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authorKarl Berry <karl@freefriends.org>2006-01-09 00:56:57 +0000
committerKarl Berry <karl@freefriends.org>2006-01-09 00:56:57 +0000
commitf07bb53970ee2ecc53f81a206a3d3a67ef665e4a (patch)
tree6f57a1d62971db79e5ff023bdfd83b22cb971dc9 /Master/texmf-dist/doc/generic/musixtex
parent007f67a693e4d031fd3d792df8e4d5f43e2cb2e7 (diff)
doc 6
git-svn-id: svn://tug.org/texlive/trunk@85 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master/texmf-dist/doc/generic/musixtex')
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/CHANGES31
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/README114
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/README.psfonts111
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/backgrnd.sty320
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex445
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex614
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex19
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex24
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex366
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex19
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex1016
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex20
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex1014
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex951
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex858
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex3
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex297
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex23
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex156
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex318
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex947
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex1238
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex626
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex18
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex517
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex677
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex314
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex286
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex283
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex569
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex13
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex201
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex18
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex171
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex827
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex2
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex319
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex729
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex723
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex1106
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex21
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex20
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex19
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex18
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex12
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex174
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex450
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex1063
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex1113
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex132
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex4
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex715
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/recit.tex415
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex149
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/romances.tex499
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex31
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex474
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex376
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex299
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/widor.tex786
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex17
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex11
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/license.txt20
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.bat16
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1937
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.mx241
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.pdfbin0 -> 1411327 bytes
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.sty107
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixdoc.tex8180
-rw-r--r--Master/texmf-dist/doc/generic/musixtex/musixflx.136
77 files changed, 32460 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/generic/musixtex/CHANGES b/Master/texmf-dist/doc/generic/musixtex/CHANGES
new file mode 100644
index 00000000000..984f109f364
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/CHANGES
@@ -0,0 +1,31 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.13
+
+ 19-February-2003
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+19-February-2003
+ + Fix a problem that xslz20 disappears with Acrobat 5.
+
+15-July-2002
+ + Fix broken fonts, xslhd11, xslhd11d, xslhd13, xslhd13d, xslhd16d,
+ xslhd24, xslhd29d.
+
+28-August-2001
+ + Fix wrong width of musix13.pfb.
+ + Fix wrong width of xslhu11-29 and xslhu11d-29d.
+
+30-July-2001
+ + Reducing control points.
+ + Hinted automatically with Fontographer.
+ + Upgrade from T101 to T102 (musix11 - 29, xslhz20, xslhz20d)
+ + PostScript names were changed.
+ Ex. TeX-musix20 --> TeXMUSIX20-Regular
+ + typo correction.
+ musix.tex --> musix.map
+
+13-July-2001
+ + First release.
+
+[End of CHANGES]
diff --git a/Master/texmf-dist/doc/generic/musixtex/README b/Master/texmf-dist/doc/generic/musixtex/README
new file mode 100644
index 00000000000..3490a07d215
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/README
@@ -0,0 +1,114 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.13
+
+ 19-February-2003
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+1. DESCRIPTION
+
+This package provides PostScript (type 1) fonts (PFB format), and dvips and
+dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT
+sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts
+provided here may be used to produce printer-independent Postscript files. PDF
+files generated using type 1 fonts are well displayed by the Acrobat Reader and
+xpdf.
+
+The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July
+using TeXtrace 0.45 or mftrace 1.0.12 but musix11-20, xslhz20 and xslhz20d
+were upgraded to those in musixtex-T102.tar.gz.
+
+Here is a list of the 71 generated fonts.
+
+musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb
+musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb
+musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb
+musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb
+musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb
+musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb
+musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb
+musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb
+xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb
+xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb
+xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb
+xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb
+
+Note: musix25 and xgreg25 were not generated because they are not used in
+ musixgre.tex or musixtex.tex.
+
+
+The control points were reduced with Fontographer.
+The fonts were hinted automatically with Fontographer. musix11 - 29 were
+hand tuned by Takanori Uchiyama.
+
+2. METHOD
+
+Most of fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4.
+xslz20 was generated using mftrace 1.0.12 running on Mac OS X 10.2.3.
+Thirty-two fonts were generated with the original traceall.sh script. Others
+were generated with traceall.sh modified by Takanori Uchiyama. The modification
+involved reducing resolution, corresponding to enlargement of "1 thou" in
+traceall.sh. The following are lists of fonts that were generated with N-fold
+thou scripts.
+
+twofold
+ musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d,
+ xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d,
+ xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d,
+ xslu13, xslu13d, xslu16, xslu16d, xslud20
+
+threefold
+ musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d
+
+fivefold
+ xslhz20, xslhz20d, xtie20
+
+The reason for reducing resolution is that METAFONT supports only limited
+values of real numbers and so cannot generate very high resolution MusiXTeX
+fonts.
+
+3. INSTALLATION
+
+ 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs.
+ 2) Copy all PFBs to the above directory; they should be readable by all users.
+ 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as
+ $TEXMF/dvips/config
+ 4) Add a line
+
+ p +musix.map
+
+ to a suitable config.xxx file or, in a tetex-based distribution, add
+ musix.map to the list of map files for Type1 fonts with Metafont
+ equivalents in the updmap script, which should then be executed
+ by doing "./updmap".
+ 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as
+ $TEXMF/dvipdfm/config
+ 6) Add a line
+
+ f musix.map
+
+ to the config file.
+ 7) Do mktexlsr or texhash or whatever is necessary on your system to
+ re-generate the TeX database.
+
+When these fonts are used, type 1 fonts should also be used for non-music text;
+for example, type 1 versions of the Computer Modern fonts are available.
+
+4. TODO
+
+ + Hinting
+ + Modifying METAFONT sources to get high resolution outputs
+
+5. LICENSE
+
+ The license of this package is LPPL.
+
+6. ACKNOWLEDGEMENTS
+
+ Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their
+MusiXTeX package, to Dr. Peter Szabo for his excellent TeXtrace tool,
+and to Dr. Han-Wen Nienhuys for his smart mftrace tool.
+And thanks to Dr. Bob Tennent for his helpful comments, and to Mr. David
+Fritzsche for his suggestions.
+
+[End of README]
diff --git a/Master/texmf-dist/doc/generic/musixtex/README.psfonts b/Master/texmf-dist/doc/generic/musixtex/README.psfonts
new file mode 100644
index 00000000000..5285b7dcc30
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/README.psfonts
@@ -0,0 +1,111 @@
+ PostScript (Type 1) Fonts for MusiXTeX
+ Ver 1.11
+
+ 28-August-2001
+
+ Takanori Uchiyama, uchiyama@appi.keio.ac.jp
+
+1. DESCRIPTION
+
+This package provides PostScript (type 1) fonts (PFB format), and dvips and
+dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT
+sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts
+provided here may be used to produce printer-independent Postscript files. PDF
+files generated using type 1 fonts are well displayed by the Acrobat Reader and
+xpdf.
+
+The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July
+using TeXtrace 0.45 but musix11-20, xslhz20 and xslhz20d were upgraded to those
+in musixtex-T102.tar.gz.
+
+Here is a list of the 71 generated fonts.
+
+musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb
+musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb
+musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb
+musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb
+musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb
+musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb
+musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb
+musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb
+xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb
+xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb
+xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb
+xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb
+
+Note: musix25 and xgreg25 were not generated because they are not used in
+ musixgre.tex or musixtex.tex.
+
+
+The control points were reduced with Fontographer.
+The fonts were hinted automatically with Fontographer. musix11 - 29 were
+hand tuned by Takanori Uchiyama.
+
+2. METHOD
+
+All fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4.
+Thirty-two fonts were generated with the original traceall.sh script. Others
+were generated with traceall.sh modified by Takanori Uchiyama. The modification
+involved reducing resolution, corresponding to enlargement of "1 thou" in
+traceall.sh. The following are lists of fonts that were generated with N-fold
+thou scripts.
+
+twofold
+ musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d,
+ xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d,
+ xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d,
+ xslu13, xslu13d, xslu16, xslu16d, xslud20
+
+threefold
+ musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d
+
+fivefold
+ xslhz20, xslhz20d, xtie20
+
+The reason for reducing resolution is that METAFONT supports only limited
+values of real numbers and so cannot generate very high resolution MusiXTeX
+fonts.
+
+3. INSTALLATION
+
+ 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs.
+ 2) Copy all PFBs to the above directory; they should be readable by all users.
+ 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as
+ $TEXMF/dvips/config
+ 4) Add a line
+
+ p +musix.map
+
+ to a suitable config.xxx file or, in a tetex-based distribution, add
+ musix.map to the list of map files for Type1 fonts with Metafont
+ equivalents in the updmap script, which should then be executed
+ by doing "./updmap".
+ 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as
+ $TEXMF/dvipdfm/config
+ 6) Add a line
+
+ f musix.map
+
+ to the config file.
+ 7) Do mktexlsr or texhash or whatever is necessary on your system to
+ re-generate the TeX database.
+
+When these fonts are used, type 1 fonts should also be used for non-music text;
+for example, type 1 versions of the Computer Modern fonts are available.
+
+4. TODO
+
+ + Hinting
+ + Modifying METAFONT sources to get high resolution outputs
+
+5. LICENSE
+
+ The license of this package is LPPL.
+
+6. ACKNOWLEDGEMENTS
+
+ Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their
+MusiXTeX package, and to Dr. Peter Szabo for his excellent TeXtrace tool.
+And thanks to Dr. Bob Tennent for his helpful comments.
+
+[End of README]
diff --git a/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty
new file mode 100644
index 00000000000..0c06073ad95
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty
@@ -0,0 +1,320 @@
+%%% backgrnd.sty = background.sty
+%%% Experimental version 24 march 1996
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%
+%%% This macro file aims at implementing marking of text,
+%%% either by a grey background or by a change bar
+%%% using TeX's own resoureces only,
+%%% (i.e., without resorting to any pstricks).
+%%% Grey background uses a shade font defined using MetaFont
+%%% The macros seem to work satisfactory under plain TeX,
+%%% however, I have also tried (rudimentarily) to integrate it with
+%%% LaTeX, too. It seems to work with (simple) LaTeX 2.09, at least.
+%%%
+%%% commands :
+%%% \RuleOn and \RuleOff : changebar
+%%% \RuleON : backs up to mark current line, too
+%%% \RuleStyle { ( dimension ) % width of rule
+%%% % rule offset on pages
+%%% [ # dimension | % with even pagenumbers
+%%% # dimension ] } % with odd pagenumbers
+%%% % # is either < : left margin
+%%% % or > : right margin
+%%% e.g.: default values are set by
+%%% \RuleStyle { (2pt)[<18pt|>18pt] }
+%%%
+%%%
+%%% \ShadeON ( backs up to mark current line, too ) and
+%%% \ShadeOn and \ShadeOff : grey background, requires shade.sty
+%%% therefore, by default,
+ \let\ifUseGrey\iffalse % grey background will not be installed
+%%% - and will be replaced by rules
+%%% if grey background is required then
+%%% remove comment signs %%% from next line :
+%%% \let\ifUseGrey\iftrue
+%%%
+%%% (At present) it is not possible to use both commands
+%%% in the same document !
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% Peter Schmitt %%%
+%%% Institut f\"ur Mathematik, Universit\"at Wien %%%
+%%% Strudlhofgasse 4, A-1090 Wien, Austria %%%
+%%% email: schmitt@awirap.bitnet %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\catcode`\: 11 % make internal macros private
+\countdef\int: 255 % scratch registers
+\dimendef\dim: 0
+\skipdef\skip: 0
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% commands and options %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\def \RuleOn {\bg:ini \bg:rule
+ \RuleStyle { (2pt)[<18pt|>18pt] }
+ \bg:commands \RuleOn \RuleON \RuleOff
+ \RuleOn
+ }
+\def \RuleStyle #1{\set:hsize #1(\bg:hsize)\\%
+ \set:offsets #1[*|*]\iftrue]\iffalse\\%
+ }
+
+\def \bg:rule {\leaders\vrule width\bg:hsize\vskip}
+\def \bg:empty {\vskip}
+\let \bg:offset \relax
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% interface tools %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\def\bg:commands #1#2#3{\def #1{\bg:option {\vbox{}\pos:on}}
+ \def #2{\bg:option {\nobreak\vskip-\baselineskip
+ \vbox{}\pos:on
+ \nobreak\vskip\baselineskip }
+ }
+ \def #3{\bg:option {\vbox{}\pos:off}}
+ }
+\def \bg:ini {\output{\bg:output} % should be followed by desired \bg:style
+ \zero:pos
+ \global\let \bg:skip \bg:empty
+ \let \bg:style
+ }
+\def\bg:option #1{\ifvmode #1\else \vadjust{#1}\fi }
+
+\def \set:hsize #1(#2)#3\\{\edef\bg:hsize{#2}}
+\def \set:offsets #1[#2#3|#4#5]#6]#7#8\\{#7
+ \def\bg:shift{}
+ \set:offset #2#3
+ \set:offset #4#5
+ \expandafter \set:shifts \bg:shift
+ \fi }
+\def\set:offset #1#2 {\setbox0\hbox{\dim:
+#2\bg:offset\xdef\bg:offset{\the\dim:}}
+ \dim:\bg:offset
+ \expandafter\expandafter\expandafter
+ \set:shift \csname bg:#1\endcsname
+ }
+\def\set:shift #1#2{\dim: \bg:offset \advance\dim: #2%
+ \edef\bg:shift {\bg:shift {#1\the\dim:}}
+ }
+\expandafter\def \csname bg:<\endcsname {\moveleft \bg:hsize}
+\expandafter\def \csname bg:>\endcsname {\moveright \hsize}
+\def \set:shifts #1#2{\def\bg:shift{\ifodd\pageno #2\else #1\fi}}
+
+%%% not used :
+\def\bg:err #1{\errmessage {%
+ Warning ! Background mode \noexpand#1 already active ! }
+ }
+%%% saving position without eject yields not always correct result
+%%% \def\bg:on {\switch:to \bg:style } \def\bg:off {\switch:to \bg:empty }
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% grey background %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\ifUseGrey
+
+\def\ShadeOn {\bg:ini \bg:grey
+ \let\bg:shift\relax
+ \let\bg:hsize\hsize
+ \setbox\grey:line
+ \vbox{\shade{\line:{\vphantom{\grey:\char0}\hfil}}}
+ \bg:commands \ShadeOn \ShadeON \ShadeOff
+ \ShadeOn
+ }
+\csname newbox\endcsname\grey:line % allow \newbox in conditional text
+\def\bg:grey {\leaders\copy\grey:line\vskip}
+\let\line:\line
+\input shade
+
+\else
+ \def\ShadeOn{\RuleOn} \def\ShadeOff{\RuleOff} \def\ShadeON{\RuleON}
+ \fi
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% output routine %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ \newbox \bg:page
+ \newdimen \v:size
+ \newskip \v:pos
+ \newcount \true:penalty
+ \chardef \the:page 255
+
+\def\option: #1{\advance\int: -1
+ \edef#1{\penalty\the\int: }
+ \expandafter\def\csname\the\int:\endcsname
+ } \int: -12345
+\def\bg:output{\expandafter\ifx\csname\the\outputpenalty\endcsname\relax
+ \global\true:penalty\outputpenalty
+ \expandafter\bg:pagecontents
+ \else \expandafter\expandafter
+ \csname\the\outputpenalty\endcsname
+ \fi }
+\option: \pos:on {\bg:switch \bg:style }
+\option: \pos:off {\bg:switch \bg:empty }
+\option: \bg:top {\save:pos \add:bg\bg:empty\v:skip{}
+ \repeat:page \unvbox\the:page }
+\option: \bg:bot {\save:pos \repeat:page \unvbox\the:page }
+\option: \fg:end {\save:pos \add:bg\bg:empty{}\v:skip \bg:makepage }
+
+\def \bg:switch #1{\setbox\the:page
+ \vbox{\unvbox\the:page \setbox0\lastbox }
+ \ifdim \pagetotal=\topskip
+ \global\let \bg:skip #1
+ \unvbox\the:page
+ \else \switch:to #1
+ \repeat:page\repeat:inserts \unvbox\the:page
+ \fi
+ }
+\def\switch:to #1{\save:pos
+ \add:bg \bg:skip{}\v:skip
+ \global\let \bg:skip #1}
+\def\bg:pagecontents {\switch:to \bg:skip
+ \setbox\the:page \vbox
+ {\vbox{}\bg:top \unvbox\the:page \bg:bot }
+ \zero:pos \repeat:page
+ \pagecontents \fg:end
+ }
+\def\bg:makepage {\global\v:size\vsize \advance\v:size \dp\the:page
+ \def\pagecontents{%
+ \bg:shift
+ \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss}
+ \unvbox\the:page }
+ \outputpenalty\true:penalty
+ \plainoutput
+ \zero:pos \reset:inserts
+ }
+
+%%%%%%%%%%%%%%%%%
+%%% tools %%%
+%%%%%%%%%%%%%%%%%
+
+\def\repeat:page {\vbox{}\nobreak\kern-\topskip }
+\def\add:bg #1#2#3{\let\bg:vskip #1
+ \global\setbox\bg:page \vbox{#2\unvbox\bg:page#3}
+ }
+
+\newdimen \v:fil
+\newdimen \v:fill
+\newdimen \v:filll
+\def\zero:pos {\global \v:pos 0pt
+ \global \v:fil 0pt
+ \global \v:fill 0pt
+ \global \v:filll 0pt
+ }
+\def\save:pos {\skip: -\v:pos % save -last:pos
+ \global \v:pos \pagetotal
+ \global\advance \v:pos \pagedepth
+ \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi
+ \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink
+ \save:skip
+ }
+\def\save:pos {\skip: -\v:pos % save -last:pos
+ \global \v:pos \pagetotal
+ \global\advance \v:pos \pagedepth
+ \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi
+ \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink
+ \save:skip
+ \global\skip\ins:size \vsize
+ \global\advance\skip\ins:size -\pagegoal
+ \global\advance\skip\ins:size -\ins:skip
+ }
+\def\save:skip {\advance\skip:\v:pos % v:pos - last:pos
+ \let\bg:vskip\relax
+ \edef\v:skip{\bg:vskip\the\skip:}
+ \fil:skip l \fil:skip ll \fil:skip lll
+ }
+\def\fil:skip #1 {\set:fil {\csname v:fi#1\endcsname}
+ {\csname pagefi#1stretch\endcsname}
+ \edef\v:skip{\v:skip \bg:vskip0ptplus\the:pt \dim: fi#1 }
+ }
+\def\set:fil #1#2{\dim: -#1
+ \advance \dim: #2
+ \global #1 #2
+ }
+\def\the:pt {\expandafter\PT:\the}
+ { \catcode`p 12 \catcode`t 12
+\gdef\PT: #1pt{#1} }% \catcode`p 11 \catcode`t 11
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% insert handling %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newcount\ins:
+\newinsert\ins:size
+\newdimen\ins:skip
+
+\let\do:insert \insert
+\def\inserts:{}
+\def\insert {\afterassignment\adjust:pos\ins:}
+\def\adjust:pos {\csname ins:\the\ins:\endcsname\csname iftrue\endcsname
+ \add:plus \ins: \add:minus \ins:
+ \advance\ins:skip\skip\ins:
+ \let\temp:\relax
+ \edef\inserts:{\inserts: \temp:{\the\ins:}}
+ \fi
+ \global\expandafter\let\csname ins:\the\ins:\endcsname \iffalse
+ \do:insert\ins: }
+\def\repeat:inserts{\def\temp:##1{\do:insert##1{}}\inserts: }
+\def\reset:inserts{%
+ \def\temp: ##1{\global\expandafter\let\csname ins:##1\endcsname \relax }
+ \inserts: \gdef\inserts:{}\global\ins:skip 0pt }
+
+%%% tools for insert handling %%%
+
+ \catcode `L12 \catcode `N12 \catcode `S12 \catcode `U12 \lowercase{
+\def\plus: #1LUS #2 #3\\{#2}
+\def\Plus: #1{\expandafter\plus:\the#1 LUS 0.0pt \\}
+\def\minus: #1NUS #2 #3\\{#2}
+\def\Minus: #1{\expandafter\minus:\the#1 NUS 0.0pt \\}
+ } \catcode `L11 \catcode `N11 \catcode `S11 \catcode `U11
+
+\def\set:int {\afterassignment\set:frac\int: }
+\def\set:frac #1{\afterassignment\csname\count0 }
+\def\adv:pos #1{\global\advance#1\the\int:.\the\count0 pt }
+\def \pt:p {\adv:pos {\v:pos 0ptplus}}
+\def \pt:m {\adv:pos {\v:pos 0ptminus}}
+\def \fil:p {\adv:pos \v:fil }
+\def \fill:p {\adv:pos \v:fill }
+\def\filll:p {\adv:pos \v:filll }
+
+\def\add:plus #1{{\expandafter\set:int \Plus: {\skip#1}:p\endcsname }}
+\def\add:minus #1{{\expandafter\set:int \Minus:{\skip#1}:m\endcsname }}
+
+%%%%%%%%%%%%%%%%%%%%%%%%
+%%% LaTeX extras %%%
+%%%%%%%%%%%%%%%%%%%%%%%%
+
+\catcode`@ 11
+\ifx \@outputbox\undefined \endinput \catcode`@12 \catcode`: 12 \fi
+
+\newtoks\latex:output \latex:output \output
+\newdimen\v:ht % possibly \textheight could be used
+
+\def\bg:@makecol {\switch:to \bg:skip
+ \setbox\the:page \vbox
+ {\vbox{}\bg:top \unvbox\the:page \bg:bot }
+ \@makecol
+ \global\v:ht\ht\@outputbox \global\v:size\v:ht
+ \global\advance\v:size\dp\@outputbox
+ \zero:pos \outputpenalty\true:penalty
+ \repeat:page \unvbox\@outputbox \fg:end
+ }
+\def\bg:@makepage {\setbox\@outputbox \vbox to \v:ht {%
+ \bg:shift
+ \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss}
+ \unvbox\the:page }
+ \outputpenalty\true:penalty
+ \let\@makecol\relax \the\latex:output
+ \zero:pos \reset:inserts
+ }
+\let \bg:makepage \bg:@makepage
+\let \bg:pagecontents \bg:@makecol
+\def \line: {\hbox to\textwidth}
+\let \pageno \c@page
+
+\catcode`@ 12 \catcode`: 12
+
+\endinput %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%% end : background.sty [ 0.3 ] %%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
new file mode 100644
index 00000000000..7fb253826fa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex
@@ -0,0 +1,445 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Adagio}
+\subtitle{(pour orgue)}
+\headtitle{I. Adagio}
+\csname titremorceautoc\endcsname
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
+\othermention{Compos‚ en 1989}
+%
+%
+
+\maketitle
+\parindent 18mm
+%
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\def\znotes{\vnotes 0\elemskip}%
+
+
+\tracingstats=1\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{16', 8'}
+ \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee
+\vskip -10pt\centerline{fl\^ute 8'}}}%
+%\check
+%\elemskip=10pt\relax
+%\normal
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+\noautolines
+\quatretemps
+%
+\debutmorceau
+\hyphenpenalty -50\relax
+\global\cleftoksii={{0}{0}{0}{0}}%
+\changeclefs\zglu
+\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes
+% mesure 1
+\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenu0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 2
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 3
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 4
+%\etroit
+\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes
+\temps\Notes&\zq f\qu h|\sk\cu e\enotes
+\temps\NOTes&\zq f\qu h|\qup d\enotes
+\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes
+% mesure 5
+\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu j\enotes
+% mesure 6
+\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes
+\temps\NOTes&\zq f\rq g\qu i\enotes
+\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes
+\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes
+% mesure 7
+\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes
+\temps\NOTes&\zq e\qu h|\enotes
+\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes
+\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes
+% mesure 8
+\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes
+% mesure 9
+\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes
+\temps\Notes&\zq d\qu f|\sk\cu e\enotes
+\temps\NOTes&\zq d\qu f|\qup d\enotes
+\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes
+% mesure 10
+\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 11
+\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes
+\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes
+%\check
+% mesure 12
+\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes
+\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes
+\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes
+%\check
+% mesure 13
+\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes
+\temps\Notes&\zq g\qu i|\sk\cu h\enotes
+\temps\NOTes&\zq g\qu i|\qup g\enotes
+\temps\Notes&\zq g\qu i|\sk\ds \enotes
+%\check
+% mesure 14
+\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote
+ n{\Trille{2\noteskip}}\relax
+\zcharnote q{\ \ (*)}\enotes
+\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans
+terminaison sur la note suivante.}\relax
+ \temps\NOTes&\zq e\qu h\enotes
+\temps\NOTes&\zq e\qu h|\ql j\enotes
+\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes
+%\check
+% mesure 15
+\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql k\enotes
+\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes
+%\check
+% mesure 16
+\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes
+\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes
+\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes
+%\check
+% mesure 17
+\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 18
+\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}%
+\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\ql m\enotes
+\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes
+%\check
+% mesure 19
+\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq g\qu i\enotes
+\temps\NOTes&\zq g\qu i|\ql n\enotes
+\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes
+%\check
+% mesure 20
+\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes
+\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes
+%\check
+% mesure 21
+\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes
+\temps\Notes&\zq g\qu i|\sk\cl o\enotes
+\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 22
+\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes
+\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes
+\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes
+\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes
+%\check
+% mesure 23
+\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl k\enotes
+\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes
+%\check
+% mesure 24
+\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+%\check
+% mesure 25
+\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes
+% mesure 26
+\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes
+\Notes&|\tbl0\itenl0k\qb0k\enotes
+\NOTes&\zq f\qu h|\tten0\hl k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes
+% mesure 27
+\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes
+\temps\NOtes&\rq g\qu f\enotes
+\temps\NOtes&\rq g\qu f|\soupir\enotes
+\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes
+\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes
+% mesure 28
+\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes
+\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes
+% mesure 29
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 30
+\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes
+\temps\NOTes&\zq f\qu h&\enotes
+\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes
+\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes
+\NOTes&\zq f\qu h|\ql{^m}\enotes
+% mesure 31
+\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes
+\temps\NOTes&\zq d\qu g|\enotes
+\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes
+\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes
+%\check
+% mesure 32
+\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes
+\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes
+%\check
+% mesure 33
+\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes
+\temps\Notes&\zq e\qu g|\sk\cl k\enotes
+\temps\NOTes&\zq e\qu g|\qlp j\enotes
+\temps\Notes&\zq e\qu g|\sk\ds \enotes
+%\check
+% mesure 34
+\barre\nspace
+\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes
+\temps\NOTes&\zq f\qu h|\enotes
+\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes
+\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes
+% mesure 35
+\barre
+\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes
+\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 36
+\barre%
+\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes
+\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes
+\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes
+% mesure 37
+\barre
+\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes
+\temps\Notes&\zq f\qu h|\dqb3mn\enotes
+\temps\Notes&\zq f\qu h|\dqb3op\enotes
+\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes
+% mesure 38
+\barre
+\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes
+\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes
+\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes
+% mesure 39
+%\check
+\barre
+\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes
+\temps\NOTes&\zq f\qu i|\enotes
+\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes
+\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes
+\temps\Notes&\zq f\qu i|\dqb3hi\enotes
+%\check
+% mesure 40
+\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 41
+\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes
+\temps\NOTes&\zq e\qu g|\enotes
+\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes
+\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes
+\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes
+% mesure 42
+\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes
+%\check
+% mesure 43
+\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+%\check
+% mesure 44
+\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes
+\temps\NOTes&\zq d\qu g\enotes
+\temps\NOTes&\zq d\qu g|\soupir\enotes
+\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes
+% mesure 45
+\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes
+\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+%\check
+% mesure 46
+\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes
+\temps\Notes&\zq c\qu f|\sk\cu g\enotes
+\temps\NOTes&\zq c\qu f|\qup h\enotes
+\temps\Notes&\zq c\qu f|\sk\ds\enotes
+% mesure 47
+%\check
+\large
+\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes
+\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes
+\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes
+\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes
+% mesure 48
+%\check
+\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes
+\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes
+\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes
+\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes
+% mesure 49
+%\check
+\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes
+\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes
+\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes
+\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes
+% mesure 50
+%\check
+\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes
+\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes
+\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes
+\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes
+% mesure 51
+%\check
+\normal
+\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes
+\temps\Notes&\zq f\qu h|\sk\cl n\enotes
+\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes
+\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes
+% mesure 52
+%\check
+\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes
+\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes
+\notes&|\tbbl0\tbl0\qb0k\enotes
+% mesure 53
+%\check
+\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes&\zq d\qu f|\enotes
+\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes
+% mesure 54
+%\cleftoksii={{3}{0}{0}{0}}\changeclefs
+\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes
+\Notes&|\tbu0\itenl0h\qh0h\enotes
+\NOTes&\zq f\qu h|\tten0\hu h\enotes
+\temps\NOTes&\zq f\qu h\enotes
+\temps\NOTes&\zq f\qu h|\qu i\enotes
+% mesure 55
+\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes
+\temps\NOTes&\zq e\qu g\enotes
+\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes
+\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes
+\notes&|\nbbu0\qh0h\enotes
+\notes&|\tbu0\qh0i\enotes
+% mesure 56
+\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes
+\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes
+\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes
+\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 57
+\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes
+\temps\Notes&\zq f\qu h|\sk\cu g\enotes
+\temps\NOTes&\zq f\qu h|\qup h\enotes
+\temps\Notes&\zq f\qu h|\sk\ds \enotes
+% mesure 58
+\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes
+\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes
+\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes
+\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes
+% mesure 59
+%\check
+\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes
+\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes
+\temps\NOTes&\zq d\qu f|\qu f\enotes
+\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes
+% mesure 60
+%\check
+\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes
+\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes
+\temps\NOTes&\zq c\qu e|\enotes
+\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes
+% mesure 61
+%\check
+\cleftoksii={{6}{0}{0}{0}}%
+\zchangeclefs
+\barre
+\elemskip=1.1\elemskip
+\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes
+\temps\NOTes&\zq M\ql a|\enotes
+\temps\NOTes&\zq N\ql b|\enotes
+\temps\NOTes&\zq L\ql N|\enotes
+% mesure 62
+\barre\nspace
+\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+\mulooseness -2\relax
+\finmorceau
+\bigskip
+\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex
new file mode 100644
index 00000000000..9b30fd3bb7a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex
@@ -0,0 +1,614 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \input musixadd
+ \title{Adagio (Albinoni)}
+\csname titremorceautoc\endcsname
+\fulltitle{Adagio per archi ed organo}
+\title{Adagio per archi ed organo}
+ \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel
+Taupin}
+ \shortauthor{Albinoni}
+ \subtitle{\relax}
+ \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte
+ \\R\'ecit (III): fl\^utes
+8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupl‚s.\\Gif :
+2-4/9-11-13/19-22/33-37/46-47-48-49-54}
+ \maketitle
+
+
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\bigaccid
+\def\nbinstruments{4}
+\def\instrumenti{P\'edale}
+\def\instrumentii{Positif}
+\def\instrumentiii{Positif}
+\def\instrumentiv{Clarinette}
+\def\staffspacingiv{0.64}
+\generalmeter{\meterfrac34}%
+\cleftoksi{6000}
+\cleftoksii{6000}
+\cleftoksiii{0000}
+\cleftoksiv{0000}
+\generalsignature{-2}
+ %
+ \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}%
+ \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}%
+ \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}}
+ \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}}
+ \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}}
+ \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}}
+ \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}}
+ %
+ \def\grnotes{\vnotes0.7\elemskip}% 16th
+ \def\ggrnotes{\vnotes0.5\elemskip}% 16th
+ %
+ \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+ \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+ \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+ %
+\debutmorceau
+\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G
+ &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes
+ \barre %2
+\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql
+M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes
+ \barre %3
+\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes
+\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes
+\Notes&\qu E&\sk\cu g\enotes
+ \barre %4
+\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes
+ \barre %5
+\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes
+\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes
+ \barre %6
+\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes
+\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes
+ \barre %7
+\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes
+\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes
+\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes
+ \barre %8
+\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes
+ \setclef2\treble \changeclefs
+ \barre %9
+ \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fl–tes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes
+ \notes&&\ccu N&\tbbl1\tqb1i\enotes
+ \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes
+ %\check
+ \barre %10
+ \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes
+ \notes\ql a&&\qpqu ed\enotes
+ \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes
+ \barre %11
+ \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes
+ \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes
+ \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes
+ \barre %12
+ \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes
+ \notes\ql b&&\qpqu {^f}d\enotes
+ \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes
+ \barre %13
+ \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes
+ \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes
+ \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes
+ \barre %14
+ \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes
+ \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes
+ \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes
+ \barre %15
+ \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes
+ \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes
+ \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes
+ \barre %16
+ \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes
+ \Notes\ql b&&\qqh bc\enotes
+ \Notes\qu I&\soupir&\qqqh abN\enotes
+ \barre %17
+ \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes
+ \Notes\ql N&&&\qqb kl\enotes
+ \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes
+ \barre %18
+ \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes
+ \Notes\ql a&&\qqh ab\enotes
+ \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes
+ \barre %19
+ \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes
+ \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes
+ \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes
+ \barre %20
+ \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue
+ m\tslur3l\hl k\enotes
+ \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes
+ \barre %21
+ \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes
+ \barre %22
+ \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes
+ \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq
+e\qh0g\zq d\tqh0f\enotes
+ \barre %23
+ \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes
+ \Notes\ql c&&\hu g&\sk\cl j\enotes
+ \notes\qu J&&&\qpql ln\enotes
+ \barre %24
+ \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes
+ \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes
+ \notes\qu I&&&\qpql kn\enotes
+ \barre %25
+ \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes
+ \notes\qu H&\zcharnote a{(III -- fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq
+i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes
+ \barre %26
+ \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes
+ \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq
+h\qh0j\zq g\tqh0i\enotes
+ \barre %27
+ \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes
+ \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq
+g\qh0i\zq f\tqh0h\enotes
+ \barre %28
+ \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes
+ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ \barno 1\relax
+ \barre %2
+\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql
+M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes
+ \barre %3
+\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes
+\NOtes\ql L&&\tten0\qup i&\pause\enotes
+\Notes\qu E&&\sk\cu g\enotes
+ \barre %4
+\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes
+ \barre %5
+\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes
+\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes
+ \barre %6
+\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes
+\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes
+ \barre %7
+\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes
+\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes
+\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes
+ \barre %8
+\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes
+ \barre %9
+ \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III --
+fl–tes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql
+k\Ibl1ji1\qbp 1j\enotes
+ \notes&&\ccu N&\tbbl1\tqb1i\enotes
+ \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes
+ %\check
+ \barre %10
+ \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes
+ \notes\ql a&&\qpqu ed\enotes
+ \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes
+ \barre %11
+ \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes
+ \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes
+ \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes
+ \barre %12
+ \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes
+ \notes\ql b&&\qpqu {^f}d\enotes
+ \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes
+ \barre %13
+ \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes
+ \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes
+ \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes
+ \barre %14
+ \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes
+ \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes
+ \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes
+ \barre %15
+ \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes
+ \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes
+ \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes
+ \barre %16
+ \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes
+ \Notes\ql b&&\qqh bc\enotes
+ \Notes\qu I&\soupir&\qqqh abN\enotes
+ \barre %17
+ \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes
+ \Notes\ql N&&&\qqb kl\enotes
+ \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes
+ \barre %18
+ \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes
+ \Notes\ql a&&\qqh ab\enotes
+ \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes
+ \barre %19
+ \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes
+ \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes
+ \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes
+ \barre %20
+ \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue
+ m\tslur3l\hl k\enotes
+ \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes
+ \barre %21
+ \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes
+ \barre %22
+ \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes
+ \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq
+e\qh0g\zq d\tqh0f\enotes
+ \barre %23
+ \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes
+ \Notes\ql c&&\hu g&\sk\cl j\enotes
+ \notes\qu J&&&\qpql ln\enotes
+ \barre %24
+ \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes
+ \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes
+ \notes\qu I&&&\qpql kn\enotes
+ \barre %25
+ \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes
+ \notes\qu H&\zcharnote a{(III --
+fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq
+i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes
+ \barre %26
+ \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes
+ \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq
+h\qh0j\zq g\tqh0i\enotes
+ \barre %27
+ \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes
+ \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq
+g\qh0i\zq f\tqh0h\enotes
+ \barno 29\relax
+ \barre %30
+ \znotes&&&\tslur3l\enotes
+ \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes
+ \barre %31
+ \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes
+ \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes
+ \zalapage
+ \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+ \def\qqqqh{\qqqq}%
+ \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+ \notes&&\zcharnote n{\kern -4mm{\bf III} -- fl–tes}&\ds\cu g\qqqq{_h}g{^f}g\enotes
+ \barre %32
+ \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm
+\it reprendre au III}\zcharnote n{\kern -2mm
+\it l'accord du II accoupl‚}\enotes
+ \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp
+g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes
+ \barre %33
+ \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes
+ \cleftoksii{6000}\zchangeclefs
+ \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes
+ \barre %34
+ \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes
+ \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu g\enotes
+ \notes&\hpause&&\qqqq{_h}g{^f}g\enotes
+ \barre %35
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup
+g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes
+ \barre %36
+ \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup
+e&\pointdorgue m\qu c\enotes
+ \Notes&&&\ds\cu N\qqh ce\enotes
+ \barre %37
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq
+gecN\qqqq cegj\qqqq ljge\enotes
+ \barre %38
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq
+gjln\qqqq qnlj\qqqq lnqs\enotes
+ \barre %39
+ \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes
+ \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I --
+\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes
+ \barre %40
+ \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes
+ \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes
+ \notes&&&\qqqq{_k}j{^i}j\enotes
+ \barre %41
+ \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}%
+ &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes
+ \barre %42
+ \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes
+ \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq
+b\rq c\ccu {^e}&\soupir\enotes
+ \barre %43
+ \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes
+ \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu j\enotes
+ \notes&\hpause&&\qqqq{_k}j{^i}j\enotes
+ \barre %44
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup
+f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes
+ \barre %45
+ \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup
+c&\pointdorgue m\qu f\enotes
+ \Notes&&&\ds\cu {_a}\qqh cf\enotes
+ \barre %46
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq
+{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes
+ \barre %47
+ \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq
+{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes
+ \barre %48
+ \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes
+ \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl
+M&\uptext{\kern -5mm\bf I --
+\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes
+ \barre %49
+ \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes
+ \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes
+ \Notes&&&\qqb kl\enotes
+ \barre %50
+ \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}%
+ &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes
+ \barre %51
+ \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes
+ \NOtes\upz N\ql N&&&\tten0\qlp k\enotes
+ \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes
+ \barre %52
+ \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp
+c\hup e&\hlp j\enotes
+ \barre %53
+ \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp
+c\hup e\uptext{\bf II}&\sk\pause\enotes
+ \barre %54
+\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes
+\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes
+\Notes\qu H&&\sk\cu j\enotes
+ \barre %55
+\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes
+ \barre %56
+\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes
+\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes
+ \barre %57
+\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes
+\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes
+ \barre %58
+\notes\qu G&\hl c&\zhlp g\pto kjk\enotes
+\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes
+\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes
+ \barre %59
+\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes
+ \barre %60
+ \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes
+ \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes
+ \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes
+ \barre %61
+ \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes
+ \Notes\qu K&&\qpqu {_h}g\enotes
+ \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes
+ \barre %62
+ \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes
+ \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes
+ \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes
+ \barre %63
+ \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes
+ \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes
+ \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes
+ \barre %64
+ \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes
+ \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes
+ \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes
+ \barre %65
+ \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes
+ \Notes\ql M&\qqb fg&\enotes
+ \Notes\qu F&\qqqb efd\enotes
+ \barre %66
+ \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes
+ \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes
+ \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes
+ \barre %67
+ \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes
+ \Notes\ql L&\qqb ef\enotes
+ \Notes\qu E&\qqqb dec\enotes
+ \barre %68
+ \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes
+ \Notes\qu J&&\sk\cu h\enotes
+ \Notes\qu C&&\qpqu ij\enotes
+ \barre %69
+ \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes
+ \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes
+ \Notes\qu D&&&\qpql ki\enotes
+ \barre %70
+ \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes
+ \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes
+ \Notes\qu E&&\qqh ge&\qpql ij\enotes
+ \barre %71
+ \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes
+ \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes
+ \Notes\qu D&\ql M&\qpqu db&\soupir\enotes
+ \barre %72
+ \NOtes\qu E&\hl N&\qup b\enotes
+ \Notes\qu L&&\ds\cu a&\pause\enotes
+ \Notes\qu E&\ql N&\qpqu bc\enotes
+ \barre %73
+ \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup
+b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes
+ \barre %74
+ \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes
+ \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes
+ \notes&&\qu i&\qqqqb lkji\enotes
+ \barre %75
+ \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes
+ \NOtes&&\zhl c&\enotes
+ \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes
+ \barre %76
+ \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes
+ \barre %77
+ \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes
+ \NOtes\upz K\ql K&\hl b&&\enotes
+ \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes
+ \barre %78
+ \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes
+ \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes
+ \notes\qu E&&\qpqu bN\enotes
+ \barre %79
+ \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes
+ \Notes\qu K&&&\ds\cu {^b}\enotes
+ \notes\qu D&\ql M&&\qpqu cd\enotes
+ \barre %80
+ \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes
+ \Notes\ql L&&\ds\cl q\enotes
+ \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes
+% \def\grace{\catcodesmusic\grnotes&&&\grcu}%
+ \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}%
+ \barre %81
+ \grace{_a}\enotes
+ \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes
+ \Notes\ql M&&\ds\cu {^i}\enotes
+ \notes\qu F&&\qpqu jk\enotes
+ \barre %82
+ \grace{N}\enotes
+ \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes
+ \Notes\ql L&&&\sk\cl j\enotes
+ \notes\qu E&&&\qpqu ge\enotes
+ \barre %83
+ \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes
+ \Notes\ql M&&&\sk\cu {^b}\enotes
+ \notes\qu F&&&\qpqu cd\enotes
+ \barre %84
+ \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes
+ \Notes\soupir\sk\cu
+E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes
+ \barre %85
+ \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes
+ \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk
+ \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes
+ %\check
+ \barre %86
+ \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu
+j&\sk\pointdorgue l\hpause\enotes
+ \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes
+ \barre %87
+ \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes
+ \barre %88
+ \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes
+ \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq
+h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes
+ \barre %89
+ \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes
+ \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes
+ \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes
+ \barre %90
+ \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes
+ \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes
+ \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes
+ \barre %91
+ \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes
+ \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes
+ \barre %92
+ \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes
+ \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes
+ \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes
+ \barre %93
+ \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes
+ \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes
+ \barre %94
+ \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes
+ \barre %95
+ \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes
+ \NOtes\ql N&\tten0\hl e\enotes
+ \NOtes\qu G\enotes
+ \barre %96
+ \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}%
+ \grace e\enotes
+ \notesp\pointdurgue E\hu
+{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0
+k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes
+ \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql
+e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes
+ \advance\mulooseness -1\relax
+ \zalapage
+ \alldsp\grace{j}\enotes
+ \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff
+Solenne }}\enotes
+ \barre %97
+ \grace j\enotes
+ \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes
+ \grace{^i}\enotes
+ \NOTes&\hl{^b}&&\hl k\enotes
+ \barre %98
+ \grace k\enotes
+ \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes
+ \alldsp\grace{k}\enotes
+ \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes
+ \barre %99
+ \grace k\enotes
+ \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes
+ \grace j\enotes
+ \NOTes&\hl c&&\hl l\enotes
+ \barre %100
+ \grace{^l}\enotes
+ \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes
+ \alldsp\grace{l}\enotes
+ \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes
+ \barre %101
+ \grace{^l}\enotes
+ \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes
+ \grace k\enotes
+ \NOTes&\zh f\hl d&&\hl m\enotes
+ \barre %102
+ \grace{i}\enotes
+ \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes
+ \alldsp\grace i\enotes
+ \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes
+ \barre %103
+ \grace i\enotes
+ \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes
+ \notes&&&\enotes
+ \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes
+ \grace h\enotes
+ \Notes&&\qu h&\ibl0j0\qb0j\enotes
+ \grace g\enotes
+ \Notes&&&\tqb0j\enotes
+ \barre %104
+ \grace f\enotes
+ \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes
+ \barre %105
+ \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes
+ \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace j\enotes
+ \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes
+ \barre %106
+ \grace j\enotes
+ \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes
+ \barre %107
+ \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes
+ \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace h\enotes
+ \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes
+ \barre %108
+ \grace g\enotes
+ \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes
+ \barre %109
+ \grace{g}\enotes
+ \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes
+ \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes
+ \grace {=e}\enotes
+ \notes\ccu {^C}&&\ccl g&\ccl i\enotes
+ \barre %110
+ \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes
+ \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes
+ \barre %111
+ \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes
+ \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes
+ \barre %112
+ \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes
+ \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes
+ \barre %113
+ \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes
+ \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes
+ \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes
+ \barre %114
+ \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes
+ \notes&&&\cu N\islurd5c\qqqq bdgi\enotes
+ \barre %115
+ \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup
+b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes
+ \barre %116
+ \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup
+g&\pointdurgue e\tslur5u\hlp u\enotes
+\mulooseness 1\relax
+\finmorceau
+\bigskip\rightline{\sl\aujourdhui}
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex
new file mode 100644
index 00000000000..f2b915632f1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex
@@ -0,0 +1,19 @@
+\advance\staffbotmarg by 7\Interligne
+%
+% option pas d'accompagnement
+\newcount\orgue
+\orgue=0\relax
+%
+\def\Transpose{0}%
+\def\Signature{1}\relax % un dieze a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input angescax
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex
new file mode 100644
index 00000000000..e2a7b34bcef
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex
@@ -0,0 +1,24 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+
+\advance\staffbotmarg by 4\Interligne
+%
+% option accompagnement
+\newcount\orgue
+\orgue=1\relax
+%
+\interinstrument=41pt
+\def\Transpose{0}%
+\def\Signature{1}\relax % un dieze a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input angescax
+\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input angescax
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex
new file mode 100644
index 00000000000..6dcab817c75
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex
@@ -0,0 +1,366 @@
+\tenpoint
+%
+\catcodesmusic
+\ifnum\orgue=1\relax
+ \def\org#1&#2\\{#1&#2&}\relax
+% \def\cadrage{\vrule width 0pt height 40mm}\relax
+ \def\cadrage{\vrule width 0pt height 1mm}\relax
+\else
+ \def\org#1&#2\\{}\relax
+ \def\cadrage{\vrule width 0pt height 10mm}\relax
+\fi
+%
+\title{Les anges dans nos campagnes}
+\subtitle{No\"el du XIII\umero\ si\`ecle}
+\fullauthor{Harmonisation
+ Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\
+ Partition d'orgue Daniel TAUPIN\fi}
+\shortauthor{F.-A. Gevaert, D. Taupin}
+\maketitle
+%
+\parindent 12mm
+\sepbarrules
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+%\bigskip
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}%
+%
+%\check
+\ifnum\orgue=0\relax
+ \def\nbinstruments{4}\global\nbporteesi=1\relax
+ \global\nbporteesii=1\relax
+ \global\nbporteesiii=1\relax
+ \global\nbporteesiv=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiv={{0}{0}{0}{0}}\relax
+ \def\instrumenti{Basses}\relax
+ \def\instrumentii{T\'enors}\relax
+ \def\instrumentiii{Altos}\relax
+ \def\instrumentiv{Sopran.}\relax
+ \interinstrument=30pt
+ \songbottom{1} % to be used to make heavy bars at staff left
+ \songtop{4} % to be used to make heavy bars at staff left
+\else
+ \interinstrument=25pt
+ \def\interinstrumenti{0pt}
+ \def\nbinstruments{6}\global\nbporteesi=1\relax
+ \global\nbporteesii=2\relax
+ \global\nbporteesiii=1\relax
+ \global\nbporteesiv=1\relax
+ \global\nbporteesv=1\relax
+ \global\nbporteesvi=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\relax
+ \global\cleftoksiii={{6}{0}{0}{0}}\relax
+ \global\cleftoksiv={{0}{0}{0}{0}}\relax
+ \global\cleftoksv={{0}{0}{0}{0}}\relax
+ \global\cleftoksvi={{0}{0}{0}{0}}\relax
+ \def\instrumenti{P\'edale}\relax
+ \def\instrumentii{Manuel}\relax
+ \def\instrumentiii{Basses}\relax
+ \def\instrumentiv{T\'enors}\relax
+ \def\instrumentv{Altos}\relax
+ \def\instrumentvi{Sopran.}\relax
+ \def\staffspacingiii{0.7}\relax
+ \def\staffspacingiv{0.7}\relax
+ \def\staffspacingv{0.7}\relax
+ \def\staffspacingvi{0.7}\relax
+ \songbottom{3} % to be used to make heavy bars at staff left
+ \songtop{6} % to be used to make heavy bars at staff left
+\fi
+%\check
+%
+\signaturegenerale{\Signature}%
+\relativeaccidentals
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{9}%
+%\check
+\def\respire{\notes\org&\\&&&\zbreath\enotes}%
+%
+%\check
+\catcode`\@=13
+%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi
+
+\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm
+ \vss\lineskiplimit=0pt
+\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3}
+\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax
+\vss}}}%
+%
+\barsinline=0\relax
+\linesinpage=0\relax
+\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}%
+\ifnum\orgue=0\relax
+ \autolines {8}42\relax
+\else
+ \autolines {8}42\relax
+ \advance\linesinpage 1\relax
+\fi
+\transpose=\Transpose
+\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes
+%
+\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax
+ &\txt\ql n&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax
+ &\txt\qu g&\txt\ql i\enotes
+\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause
+ &\txt\ql l&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax
+ &\txt\dqu3gi&\txt\dql3ik\enotes
+%
+%\check
+% mesure 2
+\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax
+ &\txt\qu i&\txt\qlp k\enotes
+\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause
+ &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes
+\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp
+ &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes
+\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax
+ &\txt\ql i&\txt\qu d&\txt\ql g\enotes
+%
+%\check
+% mesure 3
+\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax
+ &\txt\ql k&\txt\qu g&\txt\ql i\enotes
+\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax
+ &\txt\cl k&\txt\cu g&\txt\cl i\enotes
+\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax
+ &\txt\cl k&\txt\cu g&\txt\cl h\enotes
+\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax
+ &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes
+\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax
+ &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes
+%
+%\check
+% mesure 4
+\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax
+ &\txt\ql h&\txt\qu d&\txt\qlp k\enotes
+\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk
+ &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes
+\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause
+ &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax
+ &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes
+\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax
+ &\txt\cl l&\soupir&\soupir\enotes
+\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax
+ &\txta\cl m&&\enotes
+%
+%\check
+% mesure 5
+\def\txtb{@vos-|lui|cho*}%
+\ifnum\orgue=0\relax
+ \barre
+\else
+ \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre
+\fi
+\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes
+\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes
+\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause
+ &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes
+\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax
+ &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes
+%
+%\check
+% mesure 6
+\barre
+\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax
+ &\txt\qu i&\txt\qlp k\enotes
+\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause
+ &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes
+\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause
+ &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir
+ &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes
+\def\txta{@Fas-|Et|Re-*}\relax
+\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax
+ &\txt\ql i&\txt\qu d&\txt\ql g\enotes
+%
+%\check
+% mesure 7
+\def\txtb{@\!sent|de|dit*}%
+\barre
+ \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax
+ &\txta\qu d&\txta\ql i\enotes
+\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax
+ &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes
+\dmtp\notes\org&|\\\relax
+ &\txt\cu h&\txt\cu d&\txt\cl h\enotes
+\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause
+ &\dql{-2}ML|\qu i\cl e\\\relax
+ \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes
+\dmtp\def\txt{@tir--|et--|m\'e--*}\notes
+ \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax
+ &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes
+%
+%\check
+% mesure 8
+\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax
+ &\txt\ql i&\txt\qu e&\txt\qlp k\enotes
+\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk
+ &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes
+\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax
+ &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes
+\temps\Notes\org&\soupir|\soupir\\\soupir\relax
+ &\soupir&\soupir&\soupir\enotes
+\ifnum\orgue=0\relax
+\else
+ \global\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\fi
+\suspmorceau
+%\eject
+\catcodesmusic
+%
+%\check
+\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt
+\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3}
+\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax
+\vss}}}
+\ifnum\orgue=0\relax
+ \autolines {8}43\relax
+\linesinpage=0\relax
+\barsinline=0\relax
+ \interinstrument=6pt
+\else
+ \interinstrument=5pt
+ \def\interinstrumenti{0pt}
+\fi
+%
+%
+% mesure 9
+\def\xx{@|---|*}%
+\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause
+ |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes
+\temps\notes\org\pause&\hu g\relax
+ |\qqbl{-2}lkji\\\pause&\pause
+ &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes
+%
+% mesure 10
+\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes
+\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes
+%
+% mesure 11
+\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes
+\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause
+ &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes
+%
+% mesure 12
+%\check
+\barre\def\txta{@|a|*}\def\Txta{@|a--|*}%
+\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax
+ &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes
+\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause
+ &\xx\sk\sk\Ri\cl j\txta\cl j\relax
+ &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes
+\ifnum\orgue=0\relax
+\else
+ \global\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\fi
+%
+% mesure 13
+\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax
+ &\xx\qu d&\In\lpz g\qu g\enotes
+\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax
+ &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes
+\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax
+ &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes
+\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax
+ &\txt\upz j\ql j\enotes
+%
+% mesure 14
+\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax
+ &\De\ql k&\tten0\qu h&\De\hl i\enotes
+\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes
+\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax
+ &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes
+%
+% mesure 15
+\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause
+ &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes
+\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax
+ &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes
+%\check
+% mesure 16
+%
+\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax
+ \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax
+ &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes
+\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax
+ \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax
+ &\xx\rlap{\qqbl{-2}kjih}\enotes
+\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes
+%
+% mesure 17
+\barre
+%\autolines 753
+\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax
+ \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax
+ &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes
+\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax
+ \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax
+ &\xx\rlap{\qqbh{-2}jihg}\enotes
+\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes
+%
+% mesure 18
+\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax
+ |\bigaccid\Sh c\zhl c\zqp f\qup h\relax
+ \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax
+ &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax
+ &\xx\qup h\sk\sk\Ri\cu h\enotes
+\def\txt{@|a--|*}%
+\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx
+\qqbl0MNaM&\qqbH0ihi{=j}h\relax
+ &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes
+%
+%mesure 19
+\barre\def\Ex{@|ex-|*}\relax
+\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid
+\zq{=c}\zq f\upz h\ql h\relax
+ \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax
+ &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax
+ &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes
+\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax
+ \\\Ri\ql N&\Cel\upz k\ql k\relax
+ &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes
+\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax
+ &\qu L|\zq e\zq h\upz j\ql j\relax
+ \\@|a|*\qu J&\Sis\upz l\ql l\relax
+ &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes
+% mesure 20
+\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax
+ \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes
+\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes
+\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax
+ \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes
+% mesure 21
+\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax
+ &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax
+ \\\txt\pointdorgue a\hl N\relax
+ &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax
+ &\txt\pointdorgue m\hu g\enotes
+\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes
+%
+\finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex
new file mode 100644
index 00000000000..85bd6861b34
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex
@@ -0,0 +1,19 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\tracingstats=2\relax
+\hsize=185mm
+\vsize=270mm
+\hoffset -1.70cm
+\voffset -1.54cm
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+%
+\input avemarix
+\bye
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex
new file mode 100644
index 00000000000..e190c1201ff
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex
@@ -0,0 +1,1016 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\generalsignature{2}
+\transpose=1
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\autolines{25}{3}{5}%
+ %\check
+%Takt 1
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 2
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 3
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 4
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 5
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 6
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
+\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
+\barre
+ %\check
+%Takt 7
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 8
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 9
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
+\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
+\barre
+ %\check
+%Takt 10
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \qlp d&ple\rlap{---}&\qup d&&&&\enotes
+\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
+\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \ql d&na,&\qu d&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 11
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\qh5a&&&&\enotes
+\OrgNotes&\qb2k\tqb2n&\oct
+ \tqb4b&nus&\tqh5b&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 12
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \qlp c&te\rlap{---}&\qup c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \cl d&&\cu d&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \ql c&cum,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+%
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 13
+\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 14
+\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
+\OrgNotes&\qh2f\tqh2j&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql d&\rlap{---}&\qu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a&&&&\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \hl b&tu&\hu b&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 16
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g&&&&\enotes
+\barre
+ %\check
+%Takt 17
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
+\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql a&bus&\qu a&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 18
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\qh5e&&&&\enotes
+\OrgNotes&\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\tqh5f&&&&\enotes
+\barre
+ %\check
+%Takt 19
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{dic---}&\hu g&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \qu N&tus&\qu N&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 20
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 21
+\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 22
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp i&tu--&\qlp i&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl h&i,&\cl h&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&\rlap{Je---}&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 23
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \hlp e&sus.&\hup e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 24
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
+\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \ql e&ta&\qu e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
+\barre
+ %\check
+%Takt 25
+\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl h&ri\rlap{---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql a&a,&\qu a&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 26
+\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \ql c&ta&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
+\barre
+ %\check
+%Takt 27
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
+\barre
+ %\check
+%Takt 28
+\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d&a!&\qu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 29
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\qh5c&&&&\enotes
+\OrgNotes&\qh2b\tqh2d&\oct
+ \tqb4b&pro&\tqh5 b&&&&\enotes
+\barre
+ %\check
+%Takt 30
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \qlp g&no\rlap{---}&\qup g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
+\OrgNotes&\qh2c\tqh2e&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \ql c&bis,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 31
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\qh5e&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\tqh5d&&&&\enotes
+\barre
+ %\check
+%Takt 32
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp k&to\rlap{---}&\qlp k&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl i&ri-&\cl i&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&bus,&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 33
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4j&in&\tqh5j&&&&\enotes
+\barre
+ %\check
+%Takt 34
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2g&\oct
+ \tqb4e&in&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 35
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 36
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N&&&&\enotes
+\barre
+ %\check
+%Takt 37
+\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 38
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 39
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
+\barre
+ %\check
+%Takt 40
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
+\barre
+ %\check
+%Takt 41
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
+ g&\zhlp g\hup l&&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 42
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
+\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 43
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
+\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d&na,&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 44
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a&&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b&&&&&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 45
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d&&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c&cum,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
+%
+\barre
+ %\check
+%Takt 46
+\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
+ \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
+ \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 47
+\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &&\bigaccid\zhlp h\oct
+ \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2j&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \zql a\qu a&ta&\qu a&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 48
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
+ {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \qu d&in&\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 49
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
+ \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qh5f&&\qh4f&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh5g&&\tqh4g&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 50
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
+ \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
+\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
+ \oct \cu h&bus&\qu a&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 51
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qh4e&&\tqh5e&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2i&&\oct
+ \tqh4f&ne-&\cu f&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 52
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
+n&{\zhlp j}\oct
+ \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \tten4\cu g&tus&\qu N&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 53
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
+q&{\zw h}\oct
+ \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4d&&\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 54
+\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
+ {\zw j}\oct
+ \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4g&&\qh5g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&\tqh5h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 55
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
+g&{\zqlp n}\oct
+ \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
+ \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qu d&&\tleg5\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 56
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
+ \hup e&sus.&\hup e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 57
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
+ &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
+\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \qu e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl e&&&&&&\enotes
+\barre
+ %\check
+%Takt 58
+\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
+h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
+j&\tten2\zq j\ql h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 59
+\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&{\bigfl l\zh l}\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
+o&{\zq h}\oct
+ \ql c&ta&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 60
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
+n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
+ \tten2\zq j\ql{_l}&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 61
+\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+k&{\zhp l}\oct
+ \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 62
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+i&{\zhl f}\oct
+ \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
+ \qh4c&&\tqh5c&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2d&&\oct
+ \tqh4b&pro&\cu b&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 63
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
+g&{\tten4\zhlp g}\oct
+ \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2e&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \qu c&bis,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 64
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
+f&{\zhl j}\oct
+ \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4e&pec-&\cu e&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4d&ca-&\cu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 65
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
+i&{\zh m}\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
+k&{\zq i}\oct
+ \ql g&bus,&\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 66
+\def\atnextline{\autolines{25}25}\relax
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 67
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
+ \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
+ \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
+ \qh4g&ra,&\cu g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2g&&\oct
+ \tqh4e&in&\cu e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 68
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
+k&{\zhl f}\oct
+ \itenu5d\hu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
+h&{\zhl h}\oct
+ \tten5\cu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4hh4\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4i&&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&&&&&&&\enotes
+\alaligne
+ %\check
+%Takt 69
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
+g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \tqh4d&&&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \qh4h&&\tqh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
+ \qh4f&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\relax
+ \tqh4d&&&&&&\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
+ &&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\def\atnextline{\autolines{20}35}\relax
+%\cleftoksii{6000}\changeclefs
+\alaligne
+ %\check
+%Takt 71
+\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
+c&\tten4\zw a\wh c&&&&&&&&&\enotes
+\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
+\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
+\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
+\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
+\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
+\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 73
+\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &&\pointdorgue f\wh c&&&&&&&&\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex
new file mode 100644
index 00000000000..ac2d11f3e4d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex
@@ -0,0 +1,20 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\tracingstats=2\relax
+\hsize=185mm
+\vsize=270mm
+\hoffset -1.70cm
+\voffset -1.54cm
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+\musicsize 29
+%
+\input avemarix
+\bye
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex
new file mode 100644
index 00000000000..747452c4a43
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex
@@ -0,0 +1,1014 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\autolines{25}{3}{5}%
+ %\check
+%Takt 1
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 2
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 3
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\barre
+ %\check
+%Takt 4
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes
+\barre
+ %\check
+%Takt 5
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 6
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes
+\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes
+\barre
+ %\check
+%Takt 7
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 8
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes
+\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 9
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes
+\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes
+\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes
+\barre
+ %\check
+%Takt 10
+\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \qlp d&ple\rlap{---}&\qup d&&&&\enotes
+\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes
+\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \ql d&na,&\qu d&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 11
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes
+\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes
+\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\qh5a&&&&\enotes
+\OrgNotes&\qb2k\tqb2n&\oct
+ \tqb4b&nus&\tqh5b&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 12
+\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \qlp c&te\rlap{---}&\qup c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \cl d&&\cu d&&&&\enotes
+\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct
+ \ql c&cum,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+%
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 13
+\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\qh5d&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 14
+\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes
+\OrgNotes&\qh2f\tqh2j&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql d&\rlap{---}&\qu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a&&&&\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \hl b&tu&\hu b&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 16
+\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f&&&&\enotes
+\OrgNotes&\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g&&&&\enotes
+\barre
+ %\check
+%Takt 17
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes
+\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \ql a&bus&\qu a&&&&\enotes
+\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 18
+\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes
+\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\qh5e&&&&\enotes
+\OrgNotes&\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\tqh5f&&&&\enotes
+\barre
+ %\check
+%Takt 19
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{dic---}&\hu g&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \qu N&tus&\qu N&&&&\enotes
+\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes
+\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 20
+\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 21
+\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 22
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp i&tu--&\qlp i&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl h&i,&\cl h&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&\rlap{Je---}&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\qu d&&&&\enotes
+\barre
+ %\check
+%Takt 23
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \hlp e&sus.&\hup e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ &&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 24
+\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g&&&&\enotes
+\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \ql e&ta&\qu e&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes
+\barre
+ %\check
+%Takt 25
+\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl h&ri\rlap{---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql a&a,&\qu a&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 26
+\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct
+ \ql c&ta&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes
+\barre
+ %\check
+%Takt 27
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds&&&&\enotes
+\OrgNotes&\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes
+\barre
+ %\check
+%Takt 28
+\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \hl j&ri\rlap{---}&\hl j&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d&a!&\qu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 29
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\qh5c&&&&\enotes
+\OrgNotes&\qh2b\tqh2d&\oct
+ \tqb4b&pro&\tqh5 b&&&&\enotes
+\barre
+ %\check
+%Takt 30
+\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \qlp g&no\rlap{---}&\qup g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes
+\OrgNotes&\qh2c\tqh2e&\oct
+ \cl e&&\cu e&&&&\enotes
+\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \ql c&bis,&\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 31
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\qh5e&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\tqh5d&&&&\enotes
+\barre
+ %\check
+%Takt 32
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \qlp k&to\rlap{---}&\qlp k&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \cl i&ri-&\cl i&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ql g&bus,&\qu g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 33
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes
+\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4j&in&\tqh5j&&&&\enotes
+\barre
+ %\check
+%Takt 34
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\Ibu5je4\qh5j&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\qh5g&&&&\enotes
+\OrgNotes&\qh2c\tqh2g&\oct
+ \tqb4e&in&\tqh5e&&&&\enotes
+\barre
+ %\check
+%Takt 35
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes
+\OrgNotes&\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h&&&&\enotes
+\barre
+ %\check
+%Takt 36
+\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g&&&&\enotes
+\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d&&&&\enotes
+\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes
+\OrgNotes&\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N&&&&\enotes
+\barre
+ %\check
+%Takt 37
+\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes
+\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes
+\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes
+\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes
+\barre
+ %\check
+%Takt 38
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes
+\barre
+ %\check
+%Takt 39
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes
+\barre
+ %\check
+%Takt 40
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes
+\barre
+ %\check
+%Takt 41
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh
+ g&\zhlp g\hup l&&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes
+\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes
+\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 42
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes
+\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes
+\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 43
+\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes
+\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d&na,&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 44
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes
+\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes
+\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a&&&&&&&&\enotes
+\orgNotes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b&&&&&&&&\enotes
+\def\atnextline{\autolines{25}35}\relax
+\barre
+ %\check
+%Takt 45
+\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d&&&&&&&&\enotes
+\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c&cum,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes
+%
+\barre
+ %\check
+%Takt 46
+\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct
+ \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct
+ \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 47
+\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &&\bigaccid\zhlp h\oct
+ \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2j&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \qu d&\rlap{---}&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \zql a\qu a&ta&\qu a&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 48
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax
+ {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \qu d&in&\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 49
+\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct
+ \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qh5f&&\qh4f&&&&&&&&\enotes
+\orgNotes&\qh2g\tqh2j&&\oct
+ \tqh5g&&\tqh4g&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 50
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax
+ \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes
+\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax
+ \oct \cu h&bus&\qu a&&&&&&&&\enotes
+\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 51
+\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes
+\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qh4e&&\tqh5e&&&&&&&&\enotes
+\orgNotes&\qh2f\tqh2i&&\oct
+ \tqh4f&ne-&\cu f&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 52
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu
+n&{\zhlp j}\oct
+ \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \tten4\cu g&tus&\qu N&&&&&&&&\enotes
+\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes
+\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 53
+\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu
+q&{\zw h}\oct
+ \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4d&&\qh5d&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4e&&\tqh5e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 54
+\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax
+ {\zw j}\oct
+ \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qh4g&&\qh5g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&\tqh5h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 55
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu
+g&{\zqlp n}\oct
+ \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cu h&i,&\tleg4\cl h&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax
+ \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qu d&&\tleg5\qu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 56
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct
+ \hup e&sus.&\hup e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 57
+\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax
+ &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes
+\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \qu e&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl e&&&&&&\enotes
+\barre
+ %\check
+%Takt 58
+\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu
+h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu
+j&\tten2\zq j\ql h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 59
+\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&{\bigfl l\zh l}\oct
+ \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu
+o&{\zq h}\oct
+ \ql c&ta&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 60
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu
+n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid
+ \tten2\zq j\ql{_l}&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds&&&&&&&&\enotes
+\orgNotes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 61
+\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+k&{\zhp l}\oct
+ \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 62
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu
+i&{\zhl f}\oct
+ \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct
+ \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct
+ \qh4c&&\tqh5c&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2d&&\oct
+ \tqh4b&pro&\cu b&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 63
+\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu
+g&{\tten4\zhlp g}\oct
+ \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2e&&\oct
+ \cu e&&\tleg4\cu e&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \qu c&bis,&\qu c&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \raise\Interligne\qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 64
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw
+f&{\zhl j}\oct
+ \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct
+ \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4e&pec-&\cu e&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4d&ca-&\cu d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 65
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu
+i&{\zh m}\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu
+k&{\zq i}\oct
+ \ql g&bus,&\qu g&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 66
+\def\atnextline{\autolines{25}25}\relax
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes
+\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 67
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct
+ \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct
+ \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct
+ \qh4g&ra,&\cu g&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2g&&\oct
+ \tqh4e&in&\cu e&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 68
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu
+k&{\zhl f}\oct
+ \itenu5d\hu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu
+h&{\zhl h}\oct
+ \tten5\cu d&&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \Ibu4hh4\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4i&&&&&&&&&\enotes
+\orgNotes&\qh2c\tqh2f&&\oct
+ \tqh4h&&&&&&&&\enotes
+\alaligne
+ %\check
+%Takt 69
+\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu
+g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\oct
+ \tqh4d&&&&&&&&&&\enotes
+\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \qh4h&&\tqh5d&&&&&&&&\enotes
+\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax
+ \qh4f&&&&&&&\enotes
+\orgNotes&\qh2b\tqh2f&&\relax
+ \tqh4d&&&&&&\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax
+ &&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes
+\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes
+\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes
+\def\atnextline{\autolines{20}35}\relax
+%\cleftoksii{6000}\changeclefs
+\alaligne
+ %\check
+%Takt 71
+\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh
+c&\tten4\zw a\wh c&&&&&&&&&\enotes
+\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes
+\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes
+\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes
+\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes
+\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes
+\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes
+\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes
+\barre
+ %\check
+%Takt 73
+\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &&\pointdorgue f\wh c&&&&&&&&\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex
new file mode 100644
index 00000000000..c6a57cca4ba
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex
@@ -0,0 +1,951 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\fulltitle{M\'editation -- Ave Maria}
+\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel
+ Taupin\\\& Markus Veittes}
+\shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \title{Ave Maria}
+ \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4'
+[+2']\\P\'edale : 16', acc. positif}
+ \maketitle
+
+\parindent 13mm
+\ifnum\musicsize=0\musicsize=20\fi
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{4}
+\def\instrumenti{Positif}
+\def\staffspacingii{0.64}
+\def\staffspacingiv{0.64}
+\def\instrumentii{Violon}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiv{Chant}
+\nbporteesi=2\relax
+\nbporteesiii=0\relax
+%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiv{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+\def\nbinstruments{1}%
+\debutmorceau
+\autolines{25}{3}{4}%
+%Takt 1
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+%Takt 2
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\barre
+%Takt 3
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+%
+\suspmorceau
+%
+%
+\def\nbinstruments{4}%
+\debutmorceau
+\barno=4\relax
+%Takt 4
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+%Takt 5
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes
+\barre
+%Takt 6
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes
+\Notes|\ibbl1j3\qb1h\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2h\enotes
+\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes
+\barre
+%Takt 7
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes
+\barre
+%Takt 8
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes
+\Notes|\ibbl0j3\qb0g\tqb0j\enotes
+\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes
+\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes
+\barre
+%Takt 9
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes
+\Notes|\ibbl0j3\qb0h\tqb0l\enotes
+\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct
+ \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
+\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes
+\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes
+\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes
+\barre
+%Takt 10
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes
+\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2f\enotes
+\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \ql d&na,&\qu d\enotes
+\Notes|\ibbu1g3\qh1f\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes
+\barre
+%Takt 11
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k\enotes
+\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct
+ \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes
+\Notes|\ibbl1j3\qb1g\tqb1k&\oct
+ \qb4N&\rlap{---}&\tqh5N\enotes
+\Notes|\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a&mi-&\cu a\enotes
+\Notes|\qb2k\tqb2n&\oct
+ \tqb4b&nus&\cu b\enotes
+\def\atnextline{\autolines{25}34}\relax
+\barre
+%Takt 12
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct
+ \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \cl d&&\tleg4\cu d\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct
+ \ql c&\rlap{cum,}&\qu c\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes
+%
+\def\atnextline{\autolines{25}34}\relax
+\barre
+%Takt 13
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g&\oct
+ \qb4c&\rlap{---}&\tqh5c\enotes
+\Notes|\ibbu2i0\qh2j\qh2e&\oct
+ \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 14
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes
+\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes|\ibbu2i0\qh2j\qh2d\enotes
+\Notes|\qh2f\tqh2j&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \ql d&\rlap{---}&\qu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f\enotes
+\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \ql a&ta&\qu a\enotes
+\barre
+%Takt 15
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct
+ \hl b&tu&\hu b\enotes
+\Notes|\ibbu1f3\qh1d\tqh1g\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes
+\Notes|\ibbu1f3\qh1d\tqh1g\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \ql d&in&\qu d\enotes
+\barre
+%Takt 16
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g\enotes
+\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes
+\Notes|\ibbu1f3\qh1e\tqh1g&\oct
+ \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes
+\Notes|\ibbu2i0\qh2j\qh2e&\oct
+ \qb5f&&\qh4f\enotes
+\Notes|\qh2g\tqh2j&\oct
+ \tqb5g&&\tqh4g\enotes
+\barre
+%Takt 17
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h\enotes
+\Notes|\ibbu1g3\qh1d\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes|\tqh2k&&ri-&\ccu a\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \ql a&bus&\qu a\enotes
+\Notes|\ibbu1g3\qh1d\tqh1h\enotes
+\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes
+\barre
+%Takt 18
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct
+ \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f\enotes
+\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes
+\Notes|\ibbu1f3\qh1d\tqh1f&\oct
+ \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes|\ibbu2i0\qh2i\qh2d&\oct
+ \qb4e&&\tqh5e\enotes
+\Notes|\qh2f\tqh2i&\oct
+ \tqb4f&ne-&\cu f\enotes
+\barre
+%Takt 19
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \hl g&\rlap{dic---}&\hu g\enotes
+\Notes|\ibbu1f3\qh1c\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \qu N&tus&\qu N\enotes
+\Notes|\ibbu1f3\qh1c\tqh1g\enotes
+\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes
+\barre
+%Takt 20
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4c&tus&\ibu5d1\qh5c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4d&&\qh5d\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 21
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes
+\Notes|\ibbu1c3\qh1a\tqh1c&\oct
+ \qb4f&ris&\ibu5g1\qh5f\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4g&&\qh5g\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 22
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \cl h&i,&\tleg4\cl h\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \ql d&&\tleg5\qu d\enotes
+\barre
+%Takt 23
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \hlp e&sus.&\hup e\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ &&\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ &&\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\cl e&&\qp\enotes
+\barre
+%Takt 24
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \hl g&\rlap{Sanc---}&\hu g\enotes
+\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct
+ \ql e&ta&\qu e\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes
+\barre
+%Takt 25
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \hl h&ri\rlap{---}&\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \ql a&a,&\qu a\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 26
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct
+ \hl h&\rlap{sanc---}&\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct
+ \ql c&ta&\qu c\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk
+ \pt a\ds&&\qsk\pt h\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes
+\barre
+%Takt 27
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds&&\pt j\ds\enotes
+\Notes|\tqh2e&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes
+\barre
+%Takt 28
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \ql d&a!&\qu d\enotes
+\Notes|\ibbu1b3\qh1b\tqh1c\enotes
+\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp\enotes
+\barre
+%Takt 29
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\oct
+ \qb4d&ra&\ibu5d{-1}\qh5d\enotes
+\Notes|\ibbu2d0\qh2d\qh2N&\oct
+ \qb4c&&\tqh5c\enotes
+\Notes|\qh2b\tqh2d&\oct
+ \tqb4b&pro&\cu b\enotes
+\barre
+%Takt 30
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\enotes
+\Notes|\qh2c\tqh2e&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \ql c&bis,&\qu c\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 31
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4f&bis&\cu f\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \qb4e&pec-&\cu e\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4d&ca-&\cu d\enotes
+\barre
+%Takt 32
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \cl i&ri-&\tleg4\cl i\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ql g&bus,&\qu g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 33
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c\enotes
+\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes
+\Notes|\ibbu1b3\qh1a\tqh1c&\oct
+ \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes
+\Notes|\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i&&\tqh5i\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4j&in&\cl j\enotes
+\barre
+%Takt 34
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct
+ \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4j&--&\tqh5j\enotes
+\Notes|\ibbu2e0\qh2g\qh2N&\oct
+ \qb4g&ra,&\cu g\enotes
+\Notes|\qh2c\tqh2g&\oct
+ \tqb4e&in&\cu e\enotes
+\barre
+%Takt 35
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c\enotes
+\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes
+\Notes|\ibbu1b3\qh1N\tqh1c&\oct
+ \qb4h&&\tqh5h\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i\enotes
+\Notes|\qh2c\tqh2f&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 36
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\oct
+ \usf g\qb4g&&\tqh5k\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes
+\Notes|\qh2b\tqh2f&\oct
+ \usf d\tqb4d&&\tqh5g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax
+ \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes
+\Notes|\ibbu1b3\qh1N\tqh1b&\relax
+ \lsf h\qh4h&&\tqh5d\enotes
+\Notes|\ibbu2e0\qh2f\qh2N&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes
+\Notes|\qh2b\tqh2f&\relax
+ \lsf d\tqh4d&&\tqh5N\enotes
+\suspmorceau
+\eject
+%
+%Takt 37
+\def\instrumenti{P\'ed. 16'}
+\def\instrumentii{Positif}
+\def\instrumentiii{(Pos.)}
+\def\instrumentiv{Violon}
+\def\instrumentvi{Chant}
+\def\nbinstruments{6}
+\linesinpage=0\relax
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+\nbporteesiv=1\relax
+\nbporteesv=0\relax
+\nbporteesvi=1\relax
+\cleftoksi={6000}\relax
+\cleftoksii={6000}\relax
+\cleftoksiii={0000}\relax
+\cleftoksiv={0000}\relax
+\cleftoksvi={0000}\relax
+\def\interinstrumenti{0pt}
+\def\interinstrumentii{0pt}
+%\def\interinstrumentiv{-2\Interligne}
+\def\staffspacingi{1}%
+\def\staffspacingii{1}%
+\def\staffspacingiii{1}%
+\def\staffspacingiv{0.64}%
+\def\staffspacingvi{0.64}%
+\debutmorceau\barno=37\relax
+\autolines{26}33\relax
+\def\atnextline{\autolines{24}33}\relax
+%
+\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax
+ \hup c&A\rlap{---}&\itenl4c\hu c\enotes
+\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes
+\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes
+\Notes&&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes
+\cleftoksii={0000}\changeclefs
+\barre
+%Takt 38
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes
+\barre
+%Takt 39
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes
+\barre
+%Takt 40
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes
+\barre
+%Takt 41
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes
+\barre
+%Takt 42
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct
+ \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct
+ \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes
+\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes
+\barre
+%Takt 43
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct
+ \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct
+ \ql d&na,&\qu d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes
+\barre
+%Takt 44
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct
+ \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct
+ \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&&\oct
+ \qb4N&\rlap{---}&\tqh5N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&&\oct
+ \qb4a&mi-&\cu a\enotes
+\Notes&\qb2k\tqb2n&&\oct
+ \tqb4b&nus&\cu b\enotes
+\def\atnextline{\autolines{25}33}\relax
+\barre
+%Takt 45
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct
+ \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \cl d&&\tleg2\cu d\enotes
+\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct
+ \ql c&\rlap{cum,}&\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes
+%
+\def\atnextline{\autolines{25}33}\relax
+\barre
+%Takt 46
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct
+ \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct
+ \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \qb4c&\rlap{---}&\tqh5c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct
+ \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 47
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid
+ \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct
+ \ql d&\rlap{---}&\qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct
+ \ql a&ta&\qu a\enotes
+\barre
+%Takt 48
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct
+ \hl b&tu&\hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct
+ \ql d&in&\qu d\enotes
+\barre
+%Takt 49
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct
+ \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct
+ \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&&\oct
+ \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&&\oct
+ \qb5f&&\qh4f\enotes
+\Notes&\qh2g\tqh2j&&\oct
+ \tqb5g&&\tqh4g\enotes
+\barre
+%Takt 50
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct
+ \hl h&e\rlap{---}&\ppt h\qu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k&&&ri-&\ccu a\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct
+ \ql a&bus&\qu a\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes
+\barre
+%Takt 51
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid
+ \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct
+ \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&&\oct
+ \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&&\oct
+ \qb4e&&\tqh5e\enotes
+\Notes&\qh2f\tqh2i&&\oct
+ \tqb4f&ne-&\cu f\enotes
+\barre
+%Takt 52
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct
+ \hl g&\rlap{dic---}&\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct
+ \qu N&tus&\qu N\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes
+\barre
+%Takt 53
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct
+ \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct
+ \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&&\oct
+ \qb4c&tus&\ibu5d1\qh5c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4d&&\qh5d\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4e&&\tqh5e\enotes
+\barre
+%Takt 54
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct
+ \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct
+ \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct
+ \qb4f&ris&\ibu5g1\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4g&&\qh5g\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 55
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct
+ \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \cl h&i,&\tleg4\cl h\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct
+ \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \ql d&&\tleg5\qu d\enotes
+\barre
+%Takt 56
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct
+ \hlp e&sus.&\hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct
+ &&\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ &&\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \pt a\ds\sk\sk\cl e&&\qp\enotes
+\barre
+%Takt 57
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax
+ \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes
+\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct
+ \ql e&ta&\qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes
+\barre
+%Takt 58
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct
+ \hl h&ri\rlap{---}&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct
+ \ql a&a,&\qu a\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 59
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid
+ \zw h\hu{_l}&\oct
+ \hl h&\rlap{sanc---}&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct
+ \ql c&ta&\qu c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct
+ \pt a\ds&&\pt h\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes
+\barre
+%Takt 60
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid
+ \ql{_e}&a,&\bigaccid\qu{_e}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct
+ \pt a\ds&&\pt j\ds\enotes
+\Notes&\tqh2e&&\oct
+ \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes
+\barre
+%Takt 61
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct
+ \hl j&ri\rlap{---}&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct
+ \ql d&a!&\qu d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct
+ \pt a\ds\sk\sk\ccl d&&\qp\enotes
+\barre
+%Takt 62
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct
+ \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct
+ \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \qb4d&ra&\ibu5d{-1}\qh5d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&&\oct
+ \qb4c&&\tqh5c\enotes
+\Notes&\qh2b\tqh2d&&\oct
+ \tqb4b&pro&\cu b\enotes
+\barre
+%Takt 63
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct
+ \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&&\oct
+ \cl e&&\tleg4\cu e\enotes
+\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct
+ \ql c&bis,&\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 64
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct
+ \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct
+ \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4f&bis&\cu f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qb4e&pec-&\cu e\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4d&ca-&\cu d\enotes
+\barre
+%Takt 65
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct
+ \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \cl i&ri-&\tleg4\cl i\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct
+ \ql g&bus,&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct
+ \qp&&\qp\enotes
+\barre
+%Takt 66
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct
+ \itenu5h\hl h&nunc&\itenl4h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct
+ \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&&\oct
+ \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&&\oct
+ \qb4i&&\tqh5i\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4j&in&\cl j\enotes
+\barre
+%Takt 67
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct
+ \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct
+ \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4j&---&\tqh5j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&&\oct
+ \qb4g&ra,&\cu g\enotes
+\Notes&\qh2c\tqh2g&&\oct
+ \tqb4e&in&\cu e\enotes
+\barre
+%Takt 68
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct
+ \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct
+ \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&&\oct
+ \qb4h&&\tqh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \qb4i&ra&\ibu5i{-1}\qh5i\enotes
+\Notes&\qh2c\tqh2f&&\oct
+ \tqb4h&&\tqh5h\enotes
+\barre
+%Takt 69
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct
+ \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\oct
+ \usf g\qb4g&&\tqh5k\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\oct
+ \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes
+\Notes&\qh2b\tqh2f&&\oct
+ \usf d\tqb4d&&\tqh5g\enotes
+\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax
+ \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&&\relax
+ \lsf h\qh4h&&\tqh5d\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&&\relax
+ \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes
+\Notes&\qh2b\tqh2f&&\relax
+ \lsf d\tqh4d&&\tqh5N\enotes
+\barre
+\autolines{19}43\relax
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%Takt 70
+\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c
+ &A\rlap{---}&\wh c\enotes
+\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\barre
+%Takt 71
+\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c
+ &\rlap{\kern -\interligne men!}&\hu c\enotes
+\Notes&\ibbu1a3\qh1M\tqh1a\enotes
+\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes
+\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct
+ &&\hpause\enotes
+\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes
+\barre
+%Takt 72
+\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N
+ &A\rlap{---}&\wh g\enotes
+\Notes&\ibbl1h3\qb1g\tqb1i\enotes
+\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes
+\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes
+\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes
+\barre
+%Takt 73
+\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex
new file mode 100644
index 00000000000..520d5f05307
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex
@@ -0,0 +1,858 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \input avemaria.reg
+ \title{Ave Maria (Gounod)}
+\csname titremorceautoc\endcsname
+\fulltitle{M\'editation -- Ave Maria}
+\title{M\'editation -- Ave Maria}
+ \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel
+Taupin\\\& Markus Veittes}
+ \shortauthor{C. Gounod, J.-S. Bach, D. Taupin}
+ \subtitle{\relax}
+ \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou
+chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc.
