fonts-churchslavonic (15sep20)

git-svn-id: svn://tug.org/texlive/trunk@56350 c570f23f-e606-0410-a88d-b1316a301751

28 files changed, 439 insertions, 651 deletions

diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/GPL.txt b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/GPL.txt
index a3bd60912a4..9c3df0ff5fa 100644
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/GPL.txt
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/GPL.txt
@@ -1,5 +1,5 @@
-Church Slavonic fonts Copyright (C) 2010-2016 Aleksandr Andreev and Yuri Shardt
-Portions Copyright (C) 2010-2016 Nikita Simmons
+Church Slavonic fonts Copyright (C) 2010-2020 Aleksandr Andreev and Yuri Shardt
+Portions Copyright (C) 2010-2020 Nikita Simmons
 
 This package is free software: you can redistribute it and/or modify
 it under the terms of the GNU General Public License as published by
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/LICENSE b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/LICENSE
deleted file mode 100644
index 4800a194285..00000000000
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/LICENSE
+++ /dev/null
@@ -1,12 +0,0 @@
-All fonts are dual-licensed EITHER:
-    * under the SIL Open Font License version 1.1,
-       a copy of which is reproduced in OFL.txt; OR
-    * under the GNU General Public License, v. 3 (or any later version)
-       with the font exception (see GPL.txt for details)
-AT YOUR CHOOSING.
-
-Regardless of the license, it is understood that all of these fonts are free software.
-As such, they come with ABSOLUTELY NO WARRANTY;
-without even the implied warranty of
-MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.
-
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/OFL.txt b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/OFL.txt
index ad14102b281..d434d16b13e 100644
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/OFL.txt
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/OFL.txt
@@ -1,11 +1,8 @@
-Copyright (c) 2013-2016, Aleksandr Andreev, Yuri Shardt, Nikita Simmons
-(<http://www.ponomar.net/|aleksandr.andreev@gmail.com>),
-without reserved font names.
+Copyright 2013-2020 Aleksandr Andreev and Nikita Simmons (https://sci.ponomar.net/).
 
 This Font Software is licensed under the SIL Open Font License, Version 1.1.
 This license is copied below, and is also available with a FAQ at:
-http://scripts.sil.org/OFL
-
+https://scripts.sil.org/OFL
 
 -----------------------------------------------------------
 SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/README b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/README
index f6f7d90a62c..bb608c1cf91 100644
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/README
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/README
@@ -10,6 +10,7 @@ only.
 Changelog
 ---------
 
+v2.2    2020.09.06 - many new fonts, misc fixes, TTF versions of fonts dropped
 v1.1    2017.01.31 - metrics and other bugs fixed in Monomakhus
 v1.1    2016.11.04 - more fonts added
 v1.0    2016.05.10 - first draft release
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/deprecated.png b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/deprecated.png
new file mode 100644
index 00000000000..4f338432bf0
--- /dev/null
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/deprecated.png
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.pdf b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.pdf
index fbce09baa80..7427bb1ff7e 100644
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.pdf
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.pdf
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.tex b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.tex
index 122d1d4e62d..72e3dc1d185 100644
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.tex
+++ b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/fonts-churchslavonic.tex
@@ -1,8 +1,8 @@
 \documentclass[11pt]{ltxdoc}
 \usepackage[usenames,dvipsnames,svgnames,table]{xcolor}
 \usepackage{fontspec}
-\usepackage{xltxtra}
-% code borrowed from Polyglossia documentation — Thanks!
+\usepackage{xltxtra,comment}
+% code borrowed from Polyglossia documentation -- Thanks!
 \definecolor{myblue}{rgb}{0.02,0.04,0.48}
 \definecolor{lightblue}{rgb}{0.61,.8,.8}
 \definecolor{myred}{rgb}{0.65,0.04,0.07}
@@ -24,18 +24,20 @@
 \usepackage{churchslavonic}
 \usepackage{lettrine}
 
-%% KEYBOARD DRIVER VERSION AND RELEASE DATES
-\def\filedate{November 4, 2016}
-\def\fileversion{version 1.1}
+%% DOCUMENTATION VERSION AND RELEASE DATES
+\def\filedate{September 6, 2020}
+\def\fileversion{version 2.2}
 
 %% fontspec declarations:
-\setmainfont[Ligatures = TeX]{Linux Libertine O}
+\setmainfont[Ligatures = TeX]{Linux Libertine}
 \setsansfont{DejaVu Sans}
 \setmonofont[Scale=MatchLowercase]{DejaVu Sans Mono}
 \newfontfamily\churchslavonicfont[Script=Cyrillic,Ligatures=TeX,Scale=1.33333333,HyphenChar="005F]{PonomarUnicode.otf} 
 \newfontfamily{\slv}[Scale=MatchLowercase]{Ponomar Unicode}
 \newfontfamily{\ust}[Scale=MatchLowercase]{Menaion Unicode}
-\newfontfamily{\ind}{Indiction Unicode}
+\newfontfamily{\ind}[Scale=1.333333333]{Indiction Unicode}
+\newfontfamily{\vertograd}[Scale=1.333333]{Vertograd Unicode}
+\newfontfamily{\firaslav}[Scale=MatchLowercase]{FiraSlav-Regular}
 
 \linespread{1.05}
 %\lineskip=0pt
@@ -52,14 +54,14 @@
 \def\@oddfoot{\footnotesize\hfil\cuNum{\value{page}}\hfil\hbox to 0pt{\hss\usebox\NextWordBox}}%}%
 \let\@evenfoot\@oddfoot
 }%
-\def\cu@lettrine{\lettrine[lines=3,findent=0pt,nindent=0pt,lraise=-0.4]}
+\def\cu@lettrine{\lettrine[lines=3,findent=0pt,nindent=0pt]}
 \def\cuLettrine{\cu@tokenizeletter\cu@lettrine}
 \renewcommand{\LettrineFontHook}{\ind \cuKinovarColor}
 \makeatother
 \begin{document}
 
 \title{Church Slavonic Fonts}
-\author{Aleksandr Andreev \and Yuri Shardt \and Nikita Simmons\thanks{Comments may be directed to \href{mailto:aleksandr.andreev@gmail.com}{aleksandr.andreev@gmail.com}.}}
+\author{Aleksandr Andreev\thanks{Comments may be directed to \href{mailto:aleksandr.andreev@gmail.com}{aleksandr.andreev@gmail.com}.} \and Nikita Simmons}
 \date{\filedate \qquad \fileversion\\
 \footnotesize (\textsc{pdf} file generated on \today)}
 
@@ -79,40 +81,23 @@ representing Church Slavonic text.
 The fonts are designed to work with Unicode text encoded in UTF-8.
 Texts encoded in legacy codepages (such as HIP and UCS) may be
 converted to Unicode using a separate bundle of utilities.
-See the \href{http://sci.ponomar.net/}
-{Slavonic Computing Initiative website} for more information.
+See the \href{https://sci.ponomar.net/}{Slavonic Computing Initiative website}
+for more information.
 
-\section{License}
+\subsection{License}
 
-The fonts distributed in this package are dual-licensed under the GNU General Public License 
-(version 3 or later) and the SIL Open Font License (version 1.1 or later). The SIL
-Open Font License is preferred, since this is a FLOSS license intended for fonts.
-Dual licensing under GNU GPL is maintained to allow embedding of these
-fonts into GPL-licensed applications and for compatibility with other projects.
-
-\subsection{The Legal Text}
-
-The fonts distributed in this package are free software: you can redistribute them and/or modify
-them, in whole or in part, EITHER under the terms of the GNU General Public License as published by
-the Free Software Foundation, either version 3 of the License, or
-(at your option) any later version OR under the terms of the SIL Open Font License,
-version 1.1, or (at your option) any later version, without reserved font names.
-
-As a special exception, if you create a document which uses any of these fonts, and embed the font or unaltered portions of the font
-into the document, the font does not by itself cause the resulting document to be covered by the GNU General Public License. 
-This exception does not however invalidate any other reasons why the document might be covered by the GNU General Public License. 
-If you modify any of these fonts, you may extend this exception to your version of the fonts, but you are not obligated to do so. 
-If you do not wish to do so, delete this exception statement from your version.
+The fonts distributed in this package are licensed under the
+SIL Open Font License (version 1.1 or later).
 
 As free software, these fonts are distributed in the hope that they will be useful,
 but WITHOUT ANY WARRANTY; without even the implied warranty of
 MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.  See the
-GNU General Public License or the SIL Open Font License for more details.
+SIL Open Font License for more details.
 
 This document is licensed under the Creative Commons Attribution-ShareAlike 4.0
-International License. To view a copy of this license, visit the \href{http://creativecommons.org/licenses/by-sa/4.0/}{CreativeCommons website}.
+International License. To view a copy of this license, visit the \href{https://creativecommons.org/licenses/by-sa/4.0/}{CreativeCommons website}.
 
-\section{Introduction}
+\subsection{Description}
 
 The package provides several fonts that are intended for working with Church Slavonic text
 of various recensions and other texts related to Church Slavonic:
@@ -121,8 +106,8 @@ and manuscript uncial (ustav) Church Slavonic text (in either Cyrillic or Glagol
 as well as text in Sakha (Yakut), Aleut (Fox Island dialect), and Romanian (Moldovan)
 Cyrillic, all written in the ecclesiastical script. The coverage of the various fonts agrees
 with the guidelines for font coverage specified in
-\href{http://www.unicode.org/notes/tn41/}
-{Unicode Technical Note \#41: Church Slavonic Typography in Unicode}.
+\href{https://www.unicode.org/notes/tn41/}{Unicode Technical
+Note \#41: Church Slavonic Typography in Unicode}.
 Generally speaking, it includes most (but not all) characters in the Cyrillic,
 Cyrillic Supplement, Cyrillic Extended-A, Cyrillic Extended-B, Cyrillic Extended-C
 (as of Unicode 9.0), Glagolitic, and Glagolitic Supplement blocks of Unicode.
@@ -130,146 +115,115 @@ Characters not used in Church Slavonic, however, are not included (except for so
 characters used in modern Russian, Ukrainian, Belorussian, Serbian and
 Macedonian for purposes of compatibility with some applications).
 
-\section{Installation and Usage}
+\subsection{Installation and Usage}
 
 If you are reading this document, then you probably have already downloaded
 the font package. You may check if you have the most recent version by visiting
-the \href{http://sci.ponomar.net/}{Slavonic Computing Initiative website}.
+the \href{https://sci.ponomar.net/}{Slavonic Computing Initiative website}.
 
-\subsection{Font Formats}
+\subsubsection{Font Formats}
 
-All fonts are currently available in two formats:
+All fonts are currently available in a single format:
 
 \begin{description}
-\item[\XeTeXpicfile "truetype.png" width 4mm] TrueType fonts, or, more precisely,
-\hyperlink{OT}{OpenType} fonts with TrueType outlines;
-
 \item[\XeTeXpicfile "opentype.png" width 4mm] \hyperlink{OT}{OpenType} fonts with
 PostScript outlines (also called OpenType-CFF fonts).
+
+\item[\XeTeXpicfile "deprecated.png" width 4mm] TrueType fonts have been deprecated,
+and are no longer provided. If you need TrueType fonts, see the
+\href{https://github.com/slavonic/fonts-cu-legacy/}{Legacy Fonts package}.
 \end{description}
 
-\noindent Note that fonts in these two formats have different file extensions:
-\texttt{*.ttf} for TrueType, \texttt{*.otf} for OpenType-CFF fonts.
-Both the TrueType version and the OpenType-CFF version support
-the same set of advanced \hyperlink{OT}{OpenType} features.
-
-The OpenType-CFF fonts use PostScript outlines, based
-on third-order (cubic) Bézier curves, while the TrueType fonts 
-use second-order (quadratic) curves. There is also a significant difference in
-hinting (grid fitting): TrueType instructions theoretically allow to
-achieve much better quality of screen rendering than PostScript hinting.
-However, since quality hinting is a very difficult and time-consuming process,
-both the PostScript hinting and TrueType instructing of the fonts 
-has been done automatically, so high quality grid fitting is not available.
-
-Note that it is possible to install both the TrueType and OpenType-CFF versions
-simultaneously. For this purpose, the TrueType fonts contain a “TT” suffix in their
-font name/family name fields. Since all of the fonts have been drawn in cubic splines
-(and then converted to quadratic for the TTF version), and since the TrueType instructions
-have been automatically generated, the OpenType-CFF format may
-theoretically give you better screen rendering quality, though in most situations
-this will not be noticeable. Furthermore, note that only the TTF version supports
-\hyperlink{Graphite}{SIL Graphite}, so you will need to use the TrueType fonts
-if Graphite support is desired. The following considerations are also in order:
+\noindent You may need the legacy TrueType fonts in the following scenarios:
 
 \begin{itemize}
 
-\item In older versions of OpenOffice.org, OpenType-CFF fonts 
-were not properly embedded into PDF files. Moreover, under Unix-based
-systems, OpenOffice.org could not access such fonts at all, so using TTF
-versions was the only option. This was fixed in OpenOffice.org 3.2 and LibreOffice.
+% The information about versions before OpenOffice.org 3.2 is outdated
+% and no longer viewed as relevant
+%\item In older versions of OpenOffice.org, OpenType-CFF fonts 
+%were not properly embedded into PDF files. Moreover, under Unix-based
+%systems, OpenOffice.org could not access such fonts at all, so using TTF
+%versions was the only option. This was fixed in OpenOffice.org 3.2 and LibreOffice.
 
-\item OpenOffice.org and LibreOffice, however, still have no mechanism to 
-turn off and on advanced OpenType features, so if you plan to use optional typographic
-features, you will need to use SIL Graphite, which is only available in the TTF version.
+\item OpenOffice.org and older versions of LibreOffice require use of SIL Graphite,
+which is only available in the TTF version. This limitation has been fixed as of
+LibreOffice 5.3, which now has
+\href{https://wiki.documentfoundation.org/ReleaseNotes/5.3}{full OpenType support}.
 
-\item OpenType-CFF fonts are poorly supported in the Sun Java Development Kit,
-so we recommend use of the TTF versions in Java programming situations and
-on Android devices.
+\item OpenType-CFF fonts were poorly supported in Java prior to Oracle Java SE 7.
 
