summaryrefslogtreecommitdiff
path: root/fonts/drm/drm.dtx
blob: d727e513ad4daa99a4a4c270023bf74f4d22472a (plain)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
1336
1337
1338
1339
1340
1341
1342
1343
1344
1345
1346
1347
1348
1349
1350
1351
1352
1353
1354
1355
1356
1357
1358
1359
1360
1361
1362
1363
1364
1365
1366
1367
1368
1369
1370
1371
1372
1373
1374
1375
1376
1377
1378
1379
1380
1381
1382
1383
1384
1385
1386
1387
1388
1389
1390
1391
1392
1393
1394
1395
1396
1397
1398
1399
1400
1401
1402
1403
1404
1405
1406
1407
1408
1409
1410
1411
1412
1413
1414
1415
1416
1417
1418
1419
1420
1421
1422
1423
1424
1425
1426
1427
1428
1429
1430
1431
1432
1433
1434
1435
1436
1437
1438
1439
1440
1441
1442
1443
1444
1445
1446
1447
1448
1449
1450
1451
1452
1453
1454
1455
1456
1457
1458
1459
1460
1461
1462
1463
1464
1465
1466
1467
1468
1469
1470
1471
1472
1473
1474
1475
1476
1477
1478
1479
1480
1481
1482
1483
1484
1485
1486
1487
1488
1489
1490
1491
1492
1493
1494
1495
1496
1497
1498
1499
1500
1501
1502
1503
1504
1505
1506
1507
1508
1509
1510
1511
1512
1513
1514
1515
1516
1517
1518
1519
1520
1521
1522
1523
1524
1525
1526
1527
1528
1529
1530
1531
1532
1533
1534
1535
1536
1537
1538
1539
1540
1541
1542
1543
1544
1545
1546
1547
1548
1549
1550
1551
1552
1553
1554
1555
1556
1557
1558
1559
1560
1561
1562
1563
1564
1565
1566
1567
1568
1569
1570
1571
1572
1573
1574
1575
1576
1577
1578
1579
1580
1581
1582
1583
1584
1585
1586
1587
1588
1589
1590
1591
1592
1593
1594
1595
1596
1597
1598
1599
1600
1601
1602
1603
1604
1605
1606
1607
1608
1609
1610
1611
1612
1613
1614
1615
1616
1617
1618
1619
1620
1621
1622
1623
1624
1625
1626
1627
1628
1629
1630
1631
1632
1633
1634
1635
1636
1637
1638
1639
1640
1641
1642
1643
1644
1645
1646
1647
1648
1649
1650
1651
1652
1653
1654
1655
1656
1657
1658
1659
1660
1661
1662
1663
1664
1665
1666
1667
1668
1669
1670
1671
1672
1673
1674
1675
1676
1677
1678
1679
1680
1681
1682
1683
1684
1685
1686
1687
1688
1689
1690
1691
1692
1693
1694
1695
1696
1697
1698
1699
1700
1701
1702
1703
1704
1705
1706
1707
1708
1709
1710
1711
1712
1713
1714
1715
1716
1717
1718
1719
1720
1721
1722
1723
1724
1725
1726
1727
1728
1729
1730
1731
1732
1733
1734
1735
1736
1737
1738
1739
1740
1741
1742
1743
1744
1745
1746
1747
1748
1749
1750
1751
1752
1753
1754
1755
1756
1757
1758
1759
1760
1761
1762
1763
1764
1765
1766
1767
1768
1769
1770
1771
1772
1773
1774
1775
1776
1777
1778
1779
1780
1781
1782
1783
1784
1785
1786
1787
1788
1789
1790
1791
1792
1793
1794
1795
1796
1797
1798
1799
1800
1801
1802
1803
1804
1805
1806
1807
1808
1809
1810
1811
1812
1813
1814
1815
1816
1817
1818
1819
1820
1821
1822
1823
1824
1825
1826
1827
1828
1829
1830
1831
1832
1833
1834
1835
1836
1837
1838
1839
1840
1841
1842
1843
1844
1845
1846
1847
1848
1849
1850
1851
1852
1853
1854
1855
1856
1857
1858
1859
1860
1861
1862
1863
1864
1865
1866
1867
1868
1869
1870
1871
1872
1873
1874
1875
1876
1877
1878
1879
1880
1881
1882
1883
1884
1885
1886
1887
1888
1889
1890
1891
1892
1893
1894
1895
1896
1897
1898
1899
1900
1901
1902
1903
1904
1905
1906
1907
1908
1909
1910
1911
1912
1913
1914
1915
1916
1917
1918
1919
1920
1921
1922
1923
1924
1925
1926
1927
1928
1929
1930
1931
1932
1933
1934
1935
1936
1937
1938
1939
1940
1941
1942
1943
1944
1945
1946
1947
1948
1949
1950
1951
1952
1953
1954
1955
1956
1957
1958
1959
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
1970
1971
1972
1973
1974
1975
1976
1977
1978
1979
1980
1981
1982
1983
1984
1985
1986
1987
1988
1989
1990
1991
1992
1993
1994
1995
1996
1997
1998
1999
2000
2001
2002
2003
2004
2005
2006
2007
2008
2009
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
2027
2028
2029
2030
2031
2032
2033
2034
2035
2036
2037
2038
2039
2040
2041
2042
2043
2044
2045
2046
2047
2048
2049
2050
2051
2052
2053
2054
2055
2056
2057
2058
2059
2060
2061
2062
2063
2064
2065
2066
2067
2068
2069
2070
2071
2072
2073
2074
2075
2076
2077
2078
2079
2080
2081
2082
2083
2084
2085
2086
2087
2088
2089
2090
2091
2092
2093
2094
2095
2096
2097
2098
2099
2100
2101
2102
2103
2104
2105
2106
2107
2108
2109
2110
2111
2112
2113
2114
2115
2116
2117
2118
2119
2120
2121
2122
2123
2124
2125
2126
2127
2128
2129
2130
2131
2132
2133
2134
2135
2136
2137
2138
2139
2140
2141
2142
2143
2144
2145
2146
2147
2148
2149
2150
2151
2152
2153
2154
2155
2156
2157
2158
2159
2160
2161
2162
2163
2164
2165
2166
2167
2168
2169
2170
2171
2172
2173
2174
2175
2176
2177
2178
2179
2180
2181
2182
2183
2184
2185
2186
2187
2188
2189
2190
2191
2192
2193
2194
2195
2196
2197
2198
2199
2200
2201
2202
2203
2204
2205
2206
2207
2208
2209
2210
2211
2212
2213
2214
2215
2216
2217
2218
2219
2220
2221
2222
2223
2224
2225
2226
2227
2228
2229
2230
2231
2232
2233
2234
2235
2236
2237
2238
2239
2240
2241
2242
2243
2244
2245
2246
2247
2248
2249
2250
2251
2252
2253
2254
2255
2256
2257
2258
2259
2260
2261
2262
2263
2264
2265
2266
2267
2268
2269
2270
2271
2272
2273
2274
2275
2276
2277
2278
2279
2280
2281
2282
2283
2284
2285
2286
2287
2288
2289
2290
2291
2292
2293
2294
2295
2296
2297
2298
2299
2300
2301
2302
2303
2304
2305
2306
2307
2308
2309
2310
2311
2312
2313
2314
2315
2316
2317
2318
2319
2320
2321
2322
2323
2324
2325
2326
2327
2328
2329
2330
2331
2332
2333
2334
2335
2336
2337
2338
2339
2340
2341
2342
2343
2344
2345
2346
2347
2348
2349
2350
2351
2352
2353
2354
2355
2356
2357
2358
2359
2360
2361
2362
2363
2364
2365
2366
2367
2368
2369
2370
2371
2372
2373
2374
2375
2376
2377
2378
2379
2380
2381
2382
2383
2384
2385
2386
2387
2388
2389
2390
2391
2392
2393
2394
2395
2396
2397
2398
2399
2400
2401
2402
2403
2404
2405
2406
2407
2408
2409
2410
2411
2412
2413
2414
2415
2416
2417
2418
2419
2420
2421
2422
2423
2424
2425
2426
2427
2428
2429
2430
2431
2432
2433
2434
2435
2436
2437
2438
2439
2440
2441
2442
2443
2444
2445
2446
2447
2448
2449
2450
2451
2452
2453
2454
2455
2456
2457
2458
2459
2460
2461
2462
2463
2464
2465
2466
2467
2468
2469
2470
2471
2472
2473
2474
2475
2476
2477
2478
2479
2480
2481
2482
2483
2484
2485
2486
2487
2488
2489
2490
2491
2492
2493
2494
2495
2496
2497
2498
2499
2500
2501
2502
2503
2504
2505
2506
2507
2508
2509
2510
2511
2512
2513
2514
2515
2516
2517
2518
2519
2520
2521
2522
2523
2524
2525
2526
2527
2528
2529
2530
2531
2532
2533
2534
2535
2536
2537
2538
2539
2540
2541
2542
2543
2544
2545
2546
2547
2548
2549
2550
2551
2552
2553
2554
2555
2556
2557
2558
2559
2560
2561
2562
2563
2564
2565
2566
2567
2568
2569
2570
2571
2572
2573
2574
2575
2576
2577
2578
2579
2580
2581
2582
2583
2584
2585
2586
2587
2588
2589
2590
2591
2592
2593
2594
2595
2596
2597
2598
2599
2600
2601
2602
2603
2604
2605
2606
2607
2608
2609
2610
2611
2612
2613
2614
2615
2616
2617
2618
2619
2620
2621
2622
2623
2624
2625
2626
2627
2628
2629
2630
2631
2632
2633
2634
2635
2636
2637
2638
2639
2640
2641
2642
2643
2644
2645
2646
2647
2648
2649
2650
2651
2652
2653
2654
2655
2656
2657
2658
2659
2660
2661
2662
2663
2664
2665
2666
2667
2668
2669
2670
2671
2672
2673
2674
2675
2676
2677
2678
2679
2680
2681
2682
2683
2684
2685
2686
2687
2688
2689
2690
2691
2692
2693
2694
2695
2696
2697
2698
2699
2700
2701
2702
2703
2704
2705
2706
2707
2708
2709
2710
2711
2712
2713
2714
2715
2716
2717
2718
2719
2720
2721
2722
2723
2724
2725
2726
2727
2728
2729
2730
2731
2732
2733
2734
2735
2736
2737
2738
2739
2740
2741
2742
2743
2744
2745
2746
2747
2748
2749
2750
2751
2752
2753
2754
2755
2756
2757
2758
2759
2760
2761
2762
2763
2764
2765
2766
2767
2768
2769
2770
2771
2772
2773
2774
2775
2776
2777
2778
2779
2780
2781
2782
2783
2784
2785
2786
2787
2788
2789
2790
2791
2792
2793
2794
2795
2796
2797
2798
2799
2800
2801
2802
2803
2804
2805
2806
2807
2808
2809
2810
2811
2812
2813
2814
2815
2816
2817
2818
2819
2820
2821
2822
2823
2824
2825
2826
2827
2828
2829
2830
2831
2832
2833
2834
2835
2836
2837
2838
2839
2840
2841
2842
2843
2844
2845
2846
2847
2848
2849
2850
2851
2852
2853
2854
2855
2856
2857
2858
2859
2860
2861
2862
2863
2864
2865
2866
2867
2868
2869
2870
2871
2872
2873
2874
2875
2876
2877
2878
2879
2880
2881
2882
2883
2884
2885
2886
2887
2888
2889
2890
2891
2892
2893
2894
2895
2896
2897
2898
2899
2900
2901
2902
2903
2904
2905
2906
2907
2908
2909
2910
2911
2912
2913
2914
2915
2916
2917
2918
2919
2920
2921
2922
2923
2924
2925
2926
2927
2928
2929
2930
2931
2932
2933
2934
2935
2936
2937
2938
2939
2940
2941
2942
2943
2944
2945
2946
2947
2948
2949
2950
2951
2952
2953
2954
2955
2956
2957
2958
2959
2960
2961
2962
2963
2964
2965
2966
2967
2968
2969
2970
2971
2972
2973
2974
2975
2976
2977
2978
2979
2980
2981
2982
2983
2984
2985
2986
2987
2988
2989
2990
2991
2992
2993
2994
2995
2996
2997
2998
2999
3000
3001
3002
3003
3004
3005
3006
3007
3008
3009
3010
3011
3012
3013
3014
3015
3016
3017
3018
3019
3020
3021
3022
3023
3024
3025
3026
3027
3028
3029
3030
3031
3032
3033
3034
3035
3036
3037
3038
3039
3040
3041
3042
3043
3044
3045
3046
3047
3048
3049
3050
3051
3052
3053
3054
3055
3056
3057
3058
3059
3060
3061
3062
3063
3064
3065
3066
3067
3068
3069
3070
3071
3072
3073
3074
3075
3076
3077
3078
3079
3080
3081
3082
3083
3084
3085
3086
3087
3088
3089
3090
3091
3092
3093
3094
3095
3096
3097
3098
3099
3100
3101
3102
3103
3104
3105
3106
3107
3108
3109
3110
3111
3112
3113
3114
3115
3116
3117
3118
3119
3120
3121
3122
3123
3124
3125
3126
3127
3128
3129
3130
3131
3132
3133
3134
3135
3136
3137
3138
3139
3140
3141
3142
3143
3144
3145
3146
3147
3148
3149
3150
3151
3152
3153
3154
3155
3156
3157
3158
3159
3160
3161
3162
3163
3164
3165
3166
3167
3168
3169
3170
3171
3172
3173
3174
3175
3176
3177
3178
3179
3180
3181
3182
3183
3184
3185
3186
3187
3188
3189
3190
3191
3192
3193
3194
3195
3196
3197
3198
3199
3200
3201
3202
3203
3204
3205
3206
3207
3208
3209
3210
3211
3212
3213
3214
3215
3216
3217
3218
3219
3220
3221
3222
3223
3224
3225
3226
3227
3228
3229
3230
3231
3232
3233
3234
3235
3236
3237
3238
3239
3240
3241
3242
3243
3244
3245
3246
3247
3248
3249
3250
3251
3252
3253
3254
3255
3256
3257
3258
3259
3260
3261
3262
3263
3264
3265
3266
3267
3268
3269
3270
3271
3272
3273
3274
3275
3276
3277
3278
3279
3280
3281
3282
3283
3284
3285
3286
3287
3288
3289
3290
3291
3292
3293
3294
3295
3296
3297
3298
3299
3300
3301
3302
3303
3304
3305
3306
3307
3308
3309
3310
3311
3312
3313
3314
3315
3316
3317
3318
3319
3320
3321
3322
3323
3324
3325
3326
3327
3328
3329
3330
3331
3332
3333
3334
3335
3336
3337
3338
3339
3340
3341
3342
3343
3344
3345
3346
3347
3348
3349
3350
3351
3352
3353
3354
3355
3356
3357
3358
3359
3360
3361
3362
3363
3364
3365
3366
3367
3368
3369
3370
3371
3372
3373
3374
3375
3376
3377
3378
3379
3380
3381
3382
3383
3384
3385
3386
3387
3388
3389
3390
3391
3392
3393
3394
3395
3396
3397
3398
3399
3400
3401
3402
3403
3404
3405
3406
3407
3408
3409
3410
3411
3412
3413
3414
3415
3416
3417
3418
3419
3420
3421
3422
3423
3424
3425
3426
3427
3428
3429
3430
3431
3432
3433
3434
3435
3436
3437
3438
3439
3440
3441
3442
3443
3444
3445
3446
3447
3448
3449
3450
3451
3452
3453
3454
3455
3456
3457
3458
3459
3460
3461
3462
3463
3464
3465
3466
3467
3468
3469
3470
3471
3472
3473
3474
3475
3476
3477
3478
3479
3480
3481
3482
3483
3484
3485
3486
3487
3488
3489
3490
3491
3492
3493
3494
3495
3496
3497
3498
3499
3500
3501
3502
3503
3504
3505
3506
3507
3508
3509
3510
3511
3512
3513
3514
3515
3516
3517
3518
3519
3520
3521
3522
3523
3524
3525
3526
3527
3528
3529
3530
3531
3532
3533
3534
3535
3536
3537
3538
3539
3540
3541
3542
3543
3544
3545
3546
3547
3548
3549
3550
3551
3552
3553
3554
3555
3556
3557
3558
3559
3560
3561
3562
3563
3564
3565
3566
3567
3568
3569
% \iffalse
% +AMDG  This document was begun on 25 May 11EX, the feast
% of St. Mary Magdalen de Pazzi, and it is humbly dedicated
% to her and to the Immaculate Heart of Mary for their
% prayers, and to the Sacred Heart of Jesus for His mercy.
% 
% This document is copyright 2014 by Donald P. Goodman, and is
% released publicly under the LaTeX Project Public License.  The
% distribution and modification of this work is constrained by the
% conditions of that license.  See
% 	http://www.latex-project.org/lppl.txt
% for the text of the license.  This document is released
% under version 1.3 of that license, and this work may be distributed
% or modified under the terms of that license or, at your option, any
% later version.
% 
% This work has the LPPL maintenance status 'maintained'.
% 
% The Current Maintainer of this work is Donald P. Goodman
% (dgoodmaniii@gmail.com).
% 
% This work consists of all files listed in drmfilelist.txt.
% \fi

% \iffalse
%<package>\NeedsTeXFormat{LaTeX2e}[1999/12/01]
%<package>\ProvidesPackage{drm}[2015/01/01 v4.4 support for drm fonts]
%<*driver>
\documentclass{ltxdoc}

\usepackage[absolute]{textpos}
\usepackage{parcolumns}
\usepackage{doc}
\usepackage{array}
\usepackage{lettrine}
	\setcounter{DefaultLines}{3}
	\setlength{\DefaultFindent}{2pt}
	\renewcommand{\LettrineFontHook}{\color{red}}
\usepackage{url}
\usepackage{booktabs}
\usepackage{supertabular}
\usepackage{longtable}
\usepackage{fetamont}
\usepackage{spverbatim}
\usepackage[greek,english]{babel}
\languageattribute{greek}{polutoniko}
\usepackage[colorlinks]{hyperref}
\usepackage{dozenal}
\usepackage[typeone]{drm}
\usepackage{makeidx}
\EnableCrossrefs
\PageIndex
\CodelineNumbered
\RecordChanges
\makeindex
\DoNotIndex{\?,\{,\},\|,\DeclareFontFamily,\DeclareFontShape,
	\DeclareMathAccent,\DeclareMathAlphabet,\DeclareMathDelimiter,
	\DeclareMathSymbol,\DeclareMathVersion,\DeclareSymbolFont,\def,
	\drmsym,\encodingdefault,\familydefault,\fontencoding,\fontfamily,
	\fontseries,\fontshape,\hfil,\hbox,\mathalpha,\mathclose,
	\mathopen,\mathord,\mathversion,\mp,\nabla,\nbshortroman,
	\RedefineMRmdclxvij,\relax,\renewcomand,\RequirePackage,
	\selectfont,\SetMathAlphabet,\SetSymbolFont,\drmsymbolredef,
	\nodefaultfalse,\nodefaultmathfalse,\nodefaultmathtrue,\nodefaulttrue,
	\nodefaulttextfalse,\nodefaulttexttrue,\noindent,\numexpr,
	\acute,\addtolength\advance,\backslash,\baselineskip,
	\char,\counterA,\counterB,\DeclareOption,\ProcessOptions,
	\drmmathlets,\symbolsonlytrue,\if,\else,\fi,\ifnum,\fi,\ifdim,\fi,
	\symbolsonlyfalse,\fontsize,\newif,\newcount,
	\loop,\iter,\let,\renewcommand,\setbox,\setlength,\the,\vss,
	\vskip,\vbox,\ifnodefault,\fi,\ifnodefaulttext,\fi,
	\ifnodefaultmath,\fi,\ifsymbolsonly,\fi,\newlength,
	\counterA,\counterB,\newcount,\r@@t,\z@,\DeclareMathRadical,
	\DeclareRobustCommand,\bBigg@,\@ifnextchar,\@sqrt,\@makefnmark,
	\@thefnmark,\catcode,\active,\Q}

\begin{document}
\DocInput{drm.dtx}
\end{document}
%</driver>
% \fi
%
% \title{The \texttt{drm} Font Package, v4.4}
% \author{Donald P.\ Goodman III}
% \date{\today}
%
% \maketitle
% \begin{abstract}
% The |drm| package provides access to the DRM (Don's
% Revised Modern) family of fonts, which includes a variety
% of optical sizes in Roman, italic, and small caps, along
% with a set of symbols and ornaments.  It is intended to be
% a full-body text font, but its larger sizes can also be
% used for simple display purposes, and its significant body
% of symbols can stand on its own.  It comes complete with
% textual (``old-style'') and lining figures, and even has
% \emph{small-caps figures}, along with superior and
% inferior figures.  It also comes with extensible
% decorative rules to be used with ornaments from itself or
% other fonts, along with an extremely flexible ellipsis
% package.  Decorative initials are also provided by means
% of \MP\ macros and superimposed figures; these are
% flexible in color, size, and style.
% \end{abstract}
% 
% \tableofcontents
% 
% \section{Introduction}
% \label{sect:intro}
%
% \lettrine{A}{fter some time} of involvement with \TeX\ and \LaTeX\,
% your author finally bothered to go read \textit{The \TeX
% book} and \textit{The \MF book}.  This latter closes,
% of course, with Donald E.\ Knuth's famous exhortation to
% ``\textsc{Go forth} now and create \textsl{masterpieces of
% digital typography!''}  This call to arms stirred a longing to actually
% do so in my soul.
%
% I had some experience with the \MF\ language through
% my work with \MP, so I thought I might try my hand at
% it.  I started in fits and stops some years ago, and only
% a few months ago took up the cause again in earnest.  I
% found that, as Knuth also warned, 
%
% \begin{quote}\textsc{Warning}:  Type design can be
% hazardous to your other interests.  Once you get hooked,
% you will develop intense feelings about letterforms; the
% medium will intrude on the messages that you read.  And
% you will perpetually be thinking of improvements to the
% fonts that you see everywhere, especially those of your
% own design.\end{quote}
%
% Truer words were never spoken.
%
% This document is typeset in accordance with the
% \textsc{docstrip} utility for automatically extracting
% package code and documentation.
%
% \section{License(s)}
%
% \lettrine{T}{he \TeX\ and \LaTeX\ code} in this package is
% licensed under the \LaTeX\ Project Public License v1.3c,
% the details of which can be found in Appendix \ref{lppl}
% on page \pageref{lppl}.  It's a legal document, and bears
% all the concomitant complications of such.  The basic
% import is that you can use and distribute these files as
% you will, provided only that you do not restrict their use
% by their recipients; and that you can even modify them as
% you will, provided that if you distribute your
% modifications, you do so under a different name.
%
% The fonts themselves are licensed under the SIL Open Font
% License, v1.1, the details of which can be found in
% Appendix \ref{sil} on page \pageref{sil}.  It's a less
% complex legal document, but a legal document all the same.
% The basic import is that you can't sell the fonts all by
% themselves (why anyone would pay for them anyway is beyond
% me, but there it is); you can distribute original or
% modified versions of the fonts otherwise however you wish,
% as long as you keep the copyright notice and license with
% it; and if you distribute a modified version, that you do
% so under a different name; that you not use the name of
% the font designer to promote a modified version; and that
% any modified versions of the fonts must be kept under the
% same license.
%
% Finally, the software I used to build things, which is
% very simple and mostly uninteresting stuff, is also made
% available, under the GNU General Public License v3.  This
% is sufficiently well-known that it's not duplicated in
% this document; but the text is, of course, included in
% the distribution.
%
% That said, I'm pretty easy-going about this sort of thing;
% so if for some reason the above terms don't suit you, feel
% free to contact me and see if we can work something else
% out.  But honestly, the terms of these licenses are
% more than fair, and it's hard for me to see a reason to
% depart from them.
%
% \section{Usage}
% \label{sect:usage}
%
% \subsection{Basic Usage}
% \label{sub:basicusage}
%
% Using the DRM fonts is beyond easy; just include the
% following in your preamble:
%
% \begin{quote}
% |\usepackage{drm}|
% \end{quote}
%
% And you're done!  This makes the DRM fonts the default for
% your document, and defines appropriate commands for using
% them.  I've made every effort to make using DRM as
% unsurprising as possible, so the commands you'd use to
% change sizes, styles, shapes, and so forth should all work
% as expected.  That said, there are some unusual shapes and
% options available, and these are explained below.
%
% You do \emph{not} need to load |textcomp|; all those
% symbols and more are available from |drm|.
%
% \subsection{Package Options}
% \label{sub:packopt}
%
% DRM doesn't offer too many options, because too many
% aren't really needed; but it does allow some control over
% what defaults it resets.
%
% \begin{description}
% \item[typeone]  \DescribeMacro{typeone}The |typeone|
% option will probably be used most of the time that |drm|
% itself is used; it forces |drm| to use un-rasterized
% outlines rather than bitmapped pk files, letting the pdf
% viewer do the rendering.  Given that most pdf viewers have
% an awfully hard time decently displaying prerendered
% bitmap fonts, the |typeone| option will often be useful.
% \item[nodefault] \DescribeMacro{nodefault}The |nodefault|
% option means that |drm| will not change any of the
% defaults of the document; that is, loading |drm| with the
% |nodefault| option should have no effect whatsoever on the
% appearance of your document.  The fonts are defined,
% though, so you can use them if you decide you want to.
