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Diffstat (limited to 'Master/texmf-dist/doc/latex/floatflt')
-rw-r--r-- | Master/texmf-dist/doc/latex/floatflt/00readme.flt | 31 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/floatflt/floatexm.tex | 375 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/floatflt/floatfge.tex | 317 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/floatflt/floatfig.txt | 18 |
4 files changed, 0 insertions, 741 deletions
diff --git a/Master/texmf-dist/doc/latex/floatflt/00readme.flt b/Master/texmf-dist/doc/latex/floatflt/00readme.flt deleted file mode 100644 index c17fef9863c..00000000000 --- a/Master/texmf-dist/doc/latex/floatflt/00readme.flt +++ /dev/null @@ -1,31 +0,0 @@ - -This is the file `00readme.flt', which accompanies the `floatflt' -package distribution. The package defines environments for figures -and tables which do not span the full width of a page. The 'floatflt' -package is is an extension of Thomas Kneser's style option 'floatfig.sty' -for LaTeX 2.09, on which it is based. To use the package, run LaTeX on -`floatflt.ins', this produces the files `floatflt.sty', which contains -the macro definitions, and the file `floatexm.tex', which is an example -of the use of the package. To obtain the userguide and documentation, -run LaTeX on `floatflt.dtx' twice. To obtain the example, run LaTeX -on `floatexm.tex' twice. - -The 'floatflt' package consists of two files: - floatflt.ins - the installation driver - floatflt.dtx - the macro code, instructions on how to use - the package, an example, and the original - documentation by Thomas Kneser, all in - `docstrip'-able format. -Anyone is free to re-distribute these files provided the restrictions -mentioned in 'floatflt.ins' are obeyed. These are mainly that the -two files always must be distributed together and that noone is -allowed to distribute the files for profit. - -Inquiries can be sent to: <matsd@sssk.se>. You can also visit -my LaTeX web page at http://www.homenet.se/matsd/latex/ -This file was last modified on 1998/06/05. - - -____________________________________________________________________ -Copyright (c) 1998 by Mats Dahlgren. - diff --git a/Master/texmf-dist/doc/latex/floatflt/floatexm.tex b/Master/texmf-dist/doc/latex/floatflt/floatexm.tex deleted file mode 100644 index fc7a2522340..00000000000 --- a/Master/texmf-dist/doc/latex/floatflt/floatexm.tex +++ /dev/null @@ -1,375 +0,0 @@ -%% -%% This is file `floatexm.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% floatflt.dtx (with options: `exempelkod') -%% -%% Copyright (c) 1994-1998 by Mats Dahlgren <matsd@sssk.se>. -%% All rights reserved. See the file `floatflt.ins' for information -%% on how you may (re-)distribute the `floatflt' package files. -%% You are not allowed to make any changes to this file without -%% explicit permission from the author. -%% -\documentclass[11pt]{article} -\usepackage{floatflt} -\begin{document} -\centerline{\Huge The Tale of -\textsf{floatflt}}\bigskip - -\noindent This is a demonstration document for the use -of the \textsf{floatflt} package. It contains several -floating figures and tables with captions explaining how -they were called. At the end, both a -\verb+\listoffigures+ and a \verb+\listoftables+ command -are used, resulting in the desired lists. For more -details on how to use the \textsf{floatflt} package, -please run \LaTeX{} on the file \texttt{floatflt.dtx}. - -The following work by Edgar Alan Poe was retrieved by -anonymous ftp from \texttt{ftp.funet.fi} in the -directory \texttt{/pub/doc/literary/etext} where it is -found in the file \texttt{telltale.poe}. Only minor -\LaTeX\ adaptions have been done, besides the inclusion -of floating floats. - -\begin{center} -Internet Wiretap Edition of\\[2mm] -{\large THE TELL-TALE HEART}\\ -by\\ {\large EDGAR ALLAN POE}\\[2mm] -From \textit{The Works of Edgar Allan Poe: Tales Vol I}\\ -J. B. Lippincott Co, Copyright 1895.\\[2mm] -This text is placed into the Public Domain (May 1993).\\ -\end{center} - -\noindent\textit{\Large The Tell-Tale Heart} - -\noindent TRUE! nervous, very, very dreadfully nervous -I had been and am; but why WILL you say -that I am mad? The disease had sharpened -my senses, not destroyed, not dulled them. Above -all was the sense of hearing acute. I heard all things -in the heaven and in the earth. I heard many things -in hell. How then am I mad? Hearken! and observe how healthily, how -calmly, I can tell you the -whole story. - -\begin{floatingfigure}{60mm} -\begin{center} -The first figure to\\ use the environment\\ \texttt{floatingfigure} -\end{center} -\caption{The \texttt{floatingfigure} environment with \texttt{60mm} -for \textit{width} and no \textit{option}.