diff options
| author | Karl Berry <karl@freefriends.org> | 2013-04-16 21:26:14 +0000 |
|---|---|---|
| committer | Karl Berry <karl@freefriends.org> | 2013-04-16 21:26:14 +0000 |
| commit | 56ac0d1166f2da715fcd5603debbedd1a79652fc (patch) | |
| tree | c08686cc637a5925813b54f80cbf2ae83cea2be1 | |
| parent | 4429bc396997d3324ceb2d4ca87247895646ddbc (diff) | |
pmx-2.7.0 (16apr13)
git-svn-id: svn://tug.org/texlive/trunk@29978 c570f23f-e606-0410-a88d-b1316a301751
102 files changed, 1633 insertions, 64263 deletions
diff --git a/Build/source/texk/texlive/linked_scripts/texlive/rungs.tlu b/Build/source/texk/texlive/linked_scripts/texlive/rungs.tlu index 7ac0587b397..277657731ec 100755 --- a/Build/source/texk/texlive/linked_scripts/texlive/rungs.tlu +++ b/Build/source/texk/texlive/linked_scripts/texlive/rungs.tlu @@ -1,6 +1,6 @@ #!/usr/bin/env texlua --*-Lua-*- --- $Id: rungs.tlu 7698 2008-04-28 14:23:31Z reinhardk $ +-- $Id: rungs.tlu 29719 2013-04-07 18:42:53Z karl $ -- Copyright (C) 2008 Reinhard Kotucha. -- You may freely use, modify and/or distribute this file. diff --git a/Build/source/texk/texlive/linked_scripts/texlive/tlmgr.pl b/Build/source/texk/texlive/linked_scripts/texlive/tlmgr.pl index b05e08b4f1b..dd0e31a4471 100755 --- a/Build/source/texk/texlive/linked_scripts/texlive/tlmgr.pl +++ b/Build/source/texk/texlive/linked_scripts/texlive/tlmgr.pl @@ -1,12 +1,12 @@ #!/usr/bin/env perl -# $Id: tlmgr.pl 29921 2013-04-14 23:54:53Z karl $ +# $Id: tlmgr.pl 29950 2013-04-15 17:35:00Z karl $ # # Copyright 2008-2013 Norbert Preining # This file is licensed under the GNU General Public License version 2 # or any later version. -my $svnrev = '$Revision: 29921 $'; -my $datrev = '$Date: 2013-04-15 01:54:53 +0200 (Mon, 15 Apr 2013) $'; +my $svnrev = '$Revision: 29950 $'; +my $datrev = '$Date: 2013-04-15 19:35:00 +0200 (Mon, 15 Apr 2013) $'; my $tlmgrrevision; my $prg; if ($svnrev =~ m/: ([0-9]+) /) { @@ -5516,15 +5516,16 @@ END_NO_INTERNET # release/2010-foobar my $texlive_release = $remotetlpdb->config_release; my $texlive_minrelease = $remotetlpdb->config_minrelease; + my $rroot = $remotetlpdb->root; if (!defined($texlive_release)) { - return(undef, "The installation repository does not specify a " + return(undef, "The installation repository ($rroot) does not specify a " . "release year for which it was prepared, goodbye."); } # still here, so we have $texlive_release defined my $texlive_release_year = $texlive_release; $texlive_release_year =~ s/^(....).*$/$1/; if ($texlive_release_year !~ m/^[1-9][0-9][0-9][0-9]$/) { - return(undef, "The installation repository does not specify a " + return(undef, "The installation repository ($rroot) does not specify a " . "valid release year, goodbye: $texlive_release"); } # so $texlive_release_year is numeric, good @@ -5533,13 +5534,14 @@ END_NO_INTERNET my $texlive_minrelease_year = $texlive_minrelease; $texlive_minrelease_year =~ s/^(....).*$/$1/; if ($texlive_minrelease_year !~ m/^[1-9][0-9][0-9][0-9]$/) { - return(undef, "The installation repository does not specify a " + return(undef, "The installation repository ($rroot) does not specify a " . "valid minimal release year, goodbye: $texlive_minrelease"); } # ok, all numeric and fine, check for range if ($TeXLive::TLConfig::ReleaseYear < $texlive_minrelease_year || $TeXLive::TLConfig::ReleaseYear > $texlive_release_year) { return (undef, "The TeX Live versions supported by the repository +$rroot ($texlive_minrelease_year--$texlive_release_year) do not include the version of the local installation ($TeXLive::TLConfig::ReleaseYear)."); @@ -5548,10 +5550,10 @@ do not include the version of the local installation # $texlive_minrelease not defined, so only one year is valid if ($texlive_release_year != $TeXLive::TLConfig::ReleaseYear) { return(undef, "The TeX Live versions of the local installation -and the repository being accessed are not compatible: +and the repository are not compatible: local: $TeXLive::TLConfig::ReleaseYear - repository: $texlive_release_year -(Perhaps you need to use a different CTAN mirror?)."); + repository: $texlive_release_year ($rroot) +(Perhaps you need to use a different CTAN mirror? Just a guess.)"); } } diff --git a/Master/texmf-dist/doc/generic/pmx/README b/Master/texmf-dist/doc/generic/pmx/README index 5b079091db0..d41d2bc0c3d 100644 --- a/Master/texmf-dist/doc/generic/pmx/README +++ b/Master/texmf-dist/doc/generic/pmx/README @@ -1,4 +1,4 @@ -This is PMX, version 2.6.19 (Jan. 19th, 2013). PMX provides a preprocessor for MusiXTeX. +This is PMX, version 2.7.0 (2013-05-16). PMX provides a preprocessor for MusiXTeX. pmxab builds a TeX input file based on a .pmx input file in a much simpler language, making most of the layout decisions by itself. It has @@ -8,55 +8,4 @@ make a MIDI file of your score. scor2prt is an auxiliary program that makes parts from a score. -pmx2pdf is a wrapper script that runs pmxab, all 3 passes of MusiXTeX, -and subsequent conversions to PDF. - -The author of pmxab and scor2prt is Don Simons (dsimons@roadrunner.com). -The author of the pmxccn tutorial is Cornelius C. Noack. - -To install (on TDS-compliant TeX systems): - - + unzip tex-archive/install/support/pmx.tds.zip at the root of a texmf - tree and, if necessary, update the filename database; e.g., texhash texmf. - Documentation for PMX is installed under doc/generic/pmx. - - + on Windows or OS-X: copy the executables appropriate for your - platform to a folder on the executable PATH - - + on any Unix-like system with gcc and standard development tools - installed: unpack pmx-2.6.19.tar.gz (anywhere), move to the resulting - pmx-2.6.19 directory and do - - ./configure - make - make install (as root) - - Then install a symbolic link pmx2pdf in any directory on the - executable PATH to scripts/pmx/pmx2pdf.lua - -In this release of PMX, the original Fortran sources for pmxab and -scor2prt have been included but the C files actually used have been -obtained from these by the f2c translator. The source files for libf2c, -which is needed at link time, are also included. - -Documentation for PMX is installed under - -doc/generic/pmx - -Many examples of PMX and MusiXTeX typesetting may be found at the Werner -Icking Music Archive at - -http://icking-music-archive.org/ - -Support for users of MusiXTeX and related software may be obtained via -the MusiXTeX mail list at - -http://tug.org/mailman/listinfo/tex-music - -PMX may be freely copied, duplicated and used in conformance to the GNU -General Public License (see included file COPYING). The libf2c source -files are governed by a Notice that allows copying, modification and -distribution. - -This CTAN distribution is maintained by Bob Tennent (rdt@cs.queensu.ca). -Jan. 19th, 2013. +The author of pmxab and scor2prt is Don Simons (dsimons@roadrunner.com). diff --git a/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx b/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx index f10fd67b064..2dd564a1436 100644 --- a/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx +++ b/Master/texmf-dist/doc/generic/pmx/examples/barsant.pmx @@ -1,6 +1,6 @@ %----------------% % -% barsant.pmx Revised 29 June 2002 +% barsant.pmx Revised 1 April 2013 % %----------------% % @@ -13,20 +13,21 @@ Basso Recorder bt ./ -Abep +Abpl Iiharet60 Tc Francesco Barsanti (1690-1772) %% AeI1.1 +W.5 %2S9 % Bar 1-4 h Adagio -c43 r8 f 65 f 42 e 6 r c | [ b 6 c ] d 7 b 65 c4 r8 c 65 t | +c43 r8 f 65 f 42 e 6 r c | [ b 6 c ] d 7 b 65 c4 r8 c 65 s | \global\figdrop5\Figu{-1}{\fsmsh}\Figu{0}{4}\Figu{4}{2}\ - c t bf4 65 x1842 a8 65 t a t #42 g 6 r g 65 t | - g t #42 f4 \global\figdrop8\ 65 x1842 \Figu06\ e8 d 54 dd1+ 3 c3 b8 6 g 7 / + c s bf4 65 x1842 a8 65 s a s #42 g 6 r g 65 s | + g s #42 f4 \global\figdrop8\ 65 x1842 \Figu06\ e8 d 54 dd1+ 3 c3 b8 6 g 7 / g85 Gf ed1 d3 [ c3 a8+ gd1x5n s+1 f e d c s+1 ] Gc b8 s c s r e | [ d35 s c d s e op ] e s d e s f op [ f s e f s g ] g f e f Gf ed1 d3 c8 r ad1+ g3 | @@ -47,8 +48,8 @@ a85 ax3n+0+.7 s+2 gs a s+2 c8 bd1 ot a3 g1 Gfs ed8 r1 b+ bd ot a6 s b s | % Bar 9-10 f43 7 r8 d 65 e4 gs- 65 | a r r gs+ 65 / a85x3 s+2 g f s+2 fx3 s+2 e d s+2 dx3nf+0+.7 s+2 cs d s+2 a+ - gs1 b d8 r1 d cd b3 s+0-.3 | - [ c1 s a s bf s gs s ] a s fs s gn s e s + gs1 b d8 r1 d cd b3 s | + [ c1 s a s bf s gs s ] a s fs s gn s e s [ fn s ds s e s cs s ] dn s f s e d s / % Bar 11-12 [ a83 d- 7 ] e 4 e- #3 a ad1+ b3 c8 gs 65 | a4 # cs- 65 d8 dd1 e3 f8 d / @@ -57,7 +58,7 @@ c15 s+2 gs+ a s+1 d- Gc bd8 ot a1 a4 r8 ed1+ d3 | Ge fd1 e3 d8 ot r8 dd1 cn3 / % Bar 13-14 g43 b- 65 [-1+1 c8 cd1 d3 ] ef8 b 6 | c4 -3 bf n42 af 6 an #6 / -b14 d f a [ g3 b d1 t ] [+1 d6 t c b a g f e d ] +b14 d f a [ g3 b d1 s ] [+1 d6 s c b a g f e d ] Gd ed1 ot d3 c8 r1 d dd ot c6 s d s | ef1 c cd ot b6 s c s en1 c cd ot b6 s c s f1 c cd ot b6 s c s fs1 c cd ot b6 s c s / diff --git a/Master/texmf-dist/doc/generic/pmx/gpl.txt b/Master/texmf-dist/doc/generic/pmx/gpl.txt new file mode 100644 index 00000000000..e963df82940 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/gpl.txt @@ -0,0 +1,622 @@ + GNU GENERAL PUBLIC LICENSE + Version 3, 29 June 2007 + + Copyright (C) 2007 Free Software Foundation, Inc. <http://fsf.org/> + Everyone is permitted to copy and distribute verbatim copies + of this license document, but changing it is not allowed. + + Preamble + + The GNU General Public License is a free, copyleft license for +software and other kinds of works. + + The licenses for most software and other practical works are designed +to take away your freedom to share and change the works. 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Interpretation of Sections 15 and 16. + + If the disclaimer of warranty and limitation of liability provided +above cannot be given local legal effect according to their terms, +reviewing courts shall apply local law that most closely approximates +an absolute waiver of all civil liability in connection with the +Program, unless a warranty or assumption of liability accompanies a +copy of the Program in return for a fee. + + END OF TERMS AND CONDITIONS + diff --git a/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.pdf b/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.pdf Binary files differnew file mode 100644 index 00000000000..78c247cc964 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.tex b/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.tex new file mode 100644 index 00000000000..c4e187315ba --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/install_run_pmx270.tex @@ -0,0 +1,182 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +% +% install_run_pmx270.tex 28 Mar 2013 +% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\documentclass[11pt]{article} +\usepackage[dvips,colorlinks=true,linkcolor=blue]{hyperref} +\usepackage[dvips]{graphicx} +\def\MusiXTeX{MusiX\TeX} +\def\bs{{\tt\char'134}} +\newcommand\PMXX{\textbf{PMX}} +\newcommand\PMX{\PMXX~} +% +% Use \bfx for program names only. Use \bf for single embedded letters +% +\font\bfx=cmb10 scaled\magstephalf +\font\bbfx=cmb10 scaled1800 +\setcounter{secnumdepth}3 +\def\Bslash{\tt\char'134} +\textheight= 9.5in \voffset-.8in% +\textwidth= 6.5in \hoffset-1.0in +\hoffset-54pt +\begin{document} + +\raggedright +\parindent24pt + +\title{ + \bbfx + Installing and Running the WIMA PMX Distribution + \null\vskip10pt + \Large\sl + Version 2.7~--~March 2013 + \null\vskip-5pt + \author{\Large\rm Don \sc Simons\\ + \includegraphics[scale=0.4]{file600.eps}}} +\date{} +\maketitle + +\setcounter{page}1 +\pagestyle{headings} + +\section{Introduction} + + This document explains in detail how to install and run \PMX in +a Windows operating system, using the distribution +\href{http://icking-music-archive.org/software/pmx/pmx270.zip} +{\underline{\tt pmx270.zip}}, which resides in the +\href{http://icking-music-arihive.org} +{\underline{Werner Icking Music Archive}} (WIMA). +That is the basic distribution assembled +by the code's author. The executable +files in it will only run under Windows. For other operating systems, +other options include +either compiling the FORTRAN source files in {\tt pmx270.zip} and then following or +adapting the +remainder of the guidance provided here, or (for Windows as well) using other +distributions which will be derived in due course from {\tt pmx270.zip}, archived in +various \TeX\ repositories, and supplied with their own installation guides. +Links to those other repositories can be found in the +\href{http://www.icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html} +{\underline{software section}} of the Werner Icking Music Archive (WIMA). + +It is assumed +here that \TeX\ and \MusiXTeX\ version 1.15 or later are already present. If not, WIMA also +provides instructions and links for acquiring and installing those programs from the same +repositories. + +\section{Setup from scratch} + + Assuming \TeX\ and \MusiXTeX\ have already been installed, +decompress {\tt pmx270.zip} to any temporary folder. +It will contain the +FORTRAN source files {\tt pmxab.for} and {\tt scor2prt.for}, +Windows executables {\tt pmxab.exe} and {\tt scor2prt.exe}, several sample +{\tt .pmx} files, +%{\tt pmx.tex}, {\tt ref270.tex} (\TeX\ source for a command summary), +%{\tt pmx270.tex }(\TeX\ source for this file), +the full manual {\tt pmx270.pdf}, a very condensed summary of all \PMX commands +{\tt ref270.pdf}, {\tt pmx25-27.html} showing +changes from version 2.50 to 2.70, and this installation manual +{\tt install\_run\_PMX270.pdf}. If necessary, compile the FORTRAN programs. +I have tried to keep the source code as generic as possible, but minor +modifications may be needed for FORTRAN-to-C translation and/or other +compilers. + + Once you have assembled a full set of files, put the executables +somewhere in your search path or in your working directory, {\tt pmx.tex} somewhere +where \TeX\ can find it (which may or may not be part of a +TDS-compliant file structure), and the sample {\tt *.pmx} files in your working +directory (the one from which you will run \PMXX). The rest of the files can reside +wherever is convenient. Refresh the \TeX\ file name database. + +\section{Updating an existing \PMX installation} + +If you already have an older version of \PMX installed, then after unzipping the distribution +to a temporary folder, simply replace the old copies of +{\tt pmxab.exe}, {\tt scor2prt.exe}, and {pmx.tex}. Nothing more needs to be done. + +\section{Running \PMX} + +Running \PMX will be demonstrated by example, with the file {\tt barsant.pmx}. +The first thing you need to do is specify where the generated \TeX\ file is to be +placed. The path to that location is part of the setup data in the +\PMX source file, in this case the 15th line of {\tt barsant.pmx}. It is set +to {\tt ./} which represents the current folder, the one from which you will +run \PMX and the one where {\tt barsant.pmx} resides. If for some reason you +want the \TeX\ file +to go somewhere else, then replace {\tt ./} with a path---either relative +or absolute---to the desired folder. + +If you haven't done so, open a command window and navigate to the +folder containing {\tt barsant.pmx}. Execute \PMX by typing +{\tt pmxab barsant} . Alternatively, you may +just type {\tt pmxab <return>} and you will be prompted +for a jobname, which in this case is just {\tt barsant} . +{\bfx pmxab} will generate two files in the working +directory: {\tt barsant.pml} +is a log file, and {\tt pmxaerr.dat} contains a single integer, 0 if +the run was successful, otherwise the line number in the {\tt .pmx} file of the +fatal error (useful for batch processing). Also, on successful completion, +{\tt barsant.tex} will be placed in the path specified in the setup. + +Now you are right where you would be after +entering, debugging, and rough-editing the {\tt .tex} file manually. To see +the results, process {\tt barsant.tex} just as you would for any \MusiXTeX{} +file. You must first run {\tt etex}, then {\tt musixflx}, and then {\tt etex} +again. You may view the {\tt .dvi} file so produced with a program like {\bfx yap}, +or go on and run +{\tt dvips} to create a postscript file and view that with a postscript viewer +such as {\bf GSview}. If you have used postscript slurs, dvi viewers have the disadvantage +that they will not +display them. + +To make +separate parts, run {\bfx scor2prt} by typing {\tt scor2prt barsant}. +The program will create a new {\tt .pmx} file for each instrument, in this +case {\tt barsant1.pmx} and {\tt barsant2.pmx}. +You may then process these +files like you did the original one to create separate parts. + +\section{Using scripts to ease processing} +Rather than having to manually run five programs every time you want to +process and view a {\tt .pmx} file, you may use a batch script. Such +scripts are generally platform-dependent. + +For Windows, the following is a possible batch script which produces a +postscript file: + +\begin{verbatim} +pmxab %1 +echo off +echo errorlevel +echo %errorlevel% +if not errorlevel 1 goto continue +echo stopping +goto :end +:continue +del *.mx? +etex %1 +musixflx %1 +etex %1 +dvips -O0.25in,-0.22in %1 +:end +\end{verbatim} + +To use it, copy the script into a text file, save it with a name like +{\tt gopmx.bat}, and execute it by typing {\tt gopmx barsant}. + +At the {\tt dvips} stage, this script uses offsets appropriate to the +default output of \PMX with letter-size paper, assuming that the \PMX option +{\tt Acl} has {\it not} been invoked. + +If you wish to go on and produce a PDF file, most \TeX\ systems come with +a program {\tt ps2pdf}. You could run this manually or include it in the main batch +script. It may require that the file name provided to it include the extension {\tt .ps}. + +If you have installed \PMX from one of the distribution sites, either under Windows or some +other OS, there will probably be an included script {\tt pmx2pdf}. You should be able +to produce a PDF file directly from {\tt barsant.pmx} by simply typing {\tt pmx2pdf barsant}. + +\end{document} diff --git a/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf b/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf Binary files differindex c3b1f2c0bf8..47ea2622a4e 100644 --- a/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf +++ b/Master/texmf-dist/doc/generic/pmx/pmx-install.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/pmx-install.tex b/Master/texmf-dist/doc/generic/pmx/pmx-install.tex index 478ac486a32..28498d90591 100644 --- a/Master/texmf-dist/doc/generic/pmx/pmx-install.tex +++ b/Master/texmf-dist/doc/generic/pmx/pmx-install.tex @@ -5,7 +5,7 @@ \RequirePackage{hyperref} \usepackage{xcolor} \newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}} -\newcommand{\pmxVersion}{2.6.19} +\newcommand{\pmxVersion}{2.7.0} \begin{document} \title{Installation of the CTAN PMX Distribution} \author{Bob Tennent\\ @@ -145,7 +145,7 @@ on the executable PATH \emph{or} add the folder \verb|Windows| to the executable PATH, as explained above. Documentation for \verb\pmx2pdf\ is in the -\verb\doc/generic/pmx/scripts\ directory. +\verb\doc/generic/pmx/ \ directory. \section{Discussion} @@ -160,6 +160,6 @@ Support for users of MusiXTeX and related software may be obtained via the MusiXTeX mail list\footnote{% \myurl{http://tug.org/mailman/listinfo/tex-music}}. PMX may be freely copied, duplicated and used in conformance to the -GNU General Public License (Version 2, 1991, see included file \verb\gpl.txt\). +GNU General Public License (Version 3, 29 June, 2007, see included file \verb\gpl.txt\). \end{document} diff --git a/Master/texmf-dist/doc/generic/pmx/pmx25-27.html b/Master/texmf-dist/doc/generic/pmx/pmx25-27.html new file mode 100644 index 00000000000..d42010cbcc1 --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx25-27.html @@ -0,0 +1,278 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" + "http://www.w3.org/TR/html4/loose.dtd"> +<html> +<head> + <meta http-equiv="Content-Type" content="text/html"> + <title>PMX beta vs 2.5</title> +</head> + +<body bgcolor="#E1E1E1"> +<p align="center"><a href="../indexmt6.html#pmx">Return</a></p> + +<h2>Changes from PMX 2.5 to the Latest Beta (2.622), 18 March 2013</h2> + +<p>2.501 <strong>(Note: new scor2prt)</strong></p> +<ul> + <li>Bugfix: initialize index in PMX subroutine putorn to eliminate subscript + error detected in some compilers</li> + <li>Bugfix in <strong>scor2prt</strong>: Ignore special treatment of special + symbols if they appear between double quotes.</li> + <li>Tweak: move end of first part of line-break ties slightly to the right.</li> +</ul> + +<p>2.502 <strong>(Note: new pmx.tex)</strong></p> +<ul> + <li>The height of a figured bass vertical stack can now be adjusted upward by + an integral number of \internote by appending "+" and the number. Recall that + it can already be moved downward 4\internote by prepending "_" (underscore). The + two options can be combined to provide full control over the vertical position.</li> + <li>Ties can now be represented with braces "{" before a note and "}" after. Both are + equivalent to "t" after the note. (Thanks to Dirk Laurie).</li> + <li>In <strong>pmx.tex</strong> all the commands of the form + \font\...=\fontid sy1000 have been changed to \font\...=cmsy10 (Thanks to + Olivier Vogel).</li> +</ul> + +<p>2.503</p> +<ul> + <li>Enable arpeggio left shift with ?-[x]</li> + <li>Allow musicsize of 24 and 29.</li> + <li>Bugfix: Fix bug introduced in 2.415 which caused error in printing replacement + number in xtup.</li> +</ul> + +<p>2.504</p> +<ul> + <li>Gap between normal grace and main note: X[x] as option to the G command, + where x is the gap size in notehead widths.</li> + <li>Bugfix: og (segno) now works OK when nv .ne. noinst.</li> +</ul> + +<p>2.505</p> +<ul> + <li>A new global option AK activates special rules for vertical positioning + of rests in two-voice staves. By way of background, without the new option, + rests in two-voice staves have default positions based on + a simple rule that is not context-sensitive: those + in the lower voice (the one before "//") are 4\internote below their + single-voice default positions, and those in the upper line are 2\internote + above the single-voice default. The new option invokes a set of + context-sensitive rules to set the default position. The baseline rule is to + align the rest in a horizontal line with the next following note in the same + bar. If there is no following note in the bar, then it is aligned with the + next prior note. If there are simulataneous rests in both voices, the old + rule is applied. When the AK option is in force, it only affects places + where there are two voices in a staff. It may be toggled on and off at the + beginning of any input block, using + just AK. When the option is in effect, any user-defined tweaks on the height + of a rest will supersede the option for that particular rest, i.e., the tweak + will be applied relative to the single-voice default position.</li> +</ul> + +<p>2.506</p> +<ul> + <li>Fixes a bug in AK. Simultaneous, equal-duration rests will be positioned + according to the default rules.</li> +</ul> + +<p>2.507</p> +<ul> + <li>Enhancement to global option AK for vertical positioning of rests in + two-voice staves (see version 2.505): The option L ("look left") in a rest will cause the + vertical position of that rest to be based on the preceding note, rather than the + following one as is the default when AK has been issued </li> + <li>Partial bugfix: In unbeamed xtuplets, the length of the bracket and position of + the number are now adjusted to account for any inserted hardspaces.</li> + <li>Bugfix: unbeamed xtups with two flags are now allowed.</li> +</ul> + +<p>2.508</p> +<ul> + <li>Allow grace notes in xtuplets.</li> +</ul> + +<p>2.509</p> +<ul> + <li>Correct small bug in arpeggio left-shifting (it got confused when there + was more than one voice on a staff).</li> +</ul> + +<p>2.510</p> +<ul> + <li>Bugfix: Correct omission of character variable declarations in new subroutine getgrace + introduced in 2.508.</li> +</ul> + +<p>2.511 <strong>(Note: new scor2prt named s2p2511.exe)</strong></p> +<ul> + <li>Bugfix: Correct error in horizontal spacing introduced in 2.507.</li> + <li>Experiment: Remove prohibition against tempo changes in MIDI macros.</li> + <li>Bugfix in <strong>scor2prt</strong>: Make it work right when "R" command occurs at end of + input block and "/" is on next line (as produced by M-Tx).</li> +</ul> + +<p>2.512</p> +<ul> + <li>Enable multiplicity down-up "][" within xtuplet</li> +</ul> + +<p>2.513</p> +<ul> + <li>Bugfix: If there is more than one rest at start of a beamed xtuplet marked as a forced + beam, beam height and slope tweaks are now properly handled.</li> + <li>Bugfix: If an xtuplet with multiplicity 2 or 3 starts with a rest, the rest is now printed + correctly.</li> + <li>Bugfix: Unbeamed xtuplets (with option 'a' on first note) with multiplicity 2 or 3 are now printed correctly.</li> +</ul> + +<p>2.514</p> +<ul> + <li>Bugfix: Correct horizontal spacing when after-grace is immediately followed by + normal grace.</li> + <li>Bugfix: Correct transpose register when it has been changed in a single + after-grace.</li> +</ul> + +<p>2.515</p> +<ul> + <li>Bugfix: Correct error in automatic forced beams. Before the fix, if the + beam did not start an integral number of beam durations from the start of + the bar, incorrect results would occur. + <li>Bugfix: Properly center fermata over centered whole-bar rest. </li> +</ul> + +<p>2.516 <strong>(Note: new pmx.tex)</strong></p> +<ul> + <li>Allow figures in voice #2.</li> +</ul> + +<p>2.517</p> +<ul> + <li>Allow figures in two voices, voice 1 and any other one.</li> +</ul> + +<p>2.518</p> +<ul> + <li>Bug fixes in 2-voice figures.</li> +</ul> + +<p>2.519</p> +<ul> + <li>Fix bug that prevented \sk from being output, misaligning some voices.</li> +</ul> + +<p>2.520</p> +<ul> + <li>New feature: special characters 2+, 4+, 5+, 6+, 9+ for figured bass. In the PMX + string for any figure, follow the number by 's'. This uses the font cmrj from the + new package figbas. You must install this font in your TeX setup for this to work.</li> +</ul> + +<p>2.521</p> +<ul> + <li>Bugfix: Font definition syntax corrected so no extra space is introduced.</li> +</ul> + +<p>2.602 <strong>(Note: new pmx.tex; requires eTeX)</strong></p> +<ul> + <li>Allow 24 voices, beams, slurs. Require etex.</li> + <li>Include comment about doubling size of internal buffer to 131072, requiring gfortran for Windows to compile.</li> + <li>Correct slur indexing in linebreakslurs.</li> + <li>Account for comment lines in line count for error messages</li> +</ul> + +<p>2.603 <strong>(Note: new scor2prt)</strong></p> +<ul> + <li>In getpmxmod.for, decrease nline by 2 to fix locating errors + following reading in an include file. + <li>Add some error messages in g1etset.for setup data +</ul> + +<p>2.610</p> +<ul> + <li>Instrument-wise transposition: Ki[instrument #][+/-][trans amt.][+/-][new key]. + For more than one instrument, may immediately repeat everything after "K". Must + either be at start of score (right after setup), or if later, must be preceded + by normal (full score) key + change command K+0[+/-][new key]. Must be used with relative accidentals ("Ar"). + Part(s) to be transposed must be entered in concert key, and will appear transposed + in the score. MIDI behavior not yet + tested. Has not yet been integrated into scor2prt, so for now + if you want to make parts, only use Ki... as score-only (on line after "%%") and/or + instrument only (on same line after %[Instrument #]). +</ul> + +<p>2.613</p> +<ul> + <li>Set error trap if "D" is entered before any notes.</li> + <li>Enhance "AS" to allow spacing adjustments tailored for either smallsize or + tinysize. As before, "AS" must be followed by nv characters, but now they + may be "0" for normal, "-" or "s" for small, or "t" for tiny. Still must + set sizes of instruments with inline TeX.</li> + <li>Bugfix: Fixed broken "K-..." in 2.610. +</ul> + +<p>2.614</p> +<ul> + <li>Bugfix: revise raised dotted rests by separately raising rest and dot. +</ul> + +<p>2.615 <strong>(Note: new scor2prt)</strong></p> +<ul> + <li>Command "AS", described above under 2.163, now also causes staff sizes to change + (in score only, not parts), so inline TeX is no longer needed to change sizes of + selected staves.</li> + <li>Scor2prt transfers partwise transposition commands Ki... (see 2.610 above) + into parts. </li> +</ul> + +<p>2.616</p> +<ul> + <li>"Feature" added: Hairpin dynamics now may span input blocks.</li> +</ul> + +<p>2.617</p> +<ul> + <li>Repaired several obscure bugs related to platform and compiler dependencies; + see pmxab.for for details. + </li> +</ul> + +<p>2.618</p> +<ul> + <li>For letter and a4 paper respectively, commands "Acl" and "Ac4" set horizontal + and vertical sizes and offsets that center the page with no further adjustments + required in dvips. </li> +</ul> + +<p>2.619 <strong>(Note: new pmx.tex)</strong></p> +<ul> + <li> Several changes at movement breaks to improve compatibility with M-Tx + and musixlyr.</li> +</ul> + +<p>2.621</p> +<ul> + <li> Bugfix: Made keyboard rest positioning ("AK" command) work properly + when there are rests are within xtuplets. + Also fine-tune default positioning of number and + bracket in unbeamed xtuplets containing rests. Position of both can still + be overridden with options on first note command for xtuplet.</li> +</ul> + +<p>2.622</p> +<ul> + <li> New option in "K" command: "Kn..." inserts \ignorenats before signature + change, supressing naturals in new signature</li> + <li> Many small fixes in transposition and key changes with "K", "Ki", and + "IT" to make MIDI come out OK. Basic function of "K" and "Ki" unchanged. + "IT[+/- n1][+/- n2]..." now transposes MIDI by \internotes, not half steps + as before. E.g. to transpose MIDI of 2nd instrument out of 3 up by one octave, + use "IT+0+7+0". May also use to untranspose a transposing instrument that + has been entered transposed, to make MIDI come out right.</li> + +<p align="center"><a href="../indexmt6.html#pmx">Return</a></p> +<p>Revised 18 March 2013, Don Simons (dsimons at roadrunner dot com)</p> +</body> +</html> + diff --git a/Master/texmf-dist/doc/generic/pmx/pmx260.pdf b/Master/texmf-dist/doc/generic/pmx/pmx260.pdf Binary files differdeleted file mode 100644 index 732af94c3a8..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmx260.pdf +++ /dev/null diff --git a/Master/texmf-dist/doc/generic/pmx/pmx270.pdf b/Master/texmf-dist/doc/generic/pmx/pmx270.pdf Binary files differnew file mode 100644 index 00000000000..b99972ce5db --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/pmx270.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/pmx260.tex b/Master/texmf-dist/doc/generic/pmx/pmx270.tex index 193257243b9..3f2f1162369 100644 --- a/Master/texmf-dist/doc/generic/pmx/pmx260.tex +++ b/Master/texmf-dist/doc/generic/pmx/pmx270.tex @@ -1,40 +1,26 @@ %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% % -% pmx260.tex 21 Feb 2010 +% pmx270.tex 19 Mar 2013 % %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% To do for next version -% -% Describe IT, MIDI transposition -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%\documentstyle[11pt]{article} \documentclass[11pt]{article} % \let\reft\ref -% \usepackage[ten]{vrsion} -% \usepackage[T1]{fontenc} -% \usepackage[cp437]{inputenc} -% \usepackage[english]{babel} -% \usepackage{amsmath,index} -% \usepackage[dvips]{graphicx} -% \usepackage[dvips]{hyperref} \usepackage[dvips,colorlinks=true,linkcolor=blue]{hyperref} \usepackage[dvips]{graphicx} + \usepackage{multicol} % \def\MusiXTeX{MusiX\TeX} \def\bs{{\tt\char'134}} -%\newcommand\PMXX{{\bfx PMX}} \newcommand\PMXX{\textbf{PMX}} \newcommand\PMX{\PMXX~} \newcommand\IMA{\href{http://Icking-Music-Archive.org}{\underline{Icking Music Archive}}} -%\newcommand{\dotPMX}{\textbf .pmx} +% % Use \bfx for program names only. Use \bf for single embedded letters +% \font\bfx=cmb10 scaled\magstephalf \font\bfi=cmbxti10 scaled\magstephalf \font\specfig=cmrj -%\setcounter{secnumdepth}1 \setcounter{secnumdepth}3 \setcounter{tocdepth}3 \def\Bslash{\tt\char'134} @@ -43,7 +29,7 @@ \def\RBR{{\tt\char'175}} \textheight= 9.5in \voffset-.8in% \textwidth= 6.5in \hoffset-1.0in -\def\newfrom{2.49} % changed every now and then +\def\newfrom{2.59} % changed every now and then \def\NEW#1{\ifdim#1 pt<\newfrom pt\else% \marginpar{\fbox{#1}}\fi} @@ -61,7 +47,7 @@ PMX~--~a Preprocessor for \MusiXTeX{}\\ \null\vskip-15pt \Large\sl - Version 2.6~--~July 2010\\ + Version 2.7~--~March 2013\\ \author{\Large\rm Don \sc Simons\\ \large\sl Dr. Don's PC and Harpsichord Emporium\\ @@ -78,10 +64,10 @@ \maketitle \section*{Preface} -Compared to prior releases, version 2.60 of PMX has been expanded +Compared to releases prior to version 2.60, \PMX has been expanded to take advantage of the increased capacity of \MusiXTeX~T.115. To directly process -\TeX~files created by \PMX2.60, a decision was made to require both +\TeX~files created by \PMX2.60 or later, a decision was made to require both \MusiXTeX~T.115 and e-\TeX. Free versions of both are readily available on the internet, and together they can process any earlier \PMX source file. @@ -121,8 +107,8 @@ $$\boxit{\box4}$$ \section{Introduction} %\setcounter{secnumdepth}1 - \PMX is a preprocessor for \MusiXTeX{}. To use it to its full -benefit you should have installed \MusiXTeX~Version 2.15 \NEW{2.6} or higher, and + \PMX is a preprocessor for \MusiXTeX{}. Before using it you should +have installed \MusiXTeX~Version 2.15 \NEW{2.6} or higher, and any available version of \TeX~that includes e-\TeX. The goal of \PMX is to facilitate the efficient typesetting of scores and parts that have an almost professional appearance. It can do {\it all} the work @@ -152,14 +138,23 @@ parts with special commands in the main file, thereby making it possible to include within a single input file all the information that defines the score and the individual parts. -The native language of \PMX is FORTRAN and its home port is DOS. The basic -distribution contains the FORTRAN sources, and binaries that will run in a DOS -\NEW{2.0} window on a PC with WINDOWS95 or higher. Availability of -ready-made distributions for other operating systems depends on volunteer -efforts; they will be posted as submitted to the software section -of the -\href{http://icking-music-archive.org/software/indexmt6.html} -{\underline{Werner Icking Archive}}. +The basic \PMX +distribution as of this version of the manual is +\href{http://icking-music-archive.org/software/pmx/pmx270.zip} +{\underline{\tt pmx270.zip}}. It +contains the FORTRAN sources, and binaries that will run in a DOS +window on a PC with WINDOWS95 or higher. +The +\href{http://www.icking-music-archive.org/software/htdocs/Getting_Started_Four_Scenar.html} +{\underline{software section}} of the Werner Icking Music Archive (WIMA) has instructions +for acquiring and installing \MusiXTeX~and \PMX on various platforms +(Windows, Mac-OSX, Unix-like systems) including using automated procedures from +several external \TeX~distribution sites. +The packages from those other sites will +all eventually incorporate all the upgrades in {\tt pmx270.zip} but will take +varying amounts of time to do so. \PMX is often upgraded; the most current version will +always be available directly from the ``News'' paragraph +\href{http://www.icking-music-archive.org/software/htdocs/htdocs.html}{\underline{here}}. \subsection{Conventions for This Manual} @@ -202,38 +197,47 @@ use the word {\it command} to refer just to the initial character. \subsection{Setup} - This section describes the setup for the DOS version or for those -compiling the FORTRAN source. + Here we briefly describe the setup for the Windows OS, +assuming \TeX\ and \MusiXTeX\ have already been installed. After compiling the +FORTRAN source code, users of other OS's +may either adapt these instructions as needed or use one of the other setup +methods referenced earlier. - After decompressing the distribution file {\tt pmx260.zip}, +After decompressing the distribution file {\tt pmx270.zip}, you should have these -files: \NEW{2.6} {\tt pmx260.for}, {\tt scor2prt.for}, two -DOS executables {\tt pmxab.exe} and {\tt scor2prt.exe}, several sample +files: \NEW{2.7} {\tt pmx270.for}, {\tt scor2prt.for}, two +Windows executables {\tt pmxab.exe} and {\tt scor2prt.exe}, several sample {\tt .pmx} files, -{\tt pmx.tex}, {\tt ref260.tex} (\TeX\ source for a command summary), -{\tt pmx260.tex }(\TeX\ source for this file), -PDF images of the latter two files. and {\tt pmx24-26.html} showing -changes from version 2.40 to 2.60. -If necessary, compile the FORTRAN programs. -I have tried to keep the source code as generic as possible, but minor -modifications may be needed for FORTRAN-to-C translation and/or other -compilers. +{\tt pmx.tex}, {\tt ref270.tex} (\TeX\ source for a command summary), +{\tt pmx270.tex }(\TeX\ source for this file), +PDF images of the latter two files, {\tt pmx25-27.html} showing +changes from version 2.50 to 2.70, {\tt install\_run\_PMX.pdf} which gives more +details about installing and running on different platforms. + +%If necessary, compile the FORTRAN programs. +%I have tried to keep the source code as generic as possible, but minor +%modifications may be needed for FORTRAN-to-C translation and/or other +%compilers. Once you have assembled a full set of files, put the executables somewhere in the path or in your working directory, {\tt pmx.tex} into the -texinput directory, and the sample {\tt .pmx} files in your working -directory (the one from which you will run \PMXX). +texinput directory, the sample {\tt *.pmx} files in your working +directory (the one from which you will run \PMXX), and the source code and +document files wherevever you wish. \subsection{Basic Operation, by Example} Edit the 15th line of {\tt barsant.pmx} to contain the path to the directory where you want \PMX to write the {\tt .tex} file. For example, -if you want this to be the same as the working directory, type {\tt .\bs}~for DOS, +if you want this to be the same as the working directory, type {\tt .\bs}~for Windows, or {\tt ./} for UNIX. -Execute \PMX by typing {\tt pmxab barsant} . \NEW{2.0} Alternatively, you may +If you haven't done so, open a command window and navigate to the +folder containing {\tt barsant.pmx}. Execute \PMX by typing +{\tt pmxab barsant} . Alternatively, you may just type {\tt pmxab <return>} and you will be prompted -for a jobname. {\bfx pmxab} will always generate two files in the working +for a jobname, which in this case is just {\tt barsant} . +{\bfx pmxab} will always generate two files in the working directory: {\tt barsant.pml} is a log file, and {\tt pmxaerr.dat} contains a single integer, 0 if the run was successful, otherwise the line number in the {\tt .pmx} file of the @@ -243,7 +247,9 @@ fatal error (useful for batch processing). Also, on successful completion, Now you are right where you would be after entering, debugging, and rough-editing the {\tt .tex} file manually. To see the results, process {\tt barsant.tex} just as you would for any \MusiXTeX{} -file, running all three passes, and view the {\tt .dvi} file. To make +file, running all three passes, and view the {\tt .dvi} file, or go on and run +{\bf dvips} to create a postscript file and view that with a postscript viewer +such as {\bf GSview}. To make separate parts, run {\bfx scor2prt} by typing {\tt scor2prt barsant} .\NEW{2.0} The program will create a new {\tt .pmx} file for each instrument, in this case {\tt barsant1.pmx} and {\tt barsant2.pmx}. @@ -364,7 +370,7 @@ number of systems in the entire piece. \PMX will spread the entire piece horizontally over this number of systems, and vertically over {\tt npages} pages. For proper vertical spacing there should be from about 9 to 16 staves per page. If you specify too many staves for the number -pages, one or more staves may spill over onto an extra sheet. If this +of pages, one or more staves may spill over onto an extra sheet. If this happens it will only become obvious when you preview the {\tt .dvi} file. One solution is to use the global option {\tt Ae} (see section~\ref{AeDirective}); another is to increase {\tt npages} or @@ -494,7 +500,7 @@ enter both numbers. Or, to just shift horizontally, use {\tt <} or {\tt >} followed by the shift in notehead widths. When shifting a sharp to avoid another sharp, a left shift of 0.85 is usually best. When shifting a flat to avoid a flat above it, a left shift of 0.3 is suggested. -In chords where all the notes are in the same \NEW{2.4}voice, +In chords (see section~\ref{chords}), if all the notes are in the same \NEW{2.4}voice, \PMX will automatically shift accidentals if required. This will be disabled for the current chord if any user-defined accidental shifts are entered, unless {\tt A} is entered @@ -538,9 +544,10 @@ ignored if an octave number was specified. This is a slight backward incompatibility; \PMX prints a warning when it happens. Stem length \NEW{2.4} can be shortened by {\it x} \bs{\tt internote} with -the option {\tt S}{\it x}~. {\it x} is restricted to the range (.5,4.0). +the option {\tt S}{\it x}~. {\it x} is restricted to the range (0.5,4.0). The shortening can be made ``sticky'' by following the number {\it x} with -{\tt :} . Stickiness is terminated by {\tt S:} . +{\tt :} . Then every note's stem in the voice will be shortened until +one is encountered with the option {\tt S:} . The first note command in each voice in a block must contain at a minimum the note name or {\tt r} for a rest (see below), @@ -558,7 +565,7 @@ start of each input block. Dots can be a little tricky, because even though they affect the actual time value, they don't affect the basic time value, and it is only the -latter that is ``sticky". Therefore, if a note is dotted, you always have to +latter that is ``sticky". Therefore, if a note is to be dotted, you always have to enter a {\tt d} (or a period, see next paragraph) somewhere within the command, after the note name, even if the actual time value and octave are the same @@ -569,7 +576,7 @@ octave with a number rather than {\tt +} or {\tt -} ). So for example, consecutive dotted half notes, each within a fourth of the previous one, could be most cleanly entered as {\tt cd24 ed gd ed}, whereas {\tt cd24 e} would represent a dotted half note followed by a plain half note -(since the basic time value--as defined by the first digit--was a half +(since the basic time value---as defined by the first digit---was a half note all along). There are two special shortcut rhythmic notations. For normal dotted @@ -596,7 +603,8 @@ the basic (inheritable) duration is set to that of the For paired notes with 2:1 rhythmic ratios, the character {\tt ,}~(comma) behaves similarly to the {\tt .}~(period) for 3:1 rhythms. - Xtuplets can have from 2 to 24 notes or\NEW{1.4} rests. Normally they + Xtuplets, or groups of notes with their stems connected, +can have from 2 to 24 notes or\NEW{1.4} rests. Normally they all have the same duration, but there are several options---described below---to change this. The command for the first note of an xtuplet begins exactly like a @@ -706,10 +714,17 @@ c25 r4b / \end{verbatim} would produce two notes followed by a single, vertically centered rest. -\subsubsection{Chords} +Another way to override the default vertical positioning of rests is useful in +keyboard scores, or in fact any score containing two voices on a staff. +The option {\tt K} (for {\bf K}eyboard) in the +{\tt A} command generally causes rests to be +aligned horizontally with notes in the voice in which they are entered. See +section~\ref{Acommands} for a detailed description. + +\subsubsection{Chords}\label{chords} Chordal notes, which always share a stem and the same time value as the -prior note, are symbolized with {\tt z} followed by a note name and +prior note, are symbolized with {\tt z} (for {\bf z}ero time) followed by a note name and optionally an accidental, {\tt +} or {\tt -} as octave indicator, and {\tt e} or {\tt r} for a l{\bf e}ft or {\bf r}ight shift by one notehead width. No basic time value is allowed. If the main note @@ -740,7 +755,8 @@ positions as described in section~\ref{AccidentalPosition}. A grace note command starts with a {\tt G}. It is entered in its natural order, normally before the main note, but sometimes after. After {\tt G} and before the note name, comes any -combination of the following options: a single digit representing the number of +combination of the following options: an unsigned integer (which may have 2 digits) +representing the number of notes in the grace (default is 1), {\tt m} and a digit for {\bfi m}{\it ultiplicity} (number of flags or beams, default is 1, 0 is allowed), @@ -778,7 +794,8 @@ staccato ({\tt o.}), tenuto ({\tt o\_}), se{\bf g}no ({\tt og}), arbitrary-length wavy-line {\bf t}rill with {\it tr} ({\tt oT}), arbitrary-length wavy-line trill without {\it tr} ({\tt oTt}), sforzando ({\tt o>}), -duncecap ({\tt o}\hbox to 6pt{\tt\^~}), \NEW{2.4}{\bf c}aesura ({\tt oc}), and +%duncecap ({\tt o}\hbox to 6pt{\tt\^~}), \NEW{2.4}{\bf c}aesura ({\tt oc}), and +duncecap ({\tt o\verb|^|}), \NEW{2.4}{\bf c}aesura ({\tt oc}), and {\bf b}reath ({\tt ob}). All except the parentheses, staccato, tenuto, and down fermata will normally @@ -791,10 +808,10 @@ The trill and segno command may have additional optional characters. Either trill command may include a decimal number to specify the length of the printed symbol in current \bs{\tt noteskip}s; the default is 1. Thus {\tt oT0} represents {\it tr} with no wavy line. -A segno can only appear in the first (lowest) staff. It -may be immediately followed by a positive or negative +A segno must be entered in the first (lowest) staff, but will appear above +every staff. It may be immediately followed by a positive or negative integer, which indicates a number of points that it will be offset -horizontally; and it will appear above every system. +horizontally. Once the ornament type has been specified, most of them can be raised or lowered from their default position by appending @@ -824,13 +841,13 @@ But through user intervention it is possible to use either one of \NEW{2.4}two different types of postscript slurs. {\it Type K} slurs, developed by Stanislav Kneifl, are directly supported by \PMX and will be the focus of any future \PMX enhancements. -They are activated and several global -defaults set with options to the {\tt A} command as described in +They are globally activated with {\tt Ap} and several global +defaults set with other options to the {\tt A} command as described in section~\ref{ApDirective}. If these are used, so will an alternate set of hairpins (see section~\ref{dynamics}). The other postscript slur option is Hiroaki Morimoto's {\it Type M} slurs. These -are not directly supported by \PMXX, but are supposed to be fully +are not directly supported by \PMXX, but are intended to be fully compatible with the default font-based slurs. To use them, one would use the in-line \TeX~command \bs\bs{\tt input musixpss}\bs~, and be sure {\it not} to enter {\tt Ap} . From \PMXX's standpoint they are no different @@ -864,7 +881,7 @@ ending height in this case will be the same as the starting height, and it may be tweaked as described below. The first character is optionally followed by -a single-character ID code ({\tt 0-9} or {\tt A-Z} , then by other +a single-character ID code {\tt 0-9} or {\tt A-Z}, then by other options described below. ID codes are only needed if two or more slurs are open at the same time within one voice, such as when several chord notes are tied. Using ID codes in such cases tells \PMX which open slur to @@ -873,7 +890,7 @@ close. ID codes cannot be used with font-based {\tt t} slurs. The rules for finding the default direction and position of the a slur are complex; many factors enter into defining visually pleasing values. But there's no need for gory details here; the result will usually satisfy, and if -not, all can easily be tweaked. Default direction can be +not, all can easily be tweaked. The default direction of curvature can be overridden with {\tt u} ({\bf u}pper), {\tt l} ({\bf l}ower), or equivalently {\tt d} ({\bf d}own). Starting or ending position can be shifted from its default by @@ -885,7 +902,7 @@ The shape of the slur may be altered as well\NEW{2.1}. This paragraph deals with font-based slurs, for which the shapes may be less than fully satisfying due to fundamental limitations of \MusiXTeX. At the slur termination only, one or three -more parameters may follow the two just described. The first, a signed, +more parameters may follow the ones just described. The first, a signed, nonzero integer, is a vertical adjustment to the mid-height of the slur in \bs{\tt internote}s. The next two, integers between 1 and 7 following a @@ -965,7 +982,8 @@ if you want them to be a {\it half tie}---a special shape that is horizontal at its left end---use the command {\tt Ap+h} at the start of the file. In addition to the notation options just mentioned, ties may also be -indicated with the character {\tt\{} before the starting note and {\tt\}} after +%indicated with the character {\tt\{} before the starting note and {\tt\}} after +indicated with the character {\tt$\{$} before the starting note and {\tt$\}$} after the ending note\NEW{2.6}. \subsubsection{Line-breaking Type K slurs and ties} \NEW{2.5} \label{lbslurs} @@ -1013,7 +1031,7 @@ entered as separate {\tt D...} commands, and must come in the right order, e.g., [{\it more notes}] {\tt D>} \medskip -Hairpins must be contained completely within the same input block. +Hairpins \NEW{2.7} may span from one input block to the next. There are numerous context-sensistive automagic adjustments to the positions of all the dynamic symbols. If you don't like the result you can adjust the @@ -1092,7 +1110,8 @@ and last notes under the beam. It's \NEW{2.5} now easy to define a repeating forced beam pattern. If the option {\tt :}~(colon) is included in the starting command {\tt [}~for -a forced beam, then henceforth beams of the same duration will be forced in +a forced beam, then after you end the beam, more beams of the same duration +will be forced in that voice, until stopped. They will be stopped at either the next regular forced beam, or the end of the input block for that voice, whichever comes first. @@ -1131,11 +1150,11 @@ staff with {\tt ...~]j} . Then resume the beam in the new, adjacent staff with inside one or both of the members. Some adjustment of the beam height and slope may be required. Sometimes the ending section's up-downness must be overridden; you will know this is so if the ending is shifted horizontally -from its proper position. Each voice must still have the right number +from its proper position by one notehead width. +Each voice must still have the right number of beats, so you will probably need to fill time with blank rests after the -first member of the beam and before the second. -In \NEW{2.1} version 2.1 we have removed certain restrictions on the -multiplicity and jump direction for staff-jumping beams. However, there can +first member of the beam in one staff and before the second member in the other. +There can still only be one staff-jumping beam open at a time. \subsubsection{Clefs} @@ -1194,7 +1213,7 @@ unpredictable results. Beginnings and ends of first and second endings are signaled by {\tt V} (for {\bfi v}{\it olta}). -If it's the {\it end} of the volta, enter {\tt b} (for +If it's the {\it end} of the volta, add the option {\tt b} (for {\bfi b}{\it ox}) or {\tt x} for {\it no bo}{\bfi x}. If it's the {\it start} of a volta, you can optionally enter any text at all that doesn't include a space and doesn't @@ -1203,7 +1222,7 @@ commonly {\tt 1} or {\tt 2}). A period will automatically be appended to the text. If one volta ends and another starts right away, only a single {\tt V} is needed. Voltas must only be entered in the first voice. If separate parts are to be created from a score using -{\bfx scor2prt}, then only a single volta may appear in any given input +{\bfx scor2prt}, then only a single volta is allowed in any given input block, and it must be at the beginning of the block. \subsubsection{Meter changes}\label{MeterChange} @@ -1225,27 +1244,269 @@ digit and the next as a 2-digit integer, between 10 and 19 inclusive. {\bfx Method 2.} \NEW{1.4} Enter the four numbers verbatim in the order just listed, but separate them with slashes ({\it /}). -\subsubsection{Transposition and key changes} - - To transpose an entire score, at the beginning of the first block -enter {\tt K} (for {\bfi K}{\it ey}) followed by two explicitly signed digits. -The -first is the distance to transpose (in \bs{\tt internote}s); the second is the -new key signature. -When transposing, you should always use relative -accidentals, activated by the separate command {\tt Ar} at the start of the first -input block (see section~\ref{ArDirective}). For -example, to transpose a piece in C major to E major you would enter -{\tt Ar K+2+4} at the beginning of the first block. - -To \NEW{2.4}transpose by a half step to a key with the same -letter name, use {\tt K-0+[{\it n}]}~. +\subsubsection{Fundamentals of key changes and transposition}\label{transpose} + +As explained in section~\ref{setupdata}, the intial key signature, also called +the concert key, is specified in the setup data. In order to change the key +signature or to transpose (i.e. make the printed notes appear at a different +level than where +they were entered), use the {\tt K} command. The syntax is {\tt K}[{\it n}][{\it k}] +where {\it n} and {\it k} are explicitly signed digits respectively giving the distance +to transpose in \bs{\tt internotes}, and +new key signature. When transposing, you should always use relative accidentals, activated by +the separate command {\tt Ar} at the start of the first input block (see section~\ref{ArDirective}). +For example, to transpose a piece in C major to E major you would enter +{\tt Ar~K+2+4} at the beginning of the first block. + +To transpose by a half step to a key with the same +letter name, use {\tt K-0}[{\it k}] where as before {\it k} is an explicitly signed integer giving +the new signature. (Using {\tt -0} instead of {\tt +0} eliminates confusion with a simple key change, see the next paragraph.) - A key change can be signalled at any time in the first voice, and will -affect all staves. Use the command {\tt K} with {\tt +0} as the first -argument and the new key signature as the second. +A simple key change can be signalled at the start of any input block. Use +the command {\tt K} with {\it n}={\tt +0} as the first argument and the new key signature as the second. + +If the signature changes from sharps to flats +or vice-versa, the default will be to include naturals in the first instance of the new +signature. To suppress this behavior, use the \NEW{2.7}option {\tt n} right after {\tt K} . +For example, to change from +2 flats to 3 sharps and suppress the naturals, enter {\tt Kn+0+3} . + +The procedures described above will affect all instruments in the score. To change the key of or +transpose just a single instrument, use Ki[{\it m}][{\it n}][{\it k}] when {\it m} is an unsigned integer +representing the instrument number, and {\it n} and {\it k} are as just described. +For more than one instrument, you may immediately repeat everything after {\tt K} (including {\tt i}). +This may come either at start of score (right after setup) or at the beginning of any later input +block. But if it's later, it must be preceded by a normal +(full score) non-transposing key change command {\tt K+0}[{\it k}]. +For example, to change the keys of the second and third instruments to one sharp and two sharps +respectively, use {\tt Ki2+0+1i3+0+2} . + +\subsubsection{More on transposition; ``transposing'' instruments and example files} + +In practice, two fundamentally different situations may arise: (1) (Full-score transposition) A +score that has been entered in one key +is to be completely transposed to a different key and pitch level, usually to force the range to fit +different instruments than original; or (2) (``Transposing'' +instruments) some of the instruments require a part printed in a different key and at a different +pitch level than it sounds. + +To transpose +an entire score from the key specified in the setup data (Case TTA), simply use the +{\tt K} command at the +beginning of the first input block, as outlined in the previous section. + +It gets more complicated when some transposing instruments are involved, +because there are three different possibilities: +(Case~CTS)~The transposing instruments can be entered in concert key but printed +transposed in the score and in separate parts created with {\bfx scor2prt} (see +section~\ref{scor2prt}); +(Case~TTS)~They can be entered transposed and printed transposed in +both the score and in parts; +(Case~CCS)~They can be entered in concert key and printed in concert key in the score, but +printed transposed in parts. Matters are further complicated if there is a later key +change. Finally, if a MIDI file is to be produced, then in cases CTS and TTS an additional +step involving the transpose option to the MIDI command {\tt I} +(see section~\ref{MIDI}) must be taken. + +All of the required commands for all four of these cases are summarized in the table +below. Following that, they are discussed a bit further and illustrated in +four example files (named [Case]{\tt .pmx}) that are also included in the distribution. + +\font\smaller=cmr10 +{\smaller +\begin{center} + \begin{tabular}{cllcll} + \hline + Case & PMX entry & Printed score & MIDI pitch & Initial commands & Later key change \\ + \hline + TTA & All B flat major, & All transposed up & transposed & {\tt K+2+2} & {\tt K+0-5} \\ + ~ & later key change & 2 steps to D & ~ & {\tt I} & ~ \\ + ~ & to B flat minor & major, later to D & ~ & ~ & ~ \\ + ~ & ~ & minor & ~ & ~ & ~ \\ + \hline + CTS & All B flat major, & Trombone (1) & concert & {\tt Ki2+5+1i3+1+0} & {\tt K+0-5} \\ + ~ & later key change & concert; alto sax & ~ & {\tt IT+0-5-1} & {\tt Ki2+5-2i3+1-3} \\ + ~ & to B flat minor & (2) transposed up & ~ & ~ & ~ \\ + ~ & ~ & 5 to G, later G & ~ & ~ & ~ \\ + ~ & ~ & minor; clarinet (3) & ~ & ~ & ~ \\ + ~ & ~ & transposed up 1 to & ~ & ~ & ~ \\ + ~ & ~ & C, later C minor. & ~ & ~ & ~ \\ + \hline + TTS & Trombone (1) & Trombone (1) & concert & {\tt Ki2+0+1i3+0+0} & {\tt K+0-5} \\ + ~ & concert; alto sax & concert; alto sax & ~ & {\tt IT+0-5-1} & {\tt Ki2+0-2i3+0-3} \\ + ~ & (2) transposed up & (2) transposed up & ~ & ~ & ~ \\ + ~ & 5 to G, later G & 5 to G, later G & ~ & ~ & ~ \\ + ~ & minor; clarinet (3) & minor; clarinet (3) & ~ & ~ & ~ \\ + ~ & transposed up 1 to & transposed up 1 to & ~ & ~ & ~ \\ + ~ & C, later C minor. & C, later C minor. & ~ & ~ & ~ \\ + \hline + CCS & All B flat major, & All B flat major, & concert & {\tt \%2K+5+2} & {\tt K+0-5} \\ + ~ & later key change & later key change & ~ & {\tt \%3K+1+0} & ~ \\ + ~ & to B flat minor & to B flat minor; & ~ & ~ & ~ \\ + ~ & ~ & parts printed & ~ & ~ & ~ \\ + ~ & ~ & transposed & ~ & ~ & ~ \\ + \hline + \end{tabular} +\end{center} +\medskip +} + +{\bfx Case TTA: Full score transposition.} +Here the entire score is to be transposed. In the setup data the signature is set to -2. Then +the command {\tt K+2+2} says to transpose up 2 steps from the initial key of B flat to D, and put 2 +sharps in the key signature. No special attention is needed for the MIDI; it will come out in the +transposed key. A later (full-score) key change requires another {\tt K} command, but now the +transposition parameter is set to 0 and the new key is the concert key (I guarantee people will be +confused by this). In the example the command for the signature change is {\tt K+0-5} , making the +new concert key B flat minor with 5 flats, and, considering the initial transposition, causing the +score and MIDI to come out in D minor with 2 flats. + +{\bfx Case CTS: Parts all entered in concert key, but some transposed in the printed score.} +Here, to produce the +printed score, parts are all entered in concert key, but instrument-wise transposition is used for +the transposed instruments. In the example the alto sax part is entered in B flat but will be +transposed up 5 steps in the printed score, to G major. This is brought about with {\tt Ki2+5+1} . Similar +logic applies to the clarinet part, while the trombone part is not transposed. If a MIDI file is +desired, it will come out in concert key, but only after using the transpose option in the MIDI +command to undo the transpositions caused by the K command. In the example the command +{\tt IT+0-5-1} does this, ``de''transposing each of the three instruments by the necessary number of +steps. For a later key change, first the full-score {\tt K} command changes the concert key, then the +instrument-wise {\tt Ki command}, with the same transpositions as the initial one, sets the new key +signatures for the transposing instruments. Here the signatures to be entered are the transposed +signatures, i.e., the ones that will be printed. + +{\bfx Case TTS: Parts entered in respective transposed keys, and printed in those keys in the score.