% Symbols will \emph{not} be redefined.
% \item[nodefaulttext] \DescribeMacro{nodefaulttext}The
% |nodefaulttext| option means that text fonts are
% \emph{not} redefined but math fonts \emph{are}.  Symbols
% will \emph{not} be redefined.
% \item[nodefaultmath] \DescribeMacro{nodefaultmath}The
% |nodefaultmath| option means that text fonts \emph{are}
% redefined but math fonts are \emph{not}.  Symbols
% \emph{will} be redefined.
% \item[symbolsonly] \DescribeMacro{symbolsonly}The
% |symbolsonly| option defines all the commands for the
% symbols (note that this may overwrite certain default command names,
% like |\textcopyright|; if you need these undefined, load
% |textcomp| \emph{after} |drm|).
% \end{description}
%
% The default is that none of these are selected; that is,
% the default is that both text and math fonts, along with
% symbols, are redefined to be DRM.  Commands which are
% font-independent, like |\tulipframe| and |\extrule|, are
% always defined when the package is loaded.  Also, the
% fonts themselves are always defined, so they can be
% accessed directly even if they are not the default.
%
% Note that even if symbols are not redefined, they are
% still available directly through the
% \DescribeMacro{\drmsym}|\drmsym| command.
% This command takes one argument, typically a |\char|
% directive, which will be the decimal, octal (if preceded
% by |'|), or hexadecimal (if preceded by |"|) position of
% the desired symbol in the font.  E.g.:  
%
% \hbox to\linewidth{%
%	\hfil|\drmsym{\char'117}|\hfil|\drmsym{\char"4F}|\hfil%
%	|\drmsym{\char79}|\hfil}
%
% \noindent yields
%
% \hbox to\linewidth{%
%	\hfil\drmsym{\char'117}\hfil\drmsym{\char"4F}\hfil%
%	\drmsym{\char79}\hfil}
%
% \subsection{Interaction with Other Packages}
% \label{sub:interpack}
%
% As far as your author has been able to tell, |drm| has no
% adverse reactions with any other packages.  A few notes
% are probably appropriate, however.
%
% \DescribeMacro{textcomp}You do \emph{not} have to load
% |textcomp| when you're loading |drm|; |drm| defines all
% the symbols in |textcomp|, and then some, allowing access
% to them with the same commands.  This is the |drmsym|
% font, which is encoded, like the |textcomp| font, as TS1.
% If you're not loading the symbols, though (e.g., you've
% loaded |drm| with options |nodefault| or |nodefaulttext|),
% you may still want to load |textcomp|.
%
% \DescribeMacro{lettrine}The |lettrine| package is used to
% typeset large dropped capitals at the beginning of
% paragraphs; it's an extraordinarily flexible and
% well-designed package.  |drm| works just fine with it;
% however, the proportions of the letters make a small
% tweak advisable.  If you'll be using lettrines larger than
% two lines high, the following will be helpful:
%
% \hbox to\linewidth{\hfil|\setlength{\DefaultFindent}{2pt}|\hfil}
%
% \noindent This will prevent your text from bumping into
% your lettrine.
%
% \DescribeMacro{greek-fontenc}The |greek-fontenc| package
% must be installed for |drm| to work properly.
%
% \DescribeMacro{cbfonts-fd}The |cbfonts-fd| package
% must also be installed for |drm| to work properly.
%
% \subsection{Further Work Needed}
% \label{sub:further}
%
% While I'm quite happy with DRM right now, there are a few
% notable places where it needs some additional work.
%
% \begin{description}
% \item[Kerning]  The kerning is sometimes suboptimal.
% There really isn't much else to say about this.  For
% most of the fonts, the kerning is reasonably good (at
% least, in my opinion), but for upright italic, boldface,
% and occasionally small and titling caps, I do still find
% lacun\ae\ in my handling of certain kerning pairs.
% \item[Internal Code]  While the code is parameterized
% enough that, for example, boldfacing was a relatively
% simple process, it could use some improvement in this.
% Also, some code was repeated that would surely be better
% off included in macros, especially the placing of accents.
% \item[Decorative Initials]  I love, love, \emph{love}
% decorative initials, and want DRM to have them.  But
% writing them is a \emph{lot} of work.  I decided I wanted
% the fonts as they stand done before I get to work on
% those; but it's still further work that needs to happen.
% \item[More Ornaments]  I'm pretty happy with what
% ornaments I've designed for DRM, but it needs more of
% them.  A full, 8-bit ornamental font is in the works (the
% decorative initials will likely be A--Z in this font), but
% designing these is a similarly large amount of work, so
% it's still on the burners.
% \item[Greek Fonts]  DRM badly needs real Greek fonts.
% After I did the math fonts, Greek fonts seemed like a
% short step; but now I really need to add italic and
% boldface versions, and optically size the upright ones.
% \end{description}
%
% In addition to these specific needs, font metrics may
% still change, though only slightly, and shapes are subject
% to tweaking here and there.  But even now, the DRM fonts
% are usable, reasonably complete, and (in my view, at
% least) attractive.
%
% \section{About the DRM Fonts}
%
% So I've been plumbing the depths of alphabet design, and
% having a great time doing it.  The result is what you see
% before you, the DRM fonts.
%
% \subsection{About the Fonts}
% 
% They're not \textit{modern}, per se, but they do have
% modern characteristics, most especially the distinction
% between thick and thin strokes and the vertical
% orientation.  They have a number of old-style
% characteristics, as well, though, like the aforementioned
% ``Q'' tail, the relatively prominent serifs, and the
% slight but still present brackets.
%
% Overall, they're fairly dark fonts on average, as well as
% fairly wide.  To my eye, this makes them ideal for reading
% long passages.
%
% They have some unusual features.  For example, they have not
% only the standard run of f-ligatures (fi, fl, ff, ffi,
% ffl), but also some unusual f-ligatures (ft, fj), as well
% as a non-f-ligature (Th).  Some larger-size examples of
% the ligatures can be found in Table \ref{table:ligs}.  DRM 
% also contains some unusual shapes, such as \textui{upright 
% italic} and \texttc{titling caps}\index{titling caps}.
%
% \begin{table}
% \begin{center}\setlength{\extrarowheight}{9pt}
% \begin{tabular}{>{\Large}c>{\Large\itshape}c
%	>{\Large}c>{\Large\itshape}c
%	>{\Large}c>{\Large\itshape}c}
% \toprule
% Roman & Italic & Roman & Italic & Roman & Italic \\
% \midrule
% fi & fi & ff & ff & fl & fl \\
% fj & fj & ffi & ffi & ffl & ffl \\
% ft & ft & Th & Th & {} & {} \\
% \bottomrule
% \end{tabular}
% \caption{Ligatures in the DRM fonts.}
% \label{table:ligs}
% \end{center}
% \end{table}
%
% \subsection{Alternate Glyphs}
%
% While this section is titled in the plural, there is at
% present only one such:
% \DescribeMacro{\drmshortq}|\drmshortq|, which gives us
% ``\drmshortq'' rather than ``Q.''  This is mostly useful
% for situations in which the ``Q'' is followed by some
% character with a descender (say, ``\drmshortq p'' as
% opposed to ``Qp''), or when it is being used as a dropped
% capital and the extended tail would overwrite the text.
% (An enlarged dropped capital might have a tail
% underscoring the entire paragraph, which might actually
% look attractive.)
%
% If for some reason you'd like to use ``\drmshortq'' all
% the time, and consign the admittedly somewhat baroque
% ``Q'' to the dustbin, you can do so by issuing the
% following commands:
%
% \begin{center}
% |\catcode`\Q=\active\def Q{\drmshortq}|
% \end{center}
%
% Note that this involves some deep \TeX\ magic, and command
% names containing the character ``Q'' will be broken by
% this.  Fortunately, such commands are few and far between;
% |drm| does not contain any.
%
% \subsection{Font Families}
%
% DRM contains a full set of the normal font families you'd
% expect:  roman, bold, italic, small caps, and so forth.
% But it also contains some shapes that are rather unusual,
% as well as a wide variety of sizes, forms, and weights
% capable of filling most needs.
%
% \subsubsection{Optical Sizing}
%
% The advent of digital fonts made many typographers lazy.
% Previously, of course, a printer could only print fonts in
% sizes that he had; each size had to be separately cut and
% designed.  Digital fonts seemed to relieve this problem;
% now we can simply scale up or down, and only design a
% single size!  Experience has shown, however, that this
% produces suboptimal results, as Table \ref{tab:optsize}
% demonstrates.
%
% \begin{table}[htbp]
% \hbox to\linewidth{%
% 	\hfil%
% 	\Large Fourteen point font is different%
% 	\hfil%
% }%
% \hbox to\linewidth{%
% 	\hfil%
% 	\font\scalio=drm7 at14pt\scalio from scaled seven point font.%
% 	\hfil%
% }%
% \caption{Scaling and Optical Sizing Compared}
% \label{tab:optsize}
% \end{table}
%
% The human eye, as it turns out, does not perceive the
% world, least of all letterforms, as geometrically scaled
% versions of larger or smaller shapes.  For example, at
% small point sizes the eye tends to run adjacent strokes
% together, so proportionally wider letters and increased
% letterspacing are appropriate in smaller sizes but not in
% larger.  For another example, strokes often overlap the
% technical top or bottom lines because a curved line will
% appear to be lower than a straight line at the same
% height.  This effect diminishes at larger sizes; so this
% overshoot might be zero at double pica (twenty-four
% point), still significant at pica (twelve-point), and
% quite large at six-point.  If we merely scaled the six
% point to get our twenty-four point, this overshoot would
% make the curved strokes look comically larger than the
% straight ones; if we did the opposite, then our curved
% letters would seem noticeably shorter than our straight
% ones.
%
% The only real solution to this is to use \emph{optical
% sizes}; that is, have a reasonable set of sizes which are
% designed for use at that particular size.  \LaTeX\
% (largely transparently to the user, thanks to the magic of
% NFSS) will then select the closest optical size and scale
% as necessary from that.  This minimizes the effects of
% scaling on the appearance of the font, and gives vastly
% superior results.
%
% \begin{table}[htbp]
% \begin{center}\footnotesize
% \begin{tabular}{lp{0.2\textwidth}p{0.2\textwidth}p{0.2\textwidth}}
% \toprule
% Point & \multicolumn{2}{c}{Traditional Name} &
%	DRM \\
% {} & American & British & {} \\
% \midrule
% 3 & Excelsior & Minikin & |\excelsior|, |\minikin| \\
% 4 & Brilliant & {} & |\brilliant| \\
% 4.5 & Diamond & {} & |\diamondsize| \\
% 5 & Pearl & {} & |\pearl| \\
% 5.5 & Agate & Ruby & |\agate|, |\ruby| \\
% 6 & Nonpareille & {} & |\nonpareille| \\
% 6.5 & Minionette & Emerald & |\minionette|, |\emerald| \\
% 7 & Minion & {} & |\minion| \\
% 8 & Brevier, Petit, small text & {} & |\brevier|,
%	|\petit|, |\smalltext| \\
% 9 & Bourgeois; Galliard & {} & |\bourgeois|,
%	|\galliard| \\
% 10 & Long Primer; Corpus; Garamond & {} &
%	|\longprimer|, |\corpus|, |\garamond| \\
% 11 & Small Pica; Philosophy & {} & |\smallpica|,
% 	|\philosophy| \\
% 12 & Pica & {} & |\pica| \\
% 14 & English; Mittel; Augustin & {} & |\english|,
% |\mittel|, |\augustin| \\
% 16 & Columbian & Two-line Brevier & |\columbian|,
% |\twolinebrevier| \\
% 18 & Great Primer & {} & |\greatprimer| \\
% 20 & Paragon & {} & |\paragon| \\
% 21 & Double Small Pica & {} & |\doublesmallpica| \\
% 22 & Double Small Pica & Double Pica &
% |\doublesmallpicaus|, |\doublepicabrit| \\
% 24 & Double Pica & Two-line Pica & |\doublepica|,
% |\twolinepica| \\
% 28 & Double English & Two-line English & |\doubleenglish|, 
% |\twolineenglish| \\
% 30 & Five-line Nonpareil & {} & |\fivelinenonpareil| \\
% 32 & Four-line Brevier & {} & |\fourlinebrevier| \\
% 36 & Double Great Primer & Two-line Great Primer &
% |\doublegreatprimer|, |\twolinegreatprimer| \\
% 44 & Meridian & Two-line Double Pica; Trafalgar &
% |\meridian|, |\twolinedoublepica|, |\trafalgar| \\
% 48 & Canon; Four-line & {} & |\canon|, |\fourline| \\
% 60 & Five-line Pica & {} & |\fivelinepica| \\
% 72 & Inch & {} & |\inch| \\
% \bottomrule
% \end{tabular}
% \caption{Traditional size names, both American and
% British, with their corresponding point sizes and DRM
% command names.}
% \label{tab:fontsizes}
% \end{center}
% \end{table}
%
% DRM offers a reasonable selection of optical sizes, at 6-,
% 7-, 8-, 9-, 10-, 11-, 12-, 14-, 17-, and 24-point sizes in
% roman, italic, slanted, small caps, titling
% caps\index{titling caps}, and upright italic.  This
% variety should be sufficient for the vast majority of
% needs.
%
% However, traditional printing has developed a vast array
% of standard sizes, with the quaint, colorful names that
% always go with traditional crafts.  Setting text in
% Brevier Roman or Long Primer Italic means something very
% specific.  \LaTeX\ only offers a few default font
% size commands (e.g., |\small|, |\normalsize|, etc.), and
% DRM leaves those unchanged, as users expect specific
% things to happen when they issue those commands.  However,
% DRM does offer those traditional size names as commands,
% as well, giving quite a bit more breadth in font size
% choice than the default before one must resort to explicit
% |\fontsize| commands.  Table \ref{tab:fontsizes} on page
% \pageref{tab:fontsizes} lists these commands by name; where
% there is a name unique to British typesetting that differs
% from the American name, both are offered as equivalents.
%
% \subsubsection{Small Caps}
%
% In the first place, it's important to have what
% typographers call ``real'' small caps, not ``faked'' small
% caps.  There is a real and noticeable difference between
% the two.  Real small caps are designed for a particular
% size; the stroke widths match, the spacing is appropriate,
% and so forth.  Faked small caps are produced merely by
% scaling down normal capital letters for a given size,
% which produces inferior results.  The two types are
% compared in Table \ref{tab:smallcaps}.
%
% \begin{table}[htbp]
% \hbox to\linewidth{\hfil%
% \LARGE\textsc{These are real small caps.}
% \hfil}%
% \vskip2em%
% \hbox to\linewidth{\hfil%
% \LARGE{T\large HESE ARE FAKED SMALL CAPS.}
% \hfil}%
% \caption{Real and faked small caps compared.}
% \label{tab:smallcaps}
% \end{table}
%
% Plainly, the results of real small caps are far superior,
% and faked ones should only be employed when the
% typographer has no small caps available, and possibly
% not even then.
%
% \index{small caps}\index{small caps>petite small caps}
% \index{small caps>and titling caps, difference between}
% \index{titling caps>and small caps, difference between}
% DRM has, of course, a full set of real small cap fonts,
% which are appropriately scaled.  But DRM goes even further
% than this, offering both \emph{small caps} and
% \emph{petite small caps}.
% \index{petite small caps>small caps}
% \index{petite small caps>and titling caps}  DRM, though, considers petite
% small caps to be the normal type, and therefore refers to
% these as \emph{small caps} and \emph{titling
% caps}.\index{titling caps}\index{small caps>titling caps}  The
% distinction between these two probably bears some
% explanation.
%
% In Anglo-American typography small caps are
% typically a bit larger than the ex-height; in other
% countries, they are typically equal to the
% ex-height.\footnote{These are sometimes called
% \textit{petite small caps} among Anglo-American
% typographers.}  I see advantages in both approaches.
% So-called ``petite'' small caps look great in running text
% but seem rather squashed in titles and headings; larger
% small caps look better in titles and headings (they
% maintain the gravity of all-caps without the impression of
% shouting, a rather common impression here in the Internet
% age) but are simply too large to blend well with normal
% lowercase text.  So DRM offers both; \textsc{normal small
% caps}, accessed via the normal \LaTeX\ |\textsc| and
% |\scshape| commands, are ``petite'' small caps;
% Anglo-American large small caps are available as
% \texttc{titling small caps}, via the commands
% |\texttc|\DescribeMacro{\texttc}\ and
% |\tcshape|\DescribeMacro{\tcshape}.  (These stand,
% transparently enough, for ``titling caps.'')  An example
% of the difference, which may give further ideas for the
% appropriate uses for each, is in Table
% \ref{table:littlecaps}.
%
% \begin{table}
% \begin{center}
% \begin{tabular}{>{\centering\arraybackslash}p{0.48\textwidth}
%	>{\centering\arraybackslash}p{0.48\textwidth}}
% \LARGE\texttc{The Adventures of Robinson Crusoe} &
%	\LARGE\textsc{The Adventures of Robinson Crusoe} \\
% \texttc{Titling Caps} &
%	\textsc{Small Caps} \\
% \end{tabular}
% \caption{Small caps and titling caps compared.}
% \label{table:littlecaps}
% \end{center}
% \end{table}
%
% Both small caps and titling caps come in \emph{italic}
% (really simply \textsl{slanted}) varieties; these are
% accessed via 
% \DescribeMacro{\textitsc}|\textitsc| and 
% \DescribeMacro{\textittc}|\textittc| (or 
% \DescribeMacro{\itscshape}|\itscshape| and 
% \DescribeMacro{\ittcshape}|\ittcshape|).  However, it
% should be noted that both these font shapes are designed
% for emphasizing text, as is slanting; so while it's
% perfectly possible to \textitsc{slant your small
% caps} and \textittc{italicize your titling caps},
% this really should be done with great caution.
%
% \subsubsection{Slanted, Italic, and Upright Italic}
%
% DRM also offers the usual \emph{italic} type, typically
% used for titles of certain types of works, emphasis, and
% similar functions; and the \textsl{slanted} type, which is
% usually simply a poor-man's italic in fonts which don't
% have a real italic, but occasionally does find its uses in
% full-featured fonts.
%
% Non-typographers often think that italic type is simply
% normal type slanted to the right, but that's not
% really the case.  A comparison is given in Table
% \ref{tab:slantedtypes}.
%
% \begin{table}[htbp]
% \hbox to\linewidth{\hfil%
% \Large\textsl{This is slanted text.}
% \hfil}%
% \vskip2em%
% \hbox to\linewidth{\hfil%
% \Large\textit{This is italic text.}
% \hfil}%
% \caption{Slanted and italic text compared.}
% \label{tab:slantedtypes}
% \end{table}
%
% As Table \ref{tab:slantedtypes} shows, true italic is much
% more than simply slanted roman.  Many of the letterforms
% are quite different; the two-story ``a'' becomes a
% one-story ``\textit{a},'' the straight ``k'' becomes a
% curved or (in DRM's case) looped ``\textit{k},'' the
% double-looped ``g'' becomes a single-looped
% ``\textit{g},'' and so forth.
%
% So DRM offers true italic, often with some very ornate
% and, in the author's opinion, beautiful letterforms.  The
% ``\textit{Q}'' and ``\textit{J}'' and particular favorites
% of his, but the somewhat unusual looped ``\textit{k}'' and
% curled ``\textit{h},'' along with some other shapes like
% ``\textit{2}'' and ``\textit{3},'' are also interestingly
% different from most other fonts, as well as visually
% striking in their own right.
%
% DRM also offers \textui{upright italic}, a face with the
% italic letterforms but not slanted at all.  Some fonts
% have offered this as a difficult-to-access novelty, but as
% far the author knows DRM is the only one to offer it as a
% first-class citizen, accessed in the same way and just as
% easily as the more usual slanted italic shape.  It is
% accessed via the commands |\textui|\DescribeMacro{\textui}\ and
% |\uishape|\DescribeMacro{\uishape}.  This shape is not
% commonly used in running text; it remains to be seen
% whether this is due to its being not useful, or simply to
% its being rarely easily available.
%
% Your author can see certain uses for it; for example, when
% some font distinction is needed but no connotation of
% emphasis is desired, as in book titles.  In any case, DRM
% makes it easy to use in the event that it is wanted.
%
% \subsubsection{Weights}
% \label{subsub:weights}
%
% \textit{Weight} is the typographical term for what most
% folks call \emph{boldface} type; however, the dimension
% can go much deeper than that.  Fonts can be
% \textl{lighter than surrounding text} as well as
% \textbf{heavier}, and heavier weights can often be
% \textbf{extended in width as well as heavier in weight},
% or simply \textb{heavier in weight without increasing its
% width}.
%
% Some fonts take this to arguably absurd extremes, offering
% up to a dozen weights.  I've never seen much sense in
% this, and consequently haven't gone to these lengths.
% Instead, DRM offers three weights:  \textl{light}, normal,
% and \textb{bold}.  As noted, bold fonts are often wider
% than medium weights, and are referred to as \emph{bold
% extended}; DRM has a \textbf{bold extended}, as well.
% Lighter fonts are sometimes narrower, or \emph{condensed};
% \textl{DRM's light weight is not condensed, but rather
% normal width}.
%
% Light is achieved by |\textl|\DescribeMacro{\textl}\ and
% |\lseries|\DescribeMacro{\lseries}; boldface by
% |\textb|\DescribeMacro{\textb}\ and
% |\bseries|\DescribeMacro{\bseries}; bold extended by
% |\textbf|\DescribeMacro{\textbf}\ and
% |\bfseries|\DescribeMacro{\bfseries}.  Table
% \ref{tab:weights} shows the differences between these
% weights in twelve-point size.
%
% \begin{table}[htbp]\setlength{\extrarowheight}{8pt}
% \begin{tabular}{>{\large}c>{\large}p{0.7\linewidth}}
% |\lseries| & \textl{This sentence shows one of DRM's
%	weights.} \\
% |\mdseries| & \textmd{This sentence shows one of DRM's
%	weights.} \\
% |\bseries| & \textb{This sentence shows one of DRM's
%	weights.} \\
% |\bfseries| & \textbf{This sentence shows one of DRM's
%	weights.} \\
% \end{tabular}
% \caption{DRM's font weights compared.}
% \label{tab:weights}
% \end{table}
%
% One will probably note that bold extended is actually
% bolder than normal bold (that is, |\bfseries| is bolder
% than |\bseries|).  This is because the extra space means
% that it can be.  This is probably not the way it should
% be; but I think that people expect at least that much
% boldness when selecting |\bfseries|, so I decided to make
% it that way.
%
% Until v2.0, DRM did \emph{not} offer a bold italic or a
% bold small caps; this is because both italics and small
% caps are already meant to serve for emphasis, and bolding
% your already emphasized text is really a bad idea.  Bold
% italic I considered to be a particularly egregious
% typographical crime.
%
% However, after some conversations and one example in which
% bold italic was actually used well (a display; \emph{not}
% in running text), your author has tempered his aggressive
% stance and provided a bold italic, bold upright italic,
% and bold versions of both small and titling caps.  These
% are bold extended, and are available only in this one
% additional weight; this seemed appropriate given that
% their only appropriate use is displayed texts.  They are
% accessed simply by requesting either bold or italic, and
% then requesting the other, like so:
%
% \begin{center}
% \begin{tabular}{p{0.45\textwidth}p{0.45\textwidth}}
% \begin{spverbatim}\textbf{\textit{I hope you bold italic types are happy now}}\end{spverbatim} &
% \begin{spverbatim}\textui{\textbf{I hope you bold italic types are happy now}}\end{spverbatim} \\
% \textbf{\textit{I hope you bold italic types are happy now.}} &
% \textui{\textbf{I hope you bold italic types are happy now.}} \\
% \begin{spverbatim}\textsc{\textbf{Sometimes this might help with displays.}}\end{spverbatim} &
% \begin{spverbatim}\textbf{\texttc{Sometimes this might help with displays.}}\end{spverbatim} \\
% \textsc{\textbf{Sometimes this might help with displays.}} &
% \textbf{\texttc{Sometimes this might help with displays.}} \\
% \end{tabular}
% \end{center}
%
% There is still no bold italic small caps; I'll await an
% example of these being used appropriately before adding
% them.
%
% \subsection{Figures (Digits) (Numbers)}
% \label{sub:figures}
%
% Typographers typically call them ``figures'';
% mathematicians tend to prefer ``digits''; most folks
% simply call them ``numbers.''  Whatever we call them,
% there is a surprisingly large variety of ways to write
% them.
%
% There are, at the very least, seven separate kinds of
% figures:  textual, lining, tabular textual, tabular
% lining, small caps, superior, and inferior.  Small caps
% figures are for some reason rather rare, and strictly
% speaking there could be tabular and non-tabular versions
% of them, as well, but I've never encountered them.