+G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54}
+\maketitle
+
+\staffbotmarg\Interligne
+%
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\oct{\advance\transpose by 7\relax}
+\def\nbinstruments{3}
+\def\instrumenti{P\'edale}
+\def\instrumentii{G.O.}
+%\def\interinstrumenti{-2\Interligne}
+%\def\interinstrumentii{-2\Interligne}
+\def\instrumentiii{Positif}
+\nbporteesi=1\relax
+\nbporteesii=1\relax
+\nbporteesiii=1\relax
+
+\generalmeter{\meterC}%
+\cleftoksi{{6}{0}{0}{0}}
+\cleftoksii{{0}{0}{0}{0}}
+\cleftoksiii{{0}{0}{0}{0}}
+%\raggedlinestrue % uncomment for ragged right lines
+
+
+\debutmorceau
+\def\OrgNotes#1&#2&#3&#4&#5&#6\enotes{\Notes#1&#2&\relax#5\enotes}%
+\def\orgNotes#1&#2&#3&#4&#5&#6&#7\enotes{\Notes#1&#2&\relax#4\enotes}%
+\def\orgNOTes#1&#2&#3&#4&#5&#6&#7\enotes{\NOTes#1&#2&\relax#4\enotes}%
+ %\check
+%Takt 1
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 2
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 3
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 4
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 5
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 6
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m&\cu f\enotes
+\barre
+ %\check
+%Takt 7
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes
+\barre
+ %\check
+%Takt 8
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes
+\barre
+ %\check
+%Takt 9
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes
+\Notes&\qb1l\tqb1o&\tqh5c\enotes
+\barre
+ %\check
+%Takt 10
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&\cu e\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes
+\barre
+ %\check
+%Takt 11
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes
+\Notes&\qb2k\tqb2n&\tqh5b\enotes
+\barre
+ %\check
+%Takt 12
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&\cu d\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes
+%
+\barre
+ %\check
+%Takt 13
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes
+\Notes&\qh2g\tqh2j&\tqh5e\enotes
+\barre
+ %\check
+%Takt 14
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&\cu e\enotes
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes
+\barre
+ %\check
+%Takt 15
+\def\atnextline{\staffbotmarg3\Interligne}%
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes
+\barre
+ %\check
+%Takt 16
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes
+\Notes&\qh2g\tqh2j&\tqh4g\enotes
+\barre
+ %\check
+%Takt 17
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k&\ccu a\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes
+\barre
+ %\check
+%Takt 18
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes
+\Notes&\qh2f\tqh2i&\tqh5f\enotes
+\barre
+ %\check
+%Takt 19
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes
+\barre
+ %\check
+%Takt 20
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes
+\Notes&\qh2c\tqh2f&\tqh5e\enotes
+\barre
+ %\check
+%Takt 21
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes
+\Notes&\qh2c\tqh2f&\tqh5h\enotes
+\barre
+ %\check
+%Takt 22
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\cl h\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes
+\barre
+ %\check
+%Takt 23
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 24
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes
+\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes
+\Notes&\tqh2e&\ccu e\enotes
+\barre
+ %\check
+%Takt 25
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 26
+\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes
+\Notes&\tqh2e&\ccu h\enotes
+\barre
+ %\check
+%Takt 27
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes
+\Notes&\tqh2e&\ccl j\enotes
+\barre
+ %\check
+%Takt 28
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes
+\barre
+ %\check
+%Takt 29
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes
+\Notes&\qh2b\tqh2d&\tqh5 b\enotes
+\barre
+ %\check
+%Takt 30
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&\cu e\enotes
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 31
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes
+\Notes&\qh2c\tqh2f&\tqh5d\enotes
+\barre
+ %\check
+%Takt 32
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\cl i\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes
+\barre
+ %\check
+%Takt 33
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes
+\Notes&\qh2c\tqh2f&\tqh5j\enotes
+\barre
+ %\check
+%Takt 34
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes
+\Notes&\qh2c\tqh2g&\tqh5e\enotes
+\barre
+ %\check
+%Takt 35
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes
+\Notes&\qh2c\tqh2f&\tqh5h\enotes
+\barre
+ %\check
+%Takt 36
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes
+\Notes&\qh2b\tqh2f&\tqh5g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes
+\Notes&\qh2b\tqh2f&\tqh5N\enotes
+\barre
+ %\check
+%Takt 37
+\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes
+\barre
+ %\check
+%Takt 38
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes
+\barre
+ %\check
+%Takt 39
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes
+\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes
+\Notes&\ibbl1j3\qb1h\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2h\enotes
+\Notes&\qb2k\tqb2m\enotes
+\barre
+ %\check
+%Takt 40
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes
+\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes
+\barre
+ %\check
+%Takt 41
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes
+\Notes&\ibbl0j3\qb0g\tqb0j\enotes
+\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes
+\Notes&\ibbl2j3\qb2g\tqb2j\enotes
+\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes
+\barre
+ %\check
+%Takt 42
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax
+ {\roffset{0.3}{\zhu j}}\oct
+ \itenu5h\hl h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l\enotes
+\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp
+e&\ds&{\roffset {0.3}{\zhu l}}\oct
+ \tten5\ibl4a0\qb4h\enotes
+\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes
+\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes
+\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes
+\barre
+ %\check
+%Takt 43
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct
+ \qlp d\enotes
+\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\enotes
+\Notes&\qh2h\tqh2k&\oct \cl e\enotes
+\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct
+ \ql d\enotes
+\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes
+\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes
+\barre
+ %\check
+%Takt 44
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax
+ \rlap{\roffset{0.3}{\qupp k}}\oct
+ \normalnotesize\itenu5g\hl g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k\enotes
+\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct
+ \normalnotesize\tten5\ibl4N0\qb4g\enotes
+\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes
+\Notes&\ibbl2k0\qb2n\qb2g&\oct
+ \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes
+\barre
+ %\check
+%Takt 45
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct
+ \qlp c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \cl d\enotes
+\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct
+ \ql c\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes
+%
+\barre
+ %\check
+%Takt 46
+\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax
+ {\roffset{0.3}{\zhl j}}\oct
+ \itenu5j\hu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct
+ \tten5\cu j\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\oct
+ \Ibu4ce4\qh4c\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct
+ \qh4d\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \tqh4e\enotes
+\barre
+ %\check
+%Takt 47
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds
+ &\bigaccid\zhlp h\oct
+ \qup{^f}\enotes
+\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\enotes
+\Notes&\qh2f\tqh2j&\oct \cu e\enotes
+\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \qu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct
+ \zql a\qu a\enotes
+\barre
+ %\check
+%Takt 48
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax
+ {\zw g}\oct \hu b\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes
+\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax
+ \raise\Interligne\qp\enotes
+\Notes&\ibbu1f3\qh1d\tqh1g\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct
+ \qu d\enotes
+\barre
+ %\check
+%Takt 49
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct
+ \itenu5e\hu e\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g\enotes
+\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes
+\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct
+ \tten5\cu e&\enotes
+\Notes&\ibbu1f3\qh1e\tqh1g&\oct
+ \Ibu5eg4\qh5e\enotes
+\Notes&\ibbu2i0\qh2j\qh2e&\oct
+ \qh5f\enotes
+\Notes&\qh2g\tqh2j&\oct
+ \tqh5g\enotes
+\barre
+ %\check
+%Takt 50
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&
+ \rlap{\hlp k}\oct \itenu4h\hu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes
+\Notes&\tqh2k\enotes
+\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax
+ \oct \cu h\enotes
+\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes
+\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes
+\barre
+ %\check
+%Takt 51
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f\enotes
+\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes
+\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1f3\qh1d\tqh1f&\oct
+ \Ibu4df4\qh4d\enotes
+\Notes&\ibbu2i0\qh2i\qh2d&\oct
+ \qh4e\enotes
+\Notes&\qh2f\tqh2i&\oct
+ \tqh4f\enotes
+\barre
+ %\check
+%Takt 52
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct
+ \itenu4g\hu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct
+ \tten4\cu g\enotes
+\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes
+\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes
+\barre
+ %\check
+%Takt 53
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct
+ \itenu5c\hu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\cu c\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\oct
+ \Ibu4ce4\qh4c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qh4d\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4e\enotes
+\barre
+ %\check
+%Takt 54
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax
+ {\zw j}\oct
+ \itenu5f\hu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \tten5\cu f\enotes
+\Notes&\ibbu1c3\qh1a\tqh1c&\oct
+ \Ibu4fh4\qh4f\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qh4g\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4h\enotes
+\barre
+ %\check
+%Takt 55
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct
+ \qup i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\oct \cu h\enotes
+\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax
+ \rlap{\roff{\hl m}}\oct \qu g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct
+ \qu d&\enotes
+\barre
+ %\check
+%Takt 56
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct
+ \hup e\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct
+ \enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \pt a\ds\sk\sk\ccl e\enotes
+\barre
+ %\check
+%Takt 57
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes
+\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes
+\Notes&\tqh2e&\oct \ccl e\enotes
+\barre
+ %\check
+%Takt 58
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes
+\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes
+\barre
+ %\check
+ %Takt 59
+ \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp
+J&\ds&{\bigfl l\zh l}\oct \hl h\enotes
+ \Notes&\ibbu1b3\qh1a\tqh1c\enotes
+ \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes
+ \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes
+\Notes&\tqh2e&\oct \ccl h\enotes
+\barre
+ %\check
+%Takt 60
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes
+\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid
+ \tten2\zq j\ql{_l}\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct
+ \pt a\ds\enotes
+\Notes&\tqh2e&\oct
+ \ccl j\enotes
+\barre
+ %\check
+%Takt 61
+\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct
+ \hl j\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes
+\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct
+ \ql d\enotes
+\Notes&\ibbu1b3\qh1b\tqh1c\enotes
+\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct
+ \pt a\ds\sk\sk\ccl d\enotes
+\barre
+ %\check
+%Takt 62
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct
+ \itenu5d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes
+\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\oct
+ \Ibu4db4\qh4d\enotes
+\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct
+ \qh4c\enotes
+\Notes&\qh2b\tqh2d&\oct
+ \tqh4b\enotes
+\barre
+ %\check
+%Takt 63
+\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct
+ \qup g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\enotes
+\Notes&\qh2c\tqh2e&\oct
+ \cu e\enotes
+\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct
+ \qu c\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct
+ \raise\Interligne\qp\enotes
+\barre
+ %\check
+%Takt 64
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct
+ \itenu5f\hu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct
+ \tten5\cu f\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4fd4\qh4f\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4e\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4d\enotes
+\barre
+ %\check
+%Takt 65
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct
+ \qlp k\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\enotes
+\Notes&\qh2b\tqh2f&\oct
+ \cl i\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct
+ \ql g\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes
+\barre
+ %\check
+%Takt 66
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid
+ \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct
+ \itenu5h\hu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c\enotes
+\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct
+ \tten5\cu h\enotes
+\Notes&\ibbu1b3\qh1a\tqh1c&\oct
+ \Ibl4hj4\qb4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2a&\oct
+ \qb4i\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqb4j\enotes
+\barre
+ %\check
+%Takt 67
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds
+&{\zhl n}\oct \itenu5l\hu l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct
+ \tten5\cu l\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4je4\qh4j\enotes
+\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes
+\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes
+\barre
+ %\check
+%Takt 68
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct
+ \itenu5d\hu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c\enotes
+\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct
+ \tten5\cu d\enotes
+\Notes&\ibbu1b3\qh1N\tqh1c&\oct
+ \Ibu4hh4\qh4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4i\enotes
+\Notes&\qh2c\tqh2f&\oct
+ \tqh4h\enotes
+\barre
+ %\check
+%Takt 69
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\oct
+ \qh4f\enotes
+\Notes&\qh2b\tqh2f&\oct
+ \tqh4d\enotes
+\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax
+ {\zhl d}\ibu4i{-3}\qh4i\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b&\relax
+ \qh4h\enotes
+\Notes&\ibbu2e0\qh2f\qh2N&\relax
+ \qh4f\enotes
+\Notes&\qh2b\tqh2f&\relax
+ \tqh4d\enotes
+\barre
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+ %\check
+%Takt 70
+\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds
+ &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes
+\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes
+\Notes&\ibbu1b3\qh1N\tqh1b\enotes
+\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes
+%\cleftoksii{6000}\changeclefs
+\barre
+ %\check
+%Takt 71
+\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes
+\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes
+\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes
+\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes
+\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes
+%\cleftoksii{0000}\changeclefs
+\barre
+ %\check
+%Takt 72
+\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes
+\Notes&\ibbl1h3\qb1g\tqb1i\enotes
+\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes
+\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes
+\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes
+\barre
+ %\check
+%Takt 73
+\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax
+ &\pointdorgue f\wh c\enotes
+ \linegoal 19
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex
new file mode 100644
index 00000000000..3d29ea6f48e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex
@@ -0,0 +1,3 @@
+\def\chorale{\relax}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex
new file mode 100644
index 00000000000..7480111e5f4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex
@@ -0,0 +1,4 @@
+\def\Signature{-5}
+\def\Transpose{-1}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex
new file mode 100644
index 00000000000..be83ce5730b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex
@@ -0,0 +1,4 @@
+\def\Signature{0}
+\def\Transpose{-2}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex
new file mode 100644
index 00000000000..329d5ac4c82
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex
@@ -0,0 +1,4 @@
+\def\Signature{2}
+\def\Transpose{-1}
+\input aveverum
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
new file mode 100644
index 00000000000..f2a22bd51b6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex
@@ -0,0 +1,297 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+ \title{Ave Verum}
+ \author{Charles Gounod}
+ \shortauthor{C. Gounod}
+ \subtitle{\relax}
+ \maketitle
+\parindent 13mm
+\musicsize=20
+\normal
+\relativeaccidentals
+\def\nbinstruments{1}
+\def\instrumenti{Orgue}
+\def\instrumentii{Basse}
+\def\instrumentiii{T‚nor}
+\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}}
+\nbporteesi=2\relax
+\generalmeter{\allabreve}
+\setinterinstrument1{10pt}
+\setinterinstrument2{10pt}
+\setinterinstrument3{10pt}
+\cleftoksi{6000}
+\cleftoksii{6000}
+\cleftoksiii{6000}
+
+\ifx\Transpose\undefined
+ \def\Transpose{0}
+ \def\Signature{-3}
+\fi
+\generalsignature{\Signature}
+
+\ifx\chorale\undefined
+ \setsize1{\normalvalue}
+ \setsize2{\smallvalue}
+ \setsize3{\smallvalue}
+ \setsize4{\smallvalue}
+\else
+ \setsize1{\smallvalue}
+ \setsize2{\normalvalue}
+ \setsize3{\normalvalue}
+ \setsize4{\normalvalue}
+\fi
+\ninepoint
+
+\def\Zsong{\zsong}
+
+\stemcut
+
+\transpose=\Transpose
+\debutmorceau
+\qspace
+\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes
+\NOtes\hu N|\zh b\hu e\enotes
+\barre % 2
+\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes
+\NOtes\hu N|\hu g\enotes
+\barre %3
+\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes
+\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes
+\barre %4
+\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes
+\NOtes\zhl H\zh J\hu a|\hu e\enotes
+\barre %5
+\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes
+\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes
+\barre %6
+\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes
+\NOtes|\zh b\hu d\enotes
+\barre %7
+\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes
+\Notes\soupir|\soupir\enotes
+\suspmorceau
+\def\nbinstruments{4}%
+\debutmorceau %8
+\barno 8\relax
+\qspace
+\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\H LNei{A--}%
+\Hqhq I{ba}d{gf}{ve}%
+\barre %9
+\H JNee{ve--}%
+\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl
+N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %10
+\H Hacj{Cor--}%
+\Hqhq I{NM}{=d}{ih}{pus }%
+\barre %11
+\Hh Lceh{na--}%
+\Hh Lbeg{tum }%
+\barre %12
+\H LNgi{de }%
+\Hqhq K{^a^b}f{jk}{Ma--}%
+\barre %13
+\H Jcel{ri--}%
+\H Lcgg{a }%
+\barre %14
+\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax
+ &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax
+ &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax
+ &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes
+\barre %15
+\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw
+ d\hu {ji}\enotes
+\barre %16
+\H LNei{Ve-}%
+\Hqhq I{ba}d{gf}{re}%
+\barre %17
+\H JNee{pas-}%
+\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl
+N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %18
+\H Hacj{im-}%
+\Hqhq I{NM}{=d}{ih}{mo-}%
+\barre %19
+\Hh Lceh{la-}%
+\Hh Lbeg{tum }%
+\barre %20
+\H Kbfi{In }%
+\H Ibfk{cru-}%
+\barre %21
+\Hhhq Lbe{g^f}{ce }%
+\Hhhq JLe{g^h}{pro }%
+\barre %22
+\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl
+d&\Zsong{ho-}\zhl g\hu i\enotes
+\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes
+\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl
+c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes
+\barre %23
+\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}%
+\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}%
+\Hp Nbgg{ne }%
+\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes
+\barre %24
+\H Nbei{Cu-}%
+\Qhhq {ML}be{=hg}{jus }%
+\barre %25
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl
+b&\Zsong{la-}\zhl d\hu g\enotes
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl
+b&\Zsong{tus }\zhl d\hu f\enotes
+\barre %26
+\H Nbei{per-}%
+\Qhhq {ML}be{hg}{fo-}%
+\barre %27
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl
+b&\Zsong{ra-}\zhl d\hu g\enotes
+\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl
+b&\Zsong{tum }\zhl d\hu f\enotes
+\barre %28
+\H Nbee{flu-}%
+\Hhhq Kbf{ih}{xit}%
+\barre %29
+\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}%
+\H Lbgg{un-}%
+\Qqqq L{^b}gk{da }%
+\Qqqq Lcgj{et }%
+\barre %30
+\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl
+e\qu{g=h}\relax
+ &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax
+ &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax
+ &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes
+\barre %31
+\Hp Ibdi{ne, }%
+\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes
+\barre %32
+\H LNei{Es-}%
+\Hqhq I{ba}d{gf}{to }%
+\barre %33
+\H JNee{no-}%
+\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl
+b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes
+\barre %34
+\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}%
+\Qqhh {aN}{cb}cj{pr\ae{}-}%
+\Qqqh {ML}{aN}{=de}j{gus-}%
+\barre %35
+\H Kafj{ta-}%
+\H Kafi{tum }%
+\barre %36
+\H LNei{Mor-}%
+\Hh Jegj{tis }%
+\barre %37
+\Hhhq Mcf{ih}{in }%
+\Hqhq H{ba}c{gf}{ex-}%
+\barre %38
+\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup
+I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes
+\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl
+a&\Zsong{mi-}\hu d\ql b\enotes
+\barre %39
+\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne
+}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes
+\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %40
+\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl
+e\hu h\enotes
+\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su
+}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes
+\barre %41
+\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}%
+\H Lacg{dul-}%
+\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis
+}\hl a&\Zsong{cis }\zhl c\hu f\enotes
+\barre %42
+\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl
+h\hu j\enotes
+\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su
+}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes
+\barre %43
+\H Lcfi{pi-}%
+\H Lcfh{e }%
+\barre %44
+\H b{=d}hm{Je-}%
+\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl
+f&\Zsong{su, }\zhl h\hu l\enotes
+\barre %45
+\H bfhk{Je-}%
+\H begj{su }%
+\barre %46
+\Hhhq Idf{ji}{fi-}%
+\Qqqq Icej{li }%
+\Qqqq Ibdh{Ma-}%
+\barre %47
+\H Lbeh{ri-}%
+\Qqqq Lbeg{\ae{} }%
+\Qqqq bbeg{In }%
+\barre %48
+\Qqqq aceg{no-}%
+\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql
+e}\qu f\enotes
+\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql
+e}\qu f\enotes
+\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql
+d\qu j\enotes
+\barre %49
+\H Nbej{re-}%
+\Qqqq Nbei{re }%
+\Qqqq Nbei{O }%
+\barre %50
+\Qqqq {Lb}{bd}{gh}{nm}{Je-}%
+\Qqqq cegl{su }%
+\Qqqq N{^b}fk{In }%
+\barre %51
+\Qqqq acej{no-}%
+\Qqqq {^L}{_d}gi{bis }%
+\Qqqq Mcfh{mi-}%
+\Qqqq Hacf{se-}%
+\barre %52
+\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}%
+\Whhh I{Na}{eb}{id}{re-}%
+\barre %53
+\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %54
+\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh
+c&\Zsong{A-}\zw g\wh l\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %55
+\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %56
+\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh
+{^a}&\Zsong{A-}\zw {^f}\wh j\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %57
+\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes
+\barre %58
+\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh
+c&\Zsong{A-}\zw e\wh h\enotes
+\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes
+\barre %59
+\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes
+\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes
+\barre %60
+\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh
+a&\Zsong{A-}\zw d\hu{gf}\enotes
+\barre %61
+\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh
+b&\pointdorgue l\Zsong{men.}\wh e\enotes
+\ifnum\Signature<-3\relax
+\mulooseness1\relax
+\else
+\mulooseness2\relax
+\fi
+\finmorceau
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex
new file mode 100644
index 00000000000..7e3bb3e70b1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex
@@ -0,0 +1,23 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{1}\relax % trois diezes a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % deux diezes a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{-3}\relax % un bemol a la clef
+\input canticox
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-3}\relax
+\def\Signature{2}\relax % un bemol a la clef
+\input canticox
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex
new file mode 100644
index 00000000000..795204a8c4b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex
@@ -0,0 +1,156 @@
+\fulltitle{Canticorum jubilo}
+\shorttitle{Canticorum jubilo}
+ \fullauthor{Georg Friedrich H„ndel\\Transposition
+Daniel Taupin}
+ \shortauthor{G.-F. H„ndel}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\allabreve}
+ %\check
+\def\interfacteur{18}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -6pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+ \transpose=\Transpose
+ \qspace
+ %
+ \NOtes\zhl N\hu b&\hsong{Can-}\zhl g\hu k\enotes
+ \Notes\islurd0b\zqlp b\isluru1d\qup d&\zsong{ti- }\islurd2g\zqlp g\isluru3i\qup i\enotes
+ \notes\tslur0a\zcl a\tslur1c\cu c&\hsong{---}\tslur2f\zcl f\tslur3j\cu j\enotes
+ %
+ %\check
+ \barre %2
+ \NOtes\zhl N\hu b&\hsong{co-}\zhl g\hu k\enotes
+ \NOtes\zhl b\hu d&\hsong{rum}\zhl d\hu g\enotes
+ %
+ %\check
+ \barre %3
+ \notes\zqlp a\qu c&\zsong{ju-}\Ibl0fi3\Ibu1hk3\zqb0f\qh1h\enotes
+ \notes&\hsong{- }\zqb0g\qh1i\enotes
+ \notes\qu a&\hsong{- }\zqb0h\qh1j\enotes
+ \notes\cl N&\hsong{- }\tbl0\zqb0i\tqh1k\enotes
+ \Notes\zql M\qu d&\hsong{- }\zql h\qu j\enotes
+ \Notes\zql N\qu d&\zsong{bi- }\zql g\qu i\enotes
+ %
+ %\check
+ \barre %4
+ \NOTEs\zw K\wh d&\hsong{lo}\zw f\wh h\enotes
+ %
+ %\check
+ \barre %5
+ \notes\Ibl0bc3\zhup d\qb0b&\hsong{Re-}\zhlp g\Ibu1kl3\qh1k\enotes
+ \notes\qb0a&\hsong{- }\qh1j\enotes
+ \notes\qb0b&\hsong{- }\qh1k\enotes
+ \notes\tqb0c&\hsong{- }\tqh1l\enotes
+ \Notes\ql b&\hsong{- }\qu k\enotes
+ \Notes\zql b\qu d&\hsong{gi }\zql g\qu k\enotes
+ %
+ %\check
+ \barre %6
+ \NOtes\zhl b\hu d&\hsong{ma-}\zhl g\hu n\enotes
+ \NOtes\zhl N\hu b&\hsong{gno }\zhl g\hu k\enotes
+ %
+ %\check
+ \barre %7
+ \Notes\zql a\isluru0c\qu c&\zsong{psal-}\islurd1f\isluru2j\zql f\qu j\enotes
+ \notes\tslur0d\zhu d\Ibl0bc1\qb0b\tqb0c&\tslur1g\tslur2i\hsong{- }\zhl g\qu i\enotes
+ \Notes\ql d\zql K\qu c&\hsong{- }\hu h\hsong{li-}\ql f\enotes
+ %
+ %\check
+ \barre %8
+ \NOTes\zw N\wh b&\hsong{te !}\roff{\zw g}\wh g\enotes
+ \setrightrepeat
+ %
+ %\check
+ \barre %9
+ \notes\zhlp N\hup d&\zsong{\txt Per-|Jam-&}\Ibl0gh3\Ibu1ij3\zqb0g\qh1i\zqb0f\qh1h\zqb0g\qh1i\tbl0\tbu1\zqb0h\qh1j\enotes
+ \Notes&\hsong{\txt - |- &}\zql g\qu i\enotes
+ \Notes\zql N\qu d&\hsong{\txt so- |re- &}\zql g\qu i\enotes
+ %
+ %\check
+ \barre %10
+ \NOtes\zhl K\hu c\zhl L\hu b&\hsong{\txt nan-|sul-&}\zhl f\hu h\hsong{\txt
+tes |tent &}\zhl e\hu g\enotes
+ %
+ %\check
+ \barre %11
+ \Notes\islurd0M\isluru1d\zql M\qu{^d}&\hsong{\txt or-|mu-&}\islurd2h\isluru3j\zql h\qu j\enotes
+ \Notes\zql N\qu e&\hsong{\txt - |- &}\zql g\qu i\enotes
+ \Notes\tslur0a\tslur1c\zql a\qu c&\hsong{\txt - |- &}\tslur2f\tslur3h\zql f\qu h\enotes
+ \Notes\zql L\qu b&\hsong{\txt ga-|si-&}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %12
+ \NOTes\roff{\zw b}\wh b&\hsong{\txt nis,!|ca, &}\zw{^d}\wh f\enotes
+ %
+ %\check
+ \barre %13
+ \notes\zhlp L\hup b&\zsong{\txt Ju-|Un-&}\Ibl0ef3\Ibu1gh3\zqb0e\qh1g\zqb0{^d}\qh1f\zqb0e\qh1g\tbl0\tbu1\zqb0f\qh1h\enotes
+ \Notes&\hsong{\txt - |- &}\zql e\qu g\enotes
+ \Notes\loff{\zql d}\qu b&\hsong{\txt bi- |da, &}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %14
+ \NOtes\zhl{^c}\hu c&\hsong{\txt la-|tel-&}\zhlp g\hu l\enotes
+ \Notes\zhl a\hu e&\hsong{\txt te, |lus, &}\hu{^j}\ql g\enotes
+ %
+ %\check
+ \barre %15
+ \Notes\zql b\qu d&\hsong{\txt plau-|si-&}\zql f\qu k\enotes
+ \notes\zql N\qu b&\hsong{\txt - |- &}\Ibl0gf1\Ibu1lk1\zqb0g\qh1l\tbl0\tbu1\zqb0f\qh1k\enotes
+ %\check
+ \Notes\zql a\qu e&\hsong{\txt - |- &}\zql e\qup{^j}\enotes
+ \notes\zql a\qu e&\hsong{\txt di-|de-&}\ql h\cu k\enotes
+ %
+ %\check
+ \barre %16
+ \NOTes\zw K\wh f&\hsong{\txt te.|ra.&}\zw h\wh k\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
new file mode 100644
index 00000000000..6b5fd30052b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex
@@ -0,0 +1,318 @@
+\ifx
+\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Chanson innocente}
+\subtitle{(pour orgue)}
+\fulltitle{XII. Chanson innocente}
+\csname titremorceautoc\endcsname
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
+\othermention{Compos‚ en 1996-1999}
+%
+%
+
+\maketitle
+\parindent 18mm
+
+\instrumentnumber{3}
+\setname1{Fl–te 16, 8'}
+\setname2{Fl–te 8'}
+\setname3{Sesquialtera}
+\generalmeter{\meterfrac68}
+
+%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}}
+
+%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}}
+
+\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}}
+\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}}
+ %\check
+\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}
+\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}}
+ %\check
+\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+ %\check
+\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+ %\check
+\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk}
+\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk}
+\noautolines
+\setname1{P‚dale}\setname2{Fl–te}\setname3{Sesquialtera}
+\generalsignature{1}
+\setclef1{\bass}\setclef2{\treble}\setclef3{\treble}
+\def\tripler{\noteskip=3\noteskip}
+\def\doubler{\noteskip=2\noteskip}
+\debutmorceau
+\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes
+\Notes\qup H&\sextou ceg&\pause\enotes
+\barre %2
+\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes
+\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %3
+\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %4
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %5
+\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes
+\barre %6
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes
+\barre %7
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes
+\barre %8
+\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %9
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes
+\barre %10
+\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes
+\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %11
+\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %12
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %13
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes
+\barre %14
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes
+\barre %15
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes
+\barre %16
+\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes
+\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %17
+\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes
+\barre %18
+\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes
+\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %19
+\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes
+\barre %20
+\Notes\qup L&\sextou egi&\triopl nml\enotes
+\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes
+\barre %21
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes
+\barre %22
+\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes
+\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes
+\barre %23
+\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes
+\barre %24
+\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %25
+\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes
+\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes
+\barre %26
+\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes
+\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %27
+\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes
+\barre %28
+\Notes\qup I&\sextou dgi&\triopl nml\enotes
+\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes
+\barre %29
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes
+\generalmeter{\meterfrac 98}%
+\changecontext %30
+\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\Notes\qup G&\sextou dgi&\triopu iji\enotes
+\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes
+\generalmeter{\meterfrac 68}%
+\changecontext %31
+\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes
+\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\generalsignature{-2}%
+\changecontext %32
+\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes
+\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes
+\barre %33
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %34
+\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes
+\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes
+\barre %35
+\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes
+\barre %36
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes
+\barre %37
+\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %38
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes
+\barre %39
+\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %40
+\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes
+\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes
+\barre %41
+\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes
+\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes
+\barre %42
+ %\check
+\Notes\qup K&\sextou dgi&\triopl iji\enotes
+\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes
+\barre %43
+\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %44
+\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\sextou fik&\triopl mlk\enotes
+\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes
+\barre %45
+\Notes\qlp N&\sextou dgi&\triopl iji\enotes
+\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\barre %46
+\Notes\qlp N&\sextou dgi&\triopu iji\enotes
+\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes
+\barre %47
+\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes
+\generalsignature{1}%
+\changecontext %48
+\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes
+\Notes\qlp K&\sextou dfh&\triopl opo\enotes
+\barre %49
+\Notes\qlp L&\sextou beg&\triopl nml\enotes
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes
+\barre %50
+\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes
+\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes
+\barre %51
+\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes
+\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes
+\barre %52
+\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes
+\Notes\qup H&\sextou acf&\triopu jih\enotes
+\barre %53
+\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes
+\barre %54
+\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %55
+\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes
+\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes
+\barre %56
+\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes
+\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes
+\barre %57
+\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes
+\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes
+\barre %58
+\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes
+\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes
+\barre %59
+\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes
+\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes
+\barre %60
+\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes
+\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes
+\barre %61
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes
+\Notes\qlp N&\sextou dgi&\triopl iji\enotes
+\barre %62
+\Notes\qup K&\sextou dfh&\triopu hih\enotes
+\Notes\qup L&\sextou egi&\triopu gfe\enotes
+\barre %63
+\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes
+\Notes\qup I&\sextou beg&\triopu gfe\enotes
+\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes
+\barre %64
+\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %65
+\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes
+\Notes\qup I&\sextou bdg&\triopl kji\enotes
+\barre %66
+\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes
+\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes
+\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes
+\barre %67
+\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes
+\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes
+\barre %68
+\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes
+\Notes\qup H&\sextou acf&\doubler\triou jij\enotes
+\barre %69
+\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes
+\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes
+\barre %70
+\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes
+\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes
+\barre %71
+\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes
+\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes
+\barre %72
+\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes
+\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes
+\barre %73
+\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes
+\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes
+\barre %74
+\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes
+\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes
+\barre %75
+\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes
+\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes
+\barre %76
+\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes
+\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes
+\barre %77
+\Notes\qup L&\sextou egi&\triopl nml\enotes
+\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes
+\barre %78
+\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes
+\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes
+\barre %79
+\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes
+\Notes\qup G&\sextou dgi&\triopu iji\enotes
+\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes
+\barre %80
+\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes
+\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes
+\barre %81
+\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes
+\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes
+\barre %82
+\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes
+\Notes&\Sextou Nbdbdf\enotes
+\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes
+%\linegoal 28
+\mulooseness -7
+\finmorceau
+
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\ifx\toc\undefined
+ \let\finishpiece \end
+\else
+ \let\finishpiece\relax
+\fi
+\finishpiece
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex
new file mode 100644
index 00000000000..021607ab3f9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex
@@ -0,0 +1,947 @@
+\title{Fantaisie aigre-douce}
+\subtitle{(pour orgue)}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN}
+\othermention{Compos\'e en 1993}
+\maketitle
+
+\tracingstats=2\relax
+%
+% formes fr‚quentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%
+\def\qlppz#1{\uppz #1\ql #1}
+\def\zlppz#1{\lppz #1\zq #1}
+\def\quppz#1{\lppz #1\qu #1}
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % ut majeur
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale}%
+\def\instrumentii{G.O.}%
+%\check
+\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
+\smallskip
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\troistemps
+\debutmorceau
+\bigaccid
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro
+ \bf(\metron{\hup}{50})}}\enotes
+\advance\linesinpage by 1\relax
+\ifx\mxversion\undefined\kern -\Interligne\fi
+%\check
+% mesure 1
+\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 2
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 3
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes
+%\check
+% mesure 4
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 5
+\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes
+%\check
+% mesure 6
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 7
+\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes
+%\check
+% mesure 8
+\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 9
+\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes
+\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes
+\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes
+%\check
+% mesure 10
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 11
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+% mesure 12
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 13
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 14
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes
+%\check
+% mesure 15
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes
+ \nspace
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 16
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes
+%\check
+% mesure 17
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 18
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes
+%\check
+% mesure 19
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 20
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes
+\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes
+%\check
+% mesure 21
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 22
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 23
+\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes
+\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+%\check
+% mesure 24
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+% mesure 25
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 26
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 27
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 28
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 29
+\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes
+%\check
+% mesure 30
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 31
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 32
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 33
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 34
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes
+%\check
+% mesure 35
+\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 36
+\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes
+\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes
+%\check
+% mesure 37
+\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes
+%\check
+% mesure 38
+\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk
+ \zlppz e\zq{g}\qu{=k}\enotes
+\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes
+\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes
+%\check
+% mesure 39
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 40
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 41
+\barre
+\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it
+ a tempo}\Qqbb Nece|\Uptext{\it bien
+ sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+%\check
+% mesure 42
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 43
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 44
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 45
+\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+%\check
+% mesure 46
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 47
+\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 48
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 49
+\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 50
+\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 51
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 52
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 53
+\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes
+%\check
+% mesure 54
+\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 55
+\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes
+%\check
+% mesure 56
+\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 57
+\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes
+%\check
+% mesure 58
+\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes
+%\check
+% mesure 59
+\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 60
+\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 61
+\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+%\check
+% mesure 62
+\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes
+% mesure 63
+\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 64
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 65
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 66
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 67
+\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+%\check
+% mesure 68
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+% mesure 69
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 70
+\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 71
+\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 72
+\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes
+%\check
+% mesure 73
+\barre
+ \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 74
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 75
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes
+%\check
+% mesure 76
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 77
+\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes
+%\check
+% mesure 78
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 79
+\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes
+%\check
+% mesure 80
+\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes
+%\check
+% mesure 81
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes
+\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes
+\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes
+%\check
+% mesure 82
+\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes
+%\check
+% mesure 83
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes
+% mesure 84
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 85
+\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 86
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes
+\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes
+%\check
+% mesure 87
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax
+ \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes
+ \nspace
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 88
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes
+%\check
+% mesure 89
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax
+ \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 90
+\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes
+\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes
+%\check
+% mesure 91
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes
+\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes
+%\check
+% mesure 92
+\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes
+\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes
+\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes
+%\check
+% mesure 93
+\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes
+\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 94
+\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes
+%\check
+% mesure 95
+\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes
+\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+%\check
+% mesure 96
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+% mesure 97
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 98
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 99
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes
+%\check
+% mesure 100
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes
+\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes
+\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes
+% mesure 101
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 102
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 103
+\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes
+\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes
+%\check
+% mesure 104
+\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes
+\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes
+\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes
+%\check
+% mesure 105
+\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes
+\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes
+\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes
+%\check
+% mesure 106
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 107
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 108
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 109
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 110
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes
+ %\check
+% mesure 111
+\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes
+ %\check
+% mesure 112
+\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes
+\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes
+ %\check
+% mesure 113
+\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes
+\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes
+\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes
+ %\check
+% mesure 114
+\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes
+\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+ %\check
+% mesure 115
+\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes
+\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes
+ %\check
+% mesure 116
+\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes
+% mesure 117
+\barre
+\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it
+ a tempo}\Qqbb Nece|\Uptext{\it bien
+ sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes
+%\check
+% mesure 118
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 119
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 120
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 121
+\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes
+%\check
+% mesure 122
+\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+% mesure 123
+\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 124
+\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 125
+\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes
+\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes
+%\check
+% mesure 126
+\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 127
+\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 128
+\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 129
+\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 130
+\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes
+%\check
+% mesure 131
+\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+% mesure 132
+\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 133
+\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+%\check
+% mesure 134
+\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes
+\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes
+%\check
+% mesure 135
+\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes
+%\check
+% mesure 136
+\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes
+\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes
+%\check
+% mesure 137
+\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes
+\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes
+\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 138
+\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes
+\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes
+%\check
+% mesure 139
+\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes
+\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes
+%\check
+% mesure 140
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes
+\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 141
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes
+\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes
+%\check
+% mesure 142
+\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 143
+\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes
+\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes
+\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes
+%\check
+% mesure 144
+\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes
+\nspace
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 145
+\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes
+\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes
+\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes
+%\check
+% mesure 146
+\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes
+%\check
+% mesure 147
+\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk
+ \zlppz e\zq{g}\qu{=k}\enotes
+\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes
+\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes
+%\check
+% mesure 148
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 149
+\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes
+%\check
+% mesure 150
+\def\sQqbb{\smallnotesize\Qqbb}%
+\def\sqqBB{\smallnotesize\qqBB}%
+\def\sQqhh{\smallnotesize\Qqhh}%
+\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax
+ \ibbl0i0\qb0{lgj}\tqb0g\enotes
+\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes
+%\check
+% mesure 151
+\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 152
+\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes
+\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 153
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 154
+\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax
+ \sqqBB ojmj\enotes
+\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes
+\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes
+%\check
+% mesure 155
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 156
+\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk
+ \normalnotesize\hu q}\sqqBB qmom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 157
+\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes
+\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 158
+\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax
+ \sqqBB kgig\enotes
+\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes
+\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes
+%\check
+% mesure 159
+\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax
+ \sqqBB lgjg\enotes
+\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 160
+\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 161
+\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes
+\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes
+\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 162
+\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+%\check
+% mesure 163
+\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax
+ \sqqBB qmom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+\temps\notes&\sQqbb afcf|\sqqBB omom\enotes
+%\check
+% mesure 164
+\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes
+\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax
+ \sqqBB ljlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+% mesure 165
+\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes
+\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes
+\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes
+%\check
+% mesure 166
+\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax
+ \sqqBB kgig\enotes
+\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes
+\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes
+%\check
+% mesure 167
+\barre\notes\hu J&\sQqbb
+LcNc|\normalnotesize\roff{\zhu j}\relax
+ \sqqBB jege\enotes
+\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes
+\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax
+ \sqqBB gege\enotes
+% mesure 168
+\barre
+\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes
+\temps\Notes&\enotes
+\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes
+% mesure 169
+\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes
+\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes
+\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes
+%\check
+% mesure 170
+\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes
+\temps\Notes&\enotes
+\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes
+%\check
+% mesure 171
+\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes
+%\check
+% mesure 172
+\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes
+%\mulooseness 1\relax
+\mulooseness -4\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex
new file mode 100644
index 00000000000..7a965a73507
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex
@@ -0,0 +1,4 @@
+\def\ftranspose{-1}
+\def\fsignature{-3}
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex
new file mode 100644
index 00000000000..7bb931e0917
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex
@@ -0,0 +1,2 @@
+\input fantaisi
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
new file mode 100644
index 00000000000..8b74bc93760
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex
@@ -0,0 +1,1238 @@
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-1}\fi
+
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\shorttitle{Fantaisie en style romantique}
+\title{Fantaisie en style romantique}
+\transpose=\ftranspose\relax
+\newif\iffiveoctaves
+\ifnum\transpose=0\relax
+ \subtitle{(pour orgue … 5 octaves)}
+ \fiveoctavestrue
+ \else\ifnum\transpose=-1\relax
+ \subtitle{(pour orgue … 4 octaves et demi, do--sol)}
+ \fiveoctavesfalse
+ \else
+ \subtitle{(pour orgue)}
+ \fiveoctavesfalse
+ \fi
+\fi
+
+\othermention{Compos\'e en 1992\\r\'evis\'e en 1995}
+\maketitle
+
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-1}\fi
+
+\parindent 18mm
+\tracingstats=2\relax
+%
+% formes fr\'equentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+%au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}%
+\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}%
+\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
+\smallskip
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\quatretemps
+\staffbotmarg=10pt
+\debutmorceau
+\relativeaccidentals
+\bigaccid
+\autolines{9}55\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso
+ \bf(\metron{\qu}{55})}}\enotes
+\advance\linesinpage by 1\relax
+%\check
+% mesure 1
+\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes
+%\check
+% mesure 2
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 3
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&|\soupir\enotes
+\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes
+%\check
+% mesure 4
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\check
+% mesure 5
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 6
+%\check
+\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 7
+%\check
+\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 8
+%\check
+\deuxtemps\changecontext
+\addspace{-0.5\afterruleskip}%
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 9
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 10
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 11
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 12
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 13
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax
+ |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 14
+%\check
+\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 15
+%\check
+\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+%\check
+% mesure 16
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes
+%\check
+% mesure 17
+%\check
+\deuxtemps\changecontext
+\addspace{-0.5\afterruleskip}%
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 18
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 19
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 20
+\barre\autolines{16}45\relax
+\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 21
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 22
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 23
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 24
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 26
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 27
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 28
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 29
+\barre\bigaccid
+\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 30
+\barre\autolines{10}55\relax
+\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%\check
+% mesure 31
+%\check
+\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\varaccid
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 32
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 33
+%\check
+\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 34
+%\check
+\deuxtemps\changecontext\autolines{9}55\relax
+\addspace{-\afterruleskip}%
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 35
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 36
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+%\check
+% mesure 37
+%\check
+\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes
+%\check
+% mesure 38
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 39
+\quatretemps\changecontext\stemcut
+\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un
+poco pi\`u vivo}\zqp a\qup d\enotes
+\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes
+\zalaligne\autolines{15}45\relax
+%\check
+\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes
+\temps\notes&\Qqbb KaMa|\ql o\enotes
+%\check
+% mesure 40
+\def\atnextline{\autolines{17}35}\relax
+\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 41
+\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\enotes
+\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes
+\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes
+%\check
+% mesure 42
+\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes
+\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes
+\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes
+%\check
+% mesure 43
+\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes
+\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes
+\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes
+\temps\notes&\Qqbb KaMa|\qu o\enotes
+%\check
+% mesure 44
+\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes
+\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes
+\temps\notes&\Qqbb Mdad|\qu k\enotes
+%\check
+% mesure 45
+\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes
+\temps\notes&\Qqbb KbNb|\enotes
+\temps\notes&\Qqbb KbNb|\qu n\enotes
+\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes
+%\check
+% mesure 46
+\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes
+\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes
+\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+%\check
+% mesure 47
+\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes
+\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes
+\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes
+\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes
+\def\atnextline{}%
+%\check
+% mesure 48
+\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes
+\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes
+\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes
+\temps\notes&\Qqbb LcNc|\ql n\enotes
+%\check
+% mesure 49
+\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes
+\temps\notes&\Qqbb Mcac\enotes
+\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes
+\temps\notes&\Qqbb Mcac|\qu o\enotes
+%\check
+% mesure 50
+\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu r\enotes
+\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes
+\temps\notes&\Qqbb LcNc|\qu p\enotes
+%\check
+%\check
+% mesure 51
+\barre\def\atnextline{\autolines{14}45}\relax
+\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes
+\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes
+\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes
+\temps\notes&\Qqbb KbNb|\qu p\enotes
+%\check
+% mesure 52
+\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes
+\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes
+\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes
+\temps\notes&\Qqbb LcNc|\qu n\enotes
+%\check
+% mesure 53
+\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes
+\temps\notes&\Qqbb Mdad\enotes
+\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes
+\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes
+%\check
+% mesure 54
+\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes
+\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes
+\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes
+\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes
+%\check
+% mesure 55
+\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes
+\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes
+\temps\zalaligne
+\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne
+ les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}%
+ \qs\sTqbb fhf\enotes
+\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 56
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 57
+\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs
+ \bigaccid\Tqbb h{^j}h\enotes
+\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes
+\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes
+%\check
+% mesure 58
+\barre\def\atnextline{\autolines{17}35}\relax
+\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs
+ \Tqbb hkh\enotes
+\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes
+\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes
+%\check
+% mesure 59
+\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs
+ \bigSh j\Tqbb jlj\enotes
+\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes
+%\check
+% mesure 60
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes
+\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes
+\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes
+%\check
+% mesure 61
+\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes
+\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes
+\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes
+%\check
+% mesure 62
+\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes
+\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes
+\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes
+%\check
+% mesure 63
+\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 64
+\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
+%\check
+% mesure 65
+\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes
+%\check
+% mesure 66
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes
+\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes
+%\check
+% mesure 67
+\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
+%\check
+% mesure 68
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
+%\check
+% mesure 69
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 70
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
+%\check
+% mesure 71
+\def\uppzql#1{\uppz #1\ql #1}%
+\barre\notes\hu K\tleg0&\sk\hpause
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes
+\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+%\check
+% mesure 72
+\barre\notes\hu K&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes&\zq M\uppzql a\relax
+|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\hu I&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+\temps\notes&\zq N\uppzql b\relax
+ |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes
+%\check
+% mesure 73
+\barre\notes\qu H&\zq M\uppzql a\relax
+ |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes
+\temps\notes\qu H&\zq L\uppzql N\relax
+ |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes
+\temps\notes\qu H&\zq K\uppzql M\relax
+ |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes
+\temps\notes\qu H&\zq{^J}\uppzql L\relax
+ |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes
+%\check
+% mesure 74
+\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 75
+\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes
+\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 76
+\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes
+%\check
+% mesure 77
+\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes
+\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes
+\cleftoksii={0000}\changeclefs
+%\check
+% mesure 78
+\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes
+%\check
+% mesure 79
+\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax
+ |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes
+\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes
+\temps\notes\ql a\tleg2&\sqqHH ejhj\relax
+ |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes
+\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes
+%\check
+% mesure 80
+%\cleftoksii={6000}\changeclefs
+\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes
+\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes
+\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes
+\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes
+%\check
+% mesure 81
+\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes
+\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes
+\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes
+%\check
+% mesure 82
+\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes
+\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes
+\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes
+\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes
+%\check
+% mesure 83
+\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes
+\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes
+\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes
+\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes
+% mesure 84
+\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
+%\check
+% mesure 85
+\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes
+\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes
+\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes
+\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes
+%\check
+% mesure 86
+\cleftoksii={6000}\changeclefs
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes
+%\check
+% mesure 87
+\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes
+\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes
+%\check
+% mesure 88
+\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes
+\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes
+%\check
+% mesure 89
+\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes
+\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes
+\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes
+%
+% mesure 90
+\def\octp{\advance\transpose by 7\relax}%
+\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 91
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\advance\linesinpage by 1\relax
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%\check
+% mesure 92
+\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes
+\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 93
+\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 94
+\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes
+\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 95
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 96
+\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves
+ \octp\zh i\zhu p\roff{\qqbb inkn}\relax
+ \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax
+ \fi\enotes
+ \nspace
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\qqbb knkn\relax
+ \else\octp\qqbb gkik\relax
+ \fi\enotes
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\zq g\zqu n\qqbb gkik\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+\temps\notes&\sqqHH eigi|\iffiveoctaves
+ \octp\zq i\zqu p\qqbb inln\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+%\check
+% mesure 97
+\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+%\check
+% mesure 98
+\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH dfdf|\qqbb komo\enotes
+\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes
+%\check
+% mesure 99
+\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes
+\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes
+%
+% mesure 100
+\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes
+\temps\notes&\sqqHH afcf|\qqbb momo\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes
+%\check
+% mesure 101
+\cleftoksii={6000}\changeclefs
+\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes
+\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes
+\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes
+%
+% mesure 102
+\advance\linesinpage by 1\relax
+\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes
+\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes
+\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes
+%\check
+% mesure 103
+\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes
+\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax
+ \Ibbl1ji2\qb1{jni}\tqb1n\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes
+\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes
+%
+% mesure 104
+\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes
+\temps\notes&\sqqHH afdf|\qqbb momo\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+%
+% mesure 105
+\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes
+\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes
+%\check
+% mesure 106
+\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes
+\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes
+\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 107
+\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 108
+\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes
+\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 109
+\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+% mesure 110
+%\check
+\xbarre\autolines{9}55\relax
+\NOtes&\pointdorgue l\hpause
+ |\pointdorgue l\hpause\enotes
+\zalapage\nostemcut
+\temps\NOtes\pointdorgue a\pause
+ &\soupir|\soupir\enotes
+\cleftoksii={6000}\changeclefs
+\varaccid
+\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 111
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 112
+%\check
+\barre
+\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 113
+%\check
+\deuxtemps\changecontext
+\def\atnextline{\autolines{9}55\relax}\relax
+\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.}
+ \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax
+ |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes
+%\check
+% mesure 114
+%\check
+\quatretemps\changecontext
+\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes
+%\check
+% mesure 115
+%\check
+\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\bigaccid
+\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes
+% mesure 116
+%\check
+\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes
+% mesure 117
+%\check
+\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes
+\temps\NOtes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+% mesure 118
+\def\atnextline{\autolines{16}45\relax}\relax
+%\check
+\deuxtemps\changecontext
+\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax
+ |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes
+\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax
+ |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes
+%\check
+% mesure 119
+%\check
+\quatretemps\changecontext
+\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax
+ |\pointdorgue l\zh{a}\hu d\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 120
+\advance\barsinline by 1\relax
+\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler
+ \bigSh f\zh{f}\zhl h\qu{_l}\enotes
+\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes
+\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes
+\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes
+%\check
+% mesure 121
+\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes
+\temps\notes&\Qqbb KbNb\enotes
+\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes
+\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes
+%\check
+% mesure 122
+\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes
+\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes
+\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes
+%\check
+% mesure 123
+\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes
+\temps\notes&\Qqbb JaLa\enotes
+\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes
+\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes
+%\check
+% mesure 124
+\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes
+\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes
+\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes
+\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes
+%\check
+% mesure 125
+\barre\autolines{16}35\relax
+\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes
+\temps\notes&\Qqbb LbNb\enotes
+\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes
+\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes
+%\check
+% mesure 126
+\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes
+\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes
+\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes
+%\check
+% mesure 127
+\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes
+\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes
+%\check
+% mesure 128
+\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes
+\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes
+%\check
+% mesure 129
+\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes
+\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes
+\nspace
+\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes
+\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes
+%\check
+% mesure 130
+\barre\autolines{17}35\relax
+\bigaccid
+\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes
+\temps\notes&\Qqbb Mdad|\enotes
+%
+% mesure 131
+\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes
+\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes
+\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes
+\temps\notes&\Qqbb {J}NLN|\qu d\enotes
+%
+% mesure 132
+\stemcut
+\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes
+\temps\notes&\Qqbb HMKM|\enotes
+\temps\notes\uptext{\it a tempo}\sk\hpause
+ &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+%\check
+%
+% mesure 133
+\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes
+%
+% mesure 134
+\def\octm{\advance\transpose by -7\relax}%
+\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes
+\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes
+\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes
+%\check
+% mesure 135
+\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes
+\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes
+\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes
+\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes
+%\check
+% mesure 136
+\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes
+\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 137
+\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 138
+\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes
+\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes
+\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes
+%\check
+% mesure 139
+\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes
+\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes
+%\check
+% mesure 140
+\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes
+\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes
+\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes
+%\check
+% mesure 141
+\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes
+\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes
+%\check
+% mesure 142
+\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes
+%\check
+% mesure 143
+\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes
+\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes
+\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes
+%\check
+% mesure 144
+\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes
+\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes
+\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes
+%\check
+% mesure 145
+\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes
+\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes
+\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes
+\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes
+%\check
+% mesure 146
+\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes
+\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes
+%\check
+% mesure 147
+\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid
+ \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes
+\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes
+\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes
+\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes
+%\check
+% mesure 148
+\barre\autolines{8}65\relax
+\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax
+ |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes
+\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 149
+\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+%\check
+% mesure 150
+%\check
+\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes
+% mesure 151
+%\check
+\deuxtemps\changecontext
+\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax
+ |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes
+%\advancebottom{-2\Interligne}%
+%\check
+% mesure 152
+\quatretemps\changecontext\varaccid
+\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax
+ |\pointdorgue l\zh{df}\hu h\enotes
+\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 153
+\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes
+% mesure 154
+\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 155
+\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes
+% mesure 156
+\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes
+\temps\Notes&\soupir|\soupir\enotes
+\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes
+%\check
+% mesure 157
+\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 158
+\barre\autolines{16}35\relax
+\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 159
+\staffbotmarg=2pt
+\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+%
+% mesure 160
+\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes
+\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax
+ \Ibbl1gf2\qb1{gkf}\tqb1k\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes
+\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes
+%
+% mesure 161
+\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves
+ \octp\zh i\zhu p\roff{\qqbb inkn}\relax
+ \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax
+ \fi\enotes
+ \nspace
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\qqbb knkn\relax
+ \else\octp\qqbb gkik\relax
+ \fi\enotes
+\temps\notes&\sqqHH digi|\iffiveoctaves
+ \octp\zq g\zqu n\qqbb gkik\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+\temps\notes&\sqqHH eigi|\iffiveoctaves
+ \octp\zq i\zqu p\qqbb inln\relax
+ \else\octp\zq e\zqu l\qqbb eigi\relax
+ \fi\enotes
+%\check
+% mesure 162
+\barre\autolines{8}65\relax
+\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes
+\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes
+\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes
+\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes
+%\check
+% mesure 163
+\barre\NOtes\pointdorgue N\hpause
+ &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes
+\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes
+% mesure 164
+\barre
+\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp
+ \uppz g\zq{bd}\ql g\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp
+ \uppz f\zq{ad}\ql f\enotes
+\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp
+ \uppz e\zq{a^c}\ql e\enotes
+% mesure 165
+\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes
+\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes
+\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes
+\cleftoksii={6000}\changeclefs
+% mesure 166
+\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes
+\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes
+\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes
+\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes
+% mesure 167
+\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes
+\finmorceau
+\staffbotmarg=0pt
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
new file mode 100644
index 00000000000..0a1d3956e32
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex
@@ -0,0 +1,626 @@
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\fulltitle{XI. Fantaisie et fugue en style baroque}
+\shorttitle{Fantaisie et fugue en style baroque}
+\csname titremorceautoc\endcsname
+\shorttitle{Fantaisie en style baroque}
+\subtitle{{\frtbf Fantaisie}}
+\othermention{Compos\'e en 1995}
+\maketitle
+
+ % if transpose not defined outside assume 0 and three flats
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-3}\fi
+
+
+\parindent 18mm
+\tracingstats=2\relax
+ %
+ % formes fr\'equentes
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+ %au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+ %au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+ %
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={6000}%
+\global\cleftoksi={6000}%
+%
+\noautolines
+ %
+\generalsignature{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+ %\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+ %\check
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}%
+\smallskip
+ %
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\generalmeter{\meterfrac 34}
+\staffbotmarg=10pt
+\stafftopmarg=0pt
+\interstaff{10}
+\debutmorceau
+%\noautolines
+\relativeaccidentals
+\bigaccid
+%\autolines{9}55\relax
+\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro
+ \bf(\metron{\qu}{55})}}\enotes
+ %\advance\linesinpage by 1\relax
+ %\check
+ % mesure 1
+\notes&\sqqhh JKLM|\sqqhh cdef\enotes
+\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes
+\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes
+ %\check
+ % mesure 2
+\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes
+\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes
+\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes
+ %\check
+ % mesure 3
+\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes
+\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes
+\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes
+ %\check
+ % mesure 4
+\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes
+\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes
+\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes
+ %\check
+ % mesure 5
+\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes
+\temps\notes&\sqqbb NabN|\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 6
+\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes
+\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes
+\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes
+ %\check
+ % mesure 7
+\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 8
+\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 9
+\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes
+\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes
+\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes
+ %\check
+ % mesure 10
+\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes
+ %\check
+ % mesure 11
+\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes
+ %\check
+ % mesure 12
+\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes
+\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes
+\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes
+ %\check
+ % mesure 13
+\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes
+\temps\notes&\qu b|\sqqbb nlkj\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 14
+\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes
+\temps\notes&\qu b|\sqqbb n{^l}kj\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 15
+\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes
+\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes
+\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes
+ %\check
+ % mesure 16
+\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes
+ %\check
+ % mesure 17
+\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes
+ %\check
+ % mesure 18
+\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes
+\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes
+\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes
+ %\check
+ % mesure 19
+\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes
+\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes
+\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes
+ %\check
+ % mesure 20
+\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes
+\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes
+\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes
+ %\check
+ % mesure 21
+\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes
+\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes
+\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes
+ %\check
+ % mesure 22
+\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes
+\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes
+\temps\notes&\ql N|\sqqbb jhij\enotes
+ %\check
+ % mesure 23
+\generalsignature{2}\changecontext
+\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes
+\temps\notes&\sqqbb KMNa|\enotes
+\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes
+ %\check
+ % mesure 24
+\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes
+\temps\notes&\sqqbb cbaN|\enotes
+\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes
+ %\check
+ % mesure 25
+\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes
+\temps\notes&\sqqbb babN|\qu n\enotes
+\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes
+ %\check
+ % mesure 26
+\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes
+\temps\notes&|\sqqbb omlk|\enotes
+\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn|\enotes
+ %\check
+ % mesure 27
+\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon|\enotes
+\temps\notes&|\sqqbb monm|\enotes
+\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk|\enotes
+ %\check
+ % mesure 28
+\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm|\enotes
+\temps\notes&|\sqqbb nlon|\enotes
+\temps\notes&\qu g|\sqqbb {_m}lkj|\enotes
+ %\check
+ % mesure 29
+\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes
+\temps\notes&\sqqbb aNaM|\enotes
+\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes
+ %\check
+ % mesure 30
+\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes
+\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes
+\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes
+ %\check
+ % mesure 31
+\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes
+\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes
+\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes
+ %\check
+ % mesure 32
+\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes
+\temps\notes&|\sqqbb mkji\enotes
+\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes
+ %\check
+ % mesure 33
+\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes
+\temps\notes&|\sqqbb km{^o}p\enotes
+\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes
+ %\check
+ % mesure 34
+\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes
+\temps\notes&|\sqqbb klm{=o}\enotes
+\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes
+ %\check
+ % mesure 35
+\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes
+\temps\notes&\sqqbb bNML|\enotes
+\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes
+ %\check
+ % mesure 36
+\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes
+\temps\notes&\sqqbb bNML|\enotes
+\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes
+ %\check
+ % mesure 37
+\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes
+\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes
+\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes
+ %\check
+ % mesure 38
+\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes
+\temps\notes&|\sqqhh ljih\enotes
+\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes
+ %\check
+ % mesure 39
+\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes
+\temps\notes&|\sqqhh jhjk\enotes
+\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes
+ %\check
+ % mesure 40
+\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes
+\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes
+\temps\notes&\ql {=a}|\sqqhh ponm\enotes
+ %\check
+ % mesure 41
+\generalsignature{3}\relax
+\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes
+\temps\notes&\sqqbb cbaN\enotes
+\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes
+ %\check
+ % mesure 42
+\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes
+\temps\notes&\sqqbb decd\enotes
+\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes
+ %\check
+ % mesure 43
+\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes
+\temps\notes&|\sqqhh kihg\enotes
+\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes
+ %\check
+ % mesure 44
+\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes
+\temps\notes&|\sqqhh jhjk\enotes
+\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes
+ %\check
+ % mesure 45
+\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl
+ j\itenu1m\hup m\enotes
+\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes
+\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes
+ %\check
+ % mesure 46
+\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes
+\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes
+\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes
+ %\check
+ % mesure 47
+\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq
+i\zq k\ql m\enotes
+\temps\notes\qu K&\advance\transpose -7\relax\sqqbb
+{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes
+\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq
+j\zq{^l}\ql n\enotes
+ %\check
+ % mesure 48
+\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes
+\temps\notes&|\sqqbb qpqo\enotes
+\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes
+ %\check
+ % mesure 49
+\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes
+\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes
+\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 50
+\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes
+\temps\notes\qu J&\ql b|\sqqhh jihg\enotes
+\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes
+ % mesure 51
+\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes
+\temps\notes&\sqqbb c{^d}{^e}c\enotes
+\temps\notes&\sqqbb f{=e}{=d}c\enotes
+ %\check
+ % mesure 52
+\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes
+\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes
+\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes
+ %\check
+ % mesure 53
+\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes
+\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes
+\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes
+ % mesure 54
+ %\check
+\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes
+\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes
+\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes
+ % mesure 55
+ %\check
+\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes
+\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes
+\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes
+ % mesure 56
+ %\check
+\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes
+\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes
+\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes
+ % mesure 57
+ %\check
+\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes
+\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes
+\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes
+ % mesure 58
+ %\check
+\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes
+\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes
+\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes
+ % mesure 59
+ %\check
+\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes
+\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes
+\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes
+ % mesure 60
+ %\check
+\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes
+\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes
+\temps\notes&|\zqu n\sqqBB nlkl\enotes
+ % mesure 61
+ %\check
+\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes
+\temps\notes&|\zqu o\sqqbb omlm\enotes
+\temps\notes&|\zqu j\sqqBB jmlm\enotes
+ % mesure 62
+ %\check
+\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes
+\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes
+\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes
+ % mesure 63
+ %\check
+\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes
+\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes
+\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes
+ % mesure 64
+ %\check
+\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes
+\temps\notes&\sqqbb NabN\enotes
+\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes
+ % mesure 65
+ %\check
+\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes
+\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes
+\temps\notes&\sqqbb Lcbc\enotes
+ % mesure 66
+ %\check
+\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes
+\temps\notes&\sqqbb Mcac\enotes
+\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes
+ % mesure 67
+ %\check
+\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes
+\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes
+\temps\notes&\sqqbb afef\enotes
+ % mesure 68
+ %\check
+\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes
+\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes
+\temps\notes&\sqqbb MaNM\enotes
+ % mesure 69
+ %\check
+\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes
+\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes
+\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes
+ % mesure 70
+ %\check
+\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes
+\temps\notes&|\sqqbb srsq\enotes
+\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes
+ % mesure 71
+ %\check
+\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes
+\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes
+\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes
+ \generalsignature{0}\relax
+% mesure 72
+\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes
+\temps\notes&\sqqbb ecba\enotes
+\temps\notes&\sqqbb hfed|\zq r\qu t\enotes
+ %\check
+ %mesure 73
+\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes
+\temps\notes&\sqqbb ecba\enotes
+\temps\notes&\sqqbb hfed|\zq r\qu t\enotes
+ %\check
+ %mesure 74
+\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes
+\temps\notes&\sqqbb cdbc\enotes
+\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes
+ %\check
+ %mesure 75
+\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes
+\temps\notes&|\sqqbb pqrp\enotes
+\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes
+ %\check
+ %mesure 76
+\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes
+\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes
+\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes
+ %\check
+ %mesure 77
+\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes
+\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes
+\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes
+ %\check
+ %mesure 78
+\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes
+\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 79
+\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes
+\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes
+ %\check
+ % mesure 80
+\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes
+\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes
+\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes
+ %\check
+ % mesure 81
+\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes
+\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 82
+\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes
+\temps\notes&\sqqbb NabN|\enotes
+\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes
+ %\check
+ % mesure 83
+\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes
+\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes
+\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes
+ %\check
+ % mesure 84
+\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 85
+\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes
+\temps\notes&|\sqqbb nlkj\enotes
+\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 86
+\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes
+\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes
+\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes
+ %\check
+ % mesure 87
+\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes
+ %\check
+ % mesure 88
+\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes
+\temps\notes&\sqqbb caNM\enotes
+\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes
+ %\check
+ % mesure 89
+\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes
+\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes
+\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes
+ %\check
+ % mesure 90
+\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes
+\temps\notes&\qu {_b}|\sqqbb nlkj\enotes
+\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 91
+\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes
+\temps\notes&\qu {_b}|\sqqbb nlkj\enotes
+\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes
+ %\check
+ % mesure 92
+\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes
+\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes
+\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes
+ %\check
+ % mesure 93
+\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {_e}caN|\enotes
+ %\check
+ % mesure 94
+\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes
+\temps\notes&\sqqbb cbca\enotes
+\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes
+ %\check
+ % mesure 95
+\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes
+\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes
+\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes
+ %\check
+ % mesure 96
+\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes
+\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes
+\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes
+ %\check
+ % mesure 97
+ \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes
+ \temps\notes&|\sqqbb nlkj\enotes
+ \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes
+ %\check
+ % mesure 98
+ \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes
+ \temps\notes&|\sqqbb n{_l}kj\enotes
+ \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes
+ %\check
+ % mesure 99
+ \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes
+ \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes
+ \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes
+ %\check
+ % mesure 100
+ \barre
+\znotes&|\Sh m\enotes
+ \nspace
+ \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes
+ \temps\notes&\sqqbb acbc\enotes
+ \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes
+ %\check
+ % mesure 101
+ \barre\znotes&|\lFl l\Sh m\enotes
+ \nspace
+ \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes
+ \temps\notes&\sqqbb MaNa\enotes
+ \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes
+ %\check
+ % mesure 102
+ \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes
+ \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes
+ \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes
+ %\check
+ % mesure 103
+ \barre\nspace
+ \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes
+ \temps\notes&\sqqbb aece\enotes
+ \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes
+ %\check
+ % mesure 104
+ \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes
+ \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes
+ \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes
+ %\check
+ % mesure 105
+ \barre\nspace
+ \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes
+ \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes
+ %\check
+ % mesure 106
+ \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes
+ \mulooseness -4\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex
new file mode 100644
index 00000000000..d44cb7558ed
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex
@@ -0,0 +1,18 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+%
+\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
+\nbporteesii=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\signaturegenerale{0}\savesignature
+\resetfacteurs
+\computewidths}%
+%
+\misazero
+\input fantcmol.tex
+\misazero
+\input fugcmoll.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex
new file mode 100644
index 00000000000..922cfac945b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex
@@ -0,0 +1,517 @@
+\fullauthor{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\fulltitle{{\frtbf Fugue}}
+\shorttitle{Fugue en style baroque}
+\subtitle{}
+\othermention{}
+\maketitle
+
+ % if transpose not defined outside assume 0 and three flats
+\ifx\ftranspose\undefined\def\ftranspose{0}\fi
+\ifx\fsignature\undefined\def\fsignature{-3}\fi
+
+ %
+ % formes fr\'equentes
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins deux doubles croches basses et hautes
+\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %au moins trois doubles croches basses et hautes
+\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}%
+\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}%
+\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}%
+ %au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+ %au moins quatre doubles croches basses et hautes
+\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}%
+\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}%
+\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}%
+\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}%
+\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}%
+\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}%
+\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}%
+ %
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={6000}%
+\global\cleftoksi={6000}%
+ %
+\generalsignature{\fsignature}\relax % r\'e mineur
+\transpose=\ftranspose\relax
+ %\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+ %\check
+\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}%
+\par\noindent{\rm Pos.: mixtures, acc. G.O.}%
+\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}%
+\smallskip
+\generalmeter{\meterfrac 32}
+\staffbotmarg=10pt
+\stafftopmarg=0pt
+\interstaff{10}
+\debutmorceau
+\relativeaccidentals
+\varaccid
+\nspace
+ \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern
+-8mm\moyen Andante
+ \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes
+ %\check
+ % mesure 2
+\barre\Notes&\zhl L\qu N\hu e\hl M\enotes
+\temps\notes\pause&\dqh dc\enotes
+\temps\Notes&\zhl K\qu {^b}\enotes
+\temps\notes&\dqh cd\enotes
+ %\check
+ % mesure 3
+\barre\Notes&\zhl L\qu N\hu c\enotes
+\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes
+\temps\notes&\dqh Na\enotes
+ %\check
+ % mesure 4
+\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes %
+\temps\Notes&\zhl G\qu N\enotes
+\temps\notes&\dqh ML\enotes
+ %\check
+ % mesure 5
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes
+\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes
+ %\check
+ % mesure 6
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes
+\temps\notes\pause&|\dqh hg\enotes
+\temps\Notes&\hl K|\zhl c\qu{^f}\enotes
+\temps\notes&|\dqh gh\enotes
+ %\check
+ % mesure 7
+\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes
+\temps\notes&\dqb {=I}J|\dqh de\enotes
+ %\check
+ % mesure 8
+\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes
+\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes
+ %\check
+ % mesure 9
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes
+\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes
+ %\check
+ % mesure 10
+\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes
+\temps\notes&|\dqh gf\enotes
+ %\check
+ % mesure 11
+\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes
+\temps\notes\sk\pause&|\dqh fg\enotes
+\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes
+ %\check
+ % mesure 12
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes
+\temps\notes\pause&|\dqh ji\enotes
+\temps\Notes&\hl {_K}|\zhl f\qu h\enotes
+\temps\notes&|\dqh ij\enotes
+ %\check
+ % mesure 13
+\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes
+\temps\notes&|\dqh fg\enotes
+\temps\Notes\pause&\hl I|\zhl a\qu c\enotes
+\temps\notes&|\dqh de\enotes
+\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes
+ %\check
+ % mesure 14
+\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes
+\temps\Notes&\zw N\hl{^I}|\enotes
+\temps\notes\pause&|\dqh nm\enotes
+\temps\Notes&\hl {^H}|\qu l\enotes
+\temps\notes&|\dqh kj\enotes
+ %\check
+ % mesure 15
+\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes
+\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes
+ %\check
+ % mesure 16
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes
+\temps\notes\dqh KL&|\enotes
+ %\check
+ % mesure 17
+\barre\Notes\qu M\qu K&|\sk\hpause\enotes
+\temps\Notes\hu L&\pause|\soupir\qu h\enotes
+ %\check
+ % mesure 18
+\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes
+\temps\notes&|\dqh{^i}j\enotes
+ %\check
+ % mesure 19
+\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes
+\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes
+ %\check
+ % mesure 20
+\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes
+\temps\Notes\hu {_K}&\enotes
+\temps\notes&\dqh{=b}c\enotes
+ %\check
+ % mesure 21
+\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes
+\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes
+ %\check
+ % mesure 22
+\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes
+\temps\Notes\sk&|\qu m\enotes
+\temps\notes\dqb Na&|\dqh lk\enotes
+ %\check
+ % mesure 23
+\barre\Notes\ql N&\ql b|\hu j\enotes
+\temps\Notes\ql M&\ql a\enotes
+\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes
+\temps\notes\dqb KJ&\dqb ab\enotes
+ %\check
+ % mesure 24
+\barre\Notes\ql M&\ql c|\zql h\qu m\enotes
+\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes
+\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes
+ %\check
+ % mesure 25
+\barre\Notes\hu H&|\ql c\hl h\enotes
+\temps\Notes\hu I&\pause|\sk\enotes
+\temps\notes&|\dqb gh\enotes
+ %\check
+ % mesure 26
+\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes
+\temps\Notes\hu J&\hpause|\hl h\qu j\enotes
+ %\check
+ % mesure 27
+\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes
+\temps\Notes\hu I&|\sk\enotes
+\temps\notes&|\dqh kl\enotes
+ %\check
+ % mesure 28
+\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes
+\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes
+\temps\notes&|\dqh kj\enotes
+ %\check
+ % mesure 29
+\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes
+\temps\notes&|\bigNa l\dqh l{_k}\enotes
+\temps\notes\hu G&\hu{^e}|\dqh ji\enotes
+\temps\notes&|\dqh hg\enotes
+ %\check
+ % mesure 30
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes
+\temps\notes&|\dqh gf\enotes
+\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes
+\temps\Notes\hu F&\zql M\hu a|\hu f\enotes
+\temps\Notes&\qu M|\sk\enotes
+ %\check
+ % mesure 31
+\barre\Notes\hu K&\qu a\hu{^I}\enotes
+\temps\Notes\hu G&\enotes
+\temps\notes&\dqh JK|\pause\enotes
+\temps\Notes\qu {LK}&\qu N\qu M\enotes
+ %\check
+ %mseure 32
+\barre\Notes\hu J&\qu L\enotes
+\temps\notes&\dqh KL\enotes
+\temps\notes\hu H&\dqh ML|\pause\enotes
+\temps\notes&\dqh KJ\enotes
+\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes
+ %\check
+ % mesure 33
+\barre\Notes\hu H&\hu M|\qu c\hu h\enotes
+\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes
+\temps\notes&|\dqh gf\enotes
+\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes
+\temps\notes&|\dqh dc\enotes
+ %\check
+ % mesure 34
+ \generalmeter{\meterfrac 22}%
+\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes
+\temps\notes&|\dqh ed\enotes
+\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes
+ %\check
+ % mesure 35
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes
+\temps\Notes\hu K&\zw{^M}\hu d|\enotes
+\temps\notes&|\dqh kj\enotes
+\temps\notes\hu{^F}&\hu c|\dqh kj\enotes
+\temps\notes&|\dqh ih\enotes
+ %\check
+ % mesure 36
+\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes
+\temps\notes&|\dqh {^h}i\enotes
+\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes
+\temps\Notes&|\qu e\enotes
+\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes
+\temps\notes&\qu a|\dqh {^e}{^f}\enotes
+ %\check
+ % mesure 37
+\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes
+\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes
+\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes
+\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes
+\temps\notes&\soupir|\dqh g{^h}\enotes
+ %\check
+ % mesure 38
+ \generalmeter{\meterfrac 22}%
+\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes
+\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes
+\temps\notes&|\dqh fg\enotes
+ %\check
+ % mesure 39
+\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes
+\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes
+\temps\notes&\dqh LK\enotes
+ %\check
+ % mesure 40
+\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes
+\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes
+\temps\notes&\dqh NM\enotes
+ %\check
+ % mesure 41
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes
+\temps\notes&\dqh KJ\enotes
+\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes
+\temps\notes&\dqh LK\enotes
+\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes
+\temps\Notes&\soupir|\qu h\enotes
+ %\check
+ % mesure 42
+\barre\Notes\hl K&|\qu f\enotes
+\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes
+\temps\notes&\pause|\dqh{^j}{^i}\enotes
+\temps\Notes\hu{^H}&|\qu j\enotes
+\temps\notes&|\dqh k{^l}\enotes
+ %\check
+ % mesure 43
+\barre\Notes\hu F&|\qu h\enotes
+\temps\Notes\sk\hu I&|\hu k\sk\enotes
+\temps\Notes&\pause|\qu j\enotes
+\temps\Notes\hu J&|\qu {=i}\enotes
+\temps\notes&|\dqh hi\enotes
+ %\check
+ % mesure 44
+\barre\Notes\qu{^J}&|\qu {^h}\enotes
+\temps\Notes\cNa I\qu I&|\qu g\enotes
+\temps\Notes\qu H&|\qu f\enotes
+\temps\Notes\qu G&\pause|\qu g\enotes
+\temps\Notes\qu F&|\qu {^h}\enotes
+\temps\notes\qu G&|\dqh gf\enotes
+ %\check
+ % mesure 45
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes
+\temps\Notes&\hpause|\sk\enotes
+\temps\Notes\hu D&\soupir|\hu d\enotes
+\temps\Notes&\ql{^a}|\sk\enotes
+ %\check
+ % mesure 46
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes
+\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes
+\temps\notes&\dqb{^c}{^b}\enotes
+\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes
+\temps\notes&\dqb d{^e}\enotes
+ %\check
+ % mesure 47
+ \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes
+ \temps\notes&\dqb{^e}d\enotes
+ \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes
+ \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes
+ %\check
+ % mesure 48
+ \barre\Notes\hu G&\qu K|\ql p\enotes
+ \temps\notes&\dqh{^L}M|\hl n\enotes
+ \temps\Notes\hu J&\qu L|\enotes
+ \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes
+ %\check
+ % mesure 49
+ \barre\Notes\hu H&\ql M|\ql o\enotes
+ \temps\notes&\dqb Na|\dqb nm\enotes
+ \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes
+ \temps\notes&\dqb Nb|\dqb mn\enotes
+ %\check
+ % mesure 50
+ \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes
+ \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes
+ \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes
+ %\check
+ % mesure 51
+ \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes
+ \temps\Notes\sk&|\hu o\enotes
+ \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes
+ \temps\notes\sk&|\dqh nm\enotes
+ \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes
+ \temps\notes\sk&|\dqh mn\enotes
+ %\check
+ % mesure 52
+ \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes
+ \temps\Notes\sk&|\hu m\enotes
+ \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes
+ \temps\Notes\sk&|\qu{=l}\enotes
+ \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes
+ \temps\notes\sk&|\dqh jk\enotes
+ %\check
+ % mesure 53
+ \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes
+ \temps\Notes\qu I&|\qu{^l}\enotes
+ \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes
+ \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes
+ \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes
+ \temps\Notes\qu I&\ql N|\qu {^l}\enotes
+ %\check
+ % mesure 54
+ \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes
+ \temps\Notes\sk&|\qu {=l}\enotes
+ \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes
+ \temps\notes\sk&|\dqh jk\enotes
+ \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes
+ \temps\notes\sk&|\dqh kj\enotes
+ %\check
+ % mesure 55
+ \generalmeter{\meterfrac 22}%
+ \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes
+ \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes
+ \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes
+ \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes
+ %\check
+ % mesure 56
+ \generalmeter{\meterfrac 32}%
+\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes
+\temps\notes&\dqh dc|\dqh ml\enotes
+\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes
+\temps\notes&\dqh cd|\dqh lm\enotes
+ %\check
+ % mesure 57
+\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes
+\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes
+\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes
+ %\check
+ % mesure 58
+\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu
+d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes %
+\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes
+\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes
+ %\check
+ % mesure 59
+ \generalmeter{\meterfrac 22}%
+\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes
+\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes
+ %\check
+ % mesure 60
+ \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes
+ \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes
+ \temps\notes\dqh H{^I}&|\enotes
+ \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes
+ \temps\notes\dqh KL&|\enotes
+ %\check
+ % mesure 61
+ \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes
+ \temps\notes\dqb Na&|\enotes
+ \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes
+ \temps\notes\dqb ML&|\enotes
+ \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes
+ \temps\Notes\ql N&|\enotes
+ %\check
+ % mesure 62
+ \setclef2{0000}\changeclefs
+ \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes
+ \temps\Notes\sk&|\hu l\enotes
+ \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes
+ \temps\Notes\sk&|\qu n\enotes
+ \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes
+ \temps\Notes\sk&|\ql k\enotes
+ %\check
+ % mesure 63
+ \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes
+ \temps\notes\sk&|\dqh nm\enotes
+ \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes
+ \temps\Notes\sk&\qu g|\enotes
+ \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes
+ \temps\Notes\sk&\itenu1h\qu h|\enotes
+ %\check
+ % mesure 64
+ \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes
+ \temps\notes\sk&\dqh gf|\enotes
+ \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes
+ \temps\Notes\sk&\hu j|\enotes
+ \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes
+ \temps\Notes\sk&\qu i|\enotes
+ %\check
+ % mesure 65
+ \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes
+ \temps\notes\sk&\dqb gf|\enotes
+ \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes
+ \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes
+ \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes
+ \temps\Notes\sk&\qu h|\ql m\enotes
+ %\check
+ % mesure 66
+ \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes
+ \temps\Notes\qu H&|\qu m\enotes
+ \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes
+ \temps\Notes\sk&|\enotes
+ \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes
+ \temps\Notes\sk&\soupir|\qu j\enotes
+ %\check
+ % mesure 67
+ \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes
+ \temps\Notes\sk&|\hl {^i}\enotes
+ \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes
+ \temps\notes\sk&|\dqb jk\enotes
+ \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes
+ \temps\notes\sk&|\dqb nm\enotes
+ %\check
+ % mesure 68
+ \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes
+ \temps\notes\sk&|\dqb mn\enotes
+ \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes
+ \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes
+ \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes
+ \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes
+ %\check
+ % mesure 69
+ \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes
+ \temps\Notes\sk&|\ql n\enotes
+ \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes
+ \temps\notes\sk&|\dqb kj\enotes
+ \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes
+ \temps\notes\sk&|\dqb nm\enotes
+ %\check
+ \generalmeter{\meterfrac 22}%
+ % mesure 70
+ \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes
+ \temps\Notes\sk&|\hl n\enotes
+ \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes
+ \temps\notes\sk&|\dqb ml\enotes
+ %\check
+ % mesure 71
+ \generalmeter{\meterfrac 32}%
+ \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes
+ \temps\Notes\qu H&|\enotes
+ \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes
+ \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes
+ %\check
+ % mesure 72
+ \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes
+\mulooseness 5\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex
new file mode 100644
index 00000000000..d6065f3651e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex
@@ -0,0 +1,677 @@
+\parindent 18mm
+%
+\centerline{\moyen FUGUE}\bigskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % sol majeur
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: mixtures, fonds 8'}%
+\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}%
+\smallskip
+%
+\generalmeter{\meterfrac 68}%
+%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {12}45\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+\def\ptsoupir{\pt 5\soupir}% soupir pointe
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% formes frequentes
+% trois croches hautes
+\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}%
+%\check
+\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}%
+%\check
+%
+% formes frequentes
+% trois croches hautes pizzicato
+\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+%
+\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}%
+\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}%
+%
+\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}%
+%
+\def\upzqb#1{\upz{#1}\qb0{#1}}%
+\def\lpzqh#1{\lpz{#1}\qh0{#1}}%
+%
+\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}%
+\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}%
+\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% croche pointee et 3 doubles croches
+\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}%
+\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}%
+%\check
+% croche et 4 doubles croches
+\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}%
+\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% mesure 1
+\Notes&|\pztql0iki\enotes
+\temps\notes\pause&\pause|\cpdddl lkji\enotes
+%\check
+% mesure 2
+\barre\Notes&|\pztqU0hjh\enotes
+\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 3
+\barre\Notes&|\pztqU0gig\enotes
+\temps\Notes\pause&\pause|\pztqu0jhj\enotes
+%
+% mesure 4
+\barre\Notes&|\lpztqu0khk\enotes
+\temps\notes\pause&\pause|\cddddu2ighij\enotes
+%\check
+% mesure 5
+\barre\autolines {10}55\relax
+\Notes&\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes
+%\check
+% mesure 6
+\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes
+\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes
+%\check
+% mesure 7
+\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes
+\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes
+% mesure 8
+\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes
+\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes
+% mesure 9
+\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes
+\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes
+%\check
+% mesure 10
+\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes
+\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes
+% mesure 11
+\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes
+\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes
+% mesure 12
+\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes
+\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes
+%\check
+\cleftoksii={{0}{0}{0}{0}}\changeclefs %
+% mesure 13
+\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes
+\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes
+%\check
+% mesure 14
+\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes
+\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes
+%\check
+\def\atnextline{\autolines{10}45}\relax
+% mesure 15
+\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes
+\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes
+%\check
+% mesure 16
+\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes
+\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid
+ \rlap{\qup n}\cpdddl l{=k}ji\enotes
+%\check
+% mesure 17
+\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes
+\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes
+%\check
+% mesure 18
+\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes
+\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes
+%
+% mesure 19
+\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes
+\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes
+%\check
+% mesure 20
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 21
+\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+\def\atnextline{\autolines{10}55}\relax
+% mesure 22
+\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes
+% mesure 23
+\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes
+\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler
+ \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes
+%\check
+% mesure 24
+\cleftoksii={{6}{0}{0}{0}}\changeclefs %
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes
+\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes
+%\check
+% mesure 25
+\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes
+\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes
+%\check
+% mesure 26
+\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes
+\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes
+% mesure 27
+\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes
+\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes
+\signaturegenerale{0}%
+% mesure 28
+\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes
+\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 29
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 30
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 31
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 32
+\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes
+% mesure 33
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes
+% mesure 34
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 35
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\transpose=0\relax % retour a la normale
+\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes
+\signaturegenerale{-3}%
+% mesure 36
+\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes
+% mesure 37
+\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes
+\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes
+% mesure 38
+\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes
+\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes
+% mesure 39
+\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes
+\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes
+% mesure 40
+\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes
+\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes
+% mesure 41
+\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes
+\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes
+% mesure 42
+\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes
+\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes
+% mesure 43
+\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes
+\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes
+% mesure 44
+\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes
+\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes
+% mesure 45
+\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes
+\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes
+% mesure 46
+\signaturegenerale{-2}%
+\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes
+% mesure 47
+\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 48
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 49
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 50
+\barre\Notes\sh F\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes
+% mesure 51
+\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes
+\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes
+%\check
+% mesure 52
+\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes
+\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 53
+\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes
+%
+% mesure 54
+\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes
+\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes
+%\check
+% mesure 55
+\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes
+\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid
+ \cpdddl n{=m}lk\enotes
+%\check
+% mesure 56
+\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes
+%\check
+% mesure 57
+\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes
+\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes
+% mesure 58
+\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes
+\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes
+% mesure 59
+\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes
+\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes
+%\check
+% mesure 60
+\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes
+% mesure 61
+\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes
+\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes
+% mesure 62
+\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes
+\temps\Notes\qup C&\pztql2LMN|\qup g\enotes
+% mesure 63
+\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes
+\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes
+%\check
+% mesure 64
+\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes
+\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes
+% mesure 65
+\barre\Notes\pztql0IKI\enotes
+\temps\notes\cpdddl NMLK&\pause|\pause\enotes
+% mesure 66
+\barre\Notes\pztql0JLJ\enotes
+\temps\Notes\lpztqL0aMa&\pause|\pause\enotes
+% mesure 67
+\barre\Notes\lpztqL0bab\enotes
+\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes
+% mesure 68
+\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 69
+\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 70
+\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 71
+\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes
+\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes
+% mesure 72
+\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes
+\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes
+% mesure 73
+\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes
+\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes
+% mesure 74
+\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes
+\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes
+% mesure 75
+\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes
+\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes
+% mesure 76
+\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes
+\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes
+% mesure 77
+\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes
+\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax
+|\pztqu0jhj\enotes
+% mesure 78
+\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes
+\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes
+% mesure 79
+\signaturegenerale{1}%
+\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes
+\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes
+% mesure 80
+\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes
+\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes
+% mesure 81
+\barre\Notes\qup F&\Pztql0aca|\enotes
+\temps\notes\qup I&\cpdddl dcba|\pause\enotes
+% mesure 82
+\barre\Notes\qup E&\Pztql0NbN|\enotes
+\temps\Notes\qup H&\lPztqL0cac|\pause\enotes
+% mesure 83
+\barre\Notes\qup F&\PztqL0dad\enotes
+\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+% mesure 84
+\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes
+\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes
+%\check
+% mesure 85
+\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes
+\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes
+%\check
+% mesure 86
+\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes
+\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes
+%
+% mesure 87
+\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes
+\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes
+% mesure 88
+\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes
+\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes
+%\check
+\signaturegenerale{-2}%
+% mesure 89
+\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes
+\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes
+% mesure 90
+\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes
+\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes
+% mesure 91
+\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes
+\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes
+% mesure 92
+\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes
+\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes
+% mesure 93
+\barre\Notes&\Pztql0bdb\enotes
+\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes
+% mesure 94
+\barre\Notes&\fl a\Pztql0aca|\enotes
+\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes
+% mesure 95
+\barre\Notes&\Pztql2N{_a}b\enotes
+\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes
+% mesure 96
+\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes
+\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes
+% mesure 97
+\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes
+\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes
+\def\atnextline{\autolines{9}65}\relax
+% mesure 98
+\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes
+\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes
+% mesure 99
+\barre\Notes&\qup K|\lpztqL0kik\enotes
+\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes
+% mesure 100
+\def\atnextline{\autolines{10}55}\relax
+\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes
+\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes
+%\check
+% mesure 101
+\barre\Notes&\cna a\Pztql0aca\enotes
+\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes
+% mesure 102
+\barre\Notes&\lPztql2Nab\enotes
+\temps\Notes\pause&\Pztql0cec|\pause\enotes
+%\check
+% mesure 103
+\barre\Notes&\lPztql2MNa\enotes
+\temps\Notes\pause&\Pztql0bdb|\pause\enotes
+% mesure 104
+\barre\Notes&\lPztql2LMN\enotes
+\temps\Notes\pause&\Pztql0aca|\pause\enotes
+% mesure 105
+\barre\Notes&\lPztql2K{=L}{^M}\enotes
+\temps\Notes\pause&\Pztql0NbN|\pause\enotes
+%\check
+% mesure 106
+\barre
+\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes
+\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes
+% mesure 107
+\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes
+\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes
+% mesure 108
+\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes
+\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes
+%\check
+% mesure 109
+\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes
+\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes
+% mesure 110
+\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes
+\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes
+% mesure 111
+\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes
+\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes
+%\check
+% mesure 112
+\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes
+\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes
+% mesure 113
+\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes
+\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes
+\def\atnextline{\autolines {13}45}\relax
+% mesure 114
+\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes
+\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes
+%\check
+% mesure 115
+\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes
+% mesure 116
+\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes
+\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes
+% mesure 117
+\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes
+\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes
+%\check
+% mesure 118
+\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext
+ {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes
+\temps\NOtes\pointdorgue N\qu G\sk\dsoupir
+ &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes
+\signaturegenerale{-3}%
+% mesure 119
+\setdoublebar
+\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+\temps\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+%\check
+% mesure 120
+\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+\temps\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+% mesure 121
+\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes
+\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes
+% mesure 122
+\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes
+\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes
+%\check
+% mesure 123
+\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir
+ |\zq{=ik}\ql n\sk\dsoupir\enotes
+\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes
+% mesure 124
+\barre\notes\qup F&\doubler
+ \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes
+\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes
+%\check
+% mesure 125
+\def\atnextline{\autolines {12}45}\relax
+\signaturegenerale{-2}\relax
+\changecontext\notes\qup E&\doubler
+ \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes
+\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax
+ \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes
+% mesure 126
+\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes
+\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes
+% mesure 127
+\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes
+\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir
+ |\qu g\sk\dsoupir\enotes
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude
+%\check
+% mesure 128
+\barre\def\atnextline{\autolines{12}35}\relax
+\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes
+%\check
+% mesure 129
+\barre
+\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes
+%\check
+% mesure 130
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax
+ \trqu0igi\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes
+% mesure 131
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax
+ \trqu0hfh\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes
+%\check
+% mesure 132
+\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes
+\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes
+%\check
+% mesure 133
+\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes
+\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 134
+\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes
+\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes
+% mesure 135
+\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes
+\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes
+%\check
+% mesure 136
+\barre\notes\doubler\qu G\sk\dsoupir
+ &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes
+\temps\notes\doubler\qu J\sk\dsoupir
+ &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes
+%\check
+% mesure 137
+\barre\notes\doubler\qu F\sk\dsoupir
+ &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes
+\temps\notes\doubler\qu I\sk\dsoupir
+ &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes
+%\check
+% mesure 138
+\barre\notes\doubler\qu E\sk\dsoupir
+ &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes
+\temps\notes\doubler\qu H\sk\dsoupir
+ &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes
+% mesure 139
+\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes
+\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes
+% mesure 140
+\barre% \advance\barsinline by -1\relax
+\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes
+\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes
+\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes
+%\check
+% mesure 141
+\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax
+ \ibl0{#1}0\advance\transpose by-3\relax
+ \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax
+ \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax
+ \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}%
+\setdoublebar\signaturegenerale{1}\changecontext
+\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 142
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 143 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 144 %
+\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes
+\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax
+ \doubler\zq{gi}\ql e\sk\dsoupir\enotes
+% mesure 145
+\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes
+\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax
+ \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes
+% mesure 146
+\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes
+\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax
+ \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes
+% mesure 147
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 148 %
+\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes
+\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax
+ \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes
+% mesure 149 %
+\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes
+\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax
+ \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes
+% mesure 150 %
+\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler
+ \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes
+\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax
+\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes
+% mesure 151
+\advance\barsinline by -1\relax
+ \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp
+b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes
+ \finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex
new file mode 100644
index 00000000000..2b455cee38a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex
@@ -0,0 +1,314 @@
+%\input musixtex
+%\input musixcpt
+%\input musixsty
+\ifx\qh\undefined\let\qh\qb\fi %
+\ifx\qhp\undefined\let\qhp\qbp\fi %
+\ifx\qhpp\undefined\let\qhpp\qbpp\fi %
+\parindent 15mm
+ %
+\title{Gloria}
+\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN}
+\shortauthor{G. Boussion}
+\maketitle
+
+\tracingstats=1\relax
+ %
+
+\def\nbinstruments{3}
+\setsize3{\tinyvalue}
+\setstaffs22\relax
+\setclef2{6000}%
+\setclef1{6000}%
+\setclef3{0000}%
+ %
+\generalsignature{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+ %\check
+\def\instrumenti{P\'edale}
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}}
+\def\instrumentiii{}\def\instrumentiv{Chant}
+ %\check
+\elemskip=7pt\relax
+\setinterinstrument2{3\Interligne}
+ %
+ \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est
+pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre
+jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un
+jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef
+de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan
+sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par
+l'assembl\'ee (I) et par une chorale (II).