-\item On Microsoft Windows, OpenType glyph positioning is not supported for glyphs
-in the Private Use Area or characters outside of the Unicode 7.0 range. You will 
-need to rely on \hyperlink{Graphite}{SIL Graphite} (only available in the TTF versions)
-for positioning of combining Glagolitic characters and various glyphs in the PUA.
+\item In Microsoft products, OpenType glyph positioning is not supported for glyphs
+in the Private Use Area or characters outside of the Unicode 7.0 range. You should
+use LibreOffice if you need positioning of combining Glagolitic characters.
 
 \end{itemize}
 
-Note that Microsoft Windows checks the presence of
-a digital signature in a TrueType font, considering this would allow to distinguish
-“old” TrueType fonts from “modern” OpenType fonts with TrueType outlines.
-The fonts in this package contain a dummy digital signature
-in order to fool Microsoft products into allowing use of additional TrueType features.
-
 \subsection{Source Packages}
 
 You can also download the FontForge sources for all of the fonts
 from the \href{https://github.com/typiconman/fonts-cu/}{GitHub repository}.
 This is only useful if you are planning on editing the fonts in the
-\href{http://fontforge.sourceforge.net}{FontForge} font editor. In general,
+\href{https://fontforge.sourceforge.net}{FontForge} font editor. In general,
 you will not gain any productivity improvements from rebuilding the font files,
 so rebuilding from source is not recommended, unless you have a real need
 to modify the fonts, for example, to add your own additional glyphs to the Private Use Area.
 
-\section{System Requirements}
+\subsection{System Requirements}
 
 All of these fonts are large Unicode fonts and require a Unicode-aware operating
 system and software environment. Outside of a Unicode-aware environment,
 you will only be able, at most, to access the first 256 glyphs of a font.
 
-\subsection{Microsoft Windows}
+\subsubsection{Microsoft Windows}
 
-Unicode has been supported since Windows 95, however to use the
-OpenType-CFF version of the fonts, you need at least Windows 2000.
+Unicode-encoded OpenType-CFF fonts are supported starting with Windows 2000.
 You will need a word processor that can handle
 Unicode-based documents, such as Microsoft Word 97 and above,
-or \href{http://www.libreoffice.org}{LibreOffice}.
-Please note that maintenance of OpenOffice.org has been discontinued,
-so we recommend using LibreOffice instead. If using \TeX{},
-you will need a Unicode-aware \TeX{} engine, such as 
-\XeTeX{} or \LuaTeX.
+or \href{https://www.libreoffice.org}{LibreOffice}.
+If using \TeX{}, you will need a Unicode-aware \TeX{} engine, such as 
+\XeTeX{} or \LuaTeX{}.
 
 You will also need a way to enter the Unicode characters that are not
 directly accessible from standard keyboards. We recommend
 installing a Church Slavonic or Russian-Extended keyboard layout, 
-available from the \href{http://www.ponomar.net/cu_support/keyboard.html}
+available from the \href{https://sci.ponomar.net/keyboard.html}
 {Slavonic Computing Initiative website}. It is also possible to enter
 characters using the Windows Character Map utility or by codepoint,
 but this is not recommended.
 
-\subsection{GNU/Linux}
+\subsubsection{GNU/Linux}
 
-In order to be able to handle TrueType or OpenType fonts, your system should
-have the \href{http://freetype.sourceforge.net}{freetype} library installed
+In order to be able to handle OpenType fonts, your system should
+have the \href{https://freetype.sourceforge.net}{freetype} library installed
 and enabled; this is normally done by default in all modern distributions.
 You will need a Unicode-aware word processor, such
-as \href{http://www.libreoffice.org}{LibreOffice}.
-Please note that OpenOffice.org is no longer maintained,
-so we recommend using LibreOffice instead. If using \TeX,
-you will need a Unicode-aware \TeX{} engine, such as 
-\XeTeX{} or \LuaTeX.
+as \href{https://www.libreoffice.org}{LibreOffice}.
+If using \TeX{}, you will need a Unicode-aware \TeX{} engine, such as 
+\XeTeX{} or \LuaTeX{}.
 
 You will need a keyboard driver to input Unicode characters.
-Under GNU/Linux, this is handled by the |m17n| library and database. See the \href{http://www.ponomar.net/cu_support/keyboard.html}
-{Slavonic Computing Initiative website} for more details.
+Under GNU/Linux, this is handled by the |m17n| library and database.
+See the \href{https://sci.ponomar.net/keyboard.html}{Slavonic
+Computing Initiative website} for more details.
 
-\subsection{OS X}
+\subsubsection{OS X}
 
 Not sure.
 
-\section{Private Use Area}
+\subsection{Private Use Area}
 
 The Unicode Private Use Area (PUA) is a set of three ranges of codepoints
 (U+E000 to U+F8FF, Plane 15 and Plane 16) that are guaranteed to never
 be assigned to characters by the Unicode Consortium and can be used by third parties
 to allocate their own characters. The Slavonic Computing Initiative has established an
 industry standard for character allocation in the PUA, which is described in full
-in the \href{http://www.ponomar.net/files/pua_policy.pdf}{PUA Allocation Policy}.
+in the \href{https://www.ponomar.net/files/pua_policy.pdf}{PUA Allocation Policy}.
 
 The PUA in these fonts contains various additional glyphs: contextual alternatives,
 stylistic alternatives, ligatures, hypothetical and nonce glyphs, various glyphs
-not yet encoded in Unicode and various technical symbols. Most of these glyphs
-(the alternative glyphs and ligatures) are accessible via 
-\hyperlink{OT}{OpenType} and \hyperlink{Graphite}{SIL Graphite} features.
+not yet encoded in Unicode, and various technical symbols. Most of these glyphs
+(the alternative glyphs and ligatures) are normally accessible via 
+\hyperlink{OT}{OpenType} features.
 Thus, you generally do not need to access glyphs in the PUA directly. There
 may be some exceptions:
 
@@ -289,13 +243,13 @@ of a font.
 \end{itemize}
 
 \noindent For the characters mapped in the PUA and other technical considerations,
-please see the \href{http://www.ponomar.net/files/pua_policy.pdf}
+please see the \href{https://www.ponomar.net/files/pua_policy.pdf}
 {PUA Allocation Policy}.
 
 \section{OpenType Technology}
 \hypertarget{OT}{}\label{OT}
 
-OpenType is a “smart font” technology for advanced typography
+OpenType is a ``smart font'' technology for advanced typography
 developed by Microsoft Corporation and Adobe Systems and based on
 the TrueType font format. It allows for correct typography in 
 complex scripts as well as providing advanced typographic effects.
@@ -307,7 +261,7 @@ turned on and off by the user when desired.
 \subsection{On Microsoft Windows}
 
 In order to use these advanced typographic features,
-in addition to a “smart” font (like the fonts in this package), you need
+in addition to a ``smart'' font (like the fonts in this package), you need
 an OpenType-aware application. Not all applications currently support OpenType, 
 and not all applications that claim to support OpenType actually support
 all features or provide an interface to access features. Older versions of
@@ -317,22 +271,22 @@ Cyrillic and Glagolitic, but beginning with Windows 7, this has been resolved.
 Generally speaking, you will get best results in \XeTeX{} or \LuaTeX{}
 using the \texttt{fontspec} package or using advanced desktop publishing software
 such as Adobe InDesign. Most OpenType features are also accessible
-in Microsoft Office 2010 and later (but see below for details).
-LibreOffice also supports OpenType features starting with version 4.1,
-however provides no method to turn on optional features. Please
-see the section on \hyperlink{Graphite}{SIL Graphite}, below.
+in Microsoft Office 2010 and later. LibreOffice also supports OpenType features
+starting with version 4.1, and support for turning off and on optional features
+was added in version 5.3. Please see the section
+\hyperlink{LO}{Support of Advanced Features in LibreOffice}, below.
 
 \subsection{On GNU/Linux}
 
 OpenType support is provided by the HarfBuzz shaping library, which is 
 accessible through FreeType, part of most standard distributions of the X Window
 System. Thus, OpenType will be available in any application that uses FreeType,
-though many applications lack an interface to turn on and off optional features.
+though some applications lack an interface to turn on and off optional features.
 Generally speaking, you will get best results in \XeTeX{} or \LuaTeX{}
 using the \texttt{fontspec} package. LibreOffice also supports
-OpenType features starting with version 4.1,
-however provides no method to turn on optional features. Please
-see the section on \hyperlink{Graphite}{SIL Graphite}, below.
+OpenType features starting with version 4.1, and support for
+turning off and on optional features was added in version 5.3. Please see the section
+\hyperlink{LO}{Support of Advanced Features in LibreOffice}, below.
 
 \subsection{OpenType Features}
 
@@ -388,7 +342,7 @@ demonstrated in the examples below:
 Generally speaking, the \emph{ccmp} feature is not supposed to
 (and often just cannot) be turned off, and thus this functionality
 should work properly in any OpenType-aware application. For more details
-on ligatures, see \href{http://www.unicode.org/notes/tn41/}{Unicode
+on ligatures, see \href{https://www.unicode.org/notes/tn41/}{Unicode
 Technical Note \#41: Church Slavonic Typography in Unicode}.
 
 \subsubsection{Language-based Features}
@@ -416,13 +370,13 @@ Church Slavonic appearances unless another language is specified.
 LibreOffice allows you to specify that text is in Church Slavonic
 starting with version 5.0. This will allow you to take advantage of other
 features, such as Church Slavonic hyphenation (see the
-\href{http://sci.ponomar.net/}{Slavonic Computing Initiative website}
+\href{https://sci.ponomar.net/tools.html}{Slavonic Computing Initiative website}
 for more information). Microsoft Corporation does not recognize
 Church Slavonic as a valid language, so you will not be able to set 
 the language of text to Church Slavonic in any Microsoft
-product.\footnote{Please do not contact the font maintainers about this issue.
+product\footnote{Please do not contact the font maintainers about this issue.
 Instead, complain to Microsoft Customer Service in the USA at 1-800-642-7676 
-or in Canada at +1 (877) 568-2495.}
+or in Canada at +1 (877) 568-2495.}.
 
 \subsubsection{Stylistic Alternatives and Stylistic Sets}
 
@@ -450,94 +404,81 @@ sets, marking them features \texttt{ss01}, \texttt{ss02}, \ldots{} \texttt{ss20}
 Use of Stylistic Alternatives and Stylistic Sets requires an OpenType-aware
 application that provides an interface to turn off and on advanced features
 (since by default these features are turned off). This is possible in \XeTeX{}
-or \LuaTeX{} using the \texttt{fontspec} package and in advanced desktop
-publishing software such as Adobe InDesign. Microsoft Office and LibreOffice
-currently have no way to access Stylistic Alternatives and Stylistic Sets.
-If necessary, you may access these glyphs by codepoint from the Private
-Use Area, though this is not recommended.
-
-\section{SIL Graphite Technology}
-
-\hypertarget{Graphite}{}\label{Graphite}
-
-\href{http://scripts.sil.org/Graphite}{Graphite} is a “smart font” technology
-developed by \href{http://www.sil.org}{SIL International}. Since, unlike OpenType,
-Graphite does not have predefined features, it provides the developer with an ability
-to control subtle typographic features that may be difficult or impossible to handle
-with OpenType. In fact, Graphite is in some respects more powerful than OpenType,
-though this additional power is not necessary for standard Church Slavonic typography.
-In addition, while support of OpenType features often varies from application to application,
-Graphite relies on a single engine, and thus all Graphite features are supported
-whenever an application supports Graphite. However, Graphite is not supported widely:
-in addition to SIL's own \href{http://scripts.sil.org/WorldPadDownload}{WorldPad}
-editor (a Windows-only application that requires a .NET runtime), Graphite is
-supported in LibreOffice (starting with OpenOffice.org version 3.2), Mozilla Firefox (starting with
-version 11), and \XeTeX{} (starting with version 0.997). Graphite support is not
-available in Microsoft Office.
-
-Note that it is currently not possible to add Graphite tables to OpenType-CFF fonts.
-Therefore Graphite is only supported in the TrueType versions of fonts. Mostly
-Graphite will be of interest to LibreOffice users, since LibreOffice does not provide
-any interface to turn off and on OpenType features.
-
-\subsection{Graphite in LibreOffice}
-
-LibreOffice (and all OpenOffice.org derivatives starting with version 3.2)
-automatically recognizes fonts which contain Graphite tables.
-For such fonts Graphite rendering is enabled by default.
-Correct positioning, attachment and substitutions will work automatically.
-However, there is currently no graphical interface that can be used
-to turn additional features on and off. Instead, a special extended font name
+or \LuaTeX{} using the \texttt{fontspec} package and in LibreOffice
+(starting with version 5.3) by use of a special syntax that appends the needed
+option to the font name. See the section
+\hyperlink{LO}{Support of Advanced Features in LibreOffice}, below.
+In Microsoft Office 2010 and later, Stylistic Sets may be turned off an on
+under |OpenType features| on the |Advanced| tab of the |Font| dialog.
+However, Micorosoft Office does not allow you to select multiple Stylistic Sets
+simultaneously or to access the |salt| feature. If necessary, you may access
+alternate glyphs by codepoint from the Private Use Area (PUA).
+However, relying on the PUA as a data exchange mechanism is discouraged.
+
+\subsection{SIL Graphite Technology}
+
+\hypertarget{Graphite}{}\label{Graphite} 
+
+\begin{itemize}
+\item[\XeTeXpicfile "deprecated.png" width 4mm] As of version 1.3 of this package,
+support for \href{https://scripts.sil.org/Graphite}{SIL Graphite} features
+has been discontinued. If you need Graphite support, see the
+\href{https://github.com/slavonic/fonts-cu-legacy/}{Legacy Fonts package}.
+\end{itemize}
+
+\hypertarget{LO}{}\label{LO}
+
+\subsection{Support of Advanced Features in LibreOffice}
+
+Support for OpenType features is available in LibreOffice and all
+OpenOffice.org derivatives starting with version 3.2 of OpenOffice.org.
+While correct positioning, attachment and substitutions will work automatically,
+earlier versions of LibreOffice
+had no mechanism to turn off and on optional features. Support for
+turning OpenType features off and on is available starting with LibreOffice version 4.1.
+However, there is no graphical interface that can be used.
+Instead, a special extended font name
 syntax has been developed: in order to activate an optional feature, its ID,
 followed by an equals sign and the ID of the desired setting, are appended
 directly to the font name string. An ampersand is used to separate
 different feature/settings pairs.
 