%
% \emph{Textual figures}, also called \emph{old-style
% figures}, \emph{lowercase figures}, or even 
% \emph{medi\ae val figures}, are the ones that look sort 
% of\drmelip well, old-styled and lowercase.  They are
% centered on the ex-height, like lowercase letters, and
% some have ascenders, some descenders, and some neither,
% like lowercase letters.  They blend in with running text
% very well, whereas lining figures (which we'll get to in a
% moment) tend to stick out because they are all quite
% tall and often come in groups.  Most commonly, ``0,''
% ``1,'' and ``2'' have neither ascenders nor descenders;
% ``6'' and ``8'' have ascenders, and ``3,'' ``4,'' ``5,''
% ``7,'' and ``9'' have descenders; DRM follows this typical
% scheme in its roman types.  However, other systems have
% existed, particularly in France, where some famous fonts
% had an ascending rather than descending 3.  DRM has a
% non-typical set in its italic fonts, with a descending 3
% but an ascending 2:  \textit{0, 1, 2, 3,
% 4, 5, 6, 7, 8, 9}.
%
% Textual figures are the default in DRM in the roman and
% italic fonts.
%
% \emph{Lining figures}, also called \emph{titling figures}
% or \emph{modern figures}, line up at the baseline and all
% have a common height, typically something close to the
% height of capital letters or the ascenders of lowercase
% letters.  They look like this:  \liningnums{0123456789}.
% They're great when one wishes to draw extra attention to
% the figures, and practically mandatory when figures are
% being used with all caps; however, they throw off the
% color of the page and don't blend well with other running
% text.  In DRM, we get lining figures by using the
% \DescribeMacro{\liningnums}|\liningnums| command, which
% takes a single argument; namely, the number to be typeset
% in lining figures.  Each individual number can be accessed
% by command, as well, of the form |\liningzero|,
% |\liningone|, and so forth.
%
% Both of these types of figures can be \emph{tabular} or
% not.  This means, as a practical matter,
% \emph{monospaced}; that is, with tabular figures each
% digit takes up an identical horizontal space.  This is
% great for lining up numbers in columns, but produces
% rather bad spacing when used in running text.
%
% In DRM, the default textual (old-style) figures \emph{are
% not} tabular, while the lining figures \emph{are} tabular.
% It is possible to have tabular textual figures and
% proportional lining figures, but I've never seen much
% sense in either, as it seems that they defeat the purposes
% of their own particular form.
%
% DRM also has \emph{small-cap figures}, a relative rarity
% in the typographical world.  These are simply figures
% which match the style of the small caps fonts.  Neither
% textual nor lining figures work well with small caps;
% lining figure are too tall, and textual figures' ascenders
% and descenders don't fit with the relatively straight
% lines of small caps text.  So DRM has proportional
% (non-tabular), but short figures for small caps:
%
% \begin{center}
% \scshape\Huge Small caps 0123 figures.
% \end{center}
%
% Otherwise, it would like one of the following:
%
% \begin{center}
% \Huge\scshape Small caps \liningnums{0123} figures. \\
% Small caps \textup{0123} figures.
% \end{center}
%
% Neither of which looks very good.  There are similar
% digits for titling caps.  These are, of course, the
% defaults when using small or titling caps; if you need
% lining figures, you can still use |\liningnums|, and if
% you need textual figures, typeset them in normal roman
% text.
%
% Finally, DRM provides \emph{superior} and \emph{inferior}
% figures.  These are figures which are specially designed
% to appear in superscripted or subscripted text,
% respectively.  These avoid text color and spacing problems
% from forming superior figures merely from scaling and
% raising normal figures.  They look like the following:
%
% \begin{center}
% \LARGE\liningthree\textdrmsupfigs{0123456789} \\
% \liningthree\textdrminffigs{0123456789}
% \end{center}
%
% By default, in DRM (unless one of the |nodefault| options
% has been selected) footnote markers are made with superior
% figures.  Otherwise, superior figures must be selected
% with either \DescribeMacro{\drmsupfigs}|\drmsupfigs|, or
% the option with a single argument,
% \DescribeMacro{\textdrmsupfigs}|\textdrmsupfigs|.
% (Inferior numerals are selected with
% \DescribeMacro{\drminffigs}|\drminffigs| and the
% single-argument option,
% \DescribeMacro{\textdrminffigs}|\textdrminffigs|.)
% Inferior figures are typically useful for chemical
% formul\ae, but may conceivably find other uses, as well.
%
% These special superior figures do end up looking
% significantly better than merely superscripted-and-scaled
% footnote labels:
%
% \begin{center}
% \begin{tabular}{c|c}
% \LARGE\drmelip this fact.$^6$  As\drmelip & 
%	\LARGE\drmelip this fact.\textdrmsupfigs{6}  As\drmelip \\
% \end{tabular}
% \end{center}
%
% The superscripted and scaled version is too large, drawing
% more attention to itself than warranted (the purpose of a
% footnote is, after all, to provide citation without
% interrupting the flow of the text), not to mention that it
% protrudes above the height of the capitals and ascenders,
% making itself even more conspicuous; and the symbol itself
% is too thin, with lines almost spindly.  The superior
% figure, on the right, tops off at the height of the
% ascenders, and is specially designed to have lines of the
% same width as the body font.\footnote{Or as near as is
% possible and attractive, anyway; the conscious design is
% better than the automatic solution.}  This ensures an
% overall better appearance when these figures are used.
%
% Finally, as of v4.0, DRM offers \emph{real dozenal
% characters}.  In conjunction with the |dozenal| package
% (available, like |drm|, on CTAN), DRM will redefine the
% commands |\x| and |\e| to produce DRM dozenal characters,
% rather than the Computer Modernish characters of the
% |dozenal| package.  By default, these are old-style;
% lining dozenal figures are also available.
%
% \begin{center}\LARGE
% \begin{tabular}{ll}
% 0123456789\x\e0 & \textit{0123456789\x\e0} \\
% \textl{0123456789\x\e0} & \textb{0123456789\x\e0} \\
% \textbf{0123456789\x\e0} & \textbf{\textit{0123456789\x\e0}} \\
% \textui{0123456789\x\e0} & \textui{\textbf{0123456789\x\e0}} \\
% \textsc{0123456789\x\e0} & \texttc{0123456789\x\e0} \\
% \textbf{\textsc{0123456789\x\e0}} & \texttc{\textbf{0123456789\x\e0}} \\
% \textitsc{0123456789\x\e0} & \textittc{0123456789\x\e0} \\
% \liningthree\textdrmsupfigs{0123456789\x\e0} & 
% \liningthree\textdrminffigs{0123456789\x\e0} \\
% \end{tabular}
% \end{center}
%
% In all the dozenal fonts, the ``default'' ten and eleven
% characters are held in the |X| and |E| slots; this means
% old-style in the roman and italic fonts, in all weights,
% but lining in the rest.  In the roman and italic fonts, in
% all weights, lining figures are held in the |x| and |e|
% slots.
%
% \subsection{Symbols and Ornaments}
% \label{sub:symbols}
%
% One of DRM's strengths is its wide variety of symbols
% contained by default; rather than having to import
% separate fonts, or define macros to assemble common
% symbols out of their component parts, we can often simply
% use the symbols contained in DRM.
%
% Starting with the staples of traditional typography like
% the numero \DescribeMacro{\textnumero}(\textnumero) and
% the reference mark %
% \DescribeMacro{\textrefmark}(\textrefmark) to
% near-obsolete typesetting symbols like the asterism
% \DescribeMacro{\textasterism}(\textasterism) to more
% unique symbols like the international sign for radiation
% hazards \DescribeMacro{\textradiation}(\textradiation),
% DRM has something for most needs.
%
% \begin{center}
% \begin{longtable}{>{\Large}cp{0.4\textwidth}>{\raggedright\let\newline\\\arraybackslash}p{0.3\textwidth}}
% \toprule
% \multicolumn{3}{c}{Symbols of the DRM Font} \\
% \midrule
% \multicolumn{3}{c}{\itshape Religious Symbols} \\
% \midrule
% \textcrusadecross & |\textcrusadecross|\SpecialIndex{\textcrusadecross} & ``Crusader'' cross \\
% \textcrusadecrossoutline & |\textcrusadecrossoutline|\SpecialIndex{\textcrusadecrossoutline} &
% 	``Crusader'' cross in outline \\
% \textlatincross & |\textlatincross|\SpecialIndex{\textlatincross} & Latin cross \\
% \textlatincrossoutline & |\textlatincrossoutline|\SpecialIndex{\textlatincrossoutline} & Latin
% 	cross in outline \\
% \textgreekcross & |\textgreekcross|\SpecialIndex{\textgreekcross} & Greek cross \\
% \textgreekcrossoutline & |\textgreekcrossoutline|\SpecialIndex{\textgreekcrossoutline} & Greek
% 	cross in outline \\
% \textsaltirecross & |\textsaltirecross|\SpecialIndex{\textsaltirecross} & Saltire cross;
% 	cross of St.\ Andrew \\
% \textsaltirecrossoutline & |\textsaltirecrossoutline|\SpecialIndex{\textsaltirecrossoutline} &
% 	Saltire cross, cross of St.\ Andrew in outline \\
% \texteucharist & |\texteucharist|\SpecialIndex{\texteucharist} & Traditional
% 	representation of the Eucharist; chalice with Host and rays
% 	\\
% \textstardavid & |\textstardavid|\SpecialIndex{\textstardavid} & Traditional Star of
% 	David \\
% \textstardavidsolid & |\textstardavidsolid|\SpecialIndex{\textstardavidsolid} & Traditional
% 	Star of David, solid \\
% \textstardavidoutline & |\textstardavidoutline|\SpecialIndex{\textstardavidoutline} & 
% 	Traditional Star of David in outline \\
% \midrule
% \multicolumn{3}{c}{\itshape Genealogical Symbols} \\ 
% \midrule
% \textborn & |\textborn|\SpecialIndex{\textborn} & Symbol for born \\
% \textdied & |\textdied|\SpecialIndex{\textdied} & Symbol for died \\
% \textdivorced & |\textdivorced|\SpecialIndex{\textdivorced} & Symbol for divorced \\
% \textmarried & |\textmarried|\SpecialIndex{\textmarried} & Symbol for married \\
% \textleaf & |\textleaf|\SpecialIndex{\textleaf} & Leaf symbol \\
% \textmale & |\textmale|\SpecialIndex{\textmale} & Symbol for male \\
% \textfemale & |\textfemale|\SpecialIndex{\textfemale} & Symbol for female \\
% \midrule
% \multicolumn{3}{c}{\itshape Intellectual Property Symbols} \\ 
% \midrule
% \textregistered & |\textregistered|\SpecialIndex{\textregistered} & Registered mark \\
% \texttrademark & |\texttrademark|\SpecialIndex{\texttrademark} & Trademark sign \\
% \textservicemark & |\textservicemark|\SpecialIndex{\textservicemark} & Service mark sign \\
% \textsoundrecording & |\textsoundrecording|\SpecialIndex{\textsoundrecording} & Sound
% 	recording sign \\
% \textcopyright & |\textcopyright|\SpecialIndex{\textcopyright} & Copyright mark \\
% \textcopyleft & |\textcopyleft|\SpecialIndex{\textcopyleft} & Copyleft mark \\
% \midrule
% \multicolumn{3}{c}{\itshape Astronomical Symbols} \\ 
% \midrule
% \textsun & |\textsun|\SpecialIndex{\textsun} & Sun, Sol \\
% \textsunvar & |\textsunvar|\SpecialIndex{\textsunvar} & Variant Sun or Sol; with ray \\
% \textwaxcrescent & |\textwaxcrescent|\SpecialIndex{\textwaxcrescent} & Waxing crescent moon \\
% \textfullmoon & |\textfullmoon|\SpecialIndex{\textfullmoon} & Full moon \\
% \textwanecrescent & |\textwanecrescent|\SpecialIndex{\textwanecrescent} & Waning crescent moon \\
% \textnewmoon & |\textnewmoon|\SpecialIndex{\textnewmoon} & New moon \\
% \textmercury & |\textmercury|\SpecialIndex{\textmercury} & Mercury; Hermes \\
% \textearth & |\textearth|\SpecialIndex{\textearth}, |\textterra|\SpecialIndex{\textterra} & Earth, Terra \\
% \textearthvar & |\textearthvar|\SpecialIndex{\textearthvar},|\textterravar|\SpecialIndex{\textterravar} & Variant
% 	Earth, Terra \\
% \textmars & |\textmars|\SpecialIndex{\textmars} & Mars, Ares \\
% \textvenus & |\textvenus|\SpecialIndex{\textvenus} &  Venus, Aphrodite \\
% \textjupiter & |\textjupiter|\SpecialIndex{\textjupiter} & Jupiter, Jove, Zeus \\
% \textsaturn & |\textsaturn|\SpecialIndex{\textsaturn} & Saturn \\
% \texturanus & |\texturanus|\SpecialIndex{\texturanus} & Uranus \\
% \texturanusvar & |\texturanusvar|\SpecialIndex{\texturanusvar} & Variant Uranus \\
% \textneptune & |\textneptune|\SpecialIndex{\textneptune} & Neptune, Poseidon \\
% \textpluto & |\textpluto|\SpecialIndex{\textpluto} & Pluto \\
% \textplutovar & |\textplutovar|\SpecialIndex{\textplutovar} & Variant Pluto \\
% \textceres & |\textceres|\SpecialIndex{\textceres} & Ceres \\
% \textpallas & |\textpallas|\SpecialIndex{\textpallas} & Pallas \\
% \textjuno & |\textjuno|\SpecialIndex{\textjuno} &  Juno, Hera \\
% \textjunovar & |\textjunovar|\SpecialIndex{\textjunovar} & Variant Juno, Hera \\
% \textvesta & |\textvesta|\SpecialIndex{\textvesta} & Vesta \\
% \textvestavar & |\textvestavar|\SpecialIndex{\textvestavar} & Variant Vesta \\
% \textastraea & |\textastraea|\SpecialIndex{\textastraea} & Astr\ae a \\
% \textastraeavar & |\textastraeavar|\SpecialIndex{\textastraeavar} & Variant Astr\ae a \\
% \texthebe & |\texthebe|\SpecialIndex{\texthebe} & Hebe \\
% \textiris & |\textiris|\SpecialIndex{\textiris} & Iris \\
% \textaries & |\textaries|\SpecialIndex{\textaries}, |\textari|\SpecialIndex{\textari} & Aries \\
% \texttaurus & |\texttaurus|\SpecialIndex{\texttaurus}, |\texttau|\SpecialIndex{\texttau} & Taurus \\
% \textgemini & |\textgemini|\SpecialIndex{\textgemini}, |\textgem|\SpecialIndex{\textgem} & Gemini \\
% \textcancer & |\textcancer|\SpecialIndex{\textcancer}, |\textcnc|\SpecialIndex{\textcnc} & Cancer \\
% \textleo & |\textleo|\SpecialIndex{\textleo} & Leo \\
% \textvirgo & |\textvirgo|\SpecialIndex{\textvirgo}, |\textvir|\SpecialIndex{\textvir} & Virgo \\
% \textlibra & |\textlibra|\SpecialIndex{\textlibra}, |\textlib|\SpecialIndex{\textlib} & Libra \\
% \textscorpius & |\textscorpius|\SpecialIndex{\textscorpius}, |\textsco|\SpecialIndex{\textsco} & Scorpius \\
% \textsagittarius & |\textsagittarius|\SpecialIndex{\textsagittarius}, |\textsgr|\SpecialIndex{\textsgr} & Sagittarius \\
% \textcapricorn & |\textcapricorn|\SpecialIndex{\textcapricorn}, |\textcap|\SpecialIndex{\textcap} & Capricorn \\
% \textaquarius & |\textaquarius|\SpecialIndex{\textaquarius}, |\textaqr|\SpecialIndex{\textaqr} & Aquarius \\
% \textpisces & |\textpisces|\SpecialIndex{\textpisces}, |\textpsc|\SpecialIndex{\textpsc} & Pisces \\
% \textstar & |\textstar|\SpecialIndex{\textstar} & Star \\
% \textcomet & |\textcomet|\SpecialIndex{\textcomet} & Comet \\
% \textquadrature & |\textquadrature|\SpecialIndex{\textquadrature} & Quadrature \\
% \textopposition & |\textopposition|\SpecialIndex{\textopposition} & Opposition \\
% \textconjunction & |\textconjunction|\SpecialIndex{\textconjunction} & Conjunction \\
% \textascendingnode & |\textascendingnode|\SpecialIndex{\textascendingnode} & Ascending node \\
% \textdescendingnode & |\textdescendingnode|\SpecialIndex{\textdescendingnode} & Descending node \\
% \midrule
% \multicolumn{3}{c}{\itshape Currency Symbols} \\ 
% \midrule
% \textdollarsign & |\textdollarsign|\SpecialIndex{\textdollarsign} & Dollar sign \\
% \textolddollarsign & |\textolddollarsign|\SpecialIndex{\textolddollarsign} & Old-style dollar
% 	sign; double-slashed dollar sign \\
% \textcentsign & |\textcentsign|\SpecialIndex{\textcentsign} & Cent sign \\
% \textoldcentsign & |\textoldcentsign|\SpecialIndex{\textoldcentsign} & Old-style cent sign;
% 	diagonally slashed cent sign \\
% \textpoundsterling & |\textpoundsterling|\SpecialIndex{\textpoundsterling} & British pound
% 	sterling sign \\
% \textoldpoundsterling & |\textoldpoundsterling|\SpecialIndex{\textoldpoundsterling}, |\textlira|\SpecialIndex{\textlira} & Old-style
% 	British pound sterling sign; double-slashed British pound
% 	sterling sign; Italian lira sign \\
% \texteuro & |\texteuro|\SpecialIndex{\texteuro} & Euro sign \\
% \textyen & |\textyen|\SpecialIndex{\textyen} & Japanese yen sign \\
% \textbaht & |\textbaht|\SpecialIndex{\textbaht} & Thai baht sign \\
% \textcolon & |\textcolon|\SpecialIndex{\textcolon} & Costa Rican, Salvadoran colon sign \\
% \textdong & |\textdong|\SpecialIndex{\textdong} & Vietnamese dong sign \\
% \textflorin & |\textflorin|\SpecialIndex{\textflorin} & Florin sign \\
% \textguarani & |\textguarani|\SpecialIndex{\textguarani} & Uruguayan guarani sign \\
% \textnaira & |\textnaira|\SpecialIndex{\textnaira} & Nigerian naira sign \\
% \textpeso & |\textpeso|\SpecialIndex{\textpeso}, |\textruble|\SpecialIndex{\textruble} & Mexican peso sign; Russian ruble
% 	sign \\
% \textwon & |\textwon|\SpecialIndex{\textwon} & Won sign \\
% \textcurrency & |\textcurrency|\SpecialIndex{\textcurrency} & Generic currency \\
% \midrule
% \multicolumn{3}{c}{\itshape Roman Numerals} \\ 
% \midrule
% \romone & |\romone|\SpecialIndex{\romone} & Roman numeral one \\
% \romfive & |\romfive|\SpecialIndex{\romfive} & Roman numeral five \\
% \romten & |\romten|\SpecialIndex{\romten} & Roman numeral ten \\
% \romfifty & |\romfifty|\SpecialIndex{\romfifty} & Roman numeral fifty \\
% \romhundred & |\romhundred|\SpecialIndex{\romhundred} & Roman numeral hundred \\
% \romfivehundred & |\romfivehundred|\SpecialIndex{\romfivehundred} & Roman numeral hundred \\
% \romthousand & |\romthousand|\SpecialIndex{\romthousand} & Roman numeral thousand \\
% \romanize{1651} & |\romanize{1668}| & Convert Indo-arabic
% 	numeral to Roman numerals \\
% \midrule
% \multicolumn{3}{c}{\itshape Lining Numerals} \\ 
% \midrule
% \liningzero & |\liningzero|\SpecialIndex{\liningzero} & Lining numeral 0 \\
% \liningone & |\liningone|\SpecialIndex{\liningone} & Lining numeral 1 \\
% \liningtwo & |\liningtwo|\SpecialIndex{\liningtwo} & Lining numeral 2 \\
% \liningthree & |\liningthree|\SpecialIndex{\liningthree} & Lining numeral 3 \\
% \liningfour & |\liningfour|\SpecialIndex{\liningfour} & Lining numeral 4 \\
% \liningfive & |\liningfive|\SpecialIndex{\liningfive} & Lining numeral 5 \\
% \liningsix & |\liningsix|\SpecialIndex{\liningsix} & Lining numeral 6 \\
% \liningseven & |\liningseven|\SpecialIndex{\liningseven} & Lining numeral 7 \\
% \liningeight & |\liningeight|\SpecialIndex{\liningeight} & Lining numeral 8 \\
% \liningnine & |\liningnine|\SpecialIndex{\liningnine} & Lining numeral 9 \\
% \liningnums{3091} & |\liningnums{3091}| & Convert figures
%	into lining figures \\
% \midrule
% \multicolumn{3}{c}{\itshape Traditional and Innovative Typography} \\ 
% \midrule
% \textnumero & |\textnumero|\SpecialIndex{\textnumero} & Numero \\
% \textrefmark & |\textrefmark|\SpecialIndex{\textrefmark} & Reference mark \\
% \textasterism & |\textasterism|\SpecialIndex{\textasterism} & Asterism \\
% \textfeminineordinal & |\textfeminineordinal|\SpecialIndex{\textfeminineordinal} & Feminine
% 	Ordinal \\
% \textmasculineordinal & |\textmasculineordinal|\SpecialIndex{\textmasculineordinal} & Masculine
% 	Ordinal \\
% \textsupone & |\textsupone|\SpecialIndex{\textsupone} & Superscript 1; superior
% digit 1 \\
% \textsuptwo & |\textsuptwo|\SpecialIndex{\textsuptwo} & Superscript 2; superior
% digit 2 \\
% \textsupthree & |\textsupthree|\SpecialIndex{\textsupthree} & Superscript 3; superior
% digit 3\\
% \textpilcrowsolid & |\textpilcrowsolid|\SpecialIndex{\textpilcrowsolid} & Solid-lined
% 	pilcrow \\
% \textpilcrowoutline & |\textpilcrowoutline|\SpecialIndex{\textpilcrowoutline} & Outlined
% 	pilcrow \\
% \textsection & |\textsection|\SpecialIndex{\textsection} & Section mark \\
% \textdagger & |\textdagger|\SpecialIndex{\textdagger}, |\textdag|\SpecialIndex{\textdag}, |\dag|\SpecialIndex{\dag} & Dagger \\
% \textdbldagger & |\textdbldagger|\SpecialIndex{\textdbldagger}, |\textdbldag|\SpecialIndex{\textdbldag}, |\dbldag|\SpecialIndex{\dbldag} & 
% 	Double dagger \\
% \textpipe & |\textpipe|\SpecialIndex{\textpipe} & Pipe \\
% \textbrokenpipe & |\textbrokenpipe|\SpecialIndex{\textbrokenpipe} & Broken pipe \\
% \textrecipe & |\textrecipe|\SpecialIndex{\textrecipe} & Recipe mark \\
% \textintbang & |\textintbang|\SpecialIndex{\textintbang} & Interrobang \\
% \textopenintbang & |\textopenintbang|\SpecialIndex{\textopenintbang} & Opening interrobang \\
% \midrule
% \multicolumn{3}{c}{\itshape Text-mode Math Symbols} \\ 
% \midrule
% \textprime & |\textprime|\SpecialIndex{\textprime} & Single prime mark \\
% \textdoubleprime & |\textdoubleprime|\SpecialIndex{\textdoubleprime} & Double prime mark \\
% \texttripleprime & |\texttripleprime|\SpecialIndex{\texttripleprime} & Triple prime mark \\
% \textsqrt & |\textsqrt|\SpecialIndex{\textsqrt} & Square root sign; radical \\
% \textquarter & |\textquarter|\SpecialIndex{\textquarter} & One-quarter fraction,
% 	slanted \\
% \texthalf & |\texthalf|\SpecialIndex{\texthalf} & One-half fraction, slanted \\
% \textthreequarters & |\textthreequarters|\SpecialIndex{\textthreequarters} & Three-quarters
% 	fraction, slanted \\
% \textthird & |\textthird|\SpecialIndex{\textthird} & One-third fraction, slanted \\
% \texttwothirds & |\texttwothirds|\SpecialIndex{\texttwothirds} & Two-thirds fraction,
% 	slanted \\
% \textperbiqua & |\textperbiqua|\SpecialIndex{\textperbiqua}, |\textpermille|\SpecialIndex{\textpermille} & Perbiqua,
% 	permille, per thousand \\
% \textpertriqua & |\textpertriqua|\SpecialIndex{\textpertriqua}, |\textpertenmille|\SpecialIndex{\textpertenmille} &
% 	Pertriqua, per ten thousand \\
% \textequals & |\textequals|\SpecialIndex{\textequals} & Equals sign \\
% \textslash & |\textslash|\SpecialIndex{\textslash} & Forward slash \\
% \texttimes & |\texttimes|\SpecialIndex{\texttimes} & Multiplication; times \\
% \textdiv & |\textdiv|\SpecialIndex{\textdiv} & Division sign \\
% \textuparrow & |\textuparrow|\SpecialIndex{\textuparrow} & Upward-pointing arrow \\
% \textdownarrow & |\textdownarrow|\SpecialIndex{\textdownarrow} & Downward-pointing arrow \\
% \textleftarrow & |\textleftarrow|\SpecialIndex{\textleftarrow} & Left-pointing arrow \\
% \textrightarrow & |\textrightarrow|\SpecialIndex{\textrightarrow} & Right-pointing arrow \\
% \midrule
% \multicolumn{3}{c}{\itshape Warning Signs} \\ 
% \midrule
% \textradiation & |\textradiation|\SpecialIndex{\textradiation} & Radiation warning sign \\
% \textradiationnocircle & |\textradiationnocircle|\SpecialIndex{\textradiationnocircle} &
% 	Radiation warning sign, no enclosing circle \\