} +In this method of scoring transposing instruments, parts for transposing instruments +are transposed ahead of time and +entered exactly as they will appear in the score. So to produce the printed +score this way, the pitch does not have to be changed, but the key signatures must be set +separately for each transposing instrument using the {\tt Ki} command. In the example, the alto sax is +entered in the key of G so the instrument-wise option for it is {\tt Ki2+0+1} . Note that {\tt +0} means no +further transposition is needed before printing, because the part was transposed on entry. Once +again, if a MIDI file is desired, it will come out in concert key, but just as in the previous case, +you must use the transpose option in the MIDI command {\tt IT} to undo the transpositions caused +by the {\tt K} command. For a later key change, the same full-score {\tt K} command as in the previous +case is used to change the concert key. Then the instrument-wise {\tt Ki} command, now with {\tt +0} for +the transpositions, sets the new key signatures for the transposing instruments, again using the +transposed signatures. + +{\bfx Case CCS: Parts entered in concert key, printed in score in concert key, but transposed in +separate printed parts.} +This is the easiest case of all. Nothing special needs to be done for the score, but part-only, +full-score transposition commands {\tt\%}[instrument number]{\tt K...} should be entered in the score. Then +{\bfx scor2prt} will generate a transposed part. Of course if a MIDI is made from the score it will +come out at concert pitch. For example, to transpose the alto sax part up 5 steps, initially to G +major, near the top of the score file enter {\tt\%2K+5+1} . Later, where the concert key changes to B +flat minor and the alto sax to G minor, enter simply {\tt K+0-5}, making the new concert key B flat +minor with 5 flats. When {\bfx scor2prt} is invoked to make separate parts, this will be transferred +verbatim into all parts, and then \PMX will internally adjust the signature for each transposed part +as required. + +{\bfx Making separate parts.} +In all of the cases discussed, if the patterns of commands in the table are followed, then +separate parts can be made as usual using {\bfx scor2prt}. They will +automatically come out transposed as desired. + +\pagebreak +{\bfx Texts of the transposition sample files:} +% Note: when editing is done, figure out how to make scripts size work without page break. +\begin{scriptsize} +%\begin{tiny} +\begin{multicols}{4} +\begin{verbatim} +%TTA.pmx +3 2 4 4 4 4 0 -2 +1 1 20 .13 +Trombone II+III +Trombone I +bbb +.\bs +Tt +TTA +Apr +I +K+2+2 +b42 d f b t b t gf df b / +b42 d f b t b t gf df b / +b42 d f b t b t gf df b / +K+0-5 +b42 c d e f gs as b / +b42 c d e f gs as b / +b42 c d e f gs as b / + + + +%CTS.pmx +3 3 4 4 4 4 0 -2 +1 1 20 .1 +Trombone +Alto Sax +Clarinet +btt +.\ +Tt +CTS +Apr +Ki2+5+1i3+1+0 +IT+0-5-1 +b42 d f b t b t gf df b / +b43 d f b t b t gf df b / +b44 d f b t b t gf df b / +K+0-5 +Ki2+5-2i3+1-3 +b42 c d e f gs as b / +b43 c d e f gs as b / +b44 c d e f gs as b / + +%TTS.pmx +3 3 4 4 4 4 0 -2 +1 1 20 .1 +Trombone +Alto Sax +Clarinet +btt +.\ +Tt +TTS +Apr +Ki2+0+1i3+0+0 +IT+0-5-1 +b42 d f b t b t gf df b / +g44 b d g t g t ef bf g / +c45 e g c t c t af ef c / +K+0-5 +Ki2+0-2i3+0-3 +b42 c d e f gs as b / +g44 a b c d es fs g / +c45 d e f g as bs c / + +%CCS.pmx +3 3 4 4 4 4 0 -2 +1 1 20 .1 +Trombone +Alto Sax +Clarinet +btt +.\ +Tt +CCS +Apr +%2K+5+1 +%3K+1+0 +I +b42 d f b t b t gf df b / +b43 d f b t b t gf df b / +b44 d f b t b t gf df b / +K+0-5 +b42 c d e f gs as b / +b43 c d e f gs as b / +b44 c d e f gs as b / +\end{verbatim} +\end{multicols} +\end{scriptsize} +%\end{tiny} \subsubsection{Text} @@ -1283,7 +1544,7 @@ section~\ref{dynamics}. If you want pages to be numbered at the top left or right, place the command {\tt P} anywhere within the \PMX code that represents the first -page to be numbered (usually the first or second). +page to be numbered (usually the first or second page). {\tt P} can be followed optionally by the starting page number and/or by {\tt l} or {\tt r}, the latter overriding the default locations of odds on the right and evens on the left. \NEW{2.0} @@ -1303,7 +1564,8 @@ numbering (and centered headers) for parts can be still be initiated independently, for example with {\tt \%!P2} or {\tt \%1P2r} (see section~\ref{scor2prt}). -\subsubsection{Overriding certain defaults, or getting the most from \PMXX} +\subsubsection{Overriding certain defaults, or +getting the most from \PMXX}\label{Acommands} Understanding this section is important if you want to get the most out of \PMXX. In many @@ -1314,7 +1576,8 @@ upset the layout of older scores. For example, virtually every new score I create begins with at least {\tt Abple}. As you may have guessed, it is the command {\tt A} that can be used to -override a grab-bag of default settings. The available options affect sizes +override a grab-bag of default settings. The available options affect a +wide range of \PMX features: sizes and interpretation of accidentals, dot positions, space before the first note of every bar, space between staves, slur package selection, vertical positioning of Type K postscript @@ -1323,24 +1586,36 @@ naming of parts, vertical positioning of rests in 2-voice staves\NEW{2.6}, brackets for non-beamed xtuplets, and inputting so-called {\it normal include} files. +{\bf Size of Accidentals.} {\tt b} makes all accidentals {\bf b}ig, {\tt s} makes them all {\bf s}mall. By default, big ones are used unless unaltered spacing doesn't provide enough space. Thus the default behavior may cause a mixture of big and small accidentals, and in fact is not recommended. -\label{ArDirective} -If transposing, then the {\bf r}elative accidental convention should be used, -indicated by {\tt r}. The default is the normal, absolute convention. +{\bf Relative accidentals.}\label{ArDirective} +If transposing, then the {\bf r}elative accidental convention must be used, +indicated by {\tt r}. This changes the way you enter accidentals. With +relative accidentals, the note options {\tt s}, {\tt f}, {\tt n} take on +unconventional meanings, now respectively signaling that a note should be raised +a half step, lowered a half step, or left alone {\it relative to the pitch +it would have according to the key signature}. So for example, with {\tt Ar}, +in the key of B flat major the note command {\tt bs} would cause a B natural +to be printed. By contrast, the default is +the normal, absolute convention, where the indicated pitch alteration is +relative to what the pitch would be if there were no key signature. +{\bf Vertical position of dots.} If there are staves with two voices, {\tt d} causes dots in the lower one to appear on or {\it below} center, in contrast with the default. +{\bf Gap at start of bar.} Use {\tt a} followed by a decimal number to override the default setting for \bs{\tt afterruleskip}, the space before the first note in a bar. The default in \PMX is {\tt 1}\bs{\tt elemskip}, 20 percent smaller than \MusiXTeX{}'s. +{\bf Space between staves within a system.} If \PMXX's vertical spacing between staves within a system is not pleasing, use {\tt I} or {\tt i} , followed by a decimal number, to apply a scale factor to \bs{\tt interstaff} . {\tt I} @@ -1348,6 +1623,7 @@ affects all pages, {\tt i} only the current one. Shrinking the space between staves within each system will cause the space between systems to increase, and conversely. These options have no effect if there is only one staff per system. +{\bf Equal space between systems.} \label{AeDirective}\MusiXTeX~normally draws a virtual box around each system and inserts equal vertical space between boxes. \NEW{2.3} When objects protrude above the top staff in a system or @@ -1363,9 +1639,10 @@ There is a \TeX~macro desired wider gap. It has one argument, the desired extra space in {\tt\bs internote}s. +{\bf Stop grouping systems at top in sparse pages.} Another \NEW{2.4}\ command affecting vertical spacing is the {\tt v} option of the {\tt A} command (for -{\bf v}shrink or {\bf v}ertical shrinkage). \PMX normally spreads staves +{\bf v}ertical). \PMX normally spreads staves vertically over a full page, unless the white space becomes excessive, in which case it groups all staves near the top of the page. Entering {\tt Av} will suppress this grouping near the top, and ensure that @@ -1373,25 +1650,26 @@ systems will always be spread vertically regardless of how much white space is left. It is a toggle; the second time it is issued, the behavior reverts to the default. -In \PMX it's not yet possible to specify a smaller font for selected staves. -But it can be done with the \TeX~command -{\tt \bs setsize}{\it n}{\tt \bs smallvalue} (using in-line \TeX, see -\NEW{2.3} -section~\ref{LitTeX}). If you do this, then you ought to -use the {\tt S} option to the {\tt A} command. It is followed by exactly -{\tt nv} -characters which are either {\tt -} or {\tt 0} depending on whether the -corresponding staff is normal or small. This alerts \PMX to modify some -horizontal spacing decisions to account for the smaller font size. +{\bf Make some staves smaller.} +The {\tt S} +option to the {\tt A} command\NEW{2.7} allows you to specify a +different size for selected staves and their notes compared to the +global value set in the setup data. It is followed by exactly {\tt noinst} +characters, one for each instrument, selected from +{\tt 0}, {\tt -}, {\tt s}, or {\tt t} for +normal, small, small, or tiny sizes respectively. +{\bf Postscript slurs.} The \label{ApDirective}\NEW{2.4} command {\tt Ap} activates Type K {\bf p}ostscript slurs. To use this you must have {\tt musixps.tex} somewhere that \TeX~can find it, and -{\tt psslurs.pro} somewhere that {\bfx dvips} can find it. These files are -available from the -\href{http://Icking-Music-Archive.org}{\underline{Icking Music Archive}}. +{\tt psslurs.pro} somewhere that {\bfx dvips} can find it. +If these files happen to be missing from your \TeX~distribution, they +can be found +\href{http://www.icking-music-archive.org/software/musixtex/musixtex.zip} +{\underline{here}}. Several suboptions affecting Type K -postscript slurs are described in the remainder of this subsection. First, +postscript slurs are described here and in the following paragraphs. First, by default these slurs and ties will not have their vertical positioning tweaked to avoid tangencies with staff lines. To activate this type of adjustment, use one of the suboptions {\tt +s} or {\tt +t} for @@ -1399,7 +1677,7 @@ slurs or ties respectively. (For example, {\tt Ap+s}). Be warned that this may alter the endpoint positions from what one would normally expect. To deactivate the adjustment, use the same command but with {\tt -} . -A third suboption of {\tt Ap} affects line-breaking slurs. Normally a full tie +Another suboption of {\tt Ap} affects line-breaking slurs. Normally a full tie is drawn at the start of the second line. However, the suboption {\tt Ap+h} causes the use of {\it{\bfi h}alfties} for the second part, which are flattened at their @@ -1414,7 +1692,8 @@ horizontal positions of the end point of the first segment and the start of the second, uses a normal tie character for both segments of a tie, and enables further tweaking of the horizontal and vertical positions of internal endpoints on a case-by-case basis, using options in the initial slur or tie command (see -section~\ref{lbslurs}). +section~\ref{lbslurs}, and the end of the fourth system in the example file +{\tt barsant.pmx}). Another pair of \NEW{2.5}suboptions to {\tt Ap} affects the default curvature of Type-K postscript slurs. {\tt Ap+c} and {\tt Ap-c} will respectively increase or @@ -1433,6 +1712,7 @@ from a {\tt .dvi} file, you should use the suboption {\tt h} (e.g. {\tt Aph}~) . This will cause the header file {\tt psslurs.pro} to be written into the postscript file at the top of of every page. +{\bf Vertical rest positioning in keyboard scores.} The\NEW{2.6} option {\tt AK} activates special rules for vertical positioning of rests in two-voice staves. By way of background, without this option, rests in two-voice staves have default positions based on a simple rule that is not @@ -1453,22 +1733,34 @@ option {\tt L} in a rest command will cause the vertical position of that rest to be based on the {\it preceding} note, rather than the following one as is the default. -The \label{ANDirective}\NEW{2.5}option {\tt N} to the {\tt A} command allows -you to specify -arbitrary names for the instrument of any or all part files generated by -{\bf scor2prt}. Follow it with the part number and the the new name in double -quotes. +{\bf Names of \PMX files for parts.} +The \label{ANDirective}option {\tt N} to the {\tt A} command allows you to specify +arbitrary names for the part files generated by +{\bfx scor2prt}. Follow {\tt AN} with the part number and the new file base name in double +quotes. Immediately follow this with any number of additional part numbers and +alternate file base names in quotes. When part files are generated, {\tt .pmx} will be +appended to the requested base name. +{\bf Gapped bracket for nonbeamed xtuplets.} Non-beamed \label{ATDirective}\NEW{2.5}xtuplets will normally be printed with a bracket above or below, and a number above or below that. If you would like this number instead to be positioned within a gap in the bracket itself, enter {\tt AT} .You must have -{\tt tuplet.tex} available to your \TeX~processor. The file can be found in -the Icking Archive. +{\tt tuplet.tex} available to your \TeX~processor. If missing, this file +can be found +\href{http://www.icking-music-archive.org/software/musixtex/musixtex.zip} +{\underline{here}}. +{\bf ``Include'' file.} \PMX commands \NEW{2.5}in an external file can be included at the start of any input block by designating the file as a {\it normal include} file, using the -command {\tt AR}[{\it filename}] . See section~\ref{ARDirective} for details. +command {\tt AR}[{\it filename}] . See section~\ref{ARDirective} for details. + +{\bf Positioning printed pages.} +For \NEW{2.7} printing on {\bf l}etter or a{\bf 4} paper, the command {\tt Acl} or +{\tt Ac4} will set the margins +of the printed area so it will be properly centered with no further +adjustments needed when running {\bfx dvips}. \subsubsection{Extra hardspace, horizontal shifts} \label{hardspace} @@ -1509,10 +1801,11 @@ to signify that it applies to {\bf b}oth score and part, or {\tt P} for \PMX does some special, complex analysis to adjust horizontal spacing in crowded systems. By default, the minimum space between consecutive -noteheads is 0.3 notehead widths. If you want to change 0.3 to some -other fraction, enter {\tt W. }(decimal point is required) followed by -{\tt 1}-{\tt 9} to represent the number -of tenths of a notehead width to be used as the minimum spacing. +noteheads is 0.3 notehead widths. In very special situations you may want to +change 0.3 to some other fraction. To do so, enter {\tt W. }(decimal point is required) + followed by {\tt 1}-{\tt 9} to represent the number +of tenths of a notehead width to be used as the minimum spacing. Use of this option +is demonstrated in the example file {\tt barsant.pmx}. \subsubsection{Page size} @@ -1595,15 +1888,14 @@ adhere to the 128-character limit per line, but each line can have more than one \TeX\ command. Type 1 begins with a single \bs\ and will appear in the {\tt .tex} file right before the \TeX -~command for the next note or rest in the {\tt .pmx} file. Starting with -version 2.1, \NEW{2.1} multiple +~command for the next note or rest in the {\tt .pmx} file. Multiple type 1 strings associated with the same note or rest are allowed, although the total length may not exceed 128 characters (so there is generally no reason not to combine all \TeX\ commands for a single note into a single type 1 string). A type 2 string begins with \bs\bs\ -and will appear at the top of the {\tt .tex} file, right before +and will appear near the top of the {\tt .tex} file, right before \bs{\tt startmuflex}, regardless of where it appears in the {\tt .pmx} file. A type 3 string starts with \bs\bs\bs\ and will appear right before the {\tt\bs xbar} @@ -1618,7 +1910,7 @@ should be isolated on a line of its own, and should be started in column 1. Type four permits multiple lines of arbitrary text to be entered at the top of the {\tt .pmx} file; -they will be transferred literally to the top of the {\tt .tex} file. Type +they will be transferred verbatim to the top of the {\tt .tex} file. Type four is initiated with {\tt ---} alone as the top line of the {\tt .pmx} file. Then follows any text on any number of lines, until the next line starting with {\tt ---} terminates the block to be transferred. @@ -1775,7 +2067,7 @@ There are two types of include files, {\it global} and Due \NEW{2.0} to the number of different programs that must be run in sequence to produce a printed sheet of music with the \MusiXTeX{} system, most users -prefer to use a batch file to control the process. Since batch commands are +prefer to use a batch script to control the process. Since batch commands are platform-dependent we will not provide examples here, but will mention several \PMX features that can facilitate batch processing. @@ -1791,7 +2083,7 @@ opened and the input point placed on the line with the error. There have been several requests to allow \PMX to keep running even after it detects an input error. -This has not been done because in most cases, any error messages after +This has not been done because in many cases any error messages after the first one would be meaningless, or worse, uncorrected errors could cause crashes. In any event, all the output from {\bfx pmxab} will be stored in the log file [{\it jobname}]{\tt.pml}. @@ -1799,16 +2091,19 @@ stored in the log file [{\it jobname}]{\tt.pml}. \subsection{Lyrics} \PMX has no special provisions for lyrics. One way to include them -is by using the macro package {\tt musixlyr.tex} developed +is by using the macro package +\href{http://www.icking-music-archive.org/software/musixtex/add-ons/musixlyr21c.zip} +{\underline{\tt musixlyr.tex}} developed by Rainer Dunker. It introduces lyrics into \TeX\ more easily than with \MusiXTeX's own facilities. The macros could be entered as in-line \TeX\ directly into the {\tt .pmx} file, but most would prefer the convenient interface to {\tt musixlyr} via the -program {\bfx M-Tx} developed by Dirk Laurie. It is a pre-preprocessor which +program +\href{http://www.icking-music-archive.org/software/mtx/}{\underline{\bfx M-Tx}} +developed by Dirk Laurie. It is a pre-preprocessor which produces a {\tt .pmx} file containing the proper in-line \TeX\ commands. Its input language is similar (but not identical) to \PMX and includes most -\PMX functionality as a subset. Both {\bfx M-Tx} and {\tt musixlyr.tex} are -available from the \IMA{}. +\PMX functionality as a subset. %\setcounter{secnumdepth}1 \section{Making Parts from a Score} \label{scor2prt} @@ -1825,7 +2120,7 @@ parts separately from that of the score, but by using commands that are placed in the {\tt .pmx} file for the score. This eliminates the need for ever editing the {\tt .pmx} files for the parts separately. You can make all corrections in the file for the score, and then re-run -scor2prt. +{\bfx scor2prt}. Normally all lines starting with {\tt \%} in the parent {\tt .pmx} are transferred into all the parts. However, if a line has {\tt \%\%} in @@ -1866,7 +2161,15 @@ One way to insert hardspace {\it x} into part {\tt\%}[{\it n}]{\tt X}[{\it x}] . The \NEW{1.42} other way is with options in the {\tt X} command in the score: {\tt B} causes the hardspace to be used in {\bf b}oth score and parts; {\tt P} puts it into the {\bf p}art but not -the score. +the score. + +Instrument-wise \NEW{2.7} transposition commands (see section \ref{transpose}) +are also handled specially. +When {\bfx scor2prt} encounters {\tt Ki}[{\it n}] (for instrument {\it n}) in +the score, it transfers the transposition information (transposition amount and +key signature) for that instrument into +the corresponding part, replacing {\tt Ki} by {\tt K} and keeping only the +information for instrument {\tt n}. Lateral shifts ({\tt X}[$\dots$]{\tt :}) will be handled normally, staying with their original voice. @@ -1924,7 +2227,7 @@ augmented where needed with literal \TeX ~commands, it is possible to store both the score and the part can be corrected at once, and parts need not be re-edited each time they are regenerated from the score. -\section{Making MIDI Files}\NEW{2.2} +\section{Making MIDI Files}\label{MIDI} \PMX has an elementary capability to create MIDI files. It is intended mainly to aid in editing scores, so it does not have advanced facilities one would @@ -1957,6 +2260,13 @@ but consecutive pairs of numbers must be separated by {\tt :} (colon) . This option can only be exercised once per file. Also, the number of instruments cannot change during a piece. +The \NEW{2.7} number of arguments following suboption {\tt i}, as well as the next +three described suboptions, must in fact equal the number of {\it instruments}. Before +version 2.7, it was the number of {\it staves} (despite the incorrect +description in the manual!) These numbers may differ and this creates a +backward incompatibility. Hoping this won't cause too much distress, +I've enhanced the real-time error messages. + {\tt v}{\it i1}:{\it i2}:{\it...}:{\it in} assigns MIDI \NEW{2.3} velocities to each instrument. The colons are required. Values may range from 1 to 127. The default is 127. @@ -1966,6 +2276,15 @@ each instrument. The colons are required. Values may range from 1 to 128. The default value is 64, which represents the center. Smaller numbers favor the left stereo channel; larger ones the right. +{\tt T} allows transposing any instrument by a selected number of steps \NEW{2.7} + ({\tt\bs internote}s). +It must be followed by exactly {\tt noinst} signed integers representing the +amount of transposition for each instrument in order. In practice it is useful +in two situations (1) To transpose a MIDI output up or down by one octave +(7 {\tt\bs internote}s); and (2) when a transposing instrument is printed +in the transposed key in the score after having issued {\tt Ki}, to undo +the transposition in the MIDI. + {\tt M} initiates a macro operation. This is used for repeats, da capo's, etc. Macros must have ID numbers between 1 and 20. Operations are start record macro {\it i}: {\tt MR}{\it i} ; end recording: {\tt M} ; and playback (insert) @@ -1980,11 +2299,7 @@ allowed, but will be rounded to the nearest sixteenth note. inserted at the end of every note, while decreasing the sounding duration by the same amount. The default is 10, which is 2/3 of a 64th note. -{\tt T} allows transposing any instrument by an integral number of octaves. -It must be followed by exactly {\tt noinst} signed integers, each of which -is an exact multiple of 12. - - The module does not recognize graces, ornaments, repeats, voltas, or + The MIDI module does not recognize graces, ornaments, repeats, voltas, or segnos. The only ties that are recognized are those using {\tt s} or {\tt (} alone, with no explicit ID number. Key signatures, time signatures (meter) and instrument names will be written into the MIDI file, @@ -2156,10 +2471,13 @@ strong points in a ``battlefield'' situation: figured bass, complex beaming patterns, xtuplets, and automatically adjusted horizontal and vertical spacing in crowded scores. In fact, -this single-page score is at the limit of vertical crowding. To get the -final result, it uses the -option {\tt Ae} for equal space betweem systems, and the space between systems -was increased ({\tt AI1.1}) from the default. This is a +this single-page score pushes the limits of vertical and horizontal crowding. +To get the final result, it makes subtle adjustments using various available options: +{\tt Ae} for equal space between systems, {\tt AI1.1} to increase the vertical +space between staves in a system, {\tt Apl} to activate postscript slurs and +special treatment of line-breaking slurs/ties (note slur at end of fourth +system), and {\tt W.5} to increase minimum space between noteheads so the 64th +notes don't touch each other. This is also a good score to try making parts with {\bfx scor2prt}. A special command {\tt \%2S9} is used to increase the number of systems in the recorder part. @@ -2177,32 +2495,15 @@ systems vertically without having to fiddle with \bs{\tt staffbotmarg}. As far as I know, the warning is benign, and may be ignored. -\subsection{Where to Get {\PMX}} \label{where} +\subsection{Where to Get Help} \label{where} The main home of \PMX on the internet is the software section of the -\IMA, specifically at -\href{http://icking-music-archive.org/software/indexmt6.html#pmx} -{\underline{\tt http://icking-music-archive.org/software/indexmt6.html\#pmx}} . -The \PMX distributions on this server are mirrored on the CTAN sites, -for example \href{http://www.ctan.org}{\underline{\tt http://www.ctan.org}}. -These sites also contain all the \TeX{} and \MusiXTeX{} files as well. - -\PMX is coded in FORTRAN and developed in a DOS/Windows environment. The basic -distribution will contain the FORTRAN source and DOS/Windows binary -(i.e., it runs in a DOS window, but some flavor of Windows must be -present). Users of other OS's have several options. They may compile the -original source if they have access to a compiler, or they may check the -archive for other distributions. The most recent -available versions for Linux, Unix, and Mac will be posted in the archive, but -as of this writing they are all out of date. New versions will be -posted when and if volunteers provide them. - -Most of the supporting software mentioned here---except \TeX{} itself---is -available -from the \IMA. This includes \MusiXTeX, Dirk Laurie's -lyrics pre-preprocessor {\bfx M-Tx}, and packages for both type K and type M -postscript slurs. - +\href{http://icking-music-archive.org}{\underline{Werner Icking Music Archive}}. This +site also links to a mailing list devoted to \MusiXTeX\ and related programs including +\PMX. The denizens of this list are always willing to answer questions about any +aspect of the software. New users are strongly advised to take advantage of this +resource. + \subsection{Acknowledgments} To Daniel Taupin, Ross Mitchell, and Andreas Egler for creating @@ -2218,9 +2519,10 @@ slur packages; to Christian Mondrup, Andre Van Ryckeghem, Christof Biebricher, Joerg Anders, Olivier Vogel, and other denizens of the TeX-music mailing list for first-class bug-finding and support in responding to queries about -\PMX on the mailing list; and to Luigi Cataldi, Olivier Vogel, Christof +\PMX on the mailing list; to Luigi Cataldi, Olivier Vogel, Christof Biebricher, and Cornelius Noack for producing translated and enhanced -\PMX tutorials. +\PMX tutorials; and to Bob Tennent for maintaining the software section +of the web site. Finally, I want to mention again the invaluable contributions by Werner Icking: his exhaustive beta testing, uncanny bug-finding, continuing encouragement, and promotion diff --git a/Master/texmf-dist/doc/generic/pmx/pmx2pdf.html b/Master/texmf-dist/doc/generic/pmx/pmx2pdf.html deleted file mode 100644 index a6769ea7e01..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmx2pdf.html +++ /dev/null @@ -1,174 +0,0 @@ -Content-type: text/html - -<HTML><HEAD><TITLE>Manpage of pmx2pdf</TITLE> -</HEAD><BODY> -<H1>pmx2pdf</H1> -Section: (1)<BR>Updated: 2012-05-15<BR><A HREF="#index">Index</A> -<A HREF="http://localhost/cgi-bin/man/man2html">Return to Main Contents</A><HR> - -<P> -<A NAME="lbAB"> </A> -<H2>NAME</H2> - -pmx2pdf - This script processes pmx files and then deletes intermediate files -<P> -<A NAME="lbAC"> </A> -<H2>SYNOPSIS</H2> - -[ texlua ] -<B>pmx2pdf</B> - -{ -<I>option</I> - -| -<I>jobname</I> - -[ .pmx ] -} ... -<DL COMPACT> -<DT>The default effect is to process each file using <DD> -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+pmxab">pmxab</A></B>(1) - -<DD> -(pre-processing pass) -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+etex">etex</A></B>(1) - -<DD> -(first pass) -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+musixflx">musixflx</A></B>(1) - -<DD> -(second pass) -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+etex">etex</A></B>(1) - -<DD> -(third pass) -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvips">dvips</A></B>(1) - -<DD> -(dvi to Postscript) -<DT><B><A HREF="http://localhost/cgi-bin/man/man2html?1+ps2pdf">ps2pdf</A></B>(1) - -<DD> -(Postscript to Portable Document Format) -<DT>followed by removal of intermediate files.<DD> -<P> -</DL> -<A NAME="lbAD"> </A> -<H2>OPTIONS</H2> - -<DL COMPACT> -<DT><B>-v </B> - -<DD> -output program name and version number, and quit -<DT><B>-h</B> - -<DD> -output usage summary and quit -<DT><B>-l </B> - -<DD> -changes the TeX processor to -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+latex">latex</A></B>(1) - -or -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pdflatex">pdflatex</A></B>(1) - -<DT><B>-p </B> - -<DD> -changes the TeX processor to -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pdfetex">pdfetex</A></B>(1) - -or -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pdflatex">pdflatex</A></B>(1) - -(and doesn't run -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvips">dvips</A></B>(1) - -and -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+ps2pdf">ps2pdf</A></B>(1) - -or -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvipdfm">dvipdfm</A></B>(1) - -) -<DT><B>-d </B> - -<DD> -changes the dvi processor to -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvipdfm">dvipdfm</A></B>(1) - -<DT><B>-s </B> - -<DD> -stops processing at the dvi file -<DT><B>-t</B> - -<DD> -stops processing at the tex (and midi) files -<DT><B>-i</B> - -<DD> -retain intermediate files -<DT><B>-f</B> - -<DD> -default processing -<DT>Options affect processing of all succeeding PMX files unless changed by another option.<DD> -<P> -</DL> -<A NAME="lbAE"> </A> -<H2>SEE ALSO</H2> - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pmxab">pmxab</A></B>(1) - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+scor2prt">scor2prt</A></B>(1) - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+etex">etex</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+latex">latex</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pdfetex">pdfetex</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+pdflatex">pdflatex</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+musixflx">musixflx</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvipdfm">dvipdfm</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+dvips">dvips</A></B>(1), - -<B><A HREF="http://localhost/cgi-bin/man/man2html?1+ps2pdf">ps2pdf</A></B>(1). - -<BR> - -pmx260.pdf -<BR> - -pmxccn.pdf -<P> -<A NAME="lbAF"> </A> -<H2>AUTHOR </H2> - -This manual page was written by Bob Tennent <<A HREF="mailto:rdt@cs.queensu.ca">rdt@cs.queensu.ca</A>>. -<P> - -<HR> -<A NAME="index"> </A><H2>Index</H2> -<DL> -<DT><A HREF="#lbAB">NAME</A><DD> -<DT><A HREF="#lbAC">SYNOPSIS</A><DD> -<DT><A HREF="#lbAD">OPTIONS</A><DD> -<DT><A HREF="#lbAE">SEE ALSO</A><DD> -<DT><A HREF="#lbAF">AUTHOR </A><DD> -</DL> -<HR> -This document was created by -<A HREF="http://localhost/cgi-bin/man/man2html">man2html</A>, -using the manual pages.<BR> -Time: 09:17:40 GMT, September 14, 2012 -</BODY> -</HTML> diff --git a/Master/texmf-dist/doc/generic/pmx/pmxab.html b/Master/texmf-dist/doc/generic/pmx/pmxab.html deleted file mode 100644 index b683ae53634..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxab.html +++ /dev/null @@ -1,61 +0,0 @@ -Content-type: text/html - -<HTML><HEAD><TITLE>Manpage of pmxab</TITLE> -</HEAD><BODY> -<H1>pmxab</H1> -Section: PMX Manual Page (1)<BR>Updated: 19 Jan 2013<BR><A HREF="#index">Index</A> -<A HREF="http://localhost/cgi-bin/man/man2html">Return to Main Contents</A><HR> - -<A NAME="lbAB"> </A> -<H2>NAME</H2> - -pmxab - a MusiXTeX preprocessor -<A NAME="lbAC"> </A> -<H2>SYNOPSIS</H2> - -<B>pmxab</B> - -basename<I>[.pmx]</I> - -<P> -<A NAME="lbAD"> </A> -<H2>DESCRIPTION</H2> - -pmxab is a preprocessor for MusiXTeX. -It's usually invoked by a frontend <A HREF="http://localhost/cgi-bin/man/man2html?1+pmx2pdf">pmx2pdf</A>(1). -To use it to its full benefit you should have installed MusiXTeX Version 1.15 -or higher, and TeX itself. -The goal of PMX is to faciliate the efficient typesetting of scores and parts -that have an almost professional appearance. To learn more about typesetting -with PMX, please read the PMX Manual. -<P> -When invoked directly, pmxab produces tex output utilizing the MusiXTeX -macro set. -<A NAME="lbAE"> </A> -<H2>SEE ALSO</H2> - -<A HREF="http://localhost/cgi-bin/man/man2html?1+pmx2pdf">pmx2pdf</A>(1), <A HREF="http://localhost/cgi-bin/man/man2html?1+scor2prt">scor2prt</A>(1), <A HREF="http://localhost/cgi-bin/man/man2html?1+musixtex">musixtex</A>(1) -<A NAME="lbAF"> </A> -<H2>AUTHORS</H2> - -PMX was written by Don Simons <<A HREF="mailto:dsimons@roadrunner.com">dsimons@roadrunner.com</A>>. -This manual page was written by Roland Stigge <<A HREF="mailto:stigge@antcom.de">stigge@antcom.de</A>> for the Debian -project and revised by Bob Tennent <<A HREF="mailto:rdt@cs.queensu.ca">rdt@cs.queensu.ca</A>>. -<P> - -<HR> -<A NAME="index"> </A><H2>Index</H2> -<DL> -<DT><A HREF="#lbAB">NAME</A><DD> -<DT><A HREF="#lbAC">SYNOPSIS</A><DD> -<DT><A HREF="#lbAD">DESCRIPTION</A><DD> -<DT><A HREF="#lbAE">SEE ALSO</A><DD> -<DT><A HREF="#lbAF">AUTHORS</A><DD> -</DL> -<HR> -This document was created by -<A HREF="http://localhost/cgi-bin/man/man2html">man2html</A>, -using the manual pages.<BR> -Time: 09:14:34 GMT, January 19, 2013 -</BODY> -</HTML> diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/README b/Master/texmf-dist/doc/generic/pmx/pmxccn/README deleted file mode 100644 index 564e64dad5d..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/README +++ /dev/null @@ -1,26 +0,0 @@ -pmxccn is a tutorial for PMX in LaTeX; it describes and -explains PMX up to version 2.618 included. - -The zipped package includes the main program and 2 subfolders: - -\eps : containing music examples referrred to by - the main program, -\addresses : names of persons cited in the program - (in graphical form to avoid abuse). - -Unzip pmxccn.zip in whatever folder you want (preserving -the folder structure), and run - latex pmxccn.tex - - [ as usual, run latex pmxccn - twice to get the cross - reference right, and run - makeindex pmxccn the produce - the index ] - - -LEGAL NOTICE: This software is subject to the usual - GNU/LLPL licence conditions. - - -Sun 2012 Apr 1 /17:56 / Cornelius C. Noack diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/btennent.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/btennent.eps deleted file mode 100644 index bee34b4917a..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/addresses/btennent.eps +++ /dev/null @@ -1,40 +0,0 @@ -%!PS-Adobe-2.0 EPSF-2.0 -%%BoundingBox: 0 0 161 25 -% -% created by bmeps 1.2.7 (SCCS=1.78) -% -/pstr - 161 string -def -/inputf - currentfile - /ASCII85Decode filter - /RunLengthDecode filter -def -gsave -0 25 translate -161 25 scale -161 25 8 [161 0 0 -25 0 0] -{ inputf pstr readstring pop } -image -K)^H&K)^H&K)^H&K)^H&K)^H&hZ!TV!;6Bj!.t7@rrE*"rr3!!!;ld"!!*'!!!%WN -o)A^j!<3!!!!)rs!<<,urrE*"KDtuQ!<;utrVuis"9/?$s8)fqrrW6$s8W#trr;lr -rr;iqo`+mj"oeQ&rr<&trrE*"rr;osr;Z]qrr3$"!<<#urVu`p"98B$!<)ou!!)]l -quH]qquHHjrW!9)rr<'!rr<'!s8E#trrE*"r;R-)!<3$!rr<'!rr<&urr`<%rr<&t -rrE*"pAY3p!<<)u!!<0#!<)p(!!*'!!!*'!!!*#u#64c(rr<'!s8E!'s8N'!s8N'! -rVm!#!<3$!rVllu!;?En!!*#u"TSQ&rr<&urrE*"p\t6o!;lcs!!)ut!<<-!rrE*" -r;R*(!<3$!rr<'!!!)lq!<<,irrE*"rVm!#!<3$!rVm!#!<3$!rVm!#!<3$!rVm!# -!<3$!rVm!#!<3$!qYpQr!<)ou!!)cn!<<,lrrE*"p\t6o!;lcs!!)ut!<<-!rrE*" -r;Qj!!<<)u!!E9$!!)ipqZ-?i!<<,urr`<%rr<&trrN0#s7lWps7lWrrr<&trrW6$ -s8Vrr"98B$!<)ou!!)cn!<<,qs7u`irrE*"qu6Zs!<)ou!!*#u!<<,trrE*"qYpQr -!;-9l!!)cn!<<,urr`<%rr<&trr`<%rr<&qrrE*"qYpQr!<)ou!!)lq"98H%!!)ut -!<<,orrE*"qYpQr!<)ou!!)cn!<<,rrrW6$s8W&urr39)!<<'!!<<'!!<3!%!!*'! 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RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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v 3201 1193 a Fe(\007)2812 838 -y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-1.20001pt) GD N /S1brk -S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (100.0pt) GDAR N /S1dir --1 N /S1dash 0 N /S1adj 0 N end - 2812 838 a 2827 812 4 133 v 2789 812 a Fe(\007)p 2896 -795 4 117 v 2858 795 a(\007)p 2964 812 4 133 v 2926 812 -a(\007)3015 828 y - slur@Dict begin (2.0pt) GD S1hgt (0.0pt) GD 1.6 (2.0pt) GD M S1dir -M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 3015 828 a 3015 828 a - end - 3015 828 a 2827 -712 208 16 v 2827 687 V 3033 828 4 150 v -20 w Fe(\007)3064 -845 y(\031)p 3102 845 4 108 v(\007)137 b(\031)p 3103 -745 140 16 v 3239 845 4 108 v(\007)2789 397 y(\007)p -2827 513 4 220 v 116 x(\007)3087 440 y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (6.79999pt) GD N /S1brk -S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (140.0pt) GDAR N /S1dir --1 N /S1dash 0 N /S1adj 0 N end - 3087 440 a 3024 -413 a Fe(6)p 3102 413 4 117 v(\007)p 3171 430 4 126 v -3133 430 a(\007)p 3239 447 4 136 v 3201 447 a(\007)3310 -463 y - slur@Dict begin (2.0pt) GD S1hgt (4.0pt) GD 1.6 (2.0pt) GD M S1dir -M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 3310 463 a 3310 463 a - end - 3310 463 a -60 w Fe(4)3102 -322 y(\311)3197 331 y(\311)3102 297 y(\311)3197 307 y(\311)p -3328 463 4 144 v 3290 463 a(\007)3379 1493 y - slur@Dict begin (2.0pt) GD S0hgt (0.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 3379 1493 -a 3379 1493 a - end - 3379 1493 a 3359 1476 a Fe(\031)p 3397 -1476 4 117 v(\007)3497 1493 y(>)3359 1177 y(\031)p 3397 -1177 V(\007)3497 1161 y(>)3319 862 y(4)p 3349 863 60 -4 v 3397 861 4 117 v -1 x(\007)3497 828 y(>)3359 447 -y(\031)p 3397 447 V(\007)3497 496 y(>)p 3635 1494 4 1131 -v 3638 1659 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3638 1659 a eop end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps deleted file mode 100644 index 023d172a7b9..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/JChrBach.eps +++ /dev/null @@ -1,807 +0,0 @@ -%% LaTeX2e file `eps/JChrBach.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: JChrBach.dvi -%%CreationDate: Fri Oct 10 15:07:30 2003 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 23 735 552 769 -%%DocumentFonts: CMR10 TeXMUSIX16-Regular CMBXTI10 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE JChrBach.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2003.10.10:1507 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 1986 1881 a eop end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beams.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beams.eps deleted file mode 100644 index dbdb012806d..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beams.eps +++ /dev/null @@ -1,947 +0,0 @@ -%% LaTeX2e file `eps/beams.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: beams.dvi -%%CreationDate: Wed Jan 21 13:51:20 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 596 510 795 -%%DocumentFonts: TeXMUSIX16-Regular CMTI10 CMTI8 CMBX12 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE beams.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.01.21:1351 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3638 694 a eop end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beethoven1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beethoven1.eps deleted file mode 100644 index f09d990c231..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/beethoven1.eps +++ /dev/null @@ -1,993 +0,0 @@ -%% LaTeX2e file `eps/beethoven1.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: beethoven1.dvi -%%CreationDate: Wed Feb 18 00:01:35 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 698 510 792 -%%DocumentFonts: TeXMUSIXSPX-Regular CMR10 TeXMUSIX16-Regular CMBX12 -%%+ CMMI7 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE beethoven1.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.02.18:0001 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. 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0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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--git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps deleted file mode 100644 index d9192f6b4a9..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini1.eps +++ /dev/null @@ -1,2030 +0,0 @@ -%% LaTeX2e file `eps/caccini1.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-2.0 EPSF-2.0 -%%BoundingBox: 21 93 556 793 -% EPSF created by ps2eps 1.39 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: imp.dvi -%%CreationDate: Fri Sep 13 09:08:44 2002 -%%PageOrder: Ascend -%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular -%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 -%%DocumentPaperSizes: a4 -%%EndComments -%%BeginProlog -save -countdictstack -mark -newpath -/showpage {} def -/setpagedevice {pop} def%%EndProlog -%%Page 1 1 -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp -%DVIPSParameters: dpi=2540, compressed -%DVIPSSource: TeX output 2002.09.13:0818 -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ -/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) -(LaserWriter 16/600)]{A length product length le{A length product exch 0 -exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse -end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask -grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} -imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round -exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto -fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p -delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} -B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ -p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S -rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. -/slur@Dict 200 dict def -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if -% align the slur to the staff lines - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - aa 0 gt { /shift shift neg def } if - ifadjust 0 eq { - /shift 0 def - } if -% and finally draw it... - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - grestore - % now some \slurtext code... - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def -% differenced line -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def -% sloped line -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def -% free line (init & terminate) -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def -end -%! 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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b(\007)p 11587 11788 15 703 v 11587 -11085 15 1617 v 11587 8062 15 703 v 12038 12227 a(Z)p -12210 11788 15 615 v 12007 11788 a(\010)p 14506 11788 -V 2296 w(\010)p 11838 10328 15 439 v 11839 9890 a Ff(\010)p -14260 10178 254 15 v 14303 10241 a(\010)p 14303 10574 -15 474 v 14304 10101 a(\010)-2298 b(\007)p 12168 10101 -15 843 v 12007 9749 a(\007)p 13112 10178 254 15 v 13155 -10171 a(\007)p 13317 10171 15 843 v 13156 9820 a(\007)p -14464 9890 15 492 v 14303 9890 a(\010)11878 8774 y Fc(dol)p -12006 8325 15 615 v 12007 7711 a Fg(\010)12752 8774 y -Fc(-)811 b(-)406 b(ce,)p 14506 7887 V 14303 7887 a Fg(\007)15468 -8774 y Fc(a)p 15654 8150 15 572 v 15655 8150 a Fg(\()-204 -b(\007)15796 8774 y Fc(-)151 b(mor)p 16466 8150 V 16467 -8150 a Fg(\()-204 b(\007)p 17073 11788 15 703 v 17073 -11085 15 1617 v 17073 8062 15 703 v 17087 11788 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 -11788 a -1540 16876 18628 15 v -1540 17052 V -1540 17228 -V -1540 17403 V -1540 17579 V -1540 15259 V -1540 15400 -V -1540 15541 V -1540 15681 V -1540 15822 V -1540 13151 -V -1540 13326 V -1540 13502 V -1540 13678 V -1540 13853 -V -1540 17579 15 4436 v -1628 12836 a Fb(7)-1540 16430 -y Fi(\240)-1540 17045 y Fg(I)-1487 15674 y Ff(G)-1540 -13671 y Fg(G)-960 17396 y(2)-957 15533 y Ff(2)-960 13495 -y Fg(2)-344 18011 y(Z)p -376 17835 15 615 v -375 17220 -a(\010)p -544 16271 15 386 v -543 15885 a Ff(\010)p -418 -15962 254 15 v -417 16103 V -374 16096 a(\010)-374 16026 -y(\000)p -212 16096 15 843 v -373 15744 a(\010\000)-436 -14558 y Fc(ca)p -172 13759 15 615 v -375 13759 a Fg(\007)205 -14558 y Fc(-)310 b(ro,)927 14719 y Fb(^)1160 14558 y -Fc(a)p 836 13759 15 703 v 633 13759 a Fg(\007)p 1337 -13846 15 791 v 1134 13846 a(\007)p 1839 13759 15 703 -v 1636 13759 a(\007)p 836 13230 1513 85 v 836 13098 V -2341 13671 15 616 v 2138 13671 a(\007)p 2843 17484 15 -615 v 2640 17484 a(\007)p 2597 15962 254 15 v 2640 16315 -15 360 v 2641 15955 a Ff(\010)1830 14558 y Fc(-)495 b(mor)p -2843 13583 15 615 v 2640 13583 a Fg(\007)p 3851 17308 -V 3648 17308 a(\007)3647 15815 y Ff(\007)p 3605 15962 -254 15 v 3606 16103 V 3811 16166 15 843 v 3650 16166 -a(\007)3647 14558 y Fc(fe)p 3851 13846 15 703 v 3648 -13846 a Fg(\007)p 4353 13934 15 791 v 4150 13934 a(\007)p -4854 13846 15 703 v 4651 13846 a(\007)p 3851 13318 1513 -85 v 3851 13186 V 5356 13759 15 616 v 5153 13759 a(\007)p -5654 17572 15 703 v 5654 16869 15 1617 v 5654 13846 15 -703 v 6024 18099 a Fa(11)6147 17713 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 6147 17713 a 6228 -17572 15 615 v 6025 17572 a Fg(\010)7448 18099 y Fa(10)7554 -17572 y - slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 7554 17572 a 7554 17572 a - end - 7554 17572 a 7652 17572 -15 615 v -105 w Fg(\010)p 5814 15962 254 15 v 5857 16315 -15 360 v 5858 15955 a Ff(\010)7280 16026 y(6)p 7406 15962 -254 15 v 7449 16359 15 334 v 1 w(\010)p 5982 15962 296 -15 v 5983 16103 V 6026 16166 a(\011)6026 15885 y(\011)4382 -14558 y Fc(-)944 b(-)472 b(li)6024 13671 y Fg(\011)p -8872 17572 15 703 v 8872 16869 15 1617 v 8872 13846 15 -703 v 9242 17308 a(\011)p 9200 15962 296 15 v 9201 16103 -V 9244 16166 a Ff(\011)p 9202 15962 V 9245 15955 a(\011)9242 -15815 y(\011)6898 14558 y Fc(-)1340 b(-)671 b(ce.)9242 -13671 y Fg(\011)p 11257 17572 15 703 v 11257 16869 15 -1617 v 11257 13846 15 703 v 11831 17308 15 615 v 11628 -17308 a(\010)11627 15815 y Ff(\010)p 11585 15962 254 -15 v 11628 16315 15 501 v 11629 15955 a(\010)p 11789 -15674 15 492 v 11628 15674 a(\010)11483 14558 y Fc(T)-29 -b(al)p 11627 14021 15 615 v 11628 13407 a Fg(\007)12491 -14558 y Fc(c)-10 b(he)p 12838 13671 15 572 v 12839 13671 -a Fg(\()-204 b(\007)13169 14558 y Fc(non)p 13550 13671 -V 13551 13671 a Fg(\()g(\007)14090 18011 y(Z)p 14262 -17572 15 615 v 14059 17572 a(\010)p 14016 15962 254 15 -v -1547 x Ff(\010)p 14059 16359 15 474 v 14060 15885 -a(\010)p 14220 15674 15 492 v 14059 15674 a(\010)13914 -14558 y Fc(sp)10 b(e)p 14058 14109 15 615 v 14059 13495 -a Fg(\007)14681 14558 y Fc(-)268 b(ro)p 15066 14198 15 -616 v 15067 13583 a Fg(\007)p 15568 14198 15 703 v 15569 -13495 a(\007)p 16069 14198 15 791 v 16070 13407 a(\007)p -15450 14558 1333 15 v 15066 14108 1520 85 v 15066 14240 -V 16571 14198 15 703 v 16572 13495 a(\007)p 17073 17572 -V 17073 16869 15 1617 v 17073 13846 15 703 v 17087 17572 -a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 17572 a -1540 22572 18628 15 v -1540 22748 V --1540 22924 V -1540 23100 V -1540 23275 V -1540 20956 -V -1540 21096 V -1540 21237 V -1540 21377 V -1540 21518 -V -1540 18847 V -1540 19023 V -1540 19198 V -1540 19374 -V -1540 19550 V -1540 23275 15 4436 v -1716 18532 a Fb(11)-1540 -22126 y Fi(\240)-1540 22741 y Fg(I)-1487 21370 y Ff(G)-1540 -19367 y Fg(G)-960 23093 y(2)-957 21230 y Ff(2)-960 19191 -y Fg(2)-381 23708 y(Z)p -413 23531 15 615 v -412 22917 -a(\010)-413 21581 y Ff(\010)p -455 21659 254 15 v -454 -21799 V -411 22125 15 545 v -410 21792 a(\010)p -251 -21441 15 492 v -412 21441 a(\010\000)-551 20255 y Fc(pi)10 -b(\022)-185 b(u)p -209 19279 15 615 v -412 19279 a Fg(\007\000)620 -20255 y Fc(n)-10 b(\023)-166 b(e)p 894 19631 15 572 v -895 19631 a Fg(\()-204 b(\007)p 1532 23093 15 615 v 1329 -23093 a(\007)p 1286 21659 254 15 v -1371 x Ff(\010)p -1329 22055 15 474 v 1330 21581 a(\010)1189 20255 y Fc(pi)10 -b(\022)-185 b(u)p 1532 19455 15 615 v 1329 19455 a Fg(\007)2262 -23708 y(Z)p 2434 23268 V 2231 23268 a(\007)p 2392 21370 -15 492 v -1898 x Ff(\007)2230 20255 y Fc(mi)p 2434 19543 -15 791 v 2231 19543 a Fg(\007)p 2884 19455 15 703 v 2681 -19455 a(\007)p 3333 19367 15 616 v 3130 19367 a(\007)p -2692 20255 1099 15 v 2434 18926 1356 85 v 2434 18794 -V 3783 19455 15 703 v 3580 19455 a(\007)p 4029 23268 -V 4029 22565 15 1617 v 4029 19543 15 703 v 4362 23795 -a Fa(11)4653 23233 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.99998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 4653 23233 a 4565 23180 15 615 v -4362 23180 a Fg(\010)p 4319 21659 254 15 v 4320 21799 -V 4363 22125 15 334 v 4364 21792 a Ff(\010)4364 21862 -y(\000)4362 21511 y(\011)p 4692 21581 15 492 v 4531 21581 -a(\010)4369 20255 y Fc(li)4362 19543 y Fg(\011)5637 23795 -y Fb(])p Fa(10)5574 23093 y - slur@Dict begin (2.5pt) GD S0hgt (5.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 5574 23093 a 5574 23093 a - end -5574 23093 a 5929 23233 a - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.99998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 5929 23233 a 5841 23180 15 -615 v 5638 23180 a Fg(\007)6571 23795 y Fc(7)6476 23093 -y - slur@Dict begin (2.5pt) GD S0hgt (5.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 6476 23093 a 6476 23093 a - end - 6476 23093 a 6743 23180 15 -615 v 6540 23180 a Fg(\007)p 6497 21659 254 15 v 6498 -21799 V 6541 22196 15 334 v 6542 21862 a Ff(\007)5468 -21652 y(4)p 5595 21659 254 15 v 5800 21652 15 492 v 2 -w(\010)p 7442 23268 15 703 v 7442 22565 15 1617 v 7442 -19543 15 703 v 7806 23708 a Fg(\\)p 7775 23531 15 615 -v 7776 22917 a(\010)7775 21581 y Ff(\010)7606 21933 y(4)p -7732 21659 254 15 v 7733 21799 V 7734 21940 V 7777 22266 -15 685 v 3 w(\010)p 7936 21581 15 492 v 7775 21581 a(\010)5024 -20255 y Fc(-)920 b(-)g(-)460 b(ce.)p 7978 19631 15 615 -v 7775 19631 a Fg(\010)p 9050 23531 V 9051 22917 a(\010)p -9008 21659 254 15 v 9009 21799 V 9052 21792 a Ff(\010)p -9052 22125 15 545 v 9053 21581 a(\010)8881 21441 y(4)p -9212 21441 15 492 v 1 w(\010)9050 19543 y Fg(>)9741 19455 -y(4)9786 20255 y Fc(P)-10 b(as)p 10156 19455 15 572 v -10157 19455 a Fg(\()-204 b(\007)10375 20255 y Fc(-)46 -b(so)p 10794 19455 V 10795 19455 a Fg(\()-204 b(\007)p -11228 23268 15 703 v 11228 22565 15 1617 v 11228 19543 -15 703 v 11764 23268 15 615 v 11561 23268 a(\010)11561 -21581 y Ff(\010)p 11518 21659 254 15 v 11561 22055 15 -474 v 11562 21722 a(\010)p 11722 21370 15 492 v 11561 -21370 a(\007)11344 20255 y Fc(nem)p 11764 19367 15 615 -v 11561 19367 a Fg(\007)p 13942 23005 V 13739 23005 a(\010)p -13696 21659 254 15 v 13697 21799 V 13740 21862 a Ff(\010)p -13698 21659 V 13741 22196 15 545 v 13742 21652 a(\010)12294 -21441 y(6)p 12625 21441 15 492 v 1 w(\007)p 13900 21511 -V 13739 21511 a(\010)12078 20255 y Fc(-)90 b(bi)12461 -20415 y Fb(^)12695 20255 y Fc(e)p 12667 19631 15 572 -v 12668 19631 a Fg(\()-204 b(\007)12957 20255 y Fc(pro)p -13304 19631 V 13305 19631 a Fg(\()g(\007)13543 20255 -y Fc(-)78 b(cel)p 13942 19543 V 13739 19543 a Fg(\007)p -14580 19455 15 484 v 14377 19455 a(\007)p 14581 19146 -457 85 v 13943 19014 1095 85 v 15029 19543 15 572 v 14826 -19543 a(\007)p 15479 19455 15 616 v 15276 19455 a(\007)p -15928 19543 15 703 v 15725 19543 a(\007)p 16378 19631 -15 791 v 16175 19631 a(\007)p 15479 19014 1356 85 v 15479 -18882 V 16828 19543 15 703 v 16625 19543 a(\007)p 17073 -23268 V 17073 22565 15 1617 v 17073 19543 15 703 v 14824 -20255 a Fc(-)1353 b(-)17087 23268 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 23268 a eop -end -userdict /end-hook known{end-hook}if -%%Trailer -cleartomark -countdictstack -exch sub { end } repeat -restore -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps deleted file mode 100644 index a036462b807..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini2.eps +++ /dev/null @@ -1,2098 +0,0 @@ -%% LaTeX2e file `eps/caccini2.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-2.0 EPSF-2.0 -%%BoundingBox: 21 94 556 785 -% EPSF created by ps2eps 1.39 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: imp.dvi -%%CreationDate: Fri Sep 13 09:08:44 2002 -%%PageOrder: Ascend -%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular -%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 -%%DocumentPaperSizes: a4 -%%EndComments -%%BeginProlog -save -countdictstack -mark -newpath -/showpage {} def -/setpagedevice {pop} def%%EndProlog -%%Page 1 1 -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp -%DVIPSParameters: dpi=2540, compressed -%DVIPSSource: TeX output 2002.09.13:0818 -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ -/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) -(LaserWriter 16/600)]{A length product length le{A length product exch 0 -exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse -end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask -grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} -imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round -exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto -fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p -delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} -B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ -p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S -rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. -/slur@Dict 200 dict def -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if -% align the slur to the staff lines - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - aa 0 gt { /shift shift neg def } if - ifadjust 0 eq { - /shift 0 def - } if -% and finally draw it... - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - grestore - % now some \slurtext code... - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def -% differenced line -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def -% sloped line -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def -% free line (init & terminate) -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def -end -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end -%!PS-AdobeFont-1.1: CMR9 1.0 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.100) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMR10) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Medium) readonly def -/ItalicAngle 0 def -/isFixedPitch false def -end readonly def -/FontName /CMR10 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 18 /grave put -dup 19 /acute put -dup 39 /quoteright put -dup 40 /parenleft put -dup 41 /parenright put -dup 44 /comma put -dup 45 /hyphen put -dup 46 /period put -dup 48 /zero put -dup 49 /one put -dup 53 /five put -dup 54 /six put -dup 55 /seven put -dup 56 /eight put -dup 58 /colon put -dup 65 /A put -dup 80 /P put -dup 81 /Q put -dup 84 /T put -dup 97 /a put -dup 98 /b put -dup 99 /c put -dup 100 /d put -dup 101 /e put -dup 102 /f put -dup 103 /g put -dup 104 /h put -dup 105 /i put -dup 108 /l put -dup 109 /m put -dup 110 /n put -dup 111 /o put -dup 112 /p put -dup 113 /q put -dup 114 /r put -dup 115 /s put -dup 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17073 3692 15 1617 v 17073 669 15 -703 v 17087 4395 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 4395 a -1540 9892 18628 15 v --1540 10068 V -1540 10244 V -1540 10419 V -1540 10595 -V -1540 8276 V -1540 8416 V -1540 8557 V -1540 8697 V --1540 8838 V -1540 6167 V -1540 6343 V -1540 6518 V -1540 -6694 V -1540 6870 V -1540 10595 15 4436 v -1716 5852 -a Fb(18)-1540 9446 y Fi(\240)-1540 10061 y Fg(I)-1487 -8690 y Ff(G)-1540 6687 y Fg(G)-960 10412 y(2)-957 8550 -y Ff(2)-960 6511 y Fg(2)-275 10465 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (3.49998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - -275 10465 a -195 -10325 15 615 v -398 10325 a Fg(\007)p -441 8978 254 15 -v -1354 x Ff(\010)p -440 8978 V -439 9119 V -396 9516 -15 545 v -395 9182 a(\010)p -237 8831 15 492 v -398 8831 -a(\007)-561 7574 y Fc(que)p -398 6994 15 572 v -397 6994 -a Fg(-)-397 6423 y(\007\000)888 11115 y Fa(11)993 10325 -y - slur@Dict begin (2.5pt) GD S0hgt (7.5pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 993 10325 a 993 10325 a - end - 993 10325 a 1092 10325 15 615 -v -104 w Fg(\007)1121 8648 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk -S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 1 N end - 1121 8648 a 1049 8761 15 -492 v 888 8761 a Ff(\007)10 7574 y Fc(-)34 b(st')-10 -b(\022)-166 b(e'l)p 418 6994 15 572 v 419 6994 a Fg(.)419 -6423 y(\007)991 7574 y Fc(re)p 1092 6511 15 616 v 889 -6511 a Fg(\007)p 1561 6599 15 656 v 1358 6599 a(\007)p -2031 6687 15 697 v 1828 6687 a(\007)1092 6028 y(\312)1384 -6057 y(\312)1092 5896 y(\312)1384 5925 y(\312)p 2501 -6775 15 738 v 2298 6775 a(\007)2767 11115 y Fa(11)p 2971 -10325 15 615 v 2768 10325 a Fg(\007)3710 11115 y Fa(10)p -3914 10325 V 3711 10325 a Fg(\007)p 2725 8978 254 15 -v 2726 9119 V 2769 9182 a Ff(\010)p 2727 8978 V 2770 -9516 15 545 v 2771 8971 a(\010)2851 8761 y - slur@Dict begin (2.0pt) GD S0hgt (2.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 2851 8761 -a 2851 8761 a - end - 2851 8761 a 2929 8761 15 492 v -83 w Ff(\007)p -3872 8831 V 3711 8831 a(\007)p 2971 6687 15 615 v 2768 -6687 a Fg(\010)p 4653 10588 15 703 v 4653 9885 15 1617 -v 4653 6863 15 703 v 5000 10676 a(\011)p 4958 8978 296 -15 v 5001 8971 a Ff(\011)p 4959 8978 V 4960 9119 V 5003 -9112 a(\011)5000 8761 y(\011)1809 7574 y Fc(-)1050 b(-)f(-)524 -b(gno.)5000 6775 y Fg(\011)p 6886 10588 15 703 v 6886 -9885 15 1617 v 6886 6863 15 703 v 7233 10675 15 615 v -7234 10061 a(\007)p 8176 10763 V 8177 10149 a(\007)9242 -10096 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (14.00002pt) GD N /S0brk -S0hgt (2.5pt) GD 1 1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 1 N end - 9242 10096 a 9119 10851 15 615 v 9120 10237 a -Fg(\007)p 7191 8978 254 15 v 7192 9119 V 7235 9445 15 -334 v 7236 9112 a Ff(\007)p 8134 8978 254 15 v 8135 9119 -V 8178 9516 15 334 v 8179 9182 a(\007)9218 9365 y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (-15.20001pt) GD N /S1brk -S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (50.0pt) GDAR N /S1dir --1 N /S1dash 0 N /S1adj 1 N end - 9218 -9365 a 9077 8978 254 15 v 9078 9119 V 9079 9260 V 9122 -9586 15 334 v 9123 9253 a Ff(\007)p 7395 8761 15 492 -v 7234 8761 a(\007)8410 8859 y - slur@Dict begin CP /S2y1 ED /S2x1 ED /S2hgt (-0.79999pt) GD N /S2brk -S2hgt (2.0pt) GD 1 1 M M A N /S2lift 0 N /S2alt (50.0pt) GDAR N /S2dir -1 N /S2dash 0 N /S2adj 1 N end - 8410 8859 a 8134 8978 -254 15 v 8339 8971 15 492 v 8178 8971 a Ff(\007)9204 -8971 y - slur@Dict begin (2.0pt) GD S2hgt (-4.0pt) GD 1.6 (2.0pt) GD M S2dir -M A S2x1 S2y1 CP (3.20001pt) GDAR S2dir M SB 0.7 S2dir M 0.17 40 S2dash -S2adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 9204 8971 a 9204 8971 a - end - 9204 8971 a 9077 8978 -254 15 v 9282 8971 15 492 v -83 w Ff(\007)7060 7574 y -Fc(Ah,)p 7437 6599 15 615 v 7234 6599 a Fg(\010\000)10168 -10237 y - slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 10168 10237 a 10168 10237 a - end - 10168 10237 a 10062 -10851 15 615 v -105 w Fg(\007)10011 9253 y - slur@Dict begin (2.0pt) GD S1hgt (-12.0pt) GD 1.6 (2.0pt) GD M S1dir -M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 10011 9253 -a 10011 9253 a - end - 10011 9253 a 10020 8978 254 15 v 10021 -9119 V 10022 9260 V 10065 9586 15 334 v 55 w Ff(\007)9893 -9042 y(6)p 10020 8978 254 15 v 10225 9041 15 493 v 10064 -9041 a(\007)9884 7574 y Fc(mia)p 10266 6687 15 572 v -10267 6687 a Fg(\()-204 b(\007)10624 7574 y Fc(for)p -10932 6775 V 10933 6775 a Fg(\()g(\007)p 11395 10588 -15 703 v 11395 9885 15 1617 v 11395 6863 15 703 v 11865 -10465 a - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (3.49998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 11865 10465 a 11946 10325 15 615 v 11743 10325 -a Fg(\010)14513 10325 y - slur@Dict begin (2.5pt) GD S0hgt (7.5pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 14513 10325 a 14513 10325 a - end - 14513 -10325 a 14612 10325 15 572 v -104 w Fg(\007)p 15278 10325 -15 538 v 666 w(\007)p 15944 10412 15 593 v 15741 10412 -a(\007)14612 9753 y(\304)15494 9798 y(\304)p 16611 10500 -15 647 v 16408 10500 a(\007)p 11700 8978 254 15 v 11701 -9119 V 11702 9260 V 11745 9323 a Ff(\010)p 11703 8978 -V 11704 9119 V 11747 9656 15 474 v 11748 9182 a(\010)p -11700 8978 254 15 v 11905 8971 15 492 v 11744 8971 a(\010)14408 -8831 y(?)p 15236 8831 15 387 v 667 w(\007)p 15902 8901 -15 424 v 15741 8901 a(\007)15236 8444 y(\304)15452 8455 -y(\304)p 16365 8978 254 15 v 16570 8971 15 461 v 16409 -8971 a(\007)11304 7574 y Fc(-)261 b(tu)p 11946 6863 15 -572 v 11947 6863 a Fg(\()-204 b(\007)12112 7574 y Fc(-)99 -b(na)p 12612 6951 V 12613 6951 a Fg(\()-204 b(\007)12897 -7574 y Fc(non)p 13279 6863 V 13280 6863 a Fg(\()g(\007)13699 -7574 y Fc(se)p 13945 6775 V 13946 6775 a Fg(\()g(\007)14230 -7574 y Fc(l'ab)p 14612 6687 15 615 v 14409 6687 a Fg(\010)p -17073 10588 15 703 v 17073 9885 15 1617 v 17073 6863 -15 703 v 15310 7574 a Fc(-)1029 b(-)17087 10588 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 -10588 a -1540 16275 18628 15 v -1540 16451 V -1540 16626 -V -1540 16802 V -1540 16978 V -1540 14658 V -1540 14799 -V -1540 14939 V -1540 15080 V -1540 15220 V -1540 12549 -V -1540 12725 V -1540 12901 V -1540 13077 V -1540 13252 -V -1540 16978 15 4436 v -1716 12235 a Fb(22)-1540 15828 -y Fi(\240)-1540 16444 y Fg(I)-1487 15073 y Ff(G)-1540 -13069 y Fg(G)-960 16795 y(2)-957 14932 y Ff(2)-960 12894 -y Fg(2)-339 17498 y Fb(])p Fa(10)-216 17111 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - -216 17111 -a -135 16971 15 615 v -338 16971 a Fg(\007)771 17498 -y Fa(11)877 16971 y - slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 877 16971 a 877 16971 a - end - 877 16971 -a 975 16971 15 615 v -105 w Fg(\007)1882 17498 y Fa(11)2005 -17111 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-4.00002pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 2005 17111 a 2085 16971 15 615 v 1882 16971 a -Fg(\007)2992 17498 y Fb(])p Fa(10)3097 16971 y - slur@Dict begin (2.5pt) GD S0hgt (0.