-For example, the following “font” should be used in order to get
-alternative glyphs for U+1F545 Symbol for Marks Chapter:
+For example, the following “font” should be used in order to enable
+the |ss01| (Stylistic Set 1) feature:
 
 \begin{verbatim}
-Ponomar Unicode TT:mark=1
+Ponomar Unicode:ss01=1
 \end{verbatim}
 
-\noindent for the first alternate glyph, \texttt{mark=2} for the second alternate
-glyph, and so forth.
+The same syntax is used to turn off and on optional Stylistic Alternatives (|salt|),
+where \texttt{1} indicates the first alternate glyph, \texttt{2} -- the second alternate
+glyph, and so forth. Note that this feature is not available in Apache OpenOffice;
+since Apache OpenOffice is not well maintained, we suggest users migrate to LibreOffice.
+
+This functionality will be useful for LibreOffice users relying on automatic hyphenation.
+Since LibreOffice has
+\href{https://bugs.documentfoundation.org/show_bug.cgi?id=85731}
+{no mechanism to set the hyphenation character}, the Ponomar Unicode
+and Monomakh Unicode fonts provide the underscore as a hyphenation
+character via Stylistic Set 1 in OpenType.
 
 Of course modifying the font name directly is very inconvenient, since
 it is difficult to remember short tags and numerical values used for
-feature/setting IDs in different fonts. You may try to
-install the \href{https://github.com/thanlwinsoft/groooext}
-{Graphite Font Extension}, which provides a dialog for easier feature selection.
-However, this extension has not been maintained since the passing of its
-developer in 2011, and so may not work correctly in later versions of LibreOffice.
-If you experience problems with Graphite features, you may get better
-results accessing glyphs directly by codepoint from the Private Use Area,
-though this is not recommended.
-
-\subsection{Graphite in \XeTeX}
-
-Graphite support is available in \XeTeX, which means Graphite
-features are now accessible from \TeX{} documents. Moreover, it is possible
-to enable the Graphite font renderer with the \texttt{fontspec} package,
-which greatly simplifies selecting system-installed fonts in \XeTeX{} and \LuaTeX.
-This functionality requires at least \TeX{} Live 2010 or Mik\TeX 2.9.
-
-You can activate the Graphite rendering mode for a particular font via the
-the \texttt{Renderer} option (its value should be set to \texttt{Graphite})
-in the argument list of a font selection command. Since there are no standard
-feature tags in Graphite, the feature identifiers and their settings are
-passed to the \texttt{RawFeature} option as follows:
+feature/setting IDs in different fonts. Unfortunately, there is presently no
+graphical interface to support turning off and on OpenType and SIL Graphite
+features.
 
-\begin{verbatim}
-\newfontfamily{\graphA}
-      [Renderer=Graphite, RawFeature=
-          {Symbol for Mark's Chapter=Alternative 1}]
-{Ponomar Unicode TT}
-\end{verbatim}
+%You may try to install the \href{https://github.com/thanlwinsoft/groooext}
+%{Graphite Font Extension}, which provides a dialog for easier feature selection.
+%However, this extension has not been maintained since the passing of its
+%developer in 2011, and so may not work correctly in later versions of LibreOffice.
+%If you experience problems with Graphite features, you may get better
+%results accessing glyphs directly by codepoint from the Private Use Area,
+%though this is not recommended.
 
-\noindent Please consult the \texttt{fontspec} documentation for more information.
+\section{Fonts for Synodal Slavonic}
 
-\section{Ponomar Unicode}
+\subsection{Ponomar Unicode}
 
 Ponomar Unicode is a font that reproduces the typeface of Synodal Church Slavonic
 editions from the beginning of the 20th Century. It is intended for working with
@@ -548,24 +489,17 @@ of this package. Examples of text set in Ponomar Unicode are presented below.
 %\lineskip=0pt
 %\lineskiplimit=-5em
 
-\subsection{Synodal Church Slavonic}
-
 \begin{churchslavonic}
 Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ, и҆ ли́стъ є҆гѡ̀ не ѿпаде́тъ: и҆ всѧ̑, є҆ли̑ка а҆́ще твори́тъ, ᲂу҆спѣ́етъ. Не та́кѡ нечести́вїи, не та́кѡ: но ꙗ҆́кѡ пра́хъ, є҆го́же возмета́етъ вѣ́тръ ѿ лица̀ землѝ. Сегѡ̀ ра́ди не воскре́снꙋтъ нечести́вїи на сꙋ́дъ, нижѐ грѣ̑шницы въ совѣ́тъ првⷣныхъ. Ꙗ҆́кѡ вѣ́сть гдⷭ҇ь пꙋ́ть првⷣныхъ, и҆ пꙋ́ть нечести́выхъ поги́бнетъ.
 \end{churchslavonic}
 
-\subsection{Kievan Church Slavonic}
-
-Kievan Church Slavonic uses a number of variant glyph forms, such as U+1C81 Long-Legged De ({\slv ᲁ}) and U+A641 Variant Ze ({\slv ꙁ}):
+\textbf{Kievan Church Slavonic} uses a number of variant glyph forms, such as U+1C81 Long-Legged De ({\slv ᲁ}) and U+A641 Variant Ze ({\slv ꙁ}):
 
 \begin{churchslavonic}
 Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́ᲁе на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣᲁа́лищи гꙋби́телей не сѣ́ᲁе: но въ зако́нѣ гᲁⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́ᲁетъ ꙗ҆́кѡ дре́во насажᲁе́ное при и҆схо́ᲁищихъ во́ᲁъ, є҆́же плоᲁъ сво́й да́стъ во вре́мѧ своѐ, и҆ ли́стъ є҆гѡ̀ не ѿпаᲁе́тъ: и҆ всѧ̑, є҆ли̑ка а҆́ще твори́тъ, ᲂу҆спѣ́етъ. Не та́кѡ нечести́вїи, не та́кѡ: но ꙗ҆́кѡ пра́хъ, є҆го́же воꙁмета́етъ вѣ́тръ ѿ лица̀ землѝ. Сегѡ̀ ра́ᲁи не воскре́снꙋтъ нечести́вїи на сꙋ́ᲁъ, нижѐ грѣ̑шницы въ совѣ́тъ првⷣныхъ. Ꙗ҆́кѡ вѣ́сть гᲁⷭ҇ь пꙋ́ть првⷣныхъ, и҆ пꙋ́ть нечести́выхъ поги́бнетъ.
 \end{churchslavonic}
 
-\subsection{Other Languages}
-
-The Ponomar Unicode font may also be used to typeset liturgical texts in other languages that use the ecclesiastic Cyrillic alphabet. Three such examples
-are fully supported by the font: Romanian (Moldovan) in its Cyrillic alphabet, Aleut (Fox Island or Eastern dialect) in its Cyrillic alphabet, and Yakut (Sakha) as written in the alphabet created by Bishop Dionysius (Khitrov).
+\textbf{Other Languages} The Ponomar Unicode font may also be used to typeset liturgical texts in other languages that use the ecclesiastic Cyrillic alphabet. Three such examples are fully supported by the font: Romanian (Moldovan) in its Cyrillic alphabet, Aleut (Fox Island or Eastern dialect) in its Cyrillic alphabet, and Yakut (Sakha) as written in the alphabet created by Bishop Dionysius (Khitrov).
 
 \noindent Here is an example of the Lord's Prayer in Romanian (Moldovan) Cyrillic: \\
 
@@ -585,27 +519,17 @@ are fully supported by the font: Romanian (Moldovan) in its Cyrillic alphabet, A
 Халланнаръ юрдюлѧригѧрь баръ агабытъ бисенѧ ! Свѧтейдѧннинь а̄тыҥъ эенѧ ; кѧллинь царстваҥъ эенѧ ; сирь юрдюгѧрь кёҥюлюҥь эенѧ , халланъ юрдюгѧрь курдукъ боллунъ ; бюгюҥю кюннѧги асыръ аспытынъ бисенинь кулу бисеха бюгюнь ; бисиги да естѧрбитинь халларъ бисеха , хайтахъ бисиги да халларабытъ беэбить естѧхтѧрбитигѧрь ; килѧримѧ да бисигини альԫархайга ; хата быса бисигини албынтанъ . \\
 \end{churchslavonic}
 
-\noindent Here is an example using the Typicon symbols from Nikita Syrnikov's book {\slv Клю́чъ къ церко́вномꙋ ᲂу҆ста́вꙋ}:
-
-\begin{churchslavonic}
-і\textcolor{red}{і}꙼̇ ⧟̇҃ іѡа́ннꙋ і̲꙼ на лиⷮ бл҃жеⷩ҇, па́влꙋ пѣⷭ҇ г҃. а і҆оа́ннꙋ ѕ҃.
-
-и᷷͏҃і і\textcolor{red}{і}꙼̇ ⧟̲̇҃ кири́лꙋ і̲꙼ коⷣ и҆ и҆́коⷭ҇ о҆́бщїй и҆ коⷣ а҆фана́сїю.
-
-д҃ 🤉 іі̲ и҆си́дорꙋ ⹇ гео́ргїю кири́лѣ ⹉
-\end{churchslavonic}
-
-\subsection{Font Features}
+\subsubsection{Advanced Features of the Font}
 
 Ponomar Unicode places some characters in the Private Use Area (PUA).
 For the general PUA mappings, please see the
-\href{http://www.ponomar.net/files/pua_policy.pdf}{PUA Allocation Policy}.
+\href{https://www.ponomar.net/files/pua_policy.pdf}{PUA Allocation Policy}.
 
 In addition to the general PUA mappings, some characters have been
 allocated the open range section of the PUA. These are:
 
 \begin{itemize}
-\item U+F400 \textendash{} Alternatives of SMP glyphs: This section contains copies in the BMP of SMP glyphs for support in legacy applications. Currently, the following are available: U+F400 - U+F405 \textendash{} Typicon symbols (copies of U+1F540 through U+1F545)
+\item U+F400 \textendash{} Alternatives of SMP glyphs: This section contains copies in the BMP of SMP glyphs for support in legacy applications. Currently, the following are available: U+F400 - U+F405 \textendash{} Typicon symbols (copies of U+1F540 through U+1F545).
 \item U+F410 \textendash{} Presentation forms: Contains various presentation forms and ligatures used internally by the font. Generally, these are not intended to be called by users or external applications.
 \item U+F420 \textendash{} Linguistic alternatives: Contains alternative shapes of glyphs that are language specific. Right now, these are modern punctuation shapes for use with Latin characters. These are not intended to be called externally.
 \item U+F441 and on \textendash{} stylistic alternatives of Latin characters (Blackletter forms). These can be called via the Stylistic Set 2, but, if necessary, they may be called from the PUA directly. They are mapped to in the same order as in the Basic Latin block, beginning with U+F441 (for U+0041 Latin Capital Letter A). In addition to the Basic Latin repertoire, we also have: U+F4DE \textendash{} Blackletter Thorn; U+F4FE \textendash{} Lowercase Blackletter Thorn; and U+F575 \textendash{} Blackletter Long S
@@ -628,10 +552,10 @@ Ligature Te-Ve	& U+0442 U+200D U+0432	& {\slv{\large т‍в}}	\\
 
 \noindent In OpenType, a number of Stylistic Alternatives are defined. They are listed in Table~\ref{salt1}.
 In addition to additional decorative glyphs for the Symbol for Mark's Chapter,
-the feature provides the alternate forms of the letter U+0423 U that look
+the feature provides the alternate forms of the letter U+0423 {\slv У} that look
 exactly like U+A64A Uk (this usage is found in some publications),
 and an alternative form for the U+0404 Wide Ye for use in contexts 
-where it needs to be distinguished from U+0415 Ye (mostly in Ukrainian text
+where it needs to be distinguished from U+0415 Ye (mostly for Ukrainian text
 stylized in a Church Slavonic font).
 
 \newfontfamily{\salt}[Alternate=0]{Ponomar Unicode}
@@ -685,7 +609,16 @@ U+A64B  & {\slv{\large ꙋ }}	& {\salt\large ꙋ} & {\salta\large ꙋ} & {\saltb
 \end{tabular}
 \end{table}
 
-\noindent There is also defined Stylistic Set 2 (``ss02''), Blackletter forms.
+Stylistic Set 1 (|ss01|) is provided as a temporary workaround to
+\href{https://bugs.documentfoundation.org/show_bug.cgi?id=85731}
+{LibreOffice Bug 85731}, which does not allow you to specify
+the hyphenation character in LibreOffice. When turned on, it
+replaces all instances of U+002D Hyphen-Minus and U+2010 Hyphen
+with U+005F Low Line (underscore) for use as a hyphenation
+character. Please note that this feature will be deprecated once
+the necessary functionality is added to LibreOffice.
+
+There is also defined Stylistic Set 2 (``ss02''), Blackletter forms.
 When this stylistic set is turned on, 
 Latin letters appear in blackletter as opposed to their modern forms.
 This is useful for setting Latin text side-by-side with Slavonic in
@@ -707,108 +640,39 @@ Blackletter &
 ``Arabic numerals'') are provided in roman form. Use Stylistic Set 2 to access
 the blackletter forms, if necessary.
 