+}%
+ %
+ %\check
+\geometricskipscale
+\eightrm
+\sepbarrules
+\startpiece
+\def\respire{\notes&&\cbreath\enotes}%
+\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes
+\notes &| &\hsong{\`a }\cu c\enotes
+\barre
+\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes
+\notes &|&\hsong{au~}\cu f\enotes
+\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes
+\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\zsong{des~}\cu g\enotes
+\barre
+\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes
+\notes&&\hsong{et~}\cu h\enotes
+\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes
+\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes
+\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes
+\barre
+\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes
+\notes&&\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes
+\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes
+\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes
+\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes
+\barre
+\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes
+\Notes\qu C&|\ql b&\enotes
+\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes
+ %\check
+\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes
+\barre
+\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes
+\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes
+\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes
+ %\check
+\barre
+\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes
+\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes
+ %\check
+\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes
+ %\check
+\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes
+\Notes&|\hl b&\enotes
+\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes
+\barre
+\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes
+ %\check
+\znotes&\cmidstaff{\bf I}\enotes
+\respire
+\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+ %\check
+\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\hsong{ri-~}\cu g\enotes
+\barre
+\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes
+ %\chec
+\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes
+\notes&&\hsong{Te~}\cu h\enotes
+\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes
+\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes
+\notes&&\hsong{ces }\cu g\enotes
+\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes
+\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes
+\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes
+\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes
+ %\check
+\barre
+\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes
+\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes
+\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes
+\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes
+\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes
+\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes
+ %\check
+\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes
+\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes
+ %\check
+\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes
+\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes
+ %\check
+\barre
+\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq
+f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes
+\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes
+\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes
+\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes
+\notes&\cmidstaff{\bf I}\enotes
+\respire
+\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes
+ %\check
+\barre
+\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes
+\notes&&\hsong{u-~}\cu g\enotes
+\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes
+\notes&&\hsong{que~}\cu f\enotes
+\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes
+\notes&&\hsong{sus~}\cu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes
+\respire
+\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes
+\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes
+\notes\soupir&\soupir|\ds&\ds\enotes
+\notes&|\cu h&\hsong{a-~}\cu h\enotes
+\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes
+\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes
+\barre
+\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes
+\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes
+\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes
+\Notes&|\qu g&\hsong{du~}\qu g\enotes
+\barre
+\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes
+\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes
+\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes
+\barre
+\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes
+\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes
+\notes&&\hsong{en-~}\cu g\enotes
+\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes
+\notes&&\hsong{ves~}\cu h\enotes
+\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes
+\notes&&\hsong{p\'e-~}\cl i\enotes
+\barre
+\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes
+\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes
+\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes
+\Notes\soupir&\soupir|\soupir&\soupir\enotes
+\barre
+\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes
+\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes
+\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes
+\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes
+\barre
+\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes
+\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes
+ %\check
+\barre
+\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes
+\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes
+\notes&&\hsong{en-~}\cu g\enotes
+\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes
+\notes&&\hsong{ves~}\cu h\enotes
+\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes
+\notes&&\hsong{p\'e-~}\cl i\enotes
+\barre
+\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes
+\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes
+\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes
+\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes
+\notes\soupir&\soupir|\ds&\ds\enotes
+\notes&|\cu h&\hsong{en-~}\cu h\enotes
+\barre
+\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes
+\notes&&\hsong{no-~}\cu f\enotes
+\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes
+\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes
+\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes
+\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes
+\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes
+\barre
+\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes
+\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes
+\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes
+\notes&&\hsong{as-~}\cu k\enotes
+\barre
+\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes
+\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes
+\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes
+\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes
+\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes
+\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes
+\barre
+\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes
+\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes
+\Notes\soupir&\soupir|\soupir&\soupir\enotes
+ %\check
+ %\check
+\barre
+\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes
+\notes&|\cu h&\hsong{pi-~}\cu h\enotes
+\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes
+\notes&|\cu h&\hsong{de~}\cu h\enotes
+ %\check
+\barre
+\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes
+\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir
+ &\Uptext{\bigfont plus anim\'e}\soupir\enotes
+\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes
+\notes&&\hsong{Toi~}\cu c\enotes
+ %\check
+\barre
+\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes
+\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes
+\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes
+\notes&|\qs&\qs\enotes
+\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes
+\barre
+\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes
+\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes
+\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes
+\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes
+\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes
+\respire
+\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes
+ %\check
+\barre
+\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern
+ -4pt seul~}\cu h\enotes
+\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes
+\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes
+\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes
+\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes
+\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes
+\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes
+ %\check
+\barre
+\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes
+\notes&|\cu h&\hsong{a-}\cu h\enotes
+\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes
+\notes&&\hsong{le~}\cu f\enotes
+\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes
+\notes&&\hsong{Es-~}\cu g\enotes
+ %\check
+\barre
+\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes
+\notes&\cmidstaff{\bf I}\enotes
+\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes
+\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes
+\barre
+\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes
+\notes&|&\hsong{re~}\cu h\enotes
+\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes
+\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes
+\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes
+\barre
+\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes
+\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes
+\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes
+\barre
+\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre
+\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes
+\notes\soupir&\soupir|\soupir&\soupir\enotes
+\mulooseness 2
+\Stoppiece
+\medskip\rightline{\it le \aujourdhui}
+\eject
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex
new file mode 100644
index 00000000000..6d5bad41fbc
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex
@@ -0,0 +1,286 @@
+%\input musixtex
+%\input musixcpt
+%\input musixsty
+%
+\parindent 15mm
+%
+\title{Gloria}
+\fullauthor{M\'elodie~: Guy BOUSSION}
+\shortauthor{G. Boussion}
+\maketitle
+\tracingstats=1\relax
+%
+\bigskip
+\def\nbinstruments{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+%\check
+%
+\geometricskipscale
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\def\respire{\notes\cbreath\enotes}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+%
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\Notes\hsong{ai-}\hu g\enotes
+\Notes\hsong{}\enotes
+\Notes\hsong{me.}\hu f\enotes
+%\check
+\respire\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+%\check
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+%\check
+\NOTes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+%\check
+\Notes\hsong{t'a-}\hu g\enotes
+\Notes\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+%\check
+\respire\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+%\check
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+%\chec
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+%\check
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\respire\notes\uptext{\bf II}\enotes
+\notes\hsong{Sei-}\cu h\enotes
+\notes\zsong{gneur~}\thelyrics\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+%\check
+\notes\hsong{Roi~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{Ciel,~}\qu h\enotes
+%\check
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+%\check
+\barre
+\notes\hsong{P\`e-~}\itied1h\cu h\enotes
+\notes\hsong{re~}\ttie1\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\Notes\hsong{sant~!}\qup h\enotes
+\respire\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+%\check
+\barre
+\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes
+\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes
+\notes\hsong{u-}\cu g\enotes
+\notes\hsong{ni-}\cu f\enotes
+\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes
+\notes\hsong{J\'e-}\cu g\enotes
+\notes\zsong{sus~}\cu g\enotes
+%\check
+\barre
+\NOtes\hsong{Christ,}\hu h\enotes
+\respire
+\Notes\hsong{Sei-}\qu h\enotes
+\Notes\zsong{gneur}\qu g\enotes
+%\check
+\barre
+\NOtes\hsong{Dieu,}\hu h\enotes
+\notes\hsong{}\ds\enotes
+\notes\hsong{a-}\cu h\enotes
+\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{de~}\cu i\enotes
+\barre
+\NOtes\hsong{Dieu,}\qup g\enotes
+\notes\hsong{le~}\cu f\enotes
+\Notes\hsong{Fils~}\qu g\enotes
+\Notes\zsong{du~}\qu g\enotes
+\barre
+\NOTes\hsong{P\`e-}\hu h\enotes
+\Notes\hsong{re~}\qu h\enotes
+\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes
+\barre
+\Notes\hsong{Toi~}\qu f\enotes
+\notes\hsong{qui~}\cu g\enotes
+\notes\hsong{en-}\cu g\enotes
+\notes\hsong{l\`e-}\cu h\enotes
+\notes\hsong{ves~}\cu h\enotes
+\notes\hsong{le~}\cl i\enotes
+\notes\zsong{p\'e-}\cl i\enotes
+\barre
+\notes\hsong{ch\'e~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{mon-}\qu h\enotes
+\NOtes\hsong{de,}\qu g\enotes
+\Notes\hsong{}\soupir\enotes
+\barre
+\NOtes\hsong{prends~}\qup f\enotes
+\notes\hsong{pi-}\cu g\enotes
+\NOtes\hsong{ti\'e~}\qup g\enotes
+\notes\zsong{de~}\cu f\enotes
+\barre
+\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes
+\Notes\hsong{}\soupir\enotes
+%\check
+\barre
+\Notes\hsong{Toi~}\qu f\enotes
+\notes\hsong{qui~}\cu g\enotes
+\notes\hsong{en-}\cu g\enotes
+\notes\hsong{l\`e-}\cu h\enotes
+\notes\hsong{ves~}\cu h\enotes
+\notes\hsong{le~}\cl i\enotes
+\notes\zsong{p\'e-}\cl i\enotes
+\barre
+\notes\hsong{ch\'e~}\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{mon-}\qu h\enotes
+\NOtes\hsong{de,}\qu g\enotes
+\notes\hsong{}\ds\enotes
+\notes\zsong{en-}\cu h\enotes
+\barre
+\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes
+\notes\hsong{no-}\cu f\enotes
+\notes\hsong{tre~}\cu g\enotes
+\notes\hsong{pri-}\cu g\enotes
+\Notes\hsong{\`e-}\qu h\enotes
+\Notes\hsong{re~!}\qu g\enotes
+\respire\notes\uptext{\bf II}\enotes
+\barre
+\NOTEs\hsong{Toi~}\hu j\enotes
+\Notes\hsong{qui~}\qu j\enotes
+\notes\hsong{es~}\cu k\enotes
+\notes\zsong{as-}\cu k\enotes
+\barre
+\Notes\hsong{sis~}\ql j\enotes
+\notes\hsong{ \`a~}\cl i\enotes
+\notes\hsong{la~}\cl h\enotes
+\Notes\hsong{droi-}\qu g\enotes
+\notes\hsong{te~}\cu f\enotes
+\notes\zsong{du~}\cu g\enotes
+\barre
+\NOTes\hsong{P\`e-}\hu h\enotes
+\Notes\hsong{re~}\qu g\enotes
+\Notes\hsong{}\soupir\enotes
+%\check
+%\check
+\barre
+\NOtes\hsong{prends~}\qup h\enotes
+\notes\hsong{pi-}\cu h\enotes
+\NOtes\hsong{ti\'e~}\qup g\enotes
+\notes\zsong{de~}\cu h\enotes
+%\check
+\barre
+\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes
+\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\
+ plus anim\'e\kern 5pt}}}\soupir\enotes
+\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes
+\notes\zsong{Toi~}\cu c\enotes
+%\check
+\barre
+\Notes\hsong{seul~}\qu f\enotes
+\Notes\hsong{es~}\qu g\enotes
+\Notes\zsong{saint~!}\qup h\enotes
+\notes\zsong{\sk Toi~}\qs\ccu h\enotes
+\barre
+\Notes\hsong{seul~}\qu h\enotes
+\notes\hsong{es~}\cup g\enotes
+\notes\hsong{Sei-}\ccu h\enotes
+\NOtes\hsong{gneur~!}\qup h\enotes
+\respire\notes\uptext{\bf II }\enotes
+\notes\zsong{Toi~}\cu h\enotes
+%\check
+\barre
+\notes\hsong{\kern -4pt seul~}\cu h\enotes
+\notes\hsong{es~}\cu g\enotes
+\notes\hsong{le~}\cu h\enotes
+\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes
+\Notes\hsong{haut,}\ql j\enotes
+\notes\hsong{J\'e-}\cl j\enotes
+\notes\zsong{sus-}\cl i\enotes
+%\check
+\barre
+\NOtes\hsong{Christ,}\qlp j\enotes
+\notes\hsong{a-}\cu h\enotes
+\notes\hsong{vec~}\cu f\enotes
+\notes\hsong{le~}\cu f\enotes
+\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes
+\notes\zsong{Es-}\cu g\enotes
+%\check
+\barre
+\NOtes\hsong{prit~!}\hu h\enotes
+\notes\uptext{\bf I}\enotes
+\Notes\hsong{dans~}\qu f\enotes
+\notes\zsong{la~}\qu g\enotes
+\barre
+\Notes\hsong{gloi-}\qu h\enotes
+\notes\hsong{re~}\cu h\enotes
+\notes\hsong{de~}\cu g\enotes
+\Notes\hsong{Dieu~}\qu h\enotes
+\Notes\zsong{le~}\qu i\enotes
+\barre
+\Notes\hsong{P\`e-}\hu g\enotes
+\NOtes\zsong{re.}\hu f\enotes
+\respire
+\barre
+\Notes\zsong{A - - - - - }\wh g\enotes
+\barre
+\NOtes\hsong{men~!}\hup h\enotes
+\notes\hsong{}\soupir\enotes
+\mulooseness 4%
+\Stoppiece
+\medskip\rightline{\it le \aujourdhui\ \ \ \ }
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex
new file mode 100644
index 00000000000..509b8dea32e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex
@@ -0,0 +1,283 @@
+\input musixtex
+\input musixcpt
+\input musixsty
+\sepbarrules
+\def\tempz{\temps}%
+%
+\vsize=28.2cm
+\hsize=18.5cm
+\parindent 15mm
+%
+\vbox{%
+\centerline{\enorme Gloria}
+\medskip
+\rightline{\cmbx M\'elodie~: Guy BOUSSION}
+}%
+\tracingstats=1\relax
+%
+\bigskip
+\def\nbinstruments{2}
+\global\nbporteesi=0
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\generalmeter{\meterfrac{2}{2}}
+%\check
+%\check
+
+%
+\def\eightpoint{\Tenpoint}%
+%
+%\check
+\catcode`\@=11
+\newdimen\lyricskip
+\def\varskip#1{%
+ \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box}
+\catcode`\@=12
+
+\normal\elemskip=15pt
+\def\gluemaxskip{6pt}%
+\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne
+\debutmorceau
+%
+\def\respire{\notes&\cbreath\enotes}%
+\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+%
+\def\Varnotes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+%
+\def\VarNotes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+ \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+%
+\def\VarNOtes#1&#2\enotes{\vnotes0.05\elemskip &\enotes
+ \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes
+ \hardspace{\lyricskip}%
+ \vnotes0.05\elemskip &\enotes
+}%
+\temps\Varnotes \kern-5pt Gloire &\cu c\enotes
+\temps\Varnotes \`a &\cu c\enotes
+\barre\NOTes Dieu~&\hu f\enotes
+\tempz\Varnotes au&\cu f\enotes
+\temps\Varnotes plus~&\cu f\enotes
+\temps\Varnotes haut~&\cu g\enotes
+\temps\Varnotes des &\cu g\enotes
+\barre\VarNOtes cieux~&\qup h\enotes
+\temps\Varnotes et~&\cu h\enotes
+\tempz\VarNotes paix~&\qu i\enotes
+\temps\Varnotes sur~&\cu h\enotes
+\temps\Varnotes la~&\cu g\enotes
+\barre\VarNotes ter-&\qu f\enotes
+\temps\Varnotes re~&\cu f\enotes
+\temps\Varnotes aux~&\cu f\enotes
+\tempz\VarNotes hom~-&\qu g\enotes
+\temps\Varnotes mes~&\cu h\enotes
+\temps\Varnotes qu'il~&\cu i\enotes
+\alaligne\VarNotes ai-&\hu g\enotes
+\temps\VarNotes &\enotes
+\tempz\VarNotes me.&\hu f\enotes
+%\check
+\temps\respire\VarNotes&\uptext{\bf II }\enotes
+\barre\VarNotes Nous~&\qu h\enotes
+\temps\Varnotes Te~&\cu g\enotes
+\temps\Varnotes lou-&\cu g\enotes
+\tempz\VarNOtes ons,&\hu h\enotes
+%\check
+\barre\Varnotes nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+\temps\Varnotes b\'e-&\cu j\enotes
+\temps\Varnotes nis-&\cu j\enotes
+%\check
+\tempz\NOTes sons,&\hu h\enotes
+\barre\VarNotes nous~&\qu h\enotes
+%\check
+\temps\VarNotes t'a-&\hu g\enotes
+\tempz\VarNotes&\enotes
+\temps\VarNotes do-&\qu f\enotes
+\alaligne\VarNOtes rons,~&\hu f\enotes
+%\check
+\temps\respire\Varnotes&\uptext{\bf I}\enotes
+\tempz\Varnotes nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+%\check
+\temps\Varnotes glo-&\cu g\enotes
+\temps\Varnotes ri-&\cu g\enotes
+\barre\NOTEs fions,~&\hu h\enotes
+%\chec
+\tempz\Varnotes \kern -4pt nous~&\cu h\enotes
+\temps\Varnotes Te~&\cu h\enotes
+\temps\Varnotes ren-&\cu h\enotes
+\temps\Varnotes dons~&\cu i\enotes
+\barre\VarNOtes gr\^a~-&\qu g\enotes
+\temps\Varnotes ces&\cu g\enotes
+\temps\Varnotes pour&\cu g\enotes
+\tempz\Varnotes Ton~&\cu h\enotes
+\temps\Varnotes im-&\cu i\enotes
+\temps\Varnotes men&\cu j\enotes
+\temps\Varnotes se~&\cu k\enotes
+%\check
+\alaligne\VarNotes gloi-&\ql j\enotes
+\temps\VarNotes -&\ql i\enotes
+\temps\VarNotes re~!&\qu h\enotes
+\temps\respire\Varnotes&\uptext{\bf II}\enotes
+\temps\Varnotes Sei-&\cu h\enotes
+\temps\Varnotes gneur~&\cu i\enotes
+\barre\VarNotes Dieu,~&\qu j\enotes
+%\check
+\temps\Varnotes Roi~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\tempz\VarNotes Ciel,~&\qu h\enotes
+%\check
+\temps\Varnotes Dieu~&\cu h\enotes
+\temps\Varnotes le~&\cu g\enotes
+%\check
+\barre\Varnotes P\`e-~&\cu h\enotes
+\temps\Varnotes re~&\cu i\enotes
+\temps\Varnotes tout-&\cu g\enotes
+\temps\Varnotes puis-&\cu h\enotes
+\tempz\VarNOtes sant~!&\qup h\enotes
+\temps\respire\Varnotes&\uptext{\bf I}\enotes
+\temps\Varnotes Sei-&\cu h\enotes
+%\check
+\barre\VarNotes gneur,~&\qu h\enotes
+\temps\Varnotes Fils~&\cu g\enotes
+\temps\Varnotes u-&\cu g\enotes
+\tempz\Varnotes ni-&\cu f\enotes
+\temps\Varnotes que-&\cu f\enotes
+\temps\Varnotes J\'e-&\cu g\enotes
+\temps\Varnotes sus~&\cu g\enotes
+%\check
+\barre\VarNOtes Christ,&\hu h\enotes
+\temps\respire
+\tempz\VarNotes Sei-&\qu h\enotes
+\temps\VarNotes gneur&\qu g\enotes
+%\check
+\barre\VarNOtes Dieu,&\hu h\enotes
+\tempz\notes &\ds\enotes
+\temps\Varnotes a-&\cu h\enotes
+\temps\Varnotes \kern -4pt gneau~&\cu h\enotes
+\temps\Varnotes de~&\cu i\enotes
+\alaligne
+\temps\VarNOtes Dieu,&\qup g\enotes
+\temps\Varnotes le~&\cu f\enotes
+\tempz\VarNotes Fils~&\qu g\enotes
+\temps\VarNotes du~&\qu g\enotes
+\barre\NOTes P\`e-&\hu h\enotes
+\tempz\VarNotes re~&\qu h\enotes
+\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes
+\barre\VarNotes Toi~&\qu f\enotes
+\temps\Varnotes qui~&\cu g\enotes
+\temps\Varnotes en-&\cu g\enotes
+\tempz\Varnotes l\`e-&\cu h\enotes
+\temps\Varnotes ves~&\cu h\enotes
+\temps\Varnotes le~&\cl i\enotes
+\temps\Varnotes p\'e-&\cl i\enotes
+\barre\Varnotes ch\'e~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\temps\VarNotes mon-&\qu h\enotes
+\tempz\VarNOtes de,&\qu g\enotes
+\temps\Notes &\soupir\enotes
+\alaligne\VarNOtes prends~&\qup f\enotes
+\temps\Varnotes pi-&\cu g\enotes
+\tempz\VarNOtes ti\'e~&\qup g\enotes
+\temps\Varnotes de~&\cu f\enotes
+\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes
+\temps\Notes &\soupir\enotes
+%\check
+\barre\VarNotes Toi~&\qu f\enotes
+\temps\Varnotes qui~&\cu g\enotes
+\temps\Varnotes en-&\cu g\enotes
+\tempz\Varnotes l\`e-&\cu h\enotes
+\temps\Varnotes ves~&\cu h\enotes
+\temps\Varnotes le~&\cl i\enotes
+\temps\Varnotes p\'e-&\cl i\enotes
+\barre\Varnotes ch\'e~&\cu h\enotes
+\temps\Varnotes du~&\cu g\enotes
+\temps\VarNotes mon-&\qu h\enotes
+\tempz\VarNOtes de,&\qu g\enotes
+\temps\notes &\ds\enotes
+\temps\Varnotes en-&\cu h\enotes
+\barre\Varnotes tends~&\cu f\enotes
+\temps\Varnotes no-&\cu f\enotes
+\temps\Varnotes tre~&\cu g\enotes
+\temps\Varnotes pri-&\cu g\enotes
+\tempz\VarNotes \`e-&\qu h\enotes
+\temps\VarNotes re~!&\qu g\enotes
+\temps\respire\Varnotes&\uptext{\bf II}\enotes
+\barre\NOTEs Toi~&\hu j\enotes
+\tempz\VarNotes qui~&\qu j\enotes
+\tempz\Varnotes es~&\cu k\enotes
+\tempz\Varnotes as-&\cu k\enotes
+\barre\VarNotes sis~&\ql j\enotes
+\temps\Varnotes \`a~&\cl i\enotes
+\temps\Varnotes la~&\cl h\enotes
+\tempz\VarNotes droi-&\qu g\enotes
+\tempz\Varnotes te~&\cu f\enotes
+\temps\Varnotes du~&\cu g\enotes
+\alaligne\NOTes P\`e-&\hu h\enotes
+\tempz\VarNotes re~&\qu g\enotes
+\temps\Notes &\soupir\enotes
+%\check
+%\check
+\barre\VarNOtes prends~&\qup h\enotes
+\temps\Varnotes pi-&\cu h\enotes
+\tempz\VarNOtes ti\'e~&\qup g\enotes
+\temps\Varnotes de~&\cu h\enotes
+%\check
+\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes
+\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes
+\temps\Varnotes Car~&\cu c\enotes
+\temps\Varnotes Toi~&\cu c\enotes
+%\check
+\barre\VarNotes seul~&\qu f\enotes
+\temps\VarNotes es~&\qu g\enotes
+\tempz\VarNotes saint~!&\qup h\enotes
+\temps\notes \sk&\qsoupir\enotes
+\temps\Varnotes Toi~&\ccu h\enotes
+\alaligne\VarNotes seul~&\qu h\enotes
+\temps\Varnotes es~&\cup g\enotes
+\temps\Varnotes Sei-&\ccu h\enotes
+\tempz\VarNOtes gneur~!&\qup h\enotes
+\temps\respire\Varnotes&\uptext{\bf II }\enotes
+\temps\Varnotes Toi~&\cu h\enotes
+%\check
+\barre\Varnotes seul~&\cu h\enotes
+\temps\Varnotes es~&\cu g\enotes
+\temps\Varnotes le~&\cu h\enotes
+\temps\Varnotes Tr\`es-&\cu i\enotes
+\tempz\VarNotes haut,&\ql j\enotes
+\temps\Varnotes J\'e-&\cl j\enotes
+\temps\Varnotes sus-&\cl i\enotes
+%\check
+\barre\VarNOtes Christ,&\qlp j\enotes
+\temps\Varnotes a-&\cu h\enotes
+\tempz\Varnotes vec~&\cu f\enotes
+\temps\Varnotes le~&\cu f\enotes
+\temps\Varnotes \kern -4pt Saint-&\cu g\enotes
+\temps\Varnotes Es-&\cu g\enotes
+%\check
+\barre\VarNOtes prit~!&\hu h\enotes
+\tempz\Varnotes&\uptext{\bf I}\enotes
+\temps\VarNotes dans~&\qu f\enotes
+\temps\Varnotes la~&\qu g\enotes
+\barre\VarNotes gloi-&\qu h\enotes
+\temps\Varnotes re~&\cu h\enotes
+\temps\Varnotes de~&\cu g\enotes
+\tempz\VarNotes Dieu~&\qu h\enotes
+\temps\VarNotes le~&\qu i\enotes
+\barre\VarNotes P\`e-&\hu g\enotes
+\tempz\VarNOtes re.&\hu f\enotes
+\temps\respire
+\barre\VarNotes A - - - - - &\wh g\enotes
+\barre\VarNOtes men~!&\hup h\enotes
+\tempz\notes &\soupir\enotes
+%\mulooseness -2\relax
+\finmorceau
+\medskip\rightline{\it le \aujourdhui\ \ \ \ }
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex
new file mode 100644
index 00000000000..07f1ac9966a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex
@@ -0,0 +1,569 @@
+% \input musixtex
+% \input musixcpt
+% \input musixsty
+\title{Gymnomanie}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN}
+%
+\othermention{Compos\'e en 1994}
+\maketitle
+
+\parindent 12mm
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{0}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\troistemps
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\ff{{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%\check
+% au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+%
+% trois doubles croches hautes
+\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\tqbbh{\tqbbu}%
+\def\tqbbb{\tqbbl}%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax
+%\check
+% octave basse en blanche
+\def\bohl#1{\zh{!`#1}\hl{!#1}}%
+\def\bohu#1{\zh{!`#1}\hu{!#1}}%
+\def\sohl#1{\zh{!'#1}\hl{!#1}}%
+\def\sohu#1{\zh{!'#1}\hu{!#1}}%
+% octave basse en blanche pointee
+\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}%
+\def\bohup#1{\zhp{!`#1}\hup{!#1}}%
+\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}%
+\def\sohup#1{\zhp{!'#1}\hup{!#1}}%
+%
+\def\bozh#1{\zh{!`#1!#1}}%
+\def\bozq#1{\zq{!`#1!#1}}%
+\def\boql#1{\zq{!`#1}\ql{!#1}}%
+\def\boqu#1{\zq{!`#1}\qu{!#1}}%
+% octave sup. en croches u
+\def\soqh#1{\zq{!'#1}\qh0{!#1}}%
+\def\soqb#1{\zq{!'#1}\qb0{!#1}}%
+\def\soqu#1{\zq{!'#1}\qu{!#1}}%
+\def\soql#1{\zq{!'#1}\ql{!#1}}%
+%\check
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne %
+\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}%
+\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}%
+\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}%
+\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}}
+%
+\debutmorceau
+% call \autolines with musiCtex, not with musiXtex !!!
+\ifx\mxversion\undefined\autolines {6}55\relax\fi
+\advance\barsinline by 1\relax
+\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff
+ p}|\zcharnote a{\kern -5mm\ppff mp}\enotes
+ %
+\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 2
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 3
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 4
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 5
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 6
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 7
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 8
+\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu o\enotes
+ % mesure 9
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes
+ % mesure 10
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{a^c}\qu e|\qu g\enotes
+\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes
+ % mesure 11
+\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes
+\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes
+\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes
+ %\check
+ % mesure 12
+\barre\NOtes \upsoupir2\bohup F|\hu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\enotes
+\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes
+ %\check
+ % mesure 13
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes
+ %\check
+ % mesure 14
+\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes
+\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes
+ %\check
+ % mesure 15
+\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes
+\temps\NOtes\zq{LNc}\qu{e}|\enotes
+\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes
+ %\check
+ % mesure 16
+\barre\NOtes \upsoupir2\bohup D|\hu m\enotes
+\temps\NOtes\zq{KMa}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu f|\qu m\enotes
+ %\check
+ % mesure 17
+\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes
+\temps\NOtes\zq{LN_b}\qu e\enotes
+\temps\NOtes\zq{Nbe}\qu g|\enotes
+ %\check
+ % mesure 18
+\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d\enotes
+\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes
+ %\check
+ % mesure 19
+\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes
+\temps\NOtes\zq{L^Nb}\qu e\enotes
+\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes
+ %\check
+ % mesure 20
+\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes
+\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes
+ %\check
+ % mesure 21
+\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes
+\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes
+\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes
+ %\check
+ % mesure 22
+\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes
+\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes
+\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes
+ %\check
+ % mesure 23
+\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes
+\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes
+\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes
+ %\check
+ % mesure 24
+\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 25
+\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes
+\temps\NOtes\zq{^Mad}|\ql{^f}\enotes
+\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes
+ %\check
+ % mesure 26
+\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes
+\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 27
+\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes
+\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes
+\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes
+ %\check
+ % mesure 28
+\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes
+ %\check
+ % mesure 29
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 30
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes
+\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes
+\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes
+ %\check
+ % mesure 31
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes
+ %\check
+ % mesure 32
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes
+\temps\NOtes\zq{L^Nb}|\ql{e}\enotes
+\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes
+ %\check
+ % mesure 33
+\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes
+\temps\NOtes\zq{a^ce}|\ql{h}\enotes
+\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes
+ %\check
+ % mesure 34
+\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes
+\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes
+\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes
+ %\check
+ % mesure 35
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes
+\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes
+\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes
+ %\check
+ % mesure 36
+\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes
+\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes
+\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes
+ %\check
+ % mesure 37
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes
+\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes
+\temps\NOtes\zq{ac}|\zql e\boqu n\enotes
+ %\check
+ % mesure 38
+\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes
+\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes
+\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes
+ %\check
+ % mesure 39
+\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes
+ %\check
+ % mesure 40
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes
+\temps\NOtes\zq{KNb}\ql{d}|\enotes
+\temps\NOtes\zq{Nbd}|\zql g\enotes
+ %\check
+ % mesure 41
+\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes
+\temps\NOtes\zq{La^c}\ql{e}|\enotes
+\temps\NOtes\zq{ace}|\ql h\enotes
+ %\check
+ % mesure 42
+\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes
+\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes
+\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes
+ %\check
+ % mesure 43
+\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes
+\temps\NOtes\zq{LN}\ql{c}|\enotes
+\temps\NOtes\zq{Nc}\ql e\enotes
+ %\check
+ % mesure 44
+\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes
+\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes
+\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes
+ %\check
+ % mesure 45
+\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes
+\temps\NOtes\zq{LNc}|\ql{e}\enotes
+\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes
+ %\check
+ % mesure 46
+\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes
+\temps\NOtes\zq{Nb}\ql e|\enotes
+\temps\NOtes\zq{Nb}\ql d|\enotes
+ %\check
+ % mesure 47
+\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes
+\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes
+\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes
+ %\check
+ % mesure 48
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nbd}|\ql g|\enotes
+ %\check
+ % mesure 49
+\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes
+\temps\NOtes\zq{La^c}\ql e|\enotes
+\temps\NOtes\zq{ac}\ql e|\boqu n\enotes
+ %\check
+ % mesure 50
+\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes
+ % mesure 51
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes
+\temps\NOtes\zq{LN^c}\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq h\ql e\enotes
+ %\check
+ % mesure 52
+\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes
+ % mesure 53
+\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes
+\temps\NOtes\zq{LN=c}|\ql e\enotes
+\temps\NOtes\zq{LNc}|\zq g\ql e\enotes
+ % mesure 54
+\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes
+\temps\NOtes\zq{Mac}|\zql f\enotes
+\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes
+ % mesure 55
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes
+\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes
+ % mesure 56
+ %\check
+\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes
+\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes
+\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes
+ % mesure 57
+\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes
+ % mesure 58
+\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes
+\temps\NOtes\zq{KN_b}\qu{d}|\enotes
+\temps\NOtes\zq{Nbd}|\ql g\enotes
+ % mesure 59
+ %\check
+\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes
+\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes
+\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes
+ % mesure 60
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 61
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ %\check
+ % mesure 62
+\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ % mesure 63
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes
+\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes
+\temps\NOtes\zq {acf}|\zql h\enotes
+ % mesure 64
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes
+\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes
+\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes
+ % mesure 65
+ %\check
+\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes
+\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes
+\temps\NOtes\zq {adf}\zql{_h}|\enotes
+ % mesure 66
+ %\check
+\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes
+\temps\NOtes\zq {Nb}\zql{=d}|\enotes
+\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes
+ % mesure 67
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes
+\temps\NOtes|\zq {ceh}\ql{j}|\enotes
+ % mesure 68
+ %\check
+\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes
+\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes
+\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes
+ % mesure 69
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}\enotes
+\temps\NOtes\zq {Nbe}|\ql{g}\enotes
+ % mesure 70
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 71
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 72
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 73
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes
+\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes
+\temps\NOtes\zq {Nbe}|\zql g\enotes
+ % mesure 74
+ %\check
+\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes
+\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes
+\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes
+ % mesure 75
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes
+\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes
+\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes
+ % mesure 76
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes
+\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes
+\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes
+ % mesure 77
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes
+\temps\NOtes\zq {=LNc}\zql{=e}|\enotes
+\temps\NOtes\zq {Nce}|\zql g\enotes
+ % mesure 78
+ %\check
+\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes
+\temps\NOtes\zq {M_a_d}\ql{f}|\enotes
+\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes
+ % mesure 79
+ %\check
+\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes
+\temps\NOtes\zq {_LNc}\ql{_e}|\enotes
+\temps\NOtes\zq {Nce}|\ql g\enotes
+ % mesure 80
+ %\check
+\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes
+\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes
+\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes
+ % mesure 81
+ %\check
+\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes
+\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes
+\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes
+ %\check
+ % mesure 82
+\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes
+\temps\NOtes\zq{KN_b}\ql d|\enotes
+\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes
+ %\check
+ % mesure 83
+\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\enotes
+ %\check
+ % mesure 84
+\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes
+\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes
+\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes
+ % mesure 85
+ %\check
+\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes
+\temps\NOtes\zq {K^Ma}\zql d|\enotes
+\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes
+ % mesure 86
+\barre\NOtes\uptext{\kern -\Interligne\ppff
+ p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes
+\temps\NOtes\zq{=Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 87
+\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 88
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 89
+\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes
+ % mesure 90
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 91
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 92
+ %\check
+\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes
+\temps\NOtes\zq L\qu N|\zq c\qu e\enotes
+\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes
+ % mesure 93
+\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex
+\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{Maf}\qu d|\qu m\enotes
+ % mesure 94
+\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes
+\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes
+\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes
+ %\check
+ % mesure 95
+\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes
+\temps\NOtes\zq{Ma}\qu d\enotes
+\temps\NOtes\zq{ad}|\zql f\qu m\enotes
+ % mesure 96
+\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes
+\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes
+\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes
+ % mesure 97
+\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes
+\temps\NOtes\zq{Ma}\qu c|\qu f\enotes
+\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes
+ % mesure 98
+\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes
+\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes
+\temps\NOtes\zq{Mad}|\zql f\qu m\enotes
+ % mesure 99
+\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes
+\temps\NOtes\zq{Lae}\qu{^c}\enotes
+\temps\NOtes\zq{ace}|\ql g\enotes
+ % mesure 100
+\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax
+ |\pointdorgue n\hup k\enotes
+\temps\NOtes\zq{Mad}|\ql f\enotes
+\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes
+\mulooseness 1\relax
+\finmorceau
+ \rightline{\sl \aujourdhui}\eject
+\bye
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex
new file mode 100644
index 00000000000..c304a1eca58
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex
@@ -0,0 +1,13 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}\relax
+\def\Signature{1}\relax % un dieze a la clef
+\input ilestnex
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-1}\relax % un bemol a la clef
+\input ilestnex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex
new file mode 100644
index 00000000000..64da5c3b21e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex
@@ -0,0 +1,201 @@
+\fulltitle{Il est n‚, le divin enfant}
+\title{Il est n‚, le divin enfant}
+\author{traditionnel\\Harmonisation Pierre Darmon}
+\maketitle
+
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+%
+\bigskip
+% au moins deux croches basses et hautes
+\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{2}\resetsignatures
+\barsinline=0\relax\linesinpage=0\relax
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+%
+\ifx\Signature\undefined\def\Signature{1}\fi
+\ifx\Transpose\undefined\def\Transpose{0}\fi
+%
+\signaturegenerale{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{12}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+%\check
+\def\respire{\notes&\cbreath\enotes}%
+%
+\def\eightpoint{\Tenpoint}%
+%\check
+\catcodesmusic
+
+\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #3\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -12pt}}}%
+ %
+\def\interfacteur{16}%
+%
+\debutmorceau
+\autolines 784\relax
+\transpose=\Transpose
+\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes
+ %
+%
+\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes
+\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes
+%
+%\check
+\barre\Notes\zql N\qu b&\hsong{\txt |n‚|&}\qu g\enotes
+\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes
+%
+%\check
+\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes
+\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes
+%
+%\check
+\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes
+\temps\Notes\soupir&\soupir\enotes
+%
+%\check
+\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes
+\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes
+%
+%\check
+\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes
+\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |r‚son-|&}\dql ji\enotes
+%
+%\check
+\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes
+\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes
+%
+%\check
+\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes
+\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes
+\temps\notes\ds&\ds\enotes
+%
+%\check
+\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes
+\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes
+%
+%\check
+\barre\notes\zql N\qu b&\hsong{\txt |n‚ |&}\zql g\dqu lk\enotes
+\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}%
+ \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes
+%
+%\check
+\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes
+\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes
+%
+%\check
+\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes
+\temps\Notes\soupir&\soupir\enotes
+%
+%\check
+\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes
+\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes
+%
+%\check
+\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes
+\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes
+%
+%\check
+\barre\Notes\zql K\qu d&\hsong{\txt |vŠ-|&}\zql h\qu m\enotes
+\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes
+%
+%\check
+\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes
+\setdoublebar
+%
+%\check
+\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes
+\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes
+\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes
+\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes
+%
+%\check
+\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes
+\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes
+\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes
+%
+%\check
+\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes
+\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes
+%
+%\check
+\barre\Notes\tten0\qlp N&\hsong{\txt |phŠ-|&}\zql g\qu i\enotes
+\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes
+\temps\notes\ds&\ds\enotes
+%
+%\check
+\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes
+\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes
+\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes
+%
+%\check
+\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes
+\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes
+%
+%\check
+\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes
+%
+%\check
+\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes
+\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes
+%
+%\check
+\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes
+\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes
+%
+%\check
+\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes
+\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes
+%
+%\check
+\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes
+%
+\finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex
new file mode 100644
index 00000000000..25a596e9286
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex
@@ -0,0 +1,18 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{0}\relax %
+\input ilfaitdx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{-2}\relax % deux diezes a la clef
+\input ilfaitdx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-2}\relax
+\def\Signature{+3}\relax % un bemol a la clef
+\input ilfaitdx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex
new file mode 100644
index 00000000000..009d000f547
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex
@@ -0,0 +1,171 @@
+\fulltitle{Il fait danser les mondes}
+\shorttitle{Il fait danser les mondes}
+ \fullauthor{Jean-S‚bastien Bach\\Transposition
+Daniel Taupin\\paroles Jacques Tournier}
+ \shortauthor{J.-S. Bach}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %au moins deux croches basses et hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}%
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\meterC}
+ %\check
+\def\interfacteur{20}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #3\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -12pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+ \transpose=\Transpose
+ \qspace
+ %
+ \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes
+ \barre %1
+\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes
+ \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes
+ \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes
+ \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes
+ %
+ %\check
+ \barre %2
+ \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes
+ \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes
+ %
+ %\check
+ \barre %3
+ \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes
+ \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes
+ \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes
+ \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes
+ %
+ %\check
+ \barre %4
+ \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes
+ \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes
+ %
+ %\check
+ \barre %5
+ \Notes\zql L\qu N&\hsong{\txt y |cen-|pŠ-&}\zql c\qu g\enotes
+ \Notes\zql J\qu c&\hsong{\txt p‚-|tre |se &}\zql e\qu g\enotes
+ \hardlyrics{\txt nŠtre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes
+ \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes
+ %
+ %\check
+ \barre %6
+ \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes
+ \Notes\zql a\qu c&\hsong{\txt L'‚- |Au |Ren-&}\zql h\qu l\enotes
+ %
+ %\check
+ \barre %7
+ \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes
+ \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes
+ \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes
+ \Notes\zql G\qu N&\hsong{\txt con-|c‚-|pri-&}\zql d\qu i\enotes
+ %
+ %\check
+ \barre %8
+ \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes
+ \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes
+ %
+ %\check
+ \barre %9
+ \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes
+ \notes\zqu c\dqb aN&\zsong{\txt … |ger-|ce &}\zql h\qu l\enotes
+ \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes
+ \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes
+ %
+ %\check
+ \barre %10
+ \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes
+ \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes
+ \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes
+ \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes
+ %
+ %\check
+ \barre %11
+ \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes
+ \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes
+ \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes
+ \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes
+ %
+ %\check
+ \barre %12
+ \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes
+ \Notes\zql I\qu N&\hsong{\txt Et |Fait |D‚-&}\zql d\qu g\enotes
+ %
+ %\check
+ \barre %13
+ \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes
+ \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes
+ \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes
+ \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes
+ %
+ %\check
+ \barre %14
+ \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes
+ \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes
+ \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes
+ \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes
+ %
+ %\check
+ \barre %15
+ \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes
+ \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes
+ \Notes\cNa F\zql F\qu a&\hsong{\txt le |les |… &}\roff{\zql c}\qu d\enotes
+ \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes
+ %
+ %\check
+ \barre %16
+ \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex
new file mode 100644
index 00000000000..390d5d0030a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex
@@ -0,0 +1,827 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre}
+\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin}
+\shortauthor{W. A. Mozart / D. Taupin}
+\maketitle
+
+\parindent 2cm
+\generalsignature{0}
+\instrumentnumber{3}
+ %\setname1{P\'edale 16'}
+\setname1{Orgue}
+\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}}
+\setname3{Fl\^ute}
+\setstaffs12
+\setclef1{6000}
+\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi
+\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi
+\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi
+\generalmeter{\meterfrac 24}
+\def\dble{\multnoteskip 2}
+
+\debutmorceau
+\zbarre
+\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes
+%
+\barre %2
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %3
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %4
+\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax
+ |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax
+ \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes
+%
+\barre %5
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq
+h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax
+ &\dble\dble\sk\pause
+ &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk
+ \ibbl0o0\tten0\qbp0q\relax
+ {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax
+ \Ibbl0po1\qb0p\tqb0o\enotes
+%
+\barre %6
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax
+ \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds
+ \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %7
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq
+f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes
+%
+\barre %8
+\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax
+ &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes
+\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause
+ &\ql k\sk\enotes
+\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax
+ |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax
+ &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes
+%
+\barre %9
+\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax
+ |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax
+ &\dble\dble\sk\pause
+ &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax
+ \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes
+%
+\barre %10
+\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax
+ |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax
+ &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax
+ &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds
+ \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %11
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax
+ \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\ql j\sk\ds\cl j\relax
+ &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax
+ \dble\ql m\sk\cl m\enotes
+%
+\barre %12
+\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds
+ |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds
+ &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds
+ &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes
+\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes
+%
+\barre %13
+\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax
+ &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax
+ &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes
+\Notes\dble\ibl0N0\qb0N\tqb0N\relax
+ |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax
+ &\sk\sk\soupir
+ &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk
+ \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes
+%
+\barre %14
+\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax
+ |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs
+ \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk
+ \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes
+%
+\barre %15
+\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax
+ &\dble\ds\isluru0m\ql k\relax
+ &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes
+\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax
+ &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax
+ &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes
+%
+\barre %16
+\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq
+n\tqb0p\itenl1g\cu g\relax
+ &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax
+ &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk
+ \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes
+%
+\barre %17
+\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq
+{^m}\tqb0o\zq d\cu {^f}\relax
+ &\tten2\dble\cu i\ds\ds\cu h\relax
+ &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk
+ \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes
+%
+\barre %18
+\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax
+ |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax
+ &\dble\qu i\sk\soupir\relax
+ &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes
+%
+\barre %19
+\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax
+ |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax
+ &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax
+ &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes
+%
+\barre %20
+\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds
+ |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds
+ &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds
+ &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax
+ \cl k\ds\enotes
+%
+\barre %21
+\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds
+ &\cu g\ds\cu h\ds&\sk\sk\pause\enotes
+%
+\barre %22
+\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax
+ &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes
+\notes\upz b\zq I\tqb0b\sk\ds
+ |\zq d\tqh1g\sk\ds
+ &\tqb2k\sk\ds
+ &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes
+%
+\barre %23
+\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax
+ &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes
+%
+\barre %24
+\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax
+ |\ibl0k0\qb0{kk}\tqb0k\relax
+ &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax
+ \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax
+ \qb0p\tqb0q\relax
+ &\tten5\itenu5r\ql r\sk
+ \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax
+ \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes
+\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes
+%
+\barre %25
+\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax
+ &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes
+\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes
+%
+\barre %26
+\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax
+ &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes
+\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes
+%
+\barre %27
+\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\sk\sk\sk\pause
+ &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes
+\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+ &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes
+%
+\barre %28
+\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax
+ &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes
+\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax
+ &\pause
+ &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes
+%
+\barre %29
+\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax
+ &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes
+\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax
+ &\dble\sk\ds\cu{^g}\relax
+ &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes
+%
+\barre %30
+\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax
+ &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax
+ &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes
+\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax
+ &\dble\Ibu0jl1\qh0j\tqh0l\relax
+ &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes
+%
+\barre %31
+\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax
+ &\ds
+ &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes
+\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax
+ &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax
+ &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes
+%
+\barre %32
+\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds
+ |\qs\ibbu0g0\qh0{gg}\tqh0g\relax
+ &\itenl2h\qu h\relax
+ &\zhl o\xTrille q{8\noteskip}\enotes
+\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax
+ \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax
+ |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax
+ &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax
+ &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes
+%
+\barre %33
+\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax
+ |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax
+ &\Ibbbl0no3\qb0{nop}\tqb0o\relax
+ &\ql n\enotes
+\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax
+ |\dble\qu g\sk\cu{^f}\relax
+ &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax
+ &\dble\sk\soupir\enotes
+%
+\barre %34
+\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax
+ |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax
+ &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax
+ &\enotes
+\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax
+ |\dble\qu e\sk\cu d\relax
+ &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax
+ &\dble\sk\pause\enotes
+%
+\barre %35
+\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax
+ |\Ibbbu0cd3\qh0{cde}\tqh0d\relax
+ &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax
+ &\enotes
+\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax
+ |\dble\qu c\sk\cu b\relax
+ &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax
+ &\dble\sk\pause\enotes
+%
+\barre %36
+\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax
+ &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes
+\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax
+ |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax
+ &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax
+ &\sk\pause\enotes
+%
+\barre %37
+\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds
+ &\cu g\sk\ds
+ &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes
+\notes\soupir|\soupir&\soupir
+ &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz
+m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes
+%
+\barre %38
+\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk
+ &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes
+%
+\barre %39
+\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax
+ |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax
+ &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax
+ &\tten0\itenu0r\ql r\enotes
+\notes\upz b\zq N\tqb1{_b}\sk\ds
+ |\lpz d\zq{dg}\tqh2{_i}\sk\ds
+ &\lpz i\tqh3{_i}\sk\ds
+ &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes
+%
+\barre %40
+\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax
+ |\ds\sk\qs\itenl0c\ccu c\relax
+ &\relax
+ &\dble\dble\isluru1s\ql{_s}\enotes
+ \nspace
+\notes
+ |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax
+ &\pause
+ &\tslur1m\ql{^m}\enotes
+%
+\barre %41
+\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds
+ |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds
+ &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds
+ &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds
+ \enotes
+%
+\barre %42
+\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes
+\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax
+ &\sk\pause
+ &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes
+%
+\barre %43
+\notes\dble\zql N\hu d\sk\ql{=M}\relax
+ |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax
+ \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes
+%
+\barre %44
+\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax
+ |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax
+ \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax
+ &\dble\sk\sk\pause
+ &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes
+%
+\barre %45
+\notes\dble\qu{^J}\sk\qu K\relax
+ |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq
+e\qh0{=g}\zq d\tqh0f\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk
+ \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes
+%
+\barre %46
+\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax
+ |\ds\sk\qs\itenl0N\ccu N\relax
+ &\relax
+ &\dble\dble\isluru1p\ql{_p}\enotes
+ \nspace
+\notes
+ |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax
+ &\pause
+ &\tslur1j\ql{^j}\enotes
+%
+\barre %47
+\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds
+ |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds
+ &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds
+ &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds
+ \enotes
+%
+\barre %48
+\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes
+\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax
+ &\pause
+ &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes
+%
+\barre %49
+\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax
+ |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax
+ &\dble\sk\sk\pause
+ &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes
+%
+\barre %50
+\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax
+ |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax
+ &\dble\sk\pause
+ &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes
+%
+\barre %51
+\notes\dble\zq H\ql a\sk\zq F\qu M\relax
+ |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax
+ &\dble\sk\sk\pause
+ &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk
+ \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes
+\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes
+%
+\barre %52
+\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds
+ |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq
+ {be}\cu g\ds
+ &\dble\dble\pause
+ &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes
+%
+\barre %53
+\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax
+ |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax
+ &\qs\ibbu0i0\qh0{ii}\tqh0i\relax
+ &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes
+\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds
+ |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes
+%
+\barre %54
+\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax
+ |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax
+ &\qs\ibbu0i0\qh0{ii}\tqh0i\relax
+ &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes
+\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds
+ |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\cu i\sk\sk\sk\ds
+ &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes
+%
+\barre %55
+\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes
+%
+\barre %56
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %57
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %58
+\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax
+ |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax
+ \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes
+%
+\barre %59
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq
+h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax
+ &\dble\dble\sk\pause
+ &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk
+ \ibbl0o0\tten0\qbp0q\relax
+ {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax
+ \Ibbl0po1\qb0p\tqb0o\enotes
+%
+\barre %60
+\notes\dble\zq C\cu J\ds\cu J\ds
+ |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax
+ \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax
+ &\dble\dble\sk\pause
+ &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds
+ \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes
+%
+\barre %61
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq
+f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes
+%
+\barre %62
+\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax
+ &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes
+\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause
+ &\ql k\sk\enotes
+\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax
+ |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax
+ &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes
+%
+\barre %63
+\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax
+ |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax
+ &\dble\dble\sk\pause
+ &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax
+ \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes
+%
+\barre %64
+\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax
+ |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax
+ &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax
+ &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds
+ \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes
+%
+\barre %65
+\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax
+ |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax
+ \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax
+ &\dble\ql j\sk\ds\cl j\relax
+ &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax
+ \dble\ql m\sk\cl m\enotes
+%
+\barre %66
+\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds
+ |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds
+ &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds
+ &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes
+\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes
+%
+\barre %67
+\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax
+ &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax
+ &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes
+\Notes\dble\ibl0N0\qb0N\tqb0N\relax
+ |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax
+ &\sk\sk\soupir
+ &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk
+ \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes
+%
+\barre %68
+\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax
+ |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs
+ \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax
+ &\dble\dble\sk\pause
+ &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk
+ \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes
+%
+\barre %69
+\Notes\zhl J\qu a\relax
+ |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax
+ &\relax
+ &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes
+\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax
+ &\pause
+ &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes
+%
+\barre %70
+\Notes\zhl J\qu N\relax
+ |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax
+ &\relax
+ &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes
+\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax
+ &\pause
+ &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes
+%
+\barre %71
+\Notes\ql J\relax
+ |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax
+ &\relax
+ &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes
+\Notes\ql c\relax
+ |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax
+ &\pause
+ &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes
+%
+\barre %72
+\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax
+ |\dble\ibu0g0\qh0{fef}\tqh0g\relax
+ &\dble\sk\pause
+ &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes
+%
+\barre %73
+\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax
+ |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax
+ &\dble\dble\dble\pause
+ &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax
+ \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes
+%
+\barre %74
+\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax
+ |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax
+ &\sk\sk\sk\pause
+ &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes
+\Notes\cl N\ds|\tten0\zcl d\cu g\ds
+ &\relax
+ &\cl i\ds\enotes
+%
+\barre %75
+\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds
+ &\cl j\ds\cl k\ds
+ &\sk\sk\pause\enotes
+%
+\barre %76
+\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax
+ |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax
+ &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax
+ &\soupir\enotes
+\notes\lpz E\zq E\tqh1L\sk\ds
+ |\upz j\zq g\tqh2j\sk\ds
+ &\upz n\tqb3n\relax
+ &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes
+%
+\barre %77
+\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax
+ &\qu i\qu j\relax
+ &\itenu3n\hl n\enotes
+%
+\barre %78
+\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax
+ |\ibu2g0\qh2{gg}\relax
+ &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax
+ &\tten3\itenu3n\ql n\enotes
+\notes\upz b\zq{Nb}\tqb1K\sk\ds
+ |\tqh2g\sk\ds
+ &\tqb3m\sk\ds
+ &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes
+%
+\barre %79
+\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax
+ &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes
+\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes
+%
+\barre %80
+\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax
+ &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes
+\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax
+ &\sk\pause
+ &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes
+%
+\barre %81
+\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax
+ &\sk\sk\sk\pause
+ &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes
+\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
+ &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes
+%
+\barre %82
+\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax
+ |\ds\zql e\ibu2i0\qh2j\relax
+ &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes
+\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax
+ |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax
+ &\pause
+ &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes
+%
+\barre %83
+\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax
+ &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes
+\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq
+f\qb0h\zq e\tqb0{^g}\relax
+ &\dble\sk\ds\cu j\relax
+ &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes
+%
+\barre %84
+\notes\ibu1L0\zq F\qh1M\relax
+ |\ibu2i0\zq f\qh2h\relax
+ &\ibu3h0\qh3j\relax
+ &\Ibbl0no1\qb0{^n}\tqb0o\enotes
+\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax
+ |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax
+ &\dble\qh3h\qh3f\tqh3h\relax
+ &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax
+ \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax
+ \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes
+%
+\barre %85
+\notes\dble\zq G\qu N\sk\zq G\qu N\relax
+ |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax
+ \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax
+ &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax
+ &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes
+%
+\barre %86
+\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds
+ |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax
+ &\itenl2d\qu d\relax
+ &\zhl k\xTrille q{8\noteskip}\enotes
+\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax
+ |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax
+ &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax
+ &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes
+%
+\barre %87
+\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax
+ |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax
+ &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax
+ &\ql j\enotes
+\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax
+ |\dble\advance\transpose 7\ql j\sk\cl i\relax
+ &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax
+ &\dble\sk\soupir\enotes
+%
+\barre %88
+\Notes\zql F\ibbu1N0\qh1M\qh1a\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax
+ &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax
+ &\enotes
+\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax
+ |\dble\advance\transpose 7\ql h\sk\cl g\relax
+ &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax
+ &\dble\sk\pause\enotes
+%
+\barre %89
+\Notes\zql D\ibbu1a0\qh1K\qh1a\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax
+ &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax
+ &\enotes
+\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax
+ |\dble\advance\transpose 7\ql f\sk\cl e\relax
+ &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax
+ &\dble\sk\pause\enotes
+%
+\barre %90
+\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax
+ |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax
+ &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax
+ &\enotes
+\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax
+ |\dble\zq h\ql k\sk\zq h\cl{_l}\relax
+ &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax
+ &\sk\sk\pause\enotes
+%
+\barre %91
+\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax
+ |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax
+ &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax
+ &\dble\dble\sk\pause\enotes
+%
+\barre %92
+\notes\dble\pointdurgue F\zq G\qu N\sk\soupir
+ |\dble\pointdorgue n\zq{n}\ql j\sk\soupir
+ &\dble\pointdorgue m\qu{=e}\sk\soupir
+ &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes
+%
+\barre %93
+\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax
+ &\ql j\ql i&\ql j\soupir\enotes
+%
+\barre %94
+\NOtes
+ \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax
+ |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax
+ &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax
+ {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax
+ &\soupir\enotes
+\NOtes
+ \zq J\upz c\tqb0c|\tqh1g\relax
+ &\tqb2l&\ds\enotes
+\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes
+%
+\barre %95
+ %\check
+\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds
+ |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq
+c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ & \dble\dble\sk\pause
+ &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes
+%
+\barre %96
+ %\check
+\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax
+ |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax
+ &\relax
+ &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes
+ %\check
+\Notes\sk|\zq e\tqh2g\relax
+ &\relax
+ &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes
+ %\check
+\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax
+ |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax
+ &\pause
+ &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax
+ \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes
+%
+\barre %97
+ %\check
+\notes\ibl1J0\zcu L\qb1J\relax
+ |\zq c\ibu2f0\qh2g\relax
+ &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes
+\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax
+ |\nbbbu2\qh2{gfe}\tqh2d\relax
+ &\sk\pause
+ &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes
+ %\check
+\NOtes\qb1N\zq G\tqb1N\relax
+ |\cu c\zq{df}\cu i\relax
+ &\relax
+ &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes
+ %\check
+%
+\barre %98
+\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds
+ &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes
+%
+\ifx\orgue\undefined
+ \ifx\flute\undefined
+ \ifx\oboe\undefined
+ \linegoal24\relax
+ \else\linegoal19\fi
+ \else\linegoal20\fi % flute
+\else\linegoal20\fi % orgue
+\finmorceau
+
+\rightline{\sl \today}
+\eject
+
+
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex
new file mode 100644
index 00000000000..5ea4c9b67c4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex
@@ -0,0 +1,2 @@
+\def\flute{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex
new file mode 100644
index 00000000000..a502fc3a89c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex
@@ -0,0 +1,2 @@
+\def\oboe{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex
new file mode 100644
index 00000000000..4f71bd55366
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex
@@ -0,0 +1,2 @@
+\def\orgue{xxx}
+\input kv315.tex
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
new file mode 100644
index 00000000000..4506fc8d1f6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex
@@ -0,0 +1,319 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Adagio (B. Marcello)}
+\csname titremorceautoc\endcsname
+\title{Adagio}
+\fulltitle{Adagio}
+\subtitle{(extrait du Concerto pour Hautbois)}
+\othermention{R\'ecit: cornet ou cromorne\\G.O.
+ bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+%
+\tracingstats=2\relax
+%
+\def\nbinstruments{3}
+\def\interfacteur{9}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\nbporteesi=1\relax%
+\nbporteesii=1\relax%
+\nbporteesiii=1\relax%
+\signaturegenerale{-3}\relax
+%\check
+\def\instrumenti{P\'ed}%
+\def\instrumentii{G.O.}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\doubler{\multiply\noteskip by 2\relax}%
+% formes frequentes
+\def\Pause{\sk\sk\qsk\pause}%
+%
+%\check
+%
+\generalmeter{\meterfrac 34}%
+%
+\debutmorceau
+\linesinpage=0\relax
+\autolines{19}35\relax
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio
+\bf(\metron{\cu}{84})}\enotes
+%
+%\check
+%
+% mesure 1
+\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes
+\advance\linesinpage by 1
+% mesure 2
+\barre\NOTes\Pause
+&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes
+% mesure 3
+\def\motif{\zq i\qh0k}%
+\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif
+\motif\motif\motif\motif\tbu0\motif&\Pause\enotes
+% mesure 4
+\def\motif{\zq j\qh0 l}%
+\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax
+&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax
+&\Ibl1jl1\qb1j\tqb1l\enotes
+\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes
+\NOTes&\motif&\ibl1n0\qb1n\enotes
+\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes
+% mesure 5
+\def\motif{\zq h\qh0j}%
+\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax
+\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes
+\NOTes&\zql d\motif\motif\enotes
+\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes
+% mesure 6
+\def\motif{\zq h\qh0k}%
+\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes
+\NOTes&\motif&\Ibl1kl2\qb1k\enotes
+\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes
+\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes
+% mesure 7
+\def\motif{\zq g\qh0i}%
+\barre\autolines{20}35\relax
+\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif
+\motif&\qsk\mordant p\zhl n\enotes
+\NOTes&\zql c\motif\motif\enotes
+\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes
+% mesure 8
+\def\motif{\zq h\qh0j}%
+\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif
+&\Ibbl1hi3\qb1{hij}\tqb1i\enotes
+\NOtes&\motif\sk\motif
+&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes
+\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif
+&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes
+% mesure 9
+\def\motif{\zq f\qh0h}%
+\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif
+\tbu0\motif&\qsk\mordant o\zhl m\enotes
+\def\motif{\zq f\qh0i}%
+\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes
+\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes
+% mesure 10
+\def\motif{\zq i\qh0k}%
+\barre\autolines{28}25\relax
+\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax
+\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes
+\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes
+% mesure 11
+%\check
+\def\motif{\zq g\qh0 j}%
+\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif
+&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes
+\NOtes&&\tbl1\qbp1l\enotes
+\NOTes\itenl0J\tqh2J&\motif&\enotes
+\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes
+\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes
+% mesure 12
+%\check
+\barre
+\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax
+&\mordant q\ql k\sk\enotes
+\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir
+\Ibbl1km2\qb1{kn}\tqb1m\enotes
+\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes
+\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes
+% mesure 13
+\barre
+\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax
+\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
+\NOtes&&\tbl1\qbp1j\enotes
+\NOTes&\zq e\tqh0g&\enotes
+\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax
+&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes
+\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax
+\triolet M\qb1{jk}\tqb1j\enotes
+% mesure 14
+%\check
+\def\motif{\zq g\qh0 i}%
+\barre\autolines{21}35\relax
+\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq
+f\rlap{\qsk\itenl0f}\bigna i\motif
+&\bigna i\hl i\enotes
+\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes
+% mesure 15
+\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax
+&\ibl1l0\bigna l\qb1l\qb1n\enotes
+\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes
+\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes
+% mesure 16
+\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes
+\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes
+\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax
+\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes
+% mesure 17
+\def\motif{\zq h\qh0 k}%
+\barre\autolines{24}35\relax
+\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif
+&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
+\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
+\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk
+&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes
+% mesure 18
+\barre
+\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes
+\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax
+&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes
+% mesure 19
+\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax
+&\tten1\ibl1l0\qb1l\enotes
+\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes
+\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes
+\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes
+\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes
+% mesure 20
+\barre\autolines{28}35\relax
+\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax
+&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes
+\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes
+\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes
+% mesure 21
+\barre
+\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes
+\Notes&&\nbbbl1\qb1m\tqb1l\enotes
+\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax
+&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes
+\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax
+\pince l\qb1j\enotes
+\NOtes&&\itenu0i\tqb1i\enotes
+% mesure 22
+\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax
+&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
+\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
+\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax
+&\ibbu1k0\qh1{flk}\tqh1j\enotes
+% mesure 23
+\barre\autolines{21}35\relax
+\Notes\hu I&\doubler
+\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes
+\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes
+% mesure 24
+\barre
+\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes
+\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes
+\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax
+&\qlp m\sk\sk\cl l\enotes
+% mesure 25
+\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes
+\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk
+&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes
+% mesure 26
+\barre\autolines{23}35\relax
+\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes
+\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk
+&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes
+% mesure 27
+\barre
+\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax
+&\bigfl k\ibl1j0\itenu1k\qb1k\enotes
+\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
+\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
+\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax
+&\Ibbl1ol3\qb1{onm}\tqb1l\enotes
+% mesure 28
+\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax
+&\itenu1m\ql m\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes
+\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax
+&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
+% mesure 29
+\barre\autolines{23}35\relax
+\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax
+&\ibbl1l0\qb1{lom}\tqb1k\enotes
+\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax
+&\qlp{=i}\sk\sk\cl j\enotes
+% mesure 30
+%\check
+\barre
+\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax
+&\itenl1f\hu f\enotes
+\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes
+% mesure 31
+%\check
+\barre
+\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk
+&\Ibbu1fe3\qh1{fed}\tqh1e\enotes
+\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes
+\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax
+&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes
+% mesure 32
+%\check
+\barre\autolines{21}35\relax
+\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax
+&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes
+\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax
+&\qlp k\sk\sk\cl j\enotes
+% mesure 33
+%\check
+\def\motif{\zq h\qh0 j}%
+\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif
+\motif\tbu0\motif
+&\bigsh m\itenu1m\hl m\enotes
+\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax
+&\tten1\Ibl1nk1\qb1n\tqb1k\enotes
+% mesure 34
+%\check
+\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes
+\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes
+\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote
+n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes
+% mesure 35
+%\check
+\barre\autolines{17}35\relax
+\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes
+\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes
+\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes
+% mesure 36
+%\check
+\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq
+{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes
+% mesure 37
+%\check
+\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax
+\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax
+&\sk\sk\qsk\pause\enotes
+% mesure 38
+%\check
+\barre\autolines{16}45\relax
+\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes
+\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes
+\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes
+% mesure 39
+%\check
+\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax
+\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax
+&\sk\sk\qsk\pause\enotes
+\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes
+% mesure 40
+%\check
+\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes
+\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes
+% mesure 41
+%\check
+\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre
+\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes
+\finmorceau
+\rightline{\sl\aujourdhui}\eject
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
new file mode 100644
index 00000000000..ba0073d59eb
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex
@@ -0,0 +1,729 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- allegro}
+\fulltitle{Concerto pour hautbois --- allegro}
+\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
+ \ifFlute Partition fl–te\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- allegro}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\def\OrgelManual{\ifOrgue
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=2\relax%
+ \fi
+}
+\def\OrgelPedal{\ifOrgue
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \def\interinstrumentii{-\Interligne}%
+ \def\interinstrumenti{-\Interligne}%
+ \nbporteesi=3\relax%
+ \fi
+}
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Fl–te}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Fl–te}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 5mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% formes frequentes
+%
+\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}%
+\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}%
+\def\PauseSoliste{\Pause}%
+%
+ \def\oct{\advance\transpose 7\relax}%
+%
+%
+\def\clpz#1{\upz{#1}\cl{#1}}
+\def\cupz#1{\lpz{#1}\cu{#1}}
+\def\qlpz#1{\upz{#1}\ql{#1}}
+\def\qupz#1{\lpz{#1}\qu{#1}}
+%
+ \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\tqb0{#4}}%
+%
+ \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\tqh0{#4}}%
+%
+ \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}}
+ \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}}
+%
+ \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}}
+ \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}}
+%
+ \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+ \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}}
+ \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}}
+
+\catcodesmusic
+\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi}
+\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes}
+\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes}
+%
+%\check
+%
+\generalmeter{\meterC}%
+\sepbarrules
+%
+\OrgelPedal
+\debutmorceau
+\GO
+\notes\org|\relax
+ &\ifFlute\zcharnote N{\sl (orgue solo)}\fi
+ &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes
+%
+%\check
+% mesure 1
+\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ |\Pause
+ |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ \else\PauseSoliste\fi
+ &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax
+ \else\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 2
+\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ |\Pause
+ |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\PauseSoliste\fi
+ &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 3
+\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause
+ |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 4
+ \Pos
+\notes\org \doubler\Pause
+ |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax
+ |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax
+ &\ifFlute\zcharnote N{\sl fl–te}\fi
+ \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax
+ &\ifOboe\zcharnote N{\sl hautbois}\fi
+ \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes
+ %\check
+ \barre % mesure 5
+\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes
+\GO
+\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ |\soupir\sk\sk\hpause
+ |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\soupir\sk\sk\hpause\fi
+ &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax
+ \else\soupir\sk\sk\hpause\fi
+ \enotes
+ %\check
+ \barre % mesure 6
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause
+ |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax
+ \else\multnoteskip{1.8}\PauseSoliste\fi
+ \enotes
+ %\check
+ \barre % mesure 7
+ \Pos
+\notes\org \doubler\Pause
+ |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax
+ |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax
+ &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax
+ &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes
+ %\check
+ \barre % mesure 8
+ \notes\org\doubler\Pause
+ |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax
+ |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax
+ &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax
+ &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll
+lkkn\fourlll nknk\enotes
+ %\check
+ \barre % mesure 9
+ \notes\org&\relax&\grcu l\enotes
+ \notes\org\doubler\Pause
+ |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax
+ |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq
+c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax
+ &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax
+ &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes
+ %\check
+ \barre % mesure 10
+ \notes\org\doubler\Pause
+ |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax
+ |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax
+ &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax
+ &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes
+ %\check
+ \barre % mesure 11
+ \notes\org\doubler\Pause
+ |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax
+ |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq
+g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax
+ &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax
+ &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl
+n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 12
+ \notes\org\doubler\Pause
+ |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax
+ |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu
+h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax
+ &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax
+ &\doubler\ql j\sk\soupir\sk\hpause\enotes
+ %\check
+ \barre % mesure 13
+ \notes\org\doubler\Pause
+ |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax
+ |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu
+m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax
+ &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax
+ &\doubler\Pause\enotes
+ %\check
+ \barre % musure 14
+ \notes\org\doubler\Pause
+ |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax
+ |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu
+gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax
+ &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax
+ &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll
+ lnn{_i}\enotes
+ %\check
+ \barre % mesure 15
+ \notes\org\doubler\Pause
+ |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax
+ |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax
+ \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax
+ &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax
+ &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes
+ \barre % mesure 16
+ \notes\org\doubler\Pause
+ |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax
+ |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax
+ \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax
+ &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax
+ &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes
+ \barre % mesure 17
+ \notes\org\doubler\Pause
+ |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax
+ |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax
+ &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax
+ &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes
+ %\check
+ \barre % mesure 18
+ \notes\org\doubler\Pause
+ |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax
+ |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax
+ &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax
+ &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ %\check
+ \barre % mesure 19
+ \notes\org\doubler\Pause
+ |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax
+ |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax
+ &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax
+ &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes
+ %\check
+ \barre % mesure 20
+ \notes\org\doubler\Pause
+ |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax
+ |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax
+ &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax
+ &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes
+ %\check
+ \barre % mesure 21
+ \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax
+ |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax
+ |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax
+ &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir
+ \ifFlute\tinynotesize\cu e\fi
+ &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince
+n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir
+ \ifOboe\tinynotesize\cu e\fi\enotes
+ %\check
+ \barre % mesure 22
+ \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}%
+ \Notes\org\orgel|\Pause|\oct\orgel\relax
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi\enotes
+ \barre % mesure 23
+ \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}%
+ \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\PauseSoliste\fi\enotes
+ \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax
+ &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi
+ &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ %\check
+ \barre % mesure 24
+ \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}%
+ \notes\org|\orgel|\oct\orgel
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\doubler\sk\hpause\fi
+ &\ifOboe\tinynotesize\oct\orgel
+ \else\doubler\sk\hpause\fi\enotes
+ \nspace\Pos\nspace
+ \notes\org\pause
+ |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql
+b\twobu eg\relax
+ &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax
+ &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes
+ %\check
+ \barre % mesure 25
+ \notes\org\doubler\Pause
+ |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax
+ |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax
+ &{\doubler\qu i\sk\ds\cu
+f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax
+ &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes
+ %\check
+ \barre % mesure 26
+ \notes\org\doubler\Pause
+ |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax
+ |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax
+ &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax
+ &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax
+ \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax
+ \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes
+ %\check
+ \barre % mesure 27
+ \notes\org\doubler\Pause
+ |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax
+ |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax
+ &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax
+ &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax
+ \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax
+ \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes
+ %\check
+ \barre % mesure 28
+ \notes\org\doubler\Pause
+ |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax
+ |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax
+ &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax
+ &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax
+ \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax
+ \fourlll lnnl\fourlll ljj{=h}\enotes
+ %\check
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ \barre % mesure 29
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql M\soupir\ql L\soupir
+ |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax
+ &\doubler\doubler\ql {=hkil}\relax
+ &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes
+ %\check
+ \barre % mesure 30
+ \notes\org\doubler\Pause
+ |\doubler\doubler\qu K\soupir\qu G\soupir
+ |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax
+ &\doubler\doubler\ql {j^mkn}\relax
+ &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes
+ %\check
+ \barre % mesure 31
+ \notes\org\doubler\sk\sk\hpause
+ |\doubler\qu J\sk
+ |\doubler\zq{eg}\qu j\sk\soupir
+ &\doubler\doubler\ql l\soupir
+ &\fourlll lnnl\fourlll ljj{^m}\enotes
+ \GO
+ \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax
+ |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax
+ &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax
+ &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes
+ %\check
+ \barre % mesure 32
+ \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax
+ |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax
+ |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax
+ &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax
+ &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes
+ \Notes\org\ds\cl e|\soupir|\ds\cl l\relax
+ &\soupir\ifFlute\tinynotesize\cl l\fi
+ &\soupir\ifOboe \tinynotesize\cl l\fi\enotes
+ %\check
+\barre % mesure 33
+ \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax
+ |\sk\sk\hpause\sk\soupir
+ |\ibu0h0\qh0{fke}\tqh0j\qu d\relax
+ &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax
+ \else\rlap{\PauseSoliste}\fi
+ &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax
+ \else\rlap{\PauseSoliste}\fi\enotes
+ %\check
+ \notes\org\sk\soupir
+ |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax
+ |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax
+ &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi
+ &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes
+ %\check
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ \barre % mesure 34
+ \notes\org
+ |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax
+ |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ \else\rlap{\doubler\Pause}\fi
+ &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax
+ \else\sk\sk\hpause\fi\enotes
+ \Notes\org
+ |\twobl dK\relax
+ |\twobu kd\relax
+ &\ifFlute\tinynotesize\twobu kd\fi
+ &\ifOboe \tinynotesize\twobu kd\fi\enotes
+ \notes\org\pause
+ |\doubler\ql N\sk\soupir
+ |\doubler\qu g\sk\soupir
+ &\ifFlute\tinynotesize\qu g\fi
+ &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi
+ \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes
+ \Pos
+ %\check
+ \barre % mesure 35
+ \notes\org\rlap{\doubler\Pause}\relax
+ |\doubler\zq G\qu N\sk\soupir
+ |\doubler\zq n\zq{=i}\ql k\sk\soupir
+ &\sk\sk\hpause
+ &\fourlll g{=i}ik\fourlll knn{=l}\enotes
+ %\check
+ \Notes\org
+ |\hu J\relax % fourbu JJJJ\relax
+ |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax
+ &\ibl0l0\na l\qb0{lll}\tqb0l\relax
+ &\doubler\ql l\soupir\enotes
+ %\check
+ \barre % mesure 36
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql M\soupir\zq M\qu F\soupir
+ |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir
+ &\doubler\doubler\ql m\soupir\hpause
+ &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax
+ \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes
+ \barre % mesure 37
+ \nspace
+ \Notes\org
+ |\hu I\relax % \fourbu IIII\relax
+ |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax
+ &\ibl0m0\qb0{mmm}\tqb0m\relax
+ &\doubler\ql k\soupir\enotes
+ \notes\org\pause
+ |\doubler\ql L\sk\soupir
+ |\doubler\zq {il}\ql g\sk\soupir
+ &\doubler\ql n\sk\soupir
+ &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes
+ %\check
+ \barre % mesure 38
+ \notes\org\rlap{\doubler\Pause}\relax
+ |\doubler\zq E\qu L\sk\soupir
+ |\doubler\zq {Nbe}\qu g\sk\soupir
+ &\sk\sk\hpause
+ &\fourllu eggi\fourlll illj\enotes
+ %\check
+ \Notes\org
+ |\hu H\relax % \fourbu HHHH\relax
+ |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax
+ &\fourbl llll\relax
+ &\doubler\ql j\soupir\enotes
+ %\check
+ \barre % mesure 39
+ \notes\org\doubler\Pause
+ |\doubler\doubler\ql K\soupir\zq K\qu D\soupir
+ |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir
+ &\doubler\doubler\ql m\soupir\hpause
+ &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax
+ \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes
+ %\check
+ \barre % mesure 40
+ \notes\org\doubler\Pause
+ |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax
+ |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax
+ \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax
+ &\doubler\fourbl mmmm\na l\fourbl llll\relax
+ &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes
+ %\check
+ \barre % mesure 41
+ \notes\org\doubler\Pause
+% |\doubler\fourbl MMMM\fourbl bbbb\relax
+ |\doubler\hl M\sk\sk\sk\hl b\relax
+ |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax
+ \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax
+ &\doubler\fourbl {_l}lll\fourbl kkkk\relax
+ &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ \barre % mesure 42
+ \notes\org\doubler\Pause
+% |\doubler\fourbl LLLL\fourbl aaaa\relax
+ |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax
+ |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax
+ \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax
+ &\doubler\fourbl {_k}kkk\fourbl jjjj\relax
+ &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes
+ %\check
+ \barre % mesure 43
+ \notes\org\doubler\Pause
+% |\doubler\fourbl MMMM\fourbl MMMM\relax
+ |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax
+ |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax
+ \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax
+ &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax
+ &\itenu1m\wh m\enotes
+ \barre % mesure 44
+ \notes\org\doubler\sk\sk\hpause\relax
+ |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax
+ |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax
+ &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax
+ &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince
+n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes
+ %\check
+ \Notes\org\soupir\sk\ds\cl a\relax
+ |\qu J\zmidtwotext{\bf I}\sk\soupir
+ |\zq e\qu c\sk\ds\cu h\relax
+ &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi
+ &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes
+ %\check
+ \barre % mesure 45
+ \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}%
+ \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel
+ &\ifFlute\tinynotesize\oct\orgel
+ \else\rlap{\PauseSoliste}\fi
+ &\ifOboe \tinynotesize\oct\orgel
+ \else\rlap{\PauseSoliste}\fi
+ \enotes
+ %\check
+ \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}%
+ \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax
+ &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi
+ &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes
+ \ifOrgue\def\atnextline{\OrgelManual}\fi%
+ %\check
+ \barre % mesure 46
+ \notes\org|\fourbbu JKLM|\fourbbu cdef\relax
+ &\ifFlute\tinynotesize\fourbbu cdef\fi
+ &\ifOboe \tinynotesize\fourbbu cdef\relax
+ \else\sk\sk\sk\hpause\fi\enotes
+ \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu
+c\sk\ds\zq g\cu{_i}\relax
+ &\ifFlute\tinynotesize\twobu gN\qu c\relax
+ \else\sk\pause\fi
+ &\ifOboe \tinynotesize\twobu gN\qu c\relax
+ \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes
+ %\check
+ \barre % mesure 47
+ \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0
+i\zq h\qh0 j\zq g\tqh0i\relax
+ &&\fourlll m{=l}lm\fourlll mllm\enotes
+ \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax
+ &\pause&\twobl ml\ds\cl{^m}\enotes
+ %\check
+ \barre % mesure 48
+ \notes\org\doubler\Pause
+ |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax
+ |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax
+ \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax
+ &\doubler\Pause
+ &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes
+ %\check
+ \barre % mesure 49
+ \notes\org\doubler\Pause
+ |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax
+ |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax
+ &\doubler\Pause
+ &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes
+ %\check
+ \barre % mesure 50
+ \Notes\org|\Ibl1JH3\qb1{JM}\relax
+ |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax
+ &&\ibu2i0\qh2{_ej}\enotes
+ \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax
+ |\zql{=b}\fourbbu gfed\relax
+ &\hpause
+ &\doubler\qh2d\tqh2{=i}\enotes
+ \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax
+ |\zq{Nc}\qu e\sk\ds\cu g\relax
+ &\soupir\sk\ds\cl{=l}\relax
+ &\qup c\sk\sk\ds\enotes
+ %\check
+ \barre % mesure 51
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax
+ |\fourllu hggh\fourllu hggh\relax
+ &\fourlll m{=l}lm\fourlll mllm\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax
+ |\twobu hg\ds\cu{=h}\relax
+ &\twobl ml\ds\cl{^m}&\enotes
+ %\check
+ \barre % mesure 52
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax
+ |\fourllu i{=h}hi\fourllu ihhi\relax
+ &\fourlll n{^m}mn\fourlll nmmn\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ %\check
+ \notes\org|\doubler\zqu d\ql N\sk
+ |\multnoteskip{1.2}\fourlll i{=i}ij\relax
+ &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes
+ %\check
+ \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax
+ |\fourlll jiij\relax
+ &\fourlll lkkl&\enotes
+ %\check
+ \barre % mesure 53
+ \notes\org\doubler\sk\sk\sk\pause
+ |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax
+ |\fourlll jgg{_h}\fourlll h{=l}lm\relax
+ &\fourlll l{=l}l{=m}\fourlll mnno\relax
+ &\doubler\sk\sk\sk\pause\enotes
+ \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax
+ |\ql m\sk\ql{=i}\relax
+ &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes
+ %\check
+ \barre % mesure 54
+ \notes\org\doubler\sk\sk\sk\pause
+ |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax
+ |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax
+ &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax
+ &\doubler\sk\sk\hpause\enotes
+ \Notes\org|\zql J\fourbu JKLJ\relax
+ |\ql j\sk\ds\cu e\relax
+ &\ql j\sk\ds\cl j\relax
+ &\soupir\sk\ds\cl l\enotes
+ %\check
+ \barre % mesure 55
+ \notes\org\doubler\Pause
+ |\itenu1N\wh N\relax
+ |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax
+ &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax
+ &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes
+ %\check
+ \barre % mesure 56
+ \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax
+ &\twobl j{=i}\ql j\relax
+ &\twobl lk\ds\cu g\enotes
+ \notes\org\pause
+ |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax
+ |\doubler\zq c\qu c\sk\twobu ef\relax
+ &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax
+ &\fourlll h{=i}ij\fourlll jkkl\enotes
+ \ifOrgue\def\atnextline{\OrgelPedal}\fi%
+ %\check
+ \barre % mesure 57
+ \notes\org\doubler\Pause
+ |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax
+ |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq
+c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax
+ &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax
+ &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes
+ %\check
+ \barre % mesure 58
+ \notes\org\doubler\sk\sk\hpause
+ |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax
+ |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax
+ &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax
+ &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes
+ \Notes\org\fourbu JKLJ\relax
+ |\qlp c\sk\sk\cl N\relax
+ |\fourbu efge\relax
+ &\fourbl lmnl\relax
+ &\ql j\sk\soupir\enotes
+ %\check
+ \barre % mesure 59
+ \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause
+ |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax
+ |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax
+ &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax
+ &\doubler\Pause\enotes
+ %\check
+ \barre % mesure 60
+ \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax
+ |\ql c\sk\twobl{=b}d\relax
+ |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax
+ &\ibl0m0\qb0{omk}\tqb0n\enotes
+ \notes\org\ibu1M0\doubler\qh1{JM}\relax
+ |\zq c\ql N\relax
+ |\fourbbu fedc\relax
+ &\fourbbl mlkj&\pause\enotes
+ \Notes\org\qh1N\tqh1G\relax
+ |\twobl bN|\qu g\relax
+ &\twobl n{=i}\enotes
+ %\check
+ \barre % mesure 61
+ \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax
+ &\pointdorgue m\wh j&\pointdorgue m\pause\enotes
+% \ifOrgue\advance\mulooseness 1\fi
+ \ifOrgue\linegoal 19\fi
+ \finmorceau
+
+
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
new file mode 100644
index 00000000000..fb5efe87b62
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex
@@ -0,0 +1,723 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- adagio}
+\fulltitle{Concerto pour hautbois --- adagio}
+\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
+ \ifFlute Partition fl–te\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- adagio}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\def\OrgelManual{%
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=2\relax%
+}
+\def\OrgelPedal{%
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \def\interinstrumentii{0pt}%
+ \def\interinstrumenti{0pt}%
+ \nbporteesi=3\relax%
+}
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Fl–te}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Fl–te}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 8mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+%
+% formes frequentes
+%
+\def\Pause{\sk\sk\qsk\pause}%
+%
+ \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}
+ \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}
+%
+ \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\tqb0{#4}}%
+%
+ \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\tqh0{#4}}%
+%
+ \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+ \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+%
+ \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}
+ \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}
+%
+ \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}}
+ \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}}
+
+%
+%\check
+%
+\catcodesmusic
+\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi}
+%
+\generalmeter{\meterfrac 34}%
+\sepbarrules
+%
+\debutmorceau
+%\check
+%
+\notes\org\relax
+ |&&\zcharnote{w}{\kern -20mm\moyen Adagio
+\bf(\metron{\cu}{84})}\enotes
+%
+%\check
+%
+% mesure 1
+\NOTes\org\Pause\relax
+ |\Pause\relax
+ |\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ &\ifFlute\zcharnote N{\sl (orgue solo)}\fi
+ \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ \else\Pause
+ \fi\relax
+ &\ifOboe\zcharnote N{\sl (orgue solo)}\fi
+ \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax
+ \else\Pause\fi\enotes
+% mesure 2
+\barre\NOTes\org\Pause
+ |\Pause\relax
+ |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
+ &\ifFlute\zcharnote N{\sl fl–te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax
+ &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax
+ \else\Pause\fi\enotes
+% mesure 3
+\barre\NOTes\org\hup G\relax
+ |\roff{\pt g}\rh g\hup f\relax
+ |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax
+ &\ibl0k0\qb0{kkkkk}\tqb0k\relax
+ &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax
+ \else\Pause\fi\enotes
+% mesure 4
+\def\motif{\zq j\qh0 l}%
+\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax
+ |\itenl1e\zhp c\zhp g\hlp e\relax
+ |\ibl3j0\qb3{jj}\relax
+ &\ibl4l0\qb4{ll}\relax
+ &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes
+\NOTes\org\tten5\hu J\relax
+ |\relax
+ |\qb3{jj}\relax
+ &\qb4{ll}\relax
+ &\twolbl ln\enotes
+\NOTes\org\relax
+ |\relax
+ |\qb3j\relax
+ &\qb4l\relax
+ &\isluru5n\ibl5n0\qb5n\enotes
+\NOtes\org\relax
+ |\relax
+ |\tqb3j\relax
+ &\tqb4l\relax
+ &\nbbl5\qb5o\tslur5n\tqb5n\enotes
+% mesure 5
+\barre\NOTes\org\hup F\relax
+ |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax
+ |\ibu3h0\qh3{hhhhh}\tqh3h\relax
+ &\ibl4j0\qb4{jjjjj}\tqb4j\relax
+ &\mordant q\hl o\sk\sk\sk\soupir\enotes
+% mesure 6
+\barre\temps\NOTes\org\hup I\relax
+ |\zhl b\hup f\relax
+ |\ibu3h0\qh3{hh}\relax
+ &\ibl4k0\qh4{kk}\relax
+ &\twolbl ik\enotes
+\NOTes\org\relax
+ |\relax
+ |\qh3{h}\relax
+ &\qh4k\relax
+ &\Ibl5kl2\isluru5k\qb5k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3h\relax
+ &\qb4k\relax
+ &\nbbl5\qb5m\tslur5l\tqb5l\enotes
+\NOtes\org\relax
+ |\itenl2d\ql d\relax
+ |\qb3h\sk\tqh3h\relax
+ &\qb4k\sk\tqb4k\relax
+ &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes
+% mesure 7
+\barre
+\NOTes\org\hup E\relax
+ |\tten2\qu d\sk\qu c\sk\qu b\relax
+ |\sixbu gggggg\relax
+ &\sixbu iiiiii\relax
+ &\doubler\mordant p\hl n\sk\soupir\enotes
+% mesure 8
+\def\motif{\zq h\qh0j}%
+\barre\NOtes\org\hup H\relax
+ |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax
+ |\doubler\sixbu hhhhhh\relax
+ &\doubler\sixbl jjjjjj\relax
+ &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes
+% mesure 9
+\def\motif{\zq f\qh0h}%
+\def\motifa{\zq f\qh0i}%
+\barre\NOTes\org\hup K\relax
+ |\doubler\tten2\qu c\qu b\qu a\relax
+ |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax
+ &\sixbl kkkkkk\relax
+ &\doubler\mordant o\hl m\sk\soupir\enotes
+% mesure 10
+\barre
+\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax
+ |\hup f\relax
+ |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax
+ &\doubler\doubler\ibl4k0\qb4k\qb4k\relax
+ &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes
+\Notes\org\tten1\hu G\relax
+ |\relax
+ |\doubler\doubler\qh3{ii}\relax
+ &\doubler\doubler\qb4{kk}\relax
+ &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes
+\NOtes\org\relax
+ |\relax
+ |\doubler\qh3i\tqh3i\relax
+ &\doubler\qb4k\tqb4k\relax
+ &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes
+% mesure 11
+%\check
+\def\motif{\zq e\qh3 g}%
+\barre\notes\org\Ibu1CJ5\qh1C\relax
+ |\hup c\relax
+ |\ibu3g0\motif\relax
+ &\ibl4j0\qb4j\relax
+ &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes
+\NOtes\org\relax
+ |\relax
+ |\relax
+ &\relax
+ &\tbl5\tslur5l\qbp5l\enotes
+\NOTes\org\itenl1J\tqh1J\relax
+ |\relax
+ |\motif\relax
+ &\qb4j\relax
+ &\enotes
+\NOtes\org\tten1\itenl1J\hu J\relax
+ |\relax
+ |\motif\sk\motif\relax
+ &\qb4j\sk\qb4j\relax
+ &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes
+\NOtes\org\relax
+ |\relax
+ |\motif\sk\tbu3\motif\relax
+ &\qb4j\sk\tqb4j\relax
+% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes
+ &\fourlll omml\enotes
+% mesure 12
+%\check
+\barre
+\NOTes\org\tten1\qu J\relax
+ |\roff{\zql c}\hu d\relax
+ |\ibu3f0\qh3f\tqh3f\relax
+ &\ibu4h0\qh4h\tqh4h\relax
+ &\mordant p\ql k\sk\enotes
+\NOtes\org\itenl1I\hu I\relax
+ |\hl b\relax
+ |\ibu0g0\qh0g\sk\tqh0g\relax
+ &\ibu0i0\qh0i\sk\tqh0i\relax
+ &\qsoupir
+ \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes
+\NOtes\org\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\sk\relax
+ &\ibu4j0\qh4j\sk\relax
+ &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes
+\Notes\org\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqh4j\relax
+ &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes
+% mesure 13
+\barre
+\notes\org\tten1\qu I\relax
+ |\roff{\zql b}\hu c\relax
+ |\ibu3e0\qh3e\relax
+ &\ibu4g0\qh4g\relax
+ &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax
+\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes
+\NOtes\org\relax
+ |\relax
+ |\relax
+ &\relax
+ &\tslur5k\tbl1\qbp1j\enotes
+\NOTes\org\relax
+ |\relax
+ |\tqh3e\relax
+ &\tqh4g\relax
+ &\enotes
+\temps\Notes\org\hu H\relax
+ |\hl a\relax
+ |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax
+ &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax
+ &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes
+\temps\Notes\org\relax
+ |\qu d\relax
+ |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax
+ &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax
+ &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax
+\triolet n\qb1{jk}\tslur5k\tqb1j\enotes
+% mesure 14
+%\check
+\def\motif{\rq g\qh3f}%
+\barre
+\NOTes\org\hup G\relax
+ |\hup b\relax
+ |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif
+ &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax
+ &\bigna i\hl i\sk\sk\sk\soupir\enotes
+% mesure 15
+\barre\NOTes\org\hup J\relax
+ |\hup c\relax
+ |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax
+ &\twobu jg\relax
+ &\bigna l\twolbl ln\enotes
+\NOTes\org\relax
+ |\relax
+ |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax
+ &\twobu gg\relax
+ &\twolbl nl\enotes
+\NOtes\org\relax
+ |\relax
+ |\doubler\twobu ee\relax
+ &\doubler\twobl jj\relax
+ &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes
+% mesure 16
+\barre\NOTes\org\hlp M\relax
+ |\qu c\relax
+ |\ibu3g0\qh3g\relax
+ &\ibl4j0\qb4j\relax
+ &\ibu5k0\itenl5i\qh5i\enotes
+\Notes\org\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqb4j\relax
+ &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes
+\temps\NOTes\org\relax
+ |\hu f\relax
+ |\ibu0h0\qh0{hhh}\tqh0h\relax
+ &\ibl0j0\qb0{jjj}\tqb0j\relax
+ &\qu h\sk\soupir\enotes
+% mesure 17
+\def\motif{\zq h\qh0 k}%
+\barre
+\NOtes\org\hup K\relax
+ |\hup {^f}\relax
+ |\ibu3h0\na h\qh3h\sk\qh3h\relax
+ &\ibl4k0\qb0k\sk\qb0k\relax
+ &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax
+ &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax
+ &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax
+ &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax
+ &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes
+% mesure 18
+ \barre
+\NOTes\org\hup G\relax
+ |\qu d\relax
+ |\twobu gg\relax
+ &\twobl kk\relax
+ &\twolbl ji\enotes
+\NOTes\org\relax
+ |\itenl2e\hu e\relax
+ |\ibu3g0\qh3{ggg}\tqh3g\relax
+ &\ibl4i0\qb4{iii}\tqb4i\relax
+ &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes
+% mesure 19
+\barre\NOTes\org\hl M\relax
+ |\tten2\qu e\relax
+ |\ibu3h0\qh3{_h}\relax
+ &\ibl4j0\qh4j\relax
+ &\tten5\isluru5m\ibl5l0\qb5l\enotes
+\NOtes\org\relax
+ |\relax
+ |\tqh3h\relax
+ &\tqb4j\relax
+ &\nbbl5\qb5m\tqb5l\enotes
+\NOTes\org\relax
+ |\hu d\relax
+ |\ibu3f0\qh3f\relax
+ &\ibu4h0\qh4h\relax
+ &\ibl5k0\qb5k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3f\relax
+ &\qh4h\relax
+ &\nbbl5\qb5l\tslur5k\tqb5j\enotes
+\NOTes\org\qu F\relax
+ |\relax
+ |\qh3f\tqh3f\relax
+ &\qh4h\tqh4h\relax
+ &\itenu5k\mordant m\ql k\enotes
+% mesure 20
+\barre
+\NOtes\org\hu E\relax
+ |\qu d\relax
+ |\doubler\twobu gg\relax
+ &\doubler\twobu ii\relax
+ &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes
+\temps\NOtes\org\relax
+ |\hu c\relax
+ |\ibu3e0\qh3{e*e}\relax
+ &\ibu4g0\qh4{g*g}\relax
+ &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes
+\NOTes\org\ql L\relax
+ |\relax
+ |\qh3e\sk\tqh3e\relax
+ &\qh4g\sk\tqh4g\relax
+ &\upperna j\mordant o\itenu5j\ql j\enotes
+% mesure 21
+\barre
+\NOtes\org\hup K\relax
+ |\hu b\relax
+ |\doubler\twobu ff\relax
+ &\doubler\twobu fh\relax
+ &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes
+\Notes\org\relax
+ |\relax
+ |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax
+ &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax
+ &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes
+\NOtes\org\relax
+ |\qu a\relax
+ |\qh3d\sk\tqh3d\relax
+ &\qh4f\sk\tqh4f\relax
+ &\Ibbl5mi3\qb5{mk}\relax
+\pince l\qb5j\enotes
+\NOtes\org\relax
+ |\relax
+ &\relax
+ &\tslur5k\itenu5i\tqb5i\enotes
+% mesure 22
+\barre
+\Notes\org\hup J\relax
+ |\qu N\relax
+ |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax
+ &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax
+ &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes
+\Notes\org\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax
+ &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax
+ &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes
+\temps\NOtes\org\relax
+ |\qu e\relax
+ |\ibu3f0\qh3f\sk\tqh3f\relax
+ &\ibu4h0\qh4h\sk\zq f\tqh4h\relax
+ &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes
+% mesure 23
+\barre
+\NOTes\org\hu I\relax
+ |\hu d\relax
+ |\ibu3f0\qh3{fff}\relax
+ &\ibu4h0\qh4{hhh}\relax
+ &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes
+\NOtes\org
+ |\relax
+ |\tqh3f\relax
+ &\tqh4h\relax
+ &\sk\tbbl5\tqb5i\enotes
+\NOTes\org\qu J\relax
+ |\qu c\relax
+ |\twobu ee\relax
+ &\twobu gg\relax
+ &\itenu5l\ql l\enotes
+% mesure 24
+\barre
+\NOTes\org\qu{H}\relax
+ |\relax
+ |\ibu3h0\zq e\qh3h\relax
+ &\ql j\relax
+ &\tten5\ibl5i0\itenu5l\qb5l\enotes
+\Notes\org\relax
+ |\relax
+ |\zq e\tqh3h\relax
+ &\relax
+ &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes
+\NOTes\org\hu I\relax
+ |\hpause
+ |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax
+ &\hl i\relax
+ &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi
+ \qlp m\sk\sk\tslur5m\cl l\enotes
+% mesure 25
+\barre\NOTes\org\hlp M\relax
+ |\relax
+ |\zhlp f\ibu3h0\qh3{hhh}\relax
+ &\Ibl4hk6\qb4h\qb4{_kk}\relax
+ &\Uptext{\pp}\bigfl k\qlp k\enotes
+\NOtes\org\relax
+ |\pause
+ |\doubler\qh3{hh}\tqh3h\relax
+ &\doubler\qb4{kk}\tqb4k\relax
+ &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes
+% mesure 26
+\barre
+\NOTes\org\hlp N\relax
+ |\relax
+ |\zhlp e\ibu3g0\qh3{gg}\relax
+ &\ibu4i0\qh4{ii}\relax
+ &\itenu5k\ql{_k}\enotes
+\NOtes\org\relax
+ |\sk\pause
+ |\doubler\qh3{ggg}\tqh3g\relax
+ &\doubler\qh4{iii}\tqh4i\relax
+ &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes
+% mesure 27
+\barre
+\NOTes\org\hl a\relax
+ |\hu e\relax
+ |\ibu3h0\qh3h\relax
+ &\ibl4j0\qb4j\relax
+ &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes
+\Notes\org\relax
+ |\relax
+ |\qh3h\relax
+ &\qh4j\relax
+ &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3h\sk\tqh3h\relax
+ &\qb4j\sk\tqb4j\relax
+ &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes
+\NOtes\org\qu H\relax
+ |\itenl2f\qu f\relax
+ |\ibu3h0\qh3h\sk\tqh3h\relax
+ &\ibl4j0\qb4j\sk\tqb4j\relax
+ &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes
+% mesure 28
+\barre\NOTes\org\hu G\relax
+ |\tten2\hu f\relax
+ |\ibu3g0\qh3{gg}\relax
+ &\ibl4i0\bigna i\qb4{ii}\relax
+ &\itenu5m\ql m\enotes
+\NOtes\org\relax
+ |\relax
+ |\qh3g\sk\tqh3g\relax
+ &\qb4i\sk\tqb4i\relax
+ &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes
+\NOtes\org\qu{H}\relax
+ |\itenl2f\qu f\relax
+ |\itenu3h\qu h\relax
+ &\itenu4j\ql j\relax
+ &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes
+% mesure 29
+\barre
+\NOtes\org\qu F\relax
+ |\tten2\qu f\relax
+ |\doubler\tten3\twobu hh\relax
+ &\doubler\tten4\twobl jk\relax
+ &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes
+\temps\NOTes\org\hu G\relax
+ |\qup d\sk\sk\cu e\relax
+ |\ibu0g0\qh0{ggg}\tqh0g\relax
+ &\qlp{=i}\sk\sk\cl j\relax
+ &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi
+ \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes
+% mesure 30
+%\check
+\barre
+\NOTes\org\hup{H}\relax
+ |\hup c\relax
+ |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax
+ &\ibl4j0\qb4{jjjj}\relax
+ &\itenl5f\hu f\enotes
+\NOtes\org\relax
+ |\relax
+ |\zq f\qh3h\sk\zq f\tqh3h\relax
+ &\qb4j\sk\tqb4j\relax
+ &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes
+% mesure 31
