From f07bb53970ee2ecc53f81a206a3d3a67ef665e4a Mon Sep 17 00:00:00 2001 From: Karl Berry Date: Mon, 9 Jan 2006 00:56:57 +0000 Subject: doc 6 git-svn-id: svn://tug.org/texlive/trunk@85 c570f23f-e606-0410-a88d-b1316a301751 --- Master/texmf-dist/doc/generic/musixtex/CHANGES | 31 + Master/texmf-dist/doc/generic/musixtex/README | 114 + .../texmf-dist/doc/generic/musixtex/README.psfonts | 111 + .../texmf-dist/doc/generic/musixtex/backgrnd.sty | 320 + .../doc/generic/musixtex/examples/adagio.tex | 445 ++ .../doc/generic/musixtex/examples/albinoni.tex | 614 ++ .../doc/generic/musixtex/examples/angescam.tex | 19 + .../doc/generic/musixtex/examples/angescao.tex | 24 + .../doc/generic/musixtex/examples/angescax.tex | 366 + .../doc/generic/musixtex/examples/avemaria.tex | 19 + .../doc/generic/musixtex/examples/avemarid.tex | 1016 +++ .../doc/generic/musixtex/examples/avemaril.tex | 20 + .../doc/generic/musixtex/examples/avemario.tex | 1014 +++ .../doc/generic/musixtex/examples/avemarix.tex | 951 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b/Master/texmf-dist/doc/generic/musixtex/CHANGES new file mode 100644 index 00000000000..984f109f364 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/CHANGES @@ -0,0 +1,31 @@ + PostScript (Type 1) Fonts for MusiXTeX + Ver 1.13 + + 19-February-2003 + + Takanori Uchiyama, uchiyama@appi.keio.ac.jp + +19-February-2003 + + Fix a problem that xslz20 disappears with Acrobat 5. + +15-July-2002 + + Fix broken fonts, xslhd11, xslhd11d, xslhd13, xslhd13d, xslhd16d, + xslhd24, xslhd29d. + +28-August-2001 + + Fix wrong width of musix13.pfb. + + Fix wrong width of xslhu11-29 and xslhu11d-29d. + +30-July-2001 + + Reducing control points. + + Hinted automatically with Fontographer. + + Upgrade from T101 to T102 (musix11 - 29, xslhz20, xslhz20d) + + PostScript names were changed. + Ex. TeX-musix20 --> TeXMUSIX20-Regular + + typo correction. + musix.tex --> musix.map + +13-July-2001 + + First release. + +[End of CHANGES] diff --git a/Master/texmf-dist/doc/generic/musixtex/README b/Master/texmf-dist/doc/generic/musixtex/README new file mode 100644 index 00000000000..3490a07d215 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/README @@ -0,0 +1,114 @@ + PostScript (Type 1) Fonts for MusiXTeX + Ver 1.13 + + 19-February-2003 + + Takanori Uchiyama, uchiyama@appi.keio.ac.jp + +1. DESCRIPTION + +This package provides PostScript (type 1) fonts (PFB format), and dvips and +dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT +sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts +provided here may be used to produce printer-independent Postscript files. PDF +files generated using type 1 fonts are well displayed by the Acrobat Reader and +xpdf. + +The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July +using TeXtrace 0.45 or mftrace 1.0.12 but musix11-20, xslhz20 and xslhz20d +were upgraded to those in musixtex-T102.tar.gz. + +Here is a list of the 71 generated fonts. + +musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb +musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb +musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb +musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb +musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb +musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb +musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb +musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb +xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb +xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb +xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb +xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb + +Note: musix25 and xgreg25 were not generated because they are not used in + musixgre.tex or musixtex.tex. + + +The control points were reduced with Fontographer. +The fonts were hinted automatically with Fontographer. musix11 - 29 were +hand tuned by Takanori Uchiyama. + +2. METHOD + +Most of fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4. +xslz20 was generated using mftrace 1.0.12 running on Mac OS X 10.2.3. +Thirty-two fonts were generated with the original traceall.sh script. Others +were generated with traceall.sh modified by Takanori Uchiyama. The modification +involved reducing resolution, corresponding to enlargement of "1 thou" in +traceall.sh. The following are lists of fonts that were generated with N-fold +thou scripts. + +twofold + musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d, + xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d, + xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d, + xslu13, xslu13d, xslu16, xslu16d, xslud20 + +threefold + musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d + +fivefold + xslhz20, xslhz20d, xtie20 + +The reason for reducing resolution is that METAFONT supports only limited +values of real numbers and so cannot generate very high resolution MusiXTeX +fonts. + +3. INSTALLATION + + 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs. + 2) Copy all PFBs to the above directory; they should be readable by all users. + 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as + $TEXMF/dvips/config + 4) Add a line + + p +musix.map + + to a suitable config.xxx file or, in a tetex-based distribution, add + musix.map to the list of map files for Type1 fonts with Metafont + equivalents in the updmap script, which should then be executed + by doing "./updmap". + 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as + $TEXMF/dvipdfm/config + 6) Add a line + + f musix.map + + to the config file. + 7) Do mktexlsr or texhash or whatever is necessary on your system to + re-generate the TeX database. + +When these fonts are used, type 1 fonts should also be used for non-music text; +for example, type 1 versions of the Computer Modern fonts are available. + +4. TODO + + + Hinting + + Modifying METAFONT sources to get high resolution outputs + +5. LICENSE + + The license of this package is LPPL. + +6. ACKNOWLEDGEMENTS + + Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their +MusiXTeX package, to Dr. Peter Szabo for his excellent TeXtrace tool, +and to Dr. Han-Wen Nienhuys for his smart mftrace tool. +And thanks to Dr. Bob Tennent for his helpful comments, and to Mr. David +Fritzsche for his suggestions. + +[End of README] diff --git a/Master/texmf-dist/doc/generic/musixtex/README.psfonts b/Master/texmf-dist/doc/generic/musixtex/README.psfonts new file mode 100644 index 00000000000..5285b7dcc30 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/README.psfonts @@ -0,0 +1,111 @@ + PostScript (Type 1) Fonts for MusiXTeX + Ver 1.11 + + 28-August-2001 + + Takanori Uchiyama, uchiyama@appi.keio.ac.jp + +1. DESCRIPTION + +This package provides PostScript (type 1) fonts (PFB format), and dvips and +dvipdfm map files for MusiXTeX. The fonts are based on the original METAFONT +sources, such as musix20.mf, which are distributed with MusiXTeX. The fonts +provided here may be used to produce printer-independent Postscript files. PDF +files generated using type 1 fonts are well displayed by the Acrobat Reader and +xpdf. + +The fonts were generated from the METAFONT sources in the TeX Live CD 2000 July +using TeXtrace 0.45 but musix11-20, xslhz20 and xslhz20d were upgraded to those +in musixtex-T102.tar.gz. + +Here is a list of the 71 generated fonts. + +musix11.pfb xgreg24.pfb xsld29.pfb xslhd24.pfb xslhu24.pfb xslu20.pfb +musix13.pfb xgreg29.pfb xsld29d.pfb xslhd24d.pfb xslhu24d.pfb xslu20d.pfb +musix16.pfb xsld11.pfb xsldd20.pfb xslhd29.pfb xslhu29.pfb xslu24.pfb +musix20.pfb xsld11d.pfb xsldu20.pfb xslhd29d.pfb xslhu29d.pfb xslu24d.pfb +musix24.pfb xsld13.pfb xslhd11.pfb xslhu11.pfb xslhz20.pfb xslu29.pfb +musix29.pfb xsld13d.pfb xslhd11d.pfb xslhu11d.pfb xslhz20d.pfb xslu29d.pfb +musixsps.pfb xsld16.pfb xslhd13.pfb xslhu13.pfb xslu11.pfb xslud20.pfb +musixspx.pfb xsld16d.pfb xslhd13d.pfb xslhu13d.pfb xslu11d.pfb xslup20.pfb +xgreg11.pfb xsld20.pfb xslhd16.pfb xslhu16.pfb xslu13.pfb xslz20.pfb +xgreg13.pfb xsld20d.pfb xslhd16d.pfb xslhu16d.pfb xslu13d.pfb xslz20d.pfb +xgreg16.pfb xsld24.pfb xslhd20.pfb xslhu20.pfb xslu16.pfb xtie20.pfb +xgreg20.pfb xsld24d.pfb xslhd20d.pfb xslhu20d.pfb xslu16d.pfb + +Note: musix25 and xgreg25 were not generated because they are not used in + musixgre.tex or musixtex.tex. + + +The control points were reduced with Fontographer. +The fonts were hinted automatically with Fontographer. musix11 - 29 were +hand tuned by Takanori Uchiyama. + +2. METHOD + +All fonts were generated using TeXtrace 0.45 running on Mac OS X 10.0.4. +Thirty-two fonts were generated with the original traceall.sh script. Others +were generated with traceall.sh modified by Takanori Uchiyama. The modification +involved reducing resolution, corresponding to enlargement of "1 thou" in +traceall.sh. The following are lists of fonts that were generated with N-fold +thou scripts. + +twofold + musix11, musix13, xsld11, xsld11d, xsld13, xsld13d, xsld16, xsld16d, + xslhd13, xslhd13d, xslhd16, xslhd16d, xslhd20, xslhd20d, xslhd24d, + xslhu13, xslhu13d, xslhu16, xslhu16d, xslhu20, xslhu20d, xslhu24d, + xslu13, xslu13d, xslu16, xslu16d, xslud20 + +threefold + musixsps, musixspx, xslhd11, xslhd11d, xslhu11, xslhu11d, xslz20, xslz20d + +fivefold + xslhz20, xslhz20d, xtie20 + +The reason for reducing resolution is that METAFONT supports only limited +values of real numbers and so cannot generate very high resolution MusiXTeX +fonts. + +3. INSTALLATION + + 1) Make a directory such as $TEXMF/fonts/type1/musixtex, for PFBs. + 2) Copy all PFBs to the above directory; they should be readable by all users. + 3) Copy the map file ./dvips/musix.map to the appropriate directory, such as + $TEXMF/dvips/config + 4) Add a line + + p +musix.map + + to a suitable config.xxx file or, in a tetex-based distribution, add + musix.map to the list of map files for Type1 fonts with Metafont + equivalents in the updmap script, which should then be executed + by doing "./updmap". + 5) Copy the map file ./dvipdfm/musix.map to the appropriate directory, such as + $TEXMF/dvipdfm/config + 6) Add a line + + f musix.map + + to the config file. + 7) Do mktexlsr or texhash or whatever is necessary on your system to + re-generate the TeX database. + +When these fonts are used, type 1 fonts should also be used for non-music text; +for example, type 1 versions of the Computer Modern fonts are available. + +4. TODO + + + Hinting + + Modifying METAFONT sources to get high resolution outputs + +5. LICENSE + + The license of this package is LPPL. + +6. ACKNOWLEDGEMENTS + + Thanks to Dr. Daniel Taupin, Ross Mitchell and Andreas Egler for their +MusiXTeX package, and to Dr. Peter Szabo for his excellent TeXtrace tool. +And thanks to Dr. Bob Tennent for his helpful comments. + +[End of README] diff --git a/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty new file mode 100644 index 00000000000..0c06073ad95 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/backgrnd.sty @@ -0,0 +1,320 @@ +%%% backgrnd.sty = background.sty +%%% Experimental version 24 march 1996 +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% +%%% This macro file aims at implementing marking of text, +%%% either by a grey background or by a change bar +%%% using TeX's own resoureces only, +%%% (i.e., without resorting to any pstricks). +%%% Grey background uses a shade font defined using MetaFont +%%% The macros seem to work satisfactory under plain TeX, +%%% however, I have also tried (rudimentarily) to integrate it with +%%% LaTeX, too. It seems to work with (simple) LaTeX 2.09, at least. +%%% +%%% commands : +%%% \RuleOn and \RuleOff : changebar +%%% \RuleON : backs up to mark current line, too +%%% \RuleStyle { ( dimension ) % width of rule +%%% % rule offset on pages +%%% [ # dimension | % with even pagenumbers +%%% # dimension ] } % with odd pagenumbers +%%% % # is either < : left margin +%%% % or > : right margin +%%% e.g.: default values are set by +%%% \RuleStyle { (2pt)[<18pt|>18pt] } +%%% +%%% +%%% \ShadeON ( backs up to mark current line, too ) and +%%% \ShadeOn and \ShadeOff : grey background, requires shade.sty +%%% therefore, by default, + \let\ifUseGrey\iffalse % grey background will not be installed +%%% - and will be replaced by rules +%%% if grey background is required then +%%% remove comment signs %%% from next line : +%%% \let\ifUseGrey\iftrue +%%% +%%% (At present) it is not possible to use both commands +%%% in the same document ! +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% Peter Schmitt %%% +%%% Institut f\"ur Mathematik, Universit\"at Wien %%% +%%% Strudlhofgasse 4, A-1090 Wien, Austria %%% +%%% email: schmitt@awirap.bitnet %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\catcode`\: 11 % make internal macros private +\countdef\int: 255 % scratch registers +\dimendef\dim: 0 +\skipdef\skip: 0 + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% commands and options %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\def \RuleOn {\bg:ini \bg:rule + \RuleStyle { (2pt)[<18pt|>18pt] } + \bg:commands \RuleOn \RuleON \RuleOff + \RuleOn + } +\def \RuleStyle #1{\set:hsize #1(\bg:hsize)\\% + \set:offsets #1[*|*]\iftrue]\iffalse\\% + } + +\def \bg:rule {\leaders\vrule width\bg:hsize\vskip} +\def \bg:empty {\vskip} +\let \bg:offset \relax + +%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% interface tools %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\def\bg:commands #1#2#3{\def #1{\bg:option {\vbox{}\pos:on}} + \def #2{\bg:option {\nobreak\vskip-\baselineskip + \vbox{}\pos:on + \nobreak\vskip\baselineskip } + } + \def #3{\bg:option {\vbox{}\pos:off}} + } +\def \bg:ini {\output{\bg:output} % should be followed by desired \bg:style + \zero:pos + \global\let \bg:skip \bg:empty + \let \bg:style + } +\def\bg:option #1{\ifvmode #1\else \vadjust{#1}\fi } + +\def \set:hsize #1(#2)#3\\{\edef\bg:hsize{#2}} +\def \set:offsets #1[#2#3|#4#5]#6]#7#8\\{#7 + \def\bg:shift{} + \set:offset #2#3 + \set:offset #4#5 + \expandafter \set:shifts \bg:shift + \fi } +\def\set:offset #1#2 {\setbox0\hbox{\dim: +#2\bg:offset\xdef\bg:offset{\the\dim:}} + \dim:\bg:offset + \expandafter\expandafter\expandafter + \set:shift \csname bg:#1\endcsname + } +\def\set:shift #1#2{\dim: \bg:offset \advance\dim: #2% + \edef\bg:shift {\bg:shift {#1\the\dim:}} + } +\expandafter\def \csname bg:<\endcsname {\moveleft \bg:hsize} +\expandafter\def \csname bg:>\endcsname {\moveright \hsize} +\def \set:shifts #1#2{\def\bg:shift{\ifodd\pageno #2\else #1\fi}} + +%%% not used : +\def\bg:err #1{\errmessage {% + Warning ! Background mode \noexpand#1 already active ! } + } +%%% saving position without eject yields not always correct result +%%% \def\bg:on {\switch:to \bg:style } \def\bg:off {\switch:to \bg:empty } + +%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% grey background %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%% +\ifUseGrey + +\def\ShadeOn {\bg:ini \bg:grey + \let\bg:shift\relax + \let\bg:hsize\hsize + \setbox\grey:line + \vbox{\shade{\line:{\vphantom{\grey:\char0}\hfil}}} + \bg:commands \ShadeOn \ShadeON \ShadeOff + \ShadeOn + } +\csname newbox\endcsname\grey:line % allow \newbox in conditional text +\def\bg:grey {\leaders\copy\grey:line\vskip} +\let\line:\line +\input shade + +\else + \def\ShadeOn{\RuleOn} \def\ShadeOff{\RuleOff} \def\ShadeON{\RuleON} + \fi +%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% output routine %%% +%%%%%%%%%%%%%%%%%%%%%%%%%% + + \newbox \bg:page + \newdimen \v:size + \newskip \v:pos + \newcount \true:penalty + \chardef \the:page 255 + +\def\option: #1{\advance\int: -1 + \edef#1{\penalty\the\int: } + \expandafter\def\csname\the\int:\endcsname + } \int: -12345 +\def\bg:output{\expandafter\ifx\csname\the\outputpenalty\endcsname\relax + \global\true:penalty\outputpenalty + \expandafter\bg:pagecontents + \else \expandafter\expandafter + \csname\the\outputpenalty\endcsname + \fi } +\option: \pos:on {\bg:switch \bg:style } +\option: \pos:off {\bg:switch \bg:empty } +\option: \bg:top {\save:pos \add:bg\bg:empty\v:skip{} + \repeat:page \unvbox\the:page } +\option: \bg:bot {\save:pos \repeat:page \unvbox\the:page } +\option: \fg:end {\save:pos \add:bg\bg:empty{}\v:skip \bg:makepage } + +\def \bg:switch #1{\setbox\the:page + \vbox{\unvbox\the:page \setbox0\lastbox } + \ifdim \pagetotal=\topskip + \global\let \bg:skip #1 + \unvbox\the:page + \else \switch:to #1 + \repeat:page\repeat:inserts \unvbox\the:page + \fi + } +\def\switch:to #1{\save:pos + \add:bg \bg:skip{}\v:skip + \global\let \bg:skip #1} +\def\bg:pagecontents {\switch:to \bg:skip + \setbox\the:page \vbox + {\vbox{}\bg:top \unvbox\the:page \bg:bot } + \zero:pos \repeat:page + \pagecontents \fg:end + } +\def\bg:makepage {\global\v:size\vsize \advance\v:size \dp\the:page + \def\pagecontents{% + \bg:shift + \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss} + \unvbox\the:page } + \outputpenalty\true:penalty + \plainoutput + \zero:pos \reset:inserts + } + +%%%%%%%%%%%%%%%%% +%%% tools %%% +%%%%%%%%%%%%%%%%% + +\def\repeat:page {\vbox{}\nobreak\kern-\topskip } +\def\add:bg #1#2#3{\let\bg:vskip #1 + \global\setbox\bg:page \vbox{#2\unvbox\bg:page#3} + } + +\newdimen \v:fil +\newdimen \v:fill +\newdimen \v:filll +\def\zero:pos {\global \v:pos 0pt + \global \v:fil 0pt + \global \v:fill 0pt + \global \v:filll 0pt + } +\def\save:pos {\skip: -\v:pos % save -last:pos + \global \v:pos \pagetotal + \global\advance \v:pos \pagedepth + \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi + \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink + \save:skip + } +\def\save:pos {\skip: -\v:pos % save -last:pos + \global \v:pos \pagetotal + \global\advance \v:pos \pagedepth + \ifnum \pagedepth=0 \advance\v:pos \dp\the:page \fi + \global\advance \v:pos 0ptplus\pagestretch minus\pageshrink + \save:skip + \global\skip\ins:size \vsize + \global\advance\skip\ins:size -\pagegoal + \global\advance\skip\ins:size -\ins:skip + } +\def\save:skip {\advance\skip:\v:pos % v:pos - last:pos + \let\bg:vskip\relax + \edef\v:skip{\bg:vskip\the\skip:} + \fil:skip l \fil:skip ll \fil:skip lll + } +\def\fil:skip #1 {\set:fil {\csname v:fi#1\endcsname} + {\csname pagefi#1stretch\endcsname} + \edef\v:skip{\v:skip \bg:vskip0ptplus\the:pt \dim: fi#1 } + } +\def\set:fil #1#2{\dim: -#1 + \advance \dim: #2 + \global #1 #2 + } +\def\the:pt {\expandafter\PT:\the} + { \catcode`p 12 \catcode`t 12 +\gdef\PT: #1pt{#1} }% \catcode`p 11 \catcode`t 11 + +%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% insert handling %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\newcount\ins: +\newinsert\ins:size +\newdimen\ins:skip + +\let\do:insert \insert +\def\inserts:{} +\def\insert {\afterassignment\adjust:pos\ins:} +\def\adjust:pos {\csname ins:\the\ins:\endcsname\csname iftrue\endcsname + \add:plus \ins: \add:minus \ins: + \advance\ins:skip\skip\ins: + \let\temp:\relax + \edef\inserts:{\inserts: \temp:{\the\ins:}} + \fi + \global\expandafter\let\csname ins:\the\ins:\endcsname \iffalse + \do:insert\ins: } +\def\repeat:inserts{\def\temp:##1{\do:insert##1{}}\inserts: } +\def\reset:inserts{% + \def\temp: ##1{\global\expandafter\let\csname ins:##1\endcsname \relax } + \inserts: \gdef\inserts:{}\global\ins:skip 0pt } + +%%% tools for insert handling %%% + + \catcode `L12 \catcode `N12 \catcode `S12 \catcode `U12 \lowercase{ +\def\plus: #1LUS #2 #3\\{#2} +\def\Plus: #1{\expandafter\plus:\the#1 LUS 0.0pt \\} +\def\minus: #1NUS #2 #3\\{#2} +\def\Minus: #1{\expandafter\minus:\the#1 NUS 0.0pt \\} + } \catcode `L11 \catcode `N11 \catcode `S11 \catcode `U11 + +\def\set:int {\afterassignment\set:frac\int: } +\def\set:frac #1{\afterassignment\csname\count0 } +\def\adv:pos #1{\global\advance#1\the\int:.\the\count0 pt } +\def \pt:p {\adv:pos {\v:pos 0ptplus}} +\def \pt:m {\adv:pos {\v:pos 0ptminus}} +\def \fil:p {\adv:pos \v:fil } +\def \fill:p {\adv:pos \v:fill } +\def\filll:p {\adv:pos \v:filll } + +\def\add:plus #1{{\expandafter\set:int \Plus: {\skip#1}:p\endcsname }} +\def\add:minus #1{{\expandafter\set:int \Minus:{\skip#1}:m\endcsname }} + +%%%%%%%%%%%%%%%%%%%%%%%% +%%% LaTeX extras %%% +%%%%%%%%%%%%%%%%%%%%%%%% + +\catcode`@ 11 +\ifx \@outputbox\undefined \endinput \catcode`@12 \catcode`: 12 \fi + +\newtoks\latex:output \latex:output \output +\newdimen\v:ht % possibly \textheight could be used + +\def\bg:@makecol {\switch:to \bg:skip + \setbox\the:page \vbox + {\vbox{}\bg:top \unvbox\the:page \bg:bot } + \@makecol + \global\v:ht\ht\@outputbox \global\v:size\v:ht + \global\advance\v:size\dp\@outputbox + \zero:pos \outputpenalty\true:penalty + \repeat:page \unvbox\@outputbox \fg:end + } +\def\bg:@makepage {\setbox\@outputbox \vbox to \v:ht {% + \bg:shift + \vbox to0pt{\vbox to\v:size{\unvbox\bg:page}\vss} + \unvbox\the:page } + \outputpenalty\true:penalty + \let\@makecol\relax \the\latex:output + \zero:pos \reset:inserts + } +\let \bg:makepage \bg:@makepage +\let \bg:pagecontents \bg:@makecol +\def \line: {\hbox to\textwidth} +\let \pageno \c@page + +\catcode`@ 12 \catcode`: 12 + +\endinput %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%%% end : background.sty [ 0.3 ] %%% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex new file mode 100644 index 00000000000..7fb253826fa --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/adagio.tex @@ -0,0 +1,445 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Adagio} +\subtitle{(pour orgue)} +\headtitle{I. Adagio} +\csname titremorceautoc\endcsname +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} +\othermention{Compos‚ en 1989} +% +% + +\maketitle +\parindent 18mm +% +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\def\znotes{\vnotes 0\elemskip}% + + +\tracingstats=1\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{16', 8'} + \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee +\vskip -10pt\centerline{fl\^ute 8'}}}% +%\check +%\elemskip=10pt\relax +%\normal +\def\gluemaxskip{7pt}% +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}% +\def\doubler{\multiply\noteskip by 2\relax}% +% +\noautolines +\quatretemps +% +\debutmorceau +\hyphenpenalty -50\relax +\global\cleftoksii={{0}{0}{0}{0}}% +\changeclefs\zglu +\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes +% mesure 1 +\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenu0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +% mesure 2 +\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes +\temps\NOTes&\zq e\qu g\enotes +\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes +\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\enotes +\notes&|\tbu0\qh0i\enotes +% mesure 3 +\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 4 +%\etroit +\barre\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes +\temps\Notes&\zq f\qu h|\sk\cu e\enotes +\temps\NOTes&\zq f\qu h|\qup d\enotes +\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes +% mesure 5 +\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu j\enotes +% mesure 6 +\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes +\temps\NOTes&\zq f\rq g\qu i\enotes +\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes +\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes +\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes +% mesure 7 +\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes +\temps\NOTes&\zq e\qu h|\enotes +\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes +\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes +% mesure 8 +\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes +% mesure 9 +\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes +\temps\Notes&\zq d\qu f|\sk\cu e\enotes +\temps\NOTes&\zq d\qu f|\qup d\enotes +\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes +% mesure 10 +\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +%\check +% mesure 11 +\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\soupir\enotes +\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes +\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes +%\check +% mesure 12 +\barre\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes +\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes +\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes +\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes +%\check +% mesure 13 +\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes +\temps\Notes&\zq g\qu i|\sk\cu h\enotes +\temps\NOTes&\zq g\qu i|\qup g\enotes +\temps\Notes&\zq g\qu i|\sk\ds \enotes +%\check +% mesure 14 +\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote + n{\Trille{2\noteskip}}\relax +\zcharnote q{\ \ (*)}\enotes +\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans +terminaison sur la note suivante.}\relax + \temps\NOTes&\zq e\qu h\enotes +\temps\NOTes&\zq e\qu h|\ql j\enotes +\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes +%\check +% mesure 15 +\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\ql k\enotes +\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes +%\check +% mesure 16 +\barre\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq g\qu i\enotes +\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes +\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes +\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes +%\check +% mesure 17 +\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\soupir\enotes +%\check +% mesure 18 +\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}% +\zcharnote p{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\ql m\enotes +\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes +%\check +% mesure 19 +\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq g\qu i\enotes +\temps\NOTes&\zq g\qu i|\ql n\enotes +\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes +%\check +% mesure 20 +\barre\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes +\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes +\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes +%\check +% mesure 21 +\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes +\temps\Notes&\zq g\qu i|\sk\cl o\enotes +\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +%\check +% mesure 22 +\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes +\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes +\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes +\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes +%\check +% mesure 23 +\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes +\temps\Notes&\zq f\qu h|\sk\cl k\enotes +\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes +%\check +% mesure 24 +\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +%\check +% mesure 25 +\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes +% mesure 26 +\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes +\Notes&|\tbl0\itenl0k\qb0k\enotes +\NOTes&\zq f\qu h|\tten0\hl k\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes +% mesure 27 +\barre\NOtes\wh{=I}&\rlap{\zw d}\rq g\qu f|\hl m\enotes +\temps\NOtes&\rq g\qu f\enotes +\temps\NOtes&\rq g\qu f|\soupir\enotes +\temps\Notes&\rq g\qu f|\ibl0m3\qb0m\enotes +\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes +% mesure 28 +\barre\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes +\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes +\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes +% mesure 29 +\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes +\temps\Notes&\zq e\qu g|\sk\cl k\enotes +\temps\NOTes&\zq e\qu g|\qlp j\enotes +\temps\Notes&\zq e\qu g|\sk\ds \enotes +%\check +% mesure 30 +\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes +\temps\NOTes&\zq f\qu h&\enotes +\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes +\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes +\NOTes&\zq f\qu h|\ql{^m}\enotes +% mesure 31 +\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes +\temps\NOTes&\zq d\qu g|\enotes +\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes +\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes +%\check +% mesure 32 +\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes +\temps\NOTes&\zq f\qu i|\enotes +\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes +\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes +%\check +% mesure 33 +\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes +\temps\Notes&\zq e\qu g|\sk\cl k\enotes +\temps\NOTes&\zq e\qu g|\qlp j\enotes +\temps\Notes&\zq e\qu g|\sk\ds \enotes +%\check +% mesure 34 +\barre\nspace +\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes +\temps\NOTes&\zq f\qu h|\enotes +\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes +\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes +% mesure 35 +\barre +\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes +\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes +\temps\Notes&\zq f\qu h|\dqb3op\enotes +\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes +% mesure 36 +\barre% +\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes +\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes +\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes +\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes +% mesure 37 +\barre +\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes +\temps\Notes&\zq f\qu h|\dqb3mn\enotes +\temps\Notes&\zq f\qu h|\dqb3op\enotes +\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes +% mesure 38 +\barre +\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes +\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes +\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes +\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes +% mesure 39 +%\check +\barre +\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes +\temps\NOTes&\zq f\qu i|\enotes +\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes +\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes +\temps\Notes&\zq f\qu i|\dqb3hi\enotes +%\check +% mesure 40 +\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes +\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes +\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes +% mesure 41 +\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes +\temps\NOTes&\zq e\qu g|\enotes +\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes +\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes +\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes +% mesure 42 +\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes +%\check +% mesure 43 +\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +%\check +% mesure 44 +\barre\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes +\temps\NOTes&\zq d\qu g\enotes +\temps\NOTes&\zq d\qu g|\soupir\enotes +\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes +% mesure 45 +\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes +\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +%\check +% mesure 46 +\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes +\temps\Notes&\zq c\qu f|\sk\cu g\enotes +\temps\NOTes&\zq c\qu f|\qup h\enotes +\temps\Notes&\zq c\qu f|\sk\ds\enotes +% mesure 47 +%\check +\large +\barre\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes +\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes +\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes +\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes +% mesure 48 +%\check +\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes +\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes +\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes +\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes +% mesure 49 +%\check +\barre\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes +\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes +\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes +\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes +% mesure 50 +%\check +\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes +\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes +\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes +\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes +% mesure 51 +%\check +\normal +\barre\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes +\temps\Notes&\zq f\qu h|\sk\cl n\enotes +\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes +\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes +% mesure 52 +%\check +\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes +\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes +\notes&|\tbbl0\tbl0\qb0k\enotes +% mesure 53 +%\check +\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes +\temps\NOTes&\zq d\qu f|\enotes +\temps\NOTes&\zq d\qu f|\enotes +\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes +% mesure 54 +%\cleftoksii={{3}{0}{0}{0}}\changeclefs +\barre\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes +\Notes&|\tbu0\itenl0h\qh0h\enotes +\NOTes&\zq f\qu h|\tten0\hu h\enotes +\temps\NOTes&\zq f\qu h\enotes +\temps\NOTes&\zq f\qu h|\qu i\enotes +% mesure 55 +\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes +\temps\NOTes&\zq e\qu g\enotes +\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes +\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes +\notes&|\nbbu0\qh0h\enotes +\notes&|\tbu0\qh0i\enotes +% mesure 56 +\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes +\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes +\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes +\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 57 +\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup {^f}\enotes +\temps\Notes&\zq f\qu h|\sk\cu g\enotes +\temps\NOTes&\zq f\qu h|\qup h\enotes +\temps\Notes&\zq f\qu h|\sk\ds \enotes +% mesure 58 +\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes +\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes +\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes +\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes +% mesure 59 +%\check +\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes +\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes +\temps\NOTes&\zq d\qu f|\qu f\enotes +\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes +% mesure 60 +%\check +\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes +\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes +\temps\NOTes&\zq c\qu e|\enotes +\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes +% mesure 61 +%\check +\cleftoksii={{6}{0}{0}{0}}% +\zchangeclefs +\barre +\elemskip=1.1\elemskip +\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes +\temps\NOTes&\zq M\ql a|\enotes +\temps\NOTes&\zq N\ql b|\enotes +\temps\NOTes&\zq L\ql N|\enotes +% mesure 62 +\barre\nspace +\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes +\temps\NOTEs\hpause&\hpause|\hpause\enotes +\mulooseness -2\relax +\finmorceau +\bigskip +\rightline{\it \aujourdhui} +\vfil +\eject diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex new file mode 100644 index 00000000000..9b30fd3bb7a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/albinoni.tex @@ -0,0 +1,614 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \input musixadd + \title{Adagio (Albinoni)} +\csname titremorceautoc\endcsname +\fulltitle{Adagio per archi ed organo} +\title{Adagio per archi ed organo} + \author{Tomaso Albinoni\\Transcription orgue et clarinette Daniel +Taupin} + \shortauthor{Albinoni} + \subtitle{\relax} + \othermention{G.O. (I): Montre 8'+4'\\Positif (II): 8'+4'+quinte + \\R\'ecit (III): fl\^utes +8'+4'\\P\'edale : 16'\\Tirasse positif, claviers accoupl‚s.\\Gif : +2-4/9-11-13/19-22/33-37/46-47-48-49-54} + \maketitle + + +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\bigaccid +\def\nbinstruments{4} +\def\instrumenti{P\'edale} +\def\instrumentii{Positif} +\def\instrumentiii{Positif} +\def\instrumentiv{Clarinette} +\def\staffspacingiv{0.64} +\generalmeter{\meterfrac34}% +\cleftoksi{6000} +\cleftoksii{6000} +\cleftoksiii{0000} +\cleftoksiv{0000} +\generalsignature{-2} + % + \def\pto#1#2#3{\Ibbbu0{#1}{#3}2\qh0{#1}\tbbu0\qh0{#2}\tbu0\itenu0{#3}\multnoteskip{1.42}\qhp0{#3}}% + \def\ptb#1#2#3{\Ibbbl0{#1}{#3}2\qb0{#1}\tbbl0\qb0{#2}\tbl0\itenu0{#3}\multnoteskip{1.42}\qbp0{#3}}% + \def\qpqu#1#2{\Ibu0{#1}{#2}2\qhp0{#1}\sk\tbbu0\tqh0{#2}} + \def\qpql#1#2{\Ibl0{#1}{#2}2\qbp0{#1}\sk\tbbl0\tqb0{#2}} + \def\Qpqu#1#2{\Ibu1{#1}{#2}2\qhp1{#1}\sk\tbbu1\tqh1{#2}} + \def\Qpql#1#2{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tqb1{#2}} + \def\Qpqlt#1#2#3{\Ibl1{#1}{#2}2\qbp1{#1}\sk\tbbl1\tslur3{#3}\tqb1{#2}} + % + \def\grnotes{\vnotes0.7\elemskip}% 16th + \def\ggrnotes{\vnotes0.5\elemskip}% 16th + % + \def\qqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} + \def\qqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\qqqb#1#2#3{{\advance\transpose -13\relax\triolet #2}\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} + \def\qqqh#1#2#3{{\advance\transpose 8\relax\triolet #1}\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} + % +\debutmorceau +\NOtes\sk\pause&\lpz G\qu G\upz N\ql N\lpz G\qu G + &\roff{\itenl1b\itenl2d\itenu3g}\zhp b\zhp d\hlp g&\Uptext{\bf\kern -5mm(\metron{\qu}60)}\sk\pause\enotes + \barre %2 +\NOtes\sk\pause&\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql +M\lpz F\qu F&\tten1\tten2\tten3\zhp b\zhp d\hlp g&\sk\pause\enotes + \barre %3 +\notes&\qu E&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes +\NOtes\pause&\ql L&\tten0\qup i&\pause\enotes +\Notes&\qu E&\sk\cu g\enotes + \barre %4 +\NOtes&\qu D\ql K\qu D&\tten1\tten2\zhp b\zhlp e\hup g&\sk\pause\enotes + \barre %5 +\notes&\qu C&\roff{\zhp e\zhlp h}\pto hij\enotes +\NOtes\pause&\qu J\qu C&\tten0\hu j&\pause\enotes + \barre %6 +\notes&\qu {^C}&\zhp {^e}\zhlp g\pto ihi\enotes +\NOtes\pause&\qu {^J}\qu C&\tten0\hu i&\pause\enotes + \barre %7 +\notes&\qu D&\lh d\itenl1d\zhl d\pto hgh\enotes +\NOtes\pause&\ql K&\tten0\itenu0h\qu h&\pause\enotes +\Notes&\qu D&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes + \barre %8 +\NOtes\sk\pause&\qu G\ql N\qu G&\zhp b\zhlp d\hup g&\sk\pause\enotes + \setclef2\treble \changeclefs + \barre %9 + \NOtes\lpz G\qu G\upz N\ql N&\zcharnote n{{\bf III} -- fl–tes}\zhp b\hup d&\zcharnote n{{\bf II} -- quinte}\ppt5\soupir&\isluru3m\ql k\Ibl1ji1\qbp 1j\enotes + \notes&&\ccu N&\tbbl1\tqb1i\enotes + \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes + %\check + \barre %10 + \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes + \notes\ql a&&\qpqu ed\enotes + \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes + \barre %11 + \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes + \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes + \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes + \barre %12 + \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes + \notes\ql b&&\qpqu {^f}d\enotes + \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes + \barre %13 + \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes + \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes + \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes + \barre %14 + \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes + \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes + \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes + \barre %15 + \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes + \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes + \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes + \barre %16 + \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes + \Notes\ql b&&\qqh bc\enotes + \Notes\qu I&\soupir&\qqqh abN\enotes + \barre %17 + \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes + \Notes\ql N&&&\qqb kl\enotes + \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes + \barre %18 + \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes + \Notes\ql a&&\qqh ab\enotes + \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes + \barre %19 + \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes + \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes + \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes + \barre %20 + \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue + m\tslur3l\hl k\enotes + \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\kern -5mm\it a tempo}\ds\cl n\enotes + \barre %21 + \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes + \barre %22 + \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes + \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq +e\qh0g\zq d\tqh0f\enotes + \barre %23 + \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes + \Notes\ql c&&\hu g&\sk\cl j\enotes + \notes\qu J&&&\qpql ln\enotes + \barre %24 + \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes + \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes + \notes\qu I&&&\qpql kn\enotes + \barre %25 + \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes + \notes\qu H&\zcharnote a{(III -- fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq +i\qh0k\zq h\tqh0j&\isluru4k\ql j\enotes + \barre %26 + \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes + \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq +h\qh0j\zq g\tqh0i\enotes + \barre %27 + \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes + \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq +g\qh0i\zq f\tqh0h\enotes + \barre %28 + \NOtes\qu G\ql N\qu G&\itenl1b\hup b&\itenl2d\itenu3g\zhp d\hup g&\tslur4l\hup g\enotes + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + \barno 1\relax + \barre %2 +\NOtes\zcharnote {-7}{\it il basso staccato}\lpz F\qu F\upz M\ql +M\lpz F\qu F&\tten1\hup b&\tten2\tten3\zhp d\hup g&\sk\pause\enotes + \barre %3 +\notes\qu E&&\roff{\itenl1b\itenl2e}\zhp b\zhlp e\pto ghi&\enotes +\NOtes\ql L&&\tten0\qup i&\pause\enotes +\Notes\qu E&&\sk\cu g\enotes + \barre %4 +\NOtes\qu D\ql K\qu D&&\tten1\tten2\zhp b\zhlp e\hup g\enotes + \barre %5 +\notes\qu C&&\roff{\zhp e\zhlp h}\pto hij\enotes +\NOtes\qu J\qu C&&\tten0\hu j&\pause\enotes + \barre %6 +\notes\qu {^C}&&\zhp {^e}\zhlp g\pto ihi\enotes +\NOtes\qu {^J}\qu C&&\tten0\hu i&\pause\enotes + \barre %7 +\notes\qu D&&\lh d\itenl1d\zhl d\pto hgh\enotes +\NOtes\ql K&&\tten0\itenu0h\qu h&\pause\enotes +\Notes\qu D&&\tten1\lq{=c}\zql d\tten0\triolet p\Ibu0hf2\qh0{hg}\tqh0{^f}\enotes + \barre %8 +\NOtes\qu G\ql N\qu G&&\zhp b\zhlp d\hup g\enotes + \barre %9 + \NOtes\lpz G\qu G\upz N\ql N&\zhp b\hup d\zcharnote a{(III -- +fl–tes)}&\ppt5\soupir\zcharnote n{(II -- quinte)}&\isluru3m\ql +k\Ibl1ji1\qbp 1j\enotes + \notes&&\ccu N&\tbbl1\tqb1i\enotes + \notes\lpz G\qu G&&\Ibu0ab1\qhp0a\sk\tbbu0\tqh0b&\Ibl1hg2\qbp1h\sk\tbbl1\tslur3m\tqb1g\enotes + %\check + \barre %10 + \notes\qu H&\hup c&\qpqu cd&\isluru3m\hu g\enotes + \notes\ql a&&\qpqu ed\enotes + \notes\qu H&&\qpqu ec&\tslur3l\qu{^f}\enotes + \barre %11 + \NOtes\qu H&\qup c&\qup{^f}&\isluru3l\ql l\enotes + \notes\ql a&\sk\dsoupir&\sk\sk\ccu a&\Qpql kj\enotes + \notes\qu H&\soupir&\qpqu bc&\Qpqlt ihk\enotes + \barre %12 + \notes\qu I&\hlp d&\qpqu d{^e}&\isluru3l\hl h\enotes + \notes\ql b&&\qpqu {^f}d\enotes + \NOtes\qu I&&\qu g&\tslur3k\qu g\enotes + \barre %13 + \NOtes\qu I&\zhp d\zhlp g\hu k&\hu g&\isluru3o\ql n\enotes + \Notes\ql b&&&\Ibl1mn2\qb1m\tqb1n\enotes + \Notes\qu I&&\qu d&\triolet o\Ibl0lk2\qb0{lm}\tqb0k\enotes + \barre %14 + \NOtes\qu J&\zh e\hu g&\qu d&\tslur3n\hlp l\enotes + \Notes\ql c&&\Ibu0cd1\qh0c\tqh0d\enotes + \Notes\qu J&\soupir&\triolet M\Ibu0ba2\qh0{bc}\tqh0a\enotes + \barre %15 + \NOtes\qu H&\zh c\hu j&\hu f&\isluru3n\ql m\enotes + \Notes\ql a&&&\Ibl0lm1\qb0l\tqb0m\enotes + \Notes\qu H&\zq c\qu f&\qu c&\triolet n\Ibl0kj2\qb0{kl}\tqb0j\enotes + \barre %16 + \NOtes\qu I&\zh d\hu f&\qu c&\tslur3l\hlp k\enotes + \Notes\ql b&&\qqh bc\enotes + \Notes\qu I&\soupir&\qqqh abN\enotes + \barre %17 + \NOtes\qu G&\zh b\hu i&\hu e&\isluru3m\ql l\enotes + \Notes\ql N&&&\qqb kl\enotes + \Notes\qu G&\zq b\qu e&\qu b&\qqqb jki\enotes + \barre %18 + \NOtes\qu H&\zhp c\hup e&\qu b&\tslur3k\hl j\enotes + \Notes\ql a&&\qqh ab\enotes + \Notes\qu H&&\qqqh cba&\isluru3k\ql j\enotes + \barre %19 + \NOtes\qu I&\hu d&\zq a\qu d&\hl k\enotes + \Notes\ql b&&\Ibl1NM1\Ibu0gf1\zqb1N\qh0g\tbl1\zqb1{^M}\tqh0{^f}\enotes + \Notes\qu J&\qu e&\Ibl1Na1\Ibu0gh1\zqb1N\zql e\qh0g\tbl1\zqb1a\tqh0h&\ql l\enotes + \barre %20 + \NOTEs\pointdurgue F\hu K&\hu d&\pointdorgue n\zh {bdg}\hu i&\pointdorgue + m\tslur3l\hl k\enotes + \Notes\soupir&\soupir&\uptext{\kern -5mm\it a tempo}\soupir&\Uptext{\it a tempo}\ds\cl n\enotes + \barre %21 + \Notes\sk\sk\sk\pause&\sk\sk\sk\pause&\sk\sk\sk\pause&\qqb op\qqb on\qqb {^m}n\enotes + \barre %22 + \NOTes\qu{^I}\ql{^b}&&\zh{df}\hu{_h}&\hlp{=m}\enotes + \notes\qu I&&\ibbbu0g0\zq d\qh0f\tbbu0\zq e\qh0g\zq f\qh0h\sk\nbbbu0\zq +e\qh0g\zq d\tqh0f\enotes + \barre %23 + \NOtes\qu J&&\zhp c\zhlp e\raise 2\Interligne\soupir&\isluru3m\qlp l\enotes + \Notes\ql c&&\hu g&\sk\cl j\enotes + \notes\qu J&&&\qpql ln\enotes + \barre %24 + \NOtes\qu {=I}&&\zhp N\zhlp d\raise 2\Interligne\soupir&\tslur3l\qlp k\enotes + \Notes\ql {=b}&&\hu g&\sk\isluru3l\cl i\enotes + \notes\qu I&&&\qpql kn\enotes + \barre %25 + \NOtes\qu {_H}\ql{_a}&&\zh {_a}\zhl c&\tslur3l\hl j\enotes + \notes\qu H&\zcharnote a{(III -- +fl–tes)}\qu e&\ibbbu0j0\zq {_h}\qh0j\tbbu0\zq i\qh0k\zq j\qh0l\sk\nbbbu0\zq +i\qh0k\zq h\tqh0j&\isluru3k\ql j\enotes + \barre %26 + \NOtes\qu K\ql d&\hup d&\zh g\zhu i&\hlp i\enotes + \notes\qu K&&\ibbbu0i0\zq g\qh0i\tbbu0\zq {=h}\qh0j\zq i\qh0k\sk\nbbbu0\zq +h\qh0j\zq g\tqh0i\enotes + \barre %27 + \NOtes\qu K\ql d&\hup c&\zh {^f}\zhu h&\hlp h\enotes + \notes\qu K&&\ibbbu0h0\zq f\qh0h\tbbu0\zq g\qh0i\zq h\qh0j\sk\nbbbu0\zq +g\qh0i\zq f\tqh0h\enotes + \barno 29\relax + \barre %30 + \znotes&&&\tslur3l\enotes + \NOTEs\itenl0G\hup G&\itenl1b\itenu2f\zhp{=f}\hup{^b}&\itenl3b\itenu4g\itenl5d\zhp{^b}\zhp d\hup g&\itenu6g\hup g\enotes + \barre %31 + \znotes\tten0&\tten1\tten2&\tten3\tten4\tten5&\tten6\enotes + \NOTes\itenl0G\hup G&\zq f\qu{^b}&\itenl1b\itenl2d\itenu3g\zhp{^b}\zhp d\hup g&\qu g\enotes + \zalapage + \def\qqqq#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% + \def\qqqqh{\qqqq}% + \def\qqqqb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% + \notes&&\zcharnote n{\kern -4mm{\bf III} -- fl–tes}&\ds\cu g\qqqq{_h}g{^f}g\enotes + \barre %32 + \znotes&&\tten1\tten2\tten3\zcharnote r{\kern -2mm +\it reprendre au III}\zcharnote n{\kern -2mm +\it l'accord du II accoupl‚}\enotes + \notes\tten0\itenl0G\hup G&&\itenl1d\itenl2b\itenu3g\zhp d\zhp +g\hup{^b}&\qqqq{=f}ede\qqqq fede\qqqq dc{^b}c\enotes + \barre %33 + \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh d\zh g\hu{^b}&\hu d\enotes + \cleftoksii{6000}\zchangeclefs + \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl M&\uptext{\bf II}\pt5\ds\zq {^b}\zq d\ccu g&\soupir\enotes + \barre %34 + \NOtes\itenl0G\hup G&\ql L&\itenl1c\itenl2e\itenu3g\zhp c\zhp e\hup g&\soupir\enotes + \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu g\enotes + \notes&\hpause&&\qqqq{_h}g{^f}g\enotes + \barre %35 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1c\itenl2e\zhp{ce}\hup +g&\qqqq{=f}ede\qqqq fede\qqqq edc{^b}\enotes + \barre %36 + \NOTes\pointdorgue b\tten0\itenl0G\hup G&&\pointdorgue m\tten1\tten2\itenl1c\itenl2e\zhp c\hup +e&\pointdorgue m\qu c\enotes + \Notes&&&\ds\cu N\qqh ce\enotes + \barre %37 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq +gecN\qqqq cegj\qqqq ljge\enotes + \barre %38 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\itenl1c\itenl2e\zhp c\hup e&\qqqq +gjln\qqqq qnlj\qqqq lnqs\enotes + \barre %39 + \NOTes\tten0\hu G&&\tten1\tten2\zh c\hu e&\pointdurgue c\qlp {!'n}\enotes + \notes\pt5\ds\ccu G&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl N&\uptext{\kern -5mm\bf I -- +\ppff ff}\pt5\ds\zq c\ccu e&\soupir\enotes + \barre %40 + \NOtes\itenl0G\hup G&\ql N&\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}&\soupir\enotes + \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes + \notes&&&\qqqq{_k}j{^i}j\enotes + \barre %41 + \notes\tten0\itenl0G\hup G&&\tten1\tten2\tten3\itenl1b\roff{\itenl2c}\itenu3e\zhp b\roff{\zhp c}\hup {^e}% + &\qqqq {=i}{_h}gh\qqqq ihgh\qqqq gf{^e}f\enotes + \barre %42 + \NOTes\tten0\hu G&&\tten1\tten2\tten3\zh b\rh c\hu {^e}&\hu g\enotes + \notes\pt5\ds\ccu G&\uptext{\bf II}\pt5\ds\ccl N&\uptext{\bf II}\pt5\ds\zq +b\rq c\ccu {^e}&\soupir\enotes + \barre %43 + \NOtes\itenl0F\hup F&\ql M&\itenl1a\itenl2c\itenu3f\zhp {_a}\zhp c\hup f&\soupir\enotes + \Notes&&\uptext{{\bf III} - fl–tes}&\ds\cu j\enotes + \notes&\hpause&&\qqqq{_k}j{^i}j\enotes + \barre %44 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\tten3\itenl1a\itenl2c\zhp{_a}\zhp c\hup +f&\qqqq{=i}{_h}gh\qqqq ihgh\qqqq hgf{^e}\enotes + \barre %45 + \NOTes\pointdorgue b\tten0\itenl0F\hup F&&\pointdorgue m\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup +c&\pointdorgue m\qu f\enotes + \Notes&&&\ds\cu {_a}\qqh cf\enotes + \barre %46 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq +{_h}fc{_a}\qqqq cfhj\qqqq mjhf\enotes + \barre %47 + \notes\tten0\itenl0F\hup F&&\tten1\tten2\itenl1a\itenl2c\zhp {_a}\hup c&\qqqq +{_h}jm{_o}\qqqq qomj\qqqq moqt\enotes + \barre %48 + \NOTes\tten0\hu F&&\tten1\tten2\zh {_a}\hu c&\pointdurgue e\qlp {!'_o}\enotes + \notes\pt5\ds\ccu F&\uptext{\kern -5mm\bf I -- \ppff ff}\pt5\ds\ccl +M&\uptext{\kern -5mm\bf I -- +\ppff ff}\pt5\ds\zq {ac}\ccu f&\soupir\enotes + \barre %49 + \NOtes\itenl0D\hup D&\qu K&\itenl1a\itenl2c\itenu3f\zhp {=a}\zhp c\hup {^f}&\soupir\enotes + \Notes&\soupir&\uptext{{\bf III} - fl–tes}&\ds\cl j\enotes + \Notes&&&\qqb kl\enotes + \barre %50 + \notes\tten0\hup D&&\tten1\tten2\tten3\zhp a\zhp c\hup {^f}% + &\qqqq lk{=m}l\qqqq lkkj\qqqq j{^i}ij\enotes + \barre %51 + \notes\lpz G\qu G&&\zhp N\zhp{^b}\itenu1f\hup{=f}&\ptb {^i}jk\enotes + \NOtes\upz N\ql N&&&\tten0\qlp k\enotes + \Notes\lpz N\qu G&&\tten1\qqh fe&\sk\cl j\enotes + \barre %52 + \NOtes\lpz J\qu J\upz c\ql c\upz J\qu J&&\itenl1N\itenl2c\itenu3e\zhp N\zhp +c\hup e&\hlp j\enotes + \barre %53 + \NOtes\qu{=I}\ql{=b}\qu I&\sk\uptext{\bf II}&\tten1\tten2\tten3\zhp N\zhp +c\hup e\uptext{\bf II}&\sk\pause\enotes + \barre %54 +\notes\qu {_H}&&\itenl1e\itenl2h\zhp e\zhlp {_h}\pto jkl&\enotes +\NOtes\ql {_a}&&\tten0\qup l&\pause\enotes +\Notes\qu H&&\sk\cu j\enotes + \barre %55 +\NOtes\qu G\ql N\qu G&&\tten1\tten2\zhp e\zhlp {_h}\hup j\enotes + \barre %56 +\notes\qu F&&\roff{\zhp {_h}\zhlp k}\pto klm\enotes +\NOtes\qu M\qu F&&\tten0\hu m&\pause\enotes + \barre %57 +\notes\qu {^F}&&\zhp {=h}\zhlp j\pto lkl\enotes +\NOtes\qu {^M}\qu F&\hpause\ql c&\tten0\hu l&\pause\enotes + \barre %58 +\notes\qu G&\hl c&\zhlp g\pto kjk\enotes +\NOtes\ql N&&\tten0\itenu0k\qu k&\pause\enotes +\Notes\qu G&\uptrio e2{10}\ql{^b}\sk\cl{=f}&\tten0\triolet t\Ibu0ki2\qh0{kj}\tqh0{^i}\enotes + \barre %59 +\NOtes\qu J\ql c\qu J&\hlp e\uptext{ \bf I -- \ff}&\zhlp g\hup j\uptext{ \bf I -- \ff}&\sk\pause\enotes + \barre %60 + \NOTes\qu C&&\zq g\zq j\ql l&\isluru3m\ql n\enotes + \Notes\qu J&\sk\sk\ccl N&\pt5\ds\sk\ccu c&\qpql ml\enotes + \Notes\qu C&\qpql {^b}c&\qpqu de&\qpql kj\enotes + \barre %61 + \Notes\qu D&\hl c&\qpqu fg&\hl k\enotes + \Notes\qu K&&\qpqu {_h}g\enotes + \Notes\qu D&\ql{^b}&\rlap{\sk\sk\itenl0f}\qpqu hf&\tslur3j\ql{^i}\enotes + \barre %62 + \NOTes\qu D&&\tten0\Sh i\lFl h\rq i\zq h\qu f&\isluru3p\ql {_o}\enotes + \Notes\qu K&\sk\sk\ccl {^b}&\pt5\ds\sk\ccu d&\qpql nm\enotes + \Notes\qu D&\qpql cd&\qpqu ef&\qpql lk\enotes + \barre %63 + \Notes\qu E&\hl d&\qpqu g{=h}&\hl k\enotes + \Notes\qu L&&\rlap{\sk\sk\itenl1g}\qpqu {^i}g\enotes + \Notes\qu E&\ql c&\tten1\zq g\qu j&\tslur3j\ql j\enotes + \barre %64 + \NOTes\qu E&\ql c&\zq g\qu j&\ust q\ql q\enotes + \Notes\ql L&\zhl N\Ibu1dc1\qh1d\itenu0c\tqh1c&\qqh{=i}j&\qqb{=p}q\enotes + \Notes\qu E&\tten0\itenu0c\qu c&\Fl h\rlap{\sk\sk\itenl2g}\qqqh hig&\isluru3p\Fl o\qqqb opn\enotes + \barre %65 + \NOTes\qu F&\tten0\hup c&\roff{\tten2\zql g}\hup{_h}&\tslur3p\hlp{_o}\enotes + \Notes\ql M&\qqb fg&\enotes + \Notes\qu F&\qqqb efd\enotes + \barre %66 + \NOTes\qu D&\ql b&\zq f\qu i&\ust p\ql p\enotes + \Notes\ql K&\zhl M\Ibu1cb1\qh1c\itenu0b\tqh1b&\qqh{_h}i&\qqb{_o}p\enotes + \Notes\qu D&\tten0\itenu0b\qu b&\rlap{\sk\sk\itenl2f}\qqqh ghf&\isluru3o\qqqb {n}om\enotes + \barre %67 + \NOTes\qu E&\tten0\hup b&\roff{\tten2\zql f}\hup g&\tslur3o\hlp n\enotes + \Notes\ql L&\qqb ef\enotes + \Notes\qu E&\qqqb dec\enotes + \barre %68 + \NOtes\qu C&\lh e\itenu1f\hlp f&\qu{=h}&\itenu3m\hlp m\enotes + \Notes\qu J&&\sk\cu h\enotes + \Notes\qu C&&\qpqu ij\enotes + \barre %69 + \NOtes\qu D&\zhp b\tten1\zhlp f&\hup i&\tten3\ql m\enotes + \Notes\qu K&&\uptext{\bf II}&\ds\isluru3n\cl m\enotes + \Notes\qu D&&&\qpql ki\enotes + \barre %70 + \NOtes\qu E&\hlp b&\zh e\hu g&\tslur3j\ql i\enotes + \Notes\qu L&&&\ds\isluru3j\cl {=h}\enotes + \Notes\qu E&&\qqh ge&\qpql ij\enotes + \barre %71 + \NOtes\qu D&\ql b&\qu f&\tslur3k\qlp i\enotes + \Notes\qu K&\soupir&\ds\cu f&\sk\ds\enotes + \Notes\qu D&\ql M&\qpqu db&\soupir\enotes + \barre %72 + \NOtes\qu E&\hl N&\qup b\enotes + \Notes\qu L&&\ds\cu a&\pause\enotes + \Notes\qu E&\ql N&\qpqu bc\enotes + \barre %73 + \NOtes\pointdorgue a\hup D&\hlp M\uptext{\bf III}&\pointdorgue l\hup +b\uptext{\bf III}&\sk\pointdorgue l\pause\sk\enotes + \barre %74 + \NOtes\hup D&\hlp M&\zq b\qu f&\itenu3p\ql p\enotes + \notes&&\zhl f\qu k&\tten3\qqqqb ponm\enotes + \notes&&\qu i&\qqqqb lkji\enotes + \barre %75 + \Notes\hup E&\hlp L&\zql e\zh g\hu j&\cu g\itenu3n\qlp n\enotes + \NOtes&&\zhl c&\enotes + \notes&&\zq b\qu g&\tten3\qqqb nlj\enotes + \barre %76 + \NOtes\lpz F\qu F\upz M\ql M\lpz F\qu F&\hl b\sk\ql{_a}&\zhp c\hup f&\hl i\sk\ql{_h}\enotes + \barre %77 + \NOtes\lpz D\qu D&\ql f&\hu i&\itenu3m\hl m\enotes + \NOtes\upz K\ql K&\hl b&&\enotes + \notes\lpz D\qu D&\ql {_a}&\qu f&\tten3\qqqb mki\enotes + \barre %78 + \NOtes\qu E&\roff{\zql a}\Fl a\zhp e\hlp b&\uptext{{\bf II} -- quinte}\soupir&\qu{_h}\enotes + \Notes\ql L&\hl N&\ds\cu e&\hu g\enotes + \notes\qu E&&\qpqu bN\enotes + \barre %79 + \NOtes\qu D&\hl M&\hup{^b}&\qu f\enotes + \Notes\qu K&&&\ds\cu {^b}\enotes + \notes\qu D&\ql M&&\qpqu cd\enotes + \barre %80 + \NOtes\qu E&\zhp N\hlp c&\soupir&\hup c\enotes + \Notes\ql L&&\ds\cl q\enotes + \notes\qu E&\zqp N\qlp c&\qpqu nl\enotes +% \def\grace{\catcodesmusic\grnotes&&&\grcu}% + \def\grace{\catcodesmusic\hardnotes 1.5\Interligne\notes&&&\grcu}% + \barre %81 + \grace{_a}\enotes + \NOtes\qu F&\hlp {_a}&\qup j&\hup f\enotes + \Notes\ql M&&\ds\cu {^i}\enotes + \notes\qu F&&\qpqu jk\enotes + \barre %82 + \grace{N}\enotes + \NOtes\qu E&\hlp N&\hlp j&\qup e\enotes + \Notes\ql L&&&\sk\cl j\enotes + \notes\qu E&&&\qpqu ge\enotes + \barre %83 + \NOtes\qu F&\itenu2c\zhp c\hlp {_a}&&\qup c\enotes + \Notes\ql M&&&\sk\cu {^b}\enotes + \notes\qu F&&&\qpqu cd\enotes + \barre %84 + \NOTes\qup E&\tten2\zqp c\qlp g&&\qup c\enotes + \Notes\soupir\sk\cu +E&&\ibl0c0\ibu1j0\zqb0c\qh1j\zqb0{^b}\qh1{^i}\tbl0\tbu1\zqb0c\zq g\qh1j&\ds\soupir\enotes + \barre %85 + \NOtes\qu F\ql M&&\zhl {_d}\zh {_h}\hu {_k}\enotes + \notes\qu F&&\ibbbl0f0\ibbbu1k0\zqb0d\qh1k\tbbl0\tbbu1\zqb0e\qh1l\zqb0f\qh1m\sk + \nbbbl0\nbbbu1\zqb0e\qh1l\tbl0\tbu1\zqb0d\qh1k&\pause\enotes + %\check + \barre %86 + \NOtes\pointdorgue a\hu G&&\pointdorgue m\zhl c\zh e\zh g\hu +j&\sk\pointdorgue l\hpause\enotes + \Notes\soupir&&\ds\zcl c\cu j&\ds\cl q\enotes + \barre %87 + \Notes\sk\sk\pause&&\ibl0d0\ibu1j0\rlap{\qb0{=dedc^b}\tqb0c}\qh1{=klkj^i}\tqh1j&\ibl0p0\qb0{=rsrq^p}\tqb0q\enotes + \barre %88 + \NOtes\qu{^E}\ql{^L}&&\zhl{=b}\zh{_d}\zh g\hu{=i}&\hl{=p}\enotes + \notesp\qu E&&\ibbbl0i0\zq g\qb0i\tbbl0\zq {_h}\qb0j\zq i\qb0{_k}\sk\nbbbl0\zq +h\qb0j\zq g\tqb0i&\advance\transpose 7\ibbbl0i0\qh0i\tbbl0\qh0j\qh0{_k}\sk\nbbbl0\qh0j\tqb0i\enotes + \barre %89 + \NOtes\qu F&&\zqp f\qup{_h}&\qlp{_o}\enotes + \Notes\ql M&\sk\cl {_a}&\sk\cu f&\sk\cl m\enotes + \notes\qu F&\ql c&\qpqu hj&\qpql oq\enotes + \barre %90 + \NOtes\qu {=E}&\qlp c&\qup g&\qlp n\enotes + \Notes\ql {=L}&\sk\cl N&\sk\cu e&\sk\cl l\enotes + \notes\qu E&\ql c&\qpqu gj&\qpql nq\enotes + \barre %91 + \NOtes\qu{_D}\ql{_K}&\hl{_d}&\hu f&\hl m\enotes + \notes\qu D&&\ibbbu0j0\zq {f}\zql{_h}\qh0{_k}\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k&\ibbbl0n0\qb0m\tbbl0\qb0n\qb0{_o}\sk\nbbbl0\qb0n\tqb0m\enotes + \barre %92 + \NOtes\qu{G}\ql{N}&&\zh {e}\zhl{g}\hu j&\hl l\enotes + \notesp\qu G&&\ibbbu0i0\zq {e}\zql{g}\qh0{j}\tbbu0&\ibbbu1m0\qh1l\tbbu1\enotes + \notes&&\qh0{=k}\qh0l\sk\nbbbu0\qh0k\tqh0j&\qh1m\qh1n\sk\nbbbu1\qh1m\tqh1l\enotes + \barre %93 + \NOtes\qu{G}\ql{N}&&\zh {d}\zhl{f}\hu {^i}&\hl k\enotes + \notes\qu G&&\ibbbu0h0\zq {d}\zql{f}\qh0i\tbbu0\qh0{j}\qh0k\sk\nbbbu0\qh0j\tqh0i&\ibbbu0l0\qh0k\tbbu0\qh0l\qh0m\sk\nbbbu0\qh0l\tqh0k\enotes + \barre %94 + \NOtes\qu{_H}\ql{_a}\qu{_H}&\zhp e\hlp c&\hup j&\itenu3j\hlp j\enotes + \barre %95 + \notes\qu G&\ptb cde&\hup j&\tten3\hlp j\enotes + \NOtes\ql N&\tten0\hl e\enotes + \NOtes\qu G\enotes + \barre %96 + \def\alldsp{\notes\pt5\ds&\pt5\ds&\pt5\ds&\pt5\ds\enotes}% + \grace e\enotes + \notesp\pointdurgue E\hu +{^F}&\Ibbl3ce2\roff{\tbbl3}\qb3c\sk\itenu0e\tbl3\qbp3e\sk&\zq{=h}\Ibbbu0jl2\qh0j\tbbu0\zq{^i}\qh0 +k\itenu1j\zqp j\itenu2l\tbu0\qhp0l\sk&\pointdorgue l\hl j\enotes + \NOTes\pointdorgue c\qu {^M}&\tten0\pointdorgue e\zq L\lSh M\lq M\zq a\ql +e&\pointdorgue s\tten1\tten2\zq j\qu l\enotes + \advance\mulooseness -1\relax + \zalapage + \alldsp\grace{j}\enotes + \notes\ccu {^F}&\ccl c\zmidtwotext{\llap{\bf I -- \ff\space\space}}&\zq e\ccu h&\ccl l\Uptext{\llap{\ppff +Solenne }}\enotes + \barre %97 + \grace j\enotes + \NOtes\hup G&\zql c&\zhp d\hup g&\ql k\enotes + \grace{^i}\enotes + \NOTes&\hl{^b}&&\hl k\enotes + \barre %98 + \grace k\enotes + \NOTes\hu{^I}&\hl{_a}&\zh d\hu f&\hl m\enotes + \alldsp\grace{k}\enotes + \notes\cu I&\ccl d&\zq f\ccu{_h}&\ccl m\enotes + \barre %99 + \grace k\enotes + \NOtes\hup J&\ql d&\zhp e\hup g&\ql l\enotes + \grace j\enotes + \NOTes&\hl c&&\hl l\enotes + \barre %100 + \grace{^l}\enotes + \NOTes\hu{^J}&\hl{=b}&\zh{^e}\hu g&\hl n\enotes + \alldsp\grace{l}\enotes + \notes\ccu J&\zq {^e}\ccl g&\ccu i&\ccl n\enotes + \barre %101 + \grace{^l}\enotes + \NOtes\hup K&\zq {^e}\ql g&\hup h&\ql n\enotes + \grace k\enotes + \NOTes&\zh f\hl d&&\hl m\enotes + \barre %102 + \grace{i}\enotes + \NOTes\hu G&\zh{b}\hl{=e}&\hu i&\hl {=l}\enotes + \alldsp\grace i\enotes + \notes\ccu G&\zq{b}\ccl{e}&\ccu i&\ccl l\enotes + \barre %103 + \grace i\enotes + \NOtes\hup H&\zq b\ql e&\hu i&\ql l\enotes + \notes&&&\enotes + \NOtes&\lSh c\zh{c}\hl{^e}&&\ql {^j}\enotes + \grace h\enotes + \Notes&&\qu h&\ibl0j0\qb0j\enotes + \grace g\enotes + \Notes&&&\tqb0j\enotes + \barre %104 + \grace f\enotes + \NOTEs\pointdurgue F\hup I&\pointdorgue d\hl d&\pointdorgue l\hup f&\pointdorgue m\hlp k\enotes + \barre %105 + \ggrnotes&&&\tinynotesize\Ibbu0ej1\qh0e\tqh0j\enotes + \NOTes\hu{^F}&\hl{=e}&\zh{hj}\hu l&\hl o\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace j\enotes + \notes\ccu F&&\zq{hj}\ccu l&\ccl o\enotes + \barre %106 + \grace j\enotes + \NOtes\hup G&\soupir\soupir\ql b&\roff{\zql h}\zhp i\hup k\hlp g&\ql o\hl n\enotes + \barre %107 + \grnotes&&&\tinynotesize\Ibbu0dh1\qh0d\tqh0{_h}\enotes + \NOTes\hu{^I}&\hl{^b}&\zh{f_h}\hu k&\hl m\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace h\enotes + \notes\ccu I&&\zq{fh}\ccu k&\ccl m\enotes + \barre %108 + \grace g\enotes + \NOtes\hup J&\soupir\soupir\ql c&\roff{\zhlp g}\zq f\qu k\zh e\hu j&\ql m\hl l\enotes + \barre %109 + \grace{g}\enotes + \NOTes\hu{^J}&\hl{^c}&\zh{^eg}\hu i&\hl i\enotes + \notes\pt5\ds&\soupir&\pt5\ds&\pt5\ds\enotes + \grace {=e}\enotes + \notes\ccu {^C}&&\ccl g&\ccl i\enotes + \barre %110 + \ggrnotes&&&\tinynotesize\Ibbu0Nd1\qh0N\tqh0{d}\enotes + \NOtes\qu D\qu K\qu D&&\zhp {bd}\hup g&\hlp i\enotes + \barre %111 + \notes\qu{=C}&&\pt L\zh N\roff{\zhp a}\hup e&\ptb hij\enotes + \NOtes\qu{=J}\qu C&&&\tten0\hl j\enotes + \barre %112 + \notes\qu{^C}&&\zhp b\zhp N\hup {^e}&\ptb ihi\enotes + \NOtes\qu{^J}\qu C&&&\tten0\hl i\enotes + \barre %113 + \notes\qu D&\hl N&\zh a\hup d&\pto hgh\enotes + \NOtes\qu K&&&\tten0\itenu0h\ql h\enotes + \Notes\qu D&\zql K\triolet d\ibu0L0\qh0{^MN}\tqh0M&\triolet l\Ibu0ca2\qh0c\qh0b\tqh0a&\tten0\qqqh hg{^f}\enotes + \barre %114 + \NOTes\itenl0G\hup G&\itenl1K\hlp K&\itenl2N\itenl3b\zhp N\hup b&\qup g\enotes + \notes&&&\cu N\islurd5c\qqqq bdgi\enotes + \barre %115 + \notes\tten0\hup G&\tten1\hlp K&\tten2\tten3\itenl2N\itenl3b\zhp N\hup +b&\rlap{\sk\sk\sk\tslur5c}\qqqqh gdbd\islurd5f\qqqqh gikn\tslur5n\rlap{\sk\isluru5n}\qqqqb pnpr\enotes + \barre %116 + \NOtes\pointdorgue a\hup G&\sk\pause&\pointdorgue l\tten2\tten3\zhp b\zhp d\hup +g&\pointdurgue e\tslur5u\hlp u\enotes +\mulooseness 1\relax +\finmorceau +\bigskip\rightline{\sl\aujourdhui} +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex new file mode 100644 index 00000000000..f2b915632f1 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescam.tex @@ -0,0 +1,19 @@ +\advance\staffbotmarg by 7\Interligne +% +% option pas d'accompagnement +\newcount\orgue +\orgue=0\relax +% +\def\Transpose{0}% +\def\Signature{1}\relax % un dieze a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input angescax +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex new file mode 100644 index 00000000000..e2a7b34bcef --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescao.tex @@ -0,0 +1,24 @@ +\input musixtex +\input musixcpt +\input musixsty + +\advance\staffbotmarg by 4\Interligne +% +% option accompagnement +\newcount\orgue +\orgue=1\relax +% +\interinstrument=41pt +\def\Transpose{0}% +\def\Signature{1}\relax % un dieze a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input angescax +\signaturegenerale{0}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input angescax +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex new file mode 100644 index 00000000000..6dcab817c75 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/angescax.tex @@ -0,0 +1,366 @@ +\tenpoint +% +\catcodesmusic +\ifnum\orgue=1\relax + \def\org#1\\{#1&}\relax +% \def\cadrage{\vrule width 0pt height 40mm}\relax + \def\cadrage{\vrule width 0pt height 1mm}\relax +\else + \def\org#1\\{}\relax + \def\cadrage{\vrule width 0pt height 10mm}\relax +\fi +% +\title{Les anges dans nos campagnes} +\subtitle{No\"el du XIII\umero\ si\`ecle} +\fullauthor{Harmonisation + Fran\c cois-Auguste GEVAERT\\1828 -- 1908\ifnum\orgue>0\\ + Partition d'orgue Daniel TAUPIN\fi} +\shortauthor{F.-A. Gevaert, D. Taupin} +\maketitle +% +\parindent 12mm +\sepbarrules +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +%\bigskip +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\Cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CREsc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\Dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DIMin}}% +% +%\check +\ifnum\orgue=0\relax + \def\nbinstruments{4}\global\nbporteesi=1\relax + \global\nbporteesii=1\relax + \global\nbporteesiii=1\relax + \global\nbporteesiv=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\relax + \global\cleftoksii={{0}{0}{0}{0}}\relax + \global\cleftoksiii={{0}{0}{0}{0}}\relax + \global\cleftoksiv={{0}{0}{0}{0}}\relax + \def\instrumenti{Basses}\relax + \def\instrumentii{T\'enors}\relax + \def\instrumentiii{Altos}\relax + \def\instrumentiv{Sopran.}\relax + \interinstrument=30pt + \songbottom{1} % to be used to make heavy bars at staff left + \songtop{4} % to be used to make heavy bars at staff left +\else + \interinstrument=25pt + \def\interinstrumenti{0pt} + \def\nbinstruments{6}\global\nbporteesi=1\relax + \global\nbporteesii=2\relax + \global\nbporteesiii=1\relax + \global\nbporteesiv=1\relax + \global\nbporteesv=1\relax + \global\nbporteesvi=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\relax + \global\cleftoksii={{0}{0}{0}{0}}\relax + \global\cleftoksiii={{6}{0}{0}{0}}\relax + \global\cleftoksiv={{0}{0}{0}{0}}\relax + \global\cleftoksv={{0}{0}{0}{0}}\relax + \global\cleftoksvi={{0}{0}{0}{0}}\relax + \def\instrumenti{P\'edale}\relax + \def\instrumentii{Manuel}\relax + \def\instrumentiii{Basses}\relax + \def\instrumentiv{T\'enors}\relax + \def\instrumentv{Altos}\relax + \def\instrumentvi{Sopran.}\relax + \def\staffspacingiii{0.7}\relax + \def\staffspacingiv{0.7}\relax + \def\staffspacingv{0.7}\relax + \def\staffspacingvi{0.7}\relax + \songbottom{3} % to be used to make heavy bars at staff left + \songtop{6} % to be used to make heavy bars at staff left +\fi +%\check +% +\signaturegenerale{\Signature}% +\relativeaccidentals +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{9}% +%\check +\def\respire{\notes\org&\\&&&\zbreath\enotes}% +% +%\check +\catcode`\@=13 +%\ifx\ninerm\undefined\font\ninerm=\fontid r9\fi + +\def@#1|#2|#3*{\zcharnote{-11}{\vbox to 0pt{\ninerm + \vss\lineskiplimit=0pt +\baselineskip 9.5pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} +\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax +\vss}}}% +% +\barsinline=0\relax +\linesinpage=0\relax +\debutmorceau\def\dmtp{}\def\dmtph{}\def\!{\kern -4pt}% +\ifnum\orgue=0\relax + \autolines {8}42\relax +\else + \autolines {8}42\relax + \advance\linesinpage 1\relax +\fi +\transpose=\Transpose +\znotes\org&\zmidtwotext{\moyen III}\\&&&\Uptext{\moyen Allegretto}\enotes +% +\dmtp\def\txt{@\!Ber-|\!\!Cher-|\!Les*}\Notes\org&\qu g|\ql i\\\relax + &\txt\ql n&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@gers,|\!chons|an-*}\Notes\org&\qu f|\ql i\\&\txt\ql m\relax + &\txt\qu g&\txt\ql i\enotes +\dmtph\def\txt{@quit-|tous|ges*}\Notes\org\pause&\qu e|\ql i\\\pause + &\txt\ql l&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@tez|l'heu-|dans*}\notes\org&\qu d|\dql3ik\\&\txt\ql k\relax + &\txt\dqu3gi&\txt\dql3ik\enotes +% +%\check +% mesure 2 +\barre\def\txt{@vos|reux|nos*}\Notes\org&\qu e|\qlp k\\&\txt\qlp k\relax + &\txt\qu i&\txt\qlp k\enotes +\dmtp\def\txt{@re-|vil-|cam-*}\notes\org&\qu f|\sk\cl j\\\hpause + &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes +\dmtph\def\txt{@trai-|la-|pa-*}\notes\org\pause&\qu g|\ql i\\\qp + &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes +\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\qu d|\ql g\\@U--|Qui--|Ont--*\itenu0N\ql N\relax + &\txt\ql i&\txt\qu d&\txt\ql g\enotes +% +%\check +% mesure 3 +\barre\def\txt{@U-|Qui|Ont*}\Notes\org&\qu g|\ql i\\\tten0\ql N\relax + &\txt\ql k&\txt\qu g&\txt\ql i\enotes +\dmtp\def\txt{@nis-|l'a|en-*}\notes\org&\qu f|\rlap{\dql{-2}ih}\\\txt\cl M\relax + &\txt\cl k&\txt\cu g&\txt\cl i\enotes +\dmtp\def\txt{@sez-|vu|ton-*}\notes\org&|\\\txt\cl M\relax + &\txt\cl k&\txt\cu g&\txt\cl h\enotes +\dmtph\def\txt{@vous|na\^\i-|n\'e*}\notes\org\pause&\qu e|\ql i\\\txt\ql L\relax + &\txt\qu g&\txt\dqu{-2}gf&\txt\ql i\enotes +\dmtp\def\txt{@\`a--|tre--|l'hym--*}\notes\org&\dqu2ef|\dql3ik\\\txt\dql2LM\relax + &\txt\dqu2gh&\txt\dqu{-2}ed&\txt\dql3ik\enotes +% +%\check +% mesure 4 +\barre\def\txt{@leurs|sous|ne*}\Notes\org&\qu f|\qlp k\\\txt\ql M\relax + &\txt\ql h&\txt\qu d&\txt\qlp k\enotes +\dmtp\def\txt{@con-|ses|des*}\notes\org&\qu d|\sk\cl j\\\txt\ql K\sk + &\txt\dql5hk&\txt\qu f&\sk\rlap{\!\txt}\cl j\enotes +\dmtph\def\txt{@\!certs,|\!toits;|\!Cieux,*}\notes\org\pause + &\qu b|\zqu i\dql{-6}gd\\\txt\ql N\relax + &\txt\ql k&\txt\qu g&\txt\ql i\qsk\enotes +\dmtp\def\txt{@Et|Of-|Et*}\notes\org&\soupir|\rlap{\dql2ef}\soupir\\\soupir\relax + &\txt\cl l&\soupir&\soupir\enotes +\dmtp\def\txta{@que|\!frons|l'\'e*}\notes\org&|\\\relax + &\txta\cl m&&\enotes +% +%\check +% mesure 5 +\def\txtb{@vos-|lui|cho*}% +\ifnum\orgue=0\relax + \barre +\else + \global\cleftoksii={{6}{0}{0}{0}}\changeclefs\alapage% barre +\fi +\Notes\org&\ql N|\zql g\qu i\\&\txtb\ql n&\txt\qu g&\txt\ql i\enotes +\dmtp\Notes\org&\ql M|\zql g\qu i\\&\txta\ql m&\txta\qu g&\txta\ql i\enotes +\dmtph\Notes\org\pause&\ql L|\zql g\qu i\\\pause + &\txtb\ql l&\txtb\qu g&\txtb\ql i\enotes +\dmtp\def\txt{@ten-|le|de*}\notes\org&\ql K|\rlap{\dql3gi}\dqu3ik\\\relax + &\txt\ql k&\txt\dqu3gi&\txt\dql3ik\cadrage\enotes +% +%\check +% mesure 6 +\barre +\def\txt{@dres|\!\!tendre|nos*}\Notes\org&\hl K|\zql i\qup k\\&\txt\qlp k\relax + &\txt\qu i&\txt\qlp k\enotes +\dmtp\def\txt{@mu-|hom-|mon-*}\notes\org&|\ql f\cu j\\\hpause + &\sk\txt\cl k\qsk&\txt\qu f&\sk\txt\cl j\qsk\enotes +\dmtph\def\txt{@set-|ma-|ta-*}\notes\org\pause + &\dql{-3}KJ|\zqu i\dql{-4}ge\\\soupir + &\txt\dql{-3}kj&\txt\dqu{-4}ge&\txt\ql i\enotes +\def\txta{@Fas-|Et|Re-*}\relax +\dmtp\def\txt{@tes|ge|gnes*}\Notes\org&\ql I|\zql d\qu g\\\txta\ql N\relax + &\txt\ql i&\txt\qu d&\txt\ql g\enotes +% +%\check +% mesure 7 +\def\txtb{@\!sent|de|dit*}% +\barre + \Notes\org&\ql N|\zql d\qu i\\\txtb\ql N&\txta\qu i\relax + &\txta\qu d&\txta\ql i\enotes +\dmtp\def\txt{@re-|nos|ce*}\notes\org&\ql M|\rlap{\dqu{-2}ih}\qlp{^d}\\\txt\ql M\relax + &\txtb\cu h&\txtb\cu{^d}&\txtb\cl i\enotes +\dmtp\notes\org&|\\\relax + &\txt\cu h&\txt\cu d&\txt\cl h\enotes +\dmtph\def\txt{@ten-|c\oe urs|chant*}\notes\org\pause + &\dql{-2}ML|\qu i\cl e\\\relax + \txt\dql{-2}ML&\txt\dqu{-2}hg&\txt\dqu2de&\txt\ql i\enotes +\dmtp\def\txt{@tir--|et--|m\'e--*}\notes + \org&\dql{-6}LI|\rlap{\dql{-2}gf}\dqu3ik\\\txt\dql{-6}LI\relax + &\txt\dqu4gi&\txt\dqu{-2}gf&\txt\dql3ik\enotes +% +%\check +% mesure 8 +\barre\def\txt{@dans|de|lo-*}\Notes\org&\ql J|\zql e\qup k\\\txt\ql J\relax + &\txt\ql i&\txt\qu e&\txt\qlp k\enotes +\dmtp\def\txt{@les|nos|di-*}\notes\org&\ql K|\ql f\cu j\\\txt\ql K\sk + &\txt\qu h&\txt\qu f&\sk\txt\cl j\enotes +\dmtph\def\txt{@airs:|voix.|eux.*}\Notes\org\pause&\ql N|\zql{=d}\qu i\\\txt\ql N\relax + &\txt\ql i&\txt\qu{=d}&\txt\ql i\enotes +\temps\Notes\org&\soupir|\soupir\\\soupir\relax + &\soupir&\soupir&\soupir\enotes +\ifnum\orgue=0\relax +\else + \global\cleftoksii={{0}{0}{0}{0}}\changeclefs +\fi +\suspmorceau +%\eject +\catcodesmusic +% +%\check +\def@#1|#2|#3*{\zcharnote{-5}{\vbox to 0pt{\vss\lineskiplimit=0pt +\baselineskip 10pt\parindent 0pt\parskip 0pt\rlap{\vphantom{\'EQ}#3} +\rlap{\vphantom{\'EQ}#2}\rlap{\vphantom{\'EQ}#1}\relax +\vss}}} +\ifnum\orgue=0\relax + \autolines {8}43\relax +\linesinpage=0\relax +\barsinline=0\relax + \interinstrument=6pt +\else + \interinstrument=5pt + \def\interinstrumenti{0pt} +\fi +% +% +% mesure 9 +\def\xx{@|---|*}% +\reprmorceau\def\Glo{@|Glo -|*}\Notes\org&\zcharnote{-5}{\moyen II}\hpause + |\uptext{\moyen I}\hl k\\&&\sk\hpause&\Glo\hl k\enotes +\temps\notes\org\pause&\hu g\relax + |\qqbl{-2}lkji\\\pause&\pause + &\Glo\hu g&\xx\qqbl{-2}lkji\cadrage\enotes +% +% mesure 10 +\barre\notes\org&\qqbh{-2}hgfe|\hl j\\&&\xx\qqbh{-2}hgfe&\xx\hl j\enotes +\temps\notes\org\pause&\hu f|\qqbl{-2}kjih\\\pause&\pause&\xx\hu f&\xx\qqbl{-2}kjih\enotes +% +% mesure 11 +\barre\notes\org&\qqbh{-2}gfed|\hl i\\&&\xx\qqbh{-2}gfed&\xx\hl i\enotes +\temps\def\Ri{@|ri-|*}\notes\org\pause&\hu e|\qqbl{-2}jihg\\\pause&\pause + &\xx\qup e\sk\sk\Ri\cu e&\xx\qqbl{-2}jihg\enotes +% +% mesure 12 +%\check +\barre\def\txta{@|a|*}\def\Txta{@|a--|*}% +\notes\org&\qqbh{-1}fede|\qup h\sk\sk\cu h\\&\soupir\sk\Glo\hl k\relax + &\Txta\qqbh{-1}fede&\xx\qup h\sk\sk\Ri\cu h\enotes +\temps\notes\org\pause&\qu f\sk\soupir|\rlap{\ql d\sk\ql c}\qqbH0gfghf\\\pause + &\xx\sk\sk\Ri\cl j\txta\cl j\relax + &\xx\qqbH0gfghf&\txta\qu d\sk\soupir\enotes +\ifnum\orgue=0\relax +\else + \global\cleftoksii={{6}{0}{0}{0}}\changeclefs +\fi +% +% mesure 13 +\barre\def\In{@|in|*}\NOtes\org&\qu K|\zq{bd}\upz g\ql g\\&\In\ql i\relax + &\xx\qu d&\In\lpz g\qu g\enotes +\dmtp\def\Ex{@|ex-|*}\notes\org&\zql J\qu M|\zq{cf}\upz h\ql h\\&\Ex\dql{-4}jh\relax + &\In\cu e\Ex\cu f&\Ex\lpz h\qu h\enotes +\temps\def\txt{@|cel-|*}\notes\org\pause&\zql I\qu N|\zq{eg}\upz i\ql i\\\pause\relax + &\txt\dql{-2}lk&\txt\qu g&\txt\upz i\ql i\enotes +\dmtp\def\txt{@|sis|*}\Notes\org&\zql J\qu L|\zq{eh}\upz j\ql j\\&\txt\ql j&\txt\itenl0h\qu h\relax + &\txt\upz j\ql j\enotes +% +% mesure 14 +\barre\def\De{@|De-|*}\Notes\org&\hu K|\zw d\zh g\hu i\\\relax + &\De\ql k&\tten0\qu h&\De\hl i\enotes +\dmtp\Notes\org&|\\&@|o!|*\ql k&\De\hu g&\xx\enotes +\temps\notes\org\pause&\zcharnote{-6}{\moyen I}\qqbl{-2}MLKJ|\zh f\hu h\\\pause&\Glo\qqbl{-2}kjih\relax + &\sk\sk@|o!|*\qu f&@|o!|*\hl h\cadrage\enotes +% +% mesure 15 +\barre\notes\org\ql N\sk\ql M&\hu I|\zw g\zh i\hu k\\\sk\hpause + &\xx\hlp i&\Glo\qqbh{-2}ihgf&\Glo\hl k\enotes +\temps\notes\org\hl L&\hl N|\qqbh{-2}lkji\\\Glo\hl N&\xx\sk\sk\dql{-2}lk\relax + &\xx\itenl0e\hu e&\xx\qqbl{-2}lkji\enotes +%\check +% mesure 16 +% +\barre\notes\org\ql M\sk\ql L&\qqbl{-2}aNML|\zh e\zh h\hu j\relax + \\\xx\qqbl{-2}aNML&\xx\dql{-2}ji\hl h\relax + &\xx\tten0\qu e\sk\dqu{-2}hg&\xx\qu j\enotes +\temps\notes\org\hl K&\hl K|\zh f\zhl h\rlap{\qqbh{-2}kjih}\relax + \\\xx\hl M&\sk\sk&\xx\dqh{-2}fe\relax + &\xx\rlap{\qqbl{-2}kjih}\enotes +\dmtp\notes\org&|\\&\xx\dql{-2}kj&\itenl0d\qu d&\enotes +% +% mesure 17 +\barre +%\autolines 753 +\notes\org\ql L\sk\ql K&\qqbl{-2}NMLK|\zw e\zw g\hu i\relax + \\\xx\qqbl{-2}NMLK&\dqh{-2}ih\xx\hu g\relax + &\tten0\qu d\zbreath\sk\dqh{-2}gf&\xx\hl i\enotes +\temps\notes\org\hl J&\hl J|\rlap{\qqbh{-2}jihg}\relax + \\\xx\hl L&\sk\sk&\xx\dqh{-2}ed\relax + &\xx\rlap{\qqbh{-2}jihg}\enotes +\dmtp\notes\org&|\\&\dql{-2}ji&\itenl0c\qu c&\cadrage\enotes +% +% mesure 18 +\barre\notes\org\bigaccid\hu{^J}&\qqbl{-1}MLKL\relax + |\bigaccid\Sh c\zhl c\zqp f\qup h\relax + \sk\sk\zq f\cu h\\\xx\qqbl{-1}MLKL&\xx\dqh{-2}hg\Ri\dqh2fg\relax + &\tten0\dqh0c{^c}\Ri\dqh{-2}dc\relax + &\xx\qup h\sk\sk\Ri\cu h\enotes +\def\txt{@|a--|*}% +\temps\notes\org\hu K&\qqbl0MNaM|\zhu d\hl d\\\xx +\qqbl0MNaM&\qqbH0ihi{=j}h\relax + &\txt\qqbH0edefe&\txt\qu d\sk\soupir\enotes +% +%mesure 19 +\barre\def\Ex{@|ex-|*}\relax +\notes\org\qu I\sk\qu H&\ql N\sk\ql M|\zq b\zq d\upz g\ql g\sk\bigaccid +\zq{=c}\zq f\upz h\ql h\relax + \\\xx\qqbl{-1}bcba&\In\upz k\ql k\sk\Ex\upz j\ql j\relax + &\In\lpz d\qu d\sk\Ex\lpz f\qu f\relax + &\In\lpz g\qu g\sk\Ex\lpz h\qu h\enotes +\temps\def\Cel{@|cel-|*}\NOtes\org\qu I&\ql N|\zq d\zq g\upz i\ql i\relax + \\\Ri\ql N&\Cel\upz k\ql k\relax + &\Cel\lpz g\qu g&\Cel\upz i\ql i\enotes +\dmtp\def\Sis{@|sis|*}\Notes\org\qu{=J}\relax + &\qu L|\zq e\zq h\upz j\ql j\relax + \\@|a|*\qu J&\Sis\upz l\ql l\relax + &\Sis\itenl0h\qu h&\Sis\upz j\ql j\enotes +% mesure 20 +\barre\Notes\org\hu K&\qu K|\zh d\zhl i\qsk\qu h\relax + \\\De\ql K&\De\itenu1k\hl k&\tten0\qu h&\De\hl i\enotes +\temps\notes\org&\dqb5Nb|\qu g\\\dqb5Nb&&\De\qu g&\enotes +\temps\notes\org\hu D&\qqbL{-2}bdcbc|\zh f\hu h\sk\itenl2d\ql d\sk\relax + \\\xx\hl d&\tten1\xx\qqbl{-1}kjij&\xx\hu f&\xx\hl h\sk\enotes +% mesure 21 +\xbarre\def\txt{@|o!|*}\NOTes\org\pointdorgue a\hu G\relax + &\pointdorgue b\zh N\hl b|\tten2\pointdorgue n\zh d\hu g\relax + \\\txt\pointdorgue a\hl N\relax + &\txt\pointdorgue l\hl i&\txt\pointdorgue l\hu d\relax + &\txt\pointdorgue m\hu g\enotes +\temps\Notes\org&|\\\hpause&\hpause&\hpause&\hpause\enotes +% +\finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\eject + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex new file mode 100644 index 00000000000..85bd6861b34 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaria.tex @@ -0,0 +1,19 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\tracingstats=2\relax +\hsize=185mm +\vsize=270mm +\hoffset -1.70cm +\voffset -1.54cm +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +% +\input avemarix +\bye + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex new file mode 100644 index 00000000000..e190c1201ff --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarid.tex @@ -0,0 +1,1016 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\generalsignature{2} +\transpose=1 +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\autolines{25}{3}{5}% + %\check +%Takt 1 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 2 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 3 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 4 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 5 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 6 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes +\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes +\barre + %\check +%Takt 7 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes +\barre + %\check +%Takt 8 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 9 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes +\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes +\barre + %\check +%Takt 10 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \qlp d&ple\rlap{---}&\qup d&&&&\enotes +\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes +\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \ql d&na,&\qu d&&&&\enotes +\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 11 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\qh5a&&&&\enotes +\OrgNotes&\qb2k\tqb2n&\oct + \tqb4b&nus&\tqh5b&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 12 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \qlp c&te\rlap{---}&\qup c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \cl d&&\cu d&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \ql c&cum,&\qu c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes +% +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 13 +\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\qh5d&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 14 +\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes +\OrgNotes&\qh2f\tqh2j&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql d&\rlap{---}&\qu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a&&&&\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \hl b&tu&\hu b&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d&&&&\enotes +\barre + %\check +%Takt 16 +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g&&&&\enotes +\barre + %\check +%Takt 17 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes +\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql a&bus&\qu a&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 18 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\qh5e&&&&\enotes +\OrgNotes&\qh2f\tqh2i&\oct + \tqb4f&ne-&\tqh5f&&&&\enotes +\barre + %\check +%Takt 19 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{dic---}&\hu g&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \qu N&tus&\qu N&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 20 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 21 +\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 22 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp i&tu--&\qlp i&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl h&i,&\cl h&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&\rlap{Je---}&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\qu d&&&&\enotes +\barre + %\check +%Takt 23 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \hlp e&sus.&\hup e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + &&&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + &&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes +\barre + %\check +%Takt 24 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{Sanc---}&\hu g&&&&\enotes +\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \ql e&ta&\qu e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes +\barre + %\check +%Takt 25 +\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl h&ri\rlap{---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql a&a,&\qu a&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 26 +\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \hl h&\rlap{sanc---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \ql c&ta&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes +\barre + %\check +%Takt 27 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes +\barre + %\check +%Takt 28 +\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes +\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d&a!&\qu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes +\barre + %\check +%Takt 29 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\qh5c&&&&\enotes +\OrgNotes&\qh2b\tqh2d&\oct + \tqb4b&pro&\tqh5 b&&&&\enotes +\barre + %\check +%Takt 30 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \qlp g&no\rlap{---}&\qup g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes +\OrgNotes&\qh2c\tqh2e&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \ql c&bis,&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 31 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\qh5e&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4d&ca-&\tqh5d&&&&\enotes +\barre + %\check +%Takt 32 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp k&to\rlap{---}&\qlp k&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl i&ri-&\cl i&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&bus,&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 33 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4j&in&\tqh5j&&&&\enotes +\barre + %\check +%Takt 34 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\Ibu5je4\qh5j&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2g&\oct + \tqb4e&in&\tqh5e&&&&\enotes +\barre + %\check +%Takt 35 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 36 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N&&&&\enotes +\barre + %\check +%Takt 37 +\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 38 +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% +\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 39 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes +\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes +\barre + %\check +%Takt 40 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes +\barre + %\check +%Takt 41 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh + g&\zhlp g\hup l&&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 42 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes +\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes +\barre + %\check +%Takt 43 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct + \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes +\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d&na,&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 44 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a&&&&&&&&\enotes +\orgNotes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b&&&&&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 45 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct + \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d&&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c&cum,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes +% +\barre + %\check +%Takt 46 +\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct + \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct + \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 47 +\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &&\bigaccid\zhlp h\oct + \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2j&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \qu d&\rlap{---}&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \zql a\qu a&ta&\qu a&&&&&&&&\enotes +\barre + %\check +%Takt 48 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax + {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \qu d&in&\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 49 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct + \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct + \qh5f&&\qh4f&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh5g&&\tqh4g&&&&&&&&\enotes +\barre + %\check +%Takt 50 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax + \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes +\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax + \oct \cu h&bus&\qu a&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 51 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct + \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct + \qh4e&&\tqh5e&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2i&&\oct + \tqh4f&ne-&\cu f&&&&&&&&\enotes +\barre + %\check +%Takt 52 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu +n&{\zhlp j}\oct + \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \tten4\cu g&tus&\qu N&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 53 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu +q&{\zw h}\oct + \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct + \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4d&&\qh5d&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 54 +\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax + {\zw j}\oct + \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4g&&\qh5g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&\tqh5h&&&&&&&&\enotes +\barre + %\check +%Takt 55 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu +g&{\zqlp n}\oct + \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cu h&i,&\tleg4\cl h&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax + \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qu d&&\tleg5\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 56 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct + \hup e&sus.&\hup e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 57 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax + &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes +\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \qu e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl e&&&&&&\enotes +\barre + %\check +%Takt 58 +\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu +h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu +j&\tten2\zq j\ql h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 59 +\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&{\bigfl l\zh l}\oct + \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu +o&{\zq h}\oct + \ql c&ta&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes +\barre + %\check +%Takt 60 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu +n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid + \tten2\zq j\ql{_l}&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes +\barre + %\check +%Takt 61 +\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +k&{\zhp l}\oct + \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 62 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +i&{\zhl f}\oct + \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct + \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct + \qh4c&&\tqh5c&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2d&&\oct + \tqh4b&pro&\cu b&&&&&&&&\enotes +\barre + %\check +%Takt 63 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu +g&{\tten4\zhlp g}\oct + \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2e&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \qu c&bis,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 64 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw +f&{\zhl j}\oct + \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4e&pec-&\cu e&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4d&ca-&\cu d&&&&&&&&\enotes +\barre + %\check +%Takt 65 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu +i&{\zh m}\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu +k&{\zq i}\oct + \ql g&bus,&\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 66 +\def\atnextline{\autolines{25}25}\relax +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct + \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct + \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j&&&&&&&&\enotes +\barre + %\check +%Takt 67 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct + \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct + \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct + \qh4g&ra,&\cu g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2g&&\oct + \tqh4e&in&\cu e&&&&&&&&\enotes +\barre + %\check +%Takt 68 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu +k&{\zhl f}\oct + \itenu5d\hu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu +h&{\zhl h}\oct + \tten5\cu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4hh4\qh4h&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4i&&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&&&&&&&\enotes +\alaligne + %\check +%Takt 69 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu +g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \tqh4d&&&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax + \qh4h&&\tqh5d&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax + \qh4f&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\relax + \tqh4d&&&&&&\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax + &&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\def\atnextline{\autolines{20}35}\relax +%\cleftoksii{6000}\changeclefs +\alaligne + %\check +%Takt 71 +\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh +c&\tten4\zw a\wh c&&&&&&&&&\enotes +\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes +\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes +\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes +\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes +\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes +\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes +\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes +\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes +\barre + %\check +%Takt 73 +\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &&\pointdorgue f\wh c&&&&&&&&\enotes +\finmorceau +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex new file mode 100644 index 00000000000..ac2d11f3e4d --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaril.tex @@ -0,0 +1,20 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\tracingstats=2\relax +\hsize=185mm +\vsize=270mm +\hoffset -1.70cm +\voffset -1.54cm +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +\musicsize 29 +% +\input avemarix +\bye + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex new file mode 100644 index 00000000000..747452c4a43 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemario.tex @@ -0,0 +1,1014 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\autolines{25}{3}{5}% + %\check +%Takt 1 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 2 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 3 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\barre + %\check +%Takt 4 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes +\barre + %\check +%Takt 5 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 6 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes +\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes +\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes +\barre + %\check +%Takt 7 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes +\barre + %\check +%Takt 8 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes +\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes +\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes +\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 9 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes +\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes +\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes +\barre + %\check +%Takt 10 +\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \qlp d&ple\rlap{---}&\qup d&&&&\enotes +\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes +\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \ql d&na,&\qu d&&&&\enotes +\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 11 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes +\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes +\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\qh5a&&&&\enotes +\OrgNotes&\qb2k\tqb2n&\oct + \tqb4b&nus&\tqh5b&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 12 +\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \qlp c&te\rlap{---}&\qup c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \cl d&&\cu d&&&&\enotes +\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct + \ql c&cum,&\qu c&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes +% +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 13 +\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\qh5d&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 14 +\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes +\OrgNotes&\qh2f\tqh2j&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql d&\rlap{---}&\qu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a&&&&\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \hl b&tu&\hu b&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d&&&&\enotes +\barre + %\check +%Takt 16 +\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes +\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f&&&&\enotes +\OrgNotes&\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g&&&&\enotes +\barre + %\check +%Takt 17 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes +\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \ql a&bus&\qu a&&&&\enotes +\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes +\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 18 +\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes +\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes +\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\qh5e&&&&\enotes +\OrgNotes&\qh2f\tqh2i&\oct + \tqb4f&ne-&\tqh5f&&&&\enotes +\barre + %\check +%Takt 19 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{dic---}&\hu g&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \qu N&tus&\qu N&&&&\enotes +\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes +\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 20 +\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e&&&&\enotes +\barre + %\check +%Takt 21 +\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 22 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp i&tu--&\qlp i&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl h&i,&\cl h&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&\rlap{Je---}&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\qu d&&&&\enotes +\barre + %\check +%Takt 23 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \hlp e&sus.&\hup e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + &&&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + &&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes +\barre + %\check +%Takt 24 +\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \hl g&\rlap{Sanc---}&\hu g&&&&\enotes +\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct + \ql e&ta&\qu e&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes +\barre + %\check +%Takt 25 +\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl h&ri\rlap{---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql a&a,&\qu a&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 26 +\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \hl h&\rlap{sanc---}&\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct + \ql c&ta&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes +\barre + %\check +%Takt 27 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds&&&&\enotes +\OrgNotes&\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes +\barre + %\check +%Takt 28 +\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \hl j&ri\rlap{---}&\hl j&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes +\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d&a!&\qu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes +\barre + %\check +%Takt 29 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes +\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\qh5c&&&&\enotes +\OrgNotes&\qh2b\tqh2d&\oct + \tqb4b&pro&\tqh5 b&&&&\enotes +\barre + %\check +%Takt 30 +\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \qlp g&no\rlap{---}&\qup g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes +\OrgNotes&\qh2c\tqh2e&\oct + \cl e&&\cu e&&&&\enotes +\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \ql c&bis,&\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 31 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\qh5e&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4d&ca-&\tqh5d&&&&\enotes +\barre + %\check +%Takt 32 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \qlp k&to\rlap{---}&\qlp k&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \cl i&ri-&\cl i&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ql g&bus,&\qu g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp&&&&\enotes +\barre + %\check +%Takt 33 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes +\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes +\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4j&in&\tqh5j&&&&\enotes +\barre + %\check +%Takt 34 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\Ibu5je4\qh5j&&&&\enotes +\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\qh5g&&&&\enotes +\OrgNotes&\qh2c\tqh2g&\oct + \tqb4e&in&\tqh5e&&&&\enotes +\barre + %\check +%Takt 35 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes +\OrgNotes&\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h&&&&\enotes +\barre + %\check +%Takt 36 +\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g&&&&\enotes +\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d&&&&\enotes +\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes +\OrgNotes&\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N&&&&\enotes +\barre + %\check +%Takt 37 +\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes +\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes +\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes +\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes +\barre + %\check +%Takt 38 +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% +\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl g&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes +\barre + %\check +%Takt 39 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes +\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes +\barre + %\check +%Takt 40 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl i\hup n&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes +\barre + %\check +%Takt 41 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh + g&\zhlp g\hup l&&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes +\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes +\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 42 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes +\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes +\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes +\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes +\barre + %\check +%Takt 43 +\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct + \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes +\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d&na,&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 44 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes +\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes +\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a&&&&&&&&\enotes +\orgNotes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b&&&&&&&&\enotes +\def\atnextline{\autolines{25}35}\relax +\barre + %\check +%Takt 45 +\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct + \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d&&&&&&&&\enotes +\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c&cum,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes +% +\barre + %\check +%Takt 46 +\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct + \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct + \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 47 +\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &&\bigaccid\zhlp h\oct + \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2j&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \qu d&\rlap{---}&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \zql a\qu a&ta&\qu a&&&&&&&&\enotes +\barre + %\check +%Takt 48 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax + {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \qu d&in&\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 49 +\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct + \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct + \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct + \qh5f&&\qh4f&&&&&&&&\enotes +\orgNotes&\qh2g\tqh2j&&\oct + \tqh5g&&\tqh4g&&&&&&&&\enotes +\barre + %\check +%Takt 50 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax + \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes +\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax + \oct \cu h&bus&\qu a&&&&&&&&\enotes +\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 51 +\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes +\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct + \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct + \qh4e&&\tqh5e&&&&&&&&\enotes +\orgNotes&\qh2f\tqh2i&&\oct + \tqh4f&ne-&\cu f&&&&&&&&\enotes +\barre + %\check +%Takt 52 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu +n&{\zhlp j}\oct + \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \tten4\cu g&tus&\qu N&&&&&&&&\enotes +\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes +\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 53 +\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu +q&{\zw h}\oct + \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct + \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4d&&\qh5d&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4e&&\tqh5e&&&&&&&&\enotes +\barre + %\check +%Takt 54 +\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax + {\zw j}\oct + \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qh4g&&\qh5g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&\tqh5h&&&&&&&&\enotes +\barre + %\check +%Takt 55 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu +g&{\zqlp n}\oct + \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cu h&i,&\tleg4\cl h&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax + \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qu d&&\tleg5\qu d&&&&&&&&\enotes +\barre + %\check +%Takt 56 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct + \hup e&sus.&\hup e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + &&&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 57 +\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax + &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes +\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \qu e&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl e&&&&&&\enotes +\barre + %\check +%Takt 58 +\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu +h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu +j&\tten2\zq j\ql h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 59 +\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&{\bigfl l\zh l}\oct + \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu +o&{\zq h}\oct + \ql c&ta&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes +\barre + %\check +%Takt 60 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu +n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid + \tten2\zq j\ql{_l}&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds&&&&&&&&\enotes +\orgNotes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes +\barre + %\check +%Takt 61 +\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +k&{\zhp l}\oct + \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 62 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu +i&{\zhl f}\oct + \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct + \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct + \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct + \qh4c&&\tqh5c&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2d&&\oct + \tqh4b&pro&\cu b&&&&&&&&\enotes +\barre + %\check +%Takt 63 +\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu +g&{\tten4\zhlp g}\oct + \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2e&&\oct + \cu e&&\tleg4\cu e&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \qu c&bis,&\qu c&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \raise\Interligne\qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 64 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw +f&{\zhl j}\oct + \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct + \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4e&pec-&\cu e&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4d&ca-&\cu d&&&&&&&&\enotes +\barre + %\check +%Takt 65 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu +i&{\zh m}\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu +k&{\zq i}\oct + \ql g&bus,&\qu g&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp&&&&&&&&\enotes +\barre + %\check +%Takt 66 +\def\atnextline{\autolines{25}25}\relax +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes +\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct + \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct + \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j&&&&&&&&\enotes +\barre + %\check +%Takt 67 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct + \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct + \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct + \qh4g&ra,&\cu g&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2g&&\oct + \tqh4e&in&\cu e&&&&&&&&\enotes +\barre + %\check +%Takt 68 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu +k&{\zhl f}\oct + \itenu5d\hu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu +h&{\zhl h}\oct + \tten5\cu d&&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct + \Ibu4hh4\qh4h&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4i&&&&&&&&&\enotes +\orgNotes&\qh2c\tqh2f&&\oct + \tqh4h&&&&&&&&\enotes +\alaligne + %\check +%Takt 69 +\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu +g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct + \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\oct + \tqh4d&&&&&&&&&&\enotes +\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax + \qh4h&&\tqh5d&&&&&&&&\enotes +\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax + \qh4f&&&&&&&\enotes +\orgNotes&\qh2b\tqh2f&&\relax + \tqh4d&&&&&&\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax + &&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes +\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes +\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes +\def\atnextline{\autolines{20}35}\relax +%\cleftoksii{6000}\changeclefs +\alaligne + %\check +%Takt 71 +\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh +c&\tten4\zw a\wh c&&&&&&&&&\enotes +\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes +\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes +\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes +\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes +\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes +\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes +\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes +\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes +\barre + %\check +%Takt 73 +\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &&\pointdorgue f\wh c&&&&&&&&\enotes +\finmorceau +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex new file mode 100644 index 00000000000..c6a57cca4ba --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemarix.tex @@ -0,0 +1,951 @@ +% \input musixtex +% \input musixcpt +% \input musixsty +\fulltitle{M\'editation -- Ave Maria} +\author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel + Taupin\\\& Markus Veittes} +\shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \title{Ave Maria} + \othermention{G.O.: fl\^ute 8' [+4']\\Positif : fl\^utes 8'+4' +[+2']\\P\'edale : 16', acc. positif} + \maketitle + +\parindent 13mm +\ifnum\musicsize=0\musicsize=20\fi +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{4} +\def\instrumenti{Positif} +\def\staffspacingii{0.64} +\def\staffspacingiv{0.64} +\def\instrumentii{Violon} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiv{Chant} +\nbporteesi=2\relax +\nbporteesiii=0\relax +%\font\gros=\fonthdg\fonthdge bx12 scaled \magstep3 + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiv{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines +\def\nbinstruments{1}% +\debutmorceau +\autolines{25}{3}{4}% +%Takt 1 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl2j3\qb2g\tqb2j\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre +%Takt 2 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\barre +%Takt 3 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +% +\suspmorceau +% +% +\def\nbinstruments{4}% +\debutmorceau +\barno=4\relax +%Takt 4 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\pause&&\pause\enotes +\Notes|\ibbl2j3\qb2g\tqb2j\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre +%Takt 5 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\wh l&A\rlap{---}&\wh e\enotes +\Notes|\ibbl0j3\qb0g\tqb0j&&&\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes +\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes +\barre +%Takt 6 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\wh m&ve&\hupp f\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&&&\enotes +\Notes|\ibbl1j3\qb1h\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2h\enotes +\Notes|\qb2k\tqb2m&&Ma-&\cu f\enotes +\barre +%Takt 7 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\hlp n&ri\rlap{---}&\hup g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d\enotes +\barre +%Takt 8 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\hlp l&a,&\hup e\enotes +\Notes|\ibbl0j3\qb0g\tqb0j\enotes +\Notes|\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&&&\enotes +\Notes|\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes|\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp\enotes +\barre +%Takt 9 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes +\Notes|\ibbl0j3\qb0h\tqb0l\enotes +\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e|\ds&\oct + \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes +\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\tqh5a\enotes +\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes +\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes +\barre +%Takt 10 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes +\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2f\enotes +\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \ql d&na,&\qu d\enotes +\Notes|\ibbu1g3\qh1f\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes +\barre +%Takt 11 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k\enotes +\Notes|\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d|\ds&\oct + \tten5\ibl4b0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes +\Notes|\ibbl1j3\qb1g\tqb1k&\oct + \qb4N&\rlap{---}&\tqh5N\enotes +\Notes|\ibbl2k0\qb2n\qb2g&\oct + \qb4a&mi-&\cu a\enotes +\Notes|\qb2k\tqb2n&\oct + \tqb4b&nus&\cu b\enotes +\def\atnextline{\autolines{25}34}\relax +\barre +%Takt 12 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct + \qlp c&te\rlap{---}&\Ilegu4j\pt c\qu c\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\enotes +\Notes|\qh2g\tqh2j&\oct + \cl d&&\tleg4\cu d\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c|\ds&\oct + \ql c&\rlap{cum,}&\qu c\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp\enotes +% +\def\atnextline{\autolines{25}34}\relax +\barre +%Takt 13 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c|\ds&\oct + \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes +\Notes|\ibbu1f3\qh1e\tqh1g&\oct + \qb4c&\rlap{---}&\tqh5c\enotes +\Notes|\ibbu2i0\qh2j\qh2e&\oct + \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes +\Notes|\qh2g\tqh2j&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 14 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes +\Notes|\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes|\ibbu2i0\qh2j\qh2d\enotes +\Notes|\qh2f\tqh2j&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a|\ds&\oct + \ql d&\rlap{---}&\qu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f\enotes +\Notes|\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \ql a&ta&\qu a\enotes +\barre +%Takt 15 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct + \hl b&tu&\hu b\enotes +\Notes|\ibbu1f3\qh1d\tqh1g\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\qp&&\qp\enotes +\Notes|\ibbu1f3\qh1d\tqh1g\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \ql d&in&\qu d\enotes +\barre +%Takt 16 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}|\ds&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes +\Notes|\ibbu1f3\qh1e\tqh1g\enotes +\Notes|\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b|\ds&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes +\Notes|\ibbu1f3\qh1e\tqh1g&\oct + \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes +\Notes|\ibbu2i0\qh2j\qh2e&\oct + \qb5f&&\qh4f\enotes +\Notes|\qh2g\tqh2j&\oct + \tqb5g&&\tqh4g\enotes +\barre +%Takt 17 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \hl h&e\rlap{---}&\ppt h\qu h\enotes +\Notes|\ibbu1g3\qh1d\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes|\tqh2k&&ri-&\ccu a\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \ql a&bus&\qu a\enotes +\Notes|\ibbu1g3\qh1d\tqh1h\enotes +\Notes|\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp\enotes +\barre +%Takt 18 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}|\ds&\oct + \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f\enotes +\Notes|\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a|\ds&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes +\Notes|\ibbu1f3\qh1d\tqh1f&\oct + \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes +\Notes|\ibbu2i0\qh2i\qh2d&\oct + \qb4e&&\tqh5e\enotes +\Notes|\qh2f\tqh2i&\oct + \tqb4f&ne-&\cu f\enotes +\barre +%Takt 19 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct + \hl g&\rlap{dic---}&\hu g\enotes +\Notes|\ibbu1f3\qh1c\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N|\ds&\oct + \qu N&tus&\qu N\enotes +\Notes|\ibbu1f3\qh1c\tqh1g\enotes +\Notes|\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp\enotes +\barre +%Takt 20 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes +\Notes|\ibbu1c3\qh1a\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes +\Notes|\ibbu1c3\qh1a\tqh1c&\oct + \qb4c&tus&\ibu5d1\qh5c\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4d&&\qh5d\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 21 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes +\Notes|\ibbu1c3\qh1a\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes +\Notes|\ibbu1c3\qh1a\tqh1c&\oct + \qb4f&ris&\ibu5g1\qh5f\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4g&&\qh5g\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 22 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\enotes +\Notes|\qh2b\tqh2f&\oct + \cl h&i,&\tleg4\cl h\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \ql d&&\tleg5\qu d\enotes +\barre +%Takt 23 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \hlp e&sus.&\hup e\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + &&\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + &&\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\cl e&&\qp\enotes +\barre +%Takt 24 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct + \hl g&\rlap{Sanc---}&\hu g\enotes +\Notes|\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N|\ds&\oct + \ql e&ta&\qu e\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes|\tqh2e&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes +\barre +%Takt 25 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \hl h&ri\rlap{---}&\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \ql a&a,&\qu a\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct + \qp&&\qp\enotes +\barre +%Takt 26 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct + \hl h&\rlap{sanc---}&\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J|\ds&\oct + \ql c&ta&\qu c\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk + \pt a\ds&&\qsk\pt h\ds\enotes +\Notes|\tqh2e&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes +\barre +%Takt 27 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}|\ds&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds&&\pt j\ds\enotes +\Notes|\tqh2e&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes +\barre +%Takt 28 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \ql d&a!&\qu d\enotes +\Notes|\ibbu1b3\qh1b\tqh1c\enotes +\Notes|\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d&&\qp\enotes +\barre +%Takt 29 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M|\ds&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\oct + \qb4d&ra&\ibu5d{-1}\qh5d\enotes +\Notes|\ibbu2d0\qh2d\qh2N&\oct + \qb4c&&\tqh5c\enotes +\Notes|\qh2b\tqh2d&\oct + \tqb4b&pro&\cu b\enotes +\barre +%Takt 30 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\enotes +\Notes|\qh2c\tqh2e&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L|\ds&\oct + \ql c&bis,&\qu c\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \qp&&\qp\enotes +\barre +%Takt 31 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4f&bis&\cu f\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \qb4e&pec-&\cu e\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4d&ca-&\cu d\enotes +\barre +%Takt 32 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \qlp k&to\rlap{---}&\Ilegu4k\pt k\ql k\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\enotes +\Notes|\qh2b\tqh2f&\oct + \cl i&ri-&\tleg4\cl i\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ql g&bus,&\qu g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qp&&\qp\enotes +\barre +%Takt 33 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}|\ds&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c\enotes +\Notes|\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes +\Notes|\ibbu1b3\qh1a\tqh1c&\oct + \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes +\Notes|\ibbu2e0\qh2f\qh2a&\oct + \qb4i&&\tqh5i\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4j&in&\cl j\enotes +\barre +%Takt 34 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}|\ds&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L|\ds&\oct + \tten5\ibl4j{-4}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4j&--&\tqh5j\enotes +\Notes|\ibbu2e0\qh2g\qh2N&\oct + \qb4g&ra,&\cu g\enotes +\Notes|\qh2c\tqh2g&\oct + \tqb4e&in&\cu e\enotes +\barre +%Takt 35 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes +\Notes|\ibbu1b3\qh1N\tqh1c\enotes +\Notes|\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes +\Notes|\ibbu1b3\qh1N\tqh1c&\oct + \qb4h&&\tqh5h\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \qb4i&ra&\ibu5i{-1}\qh5i\enotes +\Notes|\qh2c\tqh2f&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 36 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\oct + \usf g\qb4g&&\tqh5k\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes +\Notes|\qh2b\tqh2f&\oct + \usf d\tqb4d&&\tqh5g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K|\ds&\relax + \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f\enotes +\Notes|\ibbu1b3\qh1N\tqh1b&\relax + \lsf h\qh4h&&\tqh5d\enotes +\Notes|\ibbu2e0\qh2f\qh2N&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes +\Notes|\qh2b\tqh2f&\relax + \lsf d\tqh4d&&\tqh5N\enotes +\suspmorceau +\eject +% +%Takt 37 +\def\instrumenti{P\'ed. 16'} +\def\instrumentii{Positif} +\def\instrumentiii{(Pos.)} +\def\instrumentiv{Violon} +\def\instrumentvi{Chant} +\def\nbinstruments{6} +\linesinpage=0\relax +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax +\nbporteesiv=1\relax +\nbporteesv=0\relax +\nbporteesvi=1\relax +\cleftoksi={6000}\relax +\cleftoksii={6000}\relax +\cleftoksiii={0000}\relax +\cleftoksiv={0000}\relax +\cleftoksvi={0000}\relax +\def\interinstrumenti{0pt} +\def\interinstrumentii{0pt} +%\def\interinstrumentiv{-2\Interligne} +\def\staffspacingi{1}% +\def\staffspacingii{1}% +\def\staffspacingiii{1}% +\def\staffspacingiv{0.64}% +\def\staffspacingvi{0.64}% +\debutmorceau\barno=37\relax +\autolines{26}33\relax +\def\atnextline{\autolines{24}33}\relax +% +\Notes&\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax + \hup c&A\rlap{---}&\itenl4c\hu c\enotes +\Notes&&\ibbu1b3\qh1N\tqh1c&\enotes +\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\pause&\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c\enotes +\Notes&&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp\enotes +\cleftoksii={0000}\changeclefs +\barre +%Takt 38 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\uptext{G.O.}&\wh l&A\rlap{---}&\wh e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j&\hpause\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&&&\enotes +\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&\enotes +\barre +%Takt 39 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&\hupp f\enotes +\Notes&\ibbl1j3\qb1h\tqb1k&\hpause\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu h&&&\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f\enotes +\barre +%Takt 40 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\hlp n&ri\rlap{---}&\hup g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hl f\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\ql k&\rlap{---}&\qu d\enotes +\barre +%Takt 41 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh g&\hlp l&a,&\hup e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&\enotes +\Notes&\ibbl2j3\qb2g\tqb2j&&&\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp\enotes +\barre +%Takt 42 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\oct + \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu e&\oct + \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b\enotes +\Notes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c\enotes +\barre +%Takt 43 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}\itenu5o\hu o&\oct + \qlp d&ple\rlap{---}&\Ilegu4k\pt d\qu d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5\ibu3m{-2}\qh3o&\oct + \ql d&na,&\qu d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h&\qh3h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qh3i\sk\tqh3j&\qp&&\qp\enotes +\barre +%Takt 44 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g\qupp k&\oct + \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hu k&\oct + \tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&&\oct + \qb4N&\rlap{---}&\tqh5N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&&\oct + \qb4a&mi-&\cu a\enotes +\Notes&\qb2k\tqb2n&&\oct + \tqb4b&nus&\cu b\enotes +\def\atnextline{\autolines{25}33}\relax +\barre +%Takt 45 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e\itenu3n\hu n&\oct + \qlp c&te\rlap{---}&\Ilegu2j\pt c\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&&\oct + \cl d&&\tleg2\cu d\enotes +\temps\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\tten3\ibu3l{-3}\qh3n&\oct + \ql c&\rlap{cum,}&\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qh3h\sk\tqh3i&\qp&&\qp\enotes +% +\def\atnextline{\autolines{25}33}\relax +\barre +%Takt 46 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e\hu j&\oct + \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\qu h&\oct + \tten5\ibl4c0\qb4j&&\tten4\ibu5h{-3}\qh5j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&&\oct + \qb4c&\rlap{---}&\tqh5c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qu g&\oct + \qb4d&ne\rlap{---}&\ibu5e1\qh5d\enotes +\Notes&\qh2g\tqh2j&&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 47 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &\bigaccid\zw {^f}\zw c\roff{\itenl3d\zw d}&\oct\bigaccid + \qlp{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\pt f\qu {^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct + \ql d&\rlap{---}&\qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct + \ql a&ta&\qu a\enotes +\barre +%Takt 48 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten3\zw d\wh g&\oct + \hl b&tu&\hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\qp&&\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct + \ql d&in&\qu d\enotes +\barre +%Takt 49 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\bigsh c\wh{c}&\oct + \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\temps\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct + \tten5\ibl5e1\qb5e&&\tten4\cu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&&\oct + \qb5e&li\rlap{---}&\ibu4f1\qh4e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&&\oct + \qb5f&&\qh4f\enotes +\Notes&\qh2g\tqh2j&&\oct + \tqb5g&&\tqh4g\enotes +\barre +%Takt 50 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\zw k\itenu3o\hu o&\oct + \hl h&e\rlap{---}&\ppt h\qu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k&&&ri-&\ccu a\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten3\ibl3m2\qb3o&\oct + \ql a&bus&\qu a\enotes +\Notes&\ibbu1g3\qh1d\tqh1h&\qb3o\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qb3p\sk\tqb3q&\qp&&\qp\enotes +\barre +%Takt 51 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid + \zw {=i}\hu r&\oct\itenu5d\hl d&et\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\temps\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct + \tten5\ibl4d1\qb4d&&\tten4\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&&\oct + \qb4d&be\rlap{---}&\ibu5e1\qh5d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&&\oct + \qb4e&&\tqh5e\enotes +\Notes&\qh2f\tqh2i&&\oct + \tqb4f&ne-&\cu f\enotes +\barre +%Takt 52 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\zw j\itenu3n\hu n&\oct + \hl g&\rlap{dic---}&\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct + \qu N&tus&\qu N\enotes +\Notes&\ibbu1f3\qh1c\tqh1g&\qb3n\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qp&&\qp\enotes +\barre +%Takt 53 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu q&\oct + \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct + \tten5\ibl4c1\qb4c&&\tten4\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&&\oct + \qb4c&tus&\ibu5d1\qh5c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4d&&\qh5d\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4e&&\tqh5e\enotes +\barre +%Takt 54 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\oct + \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct + \tten5\ibl4f1\qb4f&&\tten4\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct + \qb4f&ris&\ibu5g1\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4g&&\qh5g\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 55 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu g&\oct + \qlp i&tu--&\Ilegu4k\pt i\ql i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&&\oct + \cl h&i,&\tleg4\cl h\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu f&\oct + \ql g&\rlap{Je---}&\Ilegu5l\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \ql d&&\tleg5\qu d\enotes +\barre +%Takt 56 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw c\hu e&\oct + \hlp e&sus.