} -\end{floatingfigure} -It is impossible to say how first the idea entered -my brain, but, once conceived, it haunted me day -and\linebreak night. Object there was none. Passion there -was none. I loved the old man. He had never -wronged me. He had never given me insult. For -his gold I had no desire. I think it was his eye! -Yes, it was this! One of his eyes resembled that -of a vulture -- a pale blue eye with a film over it. -Whenever it fell upon me my blood ran cold, and -so by degrees, very gradually, I made up my mind -to take the life of the old man, and thus rid myself -of the eye for ever. - -\begin{floatingfigure}[r]{40mm} -\begin{center} -Another figure to\\ use the environment\\ \texttt{floatingfigure} -\end{center} -\caption{The \texttt{floatingfigure} environment with \texttt{40mm} -for \textit{width} and the \texttt{r} \textit{option}.} -\end{floatingfigure} -Now this is the point. You fancy me mad. Madmen -know nothing. But you should have seen me. -You should have seen how wisely I proceeded -- -with what caution -- with what foresight, with what -dissimulation, I went to work! I was never kinder -to the old man than during the whole week before -I killed him. And every night about midnight I -turned the latch of his door and opened it oh, so -gently! And then, when I had made an opening -sufficient for my head, I put in a dark lantern all -closed, closed so that no light shone out, and then -I thrust in my head. Oh, you would have laughed -to see how cunningly I thrust it in! I moved it -slowly, very, very slowly, so that I might not -disturb the old man's sleep. It took me an hour to -place my whole head within the opening so far that -I could see him as he lay upon his bed. Ha! would -a madman have been so wise as this? And then -when my head was well in the room I undid the -lantern cautiously -- oh, so cautiously -- cautiously -(for the hinges creaked), I undid it just so much -that a single thin ray fell upon the vulture eye. -And this I did for seven long nights, every night -just at midnight, but I found the eye always closed, -and so it was impossible to do the work, for it was -not the old man who vexed me but his Evil Eye. -And every morning, when the day broke, I went -boldly into the chamber and spoke courageously to -him, calling him by name in a hearty tone, and -inquiring how he had passed the night. So you see -he would have been a very profound old man, indeed, -to suspect that every night, just at twelve, I -looked in upon him while he slept. - -\begin{floatingtable}{ -\begin{tabular}{cccc} -$x$ & $x^2$ & $x^3$ & $x^4$ \\ \hline -1 & 1 & 1 & 1 \\ -2 & 4 & 8 & 16 \\ -3 & 9 & 27 & 81 \\ -\end{tabular}} -\caption{The \texttt{floatingtable} environment with no \textit{option}.} -\end{floatingtable} -Upon the eighth night I was more than usually -cautious in opening the door. A watch's minute -hand moves more quickly than did mine. Never -before that night had I felt the extent of my own -powers, of my sagacity. I could scarcely contain -my feelings of triumph. To think that there I was -opening the door little by little, and he not even to -dream of my secret deeds or thoughts. I fairly -chuckled at the idea, and perhaps he heard me, for -he moved on the bed suddenly as if startled. Now -you may think that I drew back -- but no. His room -was as black as pitch with the thick darkness (for -the shutters were close fastened through fear of -robbers), and so I knew that he could not see the -opening of the door, and I kept pushing it on -steadily, steadily. - -\begin{floatingtable}[l]{ -\begin{tabular}{ccc} -$\alpha$ & $\sin\alpha$ & $\cos\alpha$ \\ \hline -0 & 0 & 1 \\ -$\pi$ & 0 & $-1$ \\ -$2\pi$ & 0 & 1 \\ -\end{tabular}} -\caption{The \texttt{floatingtable} environment with the \texttt{l} -\textit{option}.