pmx now that we have new binaries

git-svn-id: svn://tug.org/texlive/trunk@54056 c570f23f-e606-0410-a88d-b1316a301751
author: Karl Berry <karl@freefriends.org> 2020-03-03 23:20:40 +0000
committer: Karl Berry <karl@freefriends.org> 2020-03-03 23:20:40 +0000
commit: e0cf1c6f0003d2d2504e786112d1f3132d7ab17a (patch)
tree: 1200b6fb7ce80428aab8a37004fdb2a5bf20efc0 /Master/texmf-dist
parent: 8dca48638976c42c6e04b2f2754cd07aa7c32789 (diff)
20 files changed, 5693 insertions, 490 deletions
diff --git a/Master/texmf-dist/doc/generic/pmx/ChangeLog b/Master/texmf-dist/doc/generic/pmx/ChangeLog
new file mode 100644
index 00000000000..6715e9b1e36
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pmx/ChangeLog
@@ -0,0 +1,713 @@
+2.94
+  Allow moving dots on main and chord note in 2-note termolos
+  Add definitions of \hbp and \hbpp to pmx.tex
+2.91
+  Tweak: insert \stdstemfalse before every user-shortened or lengthened
+  stem. 
+    This cancels defaul extensions to middle line and also (with 'L') allows
+    stems that are longer than 4.66 but still don't reach middle line.
+  Allow alteration of number height in multibar rest, option n.
+  Fix bug introduced in 2.89 so that the "o" in "mo800" is now OK.
+2.90
+  Many tweaks to allow gaps at end or middle of a system using 
+    L[n]S[x] and LC[y]. New pmx.tex.
+2.88
+  Comment out print*,"Changed pathname to..." since it was going 
+    iteration when optimizing linebreaks with the undocumented option Ao.
+  Add nv back in as argument for getmidi, so loop transferring data
+    from midivel to midvelc can be executed. This corrects bug and
+    allows per-instrument change in midi velocities at the start
+    of any block
+  Add subroutine inst2chan to transfer midi data as noted above. Works with
+    Iv but buggy when used with IT and Ib
+2.87
+  Allow changes to and from octave treble clef. Instrument with it
+    must only have one staff.
+  Some fixes for beam multiplicity changes at staff jumps. Must still
+    use inline for mult. increase at downward staff jump. See sjb.pmx.
+2.84
+  Bug fix: dots in chordal seconds
+  Bug fix: Initialize ihornb for non-beamed, down xtup
+  Bug fix: When using "AT" with 2-note x3c rD. 
+2.83
+  Fix problems when changing to or from octave treble clef.
+  Fix beaming (or not) and number location for xtups with
+    multiple rests. Still some problems with number height but
+    can be band-aided with number height tweak option.
+  Tweak error messages for options on "R" command.
+  Allow forced beam height and slope tweaks with 2-note tremolos
+  Allow chordal note with 2-note tremolos, adding dots as needed.
+  Fix call to ncmid in beamstrt when setting start height for beam of 
+    2-note trem, by changing arg from ivx to iv
+2.82
+  bugfix: beams with rests, not confused with xtups.
+  x option after slur index to allow slurs to go from one voice to another.
+  x option also for ties
+2.81
+  Allow string of rests to end xtup
+  in chordal half-note 2-note tremolo, make chord notes open.
+2.80
+  Add 2-note tremolos
+2.78
+  Expand bufq to 131072 bytes
+  Expand maxblks tp 9600
+  Allow up to 75 pages
+  Index postscript hairpins from 1 up instead of by voice #.
+  Add option 'o' to forced beam for open notehead (\hb); set ipl(3)
+  Add option T[n], n=1,2,3 for single stem tremolo
+2.77
+  Enable AV+/-x+/-y to add vskip bigh before or after \eject
+2.76
+2.75
+  Bugfix: unbeamed xtups with dots: in beamn1 and beamid allow dotted 16th, and
+    2 or 3 flags on shortened note. 
+2.74
+  Bugfix: allow "0" as argument of @ command on lyrics string.
+  Check for and allow "\ in centered page headings with P command.
+  Check for and allow "\ in text dynamics with D command.
+  For lyrics string starting in xtuplet, insert check for inputting musixlyr.
+  For staff-crossing beamed xtuplet chords, if 2nd segment of a joined beam
+    starts with a blank rest, put '\sk' into the TeX. 
+    To enable high-to-both beamed etup staff-crossing chord, for blank
+    rest at start of forced beam, shift \sk's from before to after \ib..;
+    so \ib is at start and note in upper voice has a beam to connect to.
+  Expand range of vertical xtup number shift, now stored in mult(16-22) 
+  Check for and allow \" within lyrics strings, for umlauts.
+2.73 (160121)
+  Dirk's "..." command, to convert "text" into \pmxlyr{text}\ and insert as
+    inline TeX. Replace all '~' inside "..." and not preceded with '\', by 
+    '\lk '. Right after 2nd ", replace @[a,b][+,-]n with \at{[a,b][+,-]n}\
+    Include definitions of \ly and \at in pmx.tex (2 Feb 16). After first ",
+    add (as type 2 string) '\\input musixlyr \'
+  After inputting pathname, change any '\' to '/', for Linux compatibility.
+2.72 (160110)
+  Really finalize \mbrest...go back to 3 args to deal with clef changes.
+  Fine tune centered whole bar rests to deal with clef changes
+  Fix bug in wsclef when >1 staff per instrument, since \setclef
+    needs to know instrument and specify clefs on all staves for that
+    instrument. Ones that were not changed by user will not be printed,
+    and will be kept the same as before.
+  Fix bug with arpegii from one voice to another in same staff.
+2.71 (151226)
+  Finalize mbrest mods
+2.705
+  Fix error message
+2.704 (140614) 
+  Octave treble clef
+  Make horizontal ornament shift (ornhshft) floating
+2.703 (140323)
+  Option v[-]n at end of any figure will alter figdrop for rest of system
+2.702
+  Stem slurs. Only for ps, assume no other pos'n adjustments. Option "v"
+2.701
+  oC = coda (\code{10})
+    Move iornq(29) (blank barline) to ipl(0) (changes in pmxb, getnote)
+  oG = new seqno
+  To do: fix grace note spacing problem (partially done)
+2.622
+  Redefine midtc(..) and miditran(..); clean up all transpositions/key changes
+  Kn[+/-...] \ignorenats at signature changes
+  Fix tie checks in doslur() and dopsslur() to subtract iTransAmt from nolevs
+    before checking and setting pitch levels levson() and levsoff()
+  Define midisig separately from isig. Put in common commidisig.
+    Use for explicit midi signature and for accid corrections to midi piches
+    in addmidi.
+2.621
+  Make keyboard rest option work in xtuplets. Created subroutine
+    chkkbdrests, modified make2bar to include calls to chkkbdrests as rqd.
+2.620
+  Allow user-defined rest height tweaks at start of beam.
+2.619
+  At movement break, change \nbinstruments in \newmovement macro; add
+    3rd arg to \newmovement in pmx.tex; modify pmxb.for and getnote.for
+    to remove call to newnoi and change call to \newmovement
+2.618
+  Add option Ac[l,4] to set vert and horiz size and offsets to properly
+    center page for letter or a4 paper.
+2.617
+  In g1etnote, change if-check for note to use index(...) instead
+    of ichar(charq) since it was messing up gfortran optimizer
+  After pmxa, search for and remove penultimate line <blank><blank>/
+    because it was screwing up linux-compiled versions
+  Bugfix: Increase dimension of kicrd from 7 to 10 in crdaccs(...)
+2.616 (111110)
+  Allow hairpins to span multiple notes groups (gulps).
+2.615+ (110810)
+  Fix midi when some instruments are transposed, by subtracting
+    iTransAmt(instno(iv)) from pitch values sent to via addmidi in
+    make2bar.for (for main notes) and docrd (for chord notes)
+2.615 (110725)
+  Fig bug with size-setting (in topfile) when instrument has >1 staves 
+2.615 (110724)
+  Make AS[0|-|s|t]... really set sizes
+2.614
+  Mod notex.for to fix Terry's bug with raised dotted rests (caused 
+    by double-hboxing). 
+2.613
+  Bugfix: In pmxa, change "do while" limit to keep from overwriting instno.
+2.612
+  Enhance AS to allow s or t for smallsize or tinysize
+2.611
+  Error trap for "D" before any notes in a block.
+2.610
+  Instrument-wise key changes and transposition (incomplete)
+2.603
+  101211 In getpmxmod.for, decreased nline by 2 to fix locating errors 
+    following reading in an include file.
+  101121 Added some error messages in g1etset.for setup data 
+2.602
+  Correct slur indexing in linebreakslurs. 
+  Account for comment lines in line count for error messages
+2.601
+  Bug fix: allow 24 slurs with graces
+2.60 Changes made make it really big
+  increase mv (size of midi) ? Note: MIDI can't have >16 voices w/o 
+    major reprogramming, and 16 may also be a problem (icmm)
+  nm=24 (voices) done
+  24 slurs done
+  24 simultaneous beams (Replace index 24 by 0, so get 0-23)
+  bufq*131072 (gfortran only)
+  getarg syntax (gfortran only)
+2.523+
+  Fix voice numbering for normal dynamics and text dynamics
+2.523
+  Version of bigpmx first posted to Hiroaki's web site.
+2.522
+  5/26/10 Replace ipl bits 0-7 with ipl2, add new common for it.
+  With 2.521+ as starting version, incorporate bigpmx mods to allow 24 voices.
+  5/13/10 Fix log2 function
+  5/15/10 Fix bitwise storage for dynamics, fix segnoo string length. 
+2.521+
+  091025 Enable dotting 2nd part of linebreak slur or tie.
+  To adjust barno height due to linebreak slur, use \bnrs instead of
+    explicitly redefining \raisebarno (pmxb) 
+2.521
+  Bugfix
+2.520
+  090519 Enable ligfonts (special figured bass characters)
+2.519
+  Fix another bug which kept \sk from being output so misaligned some notes.
+2.518
+  Fix bugs: referencing fig data, char declaration for member of 
+     common/comfig/
+2.517
+  Allow figures in voice 1 + any one other.
+2.516
+  Allow figures in voice #2
+2.515+ to do: Change manual and activate rule against clef change in voice #2.
+2.515
+  071222 Changes in getnote to allow auto forced beams to start anywhere.
+  071206 In make2bar, shift fermataup7 to left over centered pause.
+  070901 In doslur, check for nolev <=2 in case slur ends on rest in 2-line
+      staff (it was screwing up vertical justification).
+  n34 for tweaks to midi durations of quarter note septuplets.
+  To do: In ref250.tex, the tables where 's,t,)' is explained, the line
+      [+,- i]   ... Vertical adjustment of the start of second segment
+    should it be replaced by
+      [s +,- i]   ... Vertical adjustment of the start of second segment
+2.514
+  Changes in make2bar to get horizontal spacing right when normal grace
+    follows after grace
+  Changes in dograce to get octaves right for any material entered inside
+    \gaft, which shields transpose register changes from the outside world.
+2.513
+  In make1bar, near end, for forced beams starting with a rest, copy hgt and
+    slope tweaks to ALL notes after first, not just the second one, so if
+    there's more than one rest at start the tweaks are still observed.
+  In beamid and beamend, add stand-alone triply-flagged notes for xtups.
+2.512
+  Near end of pmxb, fix error trap to allow redundant 'RD'
+  Enable multiplicity down-up '][' within xtup.
+2.511
+  Introduce eskz2 for xtup #'s and bracket lengths, to remove bug caused by 
+    adjusteskz as in bar 7 of barsant.
+2.510a
+  Test: remove restriction on tempo changes in MIDI macros
+    Send to CM for beta testing.
+2.509+
+  To do: Correct manual on AS. "-" is for smaller staves.
+2.510
+  Forgot to declare litq, voltxtq as character in subroutine getgrace
+2.509
+  Corrected small bug in arpeggio shifting (ivx <= iv in call putarp)
+2.508
+  Allow graces in xtups. New subroutine getgrace. 
+2.507
+  To do: Raise/lower figures.
+  To do: Add 24, 29 to list of musicsizes in manual
+  New sub adjusteskz to account for ask's when computing lengths of
+    brackets for unbeamed xtups, slopes and horizontal posn's of number 
+  Bug fix: in beamn1, beamid, and beamend, allow unbeamed xtups w/ 2 flags
+  Add look-left option for keyboard rests, "L" in rest command, set iornq(30)
+2.506
+  Fix bug with AK, when simultaneous rests have same duration, use defaults.
+2.505
+  Keyboard rests AK
+2.504
+  Space after normal grace: option X[n]
+  Fixed og when nv .ne. noinst, by using sepsymq instead of '&'
+  (To do) length of xtup bracket when there is added non-collision space.
+  Trap musicsize if .ne. 16,20,24,29.
+2.503
+  Enable arpeggio left shift with ?-x
+  To do: In manual, arpeggio over 2 staves.
+  Allow musicsize of 24 and 29. Had to define meter font size explicitly,
+    also change font size for text dynamics, but not much else so far.
+  Bugfix in beamstrt, introduced in 2415, ip was changed before putxtn
+    was called, causing error in printing replacement number.
+2.502
+  Incorporate Dirk Laurie's patch to use { , } , for ties.
+  Figure height adjustment: append +[n]
+  Change ec font stuff in pmx.tex per Olivier Vogel's comment (CM email?)
+2.501
+  Readjust horizontal offset back to .8 in LineBreakTies
+  Fix zero-subscript (iudorn) in putorn
+2.50
+  Increase number of text-dynamics (dimension of txtdynq) per block 
+    from 12 to 41.
+  Slur option n to override altered default curvature.
+  Allow default ps slur curvature tweaks with Ap+/-c
+2.416
+  Increase length of textdynq from 24 to 128
+  (Todo) Add comment in manual about blank lines at end.
+  Configuration file: Define subroutine getpmxmod, check path in environment
+    variable pmxmoddir, check existence, read lines into bufq after setup. 
+  Increase dimension on idynn in dodyn from 4 to 10 for max number 
+    of marks in a bar
+  Increase allowable # of lines from 2000 to 4000.
+  (To do) Replace definition of \liftpausc per Olivier.
+  (To do) Fix extraneous error message if RD is placed at very end.
+2.415
+  Fix "AT" option: replace putxtn,topfile,beamstrt,beamid to use \xnumt
+    instead of redefining \xnum. Change font used to \smallfont (as for
+    normal xtups,
+  Allow slur to start on rest.
+2.414
+  Correct bug in crdacc when adding accidental to boundary causes number of
+    segments to decrease
+  Special rule for 3-accidental chords: If no 2nds, place them in order
+    top, bottom, middle.
+2.413
+  Correct bugs in chordal accidentals, related to left-shifted noteheads
+    (a) Special problems with downstem when main note needs shifting
+    (b) Assign 0 rank to boundary segs due to left-shifted noteheads
+2.412
+  Change default horiz shift of start of seg 2 of linebreak slurs:
+    -.7 for slurs, -1.2 for ties,
+  Use height of start of seg 1 slur itself for end of 1 and start of 2.
+2.411
+  "Apl" activates special treatment of linebreak slur/tie's; breaks all in 2.
+  "s" option in start of slur/tie as precursor to vert/horiz tweaks for end
+     of seg 1. of linebreak slur/tie, 2nd "s" for start of seg2.
+  With "Apl", curvature adjustments on starting slur command apply to seg 1, 
+     those on ending command to seg 2.
+2.410
+  "AT" to allow Col. S.'s tuplet option. Simply input tuplet.tex and redefine
+     \xnum, \unbkt, \ovbkt. 
+  "s" option in main xtup input after "x": slope tweak for bracket. mult(4) is
+     flag, mult(5-9) is tweak value+16
+2.409
+  Bugfix in docrd for MIDI: Use original pitch in case main/chord were
+    switched due to 2nds.
+  Remove "o" from error message for "A" command.
+  New syntax: optional instrument number separator ":" in movement 
+    break command to precede a 2-digit instrument. 
+  Conditional output formats for \setname at movement break to allow 
+    instrument numbers >9.
+  Bugfix in coding to raise barno due to slur over line break (pmxb)
+  Move date/version data statement in pmxab to a better place.
+2.408
+  Allow pnotes{x} when x>9.995 (mod is only to format stmt in make2bar).
+  Bug fix in \liftPAusep in notex.for and in pmx.tex
+  Character variables for version and date
+  For up-stem single graces slurred to down-stem, shift slur start left by 
+    0.8 so slur doesn't get too short.
+  Initialize and slide mult, same as other full-program variables in /all/.
+2.407
+  Allow AN[n]"[partname]" to be parsed by scor2prt as filename for part n,
+2.406
+  Alter PMX: put \dnstrut into \znotes in \starteq (for system spacing
+    equalization).
+  Put dimensions of double sharps and flats in crdacc (for chords).
+  Bugfix: Use sepsymq in LineBreakTies(..) instead of '&'
+  Use only first 4 bits of mult for multiplicity+8, so rest can be used
+    for other stuff.
+  Move stemlength stuff in nacc(27-30) to mult(27-30) to remove conflict.
+2.405: Not published but saved for safety.
+  Option Aph to write \special{header=psslurs.pro} top of each page, so
+    dviselec will work OK.
+2.404
+  Allow slur to end on rest, but not start on a rest.  Efaults height 
+    of ending is default height of start (before any automatic or user-
+    defined djustments). User may adjust height as normal from default.
+2.403
+  Bugfix: turn off repeated beaming patterns.at end of non-last voice.
+2.402
+  Automatic repeated forced beams.  Start with "[:"  End with next explicit 
+    forced beam or end of input block.
+  Increase # of forced beams per line of music per input block from 20 to 40
+2.401
+  Optional K-Postscript Linebreak Ties, Apl. New subroutine LineBreakTies.
+    Makes 1st part normal shape, and starts 2nd part a little further left.
+  Enable arpeggios in xtuplets.  Had to make time itar(narp) a real.
+2.40
+  Set up WrotePsslurDefaults (logical) so only write defaults on 1st Ap.