&\hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct + &&\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + &&\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \pt a\ds\sk\sk\cl e&&\qp\enotes +\barre +%Takt 57 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\bigfl i\relax + \roff{\zw i}\hu j&\oct \hl g&\rlap{Sanc---}&\hu g\enotes +\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct + \ql e&ta&\qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes&\tqh2e&&\oct + \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e\enotes +\barre +%Takt 58 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu h&\oct + \hl h&ri\rlap{---}&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu j&\oct + \ql a&a,&\qu a\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct + \qp&&\qp\enotes +\barre +%Takt 59 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid + \zw h\hu{_l}&\oct + \hl h&\rlap{sanc---}&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\temps\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu o&\oct + \ql c&ta&\qu c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct + \pt a\ds&&\pt h\ds\enotes +\Notes&\tqh2e&&\oct + \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h\enotes +\barre +%Takt 60 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu n&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{_l}&\oct\bigaccid + \ql{_e}&a,&\bigaccid\qu{_e}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct + \pt a\ds&&\pt j\ds\enotes +\Notes&\tqh2e&&\oct + \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j\enotes +\barre +%Takt 61 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu k&\oct + \hl j&ri\rlap{---}&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\temps\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct + \ql d&a!&\qu d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct + \pt a\ds\sk\sk\ccl d&&\qp\enotes +\barre +%Takt 62 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu i&\oct + \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl b\itenu3g\hu g&\oct + \tten5\ibl4d{-1}\qb4d&&\tten4\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\oct + \qb4d&ra&\ibu5d{-1}\qh5d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&&\oct + \qb4c&&\tqh5c\enotes +\Notes&\qh2b\tqh2d&&\oct + \tqb4b&pro&\cu b\enotes +\barre +%Takt 63 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\tten3\zw e\hu g&\oct + \qlp g&no\rlap{---}&\Ilegu4l\pt g\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&&\oct + \cl e&&\tleg4\cu e\enotes +\temps\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\itenu3j\zhl g\hu j&\oct + \ql c&bis,&\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct + \qp&&\qp\enotes +\barre +%Takt 64 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw f\hu j&\oct + \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c\hu h&\oct + \tten5\ibl4f{-1}\qb4f&&\tten4\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4f&bis&\cu f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \qb4e&pec-&\cu e\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4d&ca-&\cu d\enotes +\barre +%Takt 65 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu i&\oct + \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\pt k\ql k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&&\oct + \cl i&ri-&\tleg4\cl i\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu k&\oct + \ql g&bus,&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct + \qp&&\qp\enotes +\barre +%Takt 66 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&\bigaccid\zw j\zhl{^f}\hu{_l}&\oct + \itenu5h\hl h&nunc&\itenl4h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h\hu{^m}&\oct + \tten5\ibl4h1\qb4h&&\tten4\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&&\oct + \qb4h&et\rlap{---}&\ibu5i1\qh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&&\oct + \qb4i&&\tqh5i\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4j&in&\cl j\enotes +\barre +%Takt 67 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j\hu n&\oct + \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&\oct + \tten5\ibl4j{-3}\qb4l&&\tten4\ibu5j{-2}\qh5l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4j&---&\tqh5j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&&\oct + \qb4g&ra,&\cu g\enotes +\Notes&\qh2c\tqh2g&&\oct + \tqb4e&in&\cu e\enotes +\barre +%Takt 68 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu k&\oct + \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu h&\oct + \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&&\oct + \qb4h&&\tqh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \qb4i&ra&\ibu5i{-1}\qh5i\enotes +\Notes&\qh2c\tqh2f&&\oct + \tqb4h&&\tqh5h\enotes +\barre +%Takt 69 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu g&\oct + \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\oct + \usf g\qb4g&&\tqh5k\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\oct + \usf f\qb4f&tis&\ibu5i{-2}\qh5i\enotes +\Notes&\qh2b\tqh2f&&\oct + \usf d\tqb4d&&\tqh5g\enotes +\temps\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax + \lsf i\ibu4i{-3}\qh4i&\rlap{nos---}&\ibu5f{-2}\qh5f\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&&\relax + \lsf h\qh4h&&\tqh5d\enotes +\Notes&\ibbu2e0\qh2f\qh2N&&\relax + \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b\enotes +\Notes&\qh2b\tqh2f&&\relax + \lsf d\tqh4d&&\tqh5N\enotes +\barre +\autolines{19}43\relax +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +%Takt 70 +\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\itenl4c\wh c + &A\rlap{---}&\wh c\enotes +\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\temps\Notes\zhl C\raise\Interligne\hbox{\qs}\qupp J&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\barre +%Takt 71 +\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c&\tten4\wh c + &\rlap{\kern -\interligne men!}&\hu c\enotes +\Notes&\ibbu1a3\qh1M\tqh1a\enotes +\Notes&\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes +\temps\Notes\tten2\hu J&\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&\oct + &&\hpause\enotes +\Notes\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes +\barre +%Takt 72 +\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\zw{=b}\wh g&\itenl4N\wh N + &A\rlap{---}&\wh g\enotes +\Notes&\ibbl1h3\qb1g\tqb1i\enotes +\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes +\temps\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&\enotes +\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes +\barre +%Takt 73 +\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &\zw N\zw c\wh e&\tten4\wh N&\rlap{\kern -\interligne men!}&\pointdorgue g\wh g\enotes +\finmorceau +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex new file mode 100644 index 00000000000..520d5f05307 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/avemaroo.tex @@ -0,0 +1,858 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \input avemaria.reg + \title{Ave Maria (Gounod)} +\csname titremorceautoc\endcsname +\fulltitle{M\'editation -- Ave Maria} +\title{M\'editation -- Ave Maria} + \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue solo Daniel +Taupin\\\& Markus Veittes} + \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} + \subtitle{\relax} + \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou +chalumeau {\it ad lib.}]\\Positif : quinte\\P\'edale : 16', acc. +G.O.\\Gif : 2/9-11-12/20-23/33-37-45/50-52-54} +\maketitle + +\staffbotmarg\Interligne +% +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\oct{\advance\transpose by 7\relax} +\def\nbinstruments{3} +\def\instrumenti{P\'edale} +\def\instrumentii{G.O.} +%\def\interinstrumenti{-2\Interligne} +%\def\interinstrumentii{-2\Interligne} +\def\instrumentiii{Positif} +\nbporteesi=1\relax +\nbporteesii=1\relax +\nbporteesiii=1\relax + +\generalmeter{\meterC}% +\cleftoksi{{6}{0}{0}{0}} +\cleftoksii{{0}{0}{0}{0}} +\cleftoksiii{{0}{0}{0}{0}} +%\raggedlinestrue % uncomment for ragged right lines + + +\debutmorceau +\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% +\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% +\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% + %\check +%Takt 1 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 2 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\barre + %\check +%Takt 3 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\barre + %\check +%Takt 4 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 5 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 6 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hupp f\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m&\cu f\enotes +\barre + %\check +%Takt 7 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hup g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu d\enotes +\barre + %\check +%Takt 8 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hup e\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes +\barre + %\check +%Takt 9 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\itenl4h\hu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten4\cu h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&\Ibu5ac4\qh5a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&\qh5b\enotes +\Notes&\qb1l\tqb1o&\tqh5c\enotes +\barre + %\check +%Takt 10 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qup d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&\cu e\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\qu d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp\enotes +\barre + %\check +%Takt 11 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu4g\hu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten4\cu g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&\Ibu5Nb4\qh5N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&\qh5a\enotes +\Notes&\qb2k\tqb2n&\tqh5b\enotes +\barre + %\check +%Takt 12 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qup c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&\cu d\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\qu c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp\enotes +% +\barre + %\check +%Takt 13 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\itenu4j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\cu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu5ce4\qh5c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qh5d\enotes +\Notes&\qh2g\tqh2j&\tqh5e\enotes +\barre + %\check +%Takt 14 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\bigaccid\qup {^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&\cu e\enotes +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\qu a\enotes +\barre + %\check +%Takt 15 +\def\atnextline{\staffbotmarg3\Interligne}% +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\qu d\enotes +\barre + %\check +%Takt 16 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\itenl4e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\tten4\cu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\Ibu4eg4\qh4e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\qh4f\enotes +\Notes&\qh2g\tqh2j&\tqh4g\enotes +\barre + %\check +%Takt 17 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\ppt h\qu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k&\ccu a\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\qu a\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp\enotes +\barre + %\check +%Takt 18 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\tten4\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&\Ibu5df4\qh5d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&\qh5e\enotes +\Notes&\qh2f\tqh2i&\tqh5f\enotes +\barre + %\check +%Takt 19 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\qu N\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp\enotes +\barre + %\check +%Takt 20 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenl4c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5ce4\qh5c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5d\enotes +\Notes&\qh2c\tqh2f&\tqh5e\enotes +\barre + %\check +%Takt 21 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\itenl4f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\Ibu5fh4\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5g\enotes +\Notes&\qh2c\tqh2f&\tqh5h\enotes +\barre + %\check +%Takt 22 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\cl h\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qu d\enotes +\barre + %\check +%Takt 23 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 24 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu g\enotes +\Notes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt h\ds\enotes +\Notes&\tqh2e&\ccu e\enotes +\barre + %\check +%Takt 25 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu a\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 26 +\Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\qu c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\qsk\pt h\ds\enotes +\Notes&\tqh2e&\ccu h\enotes +\barre + %\check +%Takt 27 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\qu{_e}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\pt j\ds\enotes +\Notes&\tqh2e&\ccl j\enotes +\barre + %\check +%Takt 28 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\qu d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\qp\enotes +\barre + %\check +%Takt 29 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten4\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\Ibu5db4\qh5d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&\qh5c\enotes +\Notes&\qh2b\tqh2d&\tqh5 b\enotes +\barre + %\check +%Takt 30 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qup g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&\cu e\enotes +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 31 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5fd4\qh5f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\qh5e\enotes +\Notes&\qh2c\tqh2f&\tqh5d\enotes +\barre + %\check +%Takt 32 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qlp k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\cl i\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes +\barre + %\check +%Takt 33 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl4h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&\Ibu5hj4\qh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\qh5i\enotes +\Notes&\qh2c\tqh2f&\tqh5j\enotes +\barre + %\check +%Takt 34 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\itenu4l\hl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\tten4\cl l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\Ibu5je4\qh5j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&\qh5g\enotes +\Notes&\qh2c\tqh2g&\tqh5e\enotes +\barre + %\check +%Takt 35 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\itenl4d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten4\ibu5g3\qh5d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\tqh5h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-1}\qh5i\enotes +\Notes&\qh2c\tqh2f&\tqh5h\enotes +\barre + %\check +%Takt 36 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5j2\qh5g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5k\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5i{-2}\qh5i\enotes +\Notes&\qh2b\tqh2f&\tqh5g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\ibu5f{-2}\qh5f\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\tqh5d\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\ibu5b{-2}\qh5b\enotes +\Notes&\qh2b\tqh2f&\tqh5N\enotes +\barre + %\check +%Takt 37 +\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\itenl4c\hu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&\tten4\qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\uptext{R\'ecit (doux)}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp\enotes +\barre + %\check +%Takt 38 +\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\wh l\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&\raise -2\Interligne\hpause\enotes +\Notes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&\hl g\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l\enotes +\barre + %\check +%Takt 39 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&\raise -2\Interligne\hpause\enotes +\Notes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&\hl h\enotes +\Notes&\ibbl1j3\qb1h\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2h\enotes +\Notes&\qb2k\tqb2m\enotes +\barre + %\check +%Takt 40 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zhl i\hup n\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m\enotes +\Notes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&\hl f\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\qu k\enotes +\barre + %\check +%Takt 41 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\zhlp g\hup l\enotes +\Notes&\ibbl0j3\qb0g\tqb0j\enotes +\Notes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds\enotes +\Notes&\ibbl2j3\qb2g\tqb2j\enotes +\Notes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp\enotes +\barre + %\check +%Takt 42 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\relax + {\roffset{0.3}{\zhu j}}\oct + \itenu5h\hl h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l\enotes +\Notes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp +e&\ds&{\roffset {0.3}{\zhu l}}\oct + \tten5\ibl4a0\qb4h\enotes +\Notes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a\enotes +\Notes&\ibbl1k0\qb1o\qb1h&\oct\qb4b\enotes +\Notes&\qb1l\tqb1o&\oct\tqb4c\enotes +\barre + %\check +%Takt 43 +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu5o{\zhu o}\oct + \qlp d\enotes +\Notes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2f\enotes +\Notes&\qh2h\tqh2k&\oct \cl e\enotes +\Notes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\tten5{\ibu3m{-2}\zqh3o}\oct + \ql d\enotes +\Notes&\ibbu1g3\qh1f\tqh1h&{\qh3h}\enotes +\Notes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}\enotes +\barre + %\check +%Takt 44 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\relax + \rlap{\roffset{0.3}{\qupp k}}\oct + \normalnotesize\itenu5g\hl g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k\enotes +\Notes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&\sk\sk\sk\ccu l\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\roffset {0.5}{\zhu k}\oct + \normalnotesize\tten5\ibl4N0\qb4g\enotes +\Notes&\ibbl1j3\qb1g\tqb1k&\oct \qb4N\enotes +\Notes&\ibbl2k0\qb2n\qb2g&\oct + \qb4a\enotes \Notes&\qb2k\tqb2n&\oct \tqb4b\enotes +\barre + %\check +%Takt 45 +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\itenu3n\zhu n}\oct + \qlp c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\enotes +\Notes&\qh2g\tqh2j&\oct + \cl d\enotes +\Notes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&{\tten3\ibu3l{-3}\zqh3n}\oct + \ql c\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\qh3g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i\enotes +% +\barre + %\check +%Takt 46 +\Notes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\relax + {\roffset{0.3}{\zhl j}}\oct + \itenu5j\hu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j\enotes +\Notes\zhl a\raise 5\Interligne\qs\qupp c&\ds&{\zql h}\oct + \tten5\cu j\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\oct + \Ibu4ce4\qh4c\enotes +\Notes&\ibbu2i0\qh2j\qh2e&{\zql g}\oct + \qh4d\enotes +\Notes&\qh2g\tqh2j&\oct + \tqh4e\enotes +\barre + %\check +%Takt 47 +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds + &\bigaccid\zhlp h\oct + \qup{^f}\enotes +\Notes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}\enotes +\Notes&\ibbu2i0\qh2j\qh2d\enotes +\Notes&\qh2f\tqh2j&\oct \cu e\enotes +\Notes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct + \qu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct + \zql a\qu a\enotes +\barre + %\check +%Takt 48 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\relax + {\zw g}\oct \hu b\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i\enotes +\Notes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&\relax + \raise\Interligne\qp\enotes +\Notes&\ibbu1f3\qh1d\tqh1g\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct + \qu d\enotes +\barre + %\check +%Takt 49 +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\zw{^j}\oct + \itenu5e\hu e\enotes +\Notes&\ibbu1f3\qh1e\tqh1g\enotes +\Notes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j\enotes +\Notes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct + \tten5\cu e&\enotes +\Notes&\ibbu1f3\qh1e\tqh1g&\oct + \Ibu5eg4\qh5e\enotes +\Notes&\ibbu2i0\qh2j\qh2e&\oct + \qh5f\enotes +\Notes&\qh2g\tqh2j&\oct + \tqh5g\enotes +\barre + %\check +%Takt 50 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds& + \rlap{\hlp k}\oct \itenu4h\hu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\enotes +\Notes&\tqh2k\enotes +\Notes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten4\relax + \oct \cu h\enotes +\Notes&\ibbu1g3\qh1d\tqh1h&{\Ibu3hj4\qh3h}\enotes +\Notes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qh3i\sk\tqh3j\enotes +\barre + %\check +%Takt 51 +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid\zw {=i}\oct\itenu5d\hu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f\enotes +\Notes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i\enotes +\Notes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct + \tten5\cu d\enotes +\Notes&\ibbu1f3\qh1d\tqh1f&\oct + \Ibu4df4\qh4d\enotes +\Notes&\ibbu2i0\qh2i\qh2d&\oct + \qh4e\enotes +\Notes&\qh2f\tqh2i&\oct + \tqh4f\enotes +\barre + %\check +%Takt 52 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&{\zhlp j}\oct + \itenu4g\hu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct + \tten4\cu g\enotes +\Notes&\ibbu1f3\qh1c\tqh1g&\Ibu4gi4\qh4g\enotes +\Notes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qh4h\sk\tqh4i\enotes +\barre + %\check +%Takt 53 +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&{\zw h}\oct + \itenu5c\hu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\cu c\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\oct + \Ibu4ce4\qh4c\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qh4d\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4e\enotes +\barre + %\check +%Takt 54 +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\relax + {\zw j}\oct + \itenu5f\hu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f\enotes +\Notes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct + \tten5\cu f\enotes +\Notes&\ibbu1c3\qh1a\tqh1c&\oct + \Ibu4fh4\qh4f\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qh4g\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4h\enotes +\barre + %\check +%Takt 55 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zqlp n}\oct + \qup i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\oct \cu h\enotes +\Notes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&\relax + \rlap{\roff{\hl m}}\oct \qu g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct + \qu d&\enotes +\barre + %\check +%Takt 56 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\zhlp j}\oct + \hup e\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct + \enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \pt a\ds\sk\sk\ccl e\enotes +\barre + %\check +%Takt 57 +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&{\bigfl i\zhlp i}\oct \hu g\enotes +\Notes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e\enotes +\Notes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct \qu e\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct \pt a\ds\enotes +\Notes&\tqh2e&\oct \ccl e\enotes +\barre + %\check +%Takt 58 +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\itenu2j\zh j\hl o\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e\enotes +\Notes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten2\zq j\ql h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct \qp\enotes +\barre + %\check + %Takt 59 + \Notes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp +J&\ds&{\bigfl l\zh l}\oct \hl h\enotes + \Notes&\ibbu1b3\qh1a\tqh1c\enotes + \Notes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e\enotes + \Notes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&{\zq h}\oct \ql c\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2a\qh2c&\oct \pt a\ds\enotes +\Notes&\tqh2e&\oct \ccl h\enotes +\barre + %\check +%Takt 60 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\itenl2j\zh j\oct \hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e\enotes +\Notes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid + \tten2\zq j\ql{_l}\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2b\qh2c&\oct + \pt a\ds\enotes +\Notes&\tqh2e&\oct + \ccl j\enotes +\barre + %\check +%Takt 61 +\Notes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhp l}\oct + \hl j\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d\enotes +\Notes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct + \ql d\enotes +\Notes&\ibbu1b3\qh1b\tqh1c\enotes +\Notes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct + \pt a\ds\sk\sk\ccl d\enotes +\barre + %\check +%Takt 62 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&{\zhl f}\oct + \itenu5d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d\enotes +\Notes\zhl G\raise 2\Interligne\qs\qupp M&\ds&{\zql i}\oct + \tten5\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\oct + \Ibu4db4\qh4d\enotes +\Notes&\ibbu2d0\qh2d\qh2N&{\itenl4g\zql g}\oct + \qh4c\enotes +\Notes&\qh2b\tqh2d&\oct + \tqh4b\enotes +\barre + %\check +%Takt 63 +\Notes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&{\tten4\zhlp g}\oct + \qup g\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\enotes +\Notes&\qh2c\tqh2e&\oct + \cu e\enotes +\Notes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\oct + \qu c\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct + \raise\Interligne\qp\enotes +\barre + %\check +%Takt 64 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl j}\oct + \itenu5f\hu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct + \tten5\cu f\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4fd4\qh4f\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4e\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4d\enotes +\barre + %\check +%Takt 65 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zh m}\oct + \qlp k\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\enotes +\Notes&\qh2b\tqh2f&\oct + \cl i\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zq i\oct + \ql g\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\qp\enotes +\barre + %\check +%Takt 66 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid + \qupp {_L}&\ds&{\bigaccid\zw j\zhl{_l}}\oct + \itenu5h\hu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c\enotes +\Notes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\bigaccid\zhl{^m}}\oct + \tten5\cu h\enotes +\Notes&\ibbu1b3\qh1a\tqh1c&\oct + \Ibl4hj4\qb4h\enotes +\Notes&\ibbu2e0\qh2f\qh2a&\oct + \qb4i\enotes +\Notes&\qh2c\tqh2f&\oct + \tqb4j\enotes +\barre + %\check +%Takt 67 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds +&{\zhl n}\oct \itenu5l\hu l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&{\zql{=l}}\oct + \tten5\cu l\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4je4\qh4j\enotes +\Notes&\ibbu2e0\qh2g\qh2N&{\zql j}\oct \qh4g\enotes +\Notes&\qh2c\tqh2g&\oct \tqh4e\enotes +\barre + %\check +%Takt 68 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl f}\oct + \itenu5d\hu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c\enotes +\Notes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&{\zhl h}\oct + \tten5\cu d\enotes +\Notes&\ibbu1b3\qh1N\tqh1c&\oct + \Ibu4hh4\qh4h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4i\enotes +\Notes&\qh2c\tqh2f&\oct + \tqh4h\enotes +\barre + %\check +%Takt 69 +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl i\oct \Ibu4fc6\qh4h\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\oct \qh4g\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\oct + \qh4f\enotes +\Notes&\qh2b\tqh2f&\oct + \tqh4d\enotes +\Notes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax + {\zhl d}\ibu4i{-3}\qh4i\enotes +\Notes&\ibbu1b3\qh1N\tqh1b&\relax + \qh4h\enotes +\Notes&\ibbu2e0\qh2f\qh2N&\relax + \qh4f\enotes +\Notes&\qh2b\tqh2f&\relax + \tqh4d\enotes +\barre +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + %\check +%Takt 70 +\Notes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds + &\bigaccid\zw{_b}\roff{\itenu3c\zw c}\enotes +\Notes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +\Notes\zhu C\raise\Interligne\qs\qupp J&\ds\enotes +\Notes&\ibbu1b3\qh1N\tqh1b\enotes +\Notes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e\enotes +%\cleftoksii{6000}\changeclefs +\barre + %\check +%Takt 71 +\Notes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh c\enotes +\Notes&\oct\ibbu1a3\qh1M\tqh1a\enotes +\Notes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a\enotes +\Notes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a\enotes +\Notes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K\enotes +%\cleftoksii{0000}\changeclefs +\barre + %\check +%Takt 72 +\Notes\zw C\qs\itenl3I\qupp I&\ds&\bigaccid\wh{=b}\enotes +\Notes&\ibbl1h3\qb1g\tqb1i\enotes +\Notes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i\enotes +\Notes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i\enotes +\Notes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d\enotes +\barre + %\check +%Takt 73 +\NOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax + &\pointdorgue f\wh c\enotes + \linegoal 19 +\finmorceau +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex new file mode 100644 index 00000000000..3d29ea6f48e --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverch.tex @@ -0,0 +1,3 @@ +\def\chorale{\relax} +\input aveverum +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex new file mode 100644 index 00000000000..7480111e5f4 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverdd.tex @@ -0,0 +1,4 @@ +\def\Signature{-5} +\def\Transpose{-1} +\input aveverum +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex new file mode 100644 index 00000000000..be83ce5730b --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveveruc.tex @@ -0,0 +1,4 @@ +\def\Signature{0} +\def\Transpose{-2} +\input aveverum +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex new file mode 100644 index 00000000000..329d5ac4c82 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverud.tex @@ -0,0 +1,4 @@ +\def\Signature{2} +\def\Transpose{-1} +\input aveverum +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex new file mode 100644 index 00000000000..f2a22bd51b6 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/aveverum.tex @@ -0,0 +1,297 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + \title{Ave Verum} + \author{Charles Gounod} + \shortauthor{C. Gounod} + \subtitle{\relax} + \maketitle +\parindent 13mm +\musicsize=20 +\normal +\relativeaccidentals +\def\nbinstruments{1} +\def\instrumenti{Orgue} +\def\instrumentii{Basse} +\def\instrumentiii{T‚nor} +\def\instrumentiv{\vbox{\hsize\parindent\centerline{Soprano}\centerline{Alto}}} +\nbporteesi=2\relax +\generalmeter{\allabreve} +\setinterinstrument1{10pt} +\setinterinstrument2{10pt} +\setinterinstrument3{10pt} +\cleftoksi{6000} +\cleftoksii{6000} +\cleftoksiii{6000} + +\ifx\Transpose\undefined + \def\Transpose{0} + \def\Signature{-3} +\fi +\generalsignature{\Signature} + +\ifx\chorale\undefined + \setsize1{\normalvalue} + \setsize2{\smallvalue} + \setsize3{\smallvalue} + \setsize4{\smallvalue} +\else + \setsize1{\smallvalue} + \setsize2{\normalvalue} + \setsize3{\normalvalue} + \setsize4{\normalvalue} +\fi +\ninepoint + +\def\Zsong{\zsong} + +\stemcut + +\transpose=\Transpose +\debutmorceau +\qspace +\NOtes\itenl1E\itenl2L\zw E\wh L|\hpause\enotes +\NOtes\hu N|\zh b\hu e\enotes +\barre % 2 +\NOtes\tten1\tten2\itenl1E\itenl2L\zw E\zwh L\hu a|\itenl0c\zwh c\hu f\enotes +\NOtes\hu N|\hu g\enotes +\barre %3 +\NOtes\tten1\tten2\zhl E\roff{\itenu1M}\rh M\hu L|\tten0\zhl c\hu h\enotes +\NOtes\zhl F\tten1\zh M\hu a|\zh d\hu j\enotes +\barre %4 +\NOtes\zhl G\zh N\hu b|\zwh e\hu i\enotes +\NOtes\zhl H\zh J\hu a|\hu e\enotes +\barre %5 +\NOtes\itenl2I\zwh I\hu b|\itenl1e\zh e\hu g\enotes +\NOtes\hu N|\tten1\itenu1e\zh b\hu e\enotes +\barre %6 +\NOtes\tten2\zwh I\hu M|\zwh a\zh c\tten1\hu e\enotes +\NOtes|\zh b\hu d\enotes +\barre %7 +\NOTes\zhlp E\hup L|\zhp N\zhp b\hup e\enotes +\Notes\soupir|\soupir\enotes +\suspmorceau +\def\nbinstruments{4}% +\debutmorceau %8 +\barno 8\relax +\qspace +\def\H#1#2#3#4#5{\NOtes\zhl{#1}\hu{#2}|\zhl{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Hh#1#2#3#4#5{\NOtes\hl{#1}|\zhl{#2}\zh{#3}\hu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Hqhq#1#2#3#4#5{\Notes\zhl{#1}\qu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\def\Hhhq#1#2#3#4#5{\Notes\zhl{#1}\hu{#2}|\zhl{#3}\qu{#4}&\Zsong{#5}\hu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\H LNei{A--}% +\Hqhq I{ba}d{gf}{ve}% +\barre %9 +\H JNee{ve--}% +\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{rum }\hu I&\Zsong{rum }\hl +N&\Zsong{rum }\Fl d\zhu e\roff{\hl d}\enotes +\barre %10 +\H Hacj{Cor--}% +\Hqhq I{NM}{=d}{ih}{pus }% +\barre %11 +\Hh Lceh{na--}% +\Hh Lbeg{tum }% +\barre %12 +\H LNgi{de }% +\Hqhq K{^a^b}f{jk}{Ma--}% +\barre %13 +\H Jcel{ri--}% +\H Lcgg{a }% +\barre %14 +\Notes\zw M\wh{=a}|\zhl c\qu{fg}\zql f\qu h\zql e\qu j\relax + &\Zsong{Vir-}\hup M\sk\sk\Zsong{gi-}\qu M\relax + &\Zsong{Vir-}\hup{=a}\sk\sk\Zsong{gi-}\qu a\relax + &\Zsong{Vir-}\zhl c\qu{fg}\Zsong{gi-}\zql f\qu h\zql e\qu j\enotes +\barre %15 +\NOtes\zw I\wh a|\zw d\hu {ji}&\Zsong{ne.}\wh I&\Zsong{ne.}\wh a&\Zsong{ne.}\zw + d\hu {ji}\enotes +\barre %16 +\H LNei{Ve-}% +\Hqhq I{ba}d{gf}{re}% +\barre %17 +\H JNee{pas-}% +\NOtes \zhl I\hu N|\Fl d\zhu e\roff{\hl d}&\Zsong{sum }\hu I&\Zsong{sum }\hl +N&\Zsong{sum }\Fl d\zhu e\roff{\hl d}\enotes +\barre %18 +\H Hacj{im-}% +\Hqhq I{NM}{=d}{ih}{mo-}% +\barre %19 +\Hh Lceh{la-}% +\Hh Lbeg{tum }% +\barre %20 +\H Kbfi{In }% +\H Ibfk{cru-}% +\barre %21 +\Hhhq Lbe{g^f}{ce }% +\Hhhq JLe{g^h}{pro }% +\barre %22 +\NOtes\zw K\hu d|\zhl g\hu i&\Zsong{ho-}\hup K&\Zsong{ho-}\hl +d&\Zsong{ho-}\zhl g\hu i\enotes +\Notes\qup c|\lSh f\zqlp f\qup{^h}&&\Zsong{-}\qlp c&\Zsong{-}\lSh f\zqp f\qup{^h}\enotes +\notes\sk\cu c|\sk\lNa h\zq{=f}\cu h&\Zsong{mi-}\qu K&\sk\Zsong{mi-}\cl +c&\sk\Zsong{mi-}\lNa h\zcl{=f}\cu h\enotes +\barre %23 +\def\Hp#1#2#3#4#5{\NOTes\zhlp{#1}\hup{#2}|\zhlp{#3}\hup{#4}&\Zsong{#5}\hup{#1}&\Zsong{#5}\hlp{#2}&\Zsong{#5}\zhlp{#3}\hup{#4}\enotes}% +\def\Qhhq#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\qu{#4}\enotes}% +\Hp Nbgg{ne }% +\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes +\barre %24 +\H Nbei{Cu-}% +\Qhhq {ML}be{=hg}{jus }% +\barre %25 +\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{la-}\hu a&\Zsong{la-}\hl +b&\Zsong{la-}\zhl d\hu g\enotes +\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tus }\hu a&\Zsong{tus }\hl +b&\Zsong{tus }\zhl d\hu f\enotes +\barre %26 +\H Nbei{per-}% +\Qhhq {ML}be{hg}{fo-}% +\barre %27 +\NOtes\roff{\zhl a}\hu b|\zhl d\hu g&\Zsong{ra-}\hu a&\Zsong{ra-}\hl +b&\Zsong{ra-}\zhl d\hu g\enotes +\NOtes\roff{\zhl a}\hu b|\zhl d\hu f&\Zsong{tum }\hu a&\Zsong{tum }\hl +b&\Zsong{tum }\zhl d\hu f\enotes +\barre %28 +\H Nbee{flu-}% +\Hhhq Kbf{ih}{xit}% +\barre %29 +\def\Qqqq#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\rlap{\ql{#3}}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\rlap{\ql{#3}}\qu{#4}\enotes}% +\H Lbgg{un-}% +\Qqqq L{^b}gk{da }% +\Qqqq Lcgj{et }% +\barre %30 +\Notes\zhlp M\qu {dc=b}\zql M\qu c|\zhl f\qu{i^h}\zhl +e\qu{g=h}\relax + &\Zsong{san-}\hup M\sk\sk\Zsong{gui-}\qu M\relax + &\Zsong{san-}\ql{dc}\Zsong{gui-}\ql{=bc}\relax + &\Zsong{san-}\zhl f\qu{i^h}\Zsong{gui-}\zhl e\qu{g=h}\enotes +\barre %31 +\Hp Ibdi{ne, }% +\Notes\soupir|\soupir&\soupir&\soupir&\soupir\enotes +\barre %32 +\H LNei{Es-}% +\Hqhq I{ba}d{gf}{to }% +\barre %33 +\H JNee{no-}% +\NOtes \zhl N\hu b|\Fl d\zhu e\roff{\hl d}&\Zsong{bis }\hu N&\Zsong{bis }\hl +b&\Zsong{bis }\Fl d\zhu e\roff{\hl d}\enotes +\barre %34 +\def\Qqhh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhl{#3}\hu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\def\Qqqh#1#2#3#4#5{\Notes\rlap{\qu{#2}}\ql{#1}|\zhu{#4}\ql{#3}&\Zsong{#5}\qu{#1}&\Zsong{#5}\ql{#2}&\Zsong{#5}\zhu{#4}\ql{#3}\enotes}% +\Qqhh {aN}{cb}cj{pr\ae{}-}% +\Qqqh {ML}{aN}{=de}j{gus-}% +\barre %35 +\H Kafj{ta-}% +\H Kafi{tum }% +\barre %36 +\H LNei{Mor-}% +\Hh Jegj{tis }% +\barre %37 +\Hhhq Mcf{ih}{in }% +\Hqhq H{ba}c{gf}{ex-}% +\barre %38 +\NOtes\zhlp I\hu N|\zhlp b\hu e&\Zsong{a-}\hup +I&\Zsong{a-}\hl N&\Zsong{a-}\zhlp b\hu e\enotes +\Notes\hu a\ql I|\hu d\ql b&\sk\Zsong{mi-}\qup I&\Zsong{ni-}\hl +a&\Zsong{mi-}\hu d\ql b\enotes +\barre %39 +\NOtes\zhlp L\hup N|\zhlp b\hup e&\Zsong{ne }\hu L&\Zsong{ne +}\hlp N&\Zsong{ne }\zhlp b\hup e\enotes +\Notes\sk\soupir|\sk\soupir&\Zsong{O }\hu L&\sk\soupir&\sk\soupir\enotes +\barre %40 +\NOtes\zhl L\hu c|\zhl e\hu h&\Zsong{Je-}\hu L&\Zsong{O }\hl c&\Zsong{O }\zhl +e\hu h\enotes +\Notes\zhl L\qu{bb}|\zhl d\qu{hg}&\Zsong{su }\hu L&\Zsong{Je-}\ql b\Zsong{su +}\ql b&\Zsong{Je-}\zql d\qu h\Zsong{su }\zql d\qu g\enotes +\barre %41 +\def\qhhh#1#2#3#4#5{\Notes\zhu{#2}\ql{#1}|\zhl{#3}\qu{#4}&\Zsong{#5}\qu{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\zhl{#3}\hu{#4}\enotes}% +\H Lacg{dul-}% +\Notes \zhu a\zhl{LL}|\zhl c\hu f&\Zsong{cis }\qu L\Zsong{O }\qu L&\Zsong{cis +}\hl a&\Zsong{cis }\zhl c\hu f\enotes +\barre %42 +\NOtes\zhl L\hu e|\zhl h\hu j&\Zsong{Je-}\hu L&\Zsong{O }\hl e&\Zsong{O }\zhl +h\hu j\enotes +\Notes\zhl L\qu{_dd}|\zhl g\qu{ji}&\Zsong{su }\hu L&\Zsong{Je-}\ql {_d}\Zsong{su +}\ql d&\Zsong{Je-}\zql g\qu j\Zsong{su }\zql g\qu i\enotes +\barre %43 +\H Lcfi{pi-}% +\H Lcfh{e }% +\barre %44 +\H b{=d}hm{Je-}% +\NOtes\zhu c\roff{\hl b}|\zhl h\hu l&\Zsong{su, }\hu b&\Zsong{su, }\hl +f&\Zsong{su, }\zhl h\hu l\enotes +\barre %45 +\H bfhk{Je-}% +\H begj{su }% +\barre %46 +\Hhhq Idf{ji}{fi-}% +\Qqqq Icej{li }% +\Qqqq Ibdh{Ma-}% +\barre %47 +\H Lbeh{ri-}% +\Qqqq Lbeg{\ae{} }% +\Qqqq bbeg{In }% +\barre %48 +\Qqqq aceg{no-}% +\Notes \zql a\qu c|\zqu f\roff{\ql e}&\Zsong{bis }\qu a&\Zsong{bis }\ql c&\Zsong{bis }\roff{\zql +e}\qu f\enotes +\Notes \roff{\zql a}\qu b|\zqu f\ql d&\Zsong{mi-}\qu a&\Zsong{mi-}\ql b&\Zsong{mi-}\roff{\zql +e}\qu f\enotes +\Notes \roff{\zql a}\qu b|\zqu j\ql d&\Zsong{se-}\qu a&\Zsong{se-}\ql b&\Zsong{se-}\zql +d\qu j\enotes +\barre %49 +\H Nbej{re-}% +\Qqqq Nbei{re }% +\Qqqq Nbei{O }% +\barre %50 +\Qqqq {Lb}{bd}{gh}{nm}{Je-}% +\Qqqq cegl{su }% +\Qqqq N{^b}fk{In }% +\barre %51 +\Qqqq acej{no-}% +\Qqqq {^L}{_d}gi{bis }% +\Qqqq Mcfh{mi-}% +\Qqqq Hacf{se-}% +\barre %52 +\def\Whhh#1#2#3#4#5{\NOtes\zwh{#1}\hu{#2}|\rlap{\hl{#3}}\hu{#4}&\Zsong{#5}\zwh{#1}&\Zsong{#5}\hl{#2}&\Zsong{#5}\rlap{\hl{#3}}\hu{#4}\enotes}% +\Whhh I{Na}{eb}{id}{re-}% +\barre %53 +\NOtes\zhl L\hup N|\zhlp b\hup e&\Zsong{re }\hu L&\Zsong{re }\hlp N&\Zsong{re }\zhlp b\hup e\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %54 +\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw g\wh l&\Zsong{--}\tten3\hu L&\Zsong{A-}\wh +c&\Zsong{A-}\zw g\wh l\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %55 +\NOtes\tten1\tten2\zh E\zhl L\hup b|\zhlp g\hup k&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup k\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %56 +\NOtes\tten1\tten2\zwh {^a}\zh E\hl L|\zw {^f}\wh j&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh +{^a}&\Zsong{A-}\zw {^f}\wh j\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %57 +\NOtes\tten1\tten2\zh E\zhl L\hu b|\zhlp g\hup i&\tten3\Zsong{--}\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp g\hup i\enotes +\Notes\itenl1E\itenl2L\zh E\hl L\raise2\Interligne\soupir|\sk\soupir&\itenl3L\Zsong{A-}\hu L&\sk\soupir&\sk\soupir\enotes +\barre %58 +\NOtes\tten1\tten2\zwh c\zh E\hl L|\zw e\wh h&\tten3\Zsong{--}\hu L&\Zsong{A-}\wh +c&\Zsong{A-}\zw e\wh h\enotes +\Notes\itenl1E\itenl2L\zh E\hl L&\csong{men !}\itenl3L\hu L\enotes +\barre %59 +\NOtes\tten1\tten2\zhp E\zhlp L\hup b|\zhlp e\hup g&\tten3\hu L&\csong{men !}\hlp b&\csong{men !}\zhlp e\hup g\enotes +\Notes\sk\soupir|\sk\soupir&\sk\soupir&\sk\soupir&\sk\soupir\enotes +\barre %60 +\NOtes\zw I\rw b\wh a|\zw d\hu{gf}&\Zsong{A-}\wh I&\Zsong{A-}\rw b\wh +a&\Zsong{A-}\zw d\hu{gf}\enotes +\barre %61 +\NOtes\zw E\wh L|\pointdorgue l\zw{Nb}\wh e&\Zsong{men.}\zw E\wh L&\Zsong{men.}\zw N\wh +b&\pointdorgue l\Zsong{men.}\wh e\enotes +\ifnum\Signature<-3\relax +\mulooseness1\relax +\else +\mulooseness2\relax +\fi +\finmorceau +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex new file mode 100644 index 00000000000..7e3bb3e70b1 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticor.tex @@ -0,0 +1,23 @@ + +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}% +\def\Signature{1}\relax % trois diezes a la clef +\input canticox +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % deux diezes a la clef +\input canticox +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{-3}\relax % un bemol a la clef +\input canticox +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-3}\relax +\def\Signature{2}\relax % un bemol a la clef +\input canticox +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex new file mode 100644 index 00000000000..795204a8c4b --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/canticox.tex @@ -0,0 +1,156 @@ +\fulltitle{Canticorum jubilo} +\shorttitle{Canticorum jubilo} + \fullauthor{Georg Friedrich H„ndel\\Transposition +Daniel Taupin} + \shortauthor{G.-F. H„ndel} + \maketitle + % +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules + % +\parindent 15mm + % soufflets crescendo et decrescendo + % +\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% + % +\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% + % + %\check +\def\nbinstruments{2}\resetsignatures +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\def\lowersonginstrum{1} % to be used to make heavy bars at staff left +\def\uppersonginstrum{2} % to be used to make heavy bars at staff left + % +\signaturegenerale{\Signature}% +\generalmeter{\allabreve} + %\check +\def\interfacteur{18}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% + %\check + % +\def\eightpoint{\Tenpoint}% + %\check +\catcode`\@=13 +\catcodesmusic + % +\def\respire{\notes&\cbreath\enotes}% + % +\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -6pt}}}% + % +\elemskip 20pt\relax +\debutmorceau + %\autolines 754\relax + \transpose=\Transpose + \qspace + % + \NOtes\zhl N\hu b&\hsong{Can-}\zhl g\hu k\enotes + \Notes\islurd0b\zqlp b\isluru1d\qup d&\zsong{ti- }\islurd2g\zqlp g\isluru3i\qup i\enotes + \notes\tslur0a\zcl a\tslur1c\cu c&\hsong{---}\tslur2f\zcl f\tslur3j\cu j\enotes + % + %\check + \barre %2 + \NOtes\zhl N\hu b&\hsong{co-}\zhl g\hu k\enotes + \NOtes\zhl b\hu d&\hsong{rum}\zhl d\hu g\enotes + % + %\check + \barre %3 + \notes\zqlp a\qu c&\zsong{ju-}\Ibl0fi3\Ibu1hk3\zqb0f\qh1h\enotes + \notes&\hsong{- }\zqb0g\qh1i\enotes + \notes\qu a&\hsong{- }\zqb0h\qh1j\enotes + \notes\cl N&\hsong{- }\tbl0\zqb0i\tqh1k\enotes + \Notes\zql M\qu d&\hsong{- }\zql h\qu j\enotes + \Notes\zql N\qu d&\zsong{bi- }\zql g\qu i\enotes + % + %\check + \barre %4 + \NOTEs\zw K\wh d&\hsong{lo}\zw f\wh h\enotes + % + %\check + \barre %5 + \notes\Ibl0bc3\zhup d\qb0b&\hsong{Re-}\zhlp g\Ibu1kl3\qh1k\enotes + \notes\qb0a&\hsong{- }\qh1j\enotes + \notes\qb0b&\hsong{- }\qh1k\enotes + \notes\tqb0c&\hsong{- }\tqh1l\enotes + \Notes\ql b&\hsong{- }\qu k\enotes + \Notes\zql b\qu d&\hsong{gi }\zql g\qu k\enotes + % + %\check + \barre %6 + \NOtes\zhl b\hu d&\hsong{ma-}\zhl g\hu n\enotes + \NOtes\zhl N\hu b&\hsong{gno }\zhl g\hu k\enotes + % + %\check + \barre %7 + \Notes\zql a\isluru0c\qu c&\zsong{psal-}\islurd1f\isluru2j\zql f\qu j\enotes + \notes\tslur0d\zhu d\Ibl0bc1\qb0b\tqb0c&\tslur1g\tslur2i\hsong{- }\zhl g\qu i\enotes + \Notes\ql d\zql K\qu c&\hsong{- }\hu h\hsong{li-}\ql f\enotes + % + %\check + \barre %8 + \NOTes\zw N\wh b&\hsong{te !}\roff{\zw g}\wh g\enotes + \setrightrepeat + % + %\check + \barre %9 + \notes\zhlp N\hup d&\zsong{\txt Per-|Jam-&}\Ibl0gh3\Ibu1ij3\zqb0g\qh1i\zqb0f\qh1h\zqb0g\qh1i\tbl0\tbu1\zqb0h\qh1j\enotes + \Notes&\hsong{\txt - |- &}\zql g\qu i\enotes + \Notes\zql N\qu d&\hsong{\txt so- |re- &}\zql g\qu i\enotes + % + %\check + \barre %10 + \NOtes\zhl K\hu c\zhl L\hu b&\hsong{\txt nan-|sul-&}\zhl f\hu h\hsong{\txt +tes |tent &}\zhl e\hu g\enotes + % + %\check + \barre %11 + \Notes\islurd0M\isluru1d\zql M\qu{^d}&\hsong{\txt or-|mu-&}\islurd2h\isluru3j\zql h\qu j\enotes + \Notes\zql N\qu e&\hsong{\txt - |- &}\zql g\qu i\enotes + \Notes\tslur0a\tslur1c\zql a\qu c&\hsong{\txt - |- &}\tslur2f\tslur3h\zql f\qu h\enotes + \Notes\zql L\qu b&\hsong{\txt ga-|si-&}\zql e\qu g\enotes + % + %\check + \barre %12 + \NOTes\roff{\zw b}\wh b&\hsong{\txt nis,!|ca, &}\zw{^d}\wh f\enotes + % + %\check + \barre %13 + \notes\zhlp L\hup b&\zsong{\txt Ju-|Un-&}\Ibl0ef3\Ibu1gh3\zqb0e\qh1g\zqb0{^d}\qh1f\zqb0e\qh1g\tbl0\tbu1\zqb0f\qh1h\enotes + \Notes&\hsong{\txt - |- &}\zql e\qu g\enotes + \Notes\loff{\zql d}\qu b&\hsong{\txt bi- |da, &}\zql e\qu g\enotes + % + %\check + \barre %14 + \NOtes\zhl{^c}\hu c&\hsong{\txt la-|tel-&}\zhlp g\hu l\enotes + \Notes\zhl a\hu e&\hsong{\txt te, |lus, &}\hu{^j}\ql g\enotes + % + %\check + \barre %15 + \Notes\zql b\qu d&\hsong{\txt plau-|si-&}\zql f\qu k\enotes + \notes\zql N\qu b&\hsong{\txt - |- &}\Ibl0gf1\Ibu1lk1\zqb0g\qh1l\tbl0\tbu1\zqb0f\qh1k\enotes + %\check + \Notes\zql a\qu e&\hsong{\txt - |- &}\zql e\qup{^j}\enotes + \notes\zql a\qu e&\hsong{\txt di-|de-&}\ql h\cu k\enotes + % + %\check + \barre %16 + \NOTes\zw K\wh f&\hsong{\txt te.|ra.&}\zw h\wh k\enotes + \finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex new file mode 100644 index 00000000000..6b5fd30052b --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/chanson.tex @@ -0,0 +1,318 @@ +\ifx +\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Chanson innocente} +\subtitle{(pour orgue)} +\fulltitle{XII. Chanson innocente} +\csname titremorceautoc\endcsname +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} +\othermention{Compos‚ en 1996-1999} +% +% + +\maketitle +\parindent 18mm + +\instrumentnumber{3} +\setname1{Fl–te 16, 8'} +\setname2{Fl–te 8'} +\setname3{Sesquialtera} +\generalmeter{\meterfrac68} + +%\def\ttriou#1#2#3{\def\txt{\eightit3}\Ibbu0{#1}{#3}2\qh0{#1}\butext0\qh0{#2}\tqh0{#3}} + +%\def\ttriol#1#2#3{\def\txt{\eightit3}\Ibbl0{#1}{#3}2\qb0{#1}\bltext0\qb0{#2}\tqb0{#3}} + +\def\sextol#1#2#3{\ibbl0{#1}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqb0{#3}} +\def\sextou#1#2#3{\ibbu0{#3}0\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#1}\qb0{#2}\tqh0{#3}} + %\check +\def\Sextol#1#2#3#4#5#6{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} +\def\Sextou#1#2#3#4#5#6{\Ibbu0{#3}{#6}3\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqh0{#6}} + %\check +\def\triou#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} + %\check +\def\triol#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} + %\check +\def\triopl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} +\def\triopu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} +\noautolines +\setname1{P‚dale}\setname2{Fl–te}\setname3{Sesquialtera} +\generalsignature{1} +\setclef1{\bass}\setclef2{\treble}\setclef3{\treble} +\def\tripler{\noteskip=3\noteskip} +\def\doubler{\noteskip=2\noteskip} +\debutmorceau +\Notes\qup G&\sextou bdg&\Uptext{\moyen Andantino \bf \metron{\qup}{40}}\enotes +\Notes\qup H&\sextou ceg&\pause\enotes +\barre %2 +\Notes\qup K&\Sextou adfacf&\doubler\sk\pt5\soupir\enotes +\Notes\qup G&\Sextou Nbdbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %3 +\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %4 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %5 +\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou acf&\doubler\triol jkl\enotes +\barre %6 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes +\barre %7 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sextou Mad&\doubler\triou hij\enotes +\barre %8 +\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %9 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes +\barre %10 +\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes +\Notes\qup H&\Sextou acgacd&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %11 +\Notes\qup G&\Sextou Nbdbdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %12 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %13 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou acf&\doubler\triol lmn\enotes +\barre %14 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\sk\ilegu0n\cu g\enotes +\barre %15 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qup {^K}&\sextou acf&\doubler\triou hij\enotes +\barre %16 +\Notes\qlp L&\Sextou NbeNaf&\doubler\qu i\sk\cu h\enotes +\Notes\doubler\qup J&\sextou Nce&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %17 +\Notes\qup H&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou acdacf&\doubler\qu g\sk\cu f\enotes +\barre %18 +\Notes\qup G&\sextou bdg&\hu g\tleg0\enotes +\Notes\sk\sk\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %19 +\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes +\barre %20 +\Notes\qup L&\sextou egi&\triopl nml\enotes +\Notes\qup I&\sextou dgi&\doubler\ql k\sk\cl l\enotes +\barre %21 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes +\barre %22 +\Notes\qup K&\sextou dfh&\doubler\qup h\tleg0\enotes +\Notes\qup D&\Sextou dfhcfh&\doubler\soupir\sk\ilegu0n\cu h\enotes +\barre %23 +\Notes\qup G&\sextou dgi&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou fhj&\doubler\triou jij\enotes +\barre %24 +\Notes\qup I&\sextou dgi&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %25 +\Notes\qup J&\sextou ehj&\doubler\qu h\sk\cu g\enotes +\Notes\qup K&\Sextou cdhdfj&\doubler\qu g\sk\cu f\enotes +\barre %26 +\Notes\qup G&\sextou bdg&\qup g\tleg0\enotes +\Notes\sk\sk\pt 5\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %27 +\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl k\enotes +\Notes\qup H&\sextou cfh&\doubler\triol mkm\enotes +\barre %28 +\Notes\qup I&\sextou dgi&\triopl nml\enotes +\Notes\qup G&\sextou dgi&\doubler\ql k\sk\cl l\enotes +\barre %29 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\triopl iji\enotes +\generalmeter{\meterfrac 98}% +\changecontext %30 +\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\Notes\qup G&\sextou dgi&\triopu iji\enotes +\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes +\generalmeter{\meterfrac 68}% +\changecontext %31 +\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes +\Notes\sk\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\generalsignature{-2}% +\changecontext %32 +\Notes\qup G&\sextou bdg&\doubler\ql i\sk\cl i\enotes +\Notes\qup H&\Sextou ac{^f}acf&\triopl jij\enotes +\barre %33 +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %34 +\Notes\qup J&\sextou Nce&\doubler\ql l\sk\cl l\enotes +\Notes\qup K&\Sextou d{^f}hcfh&\doubler\triol jkl\enotes +\barre %35 +\Notes\qup I&\Sextou bdgNbd&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu g\enotes +\barre %36 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sh M\sextou Mad&\doubler\triou hij\enotes +\barre %37 +\Notes\qup G&\Sextou bdgac{^f}&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %38 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgad{^f}&\doubler\qu g\sk\cu {^f}\enotes +\barre %39 +\Notes\hu G&\Sextou bdgNbd&\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou bdg&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %40 +\Notes\qup G&\sextou bdg&\doubler\ql k\sk\cl k\enotes +\Notes\qup H&\Sextou ac{^f}acf&\triopl{^m}{=l}m\enotes +\barre %41 +\Notes\qup I&\sextou bdg&\triopl n{=m}{_l}\enotes +\Notes\qup J&\sextou ceg&\doubler\ql k\sk\cl j\enotes +\barre %42 + %\check +\Notes\qup K&\sextou dgi&\triopl iji\enotes +\Notes\qup K&\Sextou d{^f}hdfh&\triopl hih\enotes +\barre %43 +\Notes\hu G&\Sextou dgibdg&\doubler\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou dgi&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %44 +\Notes\qup I&\sextou dfi&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\sextou fik&\triopl mlk\enotes +\Notes\doubler\ql{=M}\sk\cl{^M}&\sextou fhj&\doubler\ql j\sk\cl k\enotes +\barre %45 +\Notes\qlp N&\sextou dgi&\triopl iji\enotes +\Notes\qup K&\Sextou d{^f}hdfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\barre %46 +\Notes\qlp N&\sextou dgi&\triopu iji\enotes +\Notes\qlp K&\Sextou d{^f}hdfj&\triopu hih\enotes +\barre %47 +\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou dg{=i}dgi&\doubler\soupir\sk\ilegu0o\cl k\enotes +\generalsignature{1}% +\changecontext %48 +\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl p\enotes +\Notes\qlp K&\sextou dfh&\triopl opo\enotes +\barre %49 +\Notes\qlp L&\sextou beg&\triopl nml\enotes +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl i\enotes +\barre %50 +\Notes\qup H&\Sextou cfhacf&\triopl jkj\enotes +\Notes\qup G&\Sextou bdgdgi&\triopu ihg\enotes +\barre %51 +\Notes\qup K&\sextou dfh&\qu h\tleg0\sk\ds\enotes +\Notes\qup I&\sh d\sextou dfi&\doubler\ilegu0n\qu i\sk\cu h\enotes +\barre %52 +\Notes\qlp L&\sextou beg&\doubler\qu g\sk\cu g\enotes +\Notes\qup H&\sextou acf&\triopu jih\enotes +\barre %53 +\Notes\qup I&\sextou beg&\doubler\qu i\sk\cu i\enotes +\Notes\qup I&\sextou bfh&\doubler\qu i\sk\cu i\enotes +\barre %54 +\Notes\hl L&\Sextou begNbe&\doubler\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\sextou beg&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %55 +\Notes\qlp L&\sextou beg&\doubler\ql n\sk\cl n\enotes +\Notes\qup H&\sextou acf&\ibl0m0\pt m\qb0m\sk\sk\nbbl0\qb0{nm}\tqb0l\enotes +\barre %56 +\Notes\qup I&\Sextou b{^d}fadf&\doubler\cl{^k}\tleg0\ds\ilegu0n\cl i\enotes +\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes +\barre %57 +\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\ql o\enotes +\Notes\qup I&\Sextou {^d}fidfi&\doubler\ql p\sk\cl m\enotes +\barre %58 +\Notes\qup L&\sextou egi&\Ibl0nl5\qb0n\sk\nbbl0\qb0{onm}\tqb0l\enotes +\Notes\qup I&\sh d\sextou dfi&\doubler\cl {^k}\tleg0\ds\ilegu0o\cl i\enotes +\barre %59 +\Notes\qlp L&\sextou beg&\doubler\ql l\sk\cl m\enotes +\Notes\qup J&\Sextou cegceh&\doubler \ql n\sk\cl o\enotes +\barre %60 +\Notes\qup G&\sextou dgi&\doubler\ql p\sk\cl n\enotes +\Notes\qup I&\sextou bdg&\Ibl0nl5\qbp0n\sk\sk\nbbl0\qb0{on}\tqb0m\enotes +\barre %61 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl j\enotes +\Notes\qlp N&\sextou dgi&\triopl iji\enotes +\barre %62 +\Notes\qup K&\sextou dfh&\triopu hih\enotes +\Notes\qup L&\sextou egi&\triopu gfe\enotes +\barre %63 +\Notes\qup H&\sextou acf&\doubler\qu f\sk\cu f\enotes +\Notes\qup I&\sextou beg&\triopu gfe\enotes +\Notes\qup I&\sextou bfh&\triopu fe{^d}\enotes +\barre %64 +\Notes\hu L&\Sextou begNbe&\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou begbdg&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %65 +\Notes\qup G&\sextou dgi&\doubler\ql i\sk\cl i\enotes +\Notes\qup I&\sextou bdg&\triopl kji\enotes +\barre %66 +\Notes\doubler\qu K\sk\cu{^K}&\Sextou dfhdfi&\doubler\qu h\sk\cu i\enotes +\Notes\qup L&\sextou egi&\Ibu0ge5\qh0g\sk\nbbu0\qh0{hgf}\tqh0e\enotes +\Notes\qup I&\sh d\sextou dfi&\Ibu0fd5\qh0f\sk\nbbu0\qh0{gfe}\tqh0{^d}\enotes +\barre %67 +\Notes\hl L&\Sextou egibeg&\qup e\tleg0\enotes +\Notes\doubler\sk\soupir&\Sextou egidgi&\doubler\soupir\sk\ilegu0n\cu g\enotes +\barre %68 +\Notes\qup G&\sextou bdg&\doubler\qu i\sk\cu i\enotes +\Notes\qup H&\sextou acf&\doubler\triou jij\enotes +\barre %69 +\Notes\qup I&\sextou bdg&\doubler\qu k\sk\cu i\enotes +\Notes\qup L&\sextou beg&\doubler\cu g\tleg0\ds\ilegu0n\cu g\enotes +\barre %70 +\Notes\qup J&\sextou ceg&\doubler\ql l\sk\cl l\enotes +\Notes\qup H&\sextou cfh&\doubler\triol lmn\enotes +\barre %71 +\Notes\qup I&\sextou bdg&\doubler\qlp k\enotes +\Notes\qlp L&\sextou beg&\doubler\cu i\tleg0\ds\ilegu0n\cu i\enotes +\barre %72 +\Notes\qup H&\sextou ace&\doubler\qu j\sk\cu j\enotes +\Notes\qlp K&\sextou Mad&\doubler\triou lkj\enotes +\barre %73 +\Notes\qup I&\Sextou Ma{^d}Mad&\doubler\qu i\sk\cu h\enotes +\Notes\qlp L&\sextou Nbe&\doubler\cu g\tleg0\ds\ilegu0n\cu i\enotes +\barre %74 +\Notes\qlp J&\sextou ace&\doubler\qu h\sk\cu g\enotes +\Notes\qlp K&\Sextou adgadf&\doubler\qu g\sk\cu f\enotes +\barre %75 +\Notes\qup I&\sextou bdg&\qup g\tleg0\enotes +\Notes\qup H&\ibbu0f0\qh0{acged}\tqh0c&\doubler\soupir\sk\ilegu0n\cl i\enotes +\barre %76 +\Notes\qup I&\sextou bdg&\doubler\ql k\sk\cl k\enotes +\Notes\qup K&\Sextou dfhcfh&\triopl mlm\enotes +\barre %77 +\Notes\qup L&\sextou egi&\triopl nml\enotes +\Notes\qup I&\Sextou dgibeg&\doubler\ql k\sk\cl l\enotes +\barre %78 +\Notes\qup H&\sextou acf&\doubler\ql j\sk\cl k\enotes +\Notes\qup G&\Sextou bdgdgi&\doubler\qu i\sk\cu g\enotes +\barre %79 +\Notes\qup K&\sextou dfh&\doubler\cu h\tleg0\ds\ilegu0n\cu h\enotes +\Notes\qup G&\sextou dgi&\triopu iji\enotes +\Notes\qup D&\Sextou dghcfh&\triopu hih\enotes +\barre %80 +\Notes\hu G&\Sextou bdgdgi&\qup g\tleg0\enotes +\Notes\sk\sk\soupir&\Sextou gikikn&\uptext{\moyen Rall.}\doubler\soupir\sk\ilegu0o\cl n\enotes +\barre %81 +\Notes\qup G&\Ibbl0nk3\qb0{pnknk}\tqb0i&\advance\transpose 7\triopl iji\enotes +\Notes\qup D&\Ibbu0jg5\qh0{khfcf}\tqh0h&\advance\transpose 7\triopl hih\enotes +\barre %82 +\Notes\hup G&\Ibbu0je5\qh0{igdgd}\tqh0b&\hlp n\tleg0\enotes +\Notes&\Sextou Nbdbdf\enotes +\NOtes\pt 5\soupir&\qup g&\pt 5\soupir\enotes +%\linegoal 28 +\mulooseness -7 +\finmorceau + +\rightline{\sl\aujourdhui}\vfil\eject + +\ifx\toc\undefined + \let\finishpiece \end +\else + \let\finishpiece\relax +\fi +\finishpiece +\endinput + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex new file mode 100644 index 00000000000..021607ab3f9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/dissonan.tex @@ -0,0 +1,947 @@ +\title{Fantaisie aigre-douce} +\subtitle{(pour orgue)} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN} +\othermention{Compos\'e en 1993} +\maketitle + +\tracingstats=2\relax +% +% formes fr‚quentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +%au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +% +\def\qlppz#1{\uppz #1\ql #1} +\def\zlppz#1{\lppz #1\zq #1} +\def\quppz#1{\lppz #1\qu #1} +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{0}\relax % ut majeur +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale}% +\def\instrumentii{G.O.}% +%\check +\medskip\noindent{\rm G.O.: Plein jeu, anches 8' et fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% +\smallskip +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\troistemps +\debutmorceau +\bigaccid +\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro + \bf(\metron{\hup}{50})}}\enotes +\advance\linesinpage by 1\relax +\ifx\mxversion\undefined\kern -\Interligne\fi +%\check +% mesure 1 +\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 2 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 3 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes +%\check +% mesure 4 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 5 +\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz d\zq{_d}\qu f\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz d\zq{_d}\qu f\enotes +%\check +% mesure 6 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 7 +\barre\NOtes\hu{^J}&\zq K\qlppz N|\lppz c\zq{^c}\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\qu{^f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes +%\check +% mesure 8 +\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes +\temps\notes\doubler\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 9 +\barre\NOtes\hu{_L}&\zq L\qlppz N|\lppz b\zq {_e}\qu{b}\enotes +\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes +\temps\NOtes\qu{K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu d\enotes +%\check +% mesure 10 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu{=e}\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 11 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +% mesure 12 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 13 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 14 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes +%\check +% mesure 15 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes + \nspace +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 16 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz c\zq{=c}\zq f\qu h\enotes +%\check +% mesure 17 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 18 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes +%\check +% mesure 19 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 20 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes +\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes +%\check +% mesure 21 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 22 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 23 +\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes +\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +%\check +% mesure 24 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +% mesure 25 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 26 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 27 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 28 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 29 +\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes +%\check +% mesure 30 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 31 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 32 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 33 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 34 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes +%\check +% mesure 35 +\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 36 +\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes +\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes +%\check +% mesure 37 +\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes +%\check +% mesure 38 +\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk + \zlppz e\zq{g}\qu{=k}\enotes +\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes +\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes +%\check +% mesure 39 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 40 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\Uptext{\it rit.}\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 41 +\barre +\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it + a tempo}\Qqbb Nece|\Uptext{\it bien + sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +%\check +% mesure 42 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 43 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 44 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 45 +\barre\notes\hlp a&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +%\check +% mesure 46 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 47 +\barre\notes\hl c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 48 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 49 +\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 50 +\barre\notes\Ilegu0c\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 51 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 52 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 53 +\barre\notes\hl a&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\ql b&\Qqbb {^N}ebe|\Qqhh l{^g}ig\enotes +%\check +% mesure 54 +\barre\notes\qlp c\tleg0&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\sk\sk\ds&\Qqbb aece|\Qqhh lhjh\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 55 +\barre\notes\hl b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\nspace\notes\ql a&\Qqbb aece|\bigsh m\Qqhh mhjh\enotes +%\check +% mesure 56 +\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 57 +\barre\notes\hl N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\nspace\notes\ql {^M}&\varaccid\Qqbb a{^f}{^d}f|\sh m\varaccid\Qqhh mh{^k}h\enotes +%\check +% mesure 58 +\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes +%\check +% mesure 59 +\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 60 +\barre\notes\hl M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 61 +\barre\notes\hlp K&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +%\check +% mesure 62 +\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes +% mesure 63 +\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 64 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 65 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 66 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 67 +\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +%\check +% mesure 68 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +% mesure 69 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 70 +\barre\notes\hu K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\qu K&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 71 +\barre\notes\hu J\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 72 +\barre\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\lppz J\qu J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\lppz J\qu J&\Qqbb Nece|\soupir\enotes +%\check +% mesure 73 +\barre + \NOtes\hu J&\zq L\qlppz N|\uptext{\it aigre et nerveux}\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 74 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 75 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\lppz c\zql{_d}\dqh fe\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zql d\qu f\enotes +%\check +% mesure 76 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 77 +\barre\NOtes\hu{_K}&\zq L\qlppz N|\lppz c\zq{_d}\qu f\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\qu{=d}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu f\enotes +%\check +% mesure 78 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\na d\roff{\lppz d\zql d}\dqh ef\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 79 +\barre\NOtes\hu{_K}&\zq K\qlppz N|\lppz c\zq{_d}\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq{=d}\qu{^f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\qu{=f}\enotes +%\check +% mesure 80 +\barre\NOtes\qu J&\zq L\qlppz N|\na c\zlppz c\qu e\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\lppz c\zql c\dqh e{^d}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\qu e\enotes +%\check +% mesure 81 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lppz b\zq {^d}\qu{b}\enotes +\temps\NOtes&\zq L\qlppz N|\zq a\lppz a\qu{^c}\enotes +\temps\NOtes\qu{=K}&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{=d}\enotes +%\check +% mesure 82 +\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\qu e\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\qu e\enotes +%\check +% mesure 83 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\qu e\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\qu e\enotes +% mesure 84 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 85 +\barre\NOtes\hu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 86 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{_K}&\zq L\uppz a\ql{_a}|\lppz c\zq f\zql{_d}\dqh {_h}g\enotes +\temps\NOtes\soupir&\zq L\qlppz a|\lppz c\zq d\zql f\qu h\enotes +%\check +% mesure 87 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\doubler\qu{=K}&\zq L\uppz a\ql{_a}|\relax + \na d\lppz d\zq f\zql d\roff{\dqh g{_h}}\enotes + \nspace +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 88 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq f\qu{_h}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\rq e\zq d\qu g\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zq f\qu h\enotes +%\check +% mesure 89 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\relax + \lfl e\lq e\lppz d\zql d\dqh g{=h}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\na e\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 90 +\barre\NOtes\hu{^J}&\zq L\qlppz N|\lppz c\zq{^c}\zq e\zq g\qu{_i}\enotes +\temps\NOtes&\zq L\qlppz N|\lppz d\zq d\zq{^f}\qu h\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\zlppz c\zql{_e}\qu{_h}\enotes +%\check +% mesure 91 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq{=e}\qu g\enotes +\temps\notes\qu{K}&\zq L\uppz a\ql{_a}|\lppz c\zq e\zql c\dqh g{^f}\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\lppz c\zql c\zq e\qu g\enotes +%\check +% mesure 92 +\barre\NOtes\hu{^K}&\zq L\qlppz N|\lsh c\lppz b\rq c\zq{_b}\qu{^f}\enotes +\temps\NOtes&\zq L\qlppz N|\na b\lppz d\zq b\rq c\qu{=f}\enotes +\temps\NOtes\soupir&\zq M\uppz a\ql{_a}|\lppz b\zq b\qu{^f}\enotes +%\check +% mesure 93 +\barre\NOtes\hu J&\zq L\qlppz N|\lppz c\zq{=c}\zq e\qu g\enotes +\temps\NOtes&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\soupir&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 94 +\barre\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu{_K}&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +\temps\NOtes\qu J&\zq L\qlppz N|\zlppz c\zq e\qu g\enotes +%\check +% mesure 95 +\barre\NOtes\qu L&\zq {La}\qlppz c|\zlppz e\zq h\qu j\enotes +\temps\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +%\check +% mesure 96 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +% mesure 97 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 98 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 99 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz c|\zlppz f\zql {h}\qu j\enotes +%\check +% mesure 100 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq {jg}\qu l\enotes +\temps\NOtes&\zq {L=a}\qlppz c|\lna h\sh f\zlppz f\zq {hj}\qu{_l}\enotes +\temps\NOtes\soupir&\lfl a\zq {^Ma}\qlppz c|\zlppz f\zq {_h}\qu k\enotes +% mesure 101 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 102 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 103 +\barre\NOtes\hu J&\zq {L=a}\qlppz c|\zlppz e\zq{=h}\qu j\enotes +\temps\notes&\zq {LN}\qlppz c|\zlppz e\zql {g}\dqh ji\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\qu j\enotes +%\check +% mesure 104 +\barre\NOtes\hu J&\zq {L_a}\qlppz c|\zlppz e\rq f\qu{_h}\enotes +\temps\NOtes&\zq {LN}\uppz b\qlp{_b}|\zlppz e\zq g\qu{_i}\enotes +\temps\NOtes\soupir&\zq {_LN}\na b\qlppz b|\fl e\zlppz e\zq g\qu{=i}\enotes +%\check +% mesure 105 +\barre\NOtes\hu J&\zq {=LN}\qlppz c|\na e\zlppz e\zq g\qu j\enotes +\temps\notes&\zq {M_a}\qlppz c|\zlppz f\zql {_h}\dqh jk\enotes +\temps\NOtes\soupir&\lsh M\zq {M=a}\qlppz c|\lsh f\zlppz f\zql {=h}\qu j\enotes +%\check +% mesure 106 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 107 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 108 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 109 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 110 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\lfl h\zlppz f\zq{h=j}\qu m\enotes + %\check +% mesure 111 +\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes + %\check +% mesure 112 +\barre\NOtes\hu L&\zq {N=c}\qlppz e|\zlppz g\zq{j=l}\qu{n}\enotes +\temps\NOtes&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes\soupir&\zq {Nc}\qlppz e|\zlppz g\zq{jl}\qu{n}\enotes + %\check +% mesure 113 +\barre\NOtes\hu K&\zq {^Ma}\qlppz d|\sh f\zlppz f\zq{hk}\qu{^m}\enotes +\temps\NOtes&\zq {^La}\sh c\qlppz c|\lsh j\sh e\zlppz e\zq{hj}\qu{^l}\enotes +\temps\NOtes\soupir&\zq {Ma}\qlppz d|\zlppz f\zq{hk}\qu{m}\enotes + %\check +% mesure 114 +\barre\NOtes\hu{_L}&\zq{Nc}\lppz e\ql{_e}|\zlppz g\zq{_lj}\qu{n}\enotes +\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes + %\check +% mesure 115 +\barre\NOtes\hu{K}&\zq{Nc}\fl e\qlppz{e}|\zlppz g\zq{_lj}\qu{n}\enotes +\temps\NOtes&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nc}\qlppz{e}|\zlppz g\zq{lj}\qu{n}\enotes + %\check +% mesure 116 +\barre\NOtes\hu{K}&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +\temps\NOtes&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +\temps\NOtes\soupir&\zq{Nb}\qlppz{d}|\zlppz g\zq{ik}\qu{n}\enotes +% mesure 117 +\barre +\notes\zcharnote B{\it legato}\Ilegu0b\hl L&\zcharnote g{\it + a tempo}\Qqbb Nece|\Uptext{\it bien + sirupeux~!}\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +\temps\notes\ql L&\Qqbb Nece|\ibbu0i0\qh0{lgj}\tqh0g\enotes +%\check +% mesure 118 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 119 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 120 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0b\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 121 +\barre\notes\bigfl a\hlp a&\bigaccid\Qqbb Mc{_a}c|\bigaccid\Qqhh m{_h}jh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +\temps\notes&\Qqbb Mcac|\Qqhh mhjh\enotes +%\check +% mesure 122 +\barre\notes\qlp N\tleg0&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +% mesure 123 +\barre\notes\hl c&\bigfl a\Qqbb afcf|\bigaccid\Qqhh m{_h}jh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 124 +\barre\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql M&\Qqbb {=a}fcf|\Qqhh m{=h}jh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 125 +\barre\notes\hu K\tleg0&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh kgig\enotes +\temps\notes\soupir&\Qqbb Ndbd|\Qqhh kgig\enotes +%\check +% mesure 126 +\barre\notes\Ilegu0b\hl L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 127 +\barre\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 128 +\barre\notes\ql J&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql K&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 129 +\barre\notes\qlp N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\sk\tleg0\sk\ds&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\Ilegu0c\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 130 +\barre\notes\hlp c&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes&\Qqbb afcf|\Qqhh mhjh\enotes +%\check +% mesure 131 +\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +% mesure 132 +\barre\notes\qlp b\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\sk\sk\ds&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\Ilegu0c\ql c&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 133 +\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +%\check +% mesure 134 +\barre\notes\ql b&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql a&\Qqbb aece|\Qqhh lhjh\enotes +\temps\nspace\notes\ql b&\varaccid\Qqbb a{^f}{^d}f|\varaccid\sh m\Qqhh mh{^k}h\enotes +%\check +% mesure 135 +\barre\notes\hl L\tleg0&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\soupir&\Qqbb Nebe|\Qqhh lgig\enotes +%\check +% mesure 136 +\barre\notes\Ilegu0b\hl N&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes&\Qqbb Nece|\Qqhh lgjg\enotes +\temps\notes\ql N&\Qqbb Nece|\Qqhh lgjg\enotes +%\check +% mesure 137 +\barre\notes\ql N&\Qqbb Nebe|\Qqhh lgig\enotes +\temps\notes\ql M&\Qqbb afcf|\Qqhh mhjh\enotes +\temps\notes\ql L&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 138 +\barre\notes\hl K&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes&\Qqbb Ndbd|\Qqhh niki\enotes +\temps\notes\ql K&\Qqbb Ndbd|\Qqhh niki\enotes +%\check +% mesure 139 +\barre\notes\hl J\tleg0&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes&\Qqbb Nece|\Qqhh njlj\enotes +\temps\notes\soupir&\Qqbb Nece|\Qqhh njlj\enotes +%\check +% mesure 140 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq {gj}\qu l\enotes +\temps\NOtes&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 141 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{_d}|\lppz f\zq{f_h}\zql{_k}\dqh ml\enotes +\temps\NOtes\soupir&\zq{La}\qlppz d|\lppz f\zq{fh}\zql k\qu m\enotes +%\check +% mesure 142 +\barre\NOtes\hu J&\zq{LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes&\zq {L_a}\uppz d\ql{=d}|\zlppz e\zq{=h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 143 +\barre\NOtes\hu{^J}&\zq {LN}\sh c\qlppz c|\zlppz f\zq{h^j}\qu m\enotes +\temps\NOtes&\zq {LN}\qlppz d|\zlppz e\rq k\zq g\qu l\enotes +\temps\NOtes\soupir&\lfl a\zq {Ma}\na c\qlppz c|\zlppz f\zq{h=j}\qu m\enotes +%\check +% mesure 144 +\barre\NOtes\qu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\zq {L_a}\ql d|\lppz e\zq{e_h}\zql k\roff{\dqh lm}\enotes +\nspace +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 145 +\barre\NOtes\hu{^J}&\zq {KN}\sh c\qlppz c|\lppz g\zq{g^j}\rq k\qu n\enotes +\temps\NOtes&\zq{LN}\qlppz d|\zq{^fj}\rq l\qu{^m}\enotes +\temps\NOtes\soupir&\zq {M_a}\qlppz c|\lfl h\na f\zlppz f\zq{hj}\qu{=m}\enotes +%\check +% mesure 146 +\barre\NOtes\qu J&\zq {LN}\na c\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\notes\doubler\qu{=K}&\lfl a\zq {La}\na d\qlppz d|\lppz e\zq{_h}\zql j\dqh l{^k}\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\lppz e\zq{egj}\qu l\enotes +%\check +% mesure 147 +\barre\NOtes\qsk\hu{^K}&\qsk\lfl b\na d\zq {LNb}\qlppz d|\qsk + \zlppz e\zq{g}\qu{=k}\enotes +\temps\NOtes&\sh c\zq {LN}\qlppz c|\zq e\lppz e\zq h\qu{^j}\enotes +\temps\NOtes\qu{=K}&\lq a\lfl a\zq {M}\qlppz b|\lppz d\zq {df_h}\qu k\enotes +%\check +% mesure 148 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 149 +\barre\NOtes\hu J&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +\temps\NOtes\soupir&\zq {LN}\qlppz c|\zlppz e\zq{gj}\qu l\enotes +%\check +% mesure 150 +\def\sQqbb{\smallnotesize\Qqbb}% +\def\sqqBB{\smallnotesize\qqBB}% +\def\sQqhh{\smallnotesize\Qqhh}% +\notes\hu J&\sQqbb Nece|\smallnotesize\roff{\normalnotesize\zhu l}\relax + \ibbl0i0\qb0{lgj}\tqb0g\enotes +\temps\notes&\sQqbb cece|\smallnotesize\ibbl0i0\qb0{jgj}\tqb0g\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\smallnotesize\ibbl0i0\qb0{lgj}\tqb0g\enotes +%\check +% mesure 151 +\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 152 +\barre\notes\qu H&\sQqbb Nece|\zqu j\sqqBB jghg\enotes +\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 153 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 154 +\barre\notes\hlp M&\sQqbb Mcac|\rlap{\smallnotesize\qsk\normalnotesize\hup o}\relax + \sqqBB ojmj\enotes +\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes +\temps\notes&\sQqbb acac|\sqqBB mjmj\enotes +%\check +% mesure 155 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb cece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 156 +\barre\notes\hl M&\sQqbb afcf|\rlap{\smallnotesize\qsk + \normalnotesize\hu q}\sqqBB qmom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +\temps\notes\itenu0L\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 157 +\barre\notes\tten0\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes +\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 158 +\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax + \sqqBB kgig\enotes +\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes +\temps\notes\soupir&\sQqbb Ndbd|\raise 2\Interligne\rlap{\soupir}\sqqBB igig\enotes +%\check +% mesure 159 +\barre\notes\hu J&\sQqbb Nece|\rlap{\smallnotesize\qsk\normalnotesize\hu l}\relax + \sqqBB lgjg\enotes +\temps\notes&\sQqbb Nece|\sqqBB jgjg\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 160 +\barre\notes\qu J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +\temps\notes\qu I&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 161 +\barre\notes\qu J&\sQqbb Nece|\zqu j\sqqBB jghg\enotes +\temps\notes\qu H&\sQqbb Nece|\zqu k\sqqBB kgig\enotes +\temps\notes\qu G&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 162 +\barre\notes\qup J&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\qu J&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +%\check +% mesure 163 +\barre\notes\hlp M&\sQqbb afcf|\rlap{\smallnotesize\qsk\normalnotesize\hup q}\relax + \sqqBB qmom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +\temps\notes&\sQqbb afcf|\sqqBB omom\enotes +%\check +% mesure 164 +\barre\notes\qlp L&\sQqbb Nece|\zqup n\sqqBB njlj\enotes +\temps\notes\sk\sk\ds&\sQqbb Nece|\rlap{\sk\sk\raise 3\Interligne\ds}\relax + \sqqBB ljlj\enotes +\temps\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +% mesure 165 +\barre\notes\ql L&\sQqbb Nece|\zqu n\sqqBB njlj\enotes +\temps\notes\ql K&\sQqbb afcf|\zqu m\sqqBB mhjh\enotes +\temps\notes\ql J&\sQqbb Nece|\zqu l\sqqBB lgjg\enotes +%\check +% mesure 166 +\barre\notes\hu G&\sQqbb Ndbd|\rlap{\smallnotesize\qsk\normalnotesize\hu k}\relax + \sqqBB kgig\enotes +\temps\notes&\sQqbb Ndbd|\sqqBB igig\enotes +\temps\notes\qu G&\sQqbb Ndbd|\zqu k\sqqBB kgig\enotes +%\check +% mesure 167 +\barre\notes\hu J&\sQqbb +LcNc|\normalnotesize\roff{\zhu j}\relax + \sqqBB jege\enotes +\temps\notes&\sQqbb LcNc|\sqqBB gege\enotes +\temps\notes\soupir&\sQqbb LcNc|\rlap{\raise 2\interligne\soupir}\relax + \sqqBB gege\enotes +% mesure 168 +\barre +\Notes\hu L&\zh c\hl g|\zh{jl}\hl n\enotes +\temps\Notes&\enotes +\temps\Notes\qu L&\zq c\qlppz g|\zq{jl}\qlppz n\enotes +% mesure 169 +\barre\Notes\qu L&\zq c\ql g|\zq{jl}\ql n\enotes +\temps\Notes\qu K&\zq b\ql f|\zq{ik}\ql m\enotes +\temps\Notes\qu J&\zq N\ql e|\zq{gj}\ql l\enotes +%\check +% mesure 170 +\barre\Notes\hu G&\zh N\hl d|\zh{gi}\hl k\enotes +\temps\Notes&\enotes +\temps\Notes\qu G&\zq N\ql d|\zq{gi}\ql k\enotes +%\check +% mesure 171 +\barre\NOtes\itenu0J\hup J&\itenl1N\itenu2c\zhp N\hlp c|\itenl3e\itenu4g\itenu5j\zhp e\zhp g\hlp j\enotes +%\check +% mesure 172 +\barre\Notes\tten0\zhlp J\hlp C&\tten1\tten2\zhp N\hlp c|\tten3\tten4\tten5\zhp e\zhp g\hlp j\enotes +%\mulooseness 1\relax +\mulooseness -4\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex new file mode 100644 index 00000000000..7a965a73507 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisc.tex @@ -0,0 +1,4 @@ +\def\ftranspose{-1} +\def\fsignature{-3} +\input fantaisi +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex new file mode 100644 index 00000000000..7bb931e0917 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisd.tex @@ -0,0 +1,2 @@ +\input fantaisi +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex new file mode 100644 index 00000000000..8b74bc93760 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantaisi.tex @@ -0,0 +1,1238 @@ +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-1}\fi + +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + + +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\shorttitle{Fantaisie en style romantique} +\title{Fantaisie en style romantique} +\transpose=\ftranspose\relax +\newif\iffiveoctaves +\ifnum\transpose=0\relax + \subtitle{(pour orgue … 5 octaves)} + \fiveoctavestrue + \else\ifnum\transpose=-1\relax + \subtitle{(pour orgue … 4 octaves et demi, do--sol)} + \fiveoctavesfalse + \else + \subtitle{(pour orgue)} + \fiveoctavesfalse + \fi +\fi + +\othermention{Compos\'e en 1992\\r\'evis\'e en 1995} +\maketitle + +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-1}\fi + +\parindent 18mm +\tracingstats=2\relax +% +% formes fr\'equentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +%au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +%au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqbb#1#2#3#4{{\smallnotesize\qqbb{#1}{#2}{#3}{#4}}}% +\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% +\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% +\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% +\smallskip +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\quatretemps +\staffbotmarg=10pt +\debutmorceau +\relativeaccidentals +\bigaccid +\autolines{9}55\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso + \bf(\metron{\qu}{55})}}\enotes +\advance\linesinpage by 1\relax +%\check +% mesure 1 +\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes +%\check +% mesure 2 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&|\soupir\enotes +\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes +%\check +% mesure 3 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&|\soupir\enotes +\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes +%\check +% mesure 4 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +%\check +% mesure 5 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax + |\pointdorgue l\zh{df}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 6 +%\check +\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 7 +%\check +\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes +%\check +% mesure 8 +%\check +\deuxtemps\changecontext +\addspace{-0.5\afterruleskip}% +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 9 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 10 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 11 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 12 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 13 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax + |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 14 +%\check +\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +%\check +% mesure 15 +%\check +\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes +%\check +% mesure 16 +%\check +\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes +%\check +% mesure 17 +%\check +\deuxtemps\changecontext +\addspace{-0.5\afterruleskip}% +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 18 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 19 +\advance\barsinline by 1\relax +\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes +\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes +\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes +\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes +%\check +% mesure 20 +\barre\autolines{16}45\relax +\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes +\temps\notes&\Qqbb KbNb\enotes +\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes +\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes +%\check +% mesure 21 +\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes +\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes +\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes +%\check +% mesure 22 +\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes +\temps\notes&\Qqbb JaLa\enotes +\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes +\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes +%\check +% mesure 23 +\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes +\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes +\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes +\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes +%\check +% mesure 24 +\barre\autolines{16}35\relax +\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes +\temps\notes&\Qqbb LbNb\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes +%\check +% mesure 25 +\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes +\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes +%\check +% mesure 26 +\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +%\check +% mesure 27 +\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes +\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes +%\check +% mesure 28 +\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes +\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes +%\check +% mesure 29 +\barre\bigaccid +\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes +\temps\notes&\Qqbb Mdad|\enotes +\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes +\temps\notes&\Qqbb Mdad|\enotes +% +% mesure 30 +\barre\autolines{10}55\relax +\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes +\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes +\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes +\temps\notes&\Qqbb {J}NLN|\qu d\enotes +%\check +% mesure 31 +%\check +\barre\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\varaccid +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 32 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 33 +%\check +\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 34 +%\check +\deuxtemps\changecontext\autolines{9}55\relax +\addspace{-\afterruleskip}% +\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} + \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 35 +%\check +\quatretemps\changecontext +\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 36 +%\check +\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\bigaccid +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +%\check +% mesure 37 +%\check +\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes +%\check +% mesure 38 +%\check +\deuxtemps\changecontext +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 39 +\quatretemps\changecontext\stemcut +\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un +poco pi\`u vivo}\zqp a\qup d\enotes +\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes +\zalaligne\autolines{15}45\relax +%\check +\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes +\temps\notes&\Qqbb KaMa|\ql o\enotes +%\check +% mesure 40 +\def\atnextline{\autolines{17}35}\relax +\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes +\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes +\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes +\temps\notes&\Qqbb Mdad|\qu k\enotes +%\check +% mesure 41 +\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes +\temps\notes&\Qqbb LcNc|\enotes +\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes +\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes +%\check +% mesure 42 +\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes +\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes +\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes +\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes +%\check +% mesure 43 +\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes +\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes +\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes +\temps\notes&\Qqbb KaMa|\qu o\enotes +%\check +% mesure 44 +\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes +\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes +\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes +\temps\notes&\Qqbb Mdad|\qu k\enotes +%\check +% mesure 45 +\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes +\temps\notes&\Qqbb KbNb|\enotes +\temps\notes&\Qqbb KbNb|\qu n\enotes +\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes +%\check +% mesure 46 +\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes +\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes +\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes +%\check +% mesure 47 +\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes +\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes +\temps\notes&\Qqbb KbNb|\Ilegu0r\ql r\enotes +\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes +\def\atnextline{}% +%\check +% mesure 48 +\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes +\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes +\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes +\temps\notes&\Qqbb LcNc|\ql n\enotes +%\check +% mesure 49 +\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes +\temps\notes&\Qqbb Mcac\enotes +\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes +\temps\notes&\Qqbb Mcac|\qu o\enotes +%\check +% mesure 50 +\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes +\temps\notes&\Qqbb KbNb|\qu r\enotes +\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes +\temps\notes&\Qqbb LcNc|\qu p\enotes +%\check +%\check +% mesure 51 +\barre\def\atnextline{\autolines{14}45}\relax +\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes +\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes +\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes +\temps\notes&\Qqbb KbNb|\qu p\enotes +%\check +% mesure 52 +\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes +\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes +\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes +\temps\notes&\Qqbb LcNc|\qu n\enotes +%\check +% mesure 53 +\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes +\temps\notes&\Qqbb Mdad\enotes +\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes +\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes +%\check +% mesure 54 +\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes +\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes +\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes +\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes +%\check +% mesure 55 +\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes +\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes +\temps\zalaligne +\notes\Ilegu0a\ql a&\sQqbb Mdad|\Uptext{\it \kern -1.5\Interligne + les petites notes}\uptext{\it\kern -1.5\Interligne au positif ad lib.}% + \qs\sTqbb fhf\enotes +\temps\notes\ql a&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 56 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\ql K&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 57 +\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs + \bigaccid\Tqbb h{^j}h\enotes +\temps\notes&\sQqbb L{c}Nc|\sQqbb jhjh\enotes +\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\sQqbb jhjh\enotes +\temps\notes\qu H&\sQqbb L{c}Nc|\sQqbb jgjg\enotes +%\check +% mesure 58 +\barre\def\atnextline{\autolines{17}35}\relax +\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs + \Tqbb hkh\enotes +\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb khkh\enotes +\temps\notes\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes +%\check +% mesure 59 +\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs + \bigSh j\Tqbb jlj\enotes +\temps\notes&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +\temps\notes\ql a&\sQqbb L{c}Nc|\sQqbb ljlj\enotes +%\check +% mesure 60 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes +\temps\notes\doubler\dqb NM&\sQqbb Mdad|\sQqbb mlml\enotes +\temps\notes\ql L&\sQqbb Mdad|\sQqbb mlml\enotes +\temps\notes\ql K&\sQqbb Mdad|\sQqbb mlml\enotes +%\check +% mesure 61 +\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes&\sQqbb Ndbd|\sQqbb kiki\enotes +\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\sQqbb kiki\enotes +\temps\notes\ql b&\sQqbb Ndbd|\sQqbb kiki\enotes +%\check +% mesure 62 +\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes +\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hkhk\enotes +\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes +%\check +% mesure 63 +\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql d&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 64 +\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb igig\enotes +\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes +%\check +% mesure 65 +\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\ql a&\sQqbb Mcac|\sQqbb jhjh\enotes +%\check +% mesure 66 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\ql d&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes +\temps\notes\ql b&\sQqbb LcNc|\sQqbb gjgj\enotes +%\check +% mesure 67 +\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes +%\check +% mesure 68 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes +\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes +%\check +% mesure 69 +\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 70 +\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid + \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes +\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes +\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes +%\check +% mesure 71 +\def\uppzql#1{\uppz #1\ql #1}% +\barre\notes\hu K\tleg0&\sk\hpause + |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes +\temps\notes&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes +\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +\temps\notes&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +%\check +% mesure 72 +\barre\notes\hu K&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes&\zq M\uppzql a\relax +|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes\hu I&\zq N\uppzql b\relax + |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes +\temps\notes&\zq N\uppzql b\relax + |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes +%\check +% mesure 73 +\barre\notes\qu H&\zq M\uppzql a\relax + |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes +\temps\notes\qu H&\zq L\uppzql N\relax + |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes +\temps\notes\qu H&\zq K\uppzql M\relax + |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes +\temps\notes\qu H&\zq{^J}\uppzql L\relax + |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes +%\check +% mesure 74 +\barre\notes\Ilegl2H\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes\doubler\dqh ML&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\qu K&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 75 +\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes +\temps\notes\qu M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\hu K\tleg2&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 76 +\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes\doubler\dqb aN&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\ql M&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\doubler\dqb LM&\sQqbb afcf|\sQqbb jhjh\enotes +%\check +% mesure 77 +\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes\ql a&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes\hl M\tleg2&\sQqbb afcf|\sQqbb jhjh\enotes +\temps\notes&\sQqbb afcf|\sQqbb jhjh\enotes +\cleftoksii={0000}\changeclefs +%\check +% mesure 78 +\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes +\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\sQqbb ljlj\enotes +%\check +% mesure 79 +\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax + |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes +\temps\notes\ql c&\sqqHH eigi|\sQqbb nlnl\enotes +\temps\notes\ql a\tleg2&\sqqHH ejhj\relax + |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes +\temps\notes\ql e&\sqqHH ejhj|\sQqbb olol\enotes +%\check +% mesure 80 +%\cleftoksii={6000}\changeclefs +\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes +\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes +\temps\notes&\sqqHH dhfh|\sQqbb mkmk\enotes +\temps\notes\doubler\dqb ed&\sqqHH dhfh|\sQqbb mkmk\enotes +%\check +% mesure 81 +\barre\notes\hl e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes +\temps\notes&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\soupir&\sqqHH cheh|\sQqbb ljlj\enotes +\temps\notes\ql a&\sqqHH cheh|\sQqbb ljlj\enotes +%\check +% mesure 82 +\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes +\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes +\temps\notes&\sqqHH bfdf|\sQqbb kiki\enotes +\temps\notes\doubler \dqb cb&\sqqHH bfdf|\sQqbb kiki\enotes +%\check +% mesure 83 +\barre\notes\hl c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes +\temps\notes&\sqqHH afcf|\sQqbb jhjh\enotes +\temps\notes\soupir\zcharnote{-4}{\it non legato}&\sqqHH afcf|\sQqbb jhjh\enotes +\temps\notes\ql M&\sqqHH afcf|\sQqbb jhjh\enotes +% mesure 84 +\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes +\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes +\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes +\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes +%\check +% mesure 85 +\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes +\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes +\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes +\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes +%\check +% mesure 86 +\cleftoksii={6000}\changeclefs +\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes +%\check +% mesure 87 +\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes +\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes +\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes +\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes +%\check +% mesure 88 +\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes +\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes +\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes +%\check +% mesure 89 +\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes +\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes +\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes +\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes +% +% mesure 90 +\def\octp{\advance\transpose by 7\relax}% +\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes +\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 91 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\advance\linesinpage by 1\relax +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +%\check +% mesure 92 +\barre\nspace\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes +\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes +\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes +\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes +%\check +% mesure 93 +\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes +\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes +\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes +\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes +%\check +% mesure 94 +\barre\notes\wh H&\roff{\sqqHH{^c}heh}|\zh l\zhu s\roff{\qqbb l{^q}oq}\enotes +\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 95 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 96 +\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves + \octp\zh i\zhu p\roff{\qqbb inkn}\relax + \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax + \fi\enotes + \nspace +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\qqbb knkn\relax + \else\octp\qqbb gkik\relax + \fi\enotes +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\zq g\zqu n\qqbb gkik\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +\temps\notes&\sqqHH eigi|\iffiveoctaves + \octp\zq i\zqu p\qqbb inln\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +%\check +% mesure 97 +\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +%\check +% mesure 98 +\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes +\temps\notes&\sqqHH dfdf|\qqbb komo\enotes +\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes +\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes +%\check +% mesure 99 +\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes +\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax + \Ibbl1ji2\qb1{jni}\tqb1n\enotes +\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes +\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes +% +% mesure 100 +\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes +\temps\notes&\sqqHH afcf|\qqbb momo\enotes +\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes +\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes +%\check +% mesure 101 +\cleftoksii={6000}\changeclefs +\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes +\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes +\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes +% +% mesure 102 +\advance\linesinpage by 1\relax +\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes +\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes +\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes +%\check +% mesure 103 +\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes +\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax + \Ibbl1ji2\qb1{jni}\tqb1n\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes +\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes +% +% mesure 104 +\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes +\temps\notes&\sqqHH afdf|\qqbb momo\enotes +\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +% +% mesure 105 +\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes +\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes +%\check +% mesure 106 +\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes +\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes +\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 107 +\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 108 +\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes +\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes +\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes +\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes +%\check +% mesure 109 +\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +% mesure 110 +%\check +\xbarre\autolines{9}55\relax +\NOtes&\pointdorgue l\hpause + |\pointdorgue l\hpause\enotes +\zalapage\nostemcut +\temps\NOtes\pointdorgue a\pause + &\soupir|\soupir\enotes +\cleftoksii={6000}\changeclefs +\varaccid +\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 111 +%\check +\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 112 +%\check +\barre +\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 113 +%\check +\deuxtemps\changecontext +\def\atnextline{\autolines{9}55\relax}\relax +\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} + \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax + |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes +%\check +% mesure 114 +%\check +\quatretemps\changecontext +\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes +%\check +% mesure 115 +%\check +\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes +\temps\NOtes&\soupir|\soupir\enotes +\bigaccid +\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes +% mesure 116 +%\check +\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes +% mesure 117 +%\check +\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes +\temps\NOtes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes +% mesure 118 +\def\atnextline{\autolines{16}45\relax}\relax +%\check +\deuxtemps\changecontext +\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax + |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes +\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax + |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes +%\check +% mesure 119 +%\check +\quatretemps\changecontext +\NOTes\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax + |\pointdorgue l\zh{a}\hu d\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 120 +\advance\barsinline by 1\relax +\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler + \bigSh f\zh{f}\zhl h\qu{_l}\enotes +\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes +\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes +\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes +%\check +% mesure 121 +\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes +\temps\notes&\Qqbb KbNb\enotes +\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes +\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes +%\check +% mesure 122 +\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes +\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes +\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes +%\check +% mesure 123 +\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes +\temps\notes&\Qqbb JaLa\enotes +\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes +\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes +%\check +% mesure 124 +\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes +\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes +\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes +\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes +%\check +% mesure 125 +\barre\autolines{16}35\relax +\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes +\temps\notes&\Qqbb LbNb\enotes +\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes +\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes +%\check +% mesure 126 +\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes +\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes +\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes +%\check +% mesure 127 +\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes +\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes +%\check +% mesure 128 +\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes +\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes +%\check +% mesure 129 +\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes +\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes +\nspace +\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes +\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes +%\check +% mesure 130 +\barre\autolines{17}35\relax +\bigaccid +\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes +\temps\notes&\Qqbb Mdad|\enotes +\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes +\temps\notes&\Qqbb Mdad|\enotes +% +% mesure 131 +\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes +\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes +\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes +\temps\notes&\Qqbb {J}NLN|\qu d\enotes +% +% mesure 132 +\stemcut +\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes +\temps\notes&\Qqbb HMKM|\enotes +\temps\notes\uptext{\it a tempo}\sk\hpause + &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +%\check +% +% mesure 133 +\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes +% +% mesure 134 +\def\octm{\advance\transpose by -7\relax}% +\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes +\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes +\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes +\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes +%\check +% mesure 135 +\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes +\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes +\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes +\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes +%\check +% mesure 136 +\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes +\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes +\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 137 +\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 138 +\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes +\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes +\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes +\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes +%\check +% mesure 139 +\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes +\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes +%\check +% mesure 140 +\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes +\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes +\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes +%\check +% mesure 141 +\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes +\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes +%\check +% mesure 142 +\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes +\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes +\temps\notes\Ilegu0a\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes +\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes +%\check +% mesure 143 +\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes +\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes +\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes +%\check +% mesure 144 +\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes +\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes +\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes +%\check +% mesure 145 +\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes +\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes +\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes +\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes +%\check +% mesure 146 +\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes +\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes +%\check +% mesure 147 +\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid + \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes +\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes +\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes +\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes +%\check +% mesure 148 +\barre\autolines{8}65\relax +\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax + |\pointdorgue m\smallnotesize\zh{fh}\hu k\enotes +\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 149 +\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +%\check +% mesure 150 +%\check +\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes +% mesure 151 +%\check +\deuxtemps\changecontext +\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax + |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes +%\advancebottom{-2\Interligne}% +%\check +% mesure 152 +\quatretemps\changecontext\varaccid +\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax + |\pointdorgue l\zh{df}\hu h\enotes +\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes +% mesure 153 +\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes +% mesure 154 +\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes +% mesure 155 +\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes +% mesure 156 +\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes +\temps\Notes&\soupir|\soupir\enotes +\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes +%\check +% mesure 157 +\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes +\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 158 +\barre\autolines{16}35\relax +\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 159 +\staffbotmarg=2pt +\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +% +% mesure 160 +\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes +\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax + \Ibbl1gf2\qb1{gkf}\tqb1k\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes +\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes +% +% mesure 161 +\barre\notes\wh G&\roff{\sqqHH digi}|\iffiveoctaves + \octp\zh i\zhu p\roff{\qqbb inkn}\relax + \else\octp\zh g\zhu n\roff{\qqbb gkik}\relax + \fi\enotes + \nspace +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\qqbb knkn\relax + \else\octp\qqbb gkik\relax + \fi\enotes +\temps\notes&\sqqHH digi|\iffiveoctaves + \octp\zq g\zqu n\qqbb gkik\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +\temps\notes&\sqqHH eigi|\iffiveoctaves + \octp\zq i\zqu p\qqbb inln\relax + \else\octp\zq e\zqu l\qqbb eigi\relax + \fi\enotes +%\check +% mesure 162 +\barre\autolines{8}65\relax +\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes +\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes +\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes +\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes +%\check +% mesure 163 +\barre\NOtes\pointdorgue N\hpause + &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes +\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes +\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes +% mesure 164 +\barre +\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp + \uppz g\zq{bd}\ql g\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp + \uppz f\zq{ad}\ql f\enotes +\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp + \uppz e\zq{a^c}\ql e\enotes +% mesure 165 +\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes +\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes +\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes +\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes +\cleftoksii={6000}\changeclefs +% mesure 166 +\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes +\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes +\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes +\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes +% mesure 167 +\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes +\finmorceau +\staffbotmarg=0pt +\rightline{\sl\aujourdhui}\vfil\eject + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex new file mode 100644 index 00000000000..0a1d3956e32 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantcmol.tex @@ -0,0 +1,626 @@ +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\fulltitle{XI. Fantaisie et fugue en style baroque} +\shorttitle{Fantaisie et fugue en style baroque} +\csname titremorceautoc\endcsname +\shorttitle{Fantaisie en style baroque} +\subtitle{{\frtbf Fantaisie}} +\othermention{Compos\'e en 1995} +\maketitle + + % if transpose not defined outside assume 0 and three flats +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-3}\fi + + +\parindent 18mm +\tracingstats=2\relax + % + % formes fr\'equentes + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% + %au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% + %au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqbb#1#2#3#4{\varaccid\smallnotesize\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sQqhh#1#2#3#4{\varaccid\smallnotesize\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% + % +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={6000}% +\global\cleftoksi={6000}% +% +\noautolines + % +\generalsignature{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax + %\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% + %\check +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% +\smallskip + % +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\generalmeter{\meterfrac 34} +\staffbotmarg=10pt +\stafftopmarg=0pt +\interstaff{10} +\debutmorceau +%\noautolines +\relativeaccidentals +\bigaccid +%\autolines{9}55\relax +\znotes&|\Uptext{\hbox{\kern -8mm\moyen Allegro + \bf(\metron{\qu}{55})}}\enotes + %\advance\linesinpage by 1\relax + %\check + % mesure 1 +\notes&\sqqhh JKLM|\sqqhh cdef\enotes +\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes +\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes + %\check + % mesure 2 +\barre\notes&\sqqhh NaMa|\sqqhh ghfh\enotes +\temps\notes\sk\pause&\sqqhh NLKJ|\sqqhh gedc\enotes +\temps\notes&\sqqhh caNM|\sqqhh jhgf\enotes + %\check + % mesure 3 +\barre\notes&\sqqhh NaMN|\sqqhh ghfg\enotes +\temps\notes\sk\pause&\sqqhh LMKL|\sqqhh efde\enotes +\temps\notes&\sqqhh JLKJ|\sqqhh cedc\enotes + %\check + % mesure 4 +\barre\notes\hu G&\sqqbb N{^a}{^b}c|\itenu1i\itenl2g\zq{^id}\qu g\enotes +\temps\notes&\sqqbb dbaN|\tten1\tten2\itenl1g\zhl g\zq{k}\qu{^i}\enotes +\temps\notes\qu J&\sqqbb edec|\zq{l}\qu j\enotes + %\check + % mesure 5 +\barre\notes\hu G&\sqqbb{^b}cdb|\tten1\itenl1g\zhlp g\zh{^i}\hu k\enotes +\temps\notes&\sqqbb NabN|\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 6 +\barre\notes\qu I&\sqqbb decd|\tten1\zq{g=i}\qu k\enotes +\temps\notes\qu K&\sqqbb {=b}c{^a}b|\zq{hj}\qu{^m}\enotes +\temps\notes\qu G&\sqqbb N{^b}aN|\zq{^ik}\qu n\enotes + %\check + % mesure 7 +\barre\notes\hu J&\itenu1c\zh{Nc}\hl e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 8 +\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 9 +\barre\notes\qu G&\itenl1N\zh N\zhl{^b}\qu d|\sqqbb nomn\enotes +\temps\notes\qu{^I}&\qu f|\sqqhh lmkl\enotes +\temps\notes\qu J&\tten1\zq N\lfl b\zq{b}\ql{^e}|\sqqhh j{^l}kj\enotes + %\check + % mesure 10 +\barre\notes\hu F&\sqqbb MNab|\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu I&\sqqbb f{_d}cb|\zq i\ql k\enotes + %\check + % mesure 11 +\barre\notes\hu F&\sqqbb c{_d}bd|\tten1\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu I&\sqqbb fdcb|\zq i\ql k\enotes + %\check + % mesure 12 +\barre\notes\qu H&\sqqbb c{_d}bc|\tten 1\zq h\zq j\ql m\enotes +\temps\notes\qu J&\sqqbb abNa|\zq g\zq i\ql{^l}\enotes +\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes + %\check + % mesure 13 +\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb jk{^l}m\enotes +\temps\notes&\qu b|\sqqbb nlkj\enotes +\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 14 +\barre\notes\hu J&\zh N\zhl{^e}\roff{\qu c}|\sqqbb nomo\enotes +\temps\notes&\qu b|\sqqbb n{^l}kj\enotes +\temps\notes\qu H&\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 15 +\barre\notes\qu G&\itenl1N\zql N\zq c\qu {=e}|\sqqbb nomn\enotes +\temps\notes\qu {^I}&\tten1\zq N\zq {^b}\qu f|\sqqbb {=l}mkl\enotes +\temps\notes\qu J&\zq {=b}\rq c\qu {^e}|\sqqbb jk{^l}j\enotes + %\check + % mesure 16 +\barre\notes\hu {^H}&\sqqbb MN{^a}b|\itenl1h\zhp{^hj}\hlp m\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {=e}c{^a}N|\enotes + %\check + % mesure 17 +\barre\notes\hu K&\sqqbb {^M}N{^a}b|\tten1\itenl1h\itenu2m\zh{^hk}\hl{^m}\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {^f}{=e}dc|\tten1\tten2\zq{hj}\ql m\enotes + %\check + % mesure 18 +\barre\notes\qu I&\sqqbb bcdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes +\temps\notes\qu L&\sqqbb g{=e}dc|\tten1\tten2\zq{il}\ql n\enotes +\temps\notes\qu K&\sqqbb d{^e}{^f}d|\zq{^hj}\ql{^m}\enotes + %\check + % mesure 19 +\barre\notes\qu I&\sqqbb g{=e}dc|\zq{ik}\zqu n\enotes +\temps\notes\qu H&\sqqbb dcba|\zq{^hj}\zqu{^m}\enotes +\temps\notes\qu G&\sqqbb N{^a}{^b}N|\zq{^ik}\zqu{=m}\enotes + %\check + % mesure 20 +\barre\notes\hu{^H}&\itenl1c\itenu2e\lSh c\zq{^ac}\ql{^e}|\sqqbb {^j}k{^l}m\enotes +\temps\notes&\tten1\tten2\zq{ce}\ql g|\sqqbb nmnl\enotes +\temps\notes\qu K&\zq{^ad}\ql{=f}|\sqqbb mlk{=j}\enotes + %\check + % mesure 21 +\barre\notes\qu G&\itenl1N\itenu2f\zhlp N\zq{^b}\qu f|\sqqbb {^i}jkl\enotes +\temps\notes\qu {^I}&\tten2\zq{d}\qu f|\sqqbb mlmk\enotes +\temps\notes\qu J&\zq{=b}\qu {^e}|\sqqbb lkj{=i}\enotes + %\check + % mesure 22 +\barre\notes\hup{^H}&\tten1\lSh c\zql N\zhp{c}\hup{^e}|\sqqbb {^h}{^i}{^j}k\enotes +\temps\notes&\ql{^a}|\sqqbb {^l}k{^j}i\enotes +\temps\notes&\ql N|\sqqbb jhij\enotes + %\check + % mesure 23 +\generalsignature{2}\changecontext +\notes\itenl1K\hup K&\sqqbb MNaM|\itenl2k\zh {hm}\hu k\enotes +\temps\notes&\sqqbb KMNa|\enotes +\temps\notes&\sqqbb babN|\tten2\itenl2k\zq{ik}\ql n\enotes + %\check + % mesure 24 +\barre\notes\tten1\hup K&\sqqbb abad|\tten2\itenu2m\zh{hk}\hl m\enotes +\temps\notes&\sqqbb cbaN|\enotes +\temps\notes&\sqqbb MNaM|\tten2\itenu2m\zq{_j}\zql m\qu o\enotes + %\check + % mesure 25 +\barre\notes\hu I&\sqqbb KMNa|\tten2\zh i\zhl k\qu m\enotes +\temps\notes&\sqqbb babN|\qu n\enotes +\temps\notes\qu H&\sqqbb cabc|\zq j\zql l\qu o\enotes + %\check + % mesure 26 +\barre\notes\hu K&\itenu1d\zh{ad}\hl f|\sqqbb klmn\enotes +\temps\notes&|\sqqbb omlk|\enotes +\temps\notes\qu I&\tten1\itenu1d\zq{bd}\ql g|\sqqbb popn|\enotes + %\check + % mesure 27 +\barre\notes\hu K&\tten1\zh{ad}\hl f|\sqqbb opon|\enotes +\temps\notes&|\sqqbb monm|\enotes +\temps\notes\qu G&\zq{be}\ql g|\sqqbb nmlk|\enotes + %\check + % mesure 28 +\barre\notes\hup H&\zhp a\zhlp c\hu e|\sqqbb jklm|\enotes +\temps\notes&|\sqqbb nlon|\enotes +\temps\notes&\qu g|\sqqbb {_m}lkj|\enotes + %\check + % mesure 29 +\barre\notes\hu K&\sqqbb KL{_M}N|\itenu1k\zh {_fh}\hu k\enotes +\temps\notes&\sqqbb aNaM|\enotes +\temps\notes\qu G&\sqqbb {_b}aNb|\tten1\itenu1k\zq{g_i}\qu k\enotes + %\check + % mesure 30 +\barre\notes\hup K&\sqqbb a{_M}LK|\tten1\zq{_f}\zql h\hup k\enotes +\temps\notes&\sqqbb d{_b}aN|\zq g\ql{_i}\enotes +\temps\notes&\sqqbb aNMa|\zq f\ql h\enotes + %\check + % mesure 31 +\barre\notes\qu G&\sqqbb N{_M}LK|\zq g\zq{_i}\ql l\enotes +\temps\notes\qu H&\sqqbb JKLM|\itenu0j\zq h\zq j\ql {_m}\enotes +\temps\notes\qu F&\sqqbb {=M}{^N}{^a}M|\tten0\lSh h\zq{h}\zq j\ql {=m}\enotes + %\check + % mesure 32 +\barre\notes\itenl1I\hup I&\itenl2b\zh b\zh d\hl f|\sqqbb ijkl\enotes +\temps\notes&|\sqqbb mkji\enotes +\temps\notes&\tten2\itenl2b\zq b\zq e\ql g|\sqqbb pnml\enotes + %\check + % mesure 33 +\barre\notes\tten1\hu I&\tten2\zh b\zh d\itenu2f\hl f|\sqqbb mnml\enotes +\temps\notes&|\sqqbb km{^o}p\enotes +\temps\notes\qu F&\tten2\itenu2f\zq{^ac}\ql f|\sqqbb qpo{^n}\enotes + %\check + % mesure 34 +\barre\notes\hup I&\zh b\tten2\itenu2d\itenu3f\zh {^d}\hl f|\sqqbb ml{^k}j\enotes +\temps\notes&|\sqqbb klm{=o}\enotes +\temps\notes&\tten2\tten3\zq{df}\ql{=a}|\sqqbb {_q}omk\enotes + %\check + % mesure 35 +\barre\notes\hu E&\sqqbb LMNa|\zh{gi}\itenu1l\hl l\enotes +\temps\notes&\sqqbb bNML|\enotes +\temps\notes\qu H&\sqqbb e{_c}ba|\zq{h_j}\tten1\itenu1l\ql l\enotes + %\check + % mesure 36 +\barre\notes\hu E&\sqqbb b{_c}ac|\zh{gi}\tten1\itenu1l\hl l\enotes +\temps\notes&\sqqbb bNML|\enotes +\temps\notes\qu {_J}&\sqqbb ecba|\zq{h_j}\tten1\itenu1l\ql l\enotes + %\check + % mesure 37 +\barre\notes\hu I&\sqqbb b{_c}ab|\tten1\itenl1i\zq{g}\zql i\qu l\enotes +\temps\notes&\sqqbb NaMN|\loff{\tten1\zq g}\zql h\qu{^k}\enotes +\temps\notes\qu{^G}&\sqqbb L{^N}ML|\zq{^gi}\ql l\enotes + %\check + % mesure 38 +\barre\notes\hup H&\zh N\zh c\hl e|\sqqhh hijk\enotes +\temps\notes&|\sqqhh ljih\enotes +\temps\notes\qu{_F}&\itenl1a\zq a\zq d\ql {_f}|\sqqhh {_m}lmk\enotes + %\check + % mesure 39 +\barre\notes\hu J&\tten1\zhp c\zhlp a\hu e|\sqqhh lkji\enotes +\temps\notes&|\sqqhh jhjk\enotes +\temps\notes\qu H&\qu g|\sqqhh ljkl\enotes + %\check + % mesure 40 +\barre\notes\qu F&\itenu1f\zq {^a}\zq c\ql f|\sqqhh mlkj\enotes +\temps\notes\hu I&\tten1\zql b\zh{^d}\hu f|\sqqhh {^k}ikm\enotes +\temps\notes&\ql {=a}|\sqqhh ponm\enotes + %\check + % mesure 41 +\generalsignature{3}\relax +\changecontext\notes\hu J&\sqqbb {^L}M{N}L|\itenu0j\zh{^l}\zh g\hu j\enotes +\temps\notes&\sqqbb cbaN\enotes +\temps\notes\qu F&\sqqbb aMac|\tten0\itenu0m\zq m\zq h\qu j\enotes + %\check + % mesure 42 +\barre\notes\hu I&\sqqbb fedc|\tten0\zhp i\zhlp k\hu m\enotes +\temps\notes&\sqqbb decd\enotes +\temps\notes\qu K&\sqqbb bdcb|\qu n\enotes + %\check + % mesure 43 +\barre\notes\hu E&\zhp{N}\zhlp b\hu d|\sqqhh {g}hi{_j}\enotes +\temps\notes&|\sqqhh kihg\enotes +\temps\notes\qu G&\itenu1e\qu e|\sqqhh lkji\enotes + %\check + % mesure 44 +\barre\notes\hu H&\tten1\zhp c\zhup e\hl a|\sqqhh {=j}kji\enotes +\temps\notes&|\sqqhh jhjk\enotes +\temps\notes\qu{_G}&\ql {_N}|\sqqhh ljkl\enotes + %\check + % mesure 45 +\barre\notes\hu F&\advance\transpose -7\relax\sqqbb f{g}{^h}i|\zh{^h}\zhl + j\itenu1m\hup m\enotes +\temps\notes&\advance\transpose -7\relax\sqqbb jhgf\enotes +\temps\notes\qu I&\advance\transpose -7\relax\sqqbb kjki|\zq i\ql k\enotes + %\check + % mesure 46 +\barre\notes\hu F&\advance\transpose -7\relax\sqqbb jkik|\tten1\zh{^h}\zh j\hl m\enotes +\temps\notes&\advance\transpose -7\relax\sqqbb j{^h}{g}f\enotes +\temps\notes\qu{^H}&\advance\transpose -7\relax\sqqbb lklj|\zq j\zq l\ql{^o}\enotes + %\check + % mesure 47 +\barre\notes\qu I&\advance\transpose -7\relax\sqqbb kji{=h}|\itenl1i\itenl2k\zq +i\zq k\ql m\enotes +\temps\notes\qu K&\advance\transpose -7\relax\sqqbb +{g}hig|\tten1\tten2\itenu1n\zq i\zq k\ql n\enotes +\temps\notes\qu J&\advance\transpose -7\relax\sqqbb {^l}{^k}lj|\tten1\zq +j\zq{^l}\ql n\enotes + %\check + % mesure 48 +\barre\notes\hu H&\zh a\zhl c\itenu1f\hup f|\sqqbb mnop\enotes +\temps\notes&|\sqqbb qpqo\enotes +\temps\notes\qu I&\itenu2b\itenu0d\zq b\ql d|\sqqbb rqrp\enotes + %\check + % mesure 49 +\barre\notes\qu G&\tten0\tten1\tten2\zq b\zq d\ql f|\advance\transpose 7\sqqbb mkji\enotes +\temps\notes\qu J&\zq {c^e}\zql g|\advance\transpose 7\sqqbb jkik\enotes +\temps\notes\qu H&\zq{ac}\ql f|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 50 +\barre\notes\qu G&\itenu1c\zql N\zh c\hu {^e}|\sqqhh nm{^l}{^k}\enotes +\temps\notes\qu J&\ql b|\sqqhh jihg\enotes +\temps\notes\qu H&\tten1\zq{a}\ql c|\sqqhh hfhj\enotes + % mesure 51 +\barre\notes\hup F&\sqqbb MNab|\zhp {hj}\itenu1m\hlp m\enotes +\temps\notes&\sqqbb c{^d}{^e}c\enotes +\temps\notes&\sqqbb f{=e}{=d}c\enotes + %\check + % mesure 52 +\barre\notes\hu I&\sqqbb dcdb|\tten1\zq i\zq k\ql m\enotes +\temps\notes&\sqqbb Nabc|\zq g\itenu1j\itenu2l\zq j\ql{^l}\enotes +\temps\notes\qu J&\sqqbb {^d}{^e}fg|\tten1\tten2\zq j\zq l\ql n\enotes + %\check + % mesure 53 +\barre\notes\hup H&|\zq h\itenu1j\itenu2m\zq j\zqu m\sqqbb f{^e}fc\enotes +\temps\notes&|\tten1\tten2\itenu2m\zq j\zqu m\sqqbb hghf\enotes +\temps\notes&|\tten2\zqu m\sqqbb jijh\enotes + % mesure 54 + %\check +\barre\notes\qu{^H}&|\itenl1f\zq f\zql c\sqqhh m{^l}mj\enotes +\temps\notes\qu I&|\tten1\zq b\zql f\sqqhh kjki\enotes +\temps\notes\qu G&|\zq N\zq b\zql{=e}\sqqhh {=l}kli\enotes + % mesure 55 + %\check +\barre\notes\qu H&\itenu1a\zq{ac}\ql e|\sqqhh jijh\enotes +\temps\notes\qu F&\tten1\itenu1d\zq{Ma}\ql d|\sqqhh kjkh\enotes +\temps\notes\qu G&\tten1\itenu1N\zq{Nb}\ql d|\sqqhh ihig\enotes + % mesure 56 + %\check +\barre\notes\qu{^E}&\tten1\zq{^L}\zql N\hu c|\sqqhh jijg\enotes +\temps\notes\qu F&\zh M\hl a|\sqqhh high\enotes +\temps\notes\qu D&\qu d|\sqqhh fhgf\enotes + % mesure 57 + %\check +\barre\notes\hup C&\zq{^L}\zql N\itenu1c\zhup c|\zqu j\ibbl0g0\qb0{j^e^d}\tqb0e\enotes +\temps\notes&\zq M\ql a|\zqu j\ibbl0h0\qb0{jfe}\tqb0f\enotes +\temps\notes&\zq N\ql b|\zqu j\ibbl0h0\qb0{jgf}\tqb0g\enotes + % mesure 58 + %\check +\barre\notes\qu D&\tten1\itenl1M\itenu2c\zq M\zq a\ql c|\zqu j\sqqBB jhgh\enotes +\temps\notes\qu F&\tten1\tten2\zq M\zq{^a}\ql c|\zqu m\sqqBB m{^h}gh\enotes +\temps\notes\qu G&\zq N\zq b\ql d|\zqu m\sqqBB mihi\enotes + % mesure 59 + %\check +\barre\notes\qu {^H}&\zq{^a}\zq c\itenu1f\ql f|\zqu m\sqqBB mjij\enotes +\temps\notes\qu I&\zh b\zh d\tten1\hl f|\zqu m\sqqBB mkjk\enotes +\temps\notes\qu {=H}&|\zqu i\sqqbb ijkm\enotes + % mesure 60 + %\check +\barre\notes\qu G&\zql N\zhp c\hup{^e}|\zqu n\sqqBB n{^l}kl\enotes +\temps\notes\hu I&\hl b|\zqu j\sqqbb jlkl\enotes +\temps\notes&|\zqu n\sqqBB nlkl\enotes + % mesure 61 + %\check +\barre\notes\hup H&\zhp {ac}\hlp f|\zqu j\sqqBB jm{^l}m\enotes +\temps\notes&|\zqu o\sqqbb omlm\enotes +\temps\notes&|\zqu j\sqqBB jmlm\enotes + % mesure 62 + %\check +\barre\notes\qu I&\itenu1g\zq b\zql d\hup g|\zqu p\sqqBB pnmn\enotes +\temps\notes\qu J&\zq{c}\ql {^e}|\zqu {^l}\sqqbb lnmn\enotes +\temps\notes\qu K&\zq{b}\ql d|\zqu p\sqqBB pnmn\enotes + % mesure 63 + %\check +\barre\notes\qu J&\tten1\itenu1c\zq{c^e}\ql g|\sqqbb {^l}nmn\enotes +\temps\notes\qu H&\tten1\zq{ac}\itenu1f\ql f|\sqqbb opno\enotes +\temps\notes\qu I&\tten1\zq{bd}\ql f|\sqqbb monm\enotes + % mesure 64 + %\check +\barre\notes\itenl3J\hup J&\sqqhh JK{^L}M|\itenu2q\zh{^ln}\hl q\enotes +\temps\notes&\sqqbb NabN\enotes +\temps\notes&\sqqbb abNa|\tten2\itenu1m\itenu2o\zq{mo}\ql q\enotes + % mesure 65 + %\check +\barre\notes\tten3\itenl3J\hup J&\sqqbb MaNM|\tten1\tten2\zq{jm}\ql o\enotes +\temps\notes&\sqqbb {^L}cbc|\itenu1q\zh{^ln}\hl q\enotes +\temps\notes&\sqqbb Lcbc\enotes + % mesure 66 + %\check +\barre\notes\tten3\itenl3J\hup J&\sqqbb Mcac|\tten1\itenu1q\zh m\zhl o\hup q\enotes +\temps\notes&\sqqbb Mcac\enotes +\temps\notes&\sqqbb Ncbc|\itenu4n\itenu2p\zq n\ql p\enotes + % mesure 67 + %\check +\barre\notes\tten3\hup J&\sqqbb Ncbc|\tten4\tten2\roff{\tten1\zhup q}\zq p\ql n\enotes +\temps\notes&\sqqbb af{^e}f|\itenu1m\zh m\hl o\enotes +\temps\notes&\sqqbb afef\enotes + % mesure 68 + %\check +\barre\notes\qu I&\sqqbb df{=e}d|\tten1\itenl1m\zhlp m\zq p\qu r\enotes +\temps\notes\hu J&\sqqbb cfac|\itenu2o\itenu3q\zh o\hu q\enotes +\temps\notes&\sqqbb MaNM\enotes + % mesure 69 + %\check +\barre\notes\qu H&\sqqbb JMac|\tten3\tten1\tten2\itenu1m\zq m\zq o\ql q\enotes +\temps\notes\qu I&\sqqbb dcba|\tten1\itenu1p\zq m\zq p\ql r\enotes +\temps\notes\qu L&\sqqbb NabN|\tten1\zq l\zq n\ql p\enotes + % mesure 70 + %\check +\barre\notes\hu H&\itenl1a\zh c\zhu e\hlp a|\sqqbb opqr\enotes +\temps\notes&|\sqqbb srsq\enotes +\temps\notes\qu K&\zq d\ql{_f}|\sqqbb {_t}str\enotes + % mesure 71 + %\check +\barre\notes\qu H&\tten1\zhl a\zq c\qu e|\sqqbb srqs\enotes +\temps\notes\qu I&\zq d\qu{_f}|\sqqbb r{_q}po\enotes +\temps\notes\qu E&\zq N\zq b\ql e|\sqqbb nopn\enotes + \generalsignature{0}\relax +% mesure 72 +\changecontext\notes\itenl2H\hup H&\sqqbb abcd|\itenl1o\zhlp o\zh q\hu s\enotes +\temps\notes&\sqqbb ecba\enotes +\temps\notes&\sqqbb hfed|\zq r\qu t\enotes + %\check + %mesure 73 +\barre\notes\tten2\itenl2H\hup H&\sqqbb efdf|\tten1\itenl1o\zhlp o\zh q\hu s\enotes +\temps\notes&\sqqbb ecba\enotes +\temps\notes&\sqqbb hfed|\zq r\qu t\enotes + %\check + %mesure 74 +\barre\notes\tten2\hu H&\sqqbb efde|\tten1\zh o\zh q\zhl s\enotes +\temps\notes&\sqqbb cdbc\enotes +\temps\notes\qu F&\sqqbb acba|\zq m\zq p\ql r\enotes + %\check + %mesure 75 +\barre\notes\hu E&\zh{^N}\zhl b\hup e|\sqqbb l{^m}{^n}o\enotes +\temps\notes&|\sqqbb pqrp\enotes +\temps\notes\qu H&\itenu1a\itenu2c\zq a\ql c|\sqqbb qrpq\enotes + %\check + %mesure 76 +\barre\notes\qu F&\tten1\tten2\zq M\zq a\ql c|\sqqbb oqpo\enotes +\temps\notes\hu E&\itenu1e\zq{^N}\zq b\ql e|\sqqbb {^n}opn\enotes +\temps\notes&\tten1\zq a\zq c\ql e|\sqqbb l{=m}{=n}l\enotes + %\check + %mesure 77 +\barre\notes\hup F&\itenl1M\itenu2d\zq M\zq a\ql d|\sqqbb mlkj\enotes +\temps\notes&\tten1\tten2\itenu1b\itenu2d\zq M\zq b\ql d|\sqqbb ijki\enotes +\temps\notes&\tten1\tten2\zq{Nb}\ql d|\sqqbb ghig\enotes + %\check + %mesure 78 +\barre\notes\hu J&\advance\transpose 7\sqqbb JKLM|\advance\transpose 7\sqqbb cdef\enotes +\temps\notes&\advance\transpose 7\sqqbb NLKJ|\advance\transpose 7\sqqbb gedc\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 79 +\barre\notes\hu J&\advance\transpose 7\sqqbb LMKM|\advance\transpose 7\sqqbb ghfh\enotes +\temps\notes&\advance\transpose 7\sqqbb LJIH|\advance\transpose 7\sqqbb gedc\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb aMLK|\advance\transpose 7\sqqbb jhgf\enotes + %\check + % mesure 80 +\barre\notes\qu J&\advance\transpose 7\sqqbb LMKL|\advance\transpose 7\sqqbb ghfg\enotes +\temps\notes\qu H&\advance\transpose 7\sqqbb JKIJ|\advance\transpose 7\sqqbb efde\enotes +\temps\notes\qu F&\advance\transpose 7\sqqbb HJIH|\advance\transpose 7\sqqbb cedc\enotes + %\check + % mesure 81 +\barre\notes\hu G&\sqqbb Nabc|\itenl1i\zhlp i\zq k\qu n\enotes +\temps\notes&\sqqbb dbaN|\zq k\qu m\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 82 +\barre\notes\hu G&\sqqbb bcdb|\tten1\itenl1g\zhlp g\zh{i}\hu k\enotes +\temps\notes&\sqqbb NabN|\enotes +\temps\notes\qu J&\sqqbb edec|\zq j\qu l\enotes + %\check + % mesure 83 +\barre\notes\qu I&\sqqbb decd|\tten1\itenu1k\zq{gi}\qu k\enotes +\temps\notes\qu K&\sqqbb bcab|\tten1\itenu1k\zq{hk}\qu m\enotes +\temps\notes\qu G&\rlap{\sk\sk\sk\itenu0N}\sqqbb NabN|\tten1\zq{ik}\qu n\enotes + %\check + % mesure 84 +\barre\notes\hu J&\itenu1c\tten0\zh{Nc}\hl e|\sqqbb jklm\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 85 +\barre\notes\hu J&\tten1\itenu1c\zh{Nc}\hl e|\sqqbb nomo\enotes +\temps\notes&|\sqqbb nlkj\enotes +\temps\notes\qu H&\tten1\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 86 +\barre\notes\qu G&\itenl1N\zh N\zhl b\qu d|\sqqbb nomn\enotes +\temps\notes\qu I&\qu f|\sqqhh lmkl\enotes +\temps\notes\qu J&\tten1\zq N\zq{_b}\ql e|\sqqhh jlkj\enotes + %\check + % mesure 87 +\barre\notes\hu F&\sqqbb MNa{_b}|\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu {_I}&\sqqbb fdcb|\zq{_i}\ql k\enotes + %\check + % mesure 88 +\barre\notes\hu F&\sqqbb cd{_b}d|\tten1\itenu1m\zh h\zhl j\hup m\enotes +\temps\notes&\sqqbb caNM\enotes +\temps\notes\qu {_I}&\sqqbb fdcb|\zq {_i}\ql k\enotes + %\check + % mesure 89 +\barre\notes\qu H&\sqqbb cdbc|\tten 1\zq h\zq j\ql m\enotes +\temps\notes\qu J&\sqqbb a{_b}Na|\zq g\zq{_i}\ql l\enotes +\temps\notes\qu F&\sqqbb MNab|\zq h\zq j\ql m\enotes + %\check + % mesure 90 +\barre\notes\hu J&\zh N\zhl e\roff{\qu c}|\sqqbb jklm\enotes +\temps\notes&\qu {_b}|\sqqbb nlkj\enotes +\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 91 +\barre\notes\hu J&\zh N\zhl e\roff{\tten1\qu c}|\sqqbb nomo\enotes +\temps\notes&\qu {_b}|\sqqbb nlkj\enotes +\temps\notes\qu H&\itenu1c\zq{ac}\ql f|\sqqbb qonm\enotes + %\check + % mesure 92 +\barre\notes\qu G&\tten1\itenl1N\zql N\zq c\qu e|\sqqbb nomn\enotes +\temps\notes\qu I&\tten1\zq N\zq {=b}\qu f|\sqqbb lmkl\enotes +\temps\notes\qu J&\zq{_b}\rq c\qu e|\sqqbb jklj\enotes + %\check + % mesure 93 +\barre\notes\hu H&\sqqbb MNa{_b}|\itenl1h\zhp{hj}\hlp m\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {_e}caN|\enotes + %\check + % mesure 94 +\barre\notes\hu K&\sqqbb {^M}Na{_b}|\tten1\itenl1h\itenu2m\zh{hk}\hl{^m}\enotes +\temps\notes&\sqqbb cbca\enotes +\temps\notes\qu J&\sqqbb {^f}{_e}dc|\tten1\tten2\zq{hj}\ql m\enotes + %\check + % mesure 95 +\barre\notes\qu {_I}&\sqqbb {_b}cdb|\itenl1i\itenu2n\zq{ik}\ql n\enotes +\temps\notes\qu {_L}&\sqqbb g{_e}dc|\tten1\tten2\zq{i_l}\ql n\enotes +\temps\notes\qu K&\sqqbb d{=e}{^f}d|\zq{hj}\ql{^m}\enotes + %\check + % mesure 96 +\barre\notes\qu {_I}&\sqqbb g{_e}dc|\zq{_ik}\zqu n\enotes +\temps\notes\qu H&\sqqbb dc{_b}a|\zq{hj}\zqu{^m}\enotes +\temps\notes\qu G&\rlap{\sk\sk\sk\itenl1N}\sqqbb Na{=b}N|\zq{=ik}\zqu{=m}\enotes + %\check + % mesure 97 + \barre\notes\hu J&\tten1\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb jk{_l}m\enotes + \temps\notes&|\sqqbb nlkj\enotes + \temps\notes\qu{_H}&\ql {^M}|\sqqbb q{_o}n{^m}\enotes + %\check + % mesure 98 + \barre\notes\hu J&\tten1\tten2\itenu1c\itenu2e\zhl N\zhp c\hup{_e}|\sqqbb n{_o}{=m}o\enotes + \temps\notes&|\sqqbb n{_l}kj\enotes + \temps\notes\qu{_H}&\ql {=M}|\sqqbb qonm\enotes + %\check + % mesure 99 + \barre\notes\qu G&\tten1\tten2\zhl N\zq c\qu{_e}|\sqqbb n{_o}mo\enotes + \temps\notes\qu I&\zq b\qu d|\sqqbb nm{_l}k\enotes + \temps\notes\qu J&\zq c\qu {=e}|\sqqbb jk{=l}j\enotes + %\check + % mesure 100 + \barre +\znotes&|\Sh m\enotes + \nspace + \notes\hu K&\sqqbb acbc|\ust m\lh l\zh{h}\hl{m}\enotes + \temps\notes&\sqqbb acbc\enotes + \temps\notes\qu H&\sqqbb acbc|\uppz m\lq l\zq h\ql{m}\enotes + %\check + % mesure 101 + \barre\znotes&|\lFl l\Sh m\enotes + \nspace + \notes\hu {^F}&\sqqbb {^M}aNa|\ust q\lh l\zh{jm}\hl q\enotes + \temps\notes&\sqqbb MaNa\enotes + \temps\notes\qu J&\sqqbb MaNa|\uppz q\lq l\zq{jm}\ql q\enotes + %\check + % mesure 102 + \barre\notes\hu G&\sqqbb N{_e}ce|\uppz u\zq{nq_s}\ql u\enotes + \temps\notes&\sqqbb Nece|\uppz s\zq{_lnq}\ql s\enotes + \temps\notes\qu {_I}&\sqqbb Nd{_b}d|\uppz r\zq{kn_p}\ql r\enotes + %\check + % mesure 103 + \barre\nspace + \notes\hu H&\sqqbb ae{^c}e|\lSh j\zh{j=ln}\hl {^q}\enotes + \temps\notes&\sqqbb aece\enotes + \temps\notes\qu {^J}&\sqqbb aece|\uppz q\zq{jln}\ql q\enotes + %\check + % mesure 104 + \barre\notes\hu {_I}&\sqqbb {_b}fdf|\uppz r\zq{km_p}\ql r\enotes + \temps\notes&\sqqbb bfdf|\uppz t\zq{mpr}\ql t\enotes + \temps\notes\qu G&\sqqbb Nf{=b}f|\cNa i\uppz p\zq{ikn}\ql {=p}\enotes + %\check + % mesure 105 + \barre\nspace + \NOTEs\hu{_H}&\itenu1a\itenu3f\zh{_ac}\hl f|\itenu2q\zhl j\zh{m_o}\hu q\enotes + \temps\NOtes\qu F&\tten1\tten3\zq{ad}\ql f|\zql k\enotes + %\check + % mesure 106 + \barre\NOTEs\hup C&\zhp{Nce}\hlp g|\tten2\zhp{jln}\hlp q\enotes + \mulooseness -4\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex new file mode 100644 index 00000000000..d44cb7558ed --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fantfuga.tex @@ -0,0 +1,18 @@ +\input musixtex +\input musixcpt +\input musixsty +% +\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax +\nbporteesii=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\signaturegenerale{0}\savesignature +\resetfacteurs +\computewidths}% +% +\misazero +\input fantcmol.tex +\misazero +\input fugcmoll.tex +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex new file mode 100644 index 00000000000..922cfac945b --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugcmoll.tex @@ -0,0 +1,517 @@ +\fullauthor{Daniel TAUPIN} +\shortauthor{D. Taupin} +\fulltitle{{\frtbf Fugue}} +\shorttitle{Fugue en style baroque} +\subtitle{} +\othermention{} +\maketitle + + % if transpose not defined outside assume 0 and three flats +\ifx\ftranspose\undefined\def\ftranspose{0}\fi +\ifx\fsignature\undefined\def\fsignature{-3}\fi + + % + % formes fr\'equentes + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins deux doubles croches basses et hautes +\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + %au moins trois doubles croches basses et hautes +\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% +\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% +\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% + %au moins quatre croches basses et hautes +\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% + %au moins quatre doubles croches basses et hautes +\def\qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% +\def\Qqbb#1#2#3#4{\varaccid\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sQqbb#1#2#3#4{{\varaccid\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% +\def\qqBB#1#2#3#4{\varaccid\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% +\def\sqqBB#1#2#3#4{{\varaccid\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% +\def\qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% +\def\Qqhh#1#2#3#4{\varaccid\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% +\def\qqHH#1#2#3#4{\varaccid\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% +\def\sqqHH#1#2#3#4{{\varaccid\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% + % +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={6000}% +\global\cleftoksi={6000}% + % +\generalsignature{\fsignature}\relax % r\'e mineur +\transpose=\ftranspose\relax + %\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% + %\check +\medskip\noindent{\rm G.O.: mixtures {\sl ad libitum.