} -\end{floatingtable} -I had my head in, and was about to open the -lantern, when my thumb slipped upon the tin fasten\-ing, -and the old man sprang up in the bed, crying -out, ''Who's there?'' - -I kept quite still and said nothing. For a whole -hour I did not move a muscle, and in the meantime -I did not hear him lie down. He was still sitting -up in the bed, listening; just as I have done night -after night hearkening to the death watches in the -wall. - -\begin{floatingfigure}[l]{50mm} -\begin{center} -\Large A Figure! -\end{center} -\caption{The \texttt{floatingfigure} environment -with \textit{width} set to \texttt{50mm} and the -\texttt{l} \textit{option}.} -\end{floatingfigure} -Presently, I heard a slight groan, and I knew it -was the groan of mortal terror. It was not a groan of -pain or of grief -- oh, no! It was the low stifled sound -that arises from the bottom of the soul when -overcharged with awe. I knew the sound well. Many -a night, just at midnight, when all the world slept, -it has welled up from my own bosom, deepening, -with its dreadful echo, the terrors that distracted -me. I say I knew it well. I knew what the old -man felt, and pitied him although I chuckled at -heart. I knew that he had been lying awake ever -since the first slight noise when he had turned in -the bed. His fears had been ever since growing -upon him. He had been trying to fancy them -causeless, but could not. He had been saying to -himself, ''It is nothing but the wind in the chimney, -it is only a mouse crossing the floor,'' or, ''It is merely -a cricket which has made a single chirp.'' Yes he -has been trying to comfort himself with these -suppositions; but he had found all in vain. ALL IN VAIN, -because Death in approaching him had stalked with -his black shadow before him and enveloped the -victim. And it was the mournful influence of the -unperceived shadow that caused him to feel, although -he neither saw nor heard, to feel the presence -of my head within the room. - -When I had waited a long time very patiently -without hearing him lie down, I resolved to open -a little -- a very, very little crevice in the lantern. -So I opened it -- you cannot imagine how stealthily, -stealthily -- until at length a single dim ray like the -thread of the spider shot out from the crevice and -fell upon the vulture eye. - -It was open, wide, wide open, and I grew furious -as I gazed upon it. I saw it with perfect distinctness --- all a dull blue with a hideous veil over it that -chilled the very marrow in my bones, but I could -see nothing else of the old man's face or person, for -I had directed the ray as if by instinct precisely upon -the damned spot. - -And now have I not told you that what you mis- -take for madness is but over-acuteness of the senses? -now, I say, there came to my ears a low, dull, quick -sound, such as a watch makes when enveloped in -cotton. I knew that sound well too. It was the -beating of the old man's heart. It increased my fury -as the beating of a drum stimulates the soldier into -courage. - -\begin{floatingfigure}[p]{90mm} -\begin{center} -A rather wide figure which still uses the \\ -\texttt{floatingfigure} environment. -\end{center} -\caption{A \texttt{floatingfigure} environment -which uses \texttt{90mm} for \textit{width} and -the \texttt{p} \textit{option}.} -\end{floatingfigure} -But even yet I refrained and kept still. I scarcely\linebreak -brea\-thed. I held\linebreak the lantern motionless. I tried -how\linebreak stead\-ily I could\linebreak -maintain the ray upon the eye. -Meantime the hellish tattoo of the heart increased. -It grew quicker and quicker, and louder and louder, -every instant. The old man's terror must have -been extreme! It grew louder, I say, louder every -moment! -- do you mark me well? I have told you -that I am nervous: so I am. And now at the dead -hour of the night, amid the dreadful silence of that -old house, so strange a noise as this excited me to -uncontrollable terror. Yet, for some minutes longer -I refrained and stood still. But the beating grew -louder, louder! I thought the heart must burst. -And now a new anxiety seized me -- the sound would -be heard by a neighbour! The old man's hour had -come! With a loud yell, I threw open the lantern -and leaped into the room. He shrieked once -- once -only. In an instant I dragged him to the floor, and -pulled the heavy bed over him. I then smiled -gaily, to find the deed so far done. But for many -minutes the heart beat on with a muffled sound. -This, however, did not vex me; it would not be -heard through the wall. At length it ceased. The -old man was dead. I removed the bed and examined -the corpse. Yes, he was stone, stone dead. I placed -my hand upon the heart and held it there many -minutes. There was no pulsation. He was stone -dead. His eye would trouble me no more. - -\begin{floatingtable}[r]{ -\begin{tabular}{l} -Two lines in one table with one single \\ -column is enough! -\end{tabular}} -\caption{This \texttt{floatingtable} uses the \texttt{r} -\textit{option}.