summaryrefslogtreecommitdiff
path: root/macros/musictex/undar-digitacion/undar-digitacion-doc.tex
blob: 263535e0f08c66044c78cd3b270407daa22a1d8f (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
\documentclass[11pt,a4paper]{scrartcl}
\usepackage[spanish,english]{babel}
\usepackage{undar-digitacion}
\usepackage{datetime}
\newdate{fecha}{26}{01}{2024}

\title{Package User Manual \\ \texttt{undar-digitacion}}
\author{Bravo Vecorena, Aland \and Marcellini Morales, Fredy Romulo \and Cárdenas Viviano, Roberto Carlos \and Echevarría Ramírez, Félix Hipólito}
\date{\displaydate{fecha}}

\begin{document}

\maketitle

\section{Usage}
    The package use the following syntax:
        \begin{itemize}
            \item \verb|\flauta|: Double Hole Recorder (Flute)
            \item \verb|\flautaB|: Single Hole Recorder (Flute)
            \item \verb|\quena|: Quena
            \item \verb|\pinkullo|: Pinkullo Huanuqueño
            \item \verb|\saxofon|: Saxophone
        \end{itemize}
    
    
    All these commands use three optional and two mandatory parameters.
    
        \subsection{Mandatory Parameters of Main Commands}
            The mandatory parameters are: Musical Note and Octave (including accidentals and variants). The first required parameter is the note name:
            
            \begin{itemize}
            	\item \verb|C|: Note do (Latin)
            	\item \verb|D|: Note re (Latin)
            	\item \verb|E|: Note mi (Latin)
            	\item \verb|F|: Note fa (Latin)
            	\item \verb|G|: Note sol (Latin)
            	\item \verb|A|: Note la (Latin)
            	\item \verb|B|: Note si (Latin)
            \end{itemize}
            
            The second mandatory parameter is the octave (first letter), accidentals (second letter) and variant position of the instrument for same note (third letter).
            
                \begin{itemize}
                    \item Octave can be: 3, 4, 5 or 6
                    \item Accidentals can be: empty (natural), b (flat), B (double flat), s (sharp), S (double sharp)
                    \item Variant can be empty by default (for notes that do not have variants in instrument) or the number of the variant to be used: 2, 3 or 4.
                \end{itemize}
            Command examples:
                \begin{itemize}
                    \item \verb|\flauta{C}{4}| This shows a figure of Double Hole Recorder (Flute) showing the position of fingering to play the C note in the 4th octave.
                    \item \verb|\flauta{D}{4b}| This shows a figure of Double Hole Recorder (Flute) showing the position of fingering to play the D flat note in the 4th octave.
                    \item \verb|\flauta{C}{5s2}| This shows a figure of Double Hole Recorder (Flute) showing the second variant fingering position for playing the note C sharp in the 5th octave.
                \end{itemize}
            This command contains an internal command \verb|\zcharnote| so for it to work correctly it is important to place it before specifying the note in Musixtex.\\
            Command usage example:\par
            \verb||\par
                \verb|\begin{frame}{}| \par
                \verb|  \begin{music}| \par
                \verb|      \startextract| \par
                \verb|          \NOTEs| \par
                \verb|              \saxofon{B}{5}\wh{p}| \par
                \verb|          \en| \par
                \verb|      \endextract| \par
                \verb|  \end{music}| \par
                \verb|\end{frame}| \par
            \verb||\par
                \begin{frame}{}
                  \begin{music}
                      \startextract
                          \NOTEs
                              \saxofon[las][-48]{B}{5}\wh{p}
                          \en
                      \endextract
                  \end{music}
                \end{frame}
            \verb||\par

        \subsection{Optional Parameters of Main Commands}
            Optional parameters are: Instrument tuning, vertical position and horizontal position. They are specified in that order respectively.
            In optional parameter: instrument tuning, for this current package version, are available the following configurations:
            
                \begin{itemize}
                    \item Para \verb|\flauta| and \verb|\flautaB|: spn(soprano by default), spnn(sopranino)
                    \item Para \verb|\quena|: sol (by default), la, fa and re
                    \item Para \verb|\pinkullo|: la (by default), sib (si flat) and si
                    \item Para \verb|\saxofon|: applies to any tuning
                \end{itemize}
            Keep in mind that the tunings of the Saxophones: Soprano, Alto, Tenor, Baritone Saxophone, etc. they all have the same fingering.
            By default the vertical position parameter of the figure have the following values:
                \begin{itemize}
                    \item For \verb|\flauta| and \verb|\flautaB|: -88
                    \item For \verb|\quena|: -60
                    \item For \verb|\pinkullo|: -48
                    \item For \verb|\saxofon|: -62
                \end{itemize}
            The default horizontal position is 0.5 so that the figure appears in the middle of the note. Command examples with default parameters:
            \begin{itemize}
                    \item \verb|\flauta[spnn]{D}{5s2}| This would produce a figure of Double Hole Recorder showing the second variant of fingering for playing the note D sharp in the 5th octave in sopranino
                    \item \verb|\flauta[spnn][12]{C}{4}| This would produce a figure of Double Hole Recorder at the top of the score showing the position of fingering for playing the note C in the 4th octave in sopranino
                    \item \verb|\flauta[spnn][12][0]{D}{4b}| This would produce a figure of Double Hole Recorder at the top of the score, to the right of note and showing the position of fingering for playing the D flat note in the 4th octave in sopranino
            \end{itemize}

\section{Secondary Functions}
    Secondary functions use the following commands:
        \begin{itemize}
            \item \verb|\flautaManual|, \verb|\flautaBManual|, \verb|\quenaManual|, \verb|\pinkulloManual|, \verb|\saxofonManual| (all of these work with \verb|\addTikz|)
            \item \verb|\flautaId|, \verb|\flautaBId|, \verb|\quenaId|, \verb|\pinkulloId|, \verb|\saxofonId| (all of these work with \verb|\tikzmark|)
            \item \verb|\flautaLoop|, \verb|\flautaBLoop|, \verb|\quenaLoop|, \verb|\pinkulloLoop|, \verb|\saxofonLoop|
        \end{itemize}
        
    \newpage
    \subsection{Manual Functions}
        These functions have the same purpose as the Main Commands, and handle the same optional and mandatory parameters, the difference is that these commands save a position with tikz and then call a function that inserts the instrument's figure in the saved position. It is useful to use \verb|\vspace| so that the figure does not overlap the text. Remember that you must have to enter the commands in the same order that you enter the \verb|\addTikz|. Command usage example:\par
            \verb||\par
            \verb|\vspace{7.4cm}| \par
            \verb|\begin{frame}{}| \par
            \verb|  \begin{music}| \par
            \verb|      \startextract| \par
            \verb|          \NOTEs| \par
            \verb|              \addTikz\wh{p}| \par
            \verb|              \addTikz\wh{c}| \par
            \verb|          \en| \par
            \verb|      \endextract| \par
            \verb|  \end{music}| \par
            \verb|  \flautaManual{B}{5}| \par
            \verb|  \flautaManual{C}{4}| \par
            \verb|\end{frame}| \par
            \verb||\par
            \vspace{7.4cm}
            \begin{frame}{}
              \begin{music}
                  \startextract
                      \NOTEs
                          \addTikz\wh{p}
                          \addTikz\wh{c}
                      \en
                  \endextract
              \end{music}
              \flautaManual{B}{5}
              \flautaManual{C}{4}
            \end{frame}
            \verb||\par

