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authorKarl Berry <karl@freefriends.org>2012-01-30 23:49:17 +0000
committerKarl Berry <karl@freefriends.org>2012-01-30 23:49:17 +0000
commitdfc05b7d118ea655b9bb7c08ac6a7c74eecafa22 (patch)
tree4a84d4d21142c8da362ad2e24c25e18870aa07b1 /Master/texmf-dist/doc/latex/aspectratio
parent20173bd471c6f23ea72c2ef58d61d7d9af5cf85d (diff)
aspectratio (30jan12)
git-svn-id: svn://tug.org/texlive/trunk@25243 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/latex/aspectratio')
-rw-r--r--Master/texmf-dist/doc/latex/aspectratio/ar.pdfbin368580 -> 336772 bytes
-rw-r--r--Master/texmf-dist/doc/latex/aspectratio/ar.tex50
2 files changed, 25 insertions, 25 deletions
diff --git a/Master/texmf-dist/doc/latex/aspectratio/ar.pdf b/Master/texmf-dist/doc/latex/aspectratio/ar.pdf
index e10fca8a57d..2431cbc43cf 100644
--- a/Master/texmf-dist/doc/latex/aspectratio/ar.pdf
+++ b/Master/texmf-dist/doc/latex/aspectratio/ar.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/latex/aspectratio/ar.tex b/Master/texmf-dist/doc/latex/aspectratio/ar.tex
index d6a4f5d2cca..f0aafd6de6e 100644
--- a/Master/texmf-dist/doc/latex/aspectratio/ar.tex
+++ b/Master/texmf-dist/doc/latex/aspectratio/ar.tex
@@ -5,20 +5,19 @@
\usepackage[utf8]{inputenc}
\usepackage[T1]{fontenc}
\usepackage{amsmath}
-\usepackage{trace}
-%
+%
% The following three lines are to be commented out in order to chose
% the other font options
\usepackage{lmodern}
\usepackage{ar}
\newcommand\aroption{CM }
-%
+%
% The following three lines are to be commented out in order to chose
% the other font options
%\usepackage{txfonts}
%\usepackage[TX]{ar}
%\newcommand\aroption{TX }
-%
+%
% The following three lines are to be commented out in order to chose
% the other font options
%\usepackage{pxfonts}
@@ -29,16 +28,16 @@
\usepackage[a4paper,textwidth=15cm,textheight=24cm,%
hcentering,vcentering]{geometry}
-
+
\newcommand\cs[1]{\texttt{\char`\\#1}}
-\newcommand\meta[1]{\texttt{\textlangle{\normalfont\textit{#1}}\textlangle}}
-\newcommand\marg[1]{\texttt{\{\meta{#1}\}}}
-\newcommand\oarg[1]{\texttt{[\meta{#1}]}}
-\newcommand\pack[1]{\textbf{\sffamily#1}}
+\newcommand\meta[1]{\texttt{\textlangle{\normalfont\textit{#1}}\textlangle}}
+\newcommand\marg[1]{\texttt{\{\meta{#1}\}}}
+\newcommand\oarg[1]{\texttt{[\meta{#1}]}}
+\newcommand\pack[1]{\textbf{\sffamily#1}}
\newcommand\Arg[1]{\texttt{\{#1\}}}
-\newcommand\file[1]{\texttt{#1}}
-
-
+\newcommand\file[1]{\texttt{#1}}
+
+
\title{\textbf{The design of the ``A-R'' ligature\\
with Computer Modern, Times, and Palatino\\
compatible styles: \AR}}
@@ -79,16 +78,17 @@ The package contains several files of different types:
\begin{itemize}
\item This \file{ar.tex} and its compiled result \file{ar.pdf}.
\item The \MF\ source files \file{ar}\meta{size}\file{.mf} in order to produce the bitmapped fonts, in case the user wanted to typeset a document in DVI format and wanted to preview it with a DVI viewer. The \meta{size} ranges from 5 to 12, in the usual sequence as any other math font in the \TeX\ system.
+\item The \MF\ source files for sans serif medium and bold fonts in 10pt size and the only source file for the typewriter monospaced version of the font in 10 pt size.
\item The metric files \file{*.tfm} for both the bitmapped and vector fonts.
-\item The vector font files for the Computer modes version, \file{ar}\meta{series}\meta{size}\file{.pfb}, and the vector font file for the Times and Palatino variants, \file{amar}\meta{series}\file{i.pfb} and \file{apar}\meta{series}\file{i.pfb}. The meta{series} is either empty or equal `b', for medium and bold series respectively.
+\item The vector font files for the Computer Modern version, \file{ar}\meta{series}\meta{size}\file{.pfb} includiong the single 10pt size sans serif and typewriter style fonts, and the vector font files for the Times and Palatino variants, \file{amar}\meta{series}\file{i.pfb} and \file{apar}\meta{series}\file{i.pfb}. The meta{series} is either empty or equal to `b', for medium and bold series respectively.