} -\end{floatingtable} -If still you think me mad, you will think so no -longer when I describe the wise precautions I took -for the concealment of the body. The night waned, -and I worked hastily, but in silence. - -I took up three planks from the flooring of the -chamber, and deposited all between the scantlings. -I then replaced the boards so cleverly so cunningly, -that no human eye -- not even his -- could have -detected anything wrong. There was nothing to wash -out -- no stain of any kind -- no blood-spot whatever. -I had been too wary for that. - -When I had made an end of these labours, it was -four o'clock -- still dark as midnight. As the bell -sounded the hour, there came a knocking at the -street door. I went down to open it with a light -heart, -- for what had I now to fear? There entered -three men, who introduced themselves, with perfect -suavity, as officers of the police. A shriek had been -heard by a neighbour during the night; suspicion -of foul play had been aroused; information had been -lodged at the police office, and they (the officers) -had been deputed to search the premises. - -\begin{floatingtable}[p]{ -\begin{tabular}{|l|l|l|} \hline -English Word & Swedish Word & Dutch Word \\ \hline -read & l\"asa & lesen \\ -speak & tala & spreken\\ -write & skriva & schrijven \\ \hline -\end{tabular}} -\caption{A \texttt{floatingtable} with the \texttt{p} -\textit{option}.} -\end{floatingtable} -I smiled, -- for what had I to fear? I bade the -gentlemen welcome. The shriek, I said, was my -own in a dream. The old man, I mentioned,\linebreak was -absent in the country. I took my visitors all over -the house. I bade them search -- search well. I led -them, at length, to his chamber. I showed them his -treasures, secure, undisturbed. In the enthusiasm -of my confidence, I brought chairs into the room, -and desired them here to rest from their fatigues, -while I myself, in the wild audacity of my perfect -triumph, placed my own seat upon the very spot -beneath which reposed the corpse of the victim. - -The officers were satisfied. My MANNER had -convinced them. I was singularly at ease. They sat -and while I answered cheerily, they chatted of -familiar things. But, ere long, I felt myself getting -pale and wished them gone. My head ached, and -I fancied a ringing in my ears; but still they sat, -and still chatted. The ringing became more distinct: -I talked more freely to get rid of the feeling: -but it continued and gained definitiveness -- until, -at length, I found that the noise was NOT within my -ears. - -No doubt I now grew VERY pale; but I talked -more fluently, and with a heightened voice. Yet -the sound increased -- and what could I do? It was -A LOW, DULL, QUICK SOUND -- MUCH SUCH A SOUND AS A -WATCH MAKES WHEN ENVELOPED IN COTTON. I gasped for -breath, and yet the officers heard it not. I talked -more quickly, more vehemently but the noise -steadily increased. I arose and argued about trifles, -in a high key and with violent gesticulations; but -the noise steadily increased. Why WOULD they not -be gone? I paced the floor to and fro with heavy -strides, as if excited to fury by the observations of -the men, but the noise steadily increased. O God! -what COULD I do? I foamed -- I raved -- I swore! I -swung the chair upon which I had been sitting, and -grated it upon the boards, but the noise arose over -all and continually increased. It grew louder -- -louder -- louder! And still the men chatted -pleasantly, and smiled. Was it possible they heard -not? Almighty God! -- no, no? They heard! -- -they suspected! -- they KNEW! -- they were making -a mockery of my horror! -- this I thought, and this -I think. But anything was better than this agony! -Anything was more tolerable than this derision! I -could bear those hypocritical smiles no longer! I -felt that I must scream or die! -- and now -- again --- hark! louder! louder! louder! LOUDER! -- - -''Villains!'' I shrieked, ''dissemble no more! I -admit the deed! -- tear up the planks! -- here, here! --- it is the beating of his hideous heart!'' - -\rightline{\ensuremath{\mathcal{END}}.