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 3097 16971 -a 3097 16971 a - end - 3097 16971 a 3196 16971 15 615 v -104 -w Fg(\007)-339 15284 y Ff(\011)p -381 15361 296 15 v --380 15502 V -337 15565 a(\011)-508 15424 y(6)p -213 -15361 254 15 v -8 15424 15 493 v 170 w(\007)1005 15242 -y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (-0.79999pt) GD N /S0brk -S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 1 N end - 1005 15242 a 729 15361 254 15 v 934 15354 15 492 v -773 15354 a Ff(\007)1966 15354 y - slur@Dict begin (2.0pt) GD S0hgt (-4.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 1966 15354 a 1966 15354 -a - end - 1966 15354 a 1839 15361 254 15 v 2044 15354 15 492 -v -83 w Ff(\007)p 2950 15361 254 15 v 3155 15424 15 493 -v 2994 15424 a(\007)-468 13957 y Fc(bia)p -135 13069 -15 615 v -338 13069 a Fg(\007)789 13957 y Fc(a)p 975 -13333 V 772 13333 a Fg(\007)1742 13957 y Fc(sde)p 2085 -13333 V 1882 13333 a Fg(\010)p 4102 16971 15 703 v 4102 -16268 15 1617 v 4102 13245 15 703 v 4509 16707 a(\011)p -4467 15361 296 15 v 4468 15502 V 4511 15565 a Ff(\011)p -4469 15361 V 4512 15354 a(\011)4509 15213 y(\011)2688 -13957 y Fc(-)914 b(-)456 b(gno.)p 4456 13428 370 15 v -4510 13421 a Fg(\011)p 6730 16971 15 703 v 6730 16268 -15 1617 v 6730 13245 15 703 v 7340 16707 15 615 v 7137 -16707 a(\010)p 7094 15361 254 15 v -1353 x Ff(\010)p -7095 15361 V 7096 15502 V 7139 15898 15 545 v 7140 15565 -a(\010)p 7298 15213 15 492 v 7137 15213 a(\010)6929 13957 -y Fc(Que)p 7340 13069 15 615 v 7137 13069 a Fg(\007)7137 -12982 y(\000)7881 13957 y Fc(-)327 b(sto,)p 8698 13245 -15 572 v 8699 13245 a Fg(\()-204 b(\007)p 9482 16883 -15 615 v 9279 16883 a(\007)p 9236 15361 254 15 v 9237 -15502 V 9280 15495 a Ff(\010)p 9238 15361 V 9281 15828 -15 474 v 9282 15354 a(\010)p 9440 15213 15 492 v 9279 -15213 a(\007)9115 13957 y Fc(que)p 9482 12982 15 615 -v 9279 12982 a Fg(\007)p 10593 17059 V 10390 17059 a(\007)p -10551 15143 15 492 v -1916 x Ff(\007)9902 13957 y Fc(-)250 -b(sto)p 10593 13069 15 572 v 10594 13069 a Fg(\()-204 -b(\007)10918 13957 y Fc(m'ac)p 11377 13157 V 11378 13157 -a Fg(\()g(\007)p 11958 16971 15 703 v 11958 16268 15 -1617 v 11958 13245 15 703 v 12569 16707 15 615 v 12366 -16707 a(\010)p 12323 15361 254 15 v -1353 x Ff(\010)p -12324 15361 V 12325 15502 V 12368 15898 15 545 v 12369 -15565 a(\010)p 12526 15213 15 492 v 12365 15213 a(\010)11914 -13957 y Fc(-)273 b(co)p 12569 13069 15 615 v 12366 13069 -a Fg(\010)p 14138 17059 V 13935 17059 a(\010)p 13892 -15361 254 15 v 13893 15502 V 13936 15495 a Ff(\010)p -13894 15361 V 13937 15828 15 474 v 13938 15354 a(\010)p -14096 15143 15 492 v 13935 15143 a(\010)13177 13957 y -Fc(-)540 b(ra:)p 14138 13157 15 572 v 14139 13157 a Fg(\()-204 -b(\007)14468 13957 y Fc(c)-10 b(h'al)p 14923 13157 V -14924 13157 a Fg(\()-204 b(\007)15243 13957 y Fc(-)63 -b(tri)p 15708 13157 V 15709 13157 a Fg(\()-204 b(\007)16228 -13957 y Fc(ca)p 16492 13245 V 16493 13245 a Fg(\()g(\007)p -17073 16971 15 703 v 17073 16268 15 1617 v 17073 13245 -15 703 v 16765 13957 a Fc(-)17087 16971 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 16971 -a -1540 22801 18628 15 v -1540 22977 V -1540 23152 V --1540 23328 V -1540 23504 V -1540 21184 V -1540 21325 -V -1540 21465 V -1540 21606 V -1540 21746 V -1540 19075 -V -1540 19251 V -1540 19427 V -1540 19603 V -1540 19778 -V -1540 23504 15 4436 v -1716 18761 a Fb(26)-1540 22355 -y Fi(\240)-1540 22970 y Fg(I)-1487 21599 y Ff(G)-1540 -19596 y Fg(G)-960 23321 y(2)-957 21458 y Ff(2)-960 19420 -y Fg(2)p -177 23321 15 615 v -380 23321 a(\007)-381 21810 -y Ff(\010)p -423 21887 254 15 v -380 22284 15 474 v -379 -21950 a(\010)p -219 21669 15 492 v -380 21669 a(\010)-588 -20483 y Fc(deo,)p -177 19859 15 615 v -380 19859 a Fg(\010)p -816 23321 15 572 v 613 23321 a(\007)817 22750 y(\303)963 -22757 y(\303)p 1518 23409 15 624 v 1315 23409 a(\007)2048 -23760 y(Z)p 2220 23497 15 615 v 2017 23497 a(\010)p 1974 -21887 254 15 v -1547 x Ff(\010)p 2017 22284 15 474 v -2018 21810 a(\010)p 2178 21599 15 492 v 2017 21599 a(\010)2016 -19771 y Fg(?)2467 20483 y Fc(c)-10 b(h'al)p 2718 19991 -15 572 v 2719 19991 a Fg(-)2719 19420 y(\007)3201 20483 -y Fc(-)21 b(tri)p 3420 19991 V 3421 19991 a Fg(-)3421 -19420 y(\007)4061 20483 y Fc(ca)p 4325 19508 V 4326 19508 -a Fg(\()-204 b(\007)p 4823 23497 15 703 v 4823 22794 -15 1617 v 4823 19771 15 703 v 5392 23233 15 615 v 5189 -23233 a(\010)5188 21739 y Ff(\010)p 5146 21887 254 15 -v 5189 22240 15 501 v 5190 21880 a(\010)p 5350 21599 -15 492 v 5189 21599 a(\007)p 6753 21669 V 6592 21669 -a(\007)4653 20483 y Fc(-)260 b(deo)p 5392 19596 15 572 -v 5393 19596 a Fg(\()-204 b(\007)5761 20483 y Fc(dal)p -6094 19771 V 6095 19771 a Fg(\()g(\007)6512 20483 y Fc(pa)p -6796 19771 V 6797 19771 a Fg(\()g(\007)7004 20483 y Fc(-)121 -b(ra)p 7497 19683 V 7498 19683 a Fg(\()-204 b(\007)p -8199 23233 15 615 v 7996 23233 a(\007)p 7953 21887 254 -15 v 7954 22028 V 7997 22091 a Ff(\010)p 7955 21887 V -7998 22424 15 545 v 7999 21880 a(\010)p 8157 21739 15 -492 v 7996 21739 a(\007)7696 20483 y Fc(-)141 b(di)p -8199 19596 15 615 v 7996 19596 a Fg(\007)8988 23848 y -Fa(11)p 9192 23233 V 8989 23233 a Fg(\007)9222 21557 -y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.20001pt) GD N /S0brk -S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (50.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 1 N end - 9222 21557 a 9150 21669 15 492 v 8989 21669 a Ff(\007)8559 -20483 y Fc(-)312 b(so)9186 20644 y Fb(^)9420 20483 y -Fc(an)p 9192 19683 15 791 v 8989 19683 a Fg(\007)p 9687 -19596 15 753 v 9484 19596 a(\007)p 10182 19508 15 714 -v 9979 19508 a(\007)9192 19024 y(\212)9560 18988 y(\212)9192 -18893 y(\212)9560 18856 y(\212)p 10677 19420 15 676 v -10474 19420 a(\007)p 10968 23497 15 703 v 10968 22794 -15 1617 v 10968 19771 15 703 v 11332 23848 a Fa(11)11624 -23286 y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (5.99998pt) GD N /S1brk -S1hgt (2.5pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (0.0pt) GDAR N /S1dir --1 N /S1dash 0 N /S1adj 1 N end - 11624 23286 a 11536 23233 15 615 v 11333 23233 -a Fg(\010)p 11290 21887 254 15 v -1353 x Ff(\010)p 11291 -21887 V 11292 22028 V 11335 22424 15 545 v 11336 22091 -a(\010)11417 21669 y - slur@Dict begin (2.0pt) GD S0hgt (2.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 11417 21669 a 11417 21669 a - end - 11417 -21669 a 11494 21669 15 492 v -84 w Ff(\010)10473 20483 -y Fc(-)682 b(co)11332 19596 y Fg(\011)12736 23848 y Fa(10)12673 -23145 y - slur@Dict begin (2.5pt) GD S1hgt (10.0pt) GD 1.6 (2.5pt) GD M S1dir -M A S1x1 S1y1 CP (4.00002pt) GDAR S1dir M SB 0.7 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 12673 23145 a 12673 23145 a - end - 12673 23145 a 13028 -23286 a - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 13028 23286 a 12940 23233 15 615 v 12737 23233 -a Fg(\007)13761 23848 y Fc(7)13666 23145 y - slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 13666 23145 -a 13666 23145 a - end - 13666 23145 a 13933 23233 15 615 v 13730 -23233 a Fg(\007)p 12694 21887 254 15 v 12695 22028 V -12738 22091 a Ff(\010)p 12738 22424 15 685 v 12739 21739 -a(\010)p 12863 21887 254 15 v 13068 21880 15 492 v 12907 -21880 a(\007)p 13687 21887 254 15 v 13892 21950 15 493 -v 13731 21950 a(\007)p 14722 23497 15 703 v 14722 22794 -15 1617 v 14722 19771 15 703 v 15087 23585 a Fg(\011)p -15045 21887 296 15 v 15046 22028 V 15089 22021 a Ff(\011)15087 -21669 y(\011)12109 20483 y Fc(-)1011 b(-)g(-)505 b(ra.)15087 -19683 y Fg(\011)p 17073 23497 15 703 v 17073 22794 15 -1617 v 17073 19771 15 703 v 17087 23497 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 23497 -a eop end -userdict /end-hook known{end-hook}if -%%Trailer -cleartomark -countdictstack -exch sub { end } repeat -restore -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps deleted file mode 100644 index cd112da32f5..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/caccini3.eps +++ /dev/null @@ -1,2057 +0,0 @@ -%% LaTeX2e file `eps/caccini3.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-2.0 EPSF-2.0 -%%BoundingBox: 21 94 556 785 -% EPSF created by ps2eps 1.39 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: imp.dvi -%%CreationDate: Fri Sep 13 09:08:44 2002 -%%PageOrder: Ascend -%%DocumentFonts: TeXMUSIXSPX-Regular CMTI10 TeXMUSIX20-Regular -%%+ TeXMUSIX16-Regular CMB10 CMR12 CMR10 CMMI10 CMR9 -%%DocumentPaperSizes: a4 -%%EndComments -%%BeginProlog -save -countdictstack -mark -newpath -/showpage {} def -/setpagedevice {pop} def%%EndProlog -%%Page 1 1 -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\TEXMF\MIKTEX\BIN\DVIPS.EXE -Ptype1 imp -%DVIPSParameters: dpi=2540, compressed -%DVIPSSource: TeX output 2002.09.13:0818 -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IEn 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ -/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) -(LaserWriter 16/600)]{A length product length le{A length product exch 0 -exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse -end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask -grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} -imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round -exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto -fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p -delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} -B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ -p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S -rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. -/slur@Dict 200 dict def -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if -% align the slur to the staff lines - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - aa 0 gt { /shift shift neg def } if - ifadjust 0 eq { - /shift 0 def - } if -% and finally draw it... - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - grestore - % now some \slurtext code... - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def -% differenced line -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def -% sloped line -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def -% free line (init & terminate) -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def -end -%! 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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757 15 -615 v 14917 757 a Fg(\010)p 17073 4395 15 703 v 17073 -3692 15 1617 v 17073 669 15 703 v 15663 1381 a Fc(-)794 -b(-)17087 4395 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 4395 a -1540 10242 18628 15 v --1540 10418 V -1540 10593 V -1540 10769 V -1540 10945 -V -1540 8625 V -1540 8766 V -1540 8906 V -1540 9047 V --1540 9188 V -1540 6517 V -1540 6692 V -1540 6868 V -1540 -7044 V -1540 7219 V -1540 10945 15 4436 v -1716 6202 -a Fb(33)-1540 9796 y Fi(\240)-1540 10411 y Fg(I)-1487 -9040 y Ff(G)-1540 7037 y Fg(G)-960 10762 y(2)-957 8899 -y Ff(2)-960 6861 y Fg(2)-367 10674 y(\011)p -410 9328 -296 15 v -409 9469 V -366 9532 a Ff(\011)p -408 9328 -V -365 9321 a(\011)-367 9181 y(\011)-584 7924 y Fc(gno.)p --420 7395 370 15 v -366 7388 a Fg(\011)p 1694 10938 15 -703 v 1694 10235 15 1617 v 1694 7212 15 703 v 2276 10674 -15 615 v 2073 10674 a(\010)p 2030 9328 254 15 v -1353 -x Ff(\010)p 2031 9328 V 2032 9469 V 2075 9865 15 545 -v 2076 9532 a(\010)p 2233 9181 15 492 v 2072 9181 a(\010)1865 -7924 y Fc(Que)p 2276 7037 15 615 v 2073 7037 a Fg(\007)2073 -6949 y(\000)2768 7924 y Fc(-)278 b(sto,)p 3536 7212 15 -572 v 3537 7212 a Fg(\()-204 b(\007)p 4264 10850 15 615 -v 4061 10850 a(\007)p 4018 9328 254 15 v 4019 9469 V -4062 9462 a Ff(\010)p 4020 9328 V 4063 9795 15 474 v -4064 9321 a(\010)p 4222 9181 15 492 v 4061 9181 a(\007)3897 -7924 y Fc(que)p 4264 6949 15 615 v 4061 6949 a Fg(\007)p -5294 11026 V 5091 11026 a(\007)p 5252 9110 15 492 v -1916 -x Ff(\007)4644 7924 y Fc(-)209 b(sto)p 5294 7037 15 572 -v 5295 7037 a Fg(\()-204 b(\007)5563 7924 y Fc(m'ac)p -6023 7125 V 6024 7125 a Fg(\()g(\007)p 6547 10938 15 -703 v 6547 10235 15 1617 v 6547 7212 15 703 v 7129 10674 -15 615 v 6926 10674 a(\010)p 6883 9328 254 15 v -1353 -x Ff(\010)p 6884 9328 V 6885 9469 V 6928 9865 15 545 -v 6929 9532 a(\010)p 7087 9181 15 492 v 6926 9181 a(\010)6516 -7924 y Fc(-)232 b(co)p 7129 7037 15 615 v 6926 7037 a -Fg(\010)p 8586 11026 V 8383 11026 a(\010)p 8340 9328 -254 15 v 8341 9469 V 8384 9462 a Ff(\010)p 8342 9328 -V 8385 9795 15 474 v 8386 9321 a(\010)p 8543 9110 15 -492 v 8382 9110 a(\010)7681 7924 y Fc(-)484 b(ra:)p 8586 -7125 15 572 v 8587 7125 a Fg(\()-204 b(\007)8859 7924 -y Fc(c)-10 b(h'al)p 9314 7125 V 9315 7125 a Fg(\()-204 -b(\007)9606 7924 y Fc(-)35 b(tri)p 10042 7125 V 10043 -7125 a Fg(\()-204 b(\007)10506 7924 y Fc(ca)p 10770 7212 -V 10771 7212 a Fg(\()g(\007)p 11295 10938 15 703 v 11295 -10235 15 1617 v 11295 7212 15 703 v 11877 10762 15 615 -v 11674 10762 a(\007)11673 9251 y Ff(\010)p 11631 9328 -254 15 v 11674 9725 15 474 v 11675 9391 a(\010)p 11835 -9110 15 492 v 11674 9110 a(\010)11094 7924 y Fc(-)255 -b(deo,)p 11877 7300 15 615 v 11674 7300 a Fg(\010)p 12907 -10762 15 572 v 12704 10762 a(\007)12908 10191 y(\303)13080 -10200 y(\303)p 13636 10850 15 623 v 13433 10850 a(\007)14192 -11202 y(Z)p 14364 10938 15 615 v 14161 10938 a(\010)p -14118 9328 254 15 v -1547 x Ff(\010)p 14161 9725 15 474 -v 14162 9251 a(\010)p 14322 9040 15 492 v 14161 9040 -a(\010)14160 7212 y Fg(?)14638 7924 y Fc(c)-10 b(h'al)p -14888 7432 15 572 v 14889 7432 a Fg(-)14889 6861 y(\007)15385 -7924 y Fc(-)34 b(tri)p 15617 7432 V 15618 7432 a Fg(-)15618 -6861 y(\007)16285 7924 y Fc(ca)p 16549 6949 V 16550 6949 -a Fg(\()-204 b(\007)p 17073 10938 15 703 v 17073 10235 -15 1617 v 17073 7212 15 703 v 16793 7924 a Fc(-)17087 -10938 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 10938 a -1540 16521 18628 15 v -1540 16697 -V -1540 16873 V -1540 17049 V -1540 17224 V -1540 14905 -V -1540 15045 V -1540 15186 V -1540 15326 V -1540 15467 -V -1540 12796 V -1540 12972 V -1540 13147 V -1540 13323 -V -1540 13499 V -1540 17224 15 4436 v -1716 12481 a Fb(37)-1540 -16075 y Fi(\240)-1540 16690 y Fg(I)-1487 15319 y Ff(G)-1540 -13316 y Fg(G)-960 17042 y(2)-957 15179 y Ff(2)-960 13140 -y Fg(2)p -178 16954 15 615 v -381 16954 a(\007)-382 15460 -y Ff(\010)p -425 15608 254 15 v -382 15960 15 501 v -381 -15601 a(\010)p -221 15319 15 492 v -382 15319 a(\010)-541 -14204 y Fc(deo)p -178 13316 15 615 v -381 13316 a Fg(\010)p -810 16954 15 572 v 607 16954 a(\007)811 16383 y(\303)953 -16390 y(\303)p 1509 17042 15 625 v 1306 17042 a(\007)2035 -17569 y Fc(6)p 2207 17129 15 615 v 2004 17129 a Fg(\007)p -3605 17217 V 3402 17217 a(\007)2004 15390 y Ff(\007)p -1961 15608 254 15 v 2004 15960 15 571 v 2005 15601 a(\007)3401 -15319 y(\007)p 3401 15916 15 597 v 3402 15530 a(\007)p -2165 15249 15 492 v 2004 15249 a(\007)p 3562 15179 V -3401 15179 a(\007)2004 13492 y Fg(?)2573 14204 y Fc(dal)p -2702 13624 15 572 v 2703 13624 a Fg(-)2703 13053 y(\007)3321 -14204 y Fc(pa)p 3401 13624 V 3402 13624 a Fg(-)3402 13053 -y(\007)3811 14204 y Fc(-)120 b(ra)p 4099 13712 V 4100 -13712 a Fg(-)4100 13140 y(\007)p 4798 17217 15 703 v -4798 16514 15 1617 v 4798 13492 15 703 v 5365 17305 15 -615 v 5162 17305 a(\010)7170 17569 y Fc(6)p 7342 17129 -V 7139 17129 a Fg(\007)p 8331 17042 V 8128 17042 a(\007)p -5161 15802 15 413 v 5162 15390 a Ff(\010)p 7096 15608 -254 15 v 7139 15960 15 360 v 7140 15601 a(\010)p 5323 -15249 15 492 v 5162 15249 a(\010)p 7300 15249 V 1977 -w(\010)4682 14204 y Fc(-)321 b(di)p 5365 13228 15 615 -v 5162 13228 a Fg(\007)5575 14204 y Fc(-)162 b(so)6052 -14364 y Fb(^)6286 14204 y Fc(an)p 6150 13755 V 6151 13140 -a Fg(\007)7262 12912 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (16.50002pt) GD N /S0brk -S0hgt (2.5pt) GD 1 1 M M A N /S0lift 0 N /S0alt (106.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 1 N end - 7262 12912 a 6839 14204 a Fc(-)183 -b(co)p 7139 13667 15 615 v 7140 13053 a Fg(\010)p 9116 -17217 15 703 v 9116 16514 15 1617 v 9116 13492 15 703 -v 9479 16954 a(\011)9479 15460 y Ff(\011)p 9437 15608 -296 15 v 9480 15601 a(\011)9479 15319 y(\011)9585 13053 -y - slur@Dict begin (2.5pt) GD S0hgt (12.5pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 9585 13053 a 9585 13053 a - end - 9585 13053 a 9479 13624 15 -572 v -105 w Fg(\007)p 10178 13693 15 554 v 10179 13140 -a(\007)10179 13562 y(\310)10403 13584 y(\310)9479 13624 -y(\312)9561 13631 y(\312)p 10670 13742 15 515 v 10671 -13228 a(\007)p 11367 13316 15 616 v 11164 13316 a(\007)p -11859 13404 15 654 v 11656 13404 a(\007)p 12352 13492 -15 693 v 12149 13492 a(\007)11367 12833 y(\312)11728 -12869 y(\312)11367 12701 y(\312)11728 12737 y(\312)p -12844 13580 15 731 v 12641 13580 a(\007)p 13337 13492 -15 616 v 13134 13492 a(\007)p 13829 13580 15 703 v 13626 -13580 a(\007)p 14065 13675 317 15 v 14322 13668 15 791 -v 14119 13668 a(\007)p 13337 13051 1485 85 v 13337 12919 -V 14814 13580 15 703 v 14611 13580 a(\007)p 15307 13492 -15 791 v 15104 13492 a(\007)p 15800 13404 15 753 v 15597 -13404 a(\007)p 16292 13316 15 714 v 16089 13316 a(\007)15307 -12833 y(\212)15668 12797 y(\212)15307 12701 y(\212)15668 -12665 y(\212)p 16785 13228 15 675 v 16582 13228 a(\007)p -17073 17217 15 703 v 17073 16514 15 1617 v 17073 13492 -15 703 v 8099 14204 a Fc(-)1257 b(-)g(-)f(-)h(-)g(-)g(-)17087 -17217 y - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 17217 a -1540 22801 18628 15 v -1540 22977 -V -1540 23152 V -1540 23328 V -1540 23504 V -1540 21184 -V -1540 21325 V -1540 21465 V -1540 21606 V -1540 21746 -V -1540 19075 V -1540 19251 V -1540 19427 V -1540 19603 -V -1540 19778 V -1540 23504 15 4436 v -1716 18761 a Fb(40)-1540 -22355 y Fi(\240)-1540 22970 y Fg(I)-1487 21599 y Ff(G)-1540 -19596 y Fg(G)-960 23321 y(2)-957 21458 y Ff(2)-960 19420 -y Fg(2)-301 23233 y(\011)p -343 21887 296 15 v -342 22028 -V -299 22091 a Ff(\011)p -341 21887 V -298 21880 a(\011)-301 -21739 y(\011)p -97 19596 15 528 v -300 19596 a Fg(\007)p -254 19954 317 15 v 511 19947 15 849 v 308 19947 a(\007)p -1119 19859 15 730 v 916 19859 a(\007)-97 19200 y(\304)610 -19235 y(\304)-97 19068 y(\304)610 19104 y(\304)p 1726 -19771 15 612 v 1523 19771 a(\007)p 2334 19683 15 791 -v 2131 19683 a(\007)p 2942 19596 15 764 v 2739 19596 -a(\007)p 3549 19508 15 737 v 3346 19508 a(\007)2334 19024 -y(\212)3040 18954 y(\212)2334 18893 y(\212)3040 18822 -y(\212)p 4157 19420 15 710 v 3954 19420 a(\007)p 4765 -19332 15 616 v 4562 19332 a(\007)p 5372 19420 15 643 -v 5169 19420 a(\007)p 5980 19508 15 670 v 5777 19508 -a(\007)4765 18849 y(\312)5471 18919 y(\312)4765 18717 -y(\312)5471 18787 y(\312)p 6588 19596 15 697 v 6385 19596 -a(\007)p 7195 19508 15 616 v 6992 19508 a(\007)p 7803 -19596 15 703 v 7600 19596 a(\007)p 8411 19508 15 616 -v 8208 19508 a(\007)p 7195 19067 1831 85 v 7195 18935 -V 9019 19683 15 791 v 8816 19683 a(\007)p 9422 23497 -15 703 v 9422 22794 15 1617 v 9422 19771 15 703 v 9867 -23848 a Fa(11)10159 23286 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 10159 23286 a 10071 23233 -15 615 v 9868 23233 a Fg(\010)p 9825 21887 296 15 v 9826 -22028 V 9869 22091 a Ff(\011)p 9658 21887 254 15 v 9701 -22240 15 360 v 9702 21880 a(\010)9867 21810 y(\000)p -10029 21669 15 492 v 9868 21669 a(\010)9867 19596 y Fg(\011)11591 -23848 y Fa(10)11528 23145 y - slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 11528 23145 a 11528 23145 -a - end - 11528 23145 a 11883 23286 a - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (5.99998pt) GD N /S0brk -S0hgt (2.5pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (0.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 1 N end - 11883 23286 a 11795 23233 -15 615 v 11592 23233 a Fg(\007)12843 23848 y Fc(7)12748 -23145 y - slur@Dict begin (2.5pt) GD S0hgt (10.0pt) GD 1.6 (2.5pt) GD M S0dir -M A S0x1 S0y1 CP (4.00002pt) GDAR S0dir M SB 0.7 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 12748 23145 a 12748 23145 a - end - 12748 23145 a 13015 -23233 15 615 v 12812 23233 a Fg(\007)p 12769 21887 254 -15 v 12812 22284 15 334 v 12813 21950 a Ff(\007)p 11753 -21739 15 492 v 11592 21739 a(\010)p 14031 23497 15 703 -v 14031 22794 15 1617 v 14031 19771 15 703 v 14476 23585 -a Fg(\011)p 14434 21887 296 15 v 14435 22028 V 14478 -22021 a Ff(\011)14476 21669 y(\011)-104 20483 y Fc(-)g(-)f(-)h(-)f(-)g -(-)h(-)f(-)h(-)f(-)g(-)629 b(ra.)14476 19683 y Fg(\011)p -16915 23497 15 703 v 16915 22794 15 1617 v 16915 19771 -15 703 v 16982 23497 106 703 v 16982 22794 106 1617 v -16982 19771 106 703 v 17087 23497 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 17087 23497 a eop -end -userdict /end-hook known{end-hook}if -%%Trailer -cleartomark -countdictstack -exch sub { end } repeat -restore -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps deleted file mode 100644 index 05abb30922f..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/chords.eps +++ /dev/null @@ -1,710 +0,0 @@ -%% LaTeX2e file `eps/chords.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: chords.dvi -%%CreationDate: Sun Sep 28 15:39:31 2003 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 20 706 453 793 -%%DocumentFonts: TeXMUSIXSPX-Regular TeXMUSIX16-Regular -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE chords.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2003.09.28:1539 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. 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0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/clefnot.eps +++ /dev/null @@ -1,764 +0,0 @@ -%% LaTeX2e file `eps/clefnot.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: clefnot.dvi -%%CreationDate: Wed Jan 21 13:53:18 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 740 483 782 -%%DocumentFonts: TeXMUSIX16-Regular CMTT10 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE clefnot.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.01.21:1353 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ 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N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMTT10 -%!PS-AdobeFont-1.1: CMTT10 1.00B -%%CreationDate: 1992 Apr 26 10:42:42 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMR10 -%!PS-AdobeFont-1.1: CMR10 1.00B -%%CreationDate: 1992 Feb 19 19:54:52 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMR10) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Medium) readonly def -/ItalicAngle 0 def -/isFixedPitch false def -end readonly def -/FontName /CMR10 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 75 /K put -dup 84 /T put -dup 101 /e put -dup 108 /l put -dup 112 /p put -dup 114 /r put -dup 115 /s put -dup 117 /u put -dup 121 /y put -readonly def -/FontBBox{-251 -250 1009 969}readonly def -/UniqueID 5000793 def -currentdict end -currentfile eexec -D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 -016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 -9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F -D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 -469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. 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0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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(2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 1869 793 a 1869 793 a - end - 1869 793 a 1888 -694 a Fc(\007)1888 760 y(\033)p 1927 760 4 177 v 1 w(\007)1888 -428 y(\033)p 1927 411 4 117 v 1889 411 a(\007)1888 96 -y(\033)g(4)p 1927 96 V(\007)2054 777 y(>)235 b(>)2054 -445 y(>)g(?)2077 19 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (11.20001pt) GD N /S0brk -S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (100.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 0 N end - 2077 19 a 2014 46 a Fc(2)p 2054 -154 4 108 v 2055 154 a(-)2055 46 y(\007)2191 96 y - slur@Dict begin (2.0pt) GD S0hgt (2.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 2191 -96 a 2191 96 a - end - 2191 96 a -20 w Fc(\031)p 2210 79 4 108 -v 2211 79 a(\()-39 b(\007)2312 -14 y - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (15.20001pt) GD N /S0brk -S0hgt (2.0pt) GD 1 1 M M A N /S0lift 0 N /S0alt (100.0pt) GDAR N /S0dir -1 N /S0dash 0 N /S0adj 0 N end - 2312 -14 a 2289 -129 4 117 v 2290 13 a Fc(\007)2290 -4 y(\000)2488 777 -y(>)2366 378 y(2)p 2406 494 V 1 w(\007)2711 770 y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (0.79999pt) GD N /S1brk -S1hgt (2.0pt) GD 1 -1 M M A N /S1lift 0 N /S1alt (20.0pt) GDAR N /S1dir --1 N /S1dash 0 N /S1adj 0 N end - 2711 -770 a 2648 743 a Fc(6)p 2726 743 4 108 v(\007)2825 727 -y - slur@Dict begin (2.0pt) GD S1hgt (6.0pt) GD 1.6 (2.0pt) GD M S1dir -M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 2825 727 a 2825 727 a - end - 2825 727 a -60 w Fc(4)2727 636 -y(\202)2779 633 y(\202)p 2843 727 4 98 v 2805 727 a(\007)2571 -445 y(?)77 b(2)p 2726 445 4 117 v(\007)2591 13 y - slur@Dict begin (2.0pt) GD S0hgt (12.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 2591 -13 a 2591 13 a - end - 2591 13 a 2571 29 a Fc(\030)2531 46 y(2)p -2571 154 4 108 v 2572 154 a(-)2572 46 y(\007)p 2726 79 -4 117 v 2688 79 a(\007)p 2922 778 4 799 v 2984 777 a(\031)p -3022 777 4 108 v 39 w(\()-39 b(\007)117 b(?)2984 428 -y(\031)p 3022 428 V 39 w(\()-39 b(\007)3101 445 y(?)2984 -29 y(\030)p 2984 137 V 2985 137 a(-)2985 29 y(\007)3101 -112 y(?)p 3218 778 4 799 v 3280 660 a(\036)p 3319 777 -4 117 v 3281 777 a(\010)3280 328 y(\036)p 3319 428 V -3281 428 a(\010)3280 212 y - slur@Dict begin CP /C3y1 ED /C3x1 ED /C3alt (88.0pt) GD N /C3dir 0 -N end - 3280 212 a -216 x Fc(\036)p -3280 146 4 117 v 3281 29 a(\010)3515 777 y(>)3515 445 -y(>)3515 112 y(?)3632 96 y(\031)p 3670 96 4 108 v 39 -w(\()g(\007)p 3787 727 4 117 v 3749 727 a(\010)3749 411 -y(\010)3709 445 y(2)p 3787 445 4 150 v(\010)3749 212 -y - slur@Dict begin C3x1 C3y1 CP 4 C3dir R DC end - 3749 212 a -216 x Fc(\036)p 3749 162 4 117 v 3750 46 -a(\010)p 3983 778 4 799 v 3987 943 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3987 943 a eop end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps deleted file mode 100644 index b3d32775f33..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/dottedslur.eps +++ /dev/null @@ -1,596 +0,0 @@ -%% LaTeX2e file `eps/dottedslur.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: slurs.dvi -%%CreationDate: Sun Sep 28 16:03:13 2003 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 751 312 783 -%%DocumentFonts: TeXMUSIX16-Regular -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE slurs.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2003.09.28:1603 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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22714 285 15 v 4709 22707 15 615 -v 4506 22707 a(\007)p 4821 24639 V 4822 24025 a(\007)p -5025 23849 15 572 v 5026 23849 a(\()g(\007)p 5473 23937 -15 516 v 5270 23937 a(\007)p 5473 22619 15 572 v 5474 -22619 a(\()g(\007)p 5718 24727 15 615 v 5719 24113 a(\007)p -5681 22714 285 15 v 5922 22707 15 615 v -1406 x(\007)p -6238 24025 15 572 v 6239 24025 a(\()g(\007)p 6483 24559 -15 2731 v 6722 24815 15 615 v 6723 24201 a(\007)p 6925 -23849 15 516 v 6722 23849 a(\007)p 6925 22619 15 572 -v 6926 22619 a(\()g(\007)p 7374 22443 15 615 v 7171 22443 -a(\007)p 7434 23680 317 15 v 7487 24201 15 616 v 7488 -23585 a(\007)7276 23761 y(2)p 7901 23761 15 572 v 415 -w(\()g(\007)p 8175 23937 15 516 v 7972 23937 a(\007)p -8175 22355 15 572 v 8176 22355 a(\()g(\007)p 8383 23680 -285 15 v 8420 24288 15 615 v 8421 23673 a(\007)p 8624 -22531 V -1142 x(\007)p 8940 23849 15 572 v 8941 23849 -a(\()g(\007)p 9185 24559 15 2731 v 9370 23680 317 15 -v 9423 24201 15 616 v 9424 23585 a(\007)p 9838 24201 -15 615 v 9635 24201 a(\007)p 9627 22443 15 572 v 9628 -22443 a(\()g(\007)p 10076 22619 15 615 v 9873 22619 a(\007)p -10135 23680 317 15 v 10136 23505 V 10189 24201 15 791 -v 10190 23410 a(\007)p 10346 23680 317 15 v 10603 23585 -15 572 v 10604 23585 a(\()g(\007)p 10621 23680 317 15 -v 10878 23673 15 450 v 10675 23673 a(\007)p 10876 22268 -15 572 v 10877 22268 a(\()g(\007)p 11084 23680 285 15 -v 11084 23505 V 11121 24201 15 703 v 11122 23498 a(\007)p -11325 22355 15 615 v -1143 x(\007)11227 23761 y(2)p 11641 -23761 15 572 v 204 w(\()g(\007)p 11886 24559 15 2731 -v 12072 23680 317 15 v 12125 24201 15 616 v 12126 23585 -a(\010)p 13342 23680 317 15 v 13395 24288 15 615 v 13396 -23673 a(\007)p 12072 23680 317 15 v 12329 23585 15 417 -v 12126 23585 a(\010)p 13342 23680 317 15 v 13343 23505 -V 13600 23498 15 417 v 13397 23498 a(\007)p 12328 22268 -15 615 v 12125 22268 a(\007)p 12759 22794 V 12760 22180 -a(\007)p 13394 22706 V 13395 22092 a(\007)p 14029 24559 -15 2731 v 14215 23680 317 15 v 14268 24201 15 616 v 14269 -23585 a(\010\000)14294 23058 y(P)p 14215 23680 317 15 -v 14216 23505 V 14473 23410 15 417 v 14270 23410 a(\010\000)14294 -21740 y(P)p 14471 22268 15 615 v 14268 22268 a(\010\000)p -15367 24559 15 2731 v 15605 24551 15 615 v 15606 23937 -a(\010\000)15631 23234 y(P)p 15552 23680 317 15 v 15809 -23585 15 417 v 15606 23585 a(\010\000)15631 21828 y(P)p -15809 22355 15 615 v 15606 22355 a(\010)15606 22268 y(\000)p -16704 24559 15 2731 v 16771 24559 106 2731 v eop end -userdict /end-hook known{end-hook}if -%%Trailer -cleartomark -countdictstack -exch sub { end } repeat -restore -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/grace.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/grace.eps deleted file mode 100644 index 0ea3e9502b3..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/grace.eps +++ /dev/null @@ -1,758 +0,0 @@ -%% LaTeX2e file `eps/grace.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: grace.dvi -%%CreationDate: Sun Sep 28 15:50:01 2003 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 742 453 792 -%%DocumentFonts: TeXMUSIX16-Regular TeXMUSIX11-Regular -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE grace.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2003.09.28:1550 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3165 511 a eop end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps deleted file mode 100644 index 14b3e5a62c7..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/jumpslur.eps +++ /dev/null @@ -1,948 +0,0 @@ -%% LaTeX2e file `eps/jumpslur.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: jumpslur.dvi -%%CreationDate: Wed Jan 21 13:58:18 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 698 510 782 -%%DocumentFonts: TeXMUSIXSPX-Regular CMR10 TeXMUSIX16-Regular CMTI10 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE jumpslur.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.01.21:1358 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - 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-%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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/pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3638 262 a --364 504 4002 4 v -364 538 V -364 571 V -364 604 V -364 -637 V -364 602 a Fb(G)-254 503 y(4)-221 552 y(4)-188 -486 y(4)-155 536 y(4)-246 735 y Fa(K+0+4)p -8 636 4 125 -v -46 636 a Fb(\007)p 121 619 4 115 v 83 619 a(\007)p -250 602 4 105 v 212 602 a(\007)-8 511 y(\204)116 505 -y(\204)p 380 586 4 95 v 342 586 a(\007)p 471 660 4 92 -v 472 569 a(\007)p 601 654 4 102 v 602 552 a(\007)p 730 -648 4 112 v 731 536 a(\007)471 661 y(\204)597 655 y(\204)p -859 642 4 122 v 860 519 a(\007)p 989 637 4 135 v 1095 -619 4 125 v 1057 619 a(\007)p 1225 602 4 115 v 1187 602 -a(\007)p 1354 586 4 105 v 1316 586 a(\007)1565 719 y -Fa(K+0-4)1095 494 y Fb(\204)1219 488 y(\204)p 1484 569 -4 95 v 1446 569 a(\007)1585 503 y(6)1618 552 y(6)1651 -486 y(6)1684 536 y(6)1718 569 y(2)1751 519 y(2)1784 586 -y(2)1817 536 y(2)p 1893 644 4 92 v 1894 552 a(\007)1982 -536 y(6)p 2022 638 4 102 v 1 w(\007)2112 519 y(6)p 2152 -632 4 112 v 1 w(\007)1893 645 y(\204)2019 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generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: kslurs1.dvi -%%CreationDate: Wed Jan 21 13:59:24 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 735 312 782 -%%DocumentFonts: TeXMUSIX16-Regular CMTT10 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: C:\MIKTEX\TEXMF\MIKTEX\BIN\DVIPS.EXE kslurs1.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.01.21:1359 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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Fb(\007)1814 -63 y - slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 2.8 S0dir M 0.13 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 1814 63 a 1814 63 a - end - 1814 63 a 1833 63 4 117 v -19 -w Fb(\007)p 1982 98 4 135 v 1986 262 a - slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 1986 262 a eop -end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps deleted file mode 100644 index 6a6b22473ed..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/kslurs2.eps +++ /dev/null @@ -1,727 +0,0 @@ -%% LaTeX2e file `eps/kslurs2.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: kslurs2.dvi -%%CreationDate: 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tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. 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0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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-(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMTT10 -%!PS-AdobeFont-1.1: CMTT10 1.00B -%%CreationDate: 1992 Apr 26 10:42:42 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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-%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMTT10 -%!PS-AdobeFont-1.1: CMTT10 1.00B -%%CreationDate: 1992 Apr 26 10:42:42 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMTT10) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Medium) readonly def -/ItalicAngle 0 def -/isFixedPitch true def -end readonly def -/FontName /CMTT10 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 43 /plus put -dup 45 /hyphen put -dup 48 /zero put -dup 50 /two put -dup 56 /eight put -dup 97 /a put -dup 98 /b put -dup 99 /c put -dup 100 /d put -dup 101 /e put -dup 103 /g put -readonly def -/FontBBox{-4 -235 731 800}readonly def -/UniqueID 5000832 def -currentdict end -currentfile eexec -D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 -016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 -9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F -D2DECBA99459A4C59DF0C6EBA150284454E707DC2100C15B76B4C19B84363758 -469A6C558785B226332152109871A9883487DD7710949204DDCF837E6A8708B8 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 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-%%EndProcSet -%%BeginProcSet: psslurs.pro 0 0 -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro 0 0 -%! 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMBX12 -%!PS-AdobeFont-1.1: CMBX12 1.0 -%%CreationDate: 1991 Aug 20 16:34:54 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMBX12) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Bold) readonly def -/ItalicAngle 0 def -/isFixedPitch false def -end readonly def -/FontName /CMBX12 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 40 /parenleft put -dup 41 /parenright put -dup 51 /three put -dup 76 /L put -dup 97 /a put -dup 99 /c put -dup 100 /d put -dup 101 /e put -dup 103 /g put -dup 105 /i put -dup 110 /n put -dup 111 /o put -dup 114 /r put -dup 116 /t put -dup 117 /u put -readonly def -/FontBBox{-53 -251 1139 750}readonly def -/UniqueID 5000769 def -currentdict end -currentfile eexec -D9D66F633B846A97B686A97E45A3D0AA052A014267B7904EB3C0D3BD0B83D891 -016CA6CA4B712ADEB258FAAB9A130EE605E61F77FC1B738ABC7C51CD46EF8171 -9098D5FEE67660E69A7AB91B58F29A4D79E57022F783EB0FBBB6D4F4EC35014F 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N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IEn N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IEn 256 array N 2 string 0 1 255{IEn S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/V{}B/RV/v{ -/Ry X/Rx X V}B statusdict begin/product where{pop false[(Display)(NeXT) -(LaserWriter 16/600)]{A length product length le{A length product exch 0 -exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false}ifelse -end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot}imagemask -grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{BDot} -imagemask grestore}}ifelse B/QV{gsave newpath transform round exch round -exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 rlineto -fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B/M{S p -delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M}B/g{0 M} -B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p -3 w}B/n{ -p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{0 S -rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. -/slur@Dict 200 dict def -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if -% align the slur to the staff lines - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - aa 0 gt { /shift shift neg def } if - ifadjust 0 eq { - /shift 0 def - } if -% and finally draw it... - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - grestore - % now some \slurtext code... - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def -% differenced line -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def -% sloped line -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def -% free line (init & terminate) -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def -end -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end -%!PS-AdobeFont-1.1: CMTI10 1.00B -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMTI10) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Medium) readonly def -/ItalicAngle -14.04 def -/isFixedPitch false def -end readonly def -/FontName /CMTI10 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 44 /comma put -dup 46 /period put -dup 65 /A put -dup 66 /B put -dup 67 /C put -dup 68 /D put -dup 70 /F put -dup 72 /H put -dup 73 /I put -dup 74 /J put -dup 77 /M put -dup 80 /P put -dup 81 /Q put -dup 82 /R put -dup 83 /S put -dup 86 /V put -dup 97 /a put -dup 99 /c put -dup 100 /d put -dup 101 /e put -dup 102 /f put -dup 103 /g put -dup 104 /h put -dup 105 /i put -dup 108 /l put -dup 109 /m put -dup 110 /n put -dup 111 /o put -dup 112 /p put -dup 114 /r put -dup 115 /s put -dup 116 /t put -dup 117 /u put -dup 118 /v put -dup 120 /x put -readonly def -/FontBBox{-163 -250 1146 969}readonly def -/UniqueID 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.0) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. All Rights Reserved) readonly def -/FullName (CMTI12) readonly def -/FamilyName (Computer Modern) readonly def -/Weight (Medium) readonly def -/ItalicAngle -14.04 def -/isFixedPitch false def -end readonly def -/FontName /CMTI12 def -/PaintType 0 def -/FontType 1 def -/FontMatrix [0.001 0 0 0.001 0 0] readonly def -/Encoding 256 array -0 1 255 {1 index exch /.notdef put} for -dup 74 /J put -dup 84 /T put -dup 97 /a put -dup 100 /d put -dup 104 /h put -dup 105 /i put -dup 109 /m put -dup 110 /n put -dup 112 /p put -dup 114 /r put -dup 115 /s put -dup 116 /t put -dup 117 /u put -readonly def -/FontBBox{-36 -251 1103 750}readonly def -/UniqueID 5000829 def -currentdict end -currentfile eexec -D9D66F633B846A97B686A97E45A3D0AA0529731C99A784CCBE85B4993B2EEBDE -3B12D472B7CF54651EF21185116A69AB1096ED4BAD2F646635E019B6417CC77B -532F85D811C70D1429A19A5307EF63EB5C5E02C89FC6C20F6D9D89E7D91FE470 -B72BEFDA23F5DF76BE05AF4CE93137A219ED8A04A9D7D6FDF37E6B7FCDE0D90B 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All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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12475 3227 V 12789 9940 -a - slur@Dict begin CP /S0y1 ED /S0x1 ED /S0hgt (0.79999pt) GD N /S0brk -S0hgt (2.0pt) GD 1 -1 M M A N /S0lift 0 N /S0alt (48.0pt) GDAR N /S0dir --1 N /S0dash 0 N /S0adj 0 N end - 12789 9940 a 12690 10480 a Fd(v)-9 b(o)12535 10828 -y(-)47 b(cen)12424 11176 y(-)158 b(vi)p 12852 9827 15 -492 v 12691 9827 a Fj(\007)12691 9757 y(\000)12789 7044 -y - slur@Dict begin CP /S1y1 ED /S1x1 ED /S1hgt (19.20001pt) GD N /S1brk -S1hgt (2.0pt) GD 1 1 M M A N /S1lift 0 N /S1alt (112.0pt) GDAR N /S1dir -1 N /S1dash 0 N /S1adj 0 N end - 12789 7044 a 12690 8301 a Fd(v)-9 b(o)12535 8649 y(-)47 -b(cen)12424 8997 y(-)158 b(vi)p 12690 7648 15 492 v 12691 -7156 a Fj(\007)12691 7086 y(\000)12690 6052 y Fd(v)-9 -b(o)12535 6400 y(-)47 b(cen)12424 6748 y(-)158 b(vi)p -12690 5645 15 457 v 12691 5188 a Fj(\007)12691 5118 y(\000)p -13540 5645 15 387 v 13541 5258 a(\007)p 13824 5645 15 -457 v 13825 5188 a(\007)p 13542 5573 581 68 v 12690 5679 -1431 68 v 14107 5645 15 528 v 14108 5118 a(\007)12690 -3803 y Fd(v)-9 b(o)12535 4150 y(-)47 b(cen)12424 4498 -y(-)158 b(vi)p 12690 3501 15 563 v 12691 2939 a Fj(\007)p -12974 3473 15 464 v 12975 3009 a(\007)p 13257 3445 15 -506 v 13258 2939 a(\007)p 13540 3417 15 548 v 13541 2868 -a(\007)p 13824 3389 15 590 v 13825 2798 a(\007)12690 -3397 y(\212)12997 3366 y(\212)12690 3501 y(\212)12997 -3470 y(\212)p 14107 3361 15 632 v 14108 2728 a(\007)p -14391 9975 15 570 v 14391 7726 V 14391 5476 V 14391 3227 -V 14690 9827 a - slur@Dict begin (2.0pt) GD S0hgt (4.0pt) GD 1.6 (2.0pt) GD M S0dir -M A S0x1 S0y1 CP (3.20001pt) GDAR S0dir M SB 1 S0dir M 0.17 40 S0dash -S0adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 14690 9827 a 14690 9827 a - end - 14690 9827 a -14767 9827 15 457 v 78 w Fj(\()-162 b(\007)14690 7156 -y - slur@Dict begin (2.0pt) GD S1hgt (16.0pt) GD 1.6 (2.0pt) GD M S1dir -M A S1x1 S1y1 CP (3.20001pt) GDAR S1dir M SB 1 S1dir M 0.17 40 S1dash -S1adj 90 DS /ay1 ay1 (0.0pt) GDAR -10 AR add dir mul add def - 14690 7156 a 14690 7156 a - end - 14690 7156 a 14606 7648 15 -492 v -83 w Fj(\007)14607 7086 y(\000)p 14606 5610 15 -563 v -2038 x(\007)14607 5504 y(\332)14623 5508 y(\332)14607 -5610 y(\332)14623 5614 y(\332)p 14889 5681 15 493 v 14890 -5188 a(\007)p 14606 3290 15 633 v 14607 2658 a(\007)14607 -3185 y(\362)14623 3192 y(\362)14607 3290 y(\362)14623 -3297 y(\362)p 14889 3418 15 479 v 14890 2939 a(\007)p -15172 10038 15 492 v 15173 9546 a(\007)15172 4696 y Fa(tr)p -15334 5258 V 15173 5258 a Fj(\007)15172 2587 y Fa(tr)p -15172 3360 V 15173 2868 a Fj(\007)p 15741 9975 15 570 -v 15741 7726 V 15741 5476 V 15741 3227 V 13681 10480 -a Fd(-)1333 b(-)666 b(ta)13785 10828 y(-)1251 b(-)626 -b(de)13632 11176 y(-)1359 b(-)680 b(v)-9 b(e)p 16118 -9827 15 492 v 15957 9827 a Fj(\007)15957 9757 y(\000)13681 -8301 y Fd(-)1333 b(-)666 b(ta)13785 8649 y(-)1251 b(-)626 -b(de)13632 8997 y(-)1359 b(-)680 b(v)-9 b(e)p 15956 7648 -V 15957 7156 a Fj(\007)15957 7086 y(\000)13681 6052 y -Fd(-)1333 b(-)666 b(ta)13785 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pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! -TeXDict begin/rf{findfont dup length 1 add dict begin{1 index/FID ne 2 -index/UniqueID ne and{def}{pop pop}ifelse}forall[1 index 0 6 -1 roll -exec 0 exch 5 -1 roll VResolution Resolution div mul neg 0 0]/Metrics -exch def dict begin Encoding{exch dup type/integertype ne{pop pop 1 sub -dup 0 le{pop}{[}ifelse}{FontMatrix 0 get div Metrics 0 get div def} -ifelse}forall Metrics/Metrics currentdict end def[2 index currentdict -end definefont 3 -1 roll makefont/setfont cvx]cvx def}def/ObliqueSlant{ -dup sin S cos div neg}B/SlantFont{4 index mul add}def/ExtendFont{3 -1 -roll mul exch}def/ReEncodeFont{CharStrings rcheck{/Encoding false def -dup[exch{dup CharStrings exch known not{pop/.notdef/Encoding true def} -if}forall Encoding{]exch pop}{cleartomark}ifelse}if/Encoding exch def} -def end - -%%EndProcSet -%%BeginProcSet: special.pro -%! -TeXDict begin/SDict 200 dict N SDict begin/@SpecialDefaults{/hs 612 N -/vs 792 N/ho 0 N/vo 0 N/hsc 1 N/vsc 1 N/ang 0 N/CLIP 0 N/rwiSeen false N -/rhiSeen false N/letter{}N/note{}N/a4{}N/legal{}N}B/@scaleunit 100 N -/@hscale{@scaleunit div/hsc X}B/@vscale{@scaleunit div/vsc X}B/@hsize{ -/hs X/CLIP 1 N}B/@vsize{/vs X/CLIP 1 N}B/@clip{/CLIP 2 N}B/@hoffset{/ho -X}B/@voffset{/vo X}B/@angle{/ang X}B/@rwi{10 div/rwi X/rwiSeen true N}B -/@rhi{10 div/rhi X/rhiSeen true N}B/@llx{/llx X}B/@lly{/lly X}B/@urx{ -/urx X}B/@ury{/ury X}B/magscale true def end/@MacSetUp{userdict/md known -{userdict/md get type/dicttype eq{userdict begin md length 10 add md -maxlength ge{/md md dup length 20 add dict copy def}if end md begin -/letter{}N/note{}N/legal{}N/od{txpose 1 0 mtx defaultmatrix dtransform S -atan/pa X newpath clippath mark{transform{itransform moveto}}{transform{ -itransform lineto}}{6 -2 roll transform 6 -2 roll transform 6 -2 roll -transform{itransform 6 2 roll itransform 6 2 roll itransform 6 2 roll -curveto}}{{closepath}}pathforall newpath counttomark array astore/gc xdf -pop ct 39 0 put 10 fz 0 fs 2 F/|______Courier fnt invertflag{PaintBlack} -if}N/txpose{pxs pys scale ppr aload pop por{noflips{pop S neg S TR pop 1 --1 scale}if xflip yflip and{pop S neg S TR 180 rotate 1 -1 scale ppr 3 -get ppr 1 get neg sub neg ppr 2 get ppr 0 get neg sub neg TR}if xflip -yflip not and{pop S neg S TR pop 180 rotate ppr 3 get ppr 1 get neg sub -neg 0 TR}if yflip xflip not and{ppr 1 get neg ppr 0 get neg TR}if}{ -noflips{TR pop pop 270 rotate 1 -1 scale}if xflip yflip and{TR pop pop -90 rotate 1 -1 scale ppr 3 get ppr 1 get neg sub neg ppr 2 get ppr 0 get -neg sub neg TR}if xflip yflip not and{TR pop pop 90 rotate ppr 3 get ppr -1 get neg sub neg 0 TR}if yflip xflip not and{TR pop pop 270 rotate ppr -2 get ppr 0 get neg sub neg 0 S TR}if}ifelse scaleby96{ppr aload pop 4 --1 roll add 2 div 3 1 roll add 2 div 2 copy TR .96 dup scale neg S neg S -TR}if}N/cp{pop pop showpage pm restore}N end}if}if}N/normalscale{ -Resolution 72 div VResolution 72 div neg scale magscale{DVImag dup scale -}if 0 setgray}N/psfts{S 65781.76 div N}N/startTexFig{/psf$SavedState -save N userdict maxlength dict begin/magscale true def normalscale -currentpoint TR/psf$ury psfts/psf$urx psfts/psf$lly psfts/psf$llx psfts -/psf$y psfts/psf$x psfts currentpoint/psf$cy X/psf$cx X/psf$sx psf$x -psf$urx psf$llx sub div N/psf$sy psf$y psf$ury psf$lly sub div N psf$sx -psf$sy scale psf$cx psf$sx div psf$llx sub psf$cy psf$sy div psf$ury sub -TR/showpage{}N/erasepage{}N/copypage{}N/p 3 def @MacSetUp}N/doclip{ -psf$llx psf$lly psf$urx psf$ury currentpoint 6 2 roll newpath 4 copy 4 2 -roll moveto 6 -1 roll S lineto S lineto S lineto closepath clip newpath -moveto}N/endTexFig{end psf$SavedState restore}N/@beginspecial{SDict -begin/SpecialSave save N gsave normalscale currentpoint TR -@SpecialDefaults count/ocount X/dcount countdictstack N}N/@setspecial{ -CLIP 1 eq{newpath 0 0 moveto hs 0 rlineto 0 vs rlineto hs neg 0 rlineto -closepath clip}if ho vo TR hsc vsc scale ang rotate rwiSeen{rwi urx llx -sub div rhiSeen{rhi ury lly sub div}{dup}ifelse scale llx neg lly neg TR -}{rhiSeen{rhi ury lly sub div dup scale llx neg lly neg TR}if}ifelse -CLIP 2 eq{newpath llx lly moveto urx lly lineto urx ury lineto llx ury -lineto closepath clip}if/showpage{}N/erasepage{}N/copypage{}N newpath}N -/@endspecial{count ocount sub{pop}repeat countdictstack dcount sub{end} -repeat grestore SpecialSave restore end}N/@defspecial{SDict begin}N -/@fedspecial{end}B/li{lineto}B/rl{rlineto}B/rc{rcurveto}B/np{/SaveX -currentpoint/SaveY X N 1 setlinecap newpath}N/st{stroke SaveX SaveY -moveto}N/fil{fill SaveX SaveY moveto}N/ellipse{/endangle X/startangle X -/yrad X/xrad X/savematrix matrix currentmatrix N TR xrad yrad scale 0 0 -1 startangle endangle arc savematrix setmatrix}N end - -%%EndProcSet -%%BeginFont: CMTT10 -%!PS-AdobeFont-1.1: CMTT10 1.00B -%%CreationDate: 1992 Apr 26 10:42:42 -% Copyright (C) 1997 American Mathematical Society. All Rights Reserved. -11 dict begin -/FontInfo 7 dict dup begin -/version (1.00B) readonly def -/Notice (Copyright (C) 1997 American Mathematical Society. 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slur@Dict begin /pss@rega 0 N /psc@rega 0 N /pst@rega 0 N end - 3522 1482 a eop -end -%%Trailer - -userdict /end-hook known{end-hook}if -%%EOF diff --git a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtuplets.eps b/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtuplets.eps deleted file mode 100644 index 7be7bb7d1f7..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/pmxccn/eps/xtuplets.eps +++ /dev/null @@ -1,1142 +0,0 @@ -%% LaTeX2e file `eps/xtuplets.eps' -%% generated by the `filecontents' environment -%% from source `pmxccn' on 2011/07/14. -%% -%!PS-Adobe-3.0 EPSF-3.0 -%%Creator: dvips(k) 5.90a Copyright 2002 Radical Eye Software -%%Title: xtuplets.dvi -%%CreationDate: Fri Apr 30 23:03:32 2004 -%%Pages: 1 -%%PageOrder: Ascend -%%BoundingBox: 28 658 567 798 -%%DocumentFonts: TeXMUSIX16-Regular CMTI8 CMTT10 TeXMUSIXSPX-Regular -%%+ CMBX12 -%%EndComments -%DVIPSWebPage: (www.radicaleye.com) -%DVIPSCommandLine: D:\MikTeX\texmf\miktex\bin\dvips.exe xtuplets.dvi -%DVIPSParameters: dpi=600, compressed -%DVIPSSource: TeX output 2004.04.30:2303 -%%BeginProcSet: texc.pro -%! -/TeXDict 300 dict def TeXDict begin/N{def}def/B{bind def}N/S{exch}N/X{S -N}B/A{dup}B/TR{translate}N/isls false N/vsize 11 72 mul N/hsize 8.5 72 -mul N/landplus90{false}def/@rigin{isls{[0 landplus90{1 -1}{-1 1}ifelse 0 -0 0]concat}if 72 Resolution div 72 VResolution div neg scale isls{ -landplus90{VResolution 72 div vsize mul 0 exch}{Resolution -72 div hsize -mul 0}ifelse TR}if Resolution VResolution vsize -72 div 1 add mul TR[ -matrix currentmatrix{A A round sub abs 0.00001 lt{round}if}forall round -exch round exch]setmatrix}N/@landscape{/isls true N}B/@manualfeed{ -statusdict/manualfeed true put}B/@copies{/#copies X}B/FMat[1 0 0 -1 0 0] -N/FBB[0 0 0 0]N/nn 0 N/IE 0 N/ctr 0 N/df-tail{/nn 8 dict N nn begin -/FontType 3 N/FontMatrix fntrx N/FontBBox FBB N string/base X array -/BitMaps X/BuildChar{CharBuilder}N/Encoding IE N end A{/foo setfont}2 -array copy cvx N load 0 nn put/ctr 0 N[}B/sf 0 N/df{/sf 1 N/fntrx FMat N -df-tail}B/dfs{div/sf X/fntrx[sf 0 0 sf neg 0 0]N df-tail}B/E{pop nn A -definefont setfont}B/Cw{Cd A length 5 sub get}B/Ch{Cd A length 4 sub get -}B/Cx{128 Cd A length 3 sub get sub}B/Cy{Cd A length 2 sub get 127 sub} -B/Cdx{Cd A length 1 sub get}B/Ci{Cd A type/stringtype ne{ctr get/ctr ctr -1 add N}if}B/id 0 N/rw 0 N/rc 0 N/gp 0 N/cp 0 N/G 0 N/CharBuilder{save 3 -1 roll S A/base get 2 index get S/BitMaps get S get/Cd X pop/ctr 0 N Cdx -0 Cx Cy Ch sub Cx Cw add Cy setcachedevice Cw Ch true[1 0 0 -1 -.1 Cx -sub Cy .1 sub]/id Ci N/rw Cw 7 add 8 idiv string N/rc 0 N/gp 0 N/cp 0 N{ -rc 0 ne{rc 1 sub/rc X rw}{G}ifelse}imagemask restore}B/G{{id gp get/gp -gp 1 add N A 18 mod S 18 idiv pl S get exec}loop}B/adv{cp add/cp X}B -/chg{rw cp id gp 4 index getinterval putinterval A gp add/gp X adv}B/nd{ -/cp 0 N rw exit}B/lsh{rw cp 2 copy get A 0 eq{pop 1}{A 255 eq{pop 254}{ -A A add 255 and S 1 and or}ifelse}ifelse put 1 adv}B/rsh{rw cp 2 copy -get A 0 eq{pop 128}{A 255 eq{pop 127}{A 2 idiv S 128 and or}ifelse} -ifelse put 1 adv}B/clr{rw cp 2 index string putinterval adv}B/set{rw cp -fillstr 0 4 index getinterval putinterval adv}B/fillstr 18 string 0 1 17 -{2 copy 255 put pop}for N/pl[{adv 1 chg}{adv 1 chg nd}{1 add chg}{1 add -chg nd}{adv lsh}{adv lsh nd}{adv rsh}{adv rsh nd}{1 add adv}{/rc X nd}{ -1 add set}{1 add clr}{adv 2 chg}{adv 2 chg nd}{pop nd}]A{bind pop} -forall N/D{/cc X A type/stringtype ne{]}if nn/base get cc ctr put nn -/BitMaps get S ctr S sf 1 ne{A A length 1 sub A 2 index S get sf div put -}if put/ctr ctr 1 add N}B/I{cc 1 add D}B/bop{userdict/bop-hook known{ -bop-hook}if/SI save N @rigin 0 0 moveto/V matrix currentmatrix A 1 get A -mul exch 0 get A mul add .99 lt{/QV}{/RV}ifelse load def pop pop}N/eop{ -SI restore userdict/eop-hook known{eop-hook}if showpage}N/@start{ -userdict/start-hook known{start-hook}if pop/VResolution X/Resolution X -1000 div/DVImag X/IE 256 array N 2 string 0 1 255{IE S A 360 add 36 4 -index cvrs cvn put}for pop 65781.76 div/vsize X 65781.76 div/hsize X}N -/p{show}N/RMat[1 0 0 -1 0 0]N/BDot 260 string N/Rx 0 N/Ry 0 N/v{/Ry X -/Rx X V}B/V{}B/RV statusdict begin/product where{pop false[(Display) -(NeXT)(LaserWriter 16/600)]{A length product length le{A length product -exch 0 exch getinterval eq{pop true exit}if}{pop}ifelse}forall}{false} -ifelse end{{gsave TR -.1 .1 TR 1 1 scale Rx Ry false RMat{BDot} -imagemask grestore}}{{gsave TR -.1 .1 TR Rx Ry scale 1 1 false RMat{ -BDot}imagemask grestore}}ifelse B/QV{gsave newpath transform round exch -round exch itransform moveto Rx 0 rlineto 0 Ry neg rlineto Rx neg 0 -rlineto fill grestore}B/a{moveto}B/delta 0 N/tail{A/delta X 0 rmoveto}B -/M{S p delta add tail}B/b{S p tail}B/c{-4 M}B/d{-3 M}B/e{-2 M}B/f{-1 M} -B/g{0 M}B/h{1 M}B/i{2 M}B/j{3 M}B/k{4 M}B/w{0 rmoveto}B/l{p -4 w}B/m{p --3 w}B/n{p -2 w}B/o{p -1 w}B/q{p 1 w}B/r{p 2 w}B/s{p 3 w}B/t{p 4 w}B/x{ -0 S rmoveto}B/y{3 2 roll p a}B/bos{/SS save N}B/eos{SS restore}B end - -%%EndProcSet -%%BeginProcSet: psslurs.pro -% This file can be used instead of psslurs.pro, it is only commented -% and indented. -% -% VERSION: 1.0 -% -% WARNING! This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. 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This is a heavy magic! If you want something more understandable, -% you will have to write it yourself (if it is possible in a stack-oriented -% language that PostScript is). There are some constants you can -% change and see what happens, but I think the slurs should be almost -% always satisfiable. When not, let me know at: -% standa@hiero.cz -% Also any bug reports and comments are welcomed. -% -% Stanislav Kneifl. - -/slur@Dict 200 dict def - -% this dictionary is for \setslurtext, overriding some dvips's definitions -/temp@xx@dict 4 dict def temp@xx@dict begin - /a { moveto ax1 ay1 rmoveto } def - /V {gsave newpath transform round exch round exch itransform - exch ax1 add exch ay1 add moveto rulex 0 rlineto 0 ruley neg - rlineto rulex neg 0 rlineto fill grestore} def -end - -TeXDict begin -% get dimen from TeX's string ("125pt" -> 125 PS points) -/GD { dup length 2 sub 0 exch getinterval cvr 1.045 mul} def -% get dimen adjusted to Resolution -/GDAR { dup length 2 sub 0 exch getinterval cvr 4 AR mul 1.045 mul} def -% Adjust to Resolution -/AR { Resolution mul 300 div } def -% the distances in dvips's PostScript are resolution dependant! -end - -slur@Dict begin -/CP /currentpoint load def -/ED { exch def } bind def -/AR { Resolution mul 300 div } def % stands for Adjust to Resolution, -/VS { dup /ay1 exch ay1 exch linew mul 4 mul add def /ay2 exch ay2 exch linew mul 4 mul add def } def -/y { 3 2 roll ax1 ay1 rmoveto show moveto } def -/M { mul } def -/A { add } def -/SB { sub } def -/P { pop } def -/DP { dup } def -/R { roll } def - -/drawseg { 0 0 moveto - ax1 ay1 - ax1 0.6 mul ax2 0.4 mul add ay1 0.6 mul ay2 0.4 mul add - ax1 ax2 add 2 div ay1 ay2 add 2 div curveto - ax1 0.4 mul ax2 0.6 mul add ay1 0.4 mul ay2 0.6 mul add - ax2 ay2 - x2 0 curveto } def - -/DS { - AR /maxe ED - /ifadjust ED - /ifdash ED - AR /m ED % max height of the slur - /e ED % "angularity" of the slur; 0.1 = very angular, - % 0.3 = very round - /aa exch neg def % what to multiply the height with - % AFTER the max height checking - /y2 ED % y coordinate of the end of the slur - /x2 ED % x coordinate of the end of the slur - /y1 ED % y coordinate of the beginning of the slur - /x1 ED % x coordinate of the beginning of the slur - /yr2 ED - /yr1 ED - /internote ED - /x2 x2 x1 sub def % x2=x2-x1 - /y2 y2 y1 sub def % y2=y2-y1 - /sx y2 x2 div def - /b x2 300 mul Resolution div abs sqrt AR 2 mul def % b=2*sqrt(x2) - b 3 AR lt {/b 3 AR def} if % b=max(b,3) - b m gt {/b m def} if % b=min(b,m) - /aa b aa mul def % aa=aa*b - /s 90 x2 y2 atan sub def % s=90-arctan(x2,y2) slope of the slur - /aa aa s cos div def % aa=aa/cos(s) height of the slur - /x2 s neg cos x2 mul s neg sin y2 mul sub def % x2 = x2*cos(-s) - y2*sin(-s) - % is the length of the slur - e x2 mul maxe gt { /e maxe x2 div def } if - /beta e x2 mul aa neg atan def - beta 90 gt {/beta 180 beta sub def} if - /ax1 e x2 mul def % control points - /ay1 aa def - /ax2 1 e sub x2 mul def - /ay2 aa def - -% check if the starting and endin vector stay in desired quadrants -% => beta < abs(s) - beta s abs lt { - /b aa abs s abs 2 add sin mul s abs 2 add cos div def - s aa mul 0 lt { - s cos 0.75 lt { /ax1 ax1 b 1 s cos sub mul 0.5 mul sub def /ay1 ay1 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ -% (values to play with) - /ax2 x2 b sub def - } - { - /ax1 b def - s cos 0.75 lt { /ax2 b 1 s cos sub mul 0.5 mul ax2 add def /ay2 ay2 s cos mul 0.8 mul def } if -% ^^^^ ^^^ ^^^ - } ifelse - } if - -% align the slur to the staff lines - - gsave - x1 y1 translate - s rotate -% [1 0 sx 1 0 0] concat - drawseg - gsave - initmatrix - flattenpath - pathbbox - exch pop - sub - /slh ED % in slh we have the height of the whole slur - pop - grestore - - /yr s aa mul 0 ge { yr1 } { yr2 } ifelse internote div def - /slh yr slh internote div aa 0 gt { add } { sub } ifelse 2 div def -% check if the slur gets too close to staff line - /shift 0 def - slh 4.45 lt slh -0.5 gt and { - /slh slh dup truncate sub def - slh 0 lt { /slh 1 slh add def } if - aa 0 gt { /slh 1 slh sub def } if - - % slh now contains the position ot the slur top/bottom in the space - % between the nearest staff lines (from <0,1>), regardless direction - - % slur is too low: - slh 0.45 lt { /shift 0.45 slh sub def } if - % slur is too high, but we can be shift it down: - slh 0.7 gt slh 0.85 lt and { /shift 0.7 slh sub def } if - % slur is too high, must be shifted up: - slh 0.85 ge { /shift 1.45 slh sub def } if - } if - - aa 0 gt { /shift shift neg def } if - - ifadjust 0 eq { - /shift 0 def - } if - - -% and finally draw it... - - grestore - gsave - /linew internote 0.06 mul AR def - linew 4 mul setlinewidth - 1 setlinecap - 0 setlinejoin - ifdash 1 eq - { [internote 8 mul AR internote 5 mul AR] 0 setdash } if - x1 y1 shift neg 2 mul internote mul 4 AR mul add translate - s rotate -% [1 sx 0 1 0 0] concat - -% uncomment this to see the control points -% 5 AR setlinewidth ax1 ay1 moveto 0.1 0 rlineto stroke -% ax2 ay2 moveto 0.1 0 rlineto stroke linew setlinewidth - - drawseg - 1 VS - drawseg - -2 VS - drawseg - x2 20 AR gt { - 3 VS - drawseg - } if - x2 50 AR gt { - -4 VS - drawseg - } if - x2 80 AR gt { - 5 VS - drawseg - } if - stroke - - grestore - - % now some \slurtext code... - - /x1 ax1 ax2 add 2 div def % middle of the slur - /y1 ay1 ay2 add 2 div def - x1 s cos mul y1 s sin mul add neg - y1 s cos mul x1 s sin mul sub - aa 0 lt {1} {0} ifelse - end - - % this is a hack to place the slurtext in the middle of the slur. - % From unknown reasons simple 'ax1 ay1 translate' did not work, - % so we have to overlay some definitions with our own, namely - % 'a', which is originally 'moveto' and 'V' for drawing rules. - % maybe there are some other operations that should be redefined, - % but for almost all cases this will be sufficient. If you find - % anything that won't be typeset at the correct position, let me know... - - temp@xx@dict begin - /dir exch def - /ay1 exch def - /ax1 exch def -} def - -% crescendos -/DC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth % line thickness: this results - 1 setlinecap % to exactly 2 pixels in 300 dpi - 1 setlinejoin - x2 y2 10 AR add moveto % the 10's specify wideness of the - x1 y1 lineto % open end of the crescendo, - x2 y2 10 AR sub lineto % similarly the 11's below - stroke - grestore -} def - -% half crescendos -/DHC { - /y2 ED - /x2 ED - /y1 ED - /x1 ED - gsave - 1 AR ceiling setlinewidth - 1 setlinecap - 1 setlinejoin - x2 y2 11 AR add moveto - x1 y1 4 AR add lineto stroke - x1 y1 4 AR sub moveto - x2 y2 11 AR sub lineto - stroke - grestore -} def - -% differenced line - -/DLN { - gsave - GDAR ceiling setlinewidth - GDAR exch GDAR neg rlineto - stroke - grestore -} def - -% sloped line - -/DSLN { - gsave - GDAR ceiling setlinewidth - GDAR exch 1.125 mul neg rotate 0 rlineto - stroke - grestore -} def - -% free line (init & terminate) - -/DFLN { - gsave - GDAR ceiling setlinewidth - CP moveto - lineto - stroke - grestore -} def - -end - - -%%EndProcSet -%%BeginProcSet: texps.pro -%! 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-%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% ------------------------------------------------------ -% - % This version dated Thu 2012 Jan 19 /23:8 /ccn -% -% ------------------------------------------------------ - -\documentclass[11pt,twoside]{report} -\listfiles -% \usepackage[ten]{vrsion} - \usepackage[cp437]{inputenc} - \usepackage[english]{babel} - \usepackage{amsmath,index} - \usepackage[dvips]{graphicx} - \usepackage[dvips,colorlinks=true,linkcolor=red]{hyperref} - - \newfont{\hv}{phvbo at 14pt} - - \textheight 600pt \textwidth 450pt - \topmargin -10mm \headsep 10mm - \oddsidemargin 4mm \evensidemargin 0mm - \marginparwidth 3em - \fboxrule 2pt % standard in LaTeX article style is 0.4pt - \fboxsep 9pt % standard in LaTeX article style is 3pt - \hfuzz 2pt - - \setcounter{secnumdepth}{3} - \setcounter{tocdepth}{3} - -\renewcommand{\thechapter}{\Alph{chapter}} -\renewcommand{\thesection}{\thechapter~\arabic{section}} - -\newcommand{\MusiXTeX}{MusiX\TeX} -\newcommand{\MiKTeX}{MiK\TeX} -\newcommand{\PMX}{\textbf{PMX}} -\newcommand{\MTX}{\textbf{M-Tx}} -\newcommand{\bs}{\ensuremath\backslash} -\newcommand{\Example}{\noindent {\large \textbf{Example :} } - } -\newcommand{\Examples}{\noindent {\large \textbf{Examples :} } - } -\newcommand{\Note}[2][370pt]{\begin{center} \fbox{\begin{minipage}{#1} - #2 \end{minipage} } \end{center} - } -\renewcommand{\seename}{$\;\rightarrow\;$} - -\newcommand{\versionline}[1]{[\, Version \quad 2.618 - \quad Mar.\ 2012] - } -% \keepversion - -\makeindex -\newindex{myindex}{idx}{ind}{Index} -\begin{document} - \shortindexingon - - \pagestyle{headings} - \pagenumbering{Roman} - -\begin{titlepage} -\vspace*{4cm} -\begin{center} - {\Huge \textbf{Typesetting music with {\PMX} } \\[3ex] } - by \\[4ex] - {\LARGE Cornelius C.