}}% +\par\noindent{\rm Pos.: mixtures, acc. G.O.}% +\par\noindent{\rm P\'ed.: fonds 16', tirasses G.O. \& pos.}% +\smallskip +\generalmeter{\meterfrac 32} +\staffbotmarg=10pt +\stafftopmarg=0pt +\interstaff{10} +\debutmorceau +\relativeaccidentals +\varaccid +\nspace + \Notes\wh G\sk\sk\hu C&\sk\pause\sk\soupir\ql c|\Uptext{\hbox{\kern +-8mm\moyen Andante + \bf(\metron{\qu}{65})}}\sk\sk\pausep\enotes + %\check + % mesure 2 +\barre\Notes&\zhl L\qu N\hu e\hl M\enotes +\temps\notes\pause&\dqh dc\enotes +\temps\Notes&\zhl K\qu {^b}\enotes +\temps\notes&\dqh cd\enotes + %\check + % mesure 3 +\barre\Notes&\zhl L\qu N\hu c\enotes +\temps\Notes\sk\pause&\hl {^L}\qu b\zhl M\qu a\enotes +\temps\notes&\dqh Na\enotes + %\check + % mesure 4 +\barre\Notes\sk\sk\sk\pause&\zql {=L}\qu N\zql K\qu M\zql J\qu L\zql H\qu M\enotes % +\temps\Notes&\zhl G\qu N\enotes +\temps\notes&\dqh ML\enotes + %\check + % mesure 5 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\sk\pause&\zhl{^I}\roff{\Pince c}\hu K\enotes +\temps\Notes&\zql J\qu J\soupir|\sk\qu g\enotes + %\check + % mesure 6 + \generalmeter{\meterfrac 32}% +\changecontext\Notes&\hl b\sk\hl{^M}|\roff{\zw d}\qu d\hu i\enotes +\temps\notes\pause&|\dqh hg\enotes +\temps\Notes&\hl K|\zhl c\qu{^f}\enotes +\temps\notes&|\dqh gh\enotes + %\check + % mesure 7 +\barre\Notes\sk\sk\sk\pause&\zhl I\hu b\sk\zhl{^I}\itenu1N\wh N\sk\ql J|\qu d\hu g\sk\qu f\qu e\enotes +\temps\notes&\dqb {=I}J|\dqh de\enotes + %\check + % mesure 8 +\barre\Notes\sk\sk\sk\pause&\tten1\zqu N\ql I\zqu {^M}\ql H\zqu N\ql G\zqu {^a}\ql L\zqu b\ql K|\qu {dcbcd}\enotes +\temps\notes&\rlap{\dqb LJ}\dqh aN|\dqh cb\enotes + %\check + % mesure 9 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\sk\pause&\zhl K\hu{^M}|\roff{\Pince L}\hu a\enotes +\temps\Notes&\zql N\qu N\soupir|\qu N\qu g\enotes + %\check + % mesure 10 +\barre\Notes\sk\sk\pause&\hl L\sk\hl{^I}|\roff{\zhl c}\qu c\hu h\hl d\enotes +\temps\notes&|\dqh gf\enotes + %\check + % mesure 11 +\barre\Notes&\hl{=I}|\zhl c\qu{^e}\enotes +\temps\notes\sk\pause&|\dqh fg\enotes +\temps\Notes&\zhu M\hl H\sk|\qu c\qu j\enotes + %\check + % mesure 12 + \generalmeter{\meterfrac 32}% +\changecontext\Notes&\zhu N\hl I\sk\hl J|\qu f\hu{_k}\hl{^e}\enotes +\temps\notes\pause&|\dqh ji\enotes +\temps\Notes&\hl {_K}|\zhl f\qu h\enotes +\temps\notes&|\dqh ij\enotes + %\check + % mesure 13 +\barre\Notes&\hl J|\zhl{=b}\qu {^e}\enotes +\temps\notes&|\dqh fg\enotes +\temps\Notes\pause&\hl I|\zhl a\qu c\enotes +\temps\notes&|\dqh de\enotes +\temps\Notes&\itenu1M\zhu M\hl{^H}\sk|\qu f\qu m\enotes + %\check + % mesure 14 +\barre\Notes&\tten1\zhu M\hl G|\qu {^i}\hu o\enotes +\temps\Notes&\zw N\hl{^I}|\enotes +\temps\notes\pause&|\dqh nm\enotes +\temps\Notes&\hl {^H}|\qu l\enotes +\temps\notes&|\dqh kj\enotes + %\check + % mesure 15 +\barre\Notes\sk\sk\pause&\zqu a\ql K\zqu c\ql L\hl N|\qu m\qu l\zql g\hu k\ql f\enotes +\temps\Notes\soupir\qu J&\ql c\soupir|\zql e\qu j\soupir\enotes + %\check + % mesure 16 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\qu G\hu L\sk&\sk\pause|\sk\pause\enotes +\temps\notes\dqh KL&|\enotes + %\check + % mesure 17 +\barre\Notes\qu M\qu K&|\sk\hpause\enotes +\temps\Notes\hu L&\pause|\soupir\qu h\enotes + %\check + % mesure 18 +\barre\Notes\hu K\sk\hu J&\sk\sk\pause|\qu f\hu j\enotes +\temps\notes&|\dqh{^i}j\enotes + %\check + % mesure 19 +\barre\Notes\hu {^I}\sk&\sk\hpause|\qu k\qu{^i}\enotes +\temps\Notes\hu J&\sk\qu N|\itenu1j\hu j\enotes + %\check + % mesure 20 +\barre\Notes\hu H&\qu L\hu c|\tten1\wh j\enotes +\temps\Notes\hu {_K}&\enotes +\temps\notes&\dqh{=b}c\enotes + %\check + % mesure 21 +\barre\Notes\hu I&\qu {_d}\qu b|\hu g\enotes +\temps\Notes\qu H\qu M&\itenu1c\hu c|\soupir\qu h\enotes + %\check + % mesure 22 +\barre\Notes\qu J\hl a&\tten1\wh c|\qu m\qu{^l}|\enotes +\temps\Notes\sk&|\qu m\enotes +\temps\notes\dqb Na&|\dqh lk\enotes + %\check + % mesure 23 +\barre\Notes\ql N&\ql b|\hu j\enotes +\temps\Notes\ql M&\ql a\enotes +\temps\Notes\ql {^L}&\ql N|\zhl i\hu{^l}\enotes +\temps\notes\dqb KJ&\dqb ab\enotes + %\check + % mesure 24 +\barre\Notes\ql M&\ql c|\zql h\qu m\enotes +\temps\Notes\ql J&\ql b|\zql i\qu {^l}\enotes +\temps\Notes\hu F&\ql a\soupir|\zql j\qu m\zql f\raise 2\Interligne\soupir\enotes + %\check + % mesure 25 +\barre\Notes\hu H&|\ql c\hl h\enotes +\temps\Notes\hu I&\pause|\sk\enotes +\temps\notes&|\dqb gh\enotes + %\check + % mesure 26 +\barre\Notes\hu {_K}&|\ql i\zql g\raise4\internote\hpause\enotes +\temps\Notes\hu J&\hpause|\hl h\qu j\enotes + %\check + % mesure 27 +\barre\Notes\hu H&\wh c|\qu m\hu {^l}\enotes +\temps\Notes\hu I&|\sk\enotes +\temps\notes&|\dqh kl\enotes + %\check + % mesure 28 +\barre\Notes\hu {^I}&\zhl a\hu d|\qu m\qu k\enotes +\temps\Notes\hu{=I}&\zhl N\itenu1c\hu c|\qu {^l}\enotes +\temps\notes&|\dqh kj\enotes + %\check + % mesure 29 +\barre\Notes\hu{H}&\tten1\zhl M\wh c|\qu m\enotes +\temps\notes&|\bigNa l\dqh l{_k}\enotes +\temps\notes\hu G&\hu{^e}|\dqh ji\enotes +\temps\notes&|\dqh hg\enotes + %\check + % mesure 30 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu F&\zhl M\hu d|\qu h\enotes +\temps\notes&|\dqh gf\enotes +\temps\Notes\hu{^E}&\zhl N\hu c|\qu {j^e}\enotes +\temps\Notes\hu F&\zql M\hu a|\hu f\enotes +\temps\Notes&\qu M|\sk\enotes + %\check + % mesure 31 +\barre\Notes\hu K&\qu a\hu{^I}\enotes +\temps\Notes\hu G&\enotes +\temps\notes&\dqh JK|\pause\enotes +\temps\Notes\qu {LK}&\qu N\qu M\enotes + %\check + %mseure 32 +\barre\Notes\hu J&\qu L\enotes +\temps\notes&\dqh KL\enotes +\temps\notes\hu H&\dqh ML|\pause\enotes +\temps\notes&\dqh KJ\enotes +\temps\Notes\hu G&\qu N\soupir|\soupir\qu g\enotes + %\check + % mesure 33 +\barre\Notes\hu H&\hu M|\qu c\hu h\enotes +\temps\Notes\hu {^I}&\zhl K\hu{^b}\enotes +\temps\notes&|\dqh gf\enotes +\temps\Notes\hu J&\zhl L\hu c|\qu e\enotes +\temps\notes&|\dqh dc\enotes + %\check + % mesure 34 + \generalmeter{\meterfrac 22}% +\changecontext\notes\hu G&\zhl K\hu{^b}|\dqh gf\enotes +\temps\notes&|\dqh ed\enotes +\temps\Notes\hu J&\zql L\qu N\soupir|\qu c\qu j\enotes + %\check + % mesure 35 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu {^H}&\zql M\hu c\ql {^a}|\qu l\hu{^f}\enotes +\temps\Notes\hu K&\zw{^M}\hu d|\enotes +\temps\notes&|\dqh kj\enotes +\temps\notes\hu{^F}&\hu c|\dqh kj\enotes +\temps\notes&|\dqh ih\enotes + %\check + % mesure 36 +\barre\Notes\hu G&\zhl b\hu d|\qu g\enotes +\temps\notes&|\dqh {^h}i\enotes +\temps\Notes\hu {^H}&\zhl L\itenu0c\hu c|\qu j\enotes +\temps\Notes&|\qu e\enotes +\temps\Notes\hu K&\zhl{^M}\tten0\qu c|\qu d\enotes +\temps\notes&\qu a|\dqh {^e}{^f}\enotes + %\check + % mesure 37 +\barre\Notes\hu G&\zql N\hu b\ql L|\hu g\enotes +\temps\notes\qu {^H}&\zql K\qu{^M}|\dqh ji\enotes +\temps\notes\qu K&\zql M\qu c|\dqh {^h}g\enotes +\temps\Notes\hu G&\zqu{^b}\ql N|\qu g\enotes +\temps\notes&\soupir|\dqh g{^h}\enotes + %\check + % mesure 38 + \generalmeter{\meterfrac 22}% +\changecontext\notes\hu K&\zhl{^b}\hu f|\dqh {^i}j\dqh kl\enotes +\temps\Notes\hu{^I}&\cNa a\zhl a\hu d|\qu m\enotes +\temps\notes&|\dqh fg\enotes + %\check + % mesure 39 +\barre\notes\hu G&\itenl1N\zhl N\qu f\sk\qu d|\dqh {^h}{^i}\dqh jk\enotes +\temps\Notes\itenl0J\hu J&\tten1\zql N\qu e|\itenu1l\ql l\enotes +\temps\notes&\dqh LK\enotes + %\check + % mesure 40 +\barre\notes\tten0\hu J&\dqh LM\dqh Na|\itenl0g\zhl g\tten1\hu l\enotes +\temps\Notes\hu F&\qu a|\tten0\itenl0g\zhl g\hu k\enotes +\temps\notes&\dqh NM\enotes + %\check + % mesure 41 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu G&\qu L|\tten0\zhl g\hu j\enotes +\temps\notes&\dqh KJ\enotes +\temps\notes\hu{^I}&\dqh NM|\zhl f\hu{^i}\enotes +\temps\notes&\dqh LK\enotes +\temps\Notes\hu H&\qu {^J}|\zql g\qu{^j}\enotes +\temps\Notes&\soupir|\qu h\enotes + %\check + % mesure 42 +\barre\Notes\hl K&|\qu f\enotes +\temps\Notes\sk\hl{^L}&|\hu k\sk\enotes +\temps\notes&\pause|\dqh{^j}{^i}\enotes +\temps\Notes\hu{^H}&|\qu j\enotes +\temps\notes&|\dqh k{^l}\enotes + %\check + % mesure 43 +\barre\Notes\hu F&|\qu h\enotes +\temps\Notes\sk\hu I&|\hu k\sk\enotes +\temps\Notes&\pause|\qu j\enotes +\temps\Notes\hu J&|\qu {=i}\enotes +\temps\notes&|\dqh hi\enotes + %\check + % mesure 44 +\barre\Notes\qu{^J}&|\qu {^h}\enotes +\temps\Notes\cNa I\qu I&|\qu g\enotes +\temps\Notes\qu H&|\qu f\enotes +\temps\Notes\qu G&\pause|\qu g\enotes +\temps\Notes\qu F&|\qu {^h}\enotes +\temps\notes\qu G&|\dqh gf\enotes + %\check + % mesure 45 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\hu {^H}&|\roff{\Pince l}\hu {^e}\enotes +\temps\Notes&\hpause|\sk\enotes +\temps\Notes\hu D&\soupir|\hu d\enotes +\temps\Notes&\ql{^a}|\sk\enotes + %\check + % mesure 46 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu I&\ql M\hl d|\zhl{^h}\hu k\enotes +\temps\Notes\hu {^H}&|\zhl g\hu{^l}\enotes +\temps\notes&\dqb{^c}{^b}\enotes +\temps\Notes\hu{^J}&\ql c|\zhl l\hu n\enotes +\temps\notes&\dqb d{^e}\enotes + %\check + % mesure 47 + \barre\Notes\hu K&\ql f|\zhl h\hu m\enotes + \temps\notes&\dqb{^e}d\enotes + \temps\notes\hu{^H}&\ql e\sk\ql{^c}|\itenl0j\zhl{^j}\dqh {^o}n\dqh m{^l}\enotes + \temps\Notes\hu F&\ql {^a}\soupir|\roff{\tten0\zql j}\qu k\ql k\enotes + %\check + % mesure 48 + \barre\Notes\hu G&\qu K|\ql p\enotes + \temps\notes&\dqh{^L}M|\hl n\enotes + \temps\Notes\hu J&\qu L|\enotes + \temps\notes\sk\sk\hu I&\dqh KJ\hu{^L}|\dqb m{^l}\dqb qp\dqb {=o}n\enotes + %\check + % mesure 49 + \barre\Notes\hu H&\ql M|\ql o\enotes + \temps\notes&\dqb Na|\dqb nm\enotes + \temps\Notes\hu I\sk\hu J&\hl N\sk\ql{^L}|\ql {_r}\hl {^l}\sk\enotes + \temps\notes&\dqb Nb|\dqb mn\enotes + %\check + % mesure 50 + \barre\notes\hu H&\dqb aN\dqb M{=L}|\ql j\sk\ql m\enotes + \temps\notes\qu G\sk\qu J&\hl{^L}|\dqb po\dqb nm\enotes + \temps\Notes\hu F&\ql a\soupir|\ql m\qu m\enotes + %\check + % mesure 51 + \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes + \temps\Notes\sk&|\hu o\enotes + \temps\Notes\hu I&\tten1\itenl1b\zhl b\zhu f|\hl{_k}\enotes + \temps\notes\sk&|\dqh nm\enotes + \temps\Notes\hu J&\tten1\zhl b\hu{^e}|\zhl j\qu{^l}\enotes + \temps\notes\sk&|\dqh mn\enotes + %\check + % mesure 52 + \barre\Notes\hu H&\zhl a\itenu1f\hu f|\zhl h\qu j\enotes + \temps\Notes\sk&|\hu m\enotes + \temps\Notes\hu{^H}&\zhl{^a}\tten1\itenu1f\hu f|\hl j\enotes + \temps\Notes\sk&|\qu{=l}\enotes + \temps\Notes\hu I&\tten1\zhl b\hu f|\zhl i\qu{_k}\enotes + \temps\notes\sk&|\dqh jk\enotes + %\check + % mesure 53 + \barre\Notes\qu J&\zhl b\hu{^e}|\loff{\zqu j}\hl i\enotes + \temps\Notes\qu I&|\qu{^l}\enotes + \temps\Notes\qu H&\zql c\hu f|\zhl h\qu m\enotes + \temps\notes\qu I&\ql{_d}|\dqh {=l}{_k}\enotes + \temps\Notes\qu J&\zql c\hu{^e}|\zhl g\qu j\enotes + \temps\Notes\qu I&\ql N|\qu {^l}\enotes + %\check + % mesure 54 + \barre\Notes\hu H&\zhl a\itenu0f\hu f|\zhl j\qu m\enotes + \temps\Notes\sk&|\qu {=l}\enotes + \temps\Notes\hu G&\zhl{^b}\tten0\hu f|\zhl {^i}\qu{=k}\enotes + \temps\notes\sk&|\dqh jk\enotes + \temps\Notes\hu J&\zhl N\hu{=e}|\zhl g\qu l\enotes + \temps\notes\sk&|\dqh kj\enotes + %\check + % mesure 55 + \generalmeter{\meterfrac 22}% + \changecontext\notes\hu G&\zql{^b}\hu f|\zhl{^i}\dqh lk\enotes + \temps\notes\sk&\rlap{\sk\itenu1N}\dqb aN|\dqh j{^i}\enotes + \temps\Notes\qu J&\tten1\zql N\qu e|\zhl g\qu j\enotes + \temps\Notes\soupir&\itenu1c\zqu c\raise -\Interligne\soupir|\qu l\enotes + %\check + % mesure 56 + \generalmeter{\meterfrac 32}% +\changecontext\Notes\hu G\sk\hu H&\tten1\zhl L\qu c\hu e\hl M|\zhl g\qu j\hu n\hl h\enotes +\temps\notes&\dqh dc|\dqh ml\enotes +\temps\Notes\hu F&\zhl K\qu {^b}|\zhl h\qu k\enotes +\temps\notes&\dqh cd|\dqh lm\enotes + %\check + % mesure 57 +\barre\Notes\hu E&\zhl L\qu N\hu c|\itenl0j\zwh j\qu l\hu o\enotes +\temps\Notes\hu J\sk\hu H&\hl {^L}\qu b\zhl M\qu a|\sk\qu n\tten0\zhl j\qu m\enotes +\temps\notes&\rlap{\sk\itenu0c}\dqh bc|\dqh no\enotes + %\check + % mesure 58 +\barre\Notes\hu G\sk \qu J\qu H&\zql N\tten0\qu c\zql M\qu {^b}\zql L\qu N\zql a\qu +d|\zql l\qu n\zql k\qu m\zql j\qu l\zql h\qu m\enotes % +\temps\Notes\itenl2G\hu G&\zql N\qu e|\zql j\qu n\enotes +\temps\notes&\rlap{\dqb aN}\dqh dc|\rlap{\dqb hg}\dqh ml\enotes + %\check + % mesure 59 + \generalmeter{\meterfrac 22}% +\changecontext\Notes\tten2\hu G&\zql a\hu d\itenl1N\ql N|\zhl{^i}\roff{\Pince q}\hu k\enotes +\temps\Notes\qu J\qu J&\tten1\zql N\qu e\soupir|\zql g\qu j\soupir\enotes + %\check + % mesure 60 + \barre \temps\Notes\qu K&\zhl a\itenu1f\hu f|\zhl h\hu k\enotes + \temps\Notes\hu G\sk&\sk\itenl0N\zhl N\tten1\hu f|\sk\zhl {^i}\hu m\enotes + \temps\notes\dqh H{^I}&|\enotes + \temps\Notes\qu J&\tten0\zhl N\hu e|\zhl j\hu l\enotes + \temps\notes\dqh KL&|\enotes + %\check + % mesure 61 + \barre\Notes\ql M&\zhl a\hu f|\zhl k\hu m\enotes + \temps\notes\dqb Na&|\enotes + \temps\Notes\ql N&\zhl c\hu g|\zhl l\itenu1n\hu n\enotes + \temps\notes\dqb ML&|\enotes + \temps\Notes\ql K&\zhl {^b}\hu f|\zhl k\tten1\hu n\enotes + \temps\Notes\ql N&|\enotes + %\check + % mesure 62 + \setclef2{0000}\changeclefs + \barre\Notes\hl J&\zhl c\hu e|\zhl g\qu j\enotes + \temps\Notes\sk&|\hu l\enotes + \temps\Notes\hl L&\zhl e\hu g|\hl j\enotes + \temps\Notes\sk&|\qu n\enotes + \temps\Notes\hl M&\itenl0d\zhl d\hu h|\zql j\itenu1o\hu o\enotes + \temps\Notes\sk&|\ql k\enotes + %\check + % mesure 63 + \barre\Notes\hl N&\tten0\zhl d\hu f|\zhl{^i}\tten1\qu o\enotes + \temps\notes\sk&|\dqh nm\enotes + \temps\Notes\hl J&\zhl e\qu h|\zw j\hu l\enotes + \temps\Notes\sk&\qu g|\enotes + \temps\Notes\hl L&\zhl c\qu e|\hu m\enotes + \temps\Notes\sk&\itenu1h\qu h|\enotes + %\check + % mesure 64 + \barre\Notes\hl{^I}&\tten1\zhl d\qu h|\zhl k\hu n\enotes + \temps\notes\sk&\dqh gf|\enotes + \temps\Notes\hl J&\zhl c\qu e|\zhl l\hu o\enotes + \temps\Notes\sk&\hu j|\enotes + \temps\Notes\hl{^L}&\hl g|\zhl k\hu n\enotes + \temps\Notes\sk&\qu i|\enotes + %\check + % mesure 65 + \barre\Notes\hl M&\zql h\itenu1j\hu j|\itenl2l\zhl l\hu o\enotes + \temps\notes\sk&\dqb gf|\enotes + \temps\Notes\hl{=L}&\tten1\zql g\qu j|\tten2\zql l\hu q\enotes + \temps\Notes\sk&\itenl1f\ql f|\ql o\enotes + \temps\Notes\hl K&\roff{\tten1\zhl f}\qu g|\zql n\hu{^p}\enotes + \temps\Notes\sk&\qu h|\ql m\enotes + %\check + % mesure 66 + \barre\Notes\qu J&\zhl e\itenu1g\wh g|\zhl j\qu l\enotes + \temps\Notes\qu H&|\qu m\enotes + \temps\Notes\hu G&\hl d|\zhl{^i}\hu n\enotes + \temps\Notes\sk&|\enotes + \temps\Notes\hu C&\zql c\zq e\tten1\qu g|\soupir\enotes + \temps\Notes\sk&\soupir|\qu j\enotes + %\check + % mesure 67 + \barre\Notes\hu K&\zh{^b}\itenu1f\zhl f\bracket h{27}\hu h|\ql o\enotes + \temps\Notes\sk&|\hl {^i}\enotes + \temps\Notes\hu G&\tten1\zh a\itenl1d\zh d\hu f|\enotes + \temps\notes\sk&|\dqb jk\enotes + \temps\Notes\hu E&\roff{\itenu0c}\rh c\zh N\tten1\hu d|\ql g\enotes + \temps\notes\sk&|\dqb nm\enotes + %\check + % mesure 68 + \barre\Notes\hu G&\tten0\itenl1a\itenl2c\zh{ac}\hu e|\ql l\enotes + \temps\notes\sk&|\dqb mn\enotes + \temps\Notes\hu F&\tten1\tten2\zh{a}\zhl c\qu f|\ql o\enotes + \temps\notes\sk&\rlap{\sk\itenu2h}\dqh gh|\dqb nm\enotes + \temps\Notes\hu G&\tten2\zh{^b}\zhl f\qu h|\ql {^p}\enotes + \temps\notes\sk&\dqh gf|\dqb {^o}n\enotes + %\check + % mesure 69 + \barre\Notes\hu{^H}&\zh{ce}\hu g|\ql q\enotes + \temps\Notes\sk&|\ql n\enotes + \temps\notes\hu{=H}&\itenu1f\zh{^bf}\hu{=h}|\dqb ml\enotes + \temps\notes\sk&|\dqb kj\enotes + \temps\Notes\hu F&\tten1\zh{ad}\hu f|\ql o\enotes + \temps\notes\sk&|\dqb nm\enotes + %\check + \generalmeter{\meterfrac 22}% + % mesure 70 + \changecontext\notes\hu G&\itenu1c\itenu2e\zh{Nc}\hu e|\dqb lm\enotes + \temps\Notes\sk&|\hl n\enotes + \temps\Notes\hu J&\tten1\tten2\itenl0a\zh{ac}\hu e|\sk\enotes + \temps\notes\sk&|\dqb ml\enotes + %\check + % mesure 71 + \generalmeter{\meterfrac 32}% + \changecontext\Notes\qu G&\tten0\zh a\itenu2f\hu f|\ITrille 0p\zw{^i}\wh k\enotes + \temps\Notes\qu H&|\enotes + \temps\NOtes\wh G&\tten2\zw{^b}\wh f|\enotes + \temps\NOtes\sk&|\Ttrille 0\zhl j\hu j\enotes + %\check + % mesure 72 + \barre\NOTes\whp C&\zwp{Nc}\whp e|\whp j\enotes +\mulooseness 5\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex new file mode 100644 index 00000000000..d6065f3651e --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/fugue.tex @@ -0,0 +1,677 @@ +\parindent 18mm +% +\centerline{\moyen FUGUE}\bigskip +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{1}\relax % sol majeur +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\def\gluemaxskip{7pt}% +\medskip\noindent{\rm G.O.: mixtures, fonds 8'}% +\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}% +\smallskip +% +\generalmeter{\meterfrac 68}% +% +\debutmorceau +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\autolines {12}45\relax +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes +\advance\linesinpage by 1\relax +% +% formes frequentes +\def\ptsoupir{\pt 5\soupir}% soupir pointe +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% formes frequentes +% trois croches hautes +\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% +\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% +%\check +\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% +\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% +%\check +% +% formes frequentes +% trois croches hautes pizzicato +\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +% +\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +% +\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% +\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% +% +\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% +\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% +\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}% +% +\def\upzqb#1{\upz{#1}\qb0{#1}}% +\def\lpzqh#1{\lpz{#1}\qh0{#1}}% +% +\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% +\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% +\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% +\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% +\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% +% +% quatre doubles croches +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% croche pointee et 3 doubles croches +\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}% +\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}% +%\check +% croche et 4 doubles croches +\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}% +\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}% +% +\def\doubler{\multiply\noteskip by 2\relax}% +% +% mesure 1 +\Notes&|\pztql0iki\enotes +\temps\notes\pause&\pause|\cpdddl lkji\enotes +%\check +% mesure 2 +\barre\Notes&|\pztqU0hjh\enotes +\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes +%\check +% mesure 3 +\barre\Notes&|\pztqU0gig\enotes +\temps\Notes\pause&\pause|\pztqu0jhj\enotes +% +% mesure 4 +\barre\Notes&|\lpztqu0khk\enotes +\temps\notes\pause&\pause|\cddddu2ighij\enotes +%\check +% mesure 5 +\barre\autolines {10}55\relax +\Notes&\Pztql0bdb|\pztql0kmk\enotes +\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes +%\check +% mesure 6 +\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes +\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes +%\check +% mesure 7 +\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes +\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes +% mesure 8 +\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes +\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes +% mesure 9 +\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes +\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes +%\check +% mesure 10 +\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes +\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes +% mesure 11 +\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes +\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes +% mesure 12 +\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes +\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes +%\check +\cleftoksii={{0}{0}{0}{0}}\changeclefs % +% mesure 13 +\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes +\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes +%\check +% mesure 14 +\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes +\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes +%\check +\def\atnextline{\autolines{10}45}\relax +% mesure 15 +\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes +\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes +%\check +% mesure 16 +\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes +\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid + \rlap{\qup n}\cpdddl l{=k}ji\enotes +%\check +% mesure 17 +\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes +\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes +%\check +% mesure 18 +\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes +\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes +% +% mesure 19 +\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes +\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler + \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes +%\check +% mesure 20 +\cleftoksii={{6}{0}{0}{0}}\changeclefs % +\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes +\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes +%\check +% mesure 21 +\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes +\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes +%\check +\def\atnextline{\autolines{10}55}\relax +% mesure 22 +\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes +\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes +% mesure 23 +\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes +\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler + \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes +%\check +% mesure 24 +\cleftoksii={{6}{0}{0}{0}}\changeclefs % +\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes +\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes +%\check +% mesure 25 +\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes +\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes +%\check +% mesure 26 +\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes +\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes +% mesure 27 +\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes +\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes +\signaturegenerale{0}% +% mesure 28 +\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes +\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol +\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes +% mesure 29 +\barre\Notes\pztql0IKI\enotes +\temps\notes\cpdddl NMLK&\pause|\pause\enotes +% mesure 30 +\barre\Notes\pztql0JLJ\enotes +\temps\Notes\lpztqL0aMa&\pause|\pause\enotes +% mesure 31 +\barre\Notes\lpztqL0bab\enotes +\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes +% mesure 32 +\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes +% mesure 33 +\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes +% mesure 34 +\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 35 +\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes +\transpose=0\relax % retour a la normale +\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes +\signaturegenerale{-3}% +% mesure 36 +\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes +\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes +% mesure 37 +\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes +\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes +% mesure 38 +\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes +\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes +% mesure 39 +\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes +\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes +% mesure 40 +\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes +\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes +% mesure 41 +\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes +\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes +% mesure 42 +\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes +\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes +% mesure 43 +\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes +\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes +% mesure 44 +\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes +\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes +% mesure 45 +\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes +\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes +% mesure 46 +\signaturegenerale{-2}% +\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes +\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes +% mesure 47 +\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes +\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes +% mesure 48 +\barre\Notes\qup F&\Pztql0aca|\enotes +\temps\notes\qup I&\cpdddl dcba|\pause\enotes +% mesure 49 +\barre\Notes\qup E&\Pztql0NbN|\enotes +\temps\Notes\qup H&\lPztqL0cac|\pause\enotes +% mesure 50 +\barre\Notes\sh F\qup F&\PztqL0dad\enotes +\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes +% mesure 51 +\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes +\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes +%\check +% mesure 52 +\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes +\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes +%\check +% mesure 53 +\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes +\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes +% +% mesure 54 +\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes +\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes +%\check +% mesure 55 +\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes +\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid + \cpdddl n{=m}lk\enotes +%\check +% mesure 56 +\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes +\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes +%\check +% mesure 57 +\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes +\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes +% mesure 58 +\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes +\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes +% mesure 59 +\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes +\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes +%\check +% mesure 60 +\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes +\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes +% mesure 61 +\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes +\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes +% mesure 62 +\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes +\temps\Notes\qup C&\pztql2LMN|\qup g\enotes +% mesure 63 +\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes +\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes +%\check +% mesure 64 +\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes +\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes +% mesure 65 +\barre\Notes\pztql0IKI\enotes +\temps\notes\cpdddl NMLK&\pause|\pause\enotes +% mesure 66 +\barre\Notes\pztql0JLJ\enotes +\temps\Notes\lpztqL0aMa&\pause|\pause\enotes +% mesure 67 +\barre\Notes\lpztqL0bab\enotes +\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes +% mesure 68 +\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes +% mesure 69 +\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes +% mesure 70 +\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 71 +\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes +\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes +% mesure 72 +\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes +\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes +% mesure 73 +\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes +\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes +% mesure 74 +\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes +\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes +% mesure 75 +\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes +\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes +% mesure 76 +\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes +\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes +% mesure 77 +\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes +\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax +|\pztqu0jhj\enotes +% mesure 78 +\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes +\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes +% mesure 79 +\signaturegenerale{1}% +\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes +\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes +% mesure 80 +\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes +\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes +% mesure 81 +\barre\Notes\qup F&\Pztql0aca|\enotes +\temps\notes\qup I&\cpdddl dcba|\pause\enotes +% mesure 82 +\barre\Notes\qup E&\Pztql0NbN|\enotes +\temps\Notes\qup H&\lPztqL0cac|\pause\enotes +% mesure 83 +\barre\Notes\qup F&\PztqL0dad\enotes +\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes +\cleftoksii={{0}{0}{0}{0}}\changeclefs +% mesure 84 +\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes +\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes +%\check +% mesure 85 +\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes +\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes +%\check +% mesure 86 +\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes +\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes +% +% mesure 87 +\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes +\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes +% mesure 88 +\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes +\cleftoksii={{6}{0}{0}{0}}\changeclefs +\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes +%\check +\signaturegenerale{-2}% +% mesure 89 +\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes +\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes +% mesure 90 +\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes +\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes +% mesure 91 +\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes +\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes +% mesure 92 +\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes +\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes +% mesure 93 +\barre\Notes&\Pztql0bdb\enotes +\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes +% mesure 94 +\barre\Notes&\fl a\Pztql0aca|\enotes +\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes +% mesure 95 +\barre\Notes&\Pztql2N{_a}b\enotes +\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes +% mesure 96 +\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes +\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes +% mesure 97 +\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes +\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes +\def\atnextline{\autolines{9}65}\relax +% mesure 98 +\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes +\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes +% mesure 99 +\barre\Notes&\qup K|\lpztqL0kik\enotes +\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes +% mesure 100 +\def\atnextline{\autolines{10}55}\relax +\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes +\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes +%\check +% mesure 101 +\barre\Notes&\cna a\Pztql0aca\enotes +\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes +% mesure 102 +\barre\Notes&\lPztql2Nab\enotes +\temps\Notes\pause&\Pztql0cec|\pause\enotes +%\check +% mesure 103 +\barre\Notes&\lPztql2MNa\enotes +\temps\Notes\pause&\Pztql0bdb|\pause\enotes +% mesure 104 +\barre\Notes&\lPztql2LMN\enotes +\temps\Notes\pause&\Pztql0aca|\pause\enotes +% mesure 105 +\barre\Notes&\lPztql2K{=L}{^M}\enotes +\temps\Notes\pause&\Pztql0NbN|\pause\enotes +%\check +% mesure 106 +\barre +\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes +\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes +% mesure 107 +\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes +\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes +% mesure 108 +\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes +\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes +%\check +% mesure 109 +\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes +\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes +% mesure 110 +\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes +\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes +% mesure 111 +\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes +\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes +%\check +% mesure 112 +\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes +\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes +% mesure 113 +\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes +\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes +\def\atnextline{\autolines {13}45}\relax +% mesure 114 +\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes +\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes +%\check +% mesure 115 +\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes +\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes +% mesure 116 +\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes +\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes +% mesure 117 +\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes +\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes +%\check +% mesure 118 +\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext + {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes +\temps\NOtes\pointdorgue N\qu G\sk\dsoupir + &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes +\signaturegenerale{-3}% +% mesure 119 +\setdoublebar +\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\Uptext{\bf\kern -14mm+acc. III}\rlap{\zqp g\qlp j}\trqU0lnl\enotes +\temps\notes\qup F&\doubler + \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes +%\check +% mesure 120 +\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes +\temps\notes\qup E&\doubler + \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes +% mesure 121 +\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes +\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes +% mesure 122 +\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes +\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes +%\check +% mesure 123 +\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir + |\zq{=ik}\ql n\sk\dsoupir\enotes +\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes +% mesure 124 +\barre\notes\qup F&\doubler + \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes +\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes +%\check +% mesure 125 +\def\atnextline{\autolines {12}45}\relax +\signaturegenerale{-2}\relax +\changecontext\notes\qup E&\doubler + \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes +\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax + \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes +% mesure 126 +\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes +\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes +% mesure 127 +\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes +\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir + |\qu g\sk\dsoupir\enotes +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude +%\check +% mesure 128 +\barre\def\atnextline{\autolines{12}35}\relax +\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes +\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes +%\check +% mesure 129 +\barre +\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes +\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes +%\check +% mesure 130 +\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax + \trqu0igi\enotes +\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes +% mesure 131 +\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax + \trqu0hfh\enotes +\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes +%\check +% mesure 132 +\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes +\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes +%\check +% mesure 133 +\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes +\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes +%\check +% mesure 134 +\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes +\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes +% mesure 135 +\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes +\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes +%\check +% mesure 136 +\barre\notes\doubler\qu G\sk\dsoupir + &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes +\temps\notes\doubler\qu J\sk\dsoupir + &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes +%\check +% mesure 137 +\barre\notes\doubler\qu F\sk\dsoupir + &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes +\temps\notes\doubler\qu I\sk\dsoupir + &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes +%\check +% mesure 138 +\barre\notes\doubler\qu E\sk\dsoupir + &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes +\temps\notes\doubler\qu H\sk\dsoupir + &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes +% mesure 139 +\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes +\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes +% mesure 140 +\barre% \advance\barsinline by -1\relax +\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes +\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes +\temps\Notes&\zmidtwotext{\ff}|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes +%\check +% mesure 141 +\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax + \ibl0{#1}0\advance\transpose by-3\relax + \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax + \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax + \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}% +\setdoublebar\signaturegenerale{1}\changecontext +\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes +\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax + \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes +% mesure 142 +\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes +\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax + \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes +% mesure 143 % +\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 144 % +\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes +\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax + \doubler\zq{gi}\ql e\sk\dsoupir\enotes +% mesure 145 +\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes +\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax + \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes +% mesure 146 +\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes +\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax + \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes +% mesure 147 +\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 148 % +\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes +\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax + \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes +% mesure 149 % +\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes +\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax + \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes +% mesure 150 % +\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler + \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes +\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax +\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes +% mesure 151 +\advance\barsinline by -1\relax + \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp +b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes + \finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex new file mode 100644 index 00000000000..2b455cee38a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriab.tex @@ -0,0 +1,314 @@ +%\input musixtex +%\input musixcpt +%\input musixsty +\ifx\qh\undefined\let\qh\qb\fi % +\ifx\qhp\undefined\let\qhp\qbp\fi % +\ifx\qhpp\undefined\let\qhpp\qbpp\fi % +\parindent 15mm + % +\title{Gloria} +\fullauthor{M\'elodie~: Guy BOUSSION\\Harmonisation~: Daniel TAUPIN} +\shortauthor{G. Boussion} +\maketitle + +\tracingstats=1\relax + % + +\def\nbinstruments{3} +\setsize3{\tinyvalue} +\setstaffs22\relax +\setclef2{6000}% +\setclef1{6000}% +\setclef3{0000}% + % +\generalsignature{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} + %\check +\def\instrumenti{P\'edale} +\def\instrumentii{\vbox{\hsize=\parindent\centerline{Orgue$^{\tenbf *}$}\centerline{(manuel)}}} +\def\instrumentiii{}\def\instrumentiv{Chant} + %\check +\elemskip=7pt\relax +\setinterinstrument2{3\Interligne} + % + \footnote{}{\noindent\bf{*} \rm Si, pour une raison ou une autre, il n'est +pas possible de jouer la partie basse au p\'edalier, celle-ci devra \^etre +jou\'ee \`a la main gauche sur un clavier manuel, de pr\'ef\'erence avec un +jeu de 16 pieds. Dans ce cas, on pourra sacrifier la partie manuelle en clef +de Fa. Les indications {\bf I} et {\bf II} indiquent des changements de plan +sonore (ou de clavier) dans le cas o\`u l'on alterne le chant par +l'assembl\'ee (I) et par une chorale (II). +}% + % + %\check +\geometricskipscale +\eightrm +\sepbarrules +\startpiece +\def\respire{\notes&&\cbreath\enotes}% +\znotes&\zmidstaff{\bf \kern -6pt I \ppff(mf)}&\uptext{\kern -9mm\raise 9pt\hbox{\bigfont + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +\hardlyrics{\kern-9pt Gloire }\notes\qp&\qp|\qu c&\hsong\thelyrics\cu c\enotes +\notes &| &\hsong{\`a }\cu c\enotes +\barre +\NOtes\hup F&\hup M|\zhp a\zhp c\hup f&\hsong{Dieu~}\hu f\enotes +\notes &|&\hsong{au~}\cu f\enotes +\hardlyrics{plus~}\notes &|&\hsong\thelyrics\cu f\enotes +\hardlyrics{haut~}\notes \qu J&\qu L|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\zsong{des~}\cu g\enotes +\barre +\NOtes\hl M&\hl M|\zh{cf}\hu h&\hsong{cieux~}\qup h\enotes +\notes&&\hsong{et~}\cu h\enotes +\Notes\qu K&\hl b|\zq{df}\qu i&\hsong{paix~}\qu i\enotes +\notes\qu L&|\ibu0h{-3}\rlap{\zq c\ql e}\qh0h&\hsong{sur~}\cu h\enotes +\notes&|\tbu0\qh0g&\hsong{la~}\cu g\enotes +\barre +\Notes\hl M&\wh M|\zh{ac}\hu f&\hsong{ter-~}\qu f\enotes +\notes&&\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes&&\hsong\thelyrics\cu f\enotes +\hardlyrics{hom-~}\notes\qu I&|\rlap{\zh b\hl d}\qu g&\hsong\thelyrics\qu g\enotes +\hardlyrics{mes~}\notes\qu G&|\ibu0h3\qh0h&\hsong\thelyrics\cu h\enotes +\notes &|\tbu0\qh0i&\zsong{qu'il~}\cu i\enotes +\barre +\Notes\qu J&\hl N|\rlap{\ql c}\zh e\hu g&\hsong{ai-~}\hu g\enotes +\Notes\qu C&|\ql b&\enotes +\Notes\hu F&\hl M|\zh a\zh c\hu f&\hsong{me. }\hu f\enotes + %\check +\respire\Notes&\cmidstaff{\kern -15pt\bf II \ppff(mf)}\enotes +\barre +\hardlyrics{Nous~}\notes\ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes +\notes\qu J&\ql N|\zq e\qu g&\hsong{Te~}\cu g\enotes +\hardlyrics{lou-~}\notes&&\hsong\thelyrics\cu g\enotes +\NOtes\hl M&\hl a|\zh{cf}\hu h&\hsong{ons,~}\hu h\enotes + %\check +\barre +\hardlyrics{nous~}\notes\qu K&\ql M|\zq{df}\qu h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes +\notes\qu L&\ql N|\zq{eg}\qu j&\hsong{b\'e-~}\cu j\enotes +\hardlyrics{nis-~}\notes&&\hsong\thelyrics\cu j\enotes + %\check +\NOTes \hl M&\hl a|\zh{cf}\hu h&\hsong{sons,~}\hu h\enotes +\barre +\hardlyrics{nous~}\notes \qu M&\ql a|\zq{cf}\qu h&\hsong\thelyrics\qu h\enotes + %\check +\Notes\hup J&\hlp N|\rlap{\ql c}\zh e\hu g&\hsong{T'a-~}\hu g\enotes +\Notes&|\hl b&\enotes +\Notes&|\zq c\qu f&\hsong{do-~}\qu f\enotes +\barre +\NOtes \hu F&\hl M|\zh{ac}\hu f&\hsong{rons,~}\hu f\enotes + %\check +\znotes&\cmidstaff{\bf I}\enotes +\respire +\hardlyrics{nous~}\notes\ql M&\ql a|\rlap{\hl c}\istied0c\zq f\qu h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes + %\check +\hardlyrics{glo-~}\notes\ql J&\ql N|\zq e\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\hsong{ri-~}\cu g\enotes +\barre +\NOTes\hl M&\hl a|\tten0\rlap{\hl c}\zh f\hu h&\hsong{fions,~}\hu h\enotes + %\chec +\hardlyrics{\kern -4pt nous~}\notes\qlp K&\qlp a|\rlap{\hl d}\zqp f\qup h&\hsong\thelyrics\cu h\enotes +\notes&&\hsong{Te~}\cu h\enotes +\hardlyrics{ren-~}\notes&&\hsong\thelyrics\cu h\enotes +\notes\cu I&\cl N|\zq g\cu i&\zsong{dons~}\cu i\enotes +\barre +\NOtes\qup J&\qlp L|\zqp c\zqp e\qup g&\hsong{gr\^a-~}\qu g\enotes +\notes&&\hsong{ces }\cu g\enotes +\hardlyrics{pour~}\notes\cu J&\cl L|\zq e\cu g&\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\ibl0L0\qb0M&\ibl1M3\qb1M|\ibu2h3\zq f\qh2h&\hsong\thelyrics\cu h\enotes +\hardlyrics{im-~}\notes\qb0L&\qb1N|\zq g\qh2i&\hsong\thelyrics\cu i\enotes +\hardlyrics{men-~}\notes\qb0M&\qb1a|\zq h\qh2j&\hsong\thelyrics\cu j\enotes +\notes\tbl0\qb0K&\tbl1\qb1b|\tbu2\zq i\qh2k&\hsong{se~}\cu k\enotes + %\check +\barre +\Notes\qu L&\ql c|\rlap{\zh e\hl g}\qu j&\isluru1k\hsong{gloi-~}\ql j\enotes +\Notes\qu J&\ql L|\qu i&\hsong{--~}\ql i\enotes +\notes\ql M&\ql a|\zq f\qu h&\tslur1j\hsong{re~!~}\ql h\enotes +\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes +\notes\ibl2M3\qb2M&\ibl0a3\qb0a|\ibu1h3\zq{cf}\qh1h&\hsong{\kern -4pt Sei-~}\cu h\enotes +\hardlyrics{gneur~}\notes\tbl2\qb2N&\tbl0\qb0b|\tbu1\zq{dg}\qh1i&\hsong\thelyrics\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\ql a&\zql c\roff{\zhup c}|\zq{fh}\qu j&\hsong\thelyrics\qu j\enotes + %\check +\hardlyrics{Roi~}\notes\ibl2M{-3}\qb2M&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq f\qh1h&\hsong\thelyrics\cu h\enotes +\notes\tbl2\qb2L&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\Notes\ql M&\ql a|\zq f\qu h&\hsong{Ciel,~}\qu h\enotes + %\check +\hardlyrics{Dieu~}\notes\ibl2K{-3}\qb2K&\ibl0a{-3}\qb0a|\ibu1h{-3}\zq{df}\qh1h&\hsong\thelyrics\cu h\enotes +\notes\tbl2\qb2J&\tbl0\qb0N|\tbu1\zq{ce}\qh1g&\hsong{le~}\cu g\enotes + %\check +\barre +\notes\ibl2I{-4}\qb2I&\ibl0M{-4}\qb0M|\ibu1h0\rlap{\ql c}\zq +f\qh1h&\hsong{\kern -4pt P\`e-~}\cu h\enotes +\notes\tbl2\qb2G&\tbl0\qb0K|\zq g\qh1i&\hsong{re~}\cu i\enotes +\hardlyrics{\kern -4pt tout-~}\notes\ql J&\ql L|\rlap{\ql e}\qh1g&\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-~}\notes&|\tbu1\zq c\qh1h&\hsong\thelyrics\cu h\enotes +\NOtes\qup F&\hl M|\zqp c\zqp f\qup h&\hsong{sant~!~}\qup h\enotes +\notes&\cmidstaff{\bf I}\enotes +\respire +\hardlyrics{Sei-~}\notes\ds&|\cu h&\hsong\thelyrics\cu h\enotes + %\check +\barre +\hardlyrics{gneur,~}\notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong\thelyrics\qu h\enotes +\notes \qu J&\ql L|\zq e\qu g&\hsong{Fils~}\cu g\enotes +\notes&&\hsong{u-~}\cu g\enotes +\notes \qu K&\ql M|\zq {ad}\qu f&\hsong{ni-~}\cu f\enotes +\notes&&\hsong{que~}\cu f\enotes +\notes \qu J&\ql N|\zq{ce}\qu g&\hsong{J\'e-~}\cu g\enotes +\notes&&\hsong{sus~}\cu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{Christ,~}\hu h\enotes +\respire +\Notes \ql M&\ql a|\rlap{\hl c}\zq f\qu h&\hsong{Sei-~}\qu h\enotes +\Notes \qu J&\ql N|\zq e\qu g&\zsong{gneur~}\qu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh c\zh f\hu h&\hsong{Dieu,~}\hu h\enotes +\notes\soupir&\soupir|\ds&\ds\enotes +\notes&|\cu h&\hsong{a-~}\cu h\enotes +\hardlyrics{\kern -4pt gneau~}\notes \Ibu0KI1\qh0K&\ql a|\rlap{\zq d\ql f}\ibu1h3\qh1h&\hsong\thelyrics\cu h\enotes +\notes \tbu0\qh0I&|\tbu1\qh1i&\hsong{de~}\cu i\enotes +\barre +\NOtes \qup J&\qlp N|\zqp c\zqp e\qup g&\hsong{Dieu,~}\qup g\enotes +\notes \cu K&\cl a|\zq d\cu f&\hsong{le~}\cu f\enotes +\Notes \hu J&\ql N|\rlap{\zh c\hl e}\qu g&\hsong{Fils~}\qu g\enotes +\Notes&|\qu g&\hsong{du~}\qu g\enotes +\barre +\NOTes \hup F&\hlp a|\rlap{\zhp c\hlp f}\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes +\Notes&|\qu h&\tslur1m\hsong{re~}\qu h\enotes +\Notes\soupir &\rlap{\soupir}\cmidstaff{\kern -8pt \bf II \ppff(mp)\kern 17pt}|\soupir&\soupir\enotes +\barre +\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes +\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes +\notes&&\hsong{en-~}\cu g\enotes +\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes +\notes&&\hsong{ves~}\cu h\enotes +\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes +\notes&&\hsong{p\'e-~}\cl i\enotes +\barre +\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes +\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\hardlyrics{mon-~}\notes&\ql M|\zq f\qu h&\hsong\thelyrics\qu h\enotes +\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes +\Notes\soupir&\soupir|\soupir&\soupir\enotes +\barre +\NOtes\qup K&\qlp a|\zqp d\qup f&\hsong{prends~}\qup f\enotes +\notes\cu G&\cl N|\zq{bd}\cu g&\hsong{pi-~}\cu g\enotes +\NOtes\hu J&\hl N|\itenu0c\rlap{\hl c}\zq e\qup g&\hsong{ti\'e~}\qup g\enotes +\notes&|\zq b\cu f&\hsong{de~}\cu f\enotes +\barre +\NOTes\hup F&\hlp M|\tten0\zhp a\zhp c\hup f&\hsong{nous~!~}\hup f\enotes +\Notes\soupir&\zmidstaff{\bf\kern -20pt I \ppff(mp)}\soupir|\soupir&\soupir\enotes + %\check +\barre +\Notes\qu K&\ql a|\zq d\qu f&\hsong{Toi~}\qu f\enotes +\notes\qu J&\ql N|\rlap{\hl c}\zq e\qu g&\hsong{qui~}\cu g\enotes +\notes&&\hsong{en-~}\cu g\enotes +\notes\ql M&\ql a|\zq f\qu h&\hsong{l\`e-~}\cu h\enotes +\notes&&\hsong{ves~}\cu h\enotes +\notes\ql K&\ql b|\zq d\zq f\qu i&\hsong{le~}\cl i\enotes +\notes&&\hsong{p\'e-~}\cl i\enotes +\barre +\notes\hup J&\ibl0M3\qb0M|\istied0c\rlap{\hl c}\ibu1h{-3}\zq f\qh1h&\hsong{ch\'e~}\cu h\enotes +\notes&\tbl0\qb0N|\tbu1\zq e\qh1g&\hsong{du~}\cu g\enotes +\Notes&\ql M|\zq f\qu h&\hsong{mon-~}\qu h\enotes +\Notes&\ql L|\tten0\zq{ce}\qu g&\hsong{de,~}\qu g\enotes +\notes\soupir&\soupir|\ds&\ds\enotes +\notes&|\cu h&\hsong{en-~}\cu h\enotes +\barre +\hardlyrics{tends~}\notes\qu K&\ql a|\zq d\qu f&\hsong\thelyrics\cu f\enotes +\notes&&\hsong{no-~}\cu f\enotes +\notes\qu J&\ql N|\rlap{\hlp c}\zq e\qu g&\hsong{tre~}\cu g\enotes +\hardlyrics{pri-~}\notes&&\hsong\thelyrics\cu g\enotes +\Notes\ql M&\ql M|\zq f\qu h&\hsong{\`e-~}\qu h\enotes +\Notes\qu J&\ql L|\zq e\qu g&\hsong{re~! }\qu g\enotes +\rlap{\respire}\notes&\cmidstaff{\bf II}\enotes +\barre +\NOTEs \hu L&\istied0c\wh c|\zh{eg}\hu j&\hsong{Toi~}\hu j\enotes +\Notes \ql M&|\rlap{\hl f}\zq h\qu j&\hsong{qui~}\qu j\enotes +\notes \qu I&|\zq i\qu k&\hsong{es~}\cu k\enotes +\notes&&\hsong{as-~}\cu k\enotes +\barre +\Notes \qu H&\tten0\hl c|\zq f\zq h\qu j&\hsong{sis~}\ql j\enotes +\notes \ibu1G{-3}\qh1G&|\zq g\ibu0i{-3}\qh0i&\hsong{\`a~}\cl i\enotes +\notes \tbu1\qh1F&|\zq f\tbu0\qh0h&\hsong{la~}\cl h\enotes +\Notes \qu J&\ql L|\zq c\zq e\qu g&\hsong{droi-~}\qu g\enotes +\notes \ibl1K3\qb1K&\ibl2M3\qb2M|\zq d\ibu0f3\qh0f&\hsong{te~}\cu f\enotes +\notes \tbl1\qb1L&\tbl2\qb2N|\zq e\tbu0\qh0g&\hsong{du~}\cu g\enotes +\barre +\NOTes \hl M&\hl a|\rlap{\hlp c}\zh f\hu h&\isluru1n\hsong{P\`e-~}\hu h\enotes +\Notes \qu J&\ql N|\zq e\qu g&\tslur1m\hsong{re~}\qu g\enotes +\Notes\soupir&\soupir|\soupir&\soupir\enotes + %\check + %\check +\barre +\NOtes \hu K&\hl a|\rlap{\zh d\hl f}\qup h&\hsong{prends~}\qup h\enotes +\notes&|\cu h&\hsong{pi-~}\cu h\enotes +\NOtes \hu G&\hl N|\rlap{\zh b\hl d}\qup g&\hsong{ti\'e~}\qup g\enotes +\notes&|\cu h&\hsong{de~}\cu h\enotes + %\check +\barre +\NOTes \hu H&\hl a|\zh{^ce}\hu h&\hsong{nous~!~}\hu h\enotes +\notes&\zmidstaff{\kern -12pt\bf I \ppff(f)}|\soupir + &\Uptext{\bigfont plus anim\'e}\soupir\enotes +\notes\hpause&\hpause|\qu{=c}&\hsong{\kern -4pt Car~}\cu c\enotes +\notes&&\hsong{Toi~}\cu c\enotes + %\check +\barre +\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{seul~}\qu f\enotes +\Notes\qu J&\ql N|\zq{ce}\qu g&\hsong{es~}\qu g\enotes +\Notes\hu F&\hl M|\zqp c\zqp f\qup h&\zsong{saint~!~}\qup h\enotes +\notes&|\qs&\qs\enotes +\notes&|\zq{cf}\ccu h&\zsong{Toi~}\ccu h\enotes +\barre +\Notes\qu F&\ql M|\zq {cf}\qu h&\hsong{seul~}\qu h\enotes +\notes\Ibu0CF1\qhp0C&\ibl1L3\qbp1L|\zql c\Ibu2gh1\zqp e\qhp2g&\hsong{es~}\cup g\enotes +\hardlyrics{Sei-~}\notes\tbbu0\tbu0\qh0 F&\tbbl1\tbl1\qb1M|\zq {f}\tbbu2\tbu2\qh2h&\hsong\thelyrics\ccu h\enotes +\NOtes\qup F&\qlp M|\zqp c\zqp f\qup h&\hsong{gneur~!~}\qup h\enotes +\notes&\cmidstaff{\bf II \ppff(f)\kern 12pt}\enotes +\respire +\notes\ds&\cl M|\zq {cf}\cu h&\hsong{Toi~}\cu h\enotes + %\check +\barre +\notes\ibu0M0\qh0M&\ibl2a0\qb2a|\ibu1h0\rlap{\hl c}\zq f\qh1h&\hsong{\kern + -4pt seul~}\cu h\enotes +\notes\qh0J&\qb2N|\zq e\qh1g&\hsong{es~}\cu g\enotes +\notes\qh0M&\qb2a|\zq f\qh1h&\hsong{le~}\cu h\enotes +\hardlyrics{Tr\`es-~}\notes\tbu0\qh0N&\tbl2\qb2b|\zq g\tbu1\qh1i&\hsong\thelyrics\cu i\enotes +\hardlyrics{haut,~}\notes\ql a&\ql c|\zq {fh}\qu j&\hsong\thelyrics\ql j\enotes +\notes\ibl0a{-3}\qb0a&\ibl2c{-3}\qb2c|\zq {h}\ibl1j{-3}\qb1j&\hsong{J\'e-~}\cl j\enotes +\notes\tbl0\qb0N&\tbl2\qb2b|\zq g\tbl1\qb1i&\zsong{sus-~}\cl i\enotes + %\check +\barre +\NOtes\hl M&\hl a|\zhl f\zq h\qup j&\hsong{Christ,~}\qlp j\enotes +\notes&|\cu h&\hsong{a-}\cu h\enotes +\notes \qu K&\ql M|\zq{ad}\qu f&\hsong{vec~}\cu f\enotes +\notes&&\hsong{le~}\cu f\enotes +\hardlyrics{\kern -4pt Saint-~}\notes \qu J&\ql N|\zq{ce}\qu g&\hsong\thelyrics\cu g\enotes +\notes&&\hsong{Es-~}\cu g\enotes + %\check +\barre +\NOtes \hl M&\hl a|\zh{cf}\hu h&\hsong{prit~! }\hu h\enotes +\notes&\cmidstaff{\bf I}\enotes +\Notes\qu K&\ql M|\zq{ad}\qu f&\hsong{dans~}\qu f\enotes +\notes\qu J&\ql N|\zq{ce}\qu g&\hsong{la~}\qu g\enotes +\barre +\Notes\qup F&\qlp a|\rlap{\hl c}\zqp f\qu h&\hsong{gloi-~}\qu h\enotes +\notes&|&\hsong{re~}\cu h\enotes +\notes\cu C&\cl N|\zq e\cu g&\hsong{de~}\cu g\enotes +\Notes\qu F&\ql M|\zq{cf}\qu h&\hsong{Dieu~}\qu h\enotes +\Notes\qu I&\ql b|\zq{df}\qu i&\hsong{le~}\qu i\enotes +\barre +\Notes\qu J\qu C&\hl N|\rlap{\ql c}\zh e\hu g\ql b&\isluru1m\hsong{P\`e-~}\hu g\enotes +\NOtes\hu F&\hl M|\zh{ac}\hu f&\tslur1l\hsong{re. }\hu f\enotes +\rlap{\respire}\Notes&\cmidstaff{\kern -12pt\ppff $<$ ff}\enotes +\barre +\Notes\qu J\qu I\qu H\qu G&\wh L|\zw c\zw e\wh g&\islurd1e\zsong{A - - - - - }\wh g\enotes\barre +\NOtes\zhp F\hup M&\hlp a|\zhp c\zhp f\hup h&\tslur1f\hsong{men~!~}\hup h\enotes +\notes\soupir&\soupir|\soupir&\soupir\enotes +\mulooseness 2 +\Stoppiece +\medskip\rightline{\it le \aujourdhui} +\eject +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex new file mode 100644 index 00000000000..6d5bad41fbc --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/glorias.tex @@ -0,0 +1,286 @@ +%\input musixtex +%\input musixcpt +%\input musixsty +% +\parindent 15mm +% +\title{Gloria} +\fullauthor{M\'elodie~: Guy BOUSSION} +\shortauthor{G. Boussion} +\maketitle +\tracingstats=1\relax +% +\bigskip +\def\nbinstruments{1} +\setstaffs11 +% +\generalsignature{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} +%\check +% +\geometricskipscale +\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne +\startpiece +\setsongraise1{2\Interligne}% +\def\respire{\notes\cbreath\enotes}% +\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigfont + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +% +\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes +\notes\hsong{\`a }\cu c\enotes +\barre +\NOTes\hsong{Dieu~}\hu f\enotes +\notes\hsong{au}\cu f\enotes +\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes +\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes +\notes\hsong{des}\cu g\enotes +\barre +\NOtes\hsong{cieux~}\qup h\enotes +\notes\hsong{et~}\cu h\enotes +\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes +\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{la~}\cu g\enotes +\barre +\Notes\hsong{ter-}\qu f\enotes +\notes\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes +\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes +\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes +\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes +\barre +\Notes\hsong{ai-}\hu g\enotes +\Notes\hsong{}\enotes +\Notes\hsong{me.}\hu f\enotes +%\check +\respire\Notes\uptext{\bf II }\enotes +\barre +\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes +\notes\hsong{Te~}\cu g\enotes +\notes\hsong{lou-}\cu g\enotes +\NOtes\hsong{ons,}\hu h\enotes +%\check +\barre +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{b\'e-}\cu j\enotes +\notes\hsong{nis-}\cu j\enotes +%\check +\NOTes\hsong{sons,}\hu h\enotes +\barre +\Notes\hsong{nous~}\qu h\enotes +%\check +\Notes\hsong{t'a-}\hu g\enotes +\Notes\enotes +\Notes\hsong{do-}\qu f\enotes +\barre +\NOtes\hsong{rons,~}\hu f\enotes +%\check +\respire\notes\uptext{\bf I}\enotes +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +%\check +\notes\hsong{glo-}\cu g\enotes +\notes\hsong{ri-}\cu g\enotes +\barre +\NOTEs\hsong{fions,~}\hu h\enotes +%\chec +\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{ren-}\cu h\enotes +\notes\zsong{dons~}\cu i\enotes +\barre +\NOtes\hsong{gr\^a~-}\qu g\enotes +\notes\hsong{ces~}\cu g\enotes +\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{im-}\cu i\enotes +\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes +\notes\zsong{se~}\cu k\enotes +%\check +\barre +\Notes\hsong{gloi-}\ql j\enotes +\Notes\hsong{-}\ql i\enotes +\Notes\hsong{re~!}\qu h\enotes +\respire\notes\uptext{\bf II}\enotes +\notes\hsong{Sei-}\cu h\enotes +\notes\zsong{gneur~}\thelyrics\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes +%\check +\notes\hsong{Roi~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{Ciel,~}\qu h\enotes +%\check +\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{le~}\cu g\enotes +%\check +\barre +\notes\hsong{P\`e-~}\itied1h\cu h\enotes +\notes\hsong{re~}\ttie1\cu i\enotes +\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes +\Notes\hsong{sant~!}\qup h\enotes +\respire\notes\uptext{\bf I}\enotes +\notes\zsong{Sei-}\cu h\enotes +%\check +\barre +\hardlyrics{gneur,~}\notes\hsong\thelyrics\qu h\enotes +\hardlyrics{Fils~}\notes\hsong\thelyrics\cu g\enotes +\notes\hsong{u-}\cu g\enotes +\notes\hsong{ni-}\cu f\enotes +\hardlyrics{que~}\notes\hsong\thelyrics\cu f\enotes +\notes\hsong{J\'e-}\cu g\enotes +\notes\zsong{sus~}\cu g\enotes +%\check +\barre +\NOtes\hsong{Christ,}\hu h\enotes +\respire +\Notes\hsong{Sei-}\qu h\enotes +\Notes\zsong{gneur}\qu g\enotes +%\check +\barre +\NOtes\hsong{Dieu,}\hu h\enotes +\notes\hsong{}\ds\enotes +\notes\hsong{a-}\cu h\enotes +\hardlyrics{\kern -4pt gneau~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{de~}\cu i\enotes +\barre +\NOtes\hsong{Dieu,}\qup g\enotes +\notes\hsong{le~}\cu f\enotes +\Notes\hsong{Fils~}\qu g\enotes +\Notes\zsong{du~}\qu g\enotes +\barre +\NOTes\hsong{P\`e-}\hu h\enotes +\Notes\hsong{re~}\qu h\enotes +\Notes\hsong{}\rlap{\uptext{\bf II }}\soupir\enotes +\barre +\Notes\hsong{Toi~}\qu f\enotes +\notes\hsong{qui~}\cu g\enotes +\notes\hsong{en-}\cu g\enotes +\notes\hsong{l\`e-}\cu h\enotes +\notes\hsong{ves~}\cu h\enotes +\notes\hsong{le~}\cl i\enotes +\notes\zsong{p\'e-}\cl i\enotes +\barre +\notes\hsong{ch\'e~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{mon-}\qu h\enotes +\NOtes\hsong{de,}\qu g\enotes +\Notes\hsong{}\soupir\enotes +\barre +\NOtes\hsong{prends~}\qup f\enotes +\notes\hsong{pi-}\cu g\enotes +\NOtes\hsong{ti\'e~}\qup g\enotes +\notes\zsong{de~}\cu f\enotes +\barre +\NOTes\hsong{nous~!}\hup f\uptext{\bf I}\enotes +\Notes\hsong{}\soupir\enotes +%\check +\barre +\Notes\hsong{Toi~}\qu f\enotes +\notes\hsong{qui~}\cu g\enotes +\notes\hsong{en-}\cu g\enotes +\notes\hsong{l\`e-}\cu h\enotes +\notes\hsong{ves~}\cu h\enotes +\notes\hsong{le~}\cl i\enotes +\notes\zsong{p\'e-}\cl i\enotes +\barre +\notes\hsong{ch\'e~}\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{mon-}\qu h\enotes +\NOtes\hsong{de,}\qu g\enotes +\notes\hsong{}\ds\enotes +\notes\zsong{en-}\cu h\enotes +\barre +\hardlyrics{tends~}\notes\hsong\thelyrics\cu f\enotes +\notes\hsong{no-}\cu f\enotes +\notes\hsong{tre~}\cu g\enotes +\notes\hsong{pri-}\cu g\enotes +\Notes\hsong{\`e-}\qu h\enotes +\Notes\hsong{re~!}\qu g\enotes +\respire\notes\uptext{\bf II}\enotes +\barre +\NOTEs\hsong{Toi~}\hu j\enotes +\Notes\hsong{qui~}\qu j\enotes +\notes\hsong{es~}\cu k\enotes +\notes\zsong{as-}\cu k\enotes +\barre +\Notes\hsong{sis~}\ql j\enotes +\notes\hsong{ \`a~}\cl i\enotes +\notes\hsong{la~}\cl h\enotes +\Notes\hsong{droi-}\qu g\enotes +\notes\hsong{te~}\cu f\enotes +\notes\zsong{du~}\cu g\enotes +\barre +\NOTes\hsong{P\`e-}\hu h\enotes +\Notes\hsong{re~}\qu g\enotes +\Notes\hsong{}\soupir\enotes +%\check +%\check +\barre +\NOtes\hsong{prends~}\qup h\enotes +\notes\hsong{pi-}\cu h\enotes +\NOtes\hsong{ti\'e~}\qup g\enotes +\notes\zsong{de~}\cu h\enotes +%\check +\barre +\NOTes\hsong{nous~!}\hu h\uptext{\bf I }\enotes +\notes\rlap{\uptext{\raise 9pt\hbox{\bigfont\ + plus anim\'e\kern 5pt}}}\soupir\enotes +\hardlyrics{Car~}\notes\hsong\thelyrics\cu c\enotes +\notes\zsong{Toi~}\cu c\enotes +%\check +\barre +\Notes\hsong{seul~}\qu f\enotes +\Notes\hsong{es~}\qu g\enotes +\Notes\zsong{saint~!}\qup h\enotes +\notes\zsong{\sk Toi~}\qs\ccu h\enotes +\barre +\Notes\hsong{seul~}\qu h\enotes +\notes\hsong{es~}\cup g\enotes +\notes\hsong{Sei-}\ccu h\enotes +\NOtes\hsong{gneur~!}\qup h\enotes +\respire\notes\uptext{\bf II }\enotes +\notes\zsong{Toi~}\cu h\enotes +%\check +\barre +\notes\hsong{\kern -4pt seul~}\cu h\enotes +\notes\hsong{es~}\cu g\enotes +\notes\hsong{le~}\cu h\enotes +\hardlyrics{Tr\`es-}\notes\hsong\thelyrics\cu i\enotes +\Notes\hsong{haut,}\ql j\enotes +\notes\hsong{J\'e-}\cl j\enotes +\notes\zsong{sus-}\cl i\enotes +%\check +\barre +\NOtes\hsong{Christ,}\qlp j\enotes +\notes\hsong{a-}\cu h\enotes +\notes\hsong{vec~}\cu f\enotes +\notes\hsong{le~}\cu f\enotes +\hardlyrics{\kern -4pt Saint-}\notes\hsong\thelyrics\cu g\enotes +\notes\zsong{Es-}\cu g\enotes +%\check +\barre +\NOtes\hsong{prit~!}\hu h\enotes +\notes\uptext{\bf I}\enotes +\Notes\hsong{dans~}\qu f\enotes +\notes\zsong{la~}\qu g\enotes +\barre +\Notes\hsong{gloi-}\qu h\enotes +\notes\hsong{re~}\cu h\enotes +\notes\hsong{de~}\cu g\enotes +\Notes\hsong{Dieu~}\qu h\enotes +\Notes\zsong{le~}\qu i\enotes +\barre +\Notes\hsong{P\`e-}\hu g\enotes +\NOtes\zsong{re.}\hu f\enotes +\respire +\barre +\Notes\zsong{A - - - - - }\wh g\enotes +\barre +\NOtes\hsong{men~!}\hup h\enotes +\notes\hsong{}\soupir\enotes +\mulooseness 4% +\Stoppiece +\medskip\rightline{\it le \aujourdhui\ \ \ \ } +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex new file mode 100644 index 00000000000..509b8dea32e --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/gloriax.tex @@ -0,0 +1,283 @@ +\input musixtex +\input musixcpt +\input musixsty +\sepbarrules +\def\tempz{\temps}% +% +\vsize=28.2cm +\hsize=18.5cm +\parindent 15mm +% +\vbox{% +\centerline{\enorme Gloria} +\medskip +\rightline{\cmbx M\'elodie~: Guy BOUSSION} +}% +\tracingstats=1\relax +% +\bigskip +\def\nbinstruments{2} +\global\nbporteesi=0 +% +\signaturegenerale{-1}\relax % un bemol a la clef +\generalmeter{\meterfrac{2}{2}} +%\check +%\check + +% +\def\eightpoint{\Tenpoint}% +% +%\check +\catcode`\@=11 +\newdimen\lyricskip +\def\varskip#1{% + \setbox\ch@box\hbox{#1}\global\lyricskip\wd\ch@box} +\catcode`\@=12 + +\normal\elemskip=15pt +\def\gluemaxskip{6pt}% +\staffbotmarg=1.5\Interligne\stafftopmarg=1.5\Interligne +\debutmorceau +% +\def\respire{\notes&\cbreath\enotes}% +\temps\znotes&\uptext{\kern -9mm\raise 9pt\hbox{\moyen + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +% +\def\Varnotes#1\enotes{\vnotes0.05\elemskip &\enotes +% \varskip{#1}\vnotes0.05\elemskip\rlap{#1}&\rlap{#2}\enotes + \varskip{#1}\znotes\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +% +\def\VarNotes#1\enotes{\vnotes0.05\elemskip &\enotes + \varskip{#1}\vnotes1\elemskip\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +% +\def\VarNOtes#1\enotes{\vnotes0.05\elemskip &\enotes + \varskip{#1}\vnotes2\elemskip\rlap{#1}&\rlap{#2}\enotes + \hardspace{\lyricskip}% + \vnotes0.05\elemskip &\enotes +}% +\temps\Varnotes \kern-5pt Gloire &\cu c\enotes +\temps\Varnotes \`a &\cu c\enotes +\barre\NOTes Dieu~&\hu f\enotes +\tempz\Varnotes au&\cu f\enotes +\temps\Varnotes plus~&\cu f\enotes +\temps\Varnotes haut~&\cu g\enotes +\temps\Varnotes des &\cu g\enotes +\barre\VarNOtes cieux~&\qup h\enotes +\temps\Varnotes et~&\cu h\enotes +\tempz\VarNotes paix~&\qu i\enotes +\temps\Varnotes sur~&\cu h\enotes +\temps\Varnotes la~&\cu g\enotes +\barre\VarNotes ter-&\qu f\enotes +\temps\Varnotes re~&\cu f\enotes +\temps\Varnotes aux~&\cu f\enotes +\tempz\VarNotes hom~-&\qu g\enotes +\temps\Varnotes mes~&\cu h\enotes +\temps\Varnotes qu'il~&\cu i\enotes +\alaligne\VarNotes ai-&\hu g\enotes +\temps\VarNotes &\enotes +\tempz\VarNotes me.&\hu f\enotes +%\check +\temps\respire\VarNotes&\uptext{\bf II }\enotes +\barre\VarNotes Nous~&\qu h\enotes +\temps\Varnotes Te~&\cu g\enotes +\temps\Varnotes lou-&\cu g\enotes +\tempz\VarNOtes ons,&\hu h\enotes +%\check +\barre\Varnotes nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +\temps\Varnotes b\'e-&\cu j\enotes +\temps\Varnotes nis-&\cu j\enotes +%\check +\tempz\NOTes sons,&\hu h\enotes +\barre\VarNotes nous~&\qu h\enotes +%\check +\temps\VarNotes t'a-&\hu g\enotes +\tempz\VarNotes&\enotes +\temps\VarNotes do-&\qu f\enotes +\alaligne\VarNOtes rons,~&\hu f\enotes +%\check +\temps\respire\Varnotes&\uptext{\bf I}\enotes +\tempz\Varnotes nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +%\check +\temps\Varnotes glo-&\cu g\enotes +\temps\Varnotes ri-&\cu g\enotes +\barre\NOTEs fions,~&\hu h\enotes +%\chec +\tempz\Varnotes \kern -4pt nous~&\cu h\enotes +\temps\Varnotes Te~&\cu h\enotes +\temps\Varnotes ren-&\cu h\enotes +\temps\Varnotes dons~&\cu i\enotes +\barre\VarNOtes gr\^a~-&\qu g\enotes +\temps\Varnotes ces&\cu g\enotes +\temps\Varnotes pour&\cu g\enotes +\tempz\Varnotes Ton~&\cu h\enotes +\temps\Varnotes im-&\cu i\enotes +\temps\Varnotes men&\cu j\enotes +\temps\Varnotes se~&\cu k\enotes +%\check +\alaligne\VarNotes gloi-&\ql j\enotes +\temps\VarNotes -&\ql i\enotes +\temps\VarNotes re~!&\qu h\enotes +\temps\respire\Varnotes&\uptext{\bf II}\enotes +\temps\Varnotes Sei-&\cu h\enotes +\temps\Varnotes gneur~&\cu i\enotes +\barre\VarNotes Dieu,~&\qu j\enotes +%\check +\temps\Varnotes Roi~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\tempz\VarNotes Ciel,~&\qu h\enotes +%\check +\temps\Varnotes Dieu~&\cu h\enotes +\temps\Varnotes le~&\cu g\enotes +%\check +\barre\Varnotes P\`e-~&\cu h\enotes +\temps\Varnotes re~&\cu i\enotes +\temps\Varnotes tout-&\cu g\enotes +\temps\Varnotes puis-&\cu h\enotes +\tempz\VarNOtes sant~!&\qup h\enotes +\temps\respire\Varnotes&\uptext{\bf I}\enotes +\temps\Varnotes Sei-&\cu h\enotes +%\check +\barre\VarNotes gneur,~&\qu h\enotes +\temps\Varnotes Fils~&\cu g\enotes +\temps\Varnotes u-&\cu g\enotes +\tempz\Varnotes ni-&\cu f\enotes +\temps\Varnotes que-&\cu f\enotes +\temps\Varnotes J\'e-&\cu g\enotes +\temps\Varnotes sus~&\cu g\enotes +%\check +\barre\VarNOtes Christ,&\hu h\enotes +\temps\respire +\tempz\VarNotes Sei-&\qu h\enotes +\temps\VarNotes gneur&\qu g\enotes +%\check +\barre\VarNOtes Dieu,&\hu h\enotes +\tempz\notes &\ds\enotes +\temps\Varnotes a-&\cu h\enotes +\temps\Varnotes \kern -4pt gneau~&\cu h\enotes +\temps\Varnotes de~&\cu i\enotes +\alaligne +\temps\VarNOtes Dieu,&\qup g\enotes +\temps\Varnotes le~&\cu f\enotes +\tempz\VarNotes Fils~&\qu g\enotes +\temps\VarNotes du~&\qu g\enotes +\barre\NOTes P\`e-&\hu h\enotes +\tempz\VarNotes re~&\qu h\enotes +\temps\Notes &\rlap{\uptext{\bf II }}\soupir\enotes +\barre\VarNotes Toi~&\qu f\enotes +\temps\Varnotes qui~&\cu g\enotes +\temps\Varnotes en-&\cu g\enotes +\tempz\Varnotes l\`e-&\cu h\enotes +\temps\Varnotes ves~&\cu h\enotes +\temps\Varnotes le~&\cl i\enotes +\temps\Varnotes p\'e-&\cl i\enotes +\barre\Varnotes ch\'e~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\temps\VarNotes mon-&\qu h\enotes +\tempz\VarNOtes de,&\qu g\enotes +\temps\Notes &\soupir\enotes +\alaligne\VarNOtes prends~&\qup f\enotes +\temps\Varnotes pi-&\cu g\enotes +\tempz\VarNOtes ti\'e~&\qup g\enotes +\temps\Varnotes de~&\cu f\enotes +\barre\NOTes nous~!&\hup f\uptext{\bf I}\enotes +\temps\Notes &\soupir\enotes +%\check +\barre\VarNotes Toi~&\qu f\enotes +\temps\Varnotes qui~&\cu g\enotes +\temps\Varnotes en-&\cu g\enotes +\tempz\Varnotes l\`e-&\cu h\enotes +\temps\Varnotes ves~&\cu h\enotes +\temps\Varnotes le~&\cl i\enotes +\temps\Varnotes p\'e-&\cl i\enotes +\barre\Varnotes ch\'e~&\cu h\enotes +\temps\Varnotes du~&\cu g\enotes +\temps\VarNotes mon-&\qu h\enotes +\tempz\VarNOtes de,&\qu g\enotes +\temps\notes &\ds\enotes +\temps\Varnotes en-&\cu h\enotes +\barre\Varnotes tends~&\cu f\enotes +\temps\Varnotes no-&\cu f\enotes +\temps\Varnotes tre~&\cu g\enotes +\temps\Varnotes pri-&\cu g\enotes +\tempz\VarNotes \`e-&\qu h\enotes +\temps\VarNotes re~!&\qu g\enotes +\temps\respire\Varnotes&\uptext{\bf II}\enotes +\barre\NOTEs Toi~&\hu j\enotes +\tempz\VarNotes qui~&\qu j\enotes +\tempz\Varnotes es~&\cu k\enotes +\tempz\Varnotes as-&\cu k\enotes +\barre\VarNotes sis~&\ql j\enotes +\temps\Varnotes \`a~&\cl i\enotes +\temps\Varnotes la~&\cl h\enotes +\tempz\VarNotes droi-&\qu g\enotes +\tempz\Varnotes te~&\cu f\enotes +\temps\Varnotes du~&\cu g\enotes +\alaligne\NOTes P\`e-&\hu h\enotes +\tempz\VarNotes re~&\qu g\enotes +\temps\Notes &\soupir\enotes +%\check +%\check +\barre\VarNOtes prends~&\qup h\enotes +\temps\Varnotes pi-&\cu h\enotes +\tempz\VarNOtes ti\'e~&\qup g\enotes +\temps\Varnotes de~&\cu h\enotes +%\check +\barre\NOTes nous~!&\hu h\uptext{\bf I }\enotes +\tempz\notes&\rlap{\uptext{\raise 8pt\hbox{\moyen plus anim\'e\kern 5pt}}}\soupir\enotes +\temps\Varnotes Car~&\cu c\enotes +\temps\Varnotes Toi~&\cu c\enotes +%\check +\barre\VarNotes seul~&\qu f\enotes +\temps\VarNotes es~&\qu g\enotes +\tempz\VarNotes saint~!&\qup h\enotes +\temps\notes \sk&\qsoupir\enotes +\temps\Varnotes Toi~&\ccu h\enotes +\alaligne\VarNotes seul~&\qu h\enotes +\temps\Varnotes es~&\cup g\enotes +\temps\Varnotes Sei-&\ccu h\enotes +\tempz\VarNOtes gneur~!&\qup h\enotes +\temps\respire\Varnotes&\uptext{\bf II }\enotes +\temps\Varnotes Toi~&\cu h\enotes +%\check +\barre\Varnotes seul~&\cu h\enotes +\temps\Varnotes es~&\cu g\enotes +\temps\Varnotes le~&\cu h\enotes +\temps\Varnotes Tr\`es-&\cu i\enotes +\tempz\VarNotes haut,&\ql j\enotes +\temps\Varnotes J\'e-&\cl j\enotes +\temps\Varnotes sus-&\cl i\enotes +%\check +\barre\VarNOtes Christ,&\qlp j\enotes +\temps\Varnotes a-&\cu h\enotes +\tempz\Varnotes vec~&\cu f\enotes +\temps\Varnotes le~&\cu f\enotes +\temps\Varnotes \kern -4pt Saint-&\cu g\enotes +\temps\Varnotes Es-&\cu g\enotes +%\check +\barre\VarNOtes prit~!&\hu h\enotes +\tempz\Varnotes&\uptext{\bf I}\enotes +\temps\VarNotes dans~&\qu f\enotes +\temps\Varnotes la~&\qu g\enotes +\barre\VarNotes gloi-&\qu h\enotes +\temps\Varnotes re~&\cu h\enotes +\temps\Varnotes de~&\cu g\enotes +\tempz\VarNotes Dieu~&\qu h\enotes +\temps\VarNotes le~&\qu i\enotes +\barre\VarNotes P\`e-&\hu g\enotes +\tempz\VarNOtes re.&\hu f\enotes +\temps\respire +\barre\VarNotes A - - - - - &\wh g\enotes +\barre\VarNOtes men~!&\hup h\enotes +\tempz\notes &\soupir\enotes +%\mulooseness -2\relax +\finmorceau +\medskip\rightline{\it le \aujourdhui\ \ \ \ } +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex new file mode 100644 index 00000000000..07f1ac9966a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/gymnoman.tex @@ -0,0 +1,569 @@ +% \input musixtex +% \input musixcpt +% \input musixsty +\title{Gymnomanie} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN} +% +\othermention{Compos\'e en 1994} +\maketitle + +\parindent 12mm +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{0}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +%\check +\def\instrumenti{Piano} +%\check +\troistemps +\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% +\def\ff{{f}\kern -1pt{f}}% +\def\gluemaxskip{6pt}% +% +% formes frequentes +% +%\check +% au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +% +% trois doubles croches hautes +\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% +\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% +\def\tqbbh{\tqbbu}% +\def\tqbbb{\tqbbl}% +% quatre doubles croches +\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax +%\check +% octave basse en blanche +\def\bohl#1{\zh{!`#1}\hl{!#1}}% +\def\bohu#1{\zh{!`#1}\hu{!#1}}% +\def\sohl#1{\zh{!'#1}\hl{!#1}}% +\def\sohu#1{\zh{!'#1}\hu{!#1}}% +% octave basse en blanche pointee +\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}% +\def\bohup#1{\zhp{!`#1}\hup{!#1}}% +\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}% +\def\sohup#1{\zhp{!'#1}\hup{!#1}}% +% +\def\bozh#1{\zh{!`#1!#1}}% +\def\bozq#1{\zq{!`#1!#1}}% +\def\boql#1{\zq{!`#1}\ql{!#1}}% +\def\boqu#1{\zq{!`#1}\qu{!#1}}% +% octave sup. en croches u +\def\soqh#1{\zq{!'#1}\qh0{!#1}}% +\def\soqb#1{\zq{!'#1}\qb0{!#1}}% +\def\soqu#1{\zq{!'#1}\qu{!#1}}% +\def\soql#1{\zq{!'#1}\ql{!#1}}% +%\check +% +\def\interfacteur{11}% +\computewidths +\staffbotmarg=5\Interligne % +\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% +\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% +\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% +\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}} +% +\debutmorceau +% call \autolines with musiCtex, not with musiXtex !!! +\ifx\mxversion\undefined\autolines {6}55\relax\fi +\advance\barsinline by 1\relax +\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes +\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff + p}|\zcharnote a{\kern -5mm\ppff mp}\enotes + % +\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 2 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 3 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 4 +\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes + % mesure 5 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 6 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 7 + %\check +\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes +\temps\NOtes\zq L\qu N|\zq c\qu e\enotes +\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes + % mesure 8 +\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu o\enotes + % mesure 9 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes + % mesure 10 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{a^c}\qu e|\qu g\enotes +\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes + % mesure 11 +\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes +\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes +\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes + %\check + % mesure 12 +\barre\NOtes \upsoupir2\bohup F|\hu o\enotes +\temps\NOtes\zq{Mad}|\zql f\enotes +\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes + %\check + % mesure 13 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes + %\check + % mesure 14 +\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes +\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes + %\check + % mesure 15 +\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes +\temps\NOtes\zq{LNc}\qu{e}|\enotes +\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes + %\check + % mesure 16 +\barre\NOtes \upsoupir2\bohup D|\hu m\enotes +\temps\NOtes\zq{KMa}\qu d\enotes +\temps\NOtes\zq{Mad}\qu f|\qu m\enotes + %\check + % mesure 17 +\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes +\temps\NOtes\zq{LN_b}\qu e\enotes +\temps\NOtes\zq{Nbe}\qu g|\enotes + %\check + % mesure 18 +\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes +\temps\NOtes\zq{K^Ma}\qu d\enotes +\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes + %\check + % mesure 19 +\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes +\temps\NOtes\zq{L^Nb}\qu e\enotes +\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes + %\check + % mesure 20 +\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes +\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes +\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes + %\check + % mesure 21 +\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes +\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes +\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes + %\check + % mesure 22 +\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes +\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes +\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes + %\check + % mesure 23 +\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes +\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes +\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes + %\check + % mesure 24 +\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes + %\check + % mesure 25 +\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes +\temps\NOtes\zq{^Mad}|\ql{^f}\enotes +\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes + %\check + % mesure 26 +\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes +\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes +\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes + %\check + % mesure 27 +\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes +\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes +\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes + %\check + % mesure 28 +\xbarre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes + %\check + % mesure 29 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes + %\check + % mesure 30 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes +\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes +\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes + %\check + % mesure 31 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes + %\check + % mesure 32 +\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes +\temps\NOtes\zq{L^Nb}|\ql{e}\enotes +\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes + %\check + % mesure 33 +\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes +\temps\NOtes\zq{a^ce}|\ql{h}\enotes +\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes + %\check + % mesure 34 +\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes +\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes +\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes + %\check + % mesure 35 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes +\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes +\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes + %\check + % mesure 36 +\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes +\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes +\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes + %\check + % mesure 37 +\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes +\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes +\temps\NOtes\zq{ac}|\zql e\boqu n\enotes + %\check + % mesure 38 +\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes +\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes +\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes + %\check + % mesure 39 +\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes +\temps\NOtes\zq{La^c}\ql{e}|\enotes +\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes + %\check + % mesure 40 +\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes +\temps\NOtes\zq{KNb}\ql{d}|\enotes +\temps\NOtes\zq{Nbd}|\zql g\enotes + %\check + % mesure 41 +\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes +\temps\NOtes\zq{La^c}\ql{e}|\enotes +\temps\NOtes\zq{ace}|\ql h\enotes + %\check + % mesure 42 +\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes +\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes +\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes + %\check + % mesure 43 +\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes +\temps\NOtes\zq{LN}\ql{c}|\enotes +\temps\NOtes\zq{Nc}\ql e\enotes + %\check + % mesure 44 +\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes +\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes +\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes + %\check + % mesure 45 +\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes +\temps\NOtes\zq{LNc}|\ql{e}\enotes +\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes + %\check + % mesure 46 +\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes +\temps\NOtes\zq{Nb}\ql e|\enotes +\temps\NOtes\zq{Nb}\ql d|\enotes + %\check + % mesure 47 +\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes +\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes +\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes + %\check + % mesure 48 +\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nbd}|\ql g|\enotes + %\check + % mesure 49 +\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes +\temps\NOtes\zq{La^c}\ql e|\enotes +\temps\NOtes\zq{ac}\ql e|\boqu n\enotes + %\check + % mesure 50 +\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes + % mesure 51 +\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes +\temps\NOtes\zq{LN^c}\ql e\enotes +\temps\NOtes\zq{LNc}|\zq h\ql e\enotes + %\check + % mesure 52 +\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes + % mesure 53 +\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes +\temps\NOtes\zq{LN=c}|\ql e\enotes +\temps\NOtes\zq{LNc}|\zq g\ql e\enotes + % mesure 54 +\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes +\temps\NOtes\zq{Mac}|\zql f\enotes +\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes + % mesure 55 +\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes +\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes + % mesure 56 + %\check +\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes +\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes +\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes + % mesure 57 +\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes + % mesure 58 +\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes +\temps\NOtes\zq{KN_b}\qu{d}|\enotes +\temps\NOtes\zq{Nbd}|\ql g\enotes + % mesure 59 + %\check +\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes +\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes +\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes + % mesure 60 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes +\temps\NOtes\zq {_LNc}\zql{_e}\enotes +\temps\NOtes\zq {Nce}|\ql g\enotes + % mesure 61 + %\check +\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes +\temps\NOtes\zq {K^Ma}\zql d|\enotes +\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes + %\check + % mesure 62 +\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes + % mesure 63 + %\check +\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes +\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes +\temps\NOtes\zq {acf}|\zql h\enotes + % mesure 64 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes +\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes +\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes + % mesure 65 + %\check +\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes +\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes +\temps\NOtes\zq {adf}\zql{_h}|\enotes + % mesure 66 + %\check +\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes +\temps\NOtes\zq {Nb}\zql{=d}|\enotes +\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes + % mesure 67 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes +\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes +\temps\NOtes|\zq {ceh}\ql{j}|\enotes + % mesure 68 + %\check +\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes +\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes +\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes + % mesure 69 + %\check +\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes +\temps\NOtes\zq {_LN_b}\zql{_e}\enotes +\temps\NOtes\zq {Nbe}|\ql{g}\enotes + % mesure 70 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes +\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes +\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes + % mesure 71 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes +\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes +\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes + % mesure 72 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes +\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes +\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes + % mesure 73 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes +\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes +\temps\NOtes\zq {Nbe}|\zql g\enotes + % mesure 74 + %\check +\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes +\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes +\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes + % mesure 75 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes +\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes +\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes + % mesure 76 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes +\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes +\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes + % mesure 77 + %\check +\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes +\temps\NOtes\zq {=LNc}\zql{=e}|\enotes +\temps\NOtes\zq {Nce}|\zql g\enotes + % mesure 78 + %\check +\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes +\temps\NOtes\zq {M_a_d}\ql{f}|\enotes +\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes + % mesure 79 + %\check +\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes +\temps\NOtes\zq {_LNc}\ql{_e}|\enotes +\temps\NOtes\zq {Nce}|\ql g\enotes + % mesure 80 + %\check +\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes +\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes +\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes + % mesure 81 + %\check +\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes +\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes +\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes + %\check + % mesure 82 +\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes +\temps\NOtes\zq{KN_b}\ql d|\enotes +\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes + %\check + % mesure 83 +\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\enotes + %\check + % mesure 84 +\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes +\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes +\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes + % mesure 85 + %\check +\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes +\temps\NOtes\zq {K^Ma}\zql d|\enotes +\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes + % mesure 86 +\barre\NOtes\uptext{\kern -\Interligne\ppff + p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes +\temps\NOtes\zq{=Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 87 +\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 88 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 89 +\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes + % mesure 90 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 91 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 92 + %\check +\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes +\temps\NOtes\zq L\qu N|\zq c\qu e\enotes +\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes + % mesure 93 +\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex +\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{Maf}\qu d|\qu m\enotes + % mesure 94 +\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes +\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes +\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes + %\check + % mesure 95 +\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes +\temps\NOtes\zq{Ma}\qu d\enotes +\temps\NOtes\zq{ad}|\zql f\qu m\enotes + % mesure 96 +\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes +\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes +\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes + % mesure 97 +\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes +\temps\NOtes\zq{Ma}\qu c|\qu f\enotes +\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes + % mesure 98 +\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes +\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes +\temps\NOtes\zq{Mad}|\zql f\qu m\enotes + % mesure 99 +\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes +\temps\NOtes\zq{Lae}\qu{^c}\enotes +\temps\NOtes\zq{ace}|\ql g\enotes + % mesure 100 +\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax + |\pointdorgue n\hup k\enotes +\temps\NOtes\zq{Mad}|\ql f\enotes +\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes +\mulooseness 1\relax +\finmorceau + \rightline{\sl \aujourdhui}\eject +\bye + + + + + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex new file mode 100644 index 00000000000..c304a1eca58 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestne.tex @@ -0,0 +1,13 @@ + +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}\relax +\def\Signature{1}\relax % un dieze a la clef +\input ilestnex +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-1}\relax % un bemol a la clef +\input ilestnex +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex new file mode 100644 index 00000000000..64da5c3b21e --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilestnex.tex @@ -0,0 +1,201 @@ +\fulltitle{Il est n‚, le divin enfant} +\title{Il est n‚, le divin enfant} +\author{traditionnel\\Harmonisation Pierre Darmon} +\maketitle + +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules +% +\bigskip +% au moins deux croches basses et hautes +\def\dql#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% +% +%\check +\def\nbinstruments{2}\resetsignatures +\barsinline=0\relax\linesinpage=0\relax +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\def\lowersonginstrum{1} % to be used to make heavy bars at staff left +\def\uppersonginstrum{2} % to be used to make heavy bars at staff left +% +\ifx\Signature\undefined\def\Signature{1}\fi +\ifx\Transpose\undefined\def\Transpose{0}\fi +% +\signaturegenerale{\Signature}% +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{12}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% +%\check +\def\respire{\notes&\cbreath\enotes}% +% +\def\eightpoint{\Tenpoint}% +%\check +\catcodesmusic + +\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #3\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -12pt}}}% + % +\def\interfacteur{16}% +% +\debutmorceau +\autolines 784\relax +\transpose=\Transpose +\notes&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes + % +% +\Notes\zql N\qu b&\hsong{\txt |Il |&}\qu d\enotes +\temps\Notes\zql N\qu b&\hsong{\txt |est|&}\qu g\enotes +% +%\check +\barre\Notes\zql N\qu b&\hsong{\txt |n‚|&}\qu g\enotes +\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}\thelyrics\dqu ig\enotes +% +%\check +\barre\Notes\zql I\qu N&\hsong{\txt |vin|&}\qu d\enotes +\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\qu g\enotes +% +%\check +\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\qu g\enotes +\temps\Notes\soupir&\soupir\enotes +% +%\check +\barre\Notes\zql N\qu b&\hsong{\txt |Jou-|&}\qu g\enotes +\temps\notes\rlap{\dqb NM}\dqu bc&\zsong{\txt |ez haut-|&}\dqu gh\enotes +% +%\check +\barre\hardlyrics{\txt |bois, |&}\notes\zql L\qu d&\hsong\thelyrics\ql i\enotes +\temps\notes\rlap{\dqb NL}\dqu ed&\zsong{\txt |r‚son-|&}\dql ji\enotes +% +%\check +\barre\Notes\zql M\qu c&\hsong{\txt |nez|&}\qu h\enotes +\temps\Notes\zql L\qu b&\hsong{\txt |mu-|&}\qu g\enotes +% +%\check +\barre\Notes\zql K\qu c&\hsong{\txt |set-|&}\qu h\enotes +\temps\notes\zcl M\cu c&\zsong{\txt |tes |&}\cu d\enotes +\temps\notes\ds&\ds\enotes +% +%\check +\barre\notes\zql N\qu b&\hsong{\txt |Il |&}\zql d\dqu nm\enotes +\temps\notes\zql N\qu b&\zsong{\txt |est |&}\zql g\dqu lk\enotes +% +%\check +\barre\notes\zql N\qu b&\hsong{\txt |n‚ |&}\zql g\dqu lk\enotes +\temps\notes\rlap{\dqb NK}\dqu db&\zsong{\txt |le di-|&}% + \Ibl0 ig1\zqb0 i\loff{\Ibu1ji1\qh1j}\tbl0\zqb0g\tqh1i\enotes +% +%\check +\barre\notes\zql I\qu N&\hsong{\txt |vin|&}\zql d\dqu ji\enotes +\temps\notes\zqu b\dql KM&\hsong{\txt |en-|&}\zql g\qsk\dqu hg\enotes +% +%\check +\barre\hardlyrics{\txt |fant !|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes +\temps\Notes\soupir&\soupir\enotes +% +%\check +\barre\hardlyrics{\txt |Chan-|&}\notes\zql N\qu b&\hsong\thelyrics\zql g\qu k\enotes +\temps\notes\zql M\dqu ca&\zsong{\txt |tons|&}\zql h\qu k\enotes +% +%\check +\barre\hardlyrics{\txt |tous |&}\notes\zql L\qu N&\hsong\thelyrics\zql i\qu l\enotes +\temps\notes\rlap{\dqb LJ}\qu a&\zsong{\txt |son a-|&}\zqu l\dql ji\enotes +% +%\check +\barre\Notes\zql K\qu d&\hsong{\txt |vŠ-|&}\zql h\qu m\enotes +\temps\Notes\zql K\qu c&\hsong{\txt |ne-|&}\zql k\qu m\enotes +% +%\check +\barre\NOTes\zhl N\hu b&\hsong{\txt |ment|&}\zhl g\zh k\hu n\enotes +\setdoublebar +% +%\check +\barre\Notes\itenu0N\tten0\itenu0N\hl N&\hsong{\txt |De-|&}\zql g\qu i\enotes +\temps\Notes&\hsong{\txt |puis|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |plus|&}\zql i\qu k\enotes +\temps\notes&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |tre|&}\zql h\qu j\enotes +\temps\Notes&\hsong{\txt |mille|&}\zql j\qu l\enotes +% +%\check +\barre\NOtes\tten0\itenu0N\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |Nous|&}\zql g\qu i\enotes +\temps\Notes&\hsong{\txt |le|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |pro-|&}\zql i\qu k\enotes +\temps\notes&\zsong{\txt |mettaient|&}\rlap{\dqb ji}\dqu lk\enotes +% +%\check +\barre\Notes\tten0\itenu0N\hl N&\hsong{\txt |les|&}\zql h\qu j\enotes +\temps\Notes&\hsong{\txt |pro-|&}\zql g\qu i\enotes +% +%\check +\barre\Notes\tten0\qlp N&\hsong{\txt |phŠ-|&}\zql g\qu i\enotes +\temps\notes&\hsong{\txt |tes|&}\zcl f\cu h\enotes +\temps\notes\ds&\ds\enotes +% +%\check +\barre\Notes\ql N&\hsong{\txt |De-|&}\zql g\qu i\enotes +\temps\Notes\ql M&\hsong{\txt |puis|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\ql L&\hsong{\txt |plus|&}\zql i\qu k\enotes +\temps\notes\dqb MN&\zsong{\txt |de qua-|&}\rlap{\dqb hg}\dqu ji\enotes +% +%\check +\barre\Notes\ql K&\hsong{\txt |tre|&}\zql h\qu j\enotes +\temps\Notes\ql N&\hsong{\txt |mille|&}\zql j\qu l\enotes +% +%\check +\barre\NOtes\hl N&\hsong{\txt |ans|&}\zhl i\hu k\enotes +% +%\check +\barre\Notes\ql N&\hsong{\txt |Nous|&}\zql g\qu i\enotes +\temps\Notes\ql M&\hsong{\txt |at-|&}\zql h\qu j\enotes +% +%\check +\barre\Notes\ql L&\hsong{\txt |ten-|&}\zql i\qu k\enotes +\temps\notes\dqb aL&\zsong{\txt |dions cet|&}\rlap{\dqb ji}\dqu lk\enotes +% +%\check +\barre\Notes\ql M&\hsong{\txt |heu-|&}\zql h\qu j\enotes +\temps\notes\dql LI&\zsong{\txt |reux|&}\zql g\qu i\enotes +% +%\check +\barre\NOtes\hl K&\hsong{\txt |temps.|&}\zhl f\hu h\enotes +% +\finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex new file mode 100644 index 00000000000..25a596e9286 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitda.tex @@ -0,0 +1,18 @@ + +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}% +\def\Signature{0}\relax % +\input ilfaitdx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{-2}\relax % deux diezes a la clef +\input ilfaitdx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-2}\relax +\def\Signature{+3}\relax % un bemol a la clef +\input ilfaitdx +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex new file mode 100644 index 00000000000..009d000f547 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/ilfaitdx.tex @@ -0,0 +1,171 @@ +\fulltitle{Il fait danser les mondes} +\shorttitle{Il fait danser les mondes} + \fullauthor{Jean-S‚bastien Bach\\Transposition +Daniel Taupin\\paroles Jacques Tournier} + \shortauthor{J.-S. Bach} + \maketitle + % +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules + % +\parindent 15mm + % soufflets crescendo et decrescendo + % +\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% + % +\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% + % + %au moins deux croches basses et hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% + % + %\check +\def\nbinstruments{2}\resetsignatures +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\def\lowersonginstrum{1} % to be used to make heavy bars at staff left +\def\uppersonginstrum{2} % to be used to make heavy bars at staff left + % +\signaturegenerale{\Signature}% +\generalmeter{\meterC} + %\check +\def\interfacteur{20}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% + %\check + % +\def\eightpoint{\Tenpoint}% + %\check +\catcode`\@=13 +\catcodesmusic + % +\def\respire{\notes&\cbreath\enotes}% + % +\def\txt#1|#2|#3&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #3\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -12pt}}}% + % +\elemskip 20pt\relax +\debutmorceau + %\autolines 754\relax + \transpose=\Transpose + \qspace + % + \NOtes\zql J\qu L&\hsong{\txt Chaque|Il|Il&}\zql N\qu c\enotes + \barre %1 +\hardlyrics{\txt homme |est|fait&}\notes\zql L\qu N&\hsong\thelyrics\zql c\qu g\enotes + \Notes\zql J\qu c&\hsong{\txt est |en |dan-&}\zql e\qu g\enotes + \Notes\zql M\qu c&\hsong{\txt son |cha-|ser &}\zql f\qu h\enotes + \Notes\zql{^G}\qu b&\hsong{\txt re-|que |les &}\zql e\qu i\enotes + % + %\check + \barre %2 + \NOtes\zhl H\hu a&\hsong{\txt fu- |pier-|mon-&}\zhl e\hu j\enotes + \Notes\zql H\qu a&\hsong{\txt ge |re |des &}\zql e\qu j\enotes + \Notes\zql a\qu c&\hsong{\txt Il |En |Les &}\zql h\qu l\enotes + % + %\check + \barre %3 + \Notes\zql M\qu a&\hsong{\txt se |cha-|as-&}\zql h\qu k\enotes + \Notes\zql K\qu a&\hsong{\txt re-|que |tres &}\zql f\qu j\enotes + \Notes\zql N\qu N&\hsong{\txt pose |c\oe ur |les &}\zql e\qu j\enotes + \Notes\zql G\qu N&\hsong{\txt en |vi-|sau-&}\zql d\qu i\enotes + % + %\check + \barre %4 + \NOTes\zhlp J\hup N&\hsong{\txt lui, |vant |sons &}\zhlp e\hup j\enotes + \Notes\zql J\qu L&\hsong{\txt Mais |Au |Il &}\zql N\qu c\enotes + % + %\check + \barre %5 + \Notes\zql L\qu N&\hsong{\txt y |cen-|pŠ-&}\zql c\qu g\enotes + \Notes\zql J\qu c&\hsong{\txt p‚-|tre |se &}\zql e\qu g\enotes + \hardlyrics{\txt nŠtre |de |juge &}\notes\zql M\qu c&\hsong\thelyrics\zql f\qu h\enotes + \Notes\zql{^G}\qu b&\hsong{\txt en |la |et &}\zql e\qu i\enotes + % + %\check + \barre %6 + \NOtes\zhl H\hu a&\hsong{\txt Ju- |ter-|son-&}\zhl e\hu j\enotes + \Notes\zql H\qu a&\hsong{\txt ge |re |de &}\zql e\qu j\enotes + \Notes\zql a\qu c&\hsong{\txt L'‚- |Au |Ren-&}\zql h\qu l\enotes + % + %\check + \barre %7 + \hardlyrics{\txt prouve |fond |ver-&}\notes\zql M\qu a&\hsong\thelyrics\zql h\qu k\enotes + \Notes\zql K\qu a&\hsong{\txt et |des |se &}\zql f\qu j\enotes + \Notes\zql N\qu N&\hsong{\txt le |o-|les &}\zql e\qu j\enotes + \Notes\zql G\qu N&\hsong{\txt con-|c‚-|pri-&}\zql d\qu i\enotes + % + %\check + \barre %8 + \NOTes\zhlp J\hup N&\hsong{\txt duit. |ans. |sons. &}\zhlp e\hup j\enotes + \notes\zql J\qu L&\zsong{\txt L'a |Il |Il &}\rlap{\dqb ef}\dqh jk\enotes + % + %\check + \barre %9 + \notes\zqu c\dqb cb&\zsong{\txt fait |fait |per-&}\zql g\qu l\enotes + \notes\zqu c\dqb aN&\zsong{\txt … |ger-|ce &}\zql h\qu l\enotes + \Notes\zql {^M}\qu d&\hsong{\txt son |mer |l'im-&}\zql h\qu k\enotes + \Notes\zql K\qu d&\hsong{\txt i-|les |pos-&}\zql {^f}\qu j\enotes + % + %\check + \barre %10 + \notes\zhl N\dqh dc&\zsong{\txt ma-|grai-|tu-&}\rlap{\dqb g{^f}}\dqh ih\enotes + \Notes\qu d&\hsong{\txt -- |--|-- &}\zql g\qu i\enotes + \Notes\zql G\qu b&\hsong{\txt ge |nes, |re &}\zql d\qu g\enotes + \Notes\zql {=M}\qu d&\hsong{\txt D'a-|Di-|A-&}\zql g\qu i\enotes + % + %\check + \barre %11 + \Notes\zql L\qu c&\hsong{\txt mour |ri-|bais-&}\zql g\qu j\enotes + \Notes\zql K\qu d&\hsong{\txt et |ge |se &}\zql f\qu i\enotes + \Notes\zql J\qu e&\hsong{\txt de |les |les &}\zql e\qu h\enotes + \notes\zql K\dqh dc&\hsong{\txt bon-|ruis-|plus &}\zql{^f}\qu h\enotes + % + %\check + \barre %12 + \NOTes\zhlp G\hup b&\hsong{\txt heur |seaux |forts &}\zhlp d\hup g\enotes + \Notes\zql I\qu N&\hsong{\txt Et |Fait |D‚-&}\zql d\qu g\enotes + % + %\check + \barre %13 + \notes\zql J\qu N&\hsong{\txt l'at-|jail-|mas-&}\rlap{\dqb cd}\dqh ef\enotes + \Notes\zql {_I}\qu c&\hsong{\txt tend |lir |que &}\zql e\qu g\enotes + \notes\zqu c\dqb H{=I}&\hsong{\txt au |les |le &}\zql f\qu h\enotes + \notes\zql {^J}\qu {_b}&\hsong{\txt ri-|fon-|par-&}\zql e\qu g\enotes + % + %\check + \barre %14 + \Notes\zhl K\hu a&\hsong{\txt va-|tai-|ju-&}\islurd1e\isluru2g\zql e\qu g\enotes + \Notes&\hsong{\txt --|--|--&}\tslur1d\tslur2f\zql d\qu f\enotes + \Notes\zql H\qu a&\hsong{\txt ge |nes, |re &}\zql c\qu e\enotes + \Notes\zql {_I}\qu L&\hsong{\txt Dont |Et |Et &}\zql c\qu g\enotes + % + %\check + \barre %15 + \Notes\zql H\qu M&\hsong{\txt il |chan-|com-&}\zql c\qu f\enotes + \hardlyrics{\txt est |ter |mande &}\notes\zql G\qu N&\hsong\thelyrics\zql c\qu e\enotes + \Notes\cNa F\zql F\qu a&\hsong{\txt le |les |… &}\roff{\zql c}\qu d\enotes + \notes\zql G\dqh NM&\zsong{\txt Sei-|oi-|la &}\zql b\qu d\enotes + % + %\check + \barre %16 + \NOTes\zhlp J\hup L&\hsong{\txt gneur.|seaux.|mort.&}\zhlp N\hup c\enotes + \finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex new file mode 100644 index 00000000000..390d5d0030a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315.tex @@ -0,0 +1,827 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Andante KV 315}\subtitle{pour fl\^ute et orchestre} +\author{W. A. Mozart\\transcription pour fl\^ute, hautbois et orgue\\D. Taupin} +\shortauthor{W. A. Mozart / D. Taupin} +\maketitle + +\parindent 2cm +\generalsignature{0} +\instrumentnumber{3} + %\setname1{P\'edale 16'} +\setname1{Orgue} +\setname2{\vbox{\hbox{Haubois}\hbox{Violon}}} +\setname3{Fl\^ute} +\setstaffs12 +\setclef1{6000} +\ifx\orgue\undefined\else\setsize2{0.64}\setsize3{0.64}\fi +\ifx\oboe\undefined\else\setsize1{0.64}\setsize3{0.64}\fi +\ifx\flute\undefined\else\setsize2{0.64}\setsize1{0.64}\fi +\generalmeter{\meterfrac 24} +\def\dble{\multnoteskip 2} + +\debutmorceau +\zbarre +\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\multnoteskip{0.7}\sk\pause\enotes +% +\barre %2 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %3 +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %4 +\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax + |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %5 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\dble\dble\sk\pause + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %6 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds + \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %7 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\dble\dble\sk\pause + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %8 +\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax + &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes +\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause + &\ql k\sk\enotes +\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax + |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %9 +\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax + |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax + &\dble\dble\sk\pause + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %10 +\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax + |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax + &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %11 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &\dble\ql j\sk\ds\cl j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %12 +\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds + |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds + &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %13 +\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax + &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ibl0N0\qb0N\tqb0N\relax + |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\sk\sk\soupir + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %14 +\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\zq{_L}\ql N\relax + |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs + \Ibbu0ej2\zq c\qh0{_e}\zq e\qh0g\zq g\tqh0j\relax + &\dble\dble\sk\pause + &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jn2\qbp0j\sk\tbbbl0\tqb0n\enotes +% +\barre %15 +\notes\zh D\hu K|\dble\ibl1h0\qb1h\qb1{^f}\relax + &\dble\ds\isluru0m\ql k\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0{^m}\itenu3m\tqb0m\enotes +\notes|\multnoteskip{0.75}\dble\dble\qb1g\itenu1h\tqb1h\relax + &\multnoteskip{0.75}\dble\dble\sk\tslur0l\itenu2j\cl j\relax + &\multnoteskip{0.75}\tten3\ibbbl0m0\qb0{mln}\tqb0m\Ibbbl0ol3\qb0{onm}\tqb0l\enotes +% +\barre %16 +\notes\zh D\hu K|\dble\zcl{^f}\tten1\cu h\Ibl0po1\zq o\qb0q\zq +n\tqb0p\itenl1g\cu g\relax + &\tten2\dble\cu j\ds\ds\itenu2i\cu i\relax + &\uppersh p\zcharnote n{\it tr}\Ibbl0nk2\qb0l\tbbl0\qb0k\itenu3k\tqb0k\sk + \tten3\ibbl0k0\qb0k\tqb0p\multnoteskip{0.8}\Ibbbl0ol2\qb0{on^m}\tqb0l\enotes +% +\barre %17 +\notes\zh D\hu K|\dble\zcl e\tten1\cu g\Ibl0on1\zq n\qb0p\zq +{^m}\tqb0o\zq d\cu {^f}\relax + &\tten2\dble\cu i\ds\ds\cu h\relax + &\ibbl0k0\qb0k\tbbl0\qb0j\itenu3q\tqb0q\sk + \tten3\Ibbl0qj2\qb0{qo^m}\tqb0j\enotes +% +\barre %18 +\notes\dble\zq G\qu N\sk\ds\zq d\cl b\relax + |\zq d\cu g\sk\sk\sk\ds\ibbu0f0\qh0d\qh0g\tqh0{=f}\relax + &\dble\qu i\sk\soupir\relax + &\Ibbl0ip3\qb0{ikn}\tqb0p\itenu4r\ql r\enotes +% +\barre %19 +\notes\dble\ibl0c0\qb0{ccc}\tqb0c\relax + |\zhl e\ibbu0j0\roff{\tbbu0}\qh0g\qh0l\sk\qh0k\sk\qh0j\sk\tbbu0\tqh0i\relax + &\dble\ibu0g0\qh0{g^gh}\tqh0{=g}\relax + &\tten4\Ibbl0rn7\roff{\tbbl0}\qb0r\qb0q\sk\qb0p\sk\qb0o\sk\tbbl0\tqb0n\enotes +% +\barre %20 +\NOtes\dble\ibl0d0\qb0d\tqb0d\multnoteskip{0.7}\cl d\ds + |\dble\ibu0h0\qh0h\tqh0h\multnoteskip{0.7}\cu h\ds + &\dble\ibu0f0\qh0{^f}\tqh0f\multnoteskip{0.7}\cu f\ds + &{\multnoteskip{0.5}\Ibbbl0nk3\qb0{n^ml}\tqb0k\Ibbbl0jk3\qb0{^jkl}\tqb0k}\relax + \cl k\ds\enotes +% +\barre %21 +\Notes\zq G\cu N\ds\zq K\cu D|\zq b\cu d\ds\zq c\rq d\cu{^f}\ds + &\cu g\ds\cu h\ds&\sk\sk\pause\enotes +% +\barre %22 +\Notes\Ibl0HJ2\upz N\zq N\qb0G\upz a\zq a\qb0H|\ibu1g1\zq d\qh1g\zq d\qh1{^f}\relax + &\Ibl2ik2\upz i\qb2i\upz j\zq j\qb2j&\soupir\enotes +\notes\upz b\zq I\tqb0b\sk\ds + |\zq d\tqh1g\sk\ds + &\tqb2k\sk\ds + &\qs\Ibbl2kp2\qb2{kn}\tqb2p\enotes +% +\barre %23 +\NOtes\zhu d\islurd0a\ql a\tslur0N\ql N|\isluru0j\ql j\tslur0i\ql i\relax + &\isluru0m\ql{^m}\tslur0n\ql n&\itenu5r\hl r\enotes +% +\barre %24 +\NOtes\upz d\zq d\lq c\Ibl0Ma2\qb0{^M}\upz d\zq d\zq b\qb0N\upz f\zq{^f}\tqb0a\relax + |\ibl0k0\qb0{kk}\tqb0k\relax + &\Ibl0oq2\qb0o\zcharnote r{\it tr}\relax + \rlap{\multnoteskip{0.25}\sk\sk\tinynotesize\Ibbu1op1\qh1o\tqh1p}\relax + \qb0p\tqb0q\relax + &\tten5\itenu5r\ql r\sk + \tten5\multnoteskip{0.6}\ibbl0r0\qb0r\relax + \nbbbl0\multnoteskip{0.6}\qb0s\tqb0r\enotes +\notes\ds|\ds&\ds&\multnoteskip{0.72}\Ibbbl0ro3\qb0{rqp}\tqb0o\enotes +% +\barre %25 +\Notes\ql N|\qs\ibbu1i0\zq b\qh1g\relax + &&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\sk\ql b|\zq i\qh1k\zq g\tqh1i\ibbu0g0\zq d\qh0g\zq d\qh0g\zq d\qh0g\zq d\tqh0g\relax + &\sk\pause + &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %26 +\Notes\ql c|\qs\ibbu1g0\zq e\qh1g\relax + &&\multnoteskip{0.5}\ibbbl0l0\qb0{l^mn}\tqb0m\enotes +\notes\dble\sk\ql N|\qh1e\zq g\tqh1e\ibbu0i0\zq j\qh0g\zq j\qh0g\zq i\qh0g\zq i\tqh0g\relax + &\sk\pause + &\dble\isluru0l\ql l\sk\tslur0k\cl{k}\enotes +% +\barre %27 +\notes\ql a|\ds\ibbu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\sk\sk\sk\pause + &\ibl0j0\zcharnote m{\it tr}\qbp0j\sk\sk\nbbbl0\multnoteskip{0.7}\qb0i\tqb0j\enotes +\notes\ql K|\ibbu0h0\zq{^f}\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax + &&\Ibl0kj2\isluru0k\qb0k\sk\tslur0j\tqb0j\enotes +% +\barre %28 +\NOtes\ds\Ibl1LJ3\zqu b\qb1L|\ds\zqu g\Ibl2ge3\qb2g\relax + &&\Ibu3hi1\islurd3h\qh3{^h}\tslur3i\tqh3i\enotes +\notes\dble\dble\qb1K\zcu c\tqb1J|\dble\dble\qb2{^f}\zcu g\tqb2e\relax + &\pause + &\hs\Ibbbu0gi2\qh0{g=h}\tqh0i\Ibbbl0jm3\qb0{jkl}\tqb0{^m}\enotes +% +\barre %29 +\Notes\cu I|\zqup g\raise -6\Internote\qs\ibbl1f0\zq b\qb1d\relax + &\soupir&\multnoteskip{0.5}\ibbbl0n0\qb0{nop}\tqb0o\enotes +\notes\dble\ds\cu I\ds|\zq d\qb1b\zq d\tqb1b\Ibbl0ef3\zq b\qb0d\zq b\qb0d\zq d\qb0{=f}\zq d\tqb0f\relax + &\dble\sk\ds\cu{^g}\relax + &\itenu0n\cl n\sk\tten0\ibbl0o0\qb0{nrq}\tqb0p\enotes +% +\barre %30 +\notes\ibu1J0\qh1J\sk\qh1J|\Ibbu0fe2\zq d\qh0f\zq c\tbbu0\qh0e\zq c\tqh0e\relax + &\Ibbu0ih2\qh0i\tbbu0\qh0h\tqh0h\relax + &\Ibbl0no1\qb0{^n}\tqb0o\qs\ccl s\enotes +\Notes\dble\qh1J\tqh1J|\dble\Ibu0hj1\zq e\qh0h\zq h\tqh0j\relax + &\dble\Ibu0jl1\qh0j\tqh0l\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\qs\sk\Ibbbl0po1\qb0p\tqb0o\enotes +% +\barre %31 +\Notes\zq K\ql d|\qs\ibbu1i0\zq g\qh1i\relax + &\ds + &\multnoteskip{0.71}\ibbl3n0\qbp3p\sk\tbbbl3\tbbl3\qb3n\enotes +\Notes\dble\sk\zq K\ql d|\qh1i\tqh1i\Ibbu0ig3\qh0i\zq e\qh0{^h}\lna h\zq{^f}\qh0h\tqh0g\relax + &\ibbu0k0\qh0k\tqh0k\Ibbu0ki3\qh0{k^j=j}\tqh0i\relax + &\itenu1r\tqb3r\sk\tten1\Ibbl0rp3\qb0{r^q=q}\tqb0p\enotes +% +\barre %32 +\Notes\zcl K\roff{\zq d\itenu1d}\itenl0c\qu c\sk\raise -2\Internote\ds + |\qs\ibbu0g0\qh0{gg}\tqh0g\relax + &\itenl2h\qu h\relax + &\zhl o\xTrille q{8\noteskip}\enotes +\notes\dble\zcl K\ibbu0b0\roff{\zq d\tten1}\tten0\qh0c\rq d\qh0c\rq d\relax + \raise -2\Internote\rlap{\ds}\qh0c\rq d\tqh0c\relax + |\Ibbbu0fg3\qh0{^fgh}\tqh0g\ibbbu0i0\qh0{hij}\tqh0h\relax + &\tten2\Ibbbu0hi3\qh0{hij}\tqh0i\Ibbbu0jm3\qh0{jkl}\tqh0{^m}\relax + &\sk\sk\sk\sk\sk\sk\sk\multnoteskip{0.7}\tinynotesize\Ibbbu0lm1\qh0n\tqh0o\enotes +% +\barre %33 +\notes\zql N\zql G\ibbu1a0\qh1b\zcharnote C{(p\'ed.)