-\subsection{SIL Graphite Features}
-
-\newfontfamily{\graph}[Renderer=Graphite]{Ponomar Unicode TT}
-
-The SIL Graphite features in the font provide the same functionality
-as the OpenType features. This is mostly of interest to users of
-LibreOffice, which lacks support for stylistic alternatives and 
-stylistic sets but can access Graphite features (see above).
-
-The ``Symbol for Mark's Chapter'' (``mark'') feature provides alternatives
-for the U+1F545 Symbol for Marks Chapter, much like the salt feature in OpenType. 
-The following values produce the results given in Table~\ref{ponograph}.
-
-\newfontfamily{\graphA}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 1}]{Ponomar Unicode TT}
-\newfontfamily{\graphB}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 2}]{Ponomar Unicode TT}
-\newfontfamily{\graphC}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 3}]{Ponomar Unicode TT}
-\newfontfamily{\graphD}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 4}]{Ponomar Unicode TT}
-\newfontfamily{\graphE}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 5}]{Ponomar Unicode TT}
-\newfontfamily{\graphF}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 6}]{Ponomar Unicode TT}
-\newfontfamily{\graphG}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 7}]{Ponomar Unicode TT}
-\newfontfamily{\graphH}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 8}]{Ponomar Unicode TT}
-
-\begin{table}[htbp]
-\centering
-\caption{Values of the Symbol for Mark's Chapter (``mark'') Feature in Ponomar Unicode \label{ponograph}}
-\begin{tabular}{lcccc}
-\hline
-	& Base form	& Alternative 1	& Alternative 2	& Alternative 3	\\
-U+1F545	& {\graph{\large 🕅 }}	& {\graphA{\large 🕅}} & {\graphB{\large 🕅}} & {\graphC{\large 🕅}} \\
-& Alternative 4	& Alternative 5	& Alternative 6	& Alternative 7 \\
-& {\graphD{\large 🕅}} & {\graphE{\large 🕅}} & {\graphF{\large 🕅}} & {\graphG{\large 🕅}} \\
-	& Alternative 8 \\
-& {\graphH{\large 🕅}} \\
-\hline
-\end{tabular}
-\end{table}
-
-\noindent The following additional Graphite features are provided (with
-the exception of the ``hyph'' feature, they duplicate the functionality
-of OpenType features):
-
-\begin{itemize}
-\item The ``Truncation'' feature (``trnc'') provides the same functionality
-as stylistic alternatives (for truncation) above. The possible values are:
-\verb+1+ (lower truncation), \verb+2+ (upper truncation),
-\verb+3+ (left truncation) and \verb+4+ (right truncation).
-
-\item The ``Use blackletter characters for Latin'' feature (``blck'')
-provides the same functionality as Stylistic Set 2 in OpenType (see above).
-Possible values are |0| (no) and |1| (yes).
-
-\item The ``Use alternative form of U'' feature (``altu'')
-provides the alternative forms of the letter U+0423 U that look
-exactly like U+A64A Uk. Possible values are |0| (no) and |1| (yes).
-
-\item The ``Cyrillic i has dot'' feature (``doti'')
-provides a localized form of U+0456 Cyrillic I for use in Ukrainian
-text. Possible values are |0| (no) and |1| (yes).
-
-\item The ``Use underscore for hyphenation'' feature (``hyph'')
-replaces all instances of U+002D Hyphen-Minus and U+2010 Hyphen
-with U+005F Low Line (underscore) for use as a hyphenation
-character. This is meant as a workaround to 
-\href{https://bugs.documentfoundation.org/show_bug.cgi?id=85731}
-{LibreOffice Bug 85731}, which does not allow you to specify
-the hyphenation character in LibreOffice.
-Possible values are |0| (no) and |1| (yes). Please note that this
-feature will be deprecated once the necessary functionality is 
-added to LibreOffice.
-\end{itemize}
+\section{Fonts for Pre-Nikonian Printed Slavonic}
 
-\section{Fedorovsk Unicode}
+\subsection{Fedorovsk Unicode}
 
 Fedorovsk Unicode is based on the Fedorovsk font designed by Nikita Simmons.
-It has been re-encoded for Unicode, with added OpenType and Graphite features
-by Aleksandr Andreev. The Fedorovsk typeface is supposed to reproduce the typeface
+It has been re-encoded for Unicode, with added OpenType features.
+The Fedorovsk typeface is supposed to reproduce the typeface
 of the printed editions of Ivan Fedorov produced in Moscow, for example, the
 Apostol of 1564. The font is intended primarily for typesetting pre-Nikonian (Old Rite)
 liturgical texts or for working with such texts in an academic context.
 
-\subsection{Sample Texts}
-\newfontfamily{\right}[StylisticSet=1]{Fedorovsk Unicode}
+\newfontfamily{\rightFedor}[StylisticSet=1,HyphenChar="200B]{Fedorovsk Unicode}
 
-\subsubsection{Apostol of Ivan Fedorov}
+Here is an example from the 1564 Apostol of Ivan Fedorov:
 
 \begin{churchslavonic}
-{\Large \right
+{\Large \rightFedor
 \textcolor{red}{П}е́рвᲂе ᲂу҆́бо︀ сло́во︀ сᲂтвᲂри́хъ о҆ всѣ́хъ , ѽ , ѳео҆́филе , о҆ ниⷯже начѧ́тъ і︮с︯ , твᲂри́тиже и҆ ᲂу҆чи́ти . д︀о︀ него́же дн҃е , запᲂвѣ́д︀авъ а҆пⷭ҇лᲂмъ дх҃ᲂмъ ст҃ыⷨ , и҆́хже и҆ꙁбра̀ вᲂзнесе́сѧ . преⷣ ни́миже и҆ пᲂста́ви себѐ жи́ва по страд︀а́нїи свᲂе҆́мъ . во︀ мно́зехъ и҆́стинныхъ зна́менїи҆хъ . дн҃ьми четы́ридесѧтьми ꙗ҆влѧ́ꙗсѧ и҆́мъ и҆ гл҃ѧ ꙗ҆́же о҆ црⷭ҇твїи бж҃їи . сни́миже и҆ ꙗ҆д︀ы̀ , пᲂвелѣва́ше и҆́мъ ѿ і҆е҆рᲂсали́ма не ѿлꙋча́тисѧ . но̑ жда́ти о҆бѣтᲂва́нїе ѿч︮е︯е , е҆́же слы́шасте ѿ́ менѐ . ꙗ҆́кѡ і҆ѡ҃а́ннъ ᲂу҆́бо︀ крⷭ҇ти́лъ е҆́сть вᲂдо́ю . вы́же и҆́мате крести́тисѧ дх҃ᲂмъ ст҃ы́мъ , не по мно́ꙁѣхъ си́хъ д︀︮н︯еⷯ .
 }
 \end{churchslavonic}
 
-\subsubsection{Flowery Triodion}
-\newfontfamily{\left}[StylisticSet=2]{Fedorovsk Unicode}
+Here is an example from the Flowery Triodion of 1648:
+
+\newfontfamily{\leftFedor}[StylisticSet=2,HyphenChar="200B]{Fedorovsk Unicode}
 
 \begin{churchslavonic}
-{\Large \left
+{\Large \leftFedor
 \textcolor{red}{стⷯры па́сцѣ . гла́съ , є҃ .} Д\textcolor{red}{а вᲂскрⷭ҇нетъ бг҃ъ ,꙳ и҆ разы́дꙋтсѧ вразѝ є҆гѡ̀ .}
 Па́сха сщ҃е́ннаѧ на́мъ дне́сь пᲂказа́сѧ , па́сха но́ва ст҃а́ѧ , па́сха таи́нственнаѧ , па́сха всечестна́ѧ , па́сха хрⷭ҇та̀ и҆зба́вителѧ , па́сха непᲂро́чнаѧ , па́сха вели́каѧ , па́сха вѣ́рнымъ , па́сха двѣ́ри ра́йскїѧ на́мъ ѿверза́ющаѧ , па́сха всѣ́хъ ѡ҆сщ҃а́ющаѧ вѣ́рныхъ .
 }
 \end{churchslavonic}
 
-\subsection{OpenType Features}
+\subsubsection{Advanced Features of the Font}
 
 The font provides a number of ligatures, which are made by inserting the Zero Width Joiner (U+200D) between two characters. A list of ligatures is provided in Table~\ref{ligs2}.
 
@@ -818,12 +682,12 @@ The font provides a number of ligatures, which are made by inserting the Zero Wi
 \begin{tabular}{lcc}
 Name	& Sequence	& Appearance \\
 \hline
-Ligature A-U	& U+0430 U+200D U+0443	& {\left{\large а‍у}}	\\
-Ligature El-U	& U+043B U+200D U+0443 & {\left{\large л‍у}}	\\
-Ligature A-Izhitsa & U+0430 U+200D U+0475	& {\left{\large а‍ѵ}}	\\
-Ligature El-Izhitsa & U+043B U+200D U+075 & {\left{\large л‍ѵ}}	\\
-Ligature Te-Ve	& U+0442 U+200D U+0432	& {\left{\large т‍в}}	\\
-Ligature Er-Yat	& U+0440 U+200D U+0463 & {\left{\large р‍ѣ}}	\\
+Ligature A-U	& U+0430 U+200D U+0443	& {\leftFedor{\large а‍у}}	\\
+Ligature El-U	& U+043B U+200D U+0443 & {\leftFedor{\large л‍у}}	\\
+Ligature A-Izhitsa & U+0430 U+200D U+0475	& {\leftFedor{\large а‍ѵ}}	\\
+Ligature El-Izhitsa & U+043B U+200D U+075 & {\leftFedor{\large л‍ѵ}}	\\
+Ligature Te-Ve	& U+0442 U+200D U+0432	& {\leftFedor{\large т‍в}}	\\
+Ligature Er-Yat	& U+0440 U+200D U+0463 & {\leftFedor{\large р‍ѣ}}	\\
 \hline
 \end{tabular}
 \end{table}
@@ -834,13 +698,13 @@ glyph shapes for U+1F545 Symbol for Mark's Chapter, they allow you
 to control the positioning of diacritical marks over certain letters.
 
 \newfontfamily{\glyphfont}{Fedorovsk Unicode}
-\newfontfamily{\salt}[Alternate=0]{Fedorovsk Unicode}
-\newfontfamily{\salta}[Alternate=1]{Fedorovsk Unicode}
-\newfontfamily{\saltb}[Alternate=2]{Fedorovsk Unicode}
-\newfontfamily{\saltc}[Alternate=3]{Fedorovsk Unicode}
-\newfontfamily{\saltd}[Alternate=4]{Fedorovsk Unicode}
-\newfontfamily{\salte}[Alternate=5]{Fedorovsk Unicode}
-\newfontfamily{\saltf}[Alternate=6]{Fedorovsk Unicode}
+\newfontfamily{\saltFedor}[Alternate=0]{Fedorovsk Unicode}
+\newfontfamily{\saltaFedor}[Alternate=1]{Fedorovsk Unicode}
+\newfontfamily{\saltbFedor}[Alternate=2]{Fedorovsk Unicode}
+\newfontfamily{\saltcFedor}[Alternate=3]{Fedorovsk Unicode}
+\newfontfamily{\saltdFedor}[Alternate=4]{Fedorovsk Unicode}
+\newfontfamily{\salteFedor}[Alternate=5]{Fedorovsk Unicode}
+\newfontfamily{\saltfFedor}[Alternate=6]{Fedorovsk Unicode}
 
 \begin{table}[htbp]
 \centering
@@ -848,34 +712,34 @@ to control the positioning of diacritical marks over certain letters.
 \begin{tabular}{lcccccccc}
 	& Base Form	& \multicolumn{7}{c}{Alternate Forms} \\
 \hline
-U+0404	& {\glyphfont{\large Є}} & {\salt\large Є} \\
-U+0426	& {\glyphfont{\large Ц}} & {\salt\large Ц} \\
-U+0491	& {\glyphfont{\large ґ}} & {\salt\large ґ} \\
-U+A64C	& {\glyphfont{\large Ꙍ}} & {\salt\large Ꙍ} \\
-U+047C	& {\glyphfont{\large Ѽ}} & {\salt\large Ѽ} \\
-U+047E	& {\glyphfont{\large Ѿ}} & {\salt\large Ѿ} \\
-U+047F	& {\glyphfont{\large ѿ}} & {\salt\large ѿ} \\
-U+1F545	& {\glyphfont{\large 🕅 }}	& {\salt\large 🕅} & {\salta\large 🕅} & {\saltb\large 🕅} & {\saltc\large 🕅}  & {\saltd\large 🕅} & {\salte\large 🕅} & {\saltf\large 🕅} \\
-U+0463 U+0486	& {\glyphfont{\large ѣ҆}} & {\salt\large ѣ҆}  \\
-U+0463 U+0300	& {\glyphfont{\large ѣ̀}} & {\salt\large ѣ̀} & {\salta\large ѣ̀} \\
-U+0463 U+0301	& {\glyphfont{\large ѣ́}} & {\salt\large ѣ́} & {\salta\large ѣ́} \\
-U+0463 U+0311	& {\glyphfont{\large ѣ̑}} & {\salt\large ѣ̑} & {\salta\large ѣ̑} \\
-U+0463 U+0486 U+0301	& {\glyphfont{\large ѣ҆́}} & {\salt\large ѣ҆́}  \\
-U+A64B U+0486	& {\glyphfont{\large ꙋ҆}} & {\salt\large ꙋ҆}  \\
-U+A64B U+0300	& {\glyphfont{\large ꙋ̀}} & {\salt\large ꙋ̀} & {\salta\large ꙋ̀} \\
-U+A64B U+0301	& {\glyphfont{\large ꙋ́}} & {\salt\large ꙋ́} & {\salta\large ꙋ́} \\
-U+A64B U+0311	& {\glyphfont{\large ꙋ̑}} & {\salt\large ꙋ̑} & {\salta\large ꙋ̑} & {\saltb\large ꙋ̑} \\
-U+A64B U+0486 U+0301	& {\glyphfont{\large ꙋ҆́}} & {\salt\large ꙋ҆́}  \\
+U+0404	& {\glyphfont{\large Є}} & {\saltFedor\large Є} \\
+U+0426	& {\glyphfont{\large Ц}} & {\saltFedor\large Ц} \\
+U+0491	& {\glyphfont{\large ґ}} & {\saltFedor\large ґ} \\
+U+A64C	& {\glyphfont{\large Ꙍ}} & {\saltFedor\large Ꙍ} \\
+U+047C	& {\glyphfont{\large Ѽ}} & {\saltFedor\large Ѽ} \\
+U+047E	& {\glyphfont{\large Ѿ}} & {\saltFedor\large Ѿ} \\
+U+047F	& {\glyphfont{\large ѿ}} & {\saltFedor\large ѿ} \\
+U+1F545	& {\glyphfont{\large 🕅 }}	& {\saltFedor\large 🕅} & {\saltaFedor\large 🕅} & {\saltbFedor\large 🕅} & {\saltcFedor\large 🕅}  & {\saltdFedor\large 🕅} & {\salteFedor\large 🕅} & {\saltfFedor\large 🕅} \\
+U+0463 U+0486	& {\glyphfont{\large ѣ҆}} & {\saltFedor\large ѣ҆}  \\
+U+0463 U+0300	& {\glyphfont{\large ѣ̀}} & {\saltFedor\large ѣ̀} & {\saltaFedor\large ѣ̀} \\
+U+0463 U+0301	& {\glyphfont{\large ѣ́}} & {\saltFedor\large ѣ́} & {\saltaFedor\large ѣ́} \\
+U+0463 U+0311	& {\glyphfont{\large ѣ̑}} & {\saltFedor\large ѣ̑} & {\saltaFedor\large ѣ̑} \\
+U+0463 U+0486 U+0301	& {\glyphfont{\large ѣ҆́}} & {\saltFedor\large ѣ҆́}  \\
+U+A64B U+0486	& {\glyphfont{\large ꙋ҆}} & {\saltFedor\large ꙋ҆}  \\
+U+A64B U+0300	& {\glyphfont{\large ꙋ̀}} & {\saltFedor\large ꙋ̀} & {\saltaFedor\large ꙋ̀} \\
+U+A64B U+0301	& {\glyphfont{\large ꙋ́}} & {\saltFedor\large ꙋ́} & {\saltaFedor\large ꙋ́} \\
+U+A64B U+0311	& {\glyphfont{\large ꙋ̑}} & {\saltFedor\large ꙋ̑} & {\saltaFedor\large ꙋ̑} & {\saltbFedor\large ꙋ̑} \\
+U+A64B U+0486 U+0301	& {\glyphfont{\large ꙋ҆́}} & {\saltFedor\large ꙋ҆́}  \\
 \hline
 \end{tabular}
 \end{table}
 