% \textbiohazard & |\textbiohazard|\SpecialIndex{\textbiohazard} & Biohazard warning sign \\
% \textbiohazardnocircle & |\textbiohazardnocircle|\SpecialIndex{\textbiohazardnocircle} &
% 	Biohazard warning sign, no enclosing circle \\
% \texthighvoltage & |\texthighvoltage|\SpecialIndex{\texthighvoltage} & High voltage warning
% 	sign \\
% \texthighvoltagenotriangle & |\texthighvoltagenotriangle|\SpecialIndex{\texthighvoltagenotriangle} &
% 	High voltage warning sign, no enclosing triangle \\
% \textgeneralwarning & |\textgeneralwarning|\SpecialIndex{\textgeneralwarning} & General
% 	warning sign \\
% \midrule
% \multicolumn{3}{c}{\itshape Bullets and Other Marks} \\ 
% \midrule
% \textbullet & |\textbullet|\SpecialIndex{\textbullet} & Solid circular bullet \\
% \textopenbullet & |\textopenbullet|\SpecialIndex{\textopenbullet} & Open circular bullet \\
% \textheart & |\textheart|\SpecialIndex{\textheart} & Solid heart \\
% \textopenheart & |\textopenheart|\SpecialIndex{\textopenheart} & Open heart \\
% \texteighthnote & |\texteighthnote|\SpecialIndex{\texteighthnote} & Eighth note \\
% \textdiamond & |\textdiamond|\SpecialIndex{\textdiamond} & Solid diamond; solid lozenge \\
% \textopendiamond & |\textopendiamond|\SpecialIndex{\textopendiamond}, |\textlozenge|\SpecialIndex{\textlozenge} & Open 
%	diamond; open lozenge \\
% \textdegree & |\textdegree|\SpecialIndex{\textdegree} & Degree symbol \\
% \textdegreec & |\textdegreec|\SpecialIndex{\textdegreec} & Degrees Celsius \\
% \texttilde & |\texttilde|\SpecialIndex{\texttilde}, |\tilde|\SpecialIndex{\tilde} & Tilde \\
% \midrule
% \multicolumn{3}{c}{\itshape Ornaments and Fleurons} \\ 
% \midrule
% \textrightupfleuron & |\textrightupfleuron|\SpecialIndex{\textrightupfleuron} &
% Rightward-pointing, upward fleuron \\
% \textrightdownfleuron & |\textrightdownfleuron|\SpecialIndex{\textrightdownfleuron} &
% Rightward-pointing, downward fleuron \\
% \textleftupfleuron & |\textleftupfleuron|\SpecialIndex{\textleftupfleuron} &
% Leftward-pointing, upward fleuron \\
% \textleftdownfleuron & |\textleftdownfleuron|\SpecialIndex{\textleftdownfleuron} &
% Leftward-pointing, downward fleuron \\
% \textupleftfleuron & |\textupleftfleuron|\SpecialIndex{\textupleftfleuron} &
% Upward-pointing, leftward fleuron \\
% \textuprightfleuron & |\textuprightfleuron|\SpecialIndex{\textuprightfleuron} &
% Upward-pointing, rightward fleuron \\
% \textdownrightfleuron & |\textdownrightfleuron|\SpecialIndex{\textdownrightfleuron} &
% Downward-pointing, rightward fleuron \\
% \textdownleftfleuron & |\textdownleftfleuron|\SpecialIndex{\textdownleftfleuron} &
% Downward-pointing, leftward fleuron \\
% \textsquaretulip & |\textsquaretulip|\SpecialIndex{\textsquaretulip} &
% Square of four tulips, facing up and down \\
% \textsquaretulipside &
% |\textsquaretulipside|\SpecialIndex{\textsquaretulipside} & Square of four tulips,
% facing left and right \\
% \textupdoubletulip & |\textupdoubletulip|\SpecialIndex{\textupdoubletulip} &
% Double tulips, facing upward \\
% \textdowndoubletulip &
% |\textdowndoubletulip|\SpecialIndex{\textdowndoubletulip} & Double tulips, facing
% downward \\
% \textrightdoubletulip &
% |\textrightdoubletulip|\SpecialIndex{\textrightdoubletulip} & Double tulips, facing
% righward \\
% \textleftdoubletulip &
% |\textleftdoubletulip|\SpecialIndex{\textleftdoubletulip} & Double tulips, facing
% leftward \\
% \textupleftcornertulip &
% |\textupleftcornertulip|\SpecialIndex{\textupleftcornertulip} & Single corner-facing
% tulip, for upper left corners \\
% \textuprightcornertulip &
% |\textuprightcornertulip|\SpecialIndex{\textuprightcornertulip} & Single corner-facing
% tulips, for  upper right corners \\
% \textlowleftcornertulip &
% |\textlowleftcornertulip|\SpecialIndex{\textlowleftcornertulip} & Single corner-facing
% tulips, for lower left corners \\
% \textlowrightcornertulip &
% |\textlowrightcornertulip|\SpecialIndex{\textlowrightcornertulip} & Single
% corner-facing tulip, for lower right corners  \\
% \textupsingletuliplong & |\textupsingletuliplong|\SpecialIndex{\textupsingletuliplong} & Single tulip,
% upward-facing \\
% \textdownsingletuliplong & |\textdownsingletuliplong|\SpecialIndex{\textdownsingletuliplong} & Single
% tulip, downward-facing \\
% \textleftsingletuliplong & |\textleftsingletuliplong|\SpecialIndex{\textleftsingletuliplong} & Single
% tulip, leftward-facing \\
% \textrightsingletuliplong & |\textrightsingletuliplong|\SpecialIndex{\textrightsingletuliplong} & Single
% tulip, rightward-facing \\
% \textupsingletulip & |\textupsingletulip|\SpecialIndex{\textupsingletulip} & Single tulip,
% upright \\
% \textdownsingletulip & |\textdownsingletulip|\SpecialIndex{\textdownsingletulip} & Single
% tulip, downward \\
% \textleftsingletulip & |\textleftsingletulip|\SpecialIndex{\textleftsingletulip} & Single
% tulip, leftward \\
% \textrightsingletulip & |\textrightsingletulip|\SpecialIndex{\textrightsingletulip} & Single
% tulip, rightward \\
% \spearright & |\spearright|\SpecialIndex{\spearright} &
% Rightward-pointing spear head \\
% \spearleft & |\spearleft|\SpecialIndex{\spearleft} &
% Leftward-pointing spear head \\
% \horizspearext &
% |\horizspearext|\SpecialIndex{\horizspearext} & Extension
% piece for horizontal shafts \\
% \spearup & |\spearup|\SpecialIndex{\spearup} &
% Upward-pointing spear head \\
% \speardown & |\speardown|\SpecialIndex{\speardown} &
% Downward-pointing spear head \\
% \vertspearext & |\vertspearext|\SpecialIndex{\vertspearext}
% & Extension piece for vertical shafts \\
% \fleurdelis & |\fleurdelis|, |\fleurdelys|\SpecialIndex{\fleurdelis}
%	\SpecialIndex{\fleurdelys} & Fleur-de-lis \\
% \fleurdelisdown &
% |\fleurdelisdown|, |\fleurdelysdown|\SpecialIndex{\fleurdelisdown}
%	\SpecialIndex{\fleurdelys} & Fleur-de-lis, downward \\
% \fleurdelisleft &
% |\fleurdelisleft|, |\fleurdelysleft|\SpecialIndex{\fleurdelisleft}
%	\SpecialIndex{\fleurdelys} & Fleur-de-lis, leftward \\
% \fleurdelisright &
% |\fleurdelisright|, |\fleurdelysright|\SpecialIndex{\fleurdelisright}
%\SpecialIndex{\fleurdelys} & Fleur-de-lis, rightward \\
% \LARGE\woundcordleftext & |\woundcordleftext|\SpecialIndex{\woundcordleftext} 
%	& Wound cord, leftward facing, extender \\
% \LARGE\woundcordrightext & 
% 	|\woundcordrightext|\SpecialIndex{\woundcordrightext} & 
%	Wound cord, rightward facing, extender \\
% \LARGE\woundcordleftend & |\woundcordleftend|\SpecialIndex{\woundcordleftend} 
%	& Wound cord, left end \\
% \LARGE\woundcordrightend & 
%	|\woundcordrightend|\SpecialIndex{\woundcordrightend} & 
%	Wound cord, right end \\
% \LARGE\woundcordleftendinv & 
%	|\woundcordleftendinv|\SpecialIndex{\woundcordleftendinv} & 
%	Wound cord, left end, inverted \\
% \LARGE\woundcordrightendinv & 
%	|\woundcordrightendinv|\SpecialIndex{\woundcordrightendinv} & 
%	Wound cord, right end, inverted \\
% \end{longtable}
% \end{center}
%
% \label{page:orncomment}
% These ornaments are often quite useful for decorative
% purposes, though textual ornaments are too often neglected
% these days.  (The sturdy |adforn| and intricate
% |psvectorian| packages for \LaTeX\ are notable and
% admirable exceptions.)  The possibilities with even just a
% few decorative shapes are endless.
% 
% \subsection{Special Symbol and Ornamental Commands} 
% \label{sub:ornamentals}
%
% \lettrine{B}{ecause typography} is an ancient art full of arcane
% knowledge, there are some things that simply won't fit
% into the general rules.  As a result, DRM offers a few
% interesting tidbits that your author hasn't found, or
% hasn't found useful, elsewhere.  We start with a few
% commands for using the textual ornaments DRM provides,
% followed by some more mundane but still useful
% typographical tools.
%
% \subsubsection{Ornamental Commands}
% \label{subsub:orncommands}
%
% Having just mentioned the great decorative utility of
% old-fashioned textual ornaments,\footnote{\textit{See
% supra} at \pageref{page:orncomment}.} it would be remiss not to
% offer some tools for actually using such ornaments short
% of entering them in and designing interlocking boxes by
% hand.  Ornaments, being inherently decorative rather than
% systematic, are not always subject to automation; but some
% limited applications can be, and DRM tries to offer some
% help with them.
%
% DRM offers |\tulipframe|\DescribeMacro{\tulipframe}, which
% frames a title in decorative tulip fleurons:
%
% \vskip1em%
% 
% \hbox to\linewidth{\hfil|\tulipframe{\texttc{Example}}|\hfil}%
% {\LARGE\tulipframe{\texttc{Example}}}
%
% \vskip1em%
% 
% The nature of the tulip fleurons in DRM's symbol font is
% such that these frames can be extended or shrunk as one
% wishes.  |\tulipframe|, alas, is not that intelligent; it
% doesn't grow or shrink with the text, but simply sits as
% it is.  Doing better than this will require box-fiddling
% by hand.  However, since DRM offers vertical \emph{and}
% horizontal tulip ornaments, it's possible to have
% ornamental frames of any height or width.
%
% DRM also offers an extremely flexible \emph{rule system},
% allowing the creation of vertical and horizontal rules of
% any length, out of any characters, in the beginning, the
% middle figures, and the end.  Meet
% \DescribeMacro{\extrule}|\extrule|, or \emph{extensible
% rule}, which can produce rules with whatever characters
% you'd like.
%
% |\extrule| requires five arguments, as shown below:
%
% \begin{center}
% \cmd{\extrule} \marg{orient} \marg{len}
% \marg{start} \marg{end} \marg{ext}
% \end{center}
%
% \begin{description}
% \item[orient] The rule's \emph{orientation}.  This can
% take the value \marg{h}, for \emph{horizontal}, or
% \marg{v}, for \emph{vertical}.
% \item[len] The rule's \emph{length}.  This will be the
% total length of the rule, including the start and end
% characters.  It can be passed in any form understood by
% e\TeX's |\numexpr| and |\dimexpr|, meaning that you can 
% give it formul\ae, such as |{0.2\linewidth}|.
% \item[start] The first character in the rule; this means
% either the left character in a horizontal rule, or the
% bottom character in a vertical rule.
% \item[end] The last character in the rule, either the
% right in a horizontal or the top in a vertical.
% \item[ext] The extension character; this is the character
% which will be repeated  until the rule is the appropriate
% length.
% \end{description}
%
% DRM offers several useful characters for producing such
% rules, which are designed to line up properly and thus
% produce attractive decorative rules.  Among these are the
% \emph{spear characters}, and we will demonstrate their use
% with a couple of sample rules:
%
% \begin{center}
% \begin{tabular}{m{0.5\linewidth}c}
% |\extrule{h}{\linewidth/2}{\spearleft}|
% |{\spearright}{\horizspearext}| &
% \extrule{h}{\linewidth/6}{\spearleft}
% {\spearright}{\horizspearext} \\
% |\extrule{v}{\linewidth/6}{\speardown}|
% |{\spearup}{\vertspearext}| &
% \extrule{v}{\linewidth/6}{\speardown}
% {\spearup}{\vertspearext} \\
% \end{tabular}
% \end{center}
%
% Of course, these are typically more useful when longer, as
% in the rule below, which is equal to the |\linewidth|:
%
% \extrule{h}{\linewidth}{\spearleft}{\spearright}{\horizspearext}
%
% As is evident, |\extrule| also suppresses indentation,
% which is almost certainly the right choice.  If you want
% an indent with it, it's easy enough to put one in
% explicitly.
%
% While characters like these, designed to line up
% correctly, are naturally the most likely candidates for
% such rules, you can use any characters you'd like, which
% can sometimes lead to some interesting choices:
%
% |\extrule{h}{\linewidth/2}{\textleftarrow}{\textrightarrow}{\dag}|
%
% \begin{center}
% \extrule{h}{\linewidth/2}{\textleftarrow}{\textrightarrow}{\dag}
% \end{center}
%
% This is a pretty absurd example, of course, but it's
% likely that better ones could and will be devised.
%
% And what about when we desire a special character in the
% \emph{middle} of the rule?  Use \emph{two} |\extrule|s and
% put the symbol you want in the middle between them; make
% sure you comment out the end of your first and second
% lines, so as not to introduce any extraneous spaces:
% 
% \begin{verbatim}
% \extrule{h}{\linewidth/2}{\spearleft}{}{\horizspearext}%
% \textbigcircle%
% \extrule{h}{\linewidth/2}{}{\spearright}{\horizspearext}%
% \end{verbatim}
% \begin{center}
% \extrule{h}{\linewidth/4}{\spearleft}{}{\horizspearext}\textbigcircle\extrule{h}{\linewidth/4}{}{\spearright}{\horizspearext}
% \end{center}
%
% There's no reason we can't put more than one character into
% these slots, as well, if we want to mix them with some
% different characters:
%
% \begin{verbatim}
% \extrule{h}{\linewidth/2}{\spearleft\raisebox{0.8pt}{\textpipe}}%
%		{\raisebox{0.8pt}{\textpipe}\spearright}{\horizspearext}%
% \end{verbatim}
% \begin{center}
% \extrule{h}{\linewidth/2}{\spearleft\raisebox{0.8pt}{\textpipe}}%
%	{\raisebox{0.8pt}{\textpipe}\spearright}{\horizspearext}%
% \end{center}
%
% Some other useful characters for decorative rules are the
% ``wound cord'' characters:
%
% \begin{center}
% \Huge
% \extrule{h}{\linewidth/2}{\drmsym{\char'323}}{\drmsym{\char'322}}{\drmsym{\char'324}}
% \extrule{h}{\linewidth/2}{\drmsym{\char'320}}{\drmsym{\char'321}}{\drmsym{\char'317}}
% \end{center}
% \vskip1em%
%
% Finally, these rules can often form very dignified page
% borders.  The border on this page, for example, was formed
% very simply by the following (using
% |\usepackage[absolute]{textpos}|):
% \setlength{\TPHorizModule}{\linewidth}
% \begin{textblock}{1}(0.22,2)
% \extrule{v}{\textheight/6*7}{\textbigcircle}{\spearup}{\vertspearext}%
% \hskip-1.3em%
% \extrule{h}{8\textwidth/6}{}{\spearright}{\horizspearext}%
% \end{textblock}
%
% \begin{verbatim}
% \setlength{\TPHorizModule}{\linewidth}
% \begin{textblock}{1}(0.22,2)
% \extrule{v}{\textheight/6*7}{\textbigcircle}{\spearup}{\vertspearext}%
% \hskip-1.3em%
% \extrule{h}{8*\textwidth/6}{}{\spearright}{\horizspearext}%
% \end{textblock}
% \end{verbatim}
%
% This takes a little hand-tuning (e.g., the |\hskip| prior
% to the horizontal |\extrule|, and the offset in the
% parentheses), but once done, it can look quite nice.
%
% \subsubsection{Ellipses}
% \label{subsub:ellipses}
%
% DRM also has some unreasonably configurable ellipses.
% Your author included these because he's often been
% displeased by the default ellipsis options.  (Of course,
% there is the excellent |ellipsis| package; but why not fix
% the problem here, when I've got the chance?)  DRM offers
% two ellipsis commands, \DescribeMacro{\drmelip}|\drmelip|,
% which gives a three-dot ellipsis, and
% \DescribeMacro{\drmfelip}|\drmfelip|, which gives a
% four-dot ellipsis.
%
% I was always taught then when an ellipsis occurs after a
% period, four dots should be used, the first dot being the
% period itself and the next three being the ellipsis.
% However, using |\ldots| and similar commands after a
% period always seems to result in spacing that was subtlely
% (or not-so-subtlely) off.  So DRM tries to fix that
% problem with these commands.
%
% The default behavior of the two:
%
% \begin{table}[htbp]
% \begin{center}\Large
% \begin{tabular}{ll}
% |\drmelip| & |Trying out\drmelip the ellipsis.| \\
% {} & Trying out\drmelip the ellipsis. \\
% |\drmfelip| & |\drmelip and so on\drmfelip| \\
% {} & \drmelip and so on\drmfelip \\
% \end{tabular}
% \caption{A demonstration of DRM's two types of ellipses.}
% \end{center}
% \end{table}
%
% It goes without saying, of course, that these ellipses
% won't break across lines.
%
% There are four parameters that govern how these ellipses
% actually appear:  the space before the ellipsis starts,
% the space in between the ellipsis characters, the space
% after the ellipsis ends, and the character used for the
% ellipsis.  Each of these parameters are configurable.
%
% \DescribeMacro{\drmelipgap}|\drmelipgap| is a \LaTeX\
% length which determines how much space is between each
% ellipsis character; reset it, if you like, with the
% standard |\setlength| command.  By default, it is just
% under three points (2.9, to be precise.)
%
% \DescribeMacro{\drmelipbef}|\drmelipbef| and
% \DescribeMacro{\drmelipaft}|\drmelipaft| are, as the names
% imply, the lengths which govern the amount of space
% before and after the ellipsis.  Reset them with the
% \LaTeX\ |\setlength| command.  By default, they are 2.4
% points and 1.4 points, respectively.
%
% Finally, the \DescribeMacro{\drmelipchar}|\drmelipchar|
% macro tells \LaTeX\ what character is used for the
% ellipsis.  By default, this is |.|, but it can be
% |\def|ed or |\renewcommand|ed to be anything you like.
% Always wanted an ellipse made out ampersands for some
% reason?  Or perhaps one made out of daggers?
%
% \vskip2em%
% \hbox to\linewidth{\hfil|\def\drmelipchar{\dag}\drmelip|\hfil}
% \hbox to\linewidth{\hfil\def\drmelipchar{\dag}\drmelip\hfil}
% \vskip2em%
%
% \def\drmelipchar{.}%
% It's probably wise not to abuse this, but it's good for a
% little fun sometimes, and it's easier to use (though
% obviously much less flexible) than \TeX's |\dotfill|
% incantations.
%
% It is occasionally useful, however; e.g., some legal
% writing makes ellipses out of asterisks:
%
% \vskip2em%
% \hbox % to\linewidth{\hfil|\def\drmelipchar{$^*$}The decision is hereby\drmelip reversed.|\hfil}
% \hbox to\linewidth{\hfil\def\drmelipchar{$^*$}The decision is
% hereby\drmelip reversed.\hfil}
% \vskip2em%
%
% \def\drmelipchar{.}%
% So once in a while, we might actually be able to use this
% feature for something other than its novelty value.
%
% \subsubsection{Decorative Initials}
% \label{subsub:decorinit}
%
% DRM, as of v3.0, provides for decorative initials.  These
% are not traditional decorative initials, however, with
% intricate patterns provided individually for each letter.
% They are, rather, formed with a single background pattern,
% with the necessary letter superimposed.  The goal is to
% make the background pattern interchangeable.  The color of
% that background pattern and the color of the foreground
% letter can be controlled separately.  Despite the single
% background pattern, therefore, this provides for a
% remarkable degree of flexibility.
%
% \DescribeMacro{\drmdecinit}|\drmdecinit| is the name of
% the game here, a command which takes five arguments, all
% of which are mandatory.  
%
% \begin{center}
% \cmd{\drmdecinit} \marg{width} \marg{height}
% \marg{bgcolor} \marg{fgcolor} \marg{fgchar}
% \end{center}
%
% These are largely self-explanatory, so a few examples will
% likely do.  Note that |drm| uses the excellent |gmp|
% package to get the \MP\ code to be part of the \LaTeX\
% code, allowing \LaTeX\ to control significant parts of the
% formatting.  This means that one will have to run a shell
% script along with compiling the document, similarly to
% |bibtex|, |makeindex|, or a host of others.
%
% \begin{parcolumns}{2}
% \colchunk[1]{
% \begin{spverbatim}\lettrine[lines=4,nindent=0pt, 
% findent=-1em]{\drmdecinit{40pt}
% {40pt}{blue}{(.625,0,0)}{L}}{orem
% ipsum}\end{spverbatim}}\colchunk[2]{
% \raggedright\begin{spverbatim}\lettrine[lines=4,nindent=0pt,
% findent=-1em]{\drmdecinit{40pt}
% {40pt}{blue}{red}{L}}{orem ipsum}\end{spverbatim}}\end{parcolumns}
% \begin{parcolumns}{2}
% \colchunk[1]{
% \lettrine[lines=4, findent=-1em,nindent=0pt]
%	{\drmdecinit{40pt}{40pt}{blue}{(.625,0,0)}{L}}{orem ipsum}
% dolor sit amet, consectetur adipiscing elit.  Ut porttitor
% libero lacus, a rhoncus dolor finibus vel.  Morbi
% volputate condimentum orna\-re.  In scelerisque 
% aliquam\drmfelip
% }\colchunk[2]{
% \lettrine[lines=4,nindent=0pt,findent=-1em]
%	{\drmdecinit{40pt}{40pt}{blue}{red}{L}}{orem ipsum}
% dolor sit amet, consectetur adipiscing elit.  Ut porttitor
% libero lacus, a rhoncus dolor finibus vel.  Morbi
% volputate condimentum orna\-re.  In scelerisque
% aliquam\drmfelip
% }\end{parcolumns}
%
% \vskip\baselineskip
% The colors are \MP\ colors; unfortunately, this means that
% we can use only ``black,'' ``white,'' ``red,'' ``green,''
% and ``blue'' by name.  However, any valid \MP\ color
% specification will work.  In the example above, for
% example, to get a darker red, one could use |.4red|, or
% one could specify colors in RGB notation, as shown above
% on the left.  Note that, when doing this latter, the
% parentheses are necessary.
%
% These decorative initials lend themselves to some other,
% sometimes unexpected, uses.  For example, decorative
% enumerates.  It is best to use lining figures rather than
% textual figures for this.
%
% DRM offers the command 
% \DescribeMacro{\drmdecinitfont}|\drmdecinitfont|, which is 
% the font which DRM uses for the decorative initials.  Because
% of the internals of the |gmp| package, the simple name of
% the font can't be inserted here; it must be defined in a
% particular way.  The default is, of course, to use DRM,
% and is defined thus:
%
% \begin{spverbatim}
% \def\drmdecinitfont{\unexpanded{\font\drminitfontcom=drm10}}%
% \end{spverbatim}
%
% In other words, one must define the fonts in the
% old-fashioned \TeX\ way.  The above is the default; so
% whenever you've changed it for some reason, you can get it
% back to the above by entering
% \DescribeMacro{\drmdecinitfontdefault}|\drmdecinitfontdefault|;
% this simply restores the default definition as given
% above.
%
% For the ornate enumerations, we can simply redefine
% |\drmdecinitfont| to use the lining figures from |drmsym|,
% which conveniently are located at precisely the code
% points that one would expect them.  Simply issue:
%
% \begin{quote}\begin{spverbatim}
% \def\drmdecinitfont{\unexpanded{\font\drminitfontcom=drmsym10} %}%
% \renewcommand{\labelenumi}{%
% 	\drmdecinit{14pt}{14pt}{blue}{red}{\theenumi}}
% \end{spverbatim}\end{quote}
%
% This redefines |\drmdecinitfont| to use |drmsym| rather
% than simply |drm|, then redefines the enumerate labels to
% be DRM decorative initials, resulting in the following:
%
%\def\drmdecinitfont{\unexpanded{\font\drminitfontcom=drmsym10} %}%
% \renewcommand{\labelenumi}{%
% 	\drmdecinit{14pt}{14pt}{blue}{red}{\theenumi}}
% \begin{quote}
% \begin{enumerate}
% \item The first item.
