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-rw-r--r--Master/texmf-dist/doc/generic/musictex/aa_readm.tex43
-rw-r--r--Master/texmf-dist/doc/generic/musictex/adagio.tex438
-rw-r--r--Master/texmf-dist/doc/generic/musictex/aria.tex563
-rw-r--r--Master/texmf-dist/doc/generic/musictex/avemario.tex1007
-rw-r--r--Master/texmf-dist/doc/generic/musictex/carillon.tex1296
-rw-r--r--Master/texmf-dist/doc/generic/musictex/choral.tex900
-rw-r--r--Master/texmf-dist/doc/generic/musictex/euromtex.dvibin74240 -> 0 bytes
-rw-r--r--Master/texmf-dist/doc/generic/musictex/euromtex.tex814
-rw-r--r--Master/texmf-dist/doc/generic/musictex/extras.tex302
-rw-r--r--Master/texmf-dist/doc/generic/musictex/fantaisc.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musictex/fantaisd.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musictex/fantaisi.tex1183
-rw-r--r--Master/texmf-dist/doc/generic/musictex/fugue.tex677
-rw-r--r--Master/texmf-dist/doc/generic/musictex/gymnoman.tex568
-rw-r--r--Master/texmf-dist/doc/generic/musictex/howtoget.tex45
-rw-r--r--Master/texmf-dist/doc/generic/musictex/lines.tex75
-rw-r--r--Master/texmf-dist/doc/generic/musictex/magnific.tex654
-rw-r--r--Master/texmf-dist/doc/generic/musictex/marcellx.tex314
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.bat10
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.dvibin259228 -> 0 bytes
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.idx878
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.ilg14
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.ind698
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.inx547
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicdoc.ist65
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musicref.dvibin8704 -> 0 bytes
-rw-r--r--Master/texmf-dist/doc/generic/musictex/musictex.ins9
-rw-r--r--Master/texmf-dist/doc/generic/musictex/ostinato.tex450
-rw-r--r--Master/texmf-dist/doc/generic/musictex/pacifiqb.tex1102
-rw-r--r--Master/texmf-dist/doc/generic/musictex/pacifiqn.tex1113
-rw-r--r--Master/texmf-dist/doc/generic/musictex/praetori.tex18
-rw-r--r--Master/texmf-dist/doc/generic/musictex/praetorx.tex162
-rw-r--r--Master/texmf-dist/doc/generic/musictex/prelude.tex704
-rw-r--r--Master/texmf-dist/doc/generic/musictex/purcellx.tex211
-rw-r--r--Master/texmf-dist/doc/generic/musictex/racine.tex590
-rw-r--r--Master/texmf-dist/doc/generic/musictex/recit.tex413
-rw-r--r--Master/texmf-dist/doc/generic/musictex/recueil.tex128
-rw-r--r--Master/texmf-dist/doc/generic/musictex/reves.tex529
-rw-r--r--Master/texmf-dist/doc/generic/musictex/romances.tex499
-rw-r--r--Master/texmf-dist/doc/generic/musictex/screatim.tex139
-rw-r--r--Master/texmf-dist/doc/generic/musictex/souvenir.tex29
-rw-r--r--Master/texmf-dist/doc/generic/musictex/souvenix.tex475
-rw-r--r--Master/texmf-dist/doc/generic/musictex/tierce.tex367
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamd20.mf4
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamn11.mf5
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamn13.mf6
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamn16.mf6
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamn20.mf5
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamngen.mf83
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamq20.mf4
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamt20.mf4
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/beamv20.mf4
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicbra.mf24
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf24
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf53
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf40
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicd11.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicd13.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicd16.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicd20.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicdef.mf61
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicg16.mf1360
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicgen.mf1372
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicn11.mf10
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicn13.mf10
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicn16.mf9
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musicn20.mf9
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikd11.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikd13.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikd16.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikd20.mf48
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikgen.mf1252
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikn11.mf19
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikn13.mf19
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikn16.mf19
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/musikn20.mf19
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slur16.mf230
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf41
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf42
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurgen.mf133
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurn16.mf3
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurn20.mf3
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/slurud16.mf41
-rw-r--r--Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf40
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfmbin772 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfmbin772 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfmbin772 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfmbin772 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfmbin776 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfmbin460 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfmbin836 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfmbin836 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfmbin836 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfmbin836 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfmbin884 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfmbin884 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfmbin884 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfmbin884 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfmbin660 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfmbin660 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfmbin872 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfmbin932 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfmbin660 -> 0 bytes
-rw-r--r--Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfmbin660 -> 0 bytes
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicadd.tex111
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicdoc.tex4118
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicext.tex225
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicnew.tex28
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicnft.tex938
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicper.tex227
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicpln.tex298
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicpos.tex43
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicpre.tex64
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicref.tex88
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicsix.tex11
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicsty.tex368
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musictex.tex2440
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musictrp.tex175
-rw-r--r--Master/texmf-dist/tex/generic/musictex/musicvbm.tex94
-rw-r--r--Master/texmf-dist/tex/latex/musictex/a4report.sty15
-rw-r--r--Master/texmf-dist/tex/latex/musictex/bigmusic.sty15
-rw-r--r--Master/texmf-dist/tex/latex/musictex/musicper.sty2
-rw-r--r--Master/texmf-dist/tex/latex/musictex/musictex.sty6
-rw-r--r--Master/texmf-dist/tex/latex/musictex/musictrp.sty2
-rw-r--r--Master/texmf-dist/tex/latex/musictex/musicvbm.sty2
-rwxr-xr-xMaster/tlpkg/libexec/ctan2tds1
-rw-r--r--Master/tlpkg/tlpsrc/collection-music.tlpsrc1
-rw-r--r--Master/tlpkg/tlpsrc/musictex.tlpsrc0
128 files changed, 1 insertions, 32644 deletions
diff --git a/Master/texmf-dist/doc/generic/musictex/aa_readm.tex b/Master/texmf-dist/doc/generic/musictex/aa_readm.tex
deleted file mode 100644
index e983d73d7b5..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/aa_readm.tex
+++ /dev/null
@@ -1,43 +0,0 @@
-Dear music lover:
-
-Here are the tools to write music with MusicTeX under TeX.
-The useful macros are MUSIC*.TEX and the *.STY for LaTeX.
-The MUSICTEX.ZIP contains a complete distribution to be un`zipped'
-on a PC (with pkunzip).
-
-Starting from November 1st, 1992, examples are stored in a distinct ZIP file,
-namely MUSICEXA.ZIP. Therefore, if you only need the new release, you can take
-only MUSICTEX.ZIP, but trying the examples is still strongly recommended to
-MusicTeX beginners...
-
-The MUSICTEX.BCK file is a VMS saveset.
-
-Fonts are readily given in 300 dpi as *.PK and *.TFM. The MUSICPK.ZIP
-file contains other dpi implementations.
-
-If you have problems printing or viewing the MUSICDOC.DVI file, think of:
- --- transferring all the given *.TFM in the right directory, whose name
- depends on your installation of TeX,
- --- transferring all the given *.PK in the "pk" right directory, whose name
- depends on your installation of TeX,
- --- check whether your installation does not need *.PK files named *.300pk
- rather than *.pk (often in unix systems...)
-
-Other *.TEX files are examples.
-
-IMPORTANT: use the ftp "ASCII" command to transfer the *.TEX,
-the *.STY, the *.PS and the *.MF files. But use the ftp "BINARY" command
-to transfer the *.ZIP, *.DVI, *.TFM and *.PK files. If you have a VMS,
-use "IMAGE" to transfer the *.BCK file. Transferring the *.ZIP
-or the *.BCK provides you with all the needed files, then you
-do not need to transfer other files (unless some error happens).
-
-My suggestion is that you tranfer all MUSI*.* files and
-the needed fonts (the *.PK and the *.TFM), and
-then try to run TeX upon HADAGIO.TEX and to LaTeX MUSICDOC.TEX
-
-MUSICDOC gives a supposedly (LaTeX) complete notice about how to use MusicTeX.
- Daniel TAUPIN
- 33 (1) 69 41 60 79
- Physique des Solides
- F-91405 ORSAY
diff --git a/Master/texmf-dist/doc/generic/musictex/adagio.tex b/Master/texmf-dist/doc/generic/musictex/adagio.tex
deleted file mode 100644
index 462d5ee2477..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/adagio.tex
+++ /dev/null
@@ -1,438 +0,0 @@
-\title{Adagio}
-\subtitle{(pour orgue)}
-\headtitle{I. Adagio}
-\csname titremorceautoc\endcsname
-\shortauthor{D. Taupin}
-\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
-\othermention{Compos‚ en 1989}
-%
-%
-\vsize=264mm
-\hsize=18.5cm
-
-\maketitle
-\parindent 18mm
-%
-% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
-%
-\def\znotes{\vnotes 0\elemskip}%
-
-
-\tracingstats=1\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-1}\relax % un bemol a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{16', 8'}
- \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee
-\vskip -10pt\centerline{fl\^ute 8'}}}%
-%\check
-\elemskip=10pt\relax
-\normal
-\def\gluemaxskip{7pt}%
-%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}%
-\def\doubler{\multiply\noteskip by 2\relax}%
-%
-\debutmorceau
-\hyphenpenalty -50\relax
-\global\cleftoksii={{0}{0}{0}{0}}%
-\changeclefs\zglu
-\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes
-% mesure 1
-\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
-\Notes&|\tbu0\itenu0h\qh0h\enotes
-\NOTes&\zq f\qu h|\tten0\hu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\qu i\enotes
-% mesure 2
-\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
-\temps\NOTes&\zq e\qu g\enotes
-\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
-\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
-\notes&|\nbbu0\qh0h\enotes
-\notes&|\tbu0\qh0i\enotes
-% mesure 3
-\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
-\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
-\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
-\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
-% mesure 4
-\etroit
-\alaligne\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes
-\temps\Notes&\zq f\qu h|\sk\cu e\enotes
-\temps\NOTes&\zq f\qu h|\qup d\enotes
-\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes
-% mesure 5
-\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
-\Notes&|\tbu0\itenl0h\qh0h\enotes
-\NOTes&\zq f\qu h|\tten0\hu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\qu j\enotes
-% mesure 6
-\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes
-\temps\NOTes&\zq f\rq g\qu i\enotes
-\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes
-\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes
-\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes
-% mesure 7
-\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes
-\temps\NOTes&\zq e\qu h|\enotes
-\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes
-\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes
-% mesure 8
-\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes
-\temps\NOTes&\zq e\qu g|\enotes
-\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
-\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes
-% mesure 9
-\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes
-\temps\Notes&\zq d\qu f|\sk\cu e\enotes
-\temps\NOTes&\zq d\qu f|\qup d\enotes
-\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes
-% mesure 10
-\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
-\Notes&|\tbu0\itenl0h\qh0h\enotes
-\NOTes&\zq f\qu h|\tten0\hu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\qu i\enotes
-%\check
-% mesure 11
-\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\soupir\enotes
-\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes
-\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes
-%\check
-% mesure 12
-\alaligne\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes
-\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes
-\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes
-\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes
-%\check
-% mesure 13
-\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes
-\temps\Notes&\zq g\qu i|\sk\cu h\enotes
-\temps\NOTes&\zq g\qu i|\qup g\enotes
-\temps\Notes&\zq g\qu i|\sk\ds \enotes
-%\check
-% mesure 14
-\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote
- n{\Trille{2\noteskip}}\relax
-\zcharnote q{\ \ (*)}\enotes
-\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans
-terminaison sur la note suivante.}\relax
- \temps\NOTes&\zq e\qu h\enotes
-\temps\NOTes&\zq e\qu h|\ql j\enotes
-\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes
-%\check
-% mesure 15
-\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\ql k\enotes
-\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes
-%\check
-% mesure 16
-\alapage\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq g\qu i\enotes
-\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes
-\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes
-\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes
-%\check
-% mesure 17
-\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\soupir\enotes
-%\check
-% mesure 18
-\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}%
-\zcharnote p{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\ql m\enotes
-\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes
-%\check
-% mesure 19
-\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq g\qu i\enotes
-\temps\NOTes&\zq g\qu i|\ql n\enotes
-\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes
-%\check
-% mesure 20
-\alaligne\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes
-\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes
-\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes
-%\check
-% mesure 21
-\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes
-\temps\Notes&\zq g\qu i|\sk\cl o\enotes
-\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
-\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
-%\check
-% mesure 22
-\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes
-\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes
-\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes
-\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes
-%\check
-% mesure 23
-\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes
-\temps\Notes&\zq f\qu h|\sk\cl k\enotes
-\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
-\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes
-%\check
-% mesure 24
-\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes
-\temps\NOTes&\zq c\qu e|\enotes
-\temps\NOTes&\zq c\qu e|\enotes
-\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
-%\check
-% mesure 25
-\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes
-\temps\NOTes&\zq f\qu h|\enotes
-\temps\NOTes&\zq f\qu h|\enotes
-\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes
-% mesure 26
-\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes
-\Notes&|\tbl0\itenl0k\qb0k\enotes
-\NOTes&\zq f\qu h|\tten0\hl k\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes
-% mesure 27
-\barre\NOtes\wh{=I}&\rlap{\zw d}\zq f\rqu g|\hl m\enotes
-\temps\NOtes&\zq f\rqu g\enotes
-\temps\NOtes&\zq f\rqu g|\soupir\enotes
-\temps\Notes&\zq f\rqu g|\ibl0m3\qb0m\enotes
-\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes
-% mesure 28
-\alaligne\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes
-\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
-\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
-\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
-% mesure 29
-\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes
-\temps\Notes&\zq e\qu g|\sk\cl k\enotes
-\temps\NOTes&\zq e\qu g|\qlp j\enotes
-\temps\Notes&\zq e\qu g|\sk\ds \enotes
-%\check
-% mesure 30
-\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes
-\temps\NOTes&\zq f\qu h&\enotes
-\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes
-\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes
-\NOTes&\zq f\qu h|\ql{^m}\enotes
-% mesure 31
-\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes
-\temps\NOTes&\zq d\qu g|\enotes
-\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes
-\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes
-%\check
-% mesure 32
-\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes
-\temps\NOTes&\zq f\qu i|\enotes
-\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
-\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes
-%\check
-% mesure 33
-\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes
-\temps\Notes&\zq e\qu g|\sk\cl k\enotes
-\temps\NOTes&\zq e\qu g|\qlp j\enotes
-\temps\Notes&\zq e\qu g|\sk\ds \enotes
-%\check
-% mesure 34
-\barre\nspace
-\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes
-\temps\NOTes&\zq f\qu h|\enotes
-\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes
-\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes
-% mesure 35
-\barre
-\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes
-\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes
-\temps\Notes&\zq f\qu h|\dqb3op\enotes
-\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
-% mesure 36
-\alapage%
-\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes
-\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes
-\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes
-\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes
-% mesure 37
-\barre
-\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes
-\temps\Notes&\zq f\qu h|\dqb3mn\enotes
-\temps\Notes&\zq f\qu h|\dqb3op\enotes
-\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
-% mesure 38
-\barre
-\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes
-\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes
-\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes
-\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes
-% mesure 39
-%\check
-\barre
-\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes
-\temps\NOTes&\zq f\qu i|\enotes
-\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes
-\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes
-\temps\Notes&\zq f\qu i|\dqb3hi\enotes
-%\check
-% mesure 40
-\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes
-\temps\NOTes&\zq e\qu g|\enotes
-\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes
-\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
-\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
-% mesure 41
-\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes
-\temps\NOTes&\zq e\qu g|\enotes
-\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes
-\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
-\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
-% mesure 42
-\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes
-%\check
-% mesure 43
-\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
-\Notes&|\tbu0\itenl0h\qh0h\enotes
-\NOTes&\zq f\qu h|\tten0\hu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\qu i\enotes
-%\check
-% mesure 44
-\alaligne\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes
-\temps\NOTes&\zq d\qu g\enotes
-\temps\NOTes&\zq d\qu g|\soupir\enotes
-\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes
-\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes
-% mesure 45
-\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
-\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
-\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
-\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
-%\check
-% mesure 46
-\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes
-\temps\Notes&\zq c\qu f|\sk\cu g\enotes
-\temps\NOTes&\zq c\qu f|\qup h\enotes
-\temps\Notes&\zq c\qu f|\sk\ds\enotes
-% mesure 47
-%\check
-\large
-\alaligne\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes
-\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes
-\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes
-\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes
-% mesure 48
-%\check
-\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes
-\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes
-\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes
-\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes
-% mesure 49
-%\check
-\alaligne\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes
-\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes
-\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes
-\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes
-% mesure 50
-%\check
-\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes
-\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes
-\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes
-\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes
-% mesure 51
-%\check
-\normal
-\alapage\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes
-\temps\Notes&\zq f\qu h|\sk\cl n\enotes
-\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes
-\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
-% mesure 52
-%\check
-\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes
-\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes
-\temps\NOTes&\zq c\qu e|\enotes
-\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes
-\notes&|\tbbl0\tbl0\qb0k\enotes
-% mesure 53
-%\check
-\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes
-\temps\NOTes&\zq d\qu f|\enotes
-\temps\NOTes&\zq d\qu f|\enotes
-\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes
-% mesure 54
-\cleftoksii={{3}{0}{0}{0}}\changeclefs
-\alaligne\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
-\Notes&|\tbu0\itenl0h\qh0h\enotes
-\NOTes&\zq f\qu h|\tten0\hu h\enotes
-\temps\NOTes&\zq f\qu h\enotes
-\temps\NOTes&\zq f\qu h|\qu i\enotes
-% mesure 55
-\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
-\temps\NOTes&\zq e\qu g\enotes
-\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
-\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
-\notes&|\nbbu0\qh0h\enotes
-\notes&|\tbu0\qh0i\enotes
-% mesure 56
-\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
-\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
-\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes
-\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
-% mesure 57
-\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup f\enotes
-\temps\Notes&\zq f\qu h|\sk\cu g\enotes
-\temps\NOTes&\zq f\qu h|\qup h\enotes
-\temps\Notes&\zq f\qu h|\sk\ds \enotes
-% mesure 58
-\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes
-\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes
-\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes
-\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes
-% mesure 59
-%\check
-\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes
-\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes
-\temps\NOTes&\zq d\qu f|\qu f\enotes
-\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
-% mesure 60
-%\check
-\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes
-\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes
-\temps\NOTes&\zq c\qu e|\enotes
-\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes
-% mesure 61
-%\check
-\cleftoksii={{6}{0}{0}{0}}%
-\zchangeclefs
-\barre
-\elemskip=1.1\elemskip
-\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes
-\temps\NOTes&\zq M\ql a|\enotes
-\temps\NOTes&\zq N\ql b|\enotes
-\temps\NOTes&\zq L\ql N|\enotes
-% mesure 62
-\barre\nspace
-\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes
-\temps\NOTEs\hpause&\hpause|\hpause\enotes
-\finmorceau
-\bigskip
-\rightline{\it \aujourdhui}
-\vfil
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/aria.tex b/Master/texmf-dist/doc/generic/musictex/aria.tex
deleted file mode 100644
index fedcb23c40b..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/aria.tex
+++ /dev/null
@@ -1,563 +0,0 @@
-\title{Aria}
-\fulltitle{ VII. \titremorceau}
-\othermention{Compos\'e en 1992}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\csname titremorceautoc\endcsname
-\maketitle
-%
-\parindent 13mm
-%
-\tracingstats=2\relax
-%
-\def\nbinstruments{3}
-\def\interfacteur{9}
-\global\cleftoksi={{6}{0}{0}{0}}%
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\nbporteesi=1\relax%
-\nbporteesii=1\relax%
-\nbporteesiii=1\relax%
-\signaturegenerale{1}\relax
-%\check
-\def\instrumenti{P\'ed. 16'}%
-\def\instrumentii{Fl\^ute 8'}%
-\def\instrumentiii{\vbox{\hsize=\parindent
- \centerline{Nasard}\smallskip\centerline{Tremblant}}}%
-%\check
-%
-% formes frequentes
-\def\doubler{\multiply\noteskip by 2\relax}%
-\def\halfskip{\divide\noteskip by 2\relax}%
-\def\Pause{\sk\sk\qsk\pause}%
-\def\deuxc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\tqh0#2}
-\def\troisc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2}
-\def\quatrec#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2}
-\def\cpdcl#1#2{\Ibl1{#1}{#2}{3}\qbp1{#1}\sk\sk\tbbl1\tqb1{#2}}
-%
-%\check
-%
-\generalmeter{\meterfrac 44}%
-%
-\debutmorceau
-\linesinpage=0\relax
-\def\barperline{4}\ifnum\musicsize<17\relax\def\barperline{5}\fi
-\autolines{18}{\barperline}5\relax
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&&\zcharnote{w}{\kern -20mm\moyen Andante
-\bf(\metron{\qu}{55})}\enotes
-%
-%\check
-%
-\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
-% mesure 1
-\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
-% mesure 2
-\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
-\halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 3
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 4
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\qlp n\sk\sk\sk\sk\sk\Ibbl1{^m}l2\qb1m\tqb1l\enotes
-\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
- \troisc gi&\qlp k\sk\sk\ds\enotes
-%\check
-% mesure 5
-\barre\autolines{16}{\barperline}5\relax
-\NOtes\hu{^G}&\zw e\raise\Interligne\ds \bigsh g\troisc gi&\hl l\enotes
-\temps\NOtes\hu H&\raise\Interligne\ds
- \troisc hj&\hl j\sk\sk\cbreath\enotes
-% mesure 6
-\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes
-\temps\NOtes\hu{=G}&\raise\Interligne\ds
- \bigna g\troisc gi&\hl i\sk\sk\cbreath\enotes
-% mesure 7
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc hj&\cpdcl hi\cpdcl jl\enotes
-\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
- \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0j{_i}1\qb0j\tqb0i\enotes
-% mesure 8
-%\check
-\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
- \troisc fh&\hup h\enotes
-\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
- \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
-&\sk\sk\soupir\enotes
-% mesure 9
-\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
-% mesure 10
-\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
- \halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 11
-\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 12
-\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
- \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\hl{m}\enotes
-% mesure 13
-\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
-\temps\NOtes\hu J&\zhl e\raise\Interligne\ds \troisc gj&\hl l\enotes
-% mesure 14
-\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
-\temps\NOtes\hu I&\zhl d\raise\Interligne\ds \troisc gi&\hl k\enotes
-% mesure 15
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
- \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
-% mesure 16
-%\check
-\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\hup h\enotes
-\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
- \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
-&\sk\sk\soupir\enotes
-% mesure 17
-\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec gi&\ql i\sk\ql k\enotes
-% mesure 18
-\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
- \halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 19
-\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 20
-\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
- \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
-\temps\NOtes\qsk\hu K&\qsk\zhl a\raise\Interligne\ds
- \na f\troisc df&\qsk\bigna m\qlp{m}\sk\sk\ds\enotes
-% mesure 21
-\barre\NOtes\hu{_I}&\zhl e\raise\Interligne\ds\fl i\troisc gi&\hl n\enotes
-\temps\NOtes\hu H&\zhl{^c}\raise\Interligne\ds
- \troisc eh&\hl l\sk\sk\cbreath\enotes
-% mesure 22
-\barre\NOtes\wh K&\zw d\raise\Interligne\ds
- \troisc fh&\bigna m\hl m\enotes
-\temps\notes&\doubler\fl i\deuxc fi\deuxc fh&\Ibl2kl3\qbp2k\sk\sk\tbbl2\tqb2l\relax
- \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes
-%\check
-% mesure 23
-\barre\notes\doubler\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc hj&\qlp l\sk\sk\sk\sk\sk\bigna m\Ibbl2ml1\qb2m\tqb2l\enotes
-\temps\NOtes\hu G&\zhl d\raise\Interligne\ds
-\Ibu0ji2\zq g\qh0j\zq g\qh0{=i}\zq g\tqh0i&\qlp k\sk\sk\ds\enotes
-% mesure 24
-\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
- \troisc eg&\hl j\enotes
-\temps\NOtes&\quatrec eg&\ql l\sk\ql n\enotes
-% mesure 25
-\barre\NOtes\wh I&\zhl d\raise\Interligne\ds
- \troisc gi&\qlpp n\sk\sk\halfskip\sk\bigna m\ccl m\enotes
-\temps\NOtes&\na f\Ibu0ih3\zq f\qh0i\zq f\qh0i\zq f\qh0h\zq f\tqh0h\relax
- &\hl k\sk\sk\cbreath\enotes
-%\check
-% mesure 26
-\barre\NOtes\wh J&\zw c\raise\Interligne\ds
- \troisc eg&\ql j\sk\ql l\enotes
-\temps\NOtes&\quatrec eg&\ql n\sk\ql{_p}\enotes
-% mesure 27
-\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds
- \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes
-\temps\NOtes\qsk\hu K&\qsk\zhl d\raise\Interligne\ds
- \sh f\troisc fh&\qsk\qlp{^m}\sk\sk\ds\enotes
-% mesure 28
-\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
-\temps\NOtes\hu J&\zhl e\raise\Interligne\ds
- \troisc gj&\hl l\sk\sk\cbreath\enotes
-% mesure 29
-\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
-\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
- \troisc gi&\hl k\sk\sk\cbreath\enotes
-% mesure 30
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
- \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
-% mesure 31
-%\check
-\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\hup h\enotes
-\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
- \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
-&\sk\sk\soupir\enotes
-% mesure 32
-\barre\NOtes\wh I&\zhl b\raise\Interligne\ds
- \bigsh d\troisc df&\hl i\enotes
-\temps\notes&\doubler\zhl d\raise\Interligne\ds
- \troisc fi&\Ibl2ik3\qbp2i\sk\sk\bigsh k\tbbl2\tqb2{k}\relax
- \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes
-% mesure 33
-\barre \notes\hu L&\doubler\zhl e\raise\Interligne\ds
- \troisc gi&\Ibl2nm3\qbp2n\sk\sk\tbbl2\tqb2m\relax
- \ql l\enotes
-\temps\notes\hu H&\doubler\bigsh c\zhl c\raise\Interligne\ds
- \troisc eh&\Ibl2hj3\qbp2h\sk\sk\bigsh j\tbbl2\tqb2j\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-% mesure 34
-\barre \notes\hup K&\doubler\zwh{=d}\raise\Interligne\ds
- \troisc fh&\cpdcl ml\hl k\enotes
-\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds
-\zq f\cu h&\sk\sk\soupir\enotes
-%\check
-% mesure 35
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
- \troisc gi&\hl n\enotes
-\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes
-% mesure 36
-\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds
- \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax
- \cpdcl op\enotes
-\temps\notes&\doubler
- \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax
- \cpdcl sq\enotes
-% mesure 37
-\barre\notes\wh K&\doubler\zhl b\raise\Interligne\ds
- \troisc dg&\qlp p\sk\sk\sk\sk\sk\Ibbl0qp1\qb0q\tqb0p\enotes
-\temps\NOtes&\zhl d\raise\Interligne\ds
- \troisc fh&\qlp o\sk\sk\ds\enotes
-% mesure 38
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
- \troisc gi&\hl n\enotes
-\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes
-\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes
-% mesure 39
-\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
- \troisc eg&\hl l\enotes
-\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax
- &\soupir\sk\ql o\enotes
-% mesure 40
-\barre\notes\bigsh J\hu J&\doubler\zhl{^c}\raise\Interligne\ds
- \troisc eg&\cpdcl lm\cpdcl nl\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\itenu0m\hl m\enotes
-% mesure 41
-\barre\notes\hu J&\doubler\zwh d\raise\Interligne\ds
- \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
-\temps\NOtes\hu I&\quatrec gi&\ql n\sk\qu g\enotes
-% mesure 42
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\cpdcl hi\cpdcl jl\enotes
-\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
- \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes
-% mesure 43
-\barre\NOtes\hup K&\zhlp d\raise\Interligne\ds
- \troisc fh&\hup h\enotes
-\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds
- \zq f\cu h&\sk\sk\soupir\enotes
-%\check
-% mesure 44
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
- \troisc gi&\hl n\enotes
-\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes
-% mesure 45
-\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds
- \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax
- \cpdcl op\enotes
-\temps\notes&\doubler
- \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax
- \cpdcl sq\enotes
-% mesure 46
-\barre\NOtes\wh K&\zwh d\raise\Interligne\ds
- \troisc gi&\qlp p\sk\sk\cl q\enotes
-\temps\notes&\doubler
- \quatrec gi&\cpdcl po\cpdcl np\enotes
-% mesure 47
-\barre\NOtes\hup K&\zhl d\raise\Interligne\ds\troisc fh&\zcharnote
- q{\Trille{6\noteskip}}\relax\hl o\enotes
-\temps\NOtes\sk\sk\soupir&\zhl c\raise\Interligne\ds
- \troisc fh&\sk\sk\sk\noteskip=0.6\noteskip
- \Ibbl1no1\qb1n\tqb1o\enotes
-% mesure 48
-\barre\notes\wh I&\doubler\zhl{^d}\raise\Interligne\ds
- \troisc fi&\qlpp p\sk\sk\sk\sk\sk\sk\ccl q\enotes
-\temps\notes&\doubler
- \quatrec fi&\cpdcl po\cpdcl nm\enotes
-%\check
-% mesure 49
-\barre\notes\wh L&\doubler\zhlp e\raise\Interligne\ds
- \troisc gi&\qlpp n\sk\sk\sk\sk\sk\sk\ccl m\enotes
-\temps\notes&\doubler
- \deuxc gi\zql c\raise\Interligne\ds
- \zq g\cu i&\cpdcl nl\cpdcl mn\enotes
-%\check
-% mesure 50
-\barre\notes\wh H&\doubler\zwh{^c}\raise\Interligne\ds
- \troisc eh&\cpdcl on\cpdcl op\enotes
-\temps\notes&\doubler\quatrec eh&\cpdcl on\cpdcl ml\enotes
-% mesure 51
-\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\hlp m\enotes
-\temps\notes\hu J&\doubler\zhl d\raise\Interligne\ds
- \troisc fh&\sk\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
-% mesure 52
-\barre\NOtes\hu I&\zhl d\raise\Interligne\ds
- \troisc gi&\ql n\sk\qu g\enotes
-\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\cpdcl hi\cpdcl jl\enotes
-% mesure 53
-\barre\kern -0.6\Interligne
-\NOtes\itenu0K\wh K&\zhl d\raise\Interligne\ds
- \troisc gi&\hu g\sk\sk
- \noteskip=0.3\noteskip
- \tinynotesize\Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
-\temps\NOtes&\itenl3d\zhl d\raise\Interligne\ds
- \troisc fh&\zcharnote
- q{\Trille{8\noteskip}}\itenl1h\hu h\sk\enotes
-% mesure 54
-\barre\NOtes\tten0\hl K&\tten3\zql d\deuxc fh\zql c\raise\Interligne\ds
- \zq f\cu h&\tten1\qup h\sk\sk
- \divide \noteskip by 2\relax
- \Ibbu2hg1\qh2h\tqh2g\enotes
-\temps\NOtes\hu G&\zhl b\raise\Interligne\ds
- \troisc dg&\qlp g\sk\sk\ds\enotes
-% mesure 55
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds
- \troisc gi&\hl n\enotes
-\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes
-\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes
-% mesure 56
-\barre\NOtes\wh J&\zwh c\raise\Interligne\ds
- \troisc eg&\hl l\enotes
-\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax
- &\soupir\sk\ql o\enotes
-% mesure 57
-\barre\notes\bigsh J\hu J&\doubler\zhl{e}\raise\Interligne\ds
- \bigsh j\troisc gj&\cpdcl lm\cpdcl nl\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\itenu0m\hl m\enotes
-% mesure 58
-\barre\notes\hu J&\doubler\zhl d\raise\Interligne\ds
- \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes
-\temps\NOtes\hl I&\zhl{^d}\raise\Interligne\ds
- \troisc fi&\qlpp p\sk\sk\divide\noteskip by 2\relax\sk\ccl q\enotes
-% mesure 59
-\barre\notes\hl L&\doubler\zhl e\raise\Interligne\ds
- \troisc gi&\cpdcl po\cpdcl nl\enotes
-\temps\notes\doubler\hl{^J}&\doubler\zhl{e}\raise\Interligne\ds
- \sh j\troisc hj&\cpdcl op\cpdcl on\enotes
-% mesure 60
-\barre\notes\doubler\hl K&\doubler\zhl{=c}\raise\Interligne\ds
- \troisc fh&\cpdcl ml\cpdcl mk\enotes
-\temps\NOtes\hl I&\zqlp d\raise\Interligne\ds
- \deuxc gi\rlap{\clp c}\zq e\cu h&\qlp n\sk\sk\cl q\enotes
-% mesure 61
-\barre\autolines{16}55\bigaccid
-\NOtes\hl K&\zhl d\raise\Interligne\ds
- \troisc fh&\zcharnote q{\Trille{3\noteskip}}\qlp o\sk\sk\cl n\enotes
-\temps\NOtes\hu G&\zhl d\raise\Interligne\ds
- \troisc gi&\qlp n\sk\sk\ds\enotes
-% mesure 62
-\barre\NOtes\wh G&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec dg&\ql{_i}\sk\ql k\enotes
-% mesure 63
-\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
-\halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 64
-\barre\NOtes\wh{_I}&\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\qu g\sk\qu{_i}\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 65
-\barre\notes\hu J&\doubler\zhl{_e}\raise\Interligne\ds
- \troisc gj&\qlp n\sk\sk\sk\sk\sk
- \noteskip=1.5\noteskip\bigna m\varaccid\Ibbl1ml2\qb1m\fl l\tqb1l\enotes
-\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\qlp k\sk\sk\ds\enotes
-%\check
-% mesure 66
-\barre\autolines{16}{\barperline}5\varaccid
-\NOtes\hu{G}&\zw{_e}\raise\Interligne\ds
- \fl i\troisc gi&\hl{_l}\enotes
-\temps\NOtes\hu H&\raise\Interligne\ds
- \troisc hj&\hl j\sk\sk\cbreath\enotes
-% mesure 67
-\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes
-\temps\NOtes\hu{G}&\raise\Interligne\ds
- \fl i\troisc gi&\fl i\hl i\sk\sk\cbreath\enotes
-% mesure 68
-\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds
- \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes
-\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\qup g\sk\sk\sk\sk\sk\Ibbu0hg1\qh0h\tqh0g\enotes
-% mesure 69
-%\check
-\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
- \troisc fh&\hup f\enotes
-\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds
- \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk
-&\sk\sk\soupir\enotes
-% mesure 70
-\barre\NOtes\wh N&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec dg&\fl i\ql i\sk\ql k\enotes
-% mesure 71
-\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
- \halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 72
-\barre\NOtes\wh N&\zwh d\raise\Interligne\ds
- \fl i\troisc gi&\qu g\sk\qu{_i}\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 73
-\barre\NOtes\hu{^J}&\zhl{^c}\raise\Interligne\ds
- \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip
- \Ibbl1ok3\qb1{onm}\tqb1l\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\qlp m\sk\sk\ds\enotes
-% mesure 74
-\elemskip=0.98\elemskip
-\barre\NOtes\hu I&\zhl b\raise\Interligne\ds\troisc dg&\hl n\enotes
-\temps\NOtes\hu J&\zhl c\raise\Interligne\ds
- \troisc eg&\hl l\sk\sk\cbreath\enotes
-% mesure 75
-\barre\NOtes\hu H&\zhl a\raise\Interligne\ds\troisc cf&\hl m\enotes
-\temps\NOtes\hu I&\zhl b\raise\Interligne\ds
- \troisc dg&\hl k\sk\sk\cbreath\enotes
-% mesure 76
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-\temps\NOtes\hl K&\zhl d\raise\Interligne\ds
- \troisc gi&\hu g\sk\sk
- \noteskip=0.3\noteskip\tinynotesize
- \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
-% mesure 77
-\autolines{16}{\barperline}5\relax
-\barre\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\zcharnote
- q{\Trille{3\noteskip}}\qup h\sk\sk\noteskip=0.5\noteskip
- \Ibbu2gh1\qh2g\tqh2h\enotes
-\temps\NOtes\hu I&\zhl{^d}\raise\Interligne\ds
- \troisc fi&\hu i\enotes
-% mesure 78
-\barre\NOtes\hu H&\sh d\zhl d\raise\Interligne\ds
- \troisc fi&\ds\ibl0i0\qb0i\qb0i\tqb0i\enotes
-\temps\notes\hu G&\doubler\zhl b\raise\Interligne\ds
- \troisc eg&\cpdcl ij\cpdcl ij\enotes
-% mesure 79
-\barre\NOtes\hu F&\zhl{^d}\raise\Interligne\ds
- \troisc fh&\ibl0i0\qb0i\qb0m\qb0{^k}\tqb0i\enotes
-\temps\NOtes\hu E&\zhl{e}\raise\Interligne\ds
- \troisc gi&\ql n\sk\Ibl0ml1\qb0m\tqb0l\enotes
-% mesure 80
-\barre\NOtes\hu F&\zhl f\raise\Interligne\ds
- \na k\troisc hk&\bigna k\ql k\noteskip=0.25\noteskip
- \sk{\tinynotesize\Ibbl0lj2\qb0l\qb0k\tqb0{^j}}\doubler\doubler
- \Ibl0km1\qb0k\tqb0m\enotes
-\temps\NOtes\hu H&\zhl e\raise\Interligne\ds
- \sh j\troisc gj&\Ibl0mj3\qb0{mlk}\tqb0{^j}\enotes
-% mesure 81
-\autolines{16}{\barperline}5\relax
-\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
- \troisc fh&\hlpp k\enotes
-\temps\NOtes\hu I&\zhl{d}\raise\Interligne\ds
- \fl i\troisc fi&\sk\sk\sk\noteskip=0.6\noteskip\qs\ccl k\enotes
-% mesure 82
-\barre\NOtes\hu H&\zhl e\raise\Interligne\ds
- \sh j\troisc gj&\sh j\Ibl1jm3\qb1{j=m}\qbp1l\noteskip=0.5\noteskip
- \sk\tbbl1\tqb1m\enotes
-\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
- \bigna f\Ibu0hj2\zq f\qh0h\zq f\qh0{=i}\zq f\tqh0{=j}\relax
- &\Ibl1km3\qb1{ko^n}\nbbl1\noteskip=0.6\noteskip\qb1o\tqb1{=n}\enotes
-% mesure 83
-\barre\NOtes\hl J&\zhl{_e}\raise\Interligne\ds
- \sh f\troisc fh&\Ibl1ml3\qb1{^m=ml}\tqb1{_l}\enotes
-\temps\NOtes\hl{_I}&\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\Ibl1ko3\qb1{k^m}\qbp1n\noteskip=0.5\noteskip
- \sk\tbbl1\tqb1o\enotes
-% mesure 84
-\barre\NOtes\hl K&\zhl d\raise\Interligne\ds
- \troisc fh&\hl{m}\sk\sk\cbreath\qsk\enotes
-\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\ql n\sk\qu g\enotes
-% mesure 85
-\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds
- \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \fl i\troisc gi&\hu g\sk\sk
- \noteskip=0.3\noteskip\tinynotesize
- \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
-% mesure 86
-\barre\autolines{17}55\bigaccid
-\NOtes\hl K&\zhl d\raise\Interligne\ds\troisc fh\relax
- &\upperfl p\zcharnote o{\Trille{3\noteskip}}\qup h\sk\sk\cu g\enotes
-\temps\NOtes\qup G\sk\sk\ds&\zqlp d\raise\Interligne\ds
- \rlap{\sk\sk\raise -3\Interligne\ds}\na i\troisc gi&\qup g\sk\sk\ds\enotes
-% mesure 87
-\barre\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes
-\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes
-% mesure 88
-\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk
-\halfskip\sk\ccl j\enotes
-\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes
-% mesure 89
-\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes
-\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes
-% mesure 90
-\barre\autolines{14}55\bigaccid
-\NOtes\hu H&\zhl{^c}\raise\Interligne\ds
- \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip
- \Ibbl1ok3\qb1{onm}\tqb1l\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\qlp m\sk\sk\ds\enotes
-% mesure 91
-\barre\autolines{16}45\bigaccid
-\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes
-\temps\NOtes\hu J&\zhl e\raise\Interligne\ds
- \troisc gj&\hl l\sk\sk\cbreath\enotes
-% mesure 92
-\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes
-\temps\NOtes\hu I&\zhl d\raise\Interligne\ds
- \troisc gi&\hl k\sk\sk\cbreath\enotes
-% mesure 93
-\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-\temps\NOtes\hl K&\zhl d\raise\Interligne\ds
- \troisc gi&\hu g\sk\sk
- \noteskip=0.3\noteskip\tinynotesize
- \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
-% mesure 94
-\barre\NOtes\wh K&\zhl d\raise\Interligne\ds
- \troisc fh&\zcharnote
- q{\Trille{7\noteskip}}\hupp h\enotes
-\temps\NOtes&\zhl d\raise\Interligne\ds
- \troisc fh&\sk\sk\sk\noteskip=0.5\noteskip
- \Ibbu2gh1\qh2g\tqh2h\enotes
-% mesure 95
-\barre\NOtes\hu I&\zhl{^d}\raise\Interligne\ds
- \troisc fi&\qup i\sk\sk\enotes
-\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds
- \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax
- \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes
-% mesure 96
-\barre\NOtes\hl K&\zhl d\raise\Interligne\ds
- \troisc gi&\hu g\sk\sk
- \noteskip=0.3\noteskip\tinynotesize
- \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes
-\temps\NOtes\hu K&\zhl d\raise\Interligne\ds
- \troisc fh&\zcharnote
- q{\Trille{7\noteskip}}\itenl0h\hu h\enotes
-% mesure 97
-\barre\NOtes\hu D&\zhl d\raise\Interligne\ds
- \troisc fh&\tten0\qup h\sk\sk\cu g\enotes
-\temps\NOtes\itenl0G\hu G&\itenl3d\zhl d\raise\Interligne\ds
- \troisc gi&\itenl2g\hu g\enotes
-% mesure 98
-\barre\NOtes\tten0\wh G&\tten3\zwh d\ibu0i0\zq g\qh0i\zq e\qh0j\zq f\qh0h\relax
- \itenl0g\zq g\itenu1i\tqh0i&\tten2\wh g\enotes
-\temps\NOtes&\tten0\tten1\zh g\hu i\enotes
-\finmorceau
-\rightline{\sl\aujourdhui}\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/avemario.tex b/Master/texmf-dist/doc/generic/musictex/avemario.tex
deleted file mode 100644
index 55305aec630..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/avemario.tex
+++ /dev/null
@@ -1,1007 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\fulltitle{M\'editation -- Ave Maria}
- \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel
-Taupin\\\& Markus Veittes}
- \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
- \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
-chalumeau {\it ad lib.}]\\Positif : cornet ou cromorne\\P\'edale : 16', acc.
-G.O.}
- \title{Ave Maria}
-\maketitle
-
-\staffbotmarg\Interligne
-%
-\parindent 13mm
-\musicsize=20
-\normal
-\relativeaccidentals
-\def\oct{\advance\transpose by 7\relax}
-\def\nbinstruments{3}
-\def\instrumenti{P\'edale}
-\def\instrumentii{G.O.}
-%\def\interinstrumenti{-2\Interligne}
-%\def\interinstrumentii{-2\Interligne}
-\def\instrumentiii{Positif}
-\nbporteesi=1\relax
-\nbporteesii=1\relax
-\nbporteesiii=1\relax
-
-\generalmeter{\meterC}%
-\cleftoksi{{6}{0}{0}{0}}
-\cleftoksii{{0}{0}{0}{0}}
-\cleftoksiii{{0}{0}{0}{0}}
-%\raggedlinestrue % uncomment for ragged right lines
-
-
-\debutmorceau
-\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
-\autolines{25}{3}{5}%
- %\check
-%Takt 1
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
-\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
-\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
-\barre
- %\check
-%Takt 2
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
-\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
-\barre
- %\check
-%Takt 3
-\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
-\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
-\barre
- %\check
-%Takt 4
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
-\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
-\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
-\barre
- %\check
-%Takt 5
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
-\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
-\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
-\barre
- %\check
-%Takt 6
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
-\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
-\barre
- %\check
-%Takt 7
-\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
-\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
-\barre
- %\check
-%Takt 8
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
-\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
-\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 9
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
- \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
- \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
-\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
-\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
-\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
-\barre
- %\check
-%Takt 10
-\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
- \qlp d&ple\rlap{---}&\qup d&&&&\enotes
-\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
-\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
-\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
- \ql d&na,&\qu d&&&&\enotes
-\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 11
-\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
- \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
-\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
- \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
-\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
- \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
-\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
- \qb4a&mi-&\qh5a&&&&\enotes
-\OrgNotes&\qb2k\tqb2n&\oct
- \tqb4b&nus&\tqh5b&&&&\enotes
-\def\atnextline{\autolines{25}35}\relax
-\barre
- %\check
-%Takt 12
-\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
- \qlp c&te\rlap{---}&\qup c&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
-\OrgNotes&\qh2g\tqh2j&\oct
- \cl d&&\cu d&&&&\enotes
-\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
- \ql c&cum,&\qu c&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
-%
-\def\atnextline{\autolines{25}35}\relax
-\barre
- %\check
-%Takt 13
-\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
- \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
-\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
- \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
- \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
- \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
-\OrgNotes&\qh2g\tqh2j&\oct
- \tqb4e&&\tqh5e&&&&\enotes
-\barre
- %\check
-%Takt 14
-\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
- \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
-\OrgNotes&\qh2f\tqh2j&\oct
- \cl e&&\cu e&&&&\enotes
-\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
- \ql d&\rlap{---}&\qu d&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
- \ql a&ta&\qu a&&&&\enotes
-\barre
- %\check
-%Takt 15
-\def\atnextline{\staffbotmarg3\Interligne}%
-\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
- \hl b&tu&\hu b&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
-\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
- \ql d&in&\qu d&&&&\enotes
-\barre
- %\check
-%Takt 16
-\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
- \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
-\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
-\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
- \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
- \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
- \qb5f&&\qh4f&&&&\enotes
-\OrgNotes&\qh2g\tqh2j&\oct
- \tqb5g&&\tqh4g&&&&\enotes
-\barre
- %\check
-%Takt 17
-\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
- \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
-\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
-\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
-\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
- \ql a&bus&\qu a&&&&\enotes
-\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 18
-\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
- \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
-\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
- \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
- \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
- \qb4e&&\qh5e&&&&\enotes
-\OrgNotes&\qh2f\tqh2i&\oct
- \tqb4f&ne-&\tqh5f&&&&\enotes
-\barre
- %\check
-%Takt 19
-\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
- \hl g&\rlap{dic---}&\hu g&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
-\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
- \qu N&tus&\qu N&&&&\enotes
-\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
-\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 20
-\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
-\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
-\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
-\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
- \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
- \qb4d&&\qh5d&&&&\enotes
-\OrgNotes&\qh2c\tqh2f&\oct
- \tqb4e&&\tqh5e&&&&\enotes
-\barre
- %\check
-%Takt 21
-\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
-\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
-\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
-\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
- \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
- \qb4g&&\qh5g&&&&\enotes
-\OrgNotes&\qh2c\tqh2f&\oct
- \tqb4h&&\tqh5h&&&&\enotes
-\barre
- %\check
-%Takt 22
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \qlp i&tu--&\qlp i&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
-\OrgNotes&\qh2b\tqh2f&\oct
- \cl h&i,&\cl h&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \ql g&\rlap{Je---}&\qu g&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
- \ql d&&\qu d&&&&\enotes
-\barre
- %\check
-%Takt 23
-\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \hlp e&sus.&\hup e&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
- &&&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
- &&&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
- \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 24
-\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
- \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
-\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
- \ql e&ta&\qu e&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
- \pt a\ds&&\pt h\ds&&&&\enotes
-\OrgNotes&\tqh2e&\oct
- \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
-\barre
- %\check
-%Takt 25
-\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \hl h&ri\rlap{---}&\hu h&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \ql a&a,&\qu a&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
- \qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 26
-\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
- \hl h&\rlap{sanc---}&\hu h&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
- \ql c&ta&\qu c&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
- \pt a\ds&&\qsk\pt h\ds&&&&\enotes
-\OrgNotes&\tqh2e&\oct
- \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
-\barre
- %\check
-%Takt 27
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
- \hl j&ri\rlap{---}&\hl j&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
-\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
- \pt a\ds&&\pt j\ds&&&&\enotes
-\OrgNotes&\tqh2e&\oct
- \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
-\barre
- %\check
-%Takt 28
-\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \hl j&ri\rlap{---}&\hl j&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
-\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \ql d&a!&\qu d&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
- \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 29
-\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
-\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
- \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
- \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
- \qb4c&&\qh5c&&&&\enotes
-\OrgNotes&\qh2b\tqh2d&\oct
- \tqb4b&pro&\tqh5 b&&&&\enotes
-\barre
- %\check
-%Takt 30
-\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \qlp g&no\rlap{---}&\qup g&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
-\OrgNotes&\qh2c\tqh2e&\oct
- \cl e&&\cu e&&&&\enotes
-\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \ql c&bis,&\qu c&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
- \qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 31
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
- \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
- \qb4e&pec-&\qh5e&&&&\enotes
-\OrgNotes&\qh2c\tqh2f&\oct
- \tqb4d&ca-&\tqh5d&&&&\enotes
-\barre
- %\check
-%Takt 32
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \qlp k&to\rlap{---}&\qlp k&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
-\OrgNotes&\qh2b\tqh2f&\oct
- \cl i&ri-&\cl i&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \ql g&bus,&\qu g&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
- \qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 33
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
- \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
-\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
- \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
- \qb4i&&\qh5i&&&&\enotes
-\OrgNotes&\qh2c\tqh2f&\oct
- \tqb4j&in&\tqh5j&&&&\enotes
-\barre
- %\check
-%Takt 34
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
- \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
- \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
- \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
- \qb4g&ra,&\qh5g&&&&\enotes
-\OrgNotes&\qh2c\tqh2g&\oct
- \tqb4e&in&\tqh5e&&&&\enotes
-\barre
- %\check
-%Takt 35
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
- \qb4h&&\tqh5h&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
- \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
-\OrgNotes&\qh2c\tqh2f&\oct
- \tqb4h&&\tqh5h&&&&\enotes
-\barre
- %\check
-%Takt 36
-\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
- \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
- \usf g\qb4g&&\tqh5k&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
- \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
-\OrgNotes&\qh2b\tqh2f&\oct
- \usf d\tqb4d&&\tqh5g&&&&\enotes
-\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
- \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
- \lsf h\qh4h&&\tqh5d&&&&\enotes
-\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
- \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
-\OrgNotes&\qh2b\tqh2f&\relax
- \lsf d\tqh4d&&\tqh5N&&&&\enotes
-\barre
- %\check
-%Takt 37
-\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
- \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
-\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
-\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
-\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
-\barre
- %\check
-%Takt 38
-\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
-\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
-\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
-\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
-\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
-\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl e&&&&&&\enotes
-\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
-\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
-\barre
- %\check
-%Takt 39
-\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
-\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
-\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
-\barre
- %\check
-%Takt 40
-\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl g\hup n&&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
-\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
-\barre
- %\check
-%Takt 41
-\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
- g&\zhlp g\hup l&&&&&&&&&\enotes
-\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
-\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
-\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
-\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
-\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 42
-\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
- {\roffset{0.3}{\zhu h}}\oct
- \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
-\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
-\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
-\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
-e&\ds&&{\roffset {0.3}{\zhu l}}\oct
- \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
-\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
-\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
-\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
-\barre
- %\check
-%Takt 43
-\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
- \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
-\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
-\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
-\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
- \ql d&na,&\qu d&&&&&&&&\enotes
-\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 44
-\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
- \rlap{\roffset{0.3}{\qupp k}}\oct
- \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
-\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
- \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
-\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
- \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
-\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
- \qb4a&mi-&\cu a&&&&&&&&\enotes
-\orgNotes&\qb2k\tqb2n&&\oct
- \tqb4b&nus&\cu b&&&&&&&&\enotes
-\def\atnextline{\autolines{25}35}\relax
-\barre
- %\check
-%Takt 45
-\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
- \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
-\orgNotes&\qh2g\tqh2j&&\oct
- \cl d&&\tleg2\cu d&&&&&&&&\enotes
-\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
- \ql c&cum,&\qu c&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
-%
-\barre
- %\check
-%Takt 46
-\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
- {\roffset{0.3}{\zhl j}}\oct
- \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
-\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
- \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
- \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
- \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
-\orgNotes&\qh2g\tqh2j&&\oct
- \tqh4e&&\tqh5e&&&&&&&&\enotes
-\barre
- %\check
-%Takt 47
-\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
- &&\bigaccid\zw{^f}\oct
- \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
-\orgNotes&\qh2f\tqh2j&&\oct
- \cu e&&\tleg4\cu e&&&&&&&&\enotes
-\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
- \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
- \qu a&ta&\qu a&&&&&&&&\enotes
-\barre
- %\check
-%Takt 48
-\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
- {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
-\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
- \raise\Interligne\qp&&\qp&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
- \qu d&in&\qu d&&&&&&&&\enotes
-\barre
- %\check
-%Takt 49
-\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
- \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
-\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
-\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
- \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
- \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
- \qh5f&&\qh4f&&&&&&&&\enotes
-\orgNotes&\qh2g\tqh2j&&\oct
- \tqh5g&&\tqh4g&&&&&&&&\enotes
-\barre
- %\check
-%Takt 50
-\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
- \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
-\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
-\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
-\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
- \oct \cu h&bus&\qu a&&&&&&&&\enotes
-\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 51
-\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
- \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
-\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
- \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
- \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
- \qh4e&&\tqh5e&&&&&&&&\enotes
-\orgNotes&\qh2f\tqh2i&&\oct
- \tqh4f&ne-&\cu f&&&&&&&&\enotes
-\barre
- %\check
-%Takt 52
-\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
-n&{\zhlp j}\oct
- \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
-\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
- \tten4\cu g&tus&\qu N&&&&&&&&\enotes
-\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
-\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 53
-\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
-q&{\zw h}\oct
- \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
-\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
-\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
- \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
-\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
- \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
- \qh4d&&\qh5d&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2f&&\oct
- \tqh4e&&\tqh5e&&&&&&&&\enotes
-\barre
- %\check
-%Takt 54
-\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
- {\zw j}\oct
- \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
-\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
-\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
- \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
-\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
- \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
- \qh4g&&\qh5g&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2f&&\oct
- \tqh4h&&\tqh5h&&&&&&&&\enotes
-\barre
- %\check
-%Takt 55
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
-g&{\zqlp n}\oct
- \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
-\orgNotes&\qh2b\tqh2f&&\oct
- \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
- \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
- \qu d&&\tleg5\qu d&&&&&&&&\enotes
-\barre
- %\check
-%Takt 56
-\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
- \hup e&sus.&\hup e&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
- &&&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
- &&&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
- \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 57
-\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
- &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
-\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
- \qu e&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
- \pt a\ds&&&&&&&&&\enotes
-\orgNotes&\tqh2e&&\oct
- \ccl e&&&&&&\enotes
-\barre
- %\check
-%Takt 58
-\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
-h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
-j&\tten2\zq j\ql h&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
- \qp&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 59
-\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
- \zw h\hu{_l}&{\bigfl l\zh l}\oct
- \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
-o&{\zq h}\oct
- \ql c&ta&\qu c&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
- \pt a\ds&&\pt h\ds&&&&&&&&\enotes
-\orgNotes&\tqh2e&&\oct
- \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
-\barre
- %\check
-%Takt 60
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
-n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
-\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
- \tten2\zq j\ql{_l}&&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
- \pt a\ds&&\pt j\ds&&&&&&&&\enotes
-\orgNotes&\tqh2e&&\oct
- \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
-\barre
- %\check
-%Takt 61
-\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
-k&{\zhp j}\oct
- \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
-\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
- \ql d&a!&\qu d&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
- \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 62
-\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
-i&{\zhl f}\oct
- \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
- \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
- \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
- \qh4c&&\tqh5c&&&&&&&&\enotes
-\orgNotes&\qh2b\tqh2d&&\oct
- \tqh4b&pro&\cu b&&&&&&&&\enotes
-\barre
- %\check
-%Takt 63
-\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
-g&{\tten4\zw g}\oct
- \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2e&&\oct
- \cu e&&\tleg4\cu e&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
- \qu c&bis,&\qu c&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
- \raise\Interligne\qp&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 64
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
-f&{\zhl j}\oct
- \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
- \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
- \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
- \qh4e&pec-&\cu e&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2f&&\oct
- \tqh4d&ca-&\cu d&&&&&&&&\enotes
-\barre
- %\check
-%Takt 65
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
-i&{\zh m}\oct
- \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
-\orgNotes&\qh2b\tqh2f&&\oct
- \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
-k&{\zhl i}\oct
- \ql g&bus,&\qu g&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
- \raise2\Interligne\qp&&\qp&&&&&&&&\enotes
-\barre
- %\check
-%Takt 66
-\def\atnextline{\autolines{25}25}\relax
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
- \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
- \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
-\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
- \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
- \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
- \qb4i&&\tqh5i&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2f&&\oct
- \tqb4j&in&\cl j&&&&&&&&\enotes
-\barre
- %\check
-%Takt 67
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
- \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
- \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
- \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
- \qh4g&ra,&\cu g&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2g&&\oct
- \tqh4e&in&\cu e&&&&&&&&\enotes
-\barre
- %\check
-%Takt 68
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
-k&{\zhl f}\oct
- \itenu5d\hu d&&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
-h&{\zhl h}\oct
- \tten5\cu d&&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
- \Ibu4hh4\qh4h&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
- \qh4i&&&&&&&&&\enotes
-\orgNotes&\qh2c\tqh2f&&\oct
- \tqh4h&&&&&&&&\enotes
-\alaligne
- %\check
-%Takt 69
-\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
-g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
- \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
-\orgNotes&\qh2b\tqh2f&&\oct
- \tqh4d&&&&&&&&&&\enotes
-\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
- {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
- \qh4h&&\tqh5d&&&&&&&&\enotes
-\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
- \qh4f&&&&&&&\enotes
-\orgNotes&\qh2b\tqh2f&&\relax
- \tqh4d&&&&&&\enotes
-\barre
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
- %\check
-%Takt 70
-\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
- &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
- &&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
-\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
-\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
-\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
-\def\atnextline{\autolines{20}35}\relax
-\alaligne
- %\check
-%Takt 71
-\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
-c&\tten4\wh c&&&&&&&&&\enotes
-\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
-\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
-\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
-\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
-\barre
- %\check
-%Takt 72
-\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
-\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
-\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
-\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
-\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
-\barre
- %\check
-%Takt 73
-\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
- &&\pointdorgue f\wh c&&&&&&&&\enotes
-\finmorceau
-\bye
-
diff --git a/Master/texmf-dist/doc/generic/musictex/carillon.tex b/Master/texmf-dist/doc/generic/musictex/carillon.tex
deleted file mode 100644
index 548231278ee..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/carillon.tex
+++ /dev/null
@@ -1,1296 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\shortauthor{D. Taupin}
-\title{Carillon triste}
-\fullauthor{Daniel TAUPIN}
-\othermention{Improvis\'e vers 1960\\Compos\'e en 1991}
-\maketitle
-\vsize 275mm
-
-\def\testpgs{5}%
-%
-\parindent 12mm
-%
-\tracingstats=2\relax
-%
-\nbporteesi=2\relax
-\def\nbinstruments{1}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-3}\relax % trois bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
-%\check
-\def\instrumenti{Piano}
-%\check
-\deuxtemps
-\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
-\def\ff{{f}\kern -1pt{f}}%
-\def\gluemaxskip{6pt}%
-%
-% formes frequentes
-%
-%\check
-% au moins deux croches basses et hautes
-\def\dqbl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqbh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%
-% trois doubles croches hautes
-\def\tqbbl#1#2#3#4{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}%
-\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
-\def\Tqbbh{\Tqbbu}%
-\def\Tqbh{\Tqbu}%
-\def\tqbbL#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}%
-\def\tqbbH#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}%
-\def\tqbL#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}%
-\def\tqbH#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}%
-%au moins quatre croches basses et hautes
-\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tqb0{#5}}%
-\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3#4#5}\tqb0{#6}}%
-\def\qqbu{\qqbh}\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tqh0{#5}}%
-\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3#4#5}\tqh0{#6}}%
-%
-% quatre doubles croches
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
-%\check
-% octave basse en blanche
-\def\bohl#1{\zh{`#1}\hl{'#1}}%
-\def\bohu#1{\zh{`#1}\hu{'#1}}%
-\def\sohl#1{\zh{'#1}\hl{`#1}}%
-\def\sohu#1{\zh{'#1}\hu{`#1}}%
-%
-\def\bozh#1{\zh{`#1'#1}}%
-\def\bozq#1{\zq{`#1'#1}}%
-\def\boql#1{\zq{`#1}\ql{'#1}}%
-\def\boqu#1{\zq{`#1}\qu{'#1}}%
-% octave sup. en croches u
-\def\soqh#1{\zq{'#1}\qh0{`#1}}%
-\def\soqb#1{\zq{'#1}\qb0{`#1}}%
-\def\soqu#1{\zq{'#1}\qu{`#1}}%
-\def\soql#1{\zq{'#1}\ql{`#1}}%
-%\check
-%
-\def\interfacteur{11}%
-\computewidths
-\staffbotmarg=5\Interligne %
-\def\sfhu#1{\lsf #1\hu #1}%
-\def\sfwu#1{\lsf #1\wh #1}%
-\def\sfhl#1{\usf #1\hl #1}%
-\def\sfwl#1{\usf #1\wh #1}%
-\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}%
-\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}%
-\def\LPED{\kern -\internote\PED\kern \internote}%
-\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
-\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
-\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
-%
-\debutmorceau\autolines {10}56\global\advance\linesinpage by 1\relax
-\hyphenpenalty -50\relax
-\notes|\Uptext{\moyen\kern -20pt Largo \rm(\metron{\qu}{60})}\enotes
-\vnotes 0.2\elemskip\zmidtwotext{\kern -5mm\ppff\fff}\enotes
-\zglu\notes\PEDDEP|\sfhu N\enotes
-\temps\notes\PEDpDEP|\sfhu a\enotes
-% mesure 2
-\barre\notes\PEDDEP|\sfhu c\enotes
-\temps\notes\PEDpDEP|\sfhu d\enotes
-% mesure 3
-\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes
-% mesure 4
-\barre\notes\PEDDEP|\sfhu N\enotes
-\temps\notes\PEDpDEP|\sfhu a\enotes
-% mesure 5
-\barre\notes\PEDDEP|\sfhu c\enotes
-\temps\notes\PEDpDEP|\sfhu d\enotes
-% mesure 6
-\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes
-% mesure 7
-\barre\notes\PEDDEP|\sfhu N\enotes
-\temps\notes\PEDpDEP|\sfhu a\enotes
-% mesure 8
-\barre\notes\PEDDEP|\sfhu c\enotes
-\temps\notes\PEDpDEP|\sfhu d\enotes
-% mesure 9
-\barre\NOtes\PED\sk\sk\pause\sk\DEP\sk|\sfwu e\enotes
-% mesure 10
-\troistemps\changecontext\notes\PEDDEP|\sfhu d\enotes
-\temps\notes\PEDpDEP|\sfhu e\enotes
-\temps\notes\PEDpDEP|\sfhu c\enotes
-% mesure 11
-\deuxtemps\changecontext\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes
-% mesure 12
-\barre\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes
-% mesure 13
-\def\bassC{\kern -\internote\PED\kern \internote\soupir\sk\boqu C\DEP\sk}%
-\def\bassG{\kern -\internote\PED\kern \internote\soupir\sk\boqu G\DEP\sk}%
-\def\BassC{\bohu C\sk\DEP}%
-\def\BassG{\bohu G\sk\DEP}%
-%
-\barre\notes\kern -\internote\PED\kern \internote\soupir\uptext{\ppff pp \it il basso}|\pointdorgue m\sfwu N\enotes
-\temps\notes\BassC\enotes
-\temps\notes\pointdorgue d\soupir|\enotes
-% mesure 14
-\autolines 856\relax
-\barre\notes\bassC|\uptext{\ppff\fff}\sfhu N\enotes
-\temps\notes\bassC|\sfhu a\enotes
-% mesure 15
-\barre\notes\bassC|\sfhu c\enotes
-\temps\notes\bassC|\sfhu d\enotes
-% mesure 16
-\troistemps\changecontext\notes\kern -\internote\PED\kern \internote\soupir|\sfwu N\enotes
-\temps\notes\BassC\sk\soupir\enotes
-\temps\notes\hpause\sk|\hpause\enotes
-% mesure 17
-\deuxtemps\changecontext\notes\uptext{\ppff pp}\bassC|\uptext{\ppff\fff}\sfhu N\enotes
-\temps\notes\bassC|\sfhu a\enotes
-% mesure 18
-\barre\notes\bassC|\sfhu c\enotes
-\temps\notes\bassC|\sfhu d\enotes
-% mesure 19
-\barre\notes\LPED\soupir|\sfwu e\enotes
-\temps\notes\BassC\enotes
-\temps\notes\soupir\enotes
-\advance\barsinline by 1\relax
-% mesure 20
-\troistemps\changecontext\notes\bassC|\sfhu d\enotes
-\temps\notes\bassC|\sfhu e\enotes
-\temps\notes\bassC|\sfhu c\enotes
-% mesure 21
-\deuxtemps\changecontext\notes\LPED\soupir|\sfwu N\enotes
-\temps\notes\BassG\enotes
-\temps\notes\soupir|\enotes
-% mesure 22
-\barre\notes\LPED\soupir|\sfwu N\enotes
-\temps\notes\BassG\enotes
-\temps\notes\soupir|\enotes
-% mesure 23
-\troistemps\changecontext\notes\LPED\soupir|\pointdorgue m\sfwu N\enotes
-\temps\notes\pointdorgue a\BassC\enotes
-\temps\notes\soupir\hpause|\sk\hpause\enotes
-\advance\barsinline by 1\relax
-% mesure 24
-\deuxtemps\changecontext\autolines{14}36\relax
-\notes\PED\zcharnote H{\ppff fff}\sfwl N|\dsoupir
-\uptext{\ppff p}\ibu0c5\qh0N\tqh0e\enotes
-\temps\notes|\tqbH5fcge\enotes
-\temps\notes|\tqbL5hjgn\enotes
-\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
-% mesure 25
-\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes
-\temps\notes|\tqbH5eafc\enotes
-\temps\notes|\tqbL5ehfj\enotes
-\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes
-% mesure 26
-\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
-\temps\notes|\tqbH5gchf\enotes
-\temps\notes|\tqbL5ijhm\enotes
-\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes
-% mesure 27
-\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
-\temps\notes|\tqbH5gchf\enotes
-\temps\notes|\tqbL5ikhm\enotes
-\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes
-% mesure 28
-\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0a5\qh0L\tqh0c\enotes
-\temps\notes|\tqbH5eNec\enotes
-\temps\notes|\Tqbh gej\enotes
-\temps\notes\sk\DEP|\Tqbl glj\enotes
-% mesure 29
-\barre\notes\PED\tten0\wh N|\Tqbl nsq\enotes
-\temps\notes|\tqbL{-9}mnlj\enotes
-\temps\notes|\Tqbl gjg\enotes
-\temps\notes\sk\DEP|\tqbH{-5}fegc\enotes
-% mesure 30
-\barre\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
-\temps\notes|\tqbH5fcge\enotes
-\temps\notes|\tqbL5gjgn\enotes
-\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
-% mesure 31
-\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes
-\temps\notes|\tqbH5eafc\enotes
-\temps\notes|\tqbL5ehfj\enotes
-\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes
-% mesure 32
-\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
-\temps\notes|\tqbH5gchf\enotes
-\temps\notes|\tqbL5hjhm\enotes
-\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes
-% mesure 33
-\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes
-\temps\notes|\tqbH5gchf\enotes
-\temps\notes|\tqbL5hkhm\enotes
-\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes
-% mesure 34
-\barre\notes\PED\itenu0e\sfwl e|\dsoupir\ibu0e9\qh0c\tqh0g\enotes
-\temps\notes|\tqbH5iejg\enotes
-\temps\notes|\tqbH5kljn\enotes
-\temps\notes\sk\DEP|\Tqbl lqn\enotes
-% mesure 35
-\barre\notes\tten0\wh e|\Tqbl sus\enotes
-\temps\notes|\Tqbl qsq\enotes
-\temps\notes|\tqbL{-3}mnlq\enotes
-\temps\notes|\tqbL{-9}lnlj\enotes
-% mesure 36
-\troistemps\autolines{17}26\relax
-\changecontext\notes\PED\usf d\hl d|\dsoupir\qsk\ibu0h{-5}\qh0h\tqh0f\enotes
-\temps\notes\sk\DEP|\Tqbh khf\enotes
-\temps\notes\PED\usf e\hl e|\dsoupir\qsk\na i\ibu0i{-5}\qh0i\tqh0g\enotes
-\temps\notes\sk\DEP|\Tqbh lig\enotes
-\temps\notes\PED\usf c\hl c|\dsoupir\qsk\ibu0h{-5}\qh0g\tqh0e\enotes
-\temps\notes\sk\DEP|\Tqbh jge\enotes
-% mesure 37
-\deuxtemps
-\changecontext
-\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
-\temps\notes|\tqbH5fcge\enotes
-\temps\notes|\tqbL5gjgn\enotes
-\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes
-% mesure 38
-\barre\autolines{14}36\relax
-\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0d\enotes
-\temps\notes|\bigna b\tqbH5fbgd\enotes
-\temps\notes|\bigna i\tqbL5gign\enotes
-\temps\notes\sk\DEP|\tqbL{-9}jkig\enotes
-% mesure 39
-\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes
-\temps\notes|\tqbH5gcge\enotes
-\temps\notes|\tqbH5jjgl\enotes
-\temps\notes|\tqbL5jjnl\enotes
-% mesure 40
-\barre\notes\tten0\pointdorgue c\wh N|\Tqbl qsq\enotes
-\temps\notes|\tqbL{-9}mnlj\enotes
-\temps\notes|\Tqbl gjg\enotes
-\temps\notes\sk\DEP|\rlap{\sk\sk\pointdurgue b}\tqbH{-4}gegc\qsk\enotes
-% mesure 41
-%
-\def\motif#1#2#3#4{\zbarre\notes|\lsf{#1}\qqbbu{-9}{#1}{#2}{#3}{#4}\enotes
-\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`#1}{#2}{#3}{#4}\enotes}%
-\def\cinqx#1{\rlap{\sk\zcharnote{#1}{\it 5}}}%
-%
-\alapage\autolines{9}66\relax
-\notes\uptext{\ppff pp}\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes
-\temps\notes\qqbbl9JLNc\enotes
-\motif gecN\relax
-% mesure 42
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 43
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 44
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif khfd\relax
-% mesure 45
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\ccl e\tqbbu gjl\enotes
-% mesure 46
-\barre\notes|\tten0\zhl N\Qqbbl nljg\enotes
-\temps\notes|\qqbbu{-9}gecN\enotes
-\zbarre\notes|\qqbbu{-9}gecN\enotes
-\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
-% mesure 47
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes
-\temps\notes\qqbbl9JLNc\enotes
-\motif gecN\relax
-% mesure 48
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 49
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 50
- \def\atnextline{\autolines{8}76}\relax
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif khfd\relax
-% mesure 51
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\sfwu e\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 52
-\barre\notes|\tten0\zhl e\qqbbl{-9}qnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
-\temps\notes\sk\sk\DEP|\qqbbl{-4}gedc\enotes
-% mesure 53
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif khfd\relax
-% mesure 54
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJLN}|\sfwu e\enotes
-\temps\notes\qqbbl9{=I}LN{=b}\enotes
-\zbarre\notes|\lsf l\qqbbu{-9}l{=i}ge\enotes
-\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`l}ige\enotes
-% mesure 55
-\def\atnextline{\autolines966}%
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 56
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}K}|\sfwu N\enotes
-\temps\notes\qqbbl9G{=I}KN\enotes
-\zbarre\notes|\lsf g\qqbbu{-9}gd{=b}N\enotes
-\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`g}dbN\enotes
-% mesure 57
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}L}|\sfwu N\enotes
-\temps\notes\qqbbl9G{=I}LN\enotes
-\zbarre\notes|\lsf g\qqbbu{-9}ge{=b}N\enotes
-\temps\notes\qqbbu{-9}{!`g}ebN\enotes
-% mesure 58
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 59
-\troistemps\changecontext\notes|\tten0\zw N\qqbbl{-9}qnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\temps\notes|\qqbbu{-9}gecN\enotes
-\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
-\temps\Notes\BassC\sk|\qsk\hpause\enotes
-%
-% mesure 60
-\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}%
-%
-\alapage\autolines{9}66\relax
-\notes\uptext{\ppff mf}\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes
-\temps\notes\qqbbl9JLNc\enotes
-\motif gecN\relax
-% mesure 61
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 62
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 63
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 64
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JCJL}|\itenu1g\itenl0N\Sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\ccl e\tqbbu gjl\enotes
-% mesure 65
-\barre\notes|\tten0\tten1\zh g\zhl N\qqbbh{-9}nljg\enotes
-\temps\notes|\qqbbu{-9}gecN\enotes
-\zbarre\notes|\qqbbu{-9}gecN\enotes
-\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
-% mesure 66
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes
-\temps\notes\qqbbl9JLNc\enotes
-\motif gecN\relax
-% mesure 67
-\barre\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 68
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 69
- \def\atnextline{\autolines{8}76}\relax
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 70
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\itenu1l\Sfwu e\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 71
-\barre\notes|\tten0\tten1\zh l\zhl e\qqbbH{-9}oqnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbl{-4}gedc\enotes
-% mesure 72
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 73
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJLN}|\Sfwu e\enotes
-\temps\notes\qqbbl9{=I}LN{=b}\enotes
-\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}%
-\motif l{=i}ge\relax
-% mesure 74
-\def\atnextline{\autolines966}%
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 75
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes
-\temps\notes\qqbbl9G{=I}KN\enotes
-\zbarre\notes|\usf{!'g}\qqbbl{-9}gd{=b}N\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}d{=b}N\enotes
-% mesure 76
-\barre\advance\elemskip 1pt\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes
-\temps\notes\qqbbl9G{=I}LN\enotes
-\zbarre\notes|\lsf{!'g}\qqbbu{-9}ge{=b}N\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}ebN\enotes
-% mesure 77
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 78
-\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\zbarre\notes|\qqbbu{-9}gecN\enotes
-\temps\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
-\temps\notes\BassC\qsk|\qsk\hpause\enotes
-%
-% mesure 79
-\alapage
-\autolines{25}2{\testpgs}\relax
-\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne
-\llap{\moyen appassionato\kern -1.5cm}\uptext{\kern -\internote\rm(\metron{\qu}{80})}\enotes
-%
-%\check
-\newif\ifsupa\supafalse
-\def\accord#1#2#3#4#5#6#7{\normalnotesize
-\notes\rlap{\qsk\whp{!`#1}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{`#1!#1#2}\tqh0{#3}\relax
-|\normalnotesize\zwp{#5}\zwp{#6}\zwp{#7}\relax
-\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes
- %\check 1
-\temps\smallnotesize\notes
-\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
-%\check 1
-\temps\notes
-|\rlap{\ibbl0{!''#2}8\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{!'''#2}}\relax
-\ibbu0{!''#5}7\qh0{!''#5}\qh0{#5}\qh0{#6}\tbu0\qh0{#7}\enotes
-%\check 1
-\temps\notes|\rlap{\ibbl0{!'''#3}{-9}\qb0{!'''#3#2`#4}\tqb0{!''#3}}\relax
-\ibbu0{!'''#5}{-9}\qh0{!'''#5`#7#6}\tqh0{#5}\enotes
-%\check 1
-\temps\notes
-\ifsupa|\rlap{\ibbl0{!'#4}{-9}\qb0{!''#2`#4#3}\tqb0{#2}}\relax
-\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi
-\ibbu0{!''#5}{-9}\qh0{!''#5`#7#6}\tqh0{#5}\enotes
-%\check 1
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{#4}{-9}\qh0{#4#3#2}\tqh0{!`#4}\relax
-|\ibbu0{!'#5}{-9}\qh0{!'#5`#7#6}\tqh0{#5}\enotes
-}%
-%
-%\check
-\accord CEGJNce\relax
-% mesure 80
-\barre\accord CFHJacf\relax
-% mesure 81
-\barre\supatrue\accord CFHJcfh\relax
-% mesure 82
-\barre\accord CFHJdfh\relax
-% mesure 83
-\def\Accord#1#2#3#4#5#6#7{\normalnotesize
-\notes\rlap{\qsk\whp{!`#1}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{!`#1!#1#2}\tqh0{#3}\relax
-|\zwp{#5#6#7}\relax
-\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes
-%\check 1
-\smallnotesize\temps\notes\ibbu0{'#2}9\qh0{!#4'#2#3}\tqh0{!'#4}\relax
-|\ibbu0{!'#5}8\qh0{!'#5#5#6}\tqh0{#7}\enotes
-%\check 1
-\temps\notes|\rlap{\ibbl0{!''#2}8\qb0{#2#3#4}\tqb0{!'''#2}}\relax
-\ibbu0{!''#5}7\qh0{!''#5#5#6}\tqh0{#7}\enotes}\relax
-%
-\barre\Accord CEGJNce\relax
-\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes
-\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
-\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
-% mesure 84
-\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
-\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
-\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
-\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
-\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
-\normalnotesize\temps\notes\boqu C\DEP\qsk|\qu J\enotes
-% mesure 85
-\barre\supafalse\notes\zmidtwotext{\ppff ff}\enotes
-\accord CEGJNce\relax
-% mesure 86
-\barre\accord CFHJacf\relax
-% mesure 87
-\barre\supatrue\accord CFHJcfh\relax
-% mesure 88
-\barre\accord CFHJdfh\relax
-% mesure 89
-\barre\Accord CEGJegj\relax
-\temps\notes|\qsk\octfin {20}{8}\rlap{\qqbbl0gljg}\qqbbH0qsnsq\enotes
-\temps\notes|\rlap{\qqbbl{-9}ecNL}\qqbbu{-9}nljg\enotes
-\temps\notes|\rlap{\qqbbl{-9}{!'c}NLJ}\qqbbu{-9}{!'l}jge\enotes
-% mesure 90
-\barre\notes\qqbbu{-9}gecN|\qqbbu{-9}qnlj\enotes
-\temps\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
-\temps\notes\qqbbu{-9}cNLJ|\zcharnote{c}{\DIMin}\qqbbu{-9}ljge\enotes
-\temps\notes\qqbbu{-9}NLJG|\qqbbu{-9}jgec\enotes
-\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
-\normalnotesize\temps\notes\rlap{\qu J}\boqu C\DEP\sk|\enotes
-% mesure 91
-\barre\normalnotesize
-\addspace{ -0.25\elemskip}\notes\rlap{\qsk\whp{!`C}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{`C!CF}\tqh0{H}\relax
-|\zwp{d}\zwp{f}\zwp{h}\relax
-\usf{!'d}\whp{!'d}\smallnotesize\ibbu0{!d}9\qh0{df}\tqh0{h}\enotes
-%\check
-\temps\smallnotesize\notes
-\ibbu0{K}9\qh0{!K'FH}\tqh0{!'K}\relax
-|\ibbu0{!'d}8\qh0{!'d}\qh0{d}\qh0{f}\tqh0{h}\enotes
-%\check
-\temps\notes
-|\qsk\octfin{20}8\rlap{\ibbl0{!'F}8\qb0{F}\qb0{H}\qb0{K}\tqb0{!''F}}\relax
-\ibbu0{!'d}7\qh0{!'d}\qh0{d}\qh0{f}\tbu0\qh0{h}\enotes
-%\check
-\temps\notes|\rlap{\ibbl0{!''H}{-9}\qb0{!''HF`K}\tqb0{!'H}}\relax
-\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\qsk\enotes
-%\check
-\temps\notes
-\ifsupa|\rlap{\ibbl0{!'K}{-9}\qb0{!''F`KH}\tqb0{F}}\relax
-\else\ibbu0{!''H}{-9}\qh0{!''HF`K}\tqh0{H}|\fi
-\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\enotes
-%\check
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{K}{-9}\qh0{KHF}\tqh0{!`K}\relax
-|\ibbu0{!'d}{-9}\qh0{!'d`hf}\tqh0{d}\enotes
-% mesure 92
-\barre\normalnotesize\notes\rlap{\qsk\whp{!`C}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{!`C!CG}\tqh0{=I}\relax
-|\bigna i\zwp{e}\zwp{g}\zwp{i}\relax
-\usf l\whp l\smallnotesize\Ibbu0{!e}{!i}3\qh0{eg}\tqh0{=i}\enotes
-%\check
-\temps\smallnotesize\notes
-\ibbu0{!'G}9\qh0{!L'G=I}\tqh0{!'L}\relax
-|\ibbu0{!'e}8\qh0{!'e}\qh0{e}\qh0{g}\tqh0{=i}\enotes
-%\check
-\temps\notes
-|\qsk\octfin{!'s}8\rlap
-{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{L}\tqb0{!''G}}\relax
-\ibbu0{!'e}7\qh0{!'e}\qh0{e}\qh0{g}\tbu0\qh0{=i}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IG`L}\tqb0{!'I}}\relax
-\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\qsk\enotes
-%\check
-\temps\notes
-\ifsupa|\rlap{\ibbl0{!'L}{-9}\qb0{!''G`LI}\tqb0{G}}\relax
-\else\ibbu0{!''I}{-9}\qh0{!''IG`L}\tqh0{I}|\fi
-\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\enotes
-%\check
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{L}{-9}\qh0{LIG}\tqh0{!`L}\relax
-|\ibbu0{!'e}{-9}\qh0{!'e`ig}\tqh0{e}\enotes
-% mesure 93
-\barre\accord CFHJcfh\relax
-% mesure 94
-\barre\normalnotesize\supafalse
-\notes\rlap{\qsk\whp{!`G}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0B9\qh0{!`G!=BD}\tqh0{G}\relax
-|\normalnotesize\bigna b\zwp{N}\zwp{b}\zwp{d}\relax
-\usf{!'N}\whp{!'N}\smallnotesize\ibbu0{!N}9\qh0{Nb}\tqh0{d}\enotes
-%\check
-\smallnotesize\temps\notes
-\ibbu0{!'D}9\qh0{!'=BDG}\tqh0{!''=B}\relax
-|\ibbu0{!'N}8\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{d}\enotes
-%\check
-\temps\notes
-|\rlap{\ibbl0{!''D}8\qb0{D}\qb0{G}\qb0{!'''=B}\tqb0{D}}\relax
-\ibbu0{!''N}7\qh0{!''N}\qh0{N}\qh0{=b}\tbu0\qh0{d}\enotes
-%\check
-\temps\notes|\rlap{\ibbl0{!'''G}{-9}\qb0{!'''GDB}\tqb0{!''G}}\relax
-\ibbu0{!'''N}{-9}\qh0{!'''N`db}\tqh0{N}\enotes
-%\check
-\temps\notes\ibbu0{!''D}{-9}\qh0{!''DB`G}\tqh0{D}\relax
-|\ibbu0{!''N}{-9}\qh0{!''N`db}\tqh0{N}\enotes
-%\check
-\temps\notes\raise -1.5\Interligne\rlap
-{\sk\sk\DEP}\ibbu0{!'B}{-9}\qh0{!'B`GD}\tqh0{B}\relax
-|\ibbu0{!'N}{-9}\qh0{!'N`db}\tqh0{N}\enotes
-% mesure 95
-\def\atnextline{\autolines{25}1{\testpgs}}\relax
-\barre\supafalse\normalnotesize
-\notes\rlap{\qsk\whp{!`G}}\llap{\LPED\off{0.5\noteskip}}\smallnotesize
-\Ibbu0{!`G}{!G}3\qh0{!`G!=BE}\tqh0{G}\relax
-|\zwp{N}\bigna b\zwp{b}\zwp{e}\relax
-\usf{!'N}\whp{!'N}\smallnotesize\Ibbu0{!N}{!e}2\qh0{!Nb}\tqh0{e}\enotes
-%\check
-\smallnotesize\temps\notes
-\Ibbu0{!'B}{!''B}3\qh0{!'=BEG}\tqh0{!''=B}\relax
-|\Ibbu0{!'N}{!'e}3\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{e}\enotes
-%\check
-\temps\notes
-|\rlap{\Ibbl0{!''E}{!'''E}3\qb0{!''EG}\qb0{!'''=B}\tqb0{E}}\relax
-\Ibbu0{!''N}{!''e}3\qh0{!''NN=b}\tbu0\qh0{e}\enotes
-%\check
-\temps\notes|\rlap{\Ibbl0{!'''G}{!''G}3\qb0{!'''GEB}\tqb0{!''G}}\relax
-\Ibbu0{!'''N}{!''N}3\qh0{!'''N`eb}\tqh0{N}\enotes
-%\check
-\temps\notes\Ibbu0{!''E}{!'E}3\qh0{!''EB`G}\tqh0{E}|\relax
-\Ibbu0{!''N}{!'N}3\qh0{!''N`eb}\tqh0{N}\enotes
-%\check
-\temps\notes\raise -1.5\Interligne\rlap
-{\sk\sk\DEP}\Ibbu0{!'B}{!B}3\qh0{!'B`GE}\tqh0{B}\relax
-|\Ibbu0{!'N}{!N}3\qh0{!'N`eb}\tqh0{N}\enotes
-% mesure 96
-\def\atnextline{\autolines{23}2{\testpgs}}\relax
-\barre\znotes\zcharnote{e}{\rlap{\DIMin}\kern 12\elemskip\DIMin}\enotes\relax
-\Accord CEGJNce\relax
-\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes
-\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
-\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
-% mesure 97
-\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
-\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
-\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
-\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
-\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
-\normalnotesize
-\temps\notes\pointdorgue N\itenu0{!`C}\transpose=0\relax\boqu C\DEP\qsk
- |\pointdorgue m\qu J\enotes
-\suspmorceau
-% mesure 98
-\def\interfacteur{9}\computewidths
-\preprmorceau\normalnotesize\autolines{18}36\relax
-\Notes\tten0\zmidtwotext{\ppff mf}\qqbH9C{!`C}{!C}GJ|\uptext{\it
- espressivo}\enotes
-\temps\Notes\qqbH9MLNce\enotes
-\temps\Notes|\ibu0j5\qh0g\lsf j\qh0j\lsf l\qh0l\lsf m\tqh0m\enotes
-% mesure 99
-\barre\Notes\qqbH9E{!`E}{!E}IL|\Ilegu2q\usf n\whp n\enotes
-\temps\Notes|\qqbl9Nbeg\enotes
-\temps\Notes|\qqbl7ilmn\enotes
-% mesure 100
-\deuxtemps
-\changecontext\Notes\qqbH9I{!`I}{!I}KM|\hl m\enotes
-\temps\Notes\qqbl8N{=b}df|\hl n\enotes
-% mesure 101
-\barre\autolines{14}46\relax
-\Notes\qqbl{-9}gecN|\zcharnote s{\vrule width 0pt height 7pt}\hl l\enotes
-\temps\Notes\qqbl6a{_b}df|\hl m\enotes
-% mesure 102
-\barre\Notes\qqbl{-7}ecba|\wh n\enotes
-\temps\Notes\qqbL{8}LNLef|\sk\sk\sk\tleg2\enotes
-% mesure 103
-\barre\Notes\qqbL{-9}egdbN|\Ilegu2r\hl p\enotes
-\temps\Notes\bigna a\qqbl6aceg|\hl q\enotes
-% mesure 104
-\troistemps\changecontext\Notes\bigaccid\sh f\qqbl{-9}fd{=a}{^M}\relax
-|\tleg2\bigna o\wh o\enotes
-\temps\Notes\qqbu3KJKM\enotes
-\temps\Notes\qqbl6acd{f}|\hpause\enotes
-% mesure 105
-\deuxtemps\changecontext\Notes\qqbu{-9}ebNK|\Ilegu2p\wh n\enotes
-\temps\Notes\qqbH9NLNbe\enotes
-% mesure 106
-\barre\Notes\bigaccid\qqbl{-9}fd{=b}a|\hl m\enotes
-\temps\Notes\bigaccid\qqbl{-9}NK{=I}G|\hl n\enotes
-% mesure 107
-\barre\autolines{13}46\Notes\qqbl9HLac|\hl l\enotes
-\temps\Notes\qqbl9KM{_b}d|\hl m\enotes
-% mesure 108
-\barre\Notes\qqbl{-7}ecbN|\tleg2\wh n\enotes
-\temps\Notes\qqbl{9}KN{=b}h\enotes
-% mesure 109
-\barre\autolines{13}56\relax
-\Notes\qqbl{-8}fd{=b}a|\Ilegu2q\hl m\enotes
-\temps\Notes\qqbl8Ndfg|\hl n\enotes
-% mesure 110
-\barre\Notes\Qqbl ecaL|\tleg2\wh j\enotes
-\temps\Notes\usf e\Qqbl ecNL\enotes
-% mesure 111
-\barre\Notes\usf f\Qqbl fdaM|\sk\sk\sk\pause\enotes
-\temps\Notes\usf g\Qqbl gd{=b}N\enotes
-% mesure 112
-\barre\Notes\sk\sk\sk\pause|\lsf h\Qqbu hfca\enotes
-\temps\Notes|\lsf f\Qqbu fdaM\enotes
-% mesure 113
-\barre\Notes\zcharnote{c}{\CREsc}\sk\sk\sk\pause|\lsf g\Qqbu ge{=b}N\enotes
-\temps\Notes\zmidtwotext{\it rit.}|\lsf g\Qqbu gdbN\enotes
-% mesure 114
-\troistemps\alaligne\autolines{25}26\relax
-\znotes\zmidtwotext{\kern -7mm\ppff ff}|\raise 8\Interligne
-\llap{\moyen appassionato\kern -2cm}\uptext{\kern -7mm\rm
-(\metron{\qu}{75--80})}\enotes
-%
-\supafalse
-%\check
-\accord CEGJNce\relax
-% mesure 115
-\barre\accord CFHJacf\relax
-% mesure 116
-\barre\supatrue\accord CFHJcfh\relax
-% mesure 117
-\barre\accord CFHJdfh\relax
-\suspmorceau
-% mesure 118
-\def\interfacteur{11}\computewidths
-\preprmorceau\normalnotesize\notes\rlap{\qsk\whp{!`E}}\smallnotesize
-\raise -3\Interligne\llap{\LPED\sk}\ibbu0{F}9\qh0{!`E!EI}\tqh0{L}\relax
-|\zwp{g}\zwp{i}\zwp{l}\relax
-\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
-%\check
-\temps\smallnotesize\notes
-\ibbu0{!'I}9\qh0{!'GI'E}\tqh0{!''G}\relax
-|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
-%\check
-\temps\notes|\qsk
-\octfin{!'r}{8}\rlap{\ibbl0{!'I}8\qb0{I}\qb0{L}\qb0{!''G}\tqb0{I}}\relax
-\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''L}{-9}\qb0{!''LIG}\tqb0{!'L}}\relax
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\qsk
-\ifsupa|\qsk\rlap{\ibbl0{!''G}{-9}\qb0{!''IG`L}\tqb0{I}}\relax
-\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{!'G}{-9}\qh0{!'G`LI}\tqh0{G}\relax
-|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
-%
-% mesure 119
-\normalnotesize\deuxtemps\changecontext\notes\smallnotesize\qqbbH9FBF{=I}K\relax
-|\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\smallnotesize\qqbbH0kk{=i}ki\enotes
-\temps\notes\smallnotesize
- \qqbbl4M{=b}db|\llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kkiki\enotes
-\temps\notes\smallnotesize
- \qqbbl{-9}caLJ|\llap{\zq e\zql l\kern 1.5pt}\smallnotesize\qqbbH0jjhjh\enotes
-\temps\notes\smallnotesize
- \qqbbu{-9}MK{_I}F|\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{_i}ki\enotes
-%
-% mesure 120
-\autolines{20}2{\testpgs}\relax
-\normalnotesize\troistemps\changecontext\notes\rlap{\qsk\whp{!`E}}\smallnotesize
-\raise -3\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{`E!EG}\tqh0{I}\relax
-|\zwp{g}\zwp{i}\zwp{l}\relax
-\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
-%\check
-\smallnotesize\temps\notes
-\ibbu0{!'G}9\qh0{!'EGI}\tqh0{!''E}\relax
-|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
-%\check
-\temps\notes|\qsk
-\octfin{!'r}{8}\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{!''E}\tqb0{G}}\relax
-\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IGE}\tqb0{!'I}}\relax
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\qsk
-\ifsupa|\qsk\rlap{\ibbl0{!''E}{-9}\qb0{!''GE`I}\tqb0{G}}\relax
-\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\raise -3\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{!'E}{-9}\qh0{!'E`IG}\tqh0{E}\relax
-|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
-%
-% mesure 121
-\normalnotesize\generalmeter{\meterfrac{1}{2}}\changecontext
-\notes\smallnotesize\qqbbH9C{!`G}{!D}GI|\llap{\zq i\zql p\kern 1.5pt}\smallnotesize\qqbbH0nnknk\enotes
-\temps\notes\smallnotesize\qqbbl9JLNc|\llap{\zq j\zql q\kern 1.5pt}\smallnotesize\qqbbH0nnlnl\enotes
-%
-% mesure 122
-\normalnotesize\troistemps\changecontext\autolines{27}2{\testpgs}\relax
-\notes\rlap{\qsk\whp{!`D}}\smallnotesize
-\llap{\LPED\sk}\ibbu0{D}9\qh0{`D!D^F}\tqh0{H}\relax
-|\normalnotesize\bigsh m\zwp{h}\zwp{k}\zwp{m}\relax
-\usf{!'h}\whp{!'h}\smallnotesize\ibbu0{!h}9\qh0{hk}\tqh0{m}\enotes
-%\check
-\smallnotesize\temps\notes
-\ibbu0{!'F}9\qh0{!'D^FH}\tqh0{!''D}\relax
-|\ibbu0{!'h}8\qh0{!'h}\qh0{h}\qh0{k}\tqh0{^m}\enotes
-%\check
-\temps\notes
-|\qsk\octfin{22}8\rlap{\ibbl0{!'F}8\qb0{^F}\qb0{H}\qb0{!''D}\tqb0{^F}}\relax
-\ibbu0{!'h}7\qh0{!'h}\qh0{h}\qh0{k}\tbu0\qh0{^m}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''H}{-9}\qb0{!''HFD}\tqb0{!'H}}\relax
-\ibbu0{!''h}{-9}\qh0{!''h`mk}\tqh0{h}\qsk\enotes
-%\check
-\temps\notes
-\ifsupa|\rlap{\ibbl0{!''D}{-9}\qb0{!''FD`H}\tqb0{F}}\relax
-\else\ibbu0{!''F}{-9}\qh0{!''FD`H}\tqh0{F}|\fi
-\ibbu0{!''h}{-9}\qh0{!''h`mk}\tqh0{h}\enotes
-%\check
-\temps\notes\rlap{\sk\sk\DEP}\ibbu0{!'D}{-9}\qh0{!'D`HF}\tqh0{D}\relax
-|\ibbu0{!'h}{-9}\qh0{!'h`mk}\tqh0{h}\enotes
-%
-% mesure 123
-\barre\notes\rlap{\qsk\whp{!`E}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{!`E!EG}\tqh0{I}\relax
-|\normalnotesize\zwp{g}\zwp{i}\zwp{l}\relax
-\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
-%\check
-\smallnotesize\temps\notes
-\ibbu0{!'G}9\qh0{!'EGI}\tqh0{!''E}\relax
-|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
-%\check
-\temps\notes|\qsk
-\octfin{!'s}{8}\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{!''E}\tqb0{G}}\relax
-\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IGE}\tqb0{!'I}}\relax
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\qsk
-\ifsupa|\qsk\rlap{\ibbl0{!''E}{-9}\qb0{!''GE`I}\tqb0{G}}\relax
-\else\ibbu0{!''G}{-9}\qh0{!''GE`I}\tqh0{G}|\fi
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\raise -3\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{!'E}{-9}\qh0{!'E`IG}\tqh0{E}\relax
-|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
-%
-% mesure 124
-\deuxtemps\changecontext
-\autolines{20}3{\testpgs}\relax
-\notes\smallnotesize\qqbbH9FBF{=I}K\relax
-|\normalnotesize\llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{=i}ki\enotes
-\temps\notes\smallnotesize\qqbbl4M{=b}db|\normalnotesize
- \llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kkiki\enotes
-\temps\notes\smallnotesize\qqbbl{-9}caLJ|\normalnotesize
- \llap{\zq e\zql l\kern 1.5pt}\smallnotesize\qqbbH0jjhjh\enotes
-\temps\notes\smallnotesize\qqbbu{-9}MK{_I}F|\normalnotesize
- \llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kk{_i}ki\enotes
-%
-% mesure 125
-\normalnotesize\xbarre\notes\rlap{\qsk\whp{!`E}}\smallnotesize
-\raise -2\Interligne\llap{\LPED\sk}\ibbu0{E}9\qh0{!`E!EG}\tqh0{I}\relax
-|\zwp{g}\zwp{i}\zwp{l}\relax
-\usf{!'g}\whp{!'g}\smallnotesize\ibbu0{!g}9\qh0{gi}\tqh0{l}\enotes
-%\check
-\smallnotesize\temps\notes
-\ibbu0{!'G}9\qh0{!L'GI}\tqh0{!'L}\relax
-|\ibbu0{!'g}8\qh0{!'g}\qh0{g}\qh0{i}\tqh0{l}\enotes
-%\check
-\temps\notes
-|\qsk\octfin{!'s}8\rlap{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{L}\tqb0{!''G}}\relax
-\ibbu0{!'g}7\qh0{!'g}\qh0{g}\qh0{i}\tbu0\qh0{l}\enotes
-%\check
-\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IG`L}\tqb0{!'I}}\relax
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\qsk\enotes
-%\check
-% mesure 126
-\xbarre\notes
-\ifsupa|\rlap{\ibbl0{!'L}{-9}\qb0{!''G`LI}\tqb0{G}}\relax
-\else\ibbu0{!''I}{-9}\qh0{!''IG`L}\tqh0{I}|\fi
-\ibbu0{!''g}{-9}\qh0{!''g`li}\tqh0{g}\enotes
-%\check
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\ibbu0{L}{-9}\qh0{LIG}\tqh0{!`L}\relax
-|\ibbu0{!'g}{-9}\qh0{!'g`li}\tqh0{g}\enotes
-%
-\temps\notes\qqbbH9HDHKM|\normalnotesize
- \llap{\zq f\zql m\kern 1.5pt}\smallnotesize\qqbbH0kkhkh\enotes
-\temps\notes\qqbbl{-9}{=b}NLI|\normalnotesize
- \llap{\zq g\zql n\kern 1.5pt}\smallnotesize\qqbbH0kk{=i}ki\enotes
-%
-% mesure 127
-\troistemps\changecontext\autolines{25}2{\testpgs}\relax
-\Accord CGJLceg\relax
-\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\Qqbbu qnqs\enotes
-\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes
-\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes
-% mesure 128
-\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes
-\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes
-\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes
-\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes
-\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes
-\normalnotesize
-\temps\notes\boqu C\DEP\qsk|\qu J\enotes
-%
-% mesure 129
-\deuxtemps\pchangecontext\autolines876\relax\addspace{-0.25\elemskip}%
-\notes
-\uptext{\kern -6mm\ppff mf}\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff f}\Sfwu N\enotes
-\temps\notes\qqbbl9JLNc\zmidtwotext{\it diminuendo}\enotes
-\motif gecN\relax
-% mesure 130
-\xbarre\addspace{ -0.3\elemskip}\relax
-\notes\LPED\qsoupir\zmidtwotext{\it poco\ \ a\ \ poco}\relax
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 131
-\xbarre\addspace{-0.3\elemskip}\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 132
-\xbarre\addspace{-0.3\elemskip}\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 133
-\barre\notes\LPED\qsoupir
-{\transpose=-7\Tqbbu CJL}|\itenu1g\itenl0N\Sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\ccl e\Tqbbu gjl\enotes
-% mesure 134
-\barre\notes|\tten0\tten1\zh g\zhl N\qqbbh{-9}nljg\enotes
-\temps\notes|\qqbbu{-9}gecN\enotes
-\zbarre\notes|\qqbbu{-9}gecN\enotes
-\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes
-% mesure 135
-\barre\notes\LPED\qsoupir\uptext{\ppff mp}\relax
-\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff mf}\Sfwu N\enotes
-\temps\notes\qqbbl9JLNc\enotes
-\motif gecN\relax
-% mesure 136
-\alaligne\autolines966\notes\LPED\qsoupir
-\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif hfca\relax
-% mesure 137
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 138
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 139
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\itenu1l\Sfwu e\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 140
-\barre\notes|\tten0\tten1\zh l\zhl e\qqbbH{-9}oqnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes
-\temps\notes\sk\sk\sk\DEP|\qqbbl{-4}gedc\enotes
-% mesure 141
-\barre\notes\LPED\zmidtwotext{\ppff mp}\qsk\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes
-\temps\notes\qqbbl9KMad\enotes
-\motif khfd\relax
-% mesure 142
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJLN}|\Sfwu e\enotes
-\temps\notes\qqbbl9{=I}LN{=b}\enotes
-\motif l{=i}ge\relax
-% mesure 143
-\barre\notes\LPED\qsoupir
-\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes
-\temps\notes\qqbbl9JMac\enotes
-\motif jhfc\relax
-% mesure 144
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes
-\temps\notes\qqbbl9G{=I}KN\enotes
-\motif gd{=b}N\relax
-% mesure 145
-\barre\notes\LPED\qsoupir
-{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes
-\temps\notes\qqbbl9G{=I}LN\enotes
-\motif ge{=b}N\relax
-% mesure 146
-\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes
-\temps\notes\qqbbl9GJLN\enotes
-\zbarre\notes|\qqbbl9cegj\enotes
-\temps\notes|\qqbbl{4}lnus\enotes
-% mesure 147
-\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes
-\temps\notes|\qqbbH0ngnlj\enotes
-\temps\notes|\qqbbu{-9}gecN\enotes
-\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes
-\temps\notes\qu C\DEP\soupir\qsk|\qsk\hpause\enotes
-%
-% mesure 148
-\deuxtemps\pchangecontext\autolines{16}36\notes\LPED\qsoupir
-\zmidtwotext{\ppff p}\Tqbbh CJL|\qsk\wh g\enotes
-\temps\notes\cu N|\sk\transpose=7\Tqbbh JLN\enotes
-\temps\notes|\transpose=7\Qqbbu cNLJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
-%
-% mesure 149
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh h\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
-\temps\notes|\transpose=7\Qqbbu caMJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 150
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh j\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
-\temps\notes|\transpose=7\Qqbbu caMJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 151
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh k\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu KMa\enotes
-\temps\notes|\transpose=7\Qqbbu daMK\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 152
-\barre\notes\LPED\qsoupir\Tqbbh{!`C}{!C}E|\qsk\itenu1g\wh g\enotes
-\temps\notes\Qqbbu GJLN\enotes
-\temps\notes|\Qqbbu cegj\enotes
-\temps\notes|\Qqbbu ljge\enotes
-%
-% mesure 153
-\barre\notes|\tten1\pt g\zhl g\Qqbbu jgec\enotes
-\temps\notes|\Qqbbu gecN\enotes
-\temps\notes\Qqbbu ecNL\enotes
-\temps\notes\cu J\DEP\dsoupir|\soupir\enotes
-%
-% mesure 154
-\barre\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
-\temps\notes\cu N|\sk\transpose=7\Tqbbu JLN\enotes
-\temps\notes|\transpose=7\Qqbbu cNLJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
-%
-% mesure 155
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh h\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
-\temps\notes|\transpose=7\Qqbbu caMJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 156
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh j\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes
-\temps\notes|\transpose=7\Qqbbu caMJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 157
-\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh k\enotes
-\temps\notes\cu a|\sk\transpose=7\Tqbbu KMa\enotes
-\temps\notes|\transpose=7\Qqbbu daMK\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes
-%
-% mesure 158
-\barre\notes\LPED\qsoupir\Tqbbh{!`C}{!C}E|\qsk\itenu1l\wh l\enotes
-\temps\notes\Qqbbu GJLN\enotes
-\temps\notes|\Qqbbu cegj\enotes
-\temps\notes|\Qqbbu ljge\enotes
-%
-% mesure 159
-\barre\notes|\tten1\pt l\zhl l\Qqbbu jgec\enotes
-\temps\notes|\Qqbbu gecN\enotes
-\temps\notes\Qqbbu ecNL\enotes
-\temps\notes\cu J\DEP\dsoupir|\soupir\enotes
-%
-% mesure 160
-\troistemps\changecontext\autolines{22}26\relax
-\notes\LPED\qsoupir\Tqbbh CJM|\qsk\hl k\enotes
-\temps\notes\cu a\sk\DEP|\sk\transpose=7\Tqbbu JMa\enotes
-\temps\notes\LPED\qsoupir\Tqbbh CJN|\qsk\hl l\enotes
-\temps\notes\bigna b\cu b\sk\DEP|\sk\transpose=7\bigaccid\Tqbbu LN{=b}\enotes
-\temps\notes\LPED\qsoupir\Tqbbh CJL|\qsk\hl j\enotes
-\temps\notes\bigsh M\cu M\sk\DEP|\sk\Tqbbu ace\enotes
-%
-% mesure 161
-\deuxtemps\changecontext
-\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
-\temps\notes\cu N|\sk\transpose=7\Tqbbh JLN\enotes
-\temps\notes|\transpose=7\qqbbh{-9}cNLJ\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
-% mesure 162
-\barre\autolines{16}36\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes
-\temps\notes\cu N|\sk\transpose=7\bigna I\Tqbbh {I}LN\enotes
-\temps\notes|\transpose=7\bigaccid\qqbbh{-9}{=b}NLI\enotes
-\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes
-%
-% mesure 163
-\barre\notes\LPED\qsoupir\cinqx b\qqbbH9C{!`C}{!C}EG|\qsk\itenu1g\wh g\enotes
-\temps\notes\qqbbH9LJLNc\enotes
-\temps\notes\qqbbh{-9}ecNL\enotes
-\temps\notes\qqbbh{-9}cNLJ\enotes
-%
-% mesure 164
-\barre\notes\qqbbh{-9}NLJG|\tten1\hup g\enotes
-\temps\notes\qqbbh{-9}LJGE\enotes
-\temps\Notes\qu C\DEP\enotes
-\temps\Notes\soupir|\soupir\enotes
-%
-% mesure 165
-\suspmorceau
-\def\interfacteur{10}\computewidths
-\preprmorceau\autolines{14}46\relax
-\notes\LPED\uptext{\it pi\`u dolce}\wh N|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes\sk\DEP|\tqbH6ljnl\enotes
-% mesure 166
-\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes
-\temps\notes|\tqbH6echf\enotes
-\temps\notes|\Tqbh jhm\enotes
-\temps\notes\sk\DEP|\tqbH6ljom\enotes
-% mesure 167
-\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes
-\temps\notes|\tqbH6gfjh\enotes
-\temps\notes|\Tqbh mjo\enotes
-\temps\notes\sk\DEP|\tqbH6pmqo\enotes
-% mesure 168
-\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes
-\temps\notes|\tqbH6gfkh\enotes
-\temps\notes|\Tqbh mko\enotes
-\temps\notes\sk\DEP|\tqbH6pmro\enotes
-% mesure 169
-\barre\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes|\Tqbh jnl\enotes
-% mesure 170
-\barre\notes\tten0\hlp N|\tqbL6nqns\enotes
-\temps\notes|\Tqbl qus\enotes
-\temps\notes\sk\DEP|\Tqbl qsq\enotes
-\temps\notes\soupir|\Tqbl nlj\enotes
-% mesure 171
-\barre\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes\sk\DEP|\tqbH6ljnl\enotes
-% mesure 172
-\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes
-\temps\notes|\tqbH6echf\enotes
-\temps\notes|\Tqbh jhm\enotes
-\temps\notes\sk\DEP|\tqbH6ljom\enotes
-% mesure 173
-\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes
-\temps\notes|\tqbH6gfjh\enotes
-\temps\notes|\Tqbh mjo\enotes
-\temps\notes\sk\DEP|\tqbH6pmqo\enotes
-% mesure 174
-\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes
-\temps\notes|\tqbH6gfkh\enotes
-\temps\notes|\Tqbh mko\enotes
-\temps\notes\sk\DEP|\tqbH6pmro\enotes
-% mesure 175
-\barre\notes\LPED\itenl0e\wh e|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes|\tqbH6ljnl\enotes
-% mesure 176
-\barre\notes\tten0\wh e|\tqbL5nqns\enotes
-\temps\notes|\Tqbl qus\enotes
-\temps\notes|\Tqbl qsq\enotes
-\temps\notes\sk\DEP|\Tqbl nlj\enotes
-% mesure 177
-\troistemps\changecontext\autolines{15}36\relax
-\addspace{-0.3\elemskip}\relax
-\notes\LPED\hl d|\dsoupir\dqbh dh\enotes
-\temps\notes\sk\DEP|\tqbH5ifkh\enotes
-\temps\notes\LPED\hl e|\dsoupir\dqbh cg\enotes
-\temps\notes\sk\DEP|\tqbH5ie{=i}g\enotes
-\temps\notes\LPED\hl c|\dsoupir\dqbh ch\enotes
-\temps\notes\sk\DEP|\tqbH5h{^f}jh\enotes
-% mesure 178
-\deuxtemps\changecontext \addspace{-0.5\elemskip}\relax
-\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes\sk\DEP|\tqbH6ljnl\enotes
-% mesure 179
-\barre\notes\LPED\wh N|\dsoupir\dqbh Nd\enotes
-\temps\notes|\tqbH6e{=b}gd\enotes
-\temps\notes|\Tqbh {=i}gk\enotes
-\temps\notes\sk\DEP|\tqbH6link\enotes
-% mesure 180
-\alaligne\autolines{15}46\relax
-\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes
-\temps\notes|\tqbH6ecge\enotes
-\temps\notes|\Tqbh jgl\enotes
-\temps\notes|\tqbH6ljnl\enotes
-% mesure 181
-\barre\notes\pointdorgue b\tten0\wh N|\tqbL6nqns\enotes
-\temps\notes|\Tqbl qsq\enotes
-\temps\notes|\tqbL0lnln\enotes
-\temps\notes\sk\DEP|\pointdorgue m\ql j\sk\enotes
-% mesure 182
-\barre\autolines{12}66\relax
-\notes\zcharnote c{\ppff pp}\bassC|\hu N\enotes
-\temps\notes\bassC|\hu a\enotes
-% mesure 183
-\barre\notes\bassC|\hu c\enotes
-\temps\notes\bassC|\hu d\enotes
-% mesure 184
-\troistemps\changecontext
-\notes\LPED\soupir|\wh N\enotes
-\temps\notes\BassC\sk\soupir\enotes
-\temps\notes\hpause\sk|\hpause\enotes
-% mesure 185
-\deuxtemps\changecontext\notes\bassC|\hu N\enotes
-\temps\notes\bassC|\hu a\enotes
-% mesure 186
-\alaligne\autolines{11}66\relax
-\notes\bassC|\hu c\enotes
-\temps\notes\bassC|\hu d\enotes
-% mesure 187
-\barre\notes\LPED\soupir|\wh E\enotes
-\temps\notes\BassC\enotes
-\temps\notes\soupir\enotes
-% mesure 188
-\troistemps\changecontext\notes\bassC|\hu d\enotes
-\temps\notes\bassC|\hu e\enotes
-\temps\notes\bassC|\hu c\enotes
-% mesure 189
-\deuxtemps\changecontext \addspace{-0.3\elemskip}\relax
-\notes\LPED\soupir|\Uptext{\it senza rallentare}\wh N\enotes
-\temps\notes\BassG|\enotes
-\temps\notes\soupir|\enotes
-% mesure 190
-\barre\notes\LPED\soupir|\wh N\enotes
-\temps\notes\zmidtwotext{\DImin}\BassG\enotes
-\temps\notes\soupir|\enotes
-% mesure 191
-\barre\notes\LPED\soupir|\wh N\enotes
-\temps\notes\BassC\enotes
-\temps\notes\soupir|\enotes
-%
-\finmorceau \rightline{\sl \aujourdhui}\eject
-\endinput
-
-
-
-
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/choral.tex b/Master/texmf-dist/doc/generic/musictex/choral.tex
deleted file mode 100644
index 7ebb61f5f07..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/choral.tex
+++ /dev/null
@@ -1,900 +0,0 @@
-\title{Choral vari\'e}
-\fulltitle{IV. \titremorceau}
-\csname titremorceautoc\endcsname
-\subtitle{(pour orgue)}
-\othermention{Compos\'e en 1990}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\maketitle
-
-\parindent 18mm
-%
-\bigskip
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{1}\relax % un dieze a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{G.O.--Pos}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%
-\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
-\par\noindent{\rm Pos.: 8'+4' ou 8'+4'+2' doux}%
-\par\noindent{\rm R\'ec.: cornet ou cromorne}%
-\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}%
-\smallskip
-%
-\troistemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
- \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-%
-\catcodesmusic\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
-%
-\debutmorceau
-%
-\autolines 775\relax
-%\check
-%
-\hyphenpenalty -50\relax
-\znotes&|\uptext{\raise 1.5\Interligne
- \hbox{\kern -10mm\moyen Andante \bf(\metron{\qu}{65})}}\enotes
-%
-%\advance\barsinline by 1\relax
-\advance\linesinpage by 1\relax
-%
-% mesure 1
-\nspace
-\NOtes\hu G&\zh N\hl b|\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
-%\check
-% mesure 2
-\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
-\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
-\temps\Notes\qu G&\ql N|\zql g\qu i\enotes
-\resp
-%\check
-% mesure 3
-\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
-\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
-\temps\NOtes\qu D&|\qu k\enotes
-%\check
-% mesure 4
-\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\Notes\qu I&|\qu g\enotes
-\def\atnextline{\autolines775}\resp
-% mesure 5
-\barre\NOtes\qu J&\zql c\qu e|\qu g\enotes
-\temps\NOtes\qu I&\zql b\hu d|\zq g\qu i\enotes
-\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes
-% mesure 6
-\barre\NOtes\hu G&\hlp b|\zqu k\zhp g\hlp i\enotes
-\temps\NOtes&|\qu k\enotes
-\temps\NOtes\qu{=F}&|\qu k\enotes
-%\check
-% mesure 7
-\barre\NOtes\qu E&\hlp b|\zhp{^g}\zhl i\qup l\enotes
-\temps\notes\qu{^G}&|\enotes
-\temps\notes&|\cu k\enotes
-\temps\notes\qu E&|\dqh{-2}ji\enotes
-%\check
-% mesure 8
-\barre\NOtes\qu H&\hlp a|\zhu j\zh c\hl e\enotes
-\temps\NOtes\qu{^G}&|\enotes
-\temps\NOtes\qu{=G}&|\soupir\enotes
-% mesure 9
-\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
-\temps\NOtes\qu E&|\qu j\enotes
-\temps\NOtes\qu F&|\qu k\enotes
-% mesure 10
-\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\Notes\qu I&|\qu g\enotes
-\resp
-% mesure 11
-\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes
-\temps\notes\qu I&\zq b\qu d|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu J&\zq c\qu e|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-\advance\barsinline by -1\relax
-\def\atnextline{\autolines675}%
-% mesure 12
-\barre\NOTes\hu K&\zhp a\hlp d|\zhp f\hup h\enotes
-\temps\NOtes\qu D&|\enotes
-% mesure 13
-\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-%
-% mesure 14
-\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
-\temps\NOtes\qu G&|\qu k\enotes
-\temps\NOtes\qu{=F}&|\qu k\enotes
-%\check
-% mesure 15
-\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
-\temps\notes\qu{^G}&|\enotes
-\temps\notes&|\cu k\enotes
-\temps\notes\qu E&|\dqh{-2}ji\enotes
-%\check
-% mesure 16
-\barre\NOtes\qu H&\itenu1a\hlp a|\zhp e\itenl0h\rlap{\hlp h}\qu j\enotes
-\temps\NOtes\qu G&|\qu j\enotes
-\temps\NOtes\qu{^F}&|\qu j\enotes
-%\check
-% mesure 17
-\barre\NOtes\qu D&\tten1\hlp a|\tten0\zhp f\zhl h\qup k\enotes
-\temps\notes\qu E&|\enotes
-\temps\notes&|\cu j\enotes
-\temps\notes\qu F&|\dqh{-2}ih\enotes
-%\check
-% mesure 18
-\barre\NOtes\qu G&\zh b\hl d|\zhl g\hu i\enotes
-\temps\NOtes\qu K&|\enotes
-\temps\NOtes\qu J&\soupir|\soupir\enotes
-% mesure 19
-\barre\NOtes\hu I&\itenl0N\zhp N\hlp b|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu G&|\qu f\enotes
-% mesure 20
-\barre\NOtes\qu J&\tten0\zhp N\hlp c|\hu e\enotes
-\temps\notes\qu I&|\sk\sk\enotes
-\temps\NOtes\qu J&|\qu e\enotes
-% mesure 21
-\barre\NOtes\qu H&\itenl0a\zhp a\hlp c|\qu e\enotes
-\temps\NOtes\qu I&|\qu h\enotes
-\temps\NOtes\qu J&|\qu g\enotes
-% mesure 22
-\barre\NOtes\qu K&\tten0\itenl0a\zhp a\hlp d|\hu f\enotes
-\temps\NOtes\qu J&|\enotes
-\temps\NOtes\qu K&|\qu f\enotes
-% mesure 23
-\barre\NOtes\qu H&\tten0\zqu c\hlp a|\qu f\enotes
-\temps\NOtes\qu K&\qu d|\qu i\enotes
-\temps\NOtes\qu J&\ql M|\qu h\enotes
-% mesure 24
-\barre\NOtes\qu I&\ql b|\zhl e\qup g\enotes
-\temps\notes\qu J&\zhl a\qu c|\sk\cu h\enotes
-\temps\NOtes\qu K&\qu d|\qu f\enotes
-% mesure 25
-\barre\NOTes\hu G&\zhl b\hl d|\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-%
-% mesure 26
-\barre\NOtes\hu L&\zhp b\itenu0e\hlp e|\itenl1g\zqu i\hlp g\enotes
-\temps\NOtes&|\qu i\enotes
-\temps\NOtes\qu K&|\qu i\enotes
-% mesure 27
-\barre\NOtes\qu J&\zhp c\tten0\hlp e|\tten1\zhl g\qup l\enotes
-\temps\notes\qu E&|\sk\cu k\enotes
-\temps\notes\qu{^G}&|\zql{^g}\dqh{-2}ji\enotes
-% mesure 28
-\barre\NOtes\hu H&\itenu0a\hlp a|\zqu j\zhp e\hlp h\enotes
-\temps\NOtes&|\qu j\enotes
-\temps\NOtes\qu G&|\qu j\enotes
-% mesure 29
-\barre\notes\qu F&\tten0\zhp a|\rlap{\zhp d\hlp f}\dqh{-2}kj\enotes
-\temps\notes\qu D&|\dqh{2}kl\enotes
-\temps\notes\qu F&|\dqh2jk\enotes
-% mesure 30
-\barre\NOtes\qu G&\zhp b|\zhp d\rlap{\hlp g}\hu i\enotes
-\temps\NOtes\qu H&|\enotes
-\temps\NOtes\qu I&|\raise 2\Interligne\soupir\enotes
-% mesure 31
-\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
-% mesure 32
-\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
-\temps\notes&|\sk\cu e\enotes
-\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
-% mesure 33
-\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
-\temps\NOtes\qu J&\hu c|\qu e\enotes
-\temps\NOtes\qu H&\ql a|\qu f\enotes
-% mesure 34
-\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
-\temps\notes\qu J&\zq e\ql c|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu I&\zq d\ql b|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-% mesure 35
-\barre\NOtes\qu H&\zq e\zqu c\hlp a|\zcharnote q{\Trille
- {5\elemskip}}\hu h\enotes
-\temps\NOtes\qu K&\zh d\hu f\enotes
-\temps\NOtes\qu D&|\qu h\enotes
-% mesure 36
-\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\Suspmorceau
-%
-%
-\csname ORchoralb\endcsname
-\troistemps \autolines 755\relax
-\cleftoksii={{0}{0}{0}{0}}%
-\def\instrumenti{P\'ed. 8'}%
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
- \centerline{Positif}}}%
-\debutmorceau\notes&\zmidtwotext{claviers s\'epar\'es}|\Uptext{\moyen Stesso tempo}\enotes
-% mesure 37
-\def\atnextline{\autolines655}%
-\notes\hu G&\dqh3bc|\qu d\enotes
-\temps\notes&\dqh5dg|\qu g\enotes
-\temps\notes\qu H&\dqh{-3}fe|\qu f\enotes
-%\check
-% mesure 38
-\barre\notes\qu I&\dqh7dg|\qup g\enotes
-\temps\notes\qu H&\dqh3ef|\sk\cu h\enotes
-\temps\notes\qu G&\dqh3gi|\qu i\enotes
-%\check
-% mesure 39
-\barre\notes\qu E&\dqh{-5}he|\qu j\enotes
-\temps\notes\qu F&\dqh3fg|\qu j\enotes
-\temps\notes\qu D&\dqh3hi|\qu k\enotes
-%\check
-% mesure 40
-\barre\notes\qu G&\dqh3gh|\qup i\enotes
-\temps\notes\qu H&\dqh3ij|\sk\cu h\enotes
-\temps\notes\qu I&\dqh3kl|\qu g\enotes
-% mesure 41
-\barre\notes\qu J&\dqh{-3}jh|\qu g\enotes
-\temps\notes\qu I&\dqh{-3}gf|\qu i\enotes
-\temps\notes\qu H&\dqh{-5}ec|\qu j\enotes
-% mesure 42
-\bigaccid
-\barre\notes\qu G&\dqh5bd|\qu k\enotes
-\temps\notes\qu I&\dqh3gh|\qu k\enotes
-\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes
-%\check
-% mesure 43
-\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes
-\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes
-\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes
-%\check
-% mesure 44
-\barre\notes\qu H&\dqh{-3}ji|\hu h\enotes
-\temps\notes\qu J&\dqh{-3}h{=g}|\enotes
-\temps\notes\qu H&\dqh3fg|\soupir\enotes
-% mesure 45
-\barre\notes\qu F&\dqh{-3}hg|\qu j\enotes
-\temps\notes\qu D&\dqh5fh|\qu j\enotes
-\temps\notes\qu F&\dqh3ij|\qu k\enotes
-%\check
-% mesure 46
-\barre\notes\qu G&\dqh3kl|\qup i\enotes
-\temps\notes\qu H&\dqh{-3}kj|\sk\cu h\enotes
-\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes
-% mesure 47
-\barre\notes\qu J&\dqh3ef|\qu g\enotes
-\temps\notes\qu I&\dqh{-5}db|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu J&\dqh5ce|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-% mesure 48
-\barre\notes\hu K&\dqh3fg|\hup h\enotes
-\temps\notes&\dqh{-5}hf|\enotes
-\temps\notes\qu D&\dqh{-3}dc|\enotes
-% mesure 49
-\barre\notes\hu G&\dqh5bd|\hu g\enotes
-\temps\notes&\dqh3ef|\enotes
-\temps\notes\soupir&\dqh3gh|\soupir\enotes
-%
-% mesure 50
-\barre\notes\qu G&\dqh3ij|\qu k\enotes
-\temps\notes\qu I&\dqh{-3}kj|\qu k\enotes
-\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes
-%\check
-% mesure 51
-\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes
-\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes
-\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes
-%\check
-% mesure 52
-\barre\notes\qu H&\dqh3jk|\qu j\enotes
-\temps\notes\qu G&\dqh{-3}lk|\qu j\enotes
-\temps\notes\qu{^F}&\dqh{-5}jh|\qu j\enotes
-%\check
-% mesure 53
-\barre\notes\qu D&\dqh{-3}ih|\qup k\enotes
-\temps\notes\qu E&\dqh{-5}{=g}e|\sk\cu j\enotes
-\temps\notes\qu F&\dqh{-3}dc|\dqh{-2}ih\enotes
-%\check
-% mesure 54
-\barre\notes\qu G&\dqh3bc|\hu i\enotes
-\temps\notes\qu K&\dqh5de|\enotes
-\temps\notes\qu J&\dqh{-5}fd|\soupir\enotes
-%\check
-% mesure 55
-\barre\notes\qu I&\dqh5gi|\qu d\enotes
-\temps\notes\qu G&\dqh{-3}kj|\qu g\enotes
-\temps\notes\qu I&\dqh{-3}ih|\qu f\enotes
-% mesure 56
-\barre\notes\qu J&\dqh7gj|\hu e\enotes
-\temps\notes\qu I&\dqh{-3}lk|\enotes
-\temps\notes\qu J&\dqh{-3}ji|\qu e\enotes
-% mesure 57
-\barre\notes\qu H&\dqh{-5}hf|\qu e\enotes
-\temps\notes\qu J&\dqh{-3}ed|\qu h\enotes
-\temps\notes\qu L&\dqh5ce|\qu g\enotes
-% mesure 58
-\barre\notes\qu K&\dqh5fh|\hu f\enotes
-\temps\notes\qu J&\dqh{-3}fe|\enotes
-\temps\notes\qu K&\dqh{-3}dc|\qu f\enotes
-% mesure 59
-\barre\notes\qu{^K}&\dqh5b{^d}|\qu f\enotes
-\temps\notes\qu{^J}&\dqh5fh|\qu i\enotes
-\temps\notes\qu K&\dqh{-3}gf|\qu h\enotes
-% mesure 60
-\barre\notes\qu L&\dqh{-3}ed|\qup g\enotes
-\temps\notes\qu{=J}&\dqh{-5}ca|\sk\cu h\enotes
-\temps\notes\qu{=K}&\dqh3bc|\qu f\enotes
-% mesure 61
-\barre\notes\hu G&\qup b\sk|\hu g\enotes
-\temps\notes&\sk\cl j|\enotes
-\temps\notes\soupir&\dqb{-3}ih|\soupir\enotes
-%
-% mesure 62
-\barre\notes\hu L&\dqh{-3}gf|\qu i\enotes
-\temps\notes&\dqh3gh|\qu i\enotes
-\temps\notes\qu K&\dqh{-3}g{=f}|\qu i\enotes
-% mesure 63
-\barre\notes\qu J&\dqh5eg|\qup l\enotes
-\temps\notes\qu E&\dqh{-6}i{=f}|\sk\cu k\enotes
-\temps\notes\qu{^G}&\dqh{-3}ed|\dqh{-2}ji\enotes
-% mesure 64
-\barre\notes\hu H&\dqh3e{^f}|\qu j\enotes
-\temps\notes&\dqh7eh|\qu j\enotes
-\temps\notes\qu G&\dqh{-3}ji|\qu j\enotes
-%\check
-% mesure 65
-\barre\notes\qu F&\dqh{-2}hg|\dqh{-2}kj\enotes
-\temps\notes\qu D&\dqh{-2}fe|\dqh3kl\enotes
-\temps\notes\qu F&\dqh5fh|\dqh2jk\enotes
-% mesure 66
-\barre\notes\qu G&\dqh3de|\hu i\enotes
-\temps\notes\qu H&\dqh5fh|\enotes
-\temps\notes\qu I&\dqh{-3}g{=f}|\soupir\enotes
-\def\atnextline{\autolines665\elemskip=1.03\elemskip}%
-% mesure 67
-%\check
-\barre\notes\hu J&\dqh5eg|\qu g\enotes
-\temps\notes&\dqh{-3}ji|\qu g\enotes
-\temps\notes\qu H&\dqh{-3}hg|\qu f\enotes
-% mesure 68
-\barre\notes\hu K&\dqh{-7}he|\qup f\enotes
-\temps\notes&\dqh{-3}dc|\sk\cu e\enotes
-\temps\notes\qu J&\dqh{-3}ba|\qu d\enotes
-%\check
-% mesure 69
-\barre\notes\qu I&\dqh{-3}NM|\qu d\enotes
-\temps\notes\qu J&\dqh5Nb|\qu e\enotes
-\temps\notes\qu H&\dqh3cd|\qu f\enotes
-% mesure 70
-\barre\notes\qu I&\dqh5bd|\qu g\enotes
-\temps\notes\hu J&\dqh{-5}ec|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes&\dqh3de|\trioskip\ibu0g7\qhp0g\sk\tbbu0\tqh0j\enotes
-%\check
-% mesure 71
-%
-\barre\notes\hu K&\dqh3fg|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes
-\temps\notes&\dqh{-5}hf|\enotes
-\temps\notes\qu D&\dqh{-3}dc|\enotes
-% mesure 72
-\barre\NOTes\hu G&\hu b|\hu g\enotes
-\temps\Notes\soupir&\soupir|\soupir\enotes
-\Suspmorceau
-%
-%\check
-\csname ORchoralc\endcsname
-\def\instrumentii{G.O.-Pos.}
-\cleftoksii={{6}{0}{0}{0}}
-\def\instrumenti{\vbox{\hsize=\parindent
- \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
-\debutmorceau
-\autolines 795\relax
-%
-% mesure 1
-\znotes&|\Uptext{\moyen Stesso tempo}\enotes
-\relax\NOtes\hu G&\zh N\hl b\relax
- |\zqu d\qsk\itenl0c\hlp d\enotes
-\def\atnextline{\autolines 695}\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
-%\check
-% mesure 2
-\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
-\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
-\temps\Notes\qu G&\ql N|\zql g\qu i\enotes
-\resp
-%\check
-% mesure 3
-\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
-\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
-\temps\NOtes\qu D&|\qu k\enotes
-%\check
-% mesure 4
-\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\Notes\qu I&|\qu g\enotes
-\resp
-% mesure 5
-\barre\NOtes\qu J&\ql c|\zql e\qu g\enotes
-\temps\NOtes\qu I&\ql b|\zhl d\zq g\qu i\enotes
-\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes
-% mesure 6
-\barre\NOtes\qu G&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
-\temps\NOtes\qu{^F}&|\qu k\enotes
-\temps\NOtes\qu{=F}&|\qu k\enotes
-%\check
-% mesure 7
-\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
-\temps\notes\qu{^F}&|\enotes
-\temps\notes&|\cu k\enotes
-\temps\notes\qu{^G}&|\dqh{-2}ji\enotes
-%\check
-% mesure 8
-\barre\NOtes\qu{H}&\hlp{a}|\zhu h\zhp{^c}\hlp e\enotes
-\temps\NOtes\qu{^G}&|\enotes
-\temps\NOtes\qu{=G}&|\soupir\enotes
-% mesure 9
-\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
-\temps\NOtes\qu E&|\qu j\enotes
-\temps\NOtes\qu F&|\qu k\enotes
-% mesure 10
-\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\Notes\qu I&|\qu g\enotes
-\resp
-% mesure 11
-\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes
-\temps\notes\qu I&|\trioskip\zq b\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu J&|\trioskip\zq c\zql e\ibu0g2\qhp0g\sk\tbbu0\tqh0h\enotes
-% mesure 12
-\barre\NOtes\qu K&\hl a|\rlap{\hlp d}\hu f\enotes
-\temps\NOtes\qu J&|\enotes
-\temps\NOtes\qu I&\ql b|\qu g\enotes
-% mesure 13
-\barre\NOtes\hu H&\zh a\hl c|\zhl e\qu h\enotes
-\temps\NOtes&|\qu h\enotes
-\temps\NOtes\qu {^G}&\zq b\ql d|\zql{^g}\qu i\enotes
-%\check
-% mesure 14
-\barre\NOtes\qu H&\hlp a|\zh e\zhl h\qup j\enotes
-\temps\notes\qu G&|\sk\cu i\enotes
-\temps\notes\qu F&|\trioskip\zq d\zql f\ibu0j2\qhp0j\sk\tbbu0\tqh0k\enotes
-% mesure 15
-\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\Notes\qu I&|\qu g\enotes
-\resp
-% mesure 16
-\barre\NOtes\qu L&\ql c|\zql e\qu g\enotes
-\temps\notes\qu K&\ql b|\trioskip\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-% mesure 17
-\barre\Notes\qu K&\itenu0d\hlp d|\zhp f\hup h\enotes
-\temps\Notes\qu J&|\enotes
-\temps\Notes\qu K&|\enotes
-% mesure 18
-\barre\NOtes\hu G&\tten0\zhl b\hl d|\hu g\enotes
-\temps\Notes\soupir&\soupir|\soupir\enotes
-\Suspmorceau
-%
-% mesure 1
-%\check
-\csname ORchorald\endcsname
-\troistemps
-\cleftoksii={{0}{0}{0}{0}}
-\def\instrumenti{P\'ed. 8'}%
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
- \centerline{Positif}}}%
-\autolines 755\relax
-\debutmorceau
-\notes\qu E&\zmidtwotext{claviers s\'epar\'es}\dqh6be\relax
- |\Uptext{\moyen Un poco pi\`u lento \bf(\metron{\qu}{60})}\qu e\enotes
-\temps\notes\qu I&\dqh{-5}ge|\qu g\enotes
-\temps\notes\qu {^K}&\dqh{-3}{^d}{^c}|\qu f\enotes
-% mesure 2
-\barre\notes\qu L&\dqh5b{^d}|\qup g\enotes
-\temps\notes\qu J&\dqh3ef|\sk\cu h\enotes
-\temps\notes\qu I&\dqh5gi|\qu i\enotes
-% mesure 3
-\barre\notes\qu H&\dqh{-5}hf|\qu j\enotes
-\temps\notes\qu G&\dqh5eg|\qu j\enotes
-\temps\notes\qu F&\dqh{-5}jh|\qu l\enotes
-% mesure 4
-\barre\notes\qu G&\dqh{-3}ih|\qup k\enotes
-\temps\notes\qu I&\dqh3gh|\sk\cu j\enotes
-\temps\notes\qu{^K}&\dqh{-3}gf|\dqh{-3}ih\enotes
-% mesure 5
-\barre\notes\qu L&\dqh{-5}ge|\hu i\enotes
-\temps\notes\qu {=K}&\dqh{-5}{=f}d|\enotes
-\temps\notes\qu J&\dqh3e{^f}|\qu g\enotes
-% mesure 6
-\barre\autolines 665\notes\qu I&\dqh{-5}ge|\qu i\enotes
-\temps\notes\qu H&\dqh5{=f}h|\qu k\enotes
-\temps\notes\qu G&\dqh{-3}gf|\qu{=m}\enotes
-% mesure 7
-\barre\notes\qu{^G}&\dqh5e{^g}|\qup l\enotes
-\temps\notes\qu E&\dqh{-7}i{=f}|\sk\cu k\enotes
-\temps\notes\qu G&\dqh{-3}ed|\dqh{-3}ji\enotes
-% mesure 8
-\barre\notes\qu H&\dqh{-3}ed|\qu j\enotes
-\temps\notes\qu J&\dqh3cd|\qu h\enotes
-\temps\notes\qu H&\dqh5e{=g}|\dqh5jl\enotes
-% mesure 9
-\barre\notes\qu K&\dqh{-5}h{^f}|\qup{^m}\enotes
-\temps\notes\qu J&\dqh3ef|\sk\cu k\enotes
-\temps\notes\qu I&\dqh3gh|\dqh{-3}lm\enotes
-% mesure 10
-\barre\notes\qu L&\dqh{-3}ih|\dqb{-2}nm\enotes
-\temps\notes\qu K&\dqh3ij|\dqb2no\enotes
-\temps\notes\qu I&\dqh{-5}ki|\dqb{-5}pn\enotes
-% mesure 11
-\barre\notes\qu H&\dqh{-3}hg|\dqb{-3}qp\enotes
-\temps\notes\qu K&\dqh{-3}fe|\hl o\sk\enotes
-\temps\notes\qu D&\dqh{-3}dc|\sk\sk\enotes
-% mesure 12
-\barre\autolines675\elemskip=1.03\elemskip
-\notes\hu E&\qup b|\qlp n\sk\enotes
-\temps\notes&\dsoupir|\sk\cl p\enotes
-\temps\notes\qu F&\qu{^c}|\dqb{-3}on\enotes
-% mesure 13
-\barre\notes\qu I&\qu{^d}|\dqb{-3}ml\enotes
-\temps\notes\qu J&\qu h|\dqb3mn\enotes
-\temps\notes\qu I&\qu f|\dqb3op\enotes
-%\check
-% mesure 14
-\barre\notes\qu J&\qu g|\dqb3lm\enotes
-\temps\notes\qu I&\dqh{-2}ed|\dqb3no\enotes
-\temps\notes\qu G&\qu e|\dqb{-5}pn\enotes
-%\check
-% mesure 15
-\barre\notes\qu H&\qu c|\dqb{-3}qp\enotes
-\temps\notes\qu J&\qu e|\dqb{-3}on\enotes
-\temps\notes\qu{^K}&\qu h|\dqb{-3}ml\enotes
-%\check
-% mesure 16
-\barre\notes\hu I&\qu f|\dqb{-3}{^k}{^j}\enotes
-\temps\notes&\qu g|\dqb{-5}ki\enotes
-\temps\notes\qu J&\qu e|\dqb3no\enotes
-%\check
-% mesure 17
-\barre\NOtes\qu I&\qu{^d}|\nTrille p3\hl m\enotes
-\temps\NOtes\qu J&\qu b|\sk\enotes
-\temps\notes\qu I&\qu d|\dqb{-3}ml\enotes
-%\check
-% mesure 18
-\def\atnextline{\autolines665}%
-\barre\Notes\hu E&\hu e|\hl l\sk \enotes
-\temps\Notes\soupir&\soupir|\soupir\enotes
-%\check
-% mesure 19
-\barre\notes\hu E&\dqh3Na|\qu b\enotes
-\temps\notes&\dqh7be|\qu e\enotes
-\temps\notes\qu F&\dqh5fh|\qu{^d}\enotes
-%\check
-% mesure 20
-\barre\notes\qu G&\dqh5gi|\qup e\enotes
-\temps\notes\qu F&\dqh{-5}hf|\sk\cu f\enotes
-\temps\notes\qu E&\dqh5eg|\qu g\enotes
-%\check
-% mesure 21
-\barre\notes\qu{^D}&\dqh{-3}fe|\qu h\enotes
-\temps\notes\qu F&\dqh{-3}{^d}b|\qu h\enotes
-\temps\notes\qu G&\dqh3{^c}d|\qu i\enotes
-%\check
-% mesure 22
-\barre\notes\qu E&\dqh5eg|\qup g\enotes
-\temps\notes\qu F&\dqh5fh|\sk\cu f\enotes
-\temps\notes\qu G&\dqh{-3}gf|\qu e\enotes
-%\check
-% mesure 23
-\barre\notes\qu J&\dqh3gh|\qu e\enotes
-\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes
-\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes
-%\check
-% mesure 24
-\barre\notes\qu G&\dqh{-3}db|\qu i\enotes
-\temps\notes\qu I&\dqh3ef|\qu i\enotes
-\temps\notes\qu G&\dqh{-5}ge|\qu i\enotes
-%\check
-% mesure 25
-\barre\notes\qu F&\dqh{-3}hg|\qup j\enotes
-\temps\notes\qu H&\dqh{-3}fe|\sk\cu i\enotes
-\temps\notes\qu J&\dqh{-3}fe|\dqh{-3}hg\enotes
-%\check
-% mesure 26
-\barre\notes\hup K&\dqh3de|\hu f\enotes
-\temps\notes&\dqh3fg|\enotes
-\temps\notes&\dqh3hi|\soupir\enotes
-% mesure 27
-\barre\notes\qu F&\dqh{-5}jh|\qu h\enotes
-\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes
-\temps\notes\qu{^K}&\dqh3fg|\qu i\enotes
-%\check
-% mesure 28
-\barre\notes\qu L&\dqh3cd|\qup g\enotes
-\temps\notes\qu I&\dqh3ef|\sk\cu f\enotes
-\temps\notes\qu G&\dqh5gi|\qu e\enotes
-%\check
-% mesure 29
-\barre\notes\qu H&\dqh{-5}jh|\qu e\enotes
-\temps\notes\qu I&\dqh{-3}gf|\trioskip\ibu0e{-2}\qhp0e\sk\tbbu0\tqh0{^d}\enotes
-\temps\notes\qu J&\dqh{-5}ge|\trioskip\ibu0e5\qhp0e\sk\tbbu0\tqh0h\enotes
-% mesure 30
-\barre\NOTes\hu I&\hu{^d}|\hu f\enotes
-\temps\NOTes\soupir&\soupir|\soupir\enotes
-\Suspmorceau
-%
-\csname ORchorale\endcsname
-\cleftoksii={{6}{0}{0}{0}}
-\def\instrumentii{G.O.-Pos.}
-\cleftoksii={{6}{0}{0}{0}}
-\def\instrumenti{\vbox{\hsize=\parindent
- \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
-\troistemps
-\autolines 755\relax
-\debutmorceau
-% mesure 1
-%\check
-\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Tempo primo (andante)
-\bf(\metron{\qu}{65})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
-\def\atnextline{\elemskip=1.12\elemskip}%
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
-%\check
-% mesure 2
-\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
-\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
-\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes
-\resp
-%\check
-% mesure 3
-\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
-\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
-\temps\NOtes\qu D&|\qu k\enotes
-%\check
-% mesure 4
-\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\NOtes\qu I&|\qu g\enotes
-\resp
-% mesure 5
-\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes
-\temps\NOtes\qu G&|\qu k\enotes
-\temps\NOtes\qu{=F}&|\qu k\enotes
-%\check
-% mesure 6
-\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes
-\temps\notes\qu{^G}&|\enotes
-\temps\notes&|\cu k\enotes
-\temps\notes\qu E&|\dqh{-2}ji\enotes
-%\check
-% mesure 7
-\barre\NOtes\qu H&\hlp a|\zhu j\zhp c\hlp e\enotes
-\temps\NOtes\qu G&|\enotes
-\temps\NOtes\qu H&|\soupir\enotes
-% mesure 8
-\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes
-\temps\NOtes\qu E&|\qu j\enotes
-\temps\NOtes\qu F&|\qu k\enotes
-% mesure 9
-\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\NOtes\qu I&|\qu g\enotes
-\resp
-% mesure 10
-\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
-% mesure 11
-\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
-\temps\notes&|\sk\cu e\enotes
-\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
-% mesure 12
-\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
-\temps\NOtes\qu J&\hu c|\qu e\enotes
-\temps\NOtes\qu H&\ql a|\qu f\enotes
-% mesure 13
-\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
-\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu I&\ql b|\trioskip\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-% mesure 14
-\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes
-\temps\NOtes\qu K&\zh f\hl d|\enotes
-\temps\NOtes\qu D&|\enotes
-% mesure 15
-\barre\NOTEs\hu G&\hl b|\zhl d\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\Suspmorceau \varaccid
-\eject
-%
-\csname ORchoralf\endcsname
-% mesure 1
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{Cornet ou}
-\centerline{G.O.(mix.)}\vskip 20pt
- \centerline{Positif}\centerline{(mixtures)}}}%
-\cleftoksii={{0}{0}{0}{0}}\linesinpage=0\relax\barsinline=0\relax
-\def\instrumenti{\vbox{\hsize=\parindent
- \centerline{P\'ed. 16'}\centerline{/G.O./Pos.}}}
-\autolines {14}35\relax
-%\check
-\troistemps % \vskip -5mm
-\debutmorceau\notes\hu G&\zh b\hu d|\Uptext{\moyen\kern -16mm
- Allegro moderato \rm\metron{\qu}{80}}\qqbbh0gdef\enotes
-\temps\notes&\qu g|\qqbbh4ghij\enotes
-\temps\notes\qu H&\zq a\zq c\qu f|\qqbbl0klmk\enotes
-%\check
-% mesure 2
-\barre\notes\qu I&\zqp b\zqp d\pt g\qu g|\qqbbl{-5}nlkj\enotes
-\temps\notes\qu H&\sk\sk\zq c\zq f\cu h|\qqbbh0ijhi\enotes
-\temps\notes\qu G&\zq d\zq g\qu i|\qqbbH0ghig\enotes
-%\check
-% mesure 3
-\barre\notes\qu E&\zq e\zq h\qu j|\qqbbh0jihi\enotes
-\temps\notes\qu F&\zh f\zhl h\qu j|\qqbbh4jklm\enotes
-\temps\notes\qu D&\qu k|\qqbbH0kmkj\enotes
-%\check
-% mesure 4
-\autolines {12}35\relax
-\barre\notes\qu G&\itenl2d\zhl d\zqp g\qup i|\ibbu0l0\qh0{inm}\tqh0l\enotes
-\temps\notes\qu H&\sk\sk\cu h|\qqbbh{-4}kjih\enotes
-\temps\notes\qu I&\tten2\zq b\zq d\qu g|\qqbbH0ghig\enotes
-% mesure 5
-\barre\notes\qu J&\zq c\zq e\qu g|\qqbbH0jlkj\enotes
-\temps\notes\qu I&\zhl d\zq g\qu i|\qqbbh3ijkl\enotes
-\temps\notes\qu H&\zq f\qu j|\qqbbl0mnom\enotes
-% mesure 6
-\barre\notes\qu G&\zhl g\zq i\qu k|\qqbbH0knml\enotes
-\temps\notes\qu F&\zq i\qu k|\qqbbH0klkj\enotes
-\temps\notes\qu{=F}&\na f\zq{fik}\rqu g|\qqbbh6ikl{=m}\enotes
-%\check
-% mesure 7
-\barre\notes\qu E&\zh {^g}\zhl i\qup l|\qqbbh{-2}l{=m}kl\enotes
-\temps\notes\qu{^G}&\sk\sk\cu k|\qqbbh{-2}jkij\enotes
-\temps\notes\qu H&\zq{eh}\qu j|\qqbbh{-2}high\enotes
-%\check
-% mesure 8
-\barre\notes\qu D&\zq f\zq h\qu j|\qqbbh3fghi\enotes
-\temps\notes\qu E&\zq e\zq g\qu j|\qqbbh{-1}jghi\enotes
-\temps\notes\qu{^F}&\zq d\zq f\qu k|\qqbbH0jlkj\enotes
-% mesure 9
-\barre\notes\qu G&\itenl2g\zhl g\zqp i\qup k|\qqbbh4ijkl\enotes
-\temps\notes\qu H&\sk\sk\cu j|\qqbbh{-4}kjih\enotes
-\temps\NOTes\qu I&\tten2\zq d\zq g\qu i|\qu g\enotes
-%\check
-% mesure 10
-\barre\notes\qu J&\itenl2c\zq e\zqu g\zhl c|\qqbbh0jihi\enotes
-\temps\notes\qu I&\zq e\qu g|\qqbbl6jkln\enotes
-\temps\notes\qu H&\tten2\itenl1a\zq{ac}\qu f|\qqbbl{-6}qoml\enotes
-%\check
-% mesure 11
-\barre\notes\qu D&\itenl2a\zhl a\tten1\zqp d\qup f|\qqbbH0konm\enotes
-\temps\notes\qu E&\sk\sk\cu e|\qqbbh{-4}lkji\enotes
-\temps\notes\qu F&\tten2\zq{Ma}\qu d|\qqbbH0hjih\enotes
-%\check
-% mesure 12
-\barre\notes\qu G&\zhl N\zq b\qu d|\qqbbh4gijk\enotes
-\temps\notes\qu J&\zq c\qu e|\qqbbl4lmno\enotes
-\temps\notes\qu H&\zq{ac}\qu f|\qqbbl0mnom\enotes
-% mesure 13
-\barre\notes\qu I&\zq d\zq b\qu g|\qqbbh{-4}kjih\enotes
-\temps\notes\qu J&\zq c\zql e\ibu1g{-2}\qh1g\sk\tqh1f|\qqbbh0ghfg\enotes
-\temps\notes\qu I&\zq b\zql d\ibu1g6\qh1g\sk\tqh1j|\qqbbH5dghi\enotes
-% mesure 14
-\barre\notes\qu H&\zhl c\zhp f\hup h|\qqbbl0jklk\enotes
-\temps\notes\qu I&|\qqbbh{-4}jihg\enotes
-\temps\notes\qu J&\ql d|\qqbbh{-4}hg{^f}e\enotes
-% mesure 15
-\barre\notes\qu I&\zq i\zqu k\hlp g|\qqbbH3dfgh\enotes
-\temps\notes\qu G&\zq i\qu k|\qqbbh0ihij\enotes
-\temps\notes\qu{=F}&\zq i\qu k|\qqbbh0kijk\enotes
-% mesure 16
-\barre\notes\qu E&\bigaccid\zh{^g}\zhl i\qup l|\qqbbl0lklm\enotes
-\temps\notes\bigaccid\qu{^G}&\sk\sk\cu k|\qqbbl{-2}lkji\enotes
-\temps\notes\qu E&\bigaccid\zq e\zq{^g}\qu j|\qqbbH{-2}jihi\enotes
-% mesure 17
-\barre\notes\qu H&\zhl e\pt e\zq h\qu j|\qqbbh{-3}jih{=g}\enotes
-\temps\notes\bigna G\qu{G}&\zq h\qu j|\qqbbh{-3}jihg\enotes
-\temps\notes\qu F&\zq h\qu j|\qqbbh0jhij\enotes
-% mesure 18
-\barre\notes\qu D&\zh f\zhl h\qup k|\qqbbh{-2}khij\enotes
-\temps\notes\qu E&\sk\sk\cu j|\qqbbl0kljk\enotes
-\temps\notes\qu F&\zql d\ibu1i{-2}\zq g\qh1i\sk\zq f\tqh1h|\qqbbl3ijkl\enotes
-% mesure 19
-\barre\notes\hu G&\zh d\zh g\hu i|\qqbbh{-4}kjih\enotes
-\temps\notes&|\qqbbh0gdef\enotes
-\temps\notes\soupir&\soupir|\qqbbh2gfgh\enotes
-%
-% mesure 20
-\barre\notes\hu G&\zh N\zhl b\qu d|\qqbbh0ifgh\enotes
-\temps\notes&\qu g|\qqbbh3ijkl\enotes
-\temps\notes\qu H&\zq{ac}\qu f|\qqbbl2mnon\enotes
-% mesure 21
-\barre\notes\hu K&\itenl2a\zhl a\zqp d\qup f|\qqbbl{-3}mlkj\enotes
-\temps\notes&\sk\sk\cu e|\qqbbh{-4}ihgf\enotes
-\temps\notes\qu J&\tten2\zq M\zq a\qu d|\qqbbh{-4}gfed\enotes
-% mesure 22
-\barre\elemskip=0.85\elemskip\notes\qu I&\zhl N\zq b\qu d|\qqbbh3defg\enotes
-\temps\notes\qu J&\zhl c\qu e|\qqbbh4hijk\enotes
-\temps\notes\qu H&\zq a\qu f|\qqbbh4l{^m}no\enotes
-% mesure 23
-\advance\barsinline by -1\relax
-\barre\notes\qu I&\zq b\zq d\qu g|\qqbbl3klmn\enotes
-\temps\notes\qu J&\zq c\zql e\ibu0g{-2}\qh0g\sk\tqh0f|\qqbbh{-2}lmkj\enotes
-\temps\notes\qu I&\zq b\zql d\ibu0g6\qh0g\sk\tqh0j|\qqbbH7imnq\enotes
-% mesure 24
-\barre\notes\qu H&\zq c\zql e\hup h|\qqbbl{-6}onml\enotes
-\temps\notes\qu K&\zh d\zhl f|\qqbbh{-2}khij\enotes
-\temps\notes\qu D&|\qqbbH0kljk\enotes
-% mesure 25
-\barre\NOTes\hu G&\zh b\zh d\hu g|\hu i\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\finmorceau
-% mesure 161
-\def\instrumentii{Mix. \ppff ff}
-\cleftoksii={{6}{0}{0}{0}}
-\def\instrumenti{\vbox{\hsize=\parindent
- \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}}
-\debutmorceau
-\autolines 755\relax
-\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Maestoso \bf(\metron{\qu}{60})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\def\atnextline{\autolines655}%
-\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes
-%\check
-% mesure 162
-\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes
-\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes
-\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes
-\resp
-%\check
-% mesure 163
-\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes
-\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes
-\temps\NOtes\qu D&|\qu k\enotes
-%\check
-% mesure 164
-\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes
-\temps\notes\qu H&|\sk\cu h\enotes
-\temps\NOtes\qu I&|\qu g\enotes
-% mesure 165
-\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes
-% mesure 166
-\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes
-\temps\notes&|\sk\cu e\enotes
-\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes
-% mesure 167
-\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes
-\temps\NOtes\qu J&\hu c|\qu e\enotes
-\temps\NOtes\qu H&\ql a|\qu f\enotes
-% mesure 168
-\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes
-\temps\notes\qu J&\ql c|\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes
-\temps\notes\qu I&\ql b|\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes
-% mesure 169
-\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {5\elemskip}}\hup h\enotes
-\temps\NOtes\qu K&|\zh d\hl f\enotes
-\temps\NOtes\qu D&|\enotes
-% mesure 170
-\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\finmorceau
-%
-\medskip\rightline{\it \aujourdhui}
-\vfil
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/euromtex.dvi b/Master/texmf-dist/doc/generic/musictex/euromtex.dvi
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--- a/Master/texmf-dist/doc/generic/musictex/euromtex.dvi
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diff --git a/Master/texmf-dist/doc/generic/musictex/euromtex.tex b/Master/texmf-dist/doc/generic/musictex/euromtex.tex
deleted file mode 100644
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-%
-\def\text#1{\hbox{\rm #1}}%
-%\check
-\def\ital#1{{\sl #1\/}}%
-\def\mutex{M\raise 2pt\hbox{\kern -1pt u\kern -1pt}\TeX}
-\def\bslash{{\tt\char'134}}%
-\def\|{{\tt\char'174}}%
-\def\#{{\tt\char'043}}%
-\def\{{{\char'173}}%
-\def\}{{\char'175}}%
-\def\@{{\char'100}}%
-\def\musictex{Music\TeX}%
-\def\musicxx{\musictwenty}
-\def\keyindex#1{{\tt\bslash #1}\index{#1 \&\&\protect\tt\protect\bslash #1}}
-\def\zkeyindex#1{\index{#1 \&\&\protect\tt\protect\bslash #1}}
-\def\ixem#1{#1\index{#1}}
-\def\itxem#1{\ital{#1}\index{#1}}
-\def\aujourdhui{\today}
-\def\vboxit#1{\vbox{\hrule\hbox{\vrule\kern3pt
- \vbox{\kern3pt#1\kern3pt}\kern3pt\vrule}\hrule}}
-\def\hboxit#1{\hbox{\vrule\vbox{\hrule\kern3pt
- \hbox{\kern3pt\small\it #1\kern3pt}\kern3pt\hrule}\vrule}}
-%
-%\check
-\tracingstats=1
-%
-\input musicext
-\documentstyle[musictex,musictrp,euro92]{article}
-%% local commands
-\tolerance 10000
-\font\mf=logo10 \hyphenchar\mf=-1 \newcommand{\METAFONT}{{\mf METAFONT}}
-\begin{document}
-
-\title{\musictex : using \TeX\ to write\\polyphonic or
-instrumental music}
-\titlehead{\musictex -- Euro\TeX{}~92}
-
-\author{Daniel {\sc Taupin}$^{\dag}$}
-\authorhead{Taupin}
-
-\affiliation{$\dag$ Universit\'e de Paris-Sud\\
-Laboratoire de Physique des Solides\\
-b\^atiment 510\\
-F-91405 ORSAY Cedex, France}
-
-\maketitle
-
-\begin{abstract} \musictex\ is a set of \TeX\ or La\TeX\ macros which are
-fit to typeset polyphonic, instrumental or orchestral music. It is able to
-handle an important number of instruments or voices (up to nine) and staffs
-(up to four for each instrument). Many usual ornaments have been provided, including
-several note sizes which can handle grace notes or extra music like cadenzas.