+  Fix non-ps-slur input to \midslur (third signed integer). Do not reverse
+    sign for down-slurs.
+2.359
+  Add error exit subroutine stop1 to make exit status g77-compatible..
+  Absolute octave on xtup chord note was 2 octave too high, fixed in getnote
+  Fermata on vertically shifted rest: special trap in putorn() to set height.
+  Correct multiple grace note spacing for small staves (in dograce, 
+       define wheadpt1 depending on staff size)
+2.358
+  Allow curvature corrections at start of postscript slur, in dopsslur()
+  Local slur options p[+|-][s|t] for [nos|s]luradjust,[not|t]ieadjust
+  Options for [Nos|S]luradjust,[Not|T]ieadjust,[noh|h]alfties: Ap[+|-][s|t|h]
+  Make t[ID] act like s[ID]t, most mods in spsslur().
+  Add spsslur() to read in data for ps slurs, call from getnote.
+  In beamstrt, save args for SetupB in common comipb to save them for 
+     2nd call when xtup starts with rest
+  Add spacing for ornament ")" as if it were accidental, in make2bar().
+  Horiz shift start and end of ps ties, dep. on stem dir'n, in dopsslur()
+  Horiz. shift start of ps grace slur, 2 places in dograce().
+  Horiz shift end of grace slur in endslur()
+  Make st slurs into postscript ties.  Separate subroutine dopsslur(),    
+  Non-beamed xtup: "a" in 1st note or rest, before "x" (sets drawbm=.false.)
+  Allow two D"x" on same note. Introduced jtxtdyn1 in dodyn.
+2.357a
+  Fix missing "end" in backfill.com, too-long lines in g1etnote, getnote
+2.357
+  Increase dimension for # of lit TeX strings from 52 to 83.
+  Allow blank rest in middle of xtuplet. Only mods in g*etnote().
+2.356
+  Increased some dimensions from 30 to 40 to allow up to 40 pages.
+  In unbeamed xtups, "n" did not suppress bracket.  Fixed in beamstrt().
+  Fix parsing of "f,h,H,HH" in sslur.
+  Fix bug with cdot, note-level for slur termination (in getnote)
+2.355
+  Midi transposition:  IT[+|-][n1][+|-][n2]...[+|-][n(noinst)], 
+     n=# of half-steps.  Restrict to mult. of 12 now, to avoid key-sig issues
+  Make midi recognize ps ties in doslur.
+  Correct ttieforsl so that it eats 2nd argument properly, using \zcharnote 
+     to get octave right.
+2.354
+  With postscript slurs, make t-slurs real ties by inserting replacement 
+    macros \tieforisu, etc, defined in pmx.tex
+  Check for open cresc or decresc at end of input block, using list[de]cresc
+  Hairpin syntax conditional on postscript slurs. Backup to fill in start 
+    level, using new backfill(...).  Separate height tweaks for 
+    start and finish.
+2.353
+  K-0+n to transpose by half step (rather than just change key)
+  Allow "rm[n]" when nv>1.  Require it in all parts. Just write a stack of 
+    \mbrest's
+  Enable "Rz"; define \setzalaligne in pmx.tex. Special treatment at end
+    of input block before movement break, and at start of block after 
+    movement break, using \newmovement rather than \setzalaligne, since
+    former already redefines \stoppiece. In second case, set rptfg2='z'.
+  Make clefq(nm) common between pmxb and getnote; change references in 
+    getnote at 'M' to array elements, setting all new clefs as you go.
+2.352
+  Remove \parskip redefinition from pmx.tex; write it into TeX file when
+    "Ae" is invoked.
+  Ap to activate postscript slurs. Add macro \psforts to pmx.tex to redefine 
+    \tslur in case \midslur was used.  Allow slur inputs 'f','h','H','HH',
+    translate them thru mapping to (1,4,5,6) as \midslur params, then let
+    \psforts translate them back to ps slur macors.
+2.351
+  Number slurs from 0 up instead of 11 down, anticipating postscript slurs.
+  Write "\eightrm" instead of "\cmr8" for \figfont with small baseline size.
+  Increase length of basenameq to 44 characters everywhere.
+  Increase dimension of mcpitch (midi-chord-pitch) to 20.
+  Set default systems per page to 1 if nv>7
+  In pmxb, move place where isystpg is reset to 0, so that \eject gets
+    written when there is just one system per page.
+2.35
+  Cautionary accidentals with 'c' anywhere in note symbol.
+  NEW pmx.tex with \resetsize to set size to normal or small depending on 
+    current \internote.  Used with new coding in dograce() to get right
+    new size in case user has \setsize'ed some lines to \smallvalue. For
+    \smallvalue-sized staves, redefine \tinynotesize to give 11-pt font. 
+    Affects pmx.tex.
+  Continuation figure with fractional length. May now mix with other figures.
+    If another figure follow Cont-fig, separate with colon.   
+2.342
+  Bugfix in getnote to recognize relative octave shift in grace at start of  
+    input block.
+  In make2bar, initialize islhgt=0 earlier than before (possible solution
+    to Suse g77 compile problem that I could not reproduce)..
+  Bugfix in beamstrt & beamn1 for r2x6 c4D d d d
+2.341
+  Syntax check: Forced page break page number must be > than previous.
+  Bugfix: Define ivx when "sliding down" breath/caesure data in pmxb.
+2.34
+  New pmx.tex with redefined liftpausc
+  Bug fix with dotted, non-beamed xtups.
+2.332
+  Fix bugs in horizonal shifts, spacing, for accid's, graces, noteheads.
+  Allow arbitrary pos. input to W in g1etnote and getnote.
+2.331
+  Bug-fix in dodyn(..): typo on length of arg of txtdyn
+2.33
+  Caesura (oc), breath (ob).  Set iornq(28), store rest of data in ibcdata()
+2.321
+  Rescale accidental shifts. Still use 7 bits but now map (0,127) 
+     onto (-1.,5.35)
+  Fix ihornb bug in dodyn, seen with dynamics on lower-voice non-beamed xtups
+2.32 (Noticed after posting)
+  Prohibit "/" as figure.
+2.32 (Posted)
+  Tidied up accidentals in chords, do spacing.
+  Still to do: 
+      check for "(" on chord notes in spacing algo
+      small accids
+      double accids
+      autoshift slurs
+2.310
+  Extra call to precrd ahead of spacing chk, and single-note crd/acc
+     shifts seem OK, but not multiple.  crd/acc shifts not recorded 1st time. 
+2.309
+  Alternate algo for accid shifts in chords.
+2.308
+  Auto horiz. notehead shifting added to precrd. 
+2.307
+  Auto shifting of multiple accidentals in chords.
+  "Ao" in main chord note to keep accidentals in order. Set nacc(28).
+  If there are any manual main or chord note shifts, then
+     If any manual shift is preceded by "A" then
+        1. Auto-shifting proceeds
+        2. "A"-shifts add to autoshifts
+        3. non-"A" shifts are ignored!
+     Else (>0 man shifts, none has "A")
+        No auto-ordering, No autoshifts, 
+     End if
+  End if 
+2.306
+  Initialize legacy note level to middle C in case user forgets to set 
+    octave.
+  Shift xtup note?
+  Shift in elemskips rather than noteheads?
+2.305
+  Stop pmxb from multiple endvolta's at start of new page.
+2.304
+  "Sx" in a note means shorten stemlength by x \internotes.  "Sx:" turn on
+      for multiple notes in the voice, "S:" last shortened note.
+2.303
+  vshrink stuff all OK? Description is in pmxb.  
+2.302
+  Toggle vshrink with "Av". vshrink normally kicks in when \interstaff 
+    hits 20. This still needs work.
+  Add " /" to last line if last char is not % or /.
+2.301
+  Check in beamn1 for single note before multiplicity down-up.
+  allow '.PMX' as well as '.pmx'
+2.299
+  Correct typo in pmxb involving PMXbarnotrue.
+  Replacement printed number for xtup: Unsigned integer after 'n' after 'x'
+  Minor upgrade parsing xtuplet options 'x...'
+  Correct dimension of nxtinbm in make2bar.
+2.298
+  Account for doubled xtup notes in subroutine getx (user-defined spaces), 
+    by adding ndoub as an argument..
+2.297
+  Created and solved compiler problem.  Put drawbm(NM) in its own common.
+  Add new def'ns [\a|PA]usc, \lift[pa|PA]usc to pmx.tex, use them in make2bar
+    when \centerbar is used.
+  Modify \mbrest & \CenterBar in pmx.tex to use \volta@endcor etc.  Have PMX
+    use right 2nd and 3rd args for \mbrest when key, meter, or clef changes.
+2.296
+  Correct printed numbers for forced beams with multiple xtups. For each beam
+    make list in setupb by voice of eloff (h-offset) and mtupv (printed #)
+  Increase lengths of jobname and infileq by 20 characters
+  Enable whole notes and breves as 1st or last note of xtup in beamn1 and
+    beamend, and wholes in beamid.
+2.295
+  Midi balance Ib[n1]:[n2]:...[nn]
+  Single-slope beam groups [...]-[...]
+  Trap "i" unless after accidental (main notes, xtups, chord notes)
+2.294
+  Unequal xtups with "D" to double a note in an xtup.
+  As above, "F" will (a) increase multiplicity by 1 for marked note and next
+    one and (b) add a dot to the first one. 
+  Fix bug with e.g. c84 [ .d e.f ] by checking whether forced beam is on 
+    when "." is encountered, then correcting beam start time.(end of getnote)
+  MIDI velocity (volume) set: Iv[n1]:[n2]:[n3]...
+2.293
+  Check for single notes spanning bar lines.
+  Correct various bugs with staff-jumping beams. (1) for 2nd segment, vxtup 
+    must be set in make2bar since beamstrt is not called, fixing problem with
+    dot at end. (2) add ivjb2 to flag which voice has 2nd segment and fix 
+    problem when >2 staves.
+  Add nodur to args of dodyn, so can check if stemless and avoid height tweak
+  Correct bug in getdyn setting flag in idynda2(0) for manual horiz. tweak
+2.292a
+  Undo syntax check for Type 2 or 3 TeX string starting in column 1. 
+    Meanwhile, Werner's problem with a mid-line Type 3 string has gone away?! 
+2.292
+  Allow comments in xtuplets
+  Enable multiple octave jumps in grace notes.
+  Allow dynamics in xtuplets.
+  Fix bug in getdyn searching for end of text string (correct length of lineq
+    to 128)
+  Fix bug in dodyn, must ignore horiz. interaction tweak for 
+    user-text (idno = 0)
+  Syntax check for Type 2 or 3 TeX string starting in column 1 
+    (NOTE: later undone!)
+  Syntax check for page number > npages at forced line break.
+2.291
+  Fix error in AS command (accid spacing for small systems), making only
+    one spec per staff, nv total.
+  Stop using MIDI channel 10
+2.29
+  Fix error in console output format for # of bytes used in MIDI file.
+  Fix bug in dograce so no space is added between grace and main note when
+      there is a MIDI-only accidental.
+  Fix bug so oes?+4 works.  It was too ugly to explain. 
+    ...Different ways of storing accidental specs on input and output.
+  No longer zap \writezbarno in special situations.
+  Fix bug in dyntxt level on rest
+  Line spacing equalization.  Add macros \starteq, \endeq, \spread, etc.
+    Activate with Ae.  (Maybe later could input alternate values for
+    \upamt, \dnamt, \parskip).  Put \starteq on 1st note in voice 1 
+    in the page, and \endeq on 1st note of next-to-last line in page.
+2.28
+  Flip direction of forced beam "[f..."
+  Fix beam numbering for staff jumping beams. Uses irest(23,24,29,30) 
+  Fix bug in sliding ip's for txtdyn's
+  In dyn's allow vert. offsets +/-64, horiz +/-25.6 (store in idnyda2(1-99)
+2.27
+  Comment out lines in dodyn checking number of dynamic marks found.  Voice
+    order may not be monotonic if two lines on a staff.
+  Literal dynamic: D"[text]"
+2.26
+  Allow hairpin start-stop on same note by disabling auto-tweaks in dodyn,
+    increasing dimension of idynn to 4 to allow 4 symbols on same note.
+  Increase voltxtq length from 10 to 20.
+  AS[-/0][-/0]...  to inform PMX that "-" voices are small, and rough 
+     accounting for ast's is done by defining effective headwidth 
+     whead1 in makebar2 to be 0.8*whead.  
+2.25
+  Fix logic bug with sepsym's when # of instruments changes.
+  Slight increases in default offsets for hairpin starts after "p"
+2.24
+  Hairpins D< or D> as toggle.
+  Many automatic position tweaks for letter-group dynamics and hairpins.
+2.23
+  Continued rhythmic shortcuts: space followed by "." or ","
+2.22
+  In call to doslur, change tno(...) to tnote(...).  This was only
+    used when checking to slurs per stem directions, and should have been
+    the note duration all along.
+  MIDI-only accidental, bit 17 in nacc, or 27 in icrdat. 
+      Use "i" anywhere in note symbol.
+2.21
+  Increase from 20 to 30 dimensions for movement breaks and midi sections.
+  Fix out-of-order declarations per mutex comments
+  Add "Bad error" and "Kluging" messages to log file.
+2.197
+  add /comips/ to save tie-check midi variables
+  For spacing of clef changes at start of input block, changed integer time
+    lastnodur to prevtn, so it works with xtups. Possible incompatibility!
+2.196
+  Fix Ickbug with time check in ncmid()
+  Interchange \fermataup7 and \pausec to get proper alignment
+  Enable French violin clef "f",  number 7 in PMX, but 9 in MusiXTeX.
+  Add defn's of \hsp, \hspp to pmx.tex 
+  Fix pre-slurs on xtup chord notes.
+  Fixed raised PAuse, define \liftPAuse
+  Replace \zbreve\sk with \breve.
+  Made "1" work as mtrdenl by doubling it and mtrnuml.  BUT WAIT...what 
+    about "o" and 1 as shorthand for 16???? Search for "Kluge"
+  Added "vo" (voice) as MIDI instrument 55 
+  Allow 3-digit page numbers (search for "toppageno")
+  Fix bug caused by prior fix (cancelling accid after bar line was ignored).
+  Fix double accids in chords
+2.194
+  Fix bug with accid/tie/barline/chord in addmidi by restructuring accid if 
+    block.
+  Add meter to MIDI file with every pause
+  Purify FORTRAN?
+2.193
+  Increased # of in-line TeX strings from 36 to 52.
+  Fix entry of # of bytes in header of tempo/meter/key track to allow >255.
+2.191
+  Event track: Tempos, meters, keys all together.  Data in comevent
+2.15
+  Pretty good midi capability.  Still no attention to slurs on chord notes.
+2.11
+  11 Dec 99 c   rm1
+  11 Dec 99 "oes?", "oe?"
+  11 Dec 99 Cancel slur horizontal tweaks with non-stemmed notes
+  11 Dec 99 Error message for shifted, repeated ornaments.
+2.10 (Version 2.1)
+  Fix bug with lowdot and xtuplets
+2.09
+  Fix bug with multiple ornament heights over beams, when one is . or _
+  Error message from pmxa if rest on last note of xtup.
+  Enable 12 slurs.
+  Reinstate multiple rests at start of xtup.
+2.07
+  Combine consecutive type-1 TeX strings.
+  \midslur and \curve as 3rd signed digit in slur termination, + 2 opt.int's.
+  Fixed breve chord notes in docrd
+  Check irest(28) as well as vxtup when setting nodur for chord notes, since
+    vxtup isn't set until 1st *main* note in xtup
+  Vectorize nolev1, slope, ixrest.  Klug fix for xtups with variable spacing.
+2.06+
+  Make deterministic the beam slope calculation when there are an even # of
+    slopes in list and middle two are equal magnitude but opposite sign.
+  pmxa Trap for "o:" before 1st note in block
+  Partial bug fix for 64th notes in xtuplets.
+  Make ixrest a vector, since with new time scheme may not finish xtup in
+    same notes block.
+  Increase max # of pages from 20 to 30 (dimensions of nsystp,..., in pmxb)
+2.06
+  Account for changes in nv when computing \interstaff. Add a counter 
+    nistaff(iflb) = # of interstaff spaces per system = nv-1.  Set whenever
+    setting isysflb(iflb). Note nv can only change at a forced line break.  
+    Note also, iflb starts at 0!
+2.05
+  Automatic start of new notes group with part 2 of staff-jump beam
+    In make1bar, set irest bit 29 of lowest-voice note at same time,
+    use as flag when making notes groups.
+  For now, remove dummy blank line at end...it zaps terminal repeats.
+2.02
+  Fixed slur-counting bug for multiple, slurred, aftergraces.
+2.01
+ Increase to ask(1400)
+ Increase max forced page breaks to 18
+ Define pausc for centered pause
+2.0a
+ Insert dummy blank line at very end to handle input files w/o terminal CR-LF
+pmx03r
+  Option m[n] in S symbol to change musicsize (for parts)
+  Double dotted rests now work.
+  Write file name to log file
+  Check existence of input file
+  Allow 24-char jobname, may end with ".pmx"
+  Comment out time stuff
+  Replace 3-argument getarg with 2-argument + iargc
+  Fix bug with negative noinst due to nint<=int replacement
+  move lovation of iv in isdat1 to allow iv>7.
+  Set nm=12 
+pmx03q
+  replace int(x+.001) with nint(x)
+  Write TeX file name to screen and to pml.
+  Replace char(...) with chax(...) to sovle msdev bug.
+  Bug fix: macro terminations when M is on a line by itself.
+  Bug fix: don't accumulate space for XS in pmxa.
+  Streamline Macros: use pointers to bufq instead of scratch files
+pmx03p
+  Store input file in single character array bufq. 
+    lbuf(i)*2 is length of line i
+    ipbuf is position just before next line to be read.
+pmx03
+  Optimize read/writes
+pmx02
+  Fix line count (for errors) when there are saved macros
+pmx01
+  In optimize mode, open/close macros (Watch out for residual zz files!)
+  Command line input
+  Option Ao to optimize, otherwise normal processing
+c
diff --git a/Master/texmf-dist/doc/generic/pmx/README b/Master/texmf-dist/doc/generic/pmx/README
index 492559b1b0d..18a886f436e 100644
--- a/Master/texmf-dist/doc/generic/pmx/README
+++ b/Master/texmf-dist/doc/generic/pmx/README
@@ -1,11 +1,17 @@
-This is PMX, version 2.8.4 (2018-02-12). PMX provides a preprocessor for MusiXTeX.
+This is PMX, version 2.94 (2020-01-27). PMX provides a preprocessor for MusiXTeX.
 