}\sk\qh1d\relax + |\Ibbbu0gh3\qh0{ghi}\tqh0h\relax + &\Ibbbl0no3\qb0{nop}\tqb0o\relax + &\ql n\enotes +\Notes\qh1b\tqh1d\zql I\raise4\Internote\qs\ibbu0N0\qh0{Nd}\tqh0N\relax + |\dble\qu g\sk\cu{^f}\relax + &\dble\isluru0n\ql n\sk\tslur0m\cl{^m}\relax + &\dble\sk\soupir\enotes +% +\barre %34 +\notes\zql J\raise4\Internote\qs\sk\ibbu1M0\qh0N\relax + |\Ibbbu0ef3\qh0{e^fg}\tqh0f\relax + &\Ibbbl0lm3\qb0{l^mn}\tqb0m\relax + &\enotes +\Notes\qh1c\tqh1N\rlap{\dble\Ibl0JK1\qb0J\tqb0L}\Ibbu0aM3\qh0{cNb}\tqh0N\relax + |\dble\qu e\sk\cu d\relax + &\dble\isluru0l\ql l\sk\tslur0k\cl k\relax + &\dble\sk\pause\enotes +% +\barre %35 +\notes\zqlp L\Ibbbu0LM3\qh0{L=MN}\tqh0M\relax + |\Ibbbu0cd3\qh0{cde}\tqh0d\relax + &\Ibbbl0jk3\qb0{jkl}\tqb0k\relax + &\enotes +\Notes\ibbu0L0\qh0L\tqh0N\Ibbu0LK2\qh0{LN}\roff{\zcl K}\qh0K\tqh0N\relax + |\dble\qu c\sk\cu b\relax + &\dble\isluru0j\ql j\sk\tslur0i\cl i\relax + &\dble\sk\pause\enotes +% +\barre %36 +\Notes\zql J\Ibu0Lc3\qh0L\sk\nbbu0\qh0a\tqh0c|\dble\ibu0e0\qh0e\tqh0e\relax + &\Ibbu0gl3\qh0{^ghj}\tqh0l\enotes +\notes\zql K\ibl0f0\qb0d\sk\sk\tqb0d\relax + |\Ibbu0ig2\qhp0i\sk\tbbbu0\tqh0g\Ibbbu0if3\qh0{ihg}\tqh0{^f}\relax + &\islurd0k\Ibbu0ki2\qhp0k\sk\tbbbu0\tqh0i\Ibbbu0kh3\qh0{kji}\tslur0h\tqh0h\relax + &\sk\pause\enotes +% +\barre %37 +\Notes\zcl G\zq {Nb}\cu d\sk\ds|\cu g\sk\ds + &\cu g\sk\ds + &\qs\isluru0g\Ibbl0gk2\qb0{gi}\tqb0k\enotes +\notes\soupir|\soupir&\soupir + &\tslur0n\ibbbl0n0\qb0n\upz k\qb0k\upz l\qb0l\upz +m\tqb0{^m}\Ibbbl0nq3\upz n\qb0n\upz o\qb0o\upz p\qb0p\upz q\tqb0q\enotes +% +\barre %38 +\Notes\zq G\cu N\ds\zq D\cu K\ds|\zq {_bd}\cu g\ds\zq{ac}\rq d\cu{^f}\sk + &\cu g\ds\cu {^f}\ds&\itenu0r\hl r\enotes +% +\barre %39 +\Notes\Ibl1GN2\upz N\zq N\qb1G\upz c\zq c\qb1K\relax + |\Ibu2gi2\lpz b\zq{_bd}\qh2g\zq{d^f}\qh2h\relax + &\Ibu3gi2\lpz g\qh3g\lpz h\qh3h\relax + &\tten0\itenu0r\ql r\enotes +\notes\upz b\zq N\tqb1{_b}\sk\ds + |\lpz d\zq{dg}\tqh2{_i}\sk\ds + &\lpz i\tqh3{_i}\sk\ds + &\tten0\ibbl0r0\qb0{rrr}\tqb0r\enotes +% +\barre %40 +\notes\zql H\raise2\Interligne\qs\Ibbu0Ma1\qh0{^M}\zqlp a\tqh0a\relax + |\ds\sk\qs\itenl0c\ccu c\relax + &\relax + &\dble\dble\isluru1s\ql{_s}\enotes + \nspace +\notes + |\tten0\zq c\zql{_e}\Ibbu0ej3\qh0{e^fh}\tqh0j\relax + &\pause + &\tslur1m\ql{^m}\enotes +% +\barre %41 +\Notes\lpz I\Ibu0NL2\zq{_I}\qh0{_b}\lpz F\zq{^F}\qh0{^M}\lpz G\zq G\tqh0N\ds + |\lpz d\Ibu0ki2\zq{dg}\qh0k\lpz d\zq{dh}\qh0j\lpz d\zq{dg}\tqh0{_i}\ds + &\upz k\Ibl0ki2\qb0k\upz j\qb0j\upz i\tqb0{_i}\ds + &\Ibl0no1\qb0n\zcharnote q{\it tr}\upperfl s\qb0o\tqb0{_p}\ds + \enotes +% +\barre %42 +\notes\ql c|\ds&&\multnoteskip{0.8}\ibbbl0o0\qb0{_poq}\tqb0o\enotes +\Notes\sk\ql d|\Ibl0jh2\zq{_l}\qb0j\zq l\qb0{_i}\zq j\tqb0 h\relax + &\sk\pause + &\isluru0n\ql n\sk\tslur0m\cl{^m}\enotes +% +\barre %43 +\notes\dble\zql N\hu d\sk\ql{=M}\relax + |\Ibbu0ji3\zq{^f}\qh0j\zq g\qh0{_i}\zq g\qh0i\zq g\tqh0i\relax + \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\dble\sk\sk\pause + &\Ibbl0on2\qb0o\tbbl0\qb0n\tqb0n\sk\ds\sk\cl n\enotes +% +\barre %44 +\notes\dble\zq L\ql{^c}\sk\zq K\ql d\relax + |\qs\ibbu0i0\zq g\qh0{_i}\zq{^f}\qh0h\zq g\tqh0i\relax + \qs\ibbu0i0\zq g\qh0i\zq f\qh0h\zq g\tqh0i\relax + &\dble\sk\sk\pause + &\itenu1n\ql n\sk\sk\sk\tten1\ibbl0n0\qb0n\qb0n\qb0{^m}\tqb0n\enotes +% +\barre %45 +\notes\dble\qu{^J}\sk\qu K\relax + |\zql e\ibbu0h0\qh0{gh^g}\tqh0h\ibbu0h0\zq d\qh0{=f}\zq f\qh0h\zq +e\qh0{=g}\zq d\tqh0f\relax + &\dble\sk\sk\pause + &\Ibbl0po2\qb0{_p}\tbbl0\qb0o\itenu0o\tqb0o\sk + \tten0\Ibbl0oq3\qb0{or^q}\tqb0r\enotes +% +\barre %46 +\notes\zql E\raise2\Interligne\qs\Ibbu0JL1\qh0{^J}\zqlp L\tqh0L\relax + |\ds\sk\qs\itenl0N\ccu N\relax + &\relax + &\dble\dble\isluru1p\ql{_p}\enotes + \nspace +\notes + |\tten0\zq N\zql{_b}\Ibbu0bg3\qh0{b^ce}\tqh0g\relax + &\pause + &\tslur1j\ql{^j}\enotes +% +\barre %47 +\Notes\lpz F\Ibu0MK2\zq F\qh0M\lpz C\zq{^C}\qh0{^J}\lpz D\zq D\tqh0K\ds + |\lpz a\Ibu0hf2\zq{ad}\qh0h\lpz a\zq{ae}\qh0g\lpz a\zq{ad}\tqh0f\ds + &\lpz h\Ibu0hf2\qh0h\lpz g\qh0g\lpz f\tqh0f\ds + &\Ibl0kl1\qb0k\zcharnote n{\it tr}\qb0l\tqb0m\ds + \enotes +% +\barre %48 +\notes\ql N|\ds&&\multnoteskip{0.8}\ibbbl0l0\qb0{mln}\tqb0l\enotes +\Notes\sk\ql a|\Ibu0hf2\zq{_i}\qh0g\zq h\qh0f\zq g\tqh0 e\relax + &\pause + &\isluru0k\ql k\sk\tslur0j\cl{^j}\enotes +% +\barre %49 +\notes\dble\zq K\ql a\sk\zq{=I}\ql{=b}\relax + |\ibbu0g0\zq{^c}\qh0h\zq d\qh0f\lpz d\zq d\qh0f\lpz d\zq d\tqh0f\zq d\qh0{^g}\relax + &\dble\sk\sk\pause + &\Ibbl0lk2\qb0l\tbbl0\qb0k\tqb0k\sk\qs\ibbl0m0\qb0{mm}\tqb0m\enotes +% +\barre %50 +\notes\dble\zq J\ql c\sk\zq{^G}\ql{^N}\relax + |\qs\ibbu0i0\zq e\qh0h\zq e\qh0h\zq e\tqh0h\zq e\qh0{=i}\relax + &\dble\sk\pause + &\Ibbl0ml2\qb0m\tbbl0\qb0l\tqb0l\sk\qs\ibbl0k0\qb0{kk}\tqb0k\enotes +% +\barre %51 +\notes\dble\zq H\ql a\sk\zq F\qu M\relax + |\zcl e\Ibbu0ih1\qh0i\tqh0h\zq c\dble\qu h\relax + &\dble\sk\sk\pause + &\ibbl0k0\qb0k\tbbl0\qb0j\itenu0o\tqb0o\sk + \multnoteskip{0.6}\Ibbl0om3\tten0\qb0o\sk\nbbbl0\qb0n\tqb0m\enotes +\notes|\zq a\cu h&&\Ibbl0lk1\qb0l\tqb0{^k}\enotes +% +\barre %52 +\notes\zql E\raise2\Interligne\qs\ibbu0L0\qh0{LL}\tqh0L\dble\cu L\ds + |\Ibbu0hg3\zq c\qh0h\zq b\qh0{^g}\zq b\zq e\qh0g\zq b\zq e\tqh0g\dble\zq + {be}\cu g\ds + &\dble\dble\pause + &\Ibbl0kl2\qb0{^k}\tbbl0\qb0l\tqb0l\sk\qs\ibbl0l0\qb0{ll}\tqb0l\enotes +% +\barre %53 +\notes\qs\ibbl0K0\qb0{KK}\tqb0K\relax + |\qs\ibbu0i0\rq g\sh g\zq f\qh0i\rq g\zq f\qh0i\rq g\zq f\tqh0i\relax + &\qs\ibbu0i0\qh0{ii}\tqh0i\relax + &\Ibbl0nm2\qb0n\tbbl0\qb0m\tqb0m\enotes +\notes\multnoteskip{0.7}\cl K\sk\sk\sk\ds + |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0l0\qb0{ml}\tqb0m\ibbbl0l0\qb0{nml}\tqb0m\enotes +% +\barre %54 +\notes\zql G\raise3\Internote\qs\ibbl0N0\qb0{NN}\tqb0N\relax + |\qs\ibbu0i0\zq d\zq f\qh0i\zq d\zq f\qh0i\zq d\zq f\tqh0i\relax + &\qs\ibbu0i0\qh0{ii}\tqh0i\relax + &\Ibbl0qp2\qb0q\tbbl0\qb0p\tqb0p\enotes +\notes\multnoteskip{0.7}\cl N\sk\sk\sk\ds + |\multnoteskip{0.7}\zq f\rq g\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\cu i\sk\sk\sk\ds + &\multnoteskip{0.7}\hs\ibbbl0o0\qb0{po}\tqb0p\ibbbl0o0\qb0{qpo}\tqb0p\enotes +% +\barre %55 +\NOTes\zq J\ql N\zq G\ql N|\zq c\qu e\zq d\qu f&\ql j\ql i&\ql q\soupir\enotes +% +\barre %56 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %57 +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %58 +\notes\dble\zq C\cu J\ds\zq C\cu J\ds\relax + |\qs\ibbu0d0\zq b\qh0{^d}\zq c\qh0e\zq b\tqh0d\relax + \Ibbu0df3\zq c\qh0e\zq c\qh0e\zq {=d}\qh0f\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\Ibl0kl2\qb0{^k}\sk\tqb0l\sk\qs\Ibbl0ln2\qb0{lm}\tqb0n\enotes +% +\barre %59 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\ibbu0g0\zq f\qh0h\zq c\qh0f\zq f\tqh0h\Ibbu0ig3\zq h\qh0j\zq +h\qh0j\sk\zq g\qh0i\zq f\tqh0h\relax + &\dble\dble\sk\pause + &\ibbl0o0\qb0o\tbbl0\qb0m\itenu0q\tqb0q\sk + \ibbl0o0\tten0\qbp0q\relax + {\multnoteskip{0.66}\sk\nbbbl0\qb0r\tqb0q}\relax + \Ibbl0po1\qb0p\tqb0o\enotes +% +\barre %60 +\notes\dble\zq C\cu J\ds\cu J\ds + |\qs\Ibbu0fd2\zq f\qh0h\zq e\qh0g\zq{^d}\tqh0{^f}\relax + \ibbu0i0\zq e\qh0g\zq g\qh0j\zq c\qh0e\zq e\tqh0g\relax + &\dble\dble\sk\pause + &\dble\Ibl0on1\zcharnote q{\it tr}\qb0o\tqb0n\ds + \multnoteskip{0.33}\zcharnote p{\it tr}\ibbl0n0\qbp0n\sk\tbbbl0\tqb0n\enotes +% +\barre %61 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq c\qh0f\zq f\qh0h\zq h\tqh0j\ds\Ibbu0fj2\zq c\qh0f\zq +f\qh0{_h}\zq h\tqh0j\relax + &\dble\dble\sk\pause + &\Ibbl0qo1\qb0q\tqb0o\dble\ql m\sk\cl m\enotes +% +\barre %62 +\Notes\zq G\ql N|\qs\Ibbu0di2\zq b\qh0d&\relax + &\multnoteskip{0.5}\Ibbbl1nk3\qb1{nml}\tqb1k\enotes +\notes|\zq d\qh0f\zq f\tqh0i&\sk\pause + &\ql k\sk\enotes +\notes\dble\Ibu0MJ1\zq G\qh0N\zq C\tqh0J\relax + |\qs\ibbu0i0\zq f\qh0i\zq e\qh0j\zq e\tqh0g\relax + &&\sk\sk\multnoteskip{0.7}\Ibbl0lj2\qbp0l\sk\tbbbl0\tqb0j\enotes +% +\barre %63 +\notes\dble\zq F\qu M\sk\zql G\ibu0L0\qh0N\tqh0N\relax + |\dble\zqp d\qup f\sk\sk\zq b\cu d\relax + &\dble\dble\sk\pause + &\ibbl0i0\isluru0i\qb0i\tslur0h\qb0h\isluru0m\qb0m\tslur0k\tqb0k\relax + \ibbl0j0\isluru0j\qb0j\tslur0i\qb0i\isluru0n\qb0n\tslur0m\tqb0m\enotes +% +\barre %64 +\notes\dble\zhu N\ql J\sk\Ibl0JI1\qb0J\tqb0I\relax + |\qs\Ibbu0bd2\qh0b\qh0c\tqh0{=d}\Ibbu0eg3\qh0{^de=d}\tqh0g\relax + &\qs\Ibbu0ef2\qh0{^de}\tqh0f\Ibbu0fi3\qh0{^fgh}\tqh0i\relax + &\dble\Ibl0kl1\qb0{^k}\tqb0l\ds + \zcharnote p{\it tr}\multnoteskip{0.4}\ibbl0n0\qbp0n\sk\tqb0n\enotes +% +\barre %65 +\notes\dble\zq H\ql a\sk\zq{_H}\ql{_a}\relax + |\qs\Ibbu0fj2\zq f\qh0c\zq f\qh0h\zq h\tqh0j\relax + \qs\Ibbu0fj2\zq c\qh0f\zq f\qh0{_h}\zq h\tqh0j\relax + &\dble\ql j\sk\ds\cl j\relax + &{\multnoteskip{0.667}\triolet q\Ibbl0qm2\qb0{qo}\tqb0m}\relax + \dble\ql m\sk\cl m\enotes +% +\barre %66 +\notes\dble\Ibu0LK1\lpz G\zq G\qh0N\lpz F\zq F\tqh0M\ds + |\dble\lpz d\zq d\Ibu0gd1\qh0g\lpz b\zq b\tqh0d\ds + &\dble\Ibu0ig2\lpz i\qh0i\lpz g\tqh0g\ds + &\ibbl0k0\qb0m\tbbl0\qb0p\tqb0p\sk\ds\enotes +\notes\cl L|\cu c&\cu g&\Ibbbl0qo3\qb0{qp_p}\tqb0o\enotes +% +\barre %67 +\notes\ql M|\dble\dble\Ibu0cd1\qh0c\tqh0d\relax + &\dble\dble\Ibu0fh1\qh0f\tqh0h\relax + &\ibbbl0n0\qb0{^no=p}\tqb0o\Ibbbl0nk3\qb0{=nml}\tqb0k\enotes +\Notes\dble\ibl0N0\qb0N\tqb0N\relax + |\ds\Ibbu0gd2\zq e\qh0g\zq c\qh0e\zq b\tqh0d\relax + &\sk\sk\soupir + &\ibbl0j0\roff{\tbbl0}\qh0{jl}\sk + \multnoteskip{0.6}\nbbbl0\qb0m\tqb0k\enotes +% +\barre %68 +\notes\zql J\Ibbu0JI2\qh0M\tbbu0\qh0L\tqh0L\sk\dble\ql N\relax + |\qs\Ibbu0cg2\zq c\qh0N\zq c\qh0e\zq e\tqh0g\qs + \Ibbu0ej2\zq c\qh0{e}\zq e\qh0g\zq g\tqh0j\relax + &\dble\dble\sk\pause + &\zcharnote n{\it tr}\Ibbl0kj2\qb0k\tbbl0\qb0 j\tqb0j\sk\ds\sk + \multnoteskip{0.67}\Ibbl0jj2\qbp0j\sk\tbbbl0\tqb0j\enotes +% +\barre %69 +\Notes\zhl J\qu a\relax + |\qs\Ibbu0fj2\zq c\qh0{^f}\zq f\qh0h\zq h\tqh0j\relax + &\relax + &\Ibbl0jn2\qb0{^j}\tbbl0\qb0k\itenu0r\tqb0r\enotes +\notes\ql{_b}|\dble\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\pause + &\tten0\isluru0r\Ibbbl0ro3\qb0{r=q_p}\tqb0o\Ibbbl0nk3\qb0{nml}\tslur0k\tqb0k\enotes +% +\barre %70 +\Notes\zhl J\qu N\relax + |\qs\Ibbu0gk2\zq d\qh0g\zq g\qh0{_i}\zq i\tqh0k\relax + &\relax + &\zcharnote m{\it tr}\ibbl0j0\qb0k\tbbl0\qb0j\itenu0q\tqb0q\enotes +\notes\ql a|\dble\qs\Ibbu0fj2\zq c\qh0{=f}\zq f\qh0h\zq h\tqh0j\relax + &\pause + &\tten0\isluru0q\Ibbbl0qn3\qb0{q_po}\tqb0n\Ibbbl0mj3\qb0{mlk}\tslur0j\tqb0j\enotes +% +\barre %71 +\Notes\ql J\relax + |\qs\Ibbu0fj2\zq a\qh0d\zq d\qh0f\zq f\tqh0h\relax + &\relax + &\zcharnote m{\it tr}\ibbl0i0\qb0j\tbbl0\qb0{_i}\itenu0p\tqb0{_p}\enotes +\Notes\ql c\relax + |\ibbu0g0\zq e\qh0{g_ih}\tqh0g\relax + &\pause + &\tten0\ibbl0p0\qb0{prq}\tqb0p\enotes +% +\barre %72 +\notes\dble\ibl0N0\zq M\qb0c\zq N\qb0c\zq a\qb0c\zq N\tqb0c\relax + |\dble\ibu0g0\qh0{fef}\tqh0g\relax + &\dble\sk\pause + &\Ibbl0nl7\roff{\tbbl0}\qb0{^no}\sk\qb0{=n}\sk\qb0m\sk\tbbl0\tqb0l\enotes +% +\barre %73 +\notes\dble\dble\zhup a\ibl0M0\qb0{MMM}\zcu M\tqb0M\relax + |\dble\dble\ibu0h0\qh0{hhh}\zq f\tqh0h\relax + &\dble\dble\dble\pause + &\isluru0k\Ibbbl0jk3\qb0{^jkl}\tqb0k\Ibbbl0lm3\qb0{lmn}\tslur0m\tqb0m\relax + \isluru0n\Ibbbl0no3\qb0{^nop}\tqb0o\Ibbbl0nk3\qb0{=nml}\tslur0k\tqb0k\enotes +% +\barre %74 +\notes\dble\Ibu0LJ1\qh0N\tqh0G\relax + |\ibl0g0\zqu g\itenu0g\qbp0e\sk\multnoteskip{0.7}\sk\nbbbl0\qb0f\tqb0e\relax + &\sk\sk\sk\pause + &\ibl0j0\qbp0j\sk\multnoteskip{0.7}\sk\nbbbl0\qb0k\tqb0j\enotes +\Notes\cl N\ds|\tten0\zcl d\cu g\ds + &\relax + &\cl i\ds\enotes +% +\barre %75 +\NOtes\zq C\cu J\ds\zq G\qu N\ds|\zq e\cu g\ds\zq{eg}\cu i\ds + &\cl j\ds\cl k\ds + &\sk\sk\pause\enotes +% +\barre %76 +\Notes\lpz C\zq C\Ibu1JL2\qh1J\lpz D\zq D\qh1K\relax + |\upz j\zq j\ibu2i0\qh2g\upz i\zq g\qh2i\relax + &\upz l\Ibl3ln2\qb3l\upz m\qb3m\relax + &\soupir\enotes +\notes\lpz E\zq E\tqh1L\sk\ds + |\upz j\zq g\tqh2j\sk\ds + &\upz n\tqb3n\relax + &\qs\Ibbl0gl2\qb0{gj}\tqb0l\enotes +% +\barre %77 +\NOtes\zq N\lq M\ql d\zq{LN}\ql c|\qu g\qu g\relax + &\qu i\qu j\relax + &\itenu3n\hl n\enotes +% +\barre %78 +\Notes\Ibl1IK2\upz b\zq {Nb}\qb1I\upz c\zq{cN}\qb1J\relax + |\ibu2g0\qh2{gg}\relax + &\Ibl3km2\qb3k\zcharnote n{\it tr}\multnoteskip{0.33}\qb3l\tinynotesize\Ibbu0kl1\qh0k\tqh0l\relax + &\tten3\itenu3n\ql n\enotes +\notes\upz b\zq{Nb}\tqb1K\sk\ds + |\tqh2g\sk\ds + &\tqb3m\sk\ds + &\tten3\Ibbl0np3\qb0{n^no}\tqb0p\enotes +% +\barre %79 +\Notes\ql c|\qs\Ibbl1ij2\zq e\qb1j\relax + &&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\sk\ql e|\zq l\qb1n\zq j\tqb1l\ibbu0i0\zq j\qh0g\zq j\qh0g\zq j\qh0g\zq j\tqh0g\relax + &\sk\pause + &\dble\isluru0q\ql q\sk\tslur0p\cl p\enotes +% +\barre %80 +\Notes\ql f|\qs\Ibbl1hg0\zq h\qb1j\relax + &&\multnoteskip{0.5}\ibbbl0o0\qb0{opq}\tqb0p\enotes +\notes\dble\sk\ql c|\zq m\qb1j\zq j\tqb1h\ibbu0h0\zq f\qh0h\zq f\qh0h\zq e\qh0g\zq e\tqh0g\relax + &\sk\pause + &\dble\isluru0o\ql o\sk\tslur0n\cl n\enotes +% +\barre %81 +\notes\ql d|\qs\ibbu0i0\zq j\qh0h\zq j\qh0h\zq j\tqh0h\relax + &\sk\sk\sk\pause + &\ibl0m0\xTrille q{3\noteskip}\qbp0m\sk\sk\nbbbl0\multnoteskip{0.7}\qb0l\tqb0m\enotes +\notes\zq N\ql d|\ibbu0h0\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax + &&\Ibl0nm2\isluru0n\qb0n\sk\tslur0m\tqb0m\enotes +% +\barre %82 +\NOtes\ds\Ibu1MK3\zqu a\qh1H\relax + |\ds\zql e\ibu2i0\qh2j\relax + &&\Ibl3kl1\isluru3k\qh3{^k}\tslur3l\tqb3l\enotes +\notes\dble\dble\zq G\qh1N\zq F\tqh1M\relax + |\dble\dble\rq j\qh2i\zcl f\zq h\tqh2j\relax + &\pause + &\hs\Ibbbl0jl2\qh0{j=k}\tqb0l\Ibbbl0mp3\qb0{mno}\tqb0p\enotes +% +\barre %83 +\Notes\zq E\cu L|\zqup j\raise -6\Internote\qs\ibbl1f0\zq e\qb1g\relax + &\soupir&\multnoteskip{0.5}\ibbbl0q0\qb0{qrs}\tqb0r\enotes +\notes\dble\ds\zq C\cu J\ds|\zq e\qb1g\zq e\tqb1g\ibbl0f0\zq e\qb0g\zq g\qb0{_i}\zq +f\qb0h\zq e\tqb0{^g}\relax + &\dble\sk\ds\cu j\relax + &\itenu0q\cl q\sk\tten0\Ibbl0qn3\qb0{q_po}\tqb0{^n}\enotes +% +\barre %84 +\notes\ibu1L0\zq F\qh1M\relax + |\ibu2i0\zq f\qh2h\relax + &\ibu3h0\qh3j\relax + &\Ibbl0no1\qb0{^n}\tqb0o\enotes +\Notes\dble\zq F\qh1M\zq F\qh1M\zq F\tqh1M\relax + |\dble\zq j\qh2f\zq h\qh2j\zq k\tqh2f\relax + &\dble\qh3h\qh3f\tqh3h\relax + &\multnoteskip{0.5}\qs\sk\Ibbbl0rq1\qb0r\tqb0q\relax + \qs\sk\Ibbbl0po1\qb0{=p}\tqb0o\relax + \qs\sk\Ibbbl0nm1\qb0{=n}\tqb0m\enotes +% +\barre %85 +\notes\dble\zq G\qu N\sk\zq G\qu N\relax + |\qs\advance\transpose 7\ibbl0d0\zq c\qh0e\zq e\qh0g\zq e\tqb0e\relax + \ibbl0d0\zq e\qh0g\zq{a^d}\qh0{^f}\zq{b=d}\qh0{=f}\zq c\tqb0e\relax + &\itenl0g\qu g\sk\sk\sk\tten0\Ibbu0ge3\qh0{g^f=f}\tqh0e\relax + &\Ibbl0ln2\qb0l\tbbl0\qb0n\itenu0n\tqb0n\sk\tten0\Ibbl0nl3\qb0{n^m=m}\tqb0l\enotes +% +\barre %86 +\Notes\zcl G\roff{\zq N\itenl1N}\itenl0M\qu M\sk\raise -4\Internote\ds + |\qs\advance\transpose 7\ibbl0e0\lq c\qh0d\lq c\qh0d\lq c\tqb0d\relax + &\itenl2d\qu d\relax + &\zhl k\xTrille q{8\noteskip}\enotes +\notes\dble\zcl G\tten0\roff{\tten1}\ibbu0L0\rq N\qh0M\rq N\qh0M\rq N\qh0M\rq N\tqh0M\relax + |\advance\transpose 7\Ibbbl0de3\qh0{bcd}\tqb0c\ibbbl0f0\qh0{def}\tqb0d\relax + &\tten2\Ibbbu0df3\qh0{def}\tqh0e\Ibbbu0fi3\qh0{fgh}\tqh0i\relax + &\dble\sk\sk\sk\multnoteskip{0.3}\tinynotesize\Ibbu0jk1\qh0j\tqh0k\enotes +% +\barre %87 +\Notes\zqu C\ibbu1N0\qh1L\zcharnote C{(p\'ed.)}\qh1N\relax + |\advance\transpose 7\multnoteskip{0.5}\ibbbl0j0\qb0{jkl}\tqb0k\relax + &\multnoteskip{0.5}\ibbbu0j0\qb0{jkl}\tqh0k\relax + &\ql j\enotes +\notes\qh1c\tqh1N\zql E\ibbu1N0\qh1{LNc}\tqh1N\relax + |\dble\advance\transpose 7\ql j\sk\cl i\relax + &\dble\islurd0j\qu j\sk\tslur0i\cu i\relax + &\dble\sk\soupir\enotes +% +\barre %88 +\Notes\zql F\ibbu1N0\qh1M\qh1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{hij}\tqb0i\relax + &\multnoteskip{0.5}\ibbbu0h0\qb0{hij}\tqh0i\relax + &\enotes +\notes\qh1c\tqh1N\zqu{^C}\ibbu1L0\qh1{^JLa}\tqh1L\relax + |\dble\advance\transpose 7\ql h\sk\cl g\relax + &\dble\islurd0h\qu h\sk\tslur0g\cu g\relax + &\dble\sk\pause\enotes +% +\barre %89 +\Notes\zql D\ibbu1a0\qh1K\qh1a\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0h0\qh0{fgh}\tqb0g\relax + &\multnoteskip{0.5}\ibbbu0f0\qb0{fgh}\tqh0g\relax + &\enotes +\notes\qh1d\tqh1{_a}\zcl I\rlap{\sk\sk\zcl J}\ibbu1N0\qh1{NdN}\tqh1c\relax + |\dble\advance\transpose 7\ql f\sk\cl e\relax + &\dble\islurd0f\qu f\sk\tslur0e\cu e\relax + &\dble\sk\pause\enotes +% +\barre %90 +\Notes\zql F\multnoteskip{0.5}\ibbbu0M0\qh0{MNa}\tqh0N\relax + |\multnoteskip{0.5}\advance\transpose7\ibbbl0g0\qh0{def}\tqb0e\relax + &\multnoteskip{0.5}\ibbbu0d0\qb0{def}\tqh0e\relax + &\enotes +\notes\ibbl0N0\qb0M\tqb0c\ibbl0N0\qb0{Mc^M}\tqb0c\relax + |\dble\zq h\ql k\sk\zq h\cl{_l}\relax + &\dble\islurd0d\qu d\sk\tslur0e\cu{_e}\relax + &\sk\sk\pause\enotes +% +\barre %91 +\notes\zcl G\ibbu0N0\qh0{Nc_a}\tqh0c\ibbu0N0\qh0{Nc^M}\tqh0c\relax + |\dble\ibl0k0\zq j\qb0{=l}\zq j\qh0m\zq j\qh0n\zq j\tqb0o\relax + &\dble\ibu0e0\qh0{=efe}\tqh0{_e}\relax + &\dble\dble\sk\pause\enotes +% +\barre %92 +\notes\dble\pointdurgue F\zq G\qu N\sk\soupir + |\dble\pointdorgue n\zq{n}\ql j\sk\soupir + &\dble\pointdorgue m\qu{=e}\sk\soupir + &\Ibl0lj3\pointdorgue o\qbp0n\sk\sk\tbbl0\tqb0j\xTrille n{3\noteskip}\ibl0j0\qbp0k\sk\sk\multnoteskip{0.7}\nbbbl0\qb0j\tqb0k\enotes +% +\barre %93 +\NOtes\zq J\ql N\zq N\ql G|\zq e\qu c\zq f\qu d\relax + &\ql j\ql i&\ql j\soupir\enotes +% +\barre %94 +\NOtes + \ibl0K0\upz a\zq N\qb0J\upz b\zq N\qb0 b\relax + |\Ibu1eg2\lpz c\zq c\qh1e\qh1g\relax + &\Ibl2jl2\qb2j\zcharnote n{\it tr}\multnoteskip{0.6}\qb2k\relax + {\multnoteskip{0.4}\tinynotesize\Ibbu3jk1\qh3j\tqh3k}\relax + &\soupir\enotes +\NOtes + \zq J\upz c\tqb0c|\tqh1g\relax + &\tqb2l&\ds\enotes +\notes\ds|\ds&\ds&\Ibbl0lm2\zcharnote n{\it tr}\qbp0l\sk\tbbbl0\tqb0m\enotes +% +\barre %95 + %\check +\notes\dble\zhu N\cl J\raise -\Interligne\ds\cl G\raise -\Interligne\ds + |\ibbu0e0\qh0c\zq c\qh0e\zq e\qh0g\zq e\tqh0c\zq e\ibbu0e0\qh0g\zq +c\qh0e\zq d\qh0f\zq b\tqh0d\relax + & \dble\dble\sk\pause + &\Ibbl0nl1\qb0n\tqb0l\dble\isluru0j\ql j\sk\tslur0k\cl k\enotes +% +\barre %96 + %\check +\Notes\zhl J\Ibu1LN2\qh1N\sk\tqh1{_b}\relax + |\qs\Ibbu2dg2\zq b\qh2{^d}\zq c\qh2e\relax + &\relax + &\Ibl3kl3\qb3{^k}\sk\nbbl3\qb3l\enotes + %\check +\Notes\sk|\zq e\tqh2g\relax + &\relax + &\multnoteskip{0.6}\raise2\Interligne\hs\tbbbl3\tqb3l\enotes + %\check +\Notes\Ibu0MK2\qh0a\sk\tqh0M\relax + |\Ibbu0gc3\roff{\tbbu0}\zq f\qh0h\zq{=d}\qh0f\sk\tbbu0\zq{=b}\tqh0d\relax + &\pause + &\zcharnote o{\it tr}\multnoteskip{0.5}\ibbbl0n0\qb0{mlm}\tqb0n\relax + \zcharnote q{\it tr}\ibbbl0p0\qb0{ono}\tqb0p\enotes +% +\barre %97 + %\check +\notes\ibl1J0\zcu L\qb1J\relax + |\zq c\ibu2f0\qh2g\relax + &&\Ibbl3on2\qbp3q\sk\tbbbl3\tqb3n\enotes +\notes\zqb1M\Ibbu4MN3\qhp4M\sk\sk\tbbbu4\tqh4a\relax + |\nbbbu2\qh2{gfe}\tqh2d\relax + &\sk\pause + &\Ibbbl3pm3\isluru4p\qb3{pon}\tqb3m\enotes + %\check +\NOtes\qb1N\zq G\tqb1N\relax + |\cu c\zq{df}\cu i\relax + &\relax + &\Ibl0lk1\qb0l\tslur4k\tqb0k\enotes + %\check +% +\barre %98 +\NOTes\zqp J\qlp N\multnoteskip{0.7}\sk\ds|\isluru0i\zq d\zq f\qu i\tslur0j\multnoteskip{0.7}\zq c\zq e\cu j\ds + &\pause&\isluru0k\ql k\tslur0j\multnoteskip{0.7}\cl j\ds\enotes +% +\ifx\orgue\undefined + \ifx\flute\undefined + \ifx\oboe\undefined + \linegoal24\relax + \else\linegoal19\fi + \else\linegoal20\fi % flute +\else\linegoal20\fi % orgue +\finmorceau + +\rightline{\sl \today} +\eject + + +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex new file mode 100644 index 00000000000..5ea4c9b67c4 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315f.tex @@ -0,0 +1,2 @@ +\def\flute{xxx} +\input kv315.tex diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex new file mode 100644 index 00000000000..a502fc3a89c --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315h.tex @@ -0,0 +1,2 @@ +\def\oboe{xxx} +\input kv315.tex diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex new file mode 100644 index 00000000000..4f71bd55366 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/kv315o.tex @@ -0,0 +1,2 @@ +\def\orgue{xxx} +\input kv315.tex diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex new file mode 100644 index 00000000000..4506fc8d1f6 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcello.tex @@ -0,0 +1,319 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Adagio (B. Marcello)} +\csname titremorceautoc\endcsname +\title{Adagio} +\fulltitle{Adagio} +\subtitle{(extrait du Concerto pour Hautbois)} +\othermention{R\'ecit: cornet ou cromorne\\G.O. + bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +% +\tracingstats=2\relax +% +\def\nbinstruments{3} +\def\interfacteur{9} +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksiii={{0}{0}{0}{0}}% +\nbporteesi=1\relax% +\nbporteesii=1\relax% +\nbporteesiii=1\relax% +\signaturegenerale{-3}\relax +%\check +\def\instrumenti{P\'ed}% +\def\instrumentii{G.O.}% +\def\instrumentiii{R\'ecit}% +%\check +\def\gluemaxskip{7pt}% +% +\def\doubler{\multiply\noteskip by 2\relax}% +% formes frequentes +\def\Pause{\sk\sk\qsk\pause}% +% +%\check +% +\generalmeter{\meterfrac 34}% +% +\debutmorceau +\linesinpage=0\relax +\autolines{19}35\relax +%\check +% +\hyphenpenalty -50\relax +\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio +\bf(\metron{\cu}{84})}\enotes +% +%\check +% +% mesure 1 +\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause\enotes +\advance\linesinpage by 1 +% mesure 2 +\barre\NOTes\Pause +&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes +% mesure 3 +\def\motif{\zq i\qh0k}% +\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif +\motif\motif\motif\motif\tbu0\motif&\Pause\enotes +% mesure 4 +\def\motif{\zq j\qh0 l}% +\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax +&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax +&\Ibl1jl1\qb1j\tqb1l\enotes +\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes +\NOTes&\motif&\ibl1n0\qb1n\enotes +\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes +% mesure 5 +\def\motif{\zq h\qh0j}% +\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax +\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes +\NOTes&\zql d\motif\motif\enotes +\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes +% mesure 6 +\def\motif{\zq h\qh0k}% +\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes +\NOTes&\motif&\Ibl1kl2\qb1k\enotes +\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes +\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes +% mesure 7 +\def\motif{\zq g\qh0i}% +\barre\autolines{20}35\relax +\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif +\motif&\qsk\mordant p\zhl n\enotes +\NOTes&\zql c\motif\motif\enotes +\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes +% mesure 8 +\def\motif{\zq h\qh0j}% +\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif +&\Ibbl1hi3\qb1{hij}\tqb1i\enotes +\NOtes&\motif\sk\motif +&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes +\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif +&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes +% mesure 9 +\def\motif{\zq f\qh0h}% +\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif +\tbu0\motif&\qsk\mordant o\zhl m\enotes +\def\motif{\zq f\qh0i}% +\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes +\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes +% mesure 10 +\def\motif{\zq i\qh0k}% +\barre\autolines{28}25\relax +\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax +\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes +\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes +\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes +% mesure 11 +%\check +\def\motif{\zq g\qh0 j}% +\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif +&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes +\NOtes&&\tbl1\qbp1l\enotes +\NOTes\itenl0J\tqh2J&\motif&\enotes +\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes +\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes +% mesure 12 +%\check +\barre +\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax +&\mordant q\ql k\sk\enotes +\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir +\Ibbl1km2\qb1{kn}\tqb1m\enotes +\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes +\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes +% mesure 13 +\barre +\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax +\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes +\NOtes&&\tbl1\qbp1j\enotes +\NOTes&\zq e\tqh0g&\enotes +\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax +&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes +\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax +\triolet M\qb1{jk}\tqb1j\enotes +% mesure 14 +%\check +\def\motif{\zq g\qh0 i}% +\barre\autolines{21}35\relax +\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq +f\rlap{\qsk\itenl0f}\bigna i\motif +&\bigna i\hl i\enotes +\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes +% mesure 15 +\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax +&\ibl1l0\bigna l\qb1l\qb1n\enotes +\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes +\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes +% mesure 16 +\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes +\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes +\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax +\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes +% mesure 17 +\def\motif{\zq h\qh0 k}% +\barre\autolines{24}35\relax +\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif +&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes +\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes +\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk +&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes +% mesure 18 +\barre +\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes +\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax +&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes +% mesure 19 +\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax +&\tten1\ibl1l0\qb1l\enotes +\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes +\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes +\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes +\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes +% mesure 20 +\barre\autolines{28}35\relax +\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax +&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes +\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes +\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes +% mesure 21 +\barre +\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax +&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes +\Notes&&\nbbbl1\qb1m\tqb1l\enotes +\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax +&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes +\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax +\pince l\qb1j\enotes +\NOtes&&\itenu0i\tqb1i\enotes +% mesure 22 +\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax +&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes +\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax +&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes +\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax +&\ibbu1k0\qh1{flk}\tqh1j\enotes +% mesure 23 +\barre\autolines{21}35\relax +\Notes\hu I&\doubler +\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax +&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes +\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes +% mesure 24 +\barre +\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes +\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes +\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax +&\qlp m\sk\sk\cl l\enotes +% mesure 25 +\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes +\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk +&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes +% mesure 26 +\barre\autolines{23}35\relax +\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes +\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk +&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes +% mesure 27 +\barre +\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax +&\bigfl k\ibl1j0\itenu1k\qb1k\enotes +\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes +\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes +\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax +&\Ibbl1ol3\qb1{onm}\tqb1l\enotes +% mesure 28 +\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax +&\itenu1m\ql m\enotes +\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes +\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax +&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes +% mesure 29 +\barre\autolines{23}35\relax +\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax +&\ibbl1l0\qb1{lom}\tqb1k\enotes +\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax +&\qlp{=i}\sk\sk\cl j\enotes +% mesure 30 +%\check +\barre +\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax +&\itenl1f\hu f\enotes +\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes +% mesure 31 +%\check +\barre +\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk +&\Ibbu1fe3\qh1{fed}\tqh1e\enotes +\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes +\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax +&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes +% mesure 32 +%\check +\barre\autolines{21}35\relax +\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax +&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes +\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax +&\qlp k\sk\sk\cl j\enotes +% mesure 33 +%\check +\def\motif{\zq h\qh0 j}% +\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif +\motif\tbu0\motif +&\bigsh m\itenu1m\hl m\enotes +\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax +&\tten1\Ibl1nk1\qb1n\tqb1k\enotes +% mesure 34 +%\check +\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes +\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes +\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote +n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes +% mesure 35 +%\check +\barre\autolines{17}35\relax +\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes +\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes +\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes +% mesure 36 +%\check +\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq +{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes +% mesure 37 +%\check +\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax +\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax +&\sk\sk\qsk\pause\enotes +% mesure 38 +%\check +\barre\autolines{16}45\relax +\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes +\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes +\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes +% mesure 39 +%\check +\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax +\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax +&\sk\sk\qsk\pause\enotes +\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes +% mesure 40 +%\check +\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes +\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes +% mesure 41 +%\check +\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre +\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes +\finmorceau +\rightline{\sl\aujourdhui}\eject + + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex new file mode 100644 index 00000000000..ba0073d59eb --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon1.tex @@ -0,0 +1,729 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- allegro} +\fulltitle{Concerto pour hautbois --- allegro} +\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf + \ifFlute Partition fl–te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- allegro} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\def\OrgelManual{\ifOrgue + \global\cleftoksi={{6}{0}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=2\relax% + \fi +} +\def\OrgelPedal{\ifOrgue + \global\cleftoksi={{6}{6}{0}{0}}% + \def\interinstrumentii{-\Interligne}% + \def\interinstrumenti{-\Interligne}% + \nbporteesi=3\relax% + \fi +} +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{6}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl–te}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl–te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 5mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% +% formes frequentes +% +\def\Pause{\sk\sk\sk\qsk\pause\sk\sk\sk}% +\def\PauseSoliste{\ifOrgue\Pause\else\sk\pause\sk\fi}% +\def\PauseSoliste{\Pause}% +% + \def\oct{\advance\transpose 7\relax}% +% +% +\def\clpz#1{\upz{#1}\cl{#1}} +\def\cupz#1{\lpz{#1}\cu{#1}} +\def\qlpz#1{\upz{#1}\ql{#1}} +\def\qupz#1{\lpz{#1}\qu{#1}} +% + \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\tqb0{#4}}% +% + \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\tqh0{#4}}% +% + \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\fourbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourblu#1#2#3#4{\Ibu0{#1}{#4}3\islurd0{#1}\qh0{#1#2#3}\tslur0{#4}\tqh0{#4}} + \def\fourbll#1#2#3#4{\Ibl0{#1}{#4}3\isluru0{#1}\qb0{#1#2#3}\tslur0{#4}\tqb0{#4}} +% + \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourbblu#1#2#3#4{\Ibbu0{#1}{#4}3{\advance\transpose-1\islurd0{#1}}\qh0{#1#2#3}{\advance\transpose-1\tslur0{#4}}\tqh0{#4}} + \def\fourbbll#1#2#3#4{\Ibbl0{#1}{#4}3{\advance\transpose 1\isluru0{#1}}\qb0{#1#2#3}{\advance\transpose 1\tslur0{#4}}\tqb0{#4}} +% + \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} + \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} + \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} + +\catcodesmusic +\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} +\def\GO{\znotes\org|\zmidtwotext{\llap{\bf I}}&\enotes} +\def\Pos{\znotes\org|\zmidtwotext{\llap{\bf II}}&\enotes} +% +%\check +% +\generalmeter{\meterC}% +\sepbarrules +% +\OrgelPedal +\debutmorceau +\GO +\notes\org|\relax + &\ifFlute\zcharnote N{\sl (orgue solo)}\fi + &\ifOboe\zcharnote N{\sl (orgue solo)}\fi\zcharnote{w}{\kern -20mm\moyen Allegro moderato \bf(\metron{\cu}{112})}\enotes +% +%\check +% mesure 1 +\Notes\org \Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + |\Pause + |\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + &\ifFlute\tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + \else\PauseSoliste\fi + &\ifOboe \tinynotesize\oct\Ibu0cL1\qh0c\tqh0J\ds\cu J\ibu0L0\qh0{KGN}\tqh0K\relax + \else\PauseSoliste\fi + \enotes + %\check + \barre % mesure 2 +\Notes\org \Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + |\Pause + |\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + &\ifFlute\tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\PauseSoliste\fi + &\ifOboe \tinynotesize\oct\Ibu0LJ1\qh0L\tqh0J\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\PauseSoliste\fi + \enotes + %\check + \barre % mesure 3 +\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause + |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + \enotes + %\check + \barre % mesure 4 + \Pos +\notes\org \doubler\Pause + |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax + |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax + &\ifFlute\zcharnote N{\sl fl–te}\fi + \ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax + &\ifOboe\zcharnote N{\sl hautbois}\fi + \uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes + %\check + \barre % mesure 5 +\Notes\org\soupir\sk|\ql J\sk|\zq{ce}\qu g&\ql j\sk&\Ibl0lj1\qb0l\tqb0j\enotes +\GO +\Notes\org \ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + |\soupir\sk\sk\hpause + |\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + &\ifFlute\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\soupir\sk\sk\hpause\fi + &\ifOboe\tinynotesize\oct\ds\cu a\ibu0L0\qh0{INH}\tqh0M\relax + \else\soupir\sk\sk\hpause\fi + \enotes + %\check + \barre % mesure 6 + \ifOrgue\def\atnextline{\OrgelManual}\fi% +\notes\org \qu G\sk\qs\sk\sk\soupir\sk\sk\sk\hpause + |\relax \soupir\sk\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + |\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + &\ifFlute\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\qu G\sk\qs \Ibbu0GI2\qh0{GH}\tqh0{=I}\Ibbu0JM3\qh0{JKL}\tqh0M\multnoteskip{1.44}\Ibu0NJ1\qh0N\tqh0G\relax + \else\multnoteskip{1.8}\PauseSoliste\fi + \enotes + %\check + \barre % mesure 7 + \Pos +\notes\org \doubler\Pause + |\doubler\ibl0K0\qb0{JKL}\tqb0J\qu{=I}\sk\ds\cu G\relax + |\doubler\zq N\zq c\qu e\sk\zql N\Ibu0ce1\qh0c\tqh0e\zq N\qu d\sk\ds\zq d\rq g\cu f\relax + &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f\doubler\qu g\sk\qu g\sk\ds\cu{=i}\relax + &\uptext{\p}\cl j\sk\sk\sk\qs\Ibbl0jl2\qb0j\qb0k\tqb0l\Ibl0kg2\qb0 k\sk\tqb0g\ibbl0m0\qb0{nmn}\tqb0k\enotes + %\check + \barre % mesure 8 + \notes\org\doubler\Pause + |\doubler\ibl0L0\qb0{Jca}\tqb0M\ql b\sk\ds\cl N\relax + |\zq c\qu e\sk\sk\sk\zql c\ibu0f0\qh0e\sk\nbbu0\qh0h\tqh0g\zq d\qu f\sk\sk\sk\ds\sk\zcl d\Ibbu0gf1\qh0g\tqh0f\relax + &\ibu0j0\qh0j\sk\nbbu0\qh0j\tqh0{_i}\itenu0j\qu j\sk\sk\sk\tten0\Ibu0ji3\qh0j\sk\nbbu0\qh0j\tqh0i\itenu1i\qu i\relax + &\pince n\rlap{\Ibbl0lj2\multnoteskip{0.667}\qbp0l\sk\tbbbl0\qb0k\tqb0j}\sk\sk\sk\sk\qs\isluru0l\ibbl0l0\qb0{lm}\tslur0l\tqb0l\fourlll +lkkn\fourlll nknk\enotes + %\check + \barre % mesure 9 + \notes\org&\relax&\grcu l\enotes + \notes\org\doubler\Pause + |\doubler\ql a\sk\ds\cl M\Ibl0NK3\qb0{NNL}\tqb0J\relax + |\zq c\qu e\sk\sk\sk\ds\sk\zcl c\Ibbu0fe1\qh0f\tqh0e\doubler\Ibu0ec3\zq +c\qh0e\zq{=b}\qh0d\qh0c\zq N\tqh0c\relax + &\tten1\Ibu0ih3\qh0i\sk\nbbu0\qh0i\tqh0h\itenu0h\qu h\sk\sk\sk\tten0\Ibu0hg3\qh0h\sk\nbbu0\qh0h\tqh0g\Ibu0ge2\qh0g\sk\tqh0e\relax + &\fourlll kjjm\fourlll mjmj\pince m\Ibl0ji2\qb0j\sk\tqb0{=i}\sk\ds\sk\cu g\enotes + %\check + \barre % mesure 10 + \notes\org\doubler\Pause + |\doubler\ql M\sk\twobl LK\qu J\sk\twobu JI\relax + |{\doubler \Ibu0cd1\zq c\qh0a\zq d\tqh0{=b}\Ibu0ef1\zq c\qh0e\zq d\tqh0f\zq e\qu g\sk\rlap{\twobl d{=e}}}\fourllu hggh\relax + &\fourllu fggh\fourlll h{=i}ij\Ibbl0jg2\qb0j\tbbl0\qb0g\tqb0g\sk\doubler{\twobl jj}\relax + &\fourlll h{=i}ij\fourlll jkkl\fourlll ljjk\fourlll k{=l}lm\enotes + %\check + \barre % mesure 11 + \notes\org\doubler\Pause + |\doubler\ibu0K0\qh0{HaN}\tqh0{=I}\ibu0K0\qh0{JMN}\tqh0G\relax + |\rlap{\sk\sk\fourlll fggf}{\doubler\ibu0h0\zq f\qh0 h\qh0 j\qh0{=i}\rq +g\tqh0f\Ibu0gf1\zq e\qh0g\zq f\tqh0d}\Ibbu0fd2\zq d\qh0f\tbbu0\zq c\qh0e\zq{=b}\tqh0d\relax + &\fourlll jmml\Ibbu0lk2\qh0l\tbbu0\qh0k\tqh0k\sk\doubler\twobu jh\qu g\relax + &\mordent o{\doubler \isluru0m\qlp m\sk\sk\tslur0n\cl +n}\Ibl0lj3\qb0{_l}\sk\nbbl0\upz k\qb0k\upz j\tqb0j\Pince n\Ibl0ij3\isluru0i\qbp0{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes + %\check + \barre % mesure 12 + \notes\org\doubler\Pause + |\doubler\ibu0J0\qh0{JKL}\tqh0J\qu M\sk\twobu LK\relax + |{\doubler\zq{Nc}\qu e\sk\Ibu0dg1\zq N\qh0c\zq e\tqh0g}\zql f\fourllu +h{=i}ij\rlap{\doubler\twobl gf}\fourllu jiij\relax + &\ibu0g0\qh0g\sk\nbbu0\qh0g\tqh0f{\doubler \twobu gj}\fourllu jkkl\fourllu lkkl\relax + &\doubler\ql j\sk\soupir\sk\hpause\enotes + %\check + \barre % mesure 13 + \notes\org\doubler\Pause + |\doubler\qu J\sk{\multnoteskip{1.2}\twobu JI}\twobu HH\twobu G{=I}\relax + |\rlap{\fourllu jjjk\multnoteskip{1.2}\fourllu k{=l}lm}{\doubler\twobl eg{\multnoteskip{1.2}\roff{\ibl0j0\qb0j}\tqb0j}\zql j\qu +m\sk}\ibu0g0\zq d\qh0g\sk\zq d\rq f\tqh0g\relax + &\fourlll lllm{\ifOrgue\multnoteskip{1.2}\fi\fourlll mnno\ql o}\sk\sk\sk\fourllu{=i}kgn\relax + &\doubler\Pause\enotes + %\check + \barre % musure 14 + \notes\org\doubler\Pause + |\doubler\ibu0L0\qh0{JMN}\tqh0G\qu J\sk\ql c\relax + |\Ibu1gh2\zq g\qh1e\sk\rlap{\twobbl fe}\tqh1h\sk{\doubler\zql d\twobu +gf}{\doubler\ibu0h0\zq c\qh0e\zq c\zq e\tqh0g}\ibu0g0\zq e\qh0g\sk\nbbu0\qb0e\tqh0g\relax + &\Ibl0lj3\qb0l\sk\nbbl0\qb0k\tqb0j\Ibl0ij3\qbp0{=i}\sk\sk\tbbl0\tqb0j\doubler\ibl0j0\qb0{jjj}\tqb0j\relax + &{\doubler\sk\hpause\sk\sk}\qs\ibbl0j0\qb0j\isluru0j\qb0j\tslur0l\tqb0l\fourlll + lnn{_i}\enotes + %\check + \barre % mesure 15 + \notes\org\doubler\Pause + |\doubler\qlpz M\sk\qlpz b\sk\qlpz L\sk\qlpz a\relax + |\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\sk\ibu0f0\zq d\qh0f\sk\nbbu0\qh0d\tqh0f\relax + \roff{\zql d}\ibu0g0\zq e\qh0g\sk\zq e\tqh0g\sk\ibu0e0\zq c\qh0e\sk\nbbu0\qh0c\tqh0e\relax + &\doubler\ibu0j0\qh0{jj_i}\tqh0i\ibu0i0\qh0{iih}\tqh0h\relax + &\fourlll ihhk\fourlll kmmh\fourlll hggi\fourlll illg\enotes + \barre % mesure 16 + \notes\org\doubler\Pause + |\doubler\qlpz K\sk\qlpz N\sk\qlpz J\sk\qlpz M\relax + |\zql c\ibu0f0\qh0f\sk\tqh0f\sk\ibu0d0\zq b\qh0d\sk\nbbu0\qh0b\tqh0d\relax + \zql b\ibu0e0\qh0e\sk\tqh0e\sk\ibu0d0\zq a\qh0c\sk\nbbu0\qh0d\tqh0c\relax + &\doubler\ibu0h0\qh0{hhg}\tqh0g\ibu0g0\qh0{ggf}\tqh0f\relax + &\fourlll gffh\fourlll hkkf\fourlll feei\fourlll lnml\enotes + \barre % mesure 17 + \notes\org\doubler\Pause + |\doubler\Ibl0JL3\qb0{IbN}\tqb0L\ibl0a0\qb0{aNa}\tqb0N\relax + |\ibbu0d0\qh0{dfe}\tqh0d\ibbu0e0\qh0{egf}\tqh0e\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\sk\ibbu0d0\qh0c\tbbu0\qh0e\tqh0b\relax + &{\doubler\qu f\sk}\ibbu0g0\qh0{gih}\tqh0g\doubler\ibl0l0\qh0{ll}\ds\tqb0l\relax + &{\doubler\ql k\sk\ds\cl i}\fourlll jiij\fourlll jiij\enotes + %\check + \barre % mesure 18 + \notes\org\doubler\Pause + |\doubler\twobl aH\ds\cl a\ibl0a0\qb0{bab}\tqb0a\relax + |\ibbu0c0\qh0{cMa}\tqh0c\cu f\sk\cu c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\sk\ibbu0e0\qh0d\tbbu0\qh0f\tqh0c\relax + &\ql m\sk\sk\sk\Ibbl0hm3\qb0{jhj}\itenu0m\tqb0m\tten0\doubler\ibl0m0\qh0{mm}\ds\tqb0m\relax + &{\doubler\twobu jf\ds\cl j}\fourlll kjjk\fourlll kjjk\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + %\check + \barre % mesure 19 + \notes\org\doubler\Pause + |\doubler\twobl bI\ds\cl{=b}\ibl0b0\qb0{cbc}\tqb0b\relax + |\ibbu0d0\qh0{dNb}\tqh0d\cu g\sk\cu d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\sk\ibbu0f0\qh0e\tbbu0\qh0g\tqh0d\relax + &\ql n\sk\sk\sk\Ibbl0in3\qb0{ikm}\itenu0n\tqb0n\tten0\doubler\ibl0n0\qh0{nn}\ds\tqb0n\relax + &{\doubler\twobu kg\ds\cl k}\fourlll lkkl\fourlll lkkl\enotes + %\check + \barre % mesure 20 + \notes\org\doubler\Pause + |\doubler\twobl cJ\ds\cu J\ibu0J0\qb0{KJK}\tqh0J\relax + |\ibbu0e0\qh0{eac}\tqh0e\cu h\sk\cu e\sk\doubler\zhl b\ibu0f0\qh0{fef}\tqh0d\relax + &\ql o\sk\sk\sk\ibbl0j0\qb0{hjl}\tqb0h\itenu0h\qu h\sk\sk\sk\tten0\ibu0h0\qhp0h\sk\sk\tbbu0\tqh0h\relax + &{\doubler\twobu lh\ds\cl l}\fourlll moom\fourlll mkki\enotes + %\check + \barre % mesure 21 + \notes\org\doubler\soupir\sk\soupir\sk\twobu LE\ds\cu L\relax + |\Ibl0La3\qb0L\sk\nbbl0\qb0N\tqb0a\doubler\zmidtwotext{\bf I}\twobl bI\twobu LL\soupir\relax + |\ibu0e0\zq b\qhp0e\sk\sk\tbbu0\zq c\tqh0e\Ibu0eg3\qh0d\sk\nbbu0\zq f\qh0h\zq e\tqh0g\doubler\zq e\twobu ge\ds\cu e\relax + &\Ibu0gj3\qhp0g\sk\sk\tbbu0\tqh0j\doubler\twobl ik\zmidtwotext{\f}\ql l\sk\soupir + \ifFlute\tinynotesize\cu e\fi + &\isluru0i\Ibbl0im3\qh0{ikl}\tslur0m\tqb0m\Pince +n\isluru0k\Ibl0kl3\qbp0k\sk\sk\tbbl0\tslur0l\tqb0l\doubler\ql l\sk\soupir + \ifOboe\tinynotesize\cu e\fi\enotes + %\check + \barre % mesure 22 + \def\orgel{\ibu0N0\qh0{MIb}\tqh0M\twobu NL\ds\cl c}% + \Notes\org\orgel|\Pause|\oct\orgel\relax + &\ifFlute\tinynotesize\oct\orgel + \else\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\orgel + \else\PauseSoliste\fi\enotes + \barre % mesure 23 + \def\orgel{\ibu0N0\qh0{KbJ}\tqh0a\qu I\sk}% + \Notes\org\orgel|\sk\hpause\sk\sk\soupir|\oct\orgel\relax + &\ifFlute\tinynotesize\oct\orgel + \else\PauseSoliste\fi + &\ifOboe\tinynotesize\oct\orgel + \else\PauseSoliste\fi\enotes + \notes\org\sk\soupir|\qs\Ibbu0IK2\qh0{IJ}\tqh0K|\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\relax + &\ifFlute\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi + &\ifOboe\tinynotesize\oct\qs\Ibbu0IK2\qh0{IJ}\tqh0K\fi\enotes + \ifOrgue\def\atnextline{\OrgelManual}\fi% + %\check + \barre % mesure 24 + \def\orgel{\Ibbu0La3\qh0{LMN}\tqh0a{\multnoteskip{1.42}\twobu bI}}% + \notes\org|\orgel|\oct\orgel + &\ifFlute\tinynotesize\oct\orgel + \else\doubler\sk\hpause\fi + &\ifOboe\tinynotesize\oct\orgel + \else\doubler\sk\hpause\fi\enotes + \nspace\Pos\nspace + \notes\org\pause + |\doubler\ibu0L0\qh0{LMN}\tqh0L|\doubler\zql b\itenl0e\qu e\sk\tten0\zql +b\twobu eg\relax + &\doubler\rlap{\sk\turn n}\twobl gh\ql i\relax + &\ql l\sk\sk\sk\qs\Ibbl0ln3\isluru0l\qb0{lm}\tslur0n\tqb0n\enotes + %\check + \barre % mesure 25 + \notes\org\doubler\Pause + |\doubler\qu K\sk\ds\cu I\ibu0L0\qh0{LKN}\tqh0L\relax + |\doubler\zq b\qu f\sk\ds\zq b\cu d\zq b\qu e\sk\Ibu0ei1\zq b\qh0e\zq g\tqh0i\relax + &{\doubler\qu i\sk\ds\cu +f}\Ibbu0gh3\islurd0g\qh0{gfg}\tslur0h\tqh0h\doubler\twobu il\relax + &{\doubler\twobl mi}\fourlll mhmh{\doubler\pince p\twolbu hg}\qs\ibbl0i0\qb0{il}\tqb0i\enotes + %\check + \barre % mesure 26 + \notes\org\doubler\Pause + |\doubler \ibl0M0\qb0{aaN}\tqb0L\twobl aH\ds\cl {=a}\relax + |\doubler \ibu0j0\qh0{jei}\tqh0g\twobu jh\twobu fj\relax + &{\doubler\ibl0l0\qb0{ljl}\tqb0i}\ibbl0j0\qb0{lhj}\tqb0l\ibbl0k0\qb0{mjl}\tqb0m\relax + &\ibbl0j0\isluru0j\qb0{jhj}\tslur0l\tqb0l\relax + \ibbl0i0\isluru0i\qb0{igi}\tslur0l\tqb0l\relax + \ql j\sk\sk\sk\qs\ibbl0j0\qb0{jm}\tqb0j\enotes + %\check + \barre % mesure 27 + \notes\org\doubler\Pause + |\doubler \ibl0N0\qh0{bb=a}\tqb0M\twobl bI\ds\cl {=b}\relax + |\doubler \ibu0k0\qh0{kfj}\tqh0{=h}\twobu ki\twobu gk\relax + &{\doubler\ibl0l0\qb0{mkm}\tqb0j}\ibbl0j0\qb0{mik}\tqb0m\ibbl0k0\qb0{nkm}\tqb0n\relax + &\ibbl0k0\isluru0k\qb0{kik}\tslur0m\tqb0m\relax + \ibbl0j0\isluru0i\qb0{j=hj}\tslur0m\tqb0m\relax + \ql k\sk\sk\sk\qs\ibbl0k0\qb0{kn}\tqb0k\enotes + %\check + \barre % mesure 28 + \notes\org\doubler\Pause + |\doubler \ibl0N0\qb0{cc=b}\tqb0N\twobl cJ\soupir\relax + |\doubler \ibu0l0\qh0{lgk}\tqh0{=i}\zq l\qu g\sk\soupir\relax + &\doubler\ibl0m0\qb0{nln}\tqb0k\ql n\sk\soupir\relax + &\ibbl0l0\isluru0l\qb0{ljl}\tslur0n\tqb0n\relax + \ibbl0j0\isluru0k\qb0{k=ik}\tslur0n\tqb0n\relax + \fourlll lnnl\fourlll ljj{=h}\enotes + %\check + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + \barre % mesure 29 + \notes\org\doubler\Pause + |\doubler\doubler\ql M\soupir\ql L\soupir + |\doubler\doubler\zq e\qu c\qu d\zq d\qu g\qu c\relax + &\doubler\doubler\ql {=hkil}\relax + &\fourlll {=h}mmk\fourlll kiig\fourlll gllj\fourlll jhh{^f}\enotes + %\check + \barre % mesure 30 + \notes\org\doubler\Pause + |\doubler\doubler\qu K\soupir\qu G\soupir + |\doubler\doubler\lsh f\zq {df}\qu{=h}\soupir\zq {dg}\qu i\soupir\relax + &\doubler\doubler\ql {j^mkn}\relax + &\fourlll {^f}{=h}kh\fourlll fhkh\fourlll iknk\fourlll {=i}knk\enotes + %\check + \barre % mesure 31 + \notes\org\doubler\sk\sk\hpause + |\doubler\qu J\sk + |\doubler\zq{eg}\qu j\sk\soupir + &\doubler\doubler\ql l\soupir + &\fourlll lnnl\fourlll ljj{^m}\enotes + \GO + \notes\org\doubler\ibu0L0\qh0{K=L^M}\tqh0K\relax + |\hl d|\fourllu{^f}gg{=h}\doubler\twobu hf\relax + &\itenu0j\ql j\sk\sk\sk\tten0\ibl0j0\qbp0j\sk\sk\tbbl0\tqb0j\relax + &\ql m\sk\sk\sk\qs\Ibbl0km2\qb0{k=l}\tqb0m\enotes + %\check + \barre % mesure 32 + \notes\org\doubler\Ibu0LJ3\qh0{NJK}\tqh0D\qu G\relax + |\doubler\ibl0d0\qb0{ded}\tqb0d\ql N\relax + |\doubler\ibl0h0\qb0g\zq{gi}\qb0l\zq{=h}\qb0k\lq j\zq h\tqb0k\zq{gi}\ql k\relax + &{\doubler \twobl in}\ibl0n0\isluru0n\qbp0n\sk\sk\tslur0m\tbbl0\tqb0{^m}\ql n\relax + &\isluru0n\ibbl0k0\qb0{nki}\tslur0j\tqb0j\Pince n{\doubler\qu{=h}\sk\qu g}\qsk\enotes + \Notes\org\ds\cl e|\soupir|\ds\cl l\relax + &\soupir\ifFlute\tinynotesize\cl l\fi + &\soupir\ifOboe \tinynotesize\cl l\fi\enotes + %\check +\barre % mesure 33 + \Notes\org\ibl0M0\qb0{MdL}\tqb0c\qu K\relax + |\sk\sk\hpause\sk\soupir + |\ibu0h0\qh0{fke}\tqh0j\qu d\relax + &\ifFlute\tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax + \else\rlap{\PauseSoliste}\fi + &\ifOboe \tinynotesize\ibu0j0\qh0{fke}\tqh0j\qu d\relax + \else\rlap{\PauseSoliste}\fi\enotes + %\check + \notes\org\sk\soupir + |\qs\Ibbl0KM2\qb0{K=L}\tqb0{^M}\relax + |\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\relax + &\ifFlute\tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi + &\ifOboe \tinynotesize\qs\Ibbu0df2\qb0{d=e}\tqh0{^f}\fi\enotes + %\check + \ifOrgue\def\atnextline{\OrgelManual}\fi% + \barre % mesure 34 + \notes\org + |\Ibbl0Nc3\qb0{N=a_b}\tqb0c\relax + |\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + &\ifFlute\tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + \else\rlap{\doubler\Pause}\fi + &\ifOboe \tinynotesize\Ibbu0gi3\qh0{g=h_i}\tqh0j\relax + \else\sk\sk\hpause\fi\enotes + \Notes\org + |\twobl dK\relax + |\twobu kd\relax + &\ifFlute\tinynotesize\twobu kd\fi + &\ifOboe \tinynotesize\twobu kd\fi\enotes + \notes\org\pause + |\doubler\ql N\sk\soupir + |\doubler\qu g\sk\soupir + &\ifFlute\tinynotesize\qu g\fi + &\ifOboe {\tinynotesize \zql g}\raise\Interligne\qs\else\qs\fi + \Ibbl0nk2\qb0n\isluru0n\qb0n\tslur0k\tqb0k\fourlll k{=i}ig\enotes + \Pos + %\check + \barre % mesure 35 + \notes\org\rlap{\doubler\Pause}\relax + |\doubler\zq G\qu N\sk\soupir + |\doubler\zq n\zq{=i}\ql k\sk\soupir + &\sk\sk\hpause + &\fourlll g{=i}ik\fourlll knn{=l}\enotes + %\check + \Notes\org + |\hu J\relax % fourbu JJJJ\relax + |\ibl0i0\lfl i\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax + &\ibl0l0\na l\qb0{lll}\tqb0l\relax + &\doubler\ql l\soupir\enotes + %\check + \barre % mesure 36 + \notes\org\doubler\Pause + |\doubler\doubler\ql M\soupir\zq M\qu F\soupir + |\doubler\doubler\zq {f=h}\qu j\soupir\zq{=ac}\qu f\soupir + &\doubler\doubler\ql m\soupir\hpause + &\qs\Ibbl0mj2\qb0m\isluru0m\qh0m\tslur0j\tqb0j\relax + \fourllu j{=h}hf\fourllu fhhj\fourlll jmmk\enotes + \barre % mesure 37 + \nspace + \Notes\org + |\hu I\relax % \fourbu IIII\relax + |\ibl0j0\lfl h\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\qb0k\lq h\zq i\tqb0k\relax + &\ibl0m0\qb0{mmm}\tqb0m\relax + &\doubler\ql k\soupir\enotes + \notes\org\pause + |\doubler\ql L\sk\soupir + |\doubler\zq {il}\ql g\sk\soupir + &\doubler\ql n\sk\soupir + &\qs\Ibbl0li2\qb0l\isluru0l\qb0l\tslur0i\tqb0i\fourlll igge\enotes + %\check + \barre % mesure 38 + \notes\org\rlap{\doubler\Pause}\relax + |\doubler\zq E\qu L\sk\soupir + |\doubler\zq {Nbe}\qu g\sk\soupir + &\sk\sk\hpause + &\fourllu eggi\fourlll illj\enotes + %\check + \Notes\org + |\hu H\relax % \fourbu HHHH\relax + |\ibl0i0\zq h\qb0j\zq h\qb0j\zq h\qb0j\zq h\tqb0j\relax + &\fourbl llll\relax + &\doubler\ql j\soupir\enotes + %\check + \barre % mesure 39 + \notes\org\doubler\Pause + |\doubler\doubler\ql K\soupir\zq K\qu D\soupir + |\doubler\doubler\zq {fh}\qu k\soupir\zq{Mad}\qu f\soupir + &\doubler\doubler\ql m\soupir\hpause + &\qs\Ibbl0kh2\qb0k\isluru0k\qh0k\tslur0h\tqb0h\relax + \fourllu hffd\fourllu dffh\fourlll hkk{=i}\enotes + %\check + \barre % mesure 40 + \notes\org\doubler\Pause + |\doubler\hu G\sk\sk\sk\hu J\relax % \fourbu GGGG\fourbu JJJJ\relax + |\doubler\ibl0h0\zq{g=i}\qb0k\zq{gi}\qb0k\zq{gi}\qb0k\zq{gi}\tqb0k\relax + \lfl i\ibl0h0\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\qb0j\lq i\zq g\tqb0j\relax + &\doubler\fourbl mmmm\na l\fourbl llll\relax + &\fourbblu{=i}gik\fourbblu igik\rlap{\sk\islurd0c\sk\sk\tslur0g}\fourbbu{=l}c{=e}g\fourbblu eceg\enotes + %\check + \barre % mesure 41 + \notes\org\doubler\Pause +% |\doubler\fourbl MMMM\fourbl bbbb\relax + |\doubler\hl M\sk\sk\sk\hl b\relax + |\doubler\ibl0h0\zq{f=h}\qb0j\zq{fh}\qb0j\zq{fh}\qb0j\zq{fh}\tqb0j\relax + \ibu0h0\rq i\zq f\qh0{_h}\rq i\zq f\qh0h\rq i\zq f\qh0h\rq i\zq f\tqh0h\relax + &\doubler\fourbl {_l}lll\fourbl kkkk\relax + &\na h\fourbblu hfhj\fourbblu hfhj\fourbblu kikm\fourbblu kikm\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + \barre % mesure 42 + \notes\org\doubler\Pause +% |\doubler\fourbl LLLL\fourbl aaaa\relax + |\doubler\hl L\sk\sk\sk\hl a\relax % fourbl LLLL\fourbl aaaa\relax + |\doubler\ibl0h0\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\qb0i\zq{eg}\tqb0i\relax + \ibu0h0\zq e\qh0{_h}\zq e\qh0h\zq e\qh0h\zq e\tqh0h\relax + &\doubler\fourbl {_k}kkk\fourbl jjjj\relax + &\rlap{\sk\islurd0e\sk\sk\tslur0i}\fourbbu negi\fourbblu gegi\fourbbll jhjl\fourbbll jhjl\enotes + %\check + \barre % mesure 43 + \notes\org\doubler\Pause +% |\doubler\fourbl MMMM\fourbl MMMM\relax + |\doubler\hl M\sk\sk\sk\hl M\relax %MMM\fourbl MMMM\relax + |\doubler\ds\ibu0c0\zq a\qh0c\zq a\qh0c\zq a\tqh0c\relax + \ds\ibu0d0\zq a\qh0d\zq a\qh0d\zq a\tqh0d\relax + &\fourbblu jhjm\fourbblu jhjm\fourbblu hfhj\fourbblu hfhj\relax + &\itenu1m\wh m\enotes + \barre % mesure 44 + \notes\org\doubler\sk\sk\hpause\relax + |\doubler\ibu0L0\qh0{NJN}\tqh0G\relax + |\doubler\ibu0i0\zq d\qh0g\zq e\qh0g\zq d\qh0g\zq d\tqh0f\relax + &\doubler\ibu0i0\qh0{=i}\itenl0j\qh0j\tten0\qh0j\tqh0i\relax + &\tten1\ibl0m0\qb0m\sk\nbbl0\qb0l\tqb0m\Pince +n\ibl0k0\qhp0k\sk\sk\nbbl0\tqb0j\enotes + %\check + \Notes\org\soupir\sk\ds\cl a\relax + |\qu J\zmidtwotext{\bf I}\sk\soupir + |\zq e\qu c\sk\ds\cu h\relax + &\qu j\sk\soupir\ifFlute\tinynotesize\cu h\fi + &\ql j\sk\soupir\ifOboe \tinynotesize\cu h\fi\enotes + %\check + \barre % mesure 45 + \def\orgel{\ibu0L0\qh0{_INH}\tqh0M}% + \Notes\org\orgel|\sk\qsk\hpause|\oct\orgel + &\ifFlute\tinynotesize\oct\orgel + \else\rlap{\PauseSoliste}\fi + &\ifOboe \tinynotesize\oct\orgel + \else\rlap{\PauseSoliste}\fi + \enotes + %\check + \def\orgel{\qs\Ibbu0GI2\qh0{GH}\tqh0{=I}}% + \notes\org\qu G\sk\sk\soupir|\soupir\sk\orgel|\qu N\sk\oct\orgel\relax + &\ifFlute\tinynotesize\qu N\sk\oct\orgel\fi + &\ifOboe \tinynotesize\qu N\sk\oct\orgel\fi\enotes + \ifOrgue\def\atnextline{\OrgelManual}\fi% + %\check + \barre % mesure 46 + \notes\org|\fourbbu JKLM|\fourbbu cdef\relax + &\ifFlute\tinynotesize\fourbbu cdef\fi + &\ifOboe \tinynotesize\fourbbu cdef\relax + \else\sk\sk\sk\hpause\fi\enotes + \Notes\org\sk\pause|\twobu NG\qu J\zmidtwotext{\bf II}\sk\soupir|\twobu gN\qu +c\sk\ds\zq g\cu{_i}\relax + &\ifFlute\tinynotesize\twobu gN\qu c\relax + \else\sk\pause\fi + &\ifOboe \tinynotesize\twobu gN\qu c\relax + \else\sk\sk\soupir\sk\fi\normalnotesize\ds\cl{=l}\enotes + %\check + \barre % mesure 47 + \notes\org||\doubler\ibu0i0\zq h\qh0j\zq g\qh0 +i\zq h\qh0 j\zq g\tqh0i\relax + &&\fourlll m{=l}lm\fourlll mllm\enotes + \Notes\org\pause|\pause|\ibu0i0\zq h\qh0j\zq g\tqh0i\ds\zq{=h}\cl j\relax + &\pause&\twobl ml\ds\cl{^m}\enotes + %\check + \barre % mesure 48 + \notes\org\doubler\Pause + |\doubler\sk\hpause\sk\sk\ds\Ibl0bN2\qb0{=bc}\tqb0N\relax + |\doubler\ibl0i0\zq i\qb0k\zq h\qb0 j\zq i\qb0k\zq h\tqb0 j\relax + \ibu0h0\zq g\qh0i\tqh0{=i}\zq g\zq e\Ibu0jg1\qh0j\tqh0g\relax + &\doubler\Pause + &\fourlll n{^m}mn\fourlll nmmn\fourlll nkkl\fourlll l{=i}ij\enotes + %\check + \barre % mesure 49 + \notes\org\doubler\Pause + |\doubler\zqu c\twobl a{=L}\zqu a\twobl MJ\rlap{\qu N\sk\qu N}\fourbl KJ{=I}G\relax + |\doubler\zq f\twobu h{=e}\zq c\twobu fc\zq{=b}\ibu0e0\qh0f\zq c\qh0e\zq d\qh0f\zq b\tqh0d\relax + &\doubler\Pause + &\fourllu jggh\fourllu h{=e}ef\itenl0f\qu f\sk\sk\sk\sk\tten0\fourllu fhgf\enotes + %\check + \barre % mesure 50 + \Notes\org|\Ibl1JH3\qb1{JM}\relax + |\Ibu0eh1\zq{Nc}\qh0{_e}\zq{ac}\tqh0h\relax + &&\ibu2i0\qh2{_ej}\enotes + \notes\org\sk\sk\sk\pause|\qb1N\sk\tqb1G\relax + |\zql{=b}\fourbbu gfed\relax + &\hpause + &\doubler\qh2d\tqh2{=i}\enotes + \Notes\org|\rlap{\sk\sk\sk\cu c}\fourbl JKLJ\relax + |\zq{Nc}\qu e\sk\ds\cu g\relax + &\soupir\sk\ds\cl{=l}\relax + &\qup c\sk\sk\ds\enotes + %\check + \barre % mesure 51 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zqu c\ibl0K0\qb0{MJ}\raise6\internote\rlap{\ds}\qb0M\zcu c\tqb0J\relax + |\fourllu hggh\fourllu hggh\relax + &\fourlll m{=l}lm\fourlll mllm\relax + &\doubler\sk\sk\sk\pause\enotes + \Notes\org|\zqu c\twobl MJ\ds\zcl K\cu d\relax + |\twobu hg\ds\cu{=h}\relax + &\twobl ml\ds\cl{^m}&\enotes + %\check + \barre % mesure 52 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zqu d\ibl0L0\qb0{NK}\raise6\internote\rlap{\ds}\qb0N\zcu d\tqb0K\relax + |\fourllu i{=h}hi\fourllu ihhi\relax + &\fourlll n{^m}mn\fourlll nmmn\relax + &\doubler\sk\sk\sk\pause\enotes + %\check + \notes\org|\doubler\zqu d\ql N\sk + |\multnoteskip{1.2}\fourlll i{=i}ij\relax + &\ifOrgue\multnoteskip{1.2}\fi\fourlll nkkl&\enotes + %\check + \notes\org|\doubler\raise6\internote\rlap{\ds}\ql G\cu N\relax + |\fourlll jiij\relax + &\fourlll lkkl&\enotes + %\check + \barre % mesure 53 + \notes\org\doubler\sk\sk\sk\pause + |\doubler\zhl J\raise 2\internote\rlap{\ds}\hu c\ibu0N0\zq{=L}\qh0N\zq M\qh0a\tqh0N\relax + |\fourlll jgg{_h}\fourlll h{=l}lm\relax + &\fourlll l{=l}l{=m}\fourlll mnno\relax + &\doubler\sk\sk\sk\pause\enotes + \Notes\org|\zql M\cu c\qu d\multnoteskip{0.71}\doubler\rlap{\sk\cu N}\twobl NG\relax + |\ql m\sk\ql{=i}\relax + &\itenu0o\ql o\sk\multnoteskip{0.71}\tten0\fourbbl oonm\enotes + %\check + \barre % mesure 54 + \notes\org\doubler\sk\sk\sk\pause + |\rlap{\sk\sk\sk\sk\fourbbu NMLK}\doubler\zqu c\Ibl0JG3\qb0{JMN}\tqb0G\relax + |\fourbbl jlkj\ibl0i0\qbp0{=i}\sk\sk\tbbl0\tqb0j\relax + &\fourbbll lnml\isluru0k\ibl0j0\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\relax + &\doubler\sk\sk\hpause\enotes + \Notes\org|\zql J\fourbu JKLJ\relax + |\ql j\sk\ds\cu e\relax + &\ql j\sk\ds\cl j\relax + &\soupir\sk\ds\cl l\enotes + %\check + \barre % mesure 55 + \notes\org\doubler\Pause + |\itenu1N\wh N\relax + |\fourllu edde\fourllu fgfe\fourllu edde\fourllu fgfe\relax + &\fourlll j{=i}ij\fourlll klkj\fourlll jiij\fourlll klkj\relax + &\fourlll lkkl\fourbbll mnml\fourlll lkkl\fourbbll mnml\enotes + %\check + \barre % mesure 56 + \Notes\org|\tten1\fourbl NNLJ|\twobu ed\Ibu0ge1\zq g\qh0c\zq{Nc}\tqh0e\relax + &\twobl j{=i}\ql j\relax + &\twobl lk\ds\cu g\enotes + \notes\org\pause + |\doubler\zq a\ql M\sk\Ibl0LK1\zq c\qb0L\zq{=b}\tqb0K\relax + |\doubler\zq c\qu c\sk\twobu ef\relax + &\fourllu fggh\Ibbu0hg2\qh0h\tbbu0\qh0g\tqh0g\relax + &\fourlll h{=i}ij\fourlll jkkl\enotes + \ifOrgue\def\atnextline{\OrgelPedal}\fi% + %\check + \barre % mesure 57 + \notes\org\doubler\Pause + |\doubler\qu J\sk\twobu JI\ibu0M0\qh0{HaN}\tqh0{=I}\relax + |\zql c\zqu g\ibl0e0\qb0e\sk\nbbl0\qb0e\tqb0f\zql c\doubler\twobu f{=e}\zq +c\qu f\sk\zql d\multnoteskip{0.5}\ibu0g0\qhp0g\sk\sk\tbbu0\tqh0f\relax + &\qu g\sk\sk\sk\fourllu fggh\fourllu hjj{=i}\Ibbu0ik2\qh0i\tbbu0\qh0j\tqh0k\relax + &\fourlll ljjk\fourlll k{=l}lm\doubler\mordent o\isluru0m\qlp m\sk\sk\tslur0n\cl n\enotes + %\check + \barre % mesure 58 + \notes\org\doubler\sk\sk\hpause + |\doubler\ibu0M0\qh0{JMN}\tqh0G\relax + |{\doubler\ibu0f0\qh0{_e}\zq c\tqh0f}\zq {=b}\zql d\fourbblu gfed\relax + &{\doubler\twobu jh}\ibbu0k0\qh0{gml}\tqh0k\relax + &\Ibl0lj3\isluru0l\qb0 l\sk\nbbl0\qb0k\tslur0j\tqb0j\Pince n\isluru0i\Ibl0ij3\qbp0{=i}\sk\sk\tslur0j\tbbl0\tqb0j\enotes + \Notes\org\fourbu JKLJ\relax + |\qlp c\sk\sk\cl N\relax + |\fourbu efge\relax + &\fourbl lmnl\relax + &\ql j\sk\soupir\enotes + %\check + \barre % mesure 59 + \notes\org\doubler\ql M\sk\soupir\sk\sk\hpause + |\doubler\qu M\sk\twobu LK\qu J\sk \twobu JI\relax + |\fourllu a{=b}bc\fourllu cbbc\Ibbu0cd3\qh0{cc}\islurd0c\qh0c\tslur0d\tqh0d\fourllu d{=e}ef\relax + &\advance\transpose 7\fourlll cdde\fourlll edde\Ibbl0ef3\qb0{ee}\isluru0e\qb0e\tslur0f\tqb0f\fourlll fggh\relax + &\doubler\Pause\enotes + %\check + \barre % mesure 60 + \Notes\org\ibu0M0\qh0{HaN}\tqh0{=I}\relax + |\ql c\sk\twobl{=b}d\relax + |\zq f\ibu0h0\qh0h\itenu0f\qh0f\zq d\tten0\qh0f\tqh0g\relax + &\ibl0m0\qb0{omk}\tqb0n\enotes + \notes\org\ibu1M0\doubler\qh1{JM}\relax + |\zq c\ql N\relax + |\fourbbu fedc\relax + &\fourbbl mlkj&\pause\enotes + \Notes\org\qh1N\tqh1G\relax + |\twobl bN|\qu g\relax + &\twobl n{=i}\enotes + %\check + \barre % mesure 61 + \NOtes\org\pointdurgue B\wh C|\zw J\wh N|\zw c\wh e\relax + &\pointdorgue m\wh j&\pointdorgue m\pause\enotes +% \ifOrgue\advance\mulooseness 1\fi + \ifOrgue\linegoal 19\fi + \finmorceau + + + +\endinput + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex new file mode 100644 index 00000000000..fb5efe87b62 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon2.tex @@ -0,0 +1,723 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- adagio} +\fulltitle{Concerto pour hautbois --- adagio} +\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf + \ifFlute Partition fl–te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- adagio} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\def\OrgelManual{% + \global\cleftoksi={{6}{0}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=2\relax% +} +\def\OrgelPedal{% + \global\cleftoksi={{6}{6}{0}{0}}% + \def\interinstrumentii{0pt}% + \def\interinstrumenti{0pt}% + \nbporteesi=3\relax% +} +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl–te}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl–te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 8mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% +% formes frequentes +% +\def\Pause{\sk\sk\qsk\pause}% +% + \def\twobbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\fourbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}} + \def\fourbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}} +% + \def\fourlll#1#2#3#4{\Ibbl0{#1}{#4}3% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\tqb0{#4}}% +% + \def\fourllu#1#2#3#4{\Ibbu0{#1}{#4}3% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\tqh0{#4}}% +% + \def\twobu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} + \def\twobl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +% + \def\sixbu#1#2#3#4#5#6{\Ibu0{#1}{#2}1\qh0{#1}\qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}} + \def\sixbl#1#2#3#4#5#6{\Ibl0{#1}{#2}1\qb0{#1}\qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}} +% + \def\twolbu#1#2{\Ibu0{#1}{#2}1\islurd0{#1}\qh0{#1}\tslur0{#2}\tqh0{#2}} + \def\twolbl#1#2{\Ibl0{#1}{#2}1\isluru0{#1}\qb0{#1}\tslur0{#2}\tqb0{#2}} + +% +%\check +% +\catcodesmusic +\def\org#1|#2&{\ifOrgue \ifnum\nbporteesi=3#1|\fi #2&\relax\fi} +% +\generalmeter{\meterfrac 34}% +\sepbarrules +% +\debutmorceau +%\check +% +\notes\org\relax + |&&\zcharnote{w}{\kern -20mm\moyen Adagio +\bf(\metron{\cu}{84})}\enotes +% +%\check +% +% mesure 1 +\NOTes\org\Pause\relax + |\Pause\relax + |\ibl0j0\qb0{jjjjj}\tqb0j\relax + &\ifFlute\zcharnote N{\sl (orgue solo)}\fi + \ifFlute\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax + \else\Pause + \fi\relax + &\ifOboe\zcharnote N{\sl (orgue solo)}\fi + \ifOboe\tinynotesize\ibl0j0\qb0{jjjjj}\tqb0j\relax + \else\Pause\fi\enotes +% mesure 2 +\barre\NOTes\org\Pause + |\Pause\relax + |\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax + &\ifFlute\zcharnote N{\sl fl–te}\fi\ibl0k0\qb0k\qb0k\qb0k\qb0k\qb0k\tqb0k\relax + &\ifOboe\tinynotesize\ibl0j0\qb0j\qb0j\qb0j\qb0j\qb0j\tqb0j\relax + \else\Pause\fi\enotes +% mesure 3 +\barre\NOTes\org\hup G\relax + |\roff{\pt g}\rh g\hup f\relax + |\na i\ibl0i0\qb0{iiiii}\tqb0i\relax + &\ibl0k0\qb0{kkkkk}\tqb0k\relax + &\ifOboe\tinynotesize\na i\ibl0i0\qb0{iiiii}\tqb0i\relax + \else\Pause\fi\enotes +% mesure 4 +\def\motif{\zq j\qh0 l}% +\barre\NOTes\org\Ibu1CJ1\qh1C\itenl5J\tqh1J\relax + |\itenl1e\zhp c\zhp g\hlp e\relax + |\ibl3j0\qb3{jj}\relax + &\ibl4l0\qb4{ll}\relax + &\ifOboe\zcharnote N{\sl hautbois}\fi\twolbl jl\enotes +\NOTes\org\tten5\hu J\relax + |\relax + |\qb3{jj}\relax + &\qb4{ll}\relax + &\twolbl ln\enotes +\NOTes\org\relax + |\relax + |\qb3j\relax + &\qb4l\relax + &\isluru5n\ibl5n0\qb5n\enotes +\NOtes\org\relax + |\relax + |\tqb3j\relax + &\tqb4l\relax + &\nbbl5\qb5o\tslur5n\tqb5n\enotes +% mesure 5 +\barre\NOTes\org\hup F\relax + |\tten1\zql e\roff{\hup f}\sk\ql d\sk\ql c\relax + |\ibu3h0\qh3{hhhhh}\tqh3h\relax + &\ibl4j0\qb4{jjjjj}\tqb4j\relax + &\mordant q\hl o\sk\sk\sk\soupir\enotes +% mesure 6 +\barre\temps\NOTes\org\hup I\relax + |\zhl b\hup f\relax + |\ibu3h0\qh3{hh}\relax + &\ibl4k0\qh4{kk}\relax + &\twolbl ik\enotes +\NOTes\org\relax + |\relax + |\qh3{h}\relax + &\qh4k\relax + &\Ibl5kl2\isluru5k\qb5k\enotes +\NOtes\org\relax + |\relax + |\qh3h\relax + &\qb4k\relax + &\nbbl5\qb5m\tslur5l\tqb5l\enotes +\NOtes\org\relax + |\itenl2d\ql d\relax + |\qb3h\sk\tqh3h\relax + &\qb4k\sk\tqb4k\relax + &\Ibbl5mn3\isluru5m\qb5{mno}\tslur5n\tqb5n\enotes +% mesure 7 +\barre +\NOTes\org\hup E\relax + |\tten2\qu d\sk\qu c\sk\qu b\relax + |\sixbu gggggg\relax + &\sixbu iiiiii\relax + &\doubler\mordant p\hl n\sk\soupir\enotes +% mesure 8 +\def\motif{\zq h\qh0j}% +\barre\NOtes\org\hup H\relax + |\doubler\doubler\zhl a\hup e\sk\itenl2c\qu c\relax + |\doubler\sixbu hhhhhh\relax + &\doubler\sixbl jjjjjj\relax + &\isluru0h\fourbbl hiji\fourbbl jklk\rlap{\sk\sk\sk\tslur0m}\fourbbl lmnm\enotes +% mesure 9 +\def\motif{\zq f\qh0h}% +\def\motifa{\zq f\qh0i}% +\barre\NOTes\org\hup K\relax + |\doubler\tten2\qu c\qu b\qu a\relax + |\ibu0h0\motif\tbu0\motif\ibu0i0\motifa\motifa\motifa\tbu0\motifa\relax + &\sixbl kkkkkk\relax + &\doubler\mordant o\hl m\sk\soupir\enotes +% mesure 10 +\barre +\Notes\org\Ibu1NG4\qh1N\sk\sk\sk\itenl1G\tqh1G\relax + |\hup f\relax + |\doubler\doubler\bigna i\ibu3i0\qh3{ii}\relax + &\doubler\doubler\ibl4k0\qb4k\qb4k\relax + &\islurd5f\Ibbbu5gk7\qh5{g^fgh=ihi}\tslur5i\tqh5j\enotes +\Notes\org\tten1\hu G\relax + |\relax + |\doubler\doubler\qh3{ii}\relax + &\doubler\doubler\qb4{kk}\relax + &\isluru5l\Ibbbl0jj7\qb0{kijkn=ml}\tslur5l\tqb0k\enotes +\NOtes\org\relax + |\relax + |\doubler\qh3i\tqh3i\relax + &\doubler\qb4k\tqb4k\relax + &\isluru5l\Ibbl0kl3\qb0{klm}\tslur5m\tqb0l\enotes +% mesure 11 +%\check +\def\motif{\zq e\qh3 g}% +\barre\notes\org\Ibu1CJ5\qh1C\relax + |\hup c\relax + |\ibu3g0\motif\relax + &\ibl4j0\qb4j\relax + &\isluru5l\ibbbbl5l0\qb5{lkl}\tbbbbl5\tbbbl5\tbbl5\qb5m\enotes +\NOtes\org\relax + |\relax + |\relax + &\relax + &\tbl5\tslur5l\qbp5l\enotes +\NOTes\org\itenl1J\tqh1J\relax + |\relax + |\motif\relax + &\qb4j\relax + &\enotes +\NOtes\org\tten1\itenl1J\hu J\relax + |\relax + |\motif\sk\motif\relax + &\qb4j\sk\qb4j\relax + &\qsoupir\isluru5n\Ibbl5ln2\qb5{lo}\tslur5o\tqb5n\enotes +\NOtes\org\relax + |\relax + |\motif\sk\tbu3\motif\relax + &\qb4j\sk\tqb4j\relax +% &\Ibbl5ol3\qb5{omm}\tqb5l\enotes + &\fourlll omml\enotes +% mesure 12 +%\check +\barre +\NOTes\org\tten1\qu J\relax + |\roff{\zql c}\hu d\relax + |\ibu3f0\qh3f\tqh3f\relax + &\ibu4h0\qh4h\tqh4h\relax + &\mordant p\ql k\sk\enotes +\NOtes\org\itenl1I\hu I\relax + |\hl b\relax + |\ibu0g0\qh0g\sk\tqh0g\relax + &\ibu0i0\qh0i\sk\tqh0i\relax + &\qsoupir + \isluru5m\Ibbl5km2\qb5{kn}\tslur5m\tqb5m\enotes +\NOtes\org\relax + |\qu e\relax + |\ibu3g0\qh3g\sk\relax + &\ibu4j0\qh4j\sk\relax + &\isluru5n\ibbl5k0\qb5n\qbp5l\enotes +\Notes\org\relax + |\relax + |\tqh3g\relax + &\tqh4j\relax + &\sk\nbbbl5\qb5{kj}\tslur5k\tqb5k\enotes +% mesure 13 +\barre +\notes\org\tten1\qu I\relax + |\roff{\zql b}\hu c\relax + |\ibu3e0\qh3e\relax + &\ibu4g0\qh4g\relax + &\isluru5k\ibbbbl1j0\qb1{j=ij}\relax +\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes +\NOtes\org\relax + |\relax + |\relax + &\relax + &\tslur5k\tbl1\qbp1j\enotes +\NOTes\org\relax + |\relax + |\tqh3e\relax + &\tqh4g\relax + &\enotes +\temps\Notes\org\hu H\relax + |\hl a\relax + |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax + &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax + &\qsoupir\sk\isluru5k\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tslur5l\tqb1l\enotes +\temps\Notes\org\relax + |\qu d\relax + |\ibu0f0\qh0f\sk\sk\sk\tqh0f\relax + &\ibu0h0\qh0h\sk\sk\sk\tqh0h\relax + &\isluru5n\ibbbl1k0\qb1{mnlmkl}\relax +\triolet n\qb1{jk}\tslur5k\tqb1j\enotes +% mesure 14 +%\check +\def\motif{\rq g\qh3f}% +\barre +\NOTes\org\hup G\relax + |\hup b\relax + |\zhlp d\ds\ibu3g0\motif\motif\motif\motif\tbu3\motif + &\ds\ibu0i0\qh0{=iiii}\tqh0i\relax + &\bigna i\hl i\sk\sk\sk\soupir\enotes +% mesure 15 +\barre\NOTes\org\hup J\relax + |\hup c\relax + |\bigna e\ibu0g0\zq e\qh0g\zq e\tqh0g\relax + &\twobu jg\relax + &\bigna l\twolbl ln\enotes +\NOTes\org\relax + |\relax + |\ibu0g0\zq e\qh0g\zq e\tqh0g\relax + &\twobu gg\relax + &\twolbl nl\enotes +\NOtes\org\relax + |\relax + |\doubler\twobu ee\relax + &\doubler\twobl jj\relax + &\fl i\isluru5m\ibbl1i0\qb1{inl}\tslur5m\tqb1i\enotes +% mesure 16 +\barre\NOTes\org\hlp M\relax + |\qu c\relax + |\ibu3g0\qh3g\relax + &\ibl4j0\qb4j\relax + &\ibu5k0\itenl5i\qh5i\enotes +\Notes\org\relax + |\relax + |\tqh3g\relax + &\tqb4j\relax + &\tten5\nbbbu5\islurd5i\qh5{ihj}\tslur5i\tqh5i\enotes +\temps\NOTes\org\relax + |\hu f\relax + |\ibu0h0\qh0{hhh}\tqh0h\relax + &\ibl0j0\qb0{jjj}\tqb0j\relax + &\qu h\sk\soupir\enotes +% mesure 17 +\def\motif{\zq h\qh0 k}% +\barre +\NOtes\org\hup K\relax + |\hup {^f}\relax + |\ibu3h0\na h\qh3h\sk\qh3h\relax + &\ibl4k0\qb0k\sk\qb0k\relax + &\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes +\Notes\org\relax + |\relax + |\qh3h\sk\sk\sk\qh3h\sk\sk\sk\relax + &\qb4k\sk\sk\sk\qb4k\sk\sk\sk\relax + &\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes +\Notes\org\relax + |\relax + |\qh3h\sk\sk\sk\sk\tqh3h\sk\sk\sk\relax + &\qb4k\sk\sk\sk\sk\tqb4k\sk\sk\sk\relax + &\Ibbbu1dl9\qh1{d=e^fghij}\pointdurgue e\qhp1k\qsk\tbbbbu1\tqh1j\enotes +% mesure 18 + \barre +\NOTes\org\hup G\relax + |\qu d\relax + |\twobu gg\relax + &\twobl kk\relax + &\twolbl ji\enotes +\NOTes\org\relax + |\itenl2e\hu e\relax + |\ibu3g0\qh3{ggg}\tqh3g\relax + &\ibl4i0\qb4{iii}\tqb4i\relax + &\bigfl l\twobl lk\mordant n\itenu5l\ql l\enotes +% mesure 19 +\barre\NOTes\org\hl M\relax + |\tten2\qu e\relax + |\ibu3h0\qh3{_h}\relax + &\ibl4j0\qh4j\relax + &\tten5\isluru5m\ibl5l0\qb5l\enotes +\NOtes\org\relax + |\relax + |\tqh3h\relax + &\tqb4j\relax + &\nbbl5\qb5m\tqb5l\enotes +\NOTes\org\relax + |\hu d\relax + |\ibu3f0\qh3f\relax + &\ibu4h0\qh4h\relax + &\ibl5k0\qb5k\enotes +\NOtes\org\relax + |\relax + |\qh3f\relax + &\qh4h\relax + &\nbbl5\qb5l\tslur5k\tqb5j\enotes +\NOTes\org\qu F\relax + |\relax + |\qh3f\tqh3f\relax + &\qh4h\tqh4h\relax + &\itenu5k\mordant m\ql k\enotes +% mesure 20 +\barre +\NOtes\org\hu E\relax + |\qu d\relax + |\doubler\twobu gg\relax + &\doubler\twobu ii\relax + &\tten5\ibbl0k0\rlap{\sk\isluru5n}\qb0{knl}\tqb0k\enotes +\temps\NOtes\org\relax + |\hu c\relax + |\ibu3e0\qh3{e*e}\relax + &\ibu4g0\qh4{g*g}\relax + &\ibbl0i0\qb0{jih}\tslur5i\tqb0i\enotes +\NOTes\org\ql L\relax + |\relax + |\qh3e\sk\tqh3e\relax + &\qh4g\sk\tqh4g\relax + &\upperna j\mordant o\itenu5j\ql j\enotes +% mesure 21 +\barre +\NOtes\org\hup K\relax + |\hu b\relax + |\doubler\twobu ff\relax + &\doubler\twobu fh\relax + &\ibbl5j0\tten5\qb5j\isluru5k\qb5{_i}\qb5k\multnoteskip{0.71}\nbbbl5\qb5m\tqb5l\enotes +\Notes\org\relax + |\relax + |\ibu3d0\qh3d\sk\sk\sk\qh3d\relax + &\ibu4f0\qh4f\sk\sk\sk\qh4f\relax + &\ibbbl5i0\qb5{kjihijk}\tqb5l\enotes +\NOtes\org\relax + |\qu a\relax + |\qh3d\sk\tqh3d\relax + &\qh4f\sk\tqh4f\relax + &\Ibbl5mi3\qb5{mk}\relax +\pince l\qb5j\enotes +\NOtes\org\relax + |\relax + &\relax + &\tslur5k\itenu5i\tqb5i\enotes +% mesure 22 +\barre +\Notes\org\hup J\relax + |\qu N\relax + |\ibu3e0\qh3e\sk\sk\sk\tqh3e\relax + &\ibu4g0\qh4g\sk\sk\sk\tqh4g\relax + &\tten5\ibbbl1i0\rlap{\sk\isluru5m}\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes +\Notes\org\relax + |\qu e\relax + |\ibu3g0\qh3g\sk\sk\sk\tqh3g\relax + &\ibu4j0\qh4j\sk\sk\sk\tqh4j\relax + &\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes +\temps\NOtes\org\relax + |\qu e\relax + |\ibu3f0\qh3f\sk\tqh3f\relax + &\ibu4h0\qh4h\sk\zq f\tqh4h\relax + &\ibbu5k0\tslur5m\rlap{\sk\isluru5r}\qh5{flk}\tqh5j\enotes +% mesure 23 +\barre +\NOTes\org\hu I\relax + |\hu d\relax + |\ibu3f0\qh3{fff}\relax + &\ibu4h0\qh4{hhh}\relax + &\tslur5n\itenu5k\ql k\sk\tten5\Ibl5ki3\qbp5k\enotes +\NOtes\org + |\relax + |\tqh3f\relax + &\tqh4h\relax + &\sk\tbbl5\tqb5i\enotes +\NOTes\org\qu J\relax + |\qu c\relax + |\twobu ee\relax + &\twobu gg\relax + &\itenu5l\ql l\enotes +% mesure 24 +\barre +\NOTes\org\qu{H}\relax + |\relax + |\ibu3h0\zq e\qh3h\relax + &\ql j\relax + &\tten5\ibl5i0\itenu5l\qb5l\enotes +\Notes\org\relax + |\relax + |\zq e\tqh3h\relax + &\relax + &\tten5\rlap{\sk\isluru5m}\nbbbl5\qb5{ljk}\tqb5l\enotes +\NOTes\org\hu I\relax + |\hpause + |\ibu0f0\zq d\qh0f\zq d\qh0f\zq d\qh0f\zq e\tqh0g\relax + &\hl i\relax + &\ifOboe\rlap{\tinynotesize\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\loff{\zq e\tqb0g}\relax}\fi + \qlp m\sk\sk\tslur5m\cl l\enotes +% mesure 25 +\barre\NOTes\org\hlp M\relax + |\relax + |\zhlp f\ibu3h0\qh3{hhh}\relax + &\Ibl4hk6\qb4h\qb4{_kk}\relax + &\Uptext{\pp}\bigfl k\qlp k\enotes +\NOtes\org\relax + |\pause + |\doubler\qh3{hh}\tqh3h\relax + &\doubler\qb4{kk}\tqb4k\relax + &\ibbl5m0\isluru5n\qb5{mnonm}\tslur5m\tqb5l\enotes +% mesure 26 +\barre +\NOTes\org\hlp N\relax + |\relax + |\zhlp e\ibu3g0\qh3{gg}\relax + &\ibu4i0\qh4{ii}\relax + &\itenu5k\ql{_k}\enotes +\NOtes\org\relax + |\sk\pause + |\doubler\qh3{ggg}\tqh3g\relax + &\doubler\qh4{iii}\tqh4i\relax + &\tten5\isluru5m\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tslur5m\tqb1k\enotes +% mesure 27 +\barre +\NOTes\org\hl a\relax + |\hu e\relax + |\ibu3h0\qh3h\relax + &\ibl4j0\qb4j\relax + &\bigfl k\ibl1j0\isluru5l\itenu1k\qb1k\enotes +\Notes\org\relax + |\relax + |\qh3h\relax + &\qh4j\relax + &\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes +\NOtes\org\relax + |\relax + |\qh3h\sk\tqh3h\relax + &\qb4j\sk\tqb4j\relax + &\Ibbl1jn3\qb1{jlm}\tqb1n\enotes +\NOtes\org\qu H\relax + |\itenl2f\qu f\relax + |\ibu3h0\qh3h\sk\tqh3h\relax + &\ibl4j0\qb4j\sk\tqb4j\relax + &\Ibbl1ol3\qb1{onm}\tslur5m\tqb1l\enotes +% mesure 28 +\barre\NOTes\org\hu G\relax + |\tten2\hu f\relax + |\ibu3g0\qh3{gg}\relax + &\ibl4i0\bigna i\qb4{ii}\relax + &\itenu5m\ql m\enotes +\NOtes\org\relax + |\relax + |\qh3g\sk\tqh3g\relax + &\qb4i\sk\tqb4i\relax + &\tten5\ibbl5h0\rlap{\sk\isluru5j}\qb1{mgh}\tqb5{=i}\enotes +\NOtes\org\qu{H}\relax + |\itenl2f\qu f\relax + |\itenu3h\qu h\relax + &\itenu4j\ql j\relax + &\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes +% mesure 29 +\barre +\NOtes\org\qu F\relax + |\tten2\qu f\relax + |\doubler\tten3\twobu hh\relax + &\doubler\tten4\twobl jk\relax + &\ibbl5l0\qb5{lom}\tslur5m\tqb5k\enotes +\temps\NOTes\org\hu G\relax + |\qup d\sk\sk\cu e\relax + |\ibu0g0\qh0{ggg}\tqh0g\relax + &\qlp{=i}\sk\sk\cl j\relax + &\ifOboe\rlap{\tinynotesize\ibl0g0\qb0{ggg}\tqb0g\relax}\fi + \isluru5k\qlp{=i}\sk\sk\tslur5l\cu j\enotes +% mesure 30 +%\check +\barre +\NOTes\org\hup{H}\relax + |\hup c\relax + |\ibu3h0\zq f\qh3h\zq f\qh3h\zq f\qh3h\zq f\qh3h\relax + &\ibl4j0\qb4{jjjj}\relax + &\itenl5f\hu f\enotes +\NOtes\org\relax + |\relax + |\zq f\qh3h\sk\zq f\tqh3h\relax + &\qb4j\sk\tqb4j\relax + &\tten5\rlap{\sk\islurd5c}\Ibbu5fe3\qh5{fcd}\tqh5e\enotes +% mesure 31 +%\check +\barre +\NOtes\org\hu G\relax + |\hu d\sk + |\doubler\ibu3g0\qh3{gggg}\relax + &\doubler\bigna i\ibl4i0\qb4{iii}\tqb4i\relax + &\Ibbu5fe3\qh5{fed}\tslur5d\tqh5e\islurd5e\Ibbu5fg3\qh5{fgh}\tslur5f\tqh5g\enotes +\Notes\org\ql L\relax + |\qu c\relax + |\doubler\doubler\qh3g\tqh3g\relax + &\doubler\doubler\twobl jj\relax + &\islurd5f\Ibbbu1gi7\qh1{gfefghi}\tslur5g\tqh1{=i}\enotes +% mesure 32 +%\check +\barre +\NOtes\org\bigaccid\zql{a}\relax + |\qu c\relax + |\ibu0f0\qh0f\sk\tqh0f\relax + &\doubler\twobu hh\relax + &\Ibl5jk3\qbp5j\sk\sk\tbbl5\tqb5k\enotes +\NOTes\org\hl N\relax + |\qup d\sk\sk\cu e\relax + |\twobu ff\twobu gg\relax + &\qlp{=i}\sk\sk\cl j\relax + &\ifOboe\rlap{\tinynotesize\twobl ff\twobl gg\relax}\fi + \isluru5l\qlp k\sk\sk\tslur5l\cu j\enotes +% mesure 33 +%\check +\barre\NOTes\org\hu K\relax + |\zhu{^f}\hlp d\relax + |\na h\ibu3h0\qh3{hhh}\tqh3h\relax + &\ibl4j0\qb4{jjj}\tqb4j\relax + &\bigsh m\isluru5n\hl m\enotes +\NOTes\org\qu G\relax + |\raise 2\internote\soupir + |\twobu gg\relax + &\bigna i\twobu ii\relax + &\tslur5o\isluru5o\twobl nk\enotes +% mesure 34 +%\check +\barre\NOTes\org\Ibl1JG5\qb1J\relax + |\qu e\relax + |\ibu3g0\qh3g\relax + &\ibl4j0\qb4j\relax + &\tslur5m\Ibl5lj2\qb5l\enotes +\NOtes\org\qb1L\relax + |\relax + |\tqh3g\relax + &\tqb4j\relax + &\nbbl5\qb5k\tqb5j\enotes +\NOTes\org\qb1{NMN}\tqb1G\relax + |\hu d\relax + |\hu g\relax + &\na i\qup i\sk\sk\cu j\relax + &\zcharnote o{\Trille{1.8\noteskip}}\na i\ql i\sk\rlap{\isluru5j\sk\tslur5k}\twobl ij\enotes + \ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi +% mesure 35 +%\check +\barre +\NOTes\org\hup J\relax + |\rlap{\sk\itenl2N}\twobl cN\relax + |\Ibu3ge1\zq e\qh3g\zq c\tqh3e\relax + &\Ibl4jl5\qh4{jl}\relax + &\hlp j\enotes +\NOTes\org\relax + |\tten2\hl N\relax + |\ibu3e0\zq c\qh3e\zq c\qh3e\zq c\qh3e\zq c\tqh3e\relax + &\qb4{lll}\tqb4l\enotes +% mesure 36 +%\check +\barre\NOTes\org\hup G\relax + |\hlp N\relax + |\ibu3e0\zq c\qh3e\rq d\qh3c\rq d\qh3c\rq d\qh3c\zq +{_b}\qh3d\zq b\tqh3d\relax + &\Ibl4lk5\qb4{lkkkk}\tqb4k\relax + &\sk\sk\qsk\pause\enotes +% mesure 37 +%\check +\barre\NOTes\org\hup J\relax + |\hlp N + |\na e\ibu3e0\relax +\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\qh3 e\zq b\tqh3 e\relax + &\na l\ibl4l0\qb4{lllll}\tqb4l\relax + &\sk\sk\qsk\pause\enotes +% mesure 38 +%\check +\barre +\NOTes\org\hlp M\relax + |\zql b\relax + |\ibu3f0\zq c\qh3f\zq c\qh3f\relax + &\ibl4m0\qb4m\qb4m\enotes +\NOTes\org\relax + |\itenu2a\ql a\relax + |\zq c\qh3f\zq c\tqh3f\relax + &\qb4m\tqb4m\relax + &\sk\pause\enotes +\temps\NOTes\org\relax + |\tten2\ql a\relax + |\zq {c}\rq f\qu e\relax + &\ql m\sk + &\enotes +% mesure 39 +%\check +\barre +\NOTes\org\hl N\relax + |\na b\ibl2b0\zq b\qb2d\zq b\qb2d\zq b\qb2d\zq b\tqb2d\relax + |\qup f\sk\sk\Ibu3gc2\qh3g\relax + &\qlp m\sk\sk\Ibl4nj2\qb4n\relax + &\sk\sk\qsk\pause\enotes +\NOTes\org\ql a\relax + |\ql c\relax + |\qh3e\tqh3d\relax + &\qb4l\tqb4k\enotes +% mesure 40 +%\check +\barre +\NOTes\org\ql M\relax + |\zq c\ql a\sk\relax + |\twobu ef\relax + &\twobl lm\enotes +\NOTes\org\ibu2N0\qh2{NMN}\tqh2G\relax + |\hl{=b}\relax + |\hu d\relax + &\hl k\sk\sk\relax + &\qsk\pause\enotes +% mesure 41 +%\check +%\ifOrgue\cleftoksi={{6}{6}{0}{0}}\changeclefs\fi +\barre +\NOTES\org\hup J\relax + |\zhp{LN}\hlp c\relax + |\sk\pause + &\hlp j\relax + &\sk\pause\enotes +\ifOrgue \linegoal 9\relax +\else \linegoal 12\relax +\fi +\finmorceau + +\endinput + + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex new file mode 100644 index 00000000000..52b1989bb06 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcon3.tex @@ -0,0 +1,1106 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi + +% +\title{Concerto pour hautbois --- finale} +\fulltitle{Concerto pour hautbois --- finale} +\othermention{Transcription pour hautbois, fl–te et orgue\\{\bf + \ifFlute Partition fl–te\fi + \ifOboe Partition hautbois\fi + \ifOrgue Partition orgue\fi} +} +\shorttitle{Concerto pour hautbois --- finale} +\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} +\shortauthor{B. Marcello, D. Taupin} +\maketitle +% +\parindent 13mm +\def\interfacteur{10} % was 9 +\ifOrgue + \def\nbinstruments{3} + \global\cleftoksi={{6}{6}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \global\cleftoksiii={{0}{0}{0}{0}}% + \nbporteesi=3\relax% + \nbporteesii=1\relax% + \nbporteesiii=1\relax% + \def\instrumenti{Orgue}% + \def\instrumentii{Fl–te}% + \def\instrumentiii{Hautbois}% + \def\staffspacingii{0.64}\def\staffspacingiii{0.64}% +\else + \def\nbinstruments{2} + \global\cleftoksi={{0}{0}{0}{0}}% + \global\cleftoksii={{0}{0}{0}{0}}% + \nbporteesi=1\relax% + \nbporteesii=1\relax% + \def\instrumenti{Fl–te}% + \def\instrumentii{Hautbois}% + \ifFlute\def\staffspacingi{1.0}\else\def\staffspacingi{0.64}\fi + \ifOboe\def\staffspacingiii{1.0}\else\def\staffspacingii{0.64}\fi% + \def\everystaff{\vrule width 0pt depth 5mm\relax}% +\fi + +\ifOboe\def\interinstrumenti{2\Interligne}\fi +% +\signaturegenerale{-3}\relax +%\check +\def\doubler{\multiply\noteskip by 2\relax}% +% formes frequentes +\def\Pause{\sk\sk\qsk\pause}% +% +% +\def\sixlpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\Sixlpl#1#2#3#4#5#6{{\advance \transpose -1\relax\Ibbl0{#1}{#6}5}% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\fiveplpl#1#2#3#4#5{\Ibbl0{#1}{#5}4% +\isluru0{#1}\qb0{#1}\qb0{#2}\qb0{#3}% +\tslur0{#4}\tbbl0\qb0{#4}\upz{#5}\tqb0{#5}}% +% +\def\fourplpl#1#2#3#4{\Ibl0{#1}{#4}4% +\upz{#1}\qb0{#1}\sk\isluru0{#2}\nbbl0\qb0{#2}\tbbl0\tslur0{#3}\qb0{#3}% +\upz{#4}\tqb0{#4}\sk}% +% +\def\threelpl#1#2#3{\Ibbl0{#1}{#3}2% +\isluru0{#1}\qb0{#1}% +\tslur0{#2}\tbbl0\qb0{#2}\upz{#3}\tqb0{#3}}% +% +\def\threell#1#2#3{\Ibbl0{#1}{#3}2% +\isluru0{#1}\qb0{#1}% +\tslur0{#2}\tbbl0\qb0{#2}\tqb0{#3}}% +% +\def\sixlpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\Sixlpu#1#2#3#4#5#6{{\advance\transpose 1\relax\Ibbu0{#1}{#6}5}% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\fiveplpu#1#2#3#4#5{\Ibbu0{#1}{#5}4% +\islurd0{#1}\qh0{#1}\qh0{#2}\lpz{#3}\qh0{#3}% +\tslur0{#4}\tbbu0\qh0{#4}\lpz{#5}\tqh0{#5}}% +% +\def\fourplpu#1#2#3#4{\Ibu0{#1}{#4}4% +\lpz{#1}\qh0{#1}\sk\islurd0{#2}\nbbu0\qh0{#2}\tbbu0\tslur0{#3}\qh0{#3}% +\lpz{#4}\tqh0{#4}\sk}% +% +\def\threelpu#1#2#3{\Ibbu0{#1}{#3}2% +\islurd0{#1}\qh0{#1}% +\tslur0{#2}\tbbu0\qh0{#2}\lpz{#3}\tqh0{#3}}% +% +\def\threelu#1#2#3{\Ibbu0{#1}{#3}2% +\islurd0{#1}\qh0{#1}% +\tslur0{#2}\tbbu0\qh0{#2}\tqh0{#3}}% +% +\def\sixppl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\Sixppl#1#2#3#4#5#6{{\advance\transpose -1\relax\Ibbl0{#1}{#6}5}% +\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\qb0{#3}% +\upz{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% +\def\threeppl#1#2#3{\Ibbl0{#1}{#3}2% +\upz{#1}\qb0{#1}\tbbl0\upz{#2}\qb0{#2}\tqb0{#3}}% +% +\def\sixppu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\qh0{#3}% +\lpz{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% +\def\threeppu#1#2#3{\Ibbu0{#1}{#3}2% +\lpz{#1}\qh0{#1}\tbbu0\lpz{#2}\qh0{#2}\tqh0{#3}}% +% +\def\triol#1#2#3{\doubler\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% +\def\triou#1#2#3{\doubler\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% +\def\triopl#1#2#3{\doubler\Ibl0{#1}{#3}2\upz{#1}\qb0{#1}\upz{#2}\qb0{#2}\upz{#3}\tqb0{#3}}% +\def\triopu#1#2#3{\doubler\Ibu0{#1}{#3}2\lpz{#1}\qh0{#1}\lpz{#2}\qh0{#2}\lpz{#3}\tqh0{#3}}% +% +\def\clpz#1{\upz{#1}\cl{#1}} +\def\cupz#1{\lpz{#1}\cu{#1}} +% Siciliano : O. oO +\def\sicu#1#2#3{\Ibu0{#1}{#3}4\qhp0{#1}\sk\sk\tbbu0\qh0{#2}\tqh0{#3}\sk} +\def\sicl#1#2#3{\Ibl0{#1}{#3}4\qbp0{#1}\sk\sk\tbbl0\qb0{#2}\tqb0{#3}\sk} + +\catcodesmusic +\def\org#1&{\ifOrgue #1\relax + &\relax\fi} +% +%\check +% +\generalmeter{\meterfrac 38}% +\sepbarrules +% +\debutmorceau +\notes\org\relax + &\relax + &\zcharnote{w}{\kern -20mm\moyen Allegro \bf(\metron{\cu}{160})}\enotes +% +%\check +% mesure 1 +\notes\org\Pause + |\zmidtwotext{\llap{\bf II}}\qlp c\relax + |\zqp e\qup g\relax + &\qlp j\relax + &\uptext{\p}\sixlpl jgjklj\enotes +%\check + \barre % mesure 2 +\notes\org\Pause + |\qlp{=b}\relax + |\zqp d\qup g\relax + &\qlp k\relax + &\sixlpl kgklmk\enotes +%\check + \barre % mesure 3 +\notes\org\Pause + |\doubler\cl c\ql a\relax + |\doubler\zq e\cu g\zq c\qu f\relax + &\doubler\Ibu0ii1\bupz0\qh0j\bupz0\qh0l\bupz0\tqh0j\relax + &\sixppl lkjklm\enotes +%\check + \barre % mesure 4 +\Notes\org\sk\pause + |\qlp N\relax + |\zqp d\qup g\relax + &\qup{=i}\relax + &\isluru0n\ql n\sk\tslur0g\cl g\enotes +%\check + \barre % mesure 5 +\notes\org\Pause + |\qup J\relax + |\sixppl lkj{_i}hg\relax + &\sixppl nmlkj{_i}\relax + &\Pause\enotes +%\check + \barre % mesure 6 +\notes\org\Pause + |\sixppl MNMLKJ\relax + |\qu f\sk\sk\sk\ds\relax + &\threeppl hjm\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 7 +\notes\org\Pause + |\zqlp I\Ibbu0KN2\qh0K\tbbu0\qh0M\tqh0b\sk\ds\relax + |\sixppu kjihgf\relax + &\sixppl mlkjih\relax + &\Pause\enotes +%\check + \barre % mesure 8 +\notes\org\Pause + |\sixppl LMLKJI\relax + |\qu e\sk\sk\sk\ds\relax + &\threeppl gil\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 9 +\notes\org\Pause + |\zqlp H\Ibbu0JM2\qh0J\tbbu0\qh0L\tqh0a\sk\ds\relax + |\sixppu jihgfe\relax + &\sixppl lkjihg\relax + &\Pause\enotes +%\check + \barre % mesure 10 +\notes\org\Pause + |\sixppl KLKJIH\relax + |\qu d\sk\sk\sk\ds\relax + &\threeppl fhk\sk\ds\relax + &\Pause\enotes +%\check + \barre % mesure 11 +\notes\org\Pause + |\zqlp G\Ibbu0IL2\qh0{=I}\tbbu0\qh0K\tqh0N\sk\ds\relax + |\sixppu {=i}hgfed\relax + &\relax + \ifx\Quer\undefined \sixppu kj{=i}onm\else\sixppu kj{=i}hgf\fi + \relax + &\Pause\enotes +%\check + \barre % mesure 12 +\notes\org\Pause + |\sicu JKL\relax + |\Ibbu0cg4\qh0{cde}\tbbu0\qh0f\tqh0g\sk\relax + &\relax + \ifx\Quer\undefined \Ibbu0li2\qh0l\tqh0k\itenl0j\qu j\sk + \else\Ibbu0ei2\qh0e\tqh0g\itenl0j\qu j\sk + \fi\relax + &\Pause\enotes +%\check + \barre % mesure 13 +\notes\org\Pause + |\doubler\Ibl0MI2\qb0M\qb0N\tqb0G\relax + |\doubler +\Ibu0fd2\zq f\qb0h\zq g\qh0d\zq f\tqh0d\relax + &\tten0\ibbu0j0\qh0j\tbbu0\qh0k\qhp0{=i}\sk\sk\tbbu0\tqh0j\enotes +%\check + \barre % mesure 14 +\notes\org\qup J\relax + |\zmidtwotext{\llap{\bf I}}\qlp c\relax + |\zqp e\qup g\relax + &\qlp j\relax + &\sixlpl jgjklj\enotes +%\check + \barre % mesure 15 +\notes\org\doubler\qup {=I}\relax + |\doubler\qlp{=b}\relax + |\zqp d\qup g\relax + &\qlp k\relax + &\sixlpl kgklmk\enotes +%\check + \barre % mesure 16 +\notes\org\doubler\cu J\qu H\relax + |\doubler\cl c\ql a\relax + |\doubler\zq e\cu g\zq c\qu f\relax + &\doubler\Ibl0ii1\upz j\qb0j\upz l\qb0l\upz j\tqb0j\relax + &\sixppl lkjklm\enotes +%\check + \barre % mesure 17 +\notes\org\qup G\relax + |\qlp N\relax + |\zqp d\qup g\relax + &\fourplpl{=i}kji\relax + &\doubler\isluru0n\ql n\sk\tslur0g\cl g\enotes +%\check + \barre % mesure 18 +\notes\org\doubler\qu J\sk\lpz H\cu H\relax + |\doubler\ql c\sk\upz a\cl a\relax + |\doubler\zq e\qu g\sk\ds\relax + &\fourplpl llkj\relax + &\sixlpl nljlom\enotes + %\check + \barre % mesure 19 +\notes\org\doubler\qu I\sk\lpz G\cu G\relax + |\doubler\ql b\sk\upz N\cl N\relax + |\qu d\sk\ds\relax + &\fiveplpl iklmn\relax + &\threelpl kmp\sk\ds\enotes +%\check + \barre % mesure 20 +\notes\org\doubler\qu H\sk\lpz F\cu F\relax + |\doubler\ql a\sk\upz M\cl M\relax + |\doubler\zq c\qu e\sk\ds\relax + &\fourplpl jjih\relax + &\sixlpl ljhjlj\enotes + %\check + \barre % mesure 21 +\notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\doubler\qu {=b}\sk\ds\relax + &\fiveplpl gh{=i}jk\relax + &\threelpl {=i}kn\sk\ds\enotes + %\check + \barre % mesure 22 +\notes\org\Pause + |\Pause + |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\fourplpl jlkj\relax + &\sixlpl lkjklj\enotes + %\check + \barre % mesure 23 +\notes\org\Pause + |\Pause + |\doubler\ibu0h0\zq {df}\qh0h\zq {df}\qh0h\zq {df}\tqh0h\relax + &\fourplpl imlk\relax + &\sixlpl mlklmk\enotes + %\check + \barre % mesure 24 +\notes\org\Pause + |\Pause + |\doubler\ibu0g0\zq e\qh0g\zq e\qh0g\zq e\tqh0g\relax + &\fourplpl inml\relax + &\sixlpl nmlmnl\enotes + %\check + \barre % mesure 25 +\notes\org\Pause + |\Pause + |\doubler\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax + &\fourplpl ionm\relax + &\sixlpl pnmlkj\enotes + %\check + \barre % mesure 26 +\notes\org \Pause + |\Pause + |\doubler\Ibl0hg2\zq g\qb0i\zq f\qb0 h\zq e\tqb0 g\relax + &\Ibbl0li5\qb0{lkkjj}\tqb0i\relax + &\rlap{\sk\sk\sk\sk\itenu0l}\sicl iil\enotes + %\check + \barre % mesure 27 +\notes\org\Pause + |\doubler\ql c\sk\cl b\relax + |\doubler\Ibu0hi2\zq f\qh0{hi}\rq i\zq h\tqh0f\relax + &\doubler\Ibl0jk2\qb0{jk}\tqb0k\relax + &\tten0\ibbl0l0\qb0l\tbbl0\qb0m\isluru0m\Pince o\qb0m\sk\sk\tslur0l\tbbl0\tqb0l\enotes + %\check + \barre % mesure 28 + \notes\org\doubler\ibl0L0\qb0{LN}\tqb0L\relax + |\doubler\zq g\ql b\sk\itenu1b\itenu2e\zq e\cl +b\relax + |\sixppu iilmnl\relax + &\sixppl lilmnl\relax + &\doubler\ql l\sl\ds\enotes + %\check + \barre % mesure 29 + \notes\org\doubler\ibl0J0\qb0{IK}\tqb0I\relax + |\tten1\tten2\doubler\zql b\cu e\qu +d\cl b\relax + |\sixppu miklmk\relax + &\sixppl mimnom\relax + &\relax\Pause\enotes + %\check + \barre % mesure 30 + \notes\org\doubler\ibl0M0\qb0{LN}\tqb0L\relax + |\doubler\ibl0c0\qb0{be}\tqb0b\relax + |\sixppl lkjklm\relax + &\sixppl nmlmno\relax + &\Pause\enotes + %\check + \barre % mesure 31 + \notes\org\qup I\relax + |\Ibbl0bM5\qb0{bcbaN}\tqb0M\relax + |\doubler\isluru0k\ql k\sk\tslur0i\cl i\relax + &\doubler\ql p\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 32 + \notes\org\Pause + |\zmidtwotext{\llap{\bf II}}\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz +L\tqb0L\relax + |\doubler\zq g\qu i\sk\zq g\cu i\relax + &\doubler\ibl0j0\isluru0l\qb0l\tslur0i\qb0i\upz l\tqb0l\relax + &\uptext{\mf}\sixlpl lilmnl\enotes + %\check + \barre % mesure 33 + \notes\org\Pause + |\doubler\ibu0J0\lpz I\qb0I\lpz K\qb0 K\lpz I\tqh0I\relax + |\doubler +\zq f\qu i\sk\zq k\cu i\relax + &\doubler\ibl0j0\isluru0l\qb0l\tslur0k\qb0k\upz m\tqb0m\relax + &\Sixlpl mimnom\enotes + %\check + \barre % mesure 34 + \notes\org\Pause + |\doubler\ibl0L0\upz L\qb0L\upz N\qb0 N\upz +L\tqb0L\relax + |\doubler\zq i\ql l\sk\zq i\cl l\relax + &\doubler\ibl0l0\isluru0n\qb0n\tslur0i\qb0i\upz n\tqb0n\relax + &\sixlpl nmlmno\enotes + %\check + \barre % mesure 35 + \notes\org\Pause + |\doubler\ql b\sk\ds\relax + |\doubler\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax + &\doubler\Ibl0nm1\isluru0n\qb0n\tslur0m\tqb0m\ds\relax + &\doubler\isluru0p\ql p\sk\tslur0i\cl i\ds\enotes + %\check + \barre % mesure 36 + \notes\org\Pause + |\doubler\ql L\sk\ds\relax + |\doubler\zq e\zq g\ql i\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\Sixlpl ligili\enotes + %\check + \barre % mesure 37 + \notes\org\Pause + |\doubler\ibl0a0\upz c\zq a\qb0c\upz c\zq a\qb0c\upz c\zq a\tqb0c\relax + |\Pause\relax + &\sixlpl ljhjlj\relax + &\threelpl jlo\sk\ds\enotes + %\check + \barre % mesure 38 + \notes\org\Pause + |\doubler\zq M\ql c\sk\ds\relax + |\doubler\qu{=h}\sk\ds\relax + &\threelpl {=h}jm\sk\ds\relax + &\Sixlpl mj{=h}jmj\enotes + %\check + \barre % mesure 39 + \notes\org\Pause + |\doubler\ibl0c0\zq b\upz d\qb0d\zq b\upz d\qb0d\zq b\upz d\tqb0d\relax + |\Pause\relax + &\sixlpl mkikmk\relax + &\threelpl kmp\sk\ds\enotes + %\check + \barre % mesure 40 + \notes\org\Pause + |\doubler\zq N\ql d\sk\ds\relax + |\doubler\qu{=i}\sk\ds\relax + &\threelpl {=i}kn\sk\ds\relax + &\Sixlpl nk{=i}knk\enotes + %\check + \barre % mesure 41 + \notes\org\doubler\qu J\sk\cupz F\relax + |\zmidtwotext{\llap{\bf I}}\doubler\ql c\sk\clpz M\relax + |\doubler\ds\Ibu0gh1\qh0g\tqh0{_h}\relax + &\doubler\isluru0l\ql l\sk\tslur0m\clpz m\relax + &\sixlpl lnlj{_o}m\enotes + %\check + \barre % mesure 42 + \notes\org\doubler\qu I\sk\cupz E\relax + |\doubler + \ql b\sk\clpz L\relax + |\doubler\Ibu0fg2\qh0f\qh0 i\tqh0g\relax + &\doubler\isluru0k\ql k\sk\tslur0j\clpz j\relax + &\sixlpl kmkinl\enotes + %\check + \barre % mesure 43 + \notes\org\doubler\qu H\sk\cupz D\relax + |\doubler + \ql a\sk\clpz K\relax + |\doubler\ds\Ibu0eh1\zq c\qh0e\zq f\tqh0h\relax + &\Ibl0ji5\isluru0j\qb0j\sk\qb0l\sk\nbbl0\qb0h\tslur0i\tqb0i\relax + &\sixlpl jljhmk\enotes + %\check + \barre % mesure 44 + \notes\org\doubler\qu G\sk\cupz C\relax + |\doubler\ql N\sk\clpz J\relax + |\doubler\Ibu0de2\qh0d\qh0g\tqh0e\relax + &\doubler\isluru0i\ql i\sk\tslur0h\cl h\relax + &\sixlpl ikiglj\enotes + %\check + \barre % mesure 45 + \notes\org\doubler\qu F\sk\cupz I\relax + |\doubler\ql M\sk\clpz b\relax + |\doubler\ds\Ibu0cd1\qh0c\tqh0d\relax + &\itenl0h\qu h\sk\sk\sk\Ibbu0hg1\tten0\qh0h\tqh0g\relax + &\sixlpu hjhfki\enotes + %\check + \barre % mesure 46 + \notes\org\doubler\qu E\sk\cupz C\relax + |\doubler\ql L\sk\clpz J\relax + |\doubler\Ibu0dd2\qh0e\qh0N\tqh0e\relax + &\doubler\islurd0g\qu g\sk\tslur0h\cu {=h}\relax + &\sixlpu gigej{=h}\enotes + %\check + \barre % mesure 47 + \notes\org\doubler\qu D\sk\ds\relax + |\doubler\ql K\sk\ds\relax + |\zq c\rq d\qu{^f}\sk\ds\relax + &\doubler\qu {=h}\sk\ds\relax + &\sixlpu {^f}df{=h}kh\enotes + %\check + \barre % mesure 48 + \notes\org\doubler\qu G\sk\ds\relax + |\ql N\sk\ds\doubler\relax + |\doubler\zq {bd}\qu g\sk\ds\relax + &\doubler\qu i\sk\ds\relax + &\sixlpl igiknk\enotes + %\check + \barre % mesure 49 + \notes\org\doubler\qu J\sk\ds\relax + |\doubler\ql c\sk\ds\relax + |\doubler\zq e\qu g\sk\ds\relax + &\doubler\ql j\sk\ds \relax + &\sixlpl ljlnqn\enotes + %\check + \barre % mesure 50 + \notes\org\doubler\qu K\sk\cupz L\relax + |\doubler\ql{=a}\sk\ds\relax + |\doubler\zq d\qu{^f}\sk\zq e\cu g\relax + &\Ibu0hk5\qh0{=h}\sk\nbbu0\bupz0\qh0h\bupz0\qh0i\bupz0\qh0j\bupz0\tqh0k\relax + &\rlap{\sk\sk\sk\sk\itenu0n}\sicl {^m}kn\enotes + %\check + \barre % mesure 51 + \notes\org\doubler\qu J\sk\cupz G\relax + |\doubler\ql c\sk\cupz N\relax + |\doubler + \ibu0g0\lpz g\qh0g\lpz f\qh0{^f}\lpz g\tqh0g\relax + &\doubler\Ibl0lj2\qb0l\qb0k\tqb0j\relax + &\tten0\ibbl0n0\qb0n\tbbl0\qb0{=o}\Pince o\isluru0m\qh0{^m}\sk\sk\tslur0n\tbbl0\tqb0n\enotes + %\check + \barre % mesure 52 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\doubler\zq {bd}\qu g\sk\ds\relax + &\doubler\qu i\sk\ds\relax + &\sixlpl nknkik\enotes + %\check + \barre % mesure 53 + \notes\org\qup G\relax + |\qlp N\relax + |\sixppu i{=h}gfed\relax + &\advance\transpose 7\relax\sixppl kji{=h}gf\relax + &\doubler\qu g\sk\ds\enotes + %\check + \barre % mesure 54 + \notes\org\doubler\qu E\sk\ds\relax + |\sixppu JKJI{=H}G\relax + |\doubler\qu c\sk\ds\relax + &\advance\transpose 7\relax \threeppl egj\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 55 + \notes\org\qup F\relax + |\threeppu {=H}JM\sk\ds\relax + |\sixppu {=h}gfedc\relax + &\advance\transpose 7\relax \sixppl ji{=h}gfe\relax + &\Pause\enotes + %\check + \barre % mesure 56 + \notes\org\doubler\qu D\sk\ds\relax + |\sixppu IJI{=H}GF\relax + |\doubler\qu b\sk\ds\relax + &\advance\transpose 7\relax \threeppl dfi\sk\ds\relax + &\pause\enotes + %\check + \barre % mesure 57 + \notes\org\qup E\relax + |\threeppu GIL\sk\ds\relax + |\sixppu gfedcb\relax + &\advance\transpose 7\relax \sixppl i{=h}gfed\relax + &\Pause\enotes + %\check + \barre % mesure 58 + \notes\org\doubler\qu C\sk\ds\relax + |\sixppu {=H}IHGF{=E}\relax + |\doubler\qu {=a}\sk\ds\relax + &\advance\transpose 7\relax \threeppl c{=e}{=h}\sk\ds\relax + &\Pause\enotes + %\check + \barre % mesure 59 + \notes\org\doubler\qu D\sk\ds\relax + |\threeppu{^F}{=H}K\sk\ds\relax + |\sixppu {^f}{_e}dcb{=a}\relax + &\advance\transpose 7\relax \sixppu{=h}g{^f}{_e}dc\relax + &\Pause\enotes + %\check + \barre % mesure 60 + \notes\org\sicu G{=H}I\relax + |\Ibbl0Nd4\qb0N\qb0{=a}\qb0b\tbbl0\qb0c\tqb0d\sk\relax + |\Ibbu0bd1\qh0b\tqh0d\itenu1g\qu g\relax + &\advance\transpose 7\relax \Ibbl0bd1\qb0b\tqb0d\itenu0g\ql g\relax + &\Pause\enotes + %\check + \barre % mesure 61 + \notes\org\doubler\Ibu0IG2\qh0J\qh0K\tqh0D\relax + |\doubler + \Ibl0eb2\qb0e\zq{=a}\qb0d\zq a\tqb0c\relax + |\tten1\ibbu0g0\qh0g\tbbu0\qh0{=h}\qhp0{^f}\sk\sk\tbbu0\tqh0g\relax + &\advance\transpose 7\relax \tten0\ibbl0g0\qb0g\tbbl0\qb0{=h}\isluru0f\qbp0{^f}\sk\sk\tbbl0\tslur0g\tqb0g\relax + &\Pause\enotes + %\check + \barre % mesure 62 + \notes\org\qup G\relax + |\zqp{=b}\qlp N\relax + |\doubler\qup g\relax + &\relax\advance\transpose 7\relax + \qlp g\relax + &\Pause\enotes + \ifOrgue + \setrightrepeat + \alapage % mesure 63 + \addspace{-\afterruleskip}% + \leftrepeatsymbol + \else + \setleftrightrepeat + \barre % mesure 63 + \fi + \notes\org\triou GIG\relax + |\zmidtwotext{\llap{\bf I}}\triol NbN\relax + |\doubler\zq d\qu g\sk\zq d\cu g\relax + &\fourplpl ikji\relax + &\sixlpl nknopn\enotes + %\check + \barre % mesure 64 + \notes\org\triou JIH\relax + |\triol cba\relax + |\doubler\zq c\zq {=e}\qu g\sk \itenl0c\zq c\cu h\relax + &\doubler\ql n\sk\itenu1 j\cl j\relax + &\Ibl0lh5\qbp0{=l}\sk\sk\nbbl0\qb0{jm}\tqb0h\enotes + %\check + \barre % mesure 65 + \notes\org\triou IJJ\relax + |\triol bcc\relax + |\doubler\tten0\ibu0g0\zq c\qh0g\rq g\qh0f\zq{=e}\tqh0g\relax + &\doubler\tten1\ql j\sk\cl j\relax + &\ibbl0i0\qb0{gmgmg}\tqb0{=l}\enotes + %\check + \barre % mesure 66 + \notes\org\qu F\sk\ds\relax + |\triol MaM\relax + |\doubler\qu h\sk\ds\relax + &\Sixlpl mjmnom\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 67 + \notes\org\Pause + |\doubler\qu I\sk\cu J\relax + |\ibu0i0\zqp h\zqp f\qhp0f\sk\sk\nbbu0\qh0{ij}\tqh0g\relax + &\doubler\ql k\sk\clpz l\relax + &\Pause\enotes + %\check + \barre % mesure 68 + \notes\org\Pause + |\triou HII\relax + |\ibbl0h0\qb0{flflf}\tqb0k\relax + &\triopl mmm\relax + &\Pause\enotes + %\check + \barre % mesure 69 + \notes\org\Pause + |\triopl LNL\relax + |\doubler\ibu0i0\lpz g\zq g\qh0i\lpz g\zq g\qh0i\lpz g\zq g\tqh0i\relax + &\doubler\ql l\sk\clpz l\relax + &\sixlpl lilmnl\enotes + %\check + \barre % mesure 70 + \notes\org\Pause + |\triopl IKI\relax + |\doubler\ibu0i0\lpz d\zq d\zq f\qh0i\lpz d\zq d\zq f\qh0i\lpz +d\zq d\zq f\tqh0i\relax + &\doubler\ql l\sk\clpz m\relax + &\Sixlpl mimnom\enotes + %\check + \barre % mesure 71 + \notes\org\Pause + |\triopl LNL\relax + |\doubler\ibu0k0\lpz g\zq g\zq i\qh0l\lpz g\zq g\zq i\qh0l\lpz +g\zq g\zq i\tqh0l\relax + &\doubler\ql n\sk\clpz n\relax + &\sixlpl nmlmno\enotes + %\check + \barre % mesure 72 + \Notes\org\sl\qsk\pause + |\ql b\sk\ds\relax + |\zql i\Ibu0lk1\qh0l\tqh0k\ds\relax + &\Ibl0nm1\isluru0n\qh0n\tslur0m\tqb0m\ds\relax + &\isluru0p\ql p\sk\tslur0i\cl i\enotes + %\check + \barre % mesure 73 +% + \def\sixllpl#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\qb0{#4}\upz{#5}\qb0{#5}\upz{#6}\tqb0{#6}}% +% + \def\sixllpu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\qh0{#4}\lpz{#5}\qh0{#5}\lpz{#6}\tqh0{#6}}% +% + \def\sixllll#1#2#3#4#5#6{\Ibbl0{#1}{#6}5% +\isluru0{#1}\qb0{#1}\tslur0{#2}\qb0{#2}\isluru0{#3}\qb0{#3}% +\tslur0{#4}\qb0{#4}\isluru0{#5}\qb0{#5}\tslur0{#6}\tqb0{#6}}% +% + \def\sixlllu#1#2#3#4#5#6{\Ibbu0{#1}{#6}5% +\islurd0{#1}\qh0{#1}\tslur0{#2}\qh0{#2}\islurd0{#3}\qh0{#3}% +\tslur0{#4}\qh0{#4}\islurd0{#5}\qh0{#5}\tslur0{#6}\tqh0{#6}}% +% + \notes\org\Pause + |\zmidtwotext{\bf II}\doubler\ql L\sk\ds\relax + |\doubler\zq e\zq g\ql i\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\uptext{\p}\sixllpl liij{_k}k\enotes + %\check + \barre % mesure 74 + \notes\org\Pause + |\doubler\ibl0a0\upz a\qb0a\upz a\qb0a\upz a\tqb0a\relax + |\doubler\soupir\ibu0e0\lpz c\qh0c\lpz c\zq c\tqh0e\relax + &\sixllpu ihhijj\relax + &\usf m\threell {_k}jj\enotes + %\check + \barre % mesure 75 + \notes\org\Pause + |\doubler\zq M\ql{=a}\sk\ds\relax + |\qu e\sk\ds\relax + &\doubler\ql j\sk\ds\relax + &\sixllpl mjj{=k}ll\enotes + %\check + \barre % mesure 76 + \notes\org\Pause + |\doubler\ibl0b0\upz b\qb0b\upz b\qb0b\upz b\tqb0b\relax + |\doubler\soupir\ibu0f0\lpz d\qh0d\lpz d\zq f\tqh0d\relax + &\sixllpl jiijkk\relax + &\usf m\threell lkk\enotes + %\check + \barre % mesure 77 + \notes\org\Pause + |\doubler\zq N\ql{=b}\sk\ds\relax + |\doubler\qu f\sk\ds\relax + &\doubler\ql k\sk\ds\relax + &\sixllpl nkklmm\enotes + %\check + \barre % mesure 78 + \notes\org\Pause + |\doubler\ibl0c0\upz c\qb0c\upz c\qb0c\upz c\tqb0c\relax + |\doubler\soupir\ibu0g0\lpz e\qh0e\lpz e\zq e\tqh0g\relax + &\sixllpl kjjkll\relax + &\usf n\threell mll\enotes + %\check + \barre % mesure 79 + \notes\org\Pause + |\doubler\zq a\ql c\sk\ds\relax + |\doubler\qu {_g}\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\sixllpl ollm{_n}n\enotes + %\check + \barre % mesure 80 + \notes\org\Pause + |\doubler\ibl0d0\upz d\qb0{_d}\upz d\qb0d\upz d\tqb0d\relax + |\doubler\soupir\ibu0h0\lpz f\qh0f\lpz f\zq h\tqh0f\relax + &\sixllpl l{_k}klmm\relax + &\sixlpl {_n}mm{=n}op\enotes + %\check + \barre % mesure 81 + \notes\org\doubler\soupir\sk\cu J\relax + |\doubler\ust e\ql e\sk\zmidtwotext{\bf I}\clpz c\relax + |\doubler\lst g\qu g\sk\zq h\upz l\ql l\relax + &\doubler\ql l\sk\clpz o\relax + &\ibbl0k0\isluru0k\qb0{_k}\qb0j\tslur0k\qb0k\upz m\qb0m\upz l\qh0l\upz k\tqb0k\enotes + %\check + \barre % mesure 82 + \notes\org\triopl {_K}LE\relax + |\triopl {_d}eL\relax + |\doubler\Ibu0ki2\zq f\qh0m\zq i\qh0l\zq i\tqh0{_k}\relax + &\triopl oon\relax + &\uptext{\f}% + \Ibbl0in1\isluru0j\qb0j\tslur0o\tqb0o\Ibl0ih3\Pince m\isluru0i\qbp0i\sk\sk\tslur0h\tbbl0\tqb0h\enotes + %\check + \barre % mesure 83 + \notes\org\triopu HJH\relax + |\triopl aca\relax + |\zq h\sixppu jehijh\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hehijh\relax + &\relax\doubler\qu h\sk\ds\enotes + %\check + \barre % mesure 84 + \notes\org\triopu EGE\relax + |\triopu LNL\relax + |%\rlap{\roff{\ql h}\sk\ql g}% + \sixppu ieij{_k}i\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\Sixppl ieij{_k}i\relax + &\Pause\enotes + %\check + \barre % mesure 85 + \notes\org\doubler\qu H\sk\cupz H\relax + |\doubler\ql a\sk\clpz a\relax + |\sixppu hgfghi\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jihij{=k}\relax + &\Pause\enotes + %\check + \barre % mesure 86 + \Notes\org\qup E\relax + |\qlp L\relax + |\zq g\qu i\sk\cu e\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\isluru0l\ql l\sk\tslur0e\cl e\relax + &\sk\qsk\pause\enotes + %\check + \barre % mesure 87 + \notes\org\qup J\relax + |\doubler\qlp c\sk\zmidtwotext{\bf II}\relax + |\zqp e\zqp h\qlp l\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\qlp h\relax + &\sixlpl ljhjlh\enotes + %\check + \barre % mesure 88 + \notes\org\Pause + |\doubler\ibl0L0\zq {_K}\upz a\qb0a\zq K\upz a\qb0a\zq K\upz a\tqb0a\relax + |\Pause\relax + &\sixlpl om{_k}mom\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 89 + \notes\org\Pause + |\doubler\zq I\ql a\sk\ds\relax + |\doubler\ql i\sk\ds\relax + &\doubler\ql{=k}\sk\ds\relax + &\sixlpl mkikmi\enotes + %\check + \barre % mesure 90 + \notes\org\Pause + |\doubler\ibl0L0\zq L\upz N\qb0N\zq L\upz N\qb0N\zq L\upz N\tqb0N\relax + |\Pause\relax + &\sixlpl pnlnpn\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 91 + \notes\org\Pause + |\doubler\zq J\ql N\sk\ds\relax + |\doubler\ql j\sk\ds\relax + &\doubler\ql{=l}\sk\ds\relax + &\sixlpl n{=l}jlnj\enotes + %\check + \barre % mesure 92 + \notes\org\Pause + |\doubler\isluru0a\Ibbl0Ma2\zq M\qb0a\zq N\qb0 b\tslur0c\zq +a\tqb0c\relax + |\rlap{\triol f{=e}f}\Ibu0jg5\qhp0j\sk\sk\nbbu0\qh0i\qh0h\tqh0g\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\Ibl0jg5\qbp0j\sk\sk\nbbl0\qb0i\qb0h\tqb0g\relax + &\Ibl0ol5\isluru0o\qbp0o\sk\sk\nbbl0\qb0n\qb0m\tslur0l\tqb0{=l}\enotes + %\check + \barre % mesure 93 + \notes\org\Pause + |\doubler\Ibl0bK2\lq b\qb0c\qb0c\zq b\tqb0J\relax + |\zcl f\Ibbu0hj4\qh0h\tbbu0\qh0i\zql{=e}\qh0g\sk\tqh0j\relax + &\Ibbl0oq4\qb0o\tbbl0\qb0p\qb0n\sk\tqb0q\relax + &\ibbl0m0\isluru0m\qb0m\tslur0n\tbbl0\qb0n\Pince n\isluru0l\qbp0{=l}\sk\sk\tbbl0\tslur0m\tqb0m\enotes + %\check + \barre % mesure 94 + \notes\org\triopu MFF\relax + |\zmidtwotext{\bf I}\triopl aMM\relax + |\sixlpu jhfhjf\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl jhfhjf\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 95 + \notes\org\qup I\relax + |\triopl bbb\relax + |\doubler\ql {_k}\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql{_k}\sk\ds\relax + &\sixlpl m{_k}ikmi\enotes + %\check + \barre % mesure 96 + \notes\org\triopu EEE\relax + |\qup L\relax + |\sixlpu igegie\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl igegie\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 97 + \notes\org\qup H\relax + |\triopl aaa\relax + |\doubler\ql j\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql j\sk\ds\relax + &\sixlpl ljhjlh\enotes + %\check + \barre % mesure 98 + \notes\org\triopu {_D}DD\relax + |\qup {_K}\relax + |\sixlpu hf{_d}fhd\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl hf{_d}fhd\relax + &\doubler\ql m\sk\ds\enotes + %\check + \barre % mesure 99 + \notes\org\qup G\relax + |\triopl NNN\relax + |\doubler\ql i\sk\ds\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\ql i\sk\ds\relax + &\sixlpl {_k}igikg\enotes + %\check + \barre % mesure 100 + \notes\org\triopu CCC\relax + |\qup J\relax + |\sixlpu g{=e}cegc\relax + &\ifx\Quer\undefined \advance\transpose 7\fi\sixppl g{=e}cegc\relax + &\doubler\ql n\sk\ds\enotes + %\check + \barre % mesure 101 + \notes\org\triopu FFF\relax + |\zqup c\triopl MMM\relax + |\islurd0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\relax + &\ifx\Quer\undefined \advance\transpose 7\relax\isluru0h\Ibbl0he5\qb0{hihgf}\tslur0e\tqb0e\relax + \else\isluru0h\Ibbu0he5\qh0{hihgf}\tslur0e\tqh0e\fi + &\isluru0m\Ibbl0mj5\qb0{mnml=k}\tslur0j\tqb0j\enotes + %\check + \barre % mesure 102 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\zql +N\cu{=b}\sk\ds\relax + |\doubler\ibu0g0\qh0d\rq g\zq d\qh0f\rq g\zq d\tqh0f\relax + &\doubler\ifx\Quer\undefined \Ibu0ki2\qh0k\else\Ibu0gi2\qh0d\fi\qh0{=i}\tqh0i\relax + &\ibbu0h0\rlap{\sl\islurd0g}\qh0{=igigi}\tslur0g\tqh0g\enotes + %\check + \barre % mesure 103 + \notes\org\doubler\qu J\sk\cu{=I}\relax + |\doubler\ql c\sk\cl{=b}\relax + |\doubler\ibu0g0\zq +e\qh0g\zq e\qh0g\zq d\tqh0 g\relax + &\triopl jjk\relax + &\ibbl0i0\isluru0j\qb0{jgjgk}\tslur0j\tqb0g\enotes + %\check + \barre % mesure 104 + \notes\org\sicu J{_I}H\relax + |\sicl c{_b}a\relax + |\doubler\ibu0i0\zq e\zq j\qh0g\zq e\zq j\qh0g\zq +f\zq j\tqh0h\relax + &\triopl llm\relax + &\ibbl0i0\isluru0l\qb0{lglgm}\tslur0l\tqb0h\enotes + %\check + \barre % mesure 105 + \notes\org\doubler\qu G\sk\cupz J\relax + |\doubler\ql N\sk\clpz c\relax + |\doubler\ibl0h0\zq +g\zq{=i}\qb0m\zq{gi}\qb0k\zq h\tqb0j\relax + &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax + &\Ibl0nk4\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes + %\check + \barre % mesure 106 + \notes\org\triopu MNG\relax + |\triopl ffN\relax + |\doubler\zq h\cl j\zql g\Ibu0ji1\qh0j\tqh0{=i}\relax + &\isluru0l\Ibbl0lm1\qb0l\tslur0m\tqb0m\ql k\relax + &\Ibbl0lj5\isluru0l\qb0l\tslur0m\tbbl0\qb0m\isluru0k\Pince n\qbp0k\sk\sk\tslur0j\tbbl0\tqb0j\enotes + %\check + \barre % mesure 107 + \notes\org\qup J\relax + |\triopl eec\relax + |\doubler\ql j\sk\ds\relax + &\sixppu jgjklj\relax + &\doubler\ql j\sk\ds\enotes + %\check + \barre % mesure 108 + \notes\org\qup G\relax + |\qlp N\relax + |\doubler\cl j\ql{=i}\relax + &\sixppu kgklmk\relax + &\Pause\enotes + %\check + \barre % mesure 109 + \notes\org\qup J\relax + |\doubler\Ibl0ec2\zq e\qb0g\zq d\qb0f\zq c\tqb0e\relax + |\sixppl j{=i}jklm\relax + &\sixppl lklmno\relax + &\Pause\enotes + %\check + \barre % mesure 110 + \notes\org\qup G\relax + |\sixppl NaNMLK\relax + |\doubler\zqlp d\qu {=i}\sk\cu g\relax + &\doubler\isluru0n\ql n\sk\tslur0h\cu g\relax + &\Pause\enotes + %\check + \barre % mesure 111 + \notes\org\doubler\qu J\sk\ds\relax + |\doubler\ql c\sk\ds\relax + |\doubler\ibl0h0\zq g\upz j\qb0j\upz +j\qb0j\upz g\tqb0g\relax + &\triopl ljn\relax + &\uptext{\mf}\sixppl nmlkji\enotes + %\check + \barre % mesure 112 + \notes\org\qup F\relax + |\sixppl MNMLKJ\relax + |\sixppu hihgfe\relax + &\sixppl oponml\relax + &\threell hjm\sk\ds\enotes + %\check + \barre % mesure 113 + \notes\org\doubler\qu I\sk\ds\relax + |\doubler\ql b\sk\ds\relax + |\threelu dfi\sk\ds\relax + &\threell kmp\sk\ds\relax + &\sixppl mlkjih\enotes + %\check + \barre % mesure 114 + \notes\org\qup E\relax + |\sixppl LMLKJI\relax + |\sixppu ghgfed\relax + &\sixppl nonmlk\relax + &\threell gil\sk\ds\enotes + %\check + \barre % mesure 115 + \notes\org\doubler\qu H\sk\ds\relax + |\doubler\ql a\sk\ds\relax + |\threelu ceh\sk\ds\relax + &\threell jlo\sk\ds\relax + &\sixppl lkjihg\enotes + %\check + \barre % mesure 116 + \notes\org\doubler\qup D\relax + |\sixppl KLKJIH\relax + |\sixppu fgfedc\relax + &\sixppl mnmlkj\relax + &\threell fhk\sk\ds\enotes + %\check + \barre % mesure 117 + \notes\org\doubler\qu G\sk\ds\relax + |\doubler\ql N\sk\ds\relax + |\threelu {=b}dg\sk\ds\relax + &\threell {=i}kn\sk\ds\relax + &\sixppl kj{=i}hgf\enotes + %\check + \barre % mesure 118 + \notes\org\sicu JKL\relax + |\doubler\zq N\cl c\soupir\relax + |\Ibbu0eg4\lpz e\qh0e\lpz +d\qh0d\lpz e\qh0 e\lpz f\tbbu0\qh0f\lpz g\tqh0g\relax + &\advance\transpose 7\relax\Ibbl0eg4\upz e\qb0e\upz +d\qb0d\upz e\qb0 e\upz f\tbbl0\qb0f\upz g\tqb0g\relax + &\islurd0e\Ibbu0eg1\qh0e\tslur0g\tqh0g\itenu0j\ql j\enotes + %\check + \barre % mesure 119 + \notes\org\triopu MNG\relax + |\triopl c{=b}N\relax + |\doubler\Ibu0hf2\lpz e\zq e\qh0h\lpz +d\zq d\qh0g\lpz d\zq d\tqh0f\relax + &\triopl onm\relax + &\tten0\ibbl0j0\isluru0j\qb0j\tslur0k\tbbl0\qb0k\Pince n\isluru0i\qlp{=i}\sk\sk\tbbl0\tslur0j\tqb0j\enotes + %\check + \barre % mesure 120 + \notes\org\doubler\qu J\sk\cupz I\relax + |\doubler\ql N\sk\ds\relax + |\doubler\zq c\qu e\sk\ds\relax + &\doubler\ql l\sk\ds\relax + &\sixllll joonnm\enotes + %\check + \barre % mesure 121 + \notes\org\doubler\qu H\sk\cupz F\relax + |\doubler\ql a\sk\clpz M\relax + |\triou cff\relax + &\sixlllu fjkjj{=i}\relax + &\Ibl0mk5\qb0{mm}\isluru0m\qb0m\tslur0l\qb0l\isluru0l\qh0l\tslur0k\tqb0k\enotes + %\check + \barre % mesure 122 + \notes\org\qup G\relax + |\doubler\ql N\sk\clpz N\relax + |\doubler\ibu0f0\zq d\qh0f\rq f\zq d\qh0g\rq f\zq d\tqh0g\relax + &\triopu {=i}ii\relax + &\Ibbl0ih5\qb0{kg=igi}\tqb0g\enotes + %\check + \barre % mesure 123 + \notes\org\doubler\qu J\sk\cupz{=I}\relax + |\doubler\ql c\sk\clpz {=b}\relax + |\doubler\ibu0f0\zq e\qh0g\zq e\qh0g\zq d\tqh0g\relax + &\triopl jjk\relax + &\Ibbl0hi5\qb0{jgjgk}\tqb0g\enotes + %\check + \barre % mesure 124 + \notes\org\sicu J{_I}H\relax + |\doubler\ql c\sk\clpz a\relax + |\doubler\ibu0h0\zq {eg}\qh0j\zq {eg}\qh0j\zq {fh}\tqh0j\relax + &\triopl llm\relax + &\Ibbl0hi5\qb0{lglgm}\tqb0h\enotes + %\check + \barre % mesure 125 + \notes\org\doubler\qu G\sk\cupz H\relax + |\doubler\cl N\sk\clpz c\relax + |\doubler\ibl0h0\zq{m=i}\qb0g\zq{ki}\qb0g\tqb0j\relax + &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\relax + &\Ibl0nk5\isluru0n\qbp0n\sk\sk\nbbl0\qb0{ml}\tslur0k\tqb0k\enotes + %\check + \barre % mesure 126 + \notes\org\triopu FGG\relax + |\doubler\ql a\qu d\zq N\cl N\relax + |\doubler\zq j\cl h\zql f\Ibu0ji1\qh0j\tqh0{=i}\relax + &\Ibbl0lm1\qb0l\tqb0m\ql k\relax + &\isluru0l\Ibbl0lj5\qb0l\tslur0q\tbbl0\qb0q\Pince n\isluru0k\qbp0k\sk\sk\tbbl0\tslur0j\tqb0j\enotes + \setvoltabox{1}%\check + \barre % mesure 127 + \Notes\org\qu J\sk\ds\relax + |\ql c\sk\ds\relax + |\zq e\zq g\qu j\sk\ds\relax + &\ql j\sk\ds\relax + &\ql j\sk\ds\enotes + \endvoltabox + \nspace +\setrightrepeat + \setvoltabox{2}\setrightrepeat%\check + \barre % mesure 128 + \NOtes\org\qup J\relax + |\qlp c\relax + |\zqp e\zqp g\qup j\relax + &\qlp j\relax + &\qlp j\enotes + \endvoltabox +\ifOrgue \advance\mulooseness -1\relax +\else \advance\mulooseness 1\relax +\fi +\finmorceau + +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex new file mode 100644 index 00000000000..048ab60276e --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconf.tex @@ -0,0 +1,21 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguefalse +\newif\ifFlute +\Flutetrue +\newif\ifOboe +\Oboefalse +%\def\Quer{z} % define Querfl\"ote +% +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex new file mode 100644 index 00000000000..fa7aa315332 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marconh.tex @@ -0,0 +1,20 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguefalse +\newif\ifFlute +\Flutefalse +\newif\ifOboe +\Oboetrue +%\def\Quer{z} % define Querfl\"ote +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex new file mode 100644 index 00000000000..eb28d9a12e2 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/marcono.tex @@ -0,0 +1,19 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\newif\ifOrgue +\Orguetrue +\newif\ifFlute +\Flutefalse +\newif\ifOboe +\Oboefalse +%\def\Quer{z} % define Querfl\"ote +% +\input marcon1.tex +\eject +\input marcon2.tex +\eject +\input marcon3.tex +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex new file mode 100644 index 00000000000..28add2aca77 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbri.tex @@ -0,0 +1,18 @@ + +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{0}% +\def\Signature{3}\relax % trois diezes a la clef +\input onuitbrx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{1}\relax +\def\Signature{-2}\relax % deux diezes a la clef +\input onuitbrx +\resetfacteurs\advance\staffbotmarg by 2\Interligne +\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{2}\relax +\def\Signature{0}\relax % un bemol a la clef +\input onuitbrx +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex new file mode 100644 index 00000000000..2a07b1c619d --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrr.tex @@ -0,0 +1,12 @@ +% + +% +\def\Transpose{0}% +\def\Signature{3}\relax % trois diezes a la clef +\input onuitbrx +\signaturegenerale{1}\savesignature\barsinline=0\relax\linesinpage=0\relax +\def\Transpose{-1}\relax +\def\Signature{1}\relax % un dieze a la clef +\input onuitbrx +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex new file mode 100644 index 00000000000..eb3f97b0b89 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/onuitbrx.tex @@ -0,0 +1,174 @@ +\fulltitle{\^O nuit brillante} +\shorttitle{\^O nuit brillante} + \fullauthor{No‰l ancien\\Musique A. Sala\\Texte J. Bovet\\Transposition +Daniel Taupin} + \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage +priv\'e} + \shortauthor{Traditionnel -- A. Sala} + \maketitle + % +\tracingstats=1\relax +\relativeaccidentals +\sepbarrules + % +\parindent 15mm + % soufflets crescendo et decrescendo + % +\def\soufflcr#1{\zcharnote{#1}{\kern -0.5cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -0.5cm\CResc}}% + % +\def\souffldim#1{\zcharnote{#1}{\kern -0.5cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -0.5cm\DImin}}% + % + %\check +\def\nbinstruments{2}\resetsignatures +\global\nbporteesi=1\relax +\global\nbporteesii=1\relax +\global\cleftoksi={{6}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\def\lowersonginstrum{1} % to be used to make heavy bars at staff left +\def\uppersonginstrum{2} % to be used to make heavy bars at staff left + % +\signaturegenerale{\Signature}% +\generalmeter{\meterfrac68} + %\check +\def\interfacteur{18}% +\def\instrumenti{\vbox{\hsize=\parindent +\centerline{T\'enors}\centerline{basses}}}% +\def\instrumentii{\vbox{\hsize=\parindent +\centerline{Sopran.}\centerline{Altos}}}% + %\check + % +\def\eightpoint{\Tenpoint}% + %\check +\catcode`\@=13 +\catcodesmusic + % +\def\respire{\notes&\cbreath\enotes}% + % +\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 9pt +\vss\hrule width 9pt height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}\kern -6pt}}}% + % +\elemskip 20pt\relax +\debutmorceau + %\autolines 754\relax +\transpose=\Transpose +\znotes&\Uptext{\moyen Lent}\enotes + % +\znotes\zcharnote {-3}{\ppff p}&\zcharnote{10}{\ppff p}\enotes +\qspace +\NOtes\zqlp M\qup a&\hsong{â}\zqlp c\qup f\enotes +\notes\zql L\qu b\sk&\zsong{nuit }\zql e\Ibu0gf1\qh0g\tqh0f\enotes +\notes\zcl L\cu b&\hsong{bri-}\zcl e\cu g\enotes + % + \barre + \Notes\islurd0J\zql J\isluru1c\qu c&\hsong{lan-}\zqlp e\isluru2h\qu h\enotes + \notes\tslur0L\tslur1b\zcl L\cu b&\hsong{--}\tslur2g\cu g\enotes + \Notes\zql M\qu a&\hsong{te}\zql c\qu f\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql K\qu d&\hsong{Nuit }\zql f\qu h\enotes + \notes\zcl L\cu b&\hsong{de }\zcl e\cu g\enotes + \notes\zcl M\cu a&\hsong{vi-}\zcl c\cu f\enotes + \notes\zcl N\cu N&\hsong{ve }\zcl b\cu e\enotes + \hardlyrics{\kern -4pt splen-}\notes\zcl L\cu b&\hsong\thelyrics\zcl e\cu g\enotes + % + \barre + \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{deur.}\itenl2c\itenu3f\zqlp c\qup f\enotes + \Notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql M\qu a&\hsong{Ta }\zql c\qu f\enotes + \notes\zcl M\cu b&\Soufflcr q\hsong{lu-}\zcl e\cu g\enotes + \hardlyrics{\kern -4pt miŠre }\notes\zcl M\cu c&\hsong\thelyrics\zcl f\cu h\enotes + \notes\zcl M\cu d&\hsong{‚-}\zcl g\cu i\enotes + \notes\zcl M\cu e&\hsong{cla-}\zcl h\cu j\enotes + % + \barre + \Notes\islurd0I\zql I\isluru1d\qu d&\roff{\Souffldim q}\hsong{tan-}\zqlp f\isluru2i\qu i\enotes + \notes\tslur0K\tslur1c\zcl I\cu c&\hsong{--}\tslur2g\cu h\enotes + \Notes\zql L\qu b&\hsong{te}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zql H\qu c&\hsong{Fait }\zql e\qu h\enotes + \notes\zcl L\cu b&\hsong{le }\zcl e\cu g\enotes + \hardlyrics{jour }\notes\zcl M\cu a&\hsong\thelyrics\zcl c\cu f\enotes + \hardlyrics{dans }\notes\zcl N\cu N&\hsong\thelyrics\zcl b\cu e\enotes + \notes\zcl L\cu b&\zsong{mon }\zcl e\cu g\enotes + % + \barre + \NOtes\itenl0M\itenu1a\zqlp M\qup a&\hsong{c\oe ur.}\itenl2c\itenu3f\zqlp c\qup f\enotes + \notes\tten0\tten1\zql M\qu a&\hsong{--}\tten2\tten3\zql c\qu f\enotes + \notes&\uptext{\sl FIN}\enotes + \setdoublebar + \barre + \znotes\zcharnote {-3}{\ppff f}&\zcharnote{10}{\ppff f}\enotes + \qspace + \notes\zcl a\cu e&\hsong{\txt Mer-|\'E-&}\zcl h\cu +j\enotes + % + \barre + \NOtes\zqlp a\zqup e&\hsong{\txt veil-|toi-&}\zqlp h\qup j\enotes + \notes\zql L\qu e&\hsong{\txt le !|les !&}\zql g\qu i\enotes + \respire + \notes\zcl L\cu e&\hsong{\txt Mer-|\'E-&}\zcl g\cu j\enotes + % + \barre + \Notes\zqlp M\qup c&\hsong{\txt veil-|toi-&}\zqlp f\isluru2i\qu i\enotes + \notes&\hsong{--}\tslur2h\cu h\enotes + \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \hardlyrics{\txt Gloire |res-&}\notes\zcl M\cu M&\hsong\thelyrics\zcl c\cu h\enotes + \notes\roff{\zcl M}\cu N&\hsong{\txt au |plen-&}\zcl c\cu g\enotes + \notes\zcl M\cu a&\hsong{\txt plus |dis-&}\zcl c\cu f\enotes + \Notes\zql K\qu a&\hsong{\txt Haut |sez &}\zql f\qu h\enotes + \notes\zcl K\cu a&\hsong{\txt des |sur &}\zcl f\cu i\enotes + \barre + \NOtes\itenl0H\itenu1a\zqlp H\qup a&\hsong{\txt cieux !|Lui +!&}\itenl2e\itenu3j\zqlp e\qup j\enotes + \Notes\tten0\tten1\zql H\qu a&\hsong{--}\tten2\tten3\zql e\qu j\enotes + \respire + \notes\zcl a\cu e&\hsong{\txt De-|Un &}\zcl h\cu j\enotes + % + \barre + \Notes\zqlp a\zqup e&\hsong{\txt bout, |Dieu &}\zqlp h\qup j\enotes + \hardlyrics{\txt qu'on |sous &}\notes\zcl a\cu e&\hsong\thelyrics\zcl h\cu +j\enotes + \hardlyrics{\txt se |d'hum-&}\notes\zql L\qu e&\hsong\thelyrics\zql g\qu +i\enotes + \notes\zcl L\cu d&\hsong{\txt r‚-|bles &}\zcl g\cu j\enotes + % + \barre + \Notes\zqlp M\qup c&\hsong{\txt veil-|voi-&}\zqlp f\isluru2i\qu i\enotes + \notes&\hsong{--}\tslur2h\cu h\enotes + \Notes\zql J\qu c&\hsong{\txt le !|les !&}\zql e\qu g\enotes + \notes\ds&\ds\enotes + % + \barre + \Notes\zcharnote {-3}{\ppff p}\zql M\qu a&\zcharnote{10}{\ppff p}\hsong{\txt +Paix |Vient &}\zql c\qu h\enotes + \notes\zcl M\cu a&\Soufflcr q\hsong{\txt sur |… &}\zcl c\cu h\enotes + \notes\roff{\itenl0M\zqlp M}\cu N&\hsong{\kern -4pt\txt terre |nous &}\zcl d\cu i\enotes + \notes\cu a&\hsong{\txt en |cet-&}\zcl d\cu h\enotes + \notes\cu b&\hsong{\txt tous |te &}\zcl d\cu g\enotes + % + \barre + \notes\roff{\tten0\zcl M}\itenu1 N\qup N\cl L\cl K&\zsong{\txt + lieux.|nuit.