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author | Karl Berry <karl@freefriends.org> | 2009-02-12 00:03:25 +0000 |
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committer | Karl Berry <karl@freefriends.org> | 2009-02-12 00:03:25 +0000 |
commit | acb9a71c893816044a81194578f8f1754ce8dc17 (patch) | |
tree | 058e9c3840625694ce10903bd744760e5b068f6a /Master/texmf-dist/doc/latex/gchords/get2knowu.tex | |
parent | 4d2a3e89c58e5ada3e1792f609aa53931e26289e (diff) |
new (old) latex package gchords
git-svn-id: svn://tug.org/texlive/trunk@12144 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/latex/gchords/get2knowu.tex')
-rw-r--r-- | Master/texmf-dist/doc/latex/gchords/get2knowu.tex | 112 |
1 files changed, 112 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/latex/gchords/get2knowu.tex b/Master/texmf-dist/doc/latex/gchords/get2knowu.tex new file mode 100644 index 00000000000..f9399978e46 --- /dev/null +++ b/Master/texmf-dist/doc/latex/gchords/get2knowu.tex @@ -0,0 +1,112 @@ +\documentclass[12pt]{article} + +\usepackage{geometry} +\setlength{\parindent}{0pt} +% \setlength{\textwidth}{6.5in} +\setlength{\textwidth}{7.2in} + +% \usepackage{gchords2} +\usepackage{gchords} + +\iftrue +% From: Richard Cobbe (cobbe@directlink.net) +% Subject: Re: Raised Guitar Chords in LaTeX +% Newsgroups: comp.text.tex +% Date: 2000/04/20 +% \newcommand{\chord}... + +\newcommand\mychords{ +\def\chordsize{1.6mm} % distance between two frets (and two strings) +\font\fingerfont=cmr5 % font used for numbering fingers +% \font\fingerfont=cmmi5 % font used for numbering fingers +\font\namefont=cmr10 % font used for labeling of the chord +\font\fretposfont=cmr7 % font used for the fret position marker +% \def\dampsymbol{$\scriptstyle\times$} % `damp this string' marker +\def\dampsymbol{{\tiny$\scriptstyle\times$}} % `damp this string' marker +} + +\renewcommand\yoff{3} +\renewcommand\fingsiz{1.6} + +\newcommand{\AsevenMaj}{\chord{t}{x,n,p2,p1,p2,n}{A7+}} +\newcommand{\Aseven}{\chord{t}{x,n,p2,n,p2,n}{A7}} +\newcommand{\A}{\chord{t}{x,n,p2,p2,p2,n}{A}} +\newcommand{\BmseveN}{\chord{t}{x,p2,p4,p3,p3,p2}{Bm7+}} +\newcommand{\BmsevenA}{\chord{t}{x,n,p4,p4,p3,n}{Bm/A}} +\newcommand{\Bmseven}{\chord{t}{x,p2,p4,p2,p3,p2}{Bm7}} +\newcommand{\Bm}{\chord{t}{x,p2,p4,p4,p3,p2}{Bm}} +\newcommand{\Bseven}{\chord{t}{x,f1p2,p4,f1p2,p4,f1p2,}{B7}} +\newcommand{\BsevenBasDs}{\chord{t}{x,x,p1,p2,n,p2}{B7/D\#}} +\newcommand{\CssevenLight}{\chord{t}{x,p4,p3,p4,p2,x}{C\#7}} +\newcommand{\DmBasB}{\chord{t}{x,p2,p3,p2,p3,x}{Dm/B}} +\newcommand{\DseveN}{\chord{t}{x,x,n,p2,p2,p2}{D7+}} +\newcommand{\Dsix}{\chord{t}{x,x,n,p2,n,p2}{D6}} +\newcommand{\D}{\chord{t}{x,x,n,p2,p3,p2}{D}} +\newcommand{\EseveNNine}{\chord{t}{n,f1p2,f1p2,p4,p3,f1p2,}{E79}} +\newcommand{\EseveN}{\chord{t}{n,p2,p2,p4,p3,p4}{E7}} +\newcommand{\EsevenFour}{\chord{t}{n,p2,p2,p4,p3,p5}{E7,11}} +\newcommand{\Eseven}{\chord{t}{n,p2,p2,p1,p3,n}{E7}} +\newcommand{\Fsmin}{\chord{t}{f1p2,p4,p4,f1p2,f1p2,f1p2,}{F\#m}} +\newcommand{\FsminLight}{\chord{t}{x,x,f3p4,f1p2,f1p2,f1p2,}{F\#m}} +\newcommand{\FsminBasSeveN}{\chord{t}{x,x,f3p3,f1p2,f1p2,f1p2,}{F\#m/E\#}} +\newcommand{\FsminBasSeven}{\chord{t}{x,x,f2p2,f1p2,f1p2,f1p2,}{F\#m/E}} +\newcommand{\FsminSeven}{\chord{t}{f1p2,p4,p4,f1p2,p5,f1p2,}{F\#7m}} +\newcommand{\Gsminseven}{\chord{t}{f2p4,x,f4p4,f4p4,f4p4,f4p4,}{G\#7}} + +\fi + +\begin{document} + +\mychords + +% \mediumchords +% \chord{t}{x,f3p3,f2p2,n,f1p1,f4p3,}{C} +\pagestyle{empty} + +% textwidth is \textwidth. +\begin{center} +\Large +\textbf{Getting to Know You} / \textsl{Rogers \& Hammerstein} \\ +Arranged \& Performed: \textsl{James Taylor} \\ +{\normalsize Recover \& Typeset: \textsl{Yotam Medini}} +\end{center} + +\begin{verse} + \large + Getting to \upchord{\AsevenMaj}know you, + Getting to know all \upchord{\EsevenFour}{about} \upchord{\EseveN}{you} + \quad\upchord{\EseveNNine}{\qquad } \upchord{\EseveN}{\qquad } \\ + Getting to \upchord{\Bm}{like} \quad\upchord{\BmseveN}{you}, + \upchord{\Bmseven}{Gett}ing to hope \upchord{\Eseven}{you} like + \upchord{\AsevenMaj}{me} + \qquad\upchord{\BmsevenA}{\qquad} \upchord{\Eseven}{\qquad}\\ + + Getting to \upchord{\AsevenMaj}know you, + Putting it my way, but \upchord{\D}{nice} --- \upchord{\DseveN}ly + \qquad\upchord{\Dsix}{\qquad} \\ + You are pre\upchord{\FsminSeven}{cise}ly \upchord{\Bseven}{my} cup of + \upchord{\Bmseven}{tea} \quad\upchord{\Eseven}{\quad} \\ + + Getting to \upchord{\AsevenMaj}know you, + Getting to feel free and \upchord{\EsevenFour}{ea} --- \upchord{\EseveN}{sy} + \quad\upchord{\EseveNNine}{\qquad} \upchord{\EseveN}{\qquad } \\ + When I am \upchord{\Bm}{with} \upchord{\BmseveN}{you}, + \upchord{\Bmseven}{Gett}ing to know \upchord{\Eseven}{what} to + \upchord{\A}{say} \qquad\upchord{\Aseven}{\qquad} + +\pagebreak + + Haven't you \upchord{\D}{no}ticed, + \upchord{\Gsminseven}{Suddenly} I'm \upchord{\CssevenLight}{bright} + and \upchord{\Fsmin}{breezy} \upchord{\Bseven}{\qquad}\\ + Because of \upchord{\A}{all} \quad \upchord{\Fsmin}{the} + \quad\upchord{\Bmseven}{beautiful} and \upchord{\Eseven}{new}\\ + \upchord{\FsminLight}{Things} \quad\upchord{\FsminBasSeveN}{I'm} + \qquad\upchord{\FsminBasSeven}{learning} about \upchord{\BsevenBasDs}{you}\\ + \upchord{\DmBasB}{Day} \quad\upchord{\Eseven}{by} + \qquad[ \upchord{\A}{day} \(\mid\) Getting to \ldots ] +\end{verse} + + +\end{document} + |