-pmxab builds a TeX input file based on a .pmx input file in a much
-simpler language, making most of the layout decisions by itself. It has
-most of MusiXTeX's functionality, but it also permits in-line TeX to
-give access to virtually all of MusiXTeX. For proof-listening, pmxab will
-make a MIDI file of your score.
+pmxab builds a TeX input file based on a .pmx input file in
+a much simpler language, making most of the layout decisions
+by itself. It has most of MusiXTeX's functionality, but it
+also permits in-line TeX to give access to virtually all of
+MusiXTeX. For proof-listening, pmxab will make a MIDI file
+of your score.
 
 scor2prt is an auxiliary program that makes parts from a score.
 
-The author of pmxab and scor2prt is Don Simons (dsimons@roadrunner.com). 
+PMX may be freely copied, duplicated and used in conformance
+to the GNU General Public License (Version 3, 29 June, 2007,
+see included file gpl.txt).
+
+The author of pmxab and scor2prt is Don Simons
+(dsimons@roadrunner.com).
diff --git a/Master/texmf-dist/doc/generic/pmx/accents.eps b/Master/texmf-dist/doc/generic/pmx/accents.eps
new file mode 100644
index 00000000000..f51f0419971
--- /dev/null
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@@ -0,0 +1,1145 @@
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+%%EndFont 
+%%BeginFont: CMR10
+%!PS-AdobeFont-1.0: CMR10 003.002
+%%Title: CMR10
+%Version: 003.002
+%%CreationDate: Mon Jul 13 16:17:00 2009
+%%Creator: David M. Jones
+%Copyright: Copyright (c) 1997, 2009 American Mathematical Society
+%Copyright: (<http://www.ams.org>), with Reserved Font Name CMR10.
+% This Font Software is licensed under the SIL Open Font License, Version 1.1.
+% This license is in the accompanying file OFL.txt, and is also
+% available with a FAQ at: http://scripts.sil.org/OFL.
+%%EndComments
+FontDirectory/CMR10 known{/CMR10 findfont dup/UniqueID known{dup
+/UniqueID get 5000793 eq exch/FontType get 1 eq and}{pop false}ifelse
+{save true}{false}ifelse}{false}ifelse
+11 dict begin
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0 ]readonly def
+/FontName /CMR10 def
+/FontBBox {-40 -250 1009 750 }readonly def
+/UniqueID 5000793 def
+/PaintType 0 def
+/FontInfo 9 dict dup begin
+/version (003.002) readonly def
+/Notice (Copyright \050c\051 1997, 2009 American Mathematical Society \050<http://www.ams.org>\051, with Reserved Font Name CMR10.) readonly def
+/FullName (CMR10) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition -100 def
+/UnderlineThickness 50 def
+end readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 18 /grave put
+dup 19 /acute put
+dup 20 /caron put
+dup 21 /breve put
+dup 22 /macron put
+dup 23 /ring put
+dup 24 /cedilla put
+dup 25 /germandbls put
+dup 26 /ae put
+dup 27 /oe put
+dup 28 /oslash put
+dup 29 /AE put
+dup 30 /OE put
+dup 31 /Oslash put
+dup 32 /suppress put
+dup 46 /period put
+dup 65 /A put
+dup 76 /L put
+dup 94 /circumflex put
+dup 95 /dotaccent put
+dup 97 /a put
+dup 108 /l put
+dup 111 /o put
+dup 125 /hungarumlaut put
+dup 126 /tilde put
+dup 127 /dieresis put
+readonly def
+currentdict end
+currentfile eexec
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+%%EndFont 
+%%BeginFont: CMBX12
+%!PS-AdobeFont-1.0: CMBX12 003.002
+%%Title: CMBX12
+%Version: 003.002
+%%CreationDate: Mon Jul 13 16:17:00 2009
+%%Creator: David M. Jones
+%Copyright: Copyright (c) 1997, 2009 American Mathematical Society
+%Copyright: (<http://www.ams.org>), with Reserved Font Name CMBX12.
+% This Font Software is licensed under the SIL Open Font License, Version 1.1.
+% This license is in the accompanying file OFL.txt, and is also
+% available with a FAQ at: http://scripts.sil.org/OFL.
+%%EndComments
+FontDirectory/CMBX12 known{/CMBX12 findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
+11 dict begin
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+/FontName /CMBX12 def
+/FontBBox {-53 -251 1139 750 }readonly def
+/UniqueID 5000769 def
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+/FontInfo 9 dict dup begin
+/version (003.002) readonly def
+/Notice (Copyright \050c\051 1997, 2009 American Mathematical Society \050<http://www.ams.org>\051, with Reserved Font Name CMBX12.) readonly def
+/FullName (CMBX12) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Bold) readonly def
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+/UnderlinePosition -100 def
+/UnderlineThickness 50 def
+end readonly def
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+0 1 255 {1 index exch /.notdef put} for
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+%%CreationDate: 01-07-25 at 04.07
+%%VMusage: 1024 35768
+% Generated by Fontographer 4.1.4
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+% ADL: 701 299 0
+%%EndComments
+FontDirectory/TeXMUSIX20-Regular known{/TeXMUSIX20-Regular findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
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+/Notice (converted using TeXtrace 0.45 and modified by T. Uchiyama) readonly def
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+dup 62 /greater put
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+readonly def
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+currentdict end
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new file mode 100644
index 00000000000..1e6e52990ef
--- /dev/null
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+%!PS-AdobeFont-1.0: CMBX8 003.002
+%%Title: CMBX8
+%Version: 003.002
+%%CreationDate: Mon Jul 13 16:17:00 2009
+%%Creator: David M. Jones
+%Copyright: Copyright (c) 1997, 2009 American Mathematical Society
+%Copyright: (<http://www.ams.org>), with Reserved Font Name CMBX8.
+% This Font Software is licensed under the SIL Open Font License, Version 1.1.
+% This license is in the accompanying file OFL.txt, and is also
+% available with a FAQ at: http://scripts.sil.org/OFL.
+%%EndComments
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+%%Creator: David M. Jones
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+%%EndComments
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diff --git a/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf b/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf
index e4c9429da66..5538f8db899 100644
--- a/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf
+++ b/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf
diff --git a/Master/texmf-dist/doc/generic/pmx/pmx-install.tex b/Master/texmf-dist/doc/generic/pmx/pmx-install.tex
index e49bfd0f8c0..c6bf78dc6d5 100644
--- a/Master/texmf-dist/doc/generic/pmx/pmx-install.tex
+++ b/Master/texmf-dist/doc/generic/pmx/pmx-install.tex
@@ -5,7 +5,7 @@
 \RequirePackage{hyperref}
 \usepackage{xcolor}
 \newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}}
-\newcommand{\pmxVersion}{2.8.4}
+\newcommand{\pmxVersion}{2.9.4}
 \begin{document}
 \title{Installation of the CTAN PMX Distribution}
 \author{Bob Tennent\\
@@ -32,25 +32,16 @@ which tree to use\footnote{%
 and installing files\footnote{%
 \myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}.
 
-\section{Installing \texttt{pmx.tds.zip}}
+\section{Installing \texttt{texmf} Files}
 
-In this distribution of PMX, most of the files to be installed 
-(including macros, documentation, and a processing script) are in 
-\myurl{http://mirror.ctan.org/install/support/pmx.tds.zip} at CTAN.
-The file \verb|pmx.tds.zip| is a zipped TEXMF
-hierarchy; simply download it and unzip in the root folder/directory of whichever TEXMF tree
-you decide is most appropriate, likely a ``local'' or ``personal'' one.
-This should work with any TDS\footnote{%
-\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}}
-compliant TeX distribution, including MikTeX, TeXlive and teTeX.
+Copy \verb|tex/pmx.tex| to \verb|/tex/generic/pmx| in a personal or local
+TEXMF tree.
+Copy files in \verb|doc| to \verb|/tex/doc/generic/pmx| in the TEXMF tree.
 