&}\itenl2c\itenl3g\itenu4j\zqlp c\zqp g\qup j\Souffldim q\enotes + \Notes\zql J\tten1\zqu N&\hsong{---}\tten2\tten3\tten4\zql c\zq g\qu j\enotes + \NOtes\ds&\uptext{\kern -3\Internote\it au refrain}\ds\enotes + \finmorceau +\medskip\rightline{\it le \aujourdhui} +\absoluteaccidentals +\vfil\eject + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex new file mode 100644 index 00000000000..46feebddc1c --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/ostinato.tex @@ -0,0 +1,450 @@ +\title{Adagio con basso ostinato} +\fulltitle{VIII. \titremorceau} +\csname titremorceautoc\endcsname +\subtitle{(pour orgue)} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} + +\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou +8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}% + +\maketitle + +% formes frequentes +% deux croches hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} +\def\pzqu#1{\lpz{#1}\qu{#1}}% +\def\pzql#1{\upz{#1}\ql{#1}}% +% +\parindent 18mm +% +\tracingstats=2\relax +% +\nbporteesii=1\relax +\def\nbinstruments{3} +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax % un bemol a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O. fonds}% +\def\instrumentiii{R\'ecit}% +%\check +\def\gluemaxskip{7pt}% +% +% +\troistemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax + \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +% +\debutmorceau +% +\autolines 765\relax +%\check +% +\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante + \bf(\metron{\qu}{65})}}\enotes +\advance\linesinpage by 1\relax +% mesure 1 +\nspace\NOtes\pzql M&&\enotes +\temps \NOtes\pzql M&\pause&\pause\enotes +\temps \NOtes\pzql M&\enotes +%\check +% mesure 2 +\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes +\temps\NOtes\pzql M&&\enotes +\temps\NOtes\pzql L&&\enotes +%\check +% mesure 3 +\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax + &\hup h\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\notes\pzqu J&&\enotes +%\check +% mesure 4 +\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +\def\atnextline{\autolines765}% +% mesure 5 +\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes +\temps\NOtes\pzqu J&&\enotes +\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes +% mesure 6 +\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes +\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes +\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes +%\check +% mesure 7 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes +%\check +% mesure 8 +\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 9 +\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&&\soupir\enotes +% mesure 10 +\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes +\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu H&\ql g&\dqb kl\enotes +% mesure 11 +\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes +% mesure 12 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes +% mesure 13 +\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\qu g&\soupir\enotes +% mesure 14 +\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\enotes +% mesure 15 +\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&&\dqb hi\enotes +% mesure 16 +\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl k\enotes +\temps\notes\pzqu I&\ql d&\dqb ij\enotes +% mesure 17 +\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +%\check +% mesure 18 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 19 +\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 20 +\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes +\temps\NOtes\pzql M&\ql e&\enotes +\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes +%\check +% mesure 21 +\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax + &\hup f\enotes +\temps\NOtes\pzql M&&\enotes +\temps\NOtes\pzql L&&\enotes +%\check +% mesure 22 +\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax + &\hup h\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\notes\pzqu J&&\enotes +%\check +% mesure 23 +\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +% mesure 24 +\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes +\temps\NOtes\pzqu J&&\enotes +\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes +% mesure 25 +\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes +\temps\NOtes\pzqu H&\hl c&\enotes +\temps\NOtes\pzqu{^F}&&\ql k\enotes +% mesure 26 +\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\soupir&\soupir\enotes +% mesure 27 +\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes +\temps\NOtes\pzqu L&&\enotes +\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes +% mesure 28 +\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes +\temps\NOtes\pzqu H&\hu f&\enotes +\temps\NOtes\pzqu F&&\soupir\enotes +% mesure 29 +\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes +\temps\notes\pzqu G&&\sk\cu i\enotes +\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes +%\check +% mesure 30 +\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes +\temps\NOtes\pzqu H&&\qu h\enotes +\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes +% mesure 31 +\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes +\temps\notes\pzqu H&&\sk\cl m\enotes +\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes +%\check +% mesure 32 +\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes +\temps\NOtes\pzqu H&&\ql l\enotes +\temps\NOtes\pzqu I&\qu h&\ql h\enotes +%\check +% mesure 33 +\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes +\temps\notes\pzqu G&\hl b&\dqh gf\enotes +\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes +%\check +% mesure 34 +\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes +\temps\NOtes\pzqu G&&\qu e\enotes +\temps\NOtes\pzqu F&&\qu h\enotes +% mesure 35 +\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes +\temps\notes\pzqu I&&\sk\cu g\enotes +\temps\notes\pzqu H&\qu e&\dqh ef\enotes +% mesure 36 +\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes +\temps\NOtes\pzqu K&\zh a\hu f&\enotes +\temps\NOtes\pzqu K&&\soupir\enotes +% mesure 37 +%\check +\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 38 +%\check +\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 39 +%\check +\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes +\temps\NOtes\pzqu G\enotes +\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes +% mesure 40 +%\check +\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes +\temps\NOtes\pzqu H\enotes +\temps\NOtes\pzqu H&\soupir&\soupir\enotes +% mesure 41 +%\check +\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes +\temps\notes\pzqu J&&\sk\cna l\cl l\enotes +\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes +%\check +% mesure 42 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes +%\check +% mesure 43 +\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 44 +\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes +\temps\NOtes\pzqu H&\ql f&\enotes +\temps\NOtes\pzqu H&\ql e&\soupir\enotes +%\check +% mesure 45 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 46 +\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu h\enotes +% mesure 47 +\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu H&&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +% mesure 48 +%\check +\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes +\temps\notes\pzqu J&&\sk\cna l\cl l\enotes +\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes +%\check +% mesure 49 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes +%\check +% mesure 50 +\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes +\temps\notes\pzqu J&&\sk\cl{k}\enotes +\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 51 +\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes +\temps\NOtes\pzqu H&\ql f&\enotes +\temps\NOtes\pzqu H&\ql e&\soupir\enotes +%\check +% mesure 52 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 53 +\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 54 +\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes +\temps\NOtes\pzql M&\ql e&\enotes +\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes +%\check +% mesure 55 +\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes +\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu L&\ql g&\dqb kl\enotes +% mesure 56 +\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes +% mesure 57 +\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes +%\check +% mesure 58 +\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes +\temps\NOtes\pzqu H&\ql e&\enotes +\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes +%\check +% mesure 59 +\bigaccid +\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes +\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes +\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes +% mesure 60 +\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes +\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes +\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes +%\check +% mesure 61 +\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes +\temps\notes\pzqu I&&\sk\cl n\enotes +\temps\notes\pzqu I&\qu g&\dqb mn\enotes +%\check +% mesure 62 +\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes +\temps\NOtes\pzqu I\enotes +\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes +%\check +% mesure 63 +\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes +\temps\NOtes\pzqu I&\qu e\enotes +\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes +% mesure 64 +\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes +\temps\notes\pzqu H&&\sk\cl n\enotes +\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes +% mesure 65 +\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu K&&\soupir\enotes +% mesure 66 +\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&&\enotes +% mesure 67 +\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\qu i\enotes +%\check +% mesure 68 +\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax + &\itenl2i\mordant o\hu i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip + \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes +%\check +% mesure 69 +\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes +\temps\NOtes\pzqu H&\ql e&\enotes +\temps\NOtes\pzqu H&\ql f&\soupir\enotes +% mesure 70 +\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes +\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes +\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes +%\check +% mesure 71 +\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes +\temps\NOtes\pzqu G&&\enotes +\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes +%\check +% mesure 72 +\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes +\temps\notes\pzqu H&&\sk\cl{k}\enotes +\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes +% mesure 73 +\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes +\temps\NOtes\pzqu F&&\enotes +\temps\NOtes\pzqu F&\qu f&\soupir\enotes +% mesure 74 +\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes +\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes +\temps\notes\pzqu H&\ql g&\dqb kl\enotes +% mesure 75 +\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes +\temps\NOtes\pzqu K&&\enotes +\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes +% mesure 76 +\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes +\temps\notes\pzqu I&&\dqb lk\enotes +\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes +% mesure 77 +\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes +\temps\NOtes\pzqu H&\qu h&\enotes +\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes +% mesure 78 +\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes +\temps\NOtes\pzqu I&&\enotes +\temps\NOtes\pzqu H&&\enotes +% mesure 79 +\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes +\temps\notes\pzqu G&&\sk\cl j\enotes +\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes +% mesure 80 +\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes +\temps\notes\pzqu H&&\sk\cl k\enotes +\temps\notes\pzqu G&\ql d&\dqb ij\enotes +% mesure 81 +\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes +\temps\NOtes\pzqu F&&\enotes +\temps\NOtes\pzqu F&\ql f&\soupir\enotes +%\check +% mesure 82 +\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes +\temps\notes\pzqu G&\ql f&\sk\cl j\enotes +\temps\notes\pzqu I&\ql e&\dqb hi\enotes +%\check +% mesure 83 +\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes +\temps\NOtes\pzqu J&\hl e&\enotes +\temps\NOtes\pzqu J&\qu i&\qu f\enotes +%\check +% mesure 84 +\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes +\temps\NOtes\pzqu F&\ql e&\enotes +\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes +%\check +\finmorceau +% +\medskip\rightline{\it \aujourdhui} +\vfil +\eject diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex new file mode 100644 index 00000000000..7354d7b7e8a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqc.tex @@ -0,0 +1,1063 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +% +\parindent 12mm +% +\title{Pacifique} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\\`a Christiane} + \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, +janvier 1990} +\maketitle + +\musicsize=16\relax +\def\lppage{7}% + +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1} +\global\cleftoksi={{6}{0}{0}{0}}% +% +\generalsignature{-4}\relax % quatre bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{Piano} +%\check +\generalmeter{\allabreve} +\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% +\def\gluemaxskip{6pt}% +% +% formes frequentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +% octave basse en blanche +\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% +\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% +\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% +\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% +% +% octave sup. en croches u +\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% +\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% +\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% +\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% +\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% +\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% +%\check +\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax + \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% +\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +% octave inf. en croches u +\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% +\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% +\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% +\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% +%\check +\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax + \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% +\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% +%\check +% +\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes} +\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes} +\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes} +\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes} +% +% soufflets crescendo +% +\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} +\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} +% +\def\interfacteur{11}% +\computewidths +\staffbotmarg=5\Interligne +% +\debutmorceau\autolines 95\lppage +% +\advance\linesinpage by 1\relax +% +\hyphenpenalty -50\relax +\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes +\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes +\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes +\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes +% mesure 2 +\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes +% mesure 3 +\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +% mesure 4 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 5 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre +\ppff mp}}\Ilegl0d\dqh3gh\enotes +% mesure 6 +\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 7 +\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes +\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes +% mesure 8 +\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes +\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes +% mesure 9 +\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 10 +\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes +\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes +% mesure 11 +\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +% mesure 12 +\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 13 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes +% mesure 14 +\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax + |\zq g\qqh0ighi\enotes +\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes +% mesure 15 +\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 16 +\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 17 +\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0q\dqh3ij\enotes +\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes +% mesure 18 +\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes +\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes +% mesure 19 +\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0p\dqh3gh\enotes +\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes +% mesure 20 +\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes +\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes +% mesure 21 +\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes +\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax + |\soupir\uptext{\ppff p}\enotes +\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes +% mesure 22 +\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes +\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes +% mesure 23 +\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes +\temps\notes\Ilegu0d\dqb4bd|\enotes +\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes +% mesure 24 +\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes +% mesure 25 +\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes +\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3Na|\enotes +% mesure 26 +\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax + |\zh{gi_l}\hu n\enotes +\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes +% mesure 27 +\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes +\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes +%\check +% mesure 28 +\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes +\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes +% mesure 29 +\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes +\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes +% mesure 30 +\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes +\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes +%\check +% mesure 31 +\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes +\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes +%\check +%mesure 32 +\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes +% +% mesure 33 +% changement d'espacement +\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes +\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +% mesure 34 +\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes +\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes +% mesure 35 +\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes +\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes +% mesure 36 +\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\zbreath\enotes +\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes +\temps\arpg K5\relax +\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax + |\qsoqb0hfgh\enotes +%\check +% mesure 37 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes +%\check +% mesure 38 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes +%\check +% mesure 39 +\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes +%\check +% mesure 40 +\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes +\notes\soupir|\Ilegu0t\dsoqb3gh\enotes +%\check +% mesure 41 +\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes +\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes +%check +% mesure 42 +\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes +\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes +%check +% mesure 43 +\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes +\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes +\temps\notes|\Ilegu0t\dsoqb3jk\enotes +%\check +% mesure 44 +\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes +\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes +\temps\notes|\Ilegu0r\dsoqb3gh\enotes +%\check +% mesure 45 +\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes +%check +% mesure 46 +\def\sfql#1{\usf{#1}\ql{#1}}% +\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes +\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes +%\check +% mesure 47 +\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes +\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes +%\check +% mesure 48 +\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes +%\check +% mesure 49 +\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes +\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes +%\check +% mesure 50 +\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes +\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes +%\check +% mesure 51 +\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes +\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes +\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes +%\check +% mesure 52 +\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes +\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes +%\check +% mesure 53 +\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes +\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes +%\check +% mesure 54 +\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes +\notes\dsoqb3J{=K}|\enotes +\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes +% mesure 55 +\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes +\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes +%\check +%mesure 56 +\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes +\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax +\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes +%\check +% mesure 57 +\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes +\temps\notes\dsoqb3JK|\enotes +\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes +%\check +% mesure 58 +\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\dsoqb3IJ|\enotes +\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes +%\check +% mesure 59 +\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes +\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes +%\check +% mesure 60 +\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes +\temps\notes\dsoqb3GH|\enotes +\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax + |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes +% mesure 61 +%\check +\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes +\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes +%\check +%mesure 62 +\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax + |\zq{moq}\ql t\zbreath\enotes +\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes +%\check +% mesure 63 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes +%\check +% mesure 64 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes +%\check +% mesure 65 +% +\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0q\dqh3gh\enotes +%\check +% mesure 66 +\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes +%\check +% mesure 67 +\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes +\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes +\cleftoksi={{6}{6}{0}{0}}% +\changeclefs\nspace +\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes +%\check +% mesure 68 +\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax +\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax +\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax + |\qqB0aMNa\enotes +\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes +% mesure 69 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes +%\check +% mesure 70 +\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes +\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes +%\check +% mesure 71 +\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes +\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes +%\check +% mesure 72 +\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes +%\check +% mesure 73 +\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes +\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes +% +% mesure 74 +\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes +\temps\notes|\Ilegu0d\dqb3Na\enotes +\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes +%\check +% mesure 75 +\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes +\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes +%\check +% mesure 76 +\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax + |\Tleg0\ql M\enotes +\cleftoksi={{6}{0}{0}{0}}% +\changeclefs +\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes +\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes +% mesure 77 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes +\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes +% mesure 78 +%\check +\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3ij\enotes +\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes +% mesure 79 +\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes +\temps\notes|\dboqh3hi\enotes +\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes +%\check +% mesure 80 +\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3gh\enotes +\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes +% mesure 81 +\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes +\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes +%\check +%mesure 82 +\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes +\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes +\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes +% mesure 83 +\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax + |\zq{mp}\qsoqb0kijk\enotes +% \check +% mesure 84 +\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes +\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes +% \check +% mesure 85 +\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% +\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% +\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes +\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes +% mesure 86 +\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes +\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes +% mesure 87 +\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes +\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes +% mesure 88 +\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes +\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes +%\check +% mesure 89 +\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes +\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes +%\check +% mesure 90 +\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes +\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes +% mesure 91 +%\check +\advance\elemskip by -1pt +\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes +\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes +%\check +% mesure 92 +\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes +\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes +\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes +\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes +\cleftoksi={{0}{0}{0}{0}}\changeclefs +%\check +% mesure 93 +\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes +\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre + \ppff \fff}\zq M\cu f|\zq m\cl t\enotes +\rlap{\notes|\zbreath\enotes}\relax +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes +% mesure 94 +\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes +%\check +% mesure 95 +\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes +%\check +% mesure 96 +\autolines 95\lppage\relax +\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes +%\check +% mesure 97 +\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes +\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes +%\check +% mesure 98 +\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes +\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes +%\check +% mesure 99 +\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes +\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes +%\check +% mesure 100 +\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes +\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes +%\check +% mesure 101 +\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes +\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes +%\check +% mesure 102 +\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes +\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\zbreath\enotes +% mesure 103 +\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes +\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes +\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes +%\check +% mesure 104 +\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes +\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes +\temps\notes\Ilegu0f\dqb3bc\enotes +%\check +% mesure 105 +\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes +\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes +% mesure 106 +\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes +\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes +\temps\notes\Ilegu0f\dqb3Na|\enotes +%\check +% mesure 107 +\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes +%\check +% mesure 108 +\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes +\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes +\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes +% mesure 109 +%\check +\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax + |\uptext{\it espressivo e delicato}\qqh3abcd\enotes +\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes +% mesure 110 +\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes +\temps\notes|\Ilegl0a\dqh3c{=d}\enotes +\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes +%\check +% mesure 111 +\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes +\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes +\temps\notes|\Ilegl0b\dqh3fg\enotes +% mesure 112 +\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes +\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes +\temps\notes|\Ilegl0b\dqh3ij\enotes +% mesure 113 +\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes +\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes +% mesure 114 +\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes +\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes +\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes +% mesure 115 +\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes +\temps\notes\Soufflcr\zh{JN}\hl c\sk\sk\tleg0|\qqH6{=e}gkj\enotes +%\check +% mesure 116 +\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes +\cleftoksi={{0}{0}{0}{0}}\zchangeclefs +\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes +\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes +\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes +\cleftoksi={{6}{0}{0}{0}}\zchangeclefs +%\check +% mesure 117 +\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax + |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax + \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax + \zq{#1}\zq{#2}\qh1{#3}}\enotes}% +%\check +\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm +\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes +% +\advance\linesinpage by 1\relax +% +\motif acf\temps\motif bdg\relax +% mesure 118 +\barre\motif cfh\temps\motif acf\relax +% mesure 119 +\barre\motif bdg\temps\motif cfh\relax +% mesure 120 +\barre\motif dgi\temps\motif bdg\relax +% mesure 121 +\barre\motif cfh\temps\motif dgi\relax +% mesure 122 +\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax +% mesure 123 +\barre\motif dfi\temps\motif fhj\relax +% mesure 124 +\barre\motif fik\temps\motif dfi\relax +\generalmeter{\meterfrac 54}\hyphenpenalty -5000\relax\changecontext +\hyphenpenalty -10\relax +\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes +% mesure 125 +%\check +\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes{\advance\transpose by -7\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes +\notes|{\advance\transpose by 7\relax +\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% +%\check +\motif {=e}gjegj\relax +% mesure 126 +\barre\motif fhjfhj\relax +% mesure 127 +\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes{\advance\transpose by -7\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes +\notes|{\advance\transpose by 7\relax +\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq g\lq i\qb1j}\enotes +%\check +% mesure 128 +\barre\motif fikfik\relax +% mesure 129 +\barre\motif gi{=l}gil\relax +% mesure 130 +\generalmeter{\allabreve}\changecontext +\normal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax +\sforz x\zh{j=ln}\hu q\enotes +\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes +% mesure 131 +\transpose=0\relax\barre +\autolines 95\lppage +\notes\rlap{\bohu F}\Ilegu0g\qqh3MNab\relax +|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes +\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes +% mesure 132 +%\check +\barre\notes\Tslurbreak0c\Islurdbreak0c\bohu L|\qqb0edef\enotes +\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes +% mesure 133 +\barre\Notes\tslur0d\bohu H|\hl c\enotes +\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes +\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes +% mesure 134 +%\check +\barre\notes\bohu J|\qqb5{=e}gkj\enotes +\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes +% mesure 135 +\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes +\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes +%\check +% mesure 136 +\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes +\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes +%\check +% mesure 137 +\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes +\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes +% mesure 138 +%\check +\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes +\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes +%\check +% mesure 139 +\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes +\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes +%\check +% mesure 140 +\barre\autolines {17}4\lppage\relax\bigaccid +\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip + \hbox{\it e crescendo}}}\soupir|\soupir\enotes +%\check +\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes +%\check +\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk + |\qsk\sk\rlap{\soqb{#1}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#4}}\enotes +}% fin motif +%\check +\temps\motif hfgh\relax +%\check +% mesure 141 +\autolines {18}4\lppage +\barre\motif ighi\temps\motif jhij\nspace +% mesure 142 +\barre\motif kjik\temps\motif jihj\nspace +% mesure 143 +\barre\motif ihgi\temps\motif hgfh\nspace +%\check +% mesure 144 +\barre\motif gf{=e}g\temps\motif ffgh\relax +% mesure 145 +\barre\motif ighi\temps\motif jhij\nspace +% mesure 146 +\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace +% mesure 147 +\barre\motif m{_l}{_k}j\temps\motif iijk\nspace +% mesure 148 +\barre\motif lkji\temps\motif hhij\relax +% mesure 149 +\barre\motif kjik\relax +%\check +\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax +\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#8}}\enotes}% fin motif +%\check +\temps\motif j{^j}{=k}{^k}jjjj\nspace +% mesure 150 +\barre\motif {=l}{_l}{=k}{_k}jjjj\relax +\temps\motif jihgjj{=k}{=l}\nspace +% mesure 151 +\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax + |\pointdorgue u\zh{=oq}\sohl m\enotes +%\check +\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip +\centerline{a piacere }\centerline{% +quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes +\transpose=-7\relax +% +\Notes\charnote C{\ppff f}\dqh8FJ\enotes +% +% +% mesure 152 +% +\varaccid +\def\motif{}% +\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% +\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% +\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% +\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% +\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +%\check +\transpose=0\relax +\barre\autolines {25}2\lppage +\notes\motifh8FHJMac\enotes +\temps\notes|\motifb8fhjmoq\enotes +%\check +% mesure 153 +\barre\notes|\motifb{-6}t{=s}tqom\enotes +\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes +\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes +\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\temps\notes\motifh{-4}JHF{=E}FC\enotes +\transpose=-7\relax +\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 154 +\barre +\transpose=-7\relax +\notes\motifh8FIKMbd\enotes +\temps\notes|\motifh8fikmpr\enotes +\transpose=7\relax +\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes +%\check +% mesure 155 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}trpm\enotes +\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes +\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes +\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\temps\notes\motifh{-4}KIF{=E}FD\enotes +\transpose=-7\relax +\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 156 +\transpose=-7\relax +\barre\notes\motifH8FJ{_L}Mc{_e}\enotes +\temps\notes|\motifH8fj{_l}mq{_s}\enotes +\transpose=7\relax +\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes +%\check +% mesure 157 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes +\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes +\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes +\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes +\transpose=-7\relax +\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 158 +\def\motif{}% +\def\motifb{}% +\def\motifh{}% +\normal +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes +\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes +\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes +%\check +\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% +% mesure 159 +\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax +\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax +\barre\notes\souffldim|\motifa\enotes +\notes|\motifb\enotes +\transpose=0\relax +\temps\notes|\motifa\enotes +\notes|\motifb\enotes +\transpose=-7\relax +\temps\notes|\motifa\enotes +\notes\motifb\enotes +\transpose=-14\relax +\temps\notes\motifa\enotes +\notes\motifb\enotes +\transpose=-21\relax +\temps\notes\motifa\enotes +\notes\motifb\enotes +%\check +% mesure 160 +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes +\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes +\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes +\notes|\transpose=7\qb0M\tqb0N\enotes +\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes +\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes +% +% mesure 161 +% sixte et quinte inferieures +\transpose=0\relax +\def\motifb{}\def\motifh{}\def\motifH{}% +\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% +\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% +\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\generalmeter{\meterfrac 44}\changecontext +\def\serre{\normal\elemskip=8pt}\serre +\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% +\transpose=0\relax +\temps\notes|\octline r\motif\enotes +\temps\notes\souffldim|\motif\enotes +\temps\notes\hpause|\motif\enotes +\temps\notes|\motif\enotes +% +% +\temps\notes\soupir|\motif\enotes +\temps\notes\zmidtwotext{\ppff p}|\motif\enotes +\temps\notes\ibu0f1\bsqh f|\motif\enotes +\notes\tbsqh g|\motif\enotes +% mesure 162 +\def\Motif#1#2#3#4{\ibbbl2{#1}{-6}\hb2{#1#2#3}\tbl2\hb2{#4}}% +\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax + |\Motif onmj\enotes +\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes +% mesure 163 +%\check +\def\motif#1#2#3#4{\ibbbl1#1{-6}\qb1{#1#2#3}\tbl1\qb1{#4}}% +\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax + |\octline t\Motif qpom\enotes +\autolines {23}2\lppage +\temps\notes\ibu0j{-4}\bsqh k|\motif rqpm\enotes +\notes\tbsqh i|\motif rqpm\enotes +\temps\notes\ibu0i{-4}\bsqh j|\motif qpom\enotes +\notes\tbsqh h|\motif qpom\enotes +%\check +% mesure 164 +\generalmeter{\meterfrac 34}\changecontext +\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes +\notes\tbsqh g|\motif ponl\enotes +\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes +%\check +% mesure 165 +\generalmeter{\meterfrac 44}\changecontext\serre +\notes\ibu0h{-6}\bsqh i|\octline t\motif ponk\enotes +\notes\tbsqh g|\motif ponk\enotes +\temps\notes\ibu0g{-6}\bsqh h|\motif onmj\enotes +\notes\tbsqh f|\motif onmj\enotes +\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes +%\check +% mesure 166 +\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes +\notes\bsqh g|\motif nmli\enotes +\notes\bsqh f|\motif onmj\enotes +\notes\tbsqh h|\motif onmj\enotes +\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes +\notes\bsqh i|\motif ponk\enotes +\notes\bsqh h|\motif qpo{_l}\enotes +\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes +%\check +% mesure 167 +\generalmeter{\meterfrac 34}% +\changecontext\autolines {25}2\lppage\noautolines +\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes +\notes\bsqh j|\motif qpom\enotes +\notes\bsqh i|\motif rqpm\enotes +\notes\tbsqh k|\motif rqpm\enotes +\temps\notes\ibu0j1\bsqh j|\motif srqm\enotes +\Notes\fl g\tbsqh l|\motif srqm\enotes +% +% mesure 168 +\generalmeter{\meterfrac 44}\changecontexte +\Notes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes +\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes +% +% mesure 169 +\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes +\autolines{11}5\lppage\noautolines +\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes +% mesure 170 +\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes +\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes +% mesure 171 +\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh +f|\na o\Motif onmj\enotes +\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh +f|\Motif p{_o}nk\enotes +%\check +% mesure 172 +\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh +g|\Motif ponk\enotes +\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh +h|\Motif qpom\enotes +% mesure 173 +\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax +\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes +\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes + \suspmorceau +\eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% finale % +\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% +% mesure 200 +\linesinpage=0\relax +\barno=200\relax\autolines 95\lppage +\generalmeter{\allabreve}\reprmorceau +\savemeters\saveclefs +\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen +a tempo primo, con molta delicatezza}\soupir\enotes +\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes +% mesure 201 +\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes +\temps\notes|\Ilegl0d\dqh3ij\enotes +% mesure 202 +\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +%\check +% mesure 203 +\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +%\check +% mesure 204 +\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 205 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\Ilegu0r\dqh3gh\enotes +% mesure 206 +\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes +\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes +% mesure 207 +\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0t\dqh3jk\enotes +% mesure 208 +\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes +\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes +% mesure 209 +\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax + \ibl0m0\qb0{=o=lm}\tqb0n\enotes +\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes +%\check +% mesure 210 +\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes +\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes +\temps\notes|\Ilegu0s\dqb4pr\enotes +% mesure 211 +\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes +% mesure 212 +\generalmeter{\meterfrac 32}\changecontexte +\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes +\temps\notes|\Ilegu0r\dqb3no\enotes +\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes +\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes +%\check +% mesure 213 +\generalmeter{\allabreve}\changecontexte +\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes +\temps\Notes\boqu M|\Tleg0\hl m\enotes +\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes +%\check +% mesure 214 +\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes +\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes +%\check +% mesure 215 +\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes +\temps\notes\Ilegu0d\dqb3Na\enotes +\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 +\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes +\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes +% mesure 217 +\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes +\cleftoksi={{6}{6}{0}{0}}\changeclefs +\notes|\Ilegl0E\dqh3Na\enotes +\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes +% mesure 218 +\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes +\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes +\temps\notes|\Ilegl0E\dqh3bc\enotes +%\check +% mesure 219 +\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes +\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes +%\check +% mesure 220 +\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes +\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes +\temps\notes|\Ilegl0F\dqh3Na\enotes +% mesure 221 +\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax + |\rlap{\hl K}\qqh0baNb\enotes +\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes +% mesure 222 +%\check +\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes +\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes +% mesure 223 +\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk +\itenu2a\itenu3c\zq a\cu c\qsk\enotes +\NOtes\pointdorgue a\bohu F\relax + |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes +\finmorceau \rightline{\sl \aujourdhui} +\eject\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex new file mode 100644 index 00000000000..554314e05e4 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/pacifiqn.tex @@ -0,0 +1,1113 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +% +\parindent 12mm +% +\title{Pacifique} +\shortauthor{D. Taupin} +\fullauthor{Daniel TAUPIN\\\`a Christiane} + \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, +janvier 1990} +\maketitle + +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1} +\global\cleftoksi={{6}{0}{0}{0}}% +\def\noteskipLARGE{\def\scalenoteskip{1.5}}% +\def\noteskipLarge{\def\scalenoteskip{1.2}}% +\def\noteskiplarge{\def\scalenoteskip{1.1}}% +\def\noteskipnormal{\def\scalenoteskip{1.0}}% +% +\signaturegenerale{-4}\relax % quatre bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{Piano} +%\check +\generalmeter{\allabreve} +\normal\noteskipLarge +\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% +\def\gluemaxskip{6pt}% +% +% formes frequentes +% +%au moins deux croches basses et hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +%au moins quatre croches basses et hautes +\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% +\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% +% octave basse en blanche +\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% +\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% +\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% +\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% +% +% octave sup. en croches u +\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% +\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% +\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% +\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% +\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% +\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% +%\check +\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax + \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% +\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% +%\check +% octave inf. en croches u +\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% +\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% +\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% +\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% +%\check +\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax + \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% +\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% +%\check +% +\def\arpg#1#2{\znotes\arpeggio{#1}{#2}\enotes} +\def\Arpg#1#2{\znotes\larpeggio{#1}{#2}\enotes} +\def\uarpg#1#2{\znotes\nextstaff\arpeggio{#1}{#2}\enotes} +\def\uArpg#1#2{\znotes\nextstaff\larpeggio{#1}{#2}\enotes} +% +% soufflets crescendo +% +\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} +\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} +% +\def\interfacteur{11}% +\computewidths +\staffbotmarg=5\Interligne +% +\debutmorceau +% +\noteskipLarge +\hyphenpenalty -50\relax +\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes +\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes +\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes +\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes +% mesure 2 +\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes +\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes +% mesure 3 +\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +% mesure 4 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 5 +\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes +% mesure 6 +\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 7 +\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes +\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes +% mesure 8 +\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes +\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes +% mesure 9 +\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes +\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes +% mesure 10 +\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes +\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes +% mesure 11 +\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +% mesure 12 +\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 13 +\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes +% mesure 14 +\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax + |\zq g\qqh0ighi\enotes +\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes +% mesure 15 +\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 16 +\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes +\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes +% mesure 17 +\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0q\dqh3ij\enotes +\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes +% mesure 18 +\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes +\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes +% mesure 19 +\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes +\temps\notes|\Ilegu0p\dqh3gh\enotes +\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes +% mesure 20 +\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes +\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes +% mesure 21 +\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes +\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax + |\soupir\uptext{\ppff p}\enotes +\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes +% mesure 22 +\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes +\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes +% mesure 23 +\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes +\temps\notes\Ilegu0d\dqb4bd|\enotes +\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes +% mesure 24 +\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes +% mesure 25 +\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes +\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3Na|\enotes +% mesure 26 +\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax + |\zh{gi_l}\hu n\enotes +\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes +% mesure 27 +\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes +\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes +%\check +% mesure 28 +\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes +\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes +% mesure 29 +\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes +\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes +% mesure 30 +\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes +\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes +%\check +% mesure 31 +\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes +\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes +%\check +%mesure 32 +\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes +% +% mesure 33 +% changement d'espacement +\def\interfacteur{12}% +\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes +\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes +\temps\notes\Ilegl0F\dqb3bc|\enotes +% mesure 34 +\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes +\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes +% mesure 35 +\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes +\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes +% mesure 36 +\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes +\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes +\temps\arpg K5\relax +\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax + |\qsoqb0hfgh\enotes +%\check +% mesure 37 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes +%\check +% mesure 38 +\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes +%\check +% mesure 39 +\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes +\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes +%\check +% mesure 40 +\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes +\notes\soupir|\Ilegu0t\dsoqb3gh\enotes +%\check +% mesure 41 +\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes +\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes +%check +% mesure 42 +\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes +\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes +%check +% mesure 43 +\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes +\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes +\temps\notes|\Ilegu0t\dsoqb3jk\enotes +%\check +% mesure 44 +\advancebottom{\Interligne}\relax +\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes +\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes +\temps\notes|\Ilegu0r\dsoqb3gh\enotes +%\check +% mesure 45 +\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes +%check +% mesure 46 +\def\sfql#1{\usf{#1}\ql{#1}}% +\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes +\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes +\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax + \ifx\mxversion\undefined\Ilegu0s\relax + \else\Ilegu0q\relax + \fi + \dsoqb3fg\enotes +%\check +% mesure 47 +\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes +\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes +%\check +% mesure 48 +\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes +%\check +% mesure 49 +\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes +\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes +%\check +% mesure 50 +\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes +\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes +%\check +% mesure 51 +\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes +\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax + \ifx\mxversion\undefined\Tleg0\relax + \else\tslur0o\relax + \fi + \zq{fhj}\ql m\enotes +\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes +%\check +% mesure 52 +\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes +\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes +%\check +% mesure 53 +\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes +\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes +%\check +% mesure 54 +\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes +\advancebottom{-\Interligne}\relax \def\interfacteur{10}% +\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes +\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes +% mesure 55 +\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes +\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes +%\check +%mesure 56 +\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes +\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax +\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes +%\check +% mesure 57 +\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes +\temps\notes\dsoqb3JK|\enotes +\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes +%\check +% mesure 58 +\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes +\temps\notes\dsoqb3IJ|\enotes +\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes +%\check +% mesure 59 +\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes +\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes +%\check +% mesure 60 +\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes +\temps\notes\dsoqb3GH|\enotes +\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax + |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes +% mesure 61 +%\check +\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes +\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes +%\check +%mesure 62 +\def\interfacteur{9}% +\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax + |\zq{moq}\ql t\cbreath\enotes +\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes +%\check +% mesure 63 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes +%\check +% mesure 64 +\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes +%\check +% mesure 65 +% +\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0q\dqh3gh\enotes +%\check +% mesure 66 +\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes +\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes +%\check +% mesure 67 +\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes +\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes +\cleftoksi={{6}{6}{0}{0}}% +\changeclefs\nspace +\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else + \Ilegu0d\fi + \dqb3MN\enotes +%\check +% mesure 68 +\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax +\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax +\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax + |\qqB0aMNa\enotes +\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes +% mesure 69 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes +%\check +% mesure 70 +\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes +\temps\Arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes +%\check +% mesure 71 +\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes +\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes +%\check +% mesure 72 +\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes +\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes +%\check +% mesure 73 +\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes +\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes +% +% mesure 74 +\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax + \else\tslur0b\fi + \ql a\sk\enotes +\temps\notes|\Ilegu0d\dqb3Na\enotes +\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes +%\check +% mesure 75 +\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes +\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes +%\check +% mesure 76 +\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax + |\Tleg0\ql M\enotes +\cleftoksi={{6}{0}{0}{0}}% +\changeclefs\def\interfacteur{11}% +\advancebottom{\Interligne}\relax +\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes +\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes +% mesure 77 +%\check +\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes +\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes +% mesure 78 +%\check +\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3ij\enotes +\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes +% mesure 79 +\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes +\temps\notes|\dboqh3hi\enotes +\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes +%\check +% mesure 80 +\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes +\temps\notes|\dboqh3gh\enotes +\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes +% mesure 81 +\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes +\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes +%\check +%mesure 82 +\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes +\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes +\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes +% mesure 83 +\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes +\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax + |\zq{mp}\qsoqb0kijk\enotes +% \check +% mesure 84 +\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes +\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes +% \check +% mesure 85 +\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% +\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% +\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes +\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes +% mesure 86 +\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes +\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes +% mesure 87 +\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes +\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes +% mesure 88 +\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes +\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes +%\check +% mesure 89 +\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax + \ifx\mxversion\undefined\octsup v9\relax + \else \ioctfinup v\relax + \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes +\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes +%\check +% mesure 90 +\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax + \ifx\mxversion\undefined\octfin v9\fi + \zq{=ln}\qsoqb{-2}iig{=e}\enotes +\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax + \ifx\mxversion\undefined\else\toctfin\fi + \enotes +% mesure 91 +%\check +\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes +\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes +%\check +% mesure 92 +\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes +\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes +\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes +\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes +\cleftoksi={{0}{0}{0}{0}}\zchangeclefs +%\check +% mesure 93 +\barre\noteskipLarge\def\scalenoteskip{1.05}\relax +\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi + \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes +\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\staffbotmarg=3\Interligne\def\interfacteur{11}% +\zalapage\notes\midtwotext{\kern -6mm\it sempre + \ppff \fff}\enotes +\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi + \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes +% mesure 94 +\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes +%\check +% mesure 95 +\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes +%\check +% mesure 96 +\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes +\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes +%\check +% mesure 97 +\alaligne\noteskipLarge +\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi + \qsoqb0gf{=e}g\enotes +\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes +%\check +% mesure 98 +\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes +\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes +%\check +% mesure 99 +\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes +\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes +%\check +% mesure 100 +\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes +\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes +%\check +% mesure 101 +\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi + \qsoqb0ihgi\enotes +\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes +%\check +% mesure 102 +\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes +\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax + \ifx\mxversion\undefined\else\toctfin\fi \enotes +% mesure 103 +\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes +\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes +\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes +%\check +% mesure 104 +\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes +\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes +\temps\notes\Ilegu0f\dqb3bc\enotes +%\check +% mesure 105 +\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes +\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes +% mesure 106 +\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes +\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes +\temps\notes\Ilegu0f\dqb3Na|\enotes +%\check +% mesure 107 +\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes +\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes +%\check +% mesure 108 +\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes +\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes +\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes +% mesure 109 +\advancebottom{-2\Interligne}% +%\check +\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax + |\uptext{\it espressivo e delicato}\qqh3abcd\enotes +\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes +% mesure 110 +\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi + \qu a\sk\enotes +\temps\notes|\Ilegl0a\dqh3c{=d}\enotes +\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes +%\check +% mesure 111 +\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes +\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes +\temps\notes|\Ilegl0b\dqh3fg\enotes +% mesure 112 +\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes +\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes +\temps\notes|\Ilegl0b\dqh3ij\enotes +% mesure 113 +\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes +\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes +% mesure 114 +\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes +\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes +\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes +% mesure 115 +\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes +\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes +%\check +% mesure 116 +\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes +\cleftoksi={{0}{0}{0}{0}}\zchangeclefs +\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes +\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes +\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes +\cleftoksi={{6}{0}{0}{0}}\zchangeclefs + %\check +% mesure 117 +\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax + |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax + \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax + \zq{#1}\zq{#2}\qh1{#3}}\enotes}% +%\check +\staffbotmarg=5\Interligne +\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm +\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes +\motif acf\temps\motif bdg\relax +% mesure 118 +\barre\motif cfh\temps\motif acf\relax +% mesure 119 +\barre\motif bdg\temps\motif cfh\relax +% mesure 120 +\barre\motif dgi\temps\motif bdg\relax +% mesure 121 +\alaligne\motif cfh\temps\motif dgi\relax +% mesure 122 +\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax +% mesure 123 +\xbarre\motif dfi\temps\motif fhj\relax +% mesure 124 +\xbarre\motif fik\temps\motif dfi\relax +\generalmeter{\meterfrac 54}\relax\lchangecontext +\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes +% mesure 125 +%\check +\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes{\advance\transpose by -7\relax +\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes +\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes +\notes|{\advance\transpose by 7\relax +\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% +%\check +\noteskipLarge\relax +\motif {=e}gjegj\relax +% mesure 126 +\xbarre\motif fhjfhj\relax +% mesure 127 +\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes{\advance\transpose by -7\relax +\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes +\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes +\notes|{\advance\transpose by 7\relax +\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes +\notes|{\advance\transpose by 14\relax +\tbl1\zq g\lq i\qb1j}\enotes +%\check +% mesure 128 +\alaligne\motif fikfik\relax +% mesure 129 +\xbarre\motif gi{=l}gil\relax +% mesure 130 +\generalmeter{\allabreve}\changecontext +\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax +\sforz x\zh{j=ln}\hu q\enotes +\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes +% mesure 131 +\noteskipLarge\transpose=0\relax\barre +\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi + \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen + tempo I$^{\bf o}$}\enotes +\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes +% mesure 132 +\ifx\mxversion\undefined + \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}% +\else + \def\atnextline{\Invertslur0\relax}% +\fi +%\show\Invertslur +%\show\liftslur +\alaligne\notes\bohu L|\qqb0edef\enotes +\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes +% mesure 133 +\barre\Notes\tslur0L\bohu H|\hl c\enotes +\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes +\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes +% mesure 134 +%\check +\barre\notes\bohu J|\qqb5{=e}gkj\enotes +\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes +% mesure 135 +\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes +\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes +%\check +% mesure 136 +\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk + \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes +\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes +%\check +% mesure 137 +\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes +\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes +% mesure 138 +%\check +\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes +\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes +%\check +% mesure 139 +\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes +\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes +%\check +% mesure 140 +\alaligne\noteskiplarge\bigaccid +\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip + \hbox{\it e crescendo}}}\soupir|\soupir\enotes +%\check +\noteskipnormal\def\scalenoteskip{0.75}\relax +\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes +%\check +\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk + |\qsk\sk\rlap{\soqb{#1}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#4}}\enotes +}% fin motif +%\check +\temps\motif hfgh\relax +%\check +% mesure 141 +\xbarre\motif ighi\temps\motif jhij\relax +% mesure 142 +\xbarre\motif kjik\temps\motif jihj\relax +% mesure 143 +\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax +%\check +% mesure 144 +\xbarre\motif gf{=e}g\temps\motif ffgh\relax +% mesure 145 +\xbarre\motif ighi\temps\motif jhij\relax +% mesure 146 +\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax +% mesure 147 +\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax +% mesure 148 +\xbarre\motif lkji\temps\motif hhij\relax +% mesure 149 +\alaligne\motif kjik\relax +%\check +\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax +\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes +\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk +\tbl0\soqb{#8}}\enotes}% fin motif +%\check +\temps\motif j{^j}{=k}{^k}jjjj\relax +% mesure 150 +\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax +\temps\motif jihgjj{=k}{=l}\relax +% mesure 151 +\noteskipLarge\varaccid +\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax + |\pointdorgue u\zh{=oq}\sohl m\enotes +%\check +\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip +\centerline{a piacere +}\centerline{% +quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes +\transpose=-7\relax +% +\staffbotmarg=3\Interligne +\Notes\charnote C{\ppff f}\dqh8FJ\enotes +% +% +% mesure 152 +% +\def\motif{}% +\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% +\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% +\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% +\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% +\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% +%\check +\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax +\transpose=0\relax +\alapage\notes\motifh8FHJMac\enotes +\temps\notes|\motifb8fhjmoq\enotes +%\check +% mesure 153 +\barre\notes|\motifb{-6}t{=s}tqom\enotes +\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes +\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes +\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\zbarre\notes\motifh{-4}JHF{=E}FC\enotes +\transpose=-7\relax +\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 154 +\alaligne +\transpose=-7\relax +\notes\motifh8FIKMbd\enotes +\zbarre\notes|\motifh8fikmpr\enotes +\transpose=7\relax +\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes +%\check +% mesure 155 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}trpm\enotes +\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes +\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes +\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\zbarre\notes\motifh{-4}KIF{=E}FD\enotes +\transpose=-7\relax +\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 156 +\transpose=-7\relax +\barre\notes\motifH8FJ{_L}Mc{_e}\enotes +\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes +\transpose=7\relax +\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes +%\check +% mesure 157 +\transpose=0\relax +\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes +\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes +\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes +\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes +\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes +\transpose=-7\relax +\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes +%\check +% mesure 158 +\def\motif{}% +\def\motifb{}% +\def\motifh{}% +\noteskipnormal +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes +\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes +\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes +\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes +%\check +\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% +% mesure 159 +\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax +\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax +\barre\notes\souffldim|\motifa\enotes +\notes|\motifb\enotes +\transpose=0\relax +\zbarre\notes|\motifa\enotes +\notes|\motifb\enotes +\transpose=-7\relax +\zbarre\notes|\motifa\enotes +\notes\motifb\enotes +\transpose=-14\relax +\zbarre\notes\motifa\enotes +\notes\motifb\enotes +\transpose=-21\relax +\zbarre\notes\motifa\enotes +\notes\motifb\enotes +%\check +% mesure 160 +\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes +\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes +\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes +\notes|\transpose=7\qb0M\tqb0N\enotes +\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes +\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes +% +% mesure 161 +% sixte et quinte inferieures +\transpose=0\relax +\def\motifb{}\def\motifh{}\def\motifH{}% +\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% +\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% +\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne +\def\serre{\def\scalenoteskip{0.8}}\serre +\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% +\transpose=0\relax +\def\atnextline{\serre}\relax +\ifx\mxversion\undefined + \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax +\fi +\zalapage +\ifx\mxversion\undefined\else + \znotes|\ioctfinup t\enotes +\fi +\notes|\motif\enotes +\zbarre\notes\souffldim|\motif\enotes +\zbarre\notes\hpause|\motif\enotes +\zbarre\notes|\motif\enotes +% +% +\temps\notes\soupir|\motif\enotes +\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes +\zbarre\notes\ibu0f1\bsqh f|\motif\enotes +\notes\tbsqh g|\motif\enotes +% mesure 162 +\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% +\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax + |\Motif onmj\enotes +\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes +% mesure 163 +%\check +\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% +\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax + |\Motif qpom\enotes +\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes +\notes\tbsqh i|\motif rqpm\enotes +\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes +\notes\tbsqh h|\motif qpom\enotes +%\check +% mesure 164 +\generalmeter{\meterfrac 34}\changecontext +\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes +\notes\tbsqh g|\motif ponl\enotes +\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes +%\check +% mesure 165 +\generalmeter{\meterfrac 44}\changecontext\serre +\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes +\Notes\tbsqh g|\motif ponk\enotes +\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes +\Notes\tbsqh f|\motif onmj\enotes +\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes +%\check +% mesure 166 +\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes +\notes\bsqh g|\motif nmli\enotes +\notes\bsqh f|\motif onmj\enotes +\notes\tbsqh h|\motif onmj\enotes +\notes\ibu0i1\bsqh g|\motif ponk\enotes +\notes\bsqh i|\motif ponk\enotes +\notes\bsqh h|\motif qpol\enotes +\notes\tbu0\bsqh j|\motif qpol\enotes +%\check +% mesure 167 +\generalmeter{\meterfrac 34}% +\changecontext\notes\ibu0j1\bigna h\bsqh h\relax +|\motif qp{=o}m\enotes +\notes\bsqh j|\motif qpom\enotes +\notes\bsqh i|\motif rqpm\enotes +\notes\tbsqh k|\motif rqpm\enotes +\notes\ibu0j1\bsqh j|\motif srqm\enotes +\notes\bigfl g\tbsqh l|\motif srqm\enotes +% +% mesure 168 +\generalmeter{\meterfrac 44}\changecontexte +\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes +\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes +% +% mesure 169 +\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes +\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h| +\Motif onmj\enotes +% mesure 170 +\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes +\temps\Notes\zh a\hu f|\Motif onmj\enotes +%\check +% mesure 171 +\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh +f|\na o\Motif onmj\enotes +\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh +f|\Motif p{_o}nk\enotes +%\check +% mesure 172 +\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh +g|\Motif ponk\enotes +\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh +h|\Motif qpom\enotes +% mesure 173 +\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax +\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes +\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes +\suspmorceau\def\everystaff{}\relax +\eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% finale % +\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% + \eject\staffbotmarg=3\Interligne\relax +\def\interfacteur{11}% +\def\scalenoteskip{1.0}% +% mesure 200 +\barno=200\relax +\generalmeter{\allabreve}\reprmorceau +\savemeters\noteskipLarge\saveclefs +\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen +a tempo primo, con molta delicatezza}\soupir\enotes +\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes +% mesure 201 +\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes +\temps\notes|\Ilegl0d\dqh3ij\enotes +% mesure 202 +\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes +\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes +%\check +% mesure 203 +\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes +\temps\notes|\Ilegl0d\dqh3gh\enotes +%\check +% mesure 204 +\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes +\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes +% mesure 205 +\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes +\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes +\temps\notes|\Ilegu0r\dqh3gh\enotes +% mesure 206 +\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes +\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes +% mesure 207 +\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes +\cleftoksi={{0}{0}{0}{0}}\changeclefs +\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes +\temps\notes|\Ilegu0t\dqh3jk\enotes +% mesure 208 +\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes +\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes +% mesure 209 +\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax + \ibl0m0\qb0{=o=lm}\tqb0n\enotes +\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes +%\check +% mesure 210 +\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes +\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes +\temps\notes|\Ilegu0s\dqb4pr\enotes +% mesure 211 +\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes +\cleftoksi={{6}{0}{0}{0}}\changeclefs +\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes +% mesure 212 +\generalmeter{\meterfrac 32}\changecontexte +\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes +\temps\notes|\Ilegu0r\dqb3no\enotes +\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes +\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes +%\check +% mesure 213 +\generalmeter{\allabreve}\changecontexte +\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes +\temps\Notes\boqu M|\Tleg0\hl m\enotes +\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes +%\check +% mesure 214 +\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes +\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes +%\check +% mesure 215 +\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes +\temps\notes\Ilegu0d\dqb3Na\enotes +\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 +\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes +\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes +% mesure 217 +\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes +\cleftoksi={{6}{6}{0}{0}}\changeclefs +\notes|\Ilegl0E\dqh3Na\enotes +\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes +% mesure 218 +\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes +\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes +\temps\notes|\Ilegl0E\dqh3bc\enotes +%\check +% mesure 219 +\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes +\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes +%\check +% mesure 220 +\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes +\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes +\temps\notes|\Ilegl0F\dqh3Na\enotes +% mesure 221 +\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax + |\rlap{\hl K}\qqh0baNb\enotes +\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes +% mesure 222 +%\check +\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes +\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes +% mesure 223 +\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk +\itenu2a\itenu3c\zq a\cu c\qsk\enotes +\NOtes\pointdorgue a\bohu F\relax + |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes +\finmorceau \rightline{\sl \aujourdhui} +\eject +\bye +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex new file mode 100644 index 00000000000..decd8797a87 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/parnasum.tex @@ -0,0 +1,132 @@ +%format musix + +\input musixtex + +\catcode`@=11 +\def\Special{\def\n@bbl{\C@nb\c@z\c@x\m@ne\z@}% + \def\beamst@m{\getcurpos\advance\y@v-\b@x + \y@ii\b@p\y@v \divide\y@ii\tw@nty \advance\y@ii\b@z \stem@skip\z@ + \advance\y@ii\b@n\interbeam \advance\y@ii\tw@\interbeam \st@bot\y@ii\C@stem}% + \def\t@xbl{\C@txb\lthick{\f@ur\b@amthick}\interbeam\hlthick<}}% +\def\DS{\zchar4\ds} +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% TEX translation of MIDI File : +% o.MID +% +% Written by Hans Kuykens +% this translation of date : 1-9-1993 +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\centerline{\BIGtype Doctor Gradus ad Parnassum}\bigskip\bigskip +\rightline{\medtype Claude Debussy}\medskip +\musicparskip +\parindent10mm + +\generalmeter{\meterfrac44} +\setstaffs1{2} +\interstaff{11} +\setclef1\bass +\startmuflex\startpiece\systemnumbers +%%% bar 1 +\scale\tinyvalue +\notes\zchar{11}{\p\lower.5ex\hbox{\it\ \'egal et sans s\'echeresse}}% + \itied0C\tinynotesize\stdstemfalse\grcu C% + |\Uptext{\medtype\bf Mod\'er\'ememt anim\'e}\en +\scale\normalvalue +\notes\tslur0H\isslurd0J\lst J\wh J% + |\qs\Ibbu0Nd2\isslurd1N\qb0{Nc}\tqh0d\en +\notes|\ibbu0d0\qb0{eNc}\tqh0e\ibbu0c0\qb0{dMc}\tqh0d\en +\notes|\ibbu0e0\qb0{fab}\tqh0f\en +%%% bar 2 +\bar +\notes\midslur{-4}\ttie0\itied0J\wh J|\ibbu0d0\qb0{eNc}\tqh0e\en +\notes|\ibbu0f0\qb0{gbc}\tqh0g\en +\notes|\ibbu0e0\qb0{fac}\tqh0f\en +\notes|\ibbu0g0\qb0{hbf}\tqh0h\curve{-2}15\tslur1d\midslur{-4}\en +%%% bar 3 +\bar +\notes\zchar4\qp\ttie0\ql J% + |\loffset{1.3}{\islurd1e}\ibbu0f0\qb0{gce}\tslur1f\tqh0g\en +\notes\roffset{1.1}{\zhu{.c}}\roffset{1.75}{\itieu1c}\ibslurd0c\ql c% + |\ibsluru2k\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en +\notes\ql b|\upz{11}\zcu k\ibbl0h0\qb0{ke}\DS\qb0g\tqb0k\en +\notes\ql a|\upz{11}\zcu j\ibbl0h0\qb0{je}\DS\qb0g\tqb0j\en +%%% bar 4 +\bar +\notes\ttie1\zqu c\rql b% + |\upz{10}\zcu i\ibbl0h0\qb0{ie}\DS\qb0g\tqb0i\en +\notes\ql c|\upz9\zcu h\ibbl0h0\qb0{he}\DS\qb0g\tqb0h\en +\notes\ql b|\upz8\zcu g\ibbl0f0\qb0{gc}\DS\qb0e\tqb0g\en +\notes\midslur{-5}\tdbslur0a\ql a% + |\tdbslur2g\upz7\zcu f\ibbl0f0\qb0{fc}\DS\qb0e\tqb0f\en +%%% bar 5 +\bar +\notes\issluru0N\ql N|\ibsluru1f\zqu e\ibbl0d0\qb0{ebc}\tqb0e\en +\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en +\notes\icresc\ql L\sk\sk\roff{\zchar{12}\tcresc}% + |\zqu g\ibbl0e0\qb0{gbe}\tqb0g\en +\notes\icresc\curve200\tsslur0a\ql a\sk\sk\roff{\zchar{12}\tdecresc}% + |\zqu h\ibbl0e0\qb0{hce}\curve333\tslur1d\tqb0h\en +%%% bar 6 +\bar +\notes\uptext{\llap\p}\issluru0N\ql N% + |\ibsluru1e\zqu e\ibbl0c0\qb0{eac}\tqb0e\en +\notes\ql M|\zqu d\ibbl0c0\qb0{dac}\tqb0d\en +\setclef1{\bass\bass}\changeclefs +\notes\ql L|\zqu c\ibbl0a0\qb0{cNa}\tqb0c\en +\notes\curve236\tsslur0K\ql K% + |\zqu b\ibbl0N0\qb0{bMN}\curve974\tubslur1h\tqb0b\en +%%% bar 7 +\bar +\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 8 +\bar +\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{Mac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0b\nbbl0\qb0a\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 9 +\bar +\notes\roff{\lmidstaff{\pp\kern-2mm}}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0a\nbbl0\qb0M\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}65\tubslur0{-10}\en +%%% bar 10 +\bar +\notes\roff{\lmidstaff\pp}\roffset{1.125}{\lst F\zw F}% + \ibbu0J5\qb0F\roff\icresc\qb0{JK}\tbbu0\qb0L|\ibsluru0{-10}\en +\notes|\Special\nbbl0\qb0{M_ac}\tqb0d\en +\notes\ibbl0t{-5}\loff{\zqb0e\zchar{-2}\tcresc}\icresc + |\sk\qb0{dc}\tbbl0\qb0{_b}\nbbl0\qb0a\en +\notes\qb0{LK}\roff{\zchar{-2}\tdecresc}\tqh0J% + |\sk\sk\curve{16}66\tubslur0{-10}\en +%%% bar 11 +\bar +\notes\ibbu0K9\qb0{EI}|\ibsluru0{-13}\en +\notes|\qb0L\tqb0{^N}\en +\notes\ibbu0M9\qb0{IL}|\Uptext{\twelveit cresc. --~~~~--~~~~--~~~~--~~~~--}\en +\notes|\qb0N\tqb0b\en +\notes\ibbu0L3\qb0L\en +\znotes\qb0{^N}\en +\setclef1\bass\changeclefs +\notes|\qb0b\tqb0e\en +\notes\ibbu0N3\qb0{Nb}|\sk\sk\qb0e\tqb0{^g}\en +%%% bar 12 +\bar +\qspace +\NOTEs\lcharnote{17}{\twelveit s\kern-.25ex\f~}\isluru3e\wholeshift{% + \ust e\usfz f}\roffset2\icresc\wh e\zchar{19}\tdecresc + |\curve{16}33\tubslur0{-10}\en +\def\atnextbar{\znotes|\centerpause\en}\mulooseness1\stoppiece +\eject\endmuflex\end diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex new file mode 100644 index 00000000000..a1e6928ae7d --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelfug.tex @@ -0,0 +1,4 @@ +\input prelude.tex +\barsinline=0\relax\linesinpage=0\relax +\input fugue.tex +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex new file mode 100644 index 00000000000..160d9d5e7b9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/prelude.tex @@ -0,0 +1,715 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Pr\'elude et fugue} +\fulltitle{\enorme VI. \titremorceau} +\subtitle{(pour orgue)} +\othermention{Compos\'e en 1990} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} +\csname titremorceautoc\endcsname +\maketitle + +\parindent 18mm +% +\bigskip +\centerline{\moyen PR\'ELUDE}\medskip +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{6}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % sol mineur +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% +\def\Mordant{\mordant{10}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{G.O.}% +%\check +\def\gluemaxskip{7pt}% +\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% +\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% +\smallskip +% +\quatretemps% +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\doubler{\multiply\noteskip by 2\relax}% +\debutmorceau +% calcul de \elemskip en fonction de la largeur de page pour eviter les glues +% +\autolines {17}35\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes +\advance\linesinpage by 1\relax +% +% formes frequentes +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% +% +% quatre doubles croches +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% quatre croches +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax +%\check +% +% mesure 1 +\smallnotesize\varaccid +\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes +\temps\notes&\qqbbl7KNbc\enotes +\temps\notes&\qqbbL{-4}cdbab\enotes +%\check +% mesure 2 +\barre\notes&|\qqbbH8bNbd{^f}\enotes +\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes +\temps\notes&|\qqbbH7dbdfg\enotes +\temps\notes&|\qqbbu0ifgi\enotes +%\check +% mesure 3 +\barre\notes&|\qqbbL0ikgik\enotes +\normalnotesize +\temps\Notes\hpause&|\cl n\qsoupir\enotes +\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes +\temps +\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax + |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 4 +\autolines {16}35\relax +\smallnotesize\bigaccid +\barre\notes&\qqbbH7IGJLM\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes +\temps\notes&\qqbbl7JLN{=b}\enotes +\temps\notes&\qqbbL{-4}acNMN\enotes +%\check +% mesure 5 +\barre\notes&\qqbbH7MLN{=b}c\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes +\temps\notes&|\qqbbH7cNceg\enotes +\temps\notes&|\qqbbL0hjg{=i}j\enotes +%\check +% mesure 6 +\barre\notes&|\qqbbL0kljln\enotes +\normalnotesize +\temps\notes\hpause&|\cl q\qsoupir\sk\enotes +\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes +\temps +\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax + |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 7 +\barre\autolines 775\relax +\smallnotesize +\notes&\qqbbH8FD{^F}HJ\enotes +\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes +\zbarre\notes&\qqbbl3K{^M}Nb\enotes +\temps\notes&\qqbbL3aabcd\enotes +% mesure 8 +\barre\notes&|\qqbbH3dec{^f}g\enotes +\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes +\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes +\temps\notes&|\bigaccid\qqbbl2{^m}non\enotes +% mesure 9 +\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes +\normalnotesize +\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes +\smallnotesize\varaccid +\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes +\temps\notes&\qqbbL3LNKba\enotes +% mesure 10 +\barre\notes&\qqbbL2abNdc\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes +\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes +\temps\notes&|\qqbbh{-3}gfed\enotes +%\check +% mesure 11 +\normalnotesize +\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes +\smallnotesize\varaccid +\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes +\temps\notes&|\qqbbH2hh{^f}ji\enotes +% mesure 12 +\barre\varaccid\notes&|\qqbbH3jjhlk\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes +\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes +\temps\notes&|\qqbbh{-4}dc{=b}a\enotes +% mesure 13 +\normalnotesize\bigaccid +\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes +\temps\notes&|\qqbbh3dbfe\enotes +%\check +% mesure 14 +\barre\notes&|\ifx\mxversion\undefined\off{-2\Interligne}\fi % was for musiCtex + \qqbbh3fd{_h}g\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes +\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes +\temps\notes&|\qqbbh{-3}gfed\enotes +% mesure 15 +\normalnotesize\bigaccid +\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes +\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes +\temps\notes&|\qqbbh3gei{_h}\enotes +%\check +% mesure 16 +\troistemps +\changecontext\notes&|\ifx\mxversion\undefined\off{-2.4\Interligne}\fi % was for musiCtex + \qqbbL5hig{=l}m\enotes +\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes +\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes +% mesure 17 +\quatretemps\normalnotesize +\changecontext\Notes + \ifx\mxversion\undefined\off{-\Interligne}\fi % was for musiCtex +\qu F&\ifx\mxversion\undefined\off{-1.4\Interligne}\fi % was for musiCtex +\zq {M_ac}\ql f|\ifx\mxversion\indefined\off{-\Interligne}\fi % was for musiCtex + \qu{_h}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes +\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes +\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes +%\check +% mesure 18 +\normalnotesize +\barre\autolines {16}35\relax\bigaccid +\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes +\smallnotesize\varaccid +\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes +\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes +\temps\notes&|\qqbbu3{=i}gik\enotes +%\check +% mesure 19 +\barre\notes&|\qqbbl{-2}m{_o}nm\enotes +\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes +\normalnotesize +\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\bigna e\fl i\rq i\zq{eg}\ccu j\enotes +\smallnotesize +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +% mesure 20 +\normalnotesize\bigaccid +\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +\normalnotesize +\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes +%\check +% mesure 21 +\normalnotesize\bigaccid +\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes +\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes +\normalnotesize +\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes +%\check +% mesure 22 +\normalnotesize\bigaccid +\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes +\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes +\normalnotesize +\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes +\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes +% mesure 23 +\barre\notes&|\qqbbl3qosr\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes +\temps\notes&|\qqbbl{-3}qpon\enotes +\temps\notes&|\qqbbl{-3}{^m}lkj\enotes +%\check +% mesure 24 +\autolines {17}35\relax +\normalnotesize\varaccid +\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato + \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes +\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes +\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes +\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes +% mesure 25 +%\check +\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes +\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes +\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes +\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes +%\check +% mesure 26 +\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax + \ibu0l{-4}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes +%\check +% mesure 27 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax + \ibu0j{-3}\qh0j\sk\tqh0h\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes +\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax + \ibu0k{-4}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes +%\check +% mesure 28 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax + \ibu0i{-3}\qh0i\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes +\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes +% mesure 29 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax + \ibu0h{-3}\qh0h\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax + \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes +%\check +% mesure 30 +\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes +\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes +%\check +% mesure 31 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes +%\check +% mesure 32 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes +\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 33 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes +%\check +\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes +%\check +% mesure 34 +\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes +%\check +% mesure 35 +\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes +\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes +%\check +% mesure 36 +\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes +\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes +\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 37 +\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes +%\check +% mesure 38 +\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes +%\check +% mesure 39 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 40 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 41 +\generalmeter{\meterfrac 54}\changecontext +\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes +\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes +\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes +\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 42 +\quatretemps\changecontext +\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes +%\check +% mesure 43 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 44 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 45 +\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +% mesure 46 +\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +%\check +% mesure 47 +\generalmeter{\meterfrac 32}\changecontext +\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes +\smallnotesize\bigaccid +\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes +\notes&\qqbbH9KGKNa\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes +\temps\notes&\qqbbl7KNbc\enotes +\temps\notes&\qqbbL{-4}cdbab\enotes +%\check +% mesure 48 +\quatretemps +\changecontext\notes&|\qqbbH8bNbd{^f}\enotes +\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes +\temps\notes&|\qqbbH7dbdfg\enotes +\temps\notes&|\qqbbu0ifgi\enotes +%\check +% mesure 49 +\barre\notes&|\qqbbL0ikgik\enotes +\normalnotesize +\temps\notes\hpause&|\cl n\qsoupir\sk\enotes +\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes +\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax + |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +\autolines {16}35\relax +% mesure 50 +\smallnotesize\bigaccid +\barre\notes&\qqbbH7IGJLM\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes +\temps\notes&\qqbbl7JLN{=b}\enotes +\temps\notes&\qqbbL{-4}acNMN\enotes +%\check +% mesure 51 +\barre\notes&\qqbbH7MLN{=b}c\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes +\temps\notes&|\qqbbH7cNceg\enotes +\temps\notes&|\qqbbL0hjg{=i}j\enotes +%\check +% mesure 52 +\barre\notes&|\qqbbL0kljln\enotes +\normalnotesize +\temps\notes\hpause&|\cl q\qsoupir\sk\enotes +\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes +\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax + |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +%\check +% mesure 53 +\smallnotesize\bigaccid +\barre\notes&\qqbbH7KJM{_a}b\enotes +\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes +\temps\notes&\qqbbl7Mac{=e}\enotes +\temps\notes&\qqbbL{-4}cfcbc\enotes +%\check +% mesure 54 +% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes +\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes +\temps\notes&|\qqbbH7ecfhi\enotes +\temps\notes&|\qqbbL0hjhgh\enotes +%\check +% mesure 55 +\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes +\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes +\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes +% mesure 56 +%\check +\normalnotesize +\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes +\smallnotesize\bigaccid +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes +\temps\notes&|\qqbbh{-2}fdcd\enotes +%\check +% mesure 57 +\barre\notes&|\qqbbH7bb{_d}fh\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes +\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes +\temps\notes&|\qqbbL{-2}kmkjk\enotes +% +% mesure 58 +\barre\notes&|\qqbbl5ikmo\enotes +\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes +\normalnotesize +\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes +\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes +% mesure 59 +\smallnotesize\bigaccid +\barre\notes&\ibbl0L7\qb0L\qb0b\enotes +\notes&|\qb0e\tqb0f\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes +\temps\notes&|\qqbbH6dce{g}j\enotes +\temps\notes&|\qqbbL{-2}jljij\enotes +% mesure 60 +\barre\notes&|\qqbbl5{=h}jl{_n}\enotes +\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes +\temps\notes&|\qqbbl{-3}o{=n}ml\enotes +\temps\notes&|\qqbbl{-3}{_k}jih\enotes +% mesure 61 +\normalnotesize +\barre\nspace\autolines{18}35\relax +\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax +\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes +\temps\notes\soupir&|\qqbbH3gidih\enotes +\normalnotesize +\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeih\enotes +% mesure 62 +\barre\nspace +\normalnotesize +\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes +\temps\notes\soupir&|\qqbbH3ffdih\enotes +\normalnotesize +\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeih\enotes +% mesure 63 +\normalnotesize +\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgeji\enotes +\normalnotesize\nspace +\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +% mesure 64 +\normalnotesize +\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +\normalnotesize\nspace +\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhfji\enotes +% mesure 65 +\normalnotesize +\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes +\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes +\normalnotesize +\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes +% mesure 66 +\normalnotesize +\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes +\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes +\normalnotesize +\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes +\smallnotesize\varaccid +\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes +\temps\notes\soupir&|\qqbbH5higik\enotes +\autolines {17}35\relax +%\check +% mesure 67 +\normalnotesize +\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne +{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax + \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax + \ibu0l{-4}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes +%\check +% mesure 68 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax + \ibu0j{-5}\qh0m\sk\tqh0h\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes +\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax + \ibu0k{-4}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes +%\check +% mesure 69 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax + \ibu0i{-5}\qh0l\sk\tqh0g\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes +\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes +% mesure 70 +\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax + \ibu0h{-5}\qh0k\sk\tqh0f\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax + \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes +%\check +% mesure 71 +\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes +\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes +%\check +% mesure 72 +\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes +\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes +%\check +% mesure 73 +\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes +\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes +\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 74 +\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes +%\check +\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes +%\check +% mesure 75 +\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes +\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes +%\check +% mesure 76 +\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes +\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes +%\check +% mesure 77 +\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes +\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes +\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes +% mesure 78 +\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes +\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes +\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax +|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes +\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes +%\check +% mesure 79 +\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes +\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes +\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes +\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes +%\check +% mesure 80 +\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes +\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes +\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes +\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes +%\check +% mesure 81 +\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes +\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes +\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes +\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes +% mesure 82 +\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes +\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes +\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk + \raise -3\internote\dsoupir}\zqp i\qup k\enotes +\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes +% mesure 83 +\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes +\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes +\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes +\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes +% mesure 84 +\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk +\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes +\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes +\temps\NOTEs\hpause&\hpause|\hpause\enotes +% mesure 85 +\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +% mesure 86 +\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes +\temps\NOTEs\soupir&\soupir|\soupir\enotes +\cleftoksii={{0}{0}{0}{0}}\changeclefs +\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes +\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes +\advance\barsinline by -1\relax +% mesure 87 +\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes +\temps\NOTES\soupir&\soupir|\soupir\enotes +% +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\endinput + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex new file mode 100644 index 00000000000..4d178610460 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/recit.tex @@ -0,0 +1,415 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{R\'ecit} +\fulltitle{II. R\'ecit} +\csname titremorceautoc\endcsname +\subtitle{\sl (pour orgue)} +\othermention{Compos\'e en 1990} +\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} +\maketitle + +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % deux bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% +\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt + \centerline{G.O.}}}% +%\check +\def\gluemaxskip{7pt}% +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +% +\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% +\par\noindent{\rm R\'ec.: cornet ou cromorne}% +\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% +\smallskip +% +\troistemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\debutmorceau +% +\autolines 855\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes +% mesure 1 +\advance\linesinpage by 1\relax +% +\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes +%\check +% mesure 2 +\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes +%\check +% mesure 3 +\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes +\temps\notes&|\dqh{-2}hg\enotes +\temps\notes\qu J&|\dqh{-2}ji\enotes +%\check +% mesure 4 +\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu J&\soupir|\soupir\enotes +% mesure 5 +\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes +% mesure 6 +\autolines 755\relax +\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes +\temps\NOtes&|\enotes +\temps\NOtes\qu I&|\qu k\enotes +%\check +% mesure 7 +\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes +\temps\notes&\qu{=f}|\sk\cu l\enotes +\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes +%\check +% mesure 8 +\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes +\temps\notes&|\sk\cu k\enotes +\temps\NOtes&\ql a|\qu j\enotes +% mesure 9 +\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes +\temps\notes&|\dqh{-3}kj\enotes +\temps\notes\ql J&|\dqh{-3}ih\enotes +% mesure 10 +\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes +\temps\notes&|\sk\cu i\enotes +\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes +% mesure 11 +\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes +\temps\notes&|\dsoupir\cu d\enotes +\temps\notes\qu J&\ql e|\dqh7gj\enotes +% mesure 12 +\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&\ql c|\relax\enotes +% mesure 13 +\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes +\temps\NOtes\soupir&\soupir|\soupir\enotes +% +% mesure 14 +\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes +%\check +% mesure 15 +\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&\itenl2N\ql N|\qu i\enotes +%\check +% mesure 16 +\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes +\temps\NOtes&\qu{=f}|\relax\enotes +\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes +%\check +% mesure 17 +\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes +\temps\notes&|\sk\cu k\enotes +\temps\NOtes\qu H&\ql a|\qu l\enotes +%\check +% mesure 18 +\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&|\relax\enotes +% mesure 19 +\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes +\temps\notes&|\dqb3no\enotes +\temps\notes&|\dqb{-5}pn\enotes +% mesure 20 +\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes +\temps\notes&|\dqb3op\enotes +\temps\notes&|\dqb{-5}qo\enotes +% mesure 21 +\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes +\temps\notes&|\dqb3pq\enotes +\temps\notes&|\dqb{-5}rp\enotes +% mesure 22 +\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes +\temps\notes&\qu{=f}|\dqb{-3}nm\enotes +\temps\notes&\qu d|\dqb{-3}lk\enotes +% mesure 23 +\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes +\temps\notes\qu H&|\sk\cl k\enotes +\temps\notes\qu J&|\dqb{-5}lj\enotes +% mesure 24 +\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes\qu{^F}&|\dqb{-3}ih\enotes +% mesure 25 +\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes +\temps\notes\hu E&\hl c|\sk\cu h\enotes +\temps\notes&|\dqh3ij\enotes +% +% mesure 26 +\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes +% mesure 27 +\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes +\temps\notes\hu I&|\sk\cl l\enotes +\temps\notes&|\dqb5m{_o}\enotes +% mesure 28 +\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}lk\enotes +\temps\notes&\ql N|\dqb{-3}j{=i}\enotes +% mesure 29 +\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes +\temps\notes&|\ql j\enotes +\resp +\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes +% mesure 30 +\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +%\check +% mesure 31 +\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes +\temps\notes\sk\cu H&|\relax\enotes +\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes +% mesure 32 +\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes +\temps\notes&|\sk\cu d\enotes +\temps\notes\qu J&\ql c|\dqh7gj\enotes +% mesure 33 +\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes +\temps\Notes&|\relax\enotes +\resp +\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes +% mesure 34 +\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes +\temps\notes&|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}lk\enotes +% mesure 35 +\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes&|\dqb3kl\enotes +% mesure 36 +\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +% mesure 37 +\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes +\temps\notes&\qu{^f}|\dqh3{^f}g\enotes +\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes +%\check +% mesure 38 +\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes +\temps\NOtes&|\qu j\enotes +\resp +\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes +% mesure 39 +\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes +\temps\notes&|\dqb{-3}ml\enotes +\temps\notes&|\dqb{-3}kj\enotes +%\check +% mesure 40 +\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes +\temps\notes&|\dqh3{^f}g\enotes +\temps\notes&|\dqh3{_i}k\enotes +%\check +% mesure 41 +\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes +\temps\notes&|\dqb{-3}lk\enotes +\temps\notes&|\dqb{-3}ji\enotes +% mesure 42 +\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes +\temps\notes&|\dqh{-3}hg\enotes +\temps\notes&|\dqh5hj\enotes +% mesure 43 +\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes\qu{^F}&|\dqb{-3}ih\enotes +% mesure 44 +\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes +\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes +\temps\notes&|\dqh8gj\enotes +% +% mesure 45 +\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes&|\relax\enotes +%\check +% mesure 46 +\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes +\temps\Notes&|\relax\enotes +\resp +\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes +%\check +% mesure 47 +\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes +\temps\notes&|\dqb{-3}nm\enotes +\temps\notes&|\dqb{-3}{=l}k\enotes +%\check +% mesure 48 +\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes +%\check +% mesure 49 +\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes +\temps\notes&|\dqb{-3}m{_l}\enotes +\temps\notes&|\dqb{-3}kj\enotes +% mesure 50 +\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes +% mesure 51 +\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes +\temps\notes&|\dqb3jk\enotes +\temps\notes&|\dqb{-5}lj\enotes +%\check +% mesure 52 +\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes +\temps\notes&|\dqb{-3}hg\enotes +\temps\notes&|\dqb5hj\enotes +%\check +% mesure 53 +\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes +\temps\notes&|\dqb{-3}kj\enotes +\temps\notes&|\dqb{-5}ki\enotes +% mesure 54 +\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes +\temps\notes&|\dqh{-3}g{^f}\enotes +\temps\notes&|\dqh5gi\enotes +% mesure 55 +\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes +\temps\notes&|\dqb{-3}ji\enotes +\temps\notes&|\dqb{-5}jh\enotes +% mesure 56 +\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes +\temps\notes&|\dqh3ef\enotes +\temps\notes&|\dqh3gh\enotes +% mesure 57 +\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes +\temps\notes&|\dqh3{^f}g\enotes +\temps\notes&|\dqh3hi\enotes +% mesure 58 +\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes +\temps\notes&|\dqh5{^f}g\enotes +\temps\notes&|\dqh3ij\enotes +% mesure 59 +\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes +\temps\notes&|\dqh{-3}kj\enotes +\temps\notes&|\dqh{-3}i{_h}\enotes +%\check +% mesure 60 +\generalmeter{\meterfrac 24}% +\advance\elemskip by 1.5pt +\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes +\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes +%\check +% mesure 61 +\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes +\temps\notes&|\ccl n\enotes +%\check +% mesure 62 +\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes +\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes +%\check +% mesure 63 +\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes +% mesure 64 +\troistemps +\advance\elemskip by -1.5pt +\changecontext\NOtes\hu I&\soupir|\soupir\enotes +\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes +\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes +% mesure 65 +\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes +\temps\notes&\qu j|\dqb{-3}hg\enotes +% mesure 66 +\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes +\temps\notes\soupir&\soupir|\soupir\enotes +% mesure 67 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes +% mesure 68 +\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes +% mesure 69 +\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes +\temps\notes&|\dqh{-3}hg\enotes +\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes +% mesure 70 +\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes +\temps\NOtes&|\relax\enotes +\temps\NOtes\qu J&\soupir|\soupir\enotes +% mesure 71 +\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes +\temps\NOtes&|\qu g\enotes +\temps\notes\qu H&|\dqh5ik\enotes +% +% mesure 72 +\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes +\temps\notes&|\sk\cl m\enotes +\temps\notes\qu{=I}&|\dqb{-3}lk\enotes +% mesure 73 +\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes +\temps\Notes&|\relax\enotes +\temps\NOtes&\zq{^f}\qu h|\ql k\enotes +\autolines {12}45\relax +% mesure 74 +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +%\check +\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes +\temps\notes&|\qqbbl{-3}kjih\enotes +\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes +% mesure 75 +\autolines{14}35\relax +\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes +\temps\notes&|\qqbbl{-3}lkji\enotes +\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes +% mesure 76 +\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes +\temps\notes&|\qqbbl{-4}mlkj\enotes +\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes +% mesure 77 +\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes +\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes +\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes +\quatretemps +% mesure 78 +\autolines {10}35\relax +\changecontext\barsinline=0\relax +\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes +\temps\NOtes&|\dsoupir\cl d\enotes +\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes +% mesure 79 +\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\temps\notes\qu D&|\dqh{-3}hg\enotes +% mesure 80 +\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\temps\NOtes&|\enotes +\finmorceau +\medskip\rightline{\it \aujourdhui} +\eject diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex new file mode 100644 index 00000000000..2a704a09cfa --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/recueil.tex @@ -0,0 +1,149 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\hyphenation{re-gis-tra-tion} +\csname french\endcsname +\tracingstats=2\relax +\line{\ \hss} +\vskip 15mm +\message{Font name: \fontname\the\font} +\iflongDCfontnames + \font\geant=\fontid bx3583 + \font\assezgros=\fontid r2074 +\else\iflongECfontnames + \font\geant=\fontid bx3583 + \font\assezgros=\fontid rm2074 + \else + \font\geant=\fontid bx12 scaled \magstep 6 + \font\assezgros=\fontid r17 scaled \magstep 1 + \fi +\fi +\centerline{\assezgros Daniel TAUPIN} +\vfil +{\baselineskip 20mm +\centerline{\geant PETITES} +\centerline{\geant PI\`ECES}\centerline{\geant POUR} +\centerline{\geant PLAIRE} +} +\vskip 15mm +\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue} +\smallskip +\centerline{\sl \`a deux claviers et p\'edalier} +\vfil +\centerline{Orsay, \aujourdhui} +\eject +%\check +\null +\vfil +\hbox to \hsize{\hss\vbox{\hsize 12cm +\centerline{\moyen PR\'EFACE ET AVERTISSEMENT} + \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur +\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve +d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e +infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est +capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques +qu'on lui propose. + \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut +se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui +est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a +la gastronomie. + \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces +Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la +musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', et qui aurait +pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par +des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur +simple objectif est de charmer les oreilles d'auditeurs de culture classique, +tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus +d'orgues classiques, \`a savoir les \'eglises. + \medskip +\centerline{\vrule height 0.4pt width 0.5\hsize} +\vskip 1mm + \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent +l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de +ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des +pianistes d'un niveau moyen. + \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la +Romance sans Paroles) +mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent +\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier. + \vskip 15mm + \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel +TAUPIN}\smallskip \centerline{\sl \aujourdhui}}} + + \bigskip + \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es} + \centerline{\rm All rights of commercial distribution reserved} + \bigskip + \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}} + \input recueil.toc +}\hss}\vfil +\eject + \def\titremorceautoc{\edef\zetitre{\titremorceau}% + \write\toc{\noexpand\tocitem{\zetitre}{\the\pageno}}} + \newwrite\toc + \immediate\openout\toc=recueil.toc +% +% +\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax +\nbporteesii=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\signaturegenerale{0}\savesignature +\resetfacteurs +\computewidths}% +% +\misazero +\input adagio +% +\misazero +\input recit +% +\misazero +\input tierce +% +\misazero +\input choral +% +\misazero +\input reves +% +\misazero +\input prelude +% +\misazero +\input fugue +% +\misazero +\input aria +% +\misazero +\input ostinato +% +\misazero +\input romances +% +\misazero +\input magnific +% +\misazero +\input fantcmol +% +\misazero +\input fugcmoll +% +\misazero +\input chanson +% +\misazero +\input marcello +% +\misazero +\input purcellx +% +\misazero +\input avemario +% +\closeout\toc +\bye diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex new file mode 100644 index 00000000000..c337b1192b3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/romances.tex @@ -0,0 +1,499 @@ +\title{Romance sans paroles} +\fulltitle{IX. \titremorceau} +\subtitle{(pour orgue)} +\othermention{Compos\'e en 1992--93} +\author{Daniel TAUPIN} +\shortauthor{D. Taupin} +\maketitle + +\csname titremorceautoc\endcsname + +% +% formes frequentes +% deux croches hautes +\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} +\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} +\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} +\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} +\def\doubler{\noteskip=2\noteskip}% +\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir} +% +\parindent 18mm +% + +\tracingstats=2\relax +% +\nbporteesii=1\relax +\def\nbinstruments{3} +\global\cleftoksiii={{0}{0}{0}{0}}% +\global\cleftoksii={{0}{0}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{-2}\relax % deux bemols a la clef +\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}% +\def\troistemps{\generalmeter{\meterfrac{9}{8}}}% +\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{Positif ({\bf II})}% +\def\instrumentiii{R\'ecit ({\bf III})}% +%\check +\def\gluemaxskip{7pt}% +% +\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}% +\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}% +\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}% +\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}% +\smallskip +% +\deuxtemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax + \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax + \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax +\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax + \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax +\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax + \qh0{#5}\qh0{#6}\tqb0{#7}}\relax +\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax + \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax +% +\debutmorceau +% +\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi +\autolines {6}{\barperline}5\relax +%\check +% +\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi +% mesure 1 +\ifx\mxversion\undefined\kern -\internote\fi +\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto + \bf(\metron{\qup}{60})}}\enotes +\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes +%\check +% mesure 2 +\barre\ifx\mxversion\undefined\kern -\Interligne\fi +\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes +\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes +%\check +% mesure 3 +\barre\ifx\mxversion\undefined\kern -\Interligne\fi +\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 4 +\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler + \qup{^j}\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler + \qu h\tleg3\sk\dsoupir\enotes +%\check +% mesure 5 +\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler + \Ilegu3o\Tqh{=i}hg\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{_i}hg\enotes +%\check +% mesure 6 +\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler + \qu{^f}\sk\cu{=e}\enotes +\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk + \cbreath\sk\Ilegu3o\cu d\enotes +%\check +% mesure 7 +\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 8 +\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler + \qlp{=l}\enotes +\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax + \ql k\tleg3\sk + \cbreath\sk\Ilegu3o\cna j\cl j\enotes +%\check +% mesure 9 +\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler + \ql i\sk\cl j\enotes +\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler + \ql h\sk\cl i\enotes +%\check +% mesure 10 +\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes +\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir + \Ilegu3o\cu d\enotes +%\check +% mesure 11 +\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler + \qu g\sk\cu h\enotes +\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler + \qu i\sk\cu k\enotes +%\check +% mesure 12 +\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes +\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes +%\check +% mesure 13 +\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes +\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{i}hg\enotes +%\check +% mesure 14 +\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes +\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes +%\check +% mesure 15 +\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes +\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes +%\check +% mesure 16 +\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes +\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes +%\check +% mesure 17 +\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes +\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir + \Ilegu3p\enotes +\cleftoksii={6000}\changeclefs +\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler + \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes +%\check +% mesure 18 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes +%\check +% mesure 19 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler + \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes +%\check +% mesure 20 +\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler + \zqlp d\zq g\Tqh ihg\enotes +\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler + \zqlp{=e}\zq g\Tqh ihg\enotes +%\check +% mesure 21 +\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler + \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes +\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk + \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes +%\check +% mesure 22 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk + \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes +%\check +% mesure 23 +\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler + \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes +\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax + \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes +%\check +% mesure 24 +\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler + \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes +\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler + \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes +%\check +% mesure 25 +\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes +\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax + \uptext{\bf III}\Ilegu3p\cu d\enotes +%\check +% mesure 26 +\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax +\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes +\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax +\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes +%\check +% mesure 27 +\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax + \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes +\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes +%\check +% mesure 28 +\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler + \Tqb lkj\enotes +\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh{_i}hg\enotes +%\check +% mesure 29 +\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax + \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes +\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax + \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk + \Ilegu3o\cu d\enotes +%\check +% mesure 30 +\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler + \Tqh ghi\enotes +\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler + \Tqb ijk\enotes +%\check +% mesure 31 +\barre\notes\doubler + \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler + \Tqb k{=l}{^m}\enotes +\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler + \ql n\sk\cl {=m}\enotes +%\check +% mesure 32 +\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler + \Tqb {_l}kj\enotes +\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler + \Tqh ihg\enotes +%\check +% mesure 33 +\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler + \Tqh ihg\enotes +\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler + \qu h\tleg3\sk\dsoupir\enotes +%\check +% mesure 34 +\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax + \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes +\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler + \Tqb ijk\enotes +%\check +% mesure 35 +\barre\notes\doubler + \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler + \Tqb k{=l}{^m}\enotes +\zbarre\notes\doubler + \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler + \ql n\sk\cl m\enotes +% mesure 36 +\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler + \Tqb {=l}kj\enotes +\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler + \Tqb {_i}hg\enotes +% mesure 37 +\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax + \sqbbH cc.