2,7 @@ \usepackage[LGR,T1]{fontenc} \usepackage{lipsum} -\usepackage{Junicode} +\usepackage{junicode} \begin{document} @@ -81,7 +81,7 @@ X\textinf{1234567890} \section*{Semibold} -{\jSmbold\lipsum[3]} +{\jSmBold\lipsum[3]} \section*{Condensed} diff --git a/fonts/junicode/doc/source/About.tex b/fonts/junicode/doc/source/About.tex new file mode 100644 index 0000000000..92b71b1151 --- /dev/null +++ b/fonts/junicode/doc/source/About.tex @@ -0,0 +1,57 @@ + +\hypertarget{aboutj}{}\chapter{About Junicode} + +{\large% +\noindent Junicode is modeled on the Pica Roman type +purchased by Oxford University in 1692 and +used to set the bulk of the Latin text of George Hickes, +{\itshape Linguarum vett. septentrionalium thesaurus +grammatico-criticus et archaeologicus} (Oxford, 1703–5). This massive two-volume folio +is not only a major work of scholarship on the languages and literatures +of northern Europe in the Middle Ages, but also a fine +example of the work of the Oxford Press at this +period: printed in multiple types (for every language had to +have its proper type) and lavishly +illustrated with engravings of manuscript pages, coins and +artifacts. + +Junicode also includes two other typefaces from the \textit{Thesaurus}: +Pica Saxon, used to set passages in the Old English language, +and a typeface reproducing the Gothic alphabet (“Gothic” here +being not the late medieval style, but rather +the earliest extensively attested Germanic language). +These were commissioned by the literary scholar +Francis\-cus Junius (1591–1677) and bequeathed by him to +the University. Examples of all these typefaces can be found +in {\itshape A Specimen of the +Several Sorts of Letter Given to the University by Dr. John Fell, +Sometime Lord Bishop of Oxford. To Which Is Added the Letter Given by +Mr. F. Junius} (Oxford, 1693).\footnote{There is a facsimile of this +work at the +\href{https://digital.bodleian.ox.ac.uk/objects/876b73f0-3e03-41c1-9fd1-0688a1785561/}{Digital Bodleian}.} + +Junicode has two distinct Greek faces. The first, newly designed to harmonize with the roman face, is +up\-right and modern. The other, accompanying the italic face, is based on type designed by Alexander +Wilson (1714–86) of Glasgow and used in numerous books published by +the Foulis Press, most notably the great Glasgow Homer of 1756–58. + +The Junicode project began around 1998, when the developer began to revise his +older (early 1990s) “Junius” fonts for medievalists to take account of the Unicode +standard, then relatively new. The font’s name, a contraction of +“Junius Unicode,” was supposed to be a stopgap, serving until a more suitable name +could be found, but “Junicode” quickly stuck, and it is now so well known that it can’t be +changed.\footnote{\ An effort to change the name to “JuniusX” produced +only confusion. If you find a font by the name JuniusX on a free font site, +that is nothing more than an early version of Junicode 2.} +The project has been active for its entire history, responding to frequent +requests from users and changes in font technology; a particular focus of +recent versions of Junicode (numbered 2.000 and higher) is the promotion of best practices in the presentation +of medieval texts, especially in +the area of accessibility. This aspect of the font is explored in the +Introduction to the Feature Reference. + +} +\pagestyle{fancy} +\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}% +\addfontfeature{Letters=UppercaseSmallCaps}\leftmark} +\fancyhead[CO]{\scshape\color{myRed} {junicode}\hspace{10pt}{\addfontfeatures{Numbers=OldStyle}\thepage}} diff --git a/fonts/junicode/doc/source/EnlargeAxis.tex b/fonts/junicode/doc/source/EnlargeAxis.tex new file mode 100644 index 0000000000..d0c6873e3a --- /dev/null +++ b/fonts/junicode/doc/source/EnlargeAxis.tex @@ -0,0 +1,219 @@ +\chapter{The Enlarge Axis}\hypertarget{enlarge}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}the enlarge axis} + +The character recommendation of the Medieval Unicode Font Initiative (MUFI) includes a class of characters called +“Enlarged Minuscules,” for representing characters that are lowercase in shape but intermediate between lowercase +and uppercase in size: these are often used to begin sentences in medieval manuscripts. MUFI encodes these characters +in the Private Use Area, posing accessibility and searchability problems, as explained in the introduction to the +“Feature Reference” chapter of this manual. + +Junicode provides a solution to these problems via the OpenType feature Stylistic Set 6 (ss06, “Enlarged minuscules”). +This feature also works in Junicode VF, the variable version of Junicode, which in addition offers a far more flexible +way of representing enlarged minuscules—the Enlarge axis. + +An “axis” is an aspect of a font that can be varied along a numerical range. A family of traditional fonts like Times +New Roman has a weight axis with a font file on either end: Regular and Bold. Other font families have more weights +along this axis: for example, Light, Medium, ExtraBold. Most variable fonts also have a weight axis, but all weights +are contained in a single file, and users are not restricted to just a few weights, but can select any weight between +the extremes. + +Because almost every font family has at least two weights, Weight is the most familiar axis. But several other axes are +frequently found in both variable fonts and extended font families. Junicode has Weight and Width axes (Width varying +from {\narrow 75 Condensed} to {\wide 125 Expanded}, with 100 Regular in the middle), and the variable font also has +an Enlarge axis, which can vary the size of many lowercase letters from that of the font's capitals to that of the +lowercase letters: +\begin{figure}[h!] + \centering\includegraphics[width=4in]{dns.png} +\end{figure} +Just as the size of these sentence-initial letters varies widely in manuscripts, so it can vary on web pages and in +print (though few applications for producing printed documents currently support variable fonts). Notice that the letters +are not simply scaled: the proportions change and the weight remains consistent (a lowercase letter scaled up would look +too heavy, but a letter scaled via the Enlarged axis will have its original weight at the lower end of the axis and the +same weight as a capital at the top). + +The Enlarge axis runs from 0 to 100. You can choose any number in that range: to match the effect of ss06 precisely, choose 32. +To ensure that the xheight of all letters matches, choose 47 or less: above that value, the xheight of letters like \textex{e} +increases at a higher rate than that of letters like \textex{b}. + +To use the axis in a web page, declare a CSS class specifying the value for the axis. For example, the second of the examples +in the figure above has the axis set to 75: +\begin{verbatim} + .SentenceInitial { + font-variation-settings: "wght" 400, "wdth" 100, "ENLA" 75; + } +\end{verbatim} +\noindent In the text, enclose the first letter of a sentence in a \verb!<span>! with the class “Sentence\-Initial” (the entity +is for insular d): +\begin{verbatim} + <span class="SentenceInitial">ꝺ</span>ñs +\end{verbatim} +\noindent The result will be an abbreviation that begins with an “Enlarged Minuscule” insular d, precisely matching the look +of the second example in the figure above. + +These lowercase letters are affected by the Enlarge axis:\footnote{Note that all composite characters (e.g. \textex{á}, \textex{ü}) +based on these are also affected, so that the actual number of affected characters is much greater than shown here.} +\begin{multicols}{6} + a\hfill→\hfill\enlax{a} + + \cvd[1]{2}{a}\hfill→\hfill\enlax{\cvd[1]{2}{a}} + + ꜳ\hfill→\hfill\enlax{ꜳ} + + \cvd{55}{ꜳ}\hfill→\hfill\enlax{\cvd{55}{ꜳ}} + + æ\hfill→\hfill\enlax{æ} + + \cvd[3]{57}{æ}\hfill→\hfill\enlax{\cvd[3]{57}{æ}} + + ꜵ\hfill→\hfill\enlax{ꜵ} + + \cvd{59}{ꜵ}\hfill→\hfill\enlax{\cvd{59}{ꜵ}} + + \cvd[1]{59}{ꜵ}\hfill→\hfill\enlax{\cvd[1]{59}{ꜵ}} + + ꜷ\hfill→\hfill\enlax{ꜷ} + + ꜹ\hfill→\hfill\enlax{ꜹ} + + ꜻ\hfill→\hfill\enlax{ꜻ} + + ꜽ\hfill→\hfill\enlax{ꜽ} + + b\hfill→\hfill\enlax{b} + + c\hfill→\hfill\enlax{c} + + d\hfill→\hfill\enlax{d} + + đ\hfill→\hfill\enlax{đ} + + ꝺ\hfill→\hfill\enlax{ꝺ} + + {\addfontfeature{Language=Icelandic}ð}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}ð}} + + {\addfontfeature{Language=English}ð}\hfill→\hfill\enlax{{\addfontfeature{Language=English}ð}} + + e\hfill→\hfill\enlax{e} + + ȩ\hfill→\hfill\enlax{ȩ} + + ę\hfill→\hfill\enlax{ę} + + \cvd{62}{ę}\hfill→\hfill\enlax{\cvd{62}{ę}} + + \cvd[1]{62}{ę}\hfill→\hfill\enlax{\cvd[1]{62}{ę}} + + f\hfill→\hfill\enlax{f} + + \cvd[4]{12}{f}\hfill→\hfill\enlax{\cvd[4]{12}{f}} + + ꝼ\hfill→\hfill\enlax{ꝼ} + + g\hfill→\hfill\enlax{g} + + ꟑ\hfill→\hfill\enlax{ꟑ} + + ᵹ\hfill→\hfill\enlax{ᵹ} + + h\hfill→\hfill\enlax{h} + + \cvd{16}{h}\hfill→\hfill\enlax{\cvd{16}{h}} + + \cvd[3]{16}{h}\hfill→\hfill\enlax{\cvd[3]{16}{h}} + + ħ\hfill→\hfill\enlax{ħ} + + \cvd[4]{16}{h}\hfill→\hfill\enlax{\cvd[4]{16}{h}} + + i\hfill→\hfill\enlax{i} + + ı\hfill→\hfill\enlax{ı} + + j\hfill→\hfill\enlax{j} + + ȷ\hfill→\hfill\enlax{ȷ} + + k\hfill→\hfill\enlax{k} + + l\hfill→\hfill\enlax{l} + + ł\hfill→\hfill\enlax{ł} + + m\hfill→\hfill\enlax{m} + + n\hfill→\hfill\enlax{n} + + o\hfill→\hfill\enlax{o} + + ɵ\hfill→\hfill\enlax{ɵ} + + ơ\hfill→\hfill\enlax{ơ} + + ƣ\hfill→\hfill\enlax{ƣ} + + ꝋ\hfill→\hfill\enlax{ꝋ} + + ꝏ\hfill→\hfill\enlax{ꝏ} + + ǫ\hfill→\hfill\enlax{ǫ} + + ø\hfill→\hfill\enlax{ø} + + œ\hfill→\hfill\enlax{œ} + + p\hfill→\hfill\enlax{p} + + ꝓ\hfill→\hfill\enlax{ꝓ} + + ꝕ\hfill→\hfill\enlax{ꝕ} + + ꝑ\hfill→\hfill\enlax{ꝑ} + + q\hfill→\hfill\enlax{q} + + ꝙ\hfill→\hfill\enlax{ꝙ} + + r\hfill→\hfill\enlax{r} + + ꞃ\hfill→\hfill\enlax{ꞃ} + + ꝛ\hfill→\hfill\enlax{ꝛ} + + ꝝ\hfill→\hfill\enlax{ꝝ} + + s\hfill→\hfill\enlax{s} + + ꞅ\hfill→\hfill\enlax{ꞅ} + + t\hfill→\hfill\enlax{t} + + ꞇ\hfill→\hfill\enlax{ꞇ} + + u\hfill→\hfill\enlax{u} + + v\hfill→\hfill\enlax{v} + + w\hfill→\hfill\enlax{w} + + ƿ\hfill→\hfill\enlax{ƿ} + + x\hfill→\hfill\enlax{x} + + y\hfill→\hfill\enlax{y} + + z\hfill→\hfill\enlax{z} + + {\addfontfeature{Language=Icelandic}þ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}þ}} + + {\addfontfeature{Language=English}þ}\hfill→\hfill\enlax{{\addfontfeature{Language=English}þ}} + + {\addfontfeature{Language=Icelandic}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic}ꝥ}} + + {\addfontfeature{Language=English}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=English}ꝥ}} + + {\addfontfeature{Language=Icelandic,CharacterVariant=66}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=Icelandic,CharacterVariant=66}ꝥ}} + + {\addfontfeature{Language=English,CharacterVariant=66}ꝥ}\hfill→\hfill\enlax{{\addfontfeature{Language=English,CharacterVariant=66}ꝥ}} + + ꝧ\hfill→\hfill\enlax{ꝧ} +\end{multicols}
\ No newline at end of file diff --git a/fonts/junicode/doc/source/Feature_Reference.tex b/fonts/junicode/doc/source/Feature_Reference.tex new file mode 100644 index 0000000000..54e7ac3fe8 --- /dev/null +++ b/fonts/junicode/doc/source/Feature_Reference.tex @@ -0,0 +1,1897 @@ + +\chapter{Feature Reference}\hypertarget{FeatureReference}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}feature reference} + +\section{Introduction} +The OpenType features of Junicode version 2 and its variable counterpart (hereafter referred to together as +``Junicode'') have two purposes. One is to provide convenient access to the rich character set of the Medieval Unicode +Font Initiative (MUFI) recommendation. The other is to enable best practices in the presentation of medieval text, +promoting accessibility in electronic texts from PDFs to e-books to web pages. +%\thispagestyle{plain} + +Each character in the MUFI recommendation has a code point associated with it: either the one +assigned by Unicode or, where the character is not recognized by Unicode, in the Private Use Area (PUA) of the Basic +Multilingual Plane, a block of codes, running from \unic{U+E000} to \unic{U+F8FF}, that are assigned no value by Unicode but instead +are available for font designers to use in any way they please. + +The problem with PUA code points is precisely their lack of any value. Consider, as a point of comparison, the letter +\textex{a} (\unic{U+0061}). Your computer, your phone, and probably a good many other devices around the house +store a good bit of information about this \textex{a}: that it’s a letter in the Latin script, that +it’s lowercase, and that the uppercase equivalent is \textex{A} (\unic{U+0041}). All this information is +available to word processors, browsers, and other applications running on your computer. + +Now suppose you're preparing an electronic text containing what MUFI calls \textUName{latin small letter neckless +a} (\textex{}). It is assigned to code point \unic{U+F215}, which belongs to the PUA. Beyond that, your +computer knows nothing about it: not that it is a variant of \textex{a}, or that it is lowercase, or a letter in the Latin +alphabet, or even a character in a language system. A screen reader cannot read, or even spell out, a word with \unic{U+F215} +in it; a search engine will not recognize the word as containing the letter \textex{a}. + +Junicode offers the full range of MUFI characters---you can enter the PUA code points---but also a solution to the +problems posed by those code points. Think of an electronic text (a web page, perhaps, or a PDF) as having two layers: +an underlying text, stable and unchanging, and the displayed text, generated by software at the instant it is needed +and discarded when it is no longer on the screen. For greatest accessibility the underlying text should contain the +plain letter \textex{a} (\unic{U+0061}) along with markup indicating how it should be displayed. To generate +the displayed text, a program called a ``layout engine'' will (simplifying a bit here) read the markup and apply the +OpenType feature \textSourceText{cv02[5]}\footnote{\ Many OpenType features produce different outcomes depending on +an index passed to an application’s layout engine along with the feature tag. Different applications have different +ways of entering this index: consult your application’s documentation. Here, the index is recorded in brackets after +the feature tag. Users of fontspec (with {\XeLaTeX} or {\LuaTeX}) should also be aware that fontspec indexes start at zero +while OpenType indexes start at one. Therefore all index numbers listed in this document must be reduced by one for +use with fontspec.\par } to the underlying \textex{a}, bypassing the PUA code point, with the result that +readers see \textex{\cvd[4]{2}{a}}{}---the ``neckless a.'' And yet the letter will still register as +\textex{a} with search engines, screen readers, and so on. + +This is the Junicode model for text display, but it is not peculiar to Junicode: it is widely considered to be the best +practice for displaying text using current font technology. + +The full range of OpenType features listed in this document is supported by all major web browsers, LibreOffice, {\XeTeX}, +{\LuaTeX}, and (presumably) other document processing applications. All characters listed here are available in Adobe +InDesign, though that program supports only a selection of OpenType features. Microsoft Word, unfortunately, supports +only Stylistic Sets, ligatures (all but the standard ones in peculiar and probably useless combinations), number +variants, and the \hyperlink{req}{Required Features}. In terms of +OpenType support, Word is the most primitive of the major text processing applications. + +Many MUFI characters cannot be produced by using the OpenType variants of Junicode. These characters fall into three +categories: + +\liststyleLi +\begin{itemize} +\item Those with Unicode (non-PUA) code points. MUFI has done valuable work obtaining Unicode code points for medieval characters. +All such characters (those with hexadecimal codes that \textstyleEmphasis{do not} begin with \textex{E} +or \textex{F}) are presumed safe to use in accessible and searchable text. However, some of these are +covered by Junicode OpenType features for particular reasons. +\item Precomposed characters---those consisting of base character + one or more diacritics. For greatest accessibility, +these should be entered not as PUA code points, but rather as sequences consisting of base character + +diacritics. For example, instead of MUFI \unic{U+E498} \textUName{latin small letter e with dot below and acute}, use +\textex{e} + \unic{U+0323} \textUName{combining dot below} + \unic{U+0301} \textUName{combining acute accent}: +\textex{ẹ́} (when applying combining marks, start with any marks below the character and work +downwards, then continue with any marks above the character and work upwards. For example, to make +\textex{ǭ̣́}, place characters in this order: \textex{o}, +\textUName{combining ogonek} \unic{U+0328}, \textUName{combining dot below} \unic{U+0323}, \textUName{combining +macron} \unic{U+0304}, \textUName{combining acute} \unic{U+0301}). Some MUFI characters have marks in unconventional positions, +e.g. \textex{ȯ́} \textUName{latin small letter o with dot above and acute}, where the +acute appears beside the dot instead of above. This and other characters like it should still be entered as a sequence +of base character + marks (here \textex{o}, \textUName{combining dot above} \unic{U+0307}, +\textUName{combining acute} \unic{U+0301}). Junicode will position the marks in the manner prescribed by MUFI. +\item Characters for which a base character (a Unicode character to which it can be linked) cannot be identified, or for +which there may be an inconsistency in the MUFI recommendation. These include: + +\begin{itemize} +\item \textex{} \unic{U+E8AF}. This is a ligature of long \textex{s} and \textex{l} with stroke, +but there are no base characters with this style of stroke. +\item \textex{} \unic{U+EFD8} and \unic{U+EFD9}. MUFI lists these as ligatures (corresponding to the +historic ligatures \textex{\hlig{uuUU}}, but they cannot be treated as ligatures in the +font because a single diacritic is positioned over the glyphs as if they were digraphs like +\textex{ꜳꜲ}. +\item \textex{} \unic{U+EBE7} and \unic{U+EBE6}, for the same reason. +\item \textex{} \unic{U+F159} \textUName{latin abbreviation sign small de}. Neither a variant of +\textex{d} nor an eth (\textex{ð}), this character may be a candidate for Unicode +encoding. +\end{itemize} +\item Characters for which OpenType programming is not yet available. These will be added as they are located and +studied.% [Check: \unic{U+EBF1}, and smcp version.] +\end{itemize} +These characters should be avoided, even if you are otherwise using MUFI’s PUA characters: + +\liststyleLii +\begin{itemize} +\item \unic{U+F1C5} \textUName{combining curl high position}. Use \unic{U+1DCE} \textUName{combining ogonek above}. The +positioning problem mentioned in the MUFI recommendation is solved in Junicode (and, to be fair, many other fonts with +OpenType programming). +\item \unic{U+F1CA} \textUName{combining dot above high position}. Use \unic{U+0307} \textUName{combining dot above}. It +will be positioned correctly on any character. +\end{itemize} + +\section{Case-Related Features} +\subsection{\textSourceText{smcp} -- Small Capitals} +Converts lowercase letters to small caps; also several symbols and combining marks. All lower- and uppercase pairs (with +exceptions noted below) have a small cap equivalent. Lowercase letters without matching caps may lack matching small +caps. fghij $\rightarrow $ \textsc{fghij}. + +Note: Precomposed characters defined by MUFI in the Private Use Area have no small cap equivalents. Instead, compose +characters using combining diacritics, as outlined in the introduction. For example, \textSourceText{smcp} applied +to the sequence \textex{t} + \textUName{combining ogonek} (\unic{U+0328}) + \textUName{combining +acute} (\unic{U+0301}) will change \textex{t̨́} to \textex{\textsc{t̨́}}. + +\subsection{\textSourceText{c2sc} -- Small Capitals from Capitals} +Use with \textSourceText{smcp} for all-small-cap text. ABCDE $\rightarrow $ {\addfontfeature{Letters = UppercaseSmallCaps}ABCDE}. + +Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their small capital forms can be +accessed only through this feature. + +\subsection{\textSourceText{pcap} -- Petite Capitals} +Produces small caps in a smaller size than \textSourceText{smcp}. Use these when small caps have to be mixed with +lowercase letters. The whole of the basic Latin alphabet is covered, plus a number of other letters, but fewer than +half of Junicode’s small caps have petite cap equivalents. klmno{\th} +$\rightarrow $ {\addfontfeature{Letters = PetiteCaps}klmno\th}. + +\subsection{\textSourceText{c2pc} -- Petite Capitals from Capitals}} +Produces petite capitals from capitals. Use with \textSourceText{pcap} to convert mixed-case texts to petite capitals. +PQRST $\rightarrow $ {\addfontfeature{Letters=UppercasePetiteCaps}PQRST}. + +Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters}) have no lowercase equivalents. Their petite capital forms can be +accessed only through this feature. + +\subsection{\textSourceText{case} -- Case-Sensitive Forms} +Produces combining marks that harmonize with capital letters: {\addfontfeature{Letters=Uppercase}\v{R}, X̉}, etc. Use of this feature reduces the +likelihood that a combining mark will collide with a glyph in the line above. Some applications turn this +feature on automatically for runs of capitals, and precomposed characters +(e.g. \textex{É} \unic{U+00C9}, \textex{Ū} \unic{U+016A}) +already use case-appropriate combining marks. This feature also changes oldstyle to +lining figures, since these harmonize better with uppercase letters. + +\section{Alphabetic Variants} +\subsection{\textSourceText{cv01-cv52} -- Basic Latin Variants} +These features also affect small cap (\textSourceText{smcp}) and underdotted (\textSourceText{ss07}) forms, +where available. Variants in \cvc{magenta} are also available via \textSourceText{ss06} “Enlarged Minuscules.” +Use the \textSourceText{cvNN} features instead of \textSourceText{ss06} when you want to substitute an +enlarged minuscule for a capital (or, less likely, a lowercase) letter everywhere in a text. + +\begin{center} +\tablefirsthead{\hline +\bfseries Variant of &\ +\bfseries cvNN & +\arraybslash{\bfseries Variants}\\\hline} +\tablehead{\hline +\bfseries Variant of & +\bfseries cvNN & +\centering\arraybslash{\bfseries Variants}\\\hline} +\tabletail{\hline} +\tablelasttail{\hline} +\begin{supertabular}{| c | c | p{2.9212599in} |} +% +\bluerow\color{black}A & cv01 & +1=\cvd{1}{A}, 2=\cvd[1]{1}{A}, 3=\cvd[2]{1}{A}, 4=\cvc{\cvd[3]{1}{A}}\\ +% +a & cv02 & +{1=\cvd{2}{a}, 2=\cvd[1]{2}{a}, 3=\cvd[2]{2}{a}, 4=\cvd[3]{2}{a}, + 5=\cvd[4]{2}{a}, 6=\cvc{\cvd[5]{2}{a}}, 7=\cvd[6]{2}{a}, 8=\cvd[7]{2}{a}, 9=\cvd[8]{2}{a}, + 10=\cvd[9]{2}{a}}\\ +% +\bluerow B & cv03 & +1=\cvc{\cvd{3}{B}}, 2=\cvd[1]{3}{B}\\ +% +b & cv04 & +1=\cvc{\cvd{4}{b}}\\ +% +\bluerow C & cv05 & +{1=\cvd{5}{C}, 2=\cvc{\cvd[1]{5}{C}}}\\ +% +c & cv06 & +{1=\cvd{6}{c}, 2=\cvd[1]{6}{c}}\\ +% +\bluerow D & cv07 & +{1=\cvd{7}{D}, 2=\cvc{\cvd[1]{7}{D}}, 3=\cvc{\cvd[2]{7}{D}}}\\ +% +d & cv08 & +{1=\cvd{8}{d}, 2=\cvd[1]{8}{d}, 3=\cvd[2]{8}{d}, 4=\cvc{\cvd[3]{8}{d}}, + 5=\cvc{\cvd[4]{8}{d}} (also affects ḋ)}\\ +% +\bluerow E & cv09 & +{1=\cvd{9}{E}, 2=\cvd[1]{9}{E}, 3=\cvc{\cvd[2]{9}{E}}, 4=\cvd[3]{9}{E}}\\ +% +e & cv10 & +{1=\cvd{10}{e}, 2=\cvd[1]{10}{e}, 3=\cvd[2]{10}{e}, 4=\cvc{\cvd[3]{10}{e}}, 5=\cvd[4]{10}{e}}\\ +% +\bluerow F & cv11 & +{1=\cvd{11}{F}, 2=\cvc{\cvd[1]{11}{F}, 3=\cvd[2]{11}{F}}}\\ +% +f & cv12 & +{1=\cvd{12}{f}, 2=\cvd[1]{12}{f}, 3=\cvd[2]{12}{f}, 4=\cvd[3]{12}{f}, 5=\cvd[4]{12}{f}, + 6=\cvd[5]{12}{f}, 7=\cvc{\cvd[6]{12}{f}}, 8=\cvc{\cvd[7]{12}{f}}, 9=\cvd[8]{12}{f}}\\ +% +\bluerow G & cv13 & +{1=\cvd{13}{G}, 2=\cvd[1]{13}{G}, 3=\cvd[2]{13}{G}, 4=\cvc{\cvd[3]{13}{G}}}\\ +% +g & cv14 & +{1=\cvd{14}{g}, 2=\cvd[1]{14}{g}, 3=\cvd[2]{14}{g}, 4=\cvd[3]{14}{g}, 5=\cvd[4]{14}{g}, + 6=\cvd[5]{14}{g}, 7=\cvd[6]{14}{g}, 8=\cvc{\cvd[7]{14}{g}}, 9=\cvc{\cvd[8]{14}{g}}}\\ +% +\bluerow H & cv15 & +{1=\cvd{15}{H}, 2=\cvc{\cvd[1]{15}{H}}, 3=\cvd[2]{15}{H}}\\ +% +h & cv16 & +{1=\cvd{16}{h}, 2=\cvd[1]{16}{h}, 3=\cvc{\cvd[2]{16}{h}}, 4=\cvd[3]{16}{h}, 5=\cvd[4]{16}{h}}\\ +% +\bluerow I & cv17 & +{1=\cvd{17}{I}, 2=\cvd[1]{17}{I}, 3=\cvc{\cvd[2]{17}{I}}, 4=\cvd[3]{17}{I}}\\ +% +i & cv18 & +{1=\cvd{18}{i}, 2=\cvd[1]{18}{i}, 3=\cvd[2]{18}{i}, 4=\cvd[3]{18}{ii}, 5=\cvd[4]{18}{i}, + 6=\cvc{\cvd[5]{18}{i}}*}\\ +% +\bluerow J & cv19 & +{1=\cvd{19}{J}, 2=\cvc{\cvd[1]{19}{J}}}\\ +% +j & cv20 & +{1=\cvd{20}{j}, 2=\cvd[1]{20}{j}, 3=\cvd[2]{20}{j}, \cvc{4=\cvd[3]{20}{j}}}\\ +% +\bluerow K & cv21 & +{1=\cvc{\cvd{21}{K}}}\\ +% +k & cv22 & +{1=\cvd{22}{k}, 2=\cvd[1]{22}{k}, 3=\cvd[2]{22}{k}, 4=\cvd[3]{22}{k}, \cvc{5=\cvd[4]{22}{k}}, 6=\cvd[5]{22}{k}}\\ +% +\bluerow L & cv23 & +{\cvc{1=\cvd{23}{L}}}\\ +% +l & cv24 & +{1=\cvd{24}{l}, \cvc{2=\cvd[1]{24}{l}}, 3=\cvd[2]{24}{l}, 4=\cvd[3]{24}{l}, 5=\cvd[4]{24}{l}, 6=\cvd[5]{24}{l}}\\ +% +\bluerow M & cv25 & +{1=\cvd{25}{M}, 2=\cvd[1]{25}{M}, 3=\cvd[2]{25}{M}, 4=\cvc{\cvd[3]{25}{M}}}\\ +% +m & cv26 & +{1=\cvd{26}{m}, 2=\cvd[1]{26}{m}, 3=\cvd[2]{26}{m}, 4=\cvc{\cvd[3]{26}{m}}}\\ +% +\bluerow N & cv27 & +{1=\cvd{27}{N}, \cvc{2=\cvd[1]{27}{N}}, 3=\cvd[2]{27}{N}}\\ +% +n & cv28 & +{1=\cvd{28}{n}, 2=\cvd[1]{28}{n}, 3=\cvd[2]{28}{n}, 4=\cvd[3]{28}{n}, \cvc{5=\cvd[4]{28}{n}}, + 6=\cvd[5]{28}{n}, 7=\cvd[6]{28}{n}}\\ +% +\bluerow O & cv29 & +{1=\cvd{29}{O}, 2=\cvc{\cvd[1]{29}{O}}}\\ +% +o & cv30 & +{1=\cvd{30}{o}, 2=\cvc{\cvd[1]{30}{o}}}\\ +% +\bluerow P & cv31 & +{1=\cvd{31}{P}, 2=\cvc{\cvd[1]{31}{P}}}\\ +% +p & cv32 & +{1=\cvc{\cvd{32}{p}}}, 2=\cvd[1]{32}{p}**\\ +% +\bluerow Q & cv33 & +{1=\cvd{33}{Q}, 2=\cvc{\cvd[1]{33}{Q}}, 3=\cvd[2]{33}{Q}◌, + 4=\cvd[3]{33}{Q}◌◌}\\ +% +q & cv34 & +{1=\cvd{34}{q}, 2=\cvc{\cvd[1]{34}{q}}}\\ +% +\bluerow R & cv35 & +{1=\cvd{35}{R}, 2=\cvd[1]{35}{R}, 3=\cvc{\cvd[2]{35}{R}}}\\ +% +r & cv36 & +{1=\cvd{36}{r}, 2=\cvd[1]{36}{r}, 3=\cvd[2]{36}{r}, 4=\cvc{\cvd[3]{36}{r}}}\\ +% +\bluerow S & cv37 & +{1=\cvd{37}{S}, 2=\cvd[1]{37}{S}, 3=\cvc{\cvd[2]{37}{S}}, 4=\cvd[3]{37}{S}, 5=\cvd[4]{37}{S}, + 6=\cvd[5]{37}{S}, 7=\cvd[6]{37}{S}}\\ +% +s & cv38 & +{1=\cvd{38}{s}, 2=\cvd[1]{38}{s}, 3=\cvd[2]{38}{s}, 4=\cvd[3]{38}{s}, + 5=\cvd[4]{38}{s}, 6=\cvd[5]{38}{s}, 7=\cvc{\cvd[6]{38}{s}}, 8=\cvd[7]{38}{s}, + 9=\cvd[8]{38}{s}, 10=\cvd[9]{38}{s}, 11=\cvd[10]{38}{s}, 12=\cvd[11]{38}{s}}\\ +% +\bluerow T & cv39 & +{1=\cvd{39}{T}, 2=\cvc{\cvd[1]{39}{T}}}\\ +% +t & cv40 & +{1=\cvd{40}{t}, 2=\cvd[1]{40}{t}, 3=\cvc{\cvd[2]{40}{t}}, 4=\cvd[3]{40}{t}}\\ +% +\bluerow U & cv41 & +{1=\cvc{\cvd{41}{U}}, 2=\cvd[1]{41}{U}, 3=\cvd[2]{41}{U}}\\ +% +u & cv42 & +{1=\cvc{\cvd{42}{u}}}\\ +% +\bluerow V & cv43 & +{1=\cvc{\cvd{43}{V}}}\\ +% +v & cv44 & +{1=\cvd{44}{v}, 2=\cvd[1]{44}{v}, 3=\cvd[2]{44}{v}, 4=\cvd[3]{44}{v}, 5=\cvc{\cvd[4]{44}{v}}, + 6=\cvd[5]{44}{v}}\\ +% +\bluerow W & cv45 & +{1=\cvc{\cvd{45}{W}}, 2=\cvd[1]{45}{W}}\\ +% +w & cv46 & +{1=\cvc{\cvd{46}{w}}, 2=\cvd[1]{46}{w}}\\ +% +\bluerow X & cv47 & +{1=\cvc{\cvd{47}{X}}}\\ +% +x & cv48 & +{1=\cvd{48}{x}, 2=\cvd[1]{48}{x}, 3=\cvd[2]{48}{x}, 4=\cvd[3]{48}{x}, 5=\cvc{\cvd[4]{48}{x}}}\\ +% +\bluerow Y & cv49 & +{1=\cvd{49}{Y}, 2=\cvc{\cvd[1]{49}{Y}}}\\ +% +y & cv50 & +{1=\cvd{50}{y}, 2=\cvd[1]{50}{y}, 3=\cvd[2]{50}{y}, 4=\cvc{\cvd[3]{50}{y}}, 5=\cvd[4]{50}{y}, + 6=\cvd[5]{50}{y}}\\ +% +\bluerow Z & cv51 & +{1=\cvd{51}{Z}, 2=\cvc{\cvd[1]{51}{Z}}}\\ +% +z & cv52 & +{1=\cvd{52}{z}, 2=\cvd[1]{52}{z}, 3=\cvc{\cvd[2]{52}{z}}}\\ +\end{supertabular} +\end{center} + +\noindent * \textSourceText{cv18[4]} changes ii to ij at the end of a word; +\textSourceText{cv18[5]} changes i to j at the end of a word whether another +i precedes or not. These variants are chiefly useful for roman numbers, but +also for Latin words ending in -ii. The j produced by this feature is +searchable as i. + +\noindent ** \textSourceText{cv32[2]} should be on in any edition or extensive +quotation of the \textit{Ormulum}. The feature produces a p that differs from +the default only in the way it forms a double-p ligature with \textSourceText{hlig}: +\cvd[1]{32}{\hlig{pp}}, not \hlig{pp}. + +\subsection{\textSourceText{cv53-cv66}, \textSourceText{cv91} -- Other Latin Letters}\hypertarget{OtherLatin}{} +Some features affect both upper- and lowercase forms. \textSourceText{cv62} also affects +combining \textex{e} with ogonek, accessible via either \textSourceText{\hyperlink{cv84}{cv84}} or +\textSourceText{\hyperlink{ss10}{ss10}} with the +entity reference \textSourceText{\&\_eogo;}. + +\begin{center} +\tablefirsthead{\hline +\bfseries Variant of & +\bfseries cvNN & +\centering\arraybslash{\bfseries Variants}\\\hline} +\tablehead{\hline +\bfseries Variant of & +\bfseries cvNN & +\arraybslash{\bfseries Variants}\\\hline} +\tabletail{\hline} +\tablelasttail{\hline} +\begin{supertabular}{| c | c |p{2.3212599in}|} +% +\bluerow\k{A} (\unic{U+0104}) & +cv53 & +{1=\cvd{53}{Ą}, 2=\cvd[1]{53}{Ą}, 3=\cvd[2]{53}{Ą}}\\ +% +\k{a} (\unic{U+0105}) & +cv54 & +{1=\cvd{54}{ą}, 2=\cvd[1]{54}{ą}}\\ +% +\bluerow ꜳ (\unic{U+A733}) & +cv55 & +{1=\cvd{55}{ꜳ}, 2=\cvd[1]{55}{ꜳ}, 3=\cvc{\cvd[2]{55}{ꜳ}}, 4=\cvd[3]{55}{æ}}\\ +% +{\AE} (\unic{U+00C6}) & +cv56 & +{1=\cvd{56}{\AE}, 2=\cvc{\cvd[1]{56}{\AE}}}\\ +% +\bluerow{\ae} (\unic{U+00E6}) & +cv57 & +{1=\cvd{57}{\ae}, 2=\cvc{\cvd[1]{57}{\ae}}, 3=\cvd[2]{57}{\ae}, 4=\cvd[3]{57}{\ae}, +5=\cvd[4]{57}{\ae}, 6=\cvd[5]{57}{\ae}}\\ +% +Ꜵ (\unic{U+A734}) & +cv58 & +{1=\cvd{58}{Ꜵ}, 2=\cvc{\cvd[1]{58}{Ꜵ}}, 3=\cvc{\cvd[2]{58}{Ꜵ}}}\\ +% +\bluerow ꜵ (\unic{U+A735}) & +cv59 & +{1=\cvd{59}{ꜵ}, 2=\cvd[1]{59}{ꜵ}, 3=\cvc{\cvd[2]{59}{ꜵ}}}\\ +% +ꜹ (\unic{U+A739}) & +cv60 & +{1=\cvd{60}{ꜹ}}\\ +% +\bluerow{\dj} (\unic{U+0111}) & +cv61 & +{1=\cvd{61}{\dj}}\\ +% +{\narrow Ę, ę ... (U+0118, U+0119)} & +cv62 & +{1=\cvd{62}{Ę, ę ...