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diff --git a/macros/mtex/documentation/mdocanha.tex b/macros/mtex/documentation/mdocanha.tex new file mode 100644 index 0000000000..4a238aa13e --- /dev/null +++ b/macros/mtex/documentation/mdocanha.tex @@ -0,0 +1,670 @@ +\def\ks#1{\noindent\hbox{{\tt \char\hex5C}\bf#1}} +\def\bs{\noindent\hbox{{\tt \char\hex5C}}}%Backslash +\def\lk{\hbox{{\tt\char\hex7B}}}%linke Klammer auf +\def\strich{{\hbox{\tt \char\hex7C}}} +\def\dpkt{{\hbox{\tt \char\hex3A}}}%Doppelpunkt +\def\gleich{{\hbox{\tt \char\hex3D}}}% +\def\slash{\noindent{\hbox{\tt \char\hex2F}}} +\def\blank{{\hbox{\tt \char\hex20}}} +% +\verbatimon +\normalbaselines +\openup\jot +\heading{Anhang A:\quad Beispiele} + +Abschlie\3end sollen vier Musikst"ucke angef"ugt werden, +die mit dem entwickelten Format gesetzt wurden. +Sie sollen zus"atzlich zu den im Text angegebenen Beispielen die +vorgestellten Verfahren verdeutlichen. +Zum Vergleich ist die Codierung des ersten, dritten und vierten Beispiels +hinzugef"ugt. + +Das erste Beispiel wurde von D. Byrd \lit{\byrd} in der +Beschreibung als Test +seines Notensatzsystems verwendet. +% +Mit dem ersten und zweiten Beispiel sollen die verschiedenen +im Format zur Verf"ugung gestellten Auschlu\3schemata +(|\hsmall|, |\small|, |\universal|, |\wide| und +|\loose|) verdeutlicht +werden. +Als drittes Beispiel wurde ein zweistimmiges St"uck ausgew"ahlt. +Das vierte ist ein Beispiel f"ur ein Musikst"uck, das mit Text unterlegt +wurde. + +Beim Satz der Beispiele +zeigte sich, da\3 es notwendig ist, das Ausschlu\3schema abh"angig +vom Charakter des Musikst"uckes und von der gew"unschten Zeilenl"ange +auszuw"ahlen. +Die schon in Kapitel 9 angedeutete Problematik, da\3 +innerhalb gr"o\3erer Nachbarschaften nicht umbrochen werden kann und +der Ausschlu\3 an dieser Stelle nicht mehr variabel ist, wird am +Beispiel von D. Byrd deutlich. Bei der gew"ahlten Zeilenl"ange +und dem Ausschlu\3 |\small| steht f"ur die letzte Zeile nicht gen"ugend +Satzmaterial zur Verf"ugung. Sie wird also nicht +zufriedenstellend ausgeschlossen. +W"ahlt man als Ausschlu\3 |\wide|, so wird das +St"uck weiter ausgeschlossen und die dritte Zeile kann gef"ullt werden. +Dabei wurde es jedoch notwendig, einen Takt in der Taktmitte zu teilen. + +Umgekehrt konnten f"ur das zweite Beispiel mit engem und +universellem Ausschlu\3 +(|\hsmall| und |\universal|) +gute Ergebnisse, jedoch beim lockeren Ausschlu\3 +(|\loose|) kein zufriedenstellendes Ergebnis erzielt werden. +Dies ist u.a. auch darauf zur"uckzuf"uhren, da\3 beim lockeren Ausschlu\3 +die Takte sehr breit werden. Die Forderung, da\3 nur nach einem +Taktstrich umbrochen werden darf, f"uhrt hier zus"atzlich noch +zu einer "ubervollen Zeile. + +F"ur das dritte und vierte +Beipiel wurde jeweils der universelle Ausschu\3 verwendet. +\vskip2cm +\vfill\supereject + +%fuer die Beispiele \headings wieder zulassen! + +\catcode`@=11 +\def\headings{\par\hbox to \hsize{\hss\title@\hss}% + \hbox to \hsize {\poet@\hss\comp@}% + \def\comp@{\hbox{}}\def\poet@{\hbox{}}\def\title@{\hbox{}}} +\catcode`@ = 12 + + +{\bf Beispiel 1 \rm (Ausschlu\3: Gomberg ``eng''(\verbatimon +|\small|) und ``weit'' (|\wide|))\Parsep +} +\vskip1cm +\let \baselines = \baselinesb +\parindent 40pt +\small +\title{\bf String Quartett}% +\composer{ Donald Byrd, 1968}% +\voice{Violin 1}% +\beginsong\vio\C\^n{moderato}{\vrule height 7\nhh width0pt \gluebrule}% +\meter9/8% +\pg\|% +\group{\\{\_v{\mezzopiano}{\v3\.1}}\\{\_v{{\it cant.