\item The \file{ar.sty} extension file through which the suitable settings are made and the \AR\ symbol made available to the user.
-\item The \file{*.map} files necessary to configure your system for having the vector typesetting engines access the vector fonts.
+\item The \file{aspectratio.map} file necessary to configure your system for having the vector typesetting engines access the vector fonts.
\end{itemize}
\section{Installing the package and the fonts}
-If the whole package is not already installed by your \TeX\ system distribution, we suggest to create an \file{AspectRatio} fold under these branches of your personal (for individual usage) or local (for machine wide usage) \file{TEXMF} tree\footnote{Here we use the UNIX folder separator \texttt{/}; change \texttt{/} with \texttt{\textbackslash} on windows platforms. Moreover we do not specify the full path from the disk root, but we show only the end branches preceded by an ellipsis.}:
+If the whole package is not already installed by your \TeX\ system distribution, we suggest to create an \file{AspectRatio} folder under these branches of your personal (for individual usage) or local (for machine wide usage) \file{TEXMF} tree\footnote{Here we use the UNIX folder separator \texttt{/}; change \texttt{/} with \texttt{\textbackslash} on Windows platforms. Moreover we do not specify the full path from the disk root, but we show only the end branches preceded by an ellipsis.}:
\begin{itemize}
\item \file{.../doc/latex/AspectRatio/}: move this file{ar.pdf} file to this folder;
\item \file{.../source/latex/AspectRatio/}: move the corresponding \file{ar.tex} file to this folder;
@@ -100,17 +100,17 @@ If the whole package is not already installed by your \TeX\ system distribution,
\end{itemize}
If your TeX distribution requires it, refresh the file name database according to the procedure described in your system guide.
-In order to use the Type~1 fonts, you must follow the interactions that acme with your \TeX\ system distribution; the idea with all distributions is to let the configuration file \file{updmap.cfg} know about the new map files; you have to execute a \TeX\ system command in order to regenerate the map file suitable for the pdftex, dvips, and dvipdfm programs; after the operation is completed the \LaTeX\ engine will use the bitmapped fonts in the DVI output file, while the other vector font oriented engines will use the vector fonts in Type~1 format.
+In order to use the Type~1 fonts, you must follow the instructions that came with your \TeX\ system distribution; the idea with all distributions is to let the configuration file \file{updmap.cfg} know about the new map file; you have to execute a \TeX\ system command in order to regenerate the map file suitable for the pdftex, dvips, and dvipdfm programs; after the operation is completed the \LaTeX\ engine will use the bitmapped fonts in the DVI output file, while the other vector font oriented engines will use the vector fonts in Type~1 format.
\section{Author guide}
The symbol \AR, as a means for indicating the aspect ratio, is meaningful only in mathematics, so that only the ``italic'' shape makes sense. As an isolated symbol the \AR\ ligature might be used also in text mode outside a math expression.
-Keeping in mind that only the ``italic'' shape is available, with the Computer Modern and the Times or Palatino variants, the ligature produced by \cs{AR} is sensitive to the text series declarations or commands. In math mode the bold symbol is available only through the explicit command \cs{ARb}. This asymmetry arises in order to avoid defining yet another math font group with an alphabet for medium math and a variant for bold math. Remember that when typesetting math, the various typesetting engines can handle a maximum of 16 alphabets; it does not happen very often, but while testing this very package with different fonts we eventually exceeded this maxim number and we produced an immediate fatal error. Therefore we decided that for just one glyph it was a totally useless to define a new math group and we went around this problem with a \cs{mathcoice} work-around that allows us to actually typeset in the proper math size within a box to be used in math mode; apparently complicated, but actually very simple. This, on the other side, forbids us to use the regular math font switching commands to adapt the font family to the requested one.
+Keeping in mind that only the ``italic'' shape is available, with the Computer Modern and the Times or Palatino variants, the ligature produced by \cs{AR} is sensitive to the text series declarations or commands. In math mode the bold symbol is available only through the explicit command \cs{ARb}. This asymmetry arises in order to avoid defining yet another math font group with an alphabet for medium math and a variant for bold math. Remember that when typesetting math, the various typesetting engines can handle a maximum of 16 alphabets; it does not happen very often, but while testing this very package with different fonts we eventually exceeded this maxim number and we produced an immediate fatal error. Therefore we decided that for just one glyph it was totally useless to define a new math group and we went around this problem with a \cs{mathcoice} work-around that allows us to actually typeset in the proper math size within a box to be used in math mode; apparently complicated, but actually very simple. This, on the other side, forbids us to use the regular math font switching commands to adapt the font family to the requested one.
Table~\ref{tab:glyphs} shows the various ways to produce the \AR\ symbol in math and in text mode with the various families available with the Computer Modern compliant \AR\ symbol. With Times and Palatino there is only one family available, the serifed one, and the variant commands resort to the italic shape.