}; 2=\cvd[1]{62}{Ę, ę ...}}\\ +% +\bluerow{\narrow Ȝ, ȝ (U+021C, U+021D)} & +cv63 & +{1=\cvd{63}{Ȝȝ}, 2=\cvd[1]{63}{Ȝȝ}}\\ +% +Ŋ (U+014A) & +cv91 & +{1=\cvd{91}{Ŋ}, 2=\cvd[1]{91}{Ŋ}}\\ +% +\bluerow{\char"0A7C1} (\unic{U+A7C1}) & +cv65 & +{1=\cvd{65}{\char"0A7C1}, 2=\cvd[1]{65}{\char"0A7C1}, 3=\cvd[2]{65}{\char"0A7C1}, 4=\cvd[3]{65}{\char"0A7C1}}\\ +% +ꝥ, \revthorn{ꝥ} (\unic{U+A765}) & +cv66 & +{1=\cvd{66}{ꝥ, \revthorn{ꝥ}}}\\ +\end{supertabular} +\end{center} + +\subsection{\textSourceText{ss01} -- Alternate thorn and eth} +Produces Nordic thorn and eth (\textex{\eng\revthorn{{\th}{\dh}{\TH}}}) when the language is English, and English thorn and eth +(\textex{\icel\revthorn{{\th}{\dh}{\TH}}}) with any other language, reversing the font’s ordinary usage. +This also affects small caps, crossed +thorn (\textex{ꝥ \revthorn{ꝥ}}---see also +\hyperlink{OtherLatin}{\textSourceText{cv66}}), combining mark eth +(\unic{U+1DD9}, \textex{◌ᷙ \revthorn{◌ᷙ}}), and enlarged thorn and eth (see \textSourceText{\hyperlink{ss06}{ss06}}). +This feature depends on \textSourceText{\hyperlink{req}{loca}} (Localized Forms), which in most applications will +always be enabled. + +\subsection{\textSourceText{ss02} -- Insular Letter-Forms} +Produces insular letter-forms, e.g. \textex{\addfontfeatures{Language=English,StylisticSet=2}dfgrsw}. +The result is different, +depending on whether the language is English or Irish (make sure the language for your document is set +properly). In English text, capitals are not affected (except W), as these do not not commonly have +insular shapes in early manuscripts; instead, enter the Unicode code points or use the Character Variant +(\textSourceText{cvNN}) features. In English text, ss02 imitates the typography of the Old English +passages of Hickes’s \textit{Thesaurus}, not the usage of Old English or Anglo-Latin manuscripts. In +Irish texts, it imitates the distribution of insular characters but cannot imitate the style of +particular scribal hands or typefaces. + +\subsection{\textSourceText{ss04} -- High +Overline} +Produces a high overline over letters used as roman numbers: \textex{\addfontfeature{StylisticSet=4}cdijlmvx CDI JLMVXↃ}. + +\subsection{\textSourceText{ss05} -- +Medium-High Overline} +Produces a medium-high overline over (or through the ascenders of) letters used as roman numbers, and some others as +well: \textex{\addfontfeature{StylisticSet=5,Style=Historic}bcdhijklmſvx{\th}}. + +\subsection{\textSourceText{ss06} -- +Enlarged Minuscules}\hypertarget{ss06}{} +Letters that are lowercase in form but uppercase in function, and between upper- and +lowercase in size, often used in medieval manuscripts as \textit{litterae notabiliores} to begin sentences, +paragraphs, and other textual units. +This feature +covers the whole of the basic Latin alphabet and a number of other letters that +occur at the beginnings of sentences. +Uppercase letters are also covered by this feature so that enlarged minuscules +can, if you like, be searched as capitals. This is Junicode's collection of +enlarged minuscules: + +\begin{multicols}{6} +\color{BrickRed}a\hfill→\hfill\enla{a} + +á\hfill→\hfill\enla{á} + +\cvd[6]{2}{a}\hfill→\hfill\enla{\cvd[6]{2}{a}} + +ꜳ\hfill→\hfill\enla{ꜳ} + +æ\hfill→\hfill\enla{æ} + +ꜵ\hfill→\hfill\enla{ꜵ} + +b\hfill→\hfill\enla{b} + +c\hfill→\hfill\enla{c} + +d\hfill→\hfill\enla{d} + +ḋ\hfill→\hfill\enla{ḋ} + +d́\hfill→\hfill\enla{d́} + +\cvd{8}{ḋ}\hfill→\hfill\enla{\cvd{8}{ḋ}} + +ꝺ\hfill→\hfill\enla{ꝺ} + +ꝺ́\hfill→\hfill\enla{ꝺ́} + +{\addfontfeature{Language=Icelandic}ð\hfill→\hfill\enla{ð}} + +ð\hfill→\hfill\enla{ð} + +e\hfill→\hfill\enla{e} + +\cvd[1]{10}{e}\hfill→\hfill\enla{\cvd[1]{10}{e}} + +é\hfill→\hfill\enla{é} + +ę\hfill→\hfill\enla{ę} + +\cvd{62}{ę}\hfill→\hfill\enla{\cvd{62}{ę}} + +f\hfill→\hfill\enla{f} + +ꝼ\hfill→\hfill\enla{ꝼ} + +g\hfill→\hfill\enla{g} + +ᵹ\hfill→\hfill\enla{ᵹ} + +ꟑ\hfill→\hfill\enla{ꟑ} + +h\hfill→\hfill\enla{h} + +\cvd{16}{h}\hfill→\hfill\enla{\cvd{16}{h}} + +\cvd[3]{16}{h}\hfill→\hfill\enla{\cvd[3]{16}{h}} + +ħ\hfill→\hfill\enla{ħ} + +i\hfill→\hfill\enla{i} + +ı\hfill→\hfill\enla{ı} + +j\hfill→\hfill\enla{j} + +ȷ\hfill→\hfill\enla{ȷ} + +k\hfill→\hfill\enla{k} + +l\hfill→\hfill\enla{l} + +m\hfill→\hfill\enla{m} + +\cvd{26}{m}\hfill→\hfill\enla{\cvd{26}{m}} + +n\hfill→\hfill\enla{n} + +o\hfill→\hfill\enla{o} + +œ\hfill→\hfill\enla{œ} + +p\hfill→\hfill\enla{p} + +q\hfill→\hfill\enla{q} + +r\hfill→\hfill\enla{r} + +s\hfill→\hfill\enla{s} + +ſ\hfill→\hfill\enla{ſ} + +t\hfill→\hfill\enla{t} + +u\hfill→\hfill\enla{u} + +v\hfill→\hfill\enla{v} + +w\hfill→\hfill\enla{w} + +ƿ\hfill→\hfill\enla{ƿ} + +x\hfill→\hfill\enla{x} + +y\hfill→\hfill\enla{y} + +z\hfill→\hfill\enla{z} + +{\addfontfeature{Language=Icelandic}þ\hfill→\hfill\enla{þ}} + +þ\hfill→\hfill\enla{þ} +\end{multicols} + +\noindent If you are using the variable version of the font (Junicode VF), consider using the +\hyperlink{enlarge}{Enlarge axis} +%\href{https://psb1558.github.io/Junicode-New/EnlargedAxis.html}{Enlarge axis} +instead, for reasons of flexibility and accessibility. + +\subsection{\textSourceText{ss07} -- Underdotted Text} +Produces underdotted text (indicating deletion in medieval manuscripts) for most +Latin and Greek letters, e.g. +\textex{\addfontfeature{StylisticSet=7}abcdefg HIJKLM αβγδεζη ΑΒΓΔΕΖΗ}. This also affects small +caps, e.g. \textex{{\addfontfeature{StylisticSet=7}\textsc{hijklmn θικλμνξ}}}. +If this feature fails for any letter, use \unic{U+0323}, combining dot below. + +\subsection{\textSourceText{ss08} -- Contextual Long s} +In English, French, and Latin text only, varies \textex{s} and \textex{ſ} according to rules +followed by many early printers: \textex{\colongs sports, essence, stormy, disheveled, transfusions, slyness, cliffside}. For this +feature to work properly, \textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by +default: see \hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode. + +\subsection{\textSourceText{ss16} -- +Contextual r Rotunda}\hypertarget{ss16}{} +Converts \textex{r} to \textex{ꝛ} (lowercase only) following the +most common rules of medieval manuscripts: +\textex{\addfontfeature{StylisticSet=16,Contextuals=Alternate}priest, firmer, frost, ornament}. +For this feature to work properly, +\textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by default: see +\hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode. + +\subsection{\textSourceText{salt} -- +Stylistic Alternates (medieval capitals, etc.)}\hypertarget{salt}{} +Junicode has two series of decorative capitals in medieval scripts. These affect only the letters +A-Z and a-z. \textSourceText{salt[1]} provides rustic capitals, a script used for text in the late +ancient and early medieval periods and for display until around the eleventh century: +\textex{\addfontfeature{StylisticAlternates=0}Gazifrequens Libycos duxit Karthago triumphos}. \textSourceText{salt[2]} +provides Lombardic capitals, a style used mainly for what are now called drop caps. Junicode’s Lombardic capitals +are not suitable for running text, titles, or headers: +\textex{\addfontfeature{StylisticAlternates=1}A\,B\,C\,D\,E\,F}. +Rustic capital Æ is available (\textex{\addfontfeature{StylisticAlternates=0}Æ}), but not Lombardic. +\textSourceText{salt[3]} provides variants of rustic G and Lombardic F and T: +\textex{\addfontfeature{StylisticAlternates=2}G\,F\,T}. +Miscellaneous alternates (for which Character Variants are +unavailable) are also gathered here on \textSourceText{salt[1]}: +ð \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ð}, +ẏ \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ẏ}. + +\subsection{\textSourceText{cv68} -- Variant of ʔ (\unic{U+0294}, glottal stop)} +1=\cvd{68}{ʔ}. + +\section{Greek} +Junicode has two distinct styles of Greek. In the roman face, it is upright and +modern, especially designed to harmonize with Junicode's Latin letters. In the +italic, it is slanted and old-style, being based on the eighteenth-century +Greek type designed by Alexander Wilson and used by the Foulis Press in +Glasgow. Both Greek styles include the full polytonic and monotonic character +sets: \textex{αβγδεζ \textit{αβγδεζ}}. + +To set Greek properly (especially polytonic text) requires that both \textSourceText{locl} +and \textSourceText{ccmp} be active, as they should be by default in most +text processing applications (but in MS Word they must be explicitly enabled +by checking the ``kerning'' box on the ``Advanced'' tab of the Font Dialog). + +Modern monotonic Greek should be set using only characters from the Unicode “Greek +and Coptic” range (\unic{U+0370–U+03FF}). When monotonic text is set in all caps, Junicode +suppresses accents automatically (except in single-letter words, for which +you must substitute unaccented forms manually). This substitution is not +performed on text containing visually identical letters from the ``Greek Extended'' +range (\unic{U+0F00–U+1FFF}). +Thus when setting polytonic Greek, one should use (for example) \textex{Ά} +(\unic{U+1FBB}), not \textex{Ά} (\unic{U+0386}), +though they look the same. + +You can set polytonic Greek either by entering code points from the Greek +Extended range or by entering sequences of base characters and diacritics. +When using the latter method, you must first make sure the language for the +text in question (whether a single word, a short passage, or a complete +document) is set to Greek, and then enter characters in canonical order +(that is, the sequence defined by Unicode as equivalent to the composite +character). The order is as follows: 1. base character; 2. diacritics +positioned either above or in front of the base character, working from left +to right or bottom to top; 3. the \textit{ypogegrammeni} (\unic{U+0345}), or for +capitals, if you prefer, the \textit{prosgegrammeni} (\unic{U+1FBE}).\footnote{\ Some +applications will automatically reorder sequences of letters and accents, +sparing you the trouble of remembering the canonical order.} + +For example, the sequence ω (\unic{U+03C9}) ◌̓ (\unic{U+0313}) ◌́ (\unic{U+0301}) ◌ͅ (\unic{U+0345}) +produces \textex{\grk ᾤ}. +Substitute capital Ω (\unic{U+03A9}) and the result is +\textex{\grk ᾬ}. Note that in a number of applications the layout +engine will perform these substitutions before Junicode’s own programming is +invoked. If either the layout engine or Junicode fails to produce your +preferred result, try placing \unic{U+034F} \textUName{combining grapheme joiner} +(don't waste time puzzling over the name) somewhere +in the sequence of combining marks---for example, before the \textit{ypogegrammeni} +to make \textex{\grk Ὤ͏ͅ}. + +\subsection{\textSourceText{ss03} -- Alternate Greek} +Provides alternate shapes of {\addfontfeature{Language=Greek}β γ θ π φ χ ω}: +\textex{\addfontfeature{StylisticSet=3}β γ θ π φ χ ω}. +These are chiefly useful in linguistics, as they harmonize with IPA characters. + +\section{Gothic} +\subsection{\textSourceText{ss19} -- Latin to Gothic Transliteration} +Produces Gothic letters from Latin: \revthorn{Warþ þan in dagans jainans} $\rightarrow $ +{\addfontfeature{StylisticSet=19}Warþ þan in dagans +jainans}. In web pages, the letters will be searchable as their Latin equivalents. + +\section{Runic} +\subsection{\textSourceText{ss12} -- Early English Futhorc} +Changes Latin letters to their equivalents in the early English futhorc. Because of the variability of the runic +alphabet, this method of transliteration may not produce the result you want. In that case, it may be necessary to +manually edit the result. fisc flodu ahof $\rightarrow $ {\addfontfeature{StylisticSet=12}fisc flodu ahof}. + +\subsection{\textSourceText{ss13} -- Elder +Futhark} +Changes Latin letters to their equivalents in the Elder Futhark. Because of the variability of the runic alphabet, this +method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit the +result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=13}ABCDEFG}. + +\subsection{\textSourceText{ss14} -- Younger +Futhark} +Changes Latin letters to their equivalents in the Younger Futhark. Because of the variability of the runic alphabet, +this method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit +the result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=14}ABCDEFG}. + +\subsection{\textSourceText{ss15} -- +Long Branch to Short Twig} +In combination with \textSourceText{ss14}, converts long branch (the default for the Younger Futhark) to short twig runes: +{\addfontfeature{StylisticSet=14}{ABCDEFG $\rightarrow $ +\addfontfeature{StylisticSet=15}ABCDEFG}}. + +\subsection{\textSourceText{rtlm} +-- Right to Left Mirrored Forms} +Produces mirrored runes, e.g. {\addfontfeature{StylisticSet=12}ABCDEFG $\rightarrow $ \addfontfeature{MyStyle=mirrored}GFEDCBA}. +This feature cannot change the direction of text or reverse its order. + +\section{Ligatures and Digraphs} + +Old-style fonts typically contain a standard collection of ligatures (conjoined letters), including +\textex{fi}, \textex{fl}, \textex{ff}, \textex{ffi}, and \textex{ffl}. +Most software will display these ligatures automatically (except +Microsoft Word, for which they must be enabled explicitly). Junicode has a large number of ligatures, +including the standard f-ligatures, a similar set for long s, e.g. \textex{ſl}, \textex{ſſ}, \textex{ſſi}, but also more +specialized forms like \textex{ſꞇ}, +\textex{\addfontfeatures{StylisticSet=2,CharacterVariant=38:10}st}, +\textex{\addfontfeatures{Language=English,StylisticSet=2,CharacterVariant=38:10}sw} +(the last two with \textSourceText{ss02} and \textSourceText{cv38[11]}), and a few more. Most of Junicode’s +ligatures, however, are not automatic, but belong to the set of either Historic Ligatures +or Discretionary Ligatures, both of which must be invoked explicitly. These are listed in the following sections. + +\subsection{\textSourceText{hlig} -- Historic Ligatures} + +Produces ligatures for combinations that should not ordinarily be rendered as +ligatures in modern text.\footnote{\ Some +fonts define \textSourceText{hlig} differently, as including all ligatures in which at least one +element is an archaic character, e.g. +those involving long s (\textrm{ſ\hspace{0.2em}}). In Junicode, however, a +historic ligature is defined not by the characters it is composed of, but +rather by the join between them. If two characters (though modern) should not be joined except +in certain historic contexts, they form a historic ligature. If they should be +joined in all contexts (even if archaic), the ligature is not historic +and should be defined in \textSourceText{liga}.} Most of these are from the MUFI recommendation, +ranges B.1.1(b) and B.1.4. This feature does +not produce digraphs (which have a phonetic value), for which see +\textSourceText{\hyperlink{ss17}{ss17}}. The ligatures: +\addfontfeatures{Ligatures=Historic} + +\begin{multicols}{5} +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}f\hfill→\hfill{}af} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}ꝼ\hfill→\hfill{}aꝼ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}g\hfill→\hfill{}ag} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}l\hfill→\hfill{}al} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}n\hfill→\hfill{}an} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}N\hfill→\hfill{}aN} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}p\hfill→\hfill{}ap} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}r\hfill→\hfill{}ar} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}R\hfill→\hfill{}aR} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\addfontfeature{Language=Icelandic}a{\textcompwordmark}{\th}\hfill→\hfill{}a{\th}}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +a{\textcompwordmark}v\hfill→\hfill{}av} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\cvd[1]{2}{a}{\textcompwordmark}{v}\hfill→\hfill{}\cvd[1]{2}{av}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}b\hfill→\hfill{}bb} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}g\hfill→\hfill{}bg} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +b{\textcompwordmark}o\hfill→\hfill{}bo} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +c{\textcompwordmark}h\hfill→\hfill{}ch} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +c{\textcompwordmark}k\hfill→\hfill{}ck} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝺ{\textcompwordmark}ꝺ\hfill→\hfill{}ꝺꝺ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +d{\textcompwordmark}e\hfill→\hfill{}de} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝺ{\textcompwordmark}e\hfill→\hfill{}ꝺe} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}a\hfill→\hfill{}ea} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}c\hfill→\hfill{}ec} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꝼ\hfill→\hfill{}eꝼ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ᵹ\hfill→\hfill{}eᵹ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}m\hfill→\hfill{}em} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}n\hfill→\hfill{}en} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}o\hfill→\hfill{}eo} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞃ\hfill→\hfill{}eꞃ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞅ\hfill→\hfill{}eꞅ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}ꞇ\hfill→\hfill{}eꞇ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}x\hfill→\hfill{}ex} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +e{\textcompwordmark}y\hfill→\hfill{}ey} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +f{\textcompwordmark}ä\hfill→\hfill{}fä} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}d\hfill→\hfill{}gd} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}\revthorn{ð}\hfill→\hfill{}\revthorn{gð}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}ꝺ\hfill→\hfill{}gꝺ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}g\hfill→\hfill{}gg} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\cvd[2]{14}{ɡ{\textcompwordmark}ɡ}\hfill→\hfill{}ɡɡ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}o\hfill→\hfill{}go} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}p\hfill→\hfill{}gp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +g{\textcompwordmark}r\hfill→\hfill{}gr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +H{\textcompwordmark}r\hfill→\hfill{}Hr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}r\hfill→\hfill{}hr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}ſ\hfill→\hfill{}hſ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +h{\textcompwordmark}ẝ\hfill→\hfill{}hẝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}r\hfill→\hfill{}kr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}ſ\hfill→\hfill{}kſ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +k{\textcompwordmark}ẝ\hfill→\hfill{}kẝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +l{\textcompwordmark}l\hfill→\hfill{}ll} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}a\hfill→\hfill{}na} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}i\hfill→\hfill{}ni} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\textsc{n}{\textcompwordmark}ſ\hfill→\hfill{}\textsc{nſ}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +n{\textcompwordmark}v\hfill→\hfill{}nv} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}c\hfill→\hfill{}oc} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +O{\textcompwordmark}Ꝛ\hfill→\hfill{}OꝚ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}ꝛ\hfill→\hfill{}oꝛ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +O{\textcompwordmark}Ꝝ\hfill→\hfill{}OꝜ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +o{\textcompwordmark}ꝝ\hfill→\hfill{}oꝝ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}P\hfill→\hfill{}PP} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}p\hfill→\hfill{}pp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝓ{\textcompwordmark}p\hfill→\hfill{}ꝓp} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}s\hfill→\hfill{}Ps} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}e\hfill→\hfill{}pe} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}s\hfill→\hfill{}ps} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +P{\textcompwordmark}si\hfill→\hfill{}Psi} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +p{\textcompwordmark}si\hfill→\hfill{}psi} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +q{\textcompwordmark}ꝩ\hfill→\hfill{}qꝩ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\narrow q{\textcompwordmark}ꝫ/q\cvd[1]{83}{ꝫ}\hfill→\hfill\hlig{{}qꝫ/\cvd[1]{83}{qꝫ}}}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꝗ{\textcompwordmark}ꝗ\hfill→\hfill{}ꝗꝗ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +Q{\textcompwordmark}Ꝛ\hfill→\hfill{}QꝚ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +q{\textcompwordmark}ꝛ\hfill→\hfill{}qꝛ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}\"a\hfill→\hfill{}ſ\"a} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}c{\textcompwordmark}h\hfill→\hfill{}ſch} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}t{\textcompwordmark}r\hfill→\hfill{}ſtr} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}ꝩ\hfill→\hfill{}ſꝩ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ſ{\textcompwordmark}ƿ\hfill→\hfill{}ſƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ꞇ{\textcompwordmark}ꞇ\hfill→\hfill{}ꞇꞇ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +U{\textcompwordmark}E\hfill→\hfill{}UE} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +u{\textcompwordmark}e\hfill→\hfill{}ue} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +U{\textcompwordmark}U\hfill→\hfill{}UU} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +u{\textcompwordmark}u\hfill→\hfill{}uu} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\revthorn{{\th}{\textcompwordmark}r\hfill→\hfill{}{\th}r}} + +%{\color[rgb]{0.38039216,0.09019608,0.16078432} +%\revthorn{{\th}{\textcompwordmark}s\hfill→\hfill{}{\th}s}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +\revthorn{{\th}{\textcompwordmark}ẝ\hfill→\hfill{}{\th}ẝ}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ð{\textcompwordmark}ð\hfill→\hfill{}ðð} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +{\th}\textcompwordmark{\th}\hfill→\hfill{}{\th}{\th}} + +{\color[rgb]{0.38039216,0.09019608,0.16078432} +ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ} + +{\color[rgb]{0.38039216,0.09019608,0.16078432}\addfontfeature{Language=English} +ꝥ{\textcompwordmark}ꝥ\hfill→\hfill{}ꝥꝥ} + +\end{multicols} + +\noindent\addfontfeatures{Ligatures=histoff} +Note: For the ligature \textex{\textsc{\hlig{nſ}}} to +work properly, \unic{U+017F} \textex{ſ} must be entered directly, not by applying an OpenType feature to +\textex{s}. + +\subsection{\textSourceText{dlig} -- +Discretionary Ligatures} +Produces lesser-used ligatures: +\textex{\textcolor[rgb]{0.5529412,0.15686275,0.11764706}{\addfontfeature{Ligatures=Rare}ct, ſp, str, st, tr, tt, ty}}. +The collection of discretionary ligatures in the italic face also includes +\textex{\textit{\addfontfeature{Ligatures=Rare}as, is, us}}. + + +\subsection{\textSourceText{ss17} -- Rare +Digraphs}\hypertarget{ss17}{} +By ``digraph'' we mean conjoined letters that represent a phonetic value: the most common examples +for western languages are \textex{{\ae}} and \textex{{\oe}} (though these, because they +are so common, are not included in this feature). Use of this feature in web pages enables easier searches: for +example, producing \textex{\addfontfeature{StylisticSet=17}{\th}au} from +\textex{{\th}au} allows the word to be +searched as ``{\th}au.'' The digraphs covered by this feature are \textcolor[rgb]{0.5529412,0.15686275,0.11764706}{% +\addfontfeature{StylisticSet=17,Language=Icelandic}aa, ao, au, av, ay, ꝺv, ðv, gv, oo, vy,} plus capital and small cap +equivalents and digraph + +diacritic combinations anticipated in the +MUFI recommendation. To produce such a digraph + diacritic combination, either type a letter + diacritic combination as +the second element of the digraph or type the diacritic after the second element. For example, +\textex{a} + \textex{\'u} yields \textex{\addfontfeature{StylisticSet=17}a\'u}, and so does +\textex{a} + \textex{u} + \unic{U+0301} (combining acute accent). To produce a digraph + +diacritic combination not covered by MUFI (e.g. \textex{ꜵ̀}), you may have to place \unic{U+034F} +\textUName{combining grapheme joiner} (see \hyperlink{cv84}{cv84}) between the second element of the digraph and the combining mark. + +\section{Numbers and Sequencing} +\subsection{\textSourceText{frac} -- Fractions} +Applied to a slash and surrounding numbers, produces fractions with diagonal +slashes. 