{^c}egeca&\doubler + \ql{^j}\tleg3\sk\ds\enotes +\cleftoksii={6000}\changeclefs +\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax + \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o + \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes +%\check +% mesure 38 +\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler + \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes +\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler + \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes +%\check +% mesure 39 +\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes +\zbarre\notes\sk\sk\soupir + &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax + \Ilegu3q\cu k\enotes +%\check +% mesure 40 +\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler + \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler + \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes +%\check +% mesure 41 +\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes +\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler + \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes +%\check +% mesure 42 +\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler + \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes +\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler + \zqp k\zqlp{^m}\qu o\sk\cu p\enotes +% mesure 43 +\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler + \zq{ik}\ql n\tleg3\sk\ds\enotes +\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler + \Ilegu3r\ql k\sk\itenl0k\cl k\enotes +%\check +% mesure 44 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler + \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler + \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk + \tten0\tten1\zq n\zq p\cl r\enotes +%\check +% mesure 45 +\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk + \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler + \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes +%\check +% mesure 46 +\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler + \zqlp k\zq n\Tqh pon\enotes +\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler + \zqlp{=l}\zq n\Tqh pon\enotes +%\check +% mesure 47 +\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler + \zqp {k^m}\qlp o\enotes +\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes +\cleftoksii={6000}\changeclefs +\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler + \Ilegu3r\itenl0k\cu k\enotes +%\check +% mesure 48 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zq k\zq n\ql p\sk\cl n\enotes +%\check +% mesure 49 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes +\cleftoksii={0000}\changeclefs +\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler + \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes +%\check +% mesure 50 +\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler + \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes +\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler + \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes +%\check +% mesure 51 +\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes +\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir + &\sk\tleg3\sk\dsoupir\enotes +\cleftoksii={6000}\changeclefs +\temps\notes&\cl c&\cu d\enotes +%\check +% mesure 52 +\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes +\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes +%\check +% mesure 53 +\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes +\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes +%\check +% mesure 54 +\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes +\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes +% check +% mesure 55 +\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler + \zqp{^f}\zqlp h\qu k\sk\cu k\enotes +\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler + \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes +%\check +% mesure 56 +\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes +\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes +%\check +% mesure 57 +\barre\notes\qup I&\sqbbL aa.babNab&\doubler + \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes +\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes +%\check +% mesure 58 +\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes +\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes +%\check +% mesure 59 +\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler + \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes +\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler + \zq e\zql g\Tqh {_i}hg\enotes +%\check +% mesure 60 +\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes +\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir + \enotes +\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler + \Ilegu3o\itenl0d\cu d\enotes +%\check +% mesure 61 +\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler + \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes +\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler + \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes +%\check +% mesure 62 +\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler + \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes +\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler + \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes +%\check +% mesure 63 +\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler + \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes +\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler + \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes +%\check +% mesure 64 +\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler + \zhp {bd}\hup g\enotes +\ifnum\musicsize<17\relax\autolines695\relax\fi +\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax + \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes +%\check +% mesure 65 +\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax + \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes +\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax + \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes +%\check +% mesure 66 +\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax + \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes +\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes +%\check +% mesure 67 +\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax + \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes +\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax + \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes +%\check +% mesure 68 +\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes +\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes +%\check +% mesure 69 +\advance\maxbarsinline by 1\relax +\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax + \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes +\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax + \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes +%\check +% mesure 70 +\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes +\zbarre +\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes +%\check +% mesure 71 +\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax + \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes +\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax + \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes +% mesure 72 +\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax + \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes +\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes +%\check +\finmorceau +% +\medskip\rightline{\it \aujourdhui} +\vfil +\eject diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex new file mode 100644 index 00000000000..9ab7f02a6a9 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenir.tex @@ -0,0 +1,31 @@ +\input musixtex +\input musixsty +\input musixcpt +% +\def\Transpose{0}% +\def\Signature{-3}\relax % trois bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\def\Transpose{-4}% +\def\Signature{-4}\relax % quatre bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\bye + +\def\Transpose{-4}\relax +\def\Signature{3}\relax % trois diezes a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +% +\def\Transpose{-3}\relax +\def\Signature{-2}\relax % deux bemols a la clef +\generalsignature{\Signature}\savesignature +\barsinline=0\relax\linesinpage=0\relax +\input souvenix +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex new file mode 100644 index 00000000000..a9ce439bf1b --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/souvenix.tex @@ -0,0 +1,474 @@ + +\fulltitle{Un souvenir...} +\shortauthor{Rossi/Capitani} +\title{Un souvenir} +\othermention{Paroles d'Oreste ROSSI} +\fullauthor{Musique de Fernand CAPITANI}% +\maketitle + +\ifx\Transpose\undefined\def\Transpose{0}\fi +\ifx\Signature\undefined\def\Signature{-3}\fi + +\tracingstats=1\relax +%\check +% +% +% soufflets crescendo et decrescendo +% +\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% +\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% +% +\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% +\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% +% +%\check +\def\nbinstruments{2} +\setstaffs12\relax +\setstaffs21\relax +\setclefs1{6000}% +\setclefs2{0000}% +% +\generalsignature{\Signature}% +\generalmeter{\meterfrac{4}{4}} +%\check +\def\interfacteur{10}% +\parindent 15mm +\def\instrumenti{Piano}% +\def\instrumentii{Chant}% +\setinterinstrument1{4\Interligne} +%\check +\def\respire{\notes\nextinstrument\cbreath\enotes}% +% +%\check +\catcode`\@=13 +% +\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}% +\def\doctu#1#2{{\advance\transpose by 7\relax +\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}% +% +\def\nbinstruments{1}\computewidths +\debutmorceau +\autolines {10}44\relax +\transpose=\Transpose +\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes +% +\def\rchone{\lq q\zq{lnp}\ql s}% +\def\Lchone{\lh c\zh{be}\hl g}% +\def\lchone{\lq c\zq{be}\ql g}% +\def\Lchtwo{\zh{bd}\hl g}% +\def\lchtwo{\zq{bd}\ql g}% +\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}% +\znotes\zmidtwotext{\kern -3mm\ppff p}\enotes +\temps\NOtes\octs E|\soupir\enotes +\temps\NOtes\Lchone|\rchone\enotes +\temps\NOtes|\rchone\enotes +\temps\NOtes\lchone|\rchone\enotes + %\check +% mesure 2 +\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes +\temps\NOtes\Lchtwo\enotes +\temps\NOtes\sk\enotes +\temps\NOtes\lchtwo\enotes + %\check +% mesure 3 +% +\def\lchthree{\lq f\zq{ce}\ql h}% +\def\Lchthree{\lh f\zh{ce}\hl h}% +\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes +\temps\notes\Lchthree|\doct jk\enotes +\temps\NOtes|\zq{lnq}\ql s\enotes +\temps\notes\lchthree|\doct kj\enotes +% + %\check +% mesure 4 +\def\lchfour{\zq{be}\ql g}% +\def\Lchfour{\zh{be}\hl g}% +\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes +\temps\NOtes\Lchfour|\ql l\enotes +\temps\NOtes|\ql k\enotes +\temps\NOtes\lchfour|\Fl k\ql k\enotes +% + %\check +% mesure 5 +% +\def\lchfive{\lq e\zq c\ql f}% +\def\Lchfive{\lh e\zh c\hl f}% +\def\uchfive{\lq m\zq{hl}\ql o}% +\barre\autolines 854\relax +\NOtes\octs F|\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive\enotes +\temps\NOtes|\uchfive\enotes +\temps\notes\lchfive|\lq m\zq l\doct hh\enotes +% + %\check +% mesure 6 +% +\def\lchsix{\lq c\zq{Nb}\ql e}% +\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}% +\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes +\temps\NOtes\Lchsix|\ql l\enotes +\temps\NOtes|\ql j\enotes +\temps\NOtes\lchsix|\ql i\enotes +% + %\check +% mesure 7 +\def\lchseven{\zq{Ma}\ql c}% +\def\Lchseven{\Fl c\zh{Mac}\hl e}% +\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes +\temps\notes\bigaccid\Lchseven|\doctu fg\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes +\temps\Notes\lchseven|\doctu ef\enotes +% + %\check +% mesure 8 +\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause + |\Na j\rh j\zh{egi}\hu l\enotes +\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes +% + %\check +% mesure 9 +\xbarre\notes\qsk\enotes +\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax + |\lw p\zw{lnq}\wh s\enotes +\setdoublebar\suspmorceau +% + %\check +% mesure 10 +\def\nbinstruments{2}\generalmeter{}\savemeters + %\computewidths + %\advance\linesinpage by 1 + \lreprmorceau +\llap{\leftrepeatsymbol}% +\def\txt#1|#2&{\hsong{\vbox to 0pt{\Smalltype\baselineskip 10pt +\vss\hrule width \noteskip height 0pt +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #2\kern\internote}\smallskip +\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote + #1\kern\internote}}}}% +\znotes\zmidtwotext{\kern -3mm\ppff p}&\enotes +% +\def\arpg#1#2{\vnotes 0.2\elemskip\larpeggio{#1}{#2}\enotes}% +\def\uarpg#1#2{\vnotes 0.2\elemskip|\larpeggio{#1}{#2}\enotes}% +% +\vnotes 0.2\elemskip\rlap{\larpeggio E6}\larpeggio c6\enotes +\notes\zw{EILNb}|\wh g&\ds\enotes +\temps\notes&\txt Se |De &\cu g\enotes +\temps\notes&\txt sou-|la &\cu g\enotes +\temps\notes&\txt ve-|mer-&\cu g\enotes +\temps\notes&\txt nir |veil-&\cu i\enotes +\temps\notes&\txt c'est |leuse &\cu i\enotes +\temps\notes&\txt croire |a-&\cu j\enotes +\temps\notes&\txt en |ven-&\cu j\enotes + %\check +% mesure 11 +\xbarre\vnotes 0.2\elemskip\larpeggio G5|\larpeggio d4\enotes +\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\txt co-|tu-&\hl k\enotes +\temps\vnotes 0.2\elemskip\larpeggio M8|\larpeggio i4\enotes +\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\txt re |re &\hl k\enotes +% + %\check +% mesure 12 +\xbarre +\vnotes 0.2\elemskip\rlap{\larpeggio D8}\larpeggio b4\enotes +\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes +\temps\notes&\txt Que |Qui &\cu g\enotes +\temps\notes&\txt tout |un &\cu g\enotes +\temps\notes&\txt vient |jour &\cu g\enotes +\temps\notes|\hl e&\txt de |a &\cu i\enotes +\temps\notes&\txt re-|pu &\cu i\enotes +\temps\notes&\txt com-|nous &\cu j\enotes +\temps\notes&\txt men-|u-&\cu j\enotes + %\check +% mesure 13 +\xbarre\vnotes 0.12\elemskip\larpeggio E6\qsk|\larpeggio c4\enotes +\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\txt cer |nir &\wh k\enotes +\temps\NOtes|\hl g\enotes +% + %\check +% mesure 14 +\alaligne +\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes +\temps\notes&\txt\kern -\Interligne C'est |Je &\cl l\enotes +\temps\notes&\txt re-|gar- &\cl k\enotes +\temps\notes&\txt voir-|de &\cu j\enotes +\temps\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\txt + l'\^e-|mal-&\cu i\enotes +\temps\notes&\txt tre |gr\'e &\cu i\enotes +\temps\notes|\bigaccid\Na h\ql h&\txt qu'on |mes &\cu j\enotes +\temps\notes&\txt a- |bles-&\cu j\enotes + %\check +% mesure 15 +\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\txt do-|su-&\hu g\enotes +\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\txt re |res &\hu g\enotes +% + %\check +% mesure 16 +\xbarre +\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes +\temps\notes&\txt Et |L'in-&\cu g\enotes +\temps\notes&\txt re-|ef-&\cu g\enotes +\temps\notes&\txt trou-|fa-&\cu g\enotes +\temps\notes&\txt ver |\c ca-&\cu f\enotes +\temps\notes&\txt tout |ble &\cu f\enotes +\temps\notes&\txt le |sou-&\cu g\enotes +\temps\notes&\txt pas-|ve-&\cu g\enotes + %\check +% mesure 17 +\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\txt s\'e... |nir... &\wh i\enotes +\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes +\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes +% + %\check +% mesure 18 +\setdoublebar\alaligne +% +\autolines {10}44\relax +\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes +\temps\NOtes\octs E|\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou- }\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve- }\ql l\enotes + %\check +% mesure 19 +\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo\enotes +\temps\NOtes\sk\enotes +\temps\NOtes\lchtwo\enotes + %\check +% mesure 20 +% +\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl j\cl k\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{ma- }\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{ge d'un }\cl k\cl j\enotes +% + %\check +% mesure 21 +\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{r\^e- }\hl i\enotes +\temps\NOtes\Lchfour|\enotes +\temps\NOtes|\zh{inl}\hl p&\hsong{be }\hl i\enotes +\temps\NOtes\lchfour|\enotes +% + %\check +% mesure 22 +% +\def\lchttwo{\zq a\zq c\ql e}% +\def\Lchttwo{\zh a\zh c\hl e}% +\def\uchttwo{\zq{hjl}\ql o}% +\barre\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\Lchttwo|\uchttwo&\hsong{\kern -\internote D'une }\qu h\enotes +\temps\NOtes|\uchttwo&\hsong{\kern -\internote heu- }\qu h\enotes +\temps\Notes\lchttwo|\zq j\zq l\doct hh&\hsong{\kern -\internote re trop }\cu h\cu h\enotes +% + %\check +% mesure 23 +% +\def\Lchtthree{\lh c\zh{Nb}\hl e}% +\def\lchtthree{\lq c\zq{Nb}\ql e}% +\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{br\`e-}\hu g\enotes +\temps\NOtes\Lchtthree|\enotes +\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{be }\hu g\enotes +\temps\NOtes\lchsix|\enotes +% + %\check +% mesure 24 +\def\Lchtfour{\zh{Mac}\hl e}% +\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes +\temps\Notes\Lchtfour|\doctu fg&\hsong{Qui ne }\cu f\cu g\enotes +\temps\NOtes|\zq f\qu m&\hsong{beut }\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\hsong{pas fi-}\cu e\cu f\enotes +% + %\check +% mesure 25 +\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{nir }\hu g\enotes +\temps\NOtes\lchtthree\enotes +\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{--}\hu i\enotes +\temps\NOtes\qu I\enotes +% + %\check +% mesure 26 +\barre\temps\NOtes\octs E|\soupir&\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes +% + %\check +% mesure 27 +\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo|\ql n\enotes +\temps\NOtes\sk|\Sh m\ql m\enotes +\temps\NOtes\lchtwo|\ql n\enotes + %\check +% mesure 28 +% +\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est tou-}\cl {jk}\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{te }\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{la ten-}\cl{kj}\enotes +% + %\check +% mesure 29 +\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{dres-}\hu i\enotes +\temps\NOtes\Lchfour|\qu l\enotes +\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{se }\hu i\enotes +\temps\NOtes\lchfour|\Fl k\qu k\enotes +% + %\check +% mesure 30 +% +\barre\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{Des }\qu h\enotes +\temps\NOtes|\uchfive&\hsong{beaux }\qu h\enotes +\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{jours d'i-}\cu{hh}\enotes +% + %\check +% mesure 31 +% +\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{bres-}\hu g\enotes +\temps\NOtes\Lchsix|\qu l\enotes +\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{se }\hu g\enotes +\temps\NOtes\lchsix|\qu i\enotes +% + %\check +% mesure 32 +\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes +\temps\Notes\Lchseven|\doctu fg&\hsong{Que l'on }\cu f\cu g\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\txt voit |croit&\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\txt re-ve-|re-te-&\cu e\cu f\enotes +% + %\check +% mesure 33 +\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\txt nir|nir&\wh e\enotes +\temps\NOtes\qu N\enotes +\temps\NOtes\qu a\enotes +\temps\NOtes\Sh a\qu a\enotes +% + %\check +% mesure 34 +\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes +\temps\notes&\hsong{Un }\Ibu0eh2\qh0d\enotes +\notes&\hsong{soir }\qh0g\enotes +\notes&\hsong{tu }\bigaccid\Sh h\tqh0h\enotes +\temps\notes\zh I\hu N|\zh k\hl g&\hsong{as }\ibu0j0\qh0i\enotes +\notes&\hsong{pu }\qh0k\enotes +\notes&\hsong{te }\qh0j\enotes +\notes&\hsong{re-}\tqh0i\enotes + %\check +% mesure 35 +\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{pren-}\hl k\enotes +\temps\NOTes|\hu j&\hsong{dre }\hl j\enotes + %\check +% mesure 36 +\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes +\temps\notes&\hsong{\kern -\internote Tout }\ibu0j0\qh0j\enotes +\notes&\hsong{bri-}\qh0j\enotes +\notes&\hsong{ser, }\tqh0j\enotes +\notes&\hsong{tout }\Ibu0kh4\qh0k\enotes +\notes&\hsong{a-}\qh0k\enotes +\notes&\hsong{n\'e-}\bigaccid\Sh h\qh0h\enotes +\notes&\hsong{an-}\tqh0h\enotes + %\check +% mesure 37 +\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{tir }\wh i\enotes +\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes + %\check +% mesure 38 +\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes +\temps\notes&\hsong{\kern -3\internote Mais }\Ibu0gj3\qh0f\enotes +\notes&\hsong{pour }\qh0i\enotes +\notes&\hsong{moi }\tqh0j\enotes +\temps\notes\zh K\hl b|\zh f\hl i&\hsong{qui }\Ibu0ki3\qh0k\enotes +\notes&\hsong{ne }\qh0k\enotes +\notes&\hsong{sais }\qh0j\enotes +\notes&\hsong{com-}\tqh0i\enotes + %\check +% mesure 39 +\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{pren-}\hu k\enotes +\temps\NOTes&\hsong{dre }\hu j\enotes + %\check +% mesure 40 +\barre\NOtes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes +\temps\NOtes&\hsong{\kern -\internote Qu'on }\ql j\enotes +\temps\NOtes|\Sh h\hl h&\hsong{peut }\ql k\enotes +\temps\NOtes&\hsong{men-}\ql l\enotes + %\check +% mesure 41 +\barre\NOtes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{tir }\wh m\enotes +\temps\NOtes\qu c|\qu j\enotes +\temps\NOtes\Sh c\qu c|\Sh i\qu i\enotes +\temps\NOtes\qu d|\Na i\qu i\enotes + %\check +% mesure 42 +\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes +\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes +\temps\NOtes|\rchone&\hsong{sou-}\ql l\enotes +\temps\NOtes\lchone|\rchone&\hsong{ve-}\ql l\enotes + %\check +% mesure 43 +\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{nir }\wh k\enotes +\temps\NOtes\Lchtwo|\ql n\enotes +\temps\NOtes\sk|\Sh m\ql m\enotes +\temps\NOtes\lchtwo|\ql n\enotes + %\check +% mesure 44 +% +\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes +\temps\Notes\Lchthree|\doct jk&\hsong{\kern -2\Interligne C'est l'i-}\cl {jk}\enotes +\temps\NOtes|\zq{lnq}\ql s&\hsong{ma-}\ql l\enotes +\temps\Notes\lchthree|\doct kj&\hsong{ge d'un}\cl{kj}\enotes +% + %\check +% mesure 45 +\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{r\^e-}\hu i\enotes +\temps\NOtes\Lchfour|\qu l\enotes +\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{be }\hu i\enotes +\temps\NOtes\lchfour|\Fl k\qu k\enotes +% + %\check +% mesure 46 +% +\barre\autolines {9}54\relax +\NOtes\octs F|\soupir&\soupir\enotes +\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\kern -\internote D'une }\qu h\enotes +\temps\NOtes|\uchfive&\hsong{\kern -\internote heu-}\qu h\enotes +\temps\Notes\lchfive|\lq m\zq l\doct hh&\hsong{\kern -\internote re trop}\cu{hh}\enotes +% + %\check +% mesure 47 +% +\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{br\`e-}\hu g\enotes +\temps\NOtes\Lchsix|\qu l\enotes +\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{be }\hu g\enotes +\temps\NOtes\lchsix|\qu i\enotes +% + %\check +% mesure 48 +\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes +\temps\Notes\Lchseven|\doctu fg&\hsong{\kern -\internote Qui ne }\cu f\cu g\enotes +\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\kern -\internote veut }\qu f\enotes +\temps\Notes\lchseven|\doctu ef&\hsong{\kern -\internote pas fi-}\cu e\cu f\enotes +% + %\check +% mesure 49 +\xbarre\NOTes\itenl1E\itenl2L\octs E\relax +|\Na j\rh j\zh{egi}\hu l&\hsong{nir...}\wh e\enotes +\temps\NOTes + \ifnum\transpose<-2\relax + \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi +|\ifnum\transpose<-2\else + \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi + \zh{il}\rh m\hu p\relax +\enotes + %\check +% mesure 50 +\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk +\lh q\zh l\zh n\zh p\hl s\enotes +\temps\NOtes\qu E|\hpause&\pause\enotes +\temps\NOtes\soupir\enotes +\setrightrepeat\finpartition +\medskip\rightline{\it le \aujourdhui} +\eject + + + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex new file mode 100644 index 00000000000..1a17a982d6a --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/tierce.tex @@ -0,0 +1,376 @@ +\ifx\mxversion\undefined + \input musixtex + \input musixcpt + \input musixsty +\fi +\title{Tierce en taille} +\fulltitle{III. \titremorceau} +\csname titremorceautoc\endcsname +% +\parindent 18mm + +\subtitle{\sl (pour orgue)} +\othermention{Compos\'e en 1990} +\author{Daniel TAUPIN} +\maketitle + +\tracingstats=2\relax +% +\nbporteesii=2\relax +\def\nbinstruments{2} +\global\cleftoksii={{0}{3}{0}{0}}% +\global\cleftoksi={{6}{0}{0}{0}}% +% +\signaturegenerale{1}\relax % un dieze a la clef +\def\quatretemps{\generalmeter{\allabreve}}% +\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% +\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% +\def\Mordant{\mordant{10}}% +\def\tenPince{\pince{10}}% +%\check +\def\instrumenti{P\'edale 16'}% +\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt + \centerline{G.O.}}}% +%\check +\def\gluemaxskip{7pt}% +% +% formes frequentes +% +% deux croches hautes +\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +\def\dqh{\dqu}\def\dqb{\dql}% +% +% deux doubles croches hautes +\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% +\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% +% +% croche pointee et double croche meme hauteur +\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% +\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% +% +\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% +\par\noindent{\rm R\'ec.: cornet ou cromorne}% +\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% +\smallskip +% +\quatretemps +% +\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% +\debutmorceau +\noautolines +\advancebottom{4\internote}% +%\autolines {8}44\relax +\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% +%\check +% +\hyphenpenalty -50\relax +\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes +\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% +\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax +\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% +\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax +%\check +\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax +\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax +%\check +% +% mesure 1 +\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 2 +\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 3 +\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 4%\autolines{9}44\relax +\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes +\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes +\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes +% mesure 5 +\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes +\temps\notes&\zql c|\dql{-2}ed\enotes +\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 6 +\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes +\temps\notes&|\cu c\enotes +\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes +\temps\notes&\qu j|\sk\cu b\enotes +% mesure 7 +\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu N\enotes +% mesure 8 +\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes +\temps\notes&|\cu b\enotes +\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\trioskip\dqbbh3Na\enotes +% mesure 9 +\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes +\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes +\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes +\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes +% mesure 10 +\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu a\enotes +% mesure 11 +\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes +\temps\notes&|\cu c\enotes +\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes +\temps\notes&|\tenPince\dql{-3}dc\enotes +% mesure 12 +\troistemps +\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes +\temps\notes&|\cu a\enotes +\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes +\resp +% mesure 13 +\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes +\temps\NOTes&|\hu f\enotes +\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes +% mesure 14 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes +\temps\NOtes&|\qu N\enotes +\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes +\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes +% mesure 15 +\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes +\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes +\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes +\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes +%\check +% mesure 16 +\troistemps +\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes +\temps\notes\qu D&\zql c|\sk\cu N\enotes +\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes +\resp +% mesure 17 +\deuxtemps +\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes +\temps\NOTes&|\hl d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 18 +\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes +\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes +% mesure 19 +\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes +\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes +\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes +\temps\notes&\qu g|\sk\cl d\enotes +% mesure 20 +\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes +\resp +\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes +% mesure 21 +\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes +\temps\notes&|\cu c\enotes +\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes +\temps\notes&\itenl1d\ql d|\tenPince\dql{-2}dc\enotes +% mesure 22 +\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes +\notes&|\tten1\trioskip\qqbbl3bbcd\enotes +\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes +\temps\notes&|\dql{-6}ea\enotes +% mesure 23 +\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes +\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes +\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes +\temps\notes&|\cu c\enotes +% mesure 24 +\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\cu b\enotes +\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes +\resp +% mesure 25 +\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes +\temps\NOTes&|\hu{^d}\enotes +\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes +% mesure 26 +\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes +\temps\NOtes&|\hu e\enotes +\temps\notes\hu H&\zh {cf}\hu h|\enotes +\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes +% mesure 27 +\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes +\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes +% mesure 28 +\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes +\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes +% mesure 29 +\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu N\enotes +\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes +\temps\Notes\soupir&\soupir|\soupir\enotes +%\check +% mesure 31 +\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 31 +\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 32 +\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 33 +\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes +\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes +\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 34 +\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes +\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes +\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes +\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes +%\check +% mesure 35 +\cleftoksii={{0}{0}{0}{0}}\changeclefs +\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes +\temps\notes&|\cu h\enotes +\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes +\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes +% mesure 36 +\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes +\temps\notes\qu D&|\sk\cu g\enotes +\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes +\resp +\temps\notes\soupir&\soupir|\cpdcu b\enotes +% mesure 37 +\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes +\temps\notes&|\dqu{-3}ih\enotes +\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes +\temps\notes&|\dqu{-5}ge\enotes +% mesure 38 +\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes +\temps\notes&|\dqu{-3}hg\enotes +\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes +\temps\NOtes&|\qu d\enotes +% mesure 39 +\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes +\temps\notes&|\dqu{-8}gd\enotes +\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes +\temps\NOtes&|\pince o\qu e\enotes +% mesure 40 +\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes +\temps\notes&|\dqu{-8}he\enotes +\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes +\temps\NOtes&|\pince o\qu f\enotes +%\check +% mesure 41 +\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes +\temps\notes&|\dqu{-3}ih\enotes +\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes +\temps\notes&|\dqu{-5}ge\enotes +%\check +% mesure 42 +\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes +\temps\notes&|\dqu{-3}ji\enotes +\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes +\temps\notes&|\dqu{-3}fe\enotes +% mesure 43 +\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes +\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes +\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes +\temps\notes&|\cu h\enotes +% mesure 44 +\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes +\temps\notes\qu D&|\sk\cu g\enotes +\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes +\resp +% mesure 45 +\cleftoksii={{0}{3}{0}{0}}\changeclefs +\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes +\temps\NOTEs&|\hu d\enotes +\temps\notes\qu J&\ql e|\trioskip\tenPince\qqbbl{-5}edeb\enotes +% mesure 46 +\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes +\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes +\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes +% mesure 47 +\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes +\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes +\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes +\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes +% mesure 48 +\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes +\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes +\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes +\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes +% mesure 49 +\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\tenPince\ql f\enotes +\temps\notes&\zql c|\dql{-2}ed\enotes +\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes +\temps\notes&|\dql{-8}dN\enotes +% mesure 50 +\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu b\enotes +\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes +\resp +% mesure 51 +\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes +\temps\NOTes&|\hu{^d}\enotes +\temps\notes&\qu h|\trioskip\tenPince\qqbbl{-3}fefb\enotes +% mesure 52 +\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes +\temps\NOtes&|\hu e\enotes +\temps\notes\hu H&\zh {cf}\hu h|\enotes +\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes +% mesure 53 +\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes +\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes +% mesure 54 +\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes +\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes +\temps\notes&|\cu a\enotes +% mesure 55 +\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes +\resp +% mesure 56 +\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes +\temps\NOTes&|\hu f\enotes +\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes +% mesure 57 +\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes +\temps\NOtes&|\qu N\enotes +\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes +\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes +% mesure 58 +\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes +\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes +\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes +\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes +%\check +% mesure 59 +\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes +\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes +\temps\notes&|\cu N\enotes +% mesure 60 +\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes +\mulooseness 3\relax +\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject + +\ifx\toc\undefined + \let\finishpiece \end +\else + \let\finishpiece\relax +\fi +\finishpiece +\endinput + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex new file mode 100644 index 00000000000..f97c8f85630 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/traeumer.tex @@ -0,0 +1,299 @@ +%format musix + +\input musixtex + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% TEX translation of MIDI File : +% b.MID +% +% Written by Hans Kuykens +% this translation of date : 1-9-1993 +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\musicparskip + +\def\slopecresc#1#2#3#4{\rlap{\varline{#1}{#2\noteskip}{#3}}% + \rlap{\varline{#1}{#2\noteskip}{#4}}}% + +\def\liftqp#1{\raise#1\Interligne\rlap\qp} +\def\liftds#1{\raise#1\Interligne\rlap\ds} +\def\raiseped{-6} + +\nopagenumbers\parindent10mm + +\centerline{\BIGfont Tr\"aumerei}\bigskip +\rightline{\medtype Robert Schumann}\smallskip + +\generalsignature{-1} +\generalmeter\meterC +\setstaffs12 +\interstaff{12} +\setclef1\bass +\meterskip\Interligne +\relativeaccid +\startbarno0\startmuflex\startpiece\systemnumbers +%%% bar 0 +\nspace +\NOtes\zmidstaff\p\qp|\isluru2j\qu c\en +%%% bar 1 +\leftrepeat +\NOtes\sPED\zqu F\roff{\itied0F\zw F}|\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\itieu3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\ttie2\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 2 +\bar +\Notes\ttie0\zql F\ttie3\zq J\tslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en +\znotes|\tubslur5j\tqh1m\en +\qspace +\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en +\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en +\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en +%%% bar 3 +\bar +\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% + |\tsslur1f\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en +\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% + |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en +\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{2.6}48}% + \ibl0I5\qb0H\tbl0\zqb0J\bsk\ibu1L5\qb1M\tqh1N% + |\itied2c\ibsluru3e\zql{!c}\ibu4e5\qb4f\zq e\tqh4g\en +%%% bar 4 +\bar +\Notes\tdbslur0M\zql M\qu a% + |\ttie2\zql c\zq f\ibu2h5\qb2h\tqh2j\en +\Notes\tubslur1J\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% + |\tubslur3g\zhl c\zh g\hu e\en +\Notes\ibl0J{-1}\qb0J\qb0I\en +\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en +\def\atnextline{\Liftslur02\Liftslur23\def\interstaff{12}}% +%%% bar 5 +\bar +\NOtes\zchar{-7}\sPed\tsslur0M% + \roff{\isslurd0F\zw F}\qu F|\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\issluru3J\zhp J\issluru4b\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 6 +\bar +\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en +\znotes|\tubslur5l\tqh1o\en +\qspace +\notes\multnoteskip\smallvalue\sPED\tinynotesize\ibbu0L9\qb0{^J}\islurd0b\tqh0O\en +\NOtes\ttie0\islurd0a\issluru1e\lpt a\zhl a\hup e% + |\islurd2g\lpt g\lh g\zhlp h\qup o\en +\Notes\sk\sk\DEP|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2l\en +%%% bar 7 +\bar +\Notes\sPED\tsslur0a\tslur1e\lpt K\lpt a\zq K\zql a\qup d% + |\tsslur2h\zqlp h\ibu4l0\qb4m\en +\Notes|\qb4o\en +\Notes|\qb4k\en +\nspace +\Notes\DEP\islurd0M\isluru1c\zq M\cl c|\ibslurd4h\zcl{_h}\tqh4m\en +\Notes\sPED\tslur0N\ttie1\zqp N\qlp c|\ibl3g0\zqb3g\qup l\en +\Notes|\qb3j\en +\Notes|\qb3e\en +\nspace +\Notes\DEP\islurd0a\zcl a\ibsluru1b\cu c|\zcu{_l}\tqb3{^f}\en +%%% bar 8 +\bar +\nspace +\Notes\sPED\tsslur0a\zhl N\ibu1d0\qb1{^b}|\tdbslur4h\zqu k\zhl{=f}\en +\Notes\qb1g\en +\Notes\DEP\qb1a|\qu{=l}\en +\notes\tqh1b\en +\notes|\tinynotesize\grcu j\en +\Notes\tubslur1b\zcu c\ibslurd0K\ibl0K{-2}\qb0J% + |\curve105\tslur3g\zql e\hu j\en +\Notes\liftds3\qb0K\en +\nspace +\Notes\liftqp3\qb0{=I}|\liftds{-2}\en +\Notes\tqb0G|\isluru2j\cu c\en +%%% bar 9 +\rightrepeat +\NOtes\zchar{-7}\sPed\tdbslur0L\roff{\zw F}\qu F% + |\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\zhp J\hup a|\lpt c\lpt M\zh c\hl M\en +\Notes|\ttie1\ttie2\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\tubslur5g\en +%%% bar 10 +\bar +\Notes\ds|\loffset{1.3}{\ibsluru5g}\ibl3j{-1}\zqb3j% + \rlap{\varline{14}{1.5\noteskip}8}% + \rlap{\varline{15}{1.5\noteskip}{11}}\ibu5i3\qb5j\en +\nspace +\Notes\zchar{-7}\Dep\islurd0G\ibsluru1M\zcu N\zcl J% + |\tubslur5j\loffset{.33}{\na i}\tbl3\zqb3i\tqh5{_l}\en +\nspace +\Notes\zchar{-7}\sPed\islurd2K\zhl K\ibu2L5\qb2{^M}|\zhl h\hu l\en +\Notes\tqh2a\en +\NOtes\ibu2d5\zqb2d\roffset{1.5}{\isluru3d}\rhl d\en +\Notes|\tqb2{^f}\en +\Notes\zchar{-7}\Dep\tsslur2L\invertslur1\curve300\tslur1e\ibl1L3\qb1K% + |\zql h\ibsluru4i\ibu5i{-3}\qb5k\en +\Notes\tqb1M|\tqh5j\en +%%% bar 11 +\bar +\Notes\tslur0H\ttie3\zqlp N\qup d|\lpt g\zql g\ibu3h0\qb3i\en +\Notes|\qb3k\en +\Notes|\qb3g\en +\nspace +\Notes\isluru0M\zq J\cl{^M}|\islurd3a\zcl{_e}\tqh3h\en +\Notes\tslur0N\zqp K\qlp N|\ibl2e0\zqb2d\qup i\en +\Notes|\tdbslur3M\qb2g&\en +\Notes|\ibslurd3e\qb2b\en +\Notes\islurd0L\cl{_L}|\zcu h\tqb2c\en +%%% bar 12 +\bar +\Notes\tsslur0K\lpt K\zql K\ibu0a0\qb0b|\qup g\en +\Notes\qb0d\en +\Notes\qb0N|\invertslur3\zchar{.5}{\curve{-1}00\tslur3c}\en +\Notes\islurd0G\islurd1K\issluru2a\zcl K\tqh0a% + |\roff{\islurd3c}\issluru5d\rcl c\cu d\en +\qspace +\Notes\tsslur1K\tsslur2a\ibl0K{-2}\zqb0K\ibu1N{-2}\qb1a% + |\tsslur3c\tsslur5d\tslur4d\zql b\qu d\en +\Notes\zqb0N\qb1N\en +\Notes\zqb0G\qb1G|\ds\en +\Notes\tbl0\zqb0H\tqh1H|\ibsluru3f\cu f\en +%%% bar 13 +\bar +\NOtes\zchar{-9.5}\sPed\curve{-5}30\tsslur0C\qu B% + |\liftqp{-3}\itieu2i\hu i\en +\Notes\zhp d\hlp M|\zhp f\hlp b\en +\Notes|\ttie3\ttie2\cu i\en +\Notes|\icresc\ibsluru2g\ibu0g5\qb0h\en +\Notes|\qb0i\en +\Notes|\tqh0k\en +%%% bar 14 +\bar +\Notes\ds|\zqu m\ibu4m{5}\qb4m\en +\Notes\DEP\islurd0J\ibsluru1c\zcl N\cu d% + |\roff{\zchar{-3}\tcresc}\tubslur2n\tqh4p\en +\nspace +\Notes\sPED\isslurd2a\zhl a\ibu2b3\qb2{^c}|\zhl l\hu p\en +\Notes\tqh2e\en +\NOtes\ibu2h5\zqb2h\roff{\isluru3h}\rhl h\en +\Notes|\tqb2{^j}\en +\Notes\DEP\tsslur2a\invertslur1\curve300\tslur1i\ibl1b3\qb1a% + |\zql l\ibsluru4n\ibu5n{-3}\qb5o\en +\Notes\tqb1c|\tqh5n\en +\def\atnextline{\Liftslur02\Liftslur4{-2}}% +%%% bar 15 +\bar +\Notes\ttie0\ttie3\zqlp d\qup h|\lpt k\zql k\ibu3l0\qb3m\en +\Notes|\qb3o\en +\Notes|\qb3k\en +\Notes\isluru0c\zq N\cl{^c}|\islurd3d\zcl i\tqh3l\en +\Notes\tslur0d\zqp a\qlp d|\ibl2h0\zqb2h\qup m\en +\Notes|\tdbslur3b\qb2k&\en +\Notes|\ibslurd3h\qb2f\en +\Notes\islurd0L\cl b|\zcu l\tqb2g\en +%%% bar 16 +\bar +\Notes\isslurd1a\zhl a|\ibl3f{-2}\zqb3f\qup k\en +\notes|\qb3h\en +\Notes\qb3d|\curve{-4}00\invertslur3\tslur3a\en +\nspace +\Notes\zq e\tqh3{^c}|\issluru2h\zcu h\rcl g\en +\qspace +\Notes\tsslur1a\ibl0b2\zqb0a\qu d% + |\zchar{12}{\twelveit ritard.}\tubslur4h\tsslur2h\zql f\qu h\en +\Notes\islurd2a\tqb0b\en +\nspace +\Notes\zchar{-7}\sPed\zcu{=c}\roff{\tsslur2a\ibl0N{-7}\qb0b}% + |\ibsluru2g\zql e\qu g\en +\qspace +\Notes\zchar{-7}\Dep\liftds2\tqb0J% + |\roff{\stdstemfalse\tinynotesize\grcu c}\en +%%% bar 17 +\bar +\NOtes\curve{-6}40\tsslur0G\zchar{-7}\sPed\zqu F\cchar{11}\p + \roff{\isslurd0F\zw F}% + |\zchar{12}{\twelveit a tempo}\liftqp{-4}\issluru1g\hu f\en +\qspace +\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en +\Notes|\ttie1\tslur2e\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 18 +\bar +\Notes\tsslur0F\zq F\tsslur3J\zq J\tsslur4b\qu a|\liftqp{-2}\ibu1i5\qb1j\en +\znotes|\tubslur5j\tqh1m\en +\qspace +\notes\multnoteskip\tinyvalue\sPED\tinynotesize\ibbu0J9\qb0I\islurd0N\tqh0M\en +\NOtes\ttie0\lpt M\zhl M\hu d|\islurd1f\zhlp f\hu m\en +\Notes\ibsluru0b\ibu0b{-1}\qb0c\tqh0b|\ibsluru2k\ibu2k{-2}\qb2l\tqh2k\en +%%% bar 19 +\bar +\Notes\zchar{-7}\Dep\tslur0J\zql J\qu a% + |\tsslur1g\zql f\ibu2j5\qb2j\tubslur2k\tqh2m\en +\Notes\ibsluru0a\zhl J\ibu0a{-2}\qb0b\tqh0a% + |\ibsluru1f\zhl e\ibu3f5\qb3g\tqh3h\en +\Notes\tubslur0M\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\ibslurd0I\ibsluru1L\roffset{.5}{\slopecresc{-8}{1.6}38}% + \ibl0I3\qb0H\tbl0\zqb0J\bsk\ibu1L3\qb1M\tqh1N% + |\isslurd2c\ibsluru3f\zql{!c}\ibu4f3\qb4f\zq e\tqh4g\en +%%% bar 20 +\def\atnextline{\Liftslur04}\bar +\Notes\tdbslur0M\zql M% + \rlap{\kern-2mm\varline{-6}{1.5\noteskip}3}% + \rlap{\kern-2mm\varline{-5.5}{1.5\noteskip}8}\qu a% + |\tsslur2c\zql c\zq f\ibu2h5\qb2h\tqh2j\en +\Notes\tubslur1K\ibslurd0K\zhu N\ibl1K3\qb1J\tqb1K% + |\tubslur3g\zhl c\zh g\hu e\en +\Notes\ibl0J{-1}\qb0J\qb0I\en +\Notes\liftqp1\qb0G\tqb0H|\ibsluru2c\zql c\qu c\en +%%% bar 21 +\bar +\NOtes\zchar{-7}\sPed\tdbslur0L\zqu F\roff{\isslurd0F\zw F}% + |\liftqp{-4}\issluru1g\hu f\en +\Notes\issluru3J\zhp J\issluru4b\hup a|\pt b\pt L\zh c\hl M\en +\Notes|\ttie1\tubslur2f\cu f\ibsluru5d% + \roff{\slopecresc{12}{4.3}8{11}}\ibu0d5\qb0e\en +\Notes|\qb0f\tqh0h\en +%%% bar 22 +\bar +\def\tx#1{\cchar{14}{\twelveit #1}}% +\def\rtx#1{\zchar{14}{\twelveit #1}}% +\def\ctx{\cchar{14}{\twelveit --}}% +\Notes\tsslur0F\zq F\tsslur3J\zq J\tslur4b\qu a|\liftqp{-2}\ibu1k5\qb1j\en +\Notes|\tubslur5l\tqh1o\en +\nspace +\NOtes\zchar{-8}{\kern1pt\sPed}\fermataup b\cchar{16}\pp + \isslurd0G\zhp{G^I}\hlp{^b}% + |\islurd2g\lpt g\lpt k\lh f\zhp g\zhl k\fermataup s\qup o\en +\Notes\tx{ri}\sk\sk\ctx|\ibsluru3m\ibu2m{-3}\qb2n\qb2m\tqh2k\en +%%% bar 23 +\bar +\Notes\rtx{tar}\zchar{-7}\Dep\tsslur0J\zq{Ja}\ql c% + |\tsslur2g\zql f\ibu2j5\qb2j\tubslur3k\tqh2m\en +\Notes\ctx\zhl J\zhu c\roff{\ibsluru0a\ibu0a{-2}\qb0b}% + |\ibsluru1f\zhl e\ibu3f5\qb3g\en +\qspace +\Notes\tqh0a|\tqh3h\en +\Notes\ctx\tubslur0L\qu N|\ibu3h5\qb3i\tubslur1i\tqh3k\en +\Notes\tx{dan}\isluru1N\ibl0I3\zq N\qb0I\rtx{\twelveit~--}% + |\isslurd2d\ibsluru3f\zql d\ibu4f3\qb4g\en +\nspace +\Notes\zq a\tqb0K|\zq{^f}\tqh4h\en +%%% bar 24 +\bar +\Notes\tslur1b\zq N\ql b|\tsslur2d\zql d\zq g\ibu1k3\qb1i\en +\Notes\ctx|\tubslur3k\tqh1k\en +\Notes\zchar{11}\p\ibslurd0G\issluru1J\zqu J\ibl0G{-3}\qb0J% + |\isluru2i\zql N\zq b\ibu1c2\qb1d\en +\Notes\tx{do}\tqb0C|\islurd3c\zq c\tqh1e\en +\NOTes\tslur0J\tsslur1J\fermatadown C\zh F\hu J% + |\zhl a\tsslur3d\zh c\tslur2h\fermataup m\hu f\en +%\mulooseness-2\relax +\mulooseness-1\relax +\Endpiece\eject\endmuflex\end diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex new file mode 100644 index 00000000000..25e4d9304a8 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor.tex @@ -0,0 +1,786 @@ +\title{Toccata} +\shortauthor{Ch.-M. Widor} +\subtitle{(extraite de la cinqui\`eme symphonie pour orgue)} +\fullauthor{Charles-Marie WIDOR} +\maketitle +\parindent 13mm +% + +\tracingstats=2\relax +% +\nbporteesi=2\relax +\def\nbinstruments{1} +\global\cleftoksi={{0}{0}{0}{0}}% +% +\signaturegenerale{-1}\relax +\def\Mordant{\mordant{10}}% +%\check +\def\instrumenti{Manuel}% +%\check +\def\gluemaxskip{7pt}% +% +\def\bnotes{\barre\notes}\def\bnoteP{\bnotes\Pause} +\def\tnotes{\temps\notes} +\def\zbnotes{\zbarre\notes} +\def\doubler{\multiply\noteskip by 2\relax}% +\def\Pause{\sk\sk\sk\sk\sk\sk\sk\pause}% +% formes frequentes +% +\def\qbupz#1{\upz{#1}\qb0{#1}} +\def\qhlpz#1{\lpz{#1}\qh0{#1}} +%\check +\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by 2\ibbl0{#9}0}\relax +\ilegu0{#1}\qb0{#1}\tleg0\qb0{#2#3}% +\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% +%\check +\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by -2\ibbu0{#1}0}\relax +\ilegl0{#3}\qh0{#1}\tleg0\qh0{#2#3}% +\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% +\def\Mmotif#1#2#3#4#5{\mmotif#1!#2!#3!#4!#5} +\def\Umotif#1#2#3#4#5{\umotif#1!#2!#3!#4!#5} +%\check +% +\def\culpz#1{\lpz{#1}\cu{#1}}% +\def\clupz#1{\upz{#1}\cl{#1}}% +% +%\check +% double accord de 4 + soupir +\def\dbuq#1#2#3#4{\lst{#4}\ibu0{#1}0\zq{#1#2#3}\qh0{#4}\sk +\lpz{#4}\zq{#1#2#3}\tqh0{#4}\sk\dsoupir\sk}% +\def\dblq#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#2#3}\qb0{#4}\sk +\upz{#1}\zq{#1#2#3}\tqb0{#4}\sk\dsoupir\sk}% +% +\def\dblql#1#2#3#4{\ust{#1}\ibl0{#4}0\zq{#1#3}\lq{#2}\qb0{#4}\sk +\upz{#1}\zq{#1#3}\lq{#2}\tqb0{#4}\sk\dsoupir\sk}% +\def\dbuqr#1#2#3#4{\lst{#4}\ibu0{#1}0\rq{#2}\zq{#1#3}\qh0{#4}\sk +\lpz{#4}\rq{#2}\zq{#1#3}\tqh0{#4}\sk\dsoupir\sk}% +% +%\check +% double accord de 3 + soupir +\def\dbut#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1#2}\qh0{#3}\sk +\lpz{#3}\zq{#1#2}\tqh0{#3}\sk\dsoupir\sk}% +\def\Dbut#1#2#3{\ibu0{#1}0\zq{#1#2}\bupz0\qh0{#3}\sk +\zq{#1#2}\bupz0\tqh0{#3}\sk\dsoupir\sk}% +\def\dblt#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1#2}\qb0{#3}\sk +\upz{#1}\zq{#1#2}\tqb0{#3}\sk\dsoupir\sk}% +% +\def\dbutr#1#2#3{\lst{#3}\ibu0{#1}0\zq{#1}\rq{#2}\qh0{#3}\sk +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% +\def\Dbutr#1#2#3{\ibu0{#1}0\zq{#1}\rq{#2}\bupz0\qh0{#3}\sk +\rq{#2}\zq{#1}\bupz0\tqh0{#3}\sk\dsoupir\sk}% +\def\dbltl#1#2#3{\ust{#1}\ibl0{#3}0\zq{#1}\lq{#2}\qb0{#3}\sk +\upz{#1}\zq{#1}\lq{#2}\tqb0{#3}\sk\dsoupir\sk}% +% +%\check +% double accord de 2 + soupir +\def\dbud#1#2{\lst{#2}\ibu0{#1}0\zq{#1}\qh0{#2}\sk +\lpz{#2}\zq{#1}\tqh0{#2}\sk\dsoupir\sk}% +\def\Dbud#1#2{\ibu0{#1}0\zq{#1}\bupz0\qh0{#2}\sk +\zq{#1}\bupz0\tqh0{#2}\sk\dsoupir\sk}% +% +% double accord de 3 doubles croches +\def\ddbut#1#2#3{\lpz{#3}\ibbu0{#1}0\zq{#1#2}\qh0{#3}% +\lpz{#3}\zq{#1#2}\tqh0{#3}}% +\def\ddblt#1#2#3{\upz{#1}\ibbl0{#3}0\zq{#1#2}\qb0{#3}% +\upz{#1}\zq{#1#2}\tqb0{#3}}% +% +% double accord de 2 doubles croches +\def\ddbud#1#2{\lpz{#2}\ibbu0{#1}0\zq{#1}\qh0{#2}% +\lpz{#2}\zq{#1}\tqh0{#2}}% +\def\ddbld#1#2{\upz{#1}\ibbl0{#2}0\zq{#1}\qb0{#2}% +\upz{#1}\zq{#1}\tqb0{#2}}% +% +% double accord de 3 + soupir +\def\dbutmr#1#2#3{\lst{#3}\ibu0{#1}0\rq{#2}\zq{#1}\qh0{#3}\sk +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}\sk\dsoupir\sk}% +% +% double accord de 2 + soupir +\def\dbudr#1#2{\lst{#2}\ibu0{#1}0\rq{#1}\qh0{#2}\sk +\lpz{#2}\rq{#1}\tqh0{#2}\sk\dsoupir\sk}% +% +% double accord de 3 doubles croches +\def\ddbutr#1#2#3{\lpz{#3}\ibbu0{#1}0\rq{#2}\zq{#1}\qh0{#3}% +\lpz{#3}\rq{#2}\zq{#1}\tqh0{#3}}% +\def\ddbltl#1#2#3{\upz{#1}\ibbl0{#3}0\lq{#2}\zq{#1}\qb0{#3}% +\upz{#1}\lq{#2}\zq{#1}\tqb0{#3}}% +% +% double accord de 2 doubles croches +\def\ddbudr#1#2{\lpz{#2}\ibbu0{#1}0\rq{#1}\qh0{#2}\relax +\lpz{#2}\rq{#1}\tqh0{#2}}% +% +% accord de 4, 3 doubles croches inf +\def\lmotbba#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbut{#2}{#3}{#4}}% +%\check +% +% accord de 4, 2 doubles croches sup +\def\lmotbbb#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbud{#1}{#2}}% +%\check +% +% accord de 4, 2 doubles croches med +\def\lmotbbc#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}% +\ddbud{#2}{#3}}% +%\check +% +% accord de 2, 2 doubles croches med +\def\lmotbbd#1#2#3{\dbud{#1}{#2}% +\ddbud{#2}{#3}}% +%\check +% +\def\bld#1#2{\zq{#2}\clupz{#1}}% +\def\blt#1#2#3{\zq{#3#2}\clupz{#1}}% +\def\bltl#1#2#3{\zq{#3}\lq{#2}\clupz{#1}}% +\def\blq#1#2#3#4{\zq{#4#3#2}\clupz{#1}}% +\def\blql#1#2#3#4{\lq{#2}\zq{#3#4}\clupz{#1}}% +% +\def\bud#1#2{\zq{#1}\culpz{#2}}% +\def\budr#1#2{\rq{#1}\culpz{#2}}% +\def\but#1#2#3{\zq{#1#2}\culpz{#3}}% +\def\butr#1#2#3{\zq{#1}\rq{#2}\culpz{#3}}% +\def\buq#1#2#3#4{\zq{#1#3#2}\culpz{#4}}% +\def\buqr#1#2#3#4{\zq{#1#3}\rq{#2}\culpz{#4}}% +\def\tblq#1#2#3#4{\dblq{#1}{#2}{#3}{#4}\blq{#1}{#2}{#3}{#4}}% +\def\tblql#1#2#3#4{\dblql{#1}{#2}{#3}{#4}\blql{#1}{#2}{#3}{#4}}% +\def\tbuq#1#2#3#4{\dbuq{#1}{#2}{#3}{#4}\buq{#1}{#2}{#3}{#4}}% +\def\tblt#1#2#3{\dblt{#1}{#2}{#3}\blt{#1}{#2}{#3}}% +\def\tbltl#1#2#3{\dbltl{#1}{#2}{#3}\bltl{#1}{#2}{#3}}% +%\check +% +\def\tbuqr#1#2#3#4{\dbuqr{#1}{#2}{#3}{#4}\buqr{#1}{#2}{#3}{#4}}% +%\check +% +% accord de 3, final croche +\def\tbut#1#2#3{\dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% +\def\Tbut#1#2#3{\Dbut{#1}{#2}{#3}\but{#1}{#2}{#3}}% +%\check +% +\def\tbutr#1#2#3{\dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% +\def\Tbutr#1#2#3{\Dbutr{#1}{#2}{#3}\butr{#1}{#2}{#3}}% +%\check +% +% accord de 2, final croche +\def\tbud#1#2{\dbud{#1}{#2}\bud{#1}{#2}}% +\def\Tbud#1#2{\Dbud{#1}{#2}\bud{#1}{#2}}% +%\check +% +\def\register#1{\boxit{\hbox{\bf #1}}} +% +\generalmeter{\meterfrac 42}% +% +\ifnum\musicsize=16\def\bottomfacteur{7}\else\def\bottomfacteur{5}\fi +\debutmorceau +% +\ifnum\musicsize=16\relax + \autolines{19}47\else + \autolines{19}36\fi +%\check +% +\bigaccid +\hyphenpenalty -50\relax +\notes\zmidtwotext{\fff}|\zcharnote{w}{\kern -20mm\moyen Allegro +\bf(\metron{\qu}{100})}\enotes +% +%\check +% +% mesure 1 +\tnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +% mesure 2 +\bnotes\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\tbuq ljhf|\umotif s!r!q!o!m\enotes +\ifnum\musicsize=16\relax + \autolines {17}47\else + \autolines {17}36\fi +\zbnotes\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\na i\tbuq lige|\umotif s=p!p!n!m\enotes +% mesure 3 +\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes +\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes +\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\tbuq igec|\umotif p!o!n!l!j\enotes +% mesure 4 +\bnotes\lmotbba jgec|\umotif q=p!n!l!j\enotes +\tnotes\na i\tbuq igec|\umotif p!o!n!l!j\enotes +\zbnotes\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes +% mesure 5 +\bnotes\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes +\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes +\zbnotes\tbutr gfd|\umotif o=m!m!k!h\enotes +\tnotes\sh c\tbut gec|\umotif o^n!l^j!h\enotes +% mesure 6 +\bnotes\lmotbbb fd!N|\umotif o!m!m!k!h\enotes +\qspace +\tnotes\lsh d\sh f\tbut hfd|\na p\umotif p^o^m^k=i\enotes +\zbnotes\tbutr hge|\umotif p!n!n!l!i\enotes +\tnotes\tbut hfd|\umotif p!o!m!k!i\enotes +% mesure 7 +\bnotes\lmotbbb ge!N|\na p\umotif p!n!n!l=i\enotes +\tnotes\fl i\tbut ige|\umotif q!p!n!l!j\enotes +\zbnotes\tbut ifd|\umotif q!m!m!k!j\enotes +\tnotes\tbutr ihf|\umotif q!o!o!m!j\enotes +% mesure 8 +% increase the number of instruments at the next line change +\def\manuale{}% nothing until changed +\def\pedalepause{}% +\def\atnextline{\nbporteesii=2\relax + \nbporteesi=1\relax + \def\nbinstruments{2}\relax + \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax + \def\pedalepause{\Pause}\def\manuale{&}\relax + \signaturegenerale{-1}}\relax +% +\bnotes\pedalepause\manuale\tbut ige|\umotif q!n!n!l!j\enotes +\tnotes\manuale\sh j\fl e\tbuqr jige|\sh q\umotif q!n!n!l^j\enotes +% +\zbnotes\pedalepause\manuale\tbuq kigd|\umotif r^q!p!n!k\enotes +\tnotes\manuale\na c\na l\tbuq ligc\relax + |\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% +\qbupz{s}\qbupz{=q}\qbupz{p}\qbupz{n}\qbupz{p}\tbl0\qbupz{q}\enotes +% mesure 9 +%\check +% modification de la liaison initiale en pizz. +\def\umotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by 2\ibbl0{#9}0}\qbupz{#1}\qbupz{#2#3}% +\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\qbupz{#8#9}\qbupz{#7}\tbl0\qbupz{#5}}% +%\check +\def\mmotif#1#2#3#4#5#6#7#8#9{\varaccid +{\advance\transpose by -2\ibbu0{#1}0}\qhlpz{#1}\qhlpz{#2#3}% +\qhlpz{#1}\qhlpz{#4#5}\qhlpz{#6#7}\qhlpz{#8#9}\qhlpz{#7}\tbu0\qhlpz{#5}}% +% +%\check +\bnotes\zcharnote{E}{\llap{\ff}}\relax +\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +% mesure 10 +\bnotes\doubler\qlp f\sk\sk\cu F&\lmotbba mjhf|\umotif t!s!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu F&\tbuq ljhf|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\qlp d\sk\sk\cu F&\tbuqr kjhf|\umotif r!q!q!o!m\enotes +\tnotes\doubler\qlp e\sk\sk\cu G&\na i\tbut lig|\umotif s=p!p!n!m\enotes +% mesure 11 +\bnotes\itenu1c\wh c&\lmotbba jgec|\umotif q=p!n!l!j\enotes +\tnotes&\na i\tbuq igec|\umotif p!o!n!l!j\enotes +\zbnotes\tten1\hl c&\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\hpause&\na i\tbuq igec|\umotif p!o!n!l!j\enotes +% mesure 12 +\bnotes\doubler\qlp c\sk\sk\cu C&\lmotbba jgec|\umotif q=p!n!l!j\enotes +\tnotes\doubler\qlp{=b}\sk\sk\cu C&\na i\tbuq igec|\umotif p!o!n!l!j\enotes +\zbnotes\doubler\qlp a\sk\sk\cu C&\tbuqr hgec|\umotif o!n!n!l!j\enotes +\tnotes\doubler\qlp b\sk\sk\cu D&\sh f\na i\tbut ifd|\umotif p^m!m!k!j\enotes +% mesure 13 +\bnotes\whp N&\na b\lmotbbc gdbN|\umotif n^m!k=i!g\enotes +\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes +\zbnotes&\tbut gdb|\umotif n!m!k!i!g\enotes +\tnotes\hpause&\sh c\tbut gec|\umotif o^n!l^j!h\enotes +% mesure 14 +\bnotes\doubler\qlp N\sk\sk\cu G&\sh c\tbut hec|\umotif +o^n!l^j!h\enotes +\tnotes\doubler\qlp N\sk\sk\cu G&\tbut hec|\umotif o!n!l!j!h\enotes +\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut hfd|\na p\umotif +p!m!m!k=i\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\tbutr hge|\sh q\umotif +q!o!o!n^j\enotes +% mesure 15 +\ifnum\musicsize=16\relax + \autolines{17}46\else + \autolines{17}35\relax +\fi +\bnotes\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes +\tnotes&\tbud hf|\umotif r!q!o!m!k\enotes +\zbnotes\tten1\hl K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes +\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes +% mesure 16 +\bnotes\doubler\qlp a\sk\sk\cu H&\sh d\lsh f\na i\tbut +ifd|\na p\umotif p^o^m^k=i\enotes +\tnotes\doubler\qlp a\sk\sk\cu H&\tbut ifd|\umotif p!o!m!k!i\enotes +\zbnotes\doubler\qlp N\sk\sk\cu G&\tbut ige|\sh q\umotif +q!n!n!l^j\enotes +\tnotes\doubler\qlp{^M}\sk\sk\cu{^F}&\sh f\tbutr ihf|\sh r\umotif +r!p!p!o^k\enotes +%\check +% mesure 17 +\bnotes\itenu1L\wh L&\na i\dbud ig\ddbud ge|\umotif +s^r=p!n!l\enotes +\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes +\zbnotes\tten1\hl L&\tbut jge|\umotif q!p!p!n!l\enotes +\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes +% mesure 18 +\bnotes\doubler\fl b\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes +\tnotes\doubler\qlp b\sk\sk\cu I&\dbut jge\bud ge|\umotif q!p!n!m!j\enotes +\zbnotes\doubler\qlp a\sk\sk\cu H&\dbuqr kjhf\but jhf|\umotif +r^q!o!m!k\enotes +\tnotes\doubler\qlp N\sk\sk\cu G&\tbuqr ljig\relax + |\varaccid\ibbl0{p}0\ilegu0{s}\qb0{s}\tleg0\qb0{^r}% +\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes +% mesure 19 +\bnotes\doubler\qlp M\sk\sk\cu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes +\tnotes\doubler\qlp N\sk\sk\cu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes +\zbnotes\doubler\qlp M\sk\sk\cu F&\tbut khf|\sh q\umotif +r!q!o!m!l\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\na j\tbut jhe|\na q\umotif +q!o!o!l!j\enotes +% mesure 20 +\bnotes\doubler\qlp K\sk\sk\cu D&\tbutr ihd|\umotif p!o!o!m!i\enotes +\tnotes\doubler\qlp L\sk\sk\cu E&\tbut ige|\umotif p!n!n!l!i\enotes +\zbnotes\doubler\qlp{^J}\sk\sk\cu{^C}&\sh c\tbutr hgc|\umotif +o!n!n!l!h\enotes +\tnotes\doubler\qlp K\sk\sk\cu D&\tbut hfd|\umotif o!m!m!k!h\enotes +% mesure 21 +\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes +\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes +\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes +\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes +%\check +% mesure 22 +\bnotes\hu F&\dbut fca\ddbut fca|\umotif m!l!j!h!f\enotes +\tnotes\sk\hpause&\tbut eca|\umotif l!k!j!h!f\enotes +\zbnotes\Pause&\tbutr dca|\umotif k!j!j!h!f\enotes +\tnotes&\tbut eca|\umotif l!k!j!h!f\enotes +% mesure 23 +\global\cleftoksii={{6}{0}{0}{0}}\changeclefs +\bnotes\Pause&\umotif f!e!c!a!M|\dblt mjh\ddblt mjh\enotes +\tnotes&\umotif e!d!c!a!M|\tblt ljh\enotes +\zbnotes\hpause&\umotif d!c!c!a!M|\tbltl kjh\enotes +\tnotes\lpz F\qu F\sk\sk\sk\soupir&\umotif d=b!b!a!M|\na i\dblt +oki\na p\blt pki\enotes +% mesure 24 +\bnotes\qu E\sk\sk\sk\soupir&\lsh N\na b\tblt ebN|\mmotif l^k=i^g!e\enotes +\tnotes\sk\hpause&\sh d\tblt dbN|\mmotif k^j!i!g!e\enotes +\qspace +\zbnotes\Pause&\lsh c\tbltl cbN|\mmotif j!i!i!g!e\enotes +\tnotes&\tblt dbN|\mmotif k!i!i!g!e\enotes +% mesure 25 +\bnoteP&\umotif e^d=b^N!L|\lsh g\na i\dblt lig\ddblt lig\enotes +\tnotes&\umotif d^c!b!N!L|\sh k\tblt kig\enotes +\zbnotes\sk\hpause&\qsk\sh c\umotif c=b!b^N!L|\sh g\sh j\lna i\qsk\tbltl jig\enotes +\tnotes\lpz E\qu E\sk\sk\sk\soupir&\umotif c^a!a!N!L|\relax + \sh h\sh n\dblt njh\sh o\blt ojh\enotes +% mesure 26 +\bnotes\fl E\qu E\sk\sk\sk\soupir&\lfl b\na N\fl e\dblt +ebN\ddbld bN|\fl l\mmotif l!k!i!g_e\enotes +\tnotes\sk\hpause&\tblt dbN|\mmotif k!i!i!g!e\enotes +\qspace +\zbnotes\sk\hpause&\lsh c\tbltl cbN|\sh j\mmotif + j!i!i!g!e\enotes +\global\cleftoksii={{0}{0}{0}{0}}\changeclefs +\tnotes\ilegl1G\fl L\hl L&\sh c\dbutmr gcb\zq g\rq c\culpz b|\umotif + n^m!j!i!g\enotes +% mesure 27 +\bnotes\tleg1\hu G&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes +\tnotes\sk\hpause&\sh f\tbut fdb|\umotif m!k!k!i!g\enotes +\zbnotes\Pause&\sh e\tbutr edb|\bigsh l\umotif l!k!k!i!g\enotes +\tnotes\ilegl1I\hl N&\na i\tbutr ied|\bigna p\umotif p^o!l!k!i\enotes +% mesure 28 +%\check +\bnotes\na I\tleg1\hu I&\na i\lsh f\sh d\dbut ifd\ddbud fd|\na p\umotif + p^o^m^k=i\enotes +\tnotes\sk\hpause&\sh h\tbut hfd|\umotif o!m!m!k!i\enotes +\zbnotes\Pause&\na h\tbut hfd|\na o\umotif o!m!m!k!i\enotes +\tnotes\na b\ilegu1c\hl b&\sh k\dbut khf\zq{kh}\culpz f|\sh r\umotif + r!o!o!m!k\enotes +% mesure 29 +%\check +\bnotes\fl b\tleg1\hl b&\na f\lfl i\na k\dbut kif\ddbut ifd|\na r\umotif + r^q!p!m!k\enotes +\tnotes\doubler\soupir\sk\dsoupir\cu I\relax +&\fl g\fl l\dbutmr lhg\rq h\lpz g\cu g|\fl s\umotif s!o!o_n_l\enotes +\zbnotes\hl b&\dbut kif\ddbut ifd|\na r\umotif + r^q!o!m!k\enotes +\tnotes\doubler\soupir\sk\dsoupir\cu I\relax +&\fl g\fl l\dbutmr lhg\rq h\lpz g\zq l\cu g|\fl s\umotif + s!o!o_n_l\enotes +% mesure 30 +%\check +\bnotes\hl b&\dbut kif\ddbut ifd|\umotif r^q!p!m!k\enotes +\tnotes\sk\hpause +&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +\zbnotes&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +\tnotes\pause&\dbut kif\zq{if}\culpz d|\umotif r!q!p!m!k\enotes +% mesure 31 +%\check +\bnoteP&\zcharnote N{\llap{\register{II} }}% +\zmidtwotext{\llap{\mf}}\dbut khf\ddbut hfd|\zcharnote s{\llap{(I)}}% +\umotif r^q!o!m!k\enotes +\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +\zbnotes\Pause&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +\tnotes&\dbut khf\zq{hf}\culpz d|\umotif r!q!o!m!k\enotes +% mesure 32 +%\check +\bnoteP&\qsk\zcharnote a{\llap{(II)}}% +\bigsh g\dbutr kgf\rq g\culpz f|\qsk\zcharnote r{\llap{\register{II} }}% +\umotif r^q^n!m!k\enotes +\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +\zbnotes\Pause&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +\tnotes&\dbutr kgf\rq g\culpz f|\umotif r!q!n!m!k\enotes +% mesure 33 +%\check +\signaturegenerale{2}\Changecontext +\ifnum\musicsize=16\relax + \def\atnextline{\nbporteesi=2\relax + \def\nbinstruments{1}\relax + \global\cleftoksi={{0}{0}{0}{0}}\relax + \def\pedalepause{}\def\manuale{}}\fi +% +\znotes\manuale\zmidtwotext{\llap{\register{III} \pp}}\enotes +\notes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes +\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes +\zbnotes\pedalepause\manuale\mmotif i!h!h!f!d|\tblql pomk\enotes +\tnotes\manuale\mmotif j!h!h!f!d|\tblq qomk\enotes +% +% mesure 34 +\bnotes\pedalepause\manuale\mmotif k!j!h!f!d|\dblt rom\ddblt rom\enotes +\tnotes\manuale\mmotif j!i!h!f!d|\tblq qomk\enotes +\zbnotes\pedalepause\manuale\mmotif i!h!h!f!e|\tblql pomk\enotes +\tnotes\manuale\mmotif j^g!g!f!e|\tblql qlnk\enotes +% +%\check +% mesure 35 +\bnotes\pedalepause\manuale\dbut hec\ddbud ec|\umotif o^n!l!j!h\enotes +\tnotes\manuale\bigsh g\tbut gec|\umotif n!m!l!j!h\enotes +\zbnotes\pedalepause\manuale\tbutr fec|\umotif m!l!l!j!h\enotes +\tnotes\manuale\sh g\tbut gec|\bigsh n\umotif n!l!l!j!h\enotes +% +%\check +% mesure 36 +\ifnum\musicsize=16\advance\linesinpage by -1\relax\fi +% +\bnotes\pedalepause\manuale\mmotif h^g!e!c!a|\dblt olj\ddblt olj\enotes +\tnotes\manuale\mmotif g!f!e!c!a|\bigsh n\tblq nljh\enotes +\zbnotes\pedalepause\manuale\mmotif f!e!e!c!a|\tblql mljh\enotes +\tnotes\manuale\mmotif g^d!d!b!a|\bigsh k\tblql nhki\enotes +% +%\check +% mesure 37 +\bnotes\pedalepause\manuale\bigsh N\dbut ebN\bud bN|\umotif l^k!i^g!e\enotes +\qspace +\tnotes\manuale\mmotif e^c!c^a!L|\bigaccid\lsh h\sh j\tblq mjhf\enotes +\zbnotes\pedalepause\manuale\dbud db\bud db|\umotif m=k!k!i!f\enotes +\tnotes\manuale\mmotif e!c!c!a!L|\tblq mjhf\enotes +% +%\check +% mesure 38 +\bnotes\pedalepause\manuale\tbud db|\umotif m!k!k!i!f\enotes +\qspace +\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid + \lsh n\lsh i\sh k\sh g\tblq nkig\enotes +\zbnotes\pedalepause\manuale\tbud ec|\sh n\umotif n!l!l!j^g\enotes +\qspace +\tnotes\manuale\mmotif f^d!d^b!L|\bigaccid\lsh i\sh k\tblq nkig\enotes +%\check +% mesure 39 +\bnotes\pedalepause\manuale\dbud ec\bud ec|\sh n\umotif n!l!l!j^g\enotes +\tnotes\manuale\bigna g\dbut gec\but gec|\umotif o!l!l!j!h\enotes +\zbnotes\pedalepause\manuale\dbut gdb\but gdb|\umotif o!k!k!i!h\enotes +\tnotes\manuale\tbutr gfd|\umotif o!m!m!k!h\enotes +% +%\check +% mesure 40 +\bnotes\pedalepause\manuale\tbut gec|\umotif o!l!l!j!h\enotes +\tnotes\manuale\tbut geb|\umotif p!n!n!l!i\enotes +\zbnotes\pedalepause\manuale\bigfl b\tbut geb|\bigna q\umotif q!n!n!l=j\enotes +\tnotes\manuale\tbut gea|\bigsh q\ibbl0{l}0\ilegu0{q}\qb0{q}\tleg0\qb0{n}% +\qbupz{q}\qbupz{n}\qbupz{l}\qbupz{^j}\qbupz{l}\tbl0\qbupz{j}\enotes +\ifnum\nbinstruments=1\relax + \global\cleftoksi={{6}{0}{0}{0}}\else + \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{6}{0}{0}{0}}\fi +\changeclefs +%\check +% mesure 41 +\bnotes\pedalepause\manuale\qsk\zcharnote f{\llap{\pp}}\lsh N\tbltl cbN|\qsk + \mmotif j!i!i^g^e\enotes +\tnotes\manuale\tbltl cbM|\bigsh k\mmotif k!i!i!g^d\enotes +\qspace +\zbnotes\pedalepause\manuale\bigaccid\lsh a\tbltl cba|\bigna l\mmotif l!j!j!i=e\enotes +\qspace +\tnotes\manuale\bigaccid\lsh N\tbltl cbN|\bigsh l\mmotif l!j!j!i^e\enotes +\ifnum\nbinstruments=1\relax + \global\cleftoksi={{0}{0}{0}{0}}\else + \global\cleftoksi={{6}{0}{0}{0}}\global\cleftoksii={{0}{0}{0}{0}}\fi +\addspace{-\afterruleskip}\changeclefs\notes\manuale \zcharnote N{\register{II}}\enotes +%\check +% mesure 42 +\bnotes\pedalepause\manuale +\zcharnote o{\it cresc.}\relax + \zwp{^a}\Dbud fc\ddbud fc|\zcharnote r{(III)}\umotif m!j!j^h!f\enotes +\tnotes\manuale\bigna f\Tbud fc|\bigna m\umotif m=l!j!h=f\enotes +\zbnotes\pedalepause\manuale\Tbud ec|\umotif l^k!j!h!e\enotes +\tnotes\manuale\zhl c\bigsh h\Tbud he|\bigsh o\umotif o!l!l!j!h\enotes +% +%\check +% mesure 43 +\bnotes\pedalepause\manuale\zwp d\bigna f\bigfl i\Dbud if\ddbud if|\bigfl p\umotif p=m!m!k_i\enotes +\tnotes\manuale\Tbud hf|\umotif o^n!m!k!h\enotes +\zbnotes\pedalepause\manuale\bigfl h\Tbud hf|\bigfl o\umotif o=n!m!k_h\enotes +\tnotes\manuale\zhl f\Tbud kh|\umotif r!o!o!m!k\enotes +% +% mesure 44 +\barre +\def\atnextline{\nbporteesii=2\relax + \nbporteesi=1\relax + \def\nbinstruments{2}\relax + \global\cleftoksii={{0}{0}{0}{0}}\global\cleftoksi={{6}{0}{0}{0}}\relax + \def\pedalepause{\Pause}\def\manuale{&}\relax + \signaturegenerale{2}}\relax +% +\notes\pedalepause\manuale\bigaccid\sh f\qsk\na h\zwp f\Dbud kh\ddbud kh|\qsk + \umotif r=o!o^m!k\enotes +\tnotes\manuale\Tbud jh|\umotif q^p!o!m!j\enotes +\zbnotes\manuale\bigna h\qsk\na j\Tbud jh|\qsk\bigna q\umotif q=p!o!m=j\enotes +\tnotes\manuale\zhl h\Tbud mj|\umotif t!q!q!o!m\enotes +% +%\check +% mesure 45 +\bnotes\pedalepause\manuale\bigsh j\qsk\zmidtwotext{\llap{\mf}}\zcharnote a{\llap{(II)}}\relax +\bigsh g\bigsh l\zhl g\Dbud lj\budr ji|\zcharnote r{\llap{\register{II}}}\qsk + \bigsh s\umotif s>r!q!p^l\enotes +\tnotes\manuale\zhl h\bigna j\Tbud mj|\umotif t=q!q!o!m\enotes +\zbnotes\pedalepause\manuale\zhl g\bigsh j\Dbud lj\ddbudr ji|\umotif s!r^q!p!l\enotes +\tnotes\manuale\qsk\zhl h\bigna j\Tbud mj|\qsk\umotif t=q!q!o!m\enotes +% +%\check +% mesure 46 +\bnotes\doubler\pt 5\soupir\sk\sk\cl c\manuale\bigaccid +\lsh j\sh g\sh l\dblt ljg\bud jg|\bigsh s\umotif s>r!q!p^l\enotes +\tnotes\bigsh e\wh e\manuale\dbut ljg\ddbld jg|\umotif s!r!q!p!l\enotes +\zbnotes\manuale\tblt ljg|\umotif s!r!q!p!l\enotes +\tnotes\hpause\manuale\dblt ljg\bld jg|\umotif s!r!q!p!l\enotes +% +% mesure 47 +\generalsignature{-1}\Changecontext +\notes\doubler\pt 5\soupir\sk\sk + \cl c\manuale\bigfl h\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes +\tnotes\wh f\manuale\dbut mjh\ddbud jh|\umotif t!s!q!o!m\enotes +\zbnotes\manuale\dblt mjh\bud jh|\umotif t!s!q_o!m\enotes +\tnotes\hpause\manuale\dblt mjh\bud jh|\umotif t!s!q!o!m\enotes +% +%\check +% mesure 48 +\bnotes\qsk\qsk\doubler\pt 5\soupir\sk\sk\bigna b\cl +b&\qsk\lfl h\na i\zcharnote N{\llap{\register{I}}}\qsk + \zmidtwotext{\llap{\ff}}\bigaccid +\dbltl mhi\budr ih|\qsk\qsk +\zcharnote r{\llap{(II)}}\umotif t!s_r_q!m\enotes +\tnotes\wh f&\dbltl mhi\ddbudr ih|\umotif t!s!r!q!m\enotes +\qspace\zbnotes&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\tnotes\hpause&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +%\check +% +% mesure 49 +\bnotes\qsk\hpause&\zmidtwotext{\llap{\fff}}\relax + \zcharnote a{\llap{(I)}}\bigaccid +\lfl h\na i\qsk\dbltl mhi\budr ih|\zcharnote r{\llap{\register{I}}}\qsk + \umotif t!s_r_q!m\enotes +\tnotes\doubler\fl K\ql K\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\zbnotes\doubler\na b\ql b\sk\soupir&\dbltl mhi\budr ih|\umotif t!s!r!q!m\enotes +\tnotes\doubler\ql f\sk\soupir&\tbltl mhi|\umotif t!s!r!q!m\enotes +%\check +% +% mesure 50 +\bnotes\doubler\zh F\hu M&\zhl f\bigna h\Dbut mjh\ddbut mjh|\umotif t=s=q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +% mesure 51 +\bnotes\doubler\zh F\hu M&\zhl f\Dbut mjh\ddbut mjh|\umotif t!s!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\Tbut ljh|\umotif s!r!q!o!m\enotes +\zbnotes\doubler\zh D\hu K&\zhl d\Tbutr kjh|\umotif r!q!q!o!m\enotes +\tnotes\doubler\zh E\hu L&\zhl e\na i\Tbut lig|\umotif s=p!p!n!m\enotes +% mesure 52 +\bnotes\zbv C\zbv J&\zbv c\Dbut jge\ddbut jge|\umotif q=p!n!l!j\enotes +\tnotes&\na i\Tbut ige|\umotif p!o!n!l!j\enotes +\zbnotes&\Tbutr hge|\umotif o!n!n!l!j\enotes +\tnotes&\Tbut ige|\umotif p!o!n!l!j\enotes +% mesure 53 +\bnotes\doubler\zh J\hl c&\dbut jge\ddbud ge|\umotif q=p!n!l!j\enotes +\tnotes\doubler\zh{=I}\hl{=b}&\na i\tbut ige|\umotif p!o!n!l!j\enotes +\zbnotes\doubler\zh H\hl a&\tbutr hge|\umotif o!n!n!l!j\enotes +\tnotes\doubler\zh I\hl b&\sh f\na i\tbuqr idfc|\umotif p^m!m!k!j\enotes +% mesure 54 +\bnotes\itenl2G\zw G\itenu1N\wh N&\na b\dbut gdb\ddbud db|\umotif n^m!k=i!g\enotes +\tnotes&\tbut gec|\umotif n!m!l!j!g\enotes +\zbnotes\tten1\tten2\zh G\hl N&\tbut gdb|\umotif n!m!k!i!g\enotes +\tnotes\hpause&\sh c\tbut gec|\umotif o^m!l^j!h\enotes +% mesure 55 +\bnotes\doubler\zh N\hl G&\sh c\tbut hec|\umotif +o^n!l^j!h\enotes +\tnotes\doubler\zh N\hl G&\tbut hec|\umotif o!n!l!j!h\enotes +\zbnotes\doubler\zh M\hu F&\tbut hfd|\na p\umotif +p!m!m!k=i\enotes +\tnotes\doubler\zh L\hu E&\tbutr hge|\sh q\umotif +q!o!o!n^j\enotes +% mesure 56 +\bnotes\itenl2D\zw D\itenu1K\wh K&\lmotbbd hfd|\umotif r^q!o!m!k\enotes +\tnotes&\dbud hf\but hfd|\umotif r!q!o!m!k\enotes +\zbnotes\tten1\tten2\zh D\hu K&\na i\tbut ifd|\na p\umotif p!o!o!m!k\enotes +\tnotes\hpause&\tbut jfd|\na q\umotif q!p!o!m!k\enotes +% mesure 57 +\bnotes\doubler\zh a\hl H&\sh d\lsh f\na i\tbut +ifd|\na p\umotif p^o^m^k=i\enotes +\tnotes\doubler\zh a\hl H&\tbut ifd|\umotif p!o!m!k!i\enotes +\zbnotes\doubler\zh N\hl G&\tbut ige|\sh q\umotif +q!n!n!l^j\enotes +\tnotes\doubler\zh{^M}\hl{^F}&\sh f\tbutr ihf|\sh r\umotif +r!p!p!o^k\enotes +%\check +% mesure 58 +\bnotes\itenl2E\itenu1L\zw E\wh L&\na i\dbud ig\ddbud ge|\umotif +s^r=p!n!l\enotes +\tnotes&\dbud ig\but ige|\umotif s!r!p!n!l\enotes +\zbnotes\tten2\tten1\zh E\hu L&\tbut jge|\umotif q!p!p!n!l\enotes +\tnotes\hpause&\tbut kge|\na r\umotif r!p!p!n!l\enotes +% mesure 59 +\bnotes\doubler\fl b\fl I\zh b\hu I&\dbut jge\bud ge|\umotif q=p!n!l!j\enotes +\tnotes\doubler\zh b\hu I&\dbut jge\bud ge|\umotif q!p!n!l!j\enotes +\zbnotes\doubler\zh a\hu H&\dbuqr kjhf\but jhf|\umotif +r^q!o!m!k\enotes +\tnotes\doubler\zh N\hu G&\tbuqr ljig\relax + |\varaccid\ibbl0{p}0\qbupz{s}\qbupz{^r}% +\qbupz{s}\qbupz{=q}\qbupz{_p}\qbupz{n}\qbupz{p}\tbl0\qbupz{s}\enotes +% mesure 60 +\bnotes\doubler\zh M\hu F&\lmotbba mkhf|\umotif t!s!r!n!m\enotes +\tnotes\doubler\zh N\hu G&\sh j\tbuqr lijg|\umotif s^r^q!p!n\enotes +\zbnotes\doubler\zh M\hu F&\tbut khf|\sh q\umotif +r!q!o!m!l\enotes +\tnotes\doubler\zh L\hu E&\na j\tbut jhe|\na q\umotif +q!o!o!l!j\enotes +% mesure 61 +\bnotes\doubler\zh K\hu D&\tbutr ihd|\umotif p!o!o!m!i\enotes +\tnotes\doubler\zh L\hu E&\tbut ige|\umotif p!n!n!l!i\enotes +\zbnotes\doubler\zh{^J}\hu{^C}&\sh c\tbutr hgc|\umotif +o!n!n!l!h\enotes +\tnotes\doubler\zh K\hu D&\tbut hfd|\umotif o!m!m!k!h\enotes +% mesure 62 +\bnotes\wh I&\mmotif h^f!f!d!b|\sh m\dblt omk\ddblt omk\enotes +\tnotes&\mmotif i!g!g!d!b|\tblq rpnk\enotes +\zbnotes\wh J&\mmotif g=f!f!d!c|\lna m\tbltl nmi\enotes +\tnotes&\mmotif g!e!e!d!c|\tblt nli\enotes +%\check +% mesure 63 +\bnotes\zbv F&\dblql mkjf\ddbutr kjf|\umotif t!r!r!q!m\enotes +\tnotes&\dblq mkif\but kif|\umotif t!r!r!p!m\enotes +\zbnotes&\dblql mijf\bltl jif|\umotif t!q!q!p!m\enotes +\tnotes&\dblq mjhf\bld jf|\umotif t!q!q!o!m\enotes +%\check +% mesure 64 +\bnoteP&\dbltl kjf\ddbld jf|\umotif r!q!q!m!k\enotes +\tnotes&\dblt kif\bld if|\umotif r!p!p!m!k\enotes +\zbnotes\pedalepause&\dbltl jif\bld if|\umotif q!p!p!m!j\enotes +\tnotes&\dblt jhf\bud fM|\umotif q!o!o!m!j\enotes +% +% mesure 65 +\bnoteP&\zcharnote N{\llap{\register{II}}}\qsk\zmidtwotext{\it diminuendo}\relax + \dblt ifd\ddbud fd|\qsk\zcharnote o{\llap{(I)}}\umotif p!o!o!m!i\enotes +\tnotes&\dbutr ied\budr ed|\umotif p!n!n!l!i\enotes +\zbnotes\pedalepause&\dbut hec\bud ec|\umotif o!n!n!l!h\enotes +\tnotes&\dbutr hdc\budr dc|\umotif o!m!m!k!h\enotes +% +% mesure 66 +\bnoteP&\dbut hdb\ddbud hf|\ibbl0m0\qbupz o\qbupz m\qbupz o\qbupz m\relax + \qbupz k\qbupz k\qbupz m\tbl0\qbupz o\enotes +\tnotes&\tblt kig|\umotif r!p!p!n!k\enotes +\zbnotes\sk\hpause&\dbutr gfc\bud fc|\umotif n!m!m!j!g\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dbut gec\cl q|\umotif n!l!l!i!g\enotes +% +% mesure 67 +\bnotes\hl f&\Ioctfinup0p\dbltl mkj\ddbltl mkj|\mmotif m!k!k!j!f\enotes +\tnotes\hpause&\tblt mki|\mmotif m!k!k!i!f\enotes +\zbnotes\hpause&\tbltl mji|\mmotif m!j!j!i!f\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\tblt mjh|\mmotif m!j!j!h!f\enotes +% +% mesure 68 +\bnotes\hl f&\dbutr kjf\ddbltl kjf|\mmotif k!j!j!f!d\enotes +\tnotes\hpause&\tblt kif|\mmotif k!i!i!f!d\enotes +\zbnotes\hpause&\tbltl jif|\zcharnote L{\kern\noteskip\it sempre + diminuendo}\mmotif j!i!i!f!c\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\dblt jhf\bigfl e\rq f\cu e\relax + |\mmotif j!h!h!f!c\enotes +% +% mesure 69 +\bnotes\doubler\ql f\sk\soupir&\dbut ifd\ddblt ifd|\Mmotif ihhfd\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cl M&\bigna e\tblt ige|\Mmotif igged\enotes +\zbnotes\doubler\ql f\sk\soupir&\dbut hec\ddbut hec|\Mmotif hggec\enotes +\tnotes\doubler\pt 5\soupir\sk\sk\cu F&\tbut hfd|\Mmotif hffda\enotes +% +% mesure 70 +\bnotes\hl M&\dbut hdb\ddbld hf|\ibbu0g0\relax +\qhlpz h\qhlpz f\qhlpz h\qhlpz f\qhlpz d\qhlpz d\qhlpz f\tbu0\qhlpz h\enotes +\tnotes\hpause&\tblt kig|\Mmotif kiigd\enotes +\zbnotes\hpause&\tbutr gfc|\Mmotif gffcN\enotes +\tnotes\doubler\ql M\sk\soupir&\tbuqr gceb|\Mmotif geecN\enotes +% +% mesure 71 +\bnotes\doubler\lpz F\qu F\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\sk\hpause&\mmotif h^g!f!d!a|\doubler + \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes +\zbnotes\doubler\upz M\ql M\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\sk\hpause&\Mmotif hgfda|\doubler + \ibu0h0\zq{hf}\qhlpz a\tbu0\zq{hf}\qhlpz a\soupir\enotes +% +% mesure 72 +\bnotes\doubler\upz M\ql M\sk\soupir&\doubler + \zq{hfc}\lpz a\qu a\sk\soupir|\Mmotif fecaM\enotes +\tnotes\hpause&\dbut hfd\ddbut hfd|\mmotif h^g!f!d!a\enotes +\zbnotes\hpause&\tbut hfc|\Mmotif hgfca\enotes +\tnotes\doubler\ql M\sk\soupir&\tblt kif|\mmotif k^j!i!f!d\enotes +% +% mesure 73 +\bnotes\doubler\qsk\upz f\ql f\sk\soupir + &\qsk\tbutr jif|\qsk\bigna j\Mmotif jiifc\enotes +\tnotes\doubler\upz f\ql f\sk\soupir + &\tbutr jif|\zcharnote b{\it cresc.}\Mmotif jiifc\enotes +\zbnotes\hpause&\tblt jhf|\Mmotif jhhfc\enotes +\tnotes\doubler\upz f\ql f\sk\soupir&\tbutr jgf|\Mmotif jggfc\enotes +% +% mesure 74 +\def\Xmotif#1#2#3#4#5#6#7#8#9{{\advance\transpose by 8\relax +\advance\transpose by \interfacteur\ibbl0{#7}0}\sk\sk\sk\sk\sk\bigaccid +\qhlpz{#8#9}\varaccid\qhlpz{#7}\qhlpz{#5}\relax +|\qbupz{#1}\qbupz{#2#3}\qbupz{#1}\qbupz{#4#5}\qbupz{#6#7}\sk\sk\tbu0}% +%\check +\bnotes\doubler\upz f\ql f\sk\soupir&\ibu0i0\doubler + \zq{jh}\qhlpz f\tbu0\zq{jh}\qhlpz f\soupir\Toctfin0\relax + |\Mmotif jhhfc\enotes +\tnotes\sk\hpause&\zcharnote N{\register{I}}\zcharnote n{\llap{\it cresc. + }}\Xmotif j=i!h!f!c\enotes +\zbnotes\Pause&\Xmotif m!l!j!h!f\enotes +\tnotes&\Xmotif o^n!m!j!h\enotes +% +% mesure 75 +\bnotes&|\ibbl0j0\qbupz o\qbupz{^n}\qbupz o\qbupz m\qbupz j\enotes +\notes\sk\sk\pause&\qhlpz c\qhlpz f\tbu0\qhlpz h\enotes +\tnotes&\Xmotif m!l!j!h!f\enotes +\zbnotes\Pause&\Xmotif o!n!m!j!h\enotes +\tnotes&\Xmotif q=p!o!m!j\enotes +% +% mesure 76 +\ifnum\musicsize=16\relax + \elemskip=0.66\elemskip\advance\barsinline by -1\fi +\barre\NOTes\pause&\pause|\zbv t\itenu1t\pause\sk\enotes +\tnotes\midtwotext{\fff}&\midtwotext{\fff}\enotes +\temps\NOTEs\wh F|\fl e\zw e\rw f\zw h\wh j|\zw m\zw o\wh q\sk\enotes +% +% mesure 77 +\barre\NOTEs\qsk\wh I&\qsk\fl e\zw e\rw f\zw h\wh j|\qsk + \zw m\zw o\tten1\zbv t\itenu1t\wh q\enotes +\temps\NOtes\wh I&\zw d\zw i\roff{\zq d\ql f}\zhp {=e}\hlp g\sk\sk +|\zw m\zw p\roff{\ql m\hlp n}\sk\enotes +% mesure 78 +\barre\ifnum\musicsize=16\NOTes\else\NOtes\fi + \tinynotesize\itenl2F\cu F&\tinynotesize + \zq c\zq f\cu h|\tinynotesize\tinynotesize\zq m\cl o\enotes +\NOTES\tten2\pointdurgue E\zbv F\zbv M|\relax + \zbv c\zbv f\zbv h\sk|\zbv m\zbv o\tten1\zbv t\pointdorgue t\enotes +\temps\temps\finmorceau +\rightline{\sl\aujourdhui}\vfil\eject +\varaccid + + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex new file mode 100644 index 00000000000..4a0b638da01 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_16.tex @@ -0,0 +1,17 @@ +%\input musicnft +%\input musictex +%\input musicsty + +\musicsize=16\relax +\vsize 275mm +\tracingstats=2\relax + +\barsinline=0\relax +\linesinpage=0\relax +\staffbotmarg\Interligne +\resetfacteurs +\computewidths +% +\input widor +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex new file mode 100644 index 00000000000..9b39f6417c5 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/examples/widor_20.tex @@ -0,0 +1,11 @@ +\musicsize=20\relax\hyphenation{re-gis-tra-tion} +\csname french\endcsname +\tracingstats=2\relax +\barsinline=0\relax +\linesinpage=0\relax +\resetfacteurs +\computewidths +% +\input widor +\bye + diff --git a/Master/texmf-dist/doc/generic/musixtex/license.txt b/Master/texmf-dist/doc/generic/musixtex/license.txt new file mode 100644 index 00000000000..180cc2345b3 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/license.txt @@ -0,0 +1,20 @@ + + + MusiXTeX may be freely copied, duplicated and used. However, since it is +intended to be a "no cost software" you are not allowed to sell it, and the fee +you may ask for distributing it must be limited to maintenance, support and +duplication costs. You may take it or parts of it to include in other +packages, but no packages called MusiXTeX may be distributed under this name +if different from the original distribution (except obvious bug corrections). + + Adaptations for specific implementations (e.g. fonts) should be provided as +separate additional TeX or LaTeX files which override original definition. + + MusiXTeX may be included in further commercial packages, provided that no +additional fee is charged for MusiXTeX itself. + + Daniel Taupin + mailto:taupin@lps.u-psud.fr + Laboratoire de Physique des solides + batiment 510, centre universitaire + F - 91405 ORSAY cedex diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat new file mode 100644 index 00000000000..fea551442f0 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.bat @@ -0,0 +1,16 @@ +rem cm-ltx2e = latex2e based on cm* fonts +del musixdoc.mx* +call cm-ltx2e musixdoc +if errorlevel 2 goto end +musixflx musixdoc +call cm-ltx2e musixdoc +if errorlevel 2 goto end +makeindx musixdoc.idx +call cm-ltx2e musixdoc +if errorlevel 2 goto end +makeindx musixdoc.idx +call cm-ltx2e musixdoc +call prthplj musixdoc musixdoc.lj +%emtexdir%\bin\dvips32 musixdoc -o musixdoc.ps -P300 -ta4 +:end + diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1 b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1 new file mode 100644 index 00000000000..61ad824438c --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.mx1 @@ -0,0 +1,937 @@ +0.83 +S +284.52756pt +0.0pt +0.0pt +8.0pt +5.99998pt +15.99998pt +16.99997pt +0 0 14.75002pt +0 1 47.99988pt +0 1 0.0pt +0 0 0.4pt +b 1 +1 1 55.99988pt +1 1 0.0pt +1 0 0.4pt +b 2 +2 1 67.99985pt +2 1 0.0pt +2 0 0.4pt +b 3 +r +3 1 55.99988pt +3 1 0.0pt +3 0 0.4pt +b 4 +* 0 0 +4 1 55.99988pt +4 1 0.0pt +4 0 0.4pt +b 5 +5 1 79.99982pt +5 1 0.0pt +5 0 0.4pt +b 6 +r +6 1 85.9998pt +6 1 0.0pt +6 0 0.4pt +b 7 +* 0 0 +7 1 55.99988pt +7 1 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differ diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty new file mode 100644 index 00000000000..269cd551814 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.sty @@ -0,0 +1,107 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% +% american people perhaps may want to change the paper size + +\textheight= 50\baselineskip +\textwidth= 210mm \advance\textwidth-2in % + +\input musixtex +\input musixbm +\input musixcho +\input musixdat +\input musixext +\input musixgre +\input musixgui +\input musixlit +\input musixltx +\input musixper +\input musixmad + +% we don't need margin +\oddsidemargin\z@ \evensidemargin\z@ +\marginparwidth\z@ \marginparsep\z@ \marginparpush\z@ + +\topmargin-15pt \headheight12pt +\headsep25pt \footskip25pt +\columnsep10pt \columnseprule\z@ \parskip\smallskipamount + +\nobarnumbers + +% for usage of notes inside text +\let\nblines\z@ + +\long\def\theindex{\chapter{Index}\parindent\z@ + \parskip\z@ plus.3\p@\relax \let\item\@idxitem \columnseprule\z@ + \columnsep35\p@ \begin{multicols}{2}} + +\def\endtheindex{\end{multicols}} + +% saves paper +\def\@listI{\leftmargin\leftmargini \parsep 4.5\p@ plus2\p@ minus\p@ +\topsep 1\p@ plus2\p@ minus1\p@ +\itemsep 4.5\p@ plus2\p@ minus\p@} + +% more place for digits in \tableofcontents +\def\l@subsection{\@dottedtocline{2}{3.8em}{3.4em}}%original 2 3.8 3.2 + +\def\tty{\csname normalshape\endcsname\csname mediumseries\endcsname\tt} +\def\mutex{M\raise\tw@\p@\hbox{\kern\m@ne\p@ u\kern\m@ne\p@}\TeX} +\def\Bslash{\tt\char'134} +\def\|{{\tt\char'174}} +\def\LBR{{\tt\char'173}} +\def\RBR{{\tt\char'175}} +\def\keyindex#1{\leavevmode + \hbox{\Bslash #1}\index{#1@{\protect\Bslash #1}}} +\def\zkeyindex#1{\index{#1@{\protect\Bslash #1}}} +\def\ixem#1{#1\index{#1}} +\def\itxem#1{\ital{#1}\index{#1}} +\def\ttxem#1{{\tt #1}\index{#1@{\tt #1}}} +\def\ital#1{{\sl #1\/}} + +\newfont{\mflogo}{logo10 scaled 1200} +\def\MF{{\mflogo METAFONT}} +\def\unix{{\sc unix}} + +\iflongDCfontnames + \font\tentt=\fontid tt1000 +\else\iflongECfontnames + \font\tentt=\fontid tt1000 +\else + \font\tentt=\fontid tt10 +\fi\fi +% It's under construction +\tolerance10000\hbadness10000 + +\def\printindex{\@input{\jobname.ind}} + +\def\underscoreSymbol{\leavevmode \kern.06em \vbox{\hrule width.3em}}% + +\def\_{\protect\underscoreSymbol} + +\def\remark{\par\noindent\sl REMARK:} +\def\endremark{\leavevmode\/} + +\def\important{\par\noindent\sl IMPORTANT:} +\def\endimportant{\leavevmode\/} + +\def\caution{\par\noindent\sl CAUTION:} +\def\endcaution{\leavevmode\/} + + +\endinput diff --git a/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex new file mode 100644 index 00000000000..68d837a6ae5 --- /dev/null +++ b/Master/texmf-dist/doc/generic/musixtex/musixdoc.tex @@ -0,0 +1,8180 @@ +% +% This file is part of MusiXTeX +% +% MusiXTeX is free software; you can redistribute it and/or modify +% it under the terms of the GNU General Public License as published by +% the Free Software Foundation; either version 2, or (at your option) +% any later version. +% +% MusiXTeX is distributed in the hope that it will be useful, +% but WITHOUT ANY WARRANTY; without even the implied warranty of +% MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the +% GNU General Public License for more details. +% +% You should have received a copy of the GNU General Public License +% along with MusiXTeX; see the file COPYING. If not, write to +% the Free Software Foundation, Inc., 59 Temple Place - Suite 330, +% Boston, MA 02111-1307, USA. +% + +\ifx\documentclass\undefined + \documentstyle[twoside,11pt,musixdoc,multicol,backgrnd]{report} +\else + \documentclass[twoside,11pt]{report} + \usepackage{multicol} + \usepackage{musixdoc} + \usepackage{backgrnd} +% \usepackage{amsmath} +% \usepackage[emtex]{changebar} +\fi +\def\musictex{Music\TeX{}} + +\ifx\setendvolta\undefined\def\setendvolta{\endvolta}\fi +\ifx\setendvoltabox\undefined\def\setendvoltabox{\endvoltabox}\fi + +\startmuflex\makeindex + +\begin{document} + +%\changebarsep 10 pt +\title{\Huge\bf\musixtex\raise1.5ex\hbox{\large\copyright}\\[\bigskipamount] +\LARGE\bf Using \TeX{} to write polyphonic\\or +instrumental music\\\Large\sl Version T.104~-- \today} +\author{\Large\rm Daniel \sc Taupin\\\large\sl + Laboratoire de Physique des Solides\\\normalsize\sl + (associ\'e au CNRS)\\\normalsize\sl + b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex\\ E-mail : {\tt +taupin@lps.u-psud.fr}\\\medskip + \\\Large\rm Ross \sc Mitchell\\\large\sl + CSIRO Division of Atmospheric Research,\\\normalsize\sl + Private Bag No.1, Mordialloc, Victoria 3195,\\ Australia \\\medskip + \\\Large\rm Andreas \sc Egler\ddag\\\large\sl + (Ruhr--Uni--Bochum)\\ Ursulastr. 32\\ D-44793 Bochum} +\date{} +%\show\maketitle +\let\endtitleORI\endtitlepage + \def\endtitlepage{\vfill\noindent $^\ddag$ {\it For personal reasons, Andreas +Egler decided to retire from authorship of this work. Nevertherless, he has +done an important work about that, and I decided to keep his name on this +first page. {\sc D. Taupin}}\endtitleORI} + \maketitle +\clearpage + %\check + +\thispagestyle{empty} + +\null +\vfill + +\begin{flushright}\it +%.. All the possible is done,\\ +%the impossible is being done,\\ +%for miracles I ask for some delay.\\[\smallskipamount] +%{\sc N.N.}\\[\bigskipamount] +%...~time after time~...\\[\smallskipamount] +%{\sc Cindy Lauper}\\[\bigskipamount] + If you are not familiar with \TeX{} at all\\ +I would recommend to find another software\\ +package to do musical typesetting.\\ +Setting up \TeX{} and \musixtex\\ +on your machine and mastering it\\ +is an awesome job which gobbles up\\ +a lot of your time and disk space.\\[\medskipamount] +But, once you master it...\\[\smallskipamount] +{\sc Hans Kuykens} +\end{flushright} + +\begin{center} + Although one of the authors contested that point once the common work had +begun, \musixtex{} may be freely copied, duplicated and used in conformance to +the GNU General Public License (Version 2, 1991, see included file {\tt +copying})\footnote{Thanks to Free Software Foundation for advising us. See +{\tt http://www.gnu.org}}. + +You may take it or parts of it to include in other packages, but no packages +called \musixtex{} without specific suffix may be distributed under the name +\musixtex{} if different from the original distribution (except obvious bug +corrections). + + Adaptations for specific implementations (e.g. fonts) should be provided as +separate additional TeX or LaTeX files which override original definition. + + \end{center} + +\clearpage + +\setcounter{page}1 +\tableofcontents +\setcounter{secnumdepth}3 +\pagestyle{headings} + +\chapter{What is \musixtex{} ?} + +\hrule\smallskip +\section*{Preface} + +\noindent Dear user, + +This is still an imperfect version, which means that some features will be +added or corrected. However our intent is to avoid removing existing commands, +in order to spare your own adaptation problems or your typing time correcting +scores you already have in your archive. + + +Sections marked with a star, or paragraphs marked ``???'' or ``.!.'', indicate +either that text is partly missing, or that something might change at a +next release. + + \smallskip + \noindent{\bf Remarque, Bemerkung, Cuidado, etc.:} If you have problems +understanding technical musical terms in english, please look at: + +\begin{center} ftp://ftp.gmd.de/music/lists/glossary/glossary.ps \end{center} +which gives the translation of most terms into French, German, Dutch, Danish +and Swedish. This file {\tt glossary.eps.gz} is also included in the +distribution. +\index{glossary}\index{glossaire}\index{lexique}\index{traduction}\index{dictionnaire} + + \smallskip\hrule\medskip + + \musixtex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or +polyphonic music. Therefore, it is mainly supposed to be used to type wide +scores -- just because true musicians seldom like to have to frequently turn +pages -- and this is not really compatible with \LaTeX's standard page +formats. Even with \verb|A4.sty|, the \verb|\textheight| and \verb|\textwidth| +are too small for musician needs. + + +However, a \LaTeX\ style has also been provided (and it is used for the +typing of the present paper) but this \verb|musixtex| style is fit for +musicographic books rather than for normal scores to be actually played. + + It should be emphasized that \musixtex\ is not intended to be a +compiler which would translate some \ixem{standard musical +notation}s into \TeX\, nor to decide by itself about aesthetic problems in music typing. +\musixtex\ only typesets staves, notes, chords, beams, slurs and ornaments as +requested by the composer. Since it makes very few typesetting decisions, +\musixtex\ appears to be a versatile and rather powerful tool. However, due +to the important amount of information to be provided to the typesetting +process, coding \musixtex\ might appear to be as awfully complicated as +the real keyboard or orchestral music. It should therefore be interfaced by +some pre-compiler in the case of the composer/typesetter wanting aesthetic +decisions to be automatically made by somebody (or something) else. +% +%\footnote{A short description to all known compilers for \musixtex\ can be +%found on page \pageref{compiler}f.}. + +\section{\musixtex\ principal features} + %\check + \subsection{Music typesetting is two-dimensional} Most people who have just +learned a bit of music at college, probably think that music is a linear +sequence of symbols, similar to literary texts to be \TeX-ed. On the contrary, +with the exception of strictly monodic instruments like most orchestral wind +instruments and solo voices, one should be aware that +reading music is actually a matricial operation: the non-soloist musician +successively reads \ital{columns} of simultaneous notes which he +plays if he is a pianist, clavichordist or organist, which he reads +and watches if he +conducts an orchestra, and which he is supposed to check and partially play +when he is a soloist who wants to play in time with the accompanying +instrument or choir. + + In fact, our personal experience of playing piano and organ as well as +sometimes helping as an alternate Kapellmeister leads us to think that music +reading and composing is actually a slightly more complicated intellectual +process: music reading, music composing and music thinking seem to be a three +layer process. The musician usually reads or thinks several consecutive notes +(typically a long \ital{beat} or a group of logically connected notes), then +he goes down to the next instrument or voice and finally assembles the whole +to build a sequence of music lasting roughly a few seconds. He then proceeds +to the next \ital{beat} or \ital{bar} of his score. + + Thus, it appears that the humanly logical way of coding music consists +in horizontally accumulating a set of \ital{vertical combs} with +\ital{horizontal teeth} as described in Table \ref{readtable}. +\def\hboxit#1{\boxit{\rlap{#1}\hphantom{note sequence three}}} + \begin{table} + \begin{center} + \begin{tabular}{|ll|ll|}\hboxit{note sequence one} + &\hboxit{note seq.\ four} + &\hboxit{note seq.\ seven} + &\hboxit{note seq.\ ten}\\\hboxit{note sequence two} + &\hboxit{note seq.\ five} + &\hboxit{note seq.\ eight} + &\hboxit{note seq.\ eleven}\\\hboxit{note sequence three} + &\hboxit{note seq.\ six} + &\hboxit{note seq.\ nine} + &\hboxit{note seq.\ twelve}\\ + \end{tabular} + \end{center} + \caption{The order in which a musician reads music}\label{readtable} + \end{table} +This is the reason +why, in \musixtex\ the fundamental \ital{macro} is of the form +\begin{center} +\verb|\notes ... & ... & ... \enotes|\footnote{Also +available for \keyindex{enotes} is the abbreviation \keyindex{en}.} +\end{center}\index{\&} +\noindent where the character \verb|&| is used to separate the notes to be +typeset on respective staffs of the various instruments, starting from the +bottom. + +In the case of an instrument whose score has to be written with +several staffs, these staffs are separated by the +character \|. \index{"|@{\tt\char'174}} +Thus, a score written for a keyboard instrument and +a monodic instrument (for example piano and violin) +will be coded as follows: +\begin{center} +\verb=\notes ... | ... & ...\enotes= +\end{center} +\noindent for each column of simultaneous \ital{groups of notes}. +It is worth emphasizing that we actually said \ital{``groups of notes''}: +this means that in each section of the previous macro, the music typesetter is +welcome to insert, not only chord notes to be played at once, but small +sequences of consecutive notes which build something he understands as a +musical phrase. This is why note typing macros are of two kinds in \musixtex, +namely the note macros which are not followed by spacing afterwards, and those +which induce horizontal spacing afterwards. + \subsection{The spacing of the notes} It seems that many books have dealt +with this problem. Although it can lead to interesting algorithms, we think it +is not an important point in practice. + +In fact, each column of notes has not necessarily the same spacing +and, in principle, this \itxem{spacing} should depend on the shortest +duration of the simultaneous notes. But this cannot be established as a rule, +for at least two reasons: +\begin{enumerate} + \item spacing does not depend only on the local notes, +but also on the context, at least in the same bar. + \item in the case of polyphonic music, exceptions can easily be found. +Here is an example: + +\begin{music} +\generalmeter{\meterfrac44} +\startextract\NOtes\zhu j\ql h\hl g\hu k\ql f\enotes\endextract +\end{music} +\noindent where it can be clearly seen that the half notes at beats 2 and 3 +must be spaced as if they were quarter notes since they overlap, which is +obvious only because of the presence of the indication of the +\itxem{meter} 4/4. +\end{enumerate} +So the typesetter has to take care of good readable spacings on his own. +Therefore, we preferred to provide the composer/typesetter with a +set of macros which can be found in \ref{newspacings}. + \subsection{Music tokens, rather than a ready-made generator} +The tokens provided by \musixtex\ are: +\begin{itemize} + \item the note symbols \ital{without stem}; + \item the note symbols \ital{with stems, and hooks for eighth notes and +shorter}; + \item the indication of beam beginnings and beam ends; + \item the indication of beginnings and ends of ties and slurs; + \item the indication of accidentals; + \item the ornaments: arpeggios, trills, mordents, pinc\'es, turns, staccatos +and pizzicatos, fermatas, etc.; + \item the bars, the meter and signature changes, etc. +\end{itemize} + Thus, \verb|\wh a| produces an \ital{A (of nominal frequency 222.5~Hz, +unless transposed)} of duration being a +\ital{whole note}. In the same way, \verb|\wh h| produces an \ital{A +(445~Hz)} of duration represented by a \ital{whole note}, \verb|\qu c| +produces a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with +stem up}, \verb|\cl J| produces a \ital{C (125~Hz approx.)} of +duration equal to an \ital{eighth note with stem down}, etc. + + To generate quarter, eighth, sixteenth, etc. chords, the macro \keyindex{zq} +can be used: it produces a quarter note head, the vertical position of which +is memorized and recalled when another stemmed note (possibly with a hook) is +coded; then the stem is adjusted to link all simultaneous notes. Thus, the +perfect C-major chord, i.e. + +\begin{music} +\startextract\NOtes\zq{ceg}\qu j\en\endextract +\end{music} + \noindent is coded \verb|\zq c\zq e\zq g\qu j| or, in a more concise way, +\verb|\zq{ceg}\qu j| (stem up): in fact, single notes are treated\dots\ like +one-note chords. + %\check + + \subsection{Beams} +\ital{Beams}\index{beams} are generated using macros which define their +beginning (at the current horizontal position), together with their altitude, +their direction (upper or lower), their multiplicity, their slope and their +reference number. This latter feature -- the reference number -- appears to +be necessary, since one may want to write beams whose horizontal extents +overlap: therefore, it is necessary to specify which beam the notes belong to +and which beam is terminated at a given position. + \subsection{Setting anything on the score} +A general macro (\keyindex{zcharnote}) provides a means of +putting any sequence of symbols (in fact, some \verb|\hbox{...}|) at any +pitch of any staff of any instrument. Thus, any symbol defined in a font +(letters, math symbols, etc.) can be used to typeset music. +\section{A simple example} + Before giving more details, we give below an example of the two first +bars of the sonata in C-major KV545 by {\sc Mozart}\index{Mozart, W.A.@{\sc +Mozart, W.A.}}: + +\begin{music} +\parindent10mm +\setname1{Piano} +\setstaffs12 +\generalmeter{\meterfrac44} +\startextract +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en +\bar +\Notes\ibu0f0\qb0{dgf}|\qlp i\en +\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\endextract +\end{music} + The \ital{coding} is set as follows: +\begin{quote}\begin{verbatim} +\begin{music} +\parindent10mm +\instrumentnumber{1} % a single instrument +\setname1{Piano} % whose name is Piano +\setstaffs1{2} % with two staffs +\generalmeter{\meterfrac44}% 4/4 meter chosen +\startextract % starting real score +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en +\bar +\Notes\ibu0f0\qb0{dgf}|\qlp i\en +\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en +\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en +\endextract % terminate excerpt +\end{music} + \end{verbatim}\end{quote} +\begin{itemize} + \item \verb|\ibu0f0| begins an upper beam, aligned on the +\ital{f}, reference number 0, slope 0 + \item \verb|\tbu0| terminates this beam before writing +the second \ital{g} by means of \verb|\qb0g| + \item \verb|\qb..| indicates a note belonging to a beam. + \item \verb|\sk| sets a space between the two quarters in the right +hand, so that the second is aligned with the third eighth of the left hand. + \item\verb|\qlp| is a quarter with a point. + \item\verb|\ibbl1j3| begins a double beam, aligned on the \ital{C} +(\verb|j| at this pitch) of slope 15\%. +\end{itemize} + +\section{The three pass system} +\TeX's line-breaking procedure implicitly assumes +that a normal line of text will contain many words, so that inter-word +glue need not stretch or shrink too much to justify the line. +This strategy does not work very well for music. If each bar of music +is treated as a word, in the sense that inter-bar glue is placed +at the end of each bar, then the usual result is the appearance of +unsightly gaps before each bar rule. This follows naturally from the +fact that the number of bars per line is normally many fewer +than the number of words in a line of text. + +To address the above aim, a three pass system was developed. +On the first pass, information about each bar is written to +an external file, by default \verb|jobname.mx1|. +This file begins with a header listing parameters +such as line width, paragraph indentation, clef, sign and meter widths, +and the first-pass elemental spacing \keyindex{elemskip}. +Width information within the bars is classified either as ``soft'' or ``hard'': +``soft'' widths are those amenable to subsequent rescaling (e.g. a note box), +while ``hard'' widths represent unscalable material such as clef symbols, +key signatures and bar rules.\index{soft width}\index{hard width} + +After the first pass, an external routine is run to +determine optimal values of the elemental spacing (\verb|\elemskip|) +for each line, so as to properly fill each line, and to lead to +the piece filling an integral number of lines. This routine was written +in FORTRAN and now converted to C rather than \TeX, the main reason +being the lack of an array +handling capability in \TeX, and the concern that if such a routine +were added to \musixtex, storage problems might be exacerbated. + +The resulting routine reads in the file \verb|jobname.mx1|, and writes its +output to \verb|jobname.mx2|. The latter file contains a single entry for +each line of music in the reformatted output. The key piece of information +is the revised value of \keyindex{elemskip} for each line. + +Next, the file is re-\TeX-ed. On this third pass, +the \verb|jobname.mx2| file is read in, and the information +used as described above. + +To give an easy example: after pass 1 you get the following output: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\setsign1{-3} +\startpiece\bigaccid +\NOtes\qu{ce}\enotes +\bar +\NOtes\qu{gh}\enotes +\bar +\NOtes\qu{=b}\enotes +\Notes\ds\cu g\enotes +\bar +\NOtes\qu{^f=f}\enotes +\raggedstoppiece\contpiece% this is cheated, the problem was to get +% pass 1 and pass 3 at the same time +\NOtes\qu{=e}\itied0e\qu{_e}\enotes +\bar +\Notes\ttie0\Qqbu ed{_d}c\enotes +\bar +\Notes\ibu0b{-2}\qb0{=b}\enotes +\notes\nbbu0\qb0{=a}\tqh0N\enotes +\Notes\Dqbu cf\enotes +\raggedstoppiece\contpiece +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes +\bar +\NOtes\qu c\qp\enotes +\setdoubleBAR\raggedstoppiece +\end{music} +After running \verb|musixflx| and \TeX-ing the second time you'll get: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\startpiece\bigaccid +\NOtes\qu{ce}\enotes +\bar +\NOtes\qu{gh}\enotes +\bar +\NOtes\qu{=b}\enotes +\Notes\ds\cu g\enotes +\bar +\NOtes\qu{^f=f}\enotes +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\enotes +\bar +\Notes\ttie0\Qqbu ed{_d}c\enotes +\bar +\Notes\ibu0b{-2}\qb0{=b}\enotes +\notes\nbbu0\qb0{=a}\tqh0N\enotes +\Notes\Dqbu cf\enotes +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes +\bar +\NOtes\qu c\qp\enotes +\Endpiece +\end{music} +which was coded as: +\begin{verbatim} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\startpiece\bigaccid +\NOtes\qu{ce}\en\bar +\NOtes\qu{gh}\en\bar +\NOtes\qu{=b}\en +\Notes\ds\cu g\en\bar +\NOtes\qu{^f=f}\en\bar +\NOtes\qu{=e}\itied0e\qu{_e}\en\bar +\Notes\ttie0\Qqbu ed{_d}c\en\bar +\Notes\ibu0b{-2}\qb0{=b}\enotes +\notes\nbbu0\qb0{=a}\tqh0N\enotes +\Notes\Dqbu cf\en\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\en\bar +\NOtes\qu c\qp\en\Endpiece +\end{verbatim} +The biggest advantage of using a 3-pass system is the very easy and fast +alteration to the layout which is possible, especially of a long masterpiece, +by changing only one parameter, namely \keyindex{mulooseness}. This value +acts analogous to \TeX's \verb|\looseness| command. For non-\TeX-perts: if you +end a paragraph and state \verb|\looseness=-1| somewhere inside, then +\TeX\ will try to make this paragraph one line shorter than it normally would. + +\musixtex\ does the same, but instead for paragraphs, for \ital{sections}. +What is a \ital{section}? As long as you don't force a line break, this means +the whole piece. When you force a line break with either +\keyindex{stoppiece}, \keyindex{endpiece}, \keyindex{zstoppiece}, +\keyindex{Stoppiece}, \keyindex{Endpiece}, \keyindex{alaligne} +\keyindex{zalaligne}, \keyindex{alapage} or \keyindex{zalapage} you start a +new \ital{section}. Somewhere\footnote{Advisably, at the beginning or +at the end of the section, for the sake of clarity.} +before the end of the \ital{section}, you can change the value of +\keyindex{mulooseness} to something different from the default of 0. + +To give an easy example, changing the last line in the previous example to: +\begin{verbatim} +\NOtes\qu c\qp\en\mulooseness=1\Endpiece +\end{verbatim} +yields: + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\startpiece\bigaccid +\NOtes\qu{ce}\enotes +\bar +\NOtes\qu{gh}\enotes +\bar +\NOtes\qu{=b}\enotes +\Notes\ds\cu g\enotes +\bar +\NOtes\qu{^f=f}\enotes +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\enotes +\bar +\Notes\ttie0\Qqbu ed{_d}c\enotes +\bar +\Notes\ibu0b{-2}\qb0{=b}\enotes +\notes\nbbu0\qb0{=a}\tqh0N\enotes +\Notes\Dqbu cf\enotes +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes +\bar +\NOtes\qu c\qp\enotes +\mulooseness1\Endpiece +\end{music} +or: +\begin{verbatim} +\NOtes\qu c\qp\en\mulooseness=-1\Endpiece +\end{verbatim} +yields (a little bit tight, but only for the sake of +demonstration of \keyindex{mulooseness}): + +\begin{music} +\hsize=100mm +\generalmeter{\meterfrac24}% +\parindent 0pt +\generalsignature{-3} +\startpiece\bigaccid +\NOtes\qu{ce}\enotes +\bar +\NOtes\qu{gh}\enotes +\bar +\NOtes\qu{=b}\enotes +\Notes\ds\cu g\enotes +\bar +\NOtes\qu{^f=f}\enotes +\bar +\NOtes\qu{=e}\itied0e\qu{_e}\enotes +\bar +\Notes\ttie0\Qqbu ed{_d}c\enotes +\bar +\Notes\ibu0b{-2}\qb0{=b}\enotes +\notes\nbbu0\qb0{=a}\tqh0N\enotes +\Notes\Dqbu cf\enotes +\bar +\NOtes\uptext{\it tr}\qu e\uptext{\it tr}\qu d\enotes +\bar +\NOtes\qu c\qp\enotes +\mulooseness-1\Endpiece +\end{music} +Here is the fastest way to get a satisfactory output: +\begin{enumerate} + \item build up the piece bar\footnote{Or two or three, +whatever you prefer.} by bar. Pay much attention to correct spacings, and go +on only when you are really satisfied with them. + \item \TeX~$\Longrightarrow$ {\tt musixflx} $\Longrightarrow$ \TeX. + \item Look at the output and decide if you want to have more or fewer +systems lines, e.g.~to fill the page or to get an even number of +pages.\index{musixflx@{\tt musixflx}} + \item Adjust \keyindex{mulooseness}. However, {\large\bf beware~:} +\verb|\mulooseness| increases the target number of lines by its value. This is +of no serious trouble for large pieces, but if you say \verb|\mulooseness=3| +in a piece or in a section which only has 3 bars (three in the musical sense, +i.e. two \verb|\bar| in the text), then {\tt musixflx} will not be able to split +3 bars into 4 lines... and it will hopefully result in a diagnostic by {\tt +musixflx}, but possibly also in an arithmetic fault... + \item Delete the \verb|jobname.mx2| and again\\ +\TeX~$\Longrightarrow$ \verb|musixflx| $\Longrightarrow$ \TeX +\quad\ital{(For hackers: watch the difference in {\tt jobname.mx1}!)} +\end{enumerate} + +\begin{remark} +Instead of looking at the output of the previous run and modifying the +number of systems using \keyindex{mulooseness} one can directly specify +the number of lines in a section by assigning a positive number to +\keyindex{linegoal}. Use \keyindex{linegoal} in the same way as +\keyindex{mulooseness} somewhere in a section, preferable at start +or end. \keyindex{mulooseness} must be zero for \keyindex{linegoal} +to work. Both are automatically set to zero after processing the end +of a section e.g. by \keyindex{stoppiece}. \keyindex{linegoal} +requires the latest version of musixflx (0.83). +\end{remark} + + \noindent If you have really followed this step by step, then your whole +layout will be ready and you will not have to generate \verb|jobname.mx2| +again. This only holds as long as you don't change any spacings. + +If you get the warning: \verb|You can't use \raise ...|, than read the upper +paragraph again and follow the instruction of point 5. + +There are some more advantages. Without using \ital{glue}, +every horizontal position in a line can be computed. This enables using, +e.g.~octave lines, without specifying a dimension, but by saying +\verb|\i...| and \verb|\t...|. + + + \subsection{External executable {\tt musixflx}} +One drawback affecting portability between computers is the executable +{\tt musixflx}\index{musixflx@{\tt musixflx}}. We are still searching for +people who are able to compile the C-source and maintain it. + +On most computers, the executable is invoked by typing the name of the program +and the name of the file to be acted upon. \ital{i.e.} + +\verb|musixflx jobname.mx1| + +Optionally, you can add a letter to indicate one of the debug modes, which are: +\begin{quote} +\verb|d | for debug information to screen\\ +\verb|f | for debug information to file \verb|jobname.mxl|\\ +\verb|s | to get the computed lines immediately on screen +\end{quote} +To allow for ease of use with a batch file, \verb|musixflx| can either be fed +with \verb|jobname.mx1|, \verb|jobname.tex| or only +\verb|jobname|, all of which opens \verb|jobname.mx1|. + + \medskip For large scores (more than 4 pages approximately), having +only one section and an overall value of \verb|\mulooseness| becomes +impractical since one wants not only to have nicely spaced systems, but one +also usually wants to have completely filled pages to avoid empty top and +bottom margins on the last page. It is then wise to force the total number of +pages and maybe the line breaks in each page, which can be done by either using +explicit \keyindex{alapage} and \keyindex{alaligne}, or more automatically by +means of the \keyindex{autolines} command borrowed from \musictex\ and +implemented in the additional {\ttxem{musixcpt.tex}} file. + \subsection{Restrictions and warnings} If you have worked with \musictex\ +before, you must be aware that two main things have changed, namely the +spacing (and spacing commands) and the line breaking, see section~\ref{spacing}, +p.~\pageref{spacing} and section~\ref{linebreak} p.~\pageref{linebreak}. + + %\check + A serious practical problem concerns the effect of unrecorded spaces, such as +those created by source lines not ended by \verb|%| \index{%@{\tt\char37}} or +\keyindex{relax} or another control sequence ending in a letter. These will +result in the dreadful {\bf Overfull hbox} messages appearing during pass 3. + +\medskip +\centerline{\boxit{Considerable discipline is needed to avoid this problem!}} + +When you start using this software package, you will spend a lot of time +searching for the cause of over/underfull-hbox warnings, which will appear during +pass 3. You may ignore them during pass 1, +but \ital{you must} find their cause when they +appear during pass 3. + +In \musixtex\ there is no glue (only $\pm$ 1pt behind \verb|\writesignatures|), +so it works only if every space is recorded in the correct way. As a result, +never use +\verb|\hskip| or \verb|\kern| with the exception of \ital{zero}-boxes, like +\verb|\rlap|, \verb|\llap|, \verb|\zcharnote|, \verb|\uptext|, etc., or +(apparently) fixed length boxes like \verb|\hsong|. But that is not all---all +spacing commands\footnote{Except {\Bslash hardspace} which is an exception and has +the opposite purpose.} must be fed with scalable values +(\ital{e.g.} \verb|\noteskip|, \verb|\elemskip|, \verb|\afterruleskip| and +\verb|\beforeruleskip|, optionally preceded by an integer or decimal number). + +\verb|musixflx| can't work if the values of \verb|\noteskip|, +\verb|\afterruleskip|, \verb|\beforeruleskip|, are directly assigned +``hard''\footnote{Hard values are all values which are not scalable} +values in between +\verb|\startpiece| and \verb|\stoppiece|\footnote{{\Bslash endpiece} has the +same meaning}.\index{hard spacing} + +These restrictions make it hardly compatible with most sources designed for +\musictex\footnote{Most examples provided by D. {\sc Taupin} in +\musictex's distribution can be run with \musixtex\ without serious +problems... However, they will eventually have to be corrected for the sake of +compatibility.}. Most of them have to be adjusted to get things going. + +Some values are much more important than in \musictex, +namely \verb|\elemskip|, \verb|\afterruleskip| and \verb|\beforeruleskip|. +The ratio between them is especially very important if you use +\keyindex{mulooseness} often to adjust the number of lines: +all of them are multiplied by the same factor in each section. + %\check + \subsection{\musixtex's laws} +\begin{enumerate} + \item Never have a line that doesn't finish either with a control sequence +or with a \verb|%| +inside of \verb|\startpiece...\stoppiece| + +\begin{center} +\Large\bf !!! \musixtex\ forgives NOTHING !!! +\end{center} + (a space in the default font (using plain-\TeX) causes 3.33pt of unrecorded space, + but there is only $\pm$ 1pt of glue in \musixtex) + \item \verb|\off| must be used with relative values, like + \verb|\noteskip|, \verb|\elemskip|, \verb|\after[before]ruleskip| + \item \verb|\qsk| and \verb|\hqsk| are now scalable, e.g. \verb|\qsk| + doesn't mean exactly one note head width (it depends on \verb|\elemskip| + and \verb|flex_factor|) + \item Text of songs and any non-\musixtex\ text must be put in zero boxes, like + \verb|\zcharnote|, \verb|zchar|, \verb|rlap|, \verb|lrlap|, \verb|llap|, +\verb|uptext|, \verb|zsong...|. However, specific features are now provided, +namely \verb|\hardlyrics| and \verb|\hsong| (see \ref{lyrics}, +p.~\pageref{lyrics}). + \item Don't touch either \verb|\noteskip| with hard values, + or \verb|\after[before]ruleskip| at all inside of + \verb|\startpiece (\debutmorceau) ... \stop[end]piece (\susp[fin]morceau)| +\end{enumerate} +\section{Some highlights} + %\check + \subsection{Signatures} +Signatures can be stated either for all instruments, for example by +\keyindex{generalsignature}\verb|{-2}| which sets two flats on each staff, or +separately for each instrument. + +Thus, the \keyindex{generalsignature} +can be partly overridden by +\keyindex{setsign}\verb|2{1}| which puts one +sharp on the staffs of \itxem{instrument number} 2. Of course, the +current signature may change at any time as well as the meters and clefs. + \subsection{Transposition} + An important question is: \ital{``can \musixtex\ transpose a score~?''}. +The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register +named \keyindex{transpose} the default value of which is zero, but it may be +set to any reasonable positive or negative value. In that case, it offsets all +symbols pitched with letter symbols by that number of pitch steps. However, +it will neither change the signature nor the local accidentals, and if -- for +example -- you transpose a piece written in $C$ by 1 pitch, \musixtex\ will +not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might +become tricky if accidentals occur within the piece, which might have to be +converted into flats, naturals, sharps or double sharps, depending on the new +chosen signature. To avoid this trouble, \ital{relative} accidentals +have been implemented, the actual output of which depends on the pitch of +this accidental and on the current signature.\index{relative accidentals} + %\check + \subsection{Selecting special instrument scores} +Another question is: \ital{``can I write an orchestral score and extract the +separate scores for individual instruments~?''} The answer is 95~\% +\ital{yes}: in fact, you can define your own macros +\verb|\mynotes...\enotes|, \verb|\myNotes...\enotes| with as many +arguments as there are in the orchestral score (hopefully this +is less than, or equal to +9, but \TeX perts know how to work around) and change its definition +depending on the selected instrument (or insert a test dependent +on the value of some +selection register). But the limitation is that the numbering of instruments +may change, so that \verb|\setsign3| may have to become \verb|\setsign1| if +instrument 3 is alone. But, in turn, this is not a serious problem for +average \TeX\ wizard apprentices. + %\check + \subsection{Variable staff and note sizes} + Although the standard staff size is 20pt, \musixtex\ allows scores of 16pt +and 24pt staff sizes. In addition, any instrument may have a special staff +size (usually smaller than the overall staff size) and special commands +\verb|\smallnotesize| or \verb|\tinynotesize| enable notes (and also beams or +accidentals) to be of a smaller size, in order to quote optional notes or +\ital{cadenzas}. + %\check +\section{How to get it} +Primary site is {\tt hprib.lps.u-psud.fr} (anonymous {\tt ftp}); say: + + \verb|cd pub/musixtex| + + \verb|mget musix*.tex| (to get the macros) + + \verb|cd /pub/musixtex/mf| + + \verb|mget *.mf| (to get the source of the fonts) + + \verb|cd /pub/musixtex/tfm| + + \verb|binary| + + \verb|mget *.tfm| (to get the font metrics) + +\noindent or: + + \verb|cd /pub/music\_zips| + + \verb|binary| + + \verb|mget musix*.zip| (to get the zipped packages specific to \musixtex) + +\medskip\noindent Official mirrors are +the CTAN servers. To get it you have tou say: + + \verb|cd ctan| (to go to the CTAN server) + + \verb|cd macros/musixtex/taupin| + + \verb|binary| + + \verb|mget *.zip| (to get the zipped packages) + +\medskip The whole \itxem{distribution} can fit into a single 1.2Mbyte or +1.44Mbyte diskette. All sources (including fonts) are provided, +either separately or ``zipped''. + +{\sl REMARK: normally, the {\tt musixtex.zip} file expands into binary files +valid for any system, and text files (the \TeX{} and \MF{} sources) in the +\unix{} representation, namely with a ``LF'' character between each record. PC +users might complain that their own coding is ``CR+LF'' (``CR'' usually +appears as a ``{\tt \^{}M}''), but we checked that: + \begin{itemize} + \item the \ixem{MS-DOS} editor handles both denotations, + \item the ``emacs'' and ``microemacs'' also do, + \item the \TeX{} and \MF{} executable routines (et least the emTeX ones) +also accept both representations. + \end{itemize} + However, for the sake of compatibility, we now provide two routines for PC's, +namely {\tt dtou.exe} and {\tt utod.exe}, which convert text/source files +from/to the MS-DOS denotation to/from the \unix{} denotation. +} + + %\check +\section{Enhancements} + \subsection{Recent easy enhancements} Many enhancements have been asked for, +to the ``father'' of \musixtex, namely \musictex, and this is a proof that it +is considered as useful by many people. Some of these enhancements which +seemed hard were in fact rather easy to implement, for example small notes to +represent grace notes and cadenzas, or gregorian chant features. + + Some of them were more difficult, such as handling of lyrics now provided +since version T.40. + %\check + \subsection{Enhancement limitations} +Many requested improvements have not been +\ital{yet} implemented for several reasons: + \begin{itemize} + \item The authors' natural laziness (!) + \item More seriously: many of them would require using some more +registers; unfortunately, \TeX\ registers are not numerous (256 of each +kind and the limit of \keyindex{dimen} registers is nearly reached +(especially using \LaTeX), but we do our best). + \item We do not think it is wise to introduce in \musixtex\ itself a great +number of macros which would be poorly used by most users: the reason is that +\TeX\ memory and --- moreover --- \TeX\ registers are severely limited and that +unused macros may occupy many of these, leading to things crashing +because of \verb|TeX capacity exceeded|. + + Therefore, many additional library files are now provided, which may be +invoked or not, depending on the user's specific needs. Most of them are used +to compile this \LaTeXe\ manual... except the {\tt musixadd.tex} and {\tt +musixmad.tex}. + \end{itemize} + %\check + \section{Acknowledgements} The idea of implementing the present package is +due to the previous work (\mutex)\index{mutex@\protect\mutex} of \mbox{Andrea +{\sc Steinbach}} and Angelika {\sc Schofer}\footnote{Steinbach A. \& Schofer +A., \ital{Theses} (1987, 1988), Rheinische Friedrich-Wilhelms Universit\"at, +Bonn, Germany.}. This work provided the basis of the Metafont codes which are +still used here... with 100\% corrections and updates.\index{Schofer, A.@{\sc +Schofer, A.}}\index{Steinbach, A.@{\sc Steinbach, A.}} + + + English language is progressively checked thanks to Cecil {\sc Churms} from +National Accelerator Center (South Africa). + + %\check +\chapter{Practical use} +\section{Heading statements} +Before any reference to \musixtex\ macros: + +\verb|\input musixtex|\footnote{It is highly recommended to build up a format. +If you don't know how to do, you can refer to the same instruction you +perhaps heard or read before: ``Ask you local \TeX-wizard.''. Otherwise +it might be a good idea to look at chapter \ref{installation} +(``Installation'') where some hints are given to build a \musixtex\ format +(ref{formatbuild}).} + + %\check + \noindent which may be followed by \verb|\input musixadd| in the case you +have more than six instruments or more than 6 simultaneous beams +or ties or slurs.\index{musixtex.tex@{\tt musixtex.tex}} +\index{musixadd.tex@{\tt musixadd.tex}} + + %\check + After that, you may write a complete book of \TeX\ provided that you do not +use \verb|&| as a tabulation character (its \keyindex{catcode} has been +changed) inside the music score and that you do not overwrite \musixtex's +definitions. This means that no special macros have been designed to help you +write titles, author names, comments, literature excerpts, etc., unless you +use \LaTeX\ with the \verb|musixtex| style.\index{\&} + %\check + \section{Before you +begin to write notes} + \subsection{Warnings for the non \TeX pert} +\begin{quote} + + %\check +When \TeX\ reads a parameter, it inputs one \ital{token}. This means +\ital{one} figure or \ital{one} character or \ital{one} +command\footnote{Syntactically, a \ital{command} is made of a +\ital{backslash} (``{\Bslash}'') immediately followed by sequence of +\ital{letters}.}. If you want to give more than one char or e.g. a negative +number(`-' is one token and a digit is one) or a command which reads another +parameter, then you have to use braces to transfer the parameter correctly. +For example, the command \verb|\meterfrac| reads two parameters; if you want +to declare a $\frac{8}{12}$ timing and you code: \verb|\meterfrac812|, then +you will get a $\frac{8}{1}$ timing and a misplaced ``\verb|2|''. The correct +coding is \verb|\meterfrac{8}{12}| or \verb|\meterfrac8{12}|. + + + %\check + The next problem is due to spaces. Spaces are ignored at the +beginning of a line. Spaces are ignored immediately behind a \TeX-command +(they indicate the end of that command unless \TeX\ finds characters which are +not \ital{letters}). All other spaces insert \ital{unexpected} space and +they will cause a lot of trouble during third pass. Same remark holds for end +of lines. Thus \verb|\bar| or \verb|\enotes| as last statement in current line +cause no trouble, because an end of line indicates to \TeX\ the end of a +command. + + %\check + If you state \verb|\qu g| and start a new line, then you get into trouble, but +if you say \hbox{\verb|\qu g%|\relax + $$}, you have no more problem +and this is better readable. + +If this sounds complicated, remember that \TeX\ was designed to typeset +text and not music... + + \end{quote} + %\check + \subsection{What you have to specify}\label{whatspecify} + \leavevmode + You should first specify whether you want to typeset music in ``normal'' size +(20pt\index{sizes} per staff) or ``small'' size (16pt) or ``large'' size +(24pt). This is only optional, the default setting is +\keyindex{normalmusicsize}. If you want the smaller size, then you have to +say\footnote{This sets up not only the size of staff, but also the elementary +spacing and the space behind the bar rule.} \keyindex{smallmusicsize}, +\keyindex{largemusicsize}, and \keyindex{Largemusicsize} to have the larger +sizes of 24pt and 28.8pt. + + + + Then, the first compulsory declaration is: + + \keyindex{instrumentnumber}\verb|{|$n$\verb|}| + + \noindent where $n$ is the number of instruments, used by +\musixtex\ to performs loops building staffs, setting signatures, meters, +etc. Therefore, it must be defined before any other statements. +If not then default value is one. An instrument +may consist of several staffs, e.g.~the piano. The difference between one +instrument of several staffs and several instruments is as follows: +\begin{itemize} + \item distinct instruments may have distinct \itxem{signatures}, distinct +staffs of a unique instrument share the same signature. + \item \itxem{stems} may be hung to \itxem{beams} belonging to differents +staffs of the same instrument. + \item \itxem{chords} may extend across several staffs of the same +instrument. + \item staffs of a unique \itxem{instrument} are tied together +with a big brace at the beginning of each line. +\end{itemize} + If the number of staffs is not +equal to one, this number must be specified by: + + \keyindex{setstaffs} $n$\verb|{|$p$\verb|}| + + \noindent where $p$ is the number of staffs, and where $n$ is the +number of the instrument considered (e.g.~\verb|setstaffs3| +for the 3rd instrument, starting from the bottom). + + %\check + Unless all your instruments only use the \ital{violin} clef, you +have to specify all the clefs used for all the instruments. This is done by +coding: + +\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%| + +\noindent where $n$ is the number of the instrument, $s_1$ is one figure +specifying the clef of the lower staff, $s_2$ the clef of the second staff, +etc. + + The value $s_1=0$ means the \ital{violin} clef (G clef or \itxem{clef de +sol} in French) for the lower staff, $s_2=0$ means the violin clef for the +second staff, etc. If $s_2$, $s_3$ or $s_4$ are omitted in the second argument +of the \verb|\setclef|, these staffs have de default clef, namely 0, i.e. the +violin clef. + + The values $s_1=1$ through $s_1=4$ +mean the \ital{alto} clef (\itxem{clef d'ut} in French) set on first (lower) +through fourth (next to upper) line of the staff. + + The value $s_1=5$ means the \ital{bass} clef at third (middle) line, +$s_1=6$ means the usual \ital{bass} clef (F clef or \itxem{clef de fa} in +French) at the usual fourth line, and $s_1=7$ means the \ital{bass} +(\itxem{subbass}) clef (F clef or \itxem{clef de fa} in +French) at the fifth line. + + The value $s_1=8$ is not used. + + The value $s_1=9$ means the \itxem{french violin clef}, an ancient feature +which sets the G clef (\ital{clef de sol} in French) at the fist line of the +staff. + + If remembering the digits associated with usual clefs seems too difficult, +one can also say + + \verb|\setclef{|$n$\verb|}{|\keyindex{treble}\verb|}| + +\noindent to get the \ixem{violin clef} on all staffs of the specified +instrument. In the same way the most used \itxem{alto clef} (alto clef on 3rd +line) can also be called with + + + \verb|\setclef{|$n$\verb|}{|\keyindex{alto}\verb|}| + +\noindent which sets the lower staff of thet instrument to the alto clef, but +sets other staffs above to the violin clef. +The usual \itxem{bass clef} on fourth line +can also be called with + + \verb|\setclef{|$n$\verb|}{|\keyindex{bass}\verb|}| + +\noindent {\sl IMPORTANT: the commands \verb|\alto| and \verb|\bass| only set +these clefs at the first staff. Other staffs still have the default value of +violin clef.} +As an example, a standard piano score +should include: + + \keyindex{setclef}\verb|1{\bass}%| \quad or\quad + \keyindex{setclef}\verb|1\bass| + +\noindent taking account of the fact that the bass clef is set on the lower +staff, but the upper one has the default value of violin clef. +If the signature is not void, one should code: + + \keyindex{generalsignature}\verb|{|$s$\verb|}| + +\noindent where $s>0$ indicates the number of \itxem{sharps} in the +signature and $s<0$ the number of \itxem{flats}\footnote{We have seen once a +score in G-minor where the signature consisted of two flats (B and E) plus +one sharp (F). This is not directly supported by \musixtex.} + + If a \itxem{meter} indication is to be posted, it should be +specified using the macro + + \keyindex{generalmeter}\verb|{|$m$\verb|}%| + + %\check + \noindent where $m$ is the description of the meter indication which should +appear on each staff. If it is a \ital{fraction} (e.g.