-If you geti the source file of this documentation (\file{ar.tex} and comment out certain lines in the preamble, while uncommenting certain other lines (clearly marked in the preamble) you can typeset again this same file with the Times o Palatino fonts and you can verify the outcome of the various commands in the above mentioned table and in the following examples.
+If you get the source file of this documentation (\file{ar.tex} and comment out certain lines in the preamble, while uncommenting certain other lines (clearly marked in the preamble itself) you can typeset again this same file with the Times o Palatino fonts and you can verify the outcome of the various commands in the above mentioned table and in the following examples.
\begin{table}
\vspace*{-\bigskipamount}
@@ -120,7 +120,7 @@ If you geti the source file of this documentation (\file{ar.tex} and comment out
\begin{tabular}{lcccc}
\toprule
Description & Math & Math & Text & Text \\
- & symbol& command &symbol & command \\
+ & symbol& command &symbol & command \\
\midrule
Medium ligature & \AR & \cs{AR} & \AR & \cs{AR} \\
Bold ligature &$\ARb$
@@ -137,17 +137,17 @@ Monospaced ligature & & &\ARtt
\end{tabular}
\par}
\medskip
-{\footnotesize
-By means of the specified options it is possible to get the corresponding glyphs in Times or Palatino. Remember, though, that both Times and Palatino have only the proportional serifed medium and bold fonts, so there is no possibility of using the sans serif or the monospaced version. Avoid using the Computer modern monospaced version; it is available, but certainly the large ligature does not fit well into the narrow character width of the monospaced fonts.\par}
+{\footnotesize
+By means of the specified options it is possible to get the corresponding glyphs in Times or Palatino. Remember, though, that both Times and Palatino have only the proportional serifed medium and bold fonts, so there is no possibility of using the sans serif or the monospaced version. Avoid using the Computer Modern monospaced version; it is available, but certainly the complex ligature does not fit well into the narrow character width of the monospaced fonts.\par}
\end{table}
Here we show the various series, shapes, and sizes available with the package; with the CM fonts and their siblings you get the various families produce the proper variations; with the Times and Platino variants you get only the italics medium and bold variations always in serifed italics.
\begin{center}
\noindent\begin{tabular}{ll}
-(\aroption Regular)& {\tiny \AR} {\scriptsize \AR} {\footnotesize \AR} {\small \AR} {\normalsize \AR} {\large \AR} {\Large \AR} {\LARGE \AR} {\huge \AR} {\Huge \AR}\\
-(\aroption Bold)& {\bfseries{\tiny \AR} {\scriptsize \AR} {\footnotesize \AR} {\small \AR} {\normalsize \AR} {\large \AR} {\Large \AR} {\LARGE \AR} {\huge \AR} {\Huge \AR}}\\
-(\aroption Sans serif regular)& {\tiny \ARss} {\scriptsize \ARss} {\footnotesize \ARss} {\small \ARss} {\normalsize \ARss} {\large \ARss} {\Large \ARss} {\LARGE \ARss} {\huge \ARss} {\Huge \ARss}\\
-(\aroption Sans serif bold)& {\bfseries{\tiny \ARss} {\scriptsize \ARss} {\footnotesize \ARss} {\small \ARss} {\normalsize \ARss} {\large \ARss} {\Large \ARss} {\LARGE \ARss} {\huge \ARss} {\Huge \ARss}}\\
+(\aroption Regular)& {\tiny \AR} {\scriptsize \AR} {\footnotesize \AR} {\small \AR} {\normalsize \AR} {\large \AR} {\Large \AR} {\LARGE \AR} {\huge \AR} {\Huge \AR}\\
+(\aroption Bold)& {\bfseries{\tiny \AR} {\scriptsize \AR} {\footnotesize \AR} {\small \AR} {\normalsize \AR} {\large \AR} {\Large \AR} {\LARGE \AR} {\huge \AR} {\Huge \AR}}\\
+(\aroption Sans serif regular)& {\tiny \ARss} {\scriptsize \ARss} {\footnotesize \ARss} {\small \ARss} {\normalsize \ARss} {\large \ARss} {\Large \ARss} {\LARGE \ARss} {\huge \ARss} {\Huge \ARss}\\
+(\aroption Sans serif bold)& {\bfseries{\tiny \ARss} {\scriptsize \ARss} {\footnotesize \ARss} {\small \ARss} {\normalsize \ARss} {\large \ARss} {\Large \ARss} {\LARGE \ARss} {\huge \ARss} {\Huge \ARss}}\\
(\aroption Monospaced regular)& {\tiny \ARtt} {\scriptsize \ARtt} {\footnotesize \ARtt} {\small \ARtt} {\normalsize \ARtt} {\large \ARtt} {\Large \ARtt} {\LARGE \ARtt} {\huge \ARtt} {\Huge \ARtt}
\end{tabular}
\end{center}