6/9 becomes {\addfontfeature{Fractions=On}6/9}, 16/91 becomes {\addfontfeature{Fractions=On}16/91}. + +\subsection{\textSourceText{numr} -- Numerators} +Changes numbers to those suitable for use on the left/upper side of fractions +with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{dnom}, to manually construct +fractions, but for most users \textSourceText{frac} will be a better solution. + +\subsection{\textSourceText{dnom} -- Denominators} +Changes numbers to those suitable for use on the right/lower side of fractions +with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{numr}, to manually construct +fractions, but for most users \textSourceText{frac} will be a better solution. + +\subsection{\textSourceText{nalt} -- Alternate Annotation Forms} +Produces letters and numbers circled, in parenthesis, or followed by periods, as follows: + +\textSourceText{nalt[1]}, circled letters or numbers: {\addfontfeature{Annotation=0}a b .~.~. z; 0 1 2 .~.~. 20}. + +\textSourceText{nalt[2]}, letter or numbers in parentheses: {\addfontfeature{Annotation=1}a .~.~. z; 0 1 .~.~. 20}. + +\textSourceText{nalt[3]}, double-circled numbers: {\addfontfeature{Annotation=2}0 1 .~.~. 10}. + +\textSourceText{nalt[4]}, white numbers in black circles: {\addfontfeature{Annotation=3}0 1 2 3 . . . 20}. + +\textSourceText{nalt[5]}, numbers followed by period: {\addfontfeature{Numbers={Monospaced,Uppercase},Annotation=4}0 1 . . . 20} + +\noindent For enclosed figures 10 and higher, \textSourceText{rlig} (Required Ligatures) must also be enabled (as it should +be by default: see \hyperlink{req}{Required Features} below). + +\subsection{\textSourceText{tnum} -- Tabular Figures} +Fixed-width figures: \ltab{0123456789} (with \textSourceText{lnum}), \otab{0123456789} (default or with +\textSourceText{onum}). + +\subsection{\textSourceText{onum} -- Oldstyle Figures} +Junicode's default figures are oldstyle and proportional, harmonizing with lowercase characters: +0123456789. Use this feature to switch temporarily to oldstyle figures in a context where +\textSourceText{lnum} is active. + +\subsection{\textSourceText{pnum} -- Proportional Figures} +Junicode's default figures are proportionally spaced: unlike tabular figures, they are not +all the same width: 0123456789. Use this feature to switch temporarily to proportional figures in a context where +\textSourceText{tnum} is active. + +\subsection{\textSourceText{lnum} -- Lining Figures} +Figures in a uniform height, harmonizing with uppercase letters: \ltab{0123456789} (with +\textSourceText{tnum}), \lprop{0123456789} (default or with \textSourceText{pnum}). + +\subsection{\textSourceText{zero} -- Slashed Zero} +Produces slashed zero in all number styles, including superscripts, subscripts, and fractions made with +\textSourceText{frac}: {\addfontfeature{Numbers=SlashedZero}\ltab{0} \otab{0} \lprop{0} \oprop{0} +\addfontfeature{Fractions=On} 10/30}. + +\subsection{\textSourceText{ss09} -- Alternate Figures} +In the manner of old typefaces, Junicode's default number one is shaped like a small capital I and +its zero is a plain ring. This feature provides more modern-looking figures: +{\addfontfeature{StylisticSet=9}01}. Only oldstyle figures +are affected by this feature. + +\section{Superscripts and Subscripts} +\subsection{\textSourceText{sups} -- Superscripts} +Produces superscript numbers and letters. Superscript numbers are in one of two styles: oldstyle proportional +(from oldstyle numbers) and lining tabular (from lining numbers). All lowercase +letters of the basic Latin alphabet are covered, and most uppercase letters: \sups{\ltab{0123} \oprop{4567} abcde ABDEG}. Wherever +superscripts are needed (e.g. for footnote numbers), use \textSourceText{sups} instead of the raised and scaled +characters generated by some programs. With sups: \sups{4567}. Scaled: \textsuperscript{4567}. + +\subsection{\textSourceText{subs} -- Subscripts} +Produces subscript numbers. Only produces oldstyle proportional and lining tabular figures: +\subs{\oprop{2345} \ltab{8901}}. + +\section{Punctuation} +MUFI encodes nearly twenty marks of punctuation in the PUA. In Junicode these can be accessed in +either of two ways: all are indexed variants of \textex{.} (period), and all are associated with the Unicode marks of +punctuation they most resemble (but it should not be inferred that the medieval marks are semantically identical with +the Unicode marks, or that there is an etymological relationship between them). The first method will be easier for +most to use, but the second is more likely to yield acceptable fallbacks in environments where Junicode is not +available. + +Marks with Unicode encoding are not included here, as they can safely be entered directly. In MUFI 4.0 several marks +have PUA encodings, but have since that release been assigned Unicode code points: \textit{paragraphus} (⹍ +\unic{U+2E4D}), medieval comma (⹌~\unic{U+2E4C}), \textit{punctus elevatus} (⹎ \unic{U+2E4E}), \textit{virgula suspensiva} +(⹊ \unic{U+2E4A}), triple dagger (⹋ \unic{U+2E4B}). + +\subsection{\textSourceText{ss18} -- Old-Style Punctuation Spacing} +Colons, semicolons, parentheses, quotation marks and several other glyphs are spaced as in early printed books. + +\subsection{\textSourceText{cv69} -- Variants of ⁊⹒ +(\unic{U+204A / U+2E52}, Tironian nota)} +1=\cvd{69}{⁊⹒}, 2=\cvd[1]{69}{⁊⹒}, 3=\cvd[2]{69}{⁊⹒}. + +\subsection{\textSourceText{cv70} -- + Variants of . (period)} +1=\cvd{70}{.}, 2=\cvd[1]{70}{.}, 3=\cvd[2]{70}{.}, 4=\cvd[3]{70}{.}, 5=\cvd[4]{70}{.}, 6=\cvd[5]{70}{.}, +7=\cvd[6]{70}{.}, 8=\cvd[7]{70}{.}, 9=\cvd[8]{70}{.}, 10=\cvd[9]{70}{.}, 11=\cvd[10]{70}{.}, 12=\cvd[11]{70}{.}, +13=\cvd[12]{70}{.}, 14=\cvd[13]{70}{.}, 15=\cvd[14]{70}{.}, 16=\cvd[15]{70}{.}, 17=\cvd[16]{70}{.}, +18=\cvd[17]{70}{.}, 19=\cvd[18]{70}{.}, 20=\cvd[19]{70}{.}. This +feature provides access to all non-Unicode MUFI punctuation marks. Some of them are available via other features (see +below). + +\subsection{\textSourceText{cv71} -- Variant of {\textperiodcentered} (\unic{U+00B7}, middle dot)} +1=\cvd{71}{\char"25CC\textperiodcentered} (\textit{distinctio}), 2=\cvd[1]{71}{\char"25CC\textperiodcentered}. + +\subsection{\textSourceText{cv72} -- +Variants of , (comma)} +1=\cvd{72}{,}, 2=\cvd[1]{72}{,}. + +\subsection{\textSourceText{cv73} -- +Variants of ; (semicolon)} +1=\cvd{73}{;} (\textit{punctus versus}), 2=\cvd[1]{73}{;}, 3=\cvd[2]{73}{;}, 4=\cvd[3]{73}{;}, +5=\cvd[4]{73}{;}, 6=\cvd[5]{73}{;}, 7=\cvd[6]{73}{;}. + +\subsection{\textSourceText{cv74} -- Variants of ⹎ (\unic{U+2E4E}, \textit{punctus elevatus})} +1=\cvd{74}{⹎}, 2=\cvd[1]{74}{⹎}, 3=\cvd[2]{74}{⹎}, 4=\cvd[3]{74}{⹎} (\textit{punctus flexus}). + +\subsection{\textSourceText{cv7}\textSourceText{5} -- Variant of ! (exclamation mark)} +1=\cvd{75}{!} (\textit{punctus exclamativus}). + +\subsection{\textSourceText{cv76} +-- Variants of ? (question mark)} +1=\cvd{76}{?}, 2=\cvd[1]{76}{?}, 3=\cvd[2]{76}{?}. Shapes of the \textit{punctus interrogativus}. + +\subsection{\textSourceText{cv77} +-- Variant of \~{} (ASCII tilde)} +1=\cvd{77}{\~{}} (same as MUFI \unic{U+F1F9}, ``wavy line''). + +\subsection{\textSourceText{cv78} -- +Variant of * (asterisk)} +1=\cvd{78}{*}. MUFI defines \unic{U+F1EC} as a \textit{signe de renvoi}. Manuscripts employ a number of shapes (of which this is one) for +this purpose. Junicode defines it as a variant of the asterisk---the most common modern \textit{signe de renvoi}. + +\subsection{\textSourceText{cv7}\textSourceText{9} -- Variants of / (slash)} +1=\cvd{79}{/}, 2=\cvd[1]{79}{/}. The first of these is Unicode, \unic{U+2E4E}. + +\section{Spacing Abbreviations} +\subsection{\textSourceText{cv80} -- Variant of ꝝ (\unic{U+A75D}, rum +abbreviation)} +1=\cvd{80}{ꝝ}. + +\subsection{\textSourceText{cv82} -- Variants of spacing ꝰ (\unic{U+A770})} +1=\cvd{82}{ꝰ}, 2=\cvd[1]{82}{ꝰ}. \textSourceText{cv82[1]} produces the baseline \textit{{}-us} abbreviation (same as MUFI +\unic{U+F1A6}). MUFI also has an uppercase baseline \textit{{}-us} abbreviation (\unic{U+F1A5}), but as there is no uppercase version +of \unic{U+A770} to pair it with, it is indexed separately here. + +\subsection{\textSourceText{cv83} -- Variants of ꝫ (\unic{U+A76B}, ``et'' abbreviation)} +1=\cvd{83}{ꝫ}, 2=\cvd[1]{83}{ꝫ}, 3=\cvd[2]{83}{ꝫ}. \textSourceText{[1]} and \textSourceText{[3]} are +identical in shape to a semicolon and a colon, but as they are semantically the same as \unic{U+A76B}, +it is preferable to use those +characters with this feature. \textSourceText{[2]} produces a subscript version of +the character, a common variant in early printed books. + +\subsection{\textSourceText{cv67} -- Spacing zigzag (variant of \unic{U+00AF}, spacing macron)} +A spacing version of ◌͛ (\unic{U+035B}, combining zigzag) appears in John Hutchins, +\textit{The History and Antiquities of the County of Dorset} (London, 1774). It +is not in Unicode or MUFI. In the future this feature may be used, as necessary, +for other spacing marks of abbreviation. + +\section{Combining Marks} +\subsection{\textSourceText{cv84} -- MUFI combining marks (variants of \unic{U+0304})}\hypertarget{cv84}{} +MUFI encodes a number of combining marks in the PUA (with code points between \unic{E000} and \unic{F8FF}), but when these characters +are entered directly, they can interfere with searching and accessibility, and some important applications fail to +position them correctly over their base characters. To avoid these problems, enter \unic{U+0304} (◌̄, \textUName{combining +macron}) and apply \textSourceText{cv84}, with the appropriate index, to both mark and base character. This +collection of marks does not include any Unicode-encoded marks (from the ``Combining Diacritical Marks'' ranges), as +these can safely be entered directly. It does include three marks (\textSourceText{cv84[30]}, +\textSourceText{[31]} and \textSourceText{[32]}) that lack MUFI code points but are used to form MUFI +characters, and three more (\textSourceText{[2]}, \textSourceText{[33]}, +and \textSourceText{[34]}) that have no code points in Unicode or MUFI. + +This feature may often appear to have no effect. When this happens it is because +an application replaced a sequence like \textex{a \unic{U+0304}} with a precomposed character +like \textex{ā} (\unic{U+0101}) before Junicode's OpenType programming had a chance to work. +This process is called normalization, and it usually has the effect of simplifying +text processing tasks, but can sometimes prevent the proper functioning of OpenType +features. To disable it, place the character \unic{U+034F} \textUName{combining +grapheme joiner} between the base +character and the combining mark (or the first combining mark). For example, to produce +the combination \textex{\cvd[1]{84}{u͏̄}}, enter \textex{u \unic{U+034F U+0304}}. + +These marks can sometimes be produced by other \textSourceText{cvNN} features, which may be preferable to +\textSourceText{cv84} as providing more suitable fallbacks for applications that do not support Character Variant +(\textSourceText{cvNN}) features. + +For some marks with PUA code points, users may find it easier to use \hyperlink{ss10}{entities} than this feature. + +These marks are not affected by most other features. This is to preserve flexibility, given the rule that the feature +that produces them must be applied to both the mark and the base character. For example, if you had to +apply \textSourceText{smcp} ``Small Caps'' to \textSourceText{U+1DE8} ◌͏ᷨ to get +\textSourceText{cv84[11]} \cvd[10]{84}{◌͏̄}, it would be impossible to produce the sequence +\textex{\cvd[10]{84}{na͏{\char"34F\char"304}a}} +(or the reverse case \textex{\textsc{na{\char"1DE8}a}}) +with the diacritic properly positioned. + +\begin{multicols}{6} +\color{BrickRed}1\hfill=\hfill\cvd{84}{◌͏̄} + +2\hfill=\hfill\cvd[1]{84}{◌͏̄} + +3\hfill=\hfill\cvd[2]{84}{◌͏̄} + +4\hfill=\hfill\cvd[3]{84}{◌͏̄} + +5\hfill=\hfill\cvd[4]{84}{◌͏̄} + +6\hfill=\hfill\cvd[5]{84}{◌͏̄} + +7\hfill=\hfill\cvd[6]{84}{◌͏̄} + +8\hfill=\hfill\cvd[7]{84}{◌͏̄} + +9\hfill=\hfill\cvd[8]{84}{◌͏̄} + +10\hfill=\hfill\cvd[9]{84}{◌͏̄} + +11\hfill=\hfill\cvd[10]{84}{◌͏̄} + +12\hfill=\hfill\cvd[11]{84}{◌͏̄} + +13\hfill=\hfill\cvd[12]{84}{◌͏̄} + +14\hfill=\hfill\cvd[13]{84}{◌͏̄} + +15\hfill=\hfill\cvd[14]{84}{◌͏̄} + +16\hfill=\hfill\cvd[15]{84}{◌͏̄} + +17\hfill=\hfill\cvd[16]{84}{◌͏̄} + +18\hfill=\hfill\cvd[17]{84}{◌͏̄} + +19\hfill=\hfill\cvd[18]{84}{◌͏̄} + +20\hfill=\hfill\cvd[19]{84}{◌͏̄} + +21\hfill=\hfill\cvd[20]{84}{◌͏̄} + +22\hfill=\hfill\cvd[21]{84}{◌͏̄} + +23\hfill=\hfill\cvd[22]{84}{◌͏̄} + +24\hfill=\hfill\cvd[23]{84}{◌͏̄} + +25\hfill=\hfill\cvd[24]{84}{◌͏̄} + +26\hfill=\hfill\cvd[25]{84}{◌͏̄} + +27\hfill=\hfill\cvd[26]{84}{◌͏̄} + +28\hfill=\hfill\cvd[27]{84}{◌͏̄} + +29\hfill=\hfill\cvd[28]{84}{◌͏̄} + +30\hfill=\hfill\cvd[29]{84}{◌͏̄} + +31\hfill=\hfill\cvd[30]{84}{◌͏̄} + +32\hfill=\hfill\cvd[31]{84}{◌͏̄} + +33\hfill=\hfill\cvd[32]{84}{◌͏̄} + +34\hfill=\hfill\cvd[33]{84}{◌͏̄} + +35\hfill=\hfill\cvd[34]{84}{◌͏̄} + +36\hfill=\hfill\cvd[34]{84}{◌͏̄} + +37\hfill=\hfill\cvd[34]{84}{◌͏̄} +\end{multicols} + +\subsection{\textSourceText{cv81} -- Variants of ◌͛ (\unic{U+035B}, combining +zigzag above)} +1=\cvd{81}{◌͛}, 2=\cvd[1]{81}{◌͛}, 3=\cvd[2]{81}{◌͛}. Positioning of the zigzag can differ from that of other combining +marks, e.g. \textex{b͛ f͛ d͛}. If \textSourceText{calt} ``Contextual Alternates'' is enabled (as it is by +default in most apps), variant forms of \textSourceText{cv81[2]} will be used with several letters, e.g. +\textex{\cvd[1]{81}{d͛ \ f͛ \ k͛}}. Enable \textSourceText{case} for forms that harmonize with capitals +(\textex{\addfontfeature{Letters=Uppercase}\cvd[1]{81}{A͛ B͛ C͛ D͛}}), +\textSourceText{smcp} for forms that harmonize with small caps +(\textex{\textsc{\cvd[1]{81}{e͛ f͛ g͛ h͛}}}). + +\subsection{\textSourceText{ss10} -- Character Entities for Combining Marks}\hypertarget{ss10}{} +Instead of \textSourceText{\hyperlink{cv84}{cv84}} for representing non-Unicode combining marks, some users may +wish to use XML/HTML-style entities. When \textSourceText{ss10} is turned on (preferably for the entire +text), these entities appear as combining marks and are correctly positioned over base characters. +For example, the letter \textex{e} followed by +\textex{\&{\textcompwordmark}\_eogo;} will yield \textex{e\&\_eogo;}. An advantage of entities is that +they are (unlike the PUA code points or the indexes of \textSourceText{cv84}) mnemonic and thus easy to use. +A disadvantage is that +searches cannot ignore combining marks entered by this method as they can using the \textSourceText{cv84} method. +(Every method of entering non-Unicode combining marks has disadvantages: users should weigh these, choose a method, +and stick with it.) + +If you use any of these entities in a work intended for print publication, you should call your publisher’s +attention to them, since they will likely have their own method of representing them. + +\begin{multicols}{4} +\color{RViolet}% +% Some of the marks in this table are made with cv84. It appears that the +% program may be calculating column width using the width of the unresolved +% entity, and that is causing some cells to wrap. We use cv84 for those +% cells. +\&{\textcompwordmark}\_ansc;\hfill→\hfill\textstyleEntityRef{◌\&\_ansc;} + +\&{\textcompwordmark}\_an;\hfill→\hfill\textstyleEntityRef{◌\&\_an;} + +\&{\textcompwordmark}\_ar;\hfill→\hfill\textstyleEntityRef{◌\&\_ar;} + +\&{\textcompwordmark}\_arsc;\hfill→\hfill\textstyleEntityRef{◌\&\_arsc;} + +\&\_{\textcompwordmark}as;\hfill→\hfill\textstyleEntityRef{◌\&\_as;} + +\&{\textcompwordmark}\_bsc;\hfill→\hfill\textstyleEntityRef{◌\&\_bsc;} + +\&{\textcompwordmark}\_dsc;\hfill→\hfill\textstyleEntityRef{◌\&\_dsc;} + +\&{\textcompwordmark}\_eogo;\hfill→\hfill\textstyleEntityRef{◌\&\_eogo;} + +\&{\textcompwordmark}\_emac;\hfill→\hfill\cvd[12]{84}{◌\char"0304} + +\&\_{\textcompwordmark}idotl;\hfill→\hfill\textstyleEntityRef{◌\&\_idotl;} + +\&\_{\textcompwordmark}j;\hfill→\hfill\textstyleEntityRef{◌\&\_j;} + +\&\_{\textcompwordmark}jdotl;\hfill→\hfill\textstyleEntityRef{◌\&\_jdotl;} + +\&\_{\textcompwordmark}ksc;\hfill→\hfill\textstyleEntityRef{◌\&\_ksc;} + +{\narrow\&\_{\textcompwordmark}munc;\hfill→\hfill\cvd[18]{84}{◌\char"0304}} + +\&\_{\textcompwordmark}oogo;\hfill→\hfill\cvd[20]{84}{◌\char"0304} + +{\narrow\&\_{\textcompwordmark}oslash;\hfill→\hfill\cvd[21]{84}{◌\char"0304}} + +\&\_{\textcompwordmark}omac;\hfill→\hfill\cvd{84}{◌\char"0304} + +\&\_{\textcompwordmark}orr;\hfill→\hfill\textstyleEntityRef{◌\&\_orr;} + +\&\_{\textcompwordmark}oru;\hfill→\hfill\textstyleEntityRef{◌\&\_oru;} + +\&\_{\textcompwordmark}q;\hfill→\hfill\textstyleEntityRef{◌\&\_q;} + +\&\_{\textcompwordmark}ru;\hfill→\hfill\textstyleEntityRef{◌\&\_ru;} + +\&\_{\textcompwordmark}sa;\hfill→\hfill\textstyleEntityRef{◌\&\_sa;} + +\&\_{\textcompwordmark}tsc;\hfill→\hfill\textstyleEntityRef{◌\&\_tsc;} + +\&\_{\textcompwordmark}y;\hfill→\hfill\textstyleEntityRef{◌\&\_y;} + +{\narrow\&\_{\textcompwordmark}thorn;\hfill→\hfill\textstyleEntityRef{◌\&\_thorn;}} +\end{multicols} + +\noindent For another function of Stylistic Set 10, see \hyperlink{tagchapter}{Chapter 6, Entering Characters with Tags}. + +\subsection{\textSourceText{ss20} -- Low Diacritics} +The MUFI recommendation includes a number of precomposed characters with base letters +{\addfontfeature{Language=Icelandic}b, h, k, {\th}, ꝺ and {\dh}} and a number of combining +marks. Instead of being positioned above ascender height as usual (e.g. +\textex{hͣ}), the MUFI glyphs have the marks positioned above the x-height +(e.g. \textex{\addfontfeature{StylisticSet=20}hͣ}). +Using the MUFI code points for these precomposed glyphs can interfere with searching +and drastically reduce accessibility. Users of Junicode should instead use a sequence of base character + combining +mark, and apply \textSourceText{ss20} to the two glyphs. Variant shapes of \textex{ꝺ} and \textex{{\dh}} +that accommodate the combining mark will be substituted for the normal base characters (but this is not necessary for +the other base characters). Examples: +\textex{\addfontfeature{StylisticSet=20}bͦ ꝺᷦ \cvd[14]{84}{h̄} kͤ {\th}ͭ ðᷢ}. These marks are affected by this +feature: + +\begin{multicols}{3} + \seminarrow\color{BrickRed}◌ͣ (\unic{U+0363}) + + ◌ᷓ (\unic{U+1DD3}) + + ◌ͤ (\unic{U+0364}) + + \cvd[14]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[15]}) + + ◌ᷞ (\unic{U+1DDE}) + + \cvd[18]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[19]}). + + ◌ͦ (\unic{U+0366}) + + ◌ͬ (\unic{U+036C}) + + ◌ᷢ (\unic{U+1DE2}) + + ◌ᷣ (\unic{U+1DE3}) + + \cvd{87}{◌ᷣ} (\unic{U+1DE3}\slash\textSourceText{cv87[1]}) + + ◌ͭ (\unic{U+036D}) + + ◌ᫎ (\unic{U+1ACE}) + + ◌ͧ (\unic{U+0367}) + + ◌ͮ (\unic{U+036E}) + + ◌ᷦ (\unic{U+1DE6}) + + ◌͛ (\unic{U+035B}) + \end{multicols} + +\noindent\textSourceText{ss20} is intended for use only with the diacritics and base characters listed here; other +base+diacritic combinations may be disrupted by the feature. You should therefore apply it only to +relevant base+diacritic pairs (e.g. via a style in InDesign or a word processor or a command in +{\LuaTeX}). + + + +\subsection{\textSourceText{cv85} -- Variant of ◌ᷓ (U+1DD3, combining open a)} +1=\cvd{85}{◌ᷓ}. + +\subsection{\textSourceText{cv86} -- Variant of ◌ᷘ (\unic{U+1DD8}, combining insular +d)} +1=\cvd{86}{◌ᷘ}. + +\subsection{\textSourceText{cv87} -- Variant of ◌ᷣ (\unic{U+1DE3}, combining r rotunda)} +1=\cvd{87}{◌ᷣ}. + +\subsection{\textSourceText{cv8}\textSourceText{8} -- Variant of combining dieresis (\unic{U+0308})} +1=\cvd{88}{◌̈}. This also affects precomposed characters on which this variant dieresis may occur, e.g. +\textex{\cvd{88}{\"a}}. + +\subsection{\textSourceText{cv89} -- Variant of ◌̅ (\unic{U+0305}, +combining overline)} +1=\cvd{89}{◌̅}. + +\subsection{\textSourceText{cv}\textSourceText{90} -- Variants of ◌͞◌ (\unic{U+035E}, combining double macron)} +1=\cvd{90}{◌͞◌}, 2=\cvd[1]{90}{◌͞◌}. + +\subsection{\textSourceText{cv92} -- Variant of combining breve below (\unic{U+032E})} +1=\cvd{92}{◌◌̮◌}. Position the mark after the middle of three glyphs, and apply \textSourceText{cv92} +to both the mark and (at least) the middle glyph. This mark is not available via \textSourceText{cv84}. + +\section{Currency and Weights} +\subsection{\textSourceText{cv93} -- Variants of {\textcurrency} (\unic{U+0044}, generic +currency sign)} + +\begin{multicols}{6} +\color{RViolet}1\hfill=\hfill\cvd{93}{\textcurrency} + +2\hfill=\hfill\cvd[1]{93}{\textcurrency} + +3\hfill=\hfill\cvd[2]{93}{\textcurrency} + +4\hfill=\hfill\cvd[3]{93}{\textcurrency} + +5\hfill=\hfill\cvd[4]{93}{\textcurrency} + +6\hfill=\hfill\cvd[5]{93}{\textcurrency} + +7\hfill=\hfill\cvd[6]{93}{\textcurrency} + +8\hfill=\hfill\cvd[7]{93}{\textcurrency} + +9\hfill=\hfill\cvd[8]{93}{\textcurrency} + +10\hfill=\hfill\cvd[9]{93}{\textcurrency} + +11\hfill=\hfill\cvd[10]{93}{\textcurrency} + +12\hfill=\hfill\cvd[11]{93}{\textcurrency} + +13\hfill=\hfill\cvd[12]{93}{\textcurrency} + +14\hfill=\hfill\cvd[13]{93}{\textcurrency} + +15\hfill=\hfill\cvd[14]{93}{\textcurrency} + +16\hfill=\hfill\cvd[15]{93}{\textcurrency} + +17\hfill=\hfill\cvd[16]{93}{\textcurrency} + +18\hfill=\hfill\cvd[17]{93}{\textcurrency} + +19\hfill=\hfill\cvd[18]{93}{\textcurrency} + +20\hfill=\hfill\cvd[19]{93}{\textcurrency} + +21\hfill=\hfill\cvd[20]{93}{\textcurrency} + +22\hfill=\hfill\cvd[21]{93}{\textcurrency} + +23\hfill=\hfill\cvd[22]{93}{\textcurrency} + +24\hfill=\hfill\cvd[23]{93}{\textcurrency} + +25\hfill=\hfill\cvd[24]{93}{\textcurrency} + +26\hfill=\hfill\cvd[25]{93}{\textcurrency} + +27\hfill=\hfill\cvd[26]{93}{\textcurrency} +\end{multicols} + +\noindent All of MUFI’s currency and weight symbols (those that do +not have Unicode code points) are gathered here, but some are also variants of other currency signs (see below). + +\subsection{\textSourceText{cv9}\textSourceText{4} -- Variant of ℔ (\unic{U+2114})} +1=\cvd{94}{℔}. Same as MUFI \unic{U+F2EB} (French Libra sign). + +\subsection{\textSourceText{cv95} -- Variants of {\pounds} (\unic{U+00A3}, British pound sign)} +1=\cvd{95}{\pounds}, 2=\cvd[1]{95}{\pounds}, 3=\cvd[2]{95}{\pounds}, 4=\cvd[3]{95}{\pounds}, +5=\cvd[4]{95}{\pounds}, 6=\cvd[5]{95}{\pounds}. Same as MUFI \unic{U+F2EA, F2EB, F2EC, F2ED, +F2EE, F2EF}, pound signs from various locales. + +\subsection{\textSourceText{cv96} -- Variant of ₰ (\unic{U+20B0}, German penny sign)} +1=\cvd{96}{₰}. Same as MUFI \unic{U+F2F5}. + +\subsection{\textSourceText{cv97} -- Variant of ƒ (\unic{U+0192}, florin)} +1=\cvd{97}{ƒ}. Same as MUFI \unic{U+F2E8}. + +\subsection{\textSourceText{cv98} -- Variant of ℥ (\unic{U+2125}, Ounce sign)} +1=\cvd{98}{℥}. Same as MUFI \unic{U+F2FD}, Script ounce sign. + +\section{Ornaments} +\subsection{\textSourceText{ornm} -- Ornaments}\hypertarget{ornm}{} +Produces ornaments (fleurons) in either of two ways: as an indexed variant of the bullet character (\unic{U+2022}) or as +variants of a-z, A-C: + +\begin{multicols}{4} +a, 1{\tabto{4em}}\ornm{a} + +b, 2{\tabto{4em}}\ornm{b} + +c, 3{\tabto{4em}}\ornm{c} + +d, 4{\tabto{4em}}\ornm{d} + +e, 5{\tabto{4em}}\ornm{e} + +f, 6{\tabto{4em}}\ornm{f} + +g, 7{\tabto{4em}}\ornm{g} + +h, 8{\tabto{4em}}\ornm{h} + +i, 9{\tabto{4em}}\ornm{i} + +j, 10{\tabto{4em}}\ornm{j} + +k, 11{\tabto{4em}}\ornm{k} + +l, 12{\tabto{4em}}\ornm{l} + +m, 13{\tabto{4em}}\ornm{m} + +n, 14{\tabto{4em}}\ornm{n} + +o, 15{\tabto{4em}}\ornm{o} + +p, 16{\tabto{4em}}\ornm{p} + +q, 17{\tabto{4em}}\ornm{q} + +r, 18{\tabto{4em}}\ornm{r} + +s, 19{\tabto{4em}}\ornm{s} + +t, 20{\tabto{4em}}\ornm{t} + +u, 21{\tabto{4em}}\ornm{u} + +v, 22{\tabto{4em}}\ornm{v} + +w, 23{\tabto{4em}}\ornm{w} + +x, 24{\tabto{4em}}\ornm{x} + +y, 25{\tabto{4em}}\ornm{y} + +z, 26{\tabto{4em}}\ornm{z} + +A, 27{\tabto{4em}}\ornm{A} + +B, 28{\tabto{4em}}\ornm{B} + +C, 29{\tabto{4em}}\ornm{C} +\end{multicols} + +\noindent The method with letters of the alphabet is easier, but the method with bullets will produce a more satisfactory result +when text is displayed in an environment where Junicode is not available or \textSourceText{ornm} is not +implemented. + +\subsection{Lady Junicode} +Lady Junicode cannot be produced by an OpenType feature, believing that it would be vulgar to make herself so accessible. She has, indeed, +commanded that the author of this document not publish her code point, located in one of the more private corners of the +Private Use Area. She has, however, given permission to publish her miniature: +\begin{center} +{\huge\char"0F19F} +\end{center} +If you encounter her while adventuring in her domains, greet her respectfully, and she will welcome you graciously. + +\section{Required Features}\hypertarget{req}{} +Required features, which provide some of the font’s most basic functionality---ligatures, support for +other features, kerning, and more---include \textSourceText{ccmp} (Glyph Composition/Decomposition), +\textSourceText{calt} (Contextual Alternates), \textSourceText{liga} (Standard Ligatures), +\textSourceText{loca} (Localized Forms), \textSourceText{rlig} (Required Ligatures), +\textSourceText{kern} (Horizontal Kerning), and \textSourceText{mark}/\textSourceText{mkmk} (Mark +Positioning). In MS Word these features have to be explicitly enabled on the Advanced tab of the Font dialog (Ctrl-D or +Cmd-D: enable Kerning, Standard Ligatures, and Contextual Alternates, and the others will be enabled automatically), +but in most other applications they are enabled by default. + + +\chapter{Non-MUFI Code Points}\hypertarget{nonmufi}{} + +Characters in Junicode that do not have Unicode code points should be accessed via OpenType +features whenever possible. MUFI/PUA code points should be used only in applications that do not support OpenType, or +that support it only partially (for example, MS Word). For certain characters that lack either Unicode or MUFI code +points, code points in the Supplementary Private Use Area-A (plane 15) are