 Additionally, three stylistic sets have been defined in the font.
-Stylistic set 1 (``Right-side accents'') positions the accents over the Yat
-and the Uk on the right side and Stylistic set 2 (``Left-side accents'')
+Stylistic Set 1 (``Right-side accents'') positions the accents over the Yat
+and the Uk on the right side and Stylistic Set 2 (``Left-side accents'')
 positions the accents over the Yat and the Uk on the left side.
 These stylistic sets are useful when a text uses one of
-these positionings throughout. Stylistic set 10 (``Equal Baseline Variants'')
+these positionings throughout. Stylistic Set 10 (``Equal Baseline Variants'')
 sets the capital letters on the same baseline as the
 lowercase letters (useful for working with the font
 in an academic context where the traditionally lowered
@@ -893,61 +757,9 @@ Cyrillic scripts). Here is an example:
 \end{tabular}
 \end{figure}
 
-\subsection{Graphite Features}
-
-The stylistic alternatives of the Mark's Chapter symbol,
-the Letter Ge with Upturn, and the letters Ye, Tse,
-and Omega have been duplicated as Graphite features in
-the TTF version of the font, with names ``Symbol for Mark's Chapter'',
-``Ye'', ``Tse'', ``Ghe'', and ``Omega'' respectively.
-For the alternatives of the Mark's Chapter symbol, the values of the
-property are assigned to correspond with the 
-\href{http://www.ponomar.net/files/pua_policy.pdf}
-{Private Use Area Allocation Policy} and other fonts. The Graphite
-features are demonstrated in Table~\ref{fedorgraph}.
-
-\newfontfamily{\graph}[Renderer=Graphite]{Fedorovsk Unicode TT}
-\newfontfamily{\graphA}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 1}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphB}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 2}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphC}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 3}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphD}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 4}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphE}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 7}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphF}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 8}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphG}[Renderer=Graphite, RawFeature={Symbol for Mark's Chapter=Alternative 9}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphYe}[Renderer=Graphite, RawFeature={Ye=Alternative 1}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphTse}[Renderer=Graphite, RawFeature={Tse=Alternative 1}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphGhe}[Renderer=Graphite, RawFeature={Ghe=Alternative 1}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphOmega}[Renderer=Graphite, RawFeature={Omeg=Alternative 1}]{Fedorovsk Unicode TT}
-\newfontfamily{\graphOt}[Renderer=Graphite, RawFeature={Ot=Alternative 1}]{Fedorovsk Unicode TT}
-
-\begin{table}[htbp]
-\centering
-\caption{Alternatives via Graphite Features in Fedorovsk Unicode \label{fedorgraph}}
-\begin{tabular}{lcccc}
-\hline
-	& Base form	& Alternative 1	& Alternative 2	& Alternative 3	\\
-U+0404	& {\graph{\large Є }} & {\graphYe\large Є} \\
-U+0426	& {\graph{\large Ц}} & {\graphTse\large Ц} \\
-U+0491	& {\graph{\large ґ}} & {\graphGhe\large ґ} \\
-U+A64C	& {\graph{\large Ꙍ}} & {\graphOmega\large Ꙍ} \\
-U+047C	& {\graph{\large Ѽ}} & {\graphOmega\large Ѽ} \\
-U+047E	& {\graph{\large Ѿ}} & {\graphOt\large Ѿ} \\
-U+047F	& {\graph{\large ѿ}} & {\graphOt\large ѿ} \\
-U+1F545	& {\graph{\large 🕅 }}	& {\graphA{\large 🕅}} & {\graphB{\large 🕅}} & {\graphC{\large 🕅}}  \\
-	& 	& Alternative 4	& Alternative 7	& Alternative 8	  \\
-	&	& {\graphD{\large 🕅}} & {\graphE{\large 🕅}} & {\graphF{\large 🕅}} \\
-	&	& Alternative 9 \\
-	&	& {\graphG{\large 🕅}} \\
-\hline
-\end{tabular}
-\end{table}
-
-\noindent Two additional Graphite features are defined: ``Accent Positions'',
-with values ``left'' and ``right'', which mimics the behavior
-of stylistic sets 1 and 2; and ``Equal Baseline'' (with value ``yes''),
-which mimics the behavior of Stylistic Set 10.
+\section{Fonts for Working with Ancient Manuscripts}
 
-\section{Menaion Unicode}
+\subsection{Menaion Unicode}
 
 The Menaion typeface is supposed to be used for working with text
 of Ustav-era manuscripts. It contains the full repertoire of necessary
@@ -955,96 +767,89 @@ Cyrillic and Glagolitic glyphs as well as glyphs of Byzantine Ecphonetic
 notation of the kind used in Cyrillic or Glagolitic manuscripts.
 
 The Menaion font was originally designed by Victor A. Baranov at
-\href{http://www.manuscripts.ru/}{the Manuscript Project}. It was
+\href{https://www.manuscripts.ru/}{the Manuscript Project}. It was
 re-encoded for Unicode by Aleksandr Andreev with permission of the original author.
 
-\newfontfamily{\glyphfont}{Menaion Unicode}
-
-\subsection{Sample Texts}
+\newfontfamily{\menaion}[HyphenChar="200B]{Menaion Unicode}
 
 Samples of text in Menaion Unicode are presented in Figures~\ref{men1}
 and \ref{men2}. Please note that combining Glagolitic letters
-(Glagolitic Supplement)
-will become available in Unicode 9.0. In Microsoft products, correct
-glyph positioning for these characters using OpenType features is
-currently not possible. To achieve the desired output, you will need
-to use LibreOffice, \XeTeX{}, \LuaTeX{}, or advanced desktop
+(Glagolitic Supplement) became available in Unicode 9.0. In older versions 
+of Microsoft software, correct glyph positioning for these characters
+using OpenType features may not be possible. To achieve the desired output,
+we recommend you use LibreOffice, \XeTeX{}, \LuaTeX{}, or advanced desktop
 publishing software such as Adobe InDesign.
 
 \begin{figure}[htbp]
 \centering
-\caption{Cyrillic text from the Ostromir Gospels (11th century) \label{men1}}
+\caption{Cyrillic text from the Ostromir Gospel (11\textsuperscript{th} century) \label{men1}}
 \begin{tabular}{lr}
- 1& {\Large \glyphfont    Искони бѣ слово } \\
- 2& {\Large \glyphfont    и слово бѣ отъ  } \\
- 3& {\Large \glyphfont   б҃а и б҃ъ бѣ} \\ 
- 4& {\Large \glyphfont    слово  𝀏̃  се бѣ} \\ 
- 5& {\Large \glyphfont    искони оу} \\ 
- 6& {\Large \glyphfont    б҃а  ⁘  и тѣмь в̇са бꙑ-} \\ 
- 7& {\Large \glyphfont    шѧ  𝀏̃  и беꙁ него ни-} \\ 
- 8& {\Large \glyphfont    чьтоже не бꙑсть  ·} \\ 
- 9& {\Large \glyphfont   ѥже бꙑсть  𝀏̃  въ то-} \\ 
-10& {\Large \glyphfont    мь животъ бѣ  ·  и} \\ 
- 1& {\Large \glyphfont    животъ бѣ свѣтъ} \\ 
- 2& {\Large \glyphfont    чловѣкомъ  𝀏̃  и свѣ-} \\ 
- 3& {\Large \glyphfont    тъ въ тьмѣ свьти-} \\ 
- 4& {\Large \glyphfont    тьсѧ  ·  и тьма ѥго} \\ 
- 5& {\Large \glyphfont    не обѧтъ  𝀏̃  бꙑсть} \\ 
- 6& {\Large \glyphfont    члв҃къ посъланъ} \\ 
- 7& {\Large \glyphfont    отъ б҃а  ·  имѧ ѥмоу} \\ 
- 8& {\Large \glyphfont    иоанъ  𝀏̃  тъ приде} \\ 
- 9& {\Large \glyphfont    въ съвѣдѣтель-} \\ 
-10& {\Large \glyphfont    ство  ·  да съвѣдѣте-} \\ 
-2.2  1& {\Large \glyphfont    льствоуѥть о свѣ-} \\ 
- 2& {\Large \glyphfont    тѣ  𝀏̃  да вьси вѣрѫ} \\ 
- 3& {\Large \glyphfont    имѫть имь  ⁘  не бѣ} \\ 
- 4& {\Large \glyphfont    тъ свѣтъ  ⁘  нъ да} \\ 
- 5& {\Large \glyphfont    съвѣдѣтельствоу-} \\ 
- 6& {\Large \glyphfont    ѥть о свѣтѣ  𝀏̃̑ бѣ} \\ 
- 7& {\Large \glyphfont    свѣтъ истиньнꙑ-} \\ 
- 8& {\Large \glyphfont    и  ·  иже просвѣщаѥ-} \\ 
- 9& {\Large \glyphfont    ть в́сꙗкого чл҃ка  ⸴} \\ 
-10& {\Large \glyphfont   грѧдѫща въ миръ  𝀏̃̑} \\ 
+ 1& {\Large \menaion    Искони бѣ слово } \\
+ 2& {\Large \menaion    и слово бѣ отъ  } \\
+ 3& {\Large \menaion   б҃а и б҃ъ бѣ} \\ 
+ 4& {\Large \menaion    слово  𝀏̃  се бѣ} \\ 
+ 5& {\Large \menaion    искони оу} \\ 
+ 6& {\Large \menaion    б҃а  ⁘  и тѣмь в̇са бꙑ} \\ 
+ 7& {\Large \menaion    шѧ  𝀏̃  и беꙁ него ни} \\ 
+ 8& {\Large \menaion    чьтоже не бꙑсть  ·} \\ 
+ 9& {\Large \menaion   ѥже бꙑсть  𝀏̃  въ то} \\ 
+10& {\Large \menaion    мь животъ бѣ  ·  и} \\ 
+ 1& {\Large \menaion    животъ бѣ свѣтъ} \\ 
+ 2& {\Large \menaion    чловѣкомъ  𝀏̃  и свѣ} \\ 
+ 3& {\Large \menaion    тъ въ тьмѣ свьти} \\ 
+ 4& {\Large \menaion    тьсѧ  ·  и тьма ѥго} \\ 
+ 5& {\Large \menaion    не обѧтъ  𝀏̃  бꙑсть} \\ 
+ 6& {\Large \menaion    члв҃къ посъланъ} \\ 
+ 7& {\Large \menaion    отъ б҃а  ·  имѧ ѥмоу} \\ 
+ 8& {\Large \menaion    иоанъ  𝀏̃  тъ приде} \\ 
+ 9& {\Large \menaion    въ съвѣдѣтель} \\ 
+10& {\Large \menaion    ство  ·  да съвѣдѣте} \\ 
+2.2  1& {\Large \menaion    льствоуѥть о свѣ} \\ 
+ 2& {\Large \menaion    тѣ  𝀏̃  да вьси вѣрѫ} \\ 
+ 3& {\Large \menaion    имѫть имь  ⁘  не бѣ} \\ 
+ 4& {\Large \menaion    тъ свѣтъ  ⁘  нъ да} \\ 
+ 5& {\Large \menaion    съвѣдѣтельствоу} \\ 
+ 6& {\Large \menaion    ѥть о свѣтѣ  𝀏̃̑ бѣ} \\ 
+ 7& {\Large \menaion    свѣтъ истиньнꙑ} \\ 
+ 8& {\Large \menaion    и  ·  иже просвѣщаѥ} \\ 
+ 9& {\Large \menaion    ть в́сꙗкого чл҃ка  ⸴} \\ 
+10& {\Large \menaion   грѧдѫща въ миръ  𝀏̃̑} \\ 
 \end{tabular}
 \end{figure}
 
