summaryrefslogtreecommitdiff
path: root/macros/text1/models/thesis.texmodel
blob: 59fc7c241f41af32190f09438a3c313f39066c7e (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
%  WSU Graduate School Thesis Requirements
%             Last updated on = 6/15/87
%*********************  ***THESIS TEXMODEL***  **************************
%* This TEXMODEL shows some sections of a sample thesis. For a printout *
%* of a sample thesis, simply run this file through TeX as it is.       *
%* When entering your own thesis, be sure to replace or delete all      *
%* sample text. If you are printing your thesis on a monospaced printer,*
%* the \monospace command must be activated by removing the percent     *
%* sign preceding it.                                                   *
%************************************************************************
% THESIS START
 
%                        ***TITLE PAGE***
 
%\monospace
\input thesis.texinput
\justify     \singlespace
\setpagenumber{-1}
\centerlinesbegin
\bd
A PHENOMENOLOGICAL THEORY OF
\vs{12pt}
CROSS-CULTURAL AESTHETICS
\vs{1.25in}
\rm
By
\vs{12pt}
GEORG MACQUET
\vs{1.25in}
A thesis submitted in partial fulfillment of
the requirements for the degree of
\vs{12pt}
MASTER OF ARTS IN ANTHROPOLOGY
\vs{24pt}
WASHINGTON STATE UNIVERSITY
Department of Anthropology
\vs{12pt}
December 1986
\vs{.8in}
\copyrt Copyright by GEORG MACQUET, 1986
All Rights Reserved
\centerlinesend  %DO NOT DELETE THIS LINE UNLESS LINE 19 IS DELETED
%                  ***COPYRIGHT PAGE***
\np
\titlepage
\vsk{7in}
\centerlinesbegin
\copyrt Copyright by GEORG MACQUET, 1986
All Rights Reserved
\centerlinesend  %DO NOT DELETE THIS LINE UNLESS LINE 47 IS DELETED
%                  ***SIGNATURE PAGE***
\newpage
\setpagenumber{-2}
\rightragged
\vsk{2.8in}
\doublespace
\nin To the Faculty of Washington State University:
\par
The members of the Committee appointed to examine the thesis of
GEORG MACQUET find it satisfactory and recommend that it be
accepted.
%
%******************************************************************
%* The \signatures command draws the number of lines specified    *
%* in the first parameter for the committee members' signatures.  *
%* The first parameter may be any number, but if it is larger     *
%* than 5, spacing must be changed to make it fit on one page.    *
%* The second parameter of the \signatures command will be        *
%* centered as a title under the first line.                      *
%******************************************************************
%
\singlespace
\signatures{4}{Chairperson}
\doublespace
%                      ***ACKNOWLEDGE***
\newpage
\justify
\preface{Acknowledgements}
I would like to thank Clarke Moustakos and Helen Burdeman
for their help in advising me to study Anthropology at ...
%                      ***ABSTRACT PAGE***
\newpage
\vsk{.6in}
\centerlinesbegin
\bd
A PHENOMENOLOGICAL THEORY OF
\bd
CROSS-CULTURAL AESTHETICS
\rm
ABSTRACT
\putincontents1{\nin Abstract\leader\pagenumber}
\vs{12pt}
\singlespace
by Georg Macquet, M.A.
Washington State University
December 1986
\centerlinesend  %DO NOT DELETE THIS LINE UNLESS LINE 84 IS DELETED
\doublespace
\noindent Chairperson: V.~L.~Nabokov
\par
Aesthetic phenomena can be defined from an anthropological perspective.
Anthropology is empirical; therefore, aesthetic phenomena must also be
defined empirically to be identified by the techniques of...
\par
%**********************   MAIN TEXT OF THESIS   *************************
%*  This ends the preliminary pages of the thesis and begins the main   *
%*  text. The remaining sections of the thesis may be entered using any *
%*  or all standard TeXT1 markup commands, including \autofootnote,     *
%*  \bibliography, \autoendnote, \subheada, etc.  For more information  *
%*  on the standard TeXT1 markup commands see the  "TeXT1 Users Guide   *
%*  (S-522),"  or the "TeXT1 Reference Manual (S-523)."                 *
%************************************************************************
\chapter{Introduction}
\setpagenumber{1}
The original perspective of anthropology can contribute to a comprehension of
art. Observational criteria are needed to identify aesthetic phenomena
uniquely, and anthropology \el3
\sha{Art as Product}
In the past, the arts have been studied primarily as products in anthropology.
But the product must be created by human beings who behave in certain ways. In
Merriam's words:

\bqb Through the humanistic elements of his culture, man seems to be making
pointed commentary on how he lives; his social life in itself seems to bring
about conditions under which he is unable to restrain himself from commenting
upon himself\el3
\bqe

\sha{Styles of Representation}
Representations are images that refer to the visual appearance of a thing.
Gombrich's theory\afn{wherin a representation is not a symbol} is not
appropriate in this context. Indeed, A.P. Meriam (1971)\aen{This is the only
edition with the full analysis of semantic theories applied to oriental
cultures.} states that\el3
\newpage
\cl{\bd Notes}
\printendnotes
\toc{-5}
\bye