available. + +\begin{multicols}{4} +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0000\hfill\cvd{53}{Ą}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0001\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0002\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0003\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0004\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0005\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0006\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0007\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0008\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0009\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000A\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000B\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000C\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000D\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000E\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F000F\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0010\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0011\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0012\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0013\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0014\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0015\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0016\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0017\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0018\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0019\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001A\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001B\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001C\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001D\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001E\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F001F\hfill{}} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0020\hfill\char"0F0020} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0021\hfill\char"0F0021} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0030\hfill\char"0F0030} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0031\hfill\char"0F0031} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0032\hfill\char"0F0032} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0033\hfill\char"0F0033} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0034\hfill\char"0F0034} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0035\hfill\char"0F0035} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0036\hfill\char"0F0036} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0037\hfill\char"0F0037} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0038\hfill\char"0F0038} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0039\hfill\char"0F0039} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003A\hfill\char"0F003A} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003B\hfill\char"0F003B} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003C\hfill\char"0F003C} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003D\hfill\char"0F003D} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003E\hfill\char"0F003E} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F003F\hfill\char"0F003F} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0040\hfill\char"0F0040} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0041\hfill\char"0F0041} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0042\hfill\char"0F0042} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0043\hfill\char"0F0043} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0044\hfill\char"0F0044} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0045\hfill\char"0F0045} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0046\hfill\char"0F0046} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0047\hfill\char"0F0047} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0048\hfill\char"0F0048} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0049\hfill\char"0F0049} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004A\hfill\char"0F004A} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004B\hfill\char"0F004B} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004C\hfill\char"0F004C} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004D\hfill\char"0F004D} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004E\hfill\char"0F004E} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F004F\hfill\char"0F004F} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0050\hfill\char"0F0050} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0051\hfill\char"0F0051} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0052\hfill\char"0F0052} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0053\hfill\char"0F0053} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0054\hfill\char"0F0054} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0055\hfill\char"0F0055} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0056\hfill\char"0F0056} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0057\hfill\char"0F0057} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0058\hfill\char"0F0058} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F0059\hfill\char"0F0059} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F005A\hfill\char"0F005A} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F005B\hfill\char"0F005B} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F005C\hfill\char"0F005C} + +{\color[rgb]{0.13333334,0.29411766,0.07058824} +U+F005D\hfill\char"0F005D} +\end{multicols} diff --git a/fonts/junicode/doc/source/GettingStarted.tex b/fonts/junicode/doc/source/GettingStarted.tex new file mode 100644 index 0000000000..ca984d3e34 --- /dev/null +++ b/fonts/junicode/doc/source/GettingStarted.tex @@ -0,0 +1,185 @@ + +\chapter{Getting Started with Junicode}\hypertarget{GettingStarted}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}getting started} + +Junicode comes in two flavors—static and variable. Static fonts are the ones +users are most familiar with, each font file supplying a single set of outlines +that do not change except in size. By contrast, a single +\href{https://fonts.google.com/knowledge/introducing_type/introducing_variable_fonts}{variable font} +file stores a set of +outlines that can morph in various ways—for example, becoming bolder or lighter, +narrower or wider, and sometimes undergoing more complex transformations. The static +version of Junicode consists of thirty-eight font files, +each providing a distinct variation of the font’s style; the variable version consists +of only two (one each for roman and italic), but those two font files are capable of +much more than the static version's thirty-eight. + +Because the static and variable versions of Junicode are differently named +(“Junicode” and “Junicode VF”), both can be installed on the same system. However, +you should choose one or the other for any particular project. Choose the static +version if the application you are using does not yet support variable fonts. Such +applications include Microsoft Word, Apple Pages, Quark Xpress, Google Docs, +Affinity Publisher, and most flavors of {\TeX} (except for {\LuaTeX}—see below). Another +reason to choose the static version is its familiarity: if you don't need the +advanced capabilities of the variable version, it is perfectly all right to stick +with what you know. + +All major web browsers (including browsers for mobile devices) support variable fonts, +and there are good reasons to choose +the variable version of Junicode for any web project. The greatest reason to go +with the variable version is to speed the loading of web pages: users will never +have to download more than two font files (the size of which can be radically +reduced via subsetting, explained in Section 9 of this Manual). Additionally, +however, variable fonts can make a page of text more dynamic and visually +interesting. See Mozilla's +\href{https://developer.mozilla.org/en-US/docs/Web/CSS/CSS_fonts/Variable_fonts_guide}% +{Variable Fonts Guide} for more information about using variable fonts on the web. + +A growing number of desktop applications support variable fonts. Use the variable version of +Junicode in Adobe InDesign (always with the World-Ready Paragraph Composer).\footnote{% +The choice of a Composer is well hidden in the “Justification” section of the +“Paragraph Style Options” dialog. Use of the default “Adobe Paragraph Composer” +with Junicode VF may cause InDesign to crash or otherwise misbehave. To prevent crashes +when using the variable version of Junicode, +it is also advisable to delete InDesign's preferences when launching the program after +a font upgrade. To do this, press Shift-Alt-Control (on Windows) or +Shift-Control-Option-Command (on the Mac) all together, \textit{immediately} after +clicking to launch InDesign.} LibreOffice +has supported variable fonts since version 7.5 (2023). {\LuaTeX} has excellent support +for variable fonts: make sure your {\TeX} installation is up to date (since in +recent years support for variable fonts has improved with every release), and always choose “harf” +mode in your font-selection code. For an example of font-selection code for a +variable font, see the file +\href{https://github.com/psb1558/Junicode-font/blob/master/docs/JunicodeManual.sty}% +{JunicodeManual.sty} (part of the source for this manual) in the “docs” directory of the GitHub Junicode site. +You are welcome to copy and modify this code. A number of graphical design apps +also support variable fonts, including Adobe Illustrator, PhotoShop, Figma, +Sketch, and CorelDRAW. + +The static version of Junicode has five weights and five widths, which are combined in many ways +for a total of nineteen styles in +both roman and italic.\footnote{Several of the twenty-five possible combinations +(e.g. {\lightexp light expanded}) +have been omitted as unlikely to be useful; however, these can be accessed via the variable font.} +It is not necessary to install all of these; in fact, +your life will be simplified (font menus easier to navigate) if you +make a selection. You will probably want the traditional Regular, Bold, Italic, and Bold +Italic fonts, but you should survey the styles displayed in the Specimen +section of this booklet, choose the ones that look best to you, and install +only those. A reasonable selection for many users will include the traditional four +styles for main text, several SemiExpanded styles for footnotes, and +SemiCondensed for titles. + +Junicode’s static fonts come in two types, TrueType (files with a .ttf extension) and +CFF (files with an .otf extension). These are functionally identical, but they may look +subtly different on your computer’s screen because of the different technologies used to +render glyphs. Choose the one you find most appealing. + +With around 5,000 characters, Junicode is a large font. Finding the things you +want in a collection that size can be a challenge, and then entering them in your +documents is another challenge. This document will help, but it +presupposes a certain amount of knowledge—for example, how to install a font in +Windows, Mac OS or Linux and how to install and use different kinds of software. + +Medievalists will find the \href{https://bora.uib.no/bora-xmlui/handle/1956/10699}% +{\textit{MUFI Character Recommendation}}, version 4.0 (2015) +an essential supplement to this document. The \textit{Recommendation} lists +thousands of characters identified by the +Medieval Unicode Font Initiative as being of interest to medievalists. Junicode +contains all of these characters. There are two versions of the \textit{Recommendation}: +you will probably find the “Alphabetical Order” version most helpful. + +From the \textit{MUFI Character Recommendation} and Chapter 10 (“Encoded Glyphs in +Junicode”) of this manual, you can find out +the \textbf{code points}\footnote{\ A Unicode code point is a numerical identifier for a character. +It is generally expressed as a +four-digit hexadecimal (or base-16) number with a prefix of ``U+''. The letter +capital ``A,'' for example, is \unic{U+0041} (65 +in decimal notation), and lowercase ``ȝ'' (Middle English yogh) is \unic{U+021D}.} +of the characters you need. These code points can be used to enter +characters in your documents when they cannot be typed on the keyboard. + +To enter any Unicode character in a Windows application, type its four-digit +code, followed by Alt-X. To do the same in the Mac OS, first install and switch +to the “Unicode Hex Input” keyboard, then type the code while holding down the Option +key. In most Linux distributions you can enter a code by typing Shift-Control-U, +then the code followed by Return or Enter. + +\textbf{Combining marks} (diacritics and certain abbreviation signs) can pose special problems for +medievalists. Unicode contains a great +many \textbf{precomposed characters} consisting of a base letter plus one or more marks. +If these are all you need you're fortunate---especially if they can be +typed on an international keyboard (not all can).\footnote{\ Both +Windows and the Mac OS come with international keyboards that make it easy to +type special letters and diacritics. To find out how to enable these, search +online for “Mac OS International Keyboard” or “Windows International Keyboard.”} +But medieval manuscripts frequently contain +combinations of base + mark that are not used in modern written languages. +For these, you'll have to +enter bases and marks separately. + +To position a mark correctly over a base character, first enter the base, +followed by the mark or marks. +The sequence \textbf{m} + \textbf{◌ᷙ} (\unic{U+1DD9}) +will make \textex{mᷙ}; +\mbox{\textbf{y} + \textbf{◌̄}} (\unic{U+0304}) + \textbf{◌̆} (\unic{U+0306}) will make \textex{ȳ̆}; +\textbf{e} + \textbf{◌̣} (\unic{U+0323}) + \textbf{◌ᷠ} (\unic{U+1DE0}) will make \textex{ẹᷠ}. + +More than sixteen hundred characters in Junicode can only be accessed via OpenType features—that is, +by way of the programming built into the font—and many others \textit{should} be +accessed that way for reasons explained in the Introduction +to the Feature Reference section of this document. + +For example, some programs (including Microsoft Word) produce small caps by +scaling capitals down to approximately the height of lowercase letters. +These always look too thin and light. +But Junicode contains hundreds of \textsc{true small caps} designed to harmonize with +the surrounding text. These can only be accessed via the OpenType \textSourceText{smcp} feature, +which you can apply to a run of text much as you apply italic or bold styles: +select some text and then apply the feature. + +Unfortunately, not every program supports OpenType features, and some that do +either support only a few or make them difficult to access. Programs +that support Junicode’s features fully include the free word processor +\href{https://www.libreoffice.org/}{LibreOffice Writer}, all major browsers +(Firefox, Chrome, Safari and Edge), and +the typesetting programs {\LuaLaTeX} and {\XeLaTeX}. Adobe InDesign supports +OpenType features only partially, but all features can be accessed via +Roland Dreger’s \href{https://github.com/RolandDreger/open-type-features}{open-type-features} +script, and InDesign provides access to +all of Junicode's characters via its “Glyphs” dialog. + +Microsoft Word, unfortunately, provides only limited support for OpenType +features. It supports the \hyperlink{req}{Required Features} discussed below, and also +variant number forms and Stylistic Sets (though only one at a time). Many characters +(for example, \textsc{true small caps} and those accessible only via Character +Variant features) cannot be accessed at all. To activate Word's OpenType +support, you must open the “Font” dialog, click over to the “Advanced” tab, +and check the “Kerning” box. (Oddly, the “Kerning” box enables all other +OpenType features.) Then, in the same tab, select Standard Ligatures, Contextual +Alternates, and any other features you want. +OpenType features are best applied to character styles rather than +directly to text: this will +save you from having to perform this operation repeatedly. + +It is also good to set the language properly for the text you're working on. +Programs like Word will automatically set the language to the default for your system. If you +change to a language other than your own for a passage (or even a single word), +you should set the language for that passage appropriately. This will unlock +a number of capabilities. For example, in Old and Middle English, Word and +other programs will use the English form of thorn and eth ({\eng þð}) instead of +the modern Icelandic ({\icel þð}), and in ancient +Greek you will be able to type accents after vowels instead of looking up +the codes for hundreds of polytonic vowel + accent combinations. But these and other capabilities +are only available when you set the language correctly. + +In LibreOffice and InDesign you can set the language with a drop-down menu +in the “Character” dialog. In Word there is a separate “Language” dialog, +accessible from the “Tools” menu. + +If you have questions about any aspect of Junicode, +post a query in the \href{https://github.com/psb1558/Junicode-font/discussions}% +{Junicode discussion forum}. If you notice a bug, or wish to +request an enhancement or other change, please open an +\href{https://github.com/psb1558/Junicode-font/issues}{issue} at the font's +\href{https://github.com/psb1558/Junicode-font}{development site}. diff --git a/fonts/junicode/doc/source/JunicodeManual.sty b/fonts/junicode/doc/source/JunicodeManual.sty new file mode 100644 index 0000000000..7c5ba43628 --- /dev/null +++ b/fonts/junicode/doc/source/JunicodeManual.sty @@ -0,0 +1,381 @@ +\ProvidesPackage{JunicodeManual} + +\usepackage{microtype} +\usepackage{fancyhdr} +%\usepackage[english,greek,lithuanian,polish,latin]{babel} +\usepackage[quiet]{fontspec} +%\setmainfont{Junicode}[ +% UprightFont = {*-Regular}, +% ItalicFont = {*-Italic}, +% BoldFont = {*-Smbold}, +% BoldItalicFont = {*-Bold Italic}, +% Numbers={Lowercase,Proportional}, +% RawFeature={mode=harf}, +% StylisticSet=10, +% UprightFeatures={ +% SizeFeatures={ +% {Size={-8.5}, Font={*-SmExp Medium}}, +% {Size={8.6-10.99}, Font=*-Medium}, +% {Size={11-21.59}, Font=*-Regular}, +% {Size={21.6-}, Font=*-Light} +% }, +% }, +% ItalicFeatures={ +% SizeFeatures={ +% {Size={-7.5}, Font={*-SmExp Medium Italic}}, +% {Size={7.6-10.99}, Font={*-Medium Italic}}, +% {Size={11-21.59}, Font=*-Italic}, +% {Size={21.6-}, Font={*-Light Italic}} +% }, +% }, +% BoldFeatures={ +% SizeFeatures={ +% {Size={-8.5}, Font={*-SmExp Bold}}, +% {Size={8.6-10.99}, Font=*-Bold}, +% {Size={11-21.59}, Font=*-Smbold}, +% {Size={21.6-}, Font=*-Medium} +% }, +% }, +% BoldItalicFeatures={ +% SizeFeatures={ +% {Size={-7.5}, Font={*-SmExp Bold Italic}}, +% {Size={7.6-10.99}, Font={*-Bold Italic}}, +% {Size={11-21.59}, Font={*-Smbold Italic}}, +% {Size={21.6-}, Font={*-Medium Italic}} +% }, +% }, +%] +\setmainfont{JunicodeVF-Roman.ttf}[ + ItalicFont = JunicodeVF-Italic.ttf, + BoldFont = JunicodeVF-Roman.ttf, + BoldItalicFont = JunicodeVF-Italic.ttf, + Contextuals=Alternate, + StylisticSet=10, + Renderer=HarfBuzz, + %RawFeature={mode=harf}, + UprightFeatures={ + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=120}}}, + {Size={8.6-10.99}, RawFeature={axis={wght=475,wdth=115}}}, + {Size={11-21.59}, RawFeature={axis={wght=400,wdth=112.5}}}, + {Size={21.6-}, RawFeature={axis={wght=351,wdth=100}}} + }, + }, + ItalicFeatures={ + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=118}}}, + {Size={8.6-10.99}, RawFeature={axis={wght=475,wdth=114}}}, + {Size={11-21.59}, RawFeature={axis={wght=450,wdth=111}}}, + {Size={21.6-}, RawFeature={axis={wght=372,wdth=98}}} + }, + }, + BoldFeatures={ + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=700,wdth=120}}}, + {Size={8.6-10.99}, RawFeature={axis={wght=700,wdth=115}}}, + {Size={11-21.59}, RawFeature={axis={wght=650,wdth=112.5}}}, + {Size={21.6-}, RawFeature={axis={wght=600,wdth=100}}} + }, + }, + BoldItalicFeatures={ + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=700,wdth=118}}}, + {Size={8.6-10.99}, RawFeature={axis={wght=700,wdth=114}}}, + {Size={11-21.59}, RawFeature={axis={wght=650,wdth=111}}}, + {Size={21.6-}, RawFeature={axis={wght=600,wdth=98}}} + }, + }, +] +%\newfontface\regular{Junicode} +\setfontface\regular{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={22-}, RawFeature={axis={wght=400,wdth=100}}} + }, +] +\setfontface\enlarged{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}}, + {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}}, + {Size={22-}, RawFeature={axis={wght=400,wdth=100,ENLA=32}}} + }, +] +\setfontface\enlargedx{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}}, + {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}}, + {Size={22-}, RawFeature={axis={wght=400,wdth=100,ENLA=47}}} + }, +] +%\newfontface\narrow{Junicode Cond} +\setfontface\narrow{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=75}}}, + {Size={8.5-11}, RawFeature={axis={wght=475,wdth=75}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=75}}}, + {Size={22-}, RawFeature={axis={wght=353,wdth=75}}} + }, +] +%\newfontface\seminarrow{Junicode SmCond} +\setfontface\seminarrow{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=87.5}}}, + {Size={8.5-11}, RawFeature={axis={wght=475,wdth=87.5}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=87.5}}}, + {Size={22-}, RawFeature={axis={wght=354,wdth=87.5}}} + }, +] +%\newfontface\seminarrowlight{Junicode SmCond Light} +\setfontface\seminarrowlight{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=355,wdth=87.5}}}, + {Size={8.5-11}, RawFeature={axis={wght=325,wdth=87.5}}}, + {Size={11-22}, RawFeature={axis={wght=301,wdth=87.5}}}, + {Size={22-}, RawFeature={axis={wght=301,wdth=87.5}}} + }, +] +%\newfontface\semiwide{Junicode SmExp} +\setfontface\semiwide{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=112.5}}}, + {Size={8.5-11}, RawFeature={axis={wght=475,wdth=112.5}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=112.5}}}, + {Size={22-}, RawFeature={axis={wght=356,wdth=112.5}}} + }, +] +%\newfontface\wide{Junicode Exp} +\setfontface\wide{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=125}}}, + {Size={8.5-11}, RawFeature={axis={wght=475,wdth=125}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=125}}}, + {Size={22-}, RawFeature={axis={wght=357,wdth=125}}} + }, +] +%\newfontface\light{Junicode Light} +\setfontface\light{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=358,wdth=120}}}, + {Size={8.5-11}, RawFeature={axis={wght=325,wdth=115}}}, + {Size={11-22}, RawFeature={axis={wght=301,wdth=112.5}}}, + {Size={22-}, RawFeature={axis={wght=301,wdth=100}}} + }, +] +\setfontface\lightexp{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={8.5-11}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={11-22}, RawFeature={axis={wght=300,wdth=125}}}, + {Size={22-}, RawFeature={axis={wght=300,wdth=125}}} + }, +] +%\newfontface\medium{Junicode SmExp Medium} +\setfontface\medium{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=120}}}, + {Size={8.5-11}, RawFeature={axis={wght=525,wdth=115}}}, + {Size={11-22}, RawFeature={axis={wght=500,wdth=112.5}}}, + {Size={22-}, RawFeature={axis={wght=500,wdth=100}}} + }, +] +%\newfontface\semicondmedium{Junicode SmCond Medium} +\setfontface\semicondmedium{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=87.5}}}, + {Size={8.5-11}, RawFeature={axis={wght=525,wdth=87.5}}}, + {Size={11-22}, RawFeature={axis={wght=500,wdth=87.5}}}, + {Size={22-}, RawFeature={axis={wght=500,wdth=87.5}}} + }, +] +%\newfontface\condmed{Junicode Cond Medium} +\setfontface\condmed{JunicodeVF-Roman.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=75}}}, + {Size={8.5-11}, RawFeature={axis={wght=525,wdth=75}}}, + {Size={11-22}, RawFeature={axis={wght=500,wdth=75}}}, + {Size={22-}, RawFeature={axis={wght=500,wdth=75}}} + }, +] +%\newfontface\stditalic{Junicode Italic} +\setfontface\stditalic{JunicodeVF-Italic .ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={8.5-11}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={22-}, RawFeature={axis={wght=400,wdth=100}}} + }, +] +%\newfontface\semiconditalic{Junicode SmCond Italic} +\setfontface\semiconditalic{JunicodeVF-Italic.ttf}[ + RawFeature={mode=harf}, + SizeFeatures={ + {Size={-8.5}, RawFeature={axis={wght=550,wdth=100}}}, + {Size={8.5-11}, RawFeature={axis={wght=475,wdth=100}}}, + {Size={11-22}, RawFeature={axis={wght=400,wdth=100}}}, + {Size={22-}, RawFeature={axis={wght=301,wdth=100}}} + }, +] +\setmonofont{SourceCodePro-Regular.ttf}[Scale=MatchLowercase,Numbers=Lowercase] +%\setmonofont{SourceCodeVariable-Roman.otf}[ +% Scale = MatchLowercase, +% Numbers = Lowercase, +% SizeFeatures={ +% {Size={-8}, RawFeature={axis={wght=500}}}, +% {Size={8-11}, RawFeature={axis={wght=450}}}, +% {Size={11-}, RawFeature={axis={wght=400}}} +% } +%] +\usepackage{graphicx} +\usepackage[table,dvipsnames]{xcolor} +\definecolor{BrickRed}{RGB}{146,18,6} +\definecolor{SlateGray}{RGB}{112,128,144} +\definecolor{GGOrange}{RGB}{240,74,6} +\definecolor{RViolet}{RGB}{70,18,87} +\definecolor{myRed}{rgb}{0.5,0,0} +\definecolor{myBlue}{rgb}{0,0,0.5} +\definecolor{myLightRed}{RGB}{255,232,244} +\definecolor{myLightYellow}{RGB}{239,249,218} +\definecolor{myLightBlue}{RGB}{203,228,249} +\definecolor{myLightGreen}{RGB}{234,255,244} +\definecolor{myLightPurple}{RGB}{214,205,234} +\usepackage{multicol} +\usepackage{array} +\usepackage{tabto} +\usepackage{supertabular} +\usepackage{hhline} +\usepackage{metalogo} +\usepackage{hyperref} +\hypersetup{pdftex, colorlinks=true, linkcolor=blue, citecolor=blue, filecolor=blue,% + urlcolor=blue, pdftitle=, pdfauthor=, pdfsubject=, pdfkeywords=} +% Footnotes configuration +\makeatletter +\renewcommand\thefootnote{\arabic{footnote}} +\makeatother +% Text styles +\linespread{1.1} +\newopentypefeature{MyStyle}{insular}{+ss02} +\newopentypefeature{MyStyle}{altogonek}{+cv62} +\newopentypefeature{MyStyle}{mirrored}{+rtlm} +\newopentypefeature{MyStyle}{gothic}{+ss19} +\newopentypefeature{MyStyle}{contextualr}{+ss16} +\newopentypefeature{MyStyle}{contextuals}{+ss08} +\newopentypefeature{MyStyle}{IPA}{+ss03} +\newopentypefeature{MyStyle}{thornswap}{+ss01} +\newopentypefeature{MyStyle}{noentities}{-ss10} +%\newopentypefeature{Ligatures}{histon}{+hlig} +\newopentypefeature{Ligatures}{histoff}{-hlig} +\newcommand{\noent}[1]{{\addfontfeature{MyStyle=noentities}#1}} +\newcommand\textex[1]{\textrm{\textbf{\color{BrickRed}#1}}} +\newcommand\textUName[1]{\textsc{#1}} +\newcommand\textSourceText[1]{{\color{GGOrange}\texttt{#1}}} +\newcommand\cvc[1]{{\color{magenta}#1}} +\newcommand\textstyleEmphasis[1]{\textit{#1}} +\newcommand\textstyleEntityRef[1]{\textrm{#1}} +\newcommand{\cvd}[3][0]{{\addfontfeature{CharacterVariant=#2:#1}#3}} +\newcommand{\hlig}[1]{{\addfontfeature{Ligatures=Historic}#1}} +\newcommand{\sups}[1]{{\addfontfeature{VerticalPosition = Superior}#1}} +\newcommand{\subs}[1]{{\addfontfeature{VerticalPosition = Inferior}#1}} +\newcommand{\oprop}[1]{{\addfontfeature{Numbers={Lowercase,Proportional}}#1}} +\newcommand{\lprop}[1]{{\addfontfeature{Numbers={Uppercase,Proportional}}#1}} +\newcommand{\otab}[1]{{\addfontfeature{Numbers={Lowercase,Monospaced}}#1}} +\newcommand{\ltab}[1]{{\addfontfeature{Numbers={Uppercase,Monospaced}}#1}} +\newcommand{\ornm}[2][0]{{\addfontfeature{Ornament=#1}#2}} +\newcommand{\revthorn}[1]{{\addfontfeature{StylisticSet=1}#1}} +\newcommand{\grk}{\addfontfeature{Script=Greek,Language=Greek}} +\newcommand{\eng}{\addfontfeature{Language=English}} +\newcommand{\icel}{\addfontfeature{Language=Icelandic}} +\newcommand{\unic}[1]{{\addfontfeature{Numbers={Uppercase,Monospaced}}#1}} +\newcommand{\colongs}{\addfontfeature{Language=English,StylisticSet=8}} +%\newcommand{\enla}[1]{{\addfontfeature{StylisticSet=6}#1}} +\newcommand{\enla}[1]{{\enlarged#1}} +\newcommand{\enlax}[1]{{\enlargedx#1}} +\newcommand{\ltech}{Lua\kern-1.5pt\TeX} +\newcommand{\restag}[1]{{\addfontfeature{StylisticSet=10}#1}} +\newcommand{\mufi}{\rowcolor{myLightGreen}} +\newcommand{\prob}{\cellcolor{myLightPurple}} +\newcommand{\opua}{\rowcolor{myLightYellow}} +\newcommand{\stdu}{\rowcolor{myLightBlue}} +\newcommand{\bluerow}{\rowcolor{myLightBlue}} +\newcommand{\nuni}{\rowcolor{myLightRed}} +\newcommand{\ctosc}[1]{{\addfontfeature{Letters=UppercaseSmallCaps}#1}} +\newcommand{\charvar}{\textSourceText{cvNN}} +\newcommand{\secletter}[1]{\textbf{#1}} +% Outline numbering +%\setcounter{secnumdepth}{0} +\makeatletter +\newcommand\arraybslash{\let\\\@arraycr} +\makeatother +% Page layout (geometry) +%\setlength\voffset{-1in} +%\setlength\hoffset{-0.75in} +%\setlength\topmargin{1in} +%\setlength\oddsidemargin{1in} +%\setlength\textheight{8.000001in} +%\setlength\textwidth{6in} +%\setlength\footskip{0.0cm} +\setlength\headheight{15pt} +%\setlength\headsep{0.2in} +% Footnote rule +%\setlength{\skip\footins}{14pt} +%\renewcommand\footnoterule{\vspace*{-0.0071in}\setlength\leftskip{0pt}\setlength\rightskip{0pt plus 1fil}\noindent\textcolor{black}{\rule{0.25\columnwidth}{0.0071in}}\vspace*{0.0398in}} +% Pages styles +\pagestyle{fancy} +\footskip = 30pt +\headsep = 30pt +\renewcommand{\headrule}{} +\fancyhead[L]{} +\fancyhead[C]{} +\fancyhead[R]{} +\fancyfoot[L]{} +\fancyfoot[C]{} +\fancyfoot[R]{} +\setlength\tabcolsep{1mm} +\renewcommand\arraystretch{1.3} +% Headers +%\usepackage{sectsty} +%\subsectionfont{\color{BrickRed}} +%\sectionfont{\color{SlateGray}} +\usepackage{titlesec} +\titleformat{\chapter}[hang]{\huge\seminarrowlight\color{RViolet}}{\thechapter.