-
-Except the risk of typing errors due to a sophisticated set of macros,
-the major difficulty still resides in glue and line breaking in the case of
-irregular music and slurs.
- \end{abstract}
-
-\begin{resume}{R\'esum\'e}
-\musictex\ est un jeu de macro-instructions \TeX\ ou La\TeX\ adapt\'ees \`a
-l'\'ecriture de partitions polyphoniques, instrumentales ou orchestrales.
-\musictex\ est capable de g\'erer un nombre important d'instruments ou de voix
-(jusqu'\`a neuf) et de port\'ees (jusqu'\`a quatre par instrument).
-En outre, beaucoup d'ornements sont maintenant disponibles, notamment les notes
-de petite taille our indiquer les ornements explicites ou les cadences.
-
-\`A part les risques d'erreurs li\'ees \`a la difficult\'e d'usage de
-certaines proc\'edures, la principale difficult\'e est celle des coupures de
-lignes dans le cas o\`u d'une musique irr\'eguli\`ere et la r\'alisation de
-liaisons ou de phras\'es esth\'etiques. \end{resume}
-
-\begin{keywords}
-music typesetting, orchestral music, polyphonic music.
-\end{keywords}
-
-\section{What is \musictex\ ?}
- \musictex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or
-polyphonic music. Therefore, it is mainly supposed to be used to type wide
-scores -- just because true musicians seldom like to have to frequently turn
-pages -- and this is not really compatible with La\TeX's standard page
-formats, even the {\tt A4.sty} whose {\tt\bslash textheight} and {\tt\bslash
-textwidth} are too small for musician needs.
-
- However, a La\TeX\ style has been also provided (and it is used for the
-typing of the present paper) but this {\tt musictex} style is fit for
-musicographic books rather than for normal scores to be actually played.
-
- It is to be emphasized that \musictex\ is not intended to be a
-compiler which would translate into \TeX\ some \ixem{standard musical
-notation}s, nor to decide by itself about aesthetic problems in music typing.
-\musictex\ only typesets staves, notes, chords, beams, slurs and ornaments as
-requested by the composer. Since it makes very few typesetting decisions,
-\musictex\ appears to be a versatile and rather powerful tool. However, due
-to the important amount of informations to be provided to the typesetting
-process, coding \musictex\ might appear to be awfully complicated, just as
-the real keyboard or orchestral music. It should be interfaced therefore by
-some pre-compiler in the case of the composer/typesetter wanting aesthetic
-decisions to be automatically made by somebody (or something) else.
-
-\section{\musictex\ pricipal features}
-\subsection{Music typesetting is two-dimensional}
-
- Most of the people who just learnt a bit of music at college probably think
-that music is a linear sequence of symbols, just as literary texts to be
-\TeX-ed. In fact, with the exception of strictly monodic instruments like
-most orchestral wind instruments and solo voices, one should be aware that
-reading music actually is a matricial operation~: the non-soloist musician
-successively reads \ital{columns} of simultaneous notes which he actually plays
-if he is a pianist, clavichordist or organist, which he actually reads and
-watches if he conducts an orchertra, and which he is supposed to check and
-partially play when he is a soloist who wants to play in time with the
-accompanying instrument or choir.
-
- In fact, our personal experience of playing piano and organ as well as
-sometimes helping as an alternate Kapellmeister leads us to think that actual
-music reading and composing is a slightly more complicated intellectual
-process~: music reading, music composing and music thinking seems to be a
-three layer process. The musician usually reads or thinks several consecutive
-notes (typically a long \ital{beat} or a group of logically connected notes), then
-he goes down to the next instrument or voice and finally assembles the whole
-to build a part of music lasting roughly a few seconds. Then he handles the
-next \ital{beat} or \ital{bar} of his score.
-
- Thus, it appears that the humanly logical way of coding music consists
-in horizontaly accumulating a set of \ital{vertical combs} with
-\ital{horizontal teeth} as described in Table \ref{readtable}.
-
- \begin{table}
- \begin{center}
- \begin{tabular}{|ll|ll|}\hboxit{note sequence one}
- &\hboxit{note seq.\ four}
- &\hboxit{note seq.\ seven}
- &\hboxit{note seq.\ ten}\\\hboxit{note sequence two}
- &\hboxit{note seq.\ five}
- &\hboxit{note seq.\ eight}
- &\hboxit{note seq.\ eleven}\\\hboxit{note seqence three}
- &\hboxit{note seq.\ six}
- &\hboxit{note seq.\ nine}
- &\hboxit{note seq.\ twelve}\\
- \end{tabular}
- \end{center}
- \caption{The order in which a musician reads music}\label{readtable}
- \end{table}
-
-This is the reason
-why, in {\bf \musictex} the fundamental \ital{macro} is of the form
-
-\begin{center}
-{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes}
-\end{center}
-
-\noindent where the character {\tt\&} is used to separate the notes to be
-typeset on respective staffs of the various instruments, starting from the
-bottom.
-
-In the case of an instrument whose score has to be written with
-several staffs, these staffs are separated by the
-character \|. Thus, a score written for a keyboard instrument and
-a monodic instrument (for example piano and violin)
-will be coded as follows~:
-
-\begin{center}
-{\tt \bslash notes \dots\ \| \dots\ \& \dots\ \bslash enotes}
-\end{center}
-\noindent for each column of simultaneous \ital{groups of notes}.
-It is worth emphasizing that we actually said \ital{``groups of notes''}:
-this means that in each section of the previous macro, the music typesetter is
-welcome to insert, not only chord notes to be played at once, but small
-sequences of consecutive notes which build something he understands as a
-musical phrase. This is why note typing macros are of two kinds in \musictex,
-namely the note macros which are not followed by spacing afterwards, and those
-which induce horizontal spacing afterwards.
-
-\subsection{The spacing of the notes}
-
-It seems that many books have dealt with this problem.
-Although it can lead to interesting algorithms, we think it is
-in practice a rather minor one.
-
-In fact, each column of notes has not necessarily the same spacing
-and, in principle, this \itxem{spacing} should depend on the shortest
-duration of the simultaneous notes. But this cannot be established as a rule,
-for at least two reasons~:
-
-\begin{enumerate}
- \item spacing does not depend only of the local notes,
-but also on the context, at least in the same bar.
-\item in the case of polyphonic music, exceptions can easily be found.
-Here is an example~:
-
-
- \begin{music}
-\computewidths
-\def\nbinstruments{1}\relax
-\generalmeter{\meterfrac{4}{4}}\relax
-\debutextrait
-\normal\elemskip=0.110\hsize
-\temps\Notes\qsk\qsk\rlap{\hu j}\ql h\enotes
-\temps\Notes\hl g\enotes
-\temps\Notes\hu k\enotes
-\temps\Notes\ql f\enotes
-\finextrait
- \end{music}
-
-%\check
-
-\noindent where it can be clearly seen that the half notes at beats 2 and 3
-must be spaced as if they were quarter notes since they overlap, which is
-obvious only because of the presence of the indication of the \itxem{meter} 4/4.
-\end{enumerate}
-%
-
-Therefore, we prefered to provide the composer/typesetter with a
-set of macros, the spacing of which increases by a factor of $\sqrt 2$
-(incidentally, this can be adjusted)~:
-
-\begin{center}
-{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 1 spatial unit\hss}}
-\\
-{\tt \bslash Notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 1.4 spacial unit\hss}}
-\\
-{\tt \bslash NOtes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 2 spatial units\hss}}
-\\{\tt \bslash NOTes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 2.8 spatial units\hss}}
-\\{\tt \bslash NOTEs \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 4 spatial units\hss}}
-\\{\tt \bslash NOTES \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 5.6 spatial units\hss}}
-\end{center}
-
-%\check
- The size of the spatial unit (\keyindex{elemskip}) can be freely adjusted.
-In addition, \musictex\ provides a means of adjusting the note spacing
-according to an average number of elementary spaces within a line (macro
-\keyindex{autolines}).
-
-\subsection{Music tokens, rather than a readymade generator}
-%\check
-
-The tokens provided by \musictex\ are~:
-
-\begin{itemize}
-\item the note symbols \ital{without stem}~;
-\item the note symbols \ital{with stems, and hooks for eighth notes and
-beyond}~;
-\item the indications of beam beginnings and beam ends~;
-\item the indications of beginnings and ends of ties and slurs~;
-\item the indications of accidentals~;
-\item the ornaments~: arpeggios, trills, mordents, pinc\'es, turns, staccatos
-and pizzicatos, fermatas~;
-\item the bars, the meter and signature changes, etc.
-\end{itemize}
-
- Thus, {\tt\bslash wh g} produces an \ital{A (445~Hz)} whose
-duration is a \ital{whole note}. In the same way, {\tt\bslash qu~c} produces
-a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with stem
-up}, {\tt \bslash cl J} produces a \ital{C (125~Hz approx.)} whose duration
-is an \ital{eighth note with stem down}, etc.
-
- To generate quarter, eighth, sixteenth, etc. chords, the macro
-\keyindex{zq} can be used~: it produces a quarter note head whose position is
-memorized and recalled when another stemmed note (possibly with a hook) is
-coded~; then the stem is adjusted to link all simultaneous notes. Thus, the
-perfect C-major chord, i.e.
-
-%\check
-{\def\nbinstruments{1}\relax
-\cleftoksi={{0}{0}{0}{0}}\generalmeter{}\relax
-\debutextrait
-\normal
-\NOTes\qsk\zq c\zq e\zq g\qu j\enotes
-\finextrait}
-
-%\check
-\noindent is coded
- \hbox{\tt\bslash zq~c\bslash zq~e\bslash zq~g\bslash qu~j}
-or, in a more concise way, \hbox{\tt\bslash zq\{ceg\}\bslash qu~j} (stem up)~:
-in fact, single notes are treated\dots\ like one-note chords.
-
-\subsection{Beams}
- \ital{Beams}\index{beams} are generated using macros which define their
-beginning (at the current horizontal position), together with their altitude,
-their sense (upper of lower), their multiplicity, their slope and their
-reference number. This latter feature -- the reference number -- appears to
-be necessary, since one may want to write beams whose horizontal extents
-overlap~: therefore, it is necessary to specify which beam the notes hang on
-and which beam is terminated at a given position.
-
-%\check
-\subsection{Setting anything on the score}
-
-A general macro (\keyindex{zcharnote}) provides a means of
-putting any sequence of symbols (in fact, some {\tt \bslash hbox\{...\}}) at any
-pitch of any staff of any instrument. Thus, any symbol defined in a font
-(letters, math symbols, etc.) can be used to typeset music.
-
-\subsection{A simple example}
-
- Before entering other details, we give below an example of the two first
-bars of the sonata in C-major K545 by {\sc\ixem{Mozart}}~:
-
-\begin{music}
-\parindent 1cm
-\def\nbinstruments{1}\relax
-\def\instrumenti{Piano}%
-\nbporteesi=2\relax
-\generalmeter{\meterfrac{4}{4}}\relax
-\debutextrait
-\normal
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
-\barre
-\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
-\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\finextrait
-\end{music}
-%\check
-
- The \ital{coding} is set as follows~:
-
-\begin{quote}\begin{verbatim}
-\begin{music}
-\parindent 1cm
-\def\nbinstruments{1}\relax % a single instrument
-\def\instrumenti{Piano}% % whose name is Piano
-\nbporteesi=2\relax % with two staffs
-\generalmeter{\meterfrac{4}{4}}\relax % 4/4 meter choosen
-\debutextrait % starting real score
-\normal % normal 12 pt note spacing
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
-\barre % bar
-\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
-\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\finextrait % terminate excerpt
-\end{music}
- \end{verbatim}\end{quote}
-
-\begin{itemize}
-\item {\tt\bslash ibu0f0} begins an upper beam, aligned on the
-\ital{f}, reference number 0, slope 0
-\item {\tt\bslash tbu0} terminates this beam before writing
-the second \ital{g} by means of {\tt\bslash qh0g}
-\item {\tt\bslash qh..} indicates a note hanging on a beam.
- \item {\tt\bslash sk } sets a space between the two quarters at the right
-hand, so that the second is aligned with the third eighth of the left hand.
- \item{\tt\bslash qlp} is a quarter with a point.
- \item{\tt\bslash ibbl1j3} begins
-a double beam, aligned on the \ital{C} ({\tt j} at this pitch)
-of slope 0.15.
-\end{itemize}
-
-\subsection{Signatures}
-
-Signatures are stated either for all instruments, such as~:
-\keyindex{generalsignature}{\tt=-2} which sets two flats on each staff, but
-this can be partly overrided by \keyindex{signatureii}{\tt=1} which puts one
-sharp on the staffs of \itxem{instrument number} 2 (ii). Of course, the
-current signature may change at any time as well as meters and clefs.
-
-\subsection{Transposition}
-
- An important question is~: \ital{``can \musictex\ transpose a score~?''}.
-The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register
-named \keyindex{transpose} the default value of which is zero, but it may be
-set to any positive of negative reasonable value. Then, it offsets all
-symbols pitched with letter symbols by that number of pitch steps. However,
-it will neither change the signature nor the local accidentals, and if -- for
-example -- you transpose by 1 pitch a piece written in $C$, \musictex\ will
-not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might
-become tricky if accidentals occur within the piece, which might have to be
-converted into flats, naturals, sharps or double sharps, depending on the new
-choosen signature. To circumvent this trouble, \ital{relative} accidentals
-have been implemented, the actual output of which depends of the pitch of
-this accidental and of the current signature.\index{relative accidentals}
-
-\subsection{Grace notes and cadenzas}
-
-In addition to its facility of generating either sixteen point or twenty point
-staffs with note heads of corresponding size, \musictex\ also allows the user
-to type smaller notes, in order to represent either \ital{grace notes},
-\ital{cadenzas} or a proposed realization of a \ital{figured bass}. This may
-give something like~:
-
-\begin{music}
-\def\DS{\hbox{\ds}}
-\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
-\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
-\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
-\def\nbinstruments{2}%
-\generalmeter{\meterfrac{4}{4}}%
-\signaturegenerale{0}%
-\nbporteesii=1\relax
-\nbporteesii=2\relax
-\cleftoksi={{6}{0}{0}{0}}
-\cleftoksii={{6}{0}{0}{0}}
-\etroit
-\debutextrait
-\NOTes\soupir&\soupir|\qu g\enotes
-% mesure 1
-\advance\barno by -1\relax
-\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes
-\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize
-\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes
-\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
-\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
-% mesure 2
-\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
- \zq c\qb1e\zq c\qb1e\relax
- \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
-\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
- \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
-\finextrait
-\end{music}
-
-\subsection{Selecting special instrument scores}
-
-Another question is~: \ital{``can I write an orchestral score and extract the
-separate scores for individual instruments~?''} The answer is 95~\%
-\ital{yes}~: in fact, you can define your own macros {\tt \bslash
-mynotes...\bslash enotes}, {\tt \bslash myNotes...\bslash enotes} with as
-many arguments as there are in the orchestral score (hope this is less or
-equal to 9, but \TeX perts know how to work around) and change its definition
-depending on the selected instrument (or insert a test on the value of some
-selection register). But the limitation is that the numbering of instruments
-may change, so that {\tt \bslash signatureiii} may have to become {\tt
-\bslash signaturei} if instrument $iii$ is alone. But, in turn, this is not a
-serious problem for average \TeX\ wizard apprentices.
-
- \section{How to get it}
-
- The whole \itxem{distribution} fits into a single 1.2Mbyte or
-1.44Mbyte diskette. It can also be obtained through an \ital{anonymous ftp}
-at {\tt rsovax.ups.circe.fr} (130.84.128.100), after selecting the
-subdirectory {\tt [.musictex]}. All sources (including fonts) are provided,
-either separately or ``zipped'' or as VMS `savesets''.
-
-%\check
-\section{Implementation, restrictions and enhancement possibilities}
-
-The macroinstruction file \musictex\ contains approximately 2500 lines of
-code, that is 80~000 bytes approximately. This requires your score to be
-compiled by the most extended versions of \TeX\ (65~000 words of working
-memory). In desperate situations, we recommend using the
-``Big\TeX''\index{Big\protect\TeX} processors which, unfortunately, perform
-a great deal of disk input/outputs (on PCs) which make them awfully slow.
-
-In particular, the number of registers it uses can hinder its compatibility
-with some La\TeX\ styles or with La\TeX\ itself in case of restricted memory
-availability\index{La\protect\TeX}.
-
-\subsection{Recent easy enhancements}
-
-Many enhancements have been asked for, and this is a proof thet \musictex\ is
-considered as useful by many people. Some of these enhancements which seemed
-hard were in fact rather easy to implement, for example small notes to represent
-grace notes and cadenzas. But others may induce heavy problems, for example
-the need of having \ital{nice} slurs and ties.
-
-\subsection{The tie/slur problem}
-
-While typesetting notes and even beams is a rather simple problem because is
-is a \ital{local typesetting}, ties and slurs are much more difficult to handle.
-
-Or course there is little problem in case of a typesetter wanting a slur or a
-tie binding two consecutive notes, not separated by a bar. In practice this
-\ital{very restricted} use of slurs or ties can easily be solved by putting
-some symbols extracted from the {\tt slur16} or {\tt slurn16}/{\tt slurn20}
-fonts somewhere on the staffs using the general use \keyindex{zcharnote}
-macro.
-
- But serious music typesetters or composers know that many ties are supposed
-to link notes which are on both sides of a bar, which is a likely place to
-insert line breakings, so that the \itxem{tie} coding must have various
-versions and sizes to resist that possible line breaking. What has been said
-about ties is still more serious in the case of \itxem{phrasing slurs} which
-may extend over several bars, lines and sometimes pages. In this case, their
-shape is not only a question of producing a long curved symbol of nice
-looking shape, it also has to cope with \itxem{glue}. An then the worst is
-that music way of typing does not accept \itxem{ragged lines} but equal
-length lines, even for the last line of a music piece. Thus, long distance
-slurs and ties need to be cut into separate parts (beginning, continuing(s),
-endings) which \TeX\ can only link using \ital{horizontal line overlaps}
-or \keyindex{leaders} to insure slur continuity over this unavoidable glue.
-
-
-
-Therefore and up to now, ties and slurs have been implemented in a way which
-may look rather ugly, but we think it is the only way of implementing
-\ital{in one pass} ties and slurs which run \ital{across glue}. The principle
-is to have tie/slur symbols with a rather long part of horizontal stuff.
-Then, at each time a glue occurs and at each time a group of notes is coded
-while a slur or tie is pending, an \keyindex{hrule} is issued which overlaps
-the preceeding tie/slur symbol so that the final output seems to contain a
-continuous line. Unfortunately, this is possible only in the glue expansion
-direction, namely in the horizontal direction.
-
- It could be requested -- and this is thought of -- to have variable size
-initial and final curved slur symbols which the user would choose according
-to his intention to have short or long range slur symbols. This has not been
-\ital{yet} implemented for several reasons~:
-
- \begin{itemize}
-
- \item The author's natural lazyness (!)
-
- \item More seriously~: this would require using some more registers (at
-least a dozen) to record the initial sizes (horizontal and vertical) of this
-symbol \ital{for each slur/tie} in order to make adequate links over glue and
-to close it with the symmetrical symbol. Unfortunately, \TeX\ registers are
-not numerous (256 of each kind) and we are afraid such a feature would make
-\TeX\ stupidly crash even when typesetting reasonable scores.
-
- \item We do not think it wise to introduce in \musictex\ itself a great
-number of macros which would be pooly used by most users~: the reason is that
-\TeX\ memory is hardly limited and that unused macros may occupy some \TeX\
-storage which could make things crash because of {\tt TeX capacity
-exceeded}...
-
- \end{itemize}
-
-\section{Acknowledgements}
-
-The idea of implementing the present package is due to the previous work
-(\mutex)\index{mutex\&\%\protect\mutex} of Andrea {\sc Steinbach} and Angelika
-{\sc Schofer}[1]. This work
-provided the basis of the Metafont codes and some line breaking procedures,
-which both are still used here... with 99\% corrections and
-updates.\index{Schofer, A.}\index{Steinbach, A.}
-
-
-\section{Some examples}
-
-Many examples can be typeset from the \musictex\ distribution, but they are
-not included here because of their need to be compiled with \TeX\ rather than
-La\TeX\ and because they need output paper of the extended
-291$\times$297~mm$^2$ european size. However we chose to produce a small type
-size version of {\sc Haydn}'s \ital{aria} from the Creation and a piece of a
-personal composition heavily using beams.
-
-\vspace{.5cm}
-\begin{thebibliography}{Taupin 92}
-\bibitem[1]{} Andrea {\sc Steinbach} and Angelika
-{\sc Schofer}, {\em Theses} (1987, 1988),
-Rheinische Friedrich-Wilhelms Universit\"at, Bonn, Germany.
-
-\end{thebibliography}
-
-\newpage
-
-\begin{center}
-{\Large\bf Aria No. 24}
-\\{\large\bf (The Creation)}
-\\{\large Joseph {\sc Haydn}}
-\\Transcription for organ and tenor, D. {\sc Taupin} (1990)
-\end{center}
-
-\begin{music}
-\musicsize=16\relax
-\def\nbinstruments{2}%
-\generalmeter{\meterfrac{4}{4}}%
-\signaturegenerale{0}%
-\nbporteesii=2\relax
-\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
-\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
-\def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
-\cleftoksi={{6}{0}{0}{0}}
-\cleftoksii={{6}{0}{0}{0}}
-\debutmorceau
-\autolines {16}24\relax
-\NOTes\soupir&\rlap{\rmidtwotext{\bf II}}\relax
-\soupir\relax|\qu g\enotes
-% mesure 1
-\advance\barno by -1\relax
-\advance\barsinline by -1\relax
-\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\itenl0j\ibu1l0\qh1j\enotes
-\notes&\qbl0c0|\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes
-\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
-\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
-% mesure 2
-\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
- \zq c\qb1e\zq c\qb1e\relax
- \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
-\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
- \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
-% mesure 3
-\autolines {14}24\relax
-\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds
-|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes
-\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes
-\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes
-\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes
-\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes
-% mesure 4
-\barre\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax
- \zq{bd}\qb1f\zq{bd}\qb1f\relax
- \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes
-\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax
- \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes
-% mesure 5
-\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax
- |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes
-\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax
- |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes
-%\check
-% mesure 6
-\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax
- |\rlap{\hl g}\ppt j\qu j\enotes
-\notes&\tbl0\qb0c|\sk\ccu l\enotes
-\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes
-\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes
-%\check
-% mesure 7
-\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax
- |\rlap{\hlp h}\qu k\sk\qu m\enotes
-\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes
-\notes&\zq d\qb0f\sk
-\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax
- \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes
-%\check
-% mesure 8
-\barre\Notes\hu G&\lcharnote c{\bf I}\relax
-\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes
-\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax
- |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes
-%\check
-% mesure 9
-\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes
-\notes&\nbbl0\qb0b\tqb0c\enotes
-\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes
-\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes
-\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes
-\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes
-%\check
-% mesure 10
-\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes
-\notes&|\nbbl1\qb1n\tqb1{^m}\enotes
-\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes
-\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes
-\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes
-\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes
-%\check
-\suspmorceau
-\def\nbinstruments{4}%
-\nbporteesiii=0\relax
-% mesure 11
-\reprmorceau
-\autolines {11}23\relax
-\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes
-\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes
-\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes
-\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes
-% mesure 12
-\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes
-\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes
-\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes
-\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes
-% mesure 13
-\autolines {12}23\relax
-\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes
-\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes
-\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes
-\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes
-\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes
-% mesure 14
-\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax
- &Sch\"on-&\ql k\enotes
-\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes
-\temps\Notes\pause&\hpause|\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes
-\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes
-\suspmorceau
-\end{music}
-%\removelastskip\rightline{\sl\aujourdhui}
-\newpage
-
-\def\testpgs{4}%
-\begin{music}
-%
-\resettens
-\musicsize=16\relax
-\nbporteesi=2\relax
-\def\nbinstruments{1}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-3}\relax % trois bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}%
-%\check
-\def\instrumenti{Piano}
-\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
-\def\ff{{f}\kern -1pt{f}}%
-% formes frequentes
-%
-%\check
-%
-\def\Tqbbh{\Tqbbu}%
-\def\Tqbh{\Tqbu}%
-%
-%\check
-% octave basse en blanche
-\def\bohl#1{\zh{`#1}\hl{'#1}}%
-\def\bohu#1{\zh{`#1}\hu{'#1}}%
-\def\sohl#1{\zh{'#1}\hl{`#1}}%
-\def\sohu#1{\zh{'#1}\hu{`#1}}%
-%
-\def\bozh#1{\zh{`#1'#1}}%
-\def\bozq#1{\zq{`#1'#1}}%
-\def\boql#1{\zq{`#1}\ql{'#1}}%
-\def\boqu#1{\zq{`#1}\qu{'#1}}%
-% octave sup. en croches u
-\def\soqh#1{\zq{'#1}\qh0{`#1}}%
-\def\soqb#1{\zq{'#1}\qb0{`#1}}%
-\def\soqu#1{\zq{'#1}\qu{`#1}}%
-\def\soql#1{\zq{'#1}\ql{`#1}}%
-%\check
-%
-\def\interfacteur{11}%
-\computewidths
-\staffbotmarg=5\Interligne %
-\def\sfhu#1{\lsf #1\hu #1}%
-\def\sfwu#1{\lsf #1\wh #1}%
-\def\sfhl#1{\usf #1\hl #1}%
-\def\sfwl#1{\usf #1\wh #1}%
-\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}%
-\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}%
-%
-\parindent 1cm\debutmorceau
-%
-\autolines{28}14\relax
-\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne
-\llap{\moyen
- appassionnato\kern -1.5cm}\uptext{\kern -1mm\rm(\metron{\qu}{80})}\enotes
-%
-%\check
-\newif\ifsupa
-\supafalse
-\def\accord#1#2#3#4#5#6#7{\notes
-\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{!`#1!#1#2}\tqh0{#3}\relax
-|\pt{#5}\pt{#6}\pt{#7}\zw{#5}\zw{#6}\zw{#7}\relax
-\usf{!'#5}\pt{!'#5}\wh{!'#5}\Ibbu0{!#5}{!#7}3\qh0{!#5#6}\tqh0{#7}\enotes
-%\check 1
-\temps\notes
-\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
-%\check 1
-\temps\notes
-|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax
-\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes
-%\check 1
-\temps\notes|\rlap{\Qqbbl{!'''#3}{!'''#2}{!''#4}{!''#3}}\relax
-\Qqbbu{!'''#5}{!''#7}{!''#6}{!''#5}\enotes
-%\check 1
-\temps\notes
-\ifsupa|\rlap{\Qqbbl{!'#4}{!'#4}{!'#3}{!'#2}}\relax
-\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi
-\Qqbbu{!''#5}{!'#7}{!'#6}{!'#5}\enotes
-%\check 1
-\temps\notes\raise -2\Interligne
-\rlap{\sk\sk\DEP}\Ibbu0{!#4}{!`#4}3\qh0{!#4#3#2}\tqh0{!`#4}\relax
-|\Ibbu0{!'#5}{!#5}3\qh0{!'#5`#7#6}\tqh0{#5}\enotes
-}%
-%
-%\check
-\accord CEGJNce\relax
-% mesure 2
-\autolines{25}1{\testpgs}\relax
-\barre\accord CFHJacf\relax
-% mesure 3
-\barre\supatrue\accord CFHJcfh\relax
-% mesure 4
-\barre
-\accord CFHJdfh\relax
-% mesure 5
-\def\Accord#1#2#3#4#5#6#7{\notes
-\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{`#1!#1#2}\tqh0{#3}\relax
-|\pt{#5}\pt{#6}\pt{#7}\zw{#5#6#7}\relax
-\usf{!'#5}\whp{!'#5}\Tqbbu{!#5}{!#6}{!#7}\enotes
-%\check 1
-\temps\notes\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}\relax
-|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes
-%\check 1
-\temps\notes|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax
-\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes}\relax
-%
-%\check
-\barre\Accord CEGJNce\relax
-\temps\notes|\qsk\octfin{22}{12}\rlap{\Qqbbl gjln}\Qqbbu nnqs\enotes
-\temps\notes|\rlap{\Qqbbl qnlj}\Qqbbu usqn\enotes
-\temps\notes|\rlap{\Qqbbl gecN}\Qqbbu nljg\enotes
-% mesure 6
-\barre\notes\Qqbbu ecNL|\Qqbbu nljg\enotes
-\temps\notes\Qqbbu cNLJ|\Qqbbu ljge\enotes
-\temps\notes\Qqbbu NLJG|\zcharnote{a}{\DIMin}\Qqbbu jgec\enotes
-\temps\notes\Qqbbu LJGE|\Qqbbu gecN\enotes
-\temps\notes\Qqbbu JGEC|\Qqbbu ecNL\enotes
-\temps\notes\boqu C\DEP\qsk|\qu J\enotes
-% mesure 7
-\barre\supafalse\znotes\zmidtwotext{\llap{\ppff ff}}\enotes
-\accord CEGJNce\relax
-% mesure 8
-\barre\accord CFHJacf\relax
-\suspmorceau
-
-
-
-\end{music}
-\end{document}
-
diff --git a/Master/texmf-dist/doc/generic/musictex/extras.tex b/Master/texmf-dist/doc/generic/musictex/extras.tex
deleted file mode 100644
index 7091f6ff76d..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/extras.tex
+++ /dev/null
@@ -1,302 +0,0 @@
-% A logo
-\def\musictex{\leavevmode\hbox{Music\TeX}}
-
-% Here I define an extra font for the dynamics, at 10pt.
-\font\ppffx=\fonthdg mbxti10
-
-% I like the size of the bold italic to depend on the size of the music, so
-% I define this. It would be better for this to be defined in
-% \computespecifics however.
-\def\ppffs{\ifnum\musicsize=20\ppff\else\ppffx\fi}
-
-% \dyn {pitch}{text} inserts a dynamic
-\def\dyn#1#2{\zcharnote{#1}{{\ppffs #2}}}
-
-% \nobarnumbers prevents bar numbering
-\def\nobarnumbers{\def\wbarno{\relax}}
-
-% \barnumbers restores bar numbering
-\def\barnumbers{\def\wbarno{\w@barno}}
-
-% \tab is defined as a tab character, so that I can still use tabs.
-\catcode`\@=4
-\let\tab=@
-\catcode`\@=11
-
-% The next few sections define some extra macros to produce notes.
-% They are sometimes useful, but you may not want to use them.
-
-\def\nqu#1{\rlap{\qu{#1}}}
-\def\nql#1{\rlap{\ql{#1}}}
-\def\nhu#1{\rlap{\hu{#1}}}
-\def\nhl#1{\rlap{\hl{#1}}}
-\def\nw#1{\rlap{\wh{#1}}}
-\def\nwh#1{\rlap{\wh{#1}}}
-\def\nqup#1{\rlap{\qup{#1}}}
-\def\nqlp#1{\rlap{\qlp{#1}}}
-\def\nhup#1{\rlap{\hup{#1}}}
-\def\nhlp#1{\rlap{\hlp{#1}}}
-\def\ncl#1{\rlap{\cl{#1}}}
-\def\ncu#1{\rlap{\cu{#1}}}
-
-% shifted dotted whole notes
-\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip}
-\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip}
-
-% Half-shifted notes. I sometimes use these for close intervals: for instance
-% \zlqu g\zrql f
-
-\def\zrwh{\zrw}
-\def\zlwh{\zlw}
-\def\zrw#1{\kern .52\wd@skip\nw{#1}\kern -.52\wd@skip}
-\def\zlw#1{\kern -.52\wd@skip\nw{#1}\kern .52\wd@skip}
-\def\zrhu#1{\kern .45\hn@width\nhu{#1}\kern -.45\hn@width}
-\def\zlhu#1{\kern -.45\hn@width\nhu{#1}\kern .45\hn@width}
-\def\zrhl#1{\kern .45\hn@width\nhl{#1}\kern -.45\hn@width}
-\def\zlhl#1{\kern -.45\hn@width\nhl{#1}\kern .45\hn@width}
-\def\zrhup#1{\kern .45\hn@width\nhup{#1}\kern -.45\hn@width}
-\def\zlhup#1{\kern -.45\hn@width\nhup{#1}\kern .45\hn@width}
-\def\zrhlp#1{\kern .45\hn@width\nhlp{#1}\kern -.45\hn@width}
-\def\zlhlp#1{\kern -.45\hn@width\nhlp{#1}\kern .45\hn@width}
-\def\zrqu#1{\kern .45\qd@skip\nqu{#1}\kern -.45\qd@skip}
-\def\zlqu#1{\kern -.45\qd@skip\nqu{#1}\kern .45\qd@skip}
-\def\zrql#1{\kern .45\qd@skip\nql{#1}\kern -.45\qd@skip}
-\def\zlql#1{\kern -.45\qd@skip\nql{#1}\kern .45\qd@skip}
-\def\zrqup#1{\kern .45\qd@skip\nqup{#1}\kern -.45\qd@skip}
-\def\zlqup#1{\kern -.45\qd@skip\nqup{#1}\kern .45\qd@skip}
-\def\zrqlp#1{\kern .45\qd@skip\nqlp{#1}\kern -.45\qd@skip}
-\def\zlqlp#1{\kern -.45\qd@skip\nqlp{#1}\kern .45\qd@skip}
-\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip}
-\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip}
-\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip}
-\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip}
-%
-% half left shifted accidentals - for putting before half shifted notes
-%
-\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\f@lat\kern 0.45\qd@skip}%
-}%
-\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\df@lat\hskip 0.45\qd@skip}%
-}%
-\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise
- \pl@llap{\s@harp\hskip 0.45\qd@skip}%
-}%
-\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@
- \pl@llap{\ds@harp\hskip 0.45\qd@skip}}%
-\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise
- \pl@llap{\n@at\hskip 0.45\qd@skip}}%
-%
-% cautionary accidentals
-% A cautionary accidental is a small one surrounded by parentheses, used for
-% reminders. Type the usual accidental name preceded by "c"
-%
-\def\caution#1#2{\kern -.4\qd@skip\zcharnote{#2}{\raise
--.45\Interligne\hbox{\ttyeight\kern -1.4\qd@skip
- \rlap{(}\kern1.2\qd@skip)}}#1#2\kern .4\qd@skip}
-
-\def\cfl{\caution{\smallfl}}
-\def\csh{\caution{\smallsh}}
-\def\cna{\caution{\smallna}}
-\def\cdfl{\caution{\smalldfl}}
-\def\cdsh{\caution{\smalldsh}}
-\def\cFl{\caution{\smallFl}}
-\def\cSh{\caution{\smallSh}}
-\def\cNa{\caution{\smallNa}}
-\def\cdFl{\caution{\smalldFl}}
-\def\cdSh{\caution{\smalldSh}}
-
-% The following macros can be used to surround a note by parentheses. They
-% are also used as ornaments by J.P. Rameau.
-% \lpar p produces a left parenthesis, or "port de voix" at pitch p
-% \rpar p produces a right parenthesis, or "pinc\'e"
-
-\def\lpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern -.9\Interligne (}}}
-\def\rpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern 1.1\Interligne )}}}
-
-\newdimen\tmp@dimen
-\def\bracketshrink{0.17\Interligne}
-
-% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th
-% whose lowest note is p.
-
-\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne
- \divide\tmp@dimen by2\relax
- \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink
- \advance\tmp@dimen by-\lthick
- \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne
- \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax
- \rlap{\vbox{\hrule width .5\Interligne}}\relax
- \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}}
-
-\newdimen\tmp@dimenc
-\newdimen\z@iii\newdimen\z@iv\newdimen\z@v
-
-% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and
-% height h. This will cause an unrecorded space so it should be used within
-% \rlap. Note that this macro is a hack and probably gobbles up resources!
-% This macro is used by some of the others which follow.
-
-\def\oblique#1#2#3{\relax % length slope height
-\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax
-\else\q@antum=25\lthick\divide\q@antum by #2\relax
-\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi
-\global\z@iv=0pt\relax
-\loop\ifdim\z@iv<#1\relax
- {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax
- \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax
- \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by
- -0.5\internote
- \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi
- \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax
- \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi
- \advance\z@iii by 0.6\internote\relax
- \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth
- .5\lthick}\relax
- \global\advance\z@iv by \q@antum\relax
-}\repeat
-\fi
-}
-
-\newdimen\tmp@dimenb\newcount\tmp@ct
-\def\crescwidth{1.8\Interligne}
-
-% These macros produce variable size crescendo and diminuendo marks.
-% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing
-% no space.
-\def\varcresc#1#2{\relax% height (note), length (dimen)
- \tmp@dimenb \crescwidth\tmp@dimen #2\multiply
- \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
- \ifnum 0=\tmp@ct\relax
- \tmp@ct 1\fi
- \getn@i{#1}\tmp@dimen\n@i\internote
- \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax
- \advance\tmp@dimen by-\lthick
- \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}}
-
-% \vardim{p}{l} draws a diminuendo at pitch p, and of length l, causing
-% no space.
-\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply
- \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
- \ifnum 0=\tmp@ct\relax
- \tmp@ct 1\fi
- \getn@i{#1}\tmp@dimen\n@i\internote
- \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax
- \advance\tmp@dimen by\tmp@dimenb
- \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax
- \advance\tmp@dimen by \lthick
- \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen
- by-.02\tmp@dimenb
- \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}}
-
-% \overbracket{p}{l}{s} draws a bracket over the music starting at the
-% current position at pitch p, width l and slope s percent, causing no space.
-\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick height \lthick
- depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick
- depth.8\Interligne}}}
-
-% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the
-% bracket to cover n notes (note however that glue inserted by \temps
-% commands will expand the space between the notes but will not affect the
-% bracket).
-% I use this macro to indicate triplets, for instance.
-
-\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}}
-
-% \underbracket and \unbkt are similar to the above, but produce
-% brackets under the music.
-\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick
- height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick
- height\Interligne}}}
-\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick
- \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick}
-
-% Here are several macros to make use of the alternative note graphics found
-% in the font files. I copied the idea from the usual note macros in
-% MusicTeX.
-
-% \gu produces grace notes (acciacaturas), stems up
-% \gl produces grace notes, stems down
-% \smqu,\smql,\smhu,\smhl,\smwh produce small versions of \qu,\ql,\hu,\hl,\wh
-% respectively.
-
-\def\gu@raise{\lthick}\def\gl@raise{\lthick}\def\br@raise{\lthick}%
-\def\g@u{{\musicxx\char"45}}%
-\def\g@l{{\musicxx\char"46}}%
-\def\gu#1{\getn@i{#1}\def\n@fon{\gu}\global\n@raise=\gu@raise\def\n@sym{\g@u}\g@
-gr}%
-\def\gl#1{\getn@i{#1}\def\n@fon{\gl}\global\n@raise=\gl@raise\def\n@sym{\g@l}\g@
-gr}%
-\def\g@all#1{\ifnum\n@i<100\relax
- \h@lines{#1}\global\stem@skip=\hd@skip
- \def\s@tem{\relax}\pl@note\raise@note{\n@sym\hss}\ss@uite\fi}%
-\def\g@gr{\g@all{1.15\interligne}}%
-\def\sm@qu{{\musicxx\char"25\vrule height 2\Interligne depth\z@}}
-\def\sm@ql{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"25}}
-\def\sm@hu{{\musicxx\char"26\vrule height 2\Interligne depth\z@}}
-\def\sm@hl{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"26}}
-\def\sm@wh{{\musicxx\char"27}}
-\let\sm@raise\lthick
-\def\g@sm{\g@all{1.1\interligne}}%
-\def\g@smw{\g@all{1.3\interligne}}%
-\def\smqu#1{\getn@i{#1}\def\n@fon{\smqu}\global\n@raise=\sm@raise\def\n@sym{\sm@
-qu}\g@sm}%
-\def\smql#1{\getn@i{#1}\def\n@fon{\smql}\global\n@raise=\sm@raise\def\n@sym{\sm@
-ql}\g@sm}%
-\def\smhu#1{\getn@i{#1}\def\n@fon{\smhu}\global\n@raise=\sm@raise\def\n@sym{\sm@
-hu}\g@sm}%
-\def\smhl#1{\getn@i{#1}\def\n@fon{\smhl}\global\n@raise=\sm@raise\def\n@sym{\sm@
-hl}\g@sm}%
-\def\smwh#1{\getn@i{#1}\def\n@fon{\smwh}\global\n@raise=\sm@raise\def\n@sym{\sm@
-wh}\g@smw}%
-%
-% This skip aligns some ornaments which appear not to be centred precisely
-% on the notes
-\def\o@skp{\hskip-.5\hd@skip}
-
-% \turn p makes a turn symbol at pitch p, causing no space
-% \backturn p makes a backward turn symbol at pitch p, causing no space
-% \ttrill p makes a terminated trill ...
-% \coda p makes a coda ...
-% \segno p makes the special "S" ...
-\def\turn#1{\zcharnote{#1}{\o@skp\musicxx\char"44}}
-\def\backturn#1{\zcharnote{#1}{\o@skp\musicxx\char"43}}
-\def\ttrill#1{\zcharnote{#1}{\o@skp\musicxx\char"58\dimen@4.6pt%
- \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}}
-\def\coda#1{\zcharnote{#1}{\o@skp\musicxx\char"55}}
-\def\segno#1{\zcharnote{#1}{\o@skp\musicxx\char"56}}
-
-% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the
-% note stems.
-% \downarpeg p is written just before the note at pitch p with its stem
-% pointing up in order to indicate a descending arpeggio
-% \uparpeg p is written just before the note at pitch p with its stem
-% pointing down in order to indicate an ascending arpeggio
-
-\font\linew=linew10 %would be nice to have slightly shorter lines...
-\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote
- \rlap{\linew\char"61}}
-\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote
- \rlap{\linew\char"21}}
-
-% \qqs is a demi-semiquaver rest
-\def\qqs{\charnote0{{\musicxx\char"41}}}
-
-% These macros change context while forbidding line breaks
-\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}}
-\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}}
-
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisc.tex b/Master/texmf-dist/doc/generic/musictex/fantaisc.tex
deleted file mode 100644
index 7a965a73507..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/fantaisc.tex
+++ /dev/null
@@ -1,4 +0,0 @@
-\def\ftranspose{-1}
-\def\fsignature{-3}
-\input fantaisi
-\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisd.tex b/Master/texmf-dist/doc/generic/musictex/fantaisd.tex
deleted file mode 100644
index 7bb931e0917..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/fantaisd.tex
+++ /dev/null
@@ -1,2 +0,0 @@
-\input fantaisi
-\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisi.tex b/Master/texmf-dist/doc/generic/musictex/fantaisi.tex
deleted file mode 100644
index 0ab988e5cc1..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/fantaisi.tex
+++ /dev/null
@@ -1,1183 +0,0 @@
-\fullauthor{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\shorttitle{Fantaisie en style romantique}
-\title{Fantaisie en style romantique}
-\subtitle{(pour orgue)}
-\othermention{Compos\'e en 1992\\r\'evis\'e en 1995}
-\maketitle
-
-\ifx\ftranspose\undefined\def\ftranspose{0}\fi
-\ifx\fsignature\undefined\def\fsignature{-1}\fi
-
-\parindent 18mm
-\tracingstats=2\relax
-%
-% formes fr\'equentes
-%
-%au moins deux croches basses et hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%au moins deux doubles croches basses et hautes
-\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%au moins trois doubles croches basses et hautes
-\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
-\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
-\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
-%au moins quatre croches basses et hautes
-\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
-\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
-\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
-%au moins quatre doubles croches basses et hautes
-\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
-\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
-\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
-\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
-\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{\fsignature}\relax % r\'e mineur
-\transpose=\ftranspose\relax
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
-\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}%
-\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}%
-\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{G.O.}%
-%\check
-\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
-\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
-\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
-\smallskip
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\doubler{\multiply\noteskip by 2\relax}%
-\quatretemps
-\staffbotmarg=10pt
-\debutmorceau
-\relativeaccidentals
-\bigaccid
-\autolines{9}55\relax
-\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso
- \bf(\metron{\qu}{55})}}\enotes
-\advance\linesinpage by 1\relax
-\kern -\Interligne
-%\check
-% mesure 1
-\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes
-%\check
-% mesure 2
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
-\temps\NOtes&|\soupir\enotes
-\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
-%\check
-% mesure 3
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
-\temps\NOtes&|\soupir\enotes
-\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
-%\check
-% mesure 4
-%\check
-\deuxtemps\changecontext
-\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
- |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
-\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
- |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
-%\check
-% mesure 5
-%\check
-\quatretemps\changecontext
-\NOTEs\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax
- |\pointdorgue l\zh{df}\hu h\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 6
-%\check
-\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 7
-%\check
-\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
-%\check
-% mesure 8
-%\check
-\deuxtemps\changecontext
-\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
- |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
-\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
- |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
-%\check
-% mesure 9
-%\check
-\quatretemps\changecontext
-\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
- |\pointdorgue l\zh{a}\hu d\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 10
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 11
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 12
-%\check
-\deuxtemps\changecontext
-\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-%\check
-% mesure 13
-%\check
-\quatretemps\changecontext
-\NOTEs\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax
- |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
-%\check
-% mesure 14
-%\check
-\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
-%\check
-% mesure 15
-%\check
-\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
-%\check
-% mesure 16
-%\check
-\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
-%\check
-% mesure 17
-%\check
-\deuxtemps\changecontext
-\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
- |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
-\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
- |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
-%\check
-% mesure 18
-%\check
-\quatretemps\changecontext
-\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
- |\pointdorgue l\zh{a}\hu d\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 19
-\advance\barsinline by 1\relax
-\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes
-\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
-\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
-\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
-%\check
-% mesure 20
-\barre\autolines{16}45\relax
-\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
-\temps\notes&\Qqbb KbNb\enotes
-\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
-\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
-%\check
-% mesure 21
-\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
-\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
-\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
-\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
-%\check
-% mesure 22
-\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
-\temps\notes&\Qqbb JaLa\enotes
-\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
-\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
-%\check
-% mesure 23
-\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
-\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
-\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
-\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
-%\check
-% mesure 24
-\barre\autolines{16}35\relax
-\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
-\temps\notes&\Qqbb LbNb\enotes
-\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
-\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
-%\check
-% mesure 25
-\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
-\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
-\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
-\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
-%\check
-% mesure 26
-\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
-\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
-\nspace
-\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
-\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
-%\check
-% mesure 27
-\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
-\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
-\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
-\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
-%\check
-% mesure 28
-\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
-\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
-\nspace
-\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
-\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
-%\check
-% mesure 29
-\barre\bigaccid
-\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
-\temps\notes&\Qqbb Mdad|\enotes
-\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes
-\temps\notes&\Qqbb Mdad|\enotes
-%
-% mesure 30
-\barre\autolines{10}55\relax
-\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
-\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
-\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
-\temps\notes&\Qqbb {J}NLN|\qu d\enotes
-%\check
-% mesure 31
-%\check
-\barre\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
- |\pointdorgue l\zh{a}\hu d\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\varaccid
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 32
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 33
-%\check
-\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 34
-%\check
-\deuxtemps\changecontext\autolines{9}55\relax
-\addspace{-\afterruleskip}%
-\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
- \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-%\check
-% mesure 35
-%\check
-\quatretemps\changecontext
-\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
-%\check
-% mesure 36
-%\check
-\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\bigaccid
-\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
-%\check
-% mesure 37
-%\check
-\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes
-%\check
-% mesure 38
-%\check
-\deuxtemps\changecontext
-\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
- |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
-\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax
- |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
-%\check
-% mesure 39
-\quatretemps\changecontext
-\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un
-poco pi\`u vivo}\zqp a\qup d\enotes
-\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes
-\zalaligne\autolines{15}45\relax
-%\check
-\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes
-\temps\notes&\Qqbb KaMa|\ql o\enotes
-%\check
-% mesure 40
-\def\atnextline{\autolines{17}35}\relax
-\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes
-\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
-\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes
-\temps\notes&\Qqbb Mdad|\qu k\enotes
-%\check
-% mesure 41
-\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes
-\temps\notes&\Qqbb LcNc|\enotes
-\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes
-\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes
-%\check
-% mesure 42
-\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes
-\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes
-\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes
-\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes
-%\check
-% mesure 43
-\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes
-\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes
-\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes
-\temps\notes&\Qqbb KaMa|\qu o\enotes
-%\check
-% mesure 44
-\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes
-\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
-\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes
-\temps\notes&\Qqbb Mdad|\qu k\enotes
-%\check
-% mesure 45
-\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes
-\temps\notes&\Qqbb KbNb|\enotes
-\temps\notes&\Qqbb KbNb|\qu n\enotes
-\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes
-%\check
-% mesure 46
-\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes
-\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes
-\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes
-\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
-%\check
-% mesure 47
-\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes
-\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes
-\temps\notes&\Qqbb KbNb|\Ilegu0s\ql r\enotes
-\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes
-\def\atnextline{}%
-%\check
-% mesure 48
-\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes
-\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes
-\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes
-\temps\notes&\Qqbb LcNc|\ql n\enotes
-%\check
-% mesure 49
-\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes
-\temps\notes&\Qqbb Mcac\enotes
-\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes
-\temps\notes&\Qqbb Mcac|\qu o\enotes
-%\check
-% mesure 50
-\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes
-\temps\notes&\Qqbb KbNb|\qu r\enotes
-\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes
-\temps\notes&\Qqbb LcNc|\qu p\enotes
-%\check
-%\check
-% mesure 51
-\barre\def\atnextline{\autolines{14}45}\relax
-\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes
-\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes
-\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes
-\temps\notes&\Qqbb KbNb|\qu p\enotes
-%\check
-% mesure 52
-\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes
-\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes
-\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes
-\temps\notes&\Qqbb LcNc|\qu n\enotes
-%\check
-% mesure 53
-\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes
-\temps\notes&\Qqbb Mdad\enotes
-\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes
-\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes
-%\check
-% mesure 54
-\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
-\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes
-\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes
-\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes
-%\check
-% mesure 55
-\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes
-\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes
-\temps\zalaligne
-\notes\Ilegu0a\ql a&\sQqbb Mdad|\uptext{\it Positif ad lib.}\qs\sTqbb fhf\enotes
-\temps\notes\ql a&\smallnotesize\Qqbb Mdad|\sQqbb hfhf\enotes
-%\check
-% mesure 56
-\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-%\check
-% mesure 57
-\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs
- \bigaccid\Tqbb h{^j}h\enotes
-\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jgjg\enotes
-%\check
-% mesure 58
-\barre\def\atnextline{\autolines{17}35}\relax
-\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs
- \Tqbb hkh\enotes
-\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes
-\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb khkh\enotes
-\temps\notes\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
-%\check
-% mesure 59
-\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs
- \bigSh j\Tqbb jlj\enotes
-\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes
-%\check
-% mesure 60
-\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes
-\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
-\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
-\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes
-%\check
-% mesure 61
-\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes
-\temps\notes&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
-\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
-\temps\notes\ql b&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes
-%\check
-% mesure 62
-\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes
-\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes
-\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hkhk\enotes
-\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes
-%\check
-% mesure 63
-\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-%\check
-% mesure 64
-\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes
-\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes
-\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
-\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb igig\enotes
-%\check
-% mesure 65
-\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
-\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
-%\check
-% mesure 66
-\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
-\temps\notes\ql d&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
-\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes
-\temps\notes\ql b&\sQqbb LcNc|\smallnotesize\Qqbb gjgj\enotes
-%\check
-% mesure 67
-\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes
-\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
-\temps\notes\ql b&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
-%\check
-% mesure 68
-\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
-\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes
-\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
-\temps\notes\ql N&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes
-%\check
-% mesure 69
-\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-%\check
-% mesure 70
-\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
- \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes
-\temps\notes\ql M&\sQqbb L{c}ac|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes
-\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes
-%\check
-% mesure 71
-\def\uppzql#1{\uppz #1\ql #1}%
-\barre\notes\hu K\tleg0&\sk\hpause
- |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
-\temps\notes&\zq M\uppzql a\relax
- |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes
-\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax
- |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
-\temps\notes&\zq L\uppzql N\relax
- |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
-%\check
-% mesure 72
-\barre\notes\hu K&\zq M\uppzql a\relax
- |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
-\temps\notes&\zq M\uppzql a\relax
-|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
-\temps\notes\hu I&\zq N\uppzql b\relax
- |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
-\temps\notes&\zq N\uppzql b\relax
- |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
-%\check
-% mesure 73
-\barre\notes\qu H&\zq M\uppzql a\relax
- |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
-\temps\notes\qu H&\zq L\uppzql N\relax
- |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
-\temps\notes\qu H&\zq K\uppzql M\relax
- |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
-\temps\notes\qu H&\zq{^J}\uppzql L\relax
- |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes
-%\check
-% mesure 74
-\barre\notes\Ilegl2G\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes\doubler\dqh ML&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\qu K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-%\check
-% mesure 75
-\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes
-\temps\notes\qu M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes\hu K\tleg2&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes
-%\check
-% mesure 76
-\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
-\temps\notes\doubler\dqb aN&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\ql M&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\doubler\dqb LM&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-%\check
-% mesure 77
-\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
-\temps\notes\ql a&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\hl M\tleg2&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes
-\cleftoksii={0000}\changeclefs
-%\check
-% mesure 78
-\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
-\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-%\check
-% mesure 79
-\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax
- |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes
-\temps\notes\ql c&\sqqHH eigi|\smallnotesize\Qqbb nlnl\enotes
-\temps\notes\ql a\tleg2&\sqqHH ejhj\relax
- |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes
-\temps\notes\ql e&\sqqHH ejhj|\smallnotesize\Qqbb olol\enotes
-%\check
-% mesure 80
-%\cleftoksii={6000}\changeclefs
-\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes
-\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
-\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
-\temps\notes\doubler\dqb ed&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes
-%\check
-% mesure 81
-\barre\notes\hlp e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
-\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes
-%\check
-% mesure 82
-\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes
-\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
-\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
-\temps\notes\doubler \dqb cb&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes
-%\check
-% mesure 83
-\barre\notes\hlp c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
-\temps\notes&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\uptext{\it non legato}&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
-\temps\notes\ql M&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes
-% mesure 84
-\barre\notes\ql b&\sqqHH bgdg|\smallnotesize\qqBB niki\enotes
-\temps\notes\ql a&\sqqHH bfdf|\smallnotesize\qqBB miki\enotes
-\temps\notes\ql N&\sqqHH bede|\smallnotesize\qqBB liki\enotes
-\temps\notes\ql M&\sqqHH bdbd|\smallnotesize\qqBB kiki\enotes
-%\check
-% mesure 85
-\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
-\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
-\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
-\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
-%\check
-% mesure 86
-\cleftoksii={6000}\changeclefs
-\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
-\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
-\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
-\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
-%\check
-% mesure 87
-\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes
-\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
-\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes
-\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
-%\check
-% mesure 88
-\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
-\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
-\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes
-\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
-%\check
-% mesure 89
-\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes
-\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes
-\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes
-\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes
-%
-% mesure 90
-\def\octp{\advance\transpose by 7\relax}%
-\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes
-\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes
-\cleftoksii={0000}\changeclefs
-\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 91
-\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\advance\linesinpage by 1\relax
-\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
-%\check
-% mesure 92
-\barre\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes
-\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes
-\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
-\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
-%\check
-% mesure 93
-\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes
-\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes
-\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes
-\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes
-%\check
-% mesure 94
-\barre\notes\wh H&\qsk\sqqHH{^c}heh|\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
-\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes
-\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 95
-\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
-%
-% mesure 96
-\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes
-\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes
-\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes
-\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes
-%\check
-% mesure 97
-\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
-\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
-\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
-\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
-%\check
-% mesure 98
-\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
-\temps\notes&\sqqHH dfdf|\qqbb komo\enotes
-\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
-\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
-%\check
-% mesure 99
-\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes
-\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
- \Ibbl1ji2\qb1{jni}\tqb1n\enotes
-\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes
-\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes
-%
-% mesure 100
-\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes
-\temps\notes&\sqqHH afcf|\qqbb momo\enotes
-\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
-\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
-%\check
-% mesure 101
-\cleftoksii={6000}\changeclefs
-\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
-\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes
-\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes
-\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes
-%
-% mesure 102
-\advance\linesinpage by 1\relax
-\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes
-\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes
-\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
-\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
-%\check
-% mesure 103
-\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes
-\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
- \Ibbl1ji2\qb1{jni}\tqb1n\enotes
-\cleftoksii={0000}\changeclefs
-\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes
-\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes
-%
-% mesure 104
-\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
-\temps\notes&\sqqHH afdf|\qqbb momo\enotes
-\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
-\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
-%
-% mesure 105
-\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes
-\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
-\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
-\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes
-%\check
-% mesure 106
-\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes
-\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes
-\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 107
-\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes
-%
-% mesure 108
-\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes
-\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes
-\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes
-\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes
-%\check
-% mesure 109
-\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes
-\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes
-\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes
-\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
-% mesure 110
-%\check
-\barre\autolines{9}55\relax
-\NOtes&\pointdorgue l\hpause
- |\pointdorgue l\hpause\enotes
-\temps\NOtes\pointdorgue a\pause
- &\soupir|\soupir\enotes
-\cleftoksii={6000}\changeclefs
-\varaccid
-\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 111
-%\check
-\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 112
-%\check
-\barre
-\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 113
-%\check
-\deuxtemps\changecontext
-\def\atnextline{\autolines{9}55\relax}\relax
-\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
- \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
- |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
-%\check
-% mesure 114
-%\check
-\quatretemps\changecontext
-\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
-%\check
-% mesure 115
-%\check
-\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\bigaccid
-\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
-% mesure 116
-%\check
-\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
-% mesure 117
-%\check
-\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
-% mesure 118
-\def\atnextline{\autolines{16}45\relax}\relax
-%\check
-\deuxtemps\changecontext
-\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
- |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
-\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
- |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
-%\check
-% mesure 119
-%\check
-\quatretemps\changecontext
-\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
- |\pointdorgue l\zh{a}\hu d\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 120
-\advance\barsinline by 1\relax
-\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler
- \bigSh f\zh{f}\zhl h\qu{_l}\enotes
-\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
-\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
-\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
-%\check
-% mesure 121
-\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
-\temps\notes&\Qqbb KbNb\enotes
-\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
-\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
-%\check
-% mesure 122
-\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
-\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
-\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
-\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
-%\check
-% mesure 123
-\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
-\temps\notes&\Qqbb JaLa\enotes
-\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
-\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
-%\check
-% mesure 124
-\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
-\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
-\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
-\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
-%\check
-% mesure 125
-\barre\autolines{16}35\relax
-\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
-\temps\notes&\Qqbb LbNb\enotes
-\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
-\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
-%\check
-% mesure 126
-\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
-\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
-\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
-\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
-%\check
-% mesure 127
-\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
-\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
-\nspace
-\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
-\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
-%\check
-% mesure 128
-\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
-\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
-\nspace
-\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
-\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
-%\check
-% mesure 129
-\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
-\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
-\nspace
-\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
-\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
-%\check
-% mesure 130
-\barre\autolines{17}35\relax
-\bigaccid
-\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
-\temps\notes&\Qqbb Mdad|\enotes
-\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes
-\temps\notes&\Qqbb Mdad|\enotes
-%
-% mesure 131
-\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
-\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
-\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
-\temps\notes&\Qqbb {J}NLN|\qu d\enotes
-%
-% mesure 132
-\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes
-\temps\notes&\Qqbb HMKM|\enotes
-\temps\notes\uptext{\it a tempo}\sk\hpause
- &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
-%\check
-%
-% mesure 133
-\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes
-%
-% mesure 134
-\def\octm{\advance\transpose by -7\relax}%
-\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes
-\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes
-\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
-\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
-%\check
-% mesure 135
-\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes
-\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes
-\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes
-\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes
-%\check
-% mesure 136
-\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
-\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes
-\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 137
-\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes
-%
-% mesure 138
-\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes
-\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes
-\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes
-\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes
-%\check
-% mesure 139
-\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes
-\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes
-\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes
-\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes
-%\check
-% mesure 140
-\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
-\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes
-\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes
-\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes
-%\check
-% mesure 141
-\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes
-\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes
-\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
-\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
-%\check
-% mesure 142
-\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes
-\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes
-\temps\notes\Ilegu0c\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
-\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
-%\check
-% mesure 143
-\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
-\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes
-\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes
-\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes
-%\check
-% mesure 144
-\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes
-\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
-\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
-\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
-%\check
-% mesure 145
-\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
-\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
-\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
-\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
-%\check
-% mesure 146
-\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes
-\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
-\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
-\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
-%\check
-% mesure 147
-\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
- \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes
-\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
-\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
-\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
-%\check
-% mesure 148
-\barre\autolines{8}65\relax
-\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax
- |\pointdorgue m\smallnotesize\zh{fh}\hu d\enotes
-\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 149
-\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-%\check
-% mesure 150
-%\check
-\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
-% mesure 151
-%\check
-\deuxtemps\changecontext
-\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
- |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
-\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
- |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
-%\advancebottom{-2\Interligne}%
-%\check
-% mesure 152
-\quatretemps\changecontext\varaccid
-\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax
- |\pointdorgue l\zh{df}\hu h\enotes
-\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes
-\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
-% mesure 153
-\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
-% mesure 154
-\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
-% mesure 155
-\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
-% mesure 156
-\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes
-\temps\Notes&\soupir|\soupir\enotes
-\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
-%\check
-% mesure 157
-\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes
-\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
-\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 158
-\barre\autolines{16}35\relax
-\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes
-%
-% mesure 159
-\staffbotmarg=2pt
-\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes
-\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
-\cleftoksii={0000}\changeclefs
-\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-%
-% mesure 160
-\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
-\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
- \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
-\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
-%
-% mesure 161
-\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes
-\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes
-\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes
-\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes
-%\check
-% mesure 162
-\barre\autolines{8}65\relax
-\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
-\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
-\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
-\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes
-%\check
-% mesure 163
-\barre\NOtes\pointdorgue N\hpause
- &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes
-\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes
-\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes
-% mesure 164
-\barre
-\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes
-\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp
- \uppz g\zq{bd}\ql g\enotes
-\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp
- \uppz f\zq{ad}\ql f\enotes
-\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp
- \uppz e\zq{a^c}\ql e\enotes
-% mesure 165
-\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes
-\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes
-\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes
-\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes
-\cleftoksii={6000}\changeclefs
-% mesure 166
-\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes
-\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes
-\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes
-\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes
-% mesure 167
-\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes
-\finmorceau
-\staffbotmarg=0pt
-\rightline{\sl\aujourdhui}\vfil\eject
-
-\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/fugue.tex b/Master/texmf-dist/doc/generic/musictex/fugue.tex
deleted file mode 100644
index 7c1c7f77c2c..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/fugue.tex
+++ /dev/null
@@ -1,677 +0,0 @@
-\parindent 18mm
-%
-\centerline{\moyen FUGUE}\bigskip
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{1}\relax % sol majeur
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{G.O.}%
-%\check
-\def\gluemaxskip{7pt}%
-\medskip\noindent{\rm G.O.: mixtures, fonds 8'}%
-\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}%
-\smallskip
-%
-\generalmeter{\meterfrac 68}%
-%
-\debutmorceau
-% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
-%
-\autolines {12}45\relax
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes
-\advance\linesinpage by 1\relax
-%
-% formes frequentes
-\def\ptsoupir{\pt 5\soupir}% soupir pointe
-% deux croches hautes
-\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqh{\dqu}\def\dqb{\dql}%
-%
-% formes frequentes
-% trois croches hautes
-\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
-\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
-%\check
-\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
-\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
-%\check
-%
-% formes frequentes
-% trois croches hautes pizzicato
-\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
-\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
-%
-\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
-\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
-%
-\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
-\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
-\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
-%
-\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
-\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
-\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}%
-%
-\def\upzqb#1{\upz{#1}\qb0{#1}}%
-\def\lpzqh#1{\lpz{#1}\qh0{#1}}%
-%
-\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
-\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
-\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
-\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
-\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}%
-%
-% deux doubles croches hautes
-\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
-%
-% quatre doubles croches
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
-%\check
-% quatre croches
-\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
-\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
-%\check
-% croche pointee et 3 doubles croches
-\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}%
-\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}%
-%\check
-% croche et 4 doubles croches
-\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}%
-\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}%
-%
-\def\doubler{\multiply\noteskip by 2\relax}%
-%
-% mesure 1
-\Notes&|\pztql0iki\enotes
-\temps\notes\pause&\pause|\cpdddl lkji\enotes
-%\check
-% mesure 2
-\barre\Notes&|\pztqU0hjh\enotes
-\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes
-%\check
-% mesure 3
-\barre\Notes&|\pztqU0gig\enotes
-\temps\Notes\pause&\pause|\pztqu0jhj\enotes
-%
-% mesure 4
-\barre\Notes&|\lpztqu0khk\enotes
-\temps\notes\pause&\pause|\cddddu2ighij\enotes
-%\check
-% mesure 5
-\barre\autolines {10}55\relax
-\Notes&\Pztql0bdb|\pztql0kmk\enotes
-\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes
-%\check
-% mesure 6
-\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes
-\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes
-%\check
-% mesure 7
-\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes
-\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes
-% mesure 8
-\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes
-\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes
-% mesure 9
-\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes
-\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes
-%\check
-% mesure 10
-\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes
-\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes
-% mesure 11
-\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes
-\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes
-% mesure 12
-\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes
-\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes
-%\check
-\cleftoksii={{0}{0}{0}{0}}\changeclefs %
-% mesure 13
-\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes
-\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes
-%\check
-% mesure 14
-\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes
-\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes
-%\check
-\def\atnextline{\autolines{10}45}\relax
-% mesure 15
-\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes
-\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes
-%\check
-% mesure 16
-\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes
-\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid
- \rlap{\qup n}\cpdddl l{=k}ji\enotes
-%\check
-% mesure 17
-\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes
-\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes
-%\check
-% mesure 18
-\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes
-\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes
-%
-% mesure 19
-\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes
-\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler
- \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes
-%\check
-% mesure 20
-\cleftoksii={{6}{0}{0}{0}}\changeclefs %
-\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
-\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
-%\check
-% mesure 21
-\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes
-\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
-%\check
-\def\atnextline{\autolines{10}55}\relax
-% mesure 22
-\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes
-\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes
-% mesure 23
-\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes
-\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler
- \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes
-%\check
-% mesure 24
-\cleftoksii={{6}{0}{0}{0}}\changeclefs %
-\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
-\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
-%\check
-% mesure 25
-\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes
-\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
-%\check
-% mesure 26
-\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes
-\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes
-% mesure 27
-\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes
-\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes
-\signaturegenerale{0}%
-% mesure 28
-\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes
-\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol
-\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
-% mesure 29
-\barre\Notes\pztql0IKI\enotes
-\temps\notes\cpdddl NMLK&\pause|\pause\enotes
-% mesure 30
-\barre\Notes\pztql0JLJ\enotes
-\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
-% mesure 31
-\barre\Notes\lpztqL0bab\enotes
-\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
-% mesure 32
-\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes
-\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes
-% mesure 33
-\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes
-\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes
-% mesure 34
-\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
-\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
-% mesure 35
-\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
-\transpose=0\relax % retour a la normale
-\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes
-\signaturegenerale{-3}%
-% mesure 36
-\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes
-\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes
-% mesure 37
-\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes
-\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes
-% mesure 38
-\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes
-\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes
-% mesure 39
-\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes
-\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes
-% mesure 40
-\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes
-\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes
-% mesure 41
-\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes
-\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes
-% mesure 42
-\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes
-\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes
-% mesure 43
-\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes
-\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes
-% mesure 44
-\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes
-\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes
-% mesure 45
-\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes
-\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes
-% mesure 46
-\signaturegenerale{-2}%
-\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
-\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes
-% mesure 47
-\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes
-\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
-% mesure 48
-\barre\Notes\qup F&\Pztql0aca|\enotes
-\temps\notes\qup I&\cpdddl dcba|\pause\enotes
-% mesure 49
-\barre\Notes\qup E&\Pztql0NbN|\enotes
-\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
-% mesure 50
-\barre\Notes\sh F\qup F&\PztqL0dad\enotes
-\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes
-% mesure 51
-\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes
-\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes
-%\check
-% mesure 52
-\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes
-\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes
-%\check
-% mesure 53
-\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes
-\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes
-%
-% mesure 54
-\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes
-\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes
-%\check
-% mesure 55
-\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes
-\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid
- \cpdddl n{=m}lk\enotes
-%\check
-% mesure 56
-\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes
-\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes
-%\check
-% mesure 57
-\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes
-\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes
-% mesure 58
-\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes
-\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes
-% mesure 59
-\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes
-\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes
-%\check
-% mesure 60
-\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes
-\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes
-% mesure 61
-\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes
-\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes
-% mesure 62
-\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes
-\temps\Notes\qup C&\pztql2LMN|\qup g\enotes
-% mesure 63
-\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes
-\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes
-%\check
-% mesure 64
-\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes
-\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
-% mesure 65
-\barre\Notes\pztql0IKI\enotes
-\temps\notes\cpdddl NMLK&\pause|\pause\enotes
-% mesure 66
-\barre\Notes\pztql0JLJ\enotes
-\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
-% mesure 67
-\barre\Notes\lpztqL0bab\enotes
-\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
-% mesure 68
-\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes
-\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
-% mesure 69
-\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes
-\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
-% mesure 70
-\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes
-\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
-% mesure 71
-\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes
-\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes
-% mesure 72
-\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes
-\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes
-% mesure 73
-\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes
-\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes
-% mesure 74
-\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes
-\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes
-% mesure 75
-\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes
-\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes
-% mesure 76
-\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes
-\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes
-% mesure 77
-\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes
-\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax
-|\pztqu0jhj\enotes
-% mesure 78
-\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes
-\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes
-% mesure 79
-\signaturegenerale{1}%
-\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
-\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes
-% mesure 80
-\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes
-\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
-% mesure 81
-\barre\Notes\qup F&\Pztql0aca|\enotes
-\temps\notes\qup I&\cpdddl dcba|\pause\enotes
-% mesure 82
-\barre\Notes\qup E&\Pztql0NbN|\enotes
-\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
-% mesure 83
-\barre\Notes\qup F&\PztqL0dad\enotes
-\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-% mesure 84
-\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes
-\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes
-%\check
-% mesure 85
-\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes
-\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes
-%\check
-% mesure 86
-\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes
-\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes
-%
-% mesure 87
-\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes
-\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes
-% mesure 88
-\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes
-\cleftoksii={{6}{0}{0}{0}}\changeclefs
-\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes
-%\check
-\signaturegenerale{-2}%
-% mesure 89
-\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes
-\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
-% mesure 90
-\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes
-\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
-% mesure 91
-\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
-\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
-% mesure 92
-\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
-\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes
-% mesure 93
-\barre\Notes&\Pztql0bdb\enotes
-\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes
-% mesure 94
-\barre\Notes&\fl a\Pztql0aca|\enotes
-\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes
-% mesure 95
-\barre\Notes&\Pztql2N{_a}b\enotes
-\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes
-% mesure 96
-\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes
-\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes
-% mesure 97
-\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes
-\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes
-\def\atnextline{\autolines{9}65}\relax
-% mesure 98
-\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes
-\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes
-% mesure 99
-\barre\Notes&\qup K|\lpztqL0kik\enotes
-\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes
-% mesure 100
-\def\atnextline{\autolines{10}55}\relax
-\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes
-\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes
-%\check
-% mesure 101
-\barre\Notes&\cna a\Pztql0aca\enotes
-\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes
-% mesure 102
-\barre\Notes&\lPztql2Nab\enotes
-\temps\Notes\pause&\Pztql0cec|\pause\enotes
-%\check
-% mesure 103
-\barre\Notes&\lPztql2MNa\enotes
-\temps\Notes\pause&\Pztql0bdb|\pause\enotes
-% mesure 104
-\barre\Notes&\lPztql2LMN\enotes
-\temps\Notes\pause&\Pztql0aca|\pause\enotes
-% mesure 105
-\barre\Notes&\lPztql2K{=L}{^M}\enotes
-\temps\Notes\pause&\Pztql0NbN|\pause\enotes
-%\check
-% mesure 106
-\barre
-\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes
-\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes
-% mesure 107
-\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes
-\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes
-% mesure 108
-\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes
-\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes
-%\check
-% mesure 109
-\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes
-\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes
-% mesure 110
-\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes
-\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes
-% mesure 111
-\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes
-\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes
-%\check
-% mesure 112
-\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes
-\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes
-% mesure 113
-\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes
-\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes
-\def\atnextline{\autolines {13}45}\relax
-% mesure 114
-\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes
-\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes
-%\check
-% mesure 115
-\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes
-\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes
-% mesure 116
-\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes
-\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes
-% mesure 117
-\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes
-\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes
-%\check
-% mesure 118
-\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext
- {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes
-\temps\NOtes\pointdorgue N\qu G\sk\dsoupir
- &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes
-\signaturegenerale{-3}%
-% mesure 119
-\setdoublebar
-\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
-\temps\notes\qup F&\doubler
- \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
-%\check
-% mesure 120
-\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
-\temps\notes\qup E&\doubler
- \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
-% mesure 121
-\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes
-\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes
-% mesure 122
-\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes
-\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes
-%\check
-% mesure 123
-\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir
- |\zq{=ik}\ql n\sk\dsoupir\enotes
-\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
-% mesure 124
-\barre\notes\qup F&\doubler
- \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
-\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
-%\check
-% mesure 125
-\def\atnextline{\autolines {12}45}\relax
-\signaturegenerale{-2}\relax
-\changecontext\notes\qup E&\doubler
- \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
-\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax
- \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes
-% mesure 126
-\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes
-\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes
-% mesure 127
-\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes
-\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir
- |\qu g\sk\dsoupir\enotes
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude
-%\check
-% mesure 128
-\barre\def\atnextline{\autolines{12}35}\relax
-\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes
-\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes
-%\check
-% mesure 129
-\barre
-\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes
-\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes
-%\check
-% mesure 130
-\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax
- \trqu0igi\enotes
-\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes
-% mesure 131
-\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax
- \trqu0hfh\enotes
-\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes
-%\check
-% mesure 132
-\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes
-\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes
-%\check
-% mesure 133
-\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes
-\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
-%\check
-% mesure 134
-\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes
-\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes
-% mesure 135
-\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes
-\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes
-%\check
-% mesure 136
-\barre\notes\doubler\qu G\sk\dsoupir
- &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes
-\temps\notes\doubler\qu J\sk\dsoupir
- &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes
-%\check
-% mesure 137
-\barre\notes\doubler\qu F\sk\dsoupir
- &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes
-\temps\notes\doubler\qu I\sk\dsoupir
- &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
-%\check
-% mesure 138
-\barre\notes\doubler\qu E\sk\dsoupir
- &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes
-\temps\notes\doubler\qu H\sk\dsoupir
- &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes
-% mesure 139
-\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes
-\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes
-% mesure 140
-\barre% \advance\barsinline by -1\relax
-\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes
-\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes
-\temps\Notes&|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes
-%\check
-% mesure 141
-\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax
- \ibl0{#1}0\advance\transpose by-3\relax
- \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax
- \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax
- \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}%
-\setdoublebar\signaturegenerale{1}\changecontext
-\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
-\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
- \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
-% mesure 142
-\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
-\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
- \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
-% mesure 143 %
-\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
-\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
- \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
-% mesure 144 %
-\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes
-\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax
- \doubler\zq{gi}\ql e\sk\dsoupir\enotes
-% mesure 145
-\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
-\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
- \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
-% mesure 146
-\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
-\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
- \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
-% mesure 147
-\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
-\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
- \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
-% mesure 148 %
-\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes
-\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax
- \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes
-% mesure 149 %
-\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes
-\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
- \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
-% mesure 150 %
-\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler
- \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes
-\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax
-\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes
-% mesure 151
-\advance\barsinline by -1\relax
- \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp
-b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes
- \finmorceau
-\rightline{\sl\aujourdhui}\vfil\eject
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musictex/gymnoman.tex b/Master/texmf-dist/doc/generic/musictex/gymnoman.tex
deleted file mode 100644
index ef6c30e9be4..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/gymnoman.tex
+++ /dev/null
@@ -1,568 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\title{Gymnomanie}
-\shortauthor{D. Taupin}
-\fullauthor{Daniel TAUPIN}
-%
-\othermention{Compos\'e en 1994}
-\maketitle
-
-\parindent 12mm
-\tracingstats=2\relax
-%
-\nbporteesi=2\relax
-\def\nbinstruments{1}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{0}\relax % un bemol a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
-%\check
-\def\instrumenti{Piano}
-%\check
-\troistemps
-\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
-\def\ff{{f}\kern -1pt{f}}%
-\def\gluemaxskip{6pt}%
-%
-% formes frequentes
-%
-%\check
-% au moins deux croches basses et hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%
-% trois doubles croches hautes
-\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
-\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
-\def\tqbbh{\tqbbu}%
-\def\tqbbb{\tqbbl}%
-% quatre doubles croches
-\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax
-%\check
-% octave basse en blanche
-\def\bohl#1{\zh{!`#1}\hl{!#1}}%
-\def\bohu#1{\zh{!`#1}\hu{!#1}}%
-\def\sohl#1{\zh{!'#1}\hl{!#1}}%
-\def\sohu#1{\zh{!'#1}\hu{!#1}}%
-% octave basse en blanche pointee
-\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}%
-\def\bohup#1{\zhp{!`#1}\hup{!#1}}%
-\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}%
-\def\sohup#1{\zhp{!'#1}\hup{!#1}}%
-%
-\def\bozh#1{\zh{!`#1!#1}}%
-\def\bozq#1{\zq{!`#1!#1}}%
-\def\boql#1{\zq{!`#1}\ql{!#1}}%
-\def\boqu#1{\zq{!`#1}\qu{!#1}}%
-% octave sup. en croches u
-\def\soqh#1{\zq{!'#1}\qh0{!#1}}%
-\def\soqb#1{\zq{!'#1}\qb0{!#1}}%
-\def\soqu#1{\zq{!'#1}\qu{!#1}}%
-\def\soql#1{\zq{!'#1}\ql{!#1}}%
-%\check
-%
-\def\interfacteur{11}%
-\computewidths
-\staffbotmarg=5\Interligne %
-\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
-\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
-\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
-\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}}
-%
-\debutmorceau
-% call \autolines with musiCtex, not with musiXtex !!!
-\ifx\mxversion\undefined\autolines {6}55\relax\fi
-\advance\barsinline by 1\relax
-\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes
-\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff
- p}|\zcharnote a{\kern -5mm\ppff mp}\enotes
- %
-\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
- % mesure 2
-\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
-\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
-\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
- %\check
- % mesure 3
-\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{ad}|\zql f\qu m\enotes
- % mesure 4
-\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
-\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
-\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
- % mesure 5
-\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
-\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
-\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
- % mesure 6
-\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
-\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
-\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
- % mesure 7
- %\check
-\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
-\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
-\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
- % mesure 8
-\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\qu o\enotes
- % mesure 9
-\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
-\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
-\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes
- % mesure 10
-\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes
-\temps\NOtes\zq{a^c}\qu e|\qu g\enotes
-\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes
- % mesure 11
-\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes
-\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes
-\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes
- %\check
- % mesure 12
-\barre\NOtes \upsoupir2\bohup F|\hu o\enotes
-\temps\NOtes\zq{Mad}|\zql f\enotes
-\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes
- %\check
- % mesure 13
-\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
-\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
-\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes
- %\check
- % mesure 14
-\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes
-\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes
-\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes
- %\check
- % mesure 15
-\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes
-\temps\NOtes\zq{LNc}\qu{e}|\enotes
-\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes
- %\check
- % mesure 16
-\barre\NOtes \upsoupir2\bohup D|\hu m\enotes
-\temps\NOtes\zq{KMa}\qu d\enotes
-\temps\NOtes\zq{Mad}\qu f|\qu m\enotes
- %\check
- % mesure 17
-\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes
-\temps\NOtes\zq{LN_b}\qu e\enotes
-\temps\NOtes\zq{Nbe}\qu g|\enotes
- %\check
- % mesure 18
-\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes
-\temps\NOtes\zq{K^Ma}\qu d\enotes
-\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes
- %\check
- % mesure 19
-\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes
-\temps\NOtes\zq{L^Nb}\qu e\enotes
-\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes
- %\check
- % mesure 20
-\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes
-\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes
-\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes
- %\check
- % mesure 21
-\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes
-\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes
-\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes
- %\check
- % mesure 22
-\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes
-\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes
-\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes
- %\check
- % mesure 23
-\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes
-\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes
-\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes
- %\check
- % mesure 24
-\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes
-\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
-\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
- %\check
- % mesure 25
-\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes
-\temps\NOtes\zq{^Mad}|\ql{^f}\enotes
-\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes
- %\check
- % mesure 26
-\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes
-\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes
-\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes
- %\check
- % mesure 27
-\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes
-\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes
-\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes
- %\check
- % mesure 28
-\barre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes
-\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
-\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes
- %\check
- % mesure 29
-\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
-\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
-\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
- %\check
- % mesure 30
-\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes
-\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
-\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
- %\check
- % mesure 31
-\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
-\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
-\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes
- %\check
- % mesure 32
-\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes
-\temps\NOtes\zq{L^Nb}|\ql{e}\enotes
-\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes
- %\check
- % mesure 33
-\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes
-\temps\NOtes\zq{a^ce}|\ql{h}\enotes
-\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes
- %\check
- % mesure 34
-\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes
-\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes
-\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes
- %\check
- % mesure 35
-\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes
-\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes
-\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes
- %\check
- % mesure 36
-\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
-\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
-\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
- %\check
- % mesure 37
-\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes
-\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes
-\temps\NOtes\zq{ac}|\zql e\boqu n\enotes
- %\check
- % mesure 38
-\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes
-\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes
-\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes
- %\check
- % mesure 39
-\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes
-\temps\NOtes\zq{La^c}\ql{e}|\enotes
-\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes
- %\check
- % mesure 40
-\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes
-\temps\NOtes\zq{KNb}\ql{d}|\enotes
-\temps\NOtes\zq{Nbd}|\zql g\enotes
- %\check
- % mesure 41
-\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes
-\temps\NOtes\zq{La^c}\ql{e}|\enotes
-\temps\NOtes\zq{ace}|\ql h\enotes
- %\check
- % mesure 42
-\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes
-\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes
-\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes
- %\check
- % mesure 43
-\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes
-\temps\NOtes\zq{LN}\ql{c}|\enotes
-\temps\NOtes\zq{Nc}\ql e\enotes
- %\check
- % mesure 44
-\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes
-\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes
-\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes
- %\check
- % mesure 45
-\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes
-\temps\NOtes\zq{LNc}|\ql{e}\enotes
-\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes
- %\check
- % mesure 46
-\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes
-\temps\NOtes\zq{Nb}\ql e|\enotes
-\temps\NOtes\zq{Nb}\ql d|\enotes
- %\check
- % mesure 47
-\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes
-\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes
-\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes
- %\check
- % mesure 48
-\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes
-\temps\NOtes\zq{KN_b}\ql d|\enotes
-\temps\NOtes\zq{Nbd}|\ql g|\enotes
- %\check
- % mesure 49
-\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes
-\temps\NOtes\zq{La^c}\ql e|\enotes
-\temps\NOtes\zq{ac}\ql e|\boqu n\enotes
- %\check
- % mesure 50
-\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes
- % mesure 51
-\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes
-\temps\NOtes\zq{LN^c}\ql e\enotes
-\temps\NOtes\zq{LNc}|\zq h\ql e\enotes
- %\check
- % mesure 52
-\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes
- % mesure 53
-\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes
-\temps\NOtes\zq{LN=c}|\ql e\enotes
-\temps\NOtes\zq{LNc}|\zq g\ql e\enotes
- % mesure 54
-\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes
-\temps\NOtes\zq{Mac}|\zql f\enotes
-\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes
- % mesure 55
-\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes
-\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes
-\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes
- % mesure 56
- %\check
-\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes
-\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes
-\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes
- % mesure 57
-\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes
- % mesure 58
-\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes
-\temps\NOtes\zq{KN_b}\qu{d}|\enotes
-\temps\NOtes\zq{Nbd}|\ql g\enotes
- % mesure 59
- %\check
-\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes
-\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes
-\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes
- % mesure 60
- %\check
-\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes
-\temps\NOtes\zq {_LNc}\zql{_e}\enotes
-\temps\NOtes\zq {Nce}|\ql g\enotes
- % mesure 61
- %\check
-\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
-\temps\NOtes\zq {K^Ma}\zql d|\enotes
-\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
- %\check
- % mesure 62
-\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes
-\temps\NOtes\zq{KN_b}\ql d|\enotes
-\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
- % mesure 63
- %\check
-\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes
-\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes
-\temps\NOtes\zq {acf}|\zql h\enotes
- % mesure 64
- %\check
-\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes
-\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes
-\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes
- % mesure 65
- %\check
-\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes
-\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes
-\temps\NOtes\zq {adf}\zql{_h}|\enotes
- % mesure 66
- %\check
-\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes
-\temps\NOtes\zq {Nb}\zql{=d}|\enotes
-\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes
- % mesure 67
- %\check
-\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes
-\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes
-\temps\NOtes|\zq {ceh}\ql{j}|\enotes
- % mesure 68
- %\check
-\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes
-\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes
-\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes
- % mesure 69
- %\check
-\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes
-\temps\NOtes\zq {_LN_b}\zql{_e}\enotes
-\temps\NOtes\zq {Nbe}|\ql{g}\enotes
- % mesure 70
- %\check
-\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
-\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
-\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
- % mesure 71
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
-\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
-\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
- % mesure 72
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
-\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
-\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
- % mesure 73
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes
-\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes
-\temps\NOtes\zq {Nbe}|\zql g\enotes
- % mesure 74
- %\check
-\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
-\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
-\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
- % mesure 75
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
-\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
-\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
- % mesure 76
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
-\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
-\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
- % mesure 77
- %\check
-\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes
-\temps\NOtes\zq {=LNc}\zql{=e}|\enotes
-\temps\NOtes\zq {Nce}|\zql g\enotes
- % mesure 78
- %\check
-\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes
-\temps\NOtes\zq {M_a_d}\ql{f}|\enotes
-\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes
- % mesure 79
- %\check
-\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes
-\temps\NOtes\zq {_LNc}\ql{_e}|\enotes
-\temps\NOtes\zq {Nce}|\ql g\enotes
- % mesure 80
- %\check
-\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes
-\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes
-\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes
- % mesure 81
- %\check
-\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes
-\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes
-\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes
- %\check
- % mesure 82
-\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes
-\temps\NOtes\zq{KN_b}\ql d|\enotes
-\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
- %\check
- % mesure 83
-\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\enotes
- %\check
- % mesure 84
-\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes
-\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes
-\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes
- % mesure 85
- %\check
-\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
-\temps\NOtes\zq {K^Ma}\zql d|\enotes
-\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
- % mesure 86
-\barre\NOtes\uptext{\kern -\Interligne\ppff
- p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes
-\temps\NOtes\zq{=Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
- % mesure 87
-\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
-\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
-\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
- %\check
- % mesure 88
-\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{ad}|\zql f\qu m\enotes
- % mesure 89
-\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
-\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
-\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
- % mesure 90
-\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
-\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
-\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
- % mesure 91
-\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
-\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
-\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
- % mesure 92
- %\check
-\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
-\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
-\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
- % mesure 93
-\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex
-\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
- % mesure 94
-\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes
-\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
-\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
- %\check
- % mesure 95
-\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
-\temps\NOtes\zq{Ma}\qu d\enotes
-\temps\NOtes\zq{ad}|\zql f\qu m\enotes
- % mesure 96
-\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes
-\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes
-\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes
- % mesure 97
-\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
-\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
-\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
- % mesure 98
-\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
-\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
-\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
- % mesure 99
-\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes
-\temps\NOtes\zq{Lae}\qu{^c}\enotes
-\temps\NOtes\zq{ace}|\ql g\enotes
- % mesure 100
-\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax
- |\pointdorgue n\hup k\enotes
-\temps\NOtes\zq{Mad}|\ql f\enotes
-\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes
-\finmorceau
- \rightline{\sl \aujourdhui}\eject
-\bye
-
-
-
-
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/howtoget.tex b/Master/texmf-dist/doc/generic/musictex/howtoget.tex
deleted file mode 100644
index 476cb790f5e..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/howtoget.tex
+++ /dev/null
@@ -1,45 +0,0 @@
-%\input genpctex
-\def\musictex{Music\TeX}%
-\font\gros=cmssbx10 scaled \magstep 4
-\font\enorme= cmssbx10 scaled \magstep 6
-\font \moyen=cmssbx10 scaled \magstep 3
-\font\tt=cmtt10 scaled \magstep 3
-\advance\baselineskip by 4pt
-\ \vfil
-\centerline{\gros How to get}
-\bigskip
-\centerline{\enorme\musictex}
-\bigskip
-\bigskip
-\moyen
-A PC diskette is sufficient (5'1/4, 1.2Mb) or (3'1/2, MSDos, 1.44Mb).
-Send it (formatted) to~:
-
-\centerline{\gros Daniel TAUPIN,}
-\centerline{\gros bƒtiment 510,}
-\centerline{\gros Centre Universitaire,}
-\centerline{\gros 91405-ORSAY, France.}
-
-\bigskip
-Or, better :
-\bigskip
-{\tt ftp 193.55.39.100} \quad {\tt(rsovax.lps.u-psud.fr)}
-
-user : {\tt anonymous}
-
-{\tt cwd musictex}
-\bigskip
-
- The whole distribution is available as a ``.ZIP'' file but also
-all individual files, including notices.
-\bigskip
- Now, be PATIENT : the line is limited to 9600~bauds, and the path is awfully
-complicated, so that it works only 80~\% of the time on the average, with
-m.t.b.f. of a few hours and faults lasting minutes, hours and even days.
-This will change in the (hopefully) next future.
-\bigskip
-E-mail : {\tt TAUPIN{\char 64}rsovax.lps.u-psud.fr}\vfil
-\eject
-\bye
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/lines.tex b/Master/texmf-dist/doc/generic/musictex/lines.tex
deleted file mode 100644
index e331dc9e060..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/lines.tex
+++ /dev/null
@@ -1,75 +0,0 @@
-% Cut Here - line.tex
-
-% These macros maintain the box of lines used for the leaders
-
-\newbox\@linbox
-\global\setbox\@linbox\hbox{}
-\def\@uplinbox{\global\setbox\@linbox\hbox{}\global\n@l=0\relax
-\@uplinboxes}
-\def\@uplinboxes{\ifnum\n@l<4\relax\selectligne{\n@l}\ifnum
-\l@s=0\relax\else\up@linbox\fi
-\global\advance\n@l by 1\relax\@uplinboxes\else\fi}%
-\def\up@linbox{\y@ii\l@z\advance\y@ii by-\linthick\relax
-\global\setbox\@linbox\hbox{\unhbox\@linbox
-\kern-\tenboxwidth\vrule width\tenboxwidth height\l@z depth-\y@ii\relax}}
-
-% This macro makes the leaders
-\def\@tenleader#1{\@tenuskip=#1\advance\@tenuskip by2\tenboxwidth\relax
-\nobreak\kern-\tenboxwidth\nobreak\cleaders\hbox{\unhcopy\@linbox
-\unhcopy\@tenubox}\hskip\@tenuskip\kern-\tenboxwidth\nobreak}
-
-% Everything that follows is similar to the tie macros, except that there is
-% no need to place a special character at each end of a line.
-
-% positions x et z de debut des lignes
-\newdimen\l@xi\newdimen\l@zi
-\newdimen\l@xii\newdimen\l@zii
-\newdimen\l@xiii\newdimen\l@ziii
-\newdimen\l@xiv\newdimen\l@ziv
-% etat des lignes (0= inactive, 1= actif)
-%
-\newcount\l@si
-\newcount\l@sii
-\newcount\l@siii
-\newcount\l@siv
-\newdimen\linthick\linthick0.2pt
-%
-\def\selectligne#1{{\n@i=#1\relax
-\ifnum\n@i<1\relax\n@i=4\fi
-\xdef\l@x{\csname l@x\romannumeral\n@i\endcsname}%
-\xdef\l@z{\csname l@z\romannumeral\n@i\endcsname}%
-\xdef\l@s{\csname l@s\romannumeral\n@i\endcsname}}%
-}%
-%
-% continuation des lignes
-\def\clignes{\locx@skip=\x@skip\advance\locx@skip by \n@skip\global\n@l
-=0\relax\c@lignes}%
-\def\c@lignes{\ifnum\n@l<5\relax\selectligne{\n@l}\ifnum
-\l@s=0\relax\else\c@ligne\fi
-\global\advance\n@l by 1\relax\c@lignes\fi}%
-%
-\def\ilin#1#2#3{\selectligne{#1}\global\l@s=1\relax
- \global\l@x=\locx@skip\global\advance\l@x by#2\relax
- \global\l@z=#3\global\advance\l@z by\altportee\relax\up@linbox}
-\def\tlin#1{\selectligne{#1}\t@ligne\global\l@s=0\@uplinbox\relax}
-%
-\def\c@ligne{\y@ii=\x@skip\advance\y@ii by -\l@x
-\ifnum\l@s=1\relax
- \raise\l@z\llap{\hbox to\y@ii{\leaders
- \hrule height\z@ depth\linthick\hss}}\relax
- \global\l@x=-1pt
-\fi}
-%
-\def\t@ligne{\y@i=\l@z\relax
-\advance\y@i by -\altportee\relax
-\y@ii=\locx@skip\advance\y@ii by-\wd@skip\relax
-\advance\y@ii by -\l@x\relax
- \ifnum\l@s=1\relax
- \raise\y@i\llap{\vrule height\z@ depth\linthick width\y@ii\hskip\wd@skip}%
-\fi}
-
-% The lines are activated by adding \clignes to the \ctenuti macro.
-
-\let\ctenuti@=\ctenuti\def\ctenuti{\ctenuti@\clignes}
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/magnific.tex b/Master/texmf-dist/doc/generic/musictex/magnific.tex
deleted file mode 100644
index 2d067dd6184..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/magnific.tex
+++ /dev/null
@@ -1,654 +0,0 @@
-\title{Magnificat}
-\fulltitle{X. \titremorceau}
-\subtitle{(pour orgue)}
-\othermention{Compos\'e en 1992--1994}
-\fullauthor{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\maketitle
-
-\csname titremorceautoc\endcsname
-
-\parindent 18mm
-%
-\tracingstats=2\relax
-%
-\def\nbinstruments{3}
-%\signaturegenerale{-1}\relax % un bemol a la clef
-\generalsignature{-1}\relax % un bemol a la clef
-\def\nbinstruments{2}
-\nbporteesii=2\relax
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\qqtemps{\generalmeter{\meterfrac{3:4}{4}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{Manuel}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-\def\doubler{\noteskip=2\noteskip}%
-\def\tripler{\noteskip=3\noteskip}%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
-\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
- %au moins quatre doubles croches basses et hautes
-\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
-\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
-\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
-\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
-\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
- %au moins six doubles croches basses
-\def\sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1#2#3#4#5}\tqb0{#6}}%
-\def\Sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1}\off \internote
- \qb0{#2#3#4#5}\tqb0{#6}}%
-%
-\medskip\noindent{\rm {\bf I} G.O.: fonds 8' ou 8'+4' doux}%
-\par\noindent{\rm {\bf II} Pos.: 8'+4' ou 8'+4'+2' doux}%
-\par\noindent{\rm {\bf III} R\'ec.: cornet ou cromorne}%
-\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}%
-\smallskip
-%
-\qqtemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\resp{\ifx\mxversion\undefined
- \vnotes 0.2\elemskip\nextinstrument\nextstaff\cbreath\enotes
- \else
- \vnotes 0.66\elemskip\nextinstrument\nextstaff\cbreath\enotes
- \fi }%
-\def\mpause{\divide\noteskip by 2\relax\sk\pause}%
-%
-\debutmorceau
-\autolines755\relax
-\advance\linesinpage by 1\relax
-\NOtes\soupir&\zmidtwotext{\kern -\interligne\bf II}\ql M|\uptext{\moyen
- Andante}\zq{cf}\qu h\enotes
-%\check
-% mesure 2
-\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes
-\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes
-\temps\NOtes&\ql M|\zq{f}\qu h\enotes
-%\check
-% mesure 3
-\barre\NOtes&\ql K|\zq{ad}\qu f\enotes
-\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes
-\temps\NOtes&\ql M|\zq{f}\qu h\enotes
-%\check
-% mesure 4
-\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes
-\temps\NOtes&\ql M|\zhl c\tten0\zq{f}\qu h\enotes
-\temps\NOtes\pause&\ql J|\zql e\qup g\enotes
-\temps\notes&\ql K|\zq b\ql d\cu f\enotes
-%\check
-% mesure 5
-\barre\NOtes\sk\mpause&\hl M|\zh{ac}\hu f\enotes
-\resp
-\temps\NOtes&\ql a|\itenl0f\zq{fh}\ql j\enotes
-%\check
-% mesure 6
-\barre\autolines665\relax
-\NOtes&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes
-\temps\NOtes\pause&\ql{^M}|\tten0\zq{^fh}\ql k\enotes
-%\check
-% mesure 7
-\barre\NOtes&\ql N|\zhlp d\zq{g}\qu i\enotes
-\temps\NOtes\mpause&\ql a|\zq{=f}\qu h\enotes
-\temps\NOtes&\ql N|\zq{g}\qu i\enotes
-%\check
-% mesure 8
-\barre\NOtes&\ql J|\zq{f}\lq g\ql j\enotes
-\temps\Notes\sk\pause&\hl L|\zh{eg}\hl j\enotes
-\resp
-\temps\NOtes&\ql M|\zq{cf}\qu h\enotes
-%\check
-% mesure 9
-\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes
-\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes
-\temps\NOtes&\ql M|\zq{f}\qu h\enotes
-%\check
-% mesure 10
-\barre\NOtes&\ql K|\zq{ad}\qu f\enotes
-\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes
-\temps\NOtes&\ql M|\zq{f}\qu h\enotes
-%\check
-% mesure 11
-\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes
-\temps\NOtes&\ql M|\tten0\itenu0f\zq{cf}\qu h\enotes
-\temps\NOtes\pause&\ql{^J}|\tten0\itenu0c\zq{^c}\zql f\qsk\qup g\enotes
-\temps\notes&\qu H|\tten0\zq a\ql c\cu f\enotes
-%\check
-% mesure 12
-\barre\Notes\sk\mpause&\hl K|\zh{ad}\hu f\enotes
-\temps\NOtes&\soupir|\soupir\enotes
-%\check
-% mesure 13
-\barre\NOtes&\hl{^M}|\zhlp{^f}\zq h\qu k\enotes
-\temps\NOtes\mpause&|\zq h\qu k\enotes
-\temps\NOtes&\ql K|\zq h\qu j\enotes
-%\check
-% mesure 14
-\barre\NOtes&\ql L|\zhlp d\zq{dg}\qu i\enotes
-\temps\NOtes\mpause&\ql{=M}|\zq{=f}\qu h\enotes
-\temps\NOtes&\ql K|\zq{df}\qu i\enotes
-%\check
-% mesure 15
-\barre\NOtes&\ql L|\zhp e\zhlp g\qu j\enotes
-\temps\NOtes\pause&\hu J|\hu j\enotes
-\resp
-%\check
-% mesure 16
-\barre\NOtes&\ql M|\zhl c\zq{f}\qu h\enotes
-\temps\NOtes\mpause&\ql M|\zq{e}\qu h\enotes
-\temps\NOtes&\qu I|\zq{bd}\qu g\enotes
-%\check
-% mesure 17
-\barre\NOtes&\qsk\hu G|\zql a\qsk\zhl b\qup d\enotes
-\temps\notes&|\ql N\itenl0f\cu f\enotes
-\temps\NOtes\pause&\hu F|\zh{ac}\tten0\hu f\enotes
-\cleftoksii={0000}\resp\changeclefs
-\def\atnextline{\def\nbinstruments{3}%
-\nbporteesii=1\relax}%
-%\check
-% mesure 18
-\barre\autolines{11}45\relax
-\notes\ql M&\uptext{\kern -\interligne\bf II}\Tqh hgh&\uptext{\kern
- -\interligne\bf III}\ql h\enotes
-\temps\notes\ql K&\Tqh fgh&\ql h\enotes
-\temps\notes\ql J&\Tqh ihg&\qu g\enotes
-\temps\notes\ql M&\Tqh hgf&\qu h\enotes
-%\check
-% mesure 19
-\barre\notes\ql K&\Tqh efg&\qu f\enotes
-\temps\notes\ql J&\Tqh ihg&\qu g\enotes
-\temps\notes\ql M&\Tqh fed&\qu h\enotes
-%\check
-% mesure 20
-\barre\notes\ql a&\Tqh cba&\qu j\enotes
-\temps\notes\ql M&\Tqh Nab&\qu h\enotes
-\temps\notes\ql J&\Tqh cde&\qup g\enotes
-\temps\notes\ql K&\Tqh fgi&\noteskip=1.5\noteskip\sk\cu f\enotes
-%\check
-% mesure 21
-\barre\notes\hl M&\Tqh hgf&\hu f\enotes
-\temps\notes&\Tqh edc&\sk\cbreath\enotes
-\temps\notes\soupir&\Tqh ace&\ql j\enotes
-%\check
-% mesure 22
-\barre\notes\ql M&\Tqh hgh&\ql j\enotes
-\temps\notes\ql J&\bigaccid\Tqh {^f}gh&\ql k\enotes
-%\check
-% mesure 23
-\barre\notes\ql N&\Tqh ige&\ql i\enotes
-\temps\notes\ql a&\bigna f\Tqh fgh&\ql h\enotes
-\temps\notes\ql N&\Tqh gef&\ql i\enotes
-%\check
-% mesure 24
-\barre\notes\ql L&\Tqh ged&\ql j\enotes
-\temps\notes\hl J&\Tqh efg&\hl j\enotes
-\temps\Notes&\qu c\enotes
-\resp
-\temps\notes\itenu0M\ql M&\Tqh fef&\qu h\enotes
-%\check
-% mesure 25
-\barre\notes\tten0\ql M&\Tqh def&\qu h\enotes
-\temps\notes\ql J&\Tqh ghi&\qu g\enotes
-\temps\notes\ql M&\Tqh hgf&\qu h\enotes
-%\check
-% mesure 26
-\barre\notes\ql K&\Tqh efg&\qu f\enotes
-\temps\notes\ql J&\Tqh ihg&\qu g\enotes
-\temps\notes\ql M&\Tqh fde&\qu h\enotes
-%\check
-% mesure 27
-\barre\notes\ql a&\Tqh cba&\qu j\enotes
-\temps\notes\ql M&\Tqh Na{=b}&\qu h\enotes
-\temps\notes\bigsh J\ql J&\bigaccid\Tqh{^c}de&\qup g\enotes
-\temps\notes\qu H&\Tqh fde&\sk\cu f\enotes
-%\check
-% mesure 28
-\barre\notes\hl K&\Tqh fed&\hu f\enotes
-\temps\notes&\Tqh cbc\enotes
-\temps\NOtes\soupir&\qu a&\soupir\enotes
-%\check
-% mesure 29
-\barre\notes\bigaccid\hl{^M}&\Tqh jh{^f}&\ql k\enotes
-\temps\notes&\Tqh def&\ql k\enotes
-\temps\notes\ql K&\Tqh hgf&\ql j\enotes
-%\check
-% mesure 30
-\barre\notes\ql L&\Tqh ghi&\qu i\enotes
-\temps\notes\bigaccid\ql{=M}&\Tqh hg{=f}&\qu h\enotes
-\temps\notes\ql K&\Tqh ghi&\qu i\enotes
-%\check
-% mesure 31
-\barre\notes\ql L&\Tqh gih&\ql j\enotes
-\temps\notes\hu J&\Tqh ghi&\hl j\enotes
-\temps\NOtes&\qu g\enotes
-\resp
-%\check
-% mesure 32
-\barre\notes\ql M&\Tqh hgf&\qu h\enotes
-\temps\notes\ql M&\Tqh edc&\qu h\enotes
-\temps\notes\qu I&\Tqh bdg&\qu g\enotes
-%\check
-% mesure 33
-\barre\notes\qu G&\Tqh ihg&\qup d\enotes
-\temps\notes\qu J&\Tqh def&\noteskip=1.5\noteskip\sk\itenl0f\cu f\enotes
-\temps\notes\hu F&\Tqh ihg&\tten0\hu f\enotes
-\temps\NOtes&\qu h&\enotes
-\resp
-\cleftoksii={6000}\changeclefs
-%
-\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax}%
-% mesure 34
-\barre\autolines665\relax
-\NOtes\hl M&\zmidtwotext{\kern -\interligne\bf I}\zw c\hl a|\zq{f}\qu h\enotes
-\temps\NOtes&|\zq{f}\qu h\enotes
-\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes
-\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
-%\check
-% mesure 35
-\barre\NOtes \ql K&\ql M|\zq{ad}\qu f\enotes
-\temps\NOtes \ql J&\ql L|\zhl c\zq{e}\qu g\enotes
-\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
-%\check
-% mesure 36
-\barre\NOtes \ql L&\ql N|\zq{eg}\qu j\enotes
-\temps\NOtes \ql M&\ql a|\zhl c\zq{f}\qu h\enotes
-\temps\NOtes \ql J&\ql N|\zql e\qup g\enotes
-\temps\notes \ql K&\ql M|\zq b\ql d\cu f\enotes
-%\check
-% mesure 37
-\barre\NOtes \hl M&\hl M|\zh{ac}\hu f\enotes
-\resp
-\temps\NOtes \ql M&\ql a|\itenl0f\zq{fh}\ql j\enotes
-%\check
-% mesure 38
-\barre\autolines665\relax
-\NOtes \ql J&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes
-\temps\NOtes\ql K&\ql{^M}|\tten0\zq{^fh}\ql k\enotes
-%\check
-% mesure 39
-\def\atnextline{\autolines655}\relax
-\barre\NOtes \ql N&\ql b|\zhlp d\zq{g}\qu i\enotes
-\temps\NOtes \ql K&\ql a|\zq{=f}\qu h\enotes
-\temps\NOtes \ql I&\ql N|\zq{g}\qu i\enotes
-%\check
-% mesure 40
-\barre\NOtes \ql J&\ql M|\zq{f}\lq g\ql j\enotes
-\temps\NOtes \hl L&\hl N|\zh{eg}\hl j\enotes
-\resp
-\temps\NOtes \ql M&\zq{c}\ql a|\zq{f}\qu h\enotes
-%\check
-% mesure 41
-\barre\NOtes \ql M&\zhup c\ql a|\zq{f}\qu h\enotes
-\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes
-\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes
-%\check
-% mesure 42
-\barre\NOtes \ql K&\zq a\ql M|\zq{d}\qu f\enotes
-\temps\NOtes \ql J&\zhu c\ql L|\zq{e}\qu g\enotes
-\temps\NOtes \ql M&\itenu2a\ql a|\zq{f}\qu h\enotes
-%\check
-% mesure 43
-\barre\NOtes \ql a&\tten2\hl a|\itenl0f\zq{fh}\qu j\enotes
-\temps\NOtes \ql M&\qu c|\tten0\zq{f}\qu h\enotes
-\temps\NOtes \ql{^J}&\zh{^c}\hl N|\zql e\qup g\enotes
-\temps\notes \qu H&\qu a|\sk\cu f\enotes
-%\check
-% mesure 44
-\barre\NOTes \hl K&\zh a\hl M|\zh{d}\hu f\enotes
-\temps\NOtes \soupir&\soupir|\soupir\enotes
-%\check
-% mesure 45
-\barre\NOtes \hl{^M}&\hlp a|\zhlp{^f}\zq h\qu k\enotes
-\temps\NOtes &|\zq h\qu k\enotes
-\temps\NOtes \ql K&|\zq h\qu j\enotes
-%\check
-% mesure 46
-\barre\NOtes \ql L&\ql N|\zhlp d\zq{g}\qu i\enotes
-\temps\NOtes \ql{=M}&\ql a|\zq{=f}\qu h\enotes
-\temps\NOtes \ql K&\ql M|\zq{f}\qu i\enotes
-%\check
-% mesure 47
-\barre\NOtes \ql L&\hlp N|\zhp e\zhlp g\qu j\enotes
-\temps\NOTes \hu J&|\hu j\enotes
-\resp
-%\check
-% mesure 48
-\barre\NOtes \ql M&\zh c\hl a|\zq{f}\qu h\enotes
-\temps\NOtes \ql M&|\zq{f}\qu h\enotes
-\temps\NOtes \qu I&\zq b\ql N|\zq{d}\qu g\enotes
-%\check
-% mesure 49
-\barre\NOtes \hu G&\zw M\qu a|\zhl b\qup d\enotes
-\temps\notes &\qu N|\sk\itenl0f\cu f\enotes
-\temps\NOTes \hu F&\hu a|\zh{c}\tten0\hu f\enotes
- %
-\def\atnextline{\def\nbinstruments{3}\nbporteesii=1\relax
-\nbporteesiii=1\relax\autolines{14}45}%
-% mesure 50
-\barre\notes\hu K&\zmidtwotext{\kern -\interligne\bf II}\Qqbb afdf&\relax
- \zmidtwotext{\kern -\interligne\bf III}\qu h\enotes
-\temps\notes &\Qqbb afdf&\qu h\enotes
-\temps\notes\bigaccid \qu {^J}&\Qqbb Ne{^c}e&\qu g\enotes
-\temps\notes \qu K&\Qqbb afdf&\qu h\enotes
-%\check
-% mesure 51
-\barre\notes\bigaccid \qu {=I}&\Qqbb Nd{=b}d&\qu f\enotes
-\temps\notes\bigaccid \qu{^J}&\Qqbb Ne{^c}e&\qu g\enotes
-\temps\notes \qu K&\Qqbb afdf&\qu h\enotes
-%\check
-% mesure 52
-\barre\notes\bigaccid \qu {=J}&\Qqbb af{=c}f&\qu j\enotes
-\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
-\temps\notes \hu H&\Qqbb L{^c}Nc&\qup g\enotes
-\temps\notes &\Qqbb LcNc&\sk\sk\cu f\enotes
-%\check
-% mesure 53
-\barre\notes \hu K&\Qqbb Mdad&\qup f\enotes
-\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes
-\temps\notes \qu H&\Qqbb L{=c}ac&\ql j\enotes
-%\check
-% mesure 54
-\barre\notes \qu J&\Qqbb Mcac&\ql j\enotes
-\temps\notes \qu K&\Qqbb{^M}dad&\ql k\enotes
-%\check
-% mesure 55
-\barre\notes \qu G&\Qqbb Ndbd&\qu i\enotes
-\temps\notes \qu K&\Qqbb {=M}dad&\qu h\enotes
-\temps\notes \qu G&\Qqbb KbNb&\qu i\enotes
-%\check
-% mesure 56
-\barre\notes \hlp J&\Qqbb LcNc&\ql j\enotes
-\temps\notes &\Qqbb Lcac&\qlp j\enotes
-\temps\notes &\Qqbb LcNc&\sk\sk\ds\enotes
-\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
-%\check
-% mesure 57
-\barre\notes \qu J&\Qqbb Mcac&\qu h\enotes
-\temps\notes \qu H&\Qqbb L{^c}ac&\qu g\enotes
-\temps\notes \doubler\dqh {=I}{^J}&\Qqbb LcNc&\qu h\enotes
-%\check
-% mesure 58
-\barre\notes \qu K&\Qqbb Mdad&\qu f\enotes
-\temps\notes\bigaccid \qu{^J}&\Qqbb L{^c}Nc&\qu g\enotes
-\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes
-%\check
-% mesure 59
-\barre\notes\bigaccid \qu{=J}&\Qqbb M{=c}ac&\cna j\qu j\enotes
-\temps\notes \qu H&\Qqbb Lcac&\qu h\enotes
-\temps\notes\doubler \qu {=I}&\Qqbb L{^c}Nc&\qup g\enotes
-\temps\notes \qu H&\Qqbb Lcac&\sk\sk\cu f\enotes
-%\check
-% mesure 60
-\barre\notes \hu K&\Qqbb Mdad&\hu f\enotes
-\temps\notes &\Qqbb Mdad&\enotes
-\temps\notes \soupir&\Qqbb Mdad&\soupir\enotes
-%\check
-% mesure 61
-\barre\notes \hu K&\bigaccid\Qqbb {^M}dad&\ql k\enotes
-\temps\notes &\Qqbb Mdad&\ql k\enotes
-\temps\notes\bigaccid \ql{^M}&\Qqbb Mcac&\ql j\enotes
-%\check
-% mesure 62
-\barre\notes \ql N&\Qqbb Ndbd&\qu i\enotes
-\temps\notes \ql L&\Qqbb LcNc&\qu h\enotes
-\temps\notes \ql K&\Qqbb Kb{=M}b&\qu i\enotes
-%\check
-% mesure 63
-\barre\notes \qu J&\Qqbb LcNc&\qu j\enotes
-\temps\notes \hu H&\Qqbb Mcac&\qup j\enotes
-\temps\notes &\Qqbb Lcbc&\sk\sk\ds\enotes
-%\check
-% mesure 64
-\barre\notes \qu K&\Qqbb Mdad&\qu h\enotes
-\temps\notes \qu J&\Qqbb Lcac&\qu h\enotes
-\temps\notes \qu I&\Qqbb KbNb&\qu g\enotes
-%\check
-% mesure 65
-\barre\notes \hu G&\Qqbb KbNb&\qup d\enotes
-\temps\notes &\Qqbb KbNb&\sk\sk\itenl0f\cu f\enotes
-\temps\notes \hu D&\Qqbb Mdad&\tten0\qup f\enotes
-\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes
-\def\atnextline{\autolines{22}35}%
-% mesure 66
-\barre\notes\hu K&\uptext{\kern -\interligne\bf I}\zqu
-M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb
- Madfda&\uptext{\kern -\interligne\bf III}\qu h\enotes
-\temps\notes &\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes
-\temps\notes \qu H&\zqu N\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Na{^c}eca&\qu g\enotes
-\temps\notes \qu K&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes
-%\check
-% mesure 67
-\barre\notes\bigaccid \qu {=I}&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\Sqbb M{=b}dfdb&\qu f\enotes
-\temps\notes\bigaccid \qu{^J}&\zqu N\sqbb Na{^c}eca&\qu g\enotes
-\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
-%\check
-% mesure 68
-\barre\notes \qu H&\zqu M\sqbb Macfca&\qu j\enotes
-\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
-\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qup g\enotes
-\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\sk\sk\sk\cu f\enotes
-%\check
-% mesure 69
-\barre\notes \hu K&\zqu M\sqbb Madfda&\hu f\enotes
-\temps\notes &\zqu M\sqbb Madfda&\enotes
-\temps\notes \qu H&\zqu M\sqbb Madfda&\ds\sk\sk\cu h\enotes
-%\check
-% mesure 70
-\barre\notes \hu K&\bigsh M\zqu M\sqbb Mad{^f}da&\ql k\enotes
-\temps\notes &\zqu M\sqbb Ma{=c}fca&\cna j\ql j\enotes
-\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\qu i\enotes
-\temps\notes \qu I&\zqu N\sqbb Nbdgdb&\tripler\dqh hg\enotes
-% mesure 71
-\barre\notes \hu H&\bigna M\zqu M\sqbb Mad{=f}ca&\qup h\enotes
-\temps\notes &\zqu M\sqbb Madfca&\tripler\sk\cu h\enotes
-\temps\notes \qu I&\zqu N\sqbb Nbdedb&\qu f\enotes
-\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\tripler\dqh ge\enotes
-% mesure 72
-\barre\notes \hu H&\zqu a\sqbb adfhfd&\hu d\enotes
-\temps\notes &\zqu a\sqbb adfhfd&\enotes
-\temps\notes &\zqu a\Sqbb a{^c}egec&\bigaccid\qu {^c}\enotes
-% mesure 73
-\barre\notes \hu D&\zqu M\sqbb Madfda&\qup d\enotes
-\temps\notes &\zqu M\sqbb Madfdb&\tripler\sk\cu d\enotes
-\temps\notes \hu K&\zqu a\sqbb acd{^f}dc&\tripler\qu{^f}\enotes
-\temps\notes &\zqu a\sqbb acdfdc&\tripler\dqh ff\enotes
-% mesure 74
-\barre\notes \hu I&\zqu N\sqbb Nbdgdb&\tripler\dqh gh\enotes
-\temps\notes &\zqu N\sqbb Nbdedb&\tripler\dqh ig\enotes
-\temps\notes \hu J&\zqu N\sqbb Nbcecb&\tripler\qu e\enotes
-\temps\notes &\zqu N\sqbb Nbcecb&\tripler\dqh ee\enotes
-\def\atnextline{\autolines{20}35}%
-% mesure 75
-\barre\notes \hu K&\na M\zqu M\sqbb Madfda&\tripler\na f\dqh fg\enotes
-\temps\notes &\zqu M\sqbb Madfdb&\tripler\dqh hf\enotes
-\temps\notes \hu I&\zqu K\sqbb KNbdbN&\tripler\qu d\enotes
-\temps\notes &\zqu K\sqbb KNbdbN&\tripler\dqh dd\enotes
-% mesure 76
-\barre\notes \hu H&\zqu N\sqbb Na{^c}eca&\tripler\qu g\enotes
-\temps\notes &\zqu N\sqbb Naceca&\uptext{\moyen rit.}\tripler\dqh gg\enotes
-% mesure 77
-\barre\notes\hu K&\zqu M\sqbb Madfda&\uptext{\moyen a tempo}\qu h\enotes
-\temps\notes &\zqu M\sqbb Madfda&\qu h\enotes
-\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qu g\enotes
-\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
-%\check
-% mesure 78
-\barre\notes\bigaccid \qu {=I}&\zqu K\sqbb KM{=b}dbM&\qu f\enotes
-\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes
-\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes
-%\check
-% mesure 79
-\barre\notes\bigaccid \qu {=J}&\zqu M\sqbb Ma{=c}fca&\qu j\enotes
-\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
-\temps\notes \qu H&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes
-%\check
-% mesure 80
-\barre\notes \hu K&\zqu K\sqbb KMadaM&\qup f\enotes
-\temps\notes &\zqu K\sqbb KMadaM&\sk\sk\ds\enotes
-\temps\notes \qu H&\zqu L\sqbb La{=c}eca&\ql j\enotes
-%\check
-% mesure 81
-\barre\notes \qu J&\zqu L\sqbb Laceca&\ql j\enotes
-\temps\notes \qu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes
-%\check
-% mesure 82
-\barre\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes
-\temps\notes \qu K&\zqu K\Sqbb K{=M}adaM&\qu h\enotes
-\temps\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes
-%\check
-% mesure 83
-\barre\notes \hlp J&\zqu M\sqbb MNcecN&\ql j\enotes
-\temps\notes &\zqu L\sqbb LNcecN&\qlp j\enotes
-\temps\notes &\zqu L\sqbb LNcecN&\sk\sk\ds\enotes
-\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
-%\check
-% mesure 84
-\barre\notes \qu J&\zqu M\sqbb Macfca&\qu h\enotes
-\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\qu g\enotes
-\temps\notes \tripler\dqh {=I}{^J}&\zqu L\sqbb LNcecN&\qu h\enotes
-%\check
-% mesure 85
-\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu f\enotes
-\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes
-\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
-%\check
-% mesure 86
-\barre\notes\bigaccid \qu{=J}&\zqu M\sqbb Ma{=c}fca&\cna j\qu j\enotes
-\temps\notes \qu H&\zqu L\sqbb Laceca&\qu h\enotes
-\temps\notes\tripler \dqh {=I}{^J}&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes
-%\check
-% mesure 87
-\barre\notes \hu K&\zqu K\sqbb KMadaM&\hu f\enotes
-\temps\notes &\zqu K\sqbb KMadaM&\enotes
-\temps\notes \soupir&\zqu K\sqbb KMadaM&\soupir\enotes
-%\check
-% mesure 88
-\barre\notes \hu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes
-\temps\notes &\zqu K\sqbb KMadaM&\ql k\enotes
-\temps\notes\bigaccid \ql{^M}&\zqu M\sqbb Macfca&\ql j\enotes
-%\check
-% mesure 89
-\barre\notes \ql N&\zqu K\sqbb KNbdbN&\qu i\enotes
-\temps\notes \ql L&\zqu L\sqbb LNbebN&\qu h\enotes
-\temps\notes \ql K&\zqu K\Sqbb K{=M}bdbM&\qu i\enotes
-%\check
-% mesure 90
-\barre\notes \qu J&\zqu L\sqbb LNcecN&\qu j\enotes
-\temps\notes \hu H&\zqu M\sqbb Macfca&\qup j\enotes
-\temps\notes &\zqu L\sqbb Laceca&\sk\sk\ds\enotes
-%\check
-% mesure 91
-\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes
-\temps\notes \qu J&\zqu L\sqbb Laceca&\qu h\enotes
-\temps\notes \qu I&\zqu K\sqbb KNbdbN&\qu g\enotes
-%\check
-% mesure 92
-\barre\notes \hu G&\zqu K\sqbb KNbdbN&\qup d\enotes
-\temps\notes &\zqu K\sqbb KNbdbN&\sk\sk\sk\cu f\enotes
-\temps\notes \hu F&\zqu M\sqbb Macfca&\pointdorgue l\hu f\enotes
-\temps\notes &\zqu M\ibbl0M1\qb0M\zqu a\qb0a\zqu c\tqb0c\pointdurgue F\cl f&\enotes
-\advance\linesinpage by 1\relax
-%\check
-\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax
- \def\interfacteur{11}\autolines{14}45}%
-% mesure 93
-\def\ddb#1#2#3{\Ibl0{#1}{#3}3\qb0{#1}\sk\nbbl0\qb0{#2}\tqb0{#3}}%
-\def\ddh#1#2#3{\Ibu0{#1}{#3}3\qh0{#1}\sk\nbbu0\qh0{#2}\tqh0{#3}}%
-\barre\notes\hl M&\zmidtwotext{\kern -2\interligne\bf I}\ql c|\relax
- \Uptext{\moyen Maestoso}\zqu h\ddb fed\enotes
-\temps\NOtes&\ql a|\zqu h\dqb cd\enotes
-\temps\NOtes \ql J&\ql N|\zqu g\dqb ec\enotes
-\temps\notes \ql M&\ql a|\zqu h\qqbb fedc\enotes
-%\check
-% mesure 94
-\barre\notes \ql K&\ql M|\zqu f\ddb dcb\enotes
-\temps\NOtes \ql J&\ql L|\zqu g\dqb ce\enotes
-\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes
-%\check
-% mesure 95
-\barre\NOtes \ql L&\zql N\dqh ce|\zq{g}\qu j\enotes
-\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes
-\temps\NOtes \ql J&\ql N|\zqup g\dqb ec\enotes
-\temps\notes \qu G&\zql M\ddh bab|\sk\sk\cu f\enotes
-%\check
-% mesure 96
-\barre\notes \hu F&\zhl M\ddh aab|\zhu f\enotes
-\temps\notes &\ddh cde\enotes
-%\check
-% mesure 97
-\barre\notes \ql M&\zql a\ddh fed|\zq{h}\qu j\enotes
-\temps\notes \ql J&\zql M\qqhh cbab|\zq{h}\qu j\enotes
-\temps\notes\ql K&\bigaccid\zql{^M}\ddh abc|\zq{h}\qu k\enotes
-%\check
-% mesure 98
-\barre\NOtes \ql N&\zql b\dqh de|\zq{g}\qu i\enotes
-\temps\notes \ql K&\ql a|\bigna f\zqu h\ddb fed\enotes
-\temps\notes \ql I&\ql N|\zqu i\qqbb edef\enotes
-%\check
-% mesure 99
-\barre\NOtes \ql J&\ql M|\zqu j\dqb gf\enotes
-\temps\notes \hl L&\hl N|\zh{g}\zhu j\ddb ede\enotes
-\temps\Notes&|\ql c\cbreath\enotes
-%\check
-% mesure 100
-\barre\notes \hl M&\qqbb abcb|\zcl{c}\zq{f}\qu h\enotes
-\temps\notes &\qqbb aNaM|\zhlp c\zq{f}\qu h\enotes
-\temps\notes \ql J&\qqbb NLMN|\zq{e}\qu g\enotes
-\temps\notes \ql M&\qqbb abaN|\zq{f}\qu h\enotes
-\def\atnextline{\autolines{12}45}\relax
-%\check
-% mesure 101
-\barre\notes \ql K&\zqu a\ddb MNM|\zq{d}\qu f\enotes
-\temps\notes \ql J&\ddb LMN|\zq{ce}\qu g\enotes
-\temps\notes \ql M&\qqbb abcd|\zq{f}\qu h\enotes
-%\check
-% mesure 102
-\barre\notes \ql a&\ddb cbc|\zq{fh}\qu j\enotes
-\temps\notes \ql M&\qqbb abca|\zcl c\zq{f}\qu h\enotes
-\temps\notes \bigaccid\qu{^J}&\qqbb NbaN|\bigaccid\zhl{^c}\zql e\qup g\enotes
-\temps\notes \qu H&\ddb MNL|\sk\cu f\enotes
-%\check
-% mesure 103
-\barre\notes \ddh KJI&\zqp a\qlp M|\zqp{d}\qup f\enotes
-\temps\notes \qqhh HGFE&\sk\sk\ds|\sk\sk\ds\enotes
-%\check
-% mesure 104
-\barre\notes \qup D&\hl a|\bigaccid\zhl{^f}\zq h\ddh kji\enotes
-\temps\notes &|\zql h\qqhh kjih\enotes
-%\check
-% mesure 105
-\barre\notes \qu G&\ddb Nab|\zhlp d\zq{dg}\qu i\enotes
-\temps\notes \qu J&\qqbb cabc|\bigaccid\zq{_e}\qu h\enotes
-\temps\notes \ddh KJK&\ql M|\zql d\zq{=f}\qu i\enotes
-%\check
-% mesure 106
-\barre\notes \bigfl L\ddh LKL&\ql N|\bigfl e\zq e\zq g\qu j\enotes
-\temps\notes \ddh JJI&\hl M|\zqp {fh}\qup j\enotes
-\temps\notes \ddh HGH&\sk\sk\ds|\sk\sk\ds\enotes
-%\check
-% mesure 107
-\barre\notes \qu F&\zhl a\qu d|\zqu h\ddb ff{=e}\enotes
-\temps\notes \qu K&\ddh dcd|\zq{f}\qu h\enotes
-\temps\notes \ddh IHI&\zqu b\ql N\zmidtwotext{\it rall.}|\zq{d}\qu g\enotes
-%\check
-% mesure 108
-\advance\barsinline -1\relax
-\barre\NOtes \qu G&\zhlp N\qu b|\qu d\enotes
-\temps\NOtes \hu J&\qu c|\qup e\enotes
-\temps\notes &\qu b|\sk\cu f\enotes
-% mesure 109
-\barre\NOTes \wh F&\zw M\wh a|\zw{c}\wh f\enotes
-\finmorceau
-\medskip\rightline{\it \aujourdhui}
-\vfil
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/marcellx.tex b/Master/texmf-dist/doc/generic/musictex/marcellx.tex
deleted file mode 100644
index 98c563df159..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/marcellx.tex
+++ /dev/null
@@ -1,314 +0,0 @@
-\title{Adagio}
-\fulltitle{Adagio}
-\csname titremorceautoc\endcsname
-\subtitle{(extrait du Concerto pour Hautbois)}
-\othermention{R\'ecit: cornet ou cromorne\\G.O.
- bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
-\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
-\shortauthor{B. Marcello, D. Taupin}
-\maketitle
-%
-\parindent 13mm
-%
-\tracingstats=2\relax
-%
-\def\nbinstruments{3}
-\def\interfacteur{9}
-\global\cleftoksi={{6}{0}{0}{0}}%
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\nbporteesi=1\relax%
-\nbporteesii=1\relax%
-\nbporteesiii=1\relax%
-\signaturegenerale{-3}\relax
-%\check
-\def\instrumenti{P\'ed}%
-\def\instrumentii{G.O.}%
-\def\instrumentiii{R\'ecit}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-\def\doubler{\multiply\noteskip by 2\relax}%
-% formes frequentes
-\def\Pause{\sk\sk\qsk\pause}%
-%
-%\check
-%
-\generalmeter{\meterfrac 34}%
-%
-\debutmorceau
-\linesinpage=0\relax
-\autolines{19}35\relax
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio
-\bf(\metron{\cu}{84})}\enotes
-%
-%\check
-%
-% mesure 1
-%\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0&\qb0j&\Pause\enotes
-\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause&\Pause\enotes
-\advance\linesinpage by 1
-% mesure 2
-\barre\NOTes\Pause
-&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes
-% mesure 3
-\def\motif{\zq i\qh0k}%
-\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif
-\motif\motif\motif\motif\tbu0\motif&\Pause\enotes
-% mesure 4
-\def\motif{\zq j\qh0 l}%
-\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax
-&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax
-&\Ibl1jl1\qb1j\tqb1l\enotes
-\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes
-\NOTes&\motif&\ibl1n0\qb1n\enotes
-\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes
-% mesure 5
-\def\motif{\zq h\qh0j}%
-\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax
-\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes
-\NOTes&\zql d\motif\motif\enotes
-\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes
-% mesure 6
-\def\motif{\zq h\qh0k}%
-\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes
-\NOTes&\motif&\Ibl1kl2\qb1k\enotes
-\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes
-\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes
-% mesure 7
-\def\motif{\zq g\qh0i}%
-\barre\autolines{20}35\relax
-\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif
-\motif&\qsk\mordant p\zhl n\enotes
-\NOTes&\zql c\motif\motif\enotes
-\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes
-% mesure 8
-\def\motif{\zq h\qh0j}%
-\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif
-&\Ibbl1hi3\qb1{hij}\tqb1i\enotes
-\NOtes&\motif\sk\motif
-&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes
-\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif
-&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes
-% mesure 9
-\def\motif{\zq f\qh0h}%
-\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif
-\tbu0\motif&\qsk\mordant o\zhl m\enotes
-\def\motif{\zq f\qh0i}%
-\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes
-\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes
-% mesure 10
-\def\motif{\zq i\qh0k}%
-\barre\autolines{28}25\relax
-\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax
-\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes
-\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes
-\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes
-% mesure 11
-%\check
-\def\motif{\zq g\qh0 j}%
-\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif
-&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes
-\NOtes&&\tbl1\qbp1l\enotes
-\NOTes\itenl0J\tqh2J&\motif&\enotes
-\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes
-\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes
-% mesure 12
-%\check
-\barre
-\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax
-&\mordant q\ql k\sk\enotes
-\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir
-\Ibbl1km2\qb1{kn}\tqb1m\enotes
-\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes
-\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes
-% mesure 13
-\barre
-\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax
-\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
-\NOtes&&\tbl1\qbp1j\enotes
-\NOTes&\zq e\tqh0g&\enotes
-\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax
-&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes
-\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax
-\triolet M\qb1{jk}\tqb1j\enotes
-% mesure 14
-%\check
-\def\motif{\zq g\qh0 i}%
-\barre\autolines{21}35\relax
-\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq
-f\rlap{\qsk\itenl0f}\bigna i\motif
-&\bigna i\hl i\enotes
-\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes
-% mesure 15
-\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax
-&\ibl1l0\bigna l\qb1l\qb1n\enotes
-\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes
-\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes
-% mesure 16
-\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes
-\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes
-\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax
-\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes
-% mesure 17
-\def\motif{\zq h\qh0 k}%
-\barre\autolines{24}35\relax
-\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif
-&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
-\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
-\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk
-&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes
-% mesure 18
-\barre
-\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes
-\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
-&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes
-% mesure 19
-\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax
-&\tten1\ibl1l0\qb1l\enotes
-\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes
-\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes
-\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes
-\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes
-% mesure 20
-\barre\autolines{28}35\relax
-\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax
-&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes
-\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes
-\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes
-% mesure 21
-\barre
-\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
-&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes
-\Notes&&\nbbbl1\qb1m\tqb1l\enotes
-\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax
-&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes
-\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax
-\pince l\qb1j\enotes
-\NOtes&&\itenu0i\tqb1i\enotes
-% mesure 22
-\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax
-&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
-\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
-&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
-\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
-&\ibbu1k0\qh1{flk}\tqh1j\enotes
-% mesure 23
-\barre\autolines{21}35\relax
-\Notes\hu I&\doubler
-\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
-&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes
-\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes
-% mesure 24
-\barre
-\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes
-\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes
-\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax
-&\qlp m\sk\sk\cl l\enotes
-% mesure 25
-\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes
-\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk
-&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes
-% mesure 26
-\barre\autolines{23}35\relax
-\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes
-\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk
-&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes
-% mesure 27
-\barre
-\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax
-&\bigfl k\ibl1j0\itenu1k\qb1k\enotes
-\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
-\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
-\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax
-&\Ibbl1ol3\qb1{onm}\tqb1l\enotes
-% mesure 28
-\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax
-&\itenu1m\ql m\enotes
-\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes
-\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax
-&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
-% mesure 29
-\barre\autolines{23}35\relax
-\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax
-&\ibbl1l0\qb1{lom}\tqb1k\enotes
-\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax
-&\qlp{=i}\sk\sk\cl j\enotes
-% mesure 30
-%\check
-\barre
-\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax
-&\itenl1f\hu f\enotes
-\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes
-% mesure 31
-%\check
-\barre
-\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk
-&\Ibbu1fe3\qh1{fed}\tqh1e\enotes
-\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes
-\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
-&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes
-% mesure 32
-%\check
-\barre\autolines{21}35\relax
-\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax
-&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes
-\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax
-&\qlp k\sk\sk\cl j\enotes
-% mesure 33
-%\check
-\def\motif{\zq h\qh0 j}%
-\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif
-\motif\tbu0\motif
-&\bigsh m\itenu1m\hl m\enotes
-\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax
-&\tten1\Ibl1nk1\qb1n\tqb1k\enotes
-% mesure 34
-%\check
-\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes
-\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes
-\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote
-n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes
-% mesure 35
-%\check
-\barre\autolines{17}35\relax
-\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes
-\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes
-\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes
-% mesure 36
-%\check
-\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq
-{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes
-% mesure 37
-%\check
-\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax
-\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax
-&\sk\sk\qsk\pause\enotes
-% mesure 38
-%\check
-\barre\autolines{16}45\relax
-\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes
-\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes
-\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes
-% mesure 39
-%\check
-\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax
-\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax
-&\sk\sk\qsk\pause\enotes
-\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes
-% mesure 40
-%\check
-\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes
-\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes
-% mesure 41
-%\check
-\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre
-\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes
-\finmorceau
-\rightline{\sl\aujourdhui}\eject
-
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.bat b/Master/texmf-dist/doc/generic/musictex/musicdoc.bat
deleted file mode 100644
index 4a471efec92..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.bat
+++ /dev/null
@@ -1,10 +0,0 @@
-rem cm-ltx2e = latex2e based on cm* fonts
-call cm-ltx2e musicdoc
-call cm-ltx2e musicdoc
-makeindx -s musicdoc.ist musicdoc.idx
-call cm-ltx2e musicdoc
-makeindx -s musicdoc.ist musicdoc.idx
-call cm-ltx2e musicdoc
-c:\emtex\bin\dvips386 musicdoc -o musicdoc.ps -P386
-prthplj musicdoc musicdoc.lj
-
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi b/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi
deleted file mode 100644
index 7640c385575..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.idx b/Master/texmf-dist/doc/generic/musictex/musicdoc.idx
deleted file mode 100644
index 3e3b0390d9c..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.idx
+++ /dev/null
@@ -1,878 +0,0 @@
-\indexentry{standard musical notation}{4}
-\indexentry{spacing}{5}
-\indexentry{meter}{6}
-\indexentry{elemskip=\tty \bslash elemskip}{6}
-\indexentry{autolines=\tty \bslash autolines}{6}
-\indexentry{zq=\tty \bslash zq}{6}
-\indexentry{beams}{7}
-\indexentry{zcharnote=\tty \bslash zcharnote}{7}
-\indexentry{Mozart}{7}
-\indexentry{generalsignature=\tty \bslash generalsignature}{8}
-\indexentry{generalsignature=\tty \bslash generalsignature}{8}
-\indexentry{signii=\tty \bslash signii}{8}
-\indexentry{instrument number}{8}
-\indexentry{transpose=\tty \bslash transpose}{8}
-\indexentry{relative accidentals}{8}
-\indexentry{distribution}{9}
-\indexentry{savesets}{9}
-\indexentry{active=\tty \bslash active}{9}
-\indexentry{zcharnote=\tty \bslash zcharnote}{9}
-\indexentry{ties}{9}
-\indexentry{phrasing slurs}{9}
-\indexentry{glue}{9}
-\indexentry{ragged lines}{9}
-\indexentry{leaders=\tty \bslash leaders}{9}
-\indexentry{hrule=\tty \bslash hrule}{10}
-\indexentry{MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{10}
-\indexentry{Egler, A.}{10}
-\indexentry{Mitchell, R.}{10}
-\indexentry{dimen=\tty \bslash dimen}{10}
-\indexentry{mutex=\protect\mutex}{10}
-\indexentry{Schofer, A.}{10}
-\indexentry{Steinbach, A.}{10}
-\indexentry{Egler, A.}{10}
-\indexentry{musicnft.tex}{11}
-\indexentry{musictex.tex}{11}
-\indexentry{musicadd.tex}{11}
-\indexentry{musicnft.tex}{11}
-\indexentry{catcode=\tty \bslash catcode}{11}
-\indexentry{sizes}{11}
-\indexentry{musicsize=\tty \bslash musicsize}{11}
-\indexentry{nbinstruments=\tty \bslash nbinstruments}{11}
-\indexentry{signatures}{11}
-\indexentry{stems}{11}
-\indexentry{beams}{11}
-\indexentry{chords}{11}
-\indexentry{instrument}{12}
-\indexentry{port\'ees}{12}
-\indexentry{nbportees$r$=\tty \bslash nbportees$r$}{12}
-\indexentry{nbporteesiii=\tty \bslash nbporteesiii}{12}
-\indexentry{lyrics}{12}
-\indexentry{cleftoks$r$=\tty \bslash cleftoks$r$}{12}
-\indexentry{clef de sol}{12}
-\indexentry{clef d'ut}{12}
-\indexentry{clef de fa}{12}
-\indexentry{violin clef}{12}
-\indexentry{bass clef}{12}
-\indexentry{alto clef}{12}
-\indexentry{cleftoksi=\tty \bslash cleftoksi}{12}
-\indexentry{generalsignature=\tty \bslash generalsignature}{12}
-\indexentry{sharps}{12}
-\indexentry{flats}{12}
-\indexentry{meter}{12}
-\indexentry{generalmeter=\tty \bslash generalmeter}{12}
-\indexentry{allabreve=\tty \bslash allabreve}{12}
-\indexentry{meterC=\tty \bslash meterC}{12}
-\indexentry{generalmeter=\tty \bslash generalmeter}{12}
-\indexentry{metertoks$i$=\tty \bslash metertoks$i$}{12}
-\indexentry{name of the instrument}{13}
-\indexentry{name of the voice}{13}
-\indexentry{instrument$r$=\tty \bslash instrument$r$}{13}
-\indexentry{parindent=\tty \bslash parindent}{13}
-\indexentry{lowersonginstrum=\tty \bslash lowersonginstrum}{13}
-\indexentry{uppersonginstrum=\tty \bslash uppersonginstrum}{13}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{13}
-\indexentry{parindent=\tty \bslash parindent}{13}
-\indexentry{normal=\tty \bslash normal}{13}
-\indexentry{large=\tty \bslash large}{13}
-\indexentry{elemskip=\tty \bslash elemskip}{13}
-\indexentry{etroit=\tty \bslash etroit}{13}
-\indexentry{noteskip=\tty \bslash noteskip}{13}
-\indexentry{elemskip=\tty \bslash elemskip}{13}
-\indexentry{LaTeX=\LaTeX }{13}
-\indexentry{begin{\char '173}music{\char '175}=\tty \bslash begin{\char '173}music{\char '175}}{13}
-\indexentry{spacing note}{14}
-\indexentry{qu=\tty \bslash qu}{14}
-\indexentry{qh=\tty \bslash qh}{14}
-\indexentry{hl=\tty \bslash hl}{14}
-\indexentry{noteskip=\tty \bslash noteskip}{14}
-\indexentry{normal=\tty \bslash normal}{14}
-\indexentry{elemskip=\tty \bslash elemskip}{14}
-\indexentry{vnotes=\tty \bslash vnotes}{14}
-\indexentry{elemskip=\tty \bslash elemskip}{14}
-\indexentry{elemskip=\tty \bslash elemskip}{14}
-\indexentry{hsize=\tty \bslash hsize}{14}
-\indexentry{autolines=\tty \bslash autolines}{14}
-\indexentry{noteskip=\tty \bslash noteskip}{14}
-\indexentry{wh=\tty \bslash wh}{15}
-\indexentry{hu=\tty \bslash hu}{15}
-\indexentry{hl=\tty \bslash hl}{15}
-\indexentry{qu=\tty \bslash qu}{15}
-\indexentry{ql=\tty \bslash ql}{15}
-\indexentry{cu=\tty \bslash cu}{15}
-\indexentry{cl=\tty \bslash cl}{15}
-\indexentry{ccu=\tty \bslash ccu}{15}
-\indexentry{ccl=\tty \bslash ccl}{15}
-\indexentry{cccu=\tty \bslash cccu}{15}
-\indexentry{cccl=\tty \bslash cccl}{15}
-\indexentry{ccccu=\tty \bslash ccccu}{15}
-\indexentry{ccccl=\tty \bslash ccccl}{15}
-\indexentry{zq=\tty \bslash zq}{15}
-\indexentry{zh=\tty \bslash zh}{15}
-\indexentry{zq=\tty \bslash zq}{15}
-\indexentry{zh=\tty \bslash zh}{15}
-\indexentry{sk=\tty \bslash sk}{15}
-\indexentry{rw=\tty \bslash rw}{16}
-\indexentry{lw=\tty \bslash lw}{16}
-\indexentry{rh=\tty \bslash rh}{16}
-\indexentry{lh=\tty \bslash lh}{16}
-\indexentry{rq=\tty \bslash rq}{16}
-\indexentry{lq=\tty \bslash lq}{16}
-\indexentry{rqu=\tty \bslash rqu}{16}
-\indexentry{chords}{16}
-\indexentry{rql=\tty \bslash rql}{16}
-\indexentry{rhu=\tty \bslash rhu}{16}
-\indexentry{rhl=\tty \bslash rhl}{16}
-\indexentry{roff=\tty \bslash roff}{16}
-\indexentry{zhu=\tty \bslash zhu}{16}
-\indexentry{zhl=\tty \bslash zhl}{16}
-\indexentry{hl=\tty \bslash hl}{16}
-\indexentry{zqu=\tty \bslash zqu}{16}
-\indexentry{zql=\tty \bslash zql}{16}
-\indexentry{zcu=\tty \bslash zcu}{16}
-\indexentry{zcl=\tty \bslash zcl}{16}
-\indexentry{lhu=\tty \bslash lhu}{16}
-\indexentry{lhl=\tty \bslash lhl}{16}
-\indexentry{lqu=\tty \bslash lqu}{16}
-\indexentry{lql=\tty \bslash lql}{16}
-\indexentry{zw=\tty \bslash zw}{16}
-\indexentry{zwq=\tty \bslash zwq}{16}
-\indexentry{zbv=\tty \bslash zbv}{16}
-\indexentry{zsb=\tty \bslash zsb}{16}
-\indexentry{nh=\tty \bslash nh}{17}
-\indexentry{nq=\tty \bslash nq}{17}
-\indexentry{znh=\tty \bslash znh}{17}
-\indexentry{znq=\tty \bslash znq}{17}
-\indexentry{pt $p$=\tty \bslash pt $p$}{17}
-\indexentry{qup=\tty \bslash qup}{17}
-\indexentry{qupp=\tty \bslash qupp}{17}
-\indexentry{quppp=\tty \bslash quppp}{17}
-\indexentry{zqp=\tty \bslash zqp}{17}
-\indexentry{zhp=\tty \bslash zhp}{17}
-\indexentry{zwp=\tty \bslash zwp}{17}
-\indexentry{hup=\tty \bslash hup}{17}
-\indexentry{whp=\tty \bslash whp}{17}
-\indexentry{qhp=\tty \bslash qhp}{17}
-\indexentry{qhpp=\tty \bslash qhpp}{17}
-\indexentry{qlp=\tty \bslash qlp}{17}
-\indexentry{qlpp=\tty \bslash qlpp}{17}
-\indexentry{zhup=\tty \bslash zhup}{17}
-\indexentry{zhlp=\tty \bslash zhlp}{17}
-\indexentry{zqup=\tty \bslash zqup}{17}
-\indexentry{zqlp=\tty \bslash zqlp}{17}
-\indexentry{zcup=\tty \bslash zcup}{17}
-\indexentry{zclp=\tty \bslash zclp}{17}
-\indexentry{noteskip=\tty \bslash noteskip}{17}
-\indexentry{ibu=\tty \bslash ibu}{18}
-\indexentry{ibl=\tty \bslash ibl}{18}
-\indexentry{ibbu=\tty \bslash ibbu}{18}
-\indexentry{ibbl=\tty \bslash ibbl}{18}
-\indexentry{ibbbu=\tty \bslash ibbbu}{18}
-\indexentry{ibbbl=\tty \bslash ibbbl}{18}
-\indexentry{ibbbbu=\tty \bslash ibbbbu}{18}
-\indexentry{ibbbbl=\tty \bslash ibbbbl}{18}
-\indexentry{ibbbbbu=\tty \bslash ibbbbbu}{18}
-\indexentry{ibbbbbl=\tty \bslash ibbbbbl}{18}
-\indexentry{tbu=\tty \bslash tbu}{18}
-\indexentry{tbl=\tty \bslash tbl}{18}
-\indexentry{tbu=\tty \bslash tbu}{18}
-\indexentry{tbl=\tty \bslash tbl}{18}
-\indexentry{ibbbu=\tty \bslash ibbbu}{18}
-\indexentry{tbu=\tty \bslash tbu}{18}
-\indexentry{nbbu=\tty \bslash nbbu}{18}
-\indexentry{nbbbu=\tty \bslash nbbbu}{18}
-\indexentry{nbbbbu=\tty \bslash nbbbbu}{18}
-\indexentry{nbbbbbu=\tty \bslash nbbbbbu}{18}
-\indexentry{nbbl=\tty \bslash nbbl}{18}
-\indexentry{nbbbbbl=\tty \bslash nbbbbbl}{18}
-\indexentry{qh=\tty \bslash qh}{18}
-\indexentry{qb=\tty \bslash qb}{18}
-\indexentry{tbu=\tty \bslash tbu}{19}
-\indexentry{ibl=\tty \bslash ibl}{19}
-\indexentry{tbbu=\tty \bslash tbbu}{19}
-\indexentry{tbbl=\tty \bslash tbbl}{19}
-\indexentry{tbbbu=\tty \bslash tbbbu}{19}
-\indexentry{tbbbl=\tty \bslash tbbbl}{19}
-\indexentry{tbbu=\tty \bslash tbbu}{19}
-\indexentry{tbbl=\tty \bslash tbbl}{19}
-\indexentry{tbbbu=\tty \bslash tbbbu}{19}
-\indexentry{tbbbl=\tty \bslash tbbbl}{19}
-\indexentry{tbbbbu=\tty \bslash tbbbbu}{19}
-\indexentry{tbbbbl=\tty \bslash tbbbbl}{19}
-\indexentry{tbbbbbu=\tty \bslash tbbbbbu}{19}
-\indexentry{tbbbbbl=\tty \bslash tbbbbbl}{19}
-\indexentry{repeated patterns}{20}
-\indexentry{hh=\tty \bslash hh}{20}
-\indexentry{hb=\tty \bslash hb}{20}
-\indexentry{noteskip=\tty \bslash noteskip}{21}
-\indexentry{Ibu=\tty \bslash Ibu}{21}
-\indexentry{Ibbu=\tty \bslash Ibbu}{21}
-\indexentry{Ibbbu=\tty \bslash Ibbbu}{21}
-\indexentry{Ibbbbu=\tty \bslash Ibbbbu}{21}
-\indexentry{Ibbbbbu=\tty \bslash Ibbbbbu}{21}
-\indexentry{Ibl=\tty \bslash Ibl}{21}
-\indexentry{Ibbl=\tty \bslash Ibbl}{21}
-\indexentry{Ibbbl=\tty \bslash Ibbbl}{21}
-\indexentry{Ibbbbl=\tty \bslash Ibbbbl}{21}
-\indexentry{Ibbbbbl=\tty \bslash Ibbbbbl}{21}
-\indexentry{pause=\tty \bslash pause}{21}
-\indexentry{hpause=\tty \bslash hpause}{21}
-\indexentry{soupir=\tty \bslash soupir}{21}
-\indexentry{dsoupir=\tty \bslash dsoupir}{21}
-\indexentry{ds=\tty \bslash ds}{21}
-\indexentry{quartsoupir=\tty \bslash quartsoupir}{21}
-\indexentry{qs=\tty \bslash qs}{21}
-\indexentry{huitsoupir=\tty \bslash huitsoupir}{21}
-\indexentry{hs=\tty \bslash hs}{21}
-\indexentry{seizsoupir=\tty \bslash seizsoupir}{21}
-\indexentry{qqs=\tty \bslash qqs}{21}
-\indexentry{PAuse=\tty \bslash PAuse}{21}
-\indexentry{PAUSe=\tty \bslash PAUSe}{21}
-\indexentry{raise=\tty \bslash raise}{21}
-\indexentry{full rest}{21}
-\indexentry{half rest}{21}
-\indexentry{expause=\tty \bslash expause}{21}
-\indexentry{exhpause=\tty \bslash exhpause}{21}
-\indexentry{zexpause=\tty \bslash zexpause}{21}
-\indexentry{zexhpause=\tty \bslash zexhpause}{21}
-\indexentry{sk=\tty \bslash sk}{21}
-\indexentry{noteskip=\tty \bslash noteskip}{21}
-\indexentry{kern=\tty \bslash kern}{21}
-\indexentry{hskip=\tty \bslash hskip}{21}
-\indexentry{sk=\tty \bslash sk}{21}
-\indexentry{qsk=\tty \bslash qsk}{22}
-\indexentry{roff=\tty \bslash roff}{22}
-\indexentry{nspace=\tty \bslash nspace}{22}
-\indexentry{off=\tty \bslash off}{22}
-\indexentry{sk=\tty \bslash sk}{22}
-\indexentry{qsk=\tty \bslash qsk}{22}
-\indexentry{wh=\tty \bslash wh}{22}
-\indexentry{hu=\tty \bslash hu}{22}
-\indexentry{hl=\tty \bslash hl}{22}
-\indexentry{ccccl=\tty \bslash ccccl}{22}
-\indexentry{qh=\tty \bslash qh}{22}
-\indexentry{qb=\tty \bslash qb}{22}
-\indexentry{*}{22}
-\indexentry{fl=\tty \bslash fl}{22}
-\indexentry{na=\tty \bslash na}{22}
-\indexentry{sh=\tty \bslash sh}{22}
-\indexentry{dfl=\tty \bslash dfl}{22}
-\indexentry{dsh=\tty \bslash dsh}{22}
-\indexentry{lfl=\tty \bslash lfl}{22}
-\indexentry{lna=\tty \bslash lna}{22}
-\indexentry{lsh=\tty \bslash lsh}{22}
-\indexentry{ldfl=\tty \bslash ldfl}{22}
-\indexentry{ldsh=\tty \bslash ldsh}{22}
-\indexentry{MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{22}
-\indexentry{bigfl=\tty \bslash bigfl}{23}
-\indexentry{bigsh=\tty \bslash bigsh}{23}
-\indexentry{smallfl=\tty \bslash smallfl}{23}
-\indexentry{smallsh=\tty \bslash smallsh}{23}
-\indexentry{bigaccid=\tty \bslash bigaccid}{23}
-\indexentry{smallaccid=\tty \bslash smallaccid}{23}
-\indexentry{varaccid=\tty \bslash varaccid}{23}
-\indexentry{uppersh=\tty \bslash uppersh}{23}
-\indexentry{upperna=\tty \bslash upperna}{23}
-\indexentry{upperfl=\tty \bslash upperfl}{23}
-\indexentry{cautionary accidental}{23}
-\indexentry{cfl=\tty \bslash cfl}{23}
-\indexentry{csh=\tty \bslash csh}{23}
-\indexentry{cfl=\tty \bslash cfl}{23}
-\indexentry{cna=\tty \bslash cna}{23}
-\indexentry{cdfl=\tty \bslash cdfl}{23}
-\indexentry{cdsh=\tty \bslash cdsh}{23}
-\indexentry{temps=\tty \bslash temps}{23}
-\indexentry{sk=\tty \bslash sk}{23}
-\indexentry{transpose=\tty \bslash transpose}{23}
-\indexentry{transpose=\tty \bslash transpose}{23}
-\indexentry{octaviation}{23}
-\indexentry{acute accent}{23}
-\indexentry{grave accent}{23}
-\indexentry{sh=\tty \bslash sh}{24}
-\indexentry{fl=\tty \bslash fl}{24}
-\indexentry{na=\tty \bslash na}{24}
-\indexentry{dsh=\tty \bslash dsh}{24}
-\indexentry{dfl=\tty \bslash dfl}{24}
-\indexentry{transpose=\tty \bslash transpose}{24}
-\indexentry{Sh=\tty \bslash Sh}{24}
-\indexentry{Fl=\tty \bslash Fl}{24}
-\indexentry{Na=\tty \bslash Na}{24}
-\indexentry{dSh=\tty \bslash dSh}{24}
-\indexentry{dFl=\tty \bslash dFl}{24}
-\indexentry{bigSh=\tty \bslash bigSh}{24}
-\indexentry{bigFl=\tty \bslash bigFl}{24}
-\indexentry{bigNa=\tty \bslash bigNa}{24}
-\indexentry{bigdSh=\tty \bslash bigdSh}{24}
-\indexentry{bigdFl=\tty \bslash bigdFl}{24}
-\indexentry{smallSh=\tty \bslash smallSh}{24}
-\indexentry{smallFl=\tty \bslash smallFl}{24}
-\indexentry{smallNa=\tty \bslash smallNa}{24}
-\indexentry{smalldSh=\tty \bslash smalldSh}{24}
-\indexentry{smalldFl=\tty \bslash smalldFl}{24}
-\indexentry{cSh=\tty \bslash cSh}{24}
-\indexentry{cFl=\tty \bslash cFl}{24}
-\indexentry{cNa=\tty \bslash cNa}{24}
-\indexentry{cdSh=\tty \bslash cdSh}{24}
-\indexentry{cdFl=\tty \bslash cdFl}{24}
-\indexentry{Sh=\tty \bslash Sh}{24}
-\indexentry{bigSh=\tty \bslash bigSh}{24}
-\indexentry{smallSh=\tty \bslash smallSh}{24}
-\indexentry{transpose=\tty \bslash transpose}{24}
-\indexentry{relativeaccidentals=\tty \bslash relativeaccidentals}{24}
-\indexentry{absoluteaccidentals=\tty \bslash absoluteaccidentals}{24}
-\indexentry{sign$n$=\tty \bslash sign$n$}{24}
-\indexentry{generalsignature=\tty \bslash generalsignature}{24}
-\indexentry{cautionary accidental}{24}
-\indexentry{cNa=\tty \bslash cNa}{24}
-\indexentry{cSh=\tty \bslash cSh}{24}
-\indexentry{cFl=\tty \bslash cFl}{24}
-\indexentry{cdSh=\tty \bslash cdSh}{24}
-\indexentry{cdFl=\tty \bslash cdFl}{24}
-\indexentry{octfin=\tty \bslash octfin}{24}
-\indexentry{noteskip=\tty \bslash noteskip}{24}
-\indexentry{octline=\tty \bslash octline}{24}
-\indexentry{octfin=\tty \bslash octfin}{24}
-\indexentry{octsup=\tty \bslash octsup}{24}
-\indexentry{octfin=\tty \bslash octfin}{24}
-\indexentry{everystaff=\tty \bslash everystaff}{24}
-\indexentry{Widor, C.-M.}{24}
-\indexentry{normaltranspose=\tty \bslash normaltranspose}{24}
-\indexentry{zbarre=\tty \bslash zbarre}{25}
-\indexentry{itenu=\tty \bslash itenu}{25}
-\indexentry{itenl=\tty \bslash itenl}{25}
-\indexentry{tten=\tty \bslash tten}{25}
-\indexentry{ilegu=\tty \bslash ilegu}{25}
-\indexentry{ilegl=\tty \bslash ilegl}{25}
-\indexentry{tleg=\tty \bslash tleg}{25}
-\indexentry{Ilegu=\tty \bslash Ilegu}{25}
-\indexentry{ilegu=\tty \bslash ilegu}{25}
-\indexentry{Ilegl=\tty \bslash Ilegl}{25}
-\indexentry{ilegl=\tty \bslash ilegl}{25}
-\indexentry{ties}{25}
-\indexentry{Itenu=\tty \bslash Itenu}{25}
-\indexentry{Itenl=\tty \bslash Itenl}{25}
-\indexentry{itenu=\tty \bslash itenu}{25}
-\indexentry{itenl=\tty \bslash itenl}{25}
-\indexentry{ITenu=\tty \bslash ITenu}{25}
-\indexentry{ITenl=\tty \bslash ITenl}{25}
-\indexentry{Ilegu=\tty \bslash Ilegu}{26}
-\indexentry{Ilegl=\tty \bslash Ilegl}{26}
-\indexentry{tleg=\tty \bslash tleg}{26}
-\indexentry{Invertslur=\tty \bslash Invertslur}{26}
-\indexentry{liftslur=\tty \bslash liftslur}{26}
-\indexentry{liftslur=\tty \bslash liftslur}{26}
-\indexentry{glue}{26}
-\indexentry{temps=\tty \bslash temps}{26}
-\indexentry{barre=\tty \bslash barre}{26}
-\indexentry{MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{27}
-\indexentry{barre=\tty \bslash barre}{27}
-\indexentry{temps=\tty \bslash temps}{27}
-\indexentry{hrule=\tty \bslash hrule}{27}
-\indexentry{elemskip=\tty \bslash elemskip}{27}
-\indexentry{hrule=\tty \bslash hrule}{27}
-\indexentry{hbox=\tty \bslash hbox}{27}
-\indexentry{raggedlinestrue=\tty \bslash raggedlinestrue}{27}
-\indexentry{hfil=\tty \bslash hfil}{27}
-\indexentry{autolines=\tty \bslash autolines}{27}
-\indexentry{temps=\tty \bslash temps}{27}
-\indexentry{bar numbering}{27}
-\indexentry{autolines=\tty \bslash autolines}{27}
-\indexentry{freqbarno=\tty \bslash freqbarno}{28}
-\indexentry{barno=\tty \bslash barno}{28}
-\indexentry{autolines=\tty \bslash autolines}{28}
-\indexentry{sepbarrules=\tty \bslash sepbarrules}{28}
-\indexentry{stdbarrules=\tty \bslash stdbarrules}{28}
-\indexentry{Big\protect\TeX}{28}
-\indexentry{alaligne=\tty \bslash alaligne}{28}
-\indexentry{break=\tty \bslash break}{28}
-\indexentry{break=\tty \bslash break}{28}
-\indexentry{eject=\tty \bslash eject}{28}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{28}
-\indexentry{autolines=\tty \bslash autolines}{28}
-\indexentry{maxbarsinline=\tty \bslash maxbarsinline}{29}
-\indexentry{maxlinesinpage=\tty \bslash maxlinesinpage}{29}
-\indexentry{alaligne=\tty \bslash alaligne}{29}
-\indexentry{alapage=\tty \bslash alapage}{29}
-\indexentry{barre=\tty \bslash barre}{29}
-\indexentry{autolines=\tty \bslash autolines}{29}
-\indexentry{alapage=\tty \bslash alapage}{29}
-\indexentry{xbarre=\tty \bslash xbarre}{29}
-\indexentry{zbarre=\tty \bslash zbarre}{29}
-\indexentry{zalapage=\tty \bslash zalapage}{29}
-\indexentry{finmorceau=\tty \bslash finmorceau}{29}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{29}
-\indexentry{zsuspmorceau=\tty \bslash zsuspmorceau}{29}
-\indexentry{reprmorceau=\tty \bslash reprmorceau}{29}
-\indexentry{autolines=\tty \bslash autolines}{29}
-\indexentry{Suspmorceau=\tty \bslash Suspmorceau}{29}
-\indexentry{finmorceau=\tty \bslash finmorceau}{29}
-\indexentry{Suspmorceau=\tty \bslash Suspmorceau}{29}
-\indexentry{setdoublebar=\tty \bslash setdoublebar}{29}
-\indexentry{barre=\tty \bslash barre}{29}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{29}
-\indexentry{alaligne=\tty \bslash alaligne}{29}
-\indexentry{alapage=\tty \bslash alapage}{29}
-\indexentry{generalsignature=\tty \bslash generalsignature}{29}
-\indexentry{changesignature=\tty \bslash changesignature}{29}
-\indexentry{changecontext=\tty \bslash changecontext}{29}
-\indexentry{Changecontext=\tty \bslash Changecontext}{29}
-\indexentry{cleftoks$r$=\tty \bslash cleftoks$r$}{29}
-\indexentry{clef de fa}{30}
-\indexentry{clef de sol}{30}
-\indexentry{clef d'ut}{30}
-\indexentry{violin clef}{30}
-\indexentry{bass clef}{30}
-\indexentry{alto clef}{30}
-\indexentry{changeclefs=\tty \bslash changeclefs}{30}
-\indexentry{zchangeclefs=\tty \bslash zchangeclefs}{30}
-\indexentry{beams}{30}
-\indexentry{saveclefs=\tty \bslash saveclefs}{30}
-\indexentry{changeclefs=\tty \bslash changeclefs}{30}
-\indexentry{cleftoks$r$=\tty \bslash cleftoks$r$}{30}
-\indexentry{Brahms}{30}
-\indexentry{changecontext=\tty \bslash changecontext}{31}
-\indexentry{Changecontext=\tty \bslash Changecontext}{31}
-\indexentry{alaligne=\tty \bslash alaligne}{31}
-\indexentry{alapage=\tty \bslash alapage}{31}
-\indexentry{leftrepeatsymbol=\tty \bslash leftrepeatsymbol}{31}
-\indexentry{rightrepeatsymbol=\tty \bslash rightrepeatsymbol}{31}
-\indexentry{leftrightrepeatsymbol=\tty \bslash leftrightrepeatsymbol}{31}
-\indexentry{setleftrepeat=\tty \bslash setleftrepeat}{32}
-\indexentry{setrightrepeat=\tty \bslash setrightrepeat}{32}
-\indexentry{setleftrightrepeat=\tty \bslash setleftrightrepeat}{32}
-\indexentry{barre=\tty \bslash barre}{32}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{32}
-\indexentry{changecontext=\tty \bslash changecontext}{32}
-\indexentry{barre=\tty \bslash barre}{32}
-\indexentry{leftrepeat=\tty \bslash leftrepeat}{32}
-\indexentry{rightrepeat=\tty \bslash rightrepeat}{32}
-\indexentry{leftrightrepeat=\tty \bslash leftrightrepeat}{32}
-\indexentry{setrightrepeat=\tty \bslash setrightrepeat}{32}
-\indexentry{alaligne=\tty \bslash alaligne}{32}
-\indexentry{setrightrepeat=\tty \bslash setrightrepeat}{32}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{32}
-\indexentry{leftrepeatsymbol=\tty \bslash leftrepeatsymbol}{32}
-\indexentry{reprmorceau=\tty \bslash reprmorceau}{32}
-\indexentry{leftrepeatsymbol=\tty \bslash leftrepeatsymbol}{32}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{32}
-\indexentry{leftrepeatsymbol=\tty \bslash leftrepeatsymbol}{32}
-\indexentry{setprimavolta=\tty \bslash setprimavolta}{32}
-\indexentry{setsecondavolta=\tty \bslash setsecondavolta}{32}
-\indexentry{barre=\tty \bslash barre}{32}
-\indexentry{setrightrepeat=\tty \bslash setrightrepeat}{32}
-\indexentry{finmorceau=\tty \bslash finmorceau}{32}
-\indexentry{finrightrepeat=\tty \bslash finrightrepeat}{32}
-\indexentry{Setprimavolta=\tty \bslash Setprimavolta}{33}
-\indexentry{Setsecondavolta=\tty \bslash Setsecondavolta}{33}
-\indexentry{coda=\tty \bslash coda}{33}
-\indexentry{segno=\tty \bslash segno}{33}
-\indexentry{charnote=\tty \bslash charnote}{33}
-\indexentry{noteskip=\tty \bslash noteskip}{33}
-\indexentry{zcharnote=\tty \bslash zcharnote}{33}
-\indexentry{lcharnote=\tty \bslash lcharnote}{33}
-\indexentry{midtwotext=\tty \bslash midtwotext}{33}
-\indexentry{zmidtwotext=\tty \bslash zmidtwotext}{33}
-\indexentry{uptext=\tty \bslash uptext}{33}
-\indexentry{Uptext=\tty \bslash Uptext}{33}
-\indexentry{zcharnote=\tty \bslash zcharnote}{33}
-\indexentry{charnote=\tty \bslash charnote}{33}
-\indexentry{metron=\tty \bslash metron}{34}
-\indexentry{Uptext=\tty \bslash Uptext}{34}
-\indexentry{arpeggio=\tty \bslash arpeggio}{34}
-\indexentry{larpeggio=\tty \bslash larpeggio}{34}
-\indexentry{arpeggio=\tty \bslash arpeggio}{34}
-\indexentry{larpeggio=\tty \bslash larpeggio}{34}
-\indexentry{qsk=\tty \bslash qsk}{34}
-\indexentry{trille=\tty \bslash trille}{34}
-\indexentry{Trille=\tty \bslash Trille}{34}
-\indexentry{xtrille=\tty \bslash xtrille}{34}
-\indexentry{xTrille=\tty \bslash xTrille}{34}
-\indexentry{ntrille=\tty \bslash ntrille}{34}
-\indexentry{xtrille=\tty \bslash xtrille}{34}
-\indexentry{nTrille=\tty \bslash nTrille}{34}
-\indexentry{xTrille=\tty \bslash xTrille}{34}
-\indexentry{mordant=\tty \bslash mordant}{34}
-\indexentry{pince=\tty \bslash pince}{34}
-\indexentry{Pince=\tty \bslash Pince}{34}
-\indexentry{Lpince=\tty \bslash Lpince}{34}
-\indexentry{Egler, A.}{34}
-\indexentry{Pincesw=\tty \bslash Pincesw}{34}
-\indexentry{Pincene=\tty \bslash Pincene}{34}
-\indexentry{Pincenw=\tty \bslash Pincenw}{34}
-\indexentry{turn=\tty \bslash turn}{34}
-\indexentry{backturn=\tty \bslash backturn}{34}
-\indexentry{upz=\tty \bslash upz}{34}
-\indexentry{lpz=\tty \bslash lpz}{34}
-\indexentry{usf=\tty \bslash usf}{34}
-\indexentry{sforzando}{34}
-\indexentry{lsf=\tty \bslash lsf}{34}
-\indexentry{pizzicato}{34}
-\indexentry{ust=\tty \bslash ust}{35}
-\indexentry{staccato}{35}
-\indexentry{portato}{35}
-\indexentry{lst=\tty \bslash lst}{35}
-\indexentry{uppz=\tty \bslash uppz}{35}
-\indexentry{lppz=\tty \bslash lppz}{35}
-\indexentry{pointdorgue=\tty \bslash pointdorgue}{35}
-\indexentry{fermata}{35}
-\indexentry{pointdurgue=\tty \bslash pointdurgue}{35}
-\indexentry{PED=\tty \bslash PED}{35}
-\indexentry{DEP=\tty \bslash DEP}{35}
-\indexentry{everystaff=\tty \bslash everystaff}{35}
-\indexentry{everystaff=\tty \bslash everystaff}{35}
-\indexentry{atnextline=\tty \bslash atnextline}{35}
-\indexentry{autolines=\tty \bslash autolines}{35}
-\indexentry{alaligne=\tty \bslash alaligne}{35}
-\indexentry{alapage=\tty \bslash alapage}{35}
-\indexentry{tenor violin clef}{35}
-\indexentry{cleftoks$r$=\tty \bslash cleftoks$r$}{35}
-\indexentry{everystaff=\tty \bslash everystaff}{35}
-\indexentry{zcharnote=\tty \bslash zcharnote}{35}
-\indexentry{vadjust=\tty \bslash vadjust}{35}
-\indexentry{barre=\tty \bslash barre}{36}
-\indexentry{beams}{36}
-\indexentry{xbeambarre=\tty \bslash xbeambarre}{36}
-\indexentry{autolines=\tty \bslash autolines}{36}
-\indexentry{Brahms}{36}
-\indexentry{cadenzas}{37}
-\indexentry{smallnotesize=\tty \bslash smallnotesize}{37}
-\indexentry{tinynotesize=\tty \bslash tinynotesize}{37}
-\indexentry{normalnotesize=\tty \bslash normalnotesize}{37}
-\indexentry{ornaments}{37}
-\indexentry{Haydn, J.}{38}
-\indexentry{cu=\tty \bslash cu}{39}
-\indexentry{cl=\tty \bslash cl}{39}
-\indexentry{grcu=\tty \bslash grcu}{39}
-\indexentry{grcl=\tty \bslash grcl}{39}
-\indexentry{gregorian music}{39}
-\indexentry{neumes}{39}
-\indexentry{punctum}{39}
-\indexentry{diamg=\tty \bslash diamg}{39}
-\indexentry{punctum}{39}
-\indexentry{carrg=\tty \bslash carrg}{39}
-\indexentry{virga}{39}
-\indexentry{carpg=\tty \bslash carpg}{39}
-\indexentry{virga}{39}
-\indexentry{carqg=\tty \bslash carqg}{39}
-\indexentry{punctum}{39}
-\indexentry{zdiamg=\tty \bslash zdiamg}{39}
-\indexentry{punctum}{39}
-\indexentry{zcarrg=\tty \bslash zcarrg}{39}
-\indexentry{virga}{39}
-\indexentry{zcarpg=\tty \bslash zcarpg}{39}
-\indexentry{virga}{39}
-\indexentry{zcarqg=\tty \bslash zcarqg}{39}
-\indexentry{neumes}{39}
-\indexentry{percussion music}{40}
-\indexentry{rimshot}{40}
-\indexentry{diamw=\tty \bslash diamw}{40}
-\indexentry{shaker}{40}
-\indexentry{shaker=\tty \bslash shaker}{40}
-\indexentry{tremolord=\tty \bslash tremolord}{40}
-\indexentry{rimshot}{40}
-\indexentry{zdiamw=\tty \bslash zdiamw}{40}
-\indexentry{shaker}{40}
-\indexentry{zshaker=\tty \bslash zshaker}{40}
-\indexentry{ztremolord=\tty \bslash ztremolord}{40}
-\indexentry{violin harmonic notes}{40}
-\indexentry{percussion music}{40}
-\indexentry{ycu=\tty \bslash ycu}{40}
-\indexentry{ycl=\tty \bslash ycl}{40}
-\indexentry{yccu=\tty \bslash yccu}{40}
-\indexentry{ycup=\tty \bslash ycup}{40}
-\indexentry{dcu=\tty \bslash dcu}{40}
-\indexentry{dcl=\tty \bslash dcl}{40}
-\indexentry{dccu=\tty \bslash dccu}{40}
-\indexentry{dcup=\tty \bslash dcup}{40}
-\indexentry{kcu=\tty \bslash kcu}{40}
-\indexentry{kcl=\tty \bslash kcl}{40}
-\indexentry{kccu=\tty \bslash kccu}{40}
-\indexentry{kcup=\tty \bslash kcup}{40}
-\indexentry{xcu=\tty \bslash xcu}{40}
-\indexentry{xcl=\tty \bslash xcl}{40}
-\indexentry{xccu=\tty \bslash xccu}{40}
-\indexentry{xcup=\tty \bslash xcup}{40}
-\indexentry{oxcu=\tty \bslash oxcu}{40}
-\indexentry{oxcl=\tty \bslash oxcl}{40}
-\indexentry{oxccu=\tty \bslash oxccu}{40}
-\indexentry{oxcup=\tty \bslash oxcup}{40}
-\indexentry{staff size}{41}
-\indexentry{general staff size}{41}
-\indexentry{musicsize=\tty \bslash musicsize}{41}
-\indexentry{computespecifics=\tty \bslash computespecifics}{41}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{41}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{41}
-\indexentry{Gounod, C.}{41}
-\indexentry{interligne=\tty \bslash interligne}{43}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{43}
-\indexentry{Interligne=\tty \bslash Interligne}{43}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{43}
-\indexentry{interligne=\tty \bslash interligne}{43}
-\indexentry{lthick=\tty \bslash lthick}{43}
-\indexentry{internote=\tty \bslash internote}{43}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{43}
-\indexentry{Internote=\tty \bslash Internote}{43}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{43}
-\indexentry{musicsize=\tty \bslash musicsize}{43}
-\indexentry{staffspacing$r$=\tty \bslash staffspacing$r$}{43}
-\indexentry{nullthick=\tty \bslash nullthick}{43}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{43}
-\indexentry{bottomfacteur=\tty \bslash bottomfacteur}{43}
-\indexentry{Interligne=\tty \bslash Interligne}{43}
-\indexentry{stafftopmarg=\tty \bslash stafftopmarg}{43}
-\indexentry{interbeam=\tty \bslash interbeam}{43}
-\indexentry{interportee=\tty \bslash interportee}{43}
-\indexentry{interfacteur=\tty \bslash interfacteur}{43}
-\indexentry{Interportee=\tty \bslash Interportee}{43}
-\indexentry{interinstrument=\tty \bslash interinstrument}{43}
-\indexentry{interportee+{\fontshape n\selectfont \fontseries m\selectfont \tt \char '134}interinstrument=\tty \bslash interportee+{\fontshape n\selectfont \fontseries m\selectfont \tt \char '134}interinstrument}{43}
-\indexentry{interinstrument=\tty \bslash interinstrument}{43}
-\indexentry{voices}{43}
-\indexentry{lyrics}{43}
-\indexentry{systemheight=\tty \bslash systemheight}{44}
-\indexentry{altitude=\tty \bslash altitude}{44}
-\indexentry{altportee=\tty \bslash altportee}{44}
-\indexentry{stemfactor=\tty \bslash stemfactor}{44}
-\indexentry{Interligne=\tty \bslash Interligne}{44}
-\indexentry{interbeam=\tty \bslash interbeam}{44}
-\indexentry{Interligne=\tty \bslash Interligne}{44}
-\indexentry{stemfactor=\tty \bslash stemfactor}{44}
-\indexentry{normalstems=\tty \bslash normalstems}{44}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{44}
-\indexentry{finmorceau=\tty \bslash finmorceau}{44}
-\indexentry{reprmorceau=\tty \bslash reprmorceau}{44}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{44}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{44}
-\indexentry{advancebottom=\tty \bslash advancebottom}{44}
-\indexentry{bottomfacteur=\tty \bslash bottomfacteur}{44}
-\indexentry{interfacteur=\tty \bslash interfacteur}{44}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{44}
-\indexentry{finmorceau=\tty \bslash finmorceau}{44}
-\indexentry{reprmorceau=\tty \bslash reprmorceau}{44}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{44}
-\indexentry{atnextline=\tty \bslash atnextline}{44}
-\indexentry{atnextline=\tty \bslash atnextline}{44}
-\indexentry{atnextline=\tty \bslash atnextline}{44}
-\indexentry{computewidths=\tty \bslash computewidths}{44}
-\indexentry{computespecifics=\tty \bslash computespecifics}{44}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{45}
-\indexentry{bottomfacteur=\tty \bslash bottomfacteur}{45}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{45}
-\indexentry{Interligne=\tty \bslash Interligne}{45}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{45}
-\indexentry{advancebottom=\tty \bslash advancebottom}{45}
-\indexentry{stafftopmarg=\tty \bslash stafftopmarg}{45}
-\indexentry{interfacteur=\tty \bslash interfacteur}{45}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{45}
-\indexentry{interportee=\tty \bslash interportee}{45}
-\indexentry{interinstrument=\tty \bslash interinstrument}{45}
-\indexentry{gregorian music}{45}
-\indexentry{percussion music}{45}
-\indexentry{stafflinesnb=\tty \bslash stafflinesnb}{45}
-\indexentry{musicsize=\tty \bslash musicsize}{46}
-\indexentry{resetfacteurs=\tty \bslash resetfacteurs}{46}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{46}
-\indexentry{stafftopmarg=\tty \bslash stafftopmarg}{46}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{46}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{46}
-\indexentry{debutextrait=\tty \bslash debutextrait}{46}
-\indexentry{finextrait=\tty \bslash finextrait}{46}
-\indexentry{zfinextrait=\tty \bslash zfinextrait}{46}
-\indexentry{lyrics}{46}
-\indexentry{nbportees$r$=\tty \bslash nbportees$r$}{46}
-\indexentry{interinstrument=\tty \bslash interinstrument}{46}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{46}
-\indexentry{zcharnote=\tty \bslash zcharnote}{46}
-\indexentry{vbox=\tty \bslash vbox}{46}
-\indexentry{zsong=\tty \bslash zsong}{46}
-\indexentry{lsong=\tty \bslash lsong}{46}
-\indexentry{csong=\tty \bslash csong}{46}
-\indexentry{interinstrument=\tty \bslash interinstrument}{46}
-\indexentry{staffbotmarg=\tty \bslash staffbotmarg}{46}
-\indexentry{zsong=\tty \bslash zsong}{46}
-\indexentry{lsong=\tty \bslash lsong}{46}
-\indexentry{csong=\tty \bslash csong}{46}
-\indexentry{baroque}{47}
-\indexentry{ornament codings}{47}
-\indexentry{hsize=\tty \bslash hsize}{48}
-\indexentry{vsize=\tty \bslash vsize}{48}
-\indexentry{hoffset=\tty \bslash hoffset}{48}
-\indexentry{voffset=\tty \bslash voffset}{48}
-\indexentry{eightpoint=\tty \bslash eightpoint}{48}
-\indexentry{rm=\tty \bslash rm}{48}
-\indexentry{bf=\tty \bslash bf}{48}
-\indexentry{sl=\tty \bslash sl}{48}
-\indexentry{it=\tty \bslash it}{48}
-\indexentry{tenpoint=\tty \bslash tenpoint}{48}
-\indexentry{rm=\tty \bslash rm}{48}
-\indexentry{bf=\tty \bslash bf}{48}
-\indexentry{sl=\tty \bslash sl}{48}
-\indexentry{it=\tty \bslash it}{48}
-\indexentry{twlpoint=\tty \bslash twlpoint}{48}
-\indexentry{frtpoint=\tty \bslash frtpoint}{48}
-\indexentry{svtpoint=\tty \bslash svtpoint}{48}
-\indexentry{twtypoint=\tty \bslash twtypoint}{48}
-\indexentry{twfvpoint=\tty \bslash twfvpoint}{48}
-\indexentry{author=\tty \bslash author}{48}
-\indexentry{fullauthor=\tty \bslash fullauthor}{48}
-\indexentry{shortauthor=\tty \bslash shortauthor}{48}
-\indexentry{fulltitle=\tty \bslash fulltitle}{48}
-\indexentry{subtitle=\tty \bslash subtitle}{48}
-\indexentry{shorttitle=\tty \bslash shorttitle}{48}
-\indexentry{title=\tty \bslash title}{48}
-\indexentry{othermention=\tty \bslash othermention}{48}
-\indexentry{maketitle=\tty \bslash maketitle}{48}
-\indexentry{footnotes}{48}
-\indexentry{footnote=\tty \bslash footnote}{48}
-\indexentry{LaTeX=\protect\LaTeX}{48}
-\indexentry{Footnote=\tty \bslash Footnote}{48}
-\indexentry{vfootnote=\tty \bslash vfootnote}{48}
-\indexentry{legal}{48}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{49}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{49}
-\indexentry{reprmorceau=\tty \bslash reprmorceau}{49}
-\indexentry{gregorian music}{49}
-\indexentry{neumes}{49}
-\indexentry{alto clef}{49}
-\indexentry{alto clef}{49}
-\indexentry{clefdut=\tty \bslash clefdut}{49}
-\indexentry{clefs (empty)}{49}
-\indexentry{percussion music}{49}
-\indexentry{clefdesol=\tty \bslash clefdesol}{49}
-\indexentry{clefdut=\tty \bslash clefdut}{49}
-\indexentry{clefdefa=\tty \bslash clefdefa}{49}
-\indexentry{clefdesolsymbol=\tty \bslash clefdesolsymbol}{49}
-\indexentry{clefdefasymbol=\tty \bslash clefdefasymbol}{49}
-\indexentry{clefdutsymbol=\tty \bslash clefdutsymbol}{49}
-\indexentry{drum clef}{49}
-\indexentry{drumclefsymbol=\tty \bslash drumclefsymbol}{49}
-\indexentry{harmonic notes}{50}
-\indexentry{musicper.tex}{52}
-\indexentry{musicper}{52}
-\indexentry{musicper.sty}{52}
-\indexentry{zx=\tty \bslash zx}{52}
-\indexentry{xu=\tty \bslash xu}{52}
-\indexentry{xup=\tty \bslash xup}{52}
-\indexentry{xupp=\tty \bslash xupp}{52}
-\indexentry{xl=\tty \bslash xl}{52}
-\indexentry{xlp=\tty \bslash xlp}{52}
-\indexentry{xlpp=\tty \bslash xlpp}{52}
-\indexentry{xh=\tty \bslash xh}{52}
-\indexentry{xb=\tty \bslash xb}{52}
-\indexentry{zx=\tty \bslash zx}{52}
-\indexentry{xcu=\tty \bslash xcu}{52}
-\indexentry{xcup=\tty \bslash xcup}{52}
-\indexentry{xcupp=\tty \bslash xcupp}{52}
-\indexentry{xccu=\tty \bslash xccu}{52}
-\indexentry{xcccu=\tty \bslash xcccu}{52}
-\indexentry{xccccu=\tty \bslash xccccu}{52}
-\indexentry{xcl=\tty \bslash xcl}{52}
-\indexentry{xclp=\tty \bslash xclp}{52}
-\indexentry{xclpp=\tty \bslash xclpp}{52}
-\indexentry{xccl=\tty \bslash xccl}{52}
-\indexentry{xcccl=\tty \bslash xcccl}{52}
-\indexentry{xccccl=\tty \bslash xccccl}{52}
-\indexentry{zox=\tty \bslash zox}{52}
-\indexentry{oxu=\tty \bslash oxu}{52}
-\indexentry{oxup=\tty \bslash oxup}{52}
-\indexentry{oxupp=\tty \bslash oxupp}{52}
-\indexentry{oxl=\tty \bslash oxl}{52}
-\indexentry{oxlp=\tty \bslash oxlp}{52}
-\indexentry{oxlpp=\tty \bslash oxlpp}{52}
-\indexentry{oxh=\tty \bslash oxh}{52}
-\indexentry{oxb=\tty \bslash oxb}{52}
-\indexentry{zx=\tty \bslash zx}{52}
-\indexentry{oxcu=\tty \bslash oxcu}{52}
-\indexentry{oxcup=\tty \bslash oxcup}{52}
-\indexentry{oxcupp=\tty \bslash oxcupp}{52}
-\indexentry{oxccu=\tty \bslash oxccu}{52}
-\indexentry{oxcccu=\tty \bslash oxcccu}{52}
-\indexentry{oxccccu=\tty \bslash oxccccu}{52}
-\indexentry{oxcl=\tty \bslash oxcl}{52}
-\indexentry{oxclp=\tty \bslash oxclp}{52}
-\indexentry{oxclpp=\tty \bslash oxclpp}{52}
-\indexentry{oxccl=\tty \bslash oxccl}{52}
-\indexentry{oxcccl=\tty \bslash oxcccl}{52}
-\indexentry{oxccccl=\tty \bslash oxccccl}{52}
-\indexentry{zk=\tty \bslash zk}{52}
-\indexentry{ku=\tty \bslash ku}{52}
-\indexentry{kup=\tty \bslash kup}{52}
-\indexentry{kupp=\tty \bslash kupp}{52}
-\indexentry{kl=\tty \bslash kl}{52}
-\indexentry{klp=\tty \bslash klp}{52}
-\indexentry{klpp=\tty \bslash klpp}{52}
-\indexentry{kh=\tty \bslash kh}{52}
-\indexentry{kb=\tty \bslash kb}{52}
-\indexentry{zk=\tty \bslash zk}{52}
-\indexentry{kcu=\tty \bslash kcu}{52}
-\indexentry{kcup=\tty \bslash kcup}{52}
-\indexentry{kcupp=\tty \bslash kcupp}{52}
-\indexentry{kccu=\tty \bslash kccu}{52}
-\indexentry{kcccu=\tty \bslash kcccu}{52}
-\indexentry{kccccu=\tty \bslash kccccu}{52}
-\indexentry{kcl=\tty \bslash kcl}{52}
-\indexentry{kclp=\tty \bslash kclp}{52}
-\indexentry{kclpp=\tty \bslash kclpp}{52}
-\indexentry{kccl=\tty \bslash kccl}{52}
-\indexentry{kcccl=\tty \bslash kcccl}{52}
-\indexentry{kccccl=\tty \bslash kccccl}{52}
-\indexentry{catcodes=\tty \bslash catcodes}{52}
-\indexentry{catcode=\tty \bslash catcode}{52}
-\indexentry{catcode=\tty \bslash catcode}{52}
-\indexentry{catcode=\tty \bslash catcode}{52}
-\indexentry{catcode=\tty \bslash catcode}{52}
-\indexentry{french.sty}{52}
-\indexentry{Brouard, N.}{52}
-\indexentry{musictex.sty}{52}
-\indexentry{documentstyle=\tty \bslash documentstyle}{52}
-\indexentry{musictex.sty}{52}
-\indexentry{LaTeX=\protect\LaTeX}{53}
-\indexentry{musictrp}{53}
-\indexentry{documentstyle=\tty \bslash documentstyle}{53}
-\indexentry{BigLaTeX=Big\LaTeX}{53}
-\indexentry{style}{53}
-\indexentry{largemusic}{53}
-\indexentry{a4wide}{53}
-\indexentry{catcode=\tty \bslash catcode}{53}
-\indexentry{nextinstrument=\tty \bslash nextinstrument}{53}
-\indexentry{\&}{53}
-\indexentry{nextstaff=\tty \bslash nextstaff}{53}
-\indexentry{\|}{53}
-\indexentry{french.sty}{53}
-\indexentry{Gaulle, B.}{53}
-\indexentry{GUTenberg}{53}
-\indexentry{catcode=\tty \bslash catcode}{53}
-\indexentry{catcode=\tty \bslash catcode}{53}
-\indexentry{debutmorceau=\tty \bslash debutmorceau}{53}
-\indexentry{debutextrait=\tty \bslash debutextrait}{53}
-\indexentry{finmorceau=\tty \bslash finmorceau}{53}
-\indexentry{suspmorceau=\tty \bslash suspmorceau}{53}
-\indexentry{finextrait=\tty \bslash finextrait}{53}
-\indexentry{guillemets}{53}
-\indexentry{tabulation}{53}
-\indexentry{lyrics}{53}
-\indexentry{catcodesmusic=\tty \bslash catcodesmusic}{53}
-\indexentry{catcode=\tty \bslash catcode}{53}
-\indexentry{endcatcodesmusic=\tty \bslash endcatcodesmusic}{53}
-\indexentry{Big\protect\TeX}{54}
-\indexentry{em\TeX}{54}
-\indexentry{BigLaTeX=Big\LaTeX}{54}
-\indexentry{relax=\tty \bslash relax}{54}
-\indexentry{anonymous ftp}{55}
-\indexentry{MS-DOS}{55}
-\indexentry{VMS}{55}
-\indexentry{musictex.zip}{55}
-\indexentry{musictex.bck}{55}
-\indexentry{basic files}{55}
-\indexentry{fonts}{55}
-\indexentry{dpi}{55}
-\indexentry{piano braces}{55}
-\indexentry{format}{56}
-\indexentry{INITEX}{56}
-\indexentry{input=\tty \bslash input}{65}
-\indexentry{hoffset=\tty \bslash hoffset}{65}
-\indexentry{voffset=\tty \bslash voffset}{65}
-\indexentry{Gounod, C.}{66}
-\indexentry{Faur\'e, G.}{66}
-\indexentry{Widor, C.-M.}{66}
-\indexentry{Gounod, C.}{66}
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg b/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg
deleted file mode 100644
index 424c4ca0561..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg
+++ /dev/null
@@ -1,14 +0,0 @@
-This is makeindx, portable version 2.12 [26-May-1993].
-Scanning style file musicdoc.ist.............
-** Input style error (file = musicdoc.ist, line = 58):
- -- Unknown specifier lethead_prefix.
-** Input style error (file = musicdoc.ist, line = 59):
- -- Unknown specifier lethead_suffix.
-** Input style error (file = musicdoc.ist, line = 60):
- -- Unknown specifier lethead_flag.
-...done (16 attributes redefined, 3 ignored).
-Scanning input file musicdoc.idx....done (878 entries accepted, 0 rejected).
-Sorting entries..........done (9187 comparisons).
-Generating output file musicdoc.ind....done (698 lines written, 0 warnings).
-Output written in musicdoc.ind.
-Transcript written in musicdoc.ilg.
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ind b/Master/texmf-dist/doc/generic/musictex/musicdoc.ind
deleted file mode 100644
index c16c38c3437..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ind
+++ /dev/null
@@ -1,698 +0,0 @@
-
- \begin{theindex}
- \makeatletter
-{\bfseries\hfil Symbols\hfil}\nopagebreak
-
- \item *\rm~: 22
- \item \&\rm~: 53
- \item \|\rm~: 53
-
- \indexspace
-{\bfseries\hfil A\hfil}\nopagebreak
-
- \item a4wide\rm~: 53
- \item \tty \bslash absoluteaccidentals\rm~: 24
- \item \tty \bslash active\rm~: 9
- \item acute accent\rm~: 23
- \item \tty \bslash advancebottom\rm~: 44, 45
- \item \tty \bslash alaligne\rm~: 28, 29, 31, 32, 35
- \item \tty \bslash alapage\rm~: 29, 31, 35
- \item \tty \bslash allabreve\rm~: 12
- \item \tty \bslash altitude\rm~: 44
- \item alto clef\rm~: 12, 30, 49
- \item \tty \bslash altportee\rm~: 44
- \item anonymous ftp\rm~: 55
- \item \tty \bslash arpeggio\rm~: 34
- \item \tty \bslash atnextline\rm~: 35, 44
- \item \tty \bslash author\rm~: 48
- \item \tty \bslash autolines\rm~: 6, 14, 27--29, 35, 36
-
- \indexspace
-{\bfseries\hfil B\hfil}\nopagebreak
-
- \item \tty \bslash backturn\rm~: 34
- \item bar numbering\rm~: 27
- \item \tty \bslash barno\rm~: 28
- \item baroque\rm~: 47
- \item \tty \bslash barre\rm~: 26, 27, 29, 32, 36
- \item basic files\rm~: 55
- \item bass clef\rm~: 12, 30
- \item beams\rm~: 7, 11, 30, 36
- \item \tty \bslash begin{\char '173}music{\char '175}\rm~: 13
- \item \tty \bslash bf\rm~: 48
- \item Big\protect\TeX\rm~: 28, 54
- \item \tty \bslash bigaccid\rm~: 23
- \item \tty \bslash bigdFl\rm~: 24
- \item \tty \bslash bigdSh\rm~: 24
- \item \tty \bslash bigFl\rm~: 24
- \item \tty \bslash bigfl\rm~: 23
- \item Big\LaTeX\rm~: 53, 54
- \item \tty \bslash bigNa\rm~: 24
- \item \tty \bslash bigSh\rm~: 24
- \item \tty \bslash bigsh\rm~: 23
- \item \tty \bslash bottomfacteur\rm~: 43--45
- \item Brahms\rm~: 30, 36
- \item \tty \bslash break\rm~: 28
- \item Brouard, N.\rm~: 52
-
- \indexspace
-{\bfseries\hfil C\hfil}\nopagebreak
-
- \item cadenzas\rm~: 37
- \item \tty \bslash carpg\rm~: 39
- \item \tty \bslash carqg\rm~: 39
- \item \tty \bslash carrg\rm~: 39
- \item \tty \bslash catcode\rm~: 11, 52, 53
- \item \tty \bslash catcodes\rm~: 52
- \item \tty \bslash catcodesmusic\rm~: 53
- \item cautionary accidental\rm~: 23, 24
- \item \tty \bslash ccccl\rm~: 15, 22
- \item \tty \bslash ccccu\rm~: 15
- \item \tty \bslash cccl\rm~: 15
- \item \tty \bslash cccu\rm~: 15
- \item \tty \bslash ccl\rm~: 15
- \item \tty \bslash ccu\rm~: 15
- \item \tty \bslash cdFl\rm~: 24
- \item \tty \bslash cdfl\rm~: 23
- \item \tty \bslash cdSh\rm~: 24
- \item \tty \bslash cdsh\rm~: 23
- \item \tty \bslash cFl\rm~: 24
- \item \tty \bslash cfl\rm~: 23
- \item \tty \bslash changeclefs\rm~: 30
- \item \tty \bslash Changecontext\rm~: 29, 31
- \item \tty \bslash changecontext\rm~: 29, 31, 32
- \item \tty \bslash changesignature\rm~: 29
- \item \tty \bslash charnote\rm~: 33
- \item chords\rm~: 11, 16
- \item \tty \bslash cl\rm~: 15, 39
- \item clef d'ut\rm~: 12, 30
- \item clef de fa\rm~: 12, 30
- \item clef de sol\rm~: 12, 30
- \item \tty \bslash clefdefa\rm~: 49
- \item \tty \bslash clefdefasymbol\rm~: 49
- \item \tty \bslash clefdesol\rm~: 49
- \item \tty \bslash clefdesolsymbol\rm~: 49
- \item \tty \bslash clefdut\rm~: 49
- \item \tty \bslash clefdutsymbol\rm~: 49
- \item clefs (empty)\rm~: 49
- \item \tty \bslash cleftoks$r$\rm~: 12, 29, 30, 35
- \item \tty \bslash cleftoksi\rm~: 12
- \item \tty \bslash cNa\rm~: 24
- \item \tty \bslash cna\rm~: 23
- \item \tty \bslash coda\rm~: 33
- \item \tty \bslash computespecifics\rm~: 41, 44
- \item \tty \bslash computewidths\rm~: 44
- \item \tty \bslash cSh\rm~: 24
- \item \tty \bslash csh\rm~: 23
- \item \tty \bslash csong\rm~: 46
- \item \tty \bslash cu\rm~: 15, 39
-
- \indexspace
-{\bfseries\hfil D\hfil}\nopagebreak
-
- \item \tty \bslash dccu\rm~: 40
- \item \tty \bslash dcl\rm~: 40
- \item \tty \bslash dcu\rm~: 40
- \item \tty \bslash dcup\rm~: 40
- \item \tty \bslash debutextrait\rm~: 46, 53
- \item \tty \bslash debutmorceau\rm~: 13, 28, 32, 44--46, 49, 53
- \item \tty \bslash DEP\rm~: 35
- \item \tty \bslash dFl\rm~: 24
- \item \tty \bslash dfl\rm~: 22, 24
- \item \tty \bslash diamg\rm~: 39
- \item \tty \bslash diamw\rm~: 40
- \item \tty \bslash dimen\rm~: 10
- \item distribution\rm~: 9
- \item \tty \bslash documentstyle\rm~: 52, 53
- \item dpi\rm~: 55
- \item drum clef\rm~: 49
- \item \tty \bslash drumclefsymbol\rm~: 49
- \item \tty \bslash ds\rm~: 21
- \item \tty \bslash dSh\rm~: 24
- \item \tty \bslash dsh\rm~: 22, 24
- \item \tty \bslash dsoupir\rm~: 21
-
- \indexspace
-{\bfseries\hfil E\hfil}\nopagebreak
-
- \item Egler, A.\rm~: 10, 34
- \item \tty \bslash eightpoint\rm~: 48
- \item \tty \bslash eject\rm~: 28
- \item \tty \bslash elemskip\rm~: 6, 13, 14, 27
- \item em\TeX\rm~: 54
- \item \tty \bslash endcatcodesmusic\rm~: 53
- \item \tty \bslash etroit\rm~: 13
- \item \tty \bslash everystaff\rm~: 24, 35
- \item \tty \bslash exhpause\rm~: 21
- \item \tty \bslash expause\rm~: 21
-
- \indexspace
-{\bfseries\hfil F\hfil}\nopagebreak
-
- \item Faur\'e, G.\rm~: 66
- \item fermata\rm~: 35
- \item \tty \bslash finextrait\rm~: 46, 53
- \item \tty \bslash finmorceau\rm~: 29, 32, 44, 53
- \item \tty \bslash finrightrepeat\rm~: 32
- \item \tty \bslash Fl\rm~: 24
- \item \tty \bslash fl\rm~: 22, 24
- \item flats\rm~: 12
- \item fonts\rm~: 55
- \item \tty \bslash Footnote\rm~: 48
- \item \tty \bslash footnote\rm~: 48
- \item footnotes\rm~: 48
- \item format\rm~: 56
- \item french.sty\rm~: 52, 53
- \item \tty \bslash freqbarno\rm~: 28
- \item \tty \bslash frtpoint\rm~: 48
- \item full rest\rm~: 21
- \item \tty \bslash fullauthor\rm~: 48
- \item \tty \bslash fulltitle\rm~: 48
-
- \indexspace
-{\bfseries\hfil G\hfil}\nopagebreak
-
- \item Gaulle, B.\rm~: 53
- \item general staff size\rm~: 41
- \item \tty \bslash generalmeter\rm~: 12
- \item \tty \bslash generalsignature\rm~: 8, 12, 24, 29
- \item glue\rm~: 9, 26
- \item Gounod, C.\rm~: 41, 66
- \item grave accent\rm~: 23
- \item \tty \bslash grcl\rm~: 39
- \item \tty \bslash grcu\rm~: 39
- \item gregorian music\rm~: 39, 45, 49
- \item guillemets\rm~: 53
- \item GUTenberg\rm~: 53
-
- \indexspace
-{\bfseries\hfil H\hfil}\nopagebreak
-
- \item half rest\rm~: 21
- \item harmonic notes\rm~: 50
- \item Haydn, J.\rm~: 38
- \item \tty \bslash hb\rm~: 20
- \item \tty \bslash hbox\rm~: 27
- \item \tty \bslash hfil\rm~: 27
- \item \tty \bslash hh\rm~: 20
- \item \tty \bslash hl\rm~: 14--16, 22
- \item \tty \bslash hoffset\rm~: 48, 65
- \item \tty \bslash hpause\rm~: 21
- \item \tty \bslash hrule\rm~: 10, 27
- \item \tty \bslash hs\rm~: 21
- \item \tty \bslash hsize\rm~: 14, 48
- \item \tty \bslash hskip\rm~: 21
- \item \tty \bslash hu\rm~: 15, 22
- \item \tty \bslash huitsoupir\rm~: 21
- \item \tty \bslash hup\rm~: 17
-
- \indexspace
-{\bfseries\hfil I\hfil}\nopagebreak
-
- \item \tty \bslash Ibbbbbl\rm~: 21
- \item \tty \bslash ibbbbbl\rm~: 18
- \item \tty \bslash Ibbbbbu\rm~: 21
- \item \tty \bslash ibbbbbu\rm~: 18
- \item \tty \bslash Ibbbbl\rm~: 21
- \item \tty \bslash ibbbbl\rm~: 18
- \item \tty \bslash Ibbbbu\rm~: 21
- \item \tty \bslash ibbbbu\rm~: 18
- \item \tty \bslash Ibbbl\rm~: 21
- \item \tty \bslash ibbbl\rm~: 18
- \item \tty \bslash Ibbbu\rm~: 21
- \item \tty \bslash ibbbu\rm~: 18
- \item \tty \bslash Ibbl\rm~: 21
- \item \tty \bslash ibbl\rm~: 18
- \item \tty \bslash Ibbu\rm~: 21
- \item \tty \bslash ibbu\rm~: 18
- \item \tty \bslash Ibl\rm~: 21
- \item \tty \bslash ibl\rm~: 18, 19
- \item \tty \bslash Ibu\rm~: 21
- \item \tty \bslash ibu\rm~: 18
- \item \tty \bslash Ilegl\rm~: 25, 26
- \item \tty \bslash ilegl\rm~: 25
- \item \tty \bslash Ilegu\rm~: 25, 26
- \item \tty \bslash ilegu\rm~: 25
- \item INITEX\rm~: 56
- \item \tty \bslash input\rm~: 65
- \item instrument\rm~: 12
- \item instrument number\rm~: 8
- \item \tty \bslash instrument$r$\rm~: 13
- \item \tty \bslash interbeam\rm~: 43, 44
- \item \tty \bslash interfacteur\rm~: 43--45
- \item \tty \bslash interinstrument\rm~: 43, 45, 46
- \item \tty \bslash Interligne\rm~: 43--45
- \item \tty \bslash interligne\rm~: 43
- \item \tty \bslash Internote\rm~: 43
- \item \tty \bslash internote\rm~: 43
- \item \tty \bslash Interportee\rm~: 43
- \item \tty \bslash interportee\rm~: 43, 45
- \item \tty \bslash interportee+{\fontshape n\selectfont \fontseries m\selectfont \tt \char '134}interinstrument\rm~:
- 43
- \item \tty \bslash Invertslur\rm~: 26
- \item \tty \bslash it\rm~: 48
- \item \tty \bslash ITenl\rm~: 25
- \item \tty \bslash Itenl\rm~: 25
- \item \tty \bslash itenl\rm~: 25
- \item \tty \bslash ITenu\rm~: 25
- \item \tty \bslash Itenu\rm~: 25
- \item \tty \bslash itenu\rm~: 25
-
- \indexspace
-{\bfseries\hfil K\hfil}\nopagebreak
-
- \item \tty \bslash kb\rm~: 52
- \item \tty \bslash kccccl\rm~: 52
- \item \tty \bslash kccccu\rm~: 52
- \item \tty \bslash kcccl\rm~: 52
- \item \tty \bslash kcccu\rm~: 52
- \item \tty \bslash kccl\rm~: 52
- \item \tty \bslash kccu\rm~: 40, 52
- \item \tty \bslash kcl\rm~: 40, 52
- \item \tty \bslash kclp\rm~: 52
- \item \tty \bslash kclpp\rm~: 52
- \item \tty \bslash kcu\rm~: 40, 52
- \item \tty \bslash kcup\rm~: 40, 52
- \item \tty \bslash kcupp\rm~: 52
- \item \tty \bslash kern\rm~: 21
- \item \tty \bslash kh\rm~: 52
- \item \tty \bslash kl\rm~: 52
- \item \tty \bslash klp\rm~: 52
- \item \tty \bslash klpp\rm~: 52
- \item \tty \bslash ku\rm~: 52
- \item \tty \bslash kup\rm~: 52
- \item \tty \bslash kupp\rm~: 52
-
- \indexspace
-{\bfseries\hfil L\hfil}\nopagebreak
-
- \item \tty \bslash large\rm~: 13
- \item largemusic\rm~: 53
- \item \tty \bslash larpeggio\rm~: 34
- \item \LaTeX \rm~: 13
- \item \protect\LaTeX\rm~: 48, 53
- \item \tty \bslash lcharnote\rm~: 33
- \item \tty \bslash ldfl\rm~: 22
- \item \tty \bslash ldsh\rm~: 22
- \item \tty \bslash leaders\rm~: 9
- \item \tty \bslash leftrepeat\rm~: 32
- \item \tty \bslash leftrepeatsymbol\rm~: 31, 32
- \item \tty \bslash leftrightrepeat\rm~: 32
- \item \tty \bslash leftrightrepeatsymbol\rm~: 31
- \item legal\rm~: 48
- \item \tty \bslash lfl\rm~: 22
- \item \tty \bslash lh\rm~: 16
- \item \tty \bslash lhl\rm~: 16
- \item \tty \bslash lhu\rm~: 16
- \item \tty \bslash liftslur\rm~: 26
- \item \tty \bslash lna\rm~: 22
- \item \tty \bslash lowersonginstrum\rm~: 13
- \item \tty \bslash Lpince\rm~: 34
- \item \tty \bslash lppz\rm~: 35
- \item \tty \bslash lpz\rm~: 34
- \item \tty \bslash lq\rm~: 16
- \item \tty \bslash lql\rm~: 16
- \item \tty \bslash lqu\rm~: 16
- \item \tty \bslash lsf\rm~: 34
- \item \tty \bslash lsh\rm~: 22
- \item \tty \bslash lsong\rm~: 46
- \item \tty \bslash lst\rm~: 35
- \item \tty \bslash lthick\rm~: 43
- \item \tty \bslash lw\rm~: 16
- \item lyrics\rm~: 12, 43, 46, 53
-
- \indexspace
-{\bfseries\hfil M\hfil}\nopagebreak
-
- \item \tty \bslash maketitle\rm~: 48
- \item \tty \bslash maxbarsinline\rm~: 29
- \item \tty \bslash maxlinesinpage\rm~: 29
- \item meter\rm~: 6, 12
- \item \tty \bslash meterC\rm~: 12
- \item \tty \bslash metertoks$i$\rm~: 12
- \item \tty \bslash metron\rm~: 34
- \item \tty \bslash midtwotext\rm~: 33
- \item Mitchell, R.\rm~: 10
- \item \tty \bslash mordant\rm~: 34
- \item Mozart\rm~: 7
- \item MS-DOS\rm~: 55
- \item musicadd.tex\rm~: 11
- \item musicnft.tex\rm~: 11
- \item musicper\rm~: 52
- \item musicper.sty\rm~: 52
- \item musicper.tex\rm~: 52
- \item \tty \bslash musicsize\rm~: 11, 41, 43, 46
- \item musictex.bck\rm~: 55
- \item musictex.sty\rm~: 52
- \item musictex.tex\rm~: 11
- \item musictex.zip\rm~: 55
- \item musictrp\rm~: 53
- \item MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m \rm~:
- 10, 22, 27
- \item \protect\mutex\rm~: 10
-
- \indexspace
-{\bfseries\hfil N\hfil}\nopagebreak
-
- \item \tty \bslash Na\rm~: 24
- \item \tty \bslash na\rm~: 22, 24
- \item name of the instrument\rm~: 13
- \item name of the voice\rm~: 13
- \item \tty \bslash nbbbbbl\rm~: 18
- \item \tty \bslash nbbbbbu\rm~: 18
- \item \tty \bslash nbbbbu\rm~: 18
- \item \tty \bslash nbbbu\rm~: 18
- \item \tty \bslash nbbl\rm~: 18
- \item \tty \bslash nbbu\rm~: 18
- \item \tty \bslash nbinstruments\rm~: 11
- \item \tty \bslash nbportees$r$\rm~: 12, 46
- \item \tty \bslash nbporteesiii\rm~: 12
- \item neumes\rm~: 39, 49
- \item \tty \bslash nextinstrument\rm~: 53
- \item \tty \bslash nextstaff\rm~: 53
- \item \tty \bslash nh\rm~: 17
- \item \tty \bslash normal\rm~: 13, 14
- \item \tty \bslash normalnotesize\rm~: 37
- \item \tty \bslash normalstems\rm~: 44
- \item \tty \bslash normaltranspose\rm~: 24
- \item \tty \bslash noteskip\rm~: 13, 14, 17, 21, 24, 33
- \item \tty \bslash nq\rm~: 17
- \item \tty \bslash nspace\rm~: 22
- \item \tty \bslash nTrille\rm~: 34
- \item \tty \bslash ntrille\rm~: 34
- \item \tty \bslash nullthick\rm~: 43
-
- \indexspace
-{\bfseries\hfil O\hfil}\nopagebreak
-
- \item octaviation\rm~: 23
- \item \tty \bslash octfin\rm~: 24
- \item \tty \bslash octline\rm~: 24
- \item \tty \bslash octsup\rm~: 24
- \item \tty \bslash off\rm~: 22
- \item ornament codings\rm~: 47
- \item ornaments\rm~: 37
- \item \tty \bslash othermention\rm~: 48
- \item \tty \bslash oxb\rm~: 52
- \item \tty \bslash oxccccl\rm~: 52
- \item \tty \bslash oxccccu\rm~: 52
- \item \tty \bslash oxcccl\rm~: 52
- \item \tty \bslash oxcccu\rm~: 52
- \item \tty \bslash oxccl\rm~: 52
- \item \tty \bslash oxccu\rm~: 40, 52
- \item \tty \bslash oxcl\rm~: 40, 52
- \item \tty \bslash oxclp\rm~: 52
- \item \tty \bslash oxclpp\rm~: 52
- \item \tty \bslash oxcu\rm~: 40, 52
- \item \tty \bslash oxcup\rm~: 40, 52
- \item \tty \bslash oxcupp\rm~: 52
- \item \tty \bslash oxh\rm~: 52
- \item \tty \bslash oxl\rm~: 52
- \item \tty \bslash oxlp\rm~: 52
- \item \tty \bslash oxlpp\rm~: 52
- \item \tty \bslash oxu\rm~: 52
- \item \tty \bslash oxup\rm~: 52
- \item \tty \bslash oxupp\rm~: 52
-
- \indexspace
-{\bfseries\hfil P\hfil}\nopagebreak
-
- \item \tty \bslash parindent\rm~: 13
- \item \tty \bslash PAUSe\rm~: 21
- \item \tty \bslash PAuse\rm~: 21
- \item \tty \bslash pause\rm~: 21
- \item \tty \bslash PED\rm~: 35
- \item percussion music\rm~: 40, 45, 49
- \item phrasing slurs\rm~: 9
- \item piano braces\rm~: 55
- \item \tty \bslash Pince\rm~: 34
- \item \tty \bslash pince\rm~: 34
- \item \tty \bslash Pincene\rm~: 34
- \item \tty \bslash Pincenw\rm~: 34
- \item \tty \bslash Pincesw\rm~: 34
- \item pizzicato\rm~: 34
- \item \tty \bslash pointdorgue\rm~: 35
- \item \tty \bslash pointdurgue\rm~: 35
- \item port\'ees\rm~: 12
- \item portato\rm~: 35
- \item \tty \bslash pt $p$\rm~: 17
- \item punctum\rm~: 39
-
- \indexspace
-{\bfseries\hfil Q\hfil}\nopagebreak
-
- \item \tty \bslash qb\rm~: 18, 22
- \item \tty \bslash qh\rm~: 14, 18, 22
- \item \tty \bslash qhp\rm~: 17
- \item \tty \bslash qhpp\rm~: 17
- \item \tty \bslash ql\rm~: 15
- \item \tty \bslash qlp\rm~: 17
- \item \tty \bslash qlpp\rm~: 17
- \item \tty \bslash qqs\rm~: 21
- \item \tty \bslash qs\rm~: 21
- \item \tty \bslash qsk\rm~: 22, 34
- \item \tty \bslash qu\rm~: 14, 15
- \item \tty \bslash quartsoupir\rm~: 21
- \item \tty \bslash qup\rm~: 17
- \item \tty \bslash qupp\rm~: 17
- \item \tty \bslash quppp\rm~: 17
-
- \indexspace
-{\bfseries\hfil R\hfil}\nopagebreak
-
- \item ragged lines\rm~: 9
- \item \tty \bslash raggedlinestrue\rm~: 27
- \item \tty \bslash raise\rm~: 21
- \item relative accidentals\rm~: 8
- \item \tty \bslash relativeaccidentals\rm~: 24
- \item \tty \bslash relax\rm~: 54
- \item repeated patterns\rm~: 20
- \item \tty \bslash reprmorceau\rm~: 29, 32, 44, 49
- \item \tty \bslash resetfacteurs\rm~: 46
- \item \tty \bslash rh\rm~: 16
- \item \tty \bslash rhl\rm~: 16
- \item \tty \bslash rhu\rm~: 16
- \item \tty \bslash rightrepeat\rm~: 32
- \item \tty \bslash rightrepeatsymbol\rm~: 31
- \item rimshot\rm~: 40
- \item \tty \bslash rm\rm~: 48
- \item \tty \bslash roff\rm~: 16, 22
- \item \tty \bslash rq\rm~: 16
- \item \tty \bslash rql\rm~: 16
- \item \tty \bslash rqu\rm~: 16
- \item \tty \bslash rw\rm~: 16
-
- \indexspace
-{\bfseries\hfil S\hfil}\nopagebreak
-
- \item \tty \bslash saveclefs\rm~: 30
- \item savesets\rm~: 9
- \item Schofer, A.\rm~: 10
- \item \tty \bslash segno\rm~: 33
- \item \tty \bslash seizsoupir\rm~: 21
- \item \tty \bslash sepbarrules\rm~: 28
- \item \tty \bslash setdoublebar\rm~: 29
- \item \tty \bslash setleftrepeat\rm~: 32
- \item \tty \bslash setleftrightrepeat\rm~: 32
- \item \tty \bslash Setprimavolta\rm~: 33
- \item \tty \bslash setprimavolta\rm~: 32
- \item \tty \bslash setrightrepeat\rm~: 32
- \item \tty \bslash Setsecondavolta\rm~: 33
- \item \tty \bslash setsecondavolta\rm~: 32
- \item sforzando\rm~: 34
- \item \tty \bslash Sh\rm~: 24
- \item \tty \bslash sh\rm~: 22, 24
- \item shaker\rm~: 40
- \item \tty \bslash shaker\rm~: 40
- \item sharps\rm~: 12
- \item \tty \bslash shortauthor\rm~: 48
- \item \tty \bslash shorttitle\rm~: 48
- \item \tty \bslash sign$n$\rm~: 24
- \item signatures\rm~: 11
- \item \tty \bslash signii\rm~: 8
- \item sizes\rm~: 11
- \item \tty \bslash sk\rm~: 15, 21--23
- \item \tty \bslash sl\rm~: 48
- \item \tty \bslash smallaccid\rm~: 23
- \item \tty \bslash smalldFl\rm~: 24
- \item \tty \bslash smalldSh\rm~: 24
- \item \tty \bslash smallFl\rm~: 24
- \item \tty \bslash smallfl\rm~: 23
- \item \tty \bslash smallNa\rm~: 24
- \item \tty \bslash smallnotesize\rm~: 37
- \item \tty \bslash smallSh\rm~: 24
- \item \tty \bslash smallsh\rm~: 23
- \item \tty \bslash soupir\rm~: 21
- \item spacing\rm~: 5
- \item spacing note\rm~: 14
- \item staccato\rm~: 35
- \item staff size\rm~: 41
- \item \tty \bslash staffbotmarg\rm~: 43--46
- \item \tty \bslash stafflinesnb\rm~: 45
- \item \tty \bslash staffspacing$r$\rm~: 41, 43
- \item \tty \bslash stafftopmarg\rm~: 43, 45, 46
- \item standard musical notation\rm~: 4
- \item \tty \bslash stdbarrules\rm~: 28
- \item Steinbach, A.\rm~: 10
- \item \tty \bslash stemfactor\rm~: 44
- \item stems\rm~: 11
- \item style\rm~: 53
- \item \tty \bslash subtitle\rm~: 48
- \item \tty \bslash Suspmorceau\rm~: 29
- \item \tty \bslash suspmorceau\rm~: 29, 32, 44, 49, 53
- \item \tty \bslash svtpoint\rm~: 48
- \item \tty \bslash systemheight\rm~: 44
-
- \indexspace
-{\bfseries\hfil T\hfil}\nopagebreak
-
- \item tabulation\rm~: 53
- \item \tty \bslash tbbbbbl\rm~: 19
- \item \tty \bslash tbbbbbu\rm~: 19
- \item \tty \bslash tbbbbl\rm~: 19
- \item \tty \bslash tbbbbu\rm~: 19
- \item \tty \bslash tbbbl\rm~: 19
- \item \tty \bslash tbbbu\rm~: 19
- \item \tty \bslash tbbl\rm~: 19
- \item \tty \bslash tbbu\rm~: 19
- \item \tty \bslash tbl\rm~: 18
- \item \tty \bslash tbu\rm~: 18, 19
- \item \tty \bslash temps\rm~: 23, 26, 27
- \item tenor violin clef\rm~: 35
- \item \tty \bslash tenpoint\rm~: 48
- \item ties\rm~: 9, 25
- \item \tty \bslash tinynotesize\rm~: 37
- \item \tty \bslash title\rm~: 48
- \item \tty \bslash tleg\rm~: 25, 26
- \item \tty \bslash transpose\rm~: 8, 23, 24
- \item \tty \bslash tremolord\rm~: 40
- \item \tty \bslash Trille\rm~: 34
- \item \tty \bslash trille\rm~: 34
- \item \tty \bslash tten\rm~: 25
- \item \tty \bslash turn\rm~: 34
- \item \tty \bslash twfvpoint\rm~: 48
- \item \tty \bslash twlpoint\rm~: 48
- \item \tty \bslash twtypoint\rm~: 48
-
- \indexspace
-{\bfseries\hfil U\hfil}\nopagebreak
-
- \item \tty \bslash upperfl\rm~: 23
- \item \tty \bslash upperna\rm~: 23
- \item \tty \bslash uppersh\rm~: 23
- \item \tty \bslash uppersonginstrum\rm~: 13
- \item \tty \bslash uppz\rm~: 35
- \item \tty \bslash Uptext\rm~: 33, 34
- \item \tty \bslash uptext\rm~: 33
- \item \tty \bslash upz\rm~: 34
- \item \tty \bslash usf\rm~: 34
- \item \tty \bslash ust\rm~: 35
-
- \indexspace
-{\bfseries\hfil V\hfil}\nopagebreak
-
- \item \tty \bslash vadjust\rm~: 35
- \item \tty \bslash varaccid\rm~: 23
- \item \tty \bslash vbox\rm~: 46
- \item \tty \bslash vfootnote\rm~: 48
- \item violin clef\rm~: 12, 30
- \item violin harmonic notes\rm~: 40
- \item virga\rm~: 39
- \item VMS\rm~: 55
- \item \tty \bslash vnotes\rm~: 14
- \item \tty \bslash voffset\rm~: 48, 65
- \item voices\rm~: 43
- \item \tty \bslash vsize\rm~: 48
-
- \indexspace
-{\bfseries\hfil W\hfil}\nopagebreak
-
- \item \tty \bslash wh\rm~: 15, 22
- \item \tty \bslash whp\rm~: 17
- \item Widor, C.-M.\rm~: 24, 66
-
- \indexspace
-{\bfseries\hfil X\hfil}\nopagebreak
-
- \item \tty \bslash xb\rm~: 52
- \item \tty \bslash xbarre\rm~: 29
- \item \tty \bslash xbeambarre\rm~: 36
- \item \tty \bslash xccccl\rm~: 52
- \item \tty \bslash xccccu\rm~: 52
- \item \tty \bslash xcccl\rm~: 52
- \item \tty \bslash xcccu\rm~: 52
- \item \tty \bslash xccl\rm~: 52
- \item \tty \bslash xccu\rm~: 40, 52
- \item \tty \bslash xcl\rm~: 40, 52
- \item \tty \bslash xclp\rm~: 52
- \item \tty \bslash xclpp\rm~: 52
- \item \tty \bslash xcu\rm~: 40, 52
- \item \tty \bslash xcup\rm~: 40, 52
- \item \tty \bslash xcupp\rm~: 52
- \item \tty \bslash xh\rm~: 52
- \item \tty \bslash xl\rm~: 52
- \item \tty \bslash xlp\rm~: 52
- \item \tty \bslash xlpp\rm~: 52
- \item \tty \bslash xTrille\rm~: 34
- \item \tty \bslash xtrille\rm~: 34
- \item \tty \bslash xu\rm~: 52
- \item \tty \bslash xup\rm~: 52
- \item \tty \bslash xupp\rm~: 52
-
- \indexspace
-{\bfseries\hfil Y\hfil}\nopagebreak
-
- \item \tty \bslash yccu\rm~: 40
- \item \tty \bslash ycl\rm~: 40
- \item \tty \bslash ycu\rm~: 40
- \item \tty \bslash ycup\rm~: 40
-
- \indexspace
-{\bfseries\hfil Z\hfil}\nopagebreak
-
- \item \tty \bslash zalapage\rm~: 29
- \item \tty \bslash zbarre\rm~: 25, 29
- \item \tty \bslash zbv\rm~: 16
- \item \tty \bslash zcarpg\rm~: 39
- \item \tty \bslash zcarqg\rm~: 39
- \item \tty \bslash zcarrg\rm~: 39
- \item \tty \bslash zchangeclefs\rm~: 30
- \item \tty \bslash zcharnote\rm~: 7, 9, 33, 35, 46
- \item \tty \bslash zcl\rm~: 16
- \item \tty \bslash zclp\rm~: 17
- \item \tty \bslash zcu\rm~: 16
- \item \tty \bslash zcup\rm~: 17
- \item \tty \bslash zdiamg\rm~: 39
- \item \tty \bslash zdiamw\rm~: 40
- \item \tty \bslash zexhpause\rm~: 21
- \item \tty \bslash zexpause\rm~: 21
- \item \tty \bslash zfinextrait\rm~: 46
- \item \tty \bslash zh\rm~: 15
- \item \tty \bslash zhl\rm~: 16
- \item \tty \bslash zhlp\rm~: 17
- \item \tty \bslash zhp\rm~: 17
- \item \tty \bslash zhu\rm~: 16
- \item \tty \bslash zhup\rm~: 17
- \item \tty \bslash zk\rm~: 52
- \item \tty \bslash zmidtwotext\rm~: 33
- \item \tty \bslash znh\rm~: 17
- \item \tty \bslash znq\rm~: 17
- \item \tty \bslash zox\rm~: 52
- \item \tty \bslash zq\rm~: 6, 15
- \item \tty \bslash zql\rm~: 16
- \item \tty \bslash zqlp\rm~: 17
- \item \tty \bslash zqp\rm~: 17
- \item \tty \bslash zqu\rm~: 16
- \item \tty \bslash zqup\rm~: 17
- \item \tty \bslash zsb\rm~: 16
- \item \tty \bslash zshaker\rm~: 40
- \item \tty \bslash zsong\rm~: 46
- \item \tty \bslash zsuspmorceau\rm~: 29
- \item \tty \bslash ztremolord\rm~: 40
- \item \tty \bslash zw\rm~: 16
- \item \tty \bslash zwp\rm~: 17
- \item \tty \bslash zwq\rm~: 16
- \item \tty \bslash zx\rm~: 52
-
- \end{theindex}
- \makeatother
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.inx b/Master/texmf-dist/doc/generic/musictex/musicdoc.inx
deleted file mode 100644
index 7913308cea9..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.inx
+++ /dev/null
@@ -1,547 +0,0 @@
-\indexentry{*}{21}
-\indexentry{a4wide}{50}
-\indexentry{\tty \bslash absoluteaccidentals}{23}
-\indexentry{\tty \bslash active}{9}
-\indexentry{acute accent}{23}
-\indexentry{\tty \bslash advancebottom}{43}
-\indexentry{\tty \bslash alaligne}{27, 28, 30, 31, 34}
-\indexentry{\tty \bslash alapage}{28, 30, 34}
-\indexentry{\tty \bslash allabreve}{12}
-\indexentry{\tty \bslash altitude}{42}
-\indexentry{alto clef}{12, 29, 45}
-\indexentry{\tty \bslash altportee}{42}
-\indexentry{anonymous ftp}{51}
-\indexentry{\tty \bslash arpeggio}{33}
-\indexentry{\tty \bslash atnextline}{34, 43}
-\indexentry{\tty \bslash autolines}{6, 14, 26, 27, 28, 34, 35}
-\indexentry{\tty \bslash backturn}{33}
-\indexentry{bar numbering}{27}
-\indexentry{\tty \bslash barno}{27}
-\indexentry{baroque}{45}
-\indexentry{\tty \bslash barre}{26, 28, 30, 31, 35}
-\indexentry{basic files}{51}
-\indexentry{bass clef}{12, 29}
-\indexentry{beams}{7, 11, 29, 35}
-\indexentry{\tty \bslash begin{\char '173}music{\char '175}}{13}
-\indexentry{\tty \bslash bigaccid}{22}
-\indexentry{\tty \bslash bigdFl}{23}
-\indexentry{\tty \bslash bigdSh}{23}
-\indexentry{\tty \bslash bigfl}{22}
-\indexentry{\tty \bslash bigFl}{23}
-\indexentry{Big\LaTeX}{49, 50}
-\indexentry{\tty \bslash bigNa}{23}
-\indexentry{\tty \bslash bigsh}{22}
-\indexentry{\tty \bslash bigSh}{23}
-\indexentry{Big\protect\TeX}{27, 50}
-\indexentry{\tty \bslash bottomfacteur}{42, 43}
-\indexentry{Brahms}{29, 35}
-\indexentry{\tty \bslash break}{27}
-\indexentry{Brouard, N.}{49}
-\indexentry{cadenzas}{36}
-\indexentry{\tty \bslash carpg}{38}
-\indexentry{\tty \bslash carqg}{38}
-\indexentry{\tty \bslash carrg}{38}
-\indexentry{\tty \bslash catcode}{11, 49, 50}
-\indexentry{\tty \bslash catcodes}{49}
-\indexentry{\tty \bslash catcodesmusic}{50}
-\indexentry{cautionary accidental}{22, 23}
-\indexentry{\tty \bslash ccccl}{15, 21}
-\indexentry{\tty \bslash ccccu}{15}
-\indexentry{\tty \bslash cccl}{15}
-\indexentry{\tty \bslash cccu}{15}
-\indexentry{\tty \bslash ccl}{15}
-\indexentry{\tty \bslash ccu}{15}
-\indexentry{\tty \bslash cdfl}{22}
-\indexentry{\tty \bslash cdFl}{23}
-\indexentry{\tty \bslash cdsh}{22}
-\indexentry{\tty \bslash cdSh}{23}
-\indexentry{\tty \bslash cfl}{22}
-\indexentry{\tty \bslash cFl}{23}
-\indexentry{\tty \bslash changeclefs}{29}
-\indexentry{\tty \bslash changecontext}{28, 30}
-\indexentry{\tty \bslash Changecontext}{28, 30}
-\indexentry{\tty \bslash changesignature}{28}
-\indexentry{\tty \bslash charnote}{32}
-\indexentry{chords}{11, 16}
-\indexentry{\tty \bslash cl}{15, 37}
-\indexentry{clef d'ut}{12, 29}
-\indexentry{clef de fa}{12, 29}
-\indexentry{clef de sol}{12, 29}
-\indexentry{\tty \bslash clefdefa}{46}
-\indexentry{\tty \bslash clefdefasymbol}{46}
-\indexentry{\tty \bslash clefdesol}{46}
-\indexentry{\tty \bslash clefdesolsymbol}{46}
-\indexentry{\tty \bslash clefdut}{45, 46}
-\indexentry{\tty \bslash clefdutsymbol}{46}
-\indexentry{clefs (empty)}{46}
-\indexentry{\tty \bslash cleftoks$r$}{12, 28, 29, 34}
-\indexentry{\tty \bslash cleftoksi}{12}
-\indexentry{\tty \bslash cna}{22}
-\indexentry{\tty \bslash cNa}{23}
-\indexentry{\tty \bslash coda}{32}
-\indexentry{\tty \bslash computespecifics}{39, 43}
-\indexentry{\tty \bslash computewidths}{43}
-\indexentry{\tty \bslash csh}{22}
-\indexentry{\tty \bslash cSh}{23}
-\indexentry{\tty \bslash cu}{15, 37}
-\indexentry{\tty \bslash dccu}{39}
-\indexentry{\tty \bslash dcl}{39}
-\indexentry{\tty \bslash dcu}{39}
-\indexentry{\tty \bslash dcup}{39}
-\indexentry{\tty \bslash debutextrait}{44, 50}
-\indexentry{\tty \bslash debutmorceau}{13, 28, 31, 43, 44, 50}
-\indexentry{\tty \bslash DEP}{34}
-\indexentry{\tty \bslash dfl}{22, 23}
-\indexentry{\tty \bslash dFl}{23}
-\indexentry{\tty \bslash diamg}{38}
-\indexentry{\tty \bslash diamw}{38}
-\indexentry{\tty \bslash dimen}{10}
-\indexentry{distribution}{9}
-\indexentry{\tty \bslash documentstyle}{49}
-\indexentry{dpi}{51}
-\indexentry{drum clef}{46}
-\indexentry{\tty \bslash drumclefsymbol}{46}
-\indexentry{\tty \bslash ds}{20}
-\indexentry{\tty \bslash dsh}{22, 23}
-\indexentry{\tty \bslash dSh}{23}
-\indexentry{\tty \bslash dsoupir}{20}
-\indexentry{Egler, A.}{10, 33}
-\indexentry{\tty \bslash eject}{28}
-\indexentry{\tty \bslash elemskip}{6, 13, 14, 26}
-\indexentry{em\TeX}{50}
-\indexentry{\tty \bslash endcatcodesmusic}{50}
-\indexentry{\tty \bslash etroit}{13}
-\indexentry{\tty \bslash everystaff}{24, 34}
-\indexentry{\tty \bslash exhpause}{21}
-\indexentry{\tty \bslash expause}{21}
-\indexentry{Faur\'e, G.}{59}
-\indexentry{fermata}{33}
-\indexentry{\tty \bslash finextrait}{44, 50}
-\indexentry{\tty \bslash finmorceau}{28, 30, 43, 50}
-\indexentry{\tty \bslash finrightrepeat}{30}
-\indexentry{\tty \bslash fl}{22, 23}
-\indexentry{\tty \bslash Fl}{23}
-\indexentry{flats}{12}
-\indexentry{fonts}{51}
-\indexentry{format}{51}
-\indexentry{french.sty}{49, 50}
-\indexentry{\tty \bslash freqbarno}{27}
-\indexentry{full rest}{20}
-\indexentry{Gaulle, B.}{50}
-\indexentry{general staff size}{39}
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-\indexentry{glue}{9, 26}
-\indexentry{Gounod, C.}{40, 59}
-\indexentry{grave accent}{23}
-\indexentry{\tty \bslash grcl}{37}
-\indexentry{\tty \bslash grcu}{37}
-\indexentry{gregorian music}{38, 44, 45}
-\indexentry{guillemets}{50}
-\indexentry{GUTenberg}{50}
-\indexentry{half rest}{20}
-\indexentry{harmonic notes}{47}
-\indexentry{Haydn, J.}{36}
-\indexentry{\tty \bslash hb}{19}
-\indexentry{\tty \bslash hbox}{26}
-\indexentry{\tty \bslash hfil}{26}
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-\indexentry{\tty \bslash hs}{20}
-\indexentry{\tty \bslash hsize}{14}
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-\indexentry{\tty \bslash hu}{15, 21}
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-\indexentry{\tty \bslash ibbbbbl}{17}
-\indexentry{\tty \bslash Ibbbbbl}{20}
-\indexentry{\tty \bslash ibbbbbu}{17}
-\indexentry{\tty \bslash Ibbbbbu}{20}
-\indexentry{\tty \bslash ibbbbl}{17}
-\indexentry{\tty \bslash Ibbbbl}{20}
-\indexentry{\tty \bslash ibbbbu}{17}
-\indexentry{\tty \bslash Ibbbbu}{20}
-\indexentry{\tty \bslash ibbbl}{17}
-\indexentry{\tty \bslash Ibbbl}{20}
-\indexentry{\tty \bslash ibbbu}{17, 18}
-\indexentry{\tty \bslash Ibbbu}{20}
-\indexentry{\tty \bslash ibbl}{17}
-\indexentry{\tty \bslash Ibbl}{20}
-\indexentry{\tty \bslash ibbu}{17}
-\indexentry{\tty \bslash Ibbu}{20}
-\indexentry{\tty \bslash ibl}{17, 18}
-\indexentry{\tty \bslash Ibl}{20}
-\indexentry{\tty \bslash ibu}{17}
-\indexentry{\tty \bslash Ibu}{20}
-\indexentry{\tty \bslash ilegl}{24}
-\indexentry{\tty \bslash Ilegl}{24, 25}
-\indexentry{\tty \bslash ilegu}{24}
-\indexentry{\tty \bslash Ilegu}{24, 25}
-\indexentry{INITEX}{51}
-\indexentry{\tty \bslash input}{59}
-\indexentry{instrument}{12}
-\indexentry{instrument number}{8}
-\indexentry{\tty \bslash instrument$r$}{13}
-\indexentry{\tty \bslash interbeam}{42}
-\indexentry{\tty \bslash interfacteur}{42, 43, 44}
-\indexentry{\tty \bslash interinstrument}{42, 44, 45}
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-\indexentry{\tty \bslash Interligne}{41, 42, 43}
-\indexentry{\tty \bslash internote}{41}
-\indexentry{\tty \bslash Internote}{41}
-\indexentry{\tty \bslash interportee}{42, 44}
-\indexentry{\tty \bslash Interportee}{42}
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-\indexentry{\tty \bslash Itenl}{25}
-\indexentry{\tty \bslash ITenl}{25}
-\indexentry{\tty \bslash itenl}{24, 25}
-\indexentry{\tty \bslash itenu}{24, 25}
-\indexentry{\tty \bslash Itenu}{25}
-\indexentry{\tty \bslash ITenu}{25}
-\indexentry{\tty \bslash kb}{48}
-\indexentry{\tty \bslash kccccl}{48}
-\indexentry{\tty \bslash kccccu}{48}
-\indexentry{\tty \bslash kcccl}{48}
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-\indexentry{\tty \bslash kccl}{48}
-\indexentry{\tty \bslash kccu}{39, 48}
-\indexentry{\tty \bslash kcl}{39, 48}
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-\indexentry{\tty \bslash kclpp}{48}
-\indexentry{\tty \bslash kcu}{39, 48}
-\indexentry{\tty \bslash kcup}{39, 48}
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-\indexentry{\tty \bslash kern}{21}
-\indexentry{\tty \bslash kh}{48}
-\indexentry{\tty \bslash kl}{48}
-\indexentry{\tty \bslash klp}{48}
-\indexentry{\tty \bslash klpp}{48}
-\indexentry{\tty \bslash ku}{48}
-\indexentry{\tty \bslash kup}{48}
-\indexentry{\tty \bslash kupp}{48}
-\indexentry{\tty \bslash large}{13}
-\indexentry{largemusic}{49}
-\indexentry{\tty \bslash larpeggio}{33}
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-\indexentry{\tty \bslash leftrightrepeatsymbol}{30}
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-\indexentry{\tty \bslash lhl}{16}
-\indexentry{\tty \bslash lhu}{16}
-\indexentry{\tty \bslash liftslur}{25}
-\indexentry{\tty \bslash lna}{22}
-\indexentry{\tty \bslash lowersonginstrum}{13}
-\indexentry{\tty \bslash Lpince}{33}
-\indexentry{\tty \bslash lppz}{33}
-\indexentry{\tty \bslash lpz}{33}
-\indexentry{\tty \bslash lq}{16}
-\indexentry{\tty \bslash lql}{16}
-\indexentry{\tty \bslash lqu}{16}
-\indexentry{\tty \bslash lsf}{33}
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-\indexentry{\tty \bslash lst}{33}
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-\indexentry{\tty \bslash maxlinesinpage}{28}
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-\indexentry{\tty \bslash metertoks$i$}{12}
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-\indexentry{\tty \bslash midtwotext}{32}
-\indexentry{\tty \bslash mordant}{33}
-\indexentry{Mozart}{7}
-\indexentry{MS-DOS}{51}
-\indexentry{musicadd.tex}{11}
-\indexentry{musicnft.tex}{11}
-\indexentry{musicper}{48}
-\indexentry{musicper.sty}{48}
-\indexentry{musicper.tex}{48}
-\indexentry{\tty \bslash musicsize}{11, 39, 41, 44}
-\indexentry{musictex.bck}{51}
-\indexentry{musictex.sty}{49}
-\indexentry{musictex.tex}{11}
-\indexentry{musictex.zip}{51}
-\indexentry{musictrp}{49}
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-\indexentry{\tty \bslash Na}{23}
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-\indexentry{name of the voice}{13}
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-\indexentry{\tty \bslash nbbbbbu}{18}
-\indexentry{\tty \bslash nbbbbu}{18}
-\indexentry{\tty \bslash nbbbu}{18}
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-\indexentry{\tty \bslash nbbu}{18}
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-\indexentry{\tty \bslash nextstaff}{50}
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-\indexentry{\tty \bslash Pincesw}{33}
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-\indexentry{\tty \bslash Setsecondavolta}{31}
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-\indexentry{\tty \bslash smallNa}{23}
-\indexentry{\tty \bslash smallnotesize}{36}
-\indexentry{\tty \bslash smallsh}{22}
-\indexentry{\tty \bslash smallSh}{23}
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-\indexentry{staccato}{33}
-\indexentry{staff size}{39}
-\indexentry{\tty \bslash staffbotmarg}{42, 43, 44, 45}
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-\indexentry{\tty \bslash staffspacing$r$}{39, 40, 41}
-\indexentry{\tty \bslash stafftopmarg}{42, 43, 44}
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-\indexentry{\tty \bslash stdbarrules}{27}
-\indexentry{Steinbach, A.}{10}
-\indexentry{\tty \bslash stemfactor}{42}
-\indexentry{stems}{11}
-\indexentry{style}{49}
-\indexentry{\tty \bslash suspmorceau}{28, 30, 31, 43, 50}
-\indexentry{\tty \bslash systemheight}{42}
-\indexentry{tabulation}{50}
-\indexentry{\tty \bslash tbbbbbl}{19}
-\indexentry{\tty \bslash tbbbbbu}{19}
-\indexentry{\tty \bslash tbbbbl}{19}
-\indexentry{\tty \bslash tbbbbu}{19}
-\indexentry{\tty \bslash tbbbl}{18, 19}
-\indexentry{\tty \bslash tbbbu}{18, 19}
-\indexentry{\tty \bslash tbbl}{18}
-\indexentry{\tty \bslash tbbu}{18}
-\indexentry{\tty \bslash tbl}{18}
-\indexentry{\tty \bslash tbu}{17, 18}
-\indexentry{\tty \bslash temps}{22, 26, 27}
-\indexentry{tenor violin clef}{34}
-\indexentry{ties}{9, 25}
-\indexentry{\tty \bslash tinynotesize}{36}
-\indexentry{\tty \bslash tleg}{24, 25}
-\indexentry{\tty \bslash transpose}{8, 22, 23}
-\indexentry{\tty \bslash tremolord}{38}
-\indexentry{\tty \bslash Trille}{33}
-\indexentry{\tty \bslash trille}{33}
-\indexentry{\tty \bslash tten}{24}
-\indexentry{\tty \bslash turn}{33}
-\indexentry{\tty \bslash upperfl}{22}
-\indexentry{\tty \bslash upperna}{22}
-\indexentry{\tty \bslash uppersh}{22}
-\indexentry{\tty \bslash uppersonginstrum}{13}
-\indexentry{\tty \bslash uppz}{33}
-\indexentry{\tty \bslash Uptext}{32}
-\indexentry{\tty \bslash uptext}{32}
-\indexentry{\tty \bslash upz}{33}
-\indexentry{\tty \bslash usf}{33}
-\indexentry{\tty \bslash ust}{33}
-\indexentry{\tty \bslash vadjust}{34}
-\indexentry{\tty \bslash varaccid}{22}
-\indexentry{\tty \bslash vbox}{45}
-\indexentry{violin clef}{12, 29}
-\indexentry{violin harmonic notes}{39}
-\indexentry{virga}{38}
-\indexentry{VMS}{51}
-\indexentry{\tty \bslash vnotes}{14}
-\indexentry{\tty \bslash voffset}{59}
-\indexentry{voices}{42}
-\indexentry{\tty \bslash wh}{15, 21}
-\indexentry{\tty \bslash whp}{16}
-\indexentry{Widor, C.-M.}{24, 59}
-\indexentry{\tty \bslash xb}{48}
-\indexentry{\tty \bslash xbarre}{28}
-\indexentry{\tty \bslash xbeambarre}{35}
-\indexentry{\tty \bslash xccccl}{48}
-\indexentry{\tty \bslash xccccu}{48}
-\indexentry{\tty \bslash xcccl}{48}
-\indexentry{\tty \bslash xcccu}{48}
-\indexentry{\tty \bslash xccl}{48}
-\indexentry{\tty \bslash xccu}{39, 48}
-\indexentry{\tty \bslash xcl}{39, 48}
-\indexentry{\tty \bslash xclp}{48}
-\indexentry{\tty \bslash xclpp}{48}
-\indexentry{\tty \bslash xcu}{39, 48}
-\indexentry{\tty \bslash xcup}{39, 48}
-\indexentry{\tty \bslash xcupp}{48}
-\indexentry{\tty \bslash xh}{48}
-\indexentry{\tty \bslash xl}{48}
-\indexentry{\tty \bslash xlp}{48}
-\indexentry{\tty \bslash xlpp}{48}
-\indexentry{\tty \bslash xtrille}{33}
-\indexentry{\tty \bslash xTrille}{33}
-\indexentry{\tty \bslash xu}{48}
-\indexentry{\tty \bslash xup}{48}
-\indexentry{\tty \bslash xupp}{48}
-\indexentry{\tty \bslash yccu}{39}
-\indexentry{\tty \bslash ycl}{39}
-\indexentry{\tty \bslash ycu}{39}
-\indexentry{\tty \bslash ycup}{39}
-\indexentry{\tty \bslash zalapage}{28}
-\indexentry{\tty \bslash zbarre}{24, 28}
-\indexentry{\tty \bslash zbv}{16}
-\indexentry{\tty \bslash zcarpg}{38}
-\indexentry{\tty \bslash zcarqg}{38}
-\indexentry{\tty \bslash zcarrg}{38}
-\indexentry{\tty \bslash zcharnote}{7, 9, 32, 34, 45}
-\indexentry{\tty \bslash zcl}{16}
-\indexentry{\tty \bslash zclp}{17}
-\indexentry{\tty \bslash zcu}{16}
-\indexentry{\tty \bslash zcup}{17}
-\indexentry{\tty \bslash zdiamg}{38}
-\indexentry{\tty \bslash zdiamw}{38}
-\indexentry{\tty \bslash zexhpause}{21}
-\indexentry{\tty \bslash zexpause}{21}
-\indexentry{\tty \bslash zfinextrait}{44}
-\indexentry{\tty \bslash zh}{15}
-\indexentry{\tty \bslash zhl}{16}
-\indexentry{\tty \bslash zhlp}{17}
-\indexentry{\tty \bslash zhp}{16}
-\indexentry{\tty \bslash zhu}{16}
-\indexentry{\tty \bslash zhup}{17}
-\indexentry{\tty \bslash zk}{48}
-\indexentry{\tty \bslash zmidtwotext}{32}
-\indexentry{\tty \bslash zox}{48}
-\indexentry{\tty \bslash zq}{6, 15}
-\indexentry{\tty \bslash zqb}{16}
-\indexentry{\tty \bslash zqh}{16}
-\indexentry{\tty \bslash zql}{16}
-\indexentry{\tty \bslash zqlp}{17}
-\indexentry{\tty \bslash zqp}{16}
-\indexentry{\tty \bslash zqu}{16}
-\indexentry{\tty \bslash zqup}{17}
-\indexentry{\tty \bslash zsb}{16}
-\indexentry{\tty \bslash zshaker}{38}
-\indexentry{\tty \bslash zsuspmorceau}{28}
-\indexentry{\tty \bslash ztremolord}{38}
-\indexentry{\tty \bslash zw}{16}
-\indexentry{\tty \bslash zwp}{16}
-\indexentry{\tty \bslash zwq}{16}
-\indexentry{\tty \bslash zx}{48}
-\indexentry{\&}{50}
-\indexentry{\|}{50}
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ist b/Master/texmf-dist/doc/generic/musictex/musicdoc.ist
deleted file mode 100644
index e194963fa22..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ist
+++ /dev/null
@@ -1,65 +0,0 @@
-%%
-%% This is file `gind.ist', generated
-%% on <1994/8/14> with the docstrip utility (2.2h).
-%%
-%% The original source files were:
-%%
-%% doc.dtx (with options: `gind')
-%%
-%% This file is part of LaTeX2e.
-%% -----------------------------
-%%
-%% Copyright (C) 1992-1994 Frank Mittelbach. All rights reserved.
-%%
-%% \CharacterTable
-%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
-%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
-%% Digits \0\1\2\3\4\5\6\7\8\9
-%% Exclamation \! Double quote \" Hash (number) \#
-%% Dollar \$ Percent \% Ampersand \&
-%% Acute accent \' Left paren \( Right paren \)
-%% Asterisk \* Plus \+ Comma \,
-%% Minus \- Point \. Solidus \/
-%% Colon \: Semicolon \; Less than \<
-%% Equals \= Greater than \> Question mark \?
-%% Commercial at \@ Left bracket \[ Backslash \\
-%% Right bracket \] Circumflex \^ Underscore \_
-%% Grave accent \` Left brace \{ Vertical bar \|
-%% Right brace \} Tilde \~}
-%%
-%% Package `doc' to use with LaTeX 2e
-%% Copyright (C) 1989-1994 Frank Mittelbach, all rights reserved.
-%% This is a MAKEINDEX style file which should be used to
-%% generate the formatted index for use with the doc
-%% package. The TeX commands used below are defined in
-%% doc.sty. The commands for MAKEINDEX like `level'
-%% `item_x1' are described in `` Makeindex, A General
-%% Purpose, Formatter-Independent Index Processor'' by
-%% Pehong Chen.
-
-actual '='
-quote '!'
-level '>'
-encap '#'
-preamble
-"\n \\begin{theindex} \n \\makeatletter\n"
-postamble
-"\n\n \\end{theindex}\n \\makeatother\n"
-item_x1 "\\efill \n \\subitem "
-item_x2 "\\efill \n \\subsubitem "
-delim_0 "\\rm~: "
-delim_1 "\\rm~: "
-delim_2 "\\rm~: "
-symhead_positive "Symbols"
-symhead_negative "Symbols"
-% The next lines will produce some warnings when
-% running Makeindex as they try to cover two different
-% versions of the program:
-lethead_prefix "{\\bfseries\\hfil "
-lethead_suffix "\\hfil}\\nopagebreak\n"
-lethead_flag 1
-heading_prefix "{\\bfseries\\hfil "
-heading_suffix "\\hfil}\\nopagebreak\n"
-headings_flag 1
-%%
-%% End of file `gind.ist'.
diff --git a/Master/texmf-dist/doc/generic/musictex/musicref.dvi b/Master/texmf-dist/doc/generic/musictex/musicref.dvi
deleted file mode 100644
index 95b4ef92a0f..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musicref.dvi
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/musictex/musictex.ins b/Master/texmf-dist/doc/generic/musictex/musictex.ins
deleted file mode 100644
index 1a0a0e8435c..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/musictex.ins
+++ /dev/null
@@ -1,9 +0,0 @@
-\input musicnft
-\input musictex
-\input musicvbm
-\input musictrp
-\input musicsty
-\tracingstats=2\relax
-\dump
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/ostinato.tex b/Master/texmf-dist/doc/generic/musictex/ostinato.tex
deleted file mode 100644
index 46feebddc1c..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/ostinato.tex
+++ /dev/null
@@ -1,450 +0,0 @@
-\title{Adagio con basso ostinato}
-\fulltitle{VIII. \titremorceau}
-\csname titremorceautoc\endcsname
-\subtitle{(pour orgue)}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-
-\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou
-8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}%
-
-\maketitle
-
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
-\def\pzqu#1{\lpz{#1}\qu{#1}}%
-\def\pzql#1{\upz{#1}\ql{#1}}%
-%
-\parindent 18mm
-%
-\tracingstats=2\relax
-%
-\nbporteesii=1\relax
-\def\nbinstruments{3}
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-1}\relax % un bemol a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{G.O. fonds}%
-\def\instrumentiii{R\'ecit}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-%
-\troistemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
- \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-%
-\debutmorceau
-%
-\autolines 765\relax
-%\check
-%
-\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante
- \bf(\metron{\qu}{65})}}\enotes
-\advance\linesinpage by 1\relax
-% mesure 1
-\nspace\NOtes\pzql M&&\enotes
-\temps \NOtes\pzql M&\pause&\pause\enotes
-\temps \NOtes\pzql M&\enotes
-%\check
-% mesure 2
-\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes
-\temps\NOtes\pzql M&&\enotes
-\temps\NOtes\pzql L&&\enotes
-%\check
-% mesure 3
-\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
- &\hup h\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\notes\pzqu J&&\enotes
-%\check
-% mesure 4
-\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax
- &\itenl2i\mordant o\hu i\enotes
-\temps\NOtes\pzqu I&&\enotes
-\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
-\def\atnextline{\autolines765}%
-% mesure 5
-\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes
-\temps\NOtes\pzqu J&&\enotes
-\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes
-% mesure 6
-\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
-\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
-\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
-%\check
-% mesure 7
-\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
-\temps\NOtes\pzqu G&&\enotes
-\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
-%\check
-% mesure 8
-\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes
-\temps\notes\pzqu J&&\sk\cl{k}\enotes
-\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes
-% mesure 9
-\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes
-\temps\NOtes\pzqu H&&\enotes
-\temps\NOtes\pzqu H&&\soupir\enotes
-% mesure 10
-\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes
-\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
-\temps\notes\pzqu H&\ql g&\dqb kl\enotes
-% mesure 11
-\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
-% mesure 12
-\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes
-\temps\notes\pzqu I&&\dqb lk\enotes
-\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes
-% mesure 13
-\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes
-\temps\NOtes\pzqu H&&\enotes
-\temps\NOtes\pzqu H&\qu g&\soupir\enotes
-% mesure 14
-\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes
-\temps\NOtes\pzqu I&&\enotes
-\temps\NOtes\pzqu H&&\enotes
-% mesure 15
-\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes
-\temps\notes\pzqu G&&\sk\cl j\enotes
-\temps\notes\pzqu I&&\dqb hi\enotes
-% mesure 16
-\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
-\temps\notes\pzqu J&&\sk\cl k\enotes
-\temps\notes\pzqu I&\ql d&\dqb ij\enotes
-% mesure 17
-\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
-\temps\NOtes\pzqu H&&\enotes
-\temps\NOtes\pzqu H&\ql f&\soupir\enotes
-%\check
-% mesure 18
-\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
-\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
-\temps\notes\pzqu I&\ql e&\dqb hi\enotes
-%\check
-% mesure 19
-\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes
-\temps\NOtes\pzqu J&\hl e&\enotes
-\temps\NOtes\pzqu J&\qu i&\qu f\enotes
-%\check
-% mesure 20
-\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes
-\temps\NOtes\pzql M&\ql e&\enotes
-\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes
-%\check
-% mesure 21
-\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax
- &\hup f\enotes
-\temps\NOtes\pzql M&&\enotes
-\temps\NOtes\pzql L&&\enotes
-%\check
-% mesure 22
-\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
- &\hup h\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\notes\pzqu J&&\enotes
-%\check
-% mesure 23
-\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax
- &\itenl2i\mordant o\hu i\enotes
-\temps\NOtes\pzqu I&&\enotes
-\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
-% mesure 24
-\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes
-\temps\NOtes\pzqu J&&\enotes
-\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes
-% mesure 25
-\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes
-\temps\NOtes\pzqu H&\hl c&\enotes
-\temps\NOtes\pzqu{^F}&&\ql k\enotes
-% mesure 26
-\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes
-\temps\NOtes\pzqu G&&\enotes
-\temps\NOtes\pzqu I&\soupir&\soupir\enotes
-% mesure 27
-\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes
-\temps\NOtes\pzqu L&&\enotes
-\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes
-% mesure 28
-\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes
-\temps\NOtes\pzqu H&\hu f&\enotes
-\temps\NOtes\pzqu F&&\soupir\enotes
-% mesure 29
-\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes
-\temps\notes\pzqu G&&\sk\cu i\enotes
-\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes
-%\check
-% mesure 30
-\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes
-\temps\NOtes\pzqu H&&\qu h\enotes
-\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes
-% mesure 31
-\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes
-\temps\notes\pzqu H&&\sk\cl m\enotes
-\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes
-%\check
-% mesure 32
-\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes
-\temps\NOtes\pzqu H&&\ql l\enotes
-\temps\NOtes\pzqu I&\qu h&\ql h\enotes
-%\check
-% mesure 33
-\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes
-\temps\notes\pzqu G&\hl b&\dqh gf\enotes
-\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes
-%\check
-% mesure 34
-\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes
-\temps\NOtes\pzqu G&&\qu e\enotes
-\temps\NOtes\pzqu F&&\qu h\enotes
-% mesure 35
-\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes
-\temps\notes\pzqu I&&\sk\cu g\enotes
-\temps\notes\pzqu H&\qu e&\dqh ef\enotes
-% mesure 36
-\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes
-\temps\NOtes\pzqu K&\zh a\hu f&\enotes
-\temps\NOtes\pzqu K&&\soupir\enotes
-% mesure 37
-%\check
-\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu J&&\enotes
-% mesure 38
-%\check
-\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes
-\temps\NOtes\pzqu H&&\enotes
-\temps\NOtes\pzqu J&&\enotes
-% mesure 39
-%\check
-\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes
-\temps\NOtes\pzqu G\enotes
-\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes
-% mesure 40
-%\check
-\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes
-\temps\NOtes\pzqu H\enotes
-\temps\NOtes\pzqu H&\soupir&\soupir\enotes
-% mesure 41
-%\check
-\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
-\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
-\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
-%\check
-% mesure 42
-\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
-\temps\notes\pzqu G&&\sk\cl j\enotes
-\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
-%\check
-% mesure 43
-\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
-\temps\notes\pzqu J&&\sk\cl{k}\enotes
-\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
-% mesure 44
-\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
-\temps\NOtes\pzqu H&\ql f&\enotes
-\temps\NOtes\pzqu H&\ql e&\soupir\enotes
-%\check
-% mesure 45
-\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
-\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
-\temps\notes\pzqu I&\ql e&\dqb hi\enotes
-%\check
-% mesure 46
-\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
-\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes
-\temps\NOtes\pzqu J&\qu i&\qu h\enotes
-% mesure 47
-\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
-\temps\NOtes\pzqu H&&\enotes
-\temps\NOtes\pzqu H&\ql f&\soupir\enotes
-% mesure 48
-%\check
-\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
-\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
-\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
-%\check
-% mesure 49
-\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
-\temps\notes\pzqu G&&\sk\cl j\enotes
-\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
-%\check
-% mesure 50
-\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
-\temps\notes\pzqu J&&\sk\cl{k}\enotes
-\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
-% mesure 51
-\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
-\temps\NOtes\pzqu H&\ql f&\enotes
-\temps\NOtes\pzqu H&\ql e&\soupir\enotes
-%\check
-% mesure 52
-\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
-\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
-\temps\notes\pzqu I&\ql e&\dqb hi\enotes
-%\check
-% mesure 53
-\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
-\temps\NOtes\pzqu J&\hl e&\enotes
-\temps\NOtes\pzqu J&\qu i&\qu f\enotes
-%\check
-% mesure 54
-\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes
-\temps\NOtes\pzql M&\ql e&\enotes
-\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
-%\check
-% mesure 55
-\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes
-\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes
-\temps\notes\pzqu L&\ql g&\dqb kl\enotes
-% mesure 56
-\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
-% mesure 57
-\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes
-\temps\notes\pzqu I&&\dqb lk\enotes
-\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes
-%\check
-% mesure 58
-\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes
-\temps\NOtes\pzqu H&\ql e&\enotes
-\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
-%\check
-% mesure 59
-\bigaccid
-\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes
-\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes
-\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes
-% mesure 60
-\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes
-\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes
-\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes
-%\check
-% mesure 61
-\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes
-\temps\notes\pzqu I&&\sk\cl n\enotes
-\temps\notes\pzqu I&\qu g&\dqb mn\enotes
-%\check
-% mesure 62
-\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes
-\temps\NOtes\pzqu I\enotes
-\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes
-%\check
-% mesure 63
-\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes
-\temps\NOtes\pzqu I&\qu e\enotes
-\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes
-% mesure 64
-\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes
-\temps\notes\pzqu H&&\sk\cl n\enotes
-\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes
-% mesure 65
-\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu K&&\soupir\enotes
-% mesure 66
-\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu J&&\enotes
-% mesure 67
-\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes
-\temps\NOtes\pzqu I&&\enotes
-\temps\NOtes\pzqu H&&\qu i\enotes
-%\check
-% mesure 68
-\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax
- &\itenl2i\mordant o\hu i\enotes
-\temps\NOtes\pzqu G&&\enotes
-\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip
- \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
-%\check
-% mesure 69
-\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes
-\temps\NOtes\pzqu H&\ql e&\enotes
-\temps\NOtes\pzqu H&\ql f&\soupir\enotes
-% mesure 70
-\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
-\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
-\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
-%\check
-% mesure 71
-\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
-\temps\NOtes\pzqu G&&\enotes
-\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
-%\check
-% mesure 72
-\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes
-\temps\notes\pzqu H&&\sk\cl{k}\enotes
-\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes
-% mesure 73
-\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes
-\temps\NOtes\pzqu F&&\enotes
-\temps\NOtes\pzqu F&\qu f&\soupir\enotes
-% mesure 74
-\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes
-\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
-\temps\notes\pzqu H&\ql g&\dqb kl\enotes
-% mesure 75
-\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes
-\temps\NOtes\pzqu K&&\enotes
-\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes
-% mesure 76
-\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes
-\temps\notes\pzqu I&&\dqb lk\enotes
-\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes
-% mesure 77
-\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes
-\temps\NOtes\pzqu H&\qu h&\enotes
-\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes
-% mesure 78
-\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes
-\temps\NOtes\pzqu I&&\enotes
-\temps\NOtes\pzqu H&&\enotes
-% mesure 79
-\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes
-\temps\notes\pzqu G&&\sk\cl j\enotes
-\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes
-% mesure 80
-\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
-\temps\notes\pzqu H&&\sk\cl k\enotes
-\temps\notes\pzqu G&\ql d&\dqb ij\enotes
-% mesure 81
-\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes
-\temps\NOtes\pzqu F&&\enotes
-\temps\NOtes\pzqu F&\ql f&\soupir\enotes
-%\check
-% mesure 82
-\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
-\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
-\temps\notes\pzqu I&\ql e&\dqb hi\enotes
-%\check
-% mesure 83
-\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes
-\temps\NOtes\pzqu J&\hl e&\enotes
-\temps\NOtes\pzqu J&\qu i&\qu f\enotes
-%\check
-% mesure 84
-\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes
-\temps\NOtes\pzqu F&\ql e&\enotes
-\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes
-%\check
-\finmorceau
-%
-\medskip\rightline{\it \aujourdhui}
-\vfil
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex
deleted file mode 100644
index d039da83204..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex
+++ /dev/null
@@ -1,1102 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\musicsize=16\relax
-\def\lppage{7}%
- %
- %
-\newdimen\pageheight
-\vsize=290mm
-\parindent 12mm
-%
-% sortie de page
-%
-\pageheight=\vsize\advance\pageheight by 2cm
-
-\musicsize=16\relax
-\def\lppage{7}%
-\ifx\gros\undefined\font\gros=\fonthdg\fonthdge bx10 scaled \magstep2\fi
- %
- %
-\voffset-30mm
-%
-\def\outmorc{\shipout\vbox to \pageheight{\vfil\pagecontents\vfil\line{%
-\ifodd\pageno\sl Pacifique (D. Taupin) \rm$\copyright$\hss \number\pageno
-\else\rm\number\pageno\hss\sl Pacifique (D. Taupin) \rm$\copyright$\fi}}%
-\global\advance\count0 by 1\relax
- \ifnum\outputpenalty>-20000 \else\dosupereject\fi}%
-%
-\output{\outmorc}%
-%
-% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
-%
-\centerline{\gros Pacifique}
-\medskip
-\line{Compos\'e en 1972, \sl San Jose (Calif.)\hss Daniel TAUPIN}
-\smallskip
-\line{\sl r\'ev. mai 1981, janvier 1990\hss\`a Christiane}
-\bigskip
-%\tracingstats=2\relax
-%
-\nbporteesi=2\relax
-\def\nbinstruments{1}
-\global\cleftoksi={{6}{0}{0}{0}}%
-\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
-\def\noteskipLarge{\def\scalenoteskip{1.2}}%
-\def\noteskiplarge{\def\scalenoteskip{1.1}}%
-\def\noteskipnormal{\def\scalenoteskip{1.0}}%
-%
-\generalsignature{-4}\relax % quatre bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{Piano}
-%\check
-\generalmeter{\allabreve}
-\normal% \noteskipLarge
-\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
-\def\gluemaxskip{6pt}%
-%
-% formes frequentes
-%
-%au moins deux croches basses et hautes
-\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%au moins quatre croches basses et hautes
-\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
-\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
-\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
-\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
-% octave basse en blanche
-\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
-\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
-\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
-\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
-%
-% octave sup. en croches u
-\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
-\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
-\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
-\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
-\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
-\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
-%\check
-\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
- \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
-\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
-%\check
-\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
-%\check
-% octave inf. en croches u
-\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
-\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
-\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
-\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
-%\check
-\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
- \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
-\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
-%\check
-%
-\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes}
-\def\Arpg#1#2{\vnotes 0.2\elemskip
- \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
-\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes}
-\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff
- \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
-%
-% soufflets crescendo
-%
-\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
-\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
-%
-\def\interfacteur{11}%
-\computewidths
-\staffbotmarg=5\Interligne
-%
-\debutmorceau\autolines 95{\lppage}\relax
-%
-\advance\linesinpage by 1\relax
-%
-\hyphenpenalty -50\relax
-\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
-\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
-\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
-\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
-\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
-% mesure 2
-\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
-\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
-% mesure 3
-\barre\notes\zcharnote{-5}{\Ped\ \it simile}\zh{Mb}\hl d|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
-% mesure 4
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 5
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre
-\ppff mp}}\Ilegl0d\dqh3gh\enotes
-% mesure 6
-\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
-\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
-% mesure 7
-\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
-\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
-% mesure 8
-\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
-\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
-% mesure 9
-\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
-\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
-% mesure 10
-\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
-\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
-% mesure 11
-\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegl0d\dqh3gh\enotes
-% mesure 12
-\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 13
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
-% mesure 14
-\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
- |\zq g\qqh0ighi\enotes
-\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
-% mesure 15
-\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
-\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
-% mesure 16
-\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
-\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
-% mesure 17
-\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes
-\temps\notes|\Ilegu0q\dqh3ij\enotes
-\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
-% mesure 18
-\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
-\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
-% mesure 19
-\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
-\temps\notes|\Ilegu0p\dqh3gh\enotes
-\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
-% mesure 20
-\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
-\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
-% mesure 21
-\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
-\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
- |\soupir\uptext{\ppff p}\enotes
-\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
-% mesure 22
-\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
-\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
-% mesure 23
-\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
-\temps\notes\Ilegu0d\dqb4bd|\enotes
-\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
-% mesure 24
-\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
-\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
-% mesure 25
-\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
-\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3Na|\enotes
-% mesure 26
-\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
- |\zh{gi_l}\hu n\enotes
-\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
-% mesure 27
-\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
-\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
-%\check
-% mesure 28
-\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
-\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
-% mesure 29
-\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
-\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
-% mesure 30
-\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
-\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
-%\check
-% mesure 31
-\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
-\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
-%\check
-%mesure 32
-\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3bc|\enotes
-\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
-%
-% mesure 33
-% changement d'espacement
-\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
-\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3bc|\enotes
-% mesure 34
-\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
-\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
-% mesure 35
-\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
-\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
-% mesure 36
-\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
-\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
-\temps\arpg K5\relax
-\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
- |\qsoqb0hfgh\enotes
-%\check
-% mesure 37
-\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
-%\check
-% mesure 38
-\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
-%\check
-% mesure 39
-\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
-%\check
-% mesure 40
-\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
-\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
-\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
-%\check
-% mesure 41
-\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
-\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
-%check
-% mesure 42
-\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
-\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
-%check
-% mesure 43
-\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
-\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
-\temps\notes|\Ilegu0t\dsoqb3jk\enotes
-%\check
-% mesure 44
-\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
-\temps\notes|\Ilegu0r\dsoqb3gh\enotes
-%\check
-% mesure 45
-\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
-%check
-% mesure 46
-\def\sfql#1{\usf{#1}\ql{#1}}%
-\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
-\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
-\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes
-%\check
-% mesure 47
-\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
-\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
-%\check
-% mesure 48
-\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
-\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
-%\check
-% mesure 49
-\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
-\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
-%\check
-% mesure 50
-\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
-\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
-%\check
-% mesure 51
-\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
-\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes
-\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
-%\check
-% mesure 52
-\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
-\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
-%\check
-% mesure 53
-\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
-\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
-%\check
-% mesure 54
-\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
-\notes\dsoqb3J{=K}|\enotes
-\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
-% mesure 55
-\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
-\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
-%\check
-%mesure 56
-\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
-\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
-\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
-%\check
-% mesure 57
-\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
-\temps\notes\dsoqb3JK|\enotes
-\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
-%\check
-% mesure 58
-\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
-\temps\notes\dsoqb3IJ|\enotes
-\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
-%\check
-% mesure 59
-\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
-\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
-%\check
-% mesure 60
-\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
-\temps\notes\dsoqb3GH|\enotes
-\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
- |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
-% mesure 61
-%\check
-\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
-\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
-%\check
-%mesure 62
-\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
- |\zq{moq}\ql t\cbreath\enotes
-\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
-%\check
-% mesure 63
-\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
-%\check
-% mesure 64
-\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
-%\check
-% mesure 65
-%
-\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegu0q\dqh3gh\enotes
-%\check
-% mesure 66
-\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
-%\check
-% mesure 67
-\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
-\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
-\cleftoksi={{6}{6}{0}{0}}%
-\changeclefs\nspace
-\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes
-%\check
-% mesure 68
-\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
-\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
-\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
- |\qqB0aMNa\enotes
-\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
-% mesure 69
-%\check
-\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
-\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
-%\check
-% mesure 70
-\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
-\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
-%\check
-% mesure 71
-\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
-\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
-%\check
-% mesure 72
-\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
-\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
-%\check
-% mesure 73
-\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
-\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
-%
-% mesure 74
-\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes
-\temps\notes|\Ilegu0d\dqb3Na\enotes
-\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
-%\check
-% mesure 75
-\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
-\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
-%\check
-% mesure 76
-\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax
- |\Tleg0\ql M\enotes
-\cleftoksi={{6}{0}{0}{0}}%
-\changeclefs
-\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
-\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
-% mesure 77
-%\check
-\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
-\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
-% mesure 78
-%\check
-\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
-\temps\notes|\dboqh3ij\enotes
-\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
-% mesure 79
-\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
-\temps\notes|\dboqh3hi\enotes
-\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
-%\check
-% mesure 80
-\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
-\temps\notes|\dboqh3gh\enotes
-\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
-% mesure 81
-\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
-\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
-%\check
-%mesure 82
-\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
-\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
-\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
-% mesure 83
-\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
-\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
- |\zq{mp}\qsoqb0kijk\enotes
-% \check
-% mesure 84
-\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
-\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
-% \check
-% mesure 85
-\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
-\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
-\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
-\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
-% mesure 86
-\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
-\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
-% mesure 87
-\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
-\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
-% mesure 88
-\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
-\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
-%\check
-% mesure 89
-\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes
-\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
-%\check
-% mesure 90
-\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes
-\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes
-% mesure 91
-%\check
-\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
-\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes
-%\check
-% mesure 92
-\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
-\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
-\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
-\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-%\check
-% mesure 93
-\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
-\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre
- \ppff \fff}\zq M\cu f|\zq m\cl t\enotes
-\znotes|\zbreath\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs
-\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
-% mesure 94
-\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
-%\check
-% mesure 95
-\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
-%\check
-% mesure 96
-\autolines 95{\lppage}\relax
-\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
-%\check
-% mesure 97
-\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
-%\check
-% mesure 98
-\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
-\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
-%\check
-% mesure 99
-\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
-\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
-%\check
-% mesure 100
-\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
-\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
-%\check
-% mesure 101
-\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes
-\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
-%\check
-% mesure 102
-\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
-\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\cbreath\enotes
-% mesure 103
-\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
-\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
-\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
-%\check
-% mesure 104
-\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
-\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
-\temps\notes\Ilegu0f\dqb3bc\enotes
-%\check
-% mesure 105
-\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes
-\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
-% mesure 106
-\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
-\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
-\temps\notes\Ilegu0f\dqb3Na|\enotes
-%\check
-% mesure 107
-\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
-\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
-%\check
-% mesure 108
-\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
-\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
-\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
-% mesure 109
-%\check
-\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
- |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
-\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
-% mesure 110
-\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes
-\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
-\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
-%\check
-% mesure 111
-\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
-\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
-\temps\notes|\Ilegl0b\dqh3fg\enotes
-% mesure 112
-\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
-\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes
-\temps\notes|\Ilegl0b\dqh3ij\enotes
-% mesure 113
-\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
-\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
-% mesure 114
-\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
-\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
-\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
-% mesure 115
-\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
-\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
-%\check
-% mesure 116
-\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
-\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
-\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs
-%\check
-% mesure 117
-\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
- |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
- \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
- \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
-%\check
-\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
-\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
-%
-\advance\linesinpage by 1\relax
-%
-\motif acf\temps\motif bdg\relax
-% mesure 118
-\barre\motif cfh\temps\motif acf\relax
-% mesure 119
-\barre\motif bdg\temps\motif cfh\relax
-% mesure 120
-\barre\motif dgi\temps\motif bdg\relax
-% mesure 121
-\barre\motif cfh\temps\motif dgi\relax
-% mesure 122
-\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
-% mesure 123
-\barre\motif dfi\temps\motif fhj\relax
-% mesure 124
-\barre\motif fik\temps\motif dfi\relax
-\generalmeter{\meterfrac 54}\relax\changecontext
-\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
-% mesure 125
-%\check
-\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
-\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
-\notes{\advance\transpose by -7\relax
-\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
-\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
-\notes|{\advance\transpose by 7\relax
-\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
-\notes|{\advance\transpose by 14\relax
-\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
-%\check
-\motif {=e}gjegj\relax
-% mesure 126
-\barre\motif fhjfhj\relax
-% mesure 127
-\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
-\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
-\notes{\advance\transpose by -7\relax
-\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
-\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
-\notes|{\advance\transpose by 7\relax
-\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
-\notes|{\advance\transpose by 14\relax
-\tbl1\zq g\lq i\qb1j}\enotes
-%\check
-% mesure 128
-\barre\motif fikfik\relax
-% mesure 129
-\barre\motif gi{=l}gil\relax
-% mesure 130
-\generalmeter{\allabreve}\changecontext
-%
-\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
-\sforz x\zh{j=ln}\hu q\enotes
-\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
-% mesure 131
-\transpose=0\relax\alaligne
-%\autolines 95{\lppage}\relax
-\notes\rlap{\bohu F}%
-\ifx\mxversion\undefined\Ilegu0g\else\isluru0h\fi\qqh3MNab\relax
-|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes
-\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
-% mesure 132
-%\check
-\Invertslur0\relax
-\barre\notes
- \bohu L|\qqb0edef\enotes
-\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
-% mesure 133
-\barre\Notes\bohu H\ifx\mxversion\undefined\Tleg0\relax
- \else\tslur0b\relax
- \fi|\hl c\enotes
-\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
-\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
-% mesure 134
-%\check
-\barre\notes\bohu J|\qqb5{=e}gkj\enotes
-\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
-% mesure 135
-\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
-\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
-%\check
-% mesure 136
-\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes
-\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
-%\check
-% mesure 137
-\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
-\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
-% mesure 138
-%\check
-\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
-\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
-%\check
-% mesure 139
-\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
-\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
-%\check
-% mesure 140
-\barre\autolines {17}4{\lppage}\relax\bigaccid
-\ifx\mulooseness\undefined\else\mulooseness=-2\fi
-\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
- \hbox{\it e crescendo}}}\soupir|\soupir\enotes
-%\check
-\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
-%\check
-\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
- |\qsk\sk\rlap{\soqb{#1}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
-\tbl0\soqb{#4}}\enotes
-}% fin motif
-%\check
-\temps\motif hfgh\relax
-%\check
-% mesure 141
-\autolines {18}4{\lppage}\relax
-\barre\motif ighi\temps\motif jhij\nspace
-% mesure 142
-\barre\motif kjik\temps\motif jihj\nspace
-% mesure 143
-\barre\motif ihgi\temps\motif hgfh\nspace
-%\check
-% mesure 144
-\barre\motif gf{=e}g\temps\motif ffgh\relax
-% mesure 145
-\barre\motif ighi\temps\motif jhij\nspace
-% mesure 146
-\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace
-% mesure 147
-\barre\motif m{_l}{_k}j\temps\motif iijk\nspace
-% mesure 148
-\barre\motif lkji\temps\motif hhij\relax
-% mesure 149
-\barre\motif kjik\relax
-%\check
-\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
-\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
-\tbl0\soqb{#8}}\enotes}% fin motif
-%\check
-\temps\motif j{^j}{=k}{^k}jjjj\nspace
-% mesure 150
-\barre\motif {=l}{_l}{=k}{_k}jjjj\relax
-\temps\motif jihgjj{=k}{=l}\nspace
-% mesure 151
-\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax
- |\pointdorgue u\zh{=oq}\sohl m\enotes
-%\check
-\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip
-\centerline{a piacere }\centerline{%
-quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
-\transpose=-7\relax
-%
-\ifx\mulooseness\undefined\else\mulooseness=0\fi
-\Notes\charnote C{\ppff f}\dqh8FJ\enotes
-%
-%
-% mesure 152
-%
-\varaccid
-\def\motif{}%
-\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
-\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
-\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
-\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
-\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
-\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
-%\check
-\transpose=0\relax
-\barre\autolines {25}2{\lppage}\relax
-\notes\motifh8FHJMac\enotes
-\temps\notes|\motifb8fhjmoq\enotes
-%\check
-% mesure 153
-\barre\notes|\motifb{-6}t{=s}tqom\enotes
-\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes
-\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
-\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\temps\notes\motifh{-4}JHF{=E}FC\enotes
-\transpose=-7\relax
-\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 154
-\barre
-\transpose=-7\relax
-\notes\motifh8FIKMbd\enotes
-\temps\notes|\motifh8fikmpr\enotes
-\transpose=7\relax
-\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
-%\check
-% mesure 155
-\transpose=0\relax
-\barre\notes|\motifb{-6}t{=s}trpm\enotes
-\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes
-\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
-\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\temps\notes\motifh{-4}KIF{=E}FD\enotes
-\transpose=-7\relax
-\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 156
-\transpose=-7\relax
-\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
-\temps\notes|\motifH8fj{_l}mq{_s}\enotes
-\transpose=7\relax
-\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
-%\check
-% mesure 157
-\transpose=0\relax
-\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
-\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
-\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
-\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
-\transpose=-7\relax
-\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 158
-\def\motif{}%
-\def\motifb{}%
-\def\motifh{}%
-%\normal
-\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
-\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
-\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
-\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
-\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
-%\check
-\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
-% mesure 159
-\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
-\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
-\barre
-\autolines {27}2{\lppage}\relax
-\notes\souffldim|\motifa\enotes
-\notes|\motifb\enotes
-\transpose=0\relax
-\temps\notes|\motifa\enotes
-\notes|\motifb\enotes
-\transpose=-7\relax
-\temps\notes|\motifa\enotes
-\notes\motifb\enotes
-\transpose=-14\relax
-\temps\notes\motifa\enotes
-\notes\motifb\enotes
-\transpose=-21\relax
-\temps\notes\motifa\enotes
-\notes\motifb\enotes
-%\check
-% mesure 160
-\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
-\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
-\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
-\notes|\transpose=7\qb0M\tqb0N\enotes
-\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
-\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
-%
-% mesure 161
-% sixte et quinte inferieures
-\transpose=0\relax
-\def\motifb{}\def\motifh{}\def\motifH{}%
-\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
-\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
-\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\generalmeter{\meterfrac 44}\changecontext
-\autolines {25}2{\lppage}\relax
-\def\serre{\def\scalenoteskip{0.8}}\serre
-\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
-\transpose=0\relax
-\temps\notes|\octline r\motif\enotes
-\temps\notes\souffldim|\motif\enotes
-\temps\notes\hpause|\motif\enotes
-\temps\notes|\motif\enotes
-%
-%
-\temps\notes\soupir|\motif\enotes
-\temps\notes\zmidtwotext{\ppff p}|\motif\enotes
-\temps\notes\Ibu0fg4\bsqh f|\motif\enotes
-\notes\tbsqh g|\motif\enotes
-% mesure 162
-\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
-\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
- |\Motif onmj\enotes
-\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
-% mesure 163
-%\check
-\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
-\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
- |\octline t\Motif qpom\enotes
-\autolines {23}2{\lppage}\relax
-\temps\notes\Ibu0jh4\bsqh k|\motif rqpm\enotes
-\notes\tbsqh i|\motif rqpm\enotes
-\temps\notes\Ibu0ig4\bsqh j|\motif qpom\enotes
-\notes\tbsqh h|\motif qpom\enotes
-%\check
-% mesure 164
-\generalmeter{\meterfrac 34}\changecontext
-\notes\Ibu0hf4\zq d\qh0i|\motif pon{=l}\enotes
-\notes\tbsqh g|\motif ponl\enotes
-\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
-%\check
-% mesure 165
-\generalmeter{\meterfrac 44}\changecontext
-\autolines {26}2{\lppage}\relax
-\notes\Ibu0hf4\bsqh i|\octline t\motif ponk\enotes
-\notes\tbsqh g|\motif ponk\enotes
-\temps\notes\Ibu0ge4\bsqh h|\motif onmj\enotes
-\notes\tbsqh f|\motif onmj\enotes
-\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes
-%\check
-% mesure 166
-\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes
-\notes\bsqh g|\motif nmli\enotes
-\notes\bsqh f|\motif onmj\enotes
-\notes\tbsqh h|\motif onmj\enotes
-\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes
-\notes\bsqh i|\motif ponk\enotes
-\notes\bsqh h|\motif qpo{_l}\enotes
-\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes
-%\check
-% mesure 167
-\generalmeter{\meterfrac 34}%
-\changecontext\autolines {25}2{\lppage}\noautolines\serre
-\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes
-\notes\bsqh j|\motif qpom\enotes
-\notes\bsqh i|\motif rqpm\enotes
-\notes\tbsqh k|\motif rqpm\enotes
-\temps\notes\Ibu0jl4\bsqh j|\motif srqm\enotes
-\Notes\fl g\tbsqh l|\multnoteskip{.8}\motif srqm\enotes
-%
-% mesure 168
-\generalmeter{\meterfrac 44}\changecontexte
-\Notes\zq f\qu k\sk\Ibu0ik1\bsqh i\tbsqh k|\Motif rqpm\enotes
-\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
-%
-% mesure 169
-\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
-\autolines{11}5{\lppage}\noautolines
-\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes
-% mesure 170
-\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
-\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes
-% mesure 171
-\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
-f|\na o\Motif onmj\enotes
-\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
-f|\Motif p{_o}nk\enotes
-%\check
-% mesure 172
-\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
-g|\Motif ponk\enotes
-\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
-h|\Motif qpom\enotes
-% mesure 173
-\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
-\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
-\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes
- \suspmorceau
-\eject
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% finale %
-\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
-% mesure 200
-\linesinpage=0\relax
-\barno=200\relax\autolines 95{\lppage}\relax
-\generalmeter{\allabreve}\reprmorceau
-\savemeters\saveclefs
-\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
-a tempo primo, con molta delicatezza}\soupir\enotes
-\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
-% mesure 201
-\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
-\temps\notes|\Ilegl0d\dqh3ij\enotes
-% mesure 202
-\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
-%\check
-% mesure 203
-\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
-\temps\notes|\Ilegl0d\dqh3gh\enotes
-%\check
-% mesure 204
-\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 205
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes|\Ilegu0r\dqh3gh\enotes
-% mesure 206
-\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
-\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
-% mesure 207
-\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegu0t\dqh3jk\enotes
-% mesure 208
-\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
-\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
-% mesure 209
-\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
- \ibl0m0\qb0{=o=lm}\tqb0n\enotes
-\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
-%\check
-% mesure 210
-\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
-\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
-\temps\notes|\Ilegu0s\dqb4pr\enotes
-% mesure 211
-\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs
-\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
-% mesure 212
-\generalmeter{\meterfrac 32}\changecontexte
-\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
-\temps\notes|\Ilegu0r\dqb3no\enotes
-\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
-\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
-%\check
-% mesure 213
-\generalmeter{\allabreve}\changecontexte
-\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
-\temps\Notes\boqu M|\Tleg0\hl m\enotes
-\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
-%\check
-% mesure 214
-\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes
-\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
-%\check
-% mesure 215
-\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
-\temps\notes\Ilegu0d\dqb3Na\enotes
-\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
-\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes
-\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
-% mesure 217
-\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
-\cleftoksi={{6}{6}{0}{0}}\changeclefs
-\notes|\Ilegu0j\dqh3Na\enotes
-\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
-% mesure 218
-\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
-\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
-\temps\notes|\Ilegu0h\dqh3bc\enotes
-%\check
-% mesure 219
-\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
-\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
-%\check
-% mesure 220
-\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
-\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
-\temps\notes|\Ilegu0h\dqh3Na\enotes
-% mesure 221
-\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax
- |\rlap{\hl K}\qqh0baNb\enotes
-\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
-% mesure 222
-%\check
-\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
-\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
-% mesure 223
-\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk
-\itenu2a\itenu3c\zq a\cu c\qsk\enotes
-\NOtes\pointdorgue a\bohu F\relax
- |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
-\finmorceau \rightline{\sl \aujourdhui}
-\eject\bye
-
-
-\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex
deleted file mode 100644
index 6edf5faa51c..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex
+++ /dev/null
@@ -1,1113 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-%
-\parindent 12mm
-%
-\title{Pacifique}
-\shortauthor{D. Taupin}
-\fullauthor{Daniel TAUPIN\\\`a Christiane}
- \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
-janvier 1990}
-\maketitle
-
-\tracingstats=2\relax
-%
-\nbporteesi=2\relax
-\def\nbinstruments{1}
-\global\cleftoksi={{6}{0}{0}{0}}%
-\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
-\def\noteskipLarge{\def\scalenoteskip{1.2}}%
-\def\noteskiplarge{\def\scalenoteskip{1.1}}%
-\def\noteskipnormal{\def\scalenoteskip{1.0}}%
-%
-\signaturegenerale{-4}\relax % quatre bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{Piano}
-%\check
-\generalmeter{\allabreve}
-\normal\noteskipLarge
-\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
-\def\gluemaxskip{6pt}%
-%
-% formes frequentes
-%
-%au moins deux croches basses et hautes
-\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%au moins quatre croches basses et hautes
-\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
-\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
-\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
-\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
-% octave basse en blanche
-\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
-\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
-\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
-\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
-%
-% octave sup. en croches u
-\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
-\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
-\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
-\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
-\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
-\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
-%\check
-\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
- \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
-\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
-%\check
-\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
-%\check
-% octave inf. en croches u
-\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
-\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
-\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
-\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
-%\check
-\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
- \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
-\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
-%\check
-%
-\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes}
-\def\Arpg#1#2{\vnotes 0.2\elemskip
- \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
-\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes}
-\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff
- \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes}
-%
-% soufflets crescendo
-%
-\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
-\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
-%
-\def\interfacteur{11}%
-\computewidths
-\staffbotmarg=5\Interligne
-%
-\debutmorceau
-%
-\noteskipLarge
-\hyphenpenalty -50\relax
-\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
-\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
-\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
-\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
-\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
-% mesure 2
-\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
-\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
-% mesure 3
-\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
-% mesure 4
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 5
-\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes
-% mesure 6
-\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
-\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
-% mesure 7
-\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
-\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
-% mesure 8
-\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
-\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
-% mesure 9
-\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
-\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
-% mesure 10
-\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
-\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
-% mesure 11
-\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegl0d\dqh3gh\enotes
-% mesure 12
-\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 13
-\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
-% mesure 14
-\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
- |\zq g\qqh0ighi\enotes
-\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
-% mesure 15
-\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
-\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
-% mesure 16
-\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
-\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
-% mesure 17
-\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes
-\temps\notes|\Ilegu0q\dqh3ij\enotes
-\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
-% mesure 18
-\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
-\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
-% mesure 19
-\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
-\temps\notes|\Ilegu0p\dqh3gh\enotes
-\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
-% mesure 20
-\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
-\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
-% mesure 21
-\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
-\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
- |\soupir\uptext{\ppff p}\enotes
-\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
-% mesure 22
-\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
-\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
-% mesure 23
-\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
-\temps\notes\Ilegu0d\dqb4bd|\enotes
-\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
-% mesure 24
-\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
-\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
-% mesure 25
-\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
-\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3Na|\enotes
-% mesure 26
-\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
- |\zh{gi_l}\hu n\enotes
-\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
-% mesure 27
-\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
-\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
-%\check
-% mesure 28
-\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
-\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
-% mesure 29
-\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
-\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
-% mesure 30
-\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
-\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
-%\check
-% mesure 31
-\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
-\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
-%\check
-%mesure 32
-\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3bc|\enotes
-\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
-%
-% mesure 33
-% changement d'espacement
-\def\interfacteur{12}%
-\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
-\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
-\temps\notes\Ilegl0F\dqb3bc|\enotes
-% mesure 34
-\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
-\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
-% mesure 35
-\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
-\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
-% mesure 36
-\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
-\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
-\temps\arpg K5\relax
-\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
- |\qsoqb0hfgh\enotes
-%\check
-% mesure 37
-\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
-%\check
-% mesure 38
-\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
-%\check
-% mesure 39
-\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
-%\check
-% mesure 40
-\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
-\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
-\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
-%\check
-% mesure 41
-\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
-\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
-%check
-% mesure 42
-\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
-\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
-%check
-% mesure 43
-\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
-\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
-\temps\notes|\Ilegu0t\dsoqb3jk\enotes
-%\check
-% mesure 44
-\advancebottom{\Interligne}\relax
-\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
-\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
-\temps\notes|\Ilegu0r\dsoqb3gh\enotes
-%\check
-% mesure 45
-\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
-%check
-% mesure 46
-\def\sfql#1{\usf{#1}\ql{#1}}%
-\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
-\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
-\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax
- \ifx\mxversion\undefined\Ilegu0s\relax
- \else\Ilegu0q\relax
- \fi
- \dsoqb3fg\enotes
-%\check
-% mesure 47
-\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
-\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
-%\check
-% mesure 48
-\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
-\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
-%\check
-% mesure 49
-\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
-\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
-%\check
-% mesure 50
-\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
-\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
-%\check
-% mesure 51
-\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
-\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax
- \ifx\mxversion\undefined\Tleg0\relax
- \else\tslur0o\relax
- \fi
- \zq{fhj}\ql m\enotes
-\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
-%\check
-% mesure 52
-\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
-\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
-%\check
-% mesure 53
-\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
-\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
-%\check
-% mesure 54
-\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
-\advancebottom{-\Interligne}\relax \def\interfacteur{10}%
-\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes
-\temps\uarpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
-% mesure 55
-\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
-\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
-%\check
-%mesure 56
-\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
-\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
-\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
-%\check
-% mesure 57
-\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
-\temps\notes\dsoqb3JK|\enotes
-\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
-%\check
-% mesure 58
-\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
-\temps\notes\dsoqb3IJ|\enotes
-\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
-%\check
-% mesure 59
-\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
-\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
-%\check
-% mesure 60
-\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
-\temps\notes\dsoqb3GH|\enotes
-\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
- |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
-% mesure 61
-%\check
-\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
-\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
-%\check
-%mesure 62
-\def\interfacteur{9}%
-\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
- |\zq{moq}\ql t\cbreath\enotes
-\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
-%\check
-% mesure 63
-\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
-%\check
-% mesure 64
-\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
-%\check
-% mesure 65
-%
-\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegu0q\dqh3gh\enotes
-%\check
-% mesure 66
-\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
-\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
-%\check
-% mesure 67
-\barre\arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
-\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
-\cleftoksi={{6}{6}{0}{0}}%
-\changeclefs\nspace
-\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else
- \Ilegu0d\fi
- \dqb3MN\enotes
-%\check
-% mesure 68
-\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
-\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
-\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
- |\qqB0aMNa\enotes
-\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
-% mesure 69
-%\check
-\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
-\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
-%\check
-% mesure 70
-\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
-\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
-%\check
-% mesure 71
-\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
-\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
-%\check
-% mesure 72
-\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
-\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
-%\check
-% mesure 73
-\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
-\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
-%
-% mesure 74
-\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax
- \else\tslur0b\fi
- \ql a\sk\enotes
-\temps\notes|\Ilegu0d\dqb3Na\enotes
-\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
-%\check
-% mesure 75
-\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
-\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
-%\check
-% mesure 76
-\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax
- |\Tleg0\ql M\enotes
-\cleftoksi={{6}{0}{0}{0}}%
-\changeclefs\def\interfacteur{11}%
-\advancebottom{\Interligne}\relax
-\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
-\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
-% mesure 77
-%\check
-\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
-\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
-% mesure 78
-%\check
-\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
-\temps\notes|\dboqh3ij\enotes
-\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
-% mesure 79
-\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
-\temps\notes|\dboqh3hi\enotes
-\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
-%\check
-% mesure 80
-\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
-\temps\notes|\dboqh3gh\enotes
-\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
-% mesure 81
-\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
-\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
-%\check
-%mesure 82
-\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
-\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
-\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
-% mesure 83
-\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
-\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
- |\zq{mp}\qsoqb0kijk\enotes
-% \check
-% mesure 84
-\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
-\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
-% \check
-% mesure 85
-\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
-\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
-\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
-\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
-% mesure 86
-\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
-\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
-% mesure 87
-\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
-\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
-% mesure 88
-\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
-\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
-%\check
-% mesure 89
-\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax
- \ifx\mxversion\undefined\octsup v9\relax
- \else \ioctfinup v\relax
- \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes
-\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
-%\check
-% mesure 90
-\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax
- \ifx\mxversion\undefined\octfin v9\fi
- \zq{=ln}\qsoqb{-2}iig{=e}\enotes
-\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax
- \ifx\mxversion\undefined\else\toctfin\fi
- \enotes
-% mesure 91
-%\check
-\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
-\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes
-%\check
-% mesure 92
-\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
-\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
-\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
-\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
-\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
-%\check
-% mesure 93
-\barre\noteskipLarge\def\scalenoteskip{1.05}\relax
-\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi
- \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
-\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs
-\staffbotmarg=3\Interligne\def\interfacteur{11}%
-\zalapage\notes\midtwotext{\kern -6mm\it sempre
- \ppff \fff}\enotes
-\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi
- \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
-% mesure 94
-\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
-%\check
-% mesure 95
-\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
-%\check
-% mesure 96
-\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
-%\check
-% mesure 97
-\alaligne\noteskipLarge
-\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi
- \qsoqb0gf{=e}g\enotes
-\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
-%\check
-% mesure 98
-\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
-\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
-%\check
-% mesure 99
-\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
-\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
-%\check
-% mesure 100
-\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
-\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
-%\check
-% mesure 101
-\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi
- \qsoqb0ihgi\enotes
-\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
-%\check
-% mesure 102
-\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
-\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax
- \ifx\mxversion\undefined\else\toctfin\fi \enotes
-% mesure 103
-\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
-\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
-\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
-%\check
-% mesure 104
-\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
-\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
-\temps\notes\Ilegu0f\dqb3bc\enotes
-%\check
-% mesure 105
-\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes
-\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
-% mesure 106
-\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
-\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
-\temps\notes\Ilegu0f\dqb3Na|\enotes
-%\check
-% mesure 107
-\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
-\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
-%\check
-% mesure 108
-\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
-\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
-\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
-% mesure 109
-\advancebottom{-2\Interligne}%
-%\check
-\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
- |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
-\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
-% mesure 110
-\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi
- \qu a\sk\enotes
-\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
-\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
-%\check
-% mesure 111
-\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
-\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
-\temps\notes|\Ilegl0b\dqh3fg\enotes
-% mesure 112
-\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
-\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes
-\temps\notes|\Ilegl0b\dqh3ij\enotes
-% mesure 113
-\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
-\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
-% mesure 114
-\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
-\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
-\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
-% mesure 115
-\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
-\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
-%\check
-% mesure 116
-\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
-\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
-\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs %\check
-% mesure 117
-\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
- |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
- \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
- \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
-%\check
-\staffbotmarg=5\Interligne
-\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
-\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
-\motif acf\temps\motif bdg\relax
-% mesure 118
-\barre\motif cfh\temps\motif acf\relax
-% mesure 119
-\barre\motif bdg\temps\motif cfh\relax
-% mesure 120
-\barre\motif dgi\temps\motif bdg\relax
-% mesure 121
-\alaligne\motif cfh\temps\motif dgi\relax
-% mesure 122
-\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
-% mesure 123
-\xbarre\motif dfi\temps\motif fhj\relax
-% mesure 124
-\xbarre\motif fik\temps\motif dfi\relax
-\generalmeter{\meterfrac 54}\relax\lchangecontext
-\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
-% mesure 125
-%\check
-\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
-\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
-\notes{\advance\transpose by -7\relax
-\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
-\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
-\notes|{\advance\transpose by 7\relax
-\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
-\notes|{\advance\transpose by 14\relax
-\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
-%\check
-\noteskipLarge\relax
-\motif {=e}gjegj\relax
-% mesure 126
-\xbarre\motif fhjfhj\relax
-% mesure 127
-\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
-\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
-\notes{\advance\transpose by -7\relax
-\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
-\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
-\notes|{\advance\transpose by 7\relax
-\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
-\notes|{\advance\transpose by 14\relax
-\tbl1\zq g\lq i\qb1j}\enotes
-%\check
-% mesure 128
-\alaligne\motif fikfik\relax
-% mesure 129
-\xbarre\motif gi{=l}gil\relax
-% mesure 130
-\generalmeter{\allabreve}\changecontext
-\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
-\sforz x\zh{j=ln}\hu q\enotes
-\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
-% mesure 131
-\noteskipLarge\transpose=0\relax\barre
-\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi
- \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen
- tempo I$^{\bf o}$}\enotes
-\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
-% mesure 132
-\ifx\mxversion\undefined
- \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}%
-\else
- \def\atnextline{\Invertslur0\relax}%
-\fi
-%\show\Invertslur
-%\show\liftslur
-\alaligne\notes\bohu L|\qqb0edef\enotes
-\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
-% mesure 133
-\barre\Notes\ifx\mxversion\undefined\Tleg0\else\tslur0L\fi
- \bohu H|\hl c\enotes
-\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
-\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
-% mesure 134
-%\check
-\barre\notes\bohu J|\qqb5{=e}gkj\enotes
-\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
-% mesure 135
-\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
-\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
-%\check
-% mesure 136
-\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk
- \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes
-\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
-%\check
-% mesure 137
-\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
-\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
-% mesure 138
-%\check
-\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
-\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
-%\check
-% mesure 139
-\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
-\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
-%\check
-% mesure 140
-\alaligne\noteskiplarge\bigaccid
-\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
- \hbox{\it e crescendo}}}\soupir|\soupir\enotes
-%\check
-\noteskipnormal\def\scalenoteskip{0.75}\relax
-\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
-%\check
-\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
- |\qsk\sk\rlap{\soqb{#1}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
-\tbl0\soqb{#4}}\enotes
-}% fin motif
-%\check
-\temps\motif hfgh\relax
-%\check
-% mesure 141
-\xbarre\motif ighi\temps\motif jhij\relax
-% mesure 142
-\xbarre\motif kjik\temps\motif jihj\relax
-% mesure 143
-\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax
-%\check
-% mesure 144
-\xbarre\motif gf{=e}g\temps\motif ffgh\relax
-% mesure 145
-\xbarre\motif ighi\temps\motif jhij\relax
-% mesure 146
-\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax
-% mesure 147
-\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax
-% mesure 148
-\xbarre\motif lkji\temps\motif hhij\relax
-% mesure 149
-\alaligne\motif kjik\relax
-%\check
-\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
-\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
-\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
-\tbl0\soqb{#8}}\enotes}% fin motif
-%\check
-\temps\motif j{^j}{=k}{^k}jjjj\relax
-% mesure 150
-\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax
-\temps\motif jihgjj{=k}{=l}\relax
-% mesure 151
-\noteskipLarge\varaccid
-\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax
- |\pointdorgue u\zh{=oq}\sohl m\enotes
-%\check
-\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip
-\centerline{a piacere
-}\centerline{%
-quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
-\transpose=-7\relax
-%
-\staffbotmarg=3\Interligne
-\Notes\charnote C{\ppff f}\dqh8FJ\enotes
-%
-%
-% mesure 152
-%
-\def\motif{}%
-\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
-\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
-\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
-\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
-\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
-\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
-%\check
-\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax
-\transpose=0\relax
-\alapage\notes\motifh8FHJMac\enotes
-\temps\notes|\motifb8fhjmoq\enotes
-%\check
-% mesure 153
-\barre\notes|\motifb{-6}t{=s}tqom\enotes
-\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes
-\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
-\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\zbarre\notes\motifh{-4}JHF{=E}FC\enotes
-\transpose=-7\relax
-\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 154
-\alaligne
-\transpose=-7\relax
-\notes\motifh8FIKMbd\enotes
-\zbarre\notes|\motifh8fikmpr\enotes
-\transpose=7\relax
-\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
-%\check
-% mesure 155
-\transpose=0\relax
-\barre\notes|\motifb{-6}t{=s}trpm\enotes
-\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes
-\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
-\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\zbarre\notes\motifh{-4}KIF{=E}FD\enotes
-\transpose=-7\relax
-\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 156
-\transpose=-7\relax
-\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
-\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes
-\transpose=7\relax
-\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
-%\check
-% mesure 157
-\transpose=0\relax
-\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
-\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
-\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
-\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
-\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
-\transpose=-7\relax
-\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
-%\check
-% mesure 158
-\def\motif{}%
-\def\motifb{}%
-\def\motifh{}%
-\noteskipnormal
-\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
-\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
-\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
-\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
-\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
-%\check
-\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
-% mesure 159
-\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
-\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
-\barre\notes\souffldim|\motifa\enotes
-\notes|\motifb\enotes
-\transpose=0\relax
-\zbarre\notes|\motifa\enotes
-\notes|\motifb\enotes
-\transpose=-7\relax
-\zbarre\notes|\motifa\enotes
-\notes\motifb\enotes
-\transpose=-14\relax
-\zbarre\notes\motifa\enotes
-\notes\motifb\enotes
-\transpose=-21\relax
-\zbarre\notes\motifa\enotes
-\notes\motifb\enotes
-%\check
-% mesure 160
-\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
-\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
-\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
-\notes|\transpose=7\qb0M\tqb0N\enotes
-\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
-\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
-%
-% mesure 161
-% sixte et quinte inferieures
-\transpose=0\relax
-\def\motifb{}\def\motifh{}\def\motifH{}%
-\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
-\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
-\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne
-\def\serre{\def\scalenoteskip{0.8}}\serre
-\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
-\transpose=0\relax
-\def\atnextline{\serre}\relax
-\ifx\mxversion\undefined
- \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax
-\fi
-\zalapage
-\ifx\mxversion\undefined\else
- \znotes|\ioctfinup t\enotes
-\fi
-\notes|\motif\enotes
-\zbarre\notes\souffldim|\motif\enotes
-\zbarre\notes\hpause|\motif\enotes
-\zbarre\notes|\motif\enotes
-%
-%
-\temps\notes\soupir|\motif\enotes
-\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes
-\zbarre\notes\ibu0f1\bsqh f|\motif\enotes
-\notes\tbsqh g|\motif\enotes
-% mesure 162
-\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
-\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
- |\Motif onmj\enotes
-\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
-% mesure 163
-%\check
-\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
-\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
- |\Motif qpom\enotes
-\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes
-\notes\tbsqh i|\motif rqpm\enotes
-\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes
-\notes\tbsqh h|\motif qpom\enotes
-%\check
-% mesure 164
-\generalmeter{\meterfrac 34}\changecontext
-\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
-\notes\tbsqh g|\motif ponl\enotes
-\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
-%\check
-% mesure 165
-\generalmeter{\meterfrac 44}\changecontext\serre
-\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes
-\Notes\tbsqh g|\motif ponk\enotes
-\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes
-\Notes\tbsqh f|\motif onmj\enotes
-\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes
-%\check
-% mesure 166
-\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes
-\notes\bsqh g|\motif nmli\enotes
-\notes\bsqh f|\motif onmj\enotes
-\notes\tbsqh h|\motif onmj\enotes
-\notes\ibu0i1\bsqh g|\motif ponk\enotes
-\notes\bsqh i|\motif ponk\enotes
-\notes\bsqh h|\motif qpol\enotes
-\notes\tbu0\bsqh j|\motif qpol\enotes
-%\check
-% mesure 167
-\generalmeter{\meterfrac 34}%
-\changecontext\notes\ibu0j1\bigna h\bsqh h\relax
-|\motif qp{=o}m\enotes
-\notes\bsqh j|\motif qpom\enotes
-\notes\bsqh i|\motif rqpm\enotes
-\notes\tbsqh k|\motif rqpm\enotes
-\notes\ibu0j1\bsqh j|\motif srqm\enotes
-\notes\bigfl g\tbsqh l|\motif srqm\enotes
-%
-% mesure 168
-\generalmeter{\meterfrac 44}\changecontexte
-\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
-\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
-%
-% mesure 169
-\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
-\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|
-\Motif onmj\enotes
-% mesure 170
-\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
-\temps\Notes\zh a\hu f|\Motif onmj\enotes
-%\check
-% mesure 171
-\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
-f|\na o\Motif onmj\enotes
-\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
-f|\Motif p{_o}nk\enotes
-%\check
-% mesure 172
-\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
-g|\Motif ponk\enotes
-\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
-h|\Motif qpom\enotes
-% mesure 173
-\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
-\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
-\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes
-\suspmorceau\def\everystaff{}\relax
-\eject
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% finale %
-\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
- \eject\staffbotmarg=3\Interligne\relax
-\def\interfacteur{11}%
-\def\scalenoteskip{1.0}%
-% mesure 200
-\barno=200\relax
-\generalmeter{\allabreve}\reprmorceau
-\savemeters\noteskipLarge\saveclefs
-\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
-a tempo primo, con molta delicatezza}\soupir\enotes
-\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
-% mesure 201
-\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
-\temps\notes|\Ilegl0d\dqh3ij\enotes
-% mesure 202
-\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
-%\check
-% mesure 203
-\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
-\temps\notes|\Ilegl0d\dqh3gh\enotes
-%\check
-% mesure 204
-\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
-\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
-% mesure 205
-\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
-\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
-\temps\notes|\Ilegu0r\dqh3gh\enotes
-% mesure 206
-\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
-\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
-% mesure 207
-\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
-\cleftoksi={{0}{0}{0}{0}}\changeclefs
-\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
-\temps\notes|\Ilegu0t\dqh3jk\enotes
-% mesure 208
-\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
-\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
-% mesure 209
-\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
- \ibl0m0\qb0{=o=lm}\tqb0n\enotes
-\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
-%\check
-% mesure 210
-\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
-\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
-\temps\notes|\Ilegu0s\dqb4pr\enotes
-% mesure 211
-\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
-\cleftoksi={{6}{0}{0}{0}}\changeclefs
-\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
-% mesure 212
-\generalmeter{\meterfrac 32}\changecontexte
-\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
-\temps\notes|\Ilegu0r\dqb3no\enotes
-\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
-\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
-%\check
-% mesure 213
-\generalmeter{\allabreve}\changecontexte
-\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
-\temps\Notes\boqu M|\Tleg0\hl m\enotes
-\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
-%\check
-% mesure 214
-\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes
-\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
-%\check
-% mesure 215
-\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
-\temps\notes\Ilegu0d\dqb3Na\enotes
-\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
-\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes
-\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
-% mesure 217
-\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
-\cleftoksi={{6}{6}{0}{0}}\changeclefs
-\notes|\Ilegl0E\dqh3Na\enotes
-\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
-% mesure 218
-\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
-\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
-\temps\notes|\Ilegl0E\dqh3bc\enotes
-%\check
-% mesure 219
-\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
-\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
-%\check
-% mesure 220
-\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
-\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
-\temps\notes|\Ilegl0F\dqh3Na\enotes
-% mesure 221
-\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax
- |\rlap{\hl K}\qqh0baNb\enotes
-\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
-% mesure 222
-%\check
-\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
-\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
-% mesure 223
-\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk
-\itenu2a\itenu3c\zq a\cu c\qsk\enotes
-\NOtes\pointdorgue a\bohu F\relax
- |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
-\finmorceau \rightline{\sl \aujourdhui}
-\eject
-\bye
-\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/praetori.tex b/Master/texmf-dist/doc/generic/musictex/praetori.tex
deleted file mode 100644
index 91b8dc1d1f2..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/praetori.tex
+++ /dev/null
@@ -1,18 +0,0 @@
-
-\resetfacteurs\advance\staffbotmarg by 2\Interligne
-\barsinline=0\relax\linesinpage=0\relax
-\def\Transpose{0}%
-\def\Signature{3}\relax % trois diezes a la clef
-\input praetorx
-\resetfacteurs\advance\staffbotmarg by 2\Interligne
-\barsinline=0\relax\linesinpage=0\relax
-\def\Transpose{-1}\relax
-\def\Signature{1}\relax % un dieze a la clef
-\input praetorx
-\resetfacteurs\advance\staffbotmarg by 2\Interligne
-\barsinline=0\relax\linesinpage=0\relax
-\def\Transpose{-2}\relax
-\def\Signature{-1}\relax % un bemol a la clef
-\input praetorx
-\bye
-
diff --git a/Master/texmf-dist/doc/generic/musictex/praetorx.tex b/Master/texmf-dist/doc/generic/musictex/praetorx.tex
deleted file mode 100644
index 86df23daf8e..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/praetorx.tex
+++ /dev/null
@@ -1,162 +0,0 @@
-\fulltitle{Dans une \'etable obscure}
-\shorttitle{Dans une \'etable obscure}
- \fullauthor{Praetorius 1571(env.) -- 1621\\Version fran\c caise d'A.