}}{\h7\.1}}} +{\\{3}\\{7}}\uslur13\go\|% +\group{\\{\a8\.1}\\{\b4\a4\.1}\\{\b6\v6\.1}} +{\\{8}\\{4}\\{6}}\lbeam12\uslur13\go +\group{\\{\a3}\\{\a4}\\{\a5}}{\\{3}\\{4}\\{5}}\lbeam13\uslur13\go\|% +\group{\\{\n6\v6\.1}\\{\x4\v4\.1}}{\\{6}\\{4}}\uslur12\go +\group{\\{\a3}\\{\b4\a4}\\{\n5\a5}}{\\{3}\\{4}\\{5}}\lbeam13\uslur13\go +\|\meter6/8\v6\.1\group{\\{\v{10}\.1}\\{\|\meter9/8}% +\\{\_v{\crescendo}{\v{10}\.1}}}{\\{10}\\{8}\\{10}}\uslur13\go +\group{\\{\v9\.1}\\{\v{13}\.1}}{\\{9}\\{13}}\uslur12\go\|% +\group{\\{\b{14}\a{14}\.1}\\{\b{11}\a{11}\.1}}{\\{14}\\{11}}% +\lbeam12\uslur12\go +\group{\\{\v{15}\.1}\\{\a{15}}}{\\{15}\\{15}}\uslur12\go +\n{14}\v{14}\|% +\group{\\{\_v{\diminuendo}{\b{14}\v{14}\.1}}% +\\{\b{10}\v{10}\.1}\\{\v{12}\.1}}{\\{14}\\{10}\\{12}}\uslur13\go\|% +{\tenuto\v{11}\.1}% +\group{\\{\h7\.1}\\{\|\meter6/8}\\{\h7\.1}\\{\|}\\{\v7\.1}} +{\\{7}\\{8}\\{7}\\{8}\\{7}}\uslur13\uslur35\go +\group{\\{\_v{\piano}{\b7\v7\.1}}\\{\|\meter9/8}% +\\{\v{10}\.1}}{\\{7}\\{8}\\{10}}\uslur13\go +\pv\.1\|\pg\|\meter6/8% +\group{\\{\_v{\crescendo}{\a8}}\\{\b{11}\a{11}}\\{\a{13}}} +{\\{8}\\{11}\\{13}}\lbeam13\uslur13\go +\x{12}\v{12}\.1\|% +{\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\s{10}}\\{\b{11}\s{11}}\\{\n{12}\s{12}}\\{\s{13}}} +{\\{10}\\{11}\\{12}\\{13}}\lbeam14\uslur14\go}% +{\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\x{13}\s{13}}\\{\s{14}}\\{\x{15}\s{15}}\\{\x{16}\s{16}}} +{\\{13}\\{14}\\{15}\\{16}}\lbeam14\uslur14\go}% +\|\_v{{\it f}}{\a{17}}\pa\pa\pv\.1\=\endsong +\par +\Parsep\Parsep +\parindent 0pt +Die Eingabe zu diesem St"uck sieht wie folgt aus: +\vskip1cm +%%%%%%%%%%%%% +%%% byrd%%% +%%%%%%%%%%%%% +{\bf!!} +\ks{title}\{String Quartett\} +\ks{composer}\{Donald Byrd, 1968\}\ks{voice}\{Violin 1\}\par +{\ks{treble}}\ks{text}\{\ks{\os{ }c} moderato\} +\ks{meter}\{{\bf9}\slash{\bf8}\}\par +{\bf 1p\strich\ks{slur}\{4.`a\{\ks{\us v}\ks{mezzopiano}\} +2.{`}{`}e\ks{text}\{\ks{\us v} cant\}\}}\strich \par +{\ks{slur}}{\bf \{\ks{beam}\{8.{`}{`}f b.`h\} b4{`}{`}.d\}} +\ks{slur}{\bf \{\ks{beam}\{8`a h {`}{`}c\}\}}\strich\par +{\bf{\ks{slur}}\{4n.d x`.h\}\ks{slur}\{\ks{beam}\{8`a bh n{`}{`}c\}\}} +\strich\par +{\bf{\ks{meter}}\{6\slash8\} 4.d +\ks{slur}\{{`}{`}.a\strich \ks{meter}\{9/8\} +{`}{`}.a\{\ks{\us v}\ks{crescendo}\}\} +\ks{slur}\{.f {`}{`}{`}.d\}}\strich\par +{\bf{\ks{slur}}\{\ks{beam}\{8.be b{`}{`}.h\}\} +\ks{slur}\{4{`}{`}{`}.f 8f\} +4ne}\strich\par +{\bf{\ks{slur}}\{b.e\{\ks{\us v}\ks{diminuendo}\} +b.{`}{`}a .{`}{`}{`}c\}}\strich\par +{\ks{tenuto}\bf.{`}{`}h \ks{noaccent} \ks{group} +\{2.e \strich\ks{meter}\{6\slash 8\} .e\strich 4.e\}\par +\ks{glsur}\{1-4,4-6\}\ks{slur}\{b.e\{\ks{\us v}\ks{piano}\} +\strich\ks{meter}\{9\slash 8\} .a\} +4.p}\strich\par +{\bf +1p\strich \ks{meter}\{6\slash 8\}\ks{slur} +\{\ks{beam}\{8f\{\ks{\us v}\ks{crescendo}\}bh {`}{`}{`}d\}\} +4x .c}\strich\par +{\bf{\ks{slur}}\{\ks{beam}\{{`}{`}6a bh n{`}{`}{`}c d\}\} +\ks{slur}\{\ks{beam}\{6xd e xf xg\}\}}\strich\par +{\bf 8a\{\ks{\us v}\ks{forte}\} p p 4.p \gleich !!}\Parsep\Parsep +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\vfill\break +Verwendet man weiten Ausschlu\3 (|\wide|), so erh"alt man: +\vskip1cm +\parindent=40pt +{\wide +\title{\bf String Quartett}% +\composer{Donald Byrd, 1968}% +\voice{Violin 1}% +\beginsong\vio\C\^n{moderato}{\vrule height7\nhh width0pt\gluebrule}% +\meter9/8% +\pg\|% +\group{\\{\_v{\mezzopiano}{\v3\.1}}\\{\_v{{\it cant.