\ Noack} \\[1ex] - \hspace*{1em}\raisebox{-0.75ex}{\includegraphics{addresses/noack}} - -\vspace{2cm} - {\Large --- Version 2.8 / March 2012} \\ - {\large ({\PMX} features up to version 2.618 included)} -\end{center} - -\end{titlepage} - -% \newpage -% \vspace*{\fill} -\begin{center} - {\Large Acknowledgement} \\[3ex] - - \begin{minipage}{360pt} - This tutorial owes its very existence to the work by \emph{Luigi - Cataldi}, who a few years ago produced a wonderful manual for - {\PMX} in Italian. Luigi's manual features many examples which - help greatly in understanding some of the arguably arcane {\PMX} - notation. - - \medskip -_{manual!Cataldi's Italian {\PMX} manual} _{Cataldi, Luigi} - Even though the Cataldi manual is, as Don Simons has aptly - remarked, ``written in the language of music'', it nevertheless - seemed useful to have access to it for non-Italian speakers, so - Don asked around for help on a `retranslation'. - - \medskip -_{manual!Don Simons' manual for {\PMX}, Version 2.40} _{Simons, Don} - In fact, that is what the present tutorial started out with: - essentially a retranslation of the {\PMX} part of Luigis manual - back into English, using, where that seemed feasible, Don's - original {\PMX} manual. I had been thinking for some time of - producing some examples (and an index) for the updated ({\PMX} - 2.40) version of that manual, and now, taking Luigis italian - version as a basis, it seemed an easy thing to do. - - \medskip - Of course, as such projects go: soon after the first version had - appeared in 2002, it tended to get out of hand --- Don Simons - actively produced one new beta version of {\PMX} after the - other, and I simply could not keep up with his pace. - - \smallskip - So alas: 5 long years went by before the first update of - the tutorial -- reflecting all {\PMX} changes from Version 2.40 - to Version 2.514 , in one giant step! -- had become possible. - - But, incessantly, as the development of modern {\TeX} and - {\LaTeX} has moved on in an accelerating pace, and so have - {\MusiXTeX} and {\PMX}. This tutorial was also bound to - follow suite. So now the current status of {\PMX} - (\texttt{2.618}) and this tutorial are closely synchronized. - - \bigskip - After thanking Luigi, in particular for his kind permission to - use his version of the manual and its examples liberally, it - behooves me to thank Don even more, not only for originating and - continuously maintaining and improving {\PMX}; his suggestions - and continuous assistance in my work on this tutorial throughout - the years were invaluable, as was his conscientious reading and - improving, from the first draft to the present version. Many - friends (too numerous to mention all of them) kept me busy - trying to keep up with their productive suggestions and - clarifications on the - \href{mailto:tex-music@tug.org}{\underline{{\TeX}-music users' list}} - during the past years. - - \vspace*{\fill} - \begin{flushright} - {\hv In memoriam Daniel Taupin} - \end{flushright} - - \end{minipage} -\end{center} -\vspace*{\fill} - -\newpage\tableofcontents -\listoftables -\listoffigures -\cleardoublepage - -\pagenumbering{arabic} -\setcounter{page}{1} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter A starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\chapter{Introduction} \label{sec:introduction} -\pagestyle{headings} - -\section*{How to use this tutorial} -\addcontentsline{toc}{section}{How to use this tutorial} -_{tutorial} - -The purpose and function of this tutorial is, actually, twofold: for the -novice with {\PMX}, it should be a readable guide to finding out what -{\PMX} does (and what it doesn't), how it is sensibly used, and what to -do when you run into difficulties. For the seasoned user, on the other -hand, it should serve as an extended {\PMX} manual, -\begin{enumerate} - \item giving a reasonably accurate account of \emph{all} the - available features in an order which should make it not too - tedious to find an answer to whatever question one might have, - \item indicating some of the more common uses of straight {\MusiXTeX} - commands to do things not available in {\PMX} directly. -\end{enumerate} - -\medskip -As a consequence of this twofold purpose, the two types of readers -should have two very different approaches: -\begin{description} - \item[The novice] should, after reading Section~\ref{sec:TeXetc}, - turn right to Section~\ref{sec:concepts} and \ref{sec:notes}. - After that you should get your fingers dirty as quickly as - possible: keep your first own {\PMX} file \verb#my_opus.pmx# as - simple as possible, and proudly produce your first print, - following the instructions given in Section~\ref{sec:running}. - From thereon follow your interests! - \item[The seasoned user] will usually need the tutorial mainly to find - out the exact usage of some commands he unforgiveably forgot - about, retrieve some rarely used procedure, or find some clever - gimmick that he never was aware of. Those people will first scan - the whole tutorial quickly in a matter of minutes to see what's - there and gloat about what's missing, and later on rely on the - index -- or look into authoritative source, the - \href{http://icking-music-archive.org/software/pmx/pmx260.pdf}% - {\underline{{\PMX} manual}} by Don Simons. -\end{description} - -_{Quick Reference Table} -Of course, once you have gotten acquainted well enough with {\PMX}, all -you'll ever need is Don Simons' ``Quick Reference Table''\,% -\footnote{The Quick Reference Table is found in the software section of - the \textbf{W}erner \textbf{I}cking \textbf{M}usic - \textbf{A}rchive as - \href{http://icking-music-archive.org/software/pmx/ref260.pdf}% - {\underline{\texttt{ref260.pdf}}}\,. - }. -That summarizes the {\PMX} symbols with all their options and always -reflects the latest version. Errors found in the -Quick Reference Table should be reported to Don Simons directly, whereas -all complaints (outright errors, awkward formulations, missed -subtleties) should be sent solely to the author. - -\bigskip -_{\PMX} -This tutorial refers to {\PMX} 2.618 , as of March 2012 -(formally still a `beta' version). For details on the -differences with previous versions consult the -\href{http://icking-music-archive.org/software/pmx/pmxbeta.html}{% - \underline{list of changes}} of \PMX\ in the software section of -the WIMA (``\textbf{W}erner \textbf{I}cking \textbf{M}usic -\textbf{A}rchive'')\,% -\footnote{For details on the staff-wise transposition feature refer to - \ref{sec:stafftranspos}. - }. - -\section{ {\TeX}, {\MusiXTeX}, {\PMX}, {\MTX} } \label{sec:TeXetc} -_{\TeX} _{\MusiXTeX} _{\PMX} _{\MTX} - - -{\MusiXTeX} is undoubtedly one of the best programs for typesetting -musical scores: it produces ready-to-print output in PostScript and PDF -format, it is stable, is continually updated, and is in the public -domain and thus \emph{totally free}. - -Nevertheless its use seems to be limited, with few exceptions, to -musicians coming from the world of science. {\MusiXTeX} does not `look -and feel' very intuitive, and it sometimes requires a familiarity with -terms that may seem elementary to software programmers but are tough -going for straight musicians. Furthermore, it is not WYSIWYG software -(\textbf{W}hat \textbf{Y}ou \textbf{S}ee \textbf{I}s \textbf{W}hat -\textbf{Y}ou \textbf{G}et). This means that while writing the music you -cannot immediately see the score as it will look when printed, because -you do not write the music graphically as you do by hand, but rather in -terms of a list of symbols that represent it. The system is not -interactive; rather, the process of producing a musical score consists -of several steps: \label{p:intoduction} - -\begin{enumerate} - \item One writes the symbols in a special version of the {\TeX} - language to a normal text file, using any text editor (such as - \textbf{Emacs}, \textbf{Edit} or \textbf{Notepad}), - \item this text file is compiled with {\TeX} to produce a - \texttt{.dvi} output file. This \texttt{.dvi} file is machine - readable and usually can be previewed on the screen, - \item another program, e.g.~\texttt{dvips}, produces a PostScript - file from the \texttt{.dvi} file, which again can be previewed - on the screen or sent directly to a suitable printer. -\end{enumerate} - -This symbolic and non-graphical nature of the program may discourage -many people, but it is in many ways an advantage. Being -fully aware of the symbolic character of the typesetting process while -working on your input lets you concentrate much better on the final -typographic output and keeps you from being distracted by the temptation -to play games with interactiveness. - -{\MusiXTeX} is a collection of `macro's that permits producing musical -scores with the help of {\TeX}, the prestigious electronic typesetting -program written by Donald Knuth, which is mainly used in scientific -typesetting. In providing {\TeX}, Knuth not only put it in the public -domain (to be freely distributed), but stipulated that any application -that uses {\TeX} should also be in the public domain and freely -available, without charge or royalty. -_{Knuth, Donald E.} - -_{{\TeX}} -Before {\TeX} can be used, it has to be properly installed on the -computer system at hand. Installing {\TeX} from scratch is not an easy -task; consult Chapter \ref{sec:installation} for the details. - -Even after everything is properly installed and running, coding a -musical score in the {\MusiXTeX} language still remains a tedious -process. Fortunately, there exist two preprocessors, {\PMX} and {\MTX}, -which dramatically simplify the input process; in fact they provide what -must be among the simplest possible systems of electronically encoding -musical scores. - -_{\MusiXTeX} _{\PMX} _{\MTX} -The first two bars of Mozarts \emph{piano sonata KV 545} illuminate the -difference in coding with either {\MusiXTeX}, {\PMX} or {\MTX}. The -codes given below for the three systems of software all produce the -(identical) output, shown in figure~\ref{fig:mozart}: - -\begin{figure}[!htb] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/mozart.eps} - } - \end{center} - \caption{\textbf{W.A.\ Mozart}, \emph{Sonata K545}, bars 1--2} - \label{fig:mozart} -\end{figure} - -\bigskip\bigskip\noindent -_{\MusiXTeX} -{\MusiXTeX} : - -{\small -\begin{verbatim} -\input musixtex -\parindent10mm -\setname1{Piano} -\setstaffs12 -\generalmeter{\meterfrac44} -\nobarnumbers -\startextract -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\ql l\sk\ql n\en -\bar -\Notes\ibu0f0\qb0{dgf}|\qlp i\en -\notes\tbu0\qb0g|\ibbl1j3\qb1j\tbl1\qb1k\en -\Notes\ibu0f0\qb0{cge}\tbu0\qb0g|\hl j\en -\endextract -\end -\end{verbatim} -} - -\bigskip\noindent -_{\PMX} -{\PMX} : - -{\small -\begin{verbatim} -2 1 4 4 4 4 0 0 -1 1 20 0.12 -Piano -tt -./ -% Bars 1-2 -c8 g+ e g c- g+ e g | d g f g c- g+ e g Rb / -c2+ e4 g | bd4- c1 d c2 / -\end{verbatim} -} - - -\bigskip\noindent -_{\MTX} -{\MTX} : - -{\small -\begin{verbatim} -Style: piano -Piano: Voices MD MS; Clefs G G; Continuo -Name: Piano -Meter: 4/4 - -%% w120m -c2+ e4 g | b4d- c1 d c2 | -c8+ g+ e g c- g+ e g | d g f g c- g+ e g | -\end{verbatim} -} - -\bigskip -Not only is the {\MusiXTeX} much longer, it undoubtedly is less -intuitive and more complicated than the other two. - -\bigskip -In the present tutorial we shall describe in detail the usage of {\PMX} -and, in a very cursory way, that of {\MTX}. - -_{\MusiXTeX} _{\PMX} _{\MTX} -In the remaining part of this introduction, we treat questions of -installation of the entire system of {\MusiXTeX}~\texttt{1.15} and -{\PMX}. The whole installation procedure may seem a formidable task to -non-experts. But don't despair: your efforts will be rewarded by the -best and simplest system of musical typesetting available. And, to -paraphrase a famous {\TeX} error message: ``If in serious trouble, ask a -wizard for help''. Such wizards are literally at your fingertips; just -sign up and post your problem to the mailing list at ^{WIMA} (the -\textbf{W}erner \textbf{I}cking \textbf{M}usic \textbf{A}rchive), -and someone is bound to be in the mood to answer. - -\section{Installation} \label{sec:installation} -_{Installation} - -Recently, there has been a number of major improvements in the basic -{\MusiXTeX}~\texttt{1.15} software (increasing, e.g., the maximum number -of instruments allowed), and subsequently {\PMX} has also undergone -major improvements. As a consequence, {\PMX} now is really tuned to -\texttt{\MusiXTeX}~\texttt{1.15}: with {\PMX}\texttt{(2.6xx)} you can -make full use of most% -\footnote{An important restriction is: in \PMX\texttt{(2.6xx)} the - maximum number of staves is 24 . - } -of the new features of {\MusiXTeX}~\texttt{1.15}. - -\medskip -The installation instructions given here refer explicitly to installing -{\MusiXTeX}~\texttt{1.15} and {\PMX} under Windows XP; they assume that -you have MiKTeX\,% -\footnote{MikTeX is a {\TeX} system for Microsoft Windows users. - } -installed (version 2.6 or higher; preferably the current -version 2.9 ; cf.\ p.~\pageref{p:tennent}). - - -For Unix, good instructions can be found in the software section of -WIMA: \\ \quad \href{http://icking-music-archive.org% - /software/musixtex/musixtex-for-unix.html}% - {\underline{\texttt{Icking-music-archive.org% - /software/musixtex/musixtex-for-unix.html}}}~. \hspace*{\fill} - - -% \pagebreak -\subsection*{Installation of \MusiXTeX\texttt{~115} - and {\PMX} \texttt{2.6xx} } - -\subsubsection*{\MusiXTeX}~\texttt{1.15} -You can download the basic distribution for {\MiKTeX}~115 from WIMA: - -% \smallskip -\href{http://icking-music-archive.org/software/musixtex/musixtex.zip}% - {\underline{\texttt{icking-music-archive.org/software/musixtex/musixtex.zip}}} . - -\medskip -A comprehensive -- and very readable -- installation instruction manual -for {\MusiXTeX}\texttt{~115} has recently been given by Andre van -Ryckeghem and Don Simons: \\ -\hspace*{\fill} -\verb#http://icking-music-archive.org/software/musixtex/mxinsuse.pdf# -\hspace*{\fill} \\ -on the WIMA software page, which you can download -\href{http://icking-music-archive.org/software/pmxtricks/mxinsuse.pdf}% - {\underline{here}}. \\ -\noindent -Even if you consider yourself an expert in installing high-level -software, it is certainly wise to first read this manual carefully -(it's only 6 pages) before starting the installation this way. - -% \medskip -% One point, pointed out explicitly in the {\MusiXTeX}~\texttt{1.15} installation -% manual, is of particular importance: -% -% \Note{As Don Simons has pointed out, it is safer to load -% {\MusiXTeX}~\texttt{1.15} (and all its subfolders, of course) -% \emph{completely outside} of where {\MiKTeX} is loaded. But -% whether you do that or load {\MusiXTeX} in a subfolder of -% {\MiKTeX} (traditionally named `\texttt{localmiktex}'), you must -% enter the full name of the {\MusiXTeX} main folder in the 'roots' -% list of the {\MiKTeX} `settings' menu; otherwise {\MiKTeX} will -% not be able to access any of the files. -% } - -\bigskip \bigskip -The installation procedure referred to above has the -advantage that it does not rely on the TDS-compliant -data structure of the CTAN (`\textbf{C}omprehensive -\textbf{T}eX \textbf{A}rchive \textbf{N}etwork) -distribution and, a fortiori, on the MikTeX data system -being up-to-date with the development of {\MusiXTeX}. -For many years, this was a serious obstacle against -making comfortable use of CTAN , and thus of MikTeX as -well. - -\medskip -\label{p:tennent} -This has changed drastically in the last few years. As -of 2012, the {\MusiXTeX} software of WIMA is formally -maintained by CTAN as well, and in consequence, -MikTeX is now pledged to be updated with the CTAN data within a -few months at most. In particular, with its current version -(MikTeX 2.9) MikTeX now fully supports {\PMX} 2.603 . - -\medskip -So if you have MikTeX 2.9 installed, all you need to -install {\MusiXTeX}~\texttt{1.15} is to download -\begin{center} - \href{http://mirrors.ctan.org/macros/musixtex/musixtex-texmf.zip}% - {musixtex/musixtex-texmf.zip} -\end{center} -and follow the (terse, but clear) -\href{http://mirrors.ctan.org/macros/musixtex/musixtex-install.pdf}% - {\underline{Installation instructions}} -by Bob Tennent. - -\bigskip -\medskip\noindent -To test the {\MusiXTeX}~\texttt{1.15} installation, download -\href{http://icking-music-archive.org/software/pmxtricks/sample.zip}% - {\underline{sample.zip}} -from WIMA to some temporary folder and unzip it, obtaining the 3 files -\verb#sample.tex#~, \verb#sample.pmx#~, and \verb#pmxrun.bat#~. Then run \\ -\hspace*{10ex} -\verb#etex sample.tex# \\ -in a command line. - -\Note{Make sure that when using basic {\TeX} you \emph{always} run - \texttt{etex.exe} (`extended {\TeX}') and \emph{not} - \texttt{tex.exe} !! Although {\MiKTeX} and {\LaTeX} now use - extended {\TeX} by default, the 2 commands \texttt{tex.exe} and - \texttt{etex.exe} still both exist and \emph{differ}; - {\PMX}~\texttt{2.6xx}, will not run properly under ordinary - \texttt{tex.exe} . - } - -\subsubsection*{\PMX} - -\noindent -Compared to {\MusiXTeX}~\texttt{1.15}, installing {\PMX} 2.6 is a cinch. -All you need to do is -\begin{enumerate} - \item decide which particular version of the \PMX\ 2.6 series you - need: 2.603 is by now almost standard; the new version 2.617 has - a very important new feature regarding - transposing instruments, and 2.618 allows - adjusting the size of the {\PMX} output - automatically to the paper size used\,% - \footnote{remember that formally {\PMX} is still `beta' . - }, - \item download - \href{http://icking-music-archive.org/software/pmx/pmx2618.zip}% - {\underline{pmx 2.618.zip}} - (or another \texttt{2.6xx}) and unzip it, - \item copy \verb#pmxab.exe# and \verb#scor2prt.exe# - to \verb#...\localmixtex\miktex\bin# , - \item copy \verb#pmx.tex# to - \verb#...\localmixtex\tex# , - \item run the {\MiKTeX} FNDB (`\texttt{F}ile - \texttt{N}ame \texttt{D}ata \texttt{B}ase') . -\end{enumerate} - -\medskip\noindent -To test the installation, run \\ - \hspace*{10ex} \texttt{runpmx sample.pmx} \\ -in a command line. - - - -\section{Authors of the Software} \label{sec:authors} -_{authors} - - -\begin{description} - \item[{\MusiXTeX}:] \emph{Daniel Taupin} - _{Taupin, Daniel} - - \href{http://icking-music-archive.org/software/indexmt6.html}% - {\underline{\MusiXTeX}} evolved from Music{\TeX} by - \emph{Daniel Taupin}, a physicist in the Laboratoire de Phisique - des Solides in Orsay, \emph{Ross Mitchell} (CSIRO Division of - Atmospheric Research, Private Bag No.1, Mordialloc, Victoria - 3195, Australia) and \emph{Andreas Egler} (Ruhr--Uni--Bochum, - Ursulastr. 32, D-44793 Bochum). - - {\MusiXTeX} had been maintained actively and conscientiously by - Daniel Taupin until his untimely death in 2001 --- he died - accidentally while climbing in the Alps. He is remembered with a - \href{http://icking-music-archive.org/Memorial/Taupin% - /Statements.html}{\underline{Memorial}} - on the web page of the Werner Icking Music Archive. - - After Taupins death, {\MusiXTeX} seemed quite stable and could - thus, for all practical purposes, be considered `frozen' for a - long time. - - However, nothing as lively as {\MusiXTeX} can really remain - literally frozen forever. A number of improvements have - been continuously added by a group of {\MusiXTeX}perts, and, - finally, Hiroaki Morimoto has kindly provided a new version - of {\MusiXTeX} which corrects known bugs. Then a new and - \emph{strongly enhanced version} of the {\MusiXTeX} manual was - prepared by a group led by Don Simons, which has now been - officially released: {\MusiXTeX}~\texttt{1.15} . It is located - at the - \href{http://icking-music-archive.org/software/indexmt6.html#musixtex}% - {software section} of the Werner Icking Music Archive - (dubbed `WIMA'). - - \bigskip - Finally, here is a list of the authors of essential parts of - {\PMX} and related software: - - \item[{\PMX}:] - \emph{Don Simons} -_{Simons, Don} _{\PMX!author} - - E-mail: \raisebox{-1.0ex}{% - \includegraphics[scale=0.7]{addresses/dsimons} - } - - \item[{\MTX}:] - \emph{Dirk Laurie} -_{Laurie, Dirk} - - E-mail: \raisebox{-1.0ex}{% - \includegraphics[scale=0.75]{addresses/dlaurie} - } - - \item[Musixlyr and Musixser:] - \emph{Rainer Dunker} -_{Dunker, Rainer} - - E-mail: \raisebox{-1.0ex}{% - \includegraphics[scale=0.72]{addresses/rdunker} - } - - \item[PostScript slur package K:] - \emph{Stanislav Kneifl} -_{Kneifl, Stanislav} - - E-mail: \raisebox{-1.0ex}{% - \includegraphics[scale=0.7]{addresses/skneifl} - } - - \item[PostScript slur package M:] - \emph{Hiroaki Morimoto} -_{Morimoto, Hiroaki} - - E-mail: \raisebox{-1.0ex}{% - \includegraphics[scale=0.7]{addresses/hmorimoto} - } -\end{description} - -\section{The Werner Icking Music Archive} \label{sec:Icking} -_{WIMA} _{Werner Icking Music Archive|see{WIMA}} _{Icking, Werner} - -\textbf{Werner Icking} (June 25, 1943 -- February 8, 2001) was the -founder of the \emph{GMD Music Archive}, which contained downloadable -scores, various {\MusiXTeX} programs, a discussion list, and various -other musical resources in the public domain. His contributions to the -development and promulgation of this software were peerless. His -editions of music (in particular the edition of the complete `Urtext' of -J.S.\ Bach's pieces for violin and violoncello solo) are examples of -sophisticated technique, artistic sensibilty and philological -meticulousness. Everybody, whether expert programmer or complete novice, -would always find valid and unselfish advice from him, which invariably -ended with the motto ``\emph{hope this hilft}''. In time a small, but -regular group of faithfuls gathered around this site, from all over the -world, who never had met Werner in person, but nevertheless came to see -a friend in him, mainly through frequent email exchanges. - -Werner died suddenly on February 8, 2001, while bicycling home from -work, as was his regular habit. That very day he had performed -maintenance work for the site and replied to messages on its discussion -list, of which he had been the main administrator. The community of -users of the archive decided not to disband, but to continue Werner's -work. Starting with the contents of the GMD Archive, a new site was -created, and dedicated to Werner's memory. It's official name is the -\emph{Werner Icking Music Archive}. - -After some difficult times, it is now hosted by \quad - \href{http://www.pait.dk}{\texttt{PALDAM IT}} ; -its URL is \\ -\hspace*{\fill} \href{http://icking-music-archive.org}% - {\texttt{http://icking-music-archive.org}}\,. \hspace*{\fill} \\ -Its chief administrator is Christian Mondrup, -_{Mondrup, Christian} -who more than any other provided reasoned guidance and continuity during -the difficult transition. - -\bigskip -The archive houses four main categories of information: - - \label{p:Icking} -\begin{description} - \item[Archive of sheet music]: Contains hundreds of royalty-free - scores in PDF, many with their source code in {\MusiXTeX}, - {\PMX}, or {\MTX}. It is maintained by \emph{Christian Mondrup}, - who is also the main administrator of the Werner Icking Music - Archive \\ - E-mail: - \raisebox{-1.0ex}{% - \includegraphics[scale=0.72]{addresses/cmondrup} - } . -_{Mondrup, Christian} - \item[{\MusiXTeX} and related software]: Contains {\MusiXTeX} and - related software, as well as user manuals and various add-ons. It - is maintained by \emph{Don Simons} \\ - E-mail: - \raisebox{-1.0ex}{% - \includegraphics[scale=0.72]{addresses/dsimons} - } . -_{Simons, Don} - \item[{\TeX}-music list]: -_{{\TeX}-music users' list} - This discussion list is invaluable to novices, advanced users and - developers. Themes focus on technical problems of typesetting - using {\MusiXTeX} and related software, but often drift into - other musical subjects of historic or esthetic interest. It is - not moderated, but you need to subscribe in order to participate. - For information on how to subscribe, visit~ - \href{http://icking-music-archive.org/mailman/listinfo/tex-music}% - {\texttt{http://icking-music-archive.org/mailman/listinfo/tex-music\/}}~. - Its administrator is \emph{Maurizio Codogno} (E-mail - \raisebox{-1.2ex}{% - \includegraphics[scale=0.80]{addresses/mcodogno} - }$\!\!$). -_{Codogno, Maurizio} - \item [Links to other sources of information regarding music:] - There are links to search facilities about - composers/works/editions, a multi-lingual - glossary of musical terms, and some lists of - composers' works. This is maintained by - \emph{Jean-Pierre Coulon}: - - \hspace*{10em} - E-mail: \raisebox{-1.0ex}{\includegraphics[scale=0.72]% - {addresses/jpcoulon} - } -_{Coulon,Jean-Pierre} - - \bigskip\bigskip - As of 2012, ({\MusiXTeX} / \PMX) is coordinated - with \textbf{CTAN}, thus ensuring that - \textbf{CTAN} is up to date with ({\MusiXTeX}. - - \medskip\noindent - This coordination with \textbf{CTAN} is - maintained by \emph{Bob Tennent}. - - \hspace*{10em} - E-mail: \raisebox{-1.0ex}{\includegraphics[scale=0.72]% - {addresses/btennent} - } -_{Tennent,Bob} - -\end{description} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter B starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\chapter{A {\PMX} Tutorial} \label{sec:GuidePMX} \section*{Conventions -for this tutorial} \label{sec:conventions} -\addcontentsline{toc}{section}{Conventions for this tutorial} -_{tutorial!conventions of this tutorial} - -\renewcommand{\thefootnote}{\fnsymbol{footnote}} -\hspace*{\fill}\begin{minipage}[b]{200pt} - ``Hey, this is boring stuff, but if you take a - minute to understand the typographic conventions - and a little jargon, it may avoid some confusion - down the road.''\,% - \footnotemark[2] - \end{minipage} -\footnotetext[2]{Quoted literally from the original introduction to - {\PMX} by its author, Don Simons. } -\renewcommand{\thefootnote}{\arabic{footnote}} - -\paragraph{Typographical conventions:} -\begin{itemize} - \item The \texttt{typewriter} typeface always indicates verbatim text - \emph{exactly as you would input it to the computer}. This - includes file names, {\MusiXTeX} tokens, and {\PMX} commands, - e.g., \verb#barsant.pmx, \internote, c44# . - \item \textbf{bold} typeface is used for two purposes: first, for - program names (e.g.~\textbf{pmxab}), and second, when applied - to a single letter within a normal word, to emphasize the - mnemonics of a {\PMX} command (e.g.~\texttt{lr} signifies a - ``\textbf{l}eft-\textbf{r}ight repeat''). - \item When used in commands, \emph{italics} represent input - variables for which the user would substitute the appropriate - actual value. To make this notation quite clear -- and distinct - from the general use of italics for emphasis -- , the variable - will be surrounded by square brackets in such cases (e.g.\ - \texttt{L[}$n$\texttt{]P[}$m$\texttt{]M} ), but \emph{the - brackets are not to be included with the verbatim text}. -\end{itemize} - -\paragraph{Musical terms:} \text{} \\ -The language of music is Italian, and so the radical solution of -terminological problems would be to use the Italian names throughout. -This would, however, defeat the whole purpose of this tutorial, so some -compromises need to be made, and some terms, which may be used -differently by different people, need to be clearly defined. So in this -tutorial -\begin{itemize} - \item -_{staves} - a \emph{staff} (plural \emph{staves}) means the set of 5 - horizontal lines in which music is usually notated, aptly - called a \emph{pentagramma} in Italian\,% - \footnote{Note that one-line staves, used for percussion - instruments (drums, triangles etc.), are presently - not implemented in {\PMX}. - }. - \item a \emph{system} means a coherent set of staves to be played - simultaneously. - \item -_{voice} - a \emph{voice} means a line of music that is a musical entity - of its own, such as a melody. In polyphonic music, there is - often more than one voice to a staff, e.g.~a 4-voice Bach - choral is often written with the 2 top voices (soprano, alto) - in one staff, the bottom ones (tenor, basso) in the other\,% - \footnote{ {\PMX} allows 1 or 2 voices in one staff. }. -\end{itemize} - -\paragraph{technical terms:} \text{} \\ -\begin{itemize} - \item a \emph{system} means a coherent set of staves to be played - simultaneously. - \item a \emph{block} is the series of PMX commands WITHIN ONE SYSTEM, - formally >ended be a / (slash), which then must be the LAST - CHARACTER on this input line\,% - \footnote{This often precludes even \TeX\ comments (started - with a \%) on the same line, after the slash! - - \PMX\ does not check for compliance with this rule, - but nevertheless it is good practice to adhere to it. - Otherwise you a liable to encounter weird errors - which may be difficult to trace. - }. -\end{itemize} - - -\section{Running {\PMX}} \label{sec:running} -_{\PMX!running {\PMX}} - -As stated in the introduction (cf.~Section~\ref{sec:introduction}), -{\PMX} is a \emph{preprocessor} to {\MusiXTeX}. That means that with -{\PMX} the sequence of steps from the input to the printed paper is one -step longer: -\begin{enumerate} \setcounter{enumi}{-1} - \item The user writes \emph{the symbols of the {\PMX} language} to a - normal text file, using any text editor. The name of this file, - ( say, \verb#my_opus.pmx#) \emph{must have the suffix} - \texttt{pmx}, - \item the file \verb#my_opus.pmx# is run through the {\PMX} processor, - \textbf{pmxab}. -_{\textbf{pmxab}} - This produces the output file \verb#my_opus.tex#, \\[2ex] - \fbox{\begin{minipage}{390pt} - Note that in {\PMX} (like in Unix, but unlike Windows) - spaces within a file name are \emph{not allowed}! If in - the above example, the input file name were \texttt{my - opus.pmx} instead of \texttt{my\underline{\;}opus.pmx}, an - unpredictable error, with confusing error messages, would - occur. - \end{minipage} - } - - \item the file \verb#my_opus.tex# is then processed with {\TeX} to - produce a \texttt{.dvi} output file\,% - \footnote{This step is a bit more complicated than it sounds - because it actually is a 3 pass system: it consists of - (i) running {\TeX}, (ii) running ^{\textbf{musixflx}}, - and (iii) running {\TeX} again (details on the - rationale behind this are described in the {\MusiXTeX} -_{Taupin, Daniel} - manual by Daniel Taupin). - }. - This \texttt{.dvi} file is machine readable and (usually) can be - previewed on the screen, - \item another program, e.g.~\texttt{dvips}, produces a PostScript file - from the \texttt{.dvi} file, which again can be previewed on the - screen, or sent directly to a suitable printer. -\end{enumerate} -Usually this whole process is automated to some degree by the use of a -so-called `script' or `batch' file, or with the help of some more -elaborate system of interconnecting software (most of these tuned to the -needs of the general {\TeX} community). -_{\PMX!running {\PMX}} - -\medskip -There are too many variants of this kind of supporting software -- public -domain or commercial -- to discuss here, and personal preferences or -dispositions are too varied. If you are at a loss on what to use, send a -message to the {\TeX}-music list (cf.~p.\pageref{p:Icking}), and you -can trust that you get all the individual help you need. -_{{\TeX}-music users' list} - -\begin{table}[!htbp] -\begin{center} -\begin{minipage}{380pt} - \small -\begin{verbatim} -:::::::::::::::::::::::: runpmx.bat :::::::::::::::::::::::: -Call C:\Programme\MikTeX_2.9\localmiktex\miktex\bin\pmxab %1.pmx -if errorlevel 1 goto pmxerr -if exist %1.pml del %1.pml -if exist %1.mx2 del %1.mx2 -if exist %1.mx1 del %1.mx1 -if exist pmxaerr.dat del pmxaerr.dat -:: -Call C:\Programme\MikTeX_2.9\miktex\bin\etex.exe %1.tex -if errorlevel 1 goto texerr -:: -Call C:\Programme\MikTeX_2.9\localmiktex\miktex\bin\musixflx.exe %1.mx1 -:: -Call C:\Programme\MikTeX_2.9\miktex\bin\etex.exe %1.tex -if errorlevel 1 goto texerr -if exist %1.log del %1.log -:: -Call C:\Programme\MikTeX_2.9\miktex\bin\dvips.exe %1.dvi -if errorlevel 1 goto dvierr -if exist %1.log del %1.log -:: -Call C:\Programme\GhostScript\Ghostgum\gsview\gsview32.exe %1.ps -:: -goto :end -::::::::::::::::::: -:: error exits : -:: -:pmxerr -echo. -echo PMX has found errors when processing %1.pmx ! -echo. -pause -goto :end -:: -:texerr -echo. -echo TeX has found errors when processing %1.tex ! -echo check %1.log for details. -echo. -pause -goto :end -:: -:dvierr -echo. -echo *** dvips had errors ! *** -echo. -pause - -:: -:end -:::::::::::::::::::: end of runpmx.bat :::::::::::::::::::: -\end{verbatim} -\end{minipage} -\end{center} - \caption{An example of a batch file for running {\PMX}} - \label{tab:runpmx} -\end{table} - -\bigskip -To illustrate the above process, however, an example for a typical -`batch' file, for a standard \textbf{Windows} system, is given in -table (\ref{tab:runpmx}). This assumes that you have installed -\begin{enumerate} - \item a ^{\MiKTeX} system, - \item a {\MusiXTeX} system, - \item a \texttt{dvips} system, -\end{enumerate} -all installed in the standard way, and that you have produced the {\PMX} -input file \verb#my_opus.pmx#, using your favorite ASCII text editor. - -You would then run -\begin{center} - \verb#runpmx my_opus# -\end{center} -on a command line, and would see a Ghostview window opening, from which -you could print your opus (or do with it whatever you like). - -\bigskip -You perhaps will want to write your own batch program\,% -\footnote{The \texttt{runpmx.bat} given in Table \ref{tab:runpmx} is - identical with the \texttt{runpmx.bat} used in the installation - guide (Section \ref{sec:installation}). - - When adapting this to your needs or writing your own batch - file altogether, you should make sure that you use - \texttt{etex.exe} in the 3 calls of {\TeX}. - {\MusiXTeX}-\texttt{T115} and {\PMX} texttt{2.6xx} both - require e{\TeX} (extended {\TeX})! - }, to suit your personal requirements. Some further remarks on -how \textbf{pmxab} -_{\textbf{pmxab}} operates may prove helpful for that. - -\medskip -First, whenever \textbf{pmxab} -_{\textbf{pmxab}} -terminates due to a syntax error, the exit code is set 1 (0 when there -are no errors). There are various ways of detecting this with batch -commands, and then acting accordingly. - -\medskip -Second, \textbf{pmxab} -_{\textbf{pmxab}} -always writes a file \texttt{pmxaerr.dat} -_{\texttt{pmxaerr.dat}} -containing a single number: 0 if it exited normally, otherwise the line -number in the \texttt{.pmx} file where the syntax error was. With -advanced batch programming techniques, this file can be opened and read, -and if there was an input error, a text editor can be opened and the -input point placed on the line with the error. - -\bigskip -There have been several requests to allow {\PMX} to keep running even -after it detects an input error. This has not been done because in most -cases, any error messages after the first one would be meaningless, or -worse, uncorrected errors could cause crashes. In any event, all the -output from \textbf{pmxab} -_{\textbf{pmxab}} -will be stored in the log file [\emph{filename}]\texttt{.pml}. - -\newpage -\subsection{Concatenating several files} \label{sec:concatfiles} -_{\PMX!concatenating several files} - -Sometimes one wants to split the work on a score into several smaller -parts, not only when otherwise you would exceed some {\PMX} numerical -limit (cf.~Section~\ref{sec:limits}), but simply for practical reasons. -Logically, one should distinguish two separate cases: -\begin{enumerate} - \item Within \emph{one and the same {\PMX} program}, there might be - parts that recur identically in several regions of the full code, - and one would not want to retype these over and over again (both - for efficiency and for clarity reasons). In such cases, you - would want to have a command similar to the \verb#\input# of - {\TeX}, {\LaTeX} and many other programming languages. - - In {\PMX}, such an `\verb#\input#' command has the form - \verb#AR[#\emph{file name}\verb#]#, where \emph{file name} is - the name of the (ASCII) file you want to include, and - \verb#AR[#\emph{file name}\verb#]# will insert this file - at exactly that point in your {\PMX} program where the - \verb#AR[#\emph{file name}\verb#]# is.\,% - - \begin{quote} - A possible use for this procedure, i.e.\ using the \texttt{AR} - command, could be to save typing when you want to include your - favorite option defaults that in fact you use in almost every - piece of music you write with {\PMX}. - - But a simple ``cut \& paste'' is arguably a quite practical - and more straightforward way of achieving this goal; moreover, - if you want to be fancy about it, {\PMX} has a much more - sophisticated tool to offer for that purpose\,% - \footnote{In fact, there is yet another fancy tool, - i.e.\ including a `global' file with the specific - name \texttt{pmx.mod} , useful for special purposes. - For details on this, refer to the {\PMX} manual. - }, - viz.\ a macro (cf.\ Sec.~\ref{sec:macros}). - \end{quote} - - \item Sometimes may have reason to make several - completely independent {\PMX} files, producing their output - separately. In the end, you would want to concatenate these - pieces again. This can be easily done: - - \medskip - Suppose you have coded the three movements of a piano sonata in - three separate {\PMX} files: \verb#son1.pmx#, \verb#son2.pmx# - and \verb#son3.pmx#. To create one single file from these, - proceed as follows: - \begin{enumerate} - \item Process the three files \verb#.pmx# separately, - obtaining the three files \verb#son1.tex#, - \verb#son2.tex# and \verb#son3.tex# , - \item Create a {\TeX} file \texttt{son.tex} consisting of the - following lines: - \begin{verbatim} - \input musixtex - \startmuflex - \let\startmuflex\empty - \let\endmuflexsav\endmuflex - \let\endmuflex\endinput - \input son1 - \input son2 - \input son3 - \endmuflexsav - \bye - \end{verbatim} - \item Process the file \verb#son.tex# , in the usual three - passes ({\TeX}~$\Longrightarrow$ \texttt{musixflx} - $\Longrightarrow$ {\TeX}). The resulting file - \verb#son.dvi# then contains the full score of the - entire sonata. - \end{enumerate} -\end{enumerate} - -\medskip -Alternatively, you can concatenate the files using {\LaTeX}, or more -specifically, the \textbf{mtxlatex} package. For details on this -see Section~\ref{sec:LaTeX}. -_{\LaTeX} _{\textbf{mtxlatex}|see{\LaTeX}} _{\LaTeX!interface with \PMX} - -\vfill\begin{figure}[!htbp] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/Haydn.eps} - } - \end{center} - \caption{\textbf{F.J.\ Haydn}, - \emph{quartet Op.76, no.2}, bars 1--4 - } - \label{fig:Haydn} -\end{figure} -\label{p:Haydn} - -\begin{table}[!htb] -\begin{minipage}{380pt} -\small -\begin{verbatim} -F.J.\ Haydn, Quartet op.76, no.2, bars 1--4 -PREAMBLE: -nstaves ninstr mtrnuml mtrdenl mtrnump mtrdenp - 4 4 4 4 0 6 -npickup nkeys - 0 -1 -npages nsystems musicsize fracindent - 1 1 16 .08 -Violoncello -Viola -Violin II -Violin I -batt -./ -% BODY: -% HEADER: -Tc -F.J. Haydn -Tt -String Quartet op. 76, No.2 -h -Allegro -Abep -w170m -% begin of music input - -% bar 1 -d82 Df o. d+ o. d o. d o. r d o. d o. d o. / -f83 Df o. f o. f o. f o. r f o. f o. f o. / -r8 a83 Df o. a o. a o. r a o. a o. a o. / -a24 Df d- / - -% bar 2 -r8 d o. d o. d o. r e o. e o. e o. / -r8 g o. g o. g o. r g o. g o. g o. / -r8 b o. b o. b o. r cs o. c o. c o. / -e2 a- / - -% bars 3-4 -f8 s e f cs s d4 a | b2 s a4 s o. r Rb / -a2 t a4 t .cs- | d8 s e f d s e4 o. r / -d8 s cs d e s e s d c s a1+ s g s | f s g f e s d8 o. d o. cs4 r / -d8 s cs d e s g s f e s a | d4- zd+ cn1 s b a gs s a4 o. r / -% end of PMX source file -\end{verbatim} -\end{minipage} - \caption{{\PMX} source for excerpt of F.J.\ Haydn quartet} - \label{tab:Haydn} -\end{table} - -\section{Preliminary Concepts} \label{sec:concepts} - -_{comments} -The {\PMX} code of a musical score consists of two parts, the -\emph{preamble} and the \emph{body}. Lines with a \% in column 1 are -comment lines (as in {\TeX}); they are disregarded by the program\,% -\footnote{Note, however, the additional conventions of - the \textbf{scor2prt} program (see Chapter \ref{sec:scor2prt}, - pp.\ \pageref{sec:scor2prt}). - }. - -\medskip -The \emph{preamble} contains the general specifications for a score, -some musical (e.g., number of instruments, meter, key signature), and -some typographical (e.g., number of pages, number of staves per page). - -\medskip -The coding for the music itself is given in the \emph{body}, which in -turn usually has a \emph{header}. As an example, consider the first few -bars of Haydns \emph{quartet Op.76, no.2} . The music shown in -Fig.~\ref{fig:Haydn} is obtained from the {\PMX} source code given in -Table~\pageref{tab:Haydn}. - -\section{Preamble} \label{sec:preamble} -_{preamble} - -The \emph{preamble} consists of one or several lines of numbers, -followed by lines with typographical data relevant for the whole score. -The preamble ends with a line giving the name of the directory to which -_{\textbf{pmxab}} -\textbf{pmxab} is to write its output \texttt{.tex} file. - -\subsection{Numerical input} \label{sec:numinput} - -The first line(s) of the preamble must contain 12 numerical -parameters, separated by one or more spaces (`white space'). In {\PMX}, -as in {\TeX}, a line feed is equivalent to a white space, so the -following 3 forms of the beginning numerical input are all equivalent: - -{\small -\begin{verbatim} -4 4 4 4 0 6 0 -1 -1 1 16 .08 -\end{verbatim} -} - -\vspace*{-1.5ex} -\qquad --- or --- - -\vspace*{-1.5ex} -{\small -\begin{verbatim} -4 4 4 4 0 6 0 -1 1 1 16 .08 -\end{verbatim} -} - -\vspace*{-1.5ex} -\qquad --- or --- - -\vspace*{-1.5ex} -{\small -\begin{verbatim} -4 -4 -4 -4 -0 -6 -0 --1 -1 -1 -16 -.08 -\end{verbatim} -} - -\medskip\noindent -For the purpose of this tutorial, the 12 s are named\,% -\footnote{Their names are written in typewriter typeface here because in - a way they \emph{are} input and, as some of the examples show, - used as such, albeit only in comment lines. But these names - themselves never occur in {\PMX} commands. (See, however, - the footnote on p.\pageref{p:errormsg}). - }. -\begin{center} - \parbox{6cm}{\texttt{nstaves}, \texttt{ninstr}, \\[1ex] - \texttt{mtrnuml}, \texttt{mtrdenl}, \\ - \texttt{mtrnump}, \texttt{mtrdenp}, \\[1ex] - \texttt{npickup}, \\ - \texttt{nkeys}, \\[1ex] - \texttt{npages}, \texttt{nsystems}, \\ - \texttt{musicsize}, \texttt{fracindent} - } -\end{center} - -Their significance is as follows: - -\begin{itemize} -\item -_{voice!several voices in one staff} _{\texttt{nstaves}} - \texttt{nstaves}, an integer $\leq 24$, is the total number of - staves per system. Each staff may contain either one or two voices - (lines of music). The number of voices in a staff may change as - the piece progresses, but the total number of voices at any one - time cannot exceed 24. So if, e.g., there are 24 staves, there can - only be one voice per staff. - -_{\texttt{ninstr}} - \texttt{ninstr}, an integer $\leq$ - \texttt{nstaves}, is the number of \emph{instruments}. Each - instrument has a unique name (cf.\ p.~\pageref{p:names}), and any - instrument with more than one staff will have its staves joined - with a curly bracket. Often there is only one staff per - instrument, and \texttt{ninstr $=$ nstaves} in that case. There - are two ways to assign more than one staff to one or more - instruments: - - \begin{itemize} - \item if only the first, i.e.\ the \emph{lowest}, instrument has - more than one staff, such as in a score for piano and a - one-staff solo instrument, simply make \texttt{ninstr $<$ - nstaves}, and any difference will show up in instrument 1, - the bottom one in each system, - \item When you need a more general assignment of staves to - instruments, put a minus sign in front of \texttt{ninstr}, - and follow \texttt{ninstr} with the number of staves in each - instrument in succession, in sequence from the bottom one up - (the same order as the instrument names, - cf.~p.\pageref{p:names}), separated by spaces. These numbers - \emph{must} add up to \texttt{nstaves}: in a way, they are - simply a partition of the numerical parameter - \texttt{ninstr} . - \end{itemize} - - \Example - The preamble of the first example (Fig.~\ref{fig:diabolica}) - simply has \texttt{nstaves} $=3$ and \texttt{noinst} - $=2$ : \begin{figure}[!htb] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/diabolica.eps} - } - \end{center} - \caption{\textbf{C.C.\ Noack}, \emph{sonata diabolica, first - movement}, bars 12--17 - } \label{fig:diabolica} - \end{figure} - while the Stravinsky excerpt of Fig.~\ref{fig:agon} was obtained\,% - \footnote{In the \PMX\ text with which Fig.~\ref{fig:agon} was - produced, an additional \MusiXTeX\ command was used to - gather the strings in a group in the usual way. This - ``inline use'' of \TeX\ commands will be explained in - detail in Section~\ref{sec:inlineTeX} . - } - with \texttt{nstaves} $=9$ and \texttt{noinst} replaced by - \[ -7 \; 1 \; 1 \; 1 \; 1 \; 2 \; 2 \; 1 \;\;\; . \] - This tells \PMX\ that there are 7 instruments in all, with 1 staff - each for the four strings, 2 each for the piano and the harp, and - 1 for the trombone. Note that these numbers -- 8 in all in this - case -- count as \emph{one parameter}, i.e.\ the 12 numerical - parameters of the preamble are made up of 19 numbers in this case: - \begin{center} - \begin{tabular}{l@{\quad:\quad}l} -9 & (\texttt{nstaves}) \\ --7 1 1 1 1 2 2 1 & (\texttt{ninst}) \\ -4 \quad 8 & (\texttt{mtrnuml, mtrdenl} \\ -4 \quad 8 & (\texttt{mtrnump, mtrdenp}) \\ -2 \quad 0 & (\texttt{npickup}, \texttt{nkeys}) \\ -0 \quad 2 \qquad 16 \qquad 0.14 -& (\texttt{npages, nsystems, musicsize, fracindent}) - \end{tabular} - \end{center} -\end{itemize} - -\begin{itemize} -\item _{meter} - The following 4 numbers serve to define the meter of the piece. - The first pair, -_{\texttt{mtrnuml}} - \texttt{mtrnuml} and -_{\texttt{mtrdenl}} - \texttt{mtrdenl}, are the \emph{logical} values which {\PMX} uses - to calculate the length of a bar: \texttt{mtrnuml} is the logical - numerator of the meter, i.e.\ the number of beats per measure, - \texttt{mtrdenl} the denominator. \label{p:meterdefs} - -_{meter!printed} - The second pair, -_{\texttt{mtrnump}} - \texttt{mtrnump} and -_{\texttt{mtrdenp}} - \texttt{mtrdenp}, determines the appearance of - the meter in the printed output, but has no effect on the internal - timing analysis of {\PMX}: - \begin{itemize} - \item if \texttt{mtrnump} $>0$, then it and - \texttt{mtrdenp} are printed literally as the - numerator and denominator of the time signature. For - example, \texttt{4 4 4 4} prints a standard - 4 quarters meter, - \item if \texttt{mtrnump} $<0$, then the numerator actually - used by \PMX\ will still be the positive value of - \texttt{mtrnump}, but the entire time signature will be - printed with a vertical slash through it, - \item if \texttt{mtrnump}=0, then \texttt{mtrdenp} - determines the printed meter as given in - Table~\ref{tab:meter} and shown in Fig.~\ref{fig:meter}. - \end{itemize} - -\medskip -There are special rules for n/16 and n/1 time signatures (where the -latter "1" normally means a semibreve or whole note). To get n/1 time, -\label{p:meterdefs0} -use \texttt{mtrdenl} $=0$ (zero) and \texttt{mtrdenp} $=1$\,% -\footnote{To remember this rule, recall that the printed denominator - is taken literally, while the logical denominator represents - the same time value that is denoted when entering ordinary - notes (see section~\ref{sec:notes} below): there \texttt{0} - stands for a whole note. - The special rule for n/16 time is due to programming - convenience. - }. -For n/16 time, it is \texttt{mtrdenl} $=1$ and \texttt{mtrdenp} -$=16$. So the choice [\texttt{3 0 3 1}] for the 4 meter -parameters, for example, will give a 3/1 time, both in the {\PMX} -internal computations and in the printed output, while a 5/16 time is -indicated by [\texttt{5 1 5 16}]. -\end{itemize} - -\medskip -\begin{figure}[!htbp] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/agon.eps} - } - \end{center} - - \vspace*{-4ex} - \caption{\textbf{I.\ Stravinsky}, \emph{agon, first movement}, - bars 1--2 } \label{fig:agon} -\end{figure} - -\begin{table}[!htb] -\noindent -------------------------------------------------- - \begin{center} -_{\PMX!options!meter options} -_{meter!blind} - \begin{tabular}{|l|l|} - \hline - \texttt{0} & no meter is printed (`blind' meter) \\ - \texttt{1, 2, 3 or 4} & a single digit, between - the 2nd and 4th lines of each staff\\ - \texttt{5} & cut time (alla breve) \\ - \texttt{6} & common time \\ - \texttt{7} & numeral 3 with a vertical slash - \\ \hline - \end{tabular} - \caption{Meter options for \texttt{mtrdenp} $=0$ } - \label{tab:meter} - \end{center} -\end{table} - -\begin{figure}[!htb] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/meter.eps} - } - - \vspace*{-4ex} - \end{center} - \caption{Result of meter options for \texttt{mtrdenp} $=0$ - } \label{fig:meter} -\end{figure} - -\begin{itemize} -\item -_{pickup bar} -The $7^{\text{th}}$ parameter, -_{\texttt{npickup}} -\texttt{npickup}, is the number of beats in a pickup bar if one is -present. If there is no pickup bar, set \texttt{npickup} $=0$. -\texttt{npickup} need not be an integer. Cf.~Fig.~\ref{fig:pickups} for -examples of pickup bars. -_{pickup bar} - -A pickup bar is the \emph{only} bar that can have a different number of -beats than the current value of \texttt{mtrnuml}. It must be followed -with the first regular bar \emph{in the same block}, i.e.\ the pickup -note(s) \emph{must not be followed} by a \texttt{|}, \texttt{/} or -\texttt{//}. -_{pickup bar} - -We shall later describe a {\PMX} command to change the meter, and -explain how to use it for pickups to later sections or movements -(cf.~section~\ref{sec:meterchg}). -\end{itemize} - -\begin{figure}[!htb] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/pickups.eps} - } - \end{center} - \caption[Examples of pickups in 4/4]% - {Examples of pickups in 4/4 (the values of \texttt{npickup} - are given under the staff). - } \label{fig:pickups} - -\end{figure} - -\begin{itemize} -\item -_{key signature} _{signature|see{key signature}} _{\texttt{nkeys}} - \texttt{nkeys} is the key signature, positive integer for sharps, - negative for flats. -\end{itemize} - -\medskip -The last four numerical parameters concern the layout: -\begin{itemize} -\item If -_{\texttt{npages}} - \texttt{npages} $>0$, it is the number of - pages, and -_{\texttt{nsystems}} - \texttt{nsystems} is then the - total number of systems in the entire piece. {\PMX} will spread - the entire piece horizontally over this number of systems, and - vertically over \texttt{npages} pages. For proper vertical spacing - there should be from about 9 to 16 staves per page. If you specify - too many staves for a given number of pages, one or more staves - may spill over onto an extra page, but you will not see this until - you preview the \texttt{.dvi} file. Possible remedies are to - increase \texttt{npages}, decrease \texttt{nsystems}, or use the - \texttt{Ae} command, to be described later (cf.~section - \ref{sec:A}). - - \label{p:preamble} -\item If \texttt{npages} $=0$, \texttt{nsystems} is interpreted as the - average number of bars per system. This is useful while building - up a file a little at a time. {\PMX} will decide how many pages to - use. -\item -_{staves!size} _{\texttt{musicsize}} - \texttt{musicsize} is the height of a staff, - in points. The only values allowed are: 16, 20, 24 or 29 . -\item -_{indenting first system} - Finally, -_{\texttt{fracindent}} - \texttt{fracindent} is the - indentation of the first system from the left margin, expressed as - a decimal fraction of the total line width. - - \smallskip - Note that although logically \texttt{fracindent} could have any - value between $0$ and $1$ , you should never use a value - seriously over $.5$. It is not only esthetically rather - unpleasing, but may cause some unexpected havoc for {\MusiXTeX}. -\end{itemize} - -\begin{table}[!htb] - \begin{center} -_{preamble!numerical parameters} -\begin{tabular}{|l@{ : \quad}r@{\qquad\qquad}l|} -\hline -\texttt{nstaves} & 4 & (4 staves) \\ -\texttt{ninstr} & 4 & (4 instruments) \\ -\texttt{mtrnuml} & 4 & (4 beats \dots \\ -\texttt{mtrdenl} & 4 & \quad \dots of quarters) \\ -\texttt{mtrnump} & 0 & (option for \dots \\ -\texttt{nmtrdenp} & 6 & \quad \dots common time) \\ -\texttt{npickup} & 0 & (no pickup bar) \\ -\texttt{nkeys} & -1 & (key: d minor) \\ -\texttt{npages} & 1 & (1 page) \\ -\texttt{nsystems} & 1 & (1 system) \\ -\texttt{musicsize} & 16 & (16 pt staff) \\ -\texttt{fracindent} & .085 & (indentation of 1st system) \\ \hline -\end{tabular} -\caption{Example of preamble parameters for the F.J.\ Haydn - quartet in Fig.~\ref{fig:Haydn}, p.~\pageref{p:Haydn} - } \label{tab:Haydnparams} -\end{center} -\end{table} - -\medskip \label{p:names} -_{instruments} _{instruments!names} -In the next part of the preamble the names of the \emph{ninstr} -intruments are given, as you want them to appear within the indentation -in the first system, one per line, \emph{starting with the bottom} -instrument. If you don't want instrument names to appear, you must still -leave \texttt{ninstr} blank lines here. - -\label{p:clefs} -_{clefs} _{clefs!exotic} -Next, on a new line, comes a single string of \emph{nstaves} letters or -numbers for the clefs, again starting with the bottom staff. The choices -are\,% -\footnote{There are several more exotic clefs, available only in - straight {\MusiXTeX} (cf.~Section \ref{sec:inlineTeX} on - ``Inline {\TeX}'', and the {\MusiXTeX}~\texttt{1.15} manual, - Section~2.21). - }: -\verb|b, r, n, a, m, s, t, f| , which stand for -\textbf{b}ass, ba\textbf{r}itone, te\textbf{n}or, \textbf{a}lto, -\textbf{m}ezzosoprano, \textbf{s}oprano, \textbf{t}reble, or -\textbf{f}rench violin clef, respectively. Instead of these mnemonic -abbreviations, you can use the digits 0--7, according to the notation -\texttt{0} (treble), \texttt{1} (soprano), \texttt{2} (mezzosoprano), -\texttt{3} (alto), \texttt{4} (tenor), \texttt{5} (bariton), \texttt{6} -(bass) and \texttt{7} (french violin)\,% -\footnote{This rather unmnemonic notation has been retained in {\PMX} - for compatibility with {\MusiXTeX}. - }. -These two clef codes are summarized in Fig.~\ref{fig:clefnot}. -\begin{figure}[!htb] \begin{center} -_{clefs!symbols} _{clef codes|see{clefs, symbols}} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/clefnot.eps} - } - \end{center} - \caption{Notation of the clefs} - \label{fig:clefnot} -\end{figure} - -\bigskip -_{preamble!end of} _{working directory|see{directory}} -_{current directory|see{directory}} _{path name|see{directory}} -The preamble ends with a line that contains the path name of the -^{directory} to which you want the files (the \verb#.tex# file, in -particular) to be written when -_{\textbf{pmxab}} -\textbf{pmxab} processes your source text. Usually you will want that to -be the current directory: in UNIX this is denoted by \verb#./#~, in DOS -(most versions, including Windows) it is \verb#.\#\qquad. In any case, -the path -- and thus the whole preamble -- must terminate with \verb#/# -or \verb#\#~~. - -\addcontentsline{toc}{section}{Body of the Input File} -_{body of Input File} - -\bigskip -The rest of the {\PMX} input file is called the \emph{body}. It usually -begins with a number of global options, each on a line by itself, -called the \emph{header} (which can be empty). -\label{p:header} -_{header} _{\PMX!options!general} - -\medskip -_{input block} _{block|see{input block}} -Following the header, the input of the actual music begins. The basic -unit is called a \emph{block}, each one consisting of from 1 to 15 -complete bars. The input data for all bars in a block are entered for -each staff in turn, starting with the first (i.e.\ the \emph{lowest}) -staff. The sequence of staves (and thus of the instruments) corresponds -to that in the preamble: the first is the bottom one of the system as it -appears in the final score, and the last is the top one. The input for -each staff ends with a \verb#/# (slash). The data for one staff need not -be contained on a single input line, but may spread over as many as -needed, with any number of blank lines and comment lines between them\,% -\footnote{Remember that in {\PMX}, as in {\TeX}, a line feed is - equivalent to a space, and a sequence of many spaces is - equivalent to one space. - }, -but after the end of one staff (i.e.\ after the slash), you \emph{must} -start the coding for the next staff on a new input line. A \emph{block} -ends with the slash of the last staff of the last instrument (the top -staff in the score). -_{input block!ending} - -\medskip -Though you can put up to 15 bars in one block, many users of {\PMX} have -the habit of systematically writing one bar per block only. Sometimes, -however, for reasons of context, {\PMX} \emph{requires} a set of bars to -be in one and the same block (cf.~Section~\ref{sec:dynamics}). If you -do put more that one bar in a block, it is advisable (although not -required) to separate the bars with a \verb#|# (`vertical stroke'). The -main function of this is to provide visual separation in the input file, -and to help isolate input errors: if you put a \verb#|# anywhere except -at a bar end, the {\PMX} processor will stop and show you where it -detected the timing error. Otherwise (with a few minor -exceptions% -\footnote{For such an exception cf.\ the note on p.\pageref{p:repeats}. - }) -\verb#|# has no effect. -_{bar lines!in source} - -It is also good practice to separate the blocks with comment lines that -state which bars are represented, as has been done in the input source -for Fig.~\ref{fig:Haydn} (p.\pageref{p:Haydn}). - -_{pickup bar} -If there is a pickup bar (\verb#npickup# $>0$), it must be in a block -with the first full bar\,% -\footnote{If, for some reason, you do need to put the pickup in a - separate block, set the initial logical meter to fit the - pickup bar, then after the pickup bar do a blind meter change, - as described in section~\ref{sec:meterchg}. - }. - -_{voice!several voices in one staff} -When there are 2 voices in a staff (e.g.~for an organ or other -polyphonic instrument, or in a choir or symphonic score), these are -entered consecutively in the coding for that staff, again starting with -the lower voice, and this voice is ended with a \verb#//# (`double -slash'). Here again, after the double slash, you \emph{must} start the -second voice on a separate input line. The coding for this staff is then -again concluded by a single slash. - -\medskip -The two bars from \emph{Pellas et Melisande} by Debussy in -Fig.~\ref{fig:debussy} are an example. The bottom staff, that for the -trumpet, has only one voice, while the top staff (for the flutes) has 2, -thus giving a total of 3 voices. - -\begin{figure}[!htbp] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/debussy.eps} - } \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -%----------------% -% C. Debussy, Pell‚as et Melisande, p.149 -%----------------% -% -2 2 -12 8 12 8 -0 6 -1 1 16 .07 -% -Trumpet -Flutes -tt -./ -It60itrfl -h-4 -Lento -Abepl -\\nobarnumbers\ -% -% %%%%%%%%%%%%%%%%%%%%%%%%% Bar 1 %%%%%%%%%%%%%%%%%%%%%%%%% -cd4 D"con sord."+17 sf dd fd dd sf / -r8+0 fr sfu+0+1 e sf+0 t ed4 t r8+0 -br+ sfu+0+1 a sf+0 r+0 gr sfu+0+1 f sf+0 // -rb8 g4+ t gd t rb8 c4 rb8 a4 / - -% %%%%%%%%%%%%%%%%%%%%%%%%% Bar 2 %%%%%%%%%%%%%%%%%%%%%%%%% -cd4 sf dd fd ad sf Rb / -r8+0 fr sfu+0+1 e sf+0 t ed4 t r8+0 br+ sfu+0+1 a sf+0 t ad4 t // -rb8 g4 t gd t rb8 c4 t cd t / - -% %%%%%%%%%%%%%%%%%%%%%%%%% end of file %%%%%%%%%%%%%%%%%%% -\end{verbatim} -\end{minipage} - \end{center} - - - \caption{\textbf{C.\ Debussy}, \emph{Pellas et Melisande} (excerpt) } - \label{fig:debussy} -\end{figure} - -\medskip -_{voice!several voices in one staff} -The number of voices in a staff (1 or 2) is determined solely by whether -the first sequence of symbols for that staff ends with \verb#/# or -\verb#//#. Therefore the number of voices in any given staff can vary -from block to block, but not within a block. In other words, if you need -to change the number of voices in a staff, you must start a new block. - -\medskip -_{\PMX!symbols} -Finally, a general characteristic of {\PMX} coding should be noted: all -data comprises sequences of \emph{symbols}, each one containing one or -more adjacent characters. These symbols -- including the -voice-terminating symbols \verb#/# and \verb#//# -- are \emph{always} -separated from each other by at least one space or line feed. Whenever -there are several characters strung together without spaces, they are -considered \emph{one single} {\PMX} symbol. This concept has already -been illustrated in prior examples. The construction of the symbols will -be explained in much more detail in the remainder of this chapter. - -\section{Commands for the Individual Staves} - \label{sec:stave transposition} - -_{\PMX!commands for individual staves} - -\subsection{Notes} \label{sec:notes} -_{notes} - -The most important input item is of course a single note. Its two -main features are its \emph{pitch} and its \emph{duration}. - -\emph{The pitch} is primarily -- i.e.\ up to octaviation --indicated by -_{notes!pitch} -the note \emph{name} in \emph{lower case} letters: \texttt{c, d, e, f, -g, a, b} (do, re, mi, fa, sol, la, si). If the note is to have an -accidental, the note name is followed \emph{without a space} by -\texttt{s, f} or \texttt{n} for a \textbf{s}harp, \textbf{f}lat or -\textbf{n}atural; \texttt{ss}/\texttt{ff} for a double sharp/double -flat. - -_{accidentals} _{notes!duration} - -The \emph{basic duration}, i.e.\ the duration exclusive of a possible -dot, is indicated by the first unsigned digit following the note name, -again with no space: \texttt{9, 0, 2, 4, 8, 1, 3, 6} respectively for -double-whole (^{breve}), whole (^{semibreve}), half, quarter, eighth -(quaver), sixteenth (semiquaver), thirty-second, and sixty-fourth notes. -For a consecutive sequence of notes of equal duration, this needs to be -given explicitly only for the first note of the sequence. Subsequent, -consecutive notes with no explicit duration will `\emph{inherit}' their -basic durations from the most recent note with an explicit duration. -_{eighths} _{sixteenths} - -A \emph{dotted/doubly dotted note} is indicated by the letter -\texttt{d}/\texttt{dd} just about anywhere\,% -\footnote{The only restriction on the position of \texttt{d} within the - note symbol occurs if the dot is to be shifted - (cf.