-Mahot\\Transposition Daniel Taupin}
- \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage
-priv\'e}
- \shortauthor{Praetorius}
- \maketitle
- %
-\tracingstats=1\relax
-\relativeaccidentals
-\sepbarrules
-%
-\parindent 15mm
-% soufflets crescendo et decrescendo
-%
-\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
-\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
-%
-\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
-\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
-%
-%\check
-\def\nbinstruments{3}\resetsignatures
-\barsinline=0\relax\linesinpage=0\relax
-\global\nbporteesii=0
-\global\nbporteesi=1\relax
-\global\nbporteesiii=1\relax
-\global\cleftoksi={{6}{0}{0}{0}}%
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
-\def\uppersonginstrum{3} % to be used to make heavy bars at staff left
-%
-\signaturegenerale{\Signature}%
-\generalmeter{\meterfrac{4}{4}}
-%\check
-\def\interfacteur{12}%
-\def\instrumenti{\vbox{\hsize=\parindent
-\centerline{T\'enors}\centerline{basses}}}%
-\def\instrumentiii{\vbox{\hsize=\parindent
-\centerline{Sopran.}\centerline{Altos}}}%
-%\check
-\def\instrumentii{}%
-\def\respire{\notes&&\cbreath\enotes}%
-%
-\def\eightpoint{\Tenpoint}%
-%\check
-\catcode`\@=13
-\catcodesmusic
-\def@#1|#2|#3&{&\vbox to 0pt{\vss
-\parindent 0pt\parskip 0pt\hsize=1.5\Interligne
-\centerline{\vphantom{\'EQ}#1}\centerline{\vphantom{\'EQ}#2}\relax
-\centerline{\vphantom{\'EQ}#3}\vskip -2\Interligne\vss}&}%
-%
-\debutmorceau
-\autolines 754\relax
-\transpose=\Transpose
-\notes&&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes
- %
-\znotes\zcharnote C{\ppff pp}&&\Uptext{\kern -2\Interligne
- \ppff pp \it et myst\'erieux}\enotes
-\temps\NOtes\zhl a\hu c@Dans|Tan -|Plein&\zhl h\hu l\enotes
-%\advance\barsinline by 1\relax
-%
-\barre\Notes\zql a\qu c@une|dis|d'u -&\zql h\qu l\enotes
-\temps\Notes\zql a\qu c@\'e -|que|ne&\zql h\qu l\enotes
-\temps\Notes\Soufflcr C\zql K\qu d@table|les|foi&\Soufflcr t\zql h\qu m\enotes
-\temps\Notes\zql a\qu c@obs -|Rois|pro -&\zql h\qu l\enotes
-%
-%\check
-\barre\Notes\zhl L\hu b@cu -|ma -|fon -&\zhl g\hu l\enotes
-\temps\notes\souffldim C&&\souffldim t\enotes
-\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes
-%
-%\check
-\barre\NOtes\zcharnote C{\ppff ppp}\zhl I\hu f@Sous|Tan
--|Le&\Uptext{\ppff ppp}\zhl i\hu k\enotes
-\temps\Notes\zql J\qu e@le|dis|monde&\zql f\qu j\enotes
-\temps\Notes\zql K\qu d@ciel|que|est&\zql f\qu i\enotes
-%
-%\check
-\barre\NOtes\zhl L\hu c@\'e -|les|\`a&\zhl e\hu h\enotes
-\temps\NOtes\zhl L\hu b@toi -|ber -|ge -&\zhl e\hu g\enotes
-%
-%\check
-\barre\NOtes\pointdurgue C\zhl H\hu c@l\'e !|gers|noux !&\pointdorgue m\zhl e\hu h\enotes
-\temps\NOtes\zhl a\hu c@Et|Lui|Toi&\zhl h\hu l\enotes
-%
-\barre\Notes\zql a\qu c@d'u -|por|sou -&\zql h\qu l\enotes
-\temps\Notes\zql a\qu c@ne|tent|ve -&\zql h\qu l\enotes
-\temps\Notes\Soufflcr C\zql K\qu d@Vier -|leurs|rain&\Soufflcr t\zql h\qu m\enotes
-\temps\Notes\zql a\qu c@ge|hom -|du&\zql h\qu l\enotes
-%
-%\check
-\barre\Notes\zhl L\hu b@pu -|ma -|mon -&\zhl g\hu l\enotes
-\temps\notes\souffldim C&&\souffldim t\enotes
-\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes
-%
-%\check
-\barre\NOtes\zcharnote C{\ppff p}\zhl I\hu f@Un|Por
--|\'E -&\Uptext{\ppff p}\zhl i\hu k\enotes
-\temps\Notes\zql J\qu e@doux|tons -|tends&\zql f\qu j\enotes
-\temps\Notes\zql K\qu d@Sau -|Lui|les&\zql f\qu i\enotes
-%
-%\check
-\barre\NOtes\zhl L\hu c@veur|nos|mains&\zhl e\hu h\enotes
-\temps\NOtes\zhl L\hu b@est|bai -|sur&\zhl e\hu g\enotes
-%
-%\check
-% \autolines 654
-\barre\NOTes\pointdurgue C\zhl H\hu c@n\'e.|sers !|nous !&\pointdorgue m\zhl e\hu h\enotes
-\Changecontext
-\temps\Notes\zcharnote C{\ppff mf}\soupir&&\uptext{\ppff mf}\soupir\enotes
-\temps\notes\zcl H\cu a@Le|Le|\^O&\zcl e\cu j\enotes%
-\temps\notes\zcl H\cu a@Sei -|Sei -|J\'e&\zcl e\cu j\enotes%
-%
-%\check
-\barre\Notes\itenl0I\itenu1c\zql I\qu M@gneur|gneur|sus---
- &\itenl3d\itenu4i\zql{^d}\qu i\enotes
-\Notes\Souffldim C\tten0\tten1\zql J\qu c&&\relax
- \tten3\tten4\Souffldim t\zql e\qu g\enotes
-\temps\Notes\zql M\qu c@J\'e -|J\'e -|tout&\zql f\qu h\enotes
-\temps\Notes\zql I\qu a@sus|sus|pe -&\zql d\qu f\enotes
-%
-%\check
-\barre\NOTes\rlap{\hlp L}\hup N@Christ|Christ|tit !&\relax
-\rlap{\hlp e}\hup e\enotes
-\temps\Notes\zcharnote C{\ppff f}\zql a\qu c\relax
- @Est|Sau -|Le&\Uptext{\ppff f}\zql h\qu l\enotes
-%
-%\check
-%\autolines 754
-\barre\Notes\zql N\qu d@n\'e|ra|monde&\zql i\qu l\enotes
-\temps\Notes\zql a\qu c@dans|bien|en -&\zql h\qu l\enotes
-\temps\Notes\zql K\qu d@u -|nous|tier&\zql h\qu m\enotes
-\temps\Notes\zql a\qu c@ne|sou -|T'ac -&\zql h\qu l\enotes
-%
-%\check
-\barre\Notes\zhl L\hu b@cr\`e -|ri -|cla -&\zhl g\hu l\enotes
-\temps\notes\souffldim C&&\souffldim t\enotes
-\temps\NOtes\zhl M\hu a@che,|re,|me,&\zhl h\hu j\enotes
-%
-%\check
-\barre\NOtes\zcharnote C{\ppff pp}\zhl I\hu f@Quand|En|Dans&\Uptext{\ppff
- pp}\zhl i\hu k\enotes
-\temps\Notes\zql J\qu e@a|cette|l'a -&\zql f\qu j\enotes
-\temps\Notes\zql K\qu d@son -|heu -|do -&\zql f\qu i\enotes
-%
-%\check
-\barre\NOtes\zhl L\hu c@n\'e|reu -|ra -&\zhl e\hu h\enotes
-\temps\Notes\itenu0d\zh E\zhl L\qu b\tten0\qu d@mi -|se|ble&\zhl e\hu g\enotes
-%
-%\check
-\barre\temps\NOtes\pointdurgue C\zh L\zhl H\hu c@nuit.|nuit.|nuit.&\relax
- \pointdorgue m\zhl e\hu h\enotes
-\temps
-\finmorceau
-\medskip\rightline{\it le \aujourdhui}
-\absoluteaccidentals
-\vfil\eject
-
-\endinput
diff --git a/Master/texmf-dist/doc/generic/musictex/prelude.tex b/Master/texmf-dist/doc/generic/musictex/prelude.tex
deleted file mode 100644
index 2f07abcc0f0..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/prelude.tex
+++ /dev/null
@@ -1,704 +0,0 @@
-\title{Pr\'elude et fugue}
-\fulltitle{\enorme VI. \titremorceau}
-\subtitle{(pour orgue)}
-\othermention{Compos\'e en 1990}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\csname titremorceautoc\endcsname
-\maketitle
-
-\parindent 18mm
-%
-\bigskip
-\centerline{\moyen PR\'ELUDE}\medskip
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{6}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-2}\relax % sol mineur
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
-\def\Mordant{\mordant{10}}%
-\def\Pince{\pince{10}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{G.O.}%
-%\check
-\def\gluemaxskip{7pt}%
-\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
-\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
-\smallskip
-%
-\quatretemps%
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\doubler{\multiply\noteskip by 2\relax}%
-\debutmorceau
-% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
-%
-\autolines {17}35\relax
-\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
-\advance\linesinpage by 1\relax
-%
-% formes frequentes
-% deux croches hautes
-\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqh{\dqu}\def\dqb{\dql}%
-%
-% deux doubles croches hautes
-\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
-%
-% quatre doubles croches
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
-%\check
-% quatre croches
-\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
-\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
-%\check
-%
-% mesure 1
-\smallnotesize\bigaccid
-\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes
-\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
-\temps\notes&\qqbbl7KNbc\enotes
-\temps\notes&\qqbbL{-4}cdbab\enotes
-%\check
-% mesure 2
-\barre\notes&|\qqbbH8bNbd{^f}\enotes
-\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
-\temps\notes&|\qqbbH7dbdfg\enotes
-\temps\notes&|\qqbbu0ifgi\enotes
-%\check
-% mesure 3
-\barre\notes&|\qqbbL0ikgik\enotes
-\normalnotesize
-\temps\Notes\hpause&|\cl n\qsoupir\enotes
-\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
-\temps
-\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
- |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-%\check
-% mesure 4
-\autolines {16}35\relax
-\smallnotesize\bigaccid
-\barre\notes&\qqbbH7IGJLM\enotes
-\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
-\temps\notes&\qqbbl7JLN{=b}\enotes
-\temps\notes&\qqbbL{-4}acNMN\enotes
-%\check
-% mesure 5
-\barre\notes&\qqbbH7MLN{=b}c\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
-\temps\notes&|\qqbbH7cNceg\enotes
-\temps\notes&|\qqbbL0hjg{=i}j\enotes
-%\check
-% mesure 6
-\barre\notes&|\qqbbL0kljln\enotes
-\normalnotesize
-\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
-\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
-\temps
-\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax
- |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-%\check
-% mesure 7
-\barre\autolines 775\relax
-\smallnotesize\bigaccid
-\notes&\qqbbH8FD{^F}HJ\enotes
-\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes
-\zbarre\notes&\qqbbl3K{^M}N{_b}\enotes
-\temps\notes&\qqbbL3aabcd\enotes
-% mesure 8
-\barre\notes&|\qqbbH3dec{^f}g\enotes
-\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes
-\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes
-\temps\notes&|\qqbbl2{^m}non\enotes
-% mesure 9
-\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes
-\normalnotesize
-\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes
-\smallnotesize\bigaccid
-\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes
-\temps\notes&\qqbbL3LNKba\enotes
-% mesure 10
-\barre\notes&\qqbbL2abNdc\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes
-\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes
-\temps\notes&|\qqbbh{-3}gfed\enotes
-%\check
-% mesure 11
-\normalnotesize
-\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes
-\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes
-\temps\notes&|\qqbbH2hh{^f}ji\enotes
-% mesure 12
-\barre\notes&|\qqbbH3jjhlk\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes
-\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes
-\temps\notes&|\qqbbh{-4}dc{=b}a\enotes
-% mesure 13
-\normalnotesize
-\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes
-\smallnotesize\bigaccid
-\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes
-\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes
-\temps\notes&|\qqbbh3dbfe\enotes
-%\check
-% mesure 14
-\barre\notes&|\off{-2\Interligne}\qqbbh3fd{_h}g\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes
-\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes
-\temps\notes&|\qqbbh{-3}gfed\enotes
-% mesure 15
-\normalnotesize
-\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes
-\smallnotesize\bigaccid
-\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes
-\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes
-\temps\notes&|\qqbbh3gei{_h}\enotes
-%\check
-% mesure 16
-\troistemps
-\changecontext\notes&|\off{-2.4\Interligne}\qqbbL5hig{=l}m\enotes
-\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes
-\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes
-% mesure 17
-\quatretemps\normalnotesize
-\changecontext\Notes
-\off{-\Interligne}\qu F&\off{-1.4\Interligne}\zq {M_ac}\ql f|\off{-\Interligne}\qu{_h}\enotes
-\smallnotesize\bigaccid
-\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes
-\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes
-\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes
-%\check
-% mesure 18
-\normalnotesize
-\barre\autolines {16}35\relax
-\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes
-\smallnotesize\bigaccid
-\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes
-\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes
-\temps\notes&|\qqbbu3{=i}gik\enotes
-%\check
-% mesure 19
-\barre\notes&|\qqbbl{-2}m{_o}nm\enotes
-\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes
-\normalnotesize
-\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
-\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
-% mesure 20
-\normalnotesize
-\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
-\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
-\normalnotesize
-\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
-\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
-%\check
-% mesure 21
-\normalnotesize
-\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
-\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
-\normalnotesize
-\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
-\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
-%\check
-% mesure 22
-\normalnotesize
-\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes
-\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes
-\normalnotesize
-\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes
-\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes
-% mesure 23
-\barre\notes&|\qqbbl3qosr\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes
-\temps\notes&|\qqbbl{-3}qpon\enotes
-\temps\notes&|\qqbbl{-3}{^m}lkj\enotes
-%\check
-% mesure 24
-\autolines {17}35\relax
-\normalnotesize\varaccid
-\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato
- \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes
-\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes
-\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes
-\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes
-% mesure 25
-%\check
-\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes
-\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes
-\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes
-\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes
-%\check
-% mesure 26
-\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes
-\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
- \ibu0l{-4}\qh0l\sk\tqh0g\enotes
-\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
-%\check
-% mesure 27
-\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
- \ibu0j{-3}\qh0j\sk\tqh0h\enotes
-\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
-\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
- \ibu0k{-4}\qh0k\sk\tqh0f\enotes
-\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes
-%\check
-% mesure 28
-\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
- \ibu0i{-3}\qh0i\sk\tqh0g\enotes
-\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
-\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
-\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes
-% mesure 29
-\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
- \ibu0h{-3}\qh0h\sk\tqh0f\enotes
-\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
-\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
- \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
-\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
-%\check
-% mesure 30
-\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
-\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
-\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
-%\check
-% mesure 31
-\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
-\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
-\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
-%\check
-% mesure 32
-\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
-\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
-\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
-% mesure 33
-\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
-\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
-%\check
-\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
-|\doubler\rlap{\dql2gh}\dqu2ij\enotes
-\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
-%\check
-% mesure 34
-\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
-\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
-\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
-%\check
-% mesure 35
-\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
-\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
-\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
-%\check
-% mesure 36
-\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
-\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
-\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
-\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
-% mesure 37
-\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
-\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
-\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
-|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
-\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
-%\check
-% mesure 38
-\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
-\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
-\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
-%\check
-% mesure 39
-\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
-\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
-\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
-%\check
-% mesure 40
-\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
-\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
-\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
-% mesure 41
-\generalmeter{\meterfrac 54}\changecontext
-\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes
-\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
-\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
-\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes
-\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
-%\check
-% mesure 42
-\quatretemps\changecontext
-\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
-\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
-\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
-%\check
-% mesure 43
-\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
-\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
-\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
-%\check
-% mesure 44
-\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
-\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
-\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
-% mesure 45
-\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-% mesure 46
-\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-%\check
-% mesure 47
-\generalmeter{\meterfrac 32}\changecontext
-\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes
-\smallnotesize\bigaccid
-\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
-\notes&\qqbbH9KGKNa\enotes
-\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
-\temps\notes&\qqbbl7KNbc\enotes
-\temps\notes&\qqbbL{-4}cdbab\enotes
-%\check
-% mesure 48
-\quatretemps
-\changecontext\notes&|\qqbbH8bNbd{^f}\enotes
-\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
-\temps\notes&|\qqbbH7dbdfg\enotes
-\temps\notes&|\qqbbu0ifgi\enotes
-%\check
-% mesure 49
-\barre\notes&|\qqbbL0ikgik\enotes
-\normalnotesize
-\temps\notes\hpause&|\cl n\qsoupir\sk\enotes
-\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
-\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
- |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-%\check
-\autolines {16}35\relax
-% mesure 50
-\smallnotesize\bigaccid
-\barre\notes&\qqbbH7IGJLM\enotes
-\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
-\temps\notes&\qqbbl7JLN{=b}\enotes
-\temps\notes&\qqbbL{-4}acNMN\enotes
-%\check
-% mesure 51
-\barre\notes&\qqbbH7MLN{=b}c\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
-\temps\notes&|\qqbbH7cNceg\enotes
-\temps\notes&|\qqbbL0hjg{=i}j\enotes
-%\check
-% mesure 52
-\barre\notes&|\qqbbL0kljln\enotes
-\normalnotesize
-\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
-\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
-\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax
- |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-%\check
-% mesure 53
-\smallnotesize\bigaccid
-\barre\notes&\qqbbH7KJM{_a}b\enotes
-\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes
-\temps\notes&\qqbbl7Mac{=e}\enotes
-\temps\notes&\qqbbL{-4}cfcbc\enotes
-%\check
-% mesure 54
-% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes
-\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes
-\temps\notes&|\qqbbH7ecfhi\enotes
-\temps\notes&|\qqbbL0hjhgh\enotes
-%\check
-% mesure 55
-\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes
-\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes
-\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes
-% mesure 56
-%\check
-\normalnotesize
-\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes
-\smallnotesize\bigaccid
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes
-\temps\notes&|\qqbbh{-2}fdcd\enotes
-%\check
-% mesure 57
-\barre\notes&|\qqbbH7bb{_d}fh\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes
-\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes
-\temps\notes&|\qqbbL{-2}kmkjk\enotes
-%
-% mesure 58
-\barre\notes&|\qqbbl5ikmo\enotes
-\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes
-\normalnotesize
-\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes
-\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
-% mesure 59
-\smallnotesize\bigaccid
-\barre\notes&\ibbl0L7\qb0L\qb0b\enotes
-\notes&|\qb0e\tqb0f\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes
-\temps\notes&|\qqbbH6dce{g}j\enotes
-\temps\notes&|\qqbbL{-2}jljij\enotes
-% mesure 60
-\barre\notes&|\qqbbl5{=h}jl{_n}\enotes
-\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes
-\temps\notes&|\qqbbl{-3}o{=n}ml\enotes
-\temps\notes&|\qqbbl{-3}{_k}jih\enotes
-% mesure 61
-\normalnotesize
-\barre\nspace\autolines{18}35\relax
-\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax
-\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes
-\temps\notes\soupir&|\qqbbH3gidih\enotes
-\normalnotesize
-\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgeih\enotes
-% mesure 62
-\barre\nspace
-\normalnotesize
-\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes
-\temps\notes\soupir&|\qqbbH3ffdih\enotes
-\normalnotesize
-\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgeih\enotes
-% mesure 63
-\normalnotesize
-\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgeji\enotes
-\normalnotesize\nspace
-\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
-% mesure 64
-\normalnotesize
-\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
-\normalnotesize\nspace
-\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes
-\temps\notes\soupir&|\qqbbH3fhfji\enotes
-% mesure 65
-\normalnotesize
-\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
-\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
-\normalnotesize
-\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes
-\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes
-% mesure 66
-\normalnotesize
-\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes
-\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes
-\normalnotesize
-\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes
-\smallnotesize\bigaccid
-\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes
-\temps\notes\soupir&|\qqbbH5higik\enotes
-\autolines {17}35\relax
-%\check
-% mesure 67
-\normalnotesize
-\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne
-{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax
- \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes
-\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
- \ibu0l{-4}\qh0l\sk\tqh0g\enotes
-\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
-%\check
-% mesure 68
-\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
- \ibu0j{-5}\qh0m\sk\tqh0h\enotes
-\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
-\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
- \ibu0k{-4}\qh0k\sk\tqh0f\enotes
-\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes
-%\check
-% mesure 69
-\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
- \ibu0i{-5}\qh0l\sk\tqh0g\enotes
-\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
-\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
-\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes
-% mesure 70
-\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
- \ibu0h{-5}\qh0k\sk\tqh0f\enotes
-\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
-\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
- \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
-\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
-%\check
-% mesure 71
-\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
-\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
-\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
-%\check
-% mesure 72
-\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
-\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
-\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
-%\check
-% mesure 73
-\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
-\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
-\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
-% mesure 74
-\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
-\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
-%\check
-\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
-|\doubler\rlap{\dql2gh}\dqu2ij\enotes
-\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
-%\check
-% mesure 75
-\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
-\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
-\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
-%\check
-% mesure 76
-\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
-\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
-\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
-%\check
-% mesure 77
-\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
-\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
-\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
-\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
-% mesure 78
-\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
-\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
-\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
-|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
-\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
-%\check
-% mesure 79
-\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
-\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
-\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
-\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes
-%\check
-% mesure 80
-\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
-\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
-\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
-\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
-%\check
-% mesure 81
-\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
-\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
-\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
-\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
-% mesure 82
-\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes
-\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes
-\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk
- \raise -3\internote\dsoupir}\zqp i\qup k\enotes
-\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes
-% mesure 83
-\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes
-\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes
-\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes
-\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes
-% mesure 84
-\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk
-\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes
-\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes
-\temps\NOTEs\hpause&\hpause|\hpause\enotes
-% mesure 85
-\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes
-\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
-\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes
-\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
-\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes
-\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
-% mesure 86
-\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes
-\temps\NOTEs\soupir&\soupir|\soupir\enotes
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes
-\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
-\advance\barsinline by -1\relax
-% mesure 87
-\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes
-\temps\NOTES\soupir&\soupir|\soupir\enotes
-%
-\finmorceau
-\rightline{\sl\aujourdhui}\vfil\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/purcellx.tex b/Master/texmf-dist/doc/generic/musictex/purcellx.tex
deleted file mode 100644
index 2fc2789d0da..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/purcellx.tex
+++ /dev/null
@@ -1,211 +0,0 @@
-\fulltitle{Andante cantabile}
-\title{Andante cantabile}
-\author{Daniel PURCELL (1660--1717)\\transcription pour orgue Daniel TAUPIN}
-\shortauthor{D. Purcell, D. Taupin}
- \othermention{R\'ecit: fl\^utes 8', 4', nasard \sl(ad lib.)\\G.O.:
-bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
- \maketitle
-
-\csname titremorceautoc\endcsname
-%
-\parindent 13mm
-%
-\tracingstats=2\relax
-%
-\def\nbinstruments{3}
-\global\cleftoksi={{6}{0}{0}{0}}%
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\nbporteesi=1\relax
-\nbporteesii=1\relax
-\nbporteesiii=1\relax
-%
-\signaturegenerale{-1}\relax
-%\check
-\def\instrumenti{P\'ed}%
-\def\instrumentii{G.O.}%
-\def\instrumentiii{R\'ecit}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-\def\doubler{\multiply\noteskip by 2\relax}%
-%
-%\check
-%
-\generalmeter{\meterfrac 44}%
-%
-\debutmorceau
-\autolines{19}34\relax
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&&\zcharnote{w}{\kern -20mm\moyen Andante cantabile
-\bf(\metron{\qu}{52})}\enotes
-%
-%\check
-%
-% mesure 1
-\NOTes\qlp M&\zhl a\zq{c}\qu f&\ust m\ql m\enotes
-\temps\NOtes\sk\cl L&\zq{c}\qu f&\ust m\ql m\enotes
-\temps\NOtes\Ibu0KH3\qh0{KJI}\tqh0H&\zhl c\zq{f}\qu h\sk\zq{f}\qu h\sk
-&\ust m\ql m\sk\ql m\enotes
-% mesure 2
-%\check
-\barre\NOtes\ibu0I{-2}\qh0I\tqh0G&\zq f\zql d\qsk\zhu g&\ust n\ql n\enotes
-\temps\NOtes\ibu0J0\qh0J&\zhl c\qu e&\ust n\ql n\enotes
-\Notes\nbbu0\qh0I\tqh0J\enotes
-\temps\Notes\qu H&\zq f\qu h&\ust o\ql o\cbreath\enotes
-\temps\NOTes\qu F&\itenl0f\zq h\zql f\itenu1m\zqu m&\ql q\enotes
-% mesure 3
-\barre\NOtes\qu G&\tten0\tten1\zq h\zql f\ibu1m{-2}\qh1m\tqh1k&\ql p\enotes
-\temps\NOtes\qu H&\zhu j\ibl1f{1}\qb1f&\ust o\ql o\enotes
-\Notes&\nbbl1\qb1g\tqb1h\enotes
-\temps\NOtes\ibu0I0\qh0{IGH}\tqh0I&\qlp d\sk\ibu1i{-1}\qh1i\zcl f\tqh1h\relax
-&\ibl2m{-2}\qb2{nmn}\tqb2k\enotes
-% mesure 4
-\barre\autolines{15}44\relax
-\NOtes\qu J&\zql e\qu g&\ibl2l{-2}\qb2l\tqb2j\enotes
-\temps\NOtes\qu K&\rlap{\kern -0.4\internote\zhl f}\ibu1a{-2}\qh1a\tqh1M&\hl m\enotes
-\temps\NOTes\qu I&\ql d\enotes
-\temps\NOTes\qu J&\zql c\qu e&\ql l\enotes
-% mesure 5
-\barre\Notes\qu F&\zq a\qu f&\ql m\cbreath\enotes
-\temps\NOTes\soupir&\soupir&\ust q\ql q\enotes
-\temps\NOTes\soupir&\soupir&\ust m\ql m\enotes
-\temps\NOTes\ql d&\zql f\itenl0f\qu m&\itenu1p\ql p\enotes
-% mesure 6
-\barre\NOTes\ql N&\tten0\zqu i\qlp f&\tten1\ql p\enotes
-\temps\NOtes\ql a&\qu j\cl e&\itenu1o\ql o\enotes
-\temps\NOtes\qlp b&\zhl d\qu k&\tten1\ibl1o0\qb1o\enotes
-\Notes&&\nbbl1\qb1p\tqb1o\enotes
-\temps\NOtes\sk\cl N&\itenu0g\qu g&\ibl1n{-1}\qb1n\tqb1m\enotes
-% mesure 7
-\barre\NOtes\ql J&\tten0\zql e\qu g&\ibl1l{-3}\ust l\qb1l\enotes
-\notes&&\cbreath\enotes
-\NOtes&&\tqb1j\enotes
-\temps\NOTes\qu H&\itenl1c\zql c\qu j&\hl q\enotes
-\temps\NOtes\ql K&\tten1\ibl0d{-3}\zhu f\qb0c\tqb0a\enotes
-\temps\NOTes\qu G&\na b\ql b&\ql{=p}\enotes
-% mesure 8
-\barre
-\autolines{26}24\relax
-\NOtes\qu J&\zql c\qu e&\ibl1q{-4}\ust q\qb1q\tqb1n\enotes
-\temps\NOtes\ql L&\zhu g\hlp c&\ibl1o0\qb1q\enotes
-\notes&&\nbbl1\fl p\qbp1p\sk\tbbbl1\tqb1q\enotes
-\temps\notes\ql M&&\ibbl1n0\qbp1o\sk\tbbbl1\tbbl1\qb1p\enotes
-\notes&&\nbbl1\qbp1n\sk\tbbbl1\tqb1o\enotes
-\temps\notes\qu H&\itenl2f\qu f&\ibbl1l0\qbp1m\sk\tbbbl1\tbbl1\qb1n\enotes
-\notes&&\ibbl1j0\qbp1l\sk\tbbbl1\tqb1m\enotes
-% mesure 9
-\barre\NOtes\ibl0I3\qb0I&\tten2\zq f\ibu1k0\qh1k&\upz l\cl k\enotes
-\notes\nbbl0\qbp0a\sk\tbbbl0\tqb0b&\nbbu1\qhp1j\sk\tbbbu1\tqh1k&\ql r\enotes
-\temps\notes
-\ibbl0M0\qbp0N\sk\tbbbl0\tbbl0\qb0a\sh M\nbbl0\qbp0M\sk\tbbbl0\tqb0N\relax
-&\ibbu0i0\qhp0i\sk\tbbbu0\tbbu0\qh0j\nbbu0\qhp0h\sk\tbbbu0\tqh0i\relax
-&\sk\sk\sk\cl q\enotes
-\temps\notes\ql L&\qu g\relax
-&\ibbl0o0\qbp0p\sk\tbbbl0\tbbl0\qb0q\nbbl0\qbp0o\sk\tbbbl0\tqb0p\enotes
-\temps\notes\ql K&\bigna f\zq f\qu i\relax
-&\ibbl0m0\qbp0n\sk\tbbbl0\tbbl0\qb0o\nbbl0\qbp0m\sk\tbbbl0\tqb0n\enotes
-% mesure 10
-\barre\autolines{24}24\relax
-\NOtes\qu J&\rlap{\qup i}\ibl0d0\qb0e&\ibl1l1\ust l\qb1l\enotes
-\notes&&\cbreath\enotes
-\notes&\nbbl0\qbp0d\sk\tbbbl0\tqb0e&\qb1n\enotes
-\NOTes\ql L&\itenl0c\ql c\cu j&\qb1q\tqb1n\enotes
-\temps\NOtes\ql M&\zhup h\tten0\Ibl0ca1\qb0c&\ibl1l0\qb1o\enotes
-\notes&&\cbreath\enotes
-\NOTes&\tqb0a&\qb1m\enotes
-\NOTes\qu I&\ql d&\qb1 k\enotes
-\Notes&\Ibbu0gf1\qh0g\tqh0f&\tqb1p\enotes
-% mesure 11
-\barre
-\notes\Ibbu2JI3\qhp2J\sk\tbbbu2\tbbu2\qh2K\nbbu2\qhp2I\sk\tbbbu2\tqh2J\relax
-&\zqu e\qlp c&\ibl1k0\qb1n\sk\rlap{\cbreath}\sk\qb1l\enotes
-\NOTes\qu H&\itenu0f\qu f\cl M&\qb1j\tqb1m\enotes
-\temps\NOTes\qu G&\tten0\rlap{\qlp b}\Ibu0fd3\qh0f&\Ibl1kp1\qb1l\enotes
-\Notes&\nbbu0\qh0e\tqh0d&\tqb1p\enotes
-\temps\NOTes\Ibu2JH1\qh2J\tqh2H&\qu e\cl c&\Ibl1po1\qb1p\tqb1o\enotes
-% mesure 12
-\cleftoksii={{6}{0}{0}{0}}\changeclefs
-\barre\autolines{20}24\relax
-\NOtes\qup I&\zhl K\qu d&\Ibl1on1\qb1o\tqb1n\enotes
-\temps\NOtes&\itenu1N\qu N&\Ibl1nm1\qb1n\enotes
-\Notes\Ibbu2HI1\qh2H\tqh2{=I}&&\tqb1m\enotes
-\temps\NOtes\qu J&\zql L\tten1\cu N\qu c&\Ibl1lq1\qb1l\tqb1q\enotes
-\temps\NOtes\qu D&\ql M&\Ibl1qp1\qb1q\enotes
-\NOtes&\itenu2b\cu{_b}&\tqb1p\enotes
-% mesure 13
-\barre
-\NOtes\Ibu2EF1\qh2E\tqh2F&\tten2\zql J\Ibu0ba1\qh0b\tqh0a&\Ibl0po1\qb0p\tqb0o\enotes
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-\temps\NOtes\ql M&\zq{cf}\qu a&\ibl0o0\qb0o\enotes
-\Notes&&\nbbl0\qb0p\tqb0o\enotes
-\temps\NOtes\ql L&\zq{eg}\qu j&\ibl0n0\qb0n\enotes
-\Notes&&\nbbl0\qb0o\tqb0n\enotes
-\temps\NOtes\ql K&\zq{fh}\qu k&\ibl0m0\qb0m\enotes
-\Notes&&\nbbl0\qb0n\tqb0m\enotes
-% mesure 14
-\barre\autolines{19}34\relax
-\NOTes\hu J&\zhl e\qup h&\ql l\enotes
-\notes&&\cbreath\enotes
-\temps\NOtes&&\itenu0o\ql o\enotes
-\temps\Notes&\Ibbu0ij1\bigna i\qh0i\tqh0j\enotes
-\temps\NOTes\hu I&\zhu k\qlp d\cu{^f}\qu g\cl e&\tten0\ibl0k0\qb0{okn}\tqb0l\enotes
-% mesure 15
-\barre\NOtes\qup H&\zq e\qu{^j}&\Ibl0jh1\ust j\qb0{^j}\ust h\tqb0h\enotes
-\temps\NOtes&\zh f\itenl1k\zhl m\hup k&\qlp k\enotes
-\temps\Notes\Ibbu0GH1\qh0G\tqh0H\enotes
-\temps\NOtes\qup I\enotes
-\temps\Notes&&\Ibbl0lm1\qb0l\tqb0m\enotes
-\temps\Notes\sk\sk\Ibbu2HG1\qh2H\tqh2G\relax
- &\zq g\itenu2l\ql l&\ibbl0m0\qb0{nom}\tqb0n\enotes
-% mesure 16
-\barre
-\NOtes\hu H&\tten2\zh h\zhu l\qsk\tten1\Ibl0ki1\qb0k\tqb0{=i}&\qlp l\enotes
-\temps\NOtes&\ql{^j}&\sk\cl k\enotes
-\temps\NOtes\qu D&\zq{fh}\qu k&\cl k\enotes
-\notes&&\cbreath\enotes
-\temps\NOtes\sk\soupir&\sk\soupir&\Ibl0lh2\qb0{lm}\tqb0h\enotes
-% mesure 17
-\barre\autolines{17}34\relax
-\NOtes\hl d&\fl i\zhl i\zq k\qu m&\Ibl1ik3\qb1i\enotes
-\notes&&\cbreath\enotes
-\NOtes&\sk\zh l\hu n&\qb1{mn}\tqb1k\enotes
-\temps\NOtes\itenu1c\hl c&\hl h&\Ibl1ln3\qb1l\enotes
-\notes&&\cbreath\enotes
-\NOtes&\sk\Ibl0ol1\qb0o\tqb0l&\qb1{nq}\tqb1n\enotes
-% mesure 18
-\barre\NOtes\tten1\ibl2M0\qb2{cMN}\tqb2a&\zhlp f\zqp k\qu m\sk\qu l\cl j\relax
- &\Ibl1ol3\qb1{oqm}\tqb1o\enotes
-\temps\NOtes\ql b&\zq k\qu k&\Ibl1kn1\qb1k\tqb1n\enotes
-\temps\NOtes\ql b&\zq{ce}\qu g&\Ibl1lj2\qb1l\enotes
-\Notes&&\nbbl1\qb1k\tqb1j\enotes
-% mesure 19
-\barre\NOtes\ql a&\rlap{\qlp f}\Ibu0jm1\qh0j\tqh0m&\qlp m\enotes
-\temps\NOtes\ql N&\itenu0i\qu i\enotes
-\Notes&\cl d&\Ibbl1nm1\qb1n\tqb1m\enotes
-\NOTes\ql J&\itenl1c\zh c\zhl e\tten0\qup i&\xTrille n{1.5\noteskip}\ql l\enotes
-\temps\NOtes\qu C&\sk\cu h&\sk\cl m\enotes
-% mesure 20
-\barre\autolines{16}34\relax
-\NOTes\qu F&\tten1\zq{cf}\qu h&\ql m\enotes
-\notes&&\cbreath\enotes
-\temps\NOTes\qu H&\zq c\zql j\hu f&\ql q\enotes
-\temps\NOtes\itenu2I\hu I&\zhl d\qu k&\Ibl1pm3\qb1p\qb1o\enotes
-\NOtes&\itenl1g\qu g&\qb1n\tqb1m\enotes
-% mesure 21
-\barre\NOtes\tten2\Ibu2IJ1\qh2I&\tten1\zhl c\zq e\qu g&\Ibl1lk1\qb1l\enotes
-\Notes\tqh2J&&\nbbl1\qb1k\tqb1j\enotes
-\temps\NOTes\qu H&\itenl1f\zq f\qu j&\qlp m\enotes
-\temps\NOtes\Ibu2KI1\qh2K&\tten1\zql d\Ibu0fg1\qh0f\enotes
-\Notes\tqh2I&\tqh0g&\Ibbl1nm1\qb1n\tqb1m\enotes
-\temps\NOtes\qu J&\Ibl0cb1\zq e\zqu g\qb0c\tqb0b&\ql l\enotes
-% mesure 22
-\barre\NOTes\pointdurgue F\wh F\relax
-&\zhu f\zql c\qsk\qup a&\pointdorgue m\wh m\enotes
-\temps\NOtes&\ql d\cu N\enotes
-\temps\NOTES&\zh c\zh a\pointdorgue m\hu f\enotes
-\finmorceau
-\rightline{\sl\aujourdhui}\eject
-
diff --git a/Master/texmf-dist/doc/generic/musictex/racine.tex b/Master/texmf-dist/doc/generic/musictex/racine.tex
deleted file mode 100644
index f547ba468e3..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/racine.tex
+++ /dev/null
@@ -1,590 +0,0 @@
-% \input musixtex
-\hsize 190mm \vsize 280mm
-\hoffset -1.84cm
-
-
-\fulltitle{Cantique de Jean Racine}
-\shorttitle{Cantique de Jean Racine}
-\shortauthor{G. Faur\'e}
-\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin}
-\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51}
-\maketitle
-
-%
-\parindent 14mm
-\musicsize=20
-
-\def\quatreinstruments{\def\nbinstruments{4}\relax
-\nbporteesi=1\relax
-\nbporteesii=2\relax
-\nbporteesiii=1\relax
-\nbporteesiv=1\relax
-\cleftoksi{6000}\relax
-\cleftoksii{6000}\relax
-\cleftoksiii{6000}\relax
-\cleftoksiv{0000}\relax
-\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax
-\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax
-\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax
-\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax
-}
- %
-\def\sanspedale{\def\nbinstruments{3}\relax
-\nbporteesi=2\relax
-\nbporteesii=1\relax
-\nbporteesiii=1\relax
-\cleftoksi{6000}\relax
-\cleftoksii{6000}\relax
-\cleftoksiii{0000}\relax
-\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax
-\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax
-\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax
-}
- %
-\font\gros=\fonthdg\fonthdge bx12 scaled \magstep2
-\font\paroles=\fonthdg\fonthdge r8
-
-%\paroles
-% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e}
-% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel
-%Taupin }
-% \line{R\'ecit ({\bf III}) : 8'+4'\hss... }
-% \line{P\'edale : 16'+8', acc. Positif\hss }
-
-\quatreinstruments
-\normal
-\def\instrumenti{P‚dale}
-\def\instrumentii{Manuel}
-\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}}
-\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}}
-\generalmeter{\meterC}%
-%
-%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}}
-\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}}
-\def\sdqh{\ds\dqh}
-\def\lsdqb{\raise-3\Internote\ds\dqb}
-\def\sdqb{\ds\dqb}
-\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}}
-\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}}
-\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}}
-\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}}
-\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh}
-\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb}
-\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh}
-\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb}
-\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}%
-\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}%
-\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}%
-\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}%
-\def\dnl{\dnb}\def\Dnl{\Dnb}
-\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}}
-\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}}
-\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}}
-\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}}
-\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}}
-\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}}
-\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}}
-\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}}
-\def\Pause{\sk\sk\sk\sk\sk\pause}
-\def\Hpause{\sk\sk\hpause}
-%
-\def\zmid#1{\zcharnote{12}{\paroles #1}}
-%
-\staffbotmarg\Interligne
-
-\generalsignature{-5}
-\def\nbinstruments{2}%
-\debutmorceau
-\autolines{14}{4}{4}%
-%Takt 1
-\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne
- \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes
-\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes
-%Takt 2
-\barre\notes\hu F&\Sqb acdfda|\hu h\enotes
-\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes
-%Takt 3
-\autolines{13}{4}{4}%
-\barre\notes\hu K&\Qqb acdaM|\hup f\enotes
-\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes
-%Takt 4
-\def\atnextline{\autolines{13}44}%
-\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes
-\temps\notes\qu H&\sdqb fc|\qu j\enotes
-\temps\notes\qu G&\sdqb cd|\qu i\enotes
-\temps\notes\qu F&\sdqb da|\qu h\enotes
-%Takt 5
-\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes
-\temps\notes &\Tqb eca|\qu g\enotes
-\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes
-\temps\notes\qu F&\Tqb daM|\qu f\enotes
-%Takt 6
-\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes
-\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes
-%Takt 7
-\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes
-\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes
-%Takt 8
-\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes
-\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes
-%Takt 9
-\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes
-\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes
-%Takt 10
-\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes
-\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes
-%Takt 11
-\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes
-\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes
-%Takt 12
-\advance\linesinpage by -1\relax
- %
-\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes
-\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes
-\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}%
- %
-%Takt 13
-\barre\notes\zcharnote B{\kern -2\Interligne\rm(P‚d.)}\zhl K\relax
- \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes
-\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes
-\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax
- \zmid{Verbe ‚-}\clp M\sk\ccl M\enotes
-%Takt 14
-\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes
-\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{TrŠs-}\sk\cl N\enotes
-%Takt 15
-\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes
-\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes
-%Takt 16
-\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes
-\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes
-\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes
-\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes
- %\check
-%Takt 17
-\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}%
-\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes
-\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes
- %\check
-%Takt 18
-\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes
-\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes
- %\check
-%Takt 19
-\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes
-\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk
- \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes
- %\check
-%Takt 20
-\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk
- \zmid{pai-}\qu h\enotes
-\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk
- \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk
- \zmid{ble}\qu g\enotes
- %\check
-%Takt 21
-\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes
-\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk
- \zq f\qu h\enotes
- %\check
-%Takt 22
-\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk
- \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes
-\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk
- \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes
- %\check
-%Takt 23
-\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes
-\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk
- \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes
- %\check
-%Takt 24
-\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes
-\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes
- %\check
-%Takt 25
-\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax
- &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes
-\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax
-\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes
- %\check
-%Takt 26
-\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax
- &\zhl f\qu i\sk\sk\qu i\enotes
-\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes
- %\check
-%Takt 27
-\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes
-\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax
- &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes
- %\check
-%Takt 28
-\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax
- &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes
-\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax
- \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes
- %\check
-%Takt 29
-\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk
- \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes
-\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk
- \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes
- %\check
-%Takt 30
-\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes
-\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes
- %\check
-%Takt 31
-\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes
-\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause
- &\Hpause\enotes
- %\check
-%Takt 32
-\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes
-\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes
-\def\atnextline{\sanspedale\def\nbinstruments{1}}%
- %\check
-%Takt 33
-\advance\linesinpage by -1\relax
- %
-\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes
-\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes
- %\check
-%Takt 34
-\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes
-\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes
- %\check
-%Takt 35
-\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes
-\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes
- %\check
-%Takt 36
-\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes
-\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes
- %\check
-\def\atnextline{\quatreinstruments\savemeters}%
- %\check
-%Takt 37
-\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause
- &\Pause\enotes
-\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes
- %\check
-%Takt 38
-\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes
-\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes
- %\check
-%Takt 39
-\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes
-\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk
- \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes
- \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX
-\cleftoksii{0000}\changeclefs
- %\check
-%Takt 40
-\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes
-\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes
- %\check
-%Takt 41
-\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax
- \zmid{nous}\qll J{=L}\sk\sk
- \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes
-\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll
-Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk
- \sk\zq{=e}\cu h\sk\zq e\cu h\enotes
- %\check
-%Takt 42
-\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{grƒ-}\zhl
-M\qu a\sk\sk\ql f&\huu fh\enotes
-\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk
- \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes
- %\check
-%Takt 43
-\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes
-\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir
- &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes
- %\check
-%Takt 44
-\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes
-\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes
- %\check
-%Takt 45
-\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk
- \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes
-\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk
- \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes
- %\check
-%Takt 46
-\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk
- \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes
-\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk
- \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes
- %\check
-%Takt 47
-\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax
- &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax
- \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes
-\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk
- \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes
-\cleftoksii{6000}\changeclefs
- %\check
-%Takt 48
-\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk
- \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes
-\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax
- \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes
-\def\atnextline{\sanspedale\savemeters}%
- %\check
-%Takt 49
-\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax
- |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax
- &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax
- &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes
-\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir
- &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes
- %\check
-%Takt 50
-\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir
- \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes
-\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax
- &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes
- %\check
-%Takt 51
-\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax
- |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip
- =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip
- \dqh{=h}i\enotes
-\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk
- \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes
- %\check
-%Takt 52
-\barre\notes\Hu b|\Qqh dfifd&\hl b\sk
- \zmid{qui}\sk\qu b&\hpause\enotes
-\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk
- \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes
- %\check
-%Takt 53
-\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax
- &\hlp i\sk\sk\qu i\enotes
-\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax
- &\qu m\sk\sk\qlu ii\enotes
- %\check
-%Takt 54
-\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip
- =1.5\noteskip\rq j\cu i\rq j\cu i\enotes
-\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip
- \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip
- \zq h\cu k\zq h\cu l\enotes
- %\check
-%Takt 55
-\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax
- &\quu{=h}l\sk\sk\quu ik\enotes
-\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax
- \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes
- %\check
-%Takt 56
-\barre\notes\Hu K\zcharnote I{(+P‚d.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk
- \zmid{qui}\sk\qu b&\hpause\enotes
-\temps\notes\Hu J\zcharnote I{(+P‚d.)}|\tten1\zqu i\raise -2\Interligne\ds
- \dqb bf\zqu {_h}\qsk
- \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes
- \def\atnextline{\quatreinstruments}%
- %\check
-%Takt 57
-\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax
- &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes
-\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax
- &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes
- %\check
-%Takt 58
-\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds
- \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip
- \zq h\cu l\zq h\cu l\enotes
-\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds
- \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk
- \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes
- %\check
-%Takt 59
-\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds
- \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes
-\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk
- \sk\sk\zmid{\^O}\ql M&\Hpause\enotes
-\def\atnextline{\sanspedale}%
- %\check
-%Takt 60
-\barre\notes\Pause
- &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes
-\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes
- %\check
-%Takt 61
-\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes
-\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu
-a\sk\cu a\enotes
- %\check
-%Takt 62
-\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk
- \sk\qu c&\Pause\enotes
-\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes
-\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes
- %\check
-%Takt 63
-\barre\notes\hu H|\sdqh ac\Tqh eca&\relax
- \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes
-\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes
-\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes
- %\check
-%Takt 64
-\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes
-\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes
- %\check
-%Takt 65
-\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes
-\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax
- \soupir\sk\sk\zmid{Re-}\qu f\enotes
-%Takt 66
-\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax
- \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes
-\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax
- \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk
- \zmid{qu'il}\ql g\enotes
- %\check
-%Takt 67
-\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax
- \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes
-\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk
- \sk\zmid{Re-}\qu h\enotes
- %\check
-%Takt 68
-\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne
- \soupir\sk\sk
- \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes
-\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax
- \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes
- %\check
-%Takt 69
-\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk
- \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes
-\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk
- \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{…}\qu i\enotes
- %\check
-%Takt 70
-\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax
- &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax
- &\zhlp g\qu l\sk\sk\qu k\enotes
-\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk
- \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes
- %\check
-%Takt 71
-\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk
- \ql J&\zh f\hu i\enotes
-\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax
- \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes
- %\check
-%Takt 72
-\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk
- \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes
-\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk
- \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes
- %\check
-%Takt 73
-\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk
- \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes
-\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk
- \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes
- %\check
-%Takt 74
-\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax
- &\huu ej\enotes
-\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds
- \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk
- \sk\sk\zq e\cu i\enotes
- %\check
-%Takt 75
-\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax
- &\hll Ja&\zh e\hup h\enotes
-\temps\notes|\zcharnote n{\bf II}\sk\enotes
-\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk
- \sk\ql h\enotes
- %\check
-%Takt 76
-\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax
- \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk
- \sk\zq{=d}\qu f\enotes
-\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds
- \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax
- \zq d\qu g\sk\sk\zq{=f}\qu i\enotes
- %\check
-%Takt 77
-\def\atnextline{\quatreinstruments\savemeters}%
- %
-\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds
- \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk
- \dfl i\quu il\enotes
-\temps\notes\Pause&\dnu F{=G}\relax
- |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax
- \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes
- %\check
-%Takt 78
-\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes
-\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk
- \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes
- %\check
- %Takt 79
-\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III
- \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax
- &\hup d\enotes
-\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir
- &\sk\sk\sk\soupir \enotes
- %\check
- %Takt 80
-\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes
-\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes
- %\check
- %Takt 81
-\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes
-\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk
-\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes
- %\check
- %Takt 82
-\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes
-\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes
- %\check
- %Takt 83
-\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes
-\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir
- &\sk\sk\sk\soupir\enotes
- %\check
- %Takt 84
-\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes
-\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes
- %\check
- %Takt 85
-\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes
-\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir
- &\zmid{qu'il}\qll F{=a}\sk\sk
- \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes
- %\check
- %Takt 86
-\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes
-\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes
- %\check
- %Takt 87
-\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax
- \zhlp H\hup N&\zhp c\hup e\enotes
-\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax
- &\sk\sk\quu dd\enotes
- %\check
- %Takt 88
-\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax
- \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes
-\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes
- \advance\barsinline by -1\relax % accepter une mesure de plus
- %\check
- %Takt 89
-\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk
- &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes
-\finmorceau
-\bye
-
diff --git a/Master/texmf-dist/doc/generic/musictex/recit.tex b/Master/texmf-dist/doc/generic/musictex/recit.tex
deleted file mode 100644
index a5b93c29128..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/recit.tex
+++ /dev/null
@@ -1,413 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\title{R\'ecit}
-\fulltitle{II. R\'ecit}
-\csname titremorceautoc\endcsname
-\subtitle{\sl (pour orgue)}
-\othermention{Compos\'e en 1990}
-\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
-\maketitle
-
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-2}\relax % deux bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
- \centerline{G.O.}}}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%
-\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
-\par\noindent{\rm R\'ec.: cornet ou cromorne}%
-\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
-\smallskip
-%
-\troistemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\debutmorceau
-%
-\autolines 855\relax
-\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
-%\check
-%
-\hyphenpenalty -50\relax
-\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
-% mesure 1
-\advance\linesinpage by 1\relax
-%
-\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
-%\check
-% mesure 2
-\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes
-%\check
-% mesure 3
-\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes
-\temps\notes&|\dqh{-2}hg\enotes
-\temps\notes\qu J&|\dqh{-2}ji\enotes
-%\check
-% mesure 4
-\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes\qu J&\soupir|\soupir\enotes
-% mesure 5
-\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes
-% mesure 6
-\autolines 755\relax
-\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes\qu I&|\qu k\enotes
-%\check
-% mesure 7
-\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes
-\temps\notes&\qu{=f}|\sk\cu l\enotes
-\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes
-%\check
-% mesure 8
-\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes
-\temps\notes&|\sk\cu k\enotes
-\temps\NOtes&\ql a|\qu j\enotes
-% mesure 9
-\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes
-\temps\notes&|\dqh{-3}kj\enotes
-\temps\notes\ql J&|\dqh{-3}ih\enotes
-% mesure 10
-\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes
-\temps\notes&|\sk\cu i\enotes
-\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes
-% mesure 11
-\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes
-\temps\notes&|\dsoupir\cu d\enotes
-\temps\notes\qu J&\ql e|\dqh7gj\enotes
-% mesure 12
-\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes&\ql c|\relax\enotes
-% mesure 13
-\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes
-\temps\NOtes\soupir&\soupir|\soupir\enotes
-%
-% mesure 14
-\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes
-%\check
-% mesure 15
-\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes&\itenl2N\ql N|\qu i\enotes
-%\check
-% mesure 16
-\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes
-\temps\NOtes&\qu{=f}|\relax\enotes
-\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes
-%\check
-% mesure 17
-\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes
-\temps\notes&|\sk\cu k\enotes
-\temps\NOtes\qu H&\ql a|\qu l\enotes
-%\check
-% mesure 18
-\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes&|\relax\enotes
-% mesure 19
-\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes
-\temps\notes&|\dqb3no\enotes
-\temps\notes&|\dqb{-5}pn\enotes
-% mesure 20
-\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes
-\temps\notes&|\dqb3op\enotes
-\temps\notes&|\dqb{-5}qo\enotes
-% mesure 21
-\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes
-\temps\notes&|\dqb3pq\enotes
-\temps\notes&|\dqb{-5}rp\enotes
-% mesure 22
-\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes
-\temps\notes&\qu{=f}|\dqb{-3}nm\enotes
-\temps\notes&\qu d|\dqb{-3}lk\enotes
-% mesure 23
-\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes
-\temps\notes\qu H&|\sk\cl k\enotes
-\temps\notes\qu J&|\dqb{-5}lj\enotes
-% mesure 24
-\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
-% mesure 25
-\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
-\temps\notes\hu E&\hl c|\sk\cu h\enotes
-\temps\notes&|\dqh3ij\enotes
-%
-% mesure 26
-\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes
-\temps\NOtes&|\relax\enotes
-\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes
-% mesure 27
-\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes
-\temps\notes\hu I&|\sk\cl l\enotes
-\temps\notes&|\dqb5m{_o}\enotes
-% mesure 28
-\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes
-\temps\notes&|\dqb{-3}lk\enotes
-\temps\notes&\ql N|\dqb{-3}j{=i}\enotes
-% mesure 29
-\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes
-\temps\notes&|\ql j\enotes
-\resp
-\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
-% mesure 30
-\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
-\temps\notes&|\dqb{-3}ml\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-%\check
-% mesure 31
-\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes
-\temps\notes\sk\cu H&|\relax\enotes
-\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes
-% mesure 32
-\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes
-\temps\notes&|\sk\cu d\enotes
-\temps\notes\qu J&\ql c|\dqh7gj\enotes
-% mesure 33
-\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes
-\temps\Notes&|\relax\enotes
-\resp
-\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes
-% mesure 34
-\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes
-\temps\notes&|\dqb{-3}nm\enotes
-\temps\notes&|\dqb{-3}lk\enotes
-% mesure 35
-\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-\temps\notes&|\dqb3kl\enotes
-% mesure 36
-\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes
-\temps\notes&|\dqb{-3}ml\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-% mesure 37
-\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes
-\temps\notes&\qu{^f}|\dqh3{^f}g\enotes
-\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes
-%\check
-% mesure 38
-\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes
-\temps\NOtes&|\qu j\enotes
-\resp
-\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
-% mesure 39
-\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
-\temps\notes&|\dqb{-3}ml\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-%\check
-% mesure 40
-\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes
-\temps\notes&|\dqh3{^f}g\enotes
-\temps\notes&|\dqh3{_i}k\enotes
-%\check
-% mesure 41
-\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes
-\temps\notes&|\dqb{-3}lk\enotes
-\temps\notes&|\dqb{-3}ji\enotes
-% mesure 42
-\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes
-\temps\notes&|\dqh{-3}hg\enotes
-\temps\notes&|\dqh5hj\enotes
-% mesure 43
-\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
-% mesure 44
-\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
-\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes
-\temps\notes&|\dqh8gj\enotes
-%
-% mesure 45
-\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes&|\relax\enotes
-%\check
-% mesure 46
-\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes
-\temps\Notes&|\relax\enotes
-\resp
-\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes
-%\check
-% mesure 47
-\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes
-\temps\notes&|\dqb{-3}nm\enotes
-\temps\notes&|\dqb{-3}{=l}k\enotes
-%\check
-% mesure 48
-\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes
-\temps\NOtes&|\relax\enotes
-\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes
-%\check
-% mesure 49
-\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes
-\temps\notes&|\dqb{-3}m{_l}\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-% mesure 50
-\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes
-\temps\NOtes&|\relax\enotes
-\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes
-% mesure 51
-\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes
-\temps\notes&|\dqb3jk\enotes
-\temps\notes&|\dqb{-5}lj\enotes
-%\check
-% mesure 52
-\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes
-\temps\notes&|\dqb{-3}hg\enotes
-\temps\notes&|\dqb5hj\enotes
-%\check
-% mesure 53
-\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes
-\temps\notes&|\dqb{-3}kj\enotes
-\temps\notes&|\dqb{-5}ki\enotes
-% mesure 54
-\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes
-\temps\notes&|\dqh{-3}g{^f}\enotes
-\temps\notes&|\dqh5gi\enotes
-% mesure 55
-\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes
-\temps\notes&|\dqb{-3}ji\enotes
-\temps\notes&|\dqb{-5}jh\enotes
-% mesure 56
-\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes
-\temps\notes&|\dqh3ef\enotes
-\temps\notes&|\dqh3gh\enotes
-% mesure 57
-\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes
-\temps\notes&|\dqh3{^f}g\enotes
-\temps\notes&|\dqh3hi\enotes
-% mesure 58
-\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes
-\temps\notes&|\dqh5{^f}g\enotes
-\temps\notes&|\dqh3ij\enotes
-% mesure 59
-\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes
-\temps\notes&|\dqh{-3}kj\enotes
-\temps\notes&|\dqh{-3}i{_h}\enotes
-%\check
-% mesure 60
-\generalmeter{\meterfrac 24}%
-\advance\elemskip by 1.5pt
-\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes
-\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes
-%\check
-% mesure 61
-\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes
-\temps\notes&|\ccl n\enotes
-%\check
-% mesure 62
-\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes
-\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes
-%\check
-% mesure 63
-\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes
-% mesure 64
-\troistemps
-\advance\elemskip by -1.5pt
-\changecontext\NOtes\hu I&\soupir|\soupir\enotes
-\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes
-\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes
-% mesure 65
-\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes
-\temps\notes&\qu j|\dqb{-3}hg\enotes
-% mesure 66
-\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes
-\temps\notes\soupir&\soupir|\soupir\enotes
-% mesure 67
-\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
-% mesure 68
-\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes
-% mesure 69
-\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes
-\temps\notes&|\dqh{-3}hg\enotes
-\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes
-% mesure 70
-\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes
-\temps\NOtes&|\relax\enotes
-\temps\NOtes\qu J&\soupir|\soupir\enotes
-% mesure 71
-\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\notes\qu H&|\dqh5ik\enotes
-%
-% mesure 72
-\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes
-\temps\notes&|\sk\cl m\enotes
-\temps\notes\qu{=I}&|\dqb{-3}lk\enotes
-% mesure 73
-\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes
-\temps\Notes&|\relax\enotes
-\temps\NOtes&\zq{^f}\qu h|\ql k\enotes
-\autolines {12}45\relax
-% mesure 74
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-%\check
-\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes
-\temps\notes&|\qqbbl{-3}kjih\enotes
-\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes
-% mesure 75
-\autolines{14}35\relax
-\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes
-\temps\notes&|\qqbbl{-3}lkji\enotes
-\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes
-% mesure 76
-\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes
-\temps\notes&|\qqbbl{-4}mlkj\enotes
-\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes
-% mesure 77
-\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes
-\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes
-\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes
-\quatretemps
-% mesure 78
-\autolines {10}35\relax
-\changecontext\barsinline=0\relax
-\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes
-\temps\NOtes&|\dsoupir\cl d\enotes
-\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes
-% mesure 79
-\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes&|\enotes
-\temps\notes\qu D&|\dqh{-3}hg\enotes
-% mesure 80
-\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes&|\enotes
-\temps\NOtes&|\enotes
-\finmorceau
-\medskip\rightline{\it \aujourdhui}
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/recueil.tex b/Master/texmf-dist/doc/generic/musictex/recueil.tex
deleted file mode 100644
index d8c18ca5a83..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/recueil.tex
+++ /dev/null
@@ -1,128 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\vsize 270mm
-\hyphenation{re-gis-tra-tion}
-\csname french\endcsname
-\tracingstats=2\relax
-\line{\ \hss}
-\font \geant=\fonthdg\fonthdge bx12 scaled \magstep 6
-\vskip 15mm
-\font\assezgros=\fonthdg\fonthdge r17 scaled \magstep 1
-\centerline{\assezgros Daniel TAUPIN}
-\vfil
-{\baselineskip 20mm
-\centerline{\geant PETITES}
-\centerline{\geant PI\`ECES}\centerline{\geant POUR}
-\centerline{\geant PLAIRE}
-}
-\vskip 15mm
-\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue}
-\smallskip
-\centerline{\sl \`a deux claviers et p\'edalier}
-\vfil
-\centerline{Orsay, \aujourdhui}
-\eject
-%\check
-\null
-\vfil
-\hbox to \hsize{\hss\vbox{\hsize 12cm
-\centerline{\moyen PR\'EFACE ET AVERTISSEMENT}
- \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur
-\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve
-d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e
-infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est
-capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques
-qu'on lui propose.
- \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut
-se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui
-est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a
-la gastronomie.
- \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces
-Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la
-musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', qui aurait
-pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par
-des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur
-simple objectif est de charmer les oreilles d'auditeurs de culture classique,
-tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus
-d'orgues classiques, \`a savoir les \'eglises.
- \medskip
-\centerline{\vrule height 0.4pt width 0.5\hsize}
-\vskip 1mm
- \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent
-l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de
-ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des
-pianistes d'un niveau moyen.
- \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la
-Romance sans Paroles)
-mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent
-\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier.
- \vskip 15mm
- \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel
-TAUPIN}\smallskip \centerline{\sl \aujourdhui}}}
-
- \bigskip
- \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es}
- \centerline{\rm All rights of commercial distribution reserved}
- \bigskip
- \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}}
- \input recueil.toc
-}\hss}\vfil
-\eject
- \def\titremorceautoc{\write\toc{\noexpand\tocitem{\titremorceau}{\the\pageno}}}
- \newwrite\toc
- \immediate\openout\toc=recueil.toc
-%
-%
-\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
-\nbporteesii=2\relax
-\barsinline=0\relax
-\linesinpage=0\relax
-\signaturegenerale{0}\savesignature
-\resetfacteurs
-\computewidths}%
-%
-\misazero
-\input adagio
-%
-\misazero
-\input recit
-%
-\misazero
-\input tierce
-%
-\misazero
-\input choral
-%
-\misazero
-\input reves
-%
-\misazero
-\input prelude
-%
-\misazero
-\input fugue
-%
-\misazero
-\input aria
-%
-\misazero
-\input ostinato
-%
-\misazero
-\input romances
-%
-\misazero
-\input magnific
-%
-\misazero
-\input marcellx
-%
-\misazero
-\input purcellx
-%
-\misazero
-\input avemario
-%
-\closeout\toc
-\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/reves.tex b/Master/texmf-dist/doc/generic/musictex/reves.tex
deleted file mode 100644
index d955c73811b..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/reves.tex
+++ /dev/null
@@ -1,529 +0,0 @@
-\title{R\^eves}
-\fulltitle{V. \titremorceau}
-\subtitle{(pour orgue)}
-\csname titremorceautoc\endcsname
-\othermention{Compos\'e en 1990}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\maketitle
-\parindent 18mm
-%
-
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{0}\relax % pas d'armature
-\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
-\def\Mordant{\mordant{10}}%
-\def\Pince{\pince{10}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
- \centerline{G.O.}}}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-\def\doubler{\multnoteskip 2\relax}%
-\def\tripler{\multnoteskip 3\relax}%
-% formes frequentes
-% deux croches hautes
-\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqh{\dqu}\def\dqb{\dql}%
-%
-% deux doubles croches hautes
-\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%
-% croche pointee et double croche meme hauteur
-\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
-\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
-%
-% croche et deux doubles croches (1ere = 3eme)
-\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip
- \nbbu0\qh0{#2}\tqh0{#1}}%
-\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip
- \nbbl0\qb0{#2}\tqb0{#1}}%
-%
-\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}%
-\par\noindent{\rm R\'ec.: nasard, tremblant}%
-\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
-\smallskip
-%
-\generalmeter{\meterfrac 44\meterfrac 54}%
-%
-\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}%
-\debutmorceau
-\autolines {10}45\relax
-\footnote{}{\noteskip=18pt\altportee=0pt\resetstem
-\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}%
-\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes
-\advance\linesinpage by 1\relax
-% \advance\barsinline by 1\relax
-%
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
-\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
-\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
-%\check
-\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-%\check
-%
-% mesure 1
-\temps\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes
-\temps\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes
-\temps\Notes&\qu g|\pause\enotes
-\temps\Notes&\qu{_h}\enotes
-\temps\Notes&\qu{_i}\enotes
-% mesure 2
-\barre\nspace\nspace
- \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax
- \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes
-\temps\notes&\dqu3ef\enotes
-\temps\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax
- \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes
-\temps\NOtes&|\qu c\enotes
-% mesure 3
-\def\atnextline{\autolines {9}45}\relax
-\barre\nspace
-\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes
-\temps\Notes&|\qu g\enotes
-\temps\Notes&|\qu{_h}\enotes
-\temps\Notes&|\qu{_i}\enotes
-% mesure 4
-\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax
- |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes
-\temps\notes&|\dqu3{_e}f\enotes
-\temps\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes
-\temps\NOtes&\qu{_h}|\qu j\enotes
-% mesure 5
-%\barre
-\alaligne
-\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax
- |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes
-\temps\notes&|\dqh3ef\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes&|\qu{_h}\enotes
-% mesure 6
-\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes
-\temps\NOtes&|\qu j\enotes
-\temps\NOtes&|\qu k\enotes
-\temps\notes&|\dql3l{^m}\enotes
-% mesure 7
-\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes
-\temps\NOtes&|\ql l\enotes
-\temps\notes&|\cddcu i{^j}\enotes
-\temps\notes&|\dqu3{^g}h\enotes
-\temps\NOtes&|\qu i\enotes
-% mesure 8
-\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes
-\temps\NOtes&|\qu{=g}\enotes
-\temps\notes&|\cddcu e{^f}\enotes
-\temps\notes&|\dqu3cd\enotes
-\temps\NOtes&|\qu e\enotes
-% mesure 9
-\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes
-\temps\Notes&|\qu{^g}\enotes
-\temps\Notes&|\qu{^h}\enotes
-\temps\notes&|\dql3jk\enotes
-%\check
-% mesure 10
-\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\notes&|\na g\cddcu g{=h}\enotes
-\temps\notes&|\dqu3e{=f}\enotes
-\temps\NOtes&|\qu g\enotes
-% mesure 11
-\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes
-\temps\NOtes&|\qu{_i}\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\notes&\itenl0b\hu b|\dql3kl\enotes
-\temps\NOtes&|\ql{^m}\enotes
-% mesure 12
-\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes
-\temps\Notes&|\ql l\enotes
-\temps\notes&|\cddcu i{^j}\enotes
-\temps\notes&|\dqu3{^g}{^h}\enotes
-\temps\NOtes&\qu{^b}|\qu{^i}\enotes
-\def\atnextline{\autolines {11}45}\relax
-% mesure 13
-\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes
-\temps\NOtes&|\qu{^g}\enotes
-\temps\notes&\hu d|\na e\cddcu e{^f}\enotes
-\temps\notes&|\dqu3{^c}d\enotes
-\temps\NOtes&\qu e|\qu e\enotes
-% mesure 14
-\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu f\enotes
-\temps\NOtes&|\qu{=c}\enotes
-\temps\notes&|\dqu3de\enotes
-\temps\NOtes&\qu{_d}|\qu f\enotes
-% mesure 15
-\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes
-\temps\NOtes&|\qu{_d}\enotes
-\temps\notes&|\bigfl e\dqu3{e}f\enotes
-\temps\NOtes&\qu{=d}|\qu g\enotes
-% mesure 16
-\advance\barsinline by -1\relax
-\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes
-\temps\NOtes&|\qu{=e}\enotes
-\temps\notes&|\bigfl g\dqu3{g}{_h}\enotes
-\temps\NOtes&\qu f|\qu{_i}\enotes
-% mesure 17
-\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes
-\temps\NOtes&|\qu{=g}\enotes
-\temps\notes&|\cddcu ef\enotes
-\temps\notes&|\dqu3cd\enotes
-\temps\NOtes&|\qu e\enotes
-% mesure 18
-\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes
-\temps\notes&|\dqu{3}de\enotes
-\temps\notes&|\dqu{3}cd\enotes
-\temps\notes&|\dqu{3}ef\enotes
-% mesure 19
-\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes
-\temps\notes&|\cddcu d{_e}\enotes
-\temps\Notes&|\dqu3bc\enotes
-\temps\Notes&|\qu d\enotes
-% mesure 20
-\advance\barsinline by -1\relax
-\autolines {22}25\relax
-\cleftoksii={{6}{0}{0}{0}}\changeclefs
-\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax
- \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}%
-%\check
-\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax
- \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}%
-%\check
-% croche et deux doubles croches (1ere = 3eme)
-\def\duoskip{\tripler\relax
- \divide\noteskip by 2\relax}%
-\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk
- \nbbu0\qh0{#2}\tqh0{#1}}%
-\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk
- \nbbl0\qb0{#2}\tqb0{#1}}%
-%
-\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes
-\temps\notes&\sxtl{N}ad{e}da|\qu f\enotes
-\temps\notes&\sxtl{N}ad{e}da|\qu g\enotes
-\temps\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes
-% mesure 21
-\autolines {29}25\relax
-\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes
-\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes
-\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes
-\temps\notes&\sxtl M{a}d{e}da|\qu g\enotes
-% mesure 22
-\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes
-\temps\notes&\sxtl KMbcbM|\qu i\enotes
-\temps\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes
-\temps\notes&\sxtl KMbcbM|\ql l\enotes
-\temps\notes&\sxtl KMbcbM|\ql m\enotes
-\autolines {27}25\relax
-% mesure 23
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes
-\temps\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes
-\temps\notes&\sxtu Ncefec|\cddcu gh\enotes
-\temps\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes
-\temps\notes&\sxtu Ncefec|\qu g\enotes
-% mesure 24
-\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes
-\temps\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes
-\temps\notes&\sxtu Ncefec|\tripler\dql4ln\enotes
-\temps\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes
-% mesure 25
-\autolines {31}25\relax
-\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes
-\temps\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes
-\temps\notes&\sxtu acefec|\cddcu gh\enotes
-\temps\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes
-\temps\notes&\sxtu acegec|\qu g\enotes
-% mesure 26
-\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip
-\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes
-\temps\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes
-\temps\notes&\sxtu Naefea|\tripler\dql2kl\enotes
-\temps\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes
-\temps\notes&\sxtu Naefea|\tripler\ql{_p}\enotes
-% mesure 27
-\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes
-\temps\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes
-\temps\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes
-\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes
-\temps\notes&\sxtu Ncegec|\ql l\enotes
-%\check
-% mesure 28
-\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes
-\temps\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes
-\temps\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes
-\temps\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes
-% mesure 29
-\autolines {24}25\relax
-\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes
-\temps\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes
-\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes
-\temps\notes&\sxtu Ncegec|\tripler\dql4ln\enotes
-%\check
-% mesure 30
-\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes
-\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes
-\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes
-\temps\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes
-%\check
-\cleftoksii={{6}{0}{0}{0}}\changeclefs
-% mesure 31
-\autolines {25}25\relax
-\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes
-\temps\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes
-\temps\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes
-\temps\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler
- \itenl1e\qu{_e}\enotes
-%\check
-% mesure 32
-\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl
-N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes
-\temps\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes
-\temps\notes&\sxtl Nadeda|\enotes
-\temps\notes&\sxtl Nadeda|\enotes
-%\check
-% mesure 33
-\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes
-\temps\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes
-\temps\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes
-\temps\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes
-%\check
-% mesure 34
-\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip
- \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes
-\temps\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes
-\temps\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes
-\temps\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes
-%\check
-% mesure 35
-\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes
-\temps\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes
-\temps\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes
-\temps\notes&\sxtl Madfda|\qu f\enotes
-%\check
-% mesure 36
-\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes
-\temps\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes
-\temps\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes
-\temps\notes&\sxtl MNbebN|\qu j\enotes
-%\check
-% mesure 37
-\autolines{30}25\relax
-\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes
-\temps\notes&\sxtl M{_a}dfda|\enotes
-\temps\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes
-\temps\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes
-%\check
-\barre\autolines{15}35\relax
-% mesure 38
-\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes
-\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes
-\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes
-\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes
-% mesure 39
-\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes
-\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes
-\temps\NOtes&\itenl3L\hl L\enotes
-\temps\NOtes\itenl2J\qu J&|\enotes
-%\check
-% mesure 40
-\barre\nspace\autolines{11}45\relax
-\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes
-\temps\NOtes&\wh{=N}|\qu{_d}\enotes
-\temps\NOtes&\itenu2c\hup c|\qu g\enotes
-\temps\NOtes&|\qu{_h}\enotes
-\temps\NOtes&|\qu{_i}\enotes
-% mesure 41
-%
-% croche et deux doubles croches (1ere = 3eme)
-\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip
- \nbbu0\qh0{#2}\tqh0{#1}}%
-\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip
- \nbbl0\qb0{#2}\tqb0{#1}}%
-%
-\barre
-\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax
-\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes
-\temps\notes&|\dqu3{_e}f\enotes
-\temps\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes
-\temps\NOtes&\ql{a}|\qu j\enotes
-% mesure 42
-\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax
- |\cddcu gf\enotes
-\temps\notes&|\dqh3ef\enotes
-\temps\NOtes&|\qu g\enotes
-\temps\NOtes&|\qu{_h}\enotes
-% mesure 43
-\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes
-\temps\NOtes&|\qu j\enotes
-\temps\NOtes&|\qu k\enotes
-\temps\notes&|\dql3l{^m}\enotes
-% mesure 44
-\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes
-\temps\NOtes&|\ql l\enotes
-\temps\notes&|\cddcu i{^j}\enotes
-\temps\notes&|\dqu3{^g}h\enotes
-\temps\NOtes&|\qu i\enotes
-% mesure 45
-\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes
-\temps\NOtes&|\qu{=g}\enotes
-\temps\notes&|\cddcu e{^f}\enotes
-\temps\notes&|\dqu3cd\enotes
-\temps\NOtes&|\qu e\enotes
-% mesure 46
-\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes
-\temps\NOtes&|\qu{^g}\enotes
-\temps\NOtes&|\qu{^h}\enotes
-\temps\notes&|\dql3jk\enotes
-%\check
-% mesure 47
-\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\notes&\hl{_a}|\na g\cddcu g{=h}\enotes
-\temps\notes&|\dqu3e{=f}\enotes
-\temps\NOtes&\ql N|\qu g\enotes
-% mesure 48
-\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes
-\temps\NOtes&|\qu{_i}\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\notes&|\dql3kl\enotes
-\temps\NOtes&|\ql{^m}\enotes
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-% mesure 49
-\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes
-\temps\NOtes&|\ql l\enotes
-\temps\notes&|\cddcu i{^j}\enotes
-\temps\notes&|\dqu3{^g}{^h}\enotes
-\temps\NOtes&\qu{^d}|\qu{^i}\enotes
-% mesure 50
-\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes
-\temps\NOtes&|\qu{^g}\enotes
-\temps\notes&\hu d|\bigna e\cddcu e{^f}\enotes
-\temps\notes&|\dqu3{^c}d\enotes
-\temps\NOtes&\qu e|\qu e\enotes
-% mesure 51
-\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes
-\temps\NOtes&|\qu{=c}\enotes
-\temps\notes&|\dqu3de\enotes
-\temps\NOtes&\qu{_d}|\qu f\enotes
-% mesure 52
-\barre\autolines{10}35\nspace
-\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes
-\temps\NOtes&|\qu{_d}\enotes
-\temps\notes&|\bigfl e\dqu3{e}f\enotes
-\temps\NOtes&\qu{_e}|\qu g\enotes
-% mesure 53
-\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes
-\temps\NOtes&|\qu{=e}\enotes
-\temps\notes&|\dqu3{_g}{_h}\enotes
-\temps\NOtes&\qu f|\qu{_i}\enotes
-% mesure 54
-\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes
-\temps\notes&|\cddcu gf\enotes
-\temps\notes&|\dqu{-2}ed\enotes
-\temps\notes&|\dqu2cd\enotes
-\temps\NOtes&\qu{_h}|\qu e\enotes
-% mesure 55
-\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes
-\temps\notes&|\dqu{-2}gf\enotes
-\temps\notes&|\dqu{-2}ih\enotes
-\temps\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax
-\qh0{^f}\tqh0{=f}\enotes
-\cleftoksii={{6}{0}{0}{0}}\changeclefs
-% mesure 56
-\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes
-\temps\notes&|\bigsh f\dqu{-2}{f}e\enotes
-\temps\notes&|\dqu3{^g}{^h}\enotes
-\temps\notes&|\dqu3jk\enotes
-%\check
-% mesure 57
-\barre\bigaccid
-\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\notes&|\cddcu gh\enotes
-\temps\notes&|\dqu{-2}{^f}e\enotes
-\temps\notes&|\dqu{-2}dc\enotes
-%\check
-% mesure 58
-\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes
-\temps\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes
-\temps\notes&|\dqu2ef\enotes
-\temps\notes&|\dqu2de\enotes
-% mesure 59
-\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes
-\temps\notes&|\dqu{-2}{=f}e\enotes
-\temps\notes&|\dqu4gi\enotes
-\temps\notes&|\dqu4jl\enotes
-% mesure 60
-\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes
-\temps\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes
-\temps\notes&|\dqb{-2}kj\enotes
-\temps\notes&|\dqu{-2}{_i}{_h}\enotes
-% mesure 61
-\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes
-\temps\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes
-\temps\notes&|\dqu2de\enotes
-\temps\notes&|\dqu6fi\enotes
-% mesure 62
-\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes
-\temps\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes
-\temps\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes
-\resp
-% mesure 63
-\barre\NOtes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes
-\temps\notes&|\qu{_e}\enotes
-\temps\notes&|\qu h\enotes
-\temps\notes&|\qu{_i}\enotes
-\temps\notes&|\qu j\enotes
-% mesure 64
-\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes
-\temps\notes&|\dqu2{^f}g\enotes
-\temps\NOTEs&\itenl0M\zhu a\hlp{^M}|\qu h\enotes
-\temps\NOtes&\qu{_b}|\ql k\enotes
-%\check
-% mesure 65
-\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes
-\temps\notes&|\dqu2{^f}g\enotes
-\temps\NOtes&|\qu h\enotes
-\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes
-\temps\notes&|\dqu2gh\enotes
-% mesure 66
-\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes
-\temps\NOtes&|\qu d\enotes
-\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes
-\temps\notes&|\dqu2gh\enotes
-% mesure 67
-\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes
-\temps\NOtes&|\qu d\enotes
-\temps\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes
-\temps\notes&|\dqu2gh\enotes
-% mesure 68
-\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes
-\temps\NOtes&|\ql j\enotes
-\temps\NOtes&|\sh j\ql j\enotes
-% mesure 69
-\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes
-\temps\NOTes&\tten2\zh N\hu {_b}\enotes
-\temps\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes
-\finmorceau
-\rightline{\sl\aujourdhui}\vfil\eject
-\varaccid
diff --git a/Master/texmf-dist/doc/generic/musictex/romances.tex b/Master/texmf-dist/doc/generic/musictex/romances.tex
deleted file mode 100644
index c337b1192b3..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/romances.tex
+++ /dev/null
@@ -1,499 +0,0 @@
-\title{Romance sans paroles}
-\fulltitle{IX. \titremorceau}
-\subtitle{(pour orgue)}
-\othermention{Compos\'e en 1992--93}
-\author{Daniel TAUPIN}
-\shortauthor{D. Taupin}
-\maketitle
-
-\csname titremorceautoc\endcsname
-
-%
-% formes frequentes
-% deux croches hautes
-\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
-\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
-\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
-\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
-\def\doubler{\noteskip=2\noteskip}%
-\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir}
-%
-\parindent 18mm
-%
-
-\tracingstats=2\relax
-%
-\nbporteesii=1\relax
-\def\nbinstruments{3}
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{-2}\relax % deux bemols a la clef
-\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}%
-\def\troistemps{\generalmeter{\meterfrac{9}{8}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{Positif ({\bf II})}%
-\def\instrumentiii{R\'ecit ({\bf III})}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}%
-\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}%
-\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}%
-\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}%
-\smallskip
-%
-\deuxtemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
- \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax
- \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax
-\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax
- \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax
-\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax
- \qh0{#5}\qh0{#6}\tqb0{#7}}\relax
-\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax
- \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax
-%
-\debutmorceau
-%
-\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi
-\autolines {6}{\barperline}5\relax
-%\check
-%
-\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
-% mesure 1
-\ifx\mxversion\undefined\kern -\internote\fi
-\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto
- \bf(\metron{\qup}{60})}}\enotes
-\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes
-%\check
-% mesure 2
-\barre\ifx\mxversion\undefined\kern -\Interligne\fi
-\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes
-\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes
-%\check
-% mesure 3
-\barre\ifx\mxversion\undefined\kern -\Interligne\fi
-\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler
- \qu g\sk\cu h\enotes
-\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
- \qu i\sk\cu k\enotes
-%\check
-% mesure 4
-\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler
- \qup{^j}\enotes
-\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler
- \qu h\tleg3\sk\dsoupir\enotes
-%\check
-% mesure 5
-\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler
- \Ilegu3o\Tqh{=i}hg\enotes
-\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
- \Tqh{_i}hg\enotes
-%\check
-% mesure 6
-\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler
- \qu{^f}\sk\cu{=e}\enotes
-\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk
- \cbreath\sk\Ilegu3o\cu d\enotes
-%\check
-% mesure 7
-\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler
- \qu g\sk\cu h\enotes
-\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
- \qu i\sk\cu k\enotes
-%\check
-% mesure 8
-\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler
- \qlp{=l}\enotes
-\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax
- \ql k\tleg3\sk
- \cbreath\sk\Ilegu3o\cna j\cl j\enotes
-%\check
-% mesure 9
-\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler
- \ql i\sk\cl j\enotes
-\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler
- \ql h\sk\cl i\enotes
-%\check
-% mesure 10
-\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes
-\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir
- \Ilegu3o\cu d\enotes
-%\check
-% mesure 11
-\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler
- \qu g\sk\cu h\enotes
-\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
- \qu i\sk\cu k\enotes
-%\check
-% mesure 12
-\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes
-\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes
-%\check
-% mesure 13
-\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes
-\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
- \Tqh{i}hg\enotes
-%\check
-% mesure 14
-\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes
-\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes
-%\check
-% mesure 15
-\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes
-\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes
-%\check
-% mesure 16
-\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes
-\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes
-%\check
-% mesure 17
-\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes
-\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir
- \Ilegu3p\enotes
-\cleftoksii={6000}\changeclefs
-\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler
- \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes
-%\check
-% mesure 18
-\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
- \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
- \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
-%\check
-% mesure 19
-\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
- \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
-\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
- \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes
-%\check
-% mesure 20
-\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler
- \zqlp d\zq g\Tqh ihg\enotes
-\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler
- \zqlp{=e}\zq g\Tqh ihg\enotes
-%\check
-% mesure 21
-\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler
- \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes
-\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk
- \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes
-%\check
-% mesure 22
-\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
- \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
- \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk
- \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes
-%\check
-% mesure 23
-\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler
- \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes
-\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax
- \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes
-%\check
-% mesure 24
-\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler
- \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
-\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
- \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
-%\check
-% mesure 25
-\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
-\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes
-\cleftoksii={0000}\changeclefs
-\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax
- \uptext{\bf III}\Ilegu3p\cu d\enotes
-%\check
-% mesure 26
-\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax
-\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes
-\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax
-\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes
-%\check
-% mesure 27
-\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax
- \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes
-\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes
-%\check
-% mesure 28
-\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler
- \Tqb lkj\enotes
-\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler
- \Tqh{_i}hg\enotes
-%\check
-% mesure 29
-\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax
- \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes
-\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax
- \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk
- \Ilegu3o\cu d\enotes
-%\check
-% mesure 30
-\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler
- \Tqh ghi\enotes
-\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler
- \Tqb ijk\enotes
-%\check
-% mesure 31
-\barre\notes\doubler
- \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler
- \Tqb k{=l}{^m}\enotes
-\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler
- \ql n\sk\cl {=m}\enotes
-%\check
-% mesure 32
-\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler
- \Tqb {_l}kj\enotes
-\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler
- \Tqh ihg\enotes
-%\check
-% mesure 33
-\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler
- \Tqh ihg\enotes
-\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler
- \qu h\tleg3\sk\dsoupir\enotes
-%\check
-% mesure 34
-\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax
- \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes
-\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler
- \Tqb ijk\enotes
-%\check
-% mesure 35
-\barre\notes\doubler
- \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler
- \Tqb k{=l}{^m}\enotes
-\zbarre\notes\doubler
- \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler
- \ql n\sk\cl m\enotes
-% mesure 36
-\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler
- \Tqb {=l}kj\enotes
-\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler
- \Tqb {_i}hg\enotes
-% mesure 37
-\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax
- \sqbbH cc.{^c}egeca&\doubler
- \ql{^j}\tleg3\sk\ds\enotes
-\cleftoksii={6000}\changeclefs
-\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax
- \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o
- \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes
-%\check
-% mesure 38
-\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler
- \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
-\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
- \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
-%\check
-% mesure 39
-\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
-\zbarre\notes\sk\sk\soupir
- &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes
-\cleftoksii={0000}\changeclefs
-\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax
- \Ilegu3q\cu k\enotes
-%\check
-% mesure 40
-\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler
- \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler
- \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes
-%\check
-% mesure 41
-\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes
-\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler
- \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes
-%\check
-% mesure 42
-\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler
- \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes
-\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler
- \zqp k\zqlp{^m}\qu o\sk\cu p\enotes
-% mesure 43
-\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler
- \zq{ik}\ql n\tleg3\sk\ds\enotes
-\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler
- \Ilegu3r\ql k\sk\itenl0k\cl k\enotes
-%\check
-% mesure 44
-\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler
- \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler
- \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk
- \tten0\tten1\zq n\zq p\cl r\enotes
-%\check
-% mesure 45
-\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk
- \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes
-\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler
- \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes
-%\check
-% mesure 46
-\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler
- \zqlp k\zq n\Tqh pon\enotes
-\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler
- \zqlp{=l}\zq n\Tqh pon\enotes
-%\check
-% mesure 47
-\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler
- \zqp {k^m}\qlp o\enotes
-\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes
-\cleftoksii={6000}\changeclefs
-\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler
- \Ilegu3r\itenl0k\cu k\enotes
-%\check
-% mesure 48
-\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
- \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
- \tten0\zq k\zq n\ql p\sk\cl n\enotes
-%\check
-% mesure 49
-\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
- \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes
-\cleftoksii={0000}\changeclefs
-\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler
- \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes
-%\check
-% mesure 50
-\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler
- \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes
-\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler
- \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes
-%\check
-% mesure 51
-\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes
-\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir
- &\sk\tleg3\sk\dsoupir\enotes
-\cleftoksii={6000}\changeclefs
-\temps\notes&\cl c&\cu d\enotes
-%\check
-% mesure 52
-\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes
-\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes
-%\check
-% mesure 53
-\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes
-\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes
-%\check
-% mesure 54
-\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes
-\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes
-% check
-% mesure 55
-\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler
- \zqp{^f}\zqlp h\qu k\sk\cu k\enotes
-\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler
- \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes
-%\check
-% mesure 56
-\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes
-\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes
-%\check
-% mesure 57
-\barre\notes\qup I&\sqbbL aa.babNab&\doubler
- \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes
-\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes
-%\check
-% mesure 58
-\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes
-\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes
-%\check
-% mesure 59
-\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler
- \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes
-\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler
- \zq e\zql g\Tqh {_i}hg\enotes
-%\check
-% mesure 60
-\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes
-\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir
- \enotes
-\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler
- \Ilegu3o\itenl0d\cu d\enotes
-%\check
-% mesure 61
-\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
- \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
-\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
- \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
-%\check
-% mesure 62
-\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
- \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
-\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
- \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes
-%\check
-% mesure 63
-\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler
- \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes
-\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler
- \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes
-%\check
-% mesure 64
-\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler
- \zhp {bd}\hup g\enotes
-\ifnum\musicsize<17\relax\autolines695\relax\fi
-\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax
- \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes
-%\check
-% mesure 65
-\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
- \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
-\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
- \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
-%\check
-% mesure 66
-\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax
- \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes
-\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes
-%\check
-% mesure 67
-\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax
- \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes
-\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax
- \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes
-%\check
-% mesure 68
-\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes
-\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes
-%\check
-% mesure 69
-\advance\maxbarsinline by 1\relax
-\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
- \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
-\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
- \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
-%\check
-% mesure 70
-\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes
-\zbarre
-\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes
-%\check
-% mesure 71
-\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax
- \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes
-\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax
- \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes
-% mesure 72
-\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax
- \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes
-\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes
-%\check
-\finmorceau
-%
-\medskip\rightline{\it \aujourdhui}
-\vfil
-\eject
diff --git a/Master/texmf-dist/doc/generic/musictex/screatim.tex b/Master/texmf-dist/doc/generic/musictex/screatim.tex
deleted file mode 100644
index e4ae7e68d9f..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/screatim.tex
+++ /dev/null
@@ -1,139 +0,0 @@
-\input musicnft
-\input musictex
-\input musicsty
-%
-\def\nbinstruments{2}%
-\generalmeter{\meterfrac{4}{4}}%
-\signaturegenerale{0}%
-\hsize 190mm
-\vsize 275mm
-\centerline{\enorme Aria No. 24}
-\medskip\centerline{\moyen (La Cr\'eation)}
-\medskip\centerline{\moyen Joseph HAYDN}
-%
-\rightline{Transcription pour Orgue et T\'enor, D. Taupin (1990)}
-\medskip
-\nbporteesii=1\relax
-\nbporteesii=2\relax
-\def\instrumenti{P\'ed.}\def\instrumentii{Manuel}
-\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
-\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
-\etroit \def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
-\cleftoksi={{6}{0}{0}{0}}
-\cleftoksii={{6}{0}{0}{0}}
-\debutmorceau
-\NOTes\soupir\relax
-&\rlap{\rmidtwotext{\bf II}}\relax
-\soupir\relax
-|\relax
-\qu g\relax
-\enotes
-% mesure 1
-\advance\barno by -1\relax
-\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\smallnotesize
-\itenl0j\relax
-\ibu1l0\relax
-\qh1j\relax
-\enotes
-\notes&\qbl0c0|\smallnotesize\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes
-\Notes&\qb0e\tbl0\qb0c|\smallnotesize\qu j\enotes
-\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
-% mesure 2
-\smallnotesize
-\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
- \zq c\qb1e\zq c\qb1e\relax
- \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
-\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
- \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
-% mesure 3
-\normalnotesize
-\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds
-|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes
-\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes
-\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes
-\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes
-\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes
-% mesure 4
-\alaligne\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax
- \zq{bd}\qb1f\zq{bd}\qb1f\relax
- \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes
-\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax
- \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes
-% mesure 5
-\tinynotesize
-\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax
- |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes
-\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax
- |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes
-%\check
-% mesure 6
-\normalnotesize
-\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax
- |\rlap{\hl g}\ppt j\qu j\enotes
-\notes&\tbl0\qb0c|\sk\ccu l\enotes
-\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes
-\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes
-%\check
-% mesure 7
-\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax
- |\rlap{\hlp h}\qu k\sk\qu m\enotes
-\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes
-\notes&\zq d\qb0f\sk
-\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax
- \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes
-%\check
-% mesure 8
-\alaligne\tinynotesize
-\Notes\hu G&\lcharnote c{\bf I}\relax
-\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes
-\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax
- |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes
-%\check
-% mesure 9
-\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes
-\notes&\nbbl0\qb0b\tqb0c\enotes
-\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes
-\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes
-\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes
-\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes
-%\check
-% mesure 10
-\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes
-\notes&|\nbbl1\qb1n\tqb1{^m}\enotes
-\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes
-\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes
-\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes
-\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes
-%\check
-\suspmorceau
-\def\nbinstruments{4}%
-\nbporteesiii=0\relax
-% mesure 11
-\reprmorceau
-\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes
-\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes
-\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes
-\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes
-% mesure 12
-\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes
-\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes
-\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes
-\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes
-% mesure 13
-\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes
-\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes
-\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes
-\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes
-\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes
-% mesure 14
-\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax
- &Sch\"on-&\ql k\enotes
-\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes
-\temps\Notes\pause&\hpause|\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes
-\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes
-\suspmorceau
-\removelastskip\rightline{\sl\aujourdhui}
-
-\bye
diff --git a/Master/texmf-dist/doc/generic/musictex/souvenir.tex b/Master/texmf-dist/doc/generic/musictex/souvenir.tex
deleted file mode 100644
index 5210a58558d..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/souvenir.tex
+++ /dev/null
@@ -1,29 +0,0 @@
-\ifx\Smalltype\undefined \def\Smalltype{\ninepoint}\fi
- %
-\def\Transpose{0}%
-\def\Signature{-3}\relax % trois bemols a la clef
-\generalsignature{\Signature}\savesignature
-\barsinline=0\relax\linesinpage=0\relax
-\input souvenix
-%
-\def\Transpose{-4}%
-\def\Signature{-4}\relax % quatre bemols a la clef
-\generalsignature{\Signature}\savesignature
-\barsinline=0\relax\linesinpage=0\relax
-\input souvenix
-%
-\bye
-
-\def\Transpose{-4}\relax
-\def\Signature{3}\relax % trois diezes a la clef
-\generalsignature{\Signature}\savesignature
-\barsinline=0\relax\linesinpage=0\relax
-\input souvenix
-%
-\def\Transpose{-3}\relax
-\def\Signature{-2}\relax % deux bemols a la clef
-\generalsignature{\Signature}\savesignature
-\barsinline=0\relax\linesinpage=0\relax
-\input souvenix
-\bye
-
diff --git a/Master/texmf-dist/doc/generic/musictex/souvenix.tex b/Master/texmf-dist/doc/generic/musictex/souvenix.tex
deleted file mode 100644
index 6d69a70f29d..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/souvenix.tex
+++ /dev/null
@@ -1,475 +0,0 @@
-
-\fulltitle{Un souvenir...}
-\shortauthor{Rossi/Capitani}
-\title{Un souvenir}
-\othermention{Paroles d'Oreste ROSSI}
-\fullauthor{Musique de Fernand CAPITANI}%
-\maketitle
-
-\ifx\Transpose\undefined\def\Transpose{0}\fi
-\ifx\Signature\undefined\def\Signature{-3}\fi
-
-\tracingstats=1\relax
-%\check
-%
-%
-% soufflets crescendo et decrescendo
-%
-\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
-\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
-%
-\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
-\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
-%
-%\check
-\def\nbinstruments{2}
-\setstaffs12\relax
-\setstaffs21\relax
-\setclefs1{6000}%
-\setclefs2{0000}%
-%
-\generalsignature{\Signature}%
-\generalmeter{\meterfrac{4}{4}}
-%\check
-\def\interfacteur{10}%
-\parindent 15mm
-\def\instrumenti{Piano}%
-\def\instrumentii{Chant}%
-\setinterinstrument1{4\Interligne}
-%\check
-\def\respire{\notes\nextinstrument\cbreath\enotes}%
-%
-%\check
-\catcode`\@=13
-%
-\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}%
-\def\doctu#1#2{{\advance\transpose by 7\relax
-\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}%
-%
-\def\nbinstruments{1}\computewidths
-\debutmorceau
-\autolines {10}44\relax
-\transpose=\Transpose
-\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes
-%
-\def\rchone{\lq q\zq{lnp}\ql s}%
-\def\Lchone{\lh c\zh{be}\hl g}%
-\def\lchone{\lq c\zq{be}\ql g}%
-\def\Lchtwo{\zh{bd}\hl g}%
-\def\lchtwo{\zq{bd}\ql g}%
-%\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}%
-\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\zcharnote{H}{\soupir}}%
-\znotes\zmidtwotext{\kern -2\Interligne\ppff p}\enotes
-\temps\NOtes\octs E|\soupir\enotes
-\temps\NOtes\Lchone|\rchone\enotes
-\temps\NOtes|\rchone\enotes
-\temps\NOtes\lchone|\rchone\enotes
- %\check
-% mesure 2
-\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes
-\temps\NOtes\Lchtwo\enotes
-\temps\NOtes\sk\enotes
-\temps\NOtes\lchtwo\enotes
- %\check
-% mesure 3
-%
-\def\lchthree{\lq f\zq{ce}\ql h}%
-\def\Lchthree{\lh f\zh{ce}\hl h}%
-\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes
-\temps\notes\Lchthree|\doct jk\enotes
-\temps\NOtes|\zq{lnq}\ql s\enotes
-\temps\notes\lchthree|\doct kj\enotes
-%
- %\check
-% mesure 4
-\def\lchfour{\zq{be}\ql g}%
-\def\Lchfour{\zh{be}\hl g}%
-\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes
-\temps\NOtes\Lchfour|\ql l\enotes
-\temps\NOtes|\ql k\enotes
-\temps\NOtes\lchfour|\Fl k\ql k\enotes
-%
- %\check
-% mesure 5
-%
-\def\lchfive{\lq e\zq c\ql f}%
-\def\Lchfive{\lh e\zh c\hl f}%
-\def\uchfive{\lq m\zq{hl}\ql o}%
-\barre\autolines 854\relax
-\NOtes\octs F|\soupir\enotes
-\temps\NOtes\lFl c\Lchfive|\uchfive\enotes
-\temps\NOtes|\uchfive\enotes
-\temps\notes\lchfive|\lq m\zq l\doct hh\enotes
-%
- %\check
-% mesure 6
-%
-\def\lchsix{\lq c\zq{Nb}\ql e}%
-\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}%
-\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes
-\temps\NOtes\Lchsix|\ql l\enotes
-\temps\NOtes|\ql j\enotes
-\temps\NOtes\lchsix|\ql i\enotes
-%
- %\check
-% mesure 7
-\def\lchseven{\zq{Ma}\ql c}%
-\def\Lchseven{\Fl c\zh{Mac}\hl e}%
-\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes
-\temps\notes\bigaccid\Lchseven|\doctu fg\enotes
-\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes
-\temps\notes\lchseven|\doctu ef\enotes
-%
- %\check
-% mesure 8
-\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause
- |\Na j\rh j\zh{egi}\hu l\enotes
-\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes
-%
- %\check
-% mesure 9
-\xbarre\notes\qsk\enotes
-\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax
- |\lw p\zw{lnq}\wh s\enotes
-\setdoublebar\suspmorceau
-%
- %\check
-% mesure 10
-\def\nbinstruments{2}\generalmeter{}\savemeters
- %\computewidths
- %\advance\linesinpage by 1
- \lreprmorceau
-{\leftrepeatsymbol}%
-\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 10pt
-\vss\hrule width \elemskip height 0pt
-\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
- #2\kern\internote}\smallskip
-\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
- #1\kern\internote}}}}%
-\znotes\zmidtwotext{\ppff p}&\enotes
-%
-\znotes\rlap{\arpeggio E6}\arpeggio c6\enotes
-\notes\zw{EILNb}|\wh g&\ds\enotes
-\hardlyrics{\txt Se |De &}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt sou-|la &}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt ve-|mer-&}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt nir |veil-&}\notes&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt c'est |leuse &}\notes&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt croire |a-&}\notes&\hsong\thelyrics\cu j\enotes
-\hardlyrics{\txt en |ven-&}\notes&\hsong\thelyrics\cu j\enotes
- %\check
-% mesure 11
-\xbarre\znotes\arpeggio G5|\arpeggio d4\enotes
-\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\hsong{\txt co-|tu-&}\hl k\enotes
-\temps\znotes\arpeggio M8|\arpeggio i4\enotes
-\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\hsong{\txt re |re &}\hl k\enotes
-%
- %\check
-% mesure 12
-\xbarre
-\znotes\rlap{\arpeggio D8}\arpeggio b7\enotes
-\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes
-\hardlyrics{\txt Que |Qui &}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt tout |un &}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt vient |jour &}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt de |a &}\notes|\zhl e&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt re-|pu &}\notes&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt com-|nous &}\notes&\hsong\thelyrics\cu j\enotes
-\hardlyrics{\txt men-|u-&}\notes&\hsong\thelyrics\cu j\enotes
- %\check
-% mesure 13
-\xbarre\znotes\arpeggio E6|\arpeggio c4\enotes
-\nspace
-\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\hsong{\txt cer |nir &}\wh k\enotes
-\temps\NOtes|\hl g\enotes
-%
- %\check
-% mesure 14
-\alaligne
-\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes
-\hardlyrics{\txt\kern -\Interligne C'est |Je &}\notes&\hsong\thelyrics\cl l\enotes
-\hardlyrics{\txt re-|gar-&}\notes&\hsong\thelyrics\cl k\enotes
-\hardlyrics{\txt voir |de &}\notes&\hsong\thelyrics\cu j\enotes
-\hardlyrics{\txt
- l'\^e-|mal-&}\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt tre |gr\'e &}\notes&\hsong\thelyrics\cu i\enotes
-\hardlyrics{\txt qu'on |mes &}\notes|\bigaccid\Na h\ql h&\hsong\thelyrics\cu j\enotes
-\hardlyrics{\txt a-|bles-&}\notes&\hsong\thelyrics\cu j\enotes
- %\check
-% mesure 15
-\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\hsong{\txt do-|su-&}\hu g\enotes
-\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\hsong{\txt re |res &}\hu g\enotes
-%
- %\check
-% mesure 16
-\xbarre
-\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes
-\hardlyrics{\txt Et |L'in-&}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt re-|ef-&}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt trou-|fa-&}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt ver |\c ca-&}\notes&\hsong\thelyrics\cu f\enotes
-\hardlyrics{\txt tout |ble &}\notes&\hsong\thelyrics\cu f\enotes
-\hardlyrics{\txt le |sou-&}\notes&\hsong\thelyrics\cu g\enotes
-\hardlyrics{\txt pas-|ve-&}\notes&\hsong\thelyrics\cu g\enotes
- %\check
-% mesure 17
-\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\zsong{\txt s\'e... |nir... &}\wh i\enotes
-\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes
-\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes
-%
- %\check
-% mesure 18
-\setdoublebar\alaligne
-%
-\autolines {10}44\relax
-\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes
-\temps\NOtes\octs E|\soupir\enotes
-%\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
-\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
-\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
-\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
- %\check
-% mesure 19
-\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{\txt|nir &}\wh k\enotes
-\temps\NOtes\Lchtwo\enotes
-\temps\NOtes\sk\enotes
-\temps\NOtes\lchtwo\enotes
- %\check
-% mesure 20
-%
-\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes
-\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -\Interligne C'est l'i-&}\cl j\cl k\enotes
-\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes
-\temps\Notes\lchthree|\doct kj&\dhsong{\txt|\kern -\Interligne ge d'un &}\cl k\cl j\enotes
-%\temps\Notes\lchthree|\doct kj&\dhsong{ge d'un }\cl k\cl j\enotes
-%
- %\check
-% mesure 21
-\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{\txt|r\^e-&}\hl i\enotes
-\temps\NOtes\Lchfour|\enotes
-\temps\NOtes|\zh{inl}\hl p&\hsong{\txt|ve &}\hl i\enotes
-\temps\NOtes\lchfour|\enotes
-%
- %\check
-% mesure 22
-%
-\def\lchttwo{\zq a\zq c\ql e}%
-\def\Lchttwo{\zh a\zh c\hl e}%
-\def\uchttwo{\zq{hjl}\ql o}%
-\barre\NOtes\octs F|\soupir&\soupir\enotes
-\temps\NOtes\Lchttwo|\uchttwo&\hsong{\txt|\kern -5pt D'une &}\qu h\enotes
-\temps\NOtes|\uchttwo&\hsong{\txt|\kern -\internote heu-&}\qu h\enotes
-\temps\Notes\lchttwo|\zq j\zq l\doct hh&\dhsong{\txt|re trop &}\cu h\cu h\enotes
-%
- %\check
-% mesure 23
-%
-\def\Lchtthree{\lh c\zh{Nb}\hl e}%
-\def\lchtthree{\lq c\zq{Nb}\ql e}%
-\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{\txt|br\`e-&}\hu g\enotes
-\temps\NOtes\Lchtthree|\enotes
-\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{\txt|ve &}\hu g\enotes
-\temps\NOtes\lchsix|\enotes
-%
- %\check
-% mesure 24
-\def\Lchtfour{\zh{Mac}\hl e}%
-\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes
-\temps\Notes\Lchtfour|\doctu fg&\dhsong{\txt|Qui ne &}\cu f\cu g\enotes
-\temps\NOtes|\zq f\qu m&\hsong{\txt|veut &}\qu f\enotes
-\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes
-%
- %\check
-% mesure 25
-\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{\txt|nir &}\hu g\enotes
-\temps\NOtes\lchtthree\enotes
-\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{\txt|---&}\hu i\enotes
-\temps\NOtes\qu I\enotes
-%
- %\check
-% mesure 26
-\barre\temps\NOtes\octs E|\soupir&\soupir\enotes
-\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
-\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
-\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
-%
- %\check
-% mesure 27
-\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes
-\temps\NOtes\Lchtwo|\ql n\enotes
-\temps\NOtes\sk|\Sh m\ql m\enotes
-\temps\NOtes\lchtwo|\ql n\enotes
- %\check
-% mesure 28
-%
-\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
-\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -2\Interligne C'est tou-&}\cl {jk}\enotes
-\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|te &}\ql l\enotes
-\temps\Notes\lchthree|\doct kj&\dhsong{\txt|la ten-&}\cl{kj}\enotes
-%
- %\check
-% mesure 29
-\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|dres-&}\hu i\enotes
-\temps\NOtes\Lchfour|\qu l\enotes
-\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|se &}\hu i\enotes
-\temps\NOtes\lchfour|\Fl k\qu k\enotes
-%
- %\check
-% mesure 30
-%
-\barre\NOtes\octs F|\soupir&\soupir\enotes
-\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\txt|Des &}\qu h\enotes
-\hardlyrics{\txt|beaux &}\notes|\uchfive&\hsong\thelyrics\qu h\enotes
-\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|jours d'i-&}\cu{hh}\enotes
-%
- %\check
-% mesure 31
-%
-\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|vres-&}\hu g\enotes
-\temps\NOtes\Lchsix|\qu l\enotes
-\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|se &}\hu g\enotes
-\temps\NOtes\lchsix|\qu i\enotes
-%
- %\check
-% mesure 32
-\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
-\temps\Notes\Lchseven|\doctu fg&\zsong{\kern -2\internote\txt|Que l'on &}\cu f\cu g\enotes
-\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt voit |croit&}\qu f\enotes
-\temps\Notes\lchseven|\doctu ef&\dhsong{\txt re- ve-|re- te-&}\cu e\cu f\enotes
-%
- %\check
-% mesure 33
-\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\hsong{\txt nir |nir &}\wh e\enotes
-\temps\NOtes\qu N\enotes
-\temps\NOtes\qu a\enotes
-\temps\NOtes\Sh a\qu a\enotes
-%
- %\check
-% mesure 34
-\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes
-\hardlyrics{\txt|Un &}\notes&\hsong\thelyrics\Ibu0eh2\qh0d\enotes
-\hardlyrics{\txt|soir &}\notes&\hsong\thelyrics\qh0g\enotes
-\notes&\hsong{\txt|tu &}\bigaccid\Sh h\tqh0h\enotes
-\temps\notes\zh I\hu N|\zh k\hl g&\hsong{\txt|as &}\ibu0j0\qh0i\enotes
-\hardlyrics{\txt|pu &}\notes&\hsong\thelyrics\qh0k\enotes
-\notes&\hsong{\txt|te &}\qh0j\enotes
-\notes&\hsong{\txt|re-&}\tqh0i\enotes
- %\check
-% mesure 35
-\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{\txt|pren-&}\hl k\enotes
-\temps\NOTes|\hu j&\hsong{\txt|dre &}\hl j\enotes
- %\check
-% mesure 36
-\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes
-\hardlyrics{\txt|\kern -\internote Tout &}\notes&\hsong\thelyrics\ibu0j0\qh0j\enotes
-\hardlyrics{\txt|bri-&}\notes&\hsong\thelyrics\qh0j\enotes
-\hardlyrics{\txt|ser, &}\notes&\hsong\thelyrics\tqh0j\enotes
-\hardlyrics{\txt|tout &}\notes&\hsong\thelyrics\Ibu0kh4\qh0k\enotes
-\notes&\hsong{\txt|a-&}\qh0k\enotes
-\notes&\hsong{\txt|n\'e-&}\bigaccid\Sh h\qh0h\enotes
-\notes&\hsong{\txt|an-&}\tqh0h\enotes
- %\check
-% mesure 37
-\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{\txt|tir &}\wh i\enotes
-\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes
- %\check
-% mesure 38
-\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes
-\hardlyrics{\txt|\kern -3\internote Mais &}\notes&\hsong\thelyrics\Ibu0gj3\qh0f\enotes
-\hardlyrics{\txt|pour &}\notes&\hsong\thelyrics\qh0i\enotes
-\hardlyrics{\txt|moi &}\notes&\hsong\thelyrics\tqh0j\enotes
-\hardlyrics{\txt|qui &}\notes\zh K\hl b|\zh f\hl i&\hsong\thelyrics\Ibu0ki3\qh0k\enotes
-\hardlyrics{\txt|ne &}\notes&\hsong\thelyrics\qh0k\enotes
-\hardlyrics{\txt|sais &}\notes&\hsong\thelyrics\qh0j\enotes
-\hardlyrics{\txt|com-&}\notes&\hsong\thelyrics\tqh0i\enotes
- %\check
-% mesure 39
-\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{\txt|pren-&}\hu k\enotes
-\temps\NOTes&\hsong{\txt|dre &}\hu j\enotes
- %\check
-% mesure 40
-\barre\Notes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes
-\temps\NOtes&\hsong{\txt|\kern -\internote Qu'on &}\ql j\enotes
-\temps\NOtes|\Sh h\hl h&\hsong{\txt|peut &}\ql k\enotes
-\temps\NOtes&\hsong{\txt|men-&}\ql l\enotes
- %\check
-% mesure 41
-\barre\Notes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{\txt|tir &}\wh m\enotes
-\temps\Notes\qu c|\qu j\enotes
-\temps\Notes\Sh c\qu c|\Sh i\qu i\enotes
-\temps\Notes\qu d|\Na i\qu i\enotes
- %\check
-% mesure 42
-\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes
-\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes
-\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes
-\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes
- %\check
-% mesure 43
-\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes
-\temps\NOtes\Lchtwo|\ql n\enotes
-\temps\NOtes\sk|\Sh m\ql m\enotes
-\temps\NOtes\lchtwo|\ql n\enotes
- %\check
-% mesure 44
-%
-\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
-\temps\Notes\Lchthree|\doct jk&\thsong{\txt|\kern -\Interligne C'est l'i-&}\cl {jk}\enotes
-\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes
-\temps\Notes\lchthree|\doct kj&\dhsong{\txt|ge d'un &}\cl{kj}\enotes
-%
- %\check
-% mesure 45
-\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|r\^e-&}\hu i\enotes
-\temps\NOtes\Lchfour|\qu l\enotes
-\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|ve &}\hu i\enotes
-\temps\NOtes\lchfour|\Fl k\qu k\enotes
-%
- %\check
-% mesure 46
-%
-\barre\autolines {9}54\relax
-\NOtes\octs F|\soupir&\soupir\enotes
-\temps\hardlyrics{\txt|\kern -\internote D'une &}\notes\lFl c\Lchfive|\uchfive&\hsong\thelyrics\qu h\enotes
-\temps\hardlyrics{\txt|\kern -\internote heu-&}\notes|\uchfive&\hsong\thelyrics\qu h\enotes
-\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|\kern -\internote re trop &}\cu{hh}\enotes
-%
- %\check
-% mesure 47
-%
-\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|br\`e-&}\hu g\enotes
-\temps\NOtes\Lchsix|\qu l\enotes
-\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|ve &}\hu g\enotes
-\temps\NOtes\lchsix|\qu i\enotes
-%
- %\check
-% mesure 48
-\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
-\temps\Notes\Lchseven|\doctu fg&\dhsong{\txt|\kern -\internote Qui ne &}\cu f\cu g\enotes
-\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt|\kern -\internote veut &}\qu f\enotes
-\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes
-%
- %\check
-% mesure 49
-\xbarre\NOTes\itenl1E\itenl2L\octs E\relax
-|\Na j\rh j\zh{egi}\hu l&\hsong{\txt|nir...&}\wh e\enotes
-\temps\NOTes
- \ifnum\transpose<-2\relax
- \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi
-|\ifnum\transpose<-2\else
- \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi
- \zh{il}\rh m\hu p\relax
-\enotes
- %\check
-% mesure 50
-\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk
-\lh q\zh l\zh n\zh p\hl s\enotes
-\temps\NOtes\qu E|\hpause&\pause\enotes
-\temps\NOtes\soupir\enotes
-\setrightrepeat\finpartition
-\medskip\rightline{\it le \aujourdhui}
-\eject
-
-
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/tierce.tex b/Master/texmf-dist/doc/generic/musictex/tierce.tex
deleted file mode 100644
index ecfc89d98e5..00000000000
--- a/Master/texmf-dist/doc/generic/musictex/tierce.tex
+++ /dev/null
@@ -1,367 +0,0 @@
-% \input musixtex
-% \input musixcpt
-% \input musixsty
-\title{Tierce en taille}
-\fulltitle{III. \titremorceau}
-\csname titremorceautoc\endcsname
-%
-\parindent 18mm
-
-\subtitle{\sl (pour orgue)}
-\othermention{Compos\'e en 1990}
-\author{Daniel TAUPIN}
-\maketitle
-
-\tracingstats=2\relax
-%
-\nbporteesii=2\relax
-\def\nbinstruments{2}
-\global\cleftoksii={{0}{3}{0}{0}}%
-\global\cleftoksi={{6}{0}{0}{0}}%
-%
-\signaturegenerale{1}\relax % un dieze a la clef
-\def\quatretemps{\generalmeter{\allabreve}}%
-\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
-\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
-\def\Mordant{\mordant{10}}%
-\def\Pince{\pince{10}}%
-%\check
-\def\instrumenti{P\'edale 16'}%
-\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
- \centerline{G.O.}}}%
-%\check
-\def\gluemaxskip{7pt}%
-%
-% formes frequentes
-%
-% deux croches hautes
-\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-\def\dqh{\dqu}\def\dqb{\dql}%
-%
-% deux doubles croches hautes
-\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
-\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
-%
-% croche pointee et double croche meme hauteur
-\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
-\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
-%
-\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
-\par\noindent{\rm R\'ec.: cornet ou cromorne}%
-\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
-\smallskip
-%
-\quatretemps
-%
-\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
-\debutmorceau
-\advancebottom{4\internote}%
-\autolines {8}44\relax
-\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
-%\check
-%
-\hyphenpenalty -50\relax
-\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
-\advance\barsinline by 1\relax
-\advance\linesinpage by 1\relax
-\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
-\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
-\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
-\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
-%\check
-\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
-\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
-%\check
-%
-% mesure 1
-\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
-\temps\NOTEs&|\hu d\enotes
-\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
-% mesure 2
-\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
-\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
-\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
-% mesure 3
-\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
-\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
-\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
-\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
-% mesure 4
-\autolines{9}44\relax
-\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
-\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes
-\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
-\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
-% mesure 5
-\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes
-\temps\notes&\zql c|\dql{-2}ed\enotes
-\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
-\temps\notes&|\dql{-8}dN\enotes
-% mesure 6
-\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes
-\temps\notes&|\cu c\enotes
-\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes
-\temps\notes&\qu j|\sk\cu b\enotes
-% mesure 7
-\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes
-\resp
-\temps\notes\soupir&\soupir|\cpdcu N\enotes
-% mesure 8
-\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes
-\temps\notes&|\cu b\enotes
-\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes
-\temps\notes&|\trioskip\dqbbh3Na\enotes
-% mesure 9
-\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes
-\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes
-\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes
-\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes
-% mesure 10
-\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes
-\resp
-\temps\notes\soupir&\soupir|\cpdcu a\enotes
-% mesure 11
-\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes
-\temps\notes&|\cu c\enotes
-\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes
-\temps\notes&|\Pince\dql{-3}dc\enotes
-% mesure 12
-\troistemps
-\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes
-\temps\notes&|\cu a\enotes
-\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes
-\resp
-% mesure 13
-\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
-\temps\NOTes&|\hu f\enotes
-\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes
-% mesure 14
-\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
-\temps\NOtes&|\qu N\enotes
-\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
-\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
-% mesure 15
-\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
-\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
-\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
-\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes
-%\check
-% mesure 16
-\troistemps
-\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes
-\temps\notes\qu D&\zql c|\sk\cu N\enotes
-\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes
-\resp
-% mesure 17
-\deuxtemps
-\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes
-\temps\NOTes&|\hl d\enotes
-\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
-% mesure 18
-\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes
-\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes
-% mesure 19
-\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes
-\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes
-\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes
-\temps\notes&\qu g|\sk\cl d\enotes
-% mesure 20
-\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes
-\resp
-\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes
-% mesure 21
-\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes
-\temps\notes&|\cu c\enotes
-\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes
-\temps\notes&\itenl1d\ql d|\Pince\dql{-2}dc\enotes
-% mesure 22
-\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes
-\notes&|\tten1\trioskip\qqbbl3bbcd\enotes
-\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes
-\temps\notes&|\dql{-6}ea\enotes
-% mesure 23
-\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes
-\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes
-\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes
-\temps\notes&|\cu c\enotes
-% mesure 24
-\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes
-\temps\notes&|\cu b\enotes
-\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes
-\resp
-% mesure 25
-\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
-\temps\NOTes&|\hu{^d}\enotes
-\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes
-% mesure 26
-\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
-\temps\NOtes&|\hu e\enotes
-\temps\notes\hu H&\zh {cf}\hu h|\enotes
-\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
-% mesure 27
-\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
-\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
-% mesure 28
-\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
-\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes
-% mesure 29
-\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
-\temps\notes&|\cu N\enotes
-\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes
-\temps\Notes\soupir&\soupir|\soupir\enotes
-%\check
-% mesure 31
-\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
-\temps\NOTEs&|\hu d\enotes
-\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
-% mesure 31
-\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes
-\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes
-\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes
-% mesure 32
-\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
-\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
-\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
-\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
-% mesure 33
-\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes
-\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes
-\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes
-\temps\notes&|\dql{-8}dN\enotes
-% mesure 34
-\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes
-\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes
-\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes
-\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes
-%\check
-% mesure 35
-\cleftoksii={{0}{0}{0}{0}}\changeclefs
-\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes
-\temps\notes&|\cu h\enotes
-\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes
-\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes
-% mesure 36
-\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes
-\temps\notes\qu D&|\sk\cu g\enotes
-\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes
-\resp
-\temps\notes\soupir&\soupir|\cpdcu b\enotes
-% mesure 37
-\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes
-\temps\notes&|\dqu{-3}ih\enotes
-\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes
-\temps\notes&|\dqu{-5}ge\enotes
-% mesure 38
-\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
-\temps\notes&|\dqu{-3}hg\enotes
-\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes
-\temps\NOtes&|\qu d\enotes
-% mesure 39
-\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes
-\temps\notes&|\dqu{-8}gd\enotes
-\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes
-\temps\NOtes&|\pince o\qu e\enotes
-% mesure 40
-\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
-\temps\notes&|\dqu{-8}he\enotes
-\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes
-\temps\NOtes&|\pince o\qu f\enotes
-%\check
-% mesure 41
-\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes
-\temps\notes&|\dqu{-3}ih\enotes
-\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes
-\temps\notes&|\dqu{-5}ge\enotes
-%\check
-% mesure 42
-\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes
-\temps\notes&|\dqu{-3}ji\enotes
-\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes
-\temps\notes&|\dqu{-3}fe\enotes
-% mesure 43
-\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes
-\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes
-\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes
-\temps\notes&|\cu h\enotes
-% mesure 44
-\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes
-\temps\notes\qu D&|\sk\cu g\enotes
-\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes
-\resp
-% mesure 45
-\cleftoksii={{0}{3}{0}{0}}\changeclefs
-\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
-\temps\NOTEs&|\hu d\enotes
-\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes
-% mesure 46
-\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
-\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
-\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
-% mesure 47
-\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
-\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes
-\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
-\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
-% mesure 48
-\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
-\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes
-\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
-\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
-% mesure 49
-\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes
-\temps\notes&\zql c|\dql{-2}ed\enotes
-\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
-\temps\notes&|\dql{-8}dN\enotes
-% mesure 50
-\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes
-\temps\notes&|\cu b\enotes
-\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes
-\resp
-% mesure 51
-\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
-\temps\NOTes&|\hu{^d}\enotes
-\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes
-% mesure 52
-\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
-\temps\NOtes&|\hu e\enotes
-\temps\notes\hu H&\zh {cf}\hu h|\enotes
-\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
-% mesure 53
-\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
-\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
-% mesure 54
-\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
-\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes
-\temps\notes&|\cu a\enotes
-% mesure 55
-\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes
-\resp
-% mesure 56
-\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
-\temps\NOTes&|\hu f\enotes
-\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes
-% mesure 57
-\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
-\temps\NOtes&|\qu N\enotes
-\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
-\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
-% mesure 58
-\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
-\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
-\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
-\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes
-%\check
-% mesure 59
-\advance\barsinline by -1\relax
-\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes
-\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
-\temps\notes&|\cu N\enotes
-% mesure 60
-\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes
-\finmorceau
-\rightline{\sl\aujourdhui}\vfil\eject
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf
deleted file mode 100644
index 3a49d49fc7b..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf
+++ /dev/null
@@ -1,4 +0,0 @@
-input musicd20
-numeric beammult;
-beammult:=2;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf
deleted file mode 100644
index 56ae0526129..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf
+++ /dev/null
@@ -1,5 +0,0 @@
-font_identifier := "beamn11";
-input musicd11
-numeric beammult;
-beammult:=1;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf
deleted file mode 100644
index 103abeedfaf..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf
+++ /dev/null
@@ -1,6 +0,0 @@
-font_identifier := "beamn13";
-input musicd13
-numeric beammult;
-beammult:=1;
-input beamngen
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf
deleted file mode 100644
index 6760e5b74b0..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf
+++ /dev/null
@@ -1,6 +0,0 @@
-font_identifier := "beamn16";
-input musicd16
-numeric beammult;
-beammult:=1;
-input beamngen
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf
deleted file mode 100644
index 6968e0f8887..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf
+++ /dev/null
@@ -1,5 +0,0 @@
-font_identifier := "beamn20";
-input musicd20
-numeric beammult;
-beammult:=1;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf b/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf
deleted file mode 100644
index cdd378559f9..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf
+++ /dev/null
@@ -1,83 +0,0 @@
-% Length has been changed to longueur for BCPL_string
-% Nicolas Brouard 25/10/91
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BALKEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-font_x_height beamht#;
-
-def drawbeams (expr st, jj, nn) =
- save i, j, longueur, height;
- numeric i, j, longueur, height;
- longueur:= 60.0/32;
- for i=0 upto 5:
- height := longueur*st ;
- beginchar(jj*6+i, longueur, height, 0);
- clear;
- z2 = (w,h);
- z1 = origin;
- penpos1(beamht,90);
- penpos2(beamht,90);
- for j=0 upto nn-1:
- penstroke (z1e---z2e) shifted (0,beamstep*j);
- endfor;
- endchar;
- longueur := 2*longueur;
- endfor;
-enddef;
-
-def drawbeamsneg (expr st, jj, nn) =
- save i, longueur, depth;
- numeric i, longueur, depth;
- longueur:= 60.0/32;
- for i=0 upto 5:
- depth := longueur*st;
- beginchar(64+jj*6+i, longueur, 0, depth);
- clear;
- z2 = (w,d);
- z1 = origin;
- penpos1(beamht,90);
- penpos2(beamht,90);
- for j=0 upto nn-1:
- penstroke (z1e---z2e) shifted (0,beamstep*j);
- endfor;
- endchar;
- longueur := 2*longueur;
- endfor;
-enddef;
-numeric beamstep;
-numeric ss[];
-
-beamstep:=0.75nhh;
-ss[0]:=0.05;
-ss[1]:=0.10;
-ss[2]:=0.15;
-ss[3]:=0.20;
-ss[4]:=0.25;
-ss[5]:=0.30;
-ss[6]:=0.35;
-ss[7]:=0.4;
-ss[8]:=0.45;
-ss[9]:=0.50;
-ss[10]:=0.55;
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Balken mit positiver Steigung %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-for j=0 upto 9 :
-drawbeams(ss[j],j,beammult);
-endfor;
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Balken mit negativer Steigung %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-for j=0 upto 9 :
-drawbeamsneg(-ss[j],j,beammult);
-endfor;
-
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf
deleted file mode 100644
index 5a6e5670014..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf
+++ /dev/null
@@ -1,4 +0,0 @@
-input musicd20
-numeric beammult;
-beammult:=4;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf
deleted file mode 100644
index ea3e714e700..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf
+++ /dev/null
@@ -1,4 +0,0 @@
-input musicd20
-numeric beammult;
-beammult:=3;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf
deleted file mode 100644
index 9b485f9a69b..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf
+++ /dev/null
@@ -1,4 +0,0 @@
-input musicd20
-numeric beammult;
-beammult:=5;
-input beamngen
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf
deleted file mode 100644
index 66e6b36f8a3..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf
+++ /dev/null
@@ -1,24 +0,0 @@
-%%%
-% this is musicbra.mf
-%%%
-
-font_identifier := "music_brace_20";
-font_coding_scheme:="UNSPECIFIED";
-
-input musicd20
-
-%%%
-% setup fontdimen 1-7
-% "Parameters are zero unless otherwise specified."
-% METAFONT-Book App. F
-%%%
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#;
-font_quad nhw#;
-%font_extra_space 0pt;
-
-input musicbrg
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf
deleted file mode 100644
index e0b760c533b..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf
+++ /dev/null
@@ -1,24 +0,0 @@
-%%%
-% this is musicbra.mf
-%%%
-
-font_identifier := "music_brace_20";
-font_coding_scheme:="UNSPECIFIED";
-
-input musicd20
-
-%%%
-% setup fontdimen 1-7
-% "Parameters are zero unless otherwise specified."