    \newpage
    \subsection{Id Functions}
        These functions have the same purpose as the Manual Functions, and handle the same optional parameters but have an identifier as additional mandatory parameter. The difference is that these commands save a position with tikz by inserting a unique identifier and then call a function which inserts the instrument figure into the saved position. It is important to also use \verb|\vspace| so that the figure does not overlap the text. With this command it is not necessary to keep an order, but it is important that the identifiers are not repeated and that the \verb|\tikzmark| and the command Id have the same identifier.\\
        Command usage example:\par
            \vspace{7.4cm}
            \begin{frame}{}
              \begin{music}            
                \startextract
                      \NOTEs
                          \tikzmark{a}\wh{p}
                          \tikzmark{b}\wh{c}
                      \en
                  \endextract            
                \end{music}
              \flautaId{C}{4}{b}
              \flautaId{B}{5}{a}
            \end{frame}
            \verb||\par
            \verb|\vspace{7.4cm}| \par
            \verb|\begin{frame}{}| \par
            \verb|  \begin{music}|\par
            \verb|      \startextract| \par
            \verb|          \NOTEs| \par
            \verb|              \tikzmark{a}\wh{p}| \par
            \verb|              \tikzmark{b}\wh{c}| \par
            \verb|          \en| \par
            \verb|      \endextract|\par
            \verb|  \end{music}| \par
            \verb|  \flautaId{C}{4}{b}| \par
            \verb|  \flautaId{B}{5}{a}| \par
            \verb|\end{frame}| \par
            
    \subsection{Loop Functions}
        These functions summarize all the commands of the instruments and also of Musixtex so that with a single command you can create a complete score. What can be done with the command is quite limited but it can save a lot of time and space for situations in which simple scores are required.
        It consists of one optional parameter and two mandatory parameters. The optional parameter is tuning of pitch, and the two required parameters are spacing and note list.
        For spacing, the following are accepted: r(round), b(half note), n(quarter note), c(eighth note), sc(sixteenth note), f(fusa), sf(semi-fusa), g(scrawl).
        The list of notes are separated by commas and each one consists of three elements separated by \verb|/|. The first element is the musical note, the second is the octave with the alterations and/or variations, and the third is the type of note, it admits the same as the spacing. \\
        Command usage example:\\
        \begin{itemize}
          \item \verb|\flautaLoop{r}{C/4s/r,D/4/n}|
        \end{itemize}
        \flautaLoop{r}{C/4s/r,D/4/n}
        \newpage
            \begin{itemize}
                \item \verb|\flautaLoop[spnn]{b}{C/5/b,D/5s/b,D/5s2/b}|
            \end{itemize}
                \flautaLoop[spnn]{b}{C/5/b,D/5s/b,D/5s2/b}

    \newpage
    \subsection{Additional functions}
        \verb|\notaParaMusixtex| is a command that can help understand the score, it transforms a normal note into a note for Musixtex. It has four mandatory parameters: The note, the octave, the type of note (r, b, n, etc.), and accidentals. Command usage example:\par
            \verb||\par
            \verb|\begin{frame}{}| \par
            \verb|  \begin{music}| \par
            \verb|      \startextract| \par
            \verb|          \NOTEs| \par
            \verb|              \flauta{B}{5}\notaParaMusixtex{B}{5}{r}{}| \par
            \verb|              \flauta{C}{4s}\notaParaMusixtex{C}{4}{b}{s}| \par
            \verb|          \en| \par
            \verb|      \endextract| \par
            \verb|  \end{music}| \par
            \verb|\end{frame}| \par
            \verb||\par
            \begin{frame}{}
              \begin{music}
                  \startextract
                      \NOTEs
                          \lyricsoff
                          \flauta{B}{5}\notaParaMusixtex{B}{5}{r}{}
                          \flauta{C}{4s}\notaParaMusixtex{C}{4}{b}{s}
                      \en
                  \endextract
              \end{music}
            \end{frame}

\section{Examples}
	Below are some examples of fingering supported by the package.
\subsection{Double Hole Soprano Recorder (Flute)}
\begin{tikzpicture}[transform shape,scale=0.6]
\draw (0,0) node {
\hspace*{5em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{soprano1}{C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{soprano2}{D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$}}% added for hand indication
	\setsongraise2{-2mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{2}
	\setstaffs1{1}
	\setstaffs2{1}
	\setclef20
	\setclef10
	\songtop{2}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{18}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{soprano2}% added to place handindication
	\A\assignlyrics2{soprano1}% added to place handindication
	\NOtes\flauta[spn]{D}{5}\wh{k}&\flauta[spn][12]{C}{4}\wh{c}\en\bar
	\NOtes\flauta[spn]{D}{5s}\wh{^k}\qsk\flauta[spn]{E}{5b}\wh{_l}&\flauta[spn][12]{C}{4s}\wh{^c}\qsk\flauta[spn][12]{D}{4b}\wh{_d}\en\bar
	\NOtes\hsk\flauta[spn]{E}{5}\wh{l}&\hsk\flauta[spn][12]{D}{4}\wh{d}\en\bar
	\NOtes\flauta[spn]{F}{5}\wh{m}&\flauta[spn][12]{D}{4s}\wh{^d}\qsk\flauta[spn][12]{E}{4b}\wh{_e}\en\bar
	\NOtes\flauta[spn]{F}{5s}\wh{^m}\qsk\flauta[spn]{G}{5b}\wh{_n}&\hsk\flauta[spn][12]{E}{4}\wh{e}\en\bar
	\NOtes\hsk\flauta[spn]{G}{5}\wh{n}&\hsk\flauta[spn][12]{F}{4}\wh{f}\en\bar
	\NOtes\hsk\flauta[spn]{G}{5s}\wh{^n}\qsk\flauta[spn]{A}{5b}\wh{_o}&\hsk\flauta[spn][12]{F}{4s}\wh{^f}\qsk\flauta[spn][12]{G}{4b}\wh{_g}\en\bar
	\NOtes\hsk\flauta[spn]{A}{5}\wh{o}&\hsk\flauta[spn][12]{G}{4}\wh{g}\en\bar
	\NOtes\flauta[spn]{A}{5s}\wh{^o}\qsk\flauta[spn]{B}{5b}\wh{_p}&\flauta[spn][12]{G}{4s}\wh{^g}\qsk\flauta[spn][12]{A}{4b}\wh{_h}\en\bar
	\NOtes\hsk\flauta[spn]{B}{5}\wh{p}&\hsk\flauta[spn][12]{A}{4}\wh{h}\en\bar
	\NOtes\hsk\flauta[spn]{C}{6}\wh{q}&\flauta[spn][12]{A}{4s}\wh{^h}\qsk\flauta[spn][12]{B}{4b}\wh{_i}\en\bar
	\NOtes\flauta[spn]{C}{6s}\wh{^q}\qsk\flauta[spn]{D}{6b}\wh{_r}&\hsk\flauta[spn][12]{B}{4}\wh{i}\en\bar
	\NOtes\hsk\flauta[spn]{D}{6}\wh{r}&\hsk\flauta[spn][12]{C}{5}\wh{j}\en\bar
	\NOtes\hsk&\flauta[spn][12]{C}{5s}\wh{^j}\qsk\flauta[spn][12]{D}{5b}\wh{_k}\en
	\nolyr
	\lyricsoff
	\endextract
\end{music}};%
\end{tikzpicture}
	