+%\check
+\barre
+\NOtes\org\hu G\relax
+ |\hu d\sk
+ |\doubler\ibu3g0\qh3{gggg}\relax
+ &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax
+ &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes
+\Notes\org\ql L\relax
+ |\qu c\relax
+ |\doubler\doubler\qh3g\tqh3g\relax
+ &\doubler\doubler\twobl jj\relax
+ &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes
+% mesure 32
+%\check
+\barre
+\NOtes\org\bigaccid\zql{a}\relax
+ |\qu c\relax
+ |\ibu0f0\qh0f\sk\tqh0f\relax
+ &\doubler\twobu hh\relax
+ &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes
+\NOTes\org\hl N\relax
+ |\qup d\sk\sk\cu e\relax
+ |\twobu ff\twobu gg\relax
+ &\qlp{=i}\sk\sk\cl j\relax
+ &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi
+ \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes
+% mesure 33
+%\check
+\barre\NOTes\org\hu K\relax
+ |\zhu{^f}\hlp d\relax
+ |\na h\ibu3h0\qh3{hhh}\tqh3h\relax
+ &\ibl4j0\qb4{jjj}\tqb4j\relax
+ &\bigsh m\isluru5n\hl m\enotes
+\NOTes\org\qu G\relax
+ |\raise 2\internote\soupir
+ |\twobu gg\relax
+ &\bigna i\twobu ii\relax
+ &\tslur5o\isluru5o\twobl nk\enotes
+% mesure 34
+%\check
+\barre\NOTes\org\Ibl1JG5\qb1J\relax
+ |\qu e\relax
+ |\ibu3g0\qh3g\relax
+ &\ibl4j0\qb4j\relax
+ &\tslur5m\Ibl5lj2\qb5l\enotes
+\NOtes\org\qb1L\relax
+ |\relax
+ |\tqh3g\relax
+ &\tqb4j\relax
+ &\nbbl5\qb5k\tqb5j\enotes
+\NOTes\org\qb1{NMN}\tqb1G\relax
+ |\hu d\relax
+ |\hu g\relax
+ &\na i\qup i\sk\sk\cu j\relax
+ &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes
+ \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi
+% mesure 35
+%\check
+\barre
+\NOTes\org\hup J\relax
+ |\rlap{\sk\itenl2N}\twobl cN\relax
+ |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax
+ &\Ibl4jl5\qh4{jl}\relax
+ &\hlp j\enotes
+\NOTes\org\relax
+ |\tten2\hl N\relax
+ |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax
+ &\qb4{lll}\tqb4l\enotes
+% mesure 36
+%\check
+\barre\NOTes\org\hup G\relax
+ |\hlp N\relax
+ |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq
+{_b}\qh3d\zq b\tqh3d\relax
+ &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax
+ &\sk\sk\qsk\pause\enotes
+% mesure 37
+%\check
+\barre\NOTes\org\hup J\relax
+ |\hlp N
+ |\na e\ibu3e0\relax
+\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax
+ &\na l\ibl4l0\qb4{lllll}\tqb4l\relax
+ &\sk\sk\qsk\pause\enotes
+% mesure 38
+%\check
+\barre
+\NOTes\org\hlp M\relax
+ |\zql b\relax
+ |\ibu3f0\zq c\qh3f\zq c\qh3f\relax
+ &\ibl4m0\qb4m\qb4m\enotes
+\NOTes\org\relax
+ |\itenu2a\ql a\relax
+ |\zq c\qh3f\zq c\tqh3f\relax
+ &\qb4m\tqb4m\relax
+ &\sk\pause\enotes
+\temps\NOTes\org\relax
+ |\tten2\ql a\relax
+ |\zq {c}\rq f\qu e\relax
+ &\ql m\sk
+ &\enotes
+% mesure 39
+%\check
+\barre
+\NOTes\org\hl N\relax
+ |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax
+ |\qup f\sk\sk\Ibu3gc2\qh3g\relax
+ &\qlp m\sk\sk\Ibl4nj2\qb4n\relax
+ &\sk\sk\qsk\pause\enotes
+\NOTes\org\ql a\relax
+ |\ql c\relax
+ |\qh3e\tqh3d\relax
+ &\qb4l\tqb4k\enotes
+% mesure 40
+%\check
+\barre
+\NOTes\org\ql M\relax
+ |\zq c\ql a\sk\relax
+ |\twobu ef\relax
+ &\twobl lm\enotes
+\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax
+ |\hl{=b}\relax
+ |\hu d\relax
+ &\hl k\sk\sk\relax
+ &\qsk\pause\enotes
+% mesure 41
+%\check
+%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi
+\barre
+\NOTES\org\hup J\relax
+ |\zhp{LN}\hlp c\relax
+ |\sk\pause
+ &\hlp j\relax
+ &\sk\pause\enotes
+\ifOrgue \linegoal 9\relax
+\else \linegoal 12\relax
+\fi
+\finmorceau
+
+\endinput
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
new file mode 100644
index 00000000000..52b1989bb06
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex
@@ -0,0 +1,1106 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+
+%
+\title{Concerto pour hautbois --- finale}
+\fulltitle{Concerto pour hautbois --- finale}
+\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf
+ \ifFlute Partition fl–te\fi
+ \ifOboe Partition hautbois\fi
+ \ifOrgue Partition orgue\fi}
+}
+\shorttitle{Concerto pour hautbois --- finale}
+\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN}
+\shortauthor{B. Marcello, D. Taupin}
+\maketitle
+%
+\parindent 13mm
+\def\interfacteur{10} % was 9
+\ifOrgue
+ \def\nbinstruments{3}
+ \global\cleftoksi={{6}{6}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \global\cleftoksiii={{0}{0}{0}{0}}%
+ \nbporteesi=3\relax%
+ \nbporteesii=1\relax%
+ \nbporteesiii=1\relax%
+ \def\instrumenti{Orgue}%
+ \def\instrumentii{Fl–te}%
+ \def\instrumentiii{Hautbois}%
+ \def\staffspacingii{0.64}\def\staffspacingiii{0.64}%
+\else
+ \def\nbinstruments{2}
+ \global\cleftoksi={{0}{0}{0}{0}}%
+ \global\cleftoksii={{0}{0}{0}{0}}%
+ \nbporteesi=1\relax%
+ \nbporteesii=1\relax%
+ \def\instrumenti{Fl–te}%
+ \def\instrumentii{Hautbois}%
+ \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi
+ \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi%
+ \def\everystaff{\vrule width 0pt depth 5mm\relax}%
+\fi
+
+\ifOboe\def\interinstrumenti{2\Interligne}\fi
+%
+\signaturegenerale{-3}\relax
+%\check
+\def\doubler{\multiply\noteskip by 2\relax}%
+% formes frequentes
+\def\Pause{\sk\sk\qsk\pause}%
+%
+%
+\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4%
+\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}%
+\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}%
+%
+\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4%
+\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}%
+\upz{#4}\tqb0{#4}\sk}%
+%
+\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2%
+\isluru0{#1}\qb0{#1}%
+\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}%
+%
+\def\threell#1#2#3{\Ibbl0{#1}{#3}2%
+\isluru0{#1}\qb0{#1}%
+\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}%
+%
+\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4%
+\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}%
+\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}%
+%
+\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4%
+\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}%
+\lpz{#4}\tqh0{#4}\sk}%
+%
+\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2%
+\islurd0{#1}\qh0{#1}%
+\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}%
+%
+\def\threelu#1#2#3{\Ibbu0{#1}{#3}2%
+\islurd0{#1}\qh0{#1}%
+\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}%
+%
+\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}%
+\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}%
+\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2%
+\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}%
+%
+\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}%
+\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2%
+\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}%
+%
+\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}%
+\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}%
+\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}%
+\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}%
+%
+\def\clpz#1{\upz{#1}\cl{#1}}
+\def\cupz#1{\lpz{#1}\cu{#1}}
+% Siciliano : O. oO
+\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk}
+\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk}
+
+\catcodesmusic
+\def\org#1&{\ifOrgue #1\relax
+ &\relax\fi}
+%
+%\check
+%
+\generalmeter{\meterfrac 38}%
+\sepbarrules
+%
+\debutmorceau
+\notes\org\relax
+ &\relax
+ &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes
+%
+%\check
+% mesure 1
+\notes\org\Pause
+ |\zmidtwotext{\llap{\bf II}}\qlp c\relax
+ |\zqp e\qup g\relax
+ &\qlp j\relax
+ &\uptext{\p}\sixlpl jgjklj\enotes
+%\check
+ \barre % mesure 2
+\notes\org\Pause
+ |\qlp{=b}\relax
+ |\zqp d\qup g\relax
+ &\qlp k\relax
+ &\sixlpl kgklmk\enotes
+%\check
+ \barre % mesure 3
+\notes\org\Pause
+ |\doubler\cl c\ql a\relax
+ |\doubler\zq e\cu g\zq c\qu f\relax
+ &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax
+ &\sixppl lkjklm\enotes
+%\check
+ \barre % mesure 4
+\Notes\org\sk\pause
+ |\qlp N\relax
+ |\zqp d\qup g\relax
+ &\qup{=i}\relax
+ &\isluru0n\ql n\sk\tslur0g\cl g\enotes
+%\check
+ \barre % mesure 5
+\notes\org\Pause
+ |\qup J\relax
+ |\sixppl lkj{_i}hg\relax
+ &\sixppl nmlkj{_i}\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 6
+\notes\org\Pause
+ |\sixppl MNMLKJ\relax
+ |\qu f\sk\sk\sk\ds\relax
+ &\threeppl hjm\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 7
+\notes\org\Pause
+ |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax
+ |\sixppu kjihgf\relax
+ &\sixppl mlkjih\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 8
+\notes\org\Pause
+ |\sixppl LMLKJI\relax
+ |\qu e\sk\sk\sk\ds\relax
+ &\threeppl gil\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 9
+\notes\org\Pause
+ |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax
+ |\sixppu jihgfe\relax
+ &\sixppl lkjihg\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 10
+\notes\org\Pause
+ |\sixppl KLKJIH\relax
+ |\qu d\sk\sk\sk\ds\relax
+ &\threeppl fhk\sk\ds\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 11
+\notes\org\Pause
+ |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax
+ |\sixppu {=i}hgfed\relax
+ &\relax
+ \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi
+ \relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 12
+\notes\org\Pause
+ |\sicu JKL\relax
+ |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax
+ &\relax
+ \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk
+ \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk
+ \fi\relax
+ &\Pause\enotes
+%\check
+ \barre % mesure 13
+\notes\org\Pause
+ |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax
+ |\doubler
+\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax
+ &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes
+%\check
+ \barre % mesure 14
+\notes\org\qup J\relax
+ |\zmidtwotext{\llap{\bf I}}\qlp c\relax
+ |\zqp e\qup g\relax
+ &\qlp j\relax
+ &\sixlpl jgjklj\enotes
+%\check
+ \barre % mesure 15
+\notes\org\doubler\qup {=I}\relax
+ |\doubler\qlp{=b}\relax
+ |\zqp d\qup g\relax
+ &\qlp k\relax
+ &\sixlpl kgklmk\enotes
+%\check
+ \barre % mesure 16
+\notes\org\doubler\cu J\qu H\relax
+ |\doubler\cl c\ql a\relax
+ |\doubler\zq e\cu g\zq c\qu f\relax
+ &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax
+ &\sixppl lkjklm\enotes
+%\check
+ \barre % mesure 17
+\notes\org\qup G\relax
+ |\qlp N\relax
+ |\zqp d\qup g\relax
+ &\fourplpl{=i}kji\relax
+ &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes
+%\check
+ \barre % mesure 18
+\notes\org\doubler\qu J\sk\lpz H\cu H\relax
+ |\doubler\ql c\sk\upz a\cl a\relax
+ |\doubler\zq e\qu g\sk\ds\relax
+ &\fourplpl llkj\relax
+ &\sixlpl nljlom\enotes
+ %\check
+ \barre % mesure 19
+\notes\org\doubler\qu I\sk\lpz G\cu G\relax
+ |\doubler\ql b\sk\upz N\cl N\relax
+ |\qu d\sk\ds\relax
+ &\fiveplpl iklmn\relax
+ &\threelpl kmp\sk\ds\enotes
+%\check
+ \barre % mesure 20
+\notes\org\doubler\qu H\sk\lpz F\cu F\relax
+ |\doubler\ql a\sk\upz M\cl M\relax
+ |\doubler\zq c\qu e\sk\ds\relax
+ &\fourplpl jjih\relax
+ &\sixlpl ljhjlj\enotes
+ %\check
+ \barre % mesure 21
+\notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\qu {=b}\sk\ds\relax
+ &\fiveplpl gh{=i}jk\relax
+ &\threelpl {=i}kn\sk\ds\enotes
+ %\check
+ \barre % mesure 22
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\fourplpl jlkj\relax
+ &\sixlpl lkjklj\enotes
+ %\check
+ \barre % mesure 23
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax
+ &\fourplpl imlk\relax
+ &\sixlpl mlklmk\enotes
+ %\check
+ \barre % mesure 24
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax
+ &\fourplpl inml\relax
+ &\sixlpl nmlmnl\enotes
+ %\check
+ \barre % mesure 25
+\notes\org\Pause
+ |\Pause
+ |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax
+ &\fourplpl ionm\relax
+ &\sixlpl pnmlkj\enotes
+ %\check
+ \barre % mesure 26
+\notes\org \Pause
+ |\Pause
+ |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax
+ &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax
+ &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes
+ %\check
+ \barre % mesure 27
+\notes\org\Pause
+ |\doubler\ql c\sk\cl b\relax
+ |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax
+ &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax
+ &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes
+ %\check
+ \barre % mesure 28
+ \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax
+ |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl
+b\relax
+ |\sixppu iilmnl\relax
+ &\sixppl lilmnl\relax
+ &\doubler\ql l\sl\ds\enotes
+ %\check
+ \barre % mesure 29
+ \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax
+ |\tten1\tten2\doubler\zql b\cu e\qu
+d\cl b\relax
+ |\sixppu miklmk\relax
+ &\sixppl mimnom\relax
+ &\relax\Pause\enotes
+ %\check
+ \barre % mesure 30
+ \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax
+ |\doubler\ibl0c0\qb0{be}\tqb0b\relax
+ |\sixppl lkjklm\relax
+ &\sixppl nmlmno\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 31
+ \notes\org\qup I\relax
+ |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax
+ |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax
+ &\doubler\ql p\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 32
+ \notes\org\Pause
+ |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz
+L\tqb0L\relax
+ |\doubler\zq g\qu i\sk\zq g\cu i\relax
+ &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax
+ &\uptext{\mf}\sixlpl lilmnl\enotes
+ %\check
+ \barre % mesure 33
+ \notes\org\Pause
+ |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax
+ |\doubler
+\zq f\qu i\sk\zq k\cu i\relax
+ &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax
+ &\Sixlpl mimnom\enotes
+ %\check
+ \barre % mesure 34
+ \notes\org\Pause
+ |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz
+L\tqb0L\relax
+ |\doubler\zq i\ql l\sk\zq i\cl l\relax
+ &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax
+ &\sixlpl nmlmno\enotes
+ %\check
+ \barre % mesure 35
+ \notes\org\Pause
+ |\doubler\ql b\sk\ds\relax
+ |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax
+ &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax
+ &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes
+ %\check
+ \barre % mesure 36
+ \notes\org\Pause
+ |\doubler\ql L\sk\ds\relax
+ |\doubler\zq e\zq g\ql i\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\Sixlpl ligili\enotes
+ %\check
+ \barre % mesure 37
+ \notes\org\Pause
+ |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax
+ |\Pause\relax
+ &\sixlpl ljhjlj\relax
+ &\threelpl jlo\sk\ds\enotes
+ %\check
+ \barre % mesure 38
+ \notes\org\Pause
+ |\doubler\zq M\ql c\sk\ds\relax
+ |\doubler\qu{=h}\sk\ds\relax
+ &\threelpl {=h}jm\sk\ds\relax
+ &\Sixlpl mj{=h}jmj\enotes
+ %\check
+ \barre % mesure 39
+ \notes\org\Pause
+ |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax
+ |\Pause\relax
+ &\sixlpl mkikmk\relax
+ &\threelpl kmp\sk\ds\enotes
+ %\check
+ \barre % mesure 40
+ \notes\org\Pause
+ |\doubler\zq N\ql d\sk\ds\relax
+ |\doubler\qu{=i}\sk\ds\relax
+ &\threelpl {=i}kn\sk\ds\relax
+ &\Sixlpl nk{=i}knk\enotes
+ %\check
+ \barre % mesure 41
+ \notes\org\doubler\qu J\sk\cupz F\relax
+ |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax
+ |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax
+ &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax
+ &\sixlpl lnlj{_o}m\enotes
+ %\check
+ \barre % mesure 42
+ \notes\org\doubler\qu I\sk\cupz E\relax
+ |\doubler
+ \ql b\sk\clpz L\relax
+ |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax
+ &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax
+ &\sixlpl kmkinl\enotes
+ %\check
+ \barre % mesure 43
+ \notes\org\doubler\qu H\sk\cupz D\relax
+ |\doubler
+ \ql a\sk\clpz K\relax
+ |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax
+ &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax
+ &\sixlpl jljhmk\enotes
+ %\check
+ \barre % mesure 44
+ \notes\org\doubler\qu G\sk\cupz C\relax
+ |\doubler\ql N\sk\clpz J\relax
+ |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax
+ &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax
+ &\sixlpl ikiglj\enotes
+ %\check
+ \barre % mesure 45
+ \notes\org\doubler\qu F\sk\cupz I\relax
+ |\doubler\ql M\sk\clpz b\relax
+ |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax
+ &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax
+ &\sixlpu hjhfki\enotes
+ %\check
+ \barre % mesure 46
+ \notes\org\doubler\qu E\sk\cupz C\relax
+ |\doubler\ql L\sk\clpz J\relax
+ |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax
+ &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax
+ &\sixlpu gigej{=h}\enotes
+ %\check
+ \barre % mesure 47
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\doubler\ql K\sk\ds\relax
+ |\zq c\rq d\qu{^f}\sk\ds\relax
+ &\doubler\qu {=h}\sk\ds\relax
+ &\sixlpu {^f}df{=h}kh\enotes
+ %\check
+ \barre % mesure 48
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\ql N\sk\ds\doubler\relax
+ |\doubler\zq {bd}\qu g\sk\ds\relax
+ &\doubler\qu i\sk\ds\relax
+ &\sixlpl igiknk\enotes
+ %\check
+ \barre % mesure 49
+ \notes\org\doubler\qu J\sk\ds\relax
+ |\doubler\ql c\sk\ds\relax
+ |\doubler\zq e\qu g\sk\ds\relax
+ &\doubler\ql j\sk\ds \relax
+ &\sixlpl ljlnqn\enotes
+ %\check
+ \barre % mesure 50
+ \notes\org\doubler\qu K\sk\cupz L\relax
+ |\doubler\ql{=a}\sk\ds\relax
+ |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax
+ &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax
+ &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes
+ %\check
+ \barre % mesure 51
+ \notes\org\doubler\qu J\sk\cupz G\relax
+ |\doubler\ql c\sk\cupz N\relax
+ |\doubler
+ \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax
+ &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax
+ &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes
+ %\check
+ \barre % mesure 52
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\zq {bd}\qu g\sk\ds\relax
+ &\doubler\qu i\sk\ds\relax
+ &\sixlpl nknkik\enotes
+ %\check
+ \barre % mesure 53
+ \notes\org\qup G\relax
+ |\qlp N\relax
+ |\sixppu i{=h}gfed\relax
+ &\advance\transpose 7\relax\sixppl kji{=h}gf\relax
+ &\doubler\qu g\sk\ds\enotes
+ %\check
+ \barre % mesure 54
+ \notes\org\doubler\qu E\sk\ds\relax
+ |\sixppu JKJI{=H}G\relax
+ |\doubler\qu c\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl egj\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 55
+ \notes\org\qup F\relax
+ |\threeppu {=H}JM\sk\ds\relax
+ |\sixppu {=h}gfedc\relax
+ &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 56
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\sixppu IJI{=H}GF\relax
+ |\doubler\qu b\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax
+ &\pause\enotes
+ %\check
+ \barre % mesure 57
+ \notes\org\qup E\relax
+ |\threeppu GIL\sk\ds\relax
+ |\sixppu gfedcb\relax
+ &\advance\transpose 7\relax \sixppl i{=h}gfed\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 58
+ \notes\org\doubler\qu C\sk\ds\relax
+ |\sixppu {=H}IHGF{=E}\relax
+ |\doubler\qu {=a}\sk\ds\relax
+ &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 59
+ \notes\org\doubler\qu D\sk\ds\relax
+ |\threeppu{^F}{=H}K\sk\ds\relax
+ |\sixppu {^f}{_e}dcb{=a}\relax
+ &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 60
+ \notes\org\sicu G{=H}I\relax
+ |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax
+ |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax
+ &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 61
+ \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax
+ |\doubler
+ \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax
+ |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax
+ &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 62
+ \notes\org\qup G\relax
+ |\zqp{=b}\qlp N\relax
+ |\doubler\qup g\relax
+ &\relax\advance\transpose 7\relax
+ \qlp g\relax
+ &\Pause\enotes
+ \ifOrgue
+ \setrightrepeat
+ \alapage % mesure 63
+ \addspace{-\afterruleskip}%
+ \leftrepeatsymbol
+ \else
+ \setleftrightrepeat
+ \barre % mesure 63
+ \fi
+ \notes\org\triou GIG\relax
+ |\zmidtwotext{\llap{\bf I}}\triol NbN\relax
+ |\doubler\zq d\qu g\sk\zq d\cu g\relax
+ &\fourplpl ikji\relax
+ &\sixlpl nknopn\enotes
+ %\check
+ \barre % mesure 64
+ \notes\org\triou JIH\relax
+ |\triol cba\relax
+ |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax
+ &\doubler\ql n\sk\itenu1 j\cl j\relax
+ &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes
+ %\check
+ \barre % mesure 65
+ \notes\org\triou IJJ\relax
+ |\triol bcc\relax
+ |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax
+ &\doubler\tten1\ql j\sk\cl j\relax
+ &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes
+ %\check
+ \barre % mesure 66
+ \notes\org\qu F\sk\ds\relax
+ |\triol MaM\relax
+ |\doubler\qu h\sk\ds\relax
+ &\Sixlpl mjmnom\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 67
+ \notes\org\Pause
+ |\doubler\qu I\sk\cu J\relax
+ |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax
+ &\doubler\ql k\sk\clpz l\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 68
+ \notes\org\Pause
+ |\triou HII\relax
+ |\ibbl0h0\qb0{flflf}\tqb0k\relax
+ &\triopl mmm\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 69
+ \notes\org\Pause
+ |\triopl LNL\relax
+ |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax
+ &\doubler\ql l\sk\clpz l\relax
+ &\sixlpl lilmnl\enotes
+ %\check
+ \barre % mesure 70
+ \notes\org\Pause
+ |\triopl IKI\relax
+ |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz
+d\zq d\zq f\tqh0i\relax
+ &\doubler\ql l\sk\clpz m\relax
+ &\Sixlpl mimnom\enotes
+ %\check
+ \barre % mesure 71
+ \notes\org\Pause
+ |\triopl LNL\relax
+ |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz
+g\zq g\zq i\tqh0l\relax
+ &\doubler\ql n\sk\clpz n\relax
+ &\sixlpl nmlmno\enotes
+ %\check
+ \barre % mesure 72
+ \Notes\org\sl\qsk\pause
+ |\ql b\sk\ds\relax
+ |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax
+ &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax
+ &\isluru0p\ql p\sk\tslur0i\cl i\enotes
+ %\check
+ \barre % mesure 73
+%
+ \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}%
+%
+ \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}%
+%
+ \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5%
+\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}%
+\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}%
+%
+ \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5%
+\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}%
+\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}%
+%
+ \notes\org\Pause
+ |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax
+ |\doubler\zq e\zq g\ql i\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\uptext{\p}\sixllpl liij{_k}k\enotes
+ %\check
+ \barre % mesure 74
+ \notes\org\Pause
+ |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax
+ |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax
+ &\sixllpu ihhijj\relax
+ &\usf m\threell {_k}jj\enotes
+ %\check
+ \barre % mesure 75
+ \notes\org\Pause
+ |\doubler\zq M\ql{=a}\sk\ds\relax
+ |\qu e\sk\ds\relax
+ &\doubler\ql j\sk\ds\relax
+ &\sixllpl mjj{=k}ll\enotes
+ %\check
+ \barre % mesure 76
+ \notes\org\Pause
+ |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax
+ |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax
+ &\sixllpl jiijkk\relax
+ &\usf m\threell lkk\enotes
+ %\check
+ \barre % mesure 77
+ \notes\org\Pause
+ |\doubler\zq N\ql{=b}\sk\ds\relax
+ |\doubler\qu f\sk\ds\relax
+ &\doubler\ql k\sk\ds\relax
+ &\sixllpl nkklmm\enotes
+ %\check
+ \barre % mesure 78
+ \notes\org\Pause
+ |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax
+ |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax
+ &\sixllpl kjjkll\relax
+ &\usf n\threell mll\enotes
+ %\check
+ \barre % mesure 79
+ \notes\org\Pause
+ |\doubler\zq a\ql c\sk\ds\relax
+ |\doubler\qu {_g}\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\sixllpl ollm{_n}n\enotes
+ %\check
+ \barre % mesure 80
+ \notes\org\Pause
+ |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax
+ |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax
+ &\sixllpl l{_k}klmm\relax
+ &\sixlpl {_n}mm{=n}op\enotes
+ %\check
+ \barre % mesure 81
+ \notes\org\doubler\soupir\sk\cu J\relax
+ |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax
+ |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax
+ &\doubler\ql l\sk\clpz o\relax
+ &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes
+ %\check
+ \barre % mesure 82
+ \notes\org\triopl {_K}LE\relax
+ |\triopl {_d}eL\relax
+ |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax
+ &\triopl oon\relax
+ &\uptext{\f}%
+ \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes
+ %\check
+ \barre % mesure 83
+ \notes\org\triopu HJH\relax
+ |\triopl aca\relax
+ |\zq h\sixppu jehijh\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax
+ &\relax\doubler\qu h\sk\ds\enotes
+ %\check
+ \barre % mesure 84
+ \notes\org\triopu EGE\relax
+ |\triopu LNL\relax
+ |%\rlap{\roff{\ql h}\sk\ql g}%
+ \sixppu ieij{_k}i\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 85
+ \notes\org\doubler\qu H\sk\cupz H\relax
+ |\doubler\ql a\sk\clpz a\relax
+ |\sixppu hgfghi\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 86
+ \Notes\org\qup E\relax
+ |\qlp L\relax
+ |\zq g\qu i\sk\cu e\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax
+ &\sk\qsk\pause\enotes
+ %\check
+ \barre % mesure 87
+ \notes\org\qup J\relax
+ |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax
+ |\zqp e\zqp h\qlp l\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax
+ &\sixlpl ljhjlh\enotes
+ %\check
+ \barre % mesure 88
+ \notes\org\Pause
+ |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax
+ |\Pause\relax
+ &\sixlpl om{_k}mom\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 89
+ \notes\org\Pause
+ |\doubler\zq I\ql a\sk\ds\relax
+ |\doubler\ql i\sk\ds\relax
+ &\doubler\ql{=k}\sk\ds\relax
+ &\sixlpl mkikmi\enotes
+ %\check
+ \barre % mesure 90
+ \notes\org\Pause
+ |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax
+ |\Pause\relax
+ &\sixlpl pnlnpn\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 91
+ \notes\org\Pause
+ |\doubler\zq J\ql N\sk\ds\relax
+ |\doubler\ql j\sk\ds\relax
+ &\doubler\ql{=l}\sk\ds\relax
+ &\sixlpl n{=l}jlnj\enotes
+ %\check
+ \barre % mesure 92
+ \notes\org\Pause
+ |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq
+a\tqb0c\relax
+ |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax
+ &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes
+ %\check
+ \barre % mesure 93
+ \notes\org\Pause
+ |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax
+ |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax
+ &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax
+ &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes
+ %\check
+ \barre % mesure 94
+ \notes\org\triopu MFF\relax
+ |\zmidtwotext{\bf I}\triopl aMM\relax
+ |\sixlpu jhfhjf\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 95
+ \notes\org\qup I\relax
+ |\triopl bbb\relax
+ |\doubler\ql {_k}\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax
+ &\sixlpl m{_k}ikmi\enotes
+ %\check
+ \barre % mesure 96
+ \notes\org\triopu EEE\relax
+ |\qup L\relax
+ |\sixlpu igegie\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 97
+ \notes\org\qup H\relax
+ |\triopl aaa\relax
+ |\doubler\ql j\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax
+ &\sixlpl ljhjlh\enotes
+ %\check
+ \barre % mesure 98
+ \notes\org\triopu {_D}DD\relax
+ |\qup {_K}\relax
+ |\sixlpu hf{_d}fhd\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax
+ &\doubler\ql m\sk\ds\enotes
+ %\check
+ \barre % mesure 99
+ \notes\org\qup G\relax
+ |\triopl NNN\relax
+ |\doubler\ql i\sk\ds\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax
+ &\sixlpl {_k}igikg\enotes
+ %\check
+ \barre % mesure 100
+ \notes\org\triopu CCC\relax
+ |\qup J\relax
+ |\sixlpu g{=e}cegc\relax
+ &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax
+ &\doubler\ql n\sk\ds\enotes
+ %\check
+ \barre % mesure 101
+ \notes\org\triopu FFF\relax
+ |\zqup c\triopl MMM\relax
+ |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax
+ &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax
+ \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi
+ &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 102
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\zql
+N\cu{=b}\sk\ds\relax
+ |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax
+ &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax
+ &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes
+ %\check
+ \barre % mesure 103
+ \notes\org\doubler\qu J\sk\cu{=I}\relax
+ |\doubler\ql c\sk\cl{=b}\relax
+ |\doubler\ibu0g0\zq
+e\qh0g\zq e\qh0g\zq d\tqh0 g\relax
+ &\triopl jjk\relax
+ &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes
+ %\check
+ \barre % mesure 104
+ \notes\org\sicu J{_I}H\relax
+ |\sicl c{_b}a\relax
+ |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq
+f\zq j\tqh0h\relax
+ &\triopl llm\relax
+ &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes
+ %\check
+ \barre % mesure 105
+ \notes\org\doubler\qu G\sk\cupz J\relax
+ |\doubler\ql N\sk\clpz c\relax
+ |\doubler\ibl0h0\zq
+g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax
+ &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax
+ &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 106
+ \notes\org\triopu MNG\relax
+ |\triopl ffN\relax
+ |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax
+ &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax
+ &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes
+ %\check
+ \barre % mesure 107
+ \notes\org\qup J\relax
+ |\triopl eec\relax
+ |\doubler\ql j\sk\ds\relax
+ &\sixppu jgjklj\relax
+ &\doubler\ql j\sk\ds\enotes
+ %\check
+ \barre % mesure 108
+ \notes\org\qup G\relax
+ |\qlp N\relax
+ |\doubler\cl j\ql{=i}\relax
+ &\sixppu kgklmk\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 109
+ \notes\org\qup J\relax
+ |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax
+ |\sixppl j{=i}jklm\relax
+ &\sixppl lklmno\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 110
+ \notes\org\qup G\relax
+ |\sixppl NaNMLK\relax
+ |\doubler\zqlp d\qu {=i}\sk\cu g\relax
+ &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax
+ &\Pause\enotes
+ %\check
+ \barre % mesure 111
+ \notes\org\doubler\qu J\sk\ds\relax
+ |\doubler\ql c\sk\ds\relax
+ |\doubler\ibl0h0\zq g\upz j\qb0j\upz
+j\qb0j\upz g\tqb0g\relax
+ &\triopl ljn\relax
+ &\uptext{\mf}\sixppl nmlkji\enotes
+ %\check
+ \barre % mesure 112
+ \notes\org\qup F\relax
+ |\sixppl MNMLKJ\relax
+ |\sixppu hihgfe\relax
+ &\sixppl oponml\relax
+ &\threell hjm\sk\ds\enotes
+ %\check
+ \barre % mesure 113
+ \notes\org\doubler\qu I\sk\ds\relax
+ |\doubler\ql b\sk\ds\relax
+ |\threelu dfi\sk\ds\relax
+ &\threell kmp\sk\ds\relax
+ &\sixppl mlkjih\enotes
+ %\check
+ \barre % mesure 114
+ \notes\org\qup E\relax
+ |\sixppl LMLKJI\relax
+ |\sixppu ghgfed\relax
+ &\sixppl nonmlk\relax
+ &\threell gil\sk\ds\enotes
+ %\check
+ \barre % mesure 115
+ \notes\org\doubler\qu H\sk\ds\relax
+ |\doubler\ql a\sk\ds\relax
+ |\threelu ceh\sk\ds\relax
+ &\threell jlo\sk\ds\relax
+ &\sixppl lkjihg\enotes
+ %\check
+ \barre % mesure 116
+ \notes\org\doubler\qup D\relax
+ |\sixppl KLKJIH\relax
+ |\sixppu fgfedc\relax
+ &\sixppl mnmlkj\relax
+ &\threell fhk\sk\ds\enotes
+ %\check
+ \barre % mesure 117
+ \notes\org\doubler\qu G\sk\ds\relax
+ |\doubler\ql N\sk\ds\relax
+ |\threelu {=b}dg\sk\ds\relax
+ &\threell {=i}kn\sk\ds\relax
+ &\sixppl kj{=i}hgf\enotes
+ %\check
+ \barre % mesure 118
+ \notes\org\sicu JKL\relax
+ |\doubler\zq N\cl c\soupir\relax
+ |\Ibbu0eg4\lpz e\qh0e\lpz
+d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax
+ &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz
+d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax
+ &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes
+ %\check
+ \barre % mesure 119
+ \notes\org\triopu MNG\relax
+ |\triopl c{=b}N\relax
+ |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz
+d\zq d\qh0g\lpz d\zq d\tqh0f\relax
+ &\triopl onm\relax
+ &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ %\check
+ \barre % mesure 120
+ \notes\org\doubler\qu J\sk\cupz I\relax
+ |\doubler\ql N\sk\ds\relax
+ |\doubler\zq c\qu e\sk\ds\relax
+ &\doubler\ql l\sk\ds\relax
+ &\sixllll joonnm\enotes
+ %\check
+ \barre % mesure 121
+ \notes\org\doubler\qu H\sk\cupz F\relax
+ |\doubler\ql a\sk\clpz M\relax
+ |\triou cff\relax
+ &\sixlllu fjkjj{=i}\relax
+ &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 122
+ \notes\org\qup G\relax
+ |\doubler\ql N\sk\clpz N\relax
+ |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax
+ &\triopu {=i}ii\relax
+ &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes
+ %\check
+ \barre % mesure 123
+ \notes\org\doubler\qu J\sk\cupz{=I}\relax
+ |\doubler\ql c\sk\clpz {=b}\relax
+ |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax
+ &\triopl jjk\relax
+ &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes
+ %\check
+ \barre % mesure 124
+ \notes\org\sicu J{_I}H\relax
+ |\doubler\ql c\sk\clpz a\relax
+ |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax
+ &\triopl llm\relax
+ &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes
+ %\check
+ \barre % mesure 125
+ \notes\org\doubler\qu G\sk\cupz H\relax
+ |\doubler\cl N\sk\clpz c\relax
+ |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax
+ &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax
+ &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes
+ %\check
+ \barre % mesure 126
+ \notes\org\triopu FGG\relax
+ |\doubler\ql a\qu d\zq N\cl N\relax
+ |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax
+ &\Ibbl0lm1\qb0l\tqb0m\ql k\relax
+ &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes
+ \setvoltabox{1}%\check
+ \barre % mesure 127
+ \Notes\org\qu J\sk\ds\relax
+ |\ql c\sk\ds\relax
+ |\zq e\zq g\qu j\sk\ds\relax
+ &\ql j\sk\ds\relax
+ &\ql j\sk\ds\enotes
+ \endvoltabox
+ \nspace
+\setrightrepeat
+ \setvoltabox{2}\setrightrepeat%\check
+ \barre % mesure 128
+ \NOtes\org\qup J\relax
+ |\qlp c\relax
+ |\zqp e\zqp g\qup j\relax
+ &\qlp j\relax
+ &\qlp j\enotes
+ \endvoltabox
+\ifOrgue \advance\mulooseness -1\relax
+\else \advance\mulooseness 1\relax
+\fi
+\finmorceau
+
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex
new file mode 100644
index 00000000000..048ab60276e
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex
@@ -0,0 +1,21 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguefalse
+\newif\ifFlute
+\Flutetrue
+\newif\ifOboe
+\Oboefalse
+%\def\Quer{z} % define Querfl\"ote
+%
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex
new file mode 100644
index 00000000000..fa7aa315332
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex
@@ -0,0 +1,20 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguefalse
+\newif\ifFlute
+\Flutefalse
+\newif\ifOboe
+\Oboetrue
+%\def\Quer{z} % define Querfl\"ote
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex
new file mode 100644
index 00000000000..eb28d9a12e2
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex
@@ -0,0 +1,19 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\newif\ifOrgue
+\Orguetrue
+\newif\ifFlute
+\Flutefalse
+\newif\ifOboe
+\Oboefalse
+%\def\Quer{z} % define Querfl\"ote
+%
+\input marcon1.tex
+\eject
+\input marcon2.tex
+\eject
+\input marcon3.tex
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex
new file mode 100644
index 00000000000..28add2aca77
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex
@@ -0,0 +1,18 @@
+
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{0}%
+\def\Signature{3}\relax % trois diezes a la clef
+\input onuitbrx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{1}\relax
+\def\Signature{-2}\relax % deux diezes a la clef
+\input onuitbrx
+\resetfacteurs\advance\staffbotmarg by 2\Interligne
+\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{2}\relax
+\def\Signature{0}\relax % un bemol a la clef
+\input onuitbrx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex
new file mode 100644
index 00000000000..2a07b1c619d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex
@@ -0,0 +1,12 @@
+%
+
+%
+\def\Transpose{0}%
+\def\Signature{3}\relax % trois diezes a la clef
+\input onuitbrx
+\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax
+\def\Transpose{-1}\relax
+\def\Signature{1}\relax % un dieze a la clef
+\input onuitbrx
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex
new file mode 100644
index 00000000000..eb3f97b0b89
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex
@@ -0,0 +1,174 @@
+\fulltitle{\^O nuit brillante}
+\shorttitle{\^O nuit brillante}
+ \fullauthor{No‰l ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition
+Daniel Taupin}
+ \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage
+priv\'e}
+ \shortauthor{Traditionnel -- A. Sala}
+ \maketitle
+ %
+\tracingstats=1\relax
+\relativeaccidentals
+\sepbarrules
+ %
+\parindent 15mm
+ % soufflets crescendo et decrescendo
+ %
+\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}%
+ %
+\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}%
+ %
+ %\check
+\def\nbinstruments{2}\resetsignatures
+\global\nbporteesi=1\relax
+\global\nbporteesii=1\relax
+\global\cleftoksi={{6}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\def\lowersonginstrum{1} % to be used to make heavy bars at staff left
+\def\uppersonginstrum{2} % to be used to make heavy bars at staff left
+ %
+\signaturegenerale{\Signature}%
+\generalmeter{\meterfrac68}
+ %\check
+\def\interfacteur{18}%
+\def\instrumenti{\vbox{\hsize=\parindent
+\centerline{T\'enors}\centerline{basses}}}%
+\def\instrumentii{\vbox{\hsize=\parindent
+\centerline{Sopran.}\centerline{Altos}}}%
+ %\check
+ %
+\def\eightpoint{\Tenpoint}%
+ %\check
+\catcode`\@=13
+\catcodesmusic
+ %
+\def\respire{\notes&\cbreath\enotes}%
+ %
+\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt
+\vss\hrule width 9pt height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}\kern -6pt}}}%
+ %
+\elemskip 20pt\relax
+\debutmorceau
+ %\autolines 754\relax
+\transpose=\Transpose
+\znotes&\Uptext{\moyen Lent}\enotes
+ %
+\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes
+\qspace
+\NOtes\zqlp M\qup a&\hsong{â}\zqlp c\qup f\enotes
+\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes
+\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes
+ %
+ \barre
+ \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes
+ \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes
+ \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes
+ \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes
+ \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes
+ \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes
+ \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes
+ %
+ \barre
+ \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes
+ \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes
+ \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes
+ \hardlyrics{\kern -4pt miŠre }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes
+ \notes\zcl M\cu d&\hsong{‚-}\zcl g\cu i\enotes
+ \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes
+ %
+ \barre
+ \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes
+ \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes
+ \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes
+ \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes
+ \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes
+ \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes
+ \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes
+ %
+ \barre
+ \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes
+ \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes
+ \notes&\uptext{\sl FIN}\enotes
+ \setdoublebar
+ \barre
+ \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes
+ \qspace
+ \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu
+j\enotes
+ %
+ \barre
+ \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes
+ \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes
+ \respire
+ \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes
+ \notes&\hsong{--}\tslur2h\cu h\enotes
+ \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes
+ \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes
+ \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes
+ \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes
+ \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes
+ \barre
+ \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui
+!&}\itenl2e\itenu3j\zqlp e\qup j\enotes
+ \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes
+ \respire
+ \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes
+ \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu
+j\enotes
+ \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu
+i\enotes
+ \notes\zcl L\cu d&\hsong{\txt r‚-|bles &}\zcl g\cu j\enotes
+ %
+ \barre
+ \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes
+ \notes&\hsong{--}\tslur2h\cu h\enotes
+ \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes
+ \notes\ds&\ds\enotes
+ %
+ \barre
+ \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt
+Paix |Vient &}\zql c\qu h\enotes
+ \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur |… &}\zcl c\cu h\enotes
+ \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes
+ \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes
+ \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes
+ %
+ \barre
+ \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt
+ lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes
+ \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes
+ \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes
+ \finmorceau
+\medskip\rightline{\it le \aujourdhui}
+\absoluteaccidentals
+\vfil\eject
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex
new file mode 100644
index 00000000000..46feebddc1c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex
@@ -0,0 +1,450 @@
+\title{Adagio con basso ostinato}
+\fulltitle{VIII. \titremorceau}
+\csname titremorceautoc\endcsname
+\subtitle{(pour orgue)}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+
+\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou
+8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}%
+
+\maketitle
+
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\pzqu#1{\lpz{#1}\qu{#1}}%
+\def\pzql#1{\upz{#1}\ql{#1}}%
+%
+\parindent 18mm
+%
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax % un bemol a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O. fonds}%
+\def\instrumentiii{R\'ecit}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%
+\debutmorceau
+%
+\autolines 765\relax
+%\check
+%
+\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante
+ \bf(\metron{\qu}{65})}}\enotes
+\advance\linesinpage by 1\relax
+% mesure 1
+\nspace\NOtes\pzql M&&\enotes
+\temps \NOtes\pzql M&\pause&\pause\enotes
+\temps \NOtes\pzql M&\enotes
+%\check
+% mesure 2
+\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 3
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 4
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+\def\atnextline{\autolines765}%
+% mesure 5
+\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes
+% mesure 6
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 7
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 8
+\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 9
+\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&&\soupir\enotes
+% mesure 10
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 11
+\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 12
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 13
+\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\qu g&\soupir\enotes
+% mesure 14
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 15
+\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&&\dqb hi\enotes
+% mesure 16
+\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl k\enotes
+\temps\notes\pzqu I&\ql d&\dqb ij\enotes
+% mesure 17
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+%\check
+% mesure 18
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 19
+\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 20
+\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes
+%\check
+% mesure 21
+\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax
+ &\hup f\enotes
+\temps\NOtes\pzql M&&\enotes
+\temps\NOtes\pzql L&&\enotes
+%\check
+% mesure 22
+\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax
+ &\hup h\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\notes\pzqu J&&\enotes
+%\check
+% mesure 23
+\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+% mesure 24
+\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes
+\temps\NOtes\pzqu J&&\enotes
+\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes
+% mesure 25
+\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes
+\temps\NOtes\pzqu H&\hl c&\enotes
+\temps\NOtes\pzqu{^F}&&\ql k\enotes
+% mesure 26
+\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\soupir&\soupir\enotes
+% mesure 27
+\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes
+\temps\NOtes\pzqu L&&\enotes
+\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes
+% mesure 28
+\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes
+\temps\NOtes\pzqu H&\hu f&\enotes
+\temps\NOtes\pzqu F&&\soupir\enotes
+% mesure 29
+\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes
+\temps\notes\pzqu G&&\sk\cu i\enotes
+\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes
+%\check
+% mesure 30
+\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes
+\temps\NOtes\pzqu H&&\qu h\enotes
+\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes
+% mesure 31
+\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes
+\temps\notes\pzqu H&&\sk\cl m\enotes
+\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes
+%\check
+% mesure 32
+\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes
+\temps\NOtes\pzqu H&&\ql l\enotes
+\temps\NOtes\pzqu I&\qu h&\ql h\enotes
+%\check
+% mesure 33
+\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes
+\temps\notes\pzqu G&\hl b&\dqh gf\enotes
+\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes
+%\check
+% mesure 34
+\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes
+\temps\NOtes\pzqu G&&\qu e\enotes
+\temps\NOtes\pzqu F&&\qu h\enotes
+% mesure 35
+\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes
+\temps\notes\pzqu I&&\sk\cu g\enotes
+\temps\notes\pzqu H&\qu e&\dqh ef\enotes
+% mesure 36
+\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes
+\temps\NOtes\pzqu K&\zh a\hu f&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 37
+%\check
+\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 38
+%\check
+\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 39
+%\check
+\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes
+\temps\NOtes\pzqu G\enotes
+\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes
+% mesure 40
+%\check
+\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes
+\temps\NOtes\pzqu H\enotes
+\temps\NOtes\pzqu H&\soupir&\soupir\enotes
+% mesure 41
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 42
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 43
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 44
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 45
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 46
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu h\enotes
+% mesure 47
+\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu H&&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 48
+%\check
+\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes
+\temps\notes\pzqu J&&\sk\cna l\cl l\enotes
+\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes
+%\check
+% mesure 49
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes
+%\check
+% mesure 50
+\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes
+\temps\notes\pzqu J&&\sk\cl{k}\enotes
+\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 51
+\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes
+\temps\NOtes\pzqu H&\ql f&\enotes
+\temps\NOtes\pzqu H&\ql e&\soupir\enotes
+%\check
+% mesure 52
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 53
+\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 54
+\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes
+\temps\NOtes\pzql M&\ql e&\enotes
+\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 55
+\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes
+\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu L&\ql g&\dqb kl\enotes
+% mesure 56
+\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes
+% mesure 57
+\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes
+%\check
+% mesure 58
+\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes
+%\check
+% mesure 59
+\bigaccid
+\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes
+\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes
+\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes
+% mesure 60
+\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes
+\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes
+\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes
+%\check
+% mesure 61
+\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes
+\temps\notes\pzqu I&&\sk\cl n\enotes
+\temps\notes\pzqu I&\qu g&\dqb mn\enotes
+%\check
+% mesure 62
+\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes
+\temps\NOtes\pzqu I\enotes
+\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes
+%\check
+% mesure 63
+\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes
+\temps\NOtes\pzqu I&\qu e\enotes
+\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes
+% mesure 64
+\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes
+\temps\notes\pzqu H&&\sk\cl n\enotes
+\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes
+% mesure 65
+\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu K&&\soupir\enotes
+% mesure 66
+\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&&\enotes
+% mesure 67
+\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\qu i\enotes
+%\check
+% mesure 68
+\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax
+ &\itenl2i\mordant o\hu i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip
+ \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes
+%\check
+% mesure 69
+\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes
+\temps\NOtes\pzqu H&\ql e&\enotes
+\temps\NOtes\pzqu H&\ql f&\soupir\enotes
+% mesure 70
+\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes
+\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes
+\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes
+%\check
+% mesure 71
+\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes
+\temps\NOtes\pzqu G&&\enotes
+\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes
+%\check
+% mesure 72
+\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl{k}\enotes
+\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes
+% mesure 73
+\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\qu f&\soupir\enotes
+% mesure 74
+\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes
+\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes
+\temps\notes\pzqu H&\ql g&\dqb kl\enotes
+% mesure 75
+\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes
+\temps\NOtes\pzqu K&&\enotes
+\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes
+% mesure 76
+\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes
+\temps\notes\pzqu I&&\dqb lk\enotes
+\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes
+% mesure 77
+\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes
+\temps\NOtes\pzqu H&\qu h&\enotes
+\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes
+% mesure 78
+\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes
+\temps\NOtes\pzqu I&&\enotes
+\temps\NOtes\pzqu H&&\enotes
+% mesure 79
+\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes
+\temps\notes\pzqu G&&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes
+% mesure 80
+\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes
+\temps\notes\pzqu H&&\sk\cl k\enotes
+\temps\notes\pzqu G&\ql d&\dqb ij\enotes
+% mesure 81
+\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes
+\temps\NOtes\pzqu F&&\enotes
+\temps\NOtes\pzqu F&\ql f&\soupir\enotes
+%\check
+% mesure 82
+\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes
+\temps\notes\pzqu G&\ql f&\sk\cl j\enotes
+\temps\notes\pzqu I&\ql e&\dqb hi\enotes
+%\check
+% mesure 83
+\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes
+\temps\NOtes\pzqu J&\hl e&\enotes
+\temps\NOtes\pzqu J&\qu i&\qu f\enotes
+%\check
+% mesure 84
+\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes
+\temps\NOtes\pzqu F&\ql e&\enotes
+\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex
new file mode 100644
index 00000000000..7354d7b7e8a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex
@@ -0,0 +1,1063 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+%
+\parindent 12mm
+%
+\title{Pacifique}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\\`a Christiane}
+ \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
+janvier 1990}
+\maketitle
+
+\musicsize=16\relax
+\def\lppage{7}%
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\generalsignature{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes}
+\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau\autolines 95\lppage
+%
+\advance\linesinpage by 1\relax
+%
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre
+\ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\zbreath\enotes
+\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\notes\dsoqb3J{=K}|\enotes
+\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\zbreath\enotes
+\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs
+\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes
+% mesure 91
+%\check
+\advance\elemskip by -1pt
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+%\check
+% mesure 93
+\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre
+ \ppff \fff}\zq M\cu f|\zq m\cl t\enotes
+\rlap{\notes|\zbreath\enotes}\relax
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\autolines 95\lppage\relax
+\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\zbreath\enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+%\check
+\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c\sk\sk\tleg0|\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\zchangeclefs
+%\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+%
+\advance\linesinpage by 1\relax
+%
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\barre\motif cfh\temps\motif dgi\relax
+% mesure 122
+\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\barre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\barre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\hyphenpenalty -5000\relax\changecontext
+\hyphenpenalty -10\relax
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\motif {=e}gjegj\relax
+% mesure 126
+\barre\motif fhjfhj\relax
+% mesure 127
+\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\barre\motif fikfik\relax
+% mesure 129
+\barre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+\normal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\transpose=0\relax\barre
+\autolines 95\lppage
+\notes\rlap{\bohu F}\Ilegu0g\qqh3MNab\relax
+|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+%\check
+\barre\notes\Tslurbreak0c\Islurdbreak0c\bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\tslur0d\bohu H|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\barre\autolines {17}4\lppage\relax\bigaccid
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\autolines {18}4\lppage
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 142
+\barre\motif kjik\temps\motif jihj\nspace
+% mesure 143
+\barre\motif ihgi\temps\motif hgfh\nspace
+%\check
+% mesure 144
+\barre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\barre\motif ighi\temps\motif jhij\nspace
+% mesure 146
+\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace
+% mesure 147
+\barre\motif m{_l}{_k}j\temps\motif iijk\nspace
+% mesure 148
+\barre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\barre\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\nspace
+% mesure 150
+\barre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\nspace
+% mesure 151
+\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip
+\centerline{a piacere }\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\varaccid
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\transpose=0\relax
+\barre\autolines {25}2\lppage
+\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\barre
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\temps\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\temps\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+\normal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\temps\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\temps\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\temps\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext
+\def\serre{\normal\elemskip=8pt}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\temps\notes|\octline r\motif\enotes
+\temps\notes\souffldim|\motif\enotes
+\temps\notes\hpause|\motif\enotes
+\temps\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\temps\notes\zmidtwotext{\ppff p}|\motif\enotes
+\temps\notes\ibu0f1\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\ibbbl2{#1}{-6}\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\ibbbl1#1{-6}\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\octline t\Motif qpom\enotes
+\autolines {23}2\lppage
+\temps\notes\ibu0j{-4}\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\temps\notes\ibu0i{-4}\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext\serre
+\notes\ibu0h{-6}\bsqh i|\octline t\motif ponk\enotes
+\notes\tbsqh g|\motif ponk\enotes
+\temps\notes\ibu0g{-6}\bsqh h|\motif onmj\enotes
+\notes\tbsqh f|\motif onmj\enotes
+\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpo{_l}\enotes
+\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\autolines {25}2\lppage\noautolines
+\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\temps\notes\ibu0j1\bsqh j|\motif srqm\enotes
+\Notes\fl g\tbsqh l|\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\Notes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
+\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\autolines{11}5\lppage\noautolines
+\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes
+% mesure 170
+\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes
+% mesure 171
+\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes
+ \suspmorceau
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+% mesure 200
+\linesinpage=0\relax
+\barno=200\relax\autolines 95\lppage
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegl0E\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegl0E\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegl0F\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex
new file mode 100644
index 00000000000..554314e05e4
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex
@@ -0,0 +1,1113 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+%
+\parindent 12mm
+%
+\title{Pacifique}
+\shortauthor{D. Taupin}
+\fullauthor{Daniel TAUPIN\\\`a Christiane}
+ \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981,
+janvier 1990}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{6}{0}{0}{0}}%
+\def\noteskipLARGE{\def\scalenoteskip{1.5}}%
+\def\noteskipLarge{\def\scalenoteskip{1.2}}%
+\def\noteskiplarge{\def\scalenoteskip{1.1}}%
+\def\noteskipnormal{\def\scalenoteskip{1.0}}%
+%
+\signaturegenerale{-4}\relax % quatre bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{Piano}
+%\check
+\generalmeter{\allabreve}
+\normal\noteskipLarge
+\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}%
+\def\gluemaxskip{6pt}%
+%
+% formes frequentes
+%
+%au moins deux croches basses et hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%au moins quatre croches basses et hautes
+\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}%
+\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}%
+% octave basse en blanche
+\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}%
+\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}%
+\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}%
+\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}%
+%
+% octave sup. en croches u
+\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}%
+\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}%
+\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}%
+\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}%
+\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}%
+\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}%
+%\check
+\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax
+ \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}%
+\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}%
+%\check
+% octave inf. en croches u
+\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}%
+\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}%
+\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}%
+\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}%
+%\check
+\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax
+ \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}%
+\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}%
+%\check
+%
+\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes}
+\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes}
+\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes}
+\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes}
+%
+% soufflets crescendo
+%
+\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}}
+\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}}
+%
+\def\interfacteur{11}%
+\computewidths
+\staffbotmarg=5\Interligne
+%
+\debutmorceau
+%
+\noteskipLarge
+\hyphenpenalty -50\relax
+\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes
+\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes
+\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes
+\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes
+% mesure 2
+\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes
+\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes
+% mesure 3
+\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+% mesure 4
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 5
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes
+% mesure 6
+\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 7
+\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes
+\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes
+% mesure 8
+\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes
+\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes
+% mesure 9
+\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes
+\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes
+% mesure 10
+\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes
+\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes
+% mesure 11
+\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+% mesure 12
+\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 13
+\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes
+% mesure 14
+\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax
+ |\zq g\qqh0ighi\enotes
+\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes
+% mesure 15
+\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 16
+\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes
+\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes
+% mesure 17
+\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0q\dqh3ij\enotes
+\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes
+% mesure 18
+\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes
+\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes
+% mesure 19
+\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes
+\temps\notes|\Ilegu0p\dqh3gh\enotes
+\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes
+% mesure 20
+\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes
+\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes
+% mesure 21
+\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes
+\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax
+ |\soupir\uptext{\ppff p}\enotes
+\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes
+% mesure 22
+\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes
+\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes
+% mesure 23
+\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes
+\temps\notes\Ilegu0d\dqb4bd|\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes
+% mesure 24
+\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes
+% mesure 25
+\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes
+\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3Na|\enotes
+% mesure 26
+\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax
+ |\zh{gi_l}\hu n\enotes
+\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes
+% mesure 27
+\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes
+\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes
+%\check
+% mesure 28
+\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes
+\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes
+% mesure 29
+\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes
+\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes
+% mesure 30
+\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes
+\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes
+%\check
+% mesure 31
+\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes
+\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes
+%\check
+%mesure 32
+\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes
+%
+% mesure 33
+% changement d'espacement
+\def\interfacteur{12}%
+\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes
+\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes
+\temps\notes\Ilegl0F\dqb3bc|\enotes
+% mesure 34
+\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes
+\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes
+% mesure 35
+\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes
+\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes
+% mesure 36
+\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes
+\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes
+\temps\arpg K5\relax
+\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax
+ |\qsoqb0hfgh\enotes
+%\check
+% mesure 37
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes
+%\check
+% mesure 38
+\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes
+%\check
+% mesure 39
+\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes
+%\check
+% mesure 40
+\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes
+\notes\soupir|\Ilegu0t\dsoqb3gh\enotes
+%\check
+% mesure 41
+\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes
+\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes
+%check
+% mesure 42
+\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes
+\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes
+%check
+% mesure 43
+\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes
+\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes
+\temps\notes|\Ilegu0t\dsoqb3jk\enotes
+%\check
+% mesure 44
+\advancebottom{\Interligne}\relax
+\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes
+\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes
+\temps\notes|\Ilegu0r\dsoqb3gh\enotes
+%\check
+% mesure 45
+\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes
+%check
+% mesure 46
+\def\sfql#1{\usf{#1}\ql{#1}}%
+\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes
+\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes
+\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax
+ \ifx\mxversion\undefined\Ilegu0s\relax
+ \else\Ilegu0q\relax
+ \fi
+ \dsoqb3fg\enotes
+%\check
+% mesure 47
+\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes
+\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes
+%\check
+% mesure 48
+\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes
+%\check
+% mesure 49
+\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes
+\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes
+%\check
+% mesure 50
+\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes
+\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes
+%\check
+% mesure 51
+\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes
+\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax
+ \ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0o\relax
+ \fi
+ \zq{fhj}\ql m\enotes
+\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes
+%\check
+% mesure 52
+\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes
+\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes
+%\check
+% mesure 53
+\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes
+\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes
+%\check
+% mesure 54
+\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes
+\advancebottom{-\Interligne}\relax \def\interfacteur{10}%
+\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes
+\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes
+% mesure 55
+\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes
+\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes
+%\check
+%mesure 56
+\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes
+\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax
+\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes
+%\check
+% mesure 57
+\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes
+\temps\notes\dsoqb3JK|\enotes
+\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes
+%\check
+% mesure 58
+\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes
+\temps\notes\dsoqb3IJ|\enotes
+\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes
+%\check
+% mesure 59
+\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes
+\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes
+%\check
+% mesure 60
+\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes
+\temps\notes\dsoqb3GH|\enotes
+\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax
+ |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes
+% mesure 61
+%\check
+\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes
+\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes
+%\check
+%mesure 62
+\def\interfacteur{9}%
+\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax
+ |\zq{moq}\ql t\cbreath\enotes
+\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes
+%\check
+% mesure 63
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes
+%\check
+% mesure 64
+\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 65
+%
+\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0q\dqh3gh\enotes
+%\check
+% mesure 66
+\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes
+\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes
+%\check
+% mesure 67
+\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes
+\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes
+\cleftoksi={{6}{6}{0}{0}}%
+\changeclefs\nspace
+\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else
+ \Ilegu0d\fi
+ \dqb3MN\enotes
+%\check
+% mesure 68
+\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax
+\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax
+\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax
+ |\qqB0aMNa\enotes
+\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes
+% mesure 69
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes
+%\check
+% mesure 70
+\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes
+\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes
+%\check
+% mesure 71
+\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes
+\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes
+%\check
+% mesure 72
+\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes
+\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes
+%\check
+% mesure 73
+\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes
+\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes
+%
+% mesure 74
+\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax
+ \else\tslur0b\fi
+ \ql a\sk\enotes
+\temps\notes|\Ilegu0d\dqb3Na\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes
+%\check
+% mesure 75
+\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes
+\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes
+%\check
+% mesure 76
+\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax
+ |\Tleg0\ql M\enotes
+\cleftoksi={{6}{0}{0}{0}}%
+\changeclefs\def\interfacteur{11}%
+\advancebottom{\Interligne}\relax
+\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes
+\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes
+% mesure 77
+%\check
+\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes
+\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes
+% mesure 78
+%\check
+\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3ij\enotes
+\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes
+% mesure 79
+\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes
+\temps\notes|\dboqh3hi\enotes
+\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes
+%\check
+% mesure 80
+\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes
+\temps\notes|\dboqh3gh\enotes
+\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes
+% mesure 81
+\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes
+\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes
+%\check
+%mesure 82
+\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes
+\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes
+\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes
+% mesure 83
+\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes
+\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax
+ |\zq{mp}\qsoqb0kijk\enotes
+% \check
+% mesure 84
+\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes
+\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes
+% \check
+% mesure 85
+\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}%
+\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}%
+\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes
+\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes
+% mesure 86
+\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes
+\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes
+% mesure 87
+\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes
+\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes
+% mesure 88
+\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes
+\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes
+%\check
+% mesure 89
+\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax
+ \ifx\mxversion\undefined\octsup v9\relax
+ \else \ioctfinup v\relax
+ \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes
+\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes
+%\check
+% mesure 90
+\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax
+ \ifx\mxversion\undefined\octfin v9\fi
+ \zq{=ln}\qsoqb{-2}iig{=e}\enotes
+\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax
+ \ifx\mxversion\undefined\else\toctfin\fi
+ \enotes
+% mesure 91
+%\check
+\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes
+\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes
+%\check
+% mesure 92
+\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes
+\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes
+\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes
+\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+%\check
+% mesure 93
+\barre\noteskipLarge\def\scalenoteskip{1.05}\relax
+\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi
+ \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes
+\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\staffbotmarg=3\Interligne\def\interfacteur{11}%
+\zalapage\notes\midtwotext{\kern -6mm\it sempre
+ \ppff \fff}\enotes
+\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi
+ \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes
+% mesure 94
+\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes
+%\check
+% mesure 95
+\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes
+%\check
+% mesure 96
+\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes
+%\check
+% mesure 97
+\alaligne\noteskipLarge
+\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi
+ \qsoqb0gf{=e}g\enotes
+\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes
+%\check
+% mesure 98
+\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes
+\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes
+%\check
+% mesure 99
+\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes
+\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes
+%\check
+% mesure 100
+\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes
+\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes
+%\check
+% mesure 101
+\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi
+ \qsoqb0ihgi\enotes
+\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes
+%\check
+% mesure 102
+\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes
+\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax
+ \ifx\mxversion\undefined\else\toctfin\fi \enotes
+% mesure 103
+\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes
+\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes
+\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes
+%\check
+% mesure 104
+\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes
+\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes
+\temps\notes\Ilegu0f\dqb3bc\enotes
+%\check
+% mesure 105
+\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes
+\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes
+% mesure 106
+\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes
+\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes
+\temps\notes\Ilegu0f\dqb3Na|\enotes
+%\check
+% mesure 107
+\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes
+\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes
+%\check
+% mesure 108
+\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes
+\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes
+\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes
+% mesure 109
+\advancebottom{-2\Interligne}%
+%\check
+\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax
+ |\uptext{\it espressivo e delicato}\qqh3abcd\enotes
+\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes
+% mesure 110
+\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi
+ \qu a\sk\enotes
+\temps\notes|\Ilegl0a\dqh3c{=d}\enotes
+\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes
+%\check
+% mesure 111
+\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes
+\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes
+\temps\notes|\Ilegl0b\dqh3fg\enotes
+% mesure 112
+\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes
+\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes
+\temps\notes|\Ilegl0b\dqh3ij\enotes
+% mesure 113
+\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes
+\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes
+% mesure 114
+\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes
+\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes
+\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes
+% mesure 115
+\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes
+\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes
+%\check
+% mesure 116
+\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes
+\cleftoksi={{0}{0}{0}{0}}\zchangeclefs
+\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes
+\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes
+\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes
+\cleftoksi={{6}{0}{0}{0}}\zchangeclefs
+ %\check
+% mesure 117
+\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax
+ |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax
+ \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax
+ \zq{#1}\zq{#2}\qh1{#3}}\enotes}%
+%\check
+\staffbotmarg=5\Interligne
+\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm
+\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes
+\motif acf\temps\motif bdg\relax
+% mesure 118
+\barre\motif cfh\temps\motif acf\relax
+% mesure 119
+\barre\motif bdg\temps\motif cfh\relax
+% mesure 120
+\barre\motif dgi\temps\motif bdg\relax
+% mesure 121
+\alaligne\motif cfh\temps\motif dgi\relax
+% mesure 122
+\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax
+% mesure 123
+\xbarre\motif dfi\temps\motif fhj\relax
+% mesure 124
+\xbarre\motif fik\temps\motif dfi\relax
+\generalmeter{\meterfrac 54}\relax\lchangecontext
+\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes
+% mesure 125
+%\check
+\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes{\advance\transpose by -7\relax
+\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes
+\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes
+\notes|{\advance\transpose by 7\relax
+\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}%
+%\check
+\noteskipLarge\relax
+\motif {=e}gjegj\relax
+% mesure 126
+\xbarre\motif fhjfhj\relax
+% mesure 127
+\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes{\advance\transpose by -7\relax
+\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes
+\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes
+\notes|{\advance\transpose by 7\relax
+\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes
+\notes|{\advance\transpose by 14\relax
+\tbl1\zq g\lq i\qb1j}\enotes
+%\check
+% mesure 128
+\alaligne\motif fikfik\relax
+% mesure 129
+\xbarre\motif gi{=l}gil\relax
+% mesure 130
+\generalmeter{\allabreve}\changecontext
+\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax
+\sforz x\zh{j=ln}\hu q\enotes
+\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes
+% mesure 131
+\noteskipLarge\transpose=0\relax\barre
+\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi
+ \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen
+ tempo I$^{\bf o}$}\enotes
+\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes
+% mesure 132
+\ifx\mxversion\undefined
+ \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}%
+\else
+ \def\atnextline{\Invertslur0\relax}%
+\fi
+%\show\Invertslur
+%\show\liftslur
+\alaligne\notes\bohu L|\qqb0edef\enotes
+\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes
+% mesure 133
+\barre\Notes\tslur0L\bohu H|\hl c\enotes
+\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes
+\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes
+% mesure 134
+%\check
+\barre\notes\bohu J|\qqb5{=e}gkj\enotes
+\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes
+% mesure 135
+\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes
+\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes
+%\check
+% mesure 136
+\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk
+ \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes
+\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes
+%\check
+% mesure 137
+\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes
+\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes
+% mesure 138
+%\check
+\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes
+\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes
+%\check
+% mesure 139
+\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes
+\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes
+%\check
+% mesure 140
+\alaligne\noteskiplarge\bigaccid
+\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip
+ \hbox{\it e crescendo}}}\soupir|\soupir\enotes
+%\check
+\noteskipnormal\def\scalenoteskip{0.75}\relax
+\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes
+%\check
+\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk
+ |\qsk\sk\rlap{\soqb{#1}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#4}}\enotes
+}% fin motif
+%\check
+\temps\motif hfgh\relax
+%\check
+% mesure 141
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 142
+\xbarre\motif kjik\temps\motif jihj\relax
+% mesure 143
+\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax
+%\check
+% mesure 144
+\xbarre\motif gf{=e}g\temps\motif ffgh\relax
+% mesure 145
+\xbarre\motif ighi\temps\motif jhij\relax
+% mesure 146
+\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax
+% mesure 147
+\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax
+% mesure 148
+\xbarre\motif lkji\temps\motif hhij\relax
+% mesure 149
+\alaligne\motif kjik\relax
+%\check
+\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax
+\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes
+\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk
+\tbl0\soqb{#8}}\enotes}% fin motif
+%\check
+\temps\motif j{^j}{=k}{^k}jjjj\relax
+% mesure 150
+\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax
+\temps\motif jihgjj{=k}{=l}\relax
+% mesure 151
+\noteskipLarge\varaccid
+\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax
+ |\pointdorgue u\zh{=oq}\sohl m\enotes
+%\check
+\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip
+\centerline{a piacere
+}\centerline{%
+quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes
+\transpose=-7\relax
+%
+\staffbotmarg=3\Interligne
+\Notes\charnote C{\ppff f}\dqh8FJ\enotes
+%
+%
+% mesure 152
+%
+\def\motif{}%
+\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}%
+\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}%
+\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}%
+\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}%
+\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}%
+%\check
+\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax
+\transpose=0\relax
+\alapage\notes\motifh8FHJMac\enotes
+\temps\notes|\motifb8fhjmoq\enotes
+%\check
+% mesure 153
+\barre\notes|\motifb{-6}t{=s}tqom\enotes
+\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes
+\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes
+\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}JHF{=E}FC\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 154
+\alaligne
+\transpose=-7\relax
+\notes\motifh8FIKMbd\enotes
+\zbarre\notes|\motifh8fikmpr\enotes
+\transpose=7\relax
+\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes
+%\check
+% mesure 155
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}trpm\enotes
+\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes
+\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes
+\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zbarre\notes\motifh{-4}KIF{=E}FD\enotes
+\transpose=-7\relax
+\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 156
+\transpose=-7\relax
+\barre\notes\motifH8FJ{_L}Mc{_e}\enotes
+\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes
+\transpose=7\relax
+\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes
+%\check
+% mesure 157
+\transpose=0\relax
+\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes
+\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes
+\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes
+\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes
+\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes
+\transpose=-7\relax
+\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes
+%\check
+% mesure 158
+\def\motif{}%
+\def\motifb{}%
+\def\motifh{}%
+\noteskipnormal
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes
+\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes
+\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes
+\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes
+%\check
+\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}%
+% mesure 159
+\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax
+\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax
+\barre\notes\souffldim|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=0\relax
+\zbarre\notes|\motifa\enotes
+\notes|\motifb\enotes
+\transpose=-7\relax
+\zbarre\notes|\motifa\enotes
+\notes\motifb\enotes
+\transpose=-14\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+\transpose=-21\relax
+\zbarre\notes\motifa\enotes
+\notes\motifb\enotes
+%\check
+% mesure 160
+\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes
+\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes
+\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes
+\notes|\transpose=7\qb0M\tqb0N\enotes
+\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes
+\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes
+%
+% mesure 161
+% sixte et quinte inferieures
+\transpose=0\relax
+\def\motifb{}\def\motifh{}\def\motifH{}%
+\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}%
+\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}%
+\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}%
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne
+\def\serre{\def\scalenoteskip{0.8}}\serre
+\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}%
+\transpose=0\relax
+\def\atnextline{\serre}\relax
+\ifx\mxversion\undefined
+ \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax
+\fi
+\zalapage
+\ifx\mxversion\undefined\else
+ \znotes|\ioctfinup t\enotes
+\fi
+\notes|\motif\enotes
+\zbarre\notes\souffldim|\motif\enotes
+\zbarre\notes\hpause|\motif\enotes
+\zbarre\notes|\motif\enotes
+%
+%
+\temps\notes\soupir|\motif\enotes
+\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes
+\zbarre\notes\ibu0f1\bsqh f|\motif\enotes
+\notes\tbsqh g|\motif\enotes
+% mesure 162
+\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}%
+\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax
+ |\Motif onmj\enotes
+\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes
+% mesure 163
+%\check
+\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}%
+\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax
+ |\Motif qpom\enotes
+\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes
+\notes\tbsqh i|\motif rqpm\enotes
+\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes
+\notes\tbsqh h|\motif qpom\enotes
+%\check
+% mesure 164
+\generalmeter{\meterfrac 34}\changecontext
+\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes
+\notes\tbsqh g|\motif ponl\enotes
+\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes
+%\check
+% mesure 165
+\generalmeter{\meterfrac 44}\changecontext\serre
+\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes
+\Notes\tbsqh g|\motif ponk\enotes
+\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes
+\Notes\tbsqh f|\motif onmj\enotes
+\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes
+%\check
+% mesure 166
+\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes
+\notes\bsqh g|\motif nmli\enotes
+\notes\bsqh f|\motif onmj\enotes
+\notes\tbsqh h|\motif onmj\enotes
+\notes\ibu0i1\bsqh g|\motif ponk\enotes
+\notes\bsqh i|\motif ponk\enotes
+\notes\bsqh h|\motif qpol\enotes
+\notes\tbu0\bsqh j|\motif qpol\enotes
+%\check
+% mesure 167
+\generalmeter{\meterfrac 34}%
+\changecontext\notes\ibu0j1\bigna h\bsqh h\relax
+|\motif qp{=o}m\enotes
+\notes\bsqh j|\motif qpom\enotes
+\notes\bsqh i|\motif rqpm\enotes
+\notes\tbsqh k|\motif rqpm\enotes
+\notes\ibu0j1\bsqh j|\motif srqm\enotes
+\notes\bigfl g\tbsqh l|\motif srqm\enotes
+%
+% mesure 168
+\generalmeter{\meterfrac 44}\changecontexte
+\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes
+\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes
+%
+% mesure 169
+\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes
+\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|
+\Motif onmj\enotes
+% mesure 170
+\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes
+\temps\Notes\zh a\hu f|\Motif onmj\enotes
+%\check
+% mesure 171
+\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh
+f|\na o\Motif onmj\enotes
+\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh
+f|\Motif p{_o}nk\enotes
+%\check
+% mesure 172
+\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh
+g|\Motif ponk\enotes
+\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh
+h|\Motif qpom\enotes
+% mesure 173
+\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax
+\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes
+\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes
+\suspmorceau\def\everystaff{}\relax
+\eject
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% finale %
+\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}%
+ \eject\staffbotmarg=3\Interligne\relax
+\def\interfacteur{11}%
+\def\scalenoteskip{1.0}%
+% mesure 200
+\barno=200\relax
+\generalmeter{\allabreve}\reprmorceau
+\savemeters\noteskipLarge\saveclefs
+\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen
+a tempo primo, con molta delicatezza}\soupir\enotes
+\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes
+% mesure 201
+\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes
+\temps\notes|\Ilegl0d\dqh3ij\enotes
+% mesure 202
+\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes
+%\check
+% mesure 203
+\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes
+\temps\notes|\Ilegl0d\dqh3gh\enotes
+%\check
+% mesure 204
+\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes
+\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes
+% mesure 205
+\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes
+\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes
+\temps\notes|\Ilegu0r\dqh3gh\enotes
+% mesure 206
+\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes
+\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes
+% mesure 207
+\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes
+\cleftoksi={{0}{0}{0}{0}}\changeclefs
+\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes
+\temps\notes|\Ilegu0t\dqh3jk\enotes
+% mesure 208
+\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes
+\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes
+% mesure 209
+\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax
+ \ibl0m0\qb0{=o=lm}\tqb0n\enotes
+\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes
+%\check
+% mesure 210
+\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes
+\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes
+\temps\notes|\Ilegu0s\dqb4pr\enotes
+% mesure 211
+\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes
+\cleftoksi={{6}{0}{0}{0}}\changeclefs
+\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes
+% mesure 212
+\generalmeter{\meterfrac 32}\changecontexte
+\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes
+\temps\notes|\Ilegu0r\dqb3no\enotes
+\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes
+\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes
+%\check
+% mesure 213
+\generalmeter{\allabreve}\changecontexte
+\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes
+\temps\Notes\boqu M|\Tleg0\hl m\enotes
+\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes
+%\check
+% mesure 214
+\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes
+\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes
+%\check
+% mesure 215
+\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes
+\temps\notes\Ilegu0d\dqb3Na\enotes
+\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216
+\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes
+\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes
+% mesure 217
+\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes
+\cleftoksi={{6}{6}{0}{0}}\changeclefs
+\notes|\Ilegl0E\dqh3Na\enotes
+\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes
+% mesure 218
+\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes
+\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes
+\temps\notes|\Ilegl0E\dqh3bc\enotes
+%\check
+% mesure 219
+\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes
+\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes
+%\check
+% mesure 220
+\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes
+\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes
+\temps\notes|\Ilegl0F\dqh3Na\enotes
+% mesure 221
+\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax
+ |\rlap{\hl K}\qqh0baNb\enotes
+\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes
+% mesure 222
+%\check
+\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes
+\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes
+% mesure 223
+\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk
+\itenu2a\itenu3c\zq a\cu c\qsk\enotes
+\NOtes\pointdorgue a\bohu F\relax
+ |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes
+\finmorceau \rightline{\sl \aujourdhui}
+\eject
+\bye
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex
new file mode 100644
index 00000000000..decd8797a87
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex
@@ -0,0 +1,132 @@
+%format musix
+
+\input musixtex
+
+\catcode`@=11
+\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}%
+ \def\beamst@m{\getcurpos\advance\y@v-\b@x
+ \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@
+ \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}%
+ \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}%
+\def\DS{\zchar4\ds}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% TEX translation of MIDI File :
+% o.MID
+%
+% Written by Hans Kuykens
+% this translation of date : 1-9-1993
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip
+\rightline{\medtype Claude Debussy}\medskip
+\musicparskip
+\parindent10mm
+
+\generalmeter{\meterfrac44}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass
+\startmuflex\startpiece\systemnumbers
+%%% bar 1
+\scale\tinyvalue
+\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}%
+ \itied0C\tinynotesize\stdstemfalse\grcu C%
+ |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en
+\scale\normalvalue
+\notes\tslur0H\isslurd0J\lst J\wh J%
+ |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en
+\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en
+\notes|\ibbu0e0\qb0{fab}\tqh0f\en
+%%% bar 2
+\bar
+\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en
+\notes|\ibbu0f0\qb0{gbc}\tqh0g\en
+\notes|\ibbu0e0\qb0{fac}\tqh0f\en
+\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en
+%%% bar 3
+\bar
+\notes\zchar4\qp\ttie0\ql J%
+ |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en
+\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c%
+ |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en
+\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en
+\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en
+%%% bar 4
+\bar
+\notes\ttie1\zqu c\rql b%
+ |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en
+\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en
+\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en
+\notes\midslur{-5}\tdbslur0a\ql a%
+ |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en
+%%% bar 5
+\bar
+\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en
+\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en
+\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}%
+ |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en
+\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}%
+ |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en
+%%% bar 6
+\bar
+\notes\uptext{\llap\p}\issluru0N\ql N%
+ |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en
+\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en
+\setclef1{\bass\bass}\changeclefs
+\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en
+\notes\curve236\tsslur0K\ql K%
+ |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en
+%%% bar 7
+\bar
+\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 8
+\bar
+\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 9
+\bar
+\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}65\tubslur0{-10}\en
+%%% bar 10
+\bar
+\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}%
+ \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en
+\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en
+\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc
+ |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en
+\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J%
+ |\sk\sk\curve{16}66\tubslur0{-10}\en
+%%% bar 11
+\bar
+\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en
+\notes|\qb0L\tqb0{^N}\en
+\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en
+\notes|\qb0N\tqb0b\en
+\notes\ibbu0L3\qb0L\en
+\znotes\qb0{^N}\en
+\setclef1\bass\changeclefs
+\notes|\qb0b\tqb0e\en
+\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en
+%%% bar 12
+\bar
+\qspace
+\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{%
+ \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc
+ |\curve{16}33\tubslur0{-10}\en
+\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece
+\eject\endmuflex\end
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex
new file mode 100644
index 00000000000..a1e6928ae7d
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex
@@ -0,0 +1,4 @@
+\input prelude.tex
+\barsinline=0\relax\linesinpage=0\relax
+\input fugue.tex
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex
new file mode 100644
index 00000000000..160d9d5e7b9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex
@@ -0,0 +1,715 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Pr\'elude et fugue}
+\fulltitle{\enorme VI. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\csname titremorceautoc\endcsname
+\maketitle
+
+\parindent 18mm
+%
+\bigskip
+\centerline{\moyen PR\'ELUDE}\medskip
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{6}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % sol mineur
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}%
+\def\Mordant{\mordant{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{G.O.}%
+%\check
+\def\gluemaxskip{7pt}%
+\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}%
+\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps%
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\doubler{\multiply\noteskip by 2\relax}%
+\debutmorceau
+% calcul de \elemskip en fonction de la largeur de page pour eviter les glues
+%
+\autolines {17}35\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\advance\linesinpage by 1\relax
+%
+% formes frequentes
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}%
+%
+% quatre doubles croches
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+% quatre croches
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax
+%\check
+%
+% mesure 1
+\smallnotesize\varaccid
+\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 2
+\barre\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 3
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\Notes\hpause&|\cl n\qsoupir\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps
+\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 4
+\autolines {16}35\relax
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 5
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 6
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps
+\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 7
+\barre\autolines 775\relax
+\smallnotesize
+\notes&\qqbbH8FD{^F}HJ\enotes
+\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes
+\zbarre\notes&\qqbbl3K{^M}Nb\enotes
+\temps\notes&\qqbbL3aabcd\enotes
+% mesure 8
+\barre\notes&|\qqbbH3dec{^f}g\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes
+\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes
+\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes
+% mesure 9
+\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes
+\normalnotesize
+\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes
+\smallnotesize\varaccid
+\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes
+\temps\notes&\qqbbL3LNKba\enotes
+% mesure 10
+\barre\notes&\qqbbL2abNdc\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes
+\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+%\check
+% mesure 11
+\normalnotesize
+\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes
+\temps\notes&|\qqbbH2hh{^f}ji\enotes
+% mesure 12
+\barre\varaccid\notes&|\qqbbH3jjhlk\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes
+\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes
+\temps\notes&|\qqbbh{-4}dc{=b}a\enotes
+% mesure 13
+\normalnotesize\bigaccid
+\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes
+\temps\notes&|\qqbbh3dbfe\enotes
+%\check
+% mesure 14
+\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex
+ \qqbbh3fd{_h}g\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes
+\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes
+\temps\notes&|\qqbbh{-3}gfed\enotes
+% mesure 15
+\normalnotesize\bigaccid
+\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes
+\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes
+\temps\notes&|\qqbbh3gei{_h}\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex
+ \qqbbL5hig{=l}m\enotes
+\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes
+\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes
+% mesure 17
+\quatretemps\normalnotesize
+\changecontext\Notes
+ \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex
+\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex
+\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex
+ \qu{_h}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes
+\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes
+\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes
+%\check
+% mesure 18
+\normalnotesize
+\barre\autolines {16}35\relax\bigaccid
+\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes
+\smallnotesize\varaccid
+\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes
+\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes
+\temps\notes&|\qqbbu3{=i}gik\enotes
+%\check
+% mesure 19
+\barre\notes&|\qqbbl{-2}m{_o}nm\enotes
+\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes
+\normalnotesize
+\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes
+\smallnotesize
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+% mesure 20
+\normalnotesize\bigaccid
+\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 21
+\normalnotesize\bigaccid
+\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes
+\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes
+\normalnotesize
+\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes
+%\check
+% mesure 22
+\normalnotesize\bigaccid
+\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes
+\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes
+\normalnotesize
+\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes
+\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes
+% mesure 23
+\barre\notes&|\qqbbl3qosr\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes
+\temps\notes&|\qqbbl{-3}qpon\enotes
+\temps\notes&|\qqbbl{-3}{^m}lkj\enotes
+%\check
+% mesure 24
+\autolines {17}35\relax
+\normalnotesize\varaccid
+\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato
+ \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes
+% mesure 25
+%\check
+\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes
+\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes
+\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes
+\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes
+%\check
+% mesure 26
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 27
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-3}\qh0j\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes
+%\check
+% mesure 28
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-3}\qh0i\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes
+% mesure 29
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-3}\qh0h\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 30
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 31
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 32
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 33
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 34
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 35
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 36
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 37
+\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 38
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 39
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 40
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 41
+\generalmeter{\meterfrac 54}\changecontext
+\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes
+\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 42
+\quatretemps\changecontext
+\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes
+%\check
+% mesure 43
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 44
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 45
+\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+% mesure 46
+\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 47
+\generalmeter{\meterfrac 32}\changecontext
+\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes
+\smallnotesize\bigaccid
+\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes
+\notes&\qqbbH9KGKNa\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes
+\temps\notes&\qqbbl7KNbc\enotes
+\temps\notes&\qqbbL{-4}cdbab\enotes
+%\check
+% mesure 48
+\quatretemps
+\changecontext\notes&|\qqbbH8bNbd{^f}\enotes
+\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes
+\temps\notes&|\qqbbH7dbdfg\enotes
+\temps\notes&|\qqbbu0ifgi\enotes
+%\check
+% mesure 49
+\barre\notes&|\qqbbL0ikgik\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl n\qsoupir\sk\enotes
+\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes
+\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax
+ |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+\autolines {16}35\relax
+% mesure 50
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7IGJLM\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes
+\temps\notes&\qqbbl7JLN{=b}\enotes
+\temps\notes&\qqbbL{-4}acNMN\enotes
+%\check
+% mesure 51
+\barre\notes&\qqbbH7MLN{=b}c\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes
+\temps\notes&|\qqbbH7cNceg\enotes
+\temps\notes&|\qqbbL0hjg{=i}j\enotes
+%\check
+% mesure 52
+\barre\notes&|\qqbbL0kljln\enotes
+\normalnotesize
+\temps\notes\hpause&|\cl q\qsoupir\sk\enotes
+\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes
+\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax
+ |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+%\check
+% mesure 53
+\smallnotesize\bigaccid
+\barre\notes&\qqbbH7KJM{_a}b\enotes
+\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes
+\temps\notes&\qqbbl7Mac{=e}\enotes
+\temps\notes&\qqbbL{-4}cfcbc\enotes
+%\check
+% mesure 54
+% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes
+\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes
+\temps\notes&|\qqbbH7ecfhi\enotes
+\temps\notes&|\qqbbL0hjhgh\enotes
+%\check
+% mesure 55
+\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes
+\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes
+\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes
+% mesure 56
+%\check
+\normalnotesize
+\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes
+\smallnotesize\bigaccid
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes
+\temps\notes&|\qqbbh{-2}fdcd\enotes
+%\check
+% mesure 57
+\barre\notes&|\qqbbH7bb{_d}fh\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes
+\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes
+\temps\notes&|\qqbbL{-2}kmkjk\enotes
+%
+% mesure 58
+\barre\notes&|\qqbbl5ikmo\enotes
+\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes
+\normalnotesize
+\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes
+\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 59
+\smallnotesize\bigaccid
+\barre\notes&\ibbl0L7\qb0L\qb0b\enotes
+\notes&|\qb0e\tqb0f\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes
+\temps\notes&|\qqbbH6dce{g}j\enotes
+\temps\notes&|\qqbbL{-2}jljij\enotes
+% mesure 60
+\barre\notes&|\qqbbl5{=h}jl{_n}\enotes
+\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes
+\temps\notes&|\qqbbl{-3}o{=n}ml\enotes
+\temps\notes&|\qqbbl{-3}{_k}jih\enotes
+% mesure 61
+\normalnotesize
+\barre\nspace\autolines{18}35\relax
+\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax
+\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH3gidih\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 62
+\barre\nspace
+\normalnotesize
+\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes
+\temps\notes\soupir&|\qqbbH3ffdih\enotes
+\normalnotesize
+\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeih\enotes
+% mesure 63
+\normalnotesize
+\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgeji\enotes
+\normalnotesize\nspace
+\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+% mesure 64
+\normalnotesize
+\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize\nspace
+\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfji\enotes
+% mesure 65
+\normalnotesize
+\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes
+\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes
+\normalnotesize
+\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes
+% mesure 66
+\normalnotesize
+\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes
+\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes
+\normalnotesize
+\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes
+\smallnotesize\varaccid
+\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes
+\temps\notes\soupir&|\qqbbH5higik\enotes
+\autolines {17}35\relax
+%\check
+% mesure 67
+\normalnotesize
+\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne
+{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax
+ \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax
+ \ibu0l{-4}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes
+%\check
+% mesure 68
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax
+ \ibu0j{-5}\qh0m\sk\tqh0h\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes
+\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax
+ \ibu0k{-4}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes
+%\check
+% mesure 69
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax
+ \ibu0i{-5}\qh0l\sk\tqh0g\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes
+\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes
+% mesure 70
+\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax
+ \ibu0h{-5}\qh0k\sk\tqh0f\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax
+ \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes
+%\check
+% mesure 71
+\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes
+\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes
+%\check
+% mesure 72
+\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes
+\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes
+%\check
+% mesure 73
+\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes
+\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes
+\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 74
+\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes
+%\check
+\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes
+%\check
+% mesure 75
+\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes
+\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes
+%\check
+% mesure 76
+\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes
+\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes
+%\check
+% mesure 77
+\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes
+\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes
+\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes
+% mesure 78
+\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes
+\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes
+\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax
+|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes
+\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes
+%\check
+% mesure 79
+\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes
+\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes
+\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes
+\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes
+%\check
+% mesure 80
+\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes
+\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes
+\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes
+\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes
+%\check
+% mesure 81
+\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes
+\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes
+\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes
+\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes
+% mesure 82
+\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes
+\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes
+\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk
+ \raise -3\internote\dsoupir}\zqp i\qup k\enotes
+\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes
+% mesure 83
+\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes
+\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes
+\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes
+\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes
+% mesure 84
+\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk
+\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes
+\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes
+\temps\NOTEs\hpause&\hpause|\hpause\enotes
+% mesure 85
+\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+% mesure 86
+\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes
+\temps\NOTEs\soupir&\soupir|\soupir\enotes
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes
+\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes
+\advance\barsinline by -1\relax
+% mesure 87
+\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes
+\temps\NOTES\soupir&\soupir|\soupir\enotes
+%
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
new file mode 100644
index 00000000000..4d178610460
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex
@@ -0,0 +1,415 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{R\'ecit}
+\fulltitle{II. R\'ecit}
+\csname titremorceautoc\endcsname
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{4}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\troistemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+%
+\autolines 855\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+% mesure 1
+\advance\linesinpage by 1\relax
+%
+\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+%\check
+% mesure 2
+\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes
+%\check
+% mesure 3
+\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-2}hg\enotes
+\temps\notes\qu J&|\dqh{-2}ji\enotes
+%\check
+% mesure 4
+\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 5
+\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes
+% mesure 6
+\autolines 755\relax
+\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes\qu I&|\qu k\enotes
+%\check
+% mesure 7
+\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes
+\temps\notes&\qu{=f}|\sk\cu l\enotes
+\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes
+%\check
+% mesure 8
+\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes&\ql a|\qu j\enotes
+% mesure 9
+\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes\ql J&|\dqh{-3}ih\enotes
+% mesure 10
+\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes
+\temps\notes&|\sk\cu i\enotes
+\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes
+% mesure 11
+\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes
+\temps\notes&|\dsoupir\cu d\enotes
+\temps\notes\qu J&\ql e|\dqh7gj\enotes
+% mesure 12
+\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\ql c|\relax\enotes
+% mesure 13
+\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes
+\temps\NOtes\soupir&\soupir|\soupir\enotes
+%
+% mesure 14
+\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes
+%\check
+% mesure 15
+\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&\itenl2N\ql N|\qu i\enotes
+%\check
+% mesure 16
+\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes
+\temps\NOtes&\qu{=f}|\relax\enotes
+\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes
+%\check
+% mesure 17
+\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes
+\temps\notes&|\sk\cu k\enotes
+\temps\NOtes\qu H&\ql a|\qu l\enotes
+%\check
+% mesure 18
+\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+% mesure 19
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes
+\temps\notes&|\dqb3no\enotes
+\temps\notes&|\dqb{-5}pn\enotes
+% mesure 20
+\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes
+\temps\notes&|\dqb3op\enotes
+\temps\notes&|\dqb{-5}qo\enotes
+% mesure 21
+\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes
+\temps\notes&|\dqb3pq\enotes
+\temps\notes&|\dqb{-5}rp\enotes
+% mesure 22
+\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes
+\temps\notes&\qu{=f}|\dqb{-3}nm\enotes
+\temps\notes&\qu d|\dqb{-3}lk\enotes
+% mesure 23
+\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes
+\temps\notes\qu H&|\sk\cl k\enotes
+\temps\notes\qu J&|\dqb{-5}lj\enotes
+% mesure 24
+\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 25
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu h\enotes
+\temps\notes&|\dqh3ij\enotes
+%
+% mesure 26
+\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes
+% mesure 27
+\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes
+\temps\notes\hu I&|\sk\cl l\enotes
+\temps\notes&|\dqb5m{_o}\enotes
+% mesure 28
+\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&\ql N|\dqb{-3}j{=i}\enotes
+% mesure 29
+\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes
+\temps\notes&|\ql j\enotes
+\resp
+\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 30
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 31
+\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes
+\temps\notes\sk\cu H&|\relax\enotes
+\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes
+% mesure 32
+\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes
+\temps\notes&|\sk\cu d\enotes
+\temps\notes\qu J&\ql c|\dqh7gj\enotes
+% mesure 33
+\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes
+% mesure 34
+\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+% mesure 35
+\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb3kl\enotes
+% mesure 36
+\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 37
+\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes
+\temps\notes&\qu{^f}|\dqh3{^f}g\enotes
+\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes
+%\check
+% mesure 38
+\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes
+\temps\NOtes&|\qu j\enotes
+\resp
+\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes
+% mesure 39
+\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes
+\temps\notes&|\dqb{-3}ml\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+%\check
+% mesure 40
+\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3{_i}k\enotes
+%\check
+% mesure 41
+\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes
+\temps\notes&|\dqb{-3}lk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+% mesure 42
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes&|\dqh5hj\enotes
+% mesure 43
+\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes\qu{^F}&|\dqb{-3}ih\enotes
+% mesure 44
+\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes
+\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes
+\temps\notes&|\dqh8gj\enotes
+%
+% mesure 45
+\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes&|\relax\enotes
+%\check
+% mesure 46
+\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes
+\temps\Notes&|\relax\enotes
+\resp
+\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes
+%\check
+% mesure 47
+\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes
+\temps\notes&|\dqb{-3}nm\enotes
+\temps\notes&|\dqb{-3}{=l}k\enotes
+%\check
+% mesure 48
+\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes
+%\check
+% mesure 49
+\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes
+\temps\notes&|\dqb{-3}m{_l}\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+% mesure 50
+\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes
+% mesure 51
+\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes
+\temps\notes&|\dqb3jk\enotes
+\temps\notes&|\dqb{-5}lj\enotes
+%\check
+% mesure 52
+\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes
+\temps\notes&|\dqb{-3}hg\enotes
+\temps\notes&|\dqb5hj\enotes
+%\check
+% mesure 53
+\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes
+\temps\notes&|\dqb{-3}kj\enotes
+\temps\notes&|\dqb{-5}ki\enotes
+% mesure 54
+\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes
+\temps\notes&|\dqh{-3}g{^f}\enotes
+\temps\notes&|\dqh5gi\enotes
+% mesure 55
+\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes
+\temps\notes&|\dqb{-3}ji\enotes
+\temps\notes&|\dqb{-5}jh\enotes
+% mesure 56
+\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes
+\temps\notes&|\dqh3ef\enotes
+\temps\notes&|\dqh3gh\enotes
+% mesure 57
+\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes
+\temps\notes&|\dqh3{^f}g\enotes
+\temps\notes&|\dqh3hi\enotes
+% mesure 58
+\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes
+\temps\notes&|\dqh5{^f}g\enotes
+\temps\notes&|\dqh3ij\enotes
+% mesure 59
+\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes
+\temps\notes&|\dqh{-3}kj\enotes
+\temps\notes&|\dqh{-3}i{_h}\enotes
+%\check
+% mesure 60
+\generalmeter{\meterfrac 24}%
+\advance\elemskip by 1.5pt
+\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes
+\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes
+%\check
+% mesure 61
+\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes
+\temps\notes&|\ccl n\enotes
+%\check
+% mesure 62
+\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes
+\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes
+%\check
+% mesure 63
+\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes
+% mesure 64
+\troistemps
+\advance\elemskip by -1.5pt
+\changecontext\NOtes\hu I&\soupir|\soupir\enotes
+\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes
+\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes
+% mesure 65
+\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes
+\temps\notes&\qu j|\dqb{-3}hg\enotes
+% mesure 66
+\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes
+\temps\notes\soupir&\soupir|\soupir\enotes
+% mesure 67
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes
+% mesure 68
+\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes
+% mesure 69
+\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes
+\temps\notes&|\dqh{-3}hg\enotes
+\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes
+% mesure 70
+\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes
+\temps\NOtes&|\relax\enotes
+\temps\NOtes\qu J&\soupir|\soupir\enotes
+% mesure 71
+\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes
+\temps\NOtes&|\qu g\enotes
+\temps\notes\qu H&|\dqh5ik\enotes
+%
+% mesure 72
+\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes
+\temps\notes&|\sk\cl m\enotes
+\temps\notes\qu{=I}&|\dqb{-3}lk\enotes
+% mesure 73
+\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes
+\temps\Notes&|\relax\enotes
+\temps\NOtes&\zq{^f}\qu h|\ql k\enotes
+\autolines {12}45\relax
+% mesure 74
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes
+\temps\notes&|\qqbbl{-3}kjih\enotes
+\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes
+% mesure 75
+\autolines{14}35\relax
+\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes
+\temps\notes&|\qqbbl{-3}lkji\enotes
+\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes
+% mesure 76
+\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes
+\temps\notes&|\qqbbl{-4}mlkj\enotes
+\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes
+% mesure 77
+\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes
+\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes
+\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes
+\quatretemps
+% mesure 78
+\autolines {10}35\relax
+\changecontext\barsinline=0\relax
+\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes
+\temps\NOtes&|\dsoupir\cl d\enotes
+\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes
+% mesure 79
+\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\notes\qu D&|\dqh{-3}hg\enotes
+% mesure 80
+\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\temps\NOtes&|\enotes
+\finmorceau
+\medskip\rightline{\it \aujourdhui}
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex
new file mode 100644
index 00000000000..2a704a09cfa
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex
@@ -0,0 +1,149 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\hyphenation{re-gis-tra-tion}
+\csname french\endcsname
+\tracingstats=2\relax
+\line{\ \hss}
+\vskip 15mm
+\message{Font name: \fontname\the\font}
+\iflongDCfontnames
+ \font\geant=\fontid bx3583
+ \font\assezgros=\fontid r2074
+\else\iflongECfontnames
+ \font\geant=\fontid bx3583
+ \font\assezgros=\fontid rm2074
+ \else
+ \font\geant=\fontid bx12 scaled \magstep 6
+ \font\assezgros=\fontid r17 scaled \magstep 1
+ \fi
+\fi
+\centerline{\assezgros Daniel TAUPIN}
+\vfil
+{\baselineskip 20mm
+\centerline{\geant PETITES}
+\centerline{\geant PI\`ECES}\centerline{\geant POUR}
+\centerline{\geant PLAIRE}
+}
+\vskip 15mm
+\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue}
+\smallskip
+\centerline{\sl \`a deux claviers et p\'edalier}
+\vfil
+\centerline{Orsay, \aujourdhui}
+\eject
+%\check
+\null
+\vfil
+\hbox to \hsize{\hss\vbox{\hsize 12cm
+\centerline{\moyen PR\'EFACE ET AVERTISSEMENT}
+ \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur
+\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve
+d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e
+infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est
+capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques
+qu'on lui propose.
