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+
+ttf2tfm -- TrueType to TFM converter
+ttf2pk  -- TrueType to PK converter
+====================================
+
+These  two auxiliary  programs make  TrueType fonts  usable  with TeX.
+ttf2tfm extracts the metric and kerning information of a TrueType font
+and  converts it into  metric files  usable by  TeX (quite  similar to
+afm2tfm which  is part of  the dvips package).  ttf2pk  rasterizes the
+glyph outlines of a TrueType font into a bitmap font in PK format.
+
+Since a TrueType font often  contains more than 256 glyphs, some means
+are necessary to map a subset  of the TrueType glyphs into a TeX font.
+To do  this, two mapping  tables are needed:  the first maps  from the
+TrueType font  to a raw TeX font  (this mapping table is  used both by
+ttf2tfm and  ttf2pk), and  the second  maps from the  raw TeX  font to
+another  (virtual)  TeX  font   providing  all  kerning  and  ligature
+information needed by TeX.
+
+We sometimes refer to this first  map as the `input' or `raw' map, and
+to the second as the `output' or `virtual' map.
+
+This two  stage mapping  has the  advantage that one  raw font  can be
+accessed with various TeX encodings  (e.g. T1 and OT1) via the virtual
+font mechanism, and just one PK file is necessary.
+
+For  CJKV  fonts,  a  different  mechanism is  provided  (see  section
+`Subfont definition  files' below).  Additionally,  rotated glyphs for
+pseudo-vertical writing  are supported -- if  possible, vertical glyph
+presentation forms are used from the font's GSUB table.
+
+
+
+ttf2tfm
+=======
+
+Usage:
+
+  ttf2tfm FILE[.ttf|.ttc] [OPTION]... [FILE[.tfm]]
+
+Options (default values are given in brackets):
+
+-c REAL             use REAL for height of small caps made with -V [0.8]
+-e REAL             widen (extend) characters by a factor of REAL [1.0]
+-E INT              select INT as the TTF encoding ID [1]
+-f INT              select INT as the font index in a TTC [0]
+-l                  create 1st/2nd byte ligatures in subfonts
+-L LIGFILE[.sfd]    create 1st/2nd byte ligatures in subfonts using LIGFILE
+-n                  use PS names of TrueType font
+-N                  use only PS names and no cmap
+-O                  use octal for all character codes in the vpl file
+-p ENCFILE[.enc]    read ENCFILE for the TTF->raw TeX mapping
+-P INT              select INT as the TTF platform ID [3]
+-q                  suppress informational output
+-r OLDNAME NEWNAME  replace glyph name OLDNAME with NEWNAME
+-R RPLFILE[.rpl]    read RPLFILE containing glyph replacement names
+-s REAL             oblique (slant) characters by REAL, usually <<1 [0.0]
+-t ENCFILE[.enc]    read ENCFILE for the encoding of the vpl file
+-T ENCFILE[.enc]    equivalent to -p ENCFILE -t ENCFILE
+-u                  output only characters from encodings, nothing extra
+-v FILE[.vpl]       make a VPL file for conversion to VF
+-V SCFILE[.vpl]     like -v, but synthesize smallcaps as lowercase
+-w                  generate subfont enc. vectors containing glyph indices
+-x                  rotate subfont glyphs by 90 degrees
+-y REAL             move rotated glyphs down by a factor of REAL [0.25]
+--help              print this message and exit
+--version           print version number and exit
+
+
+The usage is  very similar to afm2tfm.  Please  consult the dvips info
+file  for  more details  on  the  various  parameters.  Here  we  will
+concentrate on the differences between afm2tfm and ttf2tfm.
+
+
+cmaps
+-----
+
+Contrary to Type 1 PostScript  fonts (but similar to the new CID-keyed
+PostScript  fonts), most  TrueType  fonts have  more  than one  native
+mapping table, also called `cmap', which maps the (internal) TTF glyph
+indices to the (external) TTF  character codes.  Common examples are a
+mapping table to Unicode  encoded character positions and the standard
+Macintosh mapping.   To specify this  TrueType mapping table,  use the
+options `-P' and `-E'.  With `-P' you specify the platform ID; defined
+values are:
+
+           platform        platform ID (pid)
+          ----------------------------------
+           Apple Unicode        0
+           Macintosh            1
+           ISO                  2
+           Microsoft            3
+
+The encoding  ID depends  on the platform.   For pid=0, we  ignore the
+`-E' parameter (setting it to  zero) since the mapping table is always
+Unicode version 2.0.  For pid=1, the following table lists the defined
+values:
+
+       platform ID = 1
+           script         encoding ID (eid)
+          ---------------------------------
+           Roman               0
+           Japanese            1
+           Chinese             2
+           Korean              3
+           Arabic              4
+           Hebrew              5
+           Greek               6
+           Russian             7
+           Roman Symbol        8
+           Devanagari          9
+           Gurmukhi           10
+           Gujarati           11
+           Oriya              12
+           Bengali            13
+           Tamil              14
+           Telugu             15
+           Kannada            16
+           Malayalam          17
+           Sinhalese          18
+           Burmese            19
+           Khmer              20
+           Thai               21
+           Laotian            22
+           Georgian           23
+           Armenian           24
+           Maldivian          25
+           Tibetan            26
+           Mongolian          27
+           Geez               28
+           Slavic             29
+           Vietnamese         30
+           Sindhi             31
+           Uninterpreted      32
+
+Here are the ISO encoding IDs:
+
+       platform ID = 2
+           encoding       encoding ID
+          ----------------------------
+           ASCII               0
+           ISO 10646           1
+           ISO 8859-1          2
+
+And finally, the Microsoft encoding IDs:
+
+       platform ID = 3
+           encoding       encoding ID
+          ---------------------------
+           Symbol              0
+           Unicode 2.0         1
+           Shift JIS           2
+           GB 2312 (1980)      3
+           Big 5               4
+           KSC 5601 (Wansung)  5
+           KSC 5601 (Johab)    6
+           UCS-4              10
+
+The program will abort if  you specify an invalid platform/encoding ID
+pair.  It will then show the possible pid/eid pairs.  Please note that
+most fonts have  at most two or three  cmaps, usually corresponding to
+the pid/eid pairs (1,0), (3,0), or (3,1) in case of Latin based fonts.
+Valid  Microsoft fonts  should have  a (3,1)  mapping table,  but some
+fonts exist (mostly  Asian fonts) which have a  (3,1) cmap not encoded
+in Unicode.   The reason  for this strange  behavior is the  fact that
+some old  MS Windows versions  will reject fonts having  a non-Unicode
+cmap  (since all  non-Unicode  Microsoft encoding  IDs  are for  Asian
+specific MS Windows versions).
+
+The `-P'  and `-E'  options to ttf2tfm  must be equally  specified for
+ttf2pk;  the corresponding  parameters in  a  map file  are `Pid'  and
+`Eid', respectively.
+
+The default pid/eid pair is (3,1).
+
+If you  use the  `-N' switch,  all cmaps are  ignored, using  only the
+PostScript names in the TrueType  font.  The corresponding option in a
+map file is `PS=Only'.
+
+If you use the `-n' switch, the default glyph names built into ttf2tfm
+are replaced with the PS glyph names found in the font.  In many cases
+this is  not what  you want because  the glyph  names in the  font are
+often incorrect  or non-standard.  The  corresponding option in  a map
+file is `PS=Yes'.
+
+
+input and output encodings
+--------------------------
+
+You must  specify the encoding vectors  from the TrueType  font to the
+raw TeX font and from the raw TeX font to the virtual TeX font exactly
+as  with afm2tfm,  but  you  have more  possibilities  to address  the
+character  codes.  [With `encoding  vector' a  mapping table  with 256
+entries  in  form  of a  PostScript  vector  is  meant; see  the  file
+`T1-WGL4.enc' of this package for an example.]  With afm2tfm, you must
+access each glyph with its  Adobe glyph name, e.g.  `/quotedsingle' or
+`/Acircumflex'.  This has been extended with ttf2tfm; now you can (and
+sometimes must)  access the code  points and/or glyphs  directly using
+the following syntax for specifying the character position in decimal,
+octal,     or     hexadecimal     notation:     `/.c<decimal-number>',
+`/.c0<octal-number>',   or   `/.c0x<hexadecimal-number>'.    Examples:
+`/.c72', `/.c0646', `/.c0x48'.  To  access a glyph index directly, use
+the  character `g'  instead of  `c' in  the just  introduced notation.