% \item The second item.
% \end{enumerate}
% \end{quote}
% \drmdecinitfontdefault
%
% \renewcommand{\labelenumi}{\theenumi.}
% Any character whatever can be used this way, provided that
% the font is correctly selected.  Doubtlessly many creative
% uses for this ability will be found.
%
% One trick, almost necessary when using these on any
% significant scale, is a macro to make them less typing.
% For example, to use them as four-line lettrines using
% Daniel Flipo's excellent |lettrine| package:
%
% \def\declettrine#1#2{%
% 	\lettrine[lines=4,nindent=0pt,findent=-1em]%
%	{\drmdecinit{40pt}{40pt}{blue}{red}{#1}}{#2}%
%	}%
% \begin{spverbatim}
% \def\declettrine#1#2{%
% 	\lettrine[lines=4,nindent=0pt,findent=-1em]%
%	{\drmdecinit{40pt}{40pt}{blue}{red}{#1}}{#2}%
%	}%
% \end{spverbatim}
%
% Rather than having to type the whole of the above each
% time now, one can do it in a more natural manner:
%
% \begin{center}
% \begin{tabular}{p{0.4\linewidth}p{0.4\linewidth}}
% \begin{spverbatim}
%\declettrine{L}{orem ipsum} dolor sit amet, consectetur
%adipiscing elit.  Ut porttitor libero lacus, a rhoncus dolor 
%finibus vel.  Morbi volputate condimentum ornare.  In 
%scelerisque aliquam\drmfelip\end{spverbatim} &
% \declettrine{L}{orem ipsum} dolor sit amet, consectetur
% adipiscing elit.  Ut porttitor libero lacus, a rhoncus
% dolor finibus vel.  Morbi volputate condimentum ornare.
% In scelerisque aliquam\drmfelip \\
% \end{tabular}
% \end{center}
% 
%
% \subsection{Math}
% \label{sub:math}
%
% Your author is far from a mathematician, so he's not
% really able to judge the quality of the following; but DRM
% does offer matching math fonts.  These are limited to the
% default \TeX\ math fonts, however; AMS extensions and the
% like are not available.  Perhaps one day (after finishing
% the ornaments and decorative initials) they will be, but
% for now one will have to pull in other fonts for anything
% that goes beyond plain \TeX.  Using them in bold goes a
% long way to making them match the rest of DRM.
%
% First, we have a full set of mathematical Greek letters.
% As seems to be the custom, the capitals are upright and
% the lowercase slanted.  These can all be accessed via the
% customary \TeX\ math character names.
%
% \begin{center}
% \begin{longtable}{llllllll}
% \toprule
% \multicolumn{8}{c}{Greek Letters} \\
% \midrule
% A & |A| & $\alpha$ & |$\alpha$| & B & |B| & $\beta$& |$\beta$| \\
% $\Gamma$& |$\Gamma$| & $\gamma$& |$\gamma$| & $\Delta$& |$\Delta$| &
% $\delta$& |$\delta$| \\ E & |E| & $\epsilon$& |$\epsilon$| & Z &
% 	|Z| &
% $\zeta$ & |$\zeta$| \\ H & |H| & $\eta$& |$\eta$| & $\Theta$& |$\Theta$| &
% $\theta$& |$\theta$| \\ I & |I| & $\iota$& |$\iota$| & K & |K| &
% $\kappa$& |$\kappa$| \\ $\Lambda$& |$\Lambda$| & $\lambda$&
% 	|$\lambda$| & M & |M| &
% $\mu$ & |$\mu$| \\ N & |N| & $\nu$& |$\nu$| & $\Xi$& |$\Xi$| &
% $\xi$& |$\xi$| \\ O & |O| & o & |o| & $\Pi$& |$\Pi$| &
% $\pi$& |$\pi$| \\ P & |P| & $\rho$& |$\rho$| & $\Sigma$& |$\Sigma$| &
% $\sigma$& |$\sigma$| \\ T & |T| & $\tau$& |$\tau$| & Y & |Y| &
% $\upsilon$& |$\upsilon$| \\ $\Phi$& |$\Phi$| & $\phi$& |$\phi$| & X & |X| &
% $\chi$& |$\chi$| \\ $\Psi$& |$\Psi$| & $\psi$& |$\psi$| & $\Omega$&
% 	|$\Omega$| & $\omega$& |$\omega$| \\ $\vartheta$& |$\vartheta$| & $\varpi$&
% 	|$\varpi$| & $\varsigma$& |$\varsigma$| & $\varphi$ &
%	|$\varphi$| \\
% \bottomrule
% \end{longtable}
% \end{center}
%
% This alphabet led directly to DRM's Greek font, which we
% discuss elsewhere.\footnote{\textit{See supra}, Section
% \ref{sub:greek}, at \pageref{sub:greek}.}
%
% \begin{center}
% \begin{longtable}{llllllll}
% \toprule
% \multicolumn{8}{c}{Math Calligraphic} \\
% \midrule
% $\mathcal{A}$ & $\mathcal{B}$ & $\mathcal{C}$ & $\mathcal{D}$ & $\mathcal{E}$ & $\mathcal{F}$ & $\mathcal{G}$ & $\mathcal{H}$ \\
% $\mathcal{I}$ & $\mathcal{J}$ & $\mathcal{K}$ & $\mathcal{L}$ & $\mathcal{M}$ & $\mathcal{N}$ & $\mathcal{O}$ & $\mathcal{P}$ \\
% $\mathcal{Q}$ & $\mathcal{R}$ & $\mathcal{S}$ & $\mathcal{T}$ & $\mathcal{U}$ & $\mathcal{V}$ & $\mathcal{W}$ & $\mathcal{X}$ \\
% $\mathcal{Y}$ & $\mathcal{Z}$ & {} & {} & {} & {} & {} & {} \\
% \bottomrule
% \end{longtable}
% \end{center}
%
% DRM also has its own extensible characters and
% variable-sized math characters; a few examples
% in various sizes are below.
%
% $$ \sum\limits_{i=1}^n i^2 = \frac{n(n+1)(2n+1)}{6} $$
% $$ \prod\limits_{i=1}^n i^2 = \left(\frac{n(n+1)(2n+1)}{6}\right) $$
% $$ \sum\nolimits_{P_i \in Paths(I)} Probes(P_{i}) $$
% $$ \underbrace{\overbrace{abcdefghijklmnop}} $$
%
% By default, using |\big| and friends doesn't work, a
% problem I haven't been able to resolve.  However, by
% requiring |amsmath|, |drm| provides a more directly
% flexible mechanism for this: \DescribeMacro{\bigd}|\bigd|, 
% which allows arbitrarily sized delimiters.  It takes a
% single argument, which is an integer describing the
% desired size:
%
% \begin{center}
% \begin{tabular}{llllll}
% |\bigd{2}\{| & \bigd{2}\{ &
% |\bigd{4}\{| & \bigd{4}\{ &
% |\bigd{8}\{| & \bigd{8}\{ \\
% \end{tabular}
% \end{center}
%
% |\left| and |\right| work as expected with DRM's
% delimiters.
%
% This symbols, of course, also work inline (as opposed to
% displayed, which is what we have above); you can take
% $\sqrt{2\over3}$ and have $(3\times\left(4\over3\right))$ just
% as easily in a paragraph as in a display, though you may
% want to take care that you're not using too much space for
% your lines.  (I didn't take care in this paragraph, and
% you can see how bad it looks.)
%
% \subsection{Greek}
% \label{sub:greek}
%
% Because DRM offers Greek characters in math, it was a
% short step to offer actual Greek text, and so I've done
% so, according to the standard LGR encoding.  I can just
% barely read the Greek alphabet and remember very little of
% the grammar, and what little I once knew was all ancient
% and koine, but here it is.  DRM's Greek support is
% limited; while it offers all the normal \emph{polutoniko}
% accents, subscripts, and breathings, along with some
% archaic characters like the digamma, there is no italic,
% small caps, or various weights.  DRM isn't, therefore,
% really suitable for typesetting whole Greek works; it
% will, however, offer attractive typesetting of Greek
% phrases and quotations within a text set otherwise in the
% Latin alphabet.
%
% The |\grktext|\DescribeMacro{\grktext}\ command changes the
% current font encoding to LGR, which for DRM's purposes
% means it's typesetting with Greek characters from then on.
% The macro |\textgrk|\DescribeMacro{\textgrk}\ is similar,
% but takes a single argument, which is typeset in Greek
% characters.  A few examples follow.
%
% \begin{center}
% \begin{tabular}{p{0.4\textwidth}p{0.4\textwidth}}
% \begin{spverbatim}We know that \textgrk{Aqilleuc} was one of the Greeks' greatest warriors.\end{spverbatim} &
% \begin{spverbatim}{\grktext >En {>a}rq\char'254\ {>~h}n {<o} l{\'o}goc, ka{\'i} {<o} l{\'o}goc {\~>h}n pr{\'o}c t{\'o}n je{\'o}n, ka{\'i} je{\'o}c {>\~h}n {<o} l{\'o}goc.}\end{spverbatim} \\
% We know that \textgrk{Aqilleuc} was one 
% of the Greeks' greatest warriors. &
% {\grktext >En {>a}rq\char'254\
% {>~h}n {<o} l{\'o}goc, ka{\'i} {<o} l{\'o}goc {\~>h}n
% pr{\'o}c t{\'o}n je{\'o}n, ka{\'i} je{\'o}c {>\~h}n {<o}
% l{\'o}goc.} \\
% \end{tabular}
% \end{center}
%
% I understand that |babel| has facilities for making the
% typesetting of all the \textgrk{polutoniko} accents much
% cleaner, but I don't write enough in Greek to have learned
% to use it, resulting in the mess you see above.  Note that
% |drm| (the package) does \emph{not} pull in |babel| or the
% |polutoniko| option, or any other Greek typesetting
% package; it simply provides the fonts.  If you're
% typesetting long enough passages that you need Greek
% hyphenation and the like, you'll have to invoke the
% appropriate package yourself.
%
% \section{Implementation}
% \label{sect:code}
% 
% Load the required packages.  DRM contains TS1, LGR, OML,
% OMS, and T1 encoded fonts, so we load |fontenc| with all
% these encodings as options.  We also load |modroman| for 
% the |\romanize| macro, defined below.  Finally, we load
% |gmp| for the decorative initials (this allows including
% \MP\ code in \LaTeX\ source).
%    \begin{macrocode}
\RequirePackage[LGR,OML,OMS,TS1,T1]{fontenc}
\RequirePackage{modroman}
\RequirePackage{amsmath}
\RequirePackage{gmp}
%    \end{macrocode}
% Now we declare our options.
%    \begin{macrocode}
\newif\ifnodefault\nodefaultfalse
\newif\ifnodefaultmath\nodefaultmathfalse
\newif\ifnodefaulttext\nodefaulttextfalse
\newif\ifsymbolsonly\symbolsonlyfalse
\newif\iftypeone\typeonefalse
\DeclareOption{nodefault}{\nodefaulttrue\nodefaultmathtrue%
	\nodefaulttexttrue}
\DeclareOption{nodefaultmath}{\nodefaultmathtrue}
\DeclareOption{nodefaulttext}{\nodefaulttexttrue}
\DeclareOption{symbolsonly}{\symbolsonlytrue\nodefaulttrue%
	\nodefaulttexttrue\nodefaultmathtrue}
\DeclareOption{typeone}{\typeonetrue}
\ProcessOptions
%    \end{macrocode}
% Begin defining the font families.  First, define the fonts
% with the file |drm.map| if the option |typeone| was
% requested; otherwise, load the \MF\ files directly.
%    \begin{macrocode}
\iftypeone
	\RequirePackage{ifpdf}
	\ifpdf
		\pdfmapfile{=drm.map}
	\fi
	\DeclareFontFamily{T1}{drm}{}
	\DeclareFontFamily{TS1}{drm}{}
	\DeclareFontFamily{LGR}{drm}{}
	\DeclareFontFamily{U}{drmsups}{}
	\DeclareFontFamily{U}{drminfs}{}
	\DeclareFontFamily{T1}{drmdoz}{}
	\DeclareFontShape{T1}{drmdoz}{m}{n}{ <-7> drmdoz6 
		<7> drmdoz7 <8> drmdoz8 <9> drmdoz9 <10-12> drmdoz10 
		<12-13> drmdoz12 <14-17> drmdoz14 <17-24> drmdoz17 
		<24-> drmdoz24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{sl}{ <-7> drmdozsl6 
		<7> drmdozsl7 <8> drmdozsl8 <9> drmdozsl9 <10-12> drmdozsl10 
		<12-13> drmdozsl12 <14-17> drmdozsl14 <17-24> drmdozsl17 
		<24-> drmdozsl24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{it}{ <-7> drmdozit6 
		<7> drmdozit7 <8> drmdozit8 <9> drmdozit9 <10-12> drmdozit10 
		<12-13> drmdozit12 <14-17> drmdozit14 <17-24> drmdozit17 
		<24-> drmdozit24 }{}
	\DeclareFontShape{T1}{drmdoz}{l}{n}{ <-7> drmdozl6 
		<7> drmdozl7 <8> drmdozl8 <9> drmdozl9 <10-12> drmdozl10 
		<12-13> drmdozl12 <14-17> drmdozl14 <17-24> drmdozl17 
		<24-> drmdozl24 }{}
	\DeclareFontShape{T1}{drmdoz}{b}{n}{ <-7> drmdozb6 
		<7> drmdozb7 <8> drmdozb8 <9> drmdozb9 <10-12> drmdozb10 
		<12-13> drmdozb12 <14-17> drmdozb14 <17-24> drmdozb17 
		<24-> drmdozb24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{n}{ <-7> drmdozbx6 
		<7> drmdozbx7 <8> drmdozbx8 <9> drmdozbx9 <10-12> drmdozbx10 
		<12-13> drmdozbx12 <14-17> drmdozbx14 <17-24> drmdozbx17 
		<24-> drmdozbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{it}{ <-7> drmdozitbx6 
		<7> drmdozitbx7 <8> drmdozitbx8 <9> drmdozitbx9 <10-12> drmdozitbx10 
		<12-13> drmdozitbx12 <14-17> drmdozitbx14 <17-24> drmdozitbx17 
		<24-> drmdozitbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{ui}{ <-7> drmdozui6 
		<7> drmdozui7 <8> drmdozui8 <9> drmdozui9 <10-12> drmdozui10 
		<12-13> drmdozui12 <14-17> drmdozui14 <17-24> drmdozui17 
		<24-> drmdozui24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{ui}{ <-7> drmdozuibx6 
		<7> drmdozuibx7 <8> drmdozuibx8 <9> drmdozuibx9 <10-12> drmdozuibx10 
		<12-13> drmdozuibx12 <14-17> drmdozuibx14 <17-24> drmdozuibx17 
		<24-> drmdozuibx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{sc}{ <-7> drmdozsc6 
		<7> drmdozsc7 <8> drmdozsc8 <9> drmdozsc9 <10-12> drmdozsc10 
		<12-13> drmdozsc12 <14-17> drmdozsc14 <17-24> drmdozsc17 
		<24-> drmdozsc24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{tc}{ <-7> drmdoztc6 
		<7> drmdoztc7 <8> drmdoztc8 <9> drmdoztc9 <10-12> drmdoztc10 
		<12-13> drmdoztc12 <14-17> drmdoztc14 <17-24> drmdoztc17 
		<24-> drmdoztc24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{sc}{ <-7> drmdozscbx6 
		<7> drmdozscbx7 <8> drmdozscbx8 <9> drmdozscbx9 <10-12> drmdozscbx10 
		<12-13> drmdozscbx12 <14-17> drmdozscbx14 <17-24> drmdozscbx17 
		<24-> drmdozscbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{tc}{ <-7> drmdoztcbx6 
		<7> drmdoztcbx7 <8> drmdoztcbx8 <9> drmdoztcbx9 <10-12> drmdoztcbx10 
		<12-13> drmdoztcbx12 <14-17> drmdoztcbx14 <17-24> drmdoztcbx17 
		<24-> drmdoztcbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{itsc}{<-7> drmdozitsc6 <7> 
		drmdozitsc7 <8> drmdozitsc8 <9> drmdozitsc9 <10-12> 
		drmdozitsc10 <12-14> drmdozitsc12 <14-17> drmdozitsc14 
		<17-24> drmdozitsc17 <24-> drmdozitsc24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{ittc}{<-7> drmdozittc6 <7> 
		drmdozittc7 <8> drmdozittc8 <9> drmdozittc9 <10-12> 
		drmdozittc10 <12-14> drmdozittc12 <14-17> drmdozittc14 
		<17-24> drmdozittc17 <24-> drmdozittc24 }{}
	\DeclareFontShape{U}{drminfs}{m}{n}{ <-7> drminf6 
		<7> drminf7 <8> drminf8 <9> drminf9 <10-12> drminf10 
		<12-13> drminf12 <14-17> drminf14 <17-24> drminf17 
		<24-> drminf24 }{}
	\DeclareFontShape{U}{drmsups}{m}{n}{ <-7> drmfigs6 
		<7> drmfigs7 <8> drmfigs8 <9> drmfigs9 <10-12> drmfigs10 
		<12-13> drmfigs12 <14-17> drmfigs14 <17-24> drmfigs17 
		<24-> drmfigs24 }{}
	\DeclareFontShape{T1}{drm}{m}{n}{ <-7> drm6 <7> drm7 <8> drm8
		<9> drm9 <10-12> drm10 <12-13> drm12 <14-17> drm14 
		<17-24> drm17 <24-> drm24 }{}
	\DeclareFontShape{T1}{drm}{m}{sc}{<-7> drmsc6 <7> drmsc7 
		<8> drmsc8 <9> drmsc9 <10-12> drmsc10 <12-14> drmsc12 
		<14-17> drmsc14 <17-24> drmsc17 <24-> drmsc24 }{}
	\DeclareFontShape{T1}{drm}{m}{tc}{<-7> drmtc6 <7> drmtc7 
		<8> drmtc8 <9> drmtc9 <10-12> drmtc10 <12-14> drmtc12 
		<14-17> drmtc14 <17-24> drmtc17 <24-> drmtc24 }{}
	\DeclareFontShape{T1}{drm}{bx}{sc}{<-7> drmscbx6 <7> drmscbx7 
		<8> drmscbx8 <9> drmscbx9 <10-12> drmscbx10 <12-14> drmscbx12 
		<14-17> drmscbx14 <17-24> drmscbx17 <24-> drmscbx24 }{}
	\DeclareFontShape{T1}{drm}{bx}{tc}{<-7> drmtcbx6 <7> drmtcbx7 
		<8> drmtcbx8 <9> drmtcbx9 <10-12> drmtcbx10 <12-14> drmtcbx12 
		<14-17> drmtcbx14 <17-24> drmtcbx17 <24-> drmtcbx24 }{}
	\DeclareFontShape{T1}{drm}{m}{itsc}{<-7> drmitsc6 <7> drmitsc7 
		<8> drmitsc8 <9> drmitsc9 <10-12> drmitsc10 <12-14> drmitsc12 
		<14-17> drmitsc14 <17-24> drmitsc17 <24-> drmitsc24 }{}
	\DeclareFontShape{T1}{drm}{m}{ittc}{<-7> drmittc6 <7> drmittc7 
		<8> drmittc8 <9> drmittc9 <10-12> drmittc10 <12-14> drmittc12 
		<14-17> drmittc14 <17-24> drmittc17 <24-> drmittc24 }{}
	\DeclareFontShape{T1}{drm}{m}{sl}{<-7> drmsl6 <7> drmsl7 
		<8> drmsl8 <9> drmsl9 <10-12> drmsl10 <12-14> drmsl12 
		<14-17> drmsl14 <17-24> drmsl17 <24-> drmsl24 }{}
	\DeclareFontShape{T1}{drm}{m}{it}{ <-7> drmit6 <7> drmit7 
		<8> drmit8 <9> drmit9 <10-12> drmit10 <12-14> drmit12 
		<14-17> drmit14 <17-24> drmit17 <24-> drmit24 }{}
	\DeclareFontShape{T1}{drm}{bx}{it}{ <-7> drmitbx6 <7> drmitbx7 
		<8> drmitbx8 <9> drmitbx9 <10-12> drmitbx10 <12-14> drmitbx12 
		<14-17> drmitbx14 <17-24> drmitbx17 <24-> drmitbx24 }{}
	\DeclareFontShape{T1}{drm}{m}{ui}{<-7> drmui6 <7> drmui7 
		<8> drmui8 <9> drmui9 <10-12> drmui10 <12-14> drmui12 
		<14-17> drmui14 <17-24> drmui17 <24-> drmui24 }{}
	\DeclareFontShape{T1}{drm}{bx}{ui}{<-7> drmuibx6 <7> drmuibx7 
		<8> drmuibx8 <9> drmuibx9 <10-12> drmuibx10 <12-14> drmuibx12 
		<14-17> drmuibx14 <17-24> drmuibx17 <24-> drmuibx24 }{}
	\DeclareFontShape{T1}{drm}{l}{n}{<-7> drml6 <7> drml7 
		<8> drml8 <9> drml9 <10-12> drml10 <12-14> drml12 
		<14-17> drml14 <17-24> drml17 <24-> drml24 }{}
	\DeclareFontShape{T1}{drm}{b}{n}{<-7> drmb6 <7> drmb7 
		<8> drmb8 <9> drmb9 <10-12> drmb10 <12-14> drmb12 
		<14-17> drmb14 <17-24> drmb17 <24-> drmb24 }{}
	\DeclareFontShape{T1}{drm}{bx}{n}{<-7> drmbx6 <7> drmbx7 
		<8> drmbx8 <9> drmbx9 <10-12> drmbx10 <12-14> drmbx12 
		<14-17> drmbx14 <17-24> drmbx17 <24-> drmbx24 }{}
	\DeclareFontShape{TS1}{drm}{m}{n}{<-7> drmsym7 
		<8> drmsym8 <9> drmsym9 <10-12> drmsym10 <12-14> drmsym12 
		<14-17> drmsym14 <17-24> drmsym17 <24-> drmsym24 }{}
	\DeclareFontShape{LGR}{drm}{m}{n}{<-> drmgrk10 }{}
	\DeclareSymbolFont{dozens}{T1}{drmdoz}{m}{n}
\else
	\DeclareFontFamily{T1}{drm}{}
	\DeclareFontFamily{TS1}{drm}{}
	\DeclareFontFamily{LGR}{drm}{}
	\DeclareFontFamily{U}{drmsups}{}
	\DeclareFontFamily{U}{drminfs}{}
	\DeclareFontFamily{T1}{drmdoz}{}
	\DeclareFontShape{T1}{drmdoz}{m}{n}{ <-7> drmdoz6 
		<7> drmdoz7 <8> drmdoz8 <9> drmdoz9 <10-12> drmdoz10 
		<12-13> drmdoz12 <14-17> drmdoz14 <17-24> drmdoz17 
		<24-> drmdoz24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{sl}{ <-7> drmdozsl6 
		<7> drmdozsl7 <8> drmdozsl8 <9> drmdozsl9 <10-12> drmdozsl10 
		<12-13> drmdozsl12 <14-17> drmdozsl14 <17-24> drmdozsl17 
		<24-> drmdozsl24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{it}{ <-7> drmdozit6 
		<7> drmdozit7 <8> drmdozit8 <9> drmdozit9 <10-12> drmdozit10 
		<12-13> drmdozit12 <14-17> drmdozit14 <17-24> drmdozit17 
		<24-> drmdozit24 }{}
	\DeclareFontShape{T1}{drmdoz}{l}{n}{ <-7> drmdozl6 
		<7> drmdozl7 <8> drmdozl8 <9> drmdozl9 <10-12> drmdozl10 
		<12-13> drmdozl12 <14-17> drmdozl14 <17-24> drmdozl17 
		<24-> drmdozl24 }{}
	\DeclareFontShape{T1}{drmdoz}{b}{n}{ <-7> drmdozb6 
		<7> drmdozb7 <8> drmdozb8 <9> drmdozb9 <10-12> drmdozb10 
		<12-13> drmdozb12 <14-17> drmdozb14 <17-24> drmdozb17 
		<24-> drmdozb24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{n}{ <-7> drmdozbx6 
		<7> drmdozbx7 <8> drmdozbx8 <9> drmdozbx9 <10-12> drmdozbx10 
		<12-13> drmdozbx12 <14-17> drmdozbx14 <17-24> drmdozbx17 
		<24-> drmdozbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{it}{ <-7> drmdozitbx6 
		<7> drmdozitbx7 <8> drmdozitbx8 <9> drmdozitbx9 <10-12> drmdozitbx10 
		<12-13> drmdozitbx12 <14-17> drmdozitbx14 <17-24> drmdozitbx17 
		<24-> drmdozitbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{ui}{ <-7> drmdozui6 
		<7> drmdozui7 <8> drmdozui8 <9> drmdozui9 <10-12> drmdozui10 
		<12-13> drmdozui12 <14-17> drmdozui14 <17-24> drmdozui17 
		<24-> drmdozui24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{ui}{ <-7> drmdozuibx6 
		<7> drmdozuibx7 <8> drmdozuibx8 <9> drmdozuibx9 <10-12> drmdozuibx10 
		<12-13> drmdozuibx12 <14-17> drmdozuibx14 <17-24> drmdozuibx17 
		<24-> drmdozuibx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{sc}{ <-7> drmdozsc6 
		<7> drmdozsc7 <8> drmdozsc8 <9> drmdozsc9 <10-12> drmdozsc10 
		<12-13> drmdozsc12 <14-17> drmdozsc14 <17-24> drmdozsc17 
		<24-> drmdozsc24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{tc}{ <-7> drmdoztc6 
		<7> drmdoztc7 <8> drmdoztc8 <9> drmdoztc9 <10-12> drmdoztc10 
		<12-13> drmdoztc12 <14-17> drmdoztc14 <17-24> drmdoztc17 
		<24-> drmdoztc24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{sc}{ <-7> drmdozscbx6 
		<7> drmdozscbx7 <8> drmdozscbx8 <9> drmdozscbx9 <10-12> drmdozscbx10 
		<12-13> drmdozscbx12 <14-17> drmdozscbx14 <17-24> drmdozscbx17 
		<24-> drmdozscbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{bx}{tc}{ <-7> drmdoztcbx6 
		<7> drmdoztcbx7 <8> drmdoztcbx8 <9> drmdoztcbx9 <10-12> drmdoztcbx10 
		<12-13> drmdoztcbx12 <14-17> drmdoztcbx14 <17-24> drmdoztcbx17 
		<24-> drmdoztcbx24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{itsc}{<-7> drmdozitsc6 <7> 
		drmdozitsc7 <8> drmdozitsc8 <9> drmdozitsc9 <10-12> 
		drmdozitsc10 <12-14> drmdozitsc12 <14-17> drmdozitsc14 
		<17-24> drmdozitsc17 <24-> drmdozitsc24 }{}
	\DeclareFontShape{T1}{drmdoz}{m}{ittc}{<-7> drmdozittc6 <7> 
		drmdozittc7 <8> drmdozittc8 <9> drmdozittc9 <10-12> 
		drmdozittc10 <12-14> drmdozittc12 <14-17> drmdozittc14 
		<17-24> drmdozittc17 <24-> drmdozittc24 }{}
	\DeclareFontShape{U}{drminfs}{m}{n}{ <-7> drminf6 
		<7> drminf7 <8> drminf8 <9> drminf9 <10-12> drminf10 
		<12-13> drminf12 <14-17> drminf14 <17-24> drminf17 
		<24-> drminf24 }{}
	\DeclareFontShape{U}{drmsups}{m}{n}{ <-7> drmfigs6 
		<7> drmfigs7 <8> drmfigs8 <9> drmfigs9 <10-12> drmfigs10 
		<12-13> drmfigs12 <14-17> drmfigs14 <17-24> drmfigs17 
		<24-> drmfigs24 }{}
	\DeclareFontShape{T1}{drm}{m}{n}{ <-7> drm6 <7> drm7 <8> drm8
		<9> drm9 <10-12> drm10 <12-13> drm12 <14-17> drm14 
		<17-24> drm17 <24-> drm24 }{}
	\DeclareFontShape{T1}{drm}{m}{sc}{<-7> drmsc6 <7> drmsc7 