~p.\pageref{p:dotshift}). - } -in the note symbol, after the note name, of course. - -It is important to note that, in contrast to the basic duration, a -dot is never inherited by a subsequent note. -_{notes!duration!not inherited for dotted note} _{dotted notes|see{notes}} - -\medskip -The \emph{pitch} of a note is, of course, not determined by the note -name alone; the actual octave needs to be specified as well. For this, -there are three possibilities: -\begin{description} - \item[explicit octaves:] \text{} \\ -_{notes!pitch!explicit octave} - A second unsigned digit\,% - \footnote{In contrast to the letters for accidentals and dots - and other letters to be explained in - Section~\ref{sec:otherparams}, the 2 digits for - duration and pitch, if present, must always be given - in this order. Specifically, if by omitting the - duration digit you use the inherited duration, you - can no longer specify the octave explicitly by an - unsigned digit. - } - indicates the octave to which the note belongs. For reference, - octave 4 runs from middle C to the B above. The lowest note on - an 88-key piano is the A in octave~0, while its highest note is - the C in octave~8 (cf.~also Fig.~\ref{fig:pitch}). - - \begin{figure}[!htb] \begin{center} - \includegraphics[scale=.82]{eps/pitch.eps} - \end{center} - \caption{{\PMX} notation for pitch - (second digit of note symbol)} - \label{fig:pitch} - \end{figure} - - \item[inherited pitch:] \text{} \\ -_{notes!pitch!inherited} - For a note without any explicit octave or relative pitch - indication, the octave is assigned by {\PMX} such that the note - is placed in the octave that makes it nearest to the most - recent note \emph{in the same voice}, i.e. the pitch is - `inherited'. Thus for jumps of less than a fourth up or down, - you only need to enter the note name to fully specify the - pitch. This feature often lets you go for long stretches in a - voice before needing to enter the octave. For jumps of a fifth - or more, you need to specify the octave either explicitly as - described above, or relatively as described below. - - \item[relative pitch:] -_{notes!pitch!relative} - \text{} \label{p:relativepitch} \\ - A \texttt{+} or \texttt{-} (if not part of one of the signed - numerical suboptions to be discussed later) indicates that a - note is to be an octave higher or lower than it would otherwise - be. Two consecutive \texttt{+}'s will raise the pitch two - octaves, and so forth\,% - \footnote{Two consecutive \texttt{+}'s can be abbreviated by - one \texttt{++} . - }. - - As an example of all this, compare Fig.~\ref{fig:reloctav} with the - {\PMX} notations given under the staff\,% - \footnote{The same result would be obtained with the full, absolute - notation \texttt{c84 d84 e84 c85 b84 a84 g84 g83 | c26 g23 - | c04}; but this is obviously much more verbose. - -_{notes!pitch!explicit octave} - Explicit octave numbers can be combined with one or more - \texttt{+} or \texttt{-}, although this is not - recommended. - }. - - \begin{figure}[!htb] - \begin{center} \includegraphics[scale=.82]{eps/reloctav.eps} - \end{center} \caption{Relative Octave Notations} - \label{fig:reloctav} - \end{figure} -\end{description} - -_{notes!pitch!explicit octave} -The first note of each line of music in a block must contain at a -minimum the note name and a basic duration value. It is good -practice and can simplify editing if in addition an explicit octave is -set there. However if it is not, {\PMX} will make some assumptions: at -the start of the first input block the pitch will be set as if there -were a prior note of middle C. In later blocks {\PMX} will use the -obvious inheritance rules from the end of the prior block\,% -\footnote{However, if the number of voices in a staff has changed from - the prior block, it is safest to reset the octave at the start - of a new block. Duration is never inherited across block ends, - and thus must be reset at the start of each input block. -_{notes!duration!not inherited across blocks} _{voice!several voices in one staff} - }. - -\subsection{Dotted Notes} \label{sec:dotnotes} -_{notes!dotted note} - -Inheritance of dotted notes is a little tricky. As was noted above, the -dot itself is never inherited; you always have to use a \texttt{d} in -the note symbol, even if the actual duration and octave are the same as -the prior note. But the \emph{basic} digit of duration need not be -reentered if it hasn't changed\,% -\footnote{There is an exception to this: if you decide to indicate the - octave with an explicit digit (`absolute octave'), you must - then enter the duration explicitly as well. - }. -So for example, consecutive dotted half notes, each within a fourth of -the previous one, could be most cleanly entered as \texttt{cd24 ed gd -ed}, whereas \texttt{cd24 e} would represent a dotted half note followed -by a plain half note, since the basic digit of duration was for a half -note all along. - -\subsection{Stems} \label{sec:stems} -_{stems} _{stems!direction forced} _{stems!length} - -{\PMX} usually determines the correct stem length and direction -(\emph{up} or \emph{down}) of a note automatically. This can, however, -be changed by the user, as needed: -\begin{itemize} -_{stems!options} - \item the stem direction is forced to go \emph{up} with the letter - \texttt{u} (`\textbf{u}p') anywhere after the note name, or - \emph{down} with \texttt{l} (`\textbf{l}ower'), - \item the stem length of non-beamed notes can be shortened by adding - the option \texttt{S}, followed by a decimal number between .5 - and 4.0 , representing the shortening in units of - \texttt{\bs{}internote}\,% - \footnote{1 unit of \texttt{\bs{}internote} is roughly half the - distance between staff lines. - }. - The shortening can be made ``sticky'', i.e.\ applied to all - following notes by adding a colon (\texttt{:}) after the - number. Stickiness is terminated by \texttt{S:} . - -\end{itemize} - -\subsection{Other Note Parameters} \label{sec:otherparams} -_{\PMX!options} _{\PMX!options!notes} -Here are some more options that can be appended to a note symbol (as usual -without spaces): - -\begin{description} - \item[Inhibited beaming (\textbf{a})] \text{} \\ -_{beaming!inhibited} - Joining the note stems with beams is usually done automatically by - {\PMX}\,% - \footnote{For details of this cf.\ Section~\ref{sec:beams}. - }. - Sometimes, however, you may want to inhibit this explicitly for a - single note; this is achieved by the letter \texttt{a} (for - \texttt{a}lone). - \item[Horizontal shift (\textbf{e,r})] \text{} \\ -_{notes!horizontal shift} - Sometimes you want to shift the horizontal position of a note, for - example to avoid overlap with a note in another voice of the same - staff. The letters \texttt{e} and \texttt{r} do that: \texttt{e} - shifts the note to the l\texttt{e}ft by its own width (a `notehead - width'), while \texttt{r} shifts it to the \texttt{r}ight. An - example of this can be seen in Fig.~\ref{fig:debussy}. - \item[Shift of accidentals (\texttt{<} / \texttt{>})] - \text{} \label{p:accidentals} \\ -_{accidentals!position shift} - Accidentals can be shifted too. One way is to enter \texttt{+} or - \texttt{-} immediately after the accidental character, then an - \emph{integer} for the vertical shift in units of - \texttt{\bs{}internote}, then another \texttt{+} or \texttt{-} , - followed by the horizontal shift, given as a decimal fraction of a - notehead width. If you use this method, you \emph{must enter both - numbers}. Alternatively -- if you need only an horizontal shift --, - you can simply use \texttt{<} or \texttt{>}, followed by the shift, - in notehead widths. When shifting a sharp to avoid another sharp, a - left shift of $0.85$ is usually best. When shifting a flat to avoid - a flat above it, a left shift of $0.3$ is suggested. - \label{shifts} - \item[Shift of the dot in dotted notes] \text{} \label{p:dotshift} \\ - The dot in dotted notes can be shifted analogously to the first - method for accidentals, using signed numbers, except that the first - (vertical) shift may be a decimal fraction. - \item[Shorthand for dotted notes] -_{dotted notes!shorthand} _{shorthand!for dotted notes} - \text{} \\ There are two special shorthand notations for dotted - rhythms. For normal dotted rhythms ($3:1$ ratio), if you include a - period (\texttt{.}) in the note symbol, {\PMX} will - \begin{itemize} - \item assign a dot to the note just entered, - \item terminate that note, - \item prepare to receive the next note name \emph{without any - space}, and - \item automatically assign a time value to the second note equal - to one-third of the first one. - \end{itemize} - No time value may be entered for the second note, but octave and - accidental parameters may. Ornaments and slurs - (cf.~Sections~\ref{sec:ornaments} and \ref{sec:psslurs}) following - this symbol will apply to the second member. If you need to follow - the main note with some modifying command, you can still use the - shorthand (\texttt{.}) after that command and a space. The main - advantage of this shorthand comes if you want to follow one dotted - pair with another of the same rhythm; then you needn't enter any - explicit duration value for \emph{either} member of the second - pair. This is because after using the shorthand, the basic - inherited duration value is set to that of the \emph{first} note in - the pair; remember that the basic duration does not include the - dot! - - For paired notes with 2:1 rhythmic ratios, the symbol \texttt{,} - (comma) behaves similarly to the \texttt{.} (period) for 3:1 - rhythms as just described. - - \Note{If you use this shorthand for dotted pairs, either embedded - in a single symbol or to start a separate symbol for the - second member, then you \emph{cannot shift the dot position}. - If you do need to shift the dot, you should not use the - shorthand notation. -_{dotted notes!shorthand} - } -\end{description} -\bigskip -For reference, all the letter-type note parameters are listed in -Table~\ref{tab:noteparameters}. Examples demonstrating the -use of most of them are given in Fig.~\ref{fig:notepars} . - -\begin{table}[!htb] - \begin{center} -_{\PMX!options!notes} _{accidentals} _{accidentals!cautionary} -_{notes!parameters} _{accidentals!MIDI} - \begin{tabular}{|l@{\hbox{\quad}}c@{\quad --- }l|} - \hline - \multicolumn{3}{|l|}{\textbf{Accidentals:}} \\ - & s & \textbf{s}harp \\ - & f & \textbf{f}lat \\ - & n & \textbf{n}atural \\ - & ss & double \textbf{s}harp \\ - & ff & double \textbf{f}lat \\ - & sc, ssc, fc, ffc, nc - & cautionary accidental (accidental in parenthesis) \\ - & si, fi, ni & \parbox[t]{300pt}{M\textbf{i}DI accidental {\\} - [\,does do not appear in the printed score - --- - cf.~Section~\ref{sec:MIDIaccidentals}\,] - } \\[1ex] - \multicolumn{3}{|l|}{\textbf{Dotted Notes:}} \\ - & d & single \textbf{d}ot \\ - & dd & \textbf{d}ouble \textbf{d}ot \\ - & . & shorthand for $3:1$ rythm \\ - & , & shorthand for $2:1$ rythm \\ - \multicolumn{3}{|l|}{\textbf{Stems:}} \\ - & u & force the stem \textbf{u}p \\ - & l & force the stem down (\textbf{l}ower) \\ - \multicolumn{3}{|l|}{\textbf{Shifts of Position:}} \\ - & e & shift the notehead l\textbf{e}ft - by the notehead width \\ - & r & shift the notehead \textbf{r}ight - by the notehead width \\ - & \texttt{<} & left shift of accidental \\ - & \texttt{>} & right shift of accidental \\ - & +, - & general shift of accidental \\ - \multicolumn{3}{|l|}{\textbf{Beam Inhibit:}} \\ - & a & \textbf{a}lone (cf.~Section~\ref{sec:beams}) \\ - \multicolumn{3}{|l|}{\textbf{Xtuplets:}} \\ - & x & (\textbf{x}tuplet) (cf.Section~\ref{sec:xtuplets}) \\ - \hline - \end{tabular} - \end{center} - \caption{Use of Note Parameters as shown in Fig.~\ref{fig:notepars} .} - \label{tab:noteparameters} -\end{table} - -\begin{figure}[!htb] - \begin{center} - - \includegraphics[scale=.82]{eps/notepara.eps} \\[2ex] - \includegraphics[scale=.82]{eps/noteparb.eps} \\ - \small{ (Notations for Dotted Notes) } \\[2ex] - \includegraphics[scale=.82]{eps/noteparc.eps} \\ - \small{ (Position Shifts of Accidentals) } \\[2ex] - \end{center} - \caption{Use of Note Parameters} \label{fig:notepars} -\end{figure} - -\pagebreak -\subsection{Rests} \label{sec:rests} -_{rest} _{pause|see{rest}} - -Rests are denoted by the letter \texttt{r} in place of a note name. -Rests have duration digits just like notes, but obviously no second -digit for giving an octave. As inheritance goes, an \texttt{r} behaves -just like a note: it can inherit its duration from the prior note or -rest, and notes as well as rests can inherit their duration from prior -rests. - -\medskip -Any rest or sequence of rests that occupies a full bar will by default -be horizontally centered in the bar. - -\medskip -There are a few special notations for rests: -\begin{itemize} - \item \texttt{rp} (`\textbf{r}est \textbf{p}ause') denotes a full-bar - rest (whole rest), regardless of what the meter signature for - the bar may be, - \item \texttt{rpo} (`\textbf{r}est \textbf{p}ause - \textbf{o}ff-center'). The option \textbf{o} suppresses the - centering of a pause, - \item -_{rest!blank rest} - \texttt{b} (`\textbf{b}lank') denotes a blank rest, i.e. one - that \emph{does not appear in print}. Logically, it has a - duration that is determined, as usual, either by an explicit - duration specifier or by inheritance. Blank rests are most - commonly used when there are two voices in a staff, - and one drops out for some part of the current input bar\,% - \footnote{Another interesting application is when you have two - homophonic voices in one staff and, for simplicity's - sake you want to write only one rest for both voices - (cf.~the last 2 bars in Fig.~\ref{fig:rests}) . - }, - \item -_{rest!multibar rest} _{\textbf{scor2prt}!multibar rest} - \texttt{rm} (`rest \texttt{m}ulti-bar') followed -- without - space! -- by an integer $n$ generates the multi-bar rest symbol - with the number $n$ above it, signifying a rest for $n$ full - bars\,% - \footnote{This is used in particular when the parts for - individual instruments are generated from a full - score, as is done automatically by \textbf{scor2prt}; - cf.\ Section~\ref{sec:scor2prt}). - }. -\end{itemize} -\noindent -\hspace*{2em}\fbox{\begin{minipage}{390pt} - Note that that there can be \emph{only one instance} of a multibar - rest in a given input block! - \end{minipage} - } - -\medskip\noindent -The default vertical position of a rest depends on whether there are one -or two voices in the staff. For one voice it is just the {\MusiXTeX} -default: approximately centered on the middle line. On the other hand, -in the lower voice in a two-voice staff, the rest is lowered -by \verb#4\internote#, while in the upper line it is raised -by \verb#2\internote#. The default can be manually overridden by appending -\verb#+# or \verb#-# and an integer for the offset (in -\verb#\internotes#) from the \emph{middle} line of the staff. Note that -this means that, if in the case of 2 voices in a staff you want to have -the rest centered on the middle line, you need to code it as \verb#r+0# ---- see the last bar in Fig.~\ref{fig:rests}~. - -\medskip -Some samples of rests are given in Fig.~\ref{fig:rests}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/rests.eps} - \end{center} -\caption{Rests} -\label{fig:rests} -\end{figure} - -\pagebreak -\subsection{Xtuplets} \label{sec:xtuplets} -_{xtuplet} - -{\PMX} insists very strictly on checking that the sum of durations of -all notes or rests in a bar add up to the total required by the bar's -meter. Thus, it cannot deal easily with modern extensively\,% -^{polyrhythmic scores}, percussion in particular \label{p:polyrhythms} -\footnote{But such problems occur occasionally even in classical music. - Thus, a real challenge to any {\PMX} expert is to code the - (in)famous third movement of Mozart's Oboe Quartet KV 370, - where suddenly the oboe changes to an alla breve (4/4), while - the strings continue on in a 6/8 meter! - }. -The only polyrhythmic feature built into {\PMX} are the traditional -xtuplets: doublets, triplets etc.\ , together with their usual notation. - -\medskip -Xtuplets (duplets, triplets, etc.) can have from 2 to 24 notes or -rests\,% -\footnote{The default maximum of $24$ can be changed. - Cf.~\ref{sec:limits} . - }. -By default all notes in an xtuplet have the same duration; but some can -be dotted or have twice the basic duration -(cf.\ p.~\pageref{p:xtupletdoubling}). The notation is as follows: -\begin{enumerate} - \item The symbol for the first note of an xtuplet begins exactly like - a note symbol, with the name of the first note in the xtuplet, - or an \texttt{r} if the xtuplet starts with a \textbf{r}est --, - followed, as the case may be, by an accidental, a \texttt{d} or - \texttt{dd}, a \texttt{+},\texttt{-} or explicit octave, and an - optional duration digit. However, this duration, whether given - explicitly or inherited from a previous note or augmented by a - dot, is not the duration of the first note, but represents the - \emph{total} duration of the \emph{whole xtuplet}. - - \item If the xtuplet is to be \emph{unbeamed}, add an - `\texttt{a}' (`alone') right after the first note. - \item Next -- with no space, as usual -- comes \texttt{x} (for - `\textbf{x}tuplet'), followed by a one- or two-digit integer, - for the number of notes in the xtuplet . If the first note is to - be dotted, add the usual \texttt{d}, if it is to have twice the - basic duration, add a \texttt{D} or \texttt{F} (cf.\ - page~\pageref{p:xtupletdoubling} for more detail on this). The - only options allowed after this begin with the letter \texttt{n} - and control the printed appearance of the xtuplet: - \begin{itemize} - \item If \texttt{n} is omitted, the xtuplet is printed in the - standard way, i.e.\ with the xtuplet $3$ printed over (or - under, as the stemming may dictate) for, say, a triplet. - Note also that by default {\PMX} prints a bracket only - if the xtuplet notes are unbeamed; otherwise just the - xtuplet number is printed. - \item If \texttt{n} is followed by an \emph{unsigned} integer, - this integer is taken as the number to be printed - instead of the natural (default) one. - \item If \texttt{n} is followed by the letter \texttt{f} - (\textbf{f}lip), the xtuplet number is \textbf{f}lippped - vertically from its default position. \item The position - of the xtuplet number can be adjusted in the usual way - with one or two \emph{signed decimal numbers} following - \texttt{n}: the first is a vertical shift in units of - \texttt{\bs{}internote}, the (optional) second a - horizontal shift, in notehead widths. - \item If \texttt{n} is given, but followed by a space, thus - ending the first-note symbol, \emph{no number} at all - will be printed. - \item -_{xtuplet!tweaking the bracket slope} - For a \emph{non-beamed xtuplet only} a suboption - \texttt{s} can be added to the \texttt{n} option by - which the slope of the bracket can be adjusted ; i.e.\ - you can use \texttt{ns}[\emph{n}], where \emph{n} is - an \emph{signed} integer (except zero): a positive - integer will lift the end of the bracket upwards, while - a negative one will move it downwards. - - Note that this suboption will operate in a more - elegant way for Sicherman-type xtuplets\,% -_{Sicherman-type xtuplets!see xtuplets} -_{xtuplets!ajusting slope with Sicherman xtuplets} - \footnote{For Sichermann xtuplets cf.\ the next page. - } - only: when the Sichermann option \textbf{AT} is - \emph{not in effect}, the bracket number (the 3 in a - triplet, e.g.) will \emph{not} follow the slope - adjustment and might have to be tweaked separately. - \end{itemize} - \item The second through last notes of the xtuplet are then each - given by a separate note symbol, containing the meaningful - subset of the parameters permitted for notes or rests: - \begin{enumerate} - \item the note name as the first character. This is the only - required character. It can be an \texttt{r} (for a -_{xtuplet!rest in xtuplet} _{rest!in xtuplet} - rest), except that the \emph{last note of an xtuplet - cannot be a rest}\,% - \footnote{Cf.\ however, Sec.\ - \ref{sec:Xtuplets ending with a rest} - }, - \item an accidental, - \item an octave change (\texttt{+} or \texttt{-}). The octave - may also given explicitly; this is the only digit - allowed, - \item a \texttt{d} (\textbf{d}ot). The next note after the - dotted one is automatically shortened to half the - normal value, - \item -_{xtuplet!doubled note} - \label{p:xtupletdoubling} - the character \texttt{D} in the note symbol for any - note in an xtuplet doubles the duration of this note. - As this accounts for two notes of the xtuplet, it will - decrease the expected number of notes in the xtuplet by - one. If used for the first note of an xtuplet, - \texttt{D} goes \emph{before} an optional \texttt{n} - parameter, \item -_{xtuplet!doubled note in Bach notation} - the character \texttt{F} is the same as \texttt{D}, - except that in the printed output the doubled note will - appear dotted (a notation Bach sometimes used). As with - \texttt{D}, an \texttt{F} for the first note goes - \emph{before} an optional \texttt{n} . - \item grace notes are allowed in xtuplets. -_{grace notes!in xtuplet} - \end{enumerate} - No explicit duration is allowed in symbols for the - second through last members of the xtuplet, the - duration having been determined by the first note. -\end{enumerate} - -\medskip -_{xtuplet!inhibited beaming} _{beaming!in xtuplet} -Beaming of xtuplets is done automatically. If it is to be inhibited, add -the \textbf{a}lone option to the first-note symbol -(cf.~Section~\ref{sec:otherparams}). - -\medskip -Fig.~\ref{fig:xtuplets} displays some examples of xtuplets, with the {\PMX} -coding given below the staff: - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]% - {eps/xtuplets.eps} \\[2ex] - \end{center} - \caption{Xtuplets} - \label{fig:xtuplets} -\end{figure} - -\bigskip -As was remarked at the end of Section~\ref{sec:preamble}, the -individual symbols of {\PMX} generally consist of one or several -characters strung together without spaces. In that sense, each note of -an xtuplet is considered to be \emph{a separate} {\PMX} symbol; so these -are separated by spaces as usual. - -\bigskip\bigskip -_{xtuplet!non-standard bracket} -\label{p:sicherman} -A special, non-standard bracket can be printed for \emph{non-beamed xtuplets -only} with an addition to {\PMX} designed by Col.\ G.L.\ Sicherman. This -prints the xtuplet number not above or below the bracket, but in line -with it, as shown in Fig.~\ref{fig:xtupletsSich}. To invoke this, simply -add the option \texttt{AT} as a separate {\PMX} symbol anywhere in the -body of the source file: this will switch from standard to Sicherman -brackets \emph{for all xtuplets in the score}. -_{Sicherman, Col.\ G.L.} - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/xtupletsSich.eps} \\[2ex] - \end{center} - \caption{Xtuplets with Sicherman brackets} - \label{fig:xtupletsSich} -\end{figure} - -\medskip -If you want to use this for specific xtuplets only or otherwise -customize your use of the option, you will have to use inline {\TeX} -commands, following instructions given in \verb#tuplet.tex# as comments. - -\Note{To use the Sichermann option, the file - \href{http://icking-music-archive.org/software/musixtex/% - add-ons/tuplet.tex}{\texttt{tuplet.tex} } - (available from the software section of the WIMA) must be - installed in your {\TeX} system! - } - -\subsection{Chords} -\label{sec:chords} - -_{notes!chordal} _{chords} -\emph{Chordal notes} are notes that share a common stem and have the -same duration. They are coded in {\PMX} as follows: -\begin{itemize} - \item -_{chords!main note} - One of the notes in the chord is chosen to be the `first note'. - The first note is written as usual and as described in - Section~\ref{sec:notes} ; all other chordal notes are denoted by - separate symbols starting with \texttt{z} , followed by a note - name. The note name can optionally be followed by an accidental - and an octave indicator (\texttt{+} or \texttt{-}), but no - absolute octave is allowed. And no duration value is allowed - either, as this is logically determined by the first note. - - Legally the first note can be any one of the chord notes; but wise - use of this freedom of choice is definitely called for, since - \begin{itemize} - \item the first note sets the default stem direction, - \item in a beam it can affect the height and slope of the - beam, - \item if the chord is beamed with other notes, the default - height and slope of the beam will be determined by the - `first note' of the chord. - \end{itemize} - - If a beam joining chords looks bad, you can often fix it by - changing which note acts as the main one [\,of course there are - other ways to fine-tune beam parameters, as will be described in - detail in Section~\ref{sec:beams}\,]. For further details, consult - Section~\ref{sec:arpeggio} . - - If the main note is dotted, the dot is obviously `inherited' for - all other notes as well, so writing another \texttt{d} would be - redundant. But if you want to shift the dot of a chordal note, you - \emph{must add} a \texttt{d}, followed by the shift parameters, as - described on p.\pageref{shifts}. - - \item Normally {\PMX} will automatically set notes in a chord so that - collisions are avoided (in a second, e.g.). If you don't like - the result, you can shift the note by one notehead width to the - \textbf{r}ight with \texttt{r}, or to the l\textbf{e}ft - with \texttt{e} . - \item The position of accidentals will also be adjusted automatically - by {\PMX} so as to avoid collisions. But, as with single notes, - you can shift accidentals of chord notes manually\,% - \footnote{Note that if, in addition, you use a \texttt{+} or - \texttt{-} to denote a relative octave - (cf.~p.\pageref{p:relativepitch}), this sign must - come \emph{after} the shift parameter for the - accidental. - }, - using the parameters described on p.\pageref{p:accidentals}. - - If you manually shift \emph{any}\ accidental in a chord, then - automatic shifting will be disabled for \emph{all}\ the - accidentals in a chord, \emph{unless}\ you preface the shift - parameter with \textbf{A} (e.g.~\texttt{zcsA<.5}), in which - case the manual shift will be \textbf{a}dded to that applied - automatically by {\PMX}. - \item -_{chords!position of accidentals} - \label{p:chordsoption} - Another option that affects accidental positioning in chords is - \texttt{Ao}~, entered in the main note symbol of a chord. It will - force the accidentals in that chord to be posted in the order they - come in the source (starting with the main note), each one as - far to the right as it will go without crashing into a notehead, - stem, or another accidental. -\end{itemize} - -_{chords!stem length and direction} _{stems!direction forced} -The stem length and direction of a chord are controlled by the first -note, but may be manually overridden with \text{u} (\textbf{u}p) or -\texttt{l} (\textbf{l}ower) in the first note symbol. - -\medskip -As decribed above, every chord note has its own note symbol. This means, -as always: no space within a note symbol, but at least one space -between the note symbols of a chord. - -\Note{\begin{center} \large\textbf{A beginner's trap} \end{center} When - slurring two chords, you may get confused by a simple - programming error. Take, e.g., the sequence - - \vspace*{-3ex} \begin{center} \texttt{c45 zf d zg-} \qquad . - \end{center} - \vspace*{-2ex}\noindent - The first notes of the two chords are c and d , the chord notes - (denoted by \texttt{z} in \PMX) are f and g . However, \PMX\ - following your instruction, sets the lower notes as \emph{c and - g} , the higher ones as \emph{f and d} . - - So if you want to slur the chord say, in the higher notes (as - shown in the picture), - - \vspace*{-3ex} \begin{center} - \includegraphics{eps/chordslur.eps} , - \end{center} - \vspace*{-3ex}\noindent - you must obviously write - - \noindent - \hspace*{5em} \texttt{c45 zf s d s zg-} \; , \quad not \quad - \texttt{c45 zf s d zg- s} \; . - - \smallskip - \textbf{Moral}: if you want to slur chords, look at the - \emph{names of the notes} you want to slur, not - the \texttt{z} symbols! - } - -\subsubsection{Arpeggio} \label{sec:arpeggio} -_{chords!arpeggio} _{arpeggio|see{chords}} - -An \textbf{arpeggio} is, of course, simply a special form of a chord, -denoted by a vertical wavy line in front of the chord proper. To write -that in {\PMX}, place the symbol \texttt{?} after the symbols, with a -space as usual, for both the first and last note of the chord. - -When doing that, you should remain aware of the fact that the wavy line -is generally understood as being played from the bottom up: lowest note -first, highest last. - -\medskip -So far, so easy. There are, however, a few special cases to note: -\begin{enumerate} - \item In an arpeggio, the wavy line often turns out to be crowded to - the chord itself; this happens in particular when some of the - chord notes have accidentals. In such cases one would want to - move the arpeggio line away from the chord itself a bit, i.e.\ - to the left. -_{arpeggio!moving arpeggio line to the left} - - This is easily achieved by adding a \texttt{-} and an (unsigned) - decimal number, without spaces, to one of the \texttt{?} - designating the arpeggio --- it doesn't matter which one. - \item Sometimes the composer may want to have the arpeggio played in a - more virtuose way (on string instruments, in particular): the - first 2 -- or even 3! -- of the chord notes simultaneously, as a - double (or triple) stop, then the other chord notes as a true - arpeggio. - - \medskip - This can be done easily in {\PMX}: simply place the first - \texttt{?} not after the starting chord note, but later, after - one of the \verb#z...# notes. - - In this case is is even more important to remember the standard meaning - of the wavy line in musical language that was just - pointed out! So in general, it is best to stick with the order of - the chord notes ``bottom to top'' unless you really know what - you are doing. - \item In piano music, it is quite common that an arpeggio is meant to - go across the chords of both hands. This also is easily -_{arpeggio!across staves} - implemented in {\PMX}\,% - \footnote{To my knowledge, this feature of {\PMX} (available - from Version 2.503 on) has not been explicitly - documented in the official {\PMX} documentation. - I am very grateful to Andr‚ van Ryckeghem for drawing - our attention to this feature in one of his - contibutions to the WIMA ``Tips \& Tricks'' WEB page. - }: - simply place the first \texttt{?} at the start of the left-hand - chord and the second one \emph{at the end of the - right-hand chord} --- as common sense would suggest! -\end{enumerate} - -\bigskip\noindent -To see all this in examples, look at how the chords in -Fig.~\ref{fig:chords} were coded. When comparing this figure with its -code it should become obvious that care is called for when -producing chords with accidentals, and arpeggios in particular: some of -the chords in bars 1 and 2 look ugly, to say the least, and the arpeggio -line in bar 3 as well as the first one in bar 4 seem to be downright -violations of the standards of good typesetting practice. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/chords.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -% bars 1-3: -e22f zgn zb zef | -dn2- zbn+ zen | -dn4- zbn<1.5+ zen dn- zbnA<1.5+ zen X4 / -b24 zdf zef zgn | -bn2- ? zen zgs | -bn4- zen<1.5 zgs ? bn- zen<1.5 zgs X4 / - -% bar 4: -f8- ? za zc zf gd4f- zb zdf zgfd+0.5+2 / -cd4- zef zf za ? d8f- zgf zb zdf / - -% bar 5: -c4sAo ? zgs zes zbn ? X2 bn4 zes ? zgs zcs ?-2.9 Rb / -es2-u zgs zcs / -\end{verbatim} -\end{minipage} - \end{center} - \caption{Chords} - \label{fig:chords} -\end{figure} - -\subsection{Grace notes} \label{sec:graces} -_{grace notes} _{notes!grace notes} - -A grace note symbol starts with a \texttt{G}. It is entered in its -natural order, i.e.\ before the main note symbol for a normal grace, -behind the main note symbol for an after-grace . After -\texttt{G} comes any combination of the following options: - -\begin{itemize} - \item A single digit representing the number of notes\,% - \footnote{The \emph{maximum} number of notes in a grace is not - fixed, but depends on circumstances - (cf.~Section~\ref{sec:limits}); but up to 16 is - usually safe. - } - in the grace. The default is 1 . - \item \texttt{m} (for \texttt{m}ultiplicity) and a digit, - representing the number of flags or beams. The default is 1; 0 is - allowed. - \item -_{slurs!in grace notes} _{grace notes!slurs|see{slurs, in grace notes}} - \texttt{s} (for \texttt{s}lur): this joins all notes of the - grace to the main note. No \texttt{s} is needed in the main - note symbol. - \item \texttt{x} for a slash (only for single graces), - \item \texttt{l} or \texttt{u} to force the direction of the stem(s) - as desired. -\end{itemize} -Next comes the only required character, the first grace-note name. No -time value must be entered, but, if needed, an octave (relative or -explicit) or an accidental can be given as in a normal note. Second and -later notes must follow immediately in sequence, set apart by spaces, -likewise without any time value, and without any intervening symbols. - -\medskip -_{grace notes!`after'-grace} -`After'-graces (graces coming \emph{after} a main note) are entered -similarily to normal graces, with the same parameters as above; but in -addtion to the other parameters either an \texttt{A} (for -\textbf{A}fter) or \texttt{W} (for \textbf{W}ay-after) is entered, -before the grace note(s). - -After-grace symbols associate the grace note(s) with the \emph{prior} -main note and are therefore entered \emph{after} the main note symbol. - -\medskip -By default, {\PMX} will place graces or after-graces \emph{immediately} -before or after the main note, way-afters as far to the right as -possible before the next note or bar line. If either type of -after-grace is slurred, the slur will start on the main note and end on -the last one in the grace. - -_{grace notes!added space} -For a grace (\emph{not for an `after'-grace}), you can, if necessary, -add some space between the grace and the main note by inserting an -\texttt{X} followed by a unsigned decimal in the grace symbol\,% -\footnote{It doesn't matter where you insert this shift symbol, as long - as it makes syntactical sense; to state this more simply: the - \texttt{X}[\emph{n}] may \emph{not be inserted before a - number} and \emph{not after the leading note} of the grace. - - \noindent - This added space for a grace is indeed essentially a hard - space, so that -_{spacing!hard space in grace} - its name, - \texttt{X} , is quite appropriate. And, as with almost all - such cases, it is wise to keep in mind that `hard spaces' are - what their name implies: a hard -- or brutal, if you will -- - last resort if nothing else seems to help. Used unwisely, - adding a hard space to a grace is liable to produce rather - ugly results, as is exemplified in Fig.~\ref{fig:grace}. - }. - -\medskip -Examples for grace notes are displayed in Fig.~\ref{fig:grace}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/grace.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -w150m -Abepl -\\nobarnumbers\ -% -% Bar 1 -G3sm2g++ a b c4 f- G2slAe d c GsX1xb+ c / -% Bar 2 -Ga- g4 Gfs- g c G13sm3X3d e f g a b c d e f g a b c / -% Bar 3 -c2- G3slWb a b c2 of Rb / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{Grace Notes} \label{fig:grace} -\noindent ------------------------------------------------------------------------------------- -\end{figure} - -\subsection{Ornaments} \label{sec:ornaments} -_{ornaments} - -Symbols for ornaments are entered \emph{after} their associated note -symbol, separated, as usual, by a space\,% -\footnote{The ornament, although associated with a specific note, is - considered a separate \PMX\ symbol. - }. - -The ornaments available in \PMX\ are listed in Table~\ref{tab:Ornamenti} -and are illustrated in Fig.~\ref{fig:ornament}. - -\begin{table}[htbp] -_{breath} _{caesura} _{fermata} _{mordent} _{ornaments} _{pizzicato} -_{segno} _{shake} _{staccato} _{trill} _{accidentals!editorial} -_{accidentals!dubious} _{notes!dubious} -\begin{center} -\begin{tabular}{|p{5.0cm}|p{4.0cm\tt}|} - \hline - staccato & o. \\ \hline - tenuto & o\_ \\ \hline - accent & o> \\ \hline - sforzando & o\^\ \\ \hline - pizzicato & ou \\ \hline - spiccato & op \\ \hline - $\times$ & ox \\ \hline - $+$ & o+ \\ \hline - caesura${\,}^\dag$ & oc \\ \hline - breath${\,}^\dag$ & ob \\ \hline - upper fermata & of \\ \hline - lower fermata & ofd \\ \hline - shake & ot \\ \hline - mordent & om \\ \hline - mordent [right parenthesis before notehead] - & o) \\ \hline - appogiatura [left parenthesis before notehead] - & o( \\ \hline - trill${\,}^\dag$ & oT\emph{x} \\ \hline - implicit trill${\,}^\dag$ & oTt\emph{x} \\ \hline - segno${\,}^\dag$ & og\emph{x} \\ \hline -\end{tabular} - - \smallskip - \begin{tabular}{|p{5.0cm}|p{4.0cm\tt}|} - \multicolumn{2}{c}{editorial marks:} \\ \hline - editorial accidentals & oes oef oen \\ \hline - dubious accidental & oes? oef? oen? \\ \hline - dubious note & oe? \\ \hline - \end{tabular} - - \smallskip - \begin{tabular}{p{5.0cm}p{4.0cm\tt}} - ornament repetition${\,}^\dag$ - & : \\ - \end{tabular} - \end{center} - ${}^\dag$ See explanation in main text - \caption{Ornaments} \label{tab:Ornamenti} - \end{table} - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/ornament.eps} - \end{center} - \caption{Ornaments} - \label{fig:ornament} -\end{figure} - -All except the staccato, tenuto, down fermata and parentheses will -appear above the staff; staccato\,% -\footnote{In fact, the only difference between staccato and pizzicato is - the vertical positioning of the dot. - } -and tenuto appear just above or below the note head, depending on the -stem direction, the parentheses at the level of the note head, of -course. - -\medskip -The trill and segno symbol are special in that they may have additional -optional characters. Either trill symbol may include a decimal number to -specify the length of the wavy line indicating the duration of trilling, -in \verb#\noteskip#s . The default is 1 . Thus \texttt{oT0} will be a -\emph{tr} without any wavy line, and \texttt{oTt2} is a wavy line -of 2 \verb#\noteskip#s without any \emph{tr} symbol starting the wavy -line. - -\medskip -A segno may only be entered in the first (lowest) voice. It may be -immediately followed by a positive or negative integer, which indicates -a number of points that it will be offset horizontally; and it will -appear above every staff of the system. - -\bigskip -_{ornaments!repeated} -Once the ornament type has been specified, most ornaments can be raised -or lowered from their default position by appending a signed integer to -the symbol, giving the vertical offset in \verb#\internote#s. Caesura -and breath may in addition have a signed number, giving the horizontal -shift from default in notehead widths. These two ornaments also differ -from the others in their default horizontal position, which is $0.5$ -\verb#noteskip# past the note. - -\medskip -An ornament can be automatically repeated on a series of consecutive -notes, provided the notes are all in the same input block. To activate -this feature, terminate the first ornament symbol with \texttt{:} . Then -every note in that voice will have the same ornament until a -note is followed by the repeat terminator \texttt{o:} . - - -\subsection{Beams} \label{sec:beams} -_{beaming} - -_{beaming!forced} _{beaming!inhibited} -For the most part, \PMX\ automatically takes care of the details -of defining beams: selecting which notes are beamed together, -and setting the angle, direction, height, and -\emph{multiplicity} (the number of bars along the top or -bottom). However, one may define a \emph{forced} beam -- which -overrides {\PMX}'s selection of which notes are beamed together --- by surrounding the notes to be beamed with \texttt{[} and -\texttt{]} (with spaces, as usual). Conversely, if {\PMX}'s -selection is to beam notes, and you want to inhibit this for a -single note, add the option \texttt{a} to the note symbol -(cf.~Section~\ref{sec:otherparams}). - -\bigskip -One may also wish to edit certain features of a beam even when {\PMX}'s -grouping decision would otherwise be acceptable; this is done by adding -some parameters to \texttt{[} and \texttt{]} : - -_{beaming!parameters} -\medskip -The \texttt{[} can be followed, without space, by one or several of the -following options: - -\begin{itemize} - \item \texttt{u}, \texttt{l} or \texttt{f} will override {\PMX}'s - selection of the direction of the beam: - \begin{itemize} - \item \texttt{u} makes the beam go \emph{above} the noteheads - (\textbf{u}pper beam), - \item \texttt{l} makes the beam go \emph{below} the noteheads - (\textbf{l}ower beam), while - \item \texttt{f} will \textbf{f}lip the beam from whatever - \PMX\ would do automatically; - \end{itemize} - \item \texttt{h} forces the beam to be \textbf{h}orizontal; - \item \texttt{m} followed by a single digit (1, 2, 3 or 4) forces the - \textbf{m}ultiplicity of the beam; - \item\texttt{j} \textbf{j}oins a beam grouping to a prior one started - in another staff (cf.\ p.~\pageref{p:jumpbeam}). -\end{itemize} - -The beam symbol constructed so far can be followed, without space, by -one, two or three consecutive integers, each preceded with \texttt{+} or -\texttt{-} : - -\vspace*{-2ex} - \begin{enumerate} - \item first is an adjustment of the starting height; it is - given in \verb#\internote#s and may range from -30 to - 30, - \item the second is a slope adjustment (again in the range - from -30 to 30), - \item The third is an additional adjustment to the starting - height, given in units of the beam thickness. It may - range from 1 to 3 only. It always acts to - \emph{increases} the stem length. This would only be - used in rare cases, e.g.~to align consecutive - horizontal beams which have internal multiplicity - changes. An example is shown in Fig.~\ref{fig:beams}, bar - \emph{f}. - \end{enumerate} -Note that for technical reasons all three integers must always be given -\emph{with a sign} (even the last one, although it always is positive). -Note also that, since the meaning of these numbers is interpreted by -\PMX\ in their sequence, if you need only the second or only the third -number you \emph{must not omit} the preceding number(s), but rather give -explicit \texttt{0}'s for them. -\vspace*{-2ex} -\begin{figure}[!h] - \begin{center} - \includegraphics[scale=.82]{eps/beams.eps} \\[2ex] - ------------------------------------------ -\vspace*{-2ex} -\begin{minipage}{380pt} -\small -\begin{verbatim} -% Bar a: -f1s c f a c fs a c- b g+ b g [l+12-8 b-- g1++ b g ] Rd / -% Bar b: -[l f1s- c f a ] [u c fs a c- ] [f b g+ b g ] [ b-- g1++ b g ] Rd / -% Bar c: -[m4 f1s- c f a ] [m1 c fs a c- ] b g+ b g [h b-- g1++ b g ] Rd / -% Bar d: -[ f1s- c f a ][ c fs a c- ] [ b g+ b g ]-[ b-- g1++ b g ] Rd / -% Bar e: -[ fs-4x3nf c a+ c1 fs a c- ] b g+ b g b-- g1++ b g Rd / -% Bar f: -m3434 -cd84 c3 c6 c [+0+0+3 cd8 c3 c6 c ] [-1+0+3 cd8 c3 c6 c ] Rd / -\end{verbatim} -\end{minipage} - \end{center} - \caption{Beams} - \label{fig:beams} - \vspace*{-4ex} -\end{figure} -\pagebreak - -Here are some further possibilities regarding beaming: -\begin{itemize} - \item -_{xtuplet!beamed with other notes} _{beaming!in xtuplet} - \vspace*{-1ex} - By default, xtuplets (cf.~Section~\ref{sec:xtuplets}) are set - apart with their own beam. To beam an xtuplet together with - other non-xtuplets, just include it with the other notes in a - forced beam. - \item -_{beaming!rest within beamed notes} _{rest!in beam} - \vspace*{-1ex} - Rests may also be included within forced beams, provided they - are shorter than quarter rests, and of course that they come - \emph{between} the first and last notes under the beam. - \item -_{beaming!beamed groupings} - \vspace*{-1ex} - Sometimes one may wish to define beamed groupings with subgroups - joined by a single beam. The symbol \texttt{][} , standing alone - between two note symbols inside a forced beam, causes the - multiplicity to decrease to unity and immediately increase to - its natural value for the next note. An example of this, as well - as the beaming together with an xtuplet, can be seen in bar 2 of - the trombone voice of Fig.~\ref{fig:agon}~: the two - doubly-beamed groups connected by a single beam are generated by - \texttt{[ c15 c c ][ c c cx3 c c ]} . - \item -_{beaming!single-slope beam} - \vspace*{-1ex} - Related to this is a - \emph{single-slope beam group}, which is the same as described - in the previous item except that there is no connecting beam - between the beamed subgroups. For this option, the beamed - subgroups are separated by \texttt{]-[} standing alone between - two notes inside the forced beam. - \item -_{beaming!large jumps} _{beaming!up/down beams} - \vspace*{-1ex} - If there are large jumps in pitch between - notes in a beam within a single staff, as a matter of taste you - may wish to start the beam for example as an upper one and end - it as a lower. {\PMX} will never do this automatically, but you - can accomplish it by forcing the beam with appropriately - modified up/down-ness, starting level, and slope. If you use - this technique, there are two details to note: - \begin{enumerate} - \item if there are any intermediate multiplicity changes, - they will only be handled properly if the initially - specified up/down-ness is consistent with the vertical - position of the intermediate notes involved\,% - \footnote{This is due to a fundamental technical - limitation of \MusiXTeX. - }, - \item for proper appearance in crowded scores you may - wish to insert hardspace or shifts as described - in Section~\ref{sec:spacing}. - \end{enumerate} - - \item Beams cannot normally jump staves. But if that is -_{beaming!staff-jumping} \label{p:jumpbeam} - desired, start the beam normally in one voice, and - terminate the part of the beam in that voice with - \texttt{]j} . Then resume the beam in the other voice on - a neighboring staff with \texttt{[j}, ending that part - with the normal \texttt{]} . For staff-jumping beams, - it's OK to have just a single note inside one or both of - the partial beams. Each voice must, however, still have - the right number of beats, so you will probably need to - fill in the durations with blank rests after the first - members of the beam and before the second. - - \smallskip - With staff-jumping beams, some adjustment of the beam height and - slope will usually be required. Also, sometimes the up/down-ness - of the ending section must be overridden; you will know that - this is necessary if on your first try the ending is shifted - horizontally from the desired position. These editing commands - may sometimes produce unexpected results, and some iteration may - be required to get exactly what you want. - - \smallskip - An example of a staff-jumping beam is seen - in Fig.~\ref{fig:jumpbeam} . - -\begin{figure}[!bth] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.82]{eps/jumpbeam.eps} - } - \end{center} - \caption{\textbf{A staff-jumping beam}} - \label{fig:jumpbeam} -\end{figure} - \item - If the option : (colon) is appended to the starting - symbol \texttt{[} for a forced beam -_{automatic beaming!} \label{p:autoforcedbeam} - (`automatic forced beaming'), then henceforth beams of - the same length will be force-beamed similarly in that - line of music \emph{until the end of the input block}. - Within an input block, the automatic forced beaming can - also be stopped explicitly by starting a new regular - forced beam. - - But remember that {\PMX} is actually quite good at - beaming notes in the manner a human musician would - normally expect; so it will be necessary to use this - facility only in the special cases when you want (or - need) beaming different from what {\PMX} provides on its - own. In such cases, consider this beaming automatism as - a kind of shorthand; as such, it will be really worth - your while only when you want to repeat the same - `non-orthodox' beaming an appreciable number of times. - - Regarding automatic forced beaming, you should also be - aware of the following: - - \smallskip - As with regular beams, you can have notes of different - durations beamed together in an automatic forced beam. - The rule in that case is: in the beams following the - initial one, the next sequence(s) of notes with the - \emph{same total duration time} as that of the notes - beamed together initially will then be beamed together - automatically. As usual, notes given without duration - will `inherit' their durations from the most recent note - with an explicit duration. - - All this is best seen in the following example: - - \vspace*{-2ex} - \begin{center} - \includegraphics[scale=.82]{eps/autobeam} \qquad , - \end{center} - - \vspace*{-3ex} - which is coded as follows: - - \vspace*{-4ex} - \qquad \begin{verbatim} - d85 e b a1 b c1 b a8 -[ d85 e ] b a1 b c b a8 -[: d85 e ] b a1 b c b a8 - d85 e b a1 b c1 b a8 / - d85 e b a1 b c1 b a8 Rd - \end{verbatim} - \vspace*{-3ex} - \nopagebreak - Note how the automatic beaming ends at the \emph{end of - the first input block}. -\end{itemize} - - \pagebreak -A last remark: - -\smallskip \noindent -{\PMX} was never intentionally designed to produce beams across -bar lines. -_{beams across bar lines} -\label{sec:beamjump} -However, in an (undocumented) exception, {\PMX} \emph{in some -cases} does accept beams that cross bar lines: as it turns out, -the machinery designed for staff-jumping beams may also be used -to force a beam across a bar line, whether the beam jumps to a -different staff or stays within the same staff. - -The syntax for that feature is applied in the obvious way, as -described on p.\ \pageref{p:jumpbeam}, and then applied -similarily in the single-staff example of Fig. -\ref{fig:Donjump}. - -\begin{figure}[!ht] \begin{center} -\includegraphics[scale=.82]{eps/Donjump.eps} \\[2ex] ------------------------------------------------------------------- -\begin{minipage}{360pt} \small - \begin{verbatim} - cd24 c8 [+0+1 c ]j | [jf c d e f ] - g4 g8 [+0-1 g8 ]j / [j f84 e d c ] c2 / - \end{verbatim} -\end{minipage} \end{center} - -\hspace*{-2ex} -\caption{An example of bar-crossing beams within a single staff} - \label{fig:Donjump} -\end{figure} - -% \addcontentsline{toc}{chapter}{Index} - - -\subsection{Slurs and Ties} \label{sec:psslurs} -_{slurs} - -\subsubsection*{Pick a package} \label{sec:postscriptpackages} -\addcontentsline{toc}{subsubsection}{Pick a package} -_{dynamic marks!hairpin!length limit} _{hairpins|see{dynamic marks}} - -By default \PMX\ will use {\MusiXTeX}'s built-in, font-based slurs and -_{ties|see{psslurs}} -hairpins (crescendi and diminuendi, see Section~\ref{sec:dynamics}, -p.~\pageref{p:dynamics} ff). To use these, you don't have to install any -more software. But they do have drawbacks: the fonts used by {\MusiXTeX} -for font-based slurs come in fixed sizes and shapes and are therefore -often not flexible enough in complicated situations. In contrast, slurs -and hairpins produced with the help of the PostScript language overcome -many of the shortcomings of their font-based counterparts. - -_{slurs!PostScript} _{PostScript!slurs, ties and hairpins} -There are two independent ``third-party'' packages that provide -{\MusiXTeX}~\texttt{1.15} and {\PMX} users with PostScript-based slurs, -ties, and hairpins: -\begin{description} - \item[\emph{Type K} --] \label{sec:pss-K} -_{Kneifl, Stanislav} - This package was written by \textbf{Stanislav Kneifl}. It is - directly supported by \PMX\ and will be the focus of any future - \PMX\ enhancements. Detailed instructions for its use are given - in the corresponding paragraph below. - \item[\emph{Type M} --] -_{Morimoto, Hiroaki} - This package, by \textbf{Hiroaki Morimoto}, is somewhat more - flexible when used directly in {\MusiXTeX}~\texttt{1.15}, but - it requires the \textbf{Metapost} package to be installed in - the {\TeX} installation. These are not directly supported by - {\PMX}, but are advertised to be fully compatible with default - font-based slurs of {\MusiXTeX}~\texttt{1.15} . From {\PMX}'s - standpoint they are not different from font-based slurs, and - the same options and features that apply to font-based slurs - should apply as well to these. -\end{description} - -Both PostScript slur packages provide excellent slurs, ties and -crescendi. \label{p:usepsslurs} In fact, for simple slurs, you can -hardly discern the differences between the three possibilities, as can -be seen in Fig.~\ref{fig:psslurs1} --- although type M slurs are generally -somewhat flatter, indeed. On the other hand, for steep and long slurs, -the difference is appreciable, as can be seen in the example of -Fig.~\ref{fig:psslurs2}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/cslurs1n.eps} - - \includegraphics[scale=.82]{eps/cslurs1k.eps} - - \includegraphics[scale=.82]{eps/cslurs1m.eps} - \end{center} - \caption{Three realizations of simple slurs} - \label{fig:psslurs1} -\end{figure} - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/cslurs2n.eps} - - \includegraphics[scale=.82]{eps/cslurs2k.eps} - - \includegraphics[scale=.82]{eps/cslurs2m.eps} - \end{center} - \caption{Three realizations of exotic slurs} - \label{fig:psslurs2} -\end{figure} - -\bigskip -Here are some additional factors to consider when deciding which type of -slurs and hairpins to use with {\PMX}: -\begin{itemize} - \item True ties, which are shaped differently from slurs, are only - available with Type K\,% - \footnote{In {\MusiXTeX}~\texttt{1.15}, font-based - true ties are actually available; but they were never - incorporated in {\PMX}, now being superceded by type K - slurs. - }. In all cases, the starting and ending - positions are different for ties and slurs\,% - \footnote{The ends of an ordinary slur are centered horizontally - above or below the notehead, while tie ends are - shifted inboard and closer to the midheight of the - notehead. - }. - \item Font-based hairpins cannot wrap over a line break, but the - PostScript ones can. - \item Font-based hairpins cannot be longer than 68 mm. - \item With either postscript package, the resulting markings do not - show up on the screen if you view the score with one of the - commonly used DVI viewers such as \textbf{XDVI} or \textbf{YAP}. - To see them, you have to first produce a PostScript file from - the \texttt{dvi} file (using, for example, \textbf{dvips}), which - you can then view on the screen and print on your printer using - \textbf{Ghostview} or some other such program. But if you use - Type 1 PostScript fonts, as was recommended in - Section~\ref{sec:psslurs}, you will have all this software at - hand anyway! -_{PostScript!fonts} -\end{itemize} - -Detailed instructions for installing the Type K or Type M packages are -given in Section~\ref{sec:pss-K} . - -\subsubsection{General slur usage} -_{slurs!general usage} - -This subsection explains commands that apply to all types of slurs, -followed by separate subsections describing operational features -specific to either font-based or Type K slurs, and finally a subsection -on the use of Type M slurs. - -\medskip -Here are the {\PMX} symbols that normally define slurs or ties, except -for slurs to or from graces\,% -\footnote{Recall that the slurring of grace notes is defined - entirely within the the grace symbol, as described in - Section~\ref{sec:graces}. - }: -\begin{itemize} - \item An opening parenthesis, `\texttt{(}', begins a slur, and a - closing parenthesis, `\texttt{)}', ends it; similarly, an - opening brace, `\verb#{#', begins a tie, and a closing brace, - `\verb#}#', ends it. The opening parenthesis/brace is placed - \emph{before} the first note, and the closing parenthesis/brace - \emph{after} the last note of the slur or tie. As always, these - symbols (including options, see below) are separated from notes - and other symbols by spaces. - \footnote{Braces -- and similarly the tie toggles described - subsequently -- , although legal with all types of - slur, are really useful only with Type-K slurs, since - only with these they will produce a true tie. - } - \item Alternatively to parentheses, you can use the letter - \texttt{s} (for \textbf{s}lur) both to begin \emph{and} - end a slur; but these come \emph{after} both the - beginning \emph{and} ending note. This is thus a - \emph{toggle}, turning a slur off if it's on, and - starting a new one otherwise. - - For ties (instead of slurs), use the letter - \texttt{t} (for \textbf{t}ie), also a toggle. - \label{p:tslur} -\end{itemize} - -Note that slurs or ties may end on a rest\,% -\footnote{If you happen to think that this would be musically - meaningless, you are wrong. Just watch a really good pianist - (or conductor, for that matter) ending a piece, say in pp. It - ain't over until the fat lady has really finished singing: - until she is really \emph{completely} \emph{done} with taking - her hands off the keyboard! In other words: she visibly (and - audibly!!) plays the slur over the final rest. - }, -but they may \emph{not start} on one. -_{slur!ending on rest} _{tie!ending on rest} -The default ending height of the -tie (or slur) in that case will be that of the note on which it started -(in other words, it will be horizontal); but you can vary that -explicitly in the usual way. - -\bigskip -Often you need to open a slur or tie while another one is already open -\emph{in the same voice}, e.g., with tied chords, or if a second slur -connects a subgroup of notes within a longer slur. In such cases, {\PMX} -needs to be told which slur is which. For this purpose, the slur opening -character [ \texttt{s}, \texttt{t}, \texttt{(} ] can -optionally be followed by a single-character ID code [ \texttt{0-9}, -\texttt{A-Z} ] to identify that particular slur. To close that slur, -insert the ID code right after the corresponding \emph{closing} -character [ \texttt{s}, \texttt{t}, \texttt{)} ]. If an ID code is -used, it \emph{must} be the second character in the symbol. You cannot -use any ID that is already in use on a slur or tie for a new slur or -tie. See Fig.~\ref{fig:bloch} for an example\,% -\footnote{The example uses Type K slurs. - }. - -\begin{figure}[!htb] -\begin{center} - \includegraphics[scale=.82]{eps/bloch.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -Ap -% Bar 25: -(A e4x3n g bff cf4x3n b g )A (B e4x3n bf e / -f8+ (C zf+ e- ze+ c4nc- zcnc+ (Dtl b- D< (Et zb+ / -% Bar 26: -g4x3n an g e4x3n b e g4x3n a g )Bh Rb / -b4- )Dt D< zb+ )Et )C dd4- D< (F+1 zd+ o_ e8- D< ze+ )F / -% -\end{verbatim} -\end{minipage} -\end{center} - - \vspace*{-3ex} -\caption{\textbf{E.\ Bloch}, \emph{Waves} (\emph{Poems of the Sea} I), - bars 25,26 - } \label{fig:bloch} -\end{figure} - -\bigskip -Normally, you can leave further details of slur appearance to {\PMX}; -the result will usually satisfy. If not, you can change some features -manually by additional options which go right after the initial character -and any ID code, as usual \emph{without} a space,: - -\begin{itemize} -_{slurs!additional options} - \item The default vertical position above or below the note heads - can be overridden with - \begin{itemize} - \item \texttt{u} (\textbf{u}pper), - \item \texttt{l} (\textbf{l}ower) or, equivalently, - \texttt{d} (\textbf{d}own). - \end{itemize} - \item The starting or ending point can be shifted from its - default by entering one or two explicitly signed numbers: the - first, which must be an integer, gives the vertical shift, in - \verb#\internote#s; the second, which may be decimal, the - horizontal offset, in notehead widths. - \item A dotted slur is obtained by adding the option \texttt{b} (for - \textbf{b}roken) in the symbol that starts the slur - (cf.~Fig.~\ref{fig:dottedslur}). -\end{itemize} -\begin{figure}[!htb] -\begin{center} - \includegraphics[scale=.82]{eps/dottedslur.eps} \\[2ex] -\begin{minipage}{380pt} - \small - \begin{verbatim} - ( g44 c ) (b [ e8 d c b ] ) | (u a4 f ) g2 Rb / - \end{verbatim} -\end{minipage} -\end{center} - - \vspace*{-3ex} - \caption{A dotted slur} \label{fig:dottedslur} -\end{figure} - -\paragraph{Slurs for staff-jumping beams} \text{} \\[-2ex] -_{slurs!with staff-jumping beam} - -Often -- in piano music in particular -- when you have a staff-jumping beam -(cf.~p.\pageref{p:jumpbeam}), you may want to join the two parts by a -slur as well. {\PMX} will, however, get very confused if you try to put -the beginning slur symbol in one staff and the corresponding ending -symbol in a different staff; both slur symbols \emph{must always be in -the same staff}. The solution is to put the ending slur symbol after -the invisible rest; but do so carefully: even though the invisible rests are -indeed invisible, {\PMX} accounts for the horizontal space it would need -for visible rests, and that determines the length of the slur. So if you -want to avoid awkwardly adjusting the length of the slur by hand, you -should subdivide the invisible rest appropriately so that one part of it -will be at the note of the other staff where you want the slur to end. -The vertical position of the slur end will have to be done manually. -Fig.