+Example: `/.g0x32'.
+
+[Note: The `.cXXX' notation makes no sense if `-N' is used.]
+
+Another  possibility is  to use  the `-r  old-glyphname new-glyphname'
+switch to rename a glyph.  Example:
+
+  ttf2tfm ... -r .g0xc7 dotlessi -r hungarumlaut dblacute ...
+
+Nevertheless, it  is not allowed to  use the `.gXXX'  or `.cXXX' glyph
+name construct for `new-glyphname'.
+
+Alternatively, you can collect such  replacement pairs in a file which
+should have `.rpl' as extension, using the `-R' option.  The syntax is
+simple:  Each  line  contains  a  pair  `old-glyphname  new-glyphname'
+separated by  whitespace (without  the quotation marks).   The percent
+sign starts a  line comment; you can continue a  line with a backslash
+as the last character.  An example for a replacement file is `VPS.rpl'
+(to be  used in  conjunction with `t5.enc'  for Vietnamese)  which  is
+part of this package.
+
+The `-r' and `-R' switches are  ignored for subfonts or if no encoding
+tables are specified.  For ttf2pk, the corresponding option to `-R' is
+`Replacement'.    Single   replacements    are   directly   given   as
+old_glyphname=newglyphname in a map file.
+
+For pid/eid pairs  (1,0) and (3,1), both ttf2tfm  and ttf2pk recognize
+built-in default Adobe glyph names;  the former pair follows the names
+given  in Appendix E  of the  book `Inside  Macintosh', volume  6, the
+latter uses  the names  given in the  TrueType Specification  (WGL4, a
+Unicode subset).   Note that Adobe glyph  names are not  unique and do
+sometimes differ:  E.g., many  PS fonts have  the glyph  `mu', whereas
+this glyph is called `mu1' in the WGL4 character set to distinguish it
+from the real  Greek letter mu.  You can find  those mapping tables in
+the  source  code  file  `ttfenc.c'.   Be  also  aware  that  OpenType
+(i.e. TrueType 2.0)  fonts use an updated WGL4 table;  we use the data
+from the latest published TrueType specification (1.66).
+
+On the other hand, the switches `-n' and `-N' make ttf2tfm read in and
+use the  PostScript names in the  TrueType font itself  (stored in the
+font's `post' table) instead of the default Adobe glyph names.
+
+If you  don't select an  input encoding, the  first 256 glyphs  of the
+TrueType font with  a valid entry in the selected  cmap will be mapped
+to  the TeX  raw font  (without the  `-q' option  ttf2tfm  prints this
+mapping  table to  standard output),  followed by  all glyphs  not yet
+addressed in  the selected  cmap.  However, some  code points  for the
+(1,0)  pid/eid pair  are omitted  since they  do not  represent glyphs
+useful  for  TeX:  0x00  (null), 0x08  (backspace),  0x09  (horizontal
+tabulation), 0x0d (carriage return),  and 0x1d (group separator).  The
+`invalid character' with glyph index 0 will be omitted too.
+
+If you  select the `-N' switch,  the first 256 glyphs  of the TrueType
+font  with a  valid PostScript  name  will be  used in  case no  input
+encoding  is specified.   Again, some  glyphs are  omitted: `.notdef',
+`.null', and `nonmarkingreturn'.
+
+If you don't select an  output encoding, ttf2tfm uses the same mapping
+table as  afm2tfm would use (you can  find it in the  source code file
+texenc.c); it  corresponds to  TeX typewriter text.   Unused positions
+(either caused  by empty code points  in the mapping  table or missing
+glyphs in the TrueType font)  will be filled (rather arbitrarily) with
+characters  present in  the input  encoding but  not specified  in the
+output  encoding (without  the `-q'  option ttf2tfm  prints  the final
+output encoding to standard output).   Use the `-u' option if you want
+only  glyphs in  the  virtual font  which  are defined  in the  output
+encoding file, and nothing more.
+
+One feature missing  in afm2tfm has been added which  is needed by the
+LaTeX T1  encoding: ttf2tfm will construct the  glyph `Germandbls' (by
+simply concatenating to `S' glyphs) even for normal fonts if possible.
+It appears  in the glyph  list (written to  stdout) as the  last item,
+marked with  an asterisk.  Since  this isn't a  real glyph it  will be
+available only in the virtual font.
+
+For  both  input  and  output  encoding, an  empty  code  position  is
+represented by the glyph name `.notdef'.
+
+In encoding files, you can use `\' as the final character of a line to
+indicate that the input is  continued on the next line.  The backslash
+and the following newline character will be removed.
+
+ttf2tfm  returns  0 on  success  and 1  on  error;  warning and  error
+messages are written to standard error.
+
+
+other options
+-------------
+
+You can select  the font in a TrueType  font collection (which usually
+has  the  extension  `.ttc')  with  `-f';  the  default  value,  zero,
+specifies  the first  font.  For  fonts  not being  a collection  this
+parameter is ignored.
+
+The  option `-l' makes  ttf2tfm create  ligatures in  subfonts between
+first and second bytes of  all the original character codes.  Example:
+Character code  0xABCD maps to  character position 123 in  subfont 45.
+Then a ligature in subfont  45 between position 0xAB and 0xCD pointing
+to character  123 will  be produced.  The  fonts of the  Korean HLaTeX
+package  use this feature.   Note that  this option  generates correct
+ligatures only for TrueType fonts where the input cmap is identical to
+the output encoding.  In case of  HLaTeX, TTFs must have platform ID 3
+and encoding ID 5.
+
+Option `-L' is the same as `-l', but character codes for ligatures are
+specified in  a ligature file.  For example,  `-L KS-HLaTeX' generates
+correct  ligatures for  the Korean  HLaTeX package  regardless  of the
+platform  and  encoding  ID  of  the  used  TrueType  font  (the  file
+`KS-HLaTeX.sfd' is  part of the ttf2pk package).   Ligature files have
+the same  format and  extension as SFD  files.  Both `-L'and  `-l' are
+ignored if not in subfont mode.
+
+PostScript  encoding  vectors containing  glyph  indices of  subfonts,
+primarily used  to embed  TrueType fonts in  pdfLaTeX, can  be created
+with option `-w'.  ttf2tfm takes the TFM names and replaces the suffix
+with  `.enc'; that  is,  for files  `foo01.tfm',  `foo02.tfm', ...  it
+creates `foo01.enc', `foo02.enc', ... at the same place.
+
+To produce  glyphs rotated by 90 degrees  counter-clockwise, use `-x'.
+If the  font contains  a GSUB table  (with feature `vert')  to specify
+vertical glyph  presentation forms, both  ttf2pk and ttf2tfm  will use
+it.  This  will work  only in subfont  mode.  The y-offset  of rotated
+glyphs can be specified with  the `-y' option; its parameter gives the
+fractional amount of shifting downwards  (the unit is one EM).  If not
+specified, a value of 0.25 (em) is used.
+
+
+
+ttf2pk
+======
+
+Usage:
+
+  ttf2pk [-q] [-n] FONT DPI
+  ttf2pk -t [-q] FONT
+
+Options:
+
+-q              suppresses informational output
+-n              only use `.pk' as extension
+-t              test for FONT (returns 0 on success)
+--help          print this message and exit
+--version       print version number and exit
+
+
+The FONT parameter must correspond to  an entry in a map file recorded
+in  the  configuration  file   ttf2pk.cfg  (see  below  for  details),
+otherwise error  code 2 is  returned -- this  can be used  for scripts
+like mktexpk  to test  whether the given  font name is  a (registered)
+TrueType font.
+
+Another possibility  is to  use the `-t'  switch which will  print the
+line of a map file corresponding to FONT and return 0 on success (`-q'
+suppresses any output).
+
+DPI specifies the intended resolution  (we always assume a design size
+of 10pt).
+
+
+ttf2pk.cfg
+----------
+
+ttf2pk uses a small configuration file called ttf2pk.cfg; in each line
+it  contains  a  keyword  with  its value,  separated  by  whitespace.
+Comment lines  can start  with any of  the following  characters: `*',
+`#', `;', and `%'.  Leading whitespace is ignored.
+
+Currently, only  one keyword,  `map', is recognized  in this  file; it
+takes a map file name as a parameter.  If no extension is given to the
+map file  name, `.map' is appended.   No whitespace is  allowed in the
+map  file name.   The `map'  keyword can  be given  more than  once to
+specify multiple  map files; if  the map file  name is prepended  by a
+plus sign, it is added to the list of map files to be used.  Example:
+
+  map  foo
+  map +bar
+
+This makes ttf2pk to first read `foo.map', then `bar.map'.