\newpage

\subsection{Double Hole Sopranino Recorder (Flute)}
\begin{tikzpicture}[transform shape,scale=0.6]
\draw (0,0) node {
\hspace*{5em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{sopranino1}{F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{sopranino2}{G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$} F\text{\musSharp{}$_6$} G\text{\musFlat{}$_6$} G\text{$_6$}}% added for hand indication
	\setsongraise2{-2mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{2}
	\setstaffs1{1}
	\setstaffs2{1}
	\setclef20
	\setclef10
	\songtop{2}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{18}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{sopranino2}% added to place handindication
	\A\assignlyrics2{sopranino1}% added to place handindication
	\NOtes\flauta[spnn]{G}{5}\wh{n}&\flauta[spnn][13]{F}{4}\wh{f}\en\bar
	\NOtes\flauta[spnn]{G}{5s}\wh{^n}\qsk\flauta[spnn]{A}{5b}\wh{_o}&\flauta[spnn][13]{F}{4s}\wh{^f}\qsk\flauta[spnn][13]{G}{4b}\wh{_g}\en\bar
	\NOtes\hsk\flauta[spnn]{A}{5}\wh{o}&\hsk\flauta[spnn][13]{G}{4}\wh{g}\en\bar
	\NOtes\flauta[spnn]{A}{5s}\wh{^o}\qsk\flauta[spnn]{B}{5b}\wh{_p}&\flauta[spnn][13]{G}{4s}\wh{^g}\qsk\flauta[spnn][13]{A}{4b}\wh{_h}\en\bar
	\NOtes\hsk\flauta[spnn]{B}{5}\wh{p}&\hsk\flauta[spnn][13]{A}{4}\wh{h}\en\bar
	\NOtes\hsk\flauta[spnn]{C}{6}\wh{q}&\flauta[spnn][13]{A}{4s}\wh{^h}\qsk\flauta[spnn][13]{B}{4b}\wh{_i}\en\bar
	\NOtes\hsk\flauta[spnn]{C}{6s}\wh{^q}\qsk\flauta[spnn]{D}{6b}\wh{_r}&\hsk\flauta[spnn][13]{B}{4}\wh{i}\en\bar
	\NOtes\hsk\flauta[spnn]{D}{6}\wh{r}&\hsk\flauta[spnn][13]{C}{5}\wh{j}\en\bar
	\NOtes\flauta[spnn]{D}{6s}\wh{^r}\qsk\flauta[spnn]{E}{6b}\wh{_s}&\flauta[spnn][13]{C}{5s}\wh{^j}\qsk\flauta[spnn][13]{D}{5b}\wh{_k}\en\bar
	\NOtes\hsk\flauta[spnn]{E}{6}\wh{s}&\hsk\flauta[spnn][13]{D}{5}\wh{k}\en\bar
	\NOtes\hsk\flauta[spnn]{F}{6}\wh{t}&\flauta[spnn][13]{D}{5s}\wh{^k}\qsk\flauta[spnn][13]{E}{5b}\wh{_l}\en\bar
	\NOtes\flauta[spnn]{F}{6s}\wh{^t}\qsk\flauta[spnn]{G}{6b}\wh{_u}&\hsk\flauta[spnn][13]{E}{5}\wh{l}\en\bar
	\NOtes\hsk\flauta[spnn]{G}{6}\wh{u}&\hsk\flauta[spnn][13]{F}{5}\wh{m}\en\bar
	\NOtes\hsk&\flauta[spnn][13]{F}{5s}\wh{^m}\qsk\flauta[spnn][13]{G}{5b}\wh{_n}\en
	\nolyr
	\lyricsoff
	\endextract		
\end{music}};%
\end{tikzpicture}

\newpage

\subsection{Single Hole Soprano Recorder (Flute)}
\begin{tikzpicture}[transform shape,scale=0.6]
\draw (0,0) node {
\hspace*{5em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{soprano1}{C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{soprano2}{D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$}}% added for hand indication
	\setsongraise2{-2mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{2}
	\setstaffs1{1}
	\setstaffs2{1}
	\setclef20
	\setclef10
	\songtop{2}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{18}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{soprano2}% added to place handindication
	\A\assignlyrics2{soprano1}% added to place handindication
	\NOtes\flautaB[spn]{D}{5}\wh{k}&\flautaB[spn][12]{C}{4}\wh{c}\en\bar
	\NOtes\flautaB[spn]{D}{5s}\wh{^k}\qsk\flautaB[spn]{E}{5b}\wh{_l}&\flautaB[spn][12]{C}{4s}\wh{^c}\qsk\flautaB[spn][12]{D}{4b}\wh{_d}\en\bar
	\NOtes\hsk\flautaB[spn]{E}{5}\wh{l}&\hsk\flautaB[spn][12]{D}{4}\wh{d}\en\bar
	\NOtes\flautaB[spn]{F}{5}\wh{m}&\flautaB[spn][12]{D}{4s}\wh{^d}\qsk\flautaB[spn][12]{E}{4b}\wh{_e}\en\bar
	\NOtes\flautaB[spn]{F}{5s}\wh{^m}\qsk\flautaB[spn]{G}{5b}\wh{_n}&\hsk\flautaB[spn][12]{E}{4}\wh{e}\en\bar
	\NOtes\hsk\flautaB[spn]{G}{5}\wh{n}&\hsk\flautaB[spn][12]{F}{4}\wh{f}\en\bar
	\NOtes\hsk\flautaB[spn]{G}{5s}\wh{^n}\qsk\flautaB[spn]{A}{5b}\wh{_o}&\hsk\flautaB[spn][12]{F}{4s}\wh{^f}\qsk\flautaB[spn][12]{G}{4b}\wh{_g}\en\bar
	\NOtes\hsk\flautaB[spn]{A}{5}\wh{o}&\hsk\flautaB[spn][12]{G}{4}\wh{g}\en\bar
	\NOtes\flautaB[spn]{A}{5s}\wh{^o}\qsk\flautaB[spn]{B}{5b}\wh{_p}&\flautaB[spn][12]{G}{4s}\wh{^g}\qsk\flautaB[spn][12]{A}{4b}\wh{_h}\en\bar
	\NOtes\hsk\flautaB[spn]{B}{5}\wh{p}&\hsk\flautaB[spn][12]{A}{4}\wh{h}\en\bar
	\NOtes\hsk\flautaB[spn]{C}{6}\wh{q}&\flautaB[spn][12]{A}{4s}\wh{^h}\qsk\flautaB[spn][12]{B}{4b}\wh{_i}\en\bar
	\NOtes\flautaB[spn]{C}{6s}\wh{^q}\qsk\flautaB[spn]{D}{6b}\wh{_r}&\hsk\flautaB[spn][12]{B}{4}\wh{i}\en\bar
	\NOtes\hsk\flautaB[spn]{D}{6}\wh{r}&\hsk\flautaB[spn][12]{C}{5}\wh{j}\en\bar
	\NOtes\hsk&\flautaB[spn][12]{C}{5s}\wh{^j}\qsk\flautaB[spn][12]{D}{5b}\wh{_k}\en
	\nolyr
	\lyricsoff
	\endextract		
\end{music}};%
\end{tikzpicture}

\newpage

\subsection{Single Hole Sopranino Recorder (Flute)}
\begin{tikzpicture}[transform shape,scale=0.6]
\draw (0,0) node {
\hspace*{5em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{sopranino1}{F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{sopranino2}{G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$} F\text{\musSharp{}$_6$} G\text{\musFlat{}$_6$} G\text{$_6$}}% added for hand indication
	\setsongraise2{-2mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{2}
	\setstaffs1{1}
	\setstaffs2{1}
	\setclef20
	\setclef10
	\songtop{2}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{18}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{sopranino2}% added to place handindication
	\A\assignlyrics2{sopranino1}% added to place handindication
	\NOtes\flautaB[spnn]{G}{5}\wh{n}&\flautaB[spnn][13]{F}{4}\wh{f}\en\bar
	\NOtes\flautaB[spnn]{G}{5s}\wh{^n}\qsk\flautaB[spnn]{A}{5b}\wh{_o}&\flautaB[spnn][13]{F}{4s}\wh{^f}\qsk\flautaB[spnn][13]{G}{4b}\wh{_g}\en\bar
	\NOtes\hsk\flautaB[spnn]{A}{5}\wh{o}&\hsk\flautaB[spnn][13]{G}{4}\wh{g}\en\bar
	\NOtes\flautaB[spnn]{A}{5s}\wh{^o}\qsk\flautaB[spnn]{B}{5b}\wh{_p}&\flautaB[spnn][13]{G}{4s}\wh{^g}\qsk\flautaB[spnn][13]{A}{4b}\wh{_h}\en\bar
	\NOtes\hsk\flautaB[spnn]{B}{5}\wh{p}&\hsk\flautaB[spnn][13]{A}{4}\wh{h}\en\bar
	\NOtes\hsk\flautaB[spnn]{C}{6}\wh{q}&\flautaB[spnn][13]{A}{4s}\wh{^h}\qsk\flautaB[spnn][13]{B}{4b}\wh{_i}\en\bar
	\NOtes\hsk\flautaB[spnn]{C}{6s}\wh{^q}\qsk\flautaB[spnn]{D}{6b}\wh{_r}&\hsk\flautaB[spnn][13]{B}{4}\wh{i}\en\bar
	\NOtes\hsk\flautaB[spnn]{D}{6}\wh{r}&\hsk\flautaB[spnn][13]{C}{5}\wh{j}\en\bar
	\NOtes\flautaB[spnn]{D}{6s}\wh{^r}\qsk\flautaB[spnn]{E}{6b}\wh{_s}&\flautaB[spnn][13]{C}{5s}\wh{^j}\qsk\flautaB[spnn][13]{D}{5b}\wh{_k}\en\bar
	\NOtes\hsk\flautaB[spnn]{E}{6}\wh{s}&\hsk\flautaB[spnn][13]{D}{5}\wh{k}\en\bar
	\NOtes\hsk\flautaB[spnn]{F}{6}\wh{t}&\flautaB[spnn][13]{D}{5s}\wh{^k}\qsk\flautaB[spnn][13]{E}{5b}\wh{_l}\en\bar
	\NOtes\flautaB[spnn]{F}{6s}\wh{^t}\qsk\flautaB[spnn]{G}{6b}\wh{_u}&\hsk\flautaB[spnn][13]{E}{5}\wh{l}\en\bar
	\NOtes\hsk\flautaB[spnn]{G}{6}\wh{u}&\hsk\flautaB[spnn][13]{F}{5}\wh{m}\en\bar
	\NOtes\hsk&\flautaB[spnn][13]{F}{5s}\wh{^m}\qsk\flautaB[spnn][13]{G}{5b}\wh{_n}\en
	\nolyr
	\lyricsoff
	\endextract		
\end{music}};%
\end{tikzpicture}