} - -\listoffigures -\listoftables - -\end{document} -\endinput -%% -%% End of file `floatexm.tex'. diff --git a/Master/texmf-dist/doc/latex/floatflt/floatfge.tex b/Master/texmf-dist/doc/latex/floatflt/floatfge.tex deleted file mode 100644 index 97786326466..00000000000 --- a/Master/texmf-dist/doc/latex/floatflt/floatfge.tex +++ /dev/null @@ -1,317 +0,0 @@ -%% -%% This is file `floatfge.tex', -%% generated with the docstrip utility. -%% -%% The original source files were: -%% -%% floatflt.dtx (with options: `gammalkod') -%% -%% Copyright (c) 1994-1998 by Mats Dahlgren <matsd@sssk.se>. -%% All rights reserved. See the file `floatflt.ins' for information -%% on how you may (re-)distribute the `floatflt' package files. -%% You are not allowed to make any changes to this file without -%% explicit permission from the author. -%% - \documentclass[11pt]{article} - % - \textheight=1.1\textheight - \textwidth=1.15\textwidth - \oddsidemargin=0pt - \evensidemargin=0pt - % - \begin{document} - % - \title{\LaTeX-Paragraphs Floating around Figures} - \author{{\it Thomas Kneser}\\{\footnotesize - Gesellschaft f\"ur wissenschaftliche Datenverarbeitung - mbH G\"ottingen, FRG}} - \date{August 20, 1990} - \maketitle - % - \begin{abstract} - % - \noindent Frequently figures do not fill the full pagewidth. - If the width of such figures is only half of the - pagewidth or even less, - textlines should be set beside the figures, - or -- from another point of view -- figures should `float' - in paragraphs. - This article presents the \LaTeX{} style option {\tt FLOATFIG} - which can be used to set such Floating Figures as easily - as \LaTeX's standard figures. - \end{abstract} - % - \section{The name of the game} - The macros which make up the {\tt FLOATFIG} style option - are based on PLAIN-\TeX\ macros developed by Thomas Reid - (TUGBoat Vol. 8 \# 3 page 315), who pointed out - how to set figures - {\bf right justified} with paragraphs floating around them. - For such objects - Th. Reid has chosen the term `Floating Figures'. - - This choice might cause some confusion, - when we adapt these macros for \LaTeX, - since Leslie Lamport uses the term `float' for objects - which are realized as \TeX-\verb+\inserts+. - While L. Lamports floats are floating in `main vertical list', - floats introduced by Th. Reid - are floating in paragraphs. - For the following we adopt the latter meaning. - \section{How to use it} - The Floating Figures style option is fully compatible with - \LaTeX's standard figure facility: - \begin{enumerate} - \item Floating Figures and standard figures may be requested - in any sequence, - \item Floating Figures can be captioned like standard figures, - \item captioned Floating Figures are inserted in the list of figures - which may be printed by the standard - \verb+\listoffigures+ command. - \end{enumerate} - A Floating Figure may be requested as follows: - \begin{verbatim} - \documentstyle[floatfig]{article} - \begin{document} - \initfloatingfigs - . - . - \begin{floatingfigure}{5.6cm} - \vspace{6.cm} - \caption{Intermolecular potential K-Xe}% optional ! - \end{floatingfigure} - . - . - \end{document} - \end{verbatim} - where {\tt 5.6cm} specifies the width of the figure space. - A Floating Figure may only be requested in vertical mode, that is - between paragraphs. - - A Floating Figure will be set as soon as possible after its request - has be encountered by \TeX. - That means, - it will be tested if there is enough vertical space - on the current page; - otherwise the figure moves to the next page. - - Floating Figures are set {\bf alternating}, - that is on the right hand side on odd and - on the left hand side on even numbered pages. - % - \subsection{Restrictions} - \begin{enumerate} - \item The {\tt FLOATFIG} style option may not be combined with the - {\tt TWOCOLUMN} style option, - \item a Floating Figure will never appear in a paragraph - which begins on top of a page. - \end{enumerate} - % - \section{About the internals} - % - We have extended the macros designed by Th.~Reid with regard to: - \begin{enumerate} - \item implantation into the \LaTeX{} context, - \item alternating setting of Floating Figures as explained above, - \item generation of warning messages for `collisions' of - two Floating Figures. - \end{enumerate} - % - \subsection{Implantation into the \LaTeX{} context} - The PLAIN-\TeX{} implementation by Th.