+
+If  the  configuration  file  is   not  found,  ttf2pk  tries  to  use
+`ttfonts.map' instead.
+
+
+map files
+---------
+
+Parameters specified to ttf2tfm are  preserved for ttf2pk in map files
+-- ttf2tfm writes out  to standard output, as the  last line, a proper
+entry for a map file.
+
+As an example, a call to
+
+  ttf2tfm arial -s 0.25 -P 1 -E 0 -r .g0xc7 caron \
+                -p 8r.enc -t T1-WGL4.enc -v arialsx arials
+
+will produce the following line:
+
+  arials   arial Slant=0.25 Encoding=8r.enc Pid=1 Eid=0 .g0xc7=caron
+
+The output encoding given with  `-t' for the virtual font `arialsx' is
+immaterial to ttf2pk (nevertheless, input encoding files must have the
+same format as  with ttf2tfm, and all said  above about encoding files
+holds).
+
+Here  a   table  listing  the  various  ttf2tfm   parameters  and  its
+corresponding entries in a map file:
+
+        -s        Slant
+        -e        Extend
+        -p        Encoding
+        -f        Fontindex
+        -P        Pid
+        -E        Eid
+        -n        PS=Yes
+        -N        PS=Only
+        -R        Replacement
+        -x        Rotate=Yes
+        -y        Y-Offset
+
+Single replacement glyph  names given to ttf2tfm with  the `-r' switch
+are directly specified with old-glyphname=new-glyphname.  For subfonts
+or if no encoding file is given, replacement glyphs are ignored.
+
+One additional parameter in a map file is unique to ttf2pk: `Hinting',
+which can take  the values `On' or `Off'.  Some  fonts (e.g.  the CJKV
+part  of   cyberbit.ttf)  are  rendered  incorrectly   if  hinting  is
+activated.  Default  is `On' (you can  also use `Yes',  `No', `1', and
+`0').
+
+The format  of map files is  simple.  Each line defines  a font; first
+comes the TeX font name, then its TrueType font file name, followed by
+the parameters in any order.   Case is significant (even for parameter
+names); the parameters are separated from its values by an equal sign,
+with possible whitespace  surrounding it.  ttf2pk reads in  a map file
+line by line,  continuing until the TeX font  specified on the command
+line is found,  otherwise the programs exits with  error code 2.  Thus
+you  can use  any character  invalid in  a TeX  font name  to  start a
+comment line.
+
+In both map  files and encoding files, use `\'  as the final character
+of a  line to indicate that the  input is continued on  the next line.
+The backslash and the following newline character will be removed.
+
+ttf2pk will abort if it can't  find and read the TeX font metrics file
+of the given TeX font name.
+
+
+Subfont definition files
+========================
+
+CJKV  (Chinese/Japanese/Korean/old Vietnamese)  fonts  usually contain
+several thousand glyphs; to use them with TeX it is necessary to split
+such  large fonts  into subfonts.   Subfont definition  files (usually
+having the extension  `.sfd') are a simple means  to do this smoothly.
+A subfont file name usually consists of a prefix, a subfont infix, and
+a postfix (which is empty in most cases), e.g.
+
+    ntukai23 -> prefix: ntukai, infix: 23, postfix: (empty)
+
+Here the syntax of a line in an SFD file, describing one subfont:
+
+  <whitespace> <infix> <whitespace> <ranges> <whitespace> `\n'
+
+  <infix> := anything except whitespace. It's best to use only
+             alphanumerical characters.
+  <whitespace> := space, formfeed, carriage return, horizontal and
+                  vertical tabs -- no newline characters.
+  <ranges> := <ranges> <whitespace> <codepoint> |
+              <ranges> <whitespace> <range> |
+              <ranges> <whitespace> <offset> <whitespace> <range>
+
+  <codepoint> := <number>
+  <range> := <number> `_' <number>
+  <offset> := <number> `:'
+
+  <number> := hexadecimal (prefix `0x'), decimal, or octal
+              (prefix `0')
+
+A line can  be continued on the next line with  a backslash ending the
+line.  The  ranges must not overlap;  offsets have to be  in the range
+0-255.
+
+Example:
+
+  The line
+
+    03   10: 0x2349 0x2345_0x2347
+
+  assigns to  the code  positions 10,  11, 12, and  13 of  the subfont
+  having the  infix `03' the  character codes 0x2349,  0x2345, 0x2346,
+  and 0x2347, respectively.
+
+The SFD files  in the distribution are customized  for the CJK package
+for LaTeX.
+
+You have to  embed the SFD file  into the TFM font name  (at the place
+where  the infix  will appear)  surrounded by  two `@'  signs,  on the
+command  line  resp. a map file; both  ttf2tfm and  ttf2pk switch then 
+to subfont mode.
+
+It is possible  to use more than a single SFD  file by separating them
+with commata and no whitespace; for a given subfont, the first file is
+scanned for  an entry, then  the next file,  and so on.  Later entries
+override entries found earlier (possibly only partially). For example,
+the first SFD file sets up  range 0x10-0xA0, and the next one modifies
+entries 0x12  and 0x25. As can  be easily seen,  this algorithm allows
+for adding and replacing, but not for removing entries.
+
+Subfont mode disables the options  `-n', `-N', `-p', `-r', `-R', `-t',
+`-T', `-u', `-v', `-w', and `-V' for ttf2tfm; similarly, no `Encoding'
+and `Replacement'  parameter resp. single replacement  glyph names are
+allowed in a map file.
+
+ttf2tfm will create  ALL subfont TFM files specified  in the SFD files
+(provided the subfont contains glyphs) in one run.
+
+Example:
+
+  The call
+
+    ttf2tfm ntukai.ttf ntukai@Big5,Big5-supp@
+
+  will use `Big5.sfd' and `Big5-supp.sfd', producing the subfont files
+  ntukai01.tfm, ntukai02.tfm etc.
+
+  ttf2pk should be then called on the subfonts directly:
+
+    ttf2pk ntukai01 600
+    ttf2pk ntukai02 600
+    ...
+
+
+Some notes on file searching
+============================
+
+Both ttf2pk and  ttf2tfm use either the kpathsea,  emtexdir, or MiKTeX
+library  for searching  files (emtexdir  will work  only  on operating
+systems  which  have  an  MS-DOSish background,  i.e.   MS-DOS,  OS/2,
+Windows; MiKTeX is specific to MS Windows).
+
+During compilation,  you have to  define HAVE_KPATHSEA, HAVE_EMTEXDIR,
+or MIKTEX to activate the specific file search code.
+
+As  a last  resort, both  programs can  be compiled  without  a search
+library; the searched  files must be then in  the current directory or
+specified with a path.  Default extensions will be appended also (with
+the exception that only `.ttf' is appended and not `.ttc').
+
+
+kpathsea
+--------
+
+Please note  that older  versions of kpathsea  (<3.2) have  no special
+means to search for TrueType fonts  and related files, thus we use the
+paths for PostScript related stuff.  The actual version of kpathsea is
+displayed  on screen if  you call  either ttf2pk  or ttf2tfm  with the
+`--version' command line switch.
+
+Here  is a  table  of the  file  type and  the corresponding  kpathsea
+variables.   TTF2PKINPUTS  and   TTF2TFMINPUTS  are  program  specific
+environment variables introduced in kpathsea version 3.2:
+
+    .ttf and .ttc        TTFONTS
+    ttf2pk.cfg           TTF2PKINPUTS
+    .map                 TTF2PKINPUTS
+    .enc                 TTF2PKINPUTS, TTF2TFMINPUTS
+    .rpl                 TTF2PKINPUTS, TTF2TFMINPUTS
+    .tfm                 TFMFONTS
+    .sfd                 TTF2PKINPUTS, TTF2TFMINPUTS
+
+And here the same for pre-3.2-versions of kpathsea:
+
+    .ttf and .ttc        T1FONTS
+    ttf2pk.cfg           TEXCONFIG
+    .map                 TEXCONFIG
+    .enc                 TEXPSHEADERS
+    .rpl                 TEXPSHEADERS
+    .tfm                 TFMFONTS
+    .sfd                 TEXPSHEADERS
+
+Finally, the same for pre-3.0-versions:
+
+    .ttf and .ttc        DVIPSHEADERS
+    ttf2pk.cfg           TEXCONFIG
+    .map                 TEXCONFIG
+    .enc                 DVIPSHEADERS
+    .rpl                 DVIPSHEADERS
+    .tfm                 TFMFONTS
+    .sfd                 DVIPSHEADERS
+
+Please  consult the  info  files  for kpathsea  for  details on  these
+variables.  The decision whether to use the old or the new scheme will
+be done during compilation.