		<8> drmsc8 <9> drmsc9 <10-12> drmsc10 <12-14> drmsc12 
		<14-17> drmsc14 <17-24> drmsc17 <24-> drmsc24 }{}
	\DeclareFontShape{T1}{drm}{m}{tc}{<-7> drmtc6 <7> drmtc7 
		<8> drmtc8 <9> drmtc9 <10-12> drmtc10 <12-14> drmtc12 
		<14-17> drmtc14 <17-24> drmtc17 <24-> drmtc24 }{}
	\DeclareFontShape{T1}{drm}{bx}{sc}{<-7> drmscbx6 <7> drmscbx7 
		<8> drmscbx8 <9> drmscbx9 <10-12> drmscbx10 <12-14> drmscbx12 
		<14-17> drmscbx14 <17-24> drmscbx17 <24-> drmscbx24 }{}
	\DeclareFontShape{T1}{drm}{bx}{tc}{<-7> drmtcbx6 <7> drmtcbx7 
		<8> drmtcbx8 <9> drmtcbx9 <10-12> drmtcbx10 <12-14> drmtcbx12 
		<14-17> drmtcbx14 <17-24> drmtcbx17 <24-> drmtcbx24 }{}
	\DeclareFontShape{T1}{drm}{m}{itsc}{<-7> drmitsc6 <7> drmitsc7 
		<8> drmitsc8 <9> drmitsc9 <10-12> drmitsc10 <12-14> drmitsc12 
		<14-17> drmitsc14 <17-24> drmitsc17 <24-> drmitsc24 }{}
	\DeclareFontShape{T1}{drm}{m}{ittc}{<-7> drmittc6 <7> drmittc7 
		<8> drmittc8 <9> drmittc9 <10-12> drmittc10 <12-14> drmittc12 
		<14-17> drmittc14 <17-24> drmittc17 <24-> drmittc24 }{}
	\DeclareFontShape{T1}{drm}{m}{sl}{<-7> drmsl6 <7> drmsl7 
		<8> drmsl8 <9> drmsl9 <10-12> drmsl10 <12-14> drmsl12 
		<14-17> drmsl14 <17-24> drmsl17 <24-> drmsl24 }{}
	\DeclareFontShape{T1}{drm}{m}{it}{ <-7> drmit6 <7> drmit7 
		<8> drmit8 <9> drmit9 <10-12> drmit10 <12-14> drmit12 
		<14-17> drmit14 <17-24> drmit17 <24-> drmit24 }{}
	\DeclareFontShape{T1}{drm}{bx}{it}{ <-7> drmitbx6 <7> drmitbx7 
		<8> drmitbx8 <9> drmitbx9 <10-12> drmitbx10 <12-14> drmitbx12 
		<14-17> drmitbx14 <17-24> drmitbx17 <24-> drmitbx24 }{}
	\DeclareFontShape{T1}{drm}{m}{ui}{<-7> drmui6 <7> drmui7 
		<8> drmui8 <9> drmui9 <10-12> drmui10 <12-14> drmui12 
		<14-17> drmui14 <17-24> drmui17 <24-> drmui24 }{}
	\DeclareFontShape{T1}{drm}{bx}{ui}{<-7> drmuibx6 <7> drmuibx7 
		<8> drmuibx8 <9> drmuibx9 <10-12> drmuibx10 <12-14> drmuibx12 
		<14-17> drmuibx14 <17-24> drmuibx17 <24-> drmuibx24 }{}
	\DeclareFontShape{T1}{drm}{l}{n}{<-7> drml6 <7> drml7 
		<8> drml8 <9> drml9 <10-12> drml10 <12-14> drml12 
		<14-17> drml14 <17-24> drml17 <24-> drml24 }{}
	\DeclareFontShape{T1}{drm}{b}{n}{<-7> drmb6 <7> drmb7 
		<8> drmb8 <9> drmb9 <10-12> drmb10 <12-14> drmb12 
		<14-17> drmb14 <17-24> drmb17 <24-> drmb24 }{}
	\DeclareFontShape{T1}{drm}{bx}{n}{<-7> drmbx6 <7> drmbx7 
		<8> drmbx8 <9> drmbx9 <10-12> drmbx10 <12-14> drmbx12 
		<14-17> drmbx14 <17-24> drmbx17 <24-> drmbx24 }{}
	\DeclareFontShape{TS1}{drm}{m}{n}{<-7> drmsym7 
		<8> drmsym8 <9> drmsym9 <10-12> drmsym10 <12-14> drmsym12 
		<14-17> drmsym14 <17-24> drmsym17 <24-> drmsym24 }{}
	\DeclareFontShape{LGR}{drm}{m}{n}{<-> drmgrk10 }{}
	\DeclareSymbolFont{dozens}{T1}{drmdoz}{m}{n}
\fi
%    \end{macrocode}
% Next, we define the appropriate dozenal characters using
% the DRM dozenal fonts if and only if the |dozenal| package
% is loaded.  If you want to override this behavior and use
% the default, Computer Modern-ish |dozenal| fonts, load
% |dozenal| \emph{after} |drm|.
%    \begin{macrocode}
\@ifpackageloaded{dozenal}{%
	\def\doz#1{{\fontfamily{drmdoz}\fontencoding{T1}\selectfont #1}}%
	\def\drmsupfont{drmsups}\def\drminffont{drminfs}%
	\renewcommand\x{%
		\ifx\f@family\drmsupfont X%
		\else\ifx\f@family\drminffont X%
		\else\TextOrMath{\protect\doz{{X}}}{\doz@X}\fi\fi}%
	\renewcommand\e{%
		\ifx\f@family\drmsupfont E%
		\else\ifx\f@family\drminffont E%
		\else\TextOrMath{\protect\doz{{E}}}{\doz@E}\fi\fi}%
	\DeclareMathSymbol{\doz@X}{\mathord}{dozens}{88}%
	\DeclareMathSymbol{\doz@E}{\mathord}{dozens}{69}%
}{}
%    \end{macrocode}
% Now, set the default text font as DRM unless |nodefault|
% or |nodefaulttext| has been specified.  Also redefine the
% default footnote counters to use superior figures rather
% than automatically scaled figures.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaulttext\else
	\renewcommand\encodingdefault{T1}
	\renewcommand\familydefault{drm}
	\def\f@@n@te{footnote}
	\def\@makefnmark{%
		\hbox{\drmsupfigs\@thefnmark}
	}%
\fi\fi
%    \end{macrocode}
% Give ourselves a shortcut to access the short-tailed
% letter ``q,'' just in case we need it.
%    \begin{macrocode}
\def\drmshortq{{\usefont{T1}{drm}{m}{n}\char'137}}
%    \end{macrocode}
% That gives us the satisfying ``\drmshortq'' rather than
% the ``Q'' we would otherwise get.  Useful for circumstance
% when the ``Q'' is followed by characters which hang
% below the baseline, or in a dropped initial.
%
% Now we move on to define commands for the more unusual
% shapes, since \LaTeXe\ doesn't have them built in.  We
% start with \texttc{titling small caps}, then move on to
% \textui{upright italics}.  We also define |\textgrk| and
% |\grktext|, for typesetting in Greek characters.  Finally,
% we also define the commands to produce the superior and
% inferior figures.
%    \begin{macrocode}
\def\tcshape{\fontshape{tc}\selectfont}
\def\texttc#1{{\tcshape#1}}
\def\ittcshape{\fontshape{ittc}\selectfont}
\def\textittc#1{{\ittcshape#1}}
\def\itscshape{\fontshape{itsc}\selectfont}
\def\textitsc#1{{\itscshape#1}}
\def\uishape{\fontshape{ui}\selectfont}
\def\textui#1{{\uishape#1}}
\def\grktext{\fontencoding{LGR}\selectfont}
\def\textgrk#1{{\grktext#1}}
\def\drmsupfigs{\usefont{U}{drmsups}{m}{n}}
\def\textdrmsupfigs#1{{\drmsupfigs#1}}
\def\drminffigs{\usefont{U}{drminfs}{m}{n}}
\def\textdrminffigs#1{{\drminffigs#1}}
%    \end{macrocode}
% Next, we define the weights.  We know that |\textbf| will
% give us normal boldface, and that |\textmd| will return us
% to medium weight; but since DRM also has a light weight
% and a bold non-extended, we need to define commands for
% those, as well.
%    \begin{macrocode}
\def\lseries{\fontseries{l}\selectfont}
\def\textl#1{{\lseries#1}}
\def\bseries{\fontseries{b}\selectfont}
\def\textb#1{{\bseries#1}}
%    \end{macrocode}
% Moving on, we define size commands based on
% traditional English-language printers' names.  Why?
% \emph{Because we can}, that's why.
%    \begin{macrocode}
\def\loosen{\addtolength{\baselineskip}{1pt}}
\def\excelsior{\fontsize{3pt}{3.5pt}\selectfont}
\def\minikin{\excelsior}
\def\brilliant{\fontsize{4pt}{4.5pt}\selectfont}
\def\diamondsize{\fontsize{4.5pt}{5pt}\selectfont}
\def\pearl{\fontsize{5pt}{6pt}\selectfont}
\def\agate{\fontsize{5.5pt}{6.5pt}\selectfont}
\def\ruby{\agate}
\def\nonpareille{\fontsize{6pt}{7pt}\selectfont}
\def\minionette{\fontsize{6.5pt}{7.5pt}\selectfont}
\def\emerald{\minionette}
\def\minion{\fontsize{7pt}{8pt}\selectfont}
\def\brevier{\fontsize{8pt}{9pt}\selectfont}
\def\petit{\brevier}
\def\smalltext{\brevier}
\def\bourgeois{\fontsize{9pt}{10pt}\selectfont}
\def\galliard{\bourgeois}
\def\longprimer{\fontsize{10pt}{12pt}\selectfont}
\def\corpus{\longprimer}
\def\garamond{\longprimer}
\def\smallpica{\fontsize{11pt}{13pt}\selectfont}
\def\philosophy{\smallpica}
\def\pica{\fontsize{12pt}{15pt}\selectfont}
\def\english{\fontsize{14pt}{17pt}\selectfont}
\def\mittel{\english}
\def\augustin{\english}
\def\columbian{\fontsize{16pt}{19pt}\selectfont}
\def\twolinebrevier{\columbian}
\def\greatprimer{\fontsize{18pt}{22pt}\selectfont}
\def\paragon{\fontsize{20pt}{24pt}\selectfont}
\def\doublesmallpica{\fontsize{21pt}{25pt}\selectfont}
\def\doublesmallpicaus{\fontsize{22pt}{26pt}\selectfont}
\def\doublepicabrit{\doublesmallpicaus}
\def\doublepica{\fontsize{24pt}{28pt}\selectfont}
\def\twolinepica{\doublepica}
\def\doubleenglish{\fontsize{28pt}{33pt}\selectfont}
\def\twolineenglish{\doubleenglish}
\def\fivelinenonpareil{\fontsize{30pt}{35pt}\selectfont}
\def\fourlinebrevier{\fontsize{32pt}{38pt}\selectfont}
\def\doublegreatprimer{\fontsize{36pt}{42pt}\selectfont}
\def\twolinegreatprimer{\doublegreatprimer}
\def\meridian{\fontsize{44pt}{50pt}\selectfont}
\def\twolinedoublepica{\meridian}
\def\trafalgar{\meridian}
\def\canon{\fontsize{48pt}{54pt}\selectfont}
\def\fourline{\canon}
\def\fivelinepica{\fontsize{60pt}{66pt}\selectfont}
\def\inch{\fontsize{72pt}{78pt}\selectfont}
%    \end{macrocode}
% Now we move on to define the math fonts.  This turned out
% to be a surprisingly convoluted process, and I only
% marginally understand what's going on here; but it works,
% and I'll try to go through it as best as I can.
%
% First, we make \LaTeX\ aware of our math fonts:
%    \begin{macrocode}
\DeclareFontFamily{OML}{drm}{}
\DeclareFontShape{OML}{drm}{m}{n}{ <-> drmmi10 }{}
\DeclareFontFamily{OMS}{drm}{}
\DeclareFontShape{OMS}{drm}{m}{n}{ <-> drmsy10 }{}
\DeclareFontFamily{OMX}{drm}{}
\DeclareFontShape{OMX}{drm}{m}{n}{ <-> drmomx10 }{}
%    \end{macrocode}
% Next, we declare something called a math \emph{version};
% this way we can define new math shapes without clobbering
% the default settings.  I'm not sure why this is really
% necessary, but it appears to be; so we define a math
% version |drmmath|:
%    \begin{macrocode}
\DeclareMathVersion{drmmath}
%    \end{macrocode}
% Now we define our symbol fonts.  This lets \LaTeX\ know
% where to yank its symbols from when typesetting a math
% formula.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\SetSymbolFont{operators}{drmmath}{T1}{drm}{m}{n}
\SetSymbolFont{letters}{drmmath}{OML}{drm}{m}{n}
\DeclareSymbolFont{symbs}{TS1}{drm}{m}{n}
\SetSymbolFont{symbs}{drmmath}{TS1}{drm}{m}{n}
\DeclareSymbolFont{drmmathsy}{OMS}{drm}{m}{n}
\SetSymbolFont{drmmathsy}{drmmath}{OMS}{drm}{m}{n}
\DeclareSymbolFont{drmmathomx}{OMX}{drm}{m}{n}
\SetSymbolFont{drmmathomx}{drmmath}{OMX}{drm}{m}{n}
\fi\fi
%    \end{macrocode}
% Now we write in our \emph{math alphabets}, so that when we
% request |\mathcal| or something similar we'll get DRM and
% not Computer Modern.  We define |\mathcal|, of course, and
% also |\drmmathlets|, just in case we want to request DRM
% directly.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathAlphabet{\drmmathlets}{OML}{drm}{m}{n}
\SetMathAlphabet{\drmmathlets}{drmmath}{OML}{drm}{m}{n}
\DeclareMathAlphabet{\mathcal}{OMS}{drm}{m}{n}
\SetMathAlphabet{\mathcal}{drmmath}{OMS}{drm}{m}{n}
\fi\fi
%    \end{macrocode}
% Now ensure that we get lining figures in math mode.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{0}{0}{symbs}{48}
\DeclareMathSymbol{1}{0}{symbs}{49}
\DeclareMathSymbol{2}{0}{symbs}{50}
\DeclareMathSymbol{3}{0}{symbs}{51}
\DeclareMathSymbol{4}{0}{symbs}{52}
\DeclareMathSymbol{5}{0}{symbs}{53}
\DeclareMathSymbol{6}{0}{symbs}{54}
\DeclareMathSymbol{7}{0}{symbs}{55}
\DeclareMathSymbol{8}{0}{symbs}{56}
\DeclareMathSymbol{9}{0}{symbs}{57}
\fi\fi
%    \end{macrocode}
% Now, it appears to be necessary to redefine all the math
% symbols, so we do that.  Beginning with the Greek letters:
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{\Gamma}{0}{letters}{0}
\DeclareMathSymbol{\Delta}{0}{letters}{1}
\DeclareMathSymbol{\Theta}{0}{letters}{2}
\DeclareMathSymbol{\Lambda}{0}{letters}{3}
\DeclareMathSymbol{\Xi}{0}{letters}{4}
\DeclareMathSymbol{\Pi}{0}{letters}{5}
\DeclareMathSymbol{\Sigma}{0}{letters}{6}
\DeclareMathSymbol{\Upsilon}{0}{letters}{7}
\DeclareMathSymbol{\Phi}{0}{letters}{8}
\DeclareMathSymbol{\Psi}{0}{letters}{9}
\DeclareMathSymbol{\Omega}{0}{letters}{10}
\DeclareMathSymbol{\alpha}{0}{letters}{11}
\DeclareMathSymbol{\beta}{0}{letters}{12}
\DeclareMathSymbol{\gamma}{0}{letters}{13}
\DeclareMathSymbol{\delta}{0}{letters}{14}
\DeclareMathSymbol{\epsilon}{0}{letters}{15}
\DeclareMathSymbol{\zeta}{0}{letters}{16}
\DeclareMathSymbol{\eta}{0}{letters}{17}
\DeclareMathSymbol{\theta}{0}{letters}{18}
\DeclareMathSymbol{\iota}{0}{letters}{19}
\DeclareMathSymbol{\kappa}{0}{letters}{20}
\DeclareMathSymbol{\lambda}{0}{letters}{21}
\DeclareMathSymbol{\mu}{0}{letters}{22}
\DeclareMathSymbol{\nu}{0}{letters}{23}
\DeclareMathSymbol{\xi}{0}{letters}{24}
\DeclareMathSymbol{\pi}{0}{letters}{25}
\DeclareMathSymbol{\rho}{0}{letters}{26}
\DeclareMathSymbol{\sigma}{0}{letters}{27}
\DeclareMathSymbol{\tau}{0}{letters}{28}
\DeclareMathSymbol{\upsilon}{0}{letters}{29}
\DeclareMathSymbol{\phi}{0}{letters}{30}
\DeclareMathSymbol{\chi}{0}{letters}{31}
\DeclareMathSymbol{\psi}{0}{letters}{32}
\DeclareMathSymbol{\omega}{0}{letters}{33}
\DeclareMathSymbol{\varepsilon}{0}{letters}{34}
\DeclareMathSymbol{\vartheta}{0}{letters}{35}
\DeclareMathSymbol{\varpi}{0}{letters}{36}
\DeclareMathSymbol{\varrho}{0}{letters}{37}
\DeclareMathSymbol{\varsigma}{0}{letters}{38}
\DeclareMathSymbol{\varphi}{0}{letters}{39}
\fi\fi
%    \end{macrocode}
% Now let's define some of the other symbols in the OML
% encoding.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{\leftharpoonup}{0}{letters}{40}
\DeclareMathSymbol{\leftharpoondown}{0}{letters}{41}
\DeclareMathSymbol{\rightharpoonup}{0}{letters}{42}
\DeclareMathSymbol{\rightharpoondown}{0}{letters}{43}
\DeclareMathSymbol{\triangleright}{0}{letters}{46}
\DeclareMathSymbol{\triangleleft}{0}{letters}{47}
\DeclareMathSymbol{\flat}{0}{letters}{91}
\DeclareMathSymbol{\natural}{0}{letters}{92}
\DeclareMathSymbol{\sharp}{0}{letters}{93}
\DeclareMathSymbol{\smile}{0}{letters}{94}
\DeclareMathSymbol{\frown}{0}{letters}{95}
\DeclareMathSymbol{\ell}{0}{letters}{96}
\DeclareMathSymbol{\imath}{0}{letters}{123}
\DeclareMathSymbol{\jmath}{0}{letters}{124}
\DeclareMathSymbol{\wp}{0}{letters}{125}
\fi\fi
%    \end{macrocode}
% Now we go on to define the symbols from the OMS-encoded
% fonts.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{-}{2}{drmmathsy}{'000}
\DeclareMathSymbol{\cdot}{2}{drmmathsy}{'001}
\DeclareMathSymbol{\times}{2}{drmmathsy}{'002}
\DeclareMathSymbol{\ast}{2}{drmmathsy}{'003}
\DeclareMathSymbol{\div}{2}{drmmathsy}{'004}
\DeclareMathSymbol{\diamond}{2}{drmmathsy}{'005}
\DeclareMathSymbol{\pm}{2}{drmmathsy}{'006}
\DeclareMathSymbol{\mp}{2}{drmmathsy}{'007}
\DeclareMathSymbol{\oplus}{2}{drmmathsy}{'010}
\DeclareMathSymbol{\ominus}{2}{drmmathsy}{'011}
\DeclareMathSymbol{\otimes}{2}{drmmathsy}{'012}
\DeclareMathSymbol{\oslash}{2}{drmmathsy}{'013}
\DeclareMathSymbol{\odot}{2}{drmmathsy}{'014}
\DeclareMathSymbol{\bigcirc}{2}{drmmathsy}{'015}
\DeclareMathSymbol{\circ}{2}{drmmathsy}{'016}
\DeclareMathSymbol{\bullet}{2}{drmmathsy}{'017}
\DeclareMathSymbol{\asymp}{3}{drmmathsy}{'020}
\DeclareMathSymbol{\equiv}{3}{drmmathsy}{'021}
\DeclareMathSymbol{\subseteq}{3}{drmmathsy}{'022}
\DeclareMathSymbol{\supseteq}{3}{drmmathsy}{'023}
\DeclareMathSymbol{\leq}{3}{drmmathsy}{'024}
\DeclareMathSymbol{\geq}{3}{drmmathsy}{'025}
\DeclareMathSymbol{\preceq}{3}{drmmathsy}{'026}
\DeclareMathSymbol{\succeq}{3}{drmmathsy}{'027}
\DeclareMathSymbol{\sim}{3}{drmmathsy}{'030}
\DeclareMathSymbol{\approx}{3}{drmmathsy}{'031}
\DeclareMathSymbol{\subset}{3}{drmmathsy}{'032}
\DeclareMathSymbol{\supset}{3}{drmmathsy}{'033}
\DeclareMathSymbol{\ll}{3}{drmmathsy}{'034}
\DeclareMathSymbol{\gg}{3}{drmmathsy}{'035}
\DeclareMathSymbol{\prec}{3}{drmmathsy}{'036}
\DeclareMathSymbol{\succ}{3}{drmmathsy}{'037}
\DeclareMathSymbol{\simeq}{3}{drmmathsy}{'047}
\DeclareMathSymbol{\propto}{3}{drmmathsy}{'057}
\DeclareMathSymbol{\prime}{0}{drmmathsy}{'060}
\DeclareMathSymbol{'}{0}{drmmathsy}{'060}
\DeclareMathSymbol{\infty}{0}{drmmathsy}{'061}
\DeclareMathSymbol{\in}{0}{drmmathsy}{'062}
\DeclareMathSymbol{\ni}{0}{drmmathsy}{'063}
\DeclareMathSymbol{\bigtriangleup}{2}{drmmathsy}{'064}
\DeclareMathSymbol{\bigtriangledown}{2}{drmmathsy}{'065}
\DeclareMathSymbol{/}{2}{drmmathsy}{'066}
%\DeclareMathSymbol{'}{2}{drmmathsy}{'067}
\DeclareMathSymbol{\forall}{2}{drmmathsy}{'070}
\DeclareMathSymbol{\exists}{2}{drmmathsy}{'071}
\DeclareMathSymbol{\neg}{2}{drmmathsy}{'072}
\DeclareMathSymbol{\emptyset}{2}{drmmathsy}{'073}
\DeclareMathSymbol{\Im}{0}{drmmathsy}{'074}
\DeclareMathSymbol{\Re}{0}{drmmathsy}{'075}
\DeclareMathSymbol{\top}{0}{drmmathsy}{'076}
\DeclareMathSymbol{\bot}{0}{drmmathsy}{'077}
%\DeclareMathSymbol{\aleph}{0}{drmmathsy}{'080}
\DeclareMathSymbol{\cup}{2}{drmmathsy}{'133}
\DeclareMathSymbol{\cap}{2}{drmmathsy}{'134}
\DeclareMathSymbol{\uplus}{2}{drmmathsy}{'135}
\DeclareMathSymbol{\wedge}{2}{drmmathsy}{'136}
\DeclareMathSymbol{\vee}{2}{drmmathsy}{'137}
\DeclareMathSymbol{\vdash}{3}{drmmathsy}{'140}
\DeclareMathSymbol{\dashv}{3}{drmmathsy}{'141}
\fi\fi
%    \end{macrocode}
% Now we define some arrow symbols; there is a surprisingly
% large variety of these.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{\leftarrow}{0}{drmmathsy}{'040}
\DeclareMathSymbol{\rightarrow}{0}{drmmathsy}{'041}
\DeclareMathSymbol{\leftrightarrow}{0}{drmmathsy}{'044}
\DeclareMathSymbol{\nearrow}{0}{drmmathsy}{'045}
\DeclareMathSymbol{\searrow}{0}{drmmathsy}{'046}
\DeclareMathSymbol{\Leftarrow}{0}{drmmathsy}{'050}
\DeclareMathSymbol{\Rightarrow}{0}{drmmathsy}{'051}
\DeclareMathSymbol{\Leftrightarrow}{0}{drmmathsy}{'054}
\DeclareMathSymbol{\nwarrow}{0}{drmmathsy}{'055}
\DeclareMathSymbol{\swarrow}{0}{drmmathsy}{'056}
\DeclareMathSymbol{\wr}{2}{drmmathsy}{'157}
\DeclareMathSymbol{\surd}{0}{drmmathsy}{'160}
\DeclareMathSymbol{\amalg}{2}{drmmathsy}{'161}
\DeclareMathSymbol{\nabla}{0}{drmmathsy}{'162}
\DeclareMathSymbol{\sqcup}{2}{drmmathsy}{'164}
\DeclareMathSymbol{\sqcap}{2}{drmmathsy}{'165}
\DeclareMathSymbol{\sqsubseteq}{2}{drmmathsy}{'166}
\DeclareMathSymbol{\sqsupseteq}{2}{drmmathsy}{'167}
\DeclareMathSymbol{\dagger}{2}{drmmathsy}{'171}
\DeclareMathSymbol{\ddagger}{2}{drmmathsy}{'172}
\DeclareMathSymbol{:}{2}{operators}{'072}
\DeclareMathSymbol{;}{0}{operators}{'073}
\DeclareMathSymbol{.}{0}{letters}{'072}
\DeclareMathSymbol{,}{0}{operators}{'054}
\DeclareMathSymbol{\ldotp}{0}{letters}{'072}
\DeclareMathSymbol{\clubsuit}{0}{letters}{'174}
\DeclareMathSymbol{\diamondsuit}{0}{letters}{'175}
\DeclareMathSymbol{\heartsuit}{0}{letters}{'176}
\DeclareMathSymbol{\spadesuit}{0}{letters}{'177}
\DeclareMathSymbol{\partial}{0}{drmmathsy}{'100}
\fi\fi
%    \end{macrocode}
% Now we define some of the large/small symbols, like |\sum|
% and |\prod|.  It proved necessary to cancel out the
% previous definitions of these, or \LaTeX\ complained about
% them being already defined; it seems that it ought to be
% possible to redefine them only for a given math version,
% but I haven't figured it out yet.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\let\coprod\relax
\DeclareMathSymbol{\coprod}{\mathop}{drmmathomx}{"60}
\let\bigvee\relax
\DeclareMathSymbol{\bigvee}{\mathop}{drmmathomx}{"57}
\let\bigwedge\relax
\DeclareMathSymbol{\bigwedge}{\mathop}{drmmathomx}{"56}
\let\biguplus\relax
\DeclareMathSymbol{\biguplus}{\mathop}{drmmathomx}{"55}
\let\bigcap\relax
\DeclareMathSymbol{\bigcap}{\mathop}{drmmathomx}{"54}
\let\bigcup\relax
\DeclareMathSymbol{\bigcup}{\mathop}{drmmathomx}{"53}
\let\intop\relax
\DeclareMathSymbol{\intop}{\mathop}{drmmathomx}{"52}
    \def\int{\intop\nolimits}
\let\prod\relax
\DeclareMathSymbol{\prod}{\mathop}{drmmathomx}{"51}
\let\sum\relax
\DeclareMathSymbol{\sum}{\mathop}{drmmathomx}{"50}
\let\bigotimes\relax
\DeclareMathSymbol{\bigotimes}{\mathop}{drmmathomx}{"4E}
\let\bigoplus\relax
\DeclareMathSymbol{\bigoplus}{\mathop}{drmmathomx}{"4C}
\let\bigodot\relax
\DeclareMathSymbol{\bigodot}{\mathop}{drmmathomx}{"4A}
\let\ointcup\relax
\DeclareMathSymbol{\ointop}{\mathop}{drmmathomx}{"48}
    \def\oint{\ointop\nolimits}
\let\bigsqcup\relax
\DeclareMathSymbol{\bigsqcup}{\mathop}{drmmathomx}{"46}
\fi\fi
%    \end{macrocode}
% Moving on to delimiters.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathSymbol{|}{0}{drmmathsy}{'152}
\let\backslash\relax\DeclareMathSymbol{\backslash}{0}{drmmathsy}{'156}
\fi\fi
%    \end{macrocode}
% Declare the math accents.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathAccent{\vec}{\mathord}{letters}{126}
\DeclareMathAccent{\acute}{\mathalpha}{operators}{1}
\DeclareMathAccent{\hat}{\mathalpha}{operators}{2}
\DeclareMathAccent{\grave}{\mathalpha}{operators}{0}
\DeclareMathAccent{\check}{\mathalpha}{operators}{7}
\DeclareMathAccent{\bar}{\mathalpha}{operators}{9}
\DeclareMathAccent{\dot}{\mathalpha}{operators}{10}
\DeclareMathAccent{\ddot}{\mathalpha}{operators}{4}
\DeclareMathAccent{\breve}{\mathalpha}{operators}{8}
\DeclareMathAccent{\tilde}{\mathalpha}{operators}{3}
\fi\fi
%    \end{macrocode}
% Declare our math delimiters, so that \TeX's
% delimiter-expanding magic can work with our new
% characters.