-% METAFONT-Book App. F
-%%%
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#;
-font_quad nhw#;
-%font_extra_space 0pt;
-
-input musicbrh
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf
deleted file mode 100644
index 758c9f3df18..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf
+++ /dev/null
@@ -1,53 +0,0 @@
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% this is musicbrg.mf
-%
-% Version 0.99 [August 93] Andreas Egler
-% [January] Daniel Taupin
-%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-transform t;
-path p;
-
-pen thin_pen, med_pen, thick_pen;
-thin_pen:= pencircle scaled .15pt;
-med_pen:= pencircle scaled thin;
-thick_pen:= pencircle scaled med;
-
-apog_fact=0.75;
-
-%%%%%%%%%%%%%%
-% big braces %
-%%%%%%%%%%%%%%
-%
-% change firstbrace and lastbrace if you need smaller or larger braces
-%
-
-firstbrace:=20; % smallest brace is 2*20 pt (\simeq 14mm)
-lastbrace:=99; % largest brace is 2*99 pt (\simeq 69mm)
-
-def bigbrace(expr v) =
- vwidth:=v*pt;
- hwidth:=.2vwidth;
- actwidth:=.035vwidth;
-
- x1=hwidth; y1=vwidth;
- x2l=.2hwidth; y2=.75vwidth;
- x3r=.8hwidth; y3=1/3vwidth;
- x4=0; y4=0;
- penpos1(thinwidth,-90);
- penpos2(1.25med+.8actwidth,40);
- penpos3(1.25med+actwidth,45);
- penpos4(.5thin+thinwidth,-90);
-
- currentpen:= pencircle;
- penstroke z1e..z2e..z3e..{left+sw}z4e;
- addto currentpicture also currentpicture reflectedabout (origin, right);
- penlabels(1,2,3,4);
-enddef;
-
-for v=firstbrace upto lastbrace :
- beginchar (v-firstbrace, .2v*pt#, 0, 0);
- bigbrace (v);
- endchar;
-endfor;
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf
deleted file mode 100644
index 7a0abd2cfbd..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf
+++ /dev/null
@@ -1,40 +0,0 @@
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%
-% this is musicbrg.mf from Stanislav Kneifl
-%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-%
-% change firstbrace and lastbrace if you need smaller or larger braces
-%
-
-firstbrace:=20; % smallest brace is 2*20 pt (\simeq 14mm)
-lastbrace:=99; % largest brace is 2*99 pt (\simeq 69mm)
-
-def drawpianobracket (expr height) =
- u# := 1nhh#/5pt# * 1pt#;
- v# := (height/40) * 1pt#;
- define_pixels (u, v);
- beginchar (height-firstbrace, 1.25nhh#, 0, 0);
- z1 = origin;
- z2 = (4.7u, 7v);
- z3 = (3.6u, 16.5v);
- z4 = (1.9u, 25v);
- z5 = (2.28u, 32v);
- z6 = (w, 40v);
- penpos1 (max(1,0.1u), 125);
- penpos2 (1.2u, 180);
- penpos3 (3.2u, 195);
- penpos4 (2.5u, 180);
- penpos5 (1.14u, 180);
- penpos6 (max(2,0.3u), 150);
- penstroke z1e{dir 35}..z2e..z3e..z4e..z5e..{dir 60}z6e;
- currenttransform := identity reflectedabout ((0,0),(1,0));
- penstroke z1e{dir 35}..z2e..z3e..z4e..z5e..{dir 60}z6e;
- currenttransform := identity;
- endchar;
-enddef;
-
-for v=firstbrace upto lastbrace :
- drawpianobracket (v);
-endfor;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf
deleted file mode 100644
index cb2c11106a0..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd11.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 11pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 0.70pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf
deleted file mode 100644
index 5c814a43c00..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd13.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 13pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 0.80pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf
deleted file mode 100644
index 38f96a256de..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd16.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 16pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 1.00pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf
deleted file mode 100644
index c8e36c9547c..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd20.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 20pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.125pt;
-s := 1.25pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf b/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf
deleted file mode 100644
index 5c221a74b82..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf
+++ /dev/null
@@ -1,61 +0,0 @@
-% this is musicdef.mf
-%
-%
-% hier evtl. mode fuer gewuenschten output setzen
-%
-% AGFA P400 mode: for devices that print 406 pixels per inch
-% mode_def agfa =
-% proofing:=0;
-% fontmaking:=1;
-% tracingtitles:=0;
-% pixels_per_inch:=406;
-% blacker:=0.65;
-% fillin:=0;
-% o_correction:=1;
-% enddef;
-% localfont:=agfa;
-% mode:=agfa;
-% mode_setup;
-%
-%
-%mode_def ibm = % ibm mode: for the IBM3820
-% proofing:=0; % no, we're not making proofs
-% fontmaking:=1; % yes, we are making a font
-% tracingtitles:=0; % no, don't show titles in the log
-% pixels_per_inch:=300;
-% blacker:=.78; % (this value is conjectural)
-% fillin:=0.25; % (ditto)
-% o_correction:=.5; % (ditto)
-% enddef;
-%localfont:=ibm;
-%mode:=ibm;
-mode_setup;
-%
-%fontmaking:=1;
-turningcheck:=1;
-displaying:=2;
-designsize:=16;
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-beamht#:=0.6nhh#; %Balkenst"arke
-nhh:=nhh#*pt; %noteheadheight *pt
-nhw:=nhw#*pt; %noteheadwidth *pt
-thinwidth := 0.4pt;
-beamht := beamht#*pt;
-s := 1.0pt;
-S := 1/16designsize;
-%pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-openit;
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-%
-pickup pencircle scaled (0.1pt);
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle fi enddef;
-%
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf
deleted file mode 100644
index f6fcd2df725..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf
+++ /dev/null
@@ -1,1360 +0,0 @@
-apog_fact=0.75;
-apog_nhh=apog_fact*nhh;
-apog_nhh#=apog_fact*nhh#;
-%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% NOTENKOEPFE UND FAEHNCHEN %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%
-%%%%%%%%%%%%%%%
-%%notenkoepfe %
-%%%%%%%%%%%%%%%
-
-def drawnoteb(expr noteheadwidth, noteheadheight, theta_a, theta_b, theta_c,
-width_a, width_b) =
- % .l
- penpos1(width_a, theta_a); % .2
- % .r
- penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l
- % .r
- penpos2(width_b, 180+theta_b); % .4
- % .l
- penpos4(width_b, theta_b); %
- y1 = y3 = 0;
- x2 = x4 = 1/2noteheadwidth;
- x1l= 0; x3l = noteheadwidth; y2l = noteheadheight; y4l = -noteheadheight;
- penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle)
- rotatedaround((origin +1/2noteheadwidth*right),theta_c);
- enddef;
-%%%%%%%%%%%%%%%
-% flags %
-%%%%%%%%%%%%%%%
-%
-%
-pickup pencircle scaled (0.1pt);
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle fi enddef;
-def flagshape(suffix i) (expr width, height, thicka, thin, shiftx, shifty) =
- pair intersectionp; %
- thick := 1/3 height;
- sh[-3] = (shiftx, 0);
- sh[i] = (shiftx, shifty); % .1
- penpos[i](thick,90); %
- penpos[i+1]( 3thin ,90); % .2
- penpos[i+2](thin,0); %
- penpos[i+3](thin,0); % .3
- x[i] = -1/16mm; %
- y[i]r = height; % .4
- x[i+1] = 3/8width; %
- y[i+1] = height - thick; %
- y[i+3] = 0;
- x[i+2]r = x[i+3]+2s= width;
- y[i+2]r = height - 2thick;
- if i>1: intersectionp = z[i-2];
- else : intersectionp = z[i+3];
- fi;
- penstrike (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)}
- ..z[i+1]e{z[i+1]e-z[i]e}
- ..z[i+2]e{down}..intersectionp shifted (sh[i-4]-sh[i]))
- shifted sh[i];
- for n=0 upto 3:
- k:=i+n;
- penlabels(k);endfor;
- enddef;
-
-def flagshaper(suffix i) (expr width, height, thicka, thin, shift) =
- pair intersectionp; %
- thick := 1/3 height;
- sh[-3] := origin+shift;
- sh[i] = shift; % .1
- penpos[i](thick,90); %
- penpos[i+1]( 3thin ,90); % .2
- penpos[i+2](thin,0); %
- penpos[i+3](thin,0); % .3
- x[i] = 0; %
- y[i]r = height; % .4
- x[i+1] = 3/8width; %
- y[i+1] = height - thick; %
- y[i+3] = 0;
- x[i+2]r = x[i+3]+2s= width;
- y[i+2]r = height - 2thick;
- if i>1: intersectionp = z[i-2];
- else : intersectionp = z[i+3];
- fi;
- penstrike (counterclockwise
- (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)}
- ..z[i+1]e{z[i+1]e-z[i]e}
- ..z[i+2]e{down}..intersectionp shifted (-sh[i-4]+sh[i]))
- reflectedabout (z1r scaled 0.5,
- z1r scaled 0.5+right) )
- shifted sh[i];
- enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%
-% song system limits %
-%%%%%%%%%%%%%%%%%%%%%%
-beginchar(126,nhw#,nhh#,0);
- clear;
- z1=(-0.5nhw,-0.2pt);
- z2=(0,-0.2pt);
- z3=(0.7nhw,0.5nhh);
- penpos1(0.4pt,90);
- penpos2(0.4pt,90);
- penpos3(0.1pt,135);
- penstroke (z1e--z2e..z3e);
-endchar;
-beginchar(127,nhw#,-nhh#,0);
- clear;
- z1=(-0.5nhw,0.2pt);
- z2=(0,0.2pt);
- z3=(0.7nhw,-0.5nhh);
- penpos1(0.4pt,90);
- penpos2(0.4pt,90);
- penpos3(0.1pt,135);
- penstroke (z1e--z2e..z3e);
-endchar;
-
-%%%%%%%%%%%%%%%%
-% 4 crescendos %
-%%%%%%%%%%%%%%%%
-for n:=1 upto 4:
- beginchar(15+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#);
- pickup pencircle scaled (0.4s);
- draw (0,(0.5+0.1*n)*nhh)--(4*n*nhw,0)--(0,-(0.5+0.1*n)*nhh);
- endchar;
-endfor;
-%%%%%%%%%%%%%%%%%%
-% 4 decrescendos %
-%%%%%%%%%%%%%%%%%%
-for n:=1 upto 4:
- beginchar(19+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#);
- pickup pencircle scaled (0.4s);
- draw (4*n*nhw,(0.5+0.1*n)*nhh)--(0,0)--(4*n*nhw,-(0.5+0.1*n)*nhh);
- endchar;
-endfor;
-%%%%%%%%%%%%%%%
-% accents %
-%%%%%%%%%%%%%%%
-% point au-dessus de la note
-beginchar(24, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- pickup pencircle scaled 0.25nhh;
- drawdot (0.5nhw, nhh);
-endchar;
-% point au-dessous de la note
-beginchar(25, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- pickup pencircle scaled 0.25nhh;
- drawdot (0.5nhw, -nhh);
-endchar;
-% barre au-dessus de la note
-beginchar(26, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- pickup penrazor scaled 0.15nhh rotated 90;
- draw (0.0nhw, nhh)--(1.0nhw, nhh);
-endchar;
-% trait au-dessous de la note
-beginchar(27, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- pickup penrazor scaled 0.15nhh rotated 90;
- draw (0.0nhw, -nhh)--(1.0nhw, -nhh);
-endchar;
-% accent (pizz.) au-dessus de la note
-beginchar(28, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- dely:=1.2nhh;
- rayon:=0.2nhh;
- z1=(0.5nhw,dely+rayon);
- z2=(0.5nhw-rayon,dely);
- z3=(0.5nhw,dely-0.45nhh);
- z4=(0.5nhw+rayon,dely);
- fill z1{left}..{down}z2--z3--z4{up}..{left}cycle;
-endchar;
-% accent (pizz.) au-dessous de la note
-beginchar(29, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- rayon:=0.2nhh;
- z1=(0.5nhw,nhh+rayon);
- z2=(0.5nhw-rayon,nhh);
- z3=(0.5nhw,0.55nhh);
- z4=(0.5nhw+rayon,nhh);
- fill (z1{left}..{down}z2--z3--z4{up}..{left}cycle) rotatedaround ((0.5nhw,0),180);
-endchar;
-% accent (sforz.) au-dessus de la note
-beginchar(30, nhw#, 1.5nhh#, 0.0nhh#);
- clear;
- z1=(1.2nhw,1.3nhh);
- z2=(-0.2nhw,1.3nhh);
- pickup pencircle scaled 0.5s;
- draw z1--(x2,y2+0.3nhh);
- draw z1--(x2,y2-0.3nhh);
-endchar;
-% accent (sforz.) au-dessous de la note
-beginchar(31, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- z1=(1.2nhw,-1.3nhh);
- z2=(-0.2nhw,-1.3nhh);
- pickup pencircle scaled 0.5s;
- draw z1--(x2,y2+0.3nhh);
- draw z1--(x2,y2-0.3nhh);
-endchar;
-%%%%%%%%%%%%%%%
-% breve %
-%%%%%%%%%%%%%%%
-beginchar(32, nhw#, 0.7nhh#, 0.7nhh#);
- clear;
- pickup pencircle scaled (4thinwidth);
- draw (0,h)--(0,-d);
- draw (w,h)--(w,-d);
- fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle;
- fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle;
-endchar;
-%%%%%%%%%%%%%%%
-%% volle Note %
-%%%%%%%%%%%%%%%
-beginchar(33, nhw#, .5nhh#, .5nhh#);
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, w/2, nhh/2);
-endchar;
-%%%%%%%%%%%%%%%
-%% halbe Note %
-%%%%%%%%%%%%%%%
-beginchar(34, nhw#, .5nhh#, .5nhh#);
- w:=w+2thinwidth;
-% drawnoteb(w, h, 0, 90, 20, thinwidth, nhh/4);
- drawnoteb(w, h, 0, 90, 20, 3*thinwidth, nhh/4);
-endchar;
-%%%%%%%%%%%%%%%
-%% ganze Note %
-%%%%%%%%%%%%%%%
-beginchar(35,1.5nhh#, .5nhh#, .5nhh#);
-% drawnoteb(w, h, 0, 85, 0, nhh/3, thinwidth);
- drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth);
-endchar;
-%%%%%%%%%%%%%%%
-% semi-breve %
-%%%%%%%%%%%%%%%
-beginchar(36, 2nhw#, 0.7nhh#, 0.7nhh#);
- clear;
- pickup pencircle scaled (4thinwidth);
- draw (0,h)--(0,-d);
- draw (w,h)--(w,-d);
- fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle;
- fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle;
-endchar;
-%%%%%%%%%%%%%%%
-%% volle kleine Note %
-%%%%%%%%%%%%%%%
-beginchar(37, apog_fact*nhw#, .50*apog_nhh#, .50*apog_nhh#);
- w:=apog_fact*nhw;
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, w/2, apog_nhh/2);
-endchar;
-%%%%%%%%%%%%%%%
-%% halbe Note %
-%%%%%%%%%%%%%%%
-beginchar(38, apog_fact*nhw#, apog_fact*0.5nhh#, apog_fact*0.5nhh#);
- w:=w+2thinwidth;
-% drawnoteb(w, h, 0, 90, 20, thinwidth, nhh/4);
- drawnoteb(w, h, 0, 90, 20, 3*thinwidth, apog_nhh/4);
-endchar;
-%%%%%%%%%%%%%%%
-%% ganze Note %
-%%%%%%%%%%%%%%%
-beginchar(39, 1.5*apog_nhh#, apog_fact*0.5nhh#, apog_fact*0.5nhh#);
-% drawnoteb(w, h, 0, 85, 0, nhh/3, thinwidth);
- drawnoteb(w, h, 0, 85, 0, apog_nhh/3, 3*thinwidth);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(40, 0, 3nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshape(1,w, h, nhh, 5thinwidth, 0, 0);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(41, 0, 3.25nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0);
- flagshape(5,.95 w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(42, 0, 3.75 nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0);
- flagshape(5, .95w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh);
- flagshape(9, .9w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(43, 0, 4.25nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0);
- flagshape(5,.95 w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh);
- flagshape(9,.9w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh);
- flagshape(13,0.85w, 2nhh, 2/3nhh, 5thinwidth, 0, 2.25nhh);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(44, 0, 4.5nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0);
- flagshape(5, w, 2.25nhh, 2/3nhh, 5thinwidth, 0, nhh);
- flagshape(9, w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh);
- flagshape(13,0.9 w, 2nhh, 2/3nhh, 5thinwidth, 0, 2.25nhh);
- flagshape(17,0.9 w, 1.5nhh, 1/3nhh, 5thinwidth, 0, 3nhh);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%
-beginchar(45, 0, 3nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshaper(1,w, h, nhh, 5thinwidth, origin);
- penlabels(1,2,3,4);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(46, 0, 3.25nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,0.75nhh));
- flagshaper(5, w, 2.25 nhh, 2/3nhh, 5thinwidth,(0,-0.25nhh));
- penlabels(1,2,3,4,5,6,7,8);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(47, 0, 3.75 nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,1.5nhh));
- flagshaper(5, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,0.75nhh));
- flagshaper(9, .95w, 2.25 nhh, 2/3nhh, 5thinwidth, origin);
- penlabels(1,2,3,4,5,6,7,8,9,10,11,12);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(48, 0, 4.25nhh#, 0);
- clear;
- w:=0.8*nhw;
- pickup pencircle scaled (0.1pt);
- flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,1.75nhh));
- flagshaper(5, w, 2.25 nhh, 2/3nhh, 5thinwidth, (0,1nhh));
- flagshaper(9,w, 2 nhh, 2/3nhh, 5thinwidth, (0,0.34nhh));
- flagshaper(13,0.9w, 2nhh, 2/3nhh, 5thinwidth, (0,-0.32nhh));
- penlabels(1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(49, 0, 4.5nhh#, 0);
- clear;
- w:=0.8*nhw;
- flagshaper(1, w, 2.25nhh, 2/3nhh, 5thinwidth, (0,2.5nhh));
- flagshaper(5, w, 2.25nhh, 2/3nhh, 5thinwidth, (0,1.75nhh));
- flagshaper(9, w, 2 nhh, 2/3nhh, 5thinwidth, (0,1nhh));
- flagshaper(13,0.9 w, 2nhh, 2/3nhh, 5thinwidth, (0,0.5nhh));
- flagshaper(17,0.9 w, 2nhh, 1/3nhh, 5thinwidth, (0,0nhh));
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% VERSETZUNGSZEICHEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%%%%%%%
-%% "flat" %
-%%%%%%%%%%%%
-def flat (expr reduction) =
- clear; flatraise:=-0.1*nhh*reduction;
- penpos4(7/24reduction*nhh, 25);%/5,20 % 1
- penpos3(reduction*nhh/6,-90);%/5,20 %
- penpos6(reduction*nhh/6,-90);%/5,20 %
- penpos2(reduction*nhh/5, 90);%/5,20 %
- y1 = h; % 4
- x1 = x2 = x3 = reduction*s; x4 = reduction*(nhw-s); % 2
- y4 = reduction*s; %
- y2l - y3r = 1/4h; y2l = 0; % 3
- currentpen:= pencircle scaled 3thinwidth;
- penstroke (z2e...z4e...z3e{3left+2down}) shifted (0,flatraise);%right ,sw
- draw (z1--z3) shifted (0,flatraise) ;
- penlabels(1,2,3,4);
-enddef;
-%
-beginchar(50, nhw#, 2nhh#, 2nhh#);
- flat (1.0);
-endchar;
-%
-%%%%%%%%%%
-%% "bb" %
-%%%%%%%%%%
-beginchar(51,2nhw#, 2nhh#, 2nhh#);
- flat (1.0);
- draw (z1--z3) shifted ((w/2 - 1.5s),flatraise);
- penstroke (z2e..z4e...z3e{3left+2down})shifted ((w/2
- -1.5s),flatraise);
-endchar;
-%%%%%%%%%%%%%
-%% "sharp" %
-%%%%%%%%%%%%%
-def sharp ( expr reduction ) =
- clear;
- penpos3(3/8reduction*nhh,90);
- penpos4(3/8reduction*nhh,90);
- penpos5(3/8reduction*nhh,90);
- penpos6(3/8reduction*nhh,90);
- y1 + y2 = -0.5reduction*s; y1 - y2 = 2h - reduction*s;
- x1 = x2 = reduction*s; y3 = 1/4reduction*nhh;
- y4l = y3r; x3= 0; x4 = 0.8*reduction*nhw;
- y5 = -y4; y6 = -y3; x5 = x3; x6 = x4;
- currentpen:= pencircle scaled 3thinwidth;
- draw z1--z2;
- draw (z1--z2) shifted (w-2reduction*s,reduction*s);
- penstroke z3e--z4e;
- penstroke (z5e--z6e) ;
- penlabels(1,2,3,4,5,6);
-enddef;
-%
-beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#);
- sharp(1.0);
-endchar;
-%
-%%%%%%%%%%
-%% "xx" %
-%%%%%%%%%%%
-beginchar(53, nhw#, .5nhw#, .5nhw#);
- clear;
- z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w);
- z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w);
- currentpen:= pencircle scaled .2nhh;
- draw z1--z4; draw z3--z2;
- currentpen:= pensquare scaled .30w;
- drawdot z1; drawdot z2; drawdot z3; drawdot z4;
-endchar;
-%%%%%%%%%%%%%%%
-% "natural" %
-%%%%%%%%%%%%%%%
-def natural =
- clear;
- reduction:=w/(0.8*nhw);
- penpos3(3/8reduction*nhh,90);
- penpos4(3/8reduction*nhh,90);
- penpos7(3/8reduction*nhh,90);
- penpos8(3/8reduction*nhh,90);
- x1 = x2 = x3 = x7 = 0.75*reduction*s;
- x5 = x6 = x4 = x8 = w-x1;
- y1 = h; y3 = 0.30reduction*nhh ;
- y4l = y3r-0.5*reduction*s ;
- y6 = -y1; y5 = -y2;
- y7l = y2;
- y7 = -y4; y8 = -y3;
- currentpen:= pencircle scaled 3thinwidth;
- draw z1--z2;
- draw z5--z6;
- penstroke z3e--z4e;
- penstroke z7e--z8e;
-enddef;
-%
-beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#);
- natural;
-endchar;
-%
-%%%%%%%%%%%%%%%%
-%% "1/4 flat" %
-%%%%%%%%%%%%%%%%
-beginchar(55, nhw#, 2nhh#, 2nhh#);
- clear;
- penpos4(7/24nhh, 25);%/5,20 % 1
- penpos3(nhh/6,-90);%/5,20 %
- penpos2(nhh/6, 90);%/5,20 %
- y1 = h; % 4
- x1 = x2 = x3 = w-s; x4 =2w-3s; % 2
- y4 = s; %
- y2l - y3r = 1/4h; y2l = 0; % 3
- currentpen:= pencircle scaled 3thinwidth;
- penstroke (counterclockwise
- (z2e...z4e...z3e{3left+2down}) reflectedabout(z1 ,z3));
- draw z1--z3;
- penlabels(1,2,3,4);
-endchar;
-%%%%%%%%%%%%%%%%
-%% "3/4 flat" %
-%%%%%%%%%%%%%%%%
-beginchar(56, 2nhw#, 2nhh#, 2nhh#);
- clear;
- penpos4(7/24nhh, 25);%/5,20 % 1
- penpos3(nhh/6,-90);%/5,20 %
- penpos2(nhh/6, 90);%/5,20 %
- y1 = h; % 4
- x1 = x2 = x3 = w/2; x4 =x1+nhw-2s; % 2
- y4 = s; %
- y2l - y3r = 1/4h; y2l = 0; % 3
- currentpen:= pencircle scaled 3thinwidth;
- penstroke z2e...z4e...z3e{3left+2down};
- penstroke (counterclockwise
- (z2e...z4e...z3e{3left+2down}) reflectedabout(z1 ,z3));
- draw z1--z3;
- penlabels(1,2,3,4);
-endchar;
-%
-% Gregorian notes
-%
-beginchar(57, nhw#, .5nhh#, .5nhh#);
- fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% PAUSEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%%%%
-%% "dp" %
-%%%%%%%%%
-beginchar(58,1/2nhw#, 3nhh#, 0);
- clear;
- penpos1(nhh,90);
- penpos2(nhh,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-labels(1,2);
-endchar;
-%%%%%%%%%%
-%% "ddp" %
-%%%%%%%%%%
-beginchar(59,1/2nhw#, 3nhh#, 0);
- clear;
- penpos1(2nhh,90);
- penpos2(2nhh,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-labels(1,2);
-endchar;
-%%%%%%%%%%%%%%%%%%
-%% "ganze Pause" %
-%%%%%%%%%%%%%%%%%%
-beginchar(60, nhw#, 3nhh#, 0);
- clear;
- penpos1(nhh/2,90);
- penpos2(nhh/2,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-endchar;
-%
-%%%%%%%%%%%%%%%%%%
-%% "halbe Pause" %
-%%%%%%%%%%%%%%%%%%
-beginchar(61, nhw#, 2.5nhh#, 0);
- clear;
- penpos1(nhh/2,90);
- penpos2(nhh/2,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-endchar;
-%%%%%%%%%%%%%%%%%%%%
-%% "viertel Pause" %
-%%%%%%%%%%%%%%%%%%%%
-beginchar(62, nhw#, 4nhh#, 0); % .1
- clear; % .2
- thin := 5 thinwidth; thick := 1/2 nhh; % 8..3
- alpha_a = -50; alpha_b = -50; % .4
- penpos1 ( thin, (alpha_a+90)); % .5
- penpos5 ( thin, alpha_b); % .6
- penpos2 ( thick, alpha_a ); %
- penpos4 ( thick, alpha_b ); % .7
- penpos3 ( thick, 1/2(alpha_a+alpha_b));
- x3r:=9/10[x3,x3r];
- penpos8 ( thick, 1/2(alpha_a+alpha_b));
- x8l:=9/10[x8,x8l];
- penpos6 ( 2/3thick, alpha_b);
- penpos7 ( 1/2thick, 10);
- y1l = h - 2s;
- x1l = 2s;
- z2r = z1 +(nhh* right) rotated alpha_a;
- z5 = z4l+(nhh* right) rotated alpha_b;
- z3 = 1/3[z2,z4];
- z8 = 2/3[z2,z4];
- z4 = (w,h) scaled .55;
- y6r = 1.45nhh;
- x6l = x4l;
- x7 = 0.9w; y7= nhh;
- currentpen:= pencircle scaled thin;
- draw z1--z2r; draw z5--z4l;
- penstroke z2e..z3e..z8e..z4e;
- penstroke z5e{nw}..z6e..z7e;
-endchar;
-%%%%%%%%%%%%%%%%%%%
-%% "achtel Pause" %
-%%%%%%%%%%%%%%%%%%%
-beginchar(63, 2nhh#, 3nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh;
- currentpen := pencircle scaled 4thinwidth;
- draw z1..z2;
- currentpen := pensquare rotated45 scaled(2*thinwidth);
- draw z2..z3{up+left};
- fill z3..z4..z3..cycle;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "sechzehntel Pause" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(64,2nhh#, 3nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh;
-%
- x5=x2; y5=y2;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pensquare rotated45 scaled(2*thinwidth);
- draw z2..z3{up+left};
- draw z2..z3{up+left} shifted(-1/3nhh,-nhh);
- fill z3..z4..z3..cycle;
- fill z3..z4..z3..cycle shifted(-1/3nhh,-nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "zweiunddreissigstel Pause" %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(65,2nhh#, 4nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh;
-%
- x5=x2+1/6nhh; y5=y2+nhh;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pensquare rotated45 scaled(2*thinwidth);
- draw z2..z3{up+left} shifted( 1/6nhh,nhh);
- draw z2..z3{up+left} shifted(-1/6nhh, 0);
- draw z2..z3{up+left} shifted(-3/6nhh,-nhh);
- fill z3..z4..z3..cycle shifted( 1/6nhh, nhh);
- fill z3..z4..z3..cycle shifted(-1/6nhh, 0);
- fill z3..z4..z3..cycle shifted(-3/6nhh,-nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "vierundsechzigstel Pause" %%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(66,2nhh#, 5nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh;
-%
- x5=x2+1/3nhh; y5=y2+2nhh;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pensquare rotated45 scaled(2*thinwidth);
- draw z2..z3{up+left} shifted( 1/3nhh, 2nhh);
- draw z2..z3{up+left} shifted( 0,nhh);
- draw z2..z3{up+left} shifted(-1/3nhh, 0);
- draw z2..z3{up+left} shifted(-2/3nhh,-nhh);
- fill z3..z4..z3..cycle shifted( 1/3nhh, 2nhh);
- fill z3..z4..z3..cycle shifted( 0, nhh);
- fill z3..z4..z3..cycle shifted(-1/3nhh,0);
- fill z3..z4..z3..cycle shifted(-2/3nhh,-nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%
-% ornements %
-%%%%%%%%%%%%%%%%%%%
-beginchar (67, 2nhw#, nhh#, 0);
- clear;
- x1=0.2w; y1=h; x6=w-x1; y6=h-y1;
- x2=0; y2=0.5h; x5=w-x2; y5=h-y2;
- x3=0.25w; y3=0; x4=w-x3; y4=h-y3;
- pickup pencircle scaled 4thinwidth;
- penpos1 (5thinwidth,90);
- penpos2 (5thinwidth, 180);
- penpos3 (0.3nhw, -10);
- penpos4 (0.3nhw, -10);
- penpos5 (5thinwidth, 180);
- penpos6 (5thinwidth, 90);
- penstroke (z1e..{down}z2e{down}..{right}z3e{right}..{right}z4e{right}..{down}z5e{down}..z6e) ;
- pickup pencircle scaled 2s ;
- drawdot (x1,y1-s) ;
- drawdot (x6,y6+s) ;
-endchar;
-beginchar (68, 2nhw#, nhh#, 0);
- clear;
- x1=0.2w; y1=0; x6=w-x1; y6=h-y1;
- x2=0; y2=0.5h; x5=w-x2; y5=h-y2;
- x3=0.25w; y3=h; x4=w-x3; y4=h-y3;
- pickup pencircle scaled 4thinwidth;
- penpos1 (5thinwidth,-90);
- penpos2 (5thinwidth, -180);
- penpos3 (0.3nhw, 10);
- penpos4 (0.3nhw, 10);
- penpos5 (5thinwidth, -180);
- penpos6 (5thinwidth, -90);
- penstroke (z1e..{up}z2e{up}..{right}z3e{right}..{right}z4e{right}..{up}z5e{up}..z6e);
- pickup pencircle scaled 2s;
- drawdot (x1,y1+s);
- drawdot (x6,y6-s);
-endchar;
-%%%%%%%%%%%%%%%
-% appogiature %
-%%%%%%%%%%%%%%%
-beginchar(69, apog_fact*nhw#, 3*apog_nhh#, .50*apog_nhh#);
- clear;
- w:=apog_fact*nhw;
- flagshape(1,w, 3*apog_nhh, apog_nhh, 4thinwidth, w,0);
- clear;
- w:=apog_fact*nhw;
- w:=w+2thinwidth;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- clear;
- pickup pencircle scaled 4thinwidth;
- w:=apog_fact*nhw;
- draw (w,0)--(w,h);
- x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
-%
- w:=apog_fact*nhw;
-endchar;
-beginchar(70, apog_fact*nhw#, 0.5apog_nhh#, 3*apog_nhh#);
- clear;
- w:=apog_fact*nhw;
- flagshaper(1,w, 3apog_nhh, apog_nhh, 5thinwidth, (0,-3apog_nhh));
- clear;
- w:=apog_fact*nhw;
- w:=w+2thinwidth;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- pickup pencircle scaled 4thinwidth;
- draw (0,0)--(0,-d);
- clear;
- w:=apog_fact*nhw;
- x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
-%
- w:=apog_fact*nhw;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% NOTENSCHLUESSEL %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% VIOLINSCHLUESSEL %
-%%%%%%%%%%%%%%%%%%%%
-def violin(expr width, beginleft, begindown, thick, penthick) =
-x10=x3=x2=x8;
-y6l=56/15width+y12r;
-x11-x4=width;
-x5=x4+13/15width;
-x2=x4+31/45 width;
-x1=x4+7/15width;
-x4=beginleft;
-x2-x12=4/15 width;
-x9+2/5width=x6;
-x6-4/15width=x7;
-x9=x4+1/5width;
-y12r=begindown;
-y2r=y4=2y11;
-y8=y12r+4/15width;
-y2r=y12r+28/15width;
-y1=y12r+width;
-y3r=y12r+13/15width;
-y7=y12r+116/45width;
-y5=y12r+16/5width;
-y5-y10=y11;
-y9=y12r+2/15width;
-y13=y8; x13=x8-0.6s;
-penpos1(0,180);
-penpos2(thick,90);
-penpos3(penthick+1/16thick,-90);
-penpos4(5/4thick,120);
-penpos5(5/6thick,-120);
-penpos6(5/3thick,-85);
-penpos7(1/2thick,0);
-penpos8(penthick,0);
-penpos13(penthick,0);
-penpos9(5/4thick,170);
-penpos10(5/6thick,180);
-penpos11(thick,0);
-penpos12(penthick,-90);
-pickup pencircle scaled 1s;
-%
-% penstroke z1e{2left}..z2e..z11e..z3e
-% ..z4e{right+up}..z10e..{up}z5e..z6e;
-% penstroke z6e{down+left}..{down}z7e--z8e;
-% fill z8l{2down+right}..z12l..z9l
-% --z9r..z12r..{up}z8r..cycle;
-% pickup pencircle scaled 1s;
-% fill z9l{3/2right+up}..{right+2down}z9r..cycle;
-penstroke z1e{2left}..z2e..z11e..z3e
-..z4e{right+up}..z10e..{up}z5e..z6e;
-penstroke z6e{down+left}..{down}z7e--z8e
-{2down+right}..z12e..{2left+up}z9e;
-pickup pencircle scaled 2.5s;
-drawdot (x9+0.4s,y9+0.8s);
-%
-penlabels(1,2,3,4,5,6,7,8,9,10,11,12);
-enddef;
-%
-beginchar(71,3.25nhw#, 6nhh#, 2nhh#);
-clear;
-violin(15/8nhh,1.75nhh,-1.5nhh,0.4nhh,0.111nhh);
-endchar;
-
-%%%%%%%%violin-schluessel verkleinert%%%%%%%%
-beginchar(72,2.60nhw#, 6nhh#, 2nhh#);
-clear;
-violin(12/8nhh,1.40nhh,-1.2nhh,0.32nhh,1/10nhh);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%
-% BASS--SCHLUESSEL %%
-%%%%%%%%%%%%%%%%%%%%%
-% clef de fa par D. Taupin %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-def bass (expr reduction) =
- clear;
- x2=0.80*reduction*nhw; y2=3nhh;
- x1=x2+1.25*reduction*s; y1=y2;
- x3=x2+0.71*reduction*nhw; y3=y2+reduction*nhh;
- x4=x3+0.71*reduction*nhw; y4=y2-0.2*reduction*nhh;
- x6=x2-6*reduction*thinwidth; y6=y2-2.2*reduction*nhh;
- x7=x4+0.50*reduction*nhw; x8=x7;
- y7=y2+0.38*reduction*nhh; y8=y2-0.38*reduction*nhh;
-%
- currentpen:=pencircle scaled (4*reduction*thinwidth);
- penpos2(6*reduction*thinwidth,180);
- penpos3(6*reduction*thinwidth, 90);
- penpos4(0.5*reduction*nhh,0);
- penpos6(0.3*reduction*nhh,-30);
- penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down}..{left+0.1down}z6);
- currentpen := pencircle scaled (0.4reduction*nhh);
- pickup pencircle scaled (2*(x2-x1));
- drawdot z1;
- pickup pencircle scaled 1.7s;
- drawdot z7; drawdot z8;
-enddef;
-%
-beginchar(73, 3nhw#, 4nhh#, 0);
- bass(1.0);
-endchar;
-
-%%%%%%verkleinerter bass-schluessel%%%%%%%%%
-beginchar(74, 2.4*nhw#, 4nhh#, 0);
- bass(0.8);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%
-% ALT--SCHLUESSEL %
-%%%%%%%%%%%%%%%%%%%
-def alt(expr height, beginleft, begindown, thick) =
-x1=x7;
-x2=x8;
-y1-y7=height;
-y2-y8=height;
-y7=begindown;
-x7=beginleft;
-x2=x1+1/4height;
-x6l=x8l;
-y5=y7+1/2height;
-y9=y7+1/9height;
-x5=x3;
-y4=y5+0.120height;
-x4-x7=height+3thinwidth;
-x4-x5=1/2height+3thinwidth;
-y3-y5=2/7height;
-y8=y7;
-y6=y7;
-x9=0.62x5+0.38x4;
-x10=x9; y10=y7+height;
-x11=0.5x3+0.5x6; y11=y3; penpos11(1/2thick,0);
-penpos8(1/4thick,180);
-penpos2(1/4thick,180);
-penpos1(thick,180);
-penpos7(thick,180);
-penpos6(thick,0);
-penpos5(1/10thick,0);
-penpos9(1/3thick,90);
-penpos3(1/2thick,0);
-penpos4(thick,180);
-penpos10(1/3thick,-90);
-
-pickup pencircle scaled 1s;
-fill z7l--z1l--z1r--z7r--cycle;
-fill z8l--z2l--z2r--z8r--cycle;
-penstroke z5e..{left+2down}z6e;
-penstroke z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e;
-
-
-pickup pencircle scaled 1s;
-penstroke
- (counterclockwise(z7e--z1e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise(z8e--z2e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise(z5e..{left+2down}z6e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise (z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e)
-reflectedabout(z7,z8));
-
-pickup pencircle scaled 2.5s;
-drawdot (x3+0.1nhh, y3);
-drawdot (x3+0.1nhh, 2y7-y3);
-penlabels(1,2,3,4,5,6,7,8);
-enddef;
-
-%%%%%%%%%%%Altschl"usseL%%%%%%%%%%%
-beginchar(75,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,2nhh,0.4nhh);
-endchar;
-
-%%%%%%%%%Verkleinerter Altschluessel%%%%%%%%%
-beginchar(76,2.8nhw#, 4nhh#, 0nhh#);
-clear;
-alt(1.6nhh,1.00nhh,2nhh,0.32nhh);
-endchar;
-
-%%%%%%%%%Baritonschluessel%%%%%%%%%
-beginchar(77,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,4nhh,2/5nhh);
-endchar;
-
-%%%%%%%%%Mezzosopranschluessel%%%%%%%%%
-beginchar(78,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,1nhh,2/5nhh);
-endchar;
-
-%%%%%%%%%Sopranschluessel%%%%%%%%%
-beginchar(79,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,0nhh,2/5nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% SONDERZEICHEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-
-
-
-def alla_breve (expr trans) =
- thin := 5thinwidth; thick := 1/2 nhh;
- penpos1(thin, 0);
- penpos2(thin, -90);
- penpos3(thick,180);
- penpos4(thin, 90);
- penpos5(thin, 45);
- penpos6(3/4thick,45);
- 2x2r = 2x4r = x1 + 2s = w;
- x3r = 0; 2y1 = 3y2 = y4r = h;
- y3r = 2/3h;
- x5 = w -2s;
- y5 = h -2s;
- z6r = z5r;
- penstroke (z1e..z2e..z3e..z4e..z5e) transformed trans;
- currentpen := pencircle scaled (2/3thick);
- drawdot z6;
-enddef;
-
-
-%%%%%%%%%%%%%%%
-% "fermate1" %%
-%%%%%%%%%%%%%%%
-beginchar(80, 2nhw#, 1.25nhh#, 0);
- clear;
- penpos2(nhh/3,90);
- penpos4(nhh/3,90);
- y2r =1.2h;
- z1 = origin; 2x2l = 2x4l = x3 = w; y4l = y3 = 0;
- penstroke z1..z2e..z3;
- currentpen:= pencircle scaled (nhh/3);
- drawdot z4;
-endchar;
-%%%%%%%%%%%%%%%
-% "fermate2" %%
-%%%%%%%%%%%%%%%
-beginchar(81, 2nhw#, 0, 1.25nhh#);
- clear;
- penpos2(nhh/3,90);
- penpos4(nhh/3,90);
- y2l = -1.2d;
- z1 = origin; 2x2l = 2x4 = x3 = w;
- y4r = y3 = 0;
- penstroke (z1..z2e..z3);
- currentpen := pencircle scaled (nhh/3);
- drawdot z4;
-endchar;
-%%%%%%%%%%%%%%%%
-% "allabreve" %%
-%%%%%%%%%%%%%%%%
-beginchar(82, 2nhh#, 3nhh#, 0);
- clear;
- alla_breve(identity);
- z7 = z4 + 2/16 h *up;
- z8 = z2 + 2/16 h *down;
- currentpen := pencircle scaled (thin);
- draw z7--z8;
-endchar;
-%%%%%%%%
-% "C" %%
-%%%%%%%%
-beginchar(83, 2nhh#, 3nhh#, 0);
- clear;
- alla_breve(identity);
-endchar;
-%%%%%%%%%%%%%%%
-% "reverseC" %%
-%%%%%%%%%%%%%%%
-beginchar(84, 2nhh#, 3nhh#, 0);
- clear;
- transform T;
- xxpart T = -yypart T; xypart T = yxpart T; % T is a reflection
- (w/2,0) transformed T = (w/2,0); (w/2,1) transformed T = (w/2,1);
- thin := 5thinwidth; thick := 1/2 nhh;
- penpos1(thin, 0);
- penpos2(thin, -90);
- penpos3(thick,180);
- penpos4(thin, 90);
- penpos5(thin, 45);
- penpos6(3/4thick,45);
- 2x2r = 2x4r = x1 + 2s = w;
- x3r = 0; 2y1 = 3y2 = y4r = h;
- y3r = 2/3h;
- x5 = w -2s;
- y5 = h -2s;
- z6r = z5r;
- penstroke (counterclockwise
- (z1e..z2e..z3e..z4e..z5e) transformed T);
- currentpen := pencircle scaled (2/3thick);
- drawdot (z6 transformed T);
-endchar;
-%%%%%%%%%%%%%%%
-% reprises sym%
-%%%%%%%%%%%%%%%
-beginchar(85, 2nhw#, 3nhh#, 0);
- clear;
- x1=0.5w; y1=0.5h;
- x2=0.5nhh; y2=y1;
- x3=x1; y3=y1+nhh;
- x4=2x1-x2; y4=2y1-y2;
- x5=2x1-x3; y5=2y1-y3;
- pickup pencircle scaled 4thinwidth;
- draw (x1,0)--(x1,h);
- draw (0,y1)--(w,y1);
- pickup pencircle xscaled 10thinwidth yscaled 4thinwidth;
- draw z2..z3..z4..z5..cycle;
-endchar;
-beginchar(86, 3nhw#, 3nhw#, 0);
- clear;
- x1=0.5w; y1=0.5h;
- x2=x1; y2=y1+0.4h;
- x3=2x1-x2; y3=2y1-y2;
- x4=x1-0.4h; y4=y1;
- x5=2x1-x4; y5=2y1-y4;
- x6=x1+0.4w; y6=y1+0.4h;
- x7=2x1-x6; y7=2y1-y6;
- pickup pencircle scaled 10thinwidth;
- drawdot z2; drawdot z3;
- drawdot z4; drawdot z5;
- pickup pencircle scaled 4thinwidth;
- draw z6--z7;
-%
- x8=x1-0.3w; y8=y1+0.3h;
- x9=2x1-x8; y9=2y1-y8;
-%
- draw z8--z9;
-endchar;
-%%%%%%%%%%%%%%%
-% " pince" %
-%%%%%%%%%%%%%%%
-def pince =
- clear;
- x1=-0.125w; y1=0.25h;
- x2=1/8w; y2=8/10h;
- x3=0.5w-x2; y3=h-y2;
- x4=0.5w+x2; y4=y2;
- x5=0.5w+x3; y5=y3;
- x6=w-x1; y6=h-y1;
- pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45;
- draw (z1--z2--z3--z4--z5--z6);
-enddef;
-%
-beginchar(87, 1.2nhw#, 0.8nhh#, 0);
- pince;
-endchar;
-%
-beginchar(88, 1.8nhw#, 0.8nhh#, 0);
- w:=2w/3;
- pince;
- draw (z4--z5--z6) shifted (0.5w,0);
-endchar;
-%%%%%%%%%%%%%%%
-% "mordant" %
-%%%%%%%%%%%%%%%
-beginchar(89, 1.2nhw#, 0.8nhh#, 0);
- pince;
- pickup pencircle scaled (4thinwidth);
- draw (0.5w,-0.4h)--(0.5w,1.4h);
-endchar;
-%%%%%%%%%%%%%%%
-% arpeggio %%
-%%%%%%%%%%%%%%%
-def arpegel =
- clear;
- y1=0; x1=0.5w;
- y2=0.3nhh; x2=8/10w;
- y3=nhh-y2; x3=w-x2;
- y4=nhh; x4=0.5w;
- pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45;
- draw (z1..z2..z3..z4);
-enddef;
-%
-beginchar(90, 0.4nhw#, nhh#, 0);
- arpegel;
-endchar;
-for jj=1 upto 9:
- beginchar(90+jj, 0.4nhw#, (1+jj)*nhh#, 0);
- arpegel;
- for kk=1 upto jj:
- draw (z1..z2..z3..z4) shifted (0,kk*nhh);
- endfor;
-endchar;
-endfor;
-%%%%%%%%%%%%%%%
-% "trille" %%
-%%%%%%%%%%%%%%%
-def arp_elem =
- clear;
- x1=0; y1=0.5h;
- x2=1/3nhw; y2=8/10h;
- x3=nhw-x2; y3=h-y2;
- x4=nhw; y4=0.5h;
- pickup pencircle xscaled 0.33nhh yscaled 0.1nhh rotated 45;
- draw (z1..z2..z3..z4);
-enddef;
-%
-beginchar(100, nhw#, 0.45nhh#, 0);
- arp_elem;
-endchar;
-%
-for jj=1 upto 9:
- beginchar(100+jj, (jj+1)*nhw#, 0.45nhh#, 0);
- arp_elem;
- for kk=1 upto jj:
- draw (z1..z2..z3..z4) shifted (kk*nhw,0);
- endfor;
- endchar;
-endfor;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(110, 0, 3apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshape(1,w, h, apog_nhh, 5thinwidth, 0, 0);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(111, 0, 3.25apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0);
- flagshape(5,.95 w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(112, 0, 3.75apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0);
- flagshape(5, .95w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh);
- flagshape(9, .9w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(113, 0, 4.25apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0);
- flagshape(5,.95 w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh);
- flagshape(9,.9w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh);
- flagshape(13,0.85w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 2.25apog_nhh);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(114, 0, 4.5apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0);
- flagshape(5, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh);
- flagshape(9, w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh);
- flagshape(13,0.9 w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 2.25apog_nhh);
- flagshape(17,0.9 w, 1.5apog_nhh, 1/3apog_nhh, 5thinwidth, 0, 3apog_nhh);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(115, 0, 3apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshaper(1,w, h, apog_nhh, 5thinwidth, origin);
- penlabels(1,2,3,4);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(116, 0, 3.25apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.75apog_nhh));
- flagshaper(5, w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth,(0,-0.25apog_nhh));
- penlabels(1,2,3,4,5,6,7,8);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(117, 0, 3.75apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.5apog_nhh));
- flagshaper(5, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.75apog_nhh));
- flagshaper(9, .95w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, origin);
- penlabels(1,2,3,4,5,6,7,8,9,10,11,12);
- w := 0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(118, 0, 4.25apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.75apog_nhh));
- flagshaper(5, w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1apog_nhh));
- flagshaper(9,w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.34apog_nhh));
- flagshaper(13,0.9w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, (0,-0.32apog_nhh));
- penlabels(1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16);
- w := 0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(119, 0, 4.5apog_nhh#, 0);
- clear;
- w:=0.8*apog_fact*nhw;
- flagshaper(1, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, (0,2.5apog_nhh));
- flagshaper(5, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.75apog_nhh));
- flagshaper(9, w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1apog_nhh));
- flagshaper(13,0.9 w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.5apog_nhh));
- flagshaper(17,0.9 w, 2apog_nhh, 1/3apog_nhh, 5thinwidth, (0,0apog_nhh));
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%
-% kleine versetzungen
-%%%%%%%%%%%%%%%%
-beginchar(120, apog_fact*nhw#, 2apog_fact*nhh#, 2apog_fact*nhh#);
- flat (apog_fact);
-endchar;
-beginchar(121,2*apog_fact*nhw#, 2*apog_fact*nhh#, 2*apog_fact*nhh#);
- flat (apog_fact);
- draw (z1--z3) shifted ((w/2 - 1.5s),0);
- penstroke (z2e..z4e...z3e{3left+2down})shifted ((w/2 -1.5s),0);
-endchar;
-beginchar(122, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#);
- sharp(apog_fact);
-endchar;
-beginchar(123, apog_fact*nhw#, .5nhw#, .5nhw#);
- clear;
- z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w);
- z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w);
- pwidth:=0.2*apog_fact*nhh;
- currentpen:= pencircle scaled pwidth;
- draw z1--z4; draw z3--z2;
- currentpen:= pensquare scaled .30w;
- drawdot z1; drawdot z2; drawdot z3; drawdot z4;
-endchar;
-beginchar(124, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#);
- natural;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% volle Note mit | --> |O|%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(125,1.5nhh#, .5nhh#, .5nhh#);
- drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth);
- pickup pensquare scaled 0.2w;
- draw (-0.05w,-0.4nhh)--(-0.05w,0.4nhh);
- draw (1.05w,-0.4nhh)--(1.05w,0.4nhh);
-endchar;
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf b/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf
deleted file mode 100644
index 8457f0336b5..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf
+++ /dev/null
@@ -1,1372 +0,0 @@
-apog_fact=0.75;
-apog_nhh=apog_fact*nhh;
-apog_nhh#=apog_fact*nhh#;
-%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% NOTENKOEPFE UND FAEHNCHEN %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%
-%%%%%%%%%%%%%%%
-%%notenkoepfe %
-%%%%%%%%%%%%%%%
-
-def drawnoteb(expr noteheadwidth, noteheadheight, theta_a, theta_b, theta_c,
-width_a, width_b) =
- % .l
- penpos1(width_a, theta_a); % .2
- % .r
- penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l
- % .r
- penpos2(width_b, 180+theta_b); % .4
- % .l
- penpos4(width_b, theta_b); %
- y1 = y3 = 0;
- x2 = x4 = 1/2noteheadwidth;
- x1l= 0; x3l = noteheadwidth; y2l = noteheadheight; y4l = -noteheadheight;
- penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle)
- rotatedaround((origin +1/2noteheadwidth*right),theta_c);
- enddef;
-
-def drawnotew(expr noteheadwidth, noteheadheight, theta_a, theta_b,
-width_a, width_b) =
- % .l
- penpos1(width_a, theta_a); % .2
- % .r
- penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l
- % .r
- penpos2(width_b, 180+theta_b); % .4
- % .l
- penpos4(width_b, theta_b); %
- y1l = y3l = 0;
- x2l = x4l = 0.5noteheadwidth;
- x1l= 0; x3l = noteheadwidth;
- y2l = noteheadheight; y4l = -noteheadheight;
-%%%% penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle);
-%%%% pickup pencircle xscaled width_a yscaled width_b;
-%%%% draw (z1{up}..z2{right}..z3{down}..z4{left}..cycle);
- fill (z1l{up}..z2l{right}..z3l{down}..z4l{left}..cycle); cullit;
- unfill (z1r{up}..z2r{right}..z3r{down}..z4r{left}..cycle); cullit;
- penlabels(1,2,3,4);
- enddef;
-%%%%%%%%%%%%%%%
-% flags %
-%%%%%%%%%%%%%%%
-%
-%
-pickup pencircle scaled (0.1pt);
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle fi enddef;
-%
-%
-def flagshape(suffix i) (expr width, height, thick, thin, shiftx, shifty,
- flagsense) =
- pair intersectionp; %
-% % .1
- penpos[i](thick,90); %
- penpos[i+1](3thin,45); % .2
- penpos[i+2](thin,0); %
- penpos[i+3](thin,0); % .3
- x[i] = shiftx-0.2pt; %
- y[i]r = height+shifty; % .4
- x[i+1] = shiftx+3/8width; %
- y[i+1] = height+shifty - thick; %
- x[i+2]r = shiftx+width;
- y[i+2]r = height+shifty - 2thick;
- y[i+3] = shifty;
- x[i+3]r = shiftx+0.6width;
- if i>1: intersectionp = z[i-2];
- else : intersectionp = z[i+3];
- fi;
-
- if flagsense>0: penstrike
- (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)}
- ..z[i+1]e{z[i+1]e-z[i]e}
- ..z[i+2]e{down}..intersectionp);
- else:
- penstrike (counterclockwise
- (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)}
- ..z[i+1]e{z[i+1]e-z[i]e}
- ..z[i+2]e{down}..intersectionp)
- reflectedabout ((0,h/2), (nhw,h/2))) ;
- fi;
-
-enddef;
-%%%%%%%%%%%%%%%%%%%%%%
-% song system limits %
-%%%%%%%%%%%%%%%%%%%%%%
-beginchar(14,0.5nhw#,0,0);
- clear;
- z1=(0,0);
- z2=(0.5nhw,0);
- z3=(1.5nhw,nhh);
- penpos1(0.4pt,90);
- penpos2(0.4pt,90);
- penpos3(0.2pt,135);
- penstroke (z1e--z2e{right+0.2up}..z3e);
-endchar;
-beginchar(15,0.5nhw#,0,0);
- clear;
- z1=(0,0);
- z2=(0.5nhw,0);
- z3=(1.5nhw,-nhh);
- penpos1(0.4pt,90);
- penpos2(0.4pt,90);
- penpos3(0.2pt,45);
- penstroke (z1e--z2e{right-0.2up}..z3e);
-endchar;
-
-%%%%%%%%%%%%%%%%
-% 4 crescendos %
-%%%%%%%%%%%%%%%%
-for n:=1 upto 4:
- beginchar(15+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#);
- pickup pencircle scaled (0.4s);
- draw (0,(0.5+0.1*n)*nhh)--(4*n*nhw,0)--(0,-(0.5+0.1*n)*nhh);
- endchar;
-endfor;
-%%%%%%%%%%%%%%%%%%
-% 4 decrescendos %
-%%%%%%%%%%%%%%%%%%
-for n:=1 upto 4:
- beginchar(19+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#);
- pickup pencircle scaled (0.4s);
- draw (4*n*nhw,(0.5+0.1*n)*nhh)--(0,0)--(4*n*nhw,-(0.5+0.1*n)*nhh);
- endchar;
-endfor;
-%%%%%%%%%%%%%%%
-% accents %
-%%%%%%%%%%%%%%%
-% point au-dessus de la note
-beginchar(24, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- pickup pencircle scaled 0.25nhh;
- drawdot (0.5nhw, 0.2pt+1.15nhh);
-endchar;
-% point au-dessous de la note
-beginchar(25, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- pickup pencircle scaled 0.25nhh;
- drawdot (0.5nhw, -0.2pt-1.15nhh);
-endchar;
-% barre au-dessus de la note
-beginchar(26, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- dely:=0.2pt+1.15nhh;
- pickup penrazor scaled 0.15nhh rotated 90;
- draw (0.0nhw, dely)--(1.0nhw, dely);
-endchar;
-% trait au-dessous de la note
-beginchar(27, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- dely:=0.2pt+1.15nhh;
- pickup penrazor scaled 0.15nhh rotated 90;
- draw (0.0nhw, -dely)--(1.0nhw, -dely);
-endchar;
-% accent (pizz.) au-dessus de la note
-beginchar(28, nhw#, 1.0nhh#, 0.0nhh#);
- clear;
- dely:=1.2nhh;
- rayon:=0.2nhh;
- z1=(0.5nhw,dely+rayon);
- z2=(0.5nhw-rayon,dely);
- z3=(0.5nhw,dely-0.45nhh);
- z4=(0.5nhw+rayon,dely);
- fill z1{left}..{down}z2--z3--z4{up}..{left}cycle;
-endchar;
-% accent (pizz.) au-dessous de la note
-beginchar(29, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- rayon:=0.2nhh;
- dely:=1.2nhh;
- z1=(0.5nhw,dely+rayon);
- z2=(0.5nhw-rayon,dely);
- z3=(0.5nhw,dely-0.45nhh);
- z4=(0.5nhw+rayon,dely);
- fill (z1{left}..{down}z2--z3--z4{up}..{left}cycle)
- rotatedaround ((0.5nhw,0),180);
-endchar;
-% accent (sforz.) au-dessus de la note
-beginchar(30, nhw#, 1.5nhh#, 0.0nhh#);
- clear;
- z1=(1.2nhw,1.3nhh);
- z2=(-0.2nhw,1.3nhh);
- pickup pencircle scaled 0.5s;
- draw z1--(x2,y2+0.3nhh);
- draw z1--(x2,y2-0.3nhh);
-endchar;
-% accent (sforz.) au-dessous de la note
-beginchar(31, nhw#, 0.0nhh#, 1.0nhh#);
- clear;
- z1=(1.2nhw,-1.3nhh);
- z2=(-0.2nhw,-1.3nhh);
- pickup pencircle scaled 0.5s;
- draw z1--(x2,y2+0.3nhh);
- draw z1--(x2,y2-0.3nhh);
-endchar;
-%%%%%%%%%%%%%%%
-% breve %
-%%%%%%%%%%%%%%%
-beginchar(32, nhw#, 0.7nhh#, 0.7nhh#);
- clear;
- pickup pencircle scaled (4thinwidth);
- draw (0,h)--(0,-d);
- draw (w,h)--(w,-d);
- fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle;
- fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% volle Note -- quarter note -- noire %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(33, nhw#, .5nhh#, .5nhh#);
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, w/2, nhh/2);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% halbe Note -- half note -- blanche %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(34, nhw#, .5nhh#, .5nhh#);
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, 3*thinwidth, nhh/4);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% ganze Note -- whole note -- ronde %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(35,1.5nhh#, .5nhh#, .5nhh#);
- drawnotew(w, h, 0, 30, nhh/3, 3.5*thinwidth);
-endchar;
-%%%%%%%%%%%%%%%
-% semi-breve %
-%%%%%%%%%%%%%%%
-beginchar(36, 2nhw#, 0.7nhh#, 0.7nhh#);
- clear;
- pickup pencircle scaled (4thinwidth);
- draw (0,h)--(0,-d);
- draw (w,h)--(w,-d);
- fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle;
- fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% volle kleine Note -- small quarter note %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(37, apog_fact*nhw#, .50*apog_nhh#, .50*apog_nhh#);
- w:=apog_fact*nhw;
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, w/2, apog_nhh/2);
-endchar;
-%%%%%%%%%%%%%%%
-%% halbe Note %
-%%%%%%%%%%%%%%%
-beginchar(38, apog_fact*nhw#, apog_fact*0.5nhh#, apog_fact*0.5nhh#);
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, 3*thinwidth, apog_nhh/4);
-endchar;
-%%%%%%%%%%%%%%%
-%% ganze Note %
-%%%%%%%%%%%%%%%
-beginchar(39, 1.5*apog_nhh#, apog_fact*0.5nhh#, apog_fact*0.5nhh#);
- drawnotew(w, h, 0, 30, apog_nhh/3, 3.5*thinwidth*apog_fact);
-endchar;
-%
-% general parameters for flags
-%
- flagw:=0.8*nhw;
- flagthick:=nhh;
- flagthin:=5thinwidth;
-%
- def cflag (expr sense) =
- pickup pencircle scaled (0.1pt);
- flagshape(1, flagw, h, flagthick, flagthin, 0, 0, sense);
- enddef;
- def ccflag (expr sense) =
- pickup pencircle scaled (0.1pt);
- flagshape(1, flagw, 2.50flagthick, 2/3flagthick, flagthin,
- 0, 0, sense);
- flagshape(5, flagw, 2.25flagthick, 2/3flagthick, flagthin,
- 0, flagthick, sense);
- enddef;
- def cccflag (expr sense) =
- ccflag(sense);
- flagshape(9, flagw, 2.25flagthick, 2/3flagthick, flagthin,
- 0, 1.75flagthick, sense);
- enddef;
- def ccccflag (expr sense) =
- cccflag(sense);
- flagshape(13, flagw, 2.25flagthick, 2/3flagthick, flagthin,
- 0, 2.50flagthick, sense);
- enddef;
- def cccccflag (expr sense) =
- ccccflag(sense);
- flagshape(17, flagw, 2.25flagthick, 2/3flagthick, flagthin,
- 0, 3.25flagthick, sense);
- enddef;
-%%%%%%%%%%%%%%%%%%%%%%
-% "8flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%
-flagw:=0.8*nhw;
-beginchar(40, 0, 3nhh#, 0);
- clear;
- cflag(1);
- w:=0;
-endchar;
-% idem mais avec barre (appogiature)
-beginchar(12, 0, 3nhh#, 0);
- clear;
- cflag(1);
- pickup pencircle scaled 4thinwidth;
- clear;
- w:=nhw;
- x1=-0.25w; y1=0.6nhh; x2=1.1w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(41, 0, 3.25nhh#, 0);
- clear;
- ccflag(1);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(42, 0, 4.00nhh#, 0);
- clear;
- cccflag(1);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(43, 0, 4.75nhh#, 0);
- clear;
- ccccflag(1);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(44, 0, 5.50nhh#, 0);
- clear;
- cccccflag(1);
- w:=0;
-endchar;
-flagw:=1.0*nhw; % flags up should be wider
-%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%
-beginchar(45, 0, 3nhh#, 0);
- clear;
- cflag(-1);
- w:=0;
-endchar;
-% idem mais avec barre (appogiature)
-beginchar(13, 0, 3nhh#, 0);
- clear;
- cflag(-1);
- pickup pencircle scaled 4thinwidth;
- clear;
- w:=nhw;
- x1=-0.25w; y1=1.6nhh; x2=1.2w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(46, 0, 3.25nhh#, 0);
- clear;
- ccflag(-1);
- w:=0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(47, 0, 4.00nhh#, 0);
- clear;
- cccflag(-1);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(48, 0, 4.75nhh#, 0);
- clear;
- ccccflag(-1);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(49, 0, 5.50nhh#, 0);
- clear;
- cccccflag(-1);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% VERSETZUNGSZEICHEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%%%%%%%
-% "flat" %
-%%%%%%%%%%%%
-def flat (expr reduction,shiftx,flatsense) =
- clear; flatraise:=0; %
- penpos4(8/24reduction*nhh,0);%/5,20 % 1
- penpos3(reduction*nhh/8,-90);%/5,20 %
- penpos6(reduction*nhh/7, 90);%/5,20 %
- penpos2(reduction*nhh/8, 90);%/5,20 % 6 \
- y1 = 1.5*reduction*nhh+flatraise; % / 4
- x1=x2=x5 = reduction*s; x4 = reduction*(nhw-s); % 2 /
- y4 = 0.1reduction*s+flatraise; % /
- y3l = flatraise-0.5*reduction*nhh; %35
- y2l = 0.5y4; y5=y3;
- x3=x5-1.5thinwidth;
- y6r=0.5*reduction*nhh+flatraise; x6=(x2+x4)/2;
- currentpen:= pencircle scaled 3thinwidth;
- if flatsense>0:
- penstroke
- (z2e..{right}z6e{right}..{down}z4e{down}..{left+down}z3e)
- shifted (shiftx,flatraise);
- cullit;
- draw (z1--z5) shifted (shiftx,flatraise);
- penlabels (1,2,3,4,5);
- else:
- penstroke (counterclockwise (
- (z2e..{right}z6e{right}..{down}z4e{down}..{3left+2down}z3e)
- reflectedabout(z1,z5)))
- shifted (shiftx,flatraise);
- cullit;
- draw (z1--z5) shifted (shiftx,flatraise);
- fi; cullit;
-enddef;
-%
-beginchar(50, nhw#, 2nhh#, 2nhh#);
- flat (1.0, 0, 1);
-endchar;
-%
-%%%%%%%%%%
-%% "bb" %
-%%%%%%%%%%
-beginchar(51,1.7nhw#, 2nhh#, 2nhh#);
- flat (1.0, 0, 1); cullit; clear;
- flat (1.0, 0.7nhw, 1);
-endchar;
-%%%%%%%%%%%%%
-% "sharp" %
-%%%%%%%%%%%%%
-def sharp ( expr reduction ) =
- clear;
- penpos3(3/8reduction*nhh,90);
- penpos4(3/8reduction*nhh,90);
- penpos5(3/8reduction*nhh,90);
- penpos6(3/8reduction*nhh,90);
- y1 + y2 = -0.5reduction*s; y1 - y2 = 2h - reduction*s;
- x1 = x2 = reduction*s; y3 = 1/4reduction*nhh;
- y4l = y3r; x3= 0; x4 = 0.8*reduction*nhw;
- y5 = -y4; y6 = -y3; x5 = x3; x6 = x4;
- x7 = w-x1 ; x8 = w-x2; y7=-y1; y8=-y2;
- currentpen:= pencircle scaled 3thinwidth;
- draw z1--z2;
- draw z7--z8;
- penstroke z3e--z4e;
- penstroke (z5e--z6e) ;
- penlabels(1,2,3,4,5,6,7,8);
-enddef;
-%
-beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#);
- sharp(1.0);
-endchar;
-%
-%%%%%%%%%%
-%% "xx" %
-%%%%%%%%%%%
-beginchar(53, nhw#, .5nhw#, .5nhw#);
- clear;
- z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w);
- z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w);
- currentpen:= pencircle scaled .2nhh;
- draw z1--z4; draw z3--z2;
- currentpen:= pensquare scaled .30w;
- drawdot z1; drawdot z2; drawdot z3; drawdot z4;
-endchar;
-%%%%%%%%%%%%%%%
-% "natural" %
-%%%%%%%%%%%%%%%
-def natural =
- clear;
- reduction:=w/(0.8*nhw);
- penpos3(3/8reduction*nhh,90);
- penpos4(3/8reduction*nhh,90);
- penpos7(3/8reduction*nhh,90);
- penpos8(3/8reduction*nhh,90);
- x1 = x2 = x3 = x7 = 0.75*reduction*s-1.5thinwidth;
- x5 = x6 = x4 = x8 = w-x1;
- y1 = h; y3 = 0.30reduction*nhh ;
- y4l = y3r-0.5*reduction*s ;
- y6 = -y1; y5 = -y2;
- y7l = y2;
- y7 = -y4; y8 = -y3;
- currentpen:= pencircle scaled 3thinwidth;
- draw (z1--(x2,y2+1.5thinwidth)) shifted (1.5thinwidth,0);
- draw ((x5,y5-1.5thinwidth)--z6) shifted (-1.5thinwidth,0);
- penstroke z3e--z4e;
- penstroke z7e--z8e;
- penlabels(1,2,3,4,5,6,7,8);
-enddef;
-%
-beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#);
- natural;
-endchar;
-%
-%%%%%%%%%%%%%%%%
-%% "1/4 flat" %
-%%%%%%%%%%%%%%%%
-beginchar(55, nhw#, 2nhh#, 2nhh#);
- flat (1.0, 0.65nhw,-1);
-endchar;
-%%%%%%%%%%%%%%%%
-%% "3/4 flat" %
-%%%%%%%%%%%%%%%%
-beginchar(56, 1.7nhw#, 2nhh#, 2nhh#);
- flat (1.0, 0.65nhw, -1); clear; cullit;
- flat (1.0, 0.65nhw, 1);
-endchar;
-%
-% Gregorian notes
-%
-beginchar(57, nhw#, .5nhh#, .5nhh#);
- fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% PAUSEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%%%%%%%
-%% "dp" %
-%%%%%%%%%
-beginchar(58,1/2nhw#, 3nhh#, 0);
- clear;
- penpos1(nhh,90);
- penpos2(nhh,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-labels(1,2);
-endchar;
-%%%%%%%%%%
-%% "ddp" %
-%%%%%%%%%%
-beginchar(59,1/2nhw#, 3nhh#, 0);
- clear;
- penpos1(2nhh,90);
- penpos2(2nhh,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-labels(1,2);
-endchar;
-%%%%%%%%%%%%%%%%%%
-%% "ganze Pause" %
-%%%%%%%%%%%%%%%%%%
-beginchar(60, nhw#, 3nhh#, 0);
- clear;
- penpos1(nhh/2,90);
- penpos2(nhh/2,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-endchar;
-%
-%%%%%%%%%%%%%%%%%%
-%% "halbe Pause" %
-%%%%%%%%%%%%%%%%%%
-beginchar(61, nhw#, 2.5nhh#, 0);
- clear;
- penpos1(nhh/2,90);
- penpos2(nhh/2,90);
- y1r = y2r = h;
- x1r = 0; x2r = w;
- currentpen:= pencircle;
- penstroke z1e--z2e;
-endchar;
-%%%%%%%%%%%%%%%%%%%%
-%% "viertel Pause" %
-%%%%%%%%%%%%%%%%%%%%
-beginchar(62, nhw#, 4nhh#, 0); % .1
- clear; % .2
- thin := 1/8 nhh; thick := 1/2 nhh; % 8..3
- alpha_a = -50; alpha_b = -50; % .4
- penpos1 ( thin, (alpha_a+90)); % .5
- penpos5 ( thin, alpha_b); % .6
- penpos2 ( thick+thin, alpha_a ); %
- penpos4 ( thick+thin, alpha_b ); % .7
- penpos3 ( thick, 1/2(alpha_a+alpha_b));
- x3r:=9/10[x3,x3r];
- penpos8 ( thick, 1/2(alpha_a+alpha_b));
- x8l:=9/10[x8,x8l];
- penpos6 ( 2/3thick, alpha_b);
- penpos7 ( thin, 45);
- y1l = h - 2s;
- x1l = 2s;
- z2r = z1 +(nhh* right) rotated alpha_a;
- z5 = z4l+(nhh* right) rotated alpha_b;
- z3 = 1/3[z2,z4];
- z8 = 2/3[z2,z4];
- z4 = (w,h) scaled .55;
- y6r = 1.45nhh;
- x6l = x4l;
- x7 = 0.9w; y7= nhh-thin;
- z10= z5r shifted (0.36thin,0.36thin);
- currentpen:= penrazor scaled thin rotated 45;
- draw z1--z2r; draw z10--z4l;
- cullit; penstroke z2e..z3e..z8e..z4e; pickup pencircle scaled thin;
-% cullit; penstroke z5e{nw}..z6e..z7e; cullit;
- cullit; penstroke z5e..z6e..{up+4right}z7e; cullit;
- penlabels(1,2,3,4,5,6,7,8,9,10);
-endchar;
-%%%%%%%%%%%%%%%%%%%
-%% "achtel Pause" %
-%%%%%%%%%%%%%%%%%%%
-beginchar(63, 2nhh#, 3nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=1/2nhh; y3=10/4nhh;
- z4-z3=(0.20nhh,0.35nhh);
- currentpen := pencircle scaled 4thinwidth;
- draw z1..z2;
- currentpen := pencircle scaled(2*thinwidth);
- draw z2..z3{up+left};
- z5=z3;
- filldraw z5..z4..z5..cycle;
- penlabels (1,2,3,4,5);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "sechzehntel Pause" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(64,2nhh#, 3nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=1/2nhh; y3=10/4nhh;
- z4-z3=(0.20nhh,0.35nhh);
-%
- x5=x2; y5=y2;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pencircle scaled(2*thinwidth);
- draw z2..z3{up+left};
- draw z2..z3{up+left} shifted(-1/3nhh,-nhh);
- filldraw z3..z4..z3..cycle;
- filldraw z3..z4..z3..cycle shifted(-1/3nhh,-nhh);
- penlabels(1,2,3,4,5,6);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "zweiunddreissigstel Pause" %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(65,2nhh#, 4nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=1/2nhh; y3=10/4nhh;
- z4-z3=(0.20nhh,0.35nhh);
-%
- x5=x2+1/6nhh; y5=y2+nhh;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pencircle scaled(2*thinwidth);
- draw z2..z3{up+left} shifted( 1/6nhh,nhh);
- draw z2..z3{up+left} shifted(-1/6nhh, 0);
- draw z2..z3{up+left} shifted(-3/6nhh,-nhh);
- filldraw z3..z4..z3..cycle shifted( 1/6nhh, nhh);
- filldraw z3..z4..z3..cycle shifted(-1/6nhh, 0);
- filldraw z3..z4..z3..cycle shifted(-3/6nhh,-nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "vierundsechzigstel Pause" %%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(66,2nhh#, 5nhh#, 0)
- clear;
- %punkte f"ur achtelpause, 16. und 32. Pause
- x1=y1= nhh; x2=7/4nhh; y2=11/4nhh;
- x3=1/2nhh; y3=10/4nhh;
- z4-z3=(0.20nhh,0.35nhh);
-%
- x5=x2+1/3nhh; y5=y2+2nhh;
- y6=0; x6=x5-1/3y5;
- currentpen := pencircle scaled 4thinwidth;
- draw z5..z6;
- currentpen := pencircle scaled(2*thinwidth);
- draw z2..z3{up+left} shifted( 1/3nhh, 2nhh);
- draw z2..z3{up+left} shifted( 0,nhh);
- draw z2..z3{up+left} shifted(-1/3nhh, 0);
- draw z2..z3{up+left} shifted(-2/3nhh,-nhh);
- filldraw z3..z4..z3..cycle shifted( 1/3nhh, 2nhh);
- filldraw z3..z4..z3..cycle shifted( 0, nhh);
- filldraw z3..z4..z3..cycle shifted(-1/3nhh,0);
- filldraw z3..z4..z3..cycle shifted(-2/3nhh,-nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%
-% ornements %
-%%%%%%%%%%%%%%%%%%%
-beginchar (67, 2nhw#, nhh#, 0);
- clear;
- x1=0.2w; y1r=h; x6=w-x1; y6=h-y1;
- x2r=0; y2=0.5h; x5=w-x2; y5=h-y2;
- x3=0.22w; y3r=0; x4=w-x3; y4=h-y3;
- pickup pencircle scaled 4thinwidth;
- penpos1 (5thinwidth,90);
- penpos2 (5thinwidth, 180);
- penpos3 (0.2nhw, -40);
- penpos4 (0.2nhw, -40);
- penpos5 (5thinwidth, 180);
- penpos6 (5thinwidth, 90);
- penstroke (z1e..{down}z2e{down}..{right}z3e{right}..{right}z4e{right}..{down}z5e{down}..z6e) ;
- pickup pencircle scaled 2s ;
- drawdot (x1,y1r-s) ;
- drawdot (x6,y6l+s) ;
- penlabels(1,2,3,4,5,6);
-endchar;
-beginchar (68, 2nhw#, nhh#, 0);
- clear;
- x1=0.2w; y1r=0; x6=w-x1; y6=h-y1;
- x2r=0; y2=0.5h; x5=w-x2; y5=h-y2;
- x3=0.22w; y3r=h; x4=w-x3; y4=h-y3;
- pickup pencircle scaled 4thinwidth;
- penpos1 (5thinwidth,-90);
- penpos2 (5thinwidth, -180);
- penpos3 (0.2nhw, 40);
- penpos4 (0.2nhw, 40);
- penpos5 (5thinwidth, -180);
- penpos6 (5thinwidth, -90);
- penstroke (z1e..{up}z2e{up}..{right}z3e{right}..{right}z4e{right}..{up}z5e{up}..z6e);
- pickup pencircle scaled 2s;
- drawdot (x1,y1r+s);
- drawdot (x6,y6l-s);
- penlabels(1,2,3,4,5,6);
-endchar;
-%%%%%%%%%%%%%%%
-% appogiature %
-%%%%%%%%%%%%%%%
-beginchar(69, apog_fact*nhw#, 3.5*apog_nhh#, .50*apog_nhh#);
- clear;
- w:=apog_fact*nhw;
- flagshape(1,0.8w, 3*apog_nhh, apog_nhh, 4thinwidth, w, 0.5apog_nhh, 1);
- clear;
- w:=apog_fact*nhw;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- clear;
- pickup pencircle scaled 4thinwidth;
- w:=apog_fact*nhw;
- draw (w-2thinwidth,0)--(w-2thinwidth,h);
- x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
-%
- w:=apog_fact*nhw;
-endchar;
-beginchar(70, apog_fact*nhw#, 0.5apog_nhh#, 3.5*apog_nhh#);
- clear;
- w:=apog_fact*nhw;
- flagshape(1,w, 3apog_nhh, apog_nhh, 4thinwidth, 0.2pt, apog_nhh, -1);
- clear;
- w:=apog_fact*nhw;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- pickup pencircle scaled 4thinwidth;
- draw (2thinwidth,0)--(2thinwidth,-d);
- clear;
- w:=apog_fact*nhw;
- x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6*(x2-x1);
- draw z1--z2;
-%
- w:=apog_fact*nhw;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% NOTENSCHLUESSEL %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% VIOLINSCHLUESSEL %
-%%%%%%%%%%%%%%%%%%%%
-def violin(expr width, beginleft, begindown, thick, penthick) =
-x10=x3=x2=x8;
-y6l=56/15width+y12r;
-x11-x4=width;
-x5=x4+13/15width;
-x2=x4+31/45 width;
-x1=x4+7/15width;
-x4=beginleft;
-x2-x12=4/15 width;
-x9+2/5width=x6;
-x6-4/15width=x7;
-x9=x4+1/5width;
-y12r=begindown;
-y2r=y4=2y11;
-y8=y12r+4/15width;
-y2r=y12r+28/15width;
-y1=y12r+width;
-y3r=y12r+13/15width;
-y7=y12r+116/45width;
-y5=y12r+16/5width;
-y5-y10=y11;
-y9=y12r+2/15width;
-y13=y8; x13=x8-0.6s;
-penpos1(0,180);
-penpos2(thick,90);
-penpos3(penthick+1/16thick,-90);
-penpos4(5/4thick,120);
-penpos5(5/6thick,-120);
-penpos6(5/3thick,-85);
-penpos7(1/2thick,0);
-penpos8(penthick,0);
-penpos13(penthick,0);
-penpos9(5/4thick,170);
-penpos10(5/6thick,180);
-penpos11(thick,0);
-penpos12(penthick,-90);
-pickup pencircle scaled 1s;
-%
-% penstroke z1e{2left}..z2e..z11e..z3e
-% ..z4e{right+up}..z10e..{up}z5e..z6e;
-% penstroke z6e{down+left}..{down}z7e--z8e;
-% fill z8l{2down+right}..z12l..z9l
-% --z9r..z12r..{up}z8r..cycle;
-% pickup pencircle scaled 1s;
-% fill z9l{3/2right+up}..{right+2down}z9r..cycle;
-penstroke z1e{2left}..z2e..z11e..z3e
-..z4e{right+up}..z10e..{up}z5e..z6e;
-penstroke z6e{down+left}..{down}z7e--z8e
-{2down+right}..z12e..{2left+up}z9e;
-pickup pencircle scaled 2.5s;
-drawdot (x9+0.4s,y9+0.8s);
-%
-penlabels(1,2,3,4,5,6,7,8,9,10,11,12);
-enddef;
-%
-beginchar(71,3.25nhw#, 6nhh#, 2nhh#);
-clear;
-violin(15/8nhh,1.75nhh,-1.5nhh,0.4nhh,0.111nhh);
-endchar;
-
-%%%%%%%%violin-schluessel verkleinert%%%%%%%%
-beginchar(72,2.60nhw#, 6nhh#, 2nhh#);
-clear;
-violin(12/8nhh,1.40nhh,-1.2nhh,0.32nhh,1/10nhh);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%
-% BASS--SCHLUESSEL %%
-%%%%%%%%%%%%%%%%%%%%%
-% clef de fa par D. Taupin %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-def bass (expr reduction) =
- clear;
- x2=0.80*reduction*nhw; y2=3nhh;
- x1=x2r+1.25*reduction*s; y1=y2;
- x3=x2+0.71*reduction*nhw; y3=y2+reduction*nhh;
- x4=x3+0.71*reduction*nhw; y4=y2-0.2*reduction*nhh;
- x6=x2-6*reduction*thinwidth; y6=y2-2.2*reduction*nhh;
- x7=x4+0.50*reduction*nhw; x8=x7;
- y7=y2+0.38*reduction*nhh; y8=y2-0.38*reduction*nhh;
-%
- currentpen:=pencircle scaled (4*reduction*thinwidth);
- penpos2(6*reduction*thinwidth,180);
- penpos3(6*reduction*thinwidth, 90);
- penpos4(0.5*reduction*nhh,0);
- penpos6(0.1*reduction*nhh,-10);
- penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down}..{left+0.1down}z6e);
- currentpen := pencircle scaled (0.4reduction*nhh);
- pickup pencircle scaled (2*(x2r-x1));
- drawdot z1;
- pickup pencircle scaled 1.7s;
- drawdot z7; drawdot z8;
- penlabels(1,2,3,4,6);
-enddef;
-%
-beginchar(73, 3nhw#, 4nhh#, 0);
- bass(1.0);
-endchar;
-
-%%%%%%verkleinerter bass-schluessel%%%%%%%%%
-beginchar(74, 2.4*nhw#, 4nhh#, 0);
- bass(0.8);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%
-% ALT--SCHLUESSEL %
-%%%%%%%%%%%%%%%%%%%
-def alt(expr height, beginleft, begindown, thick) =
-x1=x7;
-x2=x8;
-y1-y7=height;
-y2-y8=height;
-y7=begindown;
-x7=beginleft;
-x2=x1+1/4height;
-x6l=x8l;
-y5=y7+1/2height;
-y9=y7+1/9height;
-x5=x3;
-y4=y5+0.120height;
-x4-x7=height+3thinwidth;
-x4-x5=1/2height+3thinwidth;
-y3-y5=2/7height;
-y8=y7;
-y6=y7;
-x9=0.62x5+0.38x4;
-x10=x9; y10=y7+height;
-x11=0.5x3+0.5x6; y11=y3; penpos11(1/2thick,0);
-penpos8(1/4thick,180);
-penpos2(1/4thick,180);
-penpos1(thick,180);
-penpos7(thick,180);
-penpos6(thick,0);
-penpos5(1/10thick,0);
-penpos9(1/3thick,90);
-penpos3(1/2thick,0);
-penpos4(thick,180);
-penpos10(1/3thick,-90);
-
-pickup pencircle scaled 1s;
-fill z7l--z1l--z1r--z7r--cycle;
-fill z8l--z2l--z2r--z8r--cycle;
-penstroke z5e..{left+2down}z6e;
-penstroke z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e;
-
-
-pickup pencircle scaled 1s;
-penstroke
- (counterclockwise(z7e--z1e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise(z8e--z2e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise(z5e..{left+2down}z6e)reflectedabout(z7,z8));
-penstroke
-(counterclockwise (z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e)
-reflectedabout(z7,z8));
-
-pickup pencircle scaled 2.5s;
-drawdot (x3+0.1nhh, y3);
-drawdot (x3+0.1nhh, 2y7-y3);
-penlabels(1,2,3,4,5,6,7,8);
-enddef;
-
-%%%%%%%%%%%Altschl"usseL%%%%%%%%%%%
-beginchar(75,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,2nhh,0.4nhh);
-endchar;
-
-%%%%%%%%%Verkleinerter Altschluessel%%%%%%%%%
-beginchar(76,2.8nhw#, 4nhh#, 0nhh#);
-clear;
-alt(1.6nhh,1.00nhh,2nhh,0.32nhh);
-endchar;
-
-%%%%%%%%%Baritonschluessel%%%%%%%%%
-beginchar(77,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,4nhh,2/5nhh);
-endchar;
-
-%%%%%%%%%Mezzosopranschluessel%%%%%%%%%
-beginchar(78,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,1nhh,2/5nhh);
-endchar;
-
-%%%%%%%%%Sopranschluessel%%%%%%%%%
-beginchar(79,3.5nhw#, 4nhh#, 0nhh#);
-clear;
-alt(2nhh,1.25nhh,0nhh,2/5nhh);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% SONDERZEICHEN %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-
-
-
-def alla_breve (expr trans) =
- thin := 5thinwidth; thick := 1/2 nhh;
- penpos1(thin, 0);
- penpos2(thin, -90);
- penpos3(thick,180);
- penpos4(thin, 90);
- penpos5(thin, 45);
- penpos6(3/4thick,45);
- 2x2r = 2x4r = x1 + 2s = w;
- x3r = 0; 2y1 = 3y2 = y4r = h;
- y3r = 2/3h;
- x5 = w -2s;
- y5 = h -2s;
- z6r = z5r;
- penstroke (z1e..z2e..z3e..z4e..z5e) transformed trans;
- currentpen := pencircle scaled (2/3thick);
- drawdot z6;
-enddef;
-
-
-%%%%%%%%%%%%%%%
-% "fermate1" %%
-%%%%%%%%%%%%%%%
-beginchar(80, 2nhw#, 1.25nhh#, 0);
- clear;
- penpos2(nhh/3,90);
- penpos1(nhh/8,180);
- penpos3(nhh/8,0);
- penpos4(nhh/3,90);
- y2r =1.2h;
- z1 = origin; 2x2l = 2x4l = x3 = w; y4l = y3 = 0;
- penstroke z1e..z2e..z3e;
- currentpen:= pencircle scaled (nhh/3);
- drawdot z4;
- penlabels(1,2,3);
-endchar;
-%%%%%%%%%%%%%%%
-% "fermate2" %%
-%%%%%%%%%%%%%%%
-beginchar(81, 2nhw#, 0, 1.25nhh#);
- clear;
- penpos2(nhh/3,-90);
- penpos1(nhh/8,180);
- penpos3(nhh/8,0);
- penpos4(nhh/3,90);
- y2r = -1.2d;
- z1 = origin; 2x2l = 2x4 = x3 = w;
- y4r = y3 = 0;
- penstroke (z1e..z2e..z3e);
- currentpen := pencircle scaled (nhh/3);
- drawdot z4;
- penlabels(1,2,3);
-endchar;
-%%%%%%%%%%%%%%%%
-% "allabreve" %%
-%%%%%%%%%%%%%%%%
-beginchar(82, 2nhh#, 3nhh#, 0);
- clear;
- alla_breve(identity);
- z7 = z4 + 2/16 h *up;
- z8 = z2 + 2/16 h *down;
- currentpen := pencircle scaled (thin);
- draw z7--z8;
- penlabels(1,2,3,4,5,6,7,8);
-endchar;
-%%%%%%%%
-% "C" %%
-%%%%%%%%
-beginchar(83, 2nhh#, 3nhh#, 0);
- clear;
- alla_breve(identity);
-endchar;
-%%%%%%%%%%%%%%%
-% "reverseC" %%
-%%%%%%%%%%%%%%%
-beginchar(84, 2nhh#, 3nhh#, 0);
- clear;
- transform T;
- xxpart T = -yypart T; xypart T = yxpart T; % T is a reflection
- (w/2,0) transformed T = (w/2,0); (w/2,1) transformed T = (w/2,1);
- thin := 5thinwidth; thick := 1/2 nhh;
- penpos1(thin, 0);
- penpos2(thin, -90);
- penpos3(thick,180);
- penpos4(thin, 90);
- penpos5(thin, 45);
- penpos6(3/4thick,45);
- 2x2r = 2x4r = x1 + 2s = w;
- x3r = 0; 2y1 = 3y2 = y4r = h;
- y3r = 2/3h;
- x5 = w -2s;
- y5 = h -2s;
- z6r = z5r;
- penstroke (counterclockwise
- (z1e..z2e..z3e..z4e..z5e) transformed T);
- currentpen := pencircle scaled (2/3thick);
- drawdot (z6 transformed T);
-endchar;
-%%%%%%%%%%%%%%%%%%
-% repeat symbols %
-%%%%%%%%%%%%%%%%%%
-beginchar(85, 2nhw#, 3nhh#, 0);
- clear;
- x1=0.5w; y1=0.5h;
- x2=0.5nhh; y2=y1;
- x3=x1; y3=y1+nhh;
- x4=2x1-x2; y4=2y1-y2;
- x5=2x1-x3; y5=2y1-y3;
- pickup pensquare xscaled thinwidth yscaled 4thinwidth;
- draw (0,y1)--(w,y1);
- pickup pensquare xscaled 4thinwidth yscaled thinwidth;
- draw (x1,0)--(x1,h);
- pickup pencircle xscaled 12thinwidth yscaled 4thinwidth;
- draw z2..z3..z4..z5..cycle;
-endchar;
-beginchar(86, 3nhw#, 3nhw#, 0);
- clear;
- x1=0.5w; y1=0.5h;
- x2=x1-0.1w; y2=y1+0.4h;
- x3=2x1-x2; y3=2y1-y2;
- x4=x1-0.3h; y4=y1-0.1h;
- x5=2x1-x4; y5=2y1-y4;
- x6=x1+0.25w; y6=y1+0.4h;
- x7=2x1-x6; y7=2y1-y6;
- pickup pencircle scaled 1.6s;
- drawdot z2; drawdot z3;
- pickup pencircle scaled s;
- drawdot z4; drawdot z5;
- z8l=z2+(0,0.8s); z9=2z1-z8;
- penpos1 (1.8s,25);
- penpos10 (1.8s,25);
- penpos11 (1.8s,25);
- penpos8 (0.5s,-90);
- penpos9 (0.5s,-90);
- z10=z1+(-s,s); z11=2z1-z10;
- penstroke (z8e{left}..{right+down}z10e..z11e{right+down}..{left}z9e);
- pickup penrazor scaled 0.8s;
- draw z6--z7;
-%
- penlabels (1,2,3,4,5,6,7,8,9);
-endchar;
-%%%%%%%%%%%%%%%
-% " pince" %
-%%%%%%%%%%%%%%%
-def pince =
- clear;
- x1-x3=x3-x5; y1=y3;
- x2=1/8w; y2=8/10h;
- x3=0.5w-x2; y3=h-y2;
- x4=0.5w+x2; y4=y2;
- x5=0.5w+x3; y5=y3;
- x6=w-x1; y6=h-y1;
- pickup pensquare xscaled 0.40nhh yscaled 0.1nhh rotated 52;
- draw (z1--z2--z3--z4--z5--z6);
-enddef;
-%
-beginchar(87, 1.2nhw#, 0.8nhh#, 0);
- pince;
-endchar;
-%
-beginchar(88, 1.8nhw#, 0.8nhh#, 0);
- w:=2w/3;
- pince;
- draw (z4--z5--z6) shifted (z4-z2);
- w:=1.8nhw;
-endchar;
-%%%%%%%%%%%%%%%
-% "mordant" %
-%%%%%%%%%%%%%%%
-beginchar(89, 1.2nhw#, 0.8nhh#, 0);
- pince;
- pickup pencircle scaled (4thinwidth);
- draw (0.5w,-0.4h)--(0.5w,1.4h);
-endchar;
-%%%%%%%%%%%%%%%
-% arpeggio %%
-%%%%%%%%%%%%%%%
-def arpegel =
- clear;
- y1=0; x1=0.5w;
- y2=0.3nhh; x2=8/10w;
- y3=nhh-y2; x3=w-x2;
- y4=nhh; x4=0.5w;
- pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45;
- draw (z1..z2..z3..z4);
-enddef;
-%
-beginchar(90, 0.4nhw#, nhh#, 0);
- arpegel;
-endchar;
-for jj=1 upto 9:
- beginchar(90+jj, 0.4nhw#, (1+jj)*nhh#, 0);
- arpegel;
- for kk=1 upto jj:
- draw (z1..z2..z3..z4) shifted (0,kk*nhh);
- endfor;
-endchar;
-endfor;
-%%%%%%%%%%%%%%%
-% "trille" %%
-%%%%%%%%%%%%%%%
-def arp_elem =
- clear;
- x1=0; y1=0.5h;
- x2=1/3nhw; y2=8/10h;
- x3=nhw-x2; y3=h-y2;
- x4=nhw; y4=0.5h;
- pickup pencircle xscaled 0.33nhh yscaled 0.1nhh rotated 45;
- draw (z1..z2..z3..z4);
-enddef;
-%
-beginchar(100, nhw#, 0.45nhh#, 0);
- arp_elem;
-endchar;
-%
-for jj=1 upto 9:
- beginchar(100+jj, (jj+1)*nhw#, 0.45nhh#, 0);
- arp_elem;
- for kk=1 upto jj:
- draw (z1..z2..z3..z4) shifted (kk*nhw,0);
- endfor;
- endchar;
-endfor;
-%
-% general parameters for small flags
-%
- flagw:=0.8*nhw*apog_fact;
- flagthick:=nhh*apog_fact;
- flagthin:=5thinwidth*apog_fact;
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%
-flagw:=0.8*nhw*apog_fact;
-beginchar(110, 0, 3apog_nhh#, 0);
- clear;
- cflag(1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(111, 0, 3.25apog_nhh#, 0);
- clear;
- ccflag(1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(112, 0, 4.00apog_nhh#, 0);
- clear;
- cccflag(1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(113, 0, 4.75apog_nhh#, 0);
- clear;
- ccccflag(1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach unten" %
-%%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(114, 0, 5.50apog_nhh#, 0);
- clear;
- cccccflag(1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%
-%% "8flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%
-flagw:=1.0*nhw*apog_fact;
-beginchar(115, 0, 3apog_nhh#, 0);
- clear;
- cflag(-1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "16flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(116, 0, 3.25apog_nhh#, 0);
- clear;
- ccflag(-1);
- w:=0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "32flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(117, 0, 4.00apog_nhh#, 0);
- clear;
- cccflag(-1);
- w := 0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-%% "64flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(118, 0, 4.75apog_nhh#, 0);
- clear;
- ccccflag(-1);
- w := 0;
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-%% "128flag nach oben" %
-%%%%%%%%%%%%%%%%%%%%%%%%
-
-beginchar(119, 0, 5.50apog_nhh#, 0);
- clear;
- cccccflag(-1);
- w := 0;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%
-% kleine versetzungen %
-%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(120, apog_fact*nhw#, 2apog_fact*nhh#, 2apog_fact*nhh#);
- flat (apog_fact, 0, 1);
-endchar;
-beginchar(121,1.7*apog_fact*nhw#, 2*apog_fact*nhh#, 2*apog_fact*nhh#);
- flat (apog_fact, 0, 1);cullit; clear;
- flat (apog_fact, 0.7*apog_fact*nhw, 1);
-endchar;
-beginchar(122, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#);
- sharp(apog_fact);
-endchar;
-beginchar(123, apog_fact*nhw#, .5nhw#, .5nhw#);
- clear;
- z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w);
- z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w);
- pwidth:=0.2*apog_fact*nhh;
- currentpen:= pencircle scaled pwidth;
- draw z1--z4; draw z3--z2;
- currentpen:= pensquare scaled .30w;
- drawdot z1; drawdot z2; drawdot z3; drawdot z4;
-endchar;
-beginchar(124, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#);
- natural;
-endchar;
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% volle Note mit | --> |O| %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(125,1.5nhh#, .5nhh#, .5nhh#);
- drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth);
- pickup pensquare scaled 0.2w;
- draw (-0.05w,-0.4nhh)--(-0.05w,0.4nhh);
- draw (1.05w,-0.4nhh)--(1.05w,0.4nhh);
-endchar;
-%%%%%%%%%%%%%%%%%
-% repeat colons %
-%%%%%%%%%%%%%%%%%
-beginchar(126,0.6nhh#, 4nhh#, 0);
- pickup pencircle scaled 0.3nhh;
- drawdot (0.3nhh, 1.5nhh);
- drawdot (0.3nhh, 2.5nhh);
-endchar;
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf
deleted file mode 100644
index 534b5c99e50..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf
+++ /dev/null
@@ -1,10 +0,0 @@
-font_identifier := "musicn11";
-input musicd11
-font_x_height nhh#;
-font_quad nhw#;
-font_normal_space 0pt;
-font_normal_stretch 0pt;
-font_normal_shrink 0pt;
-input musicgen
-end
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf
deleted file mode 100644
index 6d4189fc8d3..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf
+++ /dev/null
@@ -1,10 +0,0 @@
-font_identifier := "musicn13";
-input musicd13
-font_x_height nhh#;
-font_quad nhw#;
-font_normal_space 0pt;
-font_normal_stretch 0pt;
-font_normal_shrink 0pt;
-input musicgen
-end
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf
deleted file mode 100644
index 77021eaa980..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf
+++ /dev/null
@@ -1,9 +0,0 @@
-font_identifier := "musicn16";
-input musicd16
-font_x_height nhh#;
-font_quad nhw#;
-font_normal_space 0pt;
-font_normal_stretch 0pt;
-font_normal_shrink 0pt;
-input musicgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf
deleted file mode 100644
index 73a69d1dcf6..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf
+++ /dev/null
@@ -1,9 +0,0 @@
-font_identifier := "musicn20";
-input musicd20
-font_x_height nhh#;
-font_quad nhw#;
-font_normal_space 0pt;
-font_normal_stretch 0pt;
-font_normal_shrink 0pt;
-input musicgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf
deleted file mode 100644
index cb2c11106a0..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd11.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 11pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 0.70pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf
deleted file mode 100644
index 5c814a43c00..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd13.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 13pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 0.80pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf
deleted file mode 100644
index 38f96a256de..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd16.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 16pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.1pt;
-s := 1.00pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf
deleted file mode 100644
index c8e36c9547c..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf
+++ /dev/null
@@ -1,48 +0,0 @@
-%%%
-% this is musicd20.mf
-%%%
-
-% input modes
-% input local
-
-mode_setup;
-
-%blacker:=0; %uncomment to override
-
-font_size 20pt#;
-
-nhh#:=1/4designsize; %noteheadheight
-nhw#:=1.2nhh#; %noteheadwidth
-
-thin#:=1/50designsize;
-med#:=1/33designsize;
-thick#:=1/16designsize;
-
-thinwidth := 0.125pt;
-s := 1.25pt;
-S := 1/16designsize;
-
-beamht#:=0.48nhh#; %beamthickness
-
-% use pixelmacros from plain
-define_pixels(nhh,nhw,beamht);
-define_blacker_pixels(thin,med,thick);
-
-% pair constants
-pair ne,se,sw,nw; %northeast,southeast,southwest,northwest
-ne = up+right; se = down+right; sw = down+left; nw = up+left;
-
-% displaying:=2; %uncomment to see characters immediatly on screen
-
-def clear =
- numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[];
- pair sh[];
-enddef;
-
-% this macro might be deleted
-def penstrike text t =
- forsuffixes e = l,r: path_.e:=t; endfor
- if cycle path_.l: cyclestroke_
- else: filldraw path_.l -- reverse path_.r -- cycle
- fi
-enddef;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf b/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf
deleted file mode 100644
index 0b7de414897..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf
+++ /dev/null
@@ -1,1252 +0,0 @@
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% this is musikgen.mf
-%
-% Version 5.02 [March 94] Daniel Taupin changed '047 to a + for percussion
-%
-% Version 5.01 [January 94] Daniel Taupin
-%
-% Version 4.89 [September 93] Andreas Egler
-% - blacker influence now
-% - redesigned chars 71, 72, 53, 123
-%
-% Version 4.88 [January 93] Ross Mitchell
-% - redesigned chars 63, 64, 65, 66
-%
-% Version 4.87 [] Daniel Taupin
-%
-% Version 2.00 [] Daniel Taupin
-%
-% Version 1.00 [August 86] Angelika Schofer/Andrea Steinbach
-%
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-%"At most 15 different nonzero heights, 15 different nonzero depths, ...
-% may appear in a single fonts. If these limits are exceeded, METAFONT will
-% change one or more values, ..., until the restriction hold. A warning
-% message is issued ..; for example 'some charht values had to be adjusted
-% by as much as 0.12pt' means that you had too many different nonzero
-% heights, ..." METAFONT-Book App. F
-
-%<<<>>> This indicates the heights I've changed
-
-%{{{ This always indicates a lowres fix to avoid seperated points
-%}}} and/or 'invisible' lines. It doesn't affect higher resolutions !!
-
-pair pone, ptwo;
-transform t;
-path p;
-picture save_pic;
-
-pen thin_pen, med_pen;
-thin_pen:= pencircle scaled thin;
-med_pen:= pencircle scaled med;
-
-apog_fact=0.75;
-apog_nhh=apog_fact*nhh;
-apog_nhh#=apog_fact*nhh#;
-apog_nhw#=apog_fact*nhw#;
-
-%%%AE it's somewhat faster to use already computed pictures
-def mirror (expr pone, ptwo) =
- currentpicture:=currentpicture reflectedabout(round(pone),round(ptwo))
-enddef;
-def add_mirror (expr pone, ptwo) =
- addto currentpicture also currentpicture
- reflectedabout (round(pone), round(ptwo))
-enddef;
-
-def savepic = save_pic:= currentpicture enddef;
-def callpic = currentpicture:= save_pic enddef;
-def clearpic = save_pic:= nullpicture enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% basic macros for noteheads and flags %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% noteheads %
-%%%%%%%%%%%%%
-def drawnoteb(expr noteheadwidth, noteheadheight, theta_a,
- theta_b, theta_c, width_a, width_b) =
- penpos1(width_a, theta_a); % .l
- penpos3(width_a, 180+theta_a); % .2
- penpos2(width_b, 180+theta_b); % .r
- penpos4(width_b, theta_b); %.l.1.r .r.3.l
- x1l = y1 = y3 = 0; % .r
- x3l = 2x2 = 2x4 = noteheadwidth; % .4
- y2l =-y4l = noteheadheight; % .l
- t:= identity rotatedaround ((x2,0),theta_c);
- penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle)
- transformed t;
-%{{{
- currentpen:= pencircle;
- draw (z1{up}..z2{right}..z3{down}..z4{left}..cycle) transformed t
-%}}}
-enddef;
-
-def drawnotew(expr noteheadwidth, noteheadheight, theta_a,
- theta_b, width_a, width_b) =
- penpos1(width_a, theta_a); % .l
- penpos3(width_a, 180+theta_a); % .2
- penpos2(width_b, 180+theta_b); % .r
- penpos4(width_b, theta_b); %.l.1.r .r.3.l
- x1l= y1l = y3l = 0; % .r
- x3l= 2x2l = 2x4l = noteheadwidth;% .4
- y2l=-y4l = noteheadheight; % .l
- fill z1l{up}..z2l{right}..z3l{down}..z4l{left}..cycle;
- erase fill z1r{up}..z2r{right}..z3r{down}..z4r{left}..cycle;
-%{{{
- currentpen:= pencircle;
- draw z1{up}..z2{right}..z3{down}..z4{left}..cycle;
-%}}}
- penlabels(1,2,3,4)
-enddef;
-
-%%%AE I found in a notebook a whole note which looks slight different
-def drawnote_w(expr noteheadwidth, noteheadheight, theta, width_a, width_b)=
- x1= y1 = y3 = y5 = y7 = 0;
- x3= 2x2 = 2x4 = 2x6 = 2x8 = noteheadwidth;
- y2=-y4 = noteheadheight;
- x5= x3-x7 = x1+width_a;
- y6=-y8 = y2-width_b;
- fill z1{curl3}..z2..{curl3}z3{curl3}..z4..{curl3}cycle;
- unfill (z5..z6..z7..z8..cycle) rotatedaround ((x2,0),theta);
- labels(range 1 thru 8);
-enddef;
-%%%AE if you have GFtoDVI and want to see the character,
-% uncomment the next four lines
-%beginchar(0,1.5nhh#, .5nhh#, .5nhh#);
-% drawnote_w(w, h, 45, 1.6thick, .5thin);
-%endchar;
-%end
-
-%%%%%%%%%
-% flags %
-%%%%%%%%%
-%%%AE the penstrike macro is a copy of plain's penstroke
-% macro, 'fill' is replaced by 'filldraw', this is
-% responsible for 'strange path' when sharp turns ahead (intersectionp)
-% the second macro does the same with a little more 'tolerance'
-%
-% I don't like it at all, because the flags are thicker
-% on lowres than (or as?) on highres devices
-% {Sorry, my english is very bad, nevertheless I hope you
-% understand my words}
-%
-%%%def penstrike text t =
-%%% forsuffixes e = l,r: path_.e:=t; endfor
-%%% if cycle path_.l: cyclestroke_
-%%% else: filldraw path_.l -- reverse path_.r -- cycle fi enddef;
-%
-%def penstrike text t =
-% forsuffixes e = l,r: path_.e:=t; endfor
-% if cycle path_.l: cyclestroke_
-% else: fill path_.l -- reverse path_.r -- cycle;
-% draw path_.l -- reverse path_.r -- cycle fi enddef;
-
-def flagshape(suffix i) (expr width, height, thick,
- thin, shiftx, shifty, flagsense) =
- pair intersectionp; % .1
- penpos[i](thick+blacker, 90); %
- penpos[i+1](3.25thin+blacker, 70);% .2
- penpos[i+3](thin, -45); %
- x[i] = rt shiftx; % .3
- y[i] = height+shifty-thick/2; %
- x[i+1] = shiftx+3/8width; % .4
- y[i+1] = height+shifty-.95thick; %
- x[i+2] = shiftx+width-thin/2;
- y[i+2] = height+shifty-2thick;
- x[i+3] = shiftx-thin/2+0.6width;
- y[i+3] = shifty;
- if i>1: intersectionp = z[i-2]; else: intersectionp = z[i+3]; fi;
- if flagsense>0:
- penpos[i+2](1.25thin+blacker, 35);
- else:
- penpos[i+2](1.05thin+blacker, 0);
- fi;
- penstroke z[i]e..z[i+1]e..z[i+2]e{down}..intersectionp;
-%{{{
- currentpen:= pencircle;
- draw lft z[i]..z[i+1]..z[i+2]{down}..intersectionp;
-%}}}
- penlabels (range i thru i+3)
-enddef;
-
-% Added by D. Taupin Jan 1993
-beginchar(14,0.5nhw#,0,0); "Song system limit up";
-%%%AE clearxy is already done by 'beginchar();'
-% clear;
- x1=y1=y2=0; 3x2=x3=3w; y3=nhh;
- p:= z1---z2..z3;
- pickup penrazor scaled med rotated 90;
- draw p;
-%{{{
- currentpen:= pencircle;
- draw p;
-%}}}
- savepic;
-endchar;
-
-beginchar(15,0.5nhw#,0,0); "Song system limit down";
- callpic;
- mirror (origin, right);
-endchar;
-
-for n:=1 upto 4:
-%<<<>>>(0.5+0.1*n)*nhh#
- beginchar(15+n, 4n*nhw#, 0, (0.5+0.1n)*nhh#); "Crescendo";
- pickup med_pen;
- draw (0,(0.5+0.1n)*nhh)--(w,0)--(0,-d);
- endchar;
-endfor;
-
-for n:=1 upto 4:
-%<<<>>>(0.5+0.1*n)*nhh#
- beginchar(19+n, 4n*nhw#, 0, (0.5+0.1n)*nhh#); "Decrescendo";
- pickup med_pen;
- draw (w,(0.5+0.1n)*nhh)--(0,0)--(w,-d);
- endchar;
-endfor;
-
-%%%%%%%%%%%
-% accents %
-%%%%%%%%%%%
-dely:=1.15nhh+.2pt;
-
-%%%AE 'fill fullcircle' is faster and produce 'nicer' circles
-beginchar(24, nhw#, nhh#, 0); "Point au-dessus de la note";
- fill fullcircle scaled thick shifted (.5w, dely);
- savepic;
-endchar;
-
-beginchar(25, nhw#, 0, nhh#); "Point au-dessous de la note";
- callpic;
- mirror (origin, right);
-endchar;
-
-beginchar(26, nhw#, nhh#, 0); "Barre au-dessus de la note";
-%%%AE faster
- fill unitsquare xscaled w yscaled 1.25med shifted (0,dely-.625med);
- savepic;
-endchar;
-
-beginchar(27, nhw#, 0, nhh#); "Trait au-dessous de la note";
- callpic;
- mirror (origin, right);
-endchar;
-
-beginchar(28, nhw#, nhh#, 0); "Accent (pizz.) au-dessus de la note";
- rayon:= thin+.1nhh;
- z1=(0.5w,w+rayon);
- z2=(0.5w-rayon,w);
- z3=(0.5w,w-0.45nhh);
- z4=(0.5w+rayon,w);
- fill z3--z4{up}..z1..{down}z2--cycle;
- savepic;
-endchar;
-
-beginchar(29, nhw#, 0, nhh#); "Accent (pizz.) au-dessous de la note";
- callpic;
- mirror (origin, right);
-endchar;
-
-%%%AE why 1.5nhh ???
-beginchar(30, nhw#, 1.5nhh#, 0); "Accent (sforz.) au-dessus de la note";
- pickup med_pen;
- draw (-.2w, 1.6nhh)--(1.2w, 1.3nhh)--(-.2w, nhh);
- savepic;
-endchar;
-
-beginchar(31, nhw#, 0, nhh#); "Accent (sforz.) au-dessous de la note";
- callpic;
- mirror (origin, right);
-endchar;
-
-%%%%%%%%%
-% breve %
-%%%%%%%%%
-def breve =
- fill unitsquare xscaled w yscaled .5h shifted (0,.25h);
- add_mirror (origin, right);
- nh:= .7nhh;
- pickup thin_pen;
- draw (0,nh)--(0,-nh); draw (w,nh)--(w,-nh);
-enddef;
-
-%<<<>>>.7nhh#
-beginchar(32, nhw#, 0.5nhh#, 0.5nhh#); "Breve";
- breve;
-endchar;
-
-beginchar(33, nhw#, .5nhh#, .5nhh#); "Quarter note";
- w:=w+2thinwidth;
-%%%AE a little bit smaller, because a quarter note
-% seems to be thicker as an half note
- drawnoteb(w, .99h, 0, 90, 20, w/2, h);
-endchar;
-
-beginchar(34, nhw#, .5nhh#, .5nhh#); "Half note";
- w:=w+2thinwidth;
- drawnoteb(w, h, 0, 90, 20, thin, thick);
-endchar;
-
-beginchar(35,1.5nhh#, .5nhh#, .5nhh#); "Whole note";
- drawnotew(w, h, 0, 30, 1.3thick, 1.75thin);
-endchar;
-
-%<<<>>>.7nhh#
-beginchar(36, 2nhw#, 0.5nhh#, 0.5nhh#); "Semi-breve";
- breve;
-endchar;
-
-beginchar(37, apog_nhw#, .5apog_nhh#, .5apog_nhh#); "Small quarter note";
- w:=w+2thinwidth;
- drawnoteb(w, .99h, 0, 90, 20, w/2, h);
-endchar;
-
-%beginchar(38, apog_nhw#, .5apog_nhh#, .5apog_nhh#); "Small half note";
-% w:=w+2thinwidth;
-% drawnoteb(w, h, 0, 90, 20, thin, apog_fact*thick);
-%endchar;
-
-def doublesharp (expr high)=
- clear;
- x4= .5w; y4=high;
- x1=w-x7=.5w+1/25nhh; y1=y7=0;
- x2=w-x6=.51w+thin; y2=y6=.3y4;
- x3=w-x5=.58w+thin; y3=y5=.6y4;
- t:= identity rotatedaround ((.5w, 0), 90);
- fill (z1{up}..z2..z3..{nw}z4 & z4{sw}..z5..z6..{down}z7--z1--cycle)
- rotatedaround ((.5w, 0), 45);
- addto currentpicture also currentpicture transformed t;
- addto currentpicture also currentpicture transformed (t transformed t);
- labels (1,2,3,4,5,6,7)
-enddef;
-
-
-beginchar(38, nhw#, nhh#, nhh#); "Circled doublesharp";
- doublesharp (.62w);
- pickup thin_pen;
- draw (0,0){up}..{right}(0.5nhw,0.5nhw)..
- {down}(nhw,0)..{left}(0.5nhw,-0.5nhw)..cycle;
-endchar;
-
-
-
-% beginchar(39, 1.5apog_nhh#, .5apog_nhh#, .5apog_nhh#); "Small full note";
-% drawnotew(w, h, 0, 30, apog_fact*1.3thick, 1.5thin);
-% endchar;
-
-%
-beginchar(39, nhw#, nhh#, nhh#); "Bongo cross";
- pickup pencircle scaled med;
- draw (0,0)--(nhw,0);
- draw (0.5nhw,-0.5nhw) -- (0.5nhw,0.5nhw)
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% general parameters for flags %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-flagw:=0.8nhw;
-flagthick:=nhh;
-flagthin:=5thinwidth;
-
-def cflag (expr sense) =
- flagshape(1, flagw, h, flagthick, flagthin, 0, 0, sense);
- if sense<0 : mirror ((0,h/2), (1,h/2)); fi
-enddef;
-
-def flagloop (expr sense, doitagain) =
- flagshape(1, flagw, 2.50flagthick, 2/3flagthick,
- flagthin, 0, 0, sense);
- for xyz:=1 upto doitagain:
- flagshape([4xyz+1], flagw, 2.25flagthick, 2/3flagthick,
- flagthin, 0, (.75xyz+.25)*flagthick, sense);
- endfor;
- if sense<0 : mirror ((0,h/2), (1,h/2)); fi
-enddef;
-
-def ccflag (expr sense) = flagloop(sense, 1) enddef;
-def cccflag (expr sense) = flagloop(sense, 2) enddef;
-def ccccflag (expr sense) = flagloop(sense, 3) enddef;
-def cccccflag (expr sense) = flagloop(sense, 4) enddef;
-
-beginchar(40, 0, 3nhh#, 0); "1/8flag down";
- cflag(1);
- savepic;
-endchar;
-
-% Acciacaturra, added by D.Taupin Jan 93.
-% idem mais avec barre (appogiature)
-beginchar(12, 0, 3nhh#, 0); "Acciacaturra stem up";
- callpic;
- pickup med_pen;
- x1=-0.25nhw; y1=0.2h; x2=1.1nhw; y2=y1+0.6(x2-x1);
- draw z1--z2;
-endchar;
-
-beginchar(41, 0, 3.25nhh#, 0); "1/16flag down";
- ccflag(1);
-endchar;
-
-beginchar(42, 0, 4.00nhh#, 0); "1/32flag down";
- cccflag(1);
-endchar;
-
-beginchar(43, 0, 4.75nhh#, 0); "1/64flag down";
- ccccflag(1);
-endchar;
-
-beginchar(44, 0, 5.50nhh#, 0); "1/128flag down";
- cccccflag(1);
-endchar;
-
-%%%
-% flags up should be wider
-%%%
-flagw:=nhw;
-
-beginchar(45, 0, 3nhh#, 0); "1/8flag up";
- cflag(-1);
- savepic;
-endchar;
-
-% added by D.Taupin Jan 93.
-% idem mais avec barre (appogiature)
-beginchar(13, 0, 3nhh#, 0); "Acciacaturra stem down";
- callpic;
- pickup med_pen;
- x1=-0.25nhw; y1=1.6nhh; x2=1.2nhw; y2=y1+0.6(x2-x1);
- draw z1--z2;
-endchar;
-
-beginchar(46, 0, 3.25nhh#, 0); "1/16flag up";
- ccflag(-1);
-endchar;
-
-beginchar(47, 0, 4.00nhh#, 0); "1/32flag up";
- cccflag(-1);
-endchar;
-
-beginchar(48, 0, 4.75nhh#, 0); "1/64flag up";
- ccccflag(-1);
-endchar;
-
-beginchar(49, 0, 5.50nhh#, 0); "1/128flag up";
- cccccflag(-1);
-endchar;
-
-%%%%%%%%%%%%%%%
-% accidentals %
-%%%%%%%%%%%%%%%
-def flat (expr reduction, shiftx, flatsense) =
- clear;
- fthick:= reduction*s;
- penpos4(4/3fthick+blacker,0); % 1
- penpos3(1/2fthick+blacker,-90);%
- penpos6(4/7fthick+blacker,90); % 6
- penpos2(.1thinwidth, 180); % / \
- x1 = x2 = x3 = x5 = fthick; % 2 4
- y1 = 6fthick; y2l= 0.5y4; % /
- y3l=-2fthick; y5= y3r; % 3,5
- x4 = 3.6fthick; y4 = 0.1fthick;
- y6r= 2fthick; x6= 0.5(x2+x4);
- t:=identity shifted (shiftx,0);
- p:= (z1--z5) transformed t;
- pickup penrazor scaled (2sind40*thin) rotated 40;
- draw p;
-%{{{
- currentpen:= pencircle;
- draw p;
-%}}}
- penstroke (z2e..{right}z6e..z4e{sw+down}..{sw}z3e) transformed t;
- if flatsense<0: mirror (z5 transformed t, z1 transformed t); fi;
- penlabels (1,2,3,4,5,6)
-enddef;
-
-%<<<>>> 2nhh#
-beginchar(50, nhw#, 1.5nhh#, 1.5nhh#); "Flat";
- flat (1, 0, 1);
- savepic;
-endchar;
-
-%<<<>>> 2nhh#
-beginchar(51,1.7nhw#, 1.5nhh#, 1.5nhh#); "Doubleflat";
- callpic;
- addto currentpicture also currentpicture shifted (.7nhw, 0);
-endchar;
-
-def sharp =
- clear;
- reduction:=w/0.8nhw;
- sthick:= .5reduction*thick;
- y1 =-y7= h-1.5sthick; y2 =-y8 = .5sthick-h;
- x1 = x2 = y3 = -y6 = w-x7 = w-x8 = 2sthick;
- y4 =-y5 = y3 + 3sthick;
- x3 = x5 = 0; x4 = x6 = w;
- pickup penrazor scaled thin rotated angle(z4-z3);
- draw z1--z2; draw z8--z7;
-%{{{
- currentpen:= pencircle;
- draw z1--z2; draw z8--z7;
-%}}}
- pickup penrazor scaled 3sthick rotated 90;
- draw z3--z4; draw z5--z6;
- labels (range 1 thru 8)
-enddef;
-
-beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#); "Sharp";
- sharp;
-endchar;
-
-%<<<>>>.5nhw#
-beginchar(53, nhw#, nhh#, nhh#); "Doublesharp";
- doublesharp (.65w);
-endchar;
-
-def natural =
- clear;
- reduction:=w/0.8nhw;
- nthick:= 3/4reduction*thick;
- x1 = x2 = x3 = nthick;
- x5 = x6 = x4 = w-x1;
- y1 = -y6 = h;
- y2 = -y5 = 1.6nthick;
- y4 = -y3 = y2+4/3nthick;
- pickup penrazor scaled thin rotated angle(z4-z2);
- draw lft z1--bot lft(x3,y3-nthick);
- draw top rt(x4,y4+nthick)--rt z6;
-%{{{
- pickup pencircle;
- draw lft z1--lft(x3,y3-nthick);
- draw rt(x4,y4+nthick)--rt z6;
-%}}}
- pickup penrazor scaled 2nthick rotated 90;
- draw z2--z4; draw z3--z5;
- labels(1,2,3,4,5,6)
-enddef;
-
-beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#); "Natural";
- natural;
-endchar;
-
-%<<<>>> 2nhh#
-beginchar(55, nhw#, 1.5nhh#, 1.5nhh#); "1/4 flat";
- flat (1, 0.65nhw, -1);
-endchar;
-
-%<<<>>> 2nhh#
-beginchar(56, 1.7nhw#, 1.5nhh#, 1.5nhh#); "3/4 flat";
- flat (1, 0.65nhw, -1); flat (1, 0.65nhw, 1);
-endchar;
-
-beginchar(57, nhw#, .5nhh#, .5nhh#); "Gregorian notes";
- fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle;
-endchar;
-
-beginchar(0, nhw#, .5nhh#, .5nhh#); "Gregorian diamond";
- fill (0,0)--(0.5w,0.5nhw)--(w,0)--(0.5w,-0.5nhw)--cycle;
-endchar;
-
-beginchar(1, 0.71*nhw#, .5nhh#, .5nhh#); "Gregorian square";
- fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle;
-endchar;
-
-beginchar(2, 0.71*nhw#, .5nhh#, .5*nhh#); "Gregorian square left";
- fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle;
- pickup thin_pen;
- draw (0.5thin,0.355nhw-thin)--(0.5thin,-1.5nhh+0.5thin);
-endchar;
-
-beginchar(3, 0.71*nhw#, .5nhh#, .5nhh#); "Gregorian square right";
- fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle;
- pickup thin_pen;
- draw (w-0.5thin,0.355nhw-thin)--(w-0.5thin,-1.5nhh+0.5thin);
-endchar;
-
-beginchar(4, nhw#, 3nhh#, 0); "Gregorian C clef";
- fill (0,2nhh+0.8nhh)..{right}(0.5w,2nhh+nhh)--(w,2nhh+nhh)--
- (w,2nhh+0.3nhh)--(0.5w,2nhh+0.3nhh){left}..(0,2nhh+0.1nhh)--cycle;
- fill (0,2nhh-0.8nhh)..{right}(0.5w,2nhh-nhh)--(w,2nhh-nhh)--
- (w,2nhh-0.3nhh)--(0.5w,2nhh-0.3nhh){left}..(0,2nhh-0.1nhh)--cycle;
- pickup thin_pen;
- draw (0.5thin,2.5nhh)--(0.5thin,1.5nhh);
-endchar;
-
-%%%%%%%%%
-% rests %
-%%%%%%%%%
-beginchar(58,1/2nhw#, 3nhh#, 0); "Dp";
- fill unitsquare xscaled w yscaled 1/3h shifted (0, 2/3h);
-endchar;
-
-beginchar(59,1/2nhw#, 3nhh#, 0); "Ddp";
- fill unitsquare xscaled w yscaled 2/3h shifted (0, 1/3h);
-endchar;
-
-beginchar(60, nhw#, 3nhh#, 0); "Full rest";
- fill unitsquare xscaled w yscaled .5nhh shifted (0,h-.5nhh);
-endchar;
-
-%<<<>>> 2.5nhh#
-beginchar(61, nhw#, 3nhh#, 0); "Half rest";
- fill unitsquare xscaled w yscaled .5nhh shifted (0,h-nhh);
-endchar;
-
-beginchar(62, nhw#, 4nhh#, 0); "Quarter rest";
- rthin:= 1/8 nhh; % .1
- rthick:= 2 thick+rthin; % .2
- alpha:= -50; % .3
- penpos1 (rthin, 90+alpha); % .4
- penpos5 (rthin, alpha); % .5,10
- penpos2 (rthick, alpha); % .6
- penpos4 (rthick, alpha); %
- penpos3 (3/4rthick, alpha);% .7
- penpos6 (4/3thick, alpha);
- penpos7 (rthin, 45);
- y1l = h - 2s;
- x1l = 2s;
- z2r = z1 +(nhh* right) rotated alpha;
- z3 = 1/2[z2,z4];
- z4 = (w,h) scaled .55;
- z5 = z4l+(nhh* right) rotated alpha;
- x6l = x4l; y6r = 1.45nhh;
- x7 = 0.9w; y7= nhh-.5s;
- z10 = z5r shifted (sqrt(2)*rthin/4,sqrt(2)*rthin/4);
-
- pickup penrazor scaled rthin rotated 45;
- draw z1--z2r; draw z4l--z10;
- penstroke z2e..z3e..z4e;
- penstroke z5e..z6e..z7e;
- penlabels(1,2,3,4,5,6,7,10);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Quaver rest and submultiples. %
-% Ross Mitchell, January 1993 %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-%%%
-% Draw the crook needed for quaver rests and shorter.
-% The crook extends left from the point z.i on the stem.
-%%%
-def crook(suffix i)=
- x3:=x.i-6.5fact; y3:=top y.i-3.0fact;
- x4:=x.i-6.0fact; y4:= y.i+0.5fact;
- draw z.i{dir 240}..{dir 160}z3;
- filldraw z3{dir 160}..z4{dir-20}..{dir 160}z3..cycle
-enddef;
-
-beginchar(63, 2nhh#, 3nhh#, 0); "Quaver rest";
- z1=(nhh,nhh);
- z2-z1=whatever*dir 70; % Angle the stem at 70 degrees.
-%%%
-% Define the scaling factor `fact' implicitly.
-% This value will be used for the shorter rests as well.
-%%%
- z2-z1=(5fact,1.7nhh);
- pickup med_pen;
- draw z1..z2;
- crook(2);
- penlabels (1,2,3,4);
-endchar;
-
-beginchar(64,2nhh#, 3nhh#, 0); "Semiquaver rest";
- z1=(nhh,0);
- z2-z1=whatever*dir 75; % Angle the stem at 75 degrees.
- y2-y1=2.7nhh;
- z5-z2=whatever*(z1-z2); y5=y2-nhh;
- pickup med_pen;
- draw z1..z2;
- crook(2); crook(5);
- penlabels (1,2,3,4,5);
-endchar;
-
-beginchar(65,2nhh#, 4nhh#, 0); "Demisemiquaver rest";
- z1=(nhh,0);
- z2-z1=whatever*dir 80; % Angle the stem at 80 degrees.
- y2-y1=3.7nhh;
- z5-z2=whatever*(z1-z2); y5=y2-nhh;
- z6-z2=whatever*(z1-z2); y6=y5-nhh;
- pickup med_pen;
- draw z1..z2;
- crook(2); crook(5); crook(6);
- penlabels (1,2,3,4,5,6);
-endchar;
-
-%<<<>>> 5nhh#
-beginchar(66,2nhh#, 4.75nhh#, 0); "Hemidemisemiquaver rest";
- z1=(nhh,0);
- z2-z1=whatever*dir 82; % Angle the stem at 82 degrees.
- y2-y1=4.7nhh;
- z5-z2=whatever*(z1-z2); y5=y2-nhh;
- z6-z2=whatever*(z1-z2); y6=y5-nhh;
- z7-z2=whatever*(z1-z2); y7=y6-nhh;
- pickup med_pen;
- draw z1..z2;
- crook(2); crook(5); crook(6); crook(7);
- penlabels (1,2,3,4,5,6,7);
-endchar;
-
-%%%%%%%%%%%%%
-% ornaments %
-%%%%%%%%%%%%%
-beginchar (67, 2nhw#, nhh#, 0); "Ornament";
- x1=w-x6=0.2w; y1r=h; y6=h-y1;
- x2r=0; y2=0.5h; x5=w-x2; y5=h-y2;
- x3=0.22w; y3r=0; x4=w-x3; y4=h-y3;
- penpos1 (med, 90);
- penpos2 (med, 180);
- penpos3 (thick,-40);
- penpos4 (thick,-40);
- penpos5 (med, 180);
- penpos6 (med, 90);
- penstroke z1e..{down}z2e{down}..{right}z3e{right}
- ..{right}z4e{right}..{down}z5e{down}..z6e;
- fill fullcircle scaled (s+thick) shifted (x1,y1r-thick);
- fill fullcircle scaled (s+thick) shifted (x6,y6l+thick);
- penlabels(1,2,3,4,5,6);
- savepic;
-endchar;
-
-beginchar (68, 2nhw#, nhh#, 0); "Ornament";
- callpic;
- mirror ((.5w,0), (.5w,1));
-endchar;
-
-%<<<>>>3.5apog_nhh#
-beginchar(69, apog_nhw#, 3.25apog_nhh#, .5apog_nhh#); "Appogiature stem up";
- flagshape(1,0.8w, 3apog_nhh, apog_nhh, 4thinwidth, w, 0.5apog_nhh, 1);
- clear;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- clear;
- pickup pencircle scaled .8med;
- draw (w-2thinwidth,0)--(w-2thinwidth,3.5apog_nhh);
- x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6(x2-x1);
- draw z1--z2;
-endchar;
-
-beginchar(70, apog_nhw#, 0.5apog_nhh#, 3.5apog_nhh#); "Appogiature stem down";
- flagshape(1,w, 3apog_nhh, apog_nhh, 4thinwidth, 0.2pt, apog_nhh, -1);
- mirror ((0,h/2), (1,h/2));
- clear;
- drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2);
- pickup pencircle scaled .8med;
- draw (2thinwidth,0)--(2thinwidth,-d);
- clear;
- x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6(x2-x1);
- draw z1--z2;
-endchar;
-
-%%%%%%%%%
-% clefs %
-%%%%%%%%%
-def violin(expr reduction) =
- clear;
- gx:=reduction*-nhw;
- gy:=reduction*nhh;
- gthick:=1.6reduction*thick;
- gthin:=.95reduction*med;
-
- x1=x4=23/24gx+w; x2=x10=3/4gx+w; x3r=w; x8l=7/8gx+w;
- x5=x11r=2gx+w; x6=gx+w; x7=1/2gx+w; x9=5/4gx+w;
- y1=3/8gy; y2=y5=2gy; y3=gy; y4r=0; y6=27/8gy;
- y7l=21/4gy; y8l=23/4gy; y9=17/4gy; y10=y11=-7/8gy;
- penpos1(gthin,180);
- penpos2(gthick,90);
- penpos3(gthick,0);
- penpos4(5/4gthin,-90);
- penpos5(11/8gthick,110);
- penpos6(5/4gthick,120);
- penpos7(4/5gthin,-140);
- penpos8(5/4gthick,-80);
- penpos9(3/8gthick,0);
- penpos10(gthin,0);
- penpos11(1/2gthick,180);
- penstroke z1e{left}..z2e..z3e..z4e..z5e{up+ne}..z6e..{up+nw}z7e
- ..z8e{sw}..{down}z9e{down}..{down}z10e..z11e;
-%{{{
- currentpen:= pencircle;
- draw z3..z4..z5{up+ne}..z6..{up+nw}z7
- ..z8{sw}..{down}z9{down}..{down}z10..z11;
-%}}}
- fill fullcircle scaled (3(x2-x1)) shifted (x11+11/40gy, y11);
- penlabels(range 1 thru 11)
-enddef;
-
-%<<<>>> 6nhh#
-beginchar(71,3.25nhw#, 5.50nhh#, 2nhh#); "G-clef";
- violin(1);
-endchar;
-
-%<<<>>> 6nhh#
-beginchar(72,2.60nhw#, 5.50nhh#, 2nhh#); "small G-clef";
- violin(0.8);
-endchar;
-
-% clef de fa par D. Taupin
-def bass (expr reduction) =
- clear;
- x2=0.80reduction*nhw; y2=3nhh;
- x1=x2r+1.25reduction*s; y1=y2;
- x3=x2+0.71reduction*nhw; y3=y2+reduction*nhh;
- x4=x3+0.71reduction*nhw; y4=y2-0.2reduction*nhh;
- x6=x2-6reduction*thinwidth; y6=y2-2.2reduction*nhh;
- x7=x4+0.50reduction*nhw; x8=x7;
- y7=y2+0.38reduction*nhh; y8=y2-0.38reduction*nhh;
-
- penpos2(.6thick*reduction,180);
- penpos3(.6thick*reduction, 90);
- penpos4(2thick*reduction,0);
- penpos6(.4thick*reduction,-10);
-
- penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down}
- ..{left+0.1down}z6e);
-%{{{
- currentpen:= pencircle;
- draw (z2{up}..{right}z3{right}..{down}z4{down}..{left+0.1down}z6);
-%}}}
- fill fullcircle scaled (2(x2r-x1)) shifted z1;
- fill fullcircle scaled 1.7s shifted z7;
- fill fullcircle scaled 1.7s shifted z8;
- penlabels(1,2,3,4,6)
-enddef;
-
-beginchar(73, 3nhw#, 4nhh#, 0); "F-clef";
- bass(1.0);
-endchar;
-
-beginchar(74, 2.4nhw#, 4nhh#, 0); "small F-clef";
- bass(0.8);
-endchar;
-
-def alt(expr reduction, yshift) =
- clear;
- nh:=h*reduction;
- athick:=1/10nh;
- ahigh:=1/2nh;
-
- x4=13/16nh+3thinwidth; x5=9/16nh;
- x6=1/2nh; x9=x10=2/3nh; x11=17/32nh;
- y4=yshift+31/50ahigh; y5=yshift+1/2ahigh;
- y6=yshift; y9=yshift+1/9ahigh;
- y10=yshift+ahigh; y11=yshift+11/14ahigh;
- penpos4(athick,180);
- penpos5(1/8athick,0);
- penpos6(athick,0);
- penpos9(1/3athick,90);
- penpos10(1/3athick,-90);
- penpos11(1/2athick,0);
-
- penstroke z5e..{sw+down}z6e;
- penstroke z5e{se+3down}..{right}z9e{right}..{up}z4e{up}
- ..{left}z10e{left}..{sw+3down}z11e;
- fill fullcircle scaled (5/2thick*reduction)
- shifted (x11l+5/4thick*reduction, y11-.05nhh);
- fill unitsquare xscaled athick yscaled ahigh
- shifted (5/16nh-1/2athick,yshift);
- fill unitsquare xscaled 1/4athick yscaled ahigh
- shifted (x6l-1/4athick,yshift);
- add_mirror ((0,yshift),(1,yshift));
- penlabels(4,5,6,9,10,11)
-enddef;
-
-beginchar(75,3.5nhw#, 4nhh#, 0); "Alto clef";
- alt(1, 2nhh);
- savepic;
-endchar;
-
-beginchar(76,2.8nhw#, 4nhh#, 0); "small Alto clef";
- alt(0.8 ,2nhh);
-endchar;
-
-%%%%%%%%%%%%%
-% drum clef % (by Andreas Egler)
-%%%%%%%%%%%%%
-beginchar(77, 3nhw#, 4nhh#, 0);
- fill unitsquare xscaled .5nhw yscaled 2nhh shifted (.5nhw,1nhh);
- fill unitsquare xscaled .5nhw yscaled 2nhh shifted (1.5nhw,1nhh);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% this sign is sometimes used %
-% to indicate a (randomly played) %
-% tremolo accord (ragtime, boogie) %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(78, 0, 3nhh#, 0);
- clear;
- x1=-x2=-.5nhw; y1=1nhh; y2=1.6nhh;
- pickup med_pen;
- for i=0 upto 4: draw (z1--z2) shifted (0,.4nhh*i); endfor;
- labels (1,2);
-endchar;
-
-
-%%%%%%%%%%
-% shaker %
-%%%%%%%%%%
-beginchar(79, nhw#, nhh#, nhh#);
- x1=x4=y2=y4=0; y1=-0.6nhh; x2=x3=w; y3=0.6nhh;
- fill z1--z2--z3--z4--cycle;
- labels (1,2,3,4);
-endchar;
-
-
-%%%%%%%%%%%%%%%%%
-% special signs %
-%%%%%%%%%%%%%%%%%
-%<<<>>>1.25nhh#
-beginchar(80, 2nhw#, 1.5*apog_nhh#, 0); "Fermate up";
- x1 = y1 = y3 = 0;
- y2r = 1.5nhh; 2x2l = x3 = w;
- penpos1(med,180);
- penpos2(1.3thick,90);
- penpos3(med,0);
- penstroke z1e..z2e..z3e;
- fill fullcircle scaled 1.3thick shifted (.5w, .65thick);
- savepic;
- penlabels(1,2,3);
-endchar;
-
-beginchar(81, 2nhw#, 0, 1.25nhh#); "Fermate down";
- callpic;
- mirror (origin, right);
-endchar;
-
-beginchar(82, 2nhh#, 3nhh#, 0); "Allabreve";
- 2x2 = 2x4 = x1 + 2s = w;
- x3r = 0; 2y1 = 3y2 = y4r = h;
- y3r = 2/3h; x5 = w -2s; y5 = h -2s;
- z6r = z5r + (-0.1s, .2s);
- penpos1(med, 0);
- penpos2(med, -90);
- penpos3(s+thick,180);
- penpos4(med, 90);
- penpos5(med, 0);
- penpos6(s+med,45);
- penstroke z1e..z2e..z3e..z4e..z5e;
-%{{{
- currentpen:= pencircle;
- draw z1..z2..z3..z4..z5;
-%}}}
- fill fullcircle scaled 1.3thick shifted z6;
- savepic;
-
- pickup med_pen;
- draw (w/2, y2r-1/8h)--(w/2, y4r+1/8h);
- penlabels(1,2,3,4,5,6);
-endchar;
-
-beginchar(83, 2nhh#, 3nhh#, 0); "C";
- callpic;
-endchar;
-
-beginchar(84, 2nhh#, 3nhh#, 0); "reverseC";
- callpic;
- mirror ((w/2,0),(w/2,1));
-endchar;
-
-%%%%%%%%%%%%%%%%%%
-% repeat symbols %
-%%%%%%%%%%%%%%%%%%
-beginchar(85, 2nhw#, 3nhh#, 0); "Repeat symbol";
- x2 = w-x4 = 1/6h; y2 = y4 = 1/2h;
- x3 = x5 = 1/2w; y3 = h-y5 = 5/6h;
- pickup pencircle scaled 1.25thin;
- draw (0,h/2)--(w,h/2); draw (w/2,0)--(w/2,h);
- pickup pencircle xscaled 1.2thick yscaled 1.25thin;
- draw z2..z3..z4..z5..cycle;
- labels (1,2,3,4);
-endchar;
-
-%<<<>>>3nhw#
-beginchar(86, 3nhw#, 4.75apog_nhh#, 0); "Repeat symbol";
- x6 = .75w; y6 = .9w; x8 = .4w; y8l = .95w;
- x11= y11 = .5w; z10 = z11+(-s,s);
- penpos8 (med, -90);
- penpos10 (1.8thick, 25);
- penpos11 (1.8thick, 25);
- penstroke z8e{left}..{se}z10e..z11e;
- fill fullcircle scaled 1.6thick shifted (z8l-(0, .8thick));
- fill fullcircle scaled thick shifted (.2w, .4w);
- pickup penrazor scaled 0.8thick;
- draw z6--z11;
- addto currentpicture also currentpicture rotatedaround((.5w,.5w),180);
- penlabels (8,9,11);
-endchar;
-
-def pince (expr length)=
- clear;
- off:= w/2length;
- nh:= .8nhh;
- y1 = y3 = nh-y2 = nh-y4 = 1/5nh;
- x1=-.5off; x2=x1+off; x3=x2+off; x4=x3+off;
- pickup pensquare xscaled (thick+.15nhh) yscaled thin rotated 52;
- p:= z1--z2--z3--z4;
- for i=1 upto length: draw p shifted ((i-1)*2off,0); endfor
-enddef;
-%%%%%%%%%% Begin Andreas Egler's
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% full rest outside a staff %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(5, nhw#, nhh#, 0);
- fill unitsquare xscaled w yscaled .5nhh shifted (0,-.5nhh);
- fill unitsquare xscaled 1.8w yscaled med shifted (-.4w,-0.5med);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% half rest outside a staff %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(6, nhw#, nhh#, 0);
- fill unitsquare xscaled w yscaled .5nhh;
- fill unitsquare xscaled 1.8w yscaled med shifted (-.4w,-0.5med);
-endchar;
-%%%%%%%%%%%%%%%%%%%%%
-% mordant with line %
-%%%%%%%%%%%%%%%%%%%%%
-beginchar(7, 1.8nhw#, apog_nhh#, 0);
- pince(3);
- pickup med_pen;
- draw ((x1,0)--(x1,2h)) shifted (-.5thick,0);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-% mordant with hook ne %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(9, 1.8nhw#, apog_nhh#, 0);
- pince(3);
- pickup pencircle scaled .75med;
- z5=2[z3,z4]-(.5thick,1/5nh); z6=z3 rotatedaround (z5,-90);
- draw (z4..z5{z4-z3}..{z3-z4}z6) shifted 2(x4-x2,0);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-% mordant with hook nw %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(10, 1.8nhw#, apog_nhh#, 0);
- pince(3);
- pickup pencircle scaled .75med;
- z5=1.75[z3,z2]-(x3-x1,0); z6=z1 rotatedaround (z5,90);
- draw (z1..z5{z2-z3}..{z3-z2}z6) shifted -(.5thick, 1/5nh);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%%%%
-% mordant with hook sw %
-%%%%%%%%%%%%%%%%%%%%%%%%
-beginchar(11, 1.8nhw#, apog_nhh#, 0);
- pince(3);
- pickup pencircle scaled .75med;
- z5=1.5[z2,z1]-.75(.5thick,1/5nh); z6=z2 rotatedaround (z5,-90);
- draw (z1..z5{z1-z2}..{z2-z1}z6);
-endchar;
-%%%%%%%%%% End Andreas Egler
-%<<<>>> .8nhh#
-beginchar(87, 1.2nhw#, apog_nhh#, 0); "Pince";
- pince(2);
-endchar;
-
-%<<<>>> .8nhh#
-beginchar(88, 1.8nhw#, apog_nhh#, 0); "???";
- pince(3);
-endchar;
-
-%<<<>>> .8nhh#
-beginchar(89, 1.2nhw#, apog_nhh#, 0); "Mordant";
- pince(2);
- fill unitsquare xscaled med yscaled 2h shifted ((.5w-.5med),-.5h);
-endchar;
-
-def arpeg (expr length)=
- clear;
- x1=.5w; y1=0; z2=z1+(0,.5nhh); z3=z1+(0,nhh);
- pickup penrazor scaled (thick+.16nhh) rotated 46;% try 50
- callpic;
- draw (z1{ne}..{nw}z2{nw}..{ne}z3) shifted (0, length*nhh);
- savepic;
- labels (1,2,3)
-enddef;
-
-clearpic;
-for jj=0 upto 9:
-%<<<>>>(1+jj)*nhh#
- beginchar(90+jj, 0.4nhw#, nhh#, 0); "Arpeggio";
- arpeg(jj);
- endchar;
-endfor;
-
-def trill (expr length)=
- clear;
- x1=0; y1=.5h; z2=z1+(.5nhw,0); z3=z1+(nhw,0);
- pickup penrazor scaled 1.4thick rotated 48;
- callpic;
- draw (z1{ne}..{se}z2{se}..{ne}z3) shifted (length*nhw, 0);
- savepic;
- labels (1,2,3)
-enddef;
-
-clearpic;
-for jj=0 upto 9:
-%<<<>>>0.45nhh#
- beginchar(100+jj, (jj+1)*nhw#, 0.5nhh#, 0); "Trille";
- trill(jj);
- endchar;
-endfor;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% general parameters for small flags %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-flagw:=0.8nhw*apog_fact;
-flagthick:=apog_nhh;
-flagthin:=5thinwidth*apog_fact;
-
-beginchar(110, 0, 3apog_nhh#, 0); "Small 1/8flag down";
- cflag(1);
-endchar;
-
-beginchar(111, 0, 3.25apog_nhh#, 0); "Small 1/16flag down";
- ccflag(1);
-endchar;
-
-beginchar(112, 0, 4.00apog_nhh#, 0); "Small 1/32flag down";
- cccflag(1);
-endchar;
-
-beginchar(113, 0, 4.75apog_nhh#, 0); "Small 1/64flag down";
- ccccflag(1);
-endchar;
-
-beginchar(114, 0, 5.50apog_nhh#, 0); "Small 1/128flag down";
- cccccflag(1);
-endchar;
-
-%%%
-% flags up should be wider
-%%%
-flagw:=nhw*apog_fact;
-
-beginchar(115, 0, 3apog_nhh#, 0); "Small 1/8flag up";
- cflag(-1);
-endchar;
-
-beginchar(116, 0, 3.25apog_nhh#, 0); "Small 1/16flag up";
- ccflag(-1);
-endchar;
-
-beginchar(117, 0, 4.00apog_nhh#, 0); "Small 1/32flag up";
- cccflag(-1);
-endchar;
-
-beginchar(118, 0, 4.75apog_nhh#, 0); "Small 1/64flag up";
- ccccflag(-1);
-endchar;
-
-beginchar(119, 0, 5.50apog_nhh#, 0); "Small 1/128flag up";
- cccccflag(-1);
-endchar;
-
-%%%%%%%%%%%%%%%%%%%%%
-% small accidentals %
-%%%%%%%%%%%%%%%%%%%%%
-%<<<>>>2apog_nhh#
-beginchar(120, apog_nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small flat";
- flat (apog_fact, 0, 1);
- savepic;
-endchar;
-
-%<<<>>>2apog_nhh#
-beginchar(121,1.7*apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small doubleflat";
- callpic;
- addto currentpicture also currentpicture shifted(0.7apog_fact*nhw,0);
-endchar;
-
-beginchar(122, 0.8apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small sharp";
- sharp;
-endchar;
-
-%<<<>>>.5nhw#
-beginchar(123, apog_nhw#, apog_nhh#, apog_nhh#); "Small doublesharp";
- doublesharp(.75w);
-endchar;
-
-beginchar(124, 0.8apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small natural";
- natural;
-endchar;
-
-beginchar(125,1.5nhh#, .5nhh#, .5nhh#); "Full note with | --> |O|";
- fill unitsquare xscaled thick yscaled nhh shifted (-4/5thick,-d);
- add_mirror ((w/2, 0),(w/2, 1));
- drawnoteb(w, h, 0, 85, 0, 1.3thick, thin);
-endchar;
-
-beginchar(126,0.6nhh#, 4nhh#, 0); "Repeat colons";
- fill fullcircle scaled 1.2thick shifted (0.5w, 3/8h);
- add_mirror ((0, h/2),(1, h/2));
-endchar;
-
-%%%%%%%%%%%
-% rimshot %
-%%%%%%%%%%%
-def caro (expr reduction)=
- x1=w-w*reduction; y1=y3=0; x2=x4=w-.5w*reduction;
- x3=w; -y2=y4=0.6nhh*reduction;
- pickup thin_pen;
- draw z1--z2; draw z3--z4;
- pickup pencircle xscaled (.15nhw*reduction) yscaled thinwidth
- rotated -45;
- draw z2--z3; draw z4--z1;
- labels (1,2,3,4);
-enddef;
-
-beginchar(127, nhw#, nhh#, nhh#);
- caro(.95);
-endchar;
-
-
-%%%AE some characters are 'kerned' and 'raised' by MusicTeX
-% this can be done faster with modified fonts and
-% as an additional advantage, there is more 'main memory' for
-% future enhancements, for example:
-%
-%\def\w@coli{\selectinstr{\p@loop\raise\altportee
-% \hbox to \z@{\hss\musicnorfont\char 126\hss}\n@portee\repeat}}%
-%
-% with
-%
-%beginchar(126, 0, 4nhh#, 0); "Repeat colons";
-% fill fullcircle scaled 1.2thick shifted (0, 3/8h);
-% add_mirror ((0, h/2),(1, h/2));
-%endchar;
-%
-% becomes
-%
-%\def\w@coli{\selectinstr{\p@loop\raise\altportee
-% \hbox{\musicnorfont\char 126}\n@portee\repeat}}%
-%
-% or
-%
-%\def\clefdesol{\hbox to 3.2\Interligne{\musickeyfont
-% \kern -1.2\internote\hss\char"47\hss}}%
-%
-% with
-%
-%beginchar(71, 8/3nhw#, 5.50nhh#, 2nhh#); "G-clef";
-% violin(1);
-%endchar;
-%
-% becomes
-%
-%\def\clefdesol{\hbox{\musickeyfont\char"47}}%
-%
-% or
-%
-%\def\d@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"3F}}%
-%
-% with
-%
-%beginchar(63, 2nhh#, 3nhh#, 0); "Quaver rest";
-% ...
-% currentpicture:= currentpicture shifted (round(-0.3nhw), 0);
-%endchar;
-%
-% becomes
-%
-%\def\d@soup{\hbox{\musicnfont\char"3F}}%
-%
-% and so on
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf
deleted file mode 100644
index 6fd4e776ddf..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf
+++ /dev/null
@@ -1,19 +0,0 @@
-%%%
-% this is musicn11.mf
-%%%
-
-font_identifier:="musicn11";
-font_coding_scheme:="UNSPECIFIED";
-
-input musikd11
-
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#; %fontdimen 5
-font_quad nhw#; %fontdimen 6
-%font_extra_space 0pt;
-
-input musikgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf
deleted file mode 100644
index 7a73e707a00..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf
+++ /dev/null
@@ -1,19 +0,0 @@
-%%%
-% this is musicn13.mf
-%%%
-
-font_identifier:="musicn13";
-font_coding_scheme:="UNSPECIFIED";
-
-input musikd13
-
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#; %fontdimen 5
-font_quad nhw#; %fontdimen 6
-%font_extra_space 0pt;
-
-input musikgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf
deleted file mode 100644
index b5aeebdb70a..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf
+++ /dev/null
@@ -1,19 +0,0 @@
-%%%
-% this is musicn16.mf
-%%%
-
-font_identifier:="musicn16";
-font_coding_scheme:="UNSPECIFIED";
-
-input musikd16
-
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#; %fontdimen 5
-font_quad nhw#; %fontdimen 6
-%font_extra_space 0pt;
-
-input musikgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf
deleted file mode 100644
index 3f56be5c445..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf
+++ /dev/null
@@ -1,19 +0,0 @@
-%%%
-% this is musicn20.mf
-%%%
-
-font_identifier:="musicn20";
-font_coding_scheme:="UNSPECIFIED";
-
-input musikd20
-
-%font_slant 0;
-%font_normal_space 0pt;
-%font_normal_stretch 0pt;
-%font_normal_shrink 0pt;
-font_x_height nhh#; %fontdimen 5
-font_quad nhw#; %fontdimen 6
-%font_extra_space 0pt;
-
-input musikgen
-end
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slur16.mf b/Master/texmf-dist/fonts/source/public/musictex/slur16.mf
deleted file mode 100644
index 04d83c01173..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slur16.mf
+++ /dev/null
@@ -1,230 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-input musicdef
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN UND (DE)CRESCENDO %
-% %
-% (Phrasierungsbogen und Bogen der Steigung 0) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-def drawslurs (expr st) =
- save i, factor, longueur, height;
- numeric i, absp, longueur, height, factor;
- factor:= 1/6;
- for i= 0 upto 15:
- longueur := (i+2)*nhw#;
- height := 0 ;
-
- beginchar(i, longueur, height, 0);
- clear;
- z2r = (w,h);
- z1l = origin;
- absp := abs((-h,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2l+factor*(-h,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- % currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- penstroke z1e..z3e..z2e; %statt dir 30
- endchar;
- endfor;
-enddef;
-
-def drawslursneg (expr st) =
- save i, factor, longueur, depth;
- numeric i, absp, longueur, depth, factor;
- factor:= 1/6;
- for i=0 upto 15:
- longueur := (i+2)*nhw#;
- depth := longueur*st ;
-
- beginchar(16+i, longueur, 0, depth);
- clear;
- z2l = (w,-d);
- z1r = origin;
- absp := abs((d,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2l+factor*(d,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
-% currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- penstroke (z1e..z3e..z2e) rotatedaround(1/2z2r, 180);
- endchar;
- endfor;
-enddef;
-
-def drawleftslur =
- save i, longueur, height;
- numeric i, longueur, height;
- longueur := 9*nhw#;
- for i = 1 upto 9:
- height := (i+2)*1/2nhh# ;
- beginchar(i-1+32, longueur, height, 0);
- clear;
- z2r = (w+4thinwidth,h);
- z1l = origin;
- penpos1(thinwidth,90);
- penpos2(5/12beamht,90);
-% currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- penstroke z1e..z2e{(2w,0)}; %statt dir 30
- endchar;
- endfor;
-enddef;
-
-def drawrightslur =
- save i, longueur, height;
- numeric i, longueur, height;
- longueur := 9*nhw#;
- for i= 1 upto 9:
- height := (i+2)*1/2nhh#;
- beginchar(i-1+48, longueur, height, 0);
- clear;
- z1r = (0-4\thinwidth,h);
- z2l = (w,0);
- penpos2(thinwidth,90);
- penpos1(5/12beamht,90);
-% currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- penstroke z1e{right}..z2e; %statt dir 30
- endchar;
- endfor;
-enddef;
-
-def drawleftslurneg =
- save i, longueur, depth;
- numeric i, longueur, depth;
- longueur := 9*nhw#;
- for i= 1 upto 9:
- depth := (i+2)*1/2nhh# ;
- beginchar(i-1+64, longueur, 0, depth);
- clear;
- z2l = (w+4thinwidth,-d);
- z1r = origin;
- penpos1(thinwidth,90);
- penpos2(5/12beamht,90);
- pickup pencircle scaled (1/16mm + blacker);
- % currentpen := pencircle xscaled thinwidth yscaled beamht ;
- penstroke z1e..z2e{(2w,0)}; %statt dir 30
- endchar;
- endfor;
-enddef;
-
-def drawrightslurneg =
- save i, longueur, depth;
- numeric i, longueur, depth;
- longueur := 9*nhw#;
- for i= 1 upto 9:
- depth := (i+2)*1/2nhh#;
-
- beginchar(i-1+80, longueur, 0, depth);
- clear;
- z1l = (0-4\thinwidth,-d);
- z2r = (w,0);
- penpos2(thinwidth,90);
- penpos1(5/12beamht,90);
-% currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- penstroke z1e{right}..z2e; %statt dir 30
- endchar;
- endfor;
-enddef;
-
-%decrescendo und cresc.