+
+You  should set  the TEXMFCNF  variable  to the  directory where  your
+texmf.cnf configuration file resides.
+
+The default TDS location for the files in the data subdirectory is
+
+  $TEXMF/ttf2tfm
+
+(or $TEXMF/ttf2pk; you should either make a symbolic link
+
+  % ln -s $TEXMF/ttf2tfm $TEXMF/ttf2pk
+
+or set the variable TTF2PKINPUTS to $TEXMF/ttf2tfm  for newer kpathsea
+versions)
+
+Here  is the  proper command  to find  out to  which value  a kpathsea
+variable is set (we use  `TTFONTS' as an example).  This is especially
+useful if  a variable  isn't set in  texmf.cnf or in  the environment,
+thus  pointing to  the  default  value which  is  hard-coded into  the
+kpathsea library.
+
+  % kpsewhich --progname=ttf2tfm --expand-var='$TTFONTS'
+
+We  select the  program  name also  since  it is  possible to  specify
+variables  which are searched  only for  a certain  program --  in our
+example it would be `TTFONTS.ttf2tfm'.
+
+A similar but not identical method is to say
+
+  % kpsewhich --progname=ttf2tfm --show-path='truetype fonts'
+
+[A  full list of  format types  can be  obtained by  saying `kpsewhich
+--help' on the command line prompt.]  This is exactly how ttf2tfm (and
+ttf2pk) searches for files; the disadvantage is that all variables are
+expanded which can cause a very long string.
+
+
+emtexdir
+--------
+
+Here the list of suffixes  and its related environment variables to be
+set in autoexec.bat (resp. in config.sys for OS/2):
+
+    .ttf and .ttc        TTFONTS
+    ttf2pk.cfg           TTFCFG
+    .map                 TTFCFG
+    .enc                 TTFCFG
+    .rpl                 TTFCFG
+    .tfm                 TEXTFM
+    .sfd                 TTFCFG
+
+With other words, all files in the `data' subdirectory should be moved
+to a place in your emtex tree with TTFCFG pointing to this directory.
+
+If one of the variables isn't  set, a warning message is emitted.  The
+current directory will always  be searched.  As usual, one exclamation
+mark appended to a directory path causes subdirectories one level deep
+to be searched, two exclamation  marks causes all subdirectories to be
+searched.  Example:
+
+  TTFONTS=c:\fonts\truetype!!;d:\myfonts\truetype!
+
+Constructions like `c:\fonts!!\truetype' aren't possible.
+
+
+MiKTeX
+------
+
+Both  ttf2tfm  and ttf2pk  have  been  fully  integrated into  MiKTeX.
+Please refer to  the documentation of MiKTeX for  more details on file
+searching.
+
+
+
+A full example
+==============
+
+Here an example how to handle the font `verdana.ttf' and its variants.
+
+
+1. Construct the font name
+--------------------------
+
+  [This is  the most complicated part --  in case you are  too lazy to
+  construct font names compliant  to TeX's `fontname' scheme, just use
+  your own names.]
+
+  Using the  `ftdump' utility  (which is part  of FreeType 1)  you can
+  find out the  PostScript name of the specific  TTF which is probably
+  the best  choice to adapt TrueType fonts  to the PostScript-oriented
+  `fontname' scheme.
+
+  In our example, the PostScript name is `Verdana'.
+
+  `fontname' uses the scheme
+
+    S TT W [V...] [N] [E] [DD]
+
+  as documented in `fontname.texi' resp. `fontname.dvi'.  Now you have
+  to check the various mapping files:
+
+     S: supplier.map: `j'  for `Microsoft'
+    TT: typeface.map: `vn' for `Verdana'
+     W: weight.map:   `r'  for `Regular Roman',
+                      `b'  for `bold'
+     V,
+     N: variant.map:  `8r' for the raw base font
+                      `8t' for the virtual font
+                           (i.e., LaTeX's T1 encoding)
+                      [additionally an inserted `c' for small caps,
+                       `o' for slanted (`oblique'), or `i' for italic
+                       fonts]
+
+  Here the standard combinations:
+
+    `jvnr8r' for the default base font.
+      `jvnr8t'  for the virtual default font.
+      `jvnrc8t' for  the virtual  font with small  caps.  [As  you can
+                see, no additional raw font is needed.]
+    `jvnro8r' for the slanted base font.
+      `jvnro8t' for the virtual slanted font.
+
+  The corresponding variants are:
+
+    bold:            verdanab.ttf -> jvnb{8r,8t}
+      small caps:                    jvnbc8t
+      slanted:                       jvnbo{8r,8t}
+    italic:          verdanai.ttf -> jvni{8r,8t}
+    bold and italic: verdanaz.ttf -> jvnbi{8r,8t}
+
+
+* NOTE: Be careful to use different names for the virtual font and the
+*       raw font!  In the above example, `*8r' and `*8t' is used.  You
+*       could also  use the postfix  `*-raw', to name an  example, for
+*       the raw font if you don't follow the `fontname' naming scheme.
+
+
+2. Font definition files
+------------------------
+
+  The FD file should be called  `t1jvn.fd' (as you can see, this is T1
+  encoding).  It  is very  similar to `t1ptm.fd',  part of  the PSNFSS
+  package (which  can be  found in almost  all TeX  distributions).  A
+  `verdana.sty' file can also be modeled after `times.sty'.
+
+
+3. Calling ttf2tfm
+------------------
+
+  To make the  example simpler, we use `T1-WGL4.enc'  for both the raw
+  and  the  virtual encoding.   This  should  be  sufficient for  most
+  TrueType  fonts mapped to  T1 encoding.   Other packages  may define
+  other encodings  (e.g. the `t2' package available  from CTAN defines
+  mapping files for Cyrillic encodings) -- it may also be necessary to
+  use the `-n' or `-N' switch together with replacement glyph names to
+  access all glyph names in the TrueType font.
+
+  To create `jvnr8r' and `jvnr8t', just call
+
+    ttf2tfm verdana -T T1-WGL4 -v jvnr8t jvnr8r
+    vptovf jvnr8t
+
+  For `jvnrc8t', do
+
+    ttf2tfm verdana -T T1-WGL4 -V jvnrc8t jvnr8r
+    vptovf jvnrc8t
+
+  Note  that almost  always some  warnings will  appear  about missing
+  glyphs.
+
+  The last line written to stdout by ttf2tfm is a suitable entry for a
+  map file -- let's call  it `verdana.map'.  Since ttf2pk doesn't care
+  about virtual fonts, both calls below produce the same.
+
+  Now  just  repeat this  procedure.   For  slanted  fonts you  should
+  additionally use the switch `-s 0.176' (of course you can change the
+  slanting amount to make it fit your needs).
+
+
+4. Modifying ttf2pk.cfg
+-----------------------
+
+  The  final step is  to add  `verdana.map' to  ttf2pk's configuration
+  file.  Simply insert the following line at the end of `ttf2pk.cfg':
+
+    map +verdana
+
+
+Problems
+========
+
+Most vptovf  implementations allow only  100 bytes for the  TFM header
+(the limit is  1024 in the TFM file itself): 8  bytes for checksum and
+design size, 40 bytes for the  family name, 20 bytes for the encoding,
+and 4  bytes for  a face byte.   There remain  only 28 bytes  for some
+additional information which is  used by ttf2tfm for an identification
+string (which  is essentially  a copy of  the command line),  and this
+limit is always exceeded.
+
+The optimal solution is to increase the value of `max_header_bytes' in
+the file vptovf.w  (and probably pltotf.w) to, say,  400 and recompile
+vptovf  (and pltotf).  Otherwise  you will  get some  (harmless) error
+messages like
+
+  This HEADER index is too big for my present table size
+
+which can be safely ignored.