}}{\h7\.1}}} +{\\{3}\\{7}}\uslur13\go\|% +\group{\\{\a8\.1}\\{\b4\a4\.1}\\{\b6\v6\.1}} +{\\{8}\\{4}\\{6}}\lbeam12\uslur13\go +\group{\\{\a3}\\{\a4}\\{\a5}}{\\{3}\\{4}\\{5}}\lbeam13\uslur13\go\|% +\group{\\{\n6\v6\.1}\\{\x4\v4\.1}}{\\{6}\\{4}}\uslur12\go +\group{\\{\a3}\\{\b4\a4}\\{\n5\a5}}{\\{3}\\{4}\\{5}}\lbeam13\uslur13\go +\|\meter6/8\v6\.1\group{\\{\v{10}\.1}\\{\|\meter9/8}% +\\{\_v{\crescendo}{\v{10}\.1}}}{\\{10}\\{8}\\{10}}\uslur13\go +\group{\\{\v9\.1}\\{\v{13}\.1}}{\\{9}\\{13}}\uslur12\go\|% +\group{\\{\b{14}\a{14}\.1}\\{\b{11}\a{11}\.1}}{\\{14}\\{11}}% +\lbeam12\uslur12\go +\group{\\{\v{15}\.1}\\{\a{15}}}{\\{15}\\{15}}\uslur12\go +\n{14}\v{14}\|% +\group{\\{\_v{\diminuendo}{\b{14}\v{14}\.1}}% +\\{\b{10}\v{10}\.1}\\{\v{12}\.1}}{\\{14}\\{10}\\{12}}\uslur13\go\|% +{\tenuto\v{11}\.1}% +\group{\\{\h7\.1}\\{\|\meter6/8}\\{\h7\.1}\\{\|}\\{\v7\.1}} +{\\{7}\\{8}\\{7}\\{8}\\{7}}\uslur13\uslur35\go\+% +\group{\\{\_v{\piano}{\b7\v7\.1}}\\{\|\meter9/8}% +\\{\v{10}\.1}}{\\{7}\\{8}\\{10}}\uslur13\go +\pv\.1\|\pg\|\meter6/8% +\group{\\{\_v{\crescendo}{\a8}}\\{\b{11}\a{11}}\\{\a{13}}} +{\\{8}\\{11}\\{13}}\lbeam13\uslur13\go +\x{12}\v{12}\.1\|% +{\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\s{10}}\\{\b{11}\s{11}}\\{\n{12}\s{12}}\\{\s{13}}} +{\\{10}\\{11}\\{12}\\{13}}\lbeam14\uslur14\go}% +{\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\x{13}\s{13}}\\{\s{14}}\\{\x{15}\s{15}}\\{\x{16}\s{16}}} +{\\{13}\\{14}\\{15}\\{16}}\lbeam14\uslur14\go}% +\|\_v{{\it f}}{\a{17}}\pa\pa\pv\.1\=\endsong} +\par +\vfill \eject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\parindent0pt +{\bf Beispiel 2 \rm (Ausschlu\3: Hader (\verbatimon +|\hsmall|), Gomberg ``universell'' (|\universal|)) und + Gomberg ``locker'' (|\loose|)).} +\vskip2cm +\verbatimon +\hbox to \hsize{\hfill\bf Ausschlu\3: Hader (|\hsmall|)\hfill} +\Parsep +\hsmall\parindent0pt +\poet{\rm Allegro}\composer{Georg Friedrich H\"andel} +\beginsong\vio\C% +{\music\mC}%\meter4/4% +\a7\|\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}% +\lbeam14\go%\uslur14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go +\pa\a7\|% +\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}\lbeam14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go\pa\a7\|% +\group{\\{\a{10}}\\{\a3}\\{\a6}\\{\a8}}{\\{10}\\{3}\\{6}\\{8}}\lbeam14% +\go\v4\pa\a6\|% +\group{\\{\a{9}}\\{\a2}\\{\a5}\\{\a7}}{\\{9}\\{2}\\{5}\\{7}}% +\lbeam14\go\v3\pa\a5\|% +\group{\\{\a{8}}\\{\a6}\\{\a{11}}\\{\a{13}}}{\\{8}\\{6}\\{11}\\{13}}% +\lbeam14\go\x9\v9\pa\a9\|% +\group{\\{\a{11}}\\{\a4}\\{\a{6}}\\{\a{4}}}{\\{11}\\{4}\\{6}\\{4}}% +\lbeam14\go\v8\pa\a4\|% +\group{\\{\a{6}}\\{\a8}\\{\x9\a{9}}\\{\a{11}}}{\\{6}\\{8}\\{9}\\{11}}% +\lbeam14\go\v{13}\pa\x9\a9\|% +\group{\\{\a{10}}\\{\a7}\\{\a{11}}\\{\a7}}{\\{10}\\{7}\\{11}\\{7}}% +\lbeam14\go +\group{\\{\a{12}}\\{\a{7}}}{\\{12}\\{7}}\lbeam12\go +\group{\\{\v8}\\{\|}\\{\a{8}}\\{\a{7}}\\{\a{10}}\\{\a6}% +\\{\a{6}}\\{\a7}\\{\a{5}}\\{\a4}} +{\\{8}\\{8}\\{8}\\{7}\\{10}\\{6}\\{6}\\{7}\\{5}\\{4}}% +\lbeam36\lbeam7{10}\uslur13\uslur67\go\|% +\def\beamlist{\\{1-4,}\\{-2,-5,}}% +\group{\\{\a{5}\.1}\\{\s6}\\{\a{4}\.1}\\{\s{3}}}% +{\\{5}\\{6}\\{4}\\{3}}% +\lbeam16\go\v3\pa\a{11}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{12}}\\{\s{11}}\\{\s{10}}}{\\{12}\\{11}\\{10}}% +\lbeam13\go +\def\beamlist{\\{1-2,}}% +\group{\\{\a{9}}\\{\a{8}}}{\\{9}\\{8}}% +\lbeam12\go\v7\pa\a{8}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{9}}\\{\s{10}}\\{\s{9}}}{\\{9}\\{10}\\{9}}% +\lbeam13\go +\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\s{8}}\\{\s{7}}\\{\s6}\\{\s5}}{\\{8}\\{7}\\{6}\\{5}}% +\lbeam14\go\v4\pa\a{2}\|% +\def\beamlist{\\{1-\the\N,}}% +\group{\\{\a{5}}\\{\a7}\\{\a9}\\{\b4\a4}}{\\{5}\\{7}\\{9}\\{4}}% +\lbeam14\go\v3\pa\a3\|% +\group{\\{\a{6}}\\{\x8\a8}\\{\a{10}}\\{\a5}}{\\{6}\\{8}\\{10}\\{5}}% +\lbeam14\go\n4\v4\pa\a4\|% +\group{\\{\a{7}}\\{\x9\a{9}}\\{\a{11}}\\{\a{6}}}{\\{7}\\{9}\\{11}\\{6}}% +\lbeam14\go\v5\pa\a{12}\|% +\group{\\{\a{12}}\\{\a{10}}\\{\a{8}}\\{\a{10}}}{\\{12}\\{10}\\{8}\\{10}}% +\lbeam14\go\v4\pa\a{13}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{11}}\\{\s{10}}\\{\s{9}}}{\\{11}\\{10}\\{9}}% +\lbeam13\go +\group{\\{\a{10}}\\{\a{11}}}{\\{10}\\{11}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go\v{12}\pa\a{9}\|% +\group{\\{\a{12}}\\{\a{9}}}{\\{12}\\{9}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go +\group{\\{\tr\a{7}\noaccent +\.1}\\{\z{6}}\\{\z{5}}}{\\{7}\\{6}\\{5}}% +\def\beamlist{\\{1-3,}\\{2-3,}\\{2-3,}}% +\lbeam14\go +\def\beamlist{\\{1-4,}}% +\group{\\{\a{8}}\\{\a{9}}\\{\a{7}}\\{\a{6}}}{\\{8}\\{9}\\{7}\\{6}}% +\lbeam14\go\|\v7% +\def\beamlist{\\{1-2,}\\{-2,}}% +\group{\\{\a{6}\.1}\\{\s{5}}}{\\{6}\\{5}}% +\lbeam13\go\v5\.1\=% % +\endsong +\Parsep\Parsep +{\eightrm +Aus: Helmut M\"onkemeyer, Handleitung f"ur das Spiel der Blockfl\"ote, +Teil I, Edition Moeck Nr. 2033, Moeck Verlag, Celle. +} +\vfill\supereject +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\hbox to \hsize{\hfill\bf Ausschlu\3: Hader (|\universal|)\hfill} +\universal +\poet{\rm Allegro}\composer{ Georg Friedrich H\"andel}% +\beginsong\vio\C% +{\music\mC}%\meter4/4% +\a7\|\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}% +\lbeam14\go%\uslur14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go +\pa\a7\|% +\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}\lbeam14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go\pa\a7\|% +\group{\\{\a{10}}\\{\a3}\\{\a6}\\{\a8}}{\\{10}\\{3}\\{6}\\{8}}\lbeam14% +\go\v4\pa\a6\|% +\group{\\{\a{9}}\\{\a2}\\{\a5}\\{\a7}}{\\{9}\\{2}\\{5}\\{7}}% +\lbeam14\go\v3\pa\a5\|% +\group{\\{\a{8}}\\{\a6}\\{\a{11}}\\{\a{13}}}{\\{8}\\{6}\\{11}\\{13}}% +\lbeam14\go\x9\v9\pa\a9\|% +\group{\\{\a{11}}\\{\a4}\\{\a{6}}\\{\a{4}}}{\\{11}\\{4}\\{6}\\{4}}% +\lbeam14\go\v8\pa\a4\|% +\group{\\{\a{6}}\\{\a8}\\{\x9\a{9}}\\{\a{11}}}{\\{6}\\{8}\\{9}\\{11}}% +\lbeam14\go\v{13}\pa\x9\a9\|% +\group{\\{\a{10}}\\{\a7}\\{\a{11}}\\{\a7}}{\\{10}\\{7}\\{11}\\{7}}% +\lbeam14\go +\group{\\{\a{12}}\\{\a{7}}}{\\{12}\\{7}}\lbeam12\go +\group{\\{\v8}\\{\|}\\{\a{8}}\\{\a{7}}\\{\a{10}}\\{\a6}% +\\{\a{6}}\\{\a7}\\{\a{5}}\\{\a4}} +{\\{8}\\{8}\\{8}\\{7}\\{10}\\{6}\\{6}\\{7}\\{5}\\{4}}% +\lbeam36\lbeam7{10}\uslur13\uslur67\go\|% +\def\beamlist{\\{1-4,}\\{-2,-5,}}% +\group{\\{\a{5}\.1}\\{\s6}\\{\a{4}\.1}\\{\s{3}}}% +{\\{5}\\{6}\\{4}\\{3}}% +\lbeam16\go\v3\pa\a{11}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{12}}\\{\s{11}}\\{\s{10}}}{\\{12}\\{11}\\{10}}% +\lbeam13\go +\def\beamlist{\\{1-2,}}% +\group{\\{\a{9}}\\{\a{8}}}{\\{9}\\{8}}% +\lbeam12\go\v7\pa\a{8}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{9}}\\{\s{10}}\\{\s{9}}}{\\{9}\\{10}\\{9}}% +\lbeam13\go +\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\s{8}}\\{\s{7}}\\{\s6}\\{\s5}}{\\{8}\\{7}\\{6}\\{5}}% +\lbeam14\go\v4\pa\a{2}\|% +\def\beamlist{\\{1-\the\N,}}% +\group{\\{\a{5}}\\{\a7}\\{\a9}\\{\b4\a4}}{\\{5}\\{7}\\{9}\\{4}}% +\lbeam14\go\v3\pa\a3\|% +\group{\\{\a{6}}\\{\x8\a8}\\{\a{10}}\\{\a5}}{\\{6}\\{8}\\{10}\\{5}}% +\lbeam14\go\n4\v4\pa\a4\|% +\group{\\{\a{7}}\\{\x9\a{9}}\\{\a{11}}\\{\a{6}}}{\\{7}\\{9}\\{11}\\{6}}% +\lbeam14\go\v5\pa\a{12}\|% +\group{\\{\a{12}}\\{\a{10}}\\{\a{8}}\\{\a{10}}}{\\{12}\\{10}\\{8}\\{10}}% +\lbeam14\go\v4\pa\a{13}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{11}}\\{\s{10}}\\{\s{9}}}{\\{11}\\{10}\\{9}}% +\lbeam13\go +\group{\\{\a{10}}\\{\a{11}}}{\\{10}\\{11}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go\v{12}\pa\a{9}\|% +\group{\\{\a{12}}\\{\a{9}}}{\\{12}\\{9}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go +\group{\\{\tr\a{7}\noaccent +\.1}\\{\z{6}}\\{\z{5}}}{\\{7}\\{6}\\{5}}% +\def\beamlist{\\{1-3,}\\{2-3,}\\{2-3,}}% +\lbeam14\go +\def\beamlist{\\{1-4,}}% +\group{\\{\a{8}}\\{\a{9}}\\{\a{7}}\\{\a{6}}}{\\{8}\\{9}\\{7}\\{6}}% +\lbeam14\go\|\v7% +\def\beamlist{\\{1-2,}\\{-2,}}% +\group{\\{\a{6}\.1}\\{\s{5}}}{\\{6}\\{5}}% +\lbeam13\go\v5\.1\=% % +\endsong +\Parsep\Parsep\vfill\supereject +\advance \hsize+0.7cm +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\loose +\hbox to \hsize{\hfill\bf Ausschlu\3: Hader (|\loose|)\hfill} +\poet{\rm Allegro}\composer{ Georg Friedrich H\"andel}% +\beginsong\vio\C% +{\music\mC}%\meter4/4% +\a7\|\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}% +\lbeam14\go%\uslur14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go +\pa\a7\|% +\group{\\{\a5}\\{\a3}\\{\a5}\\{\a7}}{\\{5}\\{3}\\{5}\\{7}}\lbeam14\go +\group{\\{\a5}\\{\a{3}}}{\\{5}\\{3}}\lbeam12\go\pa\a7\|% +\group{\\{\a{10}}\\{\a3}\\{\a6}\\{\a8}}{\\{10}\\{3}\\{6}\\{8}}\lbeam14% +\go\v4\pa\a6\|% +\group{\\{\a{9}}\\{\a2}\\{\a5}\\{\a7}}{\\{9}\\{2}\\{5}\\{7}}% +\lbeam14\go\v3\pa\a5\|% +\group{\\{\a{8}}\\{\a6}\\{\a{11}}\\{\a{13}}}{\\{8}\\{6}\\{11}\\{13}}% +\lbeam14\go\x9\v9\pa\a9\|% +\group{\\{\a{11}}\\{\a4}\\{\a{6}}\\{\a{4}}}{\\{11}\\{4}\\{6}\\{4}}% +\lbeam14\go\v8\pa\a4\|% +\group{\\{\a{6}}\\{\a8}\\{\x9\a{9}}\\{\a{11}}}{\\{6}\\{8}\\{9}\\{11}}% +\lbeam14\go\v{13}\pa\x9\a9\|% +\group{\\{\a{10}}\\{\a7}\\{\a{11}}\\{\a7}}{\\{10}\\{7}\\{11}\\{7}}% +\lbeam14\go +\group{\\{\a{12}}\\{\a{7}}}{\\{12}\\{7}}\lbeam12\go +\group{\\{\v8}\\{\|}\\{\a{8}}\\{\a{7}}\\{\a{10}}\\{\a6}% +\\{\a{6}}\\{\a7}\\{\a{5}}\\{\a4}} +{\\{8}\\{8}\\{8}\\{7}\\{10}\\{6}\\{6}\\{7}\\{5}\\{4}}% +\lbeam36\lbeam7{10}\uslur13\uslur67\go\|% +\def\beamlist{\\{1-4,}\\{-2,-5,}}% +\group{\\{\a{5}\.1}\\{\s6}\\{\a{4}\.1}\\{\s{3}}}% +{\\{5}\\{6}\\{4}\\{3}}% +\lbeam16\go\v3\pa\a{11}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{12}}\\{\s{11}}\\{\s{10}}}{\\{12}\\{11}\\{10}}% +\lbeam13\go +\def\beamlist{\\{1-2,}}% +\group{\\{\a{9}}\\{\a{8}}}{\\{9}\\{8}}% +\lbeam12\go\v7\pa\a{8}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{9}}\\{\s{10}}\\{\s{9}}}{\\{9}\\{10}\\{9}}% +\lbeam13\go +\def\beamlist{\\{1-4,}\\{1-4,}}% +\group{\\{\s{8}}\\{\s{7}}\\{\s6}\\{\s5}}{\\{8}\\{7}\\{6}\\{5}}% +\lbeam14\go\v4\pa\a{2}\|% +\def\beamlist{\\{1-\the\N,}}% +\group{\\{\a{5}}\\{\a7}\\{\a9}\\{\b4\a4}}{\\{5}\\{7}\\{9}\\{4}}% +\lbeam14\go\v3\pa\a3\|% +\group{\\{\a{6}}\\{\x8\a8}\\{\a{10}}\\{\a5}}{\\{6}\\{8}\\{10}\\{5}}% +\lbeam14\go\n4\v4\pa\a4\|% +\group{\\{\a{7}}\\{\x9\a{9}}\\{\a{11}}\\{\a{6}}}{\\{7}\\{9}\\{11}\\{6}}% +\lbeam14\go\v5\pa\a{12}\|% +\group{\\{\a{12}}\\{\a{10}}\\{\a{8}}\\{\a{10}}}{\\{12}\\{10}\\{8}\\{10}}% +\lbeam14\go\v4\pa\a{13}\|% +\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{11}}\\{\s{10}}\\{\s{9}}}{\\{11}\\{10}\\{9}}% +\lbeam13\go +\group{\\{\a{10}}\\{\a{11}}}{\\{10}\\{11}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go\v{12}\pa\a{9}\|% +\group{\\{\a{12}}\\{\a{9}}}{\\{12}\\{9}}% +\def\beamlist{\\{1-2,}}% +\lbeam12\go +\group{\\{\tr\a{7}\noaccent +\.1}\\{\z{6}}\\{\z{5}}}{\\{7}\\{6}\\{5}}% +\def\beamlist{\\{1-3,}\\{2-3,}\\{2-3,}}% +\lbeam14\go +\def\beamlist{\\{1-4,}}% +\group{\\{\a{8}}\\{\a{9}}\\{\a{7}}\\{\a{6}}}{\\{8}\\{9}\\{7}\\{6}}% +\lbeam14\go\|\v7% +\def\beamlist{\\{1-2,}\\{-2,}}% +\group{\\{\a{6}\.1}\\{\s{5}}}{\\{6}\\{5}}% +\lbeam13\go\v5\.1\=% % +\endsong +\vfill\supereject +\advance \hsize-0.4cm +{\bf Beispiel 3 \rm(zweistimmiger Satz in einem System)} +\vskip0.5cm +\universal +\title{\vbox{\hbox to 0pt{\hss 6 Suiten f"ur Cello Solo\hss} + \hbox to 0pt{\hss Suite II Menuet I\hss}}} +\poet{\vtop{\hbox to 0pt{F"ur Viola "ubertragen \hss} + \hbox to 0pt{von Franz Schmidtner\hss}}} +\composer{Johann Sebastian Bach} +\parindent 20pt +\beginsong\alto\F\meter3/4% +\rchord \h5\h7\h9\endchord\v{10}\|% +\two{\group{\\{\a{10}}\\{\a9}\\{\a{10}}\\{\a8}}{\\{10}\\{9}\\{10}\\{8}}% +\ubeam14\uslur12\go}{\rchord \a4\a6\endchord}% +\v9\|\rchord\v3\v5\endchord\v8% +\group{\\{\a7}\\{\a6}}{\\{7}\\{6}}\lbeam12\go\|% +\two{\group{\\{\a7}\\{\a6}\\{\a5}\\{\x4\a4}\\{\n3\a3}\\{\a2}} +{\\{7}\\{6}\\{5}\\{4}\\{3}\\{2}}\ubeam16\uslur13\go}% +{\a2}\|\rchord \h5\h7\h9\endchord\v{10}\|% +\two{\group{\\{\a{10}}\\{\a9}\\{\tenuto\a{10}}\\{\tenuto\a8\noaccent}} +{\\{10}\\{9}\\{10}\\{8}}\ubeam14\uslur12\go}{\a6}% +\v{11}\|\rchord\v7\v9\endchord\rchord\v3\v7\v{12}\endchord +\rchord\v1\v8\v{13}\endchord\|\rchord\h2\.1\h6\.1\x{11}\h{11}\.1\endchord +\leftrightrepeat +\rchord\h9\h{13}\endchord +{\def\beamlist{\\{1-3,}\\{2-3,}}% +\group{\\{\a{12}}\\{\s{13}}\\{\s{14}}}{\\{12}\\{13}\\{14}}\lbeam13% +\uslur13\go}\| +\two{\group{\\{\a{13}}\\{\a{12}}\\{\x{11}\a{11}}\\{\a{13}}\\{\a9}\\{\a8}} +{\\{13}\\{12}\\{11}\\{13}\\{9}\\{8}}\ubeam16\uslur15\go}{\a8}\|% +\two{\group{\\{\v9}\\{\v{12}}}{\\{9}\\{12}}\uslur12\go}{\h7}% +\x{11}\two{\v{11}}{\v6}\|% +\two{\group{\\{\a{15}}\\{\a{14}}\\{\a{13}}\\{\a{14}}\\{\a{12}}% +\\{\n{11}\a{11}}} +{\\{15}\\{14}\\{13}\\{14}\\{12}\\{11}}\ubeam16\uslur15\go}{\a5}\|% +\two{\h{10}}{\group{\\{\v8}\\{\v7}}{\\{8}\\{7}}\lslur12\go}% +\two{\v{11}}{\v6}\|% +\two{\group{\\{\a9}\\{\a8}\\{\a9}\\{\a7}}{\\{9}\\{8}\\{9}\\{7}}\ubeam14% +\go}{\a7}% +\rchord\v{12}\v6\v3\endchord\|\rchord\v{11}\v7\v2\endchord +\group{\\{\a{10}}\\{\a9}\\{\a8}\\{\a9}}{\\{10}\\{9}\\{8}\\{9}}\lbeam14\go +\|\group{\\{\a7}\\{\a6}\\{\a7}\\{\a9}\\{\a8}\\{\a{10}}} +{\\{7}\\{6}\\{7}\\{9}\\{8}\\{10}}\lbeam16\go\|% +\x7\two{\tr\h9\noaccent}{\h7}% +\two{\v{10}}{\pv}\|\b6% +\two{\group{\\{\a8}\\{\a7}\\{\a8}\\{\a6}} +{\\{8}\\{7}\\{8}\\{6}}\ubeam14\uslur12\go}{\a6}% +\x7\tr\v7\noaccent\|\rchord\v{12}\v8\v3\endchord\rchord\v{11}\v8\v4\endchord +\two{\group{\\{\a{10}}\\{\a9}}{\\{10}\\{9}}\ubeam12\uslur12\go}{\v5}\|% +\group{\\{\rchord\a{11}\a5\a1\endchord +}\\{\a{10}}\\{\a9}\\{\a{10}}\\{\a8}\\{\a{10}}} +{\\{1}\\{10}\\{9}\\{10}\\{8}\\{10}}\lbeam16\go\|% +\two{\group{\\{\v{12}}\\{\x{11}\v{11}}} +{\\{12}\\{11}}\uslur12\go}{\v8\pv}\n7% +\two{\v{12}}{\v7}\|\x4% +\two{\group{\\{\a8}\\{\a7}\\{\a8}\\{\a6}} +{\\{8}\\{7}\\{8}\\{6}}\ubeam14\uslur12\go}{\a4}% +\two{\v7}{\v5}\|% +\group{\\{\a1}\\{\a8}}{\\{1}\\{8}}\lbeam12\go\two{\tr\v6\.1}{\v2\.1}% +\two{\a5}{\raise-1.5\nhh\hbox{\pa}}\|\lchord\h5\.1\h2\.1\h{-2}\.1\endchord +\rightrepeat +\endsong +\parindent0pt +\vskip-1cm +{\eightrm +Aus: Johann Sebastian Bach, Sechs Suiten, f"ur Viola bearbeitet von +Franz Schmidtner, Musikverlag Hans Sikorski, Hamburg. +} +\vskip0.5cm +F"ur dieses Musikst"uck lautet die Eingabe: +\vskip0.5cm +%%%%%%%%%%%%%%%%%% +%%%%% bach %%%%%%% +%%%%%%%%%%%%%%%%%% +{\bf !!} +\ks{title}\{6 Suiten f"ur Cello Solo +\bs{atop} Suite II Menuet I\}\par +\ks{composer}\{Johann Sebastian Bach\} +\ks{poet}\{F"ur Viola "ubertragen \bs{atop} von Franz Schmidtner\}\par +\ks{alto}\ks{F}\ks{meter}\{{\bf3}\slash {\bf4}\}\ks{two} +\par{\bf \{\ \ \ \ks{chord}\{2`d f a\} 4h\strich +\ks{chord}\{'8c `e\}\slash\ \slash\ \slash\ 4a\strich +\par +\ks{chord}\{4,h `d\} g\ks{beam}\{8f e\}\strich +,8a \slash\ \slash\ \slash\ \slash\ \slash\ \strich +\ks{chord}\{`2d f a\} 4h\strich 8e +\slash\ \slash\ \slash\ +{`}{`}4c \strich\par +\ks{chord}\{4`f a\}\ks{chord}\{,h `f {`}{`}d\} +\ks{chord}\{,g `g {`}{`}e\}\strich +\par\ks{chord}\{2.,a .`e .x{`}{`}c\} +\dpkt\strich\strich\dpkt +\par\ks{chord}\{2`a {`}{`}e\}\ks{slur}\{\ks{beam}\{8d 6e f\}\}\strich +8`g\slash\ \slash\ \slash\ \slash\ \slash\ \strich +2f \slash\ 4e\strich 8d \slash\ \slash\ \slash\ \slash\ \slash\strich +\ks{slur}\{4g f\}e\strich\par + 8f\slash\ \slash\ \slash\ +\ks{chord}\{4,h `e {`}{`}d\}\strich\ks{chord}\{4,a `f {`}{`}c\} +\ks{beam}\{8`h a g a\}\strich\par \ks{beam}\{8f e f a g h\}\strich +2xf 4p \strich b8e \slash\ \slash\ \slash\ +4xf \ks{tr}\strich\ks{chord}\{4,h `g {`}{`}d\} +\ks{chord}\{4`c g {`}{`}c\} `d\slash\ \strich +\par\ks{beam}\{\ks{chord}\{,8g `d {`}{`}c\} 8`h a h g h\}\strich +4g p nf\strich 8xc \slash\ \slash\ \slash\ 4d\strich +\par\ks{beam}\{8,g `g\} 4.,a 8p\strich \ \slash\ +\dpkt\strich\strich\ \ \}\par +\{\ \ \slash\ \slash\ \strich +\ks{beam}\{\ks{slur}\{8{`}h a\} h g\}\slash\ \strich +\slash\ \slash\ \slash\ \slash\ \strich +\ks{beam}\{\ks{slur}\{'8f e d\}xc ,nh a\}\strich +\slash\ \slash\ \strich\par\ks{beam}\{\ks{slur}\{8h a\}\ks{tenuto} h +f \ks{noaccent}\ \slash\ \}\strich +\slash\ \slash\ \slash\ \strich +\slash\ \dpkt\strich\strich\dpkt\par +\slash\ \slash\ \slash\ \slash\ \strich +\ks{beam}\{\ks{slur}\{8{`}{`}e d xc e `a\}g\}\strich +\ks{slur}\{`4a {`}{`}d\}xc\strich +\ks{beam}\{\ks{slur}\{8{`}{`}g f e f d \}nc\}\strich\par +`2h\slash\ {`}{`}4c\strich \ks{beam}\{8`a g a f\}\slash\ \strich +\slash\ \slash\ \slash\ \slash\ \slash\strich +\slash\ \slash\ \slash\ \slash\ \slash\ \slash\strich\par +2`a \ks{tr} 4h\strich +\ks{beam}\{\ks{slur}\{8g f\} g e\}\slash\strich +\slash\ \slash\ \ks{beam}\{\ks{slur}\{8h a\}\}\strich +\slash\ \slash\ \slash\ \slash\ \slash\ \slash\ \strich\par +\ks{slur}\{{`}{`}4d `a\} {`}{`}d\strich +\ks{beam}\{\ks{slur}\{8`g f\} g e\} 4f\strich +\slash\ \slash\ 4.e \ks{tr} 8d\strich +\ks{chord}\{2.,d .a `.d\} + \dpkt\strich\strich +\ \ \} }{\bf!!