-After unzipping the archive, update the filename database as necessary,
+Update the filename database as necessary,
 for example, by executing \verb\texhash ~/texmf\ or 
 clicking the button labelled ``Refresh FNDB" in the MikTeX settings program.
 
-Documentation for PMX is installed under \verb\doc/generic/pmx\
-in the TEXMF tree.  
-
 \section{Installing \texttt{pmxab} and \texttt{scor2prt}}
 
 The next step in the installation is to install
@@ -87,6 +78,7 @@ and \texttt{gcc}\footnote{%
 on your platform, 
 you should be able to build \texttt{pmxab} and \texttt{scor2prt} executables.
 
+
 To build \texttt{pmxab} and \texttt{scor2prt} for your platform: 
 \begin{enumerate}
 \item Unpack the \texttt{pmx-\pmxVersion.tar.gz} archive:
@@ -112,7 +104,7 @@ as root (admin) to install to the system path, or just
 \end{list}
 to install in your own path.
 \end{enumerate}
-You should now have executables \verb\pmxab\ and
+You should now have executables \verb\pmxab\ and 
 \verb\scor2prt\ available for use.
 
 \section{The \texttt{musixtex.lua} Processing Script}
diff --git a/Master/texmf-dist/doc/generic/pmx/pmx25-284.html b/Master/texmf-dist/doc/generic/pmx/pmx25-284.html
deleted file mode 100644
index 29d811084c1..00000000000
--- a/Master/texmf-dist/doc/generic/pmx/pmx25-284.html
+++ /dev/null
@@ -1,384 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"
-    "http://www.w3.org/TR/html4/loose.dtd">
-<html>
-<head>
-  <meta http-equiv="Content-Type" content="text/html">
-  <title>PMX 2.84 vs 2.5</title>
-</head>
-
-<body bgcolor="#E1E1E1">
-
-<h2>Changes from PMX 2.5 to the Latest Full Release (2.84), 10 February 2018</h2>
-
-<p>2.501 <strong>(Note: new scor2prt)</strong></p>
-<ul>
-  <li>Bugfix: initialize index in PMX subroutine putorn to eliminate subscript 
-    error detected in some compilers</li>
-  <li>Bugfix in <strong>scor2prt</strong>: Ignore special treatment of special 
-    symbols if they appear between double quotes.</li>
-  <li>Tweak: move end of first part of line-break ties slightly to the right.</li>
-</ul>
-
-<p>2.502 <strong>(Note: new pmx.tex)</strong></p>
-<ul>
-  <li>The height of a figured bass vertical stack can now be adjusted upward by 
-    an integral number of \internote by appending "+" and the number. Recall that 
-    it can already be moved downward 4\internote by prepending "_" (underscore). The
-    two options can be combined to provide full control over the vertical position.</li>
-  <li>Ties can now be represented with braces "{" before a note and "}" after. Both are
-    equivalent to "t" after the note. (Thanks to Dirk Laurie).</li>
-  <li>In <strong>pmx.tex</strong> all the commands of the form
-   \font\...=\fontid sy1000 have been changed to \font\...=cmsy10 (Thanks to 
-   Olivier Vogel).</li> 
-</ul>
-
-<p>2.503</p>
-<ul>
-  <li>Enable arpeggio left shift with ?-[x]</li>
-  <li>Allow musicsize of 24 and 29.</li>
-  <li>Bugfix: Fix bug introduced in 2.415 which caused error in printing replacement 
-    number in xtup.</li>
-</ul>
-
-<p>2.504</p>
-<ul>
-  <li>Gap between normal grace and main note: X[x] as option to the G command,
-    where x is the gap size in notehead widths.</li> 
-  <li>Bugfix: og (segno) now works OK when nv .ne. noinst.</li>
-</ul>
-
-<p>2.505</p>
-<ul>
-  <li>A new global option AK activates special rules for vertical positioning
-   of rests in two-voice staves. By way of background, without the new option, 
-   rests in two-voice staves have default positions based on
-   a simple rule that is not context-sensitive: those
-   in the lower voice (the one before "//") are 4\internote below their 
-   single-voice default positions, and those in the upper line are 2\internote 
-   above the single-voice default. The new option invokes a set of 
-   context-sensitive rules to set the default position. The baseline rule is to
-   align the rest in a horizontal line with the next following note in the same
-   bar. If there is no following note in the bar, then it is aligned with the 
-   next prior note. If there are simulataneous rests in both voices, the old 
-   rule is applied. When the AK option is in force, it only affects places
-   where there are two voices in a staff. It may be toggled on and off at the 
-   beginning of any input block, using
-   just AK. When the option is in effect, any user-defined tweaks on the height
-   of a rest will supersede the option for that particular rest, i.e., the tweak
-   will be applied relative to the single-voice default position.</li>
-</ul>
-
-<p>2.506</p>
-<ul>
-  <li>Fixes a bug in AK. Simultaneous, equal-duration rests will be positioned 
-    according to the default rules.</li>
-</ul>
-
-<p>2.507</p>
-<ul>
-  <li>Enhancement to global option AK for vertical positioning of rests in
-    two-voice staves (see version 2.505): The option L ("look left") in a rest will cause the
-    vertical position of that rest to be based on the preceding note, rather than the
-    following one as is the default when AK has been issued </li>
-  <li>Partial bugfix: In unbeamed xtuplets, the length of the bracket and position of
-    the number are now adjusted to account for any inserted hardspaces.</li> 
-  <li>Bugfix: unbeamed xtups with two flags are now allowed.</li>
-</ul>
-
-<p>2.508</p>
-<ul>
-  <li>Allow grace notes in xtuplets.</li>
-</ul>
-
-<p>2.509</p>
-<ul>
-  <li>Correct small bug in arpeggio left-shifting (it got confused when there 
-    was more than one voice on a staff).</li>
-</ul>
-
-<p>2.510</p>
-<ul>
-  <li>Bugfix: Correct omission of character variable declarations in new subroutine getgrace 
-    introduced in 2.508.</li>
-</ul>
-
-<p>2.511 <strong>(Note: new scor2prt named s2p2511.exe)</strong></p>
-<ul>
-  <li>Bugfix: Correct error in horizontal spacing introduced in 2.507.</li>
-  <li>Experiment: Remove prohibition against tempo changes in MIDI macros.</li>
-  <li>Bugfix in <strong>scor2prt</strong>: Make it work right when "R" command occurs at end of 
-    input block and "/" is on next line (as produced by M-Tx).</li>
-</ul>
-
-<p>2.512</p>
-<ul>
-  <li>Enable multiplicity down-up "][" within xtuplet</li>
-</ul>
-
-<p>2.513</p>
-<ul>
-  <li>Bugfix: If there is more than one rest at start of a beamed xtuplet marked as a forced 
-    beam, beam height and slope tweaks are now properly handled.</li>
-  <li>Bugfix: If an xtuplet with multiplicity 2 or 3 starts with a rest, the rest is now printed 
-    correctly.</li>
-  <li>Bugfix: Unbeamed xtuplets (with option 'a' on first note) with multiplicity 2 or 3 are now printed correctly.</li>
-</ul>
-
-<p>2.514</p>
-<ul>
-  <li>Bugfix: Correct horizontal spacing when after-grace is immediately followed by 
-    normal grace.</li>
-  <li>Bugfix: Correct transpose register when it has been changed in a single
-    after-grace.</li>
-</ul>
-
-<p>2.515</p>
-<ul>
-  <li>Bugfix: Correct error in automatic forced beams. Before the fix, if the 
-    beam did not start an integral number of beam durations from the start of 
-    the bar, incorrect results would occur.
-  <li>Bugfix: Properly center fermata over centered whole-bar rest. </li>
-</ul>
-
-<p>2.516 <strong>(Note: new pmx.tex)</strong></p>
-<ul>
-  <li>Allow figures in voice #2.</li>
-</ul>
-
-<p>2.517</p>
-<ul>
-  <li>Allow figures in two voices, voice 1 and any other one.</li>
-</ul>
-
-<p>2.518</p>
-<ul>
-  <li>Bug fixes in 2-voice figures.</li>
-</ul>
-
-<p>2.519</p>
-<ul>
-  <li>Fix bug that prevented \sk from being output, misaligning some voices.</li>
-</ul>
-
-<p>2.520</p>
-<ul>
-  <li>New feature: special characters 2+, 4+, 5+, 6+, 9+ for figured bass. In the PMX 
-    string for any figure, follow the number by 's'. This uses the font cmrj from the 
-    new package figbas. You must install this font in your TeX setup for this to work.</li>
-</ul>
-
-<p>2.521</p>
-<ul>
-  <li>Bugfix: Font definition syntax corrected so no extra space is introduced.</li>
-</ul>
-
-<p>2.602 <strong>(Note: new pmx.tex; requires eTeX)</strong></p>
-<ul>
-  <li>Allow 24 voices, beams, slurs. Require etex.</li>
-  <li>Include comment about doubling size of internal buffer to 131072, requiring gfortran for Windows to compile.</li>
-  <li>Correct slur indexing in linebreakslurs.</li> 
-  <li>Account for comment lines in line count for error messages</li>
-</ul>
-
-<p>2.603 <strong>(Note: new scor2prt)</strong></p>
-<ul>
-  <li>In getpmxmod.for, decrease nline by 2 to fix locating errors 
-    following reading in an include file.
-  <li>Add some error messages in g1etset.for setup data 
-</ul>
-
-<p>2.610</p>
-<ul>
-  <li>Instrument-wise transposition: Ki[instrument #][+/-][trans amt.][+/-][new key]. 
-    For more than one instrument, may immediately repeat everything after "K". Must
-    either be at start of score (right after setup), or if later, must be preceded 
-    by normal (full score) key 
-    change command K+0[+/-][new key]. Must be used with relative accidentals ("Ar").
-    Part(s) to be transposed must be entered in concert key, and will appear transposed
-    in the score. MIDI behavior not yet 
-    tested. Has not yet been integrated into scor2prt, so for now 
-    if you want to make parts, only use Ki... as score-only (on line after "%%") and/or
-    instrument only (on same line after %[Instrument #]).
-</ul>
-
-<p>2.613</p>
-<ul>
-  <li>Set error trap if "D" is entered before any notes.</li>
-  <li>Enhance "AS" to allow spacing adjustments tailored for either smallsize or
-    tinysize. As before, "AS" must be followed by nv characters, but now they
-    may be "0" for normal, "-" or "s" for small, or "t" for tiny. Still must
-    set sizes of instruments with inline TeX.</li>
-  <li>Bugfix: Fixed broken "K-..." in 2.610.
-</ul>
-
-<p>2.614</p>
-<ul>
-  <li>Bugfix: revise raised dotted rests by separately raising rest and dot.
-</ul>
-
-<p>2.615 <strong>(Note: new scor2prt)</strong></p>
-<ul>
-  <li>Command "AS", described above under 2.163, now also causes staff sizes to change 
-    (in score only, not parts), so inline TeX is no longer needed to change sizes of 
-    selected staves.</li>
-  <li>Scor2prt transfers partwise transposition commands Ki... (see 2.610 above) 
-    into parts. </li>
-</ul>
-
-<p>2.616</p>
-<ul>
-  <li>"Feature" added: Hairpin dynamics now may span input blocks.</li>
-</ul>
-
-<p>2.617</p>
-<ul>
-  <li>Repaired several obscure bugs related to platform and compiler dependencies; 
-        see pmxab.for for details.
-  </li>
-</ul>
-
-<p>2.618</p>
-<ul>
-  <li>For letter and a4 paper respectively, commands "Acl" and "Ac4" set horizontal 
-       and vertical sizes and offsets that center the page with no further adjustments
-       required in dvips. </li>
-</ul>
-
-<p>2.619 <strong>(Note: new pmx.tex)</strong></p>
-<ul>
-  <li> Several changes at movement breaks to improve compatibility with M-Tx 
-    and musixlyr.</li>
-</ul>
-
-<p>2.621</p>
-<ul>
-  <li> Bugfix: Made keyboard rest positioning ("AK" command) work properly
-    when there are rests are within xtuplets. 
-    Also fine-tune default positioning of number and
-    bracket in unbeamed xtuplets containing rests. Position of both can still
-    be overridden with options on first note command for xtuplet.</li>
-</ul>
-
-<p>2.622</p>
-<ul>
-  <li> New option in "K" command: "Kn..." inserts \ignorenats before signature
-    change, supressing naturals in new signature</li>
-  <li> Many small fixes in transposition and key changes with "K", "Ki", and
-    "IT" to make MIDI come out OK. Basic function of "K" and "Ki" unchanged. 
-    "IT[+/- n1][+/- n2]..." now transposes MIDI by \internotes, not half steps
-    as before. E.g. to transpose MIDI of 2nd instrument out of 3 up by one octave, 
-    use "IT+0+7+0". May also use to untranspose a transposing instrument that 
-    has been entered transposed, to make MIDI come out at concert pitch.</li>
-</ul>
-
-<p>2.70 <strong>(Note: new scor2prt.exe and pmx.tex)</strong></p>
-<ul>
-  <li>Bugfix in AN, to make it behave as advertised, which is to assign user-
-    defined names to part files rather than using the default.</li> 
-</ul>
-
-<p>2.71 <strong>(Note: new pmx.tex and MusiXTeX 1.21)</strong></p>
-<ul>
-  <li>Octave treble clef ("C8" command).</li> 
-  <li>In figured bass, apply vertical shift for remainder of line with
-    option "v[-](number)" to the figure command</li>
-  <li>Internal changes in multi-bar rests to accommodate changes in
-    musixtex.tex.</li>
-  <li>Slurs aligned with stem ends, postscript slurs only, option "v".</li>
-  <li>Coda "oC".</li>
-  <li>New, smaller segno "oG". Unlike "og", must enter on every staff. </li>
-</ul>
-
-<p>2.72 <strong>(Note: new pmx.tex; still requires MusiXTeX 1.21)</strong></p>
-<ul>
-  <li>Bugfix when arpeggios go from one voice to another in the same staff.</li> 
-  <li>Further tweaks in multibar rests.</li>
-  <li>Tweaks in centered full-bar rests.</li>
-  <li>Fix bug in clef changes for multi-staff instruments.</li>
-</ul>
-
-<p>2.73 <strong>(Note: new pmx.tex)</strong></p>
-<ul>
-  <li>Enabled lyrics with "[text]".</li> 
-  <li>Internally replace each '\' in pathname in input file with '/', so files made 
-    in Window are compatible with linux systems.
-</ul> 
-
-<p>2.74 <strong>(Note: new pmx.tex, new scor2prt)</strong></p>
-<ul>
-  <li>Enabled staff-crossing chords with single stems, as ordinary beams, and as
-    beamed xtuplets.</li>
-  <li>Allow \" in lyrics string, for umlaut.</li> 
-  <li>Fix bug in scor2prt that was causing crashes when last line started with %.</li>
-  <li>Enable note option Lx to lengthen a stem by x \internotes.</li> 
-</ul> 
-
-<p>2.76</p>
-<ul>
-  <li>Allow accented characters in lyrics.</li>
-  <li>Behind-the-scenes modifications to allow staff-crossing chords that 
-    are unbeamed or beamed, as illustrated in staffcrossall.pmx.</li>
-  <li>Modifications to allow accented characters in text strings in
-    lyrics, page headers, and text dynamics.</li>
-  <li>Bugfixes in unbeamed, dotted xtuplets.</li>
-  <li>Increased allowable length of text dynamic strings from 52 to 64 
-    characters.</li> 
-</ul> 
-
-<p>2.77</p>
-<ul>
-  <li>Enable AV+/-x+/-y to add vskip bigh before or after \eject.</li>
-</ul>
-
-<p>2.78</p>
-<ul>
-  <li>Expand bufq to 131072 bytes.</li>
-  <li>Expand maxblks tp 9600.</li>
-  <li>Allow up to 75 pages.</li>
-  <li>Index postscript hairpins from 1 up instead of by voice #.</li>
-  <li>Add option 'o' to forced beam for open notehead (\hb); set ipl(3).</li>
-  <li>Add option T[n], n=1,2,3 for single stem tremolo.</li>
-</ul>
-
-<p>2.80</p><strong>(Note: new pmx.tex)</strong></p>
-<ul>
-  <li>Add 2-note tremolos.</li>
-</ul>
-
-<p>2.81</p>
-<ul>
-  <li>Allow string of rests to end xtup,</li>
-  <li>In chordal half-note 2-note tremolo, make chord notes open.</li>
-</ul>
-
-<p>2.82</p>
-<ul>
-  <li>Bugfix: beams with rests, not confused with xtups.</li>
-  <li>x option after slur index to allow slurs to go from one voice to another.</li>
-  <li>x option also for ties.</li>
-</ul>
-
-<p>2.83</p>
-<ul>
-  <li>Fix problems when changing to or from octave treble clef.</li>
-  <li>Fix beaming (or not) and number location for xtups with
-     multiple rests. Still some problems with number height but
-     can be band-aided with number height tweak option.</li>
-  <li>Tweak error messages for options on "R" command.</li>
-  <li>Allow forced beam height and slope tweaks with 2-note tremolos.</li>
-  <li>Allow chordal note with 2-note tremolos, adding dots as needed.</li>
-  <li>Fix call to ncmid in beamstrt when setting start height for beam of 
-     2-note trem, by changing arg from ivx to iv.</li>
-</ul>
-
-<p>2.84</p>
-<ul>
-  <li>Bug fix: dots in chordal seconds.</li>
-  <li>Bug fix: Initialize ihornb for non-beamed, down xtup.</li>
-  <li>Bug fix when using "AT" with 2-note x3c rD.</li>
-</ul>
-
-<p>Revised 12 February 2018, Don Simons (dsimons at roadrunner dot com)</p>
-</body>
-</html>
-
diff --git a/Master/texmf-dist/doc/generic/pmx/pmx284.pdf b/Master/texmf-dist/doc/generic/pmx/pmx284.pdf
deleted file mode 100644
index a62ebabf247..00000000000
--- a/Master/texmf-dist/doc/generic/pmx/pmx284.pdf
+++ /dev/null
diff --git a/Master/texmf-dist/doc/generic/pmx/pmx294.pdf b/Master/texmf-dist/doc/generic/pmx/pmx294.pdf
new file mode 100644
index 00000000000..2a0d2d18874
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pmx/pmx294.pdf
diff --git a/Master/texmf-dist/doc/generic/pmx/pmx284.tex b/Master/texmf-dist/doc/generic/pmx/pmx294.tex
index ce131274281..69bf5269b8e 100644
--- a/Master/texmf-dist/doc/generic/pmx/pmx284.tex
+++ b/Master/texmf-dist/doc/generic/pmx/pmx294.tex
@@ -1,6 +1,6 @@
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 %
-% pmx284.tex 12/30/2017
+% pmx294.tex 1/22/2020
 %
 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
 \documentclass[11pt]{article}
@@ -47,7 +47,7 @@
   PMX~--~a Preprocessor for \MusiXTeX{}\\
   \null\vskip-15pt
   \Large\sl
-  Version 2.84~--~20 December 2017\\ 
+  Version 2.94~--~22 January 2020\\ 
   \author{\Large\rm Don \sc Simons\\
   \large\sl
   Dr. Don's PC and Harpsichord Emporium\\
@@ -66,12 +66,18 @@
 \maketitle
 