+ \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut
+se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui
+est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a
+la gastronomie.
+ \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces
+Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la
+musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', et qui aurait
+pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par
+des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur
+simple objectif est de charmer les oreilles d'auditeurs de culture classique,
+tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus
+d'orgues classiques, \`a savoir les \'eglises.
+ \medskip
+\centerline{\vrule height 0.4pt width 0.5\hsize}
+\vskip 1mm
+ \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent
+l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de
+ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des
+pianistes d'un niveau moyen.
+ \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la
+Romance sans Paroles)
+mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent
+\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier.
+ \vskip 15mm
+ \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel
+TAUPIN}\smallskip \centerline{\sl \aujourdhui}}}
+
+ \bigskip
+ \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es}
+ \centerline{\rm All rights of commercial distribution reserved}
+ \bigskip
+ \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}}
+ \input recueil.toc
+}\hss}\vfil
+\eject
+ \def\titremorceautoc{\edef\zetitre{\titremorceau}%
+ \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}}
+ \newwrite\toc
+ \immediate\openout\toc=recueil.toc
+%
+%
+\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax
+\nbporteesii=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\signaturegenerale{0}\savesignature
+\resetfacteurs
+\computewidths}%
+%
+\misazero
+\input adagio
+%
+\misazero
+\input recit
+%
+\misazero
+\input tierce
+%
+\misazero
+\input choral
+%
+\misazero
+\input reves
+%
+\misazero
+\input prelude
+%
+\misazero
+\input fugue
+%
+\misazero
+\input aria
+%
+\misazero
+\input ostinato
+%
+\misazero
+\input romances
+%
+\misazero
+\input magnific
+%
+\misazero
+\input fantcmol
+%
+\misazero
+\input fugcmoll
+%
+\misazero
+\input chanson
+%
+\misazero
+\input marcello
+%
+\misazero
+\input purcellx
+%
+\misazero
+\input avemario
+%
+\closeout\toc
+\bye
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex
new file mode 100644
index 00000000000..c337b1192b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex
@@ -0,0 +1,499 @@
+\title{Romance sans paroles}
+\fulltitle{IX. \titremorceau}
+\subtitle{(pour orgue)}
+\othermention{Compos\'e en 1992--93}
+\author{Daniel TAUPIN}
+\shortauthor{D. Taupin}
+\maketitle
+
+\csname titremorceautoc\endcsname
+
+%
+% formes frequentes
+% deux croches hautes
+\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}
+\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}
+\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}
+\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}
+\def\doubler{\noteskip=2\noteskip}%
+\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir}
+%
+\parindent 18mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesii=1\relax
+\def\nbinstruments{3}
+\global\cleftoksiii={{0}{0}{0}{0}}%
+\global\cleftoksii={{0}{0}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{-2}\relax % deux bemols a la clef
+\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}%
+\def\troistemps{\generalmeter{\meterfrac{9}{8}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{Positif ({\bf II})}%
+\def\instrumentiii{R\'ecit ({\bf III})}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}%
+\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}%
+\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}%
+\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}%
+\smallskip
+%
+\deuxtemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}%
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax
+ \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax
+ \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax
+\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax
+\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax
+ \qh0{#5}\qh0{#6}\tqb0{#7}}\relax
+\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax
+ \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax
+%
+\debutmorceau
+%
+\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi
+\autolines {6}{\barperline}5\relax
+%\check
+%
+\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi
+% mesure 1
+\ifx\mxversion\undefined\kern -\internote\fi
+\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto
+ \bf(\metron{\qup}{60})}}\enotes
+\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes
+%\check
+% mesure 2
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes
+\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes
+%\check
+% mesure 3
+\barre\ifx\mxversion\undefined\kern -\Interligne\fi
+\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 4
+\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler
+ \qup{^j}\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 5
+\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler
+ \Ilegu3o\Tqh{=i}hg\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 6
+\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler
+ \qu{^f}\sk\cu{=e}\enotes
+\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk
+ \cbreath\sk\Ilegu3o\cu d\enotes
+%\check
+% mesure 7
+\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 8
+\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler
+ \qlp{=l}\enotes
+\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax
+ \ql k\tleg3\sk
+ \cbreath\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 9
+\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler
+ \ql i\sk\cl j\enotes
+\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler
+ \ql h\sk\cl i\enotes
+%\check
+% mesure 10
+\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes
+\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 11
+\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler
+ \qu g\sk\cu h\enotes
+\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler
+ \qu i\sk\cu k\enotes
+%\check
+% mesure 12
+\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes
+\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes
+%\check
+% mesure 13
+\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes
+\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{i}hg\enotes
+%\check
+% mesure 14
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes
+\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes
+%\check
+% mesure 15
+\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes
+\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes
+%\check
+% mesure 16
+\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes
+\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes
+%\check
+% mesure 17
+\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes
+\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir
+ \Ilegu3p\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes
+%\check
+% mesure 18
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 19
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes
+%\check
+% mesure 20
+\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler
+ \zqlp d\zq g\Tqh ihg\enotes
+\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler
+ \zqlp{=e}\zq g\Tqh ihg\enotes
+%\check
+% mesure 21
+\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler
+ \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes
+\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk
+ \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 22
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk
+ \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes
+%\check
+% mesure 23
+\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler
+ \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes
+\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax
+ \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes
+%\check
+% mesure 24
+\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 25
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \uptext{\bf III}\Ilegu3p\cu d\enotes
+%\check
+% mesure 26
+\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax
+\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes
+\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax
+\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes
+%\check
+% mesure 27
+\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax
+ \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes
+\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes
+%\check
+% mesure 28
+\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler
+ \Tqb lkj\enotes
+\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh{_i}hg\enotes
+%\check
+% mesure 29
+\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax
+ \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes
+\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax
+ \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk
+ \Ilegu3o\cu d\enotes
+%\check
+% mesure 30
+\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler
+ \Tqh ghi\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 31
+\barre\notes\doubler
+ \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler
+ \ql n\sk\cl {=m}\enotes
+%\check
+% mesure 32
+\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler
+ \Tqb {_l}kj\enotes
+\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler
+ \Tqh ihg\enotes
+%\check
+% mesure 33
+\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler
+ \Tqh ihg\enotes
+\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler
+ \qu h\tleg3\sk\dsoupir\enotes
+%\check
+% mesure 34
+\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax
+ \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes
+\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler
+ \Tqb ijk\enotes
+%\check
+% mesure 35
+\barre\notes\doubler
+ \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler
+ \Tqb k{=l}{^m}\enotes
+\zbarre\notes\doubler
+ \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler
+ \ql n\sk\cl m\enotes
+% mesure 36
+\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler
+ \Tqb {=l}kj\enotes
+\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler
+ \Tqb {_i}hg\enotes
+% mesure 37
+\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax
+ \sqbbH cc.{^c}egeca&\doubler
+ \ql{^j}\tleg3\sk\ds\enotes
+\cleftoksii={6000}\changeclefs
+\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax
+ \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o
+ \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes
+%\check
+% mesure 38
+\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler
+ \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes
+\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler
+ \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes
+%\check
+% mesure 39
+\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir
+ &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax
+ \Ilegu3q\cu k\enotes
+%\check
+% mesure 40
+\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler
+ \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler
+ \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes
+%\check
+% mesure 41
+\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes
+\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler
+ \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes
+%\check
+% mesure 42
+\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler
+ \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes
+\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler
+ \zqp k\zqlp{^m}\qu o\sk\cu p\enotes
+% mesure 43
+\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler
+ \zq{ik}\ql n\tleg3\sk\ds\enotes
+\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler
+ \Ilegu3r\ql k\sk\itenl0k\cl k\enotes
+%\check
+% mesure 44
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler
+ \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk
+ \tten0\tten1\zq n\zq p\cl r\enotes
+%\check
+% mesure 45
+\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk
+ \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler
+ \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes
+%\check
+% mesure 46
+\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler
+ \zqlp k\zq n\Tqh pon\enotes
+\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler
+ \zqlp{=l}\zq n\Tqh pon\enotes
+%\check
+% mesure 47
+\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler
+ \zqp {k^m}\qlp o\enotes
+\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3r\itenl0k\cu k\enotes
+%\check
+% mesure 48
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zq k\zq n\ql p\sk\cl n\enotes
+%\check
+% mesure 49
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes
+\cleftoksii={0000}\changeclefs
+\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler
+ \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes
+%\check
+% mesure 50
+\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler
+ \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes
+\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler
+ \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes
+%\check
+% mesure 51
+\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes
+\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir
+ &\sk\tleg3\sk\dsoupir\enotes
+\cleftoksii={6000}\changeclefs
+\temps\notes&\cl c&\cu d\enotes
+%\check
+% mesure 52
+\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes
+\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes
+%\check
+% mesure 53
+\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes
+\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes
+%\check
+% mesure 54
+\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes
+\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes
+% check
+% mesure 55
+\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler
+ \zqp{^f}\zqlp h\qu k\sk\cu k\enotes
+\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler
+ \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes
+%\check
+% mesure 56
+\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes
+\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes
+%\check
+% mesure 57
+\barre\notes\qup I&\sqbbL aa.babNab&\doubler
+ \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes
+%\check
+% mesure 58
+\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes
+\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes
+%\check
+% mesure 59
+\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler
+ \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes
+\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler
+ \zq e\zql g\Tqh {_i}hg\enotes
+%\check
+% mesure 60
+\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes
+\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir
+ \enotes
+\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler
+ \Ilegu3o\itenl0d\cu d\enotes
+%\check
+% mesure 61
+\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler
+ \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes
+\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler
+ \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes
+%\check
+% mesure 62
+\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler
+ \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes
+\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler
+ \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes
+%\check
+% mesure 63
+\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler
+ \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes
+\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler
+ \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes
+%\check
+% mesure 64
+\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler
+ \zhp {bd}\hup g\enotes
+\ifnum\musicsize<17\relax\autolines695\relax\fi
+\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax
+ \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes
+%\check
+% mesure 65
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 66
+\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax
+ \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes
+\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes
+%\check
+% mesure 67
+\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax
+ \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes
+\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax
+ \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes
+%\check
+% mesure 68
+\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes
+\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes
+%\check
+% mesure 69
+\advance\maxbarsinline by 1\relax
+\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax
+ \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes
+\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax
+ \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes
+%\check
+% mesure 70
+\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes
+\zbarre
+\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes
+%\check
+% mesure 71
+\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax
+ \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes
+\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax
+ \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes
+% mesure 72
+\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax
+ \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes
+\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes
+%\check
+\finmorceau
+%
+\medskip\rightline{\it \aujourdhui}
+\vfil
+\eject
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex
new file mode 100644
index 00000000000..9ab7f02a6a9
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex
@@ -0,0 +1,31 @@
+\input musixtex
+\input musixsty
+\input musixcpt
+%
+\def\Transpose{0}%
+\def\Signature{-3}\relax % trois bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-4}%
+\def\Signature{-4}\relax % quatre bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\bye
+
+\def\Transpose{-4}\relax
+\def\Signature{3}\relax % trois diezes a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+%
+\def\Transpose{-3}\relax
+\def\Signature{-2}\relax % deux bemols a la clef
+\generalsignature{\Signature}\savesignature
+\barsinline=0\relax\linesinpage=0\relax
+\input souvenix
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex
new file mode 100644
index 00000000000..a9ce439bf1b
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex
@@ -0,0 +1,474 @@
+
+\fulltitle{Un souvenir...}
+\shortauthor{Rossi/Capitani}
+\title{Un souvenir}
+\othermention{Paroles d'Oreste ROSSI}
+\fullauthor{Musique de Fernand CAPITANI}%
+\maketitle
+
+\ifx\Transpose\undefined\def\Transpose{0}\fi
+\ifx\Signature\undefined\def\Signature{-3}\fi
+
+\tracingstats=1\relax
+%\check
+%
+%
+% soufflets crescendo et decrescendo
+%
+\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}%
+\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}%
+%
+\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}%
+\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}%
+%
+%\check
+\def\nbinstruments{2}
+\setstaffs12\relax
+\setstaffs21\relax
+\setclefs1{6000}%
+\setclefs2{0000}%
+%
+\generalsignature{\Signature}%
+\generalmeter{\meterfrac{4}{4}}
+%\check
+\def\interfacteur{10}%
+\parindent 15mm
+\def\instrumenti{Piano}%
+\def\instrumentii{Chant}%
+\setinterinstrument1{4\Interligne}
+%\check
+\def\respire{\notes\nextinstrument\cbreath\enotes}%
+%
+%\check
+\catcode`\@=13
+%
+\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}%
+\def\doctu#1#2{{\advance\transpose by 7\relax
+\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}%
+%
+\def\nbinstruments{1}\computewidths
+\debutmorceau
+\autolines {10}44\relax
+\transpose=\Transpose
+\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes
+%
+\def\rchone{\lq q\zq{lnp}\ql s}%
+\def\Lchone{\lh c\zh{be}\hl g}%
+\def\lchone{\lq c\zq{be}\ql g}%
+\def\Lchtwo{\zh{bd}\hl g}%
+\def\lchtwo{\zq{bd}\ql g}%
+\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}%
+\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes
+\temps\NOtes\octs E|\soupir\enotes
+\temps\NOtes\Lchone|\rchone\enotes
+\temps\NOtes|\rchone\enotes
+\temps\NOtes\lchone|\rchone\enotes
+ %\check
+% mesure 2
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 3
+%
+\def\lchthree{\lq f\zq{ce}\ql h}%
+\def\Lchthree{\lh f\zh{ce}\hl h}%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes
+\temps\notes\Lchthree|\doct jk\enotes
+\temps\NOtes|\zq{lnq}\ql s\enotes
+\temps\notes\lchthree|\doct kj\enotes
+%
+ %\check
+% mesure 4
+\def\lchfour{\zq{be}\ql g}%
+\def\Lchfour{\zh{be}\hl g}%
+\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes
+\temps\NOtes\Lchfour|\ql l\enotes
+\temps\NOtes|\ql k\enotes
+\temps\NOtes\lchfour|\Fl k\ql k\enotes
+%
+ %\check
+% mesure 5
+%
+\def\lchfive{\lq e\zq c\ql f}%
+\def\Lchfive{\lh e\zh c\hl f}%
+\def\uchfive{\lq m\zq{hl}\ql o}%
+\barre\autolines 854\relax
+\NOtes\octs F|\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive\enotes
+\temps\NOtes|\uchfive\enotes
+\temps\notes\lchfive|\lq m\zq l\doct hh\enotes
+%
+ %\check
+% mesure 6
+%
+\def\lchsix{\lq c\zq{Nb}\ql e}%
+\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}%
+\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes
+\temps\NOtes\Lchsix|\ql l\enotes
+\temps\NOtes|\ql j\enotes
+\temps\NOtes\lchsix|\ql i\enotes
+%
+ %\check
+% mesure 7
+\def\lchseven{\zq{Ma}\ql c}%
+\def\Lchseven{\Fl c\zh{Mac}\hl e}%
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes
+\temps\notes\bigaccid\Lchseven|\doctu fg\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes
+\temps\Notes\lchseven|\doctu ef\enotes
+%
+ %\check
+% mesure 8
+\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause
+ |\Na j\rh j\zh{egi}\hu l\enotes
+\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes
+%
+ %\check
+% mesure 9
+\xbarre\notes\qsk\enotes
+\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax
+ |\lw p\zw{lnq}\wh s\enotes
+\setdoublebar\suspmorceau
+%
+ %\check
+% mesure 10
+\def\nbinstruments{2}\generalmeter{}\savemeters
+ %\computewidths
+ %\advance\linesinpage by 1
+ \lreprmorceau
+\llap{\leftrepeatsymbol}%
+\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt
+\vss\hrule width \noteskip height 0pt
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #2\kern\internote}\smallskip
+\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote
+ #1\kern\internote}}}}%
+\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes
+%
+\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}%
+\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}%
+%
+\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes
+\notes\zw{EILNb}|\wh g&\ds\enotes
+\temps\notes&\txt Se |De &\cu g\enotes
+\temps\notes&\txt sou-|la &\cu g\enotes
+\temps\notes&\txt ve-|mer-&\cu g\enotes
+\temps\notes&\txt nir |veil-&\cu i\enotes
+\temps\notes&\txt c'est |leuse &\cu i\enotes
+\temps\notes&\txt croire |a-&\cu j\enotes
+\temps\notes&\txt en |ven-&\cu j\enotes
+ %\check
+% mesure 11
+\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes
+\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes
+\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes
+\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes
+%
+ %\check
+% mesure 12
+\xbarre
+\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes
+\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes
+\temps\notes&\txt Que |Qui &\cu g\enotes
+\temps\notes&\txt tout |un &\cu g\enotes
+\temps\notes&\txt vient |jour &\cu g\enotes
+\temps\notes|\hl e&\txt de |a &\cu i\enotes
+\temps\notes&\txt re-|pu &\cu i\enotes
+\temps\notes&\txt com-|nous &\cu j\enotes
+\temps\notes&\txt men-|u-&\cu j\enotes
+ %\check
+% mesure 13
+\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes
+\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes
+\temps\NOtes|\hl g\enotes
+%
+ %\check
+% mesure 14
+\alaligne
+\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes
+\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes
+\temps\notes&\txt re-|gar- &\cl k\enotes
+\temps\notes&\txt voir-|de &\cu j\enotes
+\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt
+ l'\^e-|mal-&\cu i\enotes
+\temps\notes&\txt tre |gr\'e &\cu i\enotes
+\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes
+\temps\notes&\txt a- |bles-&\cu j\enotes
+ %\check
+% mesure 15
+\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes
+\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes
+%
+ %\check
+% mesure 16
+\xbarre
+\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes
+\temps\notes&\txt Et |L'in-&\cu g\enotes
+\temps\notes&\txt re-|ef-&\cu g\enotes
+\temps\notes&\txt trou-|fa-&\cu g\enotes
+\temps\notes&\txt ver |\c ca-&\cu f\enotes
+\temps\notes&\txt tout |ble &\cu f\enotes
+\temps\notes&\txt le |sou-&\cu g\enotes
+\temps\notes&\txt pas-|ve-&\cu g\enotes
+ %\check
+% mesure 17
+\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes
+\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes
+\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes
+%
+ %\check
+% mesure 18
+\setdoublebar\alaligne
+%
+\autolines {10}44\relax
+\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes
+\temps\NOtes\octs E|\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes
+ %\check
+% mesure 19
+\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo\enotes
+\temps\NOtes\sk\enotes
+\temps\NOtes\lchtwo\enotes
+ %\check
+% mesure 20
+%
+\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes
+%
+ %\check
+% mesure 21
+\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes
+\temps\NOtes\Lchfour|\enotes
+\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes
+\temps\NOtes\lchfour|\enotes
+%
+ %\check
+% mesure 22
+%
+\def\lchttwo{\zq a\zq c\ql e}%
+\def\Lchttwo{\zh a\zh c\hl e}%
+\def\uchttwo{\zq{hjl}\ql o}%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes
+\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes
+\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes
+%
+ %\check
+% mesure 23
+%
+\def\Lchtthree{\lh c\zh{Nb}\hl e}%
+\def\lchtthree{\lq c\zq{Nb}\ql e}%
+\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes
+\temps\NOtes\Lchtthree|\enotes
+\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes
+\temps\NOtes\lchsix|\enotes
+%
+ %\check
+% mesure 24
+\def\Lchtfour{\zh{Mac}\hl e}%
+\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes
+\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes
+\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes
+%
+ %\check
+% mesure 25
+\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes
+\temps\NOtes\lchtthree\enotes
+\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes
+\temps\NOtes\qu I\enotes
+%
+ %\check
+% mesure 26
+\barre\temps\NOtes\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes
+%
+ %\check
+% mesure 27
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 28
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes
+%
+ %\check
+% mesure 29
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 30
+%
+\barre\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes
+\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes
+%
+ %\check
+% mesure 31
+%
+\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 32
+\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes
+%
+ %\check
+% mesure 33
+\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes
+\temps\NOtes\qu N\enotes
+\temps\NOtes\qu a\enotes
+\temps\NOtes\Sh a\qu a\enotes
+%
+ %\check
+% mesure 34
+\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes
+\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes
+\notes&\hsong{soir }\qh0g\enotes
+\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes
+\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes
+\notes&\hsong{pu }\qh0k\enotes
+\notes&\hsong{te }\qh0j\enotes
+\notes&\hsong{re-}\tqh0i\enotes
+ %\check
+% mesure 35
+\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes
+\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes
+ %\check
+% mesure 36
+\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes
+\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes
+\notes&\hsong{bri-}\qh0j\enotes
+\notes&\hsong{ser, }\tqh0j\enotes
+\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes
+\notes&\hsong{a-}\qh0k\enotes
+\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes
+\notes&\hsong{an-}\tqh0h\enotes
+ %\check
+% mesure 37
+\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes
+\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes
+ %\check
+% mesure 38
+\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes
+\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes
+\notes&\hsong{pour }\qh0i\enotes
+\notes&\hsong{moi }\tqh0j\enotes
+\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes
+\notes&\hsong{ne }\qh0k\enotes
+\notes&\hsong{sais }\qh0j\enotes
+\notes&\hsong{com-}\tqh0i\enotes
+ %\check
+% mesure 39
+\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes
+\temps\NOTes&\hsong{dre }\hu j\enotes
+ %\check
+% mesure 40
+\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes
+\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes
+\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes
+\temps\NOtes&\hsong{men-}\ql l\enotes
+ %\check
+% mesure 41
+\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes
+\temps\NOtes\qu c|\qu j\enotes
+\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes
+\temps\NOtes\qu d|\Na i\qu i\enotes
+ %\check
+% mesure 42
+\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes
+\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes
+\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes
+\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes
+ %\check
+% mesure 43
+\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes
+\temps\NOtes\Lchtwo|\ql n\enotes
+\temps\NOtes\sk|\Sh m\ql m\enotes
+\temps\NOtes\lchtwo|\ql n\enotes
+ %\check
+% mesure 44
+%
+\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes
+\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes
+\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes
+\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes
+%
+ %\check
+% mesure 45
+\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes
+\temps\NOtes\Lchfour|\qu l\enotes
+\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes
+\temps\NOtes\lchfour|\Fl k\qu k\enotes
+%
+ %\check
+% mesure 46
+%
+\barre\autolines {9}54\relax
+\NOtes\octs F|\soupir&\soupir\enotes
+\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes
+\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes
+\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes
+%
+ %\check
+% mesure 47
+%
+\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes
+\temps\NOtes\Lchsix|\qu l\enotes
+\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes
+\temps\NOtes\lchsix|\qu i\enotes
+%
+ %\check
+% mesure 48
+\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes
+\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes
+\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes
+\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes
+%
+ %\check
+% mesure 49
+\xbarre\NOTes\itenl1E\itenl2L\octs E\relax
+|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes
+\temps\NOTes
+ \ifnum\transpose<-2\relax
+ \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi
+|\ifnum\transpose<-2\else
+ \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi
+ \zh{il}\rh m\hu p\relax
+\enotes
+ %\check
+% mesure 50
+\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk
+\lh q\zh l\zh n\zh p\hl s\enotes
+\temps\NOtes\qu E|\hpause&\pause\enotes
+\temps\NOtes\soupir\enotes
+\setrightrepeat\finpartition
+\medskip\rightline{\it le \aujourdhui}
+\eject
+
+
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex
new file mode 100644
index 00000000000..1a17a982d6a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex
@@ -0,0 +1,376 @@
+\ifx\mxversion\undefined
+ \input musixtex
+ \input musixcpt
+ \input musixsty
+\fi
+\title{Tierce en taille}
+\fulltitle{III. \titremorceau}
+\csname titremorceautoc\endcsname
+%
+\parindent 18mm
+
+\subtitle{\sl (pour orgue)}
+\othermention{Compos\'e en 1990}
+\author{Daniel TAUPIN}
+\maketitle
+
+\tracingstats=2\relax
+%
+\nbporteesii=2\relax
+\def\nbinstruments{2}
+\global\cleftoksii={{0}{3}{0}{0}}%
+\global\cleftoksi={{6}{0}{0}{0}}%
+%
+\signaturegenerale{1}\relax % un dieze a la clef
+\def\quatretemps{\generalmeter{\allabreve}}%
+\def\troistemps{\generalmeter{\meterfrac{3}{2}}}%
+\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}%
+\def\Mordant{\mordant{10}}%
+\def\tenPince{\pince{10}}%
+%\check
+\def\instrumenti{P\'edale 16'}%
+\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt
+ \centerline{G.O.}}}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+% formes frequentes
+%
+% deux croches hautes
+\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+\def\dqh{\dqu}\def\dqb{\dql}%
+%
+% deux doubles croches hautes
+\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}%
+\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}%
+%
+% croche pointee et double croche meme hauteur
+\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}%
+\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}%
+%
+\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}%
+\par\noindent{\rm R\'ec.: cornet ou cromorne}%
+\par\noindent{\rm P\'ed.: 16', tirasse G.O.}%
+\smallskip
+%
+\quatretemps
+%
+\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}%
+\debutmorceau
+\noautolines
+\advancebottom{4\internote}%
+%\autolines {8}44\relax
+\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}%
+%\check
+%
+\hyphenpenalty -50\relax
+\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes
+\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}%
+\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax
+\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}%
+\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax
+%\check
+\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax
+\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax
+%\check
+%
+% mesure 1
+\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 2
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 3
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 4%\autolines{9}44\relax
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 5
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 6
+\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes
+\temps\notes&|\cu c\enotes
+\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes
+\temps\notes&\qu j|\sk\cu b\enotes
+% mesure 7
+\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu N\enotes
+% mesure 8
+\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\trioskip\dqbbh3Na\enotes
+% mesure 9
+\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes
+\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes
+\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes
+\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes
+% mesure 10
+\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu a\enotes
+% mesure 11
+\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes
+\temps\notes&|\tenPince\dql{-3}dc\enotes
+% mesure 12
+\troistemps
+\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 13
+\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes
+% mesure 14
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 15
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 16
+\troistemps
+\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes
+\temps\notes\qu D&\zql c|\sk\cu N\enotes
+\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes
+\resp
+% mesure 17
+\deuxtemps
+\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes
+\temps\NOTes&|\hl d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 18
+\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes
+\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes
+% mesure 19
+\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes
+\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes
+\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes
+\temps\notes&\qu g|\sk\cl d\enotes
+% mesure 20
+\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes
+\resp
+\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes
+% mesure 21
+\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes
+\temps\notes&|\cu c\enotes
+\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes
+\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes
+% mesure 22
+\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes
+\notes&|\tten1\trioskip\qqbbl3bbcd\enotes
+\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes
+\temps\notes&|\dql{-6}ea\enotes
+% mesure 23
+\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes
+\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes
+\temps\notes&|\cu c\enotes
+% mesure 24
+\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes
+\resp
+% mesure 25
+\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes
+% mesure 26
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 27
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 28
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes
+% mesure 29
+\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes
+\temps\Notes\soupir&\soupir|\soupir\enotes
+%\check
+% mesure 31
+\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 31
+\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 32
+\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 33
+\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes
+\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes
+\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 34
+\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes
+\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes
+\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes
+%\check
+% mesure 35
+\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes
+\temps\notes&|\cu h\enotes
+\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes
+\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes
+% mesure 36
+\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes
+\resp
+\temps\notes\soupir&\soupir|\cpdcu b\enotes
+% mesure 37
+\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+% mesure 38
+\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-3}hg\enotes
+\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes
+\temps\NOtes&|\qu d\enotes
+% mesure 39
+\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes
+\temps\notes&|\dqu{-8}gd\enotes
+\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes
+\temps\NOtes&|\pince o\qu e\enotes
+% mesure 40
+\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes
+\temps\notes&|\dqu{-8}he\enotes
+\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes
+\temps\NOtes&|\pince o\qu f\enotes
+%\check
+% mesure 41
+\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes
+\temps\notes&|\dqu{-3}ih\enotes
+\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes
+\temps\notes&|\dqu{-5}ge\enotes
+%\check
+% mesure 42
+\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes
+\temps\notes&|\dqu{-3}ji\enotes
+\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes
+\temps\notes&|\dqu{-3}fe\enotes
+% mesure 43
+\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes
+\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes
+\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes
+\temps\notes&|\cu h\enotes
+% mesure 44
+\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes
+\temps\notes\qu D&|\sk\cu g\enotes
+\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes
+\resp
+% mesure 45
+\cleftoksii={{0}{3}{0}{0}}\changeclefs
+\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes
+\temps\NOTEs&|\hu d\enotes
+\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes
+% mesure 46
+\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes
+\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes
+\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes
+% mesure 47
+\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes
+\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes
+\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes
+% mesure 48
+\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes
+\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes
+\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes
+\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes
+% mesure 49
+\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes
+\temps\notes&\zql c|\dql{-2}ed\enotes
+\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes
+\temps\notes&|\dql{-8}dN\enotes
+% mesure 50
+\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu b\enotes
+\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes
+\resp
+% mesure 51
+\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes
+\temps\NOTes&|\hu{^d}\enotes
+\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes
+% mesure 52
+\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes
+\temps\NOtes&|\hu e\enotes
+\temps\notes\hu H&\zh {cf}\hu h|\enotes
+\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes
+% mesure 53
+\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes
+\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes
+% mesure 54
+\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes
+\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes
+\temps\notes&|\cu a\enotes
+% mesure 55
+\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes
+\resp
+% mesure 56
+\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes
+\temps\NOTes&|\hu f\enotes
+\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes
+% mesure 57
+\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes
+\temps\NOtes&|\qu N\enotes
+\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes
+% mesure 58
+\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes
+\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes
+\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes
+\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes
+%\check
+% mesure 59
+\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes
+\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes
+\temps\notes&|\cu N\enotes
+% mesure 60
+\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes
+\mulooseness 3\relax
+\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+
+\ifx\toc\undefined
+ \let\finishpiece \end
+\else
+ \let\finishpiece\relax
+\fi
+\finishpiece
+\endinput
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex
new file mode 100644
index 00000000000..f97c8f85630
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex
@@ -0,0 +1,299 @@
+%format musix
+
+\input musixtex
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% TEX translation of MIDI File :
+% b.MID
+%
+% Written by Hans Kuykens
+% this translation of date : 1-9-1993
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\musicparskip
+
+\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}%
+ \rlap{\varline{#1}{#2\noteskip}{#4}}}%
+
+\def\liftqp#1{\raise#1\Interligne\rlap\qp}
+\def\liftds#1{\raise#1\Interligne\rlap\ds}
+\def\raiseped{-6}
+
+\nopagenumbers\parindent10mm
+
+\centerline{\BIGfont Tr\"aumerei}\bigskip
+\rightline{\medtype Robert Schumann}\smallskip
+
+\generalsignature{-1}
+\generalmeter\meterC
+\setstaffs12
+\interstaff{12}
+\setclef1\bass
+\meterskip\Interligne
+\relativeaccid
+\startbarno0\startmuflex\startpiece\systemnumbers
+%%% bar 0
+\nspace
+\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en
+%%% bar 1
+\leftrepeat
+\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\ttie2\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 2
+\bar
+\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en
+\znotes|\tubslur5j\tqh1m\en
+\qspace
+\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en
+\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en
+\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en
+%%% bar 3
+\bar
+\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a%
+ |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en
+\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en
+\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}%
+ \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N%
+ |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en
+%%% bar 4
+\bar
+\Notes\tdbslur0M\zql M\qu a%
+ |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en
+\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K%
+ |\tubslur3g\zhl c\zh g\hu e\en
+\Notes\ibl0J{-1}\qb0J\qb0I\en
+\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en
+\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}%
+%%% bar 5
+\bar
+\NOtes\zchar{-7}\sPed\tsslur0M%
+ \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\tubslur2f\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 6
+\bar
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en
+\znotes|\tubslur5l\tqh1o\en
+\qspace
+\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en
+\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e%
+ |\islurd2g\lpt g\lh g\zhlp h\qup o\en
+\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en
+%%% bar 7
+\bar
+\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d%
+ |\tsslur2h\zqlp h\ibu4l0\qb4m\en
+\Notes|\qb4o\en
+\Notes|\qb4k\en
+\nspace
+\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en
+\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en
+\Notes|\qb3j\en
+\Notes|\qb3e\en
+\nspace
+\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en
+%%% bar 8
+\bar
+\nspace
+\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en
+\Notes\qb1g\en
+\Notes\DEP\qb1a|\qu{=l}\en
+\notes\tqh1b\en
+\notes|\tinynotesize\grcu j\en
+\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J%
+ |\curve105\tslur3g\zql e\hu j\en
+\Notes\liftds3\qb0K\en
+\nspace
+\Notes\liftqp3\qb0{=I}|\liftds{-2}\en
+\Notes\tqb0G|\isluru2j\cu c\en
+%%% bar 9
+\rightrepeat
+\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F%
+ |\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en
+\Notes|\ttie1\ttie2\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\tubslur5g\en
+%%% bar 10
+\bar
+\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j%
+ \rlap{\varline{14}{1.5\noteskip}8}%
+ \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en
+\nspace
+\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J%
+ |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en
+\nspace
+\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en
+\Notes\tqh2a\en
+\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en
+\Notes|\tqb2{^f}\en
+\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K%
+ |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en
+\Notes\tqb1M|\tqh5j\en
+%%% bar 11
+\bar
+\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en
+\Notes|\qb3k\en
+\Notes|\qb3g\en
+\nspace
+\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en
+\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en
+\Notes|\tdbslur3M\qb2g&\en
+\Notes|\ibslurd3e\qb2b\en
+\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en
+%%% bar 12
+\bar
+\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en
+\Notes\qb0d\en
+\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en
+\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a%
+ |\roff{\islurd3c}\issluru5d\rcl c\cu d\en
+\qspace
+\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a%
+ |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en
+\Notes\zqb0N\qb1N\en
+\Notes\zqb0G\qb1G|\ds\en
+\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en
+%%% bar 13
+\bar
+\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B%
+ |\liftqp{-3}\itieu2i\hu i\en
+\Notes\zhp d\hlp M|\zhp f\hlp b\en
+\Notes|\ttie3\ttie2\cu i\en
+\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en
+\Notes|\qb0i\en
+\Notes|\tqh0k\en
+%%% bar 14
+\bar
+\Notes\ds|\zqu m\ibu4m{5}\qb4m\en
+\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d%
+ |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en
+\nspace
+\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en
+\Notes\tqh2e\en
+\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en
+\Notes|\tqb2{^j}\en
+\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a%
+ |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en
+\Notes\tqb1c|\tqh5n\en
+\def\atnextline{\Liftslur02\Liftslur4{-2}}%
+%%% bar 15
+\bar
+\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en
+\Notes|\qb3o\en
+\Notes|\qb3k\en
+\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en
+\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en
+\Notes|\tdbslur3b\qb2k&\en
+\Notes|\ibslurd3h\qb2f\en
+\Notes\islurd0L\cl b|\zcu l\tqb2g\en
+%%% bar 16
+\bar
+\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en
+\notes|\qb3h\en
+\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en
+\nspace
+\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en
+\qspace
+\Notes\tsslur1a\ibl0b2\zqb0a\qu d%
+ |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en
+\Notes\islurd2a\tqb0b\en
+\nspace
+\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}%
+ |\ibsluru2g\zql e\qu g\en
+\qspace
+\Notes\zchar{-7}\Dep\liftds2\tqb0J%
+ |\roff{\stdstemfalse\tinynotesize\grcu c}\en
+%%% bar 17
+\bar
+\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p
+ \roff{\isslurd0F\zw F}%
+ |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en
+\qspace
+\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en
+\Notes|\ttie1\tslur2e\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 18
+\bar
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en
+\znotes|\tubslur5j\tqh1m\en
+\qspace
+\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en
+\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en
+\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en
+%%% bar 19
+\bar
+\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a%
+ |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en
+\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en
+\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}%
+ \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N%
+ |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en
+%%% bar 20
+\def\atnextline{\Liftslur04}\bar
+\Notes\tdbslur0M\zql M%
+ \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}%
+ \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a%
+ |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en
+\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K%
+ |\tubslur3g\zhl c\zh g\hu e\en
+\Notes\ibl0J{-1}\qb0J\qb0I\en
+\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en
+%%% bar 21
+\bar
+\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}%
+ |\liftqp{-4}\issluru1g\hu f\en
+\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en
+\Notes|\ttie1\tubslur2f\cu f\ibsluru5d%
+ \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en
+\Notes|\qb0f\tqh0h\en
+%%% bar 22
+\bar
+\def\tx#1{\cchar{14}{\twelveit #1}}%
+\def\rtx#1{\zchar{14}{\twelveit #1}}%
+\def\ctx{\cchar{14}{\twelveit --}}%
+\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en
+\Notes|\tubslur5l\tqh1o\en
+\nspace
+\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp
+ \isslurd0G\zhp{G^I}\hlp{^b}%
+ |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en
+\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en
+%%% bar 23
+\bar
+\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c%
+ |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en
+\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}%
+ |\ibsluru1f\zhl e\ibu3f5\qb3g\en
+\qspace
+\Notes\tqh0a|\tqh3h\en
+\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en
+\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}%
+ |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en
+\nspace
+\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en
+%%% bar 24
+\bar
+\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en
+\Notes\ctx|\tubslur3k\tqh1k\en
+\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J%
+ |\isluru2i\zql N\zq b\ibu1c2\qb1d\en
+\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en
+\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J%
+ |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en
+%\mulooseness-2\relax
+\mulooseness-1\relax
+\Endpiece\eject\endmuflex\end
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex
new file mode 100644
index 00000000000..25e4d9304a8
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex
@@ -0,0 +1,786 @@
+\title{Toccata}
+\shortauthor{Ch.-M. Widor}
+\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)}
+\fullauthor{Charles-Marie WIDOR}
+\maketitle
+\parindent 13mm
+%
+
+\tracingstats=2\relax
+%
+\nbporteesi=2\relax
+\def\nbinstruments{1}
+\global\cleftoksi={{0}{0}{0}{0}}%
+%
+\signaturegenerale{-1}\relax
+\def\Mordant{\mordant{10}}%
+%\check
+\def\instrumenti{Manuel}%
+%\check
+\def\gluemaxskip{7pt}%
+%
+\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause}
+\def\tnotes{\temps\notes}
+\def\zbnotes{\zbarre\notes}
+\def\doubler{\multiply\noteskip by 2\relax}%
+\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}%
+% formes frequentes
+%
+\def\qbupz#1{\upz{#1}\qb0{#1}}
+\def\qhlpz#1{\lpz{#1}\qh0{#1}}
+%\check
+\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by 2\ibbl0{#9}0}\relax
+\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}%
+\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}%
+%\check
+\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by -2\ibbu0{#1}0}\relax
+\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}%
+\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}%
+\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5}
+\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5}
+%\check
+%
+\def\culpz#1{\lpz{#1}\cu{#1}}%
+\def\clupz#1{\upz{#1}\cl{#1}}%
+%
+%\check
+% double accord de 4 + soupir
+\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk
+\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}%
+\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk
+\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}%
+%
+\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk
+\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}%
+\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk
+\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}%
+%
+%\check
+% double accord de 3 + soupir
+\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk
+\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}%
+\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk
+\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}%
+\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk
+\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}%
+%
+\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}%
+\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk
+\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}%
+\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk
+\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}%
+%
+%\check
+% double accord de 2 + soupir
+\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk
+\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}%
+\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk
+\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}%
+%
+% double accord de 3 doubles croches
+\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}%
+\lpz{#3}\zq{#1#2}\tqh0{#3}}%
+\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}%
+\upz{#1}\zq{#1#2}\tqb0{#3}}%
+%
+% double accord de 2 doubles croches
+\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}%
+\lpz{#2}\zq{#1}\tqh0{#2}}%
+\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}%
+\upz{#1}\zq{#1}\tqb0{#2}}%
+%
+% double accord de 3 + soupir
+\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}%
+%
+% double accord de 2 + soupir
+\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk
+\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}%
+%
+% double accord de 3 doubles croches
+\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}%
+\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}%
+\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}%
+\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}%
+%
+% double accord de 2 doubles croches
+\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax
+\lpz{#2}\rq{#1}\tqh0{#2}}%
+%
+% accord de 4, 3 doubles croches inf
+\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbut{#2}{#3}{#4}}%
+%\check
+%
+% accord de 4, 2 doubles croches sup
+\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbud{#1}{#2}}%
+%\check
+%
+% accord de 4, 2 doubles croches med
+\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}%
+\ddbud{#2}{#3}}%
+%\check
+%
+% accord de 2, 2 doubles croches med
+\def\lmotbbd#1#2#3{\dbud{#1}{#2}%
+\ddbud{#2}{#3}}%
+%\check
+%
+\def\bld#1#2{\zq{#2}\clupz{#1}}%
+\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}%
+\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}%
+\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}%
+\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}%
+%
+\def\bud#1#2{\zq{#1}\culpz{#2}}%
+\def\budr#1#2{\rq{#1}\culpz{#2}}%
+\def\but#1#2#3{\zq{#1#2}\culpz{#3}}%
+\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}%
+\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}%
+\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}%
+\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}%
+\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}%
+\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}%
+\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}%
+\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}%
+%\check
+%
+\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}%
+%\check
+%
+% accord de 3, final croche
+\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}%
+\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}%
+%\check
+%
+\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}%
+\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}%
+%\check
+%
+% accord de 2, final croche
+\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}%
+\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}%
+%\check
+%
+\def\register#1{\boxit{\hbox{\bf #1}}}
+%
+\generalmeter{\meterfrac 42}%
+%
+\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi
+\debutmorceau
+%
+\ifnum\musicsize=16\relax
+ \autolines{19}47\else
+ \autolines{19}36\fi
+%\check
+%
+\bigaccid
+\hyphenpenalty -50\relax
+\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro
+\bf(\metron{\qu}{100})}\enotes
+%
+%\check
+%
+% mesure 1
+\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+% mesure 2
+\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\ifnum\musicsize=16\relax
+ \autolines {17}47\else
+ \autolines {17}36\fi
+\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes
+% mesure 3
+\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes
+% mesure 4
+\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes
+% mesure 5
+\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes
+\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes
+\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+% mesure 6
+\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes
+\qspace
+\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes
+\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes
+\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes
+% mesure 7
+\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes
+\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes
+\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes
+\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes
+% mesure 8
+% increase the number of instruments at the next line change
+\def\manuale{}% nothing until changed
+\def\pedalepause{}%
+\def\atnextline{\nbporteesii=2\relax
+ \nbporteesi=1\relax
+ \def\nbinstruments{2}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax
+ \def\pedalepause{\Pause}\def\manuale{&}\relax
+ \signaturegenerale{-1}}\relax
+%
+\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes
+\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes
+%
+\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes
+\tnotes\manuale\na c\na l\tbuq ligc\relax
+ |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes
+% mesure 9
+%\check
+% modification de la liaison initiale en pizz.
+\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}%
+\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}%
+%\check
+\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid
+{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}%
+\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}%
+%
+%\check
+\bnotes\zcharnote{E}{\llap{\ff}}\relax
+\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+% mesure 10
+\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes
+% mesure 11
+\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\hpause&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+% mesure 12
+\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\umotif p!o!n!l!j\enotes
+\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes
+\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes
+% mesure 13
+\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes
+\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes
+\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes
+\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes
+% mesure 14
+\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif
+o^n!l^j!h\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes
+\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif
+p!m!m!k=i\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif
+q!o!o!n^j\enotes
+% mesure 15
+\ifnum\musicsize=16\relax
+ \autolines{17}46\else
+ \autolines{17}35\relax
+\fi
+\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes
+\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes
+\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes
+\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes
+% mesure 16
+\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut
+ifd|\na p\umotif p^o^m^k=i\enotes
+\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes
+\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif
+q!n!n!l^j\enotes
+\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\sh f\tbutr ihf|\sh r\umotif
+r!p!p!o^k\enotes
+%\check
+% mesure 17
+\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif
+s^r=p!n!l\enotes
+\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes
+\zbnotes\tten1\hl L&\tbut jge|\umotif q!p!p!n!l\enotes
+\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes
+% mesure 18
+\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes
+\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif
+r^q!o!m!k\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\tbuqr ljig\relax
+ |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes
+% mesure 19
+\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes
+\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes
+\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif
+r!q!o!m!l\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif
+q!o!o!l!j\enotes
+% mesure 20
+\bnotes\doubler\qlp K\sk\sk\cu D&\tbutr ihd|\umotif p!o!o!m!i\enotes
+\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes
+\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif
+o!n!n!l!h\enotes
+\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes
+% mesure 21
+\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes
+\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes
+\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes
+\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes
+%\check
+% mesure 22
+\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes
+\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes
+\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes
+\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes
+% mesure 23
+\global\cleftoksii={{6}{0}{0}{0}}\changeclefs
+\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes
+\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes
+\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes
+\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt
+oki\na p\blt pki\enotes
+% mesure 24
+\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes
+\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes
+\qspace
+\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes
+\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes
+% mesure 25
+\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes
+\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes
+\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes
+\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax
+ \sh h\sh n\dblt njh\sh o\blt ojh\enotes
+% mesure 26
+\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt
+ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes
+\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes
+\qspace
+\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif
+ j!i!i!g!e\enotes
+\global\cleftoksii={{0}{0}{0}{0}}\changeclefs
+\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif
+ n^m!j!i!g\enotes
+% mesure 27
+\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes
+\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes
+\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes
+\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes
+% mesure 28
+%\check
+\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif
+ p^o^m^k=i\enotes
+\tnotes\sk\hpause&\sh h\tbut hfd|\umotif o!m!m!k!i\enotes
+\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes
+\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif
+ r!o!o!m!k\enotes
+% mesure 29
+%\check
+\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif
+ r^q!p!m!k\enotes
+\tnotes\doubler\soupir\sk\dsoupir\cu I\relax
+&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes
+\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif
+ r^q!o!m!k\enotes
+\tnotes\doubler\soupir\sk\dsoupir\cu I\relax
+&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif
+ s!o!o_n_l\enotes
+% mesure 30
+%\check
+\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes
+\tnotes\sk\hpause
+&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes
+% mesure 31
+%\check
+\bnoteP&\zcharnote N{\llap{\register{II} }}%
+\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}%
+\umotif r^q!o!m!k\enotes
+\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes
+% mesure 32
+%\check
+\bnoteP&\qsk\zcharnote a{\llap{(II)}}%
+\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}%
+\umotif r^q^n!m!k\enotes
+\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes
+% mesure 33
+%\check
+\signaturegenerale{2}\Changecontext
+\ifnum\musicsize=16\relax
+ \def\atnextline{\nbporteesi=2\relax
+ \def\nbinstruments{1}\relax
+ \global\cleftoksi={{0}{0}{0}{0}}\relax
+ \def\pedalepause{}\def\manuale{}}\fi
+%
+\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes
+\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes
+\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes
+\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes
+\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes
+%
+% mesure 34
+\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes
+\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes
+\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes
+\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes
+%
+%\check
+% mesure 35
+\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes
+\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes
+\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes
+\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes
+%
+%\check
+% mesure 36
+\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi
+%
+\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes
+\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes
+\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes
+\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes
+%
+%\check
+% mesure 37
+\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes
+\qspace
+\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes
+\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes
+\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes
+%
+%\check
+% mesure 38
+\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes
+\qspace
+\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid
+ \lsh n\lsh i\sh k\sh g\tblq nkig\enotes
+\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes
+\qspace
+\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes
+%\check
+% mesure 39
+\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes
+\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes
+\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes
+\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes
+%
+%\check
+% mesure 40
+\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes
+\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes
+\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes
+\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}%
+\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes
+\ifnum\nbinstruments=1\relax
+ \global\cleftoksi={{6}{0}{0}{0}}\else
+ \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi
+\changeclefs
+%\check
+% mesure 41
+\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk
+ \mmotif j!i!i^g^e\enotes
+\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes
+\qspace
+\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes
+\qspace
+\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes
+\ifnum\nbinstruments=1\relax
+ \global\cleftoksi={{0}{0}{0}{0}}\else
+ \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi
+\addspace{-\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes
+%\check
+% mesure 42
+\bnotes\pedalepause\manuale
+\zcharnote o{\it cresc.}\relax
+ \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes
+\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes
+\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes
+\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes
+%
+%\check
+% mesure 43
+\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes
+\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes
+\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes
+\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes
+%
+% mesure 44
+\barre
+\def\atnextline{\nbporteesii=2\relax
+ \nbporteesi=1\relax
+ \def\nbinstruments{2}\relax
+ \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax
+ \def\pedalepause{\Pause}\def\manuale{&}\relax
+ \signaturegenerale{2}}\relax
+%
+\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk
+ \umotif r=o!o^m!k\enotes
+\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes
+\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes
+\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes
+%
+%\check
+% mesure 45
+\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax
+\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk
+ \bigsh s\umotif s>r!q!p^l\enotes
+\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes
+\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\ddbudr ji|\umotif s!r^q!p!l\enotes
+\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes
+%
+%\check
+% mesure 46
+\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid
+\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes
+\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes
+\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes
+\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes
+%
+% mesure 47
+\generalsignature{-1}\Changecontext
+\notes\doubler\pt 5\soupir\sk\sk
+ \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes
+\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes
+\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes
+\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes
+%
+%\check
+% mesure 48
+\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl
+b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk
+ \zmidtwotext{\llap{\ff}}\bigaccid
+\dbltl mhi\budr ih|\qsk\qsk
+\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes
+\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes
+\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+%\check
+%
+% mesure 49
+\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax
+ \zcharnote a{\llap{(I)}}\bigaccid
+\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk
+ \umotif t!s_r_q!m\enotes
+\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes
+\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes
+%\check
+%
+% mesure 50
+\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+% mesure 51
+\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes
+\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes
+\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes
+% mesure 52
+\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes
+\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes
+\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes
+\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes
+% mesure 53
+\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes
+\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes
+\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes
+% mesure 54
+\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes
+\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes
+\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes
+\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes
+% mesure 55
+\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif
+o^n!l^j!h\enotes
+\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes
+\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif
+p!m!m!k=i\enotes
+\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif
+q!o!o!n^j\enotes
+% mesure 56
+\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes
+\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes
+\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes
+\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes
+% mesure 57
+\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut
+ifd|\na p\umotif p^o^m^k=i\enotes
+\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes
+\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif
+q!n!n!l^j\enotes
+\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif
+r!p!p!o^k\enotes
+%\check
+% mesure 58
+\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif
+s^r=p!n!l\enotes
+\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes
+\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q!p!p!n!l\enotes
+\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes
+% mesure 59
+\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes
+\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes
+\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif
+r^q!o!m!k\enotes
+\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax
+ |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}%
+\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes
+% mesure 60
+\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes
+\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes
+\zbnotes\doubler\zh M\hu F&\tbut khf|\sh q\umotif
+r!q!o!m!l\enotes
+\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif
+q!o!o!l!j\enotes
+% mesure 61
+\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes
+\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes
+\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif
+o!n!n!l!h\enotes
+\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes
+% mesure 62
+\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes
+\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes
+\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes
+\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes
+%\check
+% mesure 63
+\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes
+\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes
+\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes
+\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes
+%\check
+% mesure 64
+\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes
+\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes
+\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes
+\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes
+%
+% mesure 65
+\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax
+ \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes
+\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes
+\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes
+\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes
+%
+% mesure 66
+\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax
+ \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes
+\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes
+\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes
+%
+% mesure 67
+\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes
+\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes
+\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes
+%
+% mesure 68
+\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes
+\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes
+\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre
+ diminuendo}\mmotif j!i!i!f!c\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax
+ |\mmotif j!h!h!f!c\enotes
+%
+% mesure 69
+\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes
+\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes
+\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes
+%
+% mesure 70
+\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax
+\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes
+\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes
+\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes
+\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes
+%
+% mesure 71
+\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler
+ \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes
+\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\sk\hpause&\Mmotif hgfda|\doubler
+ \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes
+%
+% mesure 72
+\bnotes\doubler\upz M\ql M\sk\soupir&\doubler
+ \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes
+\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes
+\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes
+\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes
+%
+% mesure 73
+\bnotes\doubler\qsk\upz f\ql f\sk\soupir
+ &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes
+\tnotes\doubler\upz f\ql f\sk\soupir
+ &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes
+\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes
+\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes
+%
+% mesure 74
+\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax
+\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid
+\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax
+|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}%
+%\check
+\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler
+ \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax
+ |\Mmotif jhhfc\enotes
+\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc.
+ }}\Xmotif j=i!h!f!c\enotes
+\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes
+\tnotes&\Xmotif o^n!m!j!h\enotes
+%
+% mesure 75
+\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes
+\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes
+\tnotes&\Xmotif m!l!j!h!f\enotes
+\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes
+\tnotes&\Xmotif q=p!o!m!j\enotes
+%
+% mesure 76
+\ifnum\musicsize=16\relax
+ \elemskip=0.66\elemskip\advance\barsinline by -1\fi
+\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes
+\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes
+\temps\NOTEs\wh F|\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes
+%
+% mesure 77
+\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk
+ \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes
+\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk
+|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes
+% mesure 78
+\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi
+ \tinynotesize\itenl2F\cu F&\tinynotesize
+ \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes
+\NOTES\tten2\pointdurgue E\zbv F\zbv M|\relax
+ \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes
+\temps\temps\finmorceau
+\rightline{\sl\aujourdhui}\vfil\eject
+\varaccid
+
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex
new file mode 100644
index 00000000000..4a0b638da01
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex
@@ -0,0 +1,17 @@
+%\input musicnft
+%\input musictex
+%\input musicsty
+
+\musicsize=16\relax
+\vsize 275mm
+\tracingstats=2\relax
+
+\barsinline=0\relax
+\linesinpage=0\relax
+\staffbotmarg\Interligne
+\resetfacteurs
+\computewidths
+%
+\input widor
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex
new file mode 100644
index 00000000000..9b39f6417c5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex
@@ -0,0 +1,11 @@
+\musicsize=20\relax\hyphenation{re-gis-tra-tion}
+\csname french\endcsname
+\tracingstats=2\relax
+\barsinline=0\relax
+\linesinpage=0\relax
+\resetfacteurs
+\computewidths
+%
+\input widor
+\bye
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/license.txt b/Master/texmf-dist/doc/generic/musixtex/license.txt
new file mode 100644
index 00000000000..180cc2345b3
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/license.txt
@@ -0,0 +1,20 @@
+
+
+ MusiXTeX may be freely copied, duplicated and used. However, since it is
+intended to be a "no cost software" you are not allowed to sell it, and the fee
+you may ask for distributing it must be limited to maintenance, support and
+duplication costs. You may take it or parts of it to include in other
+packages, but no packages called MusiXTeX may be distributed under this name
+if different from the original distribution (except obvious bug corrections).
+
+ Adaptations for specific implementations (e.g. fonts) should be provided as
+separate additional TeX or LaTeX files which override original definition.
+
+ MusiXTeX may be included in further commercial packages, provided that no
+additional fee is charged for MusiXTeX itself.
+
+ Daniel Taupin
+ mailto:taupin@lps.u-psud.fr
+ Laboratoire de Physique des solides
+ batiment 510, centre universitaire
+ F - 91405 ORSAY cedex
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat
new file mode 100644
index 00000000000..fea551442f0
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat
@@ -0,0 +1,16 @@
+rem cm-ltx2e = latex2e based on cm* fonts
+del musixdoc.mx*
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+musixflx musixdoc
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+makeindx musixdoc.idx
+call cm-ltx2e musixdoc
+if errorlevel 2 goto end
+makeindx musixdoc.idx
+call cm-ltx2e musixdoc
+call prthplj musixdoc musixdoc.lj
+%emtexdir%\bin\dvips32 musixdoc -o musixdoc.ps -P300 -ta4
+:end
+
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1 b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1
new file mode 100644
index 00000000000..61ad824438c
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1
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diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx2 b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx2
new file mode 100644
index 00000000000..256550de3c6
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx2
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diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf b/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf
new file mode 100644
index 00000000000..e4082800e8a
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty
new file mode 100644
index 00000000000..269cd551814
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty
@@ -0,0 +1,107 @@
+%
+% This file is part of MusiXTeX
+%
+% MusiXTeX is free software; you can redistribute it and/or modify
+% it under the terms of the GNU General Public License as published by
+% the Free Software Foundation; either version 2, or (at your option)
+% any later version.
+%
+% MusiXTeX is distributed in the hope that it will be useful,
+% but WITHOUT ANY WARRANTY; without even the implied warranty of
+% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+% GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with MusiXTeX; see the file COPYING. If not, write to
+% the Free Software Foundation, Inc., 59 Temple Place - Suite 330,
+% Boston, MA 02111-1307, USA.
+%
+% american people perhaps may want to change the paper size
+
+\textheight= 50\baselineskip
+\textwidth= 210mm \advance\textwidth-2in %
+
+\input musixtex
+\input musixbm
+\input musixcho
+\input musixdat
+\input musixext
+\input musixgre
+\input musixgui
+\input musixlit
+\input musixltx
+\input musixper
+\input musixmad
+
+% we don't need margin
+\oddsidemargin\z@ \evensidemargin\z@
+\marginparwidth\z@ \marginparsep\z@ \marginparpush\z@
+
+\topmargin-15pt \headheight12pt
+\headsep25pt \footskip25pt
+\columnsep10pt \columnseprule\z@ \parskip\smallskipamount
+
+\nobarnumbers
+
+% for usage of notes inside text
+\let\nblines\z@
+
+\long\def\theindex{\chapter{Index}\parindent\z@
+ \parskip\z@ plus.3\p@\relax \let\item\@idxitem \columnseprule\z@
+ \columnsep35\p@ \begin{multicols}{2}}
+
+\def\endtheindex{\end{multicols}}
+
+% saves paper
+\def\@listI{\leftmargin\leftmargini \parsep 4.5\p@ plus2\p@ minus\p@
+\topsep 1\p@ plus2\p@ minus1\p@
+\itemsep 4.5\p@ plus2\p@ minus\p@}
+
+% more place for digits in \tableofcontents
+\def\l@subsection{\@dottedtocline{2}{3.8em}{3.4em}}%original 2 3.8 3.2
+
+\def\tty{\csname normalshape\endcsname\csname mediumseries\endcsname\tt}
+\def\mutex{M\raise\tw@\p@\hbox{\kern\m@ne\p@ u\kern\m@ne\p@}\TeX}
+\def\Bslash{\tt\char'134}
+\def\|{{\tt\char'174}}
+\def\LBR{{\tt\char'173}}
+\def\RBR{{\tt\char'175}}
+\def\keyindex#1{\leavevmode
+ \hbox{\Bslash #1}\index{#1@{\protect\Bslash #1}}}
+\def\zkeyindex#1{\index{#1@{\protect\Bslash #1}}}
+\def\ixem#1{#1\index{#1}}
+\def\itxem#1{\ital{#1}\index{#1}}
+\def\ttxem#1{{\tt #1}\index{#1@{\tt #1}}}
+\def\ital#1{{\sl #1\/}}
+
+\newfont{\mflogo}{logo10 scaled 1200}
+\def\MF{{\mflogo METAFONT}}
+\def\unix{{\sc unix}}
+
+\iflongDCfontnames
+ \font\tentt=\fontid tt1000
+\else\iflongECfontnames
+ \font\tentt=\fontid tt1000
+\else
+ \font\tentt=\fontid tt10
+\fi\fi
+% It's under construction
+\tolerance10000\hbadness10000
+
+\def\printindex{\@input{\jobname.ind}}
+
+\def\underscoreSymbol{\leavevmode \kern.06em \vbox{\hrule width.3em}}%
+
+\def\_{\protect\underscoreSymbol}
+
+\def\remark{\par\noindent\sl REMARK:}
+\def\endremark{\leavevmode\/}
+
+\def\important{\par\noindent\sl IMPORTANT:}
+\def\endimportant{\leavevmode\/}
+
+\def\caution{\par\noindent\sl CAUTION:}
+\def\endcaution{\leavevmode\/}
+
+
+\endinput
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
new file mode 100644
index 00000000000..68d837a6ae5
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex
@@ -0,0 +1,8180 @@
+%
+% This file is part of MusiXTeX
+%
+% MusiXTeX is free software; you can redistribute it and/or modify
+% it under the terms of the GNU General Public License as published by
+% the Free Software Foundation; either version 2, or (at your option)
+% any later version.
+%
+% MusiXTeX is distributed in the hope that it will be useful,
+% but WITHOUT ANY WARRANTY; without even the implied warranty of
+% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
+% GNU General Public License for more details.
+%
+% You should have received a copy of the GNU General Public License
+% along with MusiXTeX; see the file COPYING. If not, write to
+% the Free Software Foundation, Inc., 59 Temple Place - Suite 330,
+% Boston, MA 02111-1307, USA.
+%
+
+\ifx\documentclass\undefined
+ \documentstyle[twoside,11pt,musixdoc,multicol,backgrnd]{report}
+\else
+ \documentclass[twoside,11pt]{report}
+ \usepackage{multicol}
+ \usepackage{musixdoc}
+ \usepackage{backgrnd}
+% \usepackage{amsmath}
+% \usepackage[emtex]{changebar}
+\fi
+\def\musictex{Music\TeX{}}
+
+\ifx\setendvolta\undefined\def\setendvolta{\endvolta}\fi
+\ifx\setendvoltabox\undefined\def\setendvoltabox{\endvoltabox}\fi
+
+\startmuflex\makeindex
+
+\begin{document}
+
+%\changebarsep 10 pt
+\title{\Huge\bf\musixtex\raise1.5ex\hbox{\large\copyright}\\[\bigskipamount]
+\LARGE\bf Using \TeX{} to write polyphonic\\or
+instrumental music\\\Large\sl Version T.104~-- \today}
+\author{\Large\rm Daniel \sc Taupin\\\large\sl
+ Laboratoire de Physique des Solides\\\normalsize\sl
+ (associ\'e au CNRS)\\\normalsize\sl
+ b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\ E-mail : {\tt
+taupin@lps.u-psud.fr}\\\medskip
+ \\\Large\rm Ross \sc Mitchell\\\large\sl
+ CSIRO Division of Atmospheric Research,\\\normalsize\sl
+ Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip
+ \\\Large\rm Andreas \sc Egler\ddag\\\large\sl
+ (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum}
+\date{}
+%\show\maketitle
+\let\endtitleORI\endtitlepage
+ \def\endtitlepage{\vfill\noindent $^\ddag$ {\it For personal reasons, Andreas
+Egler decided to retire from authorship of this work. Nevertherless, he has
+done an important work about that, and I decided to keep his name on this
+first page. {\sc D. Taupin}}\endtitleORI}
+ \maketitle
+\clearpage
+ %\check
+
+\thispagestyle{empty}
+
+\null
+\vfill
+
+\begin{flushright}\it
+%.. All the possible is done,\\
+%the impossible is being done,\\
+%for miracles I ask for some delay.\\[\smallskipamount]
+%{\sc N.N.}\\[\bigskipamount]
+%...~time after time~...\\[\smallskipamount]
+%{\sc Cindy Lauper}\\[\bigskipamount]
+ If you are not familiar with \TeX{} at all\\
+I would recommend to find another software\\
+package to do musical typesetting.\\
+Setting up \TeX{} and \musixtex\\
+on your machine and mastering it\\
+is an awesome job which gobbles up\\
+a lot of your time and disk space.\\[\medskipamount]
+But, once you master it...\\[\smallskipamount]
+{\sc Hans Kuykens}
+\end{flushright}
+
+\begin{center}
+ Although one of the authors contested that point once the common work had
+begun, \musixtex{} may be freely copied, duplicated and used in conformance to
+the GNU General Public License (Version 2, 1991, see included file {\tt
+copying})\footnote{Thanks to Free Software Foundation for advising us. See
+{\tt http://www.gnu.org}}.
+
+You may take it or parts of it to include in other packages, but no packages
+called \musixtex{} without specific suffix may be distributed under the name
+\musixtex{} if different from the original distribution (except obvious bug
+corrections).
+
+ Adaptations for specific implementations (e.g. fonts) should be provided as
+separate additional TeX or LaTeX files which override original definition.
+
+ \end{center}
+
+\clearpage
+
+\setcounter{page}1
+\tableofcontents
+\setcounter{secnumdepth}3
+\pagestyle{headings}
+
+\chapter{What is \musixtex{} ?}
+
+\hrule\smallskip
+\section*{Preface}
+
+\noindent Dear user,
+
+This is still an imperfect version, which means that some features will be
+added or corrected. However our intent is to avoid removing existing commands,
+in order to spare your own adaptation problems or your typing time correcting
+scores you already have in your archive.
+
+
+Sections marked with a star, or paragraphs marked ``???'' or ``.!.'', indicate
+either that text is partly missing, or that something might change at a
+next release.
+
+ \smallskip
+ \noindent{\bf Remarque, Bemerkung, Cuidado, etc.:} If you have problems
+understanding technical musical terms in english, please look at:
+
+\begin{center} ftp://ftp.gmd.de/music/lists/glossary/glossary.ps \end{center}
+which gives the translation of most terms into French, German, Dutch, Danish
+and Swedish. This file {\tt glossary.eps.gz} is also included in the
+distribution.
+\index{glossary}\index{glossaire}\index{lexique}\index{traduction}\index{dictionnaire}
+
+ \smallskip\hrule\medskip
+
+ \musixtex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or
+polyphonic music. Therefore, it is mainly supposed to be used to type wide
+scores -- just because true musicians seldom like to have to frequently turn
+pages -- and this is not really compatible with \LaTeX's standard page
+formats. Even with \verb|A4.sty|, the \verb|\textheight| and \verb|\textwidth|
+are too small for musician needs.
+
+
+However, a \LaTeX\ style has also been provided (and it is used for the
+typing of the present paper) but this \verb|musixtex| style is fit for
+musicographic books rather than for normal scores to be actually played.
+
+ It should be emphasized that \musixtex\ is not intended to be a
+compiler which would translate some \ixem{standard musical
+notation}s into \TeX\, nor to decide by itself about aesthetic problems in music typing.
+\musixtex\ only typesets staves, notes, chords, beams, slurs and ornaments as
+requested by the composer. Since it makes very few typesetting decisions,
+\musixtex\ appears to be a versatile and rather powerful tool. However, due
+to the important amount of information to be provided to the typesetting
+process, coding \musixtex\ might appear to be as awfully complicated as
+the real keyboard or orchestral music. It should therefore be interfaced by
+some pre-compiler in the case of the composer/typesetter wanting aesthetic
+decisions to be automatically made by somebody (or something) else.
+%
+%\footnote{A short description to all known compilers for \musixtex\ can be
+%found on page \pageref{compiler}f.}.
+
+\section{\musixtex\ principal features}
+ %\check
+ \subsection{Music typesetting is two-dimensional} Most people who have just
+learned a bit of music at college, probably think that music is a linear
+sequence of symbols, similar to literary texts to be \TeX-ed. On the contrary,
+with the exception of strictly monodic instruments like most orchestral wind
+instruments and solo voices, one should be aware that
+reading music is actually a matricial operation: the non-soloist musician
+successively reads \ital{columns} of simultaneous notes which he
+plays if he is a pianist, clavichordist or organist, which he reads
+and watches if he
+conducts an orchestra, and which he is supposed to check and partially play
+when he is a soloist who wants to play in time with the accompanying
+instrument or choir.
+
+ In fact, our personal experience of playing piano and organ as well as
+sometimes helping as an alternate Kapellmeister leads us to think that music
+reading and composing is actually a slightly more complicated intellectual
+process: music reading, music composing and music thinking seem to be a three
+layer process. The musician usually reads or thinks several consecutive notes
+(typically a long \ital{beat} or a group of logically connected notes), then
+he goes down to the next instrument or voice and finally assembles the whole
+to build a sequence of music lasting roughly a few seconds. He then proceeds
+to the next \ital{beat} or \ital{bar} of his score.
+
+ Thus, it appears that the humanly logical way of coding music consists
+in horizontally accumulating a set of \ital{vertical combs} with
+\ital{horizontal teeth} as described in Table \ref{readtable}.
+\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}}
+ \begin{table}
+ \begin{center}
+ \begin{tabular}{|ll|ll|}\hboxit{note sequence one}
+ &\hboxit{note seq.\ four}
+ &\hboxit{note seq.\ seven}
+ &\hboxit{note seq.\ ten}\\\hboxit{note sequence two}
+ &\hboxit{note seq.\ five}
+ &\hboxit{note seq.\ eight}
+ &\hboxit{note seq.\ eleven}\\\hboxit{note sequence three}
+ &\hboxit{note seq.\ six}
+ &\hboxit{note seq.\ nine}
+ &\hboxit{note seq.\ twelve}\\
+ \end{tabular}
+ \end{center}
+ \caption{The order in which a musician reads music}\label{readtable}
+ \end{table}
+This is the reason
+why, in \musixtex\ the fundamental \ital{macro} is of the form
+\begin{center}
+\verb|\notes ... & ... & ... \enotes|\footnote{Also
+available for \keyindex{enotes} is the abbreviation \keyindex{en}.}
+\end{center}\index{\&}
+\noindent where the character \verb|&| is used to separate the notes to be
+typeset on respective staffs of the various instruments, starting from the
+bottom.
+
+In the case of an instrument whose score has to be written with
+several staffs, these staffs are separated by the
+character \|. \index{"|@{\tt\char'174}}
+Thus, a score written for a keyboard instrument and
+a monodic instrument (for example piano and violin)
+will be coded as follows:
+\begin{center}
+\verb=\notes ... | ... & ...\enotes=
+\end{center}
+\noindent for each column of simultaneous \ital{groups of notes}.
+It is worth emphasizing that we actually said \ital{``groups of notes''}:
+this means that in each section of the previous macro, the music typesetter is
+welcome to insert, not only chord notes to be played at once, but small
+sequences of consecutive notes which build something he understands as a
+musical phrase. This is why note typing macros are of two kinds in \musixtex,
+namely the note macros which are not followed by spacing afterwards, and those
+which induce horizontal spacing afterwards.
+ \subsection{The spacing of the notes} It seems that many books have dealt
+with this problem. Although it can lead to interesting algorithms, we think it
+is not an important point in practice.
+
+In fact, each column of notes has not necessarily the same spacing
+and, in principle, this \itxem{spacing} should depend on the shortest
+duration of the simultaneous notes. But this cannot be established as a rule,
+for at least two reasons:
+\begin{enumerate}
+ \item spacing does not depend only on the local notes,
+but also on the context, at least in the same bar.
+ \item in the case of polyphonic music, exceptions can easily be found.
+Here is an example:
+
+\begin{music}
+\generalmeter{\meterfrac44}
+\startextract\NOtes\zhu j\ql h\hl g\hu k\ql f\enotes\endextract
+\end{music}
+\noindent where it can be clearly seen that the half notes at beats 2 and 3
+must be spaced as if they were quarter notes since they overlap, which is
+obvious only because of the presence of the indication of the
+\itxem{meter} 4/4.
+\end{enumerate}
+So the typesetter has to take care of good readable spacings on his own.
+Therefore, we preferred to provide the composer/typesetter with a
+set of macros which can be found in \ref{newspacings}.
+ \subsection{Music tokens, rather than a ready-made generator}
+The tokens provided by \musixtex\ are:
+\begin{itemize}
+ \item the note symbols \ital{without stem};
+ \item the note symbols \ital{with stems, and hooks for eighth notes and
+shorter};
+ \item the indication of beam beginnings and beam ends;
+ \item the indication of beginnings and ends of ties and slurs;
+ \item the indication of accidentals;
+ \item the ornaments: arpeggios, trills, mordents, pinc\'es, turns, staccatos
+and pizzicatos, fermatas, etc.;
+ \item the bars, the meter and signature changes, etc.
+\end{itemize}
+ Thus, \verb|\wh a| produces an \ital{A (of nominal frequency 222.5~Hz,
+unless transposed)} of duration being a
+\ital{whole note}. In the same way, \verb|\wh h| produces an \ital{A
+(445~Hz)} of duration represented by a \ital{whole note}, \verb|\qu c|
+produces a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with
+stem up}, \verb|\cl J| produces a \ital{C (125~Hz approx.)} of
+duration equal to an \ital{eighth note with stem down}, etc.
+
+ To generate quarter, eighth, sixteenth, etc. chords, the macro \keyindex{zq}
+can be used: it produces a quarter note head, the vertical position of which
+is memorized and recalled when another stemmed note (possibly with a hook) is
+coded; then the stem is adjusted to link all simultaneous notes. Thus, the
+perfect C-major chord, i.e.
+
+\begin{music}
+\startextract\NOtes\zq{ceg}\qu j\en\endextract
+\end{music}
+ \noindent is coded \verb|\zq c\zq e\zq g\qu j| or, in a more concise way,
+\verb|\zq{ceg}\qu j| (stem up): in fact, single notes are treated\dots\ like
+one-note chords.
+ %\check
+
+ \subsection{Beams}
+\ital{Beams}\index{beams} are generated using macros which define their
+beginning (at the current horizontal position), together with their altitude,
+their direction (upper or lower), their multiplicity, their slope and their
+reference number. This latter feature -- the reference number -- appears to
+be necessary, since one may want to write beams whose horizontal extents
+overlap: therefore, it is necessary to specify which beam the notes belong to
+and which beam is terminated at a given position.
+ \subsection{Setting anything on the score}
+A general macro (\keyindex{zcharnote}) provides a means of
+putting any sequence of symbols (in fact, some \verb|\hbox{...}|) at any
+pitch of any staff of any instrument. Thus, any symbol defined in a font
+(letters, math symbols, etc.) can be used to typeset music.
+\section{A simple example}
+ Before giving more details, we give below an example of the two first
+bars of the sonata in C-major KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc
+Mozart, W.A.}}:
+
+\begin{music}
+\parindent10mm
+\setname1{Piano}
+\setstaffs12
+\generalmeter{\meterfrac44}
+\startextract
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en
+\bar
+\Notes\ibu0f0\qb0{dgf}|\qlp i\en
+\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\endextract
+\end{music}
+ The \ital{coding} is set as follows:
+\begin{quote}\begin{verbatim}
+\begin{music}
+\parindent10mm
+\instrumentnumber{1} % a single instrument
+\setname1{Piano} % whose name is Piano
+\setstaffs1{2} % with two staffs
+\generalmeter{\meterfrac44}% 4/4 meter chosen
+\startextract % starting real score
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en
+\bar
+\Notes\ibu0f0\qb0{dgf}|\qlp i\en
+\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en
+\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en
+\endextract % terminate excerpt
+\end{music}
+ \end{verbatim}\end{quote}
+\begin{itemize}
+ \item \verb|\ibu0f0| begins an upper beam, aligned on the
+\ital{f}, reference number 0, slope 0
+ \item \verb|\tbu0| terminates this beam before writing
+the second \ital{g} by means of \verb|\qb0g|
+ \item \verb|\qb..| indicates a note belonging to a beam.
+ \item \verb|\sk| sets a space between the two quarters in the right
+hand, so that the second is aligned with the third eighth of the left hand.
+ \item\verb|\qlp| is a quarter with a point.
+ \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C}
+(\verb|j| at this pitch) of slope 15\%.
+\end{itemize}
+
+\section{The three pass system}
+\TeX's line-breaking procedure implicitly assumes
+that a normal line of text will contain many words, so that inter-word
+glue need not stretch or shrink too much to justify the line.
+This strategy does not work very well for music. If each bar of music
+is treated as a word, in the sense that inter-bar glue is placed
+at the end of each bar, then the usual result is the appearance of
+unsightly gaps before each bar rule. This follows naturally from the
+fact that the number of bars per line is normally many fewer
+than the number of words in a line of text.
+
+To address the above aim, a three pass system was developed.
+On the first pass, information about each bar is written to
+an external file, by default \verb|jobname.mx1|.
+This file begins with a header listing parameters
+such as line width, paragraph indentation, clef, sign and meter widths,
+and the first-pass elemental spacing \keyindex{elemskip}.
+Width information within the bars is classified either as ``soft'' or ``hard'':
+``soft'' widths are those amenable to subsequent rescaling (e.g. a note box),
+while ``hard'' widths represent unscalable material such as clef symbols,
+key signatures and bar rules.\index{soft width}\index{hard width}
+
+After the first pass, an external routine is run to
+determine optimal values of the elemental spacing (\verb|\elemskip|)
+for each line, so as to properly fill each line, and to lead to
+the piece filling an integral number of lines. This routine was written
+in FORTRAN and now converted to C rather than \TeX, the main reason
+being the lack of an array
+handling capability in \TeX, and the concern that if such a routine
+were added to \musixtex, storage problems might be exacerbated.
+
+The resulting routine reads in the file \verb|jobname.mx1|, and writes its
+output to \verb|jobname.mx2|. The latter file contains a single entry for
+each line of music in the reformatted output. The key piece of information
+is the revised value of \keyindex{elemskip} for each line.
+
+Next, the file is re-\TeX-ed. On this third pass,
+the \verb|jobname.mx2| file is read in, and the information
+used as described above.
+
+To give an easy example: after pass 1 you get the following output:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\setsign1{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\raggedstoppiece\contpiece% this is cheated, the problem was to get
+% pass 1 and pass 3 at the same time
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\raggedstoppiece\contpiece
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\setdoubleBAR\raggedstoppiece
+\end{music}
+After running \verb|musixflx| and \TeX-ing the second time you'll get:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\Endpiece
+\end{music}
+which was coded as:
+\begin{verbatim}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\en\bar
+\NOtes\qu{gh}\en\bar
+\NOtes\qu{=b}\en
+\Notes\ds\cu g\en\bar
+\NOtes\qu{^f=f}\en\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\en\bar
+\Notes\ttie0\Qqbu ed{_d}c\en\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\en\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar
+\NOtes\qu c\qp\en\Endpiece
+\end{verbatim}
+The biggest advantage of using a 3-pass system is the very easy and fast
+alteration to the layout which is possible, especially of a long masterpiece,
+by changing only one parameter, namely \keyindex{mulooseness}. This value
+acts analogous to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you
+end a paragraph and state \verb|\looseness=-1| somewhere inside, then
+\TeX\ will try to make this paragraph one line shorter than it normally would.
+
+\musixtex\ does the same, but instead for paragraphs, for \ital{sections}.
+What is a \ital{section}? As long as you don't force a line break, this means
+the whole piece. When you force a line break with either
+\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece},
+\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne}
+\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage} you start a
+new \ital{section}. Somewhere\footnote{Advisably, at the beginning or
+at the end of the section, for the sake of clarity.}
+before the end of the \ital{section}, you can change the value of
+\keyindex{mulooseness} to something different from the default of 0.
+
+To give an easy example, changing the last line in the previous example to:
+\begin{verbatim}
+\NOtes\qu c\qp\en\mulooseness=1\Endpiece
+\end{verbatim}
+yields:
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\mulooseness1\Endpiece
+\end{music}
+or:
+\begin{verbatim}
+\NOtes\qu c\qp\en\mulooseness=-1\Endpiece
+\end{verbatim}
+yields (a little bit tight, but only for the sake of
+demonstration of \keyindex{mulooseness}):
+
+\begin{music}
+\hsize=100mm
+\generalmeter{\meterfrac24}%
+\parindent 0pt
+\generalsignature{-3}
+\startpiece\bigaccid
+\NOtes\qu{ce}\enotes
+\bar
+\NOtes\qu{gh}\enotes
+\bar
+\NOtes\qu{=b}\enotes
+\Notes\ds\cu g\enotes
+\bar
+\NOtes\qu{^f=f}\enotes
+\bar
+\NOtes\qu{=e}\itied0e\qu{_e}\enotes
+\bar
+\Notes\ttie0\Qqbu ed{_d}c\enotes
+\bar
+\Notes\ibu0b{-2}\qb0{=b}\enotes
+\notes\nbbu0\qb0{=a}\tqh0N\enotes
+\Notes\Dqbu cf\enotes
+\bar
+\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes
+\bar
+\NOtes\qu c\qp\enotes
+\mulooseness-1\Endpiece
+\end{music}
+Here is the fastest way to get a satisfactory output:
+\begin{enumerate}
+ \item build up the piece bar\footnote{Or two or three,
+whatever you prefer.} by bar. Pay much attention to correct spacings, and go
+on only when you are really satisfied with them.
+ \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX.
+ \item Look at the output and decide if you want to have more or fewer
+systems lines, e.g.~to fill the page or to get an even number of
+pages.\index{musixflx@{\tt musixflx}}
+ \item Adjust \keyindex{mulooseness}. However, {\large\bf beware~:}
+\verb|\mulooseness| increases the target number of lines by its value. This is
+of no serious trouble for large pieces, but if you say \verb|\mulooseness=3|
+in a piece or in a section which only has 3 bars (three in the musical sense,
+i.e. two \verb|\bar| in the text), then {\tt musixflx} will not be able to split
+3 bars into 4 lines... and it will hopefully result in a diagnostic by {\tt
+musixflx}, but possibly also in an arithmetic fault...
+ \item Delete the \verb|jobname.mx2| and again\\
+\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX
+\quad\ital{(For hackers: watch the difference in {\tt jobname.mx1}!)}
+\end{enumerate}
+
+\begin{remark}
+Instead of looking at the output of the previous run and modifying the
+number of systems using \keyindex{mulooseness} one can directly specify
+the number of lines in a section by assigning a positive number to
+\keyindex{linegoal}. Use \keyindex{linegoal} in the same way as
+\keyindex{mulooseness} somewhere in a section, preferable at start
+or end. \keyindex{mulooseness} must be zero for \keyindex{linegoal}
+to work. Both are automatically set to zero after processing the end
+of a section e.g. by \keyindex{stoppiece}. \keyindex{linegoal}
+requires the latest version of musixflx (0.83).
+\end{remark}
+
+ \noindent If you have really followed this step by step, then your whole
+layout will be ready and you will not have to generate \verb|jobname.mx2|
+again. This only holds as long as you don't change any spacings.
+
+If you get the warning: \verb|You can't use \raise ...|, than read the upper
+paragraph again and follow the instruction of point 5.