} +\vfill\eject +\advance \hsize-0.3cm +{\bf Beispiel 4 \rm(Textunterlage)} +\vskip2cm +\title{Lobe den Herren} +\composer{Hugo Distler} +\def\@#1#2{{$\hbox{#1\hfill}\atop\hbox{#2\hfill}$}} +\def\lv{{\leaders\hrule \hskip1cm plus 1fill}} +\parindent 40pt +\voice{Sopran}% +\universal +\beginsong\vio\G\^r{{\rm Schnell}}{\vrule height 7\nhh width0pt% +\gluebrule}\meter3/4% +\^{\mezzoforte}\_{\@{Lo-}{Mei-}}{\v2}% +\_{\@{be}{ne}}{\v2}% +\_{\@{den}{ge - }}{\v6}\|% +\_{\@{Her-}{lie - }}{\v4\.1}\_{\@{ren, }{be - }}{\a3}% +\_l{\@{den}{te }}{\v2}\|% +\_l{\@{m"ach - }{See - }}{\v1}\_{\@{ti - }{le, }}{\v0}% +\_{\@{gen }{das }}{\v{-1}}\|% +\_{\@{K"o - }{ist }}{\h0}% +\group{\\{\_n{\@{nig \lv }{mein \lv }}{\v1}}\\{\|\meter2/4}\\{\v1}} +{\\{1}\\{0}\\{1}}\lslur13\go\_{\@{der }{Be- }}{\v2}\|\meter4/4% +\_{\@{Eh - }{geh - }}{\h3}\_{\@{ren!}{ren.}}{\h2}\rightrepeat\meter3/4% +%Ende Wiederholung +\_{Kom-}\^{\forte}{\v6}\_{met}{\v6}\_{zu}{\v6}\|% +\_{Hauf!}{\h7\.1}\caesura\|\_l{Psal - }{\v4}\_{ter}{\a5}% +\_l{und }{\a5}% +\group{\\{\_n{Har\hskip40pt - \hskip40pt -\hskip 40pt - \hskip40pt +}{\v6}}\\{\|}\\{\a6}\\{\a7}\\{\a6}\\{\a4}\\{\v6}% +\\{\|}\\{\a6}\\{\a7}\\{\v6\.1}\\{\a7}\\{\|}\\{\v6\.1}} +{\\{6}\\{8}\\{6}\\{7}\\{6}\\{4}\\{6}\\{8}\\{6}\\{7}\\{6}\\{7}\\{8}\\{6}}% +\lbeam36\lbeam9{10}\uslur13\uslur79\uslur1{14}\go +\_{fe,}{\a5}\_l{wacht}{\v4}\|% +\^{\piano}\_{auf, }{\h3}\group{\\{\_n{wacht}{\caesura\a4}}\\{\a2}} +{\\{4}\\{2}}\ubeam12\go\|\^{\dec}\_{auf,}{\h3}% +\group{\\{\_n{wacht}\^{zart}{\caesura\a4}}\\{\a2}} +{\\{4}\\{2}}\ubeam12\go\|\^{\dec}\_{auf,}{\h6\.1}\caesura\|% +\^{\forte}\_{las-}{\v{-1}}\_{set}{\v0\.1}\_{den}{\a1}\|% +\meter4/4\_{Lob - }{\h2}\_{ge - }{\v3}\_{sang}{\v4}\|\meter7/4% +\group{\\{\_n{h"o \hskip20pt - \hskip20pt - \hskip20pt +- }{\h5}}\\{\v4\.1}\\{\a3}\\{\v2}\\{\h3}} +{\\{5}\\{4}\\{3}\\{2}\\{9}}\uslur15\go +\|\meter3/4\_{ren!}{\h2\.1}\=\endsong +\parindent=0pt \eightrm +Aus: R. Baum,``Geselliges Chorbuch I'' B"arenreiter-Verlag, Kassel und +Basel. +\vskip1cm \rm Auch zu diesem St"uck sei die Eingabe aufgef"uhrt: +\vskip1cm +%%%%%%%%%%%%%%%% +%%%%%% distler% +%%%%%%%%%%%%%%%% +{\bf !!}\ks{title}\{Lobe den Herren\} +\ks{composer}\{Hugo Distler\} +\par +\ks{voice}\{Sopran\} +\ks{treble}\ks{signature}\{{`}{`}xf\} +\ks{text}\{\ks{\os{ }l} Schnell\} +\ks{meter}\{{\bf3}\slash {\bf4}\}\ks{vocal} +\par {\bf\{\ \ \ +4g\ks{mezzoforte} g {`}{`}d\strich `h. 8a 4g\strich f e d \strich 2e +\ks{slur}\{4f\strich\ks{meter}\{2\slash 4\} f\} 4g\strich +\par\ks{meter}\{4\slash 4\} 2a 2g\dpkt\strich\strich +\ks{meter}\{3\slash 4\} 4{`}{`}d d d \strich 2.e 0p\strich +\par `4h 8{`}{`}c c +\ks{group}\{4d\strich 8d e d `h 4{`}{`}d\strich 8d e 4.d 8e\strich 4.d\} +\ks{gslur}\{1-3, 1-13\}\par +\ks{gbeam}\{3-6, 9-10\} 8c 4`h\strich 2a +\ks{piano} 0p\ks{beam}\{8h g\}\strich\par 2a \ks{decr} 0p +%ks{beam}\{8h g\}\strich\par 2a \ks{decr} 0p +\ks{beam}\{8h \ks{text}\{{\rm zart}\}g\}\strich + {`}{`}2.d\ks{decr} 0p\strich +\par `4d\ks{forte} .e 8f\strich \ks{meter}\{4\slash 4\} 2g 4a h\strich +\par +\ks{meter}\{7\slash 4\}\ks{slur}\{`{}`2c `4.h 8a 4g 2a\}\strich +\ks{meter}\{3\slash 4\} 2.g \gleich\ \ \ \} } +\par +\{\ \ \ \{Lo-\bs{atop} Mei-\} \{be\bs{atop} ne\} \{den\bs{atop} ge-\} +\{Her-\bs{atop} lie-\} \{ren,\bs{atop} be-\}\par + \{den \bs{atop} te\} \{m"ach-\bs{atop} See-\} + \{ti-\bs{atop} le,\} \{gen\bs{atop} das\} \par + \{K"o-\bs{atop} ist\} + \{nig--\bs{atop} mein--\} \slash\ + \{der\bs{atop} Be-\} \{Eh-\bs{atop} geh-\} + \{ren!\bs{atop} ren.\} +\par Kom- met zu Hauf! Psal- ter und Har- +\slash\ \slash\ \slash\ +\slash\ \slash\ \slash\ +\slash\ \slash\ \slash\ \slash\ +fe, \par +wacht auf, wacht \slash\ auf, wacht\ \slash\ auf, \par +las- set +den Lob- ge- sang h"o- +\slash\ \slash\ \slash\ \slash\ +ren!\ \ \ \}{\bf!!} +\vfill\eject +\verbatimoff |