\newpage

\subsection{Pinkullo Huanuqueño in A}
\begin{tikzpicture}[transform shape,scale=0.6]
\draw (0,0) node {
\hspace*{10em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{pinkulloA2}{A\text{$_3$} B\text{\musFlat{}$_3$} C\text{$_4$} D\text{$_4$} E\text{$_4$} A\text{$_4$} B\text{\musFlat{}$_4$} C\text{$_5$} D\text{$_5$}
		E\text{$_5$} F\text{$_5$} G\text{$_5$} A\text{$_5$} B\text{\musFlat{}$_5$} C\text{$_6$} D\text{$_6$} E\text{$_6$} F\text{\musSharp{}$_6$}}% added for hand indication
	\setsongraise1{-3mm}
	\nobarnumbers
	\hsize=\linewidth
	\startextract
	\A\assignlyrics1{pinkulloA2}
	\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
	\pinkullo{A}{3}\wh{a}\en\bar%
	\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
	\pinkullo{B}{3b}\wh{_b}\en\bar%
	\NOtes%\zcharnote u{\addUno{DbG}{blue}}%
	\pinkullo{C}{4}\wh{c}\en\bar%
	\NOtes%\zcharnote u{\addCero{EbG}{blue}}%
	\pinkullo{D}{4}\wh{d}\en\bar%
	\NOtes%\zcharnote u{\addCuatro{GbG}{blue}}%
	\pinkullo{E}{4}\wh{e}\en\bar%
	\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
	\pinkullo{A}{4}\wh{h}\en\bar%
	\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
	\pinkullo{B}{4b}\wh{_i}\en\bar%
	\NOtes%\zcharnote w{\addUno{DbG}{blue}}%
	\pinkullo{C}{5}\wh{j}\en\bar%
	\NOtes%\zcharnote w{\addCero{EbG}{blue}}%
	\pinkullo{D}{5}\wh{k}\en\bar%
	\NOtes%\zcharnote w{\addTres{CbG}{blue}}%
	\pinkullo{E}{5}\wh{l}\en\bar%
	\NOtes%\zcharnote w{\addDos{DbG}{blue}}%
	\pinkullo{F}{5}\wh{m}\en\bar%
	\NOtes%\zcharnote w{\addUno{CbG}{blue}}%
	\pinkullo{G}{5}\wh{n}\en\bar%
	\NOtes%\zcharnote w{\addTres{BbG}{blue}}%
	\pinkullo{A}{5}\wh{o}\en\bar%
	\NOtes%\zcharnote w{\addDos{CbG}{blue}}%
	\pinkullo{B}{5b}\wh{_p}\en\bar%
	\NOtes%\zcharnote z{\addUno{DbG}{blue}}%
	\pinkullo{C}{6}\wh{q}\en\bar%
	\NOtes%\zcharnote z{\addUnoA{EbG}{blue}}%
	\pinkullo{D}{6}\wh{r}\en\bar%
	\NOtes%\zcharnote z{\addDosA{EbG}{blue}}%
	\pinkullo{E}{6}\wh{s}\en\bar%
	\NOtes%\zcharnote z{\addCero{EbG}{blue}}%
	\pinkullo{F}{6s}\wh{^t}\en%\bar%
	\endextract
\end{music}};%
\end{tikzpicture}

\subsection{Pinkullo Huanuqueño in Bb}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
\hspace*{10em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{pinkulloBb2}{B\text{\musFlat{}$_3$} C\text{\musFlat{}$_4$} D\text{\musFlat{}$_4$} E\text{\musFlat{}$_4$} F\text{$_4$} B\text{\musFlat{}$_4$} C\text{\musFlat{}$_4$} D\text{\musFlat{}$_5$}
		E\text{\musFlat{}$_5$} F\text{$_5$} G\text{\musFlat{}$_5$} A\text{\musFlat{}$_5$} B\text{\musFlat{}$_5$} C\text{\musFlat{}$_5$} D\text{\musFlat{}$_6$} E\text{\musFlat{}$_6$} F\text{$_6$} G\text{$_6$}}% added for hand indication
	\setsongraise1{-3mm}
	\nobarnumbers
	\hsize=\linewidth
	\startextract
	\A\assignlyrics1{pinkulloBb2}
	\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
	\pinkullo[sib]{B}{3b}\wh{_b}\en\bar%
	\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
	\pinkullo[sib]{C}{4b}\wh{_c}\en\bar%
	\NOtes%\zcharnote u{\addUno{DbG}{blue}}%
	\pinkullo[sib]{D}{4b}\wh{_d}\en\bar%
	\NOtes%\zcharnote u{\addCero{EbG}{blue}}%
	\pinkullo[sib]{E}{4b}\wh{_e}\en\bar%
	\NOtes%\zcharnote u{\addCuatro{GbG}{blue}}%
	\pinkullo[sib]{F}{4}\wh{f}\en\bar%
	\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
	\pinkullo[sib]{B}{4b}\wh{_i}\en\bar%
	\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
	\pinkullo[sib]{C}{5b}\wh{_j}\en\bar%
	\NOtes%\zcharnote w{\addUno{DbG}{blue}}%
	\pinkullo[sib]{D}{5b}\wh{_k}\en\bar%
	\NOtes%\zcharnote w{\addCero{EbG}{blue}}%
	\pinkullo[sib]{E}{5b}\wh{_l}\en\bar%
	\NOtes%\zcharnote w{\addTres{CbG}{blue}}%
	\pinkullo[sib]{F}{5}\wh{m}\en\bar%
	\NOtes%\zcharnote w{\addDos{DbG}{blue}}%
	\pinkullo[sib]{G}{5b}\wh{_n}\en\bar%
	\NOtes%\zcharnote w{\addUno{CbG}{blue}}%
	\pinkullo[sib]{A}{5b}\wh{_o}\en\bar%
	\NOtes%\zcharnote w{\addTres{BbG}{blue}}%
	\pinkullo[sib]{B}{5b}\wh{_p}\en\bar%
	\NOtes%\zcharnote w{\addDos{CbG}{blue}}%
	\pinkullo[sib]{C}{6b}\wh{_q}\en\bar%
	\NOtes%\zcharnote z{\addUno{DbG}{blue}}%
	\pinkullo[sib]{D}{6b}\wh{_r}\en\bar%
	\NOtes%\zcharnote z{\addUnoA{EbG}{blue}}%
	\pinkullo[sib]{E}{6b}\wh{_s}\en\bar%
	\NOtes%\zcharnote z{\addDosA{EbG}{blue}}%
	\pinkullo[sib]{F}{6}\wh{t}\en\bar%
	\NOtes%\zcharnote z{\addCero{EbG}{blue}}%
	\pinkullo[sib]{G}{6}\wh{u}\en%\bar%
	\endextract
	\end{music}};%
\end{tikzpicture}