+
+There are some more advantages. Without using \ital{glue},
+every horizontal position in a line can be computed. This enables using,
+e.g.~octave lines, without specifying a dimension, but by saying
+\verb|\i...| and \verb|\t...|.
+
+
+ \subsection{External executable {\tt musixflx}}
+One drawback affecting portability between computers is the executable
+{\tt musixflx}\index{musixflx@{\tt musixflx}}. We are still searching for
+people who are able to compile the C-source and maintain it.
+
+On most computers, the executable is invoked by typing the name of the program
+and the name of the file to be acted upon. \ital{i.e.}
+
+\verb|musixflx jobname.mx1|
+
+Optionally, you can add a letter to indicate one of the debug modes, which are:
+\begin{quote}
+\verb|d | for debug information to screen\\
+\verb|f | for debug information to file \verb|jobname.mxl|\\
+\verb|s | to get the computed lines immediately on screen
+\end{quote}
+To allow for ease of use with a batch file, \verb|musixflx| can either be fed
+with \verb|jobname.mx1|, \verb|jobname.tex| or only
+\verb|jobname|, all of which opens \verb|jobname.mx1|.
+
+ \medskip For large scores (more than 4 pages approximately), having
+only one section and an overall value of \verb|\mulooseness| becomes
+impractical since one wants not only to have nicely spaced systems, but one
+also usually wants to have completely filled pages to avoid empty top and
+bottom margins on the last page. It is then wise to force the total number of
+pages and maybe the line breaks in each page, which can be done by either using
+explicit \keyindex{alapage} and \keyindex{alaligne}, or more automatically by
+means of the \keyindex{autolines} command borrowed from \musictex\ and
+implemented in the additional {\ttxem{musixcpt.tex}} file.
+ \subsection{Restrictions and warnings} If you have worked with \musictex\
+before, you must be aware that two main things have changed, namely the
+spacing (and spacing commands) and the line breaking, see section~\ref{spacing},
+p.~\pageref{spacing} and section~\ref{linebreak} p.~\pageref{linebreak}.
+
+ %\check
+ A serious practical problem concerns the effect of unrecorded spaces, such as
+those created by source lines not ended by \verb|%| \index{%@{\tt\char37}} or
+\keyindex{relax} or another control sequence ending in a letter. These will
+result in the dreadful {\bf Overfull hbox} messages appearing during pass 3.
+
+\medskip
+\centerline{\boxit{Considerable discipline is needed to avoid this problem!}}
+
+When you start using this software package, you will spend a lot of time
+searching for the cause of over/underfull-hbox warnings, which will appear during
+pass 3. You may ignore them during pass 1,
+but \ital{you must} find their cause when they
+appear during pass 3.
+
+In \musixtex\ there is no glue (only $\pm$ 1pt behind \verb|\writesignatures|),
+so it works only if every space is recorded in the correct way. As a result,
+never use
+\verb|\hskip| or \verb|\kern| with the exception of \ital{zero}-boxes, like
+\verb|\rlap|, \verb|\llap|, \verb|\zcharnote|, \verb|\uptext|, etc., or
+(apparently) fixed length boxes like \verb|\hsong|. But that is not all---all
+spacing commands\footnote{Except {\Bslash hardspace} which is an exception and has
+the opposite purpose.} must be fed with scalable values
+(\ital{e.g.} \verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip| and
+\verb|\beforeruleskip|, optionally preceded by an integer or decimal number).
+
+\verb|musixflx| can't work if the values of \verb|\noteskip|,
+\verb|\afterruleskip|, \verb|\beforeruleskip|, are directly assigned
+``hard''\footnote{Hard values are all values which are not scalable}
+values in between
+\verb|\startpiece| and \verb|\stoppiece|\footnote{{\Bslash endpiece} has the
+same meaning}.\index{hard spacing}
+
+These restrictions make it hardly compatible with most sources designed for
+\musictex\footnote{Most examples provided by D. {\sc Taupin} in
+\musictex's distribution can be run with \musixtex\ without serious
+problems... However, they will eventually have to be corrected for the sake of
+compatibility.}. Most of them have to be adjusted to get things going.
+
+Some values are much more important than in \musictex,
+namely \verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|.
+The ratio between them is especially very important if you use
+\keyindex{mulooseness} often to adjust the number of lines:
+all of them are multiplied by the same factor in each section.
+ %\check
+ \subsection{\musixtex's laws}
+\begin{enumerate}
+ \item Never have a line that doesn't finish either with a control sequence
+or with a \verb|%|
+inside of \verb|\startpiece...\stoppiece|
+
+\begin{center}
+\Large\bf !!! \musixtex\ forgives NOTHING !!!
+\end{center}
+ (a space in the default font (using plain-\TeX) causes 3.33pt of unrecorded space,
+ but there is only $\pm$ 1pt of glue in \musixtex)
+ \item \verb|\off| must be used with relative values, like
+ \verb|\noteskip|, \verb|\elemskip|, \verb|\after[before]ruleskip|
+ \item \verb|\qsk| and \verb|\hqsk| are now scalable, e.g. \verb|\qsk|
+ doesn't mean exactly one note head width (it depends on \verb|\elemskip|
+ and \verb|flex_factor|)
+ \item Text of songs and any non-\musixtex\ text must be put in zero boxes, like
+ \verb|\zcharnote|, \verb|zchar|, \verb|rlap|, \verb|lrlap|, \verb|llap|,
+\verb|uptext|, \verb|zsong...|. However, specific features are now provided,
+namely \verb|\hardlyrics| and \verb|\hsong| (see \ref{lyrics},
+p.~\pageref{lyrics}).
+ \item Don't touch either \verb|\noteskip| with hard values,
+ or \verb|\after[before]ruleskip| at all inside of
+ \verb|\startpiece (\debutmorceau) ... \stop[end]piece (\susp[fin]morceau)|
+\end{enumerate}
+\section{Some highlights}
+ %\check
+ \subsection{Signatures}
+Signatures can be stated either for all instruments, for example by
+\keyindex{generalsignature}\verb|{-2}| which sets two flats on each staff, or
+separately for each instrument.
+
+Thus, the \keyindex{generalsignature}
+can be partly overridden by
+\keyindex{setsign}\verb|2{1}| which puts one
+sharp on the staffs of \itxem{instrument number} 2. Of course, the
+current signature may change at any time as well as the meters and clefs.
+ \subsection{Transposition}
+ An important question is: \ital{``can \musixtex\ transpose a score~?''}.
+The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register
+named \keyindex{transpose} the default value of which is zero, but it may be
+set to any reasonable positive or negative value. In that case, it offsets all
+symbols pitched with letter symbols by that number of pitch steps. However,
+it will neither change the signature nor the local accidentals, and if -- for
+example -- you transpose a piece written in $C$ by 1 pitch, \musixtex\ will
+not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might
+become tricky if accidentals occur within the piece, which might have to be
+converted into flats, naturals, sharps or double sharps, depending on the new
+chosen signature. To avoid this trouble, \ital{relative} accidentals
+have been implemented, the actual output of which depends on the pitch of
+this accidental and on the current signature.\index{relative accidentals}
+ %\check
+ \subsection{Selecting special instrument scores}
+Another question is: \ital{``can I write an orchestral score and extract the
+separate scores for individual instruments~?''} The answer is 95~\%
+\ital{yes}: in fact, you can define your own macros
+\verb|\mynotes...\enotes|, \verb|\myNotes...\enotes| with as many
+arguments as there are in the orchestral score (hopefully this
+is less than, or equal to
+9, but \TeX perts know how to work around) and change its definition
+depending on the selected instrument (or insert a test dependent
+on the value of some
+selection register). But the limitation is that the numbering of instruments
+may change, so that \verb|\setsign3| may have to become \verb|\setsign1| if
+instrument 3 is alone. But, in turn, this is not a serious problem for
+average \TeX\ wizard apprentices.
+ %\check
+ \subsection{Variable staff and note sizes}
+ Although the standard staff size is 20pt, \musixtex\ allows scores of 16pt
+and 24pt staff sizes. In addition, any instrument may have a special staff
+size (usually smaller than the overall staff size) and special commands
+\verb|\smallnotesize| or \verb|\tinynotesize| enable notes (and also beams or
+accidentals) to be of a smaller size, in order to quote optional notes or
+\ital{cadenzas}.
+ %\check
+\section{How to get it}
+Primary site is {\tt hprib.lps.u-psud.fr} (anonymous {\tt ftp}); say:
+
+ \verb|cd pub/musixtex|
+
+ \verb|mget musix*.tex| (to get the macros)
+
+ \verb|cd /pub/musixtex/mf|
+
+ \verb|mget *.mf| (to get the source of the fonts)
+
+ \verb|cd /pub/musixtex/tfm|
+
+ \verb|binary|
+
+ \verb|mget *.tfm| (to get the font metrics)
+
+\noindent or:
+
+ \verb|cd /pub/music\_zips|
+
+ \verb|binary|
+
+ \verb|mget musix*.zip| (to get the zipped packages specific to \musixtex)
+
+\medskip\noindent Official mirrors are
+the CTAN servers. To get it you have tou say:
+
+ \verb|cd ctan| (to go to the CTAN server)
+
+ \verb|cd macros/musixtex/taupin|
+
+ \verb|binary|
+
+ \verb|mget *.zip| (to get the zipped packages)
+
+\medskip The whole \itxem{distribution} can fit into a single 1.2Mbyte or
+1.44Mbyte diskette. All sources (including fonts) are provided,
+either separately or ``zipped''.
+
+{\sl REMARK: normally, the {\tt musixtex.zip} file expands into binary files
+valid for any system, and text files (the \TeX{} and \MF{} sources) in the
+\unix{} representation, namely with a ``LF'' character between each record. PC
+users might complain that their own coding is ``CR+LF'' (``CR'' usually
+appears as a ``{\tt \^{}M}''), but we checked that:
+ \begin{itemize}
+ \item the \ixem{MS-DOS} editor handles both denotations,
+ \item the ``emacs'' and ``microemacs'' also do,
+ \item the \TeX{} and \MF{} executable routines (et least the emTeX ones)
+also accept both representations.
+ \end{itemize}
+ However, for the sake of compatibility, we now provide two routines for PC's,
+namely {\tt dtou.exe} and {\tt utod.exe}, which convert text/source files
+from/to the MS-DOS denotation to/from the \unix{} denotation.
+}
+
+ %\check
+\section{Enhancements}
+ \subsection{Recent easy enhancements} Many enhancements have been asked for,
+to the ``father'' of \musixtex, namely \musictex, and this is a proof that it
+is considered as useful by many people. Some of these enhancements which
+seemed hard were in fact rather easy to implement, for example small notes to
+represent grace notes and cadenzas, or gregorian chant features.
+
+ Some of them were more difficult, such as handling of lyrics now provided
+since version T.40.
+ %\check
+ \subsection{Enhancement limitations}
+Many requested improvements have not been
+\ital{yet} implemented for several reasons:
+ \begin{itemize}
+ \item The authors' natural laziness (!)
+ \item More seriously: many of them would require using some more
+registers; unfortunately, \TeX\ registers are not numerous (256 of each
+kind and the limit of \keyindex{dimen} registers is nearly reached
+(especially using \LaTeX), but we do our best).
+ \item We do not think it is wise to introduce in \musixtex\ itself a great
+number of macros which would be poorly used by most users: the reason is that
+\TeX\ memory and --- moreover --- \TeX\ registers are severely limited and that
+unused macros may occupy many of these, leading to things crashing
+because of \verb|TeX capacity exceeded|.
+
+ Therefore, many additional library files are now provided, which may be
+invoked or not, depending on the user's specific needs. Most of them are used
+to compile this \LaTeXe\ manual... except the {\tt musixadd.tex} and {\tt
+musixmad.tex}.
+ \end{itemize}
+ %\check
+ \section{Acknowledgements} The idea of implementing the present package is
+due to the previous work (\mutex)\index{mutex@\protect\mutex} of \mbox{Andrea
+{\sc Steinbach}} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer
+A., \ital{Theses} (1987, 1988), Rheinische Friedrich-Wilhelms Universit\"at,
+Bonn, Germany.}. This work provided the basis of the Metafont codes which are
+still used here... with 100\% corrections and updates.\index{Schofer, A.@{\sc
+Schofer, A.}}\index{Steinbach, A.@{\sc Steinbach, A.}}
+
+
+ English language is progressively checked thanks to Cecil {\sc Churms} from
+National Accelerator Center (South Africa).
+
+ %\check
+\chapter{Practical use}
+\section{Heading statements}
+Before any reference to \musixtex\ macros:
+
+\verb|\input musixtex|\footnote{It is highly recommended to build up a format.
+If you don't know how to do, you can refer to the same instruction you
+perhaps heard or read before: ``Ask you local \TeX-wizard.''. Otherwise
+it might be a good idea to look at chapter \ref{installation}
+(``Installation'') where some hints are given to build a \musixtex\ format
+(ref{formatbuild}).}
+
+ %\check
+ \noindent which may be followed by \verb|\input musixadd| in the case you
+have more than six instruments or more than 6 simultaneous beams
+or ties or slurs.\index{musixtex.tex@{\tt musixtex.tex}}
+\index{musixadd.tex@{\tt musixadd.tex}}
+
+ %\check
+ After that, you may write a complete book of \TeX\ provided that you do not
+use \verb|&| as a tabulation character (its \keyindex{catcode} has been
+changed) inside the music score and that you do not overwrite \musixtex's
+definitions. This means that no special macros have been designed to help you
+write titles, author names, comments, literature excerpts, etc., unless you
+use \LaTeX\ with the \verb|musixtex| style.\index{\&}
+ %\check
+ \section{Before you
+begin to write notes}
+ \subsection{Warnings for the non \TeX pert}
+\begin{quote}
+
+ %\check
+When \TeX\ reads a parameter, it inputs one \ital{token}. This means
+\ital{one} figure or \ital{one} character or \ital{one}
+command\footnote{Syntactically, a \ital{command} is made of a
+\ital{backslash} (``{\Bslash}'') immediately followed by sequence of
+\ital{letters}.}. If you want to give more than one char or e.g. a negative
+number(`-' is one token and a digit is one) or a command which reads another
+parameter, then you have to use braces to transfer the parameter correctly.
+For example, the command \verb|\meterfrac| reads two parameters; if you want
+to declare a $\frac{8}{12}$ timing and you code: \verb|\meterfrac812|, then
+you will get a $\frac{8}{1}$ timing and a misplaced ``\verb|2|''. The correct
+coding is \verb|\meterfrac{8}{12}| or \verb|\meterfrac8{12}|.
+
+
+ %\check
+ The next problem is due to spaces. Spaces are ignored at the
+beginning of a line. Spaces are ignored immediately behind a \TeX-command
+(they indicate the end of that command unless \TeX\ finds characters which are
+not \ital{letters}). All other spaces insert \ital{unexpected} space and
+they will cause a lot of trouble during third pass. Same remark holds for end
+of lines. Thus \verb|\bar| or \verb|\enotes| as last statement in current line
+cause no trouble, because an end of line indicates to \TeX\ the end of a
+command.
+
+ %\check
+ If you state \verb|\qu g| and start a new line, then you get into trouble, but
+if you say \hbox{\verb|\qu g%|\relax
+ $<new line><spaces>$}, you have no more problem
+and this is better readable.
+
+If this sounds complicated, remember that \TeX\ was designed to typeset
+text and not music...
+
+ \end{quote}
+ %\check
+ \subsection{What you have to specify}\label{whatspecify}
+ \leavevmode
+ You should first specify whether you want to typeset music in ``normal'' size
+(20pt\index{sizes} per staff) or ``small'' size (16pt) or ``large'' size
+(24pt). This is only optional, the default setting is
+\keyindex{normalmusicsize}. If you want the smaller size, then you have to
+say\footnote{This sets up not only the size of staff, but also the elementary
+spacing and the space behind the bar rule.} \keyindex{smallmusicsize},
+\keyindex{largemusicsize}, and \keyindex{Largemusicsize} to have the larger
+sizes of 24pt and 28.8pt.
+
+
+
+ Then, the first compulsory declaration is:
+
+ \keyindex{instrumentnumber}\verb|{|$n$\verb|}|
+
+ \noindent where $n$ is the number of instruments, used by
+\musixtex\ to performs loops building staffs, setting signatures, meters,
+etc. Therefore, it must be defined before any other statements.
+If not then default value is one. An instrument
+may consist of several staffs, e.g.~the piano. The difference between one
+instrument of several staffs and several instruments is as follows:
+\begin{itemize}
+ \item distinct instruments may have distinct \itxem{signatures}, distinct
+staffs of a unique instrument share the same signature.
+ \item \itxem{stems} may be hung to \itxem{beams} belonging to differents
+staffs of the same instrument.
+ \item \itxem{chords} may extend across several staffs of the same
+instrument.
+ \item staffs of a unique \itxem{instrument} are tied together
+with a big brace at the beginning of each line.
+\end{itemize}
+ If the number of staffs is not
+equal to one, this number must be specified by:
+
+ \keyindex{setstaffs} $n$\verb|{|$p$\verb|}|
+
+ \noindent where $p$ is the number of staffs, and where $n$ is the
+number of the instrument considered (e.g.~\verb|setstaffs3|
+for the 3rd instrument, starting from the bottom).
+
+ %\check
+ Unless all your instruments only use the \ital{violin} clef, you
+have to specify all the clefs used for all the instruments. This is done by
+coding:
+
+\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%|
+
+\noindent where $n$ is the number of the instrument, $s_1$ is one figure
+specifying the clef of the lower staff, $s_2$ the clef of the second staff,
+etc.
+
+ The value $s_1=0$ means the \ital{violin} clef (G clef or \itxem{clef de
+sol} in French) for the lower staff, $s_2=0$ means the violin clef for the
+second staff, etc. If $s_2$, $s_3$ or $s_4$ are omitted in the second argument
+of the \verb|\setclef|, these staffs have de default clef, namely 0, i.e. the
+violin clef.
+
+ The values $s_1=1$ through $s_1=4$
+mean the \ital{alto} clef (\itxem{clef d'ut} in French) set on first (lower)
+through fourth (next to upper) line of the staff.
+
+ The value $s_1=5$ means the \ital{bass} clef at third (middle) line,
+$s_1=6$ means the usual \ital{bass} clef (F clef or \itxem{clef de fa} in
+French) at the usual fourth line, and $s_1=7$ means the \ital{bass}
+(\itxem{subbass}) clef (F clef or \itxem{clef de fa} in
+French) at the fifth line.
+
+ The value $s_1=8$ is not used.
+
+ The value $s_1=9$ means the \itxem{french violin clef}, an ancient feature
+which sets the G clef (\ital{clef de sol} in French) at the fist line of the
+staff.
+
+ If remembering the digits associated with usual clefs seems too difficult,
+one can also say
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{treble}\verb|}|
+
+\noindent to get the \ixem{violin clef} on all staffs of the specified
+instrument. In the same way the most used \itxem{alto clef} (alto clef on 3rd
+line) can also be called with
+
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{alto}\verb|}|
+
+\noindent which sets the lower staff of thet instrument to the alto clef, but
+sets other staffs above to the violin clef.
+The usual \itxem{bass clef} on fourth line
+can also be called with
+
+ \verb|\setclef{|$n$\verb|}{|\keyindex{bass}\verb|}|
+
+\noindent {\sl IMPORTANT: the commands \verb|\alto| and \verb|\bass| only set
+these clefs at the first staff. Other staffs still have the default value of
+violin clef.}
+As an example, a standard piano score
+should include:
+
+ \keyindex{setclef}\verb|1{\bass}%| \quad or\quad
+ \keyindex{setclef}\verb|1\bass|
+
+\noindent taking account of the fact that the bass clef is set on the lower
+staff, but the upper one has the default value of violin clef.
+If the signature is not void, one should code:
+
+ \keyindex{generalsignature}\verb|{|$s$\verb|}|
+
+\noindent where $s>0$ indicates the number of \itxem{sharps} in the
+signature and $s<0$ the number of \itxem{flats}\footnote{We have seen once a
+score in G-minor where the signature consisted of two flats (B and E) plus
+one sharp (F). This is not directly supported by \musixtex.}
+
+ If a \itxem{meter} indication is to be posted, it should be
+specified using the macro
+
+ \keyindex{generalmeter}\verb|{|$m$\verb|}%|
+
+ %\check
+ \noindent where $m$ is the description of the meter indication which should
+appear on each staff. If it is a \ital{fraction} (e.g.~3/4) on should code
+
+ \verb|\generalmeter{\meterfrac{3}{4}}%|
+
+\noindent or, in a simpler way (if the numbers are less than 10):
+
+ \verb|\generalmeter{\meterfrac34}%|
+
+You can suppress the beginning vertical rule with saying \keyindex{nostartrule}
+and restore the default with \keyindex{startrule} after that.
+
+ Special denotations can be used, such as \keyindex{meterC},
+\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve} and
+\keyindex{meterplus}.
+
+ %\check
+\begin{music}
+\generalmeter\meterC
+\nostartrule
+\parindent0pt\startpiece
+\NOtes\qa{cegj}\enotes
+\generalmeter\allabreve\changecontext
+\NOTes\ha{ce}\enotes
+\generalmeter\reverseC\changecontext
+\NOTEs\zbreve g\enotes
+\generalmeter\reverseallabreve\changecontext
+\NOTEs\zwq g\enotes
+\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext
+\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes
+\endpiece
+\end{music}
+which was coded as:
+\begin{quote}\begin{verbatim}
+\generalmeter\meterC
+\nostartrule
+\parindent0pt\startpiece
+\NOtes\qa{cegj}\enotes
+\generalmeter\allabreve\changecontext
+\NOTes\ha{ce}\enotes
+\generalmeter\reverseC\changecontext
+\NOTEs\zbreve g\enotes
+\generalmeter\reverseallabreve\changecontext
+\NOTEs\zwq g\enotes
+\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext
+\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes
+\endpiece
+\end{verbatim}\end{quote}
+ However, not all music scores have the same meter in each staff.
+Especially, some staffs may have \ital{ternary} meters while others have
+\ital{binary}. This can be specified by using the \keyindex{generalmeter} macro
+to set the meter for most of the scores and overriding it by:
+
+\keyindex{setmeter}\verb|2{{\meterfrac{12}8}\allabreve}%|
+
+ \noindent which sets the meter to 12/8 for the first (lower)
+staff, and \ital{alla breve} for the second staff of the instrument number 2.
+
+Sometimes it might be useful to insert additional space before the meter is
+written. This is possible by assigning a value to \keyindex{meterskip} in the
+preamble. It is reset to zero after first meter indication.
+ \subsection{Instrument names} If you want the \itxem{name of the instrument}s
+(or the \itxem{name of the voice}s) to be displayed in front of their
+respective staffs at the beginning, you may code:
+
+\keyindex{setname} $n$\verb|{|\ital{name of the instrument}\verb|}%|
+
+ %\check
+ \noindent where $n$ is the number of the instrument
+considered. In this case, you should also adjust the \keyindex{parindent}
+dimension so that the long name of an instrument does not spill too far into
+the left margin.
+ \subsection{Polyphonic songs}
+Except staffs of a unique instrument tied together with a big brace, staffs
+normally begin on the left with a thin vertical rule. However, it is usual to
+tie all human voices together with a left heavy and right thin vertical rule.
+
+ \subsubsection{Case of only one choir}
+ In the usual case where you have only one choir, this can be specified
+by:
+ \begin{quote}
+\keyindex{songtop}\verb|{|$n$\verb|}|\\
+\keyindex{songbottom}\verb|{|$m$\verb|}|
+\end{quote}
+\noindent where $m$ and $n$ are the instrument numbers of the first
+and last choral voices. Example is shown in \ref{song}.
+
+ No heavy square brace is produced when the bottom instrument has a number
+greater than the top one. This feature can be used to remove choir heavy
+braces between distinct parts of the same score.
+
+ \subsubsection{Case of several choirs or several orchestras}
+ Your may divide your instruments into up to three groups linked together with
+a left square brace. Each of these groups is specified with:
+ \begin{quote}
+\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\
+\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}|
+\end{quote}
+\noindent where $m$ and $n$ are the instrument numbers of the first
+and last choral voices of group number $g$. \musixtex{} allows up to three
+groups, numbered from 1 to 3, plus the ``zero'' group consisting of the voices
+or instruments which belong to no declared group. \verb|\songtop| is equivalent
+to \verb|\grouptop 1| and \verb|\songbottom| is equivalent to
+\verb|\groupbottom 1|.
+
+ With {\tt musixadd.tex}, this number of groups is raised to four.
+
+ This grouping feature can also be used to collect not only voices but also
+instruments with one or several staffs. In that case the normal brace is
+shifted left of the square havy brace.
+
+ \subsection{Removing square choir braces}
+
+ Previously defined square choir braces can be removed by stating a
+\verb|\songtop| less than the \verb|\songbottom|. The same applies to
+\verb|\grouptop| and \verb|\groupbottom| of the same group number.
+
+ \subsection{Specifying all brackets together}
+
+ Alternatively, you can use the following command for specifying all
+required brackets together:
+\begin{quote}
+ \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}%
+ \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|%
+ {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}|
+\end{quote}
+\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument
+numbers that denote the span of bracket number $n$. For
+setting fewer than three brackets, just omit all unneeded
+\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs;
+\verb|\akkoladen{}| cancels all brackets.
+
+Example:
+\begin{quote}
+ \verb|\instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}|
+\end{quote}
+yields:\par\nopagebreak
+\begin{music}
+ % just to avoid wasting space ...
+ \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue
+ \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue
+ \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}
+ \startextract \hardspace{2cm}\zendextract
+\end{music}
+which was coded as:
+
+\begin{verbatim}
+ \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue
+ \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue
+ \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}
+ \startextract \hardspace{2cm}\zendextract
+\end{verbatim}
+
+
+
+ %\check
+\section{Starting your masterpiece}
+ \subsection{Typing the first system}
+Just code
+\keyindex{startmuflex}
+
+\noindent which opens the \ital{jobname}{\tt .mx1} during \TeX ing the first
+time your masterpiece. All informations are now written to it. During pass 3
+it will be open for read in and all computed values are used to set the
+lines\footnote{The files must be closed before leaving \TeX, preferably before
+\keyindex{bye} or \keyindex{end}, with \keyindex{endmuflex}. Normally \TeX\
+closes all open files on his own when terminating the program, but it is still
+wiser to do this explicitly.}.
+
+\begin{remark} do not worry too much if you forget \verb|\startmuflex|; in
+most cases --- since version T.39 --- the \verb|\startpiece| command will do
+it, if necessary. Conversely, only the first \verb|\startmuflex| is effective,
+the others are inefficient... for safety. \end{remark}
+
+Then code
+
+ %\check
+\keyindex{startpiece}
+
+\noindent which will initiate (with indentation \keyindex{parindent})
+the first set of staffs for all instruments you have previously defined. But
+that is not sufficient to begin writing notes and silences. In fact, you
+must also choose the spacing of the notes.
+ \subsection{Easy selecting note spacing}\label{newspacings}
+Therefore, we preferred to provide the composer/typesetter with a
+set of macros (incidentally, this can be adjusted):
+\begin{center}
+\tinynotesize
+\renewcommand{\arraystretch}{1.5}% I hate LaTeX
+\begin{tabular}{|l|l|l@{~~~~}l|}
+\multicolumn{1}{c}{usage}&
+\multicolumn{1}{c}{spacing}&
+\multicolumn{2}{c}{suggested use for}\\\hline
+\keyindex{znotes}\verb| ... & ... & ... \enotes|&(non spacing)
+ &&specials\\
+\keyindex{notes}\verb| ... & ... & ... \enotes|&\verb=2=\keyindex{elemskip}
+ &\ccu1&16th\\
+\keyindex{notesp}\verb| ... & ... & ... \enotes|&\verb=2.5\elemskip=
+ &\pt1\ccu1&16th pointed, 8th triplet\\
+\keyindex{Notes}\verb| ... & ... & ... \enotes|&\verb=3\elemskip=
+ &\cu1&8th\\
+\keyindex{Notesp}\verb| ... & ... & ... \enotes|&\verb=3.5\elemskip=
+ &\cup1&8th pointed, 4th triplet\\
+\keyindex{NOtes}\verb| ... & ... & ... \enotes|&\verb=4\elemskip=
+ &\qu1&4th\\
+\keyindex{NOtesp}\verb| ... & ... & ... \enotes|&\verb=4.5\elemskip=
+ &\qup1&4th pointed, 2th triplet\\
+\keyindex{NOTes}\verb| ... & ... & ... \enotes|&\verb=5\elemskip=
+ &\hu1&2th\\
+\keyindex{NOTesp}\verb| ... & ... & ... \enotes|&\verb=5.5\elemskip=
+ &\hup1&2th pointed\\
+\keyindex{NOTEs}\verb| ... & ... & ... \enotes|&\verb=6\elemskip=
+ &\wh1&1th\\\hline
+\end{tabular}\end{center}
+\noindent
+If you don't like them, define your own using e.g.:
+
+\verb|\def\NOtes{\vnotes5.34\elemskip}|
+
+ %\check
+\noindent
+which means, when you use this \keyindex{NOtes} definition, that all
+\ital{spacing} notes and commands, results a spacing of 5.34 $\times$
+\keyindex{elemskip}.
+The size of the spatial unit (\keyindex{elemskip}) can be freely
+adjusted (it shows only effect outside \verb|\startpiece...\endpiece|).
+
+ In practice, the choice of the macro \verb|\notes|, \verb|\Notes|,
+\verb|\NOtes|, etc., to initiate of column of notes sets an
+internal dimension register, named \keyindex{noteskip} to the given multiple
+of \keyindex{elemskip}. Thus, each \itxem{spacing note} (\keyindex{qu},
+\keyindex{qb}, \keyindex{hl}, etc.) will be followed by a spacing of
+\keyindex{noteskip}. Then, the advantage of the definition of \verb|\elemskip|
+is that, whenever it is changed, all subsequent \verb|\noteskip|s
+will be updated proportionally so that a simple change of \verb|\elemskip|
+can expand or shrink all consecutive note spacings as a whole.
+
+\medskip
+{\bf All said above counts only for first pass.}
+
+\medskip If the arthmetic progression of note spacings does not meet your
+wishes, your may force a geometric progression, where {\Bslash Notes} is
+$\sqrt{2}$ times wider as {\Bslash notes}, {\Bslash NOtes} is $\sqrt{2}$
+times wider as {\Bslash Notes}, etc. In that case, {\Bslash Notesp} is
+approximately $\sqrt{\sqrt{2}}=1.189$ times wider as {\Bslash Notes} and so
+on. The geometric progression if forced by the command
+\keyindex{geometricskipscale}, and the original arithmetic progression is
+restored by \keyindex{arithmeticskipscale}.
+
+ Inside the pair \verb|\notes...\enotes| you may freely change the value of
+\verb|\noteskip| (not \verb|\elemskip|) provided you keep it scalable in the
+normal situation\footnote{But: provided you keep it \ital{not scalable} if
+you use the {\Bslash hardnotes} or {\Bslash hardlyrics} features (see
+\ref{lyrics}).}. \verb|\noteskip| can be changed with a command like
+
+\verb|\noteskip=2.4\noteskip|
+
+\noindent which obviously keeps it scalable, or by means of
+
+\keyindex{multnoteskip}\verb|{2.4}|
+
+\noindent which performs the same multiplication in a smarter way. You can
+also force all \verb|\noteskip|s to be re-scaled by a factor of 3.1415 using
+
+\keyindex{scale}\verb|{2.4}|
+
+\noindent or \verb|\def|\keyindex{scalenoteskip}\verb|{2.4}| which is more
+dangerous and not advises although compatible with \musictex.
+
+\medskip
+
+To fill the music line (system) without glue, the values of \verb|\elemskip|,
+\verb|\afterruleskip| and \verb|\beforeruleskip| are adjusted from the
+external program {\tt musixflx}\index{musixflx@{\tt musixflx}}. So what
+spacing you really get, depends on the internal line-breaking routine.
+
+Spacings for advanced \musixtex'ers: a `normal' bar (slightly~!) magnified:
+\medskip
+
+ %\check
+\begin{music}
+\afterruleskip7pt
+\beforeruleskip2pt
+\parindent0pt
+\setclefsymbol1\empty
+% special problems afford special solutions
+\makeatletter\global\clef@skip\z@ \makeatother
+\startpiece
+\zchar{16}{\hbox to\afterruleskip{\downbracefill}}%
+\zchar{19}{\hbox to\afterruleskip{\hss a\hss}}%
+\addspace\afterruleskip
+\zchar{16}{\hbox to2\elemskip{\downbracefill}}%
+\zchar{19}{\hbox to2\elemskip{\hss b\hss}}%
+\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}%
+\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}%
+\notes\qa l\en
+\znotes\en
+\zchar{16}{\hbox to4\elemskip{\downbracefill}}%
+\zchar{19}{\hbox to4\elemskip{\hss c\hss}}%
+\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}%
+ \hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}%
+\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}%
+ \hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}%
+\NOtes\qa l\en
+\znotes\en
+\zchar{16}{\hbox to\beforeruleskip{\downbracefill}}%
+\zchar{19}{\hbox to\beforeruleskip{\hss d\hss}}%
+\endpiece
+\end{music}
+\begin{quote}\begin{tabular}{l@{~$\rightarrow$~}l}
+a&\keyindex{afterruleskip}\\
+b&\keyindex{notes}\verb| = \vnotes 2\elemskip|\\
+c&\keyindex{NOtes}\verb| = \vnotes 4\elemskip|\\
+d&\keyindex{beforeruleskip}\\
+e&\keyindex{elemskip}
+\end{tabular}\end{quote}
+As default the values are set up as follows:
+\begin{quote}\begin{tabular}{lrrr}\hline
+\ital{using}&\keyindex{elemskip}&\keyindex{afterruleskip}
+ &\keyindex{beforeruleskip}\\\hline
+\keyindex{normalmusicsize}&6pt&8pt&0pt\\
+\keyindex{smallmusicsize}&4.8pt&6pt&0pt\\\hline
+\end{tabular}\end{quote}
+\begin{quote}
+If you want to change upper values, you have to do that behind
+\verb|\normalmusicsize| or \verb|\smallmusicsize| and before
+\verb|\startpiece|.
+\end{quote}
+
+ %\check
+\section{Note pitch specification}
+ Note pitches are usually specified by letters ranging from \verb|a| to
+\verb|z| for those which are usually written under the G-clef (\verb|a|
+corresponds to the $A$ of nominal frequency 222.5~Hz; the \ital{G} of the
+G-clef is denoted \verb|g|). Lower pitch notes are specified using upper
+case letters ranging from \verb|A| to \verb|N| (the \ital{F} of the F-clef
+is denoted \verb|M|, and \verb|F| is one octave below).
+
+ If necessary, a numeric symbol can be used to place a symbol
+independently of the active clef, which has the drawback not to be
+transposable.
+
+ Besides, notes below \verb|A| (i.e. the $A$ of nominal frequency 55.625~Hz),
+namely the lowest octave of the modern pianos, can only be coded using the
+transposition features (see below: \ital{transposition} and
+\ital{octaviation}) or in absolute vertical position using numbers.
+ \section{Writing notes}
+There are two major kinds of note macros: \begin{enumerate} \item those
+which terminate a note/chord stem and are followed by a horizontal spacing of
+value \keyindex{noteskip},
+ \item those which initiate or extend a note/chord stem and do not cause
+horizontal spacing.
+\end{enumerate}
+ The first kind is used to type a melody, the second kind is used to
+type chords.
+ \subsection{Single spacing notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{breve}~$p$ :]breve note (\hbox to 8pt{\zbreve1\hss}) at pitch $p$.
+ \item[\keyindex{longa}~$p$ :]longa note
+ (\hbox to8pt{\zlonga1\hss}) at pitch $p$.
+ \item[\keyindex{longaa}~$p$ :]same as \verb|\longa|, with an ``automatic''
+stem up or down.
+ \item[\keyindex{zmaxima}~$p$ :]maxima note
+ (\hbox to16pt{\zmaxima1\hss}) at pitch $p$.
+ \item[\keyindex{wq}~$p$ :]arbitrary duration note (also used as alternate
+representation of \ital{breve} note)
+ (\hbox to8pt{\zwq1\hss}) at pitch $p$.
+ \item[\keyindex{wqq}~$p$ :]long arbitrary duration note (also used as alternate
+representation of \ital{longa} note)
+ (\hbox to8pt{\zwqq1\hss}) at pitch $p$.
+ \item[\keyindex{wh}~$p$ :]whole note at pitch $p$.
+ \item[\keyindex{hu}~$p$ :]half note at pitch $p$ with stem up.
+ \item[\keyindex{hl}~$p$ :]half note at pitch $p$ with stem down.
+ \item[\keyindex{ha}~$p$ :]half note at pitch $p$ with automatic
+stem\footnote{This
+means all stems belonging to notes below the third line are stemmed up,
+the other down, they work with every clef, but only for single notes.} choice.
+ \item[\keyindex{qu}~$p$ :]quarter note at pitch $p$ with stem up.
+ \item[\keyindex{ql}~$p$ :]quarter note at pitch $p$ with stem down.
+ \item[\keyindex{qa}~$p$ :]quarter note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{cu}~$p$ :]eighth note\footnote{The {\Bslash c} of this macro
+ name is taken from the French word ``croche'' which is by the way one
+ half of the english ``crotchet''; {\Bslash cc...}, {\Bslash ccc...}
+ are standing for ``double croche'', ``triple croche'', etc.}
+ at pitch $p$ with stem up.
+ \item[\keyindex{cl}~$p$ :]eighth note at pitch $p$ with stem down.
+ \item[\keyindex{ca}~$p$ :]eighth note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{ccu}~$p$ :]sixteenth note at pitch $p$ with stem up.
+ \item[\keyindex{ccl}~$p$ :]sixteenth note at pitch $p$ with stem down.
+ \item[\keyindex{cca}~$p$ :]sixteenth note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{cccu}~$p$ :]32-th note at pitch $p$ with stem up.
+ \item[\keyindex{cccl}~$p$ :]32-th note at pitch $p$ with stem down.
+ \item[\keyindex{ccca}~$p$ :]32-th note at pitch $p$ with ``automatic'' stem.
+ \item[\keyindex{ccccu}~$p$ :]64-th note at pitch $p$ with stem up.
+ \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with stem down.
+ \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with ``automatic'' stem.
+\end{description}\end{quote}
+ As an example, the sequence:
+
+ %\check
+\begin{music}
+\startextract
+\Notes\cu c\cl j\enotes\bar
+\Notes\ccu c\ccl j\enotes\bar
+\Notes\cccu c\cccl j\enotes\bar
+\Notes\ccccu c\ccccl j\enotes
+\endextract
+\end{music}
+ \noindent was coded as:
+\begin{quote}\begin{verbatim}
+\Notes\cu c\cl j\enotes\bar
+\Notes\ccu c\ccl j\enotes\bar
+\Notes\cccu c\cccl j\enotes\bar
+\Notes\ccccu c\ccccl j\enotes
+\end{verbatim}\end{quote}
+ If these notes are preceded by \ital{non-spacing} notes (i.e.
+macros \keyindex{zq} or \keyindex{zh}) their stem is extended up or down so
+as to join all notes into a single chord.
+ \subsection{Non-spacing (chord) notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{zq}~$p$ :]quarter (or shorter) note head at pitch $p$ with no
+spacing after.
+ \item[\keyindex{zh}~$p$ :]half note head at pitch $p$ with no spacing after.
+\end{description}\end{quote}
+ It must be pointed out that the pitch $p$ of these notes is
+memorized so that the stem of the further spacing note will join them into
+a chord. This stem top and bottom pitch is \ital{reset} at each spacing
+note.
+
+ \begin{remark} Notes of duration longer than whole notes are
+always non-spacing. This saves one useless definition, since these notes are
+always longer than other simultaneous ones. If needed they can be followed by
+\keyindex{sk} to force spacing.
+\end{remark}
+
+ \subsection{Shifted non-spacing (chord) heads} These symbols are used mainly
+in chords where \ital{second} intervals are present. It is the
+responsibility of the typist to choose which heads should be shifted left or
+right.
+
+\begin{quote}\begin{description}
+\item[\keyindex{rw}~$p$ :]whole note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lw}~$p$ :]whole note head shifted left by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{rh}~$p$ :]half note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lh}~$p$ :]half note head shifted left by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{rq}~$p$ :]quarter note head shifted right by one note
+width ($\approx$ 6pt), no spacing.
+\item[\keyindex{lq}~$p$ :]quarter note head shifted left by
+one note width ($\approx$ 6pt), no spacing.
+\end{description}\end{quote}
+ %\check
+
+ Except that they are shifted left of right, these macros act like
+\verb|\z...| macros for stem building.
+ \subsection{Single non-spacing notes}
+\begin{quote}\begin{description}
+ \item[\keyindex{zhu} :]half note with stem up but no spacing. It acts like
+\verb|\hu| for stem building.
+ \item[\keyindex{zhl} :]half note with stem down but no spacing. It acts like
+\keyindex{hl} for stem building.
+ \item[\keyindex{zqu} :]quarter note with stem up but no spacing. It acts like
+\verb|\qu| for stem building.
+ \item[\keyindex{zql} :]quarter note with stem down but no spacing. It acts
+like \verb|\ql| for stem building.
+ \item[\keyindex{zcu}, \keyindex{zccu}, \keyindex{zcccu}, \keyindex{zccccu}
+:]eighth, ..., note with stem up but no spacing. It acts like
+\verb|\cu| for stem building.
+ \item[\keyindex{zcl}, \keyindex{zccl}, \keyindex{zcccl}, \keyindex{zccccl}
+:]eighth, ..., note with stem down but no spacing. It acts
+like \verb|\cl| for stem building.
+ \item[\keyindex{zqb} :]note belonging to a beam but no spacing.
+ \item[\keyindex{rhu}, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql},
+ \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|,
+ but the note is shifted one note width on the right, other analogous.
+ \item[\keyindex{lhu}, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql},
+ \keyindex{lcu}, \keyindex{lcl} :]same
+ as above, but the whole of the note is shifted one note width on the left.
+ \item[\keyindex{zw}~$p$ :]whole note at pitch $p$ with no spacing after.
+ \item[\keyindex{zwq}~$p$ :]arbitrary duration note
+ (\hbox to8pt{\zwq1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zbreve}~$p$ :]breve note
+ (\hbox to8pt{\zbreve1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zlonga}~$p$ :]longa note
+ (\hbox to8pt{\zlonga1\hss}) at pitch $p$ with no spacing after.
+ \item[\keyindex{zmaxima}~$p$ :]maxima note
+ (\hbox to16pt{\zmaxima1\hss}) at pitch $p$ with no spacing after.
+\end{description}\end{quote}
+ %\check
+
+
+\subsection{Single (spacing) stemless notes}
+
+ Although not standard in real music scores, one may need to have stemless
+quarter and half note heads posted in the same way as whole notes. This can be
+done with the following commands:
+
+\begin{quote}\begin{description}
+\item[\keyindex{nh}~$p$ :]half note head at pitch $p$.
+\item[\keyindex{nq}~$p$ :]quarter note head at pitch $p$.
+\end{description}\end{quote}
+
+\medskip As an example, the sequence:
+
+\begin{music}
+ \startextract
+\notes\nq c\nq j\enotes\barre
+\Notes\nh c\nh j\enotes\barre
+\notes\nq {cdef}\enotes
+\endextract
+\end{music}
+
+\medskip \noindent was coded as:
+
+%\check
+\begin{quote}\begin{verbatim}
+\notes\nq c\nq j\enotes\barre
+\Notes\nh c\nh j\enotes\barre
+\notes\nq {cdef}\enotes
+\end{verbatim}\end{quote}
+
+ In case of special need, non spacing variants have been provided, namely
+\keyindex{znh} and \keyindex{znq}.
+
+
+ \subsection{Pointed notes}
+One simple way of doing consists in putting \keyindex{pt
+$p$} to get a \ital{dot} after the normal note head at pitch $p$. Thus a
+quarter note with one point can be coded \verb|\pt h\qu h|, with two points
+as \keyindex{ppt}\verb|\qu h| and with three points as
+\keyindex{pppt}\verb|\qu h|.
+
+ A simpler way of doing consists in using compact macros, namely:
+\keyindex{whp}, \keyindex{whpp},
+\keyindex{zwp}, \keyindex{zwpp},
+\keyindex{hup}, \keyindex{hupp},
+\keyindex{hlp}, \keyindex{hlpp},
+\keyindex{zhp}, \keyindex{zhpp},
+\keyindex{qup}, \keyindex{qupp},
+\keyindex{qlp}, \keyindex{qlpp},
+\keyindex{zqp}, \keyindex{zqpp},
+\keyindex{cup}, \keyindex{cupp},
+\keyindex{clp}, \keyindex{clpp},
+\keyindex{qbp} and \keyindex{qbpp}.
+Where all \verb|\z...p| are useful in chords.
+
+ You may also introduce pointed notes, especially in groups by coding
+a \ital{period} before (not after) the letter representing the pitch:
+\verb|\qu{.a.^b.c}| which is equivalent to:
+\begin{quote}\begin{verbatim}
+\pt{a}\qu{a}\pt{b}\sh{b}\qu{b}\pt{c}\qu{c}
+\end{verbatim}\end{quote}
+Finally, pointed notes can also be produced without spacing after, using
+\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp},
+\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp},
+and the same with two \verb|p|'s for
+double-pointed notes, like \keyindex{zhupp}, \keyindex{zhlpp},
+\keyindex{zqupp}, \keyindex{zqlpp},
+\keyindex{zcupp}, \keyindex{zclpp} and \keyindex{zqbpp}.
+
+If two voices share one staff, the points of the lower voice are lowered,
+if the note is on a note line. Therefore you can use \keyindex{lpt}~$p$ and
+\keyindex{lppt}~$p$.
+
+ %\check
+\section{Beams}
+
+ Beams are not automatically handled, but they must be declared explicitely,
+\ital{before} the first spacing note involving them is coded. Two kinds of
+macros are provided:
+
+\begin{enumerate}
+
+ \item fixed slope beams have an arbitrary slope chosen by the user in
+the range -45\% to +45\% (by multiples of 5\%);
+
+ \item semi-automatic beams have their slope computed knowing the number
+of \keyindex{noteskip} over which they are supposed to extend, and knowing the
+initial and final pitch of the notes they are supposed to link.
+\end{enumerate}
+ %\check
+ \subsection{Fixed slope beams}
+ \subsubsection{Beam initiation}
+\begin{quote}\begin{description}
+ \item[\keyindex{ibu}~$nps$ :]initiates an \ital{upper beam} 3 horizontal
+line spacings above the pitch $p$~; $n$ is its reference number, which must be
+in the range [0-5] ([0-8] if \verb|musixadd| file has been \verb|\input|);
+$s$ is the slope of the beam.
+\end{description}\end{quote}
+ $s$ is an integer in the range [-9,9].
+$s=1$ means a slope of 5\%, $s=9$ means a slope of 45\%,
+$s=-3$ means a slope of -15\%, etc.
+With usual spacings a slope of 2 or 3 is fit for ascending scales. A slope of
+6 to 9 is fit for ascending arpeggios.
+
+\begin{quote}\begin{description}
+
+ \item[\keyindex{ibl}~$nps$ :]initiates a \ital{lower beam} 3 horizontal line
+spacings below the pitch $p$. Other parameters as above.
+
+ \item[\keyindex{ibbu}~$nps$ :]initiates a \ital{double upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbl}~$nps$ :]initiates a \ital{double lower beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbu}~$nps$ :]initiates a \ital{triple upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbl}~$nps$ :]initiates a \ital{triple lower beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbbu}~$nps$ :]initiates a \ital{quadruple upper beam} (same
+parameter meaning).
+ \item[\keyindex{ibbbbl}~$nps$ :]initiates a \ital{quadruple lower beam} (same
+parameter meaning).
+\end{description}\end{quote}
+
+Notes belonging to beams are coded in the form \keyindex{qb}~$np$ where $n$ is
+the beam number and $p$ the pitch of the note head. \musixtex\ adjusts the
+length of the note stem to link the bottom of the chord to a beam.
+
+ \subsubsection{Beam termination}
+ Beam termination is also not automatic. The termination of a given
+beam must be explicitely declared \ital{before} coding the last spacing note
+connected to that beam.
+\begin{quote}\begin{description}
+ \item[\keyindex{tbu}~$n$ :]terminates upper beam number $n$ at current
+position. \item[\keyindex{tbl}~$n$ :]terminates lower beam number $n$ at
+current position.
+\end{description}\end{quote}
+\keyindex{tbu} and \keyindex{tbl} terminate beams of any
+multiplicity. Therefore 32-th notes hanging on a triple beam are initiated by
+\keyindex{ibbbu}~$nps$ and terminated by \keyindex{tbu}~$n$.
+
+ Since beams usualy finish with a \verb|\qb| to link the last note, shorter
+macros have been provided:
+
+ \begin{itemize}
+
+ \item \keyindex{tqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\qb| $np$
+
+ \item \keyindex{tqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\qb| $np$
+
+ \item \keyindex{ztqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\zqb| $np$
+(no spacing after)
+
+ \item \keyindex{ztqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\zqb| $np$
+(no spacing after)
+
+ \end{itemize}
+
+ \subsubsection{Beams of increasing multiplicity}
+ It is also possible to code beams whose multiplicity is not the same
+at the beginning. The multiplicity can be increased at any position. For
+instance, \keyindex{nbbu}~$n$ which sets the multiplicity of upper beam
+number $n$ to 2 starting at the current position, \keyindex{nbbbu}~$n$ sets
+its multiplicity to 3 and \keyindex{nbbbbu}~$n$ sets its multiplicity to 4.
+\keyindex{nbbl}~$n$ \dots
+\keyindex{nbbbbl}~$n$ perform the same functions for lower beams.
+
+
+ Note that the difference between upper and lower beams does not
+mainly consist in the beam being above or below the note heads; rather, it
+specifies whether the abscissa of the beginning and the end of this beam is
+aligned on the right (upper beam) or on the left (lower) beam. Thus, the
+sequence:
+
+\begin{music}
+\startextract
+\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent has been coded as
+\begin{quote}\begin{verbatim}
+\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes
+\end{verbatim}\end{quote}
+
+ It is quite possible to terminate with \keyindex{tbu} a beam initiated
+with \keyindex{ibl}. This may give:
+
+\begin{music}
+\startextract
+\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent which has been coded as
+\begin{quote}\begin{verbatim}
+\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes
+\end{verbatim}\end{quote}
+ \subsubsection{Beams of decreasing multiplicity}
+ Partial termination of beams is also possible, by using \keyindex{tbbu}
+or \keyindex{tbbl}~: these macros terminate the current beam except that of
+order 1 (eighths). \keyindex{tbbbu} or \keyindex{tbbbl} terminate the current
+beam except those of order 1 and 2, etc.
+
+\begin{music}
+\startextract
+\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{music}
+\noindent has been coded as
+
+\begin{quote}\begin{verbatim}
+\startextract
+\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+The macros \keyindex{tbbu} and \keyindex{tbbl} and higher order
+may also be invoked when only
+a single beam is active. Then, a second beam or third or ...
+(upper or lower according
+the initiating procedure) is opened \ital{one note width before
+the current position, and closed immediately}. Thus the following sequences
+
+\begin{music}
+\let\extractline\hbox
+\hbox to \hsize{%
+\hss
+ \startextract
+ \Notes\ibu0e0\qbp0e\tbbu0\tbu0\qb0e\en
+ \endextract
+\hss\hss
+ \startextract
+ \Notes\ibu0e0\qbpp0e\tbbbu0\tbbu0\tbu0\qb0e\en
+ \endextract
+\hss}
+\end{music}
+\noindent are coded:
+\hspace*{\fill}\begin{minipage}{.4\textwidth}\begin{verbatim}
+\Notes\ibu0e0\qbp0e%
+ \tbbu0\tbu0\qb0e\en
+\end{verbatim}\end{minipage}\hfill
+\begin{minipage}{.4\textwidth}\begin{verbatim}
+\Notes\ibu0e0\qbpp0e%
+ \tbbbu0\tbbu0\tbu0\qb0e\en
+\end{verbatim}\end{minipage}\hfill
+
+\noindent The same behaviour occurs in the case of \keyindex{tbbbu},
+\keyindex{tbbbl}, \keyindex{tbbbbu} and \keyindex{tbbbbl}.
+ The symmetrical pattern is also possible. For example:
+
+\begin{music}
+\startextract
+\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes
+\end{verbatim}\end{quote}
+ \begin{remark} these codings may seem complicated. In fact,
+it is the responsibility of the user to define macros which perform the most
+common sequences in his masterpiece. For example, one could define sets of
+four sixteenths by the macro:
+
+\verb|\def\qqh#1#2#3#4#5{\ibbl0#2#1\qb#2\qb#3\qb#4\tbl0\qb#5}|
+
+\noindent where the first argument is the slope and the other four
+arguments are the pitches of the four consecutive sixteenths wanted.
+\end{remark}
+
+
+\noindent A slightly more complicated example is:
+
+\begin{music}
+\startextract
+\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en
+\notesp\tbbu0\qbp0f\en
+\Notes\tbu0\qb0f\en
+\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en
+\Notes\qb0f\en
+\notes\tbbbu0\tbbu0\tbu0\qb0f\en
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en
+\notesp\tbbu0\qbp0f\en
+\Notes\tbu0\qb0f\en
+\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en
+\Notes\qb0f\en
+\notes\tbbbu0\tbbu0\tbu0\qb0f\en
+\end{verbatim}\end{quote}
+ %\check
+ \subsection{Repeated pattern beams}\index{repeated patterns}
+Note heads hanging on beams are not necessarily quarter (or higher order)
+note heads. It is possible to hang half note heads on beams
+using \keyindex{hb} macro, e.g.:
+
+\begin{music}
+\startextract
+\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
+\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes
+\endextract
+\end{music}
+\noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes
+\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes
+\end{verbatim}\end{quote}
+
+
+It is also possible to write
+
+\begin{music}
+\startextract
+\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{quote}\begin{verbatim}
+\Notes\ibbl0j3\wh j\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\wh i\enotes
+\end{verbatim}\end{quote}
+\noindent However, a better look could be obtained in a more sophisticated
+way\footnote{You are suggested to make your own macro if you have to type many
+of these, or better: use a pre-compiler.}:
+
+\begin{music}
+\startextract
+\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace
+\endextract
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}
+\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes
+\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace
+\end{verbatim}\end{quote}
+
+ Single repeated notes can also be made --- in a much more sophisticated
+way\footnote{But you can write your own macro, thinking of using
+{\tt\char92transpose} to lift the oblique beams.}, for example:
+
+ \begin{music}
+\startextract
+\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibu0j0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar
+\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j%
+ \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en
+\endextract
+ \end{music}
+ \noindent whose coding (due to W. {\sc Icking}) is;
+
+\begin{quote}\begin{verbatim}
+\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibu0j0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar
+\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j%
+ \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk
+ \ibbu0i0\qb0{jjj}\tbu0\qb0j\en
+\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h%
+ \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en
+\end{verbatim}\end{quote}
+
+ \subsection{Beams across bars}
+The usual way most composers wrote their scores was beams inside bars,
+at least until the beginning of the XIX-th
+century. Unfortunately, later composers ({\sc Brahms}, {\sc Scriabin},
+{\sc Grieg}, etc.) wanted to write beams jumping across bars.
+This is possible without any problems.
+We give an example from {\sc Brahms}'s Intermezzo op.~118,1 provided by
+Miguel {\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip
+
+\begin{music}
+\interstaff{12}
+\setstaffs1{2}
+\setclef1\bass
+\generalmeter\allabreve
+\startextract
+\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes
+\bar
+\nspace
+\Notes\ibu0L2\qb0{CEJLcL}%
+ \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
+\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes
+\bar
+\Notes\ttie1\zh{.L.a}\hl{.e}%
+ \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
+\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes
+\endextract
+\end{music}
+ %\check
+\noindent whose coding is:
+\begin{verbatim}
+\interstaff{13}
+\instrumentnumber{1}
+\setstaffs1{2}
+\setclef1\bass
+\generalmeter\allabreve
+\startextract
+\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes
+\bar
+\nspace
+\Notes\ibu0a1\qb0{CEJLcL}%
+ \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes
+\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes
+\bar
+\Notes\ttie1\zh{.L.a}\hl{.e}%
+ \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes
+\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes
+\endextract
+\end{verbatim}
+Still to be done manually is the cut and prolongation across line breaks, which
+can be easily be done with shifting using \keyindex{roff} and/or
+\keyindex{loff}, or with insert of a spacing command (here done with
+\keyindex{hsk}). We give an example from {\sc Grieg}'s ``Hochzeit auf
+Troldhaugen'':\index{Grieg, E.@{\sc Grieg, E.}}\medskip
+
+\begin{music}
+\parindent0pt
+\def\rqs{\lower\Interligne\rlap\qs}
+\def\snotes{\vnotes1\elemskip}
+\setstaffs1{2}
+\generalsignature{2}
+\setclef1{\bass}
+\interstaff{12}
+\startpiece
+%%% bar 1
+\addspace\afterruleskip
+\snotes|\tinynotesize\ibsluru0n\ibbu0m5\qb0{=m}\tqh0n\en
+\qspace
+\Notes\zchar{-7}\sPed\loffset{.3}{\fl E}\zq E\qu{_I}%
+ |\zql g\ibu2l0\busf2\qb2{=m}\en
+\Notes|\tubslur0o\qb2{_l}\en
+\Notes\loffset{.3}{\fl L}\zq L\ibl0L0\qb0{_b}%
+ |\ibl1h0\zqb1g\bupz2\qb2l\en
+\Notes\zq L\tqb0b|\tbl1\zqb1g\bupz2\tqh2l\en
+\NOtes\zq L\ql b|\zql g\qu l\en
+\notes\zchar{-7}\sPed\zchar{-7}{\eightit ~~~sempre}%
+ \zchar{14}{\pp\eightit~sempre}\zq I\ibbu1J0\qb1L|\qs\en
+\notes\qs|\zq N\ibbu3d0\qb3{_d}\en
+\notes\qb1E|\rqs\en
+\notes\qs|\fl e\zq N\rq e\qb3d\en
+%%% bar 2
+\bar
+\notes\loffset{.3}{\fl I}\zq I\qb1{_L}|\rqs\en
+\qspace
+\notes\qs|\lfl d\zq d\zq {=f}\qb3N\en
+\notes\tqh1{_E}|\rqs\en
+\notes\qs|\zq d\zq g\tqh3N\en
+\notes\zq I\ibbu0J0\qb0L|\rqs\en
+\notes\qs|\zq d\ibbu1d0\qb1N\en
+\notes\qb0E|\rqs\en
+\notes\qs|\fl e\rq e\zq d\qb1N\en
+\notes\zq I\qb0L|\rqs\en
+\notes\qs|\zq f\zq d\qb1N\en
+\notes\tqh0E|\rqs\en
+\notes\qs|\zq g\zq d\tqh1N\en
+\notes\zq I\ibbu0J0\qb0L|\rqs\en
+\notes\qs|\zq d\ibbu1d0\qb1N\en
+\notes\qb0E|\rqs\en
+\notes\rlap\qs\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en
+\endpiece
+\end{music}
+\noindent where the prolongation was coded as:
+\begin{verbatim}
+\notes\rlap{\qs}\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en
+\end{verbatim}
+ %\check
+ \subsection{Semi-automatic beams}
+In order to avoid tedious checks to adjust the slope (and even the starting
+pitch) of beams in music with a lot of steep beams, a set of automatically
+slope computing has recently been implemented. If
+you say \verb|\Ibu2gj3| \musixtex\ will understand that`you want to
+build an upper beam (beam number 2) horizontally extending \verb|3\noteskip|,
+the first note of which is a \verb|g| and the last note is a \verb|j|.
+Knowing these parameters it will choose the highest slope number which
+corresponds to a slope not more than $(\hbox{\tt j}-\hbox{\tt
+g})/(3\keyindex{noteskip})$. Moreover, if there is no sufficiently steep beam
+slope available, then it will raise the starting point.
+
+ Eight such macros are available: \keyindex{Ibu}, \keyindex{Ibbu},
+\keyindex{Ibbbu}, \keyindex{Ibbbbu}, \keyindex{Ibl}, \keyindex{Ibbl},
+\keyindex{Ibbbl} and \keyindex{Ibbbbl}.
+
+Also available are ready definitions for often needed sets of double,
+triple and quadruple notes with computed slopes. These are:
+\keyindex{Dqbu}, \keyindex{Dqbl}, \keyindex{Dqbbu}, \keyindex{Dqbbl},
+\keyindex{Tqbu}, \keyindex{Tqbl}, \keyindex{Tqbbu}, \keyindex{Tqbbl},
+\keyindex{Qqbu}, \keyindex{Qqbl}, \keyindex{Qqbbu} and \keyindex{Qqbbl}.
+ %\check
+
+
+\medskip
+\begin{music}
+\parindent0pt\startpiece
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en
+\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en
+\notes\Qqbbu fgge\Qqbbl jhgi\en
+\end{verbatim}\end{quote}
+ %\check
+
+\section{Rests}
+ Except that difference that they have no specific pitch, rests are coded in a
+very simple way.
+ \subsection{Ordinary rests}
+ Full bar rests (also called ``pauses'') are coded as
+\keyindex{pause}, with a point behind as \keyindex{pausep};
+smaller rests are
+\keyindex{hpause} (of duration equal to a \ital{half note}),
+with a point behind as \keyindex{hpausep},
+\keyindex{qp} (duration equal to a \ital{quarter note},
+ also \keyindex{soupir}),
+\keyindex{ds} (duration equal to an \ital{eighth note}),
+\keyindex{qs} (duration equal to an \ital{sixteenth note}),
+\keyindex{hs} (duration equal to an \ital{thirty second note}),
+\keyindex{qqs} (duration equal to an \ital{sixty fourth note}).
+
+ Long rests (lasting several bars) can be coded as \keyindex{PAuse}
+and \keyindex{PAUSe}, which respectively yield:
+
+\begin{music}
+\generalmeter{\meterfrac44}
+\startextract
+\def\atnextbar{\znotes\centerbar\PAuse\en}%
+\NOTEs\en\bar
+\def\atnextbar{\znotes\centerbar\PAUSe\en}%
+\NOTEs\en\endextract
+\end{music}
+ %\check
+
+ \subsection{Lifted rests}\index{lifting rests}\index{rest lifting} All the
+previous rests with exception of \keyindex{pausep} (pause with a point) and
+\keyindex{hpausep} (half rest with a point) are \ital{hboxes}; this means that
+they can be vertically offset to meet polyphonic music requirements using the
+standard \TeX\ command \keyindex{raise}. For example:
+
+ \begin{quote}
+ \begin{verbatim}
+ \raise 2\Interligne\qp
+ \raise 3mm\qq
+ \end{verbatim}
+ \end{quote}
+
+ \noindent{\sl{\bfseries CAUTION:} do not try to lift rests (or notes but this
+looks so silly that...) using codings like
+\verb|\raise2mm|\keyindex{hbox}\verb|{\qp}|. The reason is that the rest
+symbol (e.g. \verb|\qp|) is embedded in braces, so that local counting of
+spaces (register \verb|\loc@skip|) will be lost, resulting in turn in
+overfull/undfull boxes, beam errors, erratic slurring, etc. In general, all
+rests and all notes should be coded at the brace level of the \verb|\notes|
+command, unless they are deliberately embedded in \keyindex{rlap} or
+\keyindex{llap} which actually overlook spacing counting but finally force no
+horizontal spacing, a behaviour which compensates the forgotten spacing count.}
+
+ In addition, two symbols have been provided to put a \itxem{full rest} or a
+\itxem{half rest} above or below the staff. Then the ordinary \verb|\pause| or
+\verb|\hpause| cannot be used since there is a need for small horizontal line
+to distinguish between the full and the half rest. They are:
+ \begin{itemize}
+ \item \keyindex{liftpause}~$n$ (non spacing) to get a
+ \hbox to10pt{\liftpause{-2}\hss}
+ raised from original position by $n$ staff line intervals,
+ \item \keyindex{lifthpause}~$n$ (non spacing) to get
+ \hbox to10pt{\lifthpause{-1}\hss} raised the same way.
+ \item \keyindex{liftpausep}~$n$ (non spacing) to get a
+ \hbox to10pt{\liftpausep{-2}\hss}
+ raised from original position by $n$ staff line intervals,
+ \item \keyindex{lifthpausep}~$n$ (non spacing) to get
+ \hbox to10pt{\lifthpausep{-1}\hss} raised the same way.
+ \end{itemize}
+ %\check
+
+ \subsection{Bar centered rests}\label{barcentered}
+Sometimes it is necessary to place a rest (or other) exactly in the middle
+of a bar. This can be done with more sophisticated commands:
+%\keyindex{atnextbar}
+\keyindex{centerbar},
+\keyindex{centerPAUSe},
+\keyindex{centerPAuse},
+\keyindex{centerpause},
+\keyindex{centerhpause}.
+For example:
+
+\begin{music}
+\generalmeter\meterC
+\setclef1\bass
+\setstaffs1{2}
+\parindent0pt
+\startpiece\addspace\afterruleskip
+\NOtes|\qa{cegj}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\NOtes|\qa{jgec}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\Notes\ca{`jihgfedc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\NOTes\ha{Nc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\addspace{10\elemskip}%
+\def\atnextbar{\znotes\centerbar\duevolte|\centerbar\duevolte\en}\endpiece
+\end{music}
+\begin{verbatim}
+\generalmeter\meterC
+\setclef1\bass
+\setstaffs1{2}
+\parindent0pt
+\startpiece\addspace\afterruleskip
+\NOtes|\qa{cegj}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\NOtes|\qa{jgec}\en
+\def\atnextbar{\znotes\centerpause\en}\bar
+\Notes\ca{`jihgfedc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\NOTes\ha{Nc}\en
+\def\atnextbar{\znotes|\centerpause\en}\bar
+\addspace{10\elemskip}%
+\def\atnextbar{\znotes\centerbar{\duevolte}|\centerbar{\duevolte}\en}\endpiece
+\end{verbatim}
+ %\check
+
+\section{Phantom notes and spacing commands}\label{spacing}
+It may be interesting, when coding a sequence of notes within a unique pair
+\verb|\notes...\enotes|, to skip one note place in order -- for
+example -- to set the third note of one staff at the same abscissa as that of
+the second note of another staff. This can be done by inserting \keyindex{sk}
+which causes a spacing of one \keyindex{noteskip}\footnote{Never use
+\keyindex{kern} nor \keyindex{hskip}~: in fact \keyindex{sk} not only causes
+a space but also records that space for correct handling of beams, slurs,
+trills, octaviation dashed lines, line-breaking, etc.}. Sometimes it is useful
+to \ital{skip back} one noteskip, this can be done with \keyindex{bsk}. The
+spacing of a half \verb|\noteskip| can be yielded with \keyindex{hsk}.
+
+ %\check
+
+ If you just want to shift a note or a symbol by one note head width,
+you may write \keyindex{roff}\verb|{|\ital{note/symbol}\verb|}| (shift right)
+or \keyindex{loff}\verb|{|\ital{note/symbol}\verb|}| (shift left).
+ If you just want to shift a note or a symbol by one half note head width,
+you may write \keyindex{hroff}\verb|{|\ital{note/symbol}\verb|}| (shift right)
+or \keyindex{hloff}\verb|{|\ital{note/symbol}\verb|}| (shift left).
+For example, to get
+ %\check
+
+
+\begin{music}
+\startextract
+\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes
+\endextract
+\end{music}
+you code:
+
+ %\check
+
+\begin{quote}\begin{verbatim}
+\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes
+\end{verbatim}\end{quote}
+
+If you want to shift notes or symbols right by more or less than one note head
+width, then you can use \keyindex{roffset} (or \keyindex{loffset} in the other
+direction) which has an additional first argument which is the number of note
+head widths the second argument should be shifted by. For example
+
+\begin{music}
+\startextract
+\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes
+\endextract
+\end{music}
+was coded:
+
+\begin{quote}\begin{verbatim}
+\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes
+\end{verbatim}\end{quote}
+
+\begin{important} the offset specified or implicitly specified in
+\verb|\roff|, \verb|\loff|, \verb|\roffset| and \verb|loffset| does not add to
+the total spacing amount; in other words this is just an offset, not a
+spacing. Conversely, the possible spacing of commands included in the argument
+of \verb|\roff|/\verb|\loff| and in the second argument
+of \verb|\roffset|/\verb|\loffset| actually adds to the total spacing in that
+bar of the current staff. Therefore, the symbol/note argument of these offset
+commands should usually produce no spacing, i.e. begin with \verb|\z|.
+
+ Besides, it is not advised to insert several consecutive spacing notes in
+the \verb|\roff|/\verb|\loff| or \verb|\roffset|/\verb|\loffset| arguments,
+since it could mess up the global spacing accounting.
+ \end{important}
+
+ %\check
+
+
+To insert spacing of \ital{nearly} one \ital{note head width}, you can use
+\keyindex{qsk}(which has the drawback, that it is scalable, so what spacing
+you really get depends on the computed \verb|\elemskip| from \verb|musixflx|
+and the user chosen value of \verb|\elemskip|). The half of this spacing can
+be forced with \keyindex{hqsk}. Note that these two latter macros must be used
+inside a pair \verb|\notes...\enotes|.
+
+ If you want to insert additional spacing before a group of notes, especially
+to avoid a collision with an accidental, you can write \keyindex{nspace} ---
+outside the \verb|\notes...\enotes| group --- and this will produces an
+additional spacing of a half note head width; in the same way,
+\keyindex{qspace} will yield a spacing of a note head width. Note that
+\verb|\nspace| and \verb|\qspace| are ``hard'' spacings, whose general
+feature is \verb|\hardspace|, described below.
+
+Sometimes the additional space behind \keyindex{changecontext}
+disturbs the eye of a typesetter, but this ugly spacing can be reduced with:
+
+\keyindex{addspace}\verb|{-|\keyindex{afterruleskip}\verb|}%|
+
+It should be emphasized that all these spacing commands work correctly, only
+when their dimension arguments are \itxem{scalable values} and not fixed
+dimensions; the scalable dimensions are \keyindex{elemskip},
+\keyindex{beforeruleskip}, \keyindex{afterruleskip}, \keyindex{noteskip} and
+their multiples.
+
+The only spacing command which can work with ``normal'' (that is,
+\ital{not scalable}) dimensions is:\label{hardspace}\index{hard spacing}
+
+
+\keyindex{hardspace}\verb|{|\ital{any \TeX~dimension}\verb|}%|
+
+\noindent but both \verb|\addspace| and \verb|\hardspace| can only be used
+outside of \verb|\notes...\enotes|.
+
+Conversely, a more general spacing is allowed within the
+\verb|\notes...\enotes| pairs, namely:
+
+\keyindex{off}\verb|{|$D$\verb|}%|
+
+\noindent where $D$ is a \itxem{scalable dimension}, for example
+\verb|\noteskip| or \verb|\elemskip|. In fact, if you look to the
+\musixtex\ source, you will find that \verb|\off| is the basic control
+sequence used to define \keyindex{sk}, \keyindex{qsk}, etc.
+
+ %\check
+
+\section{Collective coding: sequences of notes}
+
+As seen in the {\sc Mozart} example, it is not necessary to write a macro
+sequence \verb|\notes...\enotes| for each column\footnote{Although
+the compiler compiles it faster.}. If, on all
+staffs of all instruments, spacings are equal or multiple of a unique value,
+the notes may be concatenated in each staff: each note in each staff makes
+the current position horizontally advance by the elementary spacing specified
+by the choice of \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc.
+
+ The major interest of this feature resides in that fact that
+the note macros are able to write several items; for instance
+\verb|\qu{cdefghij}| writes the \ital{C-major} scale in quarters with
+stem up. In the same way \verb|\cl{abcdef^gh}| writes the
+\ital{A-minor} scale in eighths. Not all note generating macros can be
+used to perform collective coding, but most of them can.
+
+ If necessary a void space\footnote{same behaviour as {\Bslash sk}}
+can be inserted in a collective coding by using \verb|*|\index{*}.
+
+ %\check
+
+\section{Accidentals}
+
+Accidentals can be introduced in two ways.
+
+ The first way, the \ital{manual} way of coding them, consists for
+example in coding \keyindex{fl}\verb|a| to put a \ital{flat} at the
+pitch $a$, supposedly before the further note of that pitch.
+There is no control upon the fact that a note will be put at this position
+and at this pitch.
+Naturals, sharps, double flats and double sharps are coded \keyindex{na}~$p$,
+\keyindex{sh}~$p$, \keyindex{dfl}~$p$ and \keyindex{dsh}~$p$ respectively.
+
+Alternate procedures \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh},
+\keyindex{ldfl} and \keyindex{ldsh}
+place the same accidentals, but their abscissa is shifted one note head width
+on the left. The purpose of this is to avoid collision of accidentals
+in a chord with narrow intervals.
+
+ The second way of coding accidentals consists in putting the symbol
+\verb|^| (sharp), the symbol \verb|_| (flat), the symbol \verb|=| (natural), the
+symbol \verb|>| (double sharp), or the symbol \verb|<| (double
+flat) within the coding of the note, e.g.: \verb|\qb{^g}| yields a
+$G\sharp$. This may very well be combined with collective coding, e.g.:
+\verb|\qu{ac^d}|.
+
+ Two sizes are available for accidentals. They revert to the small
+version when notes are supposed to be too close to each other. These two
+sizes can be forced by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or
+\keyindex{smallfl}, \keyindex{smallsh}, etc. If one does not want to have any
+small accidentals, then one can declare \keyindex{bigaccid} (conversely
+\keyindex{smallaccid} or \keyindex{varaccid} -- the latter restoring variable
+sizes).
+
+ Small accidentals can also be put \ital{above} the note
+heads. This is done using \keyindex{uppersh}~$p$, \keyindex{upperna}~$p$ or
+\keyindex{upperfl}~$p$:
+
+\begin{music}
+\startextract
+\NOtes\uppersh l\qa l\enotes
+\NOtes\upperna m\qa m\enotes
+\NOtes\upperfl l\qa l\enotes
+\endextract
+\end{music}
+ It also possible to introduce \ital{\ixem{cautionary accidental}s} on a
+score, i.e.\ small size accidentals between parentheses. This done by preceding
+the name of the accidental keyword by a \verb|c|,\label{cautionary}
+ e.g.~by coding \keyindex{cfl}~$p$ to get a cautionary flat.
+ Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, \keyindex{cna},
+\keyindex{cdfl} and \keyindex{cdsh}, which give:
+
+\begin{music}
+\startextract
+\NOtes\csh g\qa g\enotes
+\NOtes\cfl h\qa h\enotes
+\NOtes\cna i\qa i\enotes
+\NOtes\cdfl j\qa j\enotes
+\NOtes\cdsh k\qa k\enotes
+\endextract
+\end{music}
+\noindent
+Besides, the distance between note and accidental is influenced by
+
+\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension}
+
+\noindent
+positive values shift to left, negative to right, default is \verb|0pt|.
+ \section{Transposition and octaviation}
+An important feature is the existence of a special register
+\keyindex{transpose} the normal value of which is 0. If you say
+
+\verb|\transpose=3|
+
+\noindent all subsequent pitches specified by
+upper or lower case letters\footnote{Pitches specified with figures are
+absolute and not transposed.} will be transposed 3 positions. If you set
+\keyindex{transpose} to 7 you may write your music one octave below its final
+pitch. Thus, you can define \ital{octaviation} macros like
+
+\verb|\def\soqu#1{\zq{#1}{\transpose=7 \qu{#1}}}|
+
+\noindent to build quarter note octaves in a single call. Note
+that the octaviated note is coded within braces so that the transposition
+is only local.
+
+ \ital{Octaviation}\index{octaviation} can also be performed in another
+way, namely using special codes to transpose by multiples of 7 intervals.
+For example \verb|\qu{'ab}| is equivalent to \verb|\qu{hi}| and
+\verb|\qu{`kl}| is equivalent to \verb|\qu{de}|. It should be
+emphasized here that the \verb|'| (\itxem{acute accent}) and the \verb|`|
+(\itxem{grave accent}) have cumulative effects, so that \verb|\qu{''A'A}|
+is equivalent to \verb|\qu{ah}| and that the \verb|\transpose|
+parameter is only reset to its initial value (not necessarily zero) when
+changing staff or instrument (i.e. \| or \verb|&|) or at \verb|\enotes|.
+ Since this may be confusing, it is useful to use the \verb|!| prefix
+to reset the \verb|\transpose| register explicitely to the value it had
+when entering \verb|\notes|\footnote{This value is saved in another
+register named \keyindex{normaltranspose}.}. Thus \verb|\qu{!a'a}| always
+gives the note \verb|a| and its upper octave \verb|h| \ital{shifted by the
+value of {\Bslash transpose} at the beginning of the current} \noindent
+\verb|\notes...\enotes| group (or \verb|\Notes...\enotes|,
+etc.) whatever the number of previous grave and acute accents occurring
+inbetween.
+ \subsection{Typical piano octave transposition}
+ \subsubsection{Local octave transposition of fixed length}
+\begin{music}
+\startextract
+\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en
+\endextract
+\end{music}
+\noindent can be coded as
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en
+\endextract
+\end{verbatim}\end{quote}\zkeyindex{octfinup}
+\noindent that is, the dashed line extends 3.5$\times${\Bslash noteskip}.
+Conversely, lower octaviation can also be coded, for example:
+
+\begin{music}
+\startextract
+\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en
+\endextract
+\end{music}
+\noindent which is coded as
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en
+\endextract
+\end{verbatim}\end{quote}\zkeyindex{octfindown}
+If a more sophisticated posting is wanted, this can be achieved refefining
+the macro \keyindex{octnumber}, e.g.:
+
+\begin{music}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en
+\endextract
+\end{music}
+\noindent whose coding is
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en
+\endextract
+\end{verbatim}\end{quote}
+\noindent or
+
+\begin{music}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}\octfindown{-5}4\ql l\ql k\ql j\en
+\endextract
+\end{music}
+\noindent coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}%
+ \octfindown{-5}4\ql l\ql k\ql j\en
+\endextract
+\end{verbatim}\end{quote}
+
+\subsubsection{Long or variable range octave transposition}
+Long range octave transpositions are better handled using
+\keyindex{Ioctfinup},
+\keyindex{Ioctfindown} and
+\keyindex{Toctfin} whose effect extends over line breaks.
+
+{\Bslash Ioctfinup}~$np$ starts an octave transposition of reference number
+$n$ (with $0\le n<6\equiv$\keyindex{maxoctlines}) dashed line at pitch $p$
+(usually $p>10$ but it can also be an alphabetic pitch specification),
+{\Bslash Ioctfindown}~$np$ starts a lower octave transposition at pitch $p$
+(usually $p<-2$), and both extend until terminated with {\Bslash toctfin}. The
+difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is
+the relative position of the ``8'' figure with respect to the dashed line, and
+the sense of the terminating hook (note that {\Bslash Ioctfinup} has a hook
+under the dashed line, and conversely).
+
+For the sake of backward compatibility, \keyindex{ioctfinup} is equivalent to
+\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to
+\verb|\Ioctfindown 0|.
+For example:
+
+\medskip
+ \begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes
+\bar
+\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes
+\bar
+\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes
+\endextract
+\end{music}
+whose coding is
+\begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes
+\bar
+\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes
+\bar
+\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+ %\check
+
+
+%\begin{changebar}
+
+ The elevation of octaviation lines may be raised/lowered using
+\keyindex{Liftoctline}~$n$~$p$ where $n$ is the reference number of the
+ wanted ocave line, and $n$ a number (possibly negative) number of
+\verb|\internote| by which the dashed line should be lifted. This is
+particularly useful when octaviation lines last several systems and need to be
+lifted in the systems occuring farther than the initiation.
+
+%\end{changebar}
+
+ \subsection{Transposition of accidentals}
+ The above processes indeed change the vertical position of the note heads
+and associated symbols (note stems, accents and beams) but they do not take
+care of the necessary changes of accidentals when transposing, i.e. the fact
+that an $F\sharp$ occurring with a zero signature should become a $B\natural$
+when transposing from the tonality of $C$ major to $F$ major where the normal
+$B$ is the $B\flat$. Since the intent of the composer is not obvious -- he
+may want to shift a group of notes within the same tonality or conversely to
+transpose it in another tonality -- this is not done automatically. Thus the
+\keyindex{sh}, \keyindex{fl}, \keyindex{na}, \keyindex{dsh} and
+\keyindex{dfl} symbols \ital{are not affected} by a change of the
+\keyindex{transpose} register.
+
+ But the composer/typesetter may ask \musixtex\ to do that work. In this
+case, he should code \keyindex{relativeaccid}. In that case, a \verb|\sh|
+command means that the corresponding pitch\footnote{The musical output note,
+not the typesetting position.} has to be raised by \ital{one half pitch}
+with respect to its normal value \ital{according to the current signature}.
+Thus \verb|\sh b| (using \keyindex{relativeaccid}) means a $B\sharp$ if the
+signature is zero or positive, and a $B\natural$ if it is negative. The same
+logic applies for all accidentals using \keyindex{relativeaccid}.
+
+In the same way, the compact codes \verb|^|, \verb|_|, \verb|=| are normally
+not affected by transposition and signatures, but their behaviour will be
+changed by saying \keyindex{relativeaccid} and reset by
+\keyindex{absoluteaccid} (the default situation)\footnote{Note that the
+behaviour of {\Bslash sh}, {\Bslash na} and {\Bslash fl} with \musixtex\
+corresponds to the behaviour of {\Bslash Sh}, {\Bslash Na} and {\Bslash Fl}
+with \musictex+{musictrp.tex}. But the {\tt musixcpt.tex} file forces the same
+behaviour as \musixtex\ in that respect, see page \pageref{compatibility}.}.
+
+ Although \ital{relative accidental coding} is an easy and safe way of
+coding \ital{transposable} scores, care should be exercised in getting rid
+of the habit of saying \verb|\na b| to raise the pitch of a $B$ when the
+tonality is $F$ major (i.e. with \keyindex{setsign$n$}\verb|=-1| or
+\keyindex{generalsignature}\verb|{-1}|). An example of sophisticated
+transposition is given in the score \verb|souvenir.tex| (which \verb|\input|s
+\verb|souvenix.tex|).
+
+ %\check
+
+\section{Slurs and ties}
+The slurs and ties provided by \musixtex\ can be divided into two categories:
+\label{simpleslur}
+\begin{itemize}
+ \item Those where the complete slur symbol is composed of a single
+ character from one of the slur fonts, and
+ \item those where the slur symbol is composed three discrete
+ characters, to form the beginning, middle and end of the slur.
+\end{itemize}
+The former are called \ital{simple slurs} and the latter are called
+\ital{compound slurs}. To some extent the division between the two is
+invisible to the user, in that a number of the macros described below will
+select between the two types automatically. However, other macros are
+provided to
+enable simple slurs to be specified. Note that slurs of both types must be
+coded within the pair \verb|\notes...\enotes|.
+ \subsection{General slur coding}
+This section describes the usual method of slur coding, where the
+choice between simple or compound slurs is made automatically.
+In this case, slurs are initiated and terminated by separate macros,
+as is the case for beams.
+ \subsubsection{Slur initiation}
+The slur must be initiated {\em before}
+the spacing note at which the slur begins, and terminated {\em before} the
+note at which the slur ends. The simplest slur initiation macro is
+
+
+\keyindex{isluru}~$np$
+
+\noindent which initiates an upper slur, with reference
+number $n$, beginning at pitch $p$. The starting point of the slur is
+centred above an imaginary quarter note head at pitch $p$.
+As for beams, the reference number $n$ takes values from 0 to 5, or
+0 to 8 if \ttxem{musixadd.tex} is included.
+Similarly, \keyindex{islurd}~$np$ initiates a lower slur.
+These slurs are terminated by coding
+\keyindex{tslur}~$np$ where $n$ is the reference number and $p$ is the
+termination pitch. To illustrate with a simple example, the following
+passage
+
+\begin{music}
+\startextract
+\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en
+\bar
+\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en
+\NOTes\hu g\en
+\endextract
+\end{music}
+
+\noindent was coded as:
+\begin{quote}\begin{verbatim}
+\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en
+\bar
+\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en
+\NOTes\hu g\en
+\end{verbatim}\end{quote}
+
+Other macros are provided to change the starting and ending point of the slur
+in relation to the initial and final notes. Thus, \keyindex{issluru}~$np$
+initiates a ``short'' upper slur suitable for linking notes involved in chords. The
+starting point is shifted to the right, and is vertically aligned with the
+centre of an imaginary quarter note head at pitch $p$. If a lower short slur
+is wanted, one should use \keyindex{isslurd}~$np$.
+
+
+Sometimes, busy scores call for slurs which are vertically aligned with the
+ends of note stems rather than note heads. These ``beam'' slurs --- so called
+because the slur is written at usual beam height --- are provided by the
+macros \keyindex{ibsluru}~$np$ and \keyindex{ibslurd}~$np$. These macros
+initiate slurs raised or lowered by the current stem height to accommodate
+stems or beams above or below.
+ %\check
+
+ \subsubsection{Slur termination}\label {slurtermin}
+Termination of slurs can be achieved in two ways. First, macros matching
+each of the initialization macros are provided, as shown below.\\
+\begin{center}
+ \begin{tabular}{ll}
+ Initiation & Termination \\
+ \hline
+ \keyindex{isluru}, \keyindex{islurd} & \keyindex{tslur} \\
+ \keyindex{issluru}, \keyindex{isslurd} & \keyindex{tsslur} \\
+ \keyindex{ibsluru} & \keyindex{tbsluru}\\
+ \keyindex{ibslurd} & \keyindex{tbslurd}\\
+ \hline
+ \end{tabular} \end{center} These specific termination macros enable slurs
+started in one way to be terminated in another. For example, a slur beginning
+as a ``beam'' slur may be terminated as a normal slur. This would be achieved
+using the macro pair \verb|\ibslur...\tslur|.
+ \subsubsection{Ties} The coding of \itxem{ties} follows from the above
+discussion as a special case of slurs, i.e. when there is no pitch change.
+Upper ties are initiated by \keyindex{itieu}~$np$ which starts an upper tie of
+reference number $n$ at pitch $p$.
+Lower ties are initiated by \keyindex{itied}~$np$ which starts an lower tie of
+reference number $n$ at pitch $p$.
+
+The starting position of the tie is the same as \verb|\issluru| and
+\verb|\isslurd| respectively. The tie is terminated by coding
+\keyindex{ttie}~$n$.
+
+Some simple examples of slurs and ties are illustrated below.
+
+\begin{music}
+\startextract
+\NOTes\isluru0g\hl g\tslur0h\hl h\en
+\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en
+\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en
+\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en
+\endextract
+\end{music}
+\noindent This was coded as:
+\begin{quote}\begin{verbatim}
+\begin{music}
+\startextract
+\NOTes\isluru0g\hl g\tslur0h\hl h\en
+\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en
+\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en
+\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+ \subsubsection{Short ties} Usual music coding makes ties not different of
+slurs, i.e. a tie is typed exactly like a slur linking two notes of same pitch.
+However, this traditional way of doing has two the drawback:
+ \begin{itemize}
+ \item in some special cases, a slur might be confused with a tie and
+conversely,
+ \item chord ties cannot be implemented with the slur starting above or below
+the note, but only starting just right of the noetead and finishing just left
+of the other note head.
+ \end{itemize}
+ This can be done using \verb|\issluru| (\ref{slurtermin}, p.
+\pageref{slurtermin}) or \keyindex{itenu}~$np$, \keyindex{itenl}~$np$ for tie
+initiation, and \keyindex{tten}~$n$ to terminate it. As an example:
+
+ \begin{music}
+ \startextract
+ \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes
+ \bar
+ \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes
+ \endextract
+ \end{music}
+ \noindent was coded as:
+ \begin{quote}\begin{verbatim}
+ \begin{music}
+ \startextract
+ \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes
+ \bar
+ \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes
+ \endextract
+ \end{music}
+ \end{verbatim}\end{quote}
+ %\check
+
+
+ \subsubsection{Slur limitations}
+ The vertical gap between slur initiation and slur termination is limited to
+16\verb|\Internote|. Thus exceedingly ascending slurs lead to unfortunate
+results, such as~:
+
+ \begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac34}
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract
+
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract
+ \end{music}
+ whose coding was:
+ \begin{quote}\begin{verbatim}
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract
+
+\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes
+ \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract
+ \end{music}
+ \end{verbatim}\end{quote}
+
+ Besides, tentative slurs of excessive slope may also yield unexpected shapes,
+such as:
+ \begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac34}
+\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes
+ \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes
+ \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes
+ \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes
+ \endextract
+ \end{music}
+
+ \subsection{Dotted slurs} Compound and simple slurs (\ref{simpleslur},
+p.\pageref{simpleslur}) may be drawn dotted\footnote{Thanks to Werner {\sc
+Icking}.} specifying \keyindex{dotted} just before slur initiation.
+
+\begin{music}
+\startextract
+\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar
+\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en
+\NOTes\hu g\en
+\endextract
+\end{music}
+
+\noindent This was coded as:
+\begin{quote}\begin{verbatim}
+\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en
+\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar
+\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en
+\NOTes\hu g\en
+\end{verbatim}\end{quote}
+
+ \subsection{*Modifying slur properties}
+Several macros are provided to modify the shape of slurs already initiated.
+These macros must be coded before the slur termination. Note that only
+compound slurs can be modified. Hence, calling any modification macro forces
+the slur type to be compound.
+ \subsubsection{*Changing the rise or fall}
+ By default, the arch of a slur rises and falls from its original height by
+three times the vertical note spacing. This can be changed using the macro
+\keyindex{midslur}~$h$ where $h$ is the revised vertical displacement. For
+example, \verb|\midslur{6}| coded before \verb|\tslur| causes an upper slur to
+rise to a maximum height of \verb|6\internote| above the starting position.
+Note that \verb|\midslur| must be coded {\em immediately} before the slur
+termination (eg, \verb|\tslur|). Coding \verb|\midslur| before setting a
+simple slur causes problems and should be avoided.\\[20pt]
+
+\begin{music}
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\midslur7\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru2g\ql g\en
+\notes\midslur{11}\tslur2g\ql g\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru0g\ql g\en
+\notes\midslur7\tslur0g\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\isluru2g\ql g\en
+\notes\midslur{11}\tslur2g\ql g\en
+\endextract
+\end{verbatim}\end{quote}
+ \subsubsection{*Changing the curvature}
+The degree of curvature depends primarily on the initial and terminal
+gradient of the slur, relative to its mean slope. The macro
+\keyindex{curve}~$hij$ allows these to be modified. The first parameter $h$
+is the vertical deviation as for \verb|\midslur| described above. The second
+parameter $i$ sets the initial gradient, while the third parameter $j$ sets
+the
+final gradient. The latter parameters are defined as the horizontal distance
+required to attain maximum vertical deviation. Thus smaller numbers for $i$
+and $j$ lead to more extreme gradients.
+The default setting is \verb|\curve344|. Hence, coding \verb|\curve322|
+doubles the initial and final gradient relative to the default.
+As with \verb|\midslur|, \verb|\curve| must be coded {\em immediately} before
+the slur termination.
+Likewise, coding \verb|\curve| before
+a simple slur causes problems and should be avoided.
+
+The example below illustrates the use of \verb|\curve| more clearly.
+
+
+
+\begin{music}
+\startextract
+\NOtes\multnoteskip8\itieu0g\ql g\en
+\notes\ttie0\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu1g\ql g\en
+\notes\curve 322\ttie1\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu2g\ql g\en
+\notes\curve 111\ttie2\ql g\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOtes\multnoteskip8\itieu0g\ql g\en
+\notes\ttie0\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu1g\ql g\en
+\notes\curve 322\ttie1\ql g\en
+\endextract
+\startextract
+\NOtes\multnoteskip8\itieu2g\ql g\en
+\notes\curve 111\ttie2\ql g\en
+\endextract
+\end{verbatim}\end{quote}
+ %\check
+
+
+
+ \subsubsection{*Breaking slurs across a line}
+Two macros are provided to control the behaviour of slurs which extend across
+line breaks. Normally, the part of the slur before the line break is
+treated as a tie. This can be changed using \keyindex{breakslur}~$np$,
+which sets the termination height of
+the broken slur at the line break to pitch $p$, for slur reference number $n$.