+
+
+--- end of ttf2pk.doc ---
diff --git a/Master/texmf-dist/doc/ttf2pk/ttf2pk.txt b/Master/texmf-dist/doc/ttf2pk/ttf2pk.txt
new file mode 100644
index 00000000000..281dfb353b1
--- /dev/null
+++ b/Master/texmf-dist/doc/ttf2pk/ttf2pk.txt
@@ -0,0 +1,152 @@
+TTF2PK(1)                                                            TTF2PK(1)
+
+
+
+NAME
+       ttf2pk - convert a TrueType font into TeX's PK format
+
+SYNOPSIS
+       ttf2pk [-q] [-n] font-name resolution
+       ttf2pk -t [-q] font-name
+       ttf2pk --version | --help
+
+DESCRIPTION
+       This  program converts a TrueType font into a PK file; the created font
+       can then be used with TeX or LaTeX.
+
+       CJKV (Chinese/Japanese/Korean/old Vietnamese) subfonts  as  created  by
+       ttf2tfm are also supported.
+
+       ttf2pk always assumes 10pt as the design size for the written TeX font.
+
+PARAMETERS
+       -q     This optional switch makes ttf2pk quiet.  It suppresses any  in-
+              formational output except warning and error messages.
+
+       -n     Use only `.pk' as the extension instead of `.<resolution>pk'.
+
+       -t     Test  for  the existence of font-name.  Returns 0 on success and
+              prints out the  corresponding  line  of  a  map  file  (default:
+              ttfonts.map), provided the -q switch isn't set.
+
+       font-name
+              The  TeX  name  of the font.  ttf2pk looks this name up in a map
+              file (see below) for further  information  how  to  process  the
+              font.
+
+       resolution
+              The  resolution, given in dots per inch.  Currently the horizon-
+              tal resolution is equal to the vertical resolution.  The  design
+              size is always assumed to be 10pt.
+
+       --version
+              Shows the current version of ttf2pk and the used file search li-
+              brary (e.g. kpathsea).
+
+       --help Shows usage information.
+
+       Environment variables for file searching are described  in  the  manual
+       page of ttf2tfm.
+
+THE CONFIGURATION FILE
+       ttf2pk  uses a small configuration file called ttf2pk.cfg; in each line
+       it contains a keyword with its value, separated by whitespace.  Comment
+       lines  can  start  with any of the following characters: `*', `#', `;',
+       and `%'.  Leading whitespace is ignored.
+
+       Currently, only one keyword, `map', is  recognized  in  this  file;  it
+       takes  a map file name as a parameter.  If no extension is given to the
+       map file name, .map is appended.  No whitespace is allowed in  the  map
+       file  name.   The  `map' keyword can be given more than once to specify
+       multiple map files; if the map file name is prepended by a  plus  sign,
+       it is added to the list of map files to be used.  Example:
+
+         map  foo
+         map +bar
+
+       This makes ttf2pk to first read foo.map, then bar.map.
+
+       If the configuration file is not found, ttf2pk tries to use ttfonts.map
+       instead.
+
+MAP FILES
+       Parameters specified to ttf2tfm are preserved for ttf2pk in map files--
+       ttf2tfm writes out to standard output, as the last line, a proper entry
+       for a map file.
+
+       As an example, a call to
+
+         ttf2tfm arial -p T1.enc -s 0.25 -P 1 -E 0 arials
+
+       will produce the following line:
+
+         arials   arial Slant=0.25 Pid=1 Eid=0 Encoding=T1.enc
+
+       See ttf2tfm(1) and afm2tfm(1) of the dvips package for a  detailed  de-
+       scription of encoding files.
+
+       Here a table listing the various ttf2tfm parameters and the correspond-
+       ing entries in a map file:
+
+           -s                  Slant
+           -e                  Extend
+           -p                  Encoding
+           -f                  Fontindex
+           -P                  Pid
+           -E                  Eid
+           -n                  PS=Yes
+           -N                  PS=Only
+           -R                  Replacement
+           -x                  Rotate=Yes
+           -y                  Y-Offset
+
+       Single replacement glyph names given  to  ttf2tfm  with  `-r old-glyph-
+       name new-glyphname'  are  directly  specified  with `old-glyphname=new-
+       glyphname'.  They will be ignored if in subfont mode or if no  encoding
+       file is given.
+
+       One  additional parameter in a map file is unique to ttf2pk: `Hinting',
+       which can take the values `On' or `Off'.  Some fonts (e.g. the CJK part
+       of cyberbit.ttf) are rendered incorrectly if hinting is activated.  De-
+       fault is `On' (you can also use `Yes', `No', `1', and `0').
+
+       For  a  description  of   subfonts   (i.e.,   entries   of   the   form
+       `<namestem>@<sfd-filename>@') please refer to ttf2tfm(1).
+
+       The  format  of  a map file is simple.  Each line defines a font; first
+       comes the TeX font name, then its TrueType font file name, followed  by
+       the  parameters  in any order.  Case is significant (even for parameter
+       names); the parameters are separated from its values by an equal  sign,
+       with whitespace possibly surrounding it.  ttf2pk reads in all map files
+       line by line in the order given in the configuration  file,  continuing
+       until  the  TeX  font specified on the command line is found, otherwise
+       the programs exits with error code 2.  Thus you can use  any  character
+       invalid in a TeX font name to start a comment line.
+
+       You  can  use `\' as the final character of a line to indicate that the
+       input is continued on the next line.  The backslash and  the  following
+       newline character will be removed.
+
+       ttf2pk will abort if it can't find or read the TeX font metrics file of
+       the given TeX font name.
+
+RETURN VALUE
+       If the call was successful, 0 will be returned.  In case of error,  the
+       return  value  is 1.   Finally,  if  the font can't be found in the map
+       files, 2 is returned.  This simplifies the  inclusion  of  ttf2pk  into
+       scripts like mktexpk for automatic font generation.
+
+SEE ALSO
+       ttf2tfm(1), afm2tfm(1)
+
+AVAILABILITY
+       ttf2pk  is part of the FreeType 1 package, a high quality TrueType ren-
+       dering library.
+
+AUTHORS
+       Werner LEMBERG <wl@gnu.org>
+       Frédéric LOYER <loyer@ensta.fr>
+
+
+
+FreeType version 1.5              10-Jan-2002                        TTF2PK(1)
diff --git a/Master/texmf-dist/doc/ttf2pk/ttf2tfm.txt b/Master/texmf-dist/doc/ttf2pk/ttf2tfm.txt
new file mode 100644
index 00000000000..2aaa78167b6
--- /dev/null
+++ b/Master/texmf-dist/doc/ttf2pk/ttf2tfm.txt
@@ -0,0 +1,644 @@
+TTF2TFM(1)                                                          TTF2TFM(1)
+
+
+
+NAME
+       ttf2tfm - build TeX metric files from a TrueType font
+
+SYNOPSIS
+       ttf2tfm ttffile[.ttf|.ttc] [-c caps-height-factor]
+               [-e extension-factor] [-E encoding-id] [-f font-index] [-l]
+               [-L ligature-file[.sfd]] [-n] [-N] [-O] [-p inencfile[.enc]]
+               [-P platform-id] [-q] [-r old-glyphname new-glyphname]
+               [-R replacement-file[.rpl]] [-s slant-factor]
+               [-t outencfile[.enc]] [-T inoutencfile[.enc]] [-u]
+               [-v vplfile[.vpl]] [-V scvplfile[.vpl]] [-w] [-x]
+               [-y vertical-shift-factor] [tfmfile[.tfm]]
+       ttf2tfm --version | --help
+
+DESCRIPTION
+       This program extracts the metric and kerning information of a  TrueType
+       font  and converts it into metric files usable by TeX (quite similar to
+       afm2tfm which is part of the dvips package;  please  consult  its  info
+       files  for  more details on the various parameters (especially encoding
+       files).
+
+       Since a TrueType font often contains more than 256 glyphs,  some  means
+       are  necessary  to map a subset of the TrueType glyphs onto a TeX font.
+       To do this, two mapping tables are needed: the first (called `input' or
+       `raw'  encoding) maps the TrueType font to a raw TeX font (this mapping
+       table is used by both ttf2tfm and ttf2pk), and the second (called `out-
+       put'  or `virtual' encoding) maps the raw TeX font to another (virtual)
+       TeX font, providing all kerning and ligature information needed by TeX.
+
+       This  two  stage mapping has the advantage that one raw font can be ac-
+       cessed with various LaTeX encodings (e.g. T1 and OT1) via  the  virtual
+       font mechanism, and just one PK file is necessary.
+
+       For  CJKV  (Chinese/Japanese/Korean/old  Vietnamese) fonts, a different
+       mechanism is provided (see SUBFONT DEFINITION FILES below).