~3/4) on should code + + \verb|\generalmeter{\meterfrac{3}{4}}%| + +\noindent or, in a simpler way (if the numbers are less than 10): + + \verb|\generalmeter{\meterfrac34}%| + +You can suppress the beginning vertical rule with saying \keyindex{nostartrule} +and restore the default with \keyindex{startrule} after that. + + Special denotations can be used, such as \keyindex{meterC}, +\keyindex{allabreve}, \keyindex{reverseC}, \keyindex{reverseallabreve} and +\keyindex{meterplus}. + + %\check +\begin{music} +\generalmeter\meterC +\nostartrule +\parindent0pt\startpiece +\NOtes\qa{cegj}\enotes +\generalmeter\allabreve\changecontext +\NOTes\ha{ce}\enotes +\generalmeter\reverseC\changecontext +\NOTEs\zbreve g\enotes +\generalmeter\reverseallabreve\changecontext +\NOTEs\zwq g\enotes +\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext +\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes +\endpiece +\end{music} +which was coded as: +\begin{quote}\begin{verbatim} +\generalmeter\meterC +\nostartrule +\parindent0pt\startpiece +\NOtes\qa{cegj}\enotes +\generalmeter\allabreve\changecontext +\NOTes\ha{ce}\enotes +\generalmeter\reverseC\changecontext +\NOTEs\zbreve g\enotes +\generalmeter\reverseallabreve\changecontext +\NOTEs\zwq g\enotes +\generalmeter{\meterfrac{3\meterplus2\meterplus3}8}\changecontext +\Notes\Tqbu ceg\Dqbl jg\Tqbu gec\enotes +\endpiece +\end{verbatim}\end{quote} + However, not all music scores have the same meter in each staff. +Especially, some staffs may have \ital{ternary} meters while others have +\ital{binary}. This can be specified by using the \keyindex{generalmeter} macro +to set the meter for most of the scores and overriding it by: + +\keyindex{setmeter}\verb|2{{\meterfrac{12}8}\allabreve}%| + + \noindent which sets the meter to 12/8 for the first (lower) +staff, and \ital{alla breve} for the second staff of the instrument number 2. + +Sometimes it might be useful to insert additional space before the meter is +written. This is possible by assigning a value to \keyindex{meterskip} in the +preamble. It is reset to zero after first meter indication. + \subsection{Instrument names} If you want the \itxem{name of the instrument}s +(or the \itxem{name of the voice}s) to be displayed in front of their +respective staffs at the beginning, you may code: + +\keyindex{setname} $n$\verb|{|\ital{name of the instrument}\verb|}%| + + %\check + \noindent where $n$ is the number of the instrument +considered. In this case, you should also adjust the \keyindex{parindent} +dimension so that the long name of an instrument does not spill too far into +the left margin. + \subsection{Polyphonic songs} +Except staffs of a unique instrument tied together with a big brace, staffs +normally begin on the left with a thin vertical rule. However, it is usual to +tie all human voices together with a left heavy and right thin vertical rule. + + \subsubsection{Case of only one choir} + In the usual case where you have only one choir, this can be specified +by: + \begin{quote} +\keyindex{songtop}\verb|{|$n$\verb|}|\\ +\keyindex{songbottom}\verb|{|$m$\verb|}| +\end{quote} +\noindent where $m$ and $n$ are the instrument numbers of the first +and last choral voices. Example is shown in \ref{song}. + + No heavy square brace is produced when the bottom instrument has a number +greater than the top one. This feature can be used to remove choir heavy +braces between distinct parts of the same score. + + \subsubsection{Case of several choirs or several orchestras} + Your may divide your instruments into up to three groups linked together with +a left square brace. Each of these groups is specified with: + \begin{quote} +\keyindex{grouptop}\verb|{|$g$\verb|}{|$n$\verb|}|\\ +\keyindex{groupbottom}\verb|{|$g$\verb|}{|$m$\verb|}| +\end{quote} +\noindent where $m$ and $n$ are the instrument numbers of the first +and last choral voices of group number $g$. \musixtex{} allows up to three +groups, numbered from 1 to 3, plus the ``zero'' group consisting of the voices +or instruments which belong to no declared group. \verb|\songtop| is equivalent +to \verb|\grouptop 1| and \verb|\songbottom| is equivalent to +\verb|\groupbottom 1|. + + With {\tt musixadd.tex}, this number of groups is raised to four. + + This grouping feature can also be used to collect not only voices but also +instruments with one or several staffs. In that case the normal brace is +shifted left of the square havy brace. + + \subsection{Removing square choir braces} + + Previously defined square choir braces can be removed by stating a +\verb|\songtop| less than the \verb|\songbottom|. The same applies to +\verb|\grouptop| and \verb|\groupbottom| of the same group number. + + \subsection{Specifying all brackets together} + + Alternatively, you can use the following command for specifying all +required brackets together: +\begin{quote} + \keyindex{akkoladen}\verb|{{|{\it lower\_1\/}\verb|}{|{\it upper\_1\/}% + \verb|}{|{\it lower\_2\/}\verb|}{|{\it upper\_2\/}\verb|}{|% + {\it lower\_3\/}\verb|}{|{\it upper\_3\/}\verb|}}| +\end{quote} +\noindent where {\it lower\_n\/} and {\it upper\_n\/} are instrument +numbers that denote the span of bracket number $n$. For +setting fewer than three brackets, just omit all unneeded +\verb|{|{\it lower\_n\/}\verb|}{|{\it upper\_n\/}\verb|}|~pairs; +\verb|\akkoladen{}| cancels all brackets. + +Example: +\begin{quote} + \verb|\instrumentnumber{5} \akkoladen{{1}{2}{3}{5}}| +\end{quote} +yields:\par\nopagebreak +\begin{music} + % just to avoid wasting space ... + \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue + \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue + \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}} + \startextract \hardspace{2cm}\zendextract +\end{music} +which was coded as: + +\begin{verbatim} + \smallmusicsize\setsize1\smallvalue\setsize2\smallvalue + \setsize3\smallvalue\setsize4\smallvalue\setsize5\smallvalue + \instrumentnumber{5} \akkoladen{{1}{2}{3}{5}} + \startextract \hardspace{2cm}\zendextract +\end{verbatim} + + + + %\check +\section{Starting your masterpiece} + \subsection{Typing the first system} +Just code +\keyindex{startmuflex} + +\noindent which opens the \ital{jobname}{\tt .mx1} during \TeX ing the first +time your masterpiece. All informations are now written to it. During pass 3 +it will be open for read in and all computed values are used to set the +lines\footnote{The files must be closed before leaving \TeX, preferably before +\keyindex{bye} or \keyindex{end}, with \keyindex{endmuflex}. Normally \TeX\ +closes all open files on his own when terminating the program, but it is still +wiser to do this explicitly.}. + +\begin{remark} do not worry too much if you forget \verb|\startmuflex|; in +most cases --- since version T.39 --- the \verb|\startpiece| command will do +it, if necessary. Conversely, only the first \verb|\startmuflex| is effective, +the others are inefficient... for safety. \end{remark} + +Then code + + %\check +\keyindex{startpiece} + +\noindent which will initiate (with indentation \keyindex{parindent}) +the first set of staffs for all instruments you have previously defined. But +that is not sufficient to begin writing notes and silences. In fact, you +must also choose the spacing of the notes. + \subsection{Easy selecting note spacing}\label{newspacings} +Therefore, we preferred to provide the composer/typesetter with a +set of macros (incidentally, this can be adjusted): +\begin{center} +\tinynotesize +\renewcommand{\arraystretch}{1.5}% I hate LaTeX +\begin{tabular}{|l|l|l@{~~~~}l|} +\multicolumn{1}{c}{usage}& +\multicolumn{1}{c}{spacing}& +\multicolumn{2}{c}{suggested use for}\\\hline +\keyindex{znotes}\verb| ... & ... & ... \enotes|&(non spacing) + &&specials\\ +\keyindex{notes}\verb| ... & ... & ... \enotes|&\verb=2=\keyindex{elemskip} + &\ccu1&16th\\ +\keyindex{notesp}\verb| ... & ... & ... \enotes|&\verb=2.5\elemskip= + &\pt1\ccu1&16th pointed, 8th triplet\\ +\keyindex{Notes}\verb| ... & ... & ... \enotes|&\verb=3\elemskip= + &\cu1&8th\\ +\keyindex{Notesp}\verb| ... & ... & ... \enotes|&\verb=3.5\elemskip= + &\cup1&8th pointed, 4th triplet\\ +\keyindex{NOtes}\verb| ... & ... & ... \enotes|&\verb=4\elemskip= + &\qu1&4th\\ +\keyindex{NOtesp}\verb| ... & ... & ... \enotes|&\verb=4.5\elemskip= + &\qup1&4th pointed, 2th triplet\\ +\keyindex{NOTes}\verb| ... & ... & ... \enotes|&\verb=5\elemskip= + &\hu1&2th\\ +\keyindex{NOTesp}\verb| ... & ... & ... \enotes|&\verb=5.5\elemskip= + &\hup1&2th pointed\\ +\keyindex{NOTEs}\verb| ... & ... & ... \enotes|&\verb=6\elemskip= + &\wh1&1th\\\hline +\end{tabular}\end{center} +\noindent +If you don't like them, define your own using e.g.: + +\verb|\def\NOtes{\vnotes5.34\elemskip}| + + %\check +\noindent +which means, when you use this \keyindex{NOtes} definition, that all +\ital{spacing} notes and commands, results a spacing of 5.34 $\times$ +\keyindex{elemskip}. +The size of the spatial unit (\keyindex{elemskip}) can be freely +adjusted (it shows only effect outside \verb|\startpiece...\endpiece|). + + In practice, the choice of the macro \verb|\notes|, \verb|\Notes|, +\verb|\NOtes|, etc., to initiate of column of notes sets an +internal dimension register, named \keyindex{noteskip} to the given multiple +of \keyindex{elemskip}. Thus, each \itxem{spacing note} (\keyindex{qu}, +\keyindex{qb}, \keyindex{hl}, etc.) will be followed by a spacing of +\keyindex{noteskip}. Then, the advantage of the definition of \verb|\elemskip| +is that, whenever it is changed, all subsequent \verb|\noteskip|s +will be updated proportionally so that a simple change of \verb|\elemskip| +can expand or shrink all consecutive note spacings as a whole. + +\medskip +{\bf All said above counts only for first pass.} + +\medskip If the arthmetic progression of note spacings does not meet your +wishes, your may force a geometric progression, where {\Bslash Notes} is +$\sqrt{2}$ times wider as {\Bslash notes}, {\Bslash NOtes} is $\sqrt{2}$ +times wider as {\Bslash Notes}, etc. In that case, {\Bslash Notesp} is +approximately $\sqrt{\sqrt{2}}=1.189$ times wider as {\Bslash Notes} and so +on. The geometric progression if forced by the command +\keyindex{geometricskipscale}, and the original arithmetic progression is +restored by \keyindex{arithmeticskipscale}. + + Inside the pair \verb|\notes...\enotes| you may freely change the value of +\verb|\noteskip| (not \verb|\elemskip|) provided you keep it scalable in the +normal situation\footnote{But: provided you keep it \ital{not scalable} if +you use the {\Bslash hardnotes} or {\Bslash hardlyrics} features (see +\ref{lyrics}).}. \verb|\noteskip| can be changed with a command like + +\verb|\noteskip=2.4\noteskip| + +\noindent which obviously keeps it scalable, or by means of + +\keyindex{multnoteskip}\verb|{2.4}| + +\noindent which performs the same multiplication in a smarter way. You can +also force all \verb|\noteskip|s to be re-scaled by a factor of 3.1415 using + +\keyindex{scale}\verb|{2.4}| + +\noindent or \verb|\def|\keyindex{scalenoteskip}\verb|{2.4}| which is more +dangerous and not advises although compatible with \musictex. + +\medskip + +To fill the music line (system) without glue, the values of \verb|\elemskip|, +\verb|\afterruleskip| and \verb|\beforeruleskip| are adjusted from the +external program {\tt musixflx}\index{musixflx@{\tt musixflx}}. So what +spacing you really get, depends on the internal line-breaking routine. + +Spacings for advanced \musixtex'ers: a `normal' bar (slightly~!) magnified: +\medskip + + %\check +\begin{music} +\afterruleskip7pt +\beforeruleskip2pt +\parindent0pt +\setclefsymbol1\empty +% special problems afford special solutions +\makeatletter\global\clef@skip\z@ \makeatother +\startpiece +\zchar{16}{\hbox to\afterruleskip{\downbracefill}}% +\zchar{19}{\hbox to\afterruleskip{\hss a\hss}}% +\addspace\afterruleskip +\zchar{16}{\hbox to2\elemskip{\downbracefill}}% +\zchar{19}{\hbox to2\elemskip{\hss b\hss}}% +\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}% +\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}% +\notes\qa l\en +\znotes\en +\zchar{16}{\hbox to4\elemskip{\downbracefill}}% +\zchar{19}{\hbox to4\elemskip{\hss c\hss}}% +\zchar{3}{\hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}% + \hbox to\elemskip{\upbracefill}\hbox to\elemskip{\upbracefill}}% +\zchar{-1}{\hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}% + \hbox to\elemskip{\hss e\hss}\hbox to\elemskip{\hss e\hss}}% +\NOtes\qa l\en +\znotes\en +\zchar{16}{\hbox to\beforeruleskip{\downbracefill}}% +\zchar{19}{\hbox to\beforeruleskip{\hss d\hss}}% +\endpiece +\end{music} +\begin{quote}\begin{tabular}{l@{~$\rightarrow$~}l} +a&\keyindex{afterruleskip}\\ +b&\keyindex{notes}\verb| = \vnotes 2\elemskip|\\ +c&\keyindex{NOtes}\verb| = \vnotes 4\elemskip|\\ +d&\keyindex{beforeruleskip}\\ +e&\keyindex{elemskip} +\end{tabular}\end{quote} +As default the values are set up as follows: +\begin{quote}\begin{tabular}{lrrr}\hline +\ital{using}&\keyindex{elemskip}&\keyindex{afterruleskip} + &\keyindex{beforeruleskip}\\\hline +\keyindex{normalmusicsize}&6pt&8pt&0pt\\ +\keyindex{smallmusicsize}&4.8pt&6pt&0pt\\\hline +\end{tabular}\end{quote} +\begin{quote} +If you want to change upper values, you have to do that behind +\verb|\normalmusicsize| or \verb|\smallmusicsize| and before +\verb|\startpiece|. +\end{quote} + + %\check +\section{Note pitch specification} + Note pitches are usually specified by letters ranging from \verb|a| to +\verb|z| for those which are usually written under the G-clef (\verb|a| +corresponds to the $A$ of nominal frequency 222.5~Hz; the \ital{G} of the +G-clef is denoted \verb|g|). Lower pitch notes are specified using upper +case letters ranging from \verb|A| to \verb|N| (the \ital{F} of the F-clef +is denoted \verb|M|, and \verb|F| is one octave below). + + If necessary, a numeric symbol can be used to place a symbol +independently of the active clef, which has the drawback not to be +transposable. + + Besides, notes below \verb|A| (i.e. the $A$ of nominal frequency 55.625~Hz), +namely the lowest octave of the modern pianos, can only be coded using the +transposition features (see below: \ital{transposition} and +\ital{octaviation}) or in absolute vertical position using numbers. + \section{Writing notes} +There are two major kinds of note macros: \begin{enumerate} \item those +which terminate a note/chord stem and are followed by a horizontal spacing of +value \keyindex{noteskip}, + \item those which initiate or extend a note/chord stem and do not cause +horizontal spacing. +\end{enumerate} + The first kind is used to type a melody, the second kind is used to +type chords. + \subsection{Single spacing notes} +\begin{quote}\begin{description} + \item[\keyindex{breve}~$p$ :]breve note (\hbox to 8pt{\zbreve1\hss}) at pitch $p$. + \item[\keyindex{longa}~$p$ :]longa note + (\hbox to8pt{\zlonga1\hss}) at pitch $p$. + \item[\keyindex{longaa}~$p$ :]same as \verb|\longa|, with an ``automatic'' +stem up or down. + \item[\keyindex{zmaxima}~$p$ :]maxima note + (\hbox to16pt{\zmaxima1\hss}) at pitch $p$. + \item[\keyindex{wq}~$p$ :]arbitrary duration note (also used as alternate +representation of \ital{breve} note) + (\hbox to8pt{\zwq1\hss}) at pitch $p$. + \item[\keyindex{wqq}~$p$ :]long arbitrary duration note (also used as alternate +representation of \ital{longa} note) + (\hbox to8pt{\zwqq1\hss}) at pitch $p$. + \item[\keyindex{wh}~$p$ :]whole note at pitch $p$. + \item[\keyindex{hu}~$p$ :]half note at pitch $p$ with stem up. + \item[\keyindex{hl}~$p$ :]half note at pitch $p$ with stem down. + \item[\keyindex{ha}~$p$ :]half note at pitch $p$ with automatic +stem\footnote{This +means all stems belonging to notes below the third line are stemmed up, +the other down, they work with every clef, but only for single notes.} choice. + \item[\keyindex{qu}~$p$ :]quarter note at pitch $p$ with stem up. + \item[\keyindex{ql}~$p$ :]quarter note at pitch $p$ with stem down. + \item[\keyindex{qa}~$p$ :]quarter note at pitch $p$ with ``automatic'' stem. + \item[\keyindex{cu}~$p$ :]eighth note\footnote{The {\Bslash c} of this macro + name is taken from the French word ``croche'' which is by the way one + half of the english ``crotchet''; {\Bslash cc...}, {\Bslash ccc...} + are standing for ``double croche'', ``triple croche'', etc.} + at pitch $p$ with stem up. + \item[\keyindex{cl}~$p$ :]eighth note at pitch $p$ with stem down. + \item[\keyindex{ca}~$p$ :]eighth note at pitch $p$ with ``automatic'' stem. + \item[\keyindex{ccu}~$p$ :]sixteenth note at pitch $p$ with stem up. + \item[\keyindex{ccl}~$p$ :]sixteenth note at pitch $p$ with stem down. + \item[\keyindex{cca}~$p$ :]sixteenth note at pitch $p$ with ``automatic'' stem. + \item[\keyindex{cccu}~$p$ :]32-th note at pitch $p$ with stem up. + \item[\keyindex{cccl}~$p$ :]32-th note at pitch $p$ with stem down. + \item[\keyindex{ccca}~$p$ :]32-th note at pitch $p$ with ``automatic'' stem. + \item[\keyindex{ccccu}~$p$ :]64-th note at pitch $p$ with stem up. + \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with stem down. + \item[\keyindex{ccccl}~$p$ :]64-th note at pitch $p$ with ``automatic'' stem. +\end{description}\end{quote} + As an example, the sequence: + + %\check +\begin{music} +\startextract +\Notes\cu c\cl j\enotes\bar +\Notes\ccu c\ccl j\enotes\bar +\Notes\cccu c\cccl j\enotes\bar +\Notes\ccccu c\ccccl j\enotes +\endextract +\end{music} + \noindent was coded as: +\begin{quote}\begin{verbatim} +\Notes\cu c\cl j\enotes\bar +\Notes\ccu c\ccl j\enotes\bar +\Notes\cccu c\cccl j\enotes\bar +\Notes\ccccu c\ccccl j\enotes +\end{verbatim}\end{quote} + If these notes are preceded by \ital{non-spacing} notes (i.e. +macros \keyindex{zq} or \keyindex{zh}) their stem is extended up or down so +as to join all notes into a single chord. + \subsection{Non-spacing (chord) notes} +\begin{quote}\begin{description} + \item[\keyindex{zq}~$p$ :]quarter (or shorter) note head at pitch $p$ with no +spacing after. + \item[\keyindex{zh}~$p$ :]half note head at pitch $p$ with no spacing after. +\end{description}\end{quote} + It must be pointed out that the pitch $p$ of these notes is +memorized so that the stem of the further spacing note will join them into +a chord. This stem top and bottom pitch is \ital{reset} at each spacing +note. + + \begin{remark} Notes of duration longer than whole notes are +always non-spacing. This saves one useless definition, since these notes are +always longer than other simultaneous ones. If needed they can be followed by +\keyindex{sk} to force spacing. +\end{remark} + + \subsection{Shifted non-spacing (chord) heads} These symbols are used mainly +in chords where \ital{second} intervals are present. It is the +responsibility of the typist to choose which heads should be shifted left or +right. + +\begin{quote}\begin{description} +\item[\keyindex{rw}~$p$ :]whole note head shifted right by one note +width ($\approx$ 6pt), no spacing. +\item[\keyindex{lw}~$p$ :]whole note head shifted left by one note +width ($\approx$ 6pt), no spacing. +\item[\keyindex{rh}~$p$ :]half note head shifted right by one note +width ($\approx$ 6pt), no spacing. +\item[\keyindex{lh}~$p$ :]half note head shifted left by one note +width ($\approx$ 6pt), no spacing. +\item[\keyindex{rq}~$p$ :]quarter note head shifted right by one note +width ($\approx$ 6pt), no spacing. +\item[\keyindex{lq}~$p$ :]quarter note head shifted left by +one note width ($\approx$ 6pt), no spacing. +\end{description}\end{quote} + %\check + + Except that they are shifted left of right, these macros act like +\verb|\z...| macros for stem building. + \subsection{Single non-spacing notes} +\begin{quote}\begin{description} + \item[\keyindex{zhu} :]half note with stem up but no spacing. It acts like +\verb|\hu| for stem building. + \item[\keyindex{zhl} :]half note with stem down but no spacing. It acts like +\keyindex{hl} for stem building. + \item[\keyindex{zqu} :]quarter note with stem up but no spacing. It acts like +\verb|\qu| for stem building. + \item[\keyindex{zql} :]quarter note with stem down but no spacing. It acts +like \verb|\ql| for stem building. + \item[\keyindex{zcu}, \keyindex{zccu}, \keyindex{zcccu}, \keyindex{zccccu} +:]eighth, ..., note with stem up but no spacing. It acts like +\verb|\cu| for stem building. + \item[\keyindex{zcl}, \keyindex{zccl}, \keyindex{zcccl}, \keyindex{zccccl} +:]eighth, ..., note with stem down but no spacing. It acts +like \verb|\cl| for stem building. + \item[\keyindex{zqb} :]note belonging to a beam but no spacing. + \item[\keyindex{rhu}, \keyindex{rhl}, \keyindex{rqu}, \keyindex{rql}, + \keyindex{rcu}, \keyindex{rcl} :] \verb|\rhu| acts like \verb|\zhu|, + but the note is shifted one note width on the right, other analogous. + \item[\keyindex{lhu}, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql}, + \keyindex{lcu}, \keyindex{lcl} :]same + as above, but the whole of the note is shifted one note width on the left. + \item[\keyindex{zw}~$p$ :]whole note at pitch $p$ with no spacing after. + \item[\keyindex{zwq}~$p$ :]arbitrary duration note + (\hbox to8pt{\zwq1\hss}) at pitch $p$ with no spacing after. + \item[\keyindex{zbreve}~$p$ :]breve note + (\hbox to8pt{\zbreve1\hss}) at pitch $p$ with no spacing after. + \item[\keyindex{zlonga}~$p$ :]longa note + (\hbox to8pt{\zlonga1\hss}) at pitch $p$ with no spacing after. + \item[\keyindex{zmaxima}~$p$ :]maxima note + (\hbox to16pt{\zmaxima1\hss}) at pitch $p$ with no spacing after. +\end{description}\end{quote} + %\check + + +\subsection{Single (spacing) stemless notes} + + Although not standard in real music scores, one may need to have stemless +quarter and half note heads posted in the same way as whole notes. This can be +done with the following commands: + +\begin{quote}\begin{description} +\item[\keyindex{nh}~$p$ :]half note head at pitch $p$. +\item[\keyindex{nq}~$p$ :]quarter note head at pitch $p$. +\end{description}\end{quote} + +\medskip As an example, the sequence: + +\begin{music} + \startextract +\notes\nq c\nq j\enotes\barre +\Notes\nh c\nh j\enotes\barre +\notes\nq {cdef}\enotes +\endextract +\end{music} + +\medskip \noindent was coded as: + +%\check +\begin{quote}\begin{verbatim} +\notes\nq c\nq j\enotes\barre +\Notes\nh c\nh j\enotes\barre +\notes\nq {cdef}\enotes +\end{verbatim}\end{quote} + + In case of special need, non spacing variants have been provided, namely +\keyindex{znh} and \keyindex{znq}. + + + \subsection{Pointed notes} +One simple way of doing consists in putting \keyindex{pt +$p$} to get a \ital{dot} after the normal note head at pitch $p$. Thus a +quarter note with one point can be coded \verb|\pt h\qu h|, with two points +as \keyindex{ppt}\verb|\qu h| and with three points as +\keyindex{pppt}\verb|\qu h|. + + A simpler way of doing consists in using compact macros, namely: +\keyindex{whp}, \keyindex{whpp}, +\keyindex{zwp}, \keyindex{zwpp}, +\keyindex{hup}, \keyindex{hupp}, +\keyindex{hlp}, \keyindex{hlpp}, +\keyindex{zhp}, \keyindex{zhpp}, +\keyindex{qup}, \keyindex{qupp}, +\keyindex{qlp}, \keyindex{qlpp}, +\keyindex{zqp}, \keyindex{zqpp}, +\keyindex{cup}, \keyindex{cupp}, +\keyindex{clp}, \keyindex{clpp}, +\keyindex{qbp} and \keyindex{qbpp}. +Where all \verb|\z...p| are useful in chords. + + You may also introduce pointed notes, especially in groups by coding +a \ital{period} before (not after) the letter representing the pitch: +\verb|\qu{.a.^b.c}| which is equivalent to: +\begin{quote}\begin{verbatim} +\pt{a}\qu{a}\pt{b}\sh{b}\qu{b}\pt{c}\qu{c} +\end{verbatim}\end{quote} +Finally, pointed notes can also be produced without spacing after, using +\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp}, +\keyindex{zcup}, \keyindex{zclp}, \keyindex{zqbp}, +and the same with two \verb|p|'s for +double-pointed notes, like \keyindex{zhupp}, \keyindex{zhlpp}, +\keyindex{zqupp}, \keyindex{zqlpp}, +\keyindex{zcupp}, \keyindex{zclpp} and \keyindex{zqbpp}. + +If two voices share one staff, the points of the lower voice are lowered, +if the note is on a note line. Therefore you can use \keyindex{lpt}~$p$ and +\keyindex{lppt}~$p$. + + %\check +\section{Beams} + + Beams are not automatically handled, but they must be declared explicitely, +\ital{before} the first spacing note involving them is coded. Two kinds of +macros are provided: + +\begin{enumerate} + + \item fixed slope beams have an arbitrary slope chosen by the user in +the range -45\% to +45\% (by multiples of 5\%); + + \item semi-automatic beams have their slope computed knowing the number +of \keyindex{noteskip} over which they are supposed to extend, and knowing the +initial and final pitch of the notes they are supposed to link. +\end{enumerate} + %\check + \subsection{Fixed slope beams} + \subsubsection{Beam initiation} +\begin{quote}\begin{description} + \item[\keyindex{ibu}~$nps$ :]initiates an \ital{upper beam} 3 horizontal +line spacings above the pitch $p$~; $n$ is its reference number, which must be +in the range [0-5] ([0-8] if \verb|musixadd| file has been \verb|\input|); +$s$ is the slope of the beam. +\end{description}\end{quote} + $s$ is an integer in the range [-9,9]. +$s=1$ means a slope of 5\%, $s=9$ means a slope of 45\%, +$s=-3$ means a slope of -15\%, etc. +With usual spacings a slope of 2 or 3 is fit for ascending scales. A slope of +6 to 9 is fit for ascending arpeggios. + +\begin{quote}\begin{description} + + \item[\keyindex{ibl}~$nps$ :]initiates a \ital{lower beam} 3 horizontal line +spacings below the pitch $p$. Other parameters as above. + + \item[\keyindex{ibbu}~$nps$ :]initiates a \ital{double upper beam} (same +parameter meaning). + \item[\keyindex{ibbl}~$nps$ :]initiates a \ital{double lower beam} (same +parameter meaning). + \item[\keyindex{ibbbu}~$nps$ :]initiates a \ital{triple upper beam} (same +parameter meaning). + \item[\keyindex{ibbbl}~$nps$ :]initiates a \ital{triple lower beam} (same +parameter meaning). + \item[\keyindex{ibbbbu}~$nps$ :]initiates a \ital{quadruple upper beam} (same +parameter meaning). + \item[\keyindex{ibbbbl}~$nps$ :]initiates a \ital{quadruple lower beam} (same +parameter meaning). +\end{description}\end{quote} + +Notes belonging to beams are coded in the form \keyindex{qb}~$np$ where $n$ is +the beam number and $p$ the pitch of the note head. \musixtex\ adjusts the +length of the note stem to link the bottom of the chord to a beam. + + \subsubsection{Beam termination} + Beam termination is also not automatic. The termination of a given +beam must be explicitely declared \ital{before} coding the last spacing note +connected to that beam. +\begin{quote}\begin{description} + \item[\keyindex{tbu}~$n$ :]terminates upper beam number $n$ at current +position. \item[\keyindex{tbl}~$n$ :]terminates lower beam number $n$ at +current position. +\end{description}\end{quote} +\keyindex{tbu} and \keyindex{tbl} terminate beams of any +multiplicity. Therefore 32-th notes hanging on a triple beam are initiated by +\keyindex{ibbbu}~$nps$ and terminated by \keyindex{tbu}~$n$. + + Since beams usualy finish with a \verb|\qb| to link the last note, shorter +macros have been provided: + + \begin{itemize} + + \item \keyindex{tqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\qb| $np$ + + \item \keyindex{tqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\qb| $np$ + + \item \keyindex{ztqb} $np$ is equivalent to \verb|\tbl| $n$\verb|\zqb| $np$ +(no spacing after) + + \item \keyindex{ztqh} $np$ is equivalent to \verb|\tbu| $n$\verb|\zqb| $np$ +(no spacing after) + + \end{itemize} + + \subsubsection{Beams of increasing multiplicity} + It is also possible to code beams whose multiplicity is not the same +at the beginning. The multiplicity can be increased at any position. For +instance, \keyindex{nbbu}~$n$ which sets the multiplicity of upper beam +number $n$ to 2 starting at the current position, \keyindex{nbbbu}~$n$ sets +its multiplicity to 3 and \keyindex{nbbbbu}~$n$ sets its multiplicity to 4. +\keyindex{nbbl}~$n$ \dots +\keyindex{nbbbbl}~$n$ perform the same functions for lower beams. + + + Note that the difference between upper and lower beams does not +mainly consist in the beam being above or below the note heads; rather, it +specifies whether the abscissa of the beginning and the end of this beam is +aligned on the right (upper beam) or on the left (lower) beam. Thus, the +sequence: + +\begin{music} +\startextract +\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes +\endextract +\end{music} +\noindent has been coded as +\begin{quote}\begin{verbatim} +\Notes\ibu0h0\qb0e\nbbu0\qb0e\nbbbu0\qb0e\nbbbbu0\qb0e\tbu0\qb0e\enotes +\end{verbatim}\end{quote} + + It is quite possible to terminate with \keyindex{tbu} a beam initiated +with \keyindex{ibl}. This may give: + +\begin{music} +\startextract +\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes +\endextract +\end{music} +\noindent which has been coded as +\begin{quote}\begin{verbatim} +\Notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qb0e\enotes +\end{verbatim}\end{quote} + \subsubsection{Beams of decreasing multiplicity} + Partial termination of beams is also possible, by using \keyindex{tbbu} +or \keyindex{tbbl}~: these macros terminate the current beam except that of +order 1 (eighths). \keyindex{tbbbu} or \keyindex{tbbbl} terminate the current +beam except those of order 1 and 2, etc. + +\begin{music} +\startextract +\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes +\endextract +\end{music} +\noindent has been coded as + +\begin{quote}\begin{verbatim} +\startextract +\Notes\ibbbu0h0\qb0e\tbbbu0\qb0e\tbbu0\qb0e\tbu0\qb0e\enotes +\endextract +\end{verbatim}\end{quote} + +The macros \keyindex{tbbu} and \keyindex{tbbl} and higher order +may also be invoked when only +a single beam is active. Then, a second beam or third or ... +(upper or lower according +the initiating procedure) is opened \ital{one note width before +the current position, and closed immediately}. Thus the following sequences + +\begin{music} +\let\extractline\hbox +\hbox to \hsize{% +\hss + \startextract + \Notes\ibu0e0\qbp0e\tbbu0\tbu0\qb0e\en + \endextract +\hss\hss + \startextract + \Notes\ibu0e0\qbpp0e\tbbbu0\tbbu0\tbu0\qb0e\en + \endextract +\hss} +\end{music} +\noindent are coded: +\hspace*{\fill}\begin{minipage}{.4\textwidth}\begin{verbatim} +\Notes\ibu0e0\qbp0e% + \tbbu0\tbu0\qb0e\en +\end{verbatim}\end{minipage}\hfill +\begin{minipage}{.4\textwidth}\begin{verbatim} +\Notes\ibu0e0\qbpp0e% + \tbbbu0\tbbu0\tbu0\qb0e\en +\end{verbatim}\end{minipage}\hfill + +\noindent The same behaviour occurs in the case of \keyindex{tbbbu}, +\keyindex{tbbbl}, \keyindex{tbbbbu} and \keyindex{tbbbbl}. + The symmetrical pattern is also possible. For example: + +\begin{music} +\startextract +\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes +\endextract +\end{music} +\noindent has been coded as: +\begin{quote}\begin{verbatim} +\Notes\ibbl0j0\roff{\tbbl0}\qb0j\tbl0\qbp0j\enotes +\end{verbatim}\end{quote} + \begin{remark} these codings may seem complicated. In fact, +it is the responsibility of the user to define macros which perform the most +common sequences in his masterpiece. For example, one could define sets of +four sixteenths by the macro: + +\verb|\def\qqh#1#2#3#4#5{\ibbl0#2#1\qb#2\qb#3\qb#4\tbl0\qb#5}| + +\noindent where the first argument is the slope and the other four +arguments are the pitches of the four consecutive sixteenths wanted. +\end{remark} + + +\noindent A slightly more complicated example is: + +\begin{music} +\startextract +\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en +\notesp\tbbu0\qbp0f\en +\Notes\tbu0\qb0f\en +\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en +\Notes\qb0f\en +\notes\tbbbu0\tbbu0\tbu0\qb0f\en +\endextract +\end{music} +\noindent has been coded as: +\begin{quote}\begin{verbatim} +\notes\ibbbu0e0\roff{\tbbbu0}\qb0f\en +\notesp\tbbu0\qbp0f\en +\Notes\tbu0\qb0f\en +\notesp\ibbu0f0\roff{\tbbu0}\qbp0f\en +\Notes\qb0f\en +\notes\tbbbu0\tbbu0\tbu0\qb0f\en +\end{verbatim}\end{quote} + %\check + \subsection{Repeated pattern beams}\index{repeated patterns} +Note heads hanging on beams are not necessarily quarter (or higher order) +note heads. It is possible to hang half note heads on beams +using \keyindex{hb} macro, e.g.: + +\begin{music} +\startextract +\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes +\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes +\endextract +\end{music} +\noindent has been coded as: +\begin{quote}\begin{verbatim} +\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes +\Notes\ibbu0g0\hb0g\tbu0\hb0g\enotes +\end{verbatim}\end{quote} + + +It is also possible to write + +\begin{music} +\startextract +\Notes\ibbl0j3\wh j\tbl0\wh l\enotes +\Notes\ibbu0g3\wh g\tbu0\wh i\enotes +\endextract +\end{music} +\noindent which was coded as: +\begin{quote}\begin{verbatim} +\Notes\ibbl0j3\wh j\tbl0\wh l\enotes +\Notes\ibbu0g3\wh g\tbu0\wh i\enotes +\end{verbatim}\end{quote} +\noindent However, a better look could be obtained in a more sophisticated +way\footnote{You are suggested to make your own macro if you have to type many +of these, or better: use a pre-compiler.}: + +\begin{music} +\startextract +\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes +\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace +\endextract +\end{music} +\noindent which was simply coded as: +\begin{quote}\begin{verbatim} +\Notes\loff{\zw j}\ibbl0j3\sk\tbl0\wh l\enotes +\Notes\ibbu0g3\wh g\tbu0\roff{\wh i}\enotes\qspace +\end{verbatim}\end{quote} + + Single repeated notes can also be made --- in a much more sophisticated +way\footnote{But you can write your own macro, thinking of using +{\tt\char92transpose} to lift the oblique beams.}, for example: + + \begin{music} +\startextract +\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibu0j0\qb0{jjj}\tbu0\qb0j\en +\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% + \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar +\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibbu0i0\qb0{jjj}\tbu0\qb0j% + \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibbu0i0\qb0{jjj}\tbu0\qb0j\en +\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% + \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +\endextract + \end{music} + \noindent whose coding (due to W. {\sc Icking}) is; + +\begin{quote}\begin{verbatim} +\Notes\ibl0h0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibu0j0\qb0{jjj}\tbu0\qb0j\en +\NOTes\loffset{0.5}{\ibl0j9}\roffset{0.5}{\tbl0}\zhl h% + \loffset{0.5}{\ibu0g9}\roffset{0.5}{\tbu0}\hu j\en\bar +\notes\ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibbu0i0\qb0{jjj}\tbu0\qb0j% + \ibbl0i0\qb0{hhh}\tbl0\qb0h\bsk\bsk\bsk\bsk + \ibbu0i0\qb0{jjj}\tbu0\qb0j\en +\NOTes\loffset{0.5}{\ibbl0k9}\roffset{0.5}{\tbl0}\zhl h% + \loffset{0.5}{\ibbu0f9}\roffset{0.5}{\tbu0}\hu j\en +\end{verbatim}\end{quote} + + \subsection{Beams across bars} +The usual way most composers wrote their scores was beams inside bars, +at least until the beginning of the XIX-th +century. Unfortunately, later composers ({\sc Brahms}, {\sc Scriabin}, +{\sc Grieg}, etc.) wanted to write beams jumping across bars. +This is possible without any problems. +We give an example from {\sc Brahms}'s Intermezzo op.~118,1 provided by +Miguel {\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip + +\begin{music} +\interstaff{12} +\setstaffs1{2} +\setclef1\bass +\generalmeter\allabreve +\startextract +\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes +\bar +\nspace +\Notes\ibu0L2\qb0{CEJLcL}% + \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes +\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes +\bar +\Notes\ttie1\zh{.L.a}\hl{.e}% + \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes +\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes +\endextract +\end{music} + %\check +\noindent whose coding is: +\begin{verbatim} +\interstaff{13} +\instrumentnumber{1} +\setstaffs1{2} +\setclef1\bass +\generalmeter\allabreve +\startextract +\NOtes\qp\nextstaff\isluru0q\zq{q}\ql{j}\enotes +\bar +\nspace +\Notes\ibu0a1\qb0{CEJLcL}% + \nextstaff\roff{\zw{l}}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes +\Notes\qb0J\itied1a\qb0a\nextstaff\tslur0o\zq{o}\ql{h}\enotes +\bar +\Notes\ttie1\zh{.L.a}\hl{.e}% + \nextstaff\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes +\NOtes\qp\nextstaff\zq{q}\ql{j}\enotes +\endextract +\end{verbatim} +Still to be done manually is the cut and prolongation across line breaks, which +can be easily be done with shifting using \keyindex{roff} and/or +\keyindex{loff}, or with insert of a spacing command (here done with +\keyindex{hsk}). We give an example from {\sc Grieg}'s ``Hochzeit auf +Troldhaugen'':\index{Grieg, E.@{\sc Grieg, E.}}\medskip + +\begin{music} +\parindent0pt +\def\rqs{\lower\Interligne\rlap\qs} +\def\snotes{\vnotes1\elemskip} +\setstaffs1{2} +\generalsignature{2} +\setclef1{\bass} +\interstaff{12} +\startpiece +%%% bar 1 +\addspace\afterruleskip +\snotes|\tinynotesize\ibsluru0n\ibbu0m5\qb0{=m}\tqh0n\en +\qspace +\Notes\zchar{-7}\sPed\loffset{.3}{\fl E}\zq E\qu{_I}% + |\zql g\ibu2l0\busf2\qb2{=m}\en +\Notes|\tubslur0o\qb2{_l}\en +\Notes\loffset{.3}{\fl L}\zq L\ibl0L0\qb0{_b}% + |\ibl1h0\zqb1g\bupz2\qb2l\en +\Notes\zq L\tqb0b|\tbl1\zqb1g\bupz2\tqh2l\en +\NOtes\zq L\ql b|\zql g\qu l\en +\notes\zchar{-7}\sPed\zchar{-7}{\eightit ~~~sempre}% + \zchar{14}{\pp\eightit~sempre}\zq I\ibbu1J0\qb1L|\qs\en +\notes\qs|\zq N\ibbu3d0\qb3{_d}\en +\notes\qb1E|\rqs\en +\notes\qs|\fl e\zq N\rq e\qb3d\en +%%% bar 2 +\bar +\notes\loffset{.3}{\fl I}\zq I\qb1{_L}|\rqs\en +\qspace +\notes\qs|\lfl d\zq d\zq {=f}\qb3N\en +\notes\tqh1{_E}|\rqs\en +\notes\qs|\zq d\zq g\tqh3N\en +\notes\zq I\ibbu0J0\qb0L|\rqs\en +\notes\qs|\zq d\ibbu1d0\qb1N\en +\notes\qb0E|\rqs\en +\notes\qs|\fl e\rq e\zq d\qb1N\en +\notes\zq I\qb0L|\rqs\en +\notes\qs|\zq f\zq d\qb1N\en +\notes\tqh0E|\rqs\en +\notes\qs|\zq g\zq d\tqh1N\en +\notes\zq I\ibbu0J0\qb0L|\rqs\en +\notes\qs|\zq d\ibbu1d0\qb1N\en +\notes\qb0E|\rqs\en +\notes\rlap\qs\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en +\endpiece +\end{music} +\noindent where the prolongation was coded as: +\begin{verbatim} +\notes\rlap{\qs}\hsk\tbu0|\rq e\zq d\zqb1N\hsk\tbu1\en +\end{verbatim} + %\check + \subsection{Semi-automatic beams} +In order to avoid tedious checks to adjust the slope (and even the starting +pitch) of beams in music with a lot of steep beams, a set of automatically +slope computing has recently been implemented. If +you say \verb|\Ibu2gj3| \musixtex\ will understand that`you want to +build an upper beam (beam number 2) horizontally extending \verb|3\noteskip|, +the first note of which is a \verb|g| and the last note is a \verb|j|. +Knowing these parameters it will choose the highest slope number which +corresponds to a slope not more than $(\hbox{\tt j}-\hbox{\tt +g})/(3\keyindex{noteskip})$. Moreover, if there is no sufficiently steep beam +slope available, then it will raise the starting point. + + Eight such macros are available: \keyindex{Ibu}, \keyindex{Ibbu}, +\keyindex{Ibbbu}, \keyindex{Ibbbbu}, \keyindex{Ibl}, \keyindex{Ibbl}, +\keyindex{Ibbbl} and \keyindex{Ibbbbl}. + +Also available are ready definitions for often needed sets of double, +triple and quadruple notes with computed slopes. These are: +\keyindex{Dqbu}, \keyindex{Dqbl}, \keyindex{Dqbbu}, \keyindex{Dqbbl}, +\keyindex{Tqbu}, \keyindex{Tqbl}, \keyindex{Tqbbu}, \keyindex{Tqbbl}, +\keyindex{Qqbu}, \keyindex{Qqbl}, \keyindex{Qqbbu} and \keyindex{Qqbbl}. + %\check + + +\medskip +\begin{music} +\parindent0pt\startpiece +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en +\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece +\end{music} +\noindent which was simply coded as: +\begin{quote}\begin{verbatim} +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en +\notes\Qqbbu fgge\Qqbbl jhgi\en +\end{verbatim}\end{quote} + %\check + +\section{Rests} + Except that difference that they have no specific pitch, rests are coded in a +very simple way. + \subsection{Ordinary rests} + Full bar rests (also called ``pauses'') are coded as +\keyindex{pause}, with a point behind as \keyindex{pausep}; +smaller rests are +\keyindex{hpause} (of duration equal to a \ital{half note}), +with a point behind as \keyindex{hpausep}, +\keyindex{qp} (duration equal to a \ital{quarter note}, + also \keyindex{soupir}), +\keyindex{ds} (duration equal to an \ital{eighth note}), +\keyindex{qs} (duration equal to an \ital{sixteenth note}), +\keyindex{hs} (duration equal to an \ital{thirty second note}), +\keyindex{qqs} (duration equal to an \ital{sixty fourth note}). + + Long rests (lasting several bars) can be coded as \keyindex{PAuse} +and \keyindex{PAUSe}, which respectively yield: + +\begin{music} +\generalmeter{\meterfrac44} +\startextract +\def\atnextbar{\znotes\centerbar\PAuse\en}% +\NOTEs\en\bar +\def\atnextbar{\znotes\centerbar\PAUSe\en}% +\NOTEs\en\endextract +\end{music} + %\check + + \subsection{Lifted rests}\index{lifting rests}\index{rest lifting} All the +previous rests with exception of \keyindex{pausep} (pause with a point) and +\keyindex{hpausep} (half rest with a point) are \ital{hboxes}; this means that +they can be vertically offset to meet polyphonic music requirements using the +standard \TeX\ command \keyindex{raise}. For example: + + \begin{quote} + \begin{verbatim} + \raise 2\Interligne\qp + \raise 3mm\qq + \end{verbatim} + \end{quote} + + \noindent{\sl{\bfseries CAUTION:} do not try to lift rests (or notes but this +looks so silly that...) using codings like +\verb|\raise2mm|\keyindex{hbox}\verb|{\qp}|. The reason is that the rest +symbol (e.g. \verb|\qp|) is embedded in braces, so that local counting of +spaces (register \verb|\loc@skip|) will be lost, resulting in turn in +overfull/undfull boxes, beam errors, erratic slurring, etc. In general, all +rests and all notes should be coded at the brace level of the \verb|\notes| +command, unless they are deliberately embedded in \keyindex{rlap} or +\keyindex{llap} which actually overlook spacing counting but finally force no +horizontal spacing, a behaviour which compensates the forgotten spacing count.} + + In addition, two symbols have been provided to put a \itxem{full rest} or a +\itxem{half rest} above or below the staff. Then the ordinary \verb|\pause| or +\verb|\hpause| cannot be used since there is a need for small horizontal line +to distinguish between the full and the half rest. They are: + \begin{itemize} + \item \keyindex{liftpause}~$n$ (non spacing) to get a + \hbox to10pt{\liftpause{-2}\hss} + raised from original position by $n$ staff line intervals, + \item \keyindex{lifthpause}~$n$ (non spacing) to get + \hbox to10pt{\lifthpause{-1}\hss} raised the same way. + \item \keyindex{liftpausep}~$n$ (non spacing) to get a + \hbox to10pt{\liftpausep{-2}\hss} + raised from original position by $n$ staff line intervals, + \item \keyindex{lifthpausep}~$n$ (non spacing) to get + \hbox to10pt{\lifthpausep{-1}\hss} raised the same way. + \end{itemize} + %\check + + \subsection{Bar centered rests}\label{barcentered} +Sometimes it is necessary to place a rest (or other) exactly in the middle +of a bar. This can be done with more sophisticated commands: +%\keyindex{atnextbar} +\keyindex{centerbar}, +\keyindex{centerPAUSe}, +\keyindex{centerPAuse}, +\keyindex{centerpause}, +\keyindex{centerhpause}. +For example: + +\begin{music} +\generalmeter\meterC +\setclef1\bass +\setstaffs1{2} +\parindent0pt +\startpiece\addspace\afterruleskip +\NOtes|\qa{cegj}\en +\def\atnextbar{\znotes\centerpause\en}\bar +\NOtes|\qa{jgec}\en +\def\atnextbar{\znotes\centerpause\en}\bar +\Notes\ca{`jihgfedc}\en +\def\atnextbar{\znotes|\centerpause\en}\bar +\NOTes\ha{Nc}\en +\def\atnextbar{\znotes|\centerpause\en}\bar +\addspace{10\elemskip}% +\def\atnextbar{\znotes\centerbar\duevolte|\centerbar\duevolte\en}\endpiece +\end{music} +\begin{verbatim} +\generalmeter\meterC +\setclef1\bass +\setstaffs1{2} +\parindent0pt +\startpiece\addspace\afterruleskip +\NOtes|\qa{cegj}\en +\def\atnextbar{\znotes\centerpause\en}\bar +\NOtes|\qa{jgec}\en +\def\atnextbar{\znotes\centerpause\en}\bar +\Notes\ca{`jihgfedc}\en +\def\atnextbar{\znotes|\centerpause\en}\bar +\NOTes\ha{Nc}\en +\def\atnextbar{\znotes|\centerpause\en}\bar +\addspace{10\elemskip}% +\def\atnextbar{\znotes\centerbar{\duevolte}|\centerbar{\duevolte}\en}\endpiece +\end{verbatim} + %\check + +\section{Phantom notes and spacing commands}\label{spacing} +It may be interesting, when coding a sequence of notes within a unique pair +\verb|\notes...\enotes|, to skip one note place in order -- for +example -- to set the third note of one staff at the same abscissa as that of +the second note of another staff. This can be done by inserting \keyindex{sk} +which causes a spacing of one \keyindex{noteskip}\footnote{Never use +\keyindex{kern} nor \keyindex{hskip}~: in fact \keyindex{sk} not only causes +a space but also records that space for correct handling of beams, slurs, +trills, octaviation dashed lines, line-breaking, etc.}. Sometimes it is useful +to \ital{skip back} one noteskip, this can be done with \keyindex{bsk}. The +spacing of a half \verb|\noteskip| can be yielded with \keyindex{hsk}. + + %\check + + If you just want to shift a note or a symbol by one note head width, +you may write \keyindex{roff}\verb|{|\ital{note/symbol}\verb|}| (shift right) +or \keyindex{loff}\verb|{|\ital{note/symbol}\verb|}| (shift left). + If you just want to shift a note or a symbol by one half note head width, +you may write \keyindex{hroff}\verb|{|\ital{note/symbol}\verb|}| (shift right) +or \keyindex{hloff}\verb|{|\ital{note/symbol}\verb|}| (shift left). +For example, to get + %\check + + +\begin{music} +\startextract +\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes +\endextract +\end{music} +you code: + + %\check + +\begin{quote}\begin{verbatim} +\Notes\roff{\zwh g}\qu g\qu h\qu i\enotes +\end{verbatim}\end{quote} + +If you want to shift notes or symbols right by more or less than one note head +width, then you can use \keyindex{roffset} (or \keyindex{loffset} in the other +direction) which has an additional first argument which is the number of note +head widths the second argument should be shifted by. For example + +\begin{music} +\startextract +\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes +\endextract +\end{music} +was coded: + +\begin{quote}\begin{verbatim} +\Notes\roffset{1.5}{\zwh g}\qu g\qu h\qu i\enotes +\end{verbatim}\end{quote} + +\begin{important} the offset specified or implicitly specified in +\verb|\roff|, \verb|\loff|, \verb|\roffset| and \verb|loffset| does not add to +the total spacing amount; in other words this is just an offset, not a +spacing. Conversely, the possible spacing of commands included in the argument +of \verb|\roff|/\verb|\loff| and in the second argument +of \verb|\roffset|/\verb|\loffset| actually adds to the total spacing in that +bar of the current staff. Therefore, the symbol/note argument of these offset +commands should usually produce no spacing, i.e. begin with \verb|\z|. + + Besides, it is not advised to insert several consecutive spacing notes in +the \verb|\roff|/\verb|\loff| or \verb|\roffset|/\verb|\loffset| arguments, +since it could mess up the global spacing accounting. + \end{important} + + %\check + + +To insert spacing of \ital{nearly} one \ital{note head width}, you can use +\keyindex{qsk}(which has the drawback, that it is scalable, so what spacing +you really get depends on the computed \verb|\elemskip| from \verb|musixflx| +and the user chosen value of \verb|\elemskip|). The half of this spacing can +be forced with \keyindex{hqsk}. Note that these two latter macros must be used +inside a pair \verb|\notes...\enotes|. + + If you want to insert additional spacing before a group of notes, especially +to avoid a collision with an accidental, you can write \keyindex{nspace} --- +outside the \verb|\notes...\enotes| group --- and this will produces an +additional spacing of a half note head width; in the same way, +\keyindex{qspace} will yield a spacing of a note head width. Note that +\verb|\nspace| and \verb|\qspace| are ``hard'' spacings, whose general +feature is \verb|\hardspace|, described below. + +Sometimes the additional space behind \keyindex{changecontext} +disturbs the eye of a typesetter, but this ugly spacing can be reduced with: + +\keyindex{addspace}\verb|{-|\keyindex{afterruleskip}\verb|}%| + +It should be emphasized that all these spacing commands work correctly, only +when their dimension arguments are \itxem{scalable values} and not fixed +dimensions; the scalable dimensions are \keyindex{elemskip}, +\keyindex{beforeruleskip}, \keyindex{afterruleskip}, \keyindex{noteskip} and +their multiples. + +The only spacing command which can work with ``normal'' (that is, +\ital{not scalable}) dimensions is:\label{hardspace}\index{hard spacing} + + +\keyindex{hardspace}\verb|{|\ital{any \TeX~dimension}\verb|}%| + +\noindent but both \verb|\addspace| and \verb|\hardspace| can only be used +outside of \verb|\notes...\enotes|. + +Conversely, a more general spacing is allowed within the +\verb|\notes...\enotes| pairs, namely: + +\keyindex{off}\verb|{|$D$\verb|}%| + +\noindent where $D$ is a \itxem{scalable dimension}, for example +\verb|\noteskip| or \verb|\elemskip|. In fact, if you look to the +\musixtex\ source, you will find that \verb|\off| is the basic control +sequence used to define \keyindex{sk}, \keyindex{qsk}, etc. + + %\check + +\section{Collective coding: sequences of notes} + +As seen in the {\sc Mozart} example, it is not necessary to write a macro +sequence \verb|\notes...\enotes| for each column\footnote{Although +the compiler compiles it faster.}. If, on all +staffs of all instruments, spacings are equal or multiple of a unique value, +the notes may be concatenated in each staff: each note in each staff makes +the current position horizontally advance by the elementary spacing specified +by the choice of \verb|\notes|, \verb|\Notes|, \verb|\NOtes|, etc. + + The major interest of this feature resides in that fact that +the note macros are able to write several items; for instance +\verb|\qu{cdefghij}| writes the \ital{C-major} scale in quarters with +stem up. In the same way \verb|\cl{abcdef^gh}| writes the +\ital{A-minor} scale in eighths. Not all note generating macros can be +used to perform collective coding, but most of them can. + + If necessary a void space\footnote{same behaviour as {\Bslash sk}} +can be inserted in a collective coding by using \verb|*|\index{*}. + + %\check + +\section{Accidentals} + +Accidentals can be introduced in two ways. + + The first way, the \ital{manual} way of coding them, consists for +example in coding \keyindex{fl}\verb|a| to put a \ital{flat} at the +pitch $a$, supposedly before the further note of that pitch. +There is no control upon the fact that a note will be put at this position +and at this pitch. +Naturals, sharps, double flats and double sharps are coded \keyindex{na}~$p$, +\keyindex{sh}~$p$, \keyindex{dfl}~$p$ and \keyindex{dsh}~$p$ respectively. + +Alternate procedures \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh}, +\keyindex{ldfl} and \keyindex{ldsh} +place the same accidentals, but their abscissa is shifted one note head width +on the left. The purpose of this is to avoid collision of accidentals +in a chord with narrow intervals. + + The second way of coding accidentals consists in putting the symbol +\verb|^| (sharp), the symbol \verb|_| (flat), the symbol \verb|=| (natural), the +symbol \verb|>| (double sharp), or the symbol \verb|<| (double +flat) within the coding of the note, e.g.: \verb|\qb{^g}| yields a +$G\sharp$. This may very well be combined with collective coding, e.g.: +\verb|\qu{ac^d}|. + + Two sizes are available for accidentals. They revert to the small +version when notes are supposed to be too close to each other. These two +sizes can be forced by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or +\keyindex{smallfl}, \keyindex{smallsh}, etc. If one does not want to have any +small accidentals, then one can declare \keyindex{bigaccid} (conversely +\keyindex{smallaccid} or \keyindex{varaccid} -- the latter restoring variable +sizes). + + Small accidentals can also be put \ital{above} the note +heads. This is done using \keyindex{uppersh}~$p$, \keyindex{upperna}~$p$ or +\keyindex{upperfl}~$p$: + +\begin{music} +\startextract +\NOtes\uppersh l\qa l\enotes +\NOtes\upperna m\qa m\enotes +\NOtes\upperfl l\qa l\enotes +\endextract +\end{music} + It also possible to introduce \ital{\ixem{cautionary accidental}s} on a +score, i.e.\ small size accidentals between parentheses. This done by preceding +the name of the accidental keyword by a \verb|c|,\label{cautionary} + e.g.~by coding \keyindex{cfl}~$p$ to get a cautionary flat. + Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, \keyindex{cna}, +\keyindex{cdfl} and \keyindex{cdsh}, which give: + +\begin{music} +\startextract +\NOtes\csh g\qa g\enotes +\NOtes\cfl h\qa h\enotes +\NOtes\cna i\qa i\enotes +\NOtes\cdfl j\qa j\enotes +\NOtes\cdsh k\qa k\enotes +\endextract +\end{music} +\noindent +Besides, the distance between note and accidental is influenced by + +\keyindex{accshift}\verb|=|\ital{any \TeX\ dimension} + +\noindent +positive values shift to left, negative to right, default is \verb|0pt|. + \section{Transposition and octaviation} +An important feature is the existence of a special register +\keyindex{transpose} the normal value of which is 0. If you say + +\verb|\transpose=3| + +\noindent all subsequent pitches specified by +upper or lower case letters\footnote{Pitches specified with figures are +absolute and not transposed.} will be transposed 3 positions. If you set +\keyindex{transpose} to 7 you may write your music one octave below its final +pitch. Thus, you can define \ital{octaviation} macros like + +\verb|\def\soqu#1{\zq{#1}{\transpose=7 \qu{#1}}}| + +\noindent to build quarter note octaves in a single call. Note +that the octaviated note is coded within braces so that the transposition +is only local. + + \ital{Octaviation}\index{octaviation} can also be performed in another +way, namely using special codes to transpose by multiples of 7 intervals. +For example \verb|\qu{'ab}| is equivalent to \verb|\qu{hi}| and +\verb|\qu{`kl}| is equivalent to \verb|\qu{de}|. It should be +emphasized here that the \verb|'| (\itxem{acute accent}) and the \verb|`| +(\itxem{grave accent}) have cumulative effects, so that \verb|\qu{''A'A}| +is equivalent to \verb|\qu{ah}| and that the \verb|\transpose| +parameter is only reset to its initial value (not necessarily zero) when +changing staff or instrument (i.e. \| or \verb|&|) or at \verb|\enotes|. + Since this may be confusing, it is useful to use the \verb|!| prefix +to reset the \verb|\transpose| register explicitely to the value it had +when entering \verb|\notes|\footnote{This value is saved in another +register named \keyindex{normaltranspose}.}. Thus \verb|\qu{!a'a}| always +gives the note \verb|a| and its upper octave \verb|h| \ital{shifted by the +value of {\Bslash transpose} at the beginning of the current} \noindent +\verb|\notes...\enotes| group (or \verb|\Notes...\enotes|, +etc.) whatever the number of previous grave and acute accents occurring +inbetween. + \subsection{Typical piano octave transposition} + \subsubsection{Local octave transposition of fixed length} +\begin{music} +\startextract +\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en +\endextract +\end{music} +\noindent can be coded as +\begin{quote}\begin{verbatim} +\startextract +\NOTEs\octfinup{10}{3.5}\qu a\qu b\qu c\qu d\en +\endextract +\end{verbatim}\end{quote}\zkeyindex{octfinup} +\noindent that is, the dashed line extends 3.5$\times${\Bslash noteskip}. +Conversely, lower octaviation can also be coded, for example: + +\begin{music} +\startextract +\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en +\endextract +\end{music} +\noindent which is coded as +\begin{quote}\begin{verbatim} +\startextract +\NOTEs\octfindown{-5}{2.6}\ql j\ql i\ql h\en +\endextract +\end{verbatim}\end{quote}\zkeyindex{octfindown} +If a more sophisticated posting is wanted, this can be achieved refefining +the macro \keyindex{octnumber}, e.g.: + +\begin{music} +\startextract +\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en +\endextract +\end{music} +\noindent whose coding is +\begin{quote}\begin{verbatim} +\startextract +\NOTEs\def\octnumber{\ppffsixteen8$^{va}$}\octfinup{10}3\qu c\qu d\qu e\en +\endextract +\end{verbatim}\end{quote} +\noindent or + +\begin{music} +\startextract +\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}\octfindown{-5}4\ql l\ql k\ql j\en +\endextract +\end{music} +\noindent coded as: +\begin{quote}\begin{verbatim} +\startextract +\NOTEs\def\octnumber{\ppffsixteen8$^{va\,bassa}$}% + \octfindown{-5}4\ql l\ql k\ql j\en +\endextract +\end{verbatim}\end{quote} + +\subsubsection{Long or variable range octave transposition} +Long range octave transpositions are better handled using +\keyindex{Ioctfinup}, +\keyindex{Ioctfindown} and +\keyindex{Toctfin} whose effect extends over line breaks. + +{\Bslash Ioctfinup}~$np$ starts an octave transposition of reference number +$n$ (with $0\le n<6\equiv$\keyindex{maxoctlines}) dashed line at pitch $p$ +(usually $p>10$ but it can also be an alphabetic pitch specification), +{\Bslash Ioctfindown}~$np$ starts a lower octave transposition at pitch $p$ +(usually $p<-2$), and both extend until terminated with {\Bslash toctfin}. The +difference between {\Bslash Ioctfinup}~$n$ and {\Bslash Ioctfindown}~$n$ is +the relative position of the ``8'' figure with respect to the dashed line, and +the sense of the terminating hook (note that {\Bslash Ioctfinup} has a hook +under the dashed line, and conversely). + +For the sake of backward compatibility, \keyindex{ioctfinup} is equivalent to +\verb|\Ioctfinup 0| and \keyindex{ioctfindown} is equivalent to +\verb|\Ioctfindown 0|. +For example: + +\medskip + \begin{music} +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes +\bar +\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes +\bar +\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes +\bar +\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes +\endextract +\end{music} +whose coding is +\begin{quote}\begin{verbatim} +\begin{music} +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\wh{CDEFGH}|\wh{cde}\Ioctfinup 1p\wh{fgh}\enotes +\bar +\notes\Ioctfindown 2A\wh{IJKLMN}|\wh{ijklmn}\enotes +\bar +\Notes\wh{NMLKJI}|\wh{nmlkji}\Toctfin1\enotes +\bar +\Notes\wh{HGFED}\Toctfin2\wh C|\wh{hgfedc}\enotes +\endextract +\end{music} +\end{verbatim}\end{quote} + %\check + + +%\begin{changebar} + + The elevation of octaviation lines may be raised/lowered using +\keyindex{Liftoctline}~$n$~$p$ where $n$ is the reference number of the + wanted ocave line, and $n$ a number (possibly negative) number of +\verb|\internote| by which the dashed line should be lifted. This is +particularly useful when octaviation lines last several systems and need to be +lifted in the systems occuring farther than the initiation. + +%\end{changebar} + + \subsection{Transposition of accidentals} + The above processes indeed change the vertical position of the note heads +and associated symbols (note stems, accents and beams) but they do not take +care of the necessary changes of accidentals when transposing, i.e. the fact +that an $F\sharp$ occurring with a zero signature should become a $B\natural$ +when transposing from the tonality of $C$ major to $F$ major where the normal +$B$ is the $B\flat$. Since the intent of the composer is not obvious -- he +may want to shift a group of notes within the same tonality or conversely to +transpose it in another tonality -- this is not done automatically. Thus the +\keyindex{sh}, \keyindex{fl}, \keyindex{na}, \keyindex{dsh} and +\keyindex{dfl} symbols \ital{are not affected} by a change of the +\keyindex{transpose} register. + + But the composer/typesetter may ask \musixtex\ to do that work. In this +case, he should code \keyindex{relativeaccid}. In that case, a \verb|\sh| +command means that the corresponding pitch\footnote{The musical output note, +not the typesetting position.} has to be raised by \ital{one half pitch} +with respect to its normal value \ital{according to the current signature}. +Thus \verb|\sh b| (using \keyindex{relativeaccid}) means a $B\sharp$ if the +signature is zero or positive, and a $B\natural$ if it is negative. The same +logic applies for all accidentals using \keyindex{relativeaccid}. + +In the same way, the compact codes \verb|^|, \verb|_|, \verb|=| are normally +not affected by transposition and signatures, but their behaviour will be +changed by saying \keyindex{relativeaccid} and reset by +\keyindex{absoluteaccid} (the default situation)\footnote{Note that the +behaviour of {\Bslash sh}, {\Bslash na} and {\Bslash fl} with \musixtex\ +corresponds to the behaviour of {\Bslash Sh}, {\Bslash Na} and {\Bslash Fl} +with \musictex+{musictrp.tex}. But the {\tt musixcpt.tex} file forces the same +behaviour as \musixtex\ in that respect, see page \pageref{compatibility}.}. + + Although \ital{relative accidental coding} is an easy and safe way of +coding \ital{transposable} scores, care should be exercised in getting rid +of the habit of saying \verb|\na b| to raise the pitch of a $B$ when the +tonality is $F$ major (i.e. with \keyindex{setsign$n$}\verb|=-1| or +\keyindex{generalsignature}\verb|{-1}|). An example of sophisticated +transposition is given in the score \verb|souvenir.tex| (which \verb|\input|s +\verb|souvenix.tex|). + + %\check + +\section{Slurs and ties} +The slurs and ties provided by \musixtex\ can be divided into two categories: +\label{simpleslur} +\begin{itemize} + \item Those where the complete slur symbol is composed of a single + character from one of the slur fonts, and + \item those where the slur symbol is composed three discrete + characters, to form the beginning, middle and end of the slur. +\end{itemize} +The former are called \ital{simple slurs} and the latter are called +\ital{compound slurs}. To some extent the division between the two is +invisible to the user, in that a number of the macros described below will +select between the two types automatically. However, other macros are +provided to +enable simple slurs to be specified. Note that slurs of both types must be +coded within the pair \verb|\notes...\enotes|. + \subsection{General slur coding} +This section describes the usual method of slur coding, where the +choice between simple or compound slurs is made automatically. +In this case, slurs are initiated and terminated by separate macros, +as is the case for beams. + \subsubsection{Slur initiation} +The slur must be initiated {\em before} +the spacing note at which the slur begins, and terminated {\em before} the +note at which the slur ends. The simplest slur initiation macro is + + +\keyindex{isluru}~$np$ + +\noindent which initiates an upper slur, with reference +number $n$, beginning at pitch $p$. The starting point of the slur is +centred above an imaginary quarter note head at pitch $p$. +As for beams, the reference number $n$ takes values from 0 to 5, or +0 to 8 if \ttxem{musixadd.tex} is included. +Similarly, \keyindex{islurd}~$np$ initiates a lower slur. +These slurs are terminated by coding +\keyindex{tslur}~$np$ where $n$ is the reference number and $p$ is the +termination pitch. To illustrate with a simple example, the following +passage + +\begin{music} +\startextract +\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en +\bar +\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en +\NOTes\hu g\en +\endextract +\end{music} + +\noindent was coded as: +\begin{quote}\begin{verbatim} +\NOtes\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en +\bar +\NOtes\islurd0{'a}\qu a\tslur0{`f}\qu f\en +\NOTes\hu g\en +\end{verbatim}\end{quote} + +Other macros are provided to change the starting and ending point of the slur +in relation to the initial and final notes. Thus, \keyindex{issluru}~$np$ +initiates a ``short'' upper slur suitable for linking notes involved in chords. The +starting point is shifted to the right, and is vertically aligned with the +centre of an imaginary quarter note head at pitch $p$. If a lower short slur +is wanted, one should use \keyindex{isslurd}~$np$. + + +Sometimes, busy scores call for slurs which are vertically aligned with the +ends of note stems rather than note heads. These ``beam'' slurs --- so called +because the slur is written at usual beam height --- are provided by the +macros \keyindex{ibsluru}~$np$ and \keyindex{ibslurd}~$np$. These macros +initiate slurs raised or lowered by the current stem height to accommodate +stems or beams above or below. + %\check + + \subsubsection{Slur termination}\label {slurtermin} +Termination of slurs can be achieved in two ways. First, macros matching +each of the initialization macros are provided, as shown below.\\ +\begin{center} + \begin{tabular}{ll} + Initiation & Termination \\ + \hline + \keyindex{isluru}, \keyindex{islurd} & \keyindex{tslur} \\ + \keyindex{issluru}, \keyindex{isslurd} & \keyindex{tsslur} \\ + \keyindex{ibsluru} & \keyindex{tbsluru}\\ + \keyindex{ibslurd} & \keyindex{tbslurd}\\ + \hline + \end{tabular} \end{center} These specific termination macros enable slurs +started in one way to be terminated in another. For example, a slur beginning +as a ``beam'' slur may be terminated as a normal slur. This would be achieved +using the macro pair \verb|\ibslur...\tslur|. + \subsubsection{Ties} The coding of \itxem{ties} follows from the above +discussion as a special case of slurs, i.e. when there is no pitch change. +Upper ties are initiated by \keyindex{itieu}~$np$ which starts an upper tie of +reference number $n$ at pitch $p$. +Lower ties are initiated by \keyindex{itied}~$np$ which starts an lower tie of +reference number $n$ at pitch $p$. + +The starting position of the tie is the same as \verb|\issluru| and +\verb|\isslurd| respectively. The tie is terminated by coding +\keyindex{ttie}~$n$. + +Some simple examples of slurs and ties are illustrated below. + +\begin{music} +\startextract +\NOTes\isluru0g\hl g\tslur0h\hl h\en +\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en +\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en +\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en +\endextract +\end{music} +\noindent This was coded as: +\begin{quote}\begin{verbatim} +\begin{music} +\startextract +\NOTes\isluru0g\hl g\tslur0h\hl h\en +\NOTes\islurd0c\issluru1g\zh{ce}\hu g\tslur0d\tsslur1h\zh{df}\hu h\en +\NOTes\ibsluru0g\islurd1g\hu g\tubslur0h\hu h\en +\NOTes\itieu0k\hl k\ttie0\tdbslur1f\hl k\en +\endextract +\end{music} +\end{verbatim}\end{quote} + \subsubsection{Short ties} Usual music coding makes ties not different of +slurs, i.e. a tie is typed exactly like a slur linking two notes of same pitch. +However, this traditional way of doing has two the drawback: + \begin{itemize} + \item in some special cases, a slur might be confused with a tie and +conversely, + \item chord ties cannot be implemented with the slur starting above or below +the note, but only starting just right of the noetead and finishing just left +of the other note head. + \end{itemize} + This can be done using \verb|\issluru| (\ref{slurtermin}, p. +\pageref{slurtermin}) or \keyindex{itenu}~$np$, \keyindex{itenl}~$np$ for tie +initiation, and \keyindex{tten}~$n$ to terminate it. As an example: + + \begin{music} + \startextract + \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes + \bar + \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes + \endextract + \end{music} + \noindent was coded as: + \begin{quote}\begin{verbatim} + \begin{music} + \startextract + \NOTes\itenl0d\itenl1e\itenu2g\itenu3j\zh{ceg}\hu j\enotes + \bar + \NOTes\tten0\tten1\tten2\tten3\zh{ceg}\hu j\enotes + \endextract + \end{music} + \end{verbatim}\end{quote} + %\check + + + \subsubsection{Slur limitations} + The vertical gap between slur initiation and slur termination is limited to +16\verb|\Internote|. Thus exceedingly ascending slurs lead to unfortunate +results, such as~: + + \begin{music} +\instrumentnumber{1} +\generalmeter{\meterfrac34} +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract + +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract + \end{music} + whose coding was: + \begin{quote}\begin{verbatim} +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0j\ql j\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0n\ql n\enotes\endextract + +\startextract\NOTes\multnoteskip3\isluru0c\ql c\tslur0s\ql s\enotes + \bar\NOTes\multnoteskip3\isluru0c\ql c\tslur0z\ql z\enotes\endextract + \end{music} + \end{verbatim}\end{quote} + + Besides, tentative slurs of excessive slope may also yield unexpected shapes, +such as: + \begin{music} +\instrumentnumber{1} +\generalmeter{\meterfrac34} +\startextract\NOTes\isluru0c\ql c\enotes\notes\tslur0j\ql j\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0n\ql n\enotes + \NOTes\isluru0c\ql c\enotes\notes\tslur0s\ql s\enotes + \bar\NOTes\isluru0c\ql c\enotes\notes\tslur0z\ql z\enotes + \endextract + \end{music} + + \subsection{Dotted slurs} Compound and simple slurs (\ref{simpleslur}, +p.\pageref{simpleslur}) may be drawn dotted\footnote{Thanks to Werner {\sc +Icking}.} specifying \keyindex{dotted} just before slur initiation. + +\begin{music} +\startextract +\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar +\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en +\NOTes\hu g\en +\endextract +\end{music} + +\noindent This was coded as: +\begin{quote}\begin{verbatim} +\NOtes\dotted\islurd0g\qu g\tslur0{'c}\qu c\en +\Notes\dotted\isluru0{'e}\ibl0e{-2}\qb0{edc}\tslur0b\tqb0b\en\bar +\NOtes\dotted\slur{'a}{`f}d1\qu{'a`f}\en +\NOTes\hu g\en +\end{verbatim}\end{quote} + + \subsection{*Modifying slur properties} +Several macros are provided to modify the shape of slurs already initiated. +These macros must be coded before the slur termination. Note that only +compound slurs can be modified. Hence, calling any modification macro forces +the slur type to be compound. + \subsubsection{*Changing the rise or fall} + By default, the arch of a slur rises and falls from its original height by +three times the vertical note spacing. This can be changed using the macro +\keyindex{midslur}~$h$ where $h$ is the revised vertical displacement. For +example, \verb|\midslur{6}| coded before \verb|\tslur| causes an upper slur to +rise to a maximum height of \verb|6\internote| above the starting position. +Note that \verb|\midslur| must be coded {\em immediately} before the slur +termination (eg, \verb|\tslur|). Coding \verb|\midslur| before setting a +simple slur causes problems and should be avoided.\\[20pt] + +\begin{music} +\startextract +\NOtes\multnoteskip8\isluru0g\ql g\en +\notes\tslur0g\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\isluru0g\ql g\en +\notes\midslur7\tslur0g\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\isluru2g\ql g\en +\notes\midslur{11}\tslur2g\ql g\en +\endextract +\end{music} +This was coded as: +\begin{quote}\begin{verbatim} +\startextract +\NOtes\multnoteskip8\isluru0g\ql g\en +\notes\tslur0g\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\isluru0g\ql g\en +\notes\midslur7\tslur0g\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\isluru2g\ql g\en +\notes\midslur{11}\tslur2g\ql g\en +\endextract +\end{verbatim}\end{quote} + \subsubsection{*Changing the curvature} +The degree of curvature depends primarily on the initial and terminal +gradient of the slur, relative to its mean slope. The macro +\keyindex{curve}~$hij$ allows these to be modified. The first parameter $h$ +is the vertical deviation as for \verb|\midslur| described above. The second +parameter $i$ sets the initial gradient, while the third parameter $j$ sets +the +final gradient. The latter parameters are defined as the horizontal distance +required to attain maximum vertical deviation. Thus smaller numbers for $i$ +and $j$ lead to more extreme gradients. +The default setting is \verb|\curve344|. Hence, coding \verb|\curve322| +doubles the initial and final gradient relative to the default. +As with \verb|\midslur|, \verb|\curve| must be coded {\em immediately} before +the slur termination. +Likewise, coding \verb|\curve| before +a simple slur causes problems and should be avoided. + +The example below illustrates the use of \verb|\curve| more clearly. + + + +\begin{music} +\startextract +\NOtes\multnoteskip8\itieu0g\ql g\en +\notes\ttie0\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\itieu1g\ql g\en +\notes\curve 322\ttie1\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\itieu2g\ql g\en +\notes\curve 111\ttie2\ql g\en +\endextract +\end{music} +This was coded as: +\begin{quote}\begin{verbatim} +\startextract +\NOtes\multnoteskip8\itieu0g\ql g\en +\notes\ttie0\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\itieu1g\ql g\en +\notes\curve 322\ttie1\ql g\en +\endextract +\startextract +\NOtes\multnoteskip8\itieu2g\ql g\en +\notes\curve 111\ttie2\ql g\en +\endextract +\end{verbatim}\end{quote} + %\check + + + + \subsubsection{*Breaking slurs across a line} +Two macros are provided to control the behaviour of slurs which extend across +line breaks. Normally, the part of the slur before the line break is +treated as a tie. This can be changed using \keyindex{breakslur}~$np$, +which sets the termination height of +the broken slur at the line break to pitch $p$, for slur reference number $n$. + +After the line break, the slur is normally resumed at the initial pitch +reference, the one coded in \verb|\islur|. To change this, the macro +\keyindex{Liftslur}~$np$ may be used. Here $n$ is again the slur reference +number and $p$ is the change in height relative to the initialization height. +This macro is normally used following line breaks, in which case it is best +coded using the \verb|\atnextline| macro. For example, coding +\verb|\def\atnextline{\Liftslur06}| raises the continuation of slur zero +by \verb|6\internote| relative to its initialization height. + +These macros are illustrated by the following example. +%% +% Example +%% + %\check + + \subsubsection{*Inverting slur termination} +Occasionally in keyboard works one needs to begin a slur in one +stave but end it in another. This can be done using the macro +\keyindex{invertslur}~$n$ which is best described by reference to the example +shown below. + +% Finding the final pitch is try and error, sorry, no way out. + +\begin{music} +\setstaffs1{2} +\setclef1\bass +\startextract +\NOtes\multnoteskip5\isluru0a\ql a\en +\notes\invertslur0\curve311\tslur0g|\qu d\en +\NOtes\multnoteskip{10}\isluru0a\ql a\en +\notes\invertslur0\curve333\tslur0g|\qu d\en +\endextract +\end{music} +This was coded as: +\begin{quote}\begin{verbatim} +\setstaffs1{2} +\setclef1{\bass} +\startextract +\NOtes\multnoteskip5\isluru0a\ql a\en +\notes\invertslur0\curve311\tslur0g|\qu d\en +\NOtes\multnoteskip{10}\isluru0a\ql a\en +\notes\invertslur0\curve333\tslur0g|\qu d\en +\endextract +\end{verbatim}\end{quote} + + \begin{remark} + Slur inversion is achieved at a place where its slope ise zero~; therefore it +only works with ascending slurs started with \verb|\isluru|, and with +descending slurs started with \verb|\islurd|. Otherwise no horizontal place +can be found and the result is erratic. + + This second situation can be solved manually, stopping the slur at a +reasonable place with \verb|\tslur| and restarting in the other sense at the +same place. Stopping and restarting obviously refer to virtual note pitches (a +vertical position without actual note) which should be adjusted to have the +minimum discontinuity. + \end{remark} + + To make this drawing easier, three commands have been provided: + \begin{itemize} + \item \keyindex{Tslurbreak}$np$ stops slur number $n$ exactly at pitch $p$, +not above or below the virtual note head. + \item \keyindex{Islurubreak}$np$ restarts an upper slur at the same position, +not above a virtual note head. + \item \keyindex{Islurdbreak}$np$ restarts an lower slur at the same position, +not below a virtual note head. + \end{itemize} + Thus, the following pattern + + \begin{music} +\setclef1\treble +\startextract +\NOTes\multnoteskip 3\isluru0a\ql a\en +\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en +\Notes\tslur0h\qu h\en +\NOTes\multnoteskip 3\islurd0a\ql a\en +\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en +\Notes\tslur0h\qu h\en +\endextract +\end{music} +was coded as +\begin{quote}\begin{verbatim} + \begin{music} +\setclef1\treble +\startextract +\NOTes\multnoteskip 3\isluru0a\ql a\en +\NOTes\multnoteskip 3\Tslurbreak0d\Islurdbreak0d\sk\en +\Notes\tslur0h\qu h\en +\NOTes\multnoteskip 3\islurd0a\ql a\en +\NOTes\multnoteskip 3\Tslurbreak0d\Islurubreak0d\sk\en +\Notes\tslur0h\qu h\en +\endextract +\end{music} +\end{verbatim}\end{quote} + + + + + \subsection{Simple slurs} +Simple slurs and ties have the advantage +of optimal aesthetics and simple coding, but are limited in length to 68pt +for slurs and 220pt for +ties. Also, the maximum vertical extent of simple slurs is 8 times the +internote spacing, and the slurs may not extend across a line break. +Despite all these limitations, simple slurs are extremely useful in many +applications where the slurs are short and contained within a bar. + +Simple slurs extend to the right of the note immediately following. +Hence they must be coded {\em before} the note at which the slur begins. +The primary macro call is +\keyindex{slur}~$p_1p_2sl$ +where $p_1$ and $p_2$ are respectively the initial and final pitches, +$s$ is the sense, either {\tt u} or {\tt d}, and $l$ is the length, +in units of the current value of {\tt noteskip}. +Thus, thirds slured in pairs can be coded: + + %\check + +\begin{quote}\begin{verbatim} +\NOtes\slur ced1\qu{ce}\en +\NOtes\slur dfd1\qu{df}\en +\NOtes\slur egd1\qu{eg}\en +\NOtes\slur{'e}cu1\ql{ec}\en +\NOtes\slur{'d}bu1\ql{db}\en +\NOtes\slur{'c}au1\ql{ca}\en +\end{verbatim}\end{quote} +which yields: + +\begin{music} +\startextract +\NOtes\slur ced1\qu{ce}\en +\NOtes\slur dfd1\qu{df}\en +\NOtes\slur egd1\qu{eg}\en +\NOtes\slur{'e}cu1\ql{ec}\en +\NOtes\slur{'d}bu1\ql{db}\en +\NOtes\slur{'c}au1\ql{ca}\en +\endextract +\end{music} +%% +Similarly, ties may be set using +\keyindex{tie}~$psl$ where $p$ is the (single) pitch, and the other +parameters are as described above. + +Variants on these macros are provided to change the slur length +and vertical offset relative to the starting note, as follows. +\begin{itemize} + \item \keyindex{sslur}~$p_1p_2sl$, which sets a `short' slur, + designed for the case when a slur is required to link notes which + form part of a chord (see \verb|\isslur| above). + The macro \keyindex{stie}~$psl$ sets analagous ties. +%! \item \keyindex{bslur}~$p_1p_2sl$, which sets a `beam' slur, raised or +%! lowered so that the slur links the ends of note stems rather than +%! note heads. +\end{itemize} + %\check + + \subsection{Restrictions} +Generation of some of the slur fonts is problematic for \MF. +In particular, the long ties tend to exceed \MF's +maximum dimension for high resolution printers. However, for normal 300 dpi +printers there is no problem. A solution to this limitation is planned +for Postscript\raise1.5ex\hbox{\small\copyright} printers using +DVIPS \verb|\special| commands. + +\section{Bars} + \subsection{Bars and spacing} + Ordinary \ital{bars} are coded using the macro \keyindex{bar}. Its drawback +is that it does not differ from \verb|\bar| which is already defined in +\TeX's mathematical mode. \index{bar (original meaning)@{\Bslash bar} +\ital{(original meaning)}} Therefore, inside \verb|\startpiece...\endpiece| +\ital{our} \verb|\bar| means a musician \ital{bar}\footnote{\ital{Mesure} in +French, \ital{Takt} in German.} and outside, it keeps its original meaning. +If you \ital{really} need the original \verb|\bar| inside, you can say +\verb|\endcatcodesmusic...\bar...\catcodesmusic|. + %\check + + \subsection{Bar numbering} +Unless otherwise specified, \index{bar numbering}bars are +numbered. This is a good means of finding errors provided that the \musixtex\ +user has put comments in his source text recording the (expected) bar number. +However, this can look unpleasant for final outputs, since the habit is to +number bars only each other five or ten bars. This is not a serious problem +since the frequency of bar numbering is defined as: + + \verb|\def|\keyindex{freqbarno}\verb|{1}| + +If you replace the {\tt1} by {\tt5}, bar numbering will occur each other five +bars. You can also inhibit any bar number\footnote{default inside this manual} +printing by telling: + +\keyindex{nobarnumbers} + +\noindent If you want to restore bar numbering after \verb|\nobarnumbers|, +you can say + +\keyindex{barnumbers} + + The bar counter is also accessible, its name is \keyindex{barno}. +You can change it without any dramatic consequence. + +Sometimes there is need for to start with a \verb|\barno| value which differs +from 1. Perhaps the piece starts with an \ital{upbeat}, then you can code + +\keyindex{startbarno}\verb|=0| + +\noindent in front of \verb|\startpiece|; or you may want to typeset only an +excerpt starting for example with bar number +198, then you can code \verb|\startbarno=198|. Pay attention because +saying \verb|\startbarno=|$n$ has a global meaning. So if you want to +\verb|\input| several pieces whose starting bar numbers differ, you have to +adjust the value of \verb|\startbarno| each time.\label{startbarno} + + %\check + +The best compromise between information of the bar number and a pleasant +lookout is the command \keyindex{systemnumbers} which draws the bar numbers +only at the left top of every system (or staff? then the command will +be renamed to \verb|\staffnumbers| or \verb|\staffbarnumbers|). + +You can influence the height of the system numbers by coding + +\verb|\def|\keyindex{raisebarno}\verb|{|\ital{any \TeX~dimension}\verb|}| + +\noindent whose default is set to \verb|4\internote| to fit above +a violin clef. You can influence its horizontal position with + +\verb|\def|\keyindex{shiftbarno}\verb|{|\ital{any \TeX~dimension}\verb|}| + +\noindent which default value is \verb|0pt|. If you don't like the box around +the bar number or its font, you can redefine the macro which sets the system +bar number; its default is + +\verb|\def|\keyindex{writebarno}% + \verb|{\boxit{\eightbf\the\barno\barnoadd}}| + + \noindent where \keyindex{boxit} is a utility macro provided by \musixtex{} +whose purpose is to enclose its argument in a \raise-\boxitsep\hbox{\boxit{box}}. + + +\medskip +\begin{music} +\let\extractline\hbox +\startbarno=36 +\hbox to \hsize{% +\hss + \raise20pt\hbox{(a) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss + \def\writebarno{\tenrm\the\barno\barnoadd}% + \def\raisebarno{2\internote}% + \def\shiftbarno{2.5\Interligne}% + \raise20pt\hbox{(b) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss + \def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% + \def\raisebarno{2\internote}% + \def\shiftbarno{1.3\Interligne}% + \raise20pt\hbox{(c) }% + \systemnumbers\startextract + \Notes\wh g\en + \zendextract +\hss} +\end{music} +which was coded as +\begin{itemize} + \item[(a)] (default) + \item[(b)] + \begin{verbatim} +\def\writebarno{\tenrm\the\barno\barnoadd}% +\def\raisebarno{2\internote}% +\def\shiftbarno{2.5\Interligne}% + \end{verbatim} + \item[(c)] + \begin{verbatim} +\def\writebarno{\llap{\tenbf\the\barno\barnoadd}}% +\def\raisebarno{2\internote}% +\def\shiftbarno{1.3\Interligne}% + \end{verbatim} +\end{itemize} +If the previous line does not stop with a bar rule to the next system bar number +is added the \keyindex{writezbarno} whose default setting is the lower +character {\tt'a'}. If you want a {\tt'+}' instead, you can say + +\verb|\def|\keyindex{writezbarno}\verb|{+}| + + Besides, you can change the font and anything in the format of current bar +numbers by changing the original definition of the macro +\keyindex{writethebarno} or the font in \keyindex{fontbarno}, where the +defaults are: + + \verb|\def\writethebarno{\fontbarno\the\barno\kernm\qn@width}| + + \verb|\def\fontbarno{\it}| + + + \noindent For example: + + \medskip +\begin{music}\barnumbers +\parindent0pt\startpiece +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\def\fontbarno{\bf}% +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en\bar +\notes\Qqbbu fgge\Qqbbl jhgi\en\endpiece +\end{music} +\noindent which was simply coded as: +\begin{quote}\begin{verbatim}\barnumbers +\Notes\Dqbu gh\Dqbl jh\en +\notes\Dqbbu fg\Dqbbl hk\en\bar +\Notes\Tqbu ghi\Tqbl mmj\en +\def\fontbarno{\bf}% +\notes\Tqbbu fgj\Tqbbl njh\en\bar +\Notes\Qqbu ghjh\Qqbl jifh\en\bar +\notes\Qqbbu fgge\Qqbbl jhgi\en +\end{verbatim}\end{quote} + %\check + + + + %\check + +\noindent Besides, you can suppress the messages of bar numbers on +\verb|stdout| (normally screen) with \keyindex{nobarmessage}. In the same way, +you can suppress the messages abour new lines (new systems) with +\keyindex{nolinemessages}. + %\check + + \subsection{Full and instrument divided bars} +Normally, bars (as well as double bars, final bars and repeat bars) are +drawn as a continuous line, starting for the bottom of the lower staff of the +lower instrument, and ending at the top of the upper staff of the upper +instrument. However, one may want to have discontinuous bars, that is, one +continuous bar for all the staffs of a unique instrument. This is done by +issuing the command \keyindex{sepbarrules}. An example of this is given in the +{\tt ANGESCAO} (or {\tt ANGESCAM}) example; it has also been used in the +example of section \ref{avemaria}. + + The initial situation can be forced or restored by \keyindex{stdbarrules}. In +the extension library are some more types of bar rules, mainly for very old +music, see \ref{otherbars}. + + \subsection{Instruments with no coherent bar division} + + In some special scores with several instruments, it may happen that distinc +instruments, not only have different meters (e.g. 2/4 and 6/8 to avoid +printing triolet codes for some instrument), but also have bar lines not +synchronized. Obviously, this can be implemented \ital{{\bfseries only if}} +\keyindex{sepbarrules} has been stated. Then, five specific commands can be issued~: + +\begin{itemize} +\item\keyindex{hidebarrule} $n$ hides the bar rule for instrument $n$, until +this is changed by \verb|\showbarrule|~$n$. +\item\keyindex{showbarrule} $n$ stops hiding the bar rule for instrument $n$, until +this is changed by \verb|\hidebarrule|~$n$. +\item\keyindex{Hidebarrule} $n$ hides the bar rule for instrument $n$, only +for the next bar. +\item\keyindex{Showbarrule} $n$ exceptionally shows the bar rule for instrument $n$, +and then resets intrument $n$ to \verb|Hidebarrule|. +\item\keyindex{showallbarrules} resets all defined instruments to +\verb|showbarrule|~$n$. This command is automatically inserted with double +bars, final bars and repeats. +\end{itemize} + +Thus, the following example~: + +\begin{music} +\instrumentnumber3 +\setmeter3{{\meterfrac{3}{4}}} +\setmeter2{{\meterfrac{2}{4}}} +\setmeter1{{\meterfrac{3}{8}}} +\nobarnumbers +\sepbarrules + +\startextract +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setdoublebar +\bar\hidebarrule3 +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\message{Showbarrule3 coming}% +\Hidebarrule2\Showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setrightrepeat +\endextract +\end{music} + +\noindent was obtained with the following coding +\begin{quote}\begin{verbatim} +\instrumentnumber3 +\setmeter3{{\meterfrac{3}{4}}} +\setmeter2{{\meterfrac{2}{4}}} +\setmeter1{{\meterfrac{3}{8}}} +\nobarnumbers +\sepbarrules + +\startextract +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\hidebarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\showbarrule2\hidebarrule3\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setdoublebar +\bar\hidebarrule3 +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\message{Showbarrule3 coming}% +\Hidebarrule2\Showbarrule3\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\bar +\NOtes\pt f\qa f&\qa f&\qa f\en +\Hidebarrule2\bar +\NOtes\multnoteskip{.333}\Tqbu fff&\qa f&\qa f\en +\setrightrepeat +\endextract +\end{verbatim}\end{quote} + + +\section{Managing the layout of your score} +\subsection{Line and page breaking}\label{linebreak} + +Those who usually worked with \musictex\ before must be aware that this has +been deeply changed in \musixtex. All line-breaking decisions\footnote{With +exception of the \musictex\ command {\Bslash autolines}, which is provided in +the file {\tt musixcpt.tex}, see page \pageref{compatibility}.} are done by +the external program \verb|musixflx|. Then you get the most even results when +you insert the fewest \ital{manual} line breaks possible. But sometimes +there is really need for them, e.g. page break should preferably occur when +the musician has one hand free to turn the sheet. + +You can force a line break with \keyindex{alaligne} instead of \keyindex{bar}. +In the same way, you can code \keyindex{alapage} to force an \keyindex{eject} +with proper reinitialization of staffs, clefs and signatures. + + %\check + + On the other hand, you may want to forbid line-breaking at a bar, +then you should replace \verb|\bar| with \keyindex{xbar}. + + Conversely, you may want to break a line \ital{not at a bar}\footnote{For +example, you may prefer to turn the page at a place where the pianist has one +hand free, in the middle of a bar.}. This is allowed by \keyindex{zbar} +(optional line break) or forced by \keyindex{zalaligne} or +\keyindex{zalapage}. + +The heavy final double bar of a piece is provided by \keyindex{Endpiece} or +\keyindex{Stoppiece}. If you just want to terminate the text with a simple +bar, you say \keyindex{stoppiece} or \keyindex{endpiece}. If you want to +terminate it without a bar, you code \keyindex{zstoppiece}. + + Once you have stopped the score by any of these means, you can restart it +using \keyindex{contpiece}. If you want to restart indenting the next line +(system) by the dimension \keyindex{parindent}, then you should rather use +\keyindex{Contpiece}, which is recommended when changing the +the number of instruments within a single piece. + + However, neither \verb|\contpiece| nor \verb|\Contpiece| can be used if you +change the signature (i.e. using \keyindex{generalsignature}) between +\verb|stoppiece| and \verb|\contpiece|), since the space used by signatures is +not constant and it has to be taken in account, e.g. by some +\keyindex{changecontext}. In that case, you have to restart your score using +\keyindex{startpiece}, which in turn requires you to save \verb|\barno| to its +furtner starting value \verb|\startbarno| if you do not want it reset at 1, +and to manage the instrument names and/or the \verb|\parindent| if necessary. + + If you want the next vertical bar to be a double bar, you have to +declare \keyindex{doublebar} or \keyindex{setdoublebar} before the +\keyindex{bar} (or the \keyindex{stoppiece} or \keyindex{alaligne} or +\keyindex{alapage}) to be marked with a double thin bar. In the same way you +can declare \keyindex{setdoubleBAR} if you want to have a heavy double bar +(the same as \verb|\Stoppiece|) and even \keyindex{setemptybar} to make the +next \verb|\bar| invisible\footnote{These latter features are given for your +information, but they should be used only in case of emergency.}. + + %\check + +\subsection{How to manage individual page layout} +\begin{enumerate} + \item You write your own output routine, which centers the contents in the +middle of the page. Most important are then the values of +\keyindex{stafftopmarg} and \keyindex{staffbotmarg}, because they decide of +the amount of margin between successive systems. + \item If you say \keyindex{raggedbottom}, the vertical glue is removed and +the score is rather compacted at the top of page. + \item You change the value of \keyindex{parskip} and say +\keyindex{normalbottom} (which behaves like \LaTeX's \keyindex{flushbottom} +and which is done by default working with \verb|plain.tex|). Then the +vertical space between the staffs is changed to get the first staff on page +on top and the last staff on page to bottom (depends on \keyindex{vsize}). +It might be clever to insert a \keyindex{eject} before the \keyindex{bye}. +\keyindex{musicparskip} set between two systems no extra distance, but the +possibility to increase the distance up to \verb|5\Interligne|. +\end{enumerate} +\noindent +Besides, following values of e.g.~paper size are changed +(only if you \ital{do not} work with \LaTeX) to: +\begin{quote}\begin{verbatim} +\parindent= 0pt +\hoffset= -15.4mm +\voffset= -10mm +\hsize= 190mm +\vsize= 260mm +\end{verbatim}\end{quote} +\zkeyindex{parindent}\zkeyindex{hoffset}\zkeyindex{voffset} +\zkeyindex{hsize}\zkeyindex{vsize} + + %\check + +\subsection{How to adjust the global line and page layout}\index{page and line +layout (global)} + + Once you have made your whole score, you will probably find out that all +systems (all ``lines'') have a correct layout with nice beams, nice slurs, and +others. But it is likely that: + \begin{itemize} + \item The result takes too many or too few pages and you estimate a more or +less compact score would be suitable. + \item The results takes a convenient number of pages, but the last page +exhibits a widow line or an ugly blank space at the end. + \end{itemize} + + To solve this, you may revert to two strategies: + \begin{enumerate} + \item Explicitely force line and page breaking at the very places you like; + this can be done using \verb|\alaligne|, \verb|\alapage|, \verb|\zalaligne| +or \verb|\zalapage| commands. This can also be done using the +\verb|\autolines| command imported from \musictex\ and provided in the {\tt +musixcpt.tex} additional file. But this way of doing may result in +unfortunately uneven distribution of the notes in the score, which is therefore +not very smart. + \item Adapt both the \keyindex{mulooseness} and the global value of +\keyindex{elemskip}: increasing \verb|\mulooseness| (whose default is 0) +increases the total number of systems, and if you are clever you may be able +to fill an integer number of pages. Besides, increasing the stated +\verb|\elemskip| (use \verb|\showthe\elemskip| to find its default value) also +makes note spacing wider, and its advantage is that you can tune it by half a +percent if needed. + +\begin{remark} \verb|\elemskip| can be retrieved in both the first and the third +pass (second \TeX-ing pass), but any assignment of a value (a dimension value) +to \verb|\elemskip| will be of no effect at third pass, since it is taken from +the {\tt *.mx2} file yielded by {\tt musixflx}. On the contrary, assigning a +value to \keyindex{noteskip} within \verb|\notes...\enotes| is efficient in +both passes, and cause some weird errors if you mix up scalable and not +scalable dimensions. + \end{remark} + \end{enumerate} + %\check + +\section{Changing score attributes} + + As seen before, you can change the signature of the whole set of instruments +by \keyindex{generalsignature}~$n$ where $n>0$ means a number of sharps, $n<0$ +means a number of flats. Or, you may prefer to change the signature of only +one or two instruments by the statement: + +\keyindex{setsign} $n$\verb|{|$s$\verb|}| + + %\check + +\noindent + where $n$ is the number of the instrument considered, and $s$ its +specific signature. Since you may change simultaneously (with respect to the +score) but consecutively (with respect to your code) the signatures of +several instruments, this change takes place only when you say +\keyindex{changesignature} (within a bar) or \keyindex{changecontext} (after +a single vertical rule) or \keyindex{Changecontext} (after a double vertical +rule) or \keyindex{zchangecontext} (without a bar rule\footnote{Old composers +uses the bar rules very rarely}). + + Normally, changing a signature from flats to sharps or sharps to flats or +reducing the number of sharps/flats will produce the convenient set of +naturals to emphasise what is suppressed. This standard feature can be +temporarily inhibited by the command \keyindex{ignorenats} to be issued before +the next {\Bslash changecontext} or {\Bslash changesignature}. + + + In the same way, you may want to change the active clefs. +This is done by + +\keyindex{setclef}\verb|{|$n$\verb|}{|$s_1s_2s_3s_4$\verb|}%| + + %\check + +\noindent where $r$ is the number of the instrument, $s_1$ specifies the clef +of the lower staff, $s_2$ the clef of the second staff, etc. $s_1=6$ means the +\ital{bass} clef (\ixem{clef de fa} in French), $s_1=0$ means the \ital{violin} +clef (\ixem{clef de sol} in French), $s_1=1$ through $s_1=4$ mean the +\ital{alto} clef (\ixem{clef d'ut} in French) set on first (lower) through +fourth (next to upper line of the staff), $s_1=5$ or $s_1=6$ mean the bass clef +on the third or fourth line respectively.\index{violin clef}\index{bass +clef}\index{alto clef} + + As seen above in the case of signatures, several clefs may be changed at the +same time; thus all the clef changes become operational only when the macro +\keyindex{changeclefs} is coded. Normal usage consists in issuing this +command before the bar, not after (this helps the music player when the +change happens across a line break). + %\check + + The \verb|\changeclefs| command normally takes some horizontal space to put +one of more clef symbols, but it may happen that you have no notes +immediately before on the staff whose clef is changed. In that case, you can +use \keyindex{zchangeclefs} which performs the same posting, overwritten left on +the last part of the score in that staff. Of course it is your responsibility +to ensure that no notes will collide with the clef change symbols. + %\check + +The \musictex\ problem if a clef change is coded while one or several beams +are pending has been removed in \musixtex. As an enhanced example, we provide +an excerpt of {\sc Brahms}'s Intermezzo op.~117,1 initially coded by Miguel +{\sc Filgueiras}:\index{Brahms, J.@{\sc Brahms, J.}}\medskip + +\begin{music} +\setstaffs1{2} +\interstaff{11} +\setclef1\bass % F- and G-clefs +\generalsignature{-3}% 3 flats +\parindent-4mm +\advance\hsize8mm +\startpiece +\qspace\nspace +\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N% + \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes +\setclef1\treble\zchangeclefs +\nspace +\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes +\notes\curve{-4}22\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes +\setclef1\bass\changeclefs +\notes\islurd0k\zq E\cu I\nextstaff + \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes +\bar +\Notes\ibu0L{-2}\zq{EI}\qb0M\zqb0L% + \nextstaff{\stemlength4\zql N}\ibu1f{-2}\qb1f\tbu1\zqb1e\hsk\enotes +\setclef1\treble\changeclefs +\nspace +\Notes\tbu0\zq{Me}\qb0g\nextstaff\zq{ln}\cl s\en +\notes\curve{-4}22\invertslur0\tslur0q\zq{be}\qu i\nextstaff\zq{ln}\ql s\en +\setclef1\bass\changeclefs +\notes\islurd0m\zq G\cu L\nextstaff + \ibbu1j3\zq c\qb1j\tbu1\zq d\qb1k\enotes +\bar +\Notes\zq G\qu L% + \nextstaff\ibl0e{-2}\zq{ei}\qb0l\zq d\zqb0k\enotes +\setclef1\treble\changeclefs +\nspace +\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes +\notes\curve{-5}22\invertslur0\tslur0o\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes +\setclef1\bass \changeclefs +\notes\zq B\cu I\nextstaff\ibsluru0j% + \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes +\bar +\Notes\zq{IL}\ql N\nextstaff\zql b\ibu0i{-2}\qb0i\enotes +\scale{.5}% +\Notes\nextstaff\qb0e\enotes +\Notes\nextstaff\tinynotesize\isluru1f\grcu g\enotes +\scale\normalvalue +\Notes\zq B\cu I\nextstaff\zcl a\tslur1f\tbu0\zq d\qb0f\enotes +\Notesp\zq E\qu I\nextstaff\tslur0e\zq N\zql e\ibu0g6\qbp0e\enotes +\notes\sk\icresc\cu E\sk\zmidstaff\tcresc\nextstaff + \ibsluru0i\nbbu0\qb0g\zq i\zcl g\qb0i\tbu0\qb0n\tubslur0k\enotes +\endpiece +\end{music} + + +\noindent The first bar of this excerpt was coded as: + + \begin{verbatim} +\begin{music} +\instrumentnumber{1} +\setstaffs1{2} +\interstaff{11} +\setclef1\bass % F- and G-clefs +\generalsignature{-3}% 3 flats +\parindent0pt +\startpiece +\qspace\nspace +\Notes\arpeggio E5\ibslurd0o\zq{EI}\qu N% + \nextstaff\ibl0e{-2}\zq{eg}\qb0l\zq d\qb0k\enotes +\setclef1\treble\zchangeclefs +\nspace +\Notes\tbu0\zq{ce}\qb0j\nextstaff\zq{sn}\cl l\enotes +\notes\invertslur0\tslur0t\zq{be}\qu i\nextstaff\zq{sn}\ql l\enotes +\setclef1\bass \changeclefs +\notes\islurd0k\zq E\cu I\nextstaff + \ibbu1h{-3}\zq{ae}\qb1h\tbu1\zq N\qb1g\enotes +\end{music}\end{verbatim}% +\ital{Meter} changes are implemented in following way: + +\keyindex{setmeter} $n$% + \verb|{{|$m1$\verb|}{|$m2$\verb|}{|$m3$\verb|}{|$m4$\verb|}}%| + +\noindent + where $n$ is the number of the instrument, $m1$ specifies the meter +of the lower staff, $m2$ the meter of the second staff, etc. (if necessary!). + +Since meter changes +are meaningful only across bars, they are actually taken in account with +\keyindex{changecontext} or \keyindex{Changecontext} or +\keyindex{zchangecontext} or \keyindex{alaligne} or \keyindex{alapage}. + +\section{Repeats} + +To insert a \ital{repeat bar} you can use following sets of procedures, +namely \keyindex{leftrepeat}, \keyindex{rightrepeat} and +\keyindex{leftrightrepeat}, which are substitute the \keyindex{bar}. +For example: + +\begin{music} +\startextract +\NOTes\ha g\enotes +\leftrepeat +\NOTes\ha h\enotes +\leftrightrepeat +\NOTes\ha i\enotes +\rightrepeat +\NOTEs\wh j\enotes +\endextract +\end{music} + \noindent has been coded as: +\begin{quote}\begin{verbatim} +\NOTes\ha g\enotes +\leftrepeat +\NOTes\ha h\enotes +\leftrightrepeat +\NOTes\ha i\enotes +\rightrepeat +\NOTEs\wh j\enotes +\end{verbatim}\end{quote} +Special cases are forced line breaks: +if you want to force a new line at a repeat, you should code +respectively: + +\begin{quote} +\noindent\keyindex{setrightrepeat}\keyindex{alaligne}\\ +\keyindex{setrightrepeat}\keyindex{endpiece}\\ +\keyindex{alaligne}\keyindex{leftrepeat}\\ +\keyindex{contpiece}\keyindex{leftrepeat}\\ +\keyindex{startpiece}\keyindex{leftrepeat} +\end{quote} + +\noindent or the combination of two of these in the case of a left/right +repeat. + + A second way of coding consists in saying \keyindex{setleftrepeat}, +\keyindex{setrightrepeat} or \keyindex{setleftrightrepeat} before a bar +(\keyindex{bar}), \keyindex{stoppiece} or \keyindex{changecontext}). In +this case, the next single vertical bar will be replaced with the selected +repeat bar. This meets the traditional music typesetting conventions in the +only case of the \ital{right repeat} but, unfortunately, left and left/right +repeats use to behave in a different manner when in the middle of a line and +at a line break. + + \subsection{Specific first and second pass scoring} + +\RuleOn +A frequent situation consists in a long part of score repeated two or several +times, but its last few bars are different at first pass and at second pass. +This can be specified by saying +\keyindex{setvolta}\verb|{|\ital{text}\verb|}| before the \keyindex{bar} +beginning the part specific to that first or second part\footnote{The word +``volta'' comes from Italian, it means ``time'' in the sense of ``first +time'', ``second time'' or ``pass'' in that case.}. + + Then, only one bar has a horizontal rule above. No termination command is +needed since termination is implied by the following \verb|\bar| or repeat +symbol. For example: + +\medskip \begin{music} + \parindent0pt \startpiece \addspace\afterruleskip + \NOTEs\wh a\en\bar + \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat + \NOTEs\wh d\en\bar + \NOTEs\wh e\en\Endpiece +\end{music} +which was coded as: + \begin{quote}\begin{verbatim} + \parindent0pt \startpiece \addspace\afterruleskip + \NOTEs\wh a\en\bar + \NOTEs\wh b\en\setvolta{1.-3}\bar \NOTEs\wh c\en\setvolta4\rightrepeat + \NOTEs\wh d\en\bar + \NOTEs\wh e\en\Endpiece +\end{verbatim}\end{quote} + + + + If the music typesetter wants to include more than one bar in the first +pass[es] section and he wants all these to have a continuous line above, then +he can code \keyindex{Setvolta}\verb|{|\ital{text}\verb|}| before the bar he +wants the ``volta'' to begin, and put \keyindex{setendvolta} or +\keyindex{setendvoltabox} before the bar they should end. +\keyindex{setendvoltabox} makes the upper line to be terminated with a +descending hook, symmetrical to the opening small vertical bar. + + +\medskip \begin{music} + \parindent0pt + \startpiece + \addspace\afterruleskip + \NOTEs\wh a\en\bar + \NOTEs\wh b\en\setvoltabox{1.-3}\bar + \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat + \NOTEs\wh d\en\doublebar + \NOTEs\wh e\en\bar + \NOTEs\wh f\en\leftrepeat + \NOTEs\wh g\en\bar + \NOTEs\wh h\en\Setvolta1\bar + \NOTEs\wh i\en\bar + \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat + \NOTEs\wh i\en\bar + \NOTEs\wh h\en\setendvoltabox + \Endpiece + \end{music} + \noindent has been +coded as: + \begin{quote}\begin{verbatim} + \startpiece \addspace\afterruleskip + \NOTEs\wh a\en\bar + \NOTEs\wh b\en\setvoltabox{1.-3}\bar + \NOTEs\wh c\en\setvolta4\setendvolta\rightrepeat + \NOTEs\wh d\en\doublebar + \NOTEs\wh e\en\bar + \NOTEs\wh f\en\leftrepeat + \NOTEs\wh g\en\bar + \NOTEs\wh h\en\Setvolta1\bar + \NOTEs\wh i\en\bar + \NOTEs\wh j\en\Setvolta2\setendvoltabox\rightrepeat + \NOTEs\wh i\en\bar + \NOTEs\wh h\en\setendvoltabox + \Endpiece +\end{verbatim}\end{quote} + \zkeyindex{leftrepeat}\zkeyindex{rightrepeat} The +``volta'' symbols are normally set at \verb|4\internote| above the upper line +of the staff and one bar(length?) wide. + + The final down hook is stated, either by \keyindex{setendvoltabox} at the end, +or \keyindex{setvoltabox} at the beginning. + +\begin{important} + You are no more allowed to open \verb|\Setvolta| or \verb|\setvoltabox| whan +another of these multi-bar volta is pending. To re-open a \verb|\Setvolta| at +the ens of another one, you must explicitly order the first one to be closed +at the end of the bar where the second one is opened. Given examples had to be +corrected in order to meet this new safety requirement. + +\end{important} + + For the sake of portability, \keyindex{endvolta} is identical ti +\verb|\setendvolta|, and \keyindex{endvoltabox} is identical to +\verb|\setendvoltabox|. Theses changes in the names ar intended to recall that +these commant take effect only at the next bar, repeat or line break. + + +\RuleOff + + The altitude of the ``volta'' above the upper staff can +be changed, redefining \keyindex{raisevolta}, e.g.: + + \verb|\def\raisevolta{7\internote}| + + \noindent or define it to be any other valid dimension. + + \medskip\noindent{\sl REMARK: the dot after "volta" numbering can be removed, +simply by saying:} + + \verb|\def|\keyindex{voltadot}\verb| {}| + +\noindent {\sl and reset by:} + + \verb|\def|\keyindex{voltadot}\verb| {.}| + + \subsection{Large scope repeats and orientation marks} + +Large scope repeats have also been provided +with special symbols, namely \keyindex{coda}~$p$, \keyindex{Coda}~$p$, +\keyindex{segno}~$p$, where $p$ specifies the pitch. A bigger symbol is +\keyindex{Segno} with no argument. For example, the following figure + +\begin{music} +\startextract +\NOtes\segno n\enotes +\bar +\NOtes\coda n\enotes +\NOtes\Segno\enotes +\bar +\NOtes\Coda n\enotes +\endextract +\end{music} +\noindent has been coded: +\begin{quote}\begin{verbatim} +\NOtes\segno m\enotes\bar +\NOtes\coda m\enotes +\NOtes\Segno\enotes\bar +\NOtes\Coda m\enotes +\end{verbatim}\end{quote} +Orientation marks are set more often above larger orchestral pieces for +easy come together of all instruments for exercise reasons. Often used are +circled or boxed uppercase characters or digits. This can be done with + +\keyindex{boxit}\verb|{|\ital{text}\verb|}|~~~or\\ +\indent\keyindex{circleit}\verb|{|\ital{text}\verb|}| + +\noindent The distance between the box and the including text is influenced by + +\keyindex{boxitsep}\verb|=|\ital{any \TeX\ dimension} + +\noindent which is setup by default to \verb|3pt|. The usage is recommended +with \keyindex{Uptext}, \keyindex{zcharnote}, \keyindex{zchar} or +\keyindex{ccharnote}. + +\subsection{Repeating the last bar} + This can be done using the symbol \keyindex{duevolte} (often used with +\verb|\centerbar|, see example in \ref{barcentered}, p. +\pageref{barcentered}), e.g.: + +\begin{music} +\generalmeter\meterC +\setclef1\bass\setstaffs1{2} +\startextract +\NOtes\sk\sk\pause|\qa{cegj}\en +\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en +\endextract +\end{music} +whose coding is: +\begin{quote}\begin{verbatim} +\generalmeter\meterC +\setclef1\bass\setstaffs1{2} +\startextract +\NOtes\sk\sk\pause|\qa{cegj}\en +\bar\NOtes\qa{cdef}|\sk\sk\duevolte\en +\endextract +\end{verbatim}\end{quote} + + %\check + +\section{Miscellaneous} + \subsection{Putting anything anywhere} +\noindent Special macros are provided to help the composer to set any \TeX\ +text on the staffs. The macro + +\keyindex{zcharnote}~$p$\verb|{|text\verb|}| + +\noindent +sets the given text with its base line at pitch $p$ of the current staff +(this means it must be coded inside \verb|\notes...\enotes|). +Whatever the length of the text, no spacing occurs. +If you want the possible spilling text to expand on the left rather than +on the right, then you can use \keyindex{lcharnote}. +If you want the possible spilling text centered to current position, +then you can use \keyindex{ccharnote} which causes no space. + +The macro \keyindex{zcharnote} is fit for coding special notations like +accents above or below the notes. Also available are \keyindex{zchar}, +\keyindex{lchar} and \keyindex{cchar}, which +allows only numbers for pitch, but enables the use of floats too. + +To place some text at the mid-position between the two staffs of +a keyboard instrument, you may code: +\begin{quote} +\keyindex{zmidstaff}\verb|{|{\it text}\verb|}%| (to right)\\ +\keyindex{lmidstaff}\verb|{|{\it text}\verb|}%| (to left)\\ +\keyindex{cmidstaff}\verb|{|{\it text}\verb|}%| (centred) +\end{quote} +\noindent being however +careful, a) to put it inside \verb|\notes...\enotes|, b) to code it in the +text of the lower staff. + + A text to be put above the current staff is introduced by +\keyindex{uptext}\verb|{...}|. +This may however cause some collision with bar +numbering or notes above the staff; it is then wise to use +\keyindex{Uptext}\verb|{...}| +which puts the text two note line distances higher (recommended to post +the tempo). + \subsection{Fonts} The text fonts loaded by \musixtex\ come in six different +type sizes and three styles. The type sizes are 8\,pt, 10\,pt, 12\,pt, 14\,pt, +17\,pt and 25\,pt, while the three styles are roman, bold and italic. The +three smaller type sizes are available in all three styles, while the larger +three sizes, which are intended for titles, are available only in bold style. +The size selection macros are respectively \keyindex{smalltype}, +\keyindex{normtype}, \keyindex{medtype}, \keyindex{bigtype}, +\keyindex{Bigtype} , +\keyindex{BIgtype} and \keyindex{BIGtype}. Following the size selection, the +style may be selected or changed using \keyindex{rm} (roman), \keyindex{bf} +(bold) or \keyindex{it} (italic). If no style selection is made, roman style +will result for the sizes smaller than \verb|\medtype|. For the larger sizes, +style selection is not required since only bold style is provided. Thus, +selection of eight point italic is done using \verb|\smalltype\it|, while +twelve point roman is selected using \verb|\medtype\rm| or simply +\verb|\medtype|. To change between styles while maintaining the same size, +code \verb|\rm|, \verb|\it| or \verb|\bf| as in Plain \TeX. This information +is summarized in the following table. + +\begin{center} + \begin{tabular}{clc} + \hline + Size, pt & Size selection & Style selection \\ + \hline + 8 & \verb|\smalltype| & \verb|\rm, \bf, \it| \\ + 10 & \verb|\normtype| & \verb|\rm, \bf, \it| \\ + 12 & \verb|\medtype| & \verb|\rm, \bf, \it| \\ + 14 & \verb|\bigtype| & \verb| (\bf) | \\ + 17 & \verb|\Bigtype| & \verb| (\bf) | \\ + 20 & \verb|\BIgtype| & \verb| (\bf) | \\ + 25 & \verb|\BIGtype| & \verb| (\bf) | \\ + \hline + \end{tabular} \end{center} Two other text fonts are provided for dynamic +markings. These are \keyindex{ppffsixteen}, \keyindex{ppfftwenty} and +\keyindex{ppfftwentyfour}, suitable for dynamic markings with staff sizes of +16\,pt, 20\,pt and 24\,pt respectively. The appropriate font for the current +staff size may be selected by coding \keyindex{ppff}. + +Naturally other fonts may be loaded by the user if required. +When \musixtex\ is started, the default text font is +ten point roman, equivalent to \verb|\normtype\rm|. + \subsubsection{Examples} +\begin{center} + \begin{tabular}{ll} + \hline + Size and style & Example \\ + \hline + \verb|\smalltype| & {\smalltype small roman} \\ + \verb|\smalltype\bf| & {\smalltype\bf small bold} \\ + \verb|\smalltype\it| & {\smalltype\it small italic} \\ + \verb|\normtype| & {\normtype normal roman} \\ + \verb|\normtype\bf| & {\normtype\bf normal bold} \\ + \verb|\normtype\it| & {\normtype\it normal italic}\\ + \verb|\medtype| & {\medtype medium roman} \\ + \verb|\medtype\bf| & {\medtype\bf medium bold} \\ + \verb|\medtype\it| & {\medtype\it medium italic}\\ + \verb|\bigtype| & {\bigtype big bold} \\ + \verb|\Bigtype| & {\Bigtype Big bold} \\ + \verb|\BIgtype| & {\BIgtype BIg bold} \\ + \verb|\BIGtype| & {\BIGtype BIG bold} \\ + \verb|\ppffsixteen| & {\ppffsixteen pp ff diminuendo}\\ + \verb|\ppfftwenty| & {\ppfftwenty pp ff crescendo}\\ + \verb|\ppfftwentyfour| & {\ppfftwentyfour pp ff crescendo}\\ + \hline + \end{tabular} +\end{center} + \subsection{Metronomic indications} +Metronomic indication deserves a special macro. The mention: + +\medskip +\centerline{\def\nbinstruments{0}\metron{\hup}{60}}\smallskip\noindent +is coded by \keyindex{metron}\verb|{\hup}{60}| (normally embedded in +\keyindex{Uptext} which is in turn embedded within \verb|\notes...\enotes|). + \subsection{Accents} +\begin{itemize} + \item \keyindex{upz}~$p$ (upper \ital{pizzicato}) to put a dot above a note +head at pitch $p$, + \item \keyindex{lpz}~$p$ (lower \ital{pizzicato}) to put a dot below a note +head at pitch $p$, + \item \keyindex{usf}~$p$ (upper \itxem{sforzando}) to put a $>$ accent above +a note head at pitch $p$, + \item \keyindex{lsf}~$p$ (lower \itxem{sforzando}) to put a $>$ accent below +a note head at pitch $p$, + \item \keyindex{ust}~$p$ (upper \itxem{staccato} or \itxem{portato}) to put a +hyphen above a note head at pitch $p$, + \item \keyindex{lst}~$p$ (lower \ital{staccato} or \ital{portato}) to put a +hyphen below a note head at pitch $p$, + \item \keyindex{uppz}~$p$ (upper strong \ital{pizzicato}) to put an +apostrophe above a note head at pitch $p$, + \item \keyindex{lppz}~$p$ (lower strong \ital{pizzicato}) to put a reversed +apostrophe below a note head at pitch $p$. + \item \keyindex{usfz}~$p$ (upper \ital{sforzato}) to put a +`roof' above a note head at pitch $p$, + \item \keyindex{lsfz}~$p$ (lower \ital{sforzato}) to put a reversed +`roof' below a note head at pitch $p$. + \item \keyindex{upzst}~$p$ (upper \ital{portato/staccato}) to put a +combined portato/staccato sign above a note head at pitch $p$, + \item \keyindex{lpzst}~$p$ (lower \ital{portato/staccato}) to put a +combined portato/staccato sign below a note head at pitch $p$. + \item \keyindex{flageolett}~$p$ to put a +thin circle above a note head at pitch $p$. + \item \keyindex{upbow} to indicate a bowing for strings in upper direction. + \item \keyindex{downbow} opposite to {\Bslash upbow}. +\end{itemize} +Because whole notes (breve, arbitrary, ...) have a different note head width +the accents appear not centered above them. Therefore you can use +\keyindex{wholeshift}\verb|{|\ital{text}\verb|}| which centers accents +and others +which are centered above a quarter note head to appear centered above +a whole note. This is used for e.g.~\verb|\Fermataup|. + +Also available are the variants\footnote{Thanks to Klaus {\sc Bechert}'s +corrections.} of the most used accents which will be automatically positioned +above or below a beam. Therefore the known accents are preceeded with the +letter `b' and, instead of the pitch, the beam reference number is appended as +an argument. Thus + +\medskip +\begin{music} +\startextract +\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% + \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en +\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% + \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en +\endextract +\end{music} +\noindent was coded as: +\begin{verbatim} +\startextract +\Notes\ibu0f3\busfz0\qb0f\bupz0\qb0g\bust0\qb0h% + \buppz0\qb0i\busf0\qb0j\butext0\tqh0k\en +\Notes\Ibl0lg5\blsfz0\qb0l\blpz0\qb0k\blst0\qb0j% + \blppz0\qb0i\blsf0\qb0h\bltext0\tqb0g\en +\endextract +\end{verbatim} +\zkeyindex{busfz} +\zkeyindex{bupz} +\zkeyindex{bust} +\zkeyindex{buppz} +\zkeyindex{busf} +\zkeyindex{butext} +\zkeyindex{blsfz} +\zkeyindex{blpz} +\zkeyindex{blst} +\zkeyindex{blppz} +\zkeyindex{blsf} +\zkeyindex{bltext} + \subsection{*Indication of \ital{x}-tuplets} + + Triplets and other $x$-tuplets --- in practice the italic numbers \ital{3}, +\ital{4}, \ital{5}, etc. can be set at the right horizontal/vertical position +invoking the \keyindex{triolet} or \keyindex{xtuplet} macros at the leftmost +position of the group, i.e. before the first note is coded. + + {\Bslash triolet} has only one argument, the pitch of the bottom of the +figure 3, {\Bslash xtuplet} has two arguments: the figure and its pitch. + +If the figure has to be put above an upper beam or below a lower beam, using +the macros \keyindex{butext} (above) and \keyindex{bltext} (below) is advisable +to post the figure above or below the given beam. {\Bslash butext} +and {\Bslash bltext} have one argument, namely the beam number (namely the +same as the first argument of commands such as {\Bslash ibu} or {\Bslash +Ibu}). If the group of notes is not a triolet, the actual figure has to be +changed, redefining the macro \keyindex{txt} which is set up by default to: + +\verb|\def\txt{\eightit 3}%| + +\begin{music} +\parindent0mm +\generalmeter{\meterfrac24} +\startpiece +\addspace\afterruleskip +\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar +\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en +\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar +\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar +\Notesp\uptrio o16\ql l\en\notesp\cl n\en +\Notesp\uptrio p16\ql m\en\notesp\cl o\en +\endpiece +\begin{quote}\begin{verbatim} +\notesp\xtuplet6n\isluru0l\ibl0l0\qb0{lllll}\tslur0l\tqb0l\en\bar +\notesp\triolet n\isluru0l\Ibl0ln2\qb0{lm}\tslur0n\tqb0n\en +\notesp\ibslurd0k\Ibl0km2\qb0k\bltext0\qb0l\tdbslur0m\tqb0m\en\bar +\Notesp\triolet o\isluru0l\ql{lm}\tslur0n\ql n\en\bar +\Notesp\uptrio o16\ql l\en\notesp\cl n\en +\Notesp\uptrio p16\ql m\en\notesp\cl o\en +\end{verbatim}\end{quote} +\end{music} +\zkeyindex{xtuplet}\zkeyindex{triolet} +%\xtuplet{text}{pitch} +% centers text(3 on second note, 4 between second and thirdnote, +% 5 on third note) on notes (-> \triolet{pitch}) + \subsection{*Usual ornaments} + + \subsubsection{Arpeggios} +\ital{Arpeggios} (i.e.~~~\arpeggio{-2}3) can be coded with the macro + +\keyindex{arpeggio} $pm$ + +\noindent where $p$ is the pitch of +the base of the arpeggio symbol and $m$ is its multiplicity (one period is +equal to one space between staff lines, i.e. 5 points). This macro causes +no spacing. If should be issued before the concerned +chords. Its variant \keyindex{larpeggio} sets the arpeggio symbol nearly +one note head width on the left, in order to avoid collision with accidentals +in front of the chords. + + \subsubsection{Trills} + Trills\index{trills} can be coded in several ways. +\keyindex{trille}~$pl$ (where $p$ is the pitch and $l$ is a number of current +\ital{noteskip}) yields \hbox to 1cm{\noteskip1cm\trille11\hss} while +\keyindex{Trille}~$pl$ yields \hbox to 2cm{\noteskip1cm\Trille12\hss}. + + For longer trills expanding over bars and line breaks, a better way consists +in specifying the beginning with \keyindex{Itrille}~$np$ where $n$ is the +trill reference number ($0\le n<6=$\keyindex{maxtrills}) and terminate it with +the command \keyindex{Ttrille}~$n$. If one wants the {\it tr} mention at the +beginning, then one should use \keyindex{ITrille}~$np$. The ancient commands +\keyindex{itrille}, \keyindex{ttrille}~$p$ and \keyindex{tTrille}~$p$ still +work but beware that their syntax is different, that the opening and the +closing must be in the same bar and that the use the same registers as +\verb|\Itrille 0|. + +\medskip +\begin{remark} \verb|trille| and \verb|Trille| also exist in \musictex. +Unfortunately, the same macro names do not have the same syntax and the same +semantic in both packages and {\ttxem{musixcpt.tex}} forces the behaviour and +the syntax of \musictex. A solution to this problem consists in using +\keyindex{trilleC} and \keyindex{TrilleC} to have the \musictex{} behaviour, +and \keyindex{trilleX} and \keyindex{TrilleX} to have the \musixtex{} +behaviour, even when {\tt musixcpt} is invoked. +\end{remark} + +For example: + +\medskip + \begin{music} +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes +\bar +\notes\Itrille 2A\itenu2E\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes +\bar +\Notes\tten2\itenu2E\whp E|\ql{nmlkji}\enotes +\bar +\Notes\tten2\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes +\endextract +\end{music} +whose coding is +\begin{quote}\begin{verbatim} +\begin{music} +\instrumentnumber{1} +\setstaffs12 +\setclef1{6000} +% +\startextract +\notes\qu{CDEFGH}|\hu k\sk\ITrille 1p\itenu1l\wh l\enotes +\bar +\notes\Itrille 2A\itenu1e\whp E|\tten1\hlp l\sk\Ttrille 1\qu {mno}\enotes +\bar +\Notes\tten1\itenu1E\whp E|\ql{nmlkji}\Toctfin1\enotes +\bar +\Notes\tten1\whp E\sk\sk\sk\sk\Ttrille2|\qu{hgfedc}\enotes +\endextract +\end{verbatim}\end{quote} + + \subsubsection{Piano pedal commands} + \keyindex{PED} inserts the piano pedal command below the staff; pedal release +is specified by \keyindex{DEP}; also available are shorter variants of the +pedal signs which are invoked with \keyindex{sPED} and \keyindex{sDEP}; thus +the following example + +\begin{music} +\setclef1\bass +\setstaffs1{2} +\startextract +\NOtes\PED\wh J|\qu h\enotes +\NOtes|\qu g\enotes +\NOtes|\hu k\enotes +\Notes\DEP\enotes +\bar +\NOtes\sPED\wh J|\qu h\enotes +\NOtes|\qu g\enotes +\NOtes|\hu k\enotes +\Notes\sDEP\enotes +\endextract +\end{music} + \noindent was coded as: \begin{quote}\begin{verbatim} + \NOtes\PED\wh J|\qu +h\enotes + \NOtes|\qu g\enotes + \NOtes|\hu k\enotes + \Notes\DEP\enotes \bar + \NOtes\sPED\wh J|\qu h\enotes + \NOtes|\qu g\enotes + \NOtes|\hu k\enotes + \Notes\sDEP\enotes + \end{verbatim}\end{quote} + + The vertical position of +\keyindex{PED}, \keyindex{sPED}, \keyindex{DEP} and \keyindex{sDEP} can be +globally changed by redefining its elevation, which is setup by default to + +\verb|\def|\keyindex{raiseped}\verb|{-5}%| + +If you only want to change a few of them, you can use the more fundamental +macros \keyindex{Ped}, \keyindex{sPed}, \keyindex{Dep} and \keyindex{sDep} +in combination with \keyindex{zchar} or \keyindex{zcharnote}. + + Since the \hbox to 1cm{ \Ped\hss} symbol is rather wide, it might collide +with bass notes in an ugly way. Then a solution consists in shifting if to the +left, by coding \verb|\loff{\PED}|. + + \subsubsection{Other ornaments}\index{ornaments} + + \begin{itemize} + \item \keyindex{mordent}~$p$ for \hbox to .75em{\mordent 0\hss}, + \item \keyindex{Mordent}~$p$ for \hbox to 1.5em{\kern 0.6em\Mordent 0\hss}, + \item \keyindex{shake}~$p$ for \hbox to .75em{\shake 0\hss}, + \item \keyindex{Shake}~$p$ for \hbox to 1.5em{\kern 0.6em\Shake 0\hss}, + \item \keyindex{Shakel}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakel 0\hss}, + \item \keyindex{Shakesw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakesw 0\hss}, + \item \keyindex{Shakene}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakene 0\hss}, + \item \keyindex{Shakenw}~$p$ for \hbox to 1.5em{\kern 0.6em\Shakenw 0\hss}, + \item \keyindex{turn}~$p$ for \hbox to 1.5em{\kern 0.6em\turn 0\hss}, + \item \keyindex{backturn}~$p$ for \hbox to 1.5em{\kern 0.6em\backturn 0\hss}, + \item \keyindex{fermataup}~$p$ puts a \itxem{fermata} at pitch $p$. +No spacing occurs. + \item \keyindex{fermatadown}~$p$ puts a reverse \ital{fermata} at the same +place. + \item \keyindex{Fermataup}~$p$ puts a \itxem{fermata} at pitch $p$ centered +above a whole note. No spacing occurs. + \item \keyindex{Fermatadown}~$p$ puts a reverse \ital{fermata} at the same +place. + \item A big \itxem{breathing} comma can be put above the staff --- to +indicate where the singer is welcome to breath, or to indicate a short rest +--- using \keyindex{zbreath} (no spacing) or \keyindex{cbreath} (centred in a +\verb|\noteskip| space). The \musictex\ \keyindex{breath} is no more available +since it involved a ``hard'' spacing of the width of that character, which +resulted in troubles with \musixtex. + + \item The \keyindex{caesura} command can also be used to insert a small +slash, such as + +\begin{music} +\startextract +\NOTes\zhu j\hl{^e}\caesura\en +\Notes\zcu j\cl e\en +\endextract +\end{music} + + \end{itemize} + + \subsection{Dynamic signs} Various +dynamic signs can be posted with +\keyindex{crescendo}\verb|{|$l$\verb|}| or +\keyindex{decrescendo}\verb|{|$l$\verb|}|, to be used as arguments to +\verb|\zcharnote|, \verb|\zchar|, \verb|\uptext|, \verb|\zmidstaff|, etc. + +Note: The biggest sign is $\simeq$ 68 mm long. + +Alternately they can be produced using the pair of \keyindex{icresc} and +\keyindex{tcresc} or \keyindex{tdecresc}. Saying one time \verb|\icresc| you +can force several \verb|\tcresc| or \verb|\tdecresc| with the same starting +abscissa. Tha altitude of the [de]crescendo symbol is specified, not by the +\verb|\icresc| macro which only defines the stating abscissa, but by the +\verb|\tcresc| or \verb|\tdecresc| which is normally lifted up or down by +means of a \verb|\zmidstaff| or a \verb|\zcharnote| command whose first +argument has to be adjusted according to your visual needs. + +\begin{music} +\parindent0pt +\generalmeter{\meterfrac{12}8} +\setstaffs1{2} +\startextract +\Notes\cmidstaff\ppp|\ca c\en +\Notes\icresc|\ca{defgh'abcde}\en +\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en +\endextract +\end{music} +\noindent which was coded as: +\begin{verbatim} +\Notes\cmidstaff\ppp|\ca c\en +\Notes\icresc|\ca{defgh'abcde}\en +\Notes\zmidstaff{\loff\tcresc}\cmidstaff\fff|\ca{'f}\en +\end{verbatim} + +\begin{music} +\parindent0pt +\generalmeter{\meterfrac{12}8} +\setstaffs1{2} +\startextract +\Notes\cmidstaff\ppp|\ca c\en +\Notes\icresc|\ca{defgh'abcde}\en +\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en +\endextract +\end{music} +\noindent which was coded as: +\begin{verbatim} +\Notes\cmidstaff\ppp|\ca c\en +\Notes\icresc|\ca{defgh'abcde}\en +\Notes\zcharnote N{\tcresc}\cmidstaff\fff|\zcharnote q{\tcresc}\ca{'f}\en +\end{verbatim} + + + Intensity conventional signs are: \keyindex{ppp}, +\keyindex{pppp}, +\keyindex{ppp}, +\keyindex{pp}, +\keyindex{p}, +\keyindex{mp}, +\keyindex{mf}, +\keyindex{f}, +\keyindex{fp}, +\keyindex{sF}, +\keyindex{ff}, +\keyindex{fff}, +\keyindex{ffff}, resulting in \pppp, \ppp, \pp, +\p, +\mezzopiano, +\mf, +\f, +\fp, +\sF, +\ff, +\fff\ and +\ffff. + + + \subsection{Length of note stems} + +%\begin{changebar} + +Normally, the length of note stems is the distance of one octave, i.e. +\verb|7\internote|. This is equivalent to 4.66 \keyindex{interbeam}. The +length of the stems may be changed using the macro \keyindex{stemlength}, e.g.: + + \verb|\stemlength{5.2}| + + \noindent which will set the stemlength to 5.2 \verb|\interbeam|. The default + is +\keyindex{stemlength}\verb|{4.66}|. + +Choral music with four voices is often typeset into two staffs. Thus, each +staff holds two voices, one being typeset with stems up, the other with stems +down. If the command \keyindex{stemcut} has been previously issued, stems that +are outside the staff are cut depending on the pitch of the notes. If this is +not wanted, this feature may be suppressed with the command +\keyindex{nostemcut}. The default behaviour is \keyindex{stemcut} in plain +\musixtex, and \keyindex{nostemcut} when {\ttxem{musixcpt.tex}} is invoked. + +Normally, down stems never end above the middle line of the staff and up stems +never below that line. This extension of the stems may be inhibited for the +next generated stem using the command \keyindex{stdstemfalse}. There is no +\keyindex{stdstemtrue} since \keyindex{stdstemfalse} is reset after +generating each new stem. + +%\end{changebar} + + + \subsection{*Brackets and parentheses} + + +Several brackets and parentheses have been provided for musical typesetting +needs. These are: + \begin{itemize} + \item \keyindex{lpar}\verb|{|$p$\verb|}| and +\keyindex{rpar}\verb|{|$p$\verb|}| which yield small +parenthesis to enclose notes. These are used for \ital{cautionary} accidentals +but more comprehensive macros fulfill that specific purpose (see \ref{cautionary}) + \item \keyindex{bracket}\verb|{|$p$\verb|}{|$n$\verb|}| to post square +brackets of width $n$-internotes at left of a chord. Usually these brackets +are used on keyboard instruments to specify, either two neighbouring notes +played with a single finger, or some chord notes to be played with the +alternate hand. + \item \keyindex{doublethumb}\verb|{|$p$\verb|}|, to indicate a bracket of +height 2\verb|\internote|. + \item \keyindex{ovbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and +\keyindex{unbkt}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| +draw a bracket over the music starting at the current position at pitch $p$, +width $n\times$\verb|noteskip| and slope $s$ (1 $\sim$ 1.125[degree]). +causing no space. + \item \keyindex{uptrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}| and +\keyindex{downtrio}\verb|{|$p$\verb|}{|$n$\verb|}{|$s$\verb|}|, which are like +\verb|\ovbkt| but with free definable \keyindex{txt} centers in the middle. + + \item \keyindex{varline} $h$ $\ell$ $s$ builds an oblique line of height $h$ (a +dimension), of length $\ell$ and of slope $s$. Used to build oblique brackets. + +This feature is particularly useful for people who want to typeset +\itxem{baroque} music using the ancient \itxem{ornament codings} rather than +the modern equivalents. As a compromise, some macros kindly provided by Ian +{\sc Collier} in Great Britain have slightly been updated and provided. + \end{itemize} + + +For example: + +\begin{music} +\setstaffs1{2} +\setclef1\bass +\startextract +\NOtes\bracket C8\zq C\qu J\en +\NOtes|\doublethumb g\rq h\qu g\en +\NOtes\lpar c\rpar c\qu c\en +\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en +\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en +\endextract +\end{music} +\noindent +\begin{quote}\begin{verbatim} +\begin{music} +\setstaffs1{2} +\setclef1{\bass} +\startextract +\NOtes\bracket C8\zq C\qu J\en +\NOtes|\doublethumb g\rq h\qu g\en +\NOtes\lpar c\rpar c\qu c\en +\NOtes\unbkt C15\qu {FH}|\ovbkt n14\ql{kl}\en +\NOtes\downtrio C16\qu {FH}|\uptrio o14\ql{lm}\en +\endextract +\end{music} +\end{verbatim}\end{quote} +\begin{remark} if you used \verb|\input musicext| before, pay attention to the +commands \keyindex{ovbkt} and \keyindex{unbkt}, their parameter meaning has +changed from \musictex{} to \musixtex. + \end{remark} + + \subsection{New line synchronization of coding} + The procedure named \keyindex{everystaff} is executed each time a new system +is typed. It is normally void, but it can be defined (simply by \verb|\def|% +\keyindex{everystaff}\verb|{...