 \section*{Preface}
-Compared to version 2.80, aside from bug fixes which are documented in the
-opening comments in the source code, \PMX version 2.84 allows arbitrary 
-numbers of rests in xtuplets, chordal notes in 2-note tremolos, and
-user-defined adjustments of beam height and slope in 2-note tremolos.
+Compared to version 2.84, aside from bug fixes documented in the
+opening comments in the source code, \PMX version 2.94 
+enables blank gaps at the end or in the middle of a system (\ref{Gaps}),
+allows virtually 
+arbitrary staff jumping beams with multiplicity changes at the jump (\ref{Jumps}), 
+allows 
+changes to the vertical position of the number for a multibar rest (\ref{MultibarRest}),
+and has more flexibility in setting stem lengths (\ref{Stemlength}).
 
 \setcounter{page}1
+% Need extra line to push last line of TOC to next page
+~~
 \tableofcontents
 %\setcounter{secnumdepth}1
 \pagestyle{headings}
@@ -85,11 +91,12 @@ user-defined adjustments of beam height and slope in 2-note tremolos.
 \font\ded=cmssdc10 scaled \magstep3 
 \bigskip
 \setbox4=\vbox{
-  \hsize3in\noindent\strut 
+%  \hsize3in\noindent\strut 
+  \hsize4in\noindent\strut 
      \centerline{\ded Dedication}
 \vskip 3pt
 The \MusiXTeX~community was stunned by the sudden death of Werner Icking on 
-\break February 8, 2001.  He had been a benevolent patriarch, touching many 
+February 8, 2001.  He had been a benevolent patriarch, touching many 
 of us not only
 with his technical savvy and gentle guidance, but also his genuine kindness 
 and generosity.  His spirit runs deep through all of \PMX.  His encouragement
@@ -140,10 +147,10 @@ that defines the score and the individual parts.
 
 The basic \PMX
 distribution as of this version of the manual is 
-\href{http://icking-music-archive.org/software/pmx/pmx276.zip}
-{\underline{\tt pmx276.zip}}.\NEW{2.76} It 
+\href{http://icking-music-archive.org/software/pmx/pmx294.zip}
+{\underline{\tt pmx294.zip}}.\NEW{2.94} It 
 contains the FORTRAN sources, binaries that will run in a DOS
-window on a PC with WINDOWS95 or higher, manuals for useage and for installation 
+window on a PC with WINDOWS95 or higher, manuals for usage and for installation 
 in DOS/Windows, and example typesetting files. Alternatively, the 
 \href{http://www.icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html}
 {\underline{software section}} of the Werner Icking Music Archive (WIMA) has instructions
@@ -151,7 +158,7 @@ for acquiring and installing \MusiXTeX~and \PMX on various platforms
 (Windows, Mac-OSX, Unix-like systems) including using automated procedures from
 several external \TeX~distribution sites.
 The packages from those other sites will 
-all eventually incorporate all the upgrades in {\tt pmx276.zip} but will take 
+all eventually incorporate all the upgrades in {\tt pmx294.zip} but will take 
 varying amounts of time to do so. \PMX is often upgraded; the most current version will
 always be available directly from the ``News'' paragraph
 \href{http://www.icking-music-archive.org/software/htdocs/htdocs.html}{\underline{here}}. 
@@ -264,6 +271,7 @@ files like you did the original one to create separate parts.
 
 	To see how the input file is put together, we'll look at 
 {\tt barsant.pmx}.  For reference, here are are the first few lines:  
+\pagebreak
 \begin{verbatim}
 %----------------%
 %
@@ -471,8 +479,9 @@ direction of any un-beamed note; {\tt e} or {\tt r} to shift the notehead
 l{\bf e}ft 
 or {\bf r}ight by its own width; {\tt a} (for {\bf a}lone) which inhibits 
 beaming for this note (or, if the first note of an xtuplet, for the
-entire xtuplet); and \NEW{2.80}{\tt T} to insert a {\it tremolo} 
-on the stem. 
+entire xtuplet); and \NEW{2.80}{\tt T} to insert a single-note {\it tremolo} 
+on the stem (not to be confused with a 2-note tremolo, discussed later in 
+section~\ref{TwoNoteT}). 
 The {\tt T} may be followed by a single digit {\tt 1}, {\tt 2}, or {\tt 3} 
 to indicate the
 number of slashes in the tremolo symbol; {\tt 1} is the default if no digit
@@ -549,7 +558,7 @@ more {\tt +} or {\tt -} .  In earlier versions, {\tt +} or {\tt -} was
 ignored if an octave number was specified.  This is a slight backward 
 incompatibility; \PMX prints a warning when it happens.
 
-Stem length \NEW{2.73} can be {\bf s}hortened or {\bf l}engthened by {\it x} 
+\label{Stemlength}Stem length \NEW{2.73} can be {\bf s}hortened or {\bf l}engthened by {\it x} 
 \bs{\tt internote} with the options {\tt S}{\it x} or {\tt L}{\it x}~. 
 {\it x} is restricted to the range (0.5,4.0) for shortening and 0.5 to 27.5 
 for lengthening.
@@ -663,7 +672,7 @@ note and an extra flag to the next, include {\tt d} in the note command,
 As an example, an ascending quarter-note triplet scale would be 
 notated\hfil\break {\tt~c44x3~d~e~f4x3~g~a~b4x3~c~d~\dots} 
 
-\subsubsection{2-note tremolos}
+\subsubsection{2-note tremolos}\label{TwoNoteT}
 
 A 2-note tremolo \NEW{2.80}is a special case of an xtuplet. 
 It represent a rapid alternation between two notes. 
@@ -671,43 +680,58 @@ It is notated with a pair of
 notes, either beamed or unbeamed, with the possible addition of from one to three 
 indented, disconnected beams between the two note stems. 
 Like an ordinary
-xtuplet, it begins with a note name, optional duration and octave level, then
+xtuplet, it begins with a note name, optional duration and octave, then
 the character {\tt x}. The duration applies to the total time value of the 
-two notes, and is currently limited to either a half note ({\tt 2}), 
-quarter ({\tt 4}), or eighth ({\tt 8}). The duration may be dotted. 
+two notes, is currently limited to either a half note ({\tt 2}), 
+quarter ({\tt 4}), or eighth ({\tt 8}), and may be dotted by including~{\tt d}~after
+the duration digit. 
 Next comes a {\tt T}. This is optionally followed by one or two
 integers from 0 to 3. The first indicates the number of ordinary beams 
-connecting the two notes; the second, the number of indented beams. 
+connecting the two notes; the second, the number of indented beams.
+
+The only other option allowed on the first note is to move the dot. After 
+the~{\tt d}~enter one or two signed integers, where the first 
+is a vertical shift in {\tt \bs internote}s, and the second, a horizontal shift 
+in notehead widths. If the note has both a moved dot and a digit for an explicit octave, 
+the~{\tt d} must follow the octave number
+
 No other options are allowed, and some options are prohibited, such as zero
 ordinary beams on anything except a quarter or dotted quarter tremolo. If no 
-integers are entered, defaults are assigned: (3,0) for a half, (0,3) for a 
-quarter, and (1,2) for an eighth.  After a space, the
-second note of the tremolo is entered. If the total duration is a half or dotted
-half, the 
+integers are entered after the~{\tt T}, defaults are assigned: (3,0) for a half, 
+(0,3) for a quarter, and (1,2) for an eighth.  
+
+After a space, the second note of the tremolo is entered. If the total duration 
+is a half or dotted half, the 
 noteheads will be open. For a whole note tremolo, two consecutive half note 
 tremolos should be used. As with ordinary xtuplets, the horizontal spacing of the 
 notes will always be the
-correct value for notes with half the duration of the total.
+correct value for notes with half the duration of the total. If the tremolo duration
+is dotted, a dot will appear by default on the second note, and no~{\tt d}~should
+be entered there unless the dot needs to be moved, in which case the syntax is as
+described above for the first note.
 
 Either\NEW{2.84} or both members of the tremolo may include chordal notes,
-using the normal {\tt z} notation described in section~\ref{chords}. Also,
-if the tremolo is beamed, the height and angle of the beam may be adjusted
-after making it a forced beam as described in section!\ref{beams}.
-
-Some examples are shown below. When two versions are shown for a given duration, 
+using the normal {\tt z} notation described in section~\ref{chords}. If the 
+duration is dotted, dots will appear by default on chord notes, and again 
+no~{\tt d}~should be entered there unless the dot needs to be moved.
+If the tremolo is beamed, the height and angle of the beam may be adjusted
+after making it a forced beam as described in section~\ref{beams}. 
+
+Some examples of 2-note tremolos are shown below. When two versions are shown 
+for a given duration, 
 the first is the default. The following \PMX code generates the example.
 
 ~
 
 {\tt f24xT a fxT a | fxT20 a fxT20 a /}
 
-{\tt L2 fd24xT a r4 | f24xT a f2xT20 a /}
+{\tt L2 fd24xT zefd-2+1 zcd-2+1 a r4 | f24xT a f2xT20 a /}
 
 {\tt L3 fd44xT a r8 f44xT a  r4 | f44xT02 a fd8xT a r1 f8xT a r4 f8xT11 a /}
 
 ~
 
-\includegraphics[scale=1.0]{tremxmpl3.eps}
+\includegraphics[scale=1.0]{tremxmpl4.eps}
 
 \subsubsection{Rests}
 
@@ -732,14 +756,6 @@ option {\tt o} (for {\bf o}ff-center) suppresses centering a full bar rest.  If
 you don't exercise this option, then 
 {\it all} full-bar rests will be horizontally centered between bar 
 lines, including pauses ({\tt rp}) as well as normal rests that fill the bar. 
-\label{MultibarRest}{\tt rm} followed immediately by an integer will generate a 
-{\bfi m}{\it ulti-bar} 
-rest, a special combination of characters between two bar lines with an integer 
-above representing two or more bars of rest.   
-This command will generally only be used in separate parts 
-after having been automatically generated by {\bfx scor2prt}. However, it
-\NEW{2.4}may be used in a multi-line score, provided it is entered for the same
-number of bars in every staff.
 