\subsection{Pinkullo Huanuqueño in B}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
		\hspace*{10em}\begin{music}
			\resetlyrics
			\font\A=phvb8t at 6pt% added for letter type.
			\setlyrics{pinkulloB2}{B\text{$_3$} C\text{$_4$} D\text{$_4$} E\text{$_4$} F\text{\musSharp{}$_4$} B\text{$_4$} C\text{$_5$} D\text{$_5$}
				E\text{$_5$} F\text{\musSharp{}$_5$} G\text{$_5$} A\text{$_5$} B\text{$_5$} C\text{$_6$} D\text{$_6$} E\text{$_6$} F\text{\musSharp{}$_6$} G\text{\musSharp{}$_6$}}% added for hand indication
			\setsongraise1{-3mm}
			\nobarnumbers
			\hsize=\linewidth
			\startextract
			\A\assignlyrics1{pinkulloB2}
			\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
			\pinkullo[si]{B}{3}\wh{b}\en\bar%
			\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
			\pinkullo[si]{C}{4}\wh{c}\en\bar%
			\NOtes%\zcharnote u{\addUno{DbG}{blue}}%
			\pinkullo[si]{D}{4}\wh{d}\en\bar%
			\NOtes%\zcharnote u{\addCero{EbG}{blue}}%
			\pinkullo[si]{E}{4}\wh{e}\en\bar%
			\NOtes%\zcharnote u{\addCuatro{GbG}{blue}}%
			\pinkullo[si]{F}{4s}\wh{^f}\en\bar%
			\NOtes%\zcharnote u{\addTres{BbG}{blue}}%
			\pinkullo[si]{B}{4}\wh{i}\en\bar%
			\NOtes%\zcharnote u{\addDos{CbG}{blue}}%
			\pinkullo[si]{C}{5}\wh{j}\en\bar%
			\NOtes%\zcharnote w{\addUno{DbG}{blue}}%
			\pinkullo[si]{D}{5}\wh{k}\en\bar%
			\NOtes%\zcharnote w{\addCero{EbG}{blue}}%
			\pinkullo[si]{E}{5}\wh{l}\en\bar%
			\NOtes%\zcharnote w{\addTres{CbG}{blue}}%
			\pinkullo[si]{F}{5s}\wh{^m}\en\bar%
			\NOtes%\zcharnote w{\addDos{DbG}{blue}}%
			\pinkullo[si]{G}{5}\wh{n}\en\bar%
			\NOtes%\zcharnote w{\addUno{CbG}{blue}}%
			\pinkullo[si]{A}{5}\wh{o}\en\bar%
			\NOtes%\zcharnote w{\addTres{BbG}{blue}}%
			\pinkullo[si]{B}{5}\wh{p}\en\bar%
			\NOtes%\zcharnote w{\addDos{CbG}{blue}}%
			\pinkullo[si]{C}{6}\wh{q}\en\bar%
			\NOtes%\zcharnote z{\addUno{DbG}{blue}}%
			\pinkullo[si]{D}{6}\wh{r}\en\bar%
			\NOtes%\zcharnote z{\addUnoA{EbG}{blue}}%
			\pinkullo[si]{E}{6}\wh{s}\en\bar%
			\NOtes%\zcharnote z{\addDosA{EbG}{blue}}%
			\pinkullo[si]{F}{6s}\wh{^t}\en\bar%
			\NOtes%\zcharnote z{\addCero{EbG}{blue}}%
			\pinkullo[si]{G}{6s}\wh{^u}\en%\bar%
			\endextract
	\end{music}};%
\end{tikzpicture}