%    \begin{macrocode}
\def\bigd#1{\bBigg@{#1}}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathDelimiter{(}{\mathopen}{operators}{"28}
	{drmmathomx}{"00}
\DeclareMathDelimiter{)}{\mathopen}{operators}{"29}
	{drmmathomx}{"01}
\let\{\relax\let\}\relax
\DeclareMathDelimiter{\{}{\mathopen}{operators}{"7B}
	{drmmathomx}{"08}
\DeclareMathDelimiter{\}}{\mathopen}{operators}{"7D}
	{drmmathomx}{"09}
\DeclareMathDelimiter{[}{\mathopen}{operators}{"5B}
	{drmmathomx}{"02}
\DeclareMathDelimiter{]}{\mathopen}{operators}{"5D}
	{drmmathomx}{"03}
\DeclareMathDelimiter{\lfloor}{\mathopen}{drmmathsy}{"62}
	{drmmathomx}{"04}
\DeclareMathDelimiter{\rfloor}{\mathclose}{drmmathsy}{"63}
	{drmmathomx}{"05}
\DeclareMathDelimiter{\lceil}{\mathopen}{drmmathsy}{"64}
	{drmmathomx}{"06}
\DeclareMathDelimiter{\rceil}{\mathclose}{drmmathsy}{"65}
	{drmmathomx}{"07}
\DeclareMathDelimiter{\langle}{\mathopen}{drmmathsy}{"68}
	{drmmathomx}{"0A}
\DeclareMathDelimiter{\rangle}{\mathclose}{drmmathsy}{"69}
	{drmmathomx}{"0B}
\DeclareMathDelimiter{|}{\mathclose}{drmmathomx}{"0C}
	{drmmathomx}{"0C}
\DeclareMathDelimiter{\vert}{\mathclose}{drmmathomx}{"0C}
	{drmmathomx}{"0C}
\DeclareMathDelimiter{\|}{\mathclose}{drmmathomx}{"0D}
	{drmmathomx}{"0D}
\DeclareMathDelimiter{\Vert}{\mathclose}{drmmathomx}{"0D}
	{drmmathomx}{"0D}
\DeclareMathDelimiter{\uparrow}{\mathrel}{drmmathomx}{"78}
	{drmmathomx}{"78}
\DeclareMathDelimiter{\downarrow}{\mathrel}{drmmathomx}{"79}
	{drmmathomx}{"79}
\DeclareMathDelimiter{\updownarrow}{\mathrel}{drmmathsy}{"6C}
	{drmmathomx}{"3F}
\DeclareMathDelimiter{\Uparrow}{\mathrel}{drmmathsy}{"2A}
	{drmmathomx}{"7E}
\DeclareMathDelimiter{\Downarrow}{\mathrel}{drmmathsy}{"2B}
	{drmmathomx}{"7F}
\DeclareMathDelimiter{\Updownarrow}{\mathrel}{drmmathsy}{"6D}
	{drmmathomx}{"77}
\fi\fi
%    \end{macrocode}
% Next, we define a \emph{math radical}, which essentially
% means a square root sign.  Curiously, the thickness of the
% rule enclosing the square root sign is governed by the
% \emph{height} of the square root character; this means
% that almost the entire character is \emph{depth}.  I had
% to jimmy a bit with the default \LaTeX\ |\sqrt| definition
% to make the root numbers (say, the 3 for the cube root)
% line up properly, as well, which is what all the |\r@@t|
% business here is.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
\DeclareMathRadical{\sqrtsign}{drmmathsy}{"70}{drmmathomx}{"70}
\DeclareRobustCommand\sqrt{\@ifnextchar[\@sqrt\sqrtsign}
\def\r@@t#1#2{
	\setbox\z@\hbox{$\m@th#1\sqrtsign{#2}$}
	\dimen@\ht\z@ \advance\dimen@-\dp\z@
	\mkern5mu\raise.8\dimen@\copy\rootbox
	\mkern-7mu\box\z@}
\fi\fi
%    \end{macrocode}
% Now, finally, we declare |drmmath| to be the default math
% version, so that all this will become the norm in a
% document declaring the |drm| package.  Unless, of course,
% either |nodefault| or |nodefaultmath| has been specified
% as an option.
%    \begin{macrocode}
\ifnodefault\else\ifnodefaultmath\else
	\mathversion{drmmath}
\fi\fi
%    \end{macrocode}
% Now we define the special symbols.  First, we define
% |\drmsym|, which takes a single argument to be typeset
% from the |drmsym| font.   Then we define a (rather huge)
% macro for redefining all the symbols.  This macro will be
% called only if |nodefault| or |nodefaulttext| have not
% been selected, or if |symbolsonly| has been selected.
%    \begin{macrocode}
\def\drmsym#1{{\fontencoding{TS1}\selectfont\fontfamily{drm}\selectfont#1}}
\def\drmsymbolredef{
	\def\textbigcircle{\drmsym{\char'117}}
	\def\textregistered{\drmsym{\char'256}}
	\def\texttrademark{\drmsym{\char'227}}
	\def\textservicemark{\drmsym{\char'237}}
	\def\textsoundrecording{\drmsym{\char'255}}
	\def\textcopyright{\drmsym{\char'251}}
	\def\textcopyleft{\drmsym{\char'253}}
	\def\textborn{\drmsym{\char'142}}
	\def\textdied{\drmsym{\char'144}}
	\def\textdivorced{\drmsym{\char'143}}
	\def\textmarried{\drmsym{\char'155}}
	\def\textleaf{\drmsym{\char'154}}
	\def\textmale{\drmsym{\char'153}}
	\def\textfemale{\drmsym{\char'145}}
	\def\textcrusadecross{\drmsym{\char'130}}
	\def\textcrusadecrossoutline{\drmsym{\char'131}}
	\def\textlatincross{\drmsym{\char'144}}
	\def\textlatincrossoutline{\drmsym{\char'134}}
	\def\textgreekcross{\drmsym{\char'170}}
	\def\textgreekcrossoutline{\drmsym{\char'171}}
	\def\textsaltirecross{\drmsym{\char'172}}
	\def\textsaltirecrossoutline{\drmsym{\char'173}}
	\def\texteucharist{\drmsym{\char'120}}
	\def\textstardavid{\drmsym{\char'140}}
	\def\textstardavidsolid{\drmsym{\char'141}}
	\def\textstardavidoutline{\drmsym{\char'151}}
	\def\textsun{\drmsym{\char'330}}
	\def\textsunvar{\drmsym{\char'331}}
	\def\textwaxcrescent{\drmsym{\char'332}}
	\def\textfullmoon{\drmsym{\char'333}}
	\def\textwanecrescent{\drmsym{\char'334}}
	\def\textnewmoon{\drmsym{\char'335}}
	\def\textmercury{\drmsym{\char'336}}
	\def\textearth{\drmsym{\char'337}}
	\def\textterra{\drmsym{\char'337}}
	\def\textearthvar{\drmsym{\char'340}}
	\def\textterravar{\drmsym{\char'340}}
	\def\textmars{\drmsym{\char'153}}
	\def\textvenus{\drmsym{\char'145}}
	\def\textjupiter{\drmsym{\char'341}}
	\def\textsaturn{\drmsym{\char'342}}
	\def\texturanus{\drmsym{\char'343}}
	\def\texturanusvar{\drmsym{\char'344}}
	\def\textneptune{\drmsym{\char'345}}
	\def\textceres{\drmsym{\char'346}}
	\def\textpallas{\drmsym{\char'347}}
	\def\textjuno{\drmsym{\char'350}}
	\def\textjunovar{\drmsym{\char'351}}
	\def\textvesta{\drmsym{\char'352}}
	\def\textvestavar{\drmsym{\char'353}}
	\def\textastraea{\drmsym{\char'354}}
	\def\textastraeavar{\drmsym{\char'355}}
	\def\texthebe{\drmsym{\char'356}}
	\def\textiris{\drmsym{\char'357}}
	\def\textaries{\drmsym{\char'360}}
	\def\textari{\drmsym{\char'360}}
	\def\texttaurus{\drmsym{\char'361}}
	\def\texttau{\drmsym{\char'361}}
	\def\textgemini{\drmsym{\char'362}}
	\def\textgem{\drmsym{\char'362}}
	\def\textcancer{\drmsym{\char'363}}
	\def\textcnc{\drmsym{\char'363}}
	\def\textleo{\drmsym{\char'364}}
	\def\textvirgo{\drmsym{\char'365}}
	\def\textvir{\drmsym{\char'365}}
	\def\textlibra{\drmsym{\char'367}}
	\def\textlib{\drmsym{\char'367}}
	\def\textscorpius{\drmsym{\char'370}}
	\def\textsco{\drmsym{\char'370}}
	\def\textsagittarius{\drmsym{\char'371}}
	\def\textsgr{\drmsym{\char'371}}
	\def\textcapricorn{\drmsym{\char'372}}
	\def\textcap{\drmsym{\char'372}}
	\def\textaquarius{\drmsym{\char'373}}
	\def\textaqr{\drmsym{\char'373}}
	\def\textpisces{\drmsym{\char'374}}
	\def\textpsc{\drmsym{\char'374}}
	\def\textpluto{\drmsym{\char'375}}
	\def\textplutovar{\drmsym{\char'376}}
	\def\textstar{\drmsym{\char'142}}
	\def\textcomet{\drmsym{\char'377}}
	\def\textquadrature{\drmsym{\char'310}}
	\def\textopposition{\drmsym{\char'311}}
	\def\textconjunction{\drmsym{\char'312}}
	\def\textascendingnode{\drmsym{\char'315}}
	\def\textdescendingnode{\drmsym{\char'314}}
	\def\textdollarsign{\drmsym{\char'044}}
	\def\textolddollarsign{\drmsym{\char'212}}
	\def\textcentsign{\drmsym{\char'242}}
	\def\textoldcentsign{\drmsym{\char'213}}
	\def\textpoundsterling{\drmsym{\char'243}}
	\def\textoldpoundsterling{\drmsym{\char'222}}
	\def\textlira{\drmsym{\char'222}}
	\def\texteuro{\drmsym{\char'277}}
	\def\textyen{\drmsym{\char'245}}
	\def\textbaht{\drmsym{\char'232}}
	\def\textcolon{\drmsym{\char'215}}
	\def\textdong{\drmsym{\char'226}}
	\def\textflorin{\drmsym{\char'214}}
	\def\textguarani{\drmsym{\char'220}}
	\def\textnaira{\drmsym{\char'217}}
	\def\textpeso{\drmsym{\char'221}}
	\def\textruble{\drmsym{\char'221}}
	\def\textwon{\drmsym{\char'216}}
	\def\textcurrency{\drmsym{\char'244}}
	\def\romone{\drmsym{\char'100}}
	\def\romfive{\drmsym{\char'101}}
	\def\romten{\drmsym{\char'102}}
	\def\romfifty{\drmsym{\char'103}}
	\def\romhundred{\drmsym{\char'104}}
	\def\romfivehundred{\drmsym{\char'105}}
	\def\romthousand{\drmsym{\char'106}}
	\def\liningzero{\drmsym{\char'060}}
	\def\liningone{\drmsym{\char'061}}
	\def\liningtwo{\drmsym{\char'062}}
	\def\liningthree{\drmsym{\char'063}}
	\def\liningfour{\drmsym{\char'064}}
	\def\liningfive{\drmsym{\char'065}}
	\def\liningsix{\drmsym{\char'066}}
	\def\liningseven{\drmsym{\char'067}}
	\def\liningeight{\drmsym{\char'070}}
	\def\liningnine{\drmsym{\char'071}}
	\def\textnumero{\drmsym{\char'233}}
	\def\textrefmark{\drmsym{\char'270}}
	\def\textasterism{\drmsym{\char'302}}
	\def\textfeminineordinal{\drmsym{\char'252}}
	\def\textmasculineordinal{\drmsym{\char'272}}
	\def\textsupone{\drmsym{\char'271}}
	\def\textsuptwo{\drmsym{\char'262}}
	\def\textsupthree{\drmsym{\char'263}}
	\def\textpilcrowsolid{\drmsym{\char'231}}
	\def\textpilcrowoutline{\drmsym{\char'266}}
	\def\textsection{\drmsym{\char'247}}
	\def\textdagger{\drmsym{\char'204}}
	\def\textdag{\drmsym{\char'204}}
	\def\dag{\drmsym{\char'204}}
	\def\textdbldagger{\drmsym{\char'205}}
	\def\textdbldag{\drmsym{\char'205}}
	\def\dbldag{\drmsym{\char'205}}
	\def\textpipe{\drmsym{\char'206}}
	\def\textbrokenpipe{\drmsym{\char'246}}
	\def\textprime{\drmsym{\char'264}}
	\def\textdoubleprime{\drmsym{\char'303}}
	\def\texttripleprime{\drmsym{\char'313}}
	\def\textsqrt{\drmsym{\char'273}}
	\def\textquarter{\drmsym{\char'274}}
	\def\texthalf{\drmsym{\char'275}}
	\def\textthreequarters{\drmsym{\char'276}}
	\def\textthird{\drmsym{\char'304}}
	\def\texttwothirds{\drmsym{\char'305}}
	\def\textpermille{\drmsym{\char'207}}
	\def\textperbiqua{\drmsym{\char'207}}
	\def\textpertenmille{\drmsym{\char'230}}
	\def\textpertriqua{\drmsym{\char'230}}
	\def\textequals{\drmsym{\char'055}}
	\def\textslash{\drmsym{\char'057}}
	\def\texttimes{\drmsym{\char'326}}
	\def\textdiv{\drmsym{\char'366}}
	\def\textradiation{\drmsym{\char'161}}
	\def\textradiationnocircle{\drmsym{\char'160}}
	\def\textbiohazard{\drmsym{\char'163}}
	\def\textbiohazardnocircle{\drmsym{\char'162}}
	\def\texthighvoltage{\drmsym{\char'166}}
	\def\texthighvoltagenotriangle{\drmsym{\char'165}}
	\def\textgeneralwarning{\drmsym{\char'164}}
	\def\textuparrow{\drmsym{\char'136}}
	\def\textdownarrow{\drmsym{\char'137}}
	\def\textleftarrow{\drmsym{\char'030}}
	\def\textrightarrow{\drmsym{\char'031}}
	\def\textrecipe{\drmsym{\char'223}}
	\def\textintbang{\drmsym{\char'224}}
	\def\textopenintbang{\drmsym{\char'225}}
	\def\textbullet{\drmsym{\char'210}}
	\def\textopenbullet{\drmsym{\char'236}}
	\def\textheart{\drmsym{\char'174}}
	\def\textopenheart{\drmsym{\char'175}}
	\def\texteighthnote{\drmsym{\char'156}}
	\def\textdiamond{\drmsym{\char'306}}
	\def\textopendiamond{\drmsym{\char'307}}
	\def\textlozenge{\drmsym{\char'307}}
	\def\textdegree{\drmsym{\char'260}}
	\def\texttilde{\drmsym{\char'176}}
	\def\textasciitilde{\texttilde}
	\def\tilde{\texttilde}
	\def\textasciicircum{\drmsym{\char'002}}
	\def\textdegreec{\drmsym{\char'211}}
	\def\textrightupfleuron{\drmsym{\char'016}}
	\def\textrightdownfleuron{\drmsym{\char'017}}
	\def\textleftupfleuron{\drmsym{\char'020}}
	\def\textleftdownfleuron{\drmsym{\char'021}}
	\def\textupleftfleuron{\drmsym{\char'050}}
	\def\textuprightfleuron{\drmsym{\char'051}}
	\def\textdownrightfleuron{\drmsym{\char'077}}
	\def\textdownleftfleuron{\drmsym{\char'107}}
	\def\textsquaretulip{\drmsym{\char'023}}
	\def\textsquaretulipside{\drmsym{\char'046}}
	\def\textupdoubletulip{\drmsym{\char'024}}
	\def\textdowndoubletulip{\drmsym{\char'027}}
	\def\textrightdoubletulip{\drmsym{\char'036}}
	\def\textleftdoubletulip{\drmsym{\char'037}}
	\def\textupleftcornertulip{\drmsym{\char'053}}
	\def\textuprightcornertulip{\drmsym{\char'072}}
	\def\textlowleftcornertulip{\drmsym{\char'073}}
	\def\textlowrightcornertulip{\drmsym{\char'110}}
	\def\textupsingletuliplong{\drmsym{\char'111}}
	\def\textdownsingletuliplong{\drmsym{\char'112}}
	\def\textleftsingletuliplong{\drmsym{\char'113}}
	\def\textrightsingletuliplong{\drmsym{\char'114}}
	\def\textupsingletulip{\drmsym{\char'116}}
	\def\textdownsingletulip{\drmsym{\char'121}}
	\def\textleftsingletulip{\drmsym{\char'122}}
	\def\textrightsingletulip{\drmsym{\char'123}}
	\def\spearright{\drmsym{\char'124}}
	\def\spearleft{\drmsym{\char'125}}
	\def\horizspearext{\drmsym{\char'126}}
	\def\spearup{\drmsym{\char'132}}
	\def\speardown{\drmsym{\char'146}}
	\def\vertspearext{\drmsym{\char'147}}
	\def\fleurdelis{\drmsym{\char'157}}
	\def\fleurdelys{\drmsym{\char'157}}
	\def\fleurdelisdown{\drmsym{\char'167}}
	\def\fleurdelysdown{\drmsym{\char'167}}
	\def\fleurdelisleft{\drmsym{\char'316}}
	\def\fleurdelysleft{\drmsym{\char'316}}
	\def\fleurdelisright{\drmsym{\char'177}}
	\def\fleurdelysright{\drmsym{\char'177}}
	\def\woundcordleftext{\drmsym{\char'317}}
	\def\woundcordrightext{\drmsym{\char'324}}
	\def\woundcordleftend{\drmsym{\char'320}}
	\def\woundcordrightend{\drmsym{\char'321}}
	\def\woundcordleftendinv{\drmsym{\char'323}}
	\def\woundcordrightendinv{\drmsym{\char'322}}
}
\ifnodefault\else\ifnodefaulttext\else
	\drmsymbolredef
\fi\fi
\ifsymbolsonly\drmsymbolredef\fi
%    \end{macrocode}
% Now, rather than require people to enter the Roman numeral
% macros by hand, we provide a command, |\romanize|, which
% takes as its only argument an Indo-Arabic numeral and
% converts it into a Roman numeral.  This macro is a thin
% wrapper around one from the |modroman| package, and in
% fact requires |modroman| to work.
%    \begin{macrocode}
\def\romanize#1{%
	\RedefineMRmdclxvij{\romthousand}{\romfivehundred}
		{\romhundred}{\romfifty}{\romten}{\romfive}{\romone}{\romone}%
	\nbshortroman{#1}%
}%
%    \end{macrocode}
% We also define a command for producing lining numerals
% rather than old-style figures, so that these long-winded
% command names don't need to be typed if lining numerals
% will be used frequently.  It takes the number to be output
% as lining as its only argument.