+
+After the line break, the slur is normally resumed at the initial pitch
+reference, the one coded in \verb|\islur|. To change this, the macro
+\keyindex{Liftslur}~$np$ may be used. Here $n$ is again the slur reference
+number and $p$ is the change in height relative to the initialization height.
+This macro is normally used following line breaks, in which case it is best
+coded using the \verb|\atnextline| macro. For example, coding
+\verb|\def\atnextline{\Liftslur06}| raises the continuation of slur zero
+by \verb|6\internote| relative to its initialization height.
+
+These macros are illustrated by the following example.
+%%
+% Example
+%%
+ %\check
+
+ \subsubsection{*Inverting slur termination}
+Occasionally in keyboard works one needs to begin a slur in one
+stave but end it in another. This can be done using the macro
+\keyindex{invertslur}~$n$ which is best described by reference to the example
+shown below.
+
+% Finding the final pitch is try and error, sorry, no way out.
+
+\begin{music}
+\setstaffs1{2}
+\setclef1\bass
+\startextract
+\NOtes\multnoteskip5\isluru0a\ql a\en
+\notes\invertslur0\curve311\tslur0g|\qu d\en
+\NOtes\multnoteskip{10}\isluru0a\ql a\en
+\notes\invertslur0\curve333\tslur0g|\qu d\en
+\endextract
+\end{music}
+This was coded as:
+\begin{quote}\begin{verbatim}
+\setstaffs1{2}
+\setclef1{\bass}
+\startextract
+\NOtes\multnoteskip5\isluru0a\ql a\en
+\notes\invertslur0\curve311\tslur0g|\qu d\en
+\NOtes\multnoteskip{10}\isluru0a\ql a\en
+\notes\invertslur0\curve333\tslur0g|\qu d\en
+\endextract
+\end{verbatim}\end{quote}
+
+ \begin{remark}
+ Slur inversion is achieved at a place where its slope ise zero~; therefore it
+only works with ascending slurs started with \verb|\isluru|, and with
+descending slurs started with \verb|\islurd|. Otherwise no horizontal place
+can be found and the result is erratic.
+
+ This second situation can be solved manually, stopping the slur at a
+reasonable place with \verb|\tslur| and restarting in the other sense at the
+same place. Stopping and restarting obviously refer to virtual note pitches (a
+vertical position without actual note) which should be adjusted to have the
+minimum discontinuity.
+ \end{remark}
+
+ To make this drawing easier, three commands have been provided:
+ \begin{itemize}
+ \item \keyindex{Tslurbreak}$np$ stops slur number $n$ exactly at pitch $p$,
+not above or below the virtual note head.
+ \item \keyindex{Islurubreak}$np$ restarts an upper slur at the same position,
+not above a virtual note head.
+ \item \keyindex{Islurdbreak}$np$ restarts an lower slur at the same position,
+not below a virtual note head.
+ \end{itemize}
+ Thus, the following pattern
+
+ \begin{music}
+\setclef1\treble
+\startextract
+\NOTes\multnoteskip 3\isluru0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\NOTes\multnoteskip 3\islurd0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\endextract
+\end{music}
+was coded as
+\begin{quote}\begin{verbatim}
+ \begin{music}
+\setclef1\treble
+\startextract
+\NOTes\multnoteskip 3\isluru0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\NOTes\multnoteskip 3\islurd0a\ql a\en
+\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en
+\Notes\tslur0h\qu h\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+
+
+
+
+ \subsection{Simple slurs}
+Simple slurs and ties have the advantage
+of optimal aesthetics and simple coding, but are limited in length to 68pt
+for slurs and 220pt for
+ties. Also, the maximum vertical extent of simple slurs is 8 times the
+internote spacing, and the slurs may not extend across a line break.
+Despite all these limitations, simple slurs are extremely useful in many
+applications where the slurs are short and contained within a bar.
+
+Simple slurs extend to the right of the note immediately following.
+Hence they must be coded {\em before} the note at which the slur begins.
+The primary macro call is
+\keyindex{slur}~$p_1p_2sl$
+where $p_1$ and $p_2$ are respectively the initial and final pitches,
+$s$ is the sense, either {\tt u} or {\tt d}, and $l$ is the length,
+in units of the current value of {\tt noteskip}.
+Thus, thirds slured in pairs can be coded:
+
+ %\check
+
+\begin{quote}\begin{verbatim}
+\NOtes\slur ced1\qu{ce}\en
+\NOtes\slur dfd1\qu{df}\en
+\NOtes\slur egd1\qu{eg}\en
+\NOtes\slur{'e}cu1\ql{ec}\en
+\NOtes\slur{'d}bu1\ql{db}\en
+\NOtes\slur{'c}au1\ql{ca}\en
+\end{verbatim}\end{quote}
+which yields:
+
+\begin{music}
+\startextract
+\NOtes\slur ced1\qu{ce}\en
+\NOtes\slur dfd1\qu{df}\en
+\NOtes\slur egd1\qu{eg}\en
+\NOtes\slur{'e}cu1\ql{ec}\en
+\NOtes\slur{'d}bu1\ql{db}\en
+\NOtes\slur{'c}au1\ql{ca}\en
+\endextract
+\end{music}
+%%
+Similarly, ties may be set using
+\keyindex{tie}~$psl$ where $p$ is the (single) pitch, and the other
+parameters are as described above.
+
+Variants on these macros are provided to change the slur length
+and vertical offset relative to the starting note, as follows.
+\begin{itemize}
+ \item \keyindex{sslur}~$p_1p_2sl$, which sets a `short' slur,
+ designed for the case when a slur is required to link notes which
+ form part of a chord (see \verb|\isslur| above).
+ The macro \keyindex{stie}~$psl$ sets analagous ties.
+%! \item \keyindex{bslur}~$p_1p_2sl$, which sets a `beam' slur, raised or
+%! lowered so that the slur links the ends of note stems rather than
+%! note heads.
+\end{itemize}
+ %\check
+
+ \subsection{Restrictions}
+Generation of some of the slur fonts is problematic for \MF.
+In particular, the long ties tend to exceed \MF's
+maximum dimension for high resolution printers. However, for normal 300 dpi
+printers there is no problem. A solution to this limitation is planned
+for Postscript\raise1.5ex\hbox{\small\copyright} printers using
+DVIPS \verb|\special| commands.
+
+\section{Bars}
+ \subsection{Bars and spacing}
+ Ordinary \ital{bars} are coded using the macro \keyindex{bar}. Its drawback
+is that it does not differ from \verb|\bar| which is already defined in
+\TeX's mathematical mode. \index{bar (original meaning)@{\Bslash bar}
+\ital{(original meaning)}} Therefore, inside \verb|\startpiece...\endpiece|
+\ital{our} \verb|\bar| means a musician \ital{bar}\footnote{\ital{Mesure} in
+French, \ital{Takt} in German.} and outside, it keeps its original meaning.
+If you \ital{really} need the original \verb|\bar| inside, you can say
+\verb|\endcatcodesmusic...\bar...\catcodesmusic|.
+ %\check
+
+ \subsection{Bar numbering}
+Unless otherwise specified, \index{bar numbering}bars are
+numbered. This is a good means of finding errors provided that the \musixtex\
+user has put comments in his source text recording the (expected) bar number.
+However, this can look unpleasant for final outputs, since the habit is to
+number bars only each other five or ten bars. This is not a serious problem
+since the frequency of bar numbering is defined as:
+
+ \verb|\def|\keyindex{freqbarno}\verb|{1}|
+
+If you replace the {\tt1} by {\tt5}, bar numbering will occur each other five
+bars. You can also inhibit any bar number\footnote{default inside this manual}
+printing by telling:
+
+\keyindex{nobarnumbers}
+
+\noindent If you want to restore bar numbering after \verb|\nobarnumbers|,
+you can say
+
+\keyindex{barnumbers}
+
+ The bar counter is also accessible, its name is \keyindex{barno}.
+You can change it without any dramatic consequence.
+
+Sometimes there is need for to start with a \verb|\barno| value which differs
+from 1. Perhaps the piece starts with an \ital{upbeat}, then you can code
+
+\keyindex{startbarno}\verb|=0|
+
+\noindent in front of \verb|\startpiece|; or you may want to typeset only an
+excerpt starting for example with bar number
+198, then you can code \verb|\startbarno=198|. Pay attention because
+saying \verb|\startbarno=|$n$ has a global meaning. So if you want to
+\verb|\input| several pieces whose starting bar numbers differ, you have to
+adjust the value of \verb|\startbarno| each time.\label{startbarno}
+
+ %\check
+
+The best compromise between information of the bar number and a pleasant
+lookout is the command \keyindex{systemnumbers} which draws the bar numbers
+only at the left top of every system (or staff? then the command will
+be renamed to \verb|\staffnumbers| or \verb|\staffbarnumbers|).
+
+You can influence the height of the system numbers by coding
+
+\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}|
+
+\noindent whose default is set to \verb|4\internote| to fit above
+a violin clef. You can influence its horizontal position with
+
+\verb|\def|\keyindex{shiftbarno}\verb|{|\ital{any \TeX~dimension}\verb|}|
+
+\noindent which default value is \verb|0pt|. If you don't like the box around
+the bar number or its font, you can redefine the macro which sets the system
+bar number; its default is
+
+\verb|\def|\keyindex{writebarno}%
+ \verb|{\boxit{\eightbf\the\barno\barnoadd}}|
+
+ \noindent where \keyindex{boxit} is a utility macro provided by \musixtex{}
+whose purpose is to enclose its argument in a \raise-\boxitsep\hbox{\boxit{box}}.
+
+
+\medskip
+\begin{music}
+\let\extractline\hbox
+\startbarno=36
+\hbox to \hsize{%
+\hss
+ \raise20pt\hbox{(a) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss
+ \def\writebarno{\tenrm\the\barno\barnoadd}%
+ \def\raisebarno{2\internote}%
+ \def\shiftbarno{2.5\Interligne}%
+ \raise20pt\hbox{(b) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss
+ \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}%
+ \def\raisebarno{2\internote}%
+ \def\shiftbarno{1.3\Interligne}%
+ \raise20pt\hbox{(c) }%
+ \systemnumbers\startextract
+ \Notes\wh g\en
+ \zendextract
+\hss}
+\end{music}
+which was coded as
+\begin{itemize}
+ \item[(a)] (default)
+ \item[(b)]
+ \begin{verbatim}
+\def\writebarno{\tenrm\the\barno\barnoadd}%
+\def\raisebarno{2\internote}%
+\def\shiftbarno{2.5\Interligne}%
+ \end{verbatim}
+ \item[(c)]
+ \begin{verbatim}
+\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}%
+\def\raisebarno{2\internote}%
+\def\shiftbarno{1.3\Interligne}%
+ \end{verbatim}
+\end{itemize}
+If the previous line does not stop with a bar rule to the next system bar number
+is added the \keyindex{writezbarno} whose default setting is the lower
+character {\tt'a'}. If you want a {\tt'+}' instead, you can say
+
+\verb|\def|\keyindex{writezbarno}\verb|{+}|
+
+ Besides, you can change the font and anything in the format of current bar
+numbers by changing the original definition of the macro
+\keyindex{writethebarno} or the font in \keyindex{fontbarno}, where the
+defaults are:
+
+ \verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}|
+
+ \verb|\def\fontbarno{\it}|
+
+
+ \noindent For example:
+
+ \medskip
+\begin{music}\barnumbers
+\parindent0pt\startpiece
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\def\fontbarno{\bf}%
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en\bar
+\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece
+\end{music}
+\noindent which was simply coded as:
+\begin{quote}\begin{verbatim}\barnumbers
+\Notes\Dqbu gh\Dqbl jh\en
+\notes\Dqbbu fg\Dqbbl hk\en\bar
+\Notes\Tqbu ghi\Tqbl mmj\en
+\def\fontbarno{\bf}%
+\notes\Tqbbu fgj\Tqbbl njh\en\bar
+\Notes\Qqbu ghjh\Qqbl jifh\en\bar
+\notes\Qqbbu fgge\Qqbbl jhgi\en
+\end{verbatim}\end{quote}
+ %\check
+
+
+
+ %\check
+
+\noindent Besides, you can suppress the messages of bar numbers on
+\verb|stdout| (normally screen) with \keyindex{nobarmessage}. In the same way,
+you can suppress the messages abour new lines (new systems) with
+\keyindex{nolinemessages}.
+ %\check
+
+ \subsection{Full and instrument divided bars}
+Normally, bars (as well as double bars, final bars and repeat bars) are
+drawn as a continuous line, starting for the bottom of the lower staff of the
+lower instrument, and ending at the top of the upper staff of the upper
+instrument. However, one may want to have discontinuous bars, that is, one
+continuous bar for all the staffs of a unique instrument. This is done by
+issuing the command \keyindex{sepbarrules}. An example of this is given in the
+{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the
+example of section \ref{avemaria}.
+
+ The initial situation can be forced or restored by \keyindex{stdbarrules}. In
+the extension library are some more types of bar rules, mainly for very old
+music, see \ref{otherbars}.
+
+ \subsection{Instruments with no coherent bar division}
+
+ In some special scores with several instruments, it may happen that distinc
+instruments, not only have different meters (e.g. 2/4 and 6/8 to avoid
+printing triolet codes for some instrument), but also have bar lines not
+synchronized. Obviously, this can be implemented \ital{{\bfseries only if}}
+\keyindex{sepbarrules} has been stated. Then, five specific commands can be issued~:
+
+\begin{itemize}
+\item\keyindex{hidebarrule} $n$ hides the bar rule for instrument $n$, until
+this is changed by \verb|\showbarrule|~$n$.
+\item\keyindex{showbarrule} $n$ stops hiding the bar rule for instrument $n$, until
+this is changed by \verb|\hidebarrule|~$n$.
+\item\keyindex{Hidebarrule} $n$ hides the bar rule for instrument $n$, only
+for the next bar.
+\item\keyindex{Showbarrule} $n$ exceptionally shows the bar rule for instrument $n$,
+and then resets intrument $n$ to \verb|Hidebarrule|.
+\item\keyindex{showallbarrules} resets all defined instruments to
+\verb|showbarrule|~$n$. This command is automatically inserted with double
+bars, final bars and repeats.
+\end{itemize}
+
+Thus, the following example~:
+
+\begin{music}
+\instrumentnumber3
+\setmeter3{{\meterfrac{3}{4}}}
+\setmeter2{{\meterfrac{2}{4}}}
+\setmeter1{{\meterfrac{3}{8}}}
+\nobarnumbers
+\sepbarrules
+
+\startextract
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\hidebarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\hidebarrule3\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setdoublebar
+\bar\hidebarrule3
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\message{Showbarrule3 coming}%
+\Hidebarrule2\Showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setrightrepeat
+\endextract
+\end{music}
+
+\noindent was obtained with the following coding
+\begin{quote}\begin{verbatim}
+\instrumentnumber3
+\setmeter3{{\meterfrac{3}{4}}}
+\setmeter2{{\meterfrac{2}{4}}}
+\setmeter1{{\meterfrac{3}{8}}}
+\nobarnumbers
+\sepbarrules
+
+\startextract
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\hidebarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\showbarrule2\hidebarrule3\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setdoublebar
+\bar\hidebarrule3
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\message{Showbarrule3 coming}%
+\Hidebarrule2\Showbarrule3\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\bar
+\NOtes\pt f\qa f&\qa f&\qa f\en
+\Hidebarrule2\bar
+\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en
+\setrightrepeat
+\endextract
+\end{verbatim}\end{quote}
+
+
+\section{Managing the layout of your score}
+\subsection{Line and page breaking}\label{linebreak}
+
+Those who usually worked with \musictex\ before must be aware that this has
+been deeply changed in \musixtex. All line-breaking decisions\footnote{With
+exception of the \musictex\ command {\Bslash autolines}, which is provided in
+the file {\tt musixcpt.tex}, see page \pageref{compatibility}.} are done by
+the external program \verb|musixflx|. Then you get the most even results when
+you insert the fewest \ital{manual} line breaks possible. But sometimes
+there is really need for them, e.g. page break should preferably occur when
+the musician has one hand free to turn the sheet.
+
+You can force a line break with \keyindex{alaligne} instead of \keyindex{bar}.
+In the same way, you can code \keyindex{alapage} to force an \keyindex{eject}
+with proper reinitialization of staffs, clefs and signatures.
+
+ %\check
+
+ On the other hand, you may want to forbid line-breaking at a bar,
+then you should replace \verb|\bar| with \keyindex{xbar}.
+
+ Conversely, you may want to break a line \ital{not at a bar}\footnote{For
+example, you may prefer to turn the page at a place where the pianist has one
+hand free, in the middle of a bar.}. This is allowed by \keyindex{zbar}
+(optional line break) or forced by \keyindex{zalaligne} or
+\keyindex{zalapage}.
+
+The heavy final double bar of a piece is provided by \keyindex{Endpiece} or
+\keyindex{Stoppiece}. If you just want to terminate the text with a simple
+bar, you say \keyindex{stoppiece} or \keyindex{endpiece}. If you want to
+terminate it without a bar, you code \keyindex{zstoppiece}.
+
+ Once you have stopped the score by any of these means, you can restart it
+using \keyindex{contpiece}. If you want to restart indenting the next line
+(system) by the dimension \keyindex{parindent}, then you should rather use
+\keyindex{Contpiece}, which is recommended when changing the
+the number of instruments within a single piece.
+
+ However, neither \verb|\contpiece| nor \verb|\Contpiece| can be used if you
+change the signature (i.e. using \keyindex{generalsignature}) between
+\verb|stoppiece| and \verb|\contpiece|), since the space used by signatures is
+not constant and it has to be taken in account, e.g. by some
+\keyindex{changecontext}. In that case, you have to restart your score using
+\keyindex{startpiece}, which in turn requires you to save \verb|\barno| to its
+furtner starting value \verb|\startbarno| if you do not want it reset at 1,
+and to manage the instrument names and/or the \verb|\parindent| if necessary.
+
+ If you want the next vertical bar to be a double bar, you have to
+declare \keyindex{doublebar} or \keyindex{setdoublebar} before the
+\keyindex{bar} (or the \keyindex{stoppiece} or \keyindex{alaligne} or
+\keyindex{alapage}) to be marked with a double thin bar. In the same way you
+can declare \keyindex{setdoubleBAR} if you want to have a heavy double bar
+(the same as \verb|\Stoppiece|) and even \keyindex{setemptybar} to make the
+next \verb|\bar| invisible\footnote{These latter features are given for your
+information, but they should be used only in case of emergency.}.
+
+ %\check
+
+\subsection{How to manage individual page layout}
+\begin{enumerate}
+ \item You write your own output routine, which centers the contents in the
+middle of the page. Most important are then the values of
+\keyindex{stafftopmarg} and \keyindex{staffbotmarg}, because they decide of
+the amount of margin between successive systems.
+ \item If you say \keyindex{raggedbottom}, the vertical glue is removed and
+the score is rather compacted at the top of page.
+ \item You change the value of \keyindex{parskip} and say
+\keyindex{normalbottom} (which behaves like \LaTeX's \keyindex{flushbottom}
+and which is done by default working with \verb|plain.tex|). Then the
+vertical space between the staffs is changed to get the first staff on page
+on top and the last staff on page to bottom (depends on \keyindex{vsize}).
+It might be clever to insert a \keyindex{eject} before the \keyindex{bye}.
+\keyindex{musicparskip} set between two systems no extra distance, but the
+possibility to increase the distance up to \verb|5\Interligne|.
+\end{enumerate}
+\noindent
+Besides, following values of e.g.~paper size are changed
+(only if you \ital{do not} work with \LaTeX) to:
+\begin{quote}\begin{verbatim}
+\parindent= 0pt
+\hoffset= -15.4mm
+\voffset= -10mm
+\hsize= 190mm
+\vsize= 260mm
+\end{verbatim}\end{quote}
+\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset}
+\zkeyindex{hsize}\zkeyindex{vsize}
+
+ %\check
+
+\subsection{How to adjust the global line and page layout}\index{page and line
+layout (global)}
+
+ Once you have made your whole score, you will probably find out that all
+systems (all ``lines'') have a correct layout with nice beams, nice slurs, and
+others. But it is likely that:
+ \begin{itemize}
+ \item The result takes too many or too few pages and you estimate a more or
+less compact score would be suitable.
+ \item The results takes a convenient number of pages, but the last page
+exhibits a widow line or an ugly blank space at the end.
+ \end{itemize}
+
+ To solve this, you may revert to two strategies:
+ \begin{enumerate}
+ \item Explicitely force line and page breaking at the very places you like;
+ this can be done using \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne|
+or \verb|\zalapage| commands. This can also be done using the
+\verb|\autolines| command imported from \musictex\ and provided in the {\tt
+musixcpt.tex} additional file. But this way of doing may result in
+unfortunately uneven distribution of the notes in the score, which is therefore
+not very smart.
+ \item Adapt both the \keyindex{mulooseness} and the global value of
+\keyindex{elemskip}: increasing \verb|\mulooseness| (whose default is 0)
+increases the total number of systems, and if you are clever you may be able
+to fill an integer number of pages. Besides, increasing the stated
+\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) also
+makes note spacing wider, and its advantage is that you can tune it by half a
+percent if needed.
+
+\begin{remark} \verb|\elemskip| can be retrieved in both the first and the third
+pass (second \TeX-ing pass), but any assignment of a value (a dimension value)
+to \verb|\elemskip| will be of no effect at third pass, since it is taken from
+the {\tt *.mx2} file yielded by {\tt musixflx}. On the contrary, assigning a
+value to \keyindex{noteskip} within \verb|\notes...\enotes| is efficient in
+both passes, and cause some weird errors if you mix up scalable and not
+scalable dimensions.
+ \end{remark}
+ \end{enumerate}
+ %\check
+
+\section{Changing score attributes}
+
+ As seen before, you can change the signature of the whole set of instruments
+by \keyindex{generalsignature}~$n$ where $n>0$ means a number of sharps, $n<0$
+means a number of flats. Or, you may prefer to change the signature of only
+one or two instruments by the statement:
+
+\keyindex{setsign} $n$\verb|{|$s$\verb|}|
+
+ %\check
+
+\noindent
+ where $n$ is the number of the instrument considered, and $s$ its
+specific signature. Since you may change simultaneously (with respect to the
+score) but consecutively (with respect to your code) the signatures of
+several instruments, this change takes place only when you say
+\keyindex{changesignature} (within a bar) or \keyindex{changecontext} (after
+a single vertical rule) or \keyindex{Changecontext} (after a double vertical
+rule) or \keyindex{zchangecontext} (without a bar rule\footnote{Old composers
+uses the bar rules very rarely}).
+
+ Normally, changing a signature from flats to sharps or sharps to flats or
+reducing the number of sharps/flats will produce the convenient set of
+naturals to emphasise what is suppressed. This standard feature can be
+temporarily inhibited by the command \keyindex{ignorenats} to be issued before
+the next {\Bslash changecontext} or {\Bslash changesignature}.
+
+
+ In the same way, you may want to change the active clefs.
+This is done by
+
+\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%|
+
+ %\check
+
+\noindent where $r$ is the number of the instrument, $s_1$ specifies the clef
+of the lower staff, $s_2$ the clef of the second staff, etc. $s_1=6$ means the
+\ital{bass} clef (\ixem{clef de fa} in French), $s_1=0$ means the \ital{violin}
+clef (\ixem{clef de sol} in French), $s_1=1$ through $s_1=4$ mean the
+\ital{alto} clef (\ixem{clef d'ut} in French) set on first (lower) through
+fourth (next to upper line of the staff), $s_1=5$ or $s_1=6$ mean the bass clef
+on the third or fourth line respectively.\index{violin clef}\index{bass
+clef}\index{alto clef}
+
+ As seen above in the case of signatures, several clefs may be changed at the
+same time; thus all the clef changes become operational only when the macro
+\keyindex{changeclefs} is coded. Normal usage consists in issuing this
+command before the bar, not after (this helps the music player when the
+change happens across a line break).
+ %\check
+
+ The \verb|\changeclefs| command normally takes some horizontal space to put
+one of more clef symbols, but it may happen that you have no notes
+immediately before on the staff whose clef is changed. In that case, you can
+use \keyindex{zchangeclefs} which performs the same posting, overwritten left on
+the last part of the score in that staff. Of course it is your responsibility
+to ensure that no notes will collide with the clef change symbols.
+ %\check
+
+The \musictex\ problem if a clef change is coded while one or several beams
+are pending has been removed in \musixtex. As an enhanced example, we provide
+an excerpt of {\sc Brahms}'s Intermezzo op.~117,1 initially coded by Miguel
+{\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip
+
+\begin{music}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass % F- and G-clefs
+\generalsignature{-3}% 3 flats
+\parindent-4mm
+\advance\hsize8mm
+\startpiece
+\qspace\nspace
+\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N%
+ \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes
+\setclef1\treble\zchangeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\curve{-4}22\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass\changeclefs
+\notes\islurd0k\zq E\cu I\nextstaff
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\bar
+\Notes\ibu0L{-2}\zq{EI}\qb0M\zqb0L%
+ \nextstaff{\stemlength4\zql N}\ibu1f{-2}\qb1f\tbu1\zqb1e\hsk\enotes
+\setclef1\treble\changeclefs
+\nspace
+\Notes\tbu0\zq{Me}\qb0g\nextstaff\zq{ln}\cl s\en
+\notes\curve{-4}22\invertslur0\tslur0q\zq{be}\qu i\nextstaff\zq{ln}\ql s\en
+\setclef1\bass\changeclefs
+\notes\islurd0m\zq G\cu L\nextstaff
+ \ibbu1j3\zq c\qb1j\tbu1\zq d\qb1k\enotes
+\bar
+\Notes\zq G\qu L%
+ \nextstaff\ibl0e{-2}\zq{ei}\qb0l\zq d\zqb0k\enotes
+\setclef1\treble\changeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\curve{-5}22\invertslur0\tslur0o\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass \changeclefs
+\notes\zq B\cu I\nextstaff\ibsluru0j%
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\bar
+\Notes\zq{IL}\ql N\nextstaff\zql b\ibu0i{-2}\qb0i\enotes
+\scale{.5}%
+\Notes\nextstaff\qb0e\enotes
+\Notes\nextstaff\tinynotesize\isluru1f\grcu g\enotes
+\scale\normalvalue
+\Notes\zq B\cu I\nextstaff\zcl a\tslur1f\tbu0\zq d\qb0f\enotes
+\Notesp\zq E\qu I\nextstaff\tslur0e\zq N\zql e\ibu0g6\qbp0e\enotes
+\notes\sk\icresc\cu E\sk\zmidstaff\tcresc\nextstaff
+ \ibsluru0i\nbbu0\qb0g\zq i\zcl g\qb0i\tbu0\qb0n\tubslur0k\enotes
+\endpiece
+\end{music}
+
+
+\noindent The first bar of this excerpt was coded as:
+
+ \begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs1{2}
+\interstaff{11}
+\setclef1\bass % F- and G-clefs
+\generalsignature{-3}% 3 flats
+\parindent0pt
+\startpiece
+\qspace\nspace
+\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N%
+ \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes
+\setclef1\treble\zchangeclefs
+\nspace
+\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes
+\notes\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes
+\setclef1\bass \changeclefs
+\notes\islurd0k\zq E\cu I\nextstaff
+ \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes
+\end{music}\end{verbatim}%
+\ital{Meter} changes are implemented in following way:
+
+\keyindex{setmeter} $n$%
+ \verb|{{|$m1$\verb|}{|$m2$\verb|}{|$m3$\verb|}{|$m4$\verb|}}%|
+
+\noindent
+ where $n$ is the number of the instrument, $m1$ specifies the meter
+of the lower staff, $m2$ the meter of the second staff, etc. (if necessary!).
+
+Since meter changes
+are meaningful only across bars, they are actually taken in account with
+\keyindex{changecontext} or \keyindex{Changecontext} or
+\keyindex{zchangecontext} or \keyindex{alaligne} or \keyindex{alapage}.
+
+\section{Repeats}
+
+To insert a \ital{repeat bar} you can use following sets of procedures,
+namely \keyindex{leftrepeat}, \keyindex{rightrepeat} and
+\keyindex{leftrightrepeat}, which are substitute the \keyindex{bar}.
+For example:
+
+\begin{music}
+\startextract
+\NOTes\ha g\enotes
+\leftrepeat
+\NOTes\ha h\enotes
+\leftrightrepeat
+\NOTes\ha i\enotes
+\rightrepeat
+\NOTEs\wh j\enotes
+\endextract
+\end{music}
+ \noindent has been coded as:
+\begin{quote}\begin{verbatim}
+\NOTes\ha g\enotes
+\leftrepeat
+\NOTes\ha h\enotes
+\leftrightrepeat
+\NOTes\ha i\enotes
+\rightrepeat
+\NOTEs\wh j\enotes
+\end{verbatim}\end{quote}
+Special cases are forced line breaks:
+if you want to force a new line at a repeat, you should code
+respectively:
+
+\begin{quote}
+\noindent\keyindex{setrightrepeat}\keyindex{alaligne}\\
+\keyindex{setrightrepeat}\keyindex{endpiece}\\
+\keyindex{alaligne}\keyindex{leftrepeat}\\
+\keyindex{contpiece}\keyindex{leftrepeat}\\
+\keyindex{startpiece}\keyindex{leftrepeat}
+\end{quote}
+
+\noindent or the combination of two of these in the case of a left/right
+repeat.
+
+ A second way of coding consists in saying \keyindex{setleftrepeat},
+\keyindex{setrightrepeat} or \keyindex{setleftrightrepeat} before a bar
+(\keyindex{bar}), \keyindex{stoppiece} or \keyindex{changecontext}). In
+this case, the next single vertical bar will be replaced with the selected
+repeat bar. This meets the traditional music typesetting conventions in the
+only case of the \ital{right repeat} but, unfortunately, left and left/right
+repeats use to behave in a different manner when in the middle of a line and
+at a line break.
+
+ \subsection{Specific first and second pass scoring}
+
+\RuleOn
+A frequent situation consists in a long part of score repeated two or several
+times, but its last few bars are different at first pass and at second pass.
+This can be specified by saying
+\keyindex{setvolta}\verb|{|\ital{text}\verb|}| before the \keyindex{bar}
+beginning the part specific to that first or second part\footnote{The word
+``volta'' comes from Italian, it means ``time'' in the sense of ``first
+time'', ``second time'' or ``pass'' in that case.}.
+
+ Then, only one bar has a horizontal rule above. No termination command is
+needed since termination is implied by the following \verb|\bar| or repeat
+symbol. For example:
+
+\medskip \begin{music}
+ \parindent0pt \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat
+ \NOTEs\wh d\en\bar
+ \NOTEs\wh e\en\Endpiece
+\end{music}
+which was coded as:
+ \begin{quote}\begin{verbatim}
+ \parindent0pt \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat
+ \NOTEs\wh d\en\bar
+ \NOTEs\wh e\en\Endpiece
+\end{verbatim}\end{quote}
+
+
+
+ If the music typesetter wants to include more than one bar in the first
+pass[es] section and he wants all these to have a continuous line above, then
+he can code \keyindex{Setvolta}\verb|{|\ital{text}\verb|}| before the bar he
+wants the ``volta'' to begin, and put \keyindex{setendvolta} or
+\keyindex{setendvoltabox} before the bar they should end.
+\keyindex{setendvoltabox} makes the upper line to be terminated with a
+descending hook, symmetrical to the opening small vertical bar.
+
+
+\medskip \begin{music}
+ \parindent0pt
+ \startpiece
+ \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvoltabox{1.-3}\bar
+ \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat
+ \NOTEs\wh d\en\doublebar
+ \NOTEs\wh e\en\bar
+ \NOTEs\wh f\en\leftrepeat
+ \NOTEs\wh g\en\bar
+ \NOTEs\wh h\en\Setvolta1\bar
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh h\en\setendvoltabox
+ \Endpiece
+ \end{music}
+ \noindent has been
+coded as:
+ \begin{quote}\begin{verbatim}
+ \startpiece \addspace\afterruleskip
+ \NOTEs\wh a\en\bar
+ \NOTEs\wh b\en\setvoltabox{1.-3}\bar
+ \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat
+ \NOTEs\wh d\en\doublebar
+ \NOTEs\wh e\en\bar
+ \NOTEs\wh f\en\leftrepeat
+ \NOTEs\wh g\en\bar
+ \NOTEs\wh h\en\Setvolta1\bar
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat
+ \NOTEs\wh i\en\bar
+ \NOTEs\wh h\en\setendvoltabox
+ \Endpiece
+\end{verbatim}\end{quote}
+ \zkeyindex{leftrepeat}\zkeyindex{rightrepeat} The
+``volta'' symbols are normally set at \verb|4\internote| above the upper line
+of the staff and one bar(length?) wide.
+
+ The final down hook is stated, either by \keyindex{setendvoltabox} at the end,
+or \keyindex{setvoltabox} at the beginning.
+
+\begin{important}
+ You are no more allowed to open \verb|\Setvolta| or \verb|\setvoltabox| whan
+another of these multi-bar volta is pending. To re-open a \verb|\Setvolta| at
+the ens of another one, you must explicitly order the first one to be closed
+at the end of the bar where the second one is opened. Given examples had to be
+corrected in order to meet this new safety requirement.
+
+\end{important}
+
+ For the sake of portability, \keyindex{endvolta} is identical ti
+\verb|\setendvolta|, and \keyindex{endvoltabox} is identical to
+\verb|\setendvoltabox|. Theses changes in the names ar intended to recall that
+these commant take effect only at the next bar, repeat or line break.
+
+
+\RuleOff
+
+ The altitude of the ``volta'' above the upper staff can
+be changed, redefining \keyindex{raisevolta}, e.g.:
+
+ \verb|\def\raisevolta{7\internote}|
+
+ \noindent or define it to be any other valid dimension.
+
+ \medskip\noindent{\sl REMARK: the dot after "volta" numbering can be removed,
+simply by saying:}
+
+ \verb|\def|\keyindex{voltadot}\verb| {}|
+
+\noindent {\sl and reset by:}
+
+ \verb|\def|\keyindex{voltadot}\verb| {.}|
+
+ \subsection{Large scope repeats and orientation marks}
+
+Large scope repeats have also been provided
+with special symbols, namely \keyindex{coda}~$p$, \keyindex{Coda}~$p$,
+\keyindex{segno}~$p$, where $p$ specifies the pitch. A bigger symbol is
+\keyindex{Segno} with no argument. For example, the following figure
+
+\begin{music}
+\startextract
+\NOtes\segno n\enotes
+\bar
+\NOtes\coda n\enotes
+\NOtes\Segno\enotes
+\bar
+\NOtes\Coda n\enotes
+\endextract
+\end{music}
+\noindent has been coded:
+\begin{quote}\begin{verbatim}
+\NOtes\segno m\enotes\bar
+\NOtes\coda m\enotes
+\NOtes\Segno\enotes\bar
+\NOtes\Coda m\enotes
+\end{verbatim}\end{quote}
+Orientation marks are set more often above larger orchestral pieces for
+easy come together of all instruments for exercise reasons. Often used are
+circled or boxed uppercase characters or digits. This can be done with
+
+\keyindex{boxit}\verb|{|\ital{text}\verb|}|~~~or\\
+\indent\keyindex{circleit}\verb|{|\ital{text}\verb|}|
+
+\noindent The distance between the box and the including text is influenced by
+
+\keyindex{boxitsep}\verb|=|\ital{any \TeX\ dimension}
+
+\noindent which is setup by default to \verb|3pt|. The usage is recommended
+with \keyindex{Uptext}, \keyindex{zcharnote}, \keyindex{zchar} or
+\keyindex{ccharnote}.
+
+\subsection{Repeating the last bar}
+ This can be done using the symbol \keyindex{duevolte} (often used with
+\verb|\centerbar|, see example in \ref{barcentered}, p.
+\pageref{barcentered}), e.g.:
+
+\begin{music}
+\generalmeter\meterC
+\setclef1\bass\setstaffs1{2}
+\startextract
+\NOtes\sk\sk\pause|\qa{cegj}\en
+\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en
+\endextract
+\end{music}
+whose coding is:
+\begin{quote}\begin{verbatim}
+\generalmeter\meterC
+\setclef1\bass\setstaffs1{2}
+\startextract
+\NOtes\sk\sk\pause|\qa{cegj}\en
+\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en
+\endextract
+\end{verbatim}\end{quote}
+
+ %\check
+
+\section{Miscellaneous}
+ \subsection{Putting anything anywhere}
+\noindent Special macros are provided to help the composer to set any \TeX\
+text on the staffs. The macro
+
+\keyindex{zcharnote}~$p$\verb|{|text\verb|}|
+
+\noindent
+sets the given text with its base line at pitch $p$ of the current staff
+(this means it must be coded inside \verb|\notes...\enotes|).
+Whatever the length of the text, no spacing occurs.
+If you want the possible spilling text to expand on the left rather than
+on the right, then you can use \keyindex{lcharnote}.
+If you want the possible spilling text centered to current position,
+then you can use \keyindex{ccharnote} which causes no space.
+
+The macro \keyindex{zcharnote} is fit for coding special notations like
+accents above or below the notes. Also available are \keyindex{zchar},
+\keyindex{lchar} and \keyindex{cchar}, which
+allows only numbers for pitch, but enables the use of floats too.
+
+To place some text at the mid-position between the two staffs of
+a keyboard instrument, you may code:
+\begin{quote}
+\keyindex{zmidstaff}\verb|{|{\it text}\verb|}%| (to right)\\
+\keyindex{lmidstaff}\verb|{|{\it text}\verb|}%| (to left)\\
+\keyindex{cmidstaff}\verb|{|{\it text}\verb|}%| (centred)
+\end{quote}
+\noindent being however
+careful, a) to put it inside \verb|\notes...\enotes|, b) to code it in the
+text of the lower staff.
+
+ A text to be put above the current staff is introduced by
+\keyindex{uptext}\verb|{...}|.
+This may however cause some collision with bar
+numbering or notes above the staff; it is then wise to use
+\keyindex{Uptext}\verb|{...}|
+which puts the text two note line distances higher (recommended to post
+the tempo).
+ \subsection{Fonts} The text fonts loaded by \musixtex\ come in six different
+type sizes and three styles. The type sizes are 8\,pt, 10\,pt, 12\,pt, 14\,pt,
+17\,pt and 25\,pt, while the three styles are roman, bold and italic. The
+three smaller type sizes are available in all three styles, while the larger
+three sizes, which are intended for titles, are available only in bold style.
+The size selection macros are respectively \keyindex{smalltype},
+\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype},
+\keyindex{Bigtype} ,
+\keyindex{BIgtype} and \keyindex{BIGtype}. Following the size selection, the
+style may be selected or changed using \keyindex{rm} (roman), \keyindex{bf}
+(bold) or \keyindex{it} (italic). If no style selection is made, roman style
+will result for the sizes smaller than \verb|\medtype|. For the larger sizes,
+style selection is not required since only bold style is provided. Thus,
+selection of eight point italic is done using \verb|\smalltype\it|, while
+twelve point roman is selected using \verb|\medtype\rm| or simply
+\verb|\medtype|. To change between styles while maintaining the same size,
+code \verb|\rm|, \verb|\it| or \verb|\bf| as in Plain \TeX. This information
+is summarized in the following table.
+
+\begin{center}
+ \begin{tabular}{clc}
+ \hline
+ Size, pt & Size selection & Style selection \\
+ \hline
+ 8 & \verb|\smalltype| & \verb|\rm, \bf, \it| \\
+ 10 & \verb|\normtype| & \verb|\rm, \bf, \it| \\
+ 12 & \verb|\medtype| & \verb|\rm, \bf, \it| \\
+ 14 & \verb|\bigtype| & \verb| (\bf) | \\
+ 17 & \verb|\Bigtype| & \verb| (\bf) | \\
+ 20 & \verb|\BIgtype| & \verb| (\bf) | \\
+ 25 & \verb|\BIGtype| & \verb| (\bf) | \\
+ \hline
+ \end{tabular} \end{center} Two other text fonts are provided for dynamic
+markings. These are \keyindex{ppffsixteen}, \keyindex{ppfftwenty} and
+\keyindex{ppfftwentyfour}, suitable for dynamic markings with staff sizes of
+16\,pt, 20\,pt and 24\,pt respectively. The appropriate font for the current
+staff size may be selected by coding \keyindex{ppff}.
+
+Naturally other fonts may be loaded by the user if required.
+When \musixtex\ is started, the default text font is
+ten point roman, equivalent to \verb|\normtype\rm|.
+ \subsubsection{Examples}
+\begin{center}
+ \begin{tabular}{ll}
+ \hline
+ Size and style & Example \\
+ \hline
+ \verb|\smalltype| & {\smalltype small roman} \\
+ \verb|\smalltype\bf| & {\smalltype\bf small bold} \\
+ \verb|\smalltype\it| & {\smalltype\it small italic} \\
+ \verb|\normtype| & {\normtype normal roman} \\
+ \verb|\normtype\bf| & {\normtype\bf normal bold} \\
+ \verb|\normtype\it| & {\normtype\it normal italic}\\
+ \verb|\medtype| & {\medtype medium roman} \\
+ \verb|\medtype\bf| & {\medtype\bf medium bold} \\
+ \verb|\medtype\it| & {\medtype\it medium italic}\\
+ \verb|\bigtype| & {\bigtype big bold} \\
+ \verb|\Bigtype| & {\Bigtype Big bold} \\
+ \verb|\BIgtype| & {\BIgtype BIg bold} \\
+ \verb|\BIGtype| & {\BIGtype BIG bold} \\
+ \verb|\ppffsixteen| & {\ppffsixteen pp ff diminuendo}\\
+ \verb|\ppfftwenty| & {\ppfftwenty pp ff crescendo}\\
+ \verb|\ppfftwentyfour| & {\ppfftwentyfour pp ff crescendo}\\
+ \hline
+ \end{tabular}
+\end{center}
+ \subsection{Metronomic indications}
+Metronomic indication deserves a special macro. The mention:
+
+\medskip
+\centerline{\def\nbinstruments{0}\metron{\hup}{60}}\smallskip\noindent
+is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in
+\keyindex{Uptext} which is in turn embedded within \verb|\notes...\enotes|).
+ \subsection{Accents}
+\begin{itemize}
+ \item \keyindex{upz}~$p$ (upper \ital{pizzicato}) to put a dot above a note
+head at pitch $p$,
+ \item \keyindex{lpz}~$p$ (lower \ital{pizzicato}) to put a dot below a note
+head at pitch $p$,
+ \item \keyindex{usf}~$p$ (upper \itxem{sforzando}) to put a $>$ accent above
+a note head at pitch $p$,
+ \item \keyindex{lsf}~$p$ (lower \itxem{sforzando}) to put a $>$ accent below
+a note head at pitch $p$,
+ \item \keyindex{ust}~$p$ (upper \itxem{staccato} or \itxem{portato}) to put a
+hyphen above a note head at pitch $p$,
+ \item \keyindex{lst}~$p$ (lower \ital{staccato} or \ital{portato}) to put a
+hyphen below a note head at pitch $p$,
+ \item \keyindex{uppz}~$p$ (upper strong \ital{pizzicato}) to put an
+apostrophe above a note head at pitch $p$,
+ \item \keyindex{lppz}~$p$ (lower strong \ital{pizzicato}) to put a reversed
+apostrophe below a note head at pitch $p$.
+ \item \keyindex{usfz}~$p$ (upper \ital{sforzato}) to put a
+`roof' above a note head at pitch $p$,
+ \item \keyindex{lsfz}~$p$ (lower \ital{sforzato}) to put a reversed
+`roof' below a note head at pitch $p$.
+ \item \keyindex{upzst}~$p$ (upper \ital{portato/staccato}) to put a
+combined portato/staccato sign above a note head at pitch $p$,
+ \item \keyindex{lpzst}~$p$ (lower \ital{portato/staccato}) to put a
+combined portato/staccato sign below a note head at pitch $p$.
+ \item \keyindex{flageolett}~$p$ to put a
+thin circle above a note head at pitch $p$.
+ \item \keyindex{upbow} to indicate a bowing for strings in upper direction.
+ \item \keyindex{downbow} opposite to {\Bslash upbow}.
+\end{itemize}
+Because whole notes (breve, arbitrary, ...) have a different note head width
+the accents appear not centered above them. Therefore you can use
+\keyindex{wholeshift}\verb|{|\ital{text}\verb|}| which centers accents
+and others
+which are centered above a quarter note head to appear centered above
+a whole note. This is used for e.g.~\verb|\Fermataup|.
+
+Also available are the variants\footnote{Thanks to Klaus {\sc Bechert}'s
+corrections.} of the most used accents which will be automatically positioned
+above or below a beam. Therefore the known accents are preceeded with the
+letter `b' and, instead of the pitch, the beam reference number is appended as
+an argument. Thus
+
+\medskip
+\begin{music}
+\startextract
+\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h%
+ \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en
+\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j%
+ \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en
+\endextract
+\end{music}
+\noindent was coded as:
+\begin{verbatim}
+\startextract
+\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h%
+ \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en
+\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j%
+ \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en
+\endextract
+\end{verbatim}
+\zkeyindex{busfz}
+\zkeyindex{bupz}
+\zkeyindex{bust}
+\zkeyindex{buppz}
+\zkeyindex{busf}
+\zkeyindex{butext}
+\zkeyindex{blsfz}
+\zkeyindex{blpz}
+\zkeyindex{blst}
+\zkeyindex{blppz}
+\zkeyindex{blsf}
+\zkeyindex{bltext}
+ \subsection{*Indication of \ital{x}-tuplets}
+
+ Triplets and other $x$-tuplets --- in practice the italic numbers \ital{3},
+\ital{4}, \ital{5}, etc. can be set at the right horizontal/vertical position
+invoking the \keyindex{triolet} or \keyindex{xtuplet} macros at the leftmost
+position of the group, i.e. before the first note is coded.
+
+ {\Bslash triolet} has only one argument, the pitch of the bottom of the
+figure 3, {\Bslash xtuplet} has two arguments: the figure and its pitch.
+
+If the figure has to be put above an upper beam or below a lower beam, using
+the macros \keyindex{butext} (above) and \keyindex{bltext} (below) is advisable
+to post the figure above or below the given beam. {\Bslash butext}
+and {\Bslash bltext} have one argument, namely the beam number (namely the
+same as the first argument of commands such as {\Bslash ibu} or {\Bslash
+Ibu}). If the group of notes is not a triolet, the actual figure has to be
+changed, redefining the macro \keyindex{txt} which is set up by default to:
+
+\verb|\def\txt{\eightit 3}%|
+
+\begin{music}
+\parindent0mm
+\generalmeter{\meterfrac24}
+\startpiece
+\addspace\afterruleskip
+\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar
+\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en
+\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar
+\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar
+\Notesp\uptrio o16\ql l\en\notesp\cl n\en
+\Notesp\uptrio p16\ql m\en\notesp\cl o\en
+\endpiece
+\begin{quote}\begin{verbatim}
+\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar
+\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en
+\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar
+\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar
+\Notesp\uptrio o16\ql l\en\notesp\cl n\en
+\Notesp\uptrio p16\ql m\en\notesp\cl o\en
+\end{verbatim}\end{quote}
+\end{music}
+\zkeyindex{xtuplet}\zkeyindex{triolet}
+%\xtuplet{text}{pitch}
+% centers text(3 on second note, 4 between second and thirdnote,
+% 5 on third note) on notes (-> \triolet{pitch})
+ \subsection{*Usual ornaments}
+
+ \subsubsection{Arpeggios}
+\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro
+
+\keyindex{arpeggio} $pm$
+
+\noindent where $p$ is the pitch of
+the base of the arpeggio symbol and $m$ is its multiplicity (one period is
+equal to one space between staff lines, i.e. 5 points). This macro causes
+no spacing. If should be issued before the concerned
+chords. Its variant \keyindex{larpeggio} sets the arpeggio symbol nearly
+one note head width on the left, in order to avoid collision with accidentals
+in front of the chords.
+
+ \subsubsection{Trills}
+ Trills\index{trills} can be coded in several ways.
+\keyindex{trille}~$pl$ (where $p$ is the pitch and $l$ is a number of current
+\ital{noteskip}) yields \hbox to 1cm{\noteskip1cm\trille11\hss} while
+\keyindex{Trille}~$pl$ yields \hbox to 2cm{\noteskip1cm\Trille12\hss}.
+
+ For longer trills expanding over bars and line breaks, a better way consists
+in specifying the beginning with \keyindex{Itrille}~$np$ where $n$ is the
+trill reference number ($0\le n<6=$\keyindex{maxtrills}) and terminate it with
+the command \keyindex{Ttrille}~$n$. If one wants the {\it tr} mention at the
+beginning, then one should use \keyindex{ITrille}~$np$. The ancient commands
+\keyindex{itrille}, \keyindex{ttrille}~$p$ and \keyindex{tTrille}~$p$ still
+work but beware that their syntax is different, that the opening and the
+closing must be in the same bar and that the use the same registers as
+\verb|\Itrille 0|.
+
+\medskip
+\begin{remark} \verb|trille| and \verb|Trille| also exist in \musictex.
+Unfortunately, the same macro names do not have the same syntax and the same
+semantic in both packages and {\ttxem{musixcpt.tex}} forces the behaviour and
+the syntax of \musictex. A solution to this problem consists in using
+\keyindex{trilleC} and \keyindex{TrilleC} to have the \musictex{} behaviour,
+and \keyindex{trilleX} and \keyindex{TrilleX} to have the \musixtex{}
+behaviour, even when {\tt musixcpt} is invoked.
+\end{remark}
+
+For example:
+
+\medskip
+ \begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes
+\bar
+\notes\Itrille 2A\itenu2E\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes
+\bar
+\Notes\tten2\itenu2E\whp E|\ql{nmlkji}\enotes
+\bar
+\Notes\tten2\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes
+\endextract
+\end{music}
+whose coding is
+\begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\setstaffs12
+\setclef1{6000}
+%
+\startextract
+\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes
+\bar
+\notes\Itrille 2A\itenu1e\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes
+\bar
+\Notes\tten1\itenu1E\whp E|\ql{nmlkji}\Toctfin1\enotes
+\bar
+\Notes\tten1\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+ \subsubsection{Piano pedal commands}
+ \keyindex{PED} inserts the piano pedal command below the staff; pedal release
+is specified by \keyindex{DEP}; also available are shorter variants of the
+pedal signs which are invoked with \keyindex{sPED} and \keyindex{sDEP}; thus
+the following example
+
+\begin{music}
+\setclef1\bass
+\setstaffs1{2}
+\startextract
+\NOtes\PED\wh J|\qu h\enotes
+\NOtes|\qu g\enotes
+\NOtes|\hu k\enotes
+\Notes\DEP\enotes
+\bar
+\NOtes\sPED\wh J|\qu h\enotes
+\NOtes|\qu g\enotes
+\NOtes|\hu k\enotes
+\Notes\sDEP\enotes
+\endextract
+\end{music}
+ \noindent was coded as: \begin{quote}\begin{verbatim}
+ \NOtes\PED\wh J|\qu
+h\enotes
+ \NOtes|\qu g\enotes
+ \NOtes|\hu k\enotes
+ \Notes\DEP\enotes \bar
+ \NOtes\sPED\wh J|\qu h\enotes
+ \NOtes|\qu g\enotes
+ \NOtes|\hu k\enotes
+ \Notes\sDEP\enotes
+ \end{verbatim}\end{quote}
+
+ The vertical position of
+\keyindex{PED}, \keyindex{sPED}, \keyindex{DEP} and \keyindex{sDEP} can be
+globally changed by redefining its elevation, which is setup by default to
+
+\verb|\def|\keyindex{raiseped}\verb|{-5}%|
+
+If you only want to change a few of them, you can use the more fundamental
+macros \keyindex{Ped}, \keyindex{sPed}, \keyindex{Dep} and \keyindex{sDep}
+in combination with \keyindex{zchar} or \keyindex{zcharnote}.
+
+ Since the \hbox to 1cm{ \Ped\hss} symbol is rather wide, it might collide
+with bass notes in an ugly way. Then a solution consists in shifting if to the
+left, by coding \verb|\loff{\PED}|.
+
+ \subsubsection{Other ornaments}\index{ornaments}
+
+ \begin{itemize}
+ \item \keyindex{mordent}~$p$ for \hbox to .75em{\mordent 0\hss},
+ \item \keyindex{Mordent}~$p$ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss},
+ \item \keyindex{shake}~$p$ for \hbox to .75em{\shake 0\hss},
+ \item \keyindex{Shake}~$p$ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss},
+ \item \keyindex{Shakel}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss},
+ \item \keyindex{Shakesw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss},
+ \item \keyindex{Shakene}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss},
+ \item \keyindex{Shakenw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss},
+ \item \keyindex{turn}~$p$ for \hbox to 1.5em{\kern 0.6em\turn 0\hss},
+ \item \keyindex{backturn}~$p$ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss},
+ \item \keyindex{fermataup}~$p$ puts a \itxem{fermata} at pitch $p$.
+No spacing occurs.
+ \item \keyindex{fermatadown}~$p$ puts a reverse \ital{fermata} at the same
+place.
+ \item \keyindex{Fermataup}~$p$ puts a \itxem{fermata} at pitch $p$ centered
+above a whole note. No spacing occurs.
+ \item \keyindex{Fermatadown}~$p$ puts a reverse \ital{fermata} at the same
+place.
+ \item A big \itxem{breathing} comma can be put above the staff --- to
+indicate where the singer is welcome to breath, or to indicate a short rest
+--- using \keyindex{zbreath} (no spacing) or \keyindex{cbreath} (centred in a
+\verb|\noteskip| space). The \musictex\ \keyindex{breath} is no more available
+since it involved a ``hard'' spacing of the width of that character, which
+resulted in troubles with \musixtex.
+
+ \item The \keyindex{caesura} command can also be used to insert a small
+slash, such as
+
+\begin{music}
+\startextract
+\NOTes\zhu j\hl{^e}\caesura\en
+\Notes\zcu j\cl e\en
+\endextract
+\end{music}
+
+ \end{itemize}
+
+ \subsection{Dynamic signs} Various
+dynamic signs can be posted with
+\keyindex{crescendo}\verb|{|$l$\verb|}| or
+\keyindex{decrescendo}\verb|{|$l$\verb|}|, to be used as arguments to
+\verb|\zcharnote|, \verb|\zchar|, \verb|\uptext|, \verb|\zmidstaff|, etc.
+
+Note: The biggest sign is $\simeq$ 68 mm long.
+
+Alternately they can be produced using the pair of \keyindex{icresc} and
+\keyindex{tcresc} or \keyindex{tdecresc}. Saying one time \verb|\icresc| you
+can force several \verb|\tcresc| or \verb|\tdecresc| with the same starting
+abscissa. Tha altitude of the [de]crescendo symbol is specified, not by the
+\verb|\icresc| macro which only defines the stating abscissa, but by the
+\verb|\tcresc| or \verb|\tdecresc| which is normally lifted up or down by
+means of a \verb|\zmidstaff| or a \verb|\zcharnote| command whose first
+argument has to be adjusted according to your visual needs.
+
+\begin{music}
+\parindent0pt
+\generalmeter{\meterfrac{12}8}
+\setstaffs1{2}
+\startextract
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{verbatim}
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en
+\end{verbatim}
+
+\begin{music}
+\parindent0pt
+\generalmeter{\meterfrac{12}8}
+\setstaffs1{2}
+\startextract
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en
+\endextract
+\end{music}
+\noindent which was coded as:
+\begin{verbatim}
+\Notes\cmidstaff\ppp|\ca c\en
+\Notes\icresc|\ca{defgh'abcde}\en
+\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en
+\end{verbatim}
+
+
+ Intensity conventional signs are: \keyindex{ppp},
+\keyindex{pppp},
+\keyindex{ppp},
+\keyindex{pp},
+\keyindex{p},
+\keyindex{mp},
+\keyindex{mf},
+\keyindex{f},
+\keyindex{fp},
+\keyindex{sF},
+\keyindex{ff},
+\keyindex{fff},
+\keyindex{ffff}, resulting in \pppp, \ppp, \pp,
+\p,
+\mezzopiano,
+\mf,
+\f,
+\fp,
+\sF,
+\ff,
+\fff\ and
+\ffff.
+
+
+ \subsection{Length of note stems}
+
+%\begin{changebar}
+
+Normally, the length of note stems is the distance of one octave, i.e.
+\verb|7\internote|. This is equivalent to 4.66 \keyindex{interbeam}. The
+length of the stems may be changed using the macro \keyindex{stemlength}, e.g.:
+
+ \verb|\stemlength{5.2}|
+
+ \noindent which will set the stemlength to 5.2 \verb|\interbeam|. The default
+ is
+\keyindex{stemlength}\verb|{4.66}|.
+
+Choral music with four voices is often typeset into two staffs. Thus, each
+staff holds two voices, one being typeset with stems up, the other with stems
+down. If the command \keyindex{stemcut} has been previously issued, stems that
+are outside the staff are cut depending on the pitch of the notes. If this is
+not wanted, this feature may be suppressed with the command
+\keyindex{nostemcut}. The default behaviour is \keyindex{stemcut} in plain
+\musixtex, and \keyindex{nostemcut} when {\ttxem{musixcpt.tex}} is invoked.
+
+Normally, down stems never end above the middle line of the staff and up stems
+never below that line. This extension of the stems may be inhibited for the
+next generated stem using the command \keyindex{stdstemfalse}. There is no
+\keyindex{stdstemtrue} since \keyindex{stdstemfalse} is reset after
+generating each new stem.
+
+%\end{changebar}
+
+
+ \subsection{*Brackets and parentheses}
+
+
+Several brackets and parentheses have been provided for musical typesetting
+needs. These are:
+ \begin{itemize}
+ \item \keyindex{lpar}\verb|{|$p$\verb|}| and
+\keyindex{rpar}\verb|{|$p$\verb|}| which yield small
+parenthesis to enclose notes. These are used for \ital{cautionary} accidentals
+but more comprehensive macros fulfill that specific purpose (see \ref{cautionary})
+ \item \keyindex{bracket}\verb|{|$p$\verb|}{|$n$\verb|}| to post square
+brackets of width $n$-internotes at left of a chord. Usually these brackets
+are used on keyboard instruments to specify, either two neighbouring notes
+played with a single finger, or some chord notes to be played with the
+alternate hand.
+ \item \keyindex{doublethumb}\verb|{|$p$\verb|}|, to indicate a bracket of
+height 2\verb|\internote|.
+ \item \keyindex{ovbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and
+\keyindex{unbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}|
+draw a bracket over the music starting at the current position at pitch $p$,
+width $n\times$\verb|noteskip| and slope $s$ (1 $\sim$ 1.125[degree]).
+causing no space.
+ \item \keyindex{uptrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and
+\keyindex{downtrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}|, which are like
+\verb|\ovbkt| but with free definable \keyindex{txt} centers in the middle.
+
+ \item \keyindex{varline} $h$ $\ell$ $s$ builds an oblique line of height $h$ (a
+dimension), of length $\ell$ and of slope $s$. Used to build oblique brackets.
+
+This feature is particularly useful for people who want to typeset
+\itxem{baroque} music using the ancient \itxem{ornament codings} rather than
+the modern equivalents. As a compromise, some macros kindly provided by Ian
+{\sc Collier} in Great Britain have slightly been updated and provided.
+ \end{itemize}
+
+
+For example:
+
+\begin{music}
+\setstaffs1{2}
+\setclef1\bass
+\startextract
+\NOtes\bracket C8\zq C\qu J\en
+\NOtes|\doublethumb g\rq h\qu g\en
+\NOtes\lpar c\rpar c\qu c\en
+\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en
+\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en
+\endextract
+\end{music}
+\noindent
+\begin{quote}\begin{verbatim}
+\begin{music}
+\setstaffs1{2}
+\setclef1{\bass}
+\startextract
+\NOtes\bracket C8\zq C\qu J\en
+\NOtes|\doublethumb g\rq h\qu g\en
+\NOtes\lpar c\rpar c\qu c\en
+\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en
+\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en
+\endextract
+\end{music}
+\end{verbatim}\end{quote}
+\begin{remark} if you used \verb|\input musicext| before, pay attention to the
+commands \keyindex{ovbkt} and \keyindex{unbkt}, their parameter meaning has
+changed from \musictex{} to \musixtex.
+ \end{remark}
+
+ \subsection{New line synchronization of coding}
+ The procedure named \keyindex{everystaff} is executed each time a new system
+is typed. It is normally void, but it can be defined (simply by \verb|\def|%
+\keyindex{everystaff}\verb|{...}|) to tell \musixtex\ to post anything
+reasonable at the beginning of each system. It was used in the example
+{NWIDOR} to post octaviation dashed lines at the end of the piece.
+
+Caution should be exercised to call \verb|\everystaff| before
+\verb|\startpiece| if its effect is needed for the first system of the score.
+
+ The procedure named \keyindex{atnextline}, normally void, is executed at the
+next computed or forced line break (using
+\keyindex{alaligne} or \keyindex{alapage}). More precisely, it is executed
+after the break and before the next system is typed. Thus it is fit for
+posting new definitions of layout parameters, when no system is
+pending\footnote{Its logic is similar to plain \TeX's \keyindex{vadjust}
+command.}.
+
+ \index{tenor violin clef}In some scores, tenor parts are not coded using the
+\ital{bass} clef, but using rather the \ital{violin clef} subscripted by a
+{\tt8}. This is not directly supported by the \keyindex{setclef}
+command, but it can be handled using \keyindex{everystaff} and
+\keyindex{zcharnote}.
+As an example the following score
+
+\begin{music}
+\instrumentnumber{4}
+\setclef1\bass
+\def\everystaff{%
+ \znotes&\zchar{-6}{\eightrm\kern-2\Interligne8}%
+ &\zchar{-6}{\eightrm\kern-2\Interligne8}\en}%
+\startextract
+\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en
+\endextract
+\end{music}
+\noindent was coded as:
+\begin{quote}\begin{verbatim}
+\instrumentnumber{4}
+\setclef1\bass
+\def\everystaff{%
+ \znotes&\zchar{-6}{\eightrm \kern -2\Interligne 8}%
+ &\zchar{-6}{\eightrm \kern -2\Interligne 8}\en}%
+\startextract
+\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en
+\endextract
+\end{verbatim}\end{quote}
+
+\noindent{\sl{\bfseries Caution:} the \verb|\everystaff| must be called before
+\verb|startpiece| in order to have that subscript at the first staff.}
+\section{Small and tiny notes}
+Before entering details, let us point out that we are presently concerned with
+typing notes of smaller size than the normal one, without attempting to change
+the interval between the five lines building a single staff. Changing staff
+line interval will be treated in a further section.
+ \subsection{Cadenzas and explicit ornaments}
+ Ornaments and \itxem{cadenzas} usually need to be written using smaller
+notes\footnote{This is independent of the staff size.}. This can be done
+everywhere by stating \keyindex{smallnotesize} or \keyindex{tinynotesize}.
+Normal note size is restored by \keyindex{normalnotesize}.\index{ornaments}
+
+ These macros only have a local scope. Thus, if these macros are invoked
+outside the \verb|\notes...\enotes| pair, the change is valid for
+the rest of the piece unless explicitely modified but, if they are invoked
+inside, their effect is local to the current staff of the current
+\verb|\notes...\enotes| pair.
+As an example, the following excerpt (beginning
+of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.@{\sc
+Haydn, J.}}
+
+\begin{music}
+\instrumentnumber{2}
+\generalmeter{\meterfrac44}
+\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}
+\setstaffs2{2}
+\setclef1\bass
+\setclef2\bass
+\startbarno0
+\startextract
+\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
+% mesure 1
+\bar
+\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
+\notes&\qbl0c0|\multnoteskip\tinyvalue\tinynotesize
+ \Ibbu1ki2\qb1{kj}\tqh1i\hqsk\en
+\Notes&\qb0e\tbl0\qb0c|\qu j\en
+\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
+% mesure 2
+\bar
+\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
+ \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
+\notes&|\sk\ccu h\en
+\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
+ \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
+\endextract
+\end{music}
+\noindent can be coded as:
+\begin{quote}\begin{verbatim}
+\instrumentnumber{2}
+\generalmeter{\meterfrac44}
+\setstaffs2{2}
+\setclef2{\bass}
+\setclef1{\bass}
+\startbarno=0
+\startextract
+\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en
+% mesure 1
+\bar
+\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en
+\notes&\ibl0c0\qb0c|\multnoteskip\tinyvalue\tinynotesize
+ \Ibbu1ki2\qb1{kj}\tqh1i\en
+\Notes&\qb0e\tbl0\qb0c|\qu j\en
+\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en
+% mesure 2
+\bar\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0%
+ \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en
+\notes&|\sk\ccu h\en
+\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g%
+ \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en
+\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en
+\endextract
+\end{verbatim}\end{quote}
+ \subsection{Grace notes}
+ Grace notes are a special case of small and tiny notes: the difference is
+that they are always coded as eighth notes with an oblique bar over the flag.
+To perform this, special variants of \keyindex{cu} and \keyindex{cl} have been
+provided, namely \keyindex{grcu} and \keyindex{grcl}, with the only difference
+that the flag has been slashed. Using this together with the note reduction
+macro, grace notes (optionally chord grace notes) can be easily coded:
+
+\begin{music}
+\startextract
+\NOTes\hu h\enotes
+\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes
+\NOTes\hu i\enotes
+\bar
+\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes
+\NOTEs\wh i\enotes
+\endextract
+\end{music}
+The previous example was coded as:
+\begin{quote}\begin{verbatim}
+\startextract
+\NOTes\hu h\enotes
+\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes
+\NOTes\hu i\enotes
+\bar
+\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes
+\NOTEs\wh i\enotes
+\endextract
+\end{verbatim}\end{quote}
+ \subsection{Other note shapes}\label{othernotes} The classical note heads
+given above --- namely \raise.5ex\hbox{\musixchar7}~~, \raise.5ex
+\hbox{\musixchar8}~~ and \raise.5ex\hbox{\musixchar9}~~~
+--- can be replaced with less classical note heads, for example to code
+special \itxem{violin harmonic notes} or \itxem{percussion music}. See an
+example in \ref{abnormalscores}.
+
+ At present time, alternate available note heads can be found in the
+extension library, see \ref{diam}, \ref{perc}, \ref{gregnotes} and \ref{litu}.
+
+\section{Staff size} \index{staff size}
+ \subsection{Moving from 20pt to 16pt, 24pt or 29pt staff sizes and
+conversely}
+ You also want to write some parts of your score in 20pt
+staff size and others in 16pt or 24pt or 28.8pt staff size, namely
+for distinct parts of pieces. Changing the \ixem{general staff size}
+is done by saying:
+
+\keyindex{smallmusicsize}, or \keyindex{normalmusicsize}, or
+\keyindex{largemusicsize}, or \keyindex{Largemusicsize}.
+
+\noindent respectively.
+ \subsection{Changing staff size for certain instruments}\label{staffspacing}
+Regardless of the general choice of \verb|\smallmusicsize| or
+\verb|\normalmusicsize|, it is now possible to assign certain instruments --
+not separate staffs belonging to a same instrument -- to have narrower or larger
+\itxem{staff size}, i.e. narrower or larger \itxem{staff spacing}. This is done using
+
+\keyindex{setsize} $n$\verb|{|\ital{size}\verb|}|
+
+\noindent where $n$ is the number of the instrument considered. Five different
+\ital{sizes} are available as standards: \keyindex{normalvalue}, which is
+the default, \keyindex{smallvalue} (0.80 times narrower),
+\keyindex{tinyvalue} (0.64 times narrower), \keyindex{largevalue} (1.2 times
+larger) and \keyindex{Largevalue} (1.44
+times larger). But, if you know perfectly what
+you are doing, you can also say:
+
+\verb|\setsize 3{2.0}|
+
+\noindent which will provide the third instrument with staffs of spacing
+twice the standard value. In that case, \musixtex\ will use the nearest
+symbol size available, but this is likely to be rather ugly.
+
+ An alternate
+and equivalent coding --- a remnant from \musictex\ --- could be:
+
+\verb|\def\staffspacingiii{2.0}|\zkeyindex{staffspacing}
+
+
+
+\verb|\setsize| must be invoked before the starting command
+\verb|\startpiece|, since this statement does not only change the vertical
+spacing between staff lines, but it also changes the size of the key,
+accidental and note symbols to fit the modified staff line spacing.
+
+ However, it must be emphasized that non-standard staff spacings use the
+nearest available font size. This make no serious problem for notes and
+accidentals which may be slightly too small or too big, but clefs and rests
+may appear to be shifted upwards or downwards. This trouble is progressively
+removed, but it requires changing the {\tt musix*} fonts, with some possible
+characters forgotten... or the fact that user uses a font older than T.60
+version.
+
+As an example, we give two bars of the \ital{Ave Maria} by Charles {\sc
+Gounod}\index{Gounod, C.@{\sc Gounod, C.}}, based on the first prelude of
+Johann-Sebastian Bach's \ital{Well Tempered Clavier} (transcription for
+organ, violin and voice, thanks to Markus {\sc Veittes}):\label{avemaria}
+
+\begin{music}
+\def\oct{\advance\transpose by 7}
+\def\liftqs#1{\raise#1\Interligne\qs}
+\parindent0pt
+\sepbarrules
+\instrumentnumber{3}
+\generalmeter{\meterC}
+\setinterinstrument2{3\Interligne}
+\setsize3\tinyvalue
+\setsize2\tinyvalue
+\setclef1\bass
+\setstaffs1{2}
+\startpiece\addspace\afterruleskip
+%Takt 9
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l\enotes
+\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes
+\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes
+\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes
+\bar
+%Takt 10
+\notes\zhl c\liftqs6\qupp d|\ds&\oct
+ \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes
+\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes
+\notes|\ibbu2i0\qb2k\qb2f\enotes
+\notes|\qb2h\tqh2k&\oct\cl e&\tubslur4f\cu e\enotes
+\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes
+\notes|\ibbu1g3\qb1f\tqh1h\enotes
+\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes
+\endpiece
+\end{music}
+ This example was coded as:
+\begin{quote}\begin{verbatim}
+\def\oct{\advance\transpose by 7}
+\def\liftqs#1{\raise#1\Interligne\qs}
+\parindent0pt
+\sepbarrules
+\instrumentnumber{3}
+\generalmeter{\meterC}
+\setinterinstrument2{3\Interligne}
+\setsize3\tinyvalue
+\setsize2\tinyvalue
+\setclef1\bass
+\setstaffs1{2}
+\startpiece\addspace\afterruleskip
+%Takt 9
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l\enotes
+\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes
+\notes\zhl c\liftqs6\qupp e|\ds&\oct
+ \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes
+\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes
+\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes
+\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes
+\bar
+%Takt 10
+\notes\zhl c\liftqs6\qupp d|\ds&\oct
+ \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes
+\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes
+\notes|\ibbu2i0\qb2k\qb2f\enotes
+\notes|\qb2h\tqh2k&\oct\cl e&\curve222\tubslur4f\cu e\enotes
+\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes
+\notes|\ibbu1g3\qb1f\tqh1h\enotes
+\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes
+\endpiece
+\end{verbatim}\end{quote}
+\section{Layout parameters}
+ Most layout parameters are set by \musixtex\ to reasonable default values.
+However, sophisticated scores\footnote{To our knowledge, the most complicated
+scores are those written for the piano, during the romantic and post-romantic
+periods.} may need more place below the lowest staff, between staves, etc.
+\def\nochange{(\ital{NOT to be changed})} We give below a short list of the
+most significant parameters.
+ \subsection{List of layout parameters}
+ \begin{remark} the mention ``\nochange'' does not mean that this parameter
+cannot be changed, but that it should not be modified directly, e.g.\ by
+saying something like \verb|\Interligne=14pt|. In other words, changing these
+parameters must be performed using more comprehensive macros which not only
+update them but also perform some other compulsory related changes.
+ \end{remark}
+
+\begin{description}
+ \item[\keyindex{Interligne} :]vertical distance between the base of staff
+lines of the current instrument, taking no account of a possible specification
+of \keyindex{setsize$n$} \nochange.
+ \item[\keyindex{internote} :]the vertical spacing of contiguous notes of
+the current instrument, taking account of a possible specification of
+\keyindex{setsize$n$} \nochange.
+ \item[\keyindex{Internote} :]the vertical spacing of contiguous notes of
+the instrument(s) whose \keyindex{setsize$n$} has the \ital{default
+value} of one (\keyindex{normalvalue}),
+i.e.\ the half of \verb|\Interligne| \nochange
+
+ \item[\keyindex{staffbotmarg} :]margin below the first staff of the lowest
+instrument. Changes are recognized at the next system and default is
+\verb|3\Interligne|.
+ \item[\keyindex{stafftopmarg} :]margin above the upper staff of the upper
+instrument. Changes are recognized at the next system and default is
+\verb|3\Interligne|.
+ \item[\keyindex{interbeam} :]vertical distance between beams. \nochange.
+ \item[\keyindex{interportee} :]the distance between the bottom of one staff and
+the bottom of the next one. It is set to
+\verb|2|\keyindex{interstaff}\verb|\internote| at the next system.
+Therefore, trying to change \verb|\interportee| will have no effect.
+ %\check
+ \item[\keyindex{interinstrument} :]the additional vertical distance between
+two different instruments. This means that the distance between the upper
+staff of the previous instrument and the lowest line of the current
+instrument is equal to \keyindex{interportee+\Bslash interinstrument}. This
+value is normally zero, but it helps putting additional space between
+distinct instruments for the sake of clarity. This is a general dimension
+register which holds for each of the vertical spaces between instruments,
+except above the upper one, in which case this interval is irrelevant.
+As usual in \TeX, it can be set using a command such as
+
+ \verb|\interinstrument=10pt|
+
+ \noindent or
+
+ \verb|\interinstrument=6\internote|
+
+
+ However, this general parameter can be overridden for the space above a
+specific instrument. For example (see the example {\tt angescao.tex}) one can
+state:
+
+\keyindex{setinterinstrument} $n$\verb|{1\Interligne}|
+
+\noindent to force an additional spacing of one \verb|\Interligne|
+above instrument $n$, whatever the value of \keyindex{interinstrument}.
+ This feature can usefully be used to have more space before instruments
+representing \itxem{voices}, in order to have enough place to put
+\itxem{lyrics} without assigning these lyrics a zero staff specific instrument
+(useful to avoid having too many declared instruments in a choir score).
+
+ The \verb|\setinterinstrument| is identical to the ancient --- and still
+working --- \musictex\ command:
+
+ \verb|\def|\keyindex{interinstrumentiii}\verb|{5\interligne}|
+
+ \noindent to add 5\verb|\interligne| above the 3rd instrument.
+ %\check
+
+
+ \item[\keyindex{systemheight} :]the distance from the bottom of the
+lowest staff to the top of the highest staff of the upper instrument. This is
+the height of the vertical bars (single, double, repeats, etc.) \nochange.
+\end{description}
+ In addition, when handling notes of a given staff of a given instrument, the
+following dimensions are available (note these are not true registers, but
+\ital{equivalenced symbols} through a \verb|\def|):
+\begin{itemize}
+ \item\keyindex{altplancher} : the altitude of the lowest line of the lowest
+instrument \nochange.
+ \item\keyindex{altitude} : the altitude of the lowest line of the lowest
+staff of the current instrument \nochange.
+ \item\keyindex{altportee} : the altitude of the lowest line of the current
+staff \nochange.
+
+ %??? Next perhaps will change to steps of \verb|\internote|.
+
+ \item\keyindex{stemfactor} : a parameter defining the size of half, quarter
+and hooked eighth notes stems. Normally a stem has the length of one octave,
+i.e. 3.5\keyindex{Interligne}. However, this is not valid for small size
+notes and, therefore, the stem size is related to the \keyindex{interbeam}
+dimensions which, in turn, is \ital{normally} equal to 0.75
+\keyindex{Interligne}. Thus the normal value of \keyindex{stemfactor} is
+4.66, but it can be shortened for any purpose by saying, for example:
+
+ \keyindex{stemlength}\verb|{3.5}|
+\end{itemize}
+ \subsection{Changing layout parameters}
+ Most of these values can be changed, but only between the end of the
+previous system and the beginning of the next one. This can be inserted
+between a \keyindex{stoppiece} (or a \keyindex{endpiece})
+and a \keyindex{contpiece} (or a \keyindex{startpiece}), but it is
+wiser to say, for example:
+
+\verb|\def\atnextline{\stafftopmarg=5\Interligne}|
+
+ The user may prefer to change \keyindex{staffbotmarg} or
+to feed \keyindex{interstaff} with a
+given integer number, but this can be done only between a
+\keyindex{stoppiece} (or a \keyindex{endpiece}) and a
+\keyindex{contpiece} (or a \keyindex{startpiece}), but it is wiser to use
+\keyindex{atnextline} as previously.
+
+ It is also wise to use \keyindex{atnextline} to change the
+number of instruments, the staff spacings, the number of staffs at the next
+line... provided that the coding of the notes \ital{resists} an unexpected
+line change executing the \keyindex{atnextline}.
+ \subsection{Changing the staff distance within systems} The vertical
+distance of instruments with more than one staff can be changed, either
+outside \verb|\startpiece|...\verb|\endpiece| or using \keyindex{atnextline},
+by saying:
+
+\keyindex{interstaff}\verb|{|$n$\verb|}|
+
+ Then the spacing between the staffs of the instruments will be
+$n$\verb|\internote|. Note that \verb|\interstaff| applies to all the
+instruments, but each distinct instrument may have a different
+\verb|\internote| (see \ref{staffspacing}).
+
+ Note that this command is equivalent to an existing remnant of \musictex,
+namely:
+
+ \verb|\def|\keyindex{interfacteur}\verb|{|$n$\verb|}|
+
+
+ \medskip The distance between two different
+instruments can be increased by saying
+
+\keyindex{interinstrument}\verb|=|\ital{any \TeX-dimension}
+
+\noindent for all additional inter-instrument distances, or
+
+\keyindex{setinterinstrument} $n$\verb|{|\ital{any \TeX-dimension}\verb|}|
+
+\noindent for single distances.
+ \subsection{Changing the number of lines in staffs}\index{staff line number}
+\label{stafflinenumber}
+Unless explicitely specified, staffs consist of five lines, in accordance to
+the normal way of coding music scores. However, exceptions might be
+preferred when using \musixtex~:
+
+\begin{itemize}
+ \item \itxem{gregorian music} is often written using staff of
+four lines instead of five\footnote{German: \ital{Quadratnotation}.},
+ \item \itxem{percussion music} (e.g.~drums, triangle) needs one, two, three
+ or five lines, since the pitch cannot change but the number of percussion
+ instruments.
+ \item \itxem{guitar tablature} needs six lines. Although \ital{real} guitar
+ players hate guitar tablature,
+ for beginners they are a big help. Not ready yet. The lines
+ are, but not the additional macros.
+
+ \item Early baroque music sometimes uses staffs with 6, 7, or 8 lines.
+
+ \end{itemize}
+
+ Therefore \musixtex\ allows for choosing the number of lines of
+the staffs of an instrument. This is done by
+\keyindex{setlines}~$n$\verb|{|$N$\verb|}| --- where $n$ is the number of the
+wanted instrument as usual --- and $N$ the number of lines of the specific
+staff. Allowed numbers are up to 9 lines. For example:\label{gregorian}
+
+\keyindex{setlines}\verb|2{4}|
+
+\noindent will make the instrument number 2 to have staffs of four
+lines, that is, fit for gregorian music.
+ \subsection{Resetting normal layout parameters}
+ Except the general size which
+has to be explicitely changed if needed using \keyindex{smallmusicsize},
+\keyindex{normalmusicsize}, \keyindex{largemusicsize}, or
+\keyindex{Largemusicsize}, all layout registers are reset to \ixem{default
+values} by \keyindex{resetlayout}, which are explicitly:
+
+ \begin{itemize}
+ \item \keyindex{staffbotmarg} and \keyindex{stafftopmarg} are set to
+\verb|3\Interligne|.
+ \item \keyindex{interstaff} is set to \verb|9|.
+ \item The number of lines of all instruments are reset to 5.
+ \item All clef symbols are standard clef symbols.
+\end{itemize}
+\noindent
+Besides, saying \keyindex{begin\LBR music\RBR} invokes \verb|\resetlayout|.
+ \subsection{Typesetting one-line excerpts rather than large scores}
+Very often, what is wanted is not to typeset a large comprehensive score of
+several lines and pages, but an excerpt of one or two bars, preferably
+centered such as the various examples of this manual. This can be done simply
+by replacing \keyindex{startpiece} with
+\keyindex{startextract} and \verb|\endpiece| or \verb|\stoppiece| with
+\keyindex{endextract}. It is sometimes useful to get more than one excerpt in
+one line, this can be done with redefining of \keyindex{extractline}.
+
+With saying:
+
+\keyindex{let\Bslash extractline\Bslash hbox}
+
+\noindent you can put more than one example in one line. Helpful for getting
+\itxem{musical footnotes}, which explain the playing of special trills or
+give alternative ways of playing, is the redefining to:
+
+\keyindex{let\Bslash extractline\Bslash leftline}
+
+Besides, all changes inbetween
+\keyindex{begin\LBR music\RBR}...\keyindex{end\LBR music\RBR} are local,
+means not global.
+
+ If you want to terminate it without a bar, you code
+\keyindex{zendextract} which acts like \verb|\zstoppiece|.
+ \subsection{*Lyrics}\index{lyrics}\label{lyrics}
+ While they pose nearly no problem with \musictex\ which works using the glue
+facility of \TeX, lyrics raise several serious difficulties with \musixtex.
+The reason for that is that lyrics usually consist of \ital{text} which in
+turn consists of characters whose width is definitely not stretchable nor
+shrinkable proportionally to \verb|\noteskip| or \verb|\elemskip|.
+
+ Thus the width of a sequence of notes like
+
+ \begin{music}
+ \startextract
+ \NOTEs\zcharnote{-5}{Words }\qu h\en
+ \endextract
+ \end{music}
+
+ \noindent may be either the width of ``{\tt Words }'' with the current font,
+or it may be \verb|1\elemskip|, whatever the largest. In the first case, the
+width is fixed (see \keyindex{hardspace}), in the second its width is not the
+same at \musixtex's first and second passes. But the unfortunate situation is that
+\musixtex\ \ital{must} know whether this feature has a \ital{hard} (not scalable)
+or a \ital{scalable} width \ital{at the first pass}, while the inequality
+is solved only at the second.
+
+ This means that, in addition to the three pass system, the user must run
+trial and errors to find out whether some lyrics are wider than the final note
+spacing, or smaller. In that case a wrong decision might lead to questionable
+``\verb|Underfull hbox|''-es filled with ugly glue, or it may result in
+awful ``\verb|Overfull hbox|'' with its heavy bar punishment and possible
+over writings.
+
+ However, before discussing this problem, we first describe the various ways of
+inserting lyrics under --- or above --- a staff.
+
+ \subsubsection{Getting enough vertical space for lyrics} Since songs are
+usually equivalent to a one-staff instrument (possibly with several voices)
+the recommended solution consists in adjusting the distance between
+instruments using either \keyindex{interinstrument}\verb|=|\ital{any
+\TeX-dimension} to give more place below all instruments or using
+\keyindex{setinterinstrument} to make more space above. Note that {\Bslash
+setinterinstrument} defines spacing above and not below an instrument. Since
+lyrics are usually set below the staff, the first argument of a
+\verb|\setinterinstrument| should be the song instrument number \ital{minus
+one}.
+
+ In the case of a single staff tune, or if the song instrument is the lowest
+one, then additional place can be provided using \keyindex{staffbotmarg}.
+
+ \subsubsection{Posting lyrics}
+ Lyrics can be introduced in several ways.
+ \begin{enumerate}
+ \item One archaic solution could be to define a special instrument for the lyrics
+text, without effective staff, namely using the command
+\keyindex{setstaffs}~$n$\verb|{|$p$\verb|}| described in \ref{whatspecify}.
+The inconvenience of this solution is that it increases the number of
+instruments, which is limited to 6 in standard \musixtex, although it can be
+increased to 9 using {\tt musixadd.tex} and 12 with {\tt musixmad.tex}.
+
+ \medskip
+ Therefore, better solutions consist is posting the lyrics in the same
+instrument as the tune, provided that inter-instrument spacing has been
+adapted.
+
+ \item Another simple obvious solution consists in using the command
+\keyindex{zcharnote} to post the text at any position (computed in
+\verb|\internote|s) with respect to the lower line of the current staff.
+The pitch should be usually negative to have the text below the staff. It
+could also be specified like a note pitch, for example ``{\tt a}'' if the song
+is in G-clef. The drawback is that the pitch has to be repeated for each text
+of each note, which is tideous unless a special macro has been defined.
+
+ \item Rather than \verb|\zcharnote| and other \verb|\?charnote| commands, one
+should rather use \keyindex{zchar}, \keyindex{cchar} (centered) or
+\keyindex{lchar} (expanded to left) which only allow absolute numbers
+(internally multiplied by {\Bslash internote}). These command have the same
+drawback as above, namely the vertical position has to be repeated each time.
+
+ \item Of easier use are the commands \keyindex{zsong} (right of the note),
+\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics
+at the lower staff line \ital{minus} the previous
+\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These
+commands only have one argument, namely the lyrics text:
+
+
+\begin{center}
+\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad
+\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad
+\keyindex{csong}\verb|{|\ital{text}\verb|}|
+\end{center}
+
+ Depending on the values of the inter-instrument spacings and margins, the
+resulting vertical position might be inappropriate. Then it can be changed for
+any specific $n$-th instrument until further change using
+
+\begin{quote}
+\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}|
+\end{quote}
+
+ \medskip As an example, the following French song
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \NOtes\zsong{Au }\qu g\en
+ \NOtes\zsong{clair }\qu g\en
+ \NOtes\zsong{de }\qu g\en
+ \NOtes\zsong{la }\qu h\en
+ \bar
+ \NOTes\zsong{lu- }\hu i\en
+ \NOTes\zsong{ne, }\hu h\en
+ \bar
+ \NOtes\zsong{mon }\qu g\en
+ \NOtes\zsong{a- }\qu i\en
+ \NOtes\zsong{mi }\qu h\en
+ \NOtes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+\noindent was coded as:
+
+\begin{quote}\begin{verbatim}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \NOtes\zsong{Au }\qu g\en
+ \NOtes\zsong{clair }\qu g\en
+ \NOtes\zsong{de }\qu g\en
+ \NOtes\zsong{la }\qu h\en
+ \bar
+ \NOTes\zsong{lu- }\hu i\en
+ \NOTes\zsong{ne, }\hu h\en
+ \bar
+ \NOtes\zsong{mon }\qu g\en
+ \NOtes\zsong{a- }\qu i\en
+ \NOtes\zsong{mi }\qu h\en
+ \NOtes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+\end{verbatim}\end{quote}
+
+
+ You can also use the macros from \verb|musixcho.tex|, which result in the
+same vertical positionning as \keyindex{zsong} and other \verb|\?song| do, but
+the text of the lyrics are better justified around the related note.
+
+ \end{enumerate}
+
+ \subsubsection{Handling lyrics width versus scalable note spacings}
+
+ If one uses either \verb|\zsong| or \verb|\csong| or \verb|\lsong| without
+caution, one will probably get awful things such as:
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \geometricskipscale
+ \Notes\zsong{Au }\qu g\en
+ \Notes\zsong{clair }\qu g\en
+ \Notes\zsong{de }\qu g\en
+ \Notes\zsong{la }\qu h\en
+ \bar
+ \NOtes\zsong{lu- }\hu i\en
+ \NOtes\zsong{ne, }\hu h\en
+ \bar
+ \Notes\zsong{mon }\qu g\en
+ \Notes\zsong{a- }\qu i\en
+ \Notes\zsong{mi }\qu h\en
+ \Notes\zsong{Pier- }\qu h\en
+ \bar
+ \NOTes\zsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+ \noindent which is the same example as above, with all spacings divided by
+1.41. Although locating ``overfull'' lyrics seems easy, it might be wiser to
+force their visibility, which is done replacing \verb|\zsong| with
+\keyindex{hsong} which encloses the hazardous text in a \verb|\hbox| of width
+\verb|\noteskip|, whose overfilling is diagnosed as usual by Plain \TeX\ or
+(especially in \LaTeX) by means of the \verb|\overfullrule=...| command:
+
+
+ \begin{music}
+ \generalsignature{1}
+ \startextract
+ \overfullrule 3pt%
+ \geometricskipscale
+ \Notes\hsong{Au }\qu g\en
+ \Notes\hsong{clair }\qu g\en
+ \Notes\hsong{de }\qu g\en
+ \Notes\hsong{la }\qu h\en
+ \bar
+ \NOtes\hsong{lu- }\hu i\en
+ \NOtes\hsong{ne, }\hu h\en
+ \bar
+ \Notes\hsong{mon }\qu g\en
+ \Notes\hsong{a- }\qu i\en
+ \Notes\hsong{mi }\qu h\en
+ \Notes\hsong{Pier- }\qu h\en
+ \bar
+ \NOTes\hsong{rot, }\wh g\sk\en
+ \endextract
+ \end{music}
+
+ Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed
+length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is
+\verb|3\noteskip|. These are useful when the text is set below (or above) a
+collective coding of two or three notes.
+
+ Once one has diagnosed --- in the tentative final layout --- which lyrics
+lead to overfull texts, several corrections may be tried:
+
+\begin{enumerate}
+ \item Increase the \keyindex{mulooseness} to have wider note spacing. This
+may work, but the inconvenience is that all notes would be stretched, and not
+only the faulty notes.
+ \item Increase specific note spacings, replacing for example \verb|\Notes|
+with \verb|\NOtes| or \verb|\Notesp|. This is the easiest solution which may
+require several trials and errors since an increase of a few notes in a system
+may lead to a small shrinking of the others, to keep the total length
+constant.
+ \item Decide that some notes --- only ``some'' notes, not all notes of the
+score, neither all the notes of a given system --- would have a \itxem{hard
+spacing} and not a scalable spacing. This is done using the command
+
+ \begin{quote}
+ \keyindex{hardnotes}\ital{ any hard \TeX\ dimension }\verb|\notes|\ital{
+normal note specif. }\verb|\en|
+ \end{quote}
+ \noindent which ends the \verb|\notes...\en| with a \itxem{hard spacing} (see
+\verb|\hardspace| in \ref{hardspace}, p. \pageref{hardspace}) rather than a
+scalable spacing.
+
+ A more practical variant has been provided especially for lyrics, namely
+
+ \begin{quote}
+ \keyindex{hardlyrics}\ital{ any text }\verb|\notes|\ital{
+normal note specif. }\verb|\en|
+ \end{quote}
+ \noindent which computes the width of ``any text'' by putting it in a
+\verb|\hbox| and reverting to \verb|\hardnotes| to perform the remainder of the
+task. In order to save repetitions, the text of the lyrics which has been used
+to compute the hard note spacing can be retrieved under the command name
+\keyindex{thelyrics}. \verb|\hardlyrics| must be followed by \verb|\notes|
+(with the lyrics text inbetween), not by \verb|\Notes| nor \verb|\NOtes|, etc.
+
+
+ Besides, since moving the lyrics text between \verb|\hardlyrics| and
+\verb|\notes|\footnote{{\Bslash notes}, neither {\Bslash Notes} nor {\Bslash
+NOtes} nor {\Bslash NOTes} etc.} together with replacing it with
+\keyindex{thelyrics} at the initial location is a rather tedious operation
+with text editors, another command has been provided, namely
+\keyindex{softlyrics}:
+
+ \verb|\softlyrics{|\ital{ any text }\verb|}|
+
+ \noindent defines \verb|\thelyrics| to be ``\ital{ any text }'', so that
+going from \verb|\hardlyrics| to the default scalable behaviour of
+\verb|\noteskip| and inversely can easily be done by changing \verb|\hard|
+into \verb|\soft| in the source text, with optional change of the number of
+uppercase letters in \verb|\notes|.
+
+
+
+ \medskip\begin{important} since \/\verb|\hardlyrics| computes
+\/\verb|\noteskip|, its argument (before \/\verb|\notes|) may not refer to
+\/\verb|\noteskip|... which is not already computed.