\newpage
\subsection{Quena in A}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{quena1}{A\text{$_3$} A\text{\musSharp{}$_3$} B\text{\musFlat{}$_3$} B\text{$_3$} C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$}}% added for hand indication
	\setsongraise1{2mm}
	\setlyrics{quena2}{A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$}
		G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise2{26mm}
	\setlyrics{quena3}{A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$}
		D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_6$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$}
		F\text{\musSharp{}$_6$} G\text{\musFlat{}$_6$} G\text{$_6$} G\text{\musSharp{}$_6$}
		A\text{$_6$}}% added for hand indication
	\setsongraise3{-4mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{3}
	\setstaffs1{1}
	\setstaffs2{1}
	\setstaffs3{1}
	\setclef30
	\setclef20
	\setclef10
	\songtop{3}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{38}%Distancia entre sistemas del pentagrama
	\setinterstaff{2}{36}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{quena3}% added to place handindication
	\A\assignlyrics2{quena2}% added to place handindication
	\A\assignlyrics3{quena1}% added to place handindication
	\NOtes\quena[la][21]{A}{5}\wh{o}&\quena[la][15]{A}{4}\wh{h}&\quena[la][12]{A}{3}\wh{a}\en\bar
	\NOtes\hsk\quena[la][21]{A}{5s}\wh{^o}\qsk\quena[la][21]{B}{5b}\wh{_p}&\hsk\quena[la][15]{A}{4s}\wh{^h}\qsk\quena[la][15]{B}{4b}\wh{_i}&\hsk\quena[la][12]{A}{3s}\wh{^a}\qsk\quena[la][12]{B}{3b}\wh{_b}\en\bar
	\NOtes\hsk\quena[la][21]{B}{5}\wh{p}&\hsk\quena[la][15]{B}{4}\wh{i}&\hsk\quena[la][12]{B}{3}\wh{b}\en\bar
	\NOtes\hsk\quena[la][21]{C}{6}\wh{q}&\hsk\quena[la][15]{C}{5}\wh{j}&\hsk\quena[la][12]{C}{4}\wh{c}\en\bar
	\NOtes\hsk\quena[la][21]{C}{6s}\wh{^q}\qsk\quena[la][21]{D}{6b}\wh{_r}&\hsk\quena[la][15]{C}{5s}\wh{^j}\qsk\quena[la][15]{D}{5b}\wh{_k}&\hsk\quena[la][12]{C}{4s}\wh{^c}\qsk\quena[la][12]{D}{4b}\wh{_d}\en\bar
	\NOtes\hsk\quena[la][21]{D}{6}\wh{r}\quena[la][21]{D}{62}\hsk\hsk&\hsk\hsk\quena[la][15]{D}{5}\wh{k}&\hsk\hsk\quena[la][12]{D}{4}\wh{d}\en\bar
	\NOtes\hsk\quena[la][21]{D}{6s}\wh{^r}\qsk\quena[la][21]{E}{6b2}\wh{_s}&\hsk\quena[la][15]{D}{5s}\wh{^k}\qsk\quena[la][15]{E}{5b}\wh{_l}&\hsk\quena[la][12]{D}{4s}\wh{^d}\qsk\quena[la][12]{E}{4b}\wh{_e}\en\bar
	\NOtes\hsk\quena[la][21]{E}{6}\wh{s}&\hsk\quena[la][15]{E}{5}\wh{l}&\hsk\quena[la][12]{E}{4}\wh{e}\en\bar
	\NOtes\hsk\quena[la][21]{F}{6}\wh{t}\quena[la][21]{F}{62}\hsk\hsk&\hsk\hsk\quena[la][15]{F}{5}\wh{m}&\hsk\hsk\quena[la][12]{F}{4}\wh{f}\en\bar
	\NOtes\hsk\quena[la][21]{F}{6s}\wh{^t}\qsk\quena[la][21]{G}{6b}\wh{_u}&\hsk\quena[la][15]{F}{5s}\wh{^m}\qsk\quena[la][15]{G}{5b}\wh{_n}&\hsk\quena[la][12]{F}{4s}\wh{^f}\qsk\quena[la][12]{G}{4b}\wh{_g}\en\bar
	\NOtes\hsk\quena[la][21]{G}{6}\wh{u}&\hsk\quena[la][15]{G}{5}\wh{n}&\hsk\quena[la][12]{G}{4}\wh{g}\en\bar
	\NOtes\hsk\quena[la][21]{G}{6s}\wh{^u}\qsk\quena[la][21]{A}{6}\wh{v}&\hsk\quena[la][15]{G}{5s}\wh{^n}\qsk\quena[la][15]{A}{5b}\wh{_o}&\hsk\quena[la][12]{G}{4s}\wh{^g}\qsk\quena[la][12]{A}{4b}\wh{_h}\en
	\nolyr
	\lyricsoff
	\endextract
	\end{music}};%
\end{tikzpicture}
\newpage
\subsection{Quena in D}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{quena1}{D\text{$_3$} D\text{\musSharp{}$_3$} E\text{\musFlat{}$_3$} E\text{$_3$} F\text{$_3$} F\text{\musSharp{}$_3$} G\text{\musFlat{}$_3$} G\text{$_3$} G\text{\musSharp{}$_3$} A\text{\musFlat{}$_3$} A\text{$_3$} A\text{\musSharp{}$_3$} B\text{\musFlat{}$_3$} B\text{$_3$} C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{quena2}{D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise2{23mm}
	\setlyrics{quena3}{D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{$_6$}}% added for hand indication
	\setsongraise3{-7mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{3}
	\setstaffs1{1}
	\setstaffs2{1}
	\setstaffs3{1}
	\setclef30
	\setclef20
	\setclef10
	%\setname2{Soprano}
	%\setname1{Soprano}
	\songtop{3}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{38}%Distancia entre sistemas del pentagrama
	\setinterstaff{2}{36}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{quena3}% added to place handindication
	\A\assignlyrics2{quena2}% added to place handindication
	\A\assignlyrics3{quena1}% added to place handindication
	\NOtes\hsk\quena[re][18]{D}{5}\wh{k}&\hsk\quena[re][11]{D}{4}\wh{d}&\hsk\quena[re][10]{D}{3}\wh{K}\en\bar
	\NOtes\hsk\quena[re][18]{D}{5s}\wh{^k}\qsk\quena[re][18]{E}{5b}\wh{_l}&\hsk\quena[re][11]{D}{4s}\wh{^d}\qsk\quena[re][11]{E}{4b}\wh{_e}&\hsk\quena[re][10]{D}{3s}\wh{^K}\qsk\quena[re][10]{E}{3b}\wh{_L}\en\bar
	\NOtes\hsk\quena[re][18]{E}{5}\wh{l}&\hsk\quena[re][11]{E}{4}\wh{e}&\hsk\quena[re][10]{E}{3}\wh{L}\en\bar
	\NOtes\hsk\quena[re][18]{F}{5}\wh{m}&\hsk\quena[re][11]{F}{4}\wh{f}&\hsk\quena[re][10]{F}{3}\wh{M}\en\bar
	\NOtes\hsk\quena[re][18]{F}{5s}\wh{^m}\qsk\quena[re][18]{G}{5b}\wh{_n}&\hsk\quena[re][11]{F}{4s}\wh{^f}\qsk\quena[re][11]{G}{4b}\wh{_g}&\hsk\quena[re][10]{F}{3s}\wh{^M}\qsk\quena[re][10]{G}{3b}\wh{_N}\en\bar
	\NOtes\hsk\quena[re][18]{G}{5}\wh{n}&\hsk\quena[re][11]{G}{4}\wh{g}&\hsk\quena[re][10]{G}{3}\wh{N}\en\bar
	\NOtes\hsk\quena[re][18]{G}{5s}\wh{^n}\qsk\quena[re][18]{A}{5b2}\wh{_o}&\hsk\quena[re][11]{G}{4s}\wh{^g}\qsk\quena[re][11]{A}{4b}\wh{_h}&\hsk\quena[re][10]{G}{3s}\wh{^N}\qsk\quena[re][10]{A}{3b}\wh{_a}\en\bar
	\NOtes\hsk\quena[re][18]{A}{5}\wh{o}&\hsk\quena[re][11]{A}{4}\wh{h}&\hsk\quena[re][10]{A}{3}\wh{a}\en\bar
	\NOtes\hsk\quena[re][18]{A}{5s}\wh{^o}\qsk\quena[re][18]{B}{5b}\wh{_p}&\hsk\quena[re][11]{A}{4s}\wh{^h}\qsk\quena[re][11]{B}{4b}\wh{_i}&\hsk\quena[re][10]{A}{3s}\wh{^a}\qsk\quena[re][10]{B}{3b}\wh{_b}\en\bar
	\NOtes\hsk\quena[re][18]{B}{5}\wh{p}\qsk\quena[re][18]{B}{52}\hsk\hsk&\hsk\hsk\quena[re][11]{B}{4}\wh{i}&\hsk\hsk\quena[re][10]{B}{3}\wh{b}\en\bar
	\NOtes\hsk\quena[re][18]{C}{6}\wh{q}&\hsk\quena[re][11]{C}{5}\wh{j}&\hsk\quena[re][10]{C}{4}\wh{c}\en\bar
	\NOtes\hsk\quena[re][18]{C}{6s}\wh{^q}\qsk\quena[re][18]{D}{6}\wh{r}&\hsk\quena[re][11]{C}{5s}\wh{^j}\qsk\quena[re][11]{D}{5b}\wh{_k}&\hsk\quena[re][10]{C}{4s}\wh{^c}\qsk\quena[re][10]{D}{4b}\wh{_d}\en
	\nolyr
	\lyricsoff
	\endextract
	\end{music}};%
\end{tikzpicture}