~\ref{fig:jumpslur} shows an example. - -\begin{figure}[!htb] -\begin{center} - \includegraphics[scale=.82]{eps/jumpslur.eps} \\[2ex] -\begin{minipage}{380pt} - \small - \begin{verbatim} -r4b [j b1 a g f ] r4b [j c14 b a g ] | Rb / -( [ f1 e d D"what you want"-22 c ]j r1b r1b r1b r1b )-15 -( [ g14 f e D"what you don't want"-22 d ]j r4b )-15 | / - \end{verbatim} -\end{minipage} -\end{center} - \caption{Placing the slur ending with a staff-jumping beam} - \label{fig:jumpslur} -\end{figure} - -\subsubsection{Invoking and using Type K slurs} \label{sec:pss-typeK} -_{slurs!Type K usage} _{PostScript!slurs, ties and hairpins} - -To activate the Type K package, all you need to do is to add a line in -the header of the {\PMX} source after the preamble, containing the -symbol \texttt{Ap}\,% -\footnote{For further details on the use of \texttt{A} see - Section~\ref{sec:A} . - }. - -\bigskip -For type K slurs, some optional parameters can be used in the slur -symbol to change the shape of the slur: -\begin{itemize} -_{slurs!additional options} - \item an \texttt{f} (for \textbf{f}latter) will flatten the slur a - bit, while - \item \texttt{h, H} or \texttt{HH} (for \textbf{h}igher) will - increase the slur's curvature by increasing degrees, thereby - raising (or lowering) its middle. -\end{itemize} -These parameters can be used in either the starting or the ending slur -symbol. They \emph{do not work with ties}, i.e.\ with symbol \texttt{t}, -and {\PMX} will complain if you try that. Examples are given in -Fig.~\ref{fig:kslurs}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/kslurs1.eps} - - \includegraphics[scale=.82]{eps/kslurs2.eps} - \end{center} - \caption{Shape variations in type K slurs} - \label{fig:kslurs} -\end{figure} - -\medskip -The Type K package contains {\TeX} macros that activate or deactivate an -automatic vertical adjustment of slurs or ties to avoid tangencies with -staff lines. In {\PMX} these adjustments are switched off by default, -because they may alter the endpoint positions from what you would -normally expect. However, if you wish to use them, they may be switched -on or off globally at the start of any input block, and locally with -options to individual slur or tie commands. - -To activate these adjustments globally (or deactivate, if previously -activated), at the beginning of any input block enter \texttt{Ap+s} (or -\texttt{Ap-s}) for slurs, and \texttt{Ap+t} or (\texttt{Ap-t}) for ties. -To activate them for one-time use only, simply include \texttt{p+t} or -\texttt{p+s} as an option in the symbol for the affected slur or tie. No -deactivation is then needed. - -You can also sequentially increase (\texttt{Ap+c}) or decrease -(\texttt{Ap-c}) the default curvature of slurs or ties (again at the -beginning of any input block), so that the result is cumulative. But -after the cumulative change has reached ``HH'' or ``ff'', it will remain -there, and nothing more will happen. - -An example is given in Fig.~\ref{fig:kslurtweaks}. The distinctions are -fairly subtle; but some would see the adjusted markings as more pleasing -since on close inspection they clearly avoid tangencies with staff -lines. - -\begin{figure}[!htb] -\begin{center} - \includegraphics[scale=1.0]{eps/kslurtweaks.eps} \\[2ex] -\begin{minipage}{380pt} - \small - \begin{verbatim} - Ap - a44 s bu s | b s c s / - Ap+s - a4 s bu s | b s c s / - % - a4 t a t | b t b t / - Ap+t - a4 t a t | b t b t / - \end{verbatim} -\end{minipage} -\end{center} - \caption{Vertical tweaks of slurs and ties} \label{fig:kslurtweaks} -\end{figure} - -\paragraph{Line-break tie options} \text{} \\ -_{line break!tie options} _{slurs!across line break} -There are two options that only affect ties that span line breaks: -\begin{enumerate} - \item by default a full tie is drawn at the beginning of the second - line in such cases. There is a global option, \texttt{Ap+h}, - which tells {\PMX} to use \emph{half ties} -- which are - flattened at their left-hand ends -- on the second line, but - \emph{only} in cases where the second tie segment is shorter - than 15 pt. This option may be cancelled with \texttt{Ap-h} , - \item the second option -- which should not be used together with the - first one! -- affects \emph{both} the first and second segments - of linebreak slurs and ties. It is the global option - ~\texttt{Apl}. It alters two defaults to give what some might - consider an improved appearance: first, it causes the first - segment to be drawn as a normal tie, whereas by default it has - a different shape than a normal tie; second, it moves the - starting point of the second segment a bit to the left. - - \medskip - The \texttt{Apl} option has been enhanced since {\PMX} - version 2.411; the main new feature is that it now - works for slurs as well as for ties. Other - enhancements are more subtle; read the description of - these in the announcement text for version 2.411, given - here: - \begin{quotation} - ``\texttt{Apl} in the preamble now activates - special treatment of line-break slurs and ties - (before, \texttt{Apl} only affected ties.). - - ``Specifically, it enables tweaking the ending - position of the first segment (seg 1), the - starting position of the second (seg 2), and the - curvature of either, or both. [You must have - musixps.tex available to {\TeX}!] With - \texttt{Apl} every slur/tie at a line break is - automagically broken into two separate ones (no - additional PMX slur start or ending commands are - required). Vertical/horizontal tweaks to the - start of the seg 1 and the end of seg 2 are - handled as before. Vertical/horizontal tweaks - for the end of the seg 1 and start of seg 2 are - entered as options in the otherwise normal - command that starts the slur/tie. The option for - the end of seg 1 starts with "s" (for sever or - split), then the usual one or two signed - numbers, then a second "s" and one or two more - signed numbers for the start of seg 2. - - ``The usual curvature options \texttt{h}, - \texttt{H}, \texttt{HH}, \texttt{f}, if included - in the starting command for a linebreak slur, - will apply to seg~1, and if in the closing - command, to seg~2. Of course, if the slur/tie - does not come at a linebreak, the special - position tweaks (those after the "s" option) - will all be ignored, and the curvature tweaks on - the closing note take precedence (as before).'' - \end{quotation} -\end{enumerate} -\Note{Without either of these options, the second segment sometimes - becomes too short to be clearly visible. - } - -\bigskip -The global options mentioned (and in fact any of the other global -options to be described later) can be combined into a single symbol, -e.g., \texttt{Ap+sl}. - -\subsubsection{Use of Type M Slurs and Ties} \label{p:useMslurs} -_{slurs!Type M usage} _{PostScript!slurs, ties and hairpins} - -In contrast to the type K slurs, type M slurs are not explicitly -supported by {\PMX}; as a consequence, you have to do some things -manually. But it's not difficult: -\begin{itemize} - \item -_{\textbf{musixpss}} - The first step is to insert into the header of your {\PMX} - source file the following line \\ - \text{\hspace*{10em}} \verb#\\input musixpss\relax\# \qquad . - \item -To process a {\PMX} file with type M slurs, three extra steps are -needed to produce a printed musical score. Here is the full sequence of -processing steps, for a file named \verb#my_opus#: - -\begin{center} -\begin{tabular}{r@{\qquad}ll@{\qquad\qquad}l} - & command & & resulting new file(s) \\ \hline - & & & \\ - 0. & text editor & & \verb#my_opus.pmx# \\ - 1. & \verb#pmx# & \verb#my_opus# & \verb#my_opus.tex# \\ - 2a. & \verb#tex# & \verb#my_opus# - & \verb#my_opus.mx1, my_opus.slu# \\ - 2b. & \verb#musixflx# & \verb#my_opus# & \verb#my_opus.mx2# \\ - 2c. & \verb#tex# & \verb#my_opus# & \verb#my_opus.dvi# \\ - $\to$ 3a. - & \verb#musixpss# & \verb#my_opus# & \\ - $\to$ 3b. - & \verb#mpost# & \verb#my_opus# - & \verb#my_opus.mp, my_opus.1, #\dots \\ - $\to$ 3c. - & \verb#tex# & \verb#my_opus# & \verb#my_opus.dvi# \\ - 4a. & \verb#dvips# & \verb#my_opus# & \verb#my_opus.ps# \\ - 4b. & \verb#gsview# & \verb#my_opus# - & \emph{screen view and printed output} \qquad . \\ -\end{tabular} \end{center} -\end{itemize} - -\subsubsection{Special considerations for font-based slurs} -_{slurs!font-based} - -You should study this section if you choose not to use Type K PostScript -slurs. - -\medskip -The slur command \texttt{t} (cf.~p.\pageref{p:tslur}) has been retained -for backward compatibility with earlier {\PMX} versions. As already -mentioned, with font-based slurs it does \emph{not} provide a true tie -at all, and it doesn't alter the positions of the endpoints either; in -fact, it differs from \texttt{s} or \texttt{(} only in the following -ways: -\begin{itemize} - \item ID codes cannot be used with font-based \texttt{t}-slurs. - \item If a \texttt{t}-slur starts or ends on the same note as an - \texttt{s}-slur, the former will be moved away from the - notehead to avoid a collision. This only works if neither - slur has an ID code. -\end{itemize} -The shape of font-based slurs can be changed with options to the -\texttt{s} or \texttt{)} command as follows: -\begin{itemize} - \item at the slur termination only, you must first enter two signed - numbers that define a position shift as described earlier. Enter - a zero for either or both if you don't want the shift, - \item next, enter a signed, nonzero integer which specifies a vertical - adjustment to the mid-height of the slur in \verb#\internote#s, - \item if you want to alter the starting or ending slope, enter a - \texttt{:} (colon), then - \begin{enumerate} - \item a signed integer for the alteration to the starting - slope, then - \item a signed integer for the alteration to the ending - slope. - \end{enumerate} -\end{itemize} -These numbers are passed directly as arguments of the {\MusiXTeX} macros -\verb#\midslur# (if only one is given) or \verb#\curve# (if there are -three). - -\bigskip -If you want to \emph{simulate a tie} with font-based slurs -- {PMX} does -not proved true ties with font-based slurs! -- include the option -\texttt{t} in both the starting and ending command for the slur\,% -\footnote{For reasons of backward compatibility, it is legal - to specify a tie with the symbol \texttt{st} or \texttt{(t} - even when PostScript ties are activated. In that case, these - symbols are fully equivalent to simply using \texttt{t} . - }. -This will draw a slur with altered endpoint positions. - -\subsection{Dynamic Marks} \label{sec:dynamics} -_{dynamic marks} _{D symbol@\texttt{D} symbol} - -{\PMX} has a very simple tool for inserting virtually any dynamic mark -in a score. Its \texttt{D}ynamics symbol is a \texttt{D}, followed one -of 3 types of parameters, optionally followed by position shifts: -\begin{enumerate} - \item \textbf{A standard dynamic mark :} this can be any one of the - following: - \texttt{pppp, ppp, pp, p, mp, mf, f, ff, fff, ffff, sfz, fp}. -\pagebreak - \item -_{dynamic marks!hairpin} _{crescendo|see{dynamic marks}} -_{decrescendo|see{dynamic marks}} - \textbf{A crescendo/diminuendo :} \texttt{<} or \texttt{>}. - These crescendo/decrescendo marks -- aptly named ``hairpins''-- - are \emph{toggles}, i.e.\ the first \texttt{D<} starts the - crescendo, and the next \texttt{D<} ends it; similarily for - \texttt{D>}. - \Note{As of version 2.616 {\PMX} allows hairpin - dynamics to span input blocks! - } - \item _{dynamic marks!textual} \textbf{Arbitrary text :} - \texttt{"\dots\"}, where \, \dots \, stands for any - text string, e.g.~\texttt{D"}molto - espressivo\texttt{"}. The text will be set in italics - unless another \TeX-style font specification is - included\, - \footnote{A practical example is \texttt{D" - $\backslash$ppff fz"} - (cf.\ \href{http://icking-music-archive.org/% - software/pmxtricks/dynamic.pdf}% - {Tips and Tricks}). - }. - \end{enumerate} - -All dynamics symbols go \emph{after} the note to which they refer (so -e.g.~\texttt{g Dpp} will write a pianissimo g). Hairpin marks -must be contained \emph{completely within the same input block}?,% - \footnote{If need be (e.g.\ for crescendi/decrescendi across bar - lines), you can adjust the position and length of a - crescendo/decrescendo by adding position shifts as - described. - } - -\medskip -The default position of any dynamic mark or text entered with the -\texttt{D} symbol is just below the notehead, stem end, or bottom staff -line, whichever of these is lowest. There are numerous context-sensitive -automagic adjustments to the positions of all the dynamics symbols. If -you don't like the result you can add position shifts to the dynamics -symbol: a signed integer for a vertical shift (in \verb#\internote#s), -then -- optionally -- another signed number for a horizontal shift (in -notehead widths). - -\medskip - -There can be a combination of dynamic marks at a single note\,% -\footnote{It doesn't make sense, of course, to have 2 different standard - dynamic marks on the same note, and {\PMX} will complain if - you try that. - }. -Since these are distinct {\PMX} symbols, they must be separated by -spaces and must come in the right order, e.g.\ -\begin{center} -[\emph{some notes}] \texttt{D<} [\emph{more notes}] \texttt{D< Dffff D>} -[\emph{more notes}] \texttt{D>} -\end{center} - -\bigskip -If you aren't using PostScript slurs, there are some restrictions on -hairpins which are due to {\MusiXTeX}'s use of font-based hairpins: they -cannot be longer than 68mm, they cannot wrap over a system break, and -they must be horizontal. Finally, only certain specific lengths are -available, so some horizontal position tweaking may be needed, -especially when standard dynamic marks and hairpins are combined. -These restrictions don't apply when using one of the PostScript slur -packages; PostScript hairpins will then be used without any further - \label{p:dynamics} -intervention\,% -\footnote{For details on invoking PostScript slurs, ties and hairpins - cf.\ Section~\ref{sec:psslurs} ff. - }. -Fig.~\ref{fig:dynamics} (a fragment from the \emph{Pathetique} by -Tschaikowsky) shows some examples\,% -\footnote{Fig.~\ref{fig:dynamics} was obtained using the PostScript slur - package type K. -_{PostScript} - }. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/pathetique.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -% Bar 1 -r2 D"Adagio"+16 r4 e8-- Dpp-1 D< s f D< D>-1 s / -% Bar 2 -g4 D>-1 s f2 s D<-1 f8 s D<-1 Dp-1 g s D>-2 / -% Bar 3 -a4 s D>-2 D<-2 g2 s D<-2 g8 s Dmp-1 D<-1 a s / -% Bars 3-4 -b4 D<-1 D>-1 asd2 D>-1 D<-1 / -% Bars 5-6 -b0 st D<-1 Dsfz-1 D>-1 | b8 st D>-1 Dp-1 r r4 r2 Rb / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{Dynamic marks} \label{fig:dynamics} -\end{figure} - -\subsection{Clef Changes} \label{sec:clefs} -_{clefs!change} _{C symbol@\texttt{C} symbol} - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/clefchg.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -2 1 4 4 0 6 0 3 -1 1 20 0 - -bt -./ -Ap -w180m -% -a12 sh c e a e a c e sh -Ct f s g a f g a b g s Rd / -a25 sh f4 d sh / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{A clef change} \label{fig:clefchange} -\end{figure} - -As was noted in Section~\ref{sec:preamble}, the clef for each instrument -is given in the preamble (cf.~p.~\pageref{p:clefs}). A clef change in -mid-stream, however -- frequently occurring in piano music --, is -signaled by a \texttt{C} followed by a single lower-case letter, as -illustrated in Fig.~\ref{fig:clefchange}. - -\bigskip -_{clefs!change with two voices in a staff} -When there are two voices in a staff, the clef change command must be -given in the \emph{first (lower) voice}; if it is entered in the second -voice, {PMX} will \emph{silently disregard} the clef change completely. -The clef change holds for all voices in a staff, of course. - -\medskip -A logical effect is worth mentioning: when, before the clef -change, there is a note the duration of which extends beyond -the point of the clef change, its clef does not change. -Fig.~\ref{fig:clefchgtwo} shows an example of such a situation. -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/clefchg2.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -c43u Ct a44u cu au // -f02 / -Cb rb4 Ct e4u au eu // -c23l r2-6 / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{A clef change in a staff with 2 voices} - \label{fig:clefchgtwo} -\end{figure} - - -\subsection{Octaviation} \label{sec:octaviation} -_{octaviation} - -When in a voice the pitch of a number of notes extends far beyond the -staff, resulting in an excessive number of ledger lines, readability is -usually improved by using an `octaviation' notation: an -horizontal line above the staff, starting with an ``\emph{8}'' or -``\emph{8va}'', indicates that the notes under this line are to be -played an octave higher than printed, and similarily ``\emph{8 bassa}'' -or ``\emph{8va bassa}'' indicate an octave lower. - -\medskip -In the present version, {\PMX} does not provide a notation for this, so -you will have to take recourse to inline {\TeX} coding. For an example -see Section~\ref{sec:tricks}. - - -\subsection{Figured bass (basso continuo)} \label{sec:bassocontinuo} -_{figured bass} _{basso continuo|see{figured bass}} - -{\PMX} lets you introduce the basso continuo notation (`figured bass') -very simply, as illustrated in the example of Fig.~\ref{fig:poppea}, which -is the basso continuo of an excerpt of the famous aria ``\emph{Pur ti -miro}'' that concludes the Monteverdi opera \emph{L'Incoronazione di -Poppea}. Here are the rules: - -\begin{itemize} - \item Figure symbols are entered -- as plain numbers\,% - \footnote{As of {\PMX} version 2.520, the numbers usually - needed in figured notation, namely 2, 4, 5, 6 and 9, - are available in a different graphic design with - perhaps a more baroque-like look. - - If you want to use these, add an `\texttt{s}' after - the {\PMX} string of every figure which you want to - appear in that form. - - Note that for this to work properly, you must have - the special fonts for these numbers installed. You - will find \texttt{figbas.zip}, which provides these - fonts, in the - \href{http://icking-music-archive.org/software/% - musixtex/add-ons/figbas.zip}{WIMA} software page. - \texttt{figbas.zip} contains 2 files that can be of - help with the installation: \texttt{README} and - \texttt{test.tex} . - } -- - \emph{after} their associated note symbols, with - a space, as usual. As of {\PMX} version 2.517, they are allowed - in two staves, the first (lowest) staff and any other one. - Enter the characters as they would appear from \emph{top to - bottom}, e.g.\ \verb%64% [\,6 over 4\,], or \verb%642% [\,6 - over 4 over 2\,]. - \item Accidentals that modify a number \emph{must} be entered - \emph{before} the number. Note that the characters that - signify accidentals are different here than for notes: flats - are written as `\verb#-#' (minus), sharps as \verb&#& , and - naturals as \verb%n% . For example, \emph{sharp third} is - \verb& (or simply \verb&#&, in the standard shorthand), - \emph{six} (over) \emph{flat five} is \verb%6-5%, and - \emph{sharp six} (over) \emph{4} is \verb@& . - \item For each staff with figures, {\PMX} positions all the figures - within each system below the staff with their tops at the same - level. If you want to change this vertical position default, - you have two possibilities: - \begin{description} - \item[to lower a figure symbol:] prefix the figure symbol - -- \emph{no space!} -- with one or several `\verb#_#' - (underscore). Each underscore will lower the figure symbol - by 4 lengths of \verb#\internote# , - \item[to raise a figure symbol :] \emph{append} the figure - symbol -- \emph{again no space} -- with a `\verb#+#' (plus) - followed by an integral number for the number of - \verb#\internote# lengths by which to raise the figure. - \end{description} - The two options can be combined to provide full control over - the vertical position of the figure symbol. - \item If you want a figure symbol to align horizontally in - the second tier, insert a `\verb&_&' (underscore) as placeholder - for the top tier, before the one you want to go on the second - tier (cf\ the sharp in bar 16 of Fig.~\ref{fig:poppea}). - \item Sometimes you may need to enter a figure when there's no bass - note sounding. To do this, \emph{precede} the figure symbol - with three additional characters, \verb%x%[\emph{n}][\emph{m}]. - Here \emph{n} is a single-digit repeat count, and \emph{m} is a - single-digit duration time value, i.e., \verb#0,2,4,8,1# or - \verb#3# . This will offset the figure from the associated note - by the specified duration value. For example, if the lowest - voice contained \verb%c03 x3465%, there would be a whole-note - c, and 3 quarter notes later a figure 65 below the staff - (cf.~Fig.~\ref{fig:poppea}, bars 2, 4, 6, 8, 10 and 14). - \item -_{figured bass!continuation} - There is also a \emph{continuation} symbol, viz.\ a \verb&0& - (zero) followed immediately by an unsigned number. This - produces a horizontal line under the bass note, starting just - to the left and extending to the right by the given number of - \verb&\noteskip&'s (cf.~Fig.~\ref{fig:poppea}, bars - 9, 11, 16 and 17). The height and length of the line are set by - the current note's level and \bs\texttt{noteskip} - respectively\,% - \footnote{If \bs\texttt{noteskip} changes, or if an unfigured - note drops below the starting level before the line - ends, it is possible to trick {\PMX} by entering - separate \texttt{0}[\emph{n}] symbols under each - consecutive note: {\PMX} will automagically join them - together at the lower height (thanks to Werner Icking - for this idea). - - For an explanation of the special {\PMX} coding in - Bar 16 of Fig.~\ref{fig:poppea} see - Section~\ref{sec:tricks} . - }. - These can be mixed in with other figures to produce vertical - stacks. If another figure follows in the same symbol, use - {\tt:} as a separator. For example, a continuation line over a - 3 would be coded as \texttt{01:3} . -\end{itemize} -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/poppea.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -% bars 1-4 -gd2 fd 6 | ed 5 x126 dd 4 x123 | gd fd 6 | ed 6 dd 4 x123 | / - -% bars 5-8 -gd2 fd 6 | ed 64 x123 dd | gd fd 6 | ed 64 x123 dd | / - -% bars 9-12 -gd2 02 fd | ed 6 dd 7 | gd fd 6 | gd ad 4 x12# | / - -% bars 13-15 -dd- gd | gd 03 fd | ed dd 4 x12# | / - -% batt. 16-17 -cd- dd 64 x145 x12_00.2 x12_# | gd fd 01 Rd / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{Figured bass in \textbf{C.\ Monteverdi}, - \emph{L'Incoronazione di Poppea}, - aria ``\emph{Pur ti miro}'' - } \label{fig:poppea} -\end{figure} - - -_{F symbol@\texttt{F} symbol} _{\textbf{scor2prt}} -If there are figured bass commands in a {\PMX} file, but you want them -all to be ignored, then enter the symbol \texttt{F} in the header. This -feature is most useful in the form \texttt{\%1F} -(cf.~Sec.~\ref{sec:scor2prt}, which makes a separate bass part with -no figures, e.g.~for a violoncello part. - -\bigskip -Figured bass symbols will not be altered in any way under transposition -by {\PMX} (cf.~Sect. \ref{sec:transpositions}). There is no universal -set of interpretations of figured bass symbols, so no automatic -transposition is possible. -_{transposition!not with figured bass} - -\medskip -_{figured bass!2-digit figures} -{\PMX} does not admit 2-digit basso continuo figures. This is the -notation of some old editions; if you want to use it, you will have to -resort to inline {\TeX} coding (cf.~Section~\ref{sec:inlineTeX}). -There is an example for this in the Caccini aria in the Appendix -(Sec.~\ref{sec:Caccini}). - -\section{Commands That Affect All Voices} \label{sec:pmxcmds} -_{\PMX!commands for all voices} - -Unless indicated otherwise, the commands dealt with in this section -affect all staves in a score. They must be entered only \emph{in the -first (lowest) voice in the first (lowest) staff}. - -\medskip -_{\textbf{scor2prt}} -Such commands will automatically be transferred from score to parts when -separate parts are generated by \textbf{scor2prt} -(cf.~Section~\ref{sec:scor2prt}). - -\subsection{Single bars, Double bars, Repeats etc.} \label{sec:bars} -_{bar lines} _{bar lines!single, double, repeat} _{repeats|see{bars}} -_{R symbol@\texttt{R} symbol} - -In keeping with general typesetting practice, {\PMX} will by default -produce -\begin{itemize} - \item a single bar line at the beginning of each system after the - first, unless there is only one staff per system, - \item a single bar line at the end of each bar except the last one in - a movement or the entire score, - \item the common ending bar line (thin-thick double bar line) as the - last bar line of a movement or the entire score. -\end{itemize} - -_{\textbf{scor2prt}} _{\textbf{scor2prt}!placement of bar symbols} -The user can, however, override these defaults -- except the first one --- by a bar symbol, viz.\ an \texttt{R} followed by one of the -parameters given in Table~\ref{tab:bars}. If you are going to make parts -from your score (cf.~Section~\ref{sec:scor2prt}), you \emph{must} place -bar symbols either before the first note in an input block or after the -last one; otherwise \textbf{scor2prt} may behave erratically. Using two -bar symbols in succession doesn't make sense and will produce -unpredictable results. -\footnote{If you are using \texttt{|} marks at the end of bars, a repeat - must always go \emph{before} the \texttt{|}, or the next line - must follow in the same input block. In other words: while - \texttt{Rr | /} will not result in an error, it will produce a - thin bar line only. \label{p:repeats} - - \smallskip - There is a simple consequence: avoid using \texttt{|} - altogether, at least in connection with \texttt{R} symbols. - } - - -\begin{table} -\begin{center} -\begin{tabular}{|c|@{\quad}p{250pt}|} - \hline -\texttt{b} & thin (single \texttt{b}ar) line \\ -\texttt{d} & thin-thin \textbf{d}ouble bar line \\ -\texttt{D} & thin-thick \textbf{D}ouble bar line \\ -\texttt{z} & invisible bar \\ \hline -\texttt{l} & \textbf{l}eft repeat \\ -\texttt{r} & \textbf{r}ight repeat \\ -\texttt{lr} & \textbf{l}eft-\textbf{r}ight repeat \\ -\texttt{dl} & thin-thin \textbf{d}ouble bar - followed by \textbf{l}eft repeat \\ \hline -\end{tabular} -\end{center} -\caption{Parameters of the bar symbol \texttt{R}} \label{tab:bars} -\end{table} - -\medskip -Here are further comments on some particular bar symbols: -\begin{itemize} - \item \texttt{Rb} forces a single bar before a movement break, where - the default would be a double bar. This can be useful, for - example if you change the number of instruments, which {\PMX} - will allow only at a movement break, but you don't want it to - \emph{look} like a movement break. - \item \texttt{Rz} will cause an invisible bar line at the end of the - current system. It can be used together with blind meter - changes (cf.~Section~\ref{sec:meterchg}) when you want to split a - bar across a system break. - \item if a left-right repeat (\texttt{Rlr}) comes at a system break, - {\PMX} will automatically split it in two. - \item \texttt{Rdl} is the same as a left repeat - (\texttt{Rl}) except at a system break: there the first system - is ended with two thin lines, and the left repeat sign goes to - the beginning of the next system. - - \medskip - \item Finally, a general remark is in order regarding the \texttt{R} -_{R symbol!placement at begin of block} - symbols that designate repeats, double bars etc.\ - (\texttt{Rl,Rr,Rlr,Rd, RD,Rdl,Rb,Rz}). To avoid conflicts with - \textbf{scor2part}, you should \emph{always} - place any \texttt{R} command before the first note in an - input block. This is always possible except at the very end of - the whole piece. Otherwise, there is always a following input - block where the command can (and should) be placed. -\end{itemize} - -\medskip\noindent -Fig.~\ref{fig:bars} gives some examples. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/bars.eps} - \end{center} - \caption{Single bars, double bars, repeats} - \label{fig:bars} -\end{figure} - -\Note{On some special occasions, you may want dashed or dotted barlines - instead of the regular ones. For this and similar purposes, there - is a very good and easy-to-use package by Rainer Dunker: - \texttt{musixdbr.tex}, included in the {\MusiXTeX}~\texttt{1.15} - distribution. -_{Dunker, Rainer} _{bar lines!dotted, dashed} - } - -\subsection{Volta} \label{sec:volta} -_{volte} _{dacapo|see{volte}} _{repeats|see{volte}} _{V -symbol@\texttt{V} symbol} - -The two versions of the ending of a repeated section of music, called -`volte' in musical parlance\,% -\footnote{The term `volta' is, of course, Italian, and `volte' is the - Italian plural of `volta'. - }, -are denoted by a symbol starting with a \texttt{V} (for \textbf{V}olta) -in {\PMX}. {\PMX} needs to know where each volta starts and ends, how -the ends are shaped, and what text is to be included under each volta. A -string parameter to the \texttt{V} is used to convey this information: -\begin{itemize} - \item to signal the \emph{start} of the first volta, add a text - string (usually just a \texttt{1}) that doesn't start with - one of the characters \texttt{b}~, \texttt{x}~, or any literal - spaces\,% - \footnote{Actually you can include a space by using the {\TeX} - space symbol \~\ instead of a blank. - _{\TeX!space symbol} - }. - {\PMX} will print append a period to the text string, - \item to signal the \emph{end} of a volta and the start of the - second volta, use a \texttt{V} with a text string that - \emph{does} start with either the character \texttt{b}~ or - \texttt{x}~. If \texttt{b}~ is present, a volta symbol ending - with a vertical stroke will be printed (\textbf{b}ox), while - \texttt{x}~ will print the ending \emph{without} a vertical - stroke (no bo\textbf{x})\,% - \footnote{Note that the characters \texttt{b}~ or \texttt{x}~ - can appear anywhere in the text string and will - \emph{not appear in print}. - }. - - Often composers will write out only the first ending of a - repeated section of music, and simply continue play, dropping - the first ending after the repeat. With {\PMX}, the notation is - analogous: simply end the first volta, with either \texttt{Vb} - or \texttt{Vx}, without adding a second volta. - - On the other hand, if one volta starts where another one ends, - the symbols ending the first and starting the second volta can - be combined into one, e.g.~\texttt{Vb2}~. -\end{itemize} - -\medskip -Other rules governing volte are: -\begin{itemize} - \item Volte should be placed at the beginnimg of an input block, in - the first (lowest) voice of the first (lowest) staff, before - the first note if it's the start of a volta, or after the last - note if it's the end of a volta. - \item -_{volte!with \textbf{scor2prt}} - If you will be making parts from the score using - \textbf{scor2prt}, then to ensure that the volte are properly - transferred to the parts, you must only include one volta - symbol \texttt{V} in each input block, and it must come at the - beginning of the block. - \item If a score ends while a volta is still open, {\PMX} will close - it with a box. -\end{itemize} - -\bigskip -Examples of volta usage can be seen in Fig.~\ref{fig:volta}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/volta.eps} - \end{center} - \caption{Volte} - \label{fig:volta} -\end{figure} - -\subsection{Meter Changes} \label{sec:meterchg} -_{meter!change} _{polyrhythmic scores} - -The meter of a piece can only be changed at the beginning of an input -block, and thus naturally only at the beginning of a new bar, just -before the beginning of the first (lowest) voice of the first (lowest) -staff. As with the initial meter specified in the preamble, any new -meter applies to all instruments and voices\,% -\footnote{As was pointed out before (cf.~p.\pageref{p:polyrhythms}), - this limits the use of {\PMX} for modern polyrhythmic music. - But you can always try to play with tricks \dots - }. - -A \texttt{m}eter change symbol starts with the letter \texttt{m}. There -are two different ways to complete the symbol: -\begin{itemize} - \item enter the 4 meter-defining numbers \texttt{mtrnuml}, - \texttt{mtrdenl}, \texttt{mtrnump}, \texttt{mtrdenp} for the - new meter\,% - \footnote{For the meaning of these numbers - cf.~p.\pageref{p:meterdefs} . - }, - \emph{separated by slashes} \texttt{/} . - \item same as above, but enter the 4 numbers consecutively - \emph{without spaces}. In this case, it is necessary to - distinguish between one single 2-digit number and two - consecutive 1-digit numbers. For this -- and for this case only - -- the following convention is adopted: - - \vspace{-1.5ex}\noindent - \begin{itemize} - \item the number 1 is represented by the letter \texttt{o}, - \item consecutive digits \texttt{10},\dots \texttt{19} stand - for exactly that: the 2-digit numbers 10 through 19. - \end{itemize} - - \vspace{-1.5ex}\noindent - Thus, 19 is the largest number that can be entered with this - method. -\end{itemize} -_{meter!blind change} -Note that \texttt{mtrdenl=0} still represents a whole note -(semibreve), as explained on p.\pageref{p:meterdefs0}, and a `blind' -meter is given by \texttt{mtrnump=mtrdenp=0}, as explained in -Table~\ref{tab:meter}. - -\medskip _{pickup bar} -The most common application of a `blind' meter change occurs when a -piece --- often one starting with a pickup --- has an incomplete final -bar. In such cases place the last bar in an input block by itself, -headed by a `blind' meter change. For example, if the meter had been 4/4 -and there was a quarter note pickup, leaving 3 beats in the last bar, -the last bar might be coded \verb#m3400 cd24 of /#. - -Another useful application is for the pickup bar in the second or later -movements, following a {\PMX} movement break symbol. Since there is -no special provision for pickups in this case like there is at the -beginning of a piece, _{movement breaks} -\begin{enumerate} - \item the pickup bar should be in a block by itself, starting with a - meter change symbol with a logical meter representing the - pickup bar and a printed meter as appropriate, and - \item the next bar should start a new block and begin with a blind - meter change symbol with a logical meter representing the true - meter. -\end{enumerate} - - -\subsection{Key Changes} \label{sec:keychg} -_{key change} _{K symbol@\texttt{K} symbol} - -A key change can be signalled at any time\,%. -\footnote{Only one key change is allowed in each input block. - }. -It must be entered in the first voice, but will affect all voices. Use -the command \texttt{K+0}, followed by the new key signature: positive -integer for sharps, negative for flats (cf.~Section~\ref{sec:numinput}) -. - -\medskip -Some examples are given in Fig.~\ref{fig:keychg}. - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/keychg.eps} - \end{center} - \caption{Some key changes} - \label{fig:keychg} -\end{figure} - -\subsection{Transpositions} \label{sec:transpositions} - -_{transposition} _{K symbol@\texttt{K} symbol} - -\subsubsection{Transposition of an entire score} - -To transpose an entire score to a different key from the one in which -the data have been entered, use the symbol \texttt{K} (for -\textbf{K}ey), followed by two explicitly signed digits: (1) the -distance to transpose by, in units of \verb#\internote# (i.e.\ the -vertical offset on the staff), and (2) the new key signature. This -symbol must be entered at the beginning of the piece, in the header -(cf.~p.\pageref{p:header}). - -There is one case that requires special handling, viz., when transposing -by a half step, but the vertical position doesn't change, e.g.\ from D -flat to D. In this case the shift parameter (the first parameter of -\texttt{K}) is \emph{always} \texttt{-0} \emph{regardless} of whether -the transposition is up or down a half step\,% -\footnote{This artifact is needed to differentiate a half-note - transposition from a mere key change without - transposition (cf.~Section~\ref{sec:keychg}) . - }; -the direction of the transposition will be determined by the new key -signature, the second parameter. An example of transposition is given in -Figs.~\ref{fig:transpose}. - -\begin{figure}[!htb] - \begin{center} - no transposition: \\ - \begin{small} - \verb#d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# - \end{small} \\ - \includegraphics[scale=.82]{eps/transpose.eps} \\ - transposition by one tone up: \\ - \begin{small} - \verb#K+1+1 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# - \end{small} \\ - \includegraphics[scale=.82]{eps/transpose1.eps} \\ - transposition by a half tone up: \\ - \begin{small} - \verb#K-0+6 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# - \end{small} \\ - \includegraphics[scale=.82]{eps/transpose2.eps} \\ - transposition by a half tone down: \\ - \begin{small} - \verb#K-1+4 d8 e1 f g a bs cs d8 cn1 bn a g f e | d0 Rb /# - \end{small} \\ - \includegraphics[scale=.82]{eps/transpose3.eps} \\ - \end{center} - \caption{Some transpositions of a d minor scale} - \label{fig:transpose} -\end{figure} - - -\begin{figure} - \begin{center} - \includegraphics[scale=.82]{eps/tristn.eps} \\ - Standard notation in the original score \\[3ex] - \includegraphics[scale=.82]{eps/trists.eps} \\ - Actual sound (transposed with \texttt{K-4-4}) - \end{center} - \caption{\textbf{R.\ Wagner}, \emph{Tristan und Isolde}, - beginning of third act} - \label{fig:tristan} -\end{figure} - - -\medskip -_{accidentals!relative} -When transposing, one should always use relative accidentals, activated -by the symbol \texttt{Ar} in the header (cf.~Section~\ref{sec:A} for a -detailed explanation of this notation). - -\medskip -When transposing an entire score of same-type instruments, it is of -course easy to obtain both the original score and its actual sound, as -shown in Fig.~\ref{fig:tristan}. - -\subsubsection{Transposition of Individual staves} - \label{sec:stafftranspos} - -In orchestral scores, you usually have individual `transposing -instruments', i.e.\ instruments that are denoted (and, in fact, -\emph{played}) in a pitch different from what they sound: clarinets in E or B -flat, Oboes in A (oboe d'amore) or F (oboe da caccia), and similar. For -that purpose \PMX\ now provides the option to transpose individual -staves. - -The instructions given by Don Simons himself on introduction of \PMX\ -\texttt{2.613} are so clear that it is best to quote them literally -here: - -\begin{quotation} -``The syntax is an extension of the existing full-score transpose/key - change command "K". Just follow "K" with "i", then instrument number, - then the same parameters as before for transposition amount and new - key signature: - - \verbõKi[instrument #][+/-][trans amt.][+/-][new key]õ - - For more than one instrument, you may immediately repeat everything - after "K". The command must either be at the start of the score (right - after setup), or if later, must be preceded by a normal (full score) - key change command K+0[+/-][new key]. (Remember that later full-score - transpositions are not allowed). '' -\end{quotation} - -An important function is worth repeating/emphasizing: -\begin{itemize} - \item It is usually easiest to put the new \texttt{K} command where - the old one was: right before the start of the actual score, - i.e.\ in the `header' . But it is now also possible to enter it - later, albeit with the (somewhat cumbersome) addition of a `dummy' - full-score key change command (as explained above). - - This can indeed occur in practice, e.g.\ when the oboe player - switches to English Horn in midstream! -\end{itemize} - -\subsection{Titles, and text above and below a system} - \label{sec:titles} _{titles} -_{text!above/below system} _{T symbol@\texttt{T} symbol} - -A \emph{title block} with up to three elements can be defined in the -header (cf.~p.\pageref{p:header}): -\begin{itemize} -\item \texttt{Ti}: an \textbf{i}nstrument name. It is set \emph{above} - the title, and left-justified, -\item \texttt{Tc}: the \textbf{c}omposer's name. It is set \emph{below} - the title and right-justified, -\item \texttt{Tt}: a \textbf{t}itle for the whole piece. It is centered - on the page. -\end{itemize} - -Each of these commands is to be followed by a text string, \emph{on a -separate line}. This text must be fully contained in one line of {\PMX} -coding; but the text for the \textbf{t}itle can be spread out over -several lines in print by using the standard {\TeX} line break symbol -\verb#\\# . _{\TeX!line break symbol} - -\medskip -Extra vertical space can be added between the whole title block and the -top system by appending to \texttt{Tt} (without space) a one- or -two-digit number representing this space, in units of -\verb#\internote#\,% -\footnote{{\PMX} does this together with the adjustment of other - vertical spaces when fixing the general page layout. In some - rare cases, the result may not be quite what you expect, in - particular when you haven't used the \texttt{Ae} option to - equalize inter-system spacing - (cf.~section~\ref{sec:options}). In such cases you might want - to use inline {\TeX} --- take a look at the example in - Section~\ref{sec:shiftname} for how this can be done. - }. -This works only if \texttt{Tt} is the \emph{final} title block element -entered. Thus, although the 3 parts of a title block can be given in any -order, it is good practice to use the sequence \texttt{Ti} --- -\texttt{Tc} --- \texttt{Tt}. - -_{titles!with \textbf{scor2prt}} _{\textbf{scor2prt}!use of Ti} -\Note{When you want to generate parts from a score with - \textbf{scor2prt} (cf.~Section~\ref{sec:scor2prt}), you should - \emph{omit} \texttt{Ti} with an associated \textbf{i}nstrument - name, because each separate instrument usually has a different - name. Rather, \textbf{scor2prt} will automatically supply the - appropriate instrument names, printing the name of each instrument - at the upper left of the first page of each part; the names used - here are the ones specified in the preamble of the {\PMX} file for - the score\,% - {\footnotemark}. - - If you do have \texttt{Ti} together with an \textbf{i}nstrument - name in the main score, \textbf{scor2prt} will print that name - identically to all the parts --- which is usually not what you - want! - } -\footnotetext{\textbf{scor2prt} does this by inserting into the part - \texttt{.pmx} file a \texttt{Ti} and the appropriate - instrument name as taken from the preamble of the main - score. Knowing this may be useful if you want to - manipulate this process, e.g.~to change the vertical - shifting of a particular instrument name - (cf.~Section~\ref{sec:shiftname} for details). - _{\textbf{scor2prt}!adjusting instrument name} - } - -\bigskip _{h symbol@\texttt{h} symbol} _{l symbol@\texttt{l} symbol} -The symbols \texttt{h} (for \textbf{h}eader)\,% -\footnote{This usage of the \textbf{h} symbol is not to be confused with - that for the page size (see Section~\ref{sec:pagesize})! - Although both can occur together in the header, they are in - fact, different {\PMX} symbols, distinguished by their - differing syntax. - } -and \texttt{l} (for \textbf{l}ower) can be used to introduce text -either above or below a system. These symbols must be placed in the -first column of an input line (not necessarily the beginning of a -block), and followed by a blank or -- for \texttt{h} only -- a signed -integer. In the latter case, this integer is a vertical shift, in units -of \verb#\internote#. - -The text string, which again must lie on a line of its own immediately -following the symbol, will be printed above or below the \emph{top} -staff in the \emph{first} bar of the block where it is entered. -Figs.~\ref{fig:vivaldi1} and \ref{fig:Haydn} show examples. - -\subsection{Page numbering and page headers} \label{sec:pagenumbers} - -\subsubsection{Page numbering} -_{page!numbering} _{P symbol@\texttt{P} symbol} - -By default, {\PMX} does \emph{not} number the pages of a score, even -when it has more than one page. You can, however, switch on page -numbering by using the symbol \texttt{P} (for \textbf{P}age). Placed at -the beginning of an input block anywhere within the {\PMX} body of -input, and followed optionally by a page number and/or by \texttt{l} -(for \textbf{l}eft) or \texttt{r} (for \textbf{r}ight), this will -\begin{enumerate} - \item start page numbering at the current page\,% - \footnote{The `current page' is the page where {\PMX} puts - the music currently processed at the point where it - encounters the symbol \texttt{P}. - } - with the number given as optional argument. Further page - numbers are then incremented automatically starting with this - number. If \texttt{P} has no number argument, the default is - page 1 . Thus, \texttt{P} and \texttt{P1} are equivalent), - \item put the page numbers to the top \textbf{l}eft or \texttt{r}ight - of the first of the pages to be numbered, after which the - number positions will alternate. If no \textbf{l} or \textbf{r} - is given, {\PMX} puts the page numbers on the right on - odd-numbered pages, on the left of even pages. -\end{enumerate} -You can have as many \texttt{P} symbols in a score as you like; but -there is no command to switch off page numbering again once it has been -switched on. - -\subsubsection{page headers} -_{page!headers} - -There is one more option, \texttt{c} (for \textbf{c}entered header), -available with the \texttt{P} symbol. This option defines a text string -to be printed at the top of every page \emph{after the first}. The -notation is as follows: -\begin{itemize} - \item The normal usage is \texttt{Pc"}$[$\emph{text - string}$]$\verb#"#. The text string enclosed in the quotation - marks must be a single line of text. It may contain blanks, but - \emph{no} \verb#\\#). If the string consists of blanks only, - that is what will be printed: a blank page header. - \item If the text string does not contain any blanks, you may omit - the quotation marks, but you must then start the text - immediately after the \texttt{c} \emph{with no space}. - \item If there is a blank after \texttt{Pc}, \emph{no quotation marks, - and no further text}, the text printed as the header will be - the instrument name entered with the symbol \texttt{Ti}, as - described on p.\ref{sec:titles}. -\end{itemize} -\texttt{c} must be the \emph{last} option in the \texttt{P} symbol. - -_{P symbol@\texttt{P} symbol} _{\textbf{scor2prt}} -\Note{The \texttt{P} symbol and all its options will be ignored when - making parts from a score using \textbf{scor2prt}, since page - numbering will usually be different in the score from that in the - parts. Page numbering -- and centered headers -- for parts can, - however, be initiated independently with another mechanism. For - the details on this, refer to Section~\ref{sec:scor2prt}. - } - -\clearpage -\begin{figure}[!htb] - \begin{center} - - \vspace*{20ex} - \includegraphics[scale=.82]{eps/vivaldi1.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} - 1 1 3 4 0 3 0 -1 - 1 1 16 0.0 - -t -./ -% begin header: -Ti11 -Oboe I -Tc -Antonio Vivaldi (1678-1741) -Tt -Concerto in d minor \\ RV535 -w150m -% end header. -% Bar 1-4 -h-2 -~~~Largo - -d45 a44 r4 | g44 f44 r4 | g45 a45 b45 | cs45 d45 r4 / -% Bar 5-7 -fs45 g45 a45 | b45 r4 r4 | cs45 d45 e45 / -% Bar 8 -l -(continued) -f45 r4 r4 Rb / -% -\end{verbatim} -\end{minipage} - \end{center} - \caption{Titles, and text above and below a system} - \label{fig:vivaldi1} -\end{figure} - -\clearpage -\subsection{Layout: line, page, and movement breaks} - \label{sec:breaks} -_{layout} _{layout!manual line/page breaks} -_{\texttt{npages}} _{\texttt{nsystems}} - -The parameters \verb#npages# and \verb#nsystems# of the preamble -(cf.~Section~\ref{sec:preamble}) determine the layout of the score, -either by fixing the total number of pages and systems, or by setting -the average number of bars per system. With no further instructions, -{\PMX} will attempt to distribute all the music evenly over the total -number of systems, and then spread the systems evenly over the specified -number of pages, either specified or determined by default (with -\verb#npages=0#). - -You can change the average `crowdedness' by changing the preamble -parameters. Once this is satisfactory, you can exercise finer, more -local control by forcing, i.e.\ manually inserting, line or page breaks -at exactly the places you want them to be. You may also want movement -breaks, and {\PMX} has a convenient way of doing that, in the process -dealing easily with such `housecleaning' chores as indenting the first -system of the new movement, reprinting the time signature, resetting the -bar number counter, and other details to be discussed below. -_{bar numbering} _{indenting first system} - -\medskip -It is worthwhile, however, to quote Leslie Lamport at this point: -_{Lamport, Leslie} -\begin{quote} - ``Don't worry about line and page breaks until you prepare the - absolutely final version'' \\ - From: Leslie Lamport, {\LaTeX}, \emph{user's Guide and Reference - Manual} . -\end{quote} - -This is especially true for a {\PMX}-generated score. Until the final -edit, you should always use \texttt{npages=0}. Once you specify any -forced line break, you can no longer use \texttt{npages=0}, and you will -have to specify values for \texttt{npages} \emph{and} -\texttt{nsystems}~. And because --- as we'll soon explain --- a movement -break is a sub-option of the linebreak command, you cannot set movement -breaks either until the final edit. - -But unless your score is just a few pages long, you probably will want -to set some line, page, or movement breaks in the end. When you are -ready, always first pick some reasonable values for \texttt{npages} and -\texttt{nsystems}---perhaps the numbers that finally came out when you -used \texttt{npages=0} during the main input process. Then one way to -proceed is to start at the beginning, forcing breaks where desired. The -most common places would be at movement breaks, and at places associated -with volte or repeats. Recompile and view the result after each new -line break is inserted. You may need to adjust the total number of -systems or even pages depending on how crowded is the remainder of the -score, after the last forced line break. - -The other way to proceed is to begin by inserting any obvious page -breaks, especially if you are laying out a booklet with facing pages and -want page turns to come in musically convenient places. - -\bigskip\noindent -Here are the rules for inserting forced line, page, and movement breaks: -\begin{itemize} -\item _{line break} - Line breaks can only come at the start of an input block. To force - a line break at the start of the $n^\text{th}$ system, enter - \texttt{L}$[n]$~. $n$ must obviously be greater than 1 and less - than or equal to the value of \texttt{nsystems} as specified in - the preamble. -\item _{page!breaks} - Page breaks can only come where there is already a line break. To - force a page break at the start of the $m^\text{th}$ page and the - $n^\text{th}$ system, enter \texttt{L[}$n$\texttt{]P}$m$~. $m$ - must obviously be greater than 1 and less than or equal to the - total number of pages. - -\item _{movement breaks} - Movement breaks can only come where there is already a line break. - To force a movement break at the start of the $n^\text{th}$ - system, enter \texttt{L[}\emph{n}\texttt{]M}~. If in addition you - want a page break at that point, use - \texttt{L[}$n$\texttt{]P[}$m$\texttt{]M}~. - - \medskip - The movement break symbol \texttt{M} has several optional - parameters. They can be used in any combination and should follow - with no spaces. - - \begin{itemize} - \item \texttt{M+[}$k$\texttt{]} adds $k$ \verb#\internote# - units of vertical space between movements. \item - \texttt{Mi[}$.x$\texttt{]} resets the first-line - indentation of the new movement to - \texttt{fracindent=}\,$.x$~, where $.x$ is some - decimal number (cf.~Sec. \ref{sec:preamble}). - - \Note{You must write the fracindent number exactly in - the form $.x$ , i.e.\ \emph{without} the leading - $0$~. If, e.g.\ , you write $0.2$ instead of - $.2$~, {\PMX} will complain with an error message, - asking for a decimal number! - } - - \item Beginning a new movement break, the bar number is reset - to zero by default, whereas \\ - \texttt{Mc} \textbf{c}ontinues bar numbering. - \item \texttt{M[}$n$\texttt{]} changes the \textbf{n}umber of - instruments to $n$~. $n$ must not exceed \texttt{ninstr} - as set in the preamble. If $n$ exceeds 9, it must be - \emph{preceded} with \texttt{:} (colon). This should be - followed (without blanks) by a sequence of $n$ instrument - numbers in bottom-up order, again preceded with - \texttt{:} if bigger than 9, then a sequence of clef - symbols, one for each staff of each instrument starting - from the bottom. An instrument's numeral is simply its - position in the original sequence (in the preamble); - these numerals can be permuted as desired, but the - sequence of clef symbols should, of course, match the new - sequence of instruments. - \item \texttt{Mr+}/\texttt{Mr-} \textbf{r}eprints/suppresses - reprinting the instrument names at the beginning of the - new movement. The default is to print them only if the - number of instruments changes. - \end{itemize} -\end{itemize} - -_{instruments!numbers increased/decreased} -It should be emphasized here that the number of instruments in a new -movement can never exceed the original number of instruments, although -it is permissible to increase it after it has been decreased, as long as -it doesn't exceed the original number; in other words, and to give an -example: a sequence {quartet --- solo --- duet, e.g., is possible, -while the reverse sequence is not. There are two ways to circumvent this -restriction: -\begin{enumerate} -\item start the score with a dummy page --- to be discarded - later --- containing the maximum number of instruments. On the - second page, start a new movement with the desired number and - sequence of instruments for the first movement, -\item _{\PMX!concatenating several files} - make separate {\PMX} files and concatenate them afterwards - (cf.~Section~\ref{sec:concatfiles} or \ref{sec:LaTeX} on how to - do this). -\end{enumerate} - -\medskip -Immediately after a movement break, any desired meter changes, key -changes, or text can be entered as already described in -Sections \ref{sec:meterchg}, \ref{sec:keychg} and \ref{sec:titles} -(p.\pageref{sec:meterchg} ff.). - -\bigskip -The effect of movement breaks is illustrated in the -example~\ref{sec:Dufay} in the appendix. - -\subsection{Bar Numbering} \label{sec:barnumbers} -_{bar numbering} _{inline \TeX!bar numbering} - -By default {\PMX} places a bar number above the first bar of the top -staff in every system, and there is no provision in {\PMX} to change -this default. But it is easy to change this by using a straight -{\MusiXTeX} command: -\begin{itemize} - \item if you want no printed bar numbers at all, add a line in the - header containing \\ \verb#\\nobarnumbers\# - \item if you want bar numbers printed over every bar, add a line - containing \\ \verb#\\barnumbers\# -\end{itemize} -in the header or at the beginning of an input block. - -This is an example of a \textbf{type 2} inline {\TeX} command, -cf.~Section~\ref{sec:inlineTeX}. As is explained there in detail, {\PMX} -will place a \textbf{type 2} inline {\TeX} command at the beginning of -the \verb#.tex# file produced, regardless of where in the \verb#.pmx# -file the command appears. This means that you cannot change this type of -bar numbering in mid-stream. - -If you do want to change the bar numbering somewhere in the middle of a -score, use a \textbf{type 3} inline {\TeX} command: if, from the -current point in the score, you want -\begin{itemize} - \item no printed bar numbers, add a line with \\ - \verb#\\\nobarnumbers\# - \item bar numbers printed over every bar, add \\ - \verb#\\\barnumbers\# - \item bar numbers above the first bar of every system (the {\PMX} - default), add \\ \verb#\\\systemnumbers\# -\end{itemize} -at the beginning of the current input block. - -\medskip -_{Bar number count adjustment} -Furthermore, you might want to change the number itself. This occurs most -frequently when you have a pickup bar at the beginning of a repeat; some --- including some commercial publishers -- do not include this pickup -bar in the number count, wheras {\PMX} does so by default. To adjust -this, use the \textbf{type 3} inline {\TeX} command -\verb#\\\advance\barno-1\relax\# . - -\bigskip -{\MusiXTeX} provides still more elaborate bar numbering schemes, such as -a number over every $n^{\text{th}}$ bar. For details refer to the -{\MusiXTeX}~\texttt{1.15} manual. - -\section{Some general options and technical adjustments} - \label{sec:options} _{\PMX!options!general} - _{layout!general options} - -\subsection{Global options} \label{sec:A} -_{\PMX!options!global}_{A symbol@\texttt{A} symbol} - -{\PMX} has many layout parameters with default settings. Some of these -can be changed by the user; for that purpose there are several symbols, -all beginning with \texttt{A}. Many of these are usually included in the -^{header}, but some may be entered at the beginning of any input block. -Table~\ref{tab:A} lists these options alphabetically; the following -subsections, grouped by types of settings, describe them in detail. When -using several of these commands, it is not necessary to enter them all -on separate lines; rather, you can concatenate them, in any order, with -just a single \texttt{A}, e.g.~\texttt{AdI2.3p+hlbr} . - -\begin{table}[!ht] -\begin{center} -_{\PMX!options!global} _{A symbol} _{global options |see{@\texttt{A} symbol}} -\begin{tabular}{|l|l|} -\hline -\texttt{Aa}$[x]$ & sets space before first note in a bar \\ -\texttt{Ab} & makes accidentals \textbf{b}ig \\ -\texttt{Ac}$[x]$ & sets page sizes and offsets according - to paper type \\ -\texttt{Ad} & puts \textbf{d}ots in lower voices - \emph{below} the line \\ -\texttt{Ae} & \textbf{e}qualizes inter-system spacing \\ -\texttt{AI}$[x]$ & changes default \textbf{I}nterstaff spacing - \emph{for the whole score} \\ -\texttt{Ai}$[x]$ & changes default \textbf{i}nterstaff spacing - \emph{for the current page only} \\ -\texttt{AK} & adjusts rest heights in 2-voice staves - depending on context \\ -\texttt{AN}$[i]$``\emph{name}'' - & sets filenames generated by \textbf{scor2prt} - (cf.~Section~\ref{sec:scor2prt}) \\ -\texttt{Ap}[\emph{further suboptions}] - & enables PostScript type K slurs \\ - (cf.~Section~\ref{sec:chords}) \\ -\texttt{Ar} & switches accidentals to - \textbf{r}\emph{elative} \\ -\verb#AR[#\emph{file}\verb#]# - & inserts a text file in the {\PMX} source file - (cf.\ Secion \ref{sec:concatfiles}) \\ -\texttt{AS}[\emph{ns}] - & enables {\PMX} \textbf{S}pacing algorithms - to small-font staves \\ -\texttt{As} & makes accidentals \textbf{s}mall \\ -\texttt{AT} & activates special xtuplet brackets - (cf.~Section~\ref{sec:xtuplets}) \\ -\texttt{Av} & spreads systems \textbf{v}ertically over all - of an unfilled page when `on' \\ -\hline -\end{tabular} -\end{center} - \caption{Symbols beginning with an \texttt{A} (global options)} - \label{tab:A} -\end{table} - -\subsubsection{Accidentals} -By default, big accidentals are used unless regular spacing doesn't -provide enough room. Thus the default behavior may cause a mixture -of big and small accidentals, and in fact is not recommended. Rather, -the user is advised to make his choice: -\begin{itemize} - \item _{accidentals!big} - \texttt{Ab} makes all accidentals \textbf{b}ig; this is - usually preferred, - \item _{accidentals!small} - \texttt{As} makes all accidentals \textbf{s}mall. -\end{itemize} - -\medskip _{accidentals!absolute} -As was mentioned earlier (cf.~Section~\ref{sec:transpositions}), {\PMX} -by default uses the so-called `absolute' notation for inputting -accidentals, i.e.\ the notation explained in -Table~\ref{tab:noteparameters}. -In this notation, there is an obvious one-to-one correspondence between -accented characters in the {\PMX} source file (\texttt{s, f, n, ss, ff}) -and the printed characters. This has a disadvantage, but it only -surfaces if you write the {\PMX} file in one key and later transpose it -using the \texttt{K} option described in -Section~\ref{sec:transpositions}. For example, suppose the original key -is F, with 1 $\flat$ in the signature, and you enter \texttt{bn}. Now if -you transpose to the key of C with \texttt{K-3+0}~, that note will be -printed explicitly as F natural, while it should be F sharp. - -\medskip _{accidentals!relative} _{key signature} -The remedy for such problems is to use another notation, aptly named -`relative' accidental notation, used by some musicians and some -publishers in some countries. In this notation, a sharp, flat, or -natural sign denotes an alteration by a half-tone up, down, or none -\emph{relative to the note which would otherwise be indicated based -on the signature of the piece}. For example, in D~major, with 2 -$\sharp$s in the signature, an F natural would be denoted not as -\texttt{fn} but rather as \texttt{ff}, while in d~minor, with one -$\flat$ in the signature, a B natural would be input not as -\texttt{bn} but rather as \texttt{bs}. Similarly, $\natural$s -accidentals refer to the notes prescribed by the signature; e.g., in -G~Major (1 $\sharp$ in the key) a \texttt{gn} sounds as a \emph{g}, -while \texttt{fn} sounds as an F sharp. - -\medskip _{transposition} -For automatic transpositions to function properly, it is necessary -that the {\PMX} source for the score to be transposed use the -\emph{relative accidental notation}. This is effected by \texttt{Ar} -: -\begin{itemize} - \item \texttt{Ar} directs {\PMX} to interpret accidentals - in \textbf{r}\emph{elative} notation\,% - \footnote{Note that this makes logical sense only if used in - the header, and accordingly there is no way to - `undo' this decision further down in a score. - }. -\end{itemize} - -\subsubsection{General layout} _{genlayout} The -esthetic appearance of a score of music depends on the -white space around it, and thus depends on the physical -size of the paper. - -\medskip -In {\PMX}, default values for this can be set with a -global option \texttt{Acl} or \texttt{Ac4}, with no -further adjustments required in \textbf{dvips} . These -commands set horizontal and vertical sizes and offsets -that center the page: -\begin{itemize} - \item \texttt{Acl} for letter paper - \item \texttt{Ac4} for DIN A4 paper . -\end{itemize} - -\Note[180pt]{These 2 global options are available as of {\PMX} - version 2.618 , not before !!