 \begin{figure}[htbp]
 \centering
-\caption{Glagolitic text from Codex Assemanius (11th century) \label{men2}}
+\caption{Glagolitic text from \emph{Codex Assemanius} (11\textsuperscript{th} century) \label{men2}}
 \begin{tabular}{lr}
-1 & {\Large \glyphfont   ⁘ ⰅⰂⰀ𞀌҇   ⰙⰕ҇   ⰋⰉ҇Ⱁ } \\
- 2 & {\Large \glyphfont  Ⰻⱄⰽⱁⱀⰹ ⰱⱑ } \\
- 3 & {\Large \glyphfont       ⱄⰾⱁⰲⱁ  · } \\
- 4 & {\Large \glyphfont      ⰻ ⱄⰾⱁⰲⱁ } \\
- 5 & {\Large \glyphfont       ⰱⱑ ⱋ̔ ⰱⰰ  · } \\
- 6 & {\Large \glyphfont      ⰻ ⰱ͞ⱏ ⰱⱑ } \\
- 7 & {\Large \glyphfont      ⱄⰾⱁⰲⱁ  · } \\
- 8 & {\Large \glyphfont   Ⱄⰵ ⰱⱑ ⰻ̔ⱄⰽⱁ- } \\
- 9 & {\Large \glyphfont     ⱀⰻ  ·  ⱋ̔ ⰱ꙯ⰰ  ·  ⰲⱐ- } \\
-10 & {\Large \glyphfont     ⱄⱑ ⱅⱑⰿⱏ ⰱⱏⰻ- } \\
-11 & {\Large \glyphfont     ⱎⱔ  ·  Ⰻ̔ ⰱⰵⰶ ⱀⰵⰳⱁ } \\
-12 & {\Large \glyphfont     ⱀⰹⱍⰵⱄⱁⰶⰵ } \\
-13 & {\Large \glyphfont     ⱀⰵ ⰱⱏⰻⱄⱅⱏ  ·  ⰵ̔- } \\
-14 & {\Large \glyphfont     ⰶⰵ ⰱⱏⱄⱅⱏ  · } \\
-15 & {\Large \glyphfont    Ⰲⱏ ⱅⱁⰿⱏ ⰶⰹⰲⱁ- } \\
-16 & {\Large \glyphfont     ⱅⱏ ⰱⱑ  ·  ⰻ ⰶⰹⰲⱁ- } \\
-17 & {\Large \glyphfont     ⱅⱏ ⰱⱑ ⱄⰲⱑⱅⱏ } \\
-18 & {\Large \glyphfont     ⱍⰾ҃ⰽⰿⱏ  ·  ⰻ̔ ⱄⰲⱁⱑ } \\
-19 & {\Large \glyphfont     ⰲⱏ ⱅⱐⰿⱑ ⱄⰲⱏ- } \\
-20 & {\Large \glyphfont     ⱅⰹⱅⱏ ⱄⱔ  ·  ⰻ ⱅⱐ- } \\
-21 & {\Large \glyphfont     ⰿⰰ ⰵ̔ⰳⱁ ⱀⰵ ⱁ̔ⰱⱔⱅ } \\
+1 & {\Large \menaion   ⁘ ⰅⰂⰀ𞀌҇   ⰙⰕ҇   ⰋⰉ҇Ⱁ } \\
+ 2 & {\Large \menaion  Ⰻⱄⰽⱁⱀⰹ ⰱⱑ } \\
+ 3 & {\Large \menaion       ⱄⰾⱁⰲⱁ  · } \\
+ 4 & {\Large \menaion      ⰻ ⱄⰾⱁⰲⱁ } \\
+ 5 & {\Large \menaion       ⰱⱑ ⱋ̔ ⰱⰰ  · } \\
+ 6 & {\Large \menaion      ⰻ ⰱ͞ⱏ ⰱⱑ } \\
+ 7 & {\Large \menaion      ⱄⰾⱁⰲⱁ  · } \\
+ 8 & {\Large \menaion   Ⱄⰵ ⰱⱑ ⰻ̔ⱄⰽⱁ} \\
+ 9 & {\Large \menaion     ⱀⰻ  ·  ⱋ̔ ⰱ꙯ⰰ  ·  ⰲⱐ} \\
+10 & {\Large \menaion     ⱄⱑ ⱅⱑⰿⱏ ⰱⱏⰻ} \\
+11 & {\Large \menaion     ⱎⱔ  ·  Ⰻ̔ ⰱⰵⰶ ⱀⰵⰳⱁ } \\
+12 & {\Large \menaion     ⱀⰹⱍⰵⱄⱁⰶⰵ } \\
+13 & {\Large \menaion     ⱀⰵ ⰱⱏⰻⱄⱅⱏ  ·  ⰵ̔} \\
+14 & {\Large \menaion     ⰶⰵ ⰱⱏⱄⱅⱏ  · } \\
+15 & {\Large \menaion    Ⰲⱏ ⱅⱁⰿⱏ ⰶⰹⰲⱁ} \\
+16 & {\Large \menaion     ⱅⱏ ⰱⱑ  ·  ⰻ ⰶⰹⰲⱁ} \\
+17 & {\Large \menaion     ⱅⱏ ⰱⱑ ⱄⰲⱑⱅⱏ } \\
+18 & {\Large \menaion     ⱍⰾ҃ⰽⰿⱏ  ·  ⰻ̔ ⱄⰲⱁⱑ } \\
+19 & {\Large \menaion     ⰲⱏ ⱅⱐⰿⱑ ⱄⰲⱏ} \\
+20 & {\Large \menaion     ⱅⰹⱅⱏ ⱄⱔ  ·  ⰻ ⱅⱐ} \\
+21 & {\Large \menaion     ⰿⰰ ⰵ̔ⰳⱁ ⱀⰵ ⱁ̔ⰱⱔⱅ } \\
 \end{tabular}
 \end{figure}
 
-\subsection{Provided Ligatures}
+\subsubsection{Advanced Features of the Font}
 
 The font provides a number of ligatures, which are made
 by inserting the Zero Width Joiner (U+200D) between two
 characters. The list of ligatures is provided in Table~\ref{menligs}.
-The ligatures may be processed using either OpenType or
-SIL Graphite.
-
-\newfontfamily{\graph}[Renderer=Graphite]{Menaion Unicode TT}
 
 \begin{table}[htbp]
 \centering
@@ -1052,166 +857,101 @@ SIL Graphite.
 \begin{tabular}{lcc}
 Name	& Sequence	& Appearance \\
 \hline
-Small Ligature I-Ye &	U+0438 U+200D U+0435 	& {\glyphfont{\large и‍е }} \\
-Small Ligature En-I	&	U+043d U+200D U+0438 	& {\graph{\large н‍и }} \\
-Small Ligature En-Small Yus	& U+043d U+200D U+0467 	& {\glyphfont{\large н‍ѧ }} \\
-Small Ligature Es-Ve	&	U+0441 U+200D U+0432 	& {\glyphfont{\large с‍в }} \\
-Small Ligature Te-Er	&	U+0442 U+200D U+0440 	& {\glyphfont{\large т‍р }} \\
-Capital Litagure A-U	& 	U+0410 U+200D U+0423 	& {\glyphfont{\large А‍У }} \\
-Small Ligature A-U	&	U+0430 U+200D U+0443 	& {\glyphfont{\large а‍у }} \\
-Small Ligature A-Te		&	U+0430 U+200D U+0442 	& {\glyphfont{\large а‍т }} \\
-Capital Ligature I-Ye	&	U+0418 U+200D U+0415 	& {\glyphfont{\large И‍Е }} \\
-Capital Ligature El-Ge		&	U+041b U+200D U+0413 	& {\glyphfont{\large Л‍Г }} \\
-Small Ligature El-Ge		&	U+043b U+200D U+0433 	& {\glyphfont{\large л‍г }} \\
-Capital Ligature En-I	&	U+041d U+200D U+0418 	& {\glyphfont{\large Н‍И }} \\
-Capital Ligature En-Small Yus	&	U+041d U+200D U+0466 	& {\graph{\large Н‍Ѧ }} \\
-Capital Ligature Es-Ve		&	U+0421 U+200D U+0412 	& {\glyphfont{\large С‍В }} \\
-Small Ligature Te-Yat		&	U+0442 U+200D U+0463 	& {\glyphfont{\large т‍ѣ }} \\
-Capital Ligature Te-Ve	&	U+0422 U+200D U+0412	& {\glyphfont{\large Т‍В }} \\
-Small Ligature Te-Ve		&	U+0442 U+200D U+0432	& {\glyphfont{\large т‍в }} \\
-Capital Ligature Te-I		&	U+0422 U+200D U+0418 	& {\glyphfont{\large Т‍И }} \\
-Small Ligature Te-I		&	U+0442 U+200D U+0438 	& {\glyphfont{\large т‍и }} \\
-Capital Ligature Te-Er		&	U+0422 U+200D U+0420 	& {\glyphfont{\large Т‍Р }} \\
-Ligature Capital A-Small Te	&	U+0410 U+200D U+0442 	& {\glyphfont{\large А‍т }} \\
-Capital Ligature Te-Soft Sign	&	U+0422 U+200D U+042c 	& {\glyphfont{\large Т‍Ь }} \\
-Small Ligature Te-Soft Sign	&	U+0442 U+200D U+044c 	& ‍{\graph{\large т‍ь }} \\
-Small Ligature Te-A		&	U+0442 U+200D U+0430 	& {\glyphfont{\large т‍а }} \\
+Small Ligature I-Ye &	U+0438 U+200D U+0435 	& {\menaion{\large и‍е }} \\
+Small Ligature En-I	&	U+043d U+200D U+0438 	& {\menaion{\large н‍и }} \\
+Small Ligature En-Small Yus	& U+043d U+200D U+0467 	& {\menaion{\large н‍ѧ }} \\
+Small Ligature Es-Ve	&	U+0441 U+200D U+0432 	& {\menaion{\large с‍в }} \\
+Small Ligature Te-Er	&	U+0442 U+200D U+0440 	& {\menaion{\large т‍р }} \\
+Capital Litagure A-U	& 	U+0410 U+200D U+0423 	& {\menaion{\large А‍У }} \\
+Small Ligature A-U	&	U+0430 U+200D U+0443 	& {\menaion{\large а‍у }} \\
+Small Ligature A-Te		&	U+0430 U+200D U+0442 	& {\menaion{\large а‍т }} \\
+Capital Ligature I-Ye	&	U+0418 U+200D U+0415 	& {\menaion{\large И‍Е }} \\
+Capital Ligature El-Ge		&	U+041b U+200D U+0413 	& {\menaion{\large Л‍Г }} \\
+Small Ligature El-Ge		&	U+043b U+200D U+0433 	& {\menaion{\large л‍г }} \\
+Capital Ligature En-I	&	U+041d U+200D U+0418 	& {\menaion{\large Н‍И }} \\
+Capital Ligature En-Small Yus	&	U+041d U+200D U+0466 	& {\menaion{\large Н‍Ѧ }} \\
+Capital Ligature Es-Ve		&	U+0421 U+200D U+0412 	& {\menaion{\large С‍В }} \\
+Small Ligature Te-Yat		&	U+0442 U+200D U+0463 	& {\menaion{\large т‍ѣ }} \\
+Capital Ligature Te-Ve	&	U+0422 U+200D U+0412	& {\menaion{\large Т‍В }} \\
+Small Ligature Te-Ve		&	U+0442 U+200D U+0432	& {\menaion{\large т‍в }} \\
+Capital Ligature Te-I		&	U+0422 U+200D U+0418 	& {\menaion{\large Т‍И }} \\
+Small Ligature Te-I		&	U+0442 U+200D U+0438 	& {\menaion{\large т‍и }} \\
+Capital Ligature Te-Er		&	U+0422 U+200D U+0420 	& {\menaion{\large Т‍Р }} \\
+Ligature Capital A-Small Te	&	U+0410 U+200D U+0442 	& {\menaion{\large А‍т }} \\
+Capital Ligature Te-Soft Sign	&	U+0422 U+200D U+042c 	& {\menaion{\large Т‍Ь }} \\
+Small Ligature Te-Soft Sign	&	U+0442 U+200D U+044C 	& ‍{\menaion{\large т‍ь }} \\
+Small Ligature Te-A		&	U+0442 U+200D U+0430 	& {\menaion{\large т‍а }} \\
 \hline
 \end{tabular}
 \end{table}
 
-\section{Pomorsky Unicode}
-
-The Pomorsky Unicode font is a close (idealized)
-reproduction of the decorative calligraphic style of book and chapter titles,
-which was most likely developed in the 1700's by the scribes of the Old Ritualist
-Vyg River Hermitage (Выговская пустынь). 
-It is seen extensively in the chant manuscripts, liturgical manuscripts,
-hagiographic and polemical works of the Pomortsy and Fedoseyevtsy communities,
-and is a traditional and ``organic'' style of lettering lacking any obvious influence
-from western European and Latin typography.
-The Pomorsky typeface was originally designed by Nikita Simmons.
-It was edited and re-encoded for Unicode by Aleksandr Andreev.
-It is intended for use with
-\emph{bukvitsi} (drop caps) and decorative titling.
-
-Several versions of many glyphs are provided in the font.
-The ornate forms of the letters are default and provided at the uppercase
-Cyrillic codepoints; they should be used as much as possible.
-Simpler forms can be used whenever the letters need a less ornate appearance,
-or when diacritics might conflict with the ornamentation
-(or when the ornamentation of one character will conflict with
-the ornamentation of another); these simple forms are available as
-\verb+Stylistic Set 1+ or as the Graphite feature ``Use simple forms''
-(\verb+smpl+). There are a few additional characters that are stylistic
-variants, which are provided as Stylistic Alternatives (\verb+salt+)
-or as the Graphite feature ``Alternates'' (\verb+salt+).
-Since the font is intended for drop caps and titling, lowercase
-characters are not available.
-
-\newfontfamily{\glyphfont}{Pomorsky Unicode}
-\newfontfamily{\simple}[StylisticSet=1]{Pomorsky Unicode}
-\newfontfamily{\salt}[Alternate=0]{Pomorsky Unicode}
-\newfontfamily{\salta}[Alternate=1]{Pomorsky Unicode}
-
-The base form, the ``simple'' form, and any stylistic alternatives of 
-a character are demonstrated in Table~\ref{pomor}.
-
-\begin{table}[htbp]
-\centering
-\caption{Character shapes provided by Pomorsky Unicode \label{pomor}}
-{\fontsize{38pt}{1.5em}
-\begin{tabular}{cccc}
-	{\glyphfont А}{\simple А}{\salt А}	& {\glyphfont Б}{\simple Б} & {\glyphfont В}{\simple В} & {\glyphfont Г}{\simple Г} \\
-
-	{\glyphfont Е}{\simple Е}	& {\glyphfont Ж}{\simple Ж} & {\glyphfont Ѕ}{\simple Ѕ} & {\glyphfont З}{\simple З} \\
-	
-	{\glyphfont И}{\simple И}	& {\glyphfont Й}{\simple Й} & {\glyphfont І}{\simple І} & {\glyphfont Ї}{\simple Ї} \\
-
-	{\glyphfont К}{\simple К}{\salt К}{\salta К}	& {\glyphfont Л}{\simple Л} & {\glyphfont М}{\simple М} & {\glyphfont Н}{\simple Н} \\
+\section{Fonts for Academic Work}
 