}{1em}{} +\titleformat{\section}[hang]{\Large\seminarrow\color{SlateGray}}{\thesection.}{1em}{} +\titleformat{\subsection}[hang]{\large\color{BrickRed}}{\thesubsection.}{1em}{} +% List styles +\newcommand\liststyleLi{% +\renewcommand\labelitemi{{\textbullet}} +\renewcommand\labelitemii{{\textbullet}} +\renewcommand\labelitemiii{{\textbullet}} +\renewcommand\labelitemiv{{\textbullet}} +} +\newcommand\liststyleLii{% +\renewcommand\labelitemi{{\textbullet}} +\renewcommand\labelitemii{{\textbullet}} +\renewcommand\labelitemiii{{\textbullet}} +\renewcommand\labelitemiv{{\textbullet}} +} +\newcounter{Feature} +\renewcommand\theFeature{\arabic{Feature}} +\renewcommand{\chaptermark}[1]{\markboth{\MakeUppercase{#1}}{}} +\tolerance=1500 +\widowpenalty=500 +\clubpenalty=500 +\frenchspacing +\raggedbottom +\usepackage{unicodefonttable} diff --git a/fonts/junicode/doc/source/JunicodeManual.tex b/fonts/junicode/doc/source/JunicodeManual.tex new file mode 100644 index 0000000000..ab6c96dad1 --- /dev/null +++ b/fonts/junicode/doc/source/JunicodeManual.tex @@ -0,0 +1,55 @@ +\documentclass[12pt,letterpaper,openany]{book} +% +\usepackage{JunicodeManual} +% +\begin{document} + +\addfontfeature{Script=Latin,Language=English,Contextuals=Alternate} + +\begin{titlepage} +\huge\noindent +{\color{myRed}}\\[5cm] +\Huge \centering {\color{myBlue}Junicode} \\[1cm] +\huge \centering the font for medievalists \\[1cm] + \Huge\centering {\color{myRed}} \\[1cm] + \huge\centering {\stditalic specimens and user manual} \\[1ex] + \Large\centering{\regular for version 2.205}\\ +\vfill +{\color{myRed}} +\end{titlepage} +\cleardoublepage +\thispagestyle{plain} + +\tableofcontents + +\mainmatter + +\input{About.tex} + +\input{Specimens.tex} + +\input{GettingStarted.tex} + +\input{Feature_Reference.tex} + +\input{tag_key_ins.tex} + +\input{Record_Interpreter_notes.tex} + +\input{EnlargeAxis.tex} + +\input{OnTheWeb.tex} + +\input{encoded-glyphs.tex} + +\vspace*{\fill} +\begin{center} +{\stditalic{This document was set in 12pt Junicode VF\\ +using the {\LuaLaTeX} typesetting system with fontspec for font management.\\ +The source for the document, JunicodeManual.tex, is available at}}\\ +{\color{BrickRed}https://github.com/psb1558/Junicode-font.} +\end{center} +%\thispagestyle{plain} + + +\end{document} diff --git a/fonts/junicode/doc/source/OnTheWeb.tex b/fonts/junicode/doc/source/OnTheWeb.tex new file mode 100644 index 0000000000..cc8a9e36ce --- /dev/null +++ b/fonts/junicode/doc/source/OnTheWeb.tex @@ -0,0 +1,257 @@ + +\chapter{Junicode on the Web}\hypertarget{OnTheWeb}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}on the web} + +If you are using Junicode on a web page, you should prefer the variable fonts +(those with “VF” in the family name and filename) to the static fonts. One +variable font file can do the work of many traditional font files. For example, +the \href{https://psb1558.github.io/Junicode-font/Junicode-2-feature-test.html}% +{Test of High-Level CSS Properties} web page displays Junicode in regular, +bold and semicondensed styles. It used +to be that your user would have to download three font files, one for each +style, but one variable font will display all three. + +But you may be thinking, \textit{That font is big}! It's true: even the +compressed webfont (.woff2) is nearly a megabyte in size—enough to seriously +slow down the loading of a web page. + +To solve this problem, you'll need to subset the font—that is, produce a copy +that contains only what you need. The subsetted font that downloads +with the property test web page +is approximately 275k in size—almost thirty percent of the +size of the full webfont. It's still a pretty big download, but that's because the page +displays a lot of the font's features. If I were displaying, say, a diplomatic +transcript of a Latin text, the font would be much smaller. + +So the first section of this chapter will talk about how to subset the Junicode +font. + +\section{Subsetting Junicode} + +First the legalities. It is perfectly all right to create a modified version +of Junicode via subsetting, compress it into a webfont (almost certainly in +woff2 format), and host it on your web server. This is because “Junicode” is +not a “Reserved Font Name” (which complicates web use of +many fonts licensed under the Open Font License). If you are nervous about the +legal requirements of the Open Font License, you can change the font name to +something arbitrary with the \texttt{--obfuscate-names} option +of the pyftsubset program, and you can embed the Open Font License, or a +link to it, in your CSS. These steps should settle any ambiguity about whether +you are in compliance with the license. + +Generating a subsetted version of Junicode should be one of the last tasks you +perform before deploying your web page(s). Until then, it is recommended that +you work with the unmodified font. After subsetting, review your +pages thoroughly to make sure everything is displayed properly. If you have +forgotten to include a glyph in your subsetted font, you will see little boxes +where characters should be or, perhaps, the correct characters +displayed in the wrong typeface. If you have omitted features, you will see +default instead of transformed characters. + +There are many subsetting programs, some online and very easy to use. But for +maximum control (and thus the smallest fonts), you should choose pyftsubset, a +part of the \href{https://github.com/fonttools/fonttools}{fontTools} library, +which runs under Python 3.7 or higher. This is a command-line tool which +takes a long list of arguments; you should create a shell script to run it. + +Here is the script used to create the subsetted font for the property test +web page mentioned above: + +\small\begin{verbatim} +#!/bin/zsh +pyftsubset JunicodeVF-Roman.ttf \ +--flavor=woff2 --output-file=JunicodeVFsubset.woff2 \ +--recommended-glyphs \ +--text="jq" --text-file=Junicode-2-feature-test.html \ +--layout-features+=liga,ss01,ss02,ss03,ss04,ss05,ss06,ss07,ss08,\ +ss10,ss12,ss13,ss14,ss15,ss16,ss17,ss18,ss19,ss20,cv01,cv02,cv05,\ +cv06,cv07,cv08,cv09,cv10,dlig,hlig,onum,pnum,pcap,smcp,c2sc,subs,\ +sups,zero \ +--layout-features-=rlig +\end{verbatim} + +\normalsize\noindent For those unfamiliar with shell scripts, the first line specifies the shell +the script is to run under (in this case the default shell for Mac OS, but +\texttt{bash} is another possible choice), and the backslashes mean +that the command continues on the next line. The rest of the file is a list +of arguments passed to pyftsubset. Let's walk through them. + +First after the program name comes the name of the unsubsetted, uncompressed +font file. After that, +the \texttt{--flavor} argument tells the program that you want a webfont in +woff2 format, and \texttt{--output} is the name of the font file you want the +program to save. + +Having taken care of this preliminary business, we tell pyftsubset what we +want the font to contain. + +\texttt{--recommended-glyphs} includes a few characters that +every font should have, according to the OpenType specification---though in +fact modern browsers don't care. It's best, however, to conform to the specification, +since it's impossible to say with absolute certainty that no program will +ever reject the font +because of the absence of these few characters. + +\texttt{--text-file} is the name of a file to treat as a list of characters +that \textit{must} be included in the font. In this case I have simply used +the html file for the web page for this purpose. If your site contains +multiple web pages, your job will be more complicated. You must make sure the +text file contains all the characters used on the site---either that or +supplement the text file with a \texttt{--text} argument (which here adds +two lowercase letters that don't appear in the web page---just in case). +The text file will +contain only encoded characters—you don't have to worry here about unencoded +characters produced by OpenType features. + +\texttt{--layout-features+} tells the program which OpenType features you +want to retain in the font. All others, except for the +\hyperlink{req}{Required Features}, are discarded. All of the characters +referenced in these features will also be included in the output file, as long +as those characters are variants of characters in your text file. For example, +the \textSourceText{smcp} (Small Caps) feature has many more small caps than there are letters +of the alphabet, but most of them are not included in the subsetted font. The +program's parsimony with characters keeps the font file as small as possible. +Note that some features are included automatically: \textSourceText{ccmp}, +\textSourceText{locl}, \textSourceText{calt}, \textSourceText{liga}, \textSourceText{rlig}, +\textSourceText{kern}, \textSourceText{mark}, and \textSourceText{mkmk}. + + +\texttt{--layout-features-} tells the program which OpenType features to omit. +Normally, \textSourceText{rlig} (Required Ligtures) is automatically +included in fonts by pyftsubset, but as it has no relevance to this web page, +it can be omitted. + +These are the most useful arguments, but there are many more. Type +\texttt{pyftsubset --help} for a complete list. Once you have written your +script, run it (in Mac OS or Linux you need to make the file executable +by typing \texttt{chmod +x mysubsetscript} on the command line). + +Before you put your subsetted font to work, check it carefully in a program +like \href{https://github.com/justvanrossum/fontgoggles}{FontGoggles}, +which lets you preview the font and test all its OpenType features. If you +find errors, revise your script and run it again. + +\section{Junicode and CSS/HTML} + +This section assumes a basic knowledge of HTML (Hypertext Markup Language, used +to construct web pages) and CSS (Cascading Style Sheets, used to format them). +If you want to learn about these subjects, the number of good books and online +tutorials is so great that it makes no sense to try to list them. Just make sure +that the instructional materials you choose are of recent vintage, because the +relevant standards are always changing. + +In the CSS for your web page, the \texttt{@font-face} at-rule for a variable +font is a little different +from the one for a static font in that the range of possible values for each +axis can be declared: + +\small\begin{verbatim} +@font-face { + font-family: "Junicode VF"; + src: url("./webfiles/JunicodeVFsubset.woff2"); + font-weight: 300 700; + font-stretch: 75% 125%; + font-style: normal; +} +\end{verbatim} + +\normalsize\noindent These ranges are not strictly necessary, but they will prevent your +supplying invalid values for \texttt{font-weight} and \texttt{font-stretch} +(that is, \texttt{width}) in other CSS rules. + +Once you have declared the font, you can invoke it in setting up classes. +For example: + +\small\begin{verbatim} +body { + font-family: "Junicode VF"; + font-size: 28px; + font-weight: normal; /* that is, 400 */ + font-stretch: 112.5%; /* that is, semiexpanded */ +} +h1 { + font-family: "Junicode VF"; + font-size: 125%; + font-weight: 600; /* that is, semibold */ + font-stretch: 112.5%; /* that is, semiexpanded */ +} +.annotation { + font-size: 90%; + font-weight: 300; /* that is, light */ + font-stretch: 87.5%; /* that is, semicondensed */ +} +\end{verbatim} + +\normalsize\noindent These classes should be tested in all browsers. If any fail to +display text properly, you can use \texttt{font-variation-settings} +instead of the high-level \texttt{font-weight} and \texttt{font-stretch}: + +\small\begin{verbatim} +body { + font-family: "Junicode VF"; + font-size: 28px; + font-variation-settings: "wght" 400, "wdth" 112.5; +} +h1 { + font-family: "Junicode VF"; + font-size: 125%; + font-variation-settings: "wght" 600, "wdth" 112.5; +} +.annotation { + font-size: 90%; + font-variation-settings: "wght" 300, "wdth" 87.5; +} +\end{verbatim} + +\normalsize\noindent To accommodate older browsers, you should make a selection of +Junicode static fonts, subset them, and include them in your CSS. For example, +if you need normal and bold weights of Junicode roman, your +\texttt{@font-face} at-rule may look like this: + +\small\begin{verbatim} +@font-face { + font-family: "Junicode VF"; + src: url("./webfiles/JunicodeVFsubset.woff2"); + font-weight: 300 700; + font-stretch: 75% 125%; + font-style: normal; +} +@font-face { + font-family: "Junicode"; + src: url("./webfiles/Junicode-Regular.woff2"); + font-weight: 400; + font-style: normal; +} +@font-face { + font-family: "Junicode"; + src: url("./webfiles/Junicode-Bold.woff2"); + font-weight: 700; + font-style: normal; +} +\end{verbatim} + +\normalsize\noindent Now use \texttt{@supports} in your CSS rules to determine which +font gets downloaded: + +\small\begin{verbatim} +body { + font-family: "Junicode", serif; +} +@supports (font-variation-settings: normal) { + body { + font-family: "Junicode VF", serif; + } +} +b { + font-weight: 700; +} +@supports (font-variation-settings: "wght" 700) { + b { + font-variation-settings: "wght" 700; + } +} +\end{verbatim} + +\normalsize\noindent The variable version of Junicode will be downloaded only if +the browser supports it, and the static version will be downloaded only if +needed. diff --git a/fonts/junicode/doc/source/Record_Interpreter_notes.tex b/fonts/junicode/doc/source/Record_Interpreter_notes.tex new file mode 100644 index 0000000000..a80c4a6fb8 --- /dev/null +++ b/fonts/junicode/doc/source/Record_Interpreter_notes.tex @@ -0,0 +1,287 @@ +\chapter{Transcribing records} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}transcribing records} + +This chapter provides guidance for persons transcribing records (laws and other +public documents) in the style of Charles Trice Martin’s +\textit{The Record Interpreter}, \textit{Statutes of the Realm}, and similar guides +and editions. +Unlike most editions of early texts, these retain (or recommend retaining) the capitalization, +punctuation, and abbreviations of their manuscript sources. + +\section{A preliminary note on transcription} +Here are a few observations, based on a long career as a scholarly editor of medieval and eighteenth-century texts. + +Before embarking on the task of transcribing an old document, ask yourself what value you want to add to the document as +it already exists, because different kinds of transcription add different kinds of value. The kind of transcription +that adds the least is that which aims at the exact \textit{visual} reproduction of a document. A transcript is not a +facsimile: it needs to do something that a photograph can't do. + +Converting a document from visual image to Unicode-encoded text adds a good bit of value all by itself, but only if done +with due regard for the semantics of Unicode characters. Every Unicode character has a meaning, and that meaning is a +help to readers. Using the wrong character is a hinderance to readers, even it if \textit{looks} right. + +For example, in transcribing a Middle English text, you may decide that the Unicode ezh (\char"0292,~\unic{U+0292}) looks more like +the yogh in your source than the Unicode yogh (\kern+1.5pt\char"021D,~\unic{U+021D}) and therefore decide to use it for yogh. But the ezh is +not a yogh! It is a character in the International Phonetic Alphabet and a letter in the alphabets of several minor +languages---but not a letter in the Middle English language. If you use it where the yogh is called for, it will make +your text less accessible and less searchable. Indexing, concordance and bibliographical programs may be misled by it; +screen readers will misinterpret it. To solve one problem (that of visual representation), you may well have introduced +a host of far more serious problems. + +Fortunately, Junicode offers a solution for this particular problem. The OpenType feature \textSourceText{cv63} substitutes for +the yogh a character that \textit{looks} like the ezh but is semantically a yogh and therefore will be +handled correctly by applications. But neither Junicode nor any other font can solve every problem of this kind. +Sometimes you will have to call to mind the important principle stated above: \textit{A transcript is not a +facsimile}. It is much more important that it should have the same \textit{meaning} as the original than +that it should have the same \textit{look}. + +This document concerns the transcription of texts in Latin (and to some extent, other archaic languages, e.g. Old and +Middle English, Old French). It is long-standing custom, when transcribing certain kinds of documents, to retain marks +of abbreviation---for example, the \textex{\hlig{\char"0A753p\char"0363}} you may find in a manuscript or printed edition representing +the word \textit{propterea}. This is okay---and Junicode can help with the task. But when dealing with the +abbreviations, punctuation, and diacritics of an old text it is more important than ever that you use semantically +correct characters for your transcription, as this will help readers who already face significant challenges. + +For example, the abbreviation \textex{\hlig{\char"0A753p\char"0363}} as printed here consists of an underlying sequence of Unicode +characters: \textex{\char"0A753} (\unic{U+A753}, the common abbreviation for \textit{pro}) + \textex{p} + \textex{\char"25CC\char"0363} +(\unic{U+0363}, the combining small \textit{a}). The OpenType feature \textSourceText{hlig} (Historical Ligatures) has been +applied to this sequence, changing its appearance but not its underlying value. That underlying value is intelligible +to computer applications in the sense that they can recognize each character. + +This doesn't mean, though, that computer programs can correctly interpret \textex{\hlig{\char"0A753p\char"0363}} as +\textit{propterea}. Many (probably \textit{most}) Latin abbreviations are ambiguous: this one, +for example, can mean \textit{propterea} or \textit{propria}. Some abbreviations (most +notoriously \textex{\char"25CC\char"035B} \unic{U+035B}) can mean many things, depending on context. It takes a human being with a +knowledge of Latin to interpret them correctly. + +So another way you can add value in your transcript is by interpreting abbreviations like +\textex{\hlig{\char"0A753p\char"0363}} and +supplying expansions of them. Fortunately, systems for representing texts often offer ways to handle this task +gracefully. For example, in a TEI (Text Encoding Initiative) text, you would use this construction:\\[1ex] + +\noindent\verb!<choice>!\newline +\verb! <abbr rend="hlig">!\textrm{\hlig{\char"0A753p\char"0363}}\verb!</abbr>!\newline +\verb! <expan>propterea</expan>!\newline +\verb!</choice>!\\[1ex] + +\noindent This kind of structure can be approximated in HTML, with supporting CSS and scripting to allow readers to choose between +a ``diplomatic'' version, with unexpanded abbreviations, and a ``reading'' version, with expanded abbreviations and +perhaps other amenities, such as modern punctuation and capitalization. + +There are other ways to add value to a transcript---for example, by correcting errors, annotating the content, or +writing textual notes. Each of these operations takes your transcript farther from the facsimile and closer to the +edition. + +\section[Common combining marks]{Common combining marks} +A \textbf{combining mark} is a character that combines with another character (called the \textbf{base}) to form a +character with accent (e.g. \textex{\'e}) or an abbreviation (e.g. \textex{\cvd[1]{81}{p\char"035B}} for \textit{prae}). +Unicode and the Medieval Unicode Font Initiative (MUFI) offer code points for many precomposed combinations of base + +combining mark, but it is also possible to place any mark over any base character by entering first the base and then +the combining mark. It is also possible to place a combining mark over another combining mark. For example, to produce +\textex{\cvd[32]{84}{q\char"0363\char"0304}}, enter this sequence: q (\unic{U+0071}) + \unic{U+0363} + \unic{U+0304}. + +Junicode 2 contains many variants of combining marks: for example the curly zigzag \cvd[1]{81}{\char"25CC\char"035B} is a variant of +Unicode's angular zigzag {\char"25CC\char"035B} (\unic{U+035B}), produced by applying the OpenType feature \textSourceText{cv81[2]} to +\textbf{both the base character and the combining mark}. Sometimes the combination of base + combining mark + OpenType +feature will not produce the desired effect. When this happens, place \unic{U+034F} (a special invisible combining mark, +included in Unicode for exactly this purpose) between the base and the (visible) mark.\\ + +\noindent\secletter{a.}\ \ For a straight stroke over any letter, use the \textsc{combining macron} (\unic{U+0304}): +\begin{quote} +\=onis \textit{omnis}; o\={m}is \textit{omnis}; d\=apna \textit{dampna}; dam\={p}a +\textit{dampna}. +\end{quote} +The combining macron can also be applied above superscripts and combining marks. Apply the OpenType feature +\textSourceText{cv84[33]} for a narrower macron: +\begin{quote} +\cvd[32]{84}{antiqua\char"034F\char"0304} \textit{antiquam}; \cvd[32]{84}{q\char"0363\char"0304} \textit{quam}. +\end{quote} +For the superscript \textit{a}, use the OpenType feature \textSourceText{sups} (see r. below).\\[1ex] + +\noindent\secletter{b.}\ \ For a straight stroke through a tall letter, use the \textsc{combining short stroke overlay} (\unic{U+0335}): \textex{f\char"0335\ d\char"0335\ l\char"0335}. But Unicode also has precomposed versions of +\textex{d}, \textex{l} and other characters \mbox{with} stroke, e.g. +\textex{{\dj}} (\unic{U+0111}), \textex{\char"019A} (\unic{U+019A}).\\[1ex] + +\noindent\secletter{c.}\ \ For \textex{\~{}} above any character, use the \textsc{combining tilde} (\unic{U+0303}): +\begin{quote} +\~a \textit{ac}, \textit{apud}; \~a \textit{alias}.\newline +d\~ns \textit{dominus}; ca\~{r}ina \textit{carmina}; \cvd[4]{12}{f\~{c}is} \textit{factis}.\newline +p\~oita \textit{posita}. +\end{quote} + +\noindent\secletter{d.}\ \ For \textex{\~{}} through a vertical stroke, use the \textsc{tilde overlay} (\unic{U+0334}): +\textex{l\char"0334\ d\char"0334} (\unic{U+0303} would be positioned above the letter, e.g. +\textex{\~{l}}, \textex{\~{d}}). For the ligatures +\textex{l̴l̴}, \textex{b\char"0334b\char"0334}, and \textex{f\char"0334f\char"0334}, type the +sequence for \textex{l\char"0334}, etc. twice.\\[1ex] + +\noindent\secletter{e.}\ \ For the tilde positioned above two letters, use \textsc{combining double tilde} +(\unic{U+0360}) between the letters. It is +automatically repositioned to clear tall characters: c\char"0360o t\char"0360o d\char"0360o o\char"0360l. The same is true of +\textsc{double breve} (\unic{U+035D}) c\char"035Do d\char"035Do, \textsc{double macron} (\unic{U+035E}) c\char"035Eo d\char"035Eo, +\textsc{double inverted breve} (\unic{U+0361}) c\char"0361o d\char"0361o, and \textsc{double circumflex} (\unic{U+1DCD}) +c\char"1DCDo d\char"1DCDo.\\[1ex] + +\noindent\secletter{f.}\ \ The figure used to represent \textit{er\textup{ }}(and other similar combinations) is a common medieval +abbreviation which takes many forms. The semantically correct Unicode character is the \textsc{combining +zigzag} (\char"25CC\char"035B, \unic{U+035B}), but the best match in Junicode 2 for the figure as it appears in the +\textit{Record Interpreter} and the \textit{Statutes} is a gothic variant of this, which MUFI +encodes as \unic{U+F1C8} (the curly form zigzag). However, because for technical reasons many applications will not position +the MUFI character correctly over the base, that code point should be avoided. The best way to access this variant is +to apply \textSourceText{cv81[2]} to \unic{U+035B}, as here: +\begin{quote} +\cvd[1]{81}{deb\char"035Be \textit{debere}; int\char"035B\ \textit{inter}; f\char"035B\hspace{0.2em}r\=u \textit{ferrum}; gn\char"035Bo +\textit{generatio}; p\char"035B; \textit{prae}; seru\char"035Be \textit{servire}}. +\end{quote} +The curly form of the combining zigzag may be attached to any letter, and it may change shape depending on the letter it +is attached to (including caps, for which use the \textSourceText{case} feature, and small caps: +\textex{\cvd[1]{81}{A\char"035B B\char"035B \textsc{c\char"035B +d\char"035B\hspace{0.2em}}}}).\\[1ex] + +\noindent\secletter{g.}\ \ All letters a--z, and several others too, have combining forms. +You may access these via their code points, when they are standard Unicode, via the +\textSourceText{\textsc{cv84}} feature, or via +Junicode's special entity references. For details, see \hyperlink{ss10}{4.10.3, Character Entities +for Combining Marks}. +\begin{quote} +q\char"0366\ \textit{quo}; q\char"0365\ \textit{qui}; quatt\&\_orr; \textit{quattuor}. +\end{quote} +\section{Spacing characters} +\secletter{h.