%    \begin{macrocode}
\def\liningnums#1{%
	\drmsym{#1}%
}%
%    \end{macrocode}
% Now we define the decorative tulip frame macro, as an
% example of the beautiful constructions which are possible
% with fleurons and other textual ornaments.
%    \begin{macrocode}
\def\tulipframe#1{%
	\vbox{%
		\hbox to\linewidth{\hfil%
			{\drmsym{\char'053}}%
				{\drmsym{\char'111}}%
				{\drmsym{\char'024}}%
				{\drmsym{\char'111}}%
				{\drmsym{\char'072}}\hfil}%
		\vskip-0.5\baselineskip%
		\hbox to\linewidth{\hfil%
			#1%
			\hfil%
		}%
		\vskip-0.5\baselineskip%
		\hbox to\linewidth{\hfil%
			{\drmsym{\char'073}}%
				{\drmsym{\char'112}}%
				{\drmsym{\char'027}}%
				{\drmsym{\char'112}}%
				{\drmsym{\char'110}}\hfil}%
	}%
}%
%    \end{macrocode}
% Next, we define the macros for the extensible rules.  Lots
% of down-and-dirty \TeX\ stuff here.
%    \begin{macrocode}
\newcount\counterA
\newcount\counterB
\newcount\iter
\newlength{\extcharwid}
\newlength{\leftcharwid}
\newlength{\rightcharwid}
\newlength{\greaterwid}
\def\extrule#1#2#3#4#5{%
	\if#1h%
		\settowidth{\extcharwid}{#5}%
		\settowidth{\leftcharwid}{#3}%
		\settowidth{\rightcharwid}{#4}%
		\counterB=\numexpr\dimexpr#2\relax\relax%
		\advance\counterB by-\leftcharwid%
		\advance\counterB by-\rightcharwid%
		\counterA=\dimexpr\extcharwid\relax%
		\divide\counterB by\counterA%
		\iter=0%
		\noindent#3%
		\loop%
			\ifnum\iter<\counterB%
				\advance\iter by 1%
				#5%
				\repeat%
		#4%
	\fi%
	\if#1v%
		\setbox0=\hbox{#3}%
		\leftcharwid=\ht0\advance\leftcharwid by\dp0%
		\setbox0=\hbox{#4}%
		\rightcharwid=\ht0\advance\rightcharwid by\dp0%
		\setbox0=\hbox{#5}%
		\extcharwid=\ht0\advance\extcharwid by\dp0%
		\ifdim\leftcharwid>\rightcharwid%
			\greaterwid=\leftcharwid%
		\else%
			\greaterwid=\rightcharwid%
		\fi\if\extcharwid>\greaterwid%
			\greaterwid=\extcharwid%
		\fi%
		\counterB=\numexpr\dimexpr#2\relax\relax%
		\advance\counterB by-\leftcharwid%
		\advance\counterB by-\rightcharwid%
		\counterA=\dimexpr\extcharwid\relax%
		\divide\counterB by\counterA%
		\iter=0%
		\noindent\vbox to\dimexpr#2{\baselineskip=0pt%
			\hbox to\greaterwid{\hfil#4\hfil}%
			\loop%
				\ifnum\iter<\counterB%
					\advance\iter by 1%
					\vss\hbox to\greaterwid{\hfil#5\hfil}%
					\repeat%
			\vss\hbox to\greaterwid{\hfil#3\hfil}}%
	\fi%
}%
%    \end{macrocode}
% Next, we move on to define the unreasonably complex and
% configurable ellipsis commands.  First we define the
% |\drmelip|, then the four-dotted |\drmfelip|.
%    \begin{macrocode}
\newlength{\drmelipgap}\setlength{\drmelipgap}{2.9pt}
\newlength{\drmelipbef}\setlength{\drmelipbef}{2.4pt}
\newlength{\drmelipaft}\setlength{\drmelipaft}{1.4pt}
\def\drmelipchar{.}
\def\drmelip{%
	\hbox{%
		\hbox to\the\drmelipbef{\hfil}%
		\drmelipchar%
		\hbox to\drmelipgap{\hfil}%
		\drmelipchar%
		\hbox to\drmelipgap{\hfil}%
		\drmelipchar%
		\hbox to\drmelipaft{\hfil}%
	}%
}%
\newlength{\drmfelipbef}\setlength{\drmfelipbef}{0pt}
\newlength{\drmfelipaft}\setlength{\drmfelipaft}{\the\drmelipaft}
\newlength{\drmfelipwid}
\def\drmfelip{%
	\hbox{%
		\hbox to\the\drmfelipbef{\hfil}%
		\drmelipchar%
		\hbox to\drmelipgap{\hfil}%
		\drmelipchar%
		\hbox to\drmelipgap{\hfil}%
		\drmelipchar%
		\hbox to\drmelipgap{\hfil}%
		\drmelipchar%
		\hbox to\drmfelipaft{\hfil}%
	}%
}%
%    \end{macrocode}
% Now, we begin the decorative initials.  These are designed
% using a common background written in \MP\ with a DRM
% figure superimposed, so a great deal of the code in this
% section is, in fact, \MP\ rather than \TeX\ or \MF.
%
% We begin by defining |\drmdecinit|, which takes five
% arguments:  the width, the height, the color of the
% background, the color of the letter, and the letter
% itself.  It includes a \MP\ macro, |along|, derived from
% \url{http://tex.stackexchange.com/questions/176665/define-a-pair-point-along-a-path-length-metapost}.
%    \begin{macrocode}
\def\drmdecinitfontdefault{%
	\def\drmdecinitfont{%
		\unexpanded{\font\drminitfontcom=drm10} 
	}%
}%
\def\drmdecinitfont{%
	\unexpanded{\font\drminitfontcom=drm10}  %
}%
\def\drmdecinit#1#2#3#4#5{%
	\begin{mpost}
	primarydef pct along pat =
		(arctime (pct * (arclength pat)) of pat) of pat
	enddef;
	w=#1; h=#2;
	pen thinpen; thinpen = pencircle scaled (w/288);
	pen medpen; medpen = pencircle scaled (w/144);
	pen thickpen; thickpen = pencircle scaled (w/144 + w/288);
	pen ththickpen; ththickpen = pencircle scaled (w/72);
	pen thththickpen; thththickpen = pencircle scaled (w/36);
	leaflen = w/6.5;
	leafletlen = w/20;
	leafletwid = w/40;
	leafletgap = w/40;
	pen leafpen; leafpen = pencircle xscaled leafletlen
		yscaled leafletwid;
	pen sideleafpen; sideleafpen = pencircle yscaled leafletlen
		xscaled leafletwid rotated -35;
	def border =
		pickup thththickpen;
		draw top lft (0,h)--top rt(w,h)--bot rt(w,0)--bot
			lft(0,0)--cycle withcolor #3;
		pickup ththickpen;
		draw (top lft (0,h)--top rt(w,h)--bot rt(w,0)--bot
			lft(0,0)--cycle) scaled 0.95 shifted (0.025w,0.025h) 
			withcolor #3;
	enddef;
	def leaf(expr p,s,r,t) =
		path leafpath;
		leafpath = ((p shifted (leafletlen/2,0))..
			(p shifted (0,leafletwid/2))..
			(p shifted (-leafletlen/2,0))..
			(p shifted (0,-leafletwid/2))..cycle) 
			rotatedaround (p,s);
		if t = 0:
			fill leafpath withcolor r;
		elseif t = 1:
			fill leafpath reflectedabout
				((w/2,h),(w/2,0)) withcolor r;
		elseif t = 2:
			fill leafpath reflectedabout
				((0,h/2),(w,h/2)) withcolor r;
		elseif t = 3:
			fill leafpath reflectedabout
				((0,h/2),(w,h/2)) reflectedabout ((w/2,h),(w/2,0))
				withcolor r;
		fi
	enddef;
	def branch(expr p,s,b) =
		pickup thickpen;
		pair t; t = p rotatedaround (p,s);
		pair u; u = point 1.0 along (t{dir (s+90)}..
			t shifted (0.3leaflen,leaflen) rotatedaround (t,s));
		pair q; q = (t shifted (1.4leafletwid,0)) rotatedaround (t,s);
		pair v; v = (q shifted (0.3leaflen,leaflen)) rotatedaround (q,s);
		pair r; r = (t shifted (-1.4leafletwid,0)) rotatedaround (t,s);
		pair a; a = (r shifted (0.3leaflen,leaflen)) rotatedaround (r,s);
		if b = 0:
			draw (t{dir (s+90)}..u) withcolor #3;
		elseif b = 1:
			draw (t{dir (s+90)}..u) reflectedabout ((w/2,h),(w/2,0))
				withcolor #3;
		elseif b = 2:
			draw (t{dir (s+90)}..u) reflectedabout ((0,h/2),(w,h/2))
				withcolor #3;
		elseif b = 3:
			draw (t{dir (s+90)}..u) reflectedabout ((0,h/2),(w,h/2))
				reflectedabout ((w/2,h),(w/2,0)) withcolor #3;
		fi
		leaf((point 0.15 along (q{dir (s+90)}..v)),s,#3,b);
		leaf((point 0.45 along (q{dir (s+90)}..v)),s,#3,b);
		leaf((point 0.75 along (q{dir (s+90)}..v)),s,#3,b);
		leaf((point 0.15 along (r{dir (s+90)}..a)),s,#3,b);
		leaf((point 0.45 along (r{dir (s+90)}..a)),s,#3,b);
		leaf((point 0.75 along (r{dir (s+90)}..a)),s,#3,b);
		leaf((point 0.98 along (t{dir (s+90)}..u)),s+60,white,b);
		leaf((point 1.00 along (t{dir (s+90)}..u)),s+60,#3,b);
	enddef;
	def football(expr p) =
		pickup thinpen;
		draw (z26..z30..z31..z26..z32..z33..cycle)
			rotatedaround ((w/2,h/2),p) withcolor #3;
		pickup ththickpen;
		draw (z20..z24..z21) rotatedaround ((w/2,h/2),p)
			withcolor white;
		draw (z21..z25..z20) rotatedaround ((w/2,h/2),p)
			withcolor white;
		draw (z20..tension 1.4..z22..z23..tension 1.5..z20)
			rotatedaround ((w/2,h/2),p) withcolor white;
		draw (z21..tension 1.4..z22..z23..tension 1.5..z21)
			rotatedaround ((w/2,h/2),p) withcolor white;
		pickup medpen;
		draw (z20..z24..z21) rotatedaround ((w/2,h/2),p)
			withcolor #3;
		draw (z21..z25..z20) rotatedaround ((w/2,h/2),p)
			withcolor #3;
		draw (z20..tension 1.4..z22..z23..tension 1.5..z20)
			rotatedaround ((w/2,h/2),p) withcolor #3;
		draw (z21..tension 1.4..z22..z23..tension 1.5..z21)
			rotatedaround ((w/2,h/2),p) withcolor #3;
		fill (z34..z36..z35..z37..cycle) rotatedaround
			((w/2,h/2),p) withcolor #3;
		fill (z38..z40..z39..z41..cycle) rotatedaround
			((w/2,h/2),p) withcolor #3;
		fill (z42..z44..z43..z45..cycle) rotatedaround
			((w/2,h/2),p) withcolor #3;
	enddef;
	border;
	z0 = (w-3.3leafletwid-(w/11),h-leaflen-(w/144));
	z1 = (w/2,2h/3);%h-leafletwid-2pt);
	z2 = z0 reflectedabout ((w/2,h),(w/2,0));
	z3 = (2w/3,h/2);%w-leafletwid-2pt,h/2);
	z4 = z0 reflectedabout ((w,h/2),(0,h/2));
	z5 = z1 reflectedabout ((0,h/2),(w,h/2));
	z6 = z4 reflectedabout ((w/2,h),(w/2,0));
	z7 = z3 reflectedabout ((w/2,h),(w/2,0));
	pickup thickpen;
	draw z0{dir -120}..{left}z1{left}..{dir 120}z2 withcolor #3;
	draw z0{dir -120}..{down}z3{down}..{dir -60}z4 withcolor #3;
	draw z4{dir 120}..{left}z5{left}..{dir -120}z6 withcolor #3;
	draw z6{dir 60}..{up}z7{up}..{dir 120}z2 withcolor #3;
	branch(z0,-30,0);
	branch(z0,-30,1);
	branch(z0,-30,2);
	branch(z0,-30,3);
	z10 = (w/2,h-leafletwid-(w/72));
	z11 = z10 rotatedaround ((w/2,h/2),90);
	z12 = z10 rotatedaround ((w/2,h/2),180);
	z13 = z10 rotatedaround ((w/2,h/2),270);
	path greatcirc; greatcirc = z10..z11..z12..z13..cycle;
	pickup thththickpen;
	draw greatcirc withcolor white;
	pickup ththickpen;
	draw greatcirc withcolor #3;
	z20 = z2 shifted (0,-leafletlen);
	z21 = z6 shifted (0,leafletlen);
	z22 = z11 shifted (leafletlen,0);
	z23 = z7 shifted (-leafletlen,0);
	z24 = 0.25[z11,z7];
	z25 = 0.75[z11,z7];
	z26 = 0.5[z11,z7];
	z27 = 0.25[z2,z6];
	z28 = 0.5[z2,z6];
	z29 = 0.75[z2,z6];
	z30 = 0.5[z11,z2];
	z31 = 0.5[z7,z2];
	z32 = 0.5[z6,z11];
	z33 = 0.5[z6,z7];
	z34 = z26 shifted (-leafletlen,0);
	z35 = z26 shifted (leafletlen,0);
	z36 = z26 shifted (0,leafletwid);
	z37 = z26 shifted (0,-leafletwid);
	z38 = z27 shifted (-0.8leafletwid,0);
	z39 = z27 shifted (0.8leafletwid,0);
	z40 = z27 shifted (0,0.8leafletlen);
	z41 = z27 shifted (0,-0.8leafletlen);
	z42 = z29 shifted (-0.8leafletwid,0);
	z43 = z29 shifted (0.8leafletwid,0);
	z44 = z29 shifted (0,0.8leafletlen);
	z45 = z29 shifted (0,-0.8leafletlen);
	football(0);
	football(90);
	football(180);
	football(270);
	z50 = z1 shifted (0,-leafletwid);
	z51 = z3 shifted (-leafletwid,0);
	z52 = z5 shifted (0,leafletwid);
	z53 = z7 shifted (leafletwid,0);
	z54 = 0.4[(w/2,h/2),(0,h)];
	z55 = 0.4[(w/2,h/2),(w,h)];
	z56 = 0.4[(w/2,h/2),(w,0)];
	z57 = 0.4[(w/2,h/2),(0,0)];
	pickup thickpen;
	draw z50..z51..z52..z53..cycle withcolor #3;
	pickup medpen;
	draw z50{left}..z54 withcolor #3;
	draw z50{right}..z55 withcolor #3;
	draw z51{up}..z55 withcolor #3;
	draw z51{down}..z56 withcolor #3;
	draw z52{right}..z56 withcolor #3;
	draw z52{left}..z57 withcolor #3;
	draw z53{down}..z57 withcolor #3;
	draw z53{up}..z54 withcolor #3;
	z60 = z50 shifted (0,-leafletwid);
	z61 = z51 shifted (-leafletwid,0);
	z62 = z52 shifted (0,leafletwid);
	z63 = z53 shifted (leafletwid,0);
	z64 = (w/2,h/2) shifted (0,leafletlen);
	z65 = (w/2,h/2) shifted (leafletlen,0);
	z66 = (w/2,h/2) shifted (0,-leafletlen);
	z67 = (w/2,h/2) shifted (-leafletlen,0);
	z68 = 0.5[z64,z65];
	z69 = 0.5[z65,z66];
	z70 = 0.5[z66,z67];
	z71 = 0.5[z67,z64];
	z72 = 0.5[z60,z61];
	z73 = 0.5[z61,z62];
	z74 = 0.5[z62,z63];
	z75 = 0.5[z63,z60];
	z76 = 0.2[z71,z75];
	z77 = point 0.4 along (z63{up}..{right}z60);
	z78 = point 0.6 along (z63{up}..{right}z60);
	z79 = 0.6[z63,z76];
	pickup thinpen;
	path innerbord; innerbord = 
		z60{z64-z60}..z71..{z63-z67}z63{up}..{right}z60;
	draw innerbord withcolor #3;
	draw innerbord rotatedaround ((w/2,h/2),90) withcolor #3;
	draw innerbord rotatedaround ((w/2,h/2),180) withcolor #3;
	draw innerbord rotatedaround ((w/2,h/2),270) withcolor #3;
	label(btex {\drmdecinitfont at#2\unexpanded{\drminitfontcom} #5} etex,(w/2,h/2)) 
		withcolor #4;
	\end{mpost}
}
%    \end{macrocode}
% And that's the end.  Thanks for reading, 
% folks; please email me with any suggestions or improvements.
%
% \appendix
%
% \section{The Secret History:  Building DRM}
%
% \lettrine{H}{ere you can get all} the answers to questions about DRM
% that you didn't have and never asked.  This appendix is
% essentially an exercise in self-gratification, to explain
% a few things about the fonts and why I made some of the
% choices that I did.  As such, it'll probably be
% interesting to few, if any; but here it all is anyway.
%
% \subsection{About the Name}
% \label{sub:aboutname}
%
% When I started this font, I was trying to ape an old-style
% Caslon specimen that I'd found on the Internet.  (If you
% search for one, you'll doubtlessly find the one I was
% going for; it's littered all over the place.)  You can
% still see certain traces of this, particularly in the long
% tail of the Q (there it is!), and in the serifs on the E
% and F.  On the other hand, even at the very beginning,
% before the font had taken on a character of its own, I was
% doing a pretty poor job of imitating this other one.  My
% serifs were fairly prominent, but only slightly bracketed;
% there was a pretty drastic distinction between thick and
% thin strokes; it had a vertical orientation.  Before long,
% it was clear that I had a very different font.
%
% So the name was ``DRM,'' for ``Day Roman Modern.''  But
% this didn't really accurately describe the font, and it
% didn't keep this meaning for long.  (Maybe a few days; the
% original files were titled ``dayroman,'' an even more
% inaccurate appellation.)  I've since backronymed this to
% ``Don's Revised Modern,'' which still isn't strictly
% correct, but it's pretty well ensconced at the moment.
% There are a limited number of descriptors with those
% initials, and I've grown pretty fond of those initials; it
% would be difficult for me to think of the font with any
% other name.  But if somebody has a better backronym, I'd
% love to hear it.
%
% \subsection{Why \MF?}
% \label{sub:whymf}
%
% So why \MF?  Isn't \MF\ horribly out of date,
% unconscionably producing nasty, decrepit bitmapped glyphs
% instead of shiny, futuristic outlines?  Doesn't it somehow
% involve hatred of mom's apple pie, summertime barbecues,
% and the girl next door?
%
% Well, in some ways \MF\ is certainly out of date.  It's
% limited to eight bits (\liningnums{2}$^8$ characters), for example, and
% that limit can't be circumvented by any trivial means.
% Due to the brilliance of its author, it has several
% similar limits which, while seeming arbitrary and
% capricious to us today, were absolutely necessary for
% allowing \MF\ to run on the machines available at the time
% it was produced.  There's really no denying this, and I'd
% be the last to try.
%
% On the other hand, \MF\ is not out of date for the reasons
% most people who eloquently pronounce its obsolescence believe
% it is.  The bitmapped glyph issue, for example; there
% really is nothing wrong with this.  In fact, in some ways
% it's a benefit.  Scaling is not really an issue,
% particularly in this age when \MF\ can be run
% automatically when \TeX\ encounters a size that it doesn't
% already have on hand; we can easily acquire fonts of
% whatever size we need.  And, much like \MF's eight-bit
% stricture, whatever memory benefits come from storing
% fonts as outlines rather than bitmaps is surely irrelevant
% in this day and age.
%
% Bitmaps are beneficial in that they remind us that optical
% sizing is still important; outline fonts have made us
% lazy, preventing the development of real font families
% with many optical sizes.  Too many amateurs (a term I use
% without derision, and proudly apply to myself) think they
% can avoid designing optical sizes because their outlines
% can be automatically scaled.  This leads to poor results.
%
% But most importantly, \MF\ makes writing
% parameter-based fonts easy.  The \textb{bold} and
% \textl{light} versions of the DRM fonts, for example, were
% produced by modifying only a few parameters of the base
% DRM roman font; the actual letterforms remain the same.
% This is a powerful tool that assists greatly in the
% creation of \emph{families} of fonts.
%
% \MF\ also lends itself quite nicely to customization.  As
% a command-line program, I can easily script it to produce
% proofs, or to produce real fonts for inclusion in test
% documents, or to produce font charts, or all of the above.
% For example, your author used scripts to compile proofs as
% well as working fonts to produce this documentation; it
% was relatively trivial to produce a script which would,
% inelegantly but quite effectively, output proof sheets and
% sample texts along with charts of each individual font,
% from simple roman text to quite complex math.  Below is an
% example of the (rather messy, but functional) script I
% used to produce font charts and sample texts for the
% fonts:
%
% \begin{verbatim}
% #!/bin/bash
% # +AMDG
% 
% re="^drm([m|b|bx|c|sym]*)([n|it|sl|sc]*)([0-9]{1,2})$";
% ifmath="mmi";
% ifmathsym="sy[0-9]";
% font=$1;
% fname="drm";
% fenc="T1";
% commands="\\sample\\bye";
% if [[ $font =~ $ifmath ]]; then
% 	fenc="OML";
% 	commands="\\table\\math\\bye";
% fi
% if [[ $font =~ $ifmathsym ]]; then
% 	fenc="OMS";
% 	commands="\\table\\math\\bye";
% fi
% [[ $font =~ $re ]] && fweight="${BASH_REMATCH[1]}" &&
% 	fshape="${BASH_REMATCH[2]}" && fsize="${BASH_REMATCH[3]}";
% if [[ $fshape == "" ]]; then
% 	fshape="m";
% fi
% if [[ $fweight == "" ]]; then
% 	fweight="n";
% elif [[ $fweight == "sym" ]]; then
% 	fweight="n";
% 	fname="drmsym";
% fi
% #echo "fweight = $fweight; fshape = $fshape; fsize = $fsize";
% nfssfontin=$(cat <<ENDFONTIN
% $font
% $commands
% $fenc
% $fname
% $fweight
% $fshape
% $fsize
% $commands
% ENDFONTIN
% )
% echo $nfssfontin;
% 
% rm $1*pk; rm $1*gf;
% mf "\mode=localfont; input $1";
% gftopk $1.600gf $1.pk;
% echo "$nfssfontin" | pdflatex nfssfont;
% \end{verbatim}
%
% This little gem took a single argument, the name of the
% font that I wanted compiled; it then determined the
% appropriate parameters to hand over to |nfssfont|, including
% what type of sample was needed (text or math), and
% compiled it for me, which meant that with a single command
% (|./allcomp fontname|) I could get a complete chart of
% the font I was working on, along with a sample text to
% help judge kerning and general appearance.  Doing the same
% with more ``modern'' font programs, particularly GUI ones,
% is doubtlessly more difficult.
%
% Finally, pens.  Pens are \emph{endlessly} superior to
% defining points along outlines.  The degree to which
% grokking and employing \MF's pen metaphor simplified the
% task of drawing these characters, particularly the more
% calligraphic varieties thereof, simply cannot be
% adequately expressed.  Defining points along outlines and
% connecting them with zero-width lines did fine for
% \emph{most} of the roman characters, but would have been
% painfully sluggish with, for example, the italic fonts.
%
% Your author emphasized ``most'' above for good reason:
% while the points-and-outlines approach worked quite
% effectively for the stately forms of roman characters, 
% \emph{modifying} those characters was sometimes much more
% difficult.  Take, for example, the very basic different
% between ``o'' and ``\o.''  Visually, of course, these are
% almost identical shapes, the latter simply having a line
% drawn through it; however, by outlines these shapes are so
% extremely different that drawing the latter would more
% easily be done from scratch than by a simple modification
% of the former.  Using \MF's pen metaphor, though, the
% shape of ``\o'' could be drawn exactly as we would draw it
% on paper:  by forming an ``o,'' and then drawing a slash
% through it.  And so your author accomplished it.
%
% And though your author put off the development of italic
% until he'd become really proficient with \MF's pens,
% knowing that such intricate shapes as ``\textit{f}'' and
% ``\textit{Q}'' would be quite challenging with
% points-and-outlines, he was able to race through drawing
% the italics with ease, and wound up using \MF's pens much
% more frequently in the development of the remaining fonts
% than points-and-outlines, as drawing shapes with this
% metaphor is much more intuitive and easily visualized, at
% least to him, than the alternatives.
%
% \section{The \LaTeX\ Project Public License, v1.3c}
% \label{lppl}
% \MakePercentComment\input{lppl-1-3c.tex}\MakePercentIgnore
%
% \section{The SIL Open Font License, v1.1}
% \label{sil}
% 
% Copyright \textcopyright\ 2014, Donald P. Goodman III
% (dgoodmaniii@gmail.com), with Reserved Font Name Don's
% Revised Modern (DRM).
% 
% \input{ofl_v1-1.tex}
%
% \PrintIndex