-	{\glyphfont О}{\simple О}	& {\glyphfont Ѻ}{\simple Ѻ} & {\glyphfont П}{\simple П} & {\glyphfont Р}{\simple Р}{\salt Р}{\salta Р} \\
-
-	{\glyphfont С}{\simple С}	& {\glyphfont Т}{\simple Т} & {\glyphfont ОУ}{\simple ОУ} & {\glyphfont Ꙋ}{\simple Ꙋ} \\
-
-	{\glyphfont Ф}{\simple Ф}	& {\glyphfont Х}{\simple Х} & {\glyphfont Ѡ}{\simple Ѡ} & {\glyphfont Ѽ}{\simple Ѽ} \\
-
-	{\glyphfont Ѿ}{\simple Ѿ}	& {\glyphfont Ц}{\simple Ц} & {\glyphfont Ч}{\simple Ч} & {\glyphfont Ш}{\simple Ш} \\
-
-	{\glyphfont Щ}{\simple Щ}	& {\glyphfont Ъ}{\simple Ъ} & {\glyphfont Ы}{\simple Ы} & {\glyphfont Ь}{\simple Ь} \\
-
-	{\glyphfont Ѣ}{\simple Ѣ}	& {\glyphfont Ю}{\simple Ю} & {\glyphfont Ꙗ}{\simple Ꙗ}{\salt Ꙗ} & {\glyphfont Ѧ}{\simple Ѧ} \\
-
-	{\glyphfont Ѯ}{\simple Ѯ}	& {\glyphfont Ѱ}{\simple Ѱ} & {\glyphfont Ѳ}{\simple Ѳ} & {\glyphfont Ѵ}{\simple Ѵ} \\
-\end{tabular}
-}
-\end{table}
-
-\subsection{Sample Texts}
-
-\begin{center}
-\begin{tabular}{c}
-{\fontsize{48pt}{2em} \glyphfont ЧИ́НЪ ВЕЧЕ́РНИ.} \\
-{\fontsize{48pt}{2em} \simple ЧИ́НЪ ВЕЧЕ́РНИ.} \\
-{\fontsize{48pt}{2em} \glyphfont СѶНѠ́ДИКЪ.} \\
-{\fontsize{48pt}{2em} \simple СѶНѠ́ДИКЪ.} \\
-\end{tabular}
-\end{center}
-
-\section{Monomakh Unicode}
+\subsection{Monomakh Unicode}
 
 Monomakh Unicode is based on the Monomachus font designed by 
 Alexey Kryukov. It has been modified with permission.
 Monomakh Unicode is a Cyrillic font implemented in a mixed ustav/poluustav
 style and intended to cover needs of researches dealing with Slavic
 history and philology. It includes all historical Cyrillic characters
-currently defined in Unicode font also includes a set of Latin letters designed to be
+currently defined in Unicode, as well as a set of Latin letters designed to be
 stylistically compatible with the Cyrillic part. This may be useful for
 typesetting bilingual editions in Church Slavonic and languages
 written in the Latin script, especially those that use many diacritical marks,
 as in the Romanian example below.
 
-\newfontfamily{\glyphfont}
-      [Renderer=Graphite, RawFeature=
-          {Localized Forms for Romanian=Required Localized Forms}]
-{Monomakh Unicode TT}
-
-\subsection{Sample Bilingual Text}
+\newfontfamily{\monomakh}{Monomakh Unicode}
 
 \begin{tabular}{p{2.25in}p{0.02in}p{2.25in}}
 \begin{churchslavonic}
-{\glyphfont Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ.}
+{\monomakh Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ.}
 \end{churchslavonic}
 & &
 \begin{romanian}
-{\glyphfont Fericit bărbatul, care n-a umblat în sfatul necredincioșilor și în calea păcătoșilor nu a stat și pe scaunul hulitorilor n-a șezut; ci în legea Domnului e voia lui și la legea Lui va cugeta ziua și noaptea. și va fi ca un pom răsădit lângă izvoarele apelor, care rodul său va da la vremea sa.}
+{\monomakh Fericit bărbatul, care n-a umblat în sfatul necredincioșilor și în calea păcătoșilor nu a stat și pe scaunul hulitorilor n-a șezut; ci în legea Domnului e voia lui și la legea Lui va cugeta ziua și noaptea. și va fi ca un pom răsădit lângă izvoarele apelor, care rodul său va da la vremea sa.}
 \end{romanian}
 \end{tabular}
 
-\subsection{OpenType and SIL Graphite features}
+\subsubsection{Advanced Features of the Font}
 
-The Monomakh font offers a number of optional OpenType features that may be turned on or off by the user, coupled with analagous features in SIL Graphite. These are:
+The Monomakh font offers a number of optional OpenType features that may be turned on or off by the user. These are:
 
 \begin{itemize}
-\item Stylistic Set 6 (\emph{ss06}) displays U+0456 Cyrillic Small Letter Ukrainian / Belorussian I with one dot above and Stylistic Set 7 (\emph{ss07}) displays the same character with two dots above. By default, U+0456 is displayed with no dots. The Graphite analog is provided by the feature Cyrillic Decimal I (\emph{deci}), which takes values 0 (default), 1 or 2, for the number of dots on U+0456.
-\item Stylistic Set 8 (\emph{ss08}) displays the characters U+0417 Cyrillic Capital Letter Ze and U+0437 Cyrillic Small Letter Ze as a ``sharp zemlya'', i.e., like the characters U+A640 Cyrillic Capital Letter Zemlya and U+A641 Cyrillic Small Letter Zemlya, respectively. In Graphite the same functionality is provided by the feature Cyrillic Zemlya (\emph{zeml}), which takes values \emph{Round} (0) and \emph{Sharp} (1). Generally, this change should be handled at the codepoint level, so the use of this feature is discouraged.
-\item Stylistic Set 9 (\emph{ss09}) displays the characters U+0427 Cyrillic Capital Letter Che and U+0447 Cyrillic Small Letter Che in their archaic form, with the descender in the middle (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=9] ч} instead of {\glyphfont ч}). The same functionality is provided by the Graphite feature Cyrillic Cherv (\emph{chrv}), which takes values \emph{Modern (Single Sided)} (0) and \emph{Old (Double Sided)} (1).
-\item Stylistic Set 10 (\emph{ss10}) displays the characters U+0429 Cyrillic Capital Letter Shcha and U+0449 Cyrillic Small Letter Shcha in their modern form, with the descender on the right (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=10] щ} instead of {\glyphfont щ}). The same functionality is provided by the Graphite feature Cyrillic Shcha (\emph{shch}), which takes values \emph{Modern (Descender Right)} (0) and \emph{Old (Descender Centered)} (1).
-\item Stylistic Set 11 (\emph{ss11}) displays the characters U+044B Cyrillic Small Letter Yeru and U+A651 Cyrillic Small Letter Yeru with Back Yer with the two glyphs connected (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=11] ы} instead of {\glyphfont ы}). The same functionality is provided by the Graphite feature Cyrillic Yery (\emph{yery}), which takes on values \emph{Without a Connecting Line} (0) and \emph{With a Connecting Line} (1).
-\item Stylistic Set 13 (\emph{ss13}) displays the character U+0463 Cyrillic Small Letter Yat with the left stem extended to the baseline (e.g., as {\fontspec{Monomakh Unicode}[StylisticSet=13] ѣ}). The same functionality is provided by the Graphite feature Cyrillic Yat (\emph{cyat}), which takes values \emph{With a Back Beak} (0) and \emph{With an Additional Vertical Stem} (1). Please note that this is not the same as U+A653 Cyrillic Small Letter Iotified Yat.
+\item Stylistic Set 1 (\emph{ss01}) is provided as a temporary workaround to
+\href{https://bugs.documentfoundation.org/show_bug.cgi?id=85731}
+{LibreOffice Bug 85731}, which does not allow you to specify
+the hyphenation character in LibreOffice. When turned on, it
+replaces all instances of U+002D Hyphen-Minus and U+2010 Hyphen
+with U+005F Low Line (underscore) for use as a hyphenation
+character. Please note that this
+feature will be deprecated once the necessary functionality is 
+added to LibreOffice.
+\item Stylistic Set 6 (\emph{ss06}) displays U+0456 Cyrillic Small Letter Ukrainian / Belorussian I with one dot above and Stylistic Set 7 (\emph{ss07}) displays the same character with two dots above. By default, U+0456 is displayed with no dots.
+\item Stylistic Set 8 (\emph{ss08}) displays the characters U+0417 Cyrillic Capital Letter Ze and U+0437 Cyrillic Small Letter Ze as a ``sharp zemlya'', i.e., like the characters U+A640 Cyrillic Capital Letter Zemlya and U+A641 Cyrillic Small Letter Zemlya, respectively. Generally, this change should be handled at the codepoint level, so the use of this feature is discouraged.
+\item Stylistic Set 9 (\emph{ss09}) displays the characters U+0427 Cyrillic Capital Letter Che and U+0447 Cyrillic Small Letter Che in their archaic form, with the descender in the middle (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=9] ч} instead of {\monomakh ч}).
+\item Stylistic Set 10 (\emph{ss10}) displays the characters U+0429 Cyrillic Capital Letter Shcha and U+0449 Cyrillic Small Letter Shcha in their modern form, with the descender on the right (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=10] щ} instead of {\monomakh щ}).
+\item Stylistic Set 11 (\emph{ss11}) displays the characters U+044B Cyrillic Small Letter Yeru and U+A651 Cyrillic Small Letter Yeru with Back Yer with the two glyphs connected (e.g., {\fontspec{Monomakh Unicode}[StylisticSet=11] ы} instead of {\monomakh ы}).
+\item Stylistic Set 13 (\emph{ss13}) displays the character U+0463 Cyrillic Small Letter Yat with the left stem extended to the baseline (e.g., as {\fontspec{Monomakh Unicode}[StylisticSet=13] ѣ}). Please note that this is not the same as U+A653 Cyrillic Small Letter Iotified Yat.
 \item The same functionality of these Stylistic Sets is provided in OpenType also by the Stylistic Alternatives (\emph{salt}) feature.
-\item Previous versions of the font provided Stylistic Set 1 (\emph{ss01}), duplicated as Graphite feature Localized Forms for Romanian (\emph{rold}), which displayed U+015E Latin Capital Letter S with Cedilla, U+0162 Latin Capital Letter T with Cedilla, and their lowercase analogs, as U+0218 Latin Capital Letter S with Comma Below, U+021A Latin Capital Letter T with Comma Below, and their lowercase analogs. However, since the use of U+015E, U+0162 and their lowercase analogs for the encoding of Romanian text is considered erroneous, this feature is deprecated. Users are strongly encouraged to convert their text at the codepoint level to use the correct characters for Romanian orthography. However, for the sake of compatibility with text that has been erroneously encoded, this feature is still available.
-\item Stylistic Set 15 (\emph{ss15}), which provides combining Cyrillic letters with an automatic \emph{pokrytie} where warranted by Synodal orthography is also deprecated and may be removed. Users should explicitly encode the \emph{pokrytie} as U+0487 Combining Cyrillic Pokrytie. See  \href{http://www.unicode.org/notes/tn41/}
+\item[\XeTeXpicfile "deprecated.png" width 4mm] Previous versions of the font provided Stylistic Set 1 (\emph{ss01}), which displayed U+015E Latin Capital Letter S with Cedilla, U+0162 Latin Capital Letter T with Cedilla, and their lowercase analogs, as U+0218 Latin Capital Letter S with Comma Below, U+021A Latin Capital Letter T with Comma Below, and their lowercase analogs. However, since the use of U+015E, U+0162 and their lowercase analogs for the encoding of Romanian text is considered erroneous, this feature is deprecated. Users are strongly encouraged to convert their text at the codepoint level to use the correct characters for Romanian orthography. However, for the sake of compatibility with text that has been erroneously encoded, this feature is still available.
+\item[\XeTeXpicfile "deprecated.png" width 4mm]  Stylistic Set 15 (\emph{ss15}), which provides combining Cyrillic letters with an automatic \emph{pokrytie} where warranted by Synodal orthography is also deprecated and may be removed. Users should explicitly encode the \emph{pokrytie} as U+0487 Combining Cyrillic Pokrytie. See  \href{https://www.unicode.org/notes/tn41/}
 {UTN 41: Church Slavonic Typography in Unicode} for more information.
 \end{itemize}
 
-Two additional features are available in SIL Graphite only:
+Two additional features were available in SIL Graphite only; however support for SIL Graphite has been discontinued. If you need these features, see the \href{https://github.com/slavonic/fonts-cu-legacy/}{Legacy Fonts package}:
 \begin{itemize}
-\item The Graphite feature Convert Arabic Digits to Church Slavonic (\emph{cnum}), when turned on, will automatically display Western Digits (``Arabic numerals'') as Cyrillic numerals. This is helpful, for example, for page numbering in software that does not support Cyrillic numerals.
-\item The Graphite feature Convert HIP-6B Keystrokes to Church Slavonic Characters (\emph{hipb}), when turned on, will display text encoded in the legacy HIP codepage as Church Slavonic. The use of this feature is discouraged and users are encouraged instead to convert HIP-encoded text to Unicode.
+\item[\XeTeXpicfile "deprecated.png" width 4mm] The Graphite feature Convert Arabic Digits to Church Slavonic (\emph{cnum}), when turned on, will automatically display Western Digits (``Arabic numerals'') as Cyrillic numerals. This is helpful, for example, for page numbering in software that does not support Cyrillic numerals.
+\item[\XeTeXpicfile "deprecated.png" width 4mm] The Graphite feature Convert HIP-6B Keystrokes to Church Slavonic Characters (\emph{hipb}), when turned on, will display text encoded in the legacy HIP codepage as Church Slavonic. The use of this feature is discouraged and users are encouraged instead to convert HIP-encoded text to Unicode.
 \end{itemize}
 
-\section{Indiction Unicode}
+\subsection{Shafarik}
+
+The Shafarik font is a specialized font intended for an academic presentation of Old Church Slavonic (OCS) texts written in both the Cyrillic or Glagolitic alphabets.
+The documentation for the font is provided in a \href{https://www.ponomar.net/files/documentation_3.5.pdf}{separate file}.
+
+\section{Decorative Fonts}
+
+\subsection{Indiction Unicode}
 