\newpage
\subsection{Quena in F}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{quena1}{F\text{$_3$} F\text{\musSharp{}$_3$} G\text{\musFlat{}$_3$} G\text{$_3$} G\text{\musSharp{}$_3$} A\text{\musFlat{}$_3$} A\text{$_3$} A\text{\musSharp{}$_3$} B\text{\musFlat{}$_3$} B\text{$_3$} C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{quena2}{F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$}}% added for hand indication
	\setsongraise2{23mm}
	\setlyrics{quena3}{F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_6$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$}}% added for hand indication
	\setsongraise3{-7mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{3}
	\setstaffs1{1}
	\setstaffs2{1}
	\setstaffs3{1}
	\setclef30
	\setclef20
	\setclef10
	%\setname2{Soprano}
	%\setname1{Soprano}
	\songtop{3}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{38}%Distancia entre sistemas del pentagrama
	\setinterstaff{2}{36}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{quena3}% added to place handindication
	\A\assignlyrics2{quena2}% added to place handindication
	\A\assignlyrics3{quena1}% added to place handindication
	\NOtes\hsk\quena[fa][18]{F}{5}\wh{m}&\hsk\quena[fa][11]{F}{4}\wh{f}&\hsk\quena[fa][10]{F}{3}\wh{M}\en\bar
	\NOtes\hsk\quena[fa][18]{F}{5s}\wh{^m}\qsk\quena[fa][18]{G}{5b}\wh{_n}&\hsk\quena[fa][11]{F}{4s}\wh{^f}\qsk\quena[fa][11]{G}{4b}\wh{_g}&\hsk\quena[fa][10]{F}{3s}\wh{^M}\qsk\quena[fa][10]{G}{3b}\wh{_N}\en\bar
	\NOtes\hsk\quena[fa][18]{G}{5}\wh{n}&\hsk\quena[fa][11]{G}{4}\wh{g}&\hsk\quena[fa][10]{G}{3}\wh{N}\en\bar
	\NOtes\hsk\quena[fa][18]{G}{5s}\wh{^n}\qsk\quena[fa][18]{A}{5b}\wh{_o}&\hsk\quena[fa][11]{G}{4s}\wh{^g}\qsk\quena[fa][11]{A}{4b}\wh{_h}&\hsk\quena[fa][10]{G}{3s}\wh{^N}\qsk\quena[fa][10]{A}{3b}\wh{_a}\en\bar
	\NOtes\hsk\quena[fa][18]{A}{5}\wh{o}&\hsk\quena[fa][11]{A}{4}\wh{h}&\hsk\quena[fa][10]{A}{3}\wh{a}\en\bar
	\NOtes\hsk\quena[fa][18]{A}{5s}\wh{^o}\qsk\quena[fa][18]{B}{5b2}\wh{_p}&\hsk\quena[fa][11]{A}{4s}\wh{^h}\qsk\quena[fa][11]{B}{4b}\wh{_i}&\hsk\quena[fa][10]{A}{3s}\wh{^a}\qsk\quena[fa][10]{B}{3b}\wh{_b}\en\bar
	\NOtes\hsk\quena[fa][18]{B}{5}\wh{p}\qsk\quena[fa][18]{B}{52}\hsk\hsk&\hsk\hsk\quena[fa][11]{B}{4}\wh{i}&\hsk\hsk\quena[fa][10]{B}{3}\wh{b}\en\bar
	\NOtes\hsk\quena[fa][18]{C}{6}\wh{q}&\hsk\quena[fa][11]{C}{5}\wh{j}&\hsk\quena[fa][10]{C}{4}\wh{c}\en\bar
	\NOtes\hsk\quena[fa][18]{C}{6s}\wh{^q}\qsk\quena[fa][18]{D}{6b2}\wh{_r}&\hsk\quena[fa][11]{C}{5s}\wh{^j}\qsk\quena[fa][11]{D}{5b}\wh{_k}&\hsk\quena[fa][10]{C}{4s}\wh{^c}\qsk\quena[fa][10]{D}{4b}\wh{_d}\en\bar
	\NOtes\hsk\quena[fa][18]{D}{6}\wh{r}\qsk\quena[fa][18]{D}{62}\hsk\hsk&\hsk\hsk\quena[fa][11]{D}{5}\wh{k}\qsk&\hsk\hsk\quena[fa][10]{D}{4}\wh{d}\qsk\en\bar
	\NOtes\hsk\quena[fa][18]{D}{6s}\wh{^r}\qsk\quena[fa][18]{E}{6b}\wh{_s}&\hsk\quena[fa][11]{D}{5s}\wh{^k}\qsk\quena[fa][11]{E}{5b}\wh{_l}&\hsk\quena[fa][10]{D}{4s}\wh{^d}\qsk\quena[fa][10]{E}{4b}\wh{_e}\en\bar
	\NOtes\hsk\quena[fa][18]{E}{6}\wh{s}\quena[fa][18]{F}{6}\wh{t}&\hsk\hsk\quena[fa][11]{E}{5}\wh{l}&\hsk\hsk\quena[fa][10]{E}{4}\wh{e}\en
	\nolyr
	\lyricsoff
	\endextract		
\end{music}};%
\end{tikzpicture}

\newpage
\subsection{Quena in G}
\begin{tikzpicture}[transform shape,scale=0.6]
	\draw (0,0) node {
\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{quena1}{G\text{$_3$} G\text{\musSharp{}$_3$} A\text{\musFlat{}$_3$} A\text{$_3$} A\text{\musSharp{}$_3$} B\text{\musFlat{}$_3$} B\text{$_3$} C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{quena2}{G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$} A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$}}% added for hand indication
	\setsongraise2{23mm}
	\setlyrics{quena3}{G\text{$_5$} G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$} D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_6$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$} F\text{\musSharp{}$_6$} G\text{$_6$}}% added for hand indication
	\setsongraise3{-7mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{3}
	\setstaffs1{1}
	\setstaffs2{1}
	\setstaffs3{1}
	\setclef30
	\setclef20
	\setclef10
	%\setname2{Soprano}
	%\setname1{Soprano}
	\songtop{3}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{38}%Distancia entre sistemas del pentagrama
	\setinterstaff{2}{36}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{quena3}% added to place handindication
	\A\assignlyrics2{quena2}% added to place handindication
	\A\assignlyrics3{quena1}% added to place handindication
	\NOtes\hsk\quena[sol][18]{G}{5}\wh{n}&\hsk\quena[sol][11]{G}{4}\wh{g}&\hsk\quena[sol][10]{G}{3}\wh{N}\en\bar
	\NOtes\hsk\quena[sol][18]{G}{5s}\wh{^n}\qsk\quena[sol][18]{A}{5b}\wh{_o}&\hsk\quena[sol][11]{G}{4s}\wh{^g}\qsk\quena[sol][11]{A}{4b}\wh{_h}&\hsk\quena[sol][10]{G}{3s}\wh{^N}\qsk\quena[sol][10]{A}{3b}\wh{_a}\en\bar
	\NOtes\hsk\quena[sol][18]{A}{5}\wh{o}&\hsk\quena[sol][11]{A}{4}\wh{h}&\hsk\quena[sol][10]{A}{3}\wh{a}\en\bar
	\NOtes\hsk\quena[sol][18]{A}{5s}\wh{^o}\qsk\quena[sol][18]{B}{5b}\wh{_p}&\hsk\quena[sol][11]{A}{4s}\wh{^h}\qsk\quena[sol][11]{B}{4b}\wh{_i}&\hsk\quena[sol][10]{A}{3s}\wh{^a}\qsk\quena[sol][10]{B}{3b}\wh{_b}\en\bar
	\NOtes\hsk\quena[sol][18]{B}{5}\wh{p}\qsk&\hsk\quena[sol][11]{B}{4}\wh{i}&\hsk\quena[sol][10]{B}{3}\wh{b}\en\bar
	\NOtes\hsk\quena[sol][18]{C}{6}\wh{q}\qsk\quena[sol][18]{C}{62}\hsk\hsk&\hsk\hsk\quena[sol][11]{C}{5}\wh{j}&\hsk\hsk\quena[sol][10]{C}{4}\wh{c}\en\bar
	\NOtes\hsk\quena[sol][18]{C}{6s}\wh{^q}\qsk\quena[sol][18]{D}{6b2}\wh{_r}&\hsk\quena[sol][11]{C}{5s}\wh{^j}\qsk\quena[sol][11]{D}{5b}\wh{_k}&\hsk\quena[sol][10]{C}{4s}\wh{^c}\qsk\quena[sol][10]{D}{4b}\wh{_d}\en\bar
	\NOtes\hsk\quena[sol][18]{D}{6}\wh{r}\qsk&\hsk\quena[sol][11]{D}{5}\wh{k}\qsk&\hsk\quena[sol][10]{D}{4}\wh{d}\qsk\en\bar
	\NOtes\hsk\quena[sol][18]{D}{6s}\wh{^r}\qsk\quena[sol][18]{E}{6b2}\wh{_s}&\hsk\quena[sol][11]{D}{5s}\wh{^k}\qsk\quena[sol][11]{E}{5b}\wh{_l}&\hsk\quena[sol][10]{D}{4s}\wh{^d}\qsk\quena[sol][10]{E}{4b}\wh{_e}\en\bar
	\NOtes\hsk\quena[sol][18]{E}{6}\wh{s}\qsk\quena[sol][18]{E}{62}\hsk\hsk&\hsk\hsk\quena[sol][11]{E}{5}\wh{l}&\hsk\hsk\quena[sol][10]{E}{4}\wh{e}\en\bar
	\NOtes\hsk\quena[sol][18]{F}{6}\wh{t}&\hsk\quena[sol][11]{F}{5}\wh{m}&\hsk\quena[sol][10]{F}{4}\wh{f}\en\bar
	\NOtes\hsk\quena[sol][18]{F}{6s}\wh{^t}\qsk\quena[sol][18]{G}{6}\wh{u}&\hsk\quena[sol][11]{F}{5s}\wh{^m}\qsk\quena[sol][11]{G}{5b}\wh{_n}&\hsk\quena[sol][10]{F}{4s}\wh{^f}\qsk\quena[sol][10]{G}{4b}\wh{_g}\en
	\nolyr
	\lyricsoff
	\endextract		
\end{music}};%
\end{tikzpicture}