-def drawcrescendo =
- save i, height, longueur, depth;
- numeric i, longueur, height, depth;
- for i= 0 upto 15:
- longueur := (i+1)*nhw#;
- depth := 1/2nhh# ;
- height := depth ;
-
- beginchar(i+96, longueur, height, depth);
- clear;
- z1 = origin;
- z2l = (w,h);
- z3r = (w,-d);
- penpos2(1/16mm,90);
- penpos1(1/16mm,90);
- penpos3(1/16mm,90);
- pickup pencircle scaled (blacker);
- penstrike z1e--z2e;
- penstrike z1e--z3e;
- endchar;
- endfor;
-enddef;
-
-def drawdecrescendo =
- save i, height, longueur, depth;
- numeric i, longueur, height, depth;
- for i= 0 upto 15:
- longueur := (i+1)*nhw#;
- depth := 1/2nhh# ;
- height := depth ;
-
- beginchar(i+112, longueur, height, depth);
- clear;
- z1l = (0,h);
- z2 = (w,0);
- z3r = (0,-d);
- penpos2(1/16mm,90);
- penpos1(1/16mm,90);
- penpos3(1/16mm,90);
- pickup pencircle scaled (blacker);
- penstrike z3e---z2e;
- penstrike z1e---z2e;
-%label(1,2,3);
- endchar;
- endfor;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%
-% Bogen nach oben %
-%%%%%%%%%%%%%%%%%%%
-
-drawslurs(0);
-
-%%%%%%%%%%%%%%%%%%%%
-% Bogen nach unten %
-%%%%%%%%%%%%%%%%%%%%
-
-drawslursneg(0);
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% linge Halbboegen nach oben %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawleftslur;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% rechte Halbboegen nach oben %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawrightslur;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% linke Halbboegen nach unten %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawleftslurneg;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% rechte Halbboegen nach unten %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawrightslurneg;
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% Crescendo und Decrescendo %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawcrescendo;
-drawdecrescendo;
-
-
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf
deleted file mode 100644
index 2bf325cfeb8..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf
+++ /dev/null
@@ -1,41 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-input musicdef
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN (KONKAV) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-
-def drawslursneg (expr i, j) =
- save jj, factor, longueur, depth;
- numeric jj, absp, longueur, depth, factor;
- factor:= 1/6;
- longueur := j*nhw#;
- depth := i*1/2nhh#;
- if j<4 : jj := (j*(j-1)+(i-1))*8
- else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi;
- beginchar(jj, longueur, 0, depth);
- clear;
- z2r = (w,-d);
- z1l = origin;
- absp := abs((d,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2r+factor*(d,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- currentpen := pencircle xscaled thinwidth yscaled beamht ;
- penstroke (z1e..z3e..z2e) rotatedaround (1/2z2r,180);
- endchar;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-% negative Steigungen %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-for j= 1 upto 17:
-for i= 1 upto min(2j,8):
-drawslursneg(i,j);
-endfor;endfor;
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf
deleted file mode 100644
index 93f677d67bf..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf
+++ /dev/null
@@ -1,42 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-input musicdef
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN (KONVEX) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-
-def drawslursneg (expr i,j) =
- save jj, factor, longueur, depth;
- numeric jj, absp, longueur, depth, factor;
- factor:= 1/6;
- longueur := j*nhw#;
- depth := i*1/2nhh#;
- if j<4 : jj := (j*(j-1)+(i-1))*8
- else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi;
- beginchar(jj, longueur, 0, depth);
- clear;
- % x2 = w; x1 = 0;
- z2r = (w,-d);
- z1l = origin;
- absp := abs((d,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2r+factor*(d,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- currentpen := pencircle xscaled thinwidth yscaled beamht ;
- penstroke (z1e..z3e..z2e);
- endchar;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-% negative Steigungen %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-for j= 1 upto 17:
-for i= 1 upto min(2j,8):
-drawslursneg(i,j);
-endfor;endfor;
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf b/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf
deleted file mode 100644
index 38f36742d75..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf
+++ /dev/null
@@ -1,133 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN %
-% %
-% (Phrasierungsbogen und Bogen der Steigung 0) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-def drawslurs (expr st, hflag, istart) =
- save i, factor, longueur, height, depth;
- numeric i, absp, longueur, height, depth, factor, bnummer, quotum, quotum#;
- factor:= 1/6;
- if hflag = 0 : bnummer:=31; quotum#:=0.5*nhw#; quotum:=0.5*nhw;
- else : bnummer:=15; quotum#:=nhw#; quotum:=nhw;
- fi;
- for i=0 upto bnummer: fulllength:=(i+1)*quotum#;
- if hflag = 0 : longueur:= fulllength;
- else : longueur:= fulllength/2;
- fi;
-
- depth := 0 ;
-
- ww:= (i+1)*quotum;
- hh:=0;
- dd:=0;
- absp := abs((-hh,ww));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- height := factor*fulllength;
-
-% modif Ian Collier
- if (hflag=0) and (i mod 2 = 0):
- height := height - factor*quotum#
- fi;
-
- beginchar(istart+i, longueur, height, depth);
- clear;
- z2l = (ww,hh);
- z1l = origin;
- z3r = (ww/2,h);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- % currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- if hflag=0 : penstroke z1e..{right}z3e{right}..z2e; fi;
- if hflag<0 : penstroke z1e..{right}z3e; fi;
- if hflag>0 :
- penstroke (z3e{right}..z2e) shifted (-ww/2,0); fi;
- endchar;
- endfor;
-enddef;
-
-def drawslursneg (expr st, hflag, istart) =
- save i, factor, longueur, height, depth;
- numeric i, absp, longueur, height, depth, factor, bnummer, quotum, quotum#;
- factor:= 1/6;
- if hflag = 0 : bnummer:=31; quotum#:=0.5*nhw#; quotum:=0.5*nhw;
- else : bnummer:=15; quotum#:=nhw#; quotum:=nhw;
- fi;
- for i=0 upto bnummer: fulllength:=(i+1)*quotum#;
- if hflag = 0 : longueur := fulllength;
- else : longueur:= fulllength/2;
- fi;
- height := 0 ;
-
- ww:= (i+1)*quotum;
- hh:=0;
- dd:=0;
- absp := abs((dd,ww));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- depth:=fulllength*factor;
-
-% modif Ian Collier
- if (hflag=0) and (i mod 2 = 0):
- depth := depth - factor*quotum#
- fi;
- beginchar(istart+i, longueur, height, depth);
- clear;
- z2r = (ww,-dd);
- z1r = origin;
- z3l = (ww/2,-d);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
-% currentpen := pencircle xscaled thinwidth yscaled beamht ;
- pickup pencircle scaled (1/16mm + blacker);
- if hflag=0 : penstroke z1e..{right}z3e{right}..z2e; fi;
- if hflag<0 : penstroke z1e..{right}z3e; fi;
- if hflag>0 :
- penstroke (z3e{right}..z2e) shifted (-ww/2,0); fi;
- endchar;
- endfor;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%
-% Bogen nach oben %
-%%%%%%%%%%%%%%%%%%%
-
-drawslurs(0,0,0);
-
-%%%%%%%%%%%%%%%%%%%%
-% Bogen nach unten %
-%%%%%%%%%%%%%%%%%%%%
-
-drawslursneg(0,0,32);
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% linke Halbboegen nach oben %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawslurs(0,-1,64);
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% rechte Halbboegen nach oben %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawslurs(0,1,80);
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% linke Halbboegen nach unten %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawslursneg(0,-1,96);
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% rechte Halbboegen nach unten %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-drawslursneg(0,1,112);
-
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf
deleted file mode 100644
index 3b42e09f668..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf
+++ /dev/null
@@ -1,3 +0,0 @@
-input musicd16
-input slurgen
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf b/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf
deleted file mode 100644
index b83ddc75a72..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf
+++ /dev/null
@@ -1,3 +0,0 @@
-input musicd20
-input slurgen
-
diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf
deleted file mode 100644
index 4a8b0d6a10f..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf
+++ /dev/null
@@ -1,41 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-input musicdef
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN (KONKAV) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-
-def drawslurs (expr i,j) =
- save jj, factor, longueur, height;
- numeric jj, absp, longueur, height, factor;
- factor:= 1/6;
- height := i*1/2nhh#;
- longueur := j*nhw#;
- if j<4 : jj := (j*(j-1)+(i-1))*8
- else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi;
- beginchar(jj, longueur, height, 0);
- clear;
- z2r = (w,h);
- z1l = origin;
- absp := abs((-h,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2r+factor*(-h,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- currentpen := pencircle xscaled thinwidth yscaled beamht ;
- penstroke (z1e..z3e..z2e) rotatedaround (1/2z2r,180);
- endchar;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-% positive Steigungen %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-for j= 1 upto 17:
-for i= 1 upto min(2j,8):
-drawslurs(i,j);
-endfor;endfor;
-end;
diff --git a/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf b/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf
deleted file mode 100644
index fe132ce67e0..00000000000
--- a/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf
+++ /dev/null
@@ -1,40 +0,0 @@
-% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91)
-input musicdef
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% %
-% BOGEN (KONVEX) %
-% %
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-def drawslurs(expr i,j) =
- save jj,factor, longueur, height;
- numeric jj, absp, longueur, height, factor;
- factor:= 1/6;
- height = i*1/2nhh#;
- longueur = j*nhw#;
- if j<4 : jj := (j*(j-1)+(i-1))*8
- else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi;
- beginchar(jj, longueur, height, 0);
- clear;
- z2r = (w,h);
- z1l = origin;
- absp := abs((-h,w));
- if (factor*absp)>2nhh : factor:= 2nhh/absp fi;
- z3r = 1/2z2l+factor*(-h,w);
- penpos1(thinwidth,90);
- penpos2(thinwidth,90);
- penpos3(5/12beamht,90);
- currentpen := pencircle xscaled thinwidth yscaled beamht ;
- penstroke z1e..z3e..z2e; %statt dir 30
- endchar;
-enddef;
-
-%%%%%%%%%%%%%%%%%%%%%%%
-% positive Steigungen %
-%%%%%%%%%%%%%%%%%%%%%%%
-
-for j= 1 upto 17:
-for i= 1 upto min(2j,8):
-drawslurs(i,j);
-endfor;endfor;
-end;
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm
deleted file mode 100644
index f63412b9cfd..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm
deleted file mode 100644
index 13a9f238007..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm
deleted file mode 100644
index 5e075393f0b..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm
deleted file mode 100644
index dea59418b3e..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm
deleted file mode 100644
index 5bfc2af27e0..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm
deleted file mode 100644
index e3893b2d22e..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm
deleted file mode 100644
index ffe014fee2a..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm
deleted file mode 100644
index e4ae6838de2..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm
deleted file mode 100644
index 19908ee40c5..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm
deleted file mode 100644
index 680573d289e..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm
deleted file mode 100644
index ce71a5ee8c0..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm
deleted file mode 100644
index 64bde630755..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm
deleted file mode 100644
index deb3cee52fb..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm
deleted file mode 100644
index e585a865e40..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm
deleted file mode 100644
index b26ad8bab95..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm
deleted file mode 100644
index b26ad8bab95..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm
deleted file mode 100644
index da105c141e2..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm
deleted file mode 100644
index 151394b0117..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm
deleted file mode 100644
index 422fcbaca9f..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm
deleted file mode 100644
index 422fcbaca9f..00000000000
--- a/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm
+++ /dev/null
Binary files differ
diff --git a/Master/texmf-dist/tex/generic/musictex/musicadd.tex b/Master/texmf-dist/tex/generic/musictex/musicadd.tex
deleted file mode 100644
index 5867fb8165a..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicadd.tex
+++ /dev/null
@@ -1,111 +0,0 @@
-%
-% MUSICADD.TEX version 4.81 October 1992
-\message{Version 5.02 -- February 28th, 1994}%
-%
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-%
-\newcount\t@wvii
-\newcount\t@wviii
-\newcount\t@wix
-\newcount\t@pvii\newcount\t@svii
-\newcount\t@pviii\newcount\t@sviii
-\newcount\t@pix\newcount\t@six
-\newcount\t@px\newcount\t@sx
-\newdimen\b@xvii\newdimen\b@zvii
-\newdimen\b@xviii\newdimen\b@zviii
-\newdimen\b@xix\newdimen\b@zix
-\newdimen\b@xx\newdimen\b@zx
-\newdimen\bb@xvii\newdimen\bb@zvii
-\newdimen\bb@xviii\newdimen\bb@zviii
-\newdimen\bb@xix\newdimen\bb@zix
-\newdimen\bb@xx\newdimen\bb@zx
-\newdimen\bbb@xvii\newdimen\bbb@zvii
-\newdimen\bbb@xviii\newdimen\bbb@zviii
-\newdimen\bbb@xix\newdimen\bbb@zix
-\newdimen\bbb@xx\newdimen\bbb@zx
-\newdimen\bbbb@zvii
-\newdimen\bbbb@zviii
-\newdimen\bbbb@zix
-\newdimen\bbbb@zx
-\newdimen\bbbbb@zvii
-\newdimen\bbbbb@zviii
-\newdimen\bbbbb@zix
-\newdimen\bbbbb@zx
-\newcount\b@pvii\newcount\b@nvii
-\newcount\b@pviii\newcount\b@nviii
-\newcount\b@pix\newcount\b@nix
-\newcount\b@px\newcount\b@nx
-\newcount\nbporteesvii
-\newcount\nbporteesviii
-\newcount\nbporteesix
-%
-\def\stafflinesnbvii{5}
-\def\stafflinesnbviii{5}
-\def\stafflinesnbix{5}
-%
-\def\clefdutvii{\clefdutsymbol}
-\def\clefdutviii{\clefdutsymbol}
-\def\clefdutix{\clefdutsymbol}
-%
-\def\clefdefavii{\clefdefasymbol}
-\def\clefdefaviii{\clefdefasymbol}
-\def\clefdefaix{\clefdefasymbol}
-%
-\def\clefdesolvii{\clefdesolsymbol}%
-\def\clefdesolviii{\clefdesolsymbol}%
-\def\clefdesolix{\clefdesolsymbol}%
-%
-\newcount\signvii
-\newcount\signviii
-\newcount\signix
-%
-\newcount\o@signvii
-\newcount\o@signviii
-\newcount\o@signix
-%
-\newtoks\cleftoksvii
-\newtoks\cleftoksviii
-\newtoks\cleftoksix
-%
-\newtoks\o@cksvii
-\newtoks\o@cksviii
-\newtoks\o@cksix
-%
-\newtoks\tempotoksvii
-\newtoks\tempotoksviii
-\newtoks\tempotoksix
-%
-\def\instrumentvii{}%
-\def\instrumentviii{}%
-\def\instrumentix{}%
-%
-\global\nbporteesvii=1\relax
-\global\nbporteesviii=1\relax
-\global\nbporteesix=1\relax
-%
-\global\cleftoksvii={{0}{0}{0}{0}}\relax
-\global\cleftoksviii={{0}{0}{0}{0}}\relax
-\global\cleftoksix={{0}{0}{0}{0}}\relax
-%
-\newtoks\metertoksvii
-\newtoks\metertoksviii
-\newtoks\metertoksix
-%
-\global\metertoksvii={{0}{0}{0}{0}}\relax
-\global\metertoksviii={{0}{0}{0}{0}}\relax
-\global\metertoksix={{0}{0}{0}{0}}\relax
-%
-\def\maxlegatenuti{9}
-%
-\newdimen\t@xvii\newdimen\t@zvii
-\newdimen\t@xviii\newdimen\t@zviii
-\newdimen\t@xix\newdimen\t@zix
-\newdimen\t@xx\newdimen\t@zx
-
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicdoc.tex b/Master/texmf-dist/tex/generic/musictex/musicdoc.tex
deleted file mode 100644
index 6a8db08dd6f..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicdoc.tex
+++ /dev/null
@@ -1,4118 +0,0 @@
-\documentstyle[twoside,multicol,musictex,musictrp,musicper,a4report,11pt]{report}
-
-\def\hboxit#1{\hbox{\vrule\vbox{\hrule\kern3pt
- \hbox{\kern3pt\small\it #1\kern3pt}\kern3pt\hrule}\vrule}}
-%
-\def\tty{\csname normalshape\endcsname\csname mediumseries\endcsname\tt}
-%
-\def\text#1{\leavevmode\hbox{\rm #1}}%
-%\check
-\def\ital#1{{\sl #1\/}}%
-\def\mutex{M\raise 2pt\hbox{\kern -1pt u\kern -1pt}\TeX}
-\def\bslash{{\tty\char'134}}%
-\def\unix{{\sc unix}}%
-\def\Bslash{\tty\char'134}%
-\def\|{{\tty\char'174}}%
-\def\#{{\tty\char'043}}%
-\def\{{{\char'173}}%
-\def\}{{\char'175}}%
-\def\musictex{Music\TeX}%
-\def\musixtex{MusiX\TeX}%
-\def\musicxx{\musictwenty}
-\def\keyindex#1{\leavevmode
- \hbox{\tty\bslash #1}\index{#1=\protect\tty\protect\bslash #1}}
-\def\zkeyindex#1{\index{#1=\protect\tty\protect\bslash #1}}
-\def\ixem#1{#1\index{#1}}
-\def\itxem#1{\ital{#1}\index{#1}}
-\def\aujourdhui{\today}
-%
-%\check
-\tracingstats=1
-%
-%%%% \input musicext : extracting the wanted macro
-
-\makeatletter
-
-\def\tmp@dimenb{\y@ii}
-\newdimen\tmp@dimen
-% \overbracket{p}{l}{s} draws a bracket over the music starting at the
-% current position at pitch p, width l and slope s percent, causing no space.
-\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick height \lthick
- depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick
- depth.8\Interligne}}}
-
-% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the
-% bracket to cover n notes (note however that glue inserted by \temps
-% commands will expand the space between the notes but will not affect the
-% bracket).
-% I use this macro to indicate triplets, for instance.
-
-\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}}
-
-% \underbracket and \unbkt are similar to the above, but produce
-% brackets under the music.
-\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick
- height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick
- height\Interligne}}}
-\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick
- \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick}
-
-
-\newdimen\tmp@dimenc
-\newdimen\z@iii\newdimen\z@iv\newdimen\z@v
-
-% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and
-% height h. This will cause an unrecorded space so it should be used within
-% \rlap. Note that this macro is a hack and probably gobbles up resources!
-% This macro is used by some of the others which follow.
-
-\def\oblique#1#2#3{\relax % length slope height
-\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax
-\else\q@antum=25\lthick\divide\q@antum by #2\relax
-\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi
-\global\z@iv=0pt\relax
-\loop\ifdim\z@iv<#1\relax
- {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax
- \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax
- \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by
- -0.5\internote
- \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi
- \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax
- \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi
- \advance\z@iii by 0.6\internote\relax
- \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth
- .5\lthick}\relax
- \global\advance\z@iv by \q@antum\relax
-}\repeat
-\fi
-}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% end musicext excerpt
-\font\musext=musicbrb
-\tolerance 10000
-\csname normalshape\endcsname\csname mediumseries\endcsname
-\csname pnormalshape\endcsname\csname pmediumseries\endcsname
-\makeindex
-
-\long\def\theindex{\chapter{Index}
-\parindent \z@
-\parskip \z@ \@plus .3\p@ \relax \let \item \@idxitem \columnseprule \z@
-\columnsep 35\p@ \begin{multicols}{2}
-}
-
-\def\endtheindex{\end{multicols}}
-
-%
-\begin{document}
-\title{\Huge\bf \musictex\\\LARGE\bf Using
- \TeX\ to write polyphonic\\or
-instrumental music\\\Large\sl Version 5.17 -- \today}
-\author{\Large\rm Daniel \sc Taupin\\\large\sl
- Laboratoire de Physique des Solides\\\normalsize\sl
- (associ\'e au CNRS)\\\normalsize\sl
- b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex}
- \date{}
-\maketitle
-\clearpage
-\thispagestyle{empty}
-\null
-\setcounter{page}0
-\clearpage
-\tableofcontents
-\setcounter{secnumdepth}3
-\pagestyle{headings}
-%
-\chapter{What is \musictex\ ?}
- \musictex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or
-polyphonic music. Therefore, it is mainly supposed to be used to type wide
-scores -- just because true musicians seldom like to have to frequently turn
-pages -- and this is not really compatible with \LaTeX's standard page
-formats, even the {\tty A4.sty} the {\Bslash textheight} and {\Bslash
-textwidth} of which are too small for musician needs.
-
- However, a \LaTeX\ style has been also provided (and it is used for the
-typing of the present paper) but this {\tty musictex} style is fit for
-musicographic books rather than for normal scores to be actually played.
-
- It should be emphasized that \musictex\ is not intended to be a
-compiler which would translate some \ixem{standard musical
-notation}s into \TeX\, nor to decide by itself about aesthetic problems in music typing.
-\musictex\ only typesets staves, notes, chords, beams, slurs and ornaments as
-requested by the composer. Since it makes very few typesetting decisions,
-\musictex\ appears to be a versatile and rather powerful tool. However, due
-to the important amount of information to be provided to the typesetting
-process, coding \musictex\ might appear to be awfully complicated, just as
-the real keyboard or orchestral music. Therefore, it should be interfaced therefore by
-some pre-compiler in the case of the composer/typesetter wanting aesthetic
-decisions to be automatically made by somebody (or something) else.
-
-\section{\musictex\ principal features}
-\subsection{Music typesetting is two-dimensional}
-
- Most of the people who just learnt a bit of music at college probably think
-that music is a linear sequence of symbols, just as literary texts to be
-\TeX-ed. In fact, with the exception of strictly monodic instruments like
-most orchestral wind instruments and solo voices, one should be aware that
-reading music actually is a matricial operation: the non-soloist musician
-successively reads \ital{columns} of simultaneous notes which he actually plays
-if he is a pianist, clavichordist or organist, which he actually reads and
-watches if he conducts an orchestra, and which he is supposed to check and
-partially play when he is a soloist who wants to play in time with the
-accompanying instrument or choir.
-
- In fact, our personal experience of playing piano and organ as well as
-sometimes helping as an alternate Kapellmeister leads us to think that actual
-music reading and composing is a slightly more complicated intellectual
-process: music reading, music composing and music thinking seems to be a
-three layer process. The musician usually reads or thinks several consecutive
-notes (typically a long \ital{beat} or a group of logically connected notes), then
-he goes down to the next instrument or voice and finally assembles the whole
-to build a part of music lasting roughly a few seconds. Then he handles the
-next \ital{beat} or \ital{bar} of his score.
-
- Thus, it appears that the humanly logical way of coding music consists
-in horizontally accumulating a set of \ital{vertical combs} with
-\ital{horizontal teeth} as described in Table \ref{readtable}.
-
- \begin{table}
- \begin{center}
- \begin{tabular}{|ll|ll|}\hboxit{note sequence one}
- &\hboxit{note seq.\ four}
- &\hboxit{note seq.\ seven}
- &\hboxit{note seq.\ ten}\\\hboxit{note sequence two}
- &\hboxit{note seq.\ five}
- &\hboxit{note seq.\ eight}
- &\hboxit{note seq.\ eleven}\\\hboxit{note seqence three}
- &\hboxit{note seq.\ six}
- &\hboxit{note seq.\ nine}
- &\hboxit{note seq.\ twelve}\\
- \end{tabular}
- \end{center}
- \caption{The order in which a musician reads music}\label{readtable}
- \end{table}
-
-This is the reason
-why, in {\bf \musictex} the fundamental \ital{macro} is of the form
-
-\begin{center}
-{\Bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes}
-\end{center}
-
-\noindent where the character {\tty\&} is used to separate the notes to be
-typeset on respective staffs of the various instruments, starting from the
-bottom.
-
-In the case of an instrument whose score has to be written with
-several staffs, these staffs are separated by the
-character \|. Thus, a score written for a keyboard instrument and
-a monodic instrument (for example piano and violin)
-will be coded as follows:
-
-\begin{center}
-{\Bslash notes \dots\ \| \dots\ \& \dots\ \bslash enotes}
-\end{center}
-\noindent for each column of simultaneous \ital{groups of notes}.
-It is worth emphasizing that we actually said \ital{``groups of notes''}:
-this means that in each section of the previous macro, the music typesetter is
-welcome to insert, not only chord notes to be played at once, but small
-sequences of consecutive notes which build something he understands as a
-musical phrase. This is why note typing macros are of two kinds in \musictex,
-namely the note macros which are not followed by spacing afterwards, and those
-which induce horizontal spacing afterwards.
-
-\subsection{The spacing of the notes}
-
-It seems that many books have dealt with this problem.
-Although it can lead to interesting algorithms, we think it is
-not in practice an important point.
-
-In fact, each column of notes has not necessarily the same spacing
-and, in principle, this \itxem{spacing} should depend on the shortest
-duration of the simultaneous notes. But this cannot be established as a rule,
-for at least two reasons:
-
-\begin{enumerate}
- \item spacing does not depend only on the local notes,
-but also on the context, at least in the same bar.
-\item in the case of polyphonic music, exceptions can easily be found.
-Here is an example:
-
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\generalmeter{\meterfrac{4}{4}}\relax
-\debutextrait
-\normal\elemskip=0.110\hsize
-\temps\Notes\qsk\qsk\rlap{\hu j}\ql h\enotes
-\temps\Notes\hl g\enotes
-\temps\Notes\hu k\enotes
-\temps\Notes\ql f\enotes
-\finextrait
- \end{music}
-
-%\check
-
-\noindent where it can be clearly seen that the half notes at beats 2 and 3
-must be spaced as if they were quarter notes since they overlap, which is
-obvious only because of the presence of the indication of the \itxem{meter} 4/4.
-\end{enumerate}
-%
-
-Therefore, we preferred to provide the composer/typesetter with a
-set of macros, the spacing of which increases by a factor of $\sqrt 2$
-(incidentally, this can be adjusted):
-
-\begin{center}
-{\Bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 1 spatial unit\hss}}
-\\
-{\Bslash Notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 1.4 spacial unit\hss}}
-\\
-{\Bslash NOtes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 2 spatial units\hss}}
-\\{\Bslash NOTes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 2.8 spatial units\hss}}
-\\{\Bslash NOTEs \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 4 spatial units\hss}}
-\\{\Bslash NOTES \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \%
-\hbox to 2.5cm{\rm 5.6 spatial units\hss}}
-\end{center}
-
-%\check
- The size of the spatial unit (\keyindex{elemskip}) can be freely adjusted.
-In addition, \musictex\ provides a means of adjusting the note spacing
-according to an average number of elementary spaces within a line (macro
-\keyindex{autolines}).
-
-\subsection{Music tokens, rather than a readymade generator}
-%\check
-
-The tokens provided by \musictex\ are:
-
-\begin{itemize}
-\item the note symbols \ital{without stem};
-\item the note symbols \ital{with stems, and hooks for eighth notes and
-beyond};
-\item the indications of beam beginnings and beam ends;
-\item the indications of beginnings and ends of ties and slurs;
-\item the indications of accidentals;
-\item the ornaments: arpeggios, trills, mordents, pinc\'es, turns, staccatos
-and pizzicatos, fermatas;
-\item the bars, the meter and signature changes, etc.
-\end{itemize}
-
- Thus, {\Bslash wh a} produces an \ital{A (of nominal frequency 222.5~Hz,
-unless transposed)} of duration being a
-\ital{whole note}. In the same way, {\Bslash wh h} produces an \ital{A
-(445~Hz)} of duration represented by a \ital{whole note}, {\Bslash qu~c}
-produces a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with
-stem up}, {\Bslash cl J} produces a \ital{C (125~Hz approx.)} of
-duration equal to an \ital{eighth note with stem down}, etc.
-
- To generate quarter, eighth, sixteenth, etc. chords, the macro
-\keyindex{zq} can be used: it produces a quarter note head the vertical
-position of which is
-memorized and recalled when another stemmed note (possibly with a hook) is
-coded; then the stem is adjusted to link all simultaneous notes. Thus, the
-perfect C-major chord, i.e.
-
-%\check
-{\def\nbinstruments{1}\relax
-\cleftoksi={{0}{0}{0}{0}}\generalmeter{}\relax
-\debutextrait
-\normal
-\NOTes\qsk\zq c\zq e\zq g\qu j\enotes
-\finextrait}
-
-%\check
-\noindent is coded
- \hbox{\Bslash zq~c\bslash zq~e\bslash zq~g\bslash qu~j}
-or, in a more concise way, \hbox{\Bslash zq\{ceg\}\bslash qu~j} (stem up):
-in fact, single notes are treated\dots\ like one-note chords.
-
-\subsection{Beams}
- \ital{Beams}\index{beams} are generated using macros which define their
-beginning (at the current horizontal position), together with their altitude,
-their direction (upper of lower), their multiplicity, their slope and their
-reference number. This latter feature -- the reference number -- appears to
-be necessary, since one may want to write beams whose horizontal extents
-overlap: therefore, it is necessary to specify which beam the notes hang on
-and which beam is terminated at a given position.
-
-%\check
-\subsection{Setting anything on the score}
-
-A general macro (\keyindex{zcharnote}) provides a means of
-putting any sequence of symbols (in fact, some {\Bslash hbox\{...\}}) at any
-pitch of any staff of any instrument. Thus, any symbol defined in a font
-(letters, math symbols, etc.) can be used to typeset music.
-
-\section{A simple example}
-
- Before giving more details, we give below an example of the two first
-bars of the sonata in C-major K545 by {\sc\ixem{Mozart}}:
-
-\begin{music}
-\parindent 1cm
-\def\nbinstruments{1}\relax
-\def\instrumenti{Piano}%
-\nbporteesi=2\relax
-\generalmeter{\meterfrac{4}{4}}\relax
-\debutextrait
-\normal
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
-\barre
-\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
-\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\finextrait
-\end{music}
-%\check
-
- The \ital{coding} is set as follows:
-
-\begin{quote}\begin{verbatim}
-\begin{music}
-\parindent 1cm
-\def\nbinstruments{1}\relax % a single instrument
-\def\instrumenti{Piano}% % whose name is Piano
-\nbporteesi=2\relax % with two staffs
-\generalmeter{\meterfrac{4}{4}}\relax % 4/4 meter chosen
-\debutextrait % starting real score
-\normal % normal 12 pt note spacing
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes
-\barre % bar
-\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes
-\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes
-\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes
-\finextrait % terminate excerpt
-\end{music}
- \end{verbatim}\end{quote}
-
-\begin{itemize}
-\item {\Bslash ibu0f0} begins an upper beam, aligned on the
-\ital{f}, reference number 0, slope 0
-\item {\Bslash tbu0} terminates this beam before writing
-the second \ital{g} by means of {\Bslash qh0g}
-\item {\Bslash qh..} indicates a note hanging on a beam.
- \item {\Bslash sk } sets a space between the two quarters at the right
-hand, so that the second is aligned with the third eighth of the left hand.
- \item{\Bslash qlp} is a quarter with a point.
- \item{\Bslash ibbl1j3} begins
-a double beam, aligned on the \ital{C} ({\tty j} at this pitch)
-of slope 0.15.
-\end{itemize}
-
-\section{Some highlights}
-\subsection{Signatures}
-
-Signatures can be stated either for all instruments, for example by
-\keyindex{generalsignature}{\tty\{-2\}} which sets two flats on each staff, or
-separately for each instrument. Thus, the \keyindex{generalsignature}
-can be partly overridden by \keyindex{signii}{\tty=1} which puts one
-sharp on the staffs of \itxem{instrument number} 2 (ii). Of course, the
-current signature may change at any time as well as the meters and clefs.
-
-\subsection{Transposition}
-
- An important question is: \ital{``can \musictex\ transpose a score~?''}.
-The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register
-named \keyindex{transpose} the default value of which is zero, but it may be
-set to any reasonable positive of negative value. In that case, it offsets all
-symbols pitched with letter symbols by that number of pitch steps. However,
-it will neither change the signature nor the local accidentals, and if -- for
-example -- you transpose a piece written in $C$ by 1 pitch, \musictex\ will
-not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might
-become tricky if accidentals occur within the piece, which might have to be
-converted into flats, naturals, sharps or double sharps, depending on the new
-chosen signature. To avoid this trouble, \ital{relative} accidentals
-have been implemented, the actual output of which depends on the pitch of
-this accidental and of the current signature.\index{relative accidentals}
-
-
-\subsection{Selecting special instrument scores}
-
-Another question is: \ital{``can I write an orchestral score and extract the
-separate scores for individual instruments~?''} The answer is 95~\%
-\ital{yes}: in fact, you can define your own macros {\Bslash
-mynotes...\bslash enotes}, {\Bslash myNotes...\bslash enotes} with as many
-arguments as there are in the orchestral score (hope this is less or equal to
-9, but \TeX perts know how to work around) and change its definition
-depending on the selected instrument (or insert a test on the value of some
-selection register). But the limitation is that the numbering of instruments
-may change, so that {\Bslash signiii} may have to become {\Bslash signi} if
-instrument $iii$ is alone. But, in turn, this is not a serious problem for
-average \TeX\ wizard apprentices.
-
- \subsection{Variable staff and note sizes}
-
- Although the staff size is 20 pt as a standard, \musictex\ allors scores of
-16 pt staff sizes. In addition, any instrument may have a special staff size
-(usually smaller than the overall staff size) and special commands
-\verb|\smallnotesize| or \verb|\tinynotesize| enable notes (and also beams or
-accidentals) to be of a smaller size, in order to quote optional notes or
-\ital{cadenzas}.
-
- \section{How to get it}
-
- The whole \itxem{distribution} fits into a single 1.2Mbyte or
-1.44Mbyte diskette. It can also be obtained through an \ital{anonymous ftp}
-at {\tty rsovax.lps.u-psud.fr} (193.55.39.100), after selecting the
-subdirectory {\tty [.musictex]}. All sources (including fonts) are provided,
-either separately or ``zipped'' or as VMS ``\ixem{savesets}''.
-
-%\check
-\section{Enhancements}
-\subsection{Recent easy enhancements}
-
-Many enhancements have been asked for, and this is a proof that \musictex\ is
-considered as useful by many people. Some of these enhancements which seemed
-hard were in fact rather easy to implement, for example small notes to represent
-grace notes and cadenzas. But others may induce heavy problems, for example
-the need of having \ital{nice} slurs and ties.
-
-In the same way, we recently introduce Andreas {\sc Egler}'s fonts to have
-nicer braces at the left of the score, for example for piano music.
-
-Besides, we recently found a hard incompatibility of \musictex\ and a genuine
-product of the author's native country, namely {\tt french.sty} by Bernard
-{\sc Gaulle} which is the \ital{standard} of the French \TeX\ user group,
-namely the GUTenberg association. This was partly due to macro name collisions
---- easy to solve --- and to the fact that {\tt french.sty} sets a lot of
-characters as \keyindex{active} characters in order to make them handle
-correctly the French spacing before and after punctuation marks. This seems to
-have been solved in the 4.99 version of \musictex, with the restriction that
-French macros cannot be used --- at least easily --- within lyrics.
-
-Besides, \musictex\ has been adapted --- since version 5.00 --- to score
-\ital{gregorian chant} and \ital{percussion music}.
-
-\subsection{The tie/slur problem}
-
-While typesetting notes and even beams is a rather simple problem because it
-is a \ital{local typesetting}, ties and slurs are much more difficult to handle.
-
-Of course there is small problem in case of a typesetter wanting a slur or a
-tie binding two consecutive notes, not separated by a bar. In practice this
-\ital{very restricted} use of slurs or ties can easily be solved by putting
-some symbols extracted from the {\tty slur16} or {\tty slurn16}/{\tty slurn20}
-fonts somewhere on the staffs using the general use \keyindex{zcharnote}
-macro.
-
- But serious music typesetters or composers know that many ties are supposed
-to link notes which are on both sides of a bar, which is a likely place to
-insert line breakings, so that the coding of \itxem{ties} must have various
-versions and sizes to resist that possible line breaking. What has been said
-about ties is still more serious in the case of \itxem{phrasing slurs} which
-may extend over several bars, lines and sometimes pages. In this case, their
-shape is not only a question of producing a long curved symbol of nice
-looking shape, it also has to cope with \itxem{glue}. An then the worst is
-that music way of typing does not accept \itxem{ragged lines} but equal
-length lines, even for the last line of a music piece. Thus, long distance
-slurs and ties need to be cut into separate parts (beginning, continuing(s),
-endings) which \TeX\ can only link using \ital{horizontal line overlaps}
-or \keyindex{leaders} to insure slur continuity over this unavoidable glue.
-
-
-Therefore and up to now, ties and slurs have been implemented in a way which
-may look rather ugly, but we think it is the only way of implementing
-\ital{in one pass} ties and slurs which run \ital{across glue}. The principle
-is to have tie/slur symbols with a rather long horizontal part.
-Then, at each time a glue occurs and at each time a group of notes is coded
-while a slur or tie is pending, an \keyindex{hrule} is issued which overlaps
-the preceding tie/slur symbol so that the final output seems to contain a
-continuous line. Unfortunately, this is possible only in the glue expansion
-direction, namely in the horizontal direction.
-
-Variable size
-initial and final curved slur symbols have recently been implemented;
-the user has to choose them according
-to his intention to have short or long range slur symbols.
-
-\subsection{\musixtex}
-
-\ixem{\musixtex} is a new package, heavily derived from \musictex\ by Andreas
-{\sc Egler} and Ross {\sc Mitchell}. Its fundamentals are taken from
-\musictex, but it works in three passes~:\index{Egler, A.}\index{Mitchell, R.}
- \begin{enumerate}
- \item The first pass \TeX es the source with a different set of macros,
-which generate a special file telling where slurs/ties start and begin.
- \item The second pass (a C program) computes the optimal length of the
-slurs/recorded.
- \item The third pass generates the definitive DVI from the initial source,
-owing to information produced by the second pass, name to choose the adequate
-slur/tie symbols according to the chosen final note spacing.
- \end{enumerate}
- We do not decribe \musixtex\ here, but we give some suggestion to make the
-same \musictex\ source runable with both \musictex\ and \musixtex.
-
-\subsection{Enhancement limitations}
-Many requested improvements have not been
-\ital{yet} implemented for several reasons:
-
- \begin{itemize}
-
- \item The author's natural lazyness (!)
-
- \item More seriously: many of them would require using some more
-registers; unfortunately, \TeX\ registers are not numerous (256 of each
-kind and the limit of \keyindex{dimen} registers is nearly reached) and we
-are afraid many requested new features would make \TeX\ stupidly crash even
-when typesetting reasonable scores.
-
- \item We do not think it is wise to introduce in \musictex\ itself a great
-number of macros which would be poorly used by most users: the reason is that
-\TeX\ memory is hardly limited and that unused macros may occupy some \TeX\
-storage which could make things crash because of {\tty TeX capacity
-exceeded}...
-
- \end{itemize}
-
-
-\section{Acknowledgements}
-
-The idea of implementing the present package is due to the previous work
-(\mutex)\index{mutex=\protect\mutex} of Andrea {\sc Steinbach} and Angelika
-{\sc Schofer}\footnote{Steinbach A. \& Schofer A., \ital{Theses} (1987, 1988),
-Rheinische Friedrich-Wilhelms Universit\"at, Bonn, Germany.}. This work
-provided the basis of the Metafont codes and some line breaking procedures,
-which both are still used here... with 99\% corrections and
-updates.\index{Schofer, A.}\index{Steinbach, A.}
-
-Besides, the original fonts of \musictex, named {\tt musicn20}, {\tt
-musicn16}, {\tt musicn13} and {\tt musicn11}, have been recently reviewed
-by Andreas {\sc Egler} and the new release --- used in the version 5.00 and
-above of \musictex\ --- is called {\tt musikn20}, {\tt musikn16}, {\tt
-musikn13} {\tt musikn11} and {\tt musicbrb}.\index{Egler, A.}
-
-
-\chapter{Practical use}
-\section{Heading statements}
-
-Before any reference to \musictex\ macros:
-
-\medskip{\Bslash input musicnft }
-
-{\Bslash input musictex}
-
- \medskip\noindent which may be followed by {\Bslash input musicadd}
-in the case you have more than six instruments (voice is two instruments: one
-for the music, one for the text) or more than 6 simultaneous beams or ties or
-slurs.\index{musicnft.tex}\index{musictex.tex}\index{musicadd.tex}
-\index{musicnft.tex}
-
- \medskip After that, you may write a complete book of \TeX\ provided that
-you do not use {\tty \&} as a tabulation character (its \keyindex{catcode}
-has been changed) inside the music score and that you do not overwrite
-\musictex's definitions. This means that no special macros have been designed
-to help you write titles, author names, comments, literature excerpts, etc.,
-unless you use \LaTeX\ with the {\tt musictex} style.
-
-\section{Before you begin to write notes}
-
-You should first specify whether you want to typeset music in size
-20pt\index{sizes} per staff or 16pt. This only optional, the default value
-being 20pt. If you want the 16pt size, then you have to say:
-
-\medskip \keyindex{musicsize}{\tty=16}
-
-\medskip Then, the first compulsory declaration is:
-
-\medskip {\Bslash def\keyindex{nbinstruments}{\tty\{$n$\}}}
-
-\medskip \noindent where $n$ is the number of instruments, used by
-\musictex\ to performs loops building staffs, setting signatures, meters,
-etc. Therefore, it must be defined before any other statements. An instrument
-may consist of several staffs, e.g. the piano. The difference between one
-instrument of several staffs and several instruments is as follows:
-
-\begin{itemize}
- \item distinct instruments may have distinct \itxem{signatures}, distinct
-staffs of a unique instrument share the same signature.
- \item \itxem{stems} may be hung to \itxem{beams} belonging to differents
-staffs of the same instrument.
- \item \itxem{chords} may extend across several staffs of the same
-instrument.
- \item staffs of a unique \itxem{instrument} are tied together
-with a big brace at the beginning of each line.
-
-\end{itemize}
-
-\medskip If the number of staffs (in French ``\itxem{port\'ees}'') is not
-equal to one, this number must be specified by:
-
-\medskip
-%\check
-{\tty\keyindex{nbportees$r$}=$p$\bslash relax}
-
- \medskip\noindent where $p$ is the number of staffs, and where $r$ is the
-roman numeral of the instrument considered (e.g. \keyindex{nbporteesiii}
-for the 3rd instrument, starting from the bottom). This value may be zero, in
-which case the staff lines are omitted, and this instrument may be used to
-code the \itxem{lyrics} of a song, below the actual ``instrument''
-representing the notes of the song.
-
-\medskip Unless all your instruments only use the \ital{violin} clef, you
-have to specifiy all the clefs used for all the instruments. This is done by
-coding:
-
-\medskip{\tty\keyindex{cleftoks$r$}=\{\{$s1$\}\{$s2$\}\{$s3$\}\{$s4$\}\}\%}
-
-\medskip\noindent where $r$ is the roman numeral of the instrument, $s1$
-specifies the clef of the lower staff, $s2$ the clef of the second staff,
-etc. One must always give four values with the above syntax, otherwise\dots\
-$s1=0$ means the \ital{violin} clef (\ixem{clef de sol} in French), $s1=1$
-through $s1=4$ mean the \ital{alto} clef (\ixem{clef d'ut} in French) set on
-first (lower) through fourth (next to upper line of the staff), $s1=5$ means
-the \ital{bass} clef at third (middle) line, and $s1=6$ means the usual
-\ital{bass} clef (\ixem{clef de fa} in French) at the usual fourth line.
-\index{violin clef}\index{bass clef}\index{alto clef} As an example, a
-standard piano score should include:
-
-\medskip{\tty\keyindex{cleftoksi}=\{\{6\}\{0\}\{0\}\{0\}\}\%} or {\Bslash
-cleftoksi=\{6000\}\%}
-
-\medskip
-If the signature is not void, one should code:
-
-\medskip{\tty\keyindex{generalsignature}{\tty\{$s$\}}\bslash relax}
-
-\medskip\noindent where $s>0$ indicates the number of \itxem{sharps} in the
-signature and $s<0$ the number of \itxem{flats}\footnote{We have seen once a
-score in G-minor where the signature consisted of two flats (B and E) plus
-one sharp (F). This is not supported by \musictex.}.
-
-\medskip If there a \itxem{meter} indication is to be posted, it should be
-specified using the macro
-
-\medskip {\tty\keyindex{generalmeter}\{$m$\}\%}
-
-\medskip \noindent where $m$ is the description of the meter indication which should
-appear on each staff. If it is a \ital{fraction} (e.g. 3/4) on should code
-
-\medskip{\Bslash generalmeter\{\bslash meterfrac\{3\}\{4\}\}\%}
-
-\medskip\noindent or, in a simpler way (if the numbers are less than 10):
-
-\medskip{\Bslash generalmeter\{\bslash meterfrac 34\}\%}
-
-\medskip\rm Special denotations can be used, such as \keyindex{allabreve} to
-get \raise -6pt\hbox{\allabreve} and \keyindex{meterC} to get \raise
--6pt\hbox{\meterC}.
-
-\medskip However, not all music scores have the same meter in each staff.
-Especially, some staffs may have \ital{ternary} meters while others have
-\ital{binary}. This can be specified by using the \keyindex{generalmeter} macro
-to set the meter for most of the scores and overriding it by means of a more
-sophisticated command:
-
-
-%\check
-\medskip{\Bslash metertoksii=\{\{\bslash
-meterfrac\{12\}8\}\{\bslash
-allabreve\}\{\}\{\}\}\%}
-\zkeyindex{metertoks$i$}
-
-\medskip \rm\noindent which sets the meter to 12/8 for the first (lower)
-staff, and \ital{alla breve} for the second staff of the instrument number 2
-(\ital{ii}). Note that there is room for 4 staffs and that void items must be
-specified, otherwise \TeX\ weird errors occur.
-
-\subsection{Instrument names} If you want the \itxem{name of the instrument}s
-(or the \itxem{name of the voice}s) to be displayed in front of their
-respective staffs at the beginning, you may code:
-
-\medskip\Bslash def\bslash instrument$r$\{\ital{name of the instrument}\}\%
-\zkeyindex{instrument$r$}
-
-\medskip \noindent\rm where $r$ is the roman numeral of the instrument
-considered. In this case, you should also adjust the \keyindex{parindent}
-dimension so that the long name of an instrument does not spill too far into
-the left margin.
-
-\subsection{Polyphonic songs}
-Except staffs of a unique instrument tied together with a big brace, staffs
-normally begin on the left with a thin vertical rule. However, it is usual to
-tie all human voices together with a left heavy and right thin vertical rule.
-This can be specified (but only once per system) by specifying
-
-\medskip{\tty\bslash def\keyindex{lowersonginstrum}\{$m$\}}
-
-{\tty\bslash def\keyindex{uppersonginstrum}\{$n$\}}
-
-\medskip\noindent where $m$ and $n$ are the intrument numbers of the first
-and last choral voices. An example of using this feature is given in
-{\tty PRAETORI} and -- more complicated -- also in {\tty ANGESCAM}
-and {\tty ANGESCAO}.
-
-%\check
-\section{Starting your masterpiece}
-\subsection{Typing the first system}
-
-Just code
-
-\medskip\keyindex{debutmorceau}
-
-\medskip\noindent which will initiate (with indentation \keyindex{parindent})
-the first set of staffs for all instruments you have previously defined. But
-that is not sufficient to begin writing notes and silences. In fact, you also
-must choose the spacing of the notes.
-
-\subsection{Easy selecting note spacing}
-The easiest way of getting a reasonable note spacing is done by saying
-
-\medskip\keyindex{normal}
-
-\medskip This defines an elementary spacing of {\tty 10pt}. If you say
-\keyindex{large}\footnote{To avoid problems with the \LaTeX\
-\index{LaTeX=\protect\LaTeX}
-macro of the same name, this macro is only activated under \LaTeX\ when
-\keyindex{begin\{music\}} is invoked.} the elementary spacing (\keyindex{elemskip}) is set to {\tty
-12pt}. Once this is done, you can select $\sqrt 2$ multiples of this value to
-select specific note spacing by initiating your note column with {\Bslash
-notes} (spacing {\Bslash elemskip}), {\Bslash Notes} (spacing {\tty
-1.4\bslash elemskip}), etc.
-
-The is also a macro named \keyindex{etroit} which yields
-narrower\footnote{\ital{Etroit} means \ital{narrow} in French.} spacings but
-not increasing in the same way.
-
-\medskip In practice, the choice of the macro {\Bslash notes}, {\Bslash
-Notes}, {\Bslash NOtes}, etc., to initiate of column of notes sets an
-internal dimension register, named \keyindex{noteskip} to the given multiple
-of \keyindex{elemskip}. Thus, each \itxem{spacing note} (\keyindex{qu},
-\keyindex{qh}, \keyindex{hl}, etc.) will be followed by a spacing of
-\keyindex{noteskip}. Then, the advantage of the definition of {\Bslash
-elemskip} is that, whenever it is changed, all subsequent {\Bslash noteskip}s
-will be updated proportionally so that a simple change of {\Bslash elemskip}
-can expand or shrink all consecutive note spacings as a whole.
-
-If these values of {\Bslash elemskip} are not
-fit to your needs, you can also say
-
-\medskip{\tty\keyindex{normal}\keyindex{elemskip}=15pt}
-
-\medskip\noindent or revert to the basic note introducing sequence:
-
-\medskip{\tty\keyindex{vnotes} $q$ \bslash elemskip
-\ital{note specifications} \bslash enotes}
-
-\medskip\noindent where $q$ is a positive integer or decimal number.
-
-\medskip Of course, if you are sufficiently skilled with \TeX, you can also
-compute \keyindex{elemskip} according to the number of bars you want in a
-line and the number of notes in each bar.
-
-
-\medskip However, you may also prefer to ask \musictex\ to compute the size
-of \keyindex{elemskip} from the current page width (\keyindex{hsize}) after
-assuming a constant number of bars of a constant number of beats within each
-line\footnote{This does not meet the requirements of contemporaneous music,
-but fits very well to baroque and romantic music.}. In this case, you have
-better use the \keyindex{autolines} macro, which is described below (see:
-\ref{linepagebreak}, ``Line and page breaking'').
-
-%\check
- \section{Note pitch specification}
-
- Note pitches are usually specified by letters ranging from {\tty a} to {\tty
-z} for those which are usually written under the G-clef ({\tty a} corresponds
-to the $A$ of nominal frequency 222.5~Hz; the \ital{G} of the G-clef is denoted
-{\tty g}). Lower pitch notes are specified using upper case letters ranging
-from {\tty A} to {\tty N} (the \ital{F} of the F-clef is denoted {\tty M}, and
-{\tty F} is one octave below).
-%\check
-
-\medskip If necessary, a numeric symbol can be used to place a symbol
-independently of the active clef.
-
-\medskip Besides, notes below {\tty A} (i.e. the $A$ of nominal frequency
-55.625~Hz), namely the lowest octave of the modern pianos, can only be coded
-using the transposition features (see below: \ital{transposition} and
-\ital{octaviation}) or in absolute vertical position using numbers.
-
-\section{Writing notes}
-
-There are two major kinds of note macros: \begin{enumerate} \item those
-which terminate a note/chord stem and are followed by a horizontal spacing of
-value \keyindex{noteskip},
- \item those which initiate or extend a note/chord stem and do not cause
-horizontal spacing.
-\end{enumerate}
-
-\medskip The first kind is used to type a melody, the second kind is used to
-type chords.
-%\check
-
-\subsection{Single (spacing) notes}
-
-\begin{quote}\begin{description}
-\item[\keyindex{wh}~$p$ : ]whole note at pitch $p$.
-\item[\keyindex{hu}~$p$ : ]half note at pitch $p$ with stem up.
-\item[\keyindex{hl}~$p$ : ]half note at pitch $p$ with stem down.
-\item[\keyindex{qu}~$p$ : ]quarter note at pitch $p$ with stem up.
-\item[\keyindex{ql}~$p$ : ]quarter note at pitch $p$ with stem down.
-\item[\keyindex{cu}~$p$ : ]eighth note\footnote{The {\Bslash c} of this macro
- name is taken from the French word {``croche''} which is by the way one
- half of the english {``crotchet''}; {\Bslash cc...}, {\Bslash ccc...}
- are standing for {``double croche''}, {``triple croche''}, etc.}
- at pitch $p$ with stem up.
-\item[\keyindex{cl}~$p$ : ]eighth note at pitch $p$ with stem down.
-\item[\keyindex{ccu}~$p$ : ]sixteenth note at pitch $p$ with stem up.
-\item[\keyindex{ccl}~$p$ : ]sixteenth note at pitch $p$ with stem down.
-\item[\keyindex{cccu}~$p$ : ]32-th note at pitch $p$ with stem up.
-\item[\keyindex{cccl}~$p$ : ]32-th note at pitch $p$ with stem down.
-\item[\keyindex{ccccu}~$p$ : ]64-th note at pitch $p$ with stem up.
-\item[\keyindex{ccccl}~$p$ : ]64-th note at pitch $p$ with stem down.
-%\check
-\end{description}\end{quote}
-
-\medskip As an example, the sequence:
-
-\begin{music}\parindent=0pt\def\nbinstruments{1}\def\instrumenti{}
- \generalsignature{0}\savesignature\cleftoksi={{0}{0}{0}{0}}
- \debutextrait\normal
-\notes\cu c\temps\cl j\enotes\barre
-\notes\ccu c\temps\ccl j\enotes\barre
-\notes\cccu c\temps\cccl j\enotes\barre
-\notes\ccccu c\temps\ccccl j\enotes\finextrait
-\end{music}
-
-\medskip \noindent was coded as:
-
-%\check
-\begin{quote}\begin{verbatim}
-\notes\cu c\temps\cl j\enotes\barre
-\notes\ccu c\temps\ccl j\enotes\barre
-\notes\cccu c\temps\cccl j\enotes\barre
-\notes\ccccu c\temps\ccccl j\enotes
-\end{verbatim}\end{quote}
-
-\medskip If these notes are preceded by \ital{non-spacing} notes (i.e.
-macros \keyindex{zq} or \keyindex{zh}) their stem is extended up or down so
-as to join all notes into a single chord.
- \subsection{Non-spacing (chord) notes}
-
-\begin{quote}\begin{description}
-\item[\keyindex{zq}~$p$ : ]quarter (or shorter) note head at pitch $p$ with no
-spacing after.
-\item[\keyindex{zh}~$p$ : ]half note head at pitch $p$ with no spacing after.
-\end{description}\end{quote}
-
-\medskip It must be pointed out that the pitch $p$ of these notes is
-memorized so that the stem of the further spacing note will join them into
-a chord. This stem top and bottom pitch is \ital{reset} at each spacing
-note.
-
-\medskip \noindent{\sl REMARK : Notes of duration longer than whole notes are
-always non-spacing. This saves one useless definition, since these notes are
-always longer than other simultaneous ones. If needed they can be followed by
-\keyindex{sk} to force spacing.}
- \subsection{Shifted non-spacing (chord)
-heads} These symbols are used mainly in chords where \ital{second} intervals
-are present. It is the responsibility of the typist to choose which heads
-should be shifted left or right.
-
-\rm\medskip \par\keyindex{rw}~$p$ : whole note head shifted right by one note
-width ($\approx$ 6pt), no spacing.
- \par\keyindex{lw}~$p$ : whole note head shifted left by one note
-width ($\approx$ 6pt), no spacing.
- \par\keyindex{rh}~$p$ : half note head shifted right by one note
-width ($\approx$ 6pt), no spacing.
- \par\keyindex{lh}~$p$ : half note head shifted left by one note
-width ($\approx$ 6pt), no spacing.
- \par\keyindex{rq}~$p$ : quarter note head shifted right by one note
-width ($\approx$ 6pt), no spacing.
- \par\keyindex{lq}~$p$ : quarter note head shifted left by
-one note width ($\approx$ 6pt), no spacing.
-
-\medskip Except that they are shifted left of right, these macros act like
-{\Bslash z...} macros for stem building.
-
-\subsection{Shifted notes}
-
-\begin{quote}\begin{description}
- \item[\keyindex{rqu} : ]acts like {\Bslash qu} but the note head is
-shifted one note width. This is used for \itxem{chords} with upper note
-on the right side of the stem.
- \item[\keyindex{rql} : ]same with stem down.
- \item[\keyindex{rhu} : ]same as above for a half note, stem up.
- \item[\keyindex{rhl} : ]same with stem down.
-\end{description}\end{quote}
-
-In addition on can use the command \keyindex{roff} to offset any note
-character by one quarter note head, e.g.:
-
- \verb|\roff{\zqup h}|
-
-\noindent which will post a pointed quarter note with stem up, offset by one
-quarter note head with respect to its normal abscissa. \verb|\roff{...}| is
-heavily recommended instead of \verb|\qsk| if the score is intended to be run
-also with \musixtex.
-
-\subsection{Non-spacing single notes}
-
-\begin{quote}\begin{description}
- \item[\keyindex{zhu} : ]half note with stem up but no spacing. It acts like
-{\Bslash hu} for stem building.
- \item[\keyindex{zhl} : ]half note with stem down but no spacing. It acts like
-\keyindex{hl} for stem building.
- \item[\keyindex{zqu} : ]quarter note with stem up but no spacing. It acts like
-{\Bslash qu} for stem building.
- \item[\keyindex{zql} : ]quarter note with stem down but no spacing. It acts
-like {\Bslash ql} for stem building.
- \item[\keyindex{zcu} : ]eighth note with stem up but no spacing. It acts like
-{\Bslash cu} for stem building.
- \item[\keyindex{zcl} : ]eighth note with stem down but no spacing. It acts
-like {\Bslash cl} for stem building.
-
-
-\item[\keyindex{lhu}, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql} : ]same
-as above, but the whole of the note is shifted one note width on the left.
- \item[\keyindex{zw}~$p$ : ]whole note at pitch $p$ with no spacing after.
-\item[\keyindex{zwq}~$p$ : ]arbitrary duration note (\raise
-2.5pt\hbox{\musicxx\char 125}) at pitch $p$ with no spacing after.
-\item[\keyindex{zbv}~$p$ : ]breve note (\raise
-2.5pt\hbox{\musicxx\char 36}) at pitch $p$ with no spacing after.
-\item[\keyindex{zsb}~$p$ : ]semi-breve note (\raise
-2.5pt\hbox{\musicxx\char 32}) at pitch $p$ with no spacing after.
-\end{description}\end{quote}
-
-\subsection{Single (spacing) stemless notes}
-
- Although not standard in real music scores, one may need to have stemless
-quarter and half noteheads posted in the same way as whole notes. This can be
-done with the following commands:
-
-\begin{quote}\begin{description}
-\item[\keyindex{nh}~$p$ : ]half notehead at pitch $p$.
-\item[\keyindex{nq}~$p$ : ]quarter notehead at pitch $p$.
-\end{description}\end{quote}
-
-\medskip As an example, the sequence:
-
-\begin{music}\parindent=0pt\def\nbinstruments{1}\def\instrumenti{}
- \generalsignature{0}\savesignature\cleftoksi={{0}{0}{0}{0}}
- \debutextrait\normal
-\notes\nq c\temps\nq j\enotes\barre
-\Notes\nh c\temps\nh j\enotes\barre
-\notes\nq {cdef}\enotes\finextrait
-\end{music}
-
-\medskip \noindent was coded as:
-
-%\check
-\begin{quote}\begin{verbatim}
-\notes\nq c\temps\nq j\enotes\barre
-\Notes\nh c\temps\nh j\enotes\barre
-\notes\nq {cdef}\enotes\finextrait
-\end{verbatim}\end{quote}
-
- In case of special need, non spacing variants have been provided, namely
-\keyindex{znh} and \keyindex{znq}.
-
-\subsection{Pointed notes}
- One simple way of doing consists in putting \keyindex{pt
-$p$} to get a \ital{dot} after the normal note head at pitch $p$. Thus a
-quarter note with a point can be coded {\Bslash pt h\bslash qu h}.
-
-
-\medskip A simpler way of doing consists in using compact macros, namely:
-\keyindex{qup}, \keyindex{qupp}, \keyindex{quppp}, \keyindex{zqp},
-\keyindex{zhp}, \keyindex{zwp} (these three {\Bslash z...p} are useful in
-chords), \keyindex{hup}, \keyindex{whp}, \keyindex{qhp}, \keyindex{qhpp},
-\keyindex{qlp}, \keyindex{qlpp}, etc.
-
-
-\medskip You may also introduce pointed notes, especially in groups by coding
-a \ital{period} before (not after) the letter representing the pitch:
-{\Bslash qu\{.a.\^{}b.c\}} which is equivalent to:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\pt{a}\qu{a}\pt{b}\sh{b}\qu{b}\pt{c}\qu{c}
-\end{verbatim}\end{quote}
-
-Finally, pointed nots can also be produced without spacing aftef, using
-\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp},
-\keyindex{zcup}, \keyindex{zclp}, and the same with two {\tty p}'s for
-double-pointed notes.
-
-\section{Beams}
-
- Beams are not automatically handled, but they must be declared explicitely,
-\ital{before} the first spacing note involving them is coded. Two kinds of
-macros are provided:
-
-\begin{enumerate}
-
-\item fixed slope beams have an arbitrary slope chosen by the user in
-the range -45\% to +45\% (by multiples of 5\%);
-
-\item semi-automatic beams have their slope computed knowing the number
-of \keyindex{noteskip} over which they are supposed to extend, and knowing the
-initial and final pitch of the notes they are supposed to link.
-
-\end{enumerate}
-
-\subsection{Fixed slope beams}
-
-\begin{quote}\begin{description}
-\item[\keyindex{ibu}~$nps$ : ]initiates an \ital{upper beam} 3 horizontal
-line spacings above the pitch $p$~; $m$ is its reference number, which must be
-in the range [0-5] ([0-9] if {\tty musicadd} file has been {\Bslash
-input});
-$s$ is the slope of the beam.
-
-\end{description}\end{quote}
-
- $s$ is an integer in the range [-9,9].
-$s=1$ means a slope of 5\%, $s=9$ means a slope of 45\% (the maximum with the
-{\tty beamn20} or {\tty beamn16} fonts), $s=-3$ means a slope of -15\%, etc.
-With usual spacings a slope of 2 or 3 is fit for ascending scales. A slope of
-6 to 9 is fit for ascending arpeggios.
-
-\begin{quote}\begin{description}
-
-\item[\keyindex{ibl}~$nps$ : ]initiates a \ital{lower beam} 3 horizontal line
-spacings below the pitch $p$. Other parameters as above.
-
-
-\item[\keyindex{ibbu}~$nps$ : ]initiates a \ital{double upper beam} (same
-parameter meaning).
- \item[\keyindex{ibbl}~$nps$ : ]initiates a \ital{double lower beam} (same
-parameter meaning).
- \item[\keyindex{ibbbu}~$nps$ : ]initiates a \ital{triple upper beam} (same
-parameter meaning).
- \item[\keyindex{ibbbl}~$nps$ : ]initiates a \ital{triple lower beam} (same
-parameter meaning).
- \item[\keyindex{ibbbbu}~$nps$ : ]initiates a \ital{quadruple upper beam} (same
-parameter meaning).
- \item[\keyindex{ibbbbl}~$nps$ : ]initiates a \ital{quadruple lower beam} (same
-parameter meaning).
- \item[\keyindex{ibbbbbu}~$nps$ : ]initiates a \ital{quintuple upper beam} (same
-parameter meaning).
- \item[\keyindex{ibbbbbl}~$nps$ : ]initiates a \ital{quintuple lower beam} (same
-parameter meaning).
-\end{description}\end{quote}
-
-\medskip Beam termination is also not automatic. The termination of a given
-beam must be explicitely declared \ital{before} coding the last spacing note
-connected to that beam.
-
-\begin{quote}\begin{description}
-\item[\keyindex{tbu}~$n$ : ]terminates upper beam number $n$ at current
-position. \item[\keyindex{tbl}~$n$ : ]terminates lower beam number $n$ at
-current position.
-\end{description}\end{quote}
-
-\medskip\keyindex{tbu} and \keyindex{tbl} terminate beams of any
-multiplicity. Therefore 32-th notes hanging on a triple beam are initiated by
-\keyindex{ibbbu}~$nps$ and terminated by \keyindex{tbu}~$n$.
-
-\medskip It is also possible to code beams whose multiplicity is not the same
-at the beginning. The multiplicity can be increased at any position. For
-instance, \keyindex{nbbu}~$n$ which sets the multiplicity of upper beam
-number $n$ to 2 starting at the current position, \keyindex{nbbbu}~$n$ sets
-its multiplicity to 3, \keyindex{nbbbbu}~$n$ sets its multiplicity to 4, and
-\keyindex{nbbbbbu}~$n$ sets it to 5. \keyindex{nbbl}~$n$ \dots
-\keyindex{nbbbbbl}~$n$ perform the same functions for lower beams.
-
-\medskip Notes hanging or standing on beams are coded in the form
-{\Bslash qh$n\,\,p$} and {\Bslash qb$n\,\,p$} where $n$ is the beam number and $p$
-the pitch of the note head. \musictex\ adjusts the length of the note stem to
-link the bottom of the chord to an upper beam (normally with \keyindex{qh}) and
-the top of the chord to a lower beam (normally with \keyindex{qb}).
-
-\medskip Note that the difference between upper and lower beams does not
-mainly consist in the beam being above or below the note heads; rather, it
-specifies whether the abscissa of the beginning and the end of this beam is
-aligned on the right (upper beam) or on the left (lower) beam. Thus, the
-sequence:
-
-\begin{music}
-\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait
-\large\temps
-\notes\ibu0h0\qh0e\nbbu0\qh0e\nbbbu0\qh0e\nbbbu0\relax
-\qh0e\nbbbbu0\qh0e\nbbbbbu0\qh0e\tbu0\qh0e\enotes
-\finextrait
-\end{music}
-
-%\check
-\noindent has been coded as
-\begin{quote}\begin{verbatim}
-\notes\ibu0h0\qh0e\nbbu0\qh0e\nbbbu0\qh0e\nbbbu0\relax
-\qh0e\nbbbbu0\qh0e\nbbbbbu0\qh0e\tbu0\qh0e\enotes
-\end{verbatim}\end{quote}
-%\check
-
- \rm It is quite possible to terminate with \keyindex{tbu} a beam initiated
-with \keyindex{ibl}. This may give:
-
-
-\begin{music}
-\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait
-\large\temps
-\notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qh0e\enotes
-\finextrait
-\end{music}
-
-%\check
-\noindent which has been coded as
-
-\begin{quote}\begin{verbatim}
-\notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qh0e\enotes
-\end{verbatim}\end{quote}
-%\check
- \rm Partial termination of beams is also possible, by using \keyindex{tbbu}
-or \keyindex{tbbl}~: these macros terminate the current beam except that of
-order 1 (eighths). \keyindex{tbbbu} or \keyindex{tbbbl} terminate the current
-beam except those of order 1 and 2, etc.
-
-
-\medskip
-The macros \keyindex{tbbu} and \keyindex{tbbl} may also be invoked when only
-a single beam is active. Then, a second beam (upper or lower according
-the initiating procedure) is opened \ital{one note width before
-the current position, and closed immediately}. Thus the following sequence
-
-\begin{music}
-\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait
-\large \temps
-\notes\ibu0e0\qh0e\tbbu0\tbu0\qh0e\enotes
-\finextrait
-\end{music}
-
-\medskip\noindent is coded:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\notes\ibu0e0\qh0e\tbbu0\tbu0\qh0e\enotes
-\end{verbatim}\end{quote}
-
-%\check
-
-\rm \medskip The same behaviour occurs in the case of \keyindex{tbbbu},
-\keyindex{tbbbl}, \keyindex{tbbbbu}, \keyindex{tbbbbl}, \keyindex{tbbbbbu}
-and \keyindex{tbbbbbl}.
-
-\medskip The symmetrical pattern is also possible. For example:
-
-\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures
-\debutextrait\normal
-\Notes\ibbl0j0\rlap{\qsk\tbbl0}\qb0j\tbl0\qb0j\enotes
-\finextrait
-\end{music}
-
-\noindent has been coded as:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\Notes\ibbl0j0\rlap{\qsk\tbbl0}\qb0j\tbl0\qb0j\enotes
-\end{verbatim}\end{quote}
-
-
-\medskip \noindent{\sl REMARK: these codings may seem complicated. In fact,
-it is the responsibility of the user to define macros which perform the most
-common sequences in his masterpiece. For example, one could define sets of
-four sixteenths by the macro:}
-
-\medskip{\Bslash def\bslash qqh\#1\#2\#3\#4\#5\{\%
-
-\bslash ibbl0\#2\#1\bslash qh \#2\bslash qh \#3\bslash tbl0\bslash qh \#4\}}
-
-\medskip\noindent{\sl
-where the first argument is the slope and the other four arguments are the
-pitches of the four consecutive sixteenths wanted.}
- %\check
-\subsection{Repeated pattern beams}\index{repeated patterns}
- Note heads hanging on beams are not necessarily quarter (or higher order)
-note heads. It is possible to hang half note heads on beams using
-\keyindex{hh} and \keyindex{hb} macros, e.g.:
-
-\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures
-\debutextrait\normal
-\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
-\Notes\ibbu0g0\hh0g\tbu0\hh0g\enotes
-\finextrait
-\end{music}
-
-\noindent has been coded as:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
-\Notes\ibbu0g0\hh0g\tbu0\hh0g\enotes
-\end{verbatim}\end{quote}
-
-It is also possible to write
-
-\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures
-\debutextrait\normal
-\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
-\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
-\finextrait
-\end{music}
-
-\noindent which was coded as:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
-\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
-\end{verbatim}\end{quote}
-
-\noindent However, a better look could be obtained in a more sophisticated
-way\footnote{You are suggested to make your own macro if you have to type many
-of these.}:
-
-\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax
-\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures
-\debutextrait\normal
-\Notes\zw j\qsk\ibbl0j3\sk\tbl0\wh l\enotes
-\Notes\ibbu0g3\wh g\tbu0\qsk\wh i\enotes
-\finextrait
-\end{music}
-
-\noindent which was simply coded as:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\Notes\zw j\qsk\ibbl0j3\sk\tbl0\wh l\enotes
-\Notes\ibbu0g3\wh g\tbu0\qsk\wh i\enotes
-\end{verbatim}\end{quote}
-
-
-\subsection{Semi-automatic beams}
- In order to avoid tedious checks to adjust the slope (and even the starting
-pitch) of beams in music with a lot of steep beams, a set of automatically
-slope computing has recently been implemented (file {\tty musicvbm.tex}). If
-you say {\Bslash Ibu2gj3} \musictex\ will understand that you want to
-build an upper beam (beam number 2) horizontally extending \hbox{3\Bslash
-noteskip}, the first note of which is a {\tty g} and the last note is a{\tty j}.
-Knowing these parameters it will choose the highest slope number which
-corresponds to a slope not more than $(\hbox{\tty j}-\hbox{\tty
-g})/(3\keyindex{noteskip})$. Moreover, if there is no sufficiently steep beam
-slope available, then it will raise the starting point.
-
-
-\medskip Ten such macros are available: \keyindex{Ibu}, \keyindex{Ibbu},
-\keyindex{Ibbbu}, \keyindex{Ibbbbu}, \keyindex{Ibbbbbu}, \keyindex{Ibl},
-\keyindex{Ibbl}, \keyindex{Ibbbl}, \keyindex{Ibbbbl} and \keyindex{Ibbbbbl}.
-Examples of their use is given in {\tty marcello.tex}.
-
-\par\penalty -8000
-\rm
- \section{Rests}
-
- Except that difference that they have no specific pitch, rests are coded in a
-very simple way.
-
-\subsection{ordinary rests}
-
- Full bar rests (also called ``pauses'') are coded as \keyindex{pause};
-smaller rests are \keyindex{hpause} (of duration equal to a \ital{half
-note}), \keyindex{soupir} (duration equal to a \ital{quarter note}),
-\keyindex{dsoupir} (duration equal to an \ital{eighth note}, also
-\keyindex{ds}), \keyindex{quartsoupir} (duration equal to an
-\ital{sixteenth note}, also \keyindex{qs}), \keyindex{huitsoupir} (duration
-equal to an \ital{thirtysecond note}, also \keyindex{hs}),
-\keyindex{seizsoupir} (duration equal to an \ital{sixty fourth note}, also
-\keyindex{qqs}).
-
- Long rests (lasting several bars) can be coded as \keyindex{PAuse}
-and \keyindex{PAUSe}, which respectively yield:
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\generalmeter{\meterfrac{4}{4}}\relax
-\debutextrait
-\normal\elemskip=0.115\hsize
-\temps\Notes\sk\PAuse\enotes
-\barre\Notes\sk\PAUSe\enotes
-\finextrait
- \end{music}
-
-\subsection{Lifted rests}
- All the previous rests are \ital{hboxes}; this means that they
-can be vertically offset to meet polyphonic music requirements using the
-standard \TeX\ command \keyindex{raise}.
-
- In addition, two symbols have been provided to put a \itxem{full rest} or a
-\itxem{half rest} above or below the staff. Then the ordinary \verb|\pause| or
-\verb|\hpause| cannot be used since there is a need for small horizontal line
-to distinguish between the full and the half rest. They are~:
- \begin{itemize}
- \item \keyindex{expause}~$p$ (spacing) for \hbox to 1.5em{\hss\expause 1\hss}
-at pitch position $p$,
- \item \keyindex{exhpause}~$p$ (spacing) for \hbox to 1.5em{\hss\exhpause 1\hss},
- \item \keyindex{zexpause}~$p$ (non spacing) for \hbox to 1.5em{\hss\zexpause 1\hss},
- \item \keyindex{zexhpause}~$p$ (non spacing) for \hbox to
-1.5em{\hss\zexhpause 1\hss}.
- \end{itemize}
-
- \section{Phantom notes}
-
-It may be interesting, when coding a sequence of notes within a unique pair
-{\Bslash notes...\bslash enotes}, to skip one note place in order -- for
-example -- to set the third note of one staff at the same abscissa as that of
-the second note of another staff. This can be done by inserting \keyindex{sk}
-which causes a spacing of one \keyindex{noteskip}\footnote{Do not use
-\keyindex{kern} nor \keyindex{hskip}~: in fact \keyindex{sk} not only causes
-a space but also records that space for correct handling of beams.}.
-
-\medskip If you just want to shift a note or a symbol by one note head width,
-you may write \keyindex{qsk}. However, if you want to offset a note by one
-note head width in a chord, you have better use the \keyindex{roff}
-macro\footnote{The reason for that pertains to \ixem{\musixtex} which might
-dilate or shrink the {\bslash \qsk} spacing while the {\bslash roff} offset is
-absolute.}.
-
-\medskip Note that these two latter macros must be used inside a pair {\tty
-\bslash notes...\bslash enotes}. If you want to make a spacing of one note
-head width outside, write \keyindex{nspace}. Conversely, a more general
-spacing is allowed within the {\Bslash notes...\bslash enotes} pairs, namely:
-
-\medskip{\tty\keyindex{off} $d$}
-
-\medskip\noindent where $d$ is any \TeX\ valid dimension, for example
-{\Bslash noteskip} or {\tty 5\bslash Interligne}. In fact, if you look to the
-\musictex\ source, you will find that {\Bslash off} is the basic control
-sequence used to define \keyindex{sk}, \keyindex{qsk}, etc.
-
-
-\section{Collective coding: sequences of notes}
-
-
-As seen in the {\sc Mozart} example, it is not necessary to write a macro
-sequence {\Bslash notes...\bslash enotes} for each column. If, on all
-staffs of all instruments, spacings are equal or multiple of a unique value,
-the notes may be concatenated in each staff: each note in each staff makes
-the current position horizontally advance by the elementary spacing specified
-by the choice of {\Bslash notes}, {\Bslash Notes}, {\Bslash
-NOtes}, etc.
-
-%\check
-
-
-
-\medskip The major interest of this feature resides in that fact that
-the note macros are able to write several items; for instance
-{\Bslash qu\{cdefghij\}} writes the \ital{C-major} scale in quarters with
-stem up. In the same way {\Bslash cl\{abcdef\^{ }gh\}} writes the
-\ital{A-minor} scale in eighths. Not all note generating macros can be used
-to perform collective coding, but most of them can. They are:
-
-\begin{itemize} \item all the spacing notes: \keyindex{wh}, \keyindex{hu},
-\keyindex{hl}... \keyindex{ccccl} and the beam hooked notes, i.e.
-\keyindex{qh}$n$ and \keyindex{qb}$n$. \item all the chord notes with names
-of the form {\Bslash z...}. \end{itemize}
-
- Conversely, shifted notes are not supposed to be used in collective coding,
-mainly because they are used in very special cases which do not deserve
-wasting memory space to make them collective.
-
-\medskip If necessary a void space can be inserted in a collective coding by
-using {\tty*}\index{*}.
-
-
-%\check
-\section{Accidentals}
-
-
-Accidentals can be introduced in two ways.
-
-\medskip The first way, the \ital{manual} way of coding them, consists for
-example in coding {\tty\keyindex{fl} a} to put a \ital{flat} at the pitch $a$,
-supposedly before the further note of that pitch. There is no control upon
-the fact that a note will be put at this position and at this pitch.
-Naturals, sharps, double flats and double sharps are coded \keyindex{na}~$p$,
-\keyindex{sh}~$p$, \keyindex{dfl}~$p$ and \keyindex{dsh}~$p$ respectively.
-
-\medskip
-Alternate procedures \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh},
-\keyindex{ldfl} and \keyindex{ldsh}
-place the same accidentals, but their abscissa is shifted one note head width
-on the left. The purpose of this is to avoid collision of accidentals
-in a chord with narrow intervals.
-
-\medskip
-%\check
- The second way of coding accidentals consists in putting the symbol {\tty
-\^{ }} (sharp), the symbol {\tty\_} (flat), the symbol {\tty=} (natural), the
-symbol {\tty>\relax} (double sharp), or the symbol {\tty<\relax} (double
-flat) within the coding of the note, e.g.: {\Bslash qh\{\^{ }g\}} yields a
-$G\sharp$. This may very well be combined with collective coding, e.g.:
-{\Bslash qu\{ac\^{ }d\}}.
-
-
-\medskip Two sizes are available for accidentals. They revert to the small
-version when notes are supposed to be too close to each other. These two
-sizes can be forces by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or
-\keyindex{smallfl}, \keyindex{smallsh}, etc. If one does not want to have any
-small accidentals, then one can declare \keyindex{bigaccid} (conversely
-\keyindex{smallaccid} or \keyindex{varaccid} -- the latter restoring variable
-sizes).
-
-
-\medskip Small accidentals can also be put \ital{above} the note
-heads. This is done using \keyindex{uppersh}~$p$, \keyindex{upperna}~$p$ or
-\keyindex{upperfl}~$p$:
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\debutextrait
-\normal
-\temps\NOtes\sk\uppersh l\ql l\enotes
-\temps\NOtes\upperna m\ql m\enotes
-\temps\NOtes\upperfl l\ql l\enotes
-\finextrait
- \end{music}
-
- It also possible to introduce \ital{\ixem{cautionary accidental}s} on a
-score, i.e.\ small size accidentals between parentheses. This done by preceding
-the name of the accidental keyword by a {\tty c}, e.g.
-by coding {\tty\keyindex{cfl}}$p$ to get a cautionary flat.
- Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, \keyindex{cna},
-\keyindex{cdfl} and \keyindex{cdsh}, which give:
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\debutextrait
-\normal
-\temps\NOtes\sk\csh g\qu g\enotes
-\temps\NOtes\cfl h\qu h\enotes
-\temps\NOtes\cna i\qu i\enotes
-\temps\NOtes\cdfl j\qu j\enotes
-\temps\NOtes\cdsh k\qu k\enotes
-\finextrait
- \end{music}
-
- Since cautionary accidentals are wider
-that normal ones, it might be useful to insert some spacing before them, either
-using \keyindex{temps} or a \keyindex{sk} within a {\Bslash notes...\bslash
-enotes} group.
-
-
- \section{Transposition and octaviation}
-
-
-An important feature is the existence of a special register
-\keyindex{transpose} the normal value of which is 0. If you say
-
-\medskip
-{\Bslash transpose=3}
-
-\medskip\rm\noindent all subsequent pitches specified by
-upper or lower case letters will be transposed 3 positions. If you set
-\keyindex{transpose} to 7 you may write your music one octave below its final
-pitch. Thus, you can define \ital{octaviation} macros like
-%\check
-
-\medskip
-\Bslash def\bslash soqu\#1\{\bslash zq\{\#1\}\{\bslash transpose=7\bslash relax
-\bslash qu\{\#1\}\}\}
-
-\medskip\rm\noindent to build quarter note octaves in a single call. Note
-that the octaviated note is coded within braces so that the transposition
-is only local.
-%\check
-
-
-\medskip
- \ital{Octaviation}\index{octaviation} can also be performed in is another
-way, namely unsing special codes to transpose by multiples of 7 intervals.
-For example {\Bslash qu\{'ab\}} is equivalent to {\Bslash qu\{hi\}} and
-{\Bslash qu\{\`{}kl\}} is equivalent to {\Bslash qu\{de\}}. It should be
-emphasized here that the {\tty'} (\itxem{acute accent}) and the {\tty\`{}}
-(\itxem{grave accent}) have cumulative effects, so that {\Bslash qu\{''A'A\}}
-is equivalent to {\Bslash qu\{ah\}} and that the {\Bslash transpose}
-parameter is only reset to its initial value (not necessarily zero) when
-changing staff or instrument (i.e. {\tty \|} or {\tty \&}) or at {\Bslash
-enotes}. Since this may be confusing, it is useful to use the {\tty !} prefix
-to reset the {\Bslash transpose} register explicitely to the value it had
-when entering {\Bslash notes}\footnote{This value is saved in another
-register named \keyindex{normaltranspose}.}. Thus {\Bslash qu\{!a'a\}} always
-gives the note {\tty a} and its upper octave {\tty h} \ital{shifted by the
-value of {\Bslash transpose} at the beginning of the current} \noindent
-{\Bslash notes...\bslash enotes} group (or {\Bslash Notes...\bslash enotes},
-etc.) whatever the number of previous grave and acute accents occurring
-inbetween.
-
-\medskip
- The above processes indeed change the vertical position of the note heads
-and associated symbols (note stems, accents and beams) but they do not
-take care of the necessary changes of accidentals when transposing, i.e. the
-fact that an $F\sharp$ occurring with a zero signature should become a
-$B\natural$ when transposing from the tonality of $C$ major to $F$ major where
-the normal $B$ is the $B\flat$. Since the intent of the composer is not
-obvious -- he may want to shift a group of notes within the same tonality
-or conversely to transpose it in another tonality -- this is not done
-automatically. Thus the \keyindex{sh}, \keyindex{fl}, \keyindex{na}, \keyindex{dsh} and
-\keyindex{dfl} symbols \ital{are not affected} by a change of the \keyindex{transpose}
-register.
-
-
-\medskip
- But the composer/typesetter may ask \musictex\ to do that work. In this
-case, he should code \keyindex{Sh}, \keyindex{Fl}, \keyindex{Na},
-\keyindex{dSh} and \keyindex{dFl} (or \keyindex{bigSh}, \keyindex{bigFl},
-\keyindex{bigNa}, \keyindex{bigdSh} and \keyindex{bigdFl} or
-\keyindex{smallSh}, \keyindex{smallFl}, \keyindex{smallNa},
-\keyindex{smalldSh}, \keyindex{smalldFl}, \keyindex{cSh}, \keyindex{cFl},
-\keyindex{cNa}, \keyindex{cdSh} and \keyindex{cdFl}) instead of the usual
-lower case accidental symbols. The symbol \keyindex{Sh} (resp.
-\keyindex{bigSh} and \keyindex{smallSh}) means that the corresponding pitch
-has to be raised by \ital{one half pitch} with respect to its normal value
-\ital{according to the current signature}. Thus {\Bslash Sh b} means a
-$B\sharp$ if the signature is zero or positive, and a $B\natural$ if it is
-negative. The same logic applies for all accidentals having an upper case
-forelast letter.
-
-
-\medskip
- Obviously, the computation is done after taking account of the value of
-the \keyindex{transpose} register.
-
-
-\medskip The compact codes {\tty \^{}}, {\tty \_}, {\tty =} are normally not
-affected by transposition and signatures, but their behaviour can be changed
-by saying \keyindex{relativeaccidentals} and reset by
-\keyindex{absoluteaccidentals} (the default situation).
-
-%\check
-
-
-\medskip Although \ital{relative accidental coding} is an easy and safe way
-of coding \ital{transposable} scores, care should be exercised in getting rid
-of the habit of saying {\Bslash na b} to rise the pitch of a $B$ when the
-tonality is $F$ major (i.e. with {\tty\keyindex{sign$n$}=-1} or
-{\tty\keyindex{generalsignature}\{-1\}}). An example of sophisticated
-transposition is given in the score {\tty souvenir.tex} (which {\Bslash
-input}s {\tty souvenix.tex}). It should be noted that \ital{relative accidental
-coding} is compatible with \itxem{cautionary accidental} coding: in this
-case, one should code \keyindex{cNa}, \keyindex{cSh}, \keyindex{cFl},
-\keyindex{cdSh}, \keyindex{cdFl} respectively.
-
-\medskip
- Besides, the typical piano octave transposition \hbox{\sl 8 - - - - - } can
-be obtained by coding:
-
-%\check
-\medskip \keyindex{octfin} $p$ $n$
-
-\medskip\noindent which puts the 8 and dotted line symbols at the pitch $p$
-(usually {\tty p} to {\tty r}). The length is $n$\keyindex{noteskip}. This
-obviously fit for short octaviation denotations. To transpose a whole line,
-use \keyindex{octline}~$p$. Since \keyindex{octfin} terminates with a small
-hook down, to indicate clearly where octaviation stops, you may also like to
-use \keyindex{octsup} which behaves like \keyindex{octfin} without the final
-hook. All this supposes you have an idea of the actual line breaking of your
-score in that section, and this is admittedly difficult to handle when octave
-transposition is supposed to long a large number of lines. In that latter
-case, you can use the {\Bslash def\keyindex{everystaff}\{...\}} to insert
-whatever code you like at each new line of score. This has been used to set
-octaviation in the score of the \ital{Toccata in F} by Charles-Marie
-\index{Widor, C.-M.}{\sc Widor}\footnote{A French organist (1844-1937) and
-composer who was in charge of the organ of St-Sulpice in Paris, from 1864 to
-1934.}: at each bar (or virtual bar, namely \keyindex{zbarre}), the {\Bslash
-everystaff} procedure is updated to produce the convenient code, in case of
-the line breaking happening before the next definition.
-%\check
-
- \section{Ties and slurs}
-
- They have been implemented in a way which may look
-rather ugly, but we think it is the only way of implementing \ital{in one
-pass} ties and slurs which run \ital{across glue}.
-
-
-\medskip Slurs and ties must be initiated within the pair {\Bslash
-notes...\bslash notes} before the spacing note is coded. They must be
-terminated also before the last note is coded.
-
-
-\medskip\keyindex{itenu}~$np$
-
-
-\medskip\noindent\rm (\ital{ten} stands for the Italian word \ital{tenuto})
-initiates an upper tie (convex) at pitch $p$. Just like beams, ties have a
-reference number $n$, from 0 to 6 (or 9 if {\tty musicadd} is included).
-\keyindex{itenl}~$np$ initiates a lower tie (concave).
-
-
-\medskip The tie of reference number $n$ is terminated by
-\keyindex{tten}~$n$.
-
-
-\medskip Slurs are initiated with \keyindex{ilegu}~$np$ and
-\keyindex{ilegl}~$np$, where \ital{leg} stands for the Italian word
-\ital{legato}, and they are terminated with \keyindex{tleg}~$n$. Except that
-slurs start before the note position and stop after, ties and slurs work the
-same way with the same syntax. They also share the same registers so that
-slurs nesting tied notes should have numbers $n$ distinct from each other.
-\subsection{Standard and nicer slurs}
-
-\medskip Since version 4.7, beginnings and ends of slurs are produced using
-a special font ({\tty slurn16} or {\tty slurn20}) rather than using \TeX\
-bracing tokens from {\tty cmex10}. Thus the bending of slurs is now nicer and,
-moreover, several slur sizes are available. For example:
-
-\begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\debutextrait
-\normal
-\temps\NOtes\Ilegu0l\qu g\enotes
-\NOtes\qu h\enotes
-\NOtes\ql i\enotes
-\NOtes\tleg0\ql j\enotes
-\finextrait
- \end{music}
-
-\noindent has been coded using \keyindex{Ilegu} rather than \keyindex{ilegu}
-(resp.\ using \keyindex{Ilegl} rather than \keyindex{ilegl} if a lower slur
-is wanted), namely:
-
-\begin{quote}\begin{verbatim}
-\NOtes\Ilegu0l\qu g\enotes
-\NOtes\qu h\enotes
-\NOtes\ql i\enotes
-\NOtes\tleg0\ql j\enotes
-\end{verbatim}\end{quote}
-
- It should to be noted that, as a standard, \itxem{ties} still use the \TeX\
-bracing symbols; this is mainly done to avoid visibility problems with ties
-occurring in the middle of staffs, i.e. in a situation where tie lines could
-overlap and be confused with staff lines. But the \musictex\ user can request
-using special slur fonts by coding \keyindex{Itenu} or \keyindex{Itenl}
-instead of \keyindex{itenu} or \keyindex{itenl}. Even more, big symbol ties
-are available using \keyindex{ITenu} or \keyindex{ITenl}.
-
-\medskip As a standard, only two slur and tie symbol sizes are referred by
-\musictex\ macros, but a quick look into {\tty musicnft.tex} show that these
-definitions explicitely refer to a character number of the slur font:
-
-\begin{quote}\begin{verbatim}
-\def\ITenu#1{\selecttenue{#1}\I@tenu{70}}%
-\def\Ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\I@tenu{70}{#2}}}%
-\def\Itenu#1{\selecttenue{#1}\I@tenu{66}}%
-\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\I@tenu{66}{#2}}}%
-\end{verbatim}\end{quote}
-
- Then the \musictex\ user can, for his own special needs, define new macros
-using other character codes in the range 64--79, knowing that each character
-of this range is one point longer than the previous one.
-
-\subsection{Problem with large slur ends}
-
-Due to spacing problems, it may happen that the end of an \keyindex{Ilegu} or
-\keyindex{Ilegl} makses some ugly overlap between the currrent slur
-horizontal rule and the ending symbol itself. This is due to the ending
-symbol being so long that it overlaps the end of the horizontal rule. The
-easiest way of removing that slight trouble consists in replacing --- for
-example --- {\tty\keyindex{tleg}0} with the more sophisticated commands~:
-
-\medskip\verb|\rlap{\qsk\tleg0}|
-
-\medskip\noindent which delays the position of the closing slur symbol by a
-space equal to the note head width.
-
-\subsection{Weird slurs and ties}
-
-In some special cases, usually in romantic music, one may want to invert the
-sense of a slur, linking for example a keyboard phrase beginning at the left
-hand and ending at the right hand. Thus, the slur of number $n$ (a numeric
-vamue, not a roman numeral) can be inverted
-by
-
-\medskip\keyindex{Invertslur} $n$
-
-\medskip Besides, for some good reason, one may want to raise a slur at the
-next line. This is done by
-
-\medskip\verb|\def\atnextline{|\keyindex{liftslur} $n$\verb|{|
-\ital{dimension} \verb|}}|
-
-\medskip\noindent which will lift the slur number $n$ by the given amount at
-the next line change. Of course, \keyindex{liftslur} could be called in the middle
-of a line, but the result would be rather ugly.
-
-These two features are used at bars number 131--132 of examples {\tty
-PACIFIQB} and {\tty PACIFIQN}.
-
-\subsection{Refined slurs for clever typesetters}
- In addition to the previous extension and improvement of existing features,
-long nice horizontal slurs are also available, but they can be used only with
-two restrictions:
-
-\begin{itemize}
-
-\item They are not managed when \itxem{glue} is inserted, especially by
-\keyindex{temps} and \keyindex{barre};
-
-\item They cannot be cut at line breaking.
-
-\end{itemize}
-
- Thus, their use is recommended only for nice slurs extending a few bars and
-not supposed to occur across lines. With this restrictions,
-
-\begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\debutextrait
-\normal
-\temps\NOtes\zcharnote l{\huslur{3.5\noteskip}}\qu g\enotes
-\NOtes\qu h\enotes
-\NOtes\ql i\enotes
-\NOtes\ql j\enotes
-\finextrait
-\end{music}
-
-\noindent has been obtained by coding:
-
-\begin{quote}\begin{verbatim}
-\NOtes\zcharnote l{\huslur{3.5\noteskip}}\qu g\enotes
-\NOtes\qu h\enotes
-\NOtes\ql i\enotes
-\NOtes\ql j\enotes
-\end{verbatim}\end{quote}
-
-However, the best solution is now to use \ixem{\musixtex} which systematically
-makes beautiful slurs, at the cost of a three pass system instead of one...
-
-\section{Bars}
-
-\subsection{Bars and spacing}
-
-
- Ordinary \ital{bars} a coded using the macro \keyindex{barre} (this is a
-French word\footnote{Whose advantage is that it differs from {\Bslash
-bar} which is already defined in \TeX.}). This macro provides an optional
-(discretionary) line or page break\footnote{Unless it is triggered according
-to bar counting when \keyindex{autolines} has been invoked.}. It also
-provides some \ital{glue} in order to expand the text over an evenly filled
-line.
-
-
-\medskip However, since the number of bars in a score line is generally
-small, it may be convenient to allow \ital{glue} not only on each sides of
-\ital{bars}. This can be done using the macro \keyindex{temps} (the
-French word for \ital{beat}). This macro has two effects:
-
-\begin{enumerate}
- \item it inserts some \ital{glue} but prevents line breaking\footnote{This
-could unpleasantly occur if you insert a space...},
- \item if some ties or slurs are pending it expands them across the glue by
-writing an \keyindex{hrule} which overlaps the unfinished tie and makes it
-look prolongated.
- \end{enumerate}
-
-
-\medskip
- Whatever the care you exercize in adjusting the size of the
-\keyindex{elemskip}, you are still likely to find some broken ties (which
-indicate excessive glue disassembling the gliding tie \keyindex{hrule}s) or
-some unexpected (and unwanted) line breaks or some Over[aw]full
-\keyindex{hbox}es. A useful means of estimating the remaining space to be
-filled with glue consists in declaring \keyindex{raggedlinestrue}~: after
-that, an \keyindex{hfil} will be inserted by \musictex\ before each computed
-(when using \keyindex{autolines}) or forced line break. Thus, all the musical
-text will be packed on the left of the line and you will clearly see the
-amount of remaining space. Then, it will be up to you do decide changing some
-spacing parameters.
-
-
-\medskip\noindent{\bf Important: \sl do not use \keyindex{temps} when
-\ital{beams} are pending, otherwise their spatial synchronization would fail.
- In other words, ties and slurs can jump over glue (because horizontal rules
-may overlap and thus have some elasticity) but beams (as well as any oblique
-lines) cannot.}
-
-\subsection{Bar numbering}
-\rm Unless otherwise specified, \index{bar numbering}bars are
-numbered. This is a good means of finding errors provided that the Music\TeX\
-user has put comments in his source text recording the (expected) bar number.
-However, this can look unpleasant for final outputs, since the habit is to
-number bars only each other five or ten bars. This is not a serious problem
-since the frequency of bar numbering is defined as:
-
-\medskip{\Bslash def\keyindex{freqbarno}\{1\}}
-
-\medskip
-If you replace the {\tty 1} by {\tty 5}, bar numbering will occur each other five
-bars. You can also inhibit any bar number printing by telling:
-
-\medskip{\Bslash def\bslash wbarno\{\}}
-
-\medskip\noindent or, in a more clever way:
-
-\medskip{\Bslash def\bslash freqbarno\{9999\}}.
-
-\medskip The bar counter is also accessible, its name is \keyindex{barno}.
-This has nothing to do the the bar counting invoked by \keyindex{autolines},
-so you can change it without any dramatic consequence.
-
-\subsection{Full and instrument divided bars}
- Normally, bars (as well as double bars, final bars and repeat bars) are
-drawn as a continuous line, starting for the bottom of the lower staff of the
-lower instrument, and ending at the top of the upper staff of the upper
-instrument. However, one may want to have discontinuous bars, that is, one
-continuous bar for all the staffs of a unique instrument. This is done by
-issuing the command \keyindex{sepbarrules}. An example of this is given in the
-{\tty ANGESCAO} (or {\tty ANGESCAM}) example; it has also been used in the
-example of section \ref{avemaria}.
-
- The initial situation can be forced or restored by
-\keyindex{stdbarrules}.
-
-\section{Line and page breaking}\label{linepagebreak}
-
-
-Bars provide a line breaking mechanism which is supposed to enable \TeX\
-to break a full score into lines and pages, with an optimal distribution
-of the text into lines and pages. Unfortunately, this does not work
-correctly for scores of more that approximately one page. The reason is
-that \TeX\ must compile the entire contents of a paragraph, before it
-tries to break it into lines and pages. Therefore, one cannot rely on \TeX\
-to make that work which automatically results in the diagnostic {\tty TeX
-capacity exceeded, memory...}.
-%\check
-
-
-\medskip To circumvent this dramatically restrictive capacity\footnote{\TeX\
-has been designed to type text, not music.} unless you use some
-Big\TeX\footnote{Whose drawback is that it is very slow on ordinary PCs.}
-another mechanism must be invoked to break lines.\index{Big\protect\TeX}
-
-
-\medskip The first one is the manual one: you replace some of the {\Bslash
-barre} macro calls by either \keyindex{alaligne} (equivalent to
-\keyindex{break} within text: in fact it contains a \keyindex{break} plus
-some (many) other things). In the same way, you can code {\Bslash alapage} to
-force an \keyindex{eject} with proper reinitialization of staffs, clefs and
-signatures.
-
-
-\medskip The second one is fit for scores with
-bars of regular length: after \keyindex{debutmorceau}, you code the
-following macro:
-
-
-\medskip\Bslash autolines $tml$
-
-\medskip\noindent\rm where $t$ is the number of \ital{elementary spacings}
-(the length of {\Bslash notes...\bslash enotes}) in an average bar, $m$ is
-the number of bars you wish in a line and $l$ is the number of lines you wish
-in a page\footnote{After having coded nearly one hundred of pages of music, I
-strongly recommend the use of \keyindex{autolines} except when inserting
-short excerpts of less than one line, such as in musicographic books.}.
-
-\medskip This sets some parameters, namely \keyindex{maxbarsinline} and
-\keyindex{maxlinesinpage} which are simply used to count the bars, optionally
-perform \keyindex{alaligne} or \keyindex{alapage} instead of the normal
-\keyindex{barre}. You may freely alter the values of these parameters, once
-they have been established by \keyindex{autolines}. Moreover, you can still
-force line breaking of page ejection using {\Bslash alaligne} or
-\keyindex{alapage} without problem since these macros actually reset the bar
-counters appropriately.
-
-
-\medskip On the other hand, you may want to forbid line breaking at a bar,
-then you replace {\Bslash barre} by \keyindex{xbarre}.
-
-
-\medskip Conversely, you may want to
-break a line \ital{not at a bar}\footnote{For example, you may prefer to turn
-the page at a place where the pianist has one hand free.}. This is allowed by
-\keyindex{zbarre} (optional line break) or forced by {\Bslash
-zalaligne} or \keyindex{zalapage}.
-
-
-\medskip
-The final heavy double bar of a piece is provided by \keyindex{finmorceau}.
-If you just want to terminate the text with a simple bar, you say
-\keyindex{suspmorceau}. If you want to terminate it without a bar, you code
-\keyindex{zsuspmorceau}. Once you have stopped the score by any of these
-means, you can restart it using \keyindex{reprmorceau}.
-
-However, using {\Bslash reprmorceau} after a {\Bslash finmorceau} may have a
-little drawback: if {\Bslash finmorceau} occurs at the bottom of a page
-defined by \keyindex{autolines}, it does not cause a page break which could
-lead to en empty page after the end of the piece but, conversely, this might
-cause another trouble if this only was the end of a scora part, not the end of
-the whole score. Therefore, an alternate command has been provided, namely
-\keyindex{Suspmorceau} which duly performs the page break, in order to be
-ready to score another part of a complex peace. Thus, as a rule~:
-
-\begin{itemize}
- \item use \keyindex{finmorceau} at the very end of your score,
- \item use \keyindex{Suspmorceau} at the end of the parts of a complex piece.
-
-\end{itemize}
-
-
-\medskip If you want the next vertical bar to be a double bar, you have to
-declare \keyindex{setdoublebar} before the \keyindex{barre} (or the
-\keyindex{suspmorceau} or \keyindex{alaligne} or \keyindex{alapage}) to be
-marked with a double thin bar.
-
-
-\section{Changing score attributes}
-
-
- As seen before, you can change the
-signature of the whole set of instruments by \keyindex{generalsignature}~$n$
-where $n>0$ means a number of sharps, $n<0$ means a number of flats. Or, you
-may prefer to change the signature of only one or two instruments by the
-statement:
-
-
-\medskip\Bslash sign$r$=$s$
-
-\medskip\rm\noindent
- %\check
- where $r$ is the roman numeral of the instrument considered, and $s$ its
-specific signature. Since you may change simultaneously (with respect to the
-score) but consecutively (with respect to your code) the signatures of
-several instruments, this change takes place only when you say
-\keyindex{changesignature} (within a bar) or \keyindex{changecontext} (after
-a single vertical rule) or \keyindex{Changecontext} (after a double vertical
-rule).
-%\check
- In the same way, you may want to change the active clefs.
-This is done by
-
-\medskip\tty\keyindex{cleftoks$r$}=\{\{$s1$\}\{$s2$\}\{$s3$\}\{$s4$\}\}\%
-
-\medskip\rm\noindent where $r$ is the roman numeral of the instrument, $s1$
-specifies the clef of the lower staff, $s2$ the clef of the second staff,
-etc. One must always give four values with the above syntax, otherwise\dots\
-$s1=6$ means the \ital{bass} clef (\ixem{clef de fa} in French), $s1=0$ means
-the \ital{violin} clef (\ixem{clef de sol} in French), $s1=1$ through $s1=5$
-mean the \ital{alto} clef (\ixem{clef d'ut} in French) set on first (lower)
-through fifth (upper line of the staff). \index{violin clef}\index{bass
-clef}\index{alto clef}
- As seen above in the case of signatures, several clefs may be changed at the
-same time; thus all the clef changes become operational only when the macro
-\keyindex{changeclefs} is coded. Normal usage consists in issuing this
-command before the bar, not after (this helps the music player when the
-change happens across a line break).
-
- The \verb|\changeclefs| command normally takes some horizontal space to put
-one of more clef symbols, but it may happen that you have no notes
-immediately before on the staff whose clef is changed. In that case, you can
-use \keyindex{zchangeclefs} which performs the same posting, overwritten left on
-the last part of the score in that staff. Of course it is your responsability
-to ensure that no notes will collide with the clef change symbols.
- %\check
-
- Caution should be exercized changing clefs when \itxem{beams} are pending:
-in fact the \verb|\changeclefs| and \verb|\zchangeclefs| perturbate the
-computation of beams and this command should be invoked only
- \begin{itemize}
- \item out of {\Bslash notes}, {\Bslash Notes}... --- {\Bslash enotes} pairs;
- \item only when no beam is pending\footnote{No problem with slurs and ties.}.
-\end{itemize}
-
-If a clef change has to be typeset when one or several beams are pending, the
-operation should be done in a more manual way:
-\begin{itemize}
- \item say \keyindex{saveclefs} instead of \keyindex{changeclefs}~:
-This actually records the \keyindex{cleftoks$r$} statement and no further
-{\Bslash changeclefs} will repeat the clef change; the new clef will not
-be typeset by \verb|\saveclefs| itself but rather by the next \verb|\notes| or
-\verb|\Notes| command;
- \item say \verb|\charnote0{\smallclefdesol}| (resp.
-\verb|\charnote0{\smallclefdefa}| or \verb|\charnote0{\smallclefdut}|) where
-you like it and at the right staff (i.e. within {\Bslash notes}, {\Bslash
-Notes}... --- {\Bslash enotes} pairs) to type set the wanted clef symbol.
- \end{itemize}
- As an example, an excerpt of {\sc Brahms}'s Intermezzo op.~117,1 provided by
-Miguel {\sc Filgueiras}:\index{Brahms}
-
-\begin{music}
-\parindent 1cm
-\def\nbinstruments{1}\relax
-\def\freqbarno{9999}% no bar numbers
-\nbporteesi=2\relax
-\cleftoksi={6000}% F- and G-clefs
-\generalsignature{-3}% 3 flats
-\relax
-\debutextrait
-\normal
-\off{1em}\temps\Notes\larpeggio{E}5\zq{EI}\qu{N}\charnote0{\smallclefdesol}\relax
-\nextstaff\qsk\ibl0e{-1}\zq{eg}\qb0l\zq{d}\qb0k\enotes
-\cleftoksi={0000}\saveclefs\Notes\tbu0\zq{ce}\qh0j\relax
-\nextstaff\zq{sn}\cl{l}\enotes
-\Notes\zq{be}\qu{i}\nextstaff\zq{sn}\ql{l}\enotes
-\cleftoksi={6000}\changeclefs\Notes\zq{E}\cu{I}\relax
-\nextstaff\ibbu1h{-1}\zq{ae}\qh1h\tbu1\zq{N}\qh1g\enotes
-\finextrait
- \end{music}
-\noindent which was coded as:
- \begin{verbatim}
-\begin{music}
-\def\nbinstruments{1}\relax
-\def\freqbarno{9999}% no bar numbers
-\nbporteesi=2\relax
-\cleftoksi={6000}\generalsignature{-3}% 3 flats
-\debutextrait
-\normal
-\off{1em}\temps\Notes\larpeggio{E}5\zq{EI}\qu{N}%
-\charnote0{\smallclefdesol}\relax
-\nextstaff\qsk\ibl0e{-1}\zq{eg}\qb0l\zq{d}\qb0k\enotes
-\cleftoksi={0000}\saveclefs\Notes\tbu0\zq{ce}\qh0j\relax
-\nextstaff\zq{sn}\cl{l}\enotes
-\Notes\zq{be}\qu{i}\nextstaff\zq{sn}\ql{l}\enotes
-\cleftoksi={6000}\changeclefs\Notes\zq{E}\cu{I}\relax
-\nextstaff\ibbu1h{-1}\zq{ae}\qh1h\tbu1\zq{N}\qh1g\enotes
-\finextrait
-\end{music}
- \end{verbatim}
-
-\medskip \ital{Meter} changes are implemented the same way:
-
-\medskip\Bslash metertoks$r$=\{\{$m1$\}\{$m2$\}\{$m3$\}\{$m4$\}\}\%
-
-\medskip\rm\noindent
- where $r$ is the roman numeral of the instrument, $m1$ specifies the meter
-of the lower staff, $m2$ the meter of the second staff, etc. One must always
-give four values with the above syntax, otherwise\dots\ Since meter changes
-are meaningful only across bars, they are actually taken in account with
-\keyindex{changecontext} or \keyindex{Changecontext} or \keyindex{alaligne}
-or \keyindex{alapage}.
-
-
-\section{Repeats}
-%\check
-
-
- To insert a \ital{repeat bar} you can use several sets of procedures.
-
-\subsection{Elementary and unsafe solutions} The
-simplest consists in using the commands \keyindex{leftrepeatsymbol},
-\keyindex{rightrepeatsymbol} and \keyindex{leftrightrepeatsymbol} -- coded
-outside the {\Bslash notes...\bslash enotes} pairs -- which will simply
-insert these colon adorned double bars at the requested place. For example:
-
-\begin{music}
- \def\nbinstruments{1}
- \generalsignature{0}\savesignature
- \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax
- \debutextrait\normal
- \notes\hu g\enotes
- \leftrepeatsymbol
- \notes\hu h\enotes
- \leftrightrepeatsymbol
- \notes\hu i\enotes
- \rightrepeatsymbol
- \Notes\wh j\enotes
- \finextrait
-\end{music}
-
- \noindent has been coded as:
-%\check
-
-
-\begin{quote}\begin{verbatim}
-\notes\hu g\enotes
-\leftrepeatsymbol
-\notes\hu h\enotes
-\leftrightrepeatsymbol
-\notes\hu i\enotes
-\rightrepeatsymbol
-\Notes\wh j\enotes
-\end{verbatim}\end{quote}
-
-\medskip
- However, the previous way of coding does not provide for line breaking
-at repeat bars, nor does it advance the bar numbering. In fact, this way of
-coding if only fit for repeats occurring in the middle of a bar.
-
-
-\medskip A second way of coding consists in saying \keyindex{setleftrepeat},
-\keyindex{setrightrepeat} or \keyindex{setleftrightrepeat} before a bar
-(\keyindex{barre}), \keyindex{suspmorceau} or \keyindex{changecontext}). In
-this case, the next single\footnote{\keyindex{setrightrepeat} does not change
-the effect of \keyindex{finmorceau}; in that case use
-\keyindex{finrightrepeat}.} vertical bar will be replaced with the selected
-repeat bar. This meets the traditional music typesetting conventions in the
-only case of the \ital{right repeat} but, unfortunately, left and left/right
-repeats use to behave in a different manner when in the middle of a line and
-at a line break.
-
-
-\subsection{Safe and correct coding} The third coding, namely the correct coding -- i.e. transforming in
-the correct manner when occurring at a line break -- is obtained by
-substituting the \keyindex{barre} command with \keyindex{leftrepeat},
-\keyindex{rightrepeat} and \keyindex{leftrightrepeat}.
-%\check
-
-
-\medskip
- Now, if you want to force a new line at a repeat, you should code
-respectively:
-
-
-\medskip\keyindex{setrightrepeat}\keyindex{alaligne}
-
- \keyindex{setrightrepeat}\keyindex{suspmorceau}
-
- {\Bslash alaligne}\keyindex{leftrepeatsymbol}
-
- \keyindex{reprmorceau}\keyindex{leftrepeatsymbol}
-
- \keyindex{debutmorceau}\keyindex{leftrepeatsymbol}
-
-\medskip\noindent or the combination of two of these in the case of a
-left/right repeat.
-
-\subsection{Specific first and second pass scoring}
-
-A frequent situation consists in a long repeated score, but the last few bars
-are different at first pass and at second pass. This can be specified by
-saying \keyindex{setprimavolta} or \keyindex{setsecondavolta}\footnote{From
-the Italian \ital{prima volta} meaning ``first time'', and \ital{seconda
-volta} meaning ``second time''.} before the next \keyindex{barre} or
-\ital{repeat} (usually {\Bslash rightrepeatsymbol}). For example~:
-
-
-\begin{music}
- \def\nbinstruments{1}
- \generalsignature{0}\savesignature
- \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax
- \debutextrait\normal
- \Notes\qu {ghij}\enotes
- \setprimavolta\barre
- \Notes\qu {hijk}\enotes
- \setsecondavolta\setrightrepeat\barre
- \Notes\qu {ijkl}\enotes
- \barre
- \NOTes\wh j\enotes
- \finextrait
-\end{music}
-
- \noindent has been coded as:
-\begin{quote}\begin{verbatim}
- \def\nbinstruments{1}
- \generalsignature{0}\savesignature
- \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax
- \debutextrait\normal
- \Notes\qu {ghij}\enotes
- \setprimavolta\barre
- \Notes\qu {hijk}\enotes
- \setsecondavolta\setrightrepeat\barre
- \Notes\qu {ijkl}\enotes
- \barre
- \NOTes\wh j\enotes
- \finextrait
-\end{verbatim} \end{quote}
-
-The ``prima volta'' and ``seconda volta'' symbols are normally set at {\tty
-2\bslash Interligne} above the upper line of the staff, and one centimeter
-wide. If the music typesetter does not like that, he can issue for example:
-
-\medskip\keyindex{Setprimavolta}\verb|{4\Interligne}{0.78in}|
-
-\medskip\noindent where the first argument is the vertical offset, and the
-second one is the length of the upper horizontal line. A symmetrical feature is
-\keyindex{Setsecondavolta} with also two dimension arguments.
-
-Note that these special settings are only valid for one usage; after that,
-they are reset to the standard values.
-
-%\check
-\subsection{Large scope repeats} Large scope repeats have also been provided
-special symbols, namely using \keyindex{coda} and \keyindex{segno}~:
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\nbporteesi=1\relax
-\debutextrait
-\normal
-\notes\sk\enotes
-\temps\NOtes\coda l\enotes
-\temps\NOtes\segno l\enotes
-\finextrait
- \end{music}
-
-\medskip\noindent which have been coded:
-
-\begin{quote}\begin{verbatim}
-\NOtes\coda l\enotes
-\NOtes\segno l\enotes
-\end{verbatim}\end{quote}
-
-%\check
- \section{Miscellaneous}
-
-\subsection{Putting anything anywhere}
-
-Special macros are provided to help the composer to set any \TeX\
-text on the staffs. The macro
-
-\medskip\keyindex{charnote}~$p$\tty\{ {\rm text} \}
-
-\medskip\rm\noindent
-sets the given text with its base line at pitch $p$ of the current staff
-(this means it must be coded inside {\Bslash notes...\bslash enotes}).
-Whatever the length of the text, the spacing is \keyindex{noteskip}.
-If you do not want it to cause spacing, you code \keyindex{zcharnote}.
-If you want the possible spilling text to expand on the left rather than on the
-right, then you can use \keyindex{lcharnote}.
-%
-
-\medskip
-To place some text at the mid-position between the two staffs of
-a keyboard instrument, you may code:
-
-\medskip\tty\keyindex{midtwotext}\{ {\rm text} \}\ \ \% \rm (spacing)
-
-\medskip\tty\keyindex{zmidtwotext}\{ {\rm text} \}\ \ \% \rm (non spacing)
-
-\medskip\rm\noindent being however
-careful, a) to put it inside {\Bslash notes...\bslash enotes}, b) to code it in the
-text of the lower staff.
-
-\medskip A text to be put above the current staff is introduced by
-{\tty\keyindex{uptext}\{...\}}. This may however cause some collision with bar
-numbering or notes above the staff; it is then wise to use {\tty
-\keyindex{Uptext}\{...\}} which puts the text two pitches higher (recommended
-to post the tempo).
-
-\medskip
-The macro \keyindex{zcharnote} is fit for coding special notations like
-accents above or below the notes. It behaves like \keyindex{charnote} but
-causes no spacing.
-\subsection{Metronomic indications}
-
-Metronomic indication deserves a special macro. The mention:
- \par\centerline{\def\nbinstruments{0}\computewidths
-\metron{\hup}{60}}\smallskip\noindent
- is coded by {\tty\keyindex{metron}\{\bslash hup\}\{60\}} (normally embedded
-in \keyindex{Uptext} which is in turn embedded within {\Bslash
-notes...\bslash enotes}).
-
-
-
-\subsection{Usual ornaments}
-
-%\check
-\ital{Arpeggios} (i.e. \raise -4pt\hbox{\musicxx\char92}\ ) can be coded with
- the macro
-
-\medskip\keyindex{arpeggio} $pm$
-
-\medskip\rm\noindent where $p$ is the pitch of
-the base of the arpeggio symbol and $m$ is its multiplicity (one period is
-equal to one space between staff lines, i.e. 5 points). This macro causes
-a space of one note head width. If should be issued before the concerned
-chords. Its variant \keyindex{larpeggio} sets the arpeggio symbol slightly
-more on the left, in order to avoid collision with accidentals in front of
-the chords.
-
- Note the \keyindex{arpeggio} and \keyindex{larpeggio} make an extra spacing
-of width one notehead (i.e; \keyindex{qsk}) so that it is wise to insert a
-{\Bslash qsk} in the other staffs before notes which are syncrhonous to the
-arpeggiated note.
-
-\medskip \ital{Trills} can be coded in several ways. \keyindex{trille}~$l$
-(where $l$ is a \TeX\ dimension) yields \hbox{\trille{1cm}} while
-\keyindex{Trille}~$l$ (where $l$ is a \TeX\ dimension) yields
-\hbox{\Trille{2cm}}. To put these patterns at a given pitch, one may use
-\keyindex{xtrille}~$pl$ or \keyindex{xTrille}~$pl$. On the other hand
-\keyindex{ntrille}~$pn$ is equivalent to
-\keyindex{xtrille}~$p${\tty\{$n$\bslash noteskip\}} and
-\keyindex{nTrille}~$pn$ is equivalent to {\tty
-\keyindex{xTrille}~$p$\{$n$\bslash noteskip\}}
-
-
-\medskip Other \ital{ornaments} are available:
-
- \begin{itemize}
- \item \keyindex{mordant}~$p$ for \hbox to 1.5em{\mordant 0\hss},
- \item \keyindex{pince}~$p$ for \hbox to 1.5em{\pince 0\hss},
- \item \keyindex{Pince}~$p$ for \hbox to 1.5em{\Pince 0\hss},
- \item \keyindex{Lpince}~$p$ for \hbox to 2em{\hss\Lpince 0\hss} (thanks to A.
-{\sc Egler})\index{Egler, A.},
- \item \keyindex{Pincesw}~$p$ for \hbox to 2em{\hss\Pincesw 0\hss},
- \item \keyindex{Pincene}~$p$ for \hbox to 2em{\hss\Pincene 0\hss},
- \item \keyindex{Pincenw}~$p$ for \hbox to 2em{\hss\Pincenw 0\hss},
- \item \keyindex{turn}~$p$ for \hbox to 2.5em{\kern 0.6em\turn 0\hss},
- \item \keyindex{backturn}~$p$ for \hbox to 2.5em{\kern 0.6em\backturn 0\hss},
- \item \keyindex{upz}~$p$ (upper \ital{pizzicato}) to put a dot above a note
-head at pitch $p$,
- \item \keyindex{lpz}~$p$ (lower \ital{pizzicato}) to put a dot below a note
-head at pitch $p$,
- \item \keyindex{usf}~$p$ (upper \itxem{sforzando}) to put a $>$ accent above
-a note head at pitch $p$,
- \item \keyindex{lsf}~$p$ (lower \itxem{pizzicato}) to put a $>$ accent below
-a note head at pitch $p$,
- \item \keyindex{ust}~$p$ (upper \itxem{staccato} or \itxem{portato}) to put a
-hyphen above a note head at pitch $p$,
- \item \keyindex{lst}~$p$ (lower \ital{staccato} or \ital{portato}) to put a
-hyphen below a note head at pitch $p$,
- \item \keyindex{uppz}~$p$ (upper strong \ital{pizzicato}) to put an
-apostrophe above a note head at pitch $p$,
- \item \keyindex{lppz}~$p$ (lower strong \ital{pizzicato}) to put a reversed
-apostrophe below a note head at pitch $p$.
- \item \keyindex{pointdorgue}~$p$ puts a \itxem{fermata} (in French ``point
-d'orgue'') at pitch $p$. No spacing occurs.
- \item \keyindex{pointdurgue}~$p$ puts a reverse \ital{fermata} at the same
-place.
- \item \keyindex{PED} to insert the piano pedal command below the staff;
-pedal release is specified by \keyindex{DEP}; thus the following example
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\cleftoksi={{6}{0}{0}{0}}\relax
-\nbporteesi=2\relax
-\debutextrait
-\normal
-\temps\NOtes\qsk\PED\wh J|\qsk\qu h\enotes
-\temps\NOtes|\qu g\enotes
-\temps\NOtes|\hu k\enotes
-\temps\Notes\DEP\enotes
-\finextrait
- \end{music}
-
- \noindent was coded as:
-
-\begin{verbatim}
-\temps\NOtes\qsk\PED\wh J|\qsk\qu h\enotes
-\temps\NOtes|\qu g\enotes
-\temps\NOtes|\hu k\enotes
-\temps\Notes\DEP\enotes
-\end{verbatim}
-
- \end{itemize}
-
-%\check
-
-\subsection{New line synchronization of coding}
-
- The procedure named \keyindex{everystaff} is executed each time a new system
-is typed. It is normally void, but it can be defined (simply by {\Bslash
-def\keyindex{everystaff}\{...\}}) to tell \musictex\ to post anything
-reasonable at the beginning of each system. It was used in the example
-{NWIDOR} to post octaviation dashed lines at the end of the piece.
-
-
-\medskip
- The procedure named \keyindex{atnextline}, normally void, is executed at the
-next computed (through \keyindex{autolines}) or forced line break (using
-\keyindex{alaligne} or \keyindex{alapage}). More precisely, it is executed
-after the break and before the next system is typed. Thus it is fit for
-posting new definitions of layout parameters, when no system is
-pending\footnote{Its logic is similar to plain \TeX's \keyindex{vadjust}
-command.}.
-
- \medskip
- \index{tenor violin clef}In some scores, tenor parts are not code using the
-\ital{bass} clef, but using rather the \ital{violin clef} subscripted by a
-{\tty 8}. This is not directly supported by the \keyindex{cleftoks$r$}{\tty=}
-command, but it can be handled using \keyindex{everystaff} and \keyindex{zcharnote}.
-As an example the following score
-
-\begin{music}
-\def\nbinstruments{4}
-\cleftoksi={6000}
-\cleftoksii={0000}
-\cleftoksiii={0000}
-\cleftoksiv={0000}
-\font\eightfig=cmr8
-\def\everystaff{\znotes&\zcharnote{-6}{\eightfig
- \kern -1.4\Interligne 8}&\zcharnote{-6}{\eightfig
- \kern -1.4\Interligne 8}\enotes}
-\debutextrait
-\normal
-\NOtes\hu{HIJK}&\hu{efgh}&\hl{hijk}&\hl{hmlk}\enotes
-\finextrait
-\end{music}
-\noindent was coded as:
-
-\begin{quote}\begin{verbatim}
-\def\nbinstruments{4}
-\cleftoksi={6000}
-\cleftoksii={0000}
-\cleftoksiii={0000}
-\cleftoksiv={0000}
-\font\eightfig=cmr8
-\def\everystaff{\znotes&\zcharnote{-6}{\eightfig
- \kern -1.4\Interligne 8}&\zcharnote{-6}{\eightfig
- \kern -1.4\Interligne 8}\enotes}
-\debutextrait
-\normal
-\NOtes\hu{HIJK}&\hu{efgh}&\hl{hijk}&\hl{hmlk}\enotes
-\finextrait
-\end{verbatim}\end{quote}
- where the \verb|\eightfig| font declaration can obviously be omitted if
-the \TeX\ format declares an 8 point roman font.
-
-%\check
-
-\subsection{Beams across bars}
-
-The \keyindex{barre} macro inserts glue and terminates spacing account. Thus
-it is not compatible with pending \itxem{beams} and this is the usual way most
-composers wrote their scores, at least until the beginning of the XIX-th
-century. Unfortunately, later composers ({\sc Brahms}, {\sc Scriabin}, etc.)
-wanted to write beams jumping across bars.
-
-This can be partly handled by \musictex, using the macro
-\keyindex{xbeambarre}\footnote{An ugly mixture of French and English which is
-therefore not likely to be redefined by somebody else.} which puts a bar line
-of global width {\Bslash elemskip} with no glue around. Bar counting is done
-for \keyindex{autolines} purpose but no line breaking can occur, which means
-that the beams going across line or page breaks are not supported.
-
-We give an example from {\sc Brahms}'s Intermezzo op.~118,1 provided by
-Miguel {\sc Filgueiras}:\index{Brahms}
-
-\begin{music}
-\def\interfacteur{13}
-\def\nbinstruments{1}
-\nbporteesi=2\relax
-\cleftoksi={6000}
-\generalmeter{\allabreve}
-\debutextrait
-\normal
-\off{1em}\temps\Notes\qp\nextstaff\Ilegu0r\zq{q}\ql{j}\enotes
-\barre
-\Notes\qsk\ibu0a1\qh0{CEJLcL}\relax
-\nextstaff\qsk\rw{l}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
-\Notes\qh0J\itenl1a\qh0a\nextstaff\tleg0\zq{o}\ql{h}\enotes
-\xbeambarre
-\Notes\zh{.L.a}\hl{.e}\relax
-\nextstaff\tten1\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
-\Notes\qp\nextstaff\zq{q}\ql{j}\enotes
-\finextrait
- \end{music}
-\noindent whose coding is:
-
-\begin{verbatim}
-\begin{music}
-\def\interfacteur{13}
-\def\nbinstruments{1}
-\nbporteesi=2\relax
-\cleftoksi={6000}
-\generalmeter{\allabreve}
-\debutextrait
-\normal
-\off{1em}\temps\Notes\qp\nextstaff\Ilegu0r\zq{q}\ql{j}\enotes
-\barre
-\Notes\qsk\ibu0a1\qh0{CEJLcL}\relax
-\nextstaff\qsk\rw{l}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
-\Notes\qh0J\itenl1a\qh0a\nextstaff\tleg0\zq{o}\ql{h}\enotes
-\xbeambarre
-\Notes\zh{.L.a}\hl{.e}\relax
-\nextstaff\tten1\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
-\Notes\qp\nextstaff\zq{q}\ql{j}\enotes
-\finextrait
- \end{music}
-\end{verbatim}
-
-%\check
-\section{Small and tiny notes}
-
-Before entering details, let us point out that we are presently concerned with
-typing notes of smaller size than the normal one, without attempting to change
-the interval between the five lines building a single staff. Changing staff
-line interval will be treated in a further section.
-
-\subsection{Cadenzas and explicit ornaments}
-
- Ornaments and \itxem{cadenzas} usually need to be written using smaller
-notes\footnote{This is independent of the staff size.}. This can be done
-everywhere by stating \keyindex{smallnotesize} or \keyindex{tinynotesize}.
-Normal note size is restored by \keyindex{normalnotesize}.\index{ornaments}
-
- These macros only have a local scope. Thus, if these macros are invoked
-outside the {\Bslash notes...\bslash enotes} pair, the change is valid for
-the rest of the piece unless explicitely modified but, if they are invoked
-inside, their effect is local to the current staff of the current {\Bslash
-notes...\bslash enotes} pair. As an example, the following excerpt (beginning
-of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.}
-
-\begin{music}
-\def\DS{\hbox{\ds}}
-\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
-\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
-\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
-\def\nbinstruments{2}%
-\generalmeter{\meterfrac{4}{4}}%
-\signaturegenerale{0}%
-\nbporteesii=1\relax
-\nbporteesii=2\relax
-\cleftoksi={{6}{0}{0}{0}}
-\cleftoksii={{6}{0}{0}{0}}
-\etroit
-\debutextrait
-\NOTes\soupir&\soupir|\qu g\enotes
-% mesure 1
-\advance\barno by -1\relax
-\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes
-\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize
-\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes
-\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
-\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
-% mesure 2
-\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
- \zq c\qb1e\zq c\qb1e\relax
- \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
-\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
- \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
-\finextrait
-\end{music}
-
-\noindent can be coded as:
-
-\begin{verbatim}
-\def\DS{\hbox{\ds}}
-\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip}
-\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}%
-\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}%
-\def\nbinstruments{2}%
-\generalmeter{\meterfrac{4}{4}}%
-\signaturegenerale{0}%
-\nbporteesii=1\relax
-\nbporteesii=2\relax
-\cleftoksi={{6}{0}{0}{0}}
-\cleftoksii={{6}{0}{0}{0}}
-\etroit
-%
-% end of preliminary definitions
-%
-\debutextrait
-\NOTes\soupir&\soupir|\qu g\enotes
-% mesure 1
-\advance\barno by -1\relax
-\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes
-\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize
-\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes
-\Notes&\qb0e\tbl0\qb0c|\qu j\enotes
-\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes
-% mesure 2
-\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax
- \zq c\qb1e\zq c\qb1e\relax
- \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes
-\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax
- \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes
-\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes
-\finextrait
-\end{verbatim}
-
- \subsection{Grace notes}
-
- Grace notes are a special case of small and tiny notes: the difference is
-that they are always coded as eighth notes with an oblique bar over the flag.
-To perform this, special variants of \keyindex{cu} and \keyindex{cl} have been
-provided, namely \keyindex{grcu} and \keyindex{grcl}, with the only difference
-that the flag has been slashed. Using this together with the note reduction
-macro, grace notes (optionally chord grace notes) can be easily coded:
-
- \begin{music}
- \def\nbinstruments{1}
- \nbporteesi=1\relax
- \cleftoksi={{0}{0}{0}{0}}\relax
- \debutextrait
- \normal
- \NOtes\qsk\hu h\enotes
- \temps\smallnotesize
- \notes\grcu j\enotes
- \temps\normalnotesize
- \NOtes\hu i\enotes
- \barre\tinynotesize
- \notes\qsk\zq h\grcl j\enotes
- \normalnotesize
- \NOTEs\wh i\enotes
- \finextrait
- \end{music}
-
- The previous example was coded as:
-
-\begin{quote}\begin{verbatim}
-\NOtes\qsk\hu h\enotes
-\temps\smallnotesize
-\notes\grcu j\enotes
-\temps\normalnotesize
-\NOtes\hu i\enotes
-\barre\tinynotesize
-\notes\qsk\zq h\grcl j\enotes
-\normalnotesize
-\NOTEs\wh i\enotes
-\end{verbatim}\end{quote}
-
-\subsection{Gregorian note shapes}\label{gregnotes}
- Provided that four line staffs are used, \itxem{gregorian music} was
-frequently quoted using specific \itxem{neumes}, and this way of coding
-has been commonly used for the coding of liturgical chant in the Catholic
-Church until the middle of the twentieth century. Symbols available in
-\musictex\ are~:
-
-\begin{itemize}
- \item Diamond shaped \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 0} =
-\keyindex{diamg}~$p$~,
- \item Square \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 1} =
-\keyindex{carrg}~$p$~,
- \item Left stemmed \itxem{virga}: \raise 2.5pt\hbox{\musicxx\char 2} =
-\keyindex{carpg}~$p$~,
- \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\musicxx\char 3} =
-\keyindex{carqg}~$p$~. \end{itemize}
-
-They all have a non-spacing variant, which are~:
-
-\begin{itemize}
- \item Non spacing diamond shaped \itxem{punctum}: \raise
-2.5pt\hbox{\musicxx\char 0} = \keyindex{zdiamg}~$p$~,
- \item Non spacing square \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 1}
-= \keyindex{zcarrg}~$p$~,
- \item Non spacing left stemmed \itxem{virga}: \raise
-2.5pt\hbox{\musicxx\char 2} = \keyindex{zcarpg}~$p$~,
- \item Non spacing right stemmed \itxem{virga}: \raise
-2.5pt\hbox{\musicxx\char 3} = \keyindex{zcarqg}~$p$~.
- \end{itemize}
-
-To memorize these symbols, remember that {\tt carr} comes from the French
-word \ital{carr\'e} which means \ital{square}, that the letter {\tt p} has a
-tail on the left side and the {\tt q} has a tail on the right side. Other
-\itxem{neumes} can ne obtained by combining two or more of these symbols
-
-
-\subsection{Percussion stemless note shapes}\label{percunotes}
-Percussion\index{percussion music} music often uses stemless note heads
-different from the usual ones.
-
-\begin{itemize}
- \item White diamond or \itxem{rimshot}: \raise 2.5pt\hbox{\musicxx\char 127} =
-\keyindex{diamw}~$p$~,
- \item The \itxem{shaker}: \raise 2.5pt\hbox{\musicxx\char 79} =
-\keyindex{shaker}~$p$~,
- \item The {tremolo chord}: \hbox to 2em{\hss\musicxx\char 78\hss} =
-\keyindex{tremolord}~$p$~,
-\end{itemize}
-
-
-They all have a non-spacing variant\footnote{Stemless, not to be confused with
-{\bslash zq} qui extends stems within a chord. For that purpose, see
-\ref{genpercus} and \ref{othernotes}.}, which are~:
-
-\begin{itemize}
- \item Non spacing white diamond or \itxem{rimshot}: \raise
-2.5pt\hbox{\musicxx\char 127} = \keyindex{zdiamw}~$p$~,
- \item Non spacing \itxem{shaker}: \raise 2.5pt\hbox{\musicxx\char 79} =
-\keyindex{zshaker}~$p$~,
- \item Non spacing {tremolo chord}: \hbox to 2em{\hss\musicxx\char 78\hss} =
-\keyindex{ztremolord}~$p$~,
-\end{itemize}
-
-
-\subsection{Other note shapes}\label{othernotes} The classical note heads
-given above --- namely \raise 0.5ex\hbox{\musicnorfont\char 33}~, \raise
-0.5ex\hbox{\musicnorfont\char34} and \raise 0.5ex\hbox{\musicnorfont\char35}
---- can be replaced with less classical note heads, for example to code
-special \itxem{violin harmonic notes} or \itxem{percussion music}. See an
-example in \ref{abnormalscores}
-
- At present time, alternate available note heads are~:
- \begin{itemize}
-
- \item The \raise 0.5ex\hbox{\musicnorfont\char 0} symbol which is obtained using the \verb|\qu|,
-\verb|\qh| etc. macros replacing the ``{\tt q}'' letter in the macro name
-with a ``{\tt y}'' or writing \keyindex{ycu}, \keyindex{ycl},
-\keyindex{yccu}, \keyindex{ycup} etc. instead of \verb|\cu|, \verb|\cl|,
-\verb|\ccu|, \verb|\cup|, etc.
-
- \item The \raise 0.5ex\hbox{\musicnorfont\char 127} symbol which is obtained
-using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter
-in the macro name with a ``{\tt d}'' (think of \ital{diamond}) or writing
-\keyindex{dcu}, \keyindex{dcl}, \keyindex{dccu}, \keyindex{dcup}, etc.
-instead of \verb|\cu|, \verb|\cl|, \verb|\ccu|, \verb|\cup|, etc.
-
-
- \item The \raise 0.5ex\hbox{\musicnorfont\char 39} symbol which is obtained
-using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter
-in the macro name with a ``{\tt k}'' or writing \keyindex{kcu},
-\keyindex{kcl}, \keyindex{kccu}, \keyindex{kcup}, etc. instead of \verb|\cu|,
-\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc.
-
-
- \item The \raise 0.5ex\hbox{\musicnorfont\char"35} symbol which is obtained
-using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter
-in the macro name with a ``{\tt x}'' or writing \keyindex{xcu},
-\keyindex{xcl}, \keyindex{xccu}, \keyindex{xcup} instead of \verb|\cu|,
-\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc.
-
-
- \item The \raise 0.5ex\hbox{\musicnorfont\char38} symbol which is obtained
-using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter
-in the macro name with the pair ``{\tt ox}'' or writing \keyindex{oxcu},
-\keyindex{oxcl}, \keyindex{oxccu}, \keyindex{oxcup} instead of \verb|\cu|,
-\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc.
-
- \end{itemize}
- %\check
-\section{Staff size} \index{staff size}
-\subsection{Moving from 20pt to 16pt general staff sizes and conversely}
- You also want to write some parts of your score in 20pt
-staff size and in 16pt staff size, namely
-for distinct parts of pieces. Changing the \ixem{general staff size}
-is done by saying:
-
-\tty\keyindex{musicsize}=16\bslash computespecifics\quad \rm or
-
-\Bslash musicsize=20\keyindex{computespecifics}
-
-\rm\noindent respectively.
-
-\subsection{Changing staff size for certain instruments}\label{staffspace}
-Regardless of the general choice of 16pt or 20pt staff sizes, it is now
-possible to assign certain instruments -- not sperate staffs belonging to a
-same instrument -- to have narrower staff size. This is done by giving a
-special definition of \keyindex{staffspacing$r$} where $r$ is the roman
-numeral of the instrument considered. For example, if the second instrument
-(starting from the system bottom) is required to have 25\% narrower staffs,
-one only hase to declare:
-
-\medskip{\Bslash def\bslash staffspacingii\{0.75\}}
-
-\medskip\noindent before the starting command {\Bslash debutmorceau}.
-
-Not only does this statement change the vertical spacing between staff lines,
-but is also changes the size of the key, accidental and note symbols to fit
-the modified staff line spacing. However, the existence of discrete font
-scales for music symbol typing results in some reasonable restrictions of the
-values of \keyindex{staffspacing$r$}~: recommended values are approximately
-1, 0.8 and 0.64; if different values are chosen, then the symbol size is
-taken smaller than the line spacing, which may lead to readable but rather
-ugly typesetting.
-
-As an example, we give two bars of the \ital{Ave Maria} by Charles {\sc
-Gounod}\index{Gounod, C.} using the first prelude of Johann-Sebastian Bach's
-\ital{Well Tempered Clavier} (transcription for organ, violin and voice,
-thanks to Markus {\sc Veittes}):\label{avemaria}
-
- \begin{music}
-\def\nbinstruments{4}
-\computewidths
-\sepbarrules
-\generalmeter{\meterC}\relax
-\def\oct{\advance\transpose by 7\relax}
-\def\staffspacingii{0.64}
-\def\staffspacingiv{0.64}
-\cleftoksi{{6}{0}{0}{0}}
-\cleftoksii{{0}{0}{0}{0}}
-\cleftoksiv{{0}{0}{0}{0}}
-\nbporteesi=2\relax
-\nbporteesiii=0\relax
-\debutextrait
-\normal\elemskip=0.02\hsize
-%Takt 9
-\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct
- \itenu5h\hl h&gra---&\itenl4h\hu h\enotes
-\Notes|\ibbl0j3\qb0h\tqb0l\enotes
-\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
-\temps\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct
- \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
-\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&---&\tqh5a\enotes
-\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes
-\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes
-\barre
-%Takt 10
-\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct
- \qlp d&ple---&\Ilegu4k\pt d\qu d\enotes
-\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
-\Notes|\ibbu2i0\qh2k\qh2f\enotes
-\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes
-\temps\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct
- \ql d&na,&\qu d\enotes
-\Notes|\ibbu1g3\qh1f\tqh1h\enotes
-\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes
-\finextrait
- \end{music}
-
- This example was coded as:
-
-\begin{quote}\begin{verbatim}
-\def\nbinstruments{4}
-\sepbarrules
-\generalmeter{\meterC}\relax
-\def\oct{\advance\transpose by 7\relax}
-\def\staffspacingii{0.64}
-\def\staffspacingiv{0.64}
-\cleftoksi{{6}{0}{0}{0}}
-\cleftoksii{{0}{0}{0}{0}}
-\cleftoksiv{{0}{0}{0}{0}}
-\nbporteesi=2\relax
-\nbporteesiii=0\relax
-%
-\debutextrait
-\normal\elemskip=0.02\hsize
-%Takt 9
-\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct
- \itenu5h\hl h&gra---&\itenl4h\hu h\enotes
-\Notes|\ibbl0j3\qb0h\tqb0l\enotes
-\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
-\temps\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct
- \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
-\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&---&\tqh5a\enotes
-\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes
-\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes
-\barre
-%Takt 10
-\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct
- \qlp d&ple---&\Ilegu4k\pt d\qu d\enotes
-\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
-\Notes|\ibbu2i0\qh2k\qh2f\enotes
-\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes
-\temps\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct
- \ql d&na,&\qu d\enotes
-\Notes|\ibbu1g3\qh1f\tqh1h\enotes
-\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes
-\end{verbatim}\end{quote}
-
-
-
- %\check
- \section{Layout parameters}
-
-
- Most layout parameters are set by \musictex\ to reasonable default values.
-However, sophisticated scores\footnote{To our knowledge, the most complicated
-scores are those written for the piano, during the romantic and post-romantic
-periods.} may need more place below the lowest staff, between staves, etc.
-\def\nochange{(\ital{NOT to be changed})} We give below a short list of the
-most significant parameters.
-
-%\check
-
-\subsection{List of layout parameters}
-
-{\sl REMARK : the mention ``\nochange'' does not mean that this parameter cannot
-be changed, but that it should not be modified directly, e.g.\ by saying
-something like {\Bslash interligne=14pt}. In other words, changing these
-parameters must be performed using more comprehensive macros which not only
-update them but also perform some other compulsory related changes.}
-
-\begin{description}
-
- \item[\keyindex{interligne} : ]vertical interval between lines in a staff of
-the current instrument, taking account of a possible specification of \keyindex{staffspacing$r$}
-(see \ref{staffspace})
-\nochange
- \item[\keyindex{Interligne} : ]vertical distance between the base of staff
-lines of the current instrument, taking account of a possible specification
-of \keyindex{staffspacing$r$} (\keyindex{interligne} is the size of the blank
-space between lines; the difference between them is the line thickness
-\keyindex{lthick}) \nochange.
- \item[\keyindex{internote} : ]the vertical spacing of contiguous notes of
-the current instrument, taking account of a possible specification of
-\keyindex{staffspacing$r$}, i.e.\ the half of {\Bslash Interligne} \nochange
- \item[\keyindex{Internote} : ]the vertical spacing of contiguous notes of
-the instrument(s) whose \keyindex{staffspacing$r$} has the \ital{default
-value} of one (1.0). Since this dimension is the same, regardless of the
-actual value of the staff line spacing of any instrument, only this value
-should be used to specify horizontal spacings. It should be used rather than
-absolute dimensions in \verb|pt| or \verb|mm|, since \verb|\Internote| is
-duly proportional to the general size (\keyindex{musicsize}) but not
-dependent on specific changes in \keyindex{staffspacing$r$} \nochange
- \item[\keyindex{nullthick} : ]reserved height above base line for zero staff
-lines (text of songs)
- \item[\keyindex{staffbotmarg} : ]margin below the first staff of the lowest
-instrument. If not already assigned a non zero dimension, it is set to
-\keyindex{bottomfacteur}\keyindex{Interligne} at the next system.
- \item[\keyindex{stafftopmarg} : ]margin above the upper staff of the upper
-instrument.
- \item[\keyindex{interbeam} : ]vertical distance between beams.
- \item[\keyindex{interportee} : ]the distance between the bottom of one staff and
-the bottom of the next one. It is set to
-2\keyindex{interfacteur}{\Bslash internote} at the next system.
- \item[\keyindex{Interportee} : ]the distance between the top of one staff
-and the bottom of the next one. Re-computed at the at the next system.
- \item[\keyindex{interinstrument} : ]the additional vertical distance between
-two different instruments (must be positive, otherwise weird results can
-happen). This means that the distance between the upper
-staff of the previous instrument and the lowest line of the current
-instrument is equal to \keyindex{interportee+\bslash interinstrument}.
-This value is normally zero, but it helps putting additional space between
-distinct instruments for the sake of clarity. This is a general dimension
-which holds for each of the vertical spaces between instruments, except the
-upper one, in which case this interval is irrelevant. However, this parameter
-can be overridden for the space above a specific instrument. For example (see
-the example {\tty angescao.tex}) one can state:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\def\interinstrumenti{5pt}
-\end{verbatim}\end{quote}
-
-\medskip
-\noindent to force an additional spacing of 5 points above instrument $i$,
-whatever the value of \keyindex{interinstrument}.
- This feature can usefully be used to have more space before instruments
-representing \itxem{voices}, in order to have enough place to put
-\itxem{lyrics} without assigning these lyrics a zero staff specific instrument
-(useful to avoid having too many declared insruments in a choir score).
- \item[\keyindex{systemheight} : ]the distance from the bottom of the
-lowest staff to the top of the highest staff of the upper instrument. This is
-the height of the vertical bars (single, double, repeats, etc.) \nochange.
-\end{description}
-
-
-\medskip
- In addition, when handling notes of a given staff of a given instrument, the
-following dimensions are available (note these are not true registers, but
-\ital{equivalenced symbols} through a {\Bslash def}):
-\begin{itemize}
- \item\keyindex{altitude} : the altitude of the lowest line of the lowest
-staff of the current instrument \nochange.
- \item\keyindex{altportee} : the altitude of the lowest line of the current
-staff \nochange.
- \item\keyindex{stemfactor} : a parameter defining the size of half, quarter
-and hooked eighth notes stems. Normally a stem has the length of one octave,
-i.e. 3.5\keyindex{Interligne}. However, this is not valid for small size
-notes and, therefore, the stem size is related to the \keyindex{interbeam}
-dimensions which, in turn, is \ital{normally} equal to 0.75
-\keyindex{Interligne}. Thus the normal value of \keyindex{stemfactor} is
-4.66, but it can be shortened for any purpose by saying, for example:
-
- \verb|\def\stemfactor{3.5}|
-
-Normal stem length is restored by calling the macro \keyindex{normalstems}.
-
-\end{itemize}
-
-%\check
-
-\subsection{Changing layout parameters}
-
- Most of these values can be changed, but only between the end of the
-previous system and the beginning of the next one. This can be inserted
-between a \keyindex{suspmorceau} (or a \keyindex{finmorceau})
-and a \keyindex{reprmorceau} (or a \keyindex{debutmorceau}), but it is
-wiser to say, for example:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\def\atnextline{\global\staffbotmarg=5\Interligne}
-\end{verbatim}\end{quote}
-
-\medskip
-
-When doing so, the \musictex\ user should be aware that this could disturb
-pending \ital{slurs} or \ital{ties}, since the altitude of these is stored in
-an absolute way, starting from the baseline of the systems. Therefore,
-changing the \keyindex{staffbotmarg} dimension can also be made by means of
-{\tty\keyindex{advancebottom}\{$<dimension>$\}} which updates all pending slur
-and tie altitudes by the given dimension. This has been used in {\tty
-pacifiqn} and {\tty pacifiqb}.
-
-\medskip The user may prefer to redefine {\Bslash
-def\keyindex{bottomfacteur}} or {\Bslash def\keyindex{interfacteur}} to a
-given integer number, but this can be done only between a
-\keyindex{suspmorceau} (or a \keyindex{finmorceau}) and a
-\keyindex{reprmorceau} (or a \keyindex{debutmorceau}), but it is wiser to use
-\keyindex{atnextline} as previously.
-
-\medskip It is also wise to use \keyindex{atnextline} to change the the
-number of instruments, the staff spacings, the number of staffs at the next
-line... provided that the coding of the notes \ital{resists} an unexpected
-line change executing the \keyindex{atnextline}.
-
-\medskip In anycase it is a good idea to look at the procedures
-\keyindex{computewidths} and \keyindex{computespecifics} to understant what
-they really compute, and also to find the places where they are actually
-invoked.
-
-\subsection{Changing the vertical distance between consecutive systems}
-
-If this has to be changed only once at the beginning of a piece, the simplest
-is to say
-
-\medskip
-\begin{quote}\begin{verbatim}
-\def\bottomfacteur{8}
-\end{verbatim}\end{quote}
-
-\medskip\noindent before invoking\keyindex{debutmorceau}. Note that
-\keyindex{bottomfacteur} is invoked to compute the dimension register
-\keyindex{staffbotmarg} whenever this register contains a zero dimension.
-The number (it must be a number) is multiplied by \keyindex{Interligne} and
-affected to \keyindex{staffbotmarg}.
-
-\medskip If this has to be changed several times to meet page layout
-requirements with scores sometimes -- but only sometimes -- going very deep
-below the lowes staff of the systems, it is wiser to use
-\keyindex{advancebottom}, namely:
-
-\medskip
-\begin{quote}\begin{verbatim}
-\advancebottom{10pt}
-\end{verbatim}\end{quote}
-
-\medskip\noindent to advance the bottom margin register by that dimension at
-the next system line break.
-
-{\medskip\noindent\sl REMARK : it is also possible to change the system top
-margin, i.e.\ \keyindex{stafftopmarg} between systems. Changing top and
-bottom margin add together but it may influence the position of the whole in
-the pages.}
-
-\subsection{Changing staff distance within systems}
-
-This can be done at the beginning by changing the definition of
-\keyindex{interfacteur} (it is {\Bslash def}ined to a number) before the
-first \keyindex{debutmorceau}. But it is also possible to give a new
-dimension to the dimension register \keyindex{interportee} and, optionally,
-to the dimension register \keyindex{interinstrument} (see above).
-
-\subsection{Changing the number of lines in staffs}
-
-Unless explicitely specified, staffs consist of five lines, in accordance to
-the normal way of coding music scores. However, two exceptions might be
-preferred when using \musictex~:
-
-\begin{itemize}
- \item \itxem{gregorian music} is often writen using staff of
-four lines instead of five,
- \item \itxem{percussion music} (e.g. drums, triangle) only needs one line
-staffs, since the pitch cannot change.
-\end{itemize}
-
-Therefore, since its version 5.00, \musictex\ allows for choosing the number
-of lines of the staffs of an instrument. This is done by defining the macro
-\keyindex{stafflinesnb}$r$ --- where $r$ is the roman numeral of the wanted
-instrument as usual --- to be the number of lines of the specific staff.
-For example~:\label{gregorian}
-
-\begin{quote}
-\noindent\verb|\def\stafflinesii{4}|
-\end{quote}
-will make the instrument number 2 (i.e. {\tt ii}) to have staffs of four
-lines, that is, fit for gregorian music.
-%\check
-
-\subsection{Resetting normal layout parameters}
-
-Except \keyindex{musicsize} which has to be explicitely changed if needed, all
-layour registers are reset to default values by \keyindex{resetfacteurs} which
-put zero dimensions into \keyindex{staffbotmarg} and \keyindex{stafftopmarg},
-so that the next \keyindex{debutmorceau} will recompute them, unless they have
-been given non zero dimensions inbetween.
-
-\subsection{Typesetting one-line excerpts rather than larges scores}
-
-Very often, what is wanted is not to typeset a large comprehensive score of
-several lines and pages, but an excerpt of one or two bars, preferably
-centered such as the various examples of this manual. This can be done simply
-by replacing \keyindex{debutmorceau} with
-\keyindex{debutextrait}\footnote{\ital{Extrait} is the French word for
-\ital{excerpt}.} and {\Bslash finmorceau} or {\Bslash suspmorceau} with
-\keyindex{finextrait}.
-
- If you want to terminate it without a bar, you code
-\keyindex{zfinextrait} which acts like {\Bslash zsuspmorceau}..
-
-%\check
-
- \subsection{Lyrics}\index{lyrics}
-
- Lyrics can be introduced in several ways~:
- \begin{enumerate}
-
- \item The first one consists in dedicating
-one instrument whose \keyindex{nbportees$r$} is zero. Then the text of the
-lyrics is just inserted, note by note, by inserting it at the right position
-between {\Bslash notes}...{\Bslash enotes}. The drawback is that a four voice
-choir needs eight instruments which may lead to troubles if there is also an
-orchestra score below the voices.
-
- \item Therefore, another solution consists in adjusting \keyindex{interinstrument}
-and \keyindex{staffbotmarg} to give more place below the song
-instruments\footnote{Beware of a shift of one position, since {\Bslash
-intersinstrument$r$} indicates the interval \ital{above} the $r$-th
-instrument.}. Then the texts of the lyrics are indicated with the song tune
-instrument, using \keyindex{zcharnote} with a negative numeric position
-value.
-
- By the way, the {\Bslash zcharnote} may have a {\Bslash vbox} as a second
-argument, and this \keyindex{vbox} may contain several {\Bslash hbox}es
-describing the text of the different couplets (see example {\tty ANGESCAO}).