}|) to tell \musixtex\ to post anything +reasonable at the beginning of each system. It was used in the example +{NWIDOR} to post octaviation dashed lines at the end of the piece. + +Caution should be exercised to call \verb|\everystaff| before +\verb|\startpiece| if its effect is needed for the first system of the score. + + The procedure named \keyindex{atnextline}, normally void, is executed at the +next computed or forced line break (using +\keyindex{alaligne} or \keyindex{alapage}). More precisely, it is executed +after the break and before the next system is typed. Thus it is fit for +posting new definitions of layout parameters, when no system is +pending\footnote{Its logic is similar to plain \TeX's \keyindex{vadjust} +command.}. + + \index{tenor violin clef}In some scores, tenor parts are not coded using the +\ital{bass} clef, but using rather the \ital{violin clef} subscripted by a +{\tt8}. This is not directly supported by the \keyindex{setclef} +command, but it can be handled using \keyindex{everystaff} and +\keyindex{zcharnote}. +As an example the following score + +\begin{music} +\instrumentnumber{4} +\setclef1\bass +\def\everystaff{% + \znotes&\zchar{-6}{\eightrm\kern-2\Interligne8}% + &\zchar{-6}{\eightrm\kern-2\Interligne8}\en}% +\startextract +\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en +\endextract +\end{music} +\noindent was coded as: +\begin{quote}\begin{verbatim} +\instrumentnumber{4} +\setclef1\bass +\def\everystaff{% + \znotes&\zchar{-6}{\eightrm \kern -2\Interligne 8}% + &\zchar{-6}{\eightrm \kern -2\Interligne 8}\en}% +\startextract +\NOTes\ha{HIJK}&\ha{efgh}&\ha{hijk}&\ha{hmlk}\en +\endextract +\end{verbatim}\end{quote} + +\noindent{\sl{\bfseries Caution:} the \verb|\everystaff| must be called before +\verb|startpiece| in order to have that subscript at the first staff.} +\section{Small and tiny notes} +Before entering details, let us point out that we are presently concerned with +typing notes of smaller size than the normal one, without attempting to change +the interval between the five lines building a single staff. Changing staff +line interval will be treated in a further section. + \subsection{Cadenzas and explicit ornaments} + Ornaments and \itxem{cadenzas} usually need to be written using smaller +notes\footnote{This is independent of the staff size.}. This can be done +everywhere by stating \keyindex{smallnotesize} or \keyindex{tinynotesize}. +Normal note size is restored by \keyindex{normalnotesize}.\index{ornaments} + + These macros only have a local scope. Thus, if these macros are invoked +outside the \verb|\notes...\enotes| pair, the change is valid for +the rest of the piece unless explicitely modified but, if they are invoked +inside, their effect is local to the current staff of the current +\verb|\notes...\enotes| pair. +As an example, the following excerpt (beginning +of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.@{\sc +Haydn, J.}} + +\begin{music} +\instrumentnumber{2} +\generalmeter{\meterfrac44} +\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}} +\setstaffs2{2} +\setclef1\bass +\setclef2\bass +\startbarno0 +\startextract +\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en +% mesure 1 +\bar +\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en +\notes&\qbl0c0|\multnoteskip\tinyvalue\tinynotesize + \Ibbu1ki2\qb1{kj}\tqh1i\hqsk\en +\Notes&\qb0e\tbl0\qb0c|\qu j\en +\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en +% mesure 2 +\bar +\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0% + \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en +\notes&|\sk\ccu h\en +\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g% + \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en +\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en +\endextract +\end{music} +\noindent can be coded as: +\begin{quote}\begin{verbatim} +\instrumentnumber{2} +\generalmeter{\meterfrac44} +\setstaffs2{2} +\setclef2{\bass} +\setclef1{\bass} +\startbarno=0 +\startextract +\NOtes\qp&\zmidstaff{\bf II}\qp|\qu g\en +% mesure 1 +\bar +\Notes\itieu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\en +\notes&\ibl0c0\qb0c|\multnoteskip\tinyvalue\tinynotesize + \Ibbu1ki2\qb1{kj}\tqh1i\en +\Notes&\qb0e\tbl0\qb0c|\qu j\en +\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\en +% mesure 2 +\bar\Notes\ttie2\wh J&\ql J\sk\ql L|\zqupp g\qbl1e0% + \zq c\qb1e\zq c\qb1e\zq c\tbl1\zqb1e\en +\notes&|\sk\ccu h\en +\Notes&\ql N\sk\ibl0L{-4}\qbp0L|\ibl1e0\zq c\zqb1e\cu g% + \zq c\zqb1e\raise\Interligne\ds\zqu g\qb1g\en +\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\en +\endextract +\end{verbatim}\end{quote} + \subsection{Grace notes} + Grace notes are a special case of small and tiny notes: the difference is +that they are always coded as eighth notes with an oblique bar over the flag. +To perform this, special variants of \keyindex{cu} and \keyindex{cl} have been +provided, namely \keyindex{grcu} and \keyindex{grcl}, with the only difference +that the flag has been slashed. Using this together with the note reduction +macro, grace notes (optionally chord grace notes) can be easily coded: + +\begin{music} +\startextract +\NOTes\hu h\enotes +\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes +\NOTes\hu i\enotes +\bar +\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes +\NOTEs\wh i\enotes +\endextract +\end{music} +The previous example was coded as: +\begin{quote}\begin{verbatim} +\startextract +\NOTes\hu h\enotes +\notes\multnoteskip\smallvalue\smallnotesize\grcu j\enotes +\NOTes\hu i\enotes +\bar +\notes\multnoteskip\tinyvalue\tinynotesize\zq h\grcl j\enotes +\NOTEs\wh i\enotes +\endextract +\end{verbatim}\end{quote} + \subsection{Other note shapes}\label{othernotes} The classical note heads +given above --- namely \raise.5ex\hbox{\musixchar7}~~, \raise.5ex +\hbox{\musixchar8}~~ and \raise.5ex\hbox{\musixchar9}~~~ +--- can be replaced with less classical note heads, for example to code +special \itxem{violin harmonic notes} or \itxem{percussion music}. See an +example in \ref{abnormalscores}. + + At present time, alternate available note heads can be found in the +extension library, see \ref{diam}, \ref{perc}, \ref{gregnotes} and \ref{litu}. + +\section{Staff size} \index{staff size} + \subsection{Moving from 20pt to 16pt, 24pt or 29pt staff sizes and +conversely} + You also want to write some parts of your score in 20pt +staff size and others in 16pt or 24pt or 28.8pt staff size, namely +for distinct parts of pieces. Changing the \ixem{general staff size} +is done by saying: + +\keyindex{smallmusicsize}, or \keyindex{normalmusicsize}, or +\keyindex{largemusicsize}, or \keyindex{Largemusicsize}. + +\noindent respectively. + \subsection{Changing staff size for certain instruments}\label{staffspacing} +Regardless of the general choice of \verb|\smallmusicsize| or +\verb|\normalmusicsize|, it is now possible to assign certain instruments -- +not separate staffs belonging to a same instrument -- to have narrower or larger +\itxem{staff size}, i.e. narrower or larger \itxem{staff spacing}. This is done using + +\keyindex{setsize} $n$\verb|{|\ital{size}\verb|}| + +\noindent where $n$ is the number of the instrument considered. Five different +\ital{sizes} are available as standards: \keyindex{normalvalue}, which is +the default, \keyindex{smallvalue} (0.80 times narrower), +\keyindex{tinyvalue} (0.64 times narrower), \keyindex{largevalue} (1.2 times +larger) and \keyindex{Largevalue} (1.44 +times larger). But, if you know perfectly what +you are doing, you can also say: + +\verb|\setsize 3{2.0}| + +\noindent which will provide the third instrument with staffs of spacing +twice the standard value. In that case, \musixtex\ will use the nearest +symbol size available, but this is likely to be rather ugly. + + An alternate +and equivalent coding --- a remnant from \musictex\ --- could be: + +\verb|\def\staffspacingiii{2.0}|\zkeyindex{staffspacing} + + + +\verb|\setsize| must be invoked before the starting command +\verb|\startpiece|, since this statement does not only change the vertical +spacing between staff lines, but it also changes the size of the key, +accidental and note symbols to fit the modified staff line spacing. + + However, it must be emphasized that non-standard staff spacings use the +nearest available font size. This make no serious problem for notes and +accidentals which may be slightly too small or too big, but clefs and rests +may appear to be shifted upwards or downwards. This trouble is progressively +removed, but it requires changing the {\tt musix*} fonts, with some possible +characters forgotten... or the fact that user uses a font older than T.60 +version. + +As an example, we give two bars of the \ital{Ave Maria} by Charles {\sc +Gounod}\index{Gounod, C.@{\sc Gounod, C.}}, based on the first prelude of +Johann-Sebastian Bach's \ital{Well Tempered Clavier} (transcription for +organ, violin and voice, thanks to Markus {\sc Veittes}):\label{avemaria} + +\begin{music} +\def\oct{\advance\transpose by 7} +\def\liftqs#1{\raise#1\Interligne\qs} +\parindent0pt +\sepbarrules +\instrumentnumber{3} +\generalmeter{\meterC} +\setinterinstrument2{3\Interligne} +\setsize3\tinyvalue +\setsize2\tinyvalue +\setclef1\bass +\setstaffs1{2} +\startpiece\addspace\afterruleskip +%Takt 9 +\notes\zhl c\liftqs6\qupp e|\ds&\oct + \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes +\notes|\ibbl0j3\qb0h\tqb0l\enotes +\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes +\notes\zhl c\liftqs6\qupp e|\ds&\oct + \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes +\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes +\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes +\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes +\bar +%Takt 10 +\notes\zhl c\liftqs6\qupp d|\ds&\oct + \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes +\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes +\notes|\ibbu2i0\qb2k\qb2f\enotes +\notes|\qb2h\tqh2k&\oct\cl e&\tubslur4f\cu e\enotes +\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes +\notes|\ibbu1g3\qb1f\tqh1h\enotes +\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes +\endpiece +\end{music} + This example was coded as: +\begin{quote}\begin{verbatim} +\def\oct{\advance\transpose by 7} +\def\liftqs#1{\raise#1\Interligne\qs} +\parindent0pt +\sepbarrules +\instrumentnumber{3} +\generalmeter{\meterC} +\setinterinstrument2{3\Interligne} +\setsize3\tinyvalue +\setsize2\tinyvalue +\setclef1\bass +\setstaffs1{2} +\startpiece\addspace\afterruleskip +%Takt 9 +\notes\zhl c\liftqs6\qupp e|\ds&\oct + \itieu5h\hl h&\tx ~~~gra---*\itied4h\hu h\enotes +\notes|\ibbl0j3\qb0h\tqb0l\enotes +\notes|\ibbl1k0\qb1{ohl}\tqb1o\enotes +\notes\zhl c\liftqs6\qupp e|\ds&\oct + \ttie5\ibl4c0\qb4h&\ttie4\ibu5g{-3}\qb5h\enotes +\notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\tx ---*\tqh5a\enotes +\notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&\tx ~~ti~-*\cu b\enotes +\notes|\qb1l\tqb1o&\oct\tqb4c&\tx a*\cu c\enotes +\bar +%Takt 10 +\notes\zhl c\liftqs6\qupp d|\ds&\oct + \qlp d&\tx ~~~ple---*\ibsluru4e\qup d\enotes +\notes|\ibbu1g3\bigaccid\qb1{^f}\tqh1h\enotes +\notes|\ibbu2i0\qb2k\qb2f\enotes +\notes|\qb2h\tqh2k&\oct\cl e&\curve222\tubslur4f\cu e\enotes +\notes\zhl c\liftqs6\qupp d|\ds&\oct\ql d&\tx na,*\qu d\enotes +\notes|\ibbu1g3\qb1f\tqh1h\enotes +\notes|\ibbu2i0\qb2{kfh}\tqh2k&\qp&\qp\enotes +\endpiece +\end{verbatim}\end{quote} +\section{Layout parameters} + Most layout parameters are set by \musixtex\ to reasonable default values. +However, sophisticated scores\footnote{To our knowledge, the most complicated +scores are those written for the piano, during the romantic and post-romantic +periods.} may need more place below the lowest staff, between staves, etc. +\def\nochange{(\ital{NOT to be changed})} We give below a short list of the +most significant parameters. + \subsection{List of layout parameters} + \begin{remark} the mention ``\nochange'' does not mean that this parameter +cannot be changed, but that it should not be modified directly, e.g.\ by +saying something like \verb|\Interligne=14pt|. In other words, changing these +parameters must be performed using more comprehensive macros which not only +update them but also perform some other compulsory related changes. + \end{remark} + +\begin{description} + \item[\keyindex{Interligne} :]vertical distance between the base of staff +lines of the current instrument, taking no account of a possible specification +of \keyindex{setsize$n$} \nochange. + \item[\keyindex{internote} :]the vertical spacing of contiguous notes of +the current instrument, taking account of a possible specification of +\keyindex{setsize$n$} \nochange. + \item[\keyindex{Internote} :]the vertical spacing of contiguous notes of +the instrument(s) whose \keyindex{setsize$n$} has the \ital{default +value} of one (\keyindex{normalvalue}), +i.e.\ the half of \verb|\Interligne| \nochange + + \item[\keyindex{staffbotmarg} :]margin below the first staff of the lowest +instrument. Changes are recognized at the next system and default is +\verb|3\Interligne|. + \item[\keyindex{stafftopmarg} :]margin above the upper staff of the upper +instrument. Changes are recognized at the next system and default is +\verb|3\Interligne|. + \item[\keyindex{interbeam} :]vertical distance between beams. \nochange. + \item[\keyindex{interportee} :]the distance between the bottom of one staff and +the bottom of the next one. It is set to +\verb|2|\keyindex{interstaff}\verb|\internote| at the next system. +Therefore, trying to change \verb|\interportee| will have no effect. + %\check + \item[\keyindex{interinstrument} :]the additional vertical distance between +two different instruments. This means that the distance between the upper +staff of the previous instrument and the lowest line of the current +instrument is equal to \keyindex{interportee+\Bslash interinstrument}. This +value is normally zero, but it helps putting additional space between +distinct instruments for the sake of clarity. This is a general dimension +register which holds for each of the vertical spaces between instruments, +except above the upper one, in which case this interval is irrelevant. +As usual in \TeX, it can be set using a command such as + + \verb|\interinstrument=10pt| + + \noindent or + + \verb|\interinstrument=6\internote| + + + However, this general parameter can be overridden for the space above a +specific instrument. For example (see the example {\tt angescao.tex}) one can +state: + +\keyindex{setinterinstrument} $n$\verb|{1\Interligne}| + +\noindent to force an additional spacing of one \verb|\Interligne| +above instrument $n$, whatever the value of \keyindex{interinstrument}. + This feature can usefully be used to have more space before instruments +representing \itxem{voices}, in order to have enough place to put +\itxem{lyrics} without assigning these lyrics a zero staff specific instrument +(useful to avoid having too many declared instruments in a choir score). + + The \verb|\setinterinstrument| is identical to the ancient --- and still +working --- \musictex\ command: + + \verb|\def|\keyindex{interinstrumentiii}\verb|{5\interligne}| + + \noindent to add 5\verb|\interligne| above the 3rd instrument. + %\check + + + \item[\keyindex{systemheight} :]the distance from the bottom of the +lowest staff to the top of the highest staff of the upper instrument. This is +the height of the vertical bars (single, double, repeats, etc.) \nochange. +\end{description} + In addition, when handling notes of a given staff of a given instrument, the +following dimensions are available (note these are not true registers, but +\ital{equivalenced symbols} through a \verb|\def|): +\begin{itemize} + \item\keyindex{altplancher} : the altitude of the lowest line of the lowest +instrument \nochange. + \item\keyindex{altitude} : the altitude of the lowest line of the lowest +staff of the current instrument \nochange. + \item\keyindex{altportee} : the altitude of the lowest line of the current +staff \nochange. + + %??? Next perhaps will change to steps of \verb|\internote|. + + \item\keyindex{stemfactor} : a parameter defining the size of half, quarter +and hooked eighth notes stems. Normally a stem has the length of one octave, +i.e. 3.5\keyindex{Interligne}. However, this is not valid for small size +notes and, therefore, the stem size is related to the \keyindex{interbeam} +dimensions which, in turn, is \ital{normally} equal to 0.75 +\keyindex{Interligne}. Thus the normal value of \keyindex{stemfactor} is +4.66, but it can be shortened for any purpose by saying, for example: + + \keyindex{stemlength}\verb|{3.5}| +\end{itemize} + \subsection{Changing layout parameters} + Most of these values can be changed, but only between the end of the +previous system and the beginning of the next one. This can be inserted +between a \keyindex{stoppiece} (or a \keyindex{endpiece}) +and a \keyindex{contpiece} (or a \keyindex{startpiece}), but it is +wiser to say, for example: + +\verb|\def\atnextline{\stafftopmarg=5\Interligne}| + + The user may prefer to change \keyindex{staffbotmarg} or +to feed \keyindex{interstaff} with a +given integer number, but this can be done only between a +\keyindex{stoppiece} (or a \keyindex{endpiece}) and a +\keyindex{contpiece} (or a \keyindex{startpiece}), but it is wiser to use +\keyindex{atnextline} as previously. + + It is also wise to use \keyindex{atnextline} to change the +number of instruments, the staff spacings, the number of staffs at the next +line... provided that the coding of the notes \ital{resists} an unexpected +line change executing the \keyindex{atnextline}. + \subsection{Changing the staff distance within systems} The vertical +distance of instruments with more than one staff can be changed, either +outside \verb|\startpiece|...\verb|\endpiece| or using \keyindex{atnextline}, +by saying: + +\keyindex{interstaff}\verb|{|$n$\verb|}| + + Then the spacing between the staffs of the instruments will be +$n$\verb|\internote|. Note that \verb|\interstaff| applies to all the +instruments, but each distinct instrument may have a different +\verb|\internote| (see \ref{staffspacing}). + + Note that this command is equivalent to an existing remnant of \musictex, +namely: + + \verb|\def|\keyindex{interfacteur}\verb|{|$n$\verb|}| + + + \medskip The distance between two different +instruments can be increased by saying + +\keyindex{interinstrument}\verb|=|\ital{any \TeX-dimension} + +\noindent for all additional inter-instrument distances, or + +\keyindex{setinterinstrument} $n$\verb|{|\ital{any \TeX-dimension}\verb|}| + +\noindent for single distances. + \subsection{Changing the number of lines in staffs}\index{staff line number} +\label{stafflinenumber} +Unless explicitely specified, staffs consist of five lines, in accordance to +the normal way of coding music scores. However, exceptions might be +preferred when using \musixtex~: + +\begin{itemize} + \item \itxem{gregorian music} is often written using staff of +four lines instead of five\footnote{German: \ital{Quadratnotation}.}, + \item \itxem{percussion music} (e.g.~drums, triangle) needs one, two, three + or five lines, since the pitch cannot change but the number of percussion + instruments. + \item \itxem{guitar tablature} needs six lines. Although \ital{real} guitar + players hate guitar tablature, + for beginners they are a big help. Not ready yet. The lines + are, but not the additional macros. + + \item Early baroque music sometimes uses staffs with 6, 7, or 8 lines. + + \end{itemize} + + Therefore \musixtex\ allows for choosing the number of lines of +the staffs of an instrument. This is done by +\keyindex{setlines}~$n$\verb|{|$N$\verb|}| --- where $n$ is the number of the +wanted instrument as usual --- and $N$ the number of lines of the specific +staff. Allowed numbers are up to 9 lines. For example:\label{gregorian} + +\keyindex{setlines}\verb|2{4}| + +\noindent will make the instrument number 2 to have staffs of four +lines, that is, fit for gregorian music. + \subsection{Resetting normal layout parameters} + Except the general size which +has to be explicitely changed if needed using \keyindex{smallmusicsize}, +\keyindex{normalmusicsize}, \keyindex{largemusicsize}, or +\keyindex{Largemusicsize}, all layout registers are reset to \ixem{default +values} by \keyindex{resetlayout}, which are explicitly: + + \begin{itemize} + \item \keyindex{staffbotmarg} and \keyindex{stafftopmarg} are set to +\verb|3\Interligne|. + \item \keyindex{interstaff} is set to \verb|9|. + \item The number of lines of all instruments are reset to 5. + \item All clef symbols are standard clef symbols. +\end{itemize} +\noindent +Besides, saying \keyindex{begin\LBR music\RBR} invokes \verb|\resetlayout|. + \subsection{Typesetting one-line excerpts rather than large scores} +Very often, what is wanted is not to typeset a large comprehensive score of +several lines and pages, but an excerpt of one or two bars, preferably +centered such as the various examples of this manual. This can be done simply +by replacing \keyindex{startpiece} with +\keyindex{startextract} and \verb|\endpiece| or \verb|\stoppiece| with +\keyindex{endextract}. It is sometimes useful to get more than one excerpt in +one line, this can be done with redefining of \keyindex{extractline}. + +With saying: + +\keyindex{let\Bslash extractline\Bslash hbox} + +\noindent you can put more than one example in one line. Helpful for getting +\itxem{musical footnotes}, which explain the playing of special trills or +give alternative ways of playing, is the redefining to: + +\keyindex{let\Bslash extractline\Bslash leftline} + +Besides, all changes inbetween +\keyindex{begin\LBR music\RBR}...\keyindex{end\LBR music\RBR} are local, +means not global. + + If you want to terminate it without a bar, you code +\keyindex{zendextract} which acts like \verb|\zstoppiece|. + \subsection{*Lyrics}\index{lyrics}\label{lyrics} + While they pose nearly no problem with \musictex\ which works using the glue +facility of \TeX, lyrics raise several serious difficulties with \musixtex. +The reason for that is that lyrics usually consist of \ital{text} which in +turn consists of characters whose width is definitely not stretchable nor +shrinkable proportionally to \verb|\noteskip| or \verb|\elemskip|. + + Thus the width of a sequence of notes like + + \begin{music} + \startextract + \NOTEs\zcharnote{-5}{Words }\qu h\en + \endextract + \end{music} + + \noindent may be either the width of ``{\tt Words }'' with the current font, +or it may be \verb|1\elemskip|, whatever the largest. In the first case, the +width is fixed (see \keyindex{hardspace}), in the second its width is not the +same at \musixtex's first and second passes. But the unfortunate situation is that +\musixtex\ \ital{must} know whether this feature has a \ital{hard} (not scalable) +or a \ital{scalable} width \ital{at the first pass}, while the inequality +is solved only at the second. + + This means that, in addition to the three pass system, the user must run +trial and errors to find out whether some lyrics are wider than the final note +spacing, or smaller. In that case a wrong decision might lead to questionable +``\verb|Underfull hbox|''-es filled with ugly glue, or it may result in +awful ``\verb|Overfull hbox|'' with its heavy bar punishment and possible +over writings. + + However, before discussing this problem, we first describe the various ways of +inserting lyrics under --- or above --- a staff. + + \subsubsection{Getting enough vertical space for lyrics} Since songs are +usually equivalent to a one-staff instrument (possibly with several voices) +the recommended solution consists in adjusting the distance between +instruments using either \keyindex{interinstrument}\verb|=|\ital{any +\TeX-dimension} to give more place below all instruments or using +\keyindex{setinterinstrument} to make more space above. Note that {\Bslash +setinterinstrument} defines spacing above and not below an instrument. Since +lyrics are usually set below the staff, the first argument of a +\verb|\setinterinstrument| should be the song instrument number \ital{minus +one}. + + In the case of a single staff tune, or if the song instrument is the lowest +one, then additional place can be provided using \keyindex{staffbotmarg}. + + \subsubsection{Posting lyrics} + Lyrics can be introduced in several ways. + \begin{enumerate} + \item One archaic solution could be to define a special instrument for the lyrics +text, without effective staff, namely using the command +\keyindex{setstaffs}~$n$\verb|{|$p$\verb|}| described in \ref{whatspecify}. +The inconvenience of this solution is that it increases the number of +instruments, which is limited to 6 in standard \musixtex, although it can be +increased to 9 using {\tt musixadd.tex} and 12 with {\tt musixmad.tex}. + + \medskip + Therefore, better solutions consist is posting the lyrics in the same +instrument as the tune, provided that inter-instrument spacing has been +adapted. + + \item Another simple obvious solution consists in using the command +\keyindex{zcharnote} to post the text at any position (computed in +\verb|\internote|s) with respect to the lower line of the current staff. +The pitch should be usually negative to have the text below the staff. It +could also be specified like a note pitch, for example ``{\tt a}'' if the song +is in G-clef. The drawback is that the pitch has to be repeated for each text +of each note, which is tideous unless a special macro has been defined. + + \item Rather than \verb|\zcharnote| and other \verb|\?charnote| commands, one +should rather use \keyindex{zchar}, \keyindex{cchar} (centered) or +\keyindex{lchar} (expanded to left) which only allow absolute numbers +(internally multiplied by {\Bslash internote}). These command have the same +drawback as above, namely the vertical position has to be repeated each time. + + \item Of easier use are the commands \keyindex{zsong} (right of the note), +\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics +at the lower staff line \ital{minus} the previous +\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These +commands only have one argument, namely the lyrics text: + + +\begin{center} +\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad +\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad +\keyindex{csong}\verb|{|\ital{text}\verb|}| +\end{center} + + Depending on the values of the inter-instrument spacings and margins, the +resulting vertical position might be inappropriate. Then it can be changed for +any specific $n$-th instrument until further change using + +\begin{quote} +\keyindex{setsongraise}~$n$\verb|{|\ital{any \TeX-dimension}\verb|}| +\end{quote} + + \medskip As an example, the following French song + + \begin{music} + \generalsignature{1} + \startextract + \geometricskipscale + \NOtes\zsong{Au }\qu g\en + \NOtes\zsong{clair }\qu g\en + \NOtes\zsong{de }\qu g\en + \NOtes\zsong{la }\qu h\en + \bar + \NOTes\zsong{lu- }\hu i\en + \NOTes\zsong{ne, }\hu h\en + \bar + \NOtes\zsong{mon }\qu g\en + \NOtes\zsong{a- }\qu i\en + \NOtes\zsong{mi }\qu h\en + \NOtes\zsong{Pier- }\qu h\en + \bar + \NOTes\zsong{rot, }\wh g\sk\en + \endextract + \end{music} + +\noindent was coded as: + +\begin{quote}\begin{verbatim} + \generalsignature{1} + \startextract + \geometricskipscale + \NOtes\zsong{Au }\qu g\en + \NOtes\zsong{clair }\qu g\en + \NOtes\zsong{de }\qu g\en + \NOtes\zsong{la }\qu h\en + \bar + \NOTes\zsong{lu- }\hu i\en + \NOTes\zsong{ne, }\hu h\en + \bar + \NOtes\zsong{mon }\qu g\en + \NOtes\zsong{a- }\qu i\en + \NOtes\zsong{mi }\qu h\en + \NOtes\zsong{Pier- }\qu h\en + \bar + \NOTes\zsong{rot, }\wh g\sk\en + \endextract +\end{verbatim}\end{quote} + + + You can also use the macros from \verb|musixcho.tex|, which result in the +same vertical positionning as \keyindex{zsong} and other \verb|\?song| do, but +the text of the lyrics are better justified around the related note. + + \end{enumerate} + + \subsubsection{Handling lyrics width versus scalable note spacings} + + If one uses either \verb|\zsong| or \verb|\csong| or \verb|\lsong| without +caution, one will probably get awful things such as: + + \begin{music} + \generalsignature{1} + \startextract + \geometricskipscale + \Notes\zsong{Au }\qu g\en + \Notes\zsong{clair }\qu g\en + \Notes\zsong{de }\qu g\en + \Notes\zsong{la }\qu h\en + \bar + \NOtes\zsong{lu- }\hu i\en + \NOtes\zsong{ne, }\hu h\en + \bar + \Notes\zsong{mon }\qu g\en + \Notes\zsong{a- }\qu i\en + \Notes\zsong{mi }\qu h\en + \Notes\zsong{Pier- }\qu h\en + \bar + \NOTes\zsong{rot, }\wh g\sk\en + \endextract + \end{music} + + \noindent which is the same example as above, with all spacings divided by +1.41. Although locating ``overfull'' lyrics seems easy, it might be wiser to +force their visibility, which is done replacing \verb|\zsong| with +\keyindex{hsong} which encloses the hazardous text in a \verb|\hbox| of width +\verb|\noteskip|, whose overfilling is diagnosed as usual by Plain \TeX\ or +(especially in \LaTeX) by means of the \verb|\overfullrule=...| command: + + + \begin{music} + \generalsignature{1} + \startextract + \overfullrule 3pt% + \geometricskipscale + \Notes\hsong{Au }\qu g\en + \Notes\hsong{clair }\qu g\en + \Notes\hsong{de }\qu g\en + \Notes\hsong{la }\qu h\en + \bar + \NOtes\hsong{lu- }\hu i\en + \NOtes\hsong{ne, }\hu h\en + \bar + \Notes\hsong{mon }\qu g\en + \Notes\hsong{a- }\qu i\en + \Notes\hsong{mi }\qu h\en + \Notes\hsong{Pier- }\qu h\en + \bar + \NOTes\hsong{rot, }\wh g\sk\en + \endextract + \end{music} + + Alternate versions of \verb|\hsong| are \keyindex{dhsong} which has a fixed +length of \verb|2\noteskip| and \keyindex{thsong} whose fixed length is +\verb|3\noteskip|. These are useful when the text is set below (or above) a +collective coding of two or three notes. + + Once one has diagnosed --- in the tentative final layout --- which lyrics +lead to overfull texts, several corrections may be tried: + +\begin{enumerate} + \item Increase the \keyindex{mulooseness} to have wider note spacing. This +may work, but the inconvenience is that all notes would be stretched, and not +only the faulty notes. + \item Increase specific note spacings, replacing for example \verb|\Notes| +with \verb|\NOtes| or \verb|\Notesp|. This is the easiest solution which may +require several trials and errors since an increase of a few notes in a system +may lead to a small shrinking of the others, to keep the total length +constant. + \item Decide that some notes --- only ``some'' notes, not all notes of the +score, neither all the notes of a given system --- would have a \itxem{hard +spacing} and not a scalable spacing. This is done using the command + + \begin{quote} + \keyindex{hardnotes}\ital{ any hard \TeX\ dimension }\verb|\notes|\ital{ +normal note specif. }\verb|\en| + \end{quote} + \noindent which ends the \verb|\notes...\en| with a \itxem{hard spacing} (see +\verb|\hardspace| in \ref{hardspace}, p. \pageref{hardspace}) rather than a +scalable spacing. + + A more practical variant has been provided especially for lyrics, namely + + \begin{quote} + \keyindex{hardlyrics}\ital{ any text }\verb|\notes|\ital{ +normal note specif. }\verb|\en| + \end{quote} + \noindent which computes the width of ``any text'' by putting it in a +\verb|\hbox| and reverting to \verb|\hardnotes| to perform the remainder of the +task. In order to save repetitions, the text of the lyrics which has been used +to compute the hard note spacing can be retrieved under the command name +\keyindex{thelyrics}. \verb|\hardlyrics| must be followed by \verb|\notes| +(with the lyrics text inbetween), not by \verb|\Notes| nor \verb|\NOtes|, etc. + + + Besides, since moving the lyrics text between \verb|\hardlyrics| and +\verb|\notes|\footnote{{\Bslash notes}, neither {\Bslash Notes} nor {\Bslash +NOtes} nor {\Bslash NOTes} etc.} together with replacing it with +\keyindex{thelyrics} at the initial location is a rather tedious operation +with text editors, another command has been provided, namely +\keyindex{softlyrics}: + + \verb|\softlyrics{|\ital{ any text }\verb|}| + + \noindent defines \verb|\thelyrics| to be ``\ital{ any text }'', so that +going from \verb|\hardlyrics| to the default scalable behaviour of +\verb|\noteskip| and inversely can easily be done by changing \verb|\hard| +into \verb|\soft| in the source text, with optional change of the number of +uppercase letters in \verb|\notes|. + + + + \medskip\begin{important} since \/\verb|\hardlyrics| computes +\/\verb|\noteskip|, its argument (before \/\verb|\notes|) may not refer to +\/\verb|\noteskip|... which is not already computed. + \end{important} + \end{enumerate} + + \subsubsection{A more comprehensive example of lyrics} + Here is an example taken from the French catholic liturgy (a French +translation of the traditional \ital{Gloria in excelsis Deo}). We give first +the adapted source of a part of the score: + + +\begin{quote}\begin{verbatim} +\overfullrule 3pt +\instrumentnumber{1} +\setstaffs11 +% +\generalsignature{-1}\relax % one flat +\generalmeter{\meterfrac{2}{2}} +% +\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne +\startpiece +\setsongraise1{2\Interligne}% +\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes +\notes\hsong{\`a }\cu c\enotes +\barre +\NOTes\hsong{Dieu~}\hu f\enotes +\notes\hsong{au}\cu f\enotes +\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes +\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes +\notes\hsong{des}\cu g\enotes +\barre +\NOtes\hsong{cieux~}\qup h\enotes +\notes\hsong{et~}\cu h\enotes +\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes +\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{la~}\cu g\enotes +\barre +\Notes\hsong{ter-}\qu f\enotes +\notes\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes +\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes +\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes +\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes +\barre +\NOtes\hsong{ai-}\hu g\enotes +\Notes\hsong{me.}\hu f\enotes +\Notes\uptext{\bf II }\enotes +\barre +\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes +\notes\hsong{Te~}\cu g\enotes +\notes\hsong{lou-}\cu g\enotes +\NOtes\hsong{ons,}\hu h\enotes +\barre +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{b\'e-}\cu j\enotes +\notes\hsong{nis-}\cu j\enotes +\NOtes\hsong{sons,}\hu h\enotes +\barre +\Notes\hsong{nous~}\qu h\enotes +\NOtes\hsong{t'a-}\hu g\enotes +\Notes\hsong{do-}\qu f\enotes +\barre +\NOtes\hsong{rons,~}\hu f\enotes +\notes\uptext{\bf I}\enotes +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{glo-}\cu g\enotes +\notes\hsong{ri-}\cu g\enotes +\barre +\NOTEs\hsong{fions,~}\hu h\enotes +\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{ren-}\cu h\enotes +\notes\zsong{dons~}\cu i\enotes +\barre +\NOtes\hsong{gr\^a~-}\qu g\enotes +\notes\hsong{ces~}\cu g\enotes +\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{im-}\cu i\enotes +\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes +\notes\zsong{se~}\cu k\enotes +\barre +\Notes\hsong{gloi-}\ql j\enotes +\Notes\hsong{-}\ql i\enotes +\Notes\hsong{re~!}\qu h\enotes +\notes\uptext{\bf II}\enotes +\notes\hardlyrics{Sei-}\hsong\thelyrics\cu h\enotes +\notes\zsong{gneur~}\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes +\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\Notes\hsong{Ciel,~}\qu h\enotes +\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{le~}\cu g\enotes +\barre +\hardlyrics{P\`e-~}\notes\thelyrics\hsong\cu h\enotes +\notes\hsong{re~}\cu i\enotes +\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes +\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes +\notes\uptext{\bf I}\enotes +\notes\zsong{Sei-}\cu h\enotes +\mulooseness 2% +\stoppiece +\end{verbatim}\end{quote} + + The result clearly shows the inequality between note spacings, +some of them forced by lyrics length, some others related to the +value of \verb|\elemskip| choosen by {\tt musixflx} according to the +given value of \keyindex{mulooseness}. Note that \verb|\zsong| still has been +used for lyrics followed by a bar, since their extension across the bar is +usually harmless. + +\begin{music} +\small +\overfullrule 3pt +\instrumentnumber{1} +\setstaffs11 +% +\generalsignature{-1}\relax % one flat +\generalmeter{\meterfrac{2}{2}} +% +\staffbotmarg=5\Interligne\stafftopmarg=1.5\Interligne +\startpiece +\setsongraise1{2\Interligne}% +\znotes\uptext{\kern -9mm\raise 9pt\hbox{\bigtype + Majestueux, sans tra\^\i ner \rm(\metron{\hu}{50})}}\enotes +\hardlyrics {\kern-5pt Gloire }\notes\hsong{\thelyrics }\cu c\enotes +\notes\hsong{\`a }\cu c\enotes +\barre +\NOTes\hsong{Dieu~}\hu f\enotes +\notes\hsong{au}\cu f\enotes +\hardlyrics{plus~}\notes\hsong{\thelyrics }\cu f\enotes +\hardlyrics{haut~}\notes\hsong{\thelyrics }\cu g\enotes +\notes\hsong{des}\cu g\enotes +\barre +\NOtes\hsong{cieux~}\qup h\enotes +\notes\hsong{et~}\cu h\enotes +\hardlyrics{paix~}\notes\hsong{\thelyrics }\qu i\enotes +\hardlyrics{sur~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{la~}\cu g\enotes +\barre +\Notes\hsong{ter-}\qu f\enotes +\notes\hsong{re~}\cu f\enotes +\hardlyrics{aux~}\notes\hsong{\thelyrics}\cu f\enotes +\hardlyrics{hom- }\notes\hsong{\thelyrics}\qu g\enotes +\hardlyrics{mes~}\notes\hsong{\thelyrics }\cu h\enotes +\hardlyrics{qu'il~}\notes\hsong{\thelyrics }\cu i\enotes +\barre +\NOtes\hsong{ai-}\hu g\enotes +\Notes\hsong{me.}\hu f\enotes +\Notes\uptext{\bf II }\enotes +\barre +\hardlyrics{Nous~}\notes\hsong{\thelyrics}\qu h\enotes +\notes\hsong{Te~}\cu g\enotes +\notes\hsong{lou-}\cu g\enotes +\NOtes\hsong{ons,}\hu h\enotes +\barre +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{b\'e-}\cu j\enotes +\notes\hsong{nis-}\cu j\enotes +\NOtes\hsong{sons,}\hu h\enotes +\barre +\Notes\hsong{nous~}\qu h\enotes +\NOtes\hsong{t'a-}\hu g\enotes +\Notes\hsong{do-}\qu f\enotes +\barre +\NOtes\hsong{rons,~}\hu f\enotes +\notes\uptext{\bf I}\enotes +\hardlyrics{nous~}\notes\hsong{\thelyrics }\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{glo-}\cu g\enotes +\notes\hsong{ri-}\cu g\enotes +\barre +\NOTEs\hsong{fions,~}\hu h\enotes +\hardlyrics{\kern -4pt nous~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{Te~}\cu h\enotes +\notes\hsong{ren-}\cu h\enotes +\notes\zsong{dons~}\cu i\enotes +\barre +\NOtes\hsong{gr\^a~-}\qu g\enotes +\notes\hsong{ces~}\cu g\enotes +\hardlyrics{pour~}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{Ton~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{im-}\cu i\enotes +\hardlyrics{men-}\notes\hsong\thelyrics\cu j\enotes +\notes\zsong{se~}\cu k\enotes +\barre +\Notes\hsong{gloi-}\ql j\enotes +\Notes\hsong{-}\ql i\enotes +\Notes\hsong{re~!}\qu h\enotes +\notes\uptext{\bf II}\enotes +\hardlyrics{Sei-}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{gneur~}\cu i\enotes +\barre +\hardlyrics{Dieu,~}\notes\hsong\thelyrics\qu j\enotes +\hardlyrics{Roi~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{du~}\cu g\enotes +\hardlyrics{Ciel,~}\notes\hsong\thelyrics\qu h\enotes +\hardlyrics{Dieu~}\notes\hsong\thelyrics\cu h\enotes +\notes\zsong{le~}\cu g\enotes +\barre +\hardlyrics{P\`e-~}\notes\hsong\thelyrics\cu h\enotes +\notes\hsong{re~}\cu i\enotes +\hardlyrics{tout-}\notes\hsong\thelyrics\cu g\enotes +\hardlyrics{puis-}\notes\hsong\thelyrics\cu h\enotes +\hardlyrics{sant~!}\notes\hsong\thelyrics\qup h\enotes +\notes\uptext{\bf I}\enotes +\notes\zsong{Sei-}\cu h\enotes +\mulooseness 2% +\stoppiece +\end{music} + + + The complete score of this carol --- with slightly different layout +due to different page size --- is given in example {\tt glorias.tex} and in +{\tt gloriab.tex}, the latter exhibiting not only the song tune but also the +organ accompaniment +(both require {\tt musixsty.tex}). + + +\section{Abnormal music coding} + \subsection{Gregorian chant: staffs and clefs} \index{gregorian +music}Gregorian chant is often coded using four line staffs (see sections +\ref{gregorian} and \ref{stafflinenumber}) and using special notes (called +\itxem{neumes}) which are described in section \ref{gregnotes}. But the +gregorian chant also needs special clefs which are in fact the ancestors of +the modern ones. The \itxem{gregorian clefs} can be invoked instead of the +modern ones by: + +\keyindex{setaltoclefsymbol}\verb|3\gregorianCclef| + +\keyindex{setbassclefsymbol}\verb|3\gregorianFclef| + +\noindent will cause the instrument number 3 to exhibit the chosen gregorian +clefs. The standard clefs can be restored for every instrument with +\keyindex{resetclefsymbols}. + +It is to be emphasized that, since version T.40 of \musixtex, one should +specify whether one wants to change the bass clef symbol or the alto clef +symbol (also the treble clef symbol, but there is no treble clef in gregorian +chant). The reason is that \musixtex\ (as well as \musictex) selects and +raises differently the F, G and C clefs according to the arguments of the +\keyindex{setclef} command. Therefore, if one had substituted any F clef +symbol while saying \verb|\setclef1{1000}|, then an F clef would duly appear +on the staff, but it would have been set at the position of an alto clef, thus +seriously misleading the musician. + + However, for compatibility with what was previously choosen\footnote{By A. +{\sc Egler}...}, the \keyindex{setclefsymbol} still exists, but it substitutes +the given second argument \ital{to all clef symbols} of that instrument, +regardless of the actual musical meaning of this symbol. \verb|\setclefsymbol| +is therefore discouraged, unless one changes the design of the clef symbol of +an instrument for the whole of the score. + + As an example, the same gregorian scale has been written with a gregorian C +clef on all four lines of the staff: + + \begin{music} + \parindent 19mm + \instrumentnumber{4} + \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line} + \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} + \sepbarrules + \generalmeter{\empty} + \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} + \setaltoclefsymbol1\gregorianCclef + \setaltoclefsymbol2\gregorianCclef + \setaltoclefsymbol3\gregorianCclef + \setaltoclefsymbol4\gregorianCclef +\startextract +\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes +\endextract +\end{music} + + The coding was: + \begin{verbatim} + \instrumentnumber{4} + \setname1{1st line} \setname2{2nd line} \setname3{3rd line} \setname4{4th line} + \setlines1{4}\setlines2{4}\setlines3{4}\setlines4{4} + \sepbarrules + \generalmeter{\empty} + \setclef1{1000} \setclef2{2000} \setclef3{3000} \setclef4{4000} + \setaltoclefsymbol1\gregorianCclef + \setaltoclefsymbol2\gregorianCclef + \setaltoclefsymbol3\gregorianCclef + \setaltoclefsymbol4\gregorianCclef +\startextract +\Notes\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\squ{abcdefghi}&\enotes +\endextract + \end{verbatim} + + + \subsection{Music score without clefs or with special clefs} + + \subsubsection{Empty clefs} +\index{clefs (empty)} + Regardless of the number of lines of the staffs, an instrument may +have no clefs, e.g.~for \itxem{percussion music} but also for any weird +purpose. This is done by declaring the following item: + +\keyindex{setclefsymbol}~$n$\verb|\empty| + +\noindent Normal symbols for these clefs can be restored by: + +\keyindex{resetclefsymbols} + + \subsubsection{Octave clefs}\index{octave clefs} + + Octave treble clefs and octave bass clefs are provided. They can replace the usual + treble and bass clefs by saying: + + \keyindex{setclefsymbol}~$n$\keyindex{bassoct} + + \keyindex{setclefsymbol}~$n$\keyindex{trebleoct} + + \noindent for upper octaviation, and + + \keyindex{setclefsymbol}~$n$\keyindex{basslowoct} + + \keyindex{setclefsymbol}~$n$\keyindex{treblelowoct} + + \noindent for lower octaviation. + + \begin{music} + \parindent 19mm + \instrumentnumber{4} + \generalmeter{\empty} + \setclef1\bass \setclef2\bass \setclef3\treble \setclef4\treble + \setbassclefsymbol1\basslowoct + \setbassclefsymbol2\bassoct + \settrebleclefsymbol3\treblelowoct + \settrebleclefsymbol4\trebleoct +\startextract +\Notes\qu{`abcdefghi}&\qu{`abcdefghi}&\qu{abcdefghi}&\qu{abcdefghi}&\enotes +\endextract +\end{music} + +{\noindent\sl REMARKS: \begin{itemize} \item The \keyindex{setclefsymbol}, +\keyindex{settrebleclefsymbol}, \keyindex{setaltoclefsymbol} and +\keyindex{setbassclefsymbol} commands only change the symbol posted, not the +altitude of the note head. Thus, if you say \verb|\setclef1\bass| and then +|\setbassclefsymbol1\trebleclef|, your score will be definitely wrong. In the +same way, \keyindex{trebleoct} and similar octave clefs will only change the +symbol, but a note coded {\tt a} wiull have the same vertical position, +regardless of the clef symbol chosen. + \item Changing clef symbols also affect clef changes within the score, but +this clef changes will be posted by large symbols, not smaller clefs as usual. +Anyway, it can be remarked that clef changes only concern scores with standard +treble, alto and bass clefs... +\end{itemize} +} + + \subsubsection{Drum clef} + A special \itxem{drum clef} (two heavy vertical bars) can +replace for the $n$-th intrument any of the standard clefs by saying: + +\keyindex{setclefsymbol}~$n$\keyindex{drumclef}\label{sectiondrum} + +\noindent However, since the vertical position of the clef depends on the +previously stated clef, it is not wise to replace any clef symbol with the +drum clef, but to have the instrument previously configured with the default +violin clef, i.e. \verb|{0000}|. + + It is to be emphasised that these features are specific to one +instrument --- not one staff of a several staff instrument --- so that some +weird score for \ital{monks}, \ital{drum} and \ital{electronic keyboard} +such as + +\begin{music} +\parindent 19mm +\instrumentnumber{3} +\setname1{keyboard} \setname2{drum} \setname3{monks} +\setlines2{1} +\setlines3{4} +\setinterinstrument1{-2\Interligne}% less vertical space above +\setinterinstrument2{-2\Interligne}% and below the percussion +\sepbarrules +\setsign1{-1} % one flat at keyboard +\generalmeter{\meterfrac24} +\setmeter3\empty +\setclef3\alto +\setclef1\bass +\setstaffs12 % 2 staffs at keyboard +\setclefsymbol3\gregorianCclef % gregorian C clef at instrument 3 +\setclefsymbol2\drumclef % cancel G clef at instrument 2 +\startextract +\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar +\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes +\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc e\enotes\bar +\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes +\endextract +\end{music} +\noindent could be coded as follows, regardless this is relevant (see remark +in \ref{gregoriancappella}, p. \pageref{gregoriancappella}): +\begin{verbatim} +\parindent 19mm +\instrumentnumber{3} +\setname1{keyboard} \setname2{drum} \setname3{monks} +\setlines2{1} +\setlines3{4} +\setinterinstrument1{-2\Interligne}% less vertical space above +\setinterinstrument2{-2\Interligne}% and below the percussion +\sepbarrules +\setsign1{-1} % one flat at keyboard +\generalmeter{\meterfrac24} +\setmeter3{\empty} +\setclef3{\alto} +\setclef1{\bass} +\setstaffs1{2} % 2 staffs at keyboard +\setclefsymbol3{\gregorianCclef} % gregorian C clef at instrument 3 +\setclefsymbol2{\drumclef} % cancel G clef at instrument 2 +\startextract +\Notes\hu F|\zh c\hu h&\dnq4&\squ{acd}\enotes\bar +\NOtes\qu I|\zq N\qu d&\qp&\diapunc f\enotes +\NOtes\qu J|\zq a\qu e&\ynq4&\diapunc f\enotes\bar +\notes\hu G|\zh b\hu d&\dnq4&\zsqu d\rsqu g\squ{hgh}\enotes +\end{verbatim} +In the same way, a possible violin score with \itxem{harmonic notes} (see +\ref{othernotes}) could be:\label{abnormalscores} + +\begin{music} +\parindent0pt +\generalsignature{-2} +\generalmeter\allabreve +\startextract +\NOTes\dzq o\zh d\hu h\enotes +\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes +\bar +\NOTes\dzq g\hu k\enotes +\NOTes\hpause\enotes +\bar +\NOTes\dzq o\zh d\hl h\enotes +\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes +\bar +\NOTes\dzq g\hu k\enotes +\NOTes\hpause\enotes +\endextract +\end{music} +It was coded as follows: +\begin{quote}\begin{verbatim} +\generalsignature{-2} +\generalmeter\allabreve +\startextract +\NOTes\dzq o\zh d\hu h\enotes +\Notes\ibu0k0\zq g\yqb0k\qb0j\zq e\yqb0i\tbu0\qb0j\enotes +\bar +\NOTes\dzq g\hu k\enotes +\NOTes\hpause\enotes +\bar +\NOTes\dzq o\zh d\hl h\enotes +\Notes\ibl0e0\zq g\yqb0k\qb0j\zq e\yqb0i\tbl0\qb0j\enotes +\bar +\NOTes\dzq g\hu k\enotes +\NOTes\hpause\enotes +\endextract +\end{verbatim}\end{quote} + + \subsection{Usual percussion music} +Besides single percussion scores usually +written using one-line staffs, percussion music involving several instruments +is often writen on five-line staffs with a \ital{drum clef}, where the +instruments are distinguished by the type of the note heads and the apparent +pitch of the note on the staff. We give an example --- kindly provided by +Agusti {\sc Mart\'in Domingo}: + +\medskip +\begin{music} +\generalmeter{\meterfrac44} +\setclefsymbol1\drumclef +\parindent0pt\startpiece +\leftrepeat +\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes +\bar +\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes +\bar +\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes +\setrightrepeat\endpiece +\end{music} + Its coding was: + \begin{quote}\begin{verbatim} +\begin{music} +\instrumentnumber{1} +\generalmeter{\meterfrac44} +\setclefsymbol1\drumclef +\parindent0pt\startpiece +\leftrepeat +\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\xqb0{nn}\enotes +\Notes\kzq d\zql f\zq j\xqb0n\tbu0\xqb0n\enotes +\bar +\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\kqb0{nn}\enotes +\Notes\xzq d\zql f\zq j\kqb0n\tbu0\kqb0n\enotes +\bar +\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes +\Notes\zql f\rlap\soupir\ibu0m0\oxqb0{nn}\enotes +\Notes\oxzq d\zql f\zq j\kqb0n\tbu0\oxqb0n\enotes +\setrightrepeat\endpiece +\end{music} + \end{verbatim}\end{quote} + To use these different note heads, one must + \begin{itemize} + \item either include a specific percussion file namely\index{percussion +music} \ttxem{musixper.tex} after the usual \verb|\input musixtex|; + \item use special macro names to replace the usual elliptic black note head +with other available note heads. Today only the most used note types are +supported. + \end{itemize} + + +\section{Writing your own macros: the {\Bslash catcode} problems} +As seen before, the \keyindex{catcodes} of the \| and \verb|&| symbols +are modified by \musixtex, in the range of the actual scores but not +in the whole of the \TeX\ source. +Thus, if you define your own macros to make +your writing easier, you are likely to invoke the \| or \verb|&| +symbols in a part of text where their \keyindex{catcode}s are not correctly set. +\index{"|@{\tt\char'174}} +This may result typically in a diagnostic like: + +\verb|! Misplaced alignment tab character &.| + +\noindent when you attempt, not to define, but to use your macro using the +\verb|&| symbol to change the instrument. Smart \TeX ers know that the +\keyindex{catcode}s are attached to the characters \ital{when they are input} +and not when they are used; thus you must be sure that \| and \verb|&| +have the correct \musixtex\ \keyindex{catcode} when the macro is defined, +which may well occur outside the actual score. + +It is also worth pointing out that the same problem may occur with other +punctuation marks like ``\verb|<|'', ``\verb|>|'', ``\verb|^|, +etc., if their \keyindex{catcode} has been changed by some other set of +macros, like \ttxem{french.sty}. + +\section{\LaTeX~and \musixtex} + \subsection{The {\tt musixtex.sty} style}\label{musixltx} + As said before, the amount of memory and registers used by \musixtex\ makes +it hardly compatible with \LaTeX. However, Nicolas {\sc +Brouard}\index{Brouard, N.@{\sc Brouard, N.}} succeeded in building a +\ttxem{musixltx.tex} which is now included in the distribution. This is +not recommended to make separate music scores. Its purpose is rather to +provide a means of inserting short musical excerpts in books or articles +written with \LaTeX. Then, the \keyindex{documentstyle} command should +include {\tt musixtex} in the options. + +The \LaTeX\ \index{LaTeX@\LaTeX}style file \ttxem{musixtex.sty} +simply \verb|\input|s the following files (in that very order): +\begin{itemize} + \item \verb|musixtex.tex| + \item \verb|musixltx.tex| +\end{itemize} + In case of \verb|TeX capacity exceeded...|, use a ``Bigla\TeX'' (after +checking there is no visible error in the source +code).\index{BigLaTeX@Big\LaTeX} + \subsection{Wide music in \LaTeX}\label{musixblx} + Another difficulty appears with \LaTeX: internal \LaTeX\ macros handle the +page size in a way which is not supposed to be changed within a given document. +This means that text horizontal and vertical sizes are somewhat frozen so that +one can hardly insert pieces of music of page size different from the size +specified by the \LaTeX{} \itxem{style}. +Although a \ttxem{musixblx.tex} has been provided, which makes the +\ital{environment} \verb|bigmusic| available. +\zkeyindex{begin\LBR bigmusic\RBR} +The main drawback is an unpredictable behaviour of top and bottom +printouts, especially page numberings. + + If the whole of a document has wide pages, it can be handled with the +\ttxem{a4wide} style option, or any derivate of it. + \subsection{The {\Bslash catcode} problems} + The \verb|musixltx.tex| file merely overrides the \keyindex{catcode}s of the +\| and \verb|&| symbols which are modified by \musixtex. To have access to +these symbols when coding music, you should enclose the scores or excerpts +within \verb|\begin{music}| and \verb|\end{music}|. But there is also another +possibility, i.e.\ to say \keyindex{nextinstrument} instead of +\verb|&|\index{\&} and \keyindex{nextstaff} instead of \|. +\index{"|@{\tt\char'174}} + + Another problem comes from the {\tt\ixem{french.sty}} written by Bernard +{\sc Gaulle}\index{Gaulle, B.@{\sc Gaulle, B.}} which is the standard of the +\ixem{GUTenberg} French association. This style changes many +\keyindex{catcode}s which lead \musixtex\ to fail in many cases. Therefore +the \keyindex{catcode}s of all are forced to the adequate value at +\keyindex{startpiece}, \keyindex{startextract} and restored at their original +value at \keyindex{endpiece}, \keyindex{stoppiece} and \keyindex{endextract}. +This means that some facilities like the \itxem{guillemets} or the +\itxem{tabulation} character are inhibited within music scores (possible +problem with sophisticated \itxem{lyrics}) but perfectly available within the +normal text. + + Anyway, in case of emergency, one can invoke \keyindex{catcodesmusic} to +establish the \keyindex{catcode}s at their value fit for music, and +\keyindex{endcatcodesmusic} to reset them at their external value, for example +those chosen by \verb|french.sty|. + +\section{Implementation and restrictions} + + The macroinstruction file \musixtex\ contains approximately 4200 lines of +code, that is 98~000 bytes approximately. This requires your score to be +compiled by the most extended versions of \TeX\ (65~000 words of working +memory). It is therefore wise to say \verb|\tracingsstats=2| in +order to have an information about the memory used in each page. In desperate +situations, we recommend using the ``Big\TeX'' processors which, +unfortunately, performed a great deal of disk input/outputs (on PCs with i286 +processors) which made them awfully slow. Of course, using i386 or i486 or Pentium +processors, this problem disappears with the specific version of +{\tt emTeX}, namely {\tt tex386}.\index{BigTeX@Big\TeX}\index{emTeX@em\TeX} + +In particular, the number of registers it uses and the amount of memory used +by \LaTeX\ macros makes it doubtfully compatible with \LaTeX, unless using +Big\LaTeX.\index{BigLaTeX@Big\LaTeX} + +Other precautions are necessary: beware of end-of-line spaces; they corrupt +layout and cause {\tt underfull/overfull hbox} warnings during third pass. +To avoid that, it is recommended +to use \verb|%| at the end of source lines. + + +%\subsection{ABC2MTeX} +% Generally: yes +%\subsection{MIDI2TeX} +% s.a.a. (I already use a modified one, Thanx to C) +%\subsection{SceX} +% next time + +\section{From \musictex~to \musixtex: {\tt musixcpt}} +\label{compatibility} + +This file is intended to run `{\bf old}' input files with as less changes +(read \verb|musicdoc| {\bf and} \musixtex's laws~!) as possible. It slows +down the speed and makes it impossible to use some\footnote{This was the will +of one of the authors (A.E.) but we (we=D.T.) are now tending to remove any +incompatibilities of {\tt musixcpt} with plain \musixtex.} of \musixtex\ +commands. + + To run \musictex\ examples --- not withstanding restrictions related to +glue and ``hard'' spacings forbidden with +\musixtex\ --- just replace all previous \verb|\input music*| by: + + \verb|\input musixtex| + + \verb|\input musixcpt| + +\noindent and, optionally + + \verb|\input musixsty| + +\subsection{Compatibility restrictions} + +The \ttxem{musixcpt.tex} file holds up +compatibility to \musictex's sources, but there are some restrictions, which +are caused either by missing glue in \musixtex\ --- sometimes ugly, but +generally harmless --- or by some hard spacings such as \verb|\hbox|es +containing lyrics exceeding the \keyindex{noteskip} dimension, and resulting +in ``overfull hbox[es]'' that is, notes and symbols outside the score limits, +with the heavy vertical bar as a standard \TeX\ punishment. + +The easiest way to avoid this consists in ending systematically +\ital{all}\footnote{ALL lines, not ``most of them''.} input +lines between \keyindex{startpiece}...\keyindex{stoppiece}\footnote{or +\keyindex{Stoppiece} or \keyindex{endpiece} or \keyindex{Endpiece}.} +with a comment sign\footnote{For \TeX perts: every line +which does not end with a command}, namely a ``\verb|%|''. + +\medskip Besides, one might want to have a unique source file to be compiled +with both the \musictex\ format and the \musixtex\ format, and\footnote{This +might be considered as an excessive requirement, but we (D.T.) think it is a +good way of including \musixtex's new facilities...} taking advantage of some +specific possibilities of \musixtex. The leads to a need of testing whether +the source file is compiled with one format or the other. In fact this test is +easy:\zkeyindex{mxversion} + +\verb|\ifx\mxversion\undefined| + +\ \ \ the specific \musictex\ code + +\verb|\else| + +\ \ \ the specific \musixtex\ code, taking advantage of new features + +\verb|\fi| + +\medskip Several examples are now included in \musictex's examples, for +example {\tt pacifiqn.tex}. Of course this would fail if the user +inadvertently decided to define the command {\Bslash mxversion} in his source +text. + %\check + +\subsection{Additional commands in {\tt musixcpt.tex}} + +The tentative user looking in given examples might find commands not described +in the \musixtex\ manual (this one). Most frequent are (in case of missing +description, revert to \musictex's manual, namely {\tt musicdoc.tex}, {\tt +musicdoc.dvi}, {\tt musicdoc.ps}, {musicdoc.lj}, etc.): + +\begin{itemize} + \item\keyindex{qh} : same as \verb|\qb|, but was different with \musictex, +since it distinguished notes hanging above (\verb|\qb|) and below (\verb|\qh|) +the beam(s). + \item\keyindex{debutmorceau} : nearly but not exactly the same as +\verb|\startpiece|. + \item\keyindex{suspmorceau} : suspends the score at the end of the line, in +order to permit inserting ordinary \TeX\ commands. Similar to +\keyindex{stoppiece} but performs line counting necessary then using +\musictex's \verb|\autolines| feature. + \item \keyindex{reprmorceau} is synonym of \verb|\contpiece|. + \item \keyindex{lreprmorceau} is synonym of \verb|\contpiece|. + \item \keyindex{preprmorceau} ejects a newpage and performs \verb|\contpiece|. + \item \keyindex{finmorceau} is synonym of \verb|\Stoppiece|, i.e. with heavy +ending double bar.. + + \item\keyindex{barre} : same as \verb|\bar|. + \item\keyindex{dsoupir} : same as \verb|\ds|. + \item\keyindex{qsoupir} : same as \verb|\qs|. + \item\keyindex{demisoupir} : same as \verb|\ds|. + \item\keyindex{temps} : was glue in \musictex, now equivalent to +\verb|\empty|. + \item\keyindex{autolines} is fit for scores with +bars of regular length: after \keyindex{startpiece}, you code the +following macro: + + +\medskip\Bslash autolines $tml$ + +\medskip\noindent\rm where $t$ is the number of \ital{elementary spacings} +(the length of {\Bslash notes...\Bslash enotes}) in an average bar, $m$ is the +number of bars you wish in a line and $l$ is the number of lines you wish in a +page. This sets some parameters, namely \keyindex{maxbarsinline} and +\keyindex{maxlinesinpage} which are simply used to count the bars (counter is +\keyindex{barsinline}), optionally perform \keyindex{alaligne} or +\keyindex{alapage} (counter is \keyindex{linesinpage}) instead of the normal +\verb|barre| or \verb|bar|. You may freely alter the values of these +parameters, once they have been established by \keyindex{autolines}. Moreover, +you can still force line-breaking of page ejection using {\Bslash alaligne} or +\keyindex{alapage} without problem since these macros actually reset the bar +counters appropriately. + + \end{itemize} + + %\check +% \subsection{Often reported problems} + + %\check +\section{Extension Library} +All following files are invoked with saying \keyindex{input} \ital{filename} + \subsection{musixadd} +Increases the number of instruments, slurs and beams up to nine. + \subsection{musixbm} + Provides 128th notes, either with hooks or with beams, namely the +\keyindex{ibbbbbu}, +\keyindex{ibbbbbl}, +\keyindex{nbbbbbu}, +\keyindex{nbbbbbl}, +\keyindex{tbbbbbu}, +\keyindex{tbbbbbl}, +\keyindex{Ibbbbbu}, +\keyindex{Ibbbbbl}, +\keyindex{cccccu}, +\keyindex{ccccca}, +\keyindex{zcccccu}, +\keyindex{cccccl} and +\keyindex{zcccccl} commands. + \subsection{musixbbm} + Provides 256th notes, only with beams, namely the +\keyindex{ibbbbbbu}, +\keyindex{ibbbbbbl}, +\keyindex{nbbbbbbu}, +\keyindex{nbbbbbbl}, +\keyindex{tbbbbbbu}, +\keyindex{tbbbbbbl}, +\keyindex{Ibbbbbbu} and +\keyindex{Ibbbbbbl} commands. + \subsection{*musixcho}\label{song} + These are some macros fit for chorus music. Provides following commands: +\keyindex{biglbrace}, \keyindex{bigrbrace}, \keyindex{braceheight}, +\keyindex{Dtx} and \keyindex{Drtx} for double text, \keyindex{Ttx} and +\keyindex{Trtx} for triple text, \keyindex{Qtx} and \keyindex{Qrtx} for +quadruple text. + +\keyindex{tx}\verb|{|$text$\verb|}|, +\keyindex{rtx}\verb|{|$text$\verb|}| for text of songs, with text extending +to right instead centered. + \keyindex{hf}\verb|{|$m$\verb|}| sets text +continuation rule of width $m$ \verb|\noteskip|. + + +\begin{music} +\tenrm +\parindent11.5mm +\braceheight5.4\Interligne\relax +%\rightline{Arr.: H.~W.~Eichholz} +\instrumentnumber2 +\generalsignature{-2} +\generalmeter{\meterfrac22} +\setclef1\bass +\relativeaccid +\setinterinstrument1{11\Interligne} +\songtop2 +\songbottom1 +\setname2{\vbox{\hsize\parindent\centerline{Sopran}\centerline{Alt}}} +\setname1{\vbox{\hsize\parindent\centerline{Tenor}\centerline{Bass}}} +\sepbarrules\nobarnumbers +\beforeruleskip-2pt +\startpiece +%% bar 1 +\znotes&\rlap{\kernm2em\Qrtx 1.|2.|3.|4.*}\en +\NOTes\sslur ILd1\sslur bNu1\zhl I\hu b% + &\Qtx\ixhf{Oh}|No|No|There'll*\issluru0f\sslur dad1\zhup f\hl d\en +\Notes\zhl L\hu N&\Qtx ~|more|more|~be*\hl{^c}\en +\NOtes&\tsslur0g\qu g\en +%%% bar 2 +\bar +\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql d\en +\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en +%%% bar 3 +\bar +\nspace +\NOTes\sslur JMd1\sslur bau1\zhl J\hu b% + &\Qtx\ixhf{oh}|no|no|there'll*\issluru0j\sslur edd1\zhup j\hl{^e}\en +\Notes\zhl M\hu a&\Qtx~|more|more|~be*\hl{=e}\en +\NOtes&\tsslur0k\qu k\en +%%% bar 4 +\bar +\NOtes\zql I\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu j\ql d\en +\NOTesp\lpt I\zhl I\hup b&\zhup i\hlp d\en +%%% bar 5 +\bar +\NOTesp\sslur IJd1\sslur bau1\lpt I\zhl I\hup b% + &\Qtx\ixhf{oh}|no|no|~there'll*\isslurd0f\issluru1j\zhup k\hlp f\en +\NOtes\zql J\qu a&\Qtx~|more|more|~be*\tsslur1f\zqu f\roff{\tsslur0e\ql e}\en +%%% bar 6 +\bar +\NOtes\zql K\qu b&\Qrtx\thf freedom,|weepin',|moanin',|singin',*\zqu i\ql f\en +\NOtes\zql J\qu b&\zqu i\ql e\en +\NOtes\zql I\qu b&\rlap{\kernm2\Internote\bigrbrace}\rtx~~~over*\zqu i\ql d\en +\NOtes\zql G\qu b&\zqu k\ql f\en +%%% bar 7 +\bar +\nspace +\NOTes\zhl J\hu b\caesura&\tx ~me,*\zhu j\hl{^e}\caesura\en +\Notes\zcl J\cu b&\rtx ~over*\zcu j\cl e\en +\NOtesp\zqlp J\qup b&\zqup k\lpt e\ql e\en +\endpiece +\end{music} + + See {\tt musixdoc.tex} source to get the coding of this long example. + + Note that, since vertion T.89, multiple line texts are vertically justified + with a \keyindex{ChroirStrut} macro defined as \verb|\vphantom{\^Wgjpqy}| to +eliminate zigzagging lyrics lines. + + %\check + \subsection{musixdat} +Here is the command \keyindex{today} defined for several languages. +The default is \keyindex{dateUSenglish}, but this can freely be changed at +end of \ttxem{musixdat.tex}. +Also available are \keyindex{dategerman}, \keyindex{dateaustrian}, +\keyindex{dateenglish} and \keyindex{datefrench}, which yields: +\begin{quote}\begin{tabular}{ll}\hline +\verb|\dateUSenglish|&\dateUSenglish\today\\ +\verb|\dateaustrian|&\dateaustrian\today\\ +\verb|\dateenglish|&\dateenglish\today\\ +\verb|\datefrench|&\datefrench\today\\ +\verb|\dategerman|&\dategerman\today\\\hline +\end{tabular}\end{quote} + \subsection{*musixdia}\label{diam} +These file is automatically loaded, if you use {\tt musixper.tex}. +Here is the list of notes it provides: + \begin{itemize} + \item The \raise.5ex\hbox to 1em{\musixchar37} symbol is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|y|'' +(think of ``dyamond''). Available are \keyindex{yqu}, \keyindex{yqup}, +\keyindex{yqupp}, \keyindex{yql}, \keyindex{yqlp}, \keyindex{yqlpp}, +\keyindex{yzq}, \keyindex{yzqp}, \keyindex{yzqpp}, \keyindex{yqb}, +\keyindex{ycu}, \keyindex{yccu}, \keyindex{ycccu}, \keyindex{yccccu}, +\keyindex{ycl}, \keyindex{yccl}, \keyindex{ycccl}, \keyindex{yccccl}, +\keyindex{ycup}, \keyindex{ycupp}, \keyindex{yclp}, \keyindex{yclpp}. The +symbol without a stem can be obtained by saying \keyindex{ynq} and the +non-spacing variant with \keyindex{zynq}. + \item The \raise.5ex\hbox to 1em{\musixchar38} symbol is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a ``\verb|d|'' +(think of \ital{diamond}). Available are \keyindex{dqu}, \keyindex{dqup}, +\keyindex{dqupp}, \keyindex{dql}, \keyindex{dqlp}, \keyindex{dqlpp}, +\keyindex{dzq}, \keyindex{dzqp}, \keyindex{dzqpp}, \keyindex{dqb}, +\keyindex{dcu}, \keyindex{dccu}, \keyindex{dcccu}, \keyindex{dccccu}, +\keyindex{dcl}, \keyindex{dccl}, \keyindex{dcccl}, \keyindex{dccccl}, +\keyindex{dcup}, \keyindex{dcupp}, \keyindex{dclp}, \keyindex{dclpp}. The +symbol without a stem can be obtained by saying \keyindex{dnq} and the +non-spacing variant with \keyindex{dznq}. + \end{itemize} + %\check + \subsection{*musixeng} + This package is made for music typesetters who are allergic to rest names +taken from French, German or Italian\footnote{By the way, note that a +\ital{whole rest} is called \ital{pause} in French, \ital{ganze Pause} in +German, and \ital{pausa} in Italian.}. It does not provide new features, only +new command names. + \begin{quote}\begin{tabular}{ll}\hline +\ital{original}&\ital{alternative}\\\hline +\keyindex{PAUSe}&\keyindex{Qwr}\\ +\keyindex{PAuse}&\keyindex{Dwr}\\ +\keyindex{liftpause}&\keyindex{liftwr}\\ +\keyindex{pausep}&\keyindex{wrp}\\ +\keyindex{pause}&\keyindex{wr}\\ +\keyindex{lifthpause}&\keyindex{lifthr}\\ +\keyindex{hpausep}&\keyindex{hrp}\\ +\keyindex{hpause}&\keyindex{hr}\\ +\keyindex{qp}&\keyindex{qr}\\ +\keyindex{ds}&\keyindex{er}\\ +\keyindex{qs}&\keyindex{eer}\\ +\keyindex{hs}&\keyindex{eeer}\\ +\keyindex{qqs}&\keyindex{eeeer}\\\hline +\end{tabular}\end{quote} + \subsection{musixext} + +\keyindex{slide}\verb|{|pitch\verb|}{|elements\verb|}{|slope[-8 to 8]\verb|}|~: + glissando. + +\keyindex{raggedstoppiece} : + provides a ragged last line. + %\check + + \subsection{musixf{}l{}l} + \input musixfll + \ttxem{musixfll.tex} may be used to modify the automatic +generation of \ixem{ledger lines}. Ledger lines --- German Hilfslinien +--- are generated for notes placed above or below normal staff lines. +Ledger lines normally exceed the note head by a quarter of the width of +the note head. If notes are set very narrowly, the ledger lines of +consecutive notes may meet. In this case a player may misread the +ledger lines as normal lines. Therefore \musixtex{} shortens the +ledger lines if notes are set so narrowly that the ledger lines may +meet. Because \musixtex{} does not know whether consecutive notes need +ledger lines, this automatic shortening may be superfluous. So this +automatism may be switched off and on. After including +\ttxem{musixfll.tex} the automatic shortening of ledger lines is +switched off. Afterwards it may be switched on again using +\keyindex{autoledgerlines} and switched off again using +\keyindex{longledgerlines}. Both macros have global effect. + + The following example shows that narrowly set scales look better with +\keyindex{autoledgerlines}, while single notes requiring ledger lines +look better with \keyindex{longledgerlines}. + +\begin{music} +\startextract +\notes\multnoteskip{0.7}\Uptext{autoledgerlines}\autoledgerlines + \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% + \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% + \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% + \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en + \bar +\notes\multnoteskip{0.7}\Uptext{longledgerlines}\longledgerlines + \ibbbu0b0\qb0{cba`gfg'a}\tbu0\qb0b% + \ibbbl0{''b}0\qb0{abcdedc}\tbl0\qb0b% + \ibbbu0{``b}0\qb0{dad}\tbu0\qb0a% + \ibbbl0{''b}0\qb0{`g'c`g}\tbl0\qb0{'c}\en +\endextract +\autoledgerlines +\end{music} + + \subsection{*musixgre}\label{gregnotes} + + + Provided that four line staffs (see \ref{stafflinenumber}) are used, +\itxem{gregorian music} is frequently quoted using specific \itxem{neumes}, +established in the thirteenth century, and this way of coding has been +commonly used for the coding of liturgical chant in the Catholic Church until +the middle of the twentieth century. Nevertheless, gregorian chant coding is +not really an antique feature, since it has been codified in 1905 with recent +quasi-official updates in the eightties. + + +{\noindent\sl REMARK:\label{gregoriancappella} strictly writing, including +gregorian chant coding in \musixtex{} is a pure nonsense. Of course, many +people find it interesting to have the possibility of coding gregorian neumes +together with modern music, but having a score with both a gregorian chant and +a choir or instruments is definitely \ital{heretic}. The reason is that +grogorian chant must be sung \ital{a cappella}, without instrument and without +underlying polyphony. As a matter of fact, serious music schools ceased to +teach how to accompany gregorian chant approximately 20 years ago. + + However, there are still some pseudo-gregorian chants in the Catholic +repertoire which deserve organ or orchestra accompaniment: these are latine +speaking gregorian imitations composed in the eighteenth century, such as the +famous \ital{Angel's mass} of the \ital{Messe royale de Du Mont} which were +printed using gregorian neumes by official catholic publishers instead of +using the music denotations fit for renaissance and baroque pieces...} + + + Symbols available in \musixtex\ are +mainly those of the 1905 standard, as provided by Beda {\sc +Szukics}\index{Szukics, B.@{\sc Szukics, B.}}: + +\subsubsection{The clefs} + +\begin{itemize} + \item The gregorian C clef: \raise 2.5pt\hbox to 1cm{\gregorianCclef\hfil}~= + \keyindex{gregorianCclef}, normally activated for instrument $n$ with the +command: + \begin{quote} + \keyindex{setaltoclefsymbol} $n$ \keyindex{gregorianCclef} + \end{quote} + \item The gregorian F clef: \raise 2.5pt\hbox to 1cm{\gregorianFclef\hfil}~= +\keyindex{gregorianFclef}, normally activated with the +\verb|\setbassclefsymbol| command. + \end{itemize} + + \subsubsection{The basic elementary symbols} + \begin{itemize} + + \item Diamond shaped \itxem{punctum} (of different shape compared to the +percussion diamond): \raise 2.5pt\hbox{\xgregchar1}~ = +\keyindex{diapunc}~$p$~. + \item Square \itxem{punctum}: \raise 2.5pt\hbox{\xgregchar5}~ = +\keyindex{squ}~$p$ or \keyindex{punctum}~$p$~. + \item Left stemmed \itxem{virga} (not in the 1905 gregorian standard): \raise +2.5pt\hbox{\xgregchar6}~ = \keyindex{lsqu}~$p$~. + \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\xgregchar7}~ = +\keyindex{rsqu}~$p$ or \keyindex{virga}~$p$~. + \item \ital{Apostropha}\index{apostropha}: \raise 2.5pt\hbox{\xgregchar3}~ = +\keyindex{apostropha}~$p$~. + \item \ital{Oriscus}\index{oriscus}: \raise 2.5pt\hbox{\xgregchar10}~ = +\keyindex{oriscus}~$p$~. + + \item \ital{Quilisma}\index{quilisma}: \raise 2.5pt\hbox{\xgregchar125}~ = +\keyindex{quilisma}~$p$~. + \item \ital{Punctum auctum} (up)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar9}~ = +\keyindex{punctumauctup}~$p$~. + \item \ital{Punctum auctum} (down)\index{punctum auctum}: \raise 2.5pt\hbox{\xgregchar8}~ = +\keyindex{punctumauctdown}~$p$~. + \item Diamond shaped \ital{punctum auctum} (down)\index{punctum auctum}: +\raise 2.5pt\hbox{\xgregchar2}~ = \keyindex{diapunctumauctdown}~$p$~. + \item \ital{Punctum deminutum}\index{punctum deminutum}: \raise +2.5pt\hbox{\xgregchar4}~ = \keyindex{punctumdeminutum}~$p$~. + \item \ital{Apostropha aucta}\index{apostropha aucta}: \raise +2.5pt\hbox{\xgregchar11}~ = \keyindex{apostropha aucta}~$p$~. + + +\end{itemize} + All non-\ital{liquescens} symbols have a non-spacing variant, which are +\keyindex{zdiapunc}, \keyindex{zsqu}, \keyindex{zlsqu}, \keyindex{zrsqu}, +\keyindex{zapostropha} and \keyindex{zoriscus}. + +\subsubsection{The plain complex neumes} +Other \itxem{neumes} can be obtained by combining two or more of these +symbols. Since \itxem{neumes} have a special note head width, an additional +shifting macro is provided, namely \keyindex{groff}. It is similar to +\verb|\roff|, but the offset is smaller; to implement also triple symbol neumes, +another shifting macro is provided, namely \keyindex{dgroff} which performs an +offset twice the offset of \verb|\groff|.. + + Since most of these symbols depend on relative pitches of their components, +one could not provide all compact combinations as single symbols. Following +compound symbols are: + +\begin{description} + \item[\keyindex{bivirga} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bivirga ab\enotes + \notes \bivirga cc\enotes + \endextract + \end{music} + This example was coded as: + \begin{quote}\begin{verbatim} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bivirga ab\enotes + \notes \bivirga cc\enotes + \endextract + \end{verbatim}\end{quote} + + \item[\keyindex{trivirga} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \trivirga abc\enotes + \Notes \trivirga cca\enotes + \endextract + \end{music} + + \item[\keyindex{bistropha} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \bistropha ab\enotes + \notes \bistropha cc\enotes + \endextract + \end{music} + + \item[\keyindex{tristropha} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \tristropha abc\enotes + \Notes \tristropha cca\enotes + \endextract + \end{music} + + \item[\keyindex{clivis} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivis ba\enotes + \notes \clivis ca\enotes + \endextract + \end{music} + + \item[\keyindex{lclivis} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lclivis ba\enotes + \notes \lclivis ca\enotes + \endextract + \end{music} + + \item[\keyindex{podatus} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatus ab\enotes + \notes \podatus ac\enotes + \notes \podatus cf\enotes + \endextract + \end{music} + + \item[\keyindex{podatusinitiodebilis} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusinitiodebilis ab\enotes + \notes \podatusinitiodebilis ac\enotes + \notes \podatusinitiodebilis cf\enotes + \endextract + \end{music} + + \item[\keyindex{lpodatus} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lpodatus ab\enotes + \notes \lpodatus ce\enotes + \endextract + \end{music} + + \item[\keyindex{pesquassus} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \pesquassus ab\enotes + \notes \pesquassus ae\enotes + \endextract + \end{music} + + \item[\keyindex{quilismapes} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \quilismapes ab\enotes + \notes \quilismapes ae\enotes + \endextract + \end{music} + + \item[\keyindex{torculus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculus aba\enotes + \notes \torculus cfd\enotes + \notes \torculus afc\enotes + \endextract + \end{music} + + \item[\keyindex{torculusinitiodebilis} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusinitiodebilis aba\enotes + \notes \torculusinitiodebilis cfd\enotes + \notes \torculusinitiodebilis afc\enotes + \endextract + \end{music} + + \item[\keyindex{Porrectus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectus bab\enotes + \notes \Porrectus bac\enotes + \notes \Porrectus bNd\enotes + \notes \Porrectus bMe\enotes + \notes \Porrectus bLe\enotes + \endextract + \end{music} +\noindent coded: + \begin{quote}\begin{verbatim} + \notes \Porrectus bab\enotes + \notes \Porrectus bac\enotes + \notes \Porrectus bNd\enotes + \notes \Porrectus bMe\enotes + \notes \Porrectus bLe\enotes + \end{verbatim}\end{quote} + + \verb|\Porrectus| exists in four different shapes, depending on the +difference between first and second argument. The constraint is that + $$ n-4 \leq p \leq n-1 $$ otherwise a diagnostic occurs. Note also that +\keyindex{bporrectus} provides the first curved part of the \verb|porrectus| +command, if you need it... It has two arguments, the starting pitch, the lower +pitch. + + \item[\keyindex{Porrectusflexus} $n$ $p$ $q$ $r$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusflexus bacN\enotes + \notes \Porrectusflexus bNdb\enotes + \notes \Porrectusflexus bMeb\enotes + \notes \Porrectusflexus bLea\enotes + \endextract + \end{music} +\noindent coded: + \begin{quote}\begin{verbatim} + \notes \Porrectusflexus bacN\enotes + \notes \Porrectusflexus bNdb\enotes + \notes \Porrectusflexus bMeb\enotes + \notes \Porrectusflexus bLea\enotes + \end{verbatim}\end{quote} + + + \item[\keyindex{climacus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacus cbN\enotes + \Notes \climacus cba\enotes + \Notes \climacus dbN\enotes + \endextract + \end{music} + + \item[\keyindex{climacusresupinus} $n$ $p$ $q$ $r$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusresupinus cbNa\enotes + \Notes \climacusresupinus cbab\enotes + \Notes \climacusresupinus dbNb\enotes + \endextract + \end{music} + + \item[\keyindex{lclimacus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \lclimacus cbN\enotes + \notes \lclimacus cfd\enotes + \notes \lclimacus afc\enotes + \endextract + \end{music} + + + \item[\keyindex{scandicus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicus abe\enotes + \notes \scandicus ceg\enotes + \endextract + \end{music} + + \item[\keyindex{salicus} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicus abe\enotes + \Notes \salicus ceg\enotes + \endextract + \end{music} + + \item[\keyindex{salicusflexus} $n$ $p$ $q$ $r$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicusflexus abec\enotes + \Notes \salicusflexus cegd\enotes + \endextract + \end{music} + + \item[\keyindex{trigonus} $n$ $p$ $q$], for example\footnote{The second +example is in principle irrelevant, but it shows the possibilities, in case +of.}: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \trigonus aaN\enotes + \Notes \trigonus cef\enotes + \endextract + \end{music} + +\end{description} + +\subsubsection{The liquescens complex neumes}\index{liquescens neumes} +\begin{description} + \item[\keyindex{clivisauctup} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisauctup ba\enotes + \notes \clivisauctup ca\enotes + \endextract + \end{music} + \item[\keyindex{clivisauctdown} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisauctdown ba\enotes + \notes \clivisauctdown ca\enotes + \endextract + \end{music} + \item[\keyindex{podatusauctup} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusauctup ab\enotes + \notes \podatusauctup ac\enotes + \notes \podatusauctup cf\enotes + \endextract + \end{music} + \item[\keyindex{podatusauctdown} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusauctdown ab\enotes + \notes \podatusauctdown ac\enotes + \notes \podatusauctdown cf\enotes + \endextract + \end{music} + + \item[\keyindex{pesquassusauctdown} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \pesquassusauctdown ab\enotes + \notes \pesquassusauctdown ae\enotes + \endextract + \end{music} + + \item[\keyindex{quilismapesauctdown} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \quilismapesauctdown ab\enotes + \notes \quilismapesauctdown ae\enotes + \endextract + \end{music} + + \item[\keyindex{torculusauctdown} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusauctdown aba\enotes + \notes \torculusauctdown cfd\enotes + \notes \torculusauctdown afc\enotes + \endextract + \end{music} + + \item[\keyindex{Porrectusauctdown} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusauctdown bac\enotes + \notes \Porrectusauctdown bNd\enotes + \notes \Porrectusauctdown bMe\enotes + \notes \Porrectusauctdown bLe\enotes + \endextract + \end{music} + + \item[\keyindex{climacusauctdown} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusauctdown cbN\enotes + \Notes \climacusauctdown caM\enotes + \Notes \climacusauctdown aNM\enotes + \endextract + \end{music} + + \item[\keyindex{scandicusauctdown} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicusauctdown abe\enotes + \notes \scandicusauctdown ceg\enotes + \endextract + \end{music} + + \item[\keyindex{salicusauctdown} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \salicusauctdown abe\enotes + \Notes \salicusauctdown ceg\enotes + \endextract + \end{music} + + \item[\keyindex{clivisdeminut} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \setsize1{\Largevalue} + \instrumentnumber 1 + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \clivisdeminut ba\enotes + \notes \clivisdeminut ca\enotes + \endextract + \end{music} + + \item[\keyindex{podatusdeminut} $n$ $p$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \podatusdeminut ab\enotes + \notes \podatusdeminut ac\enotes + \notes \podatusdeminut cf\enotes + \endextract + \end{music} + + \item[\keyindex{torculusdeminut} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusdeminut aba\enotes + \notes \torculusdeminut cfd\enotes + \notes \torculusdeminut afc\enotes + \endextract + \end{music} + + \item[\keyindex{torculusdebilis} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \torculusdebilis aba\enotes + \notes \torculusdebilis cfd\enotes + \notes \torculusdebilis afc\enotes + \endextract + \end{music} + + \item[\keyindex{Porrectusdeminut} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \Porrectusdeminut bac\enotes + \notes \Porrectusdeminut bNd\enotes + \notes \Porrectusdeminut bMe\enotes + \notes \Porrectusdeminut bLe\enotes + \endextract + \end{music} + + \item[\keyindex{climacusdeminut} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \Notes \climacusdeminut cbN\enotes + \Notes \climacusdeminut caM\enotes + \Notes \climacusdeminut aML\enotes + \endextract + \end{music} + + \item[\keyindex{scandicusdeminut} $n$ $p$ $q$], for example: + + \begin{music} + \elemskip 10pt + \instrumentnumber 1 + \setsize1{\Largevalue} + \setstaffs 1 1 + \setlines 1 4 + \setclef 1{3000} + \setaltoclefsymbol 1 \gregorianCclef + \startextract + \notes \scandicusdeminut abe\enotes + \notes \scandicusdeminut ceg\enotes + \endextract + \end{music} +\end{description} + + %\check + \subsection{musixgui} \ttxem{musixgui.tex} provides some macros for +typesetting \itxem{guitar tablatures}. Most times they are used above modern +music. To give an example: + +\begin{music} +\hsize130mm +\tenrm +\parindent0pt +\generalmeter{\meterfrac34} +\generalsignature1 +\startbarno0 +\def\txh{-6.5} +\def\tx#1*{\zchar\txh{\lrlap{\kern3\Internote#1}}} +\def\rtx#1*{\zchar\txh{\kern-3\Internote#1}} +\stafftopmarg10\Interligne +\raiseguitar{20} +\nostartrule +\startpiece +\addspace{.5\afterruleskip}% +\NOtes\tx We*\qa d\en +\bar +\NOtes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx wish*\qa g\en +\Notes\tx you*\ca g\en +\Notes\tx a*\ca h\en +\Notes\zchar\txh{merry}\ca g\en +\Notes\ca f\en +\bar +\NOtes\guitar C5o-----\gbarre4\gdot26\gdot36\gdot45\rtx christmas,*\qa e\en +\NOtes\qa e\en +\NOtes\guitar {e/H}5o-----\gbarre3\gdot35\gdot45\gdot54\tx we*\qa e\en +\bar +\NOtes\guitar {A$\!^7$}5o-----\gbarre1\gdot23\gdot42\tx wish*\qa h\en +\Notes\tx you*\ca h\en +\Notes\tx a*\ca i\en +\Notes\zchar\txh{merry}\ca h\en +\Notes\ca g\en +\bar +\NOtes\guitar D{}xxo---\gdot42\gdot53\gdot62\rtx christmas,*\qa f\en +\NOtes\qa d\en +\zbar +\NOtes\guitar{D/c}{}xo----\gdot23\gdot42\gdot53\gdot62\tx we*\qa d\en +\bar +\NOtes\guitar{B$^7$}{}xo----\gdot22\gdot31\gdot42\gdot62\tx wish*\qa i\en +\Notes\tx you*\ca i\en +\Notes\tx a*\ca j\en +\Notes\tx ~mer-*\ca i\en +\Notes\tx ry*\ca h\en +\bar +\NOtes\guitar e{}xxo---\gdot32\tx ~christ-*\qa g\en +\NOtes\tx mas*\qa e\en +\Notes\guitar {G/d}{}xxo---\gdot63\tx and*\ca d\en +\Notes\tx a*\ca d\en +\bar +\NOtes\guitar{C$^6$}{}xo----\gdot23\gdot32\gdot42\gdot51\tx ~~hap~-*\qa e\en +\NOtes\tx py*\qa h\en +\NOtes\guitar{D$^7$}{}xo---x\gdot25\gdot34\gdot45\gdot45\gdot53\tx new*\qa f\en +\bar +\NOTes\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44\tx ~year.*\ha g\en +\setdoublebar\endpiece +\end{music} + +\medskip +\keyindex{guitar} sets the grid, the chord name, the relative barre and play +indicators. As example the first chord in upper example was coded as: + +\verb|\guitar G{}o-----\gbarre3\gdot25\gdot35\gdot44| + +where the first argument is put above the grid to indicate the chord name, the +second is empty (relative barre) and the other six indicates if the string +is played with either \verb|x|, \verb|o| or \verb|-|. The dots are set with +\keyindex{gdot}~$sb$ where the $s$ is the string and $b$ is the barre. The +rule is set with \keyindex{gbarre}~$b$ where $b$ indicates the barre. + +The whole chord may be vertically shifted with +\keyindex{raiseguitar}\verb|{|$n$\verb|}|, where $n$ is a number +in units of \keyindex{internote}. It might be useful to reserve additional +space above the chord by advancing \keyindex{stafftopmarg} to +something like \verb|stafftopmarg=10\Interligne|. + +If you need the chords more often, it might be useful to define your own +macros, e.g.~saying: + +\verb|\def\Dmajor{\guitar D{}x-----\gdot42\gdot53\gdot62}%| + \subsection{*musixlit}\label{litu}\label{otherbars} + Provides a way of coding intermediate between gregorian and baroque/romantic, +still used\footnote{Was written by A. {\sc Egler}. To my knowledge (D. T.), +liturgical works are either written with modern music quotation, or using the +gregorian \itxem{neumes} which have been normalized in 1905.} for liturgical +works! + +\makeatletter +\catcodesmusic +%\def\vnotes#1\elemskip{\noteskip#1\@l@mskip \multnoteskip\scal@noteskip +% \not@s} + +%\def\not@s{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose\transpose +% \check@nopen\notes@open\@ne +% \kern\n@skip\advance\x@skip\n@skip \locx@skip\x@skip +% \n@skip\noteskip \noinstrum@nt\z@ \begininstrument} + +%\def\en{\@ndstaff\notes@open\z@ +% \ifx\@ne\V@sw \widthtyp@\z@\t@rmskip \let\V@sw\empty \fi} + +\def\double#1{\roffset{1.2}{\advancefalse#1}#1} +\makeatother + + % Don't know if this example correct ??? But looks nice... +\begin{music} +\parindent0pt +\instrumentnumber{2} +\interstaff{11} +\generalsignature2 +\setclefsymbol2\oldGclef +\setstaffs1{2} +\setclef1\bass +\setinterinstrument1{-\Interligne} +\startpiece +\shortbarrules +\addspace\afterruleskip +\hardlyrics{Il nous a sign\'es de son + }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics*\Hpause h1\en +\qspace\qspace +\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\double{\cnql i}\en +\bar +\hardlyrics{Et nous avons \'e- + }\notes\zw d\wh K|\zw f\wh h&\rtx\thelyrics~-*\Hpause h1\en +\qspace\qspace +\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\double{\cnql i}\en +\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cnqu g\en +\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cnqu f\en +\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\double{\cnqu h}\en +\bar +\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cnqu h\en +\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cnql k\en +\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\double{\cnql j}\en +\bar +\NOTEs\zhl K\hu a|\zhl f\hu k&\tx ~~ia !*\cnhl k\en +\sepbarrules +\endpiece + +\startpiece +\interbarrules +\addspace\afterruleskip +\hardlyrics{Il nous a sign\'es de son + }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics*\Hlonga h1\en +\qspace\qspace +\NOTes\zhl N\hu d|\zhl g\hu i&\tx sang*\chl i\en +\bar +\hardlyrics{Et nous avons \'e + }\notes\zw d\wh K|\zw f\wh h&\rtx \thelyrics~-*\Hlonga h1\en +\qspace\qspace +\NOTes\zhl M\hu c|\zhl f\hu h&\rtx t\'e*\chl i\en +\NOtes\zql L\qu e|\zql b\qu g&\tx ~pro-*\cqu g\en +\NOtes\zql b\qu d|\zql d\qu f&\tx ~t\'e-*\cqu f\en +\NOTes\zhl a\hu c|\zhl e\hu h&\tx g\'es.*\chu h\en +\bar +\NOtes\zql M\qu d|\zql d\qu h&\tx ~~Al~-*\cqu h\en +\NOtes\zql K\qu a|\zql f\qu k&\tx ~~le~-*\cql k\en +\NOTes\zhl H\hu a|\zhl e\hu j&\tx ~~lu~-*\chl j\en +\bar +\NOTEs\zbreve K\breve a|\zbreve f\breve k&\tx ~~ia !*\zbreve k\en +\sepbarrules +\endpiece +\end{music} + + This package provides: + \begin{itemize} + \item\keyindex{oldGclef} which replaces the ordinary G clef with an old one, +using (for instrument 2 as an example): + \verb|\settrebleclefsymbol2\oldGclef| + + \item\keyindex{cqu} $p$ provides a square headed quarter note with stem up at +pitch $p$. + + \item\keyindex{cql} $p$ provides a square headed quarter note with stem down at +pitch $p$. + + \item\keyindex{chu} $p$ provides a square headed half note with stem up at +pitch $p$. + + \item\keyindex{chl} $p$ provides a square headed half note with stem down at +pitch $p$. + + \item\keyindex{cnqu} $p$ and \keyindex{cnql} $p$ provide a stemless square headed +quarter note at pitch $p$. + + \item\keyindex{cnhu} $p$ and \keyindex{cnhl} $p$ provide a stemless square +headed half note at pitch $p$. + + \item\keyindex{Hpause} $p$ $n$ provides an arbitrary length pause at pitch +$p$ and of length $n$ \keyindex{noteskip}. However, in the first of the above +example, this feature has been used to denote an arbitrary length note rather +than a rest! + + \item\keyindex{Hlonga} $p$ $n$ provides an arbitrary length note at pitch +$p$ and of length $n$ \keyindex{noteskip}. +This feature has been used to denote an arbitrary length note in the second of +the above examples. + + \item\keyindex{shortbarrules} has been used to provide bar rules shorter than +the staff vertical width. + + \item\keyindex{interbarrules} has been used to provide bars between the +staffs, rather that over them. This is an arbitrary question of taste... + \end{itemize} + + + + \subsection{musixmad} \ttxem{musixmad.tex} increases the number of +instruments, slurs and beams up to twelve. + \subsection{musixper}\label{perc} + + Provides specific percussion symbols, especially \keyindex{drumclef} +(used in section \ref{sectiondrum}). These definitions cause problems +since drum and percussion notation is not standardized. +So it might be clever to specifiy the names of instruments for each +used symbol. + + + %\check + \begin{itemize} + \item The \raise.5ex\hbox{\musixchar113}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|dc|'' (think of \ital{DiagonalCross} for e.g. closed \itxem{hihat}). +Available are +\keyindex{dcqu}, +\keyindex{dcql}, +\keyindex{dcqb}, +\keyindex{dczq}, +\keyindex{dccu}, +\keyindex{dcccu}, +\keyindex{dccl} and +\keyindex{dcccl}. + + \item The \raise.5ex\hbox{\musixchar112}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|dh|'' +(think of \ital{DiagonalcrossHalfcircle} for e.g. half open \itxem{hihat}). +Available are +\keyindex{dhqu}, +\keyindex{dhql}, +\keyindex{dhqb}, +\keyindex{dhzq}, +\keyindex{dhcu}, +\keyindex{dhccu}, +\keyindex{dhcl} and +\keyindex{dhccl}. + + \item The \raise.5ex\hbox{\musixchar111}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|do|'' +(think of \ital{DiagonalCross and O for circle} for open \itxem{hihat}). +Available are +\keyindex{doqu}, +\keyindex{doql}, +\keyindex{doqb}, +\keyindex{dozq}, +\keyindex{docu}, +\keyindex{doccu}, +\keyindex{docl} and +\keyindex{doccl}. + + \item The \raise.5ex\hbox{\musixchar114}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|x|'' (e.g. for spoken text of songs). +Available are +\keyindex{xqu}, +\keyindex{xql}, +\keyindex{xqb}, +\keyindex{xzq}, +\keyindex{xcu}, +\keyindex{xccu}, +\keyindex{xcl} and +\keyindex{xccl}. + + \item The \raise.5ex\hbox{\musixchar115}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|ox|'' (.!.). +Available are +\keyindex{oxqu}, +\keyindex{oxql}, +\keyindex{oxqb}, +\keyindex{oxzq}, +\keyindex{oxcu}, +\keyindex{oxccu}, +\keyindex{oxcl} and +\keyindex{oxccl}. + + \item The \raise.5ex\hbox{\musixchar118}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|ro|'' (think of \ital{RhOmbus} for e.g.~shaker). +Available are +\keyindex{roqu}, +\keyindex{roql}, +\keyindex{roqb}, +\keyindex{rozq}, +\keyindex{rocu}, +\keyindex{roccu}, +\keyindex{rocl} and +\keyindex{roccl}. + + \item The \raise.5ex\hbox{\musixchar116}~{}~symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc. macros preceeded with a +``\verb|tg|'' (think of \ital{TrianGle} for e.g.~rattle). +Available are +\keyindex{tgqu}, +\keyindex{tgql}, +\keyindex{tgqb}, +\keyindex{tgzq}, +\keyindex{tgcu}, +\keyindex{tgccu}, +\keyindex{tgcl} and +\keyindex{tgccl}. + + \item The \raise.5ex\hbox to 1em{\musixchar117\hfil} symbol which is obtained using the +\verb|\qu|, \verb|\qb|, \verb|\cu|, etc.~macros preceeded with a +``\verb|k|'' (for bongos). +Available are +\keyindex{kqu}, +\keyindex{kql}, +\keyindex{kqb}, +\keyindex{kzq}, +\keyindex{kcu}, +\keyindex{kccu}, +\keyindex{kcl} and +\keyindex{kccl}. + \end{itemize} + \subsection{musixpoi} + Adds pointed compact definitions of notes. +Available are +\keyindex{ccup}, +\keyindex{zccup}, +\keyindex{cclp}, +\keyindex{zcclp}, +\keyindex{ccupp}, +\keyindex{zccupp}, +\keyindex{cclpp}, +\keyindex{zcclpp}, +\keyindex{cccup}, +\keyindex{zcccup}, +\keyindex{ccclp}, +\keyindex{zccclp}, +\keyindex{cccupp}, +\keyindex{zcccupp}, +\keyindex{ccclpp}, +\keyindex{zccclpp}, +\keyindex{ccccup}, +\keyindex{zccccup}, +\keyindex{cccclp}, +\keyindex{zcccclp}, +\keyindex{ccccupp}, +\keyindex{zccccupp}, +\keyindex{cccclpp} and +\keyindex{zcccclpp}. + + %\check + \subsection{musixstr}\label{musixstr}\index{musixstr@{\tt musixstr.tex}} + This file provides a set of indications for \itxem{string instruments} (e.g. +\ixem{violin}) execution, provided by Werner {\sc Icking}\index{Icking, +W.@{\sc Icking, W.}}. + + + {\input musixstr + The symbols described below should be posted at the wanted place using + \verb|\zcharnote|$p$\verb|{|$$\verb|}|. + +\begin{quote}\begin{description} + + \item[\hbox to 1em{\AB}~: \keyindex{AB} or \keyindex{downbow}] down-bow + + + \item[\hbox to 1em{\AUF}~: \keyindex{AUF} or \keyindex{upbow}] up-bow + + + \item[\hbox to 1em{\SP}~: \keyindex{SP}] at the top of bow + + \item[\hbox to 1em{\FR}~: \keyindex{FR}] at the nut of bow + + \item[\GB\ or \Gb~: \keyindex{GB} or \keyindex{Gb}] whole bow + + \item[\UH\ or \Uh~: \keyindex{UH} or \keyindex{Uh}] lower half of bow + + \item[\OH\ or \Oh~: \keyindex{OH} or \keyindex{Oh}] upper half of bow + + \item[\MI\ or \Mi~: \keyindex{MI} or \keyindex{Mi}] middle of bow + + \item[\UD\ or \Ud~: \keyindex{UD} or \keyindex{Ud}] lower third of bow + + \item[\OD\ or \Od~: \keyindex{OD} or \keyindex{Od}] upper third of bow + + \item[\Pizz~: \keyindex{Pizz}] left hand pizzicato or trill + + \end{description}\end{quote} + } + %\check + \subsection{musixsty}\index{musixsty@{\tt musixsty.tex}} + + This file is made for non \TeX perts and/or lazy score typesetters. Although +related to \musixtex, it has little to see with music, but it helps writing +all surrounding texts, like \itxem{titles}, \itxem{author names}, historical +comments, etc. It provides + \begin{itemize} + \item a set of font definitions of common use, such as \verb|\tenrm|, +\verb|\eightrm|, etc., + \item a reasonable setting of \keyindex{hsize}, \keyindex{vsize}, +\keyindex{hoffset}, \keyindex{voffset} dimensions in order to have a good +layout fit for European A4 paper\footnote{People addicted to \itxem{legal} or +other paper sizes should correct it for their own purpose.} + \item a set of text size commands: + + \begin{description} + \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm}, +\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 8 point font size; + \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm}, +\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 10 point font size; + \item[\keyindex{twlpoint}] to get 12 point font size; + \item[\keyindex{frtpoint}] to get 14.4 point font size; + \item[\keyindex{svtpoint}] to get 17.28 point font size; + \item[\keyindex{twtypoint}] to get 20.74 point font size; + \item[\keyindex{twfvpoint}] to get 24.88 point font size; + \end{description} + \item a set of commands to make easy piece titles: + \begin{itemize} \item \keyindex{author} or +\keyindex{fullauthor} to be put at the right of the first page, below the +title of the piece; the calling sequence is, for example: + + \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}| + + \noindent where the \verb|\\| makes the author's name displayed on two or +several lines. + + + \item \keyindex{shortauthor} to be put at the bottom of each page, + \item \keyindex{fulltitle} which is the big main title of the piece, + \item \keyindex{subtitle} is displayed below the main title of the piece, + \item \keyindex{shorttitle} or \keyindex{title} + which is the title repeated at the bottom of each page, + \item \keyindex{othermention} which is displayed on the left of the page, in +front of the author's name (it may contain several \verb|\\| to display it on +several lines, + \item \keyindex{maketitle} which displays all the previous stuff. + \end{itemize} + + \item Some additional commands to make \itxem{footnotes}. + These commands are + \begin{itemize} + \item The normal Plain-\TeX\ \keyindex{footnote} command which has two +arguments --- not only one as in \LaTeX\index{LaTeX@\protect\LaTeX} --- namely +the label of the footnote, i.e. any sequence of characters and not only +figures, and the text of the footnote. + +\begin{important} the \verb|\footnote| command does not work inside +boxes\footnote{This is not a \TeX-bug, this is a feature!}, therefore this +command must not be issued within music. But another alternate feature is +provided (see below). + \end{important} + + \item The \keyindex{Footnote} command, which counts the footnotes and uses a +number as the label of the foot note (equivalent to \LaTeX's \verb|\footnote| +command). The same restriction applies concerning footnotes within the music +coding. + + \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which +makes the footnote itself at the bottom of the current page, but does not put +the footnote label at the place it is referred in the main text. + + Thus, if a footnote is needed whose reference lies inside the music itself, +the music typesetter must perform it in two steps: + \begin{enumerate} + \item quote the reference inside the music, using \verb|zcharnote| for +example, + \item post the footnote itself, using \verb|\vfootnote| outside the music, +either before \keyindex{startpiece} (or \verb|\debutmorceau| with {\tt +musixcpt.tex}) or between \keyindex{stoppiece} and +\keyindex{piececont} or equivalent commands. + \end{enumerate} + + \end{itemize} + + \end{itemize} + + Note that \verb|musixsty| should not be used with \LaTeX. + \subsection{musixtri}\index{musixtri@{\tt musixtri.tex}} +Provides triple pointed note symbols. +Available are: +\keyindex{lpppt}, +\keyindex{whppp}, +\keyindex{zwppp}, +\keyindex{huppp}, +\keyindex{hlppp}, +\keyindex{zhppp}, +\keyindex{zhuppp}, +\keyindex{zhlppp}, +\keyindex{quppp}, +\keyindex{qlppp}, +\keyindex{zquppp}, +\keyindex{zqlppp}, +\keyindex{zqppp}, +\keyindex{cuppp}, +\keyindex{zcuppp}, +\keyindex{clppp}, +\keyindex{zclppp}, +\keyindex{qbppp} and +\keyindex{zqbppp}. + +\section{Often reported problems and discussion faxilities} + +\subsection{Newsgroups}\index{newsgroups} No specific newsgroup exist +concerning \mutex, \musictex{} or \musixtex; nevertheless W. Icking saw +articles on this topic in {\tt comp.text.tex} as well as in {\tt +de.comp.text.tex}. + +\subsection{Mailing list} A mailing-list does exist which was formerly +dedicated to \mutex, and now to \musictex{} and mostly to \musixtex. +You can subscribe to it by +sending an e-mail to {\tt mutex-request@gmd.de} +with the message line\index{mailing list} + +{\tt subscribe} + +\subsection{FAQs}\index{FAQ} + +{\tt gmd.de}, too, has a FAQ which is presently out-of-date and quite unusable +since it displays many questions and comments without giving the answer. +However, it will be probably enhanced in a near future. This +FAQ can be accessed using {\tt +ftp}: + +{\tt ftp://ftp.gmd.de/music/mutex/faq} + +\noindent and the archive of the mailing list may be accessed also by {\tt +ftp}: + +{\tt ftp://ftp.gmd.de/music/mutex/archive} + +\noindent or: + +{\tt http://www.gmd.de/Mail/} + + {\tt ftp.gmd.de} also contains a lot of stuff concerning music and +typesetting music, which can be accessed by WWW at: + +{\tt http://www.gmd.de/Misc/Music/} + + + +\chapter{Installation}\label{installation} + +\section{*Getting the stuff} + +As seen before, all the files are available at \itxem{anonymous ftp} +\verb|hprib.lps.u-psud.fr| (193.55.39.152) in the directory + + {\tt /pub/musixtex} + + The {\tt *.mf} source files are in + + {\tt /pub/musixtex/mf} + +\noindent and the {\tt *.tfm} files are in + + {\tt /pub/musixtex/tfm} + +\noindent Besides, this manual is in + + {\tt /pub/musixtex/musixdoc.ps} + + Another directory, namely {\tt /pub/music\_zips} normally contains {\tt +musixtex.zip} which contains all the distribution for PC (\ixem{MS-DOS}) +computers. This is only for {\tt ftp}-ing convenience since all source files +are directly available in the general directory and subdirectories. In +addition a set of examples (i.e. the files whose name does not begin with +``\verb|musix|'') is packed into \ttxem{musixexa.zip} and this manual is also in +\ttxem{musixdoc\_ps.zip} (the PostScript version) and +\ttxem{musixdoc\_lj.zip} (the PCL version for Laserjets). +Finally the PK files of specific fonts are provided in \ttxem{musixpk.zip}, +\ttxem{musixpk3.zip} (300 and 360 dpi) and \ttxem{musixpk6.zip} (600 dpi); +getting these files is useless if you are able to \MF{} the files whose {\tt +*.mf} are provided in the main package. + +{\sl\noindent CAUTION: the zipped files are provided in the PC line coding, +i.e. with {\tt } at line ends, rather than single {\tt } as in the +\unix{} coding. This means that \unix{} users must carefully unzip these files +using the ``{\tt-a}'' (our ``{\tt-aa}'' options of {\tt unzip} to get correct +coding of the source files. Other wise they would find a lot of ``{\tt\^{}M}'' in +their files, which may cause further troubles.}\index{PC end of line +coding}\index{\^{}M} + + + Besides, /unix{} users can also --- when in directory {\tt /pub} --- ask for: + + {\tt get musixtex.tar}\quad or + + {\tt get musixtex.tar.Z}\quad or + + {\tt get musixtex.tar.gz}\quad and even + + {\tt get musixtex.zip} + + Then, the {\tt hprib.lps.u-psud.fr} server will perform required collection +and/or compression ``on-the-fly''. Note that in that case the source files +will be in the \unix{} coding rather than PC coding of end of lines. Usually, +this is harmless for PC editors and \TeX{} motors, but who knows... + + +\ital{Fonts}\index{fonts} are provided in {\tt musixtex.zip} as {\tt *.mf} +files but also as {\tt *.tfm} and {\tt*.pk} files for 300~dpi printers or +previewers. Other values of the \ixem{dpi} parameter are also provided in +\verb|musixpk*.zip|. + +Needed fonts are {\tt musix20}, {\tt musix16}, {\tt musix13}, {\tt musix11}, +{\tt musix24}, {\tt musix29}, {\tt musixspx}\footnote{Inside this file are two +types of piano brackets available. The default you can see printing this doc, +the other you can see printing {\tt musicdoc}. If you prefer the other, which +are designed by Stanislav Kneifl, follow the instruction inside {\tt +musixsps.mf}},\index{Kneifl, S.@{\sc Kneifl, S.}} + {\tt xslhu20}, {\tt xslhu16}, {\tt xslhu24}, {\tt xslhu29}, +{\tt xslhd20}, {\tt xslhd16}, {\tt xslhd24}, {\tt xslhd29}, +{\tt xslu20}, {\tt xslu16}, {\tt xslu24}, {\tt xslu29}, +{\tt xsld20}, {\tt xsld16}, {\tt xsld24}, {\tt xsld29}, +{\tt xslz20} and {\tt xslhz20}. + +\section{Installing the fonts} +\ital{All} files with the extension {\tt .tfm}\footnote{\TeX\ font metric, +needed directly from binary for \TeX ing the examples or the doc.} must +be copied in that directory, in which the other {\tt .tfm}'s are. + +If you get the error message: + +{\tt! Font ... not loadable: Metric (TFM) file not found.} + +\index{Metric (TFM) not found}\noindent this means you have not succeeded to +install the {\tt .tfm}'s in the right directory. This is not a \musixtex\ +error, but a local \TeX\ implementation error/misunderstanding. Then read or +re-read your \TeX\ installation doc, put the {\tt tfm}'s at the very right +place and start again. + +The {\tt .tfm} only contains the width, height and depth of every character of +a font and is the only needed font-file for \TeX ing. For previewing and/or +printing you need the pixel fonts. On most systems they are packed and have +the extension \verb|.pk|(but perhaps you need the \verb|.gf|-files or +\verb|.300|-files or other: Ask your local \TeX-wizard\footnote{I have read a +mail from somebody, who has said, that he is able --- because he is a +professional --- to write an \verb|install| for installation of packages like +\musixtex. Really? Do it.}!) Most needed and spreaded are fonts for +\verb|dvi|-driver with resolution of 300dpi. Using em\TeX{} associated drivers +the \verb|.pk|-fonts have to be copied in \verb|...\pixel.lj\300dpi\| as a +default, and in general in a directory specified by the environment variable +{\tt DVIDRVFONTS}\footnote{Look at {\tt dvidrv.doc} for more information.}. For +other resolution refer your local manual or \TeX-wizard. + +\section{Building a format}\label{formatbuild} + +Introducing these files in a \itxem{format} (with \ixem{INITEX}) is a mean of +saving computer time and memory. Besides, if you include {\tt musixcpt.tex} in +your format, you will have a format compatible with \musictex\ and --- +provided you made the symmetrical format for \musictex\ --- you can compile +exactly the same source files with both \musictex\ and \musixtex, which is a +good means of finding whether some strange behaviour is specific to one +implementation of the other, or whether you made some general +mistake\footnote{Not all authors have the same opinion :-). But I was told, +that my opinion doesn't count, so forget it -- A.E.}... + +However, although having a \musixtex{} format saves much time, it can also +lead to time wasting weird things in case of updates~: if you update your +source of {\tt musixtex.tex} but not the format {\tt musixtex.fmt}, then +running the command {\tt musixtex} will invoke the old unmodified format... + +\subsection{Starting from nil} +\begin{enumerate} + \item Build up a file called \verb|musixtex.ini| with following content:\\ +\begin{verbatim} +\input plain % or dcplain or eplain or see later a safer way of doing +\input musixtex +% here can you add your most needed files from extension lib +% musixcpt at very last ! +\end{verbatim} +\verb|\def\fmtname{musixtex}\def\fmtversion{|{\tt\mxversion}\verb|}| +\verb|\dump| + \item \verb|initex musixtex.ini|\footnote{depends on your implementation}. + \item \verb|tex &musixtex| \ital{jobname}\footnote{depends on your +implementation}. +\end{enumerate} +\vfill + +\subsection{Starting from your usual plain format} +\begin{enumerate} + \item First, try to find --- on your favourite system --- whether \verb|tex| +is an executable routine, or a \verb|tex.bat| command in MS-DOS or a +\ital{shell} procedure under \unix. + \item If \verb|tex| is a command try to find the ``{\tt initex}'' local +command: usually it is either \verb|initex| or \verb|tex -i|. + \item Try to find the name of the ``plain \TeX'' format (usually posted +when \TeX ing anything). + \item Then, \ital{mutatis mutandis}, assuming the ``{\tt initex}'' command +has the name \verb|initex| and the ``plain \TeX'' format is \verb|plain|, run +the shell command: + + \medskip + \verb|initex \&plain musixtex.ins| + + \medskip\noindent which will produce a format file {\tt musixtex.fmt} which +you shall put in the same directory as the others formats (hoping you have +the access rights...). Note --- in \unix{} systems --- the backslash before +the \verb|&| which tells the system to consider this character as a member of +the command, not a batch execution indication. Once this is done, you can +\musixtex\ any score you have written using a command such as: + + \medskip + \verb|tex \&musixtex my-score.tex| + + \medskip\noindent that is, specifying your new format {\tt musixtex.fmt} +instead of the usual {\tt plain.fmt}. + + For \ixem{MS-DOS}/{\tt emTeX} users the format building command is: + + \verb|tex386 -i &plain musixtex.ins| + + \noindent (you can change \verb|plain| into \verb|dc-plain| or any other +plain-like format you have) then: + + \verb|copy musixtex.fmt \emtex\btexfmts\*.*| + + \noindent and the {\tt musixtex.bat} command can be + +% It makes no sense to state -mt20000, perhaps this is useful for MusicTeX, +% (it uses hyphenation to break a line) but not for MusiXTeX (it uses musixflx) +\begin{quote}\begin{verbatim} +if exist %1.tex goto tex +goto end + +:tex +if exist %1.mx1 del %1.mx1 +if exist %1.mx2 del %1.mx2 +tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9 + +if errorlevel 2 goto end +musixflx %1 + +if errorlevel 1 goto end +tex386 -mt20000 &musixtex %1 %2 %3 %4 %5 %6 %7 %8 %9 + +:end + \end{verbatim}\end{quote} +\end{enumerate} + +\begin{flushright}\it +Don't expect a perfect package or miracles.\\ +There will be enough unexpected miracles.\\[\smallskipamount] +{\sc Eberhard Mattes} +\end{flushright} + +\chapter{Examples} + Due to compatibility problems with \LaTeX\ (used to produce this notice) +large examples must be \TeX -ed separately, i.e.\ using plain \TeX{} and not +\LaTeX. Therefore, the \musixtex\ future user is suggested to produce some of +the following examples and to look carefully at the way some special features +have been coded. + + When producing this examples, care should be taken about the fact +that several given files are supposed to be included (by means of +\keyindex{input}) in other files. Thus the only good files to be directly +\TeX-ed are those which begin with \verb|\input musixtex| or + \verb|% \input musixtex|. This latter command is often commented out so that +the examples can be run either using a \musixtex\ format including {\tt +musixcpt.tex} and {\tt musixsty.tex} --- namely the format generated by {\tt +musixtex.ins} --- or using a \musictex\ format including {\tt musictrp.tex}, +{\tt musicvbm.tex} and {\tt musicsty.tex} --- namely the format generated by +{\tt musixtex.ins}. + +In addition, it must be noted that most DVI previewers and laser printers have +their origin at one inch below and one inch right of the right upper corner +of the paper, while the musical examples have their upper left significant +corner only at one centimeter right and below the left top of the paper. +Therefore, special parameters have to be given to the DVI transcription +programs unless special \keyindex{hoffset} and \keyindex{voffset} \TeX\ +commands are introduced within the source \TeX\ text. + +\section{Clean \musixtex\ examples} + +\begin{itemize} + \item{\tt avemaria.tex} to get the ``M\'editation'' (alias ``Ave Maria'') by +Charles {\sc Gounod} for organ and violin or song in clean \musixtex-input. +\index{Gounod, C.@{\sc Gounod, C.}} + \item{\tt traeumer.tex} to get the famous ``Tr\"aumerei'' by +Robert {\sc Schumann} for piano, in genuine \musixtex-input but with some +additions to perform ascending \itxem{crescendos}. +\index{Schumann, R.@{\sc Schumann, R.}} + \item{\tt parnasum.tex} to get the first page of ``Doctor gradus ad +Parnassum'' by Claude {\sc Debussy} for piano.\index{Debussy, +C.@{\sc Debussy, C.}} + \item{\tt glorias.tex} to get a local melody for the French version of +\ital{Gloria in excelsis Deo}, showing use of lyrics commands. {\tt +gloriab.tex} is the same, with organ accompaniment. + \item Other clean \musixtex\ examples seem to be no more compatible with +the present version, but they should be updated in a near future. +\end{itemize} + +These examples are packed (zipped) in the {\ttxem{musixexa.zip}} file of the +\musixtex\ distribution. + +\section{Nearly compatible \musictex\ examples} + +These are examples using not only {\tt musixtex} but also {\tt musixcpt} and +{\tt musixsty}, which means their coding is easily understandable for +\musictex{} previous users. However, they cannot be run as is with \musictex, +since a few specific commands have been included, either for spacing, or for +oblique slurs. They are given in {\tt musixexa.zip}, for example: + + \begin{itemize} + \item {\tt gymnoman}~: an imitation of Erik {\sc Satie}'s +\ital{Gymnop\'edies}\index{Satie, E.@{\sc Satie, E.}}, + \item {\tt canticor.tex}/{\tt canticox.tex}~: +a famous tune by Georg Friedrich {\sc Haendel}\index{Haendel, G.F.@{\sc +Haendel, G.F.}}, + \item {\tt ilfaitda.tex}/{\tt ilfaitdx.tex}~: a famous choral by J.-S. +{\sc Bach}\index{Bach, J.S.@{\sc Bach, J.S.}} adapted with French lyrics for +French churches, + \item {\tt widor\_20.tex}~: the famous toccata for organ by Charles-Marie {\sc +Widor}\index{Widor, C.M.@{\sc Widor, C.M.}} in 10 pages (more compact than +commercial editions, and easier to play if nobody can turn the pages), and +{\tt widor\_16.tex} which is the same in 16~pt size, i.e. more compact. + \item{\tt souveni*.tex}~: a nice French tune of the fifties, by Oreste {\sc +Rossi} and Fernand {\sc Capitani} with several transpositions. + \item {\tt marcello.tex}~: the adagio of Benedetto {\sc +Marcello}\index{Marcello, B.@{\sc Marcello, B.}}'s oboe concerto, transcribed +for organ. + \item {\tt hymnepas.tex}~: a modern Eastern canticle by A. {\sc Gouzes} and +{\sc Palestrina}, showing heavy use of \keyindex{hardlyrics} for choral +music.\index{Gouzes, A.@{\sc Gouzes, A.}} + + \end{itemize} + +\section{Compatible \musictex\ examples} + +They are all the examples provided in the \musictex\ distribution. To run them +the easiest way is to have both a {\tt musictex} and a {\tt musixtex} format as +described in \ref{formatbuild}. Otherwise, insert + + \verb|\input musixtex| + + \verb|\input musixcpt| + + \verb|\input musixsty| + + \noindent at the beginning of each example, and \TeX\ it. + + \section{Looking at examples before installing \musixtex} + + Most of the above examples (and some others) are posted, ready to print, as +PostScript files in: + \begin{itemize} + \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.zip/*/*/*.zip} (zipped +PostScript 300dpi files) + \item {\tt ftp://hprib.lps.u-psud.fr/pub/music\_scores.gz/*/*/*.ps.gz} (gzipped +PostScript 300dpi files) + \end{itemize} + + Printing them on any PostScript printer (needs A4 paper) is a good means of +getting an overview of \musixtex's capabilities. + + +\printindex + +\clearpage +{\parindent0pt +\hoffset-15.4mm +\voffset-42mm +\hsize190mm +\vsize285mm +\parskip0pt plus 2pt +% not fine, not clean, but works +% !!! don't look at this !!! +%>>> +\makeatletter +\textheight\vsize +\@colht\vsize +\@colroom\vsize +\makeatother +%<<< +\let\MYTEMP\addcontentsline +\def\addcontentsline#1#2#3{} +\chapter{} +\let\addcontentsline\MYTEMP +\addcontentsline{toc}{chapter}{% + \protect\numberline\thechapter{Summary of denotations}} +\vglue-20mm +\centerline{\bigfont Pitches} +\medskip +\tentt +\def\bs{\tentt\char92} +\setclef1\bass +\afterruleskip2pt +\startpiece +% +% Pitches +% +\addspace\afterruleskip +\notes\wh{`ABCDEFG}\wh{!ABCDEFG}\wh{HIJKLMNabcde}\off{-26\noteskip}% + \zchar{14}{\llap`A}\sk + \zchar{14}{\llap`B}\sk + \zchar{14}{\llap`C}\sk + \zchar{14}{\llap`D}\sk + \zchar{14}{\llap`E}\sk + \zchar{14}{\llap`F}\sk + \zchar{14}{\llap`G}\sk + \zchar{14}A\sk + \zchar{14}B\sk + \zchar{14}C\sk + \zchar{14}D\sk + \zchar{14}E\sk + \zchar{14}F\sk + \zchar{14}G\sk + \zchar{-5}{\llap'A}\zchar{14}H\sk + \zchar{-5}{\llap'B}\zchar{14}I\sk + \zchar{-5}{\llap'C}\zchar{14}J\sk + \zchar{-5}{\llap'D}\zchar{14}K\sk + \zchar{-5}{\llap'E}\zchar{14}L\sk + \zchar{-5}{\llap'F}\zchar{14}M\sk + \zchar{-5}{\llap'G}\zchar{14}N\sk + \zchar{14}a\sk + \zchar{14}b\sk + \zchar{14}c\sk + \zchar{14}d\sk + \zchar{14}e\sk\en +\stoppiece\vskip-3\Interligne\setclef1\treble\contpiece +\notes\wh{abcdefg}\wh{hijklmno}\wh{pqrstuvwxyz}\off{-26\noteskip}% + \zchar{-8}a\sk + \zchar{-8}b\sk + \zchar{-8}c\sk + \zchar{-8}d\sk + \zchar{-8}e\sk + \zchar{-8}f\sk + \zchar{-8}g\sk + \zchar{-8}h\zchar{-4}{\llap'a}\sk + \zchar{-8}i\zchar{-4}{\llap'b}\sk + \zchar{-8}j\zchar{-4}{\llap'c}\sk + \zchar{-8}k\zchar{-4}{\llap'd}\sk + \zchar{-8}l\zchar{-4}{\llap'e}\sk + \zchar{-8}m\zchar{-4}{\llap'f}\sk + \zchar{-8}n\zchar{-4}{\llap'g}\sk + \zchar{-8}o\zchar{-4}{\llap{'\kern-2pt'}a}\sk + \zchar{-8}p\zchar{-4}{\llap{'\kern-2pt'}b}\sk + \zchar{-8}q\zchar{-4}{\llap{'\kern-2pt'}c}\sk + \zchar{-8}r\zchar{-4}{\llap{'\kern-2pt'}d}\sk + \zchar{-8}s\zchar{-4}{\llap{'\kern-2pt'}e}\sk + \zchar{-8}t\zchar{-4}{\llap{'\kern-2pt'}f}\sk + \zchar{-8}u\zchar{-4}{\llap{'\kern-2pt'}g}\sk + \zchar{-8}v\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}a}\sk + \zchar{-8}w\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}b}\sk + \zchar{-8}x\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}c}\sk + \zchar{-8}y\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}d}\sk + \zchar{-8}z\zchar{-4}{\llap{'\kern-2pt'\kern-2pt'}e}\sk\en +\stoppiece +\medskip +\centerline{\bigfont Notes, Accidentals, Accents, Clefs and Rests} +\medskip +% +% Notes& Accidentals +% +\contpiece +\Notes + \zchar{-4}{Accidentals:}% + \zchar9{\bs maxima}\maxima i\relax + \zchar{12}{\bs longa}\longa i% + \zchar9{\bs breve}\breve i% + \zchar{12}{\bs wq}\wq i% + \zchar{12}{\bs wqq}\wqq i% + \zchar{12}{\bs wh}\wh i% + \zchar{12}{\bs hu}\zchar{-4}>\hu{>f}% + \zchar{12}{\bs hl}\loff{\zchar{-4}{\bs cdsh}}\cdsh l\hl l% + \zchar{12}{\bs qu}\zchar{-4}\^\qu{^f}% + \zchar{12}{\bs ql}\loff{\zchar{-4}{\bs csh}}\csh l\ql l% + \zchar{12}{\bs cu}\zchar{-4}=\cu{=f}% + \zchar{12}{\bs cl}\loff{\zchar{-4}{\bs cna}}\cna l\cl l% + \zchar{12}{\bs ccu}\zchar{-4}\_\ccu{_f}% + \zchar{12}{\bs ccl}\loff{\zchar{-4}{\bs cfl}}\cfl l\ccl l% + \zchar{12}{\bs cccu}\zchar{-4}<\cccu{ for the Debian GNU/Linux +.\" distribution but might be useful for others, too. +.\" This manpage is licensed under the GNU Public License +.TH MUSIXFLX 1 + +.SH NAME +musixflx \- preprocess mx1 files + +.SH SYNOPSIS +.B musixflx +.I "[debugmode] jobname.mx1" + +.SH "DESCRIPTION" + +Optionally, you can add a letter to indicate one of the debug modes, which are: + + d for debug information to screen +.br + f for debug information to file jobname.mxl +.br + s to get the computed lines immediately on screen + +To allow for ease of use with a batch file, \fB musixflx\fR +can either be fed with \fI jobname.mx1\fP, \fI jobname.tex\fP +or only \fI jobname\fP, all of which opens \fI jobname.mx1\fP. + +.SH SEE ALSO +musixtex(1) +.br +/usr/share/doc/musixtex/musixdoc.ps on a Debian GNU/Linux system + + +.SH AUTHOR +This manual page was written by Andreas Tille +for the Debian GNU/Linux system (but may be used by others). -- cgit v1.2.3