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.\" This manpage is licensed under the GNU Public License
.TH AUTOSP 1 2019-12-22 "" ""
.SH NAME
autosp \- preprocessor to generate note-spacing commands for MusiXTeX scores
.SH SYNOPSIS
.B autosp
.RB [ \-v\ |\ \-\-version\ |\ \-h\ |\ \-\-help ]
.B autosp
.RB [ \-d\ |\ \-\-dotted ]
.RB [ \-l\ |\ \-\-log ]
.IR infile [\fR.aspc\fP]
.RI [ outfile [ \fR.tex\fP ]]
.SH DESCRIPTION
This program makes it easier to create MusiXTeX scores by converting (non-standard) commands of the
form \\anotes ... \\en into one or more conventional
note-spacing commands (\\notes \\Notes \\NOtes ...),
determined by the actual note values, with \\sk spacing commands inserted as necessary.
The coding
for an entire measure can be entered one part at a time,
without
concern for note-spacing changes within the part or spacing requirements of other parts.
For example, if applied to
.nf
\\anotes\\qa J\\qa K&\\ca l\\qa m\\ca n\\en
.fi
.B autosp
generates
.nf
\\Notes\\qa J\\sk\\qa K\\sk&\\ca l\\qa m\\sk\\ca n\\en
.fi
Typically,
an
\\anotes command generates several conventional
note-spacing commands.
If the
.I infile
argument
does not have an .aspc extension, input is taken from
.IR infile .aspc
if that file exists.
If the
.I outfile
argument does not have a .tex extension, output is sent to
.IR outfile .tex.
If no
.I outfile
argument is provided, output will go to
.IR infile .tex
(or to
.IR infile .ltx
if a \\documentclass declaration is encountered).
For
\\anotes commands,
line breaks and spaces may precede note segments, allowing more flexible source formatting;
the line breaks and spaces will be elided from the output.
For example,
.nf
\\anotes
\\ibl0K0\\qb0K\\nbbl0\\qb0{.K}\\tbbbl0\\tbbl0\\tql0L&
\\ibbl1m{-2}\\qb1{.m}\\tbbbl1\\tbbl1\\qb1l\\tql1k\\en
.fi
is acceptable and generates
.nf
\\notesp\\ibl0K0\\qb0K&\\ibbl1m{-2}\\qb1{.m}\\en
\\nnotes\\sk&\\tbbbl1\\tbbl1\\qb1l\\en
\\notesp\\nbbl0\\qb0{.K}&\\tql1k\\en
\\nnotes\\tbbbl0\\tbbl0\\tql0L&\\sk\\en
.fi
If the
.B \-l
( \fB\-\-log\fP ) option is used, a very detailed log
.IR infile .alog
is generated.
If the
.B \-d
( \fB--dotted\fP )
option is used,
.I dotted
beam notes of the form \\qb{\fIn\fP}{\fB.\fP\fIp\fP} are
.I not
given extra space;
it is assumed that the subsequent note will be shifted
by
a \\roff-like command
or a spacing command such as \\qsk or \\hqsk.
Commands of the form \\qlp{\fIp\fP}, \\qlpp{\fIp\fP}, ..., \\qpb{\fIn\fP}{\fIp\fP} and
\\qppb{\fIn\fP}{\fIp\fP} are always spaced
as indicated.
If there is a single staff, consecutive whole-bar rest bars
are merged into a multi-bar rest. Bar-centered rests can be
coded using the standard \\def\\atnextbar notation but
the non-standard command \\Cpause in a note segment also generates a
bar-centered rest.
Spacing commands \\sk and \\bsk in the source are discarded,
but not "small" skips \\hsk, \\qsk, \\tqsk, \\hqsk or \\qqsk,
or the small "backward" skips \\hbsk, \\bqsk, \\btsk, or \\bhsk.
Moreover,
non-standard commands
\\QQsk, \\HQsk \\TQsk and \\Qsk in the source generate "global" skips; i.e., the effect of \\qqsk, \\hqsk, \\tqsk or \\qsk, respectively, in
.I every
staff. These ensure that staffs remain synchronized if additional spacing is needed in any staff(s).
Global skips may also be obtained within collective-coding sequences by using
up to four successive commas
to get the effects of \\QQsk, \\HQsk, \\TQsk or \\Qsk, respectively.
Global skips \\tqsk (or, for double-flats, \\qsk) are
automatically inserted before accidentals ('^', '_', '=', '<', '>') on collective-coding notes
(except when the preceding note is "virtual"; i.e., a skip).
If this automatic additional spacing is
.I not
wanted in some context, it may be avoided by
replacing
the accidental in the collective-coding sequence
by
any of the
.I explicit
accidental commands: \\sh, \\fl, \\na, \\smallsh, \\bigsh, etc.