}\ \ The symbol for \textit{is}, \textit{es} and a number of other abbreviations is the +\textsc{is-sign} (\unic{U+A76D}): +\begin{quote} +for\char"0A76D\ \textit{foris}; o\={m}\char"0A76D\ \textit{omnes}; \char"0A76Ft\char"0A76D\ +\textit{competentes}; inf\char"0A76D\ \textit{infortunium}. +\end{quote} +This character will sometimes ligature with the preceding letter. The italic version differs from the roman +stylistically (\ \textex{\textit{for\char"0A76D\ o\={m}\char"0A76D\ \char"0A76Ft\char"0A76D\ inf\char"0A76D}}), but it will be +intelligible to informed readers.\\[1ex] + +\noindent\secletter{i.}\ \ There are two characters for \textit{{}-us} in Unicode: +\textsc{spacing us} \unic{U+A770} (do not +confuse this with \textsc{con} \unic{U+A76F}) and \textsc{combining us} \unic{U+1DD2}. The \textit{Record +Interpreter} and \textit{Statutes} appear to use only the spacing character: +\begin{quote} +\cvd[1]{81}{i\~{p}i\char"0A770\ \textit{ipsius}; u\char"035Bs\char"0A770\ \textit{uersus}; p\char"0A770tea +\textit{postea}; p\char"0A770\ \textit{post}.} +\end{quote} +\noindent\secletter{j.}\ \ The three-like sign is the \textsc{et sign} (\char"25CC\char"0A76B, \unic{U+A76B}, also used for +\textit{us} in the Latin ending \textit{-ibus}). Do not use the numeral three (\textex{3}) +or the Middle English yogh (\textex{\char"021D}, \unic{U+021D}): +\begin{quote} +quib\char"0A76B\ \textit{quibus}; lic\char"0A76B\ \textit{licet}; s\char"0A76B\ \textit{sed}. +\end{quote} +\noindent\secletter{k.}\ \ For \textit{{}-rum} the Unicode \textsc{rum rotunda} (\unic{U+A75D}) is like the one in MUFI/Junicode. +The one in the \textit{Record Interpreter} and \textit{Statutes} is a late stylized version of +this. Use \unic{U+A75D} and apply OpenType feature \textsc{\textSourceText{cv80}} to obtain the correct shape: +\begin{quote} +\cvd{80}{a\~{i}a\char"0A75D\ \textit{animarum}; co\char"0A75Dpere \textit{corrumpere}; beato\char"0A75D\ +\textit{beatorum}}. +\end{quote} +\noindent\secletter{l.}\ \ For \textit{cum}, \textit{con}, etc. use \textsc{small letter con} (\unic{U+A76F}): +\begin{quote} +\char"0A76Fputus \textit{computus}; \char"0A76Fa \textit{contra}; \char"0A76Fnouit \textit{cognouit}. +\end{quote} +\noindent\secletter{m.}\ \ For \textit{per} (or sometimes \textit{par} and other similar sequences), use +\textsc{p with stroke} \unic{U+A751}: +\begin{quote} +\char"0A751s\={o}a \textit{persona}; \char"0A76F\char"0A751et \textit{comparet}. +\end{quote} +\noindent\secletter{n.}\ \ For \textit{pro,} use \textsc{p with flourish} \unic{U+A753}: +\begin{quote} +\char"0A753ceres \textit{proceres}. +\end{quote} +\noindent\secletter{o.}\ \ For \textit{prae}, \textit{pr{\ae}}, \textit{pre}, there is no separate character; +use a variant of the \textsc{zigzag} (f. above) with \textex{p}: +\begin{quote} +\cvd[1]{81}{p\char"035Bs\~{e}s \textit{praesens}}. +\end{quote} +\noindent\secletter{p.}\ \ For \textex{q} with stroke through the descender, there are two Unicode points: \unic{U+A757} for a +straight stroke, and \unic{U+A759} for a diagonal stroke (the \textit{Record Interpreter} appears to use only the +former, and neither is listed among the \textit{Statutes} abbreviations): +\begin{quote} +\char"0A757\ \textit{quod}; \char"0A757d \textit{quid}; \char"0A757b\char"0A76B\ \textit{quibus}. +\end{quote} +\noindent\secletter{q.}\ \ For \textit{quae}, \textit{que}, use \textex{q} +followed by \textsc{et} (\unic{U+A76B}) with or without \textSourceText{hlig}: \textex{q\char"0A76B} +\textex{\hlig{q\char"0A76B}}. For the semicolon-like \textsc{et} sign (\textex{\cvd{83}{q\char"0A76B}}), use +\textSourceText{cv83[1]}; for the subscripted version (which can also form a ligature via \textSourceText{hlig}), use \textSourceText{cv83[2]}: +\textex{\cvd[1]{83}{q\char"0A76B\ \hlig{q\char"0A76B}}}.\\[1ex] + +\noindent\secletter{r.}\ \ All of the letters a-z are available in superscript form. Access with the \textex{sups} +OpenType feature: +\begin{quote} +q\sups{o}s \textit{quos}; c\sups{i}lo \textit{circulo}; cap\sups{i} \textit{capituli}. +\end{quote} +The basic Latin letters a--z have anchors that allow you to position combining marks over them (see a. above)\\[1ex] + +\noindent\secletter{s.}\ \ Tironian \textsc{et} sign \char"204A\ \unic{U+204A}, cap \char"2E52\ \unic{U+2E52}. With \textSourceText{cv69[1]} \cvd{69}{\char"204A\char"2E52}; with +\textSourceText{cv69[2]} \cvd[1]{69}{\char"204A\char"2E52}.\\[1ex] + +\noindent\secletter{t.}\ \ For \textit{est}, use \textex{\char"223B} \unic{U+223B} \textsc{homothetic}. Use of a mathematical sign for this +purpose is not ideal, but Unicode offers no better solution.\\[1ex] + +\noindent\secletter{u.}\ \ For \textit{tz} (Old French), use \textex{\char"01B6} \unic{U+01B6} \textsc{z with stroke}.\\[1ex] + +\noindent\secletter{v.}\ \ For an abbreviation for \textit{Rex}, +use \textex{\textrecipe} \unic{U+211E} or \textex{\char"211F} \unic{U+211F}.\\[1ex] + +\noindent\secletter{w.}\ \ At least one edition uses a spacing version of the \textsc{combining zigzag} +(\textbf{f.} above). +Neither Unicode nor MUFI has a matching character: with Junicode, apply \textSourceText{cv67} to the spacing +\textsc{macron} (\unic{U+00AF}): \textex{\cvd{67}{\char"25CC\char"00AF}}. + +\section[Other formatting]{Other formatting} +\secletter{x.}\ \ For underdotted text, use Stylistic Set 7, Underdotted. For letters that lack an underdotted form, use \unic{U+0323} \textsc{combining dot below}. + +\section[On the web]{On the web} +Because Junicode is a very large font, web pages should use a subsetted version to speed loading +(see \hyperlink{OnTheWeb}{Chapter 9, Junicode on the Web}, for instructions). +The variable version of the font is better for web use than the +static fonts, since one variable font file can do the work of many static font files. + +All major web browsers (Firefox, Chrome, Safari, Edge) are capable of accessing all of Junicode's characters via +OpenType features, use of which promotes accessibility and searchability. When building a web page, study which +features will be needed and write them into the appropriate element or class definition of the page's CSS style sheet. +For example, if you use the curly form of the zigzag (\unic{U+035B}) anywhere, you are likely to want it everywhere, and so it +should be included in the CSS styling for the <body> element: +\begin{verbatim} +body { + font-family: Junicode; + font-feature-settings: "cv81" 2; +} +\end{verbatim} + +\noindent But the \textSourceText{hlig} feature, if applied to the whole text, will produce many unwanted effects, so it should be +included in a class definition to be used in a <span> applied just to the target sequence: +\begin{verbatim} +.que { + font-feature-settings: "hlig" on; +} +filio<span class="que">qꝫ</span> +\end{verbatim} + +\noindent The illustrations here use the low-level CSS font-feature-settings property. +There are higher-level properties for some +OpenType features, but as these are not (yet) universally supported by browsers, and some implementations are buggy, it +is best to stick with font-feature-settings for now. + +For the purposes addressed in this document, the font-feature-settings for the <body> element +should probably be as follows: +\begin{verbatim} +font-feature-settings: 'cv69' 2, 'cv80' 1, 'cv81' 2; +\end{verbatim} +\noindent And the following classes should be defined: +\begin{verbatim} +.super { + font-feature-settings: 'sups' on, 'cv84' 39; +} + +.que { + font-feature-settings: 'hlig' on; +} + +.deleted { + font-feature-settings: 'ss07' on; +} +\end{verbatim} diff --git a/fonts/junicode/doc/source/Specimens.tex b/fonts/junicode/doc/source/Specimens.tex new file mode 100644 index 0000000000..f5a8c220a3 --- /dev/null +++ b/fonts/junicode/doc/source/Specimens.tex @@ -0,0 +1,203 @@ + +\chapter{Specimens}\hypertarget{specimens}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}specimens} + +\subsection*{Old and Middle English} + +{\noindent\regular\addfontfeature{Language=English}Wē æthrynon mid ūrum ārum þā ȳðan þæs dēopan wǣles; wē +ġesāwon ēac þā muntas ymbe þǣre sealtan sǣ strande, and wē mid +āðēnedum hræġle and ġesundfullum windum þǣr ġewīcodon on þām +ġemǣrum þǣre fæġerestan þēode. Þā ȳðan ġetācniað þisne dēopan +cræft, and þā muntas ġetācniað ēac þā miċelnyssa þisses cræftes. (Regular)}\\ + +\noindent{\semiwide\addfontfeature{Language=English} S{\scshape iþen} þe sege and þe assaut watz sesed at Troye,\\ +Þe borȝ brittened and brent to brondez and askez,\\ +Þe tulk þat þe trammes of tresoun þer wroȝt\\ +Watz tried for his tricherie, þe trewest on erthe:\\ +Hit watz Ennias þe athel, and his highe kynde,\\ +Þat siþen depreced prouinces, and patrounes bicome\\ +Welneȝe of al þe wele in þe west iles. (SemiExpanded)}\\ + +\noindent{\small\semiconditalic Apply the OpenType feature ss02 (Stylistic Set 2) +for insular letter-forms.}\\[1ex] +{\seminarrow\addfontfeature{StylisticSet=2,Ligatures=NoCommon,MyStyle=altogonek,Language=English} +Her cynewulf benam sigebryht his rices \& westseaxna wiotan for +un\-ryht\-um dędū buton hamtúnscire \& he hæfde þa oþ he ofslog +þone aldormon þe hī lengest wunode \& hiene þa cynewulf on +andred adræfde \& ħ þær wunade oþ þæt hine án swán ofstang +æt pryfetesflodan \& he wręc þone aldormon cumbran \& se cynewulf +oft miclum gefeohtum feaht uuiþ bretwalū.} (SemiCondensed) + +\subsection*{Old Irish} +{\addfontfeature{Language=Irish}{\condmed{}Fect n-oen do Ailill {\char"204A} do Meidb íar n-dergud a rígleptha dóib i +Cruachanráith Chonnacht, arrecaim comrad chind-cherchailli +eturru. Fírbriathar, a ingen, bar Ailill, is maith ben ben +dagfir. Maith omm, bar ind ingen. Cid diatá latsu ón. Is de atá lim, +bar Ailill, ar it ferr-su indiu indá in lá thucus-sa thu.} (Condensed Medium)\\[1ex] +\noindent{\small\semiconditalic For insular letter-forms, apply the OpenType feature ss02 (Stylistic Set 2), +making sure the language is set to Irish.}\\[1ex] +\noindent\addfontfeature{StylisticSet=2}Bamaith-se +remut, ar Medb. Is maith nach cualammar {\char"204A} nach fetammar, ar Ailill, +acht do bithsiu ar bantincur mnaa {\char"204A} bidba na crich ba nessom duit oc +breith do slait {\char"204A} do chrech i fúatach úait. Ni samlaid bása, ar Medb, +acht m'athair i n-ardrigi hErenn .i. Eocho Feidlech mac Find meic +Findomain meic Findeoin meic Findguni meic Rogein Rúaid meic Rigéoin +meic Blathachta meic Beothechta meic Enna Agnig meic Oengusa +Turbig. Bátar aice se ingena d'ingenaib: Derbriu, Ethi {\char"204A} Éle, Clothru, +Mugain, Medb, messi ba uasliu {\char"204A} ba urraitiu díb.} (Regular)\\[1ex] +\noindent{{\small\semiconditalic For a (somewhat) uncial look, try combining ss02 with smcp +(Small Caps), adding other variants as you see fit.}\\[1ex] +\noindent{\addfontfeature{StylisticSet=2,CharacterVariant={25:0,26:0},Letters=SmallCaps,Language=Irish}Bamaith-se +remut, ar Medb. Is maith nach cualammar {\char"204A} nach fetammar, ar Ailill, +acht do bithsiu ar bantincur mnaa {\char"204A} bidba na crich ba nessom duit oc +breith do slait {\char"204A} do chrech i fúatach úait. Ni samlaid ba͏́sa, ar Medb, +acht m'athair i n-ardrigi hErenn .i. Eocho Feidlech mac Find meic +Findomain meic Findeoin meic Findguni meic Rogein Rúaid meic Rige͏́oin +meic Blathachta meic Beothechta meic Enna Agnig meic Oengusa +Turbig. Ba͏́tar aice se ingena d'ingenaib: Derbriu, Ethi {\char"204A} Éle, Clothru, +Mugain, Medb, messi ba uasliu {\char"204A} ba urraitiu díb.} (Regular)\\[1ex] + +\subsection*{Old Icelandic} +{\small\semiconditalic\addfontfeature{Language=English} For Nordic shapes of þ and ð in an +English context, specify the appropriate language (e.g. Icelandic or Norwegian); +or apply the OpenType ss01 (Stylistic Set 1) feature.}\\[1ex] +{\icel\medium Um haustit sendi Mǫrðr Valgarðsson orð at Gunnarr myndi vera einn heimi, en +lið alt myndi vera niðri í eyjum at lúka heyverkum. Riðu þeir Gizurr Hvíti ok +Geirr Goði austr yfir ár, þegar þeir spurðu þat, ok austr yfir sanda til Hofs. +Þá sendu þeir orð Starkaði undir Þríhyrningi; ok fundusk þeir þar allir er at +Gunnari skyldu fara, ok réðu hversu at skyldi fara.} (SemiExpanded Medium) + +\subsection*{Runic} +{\small\semiconditalic\addfontfeature{Language=English} Junicode has features +for automated transliteration of Latin letters into various runic systems.}\\[1ex] +{\wide ᚠᛁᛋᚳ ᚠᛚᚩᛞᚢ ᚪᚻᚩᚠ ᚩᚾ ᚠᛖᚱᚷᛖᚾᛒᛖᚱᛁᚷ ᚹᚪᚱᚦ ᚷᚪ᛬ᛇᚱᛁᚳ ᚷᚱᚩᚱᚾ ᚦᚨᚱ ᚻᛖ ᚩᚾ ᚷᚱᛖᚢᛏ ᚷᛁᛇᚹᚩᛗ +ᚻᚱᚩᚾᚨᛇ ᛒᚪᚾ\\ +ᚱᚩᛗᚹᚪᛚᚢᛇ ᚪᚾᛞ ᚱᛖᚢᛗᚹᚪᛚᚢᛇ ᛏᚹᛟᚷᛖᚾ ᚷᛁᛒᚱᚩᚦᚫᚱ ᚪᚠᛟᛞᛞᚫ ᛞᛁᚫ ᚹᚣᛚᛁᚠ ᚩᚾ ᚱᚩᛗᚫ\linebreak[0]ᚳᚫᛇᛏᛁ᛬ +ᚩᚦᛚᚫ ᚢᚾᚾᛖᚷ} (Expanded) + +\subsection*{German} + +{\narrow\addfontfeature{Language=English} Ich ſag üch aber / minen fründen / Foͤꝛchtēd üch nit voꝛ denen die den +lyb toͤdend / vnd darnach nichts habennd das ſy mer thuͤgind. Ich wil +üch aber zeigē voꝛ welchem ir üch \cvd[4]{12}{foͤꝛchten} ſollend. Foͤꝛchtend üch voꝛ +dem / der / nach dem er toͤdet hat / ouch macht hat zewerffen inn die +hell: ja ich ſag üch / voꝛ dem ſelben \cvd[4]{12}{foͤꝛchtēd} üch. Koufft man nit +fünff Sparen vm̄ zween pfennig} (Condensed) + +\subsection*{Latin} + +{\small\semiconditalic Junicode contains the most common Latin abbreviations, + making it suitable for diplomatic editions of Latin texts.}\\[1ex] +{\addfontfeatures{Language=Latin,MyStyle=altogonek,MyStyle=contextualr}\light Adiuuanos dſ̄ ſalutariſ noſter \& + ꝓpt̄ głam nominiſ tui dnē liƀanoſ· \& ꝓpitiuſ eſto peccatiſ noſtriſ + ꝓpter nomen tuum· Ne forte dicant ingentib: ubi eſt dſ̄ eorum \& + innoteſcat innationib: corā oculiſ nr̄iſ· Poſuerunt moſticina + ſeruorū ruorū eſcaſ uolatilib: cęli carneſ ſcōꝝ tuoꝝ beſtiiſ tenice· + Facti ſumꝰ ob\kern+0.2ptꝓbrium uiciniſ nr̄iſ·} (Light) + +\subsection*{Gothic} + +{\seminarrowlight jabai auk ƕas gasaiƕiþ þuk þana habandan kunþi in galiuge stada +anakumbjandan, niu miþwissei is siukis wis\-an\-dins timrjada du +galiugagudam gasaliþ matjan? fraqistniþ auk sa unmahteiga ana +þeinamma witubnja broþar in þize Xristus gaswalt. swaþ~þan +frawaurkjandans wiþra broþruns, slahandans ize gahugd siuka, du +Xristau fra\-waur\-keiþ.} (SemiCondensed Light)\\ + +{\noindent\small\semiconditalic Use ss19 to produce Gothic letters + automatically from transliterated text.}\\[1ex] +{\addfontfeature{MyStyle=gothic}\bfseries jabai auk ƕas gasaiƕiþ þuk þana + habandan kunþi in ga\-liuge stada anakumbjandan, niu miþwissei is + siukis wis\-an\-dins timrjada du galiugagudam gasaliþ matjan? + jabai auk ƕas gasaiƕiþ þuk þana habandan kunþi in + ga\-liuge stada anakumbjandan, niu miþwissei is siukis + wis\-an\-dins timrjada du galiugagudam gasaliþ matjan?} (SemiExpanded Bold) + + \subsection*{Sanskrit Transliteration} + +\noindent{\semicondmedium mānaṁ dvividhaṁ viṣayadvai vidyātśaktyaśaktitaḥ \\ + arthakriyāyāṁ keśadirnārtho ’narthādhimokṣataḥ\\[1ex] +sadr̥śāsadr̥śatvācca viṣayāviṣayatvataḥ \\ + śabdasyānyanimittānāṁ bhāve dhīsadasattvataḥ} (SemiCondensed Medium) + +\subsection*{International Phonetic Alphabet} +{\addfontfeature{MyStyle=IPA,MyStyle=thornswap} +{\regular hwɑn θɑt ɑːprɪl wiθ is ʃuːrəs soːtə θə drʊxt ɔf mɑrʧ hɑθ peːrsəd toː +θə roːte ɑnd bɑːðəd ɛvrɪ væɪn ɪn swɪʧ lɪkuːr ɔf hwɪʧ vɛrtɪu +ɛnʤɛndrəd ɪs θə fluːr hwɑn zɛfɪrʊs eːk wɪθ hɪs sweːtə bræːθ}} (Regular) + +\subsection*{Greek} +{\regular\grk βίβλος +γενέσεως ἰησοῦ χριστοῦ υἱοῦ δαυὶδ +υἱοῦ ἀβραάμ. +ἀβραὰμ +ἐγέννησεν τὸν ἰσαάκ, ἰσαὰκ δὲ ἐγέννησεν +τὸν ἰακώβ, ἰακὼβ δὲ ἐγέννησεν τὸν +ἰούδαν καὶ τοὺς ἀδελφοὺς αὐτοῦ, +ἰούδας +δὲ ἐγέννησεν τὸν φάρες καὶ τὸν ζάρα +ἐκ τῆς θαμάρ, φάρες δὲ ἐγέννησεν τὸν +ἑσρώμ, ἑσρὼμ δὲ ἐγέννησεν τὸν ἀράμ, +ἀρὰμ +δὲ ἐγέννησεν τὸν ἀμιναδάβ, ἀμιναδὰβ +δὲ ἐγέννησεν τὸν ναασσών, ναασσὼν δὲ +ἐγέννησεν τὸν σαλμών, +σαλμὼν +δὲ ἐγέννησεν τὸν βόες ἐκ τῆς ῥαχά} (Regular)\\ + +\noindent\textit{\grk βίβλος +γενέσεως ἰησοῦ χριστοῦ υἱοῦ δαυὶδ +υἱοῦ ἀβραάμ. +ἀβραὰμ +ἐγέννησεν τὸν ἰσαάκ, ἰσαὰκ δὲ ἐγέννησεν +τὸν ἰακώβ, ἰακὼβ δὲ ἐγέννησεν τὸν +ἰούδαν καὶ τοὺς ἀδελφοὺς αὐτοῦ, +ἰούδας +δὲ ἐγέννησεν τὸν φάρες καὶ τὸν ζάρα +ἐκ τῆς θαμάρ, φάρες δὲ ἐγέννησεν τὸν +ἑσρώμ, ἑσρὼμ δὲ ἐγέννησεν τὸν ἀράμ, +ἀρὰμ +δὲ ἐγέννησεν τὸν ἀμιναδάβ, ἀμιναδὰβ +δὲ ἐγέννησεν τὸν ναασσών, ναασσὼν δὲ +ἐγέννησεν τὸν σαλμών, +σαλμὼν +δὲ ἐγέννησεν τὸν βόες ἐκ τῆς ῥαχά} (Italic) + +\subsection*{Lithuanian} + +{\small\semiconditalic Lithuanian poses several typographical challenges. Make sure + Contextual Alternates (calt) is turned on; for i̇́, use i followed + by combining dot accent (\unic{U+0307}) and acute (\unic{U+0301}).}\\[1ex] +{\wide\addfontfeature{Language=Lithuanian} Visa žemė turėjo vieną kalbą ir tuos pačius žodžius. Kai žmonės +kėlėsi iš rytų, jie rado slėnį Šinaro krašte ir ten įsikūrė. Vieni +kitiems sakė: Eime, pasidirbkime plytų ir jas išdekime. – Vietoj +akmens jie naudojo plytas, o vietoj kalkių – bitumą. Eime, – jie +sakė, – pasistatykime miestą ir bokštą su dangų siekiančia viršūne ir +pasidarykime sau vardą, kad nebūtume išblaškyti po visą žemės veidą.} (Expanded) + +\subsection*{Polish} +{\small\semiconditalic The default shape and position of ogonek in Junicode are suitable +for modern Polish. For the medieval Latin e-caudata, consider using +cv62.}\\[1ex] +{\condmed\addfontfeature{Language=Polish} Mieszkańcy całej ziemi mieli jedną mowę, czyli jednakowe słowa. A +gdy wędrowali ze wschodu, napotkali równinę w kraju Szinear i tam +zamieszkali. I mówili jeden do drugiego: Chodźcie, wyrabiajmy cegłę +i wypalmy ją w ogniu. A gdy już mieli cegłę zamiast kamieni i smołę +zamiast zaprawy murarskiej, rzekli: Chodźcie, zbudujemy sobie miasto +i wieżę, której wierzchołek będzie sięgał nieba, i w ten sposób +uczynimy sobie znak, abyśmy się nie rozproszyli po całej ziemi.} (Condensed Medium)\pagebreak + +\subsection*{Fleurons} + +{\small\semiconditalic Junicode contains a number of fleurons (floral + ornaments) copied from a 1785 Caslon specimen book. Access + these via the OpenType feature \hyperlink{ornm}{ornm}. Fleurons have only one weight and + width, and they are the same in roman and italic.} + +\begin{center} +\huge \\ + \\[0.7ex] +\\[0.7ex] +\\ + +\end{center} diff --git a/fonts/junicode/doc/source/dns.png b/fonts/junicode/doc/source/dns.png Binary files differnew file mode 100644 index 0000000000..882918783f --- /dev/null +++ b/fonts/junicode/doc/source/dns.png diff --git a/fonts/junicode/doc/source/encoded-glyphs.tex b/fonts/junicode/doc/source/encoded-glyphs.tex new file mode 100644 index 0000000000..9ca1726099 --- /dev/null +++ b/fonts/junicode/doc/source/encoded-glyphs.tex @@ -0,0 +1,17 @@ +\chapter{Encoded Glyphs in Junicode}\hypertarget{EncodedGlyphs}{} + +\noindent The following table lists all the encoded glyphs in Junicode Roman. The font also +contains more than 2,000 \emph{unencoded} glyphs, +accessible via OpenType features. For a comprehensive list of these features, see +\hyperlink{FeatureReference}{Chapter 4, Feature Reference}. + +Code points for which Junicode has no glyphs are represented in the table by blue +bullets (the actual bullet at U+2022 is black). +Many of Junicode's glyphs (e.g. spaces, formatting marks) are invisible: these +are represented by blanks in the table. A few glyphs are too large for their table cells, +and these spill out on one or more sides. + +\displayfonttable[color=blue,title-format=\caption{Encoded Glyphs in Junicode}, +title-format-cont=\caption{Encoded Glyphs in Junicode, \emph{cont.}}, missing-glyph=•, +missing-glyph-color=blue, range-end=F005F, glyph-width=12pt, hex-digits=head]{JunicodeVF-Roman.ttf}[Renderer=HarfBuzz] + diff --git a/fonts/junicode/doc/source/tag_key_ins.tex b/fonts/junicode/doc/source/tag_key_ins.tex new file mode 100644 index 0000000000..ef6ba651b7 --- /dev/null +++ b/fonts/junicode/doc/source/tag_key_ins.tex @@ -0,0 +1,2108 @@ + +\chapter{Entering characters with tags}\hypertarget{tagchapter}{} +%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}entering characters with tags} +\addfontfeature{MyStyle=noentities} + +Any character in Junicode that can be rendered using a Character Variant ({\charvar}) feature can also be rendered using a +sequence consisting of a base character and two Unicode tags---that is, characters from the Unicode tag range. This range +duplicates the ASCII character set (which consists, roughly, of things that can be typed on a U.S. English keyboard), +but the characters it contains are normally invisible. They are used as modifiers +for a preceding character (in other fonts, usually a flag symbol). Junicode contains a partial collection of tag +characters: + +\begin{center} +\tablefirsthead{}\tablehead{}\tabletail{}\tablelasttail{} +\setlength\tabcolsep{15pt} +%\begin{supertabular}{m{1.7545599in}m{1.7545599in}m{1.7545599in}} +\begin{supertabular}{ccc} +{\&\_\_a; U+E0061} & +{\&\_\_b; U+E0062} & +{\&\_\_c; U+E0063}\\ +{\&\_\_d; U+E0064} & +{\&\_\_e; U+E0065} & +{\&\_\_f; U+E0066}\\ +{\&\_\_g; U+E0067} & +{\&\_\_h; U+E0068} & +{\&\_\_i; U+E0069}\\ +{\&\_\_j; U+E006A} & +{\&\_\_k; U+E006B} & +{\&\_\_l; U+E006C}\\ +{\&\_\_m; U+E006D} & +{\&\_\_n; U+E006E} & +{\&\_\_o; U+E006F}\\ +{\&\_\_p; U+E0070} & +{\&\_\_q; U+E0071} & +{\&\_\_r; U+E0072}\\ +{\&\_\_s; U+E0073} & +{\&\_\_t; U+E0074} & +{\&\_\_u; U+E0075}\\ +{\&\_\_v; U+E0076} & +{\&\_\_w; U+E0077} & +{\&\_\_x; U+E0078}\\ +{\&\_\_y; U+E0079} & +{\&\_\_z; U+E007A} & +{\&\_\_0; U+E0030}\\ +{\&\_\_1; U+E0031} & +{\&\_\_2; U+E0032} & +{\&\_\_3; U+E0033}\\ +{\&\_\_4; U+E0034} & +{\&\_\_5; U+E0035} & +{\&\_\_6; U+E0036}\\ +{\&\_\_7; U+E0037} & +{\&\_\_8; U+E0038} & +{\&\_\_9; U+E0039}\\ +\end{supertabular} +\end{center} + +\noindent When creating web pages or XML documents, +you can enter these using character entities (e.g. \textSourceText{\&\#xE0073;} for \textex{\noent{\&\_\_s;}}); +along the same lines, you can use the \textSourceText{{\textbackslash}char} command +(e.g. \textSourceText{{\textbackslash}char{\textquotedbl}0E0073}) when +composing TeX documents. But such entities and commands are not generally available in editors and word processors, and +entering the tags themselves can be tricky because they are not only invisible, but also ignored by the application +(the cursor +skips over them). Instead of attempting to enter the code points for tags directly, use character entities consisting +of \textbf{an ampersand, two underscores, the tag character, and a semicolon}. These will yield visible tags. For +example, typing \textSourceText{\&\_\_6;} will yield the tag \textex{\noent{\&\_\_6;}}. + +To use the tag method of entering characters, first type the base character from the table below, then the two tags. +For example, to make a square C (\textex{\restag{C\&\_\_s;\&\_\_q;}}), enter one of these sequences: + +\begin{center} +\tablefirsthead{} +\tablehead{} +\tabletail{} +\tablelasttail{} +\begin{supertabular}{m{1.2969599in}m{2.54416in}} +{\bfseries Web page:} & +C\&\#xE0073;\&\#xE0071;\\ +{\bfseries TeX:} & +C{\textbackslash}char{\textquotedbl}0E0073{\textbackslash}char{\textquotedbl}0E0071\\ +{\bfseries Word processor:} & +C\&\_\_s\textcompwordmark;\&\_\_q\textcompwordmark; (appears as C\&\_\_s;\&\_\_q;)\\ +\end{supertabular} +\end{center} + +\noindent Then apply the OpenType feature \textSourceText{ss10} (Stylistic Set 10) to the passage or passages containing the tags or, if tags occur +throughout, to the whole document. The tags will disappear and the preceding characters (the base characters) will be +transformed. + +For variants of the combining macron (\unic{U+0304}) and perhaps other combining marks, it will often be necessary to place the +\ctosc{COMBINING GRAPHEME JOINER} (\unic{U+034F}) between the macron and the base character that precedes it. This will prevent +normalization (the shaping engine changing sequences of character + combining mark into precomposed characters), +which interferes with the operation of tags. + +Most of the two-tag sequences documented here are designed to be mnemonic. For example, the +\textex{\&\_\_s;\&\_\_q;} sequence in the example +above stands for ``square.'' However, two-tag sequences are not capable of describing characters in any detail, and in +some cases, where the number of variants is large (especially for period, combining macron, and currency), the tags are +not descriptive at all, but rather an index (the same numbers used in the corresponding {\charvar} features). + +These tags are compatible with Junicode's other OpenType features, including the {\charvar} features, and can be mixed with +them. They will not interfere with the placement of combining marks, which can come either before or after the tag-pair. Use a {\charvar} feature when a variant should appear +throughout the text, repeatedly in a particular passage (for example, a block quotation), or in a style. A tag sequence may be preferable for isolated forms or to override an OpenType feature. + +In the list below, records for each character are color-coded as follows: + +\begin{center} + \tablefirsthead{} + \tablehead{} + \tabletail{\hline} + \tablelasttail{\hline} + \begin{supertabular}{|m{13mm}|m{72mm}|} + \hline + \mufi{green} & MUFI characters with PUA code points\\\hline + \opua{yellow} & Other characters with PUA code points\\\hline + \stdu{blue} & Characters with Unicode code points\\\hline + \nuni{red} & Characters without code points\\ + \end{supertabular} +\end{center} + +\noindent Tags or {\charvar} features are usually to be preferred to PUA code points, +which should be used only where accessibility and searchability are +not issues (mainly in printed texts). Unicode code points can safely be +entered directly. Junicode makes a few of them accessible via {\charvar} features and tags because it may often +be desirable to associate these characters with their bases rather than the Unicode code points. For +example, the insular T (\textex{\restag{T\&\_\_i;\&\_\_n;}}) is sure to be searchable as T if entered with the sequence +\textex{\noent{T\&\_\_i;\&\_\_n;}}, but if entered as \textex{U+A786} it may or may not be searchable as T, +depending on the application. + +Characters without code points can only be entered via tags or OpenType features. + +\begin{center} + \addfontfeature{Numbers={Uppercase,Monospaced}} +\tablefirsthead{\hline\rowcolor{Goldenrod} +{Base} & +{Sequence} & +{Result} & +\arraybslash Description / Code point\\} +\tablehead{\hline\rowcolor{Goldenrod} +{Base} & +{Sequence} & +{Result} & +\arraybslash Description / Code point\\} +\tabletail{\hline} +\tablelasttail{} +\begin{supertabular}{|c|c|c|c|} +%\begin{supertabular}{|m{0.9872598in}|m{0.97815984in}|m{0.9254598in}|m{2.79556in}|} +\hline +\mufi{period} & +{.\&\_\_0;\&\_\_1;} & +{\restag{.\char"0E0030\char"0E0031}} & +\arraybslash Distinctio / F1F8 \\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_2;} & +{.\char"0E0030\char"0E0032} & +\arraybslash Comma positura / F1E2\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_3;} & +{\restag{.\char"0E0030\char"0E0033}} & +\arraybslash High comma positura / F1E3\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_4;} & +{\restag{.