+
+PARAMETERS
+       Most of the command line switch names are the same as  in  afm2tfm  for
+       convenience.   One  or  more space characters between an option and its
+       value is mandatory; options can't be concatenated.  For historical rea-
+       sons,  the  first  parameter  can  not be a switch but must be the font
+       name.
+
+       -c caps-height-factor
+              The height of small caps made with the -V switch.  Default value
+              of this real number is 0.8 times the height of uppercase glyphs.
+
+              Will be ignored in subfont mode.
+
+       -e extension-factor
+              The extension factor to  stretch  the  characters  horizontally.
+              Default  value of this real number is 1.0; if less than 1.0, you
+              get a condensed font.
+
+       -E encoding-id
+              The TrueType encoding ID.  Default value  of  this  non-negative
+              integer is 1.
+
+              Will be ignored if -N is used.
+
+       -f font-index
+              The  font  index in a TrueType Collection.  Default is the first
+              font (index 0).  [TrueType collections are usually found in some
+              CJK  fonts;  e.g. the first font index specifies glyphs and met-
+              rics for horizontal writing, and the second font index does  the
+              same  for  vertical  writing.  TrueType collections usually have
+              the extension `.ttc'.]
+
+              Will be ignored for ordinary TrueType fonts.
+
+       -l     Create ligatures in subfonts between first and second  bytes  of
+              all   the   original   character   codes.   Example:   Character
+              code 0xABCD maps to character position 123 in subfont 45.   Then
+              a ligature in subfont 45 between position 0xAB and 0xCD pointing
+              to character 123 will be produced.  The fonts of the Korean HLa-
+              TeX  package  use this feature.  Note that this option generates
+              correct ligatures only for TrueType fonts where the  input  cmap
+              is  identical  to  the output encoding.  In case of HLaTeX, TTFs
+              must have platform ID 3 and encoding ID 5.
+
+              Will be ignored if not in subfont mode.
+
+       -L ligature-file
+              Same as -l, but character codes for ligatures are  specified  in
+              ligature-file.   For  example,  `-L KS-HLaTeX' generates correct
+              ligatures for the Korean HLaTeX package regardless of the  plat-
+              form and encoding ID of the used TrueType font (the file KS-HLa-
+              TeX.sfd is part of the ttf2pk package).
+
+              Ligature files have the same format and extension as SFD  files.
+              This option will be ignored if not in subfont mode.
+
+       -n     Use PS names (of glyphs) of the TrueType font.  Only glyphs with
+              a valid entry in the selected cmap are used.
+
+              Will be ignored in subfont mode.
+
+       -N     Use only PS names of the TrueType font.  No cmap is  used,  thus
+              the  switches  -E  and -P have no effect, causing a warning mes-
+              sage.
+
+              Will be ignored in subfont mode.
+
+       -O     Use octal values for all character codes in the VPL file  rather
+              than names; this is useful for symbol or CJK fonts where charac-
+              ter names such as `A' are meaningless.
+
+       -p inencfile
+              The input encoding file name for the TTF->raw TeX mapping.  This
+              parameter   has   to  be  specified  in  a  map  file  (default:
+              ttfonts.map) recorded in ttf2pk.cfg for successive ttf2pk calls.
+
+              Will be ignored in subfont mode.
+
+       -P platform-id
+              The  TrueType  platform  ID.  Default value of this non-negative
+              integer is 3.
+
+              Will be ignored if -N is used.
+
+       -q     Make ttf2tfm quiet.  It suppresses any informational output  ex-
+              cept  warning and error messages.  For CJK fonts, the output can
+              get quite large if you don't specify this switch.
+
+       -r old-glyphname new-glyphname
+              Replaces old-glyphname with new-glyphname.  This switch is  use-
+              ful  if  you  want to give an unnamed glyph (i.e., a glyph which
+              can be represented with `.gXXX' or `.cXXX' only) a  name  or  if
+              you  want  to  rename an already existing glyph name.  You can't
+              use  the  `.gXXX'  or  `.cXXX'   glyph   name   constructs   for
+              new-glyphname; multiple occurrences of -r are possible.
+
+              If  in  subfont  mode  or if no encoding file is specified, this
+              switch is ignored.
+
+       -R replacement-file
+              Use this switch if you have many replacement pairs; they can  be
+              collected  in a file which should have `.rpl' as extension.  The
+              syntax used in such replacement files is simple: Each  non-empty
+              line must contain a pair `old-glyphname new-glyphname' separated
+              by whitespace (without the quotation  marks).   A  percent  sign
+              starts  a line comment; you can continue a line on the next line
+              with a backslash as the last character.
+
+              If in subfont mode or if no encoding  file  is  specified,  this
+              switch is ignored.
+
+       -s slant-factor
+              The  obliqueness  factor to slant the font, usually much smaller
+              than 1.  Default of this real number is 0.0;  if  the  value  is
+              larger  than  zero, the characters slope to the right, otherwise
+              to the left.
+
+       -t outencfile
+              The output encoding file name for  the  virtual  font(s).   Only
+              characters in the raw TeX font are used.
+
+              Will be ignored in subfont mode.
+
+       -T inoutencfile
+              This is equivalent to `-p inoutencfile -t inoutencfile'.
+
+              Will be ignored in subfont mode.
+
+       -u     Use  only those characters specified in the output encoding, and
+              no others.  By default, ttf2tfm tries to include all  characters
+              in  the virtual font, even those not present in the encoding for
+              the virtual font (it puts them into otherwise-unused  positions,
+              rather arbitrarily).
+
+              Will be ignored in subfont mode.
+
+       -v vplfile
+              Output a VPL file in addition to the TFM file.  If no output en-
+              coding file is specified, ttf2tfm uses a default  font  encoding
+              (cmtt10).   Note: Be careful to use different names for the vir-
+              tual font and the raw font!
+
+              Will be ignored in subfont mode.
+
+       -V scvplfile
+              Same as -v, but the virtual font generated  is  a  pseudo  small
+              caps  font  obtained  by scaling uppercase letters by 0.8 (resp.
+              the value specified with -c) to typeset  lowercase.   This  font
+              handles accented letters and retains proper kerning.
+
+              Will be ignored in subfont mode.
+
+       -w     Generate  PostScript  encoding vectors containing glyph indices,
+              primarily used to embed TrueType fonts in pdfTeX.  ttf2tfm takes
+              the  TFM  names  and replaces the suffix with .enc; that is, for
+              files   foo01.tfm,   foo02.tfm, ...   it   creates    foo01.enc,
+              foo02.enc, ... at the same place.
+
+              Will be ignored if not in subfont mode.
+
+       -x     Rotate all glyphs by 90 degrees counter-clockwise.  If no -y pa-
+              rameter is given, the rotated glyphs are shifted down vertically
+              by 0.25em.
+
+              Will be ignored if not in subfont mode.
+
+       -y vertical-shift-factor
+              Shift  down rotated glyphs by the given amount (the unit is em).
+
+              Ignored if not in subfont mode or glyphs are not rotated.
+
+       --version
+              Shows the current version of ttf2tfm and the  used  file  search
+              library (e.g.  kpathsea).
+
+       --help Shows usage information.
+
+       If no TFM file name is given, the name of the TTF file is used, includ-
+       ing the full path and replacing the extension with `.tfm'.
+
+CMAPS
+       Contrary to Type 1 PostScript fonts (but similar to the new  CID  Post-
+       Script font format), most TrueType fonts have more than one native map-
+       ping table, also called `cmap', which maps the (internal) TTF glyph in-
+       dices  to  the  (external)  TTF character codes.  Common examples are a
+       mapping table to Unicode encoded character positions, and the  standard
+       Macintosh mapping.