 The Indiction Unicode font reproduces the decorative style of drop caps
 used in Synodal Slavonic editions since the late 1800's.
@@ -1222,69 +962,136 @@ The font was reencoded for Unicode and edited by Aleksandr Andreev, and is now
 distributed as Indiction Unicode under the SIL Open Font License.
 It is intended for use with
 \emph{bukvitsi} (drop caps) in modern Church Slavonic editions.
-The character shapes are demonstrated in Table~\ref{indict}.
+
+\begin{churchslavonic}
+\cuLettrine Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ, и҆ ли́стъ є҆гѡ̀ не ѿпаде́тъ: и҆ всѧ̑, є҆ли̑ка а҆́ще твори́тъ, ᲂу҆спѣ́етъ.
+\par
+\end{churchslavonic}
+
+\subsection{Vertograd Unicode}
+
+Vertograd Unicode (based on Vertograd UCS by Vlad Dorosh) is another font for decorative dropcaps and titling. The typeface was commonly used in pre-revolution Russian liturgical editions. Note that some letters that are typically not encountered in capital form are not available. Please file an issue if you need a letter that is not available.
+
+\renewcommand{\LettrineFontHook}{\vertograd \cuKinovarColor}
+\begin{churchslavonic}
+\cuLettrine Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ, и҆ ли́стъ є҆гѡ̀ не ѿпаде́тъ: и҆ всѧ̑, є҆ли̑ка а҆́ще твори́тъ, ᲂу҆спѣ́етъ.
+\par
+\end{churchslavonic}
+
+\subsection{Cathisma Unicode}
+
+Cathisma Unicode is based on Kathisma UCS, designed by Vlad Dorosh. The typeface is used for titling in many 18\textsuperscript{th}--20\textsuperscript{th} century liturgical editions.
+
+\newfontfamily{\cathisma}{Cathisma Unicode}
+\begin{center}
+\begin{tabular}{c}
+{\fontsize{42pt}{2em} \cathisma ЧИ́НЪ ОУ҆́ТРЕНИ ВСЕНО́ЩНАГѠ БДѢ́НЇѦ} \\
+\end{tabular}
+\end{center}
+
+\subsection{Oglavie Unicode}
+
+Oglavie Unicode is based on Oglavie UCS, designed by Vlad Dorosh. The typeface is also used for decorative titling in 18\textsuperscript{th}--20\textsuperscript{th} century liturgical editions.
+
+\newfontfamily{\oglavie}{Oglavie Unicode}
+\begin{center}
+\begin{tabular}{c}
+{\fontsize{42pt}{2em} \oglavie ТРЇѠ́ДЬ НО́ТНАГѠ ПѢ́НЇѦ} \\
+\end{tabular}
+\end{center}
+
+\subsection{Pomorsky Unicode}
+
+The Pomorsky Unicode font is a close
+reproduction of the decorative calligraphic style of book and chapter titles,
+which was most likely developed in the 1700's by the scribes of the Old Ritualist
+Vyg River Hermitage (Выговская пустынь). 
+It is seen extensively in the chant manuscripts, liturgical manuscripts,
+hagiographic and polemical works of the Pomortsy and Fedoseyevtsy communities,
+and is a traditional and ``organic'' style of lettering lacking any obvious influence
+from Western European typography.
+The Pomorsky typeface was originally designed by Nikita Simmons.
+It is intended for use with
+\emph{bukvitsi} (drop caps) and decorative titling.
+
+\newfontfamily{\pomorsky}{Pomorsky Unicode}
+\newfontfamily{\simple}[StylisticSet=1]{Pomorsky Unicode}
+\newfontfamily{\pomorskysalt}[Alternate=0]{Pomorsky Unicode}
+\newfontfamily{\pomorskysalta}[Alternate=1]{Pomorsky Unicode}
+
+\begin{center}
+\begin{tabular}{c}
+{\fontsize{48pt}{2em} \pomorsky ЧИ́НЪ ВЕЧЕ́РНИ.} \\
+\end{tabular}
+\end{center}
+
+\subsubsection{Advanced Features of the Font}
+
+Several versions of many glyphs are provided in the font.
+The ornate forms of the letters are default and provided at the uppercase
+Cyrillic codepoints; they should be used as much as possible.
+Simpler forms can be used whenever the letters need a less ornate appearance,
+or when diacritics might conflict with the ornamentation
+(or when the ornamentation of one character will conflict with
+the ornamentation of another); these simple forms are available as
+\verb+Stylistic Set 1+. There are a few additional characters that are stylistic
+variants, which are provided as Stylistic Alternatives (\verb+salt+).
+Since the font is intended for drop caps and titling, lowercase
+characters are not available. The base form, the ``simple'' form, and any stylistic alternatives of 
+a character are demonstrated in Table~\ref{pomor}.
 
 \begin{table}[htbp]
 \centering
-\caption{Character shapes provided by Indiction Unicode \label{indict}}
+\caption{Character shapes provided by Pomorsky Unicode \label{pomor}}
 {\fontsize{38pt}{1.5em}
 \begin{tabular}{cccc}
-	{\ind А}	& {\ind Б} & {\ind В} & {\ind Г} \\
+	{\pomorsky А}{\simple А}{\pomorskysalt А}	& {\pomorsky Б}{\simple Б} & {\pomorsky В}{\simple В} & {\pomorsky Г}{\simple Г} \\
 
-	{\ind Е}	& {\ind Ж} & {\ind Ѕ} & {\ind З} \\
+	{\pomorsky Е}{\simple Е}	& {\pomorsky Ж}{\simple Ж} & {\pomorsky Ѕ}{\simple Ѕ} & {\pomorsky З}{\simple З} \\
 	
-	{\ind И}	&  {\ind І} & {\ind К}	& {\ind Л} \\
+	{\pomorsky И}{\simple И}	& {\pomorsky Й}{\simple Й} & {\pomorsky І}{\simple І} & {\pomorsky Ї}{\simple Ї} \\
 
-	{\ind М} & {\ind Н} & 	{\ind О} & {\ind Ѻ} \\
+	{\pomorsky К}{\simple К}{\pomorskysalt К}{\pomorskysalta К}	& {\pomorsky Л}{\simple Л} & {\pomorsky М}{\simple М} & {\pomorsky Н}{\simple Н} \\
 
-	{\ind П} & {\ind Р} & {\ind С}	& {\ind Т} \\
+	{\pomorsky О}{\simple О}	& {\pomorsky Ѻ}{\simple Ѻ} & {\pomorsky П}{\simple П} & {\pomorsky Р}{\simple Р}{\pomorskysalt Р}{\pomorskysalta Р} \\
 
-	{\ind Ꙋ} & {\ind Ф} & {\ind Х} & {\ind Ѡ} \\
+	{\pomorsky С}{\simple С}	& {\pomorsky Т}{\simple Т} & {\pomorsky ОУ}{\simple ОУ} & {\pomorsky Ꙋ}{\simple Ꙋ} \\
 
-	{\ind Ѽ} & {\ind Ꙍ} & {\ind Ѿ}	& {\ind Ц} \\
+	{\pomorsky Ф}{\simple Ф}	& {\pomorsky Х}{\simple Х} & {\pomorsky Ѡ}{\simple Ѡ} & {\pomorsky Ѽ}{\simple Ѽ} \\
 
-	{\ind Ч} & {\ind Ш} & {\ind Щ} & {\ind Ъ} \\
+	{\pomorsky Ѿ}{\simple Ѿ}	& {\pomorsky Ц}{\simple Ц} & {\pomorsky Ч}{\simple Ч} & {\pomorsky Ш}{\simple Ш} \\
 
-	{\ind Ы} & {\ind Ь} & {\ind Ѣ} & {\ind Ю} \\
+	{\pomorsky Щ}{\simple Щ}	& {\pomorsky Ъ}{\simple Ъ} & {\pomorsky Ы}{\simple Ы} & {\pomorsky Ь}{\simple Ь} \\
 
-	{\ind Ꙗ} & {\ind Ѧ} & {\ind Ѯ} & {\ind Ѱ} \\
+	{\pomorsky Ѣ}{\simple Ѣ}	& {\pomorsky Ю}{\simple Ю} & {\pomorsky Ꙗ}{\simple Ꙗ}{\pomorskysalt Ꙗ} & {\pomorsky Ѧ}{\simple Ѧ} \\
 
-	{\ind Ѳ} & {\ind Ѵ} & {\ind Ѷ} \\
+	{\pomorsky Ѯ}{\simple Ѯ}	& {\pomorsky Ѱ}{\simple Ѱ} & {\pomorsky Ѳ}{\simple Ѳ} & {\pomorsky Ѵ}{\simple Ѵ} \\
 \end{tabular}
 }
 \end{table}
 
-\subsection{Sample Texts}
-\vspace{-1em}
-\begin{churchslavonic}
-\cuLettrine Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ, и҆ на пꙋтѝ грѣ́шныхъ не ста̀, и҆ на сѣда́лищи гꙋби́телей не сѣ́де: но въ зако́нѣ гдⷭ҇ни во́лѧ є҆гѡ̀, и҆ въ зако́нѣ є҆гѡ̀ поꙋчи́тсѧ де́нь и҆ но́щь. И҆ бꙋ́детъ ꙗ҆́кѡ дре́во насажде́ное при и҆схо́дищихъ во́дъ, є҆́же пло́дъ сво́й да́стъ во вре́мѧ своѐ, и҆ ли́стъ є҆гѡ̀ не ѿпаде́тъ: и҆ всѧ̑, є҆ли̑ка а҆́ще твори́тъ, ᲂу҆спѣ́етъ.
-\par
-\end{churchslavonic}
+\section{Technical Fonts: FiraSlav}
 
-\section{Known Issues}
-
-Here are some known issues:
+FiraSlav is a monospaced font for Church Slavonic,
+intended for editing Church Slavonic text in a text editor.
+All diacritical marks and combining letters are presented as spacing symbols
+and a monospaced appearance is maintained.
+The font includes both regular (\verb+FiraSlav Regular+) and bold (\verb+FiraSlav Bold+)
+flavors. It is especially useful for software and website development applications:
 
-\begin{itemize}
-
-\item Kerning is not available for Latin characters in any of the fonts.
-Since it is not expected for these fonts to be heavily used to typeset Latin
-text, this issue is not a very high priority for resolution.
-
-\item Ponomar Unicode has Graphite-based kerning for Cyrillic 
-characters starting in version 2.0, but it is defective. In particular,
-inserting a diacritical mark will break the kerning between two letters.
-This will be fixed in version 2.1.
-
-\item Kerning is not available in the Graphite version of 
-Pomorsky Unicode.
+\begin{center}
+\begin{tabular}{l}
+{\firaslav  \$number =~ /{\textasciicircum}(?:҂([\$h]))*(?:҂([\$o]))*([\$h]?)([клмнѯопч]?)([\$o]?)\$/; } \\
+{\firaslav  var letter = '(?:ᲂу{\textbar}Оу{\textbar}оу{\textbackslash}{\textbackslash}S)[̀́̑҆̾̏҇҃ⷠⷡⷢⷣⷷⷤⷥꙵꙶⷦ]*'; } \\
+{\firaslav Бл҃же́нъ мꙋ́жъ, и҆́же не и҆́де на совѣ́тъ нечести́выхъ} \\
+\end{tabular}
+\end{center}
 
-\end{itemize}
+\section{Known Issues}
 
-\noindent There may be other issues, but before reporting such issues,
-please check that your software properly supports OpenType and / or
-SIL Graphite. We suggest checking for expected behavior in \XeTeX{}
-or \LuaTeX{}.
+See the \href{https://github.com/typiconman/fonts-cu/issues/}{Issue Tracker}.
+Before reporting issues, please check that your software properly supports OpenType.
+We suggest checking for expected behavior in \XeTeX{} or \LuaTeX{}.
 
 \section{Credits}
 
@@ -1311,9 +1118,4 @@ consulted and partially reused.
 \item Mike Kroutikov, who put together the \TeX{} package of the fonts.
 \end{itemize}
 
-
-%% PLACE SAMPLE AND CODECHARTS HERE
-
-
 \end{document}
-
diff --git a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/truetype.png b/Master/texmf-dist/doc/fonts/fonts-churchslavonic/truetype.png
deleted file mode 100644
index e2540aeb1a3..00000000000
--- a/Master/texmf-dist/doc/fonts/fonts-churchslavonic/truetype.png
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Acathist-Regular.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Acathist-Regular.otf
new file mode 100644
index 00000000000..2fcabb4adb9
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Acathist-Regular.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/CathismaUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/CathismaUnicode.otf
new file mode 100644
index 00000000000..cb36e860d44
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/CathismaUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/FedorovskUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/FedorovskUnicode.otf
index 9d660acbe4e..a3df7161e70 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/FedorovskUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/FedorovskUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/IndictionUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/IndictionUnicode.otf
index 04a51396d91..f3575edeac0 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/IndictionUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/IndictionUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MenaionUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MenaionUnicode.otf
index 7771e065d57..00215c5dac9 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MenaionUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MenaionUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MezenetsUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MezenetsUnicode.otf
new file mode 100644
index 00000000000..88200b544a9
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MezenetsUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MonomakhUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MonomakhUnicode.otf
index c3a00ee3c63..2a8cc1c8ac2 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MonomakhUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/MonomakhUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/OglavieUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/OglavieUnicode.otf
new file mode 100644
index 00000000000..0909ef3a326
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/OglavieUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PochaevskUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PochaevskUnicode.otf
new file mode 100644
index 00000000000..d0b531786aa
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PochaevskUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PomorskyUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PomorskyUnicode.otf
index 55ebc91e5b7..b633dd5b181 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PomorskyUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PomorskyUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PonomarUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PonomarUnicode.otf
index 0c9d3b5eeb3..3dd84f83a30 100644
--- a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PonomarUnicode.otf
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/PonomarUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Shafarik-Regular.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Shafarik-Regular.otf
new file mode 100644
index 00000000000..1950fba2522
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/Shafarik-Regular.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/TriodionUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/TriodionUnicode.otf
new file mode 100644
index 00000000000..b2858ebca07
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/TriodionUnicode.otf
diff --git a/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/VertogradUnicode.otf b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/VertogradUnicode.otf
new file mode 100644
index 00000000000..6345f7bc319
--- /dev/null
+++ b/Master/texmf-dist/fonts/opentype/public/fonts-churchslavonic/VertogradUnicode.otf
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/FedorovskUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/FedorovskUnicode.ttf
deleted file mode 100644
index 82639d3eee2..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/FedorovskUnicode.ttf
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/IndictionUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/IndictionUnicode.ttf
deleted file mode 100644
index 81289a04e9b..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/IndictionUnicode.ttf
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MenaionUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MenaionUnicode.ttf
deleted file mode 100644
index ff854ba4531..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MenaionUnicode.ttf
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MonomakhUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MonomakhUnicode.ttf
deleted file mode 100644
index 1c66ca5686f..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/MonomakhUnicode.ttf
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PomorskyUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PomorskyUnicode.ttf
deleted file mode 100644
index 3db8aa9bf45..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PomorskyUnicode.ttf
+++ /dev/null
diff --git a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PonomarUnicode.ttf b/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PonomarUnicode.ttf
deleted file mode 100644
index 7a10359c3d5..00000000000
--- a/Master/texmf-dist/fonts/truetype/public/fonts-churchslavonic/PonomarUnicode.ttf
+++ /dev/null