 	The default vertical position of a rest depends on whether there
 are one or two voices in the staff. 
@@ -777,6 +793,20 @@ The option {\tt K} (for {\bf K}eyboard) in the
 aligned horizontally with notes in the voice in which they are entered. See
 section~\ref{Acommands} for a detailed description.
 
+	\label{MultibarRest}The command {\tt rm} followed immediately by an 
+unsigned integer will generate a {\bfi m}{\it ulti-bar} 
+rest, a special combination of characters between two bar lines 
+representing two or more bars of rest. The integer will always be printed, 
+horizontally centered. The integer in the command \NEW{2.91}may optionally
+be followed by {\tt n} and then another integer, possibly negative, indicating a
+different vertical position for the number relative to the bottom staff line. 
+The default is 9. To put the number
+below the staff use -5 or -6. Once the height is changed it will stay the same until
+changed again. The {\tt rm} command will generally only be used in separate parts 
+that have been automatically generated by {\bfx scor2prt}. However, it
+\NEW{2.4}may be used in a multi-line score, provided it is entered for the same
+number of bars in every staff.
+
 \subsubsection{Chords}\label{chords}
 
       Chordal notes, which always share a stem and the same time value as the 
@@ -841,8 +871,8 @@ blank rests \bs{\tt rb} inside the force beam. So for example a set of beamed ch
 that starts only in the
 lower staff and ends only in the upper could be represented by
 \begin{verbatim}
-{\tt [+28 g83 g g rb ]j /
-[jf rb g84 g g ] /}
+[+28 g83 g g rb ]j /
+[jf rb g84 g g ] /
 \end{verbatim}
 This example highlights some other issues, viz., that the beam height or direction of one 
 or both beam groups may need to be altered. Often this will require trial and error. 
@@ -858,8 +888,8 @@ staff-crossing beamed xtuplets is more robust than for non-xtuplets, and will ad
 more intuitive coding. So for example, the reverse of the above example, where
 the beam starts in the upper staff and ends in the lower, could be obtained with
 \begin{verbatim}
-{\tt [+28 rb2x4n g3 g g ]j /
-[jf g24x4 g g rb ] /}
+[+28 rb2x4n g3 g g ]j /
+[jf g24x4 g g rb ] /
 \end{verbatim}
 \newdimen\psav\psav=\parindent\parindent=0pt where we used the option {\tt n} to  
 suppress printing the number. As you might expect, more general staff-crossing 
@@ -1148,9 +1178,14 @@ or {\tt <} .  The last two are diminuendo and crescendo, and they are toggles,
 i.e., the first one of each starts the symbol and the next one ends it.  
 The one surrounded by \NEW{2.76} double quotes is an arbitrary text string
 no longer than 64 characters, which may include embedded \TeX.
-With any dynamic mark, you can also 
+By default a single note dynamic mark is horizontally centered below the note 
+to which it is assigned, or below the staff, whichever is lower. Dim. or cresc.
+follow the obvious extension of that rule to the starting and ending note taken
+together. Examples of the default positions of dynamic marks are contained 
+in the file {\tt dyntest.pmx}. However, with any dynamic mark you can also 
 enter position shifts, vertical as a signed integer representing
-the number of {\tt \bs internote}s, then horizontal as a signed number representing 
+the number of {\tt \bs internote}s, then (if desired) horizontal as a signed 
+number representing a 
 number of notehead widths.  There can only be one of the letter-groups on each 
 note, but there may also be {\tt D<} and/or {\tt D>} on the same note.  These must be 
 entered as separate {\tt D...} commands, and must come in the right order, e.g.,
@@ -1164,7 +1199,7 @@ Hairpins \NEW{2.7} may span from one input block to the next.
 
 There are numerous context-sensistive automagic adjustments to the positions 
 of all the dynamic symbols.  If you don't like the result you can adjust the
-position as just described.  
+position as just described. 
 
 Due to \MusiXTeX's limitations, 
 there are some restrictions on hairpins when using font-based slurs.
@@ -1282,8 +1317,50 @@ from its proper position by one notehead width.
 Each voice must still have the right number
 of beats, so you will probably need to fill time with blank rests after the 
 first member of the beam in one staff and before the second member in the other.  
-There can
-still only be one staff-jumping beam open at a time. 
+There can still only be one staff-jumping beam open at a time. 
+
+	\label{Jumps}In most cases \NEW{2.91} it is possible within \PMX to set a staff-jumping 
+beam that changes multiplicity right at the jump. The only cases where the author 
+hasn't yet found a way are where multiplicity increases and the beam runs 
+at a height between the notes in the two staves. In that case some inline \TeX\  
+is needed. The example below covers all possible combinations of jump direction;
+whether the beam runs below all, between, or above all of the notes; and
+whether multiplicity stays the same, increases, or decreases at the jump.
+
+~
+\begin{verbatim}
+h4.4i
+w5.5i
+\\let\nbbut\nbbu\let\nbblt\nbbl\
+% Fixed mult, up jump
+[ g83 g ]j rb4 | [u g83 g ]j rb4 | [u+14 g83 g ]j rb4 /
+rb4 [j f84 f ] | rb4 [j f84 f ]  | rb4 [jl f84 f ] /
+% down jump
+rb4 [j g83 g ] | rb4 [j g83 g ]  | rb4 [ju g83 g ] /
+[ f84 f ]j rb4 | [l f84 f ]j rb4 | [l-14 f84 f ]j rb4 /
+L2
+% Bar 7 Incr mult, up jump
+[ g83 g ]j rb4    | [l+14 g83 g ]j rb4 /
+rb4 [j f14 f f8 ] | rb4 \def\nbbu#1{\nbbl{#1}\let\nbbu\nbbut}\ [ju f14 f f8 ] /
+[u+14 g83 g ]j rb4 /
+rb4 [jl f14 f f8 ] /
+% down jump
+rb4 [j g13 g g8 ] | rb4 \def\nbbl#1{\nbbu{#1}\let\nbbl\nbblt}\ [j g13 g g8 ] /
+[ f84 f ]j rb4    | [u-14 f84 f ]j rb4 /
+rb4 [ju g13 g g8 ] /
+[l-14 f84 f ]j rb4 /
+L3
+% Bar 13 Decrease mult, up jump
+[ g83 g1 g1 ]j rb4 | [u g83 g1 g1 ]j rb4 | [u+14 g83 g1 g1 ]j rb4 /
+rb4 [j f84 f ]     | rb4 [j f84 f ]      | rb4 [jl f84 f ] /
+% down jump
+rb4 [j g83 g ]    | rb4 [j g83 g ]     | rb4 [ju g83 g ] / 
+[ f84 f1 f ]j rb4 | [l f84 f1 f ]j rb4 | [l-14 f84 f1 f ]j rb4 /
+\end{verbatim}
+
+\includegraphics[scale=1.0]{sjb291.eps}
+
+~
 
 \subsubsection{Clefs}
 
@@ -1294,13 +1371,13 @@ vertical position, refer to the note in {\tt pmx.tex}.
 
 \subsubsection{Arpeggios}
 
-To set an arpeggio (a vertical wavy line), simply place the command {\tt ?} 
+To set an arpeggio (a vertical wavy line), simply place the \bs  {\tt ?} 
 after the commands for both the first and last note. To shift the symbol to
 the left by {\it x} notehead widths, use the option {\tt -}[{\it x}]\NEW{2.6} . 
 
 \subsubsection{Lyrics}\NEW{2.73}\label{lyrics}
 
-Lyrics depend on the underlying \TeX\ command {\tt\bs pmxlyr} developed by Dirk
+Lyrics rely on the underlying \TeX\ command {\tt\bs pmxlyr} developed by Dirk
 Laurie, which is defined in {\tt pmx.tex}. It in turn makes use of the macro 
 package {\tt musixlyr.tex} developed by Rainer Dunker. So to enable lyrics within \PMXX, 
 you will need to 
@@ -1365,7 +1442,7 @@ It may also be necessary to allow extra vertical space where the lyrics are posi
 There is no \PMX command for this, but type 2 inline \TeX~can be used to insert extra
 vertical space above any instrument. For example, if the voice is in instrument \#2 and
 lyrics are below that staff, 
-\bs\bs{\tt interinstrument=0\bs internote\bs\bs setinterinstrument1\{8\bs internote\}}\bs~ will
+\bs\bs{\tt interinstrument=0\bs internote\bs setinterinstrument1\{8\bs internote\}}\bs~ will
 add \newline 8 \bs{\tt internote}s in the space for the lyrics.
 
 Present limitations allow lyrics at upper and lower voices on the bottom two 
@@ -1381,11 +1458,13 @@ Type~1 \TeX\ strings apply. To ensure that the length of all the Type 1 \TeX\
 strings belonging to a particular note combined does not exceed 128, remember 
 to account for the nine characters in {\tt\bs pmxlyr\{\}}.
 
-This way of entering lyrics is a convenient interface to a small subset of the 
+The sample files {\tt prad5.pmx} and {\tt netsoos.pmx} illustrate many aspects of 
+this direct method for entering lyrics in pure \PMX.
+
+This way of entering lyrics is a convenient interface to a subset of the 
 facilities offered by {\tt musixlyr}. If more advanced features than those supported by
-{\tt\bs pmxlyr} are needed, the necessary {\tt musixlyr} macros could be entered as 
-in-line \TeX\ directly into the .pmx file - see the example file {\tt netsoos.pmx} for 
-some of those.
+{\tt\bs pmxlyr} are needed, the necessary {\tt musixlyr} macros could be manually 
+entered as in-line \TeX\ directly into the .pmx file.
 
 If really advanced features are needed (such as having several verses of lyrics 
 at once), most users would prefer the convenient interface to {\tt musixlyr} via 
@@ -1401,7 +1480,7 @@ automatically be
 transferred from score to parts when separate parts are generated by 
 {\bfx scor2prt} (see section~\ref{scor2prt}). 
 
-\subsubsection{Repeats, double bars, forced single bars}
+\subsubsection{Repeats, double bars, forced single bars} \label{Repeats}
 
 	Repeat signs, double bars, and other bar-ending options are signaled 
 by {\tt R} followed by 
@@ -1466,6 +1545,25 @@ digit and the next as a 2-digit integer, between 10 and 19 inclusive.
 {\bfx Method 2.}  \NEW{1.4} Enter the four numbers verbatim in the order just 
 listed, but separate them with slashes ({\it /}).
 
+\subsubsection{Bar numbers}
+
+	By default \PMX will place a boxed bar number at the start of every system
+except the first, above the clef at the beginning of the top staff. Numbers start at 
+1 unless the first bar is a pickup included in the first input block, in which case
+the pickup bar is numbered 0. There is no way to change any of this except with 
+inline \TeX. 
+
+	There are several ways to modify specific aspects of bar numbering 
+when blank gaps have been inserted (see section~\ref{Gaps}), or to continue 
+numbering rather than resetting to zero at a movement break
+(see section~\ref{movbrk}).
+
+	If you wish to mover the bar number box at the start of any system, 
+enter the type 1 inline \TeX~ command {\tt\bs bnrs[i][j]} anywhere in the
+system before the linebreak, where {\tt [i]} is the vertical shift in 
+{\tt \bs internotes} and {\tt [j]} is the horizontal shift in notehead
+widths.
+
 \subsubsection{Fundamentals of key changes and transposition}\label{transpose}
 
 As explained in section~\ref{setupdata}, the intial key signature, also called
@@ -2065,8 +2163,8 @@ the {\tt M}.  Options following {\tt M} are {\tt +}[{\it integer}] to insert
 vertical space in \bs{\tt internote}s before the break, 
 {\tt i}[{\it decimal number}] to reset the first-line indentation as a fraction
 of the line width, and {\tt c}\NEW{1.41} to {\bf c}ontinue bar numbering rather 
-than resetting the bar number to 0. \NEW{1.4}Also, to change the {\bf n}umber 
-of instruments, 
+than resetting the bar number to 0 (which is the default). \NEW{1.4}Also, to 
+change the {\bf n}umber of instruments, 
 enter {\tt n}[{\it integer}], then the number of each instrument in their new
 order, then a clef-designating character for each staff of each instrument.   
 (An instrument's number is simply its position in the original sequence.)
@@ -2085,6 +2183,95 @@ them if the number of instruments changes, but otherwise not.
       Immediately after a movement break, any desired meter changes, 
 key changes, or text can be entered in the normal way.
 
+\subsubsection{Blank gaps} \label{Gaps}
+
+A blank gaps can be insterted in the middle or at the end of almost any system. 
+The middle gap might be used to create a very short coda at the end of a 
+system. The end gap leaves the system shorter than the others. Both types 
+create a space that could be used for text comments.
+
+Both types of gapped systems are initiated by an option to an {\tt L} command at
+the beginning of the system in question. The syntax is 
+{\tt L}[{\it n}]{\tt S}[{\it x}] where [{\it n}] is the system number, 
+[{\it x}] is the fraction of the width of the system up to the beginning of the
+gap, and no brackets are to be entered. This must be soon followed by a normal
+{\tt L}[{\it n+1}] command to start the next line. With no intervening {\tt LC}
+command (see below), the system entered between the two {\tt L}'s will simply
+start at the left margin and be shortened to a length of {\it x} times the 
+default.
+
+To create a middle gap, begin as above with {\tt L}[{\it n}]{\tt S}[{\it x}]
+followed by the material to the left of the gap. Then enter {\tt LC}[{\it y}]
+to insert a gap followed by another segment of music extending to the end of
+the system. Here {\it y} is the fraction of the total system length occupied 
+by the second segment (so the fraction of the width occupied by the gap will 
+be 1-{\it x}-{\it y} ). The second segment must soon be followed by 
+{\tt L}[{\it n+1}] to start the next normal line. Obviously {\it x}+{\it y} 
+must be less than 1. 
+
+Normally a bar number will appear at the beginning of the second segment after 
+a gap. To suppress this, use {\tt LC}[{\it y}]{\tt n} to start the second 
+segment.
+
+If you want to insert text into the gap, one way is to use the text-dynamics 
+command after the last note before the gap: 
+{\tt D"}{\it text}{\tt "}[{\tt +},{\tt -}][{\it n}][{\tt +},{\tt -}][{\it m}] , where 
+{\it n} and {\it m} are the vertical and horizontal offsets from default 
+position. Some trial and error will always be needed here.
+
+In a system with a gap, the default barline at the end of one or two segments 
+of music will be a single bar unless the following line starts a new movement 
+in which case it will be a double bar. If you want to change either of these 
+segment-ending barline symbols to something else, then after the last note in 
+the lowest voice before the gap, you may use the normal ``repeat'' command,
+e.g. {\tt RD} for a thin-thick double bar, or with other options for different
+symbols as explained in \ref{Repeats}. If you use this option, it must be 
+immediately followed by a space and {\tt /} to end the input block. So in 
+particular if you have entered some text with the {\tt D} command, that must
+come before the {\tt R} command.
+
+Here is an example \PMX file incorporating the different types of gaps, 
+followed by the output it produces:
+
+%\pagebreak
+\begin{verbatim}
+1 1 2 4 2 4 0 -1
+1 9 20 .1
+Harp
+t
+.\
+h7.4i
+Abe
+h
+Movement 1
+f44 g a g f g a g /
+L2S.4
+f44 g a g a g D"\bigfont Hello"+8+8 /
+LC.4
+f44 g a g a g /
+L3
+f44 g a g f g a g /
+L4Mi.1+11
+h
+Movement 2
+f44 g a g f g a g /
+f44 g a g oC+1+6 f g a g /
+L6S.4
+f44 g a g a g 
+  D"\bigfont D.C. al"+10+6 D"\bigfont Coda"+4+6 RD /
+LC.4n
+f44 oC+2 D"\bigfont Coda"+18-8 g a g a g /
+L7Mi.1+11
+h
+Movement 3
+f44 g a g f g a g /
+f44 g a g f g a g /
+L9S.8
+f44 g a g a g D"\BIgfont The end"+6+11 /
+\end{verbatim}
+
+\includegraphics[scale=.7]{gapxmpl.eps}
+
 \subsubsection{Fractional bars}
 
 	Often if a piece starts with a pickup, the last bar may not be 
@@ -2706,11 +2893,13 @@ Matthias Weckmann
 (1616-1674).  It uses many techniques peculiar to keyboard scores, most notably
 two voices per staff.
 