~Reid - is based on a redefined \verb+\output+ routine: - % - \begin{verbatim} - \edef\oldoutput{\the\output}% - \output={\the\outputpretest\ifoutput\oldoutput\fi} - \outputpretest={\outputtrue} - \end{verbatim} - % - If a Floating Figure is requested, - the content of the - \verb+\outputpretest+ token register is prepared to decide: - \begin{enumerate} - \item if there is enough vertical space to set the Floating Figure, - \item if setting of a Floating Figure is in progress or - \item if indeed the current page has to be sent to the DVI file. - \end{enumerate} - % - In general, \TeX{} has to deal with more than one paragraph until - a Floating Figure will be completely processed. - During this process - the redefined \verb+\output+ routine is - called at the begin of {\bf every} paragraph; - this is done indirectly - by expanding the control sequence \verb+\tryfig+. - Therefore, the \verb+\everypar+ token - list is prepared by the following command sequence: - \begin{verbatim} - \edef\oldeverypar{\the\everypar} - \everypar={\tryfig\oldeverypar} - \end{verbatim} - Now \verb+\tryfig+ triggers the (modified) - \verb+\output+ routine, which then does the decisions - and actions mentioned above. - - Adopting this concept when using the macros in the \LaTeX{} context, - we are faced with the following problems: - \begin{enumerate} - \item At the time \hbox{\tt FLOATFIG.STY} is read in, - the \verb+\output+ routine is still undefined; - its definition is retarded until - \verb+\begin{document}+ will be expanded; - so the redefinition of the \verb+\output+ routine has to be - done after \verb+\begin{document}+ - by the command \verb+\initfloatingfigs+ - (see section `Known Problems' below). - \item There are situations where - \LaTeX{} decides to redefine the \verb+\everypar+ token list - without saving of the former content; - this occurs for instance when expanding - a \verb+\section+ control sequence. - We overcome this by redefining \verb+\everypar+ whenever - the \verb+\floatingfigure+ environment is entered. - % - Hence to avoid problems, a Floating Figure should be requested - early enough before any sectioning control sequence - (see also subsection `Misleading collision warnings').\hfil\break - % - Furthermore, the concurrent definitions of - \verb+\everypar+ are the reason why - Floating Figures cannot move across section boundaries. - \end{enumerate} - % - \subsection{Alternating figure setting} - The problem to be solved - is to decide if a certain figure has to be set - left- or rightjustified. - This decision has to made according to - the value of the pagecount (left if even, right if odd). - That is we are dealing with the wellknown problem - to associate a certain part of input text with the number - of the page on which it will be set finally. - - As pointed out by D.E. Knuth in `The {\TeX}book' this association - is done not before \verb+\output+ routine time. - But the problem is not so hard to solve, - since in Th.~Reid's version there is already a modified - \verb+\output+ routine which decides if a certain figure will - fit on the current page. - As a by-product of this decision one easily gains - the information `odd' or `even' for the pagecount - of the current page. - So our problem reduces to the following simple decision: - \begin{verbatim} - \ifodd\count0 % - \hbox to \hsize{\hss\copy\figbox}% - \global\oddpagestrue - \else% leftsetting - \hbox to \hsize{\copy\figbox\hss}% - \global\oddpagesfalse - \fi% \ifodd\count0 - \end{verbatim} - % - \subsection{Collisions of Floating Figures} - We define a collision as a situation where: - \begin{enumerate} - \item a Floating Figure is requested before the predecessor - has been finished, - \item some sectioning is requested before a Floating Figure has been - finished. - \end{enumerate} - - While the {\tt FLOATFIG} style option cannot avoid such collisions, - it will recognize them. - For diagnostic purposes we have therefore defined - the switch \verb+\iffigprocessing+ and another count register called - \verb+\ffigcount+. - This count register is used to attach - a sequence number to each Floating Figure, - so they can be identified uniquely within collision warning messages. - These sequence numbers are not to be confused - with the figure count maintained by standard \LaTeX. - % - \section{Known Problems} - \subsection{Need of Initialization} - The present version of the style option needs to be initialized - by control sequence - {\tt\verb+\initfloatingfigs+} as mentioned above.