+ \end{important}
+ \end{enumerate}
+
+ \subsubsection{A more comprehensive example of lyrics}
+ Here is an example taken from the French catholic liturgy (a French
+translation of the traditional \ital{Gloria in excelsis Deo}). We give first
+the adapted source of a part of the score:
+
+
+\begin{quote}\begin{verbatim}
+\overfullrule 3pt
+\instrumentnumber{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % one flat
+\generalmeter{\meterfrac{2}{2}}
+%
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\NOtes\hsong{ai-}\hu g\enotes
+\Notes\hsong{me.}\hu f\enotes
+\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+\NOtes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+\NOtes\hsong{t'a-}\hu g\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\notes\uptext{\bf II}\enotes
+\notes\hardlyrics{Sei-}\hsong\thelyrics\cu h\enotes
+\notes\zsong{gneur~}\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\Notes\hsong{Ciel,~}\qu h\enotes
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+\barre
+\hardlyrics{P\`e-~}\notes\thelyrics\hsong\cu h\enotes
+\notes\hsong{re~}\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes
+\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+\mulooseness 2%
+\stoppiece
+\end{verbatim}\end{quote}
+
+ The result clearly shows the inequality between note spacings,
+some of them forced by lyrics length, some others related to the
+value of \verb|\elemskip| choosen by {\tt musixflx} according to the
+given value of \keyindex{mulooseness}. Note that \verb|\zsong| still has been
+used for lyrics followed by a bar, since their extension across the bar is
+usually harmless.
+
+\begin{music}
+\small
+\overfullrule 3pt
+\instrumentnumber{1}
+\setstaffs11
+%
+\generalsignature{-1}\relax % one flat
+\generalmeter{\meterfrac{2}{2}}
+%
+\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne
+\startpiece
+\setsongraise1{2\Interligne}%
+\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype
+ Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes
+\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes
+\notes\hsong{\`a }\cu c\enotes
+\barre
+\NOTes\hsong{Dieu~}\hu f\enotes
+\notes\hsong{au}\cu f\enotes
+\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes
+\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes
+\notes\hsong{des}\cu g\enotes
+\barre
+\NOtes\hsong{cieux~}\qup h\enotes
+\notes\hsong{et~}\cu h\enotes
+\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes
+\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{la~}\cu g\enotes
+\barre
+\Notes\hsong{ter-}\qu f\enotes
+\notes\hsong{re~}\cu f\enotes
+\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes
+\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes
+\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes
+\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes
+\barre
+\NOtes\hsong{ai-}\hu g\enotes
+\Notes\hsong{me.}\hu f\enotes
+\Notes\uptext{\bf II }\enotes
+\barre
+\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes
+\notes\hsong{Te~}\cu g\enotes
+\notes\hsong{lou-}\cu g\enotes
+\NOtes\hsong{ons,}\hu h\enotes
+\barre
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{b\'e-}\cu j\enotes
+\notes\hsong{nis-}\cu j\enotes
+\NOtes\hsong{sons,}\hu h\enotes
+\barre
+\Notes\hsong{nous~}\qu h\enotes
+\NOtes\hsong{t'a-}\hu g\enotes
+\Notes\hsong{do-}\qu f\enotes
+\barre
+\NOtes\hsong{rons,~}\hu f\enotes
+\notes\uptext{\bf I}\enotes
+\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{glo-}\cu g\enotes
+\notes\hsong{ri-}\cu g\enotes
+\barre
+\NOTEs\hsong{fions,~}\hu h\enotes
+\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{Te~}\cu h\enotes
+\notes\hsong{ren-}\cu h\enotes
+\notes\zsong{dons~}\cu i\enotes
+\barre
+\NOtes\hsong{gr\^a~-}\qu g\enotes
+\notes\hsong{ces~}\cu g\enotes
+\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{im-}\cu i\enotes
+\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes
+\notes\zsong{se~}\cu k\enotes
+\barre
+\Notes\hsong{gloi-}\ql j\enotes
+\Notes\hsong{-}\ql i\enotes
+\Notes\hsong{re~!}\qu h\enotes
+\notes\uptext{\bf II}\enotes
+\hardlyrics{Sei-}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{gneur~}\cu i\enotes
+\barre
+\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes
+\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{du~}\cu g\enotes
+\hardlyrics{Ciel,~}\notes\hsong\thelyrics\qu h\enotes
+\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes
+\notes\zsong{le~}\cu g\enotes
+\barre
+\hardlyrics{P\`e-~}\notes\hsong\thelyrics\cu h\enotes
+\notes\hsong{re~}\cu i\enotes
+\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes
+\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes
+\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes
+\notes\uptext{\bf I}\enotes
+\notes\zsong{Sei-}\cu h\enotes
+\mulooseness 2%
+\stoppiece
+\end{music}
+
+
+ The complete score of this carol --- with slightly different layout
+due to different page size --- is given in example {\tt glorias.tex} and in
+{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the
+organ accompaniment
+(both require {\tt musixsty.tex}).
+
+
+\section{Abnormal music coding}
+ \subsection{Gregorian chant: staffs and clefs} \index{gregorian
+music}Gregorian chant is often coded using four line staffs (see sections
+\ref{gregorian} and \ref{stafflinenumber}) and using special notes (called
+\itxem{neumes}) which are described in section \ref{gregnotes}. But the
+gregorian chant also needs special clefs which are in fact the ancestors of
+the modern ones. The \itxem{gregorian clefs} can be invoked instead of the
+modern ones by:
+
+\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef|
+
+\keyindex{setbassclefsymbol}\verb|3\gregorianFclef|
+
+\noindent will cause the instrument number 3 to exhibit the chosen gregorian
+clefs. The standard clefs can be restored for every instrument with
+\keyindex{resetclefsymbols}.
+
+It is to be emphasized that, since version T.40 of \musixtex, one should
+specify whether one wants to change the bass clef symbol or the alto clef
+symbol (also the treble clef symbol, but there is no treble clef in gregorian
+chant). The reason is that \musixtex\ (as well as \musictex) selects and
+raises differently the F, G and C clefs according to the arguments of the
+\keyindex{setclef} command. Therefore, if one had substituted any F clef
+symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear
+on the staff, but it would have been set at the position of an alto clef, thus
+seriously misleading the musician.
+
+ However, for compatibility with what was previously choosen\footnote{By A.
+{\sc Egler}...}, the \keyindex{setclefsymbol} still exists, but it substitutes
+the given second argument \ital{to all clef symbols} of that instrument,
+regardless of the actual musical meaning of this symbol. \verb|\setclefsymbol|
+is therefore discouraged, unless one changes the design of the clef symbol of
+an instrument for the whole of the score.
+
+ As an example, the same gregorian scale has been written with a gregorian C
+clef on all four lines of the staff:
+
+ \begin{music}
+ \parindent 19mm
+ \instrumentnumber{4}
+ \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line}
+ \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4}
+ \sepbarrules
+ \generalmeter{\empty}
+ \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000}
+ \setaltoclefsymbol1\gregorianCclef
+ \setaltoclefsymbol2\gregorianCclef
+ \setaltoclefsymbol3\gregorianCclef
+ \setaltoclefsymbol4\gregorianCclef
+\startextract
+\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes
+\endextract
+\end{music}
+
+ The coding was:
+ \begin{verbatim}
+ \instrumentnumber{4}
+ \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line}
+ \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4}
+ \sepbarrules
+ \generalmeter{\empty}
+ \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000}
+ \setaltoclefsymbol1\gregorianCclef
+ \setaltoclefsymbol2\gregorianCclef
+ \setaltoclefsymbol3\gregorianCclef
+ \setaltoclefsymbol4\gregorianCclef
+\startextract
+\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes
+\endextract
+ \end{verbatim}
+
+
+ \subsection{Music score without clefs or with special clefs}
+
+ \subsubsection{Empty clefs}
+\index{clefs (empty)}
+ Regardless of the number of lines of the staffs, an instrument may
+have no clefs, e.g.~for \itxem{percussion music} but also for any weird
+purpose. This is done by declaring the following item:
+
+\keyindex{setclefsymbol}~$n$\verb|\empty|
+
+\noindent Normal symbols for these clefs can be restored by:
+
+\keyindex{resetclefsymbols}
+
+ \subsubsection{Octave clefs}\index{octave clefs}
+
+ Octave treble clefs and octave bass clefs are provided. They can replace the usual
+ treble and bass clefs by saying:
+
+ \keyindex{setclefsymbol}~$n$\keyindex{bassoct}
+
+ \keyindex{setclefsymbol}~$n$\keyindex{trebleoct}
+
+ \noindent for upper octaviation, and
+
+ \keyindex{setclefsymbol}~$n$\keyindex{basslowoct}
+
+ \keyindex{setclefsymbol}~$n$\keyindex{treblelowoct}
+
+ \noindent for lower octaviation.
+
+ \begin{music}
+ \parindent 19mm
+ \instrumentnumber{4}
+ \generalmeter{\empty}
+ \setclef1\bass \setclef2\bass \setclef3\treble \setclef4\treble
+ \setbassclefsymbol1\basslowoct
+ \setbassclefsymbol2\bassoct
+ \settrebleclefsymbol3\treblelowoct
+ \settrebleclefsymbol4\trebleoct
+\startextract
+\Notes\qu{`abcdefghi}&\qu{`abcdefghi}&\qu{abcdefghi}&\qu{abcdefghi}&\enotes
+\endextract
+\end{music}
+
+{\noindent\sl REMARKS: \begin{itemize} \item The \keyindex{setclefsymbol},
+\keyindex{settrebleclefsymbol}, \keyindex{setaltoclefsymbol} and
+\keyindex{setbassclefsymbol} commands only change the symbol posted, not the
+altitude of the note head. Thus, if you say \verb|\setclef1\bass| and then
+|\setbassclefsymbol1\trebleclef|, your score will be definitely wrong. In the
+same way, \keyindex{trebleoct} and similar octave clefs will only change the
+symbol, but a note coded {\tt a} wiull have the same vertical position,
+regardless of the clef symbol chosen.
+ \item Changing clef symbols also affect clef changes within the score, but
+this clef changes will be posted by large symbols, not smaller clefs as usual.
+Anyway, it can be remarked that clef changes only concern scores with standard
+treble, alto and bass clefs...
+\end{itemize}
+}
+
+ \subsubsection{Drum clef}
+ A special \itxem{drum clef} (two heavy vertical bars) can
+replace for the $n$-th intrument any of the standard clefs by saying:
+
+\keyindex{setclefsymbol}~$n$\keyindex{drumclef}\label{sectiondrum}
+
+\noindent However, since the vertical position of the clef depends on the
+previously stated clef, it is not wise to replace any clef symbol with the
+drum clef, but to have the instrument previously configured with the default
+violin clef, i.e. \verb|{0000}|.
+
+ It is to be emphasised that these features are specific to one
+instrument --- not one staff of a several staff instrument --- so that some
+weird score for \ital{monks}, \ital{drum} and \ital{electronic keyboard}
+such as
+
+\begin{music}
+\parindent 19mm
+\instrumentnumber{3}
+\setname1{keyboard} \setname2{drum} \setname3{monks}
+\setlines2{1}
+\setlines3{4}
+\setinterinstrument1{-2\Interligne}% less vertical space above
+\setinterinstrument2{-2\Interligne}% and below the percussion
+\sepbarrules
+\setsign1{-1} % one flat at keyboard
+\generalmeter{\meterfrac24}
+\setmeter3\empty
+\setclef3\alto
+\setclef1\bass
+\setstaffs12 % 2 staffs at keyboard
+\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3
+\setclefsymbol2\drumclef % cancel G clef at instrument 2
+\startextract
+\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar
+\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes
+\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\enotes\bar
+\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes
+\endextract
+\end{music}
+\noindent could be coded as follows, regardless this is relevant (see remark
+in \ref{gregoriancappella}, p. \pageref{gregoriancappella}):
+\begin{verbatim}
+\parindent 19mm
+\instrumentnumber{3}
+\setname1{keyboard} \setname2{drum} \setname3{monks}
+\setlines2{1}
+\setlines3{4}
+\setinterinstrument1{-2\Interligne}% less vertical space above
+\setinterinstrument2{-2\Interligne}% and below the percussion
+\sepbarrules
+\setsign1{-1} % one flat at keyboard
+\generalmeter{\meterfrac24}
+\setmeter3{\empty}
+\setclef3{\alto}
+\setclef1{\bass}
+\setstaffs1{2} % 2 staffs at keyboard
+\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3
+\setclefsymbol2{\drumclef} % cancel G clef at instrument 2
+\startextract
+\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar
+\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes
+\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc f\enotes\bar
+\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes
+\end{verbatim}
+In the same way, a possible violin score with \itxem{harmonic notes} (see
+\ref{othernotes}) could be:\label{abnormalscores}
+
+\begin{music}
+\parindent0pt
+\generalsignature{-2}
+\generalmeter\allabreve
+\startextract
+\NOTes\dzq o\zh d\hu h\enotes
+\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\bar
+\NOTes\dzq o\zh d\hl h\enotes
+\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\endextract
+\end{music}
+It was coded as follows:
+\begin{quote}\begin{verbatim}
+\generalsignature{-2}
+\generalmeter\allabreve
+\startextract
+\NOTes\dzq o\zh d\hu h\enotes
+\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\bar
+\NOTes\dzq o\zh d\hl h\enotes
+\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes
+\bar
+\NOTes\dzq g\hu k\enotes
+\NOTes\hpause\enotes
+\endextract
+\end{verbatim}\end{quote}
+
+ \subsection{Usual percussion music}
+Besides single percussion scores usually
+written using one-line staffs, percussion music involving several instruments
+is often writen on five-line staffs with a \ital{drum clef}, where the
+instruments are distinguished by the type of the note heads and the apparent
+pitch of the note on the staff. We give an example --- kindly provided by
+Agusti {\sc Mart\'in Domingo}:
+
+\medskip
+\begin{music}
+\generalmeter{\meterfrac44}
+\setclefsymbol1\drumclef
+\parindent0pt\startpiece
+\leftrepeat
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\setrightrepeat\endpiece
+\end{music}
+ Its coding was:
+ \begin{quote}\begin{verbatim}
+\begin{music}
+\instrumentnumber{1}
+\generalmeter{\meterfrac44}
+\setclefsymbol1\drumclef
+\parindent0pt\startpiece
+\leftrepeat
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes
+\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes
+\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes
+\bar
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes
+\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes
+\setrightrepeat\endpiece
+\end{music}
+ \end{verbatim}\end{quote}
+ To use these different note heads, one must
+ \begin{itemize}
+ \item either include a specific percussion file namely\index{percussion
+music} \ttxem{musixper.tex} after the usual \verb|\input musixtex|;
+ \item use special macro names to replace the usual elliptic black note head
+with other available note heads. Today only the most used note types are
+supported.
+ \end{itemize}
+
+
+\section{Writing your own macros: the {\Bslash catcode} problems}
+As seen before, the \keyindex{catcodes} of the \| and \verb|&| symbols
+are modified by \musixtex, in the range of the actual scores but not
+in the whole of the \TeX\ source.
+Thus, if you define your own macros to make
+your writing easier, you are likely to invoke the \| or \verb|&|
+symbols in a part of text where their \keyindex{catcode}s are not correctly set.
+\index{"|@{\tt\char'174}}
+This may result typically in a diagnostic like:
+
+\verb|! Misplaced alignment tab character &.|
+
+\noindent when you attempt, not to define, but to use your macro using the
+\verb|&| symbol to change the instrument. Smart \TeX ers know that the
+\keyindex{catcode}s are attached to the characters \ital{when they are input}
+and not when they are used; thus you must be sure that \| and \verb|&|
+have the correct \musixtex\ \keyindex{catcode} when the macro is defined,
+which may well occur outside the actual score.
+
+It is also worth pointing out that the same problem may occur with other
+punctuation marks like ``\verb|<|'', ``\verb|>|'', ``\verb|^|,
+etc., if their \keyindex{catcode} has been changed by some other set of
+macros, like \ttxem{french.sty}.
+
+\section{\LaTeX~and \musixtex}
+ \subsection{The {\tt musixtex.sty} style}\label{musixltx}
+ As said before, the amount of memory and registers used by \musixtex\ makes
+it hardly compatible with \LaTeX. However, Nicolas {\sc
+Brouard}\index{Brouard, N.@{\sc Brouard, N.}} succeeded in building a
+\ttxem{musixltx.tex} which is now included in the distribution. This is
+not recommended to make separate music scores. Its purpose is rather to
+provide a means of inserting short musical excerpts in books or articles
+written with \LaTeX. Then, the \keyindex{documentstyle} command should
+include {\tt musixtex} in the options.
+
+The \LaTeX\ \index{LaTeX@\LaTeX}style file \ttxem{musixtex.sty}
+simply \verb|\input|s the following files (in that very order):
+\begin{itemize}
+ \item \verb|musixtex.tex|
+ \item \verb|musixltx.tex|
+\end{itemize}
+ In case of \verb|TeX capacity exceeded...|, use a ``Bigla\TeX'' (after
+checking there is no visible error in the source
+code).\index{BigLaTeX@Big\LaTeX}
+ \subsection{Wide music in \LaTeX}\label{musixblx}
+ Another difficulty appears with \LaTeX: internal \LaTeX\ macros handle the
+page size in a way which is not supposed to be changed within a given document.
+This means that text horizontal and vertical sizes are somewhat frozen so that
+one can hardly insert pieces of music of page size different from the size
+specified by the \LaTeX{} \itxem{style}.
+Although a \ttxem{musixblx.tex} has been provided, which makes the
+\ital{environment} \verb|bigmusic| available.
+\zkeyindex{begin\LBR bigmusic\RBR}
+The main drawback is an unpredictable behaviour of top and bottom
+printouts, especially page numberings.
+
+ If the whole of a document has wide pages, it can be handled with the
+\ttxem{a4wide} style option, or any derivate of it.
+ \subsection{The {\Bslash catcode} problems}
+ The \verb|musixltx.tex| file merely overrides the \keyindex{catcode}s of the
+\| and \verb|&| symbols which are modified by \musixtex. To have access to
+these symbols when coding music, you should enclose the scores or excerpts
+within \verb|\begin{music}| and \verb|\end{music}|. But there is also another
+possibility, i.e.\ to say \keyindex{nextinstrument} instead of
+\verb|&|\index{\&} and \keyindex{nextstaff} instead of \|.
+\index{"|@{\tt\char'174}}
+
+ Another problem comes from the {\tt\ixem{french.sty}} written by Bernard
+{\sc Gaulle}\index{Gaulle, B.@{\sc Gaulle, B.}} which is the standard of the
+\ixem{GUTenberg} French association. This style changes many
+\keyindex{catcode}s which lead \musixtex\ to fail in many cases. Therefore
+the \keyindex{catcode}s of all are forced to the adequate value at
+\keyindex{startpiece}, \keyindex{startextract} and restored at their original
+value at \keyindex{endpiece}, \keyindex{stoppiece} and \keyindex{endextract}.
+This means that some facilities like the \itxem{guillemets} or the
+\itxem{tabulation} character are inhibited within music scores (possible
+problem with sophisticated \itxem{lyrics}) but perfectly available within the
+normal text.
+
+ Anyway, in case of emergency, one can invoke \keyindex{catcodesmusic} to
+establish the \keyindex{catcode}s at their value fit for music, and
+\keyindex{endcatcodesmusic} to reset them at their external value, for example
+those chosen by \verb|french.sty|.
+
+\section{Implementation and restrictions}
+
+ The macroinstruction file \musixtex\ contains approximately 4200 lines of
+code, that is 98~000 bytes approximately. This requires your score to be
+compiled by the most extended versions of \TeX\ (65~000 words of working
+memory). It is therefore wise to say \verb|\tracingsstats=2| in
+order to have an information about the memory used in each page. In desperate
+situations, we recommend using the ``Big\TeX'' processors which,
+unfortunately, performed a great deal of disk input/outputs (on PCs with i286
+processors) which made them awfully slow. Of course, using i386 or i486 or Pentium
+processors, this problem disappears with the specific version of
+{\tt emTeX}, namely {\tt tex386}.\index{BigTeX@Big\TeX}\index{emTeX@em\TeX}
+
+In particular, the number of registers it uses and the amount of memory used
+by \LaTeX\ macros makes it doubtfully compatible with \LaTeX, unless using
+Big\LaTeX.\index{BigLaTeX@Big\LaTeX}
+
+Other precautions are necessary: beware of end-of-line spaces; they corrupt
+layout and cause {\tt underfull/overfull hbox} warnings during third pass.
+To avoid that, it is recommended
+to use \verb|%| at the end of source lines.
+
+
+%\subsection{ABC2MTeX}
+% Generally: yes
+%\subsection{MIDI2TeX}
+% s.a.a. (I already use a modified one, Thanx to C)
+%\subsection{SceX}
+% next time
+
+\section{From \musictex~to \musixtex: {\tt musixcpt}}
+\label{compatibility}
+
+This file is intended to run `{\bf old}' input files with as less changes
+(read \verb|musicdoc| {\bf and} \musixtex's laws~!) as possible. It slows
+down the speed and makes it impossible to use some\footnote{This was the will
+of one of the authors (A.E.) but we (we=D.T.) are now tending to remove any
+incompatibilities of {\tt musixcpt} with plain \musixtex.} of \musixtex\
+commands.
+
+ To run \musictex\ examples --- not withstanding restrictions related to
+glue and ``hard'' spacings forbidden with
+\musixtex\ --- just replace all previous \verb|\input music*| by:
+
+ \verb|\input musixtex|
+
+ \verb|\input musixcpt|
+
+\noindent and, optionally
+
+ \verb|\input musixsty|
+
+\subsection{Compatibility restrictions}
+
+The \ttxem{musixcpt.tex} file holds up
+compatibility to \musictex's sources, but there are some restrictions, which
+are caused either by missing glue in \musixtex\ --- sometimes ugly, but
+generally harmless --- or by some hard spacings such as \verb|\hbox|es
+containing lyrics exceeding the \keyindex{noteskip} dimension, and resulting
+in ``overfull hbox[es]'' that is, notes and symbols outside the score limits,
+with the heavy vertical bar as a standard \TeX\ punishment.
+
+The easiest way to avoid this consists in ending systematically
+\ital{all}\footnote{ALL lines, not ``most of them''.} input
+lines between \keyindex{startpiece}...\keyindex{stoppiece}\footnote{or
+\keyindex{Stoppiece} or \keyindex{endpiece} or \keyindex{Endpiece}.}
+with a comment sign\footnote{For \TeX perts: every line
+which does not end with a command}, namely a ``\verb|%|''.
+
+\medskip Besides, one might want to have a unique source file to be compiled
+with both the \musictex\ format and the \musixtex\ format, and\footnote{This
+might be considered as an excessive requirement, but we (D.T.) think it is a
+good way of including \musixtex's new facilities...} taking advantage of some
+specific possibilities of \musixtex. The leads to a need of testing whether
+the source file is compiled with one format or the other. In fact this test is
+easy:\zkeyindex{mxversion}
+
+\verb|\ifx\mxversion\undefined|
+
+\ \ \ the specific \musictex\ code
+
+\verb|\else|
+
+\ \ \ the specific \musixtex\ code, taking advantage of new features
+
+\verb|\fi|
+
+\medskip Several examples are now included in \musictex's examples, for
+example {\tt pacifiqn.tex}. Of course this would fail if the user
+inadvertently decided to define the command {\Bslash mxversion} in his source
+text.
+ %\check
+
+\subsection{Additional commands in {\tt musixcpt.tex}}
+
+The tentative user looking in given examples might find commands not described
+in the \musixtex\ manual (this one). Most frequent are (in case of missing
+description, revert to \musictex's manual, namely {\tt musicdoc.tex}, {\tt
+musicdoc.dvi}, {\tt musicdoc.ps}, {musicdoc.lj}, etc.):
+
+\begin{itemize}
+ \item\keyindex{qh} : same as \verb|\qb|, but was different with \musictex,
+since it distinguished notes hanging above (\verb|\qb|) and below (\verb|\qh|)
+the beam(s).
+ \item\keyindex{debutmorceau} : nearly but not exactly the same as
+\verb|\startpiece|.
+ \item\keyindex{suspmorceau} : suspends the score at the end of the line, in
+order to permit inserting ordinary \TeX\ commands. Similar to
+\keyindex{stoppiece} but performs line counting necessary then using
+\musictex's \verb|\autolines| feature.
+ \item \keyindex{reprmorceau} is synonym of \verb|\contpiece|.
+ \item \keyindex{lreprmorceau} is synonym of \verb|\contpiece|.
+ \item \keyindex{preprmorceau} ejects a newpage and performs \verb|\contpiece|.
+ \item \keyindex{finmorceau} is synonym of \verb|\Stoppiece|, i.e. with heavy
+ending double bar..
+
+ \item\keyindex{barre} : same as \verb|\bar|.
+ \item\keyindex{dsoupir} : same as \verb|\ds|.
+ \item\keyindex{qsoupir} : same as \verb|\qs|.
+ \item\keyindex{demisoupir} : same as \verb|\ds|.
+ \item\keyindex{temps} : was glue in \musictex, now equivalent to
+\verb|\empty|.
+ \item\keyindex{autolines} is fit for scores with
+bars of regular length: after \keyindex{startpiece}, you code the
+following macro:
+
+
+\medskip\Bslash autolines $tml$
+
+\medskip\noindent\rm where $t$ is the number of \ital{elementary spacings}
+(the length of {\Bslash notes...\Bslash enotes}) in an average bar, $m$ is the
+number of bars you wish in a line and $l$ is the number of lines you wish in a
+page. This sets some parameters, namely \keyindex{maxbarsinline} and
+\keyindex{maxlinesinpage} which are simply used to count the bars (counter is
+\keyindex{barsinline}), optionally perform \keyindex{alaligne} or
+\keyindex{alapage} (counter is \keyindex{linesinpage}) instead of the normal
+\verb|barre| or \verb|bar|. You may freely alter the values of these
+parameters, once they have been established by \keyindex{autolines}. Moreover,
+you can still force line-breaking of page ejection using {\Bslash alaligne} or
+\keyindex{alapage} without problem since these macros actually reset the bar
+counters appropriately.
+
+ \end{itemize}
+
+ %\check
+% \subsection{Often reported problems}
+
+ %\check
+\section{Extension Library}
+All following files are invoked with saying \keyindex{input} \ital{filename}
+ \subsection{musixadd}
+Increases the number of instruments, slurs and beams up to nine.
+ \subsection{musixbm}
+ Provides 128th notes, either with hooks or with beams, namely the
+\keyindex{ibbbbbu},
+\keyindex{ibbbbbl},
+\keyindex{nbbbbbu},
+\keyindex{nbbbbbl},
+\keyindex{tbbbbbu},
+\keyindex{tbbbbbl},
+\keyindex{Ibbbbbu},
+\keyindex{Ibbbbbl},
+\keyindex{cccccu},
+\keyindex{ccccca},
+\keyindex{zcccccu},
+\keyindex{cccccl} and
+\keyindex{zcccccl} commands.
+ \subsection{musixbbm}
+ Provides 256th notes, only with beams, namely the
+\keyindex{ibbbbbbu},
+\keyindex{ibbbbbbl},
+\keyindex{nbbbbbbu},
+\keyindex{nbbbbbbl},
+\keyindex{tbbbbbbu},
+\keyindex{tbbbbbbl},
+\keyindex{Ibbbbbbu} and
+\keyindex{Ibbbbbbl} commands.
+ \subsection{*musixcho}\label{song}
+ These are some macros fit for chorus music. Provides following commands:
+\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight},
+\keyindex{Dtx} and \keyindex{Drtx} for double text, \keyindex{Ttx} and
+\keyindex{Trtx} for triple text, \keyindex{Qtx} and \keyindex{Qrtx} for
+quadruple text.
+
+\keyindex{tx}\verb|{|$text$\verb|}|,
+\keyindex{rtx}\verb|{|$text$\verb|}| for text of songs, with text extending
+to right instead centered.
+ \keyindex{hf}\verb|{|$m$\verb|}| sets text
+continuation rule of width $m$ \verb|\noteskip|.
+
+
+\begin{music}
+\tenrm
+\parindent11.5mm
+\braceheight5.4\Interligne\relax
+%\rightline{Arr.: H.~W.~Eichholz}
+\instrumentnumber2
+\generalsignature{-2}
+\generalmeter{\meterfrac22}
+\setclef1\bass
+\relativeaccid
+\setinterinstrument1{11\Interligne}
+\songtop2
+\songbottom1
+\setname2{\vbox{\hsize\parindent\centerline{Sopran}\centerline{Alt}}}
+\setname1{\vbox{\hsize\parindent\centerline{Tenor}\centerline{Bass}}}
+\sepbarrules\nobarnumbers
+\beforeruleskip-2pt
+\startpiece
+%% bar 1
+\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en
+\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b%
+ &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en
+\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en
+\NOtes&\tsslur0g\qu g\en
+%%% bar 2
+\bar
+\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en
+\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en
+%%% bar 3
+\bar
+\nspace
+\NOTes\sslur JMd1\sslur bau1\zhl J\hu b%
+ &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en
+\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en
+\NOtes&\tsslur0k\qu k\en
+%%% bar 4
+\bar
+\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en
+\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en
+%%% bar 5
+\bar
+\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b%
+ &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en
+\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en
+%%% bar 6
+\bar
+\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en
+\NOtes\zql J\qu b&\zqu i\ql e\en
+\NOtes\zql I\qu b&\rlap{\kernm2\Internote\bigrbrace}\rtx~~~over*\zqu i\ql d\en
+\NOtes\zql G\qu b&\zqu k\ql f\en
+%%% bar 7
+\bar
+\nspace
+\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en
+\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en
+\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en
+\endpiece
+\end{music}
+
+ See {\tt musixdoc.tex} source to get the coding of this long example.
+
+ Note that, since vertion T.89, multiple line texts are vertically justified
+ with a \keyindex{ChroirStrut} macro defined as \verb|\vphantom{\^Wgjpqy}| to
+eliminate zigzagging lyrics lines.
+
+ %\check
+ \subsection{musixdat}
+Here is the command \keyindex{today} defined for several languages.
+The default is \keyindex{dateUSenglish}, but this can freely be changed at
+end of \ttxem{musixdat.tex}.
+Also available are \keyindex{dategerman}, \keyindex{dateaustrian},
+\keyindex{dateenglish} and \keyindex{datefrench}, which yields:
+\begin{quote}\begin{tabular}{ll}\hline
+\verb|\dateUSenglish|&\dateUSenglish\today\\
+\verb|\dateaustrian|&\dateaustrian\today\\
+\verb|\dateenglish|&\dateenglish\today\\
+\verb|\datefrench|&\datefrench\today\\
+\verb|\dategerman|&\dategerman\today\\\hline
+\end{tabular}\end{quote}
+ \subsection{*musixdia}\label{diam}
+These file is automatically loaded, if you use {\tt musixper.tex}.
+Here is the list of notes it provides:
+ \begin{itemize}
+ \item The \raise.5ex\hbox to 1em{\musixchar37} symbol is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|y|''
+(think of ``dyamond''). Available are \keyindex{yqu}, \keyindex{yqup},
+\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp},
+\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb},
+\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu},
+\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl},
+\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. The
+symbol without a stem can be obtained by saying \keyindex{ynq} and the
+non-spacing variant with \keyindex{zynq}.
+ \item The \raise.5ex\hbox to 1em{\musixchar38} symbol is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|d|''
+(think of \ital{diamond}). Available are \keyindex{dqu}, \keyindex{dqup},
+\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp},
+\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb},
+\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu},
+\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl},
+\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. The
+symbol without a stem can be obtained by saying \keyindex{dnq} and the
+non-spacing variant with \keyindex{dznq}.
+ \end{itemize}
+ %\check
+ \subsection{*musixeng}
+ This package is made for music typesetters who are allergic to rest names
+taken from French, German or Italian\footnote{By the way, note that a
+\ital{whole rest} is called \ital{pause} in French, \ital{ganze Pause} in
+German, and \ital{pausa} in Italian.}. It does not provide new features, only
+new command names.
+ \begin{quote}\begin{tabular}{ll}\hline
+\ital{original}&\ital{alternative}\\\hline
+\keyindex{PAUSe}&\keyindex{Qwr}\\
+\keyindex{PAuse}&\keyindex{Dwr}\\
+\keyindex{liftpause}&\keyindex{liftwr}\\
+\keyindex{pausep}&\keyindex{wrp}\\
+\keyindex{pause}&\keyindex{wr}\\
+\keyindex{lifthpause}&\keyindex{lifthr}\\
+\keyindex{hpausep}&\keyindex{hrp}\\
+\keyindex{hpause}&\keyindex{hr}\\
+\keyindex{qp}&\keyindex{qr}\\
+\keyindex{ds}&\keyindex{er}\\
+\keyindex{qs}&\keyindex{eer}\\
+\keyindex{hs}&\keyindex{eeer}\\
+\keyindex{qqs}&\keyindex{eeeer}\\\hline
+\end{tabular}\end{quote}
+ \subsection{musixext}
+
+\keyindex{slide}\verb|{|pitch\verb|}{|elements\verb|}{|slope[-8 to 8]\verb|}|~:
+ glissando.
+
+\keyindex{raggedstoppiece} :
+ provides a ragged last line.
+ %\check
+
+ \subsection{musixf{}l{}l}
+ \input musixfll
+ \ttxem{musixfll.tex} may be used to modify the automatic
+generation of \ixem{ledger lines}. Ledger lines --- German Hilfslinien
+--- are generated for notes placed above or below normal staff lines.
+Ledger lines normally exceed the note head by a quarter of the width of
+the note head. If notes are set very narrowly, the ledger lines of
+consecutive notes may meet. In this case a player may misread the
+ledger lines as normal lines. Therefore \musixtex{} shortens the
+ledger lines if notes are set so narrowly that the ledger lines may
+meet. Because \musixtex{} does not know whether consecutive notes need
+ledger lines, this automatic shortening may be superfluous. So this
+automatism may be switched off and on. After including
+\ttxem{musixfll.tex} the automatic shortening of ledger lines is
+switched off. Afterwards it may be switched on again using
+\keyindex{autoledgerlines} and switched off again using
+\keyindex{longledgerlines}. Both macros have global effect.
+
+ The following example shows that narrowly set scales look better with
+\keyindex{autoledgerlines}, while single notes requiring ledger lines
+look better with \keyindex{longledgerlines}.
+
+\begin{music}
+\startextract
+\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines
+ \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b%
+ \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b%
+ \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a%
+ \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en
+ \bar
+\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines
+ \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b%
+ \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b%
+ \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a%
+ \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en
+\endextract
+\autoledgerlines
+\end{music}
+
+ \subsection{*musixgre}\label{gregnotes}
+
+
+ Provided that four line staffs (see \ref{stafflinenumber}) are used,
+\itxem{gregorian music} is frequently quoted using specific \itxem{neumes},
+established in the thirteenth century, and this way of coding has been
+commonly used for the coding of liturgical chant in the Catholic Church until
+the middle of the twentieth century. Nevertheless, gregorian chant coding is
+not really an antique feature, since it has been codified in 1905 with recent
+quasi-official updates in the eightties.
+
+
+{\noindent\sl REMARK:\label{gregoriancappella} strictly writing, including
+gregorian chant coding in \musixtex{} is a pure nonsense. Of course, many
+people find it interesting to have the possibility of coding gregorian neumes
+together with modern music, but having a score with both a gregorian chant and
+a choir or instruments is definitely \ital{heretic}. The reason is that
+grogorian chant must be sung \ital{a cappella}, without instrument and without
+underlying polyphony. As a matter of fact, serious music schools ceased to
+teach how to accompany gregorian chant approximately 20 years ago.
+
+ However, there are still some pseudo-gregorian chants in the Catholic
+repertoire which deserve organ or orchestra accompaniment: these are latine
+speaking gregorian imitations composed in the eighteenth century, such as the
+famous \ital{Angel's mass} of the \ital{Messe royale de Du Mont} which were
+printed using gregorian neumes by official catholic publishers instead of
+using the music denotations fit for renaissance and baroque pieces...}
+
+
+ Symbols available in \musixtex\ are
+mainly those of the 1905 standard, as provided by Beda {\sc
+Szukics}\index{Szukics, B.@{\sc Szukics, B.}}:
+
+\subsubsection{The clefs}
+
+\begin{itemize}
+ \item The gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~=
+ \keyindex{gregorianCclef}, normally activated for instrument $n$ with the
+command:
+ \begin{quote}
+ \keyindex{setaltoclefsymbol} $n$ \keyindex{gregorianCclef}
+ \end{quote}
+ \item The gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~=
+\keyindex{gregorianFclef}, normally activated with the
+\verb|\setbassclefsymbol| command.
+ \end{itemize}
+
+ \subsubsection{The basic elementary symbols}
+ \begin{itemize}
+
+ \item Diamond shaped \itxem{punctum} (of different shape compared to the
+percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ =
+\keyindex{diapunc}~$p$~.
+ \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ =
+\keyindex{squ}~$p$ or \keyindex{punctum}~$p$~.
+ \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise
+2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}~$p$~.
+ \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ =
+\keyindex{rsqu}~$p$ or \keyindex{virga}~$p$~.
+ \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ =
+\keyindex{apostropha}~$p$~.
+ \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ =
+\keyindex{oriscus}~$p$~.
+
+ \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ =
+\keyindex{quilisma}~$p$~.
+ \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar9}~ =
+\keyindex{punctumauctup}~$p$~.
+ \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar8}~ =
+\keyindex{punctumauctdown}~$p$~.
+ \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}:
+\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}~$p$~.
+ \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise
+2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}~$p$~.
+ \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise
+2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}~$p$~.
+
+
+\end{itemize}
+ All non-\ital{liquescens} symbols have a non-spacing variant, which are
+\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu},
+\keyindex{zapostropha} and \keyindex{zoriscus}.
+
+\subsubsection{The plain complex neumes}
+Other \itxem{neumes} can be obtained by combining two or more of these
+symbols. Since \itxem{neumes} have a special note head width, an additional
+shifting macro is provided, namely \keyindex{groff}. It is similar to
+\verb|\roff|, but the offset is smaller; to implement also triple symbol neumes,
+another shifting macro is provided, namely \keyindex{dgroff} which performs an
+offset twice the offset of \verb|\groff|..
+
+ Since most of these symbols depend on relative pitches of their components,
+one could not provide all compact combinations as single symbols. Following
+compound symbols are:
+
+\begin{description}
+ \item[\keyindex{bivirga} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bivirga ab\enotes
+ \notes \bivirga cc\enotes
+ \endextract
+ \end{music}
+ This example was coded as:
+ \begin{quote}\begin{verbatim}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bivirga ab\enotes
+ \notes \bivirga cc\enotes
+ \endextract
+ \end{verbatim}\end{quote}
+
+ \item[\keyindex{trivirga} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \trivirga abc\enotes
+ \Notes \trivirga cca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{bistropha} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \bistropha ab\enotes
+ \notes \bistropha cc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{tristropha} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \tristropha abc\enotes
+ \Notes \tristropha cca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{clivis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivis ba\enotes
+ \notes \clivis ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lclivis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lclivis ba\enotes
+ \notes \lclivis ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatus ab\enotes
+ \notes \podatus ac\enotes
+ \notes \podatus cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatusinitiodebilis} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusinitiodebilis ab\enotes
+ \notes \podatusinitiodebilis ac\enotes
+ \notes \podatusinitiodebilis cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lpodatus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lpodatus ab\enotes
+ \notes \lpodatus ce\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{pesquassus} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \pesquassus ab\enotes
+ \notes \pesquassus ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{quilismapes} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \quilismapes ab\enotes
+ \notes \quilismapes ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculus aba\enotes
+ \notes \torculus cfd\enotes
+ \notes \torculus afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusinitiodebilis} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusinitiodebilis aba\enotes
+ \notes \torculusinitiodebilis cfd\enotes
+ \notes \torculusinitiodebilis afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectus bab\enotes
+ \notes \Porrectus bac\enotes
+ \notes \Porrectus bNd\enotes
+ \notes \Porrectus bMe\enotes
+ \notes \Porrectus bLe\enotes
+ \endextract
+ \end{music}
+\noindent coded:
+ \begin{quote}\begin{verbatim}
+ \notes \Porrectus bab\enotes
+ \notes \Porrectus bac\enotes
+ \notes \Porrectus bNd\enotes
+ \notes \Porrectus bMe\enotes
+ \notes \Porrectus bLe\enotes
+ \end{verbatim}\end{quote}
+
+ \verb|\Porrectus| exists in four different shapes, depending on the
+difference between first and second argument. The constraint is that
+ $$ n-4 \leq p \leq n-1 $$ otherwise a diagnostic occurs. Note also that
+\keyindex{bporrectus} provides the first curved part of the \verb|porrectus|
+command, if you need it... It has two arguments, the starting pitch, the lower
+pitch.
+
+ \item[\keyindex{Porrectusflexus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusflexus bacN\enotes
+ \notes \Porrectusflexus bNdb\enotes
+ \notes \Porrectusflexus bMeb\enotes
+ \notes \Porrectusflexus bLea\enotes
+ \endextract
+ \end{music}
+\noindent coded:
+ \begin{quote}\begin{verbatim}
+ \notes \Porrectusflexus bacN\enotes
+ \notes \Porrectusflexus bNdb\enotes
+ \notes \Porrectusflexus bMeb\enotes
+ \notes \Porrectusflexus bLea\enotes
+ \end{verbatim}\end{quote}
+
+
+ \item[\keyindex{climacus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacus cbN\enotes
+ \Notes \climacus cba\enotes
+ \Notes \climacus dbN\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusresupinus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusresupinus cbNa\enotes
+ \Notes \climacusresupinus cbab\enotes
+ \Notes \climacusresupinus dbNb\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{lclimacus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \lclimacus cbN\enotes
+ \notes \lclimacus cfd\enotes
+ \notes \lclimacus afc\enotes
+ \endextract
+ \end{music}
+
+
+ \item[\keyindex{scandicus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicus abe\enotes
+ \notes \scandicus ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicus} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicus abe\enotes
+ \Notes \salicus ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicusflexus} $n$ $p$ $q$ $r$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicusflexus abec\enotes
+ \Notes \salicusflexus cegd\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{trigonus} $n$ $p$ $q$], for example\footnote{The second
+example is in principle irrelevant, but it shows the possibilities, in case
+of.}:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \trigonus aaN\enotes
+ \Notes \trigonus cef\enotes
+ \endextract
+ \end{music}
+
+\end{description}
+
+\subsubsection{The liquescens complex neumes}\index{liquescens neumes}
+\begin{description}
+ \item[\keyindex{clivisauctup} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisauctup ba\enotes
+ \notes \clivisauctup ca\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{clivisauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisauctdown ba\enotes
+ \notes \clivisauctdown ca\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{podatusauctup} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusauctup ab\enotes
+ \notes \podatusauctup ac\enotes
+ \notes \podatusauctup cf\enotes
+ \endextract
+ \end{music}
+ \item[\keyindex{podatusauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusauctdown ab\enotes
+ \notes \podatusauctdown ac\enotes
+ \notes \podatusauctdown cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{pesquassusauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \pesquassusauctdown ab\enotes
+ \notes \pesquassusauctdown ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{quilismapesauctdown} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \quilismapesauctdown ab\enotes
+ \notes \quilismapesauctdown ae\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusauctdown aba\enotes
+ \notes \torculusauctdown cfd\enotes
+ \notes \torculusauctdown afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusauctdown bac\enotes
+ \notes \Porrectusauctdown bNd\enotes
+ \notes \Porrectusauctdown bMe\enotes
+ \notes \Porrectusauctdown bLe\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusauctdown cbN\enotes
+ \Notes \climacusauctdown caM\enotes
+ \Notes \climacusauctdown aNM\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{scandicusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicusauctdown abe\enotes
+ \notes \scandicusauctdown ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{salicusauctdown} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \salicusauctdown abe\enotes
+ \Notes \salicusauctdown ceg\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{clivisdeminut} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \setsize1{\Largevalue}
+ \instrumentnumber 1
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \clivisdeminut ba\enotes
+ \notes \clivisdeminut ca\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{podatusdeminut} $n$ $p$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \podatusdeminut ab\enotes
+ \notes \podatusdeminut ac\enotes
+ \notes \podatusdeminut cf\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusdeminut aba\enotes
+ \notes \torculusdeminut cfd\enotes
+ \notes \torculusdeminut afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{torculusdebilis} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \torculusdebilis aba\enotes
+ \notes \torculusdebilis cfd\enotes
+ \notes \torculusdebilis afc\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{Porrectusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \Porrectusdeminut bac\enotes
+ \notes \Porrectusdeminut bNd\enotes
+ \notes \Porrectusdeminut bMe\enotes
+ \notes \Porrectusdeminut bLe\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{climacusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \Notes \climacusdeminut cbN\enotes
+ \Notes \climacusdeminut caM\enotes
+ \Notes \climacusdeminut aML\enotes
+ \endextract
+ \end{music}
+
+ \item[\keyindex{scandicusdeminut} $n$ $p$ $q$], for example:
+
+ \begin{music}
+ \elemskip 10pt
+ \instrumentnumber 1
+ \setsize1{\Largevalue}
+ \setstaffs 1 1
+ \setlines 1 4
+ \setclef 1{3000}
+ \setaltoclefsymbol 1 \gregorianCclef
+ \startextract
+ \notes \scandicusdeminut abe\enotes
+ \notes \scandicusdeminut ceg\enotes
+ \endextract
+ \end{music}
+\end{description}
+
+ %\check
+ \subsection{musixgui} \ttxem{musixgui.tex} provides some macros for
+typesetting \itxem{guitar tablatures}. Most times they are used above modern
+music. To give an example:
+
+\begin{music}
+\hsize130mm
+\tenrm
+\parindent0pt
+\generalmeter{\meterfrac34}
+\generalsignature1
+\startbarno0
+\def\txh{-6.5}
+\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}}
+\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}}
+\stafftopmarg10\Interligne
+\raiseguitar{20}
+\nostartrule
+\startpiece
+\addspace{.5\afterruleskip}%
+\NOtes\tx We*\qa d\en
+\bar
+\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en
+\Notes\tx you*\ca g\en
+\Notes\tx a*\ca h\en
+\Notes\zchar\txh{merry}\ca g\en
+\Notes\ca f\en
+\bar
+\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en
+\NOtes\qa e\en
+\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en
+\bar
+\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en
+\Notes\tx you*\ca h\en
+\Notes\tx a*\ca i\en
+\Notes\zchar\txh{merry}\ca h\en
+\Notes\ca g\en
+\bar
+\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en
+\NOtes\qa d\en
+\zbar
+\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en
+\bar
+\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en
+\Notes\tx you*\ca i\en
+\Notes\tx a*\ca j\en
+\Notes\tx ~mer-*\ca i\en
+\Notes\tx ry*\ca h\en
+\bar
+\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en
+\NOtes\tx mas*\qa e\en
+\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en
+\Notes\tx a*\ca d\en
+\bar
+\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en
+\NOtes\tx py*\qa h\en
+\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en
+\bar
+\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en
+\setdoublebar\endpiece
+\end{music}
+
+\medskip
+\keyindex{guitar} sets the grid, the chord name, the relative barre and play
+indicators. As example the first chord in upper example was coded as:
+
+\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44|
+
+where the first argument is put above the grid to indicate the chord name, the
+second is empty (relative barre) and the other six indicates if the string
+is played with either \verb|x|, \verb|o| or \verb|-|. The dots are set with
+\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The
+rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the barre.
+
+The whole chord may be vertically shifted with
+\keyindex{raiseguitar}\verb|{|$n$\verb|}|, where $n$ is a number
+in units of \keyindex{internote}. It might be useful to reserve additional
+space above the chord by advancing \keyindex{stafftopmarg} to
+something like \verb|stafftopmarg=10\Interligne|.
+
+If you need the chords more often, it might be useful to define your own
+macros, e.g.~saying:
+
+\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%|
+ \subsection{*musixlit}\label{litu}\label{otherbars}
+ Provides a way of coding intermediate between gregorian and baroque/romantic,
+still used\footnote{Was written by A. {\sc Egler}. To my knowledge (D. T.),
+liturgical works are either written with modern music quotation, or using the
+gregorian \itxem{neumes} which have been normalized in 1905.} for liturgical
+works!
+
+\makeatletter
+\catcodesmusic
+%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip
+% \not@s}
+
+%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose
+% \check@nopen\notes@open\@ne
+% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip
+% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument}
+
+%\def\en{\@ndstaff\notes@open\z@
+% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi}
+
+\def\double#1{\roffset{1.2}{\advancefalse#1}#1}
+\makeatother
+
+ % Don't know if this example correct ??? But looks nice...
+\begin{music}
+\parindent0pt
+\instrumentnumber{2}
+\interstaff{11}
+\generalsignature2
+\setclefsymbol2\oldGclef
+\setstaffs1{2}
+\setclef1\bass
+\setinterinstrument1{-\Interligne}
+\startpiece
+\shortbarrules
+\addspace\afterruleskip
+\hardlyrics{Il nous a sign\'es de son
+ }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en
+\qspace\qspace
+\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en
+\bar
+\hardlyrics{Et nous avons \'e-
+ }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en
+\qspace\qspace
+\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en
+\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en
+\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en
+\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en
+\bar
+\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en
+\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en
+\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en
+\bar
+\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en
+\sepbarrules
+\endpiece
+
+\startpiece
+\interbarrules
+\addspace\afterruleskip
+\hardlyrics{Il nous a sign\'es de son
+ }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en
+\qspace\qspace
+\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en
+\bar
+\hardlyrics{Et nous avons \'e
+ }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en
+\qspace\qspace
+\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en
+\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en
+\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en
+\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en
+\bar
+\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en
+\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en
+\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en
+\bar
+\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en
+\sepbarrules
+\endpiece
+\end{music}
+
+ This package provides:
+ \begin{itemize}
+ \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one,
+using (for instrument 2 as an example):
+ \verb|\settrebleclefsymbol2\oldGclef|
+
+ \item\keyindex{cqu} $p$ provides a square headed quarter note with stem up at
+pitch $p$.
+
+ \item\keyindex{cql} $p$ provides a square headed quarter note with stem down at
+pitch $p$.
+
+ \item\keyindex{chu} $p$ provides a square headed half note with stem up at
+pitch $p$.
+
+ \item\keyindex{chl} $p$ provides a square headed half note with stem down at
+pitch $p$.
+
+ \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square headed
+quarter note at pitch $p$.
+
+ \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square
+headed half note at pitch $p$.
+
+ \item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch
+$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above
+example, this feature has been used to denote an arbitrary length note rather
+than a rest!
+
+ \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch
+$p$ and of length $n$ \keyindex{noteskip}.
+This feature has been used to denote an arbitrary length note in the second of
+the above examples.
+
+ \item\keyindex{shortbarrules} has been used to provide bar rules shorter than
+the staff vertical width.
+
+ \item\keyindex{interbarrules} has been used to provide bars between the
+staffs, rather that over them. This is an arbitrary question of taste...
+ \end{itemize}
+
+
+
+ \subsection{musixmad} \ttxem{musixmad.tex} increases the number of
+instruments, slurs and beams up to twelve.
+ \subsection{musixper}\label{perc}
+
+ Provides specific percussion symbols, especially \keyindex{drumclef}
+(used in section \ref{sectiondrum}). These definitions cause problems
+since drum and percussion notation is not standardized.
+So it might be clever to specifiy the names of instruments for each
+used symbol.
+
+
+ %\check
+ \begin{itemize}
+ \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|dc|'' (think of \ital{DiagonalCross} for e.g. closed \itxem{hihat}).
+Available are
+\keyindex{dcqu},
+\keyindex{dcql},
+\keyindex{dcqb},
+\keyindex{dczq},
+\keyindex{dccu},
+\keyindex{dcccu},
+\keyindex{dccl} and
+\keyindex{dcccl}.
+
+ \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|dh|''
+(think of \ital{DiagonalcrossHalfcircle} for e.g. half open \itxem{hihat}).
+Available are
+\keyindex{dhqu},
+\keyindex{dhql},
+\keyindex{dhqb},
+\keyindex{dhzq},
+\keyindex{dhcu},
+\keyindex{dhccu},
+\keyindex{dhcl} and
+\keyindex{dhccl}.
+
+ \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|do|''
+(think of \ital{DiagonalCross and O for circle} for open \itxem{hihat}).
+Available are
+\keyindex{doqu},
+\keyindex{doql},
+\keyindex{doqb},
+\keyindex{dozq},
+\keyindex{docu},
+\keyindex{doccu},
+\keyindex{docl} and
+\keyindex{doccl}.
+
+ \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|x|'' (e.g. for spoken text of songs).
+Available are
+\keyindex{xqu},
+\keyindex{xql},
+\keyindex{xqb},
+\keyindex{xzq},
+\keyindex{xcu},
+\keyindex{xccu},
+\keyindex{xcl} and
+\keyindex{xccl}.
+
+ \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|ox|'' (.!.).
+Available are
+\keyindex{oxqu},
+\keyindex{oxql},
+\keyindex{oxqb},
+\keyindex{oxzq},
+\keyindex{oxcu},
+\keyindex{oxccu},
+\keyindex{oxcl} and
+\keyindex{oxccl}.
+
+ \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|ro|'' (think of \ital{RhOmbus} for e.g.~shaker).
+Available are
+\keyindex{roqu},
+\keyindex{roql},
+\keyindex{roqb},
+\keyindex{rozq},
+\keyindex{rocu},
+\keyindex{roccu},
+\keyindex{rocl} and
+\keyindex{roccl}.
+
+ \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a
+``\verb|tg|'' (think of \ital{TrianGle} for e.g.~rattle).
+Available are
+\keyindex{tgqu},
+\keyindex{tgql},
+\keyindex{tgqb},
+\keyindex{tgzq},
+\keyindex{tgcu},
+\keyindex{tgccu},
+\keyindex{tgcl} and
+\keyindex{tgccl}.
+
+ \item The \raise.5ex\hbox to 1em{\musixchar117\hfil} symbol which is obtained using the
+\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded with a
+``\verb|k|'' (for bongos).
+Available are
+\keyindex{kqu},
+\keyindex{kql},
+\keyindex{kqb},
+\keyindex{kzq},
+\keyindex{kcu},
+\keyindex{kccu},
+\keyindex{kcl} and
+\keyindex{kccl}.
+ \end{itemize}
+ \subsection{musixpoi}
+ Adds pointed compact definitions of notes.
+Available are
+\keyindex{ccup},
+\keyindex{zccup},
+\keyindex{cclp},
+\keyindex{zcclp},
+\keyindex{ccupp},
+\keyindex{zccupp},
+\keyindex{cclpp},
+\keyindex{zcclpp},
+\keyindex{cccup},
+\keyindex{zcccup},
+\keyindex{ccclp},
+\keyindex{zccclp},
+\keyindex{cccupp},
+\keyindex{zcccupp},
+\keyindex{ccclpp},
+\keyindex{zccclpp},
+\keyindex{ccccup},
+\keyindex{zccccup},
+\keyindex{cccclp},
+\keyindex{zcccclp},
+\keyindex{ccccupp},
+\keyindex{zccccupp},
+\keyindex{cccclpp} and
+\keyindex{zcccclpp}.
+
+ %\check
+ \subsection{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}}
+ This file provides a set of indications for \itxem{string instruments} (e.g.
+\ixem{violin}) execution, provided by Werner {\sc Icking}\index{Icking,
+W.@{\sc Icking, W.}}.
+
+
+ {\input musixstr
+ The symbols described below should be posted at the wanted place using
+ \verb|\zcharnote|$p$\verb|{|$<command-name>$\verb|}|.
+
+\begin{quote}\begin{description}
+
+ \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow
+
+
+ \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow
+
+
+ \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow
+
+ \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow
+
+ \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow
+
+ \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow
+
+ \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow
+
+ \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow
+
+ \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow
+
+ \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow
+
+ \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill
+
+ \end{description}\end{quote}
+ }
+ %\check
+ \subsection{musixsty}\index{musixsty@{\tt musixsty.tex}}
+
+ This file is made for non \TeX perts and/or lazy score typesetters. Although
+related to \musixtex, it has little to see with music, but it helps writing
+all surrounding texts, like \itxem{titles}, \itxem{author names}, historical
+comments, etc. It provides
+ \begin{itemize}
+ \item a set of font definitions of common use, such as \verb|\tenrm|,
+\verb|\eightrm|, etc.,
+ \item a reasonable setting of \keyindex{hsize}, \keyindex{vsize},
+\keyindex{hoffset}, \keyindex{voffset} dimensions in order to have a good
+layout fit for European A4 paper\footnote{People addicted to \itxem{legal} or
+other paper sizes should correct it for their own purpose.}
+ \item a set of text size commands:
+
+ \begin{description}
+ \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm},
+\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 8 point font size;
+ \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm},
+\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 10 point font size;
+ \item[\keyindex{twlpoint}] to get 12 point font size;
+ \item[\keyindex{frtpoint}] to get 14.4 point font size;
+ \item[\keyindex{svtpoint}] to get 17.28 point font size;
+ \item[\keyindex{twtypoint}] to get 20.74 point font size;
+ \item[\keyindex{twfvpoint}] to get 24.88 point font size;
+ \end{description}
+ \item a set of commands to make easy piece titles:
+ \begin{itemize} \item \keyindex{author} or
+\keyindex{fullauthor} to be put at the right of the first page, below the
+title of the piece; the calling sequence is, for example:
+
+ \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}|
+
+ \noindent where the \verb|\\| makes the author's name displayed on two or
+several lines.
+
+
+ \item \keyindex{shortauthor} to be put at the bottom of each page,
+ \item \keyindex{fulltitle} which is the big main title of the piece,
+ \item \keyindex{subtitle} is displayed below the main title of the piece,
+ \item \keyindex{shorttitle} or \keyindex{title}
+ which is the title repeated at the bottom of each page,
+ \item \keyindex{othermention} which is displayed on the left of the page, in
+front of the author's name (it may contain several \verb|\\| to display it on
+several lines,
+ \item \keyindex{maketitle} which displays all the previous stuff.
+ \end{itemize}
+
+ \item Some additional commands to make \itxem{footnotes}.
+ These commands are
+ \begin{itemize}
+ \item The normal Plain-\TeX\ \keyindex{footnote} command which has two
+arguments --- not only one as in \LaTeX\index{LaTeX@\protect\LaTeX} --- namely
+the label of the footnote, i.e. any sequence of characters and not only
+figures, and the text of the footnote.
+
+\begin{important} the \verb|\footnote| command does not work inside
+boxes\footnote{This is not a \TeX-bug, this is a feature!}, therefore this
+command must not be issued within music. But another alternate feature is
+provided (see below).
+ \end{important}
+
+ \item The \keyindex{Footnote} command, which counts the footnotes and uses a
+number as the label of the foot note (equivalent to \LaTeX's \verb|\footnote|
+command). The same restriction applies concerning footnotes within the music
+coding.
+
+ \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which
+makes the footnote itself at the bottom of the current page, but does not put
+the footnote label at the place it is referred in the main text.
+
+ Thus, if a footnote is needed whose reference lies inside the music itself,
+the music typesetter must perform it in two steps:
+ \begin{enumerate}
+ \item quote the reference inside the music, using \verb|zcharnote| for
+example,
+ \item post the footnote itself, using \verb|\vfootnote| outside the music,
+either before \keyindex{startpiece} (or \verb|\debutmorceau| with {\tt
+musixcpt.tex}) or between \keyindex{stoppiece} and
+\keyindex{piececont} or equivalent commands.
+ \end{enumerate}
+
+ \end{itemize}
+
+ \end{itemize}
+
+ Note that \verb|musixsty| should not be used with \LaTeX.
+ \subsection{musixtri}\index{musixtri@{\tt musixtri.tex}}
+Provides triple pointed note symbols.
+Available are:
+\keyindex{lpppt},
+\keyindex{whppp},
+\keyindex{zwppp},
+\keyindex{huppp},
+\keyindex{hlppp},
+\keyindex{zhppp},
+\keyindex{zhuppp},
+\keyindex{zhlppp},
+\keyindex{quppp},
+\keyindex{qlppp},
+\keyindex{zquppp},
+\keyindex{zqlppp},
+\keyindex{zqppp},
+\keyindex{cuppp},
+\keyindex{zcuppp},
+\keyindex{clppp},
+\keyindex{zclppp},
+\keyindex{qbppp} and
+\keyindex{zqbppp}.
+
+\section{Often reported problems and discussion faxilities}
+
+\subsection{Newsgroups}\index{newsgroups} No specific newsgroup exist
+concerning \mutex, \musictex{} or \musixtex; nevertheless W. Icking saw
+articles on this topic in {\tt comp.text.tex} as well as in {\tt
+de.comp.text.tex}.
+
+\subsection{Mailing list} A mailing-list does exist which was formerly
+dedicated to \mutex, and now to \musictex{} and mostly to \musixtex.
+You can subscribe to it by
+sending an e-mail to {\tt mutex-request@gmd.de}
+with the message line\index{mailing list}
+
+{\tt subscribe}
+
+\subsection{FAQs}\index{FAQ}
+
+{\tt gmd.de}, too, has a FAQ which is presently out-of-date and quite unusable
+since it displays many questions and comments without giving the answer.
+However, it will be probably enhanced in a near future. This
+FAQ can be accessed using {\tt
+ftp}:
+
+{\tt ftp://ftp.gmd.de/music/mutex/faq}
+
+\noindent and the archive of the mailing list may be accessed also by {\tt
+ftp}:
+
+{\tt ftp://ftp.gmd.de/music/mutex/archive}
+
+\noindent or:
+
+{\tt http://www.gmd.de/Mail/}
+
+ {\tt ftp.gmd.de} also contains a lot of stuff concerning music and
+typesetting music, which can be accessed by WWW at:
+
+{\tt http://www.gmd.de/Misc/Music/}
+
+
+
+\chapter{Installation}\label{installation}
+
+\section{*Getting the stuff}
+
+As seen before, all the files are available at \itxem{anonymous ftp}
+\verb|hprib.lps.u-psud.fr| (193.55.39.152) in the directory
+
+ {\tt /pub/musixtex}
+
+ The {\tt *.mf} source files are in
+
+ {\tt /pub/musixtex/mf}
+
+\noindent and the {\tt *.tfm} files are in
+
+ {\tt /pub/musixtex/tfm}
+
+\noindent Besides, this manual is in
+
+ {\tt /pub/musixtex/musixdoc.ps}
+
+ Another directory, namely {\tt /pub/music\_zips} normally contains {\tt
+musixtex.zip} which contains all the distribution for PC (\ixem{MS-DOS})
+computers. This is only for {\tt ftp}-ing convenience since all source files
+are directly available in the general directory and subdirectories. In
+addition a set of examples (i.e. the files whose name does not begin with
+``\verb|musix|'') is packed into \ttxem{musixexa.zip} and this manual is also in
+\ttxem{musixdoc\_ps.zip} (the PostScript version) and
+\ttxem{musixdoc\_lj.zip} (the PCL version for Laserjets).
+Finally the PK files of specific fonts are provided in \ttxem{musixpk.zip},
+\ttxem{musixpk3.zip} (300 and 360 dpi) and \ttxem{musixpk6.zip} (600 dpi);
+getting these files is useless if you are able to \MF{} the files whose {\tt
+*.mf} are provided in the main package.
+
+{\sl\noindent CAUTION: the zipped files are provided in the PC line coding,
+i.e. with {\tt <cr><lf>} at line ends, rather than single {\tt <lf>} as in the
+\unix{} coding. This means that \unix{} users must carefully unzip these files
+using the ``{\tt-a}'' (our ``{\tt-aa}'' options of {\tt unzip} to get correct
+coding of the source files. Other wise they would find a lot of ``{\tt\^{}M}'' in
+their files, which may cause further troubles.}\index{PC end of line
+coding}\index{\^{}M}
+
+
+ Besides, /unix{} users can also --- when in directory {\tt /pub} --- ask for:
+
+ {\tt get musixtex.tar}\quad or
+
+ {\tt get musixtex.tar.Z}\quad or
+
+ {\tt get musixtex.tar.gz}\quad and even
+
+ {\tt get musixtex.zip}
+
+ Then, the {\tt hprib.lps.u-psud.fr} server will perform required collection
+and/or compression ``on-the-fly''. Note that in that case the source files
+will be in the \unix{} coding rather than PC coding of end of lines. Usually,
+this is harmless for PC editors and \TeX{} motors, but who knows...
+
+
+\ital{Fonts}\index{fonts} are provided in {\tt musixtex.zip} as {\tt *.mf}
+files but also as {\tt *.tfm} and {\tt*.pk} files for 300~dpi printers or
+previewers. Other values of the \ixem{dpi} parameter are also provided in
+\verb|musixpk*.zip|.
+
+Needed fonts are {\tt musix20}, {\tt musix16}, {\tt musix13}, {\tt musix11},
+{\tt musix24}, {\tt musix29}, {\tt musixspx}\footnote{Inside this file are two
+types of piano brackets available. The default you can see printing this doc,
+the other you can see printing {\tt musicdoc}. If you prefer the other, which
+are designed by Stanislav Kneifl, follow the instruction inside {\tt
+musixsps.mf}},\index{Kneifl, S.@{\sc Kneifl, S.}}
+ {\tt xslhu20}, {\tt xslhu16}, {\tt xslhu24}, {\tt xslhu29},
+{\tt xslhd20}, {\tt xslhd16}, {\tt xslhd24}, {\tt xslhd29},
+{\tt xslu20}, {\tt xslu16}, {\tt xslu24}, {\tt xslu29},
+{\tt xsld20}, {\tt xsld16}, {\tt xsld24}, {\tt xsld29},
+{\tt xslz20} and {\tt xslhz20}.
+
+\section{Installing the fonts}
+\ital{All} files with the extension {\tt .tfm}\footnote{\TeX\ font metric,
+needed directly from binary for \TeX ing the examples or the doc.} must
+be copied in that directory, in which the other {\tt .tfm}'s are.
+
+If you get the error message:
+
+{\tt! Font ... not loadable: Metric (TFM) file not found.}
+
+\index{Metric (TFM) not found}\noindent this means you have not succeeded to
+install the {\tt .tfm}'s in the right directory. This is not a \musixtex\
+error, but a local \TeX\ implementation error/misunderstanding. Then read or
+re-read your \TeX\ installation doc, put the {\tt tfm}'s at the very right
+place and start again.
+
+The {\tt .tfm} only contains the width, height and depth of every character of
+a font and is the only needed font-file for \TeX ing. For previewing and/or
+printing you need the pixel fonts. On most systems they are packed and have
+the extension \verb|.pk|(but perhaps you need the \verb|.gf|-files or
+\verb|.300|-files or other: Ask your local \TeX-wizard\footnote{I have read a
+mail from somebody, who has said, that he is able --- because he is a
+professional --- to write an \verb|install| for installation of packages like
+\musixtex. Really? Do it.}!) Most needed and spreaded are fonts for
+\verb|dvi|-driver with resolution of 300dpi. Using em\TeX{} associated drivers
+the \verb|.pk|-fonts have to be copied in \verb|...\pixel.lj\300dpi\| as a
+default, and in general in a directory specified by the environment variable
+{\tt DVIDRVFONTS}\footnote{Look at {\tt dvidrv.doc} for more information.}. For
+other resolution refer your local manual or \TeX-wizard.
+
+\section{Building a format}\label{formatbuild}
+
+Introducing these files in a \itxem{format} (with \ixem{INITEX}) is a mean of
+saving computer time and memory. Besides, if you include {\tt musixcpt.tex} in
+your format, you will have a format compatible with \musictex\ and ---
+provided you made the symmetrical format for \musictex\ --- you can compile
+exactly the same source files with both \musictex\ and \musixtex, which is a
+good means of finding whether some strange behaviour is specific to one
+implementation of the other, or whether you made some general
+mistake\footnote{Not all authors have the same opinion :-). But I was told,
+that my opinion doesn't count, so forget it -- A.E.}...
+
+However, although having a \musixtex{} format saves much time, it can also
+lead to time wasting weird things in case of updates~: if you update your
+source of {\tt musixtex.tex} but not the format {\tt musixtex.fmt}, then
+running the command {\tt musixtex} will invoke the old unmodified format...
+
+\subsection{Starting from nil}
+\begin{enumerate}
+ \item Build up a file called \verb|musixtex.ini| with following content:\\
+\begin{verbatim}
+\input plain % or dcplain or eplain or see later a safer way of doing
+\input musixtex
+% here can you add your most needed files from extension lib
+% musixcpt at very last !
+\end{verbatim}
+\verb|\def\fmtname{musixtex}\def\fmtversion{|{\tt\mxversion}\verb|}|
+\verb|\dump|
+ \item \verb|initex musixtex.ini|\footnote{depends on your implementation}.
+ \item \verb|tex &musixtex| \ital{jobname}\footnote{depends on your
+implementation}.
+\end{enumerate}
+\vfill
+
+\subsection{Starting from your usual plain format}
+\begin{enumerate}
+ \item First, try to find --- on your favourite system --- whether \verb|tex|
+is an executable routine, or a \verb|tex.bat| command in MS-DOS or a
+\ital{shell} procedure under \unix.
+ \item If \verb|tex| is a command try to find the ``{\tt initex}'' local
+command: usually it is either \verb|initex| or \verb|tex -i|.
+ \item Try to find the name of the ``plain \TeX'' format (usually posted
+when \TeX ing anything).
+ \item Then, \ital{mutatis mutandis}, assuming the ``{\tt initex}'' command
+has the name \verb|initex| and the ``plain \TeX'' format is \verb|plain|, run
+the shell command:
+
+ \medskip
+ \verb|initex \&plain musixtex.ins|
+
+ \medskip\noindent which will produce a format file {\tt musixtex.fmt} which
+you shall put in the same directory as the others formats (hoping you have
+the access rights...). Note --- in \unix{} systems --- the backslash before
+the \verb|&| which tells the system to consider this character as a member of
+the command, not a batch execution indication. Once this is done, you can
+\musixtex\ any score you have written using a command such as:
+
+ \medskip
+ \verb|tex \&musixtex my-score.tex|
+
+ \medskip\noindent that is, specifying your new format {\tt musixtex.fmt}
+instead of the usual {\tt plain.fmt}.
+
+ For \ixem{MS-DOS}/{\tt emTeX} users the format building command is:
+
+ \verb|tex386 -i &plain musixtex.ins|
+
+ \noindent (you can change \verb|plain| into \verb|dc-plain| or any other
+plain-like format you have) then:
+
+ \verb|copy musixtex.fmt \emtex\btexfmts\*.*|
+
+ \noindent and the {\tt musixtex.bat} command can be
+
+% It makes no sense to state -mt20000, perhaps this is useful for MusicTeX,
+% (it uses hyphenation to break a line) but not for MusiXTeX (it uses musixflx)
+\begin{quote}\begin{verbatim}
+if exist %1.tex goto tex
+goto end
+
+:tex
+if exist %1.mx1 del %1.mx1
+if exist %1.mx2 del %1.mx2
+tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9
+
+if errorlevel 2 goto end
+musixflx %1
+
+if errorlevel 1 goto end
+tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9
+
+:end
+ \end{verbatim}\end{quote}
+\end{enumerate}
+
+\begin{flushright}\it
+Don't expect a perfect package or miracles.\\
+There will be enough unexpected miracles.\\[\smallskipamount]
+{\sc Eberhard Mattes}
+\end{flushright}
+
+\chapter{Examples}
+ Due to compatibility problems with \LaTeX\ (used to produce this notice)
+large examples must be \TeX -ed separately, i.e.\ using plain \TeX{} and not
+\LaTeX. Therefore, the \musixtex\ future user is suggested to produce some of
+the following examples and to look carefully at the way some special features
+have been coded.
+
+ When producing this examples, care should be taken about the fact
+that several given files are supposed to be included (by means of
+\keyindex{input}) in other files. Thus the only good files to be directly
+\TeX-ed are those which begin with \verb|\input musixtex| or
+ \verb|% \input musixtex|. This latter command is often commented out so that
+the examples can be run either using a \musixtex\ format including {\tt
+musixcpt.tex} and {\tt musixsty.tex} --- namely the format generated by {\tt
+musixtex.ins} --- or using a \musictex\ format including {\tt musictrp.tex},
+{\tt musicvbm.tex} and {\tt musicsty.tex} --- namely the format generated by
+{\tt musixtex.ins}.
+
+In addition, it must be noted that most DVI previewers and laser printers have
+their origin at one inch below and one inch right of the right upper corner
+of the paper, while the musical examples have their upper left significant
+corner only at one centimeter right and below the left top of the paper.
+Therefore, special parameters have to be given to the DVI transcription
+programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\
+commands are introduced within the source \TeX\ text.
+
+\section{Clean \musixtex\ examples}
+
+\begin{itemize}
+ \item{\tt avemaria.tex} to get the ``M\'editation'' (alias ``Ave Maria'') by
+Charles {\sc Gounod} for organ and violin or song in clean \musixtex-input.
+\index{Gounod, C.@{\sc Gounod, C.}}
+ \item{\tt traeumer.tex} to get the famous ``Tr\"aumerei'' by
+Robert {\sc Schumann} for piano, in genuine \musixtex-input but with some
+additions to perform ascending \itxem{crescendos}.
+\index{Schumann, R.@{\sc Schumann, R.}}
+ \item{\tt parnasum.tex} to get the first page of ``Doctor gradus ad
+Parnassum'' by Claude {\sc Debussy} for piano.\index{Debussy,
+C.@{\sc Debussy, C.}}
+ \item{\tt glorias.tex} to get a local melody for the French version of
+\ital{Gloria in excelsis Deo}, showing use of lyrics commands. {\tt
+gloriab.tex} is the same, with organ accompaniment.
+ \item Other clean \musixtex\ examples seem to be no more compatible with
+the present version, but they should be updated in a near future.
+\end{itemize}
+
+These examples are packed (zipped) in the {\ttxem{musixexa.zip}} file of the
+\musixtex\ distribution.
+
+\section{Nearly compatible \musictex\ examples}
+
+These are examples using not only {\tt musixtex} but also {\tt musixcpt} and
+{\tt musixsty}, which means their coding is easily understandable for
+\musictex{} previous users. However, they cannot be run as is with \musictex,
+since a few specific commands have been included, either for spacing, or for
+oblique slurs. They are given in {\tt musixexa.zip}, for example:
+
+ \begin{itemize}
+ \item {\tt gymnoman}~: an imitation of Erik {\sc Satie}'s
+\ital{Gymnop\'edies}\index{Satie, E.@{\sc Satie, E.}},
+ \item {\tt canticor.tex}/{\tt canticox.tex}~:
+a famous tune by Georg Friedrich {\sc Haendel}\index{Haendel, G.F.@{\sc
+Haendel, G.F.}},
+ \item {\tt ilfaitda.tex}/{\tt ilfaitdx.tex}~: a famous choral by J.-S.
+{\sc Bach}\index{Bach, J.S.@{\sc Bach, J.S.}} adapted with French lyrics for
+French churches,
+ \item {\tt widor\_20.tex}~: the famous toccata for organ by Charles-Marie {\sc
+Widor}\index{Widor, C.M.@{\sc Widor, C.M.}} in 10 pages (more compact than
+commercial editions, and easier to play if nobody can turn the pages), and
+{\tt widor\_16.tex} which is the same in 16~pt size, i.e. more compact.
+ \item{\tt souveni*.tex}~: a nice French tune of the fifties, by Oreste {\sc
+Rossi} and Fernand {\sc Capitani} with several transpositions.
+ \item {\tt marcello.tex}~: the adagio of Benedetto {\sc
+Marcello}\index{Marcello, B.@{\sc Marcello, B.}}'s oboe concerto, transcribed
+for organ.
+ \item {\tt hymnepas.tex}~: a modern Eastern canticle by A. {\sc Gouzes} and
+{\sc Palestrina}, showing heavy use of \keyindex{hardlyrics} for choral
+music.\index{Gouzes, A.@{\sc Gouzes, A.}}
+
+ \end{itemize}
+
+\section{Compatible \musictex\ examples}
+
+They are all the examples provided in the \musictex\ distribution. To run them
+the easiest way is to have both a {\tt musictex} and a {\tt musixtex} format as
+described in \ref{formatbuild}. Otherwise, insert
+
+ \verb|\input musixtex|
+
+ \verb|\input musixcpt|
+
+ \verb|\input musixsty|
+
+ \noindent at the beginning of each example, and \TeX\ it.
+
+ \section{Looking at examples before installing \musixtex}
+
+ Most of the above examples (and some others) are posted, ready to print, as
+PostScript files in:
+ \begin{itemize}
+ \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.zip/*/*/*.zip} (zipped
+PostScript 300dpi files)
+ \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.gz/*/*/*.ps.gz} (gzipped
+PostScript 300dpi files)
+ \end{itemize}
+
+ Printing them on any PostScript printer (needs A4 paper) is a good means of
+getting an overview of \musixtex's capabilities.
+
+
+\printindex
+
+\clearpage
+{\parindent0pt
+\hoffset-15.4mm
+\voffset-42mm
+\hsize190mm
+\vsize285mm
+\parskip0pt plus 2pt
+% not fine, not clean, but works
+% !!! don't look at this !!!
+%>>>
+\makeatletter
+\textheight\vsize
+\@colht\vsize
+\@colroom\vsize
+\makeatother
+%<<<
+\let\MYTEMP\addcontentsline
+\def\addcontentsline#1#2#3{}
+\chapter{}
+\let\addcontentsline\MYTEMP
+\addcontentsline{toc}{chapter}{%
+ \protect\numberline\thechapter{Summary of denotations}}
+\vglue-20mm
+\centerline{\bigfont Pitches}
+\medskip
+\tentt
+\def\bs{\tentt\char92}
+\setclef1\bass
+\afterruleskip2pt
+\startpiece
+%
+% Pitches
+%
+\addspace\afterruleskip
+\notes\wh{`ABCDEFG}\wh{!ABCDEFG}\wh{HIJKLMNabcde}\off{-26\noteskip}%
+ \zchar{14}{\llap`A}\sk
+ \zchar{14}{\llap`B}\sk
+ \zchar{14}{\llap`C}\sk
+ \zchar{14}{\llap`D}\sk
+ \zchar{14}{\llap`E}\sk
+ \zchar{14}{\llap`F}\sk
+ \zchar{14}{\llap`G}\sk
+ \zchar{14}A\sk
+ \zchar{14}B\sk
+ \zchar{14}C\sk
+ \zchar{14}D\sk
+ \zchar{14}E\sk
+ \zchar{14}F\sk
+ \zchar{14}G\sk
+ \zchar{-5}{\llap'A}\zchar{14}H\sk
+ \zchar{-5}{\llap'B}\zchar{14}I\sk
+ \zchar{-5}{\llap'C}\zchar{14}J\sk
+ \zchar{-5}{\llap'D}\zchar{14}K\sk
+ \zchar{-5}{\llap'E}\zchar{14}L\sk
+ \zchar{-5}{\llap'F}\zchar{14}M\sk
+ \zchar{-5}{\llap'G}\zchar{14}N\sk
+ \zchar{14}a\sk
+ \zchar{14}b\sk
+ \zchar{14}c\sk
+ \zchar{14}d\sk
+ \zchar{14}e\sk\en
+\stoppiece\vskip-3\Interligne\setclef1\treble\contpiece
+\notes\wh{abcdefg}\wh{hijklmno}\wh{pqrstuvwxyz}\off{-26\noteskip}%
+ \zchar{-8}a\sk
+ \zchar{-8}b\sk
+ \zchar{-8}c\sk
+ \zchar{-8}d\sk
+ \zchar{-8}e\sk
+ \zchar{-8}f\sk
+ \zchar{-8}g\sk
+ \zchar{-8}h\zchar{-4}{\llap'a}\sk
+ \zchar{-8}i\zchar{-4}{\llap'b}\sk
+ \zchar{-8}j\zchar{-4}{\llap'c}\sk
+ \zchar{-8}k\zchar{-4}{\llap'd}\sk
+ \zchar{-8}l\zchar{-4}{\llap'e}\sk
+ \zchar{-8}m\zchar{-4}{\llap'f}\sk
+ \zchar{-8}n\zchar{-4}{\llap'g}\sk
+ \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk
+ \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk
+ \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk
+ \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk
+ \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk
+ \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk
+ \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk
+ \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk
+ \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk
+ \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk
+ \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk
+ \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en
+\stoppiece
+\medskip
+\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests}
+\medskip
+%
+% Notes& Accidentals
+%
+\contpiece
+\Notes
+ \zchar{-4}{Accidentals:}%
+ \zchar9{\bs maxima}\maxima i\relax
+ \zchar{12}{\bs longa}\longa i%
+ \zchar9{\bs breve}\breve i%
+ \zchar{12}{\bs wq}\wq i%
+ \zchar{12}{\bs wqq}\wqq i%
+ \zchar{12}{\bs wh}\wh i%
+ \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}%
+ \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l%
+ \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}%
+ \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l%
+ \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}%
+ \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l%
+ \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}%
+ \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l%
+ \zchar{12}{\bs cccu}\zchar{-4}<\cccu{<f}%
+ \zchar{12}{\bs cccl}\loff{\zchar{-4}{\bs cdfl}}\cdfl l\cccl l%
+\multnoteskip{1.2}%
+ \zchar{12}{\bs ccccu}\ccccu f%
+ \zchar{12}{\bs ccccl}\ccccl l%
+\multnoteskip{.8}%
+ \zchar{12}{\bs grcu}\grcu f%
+ \zchar{12}{\bs grcl}\grcl l\en
+\stoppiece
+%
+% various note heads
+%
+\contpiece
+\Notes
+\multnoteskip{1.1}%
+ \zchar{10}{\bs dqu$^{123}$}%
+ \zchar{-3}{\eightrm 1 musixdia.tex~~2 musixper.tex~~3 musixgre.tex%
+ ~~4 musixlit.tex~~5 musixext.tex}\dqu g%
+ \zchar{10}{\bs yqu$^{123}$}\yqu g%
+\multnoteskip{.9}%
+ \zchar{10}{\bs dcqu$^2$}\dcqu g%
+ \zchar{10}{\bs dhqu$^2$}\dhqu g%
+ \zchar{10}{\bs doqu$^2$}\doqu g%
+ \zchar{10}{\bs xqu$^2$}\xqu g%
+ \zchar{10}{\bs oxqu$^2$}\oxqu g%
+ \zchar{10}{\bs roqu$^2$}\roqu g%
+ \zchar{10}{\bs tgqu$^2$}\tgqu f%
+ \zchar{10}{\bs kqu$^2$}\kqu f%
+ \zchar{10}{\bs squ$^3$}\squ g%
+ \zchar{10}{\bs lsqu$^3$}\lsqu j%
+ \zchar{10}{\bs rsqu$^3$}\rsqu k%
+ \zchar{10}{\bs cqu$^4$}\cqu g%
+ \zchar{10}{\bs cql$^4$}\cql k%
+ \zchar{10}{\bs chu$^4$}\chu g%
+ \zchar{10}{\bs chl$^4$}\chl k\en
+%
+% Pointed Notes and Accents
+%
+\stoppiece
+\medskip
+\contpiece
+\Notes
+ \zchar{-5}{\eightrm Accent on beam with prefix {\tt b} and beam reference
+number instead of the pitch}%
+ \zchar{13}{\bs lpz}\lpz f\qu f%
+ \zchar{13}{\bs upz}\upz l\ql l%
+ \zchar{13}{\bs lsf}\lsf f\qu f%
+ \zchar{13}{\bs usf}\usf l\ql l%
+ \zchar{13}{\bs lst}\lst f\qu f%
+ \zchar{13}{\bs ust}\ust l\ql l%
+ \zchar{13}{\bs lppz}\lppz f\qu f%
+ \zchar{13}{\bs uppz}\uppz l\ql l%
+ \zchar{13}{\bs lsfz}\lsfz f\qu f%
+ \zchar{13}{\bs usfz}\usfz l\ql l%
+ \zchar{13}{\bs lpzst}\lpzst f\qu f%
+ \zchar{13}{\bs upzst}\upzst l\ql l%
+ \zchar{16}{\bs downbow}\zchar9\downbow\ql l%
+ \zchar{13}{\bs upbow}\zchar9\upbow\ql l%
+ \zchar{16}{\bs flageolett}\flageolett l\ql l%
+ \zchar{13}{\bs whp}\whp i%
+ \zchar{13}{\bs qupp}\qupp h\en
+\stoppiece
+\medskip
+%
+% clefs
+%
+\setclefsymbol1\empty \nostartrule\contpiece
+\NOtes
+ \zchar{13}{\bs trebleclef}\zchar0\trebleclef\sk
+ \zchar9{\bs altoclef}\zchar0\altoclef\sk
+ \zchar{13}{\bs bassclef}\zchar0\bassclef\sk
+ \zchar9{\bs smalltrebleclef}\zchar0\smalltrebleclef\sk
+ \zchar{13}{\bs smallaltoclef}\zchar0\smallaltoclef\sk
+ \zchar9{\bs smallbassclef}\zchar0\smallbassclef\sk
+ \zchar{13}{\bs drumclef$^2$}\zchar0\drumclef\sk
+ \zchar9{\bs gregorianCclef$^3$}\zchar0\gregorianCclef\sk
+ \zchar{13}{\bs gregorianFclef$^3$}\zchar0\gregorianFclef\sk
+ \zchar9{\bs oldGclef$^4$}\zchar0\oldGclef\sk\en
+\zstoppiece\smallskip
+%
+% Rests
+%
+\resetclefsymbols\startrule\contpiece
+\NOtes
+\multnoteskip{.5}%
+ \zchar{13}{\bs qqs}\qqs
+ \zchar{13}{\bs hs}\hs
+ \zchar{13}{\bs qs}\qs
+ \zchar{13}{\bs ds}\ds
+ \zchar{13}{\bs qp}\qp
+\multnoteskip2%
+ \zchar{13}{\bs hpause}\hpause
+ \zchar{13}{\bs hpausep}\hpausep
+ \zchar{9}{\bs lifthpause}\roff{\lifthpause5}\sk
+ \zchar{13}{\bs pause}\pause
+ \zchar{13}{\bs pausep}\pausep
+ \zchar{9}{\bs liftpause}\roff{\liftpause4}\sk
+ \zchar{13}{\bs PAuse}\PAuse
+ \zchar{13}{\bs PAUSe}\PAUSe
+ \zchar{13}{\bs Hpause$^4$}\Hpause i{.8}\sk\en
+\stoppiece\vskip-2\Interligne
+%
+\centerline{\bigfont Other Symbols}
+\medskip
+%
+% more Symbols
+%
+\contpiece
+\NOtes
+ \zchar{14}{\bs Trille}\zchar{-4}{\bs allabreve}\Trille n1%
+ \zchar0\allabreve\sk
+ \zchar{14}{\bs trille}\zchar{-4}{\bs meterC}\trille n1\zchar0\meterC\sk
+ \zchar{14}{\bs shake}\zchar{-4}{\bs reverseC}\shake n\zchar0\reverseC\sk
+ \zchar{14}{\bs Shake}\zchar{-4}{\bs reverseallabreve}\Shake n%
+ \zchar0\reverseallabreve\sk
+ \zchar{14}{\bs mordent}\mordent n\sk
+ \zchar{14}{\bs Mordent}\Mordent n\zchar{-4}{\bs meterplus}%
+ \zchar0{\meterfrac{3\meterplus2\meterplus3}8}\sk
+\multnoteskip{.66}%
+ \zchar{14}{\bs turn}\turn n\sk
+\multnoteskip{1.25}%
+ \zchar{14}{\bs backturn}\backturn n\zchar{-4}{\bs duevolte}\duevolte\sk
+ \zchar{14}{\bs Shakel}\Shakel n\sk
+ \zchar{14}{\bs Shakesw}\Shakesw n\zchar{-4}{\bs l[r]par}%
+ \lpar f\rpar f{\stemlength4\qu f}%
+ \zchar{14}{\bs Shakene}\Shakene n\sk
+ \zchar{14}{\bs Shakenw}\Shakenw n\sk\en
+\stoppiece
+\medskip
+%
+% again
+%
+\contpiece
+\NOtes\zchar9{\bs metron}\zchar{13}{\metron\qu{99}}\sk\en
+\setvoltabox1\bar
+\NOtes\loffset2{\zchar{17}{\bs setvoltabox}}\en
+\setvolta2\setendvolta\rightrepeat
+\NOtes\loff{\zchar{17}{\bs setvolta}}\en
+\doublebar
+\notes\zchar{17}{\kern-\afterruleskip\bs coda}\coda n\en\bar
+\notes\zchar{17}{\kern-\afterruleskip\bs Coda}\Coda n\en
+\NOtes
+ \zchar{17}{\bs segno}\segno n\sk
+ \zchar{17}{\kern-2\afterruleskip\bs Segno}\Segno\hsk
+ \zchar{17}{\bs caesura}\sk\caesura
+ \zchar{17}{\bs cbreath}\cbreath\sk
+\multnoteskip{.66}%
+ \zchar{17}{\bs PED}\PED\sk
+ \zchar{17}{\bs sPED}\sPED\sk
+ \zchar{17}{\bs DEP}\DEP\sk
+ \zchar{17}{\bs sDEP}\sDEP\sk\en
+\stoppiece
+\medskip
+%
+% and again ...
+%
+\contpiece
+\Notes
+ \zchar{17}{\bs fermataup}\fermataup l%
+ \zchar{-8}{\bs fermatadown}\fermatadown f{\stemlength3\ql i}%
+ \zchar{13}{\bs Fermataup}\Fermataup l%
+ \zchar{-4}{\kern8pt\bs Fermatadown}\Fermatadown f\wh i%
+ \loff{\zchar{17}{\bs arpeggio d5}}\arpeggio d5\sk
+\multnoteskip{.66}%
+ \loff{\zchar{13}{\bs bracket}}\bracket e{10}\zq n\ql e\en
+\notes\stemlength3%
+ \zchar{17}{\bs uptrio}\uptrio{11}16\ql l\ql n\bsk\bsk
+ \zchar{-8}{\bs downtrio}\downtrio{-5}17\qu c\qu e\en
+\Notes
+ \zchar{17}{\bs octfinup}\octfinup n{.8}%
+ \zchar{-4}{\bs octfindown}\octfindown K{.8}\sk\hsk
+ \zchar{17}{\bs slide$^5$}%
+ \slide i58\slide i57\slide i56\slide i55\slide i54%
+ \slide i53\slide i52\slide i51\slide i5{-1}%
+ \slide i5{-2}\slide i5{-3}\slide i5{-4}\slide i5{-5}%
+ \slide i5{-6}\slide i5{-7}\slide i5{-8}\sk\en
+\leftrepeat
+\Notes
+ \loffset2{\zchar{-4}{\bs leftrepeat}}%
+ \boxitsep=2pt\zchar{17}{\bs boxit A}\zchar9{\boxit A}\en
+\leftrightrepeat
+\Notes
+ \loffset2{\zchar{-8}{\bs leftrightrepeat}}%
+ \zchar{17}{\bs circleit B}\uptext{\circleit B}\en
+\rightrepeat
+\NOtes
+ \loffset2{\zchar{-4}{\bs rightrepeat}}\en
+\endpiece\eject}%
+\endmuflex
+\end{document}
diff --git a/Master/texmf-dist/doc/generic/musixtex/musixflx.1 b/Master/texmf-dist/doc/generic/musixtex/musixflx.1
new file mode 100644
index 00000000000..6b6c7ae50a1
--- /dev/null
+++ b/Master/texmf-dist/doc/generic/musixtex/musixflx.1
@@ -0,0 +1,36 @@
+.\" musixflx.1
+.\" Written by Andreas Tille <tille@debian.org> for the Debian GNU/Linux
+.\" distribution but might be useful for others, too.
+.\" This manpage is licensed under the GNU Public License
+.TH MUSIXFLX 1
+
+.SH NAME
+musixflx \- preprocess mx1 files
+
+.SH SYNOPSIS
+.B musixflx
+.I "[debugmode] jobname.mx1"
+
+.SH "DESCRIPTION"
+
+Optionally, you can add a letter to indicate one of the debug modes, which are:
+
+ d for debug information to screen
+.br
+ f for debug information to file jobname.mxl
+.br
+ s to get the computed lines immediately on screen
+
+To allow for ease of use with a batch file, \fB musixflx\fR
+can either be fed with \fI jobname.mx1\fP, \fI jobname.tex\fP
+or only \fI jobname\fP, all of which opens \fI jobname.mx1\fP.
+
+.SH SEE ALSO
+musixtex(1)
+.br
+/usr/share/doc/musixtex/musixdoc.ps on a Debian GNU/Linux system
+
+
+.SH AUTHOR
+This manual page was written by Andreas Tille <tille@debian.org>
+for the Debian GNU/Linux system (but may be used by others).