-{\tt netsoos.pmx}\NEW{2.73} is an example with lyrics, including several inline \TeX\ 
-commands to enhance the layout.
+{\tt prad5.pmx} {\tt netsoos.pmx} are examples of how to enter lyrics purely in \PMX.
+They include several inline \TeX\ commands to enhance the layout.
 
 {\tt staffcrossall.pmx}\NEW{2.74} contains examples of staff-crossing chords. Some are 
-single-stemmed, some are beamed non-xtuplets, and finally beamed xtuplets. 
+single-stemmed, some are beamed non-xtuplets, and finally beamed xtuplets.
+
+{\tt dyntest.pmx} contains examples showing the default vertical positions of dynamic marks.
 
 \subsection{A Benign Bug} 
 
diff --git a/Master/texmf-dist/doc/generic/pmx/ref284.pdf b/Master/texmf-dist/doc/generic/pmx/ref284.pdf
deleted file mode 100644
index 422a0b12f2d..00000000000
--- a/Master/texmf-dist/doc/generic/pmx/ref284.pdf
+++ /dev/null
diff --git a/Master/texmf-dist/doc/generic/pmx/ref294.pdf b/Master/texmf-dist/doc/generic/pmx/ref294.pdf
new file mode 100644
index 00000000000..6161911998f
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pmx/ref294.pdf
diff --git a/Master/texmf-dist/doc/generic/pmx/ref284.tex b/Master/texmf-dist/doc/generic/pmx/ref294.tex
index 0355f13e360..28c426f6632 100644
--- a/Master/texmf-dist/doc/generic/pmx/ref284.tex
+++ b/Master/texmf-dist/doc/generic/pmx/ref294.tex
@@ -1,6 +1,6 @@
 %%%%%%%%%%%%%%%%%
 %%
-%%  ref284.tex  (latex)
+%%  ref294.tex  (latex)
 %%
 %%%%%%%%%%%%%%%%%
 \ifx\documentstyle\undefined
@@ -43,8 +43,8 @@
 %\let\blank\ \def\ {\blank\blank}
 
 \centerline{QUICK REFERENCE TABLE FOR {\bf PMX}, 
-Version 2.84,
-February 2018~~~
+Version 2.94,
+Jan 2020~~~
 \hfill Don Simons (dsimons@roadrunner.com)}
 
 %\begin{multicols}{2}
@@ -61,7 +61,7 @@ characters, chosen from different lines that are indented the same
 amount, may be used in sequence. {\it d1, d2} are single digits, so 
 for example {\it d1}{\tt[}{\it d2}{\tt]} is a one- or two-digit integer.
 {\it i}, {\it i1}, or {\it i2} is any non-negative integer.  
-{\it x} is any non-negative decimal number.
+{\it x} or {\it y} is any non-negative decimal number.
 