If the automatic spacing is insufficient, the spacing may be increased by adding sufficient commas or
using a conventional notes command instead of \\anotes.
A note segment can be completely empty, but if a note segment should start
with or contain a "space," the note-value
of that space must be made explicit with a command of the
form \\ha{*}, \\qa{.*}, \\qa{*}, \\ca{*}, etc.
From version 2017-06-14, the effects of \\TransformNotes calls are implemented by the
.B autosp
pre-processor. This
enables use of
musixlyr in
.B autosp
scores; musixlyr.tex
is incompatible with the
musixtnt.tex
implementation of \\TransformNotes.
All other conventional MusiXTeX commands are output exactly as given in the input.
.SH OPERATION
.B autosp
determines the spacing for ordinary notes from the note
commands themselves; for example,
.TP 3
+
\\qa, \\qu, \\ql, \\qp result in
\\NOtes;
.TP 3
+
\\ca, \\cu, \\cl, \\ds result in \\Notes;
.PP
and so on.
The spacing for
.IR beamed
notes is determined by the beam
multiplicity, so that \\ib... results in \\Notes, \\ibb... results in
\\notes, etc.
Collective coding of note sequences (including accidentals and dots) is handled
by expanding the sequence
into a sequence of individual note commands.
.B autosp
scales notes by the relevant instrument-size value.
.SH LIMITATIONS
.B autosp
assumes that & and | (rather than \\nextinstrument and \\nextstaff) are used to separate instruments and staffs.
Appoggiaturas and grace notes are recognized by the use of \\tinynotesize; note-spacing
of 1.45\\elemskip is used. If this isn't suitable and can't be corrected with a small skip, a
\\vnotes command with any desired spacing can be used.
.B autosp
supports
.I x-tuplets
introduced using \\xtuplet{\fIx\fP}
or \\xxtuplet{\fIx:y\fP}
and
.I triplets
introduced
using any of the following commands (regardless of any re-definition of \\txt or \\tuplettxt):
.nf
\\triolet
\\uptrio
\\downtrio
\\uptuplet
\\downtuplet
.fi
.B autosp
assumes that an x-tuplet is to be played in
(\fIx\fP\-1)/\fIx\fP
of the apparent x-tuplet duration.
So, for example, a triplet in eighths is assumed to be played in the time of one quarter note.
If this assumption
isn't valid, the x-tuplet must
be coded explicitly using a suitable \\vnotes command; see the first
measure of barsant2.aspc for an example of a non-standard x-tuplet: a 5-tuple
of 64th notes with an intended duration
of
.I six
64ths.
In some polyrhythmic scores, the \\txt numeral may be displaced, even if the notes
themselves are correctly spaced. In these cases, it is possible to suppress
the normal output of \\txt by using the non-standard commands \\Triolet (no arguments)
or \\Xtuplet{k}\\
and placing a numeral at the correct location using \\zcn (i.e., \\zcharnote).
.B autosp
can deal with simultaneous x-tuplets in multiple staffs provided the x values and
total note durations are identical.
In some baroque scores, particularly by J.S. Bach, a beamed sixteenth note is vertically aligned
with
the third note of a triplet of eighth notes in another staff (implying that they should
be sounded simultaneously); e.g.,
.nf
\\ibl0L0\\qb0{.L}\\tqql0L
.fi
would be played as if notated
.nf
\\uptrio{b}10\\ql L\\hroff{\\cl L}
.fi
The following coding will align the beamed sixteenth note
with the third note of a triplet in another staff:
.nf
\\ibl0L0\\qb0{.L}\\hbsk\\tqql0L
.fi
and, similarly, for triplets of sixteenth notes:
.nf
\\ibbu0J0\\qb0{.J}\\hbsk\\nqqqu0J\\qb0{.J}\\hbsk\\tqqqu0J
.fi
Generally, user-defined macros are not processed or expanded; however, definitions of the form
.nf
\\def\\atnextbar{\\znotes ... \\en}
.fi
generate definitions that do take account of \\TransformNotes.
All staffs are assumed to have the same meter; see kinder2.aspc for
an example of how to work around this.
.B autosp
may not be effective for music with more than one voice in a single staff. It might be
advisable to use a separate staff for each voice, to avoid \\anotes when necessary,
or to omit certain voices
initially and add them into the resulting TeX file.
.SH EXAMPLES
See files quod2.aspc, kinder2.aspc, geminiani.aspc and barsant2.aspc for scores suitable for input to
.BR autosp .
The program
.B tex2aspc
can be used to convert "legacy" MusiXTeX scores to .aspc format.
.SH SEE ALSO
.BR msxlint (1)
.BR tex2aspc (1)
.PP
musixdoc.pdf
.SH AUTHOR
This program and manual page were written by Bob Tennent <rdt@cs.queensu.ca>.
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