-
- \item Of easier use are the commands \keyindex{zsong} (right of the note),
-\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics
-at the lower staff line \ital{minus} the previous
-\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These
-commands only have one argument, namely the lyrics text:
-
-
-\begin{center}
-\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad
-\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad
-\keyindex{csong}\verb|{|\ital{text}\verb|}|
-\end{center}
-
- \medskip As an example, the following French song
-
- \begin{music}
- \generalsignature{1}
- \def\nbinstruments{1}
- \debutextrait
- \NOtes\zsong{Au }\qu g\enotes
- \NOtes\zsong{clair }\qu g\enotes
- \NOtes\zsong{de }\qu g\enotes
- \NOtes\zsong{la }\qu h\enotes
- \barre
- \NOTes\zsong{lu- }\hu i\enotes
- \NOTes\zsong{ne, }\hu h\enotes
- \barre
- \NOtes\zsong{mon }\qu g\enotes
- \NOtes\zsong{a- }\qu i\enotes
- \NOtes\zsong{mi }\qu h\enotes
- \NOtes\zsong{Pier- }\qu h\enotes
- \barre
- \NOTes\zsong{rot, }\wh g\sk\enotes
- \finextrait
- \end{music}
-
-\noindent was coded as:
-
-\begin{quote}\begin{verbatim}
- \generalsignature{1}
- \def\nbinstruments{1}
- \debutextrait
- \NOtes\zsong{Au }\qu g\enotes
- \NOtes\zsong{clair }\qu g\enotes
- \NOtes\zsong{de }\qu g\enotes
- \NOtes\zsong{la }\qu h\enotes
- \barre
- \NOTes\zsong{lu- }\hu i\enotes
- \NOTes\zsong{ne, }\hu h\enotes
- \barre
- \NOtes\zsong{mon }\qu g\enotes
- \NOtes\zsong{a- }\qu i\enotes
- \NOtes\zsong{mi }\qu h\enotes
- \NOtes\zsong{Pier- }\qu h\enotes
- \barre
- \NOTes\zsong{rot, }\wh g\sk\enotes
- \finextrait
-\end{verbatim}\end{quote}
-
- \end{enumerate}
-
-
-%\check
-
- \section{Other special ornaments}
-
- Since the first release of \musictex, many users have either asked for
-new features of proposed their own procedures to be included in \musictex.
-Some of them have been added because of their high utility, some others have
-been left aside for several reasons. The major reason for not including many
-proposals in the \musictex\ release is that -- at least on many computers and
-especially PC's -- the \TeX\ memory is limited to 65~000 ``words''. This is a
-very restricted value which causes many trials to exceed the capacity of \TeX\
-(unless using ``big\TeX''). Therefore, only the proposed macros of very
-general use can be introduced in the release as a standard and the users are
-suggested to take their specific procedures and include them (directly of by
-means of an {\Bslash input}) in their own source code.
-
- This is particularly valid for people who want to typeset \itxem{baroque}
-music using the ancient \itxem{ornament codings} rather than the modern
-equivalents. As a compromise, some macros kindly provided by Ian {\sc Collier}
-in Great Britain have slightly been updated and provided in a separate file
-named {\tty musicext.tex}.
-
- For example, brackets can be produced:
-
- \begin{music}
-\def\nbinstruments{1}\relax
-\computewidths
-\nbporteesi=1\relax
-\debutextrait
-\normal
-\temps\Notes\ovbkt j3{15}\ql{hij}\enotes
-\finextrait
-
- \end{music}
-
-%\check
- \section{The {\tt musicsty} macros}\label{musicsty}
-% non musical procedures used in typesetting the non-musical
-% texts together with musictex
- This file is made for non \TeX perts and/or lazy score typesetters. It
-provides
- \begin{itemize}
- \item a set of font definitions of common use, such as \verb|\tenrm|,
-\verb|\eightrm|, etc.,
- \item a reasonable setting of \keyindex{hsize}, \keyindex{vsize},
-\keyindex{hoffset}, \keyindex{voffset} dimensions in order to have a good
-layout fi for European A4 paper\footnote{People addicted to \itxem{legal} or
-other paper sizes should correct it for their own purpose.}
- \item a set of text size commands:
-
- \begin{description}
- \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm},
-\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 8 point font size;
- \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm},
-\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 10 point font size;
- \item[\keyindex{twlpoint}] to get 12 point font size;
- \item[\keyindex{frtpoint}] to get 14.4 point font size;
- \item[\keyindex{svtpoint}] to get 17.28 point font size;
- \item[\keyindex{twtypoint}] to get 20.74 point font size;
- \item[\keyindex{twfvpoint}] to get 24.88 point font size;
- \end{description}
- \item a set of commands to make easy piece titles~:
- \begin{itemize} \item \keyindex{author} or
-\keyindex{fullauthor} to be put at the right of the first page, below the
-title of the piece; the calling sequence is, for example:
-
- \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}|
-
- \noindent where the \verb|\\| makes theauthor name displayed on two or
-several lines.
-
-
- \item \keyindex{shortauthor} to be put at the bottom of each page,
- \item \keyindex{fulltitle} which is the big main title of the piece,
- \item \keyindex{subtitle} is displayed below the main title of the piece,
- \item \keyindex{shorttitle} or \keyindex{title}
- which is the title repeated at the bottom of each page,
- \item \keyindex{othermention} which is displayed on the left of the page, in
-front of the author's name (it may contain several \verb|\\| to display it on
-several lines,
- \item \keyindex{maketitle} which displays all the previous stuff.
- \end{itemize}
-
- \item Some additional commands to make \itxem{footnotes}.
- These commands are
- \begin{itemize}
- \item The normal Plain-\TeX\ \keyindex{footnote} command which has two
-arguments --- not only one as in \LaTeX\index{LaTeX=\protect\LaTeX} --- namely
-the label of the footnote, i.e. any sequence of characters and not only
-figures, and the text of the footnote.
-
-\noindent{\sl IMPORTANT: the \verb|\footnote| command does not work inside
-boxes\footnote{This is not a \TeX-bug, this is a feature!}, therefore this
-command must not be issued within music. But another alternate feature is
-provided (see below).}
-
- \item The \keyindex{Footnote} command, which counts the footnotes and uses a
-number as the label of the foot note (equivalent to \LaTeX's \verb|\footnote|
-command). The same restriction applies concerning footnotes within the music
-coding.
-
- \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which
-makes the footnote itself at the bottom of the current page, but does not put
-the footnote label at the place it is referred in the main text.
-
- Thus, if a footnote is needed whose reference lies inside the music itself,
-the music typesetter must perform it in two steps~:
- \begin{enumerate}
- \item quote the reference inside the music, using \verb|zcharnote| for
-example,
- \item post the footnote itself, using \verb|\vfootnote| outside the music,
-either before \keyindex{debutmorceau} or between \keyindex{suspmorceau} and
-\keyindex{reprmorceau} or equivalent commands.
- \end{enumerate}
-
- \end{itemize}
- \end{itemize}
-
- Note that \verb|musicsty| should not be used with \LaTeX.
-
-
-\section{Abnormal music coding}
-\subsection{Gregorian chant}
-\index{gregorian music}Gregorian chant is often coded using four line staffs
-(see section \ref{gregorian}) and using special notes (called \itxem{neumes})
-which are described in section \ref{gregnotes}. But the gregorian chant also
-needs a special \itxem{alto clef} which is in fact the ancester of the modern
-alto clef. The gregorian \itxem{alto clef} can be invoked instead of the
-modern one by re-declaring the \keyindex{clefdut}$r$ macro. Thus
-
-\begin{quote}\begin{verbatim}
-\def\clefdutiv{\gclefdut}
-\end{verbatim}\end{quote}
-will cause the instrument number 4 (i.e. {\tt iv}) to exhibit a gregorian C
-clef whenever the value of \verb|\cleftoskiv| refers to an alto clef.
-The modern alto clef can be restored for that instrument by~:
-
-
-\begin{quote}\begin{verbatim}
-\def\clefdutiv{\clefdutsymbol}
-\end{verbatim}\end{quote}
-
-\subsection{Music score without clefs or with special clefs}\index{clefs
-(empty)} Regardless of the number of lines of the staffs, an instrument may
-have no clefs, e.g. for \itxem{percussion music} but also for any weird
-purpose. This done by declaring some of the following items~:
-
-\medskip
-\verb|\def|\keyindex{clefdesol}$r$\verb|{\relax}|
-
-\verb|\def|\keyindex{clefdut}$r$\verb|{\relax}|
-
-\verb|\def|\keyindex{clefdefa}$r$\verb|{\relax}|
-
-\medskip
- At first sight, it could be thought to be silly to cancel the G clef, the C
-clef and/or the F clef to have an empty clef symbol. But the reason is that
-the absence of clefs does not mean that notes should not be raised according
-to their pitch. Thus, if the user uses the G clef coding of pitches, he is
-welcome to use the present feature to cancel the G clef, but if he uses some
-alto clef coding, then he should cancel the alto clef symbol. Of course, all
-this is irrelevant if the engraver chooses to use numeric coding of note
-position like \verb|\qu{10}|.
-
- Normal symbols for these clefs and for instrument or roman number $r$ can be
-restored by~:
-
-
-\medskip
-\verb|\def\clefdesol|$r$\verb|{|\keyindex{clefdesolsymbol}\verb|}|
-
-\verb|\def\clefdefa|$r$\verb|{|\keyindex{clefdefasymbol}\verb|}|
-
-\verb|\def\clefdut|$r$\verb|{|\keyindex{clefdutsymbol}\verb|}|
-
-\medskip Besides, a special \itxem{drum clef} (two heavy vertical bars) can
-replace any of the standard clefs, for exemple the G clef by saying~:
-
-\medskip
-\verb|\def\clefdesol|$r$\verb|{|\keyindex{drumclefsymbol}\verb|}|
-
-
-\medskip It is to be emphasised that these features are specific to one
-instrument --- not one staff of a several staff instrument --- so that some
-weird score for \ital{monks}, \ital{drum} and \ital{electronic keyboard}
-such as
-
-\begin{music}
-\parindent 19mm
-\def\nbinstruments{3} \def\instrumenti{keyboard}
-\def\instrumentii{drum} \def\instrumentiii{monks}
-\def\stafflinesnbii{1} \def\stafflinesnbiii{4}
-\generalsignature{0} \generalmeter{\relax}
-\signi=-1\relax % one flat at keyboard
-\nbporteesi=2\relax % 2 staffs at keyboard
-\cleftoksi={6000}\cleftoksiii={3000}\cleftoksii={1000}
-\def\clefdutiii{\gclefdut} % gregorian C clef at instrument iii
-\def\clefdutii{\drumclefsymbol} % cancel C clef at instrument ii
-\def\interinstrumentii{-4\Interligne} % less spacing above drum
-\normal
-\debutextrait
-\Notes\hu F|\zh c\hu h&\diamw 0&\carrg {acd}\enotes
-\NOtes\qu I|\zq N\qu d&\diamg 0&\diamg f\enotes
-\NOtes\qu J|\zq a\qu e&\diamg 0&\diamg e\enotes
-\notes\hu G|\zh b\hu d&\zshaker 3\diamw {00}&\zcarrg d\carqg g\carrg {hgh}\enotes
-\finextrait
-\end{music}
-\noindent could be coded as follows, regardless this is relevant~:
-\begin{verbatim}
-\parindent 19mm
-\def\nbinstruments{3} \def\instrumenti{keyboard}
-\def\instrumentii{drum} \def\instrumentiii{monks}
-\def\stafflinesnbii{1} \def\stafflinesnbiii{4}
-\generalsignature{0} \generalmeter{\relax}
-\signi=-1\relax % one flat at keyboard
-\nbporteesi=2\relax % 2 staffs at keyboard
-\cleftoksi={6000}\cleftoksiii={3000}\cleftoksii={1000}
-\def\clefdutiii{\gclefdut} % gregorian C clef at instrument iii
-\def\clefdutii{\drumclefsymbol} % cancel C clef at instrument ii
-\def\interinstrumentii{-4\Interligne} % less spacing above drum
-\normal
-\debutextrait
-\Notes\hu F|\zh c\hu h&\diamw 0&\carrg {acd}\enotes
-\NOtes\qu I|\zq N\qu d&\diamg 0&\diamg f\enotes
-\NOtes\qu J|\zq a\qu e&\diamg 0&\diamg e\enotes
-\notes\hu G|\zh b\hu d&\zshaker 3\diamw {00}&\zcarrg d\carqg g\carrg {hgh}\enotes
-\finextrait
-\end{verbatim}
-
-In the same way, a possible violin score with \itxem{harmonic notes} (see
-\ref{othernotes}) could be~:\label{abnormalscores}
-
-\begin{music}
-\def\freqbarno{9999}% no bar numbers
-\def\nbinstruments{1}\nbporteesi=1\relax
-\generalsignature{-2}\generalmeter{\allabreve}\cleftoksi={0000}
-\normal
-\debutextrait
-\NOtes\zd o\zh d\hu h\enotes
-\Notes\ibu0k0\zq g\yh0k\qh0j\zq e\yh0i\tbu0\qh0j\enotes
-\barre
-\NOTes\zd g\hu k\enotes
-\NOTes\hpause\enotes
-\barre
-\NOtes\zd o\zh d\hl h\enotes
-\Notes\ibl0b0\zq g\yb0k\qb0j\zq e\yb0i\tbl0\qb0j\enotes
-\barre
-\NOTes\zd g\hu k\enotes
-\NOTes\hpause\enotes
-\finextrait
-\end{music}
-
-It was coded as follows:
-\begin{quote}\begin{verbatim}
-\def\nbinstruments{1}\nbporteesi=1\relax
-\generalsignature{-2}\generalmeter{\allabreve}\cleftoksi={0000}
-\normal
-\debutextrait
-\NOtes\zd o\zh d\hu h\enotes
-\Notes\ibu0k0\zq g\yh0k\qh0j\zq e\yh0i\tbu0\qh0j\enotes
-\barre
-\NOTes\zd g\hu k\enotes
-\NOTes\hpause\enotes
-\barre
-\NOtes\zd o\zh d\hl h\enotes
-\Notes\ibl0b0\zq g\yb0k\qb0j\zq e\yb0i\tbl0\qb0j\enotes
-\barre
-\NOTes\zd g\hu k\enotes
-\NOTes\hpause\enotes
-\finextrait
-\end{verbatim}\end{quote}
-
-
-\subsection{Usual percussion music}
-\label{genpercus} Besides single percussion scores usually
-written using one-line staffs, percussion music involving several instruments
-is often writen on five-line staffs with a \ital{drum clef}, where the
-instruments are distinguished by the type of the note heads and the apparent
-pitch of the note on the staff. We give an example --- kindly provided by
-Agusti {\sc Mart\'in Domingo}~:
-
-\medskip
-\begin{music}
-\def\freqbarno{9999}% no bar numbers
-\def\nbinstruments{1}\generalsignature{0}\def\stafflinesbi{5}
-\generalmeter{\meterfrac44}
-\cleftoksi={0000}\def\clefdesoli{\drumclefsymbol}
-\normal
-\debutextrait
-\leftrepeat
-\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes
-\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes
-\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes
-\barre
-\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes
-\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes
-\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes
-\barre
-\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes
-\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes
-\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes
-\setrightrepeat\finextrait
-\end{music}
- Its coding was~:
- \begin{quote}\begin{verbatim}
-\begin{music}
-\def\nbinstruments{1}\generalsignature{0}\def\stafflinesbi{5}
-\generalmeter{\meterfrac44}
-\cleftoksi={0000}\def\clefdesoli{\drumclefsymbol}
-\normal
-\debutextrait
-\leftrepeat
-\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes
-\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes
-\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes
-\barre
-\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes
-\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes
-\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes
-\barre
-\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes
-\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes
-\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes
-\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes
-\setrightrepeat\finextrait
-\end{music}
- \end{verbatim}\end{quote}
-
- To use these different note heads, one must
- \begin{itemize}
- \item either include a specific percussion file namely {\tt
-\ixem{musicper.tex}} after the usual \verb|\input musictex| or invoke the
-\LaTeX\ style option {\tt\ixem{musicper}}\index{musicper.sty};
- \item use special macro names to replace the usual elliptic back note head
-with either a double sharp sign or with a $+$. These macros are~:
- \begin{itemize}
- \item \keyindex{zx}, \keyindex{xu}, \keyindex{xup}, \keyindex{xupp},
- \keyindex{xl}, \keyindex{xlp}, \keyindex{xlpp},
- \keyindex{xh}, \keyindex{xb}, \keyindex{zx},
- \keyindex{xcu}, \keyindex{xcup}, \keyindex{xcupp},
- \keyindex{xccu}, \keyindex{xcccu}, \keyindex{xccccu},
- \keyindex{xcl}, \keyindex{xclp}, \keyindex{xclpp},
- \keyindex{xccl}, \keyindex{xcccl} and \keyindex{xccccl}, which behave exactly like
- \verb|\zq|, \verb|\qu|, \verb|\qup|, \verb|\qupp|,
- \verb|\ql|, \verb|\qlp|, \verb|\qlpp|,
- \verb|\qh|, \verb|\qb|, \verb|\zq|,
- \verb|\cu|, \verb|\cup|, \verb|\cupp|,
- \verb|\ccu|, \verb|\cccu|, \verb|\ccccu|,
- \verb|\cl|, \verb|\clp|, \verb|\clpp|,
- \verb|\ccl|, \verb|\cccl| and \verb|\ccccl|, except that the note head is
- \raise 0.6ex\hbox{\musicnorfont\char '65} instead of \raise
-0.5ex\hbox{\musicnorfont\char '41}~.
- \item \keyindex{zox}, \keyindex{oxu}, \keyindex{oxup}, \keyindex{oxupp},
- \keyindex{oxl}, \keyindex{oxlp}, \keyindex{oxlpp},
- \keyindex{oxh}, \keyindex{oxb}, \keyindex{zx},
- \keyindex{oxcu}, \keyindex{oxcup}, \keyindex{oxcupp},
- \keyindex{oxccu}, \keyindex{oxcccu}, \keyindex{oxccccu},
- \keyindex{oxcl}, \keyindex{oxclp}, \keyindex{oxclpp},
- \keyindex{oxccl}, \keyindex{oxcccl} and \keyindex{oxccccl}, to get a note
-head of
-\raise 0.6ex\hbox{\musicnorfont\char 38} instead of \raise
-0.5ex\hbox{\musicnorfont\char '41}~.
- \item \keyindex{zk}, \keyindex{ku}, \keyindex{kup}, \keyindex{kupp},
- \keyindex{kl}, \keyindex{klp}, \keyindex{klpp},
- \keyindex{kh}, \keyindex{kb}, \keyindex{zk},
- \keyindex{kcu}, \keyindex{kcup}, \keyindex{kcupp},
- \keyindex{kccu}, \keyindex{kcccu}, \keyindex{kccccu},
- \keyindex{kcl}, \keyindex{kclp}, \keyindex{kclpp},
- \keyindex{kccl}, \keyindex{kcccl} and \keyindex{kccccl}, to get a
-note head of
- \raise 0.6ex\hbox{\musicnorfont\char 39} instead of \raise
-0.6ex\hbox{\musicnorfont\char '41}~.
- \end{itemize}
- \end{itemize}
-
-
- \section{Writing your own macros: the {\Bslash catcode} problems}
-
-As seen before, the \keyindex{catcodes} of the {\tty\|} and {\tty\&} symbols
-are modified by \musictex, in the range of the actual scores but no
-more\footnote{Since version 4.99.} in
-the whole of the \TeX\ source. Thus, if you define your own macros to make
-your writing easier, you are likely to invoke the {\tty\|} or {\tty\&}
-symbols in a part of text where their \keyindex{catcode}s are not correctly set.
-This may result typically in a diagnostic like~:
-
-\verb|! Misplaced alignment tab character &.|
-
-\noindent when you attempt, not to define, but to use your macro using the
-{\tty\&} symbol to change the instrument. Smart \TeX ers know that the
-\keyindex{catcode}s are attached to the characters \ital{when they are input}
-and not when they are used; thus you must be sure that {\tty\|} and {\tty\&}
-have the correct \musictex\ \keyindex{catcode} when the macro is defined,
-which may well occur outside the actual score.
-
-It is also worth pointing out that the same problem may occur with other
-punctuation marks like ``{\tty<\relax}'', ``{\tty>\relax}'', ``\verb|^|,
-etc., if their \keyindex{catcode} has been changed by some other set of
-macros, like {\tty \ixem{french.sty}}.
-
-
- \section{Musicla\TeX}
-
-\subsection{The {\tt musictex.sty} style}
-
- As said before, the amount of memory and registers used by \musictex\ makes
-it hardly compatible with \LaTeX. However, Nicolas {\sc
-Brouard}\index{Brouard, N.} succeeded in building a {\tty\ixem{musictex.sty}}
-which is now included in the distribution. This is not recommended to make
-separate music scores. Its purpose is rather to provide a means of inserting
-short musical excerpts in books or articles written with \LaTeX. Then, the
-\keyindex{documentstyle} command should include {\tty musictex} in the
-options.
-
-
-\medskip
- The \LaTeX\ style file {\tty \ixem{musictex.sty}} simply \verb|\input|s
-the following files (in that very order): \begin{itemize}
- \item {\tty musicpre.tex}
- \item {\tty musicnft.tex}
- \item {\tty musictex.tex}
- \item {\tty musicvbm.tex}
- \item {\tty musicpos.tex}
- \end{itemize}
-
-
-
-\medskip
- In the case of a \LaTeX\index{LaTeX=\protect\LaTeX}
-user wanting to use accidental
-transposition facilities, he should invoke {\tty\ixem{musictrp}} in the
-options of the \keyindex{documentstyle} command.
-
- In case of {\tty TeX capacity exceeded...}, use a ``Bigla\TeX'' (after
-checking there is no visible error in the source
-code).\index{BigLaTeX=Big\LaTeX}
-
-\subsection{Wide music in \LaTeX}
-
- Another difficulty appears with \LaTeX: internal \LaTeX\ macros handle the
-page size in a way which is not supposed to be changed within a given document.
-This means that text horizontal and vertical sizes are somewhat frozen so that
-one can hardly insert pieces of music of page size different from the size
-specified by the LaTeX \itxem{style}. Although a \itxem{largemusic} has been
-provided, the main drawback is an unpredictable behaviour of top and bottom
-printouts, especially page numberings.
-
- If the whole of a document has wide pages, it can be haddled with the {\tty
-a4wide}\index{a4wide} style option, or any derivate of it.
-
-%\check
-
- \subsection{The {\Bslash catcode} problems}
- The {\tty musicpos.tex} file
-merely overrides the \keyindex{catcode}s of the {\tty\|} and {\tty\&} symbols
-which are modified by \musictex. To have access to these symbols when coding
-music, on should then enclose the scores or excerpts within {\Bslash
-begin\{music\}} and {\Bslash end\{music\}}. But there is also another
-possibility, i.e.\ to say \keyindex{nextinstrument} instead of {\tty
-\&}\index{\&} and \keyindex{nextstaff} instead of {\tty\|}.\index{\|}
-
- Another problem comes from the {\tty \ixem{french.sty}} written by Bernard
-{\sc Gaulle}\index{Gaulle, B.} which is the standard of the \ixem{GUTenberg}
-French association. This style changes many \keyindex{catcode}s which lead
-\musictex\ to fail in many cases. Therefore, since the version 4.99, the
-\keyindex{catcode}s of all are forced to the adequate value at
-\keyindex{debutmorceau}, \keyindex{debutextrait} and restored at their
-original value at \keyindex{finmorceau}, \keyindex{suspmorceau} and
-\keyindex{finextrait}. This means that some facilities like the
-\itxem{guillemets} or the \itxem{tabulation} character are inhibited within
-music scores (possible problem with sophisticated \itxem{lyrics}) but
-perfectly available within the normal text.
-
- Anyway, in case of emergency, one can invoke \keyindex{catcodesmusic} to
-establish the \keyindex{catcode}s at their value fit for music, and
-\keyindex{endcatcodesmusic} to reset them at their external value, for example
-those chosen by {\tty french.sty}.
-
- \section{Implementation and restrictions}
-
- The macroinstruction file \musictex\ contains approximately 2500 lines of
-code, that is 80~000 bytes approximately. This requires your score to be
-compiled by the most extended versions of \TeX\ (65~000 words of working
-memory). It is therefore wise to set \hbox{\Bslash tracingsstats} to 2 in
-order to have an information about the memory used in each page. In desperate
-situations, we recommend using the ``Big\TeX'' processors which,
-unfortunately, perform a great deal of disk input/outputs (on PCs with i286
-processors) which make them awfully slow\footnote{Using i386 or i486
-processors, this problem disappears with the specific version of {\tty
-emTeX}}.\index{Big\protect\TeX}\index{em\TeX}
-
-In particular, the number of registers it uses and the amount of memory used
-by \LaTeX\ macros makes it doubtfully compatible with \LaTeX, unless using
-Big\LaTeX.\index{BigLaTeX=Big\LaTeX}
-
-Other precautions are necessary: beware of end-of-line spaces; they corrupt
-layout and may cause unwanted line breakings after which music symbols seem
-to \ital{float} in the air without staffs. To avoid that, it is recommended
-to use \keyindex{relax} rather than {\tty\%} at the end of source lines.
-
-\chapter{Installation}
-
-\section{Getting the stuff}
-
-As seen before, all the files are available at \itxem{anonymous ftp} {\tty
-rsovax.lps.u-psud.fr} (193.55.39.100) in the directory\footnote{{\sc
-unix} addicts whould beware that this primary server is an old MicroVax run
-the VMS system. Therefore the brackets in the directory name are compulsory,
-not optional.}
-{\tty[anonymous.musictex]}, which can more easily be reached
-using the simple command
-
-{\tt cd musictex}
-
-
-This directory normally contains {\tty musictex.zip} which contains
-all the distribution for PC (\ixem{MS-DOS}) computers. This is only for
-{\tty ftp}-ing convenience since all source files are directly available
-in the same directory. In addition a set of examples (i.e. the files
-whose name does not begin with ``{\tty music}'') is packed into
-{\tty musicexa.zip}, and {\tty recueil.zip} contains the zipped DVIs of a large
-subset of the examples. Finally the PK files of specific fonts are provided
-in {\tty musicpk.zip}; getting this file is useless if you are able to {\tty
-metafont} the files whose {\tty *.mf} are provided in the main package.
-
-The \ixem{VMS} files are also packed into {\tty musictex.bck}\index{musictex.zip}
-\index{musictex.bck}. Notwithstanding the fact that files are packed together
-or not, the files provided are of two kinds:
-\begin{enumerate}
-\item the basic files;
-\item the example files.
-\end{enumerate}
-
-All \itxem{basic files} are either of the form {\tty music*.*} (excluding of
-course {\tty *.zip} and {\tty *.bck}), {\tty beamn*.*} and {\tty slurn*.*}. Other
-files ({\tty *.tex} or {\tty *.dvi}) are example files.
-
-\ital{Fonts}\index{fonts} are provided as {\tty *.mf} files but also as {\tty
-*.tfm} and {\tty *.pk} files for 300~dpi printers or previewers. Additional
-values of the \ixem{dpi} parameter are also provided in {\tty musicpk.zip}.
-Normally needed fonts are {\tty musikn20}, {\tty musikn16}, {\tty musikn13},
-{\tty musikn11}, {\tty musicbra} or {\tty musicbrb}\footnote{{\tt musicbra}
-and {\tt musicbrb} exhibit some drawing differences, but they meet the same
-purpose of typing \itxem{piano braces}.}, {\tty beamn20}, {\tty beamn16}, {\tty beamn13},
-{\tty beamn11}, {\tty slurn20} and {\tty slurn16}.
-
-\section{Installing the fonts}
- \textit{All} files with the extension \verb|.tfm|\footnote{\TeX\ font metric
-files, needed directly from binary for \TeX ing the examples or the doc.} have
-to be copied in the same directory as the other \verb|.tfm|'s.
-Then, if you get the error message:
-
-\verb|! Font ... not loadable: Metric (TFM) file not found.|
-
-\noindent this means
-you did not succeed in installing the \verb|.tfm|'s, or you installed them in
-the wrong directory. Then look at your general \TeX\
-documentation\footnote{The specific \TeX\ installation manual, not necessarily
-the \TeX book.} and try again.
-
-
-The \verb|.tfm| only contains the width, height and depth of each character
-of a font and is the only font file needed for \TeX ing. But, to preview
-and/or view you need the pixel fonts, i.e. not the metrics but the exact
-drawing of the characters. On most systems they are packed and have either
-the extension \verb|.pk| or the extension {\tt.}$<dpi>${\tty pk}, where $dpi$
-is the actual resolution of the font needed in the requested size. This means
-that the the given \verb|*.pk| files provided often have to be renamed as
-\verb|*.300pk|, especially in \unix\ systems.
-
- Mostly needed and spreaded are the fonts for \verb|dvi|-driver with
-resolution of 300dpi. Using Em\TeX the \verb|.pk|-fonts have to be copied in
-\verb|...\pixel.lj\300dpi\|. In \unix\ systems they often have to be renamed
-as \verb|*.300pk| and put in a directory --- the name of which can be
-provided by your local manual or \TeX-wizard --- of the form
-\verb|.../fonts/pk|.
-
-\section{Building a format}\label{formatbuild}
-
-Introducing the basically needed files in a \itxem{format} (with
-\ixem{INITEX}) is a means of saving computer time and memory. Besides, you
-will have a format compatible with \musixtex\ and --- provided you made the
-symmetrical format for \musixtex that is, including {\tt musixcpt} in your
-\musixtex\ format --- you can compile exactly the same source files with both
-\musictex\ and \musixtex, which is a good means of finding whether some
-strange behaviour is specific to one implementation or the other, or whether
-you made some general mistake.
-
-\subsection{Starting from nil}
-\begin{enumerate}
-\item Build up a file called \verb|musictex.ini| with following contents:
-
-\begin{verbatim}
-\input plain % or your local plain-like TeX format
-\input musicnft
-\input musictex
-\input musicvbm
-\input musictrp % optionally
-\input musicsty % optionally
-\def\fmtname{musictex}\def\fmtversion{5.08}
-\dump
-\end{verbatim}
-
-\item Make your format with the command
-
-\smallskip
- \verb|initex musictex.ini|\footnote{depends on your implementation.
-{\tty initex} may require another form, such as
-``\verb|tex386 -i|''.}
-
-\item Then your format may me invoked for \TeX ing score by something like
-
-
- \verb|tex &musictex| \textit{jobname}\footnote{depends on your
-implementation. Very often the formatless \TeX is invoked by \verb|virtex|
-rather than \verb|tex| which already invokes a default plain format.}.
-\end{enumerate}
-
-\subsection{Starting from your usual plain format}
-\begin{enumerate}
- \item First, try to find --- on your favourite system --- whether \verb|tex| is
-an executable routine, or a \verb|tex.bat| command in MS-DOS or a {\sl
-shell\/} procedure under \unix.
- \item If \verb|tex| is a command try to find the ``initex'' local command:
-usually it is either \verb|initex| or \verb|tex -i|.
- \item Try to find the name of the ``plain \TeX'' format (usually posted
-when \TeX ing anything.
- \item Then, {\it mutatis mutandis\/}, assuming the ``initex'' command has
-the name \verb|initex| and the ``plain \TeX'' format is \verb|plain|, run the
-shell command:
-
- \medskip
- \verb|initex \&plain musictex.ins|
-
- \medskip\noindent which will produce a format file {\tt musictex.fmt} which
-you shall put in the same directory as the others formats (hoping you have
-the access rights...). Note, in \unix\ systems, the backslash before the
-\verb|&| which tells the system to consider this character as a member of the
-command, not a batch execution indication. Once this is done, you can
-\musictex\ any score you have written using a command such as:
-
- \medskip
- \verb|tex \&musictex my-score.tex|
-
- \medskip\noindent that is, specifying your new format {\tt musictex.fmt}
-instead of the usual {\tt plain.fmt}.
-
- For MS-DOS/{\tt emTeX} users the format building command is:
-
- \verb|tex386 -i &plain musictex.ins|
-
- \noindent (you can change \verb|plain| into \verb|dc-plain| or any other
-plain-like format you have) then:
-
- \verb|copy musictex.fmt \emtex\btexfmts\*.*|
-
- \noindent and the {\tt musictex.bat} command can be
-
-% It makes no sense to state -mt20000, perhaps this is useful for MusicTeX,
-% (it uses hyphenation to break a line) but not for MusiXTeX (it uses musixflx)
-\begin{quote}\begin{verbatim}
-if exist %1.tex goto tex
-goto end
-
-:tex
-tex386 -mt20000 &musictex %1 %2 %3 %4 %5 %6 %7 %8 %9
-
-:end
- \end{verbatim}\end{quote}
-\end{enumerate}
-
-
-
-
- \input musicdoc.ind
-
-
-\chapter{Examples}
-
-\vskip -8mm
-Due to compatibility problems with \LaTeX\ (used to produce this notice)
-large examples must be \TeX -ed separately, i.e.\ using \TeX\ and not \LaTeX.
-Therefore, the Music\TeX\ future user is suggested to produce
-some of the following examples and to look carefully at the way some
-special features have been coded.
-
-\medskip When producing this examples, care should be taken about the fact
-that many several files are supposed to be included (by means of
-\keyindex{input}) in other files. Thus the only good files to be directly
-\TeX-ed are those which begin with ``{\Bslash input musicnft}'' or
- ``\verb|% \input musixtex|''. This latter command indicates that this
-exemple can be run, both with \musictex\ inserting
-
- \verb|\input musicnft|
-
- \verb|\input musictex|
-
- \verb|\input musicvbm|
-
- \verb|\input musictrp|
-
- \verb|\input musicsty|
-
- \noindent at the beginning, or inserting the correcponding files of
-MusiX\TeX\ (see corresponding manual). A simplerway of doing consists in having
-two formats, one for \musictex\ (see \ref{formatbuild}), one for MusiX\TeX\
-plus its compatibility input files.
-
-In addition, it must be noted that most DVI previewers and laser printers
-have their origin at one inch below and one inch right of the right upper
-corner of the paper, while the musical examples have their upper left
-significant corner only at one centimeter right and below the left top of the
-paper. Therefore, special parameters have to be given to the DVI
-transcription programs unless special \keyindex{hoffset} and
-\keyindex{voffset} \TeX\ commands are introduced within the source \TeX\
-text.
-
-\medskip Suggested tests are:
-
-\begin{itemize}
-\item{\tty PACIFIQN} for a long original piano work (11 pages);
- {\tty PACIFIQB} is the same in 16~pt staff size;
-\item{\tty CARILLON} for a sophisticated piano score (use Big\TeX~!);
-\item{\tty PRAETORI} to get an ancient polyphonic song with three
- transpositions;
-\item{\tty ANGESCAO} if you like Christmas carols with four voices, a
- three-staff organ score and the same transposed to meet ordinary
- singer's limitations; {\tty ANGESCAM} is the same without organ. See {\tty
- angescax.tex} to see how the same source has been used for two distinct
-layouts.
-\item{\tty HPRELFUG} if you like imitations of J.-S. Bach
- (included in {\tty RECUEIL});
-\item{\tty MARCELLX} if you like pre-baroque music (included in {\tty RECUEIL});
-\item{\tty RECUEIL} if you want to get all the organ works\footnote{All
-subsets of {\tty RECUEIL} can be \musictex-ed separately.} of the author in a
-single book (65 pages);
- \item{\tty HWIDOR} and {\tty NWIDOR} to get the Toccata by Charles-Marie
-{\sc Widor} in two different sizes;
- \item{\tty AVEMARIX} to get the ``M\'editation'' (alias ``Ave Maria'') by
-Charles {\sc Gounod} for organ and violin or song.\index{Gounod, C.} and {\tty
-AVEMARIO} to get the same for organ solo;
- \item{\tty RACINE} to get the ``Cantique de Jean Racine'' by Gabriel {\sc
-Faur\'e} in a transcription fit for organ rather than for
-piano.\index{Faur\'e, G.}
-
-\end{itemize}\index{Widor, C.-M.}\index{Gounod, C.}
-
-\chapter{Summary of denotations}
-\section{Pitches}
-\begin{music}
-\cleftoksi={6000}
-\def\lbnt#1{\zcharnote{9}{\tty #1}\wh{!#1}}
-\def\LBNT#1{\zcharnote{9}{\tty !\relax #1}\wh{!#1}}
-\def\nbinstruments{1}\relax
-\debutextrait\autolines{13}{1}{12}\temps\notes\qsk
-\LBNT {`A}\LBNT {`B}\relax
-\LBNT {`C}\LBNT {`D}\LBNT {`E}\relax
-\LBNT {`F}\LBNT {`G}\relax
-\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\enotes\finextrait
-\def\lbnt#1{\zcharnote{-5}{\tty #1}\wh{!#1}}\relax
-\debutextrait\autolines{13}{1}{12}\temps\notes\qsk
-\lbnt G\lbnt H\lbnt I\relax
-\lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\relax
-\enotes\finextrait
-\def\nbinstruments{1}\relax
-\cleftoksi={0000}
-\def\lbnt#1{\zcharnote{10}{\tty #1}\wh{!#1}}\relax
-\debutextrait\autolines{13}{1}{12}\temps\notes\qsk
-\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i\relax
-\lbnt j\lbnt k\lbnt l\lbnt m\enotes\finextrait
-\def\lbnt#1{\zcharnote{-4}{\tty #1}\wh{!#1}}\relax
-\debutextrait\autolines{13}{1}{12}\temps\notes\qsk
-\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r\relax
-\lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\relax
-\enotes
-\finextrait
-\end{music}
-\section{Notes and Rests}
-\begin{music}
-\def\mcra#1{\zcharnote{10}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}}
-\def\Mcra#1{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}}
-\def\nbinstruments{1}
-\debutextrait\normal\temps\NOTes\sk
-\mcra{zbv}\zbv i\sk\mcra{zsb}\zsb i\sk\enotes\Notes\relax
-\mcra{wh}\wh i\qsk
-\mcra{hu}\hu f\qsk\mcra{hl}\hl l\qsk
-\mcra{qu}\qu f\qsk\mcra{ql}\ql l\qsk
-\mcra{cu}\cu f\qsk\mcra{cl}\cl l\qsk
-\qsk\mcra{ccu}\ccu f\qsk\qsk\mcra{ccl}\ccl l\qsk\relax
-\qsk\qsk\mcra{cccu}\cccu d\qsk\qsk\qsk\mcra{cccl}\cccl l\qsk
-\qsk\qsk\mcra{ccccu}\ccccu f\qsk\qsk\qsk\mcra{ccccl}\ccccl l\enotes\finextrait
-\end{music}
-%
-\begin{music}
-\def\mcra#1{\zcharnote{10}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}}
-\def\Mcra#1{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}}
-\def\nbinstruments{1}
-\debutextrait\normal\temps\NOTes\qsk
-\mcra{whp}\whp i\qsk
-\mcra{hup}\hup f\qsk\mcra{hlp}\hlp l\qsk
-\mcra{qup}\qup f\qsk\mcra{qlp}\qlp l\qsk
-\mcra{cup}\cup f\qsk\mcra{clp}\clp l\qsk\enotes
-\Notes\qsk\mcra{qh0}\ibu0f0\qh0f\tbu0\sk
-\qsk\mcra{qb0}\ibl0l0\qb0l\tbl0\sk\relax
-\qsk\mcra{qhp0}\ibu0f0\qhp0f\tbu0\sk
-\qsk\mcra{qbp0}\ibl0l0\qbp0l\tbl0\sk\relax
-\qsk\mcra{qhpp0}\ibu0f0\qhpp0f\tbu0\sk
-\qsk\mcra{qbpp0}\ibl0l0\qbpp0l\tbl0\sk\relax
-\enotes
-\finextrait
-%
-\def\mcrb#1#2{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}%
-\mcra{#2}}%
-\def\Mcrb#1#2{\zcharnote{18}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}%
-\Mcra{#2}}%
-\def\mcrc#1#2#3{\zcharnote{18}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}%
-\mcrb{#2}{#3}}%
-\debutextrait\normal\NOTES\qsk\relax
-\Mcrb{seizsoupir}{qqs}\qqs\qsk% hemi-demi-semi-quaver rest
-\mcrb{huitsoupir}{hs}\hs\qsk% demi-semi-quaver rest
-\mcrc{quartsoupir}{qsoupir}{qs}\qs\qsk\qsk% semi-quaver rest
-\mcrc{demisoupir}{dsoupir}{ds}\ds\qsk% quaver rest
-\enotes\finextrait
-\debutextrait\normal\NOTEs
-\mcrb{soupir}{qp}\qp\qsk% crotchet rest
-\mcra{hpause}\hpause% minim rest
-\mcra{pause}\pause% semibreve rest
-\mcra{PAuse}\PAuse% ? rest
-\enotes\NOTes
-\mcra{PAUSe}\PAUSe% ?? rest
-\enotes\finextrait
-\end{music}
-%
-\section{Other symbols}
-
-
-\begin{music}
-\def\nbinstruments{1}\parindent 0pt
-\def\mcra#1{\zcharnote{17}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}}
-\def\Mcra#1{\charnote{17}{\hbox to \noteskip{\Bslash #1\hss}}}
-\debutextrait\NOTEs
-\mcra{nTrille}\nTrille{n}4\sk\qsk
-\mcra{ntrille}\ntrille{n}4\sk\sk
-\mcra{pince}\pince{n}\sk\mcra{Pince}\Pince{n}\sk\relax
-\mcra{mordant}\mordant{n}\sk
-\mcra{turn}\turn{n}\sk\mcra{backturn}\backturn{n}\sk
-\mcra{coda}\coda{n}\sk\mcra{segno}\segno{n}\sk
-\enotes\finextrait
-\debutextrait
-\def\mcra#1{\zcharnote{10}{\hbox to \noteskip{\Bslash #1\hss}}}\relax
-\NOTes\sk\relax
-\mcra{dimin}\zcharnote b{\dimin}\sk\sk
-\mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax
-\mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax
-\mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\sk\relax
-\enotes\finextrait
-\debutextrait
-\def\mcra#1{\zcharnote{10}{\hbox to \noteskip{\Bslash #1\hss}}}\relax
-\NOTes\sk\relax
-\mcra{cresc}\zcharnote b{\cresc}\sk\sk\relax
-\mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax
-\mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax
-\mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\relax
-\enotes\finextrait
-\debutextrait
-\def\mcra#1{\zcharnote{14}{\hbox to 2\Interligne{\hss\Bslash #1\hss}}}\relax
-\NOTEs\sk
-\mcra{pointdorgue}\pointdorgue{l}\wh k\sk\relax
-\mcra{pointdurgue}\pointdurgue{e}\wh f\sk\enotes
-\NOTes
-\mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax
-\enotes\finextrait
-\end{music}
-\end{document}
-
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicext.tex b/Master/texmf-dist/tex/generic/musictex/musicext.tex
deleted file mode 100644
index 243b1354f17..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicext.tex
+++ /dev/null
@@ -1,225 +0,0 @@
-
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-
-% \dyn {pitch}{text} inserts a dynamic
-\def\dyn#1#2{\zcharnote{#1}{{\ppff #2}}}
-
-% \nobarnumbers prevents bar numbering
-\def\nobarnumbers{\def\wbarno{\relax}}
-
-% \barnumbers restores bar numbering
-\def\barnumbers{\def\wbarno{\w@barno}}
-
-% \tab is defined as a tab character, so that I can still use tabs.
-\catcode`\@=4
-\let\tab=@
-\catcode`\@=11
-
-% The next few sections define some extra macros to produce notes.
-
-% shifted dotted whole notes
-\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip}
-\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip}
-
-% Half-shifted notes. I sometimes use these for close intervals: for instance
-% \zlqu g\zrql f
-
-\def\zrwh{\zrw}
-\def\zlwh{\zlw}
-\def\zrw#1{\kern .52\wd@skip\zw{#1}\kern -.52\wd@skip}
-\def\zlw#1{\kern -.52\wd@skip\zw{#1}\kern .52\wd@skip}
-\def\zrhu#1{\kern .45\hn@width\zhu{#1}\kern -.45\hn@width}
-\def\zlhu#1{\kern -.45\hn@width\zhu{#1}\kern .45\hn@width}
-\def\zrhl#1{\kern .45\hn@width\zhl{#1}\kern -.45\hn@width}
-\def\zlhl#1{\kern -.45\hn@width\zhl{#1}\kern .45\hn@width}
-\def\zrhup#1{\kern .45\hn@width\zhup{#1}\kern -.45\hn@width}
-\def\zlhup#1{\kern -.45\hn@width\zhup{#1}\kern .45\hn@width}
-\def\zrhlp#1{\kern .45\hn@width\zhlp{#1}\kern -.45\hn@width}
-\def\zlhlp#1{\kern -.45\hn@width\zhlp{#1}\kern .45\hn@width}
-\def\zrqu#1{\kern .45\qd@skip\zqu{#1}\kern -.45\qd@skip}
-\def\zlqu#1{\kern -.45\qd@skip\zqu{#1}\kern .45\qd@skip}
-\def\zrql#1{\kern .45\qd@skip\zql{#1}\kern -.45\qd@skip}
-\def\zlql#1{\kern -.45\qd@skip\zql{#1}\kern .45\qd@skip}
-\def\zrqup#1{\kern .45\qd@skip\zqup{#1}\kern -.45\qd@skip}
-\def\zlqup#1{\kern -.45\qd@skip\zqup{#1}\kern .45\qd@skip}
-\def\zrqlp#1{\kern .45\qd@skip\zqlp{#1}\kern -.45\qd@skip}
-\def\zlqlp#1{\kern -.45\qd@skip\zqlp{#1}\kern .45\qd@skip}
-\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip}
-\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip}
-\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip}
-\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip}
-%
-% half left shifted accidentals - for putting before half shifted notes
-%
-\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\f@lat\kern 0.45\qd@skip}%
-}%
-\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\df@lat\hskip 0.45\qd@skip}%
-}%
-\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise
- \pl@llap{\s@harp\hskip 0.45\qd@skip}%
-}%
-\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@
- \pl@llap{\ds@harp\hskip 0.45\qd@skip}}%
-\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise
- \pl@llap{\n@at\hskip 0.45\qd@skip}}%
-
-%
-% The following macros can be used to surround a note by parentheses. They
-% are also used as ornaments by J.P. Rameau.
-% \lpar p produces a left parenthesis, or "port de voix" at pitch p
-% \rpar p produces a right parenthesis, or "pinc\'e"
-
-\def\lpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern -0.76\wd@skip (}}}
-\def\rpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern 0.76\wd@skip )}}}
-
-
-\newdimen\tmp@dimen
-\def\bracketshrink{0.17\Interligne}
-
-% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th
-% whose lowest note is p.
-
-\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne
- \divide\tmp@dimen by2\relax
- \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink
- \advance\tmp@dimen by-\lthick
- \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne
- \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax
- \rlap{\vbox{\hrule width .5\Interligne}}\relax
- \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}}
-
-\newdimen\tmp@dimenc
-\newdimen\z@iii\newdimen\z@iv\newdimen\z@v
-
-% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and
-% height h. This will cause an unrecorded space so it should be used within
-% \rlap. Note that this macro is a hack and probably gobbles up resources!
-% This macro is used by some of the others which follow.
-
-\def\oblique#1#2#3{\relax % length slope height
-\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax
-\else\q@antum=25\lthick\divide\q@antum by #2\relax
-\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi
-\global\z@iv=0pt\relax
-\loop\ifdim\z@iv<#1\relax
- {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax
- \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax
- \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by
- -0.5\internote
- \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi
- \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax
- \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi
- \advance\z@iii by 0.6\internote\relax
- \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth
- .5\lthick}\relax
- \global\advance\z@iv by \q@antum\relax
-}\repeat
-\fi
-}
-
-\newdimen\tmp@dimenb\newcount\tmp@ct
-\def\crescwidth{1.8\Interligne}
-
-% These macros produce variable size crescendo and diminuendo marks.
-% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing
-% no space.
-\def\varcresc#1#2{\relax% height (note), length (dimen)
- \tmp@dimenb \crescwidth\tmp@dimen #2\multiply
- \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
- \ifnum 0=\tmp@ct\relax
- \tmp@ct 1\fi
- \getn@i{#1}\tmp@dimen\n@i\internote
- \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax
- \advance\tmp@dimen by-\lthick
- \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}}
-
-% \vardim{p}{l} draws a diminuendo at pitch p, and of length l, causing
-% no space.
-\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply
- \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
- \ifnum 0=\tmp@ct\relax
- \tmp@ct 1\fi
- \getn@i{#1}\tmp@dimen\n@i\internote
- \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax
- \advance\tmp@dimen by\tmp@dimenb
- \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax
- \advance\tmp@dimen by \lthick
- \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen
- by-.02\tmp@dimenb
- \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}}
-
-% \overbracket{p}{l}{s} draws a bracket over the music starting at the
-% current position at pitch p, width l and slope s percent, causing no space.
-\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick height \lthick
- depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick
- depth.8\Interligne}}}
-
-% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the
-% bracket to cover n notes (note however that glue inserted by \temps
-% commands will expand the space between the notes but will not affect the
-% bracket).
-% I use this macro to indicate triplets, for instance.
-
-\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}}
-
-% \underbracket and \unbkt are similar to the above, but produce
-% brackets under the music.
-\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
- \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
- \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
- \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick
- height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
- \advance\tmp@dimenb by.5\lthick\relax
- \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick
- height\Interligne}}}
-\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
- \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
- by -\noteskip\advance\tmp@dimen by\lthick
- \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick}
-
-% Here are several macros to make use of the alternative note graphics found
-% in the font files. I copied the idea from the usual note macros in
-% MusicTeX.
-
-
-% \ttrill p makes a terminated trill ...
-\def\ttrill#1{\zcharnote{#1}{\o@skp\musicnorfont\char"58\dimen@4.6pt%
- \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}}
-
-% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the
-% note stems.
-% \downarpeg p is written just before the note at pitch p with its stem
-% pointing up in order to indicate a descending arpeggio
-% \uparpeg p is written just before the note at pitch p with its stem
-% pointing down in order to indicate an ascending arpeggio
-
-\font\linew=linew10 %would be nice to have slightly shorter lines...
-\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote
- \rlap{\linew\char"61}}
-\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote
- \rlap{\linew\char"21}}
-
-% \qqs is a demi-semiquaver rest
-\def\qqs{\charnote0{{\musicnorfont\char"41}}}
-
-% These macros change context while forbidding line breaks
-\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}}
-\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}}
-
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicnew.tex b/Master/texmf-dist/tex/generic/musictex/musicnew.tex
deleted file mode 100644
index 31281827a1e..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicnew.tex
+++ /dev/null
@@ -1,28 +0,0 @@
-%
- % THIS is MusicTeX
-\def\mcversion{5.13}
-\message{Version \mcversion\space -- September 9th, 1995}%
-
-\def\setclef#1{\noinstrument #1\relax\selectinstr \cleftoks}
-\let\setclefs\setclef
-
-\def\setstaffs#1{\noinstrument #1\relax\selectinstr \nbportees}
-
-\def\setinterinstrument#1#2{\noinstrument #1\relax
- \expandafter\def\csname interinstrument\romannumeral\noinstrument\endcsname{#2}}
-
-\def\hardnotes#1\notes{\termskip\noteskip=#1\relax \n@otes}
-
-\def\hardlyrics#1\notes{%\termskip
- \def\thelyrics{\hbox{#1}}%
- \setbox\ch@box\thelyrics \noteskip\wd\ch@box \n@otes}
- %\check
-
-\def\dhsong{\rlap}
-\def\thsong{\rlap}
-\def\zsong{\rlap}
-\def\hsong{\rlap}
-
-\endinput
-
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicnft.tex b/Master/texmf-dist/tex/generic/musictex/musicnft.tex
deleted file mode 100644
index 0e928c75cf9..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicnft.tex
+++ /dev/null
@@ -1,938 +0,0 @@
-%
-% This is MusicNFT from MusicTeX
-\message{Version 5.18 -- August 26th, 1996}%
-%
-% finding which class of fonts is normally used (cmxxx, dmxxx, dcxxx,...)
-\def\wordsplita#1#2#3.XX.{#1}%
-\def\wordsplitb#1#2#3.XX.{#2}%
-\rm
-\edef\fonthdg{\expandafter\wordsplita\fontname\the\font.XX.}%
-\edef\fonthdge{\expandafter\wordsplitb\fontname\the\font.XX.}%
- %
-\font\cmmi=cmmi10 scaled \magstep1
-\font\cmbxbig=\fonthdg\fonthdge bx10 scaled \magstep2
-\font\cmbx=\fonthdg\fonthdge bx10 scaled \magstep1
-\font\cmbxsmall=\fonthdg\fonthdge bx10
-\font\cmbxtiny=\fonthdg\fonthdge bx8
-\font\cmbxmicro=\fonthdg\fonthdge bx7
-\font\moyen=\fonthdg\fonthdge bx10 scaled \magstep1
-\font\cmex=cmex10
-\font\cmsy=cmsy10 scaled \magstep1
-\font\cmr=\fonthdg\fonthdge r10 scaled \magstep1
-\font\ttyeight=\fonthdg\fonthdge tt8
-
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-
-%
-\let\@plainwlog=\wlog
-\def\wlog#1{}%
-%
-\font\musictwenty=musikn20
-\fontdimen35\musictwenty=0pt\relax
-\font\musicsixteen=musikn16
-\font\slurntwenty=slurn20
-\font\slurnsixteen=slurn16
-\font\musicthirteen=musikn13
-\font\musiceleven=musikn11
-\font\beamtwenty=beamn20
-\fontdimen50\beamtwenty=0pt\relax
-\font\beamsixteen=beamn16
-\font\beamthirteen=beamn13
-\font\beameleven=beamn11
-%
-\newif\ifcautionacc
-\cautionaccfalse
-%
-\def\q@u{\musicnfont\char33\hss}%
-\def\h@a{\musicnfont\char34\hss}%
-\def\w@h{\musicnfont\char35\hss}%
-\def\d@iamg{\musicnfont\char0\hss}%
-\def\d@iamw{\musicnfont\char127\hss}%
-\def\s@haker{\musicnfont\char79\hss}%
-\def\t@remolord{\musicnfont\char78\hss}%
-\def\c@arrg{\musicnfont\char1\hss}%
-\def\c@arpg{\musicnfont\char2\hss}%
-\def\c@arqg{\musicnfont\char3\hss}%
-\def\w@hq{\musicnfont\char 125\hss}%
-\def\s@bv{\musicnfont\char36\hss}%
-\def\b@rv{\musicnfont\char32\hss}%
-\def\c@upchar{39}% offset to upper eighth hook
-\def\c@dnchar{44}% offset to upper eighth hook
-%
- %
-%
-\def\musicxx{\musicnorfont}%
-\def\slurnxx{\slurnorfont}%
-\def\slurnfont{\slurnorfont}%
-%
-\def\set@normalnotesize{\def\beamfont{\beamnorfont}%
-\def\musicnfont{\musicnorfont}%
-\def\i@nterbeam{0.75\Interligne}%
-\def\b@alkthick{0.24\Interligne}}
-%
-\def\set@smallnotesize{\def\beamfont{\beamsmallfont}%
-\def\musicnfont{\musicsmallfont}%
-\def\i@nterbeam{0.6\Interligne}%
-\def\b@alkthick{0.192\Interligne}}
-%
-\def\set@tinynotesize{\def\beamfont{\beamtinyfont}%
-\def\musicnfont{\musictinyfont}%
-\def\i@nterbeam{0.48\Interligne}%
-\def\b@alkthick{0.1536\Interligne}}
-%
-\set@normalnotesize
-%
-\def\qu@raise{\z@}%
-\def\ha@raise{\z@}%
-\def\wh@raise{\z@}%
-\def\zwq#1{\getn@i{#1}\def\n@fon{\zwq}\def\n@sym{\w@hq}\g@zw}%
-\def\zsb#1{\getn@i{#1}\def\n@fon{\zsb}\def\n@sym{\s@bv}\g@zsb}% semi-breve
-\def\zbv#1{\getn@i{#1}\def\n@fon{\zbv}\def\n@sym{\b@rv}\g@zbv}% breve
-\def\g@zbv{\n@raiseq
- \h@lines{\bv@width}\def\s@tem{\resetstem}\plap@symss\fi}%
-\def\g@zsb{\n@raiseq
- \h@lines{\sb@width}\def\s@tem{\resetstem}\plap@symss\fi}%
-%
-\newbox\ch@box
-\newdimen\lthick
-\global\lthick=0.4pt
-%\newdimen\qn@width
-%\newdimen\hn@width
-%\newdimen\wn@width
-%\newdimen\sb@width
-%\newdimen\bv@width
-\newdimen\qd@skip
-\newdimen\hd@skip
-\newdimen\wd@skip
-%
-\newcount\musicsize
-%
-\def\musickeyfont{\ifdim\internote<0.76\Internote\musictinyfont
-\else\ifdim\internote<0.95\Internote\musicsmallfont
- \else\musicnorfont
- \fi
-\fi}%
-%
-\def\meterfont{\ifdim\internote<0.76\Internote\metersmallfont
-\else\ifdim\internote<0.95\Internote\meternorfont
- \else\meterbigfont
- \fi
-\fi}%
-%
-\def\pointfont{\ifdim\internote<0.76\Internote\metertinyfont
-\else\ifdim\internote<0.95\Internote\metersmallfont
- \else\meternorfont
- \fi
-\fi}%
-%
-\def\computespecifics{\ifnum\musicsize=0\relax\musicsize=20\relax\fi
-\ifnum\musicsize=20\relax
- \def\ppff{\ppfftwenty}%
- \def\beamnorfont{\beamtwenty}\def\musicnorfont{\musictwenty}%
- \def\beamsmallfont{\beamsixteen}\def\musicsmallfont{\musicsixteen}%
- \def\beamtinyfont{\beamthirteen}\def\musictinyfont{\musicthirteen}%
- \def\meternorfont{\cmbx}\def\metersmallfont{\cmbxsmall}%
- \def\metertinyfont{\cmbxtiny}\def\slurnorfont{\slurntwenty}%
- \def\meterbigfont{\cmbxbig}%
-\else
- \def\ppff{\ppffsixteen}%
- \def\beamnorfont{\beamsixteen}\def\musicnorfont{\musicsixteen}%
- \def\beamsmallfont{\beamthirteen}\def\musicsmallfont{\musicthirteen}%
- \def\beamtinyfont{\beameleven}\def\musictinyfont{\musiceleven}%
- \def\meternorfont{\cmbxsmall}\def\metersmallfont{\cmbxtiny}%
- \def\metertinyfont{\cmbxmicro}\def\slurnorfont{\slurnsixteen}%
- \def\meterbigfont{\cmbx}%
-\fi
-\Interligne=\musicsize pt\divide\Interligne by 4\relax
-\Internote=0.5\Interligne
-\interbeam=\i@nterbeam
-\computeqn@w}%
-%
-\def\computeqn@w{%
-\setbox\ch@box=\hbox{\w@h}\wn@width=\wd\ch@box
-\setbox\ch@box=\hbox{\s@bv}\sb@width=\wd\ch@box
-\setbox\ch@box=\hbox{\b@rv}\bv@width=\wd\ch@box
-\setbox\ch@box=\hbox{\c@arrg}\gr@width=\wd\ch@box
-\setbox\ch@box=\hbox{\h@a}\hn@width=\wd\ch@box
-\setbox\ch@box=\hbox{\q@u}\qn@width=\wd\ch@box
-\qd@skip=\qn@width\advance\qd@skip by -\hlthick
-\hd@skip=\hn@width\advance\hd@skip by -\hlthick
-\wd@skip=\wn@width\advance\wd@skip by -\hlthick
-}%
-\def\normalnotesize{\set@normalnotesize\computespecifics
- \def\currentsize{\normalnotesize}}
-\def\smallnotesize{\set@smallnotesize\computespecifics
- \def\currentsize{\smallnotesize}}
-\def\tinynotesize{\set@tinynotesize\computespecifics
- \def\currentsize{\tinynotesize}}
-%
-%\check
-%
-\def\s@oupir{{\musicnfont\char"3E}}%
-%
- %\newdimen\c@height
-\newcount\c@mult
-%\check
-\def\d@cr#1{\c@mult=#1\relax % queue de #1 croche(s) vers le haut
-\advance\c@mult by \c@upchar\d@crg}%
-\def\d@gru{\c@mult=12\relax\d@crg}% queue de croche barree vers le haut
-\def\d@crg{\setbox\ch@box=\rlap{\musicnfont\char\c@mult}\c@height=\ht\ch@box
-\global\advance\st@top by \c@height
-\global\advance\st@top by \internote
- \ifdim\st@top>\st@bot
- \maxst@top
- \global\advance\st@bot by -\altportee
- \global\advance\st@top by -\altportee
- \kern\stem@skip\vrule height\st@top depth -\st@bot width \lthick
- \advance\st@top by -\c@height\raise\st@top\box\ch@box
- \kern -\lthick \kern-\stem@skip
- \fi\resetstem}%
-%\check
-\def\p@cr#1{\c@mult=#1\relax % queue de #1 croche(s) vers le bas
-\advance\c@mult by \c@dnchar\p@crg}%
-\def\p@gru{\c@mult=13\relax\p@crg}% queue de croche barree vers la bas
-\def\p@crg{\setbox\ch@box=\rlap{\kern \hlthick\musicnfont
- \char\c@mult}\c@height=\ht\ch@box
-\global\advance\st@bot by -\internote
-\global\advance\st@bot by -\c@height
-\ifdim\st@top>\st@bot
- \minst@bot
- \global\advance\st@bot by -\altportee
- \global\advance\st@top by -\altportee
- \raise\st@bot\box\ch@box
- \vrule height\st@top depth -\st@bot width \lthick
- \kern -\lthick
-\fi \resetstem}%
-%
-% grace notes (croches barrees)
-\def\grcu#1{\getn@i{#1}\def\n@sym{\q@u}\def\n@fon{\grcu}\n@raiseq
- \h@linesqn\global\stem@skip=\qd@skip
- \def\s@tem{\d@gru}\pl@symssq\fi}%
-\def\grcl#1{\getn@i{#1}\def\n@sym{\q@u}\def\n@fon{\grcl}\n@raiseq
- \h@linesqn\def\s@tem{\p@gru}\pl@symssq\fi}%
-%
-%\check
-\def\s@harp{\musicnfont\char"34}\def\sh@raise{\z@}%
-\def\f@lat{\musicnfont\char"32}\def\fl@raise{\z@}%
-\def\n@at{\musicnfont\char"36}\def\na@raise{\z@}%
-\def\ds@harp{\musicnfont\char"35}%
-\def\df@lat{\musicnfont\char"33}%
-%
-\def\smalln@at{\cau@left\musicnfont\char"7C\cau@right}%
-\def\smallf@lat{\cau@left\musicnfont\char"78\cau@right}%
-\def\smalls@harp{\cau@left\musicnfont\char"7A\cau@right}%
-\def\smallds@harp{\cau@left\musicnfont\char"7B\cau@right}%
-\def\smalldf@lat{\cau@left\musicnfont\char"79\cau@right}%
-\def\cau@left{\ifcautionacc\raise-.45\Interligne
- \hbox{\ttyeight(\kern -\lthick}\fi}
-\def\cau@right{\ifcautionacc\raise-.45\Interligne
- \hbox{\ttyeight\kern -\lthick)\kern -.2\Interligne}\fi\cautionaccfalse}
-%
-\def\n@rpl@lap{\global\n@raise=\z@\pl@llap}%
-\def\bigsh#1{\inhgetn@i{#1}\n@rpl@lap{\s@harp}}%
-\def\smallsh#1{\inhgetn@i{#1}\n@rpl@lap{\smalls@harp}}%
-\def\csh{\cautionacctrue\smallsh}%
-\def\uppersh#1{\zcharnote{#1}{\raise3\internote
-\hbox to \qn@width{\hss\smalls@harp\hss}}}%
-%
-\def\bigdsh#1{\inhgetn@i{#1}\n@rpl@lap{\ds@harp}}%
-\def\smalldsh#1{\inhgetn@i{#1}\n@rpl@lap{\smallds@harp}}%
-\def\cdsh{\cautionacctrue\smalldsh}%
-%
-\def\bigna#1{\inhgetn@i{#1}\n@rpl@lap{\n@at}}%
-\def\smallna#1{\inhgetn@i{#1}\n@rpl@lap{\smalln@at}}%
-\def\cna{\cautionacctrue\smallna}%
-\def\upperna#1{\zcharnote{#1}{\raise3\internote
-\hbox to \qn@width{\hss\smalln@at\hss}}}%
-%
-\def\bigfl#1{\inhgetn@i{#1}\n@rpl@lap{\f@lat}}%
-\def\smallfl#1{\inhgetn@i{#1}\n@rpl@lap{\smallf@lat}}%
-\def\cfl{\cautionacctrue\smallfl}%
-\def\upperfl#1{\zcharnote{#1}{\raise3\internote
-\hbox to \qn@width{\hss\smallf@lat\hss}}}%
-%
-\def\bigdfl#1{\inhgetn@i{#1}\n@rpl@lap{\df@lat}}%
-\def\smalldfl#1{\inhgetn@i{#1}\n@rpl@lap{\smalldf@lat}}%
-\def\cdfl{\cautionacctrue\smalldfl}
-%
-\def\na#1{\ifdim\small@test\bigna{#1}\else\smallna{#1}\fi}%
-\def\fl#1{\ifdim\small@test\bigfl{#1}\else\smallfl{#1}\fi}%
-\def\sh#1{\ifdim\small@test\bigsh{#1}\else\smallsh{#1}\fi}%
-\def\dfl#1{\ifdim\small@test\bigdfl{#1}\else\smalldfl{#1}\fi}%
-\def\dsh#1{\ifdim\small@test\bigdsh{#1}\else\smalldsh{#1}\fi}%
-%
-%\check
-\def\b@adjust{\ifdim\y@ii>2.1\q@antum
-\multiply\q@antum by 2\relax\advance\b@char by 1\relax\fi
-}%
-\newcount\b@char
-\def\b@alkdefs{\b@char=0\relax
-\ifnum \b@p>0\relax\b@char=\b@p\relax\multiply\b@char by 6\relax
- \advance\b@char by -6\relax\ifnum\b@char>54\relax\b@char=54\relax\fi\fi
-\ifnum \b@p<0\relax\b@char=-\b@p\relax\multiply\b@char by 6\relax
- \advance\b@char by 58\relax\ifnum\b@char>118\relax\b@char=118\relax\fi\fi
-\q@antum=60pt\divide\q@antum by 32\relax\b@adjust
-\b@adjust
-\b@adjust
-\b@adjust
-\b@adjust
-\chardef\b@alk=\b@char}%
-%\check
-\def\s@lopdefs{\q@antum=60pt\divide\q@antum by 32\relax \def\s@lope{0.0}\relax
-\ifnum \b@p=1\relax\def\s@lope{0.05}\fi
-\ifnum \b@p>1\relax\b@char=\b@p\relax\multiply\b@char by 5\relax
- \ifnum\b@char>50\relax\b@char=50\relax\fi
- \edef\s@lope{0.\the\b@char}\fi
-\ifnum \b@p=-1\relax\def\s@lope{-0.05}\fi
-\ifnum \b@p<-1\relax\b@char=-\b@p\relax\multiply\b@char by 5\relax
- \ifnum\b@char>50\relax\b@char=50\relax\fi
- \edef\s@lope{-0.\the\b@char}\fi
-}%
-%\check
-\def\p@outre{% \y@ii : longueur, \b@p : pente, \y@i : altitude
-\ifnum \b@p=0\relax
- \y@iii=\y@i\y@iv=\y@i
- \advance\y@iii by -\b@alkthick
- \advance\y@iv by \b@alkthick
- \vrule height \y@iv depth -\y@iii width \y@ii
-% \raise \y@i\hbox{\vrule height \b@alkthick depth \b@alkthick
-% width \y@ii}
-\else\b@alkdefs\beamfont
- \global\y@iv=\z@
- \loop\ifdim\y@iv<\y@ii
- {\y@v=\y@ii\advance\y@v by -\y@iv
- \advance\y@v by -\q@antum
- \y@iii=\y@i
- \advance\y@iii by \s@lope\y@iv
- \ifdim\y@v<\z@\advance\y@iii by \s@lope\y@v\hskip\y@v\fi
- \raise\y@iii\hbox to \q@antum{\b@alk\hss}\global\advance\y@iv by \q@antum
- }\repeat
-\fi
-}%
-%\check
-\def\clefdefasymbol{\hbox to 3.2\Interligne{\musickeyfont
- \kern -0.8\internote\hss\char"49\hss}}%
-\def\smallclefdefa{\hbox to 2.8\Interligne{\musickeyfont
- \kern -0.64\internote\hss\char"4A\hss}}%
-%\check
-\def\clefdesolsymbol{\hbox to 3.2\Interligne{\musickeyfont
- \kern -1.2\internote\hss\char"47\hss}}%
-\def\smallclefdesol{\hbox to 2.8\Interligne{\musickeyfont
-\kern -0.96\internote\hss\char"48\hss}}%
-%\check
-\def\clefdutsymbol{\hbox to 3.2\Interligne{\musickeyfont
- \kern -0.8\internote\hss\char"4B\hss}}%
-\def\smallclefdut{\hbox to 2.8\Interligne{\musickeyfont
- \kern -0.64\internote\hss\char"4C\hss}}%
-\def\gclefdut{\hbox to 3.2\Interligne{\musickeyfont
- \kern 0.4\internote\hss\char"04\hss}}%
-\def\drumclefsymbol{\hbox to 3.2\Interligne{\musickeyfont
- \kern 0.4\internote\hss\char"4D\hss}}%
-%
-\def\allabreve{{\kern \internote\musickeyfont\char"52}}%
-\def\meterC{{\kern \internote\musickeyfont\char"53}}%
-%
-\def\d@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"3F}}%
-\def\q@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"40}}%
-\def\h@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"41}}%
-\def\s@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"42}}%
-\def\p@orgue{\hbox{\kern -0.5\hn@width\musicnfont\char"50}}%
-\def\p@urgue{\hbox{\kern -0.5\hn@width\musicnfont\char"51}}%
-\def\trille#1{\hbox to #1{\leaders\hbox{\musicnfont\char"64}\hfill}}%
-\def\Trille#1{\hbox to #1{\it tr\leaders\hbox{\musicnfont\char"64}\hfill}}%
-%
-% Gregorian notes
-%
-\def\diamg#1{\getn@i{#1}\def\n@fon{\diamg}\def\n@sym{\d@iamg}\g@diamg}%
-\def\zdiamg#1{\getn@i{#1}\def\n@fon{\diamg}\def\n@sym{\d@iamg}\rlap{\g@diamg}}%
-\def\diamw#1{\getn@i{#1}\def\n@fon{\diamw}\def\n@sym{\d@iamw}\g@diamg}%
-\def\zdiamw#1{\getn@i{#1}\def\n@fon{\diamw}\def\n@sym{\d@iamw}\rlap{\g@diamg}}%
-\def\carrg#1{\getn@i{#1}\def\n@fon{\carrg}\def\n@sym{\c@arrg}\g@diamg}%
-\def\zcarrg#1{\getn@i{#1}\def\n@fon{\carrg}\def\n@sym{\c@arrg}\rlap{\g@diamg}}%
-\def\carqg#1{\getn@i{#1}\def\n@fon{\carqg}\def\n@sym{\c@arqg}\g@diamg}%
-\def\zcarqg#1{\getn@i{#1}\def\n@fon{\carqg}\def\n@sym{\c@arqg}\rlap{\g@diamg}}%
-\def\carpg#1{\getn@i{#1}\def\n@fon{\carpg}\def\n@sym{\c@arpg}\g@diamg}%
-\def\zcarpg#1{\getn@i{#1}\def\n@fon{\carpg}\def\n@sym{\c@arpg}\rlap{\g@diamg}}%
-%
-\def\g@diamg{\advancetrue\g@diam}%
-\def\g@diam{\global\n@raise=\wh@raise\ifnum\n@i<100\relax
- \h@lines{\gr@width}\def\s@tem{\resetstem}\pl@symssq\fi}%
- %\check
-%%%%%%%%%%%%%%%%%%%%%%%%% notes with black diamond heads %%%%%%%%%%%%%%%%%%%%
-
- %\check
-\def\yu{\advancetrue\yu@z}%
-\def\yup{\advancetrue\yup@z}%
-\def\yupp{\advancetrue\yupp@z}%
-\def\yuppp{\advancetrue\yuppp@z}%
-\def\yu@z#1{\getn@i{#1}\def\n@fon{\yu}\def\n@sym{\d@iamg}\g@qu}%
-\def\yup@z#1{\getn@i{#1}\def\n@fon{\yup}\def\n@sym{\d@iamgp}\g@qu}%
-\def\yupp@z#1{\getn@i{#1}\def\n@fon{\yupp}\def\n@sym{\d@iamgpp}\g@qu}%
-\def\yuppp@z#1{\getn@i{#1}\def\n@fon{\yuppp}\def\n@sym{\d@iamgppp}\g@qu}%
-\def\yl{\advancetrue\yl@z}%
-\def\ylp{\advancetrue\ylp@z}%
-\def\ylpp{\advancetrue\ylpp@z}%
-\def\ylppp{\advancetrue\ylppp@z}%
-\def\yl@z#1{\getn@i{#1}\def\n@fon{\yl}\def\n@sym{\d@iamg}\g@ql}%
-\def\ylp@z#1{\getn@i{#1}\def\n@fon{\ylp}\def\n@sym{\d@iamgp}\g@ql}%
-\def\ylpp@z#1{\getn@i{#1}\def\n@fon{\ylpp}\def\n@sym{\d@iamgpp}\g@ql}%
-\def\ylppp@z#1{\getn@i{#1}\def\n@fon{\ylppp}\def\n@sym{\d@iamgppp}\g@ql}%
- %\check
- %
-\def\d@iamgp{\hbox to \qn@width{\d@iamg\hss}\P@t}%
-\def\d@iamgpp{\hbox to \qn@width{\d@iamg\hss}\PP@t}%
-\def\d@iamgppp{\hbox to \qn@width{\d@iamg\hss}\PPP@t}%
-%
-\def\yh#1{\selectpoutre{#1}\yh@}%
-\def\yb#1{\selectpoutre{#1}\yb@}%
-\def\yh@#1{\getn@i{#1}\def\n@fon{\yh@}\def\n@sym{\d@iamg}\g@qh@}% % position
-\def\yb@#1{\getn@i{#1}\def\n@fon{\yb@}\def\n@sym{\d@iamg}\g@qb@} % #1 position
-%
-% x heads without stems
-\def\zy#1{\getn@i{#1}\def\n@fon{\zy}\def\n@sym{\d@iamg}\g@zq}
-\def\zyp#1{\getn@i{#1}\def\n@fon{\zyp}\def\n@sym{\d@iamgp}\g@zq}
-\def\zypp#1{\getn@i{#1}\def\n@fon{\zypp}\def\n@sym{\d@iamgpp}\g@zq}
-\def\zyppp#1{\getn@i{#1}\def\n@fon{\zyppp}\def\n@sym{\d@iamgppp}\g@zq}
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas pour percussion x
- %
-\def\ycu{\advancetrue\mycu1}\def\yccu{\advancetrue\mycu2}
-\def\ycccu{\advancetrue\mycu3}\def\yccccu{\advancetrue\mycu4}%
-\def\ycl{\advancetrue\mycl1}\def\yccl{\advancetrue\mycl2}
-\def\ycccl{\advancetrue\mycl3}\def\yccccl{\advancetrue\mycl4}%
-%
-\def\yclp{\advancetrue\myclp1}\def\ycup{\advancetrue\mycup1}%
-\def\yclpp{\advancetrue\myclpp1}\def\ycupp{\advancetrue\mycupp1}%
-\def\yclppp{\advancetrue\myclppp1}\def\ycuppp{\advancetrue\mycuppp1}%
- %
-\def\mycu#1#2{\getn@i{#2}\def\n@sym{\d@iamg}%
-\edef\n@fon{\noexpand\mycu #1}\g@cu{#1}}
-\def\mycup#1#2{\getn@i{#2}\def\n@sym{\d@iamgp}%
-\edef\n@fon{\noexpand\mycup #1}\g@cu{#1}}
-\def\mycupp#1#2{\getn@i{#2}\def\n@sym{\d@iamgpp}%
-\edef\n@fon{\noexpand\mycupp #1}\g@cu{#1}}
-\def\mycuppp#1#2{\getn@i{#2}\def\n@sym{\d@iamgppp}%
-\edef\n@fon{\noexpand\mycupp #1}\g@cu{#1}}
- %
-\def\mycl#1#2{\getn@i{#2}\def\n@sym{\d@iamg}%
-\edef\n@fon{\noexpand\mycl #1}\g@cl{#1}}
-\def\myclp#1#2{\getn@i{#2}\def\n@sym{\d@iamgp}%
-\edef\n@fon{\noexpand\myclp #1}\g@cl{#1}}
-\def\myclpp#1#2{\getn@i{#2}\def\n@sym{\d@iamgpp}%
-\edef\n@fon{\noexpand\myclpp #1}\g@cl{#1}}
-\def\myclppp#1#2{\getn@i{#2}\def\n@sym{\d@iamgppp}%
-\edef\n@fon{\noexpand\myclppp #1}\g@cl{#1}}
-
-%%%%%%%%%%%%%%%%%%%%%%%%% notes with white diamond heads %%%%%%%%%%%%%%%%%%%%
-
- %\check
-\def\du{\advancetrue\du@z}%
-\def\dup{\advancetrue\dup@z}%
-\def\dupp{\advancetrue\dupp@z}%
-\def\duppp{\advancetrue\duppp@z}%
-\def\du@z#1{\getn@i{#1}\def\n@fon{\du}\def\n@sym{\d@iamw}\g@qu}%
-\def\dup@z#1{\getn@i{#1}\def\n@fon{\dup}\def\n@sym{\d@iamwp}\g@qu}%
-\def\dupp@z#1{\getn@i{#1}\def\n@fon{\dupp}\def\n@sym{\d@iamwpp}\g@qu}%
-\def\duppp@z#1{\getn@i{#1}\def\n@fon{\duppp}\def\n@sym{\d@iamwppp}\g@qu}%
-\def\dl{\advancetrue\dl@z}%
-\def\dlp{\advancetrue\dlp@z}%
-\def\dlpp{\advancetrue\dlpp@z}%
-\def\dlppp{\advancetrue\dlppp@z}%
-\def\dl@z#1{\getn@i{#1}\def\n@fon{\dl}\def\n@sym{\d@iamw}\g@ql}%
-\def\dlp@z#1{\getn@i{#1}\def\n@fon{\dlp}\def\n@sym{\d@iamwp}\g@ql}%
-\def\dlpp@z#1{\getn@i{#1}\def\n@fon{\dlpp}\def\n@sym{\d@iamwpp}\g@ql}%
-\def\dlppp@z#1{\getn@i{#1}\def\n@fon{\dlppp}\def\n@sym{\d@iamwppp}\g@ql}%
- %\check
- %
-\def\d@iamwp{\hbox to \qn@width{\d@iamw\hss}\P@t}%
-\def\d@iamwpp{\hbox to \qn@width{\d@iamw\hss}\PP@t}%
-\def\d@iamwppp{\hbox to \qn@width{\d@iamw\hss}\PPP@t}%
-%
-\def\dh#1{\selectpoutre{#1}\dh@}%
-\def\db#1{\selectpoutre{#1}\db@}%
-\def\dh@#1{\getn@i{#1}\def\n@fon{\dh@}\def\n@sym{\d@iamw}\g@qh@}% % position
-\def\db@#1{\getn@i{#1}\def\n@fon{\db@}\def\n@sym{\d@iamw}\g@qb@} % #1 position
-%
-% x heads without stems
-\def\zd#1{\getn@i{#1}\def\n@fon{\zd}\def\n@sym{\d@iamw}\g@zq}
-\def\zdp#1{\getn@i{#1}\def\n@fon{\zdp}\def\n@sym{\d@iamwp}\g@zq}
-\def\zdpp#1{\getn@i{#1}\def\n@fon{\zdpp}\def\n@sym{\d@iamwpp}\g@zq}
-\def\zdppp#1{\getn@i{#1}\def\n@fon{\zdppp}\def\n@sym{\d@iamwppp}\g@zq}
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas pour percussion x
- %
-\def\dcu{\advancetrue\mdcu1}\def\dccu{\advancetrue\mdcu2}
-\def\dcccu{\advancetrue\mdcu3}\def\dccccu{\advancetrue\mdcu4}%
-\def\dcl{\advancetrue\mdcl1}\def\dccl{\advancetrue\mdcl2}
-\def\dcccl{\advancetrue\mdcl3}\def\dccccl{\advancetrue\mdcl4}%
-%
-\def\dclp{\advancetrue\mdclp1}\def\dcup{\advancetrue\mdcup1}%
-\def\dclpp{\advancetrue\mdclpp1}\def\dcupp{\advancetrue\mdcupp1}%
-\def\dclppp{\advancetrue\mdclppp1}\def\dcuppp{\advancetrue\mdcuppp1}%
- %
-\def\mdcu#1#2{\getn@i{#2}\def\n@sym{\d@iamw}%
-\edef\n@fon{\noexpand\mdcu #1}\g@cu{#1}}
-\def\mdcup#1#2{\getn@i{#2}\def\n@sym{\d@iamwp}%
-\edef\n@fon{\noexpand\mdcup #1}\g@cu{#1}}
-\def\mdcupp#1#2{\getn@i{#2}\def\n@sym{\d@iamwpp}%
-\edef\n@fon{\noexpand\mdcupp #1}\g@cu{#1}}
-\def\mdcuppp#1#2{\getn@i{#2}\def\n@sym{\d@iamwppp}%
-\edef\n@fon{\noexpand\mdcupp #1}\g@cu{#1}}
- %
-\def\mdcl#1#2{\getn@i{#2}\def\n@sym{\d@iamw}%
-\edef\n@fon{\noexpand\mdcl #1}\g@cl{#1}}
-\def\mdclp#1#2{\getn@i{#2}\def\n@sym{\d@iamwp}%
-\edef\n@fon{\noexpand\mdclp #1}\g@cl{#1}}
-\def\mdclpp#1#2{\getn@i{#2}\def\n@sym{\d@iamwpp}%
-\edef\n@fon{\noexpand\mdclpp #1}\g@cl{#1}}
-\def\mdclppp#1#2{\getn@i{#2}\def\n@sym{\d@iamwppp}%
-\edef\n@fon{\noexpand\mdclppp #1}\g@cl{#1}}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% arpeges
-%
-\def\arpegesym#1{\hbox to \Interligne{\kern -1.2\Interligne
-\vbox to #1{\parindent=\z@
-\offinterlineskip\ifdim #1>4\Interligne\Arp@elem\fi\hrule
-\cleaders\arp@elem\vfill\kern -\interligne}\hss}}%
-\def\arp@elem{\vbox to \Interligne{\vss\musicnorfont\char"5A}}%
-\def\Arp@elem{\vbox to 4\Interligne{\vss\musicnorfont\char"5D}}%
-%
-\def\arpeggio#1#2{\zcharnote{#1}{\n@iii=#2\relax\advance\n@iii by 89\relax
-\musicnorfont\chardef\arp@el=\n@iii\relax\arp@el}\qsk}%
-\def\larpeggio#1#2{\lcharnote{#1}{\n@iii=#2\relax\advance\n@iii by 89\relax
-\musicnorfont\chardef\arp@el=\n@iii\relax\arp@el\kern -0.3\qn@width}\qsk}%
-%
-%
-% This skip aligns some ornaments which appear not to be centred precisely
-% on the notes
-\def\o@skp{\kern-.5\hd@skip}
-\def\mordant#1{\zcharnote{#1}{\musicnfont\char 89}}%
-\def\pince#1{\zcharnote{#1}{\musicnfont\char 87}}%
-\def\Pince#1{\zcharnote{#1}{\musicnfont\char 88}}%
-\def\Lpince#1{\zcharnote{#1}{\musicnfont\char 7}}%
-\def\Pincesw#1{\zcharnote{#1}{\musicnfont\char 11}}%
-\def\Pincenw#1{\zcharnote{#1}{\musicnfont\char 10}}%
-\def\Pincene#1{\zcharnote{#1}{\musicnfont\char 9}}%
-% \turn p makes a turn symbol at pitch p, causing no space
-% \backturn p makes a backward turn symbol at pitch p, causing no space
-% \coda p makes a coda ...
-% \segno p makes the special "S" ...
-\def\turn#1{\zcharnote{#1}{\o@skp\musicnfont\char"44}}
-\def\backturn#1{\zcharnote{#1}{\o@skp\musicnfont\char"43}}
-\def\coda#1{\zcharnote{#1}{\o@skp\musicnorfont\char"55}}
-\def\segno#1{\zcharnote{#1}{\o@skp\musicnorfont\char"56}}
-%
-\def\sforz#1{{\advance\transpose by -2\usf{#1}}}%
-\def\pz#1{{\advance\transpose by -2\upz{#1}}}%
-\def\ppz#1{\uppz{#1}}%
-\def\st#1{{\advance\transpose by -2\ust{#1}}}%
-%
-\def\usf#1{\zcharnote{#1}{\musicnfont\char 30}}%
-\def\lsf#1{\zcharnote{#1}{\musicnfont\char 31}}%
-\def\ust#1{\zcharnote{#1}{\musicnfont\char 26}}%
-\def\lst#1{\zcharnote{#1}{\musicnfont\char 27}}%
-\def\upz#1{\zcharnote{#1}{\musicnfont\char 24}}%
-\def\lpz#1{\zcharnote{#1}{\musicnfont\char 25}}%
-\def\uppz#1{\zcharnote{#1}{\musicnfont\char 28}}%
-\def\lppz#1{\zcharnote{#1}{\musicnfont\char 29}}%
-%
-% placement des accents au-dessus de poutres et non de tetes de notes
-\def\acc@balk{\global\stem@skip=\z@ %
-\y@ii=\b@z % a augmenter avec la pente
-\y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x
-\advance\y@ii by \s@lope\y@v
-\advance\y@ii by -\altportee
-\raise\y@ii\rlap{\kern\stem@skip\balk@accent}}%
-%\check
-\def\busf#1{\def\balk@accent{\musicnfont\char 30}\selectpoutre{#1}\acc@balk}%
-\def\blsf#1{\def\balk@accent{\musicnfont\char 31}\selectpoutre{#1}\acc@balk}%
-\def\bust#1{\def\balk@accent{\musicnfont\char 26}\selectpoutre{#1}\acc@balk}%
-\def\blst#1{\def\balk@accent{\musicnfont\char 27}\selectpoutre{#1}\acc@balk}%
-\def\bupz#1{\def\balk@accent{\musicnfont\char 24}\selectpoutre{#1}\acc@balk}%
-\def\blpz#1{\def\balk@accent{\musicnfont\char 25}\selectpoutre{#1}\acc@balk}%
-\def\buppz#1{\def\balk@accent{\musicnfont\char 28}\selectpoutre{#1}\acc@balk}%
-\def\blppz#1{\def\balk@accent{\musicnfont\char 29}\selectpoutre{#1}\acc@balk}%
-%
-% soufflets crescendo et decrescendo
-%
-\def\dimin{{\musicnorfont\char"10}}%
-\def\Dimin{{\musicnorfont\char"11}}%
-\def\DImin{{\musicnorfont\char"12}}%
-\def\DIMin{{\musicnorfont\char"13}}%
-\def\cresc{{\musicnorfont\char"14}}%
-\def\Cresc{{\musicnorfont\char"15}}%
-\def\CResc{{\musicnorfont\char"16}}%
-\def\CREsc{{\musicnorfont\char"17}}%
-%
-% colons for repeats (:| |: :||:)
-%
-%\check
-\def\w@coli{\selectinstr{\p@loop\raise\altportee
- \hbox to \z@{\hss\musickeyfont\char 126\hss}\n@portee\repeat}}%
-%
-% long pauses
-%
-\def\PAuse{\hbox to \noteskip{\musicnorfont\char"3A\hss}\advance\locx@skip
- by \noteskip}%
-\def\PAUSe{\hbox to \noteskip{\musicnorfont\char"3B\hss}\advance\locx@skip
- by \noteskip}%
-\def\expause#1{\charnote{#1}{\musicnorfont\char 5\hss}}
-\def\zexpause#1{\zcharnote{#1}{\musicnorfont\char 5\hss}}
-\def\exhpause#1{\charnote{#1}{\musicnorfont\char 6\hss}}
-\def\zexhpause#1{\zcharnote{#1}{\musicnorfont\char 6\hss}}
-%
-% special song system left begins
-%
-\def\type@songsymbols{\raise\lowersongalt\llap{\musicnorfont\char 15}%
-\advance\lowersongalt by \uppersongalt
-\advance\lowersongalt by -\hlthick
-\raise\lowersongalt\llap{\musicnorfont\char 14}}
-%
-%
-% horizontal upper slur offset by #2 noteheads, total width #1
-%
-\def\h@uslur#1#2{\y@v=#1\relax\advance\y@v by -#2\hn@width
-\global\setbox\ch@box=\hbox{\slurnorfont\char31}% maximum of one part slurs
-\ifdim\wd\ch@box>\y@v
- \global\n@iii=0\relax
- \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}%
- \ifdim\wd\ch@box<\y@v\global\advance\n@iii by 1\relax
- \repeat
- \hbox to #1{\kern #2\hn@width\hss\slurnorfont\char\n@iii\hss}%
-\else
- \global\n@iii=79\relax
- \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}%
- \ifdim 2\wd\ch@box>\y@v\global\advance\n@iii by -1\relax
- \repeat
- \hbox to #1{\kern #2\hn@width\y@iv=\ht\ch@box\y@iii=-\ht\ch@box
- \advance\y@iii by \t@y
- \slurnorfont\char\n@iii
- \leaders\hrule height \y@iv depth \y@iii\hfill
- \advance\n@iii by 16\relax \char\n@iii}%
-\fi}
-%
-% horizontal lower slur offset by #2 noteheads, total width #1
-%
-\def\h@dslur#1#2{\y@v=#1\relax\advance\y@v by -#2\hn@width
-\global\setbox\ch@box=\hbox{\slurnorfont\char31}% maximum of one part slurs
-\ifdim\wd\ch@box>\y@v
- \global\n@iii=32\relax
- \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}%
- \ifdim\wd\ch@box<\y@v\global\advance\n@iii by 1\relax
- \repeat
- \hbox to #1{\kern #2\hn@width\hss\slurnorfont\char\n@iii\hss}%
-\else
- \global\n@iii=111\relax
- \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}%
- \ifdim 2\wd\ch@box>\y@v\global\advance\n@iii by -1\relax
- \repeat
- \hbox to #1{\kern #2\hn@width\y@iv=\dp\ch@box\y@iii=-\dp\ch@box
- \advance\y@iii by \t@y
- \slurnorfont\char\n@iii
- \leaders\hrule height \y@iii depth \y@iv\hfill
- \advance\n@iii by 16\relax \char\n@iii}%
-\fi}
-%
-% sames without offsets
-%
-\def\hdslur#1{\h@dslur {#1}0}
-\def\huslur#1{\h@uslur {#1}0}
-%
-% noter un debut de tenue
-%
-\def\ITenu#1{\selecttenue{#1}\I@tenu{70}}%
-\def\Ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\I@tenu{70}{#2}}}%
-\def\Itenu#1{\selecttenue{#1}\I@tenu{66}}%
-\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\I@tenu{66}{#2}}}%
-\def\ITenl#1{\selecttenue{#1}\I@tenl{102}}%
-\def\Ilegl#1#2{\selecttenue{#1}\advance\locx@skip by -1.5\qn@width
-\I@tenl{102}{#2}\advance\locx@skip by 1.5\qn@width}%
-\def\Itenl#1{\selecttenue{#1}\I@tenl{98}}%
-\def\ilegl#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\I@tenl{98}{#2}}}%
-%
-\def\I@tenall{\check@tenvoid\global\t@s=1\relax % etat en cours
- \global\t@x=\locx@skip
- \global\advance\t@x by 0.8\qd@skip
- \global\t@y= 0.20\Interligne
- \pl@base\global\t@z=\y@i\global\advance\t@z by\altportee
- \setbox\ch@box=\hbox{\L@slur}}%
-%
-\def\I@tenu#1#2{\global\t@p=1\relax % sens=1
- \global\t@w=#1\relax
- \inhgetn@i{#2}%
- \I@tenall
- \global\advance\t@z by \ht\ch@box
- \global\advance\t@z by 0.24\Interligne
- \global\advance\t@z by -\t@y
- \up@tenbox}%
-%
-\def\I@tenl#1#2{\global\t@p=-1\relax % sens= -1
- \global\t@w=#1\relax
- \inhgetn@i{#2}%
- \I@tenall
- \global\advance\t@z by -\dp\ch@box
- \global\advance\t@z by -0.24\Interligne
- \up@tenbox}%
-
-\def\Invertslur#1{\selecttenue{#1}\global\t@p=-\t@p
-\ifnum\t@w>63\relax
- \ifnum\t@w<96\global\advance\t@w by 32\relax
- \else\global\advance\t@w by -32\fi
-\fi}
-
-
-%
-%\check
-%
-\def\Tten{\tten}%
-\def\Tleg#1{\rlap{\qsk\tleg#1}}%
-%
-\def\t@ten{\check@tenopen\y@i=\t@z\advance\y@i by -\altportee
-\y@ii=\locx@skip\advance\y@ii by -\t@x
-\ifnum\t@w=0\relax\else\advance\y@ii by 0.4\qd@skip\fi
-\ifnum\t@p>0\relax
- \ifnum\t@s=2\relax
- \raise\y@i\llap{\ifnum\t@w=0\relax
- \up@rleg\else
- \Up@rleg\kern -0.2\qd@skip\fi}%
- \else
- \raise\y@i\llap{\ifnum\t@w=0\relax
- \up@leg\else
- \Up@leg\kern -0.2\qd@skip\fi}%
- \fi
-\else
- \ifnum\t@s=2\relax
- \raise\y@i\llap{\ifnum\t@w=0\relax
- \lo@rleg\else
- \Lo@rleg\kern -0.2\qd@skip\fi}%
- \else
- \raise\y@i\llap{\ifnum\t@w=0\relax
- \lo@leg\else
- \Lo@leg\kern -0.2\qd@skip\fi}%
- \fi
-\fi
-\global\t@w=0\relax
-\global\t@s=0\relax
-\@uptenubox}%
-%
-%
-\def\L@slur{\slurnorfont\char\t@w}%
-\def\R@slur{\global\advance\t@w by 16\slurnorfont\char\t@w}%
-\newdimen\slur@off
-\newdimen\slur@maxlen
-%
-\def\leg@hrule{\leaders\hrule height \t@y\hfill}%
-%
-% complete slur of length #1 (up and down)
-\def\Up@leg{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box
- \advance\slur@off by -\t@y
- \ifdim \y@ii>2\wd\ch@box
- \raise -\slur@off\hbox{\L@slur}\leg@hrule\raise -\slur@off\hbox{\R@slur}%
- \else
- \raise -\slur@off\hbox{\huslur{\y@ii}}%
- \fi}}%
-%
-\def\Lo@leg{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box
- \advance\slur@off by -0.1pt
- \ifdim \y@ii>2\wd\ch@box
- \raise -\slur@off\hbox{\L@slur}\leg@hrule\raise -\slur@off\hbox{\R@slur}%
- \else
- \raise -\slur@off\hbox{\hdslur{\y@ii}}%
- \fi}}%
-%
-% slur termination of length #1 (up and down)
-\def\Up@rleg{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box %
- \advance\slur@off by -\t@y
- \ifdim \y@ii>\wd\ch@box\leg@hrule
- \else\hss\fi \raise -\slur@off\hbox{\R@slur}}}%
-%
-\def\Lo@rleg{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box %
- \advance\slur@off by -0.1pt
- \ifdim \y@ii>\wd\ch@box\leg@hrule
- \else\hss\fi \raise -\slur@off\hbox{\R@slur}}}%
-%
-%\check
-%
-% slur beginning (left) (up and down)
-\def\Up@les{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box
- \advance\slur@off by -\t@y
- \UpLo@les}}%
-%
-%\check
-%
-\def\Lo@les{% longueur \y@ii
-\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box
- \advance\slur@off by -0.1pt
- \UpLo@les}}%
-%
-%\check
-%
-\def\UpLo@les{\raise -\slur@off\hbox{\L@slur}%
- \advance\y@ii by -\wd\ch@box
- \ifdim \y@ii>\z@\leg@hrule
- \else\hss
-% \ifdim\y@ii<-.8\p@ \vrule height 1cm\fi
- \fi}%
-%\check
-%
-\def\c@ten{%\rlap{\vrule height 1cm}
- \y@ii=\x@skip\advance\y@ii by -\t@x
- \global\t@x=-.8\p@ %<--
- \ifnum\t@s=1\relax
- \ifnum\t@w=0\relax
- \ifnum\t@p>0\relax
- \raise\t@z\llap{\up@les}\else
- \raise\t@z\llap{\lo@les}\fi
- \else
- \ifnum\t@p>0\relax
- \raise\t@z\llap{\Up@les}\else
- \raise\t@z\llap{\Lo@les}\fi
- \fi
- \else
- \ifnum\t@s=2\relax
- \slur@off=\t@z
- \advance\slur@off by \t@y
-% \advance\slur@off by 3\p@
- \kern -\y@ii\vrule height \slur@off depth -\t@z width \y@ii
- \fi
- \fi
- \global\t@s=2\relax
-}%
-%
-\def\n@skmb{\nobreak\global\slur@maxlen=\z@
-% compute the maximum length of slurs to be handled
- \ten@loop
- \setbox\ch@box=\hbox{\ifnum\t@w=0\relax\lu@slur
- \else\L@slur\fi}\ifdim\slur@maxlen<\wd\ch@box
- \global\slur@maxlen=\wd\ch@box\fi
- \global\advance\n@l by 1\relax
- \repeat
-% compute the maximum excess length of beginning slurs
- \global\slur@off=\z@
- \ten@loop
- \y@ii=\x@skip\advance\y@ii by \n@skip\advance\y@ii by -\t@x
- \advance\y@ii by -\slur@maxlen
- % \y@ii is the length that will be given to \c@ten for that slur/tie
- % assuming \slur@maxlen left offset...
- \ifnum\t@s=1\relax
- \setbox\ch@box=\hbox{\ifnum\t@w=0\relax\lu@slur\else\L@slur\fi}%
- {\advance\y@ii by -\wd\ch@box
- \ifdim\y@ii<\slur@off \global\slur@off=\y@ii\fi}%
- \fi
- \global\advance\n@l by 1\relax
- \repeat
- \global\advance\slur@maxlen by \slur@off
-%
- \nobreak\global\advance\n@skip by -\slur@maxlen}%
-\def\skip@b{\hskip \slur@maxlen
- \global\advance\x@skip by\slur@maxlen}% %
-
- %
-%
-%\check
-%
-% symboles slurn20 des liaisons et tenues
-%
-\newcount\t@wi
-\newcount\t@wii
-\newcount\t@wiii
-\newcount\t@wiv
-\newcount\t@wv
-\newcount\t@wvi
-%
-\let\wlog=\@plainwlog
-%
-\def\k@ii{\fontdimen 8\musictwenty}
-\def\k@iii{\fontdimen 9\musictwenty}
-\def\k@iiii{\fontdimen 10\musictwenty}
-\def\k@iiv{\fontdimen 11\musictwenty}
-\def\k@iv{\fontdimen 12\musictwenty}
-\def\k@ivi{\fontdimen 13\musictwenty}
-\def\k@ivii{\fontdimen 14\musictwenty}
-\def\k@iviii{\fontdimen 15\musictwenty}
-\def\k@iix{\fontdimen 16\musictwenty}
-%
-\def\internotei{\fontdimen 17\musictwenty}
-\def\internoteii{\fontdimen 18\musictwenty}
-\def\internoteiii{\fontdimen 19\musictwenty}
-\def\internoteiv{\fontdimen 20\musictwenty}
-\def\internotev{\fontdimen 21\musictwenty}
-\def\internotevi{\fontdimen 22\musictwenty}
-\def\internotevii{\fontdimen 23\musictwenty}
-\def\internoteviii{\fontdimen 24\musictwenty}
-\def\internoteix{\fontdimen 25\musictwenty}
-\def\c@height{\fontdimen 26\musictwenty}
-%
-\def\qn@width{\fontdimen 27\musictwenty}
-\def\hn@width{\fontdimen 28\musictwenty}
-\def\wn@width{\fontdimen 29\musictwenty}
-\def\sb@width{\fontdimen 30\musictwenty}
-\def\bv@width{\fontdimen 31\musictwenty}
-\def\gr@width{\fontdimen 32\musictwenty}
-%
-\def\clef@skip{\fontdimen 28\beamtwenty}
-\def\nullthick{\fontdimen 29\beamtwenty}
-\def\bbbb@xi{\fontdimen 30\beamtwenty}
-\def\bbbb@xii{\fontdimen 31\beamtwenty}
-\def\bbbb@xiii{\fontdimen 32\beamtwenty}
-\def\bbbb@xiv{\fontdimen 33\beamtwenty}
-\def\bbbb@xv{\fontdimen 34\beamtwenty}
-\def\bbbb@xvi{\fontdimen 35\beamtwenty}
-\def\bbbb@xvii{\fontdimen 36\beamtwenty}
-\def\bbbb@xviii{\fontdimen 37\beamtwenty}
-\def\bbbb@xix{\fontdimen 38\beamtwenty}
-\def\bbbb@xx{\fontdimen 39\beamtwenty}
-%
-\def\bbbbb@xi{\fontdimen 40\beamtwenty}
-\def\bbbbb@xii{\fontdimen 41\beamtwenty}
-\def\bbbbb@xiii{\fontdimen 42\beamtwenty}
-\def\bbbbb@xiv{\fontdimen 43\beamtwenty}
-\def\bbbbb@xv{\fontdimen 44\beamtwenty}
-\def\bbbbb@xvi{\fontdimen 45\beamtwenty}
-\def\bbbbb@xvii{\fontdimen 46\beamtwenty}
-\def\bbbbb@xviii{\fontdimen 47\beamtwenty}
-\def\bbbbb@xix{\fontdimen 48\beamtwenty}
-\def\bbbbb@xx{\fontdimen 49\beamtwenty}
-
-% this macro sets the new big (piano) braces (due to Andreas Egler)
-% !!! Attention !!!
-% there is no checking of
-% too small or large dimensions
-%
-\font\musext=musicbra
-\newcount\selbrace
-\def\mult@portee{\y@ii=\nbportees\interportee
- \advance\y@ii by -\Interportee
- \advance\y@ii by \nbportees\lthick
- \advance\y@ii by -2\lthick
-%
- \selbrace=\y@ii\relax\select@brace%
- \divide\y@ii by 2\raise\y@\llap{%
- \raise\y@ii\llap{\musext\char\selbrace%
- \kern.5\Interligne}}}%
-%
-\def\select@brace{\divide\selbrace by 65536%
-\advance\selbrace by -40\divide\selbrace by 2}%
-% dim to count means 1pt -> 65536 sp
-% 40 pt is the length of the smallest brace
-% the next brace is 2pt larger
-
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicper.tex b/Master/texmf-dist/tex/generic/musictex/musicper.tex
deleted file mode 100644
index 6d9f41f1754..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicper.tex
+++ /dev/null
@@ -1,227 +0,0 @@
-%
-% This is Musicper from MusicTeX
-\message{Version 5.03 -- March 31st, 1994}%
-%
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-
-%%%% notes with a doublesharp-head
-
-\def\x@u{\musicnfont\char"35\hss}%
- %\check
-\def\xu{\advancetrue\xu@z}%
-\def\xup{\advancetrue\xup@z}%
-\def\xupp{\advancetrue\xupp@z}%
-\def\xuppp{\advancetrue\xuppp@z}%
-\def\xu@z#1{\getn@i{#1}\def\n@fon{\xu}\def\n@sym{\x@u}\g@qu}%
-\def\xup@z#1{\getn@i{#1}\def\n@fon{\xup}\def\n@sym{\x@up}\g@qu}%
-\def\xupp@z#1{\getn@i{#1}\def\n@fon{\xupp}\def\n@sym{\x@upp}\g@qu}%
-\def\xuppp@z#1{\getn@i{#1}\def\n@fon{\xuppp}\def\n@sym{\x@uppp}\g@qu}%
-\def\xl{\advancetrue\xl@z}%
-\def\xlp{\advancetrue\xlp@z}%
-\def\xlpp{\advancetrue\xlpp@z}%
-\def\xlppp{\advancetrue\xlppp@z}%
-\def\xl@z#1{\getn@i{#1}\def\n@fon{\xl}\def\n@sym{\x@u}\g@ql}%
-\def\xlp@z#1{\getn@i{#1}\def\n@fon{\xlp}\def\n@sym{\x@up}\g@ql}%
-\def\xlpp@z#1{\getn@i{#1}\def\n@fon{\xlpp}\def\n@sym{\x@upp}\g@ql}%
-\def\xlppp@z#1{\getn@i{#1}\def\n@fon{\xlppp}\def\n@sym{\x@uppp}\g@ql}%
- %\check
- %
-\def\x@up{\hbox to \qn@width{\x@u\hss}\P@t}%
-\def\x@upp{\hbox to \qn@width{\x@u\hss}\PP@t}%
-\def\x@uppp{\hbox to \qn@width{\x@u\hss}\PPP@t}%
-%
-\def\xh#1{\selectpoutre{#1}\xh@}%
-\def\xb#1{\selectpoutre{#1}\xb@}%
-\def\xh@#1{\getn@i{#1}\def\n@fon{\xh@}\def\n@sym{\x@u}\g@qh@}% % position
-\def\xb@#1{\getn@i{#1}\def\n@fon{\xb@}\def\n@sym{\x@u}\g@qb@} % #1 position
-%
-% x heads without stems
-\def\zx#1{\getn@i{#1}\def\n@fon{\zx}\def\n@sym{\x@u}\g@zq}
-\def\zxp#1{\getn@i{#1}\def\n@fon{\zxp}\def\n@sym{\x@up}\g@zq}
-\def\zxpp#1{\getn@i{#1}\def\n@fon{\zxpp}\def\n@sym{\x@upp}\g@zq}
-\def\zxppp#1{\getn@i{#1}\def\n@fon{\zxppp}\def\n@sym{\x@uppp}\g@zq}
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas pour percussion x
- %
-\def\xcu{\advancetrue\mxcu1}\def\xccu{\advancetrue\mxcu2}
-\def\xcccu{\advancetrue\mxcu3}\def\xccccu{\advancetrue\mxcu4}%
-\def\xcl{\advancetrue\mxcl1}\def\xccl{\advancetrue\mxcl2}
-\def\xcccl{\advancetrue\mxcl3}\def\xccccl{\advancetrue\mxcl4}%
-%
-\def\xclp{\advancetrue\mxclp1}\def\xcup{\advancetrue\mxcup1}%
-\def\xclpp{\advancetrue\mxclpp1}\def\xcupp{\advancetrue\mxcupp1}%
-\def\xclppp{\advancetrue\mxclppp1}\def\xcuppp{\advancetrue\mxcuppp1}%
- %
-\def\mxcu#1#2{\getn@i{#2}\def\n@sym{\x@u}%
-\edef\n@fon{\noexpand\mxcu #1}\g@cu{#1}}
-\def\mxcup#1#2{\getn@i{#2}\def\n@sym{\x@up}%
-\edef\n@fon{\noexpand\mxcup #1}\g@cu{#1}}
-\def\mxcupp#1#2{\getn@i{#2}\def\n@sym{\x@upp}%
-\edef\n@fon{\noexpand\mxcupp #1}\g@cu{#1}}
-\def\mxcuppp#1#2{\getn@i{#2}\def\n@sym{\x@uppp}%
-\edef\n@fon{\noexpand\mxcupp #1}\g@cu{#1}}
- %
-\def\mxcl#1#2{\getn@i{#2}\def\n@sym{\x@u}%
-\edef\n@fon{\noexpand\mxcl #1}\g@cl{#1}}
-\def\mxclp#1#2{\getn@i{#2}\def\n@sym{\x@up}%
-\edef\n@fon{\noexpand\mxclp #1}\g@cl{#1}}
-\def\mxclpp#1#2{\getn@i{#2}\def\n@sym{\x@upp}%
-\edef\n@fon{\noexpand\mxclpp #1}\g@cl{#1}}
-\def\mxclppp#1#2{\getn@i{#2}\def\n@sym{\x@uppp}%
-\edef\n@fon{\noexpand\mxclppp #1}\g@cl{#1}}
-
-
-%%%% notes with a circled doublesharp-head
-
-\def\ox@u{\musicnfont\char 38\hss}%
- %\check
-\def\oxu{\advancetrue\oxu@z}%
-\def\oxup{\advancetrue\oxup@z}%
-\def\oxupp{\advancetrue\oxupp@z}%
-\def\oxuppp{\advancetrue\oxuppp@z}%
-\def\oxu@z#1{\getn@i{#1}\def\n@fon{\oxu}\def\n@sym{\ox@u}\g@qu}%
-\def\oxup@z#1{\getn@i{#1}\def\n@fon{\oxup}\def\n@sym{\ox@up}\g@qu}%
-\def\oxupp@z#1{\getn@i{#1}\def\n@fon{\oxupp}\def\n@sym{\ox@upp}\g@qu}%
-\def\oxuppp@z#1{\getn@i{#1}\def\n@fon{\oxuppp}\def\n@sym{\ox@uppp}\g@qu}%
-\def\oxl{\advancetrue\oxl@z}%
-\def\oxlp{\advancetrue\oxlp@z}%
-\def\oxlpp{\advancetrue\oxlpp@z}%
-\def\oxlppp{\advancetrue\oxlppp@z}%
-\def\oxl@z#1{\getn@i{#1}\def\n@fon{\oxl}\def\n@sym{\ox@u}\g@ql}%
-\def\oxlp@z#1{\getn@i{#1}\def\n@fon{\oxlp}\def\n@sym{\ox@up}\g@ql}%
-\def\oxlpp@z#1{\getn@i{#1}\def\n@fon{\oxlpp}\def\n@sym{\ox@upp}\g@ql}%
-\def\oxlppp@z#1{\getn@i{#1}\def\n@fon{\oxlppp}\def\n@sym{\ox@uppp}\g@ql}%
- %\check
- %
-\def\ox@up{\hbox to \qn@width{\ox@u\hss}\P@t}%
-\def\ox@upp{\hbox to \qn@width{\ox@u\hss}\PP@t}%
-\def\ox@uppp{\hbox to \qn@width{\ox@u\hss}\PPP@t}%
-%
-\def\oxh#1{\selectpoutre{#1}\oxh@}%
-\def\oxb#1{\selectpoutre{#1}\oxb@}%
-\def\oxh@#1{\getn@i{#1}\def\n@fon{\oxh@}\def\n@sym{\ox@u}\g@qh@}% % position
-\def\oxb@#1{\getn@i{#1}\def\n@fon{\oxb@}\def\n@sym{\ox@u}\g@qb@} % #1 position
-%
-% x heads without stems
-\def\zox#1{\getn@i{#1}\def\n@fon{\zox}\def\n@sym{\ox@u}\g@zq}
-\def\zoxp#1{\getn@i{#1}\def\n@fon{\zoxp}\def\n@sym{\ox@up}\g@zq}
-\def\zoxpp#1{\getn@i{#1}\def\n@fon{\zoxpp}\def\n@sym{\ox@upp}\g@zq}
-\def\zoxppp#1{\getn@i{#1}\def\n@fon{\zoxppp}\def\n@sym{\ox@uppp}\g@zq}
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas pour percussion x
- %
-\def\oxcu{\advancetrue\moxcu1}\def\oxccu{\advancetrue\moxcu2}
-\def\oxcccu{\advancetrue\moxcu3}\def\oxccccu{\advancetrue\moxcu4}%
-\def\oxcl{\advancetrue\moxcl1}\def\oxccl{\advancetrue\moxcl2}
-\def\oxcccl{\advancetrue\moxcl3}\def\oxccccl{\advancetrue\moxcl4}%
-%
-\def\oxclp{\advancetrue\moxclp1}\def\oxcup{\advancetrue\moxcup1}%
-\def\oxclpp{\advancetrue\moxclpp1}\def\oxcupp{\advancetrue\moxcupp1}%
-\def\oxclppp{\advancetrue\moxclppp1}\def\oxcuppp{\advancetrue\moxcuppp1}%
- %
-\def\moxcu#1#2{\getn@i{#2}\def\n@sym{\ox@u}%
-\edef\n@fon{\noexpand\moxcu #1}\g@cu{#1}}
-\def\moxcup#1#2{\getn@i{#2}\def\n@sym{\ox@up}%
-\edef\n@fon{\noexpand\moxcup #1}\g@cu{#1}}
-\def\moxcupp#1#2{\getn@i{#2}\def\n@sym{\ox@upp}%
-\edef\n@fon{\noexpand\moxcupp #1}\g@cu{#1}}
-\def\moxcuppp#1#2{\getn@i{#2}\def\n@sym{\ox@uppp}%
-\edef\n@fon{\noexpand\moxcupp #1}\g@cu{#1}}
- %
-\def\moxcl#1#2{\getn@i{#2}\def\n@sym{\ox@u}%
-\edef\n@fon{\noexpand\moxcl #1}\g@cl{#1}}
-\def\moxclp#1#2{\getn@i{#2}\def\n@sym{\ox@up}%
-\edef\n@fon{\noexpand\moxclp #1}\g@cl{#1}}
-\def\moxclpp#1#2{\getn@i{#2}\def\n@sym{\ox@upp}%
-\edef\n@fon{\noexpand\moxclpp #1}\g@cl{#1}}
-\def\moxclppp#1#2{\getn@i{#2}\def\n@sym{\ox@uppp}%
-\edef\n@fon{\noexpand\moxclppp #1}\g@cl{#1}}
-
-%%%% notes with a + head, for bongos ...
-
-\def\k@u{\musicnfont\char 39\hss}%
- %\check
-\def\ku{\advancetrue\ku@z}%
-\def\kup{\advancetrue\kup@z}%
-\def\kupp{\advancetrue\kupp@z}%
-\def\kuppp{\advancetrue\kuppp@z}%
-\def\ku@z#1{\getn@i{#1}\def\n@fon{\ku}\def\n@sym{\k@u}\g@qu}%
-\def\kup@z#1{\getn@i{#1}\def\n@fon{\kup}\def\n@sym{\k@up}\g@qu}%
-\def\kupp@z#1{\getn@i{#1}\def\n@fon{\kupp}\def\n@sym{\k@upp}\g@qu}%
-\def\kuppp@z#1{\getn@i{#1}\def\n@fon{\kuppp}\def\n@sym{\k@uppp}\g@qu}%
-\def\kl{\advancetrue\kl@z}%
-\def\klp{\advancetrue\klp@z}%
-\def\klpp{\advancetrue\klpp@z}%
-\def\klppp{\advancetrue\klppp@z}%
-\def\kl@z#1{\getn@i{#1}\def\n@fon{\kl}\def\n@sym{\k@u}\g@ql}%
-\def\klp@z#1{\getn@i{#1}\def\n@fon{\klp}\def\n@sym{\k@up}\g@ql}%
-\def\klpp@z#1{\getn@i{#1}\def\n@fon{\klpp}\def\n@sym{\k@upp}\g@ql}%
-\def\klppp@z#1{\getn@i{#1}\def\n@fon{\klppp}\def\n@sym{\k@uppp}\g@ql}%
- %\check
- %
-\def\k@up{\hbox to \qn@width{\k@u\hss}\P@t}%
-\def\k@upp{\hbox to \qn@width{\k@u\hss}\PP@t}%
-\def\k@uppp{\hbox to \qn@width{\k@u\hss}\PPP@t}%
-%
-\def\kh#1{\selectpoutre{#1}\kh@}%
-\def\kb#1{\selectpoutre{#1}\kb@}%
-\def\kh@#1{\getn@i{#1}\def\n@fon{\kh@}\def\n@sym{\k@u}\g@qh@}% % position
-\def\kb@#1{\getn@i{#1}\def\n@fon{\kb@}\def\n@sym{\k@u}\g@qb@} % #1 position
-%
-% x heads without stems
-\def\zk#1{\getn@i{#1}\def\n@fon{\zk}\def\n@sym{\k@u}\g@zq}
-\def\zkp#1{\getn@i{#1}\def\n@fon{\zkp}\def\n@sym{\k@up}\g@zq}
-\def\zkpp#1{\getn@i{#1}\def\n@fon{\zkpp}\def\n@sym{\k@upp}\g@zq}
-\def\zkppp#1{\getn@i{#1}\def\n@fon{\zkppp}\def\n@sym{\k@uppp}\g@zq}
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas pour percussion x
- %
-\def\kcu{\advancetrue\mkcu1}\def\kccu{\advancetrue\mkcu2}
-\def\kcccu{\advancetrue\mkcu3}\def\kccccu{\advancetrue\mkcu4}%
-\def\kcl{\advancetrue\mkcl1}\def\kccl{\advancetrue\mkcl2}
-\def\kcccl{\advancetrue\mkcl3}\def\kccccl{\advancetrue\mkcl4}%
-%
-\def\kclp{\advancetrue\mkclp1}\def\kcup{\advancetrue\mkcup1}%
-\def\kclpp{\advancetrue\mkclpp1}\def\kcupp{\advancetrue\mkcupp1}%
-\def\kclppp{\advancetrue\mkclppp1}\def\kcuppp{\advancetrue\mkcuppp1}%
- %
-\def\mkcu#1#2{\getn@i{#2}\def\n@sym{\k@u}%
-\edef\n@fon{\noexpand\mkcu #1}\g@cu{#1}}
-\def\mkcup#1#2{\getn@i{#2}\def\n@sym{\k@up}%
-\edef\n@fon{\noexpand\mkcup #1}\g@cu{#1}}
-\def\mkcupp#1#2{\getn@i{#2}\def\n@sym{\k@upp}%
-\edef\n@fon{\noexpand\mkcupp #1}\g@cu{#1}}
-\def\mkcuppp#1#2{\getn@i{#2}\def\n@sym{\k@uppp}%
-\edef\n@fon{\noexpand\mkcupp #1}\g@cu{#1}}
- %
-\def\mkcl#1#2{\getn@i{#2}\def\n@sym{\k@u}%
-\edef\n@fon{\noexpand\mkcl #1}\g@cl{#1}}
-\def\mkclp#1#2{\getn@i{#2}\def\n@sym{\k@up}%
-\edef\n@fon{\noexpand\mkclp #1}\g@cl{#1}}
-\def\mkclpp#1#2{\getn@i{#2}\def\n@sym{\k@upp}%
-\edef\n@fon{\noexpand\mkclpp #1}\g@cl{#1}}
-\def\mkclppp#1#2{\getn@i{#2}\def\n@sym{\k@uppp}%
-\edef\n@fon{\noexpand\mkclppp #1}\g@cl{#1}}
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-% special percussion symbols moved from musicnft.sty
-
-\def\shaker#1{\charnote{#1}{\s@haker}}%
-\def\zshaker#1{\zcharnote{#1}{\s@haker}}%
-\def\tremolord#1{\charnote{#1}{\t@remolord}}%
-\def\ztremolord#1{\zcharnote{#1}{\t@remolord}}%
-
-
-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicpln.tex b/Master/texmf-dist/tex/generic/musictex/musicpln.tex
deleted file mode 100644
index 5db818627d3..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicpln.tex
+++ /dev/null
@@ -1,298 +0,0 @@
-% version 5.00 October 1992 updated jan 94
-\ifx\fonthdg\undefined\def\fonthdg{c}\fi % prefix to cmxxx fonts.
-\ifx\fonthdge\undefined\def\fonthdge{m}\fi % prefix to cmxxx fonts.
- % change to "d" for dmxxx fonts
-\font\cmmi=cmmi10 scaled \magstep1
-\font\cmbx=\fonthdg\fonthdge bx10 scaled \magstep1
-\font\smcmbx=\fonthdg\fonthdge bx10
-\font\cmex=cmex10
-\font\cmsy=cmsy10 scaled \magstep1
-\font\smcmsy=cmsy10
-\font\cmr=\fonthdg\fonthdge r10 scaled \magstep1
-\font\smcmr=\fonthdg\fonthdge r10
-\font\ttyeight=\fonthdg\fonthdge tt8
-\font\linew=linew10
-\font\circlew=circlew1
-%
-\catcode`\@=11\relax
-\def\q@u{\kern -0.70pt\cmsy\char"0F\kern 0.7pt}\def\qu@raise{-2.1pt}%
-\def\h@a{\kern-0.3pt\cmr\char"6F}\def\ha@raise{-2.1pt}%
-\def\w@h{\cmbx\char"6F}\def\wh@raise{-2.1pt}%
-%\check
-% petites notes
-\def\smq@u{\kern-0.70pt\smcmsy\char"0F\kern 0.7pt}%
-\def\smh@a{\kern-0.3pt\smcmr\char"6F}%
-\def\smw@h{\smcmbx\char"6F}%
-%
-\newbox\ch@box
-\newdimen\lthick
-\global\lthick=0.4pt\relax
-\newdimen\qn@width
-\newdimen\hn@width
-\newdimen\wn@width
-\newdimen\qd@skip
-\newdimen\hd@skip
-\newdimen\wd@skip
-\newcount\musicsize
-\def\computespecifics{\ifnum\musicsize=0\relax\musicsize=20\relax\fi
-\Interligne=\musicsize pt\divide\Interligne by 4\relax
-\def\ppff{\ppffsixteen}%
-\ifnum\musicsize=20\relax\def\meterfont{\moyen}\else\def\meterfont{\cmbx}%
-\def\ppff{\ppfftwenty}\fi%
-\interbeam=0.75\Interligne
-\wn@width=6pt\relax
-\hn@width=4.8pt\relax
-\qn@width=4.5pt \relax
-\qd@skip=\qn@width\relax\advance\qd@skip by -\lthick\relax
-\hd@skip=\hn@width\relax\advance\qd@skip by -\lthick\relax
-\wd@skip=\wn@width\relax\advance\wd@skip by -\lthick\relax
-\setbox\ch@box=\hbox{\c@rochu}\relax\c@height=\ht\ch@box\relax
-}%
-%
-\def\s@oupir{\hbox{\kern 3pt\raise 5pt\hbox{\linew\char"42}\relax
-\kern -4pt\raise 12.5pt\hbox{\cmex\char"7C}\relax
-\kern 0.5pt\raise 14pt\hbox{\circlew\char"72}}}%
-\def\c@rochu{{\ttyeight\char"5C}}%
-\def\c@rochl{{\ttyeight\char"2F}}%
-\newdimen\c@height % hauteur d'un crochet de croche
-%\check
-\def\d@cr#1{% % queue de #1 croche(s) vers le haut
-\global\advance\st@top by #1\Interligne\relax
-\global\advance\st@top by -\st@bot\global\advance\st@top by 2.5\Interligne\relax
- \ifdim\st@top>1pt\relax
- \global\advance\st@bot by -\altportee\relax
- \raise\st@bot\rlap{\kern\stem@skip\vrule height\st@top width \lthick
- \advance\st@top by -\c@height\relax
- \ifnum #1>0\relax\raise\st@top\rlap{\c@rochu}\fi
- \ifnum #1>1\relax\global\advance\st@top by -\Interligne\raise\st@top
-\rlap{\c@rochu}\fi
- \ifnum #1>2\relax\global\advance\st@top by -\Interligne\raise\st@top
-\rlap{\c@rochu}\fi
- \ifnum #1>3\relax\global\advance\st@top by -\Interligne\raise\st@top
-\rlap{\c@rochu}\fi
- }\fi
- \resetstem}%
-%\check
-\def\p@cr#1{% % queue de #1 croche(s) vers le bas
-\global\advance\st@top by #1\Interligne\relax
-\global\advance\st@top by -\st@bot\global\advance\st@top by 2.5\Interligne\relax
-\global\advance\st@bot by -#1\Interligne\relax
- \global\advance\st@bot by -2.5\Interligne\relax
- \ifdim\st@top>1pt\relax
- \global\advance\st@bot by -\altportee\relax
- \raise\st@bot\llap{\relax
- \ifnum #1>0\relax\rlap{\c@rochl}\fi
- \ifnum #1>1\relax\raise\Interligne\rlap{\c@rochl}\fi
- \ifnum #1>2\relax\raise 2\Interligne\rlap{\c@rochl}\fi
- \ifnum #1>3\relax\raise 3\Interligne\rlap{\c@rochl}\fi
- \vrule height\st@top width \lthick
- \kern -\lthick}\fi
- \resetstem}%
-%\check
-\def\s@harp{\cmmi\char"5D}\def\sh@raise{-2.5pt}%
-\def\f@lat{\cmmi\char"5B}\def\fl@raise{-2.5pt}%
-\def\n@at{{\cmmi\char"5C}}\def\na@raise{-2.5pt}%
-\def\balkuu{\char"20}\def\balkuuu{\char"21}\def\balkuuuu{\char"22}%
-\def\balku{\char"28}%
-\def\balkdd{\char"60}\def\balkddd{\char"61}\def\balkdddd{\char"62}%
-\def\balkd{\char"68}%
-\def\ds@harp{\cmbx\char"78\kern -0.4pt}\def\df@lat{\cmmi\char"5B\hskip
- -1.5pt\char"5B\kern -0.8pt}%
-%\check
-\def\s@lopdefs{\q@antum=10pt\relax\def\s@lope{0.0}%
-\ifnum \b@p>1\relax\def\s@lope{0.15}\fi
-\ifnum \b@p>3\relax\def\s@lope{0.20}\fi
-\ifnum \b@p>5\relax\def\s@lope{0.40}\fi
-\ifnum \b@p>7\relax\def\s@lope{0.60}\fi
-\ifnum \b@p<-1\relax\def\s@lope{-0.15}\fi
-\ifnum \b@p<-3\relax\def\s@lope{-0.20}\fi
-\ifnum \b@p<-5\relax\def\s@lope{-0.40}\fi
-\ifnum \b@p<-7\relax\def\s@lope{-0.60}\fi
-}%
-\def\b@alkdefs{\q@antum=10pt\relax
-\ifnum \b@p>1\relax\def\b@alk{\balku}\fi
-\ifnum \b@p>3\relax\def\b@alk{\balkuu}\fi
-\ifnum \b@p>5\relax\def\b@alk{\balkuuu}\fi
-\ifnum \b@p>7\relax\def\b@alk{\balkuuuu}\fi
-\ifnum \b@p<-1\relax\def\b@alk{\balkd}\fi
-\ifnum \b@p<-3\relax\def\b@alk{\balkdd}\fi
-\ifnum \b@p<-5\relax\def\b@alk{\balkddd}\fi
-\ifnum \b@p<-7\relax\def\b@alk{\balkdddd}\fi
-}%
-%\check
-\def\p@outre{% \y@ii : longueur, \b@p : pente, \y@i : altitude
-\ifnum \b@p=0\relax\raise \y@i\hbox{\vrule height 0.5\internote depth
- 0.5\internote width \y@ii}\relax
-\else \b@alkdefs\linew
- \global\y@iv=0pt
- \loop\ifdim\y@iv<\y@ii\relax
- {\y@v=\y@ii\relax\advance\y@v by -\y@iv\relax\advance\y@v by -\q@antum\relax
- \y@iii=\y@i\relax\advance\y@iii by \s@lope\y@iv\relax\advance\y@iii by
- -0.5\internote
- \ifnum \b@p<0\relax\advance\y@iii by \s@lope\q@antum\relax\fi
- \ifdim\y@v<0pt\relax\advance\y@iii by \s@lope\y@v\relax\hskip\y@v\fi
- \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax
- \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax
- \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax
- \raise\y@iii\hbox to \q@antum{\b@alk\hss}\global\advance\y@iv by \q@antum\relax
- }\repeat
-\fi
-}%
-%\check
-\def\clefdefa{\hbox{\kern 1.5pt\circlew\raise 4\Interligne
-\rlap{\char7\char4\kern -6.8pt\char4}\relax
-\raise 3.1\Interligne\rlap{\kern 1.7pt\char"73}%
-\raise 2.5\Interligne\rlap{\kern 9pt\vrule height\Interligne width 1.6pt}%
-\kern 8.3pt\raise\Interligne
-\rlap{\char 13\kern -15.2pt\char13}\kern 1.5pt\raise 2.5\Interligne
-\hbox{\moyen :}}}%
-%\check
-\def\clefdesolsymbol{\hbox{\circlew\kern 1pt \raise 11pt\rlap{\kern 4pt\char7\char8}%
-\raise10pt\rlap{\kern 4pt\char7\char8}%
-\raise 5pt\rlap{\kern -1pt\tenbf\char'050}%
-\raise \z@ \rlap{\kern \z@ \char 10\char9}%
-\raise -3pt\rlap{\kern 3.5pt\char"73}%
-\raise 9.5pt\rlap{\kern 1.20pt\linew\char"13}%
-\raise 12pt\rlap{\kern 1.55pt\linew\char"13}%
-\raise 3\Interligne\rlap{\linew\kern 4pt\char"45}%
-\raise \z@\rlap{\kern 7pt\linew\char"45}\raise 2\Interligne\rlap{\linew\kern
- 5pt\char"45}%
-\raise -5pt\rlap{\kern 8pt\char 5}%
-\raise 27.5pt\rlap{\kern 3.8pt\char3\char0}%
-\raise 26.5pt\rlap{\kern 4pt\char3\char0}%
-\raise 22.2pt\rlap{\kern 6.4pt\eightbf\char'051}%
-\raise 21pt\rlap{\kern 6.4pt\eightbf\char'051}\relax
-\kern 12pt}}%
-%\check
- \def\clefdutsymbol{\hbox{\kern2pt\vrule width 3pt height
-4\Interligne\kern1pt\vrule height 4\Interligne
- \def\rempl{\hbox{\vrule width 1pt height 3pt}}%
-\kern 6pt\vbox to 4\Interligne{\offinterlineskip\rempl\hbox{\circlew
-\char"09}\kern -2\Interligne
-\hbox{\circlew\char"08}\rempl}}}%
-%
-\def\smallclefdut{\clefdutsymbol}%
-\def\smallclefdefa{\clefdefasymbol}%
-\def\smallclefdesol{\clefdesolsymbol}%
-%\check
-\def\allabreve{\meterfrac{2}{2}}%
-%\check
-\def\arp@elem{\vbox to 6pt{\vss\cmsy\char"6F}}%
-\def\Arp@elem{\arp@elem}%
-\def\d@soup{\raise\Interligne\hbox{\linew
-\kern 0.8\Interligne\char2\kern -\Interligne\raise 1.8\Interligne
-\hbox{\circlew\char"72}\kern -3pt\raise 7.5pt\hbox{\cmex
-\char"7D}}}
-\def\q@soup{\rlap{\d@soup}\kern 1pt\raise 4pt\hbox{\d@soup}}%
-\def\p@orgue{\hbox{\kern 0.5\qn@width\circlew\char"72\kern -10pt\raise
- 6pt\rlap{\char11\char8}\raise
- 7pt\hbox{\char11\char8}}}%
-\def\p@urgue{\hbox{\kern 0.5\qn@width\circlew\char"72\kern -10pt%
-\raise-6pt\rlap{\char10\char9}\raise-7pt\hbox{\char10\char9}}}%
-%
-\def\t@ilde{{\cmex\char"65}}%
-\def\trille#1{\hbox to #1{\leaders\hbox{\t@ilde\kern -0.8pt}\hfill}}%
-\def\Trille#1{\hbox to #1{\raise 1.2\Interligne\hbox{\it tr}\leaders
-\hbox{\t@ilde\kern -0.8pt}\hfill}}%
-%
-\def\st#1{\zcharnote{#1}{\raise -2pt \rlap{\tt -}}}%
-\def\ppz#1{\zcharnote{#1}{\raise 2pt \rlap{\tt \char13}}}%
-\def\pz#1{\zcharnote{#1}{\tenbf\kern 1.5pt .}}%
-\def\sforz#1{\zcharnote{#1}{\cmmi\char"3E}}%
-%
-% arpeges
-%
-\def\arpegesym#1{\hbox to \Interligne{\kern -1.2\Interligne\vbox to
- #1{\parindent=\z@
-\offinterlineskip% \ifdim #1>4\Interligne\Arp@elem\fi\hrule
-\cleaders\arp@elem\vfill\kern -\interligne}\hss}}%
-%
-\def\sh#1{\getn@i{#1}\global\n@raise=\sh@raise
- \pl@llap{\s@harp\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}%
-}%
-\def\na#1{\getn@i{#1}\global\n@raise=\na@raise
- \pl@llap{\n@at\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}%
-}%
-\def\fl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\f@lat\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}%
-}%
-\def\dsh#1{\getn@i{#1}\global\n@raise=\z@
- \pl@llap{\ds@harp}}%
-%\check
-\def\dfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\df@lat}}%
-%
-% colons for repeat bars (:| |: :||:)
-%
-%
-%\check
-\def\w@coli{\selectinstr{\p@loop
- \y@i=\altportee \n@portee
- \advance\y@i by 1.4\Interligne
- \raise\y@i\hbox to \z@{\hss\bf .\hss}%
- \advance\y@i by \Interligne
- \raise\y@i\hbox to \z@{\hss\bf .\hss}\repeat}}
-%
-\def\type@songsymbols{}
-%
-\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\i@tenu{#2}}}%
-\def\ilegl#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width
-\i@tenl{#2}}}%
-\def\t@ten{\y@i=\t@z\advance\y@i by -\altportee
-\y@ii=\locx@skip\advance\y@ii by -\t@x
-\ifnum\t@p>0\relax
- \ifnum\t@s=2\relax
- \raise\y@i\llap{\up@rleg}%
- \else
- \raise\y@i\llap{\up@leg}%
- \fi
-\else
- \ifnum\t@s=2\relax
- \raise\y@i\llap{\lo@rleg}%
- \else
- \raise\y@i\llap{\lo@leg}%
- \fi
-\fi
-\global\t@s=0\relax\@uptenubox}%
-%
-\def\c@ten{\y@ii=\x@skip\advance\y@ii by -\t@x
-\ifnum\t@s=1\relax
- \ifnum\t@p>0\relax
- \raise\t@z\llap{\up@les}\else
- \raise\t@z\llap{\lo@les}\fi
-\else\ifnum\t@s=2\relax
- \global\t@x=\t@z
- \global\advance\t@x by \t@y
- \kern -\y@ii\vrule height \t@x depth -\t@z width \y@ii
- \fi
-\fi
-\global\t@x=-.8pt%<--
-\global\t@s=2\relax}%
-%
-\newdimen\k@ii
-\newdimen\k@iii
-\newdimen\k@iiii
-\newdimen\k@iiv
-\newdimen\k@iv
-\newdimen\k@ivi
-\newdimen\k@ivii
-\newdimen\k@iviii
-\newdimen\k@iix
-
-%
-% positions x et z de debut des tenues
-\newdimen\t@xi\newdimen\t@zi
-\newdimen\t@xii\newdimen\t@zii
-\newdimen\t@xiii\newdimen\t@ziii
-\newdimen\t@xiv\newdimen\t@ziv
-\newdimen\t@xv\newdimen\t@zv
-\newdimen\t@xvi\newdimen\t@zvi
-\newdimen\t@xvii\newdimen\t@zvii
-\newdimen\t@xviii\newdimen\t@zviii
-\newdimen\t@xix\newdimen\t@zix
-\newdimen\t@xx\newdimen\t@zx
-%
-\newdimen\nullthick % pour les parties sans portees (paroles)
-\newdimen\clef@skip
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicpos.tex b/Master/texmf-dist/tex/generic/musictex/musicpos.tex
deleted file mode 100644
index dd666c5a309..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicpos.tex
+++ /dev/null
@@ -1,43 +0,0 @@
-% musicpos.tex Version 4.99 decembre 1993 N. Brouard+D. Taupin
-
-\newenvironment{music}{\catcodesmusic\parskip \z@\resetfacteurs
-\def\large{\normal\elemskip=2.4\Interligne}\relax
-\global\linesinpage=0\relax}{}
-%
-\newdimen\largevaugment
-\newdimen\largehaugment
-%
-\newenvironment{largemusic}{\vfill\eject\catcodesmusic\parskip \z@
-\resetfacteurs\def\large{\normal\elemskip=2.4\Interligne}\relax
-\global\linesinpage=0\relax
-%
-\edef\theoldtextwidth{\the\textwidth}
-\edef\theoldtextheight{\the\textheight}
-%
-\def\largetextwidth{185mm}
-\def\largetextheight{260mm}
-\largevaugment=\largetextheight\relax\advance\largevaugment by -\theoldtextheight
-\largehaugment=\largetextwidth\relax\advance\largehaugment by -\theoldtextwidth
-\divide\largevaugment by 2\relax
-\divide\largehaugment by 2\relax
-\advance\voffset by \largevaugment % essai
-\advance\hoffset by -\largehaugment
-\xdef\thelargehoffset{\the\hoffset}
-\hsize\largetextwidth % pour essai
-\textwidth \largetextwidth % pour essai
-%\check 1
-%
-\bgroup
-%\advance\voffset by \largevaugment % essai
-\textwidth \largetextwidth
-%\textheight \largetextheight
-%
-\hsize\largetextwidth
-\vsize\largetextheight}{\egroup
-%
-\advance\voffset by 0.5\largevaugment % essai
-\clearpage
-\advance\voffset by -0.5\largevaugment % essai
-}
-%-% End of musictex.sty
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicpre.tex b/Master/texmf-dist/tex/generic/musictex/musicpre.tex
deleted file mode 100644
index b8fe30390f4..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicpre.tex
+++ /dev/null
@@ -1,64 +0,0 @@
-%-% Musictex.sty version 4.61 of June, 12 1992
-%-% Updates to version 4.31 November 1991 of plain musictex
-%-% Musictex.sty version 0.0 of 5, November 1991
-%-% It is a first attempt to make musictex running by LaTeX
-%-% We defined an environment named music to change the catcodes
-%-% of the vertical bar and the ampersand for musictex.
-%-% We used TeX command instead of LaTeX command inside of music.
-%-% It needs a rather big \Tex{}, but emTeX compiler on PCs does the trip
-%-% for small music arrays. It works better on work stations.
-%-% Nicolas Brouard <brouard@frined51>
-%-% With this file you need extra fonts. If extrafonts are
-%-% are not available then use \documenstyle[musicpln]{article}
-%-%
-%-% In both cas you can add the option file bigmusic.sty which
-%-% enlarges LaTeX page to a big size (A4).
-%-% \documentstyle[musicpln,bigmusic]{article}
-%-%
-%-% Here is an example:
-%-% \documentstyle[musictex]{article}
-%-% \begin{document}
-%-%\def\nbinstruments{1}\relax
-%-%\generalmeter{\meterfrac{4}{4}}\relax
-%-%\debutmorceau
-%-%\normal
-%-%\zglu\Notes\rlap{\hu j}\ql h\enotes
-%-%\temps\Notes\hl g\enotes
-%-%\temps\Notes\hu k\enotes
-%-%\temps\Notes\ql f\enotes
-%-%\suspmorceau
-%-% \end{music}
-%-%
-%-% Latex blabla
-%-%
-%-% \begin{music}
-%-%\def\nbinstruments{1}\relax
-%-%\generalmeter{\meterfrac{4}{4}}\relax
-%-%\debutmorceau
-%-%\normal
-%-%\zglu\Notes\rlap{\hu j}\ql h\enotes
-%-%\temps\Notes\hl g\enotes
-%-%\temps\Notes\hu k\enotes
-%-%\temps\Notes\ql f\enotes
-%-%\suspmorceau
-%-% \end{document}
-%-%
-%-% Building Musictex.sty
-%-%
-%-% Two files are required to build musictex.sty from
-%-% the plain distribution, musicpre.tex and musicpos.\TeX{}.
-%-% Then musictex.sty is the concatenation of
-%-% of musicpre.tex+musicnft.tex+musictex.tex+musicvbm.tex+musicpos.tex
-%-% On unix:
-%-% cat musicpre.tex musicnft.tex musictex.tex
-%-% ... musicvbm.tex musicpos.tex >musictex.sty
-%-% On dos:
-%-% copy musicpre.tex+musicnft.tex+musictex.tex+
-%-% ... musicvbm.tex+musicpos.tex musictex.sty
-%-% If you don't have the fonts, you should use:
-%-% On unix:
-%-% cat musicpre.tex musicpln.tex musictex.tex musicpos.tex >musicpln.sty
-%-% On dos:
-%-% copy musicpre.tex+musicpln.tex+musictex.tex+musicpos.tex musicpln.sty
-%-% You also need the option file bigmusic.sty to make wide scores, but real
-%-% large scores are advised to be compiled under TeX, not LaTeX.
diff --git a/Master/texmf-dist/tex/generic/musictex/musicref.tex b/Master/texmf-dist/tex/generic/musictex/musicref.tex
deleted file mode 100644
index 9e99d179389..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicref.tex
+++ /dev/null
@@ -1,88 +0,0 @@
-\input musicnft
-\input musictex
-\input musicsty
-\parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1}
-\def\musictex{Music\TeX}\def\zch{\zcharnote}%
-\centerline{\enorme \musictex\ Reference}\bigskip
-\centerline{\moyen Pitches}\bigskip
-\def\LBNT#1#2{\zch{!g}{#1#2}\wh{!#1#2}}\relax
-\def\lbnt#1{\zch g{#1}\wh{#1}}\relax
-\def\lbnu#1#2{\zch g{#1}\zch B{\hbox{\kern -3pt '#2}}\wh{#1}}\relax
-\cleftoksi={6000}\debutmorceau\autolines{26}{1}{12}\temps\relax
-% Pitches
-\notes\LBNT `A\LBNT `B\LBNT `C\LBNT `D\LBNT `E\LBNT `F\LBNT `G\enotes\relax
-\notes\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\enotes\relax
-\notes\lbnu HA\lbnu IB\lbnu JC\lbnu KD\lbnu LE\lbnu MF\lbnu NG\enotes\relax
-\notes\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\enotes\relax
-\def\lbnu#1#2{\zch K{#1}\zch a{\hbox{\kern -3pt '#2}}\wh{#1}}\relax
-\def\lbnv#1#2{\zch K{#1}\zch a{\hbox{\kern -4pt ''#2}}\wh{#1}}\relax
-\def\lbnw#1#2{\zch K{#1}\zch a{\hbox{\kern -5pt '{'}'#2}}\wh{#1}}\relax
-\cleftoksi={0000}\def\lbnt#1{\zch K{#1}\wh{#1}}\alaligne\notes\relax
-\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\relax
-\lbnu h a\lbnu i b\lbnu j c\lbnu k d\lbnu l e\lbnu m f\lbnu n g\relax
-\lbnv o a\lbnv p b\lbnv q c\lbnv r d\lbnv s e\lbnv t f\lbnv u g\relax
-\lbnw v a\lbnw w b\lbnw x c\lbnw y d\lbnw z e\enotes\suspmorceau
-%
-\bigskip\centerline{\moyen Notes, Accidentals, Accents, and Rests}\bigskip
-\def\mcra#1{\zch r{$\backslash$#1}}\relax
-\def\mcrx#1#2{\zch r{$\backslash$#1}\zch a{#2}}\relax
-% Notes & Accidentals
-\debutmorceau\temps\NOtes\relax
-\mcrx{zsb}{Accidentals:}\zsb i\sk\mcra{zbv}\zbv i\sk\enotes\Notes\relax
-\mcra{wh}\wh i\relax
-\mcrx{hu}{\tt>}\hu {>f}\mcra{hl}\hl l\relax
-\mcrx{qu}{\tt\^}\qu {^f}\mcra{ql}\ql l\relax
-\mcrx{cu}{\tt=}\cu {=f}\mcra{cl}\cl l\enotes\NOtes\relax
-\mcrx{ccu}{\tt\_}\ccu {_f}\mcra{ccl}\ccl l\relax
-\mcrx{cccu}{\tt<}\cccu {<f}\mcra{cccl}\cccl l\relax
-\mcra{ccccu}\ccccu f\mcra{ccccl}\ccccl l\enotes
-% Pointed Notes and Accents
-\def\mcra#1{\zch o{$\backslash$#1}}\alaligne\Notes\relax
-\mcra{pt$\backslash$zbv}\pt j\zbv j\sk\sk\relax
-\mcra{whp}\whp i\mcra{hup}\hup h\mcra{qup}\qup g\mcra{cup}\cup f\relax
-\sk\mcra{pt$\backslash$ccu}\pt e\ccu e\sk\sk\relax
-\mcra{lpz}\lpz g\qu g\mcra{upz}\upz j\ql j\relax
-\mcra{lsf}\lsf g\qu g\mcra{usf}\usf j\ql j\relax
-\mcra{lst}\lst g\qu g\mcra{ust}\ust j\ql j\relax
-\mcra{lppz}\lppz g\qu g\mcra{uppz}\uppz j\ql j\relax
-\enotes\suspmorceau
-% Rests
-\def\mcra#1{\zch u{$\backslash$#1}}\relax% 1 macro
-\def\mcrb#1#2{\zch u{$\backslash$#1}%
- \zch q{$\backslash$#2}}\relax% 2 alternative macros
-\def\mcrc#1#2#3{\zch y{$\backslash$#1}%
- \zch u{$\backslash$#2}%
- \zch q{$\backslash$#3}}\relax% 3 alternative macros
-\debutmorceau\Notes\sk\relax
-\mcrb{seizsoupir}{qqs}\qqs\sk\mcrc{huitsoupir}{hsoupir}{hs}\hs\sk\relax
-\mcrc{quartsoupir}{qsoupir}{qs}\qs\sk\sk\relax
-\mcrc{demisoupir}{dsoupir}{ds}\ds\sk\mcrb{soupir}{qp}\qp\sk\relax
-\mcra{hpause}\hpause\sk\mcra{pause}\pause\sk\relax
-\mcra{PAuse}\PAuse\sk\mcra{PAUSe}\PAUSe\enotes\suspmorceau
-% more Symbols
-\bigskip\centerline{\moyen Other Symbols}\bigskip
-\def\mcra#1{\zch v{$\backslash$#1}}\relax
-\debutmorceau\NOtes\sk\relax
-\mcra{nTrille}\nTrille n 2\sk\mcra{ntrille}\ntrille n 2\sk\sk\relax
-\mcra{pince}\pince n\sk\mcra{Pince}\Pince n\sk\relax
-\mcra{mordant}\mordant n\sk\sk\relax
-\mcra{turn}\turn n\sk\mcra{backturn}\backturn n\sk\sk\relax
-\mcra{coda}\coda n\sk\mcra{segno}\segno n\sk\enotes\relax
-\def\mcra#1{\zch r{$\backslash$#1}}\alaligne\NOtes\sk\relax
-\mcra{pointdorgue}\pointdorgue l\wh k\sk\relax
-\mcra{pointdurgue}\pointdurgue e\wh f\sk\relax
-\mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax
-\mcra{arpeggio f 1}\arpeggio f 1\sk\sk\relax
-\mcra{arpeggio d 4}\arpeggio d 4\sk\sk\relax
-\mcra{arpeggio b 7}\arpeggio b 7\sk\enotes\relax
-\def\mcra#1{\zch o{$\backslash$#1}}\alaligne\NOtes\sk\sk\relax
-\mcra{dimin}\zcharnote b{\dimin}\sk\relax
-\mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax
-\mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax
-\mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\mcra{octfin}\octfin r 2\sk\sk\relax
-\enotes\alaligne\NOtes\mcra{octline}\octline r\sk\sk\relax
-\mcra{cresc}\zcharnote b{\cresc}\sk\relax
-\mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax
-\mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax
-\mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\sk\relax
-\enotes\suspmorceau\bye
diff --git a/Master/texmf-dist/tex/generic/musictex/musicsix.tex b/Master/texmf-dist/tex/generic/musictex/musicsix.tex
deleted file mode 100644
index a61bc298eb4..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicsix.tex
+++ /dev/null
@@ -1,11 +0,0 @@
-% This file facilitates compilation of some musixtex features.