 %\end{multicols}
 
@@ -119,7 +119,8 @@ a,b,c,d,e,f,g   & Note name.\\
 \ \ \ \ [+,- {\it x}] & Horiz. shift, notehead widths.\\
 \ \ \ [s]       & Fine tune slope of bracket for non-beamed xtuplet.\\
 \ \ \ \ +,- {\it i} & Slope adjustment.\\
-\ [xT]        & Start a 2-note tremolo.\\
+\ [xT]          & Start a 2-note tremolo. Next note is 2nd note. If starting note
+                  has {\tt d}, 2nd note must not, unless dot needs to be moved.\\
 \ \ [0,1,2,3] & Number of main beams between 2 notes.\\
 \ \ \ [0,1,2,3] & Number of indented beams.\\
 \dhline
@@ -142,6 +143,8 @@ r               & Rest.\\
 \ [d]           & Dot.\\
 \ [p]           & Full-bar rest using 'Pause' symbol (no digit).\\ 
 \ [m{\it i}]    & Multi-bar rest of {\it i} bars.\\
+\ \ [n{\it j}]  & Put number at level {\it j}. Default is 9, below staff
+                  is -6. Change is ``sticky''.\\
 \ [b]           & Blank rest, not printed (this line of music 
                 drops from sight).\\
 \ [o]           & Suppress centering full-bar rest.\\
@@ -320,6 +323,10 @@ L{\it i}        & Force a line break at line {\it i}. Voice \#1 only. Start of
 \ \ \ {\it d1d2...di} & Numbers of instruments. Precede 2-digit numbers with {\tt :}\\
 \ \ \ \ {\it c1c2...ck} & Clef symbols. Enter one for 
                    every staff in new lineup.\\
+\ [S{\it x}]    & Shorten this system to fraction {\it X} of orig.\\ 
+LC{\it y}       & After L{\it i}S{\it x} and after gap, short segment of
+                   length fraction {\it y} to end of system.\\
+\ [n]           & Suppress bar number at start of 2nd segment\\ 
 \dhline
 m               & Meter change. Voice \#1 only. Start of input block only.\\ 
 \ o,{\it d1}[{\it d2}]  & True numerator of meter.
@@ -337,7 +344,7 @@ M               & Macro.  If alone, ends recording or saving.\\
 \ [R,S,P]       & Record (store and execute), save (store but do not execute), 
                   or playback. \\
 \ \ {\it i}     & Macro ID number, from 1 to 20. \\
-\dhline
+\newcol
 P               & Start page numbering in this page. Voice \#1 only.
                   Start of input block only.\\
 \ [{\it i}]     & Starting page number. Default is 1.\\
@@ -346,7 +353,7 @@ P               & Start page numbering in this page. Voice \#1 only.
                   Default text is instrument name \\
 \ \ [{\it text}] & Text with no blanks \\
 \ \ ["{\it text}"] & Text with blanks \\
-\newcol
+\dhline
 R               & Repeat or doublebar. Voice \#1 only.
                 Doublebars at start of bar only.\\
 \ l,r,lr,d,D,dl & Left repeat, right repeat, l-r rpt, doublebar, doubleBAR,
@@ -375,7 +382,7 @@ V               & Toggle for Volta. Voice \#1 only. Start of bar only.
                 and it must come at start of block.\\
 \ [{\it text}]  & Text for start of volta. May not be ``b" or ``x".\\
 \ b,x           & At end of volta, boxed end or horizontal (no box).\\ 
-\dhline
+\newcol
 W               & Set new minimum horizontal space between noteheads.\\ 
 \ .             & Decimal point (required).\\
 \ \ {\it d1}    & Tenths of notehead width. Default is 3.\\ 
@@ -386,7 +393,7 @@ x               & Floating figure (offset to right).\\
 \ \ \ 2,3,\dots,9,\break\rightline{\#,-,n,0{\it d1}} 
                 & Characters for floating figure, 
                 arranged as in normal figure.\\
-\newcol
+\dhline
 X               & Shift or insert hardspace. \\ 
 \ [-]{\it x}    & Distance.  Default units are notehead widths.\\
 \ \ [{\tt p}]   & Units are points.\\
@@ -421,7 +428,7 @@ X               & Shift or insert hardspace. \\
 \dhline
 ]               & End forced beam.\\ 
 \ [j]           & Keep beam open, prepare to jump to other staff \\
-\dhline
+\newcol
 ][              & Between two notes in a forced beam, 
                 decrease multiplicity to 1, then immediately increase. 
                 Treated as a single symbol, set off by spaces.\\
@@ -431,7 +438,7 @@ X               & Shift or insert hardspace. \\
 \dhline
 (               & Placed before a note, equivalent to {\tt s} after note. \\
 )               & Equivalent to {\tt s} . \\
-\newcol
+\dhline
 \{              & Placed before a note, equivalent to {\tt t} after note. \\
 \}              & Equivalent to {\tt t} . \\
 \dhline
@@ -467,8 +474,8 @@ X               & Shift or insert hardspace. \\
 \dhline
 ,\break\null\ {\it note command} & Detatched 2:1 shortcut. Note will have
                 1/2 duration of prior note. See note name command.\\
-\dhline
-"\break\null\ {\it text}" & Lyrics. See pmx274.pdf section 2.2.14 for details.\\
+\newcol
+"\break\null\ {\it text}" & Lyrics. See pmx294.pdf section 2.2.15 for details.\\
 \ \ [@]           & Set a vertical offset\\
 \ \ \ a,b       & Above or below the staff\\
 \ \ \ \ +,- {\it i} & Amount of offset, \bsn{}internotes\\  
diff --git a/Master/texmf-dist/doc/generic/pmx/sjb291.eps b/Master/texmf-dist/doc/generic/pmx/sjb291.eps
new file mode 100644
index 00000000000..d00e4f363d7
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/pmx/sjb291.eps
@@ -0,0 +1,1208 @@
+%!PS-Adobe-3.0 EPSF-3.0
+%%Creator: dvips(k) 5.993 Copyright 2013 Radical Eye Software
+%%Title: sjb291.dvi
+%%CreationDate: Sat Jun 08 08:40:31 2019
+%%Pages: 1
+%%PageOrder: Ascend
+%%BoundingBox: 38 451 442 745
+%%DocumentFonts: TeXMUSIXSPX-Regular TeXMUSIX20-Regular CMBX12 CMBX8
+%%DocumentPaperSizes: Letter
+%%EndComments
+%DVIPSWebPage: (www.radicaleye.com)
+%DVIPSCommandLine: dvips -O0.25in,-0.22in -tletter sjb291
+%DVIPSParameters: dpi=600
+%DVIPSSource:  TeX output 2019.06.08:0840
+%%BeginProcSet: tex.pro 0 0
+%!
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+BDot}imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat
+{BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch
+round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0
+rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B
+/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}
+B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p
+-3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{
+0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end
+
+%%EndProcSet
+%%BeginProcSet: psslurs.pro 0 0
+% This file can be used instead of psslurs.pro, it is only commented
+% and indented.
+%
+% VERSION: 1.01
+%
+% WARNING! This is a heavy magic! If you want something more understandable,
+%   you will have to write it yourself (if it is possible in a stack-oriented
+%   language that PostScript is). There are some constants you can
+%   change and see what happens, but I think the slurs should be almost
+%   always satisfiable. When not, let me know at:
+%   stanislav@kneifl.net
+%   Also any bug reports and comments are welcomed.
+%
+%         Stanislav Kneifl.
+
+/slur@Dict 200 dict def 
+
+% this dictionary is for \setslurtext, overriding some dvips's definitions
+/temp@xx@dict 4 dict def temp@xx@dict begin
+	/a { moveto ax1 ay1 rmoveto } def
+	/V {gsave newpath transform round exch round exch itransform
+		exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg
+		rlineto rulex neg 0 rlineto fill grestore} def
+end
+
+TeXDict begin
+% get dimen from TeX's string ("125pt" -> 125 PS points)
+/psxGD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def
+% get dimen adjusted to Resolution
+/psxGDAR { dup length 2 sub 0 exch getinterval cvr 4 psxAR mul 1.045 mul} def
+% Adjust to Resolution
+/psxAR { Resolution mul 300 div } def
+%  the distances in dvips's PostScript are resolution dependant!
+end
+
+slur@Dict begin
+/CP /currentpoint load def
+/ED { exch def } bind def
+/psxAR { Resolution mul 300 div } def  % stands for Adjust to Resolution,
+/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def
+/y { 3 2 roll ax1 ay1 rmoveto show moveto } def
+/M { mul } def
+/A { add } def
+/SB { sub } def
+/P { pop } def
+/DP { dup } def
+/R { roll } def
+
+/drawseg { 0 0 moveto
+	ax1 ay1
+		ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add 
+		ax1 ax2 add 2 div ay1 ay2 add 2 div curveto
+	ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add 
+		ax2 ay2
+		x2 0 curveto } def
+
+/DS {
+	psxAR /maxe ED
+	/ifadjust ED
+	/ifdash ED
+	psxAR /m ED         % max height of the slur
+	/e ED            % "angularity" of the slur; 0.1 = very angular,
+                          %   0.3 = very round
+	/aa exch neg def       % what to multiply the height with
+                          %   AFTER the max height checking
+	/y2 ED           % y coordinate of the end of the slur
+	/x2 ED           % x coordinate of the end of the slur
+	/y1 ED           % y coordinate of the beginning of the slur
+	/x1 ED           % x coordinate of the beginning of the slur
+	/yr2 ED
+	/yr1 ED
+	/internote ED
+	/x2 x2 x1 sub def						% x2=x2-x1
+	/y2 y2 y1 sub def						% y2=y2-y1
+	/sx y2 x2 div def
+	/b x2 300 mul Resolution div abs sqrt psxAR 2 mul def	% b=2*sqrt(x2)
+	b 3 psxAR lt {/b 3 psxAR def} if			% b=max(b,3)
+	b m gt {/b m def} if					% b=min(b,m)
+	/aa b aa mul def						% aa=aa*b
+	/s 90 x2 y2 atan sub def			% s=90-arctan(x2,y2)   slope of the slur
+	/aa aa s cos div def					% aa=aa/cos(s)   height of the slur
+	/x2 s neg cos x2 mul s neg sin y2 mul sub def	% x2 = x2*cos(-s) - y2*sin(-s)
+																	%  is the length of the slur
+	e x2 mul maxe gt { /e maxe x2 div def } if
+	/beta e x2 mul aa neg atan def
+	beta 90 gt {/beta 180 beta sub def} if
+	/ax1 e x2 mul def				% control points
+	/ay1 aa def
+	/ax2 1 e sub x2 mul def
+	/ay2 aa def
+
+% check if the starting and endin vector stay in desired quadrants
+% => beta < abs(s)
+	beta s abs lt {
+		/b aa abs s abs 2 add sin mul s abs 2 add cos div def
+		s aa mul 0 lt {
+			s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if
+%              ^^^^                                 ^^^                                ^^^
+% (values to play with)
+			/ax2 x2 b sub def
+		}
+		{
+			/ax1 b def
+			s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if
+%              ^^^^                             ^^^                                    ^^^
+		} ifelse
+	} if
+
+% align the slur to the staff lines
+
+	gsave
+	x1 y1 translate
+	s rotate
+%	[1 0 sx 1 0 0] concat
+	drawseg
+	gsave
+	initmatrix
+	flattenpath
+	pathbbox
+	exch pop
+	sub
+	/slh ED            % in slh we have the height of the whole slur
+	pop
+	grestore
+
+	/yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def
+	/slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def
+%	check if the slur gets too close to staff line
+	/shift 0 def
+	slh 4.45 lt slh -0.5 gt and {
+		/slh slh dup truncate sub def
+		slh 0 lt { /slh 1 slh add def } if
+		aa 0 gt { /slh 1 slh sub def } if
+
+			% slh now contains the position ot the slur top/bottom in the space
+			% between the nearest staff lines (from <0,1>), regardless direction
+
+			% slur is too low:
+		slh 0.45 lt { /shift 0.45 slh sub def } if
+			% slur is too high, but we can be shift it down:
+		slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if
+			% slur is too high, must be shifted up:
+		slh 0.85 ge { /shift 1.45 slh sub def } if
+	} if
+
+	aa 0 gt { /shift shift neg def } if
+
+	ifadjust 0 eq {
+		/shift 0 def
+	} if
+
+
+% and finally draw it...
+
+	grestore
+	gsave
+	/linew internote 0.06 mul psxAR def
+	linew 4 mul setlinewidth
+	1 setlinecap
+	0 setlinejoin
+	ifdash 1 eq
+		{ [internote 8 mul psxAR internote 5 mul psxAR] 0 setdash } if
+	x1 y1 shift neg 2 mul internote mul 4 psxAR mul add translate
+	s rotate
+%	[1 sx 0 1 0 0] concat
+
+% uncomment this to see the control points
+%  5 psxAR setlinewidth ax1 ay1 moveto	0.1 0 rlineto stroke
+%  ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth
+
+	drawseg
+	1 VS
+	drawseg
+	-2 VS
+	drawseg
+	x2 20 psxAR gt {
+		3 VS
+		drawseg
+	} if
+	x2 50 psxAR gt {
+		-4 VS
+		drawseg
+	} if
+	x2 80 psxAR gt {
+		5 VS
+		drawseg
+	} if
+	stroke
+
+	grestore
+
+	% now some \slurtext code...
+
+	/x1 ax1 ax2 add 2 div def          % middle of the slur
+	/y1 ay1 ay2 add 2 div def
+	x1 s cos mul y1 s sin mul add neg
+	y1 s cos mul x1 s sin mul sub
+	aa 0 lt {1} {0} ifelse
+	end
+
+	% this is a hack to place the slurtext in the middle of the slur.
+	% From unknown reasons simple 'ax1 ay1 translate' did not work,
+	% so we have to overlay some definitions with our own, namely
+	% 'a', which is originally 'moveto' and 'V' for drawing rules.
+	% maybe there are some other operations that should be redefined,
+	% but for almost all cases this will be sufficient. If you find
+	% anything that won't be typeset at the correct position, let me know...
+
+	temp@xx@dict begin
+	/dir exch def
+	/ay1 exch def
+	/ax1 exch def
+} def
+
+% crescendos
+/DC {
+	/y2 ED
+	/x2 ED
+	/y1 ED
+	/x1 ED
+	gsave
+	1 psxAR ceiling setlinewidth         % line thickness: this results
+	1 setlinecap                      % to exactly 2 pixels in 300 dpi
+	1 setlinejoin
+	x2 y2 10 psxAR add moveto            % the 10's specify wideness of the
+	x1 y1 lineto                      % open end of the crescendo,
+	x2 y2 10 psxAR sub lineto            % similarly the 11's below
+	stroke
+	grestore
+} def
+
+% half crescendos
+/DHC {
+	/y2 ED
+	/x2 ED
+	/y1 ED
+	/x1 ED
+	gsave
+	1 psxAR ceiling setlinewidth
+	1 setlinecap
+	1 setlinejoin
+	x2 y2 11 psxAR add moveto
+	x1 y1 4 psxAR add lineto stroke
+	x1 y1 4 psxAR sub moveto
+	x2 y2 11 psxAR sub lineto
+	stroke
+	grestore
+} def
+
+% differenced line
+
+/DLN {
+	gsave
+	psxGDAR ceiling setlinewidth
+	psxGDAR exch psxGDAR neg rlineto
+	stroke
+	grestore
+} def
+
+% sloped line
+
+/DSLN {
+	gsave
+	psxGDAR ceiling setlinewidth
+	psxGDAR exch 1.125 mul neg rotate 0 rlineto
+	stroke
+	grestore
+} def
+
+% free line (init & terminate)
+
+/DFLN {
+	gsave
+	psxGDAR ceiling setlinewidth
+	CP moveto
+	lineto
+	stroke
+	grestore
+} def
+
+end
+
+
+%%EndProcSet
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+%%EndFont 
+%%BeginFont: CMBX12
+%!PS-AdobeFont-1.0: CMBX12 003.002
+%%Title: CMBX12
+%Version: 003.002
+%%CreationDate: Mon Jul 13 16:17:00 2009
+%%Creator: David M. Jones
+%Copyright: Copyright (c) 1997, 2009 American Mathematical Society
+%Copyright: (<http://www.ams.org>), with Reserved Font Name CMBX12.
+% This Font Software is licensed under the SIL Open Font License, Version 1.1.
+% This license is in the accompanying file OFL.txt, and is also
+% available with a FAQ at: http://scripts.sil.org/OFL.
+%%EndComments
+FontDirectory/CMBX12 known{/CMBX12 findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
+11 dict begin
+/FontType 1 def
+/FontMatrix [0.001 0 0 0.001 0 0 ]readonly def
+/FontName /CMBX12 def
+/FontBBox {-53 -251 1139 750 }readonly def
+/UniqueID 5000769 def
+/PaintType 0 def
+/FontInfo 9 dict dup begin
+/version (003.002) readonly def
+/Notice (Copyright \050c\051 1997, 2009 American Mathematical Society \050<http://www.ams.org>\051, with Reserved Font Name CMBX12.) readonly def
+/FullName (CMBX12) readonly def
+/FamilyName (Computer Modern) readonly def
+/Weight (Bold) readonly def
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+/isFixedPitch false def
+/UnderlinePosition -100 def
+/UnderlineThickness 50 def
+end readonly def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 50 /two put
+dup 52 /four put
+readonly def
+currentdict end
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+%%CreationDate: 01-07-25 at 04.07
+%%VMusage: 1024 35768
+% Generated by Fontographer 4.1.4
+% converted using TeXtrace 0.45 and modified by T. Uchiyama
+% ADL: 701 299 0
+%%EndComments
+FontDirectory/TeXMUSIX20-Regular known{/TeXMUSIX20-Regular findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
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+/version (001.000) readonly def
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+/Notice (converted using TeXtrace 0.45 and modified by T. Uchiyama) readonly def
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+end readonly def
+/FontName /TeXMUSIX20-Regular def
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+readonly def
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+FontDirectory/CMR10 known{/CMR10 findfont dup/UniqueID known{dup
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+/FamilyName (Computer Modern) readonly def
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+%%BeginFont: CMBX12
+%!PS-AdobeFont-1.0: CMBX12 003.002
+%%Title: CMBX12
+%Version: 003.002
+%%CreationDate: Mon Jul 13 16:17:00 2009
+%%Creator: David M. Jones
+%Copyright: Copyright (c) 1997, 2009 American Mathematical Society
+%Copyright: (<http://www.ams.org>), with Reserved Font Name CMBX12.
+% This Font Software is licensed under the SIL Open Font License, Version 1.1.
+% This license is in the accompanying file OFL.txt, and is also
+% available with a FAQ at: http://scripts.sil.org/OFL.
+%%EndComments
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+/Notice (converted using TeXtrace 0.45 and modified by T. Uchiyama) readonly def
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+cleartomark{restore}if
+%%EndFont 
+TeXDict begin 40258431 52099146 1000 600 600 (tremxmpl4.dvi)
+@start /Fa 136[60 44 46 32 33 33 44 1[42 46 69 23 2[23
+46 42 25 37 46 37 1[42 49[42 47[{}20 83.022 /CMR10 rf
+/Fb 203[67 52[{}1 119.552 /CMBX12 rf /Fc 59[266 47[66
+33 3[133 66 4[133 4[266 60[133 6[0 0 0 11[50 41[0 0 6[0{}15
+166.044 /TeXMUSIX20-Regular rf end
+%%EndProlog
+%%BeginSetup
+%%Feature: *Resolution 600dpi
+TeXDict begin
+%%BeginPaperSize: Letter
+letter
+%%EndPaperSize
+ end
+%%EndSetup
+%%Page: 1 1
+TeXDict begin 1 0 bop -214 -117 2989 4 v -214 -76 V -214
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+44 y(4)166 151 y Fa(whole)27 b(note)g(default)p 214 26
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+1148 -15 4 201 v 1101 -15 a(\010)p 1412 49 4 168 v 1525
+151 a Fa(whole)h(note)f(fast)p 1574 26 4 196 v 1527 26
+a Fc(\010)1575 -130 y(\204)1621 -132 y(\204)1575 -161
+y(\204)1621 -163 y(\204)p 1885 -15 4 170 v 1838 -15 a(\010)p
+2197 26 4 196 v 2150 26 a(\010)2198 -130 y(\204)2244
+-132 y(\204)2198 -161 y(\204)2244 -163 y(\204)p 2508
+-15 4 170 v 2461 -15 a(\010)p 2772 49 4 168 v -214 363
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+-214 486 a(G)58 694 y Fa(dotted)h(half)g(w/)f(mo)n(v)n(ed)g(c)n(hordal)
+f(dots)9 528 y Fc(2)108 507 y(\010\000)p 46 571 75 4
+v 59 569 a(\010)108 590 y(\000)p 107 569 4 248 v 60 528
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+471 571 75 4 v 471 612 V 531 610 4 268 v 484 610 a(\010)484
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+785 y(\224)p 2186 910 4 147 v 2139 910 a(\007)2257 972
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+y(\223)2545 816 y(\224)2599 805 y(\224)p 2663 910 4 127
+v 2616 910 a(\007)p 2734 973 4 168 v 2750 973 25 168
+v eop end
+%%Trailer
+
+userdict /end-hook known{end-hook}if
+%%EOF
diff --git a/Master/texmf-dist/doc/man/man1/pmxab.man1.pdf b/Master/texmf-dist/doc/man/man1/pmxab.man1.pdf
index f2c345f37d2..392d0b5abeb 100644
--- a/Master/texmf-dist/doc/man/man1/pmxab.man1.pdf
+++ b/Master/texmf-dist/doc/man/man1/pmxab.man1.pdf
diff --git a/Master/texmf-dist/doc/man/man1/scor2prt.man1.pdf b/Master/texmf-dist/doc/man/man1/scor2prt.man1.pdf
index d58a2df2fdd..0d38918fbf0 100644
--- a/Master/texmf-dist/doc/man/man1/scor2prt.man1.pdf
+++ b/Master/texmf-dist/doc/man/man1/scor2prt.man1.pdf
diff --git a/Master/texmf-dist/scripts/pmx/pmx2pdf.lua b/Master/texmf-dist/scripts/pmx/pmx2pdf.lua
deleted file mode 100755
index 41cff58cc7f..00000000000
--- a/Master/texmf-dist/scripts/pmx/pmx2pdf.lua
+++ /dev/null
@@ -1,5 +0,0 @@
-#!/usr/bin/env texlua  
-
-print ("The pmx2pdf[.lua] script has been retired; please switch")
-print ("to the musixtex script, which now processes .pmx files.")
-
diff --git a/Master/texmf-dist/tex/generic/pmx/pmx.tex b/Master/texmf-dist/tex/generic/pmx/pmx.tex
index 36fd8d23871..3576f581cf6 100644
--- a/Master/texmf-dist/tex/generic/pmx/pmx.tex
+++ b/Master/texmf-dist/tex/generic/pmx/pmx.tex
@@ -4,7 +4,8 @@
 %%                   %%
 %%%%%%%%%%%%%%%%%%%%%%%
 \ifx\pmxversion\undefined\else\endinput\fi
-\def\pmxversion{2.80}\def\pmxdate{15 Mar 17}
+\def\pmxversion{2.94}\def\pmxdate{23 Jan 20}
+% 2.94 add def'ns of \hbp, \hbpp
 % 2.80 add def'n of \slx, real stemlength
 % 2.73 4 Feb 16 Fix \pmxclefsym to include \smalltreblelowoct
 % 2.73 Added \pmxlyr command.
@@ -765,8 +766,10 @@ depth \h@lf\pcil width \razclef\kern-\h@lf\razclef\kern-\h@lf\pcil\kern-.1pt
 % 160103 back to 3 args
 %
 \def\mbgap{\qsk\hqsk}%
+\def\mbrhgt{9}%
 \def\mbrest#1#2#3{%
-\CenterBar{\ccn{9}{\meterfont#1}}{#2}{#3}%
+%\CenterBar{\ccn{9}{\meterfont#1}}{#2}{#3}%
+\CenterBar{\ccn{\mbrhgt}{\meterfont#1}}{#2}{#3}%
 \CenterBar{%
 \ifcase #1%
 \relax%
@@ -850,7 +853,17 @@ depth \h@lf\pcil width \razclef\kern-\h@lf\razclef\kern-\h@lf\pcil\kern-.1pt
 %
 \def\lk{\lyrlink}%
 \def\at#1{\lyrraisehere{#1\internote}}%
-
+%
+% 190526 Items for short line enhancements
+%
+\let\wbnt\writebarno
+\def\nobarno{\gdef\writebarno{\global\let\writebarno\wbnt}}
+%
+% 200123 Open headed dotted chord notes
+%
+\def\hbp{\h@symbol\@qbp}%
+\def\hbpp{\h@symbol\@qbpp}%
+%
 \catcode`\@=\catcodeat
 \endinput
author	Karl Berry <karl@freefriends.org>	2020-03-03 23:20:40 +0000
committer	Karl Berry <karl@freefriends.org>	2020-03-03 23:20:40 +0000
commit	e0cf1c6f0003d2d2504e786112d1f3132d7ab17a (patch)
tree	1200b6fb7ce80428aab8a37004fdb2a5bf20efc0 /Master/texmf-dist
parent	8dca48638976c42c6e04b2f2754cd07aa7c32789 (diff)