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Diffstat (limited to 'Master/texmf-dist/doc/generic/musixtex/musixdoc/beams.tex')
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1 files changed, 58 insertions, 47 deletions
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc/beams.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc/beams.tex index 060ed86a5ae..2777cafc822 100644 --- a/Master/texmf-dist/doc/generic/musixtex/musixdoc/beams.tex +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc/beams.tex @@ -316,82 +316,93 @@ one could define a set of four sixteenths by the macro: arguments are the pitches of the four successive sixteenths. %\check - \section{Shorthand beam notations for repeated notes}\index{repeated patterns} -Sometimes you may want to indicate repeated short notes with open note heads joined -by a beam. Here's an example of how to do that + \section{Shorthand beam notations for repeated or alternated notes}\index{repeated patterns} +Sometimes you may want to indicate repeated or alternated short notes with open note heads joined +by a beam. Here are examples of how to do that using the \keyindex{hb} macro: \begin{music}\nostartrule \startextract \Notes\ibbl0j0\hb0j\tbl0\hb0j\en -\Notes\ibbu0g0\hb0g\tbu0\hb0g\en +\Notes\ibbl0h4\hb0h\tbl0\hb0j\en \zendextract \end{music} \noindent which has been coded as: \begin{quote}\begin{verbatim} \Notes\ibbl0j0\hb0j\tbl0\hb0j\en -\Notes\ibbu0g0\hb0g\tbu0\hb0g\en -\end{verbatim}\end{quote} - -It is also possible to dispense with the stems: +\Notes\ibbl0h4\hb0h\tbl0\hb0j\en +\end{verbatim}\end{quote}\noindent +A different look could be obtained as follows: \begin{music}\nostartrule \startextract -\Notes\ibbl0j3\wh j\tbl0\wh l\en -\Notes\ibbu0g3\wh g\tbu0\wh i\en +\notes\ha j\loffset{0.5}{\ibbl1n3}\qsk\tbl1\qsk\ha l\sk\en \zendextract \end{music} -\noindent which was coded as +\noindent which has been coded as: \begin{quote}\begin{verbatim} -\Notes\ibbl0j3\wh j\tbl0\wh l\en -\Notes\ibbu0g3\wh g\tbu0\wh i\en +\notes\ha j\loffset{0.5}{\ibbl1n4}\qsk\tbl1\qsk\ha l\sk\en \end{verbatim}\end{quote} -\noindent A different look could be obtained as follows: +It is possible to combine this notation +with a conventional beam, as in \begin{music}\nostartrule \startextract -\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\en -\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\en\qspace +\notes\ibl0h3\qb0j\loffset1{\ibbbl1m3}\qsk\tbl1\qsk\tql0l\en \zendextract \end{music} -\noindent which was coded as: +\noindent which has been coded as: \begin{quote}\begin{verbatim} -\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\en -\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\en\qspace -\end{verbatim}\end{quote} - -Yet another way to indicate repeated notes is given in the -following example: +\notes\ibl0h3\qb0j\loffset1{\ibbbl1m3}\qsk\tbl1\qsk\tql0l\en +\end{verbatim}\end{quote}\noindent +or, for whole notes, to dispense with stems: - \begin{music}\nostartrule +\begin{music}\nostartrule \startextract -\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibu0j0\qb0{jjj}\tbu0\qb0j\en -\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% - \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar -\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibbu0i0\qb0{jjj}\tbu0\qb0j% - \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibbu0i0\qb0{jjj}\tbu0\qb0j\en -\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% - \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +\Notes\loff{\zw j}\ibbl0l4\sk\tbl0\wh l\en +\Notes\ibbu0e4\wh g\tbu0\roff{\wh i}\en \zendextract - \end{music} - \noindent whose coding (due to Werner {\sc Icking}) is - +\end{music} +\noindent which has been coded as: \begin{quote}\begin{verbatim} -\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibu0j0\qb0{jjj}\tbu0\qb0j\en -\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% - \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar -\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibbu0i0\qb0{jjj}\tbu0\qb0j% - \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk - \ibbu0i0\qb0{jjj}\tbu0\qb0j\en -\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% - \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +\Notes\loff{\zw j}\ibbl0l4\sk\tbl0\wh l\en +\Notes\ibbu0e4\wh g\tbu0\roff{\wh i}\en \end{verbatim}\end{quote} +Short ``beams'' centered on note stems (or directly over +or under whole notes) +indicate \emph{tremolos}. Commands that generate tremolo indications are described in Section~\ref{tremolos}. + + +% \begin{music}\nostartrule +%\startextract +%\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibu0j0\qb0{jjj}\tbu0\qb0j\en +%\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% +% \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar +%\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibbu0i0\qb0{jjj}\tbu0\qb0j% +% \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibbu0i0\qb0{jjj}\tbu0\qb0j\en +%\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% +% \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +%\zendextract +% \end{music} +% \noindent whose coding (due to Werner {\sc Icking}) is +% +%\begin{quote}\begin{verbatim} +%\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibu0j0\qb0{jjj}\tbu0\qb0j\en +%\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% +% \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar +%\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibbu0i0\qb0{jjj}\tbu0\qb0j% +% \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk +% \ibbu0i0\qb0{jjj}\tbu0\qb0j\en +%\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% +% \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +%\end{verbatim}\end{quote} + \section{Beams that cross line breaks} Although careful typesetting can usually avoid it, occasionally |