-% Version 5.13
-
-\newtoks\t@c
-\def\@fourtoks#1#2#3#4#5+{#1#2#3#4}
-
-\def\setclef#1#2{\noinstrum@nt#1\relax \s@l@ctclefs \t@c{#2000}%
- \cleftoks\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}}
- \let\setclefs\setclef
-
-\endinput
diff --git a/Master/texmf-dist/tex/generic/musictex/musicsty.tex b/Master/texmf-dist/tex/generic/musictex/musicsty.tex
deleted file mode 100644
index 9149e37d49b..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicsty.tex
+++ /dev/null
@@ -1,368 +0,0 @@
-%
-% This is Musicsty from MusicTeX
-\message{Version 5.14 -- September 20th, 1995}%
-%
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-\def\makeatletter{\catcode`\@=11}
-\def\makeatother{\catcode`\@=12}
-%
-% non musical procedures used in typesetting the non-musical
-% texts together with musictex
-%
-\def\fontid{\fonthdg\fonthdge}
-%
-% eight point fonts
-%
-\font\eightrm=\fontid r8
-\font\eighti=cmmi8 \skewchar\eighti='177
-\font\eightsy=cmsy8 \skewchar\eightsy='60
-\font\eightbf=\fontid bx8
-\font\eightsl=\fontid sl8
-\font\eightit=\fontid ti8
-\font\eighttt=\fontid tt8
-%
-% nine point fonts
-%
-\font\ninerm=\fontid r9
-\font\ninei=cmmi10 scaled 900 \skewchar\ninei='177
-\font\ninesy=cmsy10 scaled 900 \skewchar\ninesy='60
-\font\ninebf=\fontid bx9
-\font\ninesl=\fontid sl9
-\font\nineit=\fontid ti9
-\font\ninett=\fontid tt9
-%
-% twelve point fonts
-%
-\font\twlrm=\fontid r12
-\font\twli=cmmi12 \skewchar\twli='177
-\font\twlsy=cmsy10 scaled \magstep1 \skewchar\twlsy='60
-\font\twlbf=\fontid bx12
-\font\twlsl=\fontid sl12
-\font\twlit=\fontid ti12
-\font\twltt=\fontid tt12
-%
-% fourteen point fonts
-%
-\font\frtrm=\fontid r12 scaled \magstep1
-\font\frti=cmmi12 scaled \magstep1 \skewchar\frti='177
-\font\frtsy=cmsy10 scaled \magstep2 \skewchar\frtsy='60
-\font\frtbf=\fontid bx12 scaled \magstep1
-\font\frtsl=\fontid sl12 scaled \magstep1
-\font\frtit=\fontid ti12 scaled \magstep1
-\font\frttt=\fontid tt12 scaled \magstep1
-%
-% seventeen point fonts
-%
-\font\svtrm=\fontid r17
-\font\svti=cmmi12 scaled \magstep2 \skewchar\svti='177
-\font\svtsy=cmsy10 scaled \magstep3 \skewchar\svtsy='60
-\font\svtbf=\fontid bx12 scaled \magstep2
-\font\svtsl=\fontid sl12 scaled \magstep2
-\font\svtit=\fontid ti12 scaled \magstep2
-\font\svttt=\fontid tt12 scaled \magstep2
-%
-% twenty point fonts
-%
-\font\twtyrm=\fontid r17 scaled \magstep1
-\font\twtyi=cmmi12 scaled \magstep3 \skewchar\twtyi='177
-\font\twtysy=cmsy10 scaled \magstep4\skewchar\twtysy='60
-\font\twtybf=\fontid bx12 scaled \magstep3
-\font\twtysl=\fontid sl12 scaled \magstep3
-\font\twtyit=\fontid ti12 scaled \magstep3
-\font\twtytt=\fontid tt12 scaled \magstep3
-%
-% twenty five point fonts
-%
-\font\twfvrm=\fontid r17 scaled \magstep2
-\font\twfvi=cmmi12 scaled \magstep4 \skewchar\twfvi='177
-\font\twfvsy=cmsy10 scaled \magstep5 \skewchar\twfvsy='60
-\font\twfvbf=\fontid bx12 scaled \magstep4
-\font\twfvsl=\fontid sl12 scaled \magstep4
-\font\twfvit=\fontid ti12 scaled \magstep4
-\font\twfvtt=\fontid tt12 scaled \magstep4
-%
-% SEVERAL DIFFERENT POINT SIZES
-%
-\def\twfvpoint{\Twfvpoint}
-\def\Twfvpoint{\normalbaselineskip=30pt
-\def\rm{\fam0\twfvrm}%
-\def\it{\fam\itfam\twfvit}%
-\def\sl{\fam\slfam\twfvsl}%
-\def\bf{\fam\bffam\twfvbf}%
-\def\smc{\twfvrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\twfvrm \scriptfont0=\twtyrm \scriptscriptfont0=\svtrm
-\textfont1=\twfvi \scriptfont1=\twtyi \scriptscriptfont1=\svti
-\textfont2=\twfvsy \scriptfont2=\twtysy \scriptscriptfont2=\svtsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\twfvit \scriptfont\itfam=\twtyit
-\textfont\slfam=\twfvsl \scriptfont\slfam=\twtysl
-\textfont\bffam=\twfvbf \scriptfont\bffam=\twtybf
-\scriptscriptfont\bffam=\twtybf
-\setbox\strutbox=\hbox{\vrule height 22pt depth 8pt width 0pt}%
-\def\tt{\twfvtt}\normalbaselines\rm}
-%
-\def\twtypoint{\Twtypoint}
-\def\Twtypoint{\normalbaselineskip=25pt
-\def\rm{\fam0\twtyrm}%
-\def\it{\fam\itfam\twtyit}%
-\def\sl{\fam\slfam\twtysl}%
-\def\bf{\fam\bffam\twtybf}%
-\def\smc{\twtyrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\twtyrm \scriptfont0=\svtrm \scriptscriptfont0=\frtrm
-\textfont1=\twtyi \scriptfont1=\svti \scriptscriptfont1=\frti
-\textfont2=\twtysy \scriptfont2=\svtsy \scriptscriptfont2=\frtsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\twtyit \scriptfont\itfam=\svtit
-\textfont\slfam=\twtysl \scriptfont\slfam=\svtsl
-\textfont\bffam=\twtybf \scriptfont\bffam=\svtbf
-\scriptscriptfont\bffam=\svtbf
-\setbox\strutbox=\hbox{\vrule height 18pt depth 7pt width 0pt}%
-\def\tt{\twtytt}\normalbaselines\rm}
-%
-\def\svtpoint{\Svtpoint}
-\def\Svtpoint{\normalbaselineskip=21pt
-\def\rm{\fam0\svtrm}%
-\def\it{\fam\itfam\svtit}%
-\def\sl{\fam\slfam\svtsl}%
-\def\bf{\fam\bffam\svtbf}%
-\def\smc{\svtrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\svtrm \scriptfont0=\frtrm \scriptscriptfont0=\twlrm
-\textfont1=\svti \scriptfont1=\frti \scriptscriptfont1=\twli
-\textfont2=\svtsy \scriptfont2=\frtsy \scriptscriptfont2=\twlsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\svtit \scriptfont\itfam=\frtit
-\textfont\slfam=\svtsl \scriptfont\slfam=\frtsl
-\textfont\bffam=\svtbf \scriptfont\bffam=\frtbf
-\scriptscriptfont\bffam=\frtbf
-\setbox\strutbox=\hbox{\vrule height 14.5pt depth 6.5pt width 0pt}%
-\def\tt{\svttt}\normalbaselines\rm}
-%
-\def\frtpoint{\Frtpoint}
-\def\Frtpoint{\normalbaselineskip=17pt
-\def\rm{\fam0\frtrm}%
-\def\it{\fam\itfam\frtit}%
-\def\sl{\fam\slfam\frtsl}%
-\def\bf{\fam\bffam\frtbf}%
-\def\smc{\frtrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\frtrm \scriptfont0=\twlrm \scriptscriptfont0=\eightrm
-\textfont1=\frti \scriptfont1=\twli \scriptscriptfont1=\eighti
-\textfont2=\frtsy \scriptfont2=\twlsy \scriptscriptfont2=\eightsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\frtit \scriptfont\itfam=\twlit
-\textfont\slfam=\frtsl \scriptfont\slfam=\twlsl
-\textfont\bffam=\frtbf \scriptfont\bffam=\twlbf
-\scriptscriptfont\bffam=\twlbf
-\setbox\strutbox=\hbox{\vrule height 12pt depth 5pt width 0pt}%
-\def\tt{\frttt}\normalbaselines\rm}
-%
-\def\twlpoint{\Twlpoint}
-\def\Twlpoint{\normalbaselineskip=14pt
-\def\rm{\fam0\twlrm}%
-\def\it{\fam\itfam\twlit}%
-\def\sl{\fam\slfam\twlsl}%
-\def\bf{\fam\bffam\twlbf}%
-\def\smc{\twlrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\twlrm \scriptfont0=\tenrm \scriptscriptfont0=\eightrm
-\textfont1=\twli \scriptfont1=\teni \scriptscriptfont1=\eighti
-\textfont2=\twlsy \scriptfont2=\tensy \scriptscriptfont2=\eightsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\twlit \scriptfont\itfam=\tenit
-\textfont\slfam=\twlsl \scriptfont\slfam=\tensl
-\textfont\bffam=\twlbf \scriptfont\bffam=\tenbf
-\scriptscriptfont\bffam=\tenbf
-\setbox\strutbox=\hbox{\vrule height 10pt depth 4pt width 0pt}%
-\def\tt{\twltt}\normalbaselines\rm}
-%
-%
-\def\tenpoint{\Tenpoint}
-\def\Tenpoint{\normalbaselineskip=12pt
-\def\rm{\fam0\tenrm}%
-\def\it{\fam\itfam\tenit}%
-\def\sl{\fam\slfam\tensl}%
-\def\bf{\fam\bffam\tenbf}%
-\def\smc{\tenrm}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\tenrm \scriptfont0=\eightrm \scriptscriptfont0=\eightrm
-\textfont1=\teni \scriptfont1=\eighti \scriptscriptfont1=\eighti
-\textfont2=\tensy \scriptfont2=\eightsy \scriptscriptfont2=\eightsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\tenit \scriptfont\itfam=\eightit
-\textfont\slfam=\tensl \scriptfont\slfam=\eightsl
-\textfont\bffam=\tenbf \scriptfont\bffam=\eightbf
-\scriptscriptfont\bffam=\eightbf
-\setbox\strutbox=\hbox{\vrule height 8.5pt depth 3.5pt width 0pt}%
-\def\tt{\tentt}\normalbaselines\rm}
-%
-\def\eightpoint{\Eightpoint}
-\def\Eightpoint{\normalbaselineskip=10pt
-\def\rm{\fam0\eightrm}%
-\def\it{\fam\itfam\eightit}%
-\def\sl{\fam\slfam\eightsl}%
-\def\bf{\fam\bffam\eightbf}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\eightrm \scriptfont0=\eightrm \scriptscriptfont0=\eightrm
-\textfont1=\eighti \scriptfont1=\eighti \scriptscriptfont1=\eighti
-\textfont2=\eightsy \scriptfont2=\eightsy \scriptscriptfont2=\eightsy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\eightit \scriptfont\itfam=\eightit
-\textfont\slfam=\eightsl \scriptfont\slfam=\eightsl
-\textfont\bffam=\eightbf \scriptfont\bffam=\eightbf
-\scriptscriptfont\bffam=\eightbf
-\setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}%
-\def\tt{\eighttt}\normalbaselines\rm}
-%
-\def\ninepoint{\Ninepoint}
-\def\Ninepoint{\normalbaselineskip=10pt
-\def\rm{\fam0\ninerm}%
-\def\it{\fam\itfam\nineit}%
-\def\sl{\fam\slfam\ninesl}%
-\def\bf{\fam\bffam\ninebf}%
-\def\mit{\fam 1}%
-\def\cal{\fam 2}%
-\textfont0=\ninerm \scriptfont0=\ninerm \scriptscriptfont0=\ninerm
-\textfont1=\ninei \scriptfont1=\ninei \scriptscriptfont1=\ninei
-\textfont2=\ninesy \scriptfont2=\ninesy \scriptscriptfont2=\ninesy
-\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex
-\textfont\itfam=\nineit \scriptfont\itfam=\nineit
-\textfont\slfam=\ninesl \scriptfont\slfam=\ninesl
-\textfont\bffam=\ninebf \scriptfont\bffam=\ninebf
-\scriptscriptfont\bffam=\ninebf
-\setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}%
-\def\tt{\ninett}\normalbaselines\rm}
-%
-% GENERAL FOOTNOTES
-%
-\newcount\footmarkcount
-\footmarkcount=0\relax
-\def\resetfootnote{\global\footmarkcount=0\relax}
-%
-\def\footmarknumber{\raise 0.8ex\hbox{\eightpoint\rm\the\footmarkcount}}
-%
-\def\Footnote#1{\global\advance\footmarkcount by 1\relax
-\footnote{\footmarknumber}{#1}}%
-%\check
-% \TeX book footnote
-%
-% En cas de panique: couper en deux (une seule note autorisee)
-%
-\def\markfootnote{{\advance\footmarkcount by 1\relax\footmarknumber}}
-%
-\def\realfootnote#1{\global\advance\footmarkcount by 1\relax
-\vfootnote{{\footmarknumber}#1}}%
-%
-\def\footnotehsize{}% to enable inserting different \hsize (two columns case)
-\def\vfootnote#1{\insert\footins\bgroup\parskip \z@\eightpoint
- \interlinepenalty=\interfootnotelinepenalty
- \splittopskip=\ht\strutbox \advance\splittopskip by 1pt
- \splitmaxdepth=\dp\strutbox \floatingpenalty=20000
- \leftskip=\z@ \rightskip=\z@
- \spaceskip \z@ \xspaceskip \z@
- \eightpoint\footnotehsize\noindent{#1}\footstrut\futurelet\next\fo@t}
-%
-%\check
-%
-\def\footnoterule{\vskip-3pt
- \hrule width 2truein \vskip 2.6pt } % the \hrule is .4pt high
-%
-%
-\def\aujourdhui{\space\number\day\space\ifcase\month\or
-janvier\or f\'evrier\or mars\or avril\or
-mai\or juin\or juillet\or ao\^ut\or septembre\or
-octobre\or novembre\or d\'ecembre\fi
-\space\number\year}
-\def\today{\space\ifcase\month\or
-January\or February\or March\or April\or
-May\or June\or July\or August\or September\or
-October\or November\or December\fi
-\space\number\day,\space\number\year}
-\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern3pt
- \vbox{\kern3pt#1\kern3pt}\kern3pt\vrule}\hrule}}
-\def\cenboxit#1{\centerline{\hbox{\boxit{#1}}}}
-\def\Item{\medskip\item}
-%
-\def\nologo{}
-%
-\def\umero{\raise 0.8ex\hbox{\kern-0.05em\the\scriptfont\fam o}}
-
-\let\titremorceau\empty
-\def\shorttitle#1{\def\titremorceau{#1}}
-\def\title{\shorttitle}
-\def\subtitle#1{\def\subt@itremorceau{#1}}
-\let\headt@itremorceau\undefined
-\def\headtitle#1{\def\headt@itremorceau{#1}}
-\def\fulltitle{\headtitle}
-\let\othert@itremorceau\empty
-\def\othermention#1{\def\othert@itremorceau{#1}}
-
-\let\s@hortauthor\empty
-\def\shortauthor#1{\def\s@hortauthor{#1}}
-
-\def\fullauthor#1{\def\f@ullauthor{#1}}
-\def\author{\fullauthor}
-
-\newif\ifcopyright
-
-\def\outmorceau{\shipout\vbox to 270mm{\tenpoint\vss\pagecontents\vss\line{%
-\ifodd\pageno\sl \titremorceau\ \ifx\s@hortauthor\empty
- \else(\s@hortauthor)
- \fi
-\ifcopyright
-\rm$\copyright$\fi \hss
-\number\pageno
-\else\rm\number\pageno\hss\sl \titremorceau\
- \ifx\s@hortauthor\empty
- \else(\s@hortauthor)
- \fi
-\ifcopyright\rm$\copyright$\fi\fi}}%
- \global\advance\count0 by 1\relax
- \ifnum\outputpenalty>-20000 \else\dosupereject\fi}%
-
-\output{\outmorceau}
-
-\def\maketitle{\centerline{\enorme \ifx\headt@itremorceau\undefined
- \titremorceau\else\headt@itremorceau\fi}
-\medskip
-\ifx\subt@itremorceau\undefined\else
- \centerline{\tenpoint\sl \subt@itremorceau}
-\medskip
-\fi
-
-
-\hbox to \hsize{\tenpoint
- \vtop{\def\\{\hss\egroup\hbox to 0.5\hsize\bgroup\relax}\relax
- \hbox to 0.5\hsize
- \bgroup\othert@itremorceau\hss
- \egroup
- }\hss
- \vtop{\def\\{\egroup\hbox to 0.5\hsize\bgroup\relax\hss}\relax
- \hbox to 0.5\hsize
- \bgroup\hss\f@ullauthor
- \egroup
- }}
-\bigskip
-}
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
-\hsize=185mm
-\vsize=264mm
-\hoffset=-1.79cm
-\voffset=-1.54cm
-
-\endinput
diff --git a/Master/texmf-dist/tex/generic/musictex/musictex.tex b/Master/texmf-dist/tex/generic/musictex/musictex.tex
deleted file mode 100644
index d384e72438a..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musictex.tex
+++ /dev/null
@@ -1,2440 +0,0 @@
-%
- % THIS is MusicTeX
-\def\mcversion{5.18}
-\message{Version \mcversion\space -- August 26th, 1996}%
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-
-\newif\ifcatcodesmusic
-
-\def\catcodesmusic{\ifcatcodesmusic\relax
- \else
- \edef\catcode@gt{\the\catcode`\>}\catcode`\>=12%
- \edef\catcode@lt{\the\catcode`\<}\catcode`\<=12%
- \edef\catcode@vert{\the\catcode`\|}\catcode`\|=13%
- \edef\catcode@and{\the\catcode`\&}\catcode`\&=13%
- \edef\catcode@excl{\the\catcode`\!}\catcode`\!=12%
- \edef\catcode@star{\the\catcode`\*}\catcode`\*=12%
- \edef\catcode@pt{\the\catcode`\.}\catcode`\.=12%
- \edef\catcode@sc{\the\catcode`\:}\catcode`\:=12%
- \fi\catcodesmusictrue}
-
- \catcodesmusic
-
- % PARAMETERS DIFFERENT THAN IN PLAIN
- %
-\normallineskiplimit=\p@
-\parindent 10mm
- %
- % EXTRA FONTS NEEDED
- %
-\font\enorme=\fonthdg\fonthdge bx12 scaled \magstep4
-\font\moyen=\fonthdg\fonthdge bx12 scaled \magstep1
-\font\tentt=\fonthdg\fonthdge tt10
-\font\ppffsixteen=\fonthdg\fonthdge bxti10
-\font\ppfftwenty=\fonthdg\fonthdge bxti10 scaled \magstep1
- %
-\tolerance=10000\relax
- % procedures speciales D. taupin
- % **** \hsize 16cm \vsize 24cm
- %
-\let\@plainwlog=\wlog
-\def\wlog#1{}%
- %
- %\check
- %
-\raggedbottom
-\def\p@t{\kern 1.5pt\pointfont\char"2E}%
-\def\P@t{\pt@raise\hbox{\p@t}}%
-\def\PP@t{\pt@raise\hbox{\p@t\char"2E}}%
-\def\PPP@t{\pt@raise\hbox{\p@t\char"2E\char"2E}}%
- %
- %\check
- %
-\def\f@tok#1#2\af@tok{#1}%
-\def\s@tok#1#2\af@tok{#2}%
- %
-\def\gl@au#1{\ifnum #1<0\relax\global\advance #1 by -1\relax\fi
- \ifnum #1>0\relax\global\advance #1 by 1\relax\fi}%
-\def\gl@de#1{\ifnum #1<0\relax\global\advance #1 by 1\relax\fi
- \ifnum #1>0\relax\global\advance #1 by -1\relax\fi}%
- %
- %
- % Amount of skip needed at bar lines
-\newskip\tempsskip
-\newdimen\brace@w
-\newdimen\afterruleskip
-\newdimen\pt@up % offset point de notes pointees
-\newdimen\noteskip
-\newdimen\elemskip
-\newdimen\q@antum
-\newdimen\n@raise
-\newdimen\n@width
-\newdimen\stem@skip
-\newdimen\interligne % entre les lignes
- %%%% \newdimen\nullthick % pour les parties sans portees (paroles)
-\newdimen\staffbotmarg % marge au-dessous des portees
-\newdimen\stafftopmarg % au-dessus des portees
-\newdimen\Internote % la moitie de \Interligne
-\def\internote{\Internote}%
-\newdimen\interbeam % distance entre poutres
-\newdimen\Interligne % de la base d'une ligne a l'autre
-\newdimen\interportee % distance between staffs of the same instrument (incl)
-\newdimen\Interportee % distance between staffs of the same instrument (excl)
-\newdimen\interinstrument % distance between instruments (added to \interportee)
-\newdimen\systemheight
- %
-\newdimen\altplancher
-\newdimen\altportee
-\newdimen\line@width
-\newdimen\x@skip
-\newdimen\locx@skip
-\newdimen\st@bot % note stem bottom
-\newdimen\st@top % note stem top
- %
- % positions x et z de debut des tenues
-\newdimen\t@xi\newdimen\t@zi
-\newdimen\t@xii\newdimen\t@zii
-\newdimen\t@xiii\newdimen\t@ziii
-\newdimen\t@xiv\newdimen\t@ziv
-\newdimen\t@xv\newdimen\t@zv
-\newdimen\t@xvi\newdimen\t@zvi
- %
-\newdimen\t@y
- %
- % signes des tenues ( \t@p: entier de -1 a +1 )
- % etat des tenues ( \t@s: 0= inactive, 1= actif, 2= continuation )
- %
-\newcount\t@pi\newcount\t@si
-\newcount\t@pii\newcount\t@sii
-\newcount\t@piii\newcount\t@siii
-\newcount\t@piv\newcount\t@siv
-\newcount\t@pv\newcount\t@sv
-\newcount\t@pvi\newcount\t@svi
- %
- % positions x et z de debut des poutres
-\newdimen\b@xi\newdimen\b@zi
-\newdimen\b@xii\newdimen\b@zii
-\newdimen\b@xiii\newdimen\b@ziii
-\newdimen\b@xiv\newdimen\b@ziv
-\newdimen\b@xv\newdimen\b@zv
-\newdimen\b@xvi\newdimen\b@zvi
- %
-\newdimen\bb@xi\newdimen\bb@zi
-\newdimen\bb@xii\newdimen\bb@zii
-\newdimen\bb@xiii\newdimen\bb@ziii
-\newdimen\bb@xiv\newdimen\bb@ziv
-\newdimen\bb@xv\newdimen\bb@zv
-\newdimen\bb@xvi\newdimen\bb@zvi
- %
-\newdimen\bbb@xi\newdimen\bbb@zi
-\newdimen\bbb@xii\newdimen\bbb@zii
-\newdimen\bbb@xiii\newdimen\bbb@ziii
-\newdimen\bbb@xiv\newdimen\bbb@ziv
-\newdimen\bbb@xv\newdimen\bbb@zv
-\newdimen\bbb@xvi\newdimen\bbb@zvi
- %
-\newdimen\bbbb@zi
-\newdimen\bbbb@zii
-\newdimen\bbbb@ziii
-\newdimen\bbbb@ziv
-\newdimen\bbbb@zv
-\newdimen\bbbb@zvi
- %
-\newdimen\bbbbb@zi
-\newdimen\bbbbb@zii
-\newdimen\bbbbb@ziii
-\newdimen\bbbbb@ziv
-\newdimen\bbbbb@zv
-\newdimen\bbbbb@zvi
- %
- % pentes des poutres ( entier de -3 a +3 )
- % multiplicite des poutres ( de -5 a +5 . 0= inactive )
- %
-\newcount\b@pi\newcount\b@ni
-\newcount\b@pii\newcount\b@nii
-\newcount\b@piii\newcount\b@niii
-\newcount\b@piv\newcount\b@niv
-\newcount\b@pv\newcount\b@nv
-\newcount\b@pvi\newcount\b@nvi
- %
-\newif\ifraggedlines
- %
-\newcount\barno
-\newcount\lastbarno
-\newcount\notes@open
-\def\check@nopen{\ifnum\notes@open>0\relax\enotes\errmessage{ missing
- \noexpand\enotes\ mesure \the\barno}\fi}%
- %
- % altitudes des portees de chaque instrument
- %
-\newcount\ut@ref
-\newcount\noportee
-\newcount\noinstrument
- %
-\newcount\nbporteesi
-\newcount\nbporteesii
-\newcount\nbporteesiii
-\newcount\nbporteesiv
-\newcount\nbporteesv
-\newcount\nbporteesvi
- %
-\newcount\signi
-\newcount\signii
-\newcount\signiii
-\newcount\signiv
-\newcount\signv
-\newcount\signvi
- %
-\newif\ifadvance\advancetrue
-\newcount\transpose
-\newcount\normaltranspose
-\newcount\o@signi
-\newcount\o@signii
-\newcount\o@signiii
-\newcount\o@signiv
-\newcount\o@signv
-\newcount\o@signvi
- %
-\newtoks\cleftoksi
-\newtoks\cleftoksii
-\newtoks\cleftoksiii
-\newtoks\cleftoksiv
-\newtoks\cleftoksv
-\newtoks\cleftoksvi
- %
-\newtoks\o@cksi
-\newtoks\o@cksii
-\newtoks\o@cksiii
-\newtoks\o@cksiv
-\newtoks\o@cksv
-\newtoks\o@cksvi
- %
-\newtoks\metertoksi
-\newtoks\metertoksii
-\newtoks\metertoksiii
-\newtoks\metertoksiv
-\newtoks\metertoksv
-\newtoks\metertoksvi
- %
-\global\nbporteesi=1%
-\global\nbporteesii=1%
-\global\nbporteesiii=1%
-\global\nbporteesiv=1%
-\global\nbporteesv=1%
-\global\nbporteesvi=1%
-\global\cleftoksi={{0}{0}{0}{0}}%
-\global\cleftoksii={{0}{0}{0}{0}}%
-\global\cleftoksiii={{0}{0}{0}{0}}%
-\global\cleftoksiv={{0}{0}{0}{0}}%
-\global\cleftoksv={{0}{0}{0}{0}}%
-\global\cleftoksvi={{0}{0}{0}{0}}%
- %
- %\check
- %
-\def\n@advance{\global\advance\noinstrument by 1\relax}%
-\def\n@loop{\global\noinstrument=0\relax\loop
- \ifnum\noinstrument<\nbinstruments\relax\n@advance
- \selectinstr}%
-\def\m@loop{\global\noinstrument=0\relax\loop
- \ifnum\noinstrument<\maxinstruments\relax\n@advance
- \selectinstr}%
- %
-\def\savemeters{\savemeter}%
-\def\savemeter{\m@loop\global\metertoks={{}{}{}{}}\repeat}%
- %\check
-\def\maxinstruments{6}%
-
-\def\setclef#1{\noinstrument #1\relax\selectinstr \cleftoks}
-\let\setclefs\setclef
-
-\def\setstaffs#1{\noinstrument #1\relax\selectinstr \nbportees}
-
-\def\setinterinstrument#1#2{\noinstrument #1\relax
- \expandafter\def\csname interinstrument\romannumeral\noinstrument\endcsname{#2}}
-
- %
-\def\selectinstr{%
-\xdef\altitude{\csname k@i\romannumeral\noinstrument\endcsname}%
-\xdef\nbportees{\csname nbportees\romannumeral\noinstrument\endcsname}%
-\xdef\staffspacing{\csname staffspacing\romannumeral\noinstrument\endcsname}%
-\xdef\stafflinesnb{\csname stafflinesnb\romannumeral\noinstrument\endcsname}%
-\xdef\clefdut{\csname clefdut\romannumeral\noinstrument\endcsname}%
-\xdef\clefdefa{\csname clefdefa\romannumeral\noinstrument\endcsname}%
-\xdef\clefdesol{\csname clefdesol\romannumeral\noinstrument\endcsname}%
-\xdef\internote{\csname internote\romannumeral\noinstrument\endcsname}%
-\xdef\sign{\csname sign\romannumeral\noinstrument\endcsname}%
-\xdef\o@sign{\csname o@sign\romannumeral\noinstrument\endcsname}%
-\xdef\cleftoks{\csname cleftoks\romannumeral\noinstrument\endcsname}%
-\xdef\metertoks{\csname metertoks\romannumeral\noinstrument\endcsname}%
-\xdef\o@cks{\csname o@cks\romannumeral\noinstrument\endcsname}%
-\interportee=\interfacteur\internote
-\interportee=2\interportee
-\Interportee=\interportee
-\advance\Interportee by -\stafflinesnb\internote
-\advance\Interportee by -\stafflinesnb\internote
-\advance\Interportee by 2\internote
-}
- %\check
- %
- % compteurs de travail
- %
-\newcount\n@i
-\newcount\n@ii
-\newcount\n@iii
- %
- % registres de travail
- %
-\newbox\toks@box
-\newbox\w@rkbox
-\newbox\n@otebox
- %
- %%%%\newdimen\clef@skip
-\newdimen\sign@skip
- %
-\newdimen\y@
-\newdimen\y@i
-\newdimen\y@ii
-\newdimen\y@iii
-\newdimen\y@iv
-\newdimen\y@v
- %
-\newtoks\arg@suite
-\def\hlthick{0.5\lthick}
-\def\vdlthick{\vrule depth \hlthick}
- %
- % fabrique un jeu complet (ou systeme complet de portees)
- % en fonction de \nbinstruments
-\def\null@portee{\global\advance\y@ by \nullthick
- \ifdim\systemheight>\p@\global\advance\systemheight by \nullthick
- \else
- \global\advance\altplancher by \nullthick
- \fi
-}%
- %
- %\check
- %
-\ifx\mult@portee\undefined
- \def\mult@portee{\y@ii=\nbportees\interportee
- \advance\y@ii by -\Interportee
- \advance\y@ii by \nbportees\lthick
- \advance\y@ii by -\lthick
- \raise\y@\llap{\cmex\raise 8\p@\rlap{\char'072}\raise\y@ii\rlap{\char
-'070}\divide\y@ii by 2\relax{\advance\y@ii by 8\p@\raise\y@ii\rlap{\char
-'074}}\y@v=\y@ii\relax\advance\y@v by -5\p@
- \kern 3.8\p@
- \vrule depth -5\p@ height \y@v width 1.2\p@ \kern -1.2\p@
- \advance\y@v by \y@ii
- \advance\y@ii by 5\p@
- \vrule depth -\y@ii height \y@v width 1.2\p@
- \kern 2.5\p@}}%
-\fi % end \ifx \mult@portee
- %
- %\check
- %
-\def\n@portee{\global\advance\noportee by 1\relax}%
-\def\p@loop{\global\noportee=0\relax
- \loop\ifnum\noportee<\nbportees\relax\alt@comp}%
- %
- %\check
- %
-\def\alt@comp{\altportee=\altitude
- \advance\altportee by \noportee\interportee}%
- %
-\def\lowersonginstrum{99} % to be used to make heavy bars at staff left
-\def\uppersonginstrum{0} % to be used to make heavy bars at staff left
-\newdimen\lowersongalt
-\newdimen\uppersongalt
- %
-\def\portees{\rlap{\global\y@=\staffbotmarg
- %
-\lowersongalt=\z@
-\uppersongalt=\z@
-\global\systemheight=\z@
-\global\altplancher=\y@
-\n@loop
- %
- \global\noportee=0\relax
- \global\altitude=\y@
- \ifnum\noinstrument=\lowersonginstrum\relax
- \lowersongalt=\altitude
- \fi
- %
- \ifnum\nbportees=0\relax
- \null@portee
- \else
- \ifnum\nbportees>1\relax
- \mult@portee
- \fi
- {\loop \raise\y@\portee
- \n@portee \global\advance\y@ by \interportee
- \global\advance\systemheight by \interportee
- \ifnum\noportee<\nbportees
- \repeat}\fi % fin du \else pour 0 portees=chant
- \ifnum\noinstrument=\uppersonginstrum\relax\uppersongalt=\y@
- \advance\uppersongalt by -\Interportee
- \advance\uppersongalt by \hlthick
- \fi
- \ifnum\noinstrument<\nbinstruments
- \xdef\interinstrum{\csname interinstrument\romannumeral\noinstrument
- \endcsname}%
- \expandafter\ifx\interinstrum\relax\xdef\interinstrum{\interinstrument}\fi
- \global\advance\systemheight by \interinstrum
- \global\advance\y@ by \interinstrum
- \fi
-\repeat
-\global\advance\systemheight by -\Interportee
-\global\advance\systemheight by \hlthick
- %
-\raise\altplancher\rlap{\vdlthick height \systemheight}%
-\ifnum\uppersonginstrum>\lowersonginstrum\relax
- \advance\uppersongalt by -\lowersongalt
- \raise\lowersongalt
- \llap{\vdlthick height \uppersongalt width 0.6\Interligne
- \kern 0.3\Interligne
- \vdlthick height \uppersongalt width \lthick}\type@songsymbols
-\fi
-{\advance\stafftopmarg by \staffbotmarg
-\raise \stafftopmarg\hbox{\vdlthick height \systemheight width \z@}}}}%
- %
- %\check
- % portee simple
-\def\staffline{\kern\internote\kern\internote\kern -\lthick
-\hrule width \line@width height \hlthick depth \hlthick
-}
-\def\portee{\rlap{\vbox to \z@ {\vss
-\ifnum\stafflinesnb>5\staffline\fi
-\ifnum\stafflinesnb>4\staffline\fi
-\ifnum\stafflinesnb>3\staffline\fi
-\ifnum\stafflinesnb>2\staffline\fi
-\ifnum\stafflinesnb>1\staffline\fi
-\ifnum\stafflinesnb>0\staffline\fi\kern -\hlthick
-}}}%
- %\check
- %
- % initialisations des dimensions etc...
- %
- %*************** definition des titres des instruments
- % ***********************
- %
-\def\instrumenti{}%
-\def\instrumentii{}%
-\def\instrumentiii{}%
-\def\instrumentiv{}%
-\def\instrumentv{}%
-\def\instrumentvi{}%
- %\check
- %
-\def\maxlegatenuti{6}%
-\def\ten@loop{\global\n@l=0\relax\loop\ifnum\n@l<\maxlegatenuti\relax
- \selecttenue{\n@l}}%
- %
-\def\resettens{\resetlegs}%
-\newcount\n@l
-\def\resetlegs{\global\setbox\@tenubox
- \hbox{\kern\tenboxwidth}\ten@loop \global\t@p=0\relax \global\t@s=0\relax
- \global\advance\n@l by 1\relax
- \repeat}%
- %
- %\check
- %
-\def\piece@begina{\barno=1\relax\global\barsinline=0\relax
-\frenchspacing\ifnum1>\nbinstruments\errmessage{\noexpand\nbinstruments
- not defined !}\fi
-\def\barvrule{\thinvrule}\resetlegs
-\savesignature\computewidths}%
- %
-\def\debutmorceau{\catcodesmusic\leavevmode\piece@begina
-\advance\line@width by -\parindent
-\portees\instrumentnames
-\advance\line@width by \parindent
-\tempsskip=2pt plus \gluemaxskip minus 2pt
-\zglueskip=0pt plus \gluemaxskip minus .5pt%
-\piece@beginb\setnormalhyphen}%
- %
-\def\piece@beginb{\writeclefs\everystaff
-\writesignatures\writemeters
-\save@all\currenthyphenpenalty}%
- %
-\def\save@all{\saveclefs\savesignature\savemeters}%
- %
-\def\debutextrait{\catcodesmusic\piece@begina
-\setbox\w@rkbox=\hbox{\portees}% to compute heights
-\setbox\w@rkbox=\hbox\bgroup
-\def\barre{\xbarre}\piece@beginb}%
- %\check
-\def\zfinextrait{\def\suspmorceau{\zsuspmorceau}\finextrait}
-\def\finextrait{\def\z@suspend{}\suspmorceau\egroup
-\line@width=\wd\w@rkbox
-\centerline{\instrumentnames\portees\unhbox\w@rkbox}\endcatcodesmusic}%
- %
- % saving penalties to be able to restore them at the end of music
- %
-\def\savepenalties{\edef\restorepenalties{%
-\noexpand\linepenalty=\the\linepenalty\noexpand\relax
-\noexpand\interlinepenalty=\the\interlinepenalty\noexpand\relax
-\noexpand\hyphenpenalty=\the\hyphenpenalty\noexpand\relax
-\noexpand\exhyphenpenalty=\the\exhyphenpenalty\noexpand\relax
-\noexpand\finalhyphendemerits=\the\finalhyphendemerits\noexpand\relax
-\noexpand\doublehyphendemerits=\the\doublehyphendemerits\noexpand\relax
-\noexpand\adjdemerits=\the\adjdemerits\noexpand\relax
-\noexpand\pretolerance=\the\pretolerance\noexpand\relax
-}}%
- %\check
-\def\computewidths{\computespecifics
-\interportee=\interfacteur\Interligne
-\Interportee=\interportee\advance\Interportee by -8\internote
-\ifdim\stafftopmarg<\p@ \stafftopmarg=\topfacteur\Interligne\fi
-\ifdim\staffbotmarg<\p@ \staffbotmarg=\bottomfacteur\Interligne\fi
-\global\interligne=\Interligne
-\global\Internote=0.5\Interligne
- %
-\ifx\internotei\undefined\relax\else
- \n@loop
- % decide staffspacing
- \expandafter\ifx\staffspacing \undefined\global\internote=\Internote
- \else
- \expandafter\ifx\staffspacing \relax\global\internote=\Internote
- \else\global\internote=\staffspacing\Internote
- \fi\fi
- \repeat
-\fi
- %
-\ifdim\nullthick<\p@ \global\nullthick=4\Interligne\fi
-\global\advance\interligne by -\lthick
- %
-\afterruleskip=\stdafterruleskip
-\global\line@width=\hsize}%
- %
-\def\stdafterruleskip{4\Internote}%
- %
- %\check
- %
-\def\n@alaligne{\n@suspmorceau\lreprmorceau}%
-\def\n@zalaligne{\n@zsuspmorceau\lreprmorceau}%
-\def\lreprmorceau{\reprmorceau}%
-\def\n@suspmorceau{\check@nopen\gluebrule\newbar\z@suspend}%
-\def\n@Suspmorceau{\n@suspmorceau}
-\def\n@zsuspmorceau{\check@nopen\termskip\z@suspend}%
-\def\z@suspend{\ifraggedlines\else\hfilneg\ \fi
- \adv@bottom\par\removelastskip\endcatcodesmusic}%
-\def\alapage{\suspmorceau\preprmorceau}%
-\def\zalapage{\zsuspmorceau\preprmorceau}%
-\def\preprmorceau{\eject\global\linesinpage=0\relax\reprmorceau}%
-\def\reprmorceau{\catcodesmusic\atnextline\computewidths\noindent\leavevmode
-\global\barsinline=0\relax{\advance\linesinpage by 1\relax\message{Line \the
-\linesinpage:}}\relax
-\adv@bottom\portees\writeclefs\kern 0.5\Interligne\wbarno@x
-\kern -0.5\Interligne\everystaff
-\writesignatures\writemeters\zgluearule
-\save@all\currenthyphenpenalty\def\atnextline{}}%
- %
-\def\everystaff{}\def\atnextline{}%
- %\check
- %
-\def\resetsignatures{\generalsignature{0}\savesignature}%
- %
-\def\savesignature{\m@loop\o@sign=\sign\repeat}%
- %\check
-\def\saveclefs{\m@loop\global\o@cks=\cleftoks\repeat}
- %\check
- %
- % definitions en fonction du numero de l'instriment
- %
-\newskip\zglueskip
- %
-\def\meterfrac#1#2{\setbox\w@rkbox=\vbox{\hbox{\ \meterfont
- #1}\hbox{\ \meterfont #2}}%
-\vbox to 8\internote{\offinterlineskip\vss\hbox to \wd\w@rkbox{\hss
-\meterfont #1\hss}\vss
-\vss\hbox to \wd\w@rkbox{\hss\meterfont #2\hss}\vss}}%
- %\check
-\newtoks\t@gene
-\def\generalmeter#1{\t@gene={{#1}{#1}{#1}{#1}}\m@loop
-\global\metertoks=\t@gene\repeat}%
- %\check
-\def\signaturegenerale{\generalsignature}%
-\def\generalsignature#1{\m@loop\sign=#1\relax\repeat}%
- %
- % compteurs de travail
- %
- % a completer pour fermer les poutres
-\def\zglu{\zglue}%
-\def\zglue{\nobreak\@tenleader{\zglueskip}\nobreak}%
- %
-\def\n@skmb{\nobreak\global\advance\n@skip by -\brace@w}%
- %
-\def\temps{\n@skmb\termskip\nobreak\zglu\nobreak\skip@b}%
-\def\changesignatures{\changesignature}%
-\def\changesignature{\n@skmb\termskip\nobreak\zglu\nobreak
- \skip@b\writenewsignatures}%
-\def\z@barre{\n@skmb\termskip\nobreak\skip@b\-\hskip\zglueskip\nobreak}%
-
-\def\xz@barre{\temps}%
- %
-\def\newbar{\barvrule\def\barvrule{\thinvrule}\message{bar \the\barno}%
-\global\advance\barno by 1\relax}%
- %
-\def\w@barno{\global\n@iii=\barno\global\divide\n@iii by \freqbarno\relax
-\ifnum\n@iii=\lastbarno\relax
-\else{\y@i=\altplancher\advance\y@i by \systemheight
-\advance\y@i by 2\internote\raise\y@i\llap{\it \number\barno
- \kern -6\p@}}\fi\global\lastbarno=\n@iii
-}%
-\newif\ifprimavolta
-\newif\ifsecondavolta
-\def\freqbarno{1}\def\wbarno{\w@barno}
-\def\wbarno@x{\ifprimavolta\make@prima 1\else
- \ifsecondavolta\make@prima 2\else
- \wbarno
- \fi\fi
- \primavoltafalse\secondavoltafalse
- \global\n@iii=\barno\global\divide\n@iii by \freqbarno\relax
- \global\lastbarno=\n@iii}
-%
- \def\Setprimavolta#1#2{\primavoltatrue\def\up@volta{#1}\def\lg@volta{#2}}
- \def\setprimavolta{\Setprimavolta{2\Interligne}{1cm}}
-
- \def\Setsecondavolta#1#2{\secondavoltatrue\def\up@volta{#1}\def\lg@volta{#2}}
- \def\setsecondavolta{\Setsecondavolta{2\Interligne}{1cm}}
-
-\def\make@prima#1{{\y@i=\altplancher\advance\y@i by \systemheight
-\advance\y@i by \up@volta
- \raise\y@i\rlap{\vrule height 2\Interligne\rm\ #1.}\advance\y@i 2\Interligne
- \raise\y@i\rlap{\vrule height \z@ depth \lthick width \lg@volta}%
- }}
-\def\up@volta{2\Interligne}\def\lg@volta{1cm}
- %
- % discretionary line breaking
- %
-\def\noautolines{\def\barre{\n@barre}\def\zbarre{\z@barre}%
-\def\alaligne{\c@ountline\n@alaligne}\def\zalaligne{\n@zalaligne}%
-\def\suspmorceau{\c@ountline\n@suspmorceau}\def\zsuspmorceau{\c@ountline\n@zsuspmorceau}%
-\def\Suspmorceau{\n@Suspmorceau}
-\def\currenthyphenpenalty{\setnohyphenpenalty}%
-\def\updatecontext{\n@updatecon}%
-\def\leftrepeat{\n@leftrepeat}%
-\def\leftrightrepeat{\n@leftrightrepeat}%
-\setnohyphenpenalty}%
- %
-\def\setnohyphenpenalty{\linepenalty=500\pretolerance=-1%
-\finalhyphendemerits=-10\hyphenpenalty=-10%
-\exhyphenpenalty=0\doublehyphendemerits=0%
-\adjdemerits=0\interlinepenalty=0}%
- %
-\def\sethyphenpenalty{\linepenalty=500\pretolerance=-1%
-\finalhyphendemerits=1000\hyphenpenalty=1000%
-\exhyphenpenalty=0\doublehyphendemerits=0%
-\adjdemerits=0\interlinepenalty=1000}%
- %
-\newcount\barsinline
-\newcount\linesinpage
-\newcount\maxbarsinline
-\newcount\maxlinesinpage
-\def\c@ountbar{\global\advance\barsinline by 1\relax}%
-\def\c@ountline{\global\advance\linesinpage by 1\relax}%
- %
-\def\autolines#1#2#3{% #1 nombre d'elemskip par mesure,
- % #2 nombre de mesures par ligne,
- % #3 nb lignes par page
-\global\maxbarsinline=#2\relax
-\global\maxlinesinpage=#3\relax
-\global\elemskip=\line@width\global\advance\elemskip by -10\Internote
-\global\divide\elemskip by \maxbarsinline\relax
-\global\advance\elemskip by -6\Internote\global\divide\elemskip by #1\relax
-\def\barre{\t@barre}\def\updatecontext{\t@updatecon}\def\zbarre{\t@zbarre}%
-\def\alaligne{\t@alaligne}\def\zalaligne{\t@zalaligne}%
-\def\suspmorceau{\t@suspmorceau}\def\zsuspmorceau{\t@zsuspmorceau}%
-\def\Suspmorceau{\t@Suspmorceau}%
-\def\leftrepeat{\t@leftrepeat}%
-\def\leftrightrepeat{\t@leftrightrepeat}%
-\def\currenthyphpenalsty{\sethyphenpenalty}\sethyphenpenalty}%
- %
-\def\t@barre{\c@ountbar
-\ifnum\barsinline<\maxbarsinline\relax\x@barre
-\else\t@alaligne
-\fi}%
-\def\t@zbarre{\c@ountbar
-\ifnum\barsinline<\maxbarsinline\relax\xz@barre
-\else\t@zalaligne
-\fi}%
- %
-\def\t@alaligne{\c@ountline
-\ifnum\linesinpage<\maxlinesinpage\relax\n@alaligne
-\else\alapage
-\fi}
- %
-\def\t@suspmorceau{\c@ountline\n@suspmorceau
-\ifnum\linesinpage<\maxlinesinpage\relax
-\else\eject\global\linesinpage=0\relax
-\fi}
- %
-\def\t@zalaligne{\c@ountline
-\ifnum\linesinpage<\maxlinesinpage\relax\n@zalaligne
-\else\zalapage
-\fi}%
- %
-\def\t@zsuspmorceau{\c@ountline\n@zsuspmorceau
-\ifnum\linesinpage<\maxlinesinpage\relax
-\else\eject\global\linesinpage=0\relax
-\fi}%
- %
-\def\t@Suspmorceau{\setdoubleBAR\t@suspmorceau}
- %
- %
-\def\tz@barre{\c@ountbar
-\ifnum\barsinline<\maxbarsinline\relax\z@barre
-\else
- \c@ountline
- \ifnum\linesinpage<\maxlinesinpage\relax\zalaligne
- \global\advance\linesinpage by -1\relax % car \alaligne aura aussi augmente
- \else\zalapage
-\fi\fi}%
- %
-\def\t@updatecon{\c@ountbar
- \ifnum\barsinline<\maxbarsinline\relax\x@updatecon
-\else
- \c@ountline
- \ifnum\linesinpage<\maxlinesinpage\l@updatecon
- \else\p@updatecon
-\fi\fi}%
- %\check
- %
-\noautolines
- %
-\def\n@barre{\gluebrule\newbar\gluearule}% barre de mesure
-\def\xbarre{\c@ountbar\x@barre}
-\def\xbeambarre{\notes\charnote0{\hss\altplancher=\z@\newbar\wbarno@x}\enotes}
-\def\x@barre{\gluebrule\newbar\zgluearule}% barre de mesure
- % sans possibilite de saut
- %
-\def\d@oubleBAR{\thinvrule\nobreak\hskip
-0.6\Internote\global\advance\x@skip0.6\Internote
-\nobreak\thickvrule}%
- %
-\def\addspace#1{\kern#1\global\advance\x@skip#1}
- %
-\def\d@oublebar{\thinvrule\nobreak\hskip 0.8\Internote
-\global\advance\x@skip0.8\Internote
-\nobreak\thinvrule}%
- %
-\def\r@ightrepeat{\hbox{\w@colons\d@oubleBAR}\global\advance\x@skip
- 7.12\Internote}
-\def\l@eftrepeat{\hbox{\thickvrule\kern 0.6\Internote\thinvrule\w@colons
-}\global\advance\x@skip7.12\Internote}
-\def\l@eftrightrepeat{\hbox{\w@colons\thickvrule
- \kern 0.6\Internote\thickvrule\w@colons}\global\advance\x@skip
- 6.2\Internote}
- %
- %\check
- %
-\def\leftrightrepeatsymbol{\gluebrule\l@eftrightrepeat\glueaftersymbol}
-\def\glueaftersymbol{{\def\wbarno{}\afterruleskip=\Internote\zgluearule}}%
-\def\leftrepeatsymbol{\gluebrule\l@eftrepeat\glueaftersymbol}%
-\def\rightrepeatsymbol{\gluebrule\r@ightrepeat\glueaftersymbol}%
- %
- %\check
- %
-\def\doublebarre{\setdoublebar\barre}% double barre de mesure
-\def\setdoublebar{\def\barvrule{\d@oublebar}}%
-\def\setemptybar{\def\barvrule{\relax}}%
-\def\setdoubleBAR{\def\barvrule{\d@oubleBAR}}%
-\def\rightrepeat{\setrightrepeat\barre}%
-\def\finrightrepeat{\setrightrepeat\suspmorceau}%
- %
-\def\setrightrepeat{\def\barvrule{\r@ightrepeat}}%
-\def\setleftrepeat{\def\barvrule{\l@eftrepeat}}%
-\def\setleftrightrepeat{\def\barvrule{\l@eftrightrepeat}}%
- %
-\def\think@vrule@f#1{\raise\altplancher\hbox{\vdlthick height\systemheight width
- #1}\global\advance\x@skip by #1}%
-
-\def\stdbarrules{\def\think@vrule{\think@vrule@f}} % standard v rules over all instruments
-\stdbarrules
-
-\def\sepbarrules{\def\think@vrule{\think@vrule@s}} % standard v rules over all instruments
- %
-\def\think@vrule@s#1{\n@loop \selectinstr
- \y@v=\nbportees\interportee \advance\y@v -\Interportee \advance\y@v \lthick
- \raise\altitude \hbox to \z@{\vdlthick width #1 height
- \y@v\hss}\repeat
- \global\advance\x@skip by #1\kern #1} % separated vrules par instrum
-
- %\check
-\def\vrule@inst#1{\selectinstr{\p@loop\raise\altportee
- \hbox to \z@{\vrule width #1 height 8\internote\hss}\n@portee\repeat}}%
- %
- %
-\def\thinvrule{\think@vrule{\lthick}}%
-\def\thickvrule{\think@vrule{1.2\Internote}}%
- %
-\def\finmorceau{\setdoubleBAR\finpartition}%
-\def\zfinmorceau{\setemptybar\finpartition}%
-\def\finpartition{\n@suspmorceau}%
- %\check
- %
-\def\c@other{}% void, but possibly changed by lines.tex... and others
-\def\gluearule{\-\zgluearule}%
-\def\zgluearule{\nobreak\wbarno@x\ygluearule}%
-\def\ygluearule{\nobreak\kern\afterruleskip\nobreak
- \global\advance\x@skip\afterruleskip\global\n@skip=\z@}%
- % terminate skips and continue slurs and ties if any
-\def\termskip{\upd@sk
- \ten@loop\ifnum\t@s=0\relax
- \else\c@ten
- \fi
- \global\advance\n@l by 1\relax
- \repeat\nobreak
- \c@other\nobreak
-\global\n@skip=\z@\global\x@skip=\z@}%
- %
-\def\gluebrule{\nobreak\termskip\@tenleader{\tempsskip}\nobreak}%
- %
-\def\writesignatures{\global\sign@skip=\z@
-\w@ritesigns
-\global\advance\sign@skip by 0.4\Internote \nobreak\hskip\sign@skip
-}%
-\def\Writesignatures{\global\sign@skip=\z@
-\w@ritesigns
-\nobreak\advance\sign@skip by 1.2\Internote\kern\sign@skip\nobreak}%
- %
-\def\w@ritesigns{\n@loop\writesigni\repeat}%
- %
- %\check
-\def\instrumentnames{\n@loop\writeinsname\repeat}%
- %
- %\check
-\def\writenewsignatures{\global\sign@skip=\z@
- \n@loop\writenewsigni\repeat
- \nobreak\ifdim\sign@skip>0.1pt\global\advance\sign@skip by 1.2\Internote
- \nobreak\global\n@skip=\sign@skip\termskip
- \fi
- \nobreak}%
- %
- %\check
- %
- % normal hyphenation process when \noautolines
- %
-\def\setnormalhyphen{\edef\-{\noexpand\discretionary{}%
- %\check 2
-{\noexpand\hbox{\noexpand\portees\noexpand\writeclefs
-\noexpand\everystaff}%
-\noexpand\hbox{\noexpand\writesignatures}%
-}%
- %\check 2
-{}}}% fin du def \setnormalhyphen
- %\check
- % ecrire toutes les indications de mesure sur toutes les portees
-\def\writemeters{\global\n@skip=\z@
-\n@loop\writemeteri\repeat\nobreak
-\ifdim\n@skip>\z@\advance\n@skip by 1.2\Internote
- \global\n@skip=\n@skip\termskip
-\fi\nobreak}%
- %
- %\check
-\def\writemeteri{\nobreak\selectinstr{\p@loop
- \edef\w@call{\noexpand\writemeterp{\noexpand\noportee}\the\metertoks}\relax
- \setbox\toks@box=\hbox{\w@call{}{}{}{}}\relax
- \ifdim\n@skip<\wd\toks@box\global\n@skip=\wd\toks@box\fi
- \raise\altportee\rlap {\box\toks@box}\n@portee
- \repeat}}%
- %\check
-\def\writeclefs{% ecrire toutes les clefs sur toutes les portees
-\global\clef@skip=\z@
-\w@riteclefs
-\kern\clef@skip}%
- %
-\def\w@riteclefs{\n@loop\writeclefi\repeat}%
- %
- %\check
-\def\writenewclefs{% ecrire toutes les nouvelles clefs sur toutes les
- % portees
-\global\clef@skip=\z@
-\w@ritenewclefi
-\kern\clef@skip\global\advance\x@skip\clef@skip\nobreak}%
- %
- %\check
-\def\zwritenewclefs{% ecrire toutes les nouvelles clefs sur toutes les
- % portees, a gauche et sans espacement
-\global\clef@skip=\z@
-\setbox\w@rkbox\hbox{\w@ritenewclefi}\kern -\clef@skip\box\w@rkbox
-\kern\clef@skip\nobreak}%
- %
-\def\w@ritenewclefi{\n@loop\writenewclefi\repeat}%
- %
- %\check
-\def\writesigni{\selectinstr\def\o@test{999}\w@ritenewsigni}%
-\def\writenewsigni{\selectinstr\def\o@test{\o@sign}\w@ritenewsigni}%
-\def\w@ritenewsigni{{\p@loop
- \n@portee
- \ifnum\o@test=\sign\relax\else
- \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}%
- \setbox\toks@box=\hbox{\kern 0.4\Internote\get@ref\compnwsign
- \kern 0.4\Internote}%
- \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi
- \raise\altportee\rlap{\box\toks@box}%
- \fi
-\repeat}%
-}%
- %\check
-\def\writeinsname{\selectinstr
-\xdef\instrument{\csname instrument\romannumeral
-\noinstrument\endcsname}%
-\altportee=\altitude
-\ifnum\nbportees>0\relax\advance\altportee by \nbportees\interportee
- \advance\altportee by -\Interportee
- \advance\altportee by \altitude\divide\altportee by 2\relax
-\fi
- \setbox\n@otebox=\llap{\vbox{\hsize=\parindent\advance\hsize by
- -0.8\Internote \centerline{\instrument}}\
- \kern 2\p@}\advance\altportee by -0.5\ht\n@otebox
- \raise\altportee\box\n@otebox
-}%
- %\check
-\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 6=fa, 1-4=ut .
-\ifcase\noportee\relax\global\ut@ref=0\relax
-\or\global\ut@ref=#1\relax
-\or\global\ut@ref=#2\relax
-\or\global\ut@ref=#3\relax
-\or\global\ut@ref=#4\relax
-\fi}
-\def\compnwsign{\ifnum\o@sign=0\relax
- \else\ifnum\sign=0\relax
- \else\kern 0.4\Internote
- \fi
- \fi
- \ifnum\o@sign<0\relax\w@flats\w@sharps
- \else\w@sharps\w@flats
- \fi}%
- %
- %\check
-\def\w@flats{%
-\ifnum\sign<0\relax\s@bemol{6}\else\ifnum\o@sign<0\relax\s@becarre{6}\fi\fi
-\ifnum\sign<-1\relax\s@bemol{9}\else\ifnum\o@sign<-1\relax\s@becarre{9}\fi
-\fi
-\ifnum\sign<-2\relax\s@bemol{5}\else\ifnum\o@sign<-2\relax\s@becarre{5}\fi
-\fi
-\ifnum\sign<-3\relax\s@bemol{8}\else\ifnum\o@sign<-3\relax\s@becarre{8}\fi
-\fi
-\ifnum\sign<-4\relax\s@bemol{4}\else\ifnum\o@sign<-4\relax\s@becarre{4}\fi
-\fi
-\ifnum\sign<-5\relax\s@bemol{7}\else\ifnum\o@sign<-5\relax\s@becarre{7}\fi
-\fi
-\ifnum\sign<-6\relax\s@bemol{3}\else\ifnum\o@sign<-6\relax\s@becarre{3}\fi
-\fi
-}%
- %\check
-\def\w@sharps{%
-\ifnum\sign>0\relax\s@dieze{10}\else\ifnum\o@sign>0\relax\s@becarre{10}\fi
-\fi
-\ifnum\sign>1\relax\s@dieze{7}\else\ifnum\o@sign>1\relax\s@becarre{7}\fi\fi
-\ifnum\sign>2\relax\s@dieze{11}\else\ifnum\o@sign>2\relax\s@becarre{11}\fi
-\fi
-\ifnum\sign>3\relax\s@dieze{8}\else\ifnum\o@sign>3\relax\s@becarre{8}\fi\fi
-\ifnum\sign>4\relax\s@dieze{5}\else\ifnum\o@sign>4\relax\s@becarre{5}\fi\fi
-\ifnum\sign>5\relax\s@dieze{9}\else\ifnum\o@sign>5\relax\s@becarre{9}\fi\fi
-\ifnum\sign>6\relax\s@dieze{6}\else\ifnum\o@sign>6\relax\s@becarre{6}\fi\fi
-}%
- %\check
-\def\s@bemol#1{\global\n@iii=#1\relax
- \p@bedieze\global\advance\y@iii by \fl@raise\raise\y@iii\hbox to
- 2.08\internote{\def\musicnfont{\musickeyfont}\hss\f@lat\hss}%
-}%
-\def\s@becarre#1{\global\n@iii=#1\relax
- \p@bedieze\global\advance\y@iii by \na@raise\raise\y@iii\hbox to
- 2.08\internote{\def\musicnfont{\musickeyfont}\hss\n@at\hss}%
-}%
-\def\s@dieze#1{\global\n@iii=#1\relax
- \p@bedieze\global\advance\y@iii by \sh@raise\raise\y@iii\hbox to
- 2.16\internote{\def\musicnfont{\musickeyfont}\hss\s@harp\hss}%
-}%
- %
-\def\p@bedieze{\global\advance\n@iii by \ut@ref\relax
- \global\advance\n@iii by \ut@ref\relax
- % cas de la cle de fa
- \ifnum\ut@ref=6\global\advance\n@iii by -14\relax\else
- \ifnum\ut@ref>0\global\advance\n@iii by -7\relax\fi\fi
- \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi
- \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi
- \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi
- \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi
- \global\y@iii=\n@iii\internote
- \global\advance\y@iii by -2\internote
-}
- %\check
- %
- %\check
- %
-\def\writeclefp#1#2#3#4#5{%
-\n@i=#1\relax
-\ifcase\n@i\singleclef{#2}%
-\or\singleclef{#3}\or\singleclef{#4}\or\singleclef{#5}\fi
-}%
- %
- %\check
-\def\writemeterp#1#2#3#4#5{%
-\n@i=#1\relax
-\ifcase\n@i\hbox{#2}\or\hbox{#3}\or\hbox{#4}\or\hbox{#5}\fi
-}%
- %
- %\check
-\def\writenewclefp#1#2#3#4#5#6#7#8#9{%
-\n@i=#1\relax
-\ifcase\n@i\newsingleclef{#2}{#6}%
-\or\newsingleclef{#3}{#7}\or\newsingleclef{#4}{#8}\or
-\newsingleclef{#5}{#9}\fi
-}%
- %\check
- %
-\def\singleclef#1{%
-\global\n@iii=#1\relax
-\charclef
-}%
- %\check
- %
-\def\Clefdut{\global\advance\n@iii by -3\relax\raise\n@iii\Interligne\clefdut}%
-\def\Clefdefa{\global\advance\n@iii by -6\relax
-\raise\n@iii\Interligne\clefdefa}
- %
-\def\charclef{%
-\ifdim\clef@skip<4.8\Internote\global\clef@skip=4.8\Internote\fi
-\ifcase\n@iii\relax\clefdesol\relax
-\or{\Clefdut}%
-\or{\Clefdut}%
-\or{\Clefdut}%
-\or{\Clefdut}%
-\or{\Clefdefa}%
-\or{\Clefdefa}%
-\fi}%
- %\check
- %
-\def\smallClefdut{\global\advance\n@iii by -3\relax\raise\n@iii
-\Interligne\smallclefdut}%
-\def\smallClefdefa{\global\advance\n@iii by -6\relax\raise\n@iii
-\Interligne\smallclefdefa}%
-\def\smallcharclef{%
-\ifdim\clef@skip<4.8\Internote\global\clef@skip=4.8\Internote\fi
-\ifcase\n@iii\relax\smallclefdesol\relax
-\or{\smallClefdut}%
-\or{\smallClefdut}%
-\or{\smallClefdut}%
-\or{\smallClefdut}%
-\or{\smallClefdefa}%
-\or{\smallClefdefa}%
-\fi}%
- %\check
-\def\newsingleclef#1#2{%
-\global\n@iii=#1\relax
-\n@ii=#2\relax
-\ifnum\n@ii=\n@iii\relax\else\smallcharclef
-\fi}%
- %\check
-\def\writeclefi{\selectinstr
-{\p@loop
- \edef\w@call{\noexpand\writeclefp{\noexpand\noportee}\the\cleftoks}%
- \setbox\toks@box=\hbox{\w@call{}{}{}{}}%
- \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi
- \raise\altportee\rlap{\box\toks@box}\n@portee
- \repeat}%
-}%
- %\check
-\def\writenewclefi{\selectinstr{\p@loop
- \edef\w@call{\noexpand\writenewclefp{\noexpand\noportee}\the\cleftoks\the
-\o@cks}%
-\setbox\toks@box=\hbox{\w@call{}{}{}{}}%
-\ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi
- \raise\altportee\rlap{\box\toks@box}\n@portee\repeat}%
-}%
- %\check
- % minuscule: une seule barre
- % majuscule: double barre
-\def\changecontexte{\changecontext}%
-\def\Changecontexte{\Changecontext}%
- %
-\def\changecontext{\gluebrule\newbar\nobreak\updatecontext}%
-\def\pchangecontext{\gluebrule\newbar\nobreak\p@updatecon}%
-\def\lchangecontext{\gluebrule\newbar\nobreak\l@updatecon}%
- %\check
-\def\Changecontext{\setdoublebar\changecontext}%
-\def\pChangecontext{\setdoublebar\pchangecontext}%
-\def\lChangecontext{\setdoublebar\lchangecontext}%
- %
- % write colons on all staffs (a part of [left][right]repeat symbols
- %
-\def\wrcolons{\w@colons}%
-\def\w@colons{\nobreak\hskip 0.8\Internote\nobreak
- \n@loop \w@coli\repeat
- \nobreak\hskip 0.8\Internote\nobreak}%
- %
- %\check
- %
-\def\n@updatecon{% imprime tout ce qui est nouveau
-\nobreak\writenewclefs
-\nobreak\writenewsignatures\nobreak\setnormalhyphen\-\writemeters\zgluearule
-\save@all}%
- %
-\def\x@updatecon{% imprime tout ce qui est nouveau
-\nobreak\writenewclefs\nobreak\wbarno@x
-\nobreak\writenewsignatures\nobreak\writemeters\ygluearule
-\save@all}%
- %
-\def\l@updatecon{\nobreak\writenewclefs\nobreak\writenewsignatures
-\z@suspend\reprmorceau}%
- %
-\def\p@updatecon{\nobreak\writenewclefs\nobreak\writenewsignatures
-\z@suspend\preprmorceau}%
- %
- %\check
- %
-\def\n@leftrepeat{\gluebrule
-\nobreak\writenewclefs
-\discretionary{\newbar}%
- %\check 1
-{\hbox{\portees\writeclefs\everystaff\Writesignatures}%
-\l@eftrepeat\hbox{\writemeters}}%
- %\check 1
-{\l@eftrepeat}\nobreak\writemeters\zgluearule
-\save@all\setnormalhyphen}%
- %
- %\check
- %
-\def\n@leftrightrepeat{\gluebrule
-\nobreak\writenewclefs
- %
-\discretionary{\setrightrepeat\newbar}%
- %\check 1
-{\hbox{\portees\writeclefs\everystaff\Writesignatures
-\l@eftrepeat\writemeters}}%
- %\check 1
-{\l@eftrightrepeat}\nobreak\writemeters\zgluearule
-\save@all\setnormalhyphen}%
- %
-\def\t@leftrepeat{\c@ountbar
- \ifnum\barsinline<\maxbarsinline\relax\setleftrepeat\x@barre
-\else
- \c@ountline
- \ifnum\linesinpage<\maxlinesinpage\l@leftrepeat
- \else\p@leftrepeat
-\fi\fi}%
- %
- %\check
- %
-\def\t@leftrightrepeat{\c@ountbar
- \ifnum\barsinline<\maxbarsinline\relax\setleftrightrepeat\x@barre
-\else
- \c@ountline
- \ifnum\linesinpage<\maxlinesinpage\l@leftrightrepeat
- \else\p@leftrightrepeat
-\fi\fi}%
- %
- %\check
- %
-\def\l@leftrepeat{\suspmorceau
- \reprmorceau\l@eftrepeat}%
- %
-\def\p@leftrepeat{\suspmorceau
- \preprmorceau\l@eftrepeat}%
- %
- %\check
- %
-\def\l@leftrightrepeat{\setrightrepeat\suspmorceau
- \reprmorceau\l@eftrepeat}%
- %
-\def\p@leftrightrepeat{\setrightrepeat\suspmorceau
- \preprmorceau\l@eftrepeat}%
- %
-\def\Changeclef{\Changeclefs}\def\Changeclefs{%
-\gluebrule\thinvrule\nobreak\hskip 1.2\Internote\nobreak\newbar
-\nobreak\writenewclefs\saveclefs}%
- %\check
-\def\changeclefs{\termskip\writenewclefs\saveclefs}%
-\def\zchangeclefs{\termskip\zwritenewclefs\saveclefs}%
- %\check
- %**************************************************************************
- % les notes proprement dites
- %**************************************************************************
-\def\vnotes#1\elemskip{\noteskip=#1\elemskip \n@otes}%
-\def\hardnotes#1\notes{\noteskip=#1\relax \n@otes}
-\def\znotes{\noteskip=\z@\n@otes}%
-\def\multnoteskip#1{\noteskip=#1\noteskip\relax}%
-\def\scalenoteskip{1.0}%
- %
- %\check
- %
-\def\enotes{\e@notes}%
- %
-\newdimen\n@skip
-\def\skip@n{\hskip \n@skip}%
-\def\skip@b{\hskip \brace@w\global\advance\x@skip by\brace@w}%
- %
-\def\upd@sk{\nobreak\skip@n\global\advance\x@skip by\n@skip\nobreak}%
- %
-\def\nextstaff{\endstaff\beginstaff}%
-\def\nextinstrument{\endinstrument\begininstrument}%
- %
-\def\n@otes{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose=\transpose
-\multnoteskip{\scalenoteskip}\check@nopen
-\global\advance\notes@open by 1\relax\upd@sk
-\def\rq{\rq@}\def\lq{\lq@}\def\ds{\demisoupir}\relax
-\locx@skip=\x@skip
-\global\n@skip=\noteskip
-\global\noinstrument=0\relax
-\begininstrument}%
- %
- %\check
-\def\begininstrument{\global\advance\noinstrument by 1\relax
-\selectinstr\resetstem
-\ifdim\internote<0.76\Internote\csname set@tinynotesize\endcsname
- \computespecifics
-\else\ifdim\internote<0.95\Internote\csname set@smallnotesize\endcsname
- \computespecifics
- \else\csname currentsize\endcsname\fi
-\fi
-\global\noportee=0\relax\beginstaff
-}%
- %\check
- %
-\def\endinstrument{\endstaff}%
- %\check
- %
-\def\beginstaff{\alt@comp
- \n@portee
- \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}\relax\get@ref
- \setbox\n@otebox=\hbox\bgroup\computeqn@w
- \locx@skip=\x@skip }%
- %\check
- %
-\def\endstaff{\egroup
- \ifdim\n@skip<\wd\n@otebox \global\n@skip=\wd\n@otebox
- \fi
- \nobreak\raise\altportee\rlap{\unhbox\n@otebox}\nobreak}%
- %
- %\check
- %
-\def\e@notes{\global\notes@open=0\relax\endinstrument
-\ifdim\n@skip<\noteskip \showthe\noteskip\showthe\n@skip
-\global\n@skip=\noteskip
-\fi}%
- %
- %\check
- %
-\def\shortstems{\def\stemfactor{4.00}}
-\def\normalstems{\def\stemfactor{4.66}}
-\normalstems
- % queue de note vers le bas
-\def\p@tail{\global\advance\st@bot by -\stemfactor\interbeam\global\stem@skip=\z@
-\minst@bot\pd@tail}%
- % queue de note vers le haut
-\def\d@tail{\global\advance\st@top by \stemfactor\interbeam\maxst@top\pd@tail}%
-\def\minst@bot{\global\advance\st@bot by -\altportee
- \ifdim\st@bot>2\Interligne \global\st@bot=2\Interligne\fi
- \global\advance\st@bot by \altportee}
-\def\maxst@top{\global\advance\st@top by -\altportee
- \ifdim\st@top<2\Interligne \global\st@top=2\Interligne\fi
- \global\advance\st@top by \altportee}
- %
- %\check
- %\def\pd@tail{\global\advance\st@top by -\st@bot
- % \ifdim\st@top>\p@\global\advance\st@bot by -\altportee
- % \raise\st@bot\rlap{\kern\stem@skip\vrule height\st@top width \lthick}\fi
- % \resetstem}%
- %\check
-\def\pd@tail{\ifdim\st@top>\st@bot
- \global\advance\st@bot by -\altportee
- \global\advance\st@top by -\altportee
- \kern\stem@skip
- \vrule height\st@top depth -\st@bot width \lthick
- \kern-\stem@skip
- \kern-\lthick
-\fi \resetstem}%
- %\check
-\def\resetstem{\global\st@bot=99cm\global\st@top=-\st@bot}%
- %
-\def\setstem{{\advance\y@i by -\n@raise \advance\y@i by \altportee
-\ifdim\st@bot>\y@i\global\st@bot=\y@i\fi
-\ifdim\st@top<\y@i\global\st@top=\y@i\fi}}%
- %
- %\check
- %
- % sequence de placement d'un caractere a une position dans la portee
-\def\pl@note{\pl@base \advance\y@i by \n@raise}%
-\def\pl@base{\y@i=\n@i\internote}%
- %
- % lignes supplementaires pour \n@i (position)
- %
-\newcount\h@lnlv
-\newdimen\hlp@width
-\newdimen\h@lineup
-\newdimen\h@linedn
- %\def\h@linei{\raise\h@lnlv\internote
- % \llap{\vdlthick width 1.6\hlp@width height \hlthick
- % \kern -1.3\hlp@width}}%
-\def\h@linei{\h@lineup=\h@lnlv\internote
-\h@linedn=\h@lineup
-\advance\h@lineup by \hlthick
-\advance\h@linedn by -\hlthick
-\kern -0.3\hlp@width
-\vrule height \h@lineup depth -\h@linedn width 1.6\hlp@width
-\kern -1.3\hlp@width}%
- %\check
- %
-\def\h@linesqn{\h@lines{\qn@width}}%
-\def\adv@locx@mqn{\advance\locx@skip by -\qn@width}%
- %
-\def\h@lines#1{%
-\ifnum\stafflinesnb>3 % no help lines for percussion instruments
- \hlp@width=#1\h@lnlv=0\relax
- \loop\advance\h@lnlv by -1\relax
- \ifnum\n@i<\h@lnlv\relax\advance\h@lnlv by -1\relax
- \ifnum\h@lnlv<-20\relax\showthe\h@lnlv\fi
- \h@linei\repeat
-% \h@lnlv=8\relax
-\h@lnlv=\stafflinesnb\relax
-\advance\h@lnlv\stafflinesnb\relax
-\advance\h@lnlv -2\relax
-\loop\advance\h@lnlv by 1\relax
- \ifnum\n@i>\h@lnlv\relax\advance\h@lnlv by 1\relax
- \ifnum\h@lnlv>30\relax\showthe\h@lnlv\fi
- \h@linei\repeat
-\fi}%
- %\check
- % *********** les symboles de notes ou assimiles ****************
- %
- % placement
- %
-\newcount\inh@alt
-\def\getn@i{\global\inh@alt=0\relax\xgetn@i}%
- %
-\def\inhgetn@i{\global\inh@alt=1\relax\xgetn@i}%
- %
-\def\xgetn@i#1{\n@i=9999\relax % par defaut
-\edef\t@ruc{\f@tok #1\noexpand\relax\af@tok}\ifcat a\t@ruc\relax
-\getn@iletter{#1}%
-\else\getn@inonlet{#1}% \ifcat pas lettre
-\fi\global\n@raise=\z@}% %
-\def\getn@inonlet#1{\edef\ss@uite{}\edef\s@uite{\s@tok #1{}\af@tok}%
-\edef\alt@suite{}\ifcat 1\t@ruc\relax
-\t@rucfig{#1}% cas active character dont chiffre
-\else\t@rucexpcar{#1}%
-\fi\alt@suite}% fi du \ifcat 1
- %\check
- % analysis of accidentals within collective note coding
-\def\absoluteaccidentals{\def\Xna{\na}\def\Xsh{\sh}\def\Xfl{\fl}%
-\def\Xdsh{\dsh}\def\Xdfl{\dfl}}%
-\absoluteaccidentals
- %
-\def\t@rucexpcar#1{\if ^\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\Xsh{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi
- \if _\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\Xfl{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi}%
- %\check
-\def\t@rucfig#1{\if=\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\Xna{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi
-\if*\t@ruc\relax
- \sk
- \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi
-\if.\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\pt{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi
-\if>\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\Xdsh{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi
-\if<\t@ruc\relax
- \edef\alt@suite{\ifnum
- \inh@alt=0\relax\noexpand\Xdfl{\s@uite}\fi
- \noexpand\getn@i{\s@uite}}\fi
-\if!\t@ruc\relax
- \transpose=\normaltranspose\relax
- \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi
-\if'\t@ruc\relax
- \advance\transpose by 7\relax
- \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi
-\if`\t@ruc\relax
- \advance\transpose by -7\relax
- \edef\alt@suite{\noexpand\getn@i{\s@uite}}%
-\else \if -\t@ruc\relax\n@i=#1\relax\fi
- \if 1\t@ruc\relax\n@i=#1\relax\fi
- \if 2\t@ruc\relax\n@i=#1\relax\fi
- \if 3\t@ruc\relax\n@i=#1\relax\fi
- \if 4\t@ruc\relax\n@i=#1\relax\fi
- \if 5\t@ruc\relax\n@i=#1\relax\fi
- \if 6\t@ruc\relax\n@i=#1\relax\fi
- \if 7\t@ruc\relax\n@i=#1\relax\fi
- \if 8\t@ruc\relax\n@i=#1\relax\fi
- \if 9\t@ruc\relax\n@i=#1\relax\fi
- \if 0\t@ruc\relax\n@i=#1\relax\fi
-\fi}%
- %\check
- %
-\def\getn@iletter#1{\n@i=\expandafter`\t@ruc\relax
-\ifnum\n@i >96\relax \advance\n@i by -101\relax % ramener au E (position
- % zero en clef de sol, ut@ref=0)
-\else\advance\n@i by -83\relax % ramener au S= E + 14
-\fi
-\advance\n@i by \ut@ref\relax
-\advance\n@i by \ut@ref\relax
-\advance\n@i by \transpose\relax
-\edef\s@uite{\s@tok #1{}\af@tok}\edef\ss@uite{\noexpand\n@fon{\s@uite}}}%
- %\check
- %
-\def\pt@raise{\ifodd\n@i\relax\pt@up=-0.1\Interligne\else\pt@up
-=0.3\Interligne\fi
-\advance\pt@up by -\n@raise\raise\pt@up}%
- %
-\def\lcharnote#1#2{\getn@i{#1}\pl@llap{#2}}%
-\def\ccharnote#1#2{\getn@i{#1}\pl@lrlap{#2}}%
- %
-\def\bigaccid{\def\small@test{\noteskip>-1\p@}}%
-\def\smallaccid{\def\small@test{\noteskip>9999\p@}}%
-\def\varaccid{\def\small@test{\noteskip>1.9\qn@width}}%
-\def\k@eiqdskip{\kern 0.8\qd@skip}
-\def\k@meiqdskip{\kern -0.8\qd@skip}
- %
-\varaccid % accidents de taille variable
- %\check
-\def\lfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\ifdim\small@test\f@lat\else\smallf@lat\fi\k@eiqdskip}}%
- %\check
-\def\ldfl#1{\getn@i{#1}\global\n@raise=\fl@raise
- \pl@llap{\ifdim\small@test\df@lat\else\smalldf@lt\fi\k@eiqdskip}}%
- %\check
-\def\lsh#1{\getn@i{#1}\global\n@raise=\sh@raise
- \pl@llap{\ifdim\small@test\s@harp\else\smalls@harp\fi\k@eiqdskip}}%
-\def\ldsh#1{\getn@i{#1}\global\n@raise=\z@
- \pl@llap{\ifdim\small@test\ds@harp\else\smallds@harp\fi\k@eiqdskip}}%
- %\check
-\def\lna#1{\getn@i{#1}\global\n@raise=\na@raise
- \pl@llap{\ifdim\small@test\n@at\else\smalln@at\fi\k@eiqdskip}}%
- %\check
-\def\pl@llap{\pl@note\raise\y@i\llap}%
-\def\pl@lrlap{\pl@note\raise\y@i\lrlap}%
-\def\lrlap#1{\rlap{\hss#1}}%
-\def\uplap#1{\vbox to\z@{\vss#1}}
- %**************** notes (sans queue) *******************
- %
-\def\xcharnote#1#2#3{\getn@i{#2}\pl@base
- \raise\y@i\hbox to #1{#3\hss}\advance\locx@skip by #1\relax}%
- %\check
- %
-\def\raise@note{\advance\locx@skip by\noteskip\raise\y@i\hbox to \noteskip}%
- %
- % rondes sous diverses formes
- %
- % ronde decalee a gauche (sans avance)
-\def\lw#1{\kern -\wd@skip\zw{#1}\kern \wd@skip}%
- %
- % ronde decalee a droite (sans avance)
-\def\rw#1{\kern \wd@skip\zw{#1}\kern -\wd@skip}%
- %\check
- % ronde sans avance
-\def\zw#1{\getn@i{#1}\def\n@fon{\zw}\def\n@sym{\w@h}\g@zw}%
-\def\zwp#1{\getn@i{#1}\def\n@fon{\zwp}\def\n@sym{\w@hp}\g@zw}%
-\def\zwpp#1{\getn@i{#1}\def\n@fon{\zwpp}\def\n@sym{\w@hpp}\g@zw}%
-\def\zwppp#1{\getn@i{#1}\def\n@fon{\zwppp}\def\n@sym{\w@hppp}\g@zw}%
-\def\g@zw{\advancefalse\g@w}%
- %\check
- %
-\def\phpause{\hbox to \noteskip{\vrule width
- 1.2\qn@width height \internote\hss}}%
-\def\pause{\hbox{\raise 5\internote\phpause}\advance\locx@skip by \noteskip}%
-\def\hpause{\hbox{\raise 4\internote\phpause}\advance\locx@skip by \noteskip}%
-\def\demisoupir{\hbox to \noteskip{\d@soup\hss}\advance\locx@skip by \noteskip}%
-\def\qp{\hbox to \noteskip{\s@oupir\hss}\advance\locx@skip by \noteskip}%
-\def\soupir{\qp}%
-\def\dsoupir{\demisoupir}%
- % quart de soupir
-\def\qs{\hbox to \noteskip{\q@soup\hss}%
-\advance\locx@skip by \noteskip}%
-\def\qsoupir{\qs}%
-\def\quartsoupir{\qs}%
- % huitieme de soupir
-\def\hs{\hbox to \noteskip{\h@soup\hss}%
-\advance\locx@skip by \noteskip}%
-\def\hsoupir{\hs}%
-\def\huitsoupir{\hs}%
- % seizieme de soupir
-\def\qqs{\hbox to \noteskip{\s@soup\hss}%
-\advance\locx@skip by \noteskip}%
-\def\seizsoupir{\qqs}%
- %\check
-\def\pl@noteq{\pl@note \setstem
- \ifdim\noteskip>\z@
- \ifdim\st@bot<29cm
- \s@tem
- \fi
- \fi
-}%
- %
-\def\Ped{{\cmsy P\kern -1\p@\it ed.}}%
-\def\PED{\rlap{\zcharnote{-5}{\kern -2\p@\Ped}}}%
-\def\DEP{\rlap{\zcharnote{-7}{\kern 0.5\noteskip\kern -4\p@\moyen *}}}%
- %\check
-\def\pl#1{\zcharnote{#1}{\raise 2\p@ \rlap{\ttyeight +}}}%
-\def\pointdorgue#1{\zcharnote{#1}{\raise \Interligne\p@orgue}}%
-\def\pointdurgue#1{\zcharnote{#1}{\raise-\Interligne\p@urgue}}%
-\def\ntrille#1#2{\zcharnote{#1}{\trille{#2\elemskip}}}%
-\def\nTrille#1#2{\zcharnote{#1}{\Trille{#2\elemskip}}}%
-\def\xtrille#1#2{\zcharnote{#1}{\trille{#2}}}%
-\def\xTrille#1#2{\zcharnote{#1}{\Trille{#2}}}%
- %
-\def\pt#1{\inhgetn@i{#1}\def\n@fon{\pt}\def\n@sym{\z@p}\g@pt}
-\def\ppt#1{\inhgetn@i{#1}\def\n@fon{\ppt}\def\n@sym{\z@pp}\g@pt}
-\def\pppt#1{\inhgetn@i{#1}\def\n@fon{\pppt}\def\n@sym{\z@ppp}\g@pt}
-\def\g@pt{\n@raiseq \pl@note\raise\y@i\rlap{\n@sym}\fi}%
- %
-\def\n@raiseq{\global\n@raise=\qu@raise\ifnum\n@i<100\relax}
- %
- %\check
- %
- % blanche sans queue decalee a gauche
- % blanche pointee sans queue
- % blanche decalee a gauche
-\def\lh#1{\kern -\hd@skip\zh{#1}\kern \hd@skip}%
- % blanche decalee a droite sans queue
-\def\rh#1{\kern \hd@skip\zh{#1}\kern -\hd@skip}%
- % blanche sans queue ni avance
-\def\zh#1{\getn@i{#1}\def\n@fon{\zh}\def\n@sym{\h@a}\g@zh}
-\def\zhp#1{\getn@i{#1}\def\n@fon{\zhp}\def\n@sym{\h@ap}\g@zh}
-\def\zhpp#1{\getn@i{#1}\def\n@fon{\zhpp}\def\n@sym{\h@app}\g@zh}
-\def\zhppp#1{\getn@i{#1}\def\n@fon{\zhppp}\def\n@sym{\h@appp}\g@zh}
-\def\g@zh{\global\n@raise=\ha@raise\global\n@width=\hn@width\g@z}%
-\def\g@z{\ifnum\n@i<100\relax
- \h@lines{\n@width}\pl@note\setstem\rlap@symss\fi}%
- %
- % noires sans queues
- %
-\def\zq#1{\getn@i{#1}\def\n@fon{\zq}\def\n@sym{\q@u}\g@zq}
-\def\zqp#1{\getn@i{#1}\def\n@fon{\zqp}\def\n@sym{\q@up}\g@zq}
-\def\zqpp#1{\getn@i{#1}\def\n@fon{\zqpp}\def\n@sym{\q@upp}\g@zq}
-\def\zqppp#1{\getn@i{#1}\def\n@fon{\zqppp}\def\n@sym{\q@uppp}\g@zq}
-\def\g@zq{\global\n@raise=\qu@raise\global\n@width=\qn@width\g@z}%
- %
- %\check
-\def\rq@#1{\kern \qd@skip\zq{#1}\kern -\qd@skip}%
-\def\lq@#1{\kern -\qd@skip\zq{#1}\kern \qd@skip}%
- % *********************** notes avec queue **********************
- %
- %\check
-\def\qu{\advancetrue\qu@z}%
-\def\qup{\advancetrue\qup@z}%
-\def\qupp{\advancetrue\qupp@z}%
-\def\quppp{\advancetrue\quppp@z}%
-\def\qu@z#1{\getn@i{#1}\def\n@fon{\qu}\def\n@sym{\q@u}\g@qu}%
-\def\qup@z#1{\getn@i{#1}\def\n@fon{\qup}\def\n@sym{\q@up}\g@qu}%
-\def\qupp@z#1{\getn@i{#1}\def\n@fon{\qupp}\def\n@sym{\q@upp}\g@qu}%
-\def\quppp@z#1{\getn@i{#1}\def\n@fon{\quppp}\def\n@sym{\q@uppp}\g@qu}%
- %\check
-\def\g@qu{\n@raiseq
- \global\stem@skip=\qd@skip\def\s@tem{\d@tail}\g@qbh@\fi}%
- %
-\def\q@up{\hbox to \qn@width{\q@u\hss}\P@t}%
-\def\q@upp{\hbox to \qn@width{\q@u\hss}\PP@t}%
-\def\q@uppp{\hbox to \qn@width{\q@u\hss}\PPP@t}%
-\def\h@ap{\hbox to \hn@width{\h@a\hss}\P@t}%
-\def\h@app{\hbox to \hn@width{\h@a\hss}\PP@t}%
-\def\h@appp{\hbox to \hn@width{\h@a\hss}\PPP@t}%
-\def\w@hp{\hbox to \wn@width{\w@h\hss}\P@t}%
-\def\w@hpp{\hbox to \wn@width{\w@h\hss}\PP@t}%
-\def\w@hppp{\hbox to \wn@width{\w@h\hss}\PPP@t}%
- %
-\def\z@p{\kern \qn@width\P@t}\def\z@pp{\kern \qn@width\PP@t}%
-\def\z@ppp{\kern \qn@width \PPP@t}%
- %\check
-\def\rqu#1{\getn@i{#1}\def\n@fon{\qu}\def\n@sym{\kern \qd@skip\q@u}%
- \n@raiseq
- \kern \qd@skip \h@linesqn\kern -\qd@skip
- \global\stem@skip=\qd@skip\def\s@tem{\d@tail}\pl@symss\fi}%
- %\check
- % noire queue en haut sans avance
-\def\zqu{\advancefalse\qu@z}%
-\def\zqup{\advancefalse\qup@z}%
-\def\zqupp{\advancefalse\qupp@z}%
-\def\zquppp{\advancefalse\quppp@z}%
- %
- % espace vide d'une note
-\def\off#1{\advance\locx@skip by #1\kern #1}%
-\def\sk{\off\noteskip}%
-\def\qsk{\off\qn@width}%
-\def\hqsk{\off{0.5\qn@width}}%
-\def\hsk{\off\hn@width}%
- \def\offs@t#1{\off{-\s@o@}#1\off\s@o@}
-\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t}
-\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t}
-\def\roff{\roffset 1}
-\def\loff{\loffset 1}
-%\check
-\def\lqu#1{\kern -\qd@skip\zqu{#1}\kern \qd@skip}%
- %\check
- % noires queue en base
-\def\ql{\advancetrue\ql@z}%
-\def\qlp{\advancetrue\qlp@z}%
-\def\qlpp{\advancetrue\qlpp@z}%
-\def\qlppp{\advancetrue\qlppp@z}%
-\def\ql@z#1{\getn@i{#1}\def\n@fon{\ql}\def\n@sym{\q@u}\g@ql}%
-\def\qlp@z#1{\getn@i{#1}\def\n@fon{\qlp}\def\n@sym{\q@up}\g@ql}%
-\def\qlpp@z#1{\getn@i{#1}\def\n@fon{\qlpp}\def\n@sym{\q@upp}\g@ql}%
-\def\qlppp@z#1{\getn@i{#1}\def\n@fon{\qlppp}\def\n@sym{\q@uppp}\g@ql}%
-\def\g@ql{\n@raiseq
- \def\s@tem{\p@tail}\g@qbh@\fi}%
- %
- % la meme sans avance
-\def\zql{\advancefalse\ql@z}%
-\def\zqlp{\advancefalse\qlp@z}%
-\def\zqlpp{\advancefalse\qlpp@z}%
-\def\zqlppp#1{\advancefalse\qlppp@z}%
- %\check
- % decalees a gauche et a droite
-\def\lql#1{\kern -\qd@skip\zql{#1}\kern \qd@skip}%
-\def\rql#1{\kern \qd@skip\zql{#1}\kern -\qd@skip}%
- %
- % croches, doubles croches, triples croches, quadruple croches queue en
- % haut et en bas
- %
-\def\clp{\advancetrue\mclp1}\def\cup{\advancetrue\mcup1}%
-\def\clpp{\advancetrue\mclpp1}\def\cupp{\advancetrue\mcupp1}%
-\def\clppp{\advancetrue\mclppp1}\def\cuppp{\advancetrue\mcuppp1}%
- %
-\def\zclp{\advancefalse\mclp1}\def\zcup{\advancefalse\mcup1}%
-\def\zclpp{\advancefalse\mclpp1}\def\zcupp{\advancefalse\mcupp1}%
-\def\zclppp{\advancefalse\mclppp1}\def\zcuppp{\advancefalse\mcuppp1}%
- %
-\def\cu{\advancetrue\mcu1}\def\ccu{\advancetrue\mcu2}
-\def\cccu{\advancetrue\mcu3}\def\ccccu{\advancetrue\mcu4}%
-\def\cl{\advancetrue\mcl1}\def\ccl{\advancetrue\mcl2}
-\def\cccl{\advancetrue\mcl3}\def\ccccl{\advancetrue\mcl4}%
- %
-\def\zcu{\advancefalse\mcu1}\def\zccu{\advancefalse\mcu2}%
-\def\zcccu{\advancefalse\mcu3}\def\zccccu{\advancefalse\mcu4}%
-\def\zcl{\advancefalse\mcl1}\def\zccl{\advancefalse\mcl2}%
-\def\zcccl{\advancefalse\mcl3}\def\zccccl{\advancefalse\mcl4}%
- %
-\def\mcu#1#2{\getn@i{#2}\def\n@sym{\q@u}%
-\edef\n@fon{\noexpand\mcu #1}\g@cu{#1}}
-\def\mcup#1#2{\getn@i{#2}\def\n@sym{\q@up}%
-\edef\n@fon{\noexpand\mcup #1}\g@cu{#1}}
-\def\mcupp#1#2{\getn@i{#2}\def\n@sym{\q@upp}%
-\edef\n@fon{\noexpand\mcupp #1}\g@cu{#1}}
-\def\mcuppp#1#2{\getn@i{#2}\def\n@sym{\q@uppp}%
-\edef\n@fon{\noexpand\mcupp #1}\g@cu{#1}}
-\def\g@cu#1{\n@raiseq
- \h@linesqn\global\stem@skip=\qd@skip
- \def\s@tem{\d@cr#1}\pl@symssq\fi}%
-\def\mcl#1#2{\getn@i{#2}\def\n@sym{\q@u}%
-\edef\n@fon{\noexpand\mcl #1}\g@cl{#1}}
-\def\mclp#1#2{\getn@i{#2}\def\n@sym{\q@up}%
-\edef\n@fon{\noexpand\mclp #1}\g@cl{#1}}
-\def\mclpp#1#2{\getn@i{#2}\def\n@sym{\q@upp}%
-\edef\n@fon{\noexpand\mclpp #1}\g@cl{#1}}
-\def\mclppp#1#2{\getn@i{#2}\def\n@sym{\q@uppp}%
-\edef\n@fon{\noexpand\mclppp #1}\g@cl{#1}}
-\def\g@cl#1{\n@raiseq
- \h@linesqn\def\s@tem{\p@cr#1}\pl@symssq\fi}%
- %
- % ronde
-\def\wh#1{\getn@i{#1}\def\n@fon{\wh}\def\n@sym{\w@h}\g@wh}%
-\def\whp#1{\getn@i{#1}\def\n@fon{\whp}\def\n@sym{\w@hp}\g@wh}%
-\def\whpp#1{\getn@i{#1}\def\n@fon{\whpp}\def\n@sym{\w@hpp}\g@wh}%
-\def\whppp#1{\getn@i{#1}\def\n@fon{\whppp}\def\n@sym{\w@hppp}\g@wh}%
-\def\g@wh{\advancetrue\g@w}%
-\def\g@w{\global\n@raise=\wh@raise\ifnum\n@i<100\relax
- \h@lines{\wn@width}\def\s@tem{\resetstem}\pl@symssq\fi}%
- %\check
-\def\zwh#1{\getn@i{#1}\def\n@fon{\wh}\def\n@sym{\w@h}\rlap{\g@wh}}%
- %
- % blanche sans queue isolee
-\def\nh#1{\getn@i{#1}\def\n@fon{\nh}\def\n@sym{\h@a}\g@nh}%
-\def\g@nh{\advancetrue\g@nhz}%
-\def\g@nhz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax
- \h@lines{\hn@width}\def\s@tem{\resetstem}\pl@symssq\fi}%
-\def\znh#1{\getn@i{#1}\def\n@fon{\nh}\def\n@sym{\h@a}\rlap{\g@nhz}}%
- %
- % noiree sans queue isolee
-\def\nq#1{\getn@i{#1}\def\n@fon{\nq}\def\n@sym{\q@u}\g@nq}%
-\def\g@nq{\advancetrue\g@nqz}%
-\def\g@nqz{\global\n@raise=\qu@raise\ifnum\n@i<100\relax
- \h@lines{\hn@width}\def\s@tem{\resetstem}\pl@symssq\fi}%
-\def\znq#1{\getn@i{#1}\def\n@fon{\nq}\def\n@sym{\q@u}\rlap{\g@nqz}}%
- %
- % blanche avec queue
-\def\ha{\hu}%
-\def\hu#1{\getn@i{#1}\def\n@fon{\hu}\def\n@sym{\h@a}\g@hu}%
-\def\hup#1{\getn@i{#1}\def\n@fon{\hup}\def\n@sym{\h@ap}\g@hu}%
-\def\hupp#1{\getn@i{#1}\def\n@fon{\hupp}\def\n@sym{\h@app}\g@hu}%
-\def\huppp#1{\getn@i{#1}\def\n@fon{\huppp}\def\n@sym{\h@appp}\g@hu}%
-\def\g@hu{\advancetrue\g@huz}%
-\def\g@huz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax
- \h@lines{\hn@width}\global\stem@skip=\hd@skip
- \def\s@tem{\d@tail}\pl@symssq\fi}%
- %
- %\check
-\def\rhu#1{\getn@i{#1}\def\n@fon{\hu}\global\n@raise=\ha@raise
-\def\n@sym{\kern \hd@skip\h@a}%
-\ifnum\n@i<100\relax
- \kern \hd@skip
- \h@lines{\hn@width}\kern -\hd@skip
- \global\stem@skip=\hd@skip\def\s@tem{\d@tail}\pl@symss\fi}%
- %\check
- % blanche avec queue sans avance
-\def\zhu#1{\getn@i{#1}\def\n@fon{\hu}\def\n@sym{\h@a}\g@zhu}%
-\def\zhup#1{\getn@i{#1}\def\n@fon{\hup}\def\n@sym{\h@ap}\g@zhu}%
-\def\zhupp#1{\getn@i{#1}\def\n@fon{\hupp}\def\n@sym{\h@app}\g@zhu}%
-\def\zhuppp#1{\getn@i{#1}\def\n@fon{\huppp}\def\n@sym{\h@appp}\g@zhu}%
-\def\g@zhu{\advancefalse\g@huz}%
- %\check
-\def\lhu#1{\kern -\hn@width\zhu{#1}\kern \hn@width}%
- %
- %
- % blanches queue en bas
-\def\hl#1{\getn@i{#1}\def\n@fon{\hl}\def\n@sym{\h@a}\g@hl}%
-\def\hlp#1{\getn@i{#1}\def\n@fon{\hlp}\def\n@sym{\h@ap}\g@hl}%
-\def\hlpp#1{\getn@i{#1}\def\n@fon{\hlpp}\def\n@sym{\h@app}\g@hl}%
-\def\hlppp#1{\getn@i{#1}\def\n@fon{\hlppp}\def\n@sym{\h@appp}\g@hl}%
-\def\g@hl{\advancetrue\g@hlz}%
-\def\g@hlz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax
- \h@lines{\hn@width}\def\s@tem{\p@tail}\pl@symssq\fi}%
- %\check
-\def\zhl#1{\getn@i{#1}\def\n@fon{\hl}\def\n@sym{\h@a}\rlap{\g@zhl}}%
-\def\zhlp#1{\getn@i{#1}\def\n@fon{\hlp}\def\n@sym{\h@ap}\rlap{\g@zhl}}%
-\def\zhlpp#1{\getn@i{#1}\def\n@fon{\hlpp}\def\n@sym{\h@app}\rlap{\g@zhl}}%
-\def\zhlppp#1{\getn@i{#1}\def\n@fon{\hlppp}\def\n@sym{\h@appp}\rlap{\g@zhl}}%
-\def\g@zhl{\advancefalse\g@hlz}%
- %\check
-\def\rhl#1{\kern \hd@skip\zhl{#1}\kern -\hd@skip}%
-\def\lhl#1{\kern -\hn@width\zhl{#1}\kern \hn@width}%
- %\check
- %**************** initialisation de poutres ******************
- % \ibu{0<numero<10}{altitude~note}{pente de -9 a +9}
- % \ibl{0<numero<10}{altitude~note}{pente de -9 a +9}
- %
-\def\selectpoutre#1{{\n@i=#1\relax
- \ifnum\n@i<0\relax\n@i=29\relax\fi
- \advance\n@i by 1\relax
-\xdef\b@x{\csname b@x\romannumeral\n@i\endcsname}%
-\xdef\b@z{\csname b@z\romannumeral\n@i\endcsname}%
-\xdef\bb@x{\csname bb@x\romannumeral\n@i\endcsname}%
-\xdef\bb@z{\csname bb@z\romannumeral\n@i\endcsname}%
-\xdef\bbb@x{\csname bbb@x\romannumeral\n@i\endcsname}%
-\xdef\bbb@z{\csname bbb@z\romannumeral\n@i\endcsname}%
-\xdef\bbbb@x{\csname bbbb@x\romannumeral\n@i\endcsname}%
-\xdef\bbbb@z{\csname bbbb@z\romannumeral\n@i\endcsname}%
-\xdef\bbbbb@x{\csname bbbbb@x\romannumeral\n@i\endcsname}%
-\xdef\bbbbb@z{\csname bbbbb@z\romannumeral\n@i\endcsname}%
-\xdef\b@n{\csname b@n\romannumeral\n@i\endcsname}%
-\xdef\b@p{\csname b@p\romannumeral\n@i\endcsname}}\s@lopdefs}%
- % fin selectpoutre
- %
-\def\ibu#1{\selectpoutre{#1}\i@bu}%
-\def\i@bu#1#2{\ifnum\b@n=0\relax\else\t@bu\fi
- \global\b@n=-1\relax
- \global\b@x=\locx@skip
- \global\advance\b@x by \qd@skip\inhgetn@i{#1}\pl@base
- \global\b@z=\y@i\global\advance\b@z by\altportee\global\b@p=#2\relax
- \global\advance\b@z by 4.333\interbeam}%
- %
-\def\ibl#1{\selectpoutre{#1}\i@bl}%
-\def\i@bl#1#2{\ifnum\b@n=0\relax\else\t@bl\fi
- \global\b@n=1\relax
- \global\b@x=\locx@skip\inhgetn@i{#1}\pl@base
- \global\b@z=\y@i\global\advance\b@z by \altportee\global\b@p=#2\relax
- \global\advance\b@z by -4.333\interbeam}%
- %\check
-\def\ibbu#1{\selectpoutre{#1}\i@bbu}%
-\def\ibbl#1{\selectpoutre{#1}\i@bbl}%
-\def\i@bbu#1#2{\ifnum\b@n=0\relax\i@bu{#1}{#2}\relax\global\advance\b@z by
- \interbeam\fi\n@bbu\relax}%
-\def\i@bbl#1#2{\ifnum\b@n=0\relax\i@bl{#1}{#2}\relax\global\advance\b@z by
- -\interbeam\fi\n@bbl\relax}%
-\def\nbbu#1{\selectpoutre{#1}\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbu\fi
-\fi}%
-\def\nbbl#1{\selectpoutre{#1}\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbl\fi
-\fi}%
-\def\n@bbu{\gl@au{\b@n}\global\bb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam
- \else \global\advance\bb@z by \interbeam
- \fi
- {\advance\locx@skip by \qd@skip \global\bb@x=\locx@skip
- \advance\locx@skip by -\b@x
- \global\advance\bb@z by \s@lope\locx@skip }}%
- %
-\def\n@bbl{\gl@au{\b@n}\global\bb@x=\locx@skip
- \global\advance\bb@x by \lthick
- \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam
- \else \global\advance\bb@z by \interbeam \fi
- {\advance\locx@skip by -\b@x
-\global\advance\bb@z by \s@lope\locx@skip }}%
- %\check
-\def\ibbbu#1{\selectpoutre{#1}\i@bbbu}%
-\def\ibbbl#1{\selectpoutre{#1}\i@bbbl}%
-\def\i@bbbu#1#2{\ifnum\b@n=0\relax\i@bbu{#1}{#2}%
-\global\advance\b@z by \interbeam
-\global\advance\bb@z by \interbeam
-\fi\n@bbbu}%
-\def\i@bbbl#1#2{\ifnum\b@n=0\relax\i@bbl{#1}{#2}%
-\global\advance\b@z by -\interbeam
-\global\advance\bb@z by -\interbeam
-\fi\n@bbbl}%
-\def\nbbbu#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n
-=1\relax\n@bbu\fi
- \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi
-}%
-\def\nbbbl#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n
-=1\relax\n@bbl\fi
- \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi
-}%
-\def\n@bbbu{\gl@au{\b@n}\global\bbb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam
- \else \global\advance\bbb@z by 2\interbeam
- \fi
- {\advance\locx@skip by \qd@skip\global\bbb@x=\locx@skip
- \advance\locx@skip by -\b@x
- \global\advance\bbb@z by \s@lope\locx@skip }}%
- %
-\def\n@bbbl{\gl@au{\b@n}\global\bbb@x=\locx@skip
- \global\advance\bbb@x by \lthick
- \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by
- -2\interbeam
- \else \global\advance\bbb@z by 2\interbeam
- \fi
- {\advance\locx@skip by -\b@x\global\advance\bbb@z by \s@lope\locx@skip }}%
- %\check
- %
-\def\ibbbbu#1{\selectpoutre{#1}\i@bbbbu}%
-\def\ibbbbl#1{\selectpoutre{#1}\i@bbbbl}%
-\def\i@bbbbu#1#2{\ifnum\b@n=0\relax\i@bbbu{#1}{#2}%
-\global\advance\b@z by \interbeam
-\global\advance\bb@z by \interbeam
-\global\advance\bbb@z by \interbeam
-\fi\n@bbbbu}%
-\def\i@bbbbl#1#2{\ifnum\b@n=0\relax\i@bbbl{#1}{#2}%
-\global\advance\b@z by -\interbeam
-\global\advance\bb@z by -\interbeam
-\global\advance\bbb@z by -\interbeam
-\fi\n@bbbbl}%
-\def\nbbbbu#1{\selectpoutre{#1}%
- \ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n=1\relax\n@bbu\fi
- \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi
- \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi
-}%
-\def\nbbbbl#1{\selectpoutre{#1}%
- \ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n=1\relax\n@bbl\fi
- \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi
- \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbbl\fi
-}%
-\def\n@bbbbu{\gl@au{\b@n}\global\bbbb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam
- \else \global\advance\bbbb@z by 3\interbeam
- \fi
- {\advance\locx@skip by \qd@skip \global\bbbb@x=\locx@skip
- \advance\locx@skip by -\b@x
- \global\advance\bbbb@z by \s@lope\locx@skip }}%
- %
-\def\n@bbbbl{\gl@au{\b@n}{\advance\locx@skip by \lthick
- \global\bbbb@x=\locx@skip}\global\bbbb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam
- \else \global\advance\bbbb@z by 3\interbeam
- \fi
- {\advance\locx@skip by -\b@x\global\advance\bbbb@z by \s@lope\locx@skip }}%
- %\check
- %
- %
-\def\ibbbbbu#1{\selectpoutre{#1}\i@bbbbbu}%
-\def\ibbbbbl#1{\selectpoutre{#1}\i@bbbbbl}%
-\def\i@bbbbbu#1#2{\ifnum\b@n=0\relax\i@bbbbu{#1}{#2}%
-\global\advance\b@z by \interbeam
-\global\advance\bb@z by \interbeam
-\global\advance\bbb@z by \interbeam
-\global\advance\bbbb@z by \interbeam
-\fi\n@bbbbbu}%
-\def\i@bbbbbl#1#2{\ifnum\b@n=0\relax\i@bbbbl{#1}{#2}%
-\global\advance\b@z by -\interbeam
-\global\advance\bb@z by -\interbeam
-\global\advance\bbb@z by -\interbeam
-\global\advance\bbbb@z by -\interbeam
-\fi\n@bbbbbl}%
-\def\nbbbbbu#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n
-=1\relax\n@bbu\fi
- \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi
- \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi
- \ifnum\b@n=-4\relax\n@bbbbbu\fi\ifnum\b@n=4\relax\n@bbbbbu\fi
-}%
-\def\nbbbbbl#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n
-=1\relax\n@bbl\fi
- \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi
- \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbbl\fi
- \ifnum\b@n=-4\relax\n@bbbbbl\fi\ifnum\b@n=4\relax\n@bbbbbl\fi
-}%
-\def\n@bbbbbu{\gl@au{\b@n}\global\bbbbb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bbbbb@z by -4\interbeam
- \else \global\advance\bbbbb@z by 4\interbeam
- \fi
- {\advance\locx@skip by \qd@skip \global\bbbbb@x=\locx@skip
- \advance\locx@skip by -\b@x
- \global\advance\bbbbb@z by \s@lope\locx@skip }}%
- %
-\def\n@bbbbbl{\gl@au{\b@n}{\advance\locx@skip by \lthick
- \global\bbbbb@x=\locx@skip}\global\bbbbb@z=\b@z
- \ifnum\b@n<0\relax\global\advance\bbbbb@z by -4\interbeam
- \else \global\advance\bbbbb@z by 4\interbeam
- \fi
- {\advance\locx@skip by -\b@x\global\advance\bbbbb@z by \s@lope\locx@skip }}%
- %\check
- %
- % terminaison de toutes les poutres en suspens
- %
- %***** terminer une poutre superieure ****************
- %\check
- %
-\def\tbu#1{\selectpoutre{#1}\t@bu}%
-\def\tqh#1{\selectpoutre{#1}\t@qh}%
-\def\tbbu#1{\selectpoutre{#1}\t@bbu}%
-\def\tbbbu#1{\selectpoutre{#1}\t@bbbu}%
-\def\tbbbbu#1{\selectpoutre{#1}\t@bbbbu}%
-\def\tbbbbbu#1{\selectpoutre{#1}\t@bbbbbu}%
- %\check
-\def\t@qh{\t@bu\qh@}%
-\def\t@bu{\ifnum\b@n<-1\relax\t@bbu\fi
-\ifnum\b@n>1\relax\t@bbu\fi
-\y@i=\b@z
-\advance\y@i by -\altportee
-\y@ii=\locx@skip
-\advance\y@ii by \qn@width
-\advance\y@ii by -\b@x
-\llap{\p@outre\hskip -\qn@width}%
-\global\b@n=0\relax}%
- %
- %\check
-\def\t@bbu{\ifnum\b@n<-2\relax\t@bbbu\fi
- \ifnum\b@n>2\relax\t@bbbu\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi
-\y@i=\bb@z\y@ii=-\bb@x\t@xbu}%
- %\check
-\def\t@xbu{\advance\y@i by -\altportee
-\advance\y@ii by \locx@skip \advance\y@ii by \qn@width
-\llap{\p@outre\hskip -\qn@width}%
-\ifnum\b@n>0\relax
-\advance\y@i by \s@lope\y@ii\raise\y@i\rlap{\kern\qn@width
-\kern -\lthick\vrule height \z@ depth 1.8\internote width \lthick}\fi
-\gl@de{\b@n}}%
- %\check
-\def\t@bbbu{\ifnum\b@n<-3\relax\t@bbbbu\fi
- \ifnum\b@n>3\relax\t@bbbbu\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi
-\y@i=\bbb@z\y@ii=-\bbb@x\t@xbu}%
- %
- %\check
-\def\t@bbbbu{\ifnum\b@n<-4\relax\t@bbbbbu\fi
- \ifnum\b@n>4\relax\t@bbbbbu\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi
-\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbu}\fi
-\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbu}\fi
-\y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbu}%
- %\check
-\def\t@bbbbbu{\ifnum\b@n<-5\relax\showthe\b@n\global\b@n=-5\relax\fi
-\ifnum\b@n>5\relax\showthe\b@n\global\b@n=5\relax\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi
-\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbu}\fi
-\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbu}\fi
-\ifnum\b@n=4\relax{\adv@locx@mqn\n@bbbbbu}\fi
-\ifnum\b@n=-4\relax{\adv@locx@mqn\n@bbbbbu}\fi
-\y@i=\bbbbb@z\y@ii=-\bbbbb@x\t@xbu}%
- %***** terminer une poutre inferieure****************
-\def\tbl#1{\selectpoutre{#1}\t@bl}%
-\def\tqb#1{\selectpoutre{#1}\t@qb}%
-\def\tbbl#1{\selectpoutre{#1}\t@bbl}%
-\def\tbbbl#1{\selectpoutre{#1}\t@bbbl}%
-\def\tbbbbl#1{\selectpoutre{#1}\t@bbbbl}%
-\def\tbbbbbl#1{\selectpoutre{#1}\t@bbbbbl}%
- % provisoire
-\def\t@qb{\t@bl\qb@}%
-\def\t@bl{\relax
-\ifnum\b@n<-1\relax\t@bbl\fi
-\ifnum\b@n>1\relax\t@bbl\fi
-\y@i=\b@z
-\advance\y@i by -\altportee
-\y@ii=\locx@skip
-\advance\y@ii by \lthick
-\advance\y@ii by -\b@x
-\kern\lthick\llap{\p@outre}\kern -\lthick
-\global\b@n=0\relax}%
- %\check
- %
-\def\t@bbl{\relax
-\ifnum\b@n<-2\relax\t@bbbl\fi
-\ifnum\b@n>2\relax\t@bbbl\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi
-\y@i=\bb@z\y@ii=-\bb@x\t@xbl}%
- %
-\def\t@xbl{\advance\y@i by -\altportee
-\advance\y@ii by \locx@skip
-\advance\y@ii by \lthick
-\kern\lthick\llap{\p@outre}\kern-\lthick
-\ifnum\b@n<0\relax\advance\y@i by \s@lope\y@ii
-\raise\y@i\rlap{\vrule height \interbeam width \lthick}\fi
-\gl@de{\b@n}}%
- %\check
-\def\t@bbbl{\ifnum\b@n<-3\relax\t@bbbbl\fi
- \ifnum\b@n>3\relax\t@bbbbl\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi
-\y@i=\bbb@z\y@ii=-\bbb@x\t@xbl}%
- %\check
-\def\t@bbbbl{\ifnum\b@n<-4\relax\t@bbbbbl\fi
- \ifnum\b@n>4\relax\t@bbbbbl\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi
-\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbl}\fi
-\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbl}\fi
-\y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbl}%
- %\check
-\def\t@bbbbbl{\relax
-\ifnum\b@n<-5\relax\showthe\b@n\global\b@n=-5\relax\fi
-\ifnum\b@n>5\relax\showthe\b@n\global\b@n=5\relax\fi
-\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi
-\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi
-\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi
-\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbl}\fi
-\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbl}\fi
-\ifnum\b@n=4\relax{\adv@locx@mqn\n@bbbbbl}\fi
-\ifnum\b@n=-4\relax{\adv@locx@mqn\n@bbbbbl}\fi
-\y@i=\bbbbb@z\y@ii=-\bbbbb@x\t@xbl}%
- %******************** notes accrchees aux poutres
- % ************************************
- %
-\def\zqh#1{\selectpoutre{#1}\advancefalse\qh@}%
-\def\zqb#1{\selectpoutre{#1}\advancefalse\qb@}%
-\def\zqhp#1{\selectpoutre{#1}\advancefalse\qhp@}%
-\def\zqbp#1{\selectpoutre{#1}\advancefalse\qbp@}%
-\def\zqhpp#1{\selectpoutre{#1}\advancefalse\qhpp@}%
-\def\zqbpp#1{\selectpoutre{#1}\advancefalse\qbpp@}%
- %
-\def\qh#1{\selectpoutre{#1}\qh@}%
-\def\hh#1{\selectpoutre{#1}\hh@}%
-\def\qhp#1{\selectpoutre{#1}\qhp@}%
-\def\qhpp#1{\selectpoutre{#1}\qhpp@}%
-\def\qhppp#1{\selectpoutre{#1}\qhppp@}%
-\def\qh@#1{\getn@i{#1}\def\n@fon{\qh@}\def\n@sym{\q@u}\g@qh@}% % position
-\def\hh@#1{\getn@i{#1}\def\n@fon{\hh@}\def\n@sym{\h@a}\g@qh@}% % position
-\def\qhp@#1{\getn@i{#1}\def\n@fon{\qhp@}\def\n@sym{\q@up}\g@qh@}% % position
-\def\qhpp@#1{\getn@i{#1}\def\n@fon{\qhpp@}\def\n@sym{\q@upp}\g@qh@}% % position
-\def\qhppp@#1{\getn@i{#1}\def\n@fon{\qhppp@}\def\n@sym{\q@uppp}\g@qh@}% %
- % position
-\def\qb#1{\selectpoutre{#1}\qb@}%
-\def\hb#1{\selectpoutre{#1}\hb@}%
-\def\qbp#1{\selectpoutre{#1}\qbp@}%
-\def\qbpp#1{\selectpoutre{#1}\qbpp@}%
-\def\qbppp#1{\selectpoutre{#1}\qbppp@}%
-\def\qb@#1{\getn@i{#1}\def\n@fon{\qb@}\def\n@sym{\q@u}\g@qb@} % #1 position
-\def\hb@#1{\getn@i{#1}\def\n@fon{\hb@}\def\n@sym{\h@a}\g@qb@} % #1 position
-\def\qbp@#1{\getn@i{#1}\def\n@fon{\qbp@}\def\n@sym{\q@up}\g@qb@} % #1 position
-\def\qbpp@#1{\getn@i{#1}\def\n@fon{\qbpp@}\def\n@sym{\q@upp}\g@qb@} % #1
- % position
-\def\qbppp@#1{\getn@i{#1}\def\n@fon{\qbppp@}\def\n@sym{\q@uppp}\g@qb@} % #1
- % position
-\def\g@qb@{\n@raiseq
- \global\stem@skip=\z@\def\s@tem{\d@balk}\g@qbh@\fi}%
- %
-\def\g@qh@{\n@raiseq
- \global\stem@skip=\qd@skip\def\s@tem{\d@balk}\g@qbh@\fi}%
- %
-\def\g@qbh@{\h@linesqn\pl@symssq}%
- %
-\def\pl@symss{\pl@noteq\raise@note{\n@sym\hss}\ss@uite}%
-\def\pl@symssq{\ifadvance\pl@symss\else\plap@symss\fi\advancetrue}%
- %
-\def\rlap@symss{\raise\y@i\rlap{\n@sym}\ss@uite}%
-\def\plap@symss{\pl@noteq\rlap@symss}%
- %
-\def\d@balk{% % queue de note vers une poutre
-\y@ii=\b@z % a augmenter avec la pente
-\y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x
-\advance\y@ii by \s@lope\y@v
-\ifdim\y@ii>\st@top % la poutre est au-dessus
- \ifnum\b@n>0\relax\advance\y@ii by \b@n\interbeam
- \advance\y@ii by -\interbeam
- \fi\global\st@top=\y@ii % a mettre a jour avec la pente ulterieurement
-\else
- \ifdim\y@ii<\st@bot
- \ifnum\b@n<0\relax\advance\y@ii by \b@n\interbeam
- \advance\y@ii by \interbeam
- \fi\global\st@bot=\y@ii
-\fi\fi\pd@tail}%
- %
- %*********************************** notes sans avancement (accords)
-\def\zha#1{{\noteskip=\z@\ha{#1}}}%
- %
-\def\charnote{\xcharnote{\noteskip}}%
-\let\hcharnote\charnote
-\def\zcharnote{\xcharnote{\z@}}%
-
-\def\zchar#1#2{\raise#1\internote\rlap{#2}}
-\def\lchar#1#2{\raise#1\internote\llap{#2}}
-\def\cchar#1#2{\raise#1\internote\lrlap{#2}}
-\let\hchar\zchar
-
- %\check
- %
- %************************* liaisons horizontales **************************
- % Tie Fixes.
- % I have rewritten several tie macros to eliminate those annoying gaps which
- % often appear. The new macros cause ties to be extended with leader, rather
- % than lines whose length has to be guessed. TeX cannot make multiple
- % horizontal lines with \leaders, so instead I use an \hbox containing
- % several short fragments of lines. Each line fragment is of length
- % \tenboxwidth, which is initially .75pt.
- % In order for the new ties to work properly, every horizontal space must be
- % recorded. I have had to amend some macros so that they record the space
- % which they produce.
- %
-\newbox\@tenubox \newskip\@tenuskip \newdimen\tenboxwidth \tenboxwidth.75pt
- %
- % -macros to maintain a box of tie extenders which is used in the leaders
-\global\setbox\@tenubox\hbox{\kern\tenboxwidth}
-\def\@uptenubox{\global\setbox\@tenubox
- \hbox{\kern\tenboxwidth}\ten@loop
- \ifnum\t@s=0\relax\else\up@tenbox\fi
- \global\advance\n@l by 1\relax\repeat}%
-\def\up@tenbox{\y@ii\t@z\advance\y@ii by \t@y
- \global\setbox\@tenubox\hbox{\unhbox\@tenubox
- \kern-\tenboxwidth\vrule width\tenboxwidth height\y@ii depth-\t@z}}
- %
- % -This macro makes the leaders. #1 is the amount of skip. It is extended
- % by \tenboxwidth on each side in order to get the lines to join up.
-\def\@tenleader#1{\@tenuskip=#1\advance\@tenuskip by2\tenboxwidth\relax
-\nobreak\kern-\tenboxwidth\nobreak\cleaders\copy\@tenubox\hskip\@tenuskip
-\kern-\tenboxwidth\nobreak}
- %
-\def\selecttenue#1{{\n@i=#1\relax
-\ifnum\n@i<0\relax\n@i=29\fi
- \advance\n@i by 1\relax
-\xdef\t@x{\csname t@x\romannumeral\n@i\endcsname}%
-\xdef\t@z{\csname t@z\romannumeral\n@i\endcsname}%
-\xdef\t@p{\csname t@p\romannumeral\n@i\endcsname}%
-\xdef\t@s{\csname t@s\romannumeral\n@i\endcsname}%
-\xdef\t@w{\csname t@w\romannumeral\n@i\endcsname}}%
-\ifnum\t@w=0\relax
- \global\t@y=1.2\p@
-\else
- \global\t@y= 0.2\Interligne
-\fi
-}% fin selecttenue
- %
- %\check
- % mise a jour marge inferieure et correction d'altitude de tenues
- %
-\newdimen\bottom@adv
-\def\advancebottom#1{\global\bottom@adv=#1\relax}%
-\def\adv@bottom{\global\advance\staffbotmarg by \bottom@adv
- \ten@loop \global\advance\t@z by \bottom@adv\relax
- \global\advance\n@l by 1\relax
- \repeat \@uptenubox
- \global\bottom@adv=\z@}%
- %
- %\check
- %
-\def\lu@slur{\cmex\char"7A}\def\ru@slur{\cmex\char"7B}%
-\def\ll@slur{\cmex\char"7C}\def\rl@slur{\cmex\char"7D}%
-\setbox\n@otebox=\hbox{\lu@slur}\brace@w=\wd\n@otebox
- %
-\def\leg@hrule{\leaders\hrule height \t@y\hfill}%
- %
- % complete slur of length #1 (up and down)
-\def\up@leg{% longueur y@ii
-\hbox to \y@ii{\lu@slur\ifdim \y@ii>2\brace@w\leg@hrule
-\else\hss\fi\ru@slur}}%
- %
-\def\lo@leg{% longueur y@ii
-\hbox to \y@ii{\ll@slur\ifdim \y@ii>2\brace@w\leg@hrule
-\else\hss\fi\rl@slur}}%
- %
- % slur termination of length #1 (up and down)
-\def\up@rleg{% longueur y@ii
-\hbox to \y@ii{\ifdim \y@ii>\brace@w\leg@hrule
-\else\hss\fi\ru@slur}}%
- %
-\def\lo@rleg{% longueur y@ii
-\hbox to \y@ii{\ifdim \y@ii>\brace@w\leg@hrule
-\else\hss\fi\rl@slur}}%
- %\check
- %
- % slur beginning (left) (up and down)
-\def\up@les{% longueur y@ii
-\hbox to \y@ii{\lu@slur\ifdim \y@ii>\brace@w\leg@hrule
-\else\hss\fi}}%
- %
-\def\lo@les{% longueur y@ii
-\hbox to \y@ii{\ll@slur\ifdim \y@ii>\brace@w\leg@hrule
-\else\hss\fi}}%
- %\check
- %
- % noter un debut de tenue
- %
-\def\itenu#1{\selecttenue{#1}\i@tenu}%
- % \rtenu starts a 'tenuto' one note head on the right
-\def\rtenu#1#2{\selecttenue{#1}\i@tenu{#2}\global\advance\t@x by \wn@width}%
- %
-\def\check@tenvoid{\ifnum\t@s=0\relax\else\errmessage{Attemt to re-open an
-opened slur/tie}\fi}
-\def\check@tenopen{\ifnum\t@s=0\errmessage{Attemt to close an
-unopened slur/tie}\fi}
- %
-\def\i@tenu#1{\check@tenvoid\global\t@p=1\relax % sens=1
- \global\t@s=1\relax % etat en cours
- \global\t@x=\locx@skip
- \global\advance\t@x by \qd@skip
- \inhgetn@i{#1}\pl@base\global\t@z=\y@i\global\advance\t@z by\altportee
- \global\advance\t@z by 3.7\p@
- \global\t@y=1.2\p@
- \global\t@w=0\relax
- \up@tenbox}%
- %
-\def\itenl#1{\selecttenue{#1}\i@tenl}%
-\def\minternote{-\internote}%
- % \rtenl starts a 'tenuto' one note head on the right
-\def\rtenl#1#2{\selecttenue{#1}\i@tenl{#2}\global\advance\t@x by \wn@width}%
-\def\i@tenl#1{\check@tenvoid\global\t@p=-1\relax % sens= -1
- \global\t@s=1\relax % actif
- \global\t@x=\locx@skip
- \global\advance\t@x by \qd@skip
- \inhgetn@i{#1}\pl@base\global\t@z=\y@i\global\advance\t@z by \altportee
- \global\advance\t@z by -4.5\p@\relax
- \global\t@y=1.2\p@
- \global\t@w=0\relax
- \up@tenbox}%
- %\check
-\def\tten#1{\selecttenue{#1}\t@ten}%
-\def\tleg#1{\selecttenue{#1}\check@tenopen{\advance\locx@skip by
- 1.5\qn@width\kern 1.5\qn@width\t@ten\kern -1.5\qn@width}}%
-
-\def\liftslur#1{\selecttenue{#1}\l@iftslur}%
-\def\l@iftslur#1{\global\advance\t@z by #1\relax}%
- %
- %\check
- %
- %********************** ponctuations speciales ****************************
- %
-\def\breath{\raise 3\Interligne\hbox{\enorme'}}%
-\def\zbreath{\raise 3\Interligne\rlap{\enorme'}}%
-\def\cbreath{\charnote0{\raise 3\Interligne
- \hbox to \noteskip{\hss\enorme'\hss}}}%
-\def\uptext#1{\resetstem\raise 5\Interligne\rlap{#1}}%
-\def\Uptext#1{\resetstem\raise 7\Interligne\rlap{#1}}%
-\def\text@sp{\vrule width \z@ height 8.5\p@ depth 3.5\p@}
-\def\f{{\ppff {f}}}
-\def\ff{{\ppff {f}\kern -0.1ex{f}}}
-\def\fff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}}}
-\def\ffff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}\kern -0.1ex{f}}}
-\def\m@idcomp{\y@v=\interportee\advance\y@v by 4\Interligne\divide\y@v by
- %%\def\m@idcomp{\y@v=\Interportee\divide\y@v by
- 2\relax
-\raise\y@v\vbox to \z@}%
- %
-\def\midtwotext#1{{\m@idcomp
-{\vss\hbox to \noteskip{\hss\text@sp #1\hss}\vss}}}%
-\def\rmidtwotext#1{{\m@idcomp
-{\vss\hbox to \noteskip{\text@sp #1\hss}\vss}}}%
-\def\zmidtwotext#1{{\m@idcomp
-{\vss\rlap{\text@sp #1}\vss}}}%
-\def\lmidtwotext#1{{\m@idcomp
-{\vss\hbox to \noteskip{\hss\text@sp #1}\vss}}}%
- %\check
-\def\metron#1#2{{\shortstems\noteskip 10\p@ #1 1\ = #2}}%
- %\check
- %
- %**************************************************************************
- % definition standard, modifiables par l'usager
- %**************************************************************************
- %
-\def\resetfacteurs{\stafftopmarg=\z@\staffbotmarg=\z@\nullthick=8\Internote
- %
-\def\stafflinesnbi{5}%
-\def\stafflinesnbii{5}%
-\def\stafflinesnbiii{5}%
-\def\stafflinesnbiv{5}%
-\def\stafflinesnbv{5}%
-\def\stafflinesnbvi{5}%
- %
-\def\clefduti{\clefdutsymbol}%
-\def\clefdutii{\clefdutsymbol}%
-\def\clefdutiii{\clefdutsymbol}%
-\def\clefdutiv{\clefdutsymbol}%
-\def\clefdutv{\clefdutsymbol}%
-\def\clefdutvi{\clefdutsymbol}%
- %
-\def\clefdefai{\clefdefasymbol}%
-\def\clefdefaii{\clefdefasymbol}%
-\def\clefdefaiii{\clefdefasymbol}%
-\def\clefdefaiv{\clefdefasymbol}%
-\def\clefdefav{\clefdefasymbol}%
-\def\clefdefavi{\clefdefasymbol}%
- %
-\def\clefdesoli{\clefdesolsymbol}%
-\def\clefdesolii{\clefdesolsymbol}%
-\def\clefdesoliii{\clefdesolsymbol}%
-\def\clefdesoliv{\clefdesolsymbol}%
-\def\clefdesolv{\clefdesolsymbol}%
-\def\clefdesolvi{\clefdesolsymbol}%
- %
-\def\interfacteur{9}%
-\def\bottomfacteur{3}%
-\def\topfacteur{3}%
-\elemskip=4\Internote
-\def\gluemaxskip{0.1\line@width}%
-\zglueskip=0pt plus \gluemaxskip minus .5pt%
-\tempsskip=2pt plus \gluemaxskip minus 2pt
-}%
-\resetfacteurs
- %\check
-\def\normal{\ifdim\Interligne<\p@\computewidths\fi
-\def\scalenoteskip{1.0}\elemskip=4\Internote
-\def\notes{\vnotes 1.0\elemskip }% double croches
-\def\Notes{\vnotes 1.4\elemskip }% croches
-\def\NOtes{\vnotes 2.0\elemskip }% croches pointees
-\def\NOTes{\vnotes 2.8\elemskip }% noires
-\def\NOTEs{\vnotes 4.0\elemskip }%
-\def\NOTES{\vnotes 5.6\elemskip }%
-}%
- %
-\ifx\large\undefined
- \def\large{\normal\elemskip=4.8\Internote}\fi
- %
-\def\etroit{\normal
-\def\Notes{\vnotes 1.3\elemskip }% croches
-\def\NOtes{\vnotes 1.8\elemskip }% croches pointees
-\def\NOTes{\vnotes 2.6\elemskip }% noires
-\def\NOTEs{\vnotes 3.6\elemskip }%
-\def\NOTES{\vnotes 5.2\elemskip }%
-}%
- %\check
-\def\testseq{}%
-\def\nspace{\vnotes 0.2\elemskip\sk\enotes}%
- %
- %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
-\def\barfill{\leaders\hbox{ --}\hfill}%
-\def\octnvrule{\vrule width \z@ height 3\p@ depth 3\p@}%
-\def\octvrule{\vrule width \lthick height 3\p@ depth 3\p@}%
-\def\octsup#1#2{\zcharnote{#1}{\hbox to #2\noteskip
-{\llap{\rm 8}\barfill\octnvrule}}}%
-\def\Octsup#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill\octnvrule}}}%
- %\check
-\def\octfin#1#2{\zcharnote{#1}{\hbox to #2\noteskip{\llap{\rm 8}\barfill
---\octvrule}}}%
-\def\Octfin#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill
---\octvrule}}}%
-\def\octline#1{\zcharnote{#1}{\hbox to \line@width{\llap{\rm 8}\barfill
-\octnvrule\hskip 12\Internote}}}%
-\def\Octline#1{\zcharnote{#1}{\hbox to \line@width{\rm 8\barfill
-\octnvrule\hskip 8\Internote}}}%
- %\check
-\def\xtuplet#1#2{\global\n@l=#1\relax\global\advance\n@l by -1\relax
-{\divide\noteskip by \n@l\relax\zcharnote{#2}{\kern\n@l\noteskip
- \hbox to\z@{\hss\it #1\hss}}}}%
-\def\triolet{\xtuplet3}%
- %\check
- \let\thelyrics\empty
-\def\hardlyrics#1\notes{\let\save@noteskip\noteskip
- \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip
- in \noexpand\hardlyrics's 1st argument!}}%
-\def\thelyrics{\hbox{#1}}%
-\wd\ch@box\z@ \setbox\ch@box\thelyrics \let\noteskip\save@noteskip
- \noteskip\wd\ch@box \n@otes}
- %\check
-
-
-%\def\setsongraise#1#2{\n@v#1\relax % select instrument
-% \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}}
-\def\setsongraise#1#2{\noinstrument#1\relax % select instrument
- \expandafter\def\csname T@R\romannumeral\noinstrument\endcsname{#2}}
-
-\let\T@Ri\z@
-\let\T@Rii\z@
-\let\T@Riii\z@
-\let\T@Riv\z@
-\let\T@Rv\z@
-\let\T@Rvi\z@
-
-\def\zsong{\let\@Ti\rlap \C@t}
-\def\lsong{\let\@Ti\llap \C@t}
-\def\csong{\let\@Ti\lrlap \C@t}
-\def\hsong{\let\@Ti\hard@box \C@t}
-\def\dhsong{\let\@Ti\dhard@box \C@t}
-\def\thsong{\let\@Ti\thard@box \C@t}
-
-\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}}
-\def\lrlap#1{\rlap{\hss#1}}
-\def\hard@box#1{\rlap{\hbox to\noteskip{#1\hfil}}}
-\def\dhard@box#1{\rlap{\hbox to 2\noteskip{#1\hfil}}}
-\def\thard@box#1{\rlap{\hbox to 3\noteskip{#1\hfil}}}
-
-\def\C@tx{\edef\savenu@iv{\the\y@iv}%
- \ifnum\noinstrument= 1 \y@iv\staffbotmarg
- \else
- \advance\noinstrument -1\relax
- \y@iv\csname interinstrument\romannumeral\noinstrument\endcsname
- \C@Inter \advance\y@iv\stem@skip \divide\y@iv 2
- \advance\noinstrument 1
- \fi
- \advance\y@iv-\csname T@R\romannumeral\noinstrument\endcsname
-%% \advance\noinstrument 1 \fi
- \edef\lower@dim{\the\y@iv}\relax \y@iv\savenu@iv\relax
- \lower\lower@dim\uplap}
-
-\def\C@Inter{\stem@skip\interportee \advance\stem@skip-8\internote
- \ifnum\stafflinesnb=4 \advance\stem@skip 2\internote \fi
- \ifnum\stafflinesnb=6 \advance\stem@skip-2\internote \fi}
-
-
- %
-\let\wlog=\@plainwlog
- %
-\def\interfacteur{1}%
-\csname musicnorfont\endcsname
-\def\nbinstruments{\maxinstruments}\savemeter
-\csname normalnotesize\endcsname
-\normal % to get \notes correctly defined
-\resetfacteurs
-\def\nbinstruments{0}%
- %
-\def\magstep#1{\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or
- 2488\or 2986\or 3583\or 4300\or 5160\fi\relax}
- %
-
-\def\endcatcodesmusic{\catcode`\&=\catcode@and
-\catcode`\|=\catcode@vert
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\!=\catcode@excl
-\catcode`\*=\catcode@star
-\catcode`\:=\catcode@sc
-\catcode`\.=\catcode@pt
-\catcodesmusicfalse}
-
-\endcatcodesmusic
-
-\catcode`\@=\catcodeat
-\def\musictexactive{\relax}
-\endinput
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musictrp.tex b/Master/texmf-dist/tex/generic/musictex/musictrp.tex
deleted file mode 100644
index 31c952ef87d..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musictrp.tex
+++ /dev/null
@@ -1,175 +0,0 @@
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-%
-\def\Na#1{\ifdim\small@test\bigNa{#1}\else\smallNa{#1}\fi}%
-\def\Fl#1{\ifdim\small@test\bigFl{#1}\else\smallFl{#1}\fi}%
-\def\Sh#1{\ifdim\small@test\bigSh{#1}\else\smallSh{#1}\fi}%
-\def\dFl#1{\ifdim\small@test\bigdFl{#1}\else\smalldFl{#1}\fi}%
-\def\dSh#1{\ifdim\small@test\bigdSh{#1}\else\smalldSh{#1}\fi}%
-%
-\def\cNa{\cautionacctrue\smallNa}
-\def\cFl{\cautionacctrue\smallFl}
-\def\cSh{\cautionacctrue\smallSh}
-\def\cdFl{\cautionacctrue\smalldFl}
-\def\cdSh{\cautionacctrue\smalldSh}
-%
-\def\lNa#1{\k@meiqdskip\bigNa{#1}\k@eiqdskip}%
-\def\lFl#1{\k@meiqdskip\bigFl{#1}\k@eiqdskip}%
-\def\lSh#1{\k@meiqdskip\bigSh{#1}\k@eiqdskip}%
-\def\ldFl#1{\k@meiqdskip\bigdFl{#1}\k@eiqdskip}%
-\def\ldSh#1{\k@meiqdskip\bigdSh{#1}\k@eiqdskip}%
-%
-%\check
-%
-\def\sign@diff{\global\n@iii=\n@i
- \global\advance\n@iii by -\ut@ref\relax
- \global\advance\n@iii by -\ut@ref\relax
- \loop\ifnum\n@iii>6\relax \global\advance\n@iii by -7\relax\repeat
- \loop\ifnum\n@iii<0\relax \global\advance\n@iii by 7\relax\repeat
- \n@ii=999\relax
- \ifcase\n@iii\relax\n@ii=6\relax % mi
- \or\n@ii=1\relax % fa
- \or\n@ii=3\relax % sol
- \or\n@ii=5\relax % la
- \or\n@ii=7\relax % si
- \or\n@ii=2\relax % do
- \or\n@ii=4\relax % re
- \fi % \n@ii positive signature limit
- % \n@ii-8 negative signature limit
- \advance\n@ii by -\sign
- \advance\n@ii by 6
- \divide\n@ii by 7\relax
-}
-%
-\def\bigdFl#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\f@lat}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\df@lat}\relax
- \else \message{Impossible to double flatten the note !
- \noexpand\Fl #1 }\showthe\n@ii
- \fi
-}%
-%\check
-%
-\def\bigFl#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\na@raise\pl@llap{\n@at}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\f@lat}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\df@lat}\relax
- \else \message{Impossible to flatten the note !
- \noexpand\Fl #1 }\showthe\n@ii
- \fi
-}%
-%\check
-\def\bigNa#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\s@harp}\relax
- \or \global\n@raise=\na@raise\pl@llap{\n@at}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\f@lat}\relax
- \else \message{Impossible to reset natural the note !
- \noexpand\Na #1 }\showthe\n@ii
- \fi
-}%
-\def\bigSh#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\z@\pl@llap{\ds@harp}\relax
- \or \global\n@raise=\sh@raise\pl@llap{\s@harp}\relax
- \or \global\n@raise=\na@raise\pl@llap{\n@at}\relax
- \else \message{Impossible to sharpen the note !
- \noexpand\Sh #1 }\showthe\n@ii
- \fi
-}%
-\def\bigdSh#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\message{Impossible to double sharpen the note !
- \noexpand\dSh #1 }\showthe\n@ii
- \or \global\n@raise=\z@\pl@llap{\ds@harp}\relax
- \or \global\n@raise=\sh@raise\pl@llap{\s@harp}\relax
- \else \message{Impossible to double sharpen the note !
- \noexpand\dSh #1 }\showthe\n@ii
- \fi
-}%
-%
-\def\smalldFl#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\smalldf@lat}\relax
- \else \message{Impossible to double flatten the note !
- \noexpand\Fl #1 }\showthe\n@ii
- \fi
-}%
-%\check
-%
-\def\smallFl#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\na@raise\pl@llap{\smalln@at}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\smalldf@lat}\relax
- \else \message{Impossible to flatten the note !
- \noexpand\Fl #1 }\showthe\n@ii
- \fi
-}%
-%\check
-\def\smallNa#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax
- \or \global\n@raise=\na@raise\pl@llap{\smalln@at}\relax
- \or \global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax
- \else \message{Impossible to reset natural the note !
- \noexpand\Na #1 }\showthe\n@ii
- \fi
-}%
-\def\smallSh#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\global\n@raise=\z@\pl@llap{\smallds@harp}\relax
- \or \global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax
- \or \global\n@raise=\na@raise\pl@llap{\smalln@at}\relax
- \else \message{Impossible to sharpen the note !
- \noexpand\Sh #1 }\showthe\n@ii
- \fi
-}%
-\def\smalldSh#1{\getn@i{#1}\sign@diff
- \ifcase\n@ii\relax\message{Impossible to double sharpen the note !
- \noexpand\dSh #1 }\showthe\n@ii
- \or \global\n@raise=\z@\pl@llap{\smallds@harp}\relax
- \or \global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax
- \else \message{Impossible to double sharpen the note !
- \noexpand\dSh #1 }\showthe\n@ii
- \fi
-}%
-\def\pl@hboxq#1{\pl@note\raise\y@i\hbox to \qd@skip{\hss #1 \hss}}%
-\def\upperFl#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote
- \ifcase\n@ii\relax
- \pl@hboxq{\smalln@at}\relax
- \or
- \pl@hboxq{\smallf@lat}\relax
- \or
- \pl@hboxq{\smalldf@lat}\relax
- \else \message{Impossible to sharpen the note !
- \noexpand\Sh #1 }\showthe\n@ii
- \fi
-}%
-\def\upperNa#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote
- \ifcase\n@ii\relax
- \pl@hboxq{\smalls@harp}\relax
- \or
- \pl@hboxq{\smalln@at}\relax
- \or
- \pl@hboxq{\smallf@lat}\relax
- \else \message{Impossible to sharpen the note !
- \noexpand\Sh #1 }\showthe\n@ii
- \fi
-}%
-\def\upperSh#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote
- \ifcase\n@ii\relax
- \pl@hboxq{\smallds@harp}\relax
- \or
- \pl@hboxq{\smalls@harp}\relax
- \or
- \pl@hboxq{\smalln@at}\relax
- \else \message{Impossible to sharpen the note !
- \noexpand\Sh #1 }\showthe\n@ii
- \fi
-}%
-\def\relativeaccidentals{\def\Xna{\Na}\def\Xsh{\Sh}\def\Xfl{\Fl}%
-\def\Xdsh{\dSh}\def\Xdfl{\dFl}}%
-
-
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-
diff --git a/Master/texmf-dist/tex/generic/musictex/musicvbm.tex b/Master/texmf-dist/tex/generic/musictex/musicvbm.tex
deleted file mode 100644
index f2025bed144..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicvbm.tex
+++ /dev/null
@@ -1,94 +0,0 @@
-% adjustable beam slopes
-% #1: beam number, #2: starting pitch, #3: ending pitch, #4: extension (number
-% of \noteskip's)
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-
-\def\Ibu#1{\selectpoutre{#1}\I@bu{\i@bu}}%
-\def\Ibbu#1{\selectpoutre{#1}\I@bu{\i@bbu}}%
-\def\Ibbbu#1{\selectpoutre{#1}\I@bu{\i@bbbu}}%
-\def\Ibbbbu#1{\selectpoutre{#1}\I@bu{\i@bbbbu}}%
-\def\Ibl#1{\selectpoutre{#1}\I@bl{\i@bl}}%
-\def\Ibbl#1{\selectpoutre{#1}\I@bl{\i@bbl}}%
-\def\Ibbbl#1{\selectpoutre{#1}\I@bl{\i@bbbl}}%
-\def\Ibbbbl#1{\selectpoutre{#1}\I@bl{\i@bbbbl}}%
-%
-\newcount\s@lopenum
-\newcount\the@pitch
-\newdimen\b@eamlength
-%
-% compute altitude difference of tried beam in \y@iv
-% and compare with notes altitude difference
-%
-\def\I@buuchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax
-\ifdim \y@iv>\n@ii\internote\relax
- \advance\s@lopenum by -1\relax\I@buuchk
-\fi
-\ifnum \s@lopenum>9\relax \advance\n@i by 1\relax
- \advance\n@ii by -1\relax\I@buuchk
-\fi}%
-%
-\def\I@budchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax
-\ifdim \y@iv<\n@ii\internote\relax
- \advance\s@lopenum by 1\relax\I@budchk
-\fi}%
-%
-\def\I@bu#1#2#3#4{{\inhgetn@i{#3}\n@ii=\n@i\relax
-\inhgetn@i{#2}\advance\n@ii by -\n@i\relax
-\b@eamlength=\noteskip
-\multiply\b@eamlength by #4\relax
-\ifnum\n@ii=0\relax
- \edef\I@boper{\noexpand #1}\I@boper{#2}0\relax
-\else\ifnum\n@ii>0\relax\s@lopenum=10\relax \I@buuchk
- \else \s@lopenum=-10\relax \I@budchk
- \fi
- \edef\I@boper{\noexpand #1{\the\n@i}{\the\s@lopenum}\relax}\I@boper
-\fi}}%
-%
-%\check
-%
-\def\I@bldchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax
-\ifdim \y@iv<\n@ii\internote\relax
- \advance\s@lopenum by 1\relax\I@bldchk
-\fi
-\ifnum \s@lopenum<-9\relax \advance\n@i by -1\relax
- \advance\n@ii by 1\relax\I@bldchk
-\fi}%
-%
-\def\I@bluchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax
-\ifdim \y@iv>\n@ii\internote\relax
- \advance\s@lopenum by -1\relax\I@bluchk
-\fi}%
-%
-\def\I@bl#1#2#3#4{{\inhgetn@i{#3}\n@ii=\n@i\relax
-\inhgetn@i{#2}\advance\n@ii by -\n@i\relax
-\b@eamlength=\noteskip
-\multiply\b@eamlength by #4\relax
-\ifnum\n@ii=0\relax
- \edef\I@boper{\noexpand #1}\I@boper{#2}0\relax
-\else\ifnum\n@ii>0\relax\s@lopenum=10\relax \I@bluchk
- \else \s@lopenum=-10\relax \I@bldchk
- \fi
- \edef\I@boper{\noexpand #1{\the\n@i}{\the\s@lopenum}\relax}\I@boper
-\fi}}%
-%
-%\check
-% sets of double notes with computed slopes
-\def\Dqbbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\Dqbbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-\def\Dqbl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
-\def\Dqbu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
-%\check
-% sets of triple notes with computed slopes
-\def\Tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
-\def\Tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
-\def\Tqbl#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
-\def\Tqbu#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
-%\check
-% sets of quadruple notes with computed slopes
-\def\Qqbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}%
-\def\Qqbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}%
-\def\Qqbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}%
-\def\Qqbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}%
-%\check
-\catcode`\@=\catcodeat
-
diff --git a/Master/texmf-dist/tex/latex/musictex/a4report.sty b/Master/texmf-dist/tex/latex/musictex/a4report.sty
deleted file mode 100644
index eac46a0a587..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/a4report.sty
+++ /dev/null
@@ -1,15 +0,0 @@
-% a4.sty from a4letter.sty H.partl Wien
-
-% \oddsidemargin 53pt \evensidemargin 53pt \marginparwidth 90pt\marginparsep
-% 11pt \marginparpush 5pt
-% \topmargin 27pt \headheight 12pt \headsep 45pt \footheight 12pt \footskip
-% 25pt
-% \textheight 505pt \textwidth 365pt \columnsep 10pt \columnseprule 0pt
-% The above values (letter.sty) are replaced by the following values:
-
-
-\oddsidemargin 0.0in \evensidemargin 0.0in \marginparwidth .08in
-\marginparsep .01in \marginparpush 5pt
-\topmargin -15pt \headheight 12pt \headsep 25pt \footheight 12pt \footskip 25pt
-\textheight 8.9in \columnsep 10pt \columnseprule 0pt
-\textwidth 210mm \advance\textwidth by -2in
diff --git a/Master/texmf-dist/tex/latex/musictex/bigmusic.sty b/Master/texmf-dist/tex/latex/musictex/bigmusic.sty
deleted file mode 100644
index 56c19e67b16..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/bigmusic.sty
+++ /dev/null
@@ -1,15 +0,0 @@
-%-% bigmusic.sty to be used
-%-% \documentstyle[bigmusic,musictex]{article}
-%-% with environment \begin{music}
-%-% It enlarges LaTeX to its near maximum page size for
-%-% large music array.
-%-% Theses lines can be changed just before \begin{document}
-\hoffset -1in % This should theoretically not be changed but if equal to 0
- % tex put a value of 1 inch. So we set it to -1 inch.
-\voffset -1in
-\evensidemargin 5mm
-\oddsidemargin 5mm
-\topmargin 1mm
-\textwidth 190mm
-\textheight 260mm
-
diff --git a/Master/texmf-dist/tex/latex/musictex/musicper.sty b/Master/texmf-dist/tex/latex/musictex/musicper.sty
deleted file mode 100644
index a814c6f9c43..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/musicper.sty
+++ /dev/null
@@ -1,2 +0,0 @@
-\input musicper.tex
-
diff --git a/Master/texmf-dist/tex/latex/musictex/musictex.sty b/Master/texmf-dist/tex/latex/musictex/musictex.sty
deleted file mode 100644
index 3ebde05263f..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/musictex.sty
+++ /dev/null
@@ -1,6 +0,0 @@
-\input musicpre.tex
-\input musicnft.tex
-\input musictex.tex
-\input musicvbm.tex
-\input musicpos.tex
-\endinput
diff --git a/Master/texmf-dist/tex/latex/musictex/musictrp.sty b/Master/texmf-dist/tex/latex/musictex/musictrp.sty
deleted file mode 100644
index 742a5a0dc99..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/musictrp.sty
+++ /dev/null
@@ -1,2 +0,0 @@
-\input musictrp.tex
-
diff --git a/Master/texmf-dist/tex/latex/musictex/musicvbm.sty b/Master/texmf-dist/tex/latex/musictex/musicvbm.sty
deleted file mode 100644
index 0be1490414c..00000000000
--- a/Master/texmf-dist/tex/latex/musictex/musicvbm.sty
+++ /dev/null
@@ -1,2 +0,0 @@
-\input musicvbm.tex
-
diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds
index 9ab15602c19..6f60c2b189d 100755
--- a/Master/tlpkg/libexec/ctan2tds
+++ b/Master/tlpkg/libexec/ctan2tds
@@ -479,6 +479,7 @@ $Master = "$mydir/../..";
'mtx', "die 'skipping, problematic musixtex binaries'",
'multido', "&MAKEpst",
'multirow', "&MAKEflatten",
+ 'musictex', "die 'skipping, superseded by musixtex",
'mwrite', "die 'skipping, nonfree license",
'mx' , "die 'skipping, author does not recommend system install'",
'mxd', "&MAKEflatten",
diff --git a/Master/tlpkg/tlpsrc/collection-music.tlpsrc b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
index 806cb2e86cb..2a800468a15 100644
--- a/Master/tlpkg/tlpsrc/collection-music.tlpsrc
+++ b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
@@ -6,7 +6,6 @@ depend figbas
depend gchords
depend guitar
depend harmony
-depend musictex
depend musixtex
depend songbook
depend musixflx
diff --git a/Master/tlpkg/tlpsrc/musictex.tlpsrc b/Master/tlpkg/tlpsrc/musictex.tlpsrc
deleted file mode 100644
index e69de29bb2d..00000000000
--- a/Master/tlpkg/tlpsrc/musictex.tlpsrc
+++ /dev/null