} - -\subsubsection{Layout details} _{layout} -When the note head of a dotted note is \emph{on} the line (e.g.\ -for a \emph{g} in a violin clef), it is customary to place the -dot slightly \emph{above} the line. In staves with two voices, -there is an alternate custom, viz., to place the dot \emph{above} -the line in the \emph{upper} voice and \emph{below} the line in -the \emph{lower} voice. {\PMX}'s default is the first possiblity; -dots for both voices \emph{above} the line, but it can be -overridden: - - -\noindent -By default {\PMX} inserts a horizontal gap of \verb#1\elemskip# -between a bar line and the first note in the bar. This can be -changed globally: -\begin{itemize} - \item \texttt{Aa}$[x]$ sets the space before the first note in - every bar to to $x$ units of \verb#\elemskip# . -\end{itemize} - -\noindent -In {\PMX} it's not yet possible to specify a smaller font for selected -staves. But it can be done using an inline {\TeX} command (For details, -cf.~Section~\ref{sec:inlineTeX} and Section~\ref{sec:varstaves}). If you -do this, then you ought to use the \texttt{AS} option: - -\begin{itemize} _{staves!varying size} _{\texttt{musicsize}} - \item \texttt{AS}[\emph{ns}] . The additional sequence of - \emph{ns} is mandatory here. It consists of exactly as - many characters \texttt{-} (minus) or \texttt{0} (zero) - as there are staves in the score (\texttt{nstaves}, - cf.~Section~\ref{sec:preamble}): \texttt{0} if the font - size of this staff is normal, \texttt{-} if it is - small\,% - \footnote{The sequence of staves is from bottom to top, as - described in the preamble. Cf.~p.\pageref{p:header}. - }. - This tells {\PMX} to modify some horizontal spacing decisions - to account for the smaller font size. -\end{itemize} - -\subsubsection{Vertical spacing} _{spacing} _{spacing!vertical} -\begin{enumerate} - \item[a)] Spacing of staves within a system: \text{} \\ - If there is more than one staff in a system, {\PMX} computes the - vertical spacing between the staves automatically. However, the - algorithm isn't fully robust, and the result may not be pleasing. - To change the spacing between the staves within a system, you can - apply a scale factor $x$ to the default, either for the entire - score, or for the current page only: - \begin{itemize} - \item \texttt{AI}$[x]$ multiplies the default - \textbf{I}nterstaff spacing, \verb#\interstaff#, by the - decimal number $x$ \emph{for the entire score}. This - option should be placed in the header. - \item \texttt{Ai}$[x]$ multiplies the default - \textbf{i}nterstaff spacing by the - decimal number $x$ \emph{for the current page only}. - This option can be placed at the beginning of any input - block (including the first), and overrides - \texttt{AI}$[x]$ . - \end{itemize} - Note that if there is more than one system on a page, decreasing - the interstaff spacing will increase the space between systems, - and vice-versa. - - \item[b)] Spacing of systems on a page: \text{} \\ - {\MusiXTeX} normally draws a virtual box around each system and - inserts equal vertical space between these boxes. When objects - protrude above the top staff in a system -- such as the note - \texttt{c46} in the violin clef -- or below the bottom one, this - can lead to unequal spacing between the bottom staff line of one - system and the top staff line of the next. You may prefer that - this vertical spacing be constant for the whole page: - \begin{itemize} - \item \texttt{Ae} ensures that the spacing between the bottom - staff line of one system and the top staff line of the - next is constant for any one page\,% - \footnote{It is generally advised to use the \texttt{Ae} - option by default, unless one has a specific - reason not to. When using this option, you may - Nevertheless, in certain cases you may want to - force more vertical space between certain systems. - There is a {\TeX} macro, called - _{\bs\texttt{spread}$[x]$} - \bs\texttt{spread}$[x]$, that can be inserted - anywhere in the system before the desired wider - gap. Its argument $x$ is the desired extra space, - in units of \bs\texttt{internote} - (cf.~Section~\ref{sec:inlineTeX}). - _{layout!\bs\texttt{spread}$[x]$} - _{\MusiXTeX!\bs\texttt{spread}$[x]$} - }. - \end{itemize} - - \item[c)] Sparsely filled pages: \text{} \\ - Sometimes it may happen that a page contains just a few staves - altogether, and then the white space between staves on such a - page becomes excessive. In such cases -- specifically, if - \verb#\interstaff# $>$ \verb#20\internote# -- {\PMX} will, instead - of the equal spacing described above, group all systems near the - top of the page. This can, however, be changed by the user: - \begin{itemize} - \item \texttt{Av} will suppress the grouping near the top, - and ensure that systems will always be spread vertically - regardless of how much white space is left between systems. - \end{itemize} - Note that \texttt{Av} acts as a toggle; the second time it is - issued, the behavior will revert to the default. - \item[d)] Vertical position of rests in 2-voice staves: - \begin{itemize} - \item \texttt{AK} activates special rules for vertical positioning - of rests in two-voice staves. - - This general option is rather subtle; its explanation by Don - Simons follows: - \begin{quote} - ``Without this option, rests in two-voice staves have - default positions based on a simple rule that is not - context-sensitive: those in the lower voice (the one - before //\,) are 4 \verb#\internote# heights below their - single-voice default positions, and those in the upper - voice are 2 \verb#\internote# heights above the - single-voice default. - - ``The \texttt{AK} option invokes a set of context-sensitive - _{rest!alignment in 2-voice staves} - rules to set the default position. The baseline rule is - to align the rest in a horizontal line with the next - following note in the same bar. If there is no following - note in the bar, then the rest is aligned with the last - note before the rest. - - \medskip - ``If there are simultaneous rests in both voices, the old - rule is applied. - - \medskip - ``The \texttt{AK} option is a toggle: it may be used at the - start of any input block to turn these special rules on - (if previously off) or off (if previously on). - - \medskip - ``When the \texttt{AK} option is on, it only affects - places where there are two voices in a staff. - - \medskip - ``Any user-defined tweaks on the height of a rest will - supersede the option for that particular rest, i.e.\ the - tweak will be applied relative to the single-voice - default position.'' - \end{quote} - - Sometimes you may want the rest to be aligned with the - \emph{previous} note (the one \emph{to the left} of the - rest), rather than the following note (the one to the right - of the rest). - - This can be achieved simply by appending an \texttt{L} (for - `\textbf{L}eft') to the rest symbol, i.e.\ by writing - `\texttt{rL}' . - \end{itemize} -\end{enumerate} - -\subsubsection{PostScript type K slurs, ties and hairpins} - \label{sec:usepsslurs} -_{PostScript!slurs, ties and hairpins} - -The use of PostScript slurs, ties and hairpins circumvents most of the -shortcomings of the font-based counterparts. Of the two available -packages, only the type K slurs are explicitly supported by {\PMX}. -There is an option, \texttt{Ap}, to enable the use of this package. - -\begin{itemize} - \item \texttt{Ap} activate Type K PostScript slurs, ties and hairpins. - - \texttt{Ap} may also be entered at the beginning of any input block - to activate certain suboptions controlling shapes and positions of - the slurs and ties that are to be used. The first few of these - options affect vertical positioning. When Type K PostScript slurs - are activated with \texttt{Ap}~, slurs and ties will by default - \emph{not} have their verticAl positions tweaked to avoid - tangencies with staff lines. - - To control this type of adjustment, use one of the following - suboptions to \texttt{Ap}~: -\begin{enumerate} - \item - \begin{itemize} - \item \texttt{+s} activates automatic slur height adjustment, - \item \texttt{+t} activates automatic tie height adjustment, - \item \texttt{-s}/\texttt{-t} deactivate the corresponding - height adjustment. - \end{itemize} - - \item - A second suboption, \texttt{+c}/\texttt{-c}, will increase or - decrease the default curvature of the Type K slurs. The result of - such commands is cumulative, and more than one suboption - \texttt{+c} or \texttt{-c} may be used in a single command. If - the cumulative change goes above \texttt{HH} or below - \texttt{f}, a warning will be issued, the default will be set to - \texttt{HH} or \texttt{f}, and processing will continue. - - Local curvature options in individual slur commands (cf.\ - Sec.~\ref{sec:usepsslurs}) will take precedence over the global - default, but will \emph{not change the default}. - \begin{quote} - A special local option, \texttt{n} (`\textbf{n}ormal'), is of the - `undo' type: it will cause that par\-ti\-cu\-lar slur, no matter - what the global default happens to be, to have the normal - curvature, i.e.\ between \texttt{f} and \texttt{h}. - \end{quote} - \item - A third suboption, \texttt{l}, changes the appearance of slurs - and ties that extend across line breaks: - \begin{itemize} _{slurs!across line break} - \item Every slur/tie at a line break is automagically broken into - two separate ones; no additional {\PMX} slur start or ending - commands are required. Vertical and horizontal tweaks for - the end of the first segment and Start of the second segment - are entered as options in the normal command that starts the - slur/tie: - \begin{enumerate} - \item the option for the end of segment 1 starts with - \texttt{s} (for \textbf{s}ever or \textbf{s}plit), - then the usual one or two signed numbers, then a - second \texttt{s} and one or two more signed numbers - for the start of segment 2, - \item the usual curvature options \texttt{h, H, HH , f}, - if included in the starting command for a line-break - slur, will apply to segment 1, and to segment 2 if - in the closing command. If the slur/tie does not - come at a line break, the special position tweaks - (those after the \texttt{s} option) will all be - ignored, and the curvature tweaks on the closing - note take precedence. - \end{enumerate} -\end{itemize} -\end{enumerate} - - _{global options|see{\PMX!options!global}} - _{general options|see{\PMX!options!general}} - The \texttt{l} option can also be invoked globally - (i.e.\ for the entire score) by specifying \texttt{Apl}, - instead of only \texttt{Ap}, in the header - (recommended). -\end{itemize} - -The third suboption concerns only line-break ties (it does not -affect slurs): -\begin{itemize} - \item \texttt{+h}/\texttt{-h} activates/deactivates the use - of special \textbf{h}alf-ties for the second segment of - line-break ties after the line break. These are - horizontal at their left end, and are only used if the - required segment is shorter than 15 pt. -\end{itemize} -Note that this option is somewhat incompatible with the -\texttt{l} option, and they should not be used simultaneously. - - - -\subsection{Page Size} \label{sec:pagesize} \label{p:pagesize} - _{page!size} _{h symbol@\texttt{h} symbol} - _{W symbol@\texttt{W} symbol} -The default page size\,% -\footnote{This means the \emph{extent of the print} on the page. The - -- empty -- top, bottom, left and right margins depend on the - paper/printer used; they can not be altered within {\PMX}. - } -is 740\,pt $\times$ 524\,pt (10.3\," $\times$ 7.3\,", or 261\,mm -$\times$ 185\,mm). To change the height or width, use the special -symbols \texttt{h}[\emph{n}][\emph{u}] or \texttt{w}[\emph{n}][\emph{u}] -in the header. Here \emph{n} is a decimal number for the new size, and -\emph{u} defines the units: \texttt{i} for inches. \texttt{m} for -millimeters, and \texttt{p} for points. if no unit name \emph{u} is -given, \PMX} uses points as the default. - -This command can be used together with \texttt{\%\%} or \texttt{\%!} -(see Section~\ref{sec:scor2prt}) to give the parts made by -\textbf{scor2prt} different page sizes than the parent score. - -\medskip -\Note{This usage of the \textbf{h} symbol is not to be confused with - that for a line of text above a system (see - Section~\ref{sec:titles})! Although both can occur together in the - header, they are in fact, different {\PMX} symbols, distinguished - by their differing syntax. - } - -\subsection{Stem direction of bass notes} \label{sec:stemdirs} - _{stems!direction of bass notes} _{B symbol@\texttt{B} symbol} -By default {\PMX} makes stems go \emph{up} for middle-line D's in bass -clef, but \emph{down} for notes on the middle line of all other clefs. -If you want middle-line bass-clef notes also to have downward stems by -default, enter the symbol \texttt{B} in the header. - -\subsection{Horizontal Spacing} \label{sec:spacing} - _{spacing!horizontal} - -\subsection*{Minimum Spacing between Notes} - -_{W symbol@\texttt{W} symbol} _{spacing!minimum between notes} -{\PMX} does some special, complex analysis to adjust horizontal spacing -in crowded systems. By default, the minimum space between consecutive -noteheads is 0.3 notehead widths. If you want to change this value to -some other fraction, enter \texttt{W.}$[n]$, where $n$ is a single digit -between \texttt{1} and \texttt{9}, giving the minimum spacing, in tenths -of a notehead width. This adjustment is very rarely used. - -\subsubsection*{Extra Horizontal Shifts and hardspace} - _{spacing!hard space} _{hard space|see{spacing}} - -{\PMX} will usually provide satisfactory horizontal spacing. However, -there may be some occasions where you will want to adjust it manually. A -symbol starting with {\tt X} controls one of two available types of -horizontal adjustment: -\begin{enumerate} - \item a \emph{shift} moves one or more characters in the current voice - but does not affect any other spacing anywhere, - \item a \emph{hardspace}, by contrast, is a fixed amount of space - inserted at a particular time. The horizontal positions of - everything in all staves in the system will be adjusted to - accommodate the added space while maintaining vertical - alignment. -\end{enumerate} -Here are the syntactic possibilities: -\begin{itemize} _{X symbol} - \item \texttt{XS}$[x]$ (for \textbf{S}hift). This command shifts the - the next character; $x$ is a decimal number, giving the amount - of shift, in units of a notehead width. - \item \texttt{X:[}$x$\texttt{]} or \texttt{X[}$x$\texttt{]:} - initiates a ``group shift'', which operates like - \texttt{XS[}$x$\texttt{]}, except that everything from the - insertion point onward in the current voice is shifted until a - termination symbol (``shift end'') is encountered. - \item \texttt{X:} ends a ``group shift''. - \item \texttt{X}$[x]$ (without any \texttt{S} or \texttt{:}) is a - so-called \emph{hard space}. It inserts the specified space, - given in units of notehead widths, at the present point in - \emph{all staves} of the system. If $x$ is negative, space will - be removed. -\end{itemize} - -_{X symbol!with \textbf{scor2prt}} -Because horizontal spacing in parts will usually differ from that in the -score, \textbf{scor2prt} (cf.~Section~\ref{sec:scor2prt}) will by default -copy \emph{only} the shift commands \texttt{XS}$[x]$, \texttt{X:}$[x]$ -and \texttt{X:} into the parts, but \emph{not} the hardspace command -\texttt{X}$[x]$ . - - -\medskip -This behavior can be overridden using the methods described in -section~\ref{sec:scor2prt}. There is, however, an alternative method that -helps to keep {\PMX} score files neat and readable: add the suboption -\texttt{B} or \texttt{P} (without space, as usual) to the \texttt{X} -symbol: -\begin{itemize} - \item \texttt{B} (for \textbf{B}oth): with this option, the spacing - symbol is to be applied to \textbf{b}oth score and part, - \item \texttt{P} (for \textbf{P}art): with this option, the spacing - symbol is to be applied to the \textbf{p}arts only. -\end{itemize} - -\section{Macros} \label{sec:macros} _{\PMX!macros} _{M symbol@\texttt{M} symbol} - -A {\PMX} macro is a single symbol that stands literally for any -any string of characters that may occur in the input file\,% -\footnote{Note to seasoned programmers: {\PMX} macros are not really - macros in the usual sense, but merely string abbreviations; - they \emph{do not allow} for variables. - _{\PMX!macros!no variables} - }. -Macros may be useful to save tedious typing and disk space, and make -{\PMX} source text more readable if you need to repeat the same string -many times in a score. - -\medskip -You may define up to 20 macros in any single {\PMX} input file. There is -no practical limit to the length of the character string that a -macro represents, but of course it must respect the {\PMX} rules on the -length of input lines and what must go on separate lines. - -\medskip -Macros only exist within the {\PMX} input file where they are defined; -you can define a completely new set of macros in another {\PMX} input -file. Conversely, if you want to re-use the macros of file -\texttt{myopus1.pmx} in \texttt{myopus2.pmx}, you need to copy them -explicitly from one file to the other. - -\medskip -There are two distinct ways to define and record a new macro or -redefine an existing one: - -\begin{enumerate} - \item to \textbf{R}\emph{ecord} a \textbf{M}acro: type - \texttt{MR}$[n]$, followed by a space, as usual. $n$, the - ``name'' of the macro, is an integer between 1 and 20. - Everything you type after this will be processed normally, at - that point in the input file, as well as stored, until you end - the macro by entering the symbol \texttt{M}, - \item to \textbf{S}\emph{ave} a \textbf{M}acro: type - \texttt{MS}$[n]$. Everything you type after this will be - recorded (saved) as you enter it, \emph{without processing} - the {\PMX} code. When saving macros, it is usually best to put - them in the header, for readability's sake. -\end{enumerate} - -Whenever you would otherwise need to re-enter the same character string, -you can simply \texttt{P}lay back the macro by typing \texttt{MP}$[n]$~. - -\medskip -Macros can be redefined at will; {\PMX} will issue a warning whenever -this occurs. - -\bigskip _{\textbf{scor2prt}!macros} When you use -macros and want to make separate parts -(cf.~Section~\ref{sec:scor2prt}), some care is necessary: -\textbf{scor2prt} will transfer a \texttt{MR} macro only into the part -where it originated, but will transfer \texttt{MS} macros into all -parts. - -\medskip -So if you want to make macro 1, which you will use in several or all -parts and then use it immediately in the part in which you write it, -dont use simply \verb#MR1#, but rather -\begin {verbatim} - MS1 - MP1 -\end{verbatim} - -\bigskip -Fig.~\ref{fig:macro} contains an example of the use of macros. - -\bigskip -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/macro.eps} \\[2ex] ------------------------------------------- - -\begin{minipage}{300pt} -\small -\begin{verbatim} -% macro 2 saved: -MS2 e4 f g2 o_ | M -% Bar 1 (macro 1 recorded and processed): -Rl MR1 c45 d e c | M -% Bar 2 (macro 1 played): -MP1 -% Bar 3 (macro 2 played): -MP2 -% macro 4 saved: -MS4 c4 g c2 o_ M -% Bar 4 (macro 2 played): -MP2 -% Bar 5 (macro 3 recorded and processed): -MR3 g85 a g f e4 c | M -% Bar 6 (macro 3 played): -MP3 -% Bar 7 (macro 4 played): -MP4 | -% Bar 8 (macro 4 played): -MP4 Rr / -% -\end{verbatim} - -\vspace*{2ex} -\end{minipage} - \end{center} - \caption{``\emph{FrŠre Jacques}'' (usage of macros)} - \label{fig:macro} -\end{figure} - -\section{Inline {\TeX} commands} \label{sec:inlineTeX} - _{inline \TeX} - -It may be worthwhile to reiterate at this point the very different -intentions of the software ingredients which make up the {\PMX} tool. It -is, in fact, a hierarchy: -\begin{enumerate} - \item _{\TeX} _{Knuth, Donald E.} - At the base of it all is {\TeX}. {\TeX} (written by Donald - E.\ Knuth) is a general and extremely powerful tool for - typesetting high-quality documents on a computer that are ready - for printing\,% - \footnote{``Its emphasis is on art and technology, as in the - underlying Greek word.'' (quote from the introduction - of \emph{the {\TeX}book}, the authoritative book on - {\TeX}, by Donald E.\ Knuth. _{Knuth, Donald E.} - }. - But {\TeX} is much more than that: it is a full-grown and - powerful computer programming language with which -- if you are - a {\TeX}pert -- you can do almost anything. - - \medskip - There is, however, a price to pay for this power: while you - don't have to be a professional computer programmer to use - {\TeX}, a pretty good familiarity with the basics of - programming is unavoidable. - \item _{\MusiXTeX} _{Taupin, Daniel} - {\MusiXTeX} (written essentially by Daniel Taupin) is a - `macro' for {\TeX}\,% - \footnote{To be precise, {\MusiXTeX} consists of a very - extensive set of {\TeX} `macros' and music - typesetting fonts. - }. - That alleviates most of the {\TeX} programming tasks for the - special purpose of typesetting music. Thus, while it helps to - have a programming background, such a background is not - absolutely essentially for someone who just wants to write a - few simple music scores. - \item _{\PMX} _{Simons, Don} - {\PMX}, the `preprocessor' for {\MusiXTeX} written by Don - Simons and described in detail in this tutorial, is yet another - level of abstraction on the long way from the musical ideas - that make up a score to getting ink on the paper at certain - points. The whole purpose of {\PMX} is to make typesetting of - music with {\MusiXTeX}/{\TeX} accessible to people with - essentially \emph{no} prowess in computer programming. -\end{enumerate} -As a consequence of this hierarchy, {\PMX} is vastly simpler to use than -{\MusiXTeX}, which in turn is simpler than straight {\TeX}. But the -converse of this is also true: there are elements in {\MusiXTeX} that -are not directly accessible with the {\PMX} language, just as you cannot -unleash the full power of {\TeX} with {\MusiXTeX} alone. -So to allow the user full access to `lower-level' {\MusiXTeX} or {\TeX} -- -while maintaining its higher-level notational simplicity -- {\PMX} -supports the inclusion of {\TeX} commands either directly in the -{\PMX} input file or via an external file. - -\subsection{Including {\TeX} Commands in the \texttt{.pmx} source file} - _{inline \TeX!in \texttt{.pmx} source} -The normal way for a {\PMX} user to insert user-defined {\TeX} code is -to enter it directly in the \texttt{.pmx} input file; this is what is -referred to as ``\,inline {\TeX}\,'' in this tutorial. There are four ways -to do that; these differ mainly in where the {\TeX} code will appear in -the {\PMX} output \texttt{.tex} file. The first 3 of these have \bs\ , -\bs\bs\ or \bs\bs\bs\ (1, 2 or 3 backslashes) as a starting symbol, then -comes a sequence of {\TeX} commands, then another \bs\ (backslash) as a -terminating symbol, followed by the usual space\,% -\footnote{This means that type 1, 2, and 3 {\TeX} strings may \emph{not} - contain the \TeX\ macro `\bs\,\,\,' \,(backslash-space). If - you really need that, replace it by \bs\texttt{relax }. - }. -All three of these must be contained fully in \emph{one line of input}, -limited by default to 128 characters (cf.~Section~\ref{sec:limits}); but -this one line can contain any number of concatenated {\TeX} commands. - -\medskip -The above description needs clarification on a subtle point: the -starting symbols \bs\ , \bs\bs\ or \bs\bs\bs\ \, are \emph{not} really -{\PMX} symbols in the sense used throughout this tutorial, in that there -would be `white space' after them, but the {\TeX} command(s) follow them -\emph{without a blank}. This has to do with the fact that all {\TeX} -commands -- called `control sequences' -- start out with a \bs\ . And -thus the last of the starting backslashes (the only one for type 1, -the second one for type 2, the third one for type 3) counts as the -{\TeX} control character of the following {\TeX} command. For example, -if you wanted to define a new {\TeX} command \verb#\Myspace# as a type 1 -inline command, you would write -\begin{center} \verb#\def\Myspace\hskip{10mm}\ # \end{center} -whereas if it is to be a type 3 inline command, it would read -\begin{center} \verb#\\\def\Myspace\hskip{10mm}\ # \end{center} -in other words: the starting symbol itself also provides the first \bs\ -of the {\TeX} command (control sequence). - -This convention can also be seen clearly in the examples given below. - -\bigskip -Here are the characteristics of the first three types: -\begin{description} _{inline \TeX!Type 1/2/3/4} - \item[Type 1 ( \bs\ \dots \bs\ ) : ] - a Type 1 string usually serves to define or execute a command - that is only needed locally for the current line of music, right - after the place where it is entered in the \texttt{.pmx} file. - {\PMX} inserts it in the resulting \texttt{.tex} file right - before the {\MusiXTeX} command for the next note or rest. - Multiple type 1 strings associated with the same note or rest - are allowed, although the total length may not exceed 128 - characters. So there is generally no reason not to combine all - {\TeX} commands for a single note into a single type 1 string. - - \Note{If an inline {\TeX} string contains a new {\TeX} - definition, this definition is in general \emph{not} - local; depending on circumstances, it can remain valid - throughout the score and for \emph{all instruments} unless - redefined somewhere\,! This is true for all types of - inline {\TeX}, Type 3 in particular. So be careful! - } - \item[Type 2 ( \bs\bs\ \dots \bs\ ) : ] a Type 2 string usually serves - to define or execute a command that is needed throughout the - entire score. It will appear near the top of the \texttt{.tex} - file, right before the \bs\texttt{startmuflex}, regardless of - where it appears in the \texttt{.pmx} file. - \item[Type 3 ( \bs\bs\bs\ \dots \bs\ ) : ] Type 3 strings will appear - in the \texttt{.tex} file right before the \bs\texttt{xbar} or - \bs\texttt{alaligne} of the current input block, i.e.\ before - its first bar line. Thus a Type 3 string is typically used when - you want to redefine a previously defined {\TeX} command, to be - valid from a certain point on, but not before. - \item[Type 4 : ] \label{sec:inlinetypefour} - The fourth way of inserting inline {\TeX} in a \texttt{.pmx} - file is different from the first three in several ways: - \begin{itemize} - \item it is started by the character sequence \verb#---# - (triple dashes), on a line by itself, as the very first - line of the \texttt{.pmx} file, - \item it is terminated by the next appearance of the same - character sequence, \verb#---# (triple dashes), on a - separate line, - \item it can contain any number of lines with {\TeX} code, - although every single of these lines is again - restricted to a total of 128 characters, - \item the lines of {\TeX} code between the opening and - terminating triple dashes will be copied - \emph{literally} to the very top of the \texttt{.tex} - file. - \end{itemize} - So Type 4 can also be (ab)used to copy comment lines - literally from the \texttt{.pmx} file to the \texttt{.tex} file. - This is convenient for documentation purposes. -\end{description} - -\medskip _{inline \TeX!handled by \textbf{scor2prt}} -Another difference of practical importance is the way in which -\textbf{scor2prt} handles these type of inline {\TeX} when making -separate parts (cf.~Section~\ref{sec:scor2prt}): types 2-4 will be -copied into all parts, while type 1 only goes into the part in which it -appears in the original \texttt{.pmx} file. - -\bigskip\bigskip -To understand better the differences between these 4 types on inline -{\TeX}, it may be useful to study the basic structure of the {\TeX} file -\texttt{inlinesample.tex}, given in Table~\ref{tab:inlinesample.tex}, -produced from the {\PMX} input file \texttt{inlinesample.pmx}, given in -Fig.~\ref{fig:inlinesample.pmx}. In doing so, you may want to look at -the box on p.~\pageref{p:inlinesample.txt}. - -\begin{figure}[!ht] - \begin{center} - _{\MusiXTeX!\bs\texttt{PED}} _{\MusiXTeX!\bs\texttt{DEP}} - \includegraphics[scale=.82]{eps/inlinesample.eps} \\[2ex] - ------------------------------------------ - \begin{minipage}{380pt} - \small - \begin{verbatim} -% beginning of inlinesample.pmx ---- -% This sample demonstrates the use of all 4 types of inline TeX ---- -% PREAMBLE: -% -1 1 -1 2 0 0 -0 0 -1 2 16 .0 -% - -t -./ -% BODY: -% HEADER: -w80m -\\nobarnumbers\ -% begin of music input: -g24 | / -\\\systemnumbers\ -\zcharnote{-2}{\PED}\ a D"\DEP"+3+15 | / -\\\barnumbers\ c Rb / -% end of inlinesample.pmx - \end{verbatim} - \end{minipage} \\[2ex] - \end{center} - \caption{A sample for the use of inline {\TeX} } - \label{fig:inlinesample.pmx} -\end{figure} - -\clearpage -\begin{table}[!ht] - \begin{center} - \begin{minipage}{400pt} - \small - \begin{verbatim} - %%%%%%%%%%%%%%%%% - % - % inlinesample.tex - % - %%%%%%%%%%%%%%%% - 6 % This sample demonstrates the use of all 4 types of inline TeX - 7 \input musixtex - 8 \input pmx - 9 \input musixmad - \smallmusicsize% - \nopagenumbers - \tracingstats=2\relax - \hsize=227pt - \vsize740pt - \def\nbinstruments{1} - \setstaffs11 - \setclef10 - \setname1{ } - \generalsignature{ 0}% - \parindent 0pt - \elemskip1pt\afterruleskip1.000pt\beforeruleskip0pt\relax - \stafftopmarg0pt\staffbotmarg5\Interligne\interstaff{10}\relax -23 \nostartrule -24 \readmod{inlinesample} -25 \nobarnumbers% - \startmuflex\startpiece\addspace\afterruleskip% - % BODY: - % begin of music input: - \znotes\zcharnote{16}{\titles{2.0}{}{0}{}{0}{}{0}}\en% - % Bar count 1 -31 \pnotes{4.00}\hu g\en% -32 \systemnumbers% - % Bar count 2 -34 \alaligne -35 \pnotes{4.00}\zcharnote{-2}{\PED}\txtdyn{-2}{15.0}{\normtype\it \DEP}% - \hu{'a}\en% -37 \barnumbers% - % Bar count 3 -39 \xbar - \pnotes{4.00}\hl{'c}\en% - \endpiece - \vfill\eject\endmuflex - \bye - \end{verbatim} - \end{minipage} - \end{center} - \caption{\texttt{inlinesample.tex}, as produced from - \texttt{inlinesample.pmx} - } - \label{tab:inlinesample.tex} -\end{table} - -\clearpage -% _{inline \TeX!in external file} -\begin{table}[!ht] -\begin{center} _{inline \TeX!placement in \texttt{.tex} file} -\fbox{ -\begin{minipage}{350pt} -Here is a short survey of what happens in the file -\texttt{inlinesample.tex} (cf.~Table~\ref{tab:inlinesample.tex}), -produced from \texttt{inlinesample.pmx} -(cf.~Fig.~\ref{fig:inlinesample.pmx}): - -\begin{itemize} - \item first, after the file name comment, which is inserted - automatically by _{\textbf{pmxab}} \textbf{pmxab}, the Type 4 - string (the comment line on the top of the \texttt{.pmx} file) - is inserted [line 6], - \item then the files \texttt{musixtex.tex, pmx.tex} and - \texttt{musicmad.tex} are always read in [lines [7,8,9]. This - means that the \texttt{.tex} that {\PMX} produces has - \emph{access to all the {\TeX} macros} defined in these files, - and therefore you can use all of these in your inline {\TeX} - commands, - \item next, up to and including \bs\texttt{nostartrule} [line 23], - there are a lot of settings, the details of which need not - concern us here, - - \medskip - The following {\TeX} macro [line 24], - \bs\texttt{readmod{sample}} , tells {\TeX} to read in the file - \texttt{inlinesample.mod} (if it exists). The file - \texttt{inlinesample.mod} may contain any valid {\TeX} code of - your choosing (cf.~Section~\ref{sec:external} for details on - this), - \item next [line 25] is the Type 2 string - ``\bs\bs\texttt{nobarnumbers}\bs''. Type 2 strings are - \emph{always} inserted at this point of the \texttt{.tex} file, - \item \bs\texttt{startmuflex} [line 26] -- never mind what exactly it - does -- is the actual beginning of the musical code, - \item several lines down [line 31] there is an item - \bs\texttt{hu g} : this is the half-note $g$ of the first - bar, - \item [line 32] contains the Type 3 string - ``\bs\texttt{systemnumbers}\bs''. This changes the bar - numbering scheme to the {\PMX} default - (cf.~Section~\ref{sec:barnumbers}). {\PMX} inserted this Type - 3 string right before the next \bs\texttt{alaligne} [line 34], - \item [line 35] contains the Type 1 string - ``\bs\texttt{zcharnote{-2}}\bs\texttt{PED}\bs'', which prints - the {\MusiXTeX} pedal\,% - \footnote{The `end of pedal' symbol \bs\texttt{DEP} is coded - here in an alternative (perhaps simpler) way by using - a {\PMX} dynamics textual symbol - (cf.~Section~\ref{sec:dynamics}). - _{dynamic marks!textual} - }, - \item [line 37] contains another Type 3 string - ``\bs\texttt{barnumbers}\bs'', before the code for bar 3 , - inserted right before \bs\texttt{xbar} in line 39 (coding the - bar line). This changes the bar numbering scheme once again. -\end{itemize} -\end{minipage} - } -\end{center} \label{p:inlinesample.txt} -\end{table} - -\bigskip -\subsection{Denoting pitch in inline {\TeX} } -_{inline \TeX!pitch given as a number} -_{pitch!in inline \TeX!} - -When using inline {\TeX}, you should be aware of a subtle aspect, which -can be a hazard: - -\smallskip -In {\MusiXTeX}, you can always refer to a pitch with a number, rather -than a letter, and that number denotes exactly the position on whatever -staff you are using, counting from the bottom line as $0$ . - -When you use this for a pitch, it will not be transposable, nor will it -respect (or indeed affect!) the memory \PMX\ keeps on the pitch: remember -that {\PMX} doesn't interpret any inline {\TeX} . - -You should keep this in mind when designating a pitch within an inline -{\TeX} command. - -\bigskip\noindent -We close this section with two practical examples and a final remark: -\begin{itemize} - \item _{\textbf{musixpss}} - As was stated in Section~\ref{p:useMslurs}, when using Type - M slurs you need to insert the line - \begin{center} - \bs\bs\texttt{input~musixpss{\bs}relax}\bs\ - \end{center} - into the header of the \texttt{.pmx} file. This tells {\PMX} to - read in the file \texttt{musixpss.tex}, which contains the - macros for Type M slurs. - - \medskip - This is the case of a type 2 inline {\TeX} string, and thus - the input command is added to the \texttt{.tex} file right - before \bs\texttt{startmuflex} (which is where it belongs). - \item _{clefs!exotic} _{clefs!octave clefs} _{clefs!symbols} - _{clefs!empty} _{octaviation!of clefs} - Sometimes one needs clefs other than those defined in {\PMX} - (cf.~Section~\ref{sec:numinput}). Some special clef symbols - (among them no clef at all) are defined in {\MusiXTeX} and can - be invoked by the command \bs\texttt{setclefsymbol} (cf.~the - {\MusiXTeX}~\texttt{1.15} manual, Sec.~2.21.2). The most common - of these are octave treble and octave bass clefs, in which a - small $8$ is attached to either the top or the bottom of the - clef symbol. To get a higher octave treble key for instrument - number $2$, for example\,% - \footnote{Matters are more complicated for instruments with - more than 1 staff, such as piano or organ, because - the number in the command refers to the number of the - \emph{instrument}, not the staff. Cf.~the - {\MusiXTeX}~\texttt{1.15} manual, Sec.~2.27.10 for - details. - }, - just add the following type 2 inline {\MusiXTeX} command - \begin{center} - \bs\bs\texttt{setclefsymbol}\{\texttt{2}\} - \qquad \bs\texttt{trebleoct}\bs \qquad. - \end{center} - The other 3 octave clef symbols are \bs\texttt{treblelowoct}, - \bs\texttt{bassoct},\bs\texttt{basslowoct}, for lower octave - treble, higher octave bass and lower octave bass clefs, resp. - -\end{itemize} -More examples can be seen in Section~\ref{sec:tricks} and in some of the -scores of the appendix. - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%%%%% Temp %%%%%%%%%%%%%%%%%%%%%%% Fri 2010 Dec 17 /15:6 /ccn -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\subsection{Putting {\TeX} Commands in an external file} - \label{sec:external} _{inline \TeX!in external file} - -_{directory} -{\PMX} provides one further option for entering an unlimited set of -{\TeX} commands, read into the {.tex} file by \verb#\readmod# just -before the \bs\texttt{startmuflex} line. command, and before any Type 2 -inline {\TeX} strings. Simply put the commands into a text file named -[\emph{filename}]\texttt{.mod} in the current directory\,% -\footnote{This feature is retained mainly for backward compatibility - with previous versions of {\PMX}; it has now been essentially - replaced by the 4 options for inline {\TeX} strings described - above. - }. - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter C starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\chapter{Special Features} \label{sec:specials} - -\section{Making Parts from a Score} - \label{sec:scor2prt} - -\begin{figure}[!ht] - \begin{center} - \raisebox{-0.75ex}{% - \includegraphics[scale=.75]{eps/JChrBach.eps} } - \end{center} - \caption{\textbf{F.Chr.\ Bach}, - \emph{quartet B-Dur (p.\ 1)} - } - \label{fig:JChBach} -\end{figure} - -Separate parts can be made from a score with the tool -\textbf{scor2prt} (included in the standard {\PMX} -distribution). - -Suppose you want to produce the parts to page 1 of a J.Chr.Bach -quartet (Fig.~\ref{fig:JChBach}), and the \texttt{.pmx} file of -that score is called \verb#JChBach.pmx#. -All you to need to do is to run - -\vspace*{-2ex} -\begin{center} - \begin{verbatim} - scor2prt JChBach - \end{verbatim} -\end{center} - -\vspace*{-4ex}\noindent -from the command line (if you omit the file name, you will be -prompted for one). The program will then create the following -\texttt{.pmx} files, one for each instrument: - -\vspace*{-2ex} -\begin{center} - \begin{verbatim} - JChBach1.pmx - JChBach2.pmx - JChBach3.pmx - JChBach4.pmx - \end{verbatim} -\end{center} - -\vspace*{-3ex} -To obtain the parts, you then need to run each of these files -through {\PMX}, in the usual way. - -As can be seen in the example, the parts files will be named -[\emph{yourscorename}][\emph{n}]\texttt{.pmx}, where [\emph{n}] is the -number of the instrument, by default; but the names of the files -created by \textbf{scor2prt} can be changed from within the {\PMX} file -for the whole score, the ``parent file''. For example, to cause the -file for instrument 3 to be named \texttt{mviolins.pmx}, include the -command \texttt{AN3"mviolins"} in the header of the parent file -(cf.~Table~\ref{tab:A}). - -\bigskip -In the remainder of this section we describe how to control the layout -of the parts separately from that of the score by using commands that -are placed in the parent file. This eliminates the need for editing the -\texttt{.pmx} files for the parts separately. You can accomplish all -the editing in the parent file, and then re-run \textbf{scor2prt} as -required. Thus both the score and the parts can be corrected together, -and the parts need not be re-edited each time they are re-generated from -the score. - -\subsection{Usage} -_{\textbf{scor2prt}!usage} _{comments!usage with \textbf{scor2prt}} - -Since comment lines are by definition disregarded by {\TeX} and by the -{\PMX} program itself (\textbf{pmxab}, to be exact), they can, with a -slight extension of their syntax, be used to transfer information -\emph{meant for the parts only}\,% -\footnote{This is quite a useful method, employed in a similar way by - other programs, such as the PostScript language. - _{PostScript} - }. -The following rules are used for this by the \verb#scor2prt# program: -\begin{itemize} - \item If a line has \texttt{\%} in columns 1 and a space in column 2, - it is considered a regular comment and transferred as such to - all parts. - \item If a line has \texttt{\%\%} in columns 1-2, both it \emph{and - the following line} will be ignored when making parts. If the - ignored line (the second line) has \texttt{h}, \texttt{l}, or - \texttt{T} in its first column, then \emph{one additional line} - will be ignored (cf.~\ref{sec:titles} for the rationale behind - this rule). - \item If a line has \texttt{\%!} in columns 1-2, these first 2 - characters will be stripped, and the rest of the line will be - put in the \texttt{.pmx} files for \emph{all} the parts. - \item If a line has \texttt{\%}[\emph{h}] in columns 1-2, where - \emph{h} is the hexadecimal digit representing the instrument - number (\texttt{1, 2,..., 9, a, b, c}), the first two - characters will be stripped and the rest of the line - transferred to the part for instrument \emph{h} \emph{only} . - - \smallskip - A good example for this usage is the page break(s) in a longer - score, where the appropriate page numbers for the parts will be - different from those in the full score. - For example, to force a line break to system 15 and a page - break to page 2 in \emph{part 11 only}, enter - \texttt{\%bL15P2}. - - _{\textbf{scor2prt}!HEX digit usage incompatible with - previous {\PMX} versions} - - \Note{The use of the hexadecimal digits \texttt{a-c} in this - rule creates a potential incompatibility with previous - versions of {\PMX}. To minimize this, the character after - ``{\tt\%}" will \emph{only} be interpreted as a part - number if it represents a number less than or equal - \texttt{noinst}, as given in the parent file; otherwise - the entire line will be treated as an ordinary comment, - and transferred to all parts. - } - - \item In addition to all entries in the header except \texttt{I} - options (cf.\ Sec.~\ref{sec:MIDI}, p.~\pageref{sec:MIDI}), the - following {\PMX} symbols \emph{with all their options} will - automatically be copied to \emph{all parts} (unless the - previous line starts with \texttt{\%\%}, of course): - - \begin{center}\begin{tabular}{l@{\qquad}l} \texttt{R} & (bar - symbol) \\ \texttt{V} & (volta) \\ \texttt{K} & (key - change or transposition) \\ \texttt{A} & (global options) - \\ \end{tabular}\end{center} This is true for - \texttt{R,V,K}, in spite of the fact that they can be - entered in the \emph{first} voice of the score only! - \end{itemize} - -\subsection{The \texttt{S} symbol} \label{sec:Ssymbol} - _{S symbol@\texttt{S} symbol} - -\begin{itemize} - \item \texttt{S}[\emph{n}]: - - By default the total number of systems in each part will be the - same as in the score. If you want to override this, you can do - that with \texttt{S}[\emph{n}], where \emph{n} is - the desired number of systems. \texttt{S}[\emph{n}], if used, - must appear in the header of the parent file. Legally, you - could use \texttt{S}[\emph{n}] to reset the number of systems - for the parent file itself, which you had just defined in the - preamble. That, of course, does not make much sense, but in - the form \\ - \text{\quad}\texttt{\%!S}[\emph{n}] \\ - or \\ - \text{\quad}\texttt{\%}[\emph{k}]\texttt{S}[\emph{n}] \\[1ex] - it does, because then it does \emph{not} affect the full - score, \emph{but all parts}, or part k only, resp. \\ - \texttt{barsant.pmx}, one of the examples given in Section - \ref{sec:donsexamples}, includes a demonstration of this. - \item \texttt{S}[\emph{n}]\texttt{P}[\emph{m}]: - - \textbf{scor2prt} will also compute how many pages it thinks - each part should have, and enter that into the preamble for - that part. If you wish to override that, then insert into the - parent file \texttt{\%3S14P2} for example, which would force - the third part to have 14 systems and 2 pages. You cannot - override the number of pages without first overriding the - number of systems. - - \item \texttt{S}[\emph{n}]\texttt{m}[\emph{k}]: - - A musicsize of 20 is the default in all parts. This may be - overridden with the option \texttt{m} in the symbol \texttt{S}: - e.g., \texttt{\%2S15m16}. Again, you must specify the number of - systems before setting the musicsize. -\end{itemize} - -\Note{Keep in mind the distinction among the various usages of - \texttt{P}: - \begin{itemize} - \item as an option with \texttt{S}, it sets the total number of - pages in a part, - \item as an option with \texttt{L}, it forces a page break, - \item as a {\PMX} command on its own, it controls page - numbering and centered headings. - \end{itemize} _{P symbol@\texttt{P} symbol} - } -\subsection{Other usage rules} - _{\textbf{scor2prt}!usage} -\begin{itemize} - - \item Inline {\TeX} strings of Type 2-4 will be copied to all parts, - while a type 1 inline {\TeX} string will only go into the part - in which it occurs in the parent file. - \item _{spacing!hard space use with \textbf{scor2prt}} - User-defined hardspaces (\texttt{X} without \texttt{:}) are by - default not copied to parts. There are two ways to change this - default: _{X symbol} - \begin{enumerate} - \item use the options of the \texttt{X} command - (cf.~Section~\ref{sec:spacing}): \texttt{B} causes - the hardspace to be used in \textbf{b}oth score and - parts; \texttt{P} puts it into the \textbf{p}arts, but - not the score, - \item to insert \emph{x} notehead widths of hardspace into - part \emph{n}, place the symbol - {\tt\%}[\emph{n}]\texttt{X}[\emph{x}], on a line of - its own, in the parent file. - \end{enumerate} - _{page!numbering!with \textbf{scor2prt}} - _{\textbf{scor2prt}! page numbering} - \item As was already noted (cf.~Section~\ref{sec:pagenumbers}), a - \texttt{P} symbol for page numbering in the parent file is - ignored when making parts. To initiate page numbering in the - parts, use, for example, \texttt{\%!P} , with appropriate - options added, anywhere within the {\PMX} code representing the - first page of the parts\,% - \footnote{From \TeX 's standpoint the command must occur - between the beginning and end of the page on which - the numbering is to begin. - }. - It will often be useful in this case to use the option - \texttt{c} , which by default causes the instrument name to be - centered in small type at the top of every page after the - first. - \item _{MIDI!with \textbf{scor2prt}} \label{p:MIDI} - MIDI commands, i.e., those starting with \texttt{I}, will never - be copied into parts, unless they are in a special comment line - as just described. - \item _{rest!multibar rest} - One function of \textbf{scor2prt} is to condense consecutive - bars of rest into a single group of special printed characters - with a number above it. Thus \textbf{scor2prt} will automatically - insert \texttt{rm} symbols (cf.\ Sec.~\ref{sec:rests}) into the - \texttt{.pmx} files for the parts where appropriate. However, - for this feature to work, the \emph{first} full-bar rest in the - sequence \emph{must} have its duration explicitly defined in - the parent file, either with a digit or with \texttt{p}. In - other words, the feature will not work if the first rest in the - sequence inherits its duration from the previous note. -\end{itemize} - -\bigskip -\Note{In standard {\TeX} the rule for comments is: a \% character - \emph{and all text that follows it on the same line} is treated as - a comment, i.e.\ it is totally ignored by the program. As a - consequence of this rule, many users of {\TeX} have a habit of - adding comments at the end of short lines of text, instead of - writing a whole comment line, starting with a \% in column 1 . - This is fine as far as {\PMX} is concerned; but - _{\textbf{scor2prt}} \textbf{scor2prt} redefines this rule a bit - and in general \emph{will misinterpret comments added in the same - line after} some legal {\PMX} code. _{comments!usage with - \textbf{scor2prt}} - - \medskip - \emph{So when you intend to make parts using} \textbf{scor2prt}, - it is good practice to restrict true comments to lines with \% - \emph{in column} 1, \emph{followed by at least one blank}. - } - -\section{Making MIDI Files} \label{sec:MIDI} -_{MIDI} - -Some users of {\PMX} and {\MusiXTeX} may never have heard of MIDI and -may therefore be a bit bewildered by this section. So here is a quick -introduction: -\begin{quotation} - MIDI stands for ``\textbf{M}usical \textbf{I}nstruments - \textbf{D}igital \textbf{I}nterface''. It is essentially a standard, - consisting of a language and its hardware implementation, designed - to produce digitally coded music with a device like a synthesizer or - a multi-media computer. If your computer is equipped with the - appropriate hardware and software (which is standard on PC's these - days), you can listen to the music encoded in a MIDI file on your - computer just as you can read the text encoded in a text file\,% - \footnote{If you are interested in details on MIDI in general, a good - place to start is the home page of the ``MIDI - Manufacturer's Association'': - \href{http://www.midi.org/about-midi/aboutmidi3.shtml}% - {\texttt{http://www.midi.org/about-midi/aboutmidi3.shtml}% - }~. - }. -\end{quotation} - -\bigskip -This section describes how to produce such MIDI files when writing a -piece of music with {\PMX}. When using this facility, you should be -aware both of the general restrictions of MIDI and the special ones that -{\PMX} imposes: - -\begin{itemize} - \item First of all, you should not expect the MIDI files that {\PMX} - produces to be anything that resembles a performance of the - piece by real, human musicians. While MIDI does make different - shades of sound for the different instruments, the lack of any - kind of expressivity (rhythmic accentuation, dynamics, vibrato, - intonation etc.) does not really do justice to the musical - character of acoustic instruments. - - \medskip - So the MIDI file can be hardly more than an acoustic check on - whether the notes produced are indeed what you had intended. - But for that purpose it can be of great help in coding a score - with {\PMX}, so it is generally advisable to produce the MIDI - files. - \item _{grace notes!not in MIDI} _{ornaments!not in MIDI} - _{repeats!not in MIDI} _{volte!not in MIDI} - _{volte!not in MIDI} _{slurs!in MIDI} - \label{p:midi} - The MIDI module of {\PMX} does not recognize graces, ornaments, - repeats, volte, or segnos. The only ties that are recognized - are those using \texttt{s}, \texttt{t} or \texttt{(} \,; alone, - with no explicit ID number. - \item the MIDI file generator does not support changing the number of - instruments in midstream. You will not see an error message, - but the results will be unpredictable. -\end{itemize} - -The MIDI file is produced by {\PMX} concurrently with the {\MusiXTeX} -output. To start this, enter the symbol \texttt{I}, together with any -options (as described below), usually in the header of the input file; -but \texttt{I} symbols can appear later in the file as well, but only at -the \emph{start of an input block}. -_{I symbol@\texttt{I} symbol} - -If the name of the {\PMX} source file is, say, \texttt{Mymusic.pmx}, the -MIDI symbol \texttt{I} will cause a file \texttt{Mymusic.mid} to be -written in the directory given in the preamble. If \texttt{I} is used -without any options, {\PMX} will use default values for several of the -parameters; these default values are indicated below. - -\medskip -Usually, however, you will want to specify some options. They follow the -MIDI symbol \texttt{I} immediately, without a space. Sometimes the order -of the options matters, so it is generally advisable to adhere to the -order in which they are given here: - -\begin{enumerate} _{MIDI!parameters} - \item \texttt{t}[\emph{x}] sets the tempo to \emph{x} - quarter notes per minute. Default is 96. You can change the - tempo as often as you like, but only at the start of an input - block (as with all MIDI commands). - \item _{instruments!names!in MIDI} - \texttt{i}[\emph{i1i2...in}] assigns MIDI instrument names - \emph{i1,i2,...,in} to the staves of the respective {\PMX} - instruments. The default is harpsichord, of course. - - If you use this option, you must specify \emph{all} instruments. - Each \emph{i} is either an integer between 1 and 255 or a - 2-letter mnemonic. The instrument mnemonics allowed with {\PMX} - are listed in Table~\ref{tab:MIDIinstr}. Numbers and mnemonics - may be mixed, but consecutive pairs of numbers must be separated - by \texttt{:} (colon)\,% - \footnote{Otherwise the assignment could be ambiguous!}. - Care is needed with multi-staff instruments: there must be one - instrument name \emph{per staff}; so for a sonata for violin and - piano, e.g., the instrument names entry would be - \texttt{ipipivl}, not \texttt{ipivl} ! - \item \texttt{v}[\emph{i1}]:[\emph{i2}]:[...]:\emph{in}] assigns the - relative MIDI volume to each instrument. Each \emph{i} is an - integer between 1 and 127; the colons are required. The volume - parameter \texttt{v} must either be given with exactly as many - parameters as there are instruments, or none at all. The default - (no parameters given) is 127. - \item \texttt{b}[\emph{m1}]:[\emph{m2}]:[...]:\emph{mn}] assigns the - MIDI stereo balances to each instrument. The numbers \emph{m} - may vary between 1 and 128; otherwise their usage is similar to - that for the volume. The default value is 64, which represents - the center; smaller numbers favor the left stereo channel, - larger ones the right. - \item \texttt{p}[\emph{x}] inserts a pause of \emph{x} quarter notes - -- for all instruments! -- at the beginning of the first bar of - the input block in which the MIDI symbol appears. Decimals are - allowed, but will be rounded to the nearest sixteenth note. - \item \texttt{g}[\emph{i}] sets the MIDI gap to \emph{i} MIDI clock - tics: this is a silence inserted at the end of every note, - while decreasing the sounding duration by the same amount. The - default is 10, which corresponds to 2/3 of a 64th note. -\end{enumerate} - -_{MIDI!file players and editors} -Key signatures, time signatures (meter) and instrument names will be -written into the MIDI file, the latter as track names. This will have -no effect whatsoever on audible output, but will affect on-screen -appearance with some MIDI file players and editors. - -\medskip -The instruments given in Table~\ref{tab:MIDIinstr} are a subset of -``The General MIDI Instrument Specification''. Of course how they sound -depends on your hardware and software. Instruments not listed below can -still be used but must be specified by number -(cf.~Table~\ref{tab:MIDIspecif}). - -\newcommand{\T}[1]{\texttt{#1}} -\begin{table}[!htb] _{MIDI!instrument mnemonic names} -\begin{tabular}{ll@{\qquad}ll@{\qquad}ll} -\T{pi} & Acoustic Grand Piano & \T{vl} & Violin & \T{re} & Recorder \\ -\T{rh} & Rhodes Piano & \T{va} & Viola & \T{fl} & Flute \\ -\T{ha} & Harpsichord & \T{vc} & Cello & \T{ob} & Oboe \\ -\T{ct} & Clavinet & \T{cb} & Contrabass & \T{cl} & Clarinet \\ -\T{or} & Church Organ & \T{ab} & Acoustic Bass & \T{ba} & Bassoon \\ -\T{so} & Soprano Sax & \T{tr} & Trumpet & \T{ma} & Marimba \\ -\T{al} & Alto Sax & \T{fr} & French Horn & \T{gu} & Acoustic Nylon Guitar \\ -\T{te} & Tenor Sax & \T{tb} & Trombone & \T{vo} & Synth Voice \\ -\T{bs} & Baritone Sax & \T{tu} & Tuba & & -\end{tabular} - \caption{Mnemonics for instruments acceptable in {\PMX} } - \label{tab:MIDIinstr} -\end{table} - -\subsection{MIDI macros \protect\footnotemark} -\footnotetext{{\PMX} normally does not allow tempo changes in MIDI macros. - As of version 2.511, this restriction no longer holds; but it - is designated as ``experimental''. So if you use it, be - prepared for surprises! Naturally, Don Simons will certainly - be interested to hear of your experiments. - } - -\texttt{IM} initiates a MIDI macro operation. Although the syntax of a -{\PMX} MIDI macro is analogous to that of regular {\PMX} macros -(decribed in Section~\ref{sec:macros}), its function is different: -\begin{enumerate} - \item a MIDI macro cannot be saved (i.e.\ recorded without playing --- - there is no command \texttt{IMS[}\emph{i}\texttt{]}), - \item the code sandwiched between \texttt{IMR[}\emph{i}\texttt{]} - (``start \textbf{r}ecord \textbf{M}IDI macro'') and \texttt{IM} - (``end \textbf{M}IDI macro'') will be recorded as with a regular - macro, but - \item \texttt{IMP[}\emph{i}\texttt{]} (``\textbf{P}layback of - \textbf{M}IDI macro \emph{i}'') will \emph{not insert anything - in the written score}, it will merely replay in the MIDI output - the number of bars defined by the macro. -\end{enumerate} -MIDI macros are needed for repeats or dacapos, as the {\PMX} coding for -these features of a score merely provides the appropriate notation on -paper, nothing else. MIDI Macros must have ID numbers between 1 and 20. -Only one macro may be active at a time, recording or playing, but not -both. Never try nesting or overlapping macros! - -\subsection{MIDI only accidentals} \label{sec:MIDIaccidentals} -_{MIDI!accidentals} _{accidentals!MIDI} - -\begin{table}[!hbp] -\begin{center} _{MIDI!General Instrument Specification} - {\scriptsize - \begin{tabular}{|ll|ll|ll|} - \hline - \bfseries 1-8 & \bfseries PIANO & \bfseries 9-16 & \bfseries CHROMAT. PERC. & - \bfseries 17-24 & \bfseries ORGAN \\ - \hline - 1 & Acoustic Grand Piano & 9 & Celesta & 17 & Drawbar Organ \\ - 2 & Bright Acoustic Piano & 10 & Glockenspiel & 18 & Percussive Organ \\ - 3 & Electric Grand Piano & 11 & Music Box & 19 & Rock Organ \\ - 4 & Honky-tonk Piano & 12 & Vibraphone & 20 & Church Organ \\ - 5 & Electric Piano 1 & 13 & Marimba & 21 & Reed Organ \\ - 6 & Electric Piano 2 & 14 & Xylophone & 22 & Accordian \\ - 7 & Harpsichord & 15 & Tubular Bells & 23 & Harmonica \\ - 8 & Clavinet & 16 & Dulcimer & 24 & Tango Organ \\ - \hline - \bfseries 25-32 & \bfseries GUITAR & \bfseries 33-40 & - \bfseries BASS & \bfseries 41-48 & \bfseries STRINGS \\ - \hline - 25 & Acoustic Guitar (nylon) & 33 & Acoustic Bass & 41 & Violin \\ - 26 & Acoustic Guitar (steel) & 34 & Electric Bass (finger) & 42 & Viola \\ - 27 & Electric Guitar (jazz) & 35 & Electric Bass (pick) & 43 & Cello \\ - 28 & Electric Guitar (clean) & 36 & Fretless Bass & 44 & Contrabass \\ - 29 & Electric Guitar (muted) & 37 & Slap Bass 1 & 45 & Tremelo Strings \\ - 30 & Overdriven Guitar & 38 & Slap Bass 2 & 46 & Pizzicato Strings \\ - 31 & Distortion Guitar & 39 & Synth Bass 1 & 47 & Orchestral Strings \\ - 32 & Guitar Harmonics & 40 & Synth Bass 2 & 48 & Timpani \\ - \hline - \bfseries 49-56 & \bfseries ENSEMBLE & \bfseries 57-64 & - \bfseries BRASS & \bfseries 65-72 & \bfseries REED \\ - \hline - 49 & String Ensemble 1 & 57 & Trumpet & 65 & Soprano Sax \\ - 50 & String Ensemble 2 & 58 & Trombone & 66 & Alto Sax \\ - 51 & Synth Strings 1 & 59 & Tuba & 67 & Tenor Sax \\ - 52 & Synth Strings 2 & 60 & Muted Trumpet & 68 & Baritone Sax \\ - 53 & Choir Aahs & 61 & French Horn & 69 & Oboe \\ - 54 & Voice Oohs & 62 & Brass Section & 70 & English Horn \\ - 55 & Synth Voice & 63 & Synth Brass 1 & 71 & Bassoon \\ - 56 & Orchestra Hit & 64 & Synth Brass 2 & 72 & Clarinet \\ - \hline - \bfseries 73-80 & \bfseries PIPE & \bfseries 81-88 & - \bfseries SYNTH LEAD & \bfseries 89-96 & \bfseries SYNTH PAD \\ - \hline - 73 & Piccolo & 81 & Lead 1 (square) & 89 & Pad 1 (new age) \\ - 74 & Flute & 82 & Lead 2 (sawtooth) & 90 & Pad 2 (warm) \\ - 75 & Recorder & 82 & Lead 3 (calliope) & 91 & Pad 3 (polysynth) \\ - 76 & Pan Flute & 83 & Lead 4 (chiff) & 92 & Pad 4 (choir) \\ - 77 & Blown Bottle & 84 & Lead 5 (charang) & 93 & Pad 5 (bowed) \\ - 78 & Shakuhachi & 85 & Lead 6 (voice) & 94 & Pad 6 (metallic) \\ - 79 & Whistle & 86 & Lead 7 (fifths) & 95 & Pad 7 (halo) \\ - 80 & Ocarina & 87 & Lead 8 (bass+lead) & 96 & Pad 8 (sweep) \\ - \hline - \bfseries 97-104 & \bfseries SYNTH EFFECTS & \bfseries 105-112 & - \bfseries ETHNIC & \bfseries 113-124 & \bfseries PERCUSSIVE \\ - \hline - 97 & FX 1 (rain) & 105 & Sitar & 113 & Tinkle Bell \\ - 98 & FX 2 (soundtrack) & 106 & Banjo & 114 & Agogo \\ - 99 & FX 3 (crystal) & 107 & Shamisen & 115 & Steel Drums \\ - 100 & FX 4 (atmosphere) & 108 & Koto & 116 & Woodblock \\ - 101 & FX 5 (brightness) & 109 & Kalimba & 117 & Taiko Drum \\ - 102 & FX 6 (goblins) & 110 & Bagpipe & 118 & Melodic Drum \\ - 103 & FX 7 (echoes) & 111 & Fiddle & 119 & Synth Drum \\ - 104 & FX 8 (sci-fi) & 112 & Shanai &120 & Reverse Cymbal \\ - \hline - \bfseries 121-128 & \bfseries SOUND EFFECTS & & & & \\ - \hline - 121 & Guitar Fret Noise & & & & \\ - 122 & Breath Noise & & & & \\ - 123 & Seashore & & & & \\ - 124 & Bird Tweet & & & & \\ - 125 & Telephone Ring & & & & \\ - 126 & Helicopter & & & & \\ - 127 & Applause & & & & \\ - 128 & Gunshot & & & & \\ - \hline - \end{tabular} - } - \caption{The General MIDI Instrument Specification} - \label{tab:MIDIspecif} -\end{center} -\end{table} - -In rare cases a special notation for accidentals is needed to guarantee -that the MIDI output corresponds exactly to what is intended in the -score. Cases in point are: -\begin{description} - \item[Repeated notes with accidentals:] the generally accepted rules - of musical orthography, at least for tonal music, say that when - two identical notes with accidentals occur in the same bar (and - in the same voice, of course), only the first one is written with - an explicit accidental; for the following notes the accidentals are - implied (`inherited', in {\PMX} parlance). - - This rule is less clear when there is a bar line between two - successive notes. Some composers -- in particular in the baroque - era, where this notation is almost the default -- will assume the - first note in the new bar to have `inherited' the accidental - along with it, while others would insist on repeating the - accidental, and still others would put a cautionary accidental - over the first note of the new bar. {\PMX} takes the first - position, and MIDI files generated by {\PMX} will reflect this - attitude. - - {\PMX} users with a different attitude could thus find their - intention misrepresented in the MIDI output. - - \item[Editorial/dubious accidentals:] in editing an historical piece, - a conscientious editor will provide information about - dubious points, but she nevertheless, in creating a MIDI file, - might want to assert her own position. -\end{description} -For these and similar applications {\PMX} provides the \emph{MIDI only -accidentals}. These are written and used like normal accidentals, -except with an `\texttt{i}' added . Such accidentals are -effective \emph{only in the MIDI output}; they are disregarded in the -printed score. - -This is particularly useful when you want to override the MIDI -``baroque default'' described above. To understand the ``baroque -default'' clearly, consider the example given in -Fig.