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author | Karl Berry <karl@freefriends.org> | 2014-11-13 23:53:39 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2014-11-13 23:53:39 +0000 |
commit | e0056016e425d97e79d80fdee01acf4cd84c1d8d (patch) | |
tree | c6024370d669e546e6c66fca1784ec0a980e8694 /Master/texmf-dist/doc/plain/impatient-cn/backm.tex | |
parent | c3397e2195329b400975b069f1f6e3b2092f84a8 (diff) |
impatient-cn (13nov14)
git-svn-id: svn://tug.org/texlive/trunk@35576 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/plain/impatient-cn/backm.tex')
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diff --git a/Master/texmf-dist/doc/plain/impatient-cn/backm.tex b/Master/texmf-dist/doc/plain/impatient-cn/backm.tex new file mode 100644 index 00000000000..4bb2ff27170 --- /dev/null +++ b/Master/texmf-dist/doc/plain/impatient-cn/backm.tex @@ -0,0 +1,97 @@ +% -*- coding: utf-8 -*- +% This is part of the book TeX for the Impatient. +% Copyright (C) 2003 Paul W. Abrahams, Kathryn A. Hargreaves, Karl Berry. +% See file fdl.tex for copying conditions. +% +% Backmatter. + +\input macros + +\ifcompletebook + \noheadlinetrue\pagebreak + \ifodd\pageno\else \noheadlinetrue\pagebreak \fi +\fi + +\edgetabsfalse + +% About the authors. +% +\backsinkage +%\leftline{\sectionfonts About the authors} +\bookmark{1}{作者简介}% +\leftline{\sectionfonts 作者简介} +\vskip\belowsectionskip + +\noindent Paul W. Abrahams, Sc.D., CCP, is a consulting computer +scientist and a past president of the Association for Computing +Machinery. His specialties are programming languages, software systems +design and implementation, and technical writing. He received his +doctorate from the Massachusetts Institute of Technology in 1963 in +mathematics, studying artificial intelligence under Marvin Minsky and +John McCarthy. He is one of the designers of the first {\sc LISP} +system and the designer of the {\sc CIMS PL/I} system, developed when he +was a professor at New York University. More recently, he has designed +{\sc SPLASH}, a Systems Programming LAnguage for Software Hackers. Paul +resides in Deerfield, Massachusetts, where he writes, hacks, hikes, +hunts wild mushrooms, and listens to classical music. + +Kathryn A. Hargreaves received her M.S. degree in computer science from +the University of Massachusetts, Boston, in August 1989. Her +specialities are digital typography and human vision. She developed a +set of programs to produce high-quality, freely distributable digital +type for the Free Software Foundation and also worked with +Robert~A. Morris as an Adjunct Research Associate. In 1986 she completed +the Reentry Program in Computer Science for Women and Minorities at the +University of California at Berkeley, where she also worked in the \TeX\ +research group under Michael Harrison. She has studied letterform design +with Don Adleta, Andr\'e G\"urtler, and Christian Mengelt at the Rhode +Island School of Design. A journeyman typographer, she has worked at +Headliners\slash Identicolor, San Francisco, and Future Studio, Los +Angeles, two leading typographical firms. She also holds an M.F.A. in +Painting\slash Sculpture\slash Graphic Arts from the University of +California at Los Angeles. Kathy paints watercolors, designs +letterforms, plays piano, and reads feminist film criticism. + +Like Kathy, Karl Berry received his M.S. degree in computer science from +the University of Massachusetts, Boston, in August 1989. He also +worked for the Free Software Foundation, did research with Morris, +and has studied with Adleta, G\"urtler, and Mengelt. He has been +working with \TeX\ since 1983 and has installed and maintained the \TeX\ +system at a number of universities. He was the maintainer of the Web2c +system developed by Tim Morgan for a number of years, among other \TeX\ +projects. He became the president of the \TeX\ Users Group in 2003. + +\noheadlinetrue\pagebreak + + +% Colophon. +% +\backsinkage +%\leftline{\sectionfonts Colophon} +\bookmark{1}{书尾}% +\leftline{\sectionfonts 书尾} +\vskip\belowsectionskip + +\noindent This book was composed using \TeX\ (of course), developed by +Donald~E. Knuth. The main text is set in Computer Modern, also designed +by Knuth. The heads of the original book were set in Zapf Humanist (the +Bitstream version of Optima), designed by Hermann Zapf. + +The paper was Amherst Ultra Matte 45 lb. The printing and binding were +done by Arcadia Graphics-Halliday. The phototypeset output was produced +at Type 2000,~Inc., in Mill Valley, California. Proofs were made on an +Apple LaserWriter Plus and on a Hewlett Packard LaserJet~II\null. + +Cross-referencing, indexing, and the table of contents were done +mechanically, using the macros of \chapterref{eplain} together with +additional macros custom-written for this book. The production of the +index was supported by an additional program written in Icon. + + +\noheadlinetrue +\iftrue + \pagebreak + \printconceptpage +\fi + +\byebye |