\footnote{% - This is not needed with \LaTeXe{}. /MD} - - We hope a later version will initialize itself, - when the first request to a Floating Figure is encountered. - One problem with such an automatic initialization seems - to be, - that we are grouped down - since we are inside a \LaTeX{} environment. - Our first attempt failed - to make the respective settings \verb+\global+. - % - \subsection{Misleading collision warnings} - As mentioned above, Floating Figures do not move - across section boundaries. - If a Floating Figure is requested near a section end, - the figure will be truncated, - if it does not fit in the current section. - - If this occurs for instance with floating figure number~4, - a collision will be reported when the request for - floating figure number~5 is encountered; - so the respective warning message may be substantially retarded. - In fact, the message will tell us that there is a problem with figure~4, - but there will be no further hint. - So one has to analyze `by hand' that the problem is {\bf not} caused - by collision with figure~5 but with a section heading; - even worse: if there is no floating figure~5, one gets no warning message - at all. - - Furthermore, warning messages will be generated if a Floating Figure - ends in paragraph $n$ and the next one begins with paragraph $n+1$. - These warning messages are to be ignored; they are due to some retardation - caused by the \verb+\everypar+ mechanism. - % - \section{Conclusions} - Working on \texttt{FLOATFIG.STY} we had some unexpected problems - which were caused - by \LaTeX's somewhat unsafe assignments to the \verb+\everypar+ token list. - This is due to the fact that the use - of this token list is fundamental - to the algorithm designed by Th.~Reid. - On the other hand we did expect problems to couple - the Floating Figures with \LaTeX's figure caption adminstration, - that is to achieve a single figure caption numbering for - the standard figures and the Floating Figures and to get both types - listed by the \verb+\listoffigures+ control sequence. - % - But these problems could easily be solved - by the following local definiton within the {\tt FLOATFIG} environment: - \begin{verbatim} - \def\@captype{figure} - \end{verbatim} - Obviously this is due to the fact - that \LaTeX's caption apparatus is thoroughly parameterized. - - The \verb+FLOATFIG.STY+ file is stored in the - {\tt EARN/BITNET} listserver - in Heidelberg; \hfil\break - {\tt VM/CMS} users should enter the commands: - \begin{verbatim} - TELL LISTSERV AT DHDURZ1 GET LATEXSTY INDEX - TELL LISTSERV AT DHDURZ1 GET LATEXSTY README - TELL LISTSERV AT DHDURZ1 GET LATEXSTY FILELIST - TELL LISTSERV AT DHDURZ1 GET FLOATFIG ZOOUUE LATEXSTY - \end{verbatim} - to obtain information about how to obtain the style option file. -\subsection{Note by Mats Dahlgren} -Several features described in this document still apply to the -\LaTeXe\ \texttt{floatflt} package, whereas others do not. Please -run \LaTeX{} on \texttt{floatflt.dtx} twice and read the resulting -documentation before you use the package. -(This note was added on October 20, 1994; changed on December 27, -1994.) - - %\tableofcontents - \end{document} -\endinput -%% -%% End of file `floatfge.tex'. diff --git a/Master/texmf-dist/doc/latex/floatflt/floatfig.txt b/Master/texmf-dist/doc/latex/floatflt/floatfig.txt deleted file mode 100644 index 4a5747afd13..00000000000 --- a/Master/texmf-dist/doc/latex/floatflt/floatfig.txt +++ /dev/null @@ -1,18 +0,0 @@ - -This is the file `floatfig.txt', which accompanies the `floatflt' -package distribution. Thomas Kneser's style option for LaTeX 2.09 -`floatfig.sty' has been extended somewhat for LaTeX2e. The extended -package is called `floatflt'. Please see the file `00readme.flt' -for more information on the `floatflt' package. This file is only -intended to be a pointer for `floatfig.sty' users to the `floatflt' -package (as recommended by CJ DOHERTY <dohertcj@aston.ac.uk>). - - -Inquiries can be sent to: <matsd@sssk.se>. You can also visit -my LaTeX web page at http://www.homenet.se/matsd/latex/ -This file was last modified on 1998/06/01. - - -____________________________________________________________________ -Copyright (c) 1998 by Mats Dahlgren. - |