\ref{fig:MIDIbaroquedefault} , where the {\PMX} coding is given -directly below the system: - -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/MIDIbaroque.eps} - \caption{The ``baroque default'', and overriding it with MIDI - only accidentals} - \label{fig:MIDIbaroquedefault} - \end{center} -\end{figure} -\noindent -Now compare the printed score with the MIDI version -- provided -\href{http://www.itp.uni-bremen.de/~noack/MIDI.mid}{here} for your -convenience --, and you can hear the differences explicitly\,% -\footnote{It is also instructive to note the MIDI implementation of - slurs and ties generated by {\PMX} here (Cf.\ the list of MIDI - restrictions on p.\pageref{p:midi}). - }. - -\medskip -Another example for the use of MIDI only accidentals is given in -Fig.\ref{fig:MIDIaccidentals}: -\begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.82]{eps/MIDI.eps} - \end{center} - \caption{Further use of MIDI only accidentals} - \label{fig:MIDIaccidentals} -\end{figure} -\begin{itemize} - \item MIDI plays the first $C$ in bar 2 as a $C\sharp$. The editorial - $\natural$ over the second $C$, however, suggests that - $C\natural$ was intended (at least from here on), so the MIDI - accidental \texttt{in} is appended to that $C$, - \item the final $F$ (in bar 5) suggested to the editor that we are - moving towards F major here, and thus the $B$ in bar 3 should - actually have been a $B\flat$. By bar 4 the assumption is - confirmed, and so he changes the `dubious' accidental to an - editorial one, and the MIDI only accidental \texttt{fi} is appended - to that $B$. -\end{itemize} - -\section{Lyrics} \label{sec:lyrics} -_{\texttt{musixlyr.tex}} _{\textbf{musixlyr}} -_{lyrics|see{\textbf{musixlyr}}} - -{\PMX} has no special provisions for lyrics. One way to include them is -by using the macro package \texttt{musixlyr.tex} developed by Rainer -Dunker. It introduces lyrics into {\TeX} more easily than with -{\MusiXTeX}'s own facilities. The macros could be entered as inline -{\TeX} directly into the \texttt{.pmx} file, but most would prefer the -convenient interface to \textbf{musixlyr} via the program {\MTX} -developed by Dirk Laurie (cf.~Section~\ref{sec:MTX}). -_{\MTX} _{Laurie, Dirk} _{Dunker, Rainer} - -_{accented letters in lyrics} - -If you have foreign-language lyrics, you may run into the problem of -accented letters. Straight {\TeX} does not provide these directly, as -the modern font encoding schemes used by {\LaTeX} do. -_{Vogel, Olivier} -However, Olivier Vogel has developped a method with which to use these -encoding schemes with {\MTX}/{PMX}/{\MusiXTeX}. For details you should -look at his contribution on this in the -\href{http://icking-music-archive.org/software/pmxtricks/tricks.html}% - {Tricks and Tricks} -section in the WIMA, or contact Olivier directly: \quad -\raisebox{-0.8ex}{\includegraphics[scale=0.6]{addresses/ovogel} } - -\section{{\PMX} and {\LaTeX} } \label{sec:LaTeX} -_{\LaTeX} - -{\LaTeX} (``A Document Preparation System''), although written for a -very different purpose, has a lot in common with -{\PMX}: it is a (huge) set of {\TeX} macros that allows to solve -complicated layout problems without the need to dive into the -- -sometimes arcane -- depths of {\TeX} itself. So {\LaTeX} simplifies the -use of {\TeX} for the non-{\TeX}pert in much the same way that {\PMX} -does for {\MusiXTeX}. - -\medskip -So it would certainly be wonderful to have the best of two worlds: merge -{\LaTeX} and {\PMX}. The problems with that (or merging {\LaTeX} and -{\MusiXTeX}, for that matter) are threefold: -\begin{enumerate} - \item {\PMX} deals with many of the layout aspects of a musical score - on its own (such as width of systems, line breaks, page breaks - etc.), and with techniques that are not really compatible with - those of {\LaTeX}. - \item {\MusiXTeX} / {\PMX} and {\LaTeX} make heavy use of - {\TeX}'s ressources, both in memory and registers, and together - they may strain these ressources beyond their usual limit. - \item both {\MusiXTeX} / {\PMX} and {\LaTeX} use many special - command definitions, often enough incompatible with one another. -\end{enumerate} - -While with modern implementations of ressources are no longer a serious -problem, the incompatibility problems are, and their resolution would be -a major programming task. So there have, to this day, not been any -serious efforts to provide a truly merged version of {\LaTeX} with -{\PMX}. - -\bigskip -There are, however, several methods to use {\LaTeX} and {\PMX} in -(partial) ``coexistence'': -\begin{enumerate} - \item _{\LaTeX!with short musical scores} _{short scores} - The best way to include short scores, of less than one printed - page, in a {\LaTeX} document is to - \begin{enumerate} - \item _{PostScript} - produce the musical score with {\PMX} -- {\MusiXTeX} - -- \textbf{dvips} in the way described in this tutorial. - The end product is a PostScript file, - \item _{encapsulated PostScript file} - _{\texttt{.eps} file|see{encapsulated PostScript file}} - make an \texttt{.eps} (``encapsulated PostScript'')\,% - \footnote{In general, this is possible for - single-page PostScript files only. - } - file from the \texttt{.ps} with one of the standard - tools, e.g.~\textbf{ghostview}, - \item include this \texttt{.eps} file in the {\LaTeX} - document with the {\LaTeX} \bs\texttt{includegraphics} - command, e.g. \\[-1ex] - \hspace*{\fill}\verb#\includegraphics[scale=0.58]{sample.eps}# - \hspace*{\fill} . - \end{enumerate} - This is the method with which the present tutorial was produced. - \item _{\textbf{musixltx}} _{\LaTeX!\textbf{musixltx}} - use the {\LaTeX} package \textbf{musixltx}, together with - {\MusiXTeX}\,% - \footnote{\textbf{musixltx} is part of the standard - distribution of the {\MusiXTeX}~\texttt{1.15} package. - }. - The {\MusiXTeX} code is then sandwiched between the start and - end of a specific environment: - \begin{center} \vspace*{-2ex} - \verb#\begin{music}# \dots \verb#\end{music}# . - \end{center}\noindent - For more detail on this method see the - {\MusiXTeX} manual by Daniel Taupin. _{Taupin, - Daniel} - - \medskip - But be aware of the fact that the \texttt{.tex} files produced - by {\PMX} contain a number of incompatibilities with {\LaTeX}. - So if you want to use the \textbf{musixltx} package together - with {\PMX}, you may have to comment out a few lines in the - \texttt{.tex} file --- by hand, unfortunately. For that reason, - the \textbf{musixltx} package usually works well with {\PMX} - only in rather simple cases. An example of how to proceed can - be found in the WIMA: \\ - \hspace*{\fill} - \href{http://icking-music-archive.org% - /software/musixtex/add-ons/pmx-l2e.tex}% - {\texttt{http://icking-music-archive.org/% - /software/musixtex/add-ons/pmx-l2e.tex}} - \hspace*{\fill} \\ - \item _{\LaTeX!\textbf{mtxlatex}} _{\LaTeX!e\TeX} - _{\LaTeX!interface with \PMX} _{Laurie, Dirk} _{\MTX} - Dirk Laurie, the author of {\MTX}, has developped a - {\LaTeX} package, \textbf{mtxlatex}. It is is part of the - \href{http://icking-music-archive.org/software/mtx/mtx060.pdf}% - {{\MTX} 0.60b distribution}, available from the WIMA, and can be - considered a successor to the \textbf{musixltx} package - described above. An outstanding feature of this package is that - it interfaces quite well with {\PMX}; so this is usually the - method of choice in cases where you want to include longer - music scores in a long text such as a book. Detailed - instructions on how to use this package are contained in the - {\MTX} manual. - - When - using \textbf{mtxlatex}, be sure to - include the \textbf{mtxlatex} package as the - \emph{first} package in the {\LaTeX} source file. -\end{enumerate} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter D starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\chapter{Limitations, error messages, and bugs} -\section{Limitations} \label{sec:limits} -_{limitations} - -For simplicity in writing the program, {\PMX} has numerous variables -with fixed dimensions. In most cases there are no checks against these -limits, so occasionally there may be hangups due to exceeding a -dimension. - -\medskip -The limits of the variables given in Tables~\ref{tab:softlimits} and -\ref{tab:hardlimits} fall in two distinct classes, named ``soft'' and -``hard'' limits to distinguish them: -\begin{enumerate} - \item soft limits can be increased fairly easily: all it takes (sic!) - is to change the dimensions in the FORTRAN source of - _{\texttt{pmxab.exe}} \texttt{pmxab.exe} (the {\PMX} program) - accordingly, and recompile, - \item hard limits, on the other hand, could only be increased with - more or less elaborate reprogramming - \footnote{Often these hard limits are a consequence of - features of {\MusiXTeX} and thus cannot be changed - without changes in {\MusiXTeX}. - - Note, however, that this character count - \emph{includes all empty spaces before the final - character} (such as \texttt{/}) at the end of an - input line. If -- for better readability, e.g.\ -- - you are in the habit of aligning these end-of line - characters, being more stingy on the resulting blanc - characters often helps to stay within the limit. - } - (or at least recompiling the source code), so for all practical - purposes they are unchangeable. - -\end{enumerate} -In both cases, however, it will usually be possible to work within -existing limits by breaking the input into smaller blocks. Consider that -solution before asking Don Simons for changes to the {\PMX} source code, -or attempting such changes yourself! _{Simons, Don} - -\begin{table}[!htb] -\begin{center} -_{limitations!soft limits} -\begin{tabular}{l@{\quad:\quad}r} -characters per input line & 128 \\ -staves & 24 \\ -voices per staff & 2 \\ -voices per system & 24 \\ -systems & 125 \\ -bars & 600 \\ -forced line breaks & 40 \\ -forced page breaks & 10 \\ -key changes & 18 \\ -pages & 20 \\ -notes per input block & 600 \\ -bars per input block & 15 \\ -slurs per input block & 101 \\ -figures (figured bass) per input block & 74 \\ -grace note groups per input block & 37 \\ -notes in grace note groups per input block & 74 \\ -inline {\TeX} strings per input block & 52 \\ -volte per input block & 6 \\ -trills per input block & 24 \\ -chordal notes (non-spacing) per input block & 62 \\ -beams per voice per bar & 8 \\ -forced beams per voice per input block & 40 \\ -clef changes per voice per input block & 10 \\ -notes per beam & 24 \\ -notes per xtuplet & 24 \\[-3ex] -\end{tabular} -\end{center} - \caption{Numerical limits of {\PMX} variables (soft limits)} - \label{tab:softlimits} -\end{table} - -\vfill -\begin{table}[!htbp] - -\noindent -------------------------------------------------- -\begin{center} -_{limitations!hard limits} -\begin{tabular}{l@{\quad:\quad}r} -total number of characters in source file & 65~536 ($2^{16}$) \\ -\bs{\tt notes} groups (total) & 2000 \\ -\bs{\tt notes} groups per bar & 20 \\ -inserted standard anti-collision spaces - (not xtuplet or end-of-bar) per bar & 20 \\ -inserted anti-collision spaces within xtuplets per bar & 20 \\ -inserted anti-collision end-of-bar hardspaces per system & 19 \\ -inserted anti-collision end-of-bar hardspaces (total) & 83 \\ -inserted standard anti-collision spaces per system & 400 \\ -inserted anti-collision spaces within xtuplets per system & 100 \\ -inserted standard anti-collision spaces & 1000 \\ -inserted anti-collision spaces within xtuplets & 200 \\ -bytes of MIDI output data per line of music & 24576 -\\[-3ex] \end{tabular} \end{center} \caption{Numerical limits of {\PMX} -variables (hard limits)} \label{tab:hardlimits} \end{table} - -\section{{\PMX}'s error messages} \label{sec:errormsg} -_{error messages} - -When run on, say, \verb#my_opus.pmx#, {\PMX} will always generate two -files in the working directory, \verb#my_opus.pml# and -_{\texttt{pmxaerr.dat}} \texttt{pmxaerr.dat}. \verb#my_opus.pml# is a -log file, and \verb#pmxaerr.dat# contains a single integer: 0 if the run -was successful, otherwise the line number in the source file -\verb#my_opus.pmx# of the fatal error (useful for batch processing). -Also, on successful completion, \verb#my_opus..tex# will be placed in -the path specified in the preamble. - -\medskip -Usually, when there is an error, {\PMX} will give you a pretty good -explanation\,% -\footnote{Note that sometimes an error message will use a name for a - preamble numerical parameter that differs from that used in - this tutorial --- but it usually is easily recognized. - \label{p:errormsg} - }. -There are some cases, however, in which the error message will be issued -not by {\PMX}, but by the FORTRAN compiler directly, and it may look -very cryptic to you. An infamous example is: -\begin{center} \vspace*{-1ex} \begin{verbatim} - forrtl: severe (24): end-of-file during read, unit 10 -\end{verbatim} \vspace*{-1ex} \end{center} -Such messages are almost always caused by an extra line in your source -file that shouldn't be there, so experiment with deleting lines towards -the end of your file! - -\section{Bugs} -_{bugs} - -As was mentioned before, {\PMX} is continuously maintained and improved -by Don Simons, and there is a very active group of {\PMX} users. Thus -there is no serious bug known (as of Version 2.514) that hasn't been -fixed. _{Simons, Don} - -\medskip -If you think you have discovered a new bug, don't hesitate to send a -message to the TeX-music users' list: - \raisebox{-1.0ex}{% - \includegraphics[scale=0.72]{addresses/texmusiclist} - }$\!\!$% -\footnote{Almost all reported ``bugs'' turn out to be misunderstandings. - So if you state politely that you \emph{think} you may have - found a bug, and ask for help, you will avoid irate replies of - the ``RTFM'' species. - }. -The same is true if you have a problem with {\PMX} that you simply cannot -solve by yourself, even though you suspect that it's \emph{not} a bug: -don't hesitate to ask! - -\subsection{A Benign Bug} \label{sec:bug} -When {\TeX}ing the output of {\PMX} you will usually get an -\texttt{Underfull \bs vbox} message at the end of each page. This is -due to {\PMX} inserting \verb#\eject# at the end of every page, which -automatically spaces the systems vertically without having to fiddle -with \verb#\staffbotmarg#. As far as is known, the warning is benign, -and may be ignored. - -\vfill -\vspace*{\fill} -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter E starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\chapter{Tricks of the Trade} \label{sec:tricks} - -\section{Simple tricks} - -\subsection{Special coding in L'Incoronazione di Poppea} -_{figured bass!continuation} - -Bar 17 in Fig.~\ref{fig:poppea} requires an explanation: the -continuation figure appears under the \verb#5#, but the these two -figures are coded as \verb#x145 x12\_00.2# . Why not \verb#x14500.2# , -giving them both the same horizontal offset? That is because the -continuation figure always starts 0.3 \verb#\noteskip#s to the -\emph{left} of the associated note's position. This works well in most -normal situations. But here \verb#\noteskip# is large,based on the -dotted half, while the desired length is short, so in fact the left -offset of the starting point is even larger than the desired length. -Consequently the entry point of the continuation figure has to be offset -by a half note to make it appear offset by a quarter note. - -\subsection{Text after final system} - _{text!after final system} -Suppose you want to add some text, Or any other {\TeX} material, -after the final system of a score. How can you include that in the -{\PMX} file?\,% -\footnote{This question was posted to the {\TeX}-music list by Herrmann - Hinsch. _{Hinsch, Herrmann} - } - -The answer, given by Christian Mondrup, is instructive: -\begin{enumerate} _{Mondrup, Christian} - \item Write the text to a separate file, say - \verb#Myendnotes.tex# , - \item Insert - \begin{center}\begin{verbatim} - \let\Endpiecesav\Endpiece - \def\Endpiece{\Endpiecesav\input Myendnotes} - \end{verbatim}\end{center} -\end{enumerate} -in the header of the {\PMX} source file, i.e.\ as a Type 4 inline {\TeX} -command (cf.\ Sec.~\ref{sec:inlinetypefour}). You can see that the -redefinition of {\TeX} commands, if done carefully, can be a rather -powerful tool. - -\medskip _{\LaTeX!interface with \PMX} _{\textbf{mtxlatex}} -Another solution to this problem is to use the {\LaTeX}/{\PMX} -interface \textbf{mtxlatex} (cf.~\ref{sec:LaTeX}); this may be -simpler in cases involving more complicated layout. - -\subsection{Clef octaviation} \label{sec:clefoctaviation} -_{octaviation} - -As was noted in Section~\ref{sec:octaviation}, {\PMX} does not -presently provide a notation for octaviation; but native {\MusiXTeX} -does; cf.~the {\MusiXTeX}~\texttt{1.15} manual, Sec.~2.11 for details. - -\medskip -Consider, for example, bar 155 of the $2^\text{nd}$ movement of -Beethovens piana sonata op.\ 111 : - -\begin{center} -\includegraphics[scale=.82]{eps/beethoven0.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{360pt} -\small -\begin{verbatim} -\\interstaff{13}\ -w170m -Abepl -% -[ e83d ze+ e8- ze+ sl c1- zc+ sl ] c8d-l zc+ | Rb / -[l c15x3n g+ c b1-x3n g+ b c1-x3n g+ c ] -[l gs1x3n b gs+ g1-x3n b e a1-x3n e+ a ] -[l a-1x3n e+ a g1-x3n e+ g a1-x3n e+ a ] | / -% -\end{verbatim} -\end{minipage} -\end{center} -In most editions, you will find the figures in the right hand in the -second and third three beats written in octaviation notation: -\begin{center} -\includegraphics[scale=.82]{eps/beethoven1.eps} \\[2ex] -\end{center} -which is clearly easier to read. This octaviated version was produced by -the following {\PMX} code: -\begin{center} -\begin{minipage}{360pt} -\small -\begin{verbatim} -\\interstaff{13}\ -w170m -Abepl -\\def\octnumber{8$^{va}$}\ -% -[ e83d ze+ e8- ze+ sfu c1- zc+ sfu ] c8d-l zc+ | Rb / -[l c15x3n g+ c b1-x3n g+ b c1-x3n g+ c ] -\Ioctfinup1d\ [l g-s1x3n b gs+ g1-x3n b e a1-x3n e+ a ] -[l a-1x3n e+ a g1-x3n e+ g a1-x3n e+ a ] \toctfin1\ | / -% -\end{verbatim} -\end{minipage} -\end{center} - -The octaviation is started with the Type 1 inline {\TeX} symbol -\verb#\Ioctfinup1d\# and ended with \verb#\toctfin1\# ; the -transposition downward is, of course, generated in the standard {\PMX} -way by writing \verb#g-s1x3n# instead of \verb#gs1x3n# . By default, -{\MusiXTeX} will start the octaviation symbol with a simple \texttt{8}; -this is changed to 8$^{va}$ by the Type 2 inline {\TeX} symbol given in -the preamble. - -\medskip -\Note{When using this octaviation notation in a score, do not try to - produce a MIDI file for that score: it will come out faulty - } - -\section{More tricks} -The above examples are actually rather simple cases of the use of inline -{\TeX}, not really ``tricks''~; they have been included here for you to -`warm up' to doing such things yourself. But there are many -further-reaching tricks to overcome shortcomings of {\PMX} --- -some truly ingenious. Here are a few of general interest: - -\subsection{Changing vertical positioning of instrument name} -\label{sec:shiftname} _{\textbf{scor2prt}!use of Ti} -_{\textbf{scor2prt}!adjusting instrument name} - -When making parts from a score with \textbf{scor2prt}, you will -sometimes find the adjustment of the vertical position of the instrument -name not to your liking. In particular, if you have a tempo indicated in -a line of text above the first system (e.g.~``allegro''), you may find -that the instrument name of some (but not all) parts collides with the -tempo indication. How can you fix that? - -\medskip _{\textbf{scor2prt}!usage} _{Van Ryckeghem, Andre} - _{instruments!names} _{comments!usage with \textbf{scor2prt}} -A practical solution of this problem has been given recently by Andre -Van Ryckeghem. It is quite instructive to see in this example how -the mechanism of handing over commands to \textbf{scor2prt} operates: - -Suppose that you are writing a string quartet, and the relevant part of -the preamble and header in the score are: -\begin{small}\begin{verbatim} -... -Violoncello -Viola -Violine II -Violin I -batt -./ -h -Allegro -Abpl -... -\end{verbatim}\end{small} - -After running \textbf{scor2prt}, you find that the allegro command is -positioned the way you want it, but the cello name collides fully, and -the Violino II slightly, with the ``allegro''. Therefore you want to -raise the cello by \texttt{3ex}, the Violin II by \texttt{1.5ex} . To do -so, replace the above part of the preamble and header in the score by -\begin{small}\begin{verbatim} - ... - %% Violoncello - %1 \raise+3ex \hbox{Violoncello} - Viola - %% - Violin II - %3 \raise+1.5ex \hbox{Violin II} - Violin I - batt - ./ - h - Allegro - Abpl - ... -\end{verbatim}\end{small} -All the comment lines are disregarded in compiling the score; but in the -\texttt{.pmx} file for the cello, you will find -\begin{small}\begin{verbatim} - Ti - \raise+3ex \hbox{Violoncello} - b - ./ - h - Allegro - Abpl - ... -\end{verbatim} -and in the part for the second Violin -\begin{verbatim} - Ti - \raise+1.5ex \hbox{Violin II} - t - ./ - h - Allegro - Abpl - ... -\end{verbatim}\end{small} -which does what you want. - -\vspace*{3cm} -\subsection{Xtuplets ending with a rest} - \label{sec:Xtuplets ending with a rest} - _{xtuplets!ending with a rest} - - As was pointed out in Section~\ref{sec:xtuplets}, \PMX\ does not - allow a rest as the last note in an xtuplet. - - \medskip - Can one find a way to circumvent this restriction? A pedestrian, - awkward way around might be this: remembering that \PMX\ is a - preprocessor for MusiXTeX, and in a second pass \TeX\ processes the - \PMX\ output, one could simply enter some arbitrary note in place of - the desired rest, run \PMX\ , and then in the resulting \TeX\ file - replace the arbitrary note \emph{manually} by the appropriate - {\MusiXTeX} rest symbol \emph{before} running the file through \TeX\ - for the the 2nd pass. - - This semi-solution however, has two major drawbacks: - \begin{enumerate} - \item it takes a certain amount of aquaintance with basic MusiXTeX, - so this is not for everyone; - \item more dangerously, this hack goes away if and when you - rerun \PMX\ ! So if you are still in the middle of a - development, you may find yourself redoing the hack over and - over, which could quickly become a real nuisance. - \end{enumerate} - - Luckily, for xtuplets with stand-alone notes there now exists a real - solution: an ingenious, generally usable inline {\TeX} method -- - developped by Don Simons -- solves the problem completely for - unbeamed xtuplets. Here is a simple example with two such triplets: - \begin{center} - \includegraphics[scale=.82]{eps/triplerest.eps} \end{center} - \newpage And this is the \PMX\ source text that creates these staves: - ------------------------------------- -\begin{verbatim} -2 2 -2 4 0 0 -0 0 -0 3 20 0.12 - - -tt -./ -w100m -\\def\qpforqu{\let\qut\qu\def\qu##1{\qp\zcharnote{##1}{~}\let\qu\qut}}\ -\\def\dsforcu{\let\cut\cu\def\cu##1{\ds\zcharnote{##1}{~}\let\cu\cut}}\ - -e4ax3 \dsforcu\ e \dsforcu\ e e4ax3 \qpforqu\ eD / -e4ax3 e e e4ax3 eD / -\end{verbatim} ------------------------------------- - -As you can see, there are two inline commands of type 2, which are -therefore effective throughout the file (from where they are first -entered), then followed by two standard \PMX\ lines; the lower one (the -top staff) of these has the standard triplets, as demonstration, while -the upper one (bottom staff) shows the corresponding triplets with ending -rests. - -The two inline \TeX\ commands produce the type of rest: \verb#\dsforcu# -stands for a quarter rest, and \verb#\qpforqu# for a half rest. Note -that these inline \TeX\ commands not only provide the correct graphics, -but \PMX\ considers them to have the corresponding duration values! So -if you use wrong ones, \PMX\ will complain in the usual way. - -\medskip -Explaining the inline {\TeX} commands in detail would go beyond the -scope of this tutorial. But if you know some of the MusiXTeX -terminology, you will recognize that these commands conform to the -MusiXTeX names for quarter and half notes etc.\,% -\footnote{This knowledge may be useful if you want to produce more - complicated xtuplets with ending rests than the simple - examples given here. The new {\MusiXTeX}~\texttt{1.15} manual - may be helpful in such cases. If that doesn't help: consult a - {\MusiXTeX}pert! - } - -The inline commands are then each followed by a dummy note. Usually it -is a good (and safe) habit to use the same note name as the last real -note in the xtuplet; but any {\PMX} note name is valid; variations can -produce surprising, but possibly useful grahical results. So if you feel -up to it, you can play with such variations! - -\subsection{Shorthand notation for consecutive quavers} - _{Van Ryckeghem, Andre} _{shorthand!for quavers} _{eighths} - _{quavers|see{eighths}} - _{shorthand!for quavers|see also tremolo} - Often, in accompanying voices, in particular, there are several - repeated quavers (eighth notes), e.g.~4 quavers to a half note. There - is a commonly used shorthand notation for this that helps - sight-reading enormously: a half-note, with a line through its stem, - indicating the quavers. - - Fig.~\ref{fig:JChrBach} shows the beginning of the cello part of a - Joh.\ Chr.\ Bach quartet. In this example an inline {\MusiXTeX} macro - (devised by Andre Van Ryckeghem) provides this shorthand. - -\begin{figure}[!htb] - \begin{center} -\includegraphics[scale=.82]{eps/JChrBach.eps} \\[2ex] - ------------------------------------------ -\begin{minipage}{380pt} -\small -\begin{verbatim} -%----------------% -% -% JCBach.pmx -% -%----------------% -% ---- -\let\husav\hu\ -\let\hlsav\hl\ -\def\FE{\def\hl##1{\let\hu\husav\let\hl\hlsav% - \relax{\advance\transpose2\loffset{0.5}% - {\ibl0{##1}9}\roffset{0.5}{\tbl0}}\ha{##1}}% - \def\hu##1{\let\hu\husav\let\hl\hlsav% - \relax{\advance\transpose-3\loffset{0.5}% - {\ibu0{##1}9}\roffset{0.5}{\tbu0}}\ha{##1}}% - } ---- -% -1 1 4 4 0 6 1.00 -2 -0 8 16 0.1 -% -Violoncello -b -./ -Abpl -r4 | b83 Dmf b b b \FE\ b2 | \FE\ a2 a8 a b b | -\FE\ e2- e8 e f f | \FE\ b2- Dp \FE\ b2 | -\FE\ b2 \FE\ b2 | \FE\ b2 Df b8 [ b Dp b b ] | -\FE\ b2 \FE\ b2 Rd / -\end{verbatim} -\end{minipage} - \end{center} - \caption{\textbf{J.Chr.\ Bach}, Quartet in B Major - (beginning of cello voice)} - \label{fig:JChrBach} -\end{figure} - - \medskip _{semiquavers|see{sixteenths}} _{sixteenths} - _{shorthand!for semiquavers} - If you want such a shorthand for semiquavers (sixteenth notes), you - need to consult the {\MusiXTeX}~\texttt{1.15} manual: you will find - that all you need to do is to replace \bs\texttt{ibl0} and - \bs\texttt{ibl0} by \bs\texttt{ibbl0} and \bs\texttt{ibbl0} , resp. - - -\subsection{Varying the stave sizes} \label{sec:varstaves} -_{figured bass!varying staves sizes} _{\texttt{curly.tex}} -_{staves!varying size} - -In modern editions of works with basso continuo e.g., the implementation -of the bass, as suggested by the editor, is often given in a staff using -a smaller size. {\MusiXTeX} does not support such a possibility. - -\medskip _{Molekwa, Mthimkhulu} -Fortunately, Mthimkhulu Molekwa has written two macros that provide -alternative solutions of this problem that are often sufficient. The -first, \verb#musixbar.tex#, which is included in {\MusiXTeX}, -allows you to easily define a set of staves (the two bottom ones, in the -case of a basso continuo) that have common bar lines joining these -staves \emph{and only these}\,% -\footnote{Normally, {\MusiXTeX} will draw common bar lines for - \emph{all} staves or for \emph{none}. - }. - -\medskip -The second macro, named \verb#curly.tex#\,% -\footnote{\texttt{curly.tex}, if not included in your - {\MusiXTeX} installation, is available in the ``add-ons'' - software section of the WIMA. - }, -provides a brace as an accolade of a set of staves\,% to be grouped -to\-gether\,% -\footnote{{\MusiXTeX} provides only the choir-type square accolades. For - the practical usage of \texttt{curly.tex} see the Caccini - example in the appendix, Fig.~\ref{fig:caccini}. - }. - -\medskip -Suppose we want to set a sonata for violin and basso continuo with -{\PMX}. There will be three staves: at the bottom the basso continuo -proper, then immediately above it, and grouped together with a brace -accolade (in a smaller size), its implementation, and above these the -violin staff. - -To get this, do the following: - -\begin{itemize} - \item indicate in the preamble the number of instruments, - \emph{three} in this case! - \item add a Type 4) {\TeX} inline command at the beginning of - the file, invoking the macros - \verb#musixbar.tex# and \verb#curly.tex#, e.g.\,% -\footnote{The {\MusiXTeX} command - \texttt{$\backslash$sepbarrules$\backslash$} sets the vertical - bar to be discontinous, i.e.\ \emph{not} extend across - different staves. - } - - \vspace*{-2ex} - {\small - \begin{verbatim} - --- - \let\:=\relax\input musixtex\:\sepbarrules\input pmx - \input musixbar\input curly - --- - \end{verbatim} - } - - \vspace*{-5ex} - \item insert the following {\TeX} inline commands in the header of - the {\PMX} input file: - - {\small - \begin{verbatim} - \\\indivbarrules\sepbarrule3\ - \\setsize2\smallvalue\curlybrackets{{1}{2}}\ - \\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{9}\ - \end{verbatim} - } - - - \vspace*{-3ex} - The command \verb#\interstaffsav{9}\# determines the extension - of the brace (and can be adjusted). The command - \verb#\\\indivbarrules\sepbarrule3\# says that the third staff, - that for the violin, has its own discontinuous bar line, not - joined with the other two. - - The second line contains two commands: - \verb#\\setsize2\smallvalue# sets the size of staff 2 to be - smaller, and \verb#\curlybrackets{{1}{2}}\# says which staves - are to be accoladed, i.e.\ joined by the brace. -\end{itemize} -The file \verb#curly.tex# must, of course, be in a directory where -{\PMX} and {\TeX} can find it, viz.\ either in the current directory or -in one in which the other {\MusiXTeX} files are stored. - -\subsection{Stuff in front of the clefs of the first system} - _{inline \TeX!special trick} _{Vogel, Olivier} - _{\textbf{musixlyr}} _{\MusiXTeX!\bs\texttt{setclefsymbol}} -And finally, to show you what is possible, here is a special example of -using inline {\TeX}: it was contributed to the {\MusiXTeX} users' list -by Olivier Vogel. Here is the literal text of his contribution, -with the result shown in Fig.~\ref{fig:bruckner}: - -\medskip -\begin{center}\begin{minipage}{380pt} -Dear all, - -\medskip\noindent -I've got a score of ``\emph{Locus iste}'' by Bruckner, which begins with -the indication of the range of voices. I tried to reproduce the result, -and share with you my solution, since it seems to me to be an -interesting trick. -\begin{small}\begin{verbatim} ---- -\input musixtex -\input musixlyr -\setlyrics{soprano}{% -Lo-cus i-ste a De-o fa-ctus est lo-cus i-ste a De-o % -fa-ctus est, a De-o, De-o fa-ctus est in-ae-sti-ma-bi-le} -\copylyrics{soprano}{alto} -\copylyrics{soprano}{tenor} -\copylyrics{soprano}{basse} ---- -4 4 4 4 0 6 0 0 1 2 20 0.04 - -bttt -./ -B -Abd -h180m -%1-2 -\\staffbotmarg3\Interligne\ -\\setclefsymbol{2}{\treblelowoct}\ -\\groupbottom{1}{1}\grouptop{1}{4}\ -\\sepbarrules\ -\\startmuflex\indent\hskip-\parindent\hbox{\vbox{\hsize=\parindent\ -\\setclefsymbol{1}{\empty}\setclefsymbol{2}{\empty}\ -\\setclefsymbol{3}{\empty}\setclefsymbol{4}{\empty}\ -\\grouptop{1}{0}\nostartrule\generalmeter{}\parindent=0pt\ -\\startpiece\hardspace{2pt}\notes\zq{F}\nq{''C}&\zq{c}\nq{'e}&\ -\\zq{N}\nq{'b}&\zq{b}\nq{'g}\en\zstoppiece}}\ -\\\assignlyrics{1}{basse}\assignlyrics{2}{tenor}\ -\\\assignlyrics{3}{alto}\assignlyrics{4}{soprano}\ -... -\end{verbatim}\end{small} -(The regular {\PMX} encoding of the music follows). -\end{minipage}\end{center} - -\begin{figure}[!htb] - \begin{center} -\includegraphics[scale=.82]{eps/bruckner.eps} \\[2ex] - \end{center} - \caption{\textbf{A.\ Bruckner}, \emph{Locus iste} } - \label{fig:bruckner} -\end{figure} - -\pagebreak - -\vspace*{10ex} -If you encounter a tricky {\PMX} problem that you think is of general -interest, so that it may have been solved by someone else already, -a good place to search is the -\href{http://icking-music-archive.org/software/pmxtricks/tricks.html}% - { {\PMX} `Tips and Tricks'} section of the WIMA. - -\medskip -And if you have found a nice trick yourself, don't hesitate to -share it via the TeX-music users' list. Perhaps it can be included in -`Tips and Tricks' ! - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / chapter F starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\chapter{An Extension of {\PMX}: {\MTX}} \label{sec:MTX} -_{\MTX} _{Laurie, Dirk} - -Although {\PMX} is already vastly simpler to use than {\MusiXTeX}, -anything can be improved. So Dirk Laurie -_{Laurie, Dirk} -set out to simplify {\PMX} even further, and thus created {\MTX}. - -\medskip -{\MTX} is actually a preprocessor to {\PMX}. Its input is a file with -extension \verb#.mtx# , for example ~\verb#mymadrigal.mtx# , its output -has the extension \verb#.pmx# , \verb#mymadrigal.pmx#. Its input -language is similar, but not identical, to that of {\PMX} and includes -most of the functionality of {\PMX} as a subset. - -\medskip _{\textbf{musixlyr}} -The major purpose of {\MTX} is to facilitate the introduction of lyrics -in a musical score of a song, cantata or opera. {\MTX} does this in -conjunction with the \textbf{musixlyr} package by Rainer Dunker; so if -you want to use {\MTX}, you ought to have \textbf{musixlyr} installed as -well. _{Dunker, Rainer} - -\bigskip _{Laurie, Dirk} -Laurie's Work on {\MTX} had essentially been ended in November 1998 with -the `final' version 0.52. But, as many such projects, {\MTX} continued -to evolve; presently, the `official' version is 0,60, dated March 2005, -and the current patch is 0.60c , dated 22 November 2007 ! - -\bigskip -Since there is a full -\href{http://icking-music-archive.org/software/mtx/mtx060.pdf}% - {manual on {\MTX}} -available in WIMA, these few remarks may suffice here. - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% PMX tutorial by ccn / Appendix starts here: -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% \renewcommand{\thechapter}{} - -\chapter{Appendix: Examples} \label{sec:examples} - -\section{Dons Example Files} \label{sec:donsexamples} - -The `official' distribution files for {\PMX}, -which are available from WIMA -\href{http://icking-music-archive.org/software/pmx/pmx2514.zip}% - {[(pmx2514.zip)]}, -, contain 3 instructive examples (not reproduced here): - -\begin{description} - \item[\texttt{most.pmx}] contains examples of most - of the {\PMX} commands, and a few programming tricks, including - examples in the last line of beam groups whose notes vary - widely in pitch. The printed output displays the {\PMX} - commands near to the resulting typeset characters. It is more - useful to look at the printed output rather than the source - file, since the file is littered with Inline \TeX ~needed to - output the text strings representing the {\PMX} commands. - \textbf{WARNING:} Do not try to play this music; it could be - hazardous. - \item[\texttt{barsant.pmx}] - _{\PMX!options!global} _{S symbol@\texttt{S} symbol} - contains the first movement of a recorder sonata by the Italian - Francesco Barsanti (1690-1772). It demonstrates many of - {\PMX}'s strong points in a `battlefield situation': figured - bass, complex beaming patterns, xtuplets, and automatically - adjusted horizontal and vertical spacing in crowded scores. In - fact, this single-page score is at the limit of vertical - crowding. It uses the global option \texttt{Ae} for equal space - betweem systems. The space between systems was increased (using - the option \texttt{AI1.1}) to give a more pleasing appearance. - This is a good score to try making parts with - \textbf{scor2prt}. The special command \texttt{\%2S9} is used - to increase the number of systems in the recorder part (as - explained in Section \ref{sec:Ssymbol}). - - \item[\texttt{mwalmnd.pmx}] is an Allemand for harpsichord by the - German Matthias Weckmann (1616-1674). It uses many techniques - peculiar to keyboard scores. -\end{description} - - -\section{Full-score examples} \label{sec:fullexamples} - -_{Cataldi, Luigi} -In this appendix you will find the {\PMX} code (by Luigi Cataldi) of -a full piece, together with the actual score which was generated from it -(Section~\ref{sec:Dufay}), as well as two extended {\MTX} examples (also -coded by Luigi Cataldi). - -\medskip -The {\PMX} code for the Dufay Kyrie contains a few inline {\TeX} -commands; this is done intentionally so you again can get a feel of the -usage of inline {\TeX}; to understand them fully, however, you will have -to consult the {\MusiXTeX}~\texttt{1.15} documentation.Similarily, you -can get an idea from the Vivaldi and Caccini example what {\MTX} is all -about. For a full understanding, you again need to look at the {\MTX} -documentation. - -\subsection{Dufay, \emph{Kyrie} ({\PMX} code) :} - \label{sec:Dufay} \label{p:Dufay} _{\PMX!full-score example} - -\begin{center} \begin{small} -\begin{verbatim} -%----------------% -% -% Dufay, Kyrie -% -%----------------% -% ---- -\font\tit = cmcsc10 scaled \magstep 5 -\font\dat = cmr12 -\def\comp{\rightline{\medtype Guillaume Dufay}} -\def\data{\rightline{\medtype (1400?--1474)}} ---- -2 1 3 4 3 4 0 0 -1 6 20 0 - -bt -./ -Abe -\\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}%\ -\\def\shiftbarno{0\Interligne}\ -Tt -{\tit Kyrie} -Tc -\vbox{\comp\data} -It92iororb60:68 -% 1-6 -h-4 -Kyrie -dd23 | a23 bf4 | c24 d4 | ad23 | dd24 | a23 d44 // -a23 d4 | c2 d4 | e2 d4 | csd2 | f2 f4 | e2 f4 / -a24 a4 | e2 d4 | g2 f4 | e2 r4 | ad4 g8 a b | cd45 a84 b c85 / - -% 7-9 -c24 bf43 | ad2 | g2 d4 // -e24 d4 | e d8 c4 bf8 | d4 r+7 d / -a84 bf a g g f | ad2 | bf2 a4 / - -% 10-12 -e2 d4 | g4 bf a | gd2 Rd // -g8- f g e f4 | r8+8 [ d+ d cs c bn ] | dd2 / -g2 a4 | g2 fs4 | gd2 / -\end{verbatim} - -\pagebreak -\begin{verbatim} -% 13-18 -L3Mc+4 -h-5 -Christe -dd23 | fd2 | gd2 | d2 d4 | e2 d4 | g2 a4 // -dd24 | c2 f8 e | d4 c bf | ad2 | g2 f4 | r8+7 [ d+ c b c d ] / -ad24 s | ad2 s | r8 [ bf b a b g ] | fsd2 | g2 a4 | d- e f / - -% 19-24 -bf23 a4 | gd2 | d24 c4 | bf43 a g | d f e | dd2 Rd // -g4-r d+ c | d2 r4 | f2 e4 | d c b | a2 gs4 | ad2 / -g24 f4 | g r g | a bf a | g8 f4 e8 g d | f e c d cs b | dd2 / - -% 25-28 -L5Mc+4 -h-5 -Kyrie -d23 g4 | d r8 d e f | g4 f ef | d r+0 r+0 // -d24 ef4 | d2 c4 | bf2 c4 | dd2 / -a24 g4 | f2 g4 | bf a g | fsd2 / - -% 29-32 -g2 a4 | g2 f4 | g2 a4 | d2- d4 // -d2 cs4 | d2 a4 | bf2 c4 | ad2 / -r8 [ g g fs f e ] | g4 f8 g a bf | g4 f e | d r r / - -% 33-36 -g43 f g | a f e | d d+ c | d f e // -bf4 a g | fr a8 g4 f8 | a4 bf8r g4 a8 | d4-r d8+r c4 bf8 / -e84 d4 c8 bf4 | a8 c4 d8 c4 | d8 f4 g8 e4 | f8 d4 a8+ g4 / - -% 37-39 -d2 c4 | dd2 | gd2- // -d2 e4 | fd2 of-2 | dd2 of-2 / -a4 b c | ad2 of | gd2 of / -% -%----------------% -% -% end of Dufay, Kyrie -% -%----------------% -\end{verbatim} -\end{small} \end{center} - -\begin{figure}[!htbp] - \begin{center} -\includegraphics[scale=.73]{eps/dufay.eps} - \end{center} - \caption{\textbf{G.\ Dufay}, \emph{Kyrie} - (generated by {\PMX})} - \label{fig:dufay} -\end{figure} - -\pagebreak -\subsection{Vivaldi, \emph{Mundi Rector} ({\MTX} code) :} -\label{sec:Vivaldi} _{\MTX!full-score examples} - -\vspace*{8ex} -\begin{center} \begin{small} -\begin{verbatim} -%----------------% -% -% Vivaldi, Mundi Rector -% -%----------------% -% -Title: \vbox{\titA\titB} -Composer: \vbox{\comp\data} -Flats: 2 -Meter: 3/8 -Pages: 1 -Systems: 2 -Style: SATB4 -Size: 16 -Space: 6 6 6 12 - -%%\font\rxii = cmr12 -%%\font\tixii = cmti12 -%%\def\titA{\centerline{Mundi rector}} -%%\def\titB{\centerline{\rxii {\tixii Juditha Triumphans}, I, 27}} -%%\def\comp{\rightline{\medtype Antonio Vivaldi}} -%%\def\data{\rightline{\rxii (1678--1741)}} -%%\let\endpiecesav\endpiece\ -%%\def\endpiece{\endpiecesav\input judt}\ -%%\font\rix = cmr9 -%%\rix - -{sopA}={altoA}={tenorA}={basA} -Mun-di Rec-tor de Cae-lo mi-can-ti -Au-di pre-ces, au-di pre-ces, et su-sci-pe vo-ta -Quae de cor-de pro te di-mi-can-ti -Sunt pie-ta-tis in si-nu de-vo-ta. - -{sopB}={altoB}={tenorB}={basB} -In Ju-di-ta tuae le-gi di-ca-ta -Flam-mas dul-cis, flam-mas dul-cis, tui_a-mo-ris-ac-cen-de -Fe-ri-ta-tis sic hos-tis do-ma-ta -In Be-thu-liae spem pa-cis in-ten-de. - -{sopC}={altoC}={tenorC}={basC} -Re-di, re-di iam Vic-trix pu-gnan-do -In ci-li-cio, in ci-li-cio in pre-ce ri-vi-ve -De Ho-lo-fer-ne sic ho-die trium-phan-do -Pia_Ju-di-tha per sae-cu-la vi-ve. -\end{verbatim} - -\newpage -\begin{verbatim} -%%Abp -%%B -%%\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}% -%%\def\shiftbarno{0\Interligne} -%%It58ibaclobobb60:70 -% 13 -%%h-4 -%%{\ppff ~~~Allegro} -r8 d+ e | e d d | [ c1 b ] c8 a | b g4 -L: {sopA,sopB,sopC} -r8 g g | g g g | fs f f | d d4 -L: {altoA,altoB,altoC} -r8 b c | c b b | a a c | b b4 -L: {tenorA,tenorB,tenorC} -@+13 r8 g g | g g g | a d- d | g g4 -L: {basA,basB,basC} - -%17-20 -r8 b b | [ b1 a ] b4 | r8 c c | [ c1 b ] c8 e -r8 f f | [ g1 f ] g4 | r8 g g | [ a1 g ] a8 c -r8 d d | b b4 | r8 g g | c c e -r8 d d | e e4 | r8 en e | f f f - -%21-24 -d8 e c | (~ [ b1 a b c d e ] | [ f b- ] c4 oT0 )~ | bd4 :|: -b8 c a | (~ [ bd8 a1 b c ] | d b a4 oT0 )~ | bd4 :|: -f8 g f | ( fd4 | fd4 ) | fd4 :|: -b8 e- f | (~ ( bd4- | b8 ) f4+ )~ | bd4- :|: - -%25-28 -%%L2 -r8 bn b | [ c1 bn ] c8 g | d+ d d | [ e1 d ] c4 | -r8 g g | g g g | g g g | g g4 | -r8 d d | e e e | d d d | c c4 | -r8 g+ g | c- c c | bn b b | c e4 | - -%29-31 -c8 b4 | b8 a c | b c a | -a8 g4 | g8 fs a | g a fs | -fs8 d4 | eN8 FS F | D EF D | -D8 D4 | CS8 D D | G C- D | - -%32-34 -(~ [ G1 FS G A B C ] | [ D G- ] A4 OT0 )~ | GD4 OF :| -(~ [ GD8 FS1 G A ] | [ B G ] FS4 OT0 )~ | GD4 OF :| -( DD4 | DD ) | DD OF :| -{~ ( GD4 | G8 ) D4 }~ | GD- OF :| -\END{VERBATIM} - -\NEWPAGE -\BEGIN{VERBATIM} -%%%%%%%%%%%%%%% TEXT WRITTEN TO A SEPARATE FILE -%%%%%%%%%%%%%%% JUDT.TEX -\FONT\BIG = CMCSC10 SCALED \MAGSTEP 5 -\LEFTSKIP = 3 CM -\FONT\LYR = CMTI10 -\LYR - -\DEF\LYROFFS{5MM} - -\VSKIP 10 MM -\HALIGN{\HSKIP 12MM # \HFILL & # \HFILL & # \HFILL & # \HFILL \CR - -MUNDI RECTOR DE CAELO MICANTI -& IN JUDITA TUAE LEGI DICATA -& REDI, REDI IAM VICTRIX PUGNANDO \CR - -AUDI PRECES ET SUSCIPE VOTA -& FLAMMAS DULCIS TUI AMORIS ACCENDE -& IN CILICIO IN PRECE RIVIVE \CR - -QUAE DE CORDE PRO TE DIMICANTI -& FERITATIS SIC HOSTIS DOMATA -& DE HOLOFERNE SIC HODIE TRIUMPHANDO \CR - -SUNT PIETATIS IN SINU DEVOTA. -& IN BETHULIAE SPEM PACIS INTENDE. -& PIA JUDITHA PER SAECULA VIVE. \CR -\END -% -%----------------% -% -% end of Vivaldi, Mundi Rector -% -%----------------% -\end{verbatim} -\end{small} \end{center} -\pagebreak - -\begin{figure}[!htbp] - \begin{center} -\includegraphics[scale=.73]{eps/vivaldi2.eps} - \end{center} - \caption{\textbf{A.\ Vivaldi}, \emph{Mundi Rector} - (generated by {\MTX}/{\PMX})} - \label{fig:vivaldi2} -\end{figure} -\pagebreak - -\subsection{Caccini, \emph{Amor l'ali m'impenna} ({\MTX} code)} -\label{sec:Caccini} _{\MTX!full-score examples} - -\begin{center} \begin{small} -\begin{verbatim} -%----------------% -% -% Caccini, Amor l'ali m'impenna -% -%----------------% -% -Title: {\tit {Amor l'ali m'impenna}} -Composer: \vbox{\compA\compB} -Meter: C -Style: Singer Cont Bass -Singer: Voices Sop; Vocal; Clefs G -Cont: Voices RH1,RH2; Clefs G -Bass: Voices B; Clefs F -Flats: 1 -Systems: 12 -Pages: 3 -Space: 4 1 -Size: 20 -Indent: 0.10 -Name: {\it{Soprano}} ~ {\it{Continuo}} - -%%\input musixbar\input curly -%%\font\data = cmr10 -%%\font\tit = cmb10 scaled \magstep 4 -%%\font\rxii = cmr12 -%\font\mov = cmmib10 scaled \magstep 1 -%%\font\num = cmr9 -%%\def\compA{\rightline{\rxii Giulio Caccini}} -%%\def\compB{\rightline{\data (1550--1618)}} -%%\def\writebarno{\ifnum\barno>1\lrlap{\oldstyle\the\barno\barnoadd}\fi}% -%%\def\shiftbarno{0\Interligne} - -{Aria} -A-mor l'a-li m'im-pen-na. -A-mor dol-ce, a-mor ca-ro,_a-mor fe-li-ce. -Tal che non spe-ro pi{\`u} n{\'e} pi{\`u} mi li-ce. -Pas-so nem-bi_e pro-cel-le, -pas-so'l ciel e le stel-le, -del pia-cer que-st'{\`e}'l re-gno. -Ah, mia for-tu-na non se l'ab-bia a sde-gno. -Que-sto, que-sto m'ac-co-ra: -ch'al-tri ca-deo, -ch'al-tri ca-deo dal pa-ra-di-so_an-co-ra. -Ah, mia for-tu-na non se l'ab-bia a sde-gno. -Que-sto, que-sto m'ac-co-ra: -ch'al-tri ca-deo, -ch'al-tri ca-deo dal pa-ra-di-so_an-co-ra. - -%%w187m -%%h251m -%%Ab -%%B -%%It86ivchaobb58:70:64 -%% \\setsize2\smallvalue\curlybrackets{{1}{2}}\ -%%\\let\interstaffsav\interstaff\def\interstaff#1{}\interstaffsav{9}\ -%%\\\indivbarrules\sepbarrule3\ -% Bar 1 -@+2 f0 -L: {Aria} -f0 -c0 za -f0 - -% Bar 2 -f2 ( f2 -f2 f4 e -a2 zd c zf- -d2 - a2 6 - -% Bar 3 -f4 ) f8 g8 (~ [ a1 b1 c1 b1 ] [ a8 g8 ] -d4.e f.e -b2 zf f zc+ -b2 a2 6 - -% Bar 4 -[ fd8 g1 ] [ f8 g8 ] [ a1 ( g g8 ) ] [ a1 ( f f8 ) ] )~ -d0e -cd2 zf- g4 zbn -d2 7 ( d4 7 d4 #6 ) - -% Bar 5 -g2 r4 g8 g8 -e2 g -c2 zg e+ zc -c2 c2 - -% Bar 6 -b2 g4 d8 d8 -b4 zd- a+ zc- g2+ -g2e+ d zb -g2 - g2 - -% Bar 7 -f4 [ f1 e1 f1 g1 ] a4 [ e1 d1 e1 f1 ] -fd2 za- g4 ze+ -de2 c -d2+ - a4 c4 - -% Bar 8 -g0 -d0 zg- -ce2 bn -\zcharnote{-6}{\num 11}\ ( g2 \zcharnote{-6}{\num 10}\ g ) - -% Bar 9 -g0 -e0+ -c0 zg -c0 - -% Bar 10 -c4 g8 g8 b4 [ a1 b1 c1 b1 ] -g2 g -c2 ze d zb -c2 g2 - - -% Bar 11 -ad4 d8- f4 [ e1 f1 g1 f1 ] -f2.g -a2 zd d zb -d2+ - b4 g4 - - -% Bar 12 -e0 -\zw e\ dr2 cs -a2d-2 g4 -%%%%%% The two following lines must actually be written in one line! -\zcharnote{-6}{\num 11}\ (5t a2 \zcharnote{-6}{\num $\sharp $10}\ -(6t a4 )5t a 7 )6t - -% Bar 13 -d2 r4 fs8 f8 -d2 fs -fs2 zd+ d za -d2 # d2 - -% Bar 14 -g4 d8 d8 (~ [ e8 f1 e1 ] [ f1 e1 d1 e1 ] )~ -g4 fn e2 -b2 zd c zg -g2- c2 - -% Bar 15 -f2 r4 fs8 f8 -f2 fs -a2 zc d za -f2 d2 - -% Bar 16 -g4 d8 d8 [ e8 f8 fd8 e1 ] -g4 fn e2 -b2 zd c zg -g2- c2 - -% Bar 17 -f4 f8 g8 a2 -f2 f -a2 zc c za -f2 f4 e8 d8 - -% Bar 18 -cd8 c1 (~ [ b1 a1 g1 f1 ] g2 )~ -e4 ( f f ) e -g2 zc c zg -%%%%%% The two following lines must actually be written in one line! -( c4 \zcharnote{-6}{\num 11}\ c4 ) -\zcharnote{-6}{\num 11}\ c4 \zcharnote{-6}{\num 10}\ c4 - -% Bar 19 -f0 -f0 -a0 zc -f0- - -% Bar 20 -ad2 g8 f8 -f4 ( c c ) bn -a4 g ( f f ) -f4+ e4 ( d4 d ) - -% Bar 21 -e8 d8 e8 f8 g2 -c2 r8+0 e d c -g2 ze rb -( c2 c8 ) c8 b8 a8 - -% Bar 22 -g4 d4 d2 -bnr4 ( c c ) b -g0 zd+ -%%%%%% The two following lines must actually be written in one line! -\zcharnote{-6}{\num $\sharp $10}\ ( g4 \zcharnote{-6}{\num 11}\ g ) -( \zcharnote{-6}{\num 11}\ g4 \zcharnote{-6}{\num $\sharp $10}\ g ) - -% Bar 23 -c0 -e0 -c0 zg -c0 - -% Bar 24 -gd4+ e8 a4 g8 f8 -e2 e4 f -g2 zc c za -c2 a4 f4 - -% Bar 25 -g2 f8 f8 f8 e8 -e2 f -g2 zc c za -c2+ f2- - -% Bar 26 d2 r8 b8+ b a f2 g b2 zd d zb b4 b8 a8 g2 - - -% Bar 27 g8 e8 e8 f8 g4 [ f1 g1 a1 b1 ] g4 f e ( f c2 ze c zg c2 -c4 \zcharnote{-4}{\num 11}\ c4 - -% Bar 28 g0 f2 ) cr4 b g2 zc e zg- %%%%%% The two following -lines must actually be written in one line! \zcharnote{-4}{\num -11}\ (5t c2 (6t \zcharnote{-4}{\num 10}\ c4 )5t c 7 )6t - -% Bar 29 f0 f0+ a0 f0- - -% Bar 30 ad2 g8 f8 f4 ( c c ) bn a4 g ( f f ) f4+ e4 ( d 7 d #6 -) - -% Bar 31 e8 d8 e8 f8 g2 c2 r8+0 e d c g2 ze rb ( c2 c8 ) c8 b8 -a8 - -% Bar 32 gd8 (~ g1 [ f1 e1 d1 c1 ] )~ d2 bnr4 ( c c ) b g0 zd+ -%%%%%% The two following lines must actually be written in one -line! \zcharnote{-6}{\num $\sharp $10}\ ( g4 \zcharnote{-6}{\num -11}\ g ) ( \zcharnote{-6}{\num 11}\ g \zcharnote{-6}{\num -$\sharp $10}\ g ) - -% Bar 33 c0 e0 c0 zg c0 - -% Bar 34 gd4+ e8 a4 g8 f8 e2 e4 f g2 zc c za c2 a4 f4 - -% Bar 35 g2 f8 f8 f8 e8 e2 f g2 zc c za c2+ f2- - -% Bar 36 d2 r8 b8+ b a f2 g b2 zd d zb b4 b8 a g2 - - -% Bar 37 g2 r8 c8 c8 b8 g2 a4 b c2 ze c4 zf d zg c4 c8 b8 a4 6 -g4 - -% Bar 38 a4 b4 ( c2 a2 a f2 c f2 a4 6 b4 - -% Bar 39 [ c8 ) (~ b1 a1 ] [ g1 f1 e1 d1 ] [ e1 d1 c1 d1 ] [ e1 -f1 g1 a1 ] g0 c0 ze c0 - -% Bar 40 [ g1 c1- d1 e1 ] [ f1 g1 a1 b1 ] [ c1 b1 a g1 ] [ a1 g1 -a1 f1 ] e0 c0 zg c0 - -% Bar 41 g0 )~ f2 e \zw N\ ce2d+0+1 b4 %%%%%% The two following -lines must actually be written in one line! \zcharnote{-4}{\num -11}\ (1t c2 (2t \zcharnote{-4}{\num 10}\ c4 )1t c 7 )2t - -% Bar 42 f0 f0 a0 f0- % %----------------% % % end Caccini, -Amor l'ali m'impenna % %----------------% \end{verbatim} -\end{small} \end{center} - -\begin{figure}[!htb] \begin{center} - \includegraphics[scale=.75]{eps/caccini1.eps} - \end{center} \end{figure} \begin{figure}[!htb] - \begin{center} - \includegraphics[scale=.75]{eps/caccini2.eps} - \end{center} \end{figure} \begin{figure}[!htbp] - \begin{center} - \includegraphics[scale=.75]{eps/caccini3.eps} - \end{center} \caption{\textbf{G.\ Caccini}, \emph{Amor - l'ali m'impenna} (generated by {\MTX}/{\PMX})} - \label{fig:caccini} \end{figure} - -\addcontentsline{toc}{chapter}{Index} - -\printindex - -\end{document} - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% End of PMX tutorial by ccn / Mon 2003 Sep 22 /19:15 -/ccn -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%))) diff --git a/Master/texmf-dist/doc/generic/pmx/ref260.pdf b/Master/texmf-dist/doc/generic/pmx/ref260.pdf Binary files differdeleted file mode 100644 index 7273f7fc68c..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/ref260.pdf +++ /dev/null diff --git a/Master/texmf-dist/doc/generic/pmx/ref270.pdf b/Master/texmf-dist/doc/generic/pmx/ref270.pdf Binary files differnew file mode 100644 index 00000000000..2165a99d6bf --- /dev/null +++ b/Master/texmf-dist/doc/generic/pmx/ref270.pdf diff --git a/Master/texmf-dist/doc/generic/pmx/ref260.tex b/Master/texmf-dist/doc/generic/pmx/ref270.tex index 32fa9bdfdce..a1f6506c92f 100644 --- a/Master/texmf-dist/doc/generic/pmx/ref260.tex +++ b/Master/texmf-dist/doc/generic/pmx/ref270.tex @@ -1,6 +1,6 @@ %%%%%%%%%%%%%%%%% %% -%% ref20.tex (latex2e?) +%% ref270.tex (latex2e?) %% %%%%%%%%%%%%%%%%% \ifx\documentstyle\undefined @@ -43,8 +43,8 @@ %\let\blank\ \def\ {\blank\blank} \centerline{QUICK REFERENCE TABLE FOR {\bf PMX}, -Version 2.6, -July 2010~~~ +Version 2.7, +March 2013~~~ \hfill by Don Simons (dsimons@roadrunner.com)} %\begin{multicols}{2} @@ -60,7 +60,7 @@ then one character must be used from the unbracketed group. Several characters, chosen from different lines that are indented the same amount, may be used in sequence. {\it d1, d2} are single digits, so for example {\it d1}{\tt[}{\it d2}{\tt]} is a one- or two-digit integer. -{\it i} is any non-negative integer. +{\it i}, {\it i1}, or {\it i2} is any non-negative integer. {\it x} is any non-negative decimal number. %\end{multicols} @@ -182,7 +182,7 @@ G & Grace note group.\\ \ [A,W] & Put grace just after main note, or shifted as far right as possible.\\ \ [X{\it x}] & Gap to main note, notehead widths. \\ -\ ({\it first note}) & Must follow the above options, with no space. +\ ({\it first note}) & Must follow above options. Use same symbols as normal note.\\ \dhline s,t,) & Slur toggle. Place after note. If {\tt Ap} is on, {\tt t} causes @@ -219,13 +219,15 @@ A & Miscellaneous controls. \ [b,s] & Force big or small accidentals.\\ \ [r] & Relative accidentals. Must be set if transposing.\\ \ [e] & Equalize inter-system spacing.\\ -\ [S] & Tweak accidental spacing for staves made small with in-line - TeX.\\ -\ \ -,0;...;-,0 & A string of yes-or-no specifiers, one for each staff.\\ +\ [S] & Make some staves small.\\ +\ \ {\it c1c2...} & A string of specifiers {\tt 0} (normal); {\tt -,s} (small); + {\tt t} (tiny); one for each staff.\\ \ [v] & Toggles vshrink (initially on), which collapses pages vertically when computed \bs{\tt interstaff} exceeds 20.\\ \ [N] & User-defined part file name.\\ -\ \ {\it i}"{\it name}" & Name to use in part {\it i}.\\ +\ \ {\it i1}"{\it name1}" & Base name to use in part {\it i1}.\\ +\ \ \ [{\it i2}"{\it name2}"] & Base name to use in part {\it i2}.\\ +\ \ \ \ [...] & Continue with other parts as desired.\\ \ [T] & Use Col. S's broken brackets for non-beamed xtups.\\ \ [p] & Activate postscript slurs.\\ \ \ l & Activate special adjustments for line-breaking slurs and ties.\\ @@ -237,6 +239,9 @@ A & Miscellaneous controls. \ \ {\it filename} & File name, may include path.\\ \ [K] & Activate special rules for rest positions in 2-staff keyboard scores.\\ \dhline +\ [cl,c4] & Set vert. and horiz. page sizes and offsets for letter or a4 paper.\\ + + B & Toggles default stem direction for middle line of bass clef. (intial direction is up).\\ \dhline @@ -244,14 +249,14 @@ C & Clef change.\\ \hbox{\ t,s,m,a,n,r,}\hbox{\ b,f or 0-7} & New clef. ({\bf t}reble, {\bf s}oprano, {\bf m}ezzo-soprano, {\bf a}lto, te{\bf n}or, ba{\bf r}itone, {\bf b}ass, {\bf F}rench violin).\\ -\dhline +\newcol D & Dynamics.\\ \ p,pp,...,ffff & Pre-defined standard dynamics.\\ \ "{\it text}" & Any text string.\\ \ <.> & Hairpin toggles.\\ \ \ [+,- {\it n }] & Vertical shift from default, \bs{\tt internote}s.\\ \ \ \ [+,- {\it n }] & Horizontal shift from default, notehead widths.\\ -\newcol +\dhline F & Cancels figures in bass line (use with {\tt \%1} in score file to make a bass part with no figures).\\ @@ -276,21 +281,24 @@ I & MIDI controls. Only at start of an input block.\\ \ [b{\it i1}:{\it i2}:...{\it in}] & Specify {\tt noinst} balances 1$\leq${\it i}$\leq$128, 64=center. \\ \ [T] & MIDI-only transposition.\\ -\ \ +,- {\it i1} +,- {\it i2} ... +,- {\it in} & Amounts of transpositions, multiples - of 12 only, {\tt noinst} values.\\ +\ \ +,- {\it i1} +,- {\it i2} ... +,- {\it in} & Amounts of transpositions in + \bs{\tt internote}s, {\tt noinst} values.\\ \ [g{\it i}] & Internote gap in midi tics. Default = 10\\ \ [MR{\it i}] & Start recording macro {\it i}.\\ \ [M] & Stop recording.\\ \ [MP{\it i}] & Playback (insert) macro {\it i}.\\ \dhline K & Key signature change and/or transposition.\\ +\ [n] & Suppress printing naturals.\\ +\ [i {\it i}] & Applies only to instrument {\it i}.\\ \ +,- {\it i} & Amount of transposition in \bsn{}internotes. Use {\tt-0} to transpose by 1/2 step to same-name key.\\ \ \ +,- {\it i} & New key signature.\\ -\dhline +\ \ \ [i {\it i}]... & Applies to another instrument {\it i}.\\ +\newcol l & Next input line is a text string to appear below top staff.\\ -\newcol +\dhline L{\it i} & Force a line break at line {\it i}. Voice \#1 only. Start of block only.\\ \ [P{\it i}] & Force a page break at page {\it i}.\\ @@ -412,10 +420,10 @@ X & Shift or insert hardspace. \\ \dhline ( & Placed before a note, equivalent to {\tt s} after note. \\ ) & Equivalent to {\tt s} . \\ -\dhline +\newcol \{ & Placed before a note, equivalent to {\tt t} after note. \\ \} & Equivalent to {\tt t} . \\ -\newcol +\dhline ? & Arpeggio start/stop. Comes after note. \\ \ [-{\it x}] & Shift left by {\it x} notehead widths. \\ \dhline diff --git a/Master/texmf-dist/doc/generic/pmx/scor2prt.html b/Master/texmf-dist/doc/generic/pmx/scor2prt.html deleted file mode 100644 index 279af226cd9..00000000000 --- a/Master/texmf-dist/doc/generic/pmx/scor2prt.html +++ /dev/null @@ -1,55 +0,0 @@ -Content-type: text/html - -<HTML><HEAD><TITLE>Manpage of scor2prt</TITLE> -</HEAD><BODY> -<H1>scor2prt</H1> -Section: scor2prt Manual Page (1)<BR>Updated: 5 March 2012<BR><A HREF="#index">Index</A> -<A HREF="http://localhost/cgi-bin/man/man2html">Return to Main Contents</A><HR> - -<A NAME="lbAB"> </A> -<H2>NAME</H2> - -scor2prt - source-parts separation program for pmx, a MusiXTeX preprocessor -<A NAME="lbAC"> </A> -<H2>SYNOPSIS</H2> - -<B>scor2prt</B> - -basename<I>[.pmx]</I> - -<A NAME="lbAD"> </A> -<H2>DESCRIPTION</H2> - -scor2prt is part of <A HREF="http://localhost/cgi-bin/man/man2html?1+pmx">pmx</A>(1), a preprocessor for MusiXTeX. It can automatically -create parts from a score by generating a set of .pmx files, one for each part, -from a single .pmx file for the score. The appearance of the parts can be -controlled by special commands in the main file. Read the PMX Manual for more -information about that. -<A NAME="lbAE"> </A> -<H2>SEE ALSO</H2> - -<A HREF="http://localhost/cgi-bin/man/man2html?1+pmx">pmx</A>(1), <A HREF="http://localhost/cgi-bin/man/man2html?1+pmxab">pmxab</A>(1), <A HREF="http://localhost/cgi-bin/man/man2html?1+musixtex">musixtex</A>(1), PMX Manual -<A NAME="lbAF"> </A> -<H2>AUTHORS</H2> - -PMX was written by Don Simons <<A HREF="mailto:dsimons@roadrunner.com">dsimons@roadrunner.com</A>>. -This manual page was written by Roland Stigge <<A HREF="mailto:stigge@antcom.de">stigge@antcom.de</A>> for the Debian -project and revised by Bob Tennent <<A HREF="mailto:rdt@cs.queensu.ca">rdt@cs.queensu.ca</A>>. -<P> - -<HR> -<A NAME="index"> </A><H2>Index</H2> -<DL> -<DT><A HREF="#lbAB">NAME</A><DD> -<DT><A HREF="#lbAC">SYNOPSIS</A><DD> -<DT><A HREF="#lbAD">DESCRIPTION</A><DD> -<DT><A HREF="#lbAE">SEE ALSO</A><DD> -<DT><A HREF="#lbAF">AUTHORS</A><DD> -</DL> -<HR> -This document was created by -<A HREF="http://localhost/cgi-bin/man/man2html">man2html</A>, -using the manual pages.<BR> -Time: 08:48:15 GMT, September 14, 2012 -</BODY> -</HTML> diff --git a/Master/texmf-dist/doc/man/man1/pmx2pdf.1 b/Master/texmf-dist/doc/man/man1/pmx2pdf.1 index 9ffcf094377..6b9f17fa491 100644 --- a/Master/texmf-dist/doc/man/man1/pmx2pdf.1 +++ b/Master/texmf-dist/doc/man/man1/pmx2pdf.1 @@ -93,9 +93,7 @@ Options affect processing of all succeeding PMX files unless changed by another .BR dvips (1), .BR ps2pdf (1). .br -pmx260.pdf -.br -pmxccn.pdf +pmx270.pdf .SH AUTHOR This manual page was written by Bob Tennent <rdt@cs.queensu.ca>. diff --git a/Master/texmf-dist/doc/man/man1/pmx2pdf.man1.pdf b/Master/texmf-dist/doc/man/man1/pmx2pdf.man1.pdf Binary files differindex a041ad546da..53be38cb849 100644 --- a/Master/texmf-dist/doc/man/man1/pmx2pdf.man1.pdf +++ b/Master/texmf-dist/doc/man/man1/pmx2pdf.man1.pdf diff --git a/Master/texmf-dist/tex/generic/pmx/pmx.tex b/Master/texmf-dist/tex/generic/pmx/pmx.tex index 5d7083a455e..80131a498cc 100644 --- a/Master/texmf-dist/tex/generic/pmx/pmx.tex +++ b/Master/texmf-dist/tex/generic/pmx/pmx.tex @@ -3,8 +3,11 @@ %% pmx.tex %% %% %% %%%%%%%%%%%%%%%%%%%%%%% -\def\pmxversion{2.614}\def\pmxdate{17 July 11} +\def\pmxversion{2.7}\def\pmxdate{3 April 13} +% 2.619 At movement break, directly set \nbinstruments in \newmovement; +% probably don't need \newnoi any more. +% (2.619a) Added \resetlyrics in \newmovement. % 2.614 Comment out definitions of some dotted rests, since either in % musixtex.tex or not needed. % Modified for two figured bass lines 081115 @@ -545,7 +548,8 @@ depth \h@lf\pcil width \razclef\kern-\h@lf\razclef\kern-\h@lf\pcil\kern-.1pt % % New Movement Macro % -\def\newmovement#1#2{\let\holdstop\stoppiece\let\holdcont\contpiece% +%\def\newmovement#1#2{\let\holdstop\stoppiece\let\holdcont\contpiece% +\def\newmovement#1#2#3{\let\holdstop\stoppiece\let\holdcont\contpiece% \ifcase#2\def\endset{\setdoubleBAR}\or\def\endset{\setdoublebar}\or% %\def\endset{\setrightrepeat}\or\def\endset{\empty}\fi% \def\endset{\setrightrepeat}\or\def\endset{\empty}% @@ -564,7 +568,14 @@ depth \h@lf\pcil width \razclef\kern-\h@lf\razclef\kern-\h@lf\pcil\kern-.1pt % \vskip#1\internote% \let\stoppiece\holdstop}% - \def\contpiece{\startpiece\addspace\afterruleskip\let\contpiece\holdcont}% +% \def\contpiece{ + \def\contpiece{\def\nbinstruments{#3}% <-- assignment inserted here +% +% Added 120904 per Rainer's suggestion to fix problem with M-Tx at m-break. +% +\ifx\resetlyrics\undefined\else\resetlyrics\fi% +% +\startpiece\addspace\afterruleskip\let\contpiece\holdcont}% }% % % Redefinitions for moving dots vertically by x\interligne and @@ -612,6 +623,7 @@ depth \h@lf\pcil width \razclef\kern-\h@lf\razclef\kern-\h@lf\pcil\kern-.1pt \def\bartext#1#2{\sk\loffset{.3}{\zcharnote{#1}{\llap{#2}}}\bsk} % % Macro used before movement break to change # of instruments. +% 120818 Set \nbinstruments in \newmovement; probably don't need this any more. % \def\newnoi#1{\let\atnb\atnextbar\def\atnextbar{\atnb\def\nbinstruments{#1}}}% % diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds index 3355ca94251..18405e377b7 100755 --- a/Master/tlpkg/libexec/ctan2tds +++ b/Master/tlpkg/libexec/ctan2tds @@ -748,7 +748,6 @@ chomp ($Build = `cd $Master/../Build/source && pwd`); 'pitthesis', "die 'skipping, noinfo license", 'pl', "die 'skipping, not ready, cf. cc-pl, sorry", 'pl-qx', "&MAKEplqx", - 'pmx', "die 'skipping until 2013, requires binary update'", 'pmxchords', "die 'skipping, problematic musixtex scripts'", 'pointRuler', "die 'skipping, requires compilation'", 'poltawski', "&MAKEcopy", @@ -1086,7 +1085,7 @@ chomp ($Build = `cd $Master/../Build/source && pwd`); 'mp3d' => '&PREHOOK_mp3d', 'pgf-blur' => '&PREHOOK_pgfblur', 'pictex' => '&PREHOOK_pictex', - 'pmx' => '&PREHOOK_pmx', + 'pmxx' => '&PREHOOK_pmx', 'skb' => '&PREHOOK_flatten1', 'skmath' => '&PREHOOK_savepdf', 'skrapport' => '&PREHOOK_savepdf', |