+
+       To  specify  a TrueType mapping table, use the options -P and -E.  With
+       -P you specify the platform ID; defined values are:
+
+           platform              platform ID (pid)
+
+           Apple Unicode                0
+           Macintosh                    1
+           ISO                          2
+           Microsoft                    3
+
+       The encoding ID depends on the platform.  For pid=0, we ignore  the  -E
+       parameter  (setting  it to zero) since the mapping table is always Uni-
+       code version 2.0.  For pid=1, the following  table  lists  the  defined
+       values:
+
+         platform ID = 1
+
+           script                encoding ID (eid)
+
+           Roman                        0
+           Japanese                     1
+           Chinese                      2
+           Korean                       3
+           Arabic                       4
+           Hebrew                       5
+           Greek                        6
+           Russian                      7
+           Roman Symbol                 8
+           Devanagari                   9
+           Gurmukhi                    10
+           Gujarati                    11
+           Oriya                       12
+           Bengali                     13
+           Tamil                       14
+           Telugu                      15
+           Kannada                     16
+           Malayalam                   17
+           Sinhalese                   18
+           Burmese                     19
+           Khmer                       20
+           Thai                        21
+           Laotian                     22
+           Georgian                    23
+           Armenian                    24
+           Maldivian                   25
+           Tibetan                     26
+           Mongolian                   27
+           Geez                        28
+           Slavic                      29
+           Vietnamese                  30
+           Sindhi                      31
+           Uninterpreted               32
+
+       Here are the ISO encoding IDs:
+
+         platform ID = 2
+
+           encoding              encoding ID (eid)
+
+           ASCII                        0
+           ISO 10646                    1
+           ISO 8859-1                   2
+
+       And finally, the Microsoft encoding IDs:
+
+         platform ID = 3
+
+           encoding              encoding ID (eid)
+
+           Symbol                       0
+           Unicode 2.0                  1
+           Shift JIS                    2
+           GB 2312 (1980)               3
+           Big 5                        4
+           KS X 1001 (Wansung)          5
+           KS X 1001 (Johab)            6
+           UCS-4                       10
+
+       The  program  will abort if you specify an invalid platform/encoding ID
+       pair.  It will then show the possible pid/eid pairs.  Please note  that
+       most  fonts  have  at most two or three cmaps, usually corresponding to
+       the pid/eid pairs (1,0), (3,0), or (3,1) in case of Latin based  fonts.
+       Valid Microsoft fonts should have a (3,1) mapping table, but some fonts
+       exist (mostly Asian fonts) which have a (3,1) cmap not encoded in  Uni-
+       code.   The  reason for this strange behavior is the fact that some old
+       MS Windows versions will reject fonts having a  non-(3,1)  cmap  (since
+       all  non-Unicode  Microsoft  encoding IDs are for Asian MS Windows ver-
+       sions).
+
+       The -P and -E options of ttf2tfm must be equally specified for  ttf2pk;
+       the corresponding parameters in a map file are `Pid' and `Eid', respec-
+       tively.
+
+       The default pid/eid pair is (3,1).
+
+       Similarly, an -f option must be specified as `Fontindex' parameter in a
+       map file.
+
+       If  you  use the -N switch, all cmaps are ignored, using only the Post-
+       Script names in the TrueType font.  The corresponding option in  a  map
+       file  is  `PS=Only'.  If you use the -n switch, the default glyph names
+       built into ttf2tfm are replaced with the PS glyph names  found  in  the
+       font.   In many cases this is not what you want because the glyph names
+       in the font are often incorrect or non-standard.  The corresponding op-
+       tion in a map file is `PS=Yes'.
+
+       Single replacement glyph names specified with -r must be given directly
+       as `old-glyphname new-glyphname' in a map file; -R is equivalent to the
+       `Replacement' option.
+
+INPUT AND OUTPUT ENCODINGS
+       You must specify the encoding vectors from the TrueType font to the raw
+       TeX font and from the raw TeX font to the virtual TeX font  exactly  as
+       with  afm2tfm, but you have more possibilities to address the character
+       codes.  [With `encoding vector' a mapping  table  with  256 entries  in
+       form  of a PostScript vector is meant; see the file T1-WGL4.enc of this
+       package for an example.]  With afm2tfm, you must access each glyph with
+       its Adobe glyph name, e.g. `/quotedsingle' or `/Acircumflex'.  This has
+       been extended with ttf2tfm; now you can (and sometimes must) access the
+       code  points  and/or  glyphs  directly,  using the following syntax for
+       specifying the character position in decimal, octal, or hexadecimal no-
+       tation: `/.c<decimal-number>', `/.c0<octal-number>', or `/.c0x<hexadec-
+       imal-number>'.  Examples: `/.c72', `/.c0646', `/.c0x48'.  To  access  a
+       glyph  index directly, use the character `g' instead of `c' in the just
+       introduced notation.  Example: `/.g0x32'.  [Note: The `.cXXX'  notation
+       makes no sense if -N is used.]
+
+       For  pid/eid  pairs  (1,0) and (3,1), both ttf2tfm and ttf2pk recognize
+       built-in default Adobe glyph names; the former follows the names  given
+       in Appendix E of the book `Inside Macintosh', volume 6, the latter uses
+       the names given in the TrueType Specification (WGL4, a Unicode subset).
+       Note  that  Adobe  names  for a given glyph are often not unique and do
+       sometimes differ, e.g., many PS fonts have the glyph `mu', whereas this
+       glyph  is called `mu1' in the WGL4 character set to distinguish it from
+       the real Greek letter mu.  Be also  aware  that  OpenType  (i.e.  True-
+       Type 2.0)  fonts  use  an  updated WGL4 table; we use the data from the
+       latest published TrueType specification (1.66).   You  can  find  those
+       mapping tables in the source code file ttfenc.c.
+
+       On the other hand, the switches -n and -N makes ttf2tfm read in and use
+       the PostScript names in the TrueType font itself (stored in the  `post'
+       table) instead of the default Adobe glyph names.
+
+       Use  the -r switch to remap single glyph names and -R to specify a file
+       containing replacement glyph name pairs.
+
+       If you don't select an input encoding,  the  first  256 glyphs  of  the
+       TrueType font with a valid entry in the selected cmap will be mapped to
+       the TeX raw font (without the -q option, ttf2tfm  prints  this  mapping
+       table  to standard output), followed by all glyphs not yet addressed in
+       the selected cmap.  However, some code points  for  the  (1,0)  pid/eid
+       pair  are  omitted  since  they do not represent glyphs useful for TeX:
+       0x00 (null), 0x08 (backspace), 0x09 (horizontal tabulation), 0x0d (car-
+       riage  return),  and  0x1d  (group separator).  The `invalid character'
+       with glyph index 0 will be omitted too.
+
+       If you select the -N switch, the first 256 glyphs of the TrueType  font
+       with  a valid PostScript name will be used in case no input encoding is
+       specified.  Again, some glyphs are omitted:   `.notdef',  `.null',  and
+       `nonmarkingreturn'.
+
+       If  you don't select an  output encoding, ttf2tfm uses the same mapping
+       table as afm2tfm would use (you can find it in  the  source  code  file
+       texenc.c);  it  corresponds  to  TeX typewriter text.  Unused positions
+       (either caused by empty code points in the  mapping  table  or  missing
+       glyphs  in  the TrueType font) will be filled (rather arbitrarily) with
+       characters present in the input encoding but not specified in the  out-
+       put encoding (without the -q option ttf2tfm prints the final output en-
+       coding to standard output).  Use the -u option if you want only  glyphs
+       in  the virtual font which are defined in the output encoding file, and
+       nothing more.
+
+       One feature missing in afm2tfm has been added which is  needed  by  La-
+       TeX's  T1  encoding:  ttf2tfm will construct the glyph `Germandbls' (by
+       simply concatenating two `S' glyphs) even for normal fonts if possible.
+       It appears in the glyph list as the last item, marked with an asterisk.
+       Since this isn't a real glyph it will be available only in the  virtual
+       font.
+
+       For  both  input  and output encoding, an empty code position is repre-
+       sented by the glyph name `/.notdef'.
+
+       In encoding files, you can use `\' as the final character of a line  to
+       indicate  that  the input is continued on the next line.  The backslash
+       and the following newline character will be removed.
+
+
+SUBFONT DEFINITION FILES
+       CJKV (Chinese/Japanese/Korean/old  Vietnamese)  fonts  usually  contain
+       several  thousand glyphs; to use them with TeX it is necessary to split
+       such large fonts into subfonts.  Subfont definition files (usually hav-
+       ing the extension `.sfd') are a simple means to do this smoothly.
+
+       A  subfont file name usually consists of a prefix, a subfont infix, and
+       a postfix (which is empty in most cases), e.g.
+
+         ntukai23 -> prefix: ntukai, infix: 23, postfix: (empty)
+
+       Here the syntax of a line in an SFD file, describing one subfont:
+
+       <whitespace> <infix> <whitespace> <ranges> <whitespace>
+
+
+       <infix> :=
+              anything except whitespace.  It is best to use only alphanumeri-
+              cal characters.
+
+       <whitespace> :=
+              space,  formfeed,  carriage return, horizontal and vertical tabs
+              -- no newline characters.