\char"0E0030\char"0E0034}} & +\arraybslash Punctus versus / F1EA\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_5;} & +{\restag{.\char"0E0030\char"0E0035}} & +\arraybslash Punctus with comma positura / F1E4\\\hline +\mufi{period} & +{.\&\_\_0;\&\_\_6;} & +{\restag{.\char"0E0030\char"0E0036}} & +\arraybslash Colon with middle comma positura / F1E5\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_7;} & +{\restag{.\char"0E0030\char"0E0037}} & +\arraybslash Two dots over comma positura / F1F2\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_8;} & +{\restag{.\char"0E0030\char"0E0038}} & +\arraybslash Three dots over comma positura / F1E6\\\hline +% +\mufi{period} & +{.\&\_\_0;\&\_\_9;} & +{\restag{.\char"0E0030\char"0E0039}} & +\arraybslash Punctus elevatus diagonal stroke / F1F0\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_0;} & +{\restag{.\char"0E0031\char"0E0030}} & +\arraybslash Punctus elevatus with high back / F1FA\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_1;} & +{\restag{.\char"0E0031\char"0E0031}} & +\arraybslash Punctus elevatus with onset / F1FB\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_2;} & +{\restag{.\char"0E0031\char"0E0032}} & +\arraybslash Punctus flexus / F1F5\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_3;} & +{\restag{.\char"0E0031\char"0E0033}} & +\arraybslash Punctus exclamativus / F1E7\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_4;} & +{\restag{.\char"0E0031\char"0E0034}} & +\arraybslash Punctus interrogativus / F160\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_5;} & +{\restag{.\char"0E0031\char"0E0035}} & +\arraybslash {\narrow Punctus interrogativus horizontal tilde / \ltab{F1E8}}\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_6;} & +{\restag{.\char"0E0031\char"0E0036}} & +\arraybslash {\narrow Punctus interrogativus lemniskate / \ltab{F1F1}}\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_7;} & +{\restag{.\char"0E0031\char"0E0037}} & +\arraybslash Wavy line / F1F9\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_8;} & +{\restag{.\char"0E0031\char"0E0038}} & +\arraybslash Signe de renvoi / F1EC\\\hline +% +\mufi{period} & +{.\&\_\_1;\&\_\_9;} & +{\restag{.\char"0E0031\char"0E0039}} & +\arraybslash Virgula suspensiva / F1F4\\\hline +% +\mufi{period} & +{.\&\_\_2;\&\_\_0;} & +{\restag{.\char"0E0032\char"0E0030}} & +\arraybslash Short virgula / F1F7\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_1;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0031}} & +\arraybslash Combining curly bar above / F1CC\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_2;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0032}} & +\arraybslash Combining diagonal macron\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_3;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0033}} & +\arraybslash Combining bar above with dot / F1C0\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_4;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0034}} & +\arraybslash Combining angular zigzag / F1C7\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_5;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0035}} & +\arraybslash Combining curly zigzag / F1C8\\\hline +% +\stdu{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_6;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0036}} & +\arraybslash Combining vertical tilde / 033E\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_7;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0037}} & +\arraybslash Combining ligature an / F036\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_8;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0038}} & +\arraybslash Combining ligature aN / F03A\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_0;\&\_\_9;} & +{\restag{\char"25CC\char"0304\char"0E0030\char"0E0039}} & +\arraybslash Combining ligature ar / F038\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_0;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0030}} & +\arraybslash Combining ligature aR / F130\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_1;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0031}} & +\arraybslash Combining B / F013\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_2;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0032}} & +\arraybslash Combining D / F016\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_3;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0033}} & +\arraybslash Combining e with macron / F136\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_4;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0034}} & +\arraybslash Combining e with ogonek / F135\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_5;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0035}} & +\arraybslash Combining dotless i / F02F\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_6;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0036}} & +\arraybslash Combining j / F030\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_7;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0037}} & +\arraybslash Combining dotless j / F031\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_8;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0038}} & +\arraybslash Combining K / F01C\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_1;\&\_\_9;} & +{\restag{\char"25CC\char"0304\char"0E0031\char"0E0039}} & +\arraybslash Combining uncial m / F01F\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_0;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0030}} & +\arraybslash Combining o with macron / F13F\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_1;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0031}} & +\arraybslash Combining o with ogonek / F13E\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_2;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0032}} & +\arraybslash Combining o with stroke / F032\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_3;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0033}} & +\arraybslash Combining q / F033\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_4;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0034}} & +\arraybslash Combining rum abbreviation / F040\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_5;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0035}} & +\arraybslash Combining T / F02A\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_6;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0036}} & +\arraybslash Combining y / F02B\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_7;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0037}} & +\arraybslash Combining thorn / F03D\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_8;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0038}} & +\arraybslash {\narrow Combining ligature o r rotunda / \tab{F03E}}\\\hline +% +\mufi{U+0304} & +{\char"25CC\char"0304\&\_\_2;\&\_\_9;} & +{\restag{\char"25CC\char"0304\char"0E0032\char"0E0039}} & +\arraybslash {\narrow Combining ligature letter o rum / \ltab{F03F}}\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_0;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0030}} & +\arraybslash Combining diagonal dieresis\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_1;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0031}} & +\arraybslash Combining dot and acute\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_2;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0032}} & +\arraybslash Combining ogonek and dot\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_3;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0033}} & +\arraybslash Combining narrow macron\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_4;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0034}} & +\arraybslash Combining macron with serifs\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_5;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0035}} & +\arraybslash Combining et sign\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_6;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0036}} & +\arraybslash Combining spiritus asper sign\\\hline +% +\nuni{U+0304} & +{\char"25CC\char"0304\&\_\_3;\&\_\_7;} & +{\restag{\char"25CC\char"0304\char"0E0033\char"0E0037}} & +\arraybslash Attached subscript a\\\hline +% +\mufi{A} & +{A\&\_\_i;\&\_\_n;} & +{\restag{A\char"0E0069\char"0E006E}} & +\arraybslash Insular A / F201\\\hline +% +\mufi{A} & +{A\&\_\_s;\&\_\_q;} & +{\restag{A\char"0E0073\char"0E0071}} & +\arraybslash Square A / F13A\\\hline +% +\mufi{A} & +{A\&\_\_s;\&\_\_d;} & +{\restag{A\char"0E0073\char"0E0064}} & +\arraybslash A with diagonal stroke / E8DA\\\hline +% +\nuni{A} & +{A\&\_\_e;\&\_\_n;} & +{\restag{A\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule A\\\hline +% +\mufi{a} & +{a\&\_\_i;\&\_\_n;} & +{\restag{a\char"0E0069\char"0E006E}} & +\arraybslash Insular a / F200\\\hline +% +\mufi{a} & +{a\&\_\_u;\&\_\_n;} & +{\restag{a\char"0E0075\char"0E006E}} & +\arraybslash Uncial a / F214\\\hline +% +\mufi{a} & +{a\&\_\_o;\&\_\_p;} & +{\restag{a\char"0E006F\char"0E0070}} & +\arraybslash Open a / F202\\\hline +% +\mufi{a} & +{a\&\_\_c;\&\_\_l;} & +{\restag{a\char"0E0063\char"0E006C}} & +\arraybslash Closed a / F203\\\hline +% +\mufi{a} & +{a\&\_\_n;\&\_\_e;} & +{\restag{a\char"0E006E\char"0E0065}} & +\arraybslash Neckless a / F215\\\hline +% +\mufi{a} & +{a\&\_\_o;\&\_\_c;} & +{\restag{a\char"0E006F\char"0E0063}} & +\arraybslash oc-shaped a / TBD\\\hline +% +\mufi{a} & +{a\&\_\_h;\&\_\_c;} & +{\restag{a\char"0E0068\char"0E0063}} & +\arraybslash high caroline a / TBD\\\hline +% +\mufi{a} & +{a\&\_\_s;\&\_\_q;} & +{\restag{a\char"0E0073\char"0E0071}} & +\arraybslash Square a / TBD\\\hline +% +\mufi{a} & +{a\&\_\_p;\&\_\_o;} & +{\restag{a\char"0E0070\char"0E006F}} & +\arraybslash Pointed a / TBD\\\hline +% +\mufi{a} & +{a\&\_\_e;\&\_\_n;} & +{\restag{a\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule a / EEE0\\\hline +% +\mufi{a} & +{a\&\_\_o;\&\_\_n;} & +{\restag{a\char"0E006F\char"0E006E}} & +\arraybslash Enlarged oc-shaped a / TBD\\\hline +% +\nuni{B} & +{B\&\_\_e;\&\_\_n;} & +{\restag{B\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule B\\\hline +% +\nuni{B} & +{B\&\_\_i;\&\_\_n;} & +{\restag{B\char"0E0069\char"0E006E}} & +\arraybslash Insular B\\\hline +% +\mufi{b} & +{b\&\_\_e;\&\_\_n;} & +{\restag{b\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule b / EEE1\\\hline +% +\mufi{C} & +{C\&\_\_s;\&\_\_q;} & +{\restag{C\char"0E0073\char"0E0071}} & +\arraybslash Square C / F106\\\hline +% +\nuni{C} & +{C\&\_\_e;\&\_\_n;} & +{\restag{C\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule C\\\hline +% +\mufi{c} & +{c\&\_\_c;\&\_\_u;} & +{\restag{c\char"0E0063\char"0E0075}} & +\arraybslash c with curl / F198\\\hline +% +\mufi{c} & +{c\&\_\_e;\&\_\_n;} & +{\restag{c\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule c / EEE2\\\hline +% +\nuni{D} & +{D\&\_\_i;\&\_\_e;} & +{\restag{D\char"0E0069\char"0E0065}} & +\arraybslash Enlarged minuscule insular D\\\hline +% +\stdu{D} & +{D\&\_\_i;\&\_\_n;} & +{\restag{D\char"0E0069\char"0E006E}} & +\arraybslash Insular D / A779\\\hline +% +\nuni{D} & +{D\&\_\_e;\&\_\_n;} & +{\restag{D\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule D\\\hline +% +\stdu{d} & +{d\&\_\_i;\&\_\_1;} & +{\restag{d\char"0E0069\char"0E0031}} & +\arraybslash Insular d default form / A77A\\\hline +% +\nuni{d} & +{d\&\_\_i;\&\_\_2;} & +{\restag{d\char"0E0069\char"0E0032}} & +\arraybslash Insular d second form\\\hline +% +\mufi{d} & +{d\&\_\_i;\&\_\_e;} & +{\restag{d\char"0E0069\char"0E0065}} & +\arraybslash Enlarged minuscule insular d / EEE4\\\hline +% +\mufi{d} & +{d\&\_\_c;\&\_\_u;} & +{\restag{d\char"0E0063\char"0E0075}} & +\arraybslash d with curl / F193\\\hline +% +\mufi{d} & +{d\&\_\_e;\&\_\_n;} & +{\restag{d\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule d / EEE3\\\hline +% +\mufi{E} & +{E\&\_\_u;\&\_\_c;} & +{\restag{E\char"0E0075\char"0E0063}} & +\arraybslash Uncial closed E / F217\\\hline +% +\mufi{E} & +{E\&\_\_u;\&\_\_n;} & +{\restag{E\char"0E0075\char"0E006E}} & +\arraybslash Uncial E / F10A\\\hline +% +\nuni{E} & +{E\&\_\_e;\&\_\_n;} & +{\restag{E\char"0E0069\char"0E006E}} & +\arraybslash Insular E\\\hline +% +\nuni{E} & +{E\&\_\_e;\&\_\_n;} & +{\restag{E\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule E\\\hline +% +\mufi{e} & +{e\&\_\_u;\&\_\_n;} & +{\restag{e\char"0E0075\char"0E006E}} & +\arraybslash Uncial e / F218\\\hline +% +\mufi{e} & +{e\&\_\_b;\&\_\_a;} & +{\restag{e\char"0E0062\char"0E0061}} & +\arraybslash e with bar / F219\\\hline +% +\mufi{e} & +{e\&\_\_b;\&\_\_h;} & +{\restag{e\char"0E0062\char"0E0068}} & +\arraybslash High e with bar / F21A\\\hline +% +\mufi{e} & +{e\&\_\_e;\&\_\_n;} & +{\restag{e\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule e / EEE6\\\hline +% +\stdu{F} & +{F\&\_\_i;\&\_\_n;} & +{\restag{F\char"0E0069\char"0E006E}} & +\arraybslash Insular F / A77B\\\hline +% +\mufi{F} & +{F\&\_\_e;\&\_\_n;} & +{\restag{F\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule F / EEE7\\\hline +% +\nuni{F} & +{F\&\_\_i;\&\_\_e;} & +{\restag{F\char"0E0069\char"0E0065}} & +\arraybslash Enlarged minuscule insular F\\\hline +% +\stdu{f} & +{f\&\_\_i;\&\_\_n;} & +{\restag{f\char"0E0069\char"0E006E}} & +\arraybslash Insular f / A77C\\\hline +% +\mufi{f} & +{f\&\_\_i;\&\_\_s;} & +{\restag{f\char"0E0069\char"0E0073}} & +\arraybslash Insular f with split top / TBD\\\hline +% +\mufi{f} & +{f\&\_\_i;\&\_\_1;} & +{\restag{f\char"0E0069\char"0E0031}} & +\arraybslash Insular f with dotted hooks / F21C\\\hline +% +\mufi{f} & +{f\&\_\_i;\&\_\_2;} & +{\restag{f\char"0E0069\char"0E0032}} & +\arraybslash Semi-closed insular f / EBD5\\\hline +% +\mufi{f} & +{f\&\_\_i;\&\_\_3;} & +{\restag{f\char"0E0069\char"0E0033}} & +\arraybslash Closed insular f / EBD6\\\hline +% +\mufi{f} & +{f\&\_\_i;\&\_\_e;} & +{\restag{f\char"0E0069\char"0E0065}} & +\arraybslash Enlarged minuscule insular f / EEFF\\\hline +% +\opua{f} & +{f\&\_\_n;\&\_\_a;} & +{\restag{f\char"0E006E\char"0E0061}} & +\arraybslash Narrow f / F000B\\\hline +% +\mufi{f} & +{f\&\_\_c;\&\_\_u;} & +{\restag{f\char"0E0063\char"0E0075}} & +\arraybslash f with curl / F194\\\hline +% +\mufi{f} & +{f\&\_\_e;\&\_\_n;} & +{\restag{f\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule f / EEE7\\\hline +% +\stdu{G} & +{G\&\_\_i;\&\_\_n;} & +{\restag{G\char"0E0069\char"0E006E}} & +\arraybslash Insular G / A77D\\\hline +% +\stdu{G} & +{G\&\_\_o;\&\_\_r;} & +{\restag{G\char"0E006F\char"0E0072}} & +\arraybslash Ormulum G with bar / A7D0\\\hline +% +\mufi{G} & +{G\&\_\_s;\&\_\_q;} & +{\restag{G\char"0E0073\char"0E0071}} & +\arraybslash Square G / F10E\\\hline +% +\nuni{G} & +{G\&\_\_e;\&\_\_n;} & +{\restag{G\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule G\\\hline +% +\stdu{g} & +{g\&\_\_i;\&\_\_n;} & +{\restag{g\char"0E0069\char"0E006E}} & +\arraybslash Insular g / 1D79\\\hline +% +\stdu{g} & +{g\&\_\_o;\&\_\_r;} & +{\restag{g\char"0E006F\char"0E0072}} & +\arraybslash Ormulum g with bar / A7D1\\\hline +% +\stdu{g} & +{g\&\_\_s;\&\_\_c;} & +{\restag{g\char"0E0073\char"0E0063}} & +\arraybslash Script g / 0261 \\\hline +% +\mufi{g} & +{g\&\_\_c;\&\_\_u;} & +{\restag{g\char"0E0063\char"0E0075}} & +\arraybslash g with curl / F196\\\hline +% +\mufi{g} & +{g\&\_\_e;\&\_\_n;} & +{\restag{g\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule g / EEE8 \\\hline +% +\mufi{g} & +{g\&\_\_n;\&\_\_e;} & +{\restag{g\char"0E006E\char"0E0065}} & +\arraybslash Enlarged insular g / TBD \\\hline +% +\mufi{g} & +{g\&\_\_c;\&\_\_1;} & +{\restag{g\char"0E0063\char"0E0031}} & +\arraybslash Closed g with separate loops / F21D\\\hline +% +\mufi{g} & +{g\&\_\_c;\&\_\_2;} & +{\restag{g\char"0E0063\char"0E0032}} & +\arraybslash Closed g with large lower loop / F21E\\\hline +% +\mufi{g} & +{g\&\_\_c;\&\_\_3;} & +{\restag{g\char"0E0063\char"0E0033}} & +\arraybslash Closed g with small lower loop / F21F\\\hline +% +\mufi{H} & +{H\&\_\_u;\&\_\_n;} & +{\restag{H\char"0E0075\char"0E006E}} & +\arraybslash Uncial H / F110\\\hline +% +\nuni{H} & +{H\&\_\_e;\&\_\_n;} & +{\restag{H\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule H\\\hline +% +\mufi{H} & +{H\&\_\_h;\&\_\_l;} & +{\restag{H\char"0E0068\char"0E006C}} & +\arraybslash H with high left stem / TBD\\\hline +% +\mufi{h} & +{h\&\_\_d;\&\_\_e;} & +{\restag{h\char"0E0064\char"0E0065}} & +\arraybslash h with descender / F23A\\\hline +% +\mufi{h} & +{h\&\_\_a;\&\_\_u;} & +{\restag{h\char"0E0061\char"0E0075}} & +\arraybslash h-shaped \textit{autem} abbreviation / E8A3\\\hline +% +\mufi{h} & +{h\&\_\_e;\&\_\_n;} & +{\restag{h\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule h / EEE9\\\hline +% +\nuni{h} & +{h\&\_\_e;\&\_\_d;} & +{\restag{h\char"0E0065\char"0E0064}} & +\arraybslash Enlarged minuscule h with descender\\\hline +% +\nuni{h} & +{h\&\_\_c;\&\_\_a;} & +{\restag{h\char"0E0063\char"0E0061}} & +\arraybslash Caroline a\\\hline +% +\mufi{h} & +{h\&\_\_e;\&\_\_c;} & +{\restag{h\char"0E0065\char"0E0063}} & +\arraybslash Enlarged Caroline h / TBD\\\hline +% +\mufi{h} & +{h\&\_\_d;\&\_\_b;} & +{\restag{h\char"0E0064\char"0E0062}} & +\arraybslash{\narrow Caroline h with right descender and bar / TBD}\\\hline +% +\stdu{I} & +{I\&\_\_d;\&\_\_a;} & +{\restag{I\char"0E0064\char"0E0061}} & +\arraybslash I with dot above / 0130\\\hline +% +\stdu{I} & +{I\&\_\_d;\&\_\_e;} & +{\restag{I\char"0E0064\char"0E0065}} & +\arraybslash I with descender / A7FE\\\hline +% +\nuni{I} & +{I\&\_\_e;\&\_\_n;} & +{\restag{I\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule I\\\hline +% +\mufi{I} & +{I\&\_\_u;\&\_\_s;} & +{\restag{I\char"0E0075\char"0E0073}} & +\arraybslash I without serif / TBD\\\hline +% +\stdu{i} & +{i\&\_\_d;\&\_\_l;} & +{\restag{i\char"0E0064\char"0E006C}} & +\arraybslash Dotless i / 0131\\\hline +% +\mufi{i} & +{i\&\_\_l;\&\_\_o;} & +{\restag{i\char"0E006C\char"0E006F}} & +\arraybslash Long I / F220\\\hline +% +\mufi{i} & +{i\&\_\_b;\&\_\_d;} & +{\restag{i\char"0E0062\char"0E0064}} & +\arraybslash i with double bar / E8A1\\\hline +% +\nuni{i} & +{i\&\_\_f;\&\_\_1;} & +{\restag{ii\char"0E0066\char"0E0031}} & +\arraybslash i final form (when i precedes)\\\hline +% +\nuni{i} & +{i\&\_\_f;\&\_\_2;} & +{\restag{i\char"0E0066\char"0E0032}} & +\arraybslash i final form\\\hline +% +\mufi{i} & +{i\&\_\_e;\&\_\_n;} & +{\restag{i\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule i / EEEA\\\hline +% +\mufi{J} & +{J\&\_\_d;\&\_\_a;} & +{\restag{J\char"0E0064\char"0E0061}} & +\arraybslash J with dot above / E15C\\\hline +% +\nuni{J} & +{J\&\_\_e;\&\_\_n;} & +{\restag{J\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule J\\\hline +% +\stdu{j} & +{j\&\_\_d;\&\_\_l;} & +{\restag{j\char"0E0064\char"0E006C}} & +\arraybslash Dotless j / 0237\\\hline +% +\mufi{j} & +{j\&\_\_s;\&\_\_d;} & +\restag{j\char"0E0073\char"0E0064} & +\arraybslash j with double bar / E8A2\\\hline +% +\opua{j} & +{j\&\_\_d;\&\_\_a;} & +{\restag{j\char"0E0064\char"0E0061}} & +\arraybslash j with dot accent / F000D\\\hline +% +\mufi{j} & +{j\&\_\_e;\&\_\_n;} & +{\restag{j\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule j / EEEB\\\hline +% +\nuni{K} & +{K\&\_\_e;\&\_\_n;} & +{\restag{K\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule K\\\hline +% +\mufi{k} & +{k\&\_\_u;\&\_\_n;} & +{\restag{k\char"0E0075\char"0E006E}} & +\arraybslash Uncial k / F208\\\hline +% +\mufi{k} & +{k\&\_\_u;\&\_\_d;} & +{\restag{k\char"0E0075\char"0E0064}} & +\arraybslash Uncial k with descender / TBD\\\hline +% +\mufi{k} & +{k\&\_\_c;\&\_\_1;} & +{\restag{k\char"0E0063\char"0E0031}} & +\arraybslash Closed k, one / F221\\\hline +% +\mufi{k} & +{k\&\_\_c;\&\_\_2;} & +{\restag{k\char"0E0063\char"0E0032}} & +\arraybslash Closed k, two / F209 \\\hline +% +\mufi{k} & +{k\&\_\_c;\&\_\_u;} & +{\restag{k\char"0E0063\char"0E0075}} & +\arraybslash k with curl / F195\\\hline +% +\mufi{k} & +{k\&\_\_e;\&\_\_n;} & +{\restag{k\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule k / EEEC\\\hline +% +\nuni{L} & +{L\&\_\_e;\&\_\_n;} & +{\restag{L\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule L\\\hline +% +\mufi{l} & +{l\&\_\_d;\&\_\_e;} & +{\restag{l\char"0E0064\char"0E0065}} & +\arraybslash Descending l / F222\\\hline +% +\mufi{l} & +{l\&\_\_e;\&\_\_n;} & +{\restag{l\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule l / EEED\\\hline +% +\stdu{l} & +{l\&\_\_s;\&\_\_h;} & +{\restag{l\char"0E0073\char"0E0068}} & +\arraybslash l with high stroke / A749\\\hline +% +\opua{l} & +{l\&\_\_s;\&\_\_f;} & +{\restag{l\char"0E0073\char"0E0066}} & +\arraybslash {\narrow l with high stroke ending with flourish / \ltab{F000F}}\\\hline +% +\nuni{l} & +{l\&\_\_i;\&\_\_n;} & +{\restag{l\char"0E0069\char"0E006E}} & +\arraybslash {Insular l}\\\hline +% +\mufi{M} & +{M\&\_\_u;\&\_\_d;} & +{\restag{M\char"0E0075\char"0E0064}} & +\arraybslash Uncial M with descender / F224\\\hline +% +\mufi{M} & +{M\&\_\_u;\&\_\_n;} & +{\restag{M\char"0E0075\char"0E006E}} & +\arraybslash Uncial M / F11A\\\hline +% +\stdu{M} & +{M\&\_\_a;\&\_\_1;} & +{\restag{M\char"0E0061\char"0E0031}} & +\arraybslash Epigraphic M / \ A7FF\\\hline +% +\nuni{M} & +{M\&\_\_e;\&\_\_n;} & +{\restag{M\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule M\\\hline +% +\mufi{m} & +{m\&\_\_u;\&\_\_d;} & +{\restag{m\char"0E0075\char"0E0064}} & +\arraybslash Uncial m with descender / F23D\\\hline +% +\mufi{m} & +{m\&\_\_u;\&\_\_n;} & +{\restag{m\char"0E0075\char"0E006E}} & +\arraybslash Uncial m / F23C\\\hline +% +\mufi{m} & +{m\&\_\_d;\&\_\_e;} & +{\restag{m\char"0E0064\char"0E0065}} & +\arraybslash m with descender / F223\\\hline +% +\mufi{m} & +{m\&\_\_e;\&\_\_n;} & +{\restag{m\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule m / EEEE\\\hline +% +\mufi{N} & +{N\&\_\_d;\&\_\_e;} & +{\restag{N\char"0E0064\char"0E0065}} & +\arraybslash N with descender / F229\\\hline +% +\mufi{N} & +{N\&\_\_e;\&\_\_n;} & +{\restag{N\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule n / EEEF\\\hline +% +\mufi{N} & +{N\&\_\_l;\&\_\_d;} & +{\restag{N\char"0E006C\char"0E0064}} & +\arraybslash {\narrow N with low bar and descender / TBD}\\\hline +% +\mufi{n} & +{n\&\_\_d;\&\_\_e;} & +{\restag{n\char"0E0064\char"0E0065}} & +\arraybslash n with descender / F228\\\hline +% +\mufi{n} & +{n\&\_\_b;\&\_\_a;} & +{\restag{n\char"0E0062\char"0E0061}} & +\arraybslash n with bar / E7B2\\\hline +% +\mufi{n} & +{n\&\_\_c;\&\_\_u;} & +{\restag{n\char"0E0063\char"0E0075}} & +\arraybslash n with curl / F19A\\\hline +% +\mufi{n} & +{n\&\_\_e;\&\_\_n;} & +{\restag{n\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule n / EEEF\\\hline +% +\mufi{n} & +{n\&\_\_s;\&\_\_d;} & +{\restag{n\char"0E0073\char"0E0064}} & +\arraybslash Small cap n with descender / F22A\\\hline +% +\nuni{n} & +{n\&\_\_a;\&\_\_s;} & +{\restag{n\char"0E0061\char"0E0073}} & +\arraybslash n with attached subscript a\\\hline +% +\mufi{n} & +{n\&\_\_w;\&\_\_p;} & +{\restag{n\char"0E0077\char"0E0070}} & +\arraybslash {Wide petite cap n with descender / TBD}\\\hline +% +\nuni{O} & +{O\&\_\_e;\&\_\_n;} & +{\restag{O\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule O\\\hline +% +\mufi{o} & +{o\&\_\_e;\&\_\_n;} & +{\restag{o\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule o / EEF0\\\hline +% +\stdu{P} & +{P\&\_\_r;\&\_\_e;} & +{\restag{P\char"0E0072\char"0E0065}} & +\arraybslash Reversed P / A7FC\\\hline +% +\nuni{P} & +{P\&\_\_e;\&\_\_n;} & +{\restag{P\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule P\\\hline +% +\mufi{p} & +{p\&\_\_e;\&\_\_n;} & +{\restag{p\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule p / EEF1\\\hline +% +\nuni{p} & +{p\&\_\_a;\&\_\_1;} & +{\restag{p\char"0E0061\char"0E0031}} & +\arraybslash Alternate p for Ormulum\\\hline +% +\mufi{Q} & +{Q\&\_\_s;\&\_\_m;} & +{\restag{Q\char"0E0073\char"0E006D}} & +\arraybslash Q with stem / F22C\\\hline +% +\nuni{Q} & +{Q\&\_\_l;\&\_\_1;} & +{\restag{Q\char"0E006C\char"0E0031\char"25CC}} & +\arraybslash Q with long tail, one\\\hline +% +\nuni{Q} & +{Q\&\_\_l;\&\_\_2;} & +{\restag{Q\char"0E006C\char"0E0032\char"25CC\char"25CC}} & +\arraybslash Q with long tail, two\\\hline +% +\nuni{Q} & +{Q\&\_\_e;\&\_\_n;} & +{\restag{Q\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule Q\\\hline +% +\mufi{q} & +{q\&\_\_s;\&\_\_d;} & +{\restag{q\char"0E0073\char"0E0064}} & +\arraybslash q with diagonal stroke / E8B4\\\hline +% +\mufi{q} & +{q\&\_\_e;\&\_\_n;} & +{\restag{q\char"0E0065\char"0E006E}} & +\arraybslash Enlarged minuscule q / EEF2\\\hline +% +\stdu{R} & +{R\&\_\_i;\&\_\_n;} & +\restag{R\char"0E0069\char"0E006E} & +\arraybslash Insular R / A783\\\hline +% +\stdu{R} & +{R\&\_\_r;\&\_\_o;} & +\restag{R\char"0E0072\char"0E006F} & +\arraybslash R rotunda / A75A\\\hline +% +\nuni{R} & +{R\&\_\_e;\&\_\_n;} & +\restag{R\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule R\\\hline +% +\stdu{r} & +{r\&\_\_i;\&\_\_n;} & +\restag{r\char"0E0069\char"0E006E} & +\arraybslash Insular r / A782\\\hline +% +\stdu{r} & +{r\&\_\_r;\&\_\_o;} & +\restag{r\char"0E0072\char"0E006F} & +\arraybslash r rotunda / A75B\\\hline +% +\mufi{r} & +{r\&\_\_c;\&\_\_u;} & +\restag{r\char"0E0063\char"0E0075} & +\arraybslash r with curl / F19B\\\hline +% +\mufi{r} & +{r\&\_\_e;\&\_\_n;} & +\restag{r\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule r / EEF3\\\hline +% +\stdu{S} & +{S\&\_\_i;\&\_\_n;} & +\restag{S\char"0E0069\char"0E006E} & +\arraybslash Insular S / A784\\\hline +% +\stdu{S} & +{S\&\_\_s;\&\_\_g;} & +\restag{S\char"0E0073\char"0E0067} & +\arraybslash Sigmoid S / A7D8\\\hline +% +\mufi{S} & +{S\&\_\_a;\&\_\_d;} & +\restag{S\char"0E0061\char"0E0064} & +\arraybslash Ascending and descending S / TBD\\\hline +% +\mufi{S} & +{S\&\_\_r;\&\_\_z;} & +\restag{S\char"0E0072\char"0E007A} & +\arraybslash Reverse Z-shaped S / TBD\\\hline +% +\nuni{S} & +{S\&\_\_e;\&\_\_n;} & +\restag{S\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule S\\\hline +% +\nuni{S} & +{S\&\_\_s;\&\_\_d;} & +\restag{S\char"0E0073\char"0E0064} & +\arraybslash {\narrow S with diagonal stroke (Sanctus abbrev)}\\\hline +% +\stdu{S} & +{S\&\_\_m;\&\_\_s;} & +\restag{S\char"0E006D\char"0E0073} & +\arraybslash {Middle Scots S}\\\hline +% +\stdu{s} & +{s\&\_\_i;\&\_\_n;} & +\restag{s\char"0E0069\char"0E006E} & +\arraybslash Insular s / A785\\\hline +% +\mufi{s} & +{s\&\_\_i;\&\_\_s;} & +\restag{s\char"0E0069\char"0E0073} & +\arraybslash Insular s with split top / TBD\\\hline +% +\stdu{s} & +{s\&\_\_s;\&\_\_g;} & +\restag{s\char"0E0073\char"0E0067} & +\arraybslash Sigmoid s / A7D9\\\hline +% +\mufi{s} & +{s\&\_\_a;\&\_\_d;} & +\restag{s\char"0E0061\char"0E0064} & +\arraybslash Ascending and descending s / TBD\\\hline +% +\stdu{s} & +{s\&\_\_l;\&\_\_o;} & +\restag{s\char"0E006C\char"0E006F} & +\arraybslash Long s / 017F\\\hline +% +\mufi{s} & +{s\&\_\_e;\&\_\_n;} & +\restag{s\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule s / EEF4\\\hline +% +\mufi{s} & +{s\&\_\_l;\&\_\_d;} & +\restag{s\char"0E006C\char"0E0064} & +\arraybslash Long s with descender / F127\\\hline +% +\mufi{s} & +{s\&\_\_l;\&\_\_f;} & +\restag{s\char"0E006C\char"0E0066} & +\arraybslash Long s with flourish / E8B7\\\hline +% +\mufi{s} & +{s\&\_\_l;\&\_\_s;} & +\restag{s\char"0E006C\char"0E0073} & +\arraybslash Long s with diagonal stroke / E8B8\\\hline +% +\nuni{s} & +{s\&\_\_l;\&\_\_l;} & +\restag{s\char"0E006C\char"0E006C} & +\arraybslash Long s with loop\\\hline +% +\mufi{s} & +{s\&\_\_s;\&\_\_t;} & +\restag{s\char"0E0073\char"0E0074} & +\arraybslash Long s with short tail / TBD\\\hline +% +\stdu{s} & +{s\&\_\_m;\&\_\_s;} & +\restag{s\char"0E006D\char"0E0073} & +\arraybslash {Middle Scots s}\\\hline +% +\stdu{T} & +{T\&\_\_i;\&\_\_n;} & +\restag{T\char"0E0069\char"0E006E} & +\arraybslash Insular T / A786\\\hline +% +\nuni{T} & +{T\&\_\_e;\&\_\_n;} & +\restag{T\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule T\\\hline +% +\stdu{t} & +{t\&\_\_i;\&\_\_n;} & +\restag{t\char"0E0069\char"0E006E} & +\arraybslash Insular t / A787\\\hline +% +\mufi{t} & +{t\&\_\_c;\&\_\_u;} & +\restag{t\char"0E0063\char"0E0075} & +\arraybslash t with curl / F199\\\hline +% +\mufi{t} & +{t\&\_\_e;\&\_\_n;} & +\restag{t\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule t / EEF5\\\hline +% +\mufi{t} & +{t\&\_\_c;\&\_\_d;} & +\restag{t\char"0E0063\char"0E0064} & +\arraybslash Cap-like t with descender / TBD\\\hline +% +\nuni{U} & +{U\&\_\_e;\&\_\_n;} & +\restag{U\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule U\\\hline +% +\nuni{U} & +{U\&\_\_l;\&\_\_c;} & +\restag{U\char"0E006C\char"0E0063} & +\arraybslash Lowercase-shaped U\\\hline +% +\mufi{U} & +{U\&\_\_l;\&\_\_d;} & +\restag{U\char"0E006C\char"0E0064} & +\arraybslash {\narrow Lowercase-shaped U with descender / TBD}\\\hline +% +\mufi{u} & +{u\&\_\_e;\&\_\_n;} & +\restag{u\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule u / EEF7\\\hline +% +\nuni{V} & +{V\&\_\_e;\&\_\_n;} & +\restag{V\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule V\\\hline +% +\mufi{v} & +{v\&\_\_s;\&\_\_1;} & +\restag{v\char"0E0073\char"0E0031} & +\arraybslash Enlarged minuscule v / EEF8\\\hline +% +\mufi{v} & +{v\&\_\_s;\&\_\_d;} & +\restag{v\char"0E0073\char"0E0064} & +\arraybslash v with diagonal stroke / E8BA\\\hline +% +\mufi{v} & +{v\&\_\_b;\&\_\_a;} & +\restag{v\char"0E0062\char"0E0061} & +\arraybslash v with bar / E74E\\\hline +% +\mufi{v} & +{v\&\_\_e;\&\_\_n;} & +\restag{v\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule v / EEF8\\\hline +% +\mufi{v} & +{v\&\_\_s;\&\_\_2;} & +\restag{v\char"0E0073\char"0E0032} & +\arraybslash v with two bars / E8BC\\\hline +% +\mufi{v} & +{v\&\_\_e;\&\_\_l;} & +\restag{v\char"0E0065\char"0E006C} & +\arraybslash {\narrow Enlarged minuscule v with low point / TBD}\\\hline +% +\nuni{W} & +{W\&\_\_e;\&\_\_n;} & +\restag{W\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule W\\\hline +% +\stdu{W} & +{W\&\_\_a;\&\_\_n;} & +\restag{W\char"0E0061\char"0E006E} & +\arraybslash {W Anglicana}\\\hline +% +\mufi{w} & +{w\&\_\_e;\&\_\_n;} & +\restag{w\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule w / EEF9\\\hline +% +\stdu{w} & +{w\&\_\_a;\&\_\_n;} & +\restag{w\char"0E0061\char"0E006E} & +\arraybslash {w Anglicana}\\\hline +% +\mufi{ƿ} & +{ƿ\&\_\_e;\&\_\_n;} & +\restag{ƿ\char"0E0065\char"0E006E} & +\arraybslash Enlarged wynn / TBD\\\hline +% +\nuni{X} & +{X\&\_\_e;\&\_\_n;} & +\restag{X\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule X\\\hline +% +\mufi{x} & +{x\&\_\_e;\&\_\_n;} & +\restag{x\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule x / EEFA\\\hline +% +\stdu{x} & +{x\&\_\_l;\&\_\_o;} & +\restag{x\char"0E006C\char"0E006F} & +\arraybslash x with long left leg / AB57\\\hline +% +\mufi{x} & +{x\&\_\_s;\&\_\_1;} & +\restag{x\char"0E0073\char"0E0031} & +\arraybslash x with diagonal stroke (upper left) / E8BD\\\hline +% +\mufi{x} & +{x\&\_\_s;\&\_\_2;} & +\restag{x\char"0E0073\char"0E0032} & +\arraybslash x with diagonal stroke (lower right) / E8BE\\\hline +% +\mufi{x} & +{x\&\_\_s;\&\_\_3;} & +\restag{x\char"0E0073\char"0E0033} & +\arraybslash {\narrow x with two diagonal strokes (lower right) / \ltab{E8CE}}\\\hline +% +\mufi{Y} & +{Y\&\_\_s;\&\_\_d;} & +\restag{Y\char"0E0073\char"0E0064} & +\arraybslash {\narrow Y with diagonal stroke (Hymnus abbrev) / \ltab{E8DB}}\\\hline +% +\nuni{Y} & +{Y\&\_\_e;\&\_\_n;} & +\restag{Y\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule Y\\\hline +% +\mufi{y} & +{y\&\_\_r;\&\_\_m;} & +\restag{y\char"0E0072\char"0E006D} & +\arraybslash y with main right stroke / F233\\\hline +% +\mufi{y} & +{y\&\_\_b;\&\_\_a;} & +\restag{y\char"0E0062\char"0E0061} & +\arraybslash y with bar / E77B\\\hline +% +\mufi{y} & +{y\&\_\_e;\&\_\_n;} & +\restag{y\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule y / EEFB\\\hline +% +\mufi{y} & +{y\&\_\_c;\&\_\_u;} & +\restag{y\char"0E0063\char"0E0075} & +\arraybslash Curved y / TBD\\\hline +% +\mufi{y} & +{y\&\_\_s;\&\_\_c;} & +\restag{y\char"0E0073\char"0E0063} & +\arraybslash Short curved y / TBD\\\hline +% +\stdu{Z} & +{Z\&\_\_v;\&\_\_i;} & +\restag{Z\char"0E0076\char"0E0069} & +\arraybslash Visigothic Z / A762\\\hline +% +\nuni{Z} & +{Z\&\_\_e;\&\_\_n;} & +\restag{Z\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule Z\\\hline +% +\stdu{z} & +{z\&\_\_v;\&\_\_i;} & +\restag{z\char"0E0076\char"0E0069} & +\arraybslash Visigothic z / A763\\\hline +% +\mufi{z} & +{z\&\_\_m;\&\_\_g;} & +\restag{z\char"0E006D\char"0E0067} & +\arraybslash Middle High German z / F238\\\hline +% +\mufi{z} & +{z\&\_\_e;\&\_\_n;} & +\restag{z\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule z / EEFC\\\hline +% +\opua{U+0104} & +{\char"0104\&\_\_s;\&\_\_1;} & +\restag{\char"0104\char"0E0073\char"0E0031} & +\arraybslash A with short diagonal stroke / F0000\\\hline +% +\opua{U+0104} & +{\char"0104\&\_\_s;\&\_\_2;} & +\restag{\char"0104\char"0E0073\char"0E0032} & +\arraybslash A with long diagonal stroke / F001E\\\hline +% +\opua{U+0104} & +{\char"0104\&\_\_f;\&\_\_l;} & +\restag{\char"0104\char"0E0066\char"0E006C} & +\arraybslash A with flourish / F0002\\\hline +% +\opua{U+0105} & +{\char"0105\&\_\_s;\&\_\_1;} & +\restag{\char"0105\char"0E0073\char"0E0031} & +\arraybslash a with short diagonal stroke / F0001\\\hline +% +\opua{U+0105} & +{\char"0105\&\_\_s;\&\_\_2;} & +\restag{\char"0105\char"0E0073\char"0E0032} & +\arraybslash a with long diagonal stroke / F001F\\\hline +% +\nuni{U+A733} & +{\char"0A733\&\_\_u;\&\_\_n;} & +\restag{\char"0A733\char"0E0075\char"0E006E} & +\arraybslash Uncial aa\\\hline +% +\mufi{U+A733} & +{\char"0A733\&\_\_c;\&\_\_l;} & +\restag{\char"0A733\char"0E0063\char"0E006C} & +\arraybslash Closed aa / EFA0\\\hline +% +\mufi{U+A733} & +{\char"0A733\&\_\_e;\&\_\_n;} & +\restag{\char"0A733\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule aa / EFDF\\\hline +% +\mufi{U+00C6} & +{Æ\&\_\_n;\&\_\_e;} & +\restag{Æ\char"0E006E\char"0E0065} & +\arraybslash Neckless {\AE} / EFAE\\\hline +% +\mufi{U+00C6} & +{Æ\&\_\_e;\&\_\_n;} & +\restag{Æ\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule {\AE}\\\hline +% +\mufi{U+00E6} & +{æ\&\_\_n;\&\_\_e;} & +\restag{æ\char"0E006E\char"0E0065} & +\arraybslash Neckless æ / EFA1\\\hline +% +\mufi{U+00E6} & +{æ\&\_\_e;\&\_\_n;} & +\restag{æ\char"0E0065\char"0E006E} & +\arraybslash Enlarged minuscule æ / \ EAF1\\\hline +% +\mufi{U+00E6} & +{æ\&\_\_o;\&\_\_p;} & +\restag{æ\char"0E006F\char"0E0070} & +\arraybslash Open æ / F204\\\hline +% +\mufi{U+00E6} & +{æ\&\_\_s;\&\_\_q;} & +\restag{æ\char"0E0073\char"0E0071} & +\arraybslash æ with square a / TBD\\\hline +% +\mufi{U+00E6} & +{æ\&\_\_r;\&\_\_o;} & +\restag{æ\char"0E0072\char"0E006F} & +\arraybslash æ with round a / TBD\\\hline +% +\nuni{U+00E6} & +{æ\&\_\_r;\&\_\_o;} & +\restag{æ\char"0E0075\char"0E006E} & +\arraybslash Uncial æ\\\hline +% +\mufi{U+A734} & +{\char"0A734\&\_\_n;\&\_\_e;} & +\restag{\char"0A734\char"0E006E\char"0E0065} & +\arraybslash Neckless AO / F205\\\hline +% +\nuni{U+A734} & +{\char"0A734\&\_\_e;\&\_\_1;} & +\restag{\char"0A734\char"0E0065\char"0E0031} & +\arraybslash Enlarged minuscule AO\\\hline +% +\nuni{U+A734} & +{\char"0A734\&\_\_e;\&\_\_2;} & +\restag{\char"0A734\char"0E0065\char"0E0032} & +\arraybslash Enlarged minuscule AO with smaller O\\\hline +% +\mufi{U+A735} & +{\char"0A735\&\_\_e;\&\_\_1;} & +\restag{\char"0A735\char"0E0065\char"0E0031} & +\arraybslash Enlarged minuscule ao / EFDE\\\hline +% +\mufi{U+A735} & +{\char"0A735\&\_\_e;\&\_\_2;} & +\restag{\char"0A735\char"0E0065\char"0E0032} & +\arraybslash {\narrow Enlarged minuscule ao with smaller o / \ltab{EAF2}}\\\hline +% +\mufi{U+A735} & +{\char"0A735\&\_\_n;\&\_\_e;} & +\restag{\char"0A735\char"0E006E\char"0E0065} & +\arraybslash Neckless ao / F206\\\hline +% +\nuni{U+A735} & +{\char"0A735\&\_\_u;\&\_\_n;} & +\restag{\char"0A735\char"0E0075\char"0E006E} & +\arraybslash Uncial ao\\\hline +% +\mufi{U+A739} & +{\char"0A739\&\_\_n;\&\_\_e;} & +\restag{\char"0A739\char"0E006E\char"0E0065} & +\arraybslash Neckless av / EFA2\\\hline +% +\opua{U+0111} & +{\char"0111\&\_\_f;\&\_\_l;} & +\restag{\char"0111\char"0E0066\char"0E006C} & +\arraybslash d with flourish / F0007\\\hline +% +\mufi{U+00F0} & +{ð\&\_\_e;\&\_\_a;} & +\restag{ð\char"0E0065\char"0E0061} & +\arraybslash Enlarged eth alternate form / TBD\\\hline +% +\nuni{U+0118} & +{Ę\&\_\_c;\&\_\_e;} & +\restag{Ę\char"0E0063\char"0E0065} & +\arraybslash E with centered ogonek\\\hline +% +\opua{U+0118} & +{Ę\&\_\_s;\&\_\_t;} & +\restag{Ę\char"0E0073\char"0E0074} & +\arraybslash E with diagonal stroke / F0009\\\hline +% +\nuni{U+0118} & +{Ę\char"0307\char"0301\&\_\_c;\&\_\_e;} & +\restag{Ę\char"0307\char"0301\char"0E0063\char"0E0065} & +\arraybslash E with dot, acute, and centered ogonek\\\hline +% +\nuni{U+0118} & +{Ę\char"0307\char"0301\&\_\_s;\&\_\_t;} & +\restag{Ę\char"0307\char"0301\char"0E0073\char"0E0074} & +\arraybslash E with dot, acute, and diagonal stroke\\\hline +% +\nuni{U+0119} & +{ę\&\_\_c;\&\_\_e;} & +\restag{ę\char"0E0063\char"0E0065} & +\arraybslash e with centered ogonek\\\hline +% +\opua{U+0119} & +{ę\&\_\_s;\&\_\_t;} & +\restag{ę\char"0E0073\char"0E0074} & +\arraybslash e with diagonal stroke / F000A\\\hline +% +\nuni{U+0119} & +{ę\char"0307\char"0301\&\_\_c;\&\_\_e;} & +\restag{ę\char"0307\char"0301\char"0E0063\char"0E0065} & +\arraybslash e with dot, acute, and centered ogonek\\\hline +% +\nuni{U+0119} & +{ę\char"0307\char"0301\&\_\_s;\&\_\_t;} & +\restag{ę\char"0307\char"0301\char"0E0073\char"0E0074} & +\arraybslash e with dot, acute, and diagonal stroke\\\hline +% +\nuni{\&\_eogo;} & +{{\narrow \char"25CC\&\_eogo;}\&\_\_c;\&\_\_e;} & +\restag{\char"25CC\&\_eogo;\char"0E0063\char"0E0065} & +\arraybslash Combining e with centered ogonek\\\hline +% +\nuni{\&\_eogo;} & +{{\narrow \char"25CC\&\_eogo;}\&\_\_s;\&\_\_t;} & +\restag{\char"25CC\&\_eogo;\char"0E0073\char"0E0074} & +\arraybslash Combining e with diagonal stroke\\\hline +% +\nuni{U+021C} & +{Ȝ\&\_\_f;\&\_\_l;} & +\restag{Ȝ\char"0E0066\char"0E006C} & +\arraybslash Yogh with flat top\\\hline +% +\nuni{U+021C} & +{Ȝ\&\_\_i;\&\_\_n;} & +\restag{Ȝ\char"0E0069\char"0E006E} & +\arraybslash Yogh with insular shape\\\hline +% +\nuni{U+021D} & +{\char"021D\&\_\_f;\&\_\_l;} & +\restag{\char"021D\char"0E0066\char"0E006C} & +\arraybslash yogh with flat top\\\hline +% +\nuni{U+021D} & +{\char"021D\&\_\_i;\&\_\_n;} & +\restag{\char"021D\char"0E0069\char"0E006E} & +\arraybslash yogh with insular shape\\\hline +% +\nuni{U+014A} & +{Ŋ\&\_\_l;\&\_\_h;} & +{\restag{Ŋ\char"0E006C\char"0E0068}} & +\arraybslash Rounded Ŋ with low hook\\\hline +% +\nuni{U+014A} & +{Ŋ\&\_\_b;\&\_\_h;} & +{\restag{Ŋ\char"0E0062\char"0E0068}} & +\arraybslash Rounded Ŋ with baseline hook\\\hline +% +\opua{U+A7C1} & +{\prob\&\_\_a;\&\_\_1;\footnotemark{}} & +{\prob\restag{\char"0A7C1\char"0E0061\char"0E0031}} & +\arraybslash {\narrow Old Polish o with broken slash / \ltab{F0011}}\\\hline +% +\opua{U+A7C1} & +{\prob\&\_\_a;\&\_\_2;} & +{\prob\restag{\char"0A7C1\char"0E0061\char"0E0032}} & +\arraybslash {\narrow Old Polish o with short slash / \ltab{F0012}}\\\hline +% +\opua{U+A7C1} & +{\prob\&\_\_a;\&\_\_3;} & +{\prob\restag{\char"0A7C1\char"0E0061\char"0E0033}} & +\arraybslash {\narrow Old Polish o with lower left slash / \ltab{F0013}}\\\hline +% +\opua{U+A7C1} & +{\prob\&\_\_a;\&\_\_4;} & +{\prob\restag{\char"0A7C1\char"0E0061\char"0E0034}} & +\arraybslash {\narrow Old Polish o with upper right slash / \ltab{F0014}}\\\hline +% +\mufi{U+1E8F} & +{\char"1E8F\&\_\_s;\&\_\_d;} & +\restag{\char"1E8F\char"0E0073\char"0E0064} & +\arraybslash Short curved y with dot / TBD\\\hline +% +\mufi{U+A765} & +{\addfontfeature{Language=Icelandic} \char"0A765\&\_\_a;\&\_\_1;} & +{\addfontfeature{Language=Icelandic}\restag{\char"0A765\char"0E0061\char"0E0031}} & +\arraybslash \ {\narrow thorn with stroke with different slant / \ltab{F149}}\\\hline +% +\nuni{U+A765/ENG} & +{\char"0A765\&\_\_a;\&\_\_1;} & +{\restag{\char"0A765\char"0E0061\char"0E0031}} & +\arraybslash \ thorn with stroke with different slant\\\hline +% +\opua{U+0241} & +{\char"0294\&\_\_a;\&\_\_1;} & +\restag{\char"0294\char"0E0061\char"0E0031} & +\arraybslash Alternate glottal stop / F001B\\\hline +% +\opua{U+204A} & +{\char"204A\&\_\_a;\&\_\_1;} & +\restag{\char"204A\char"0E0061\char"0E0031} & +\arraybslash Tironian et sign later form / F001D\\\hline +% +\nuni{U+204A} & +{\char"204A\&\_\_a;\&\_\_2;} & +\restag{\char"204A\char"0E0061\char"0E0032} & +\arraybslash Tironian et sign later form with bar\\\hline +% +\mufi{U+204A} & +{\char"204A\&\_\_a;\&\_\_3;} & +\restag{\char"204A\char"0E0061\char"0E0033} & +\arraybslash {\narrow Tironian et sign without descender / TBD}\\\hline +% +\opua{U+2E52} & +{\char"2E52\&\_\_a;\&\_\_1;} & +\restag{\char"2E52\char"0E0061\char"0E0031} & +\arraybslash Tironian Et sign later form / F001C\\\hline +% +\nuni{U+2E52} & +{\char"2E52\&\_\_a;\&\_\_2;} & +\restag{\char"2E52\char"0E0061\char"0E0032} & +\arraybslash Tironian Et sign later form with bar\\\hline +% +\mufi{U+2E52} & +{\char"2E52\&\_\_a;\&\_\_3;} & +\restag{\char"2E52\char"0E0061\char"0E0033} & +\arraybslash {\narrow Tironian Et sign without descender / TBD}\\\hline +% +\nuni{U+00AF} & +{{\textasciimacron}\&\_\_0;\&\_\_1;} & +\restag{{\textasciimacron}\char"0E0030\char"0E0031} & +\arraybslash Spacing zigzag\\\hline +% +\nuni{U+035E} & +{\char"25CC\char"035E\&\_\_a;\&\_\_1;\char"25CC} & +\restag{\char"25CC\char"035E\char"0E0061\char"0E0031\char"25CC} & +\arraybslash Double macron with serifs\\\hline +% +\nuni{U+035E} & +{\char"25CC\char"035E\&\_\_a;\&\_\_2;\char"25CC} & +\restag{\char"25CC\char"035E\char"0E0061\char"0E0032\char"25CC} & +\arraybslash Shorter double macron with serifs\\\hline +% +\mufi{U+00B7} & +{{\textperiodcentered}\&\_\_h;\&\_\_i;} & +\restag{{\textperiodcentered}\char"0E0068\char"0E0069} & +\arraybslash Distinctio / \ F1F8\\\hline +% +\mufi{U+00B7} & +{{\textperiodcentered}\&\_\_s;\&\_\_r;} & +\restag{{\textperiodcentered}\char"0E0073\char"0E0072} & +\arraybslash Slightly raised period / \ TBD\\\hline +% +\mufi{comma} & +{,\&\_\_a;\&\_\_1;} & +\restag{,\char"0E0061\char"0E0031} & +\arraybslash Comma positura / F1E2\\\hline +% +\mufi{comma} & +{,\&\_\_a;\&\_\_2;} & +\restag{,\char"0E0061\char"0E0032} & +\arraybslash High comma positura / F1E3\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_1;} & +\restag{;\char"0E0061\char"0E0031} & +\arraybslash Punctus versus / F1EA\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_2;} & +\restag{;\char"0E0061\char"0E0032} & +\arraybslash Punctus with comma positura / F1E4\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_3;} & +\restag{;\char"0E0061\char"0E0033} & +\arraybslash {\narrow Colon with middle comma positura / \ltab{F1E5}}\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_4;} & +\restag{;\char"0E0061\char"0E0034} & +\arraybslash Two dots over comma positura / F1F2\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_5;} & +\restag{;\char"0E0061\char"0E0035} & +\arraybslash Three dots over comma positura / F1E6\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_6;} & +\restag{;\char"0E0061\char"0E0036} & +\arraybslash {\narrow Punctus with double comma positura / TBD}\\\hline +% +\mufi{semicolon} & +{;\&\_\_a;\&\_\_7;} & +\restag{;\char"0E0061\char"0E0037} & +\arraybslash Hexagonal positura / TBD\\\hline +% +\mufi{U+2E4E} & +{\char"2E4E\&\_\_a;\&\_\_1;} & +\restag{\char"2E4E\char"0E0061\char"0E0031} & +\arraybslash Punctus elevatus diagonal stroke / F1F0\\\hline +% +\mufi{U+2E4E} & +{\char"2E4E\&\_\_a;\&\_\_2;} & +\restag{\char"2E4E\char"0E0061\char"0E0032} & +\arraybslash Punctus elevatus with high back / F1FA\\\hline +% +\mufi{U+2E4E} & +{\char"2E4E\&\_\_a;\&\_\_3;} & +\restag{\char"2E4E\char"0E0061\char"0E0033} & +\arraybslash Punctus elevatus with onset / F1FB\\\hline +% +\mufi{U+2E4E} & +{\char"2E4E\&\_\_a;\&\_\_4;} & +\restag{\char"2E4E\char"0E0061\char"0E0034} & +\arraybslash Punctus flexus / F1F5\\\hline +% +\mufi{exclam} & +{!\&\_\_a;\&\_\_1;} & +\restag{!\char"0E0061\char"0E0031} & +\arraybslash Punctus exlamativus / F1E7\\\hline +% +\mufi{question} & +{?\&\_\_a;\&\_\_1;} & +\restag{?\char"0E0061\char"0E0031} & +\arraybslash Punctus interrogativus / F160\\\hline +% +\mufi{question} & +{?\&\_\_a;\&\_\_2;} & +\restag{?\char"0E0061\char"0E0032} & +\arraybslash Punctus interrogativus horizontal tilde / F1E8\\\hline +% +\mufi{question} & +{?\&\_\_a;\&\_\_3;} & +\restag{?\char"0E0061\char"0E0033} & +\arraybslash Punctus interrogativus lemniskate / F1F1\\\hline +% +\mufi{asciitilde} & +{\~{}\&\_\_a;\&\_\_1;} & +\restag{\~{}\char"0E0061\char"0E0031} & +\arraybslash Wavy line / F1F9\\\hline +% +\mufi{asterisk} & +{*\&\_\_a;\&\_\_1;} & +\restag{*\char"0E0061\char"0E0031} & +\arraybslash Signe de renvoi / F1EC\\\hline +% +\mufi{slash} & +{/\&\_\_a;\&\_\_1;} & +\restag{/\char"0E0061\char"0E0031} & +\arraybslash Virgula suspensiva / F1F4\\\hline +% +\mufi{slash} & +{/\&\_\_a;\&\_\_2;} & +\restag{/\char"0E0061\char"0E0032} & +\arraybslash Short virgula / F1F7\\\hline +% +\opua{U+A75D} & +{\char"0A75D\&\_\_a;\&\_\_1;} & +\restag{\char"0A75D\char"0E0061\char"0E0031} & +\arraybslash Alternate rum abbreviation / F0016\\\hline +% +\mufi{U+035B} & +{\char"25CC\char"035B\&\_\_a;\&\_\_n;} & +\restag{\char"25CC\char"035B\char"0E0061\char"0E006E} & +\arraybslash Combining angular zigzag / F1C7\\\hline +% +\mufi{U+035B} & +{\char"25CC\char"035B\&\_\_c;\&\_\_u;} & +\restag{\char"25CC\char"035B\char"0E0063\char"0E0075} & +\arraybslash Combining curly zigzag / F1C8\\\hline +% +\stdu{U+035B} & +{\char"25CC\char"035B\&\_\_v;\&\_\_e;} & +\restag{\char"25CC\char"035B\char"0E0076\char"0E0065} & +\arraybslash Combining vertical zigzag (tilde) / 033E\\\hline +% +\mufi{U+A770} & +{\char"0A770\&\_\_a;\&\_\_1;} & +\restag{\char"0A770\char"0E0061\char"0E0031} & +\arraybslash Baseline spacing us abbreviation / F1A6\\\hline +% +\mufi{U+A770} & +{\char"0A770\&\_\_a;\&\_\_2;} & +\restag{\char"0A770\char"0E0061\char"0E0032} & +\arraybslash Uppercase us abbreviation / F1A5\\\hline +% +\mufi{U+A76B} & +{\char"0A76B\&\_\_a;\&\_\_1;} & +\restag{\char"0A76B\char"0E0061\char"0E0031} & +\arraybslash Semicolon-like et abbreviation / F1AC\\\hline +% +\nuni{U+A76B} & +{\char"0A76B\&\_\_a;\&\_\_2;} & +\restag{\char"0A76B\char"0E0061\char"0E0032} & +\arraybslash Subscript et abbreviation\\\hline +% +\mufi{U+A76B} & +{\char"0A76B\&\_\_a;\&\_\_3;} & +\restag{\char"0A76B\char"0E0061\char"0E0033} & +\arraybslash Colon-like et abbreviation / TBD\\\hline +% +\mufi{U+1DD3} & +{\char"25CC\char"1DD3\&\_\_a;\&\_\_1;} & +\restag{\char"25CC\char"1DD3\char"0E0061\char"0E0031} & +\arraybslash Combining flattened \ a with macron / F1C1\\\hline +% +\opua{U+1DD8} & +{\char"25CC\char"1DD8\&\_\_a;\&\_\_1;} & +\restag{\char"25CC\char"1DD8\char"0E0061\char"0E0031} & +\restag\arraybslash Alternate combining insular d / F0005\\\hline +% +\mufi{U+1DE3} & +{\char"25CC\char"1DE3\&\_\_a;\&\_\_1;} & +\restag{\char"25CC\char"1DE3\char"0E0061\char"0E0031} & +\arraybslash Combining ur abbreviation lemniskate / F1C2\\\hline +% +\mufi{U+00E4} & +{ä\&\_\_d;\&\_\_i;} & +\restag{ä\char"0E0064\char"0E0069} & +\arraybslash a with diagonal dieresis / E8D5\\\hline +% +\mufi{U+00F6} & +{ö\&\_\_d;\&\_\_i;} & +\restag{ö\char"0E0064\char"0E0069} & +\arraybslash o with diagonal dieresis / E8D7\\\hline +% +\nuni{U+0308} & +{\char"25CC\char"0308\&\_\_d;\&\_\_i;} & +\restag{\char"25CC\char"0308\char"0E0064\char"0E0069} & +\arraybslash Combining diagonal dieresis\\\hline +% +\mufi{U+0305} & +{\char"25CC\char"0305\&\_\_a;\&\_\_1;} & +\restag{\char"25CC\char"0305\char"0E0061\char"0E0031} & +\arraybslash Combining horizontal stroke with dot / F1C0\\\hline +% +\mufi{U+032E} & +{\char"25CC\char"25CC\char"032E\&\_\_a;\&\_\_1;\char"25CC} & +\restag{\char"25CC\char"25CC\char"032E\char"0E0061\char"0E0031\char"25CC} & +\arraybslash Breve below three letters / F1FC\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_1;} & +\restag{{\textcurrency}\char"0E0030\char"0E0031} & +\arraybslash Latin as libralis sign / F2E0\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_2;} & +\restag{{\textcurrency}\char"0E0030\char"0E0032} & +\arraybslash Latin small capital letter x with bar / F2E2\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_3;} & +\restag{{\textcurrency}\char"0E0030\char"0E0033} & +\arraybslash Latin small capital letter y with bar / F2E3\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_4;} & +\restag{{\textcurrency}\char"0E0030\char"0E0034} & +\arraybslash Latin small capital letter d with slash / F2E4\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_5;} & +\restag{{\textcurrency}\char"0E0030\char"0E0035} & +\arraybslash Pharmaceutical dram sign / F2E6\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_6;} & +\restag{{\textcurrency}\char"0E0030\char"0E0036} & +\arraybslash Ecu sign / F2E7\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_7;} & +\restag{{\textcurrency}\char"0E0030\char"0E0037} & +\arraybslash Floren sign with loop / F2E8\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_8;} & +\restag{{\textcurrency}\char"0E0030\char"0E0038} & +\arraybslash Groschen sign / F2E9\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_0;\&\_\_9;} & +\restag{{\textcurrency}\char"0E0030\char"0E0039} & +\arraybslash Helbing sign / F2FB\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_0;} & +\restag{{\textcurrency}\char"0E0031\char"0E0030} & +\arraybslash Krone sign / F2FA\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_1;} & +\restag{{\textcurrency}\char"0E0031\char"0E0031} & +\arraybslash Dutch libra sign / F2EA\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_2;} & +\restag{{\textcurrency}\char"0E0031\char"0E0032} & +\arraybslash French libra sign / F2EB\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_3;} & +\restag{{\textcurrency}\char"0E0031\char"0E0033} & +\arraybslash Italian libra sign / F2EC\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_4;} & +\restag{{\textcurrency}\char"0E0031\char"0E0034} & +\arraybslash Flemish libra sign / F2ED\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_5;} & +\restag{{\textcurrency}\char"0E0031\char"0E0035} & +\arraybslash Lira nuova sign / F2EE\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_6;} & +\restag{{\textcurrency}\char"0E0031\char"0E0036} & +\arraybslash Lira sterlina sign / F2EF\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_7;} & +\restag{{\textcurrency}\char"0E0031\char"0E0037} & +\arraybslash Old mark sign / F2F0\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_8;} & +\restag{{\textcurrency}\char"0E0031\char"0E0038} & +\arraybslash Old flourish mark sign / F2F1\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_1;\&\_\_9;} & +\restag{{\textcurrency}\char"0E0031\char"0E0039} & +\arraybslash Marked small letter m sign / F2F2\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_0;} & +\restag{{\textcurrency}\char"0E0032\char"0E0030} & +\arraybslash Flourished small letter m sign / F2F3\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_1;} & +\restag{{\textcurrency}\char"0E0032\char"0E0031} & +\arraybslash Pharmaceutical obelus sign / F2F4\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_2;} & +\restag{{\textcurrency}\char"0E0032\char"0E0032} & +\arraybslash Penning sign / F2F5\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_3;} & +\restag{{\textcurrency}\char"0E0032\char"0E0033} & +\arraybslash Old Reichstaler sign / F2F6\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_4;} & +\restag{{\textcurrency}\char"0E0032\char"0E0034} & +\arraybslash German schilling sign / F2F7\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_5;} & +\restag{{\textcurrency}\char"0E0032\char"0E0035} & +\arraybslash German script schilling sign / F2F8\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_6;} & +\restag{{\textcurrency}\char"0E0032\char"0E0036} & +\arraybslash Scudi sign / F2F9\\\hline +% +\mufi{U+00A4} & +{{\textcurrency}\&\_\_2;\&\_\_7;} & +\restag{{\textcurrency}\char"0E0032\char"0E0037} & +\arraybslash Script ounce sign / F2FD\\\hline +% +\mufi{U+2114} & +{\char"2114\&\_\_a;\&\_\_1;} & +\restag{\char"2114\char"0E0061\char"0E0031} & +\arraybslash French libra sign / F2EB\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_1;} & +\restag{{\pounds}\char"0E0061\char"0E0031} & +\arraybslash Dutch libra sign / F2EA\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_2;} & +\restag{{\pounds}\char"0E0061\char"0E0032} & +\arraybslash French libra sign / F2EB\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_3;} & +\restag{{\pounds}\char"0E0061\char"0E0033} & +\arraybslash Italian libra sign / F2EC\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_4;} & +\restag{{\pounds}\char"0E0061\char"0E0034} & +\arraybslash Flemish libra sign / F2ED\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_5;} & +\restag{{\pounds}\char"0E0061\char"0E0035} & +\arraybslash Lira nuova sign / F2EE\\\hline +% +\mufi{U+00A3} & +{{\pounds}\&\_\_a;\&\_\_6;} & +\restag{{\pounds}\char"0E0061\char"0E0036} & +\arraybslash Lira sterlina sign / F2EF\\\hline +% +\mufi{U+20B1} & +{\char"20B0\&\_\_a;\&\_\_1;} & +\restag{\char"20B0\char"0E0061\char"0E0031} & +\arraybslash Penning sign / F2F5\\\hline +% +\mufi{U+0192} & +{\char"0192\&\_\_a;\&\_\_1;} & +\restag{\char"0192\char"0E0061\char"0E0031} & +\arraybslash Floren sign with loop / F2E8\\\hline +% +\mufi{U+2125} & +{\char"2125\&\_\_a;\&\_\_1;} & +\restag{\char"2125\char"0E0061\char"0E0031} & +\arraybslash Script ounce sign / F2FD\\\hline +\end{supertabular} +\end{center} +\footnotetext{Junicode entities (like \&\_\_a\textcompwordmark;) following U+A7C1 (Old Polish o) are not properly +displayed or resolved for technical reasons related to U+A7C1 having very recently been added to Unicode. However, tags +entered directly (as here) or via HTML/XML entity references and TeX commands will still work, and the Junicode entity +will work once applications are updated with the latest additions to the Unicode standard.} +\addfontfeature{StylisticSet=10} |