\newpage
\subsection{Saxophone}
\begin{tikzpicture}[transform shape,scale=0.4]
	\draw (0,0) node {
	\hspace*{20em}\begin{music}
	\resetlyrics
	\font\A=phvb8t at 6pt% added for letter type.
	\setlyrics{saxo1}{A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$}
		D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_6$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$}
		F\text{\musSharp{}$_6$} G\text{\musFlat{}$_6$}}% added for hand indication
	\setsongraise1{2mm}
	%\setlyrics{sopranino}{C\text{$_4$} C D D D E E F}% added for hand indication
	\setlyrics{saxo2}{A\text{\musSharp{}$_4$} B\text{\musFlat{}$_4$} B\text{$_4$} C\text{$_5$} C\text{\musSharp{}$_5$} D\text{\musFlat{}$_5$} D\text{$_5$} D\text{\musSharp{}$_5$} E\text{\musFlat{}$_5$} E\text{$_5$} F\text{$_5$} F\text{\musSharp{}$_5$} G\text{\musFlat{}$_5$} G\text{$_5$}
		G\text{\musSharp{}$_5$} A\text{\musFlat{}$_5$} A\text{$_5$} A\text{\musSharp{}$_5$} B\text{\musFlat{}$_5$} B\text{$_5$} C\text{$_6$} C\text{\musSharp{}$_6$}
		D\text{\musFlat{}$_6$} D\text{$_6$} D\text{\musSharp{}$_6$} E\text{\musFlat{}$_6$} E\text{$_6$} F\text{$_6$}
		F\text{\musSharp{}$_6$} G\text{\musFlat{}$_6$}}% added for hand indication
	\setsongraise2{26mm}
	\setlyrics{saxo3}{A\text{\musSharp{}$_3$} B\text{\musFlat{}$_3$} B\text{$_3$} C\text{$_4$} C\text{\musSharp{}$_4$} D\text{\musFlat{}$_4$} D\text{$_4$} D\text{\musSharp{}$_4$} E\text{\musFlat{}$_4$} E\text{$_4$} F\text{$_4$} F\text{\musSharp{}$_4$} G\text{\musFlat{}$_4$} G\text{$_4$} G\text{\musSharp{}$_4$} A\text{\musFlat{}$_4$} A\text{$_4$}}% added for hand indication
	\setsongraise3{-4mm}
	\hsize=20cm
	\parindent16mm
	\instrumentnumber{3}
	\setstaffs1{1}
	\setstaffs2{1}
	\setstaffs3{1}
	\setclef30
	\setclef20
	\setclef10
	\songtop{3}
	\songbottom{1}
	\nobarnumbers
	\setinterstaff{1}{38}%Distancia entre sistemas del pentagrama
	\setinterstaff{2}{36}%Distancia entre sistemas del pentagrama
	\startextract
	\A\assignlyrics1{saxo1}% added to place handindication
	\A\assignlyrics2{saxo2}% added to place handindication
	\A\assignlyrics3{saxo3}% added to place handindication
	\NOTEs\zcharnote p{\saxofon{A}{5s}}\wh{^o}\hqsk\hqsk\zcharnote p{\saxofon{B}{5b2}}\wh{_p}\hqsk\hqsk\zcharnote p{\saxofon{A}{5s3}}\sk\hqsk\hqsk\zcharnote p{\saxofon{B}{5b4}}\sk\hqsk\hqsk&\zcharnote q{\saxofon{A}{4s}}\wh{^h}\hqsk\hqsk\zcharnote q{\saxofon{B}{4b2}}\wh{_i}\hqsk\hqsk\zcharnote q{\saxofon{A}{4s3}}\sk\hqsk\hqsk\zcharnote q{\saxofon{A}{4s4}}\sk\hqsk&\zcharnote n{\saxofon{A}{3s}}\wh{^a}\sk\hqsk\hqsk\zcharnote n{\saxofon{B}{3b}}\wh{_b}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{B}{5}}\wh{p}\hqsk&\hsk\zcharnote q{\saxofon{B}{4}}\wh{i}\hqsk&\hsk\zcharnote n{\saxofon{B}{3}}\wh{b}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{C}{6}}\wh{q}\hqsk\hqsk\zcharnote p{\saxofon{B}{5s2}}\sk\hqsk\hqsk&\hsk\zcharnote q{\saxofon{C}{5}}\wh{j}\hqsk\hqsk\zcharnote q{\saxofon{C}{52}}\sk\hqsk\hqsk&\sk\qsk\zcharnote n{\saxofon{C}{4}}\wh{c}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{C}{6s}}\wh{^q}\hqsk\hqsk\zcharnote p{\saxofon{D}{6b}}\wh{_r}\hqsk&\hsk\zcharnote q{\saxofon{C}{5s}}\wh{^j}\hqsk\hqsk\zcharnote q{\saxofon{D}{5b}}\wh{_k}\hqsk&\hsk\zcharnote n{\saxofon{C}{4s}}\wh{^c}\hqsk\hqsk\zcharnote n{\saxofon{D}{4b}}\wh{_d}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{D}{6}}\wh{r}\hqsk&\hsk\zcharnote q{\saxofon{D}{5}}\wh{k}\hqsk&\hsk\zcharnote n{\saxofon{D}{4}}\wh{d}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{D}{6s}}\wh{^r}\hqsk\hqsk\zcharnote p{\saxofon{E}{6b}}\wh{_s}\hqsk&\hsk\zcharnote q{\saxofon{D}{5s}}\wh{^k}\hqsk\hqsk\zcharnote q{\saxofon{E}{5b}}\wh{_l}\hqsk&\hsk\zcharnote n{\saxofon{D}{4s}}\wh{^d}\hqsk\hqsk\zcharnote n{\saxofon{E}{4b}}\wh{_e}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{E}{6}}\wh{s}\hqsk\hqsk\zcharnote p{\saxofon{F}{6b2}}\sk\hqsk&\sk\qsk\zcharnote q{\saxofon{E}{5}}\wh{l}\hqsk&\sk\qsk\zcharnote n{\saxofon{E}{4}}\wh{e}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{F}{6}}\wh{t}\hqsk\hqsk\zcharnote p{\saxofon{E}{6s2}}\sk\hqsk&\sk\qsk\zcharnote q{\saxofon{F}{5}}\wh{m}\hqsk&\sk\qsk\zcharnote n{\saxofon{F}{4}}\wh{f}\hqsk\en\bar
	\NOTEs\hsk\zcharnote p{\saxofon{F}{6s}}\wh{^t}\hqsk\hqsk\zcharnote p{\saxofon{G}{6b2}}\wh{_u}\hqsk&\hsk\zcharnote q{\saxofon{F}{5s}}\wh{^m}\hqsk\hqsk\zcharnote q{\saxofon{G}{5b2}}\wh{_n}\hqsk&\hsk\zcharnote n{\saxofon{F}{4s}}\wh{^f}\hqsk\hqsk\zcharnote n{\saxofon{G}{4b2}}\wh{_g}\hqsk\en\bar
	\NOTEs&\hsk\zcharnote q{\saxofon{G}{5}}\wh{n}\hqsk&\hsk\zcharnote n{\saxofon{G}{4}}\wh{g}\hqsk\en\bar
	\NOTEs&\hsk\zcharnote q{\saxofon{G}{5s}}\wh{^n}\hqsk\hqsk\zcharnote q{\saxofon{A}{5b}}\wh{_o}\hqsk&\hsk\zcharnote n{\saxofon{G}{4s}}\wh{^g}\hqsk\hqsk\zcharnote n{\saxofon{A}{4b}}\wh{_h}\hqsk\en\bar
	\NOTEs&\hsk\zcharnote q{\saxofon{A}{5}}\wh{o}\hqsk&\hsk\zcharnote n{\saxofon{A}{4}}\wh{h}\hqsk\en
	\nolyr
	\lyricsoff
	\endextract
\end{music}};%
\end{tikzpicture}

\section{Credits}
The authors thank Faculty of Musical Education and Arts of the Daniel Alomía Robles National University in the city of Huánuco, Peru for having financed the package development through an applied research project.

\end{document}