+
+       <ranges> :=
+              <ranges> <whitespace> <codepoint> |
+              <ranges> <whitespace> <range> |
+              <ranges> <whitespace> <offset> <whitespace> <range>
+
+       <codepoint> :=
+              <number>
+
+       <range> :=
+              <number> `_' <number>
+
+       <offset> :=
+              <number> `:'
+
+       <number> :=
+              hexadecimal (prefix `0x'), decimal, or octal (prefix `0')
+
+       A line can be continued on the next line with a  backslash  ending  the
+       line.   The  ranges  must  not overlap; offsets have to be in the range
+       0-255.
+
+       Example:
+
+         The line
+
+           03   10: 0x2349 0x2345_0x2347
+
+         assigns to the code positions 10, 11, 12, and 13 of the subfont  hav-
+         ing  the  infix  `03' the character codes 0x2349, 0x2345, 0x2346, and
+         0x2347 respectively.
+
+       The SFD files in the distribution are customized for  the  CJK  package
+       for LaTeX.
+
+       You  have  to  embed  the  SFD file name into the TFM font name (at the
+       place where the infix will appear) surrounded by two `@' signs, on  the
+       command  line  resp. a map file; both ttf2tfm and ttf2pk switch then to
+       subfont mode.
+
+       It is possible to use more than a single SFD file  by  separating  them
+       with  commata and no whitespace; for a given subfont, the first file is
+       scanned for an entry, then the next file, and  so  on.   Later  entries
+       override entries found earlier (possibly only partially).  For example,
+       the first SFD file sets up range 0x10-0xA0, and the next  one  modifies
+       entries  0x12  and  0x25.  As can be easily seen, this algorithm allows
+       for adding and replacing, but not for removing entries.
+
+       Subfont mode disables the options -n, -N, -p, -r, -R, -t, -T,  -u,  -v,
+       -V and -w for ttf2tfm; similarly, no `Encoding' or `Replacement' param-
+       eter is allowed in a map file.  Single replacement glyph names are  ig-
+       nored too.
+
+       ttf2tfm  will  create  all subfont TFM files specified in the SFD files
+       (provided the subfont contains glyphs) in one run.
+
+       Example:
+
+         The call
+
+           ttf2tfm ntukai.ttf ntukai@Big5,Big5-supp@
+
+         will use Big5.sfd and  Big5-supp.sfd,  producing  all  subfont  files
+         ntukai01.tfm, ntukai02.tfm, etc.
+
+RETURN VALUE
+       ttf2tfm returns 0 on success and 1 on error; warning and error messages
+       are written to standard error.
+
+SOME NOTES ON FILE SEARCHING
+       Both ttf2pk and ttf2tfm use either the kpathsea,  emtexdir,  or  MiKTeX
+       library  for searching files (emtexdir will work only on operating sys-
+       tems which have an MS-DOSish background, i.e.  MS-DOS,  OS/2,  Windows;
+       MikTeX is specific to MS Windows).
+
+       As  a  last  resort, both programs can be compiled without a search li-
+       brary; the searched files must be then  in  the  current  directory  or
+       specified  with a path.  Default extensions will be appended also (with
+       the exception that only `.ttf' is appended and not `.ttc').
+
+   kpathsea
+       Please note that older versions of  kpathsea  (<3.2)  have  no  special
+       means  to  seach  for TrueType fonts and related files, thus we use the
+       paths for PostScript related stuff.  The actual version of kpathsea  is
+       displayed  on  screen  if  you  call  either ttf2pk or ttf2tfm with the
+       --version command line switch.
+
+       Here is a table of the file type and the corresponding  kpathsea  vari-
+       ables.  TTF2PKINPUTS and TTF2TFMINPUTS are program specific environment
+       variables introduced in kpathsea version 3.2:
+
+           .ttf and .ttc       TTFONTS
+           ttf2pk.cfg          TTF2PKINPUTS
+           .map                TTF2PKINPUTS
+           .enc                TTF2PKINPUTS, TTF2TFMINPUTS
+           .rpl                TTF2PKINPUTS, TTF2TFMINPUTS
+           .tfm                TFMFONTS
+           .sfd                TTF2PKINPUTS, TTF2TFMINPUTS
+
+       And here the same for pre-3.2-versions of kpathsea:
+
+           .ttf and .ttc       T1FONTS
+           ttf2pk.cfg          TEXCONFIG
+           .map                TEXCONFIG
+           .enc                TEXPSHEADERS
+           .rpl                TEXPSHEADERS
+           .tfm                TFMFONTS
+           .sfd                TEXPSHEADERS
+
+       Finally, the same for pre-3.0-versions (as used e.g. in teTeX 0.4):
+
+           .ttf and .ttc       DVIPSHEADERS
+           ttf2pk.cfg          TEXCONFIG
+           .map                TEXCONFIG
+           .enc                DVIPSHEADERS
+           .rpl                DVIPSHEADERS
+           .tfm                TFMFONTS
+           .sfd                DVIPSHEADERS
+
+       Please consult the info files of kpathsea for details  on  these  vari-
+       ables.   The  decision whether to use the old or the new scheme will be
+       done during compilation.
+
+       You should set the  TEXMFCNF  variable  to  the  directory  where  your
+       texmf.cnf configuration file resides.
+
+       Here  is the proper command to find out to which value a kpathsea vari-
+       able is set (we use TTFONTS as an example).  This is especially  useful
+       if a variable isn't set in texmf.cnf or in the environment, thus point-
+       ing to the default value which is hard-coded into the kpathsea library.
+
+         kpsewhich -progname=ttf2tfm -expand-var='$TTFONTS'
+
+       We  select  the program name also since it is possible to specify vari-
+       ables which are searched only for a certain program -- in  our  example
+       it would be TTFONTS.ttf2tfm.
+
+       A similar but not identical method is to say
+
+         kpsewhich -progname=ttf2tfm -show-path='truetype fonts'
+
+       [A  full  list  of  format  types  can be obtained by saying `kpsewhich
+       --help' on the command line prompt.]  This is exactly how ttf2tfm  (and
+       ttf2pk)  searches for files; the disadvantage is that all variables are
+       expanded which can cause very long strings.
+
+   emtexdir
+       Here the list of suffixes and their related environment variables to be
+       set in autoexec.bat (resp. in config.sys for OS/2):
+
+           .ttf and .ttc       TTFONTS
+           ttf2pk.cfg          TTFCFG
+           .map                TTFCFG
+           .enc                TTFCFG
+           .rpl                TTFCFG
+           .tfm                TEXTFM
+           .sfd                TTFCFG
+
+       If  one  of the variables isn't set, a warning message is emitted.  The
+       current directory will always  be searched.  As usual, one  exclamation
+       mark  appended to a directory path causes subdirectories one level deep
+       to be searched, two exclamation marks cause all  subdirectories  to  be
+       searched.  Example:
+
+         TTFONTS=c:\fonts\truetype!!;d:\myfonts\truetype!
+
+       Constructions like `c:\fonts!!\truetype' aren't possible.
+
+   MiKTeX
+       Both ttf2tfm and ttf2pk have been fully integrated into MiKTeX.  Please
+       refer to the documentation of MiKTeX for more details on  file  search-
+       ing.
+
+PROBLEMS
+       Many  vptovf  implementations  allow  only 100 bytes for the TFM header
+       (the limit is 1024 in the TFM file format itself): 8 bytes for checksum
+       and  design size, 40 bytes for the family name, 20 bytes for the encod-
+       ing, and 4 bytes for a face byte.  There remain only 28 bytes for  some
+       additional  information  which is used by ttf2tfm for an identification
+       string (which is essentially a copy of the command line), and this lim-
+       it is always exceeded.
+
+       The  optimal  solution  is to increase the value of max_header_bytes in
+       the file vptovf.web (and probably pltotf.web too) to, say, 400 and  re-
+       compile  vptovf (and pltotf).  Otherwise you'll get some (harmless) er-
+       ror messages like
+
+         This HEADER index is too big for my present table size
+
+       which can be safely ignored.
+
+SEE ALSO
+       ttf2pk(1), afm2tfm(1), vptovf(1),
+       the info pages for dvips and kpathsea
+
+AVAILABILITY
+       ttf2tfm is part of the FreeType 1 package, a high quality TrueType ren-
+       dering library.
+
+AUTHORS
+       Werner LEMBERG <wl@gnu.org>
+       Frédéric LOYER <loyer@ensta.fr>
+
+
+
+FreeType version 1.5              10-Jan-2002                       TTF2TFM(1)