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diff --git a/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/dafx_06.sty b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/dafx_06.sty new file mode 100644 index 0000000000..88d83a548a --- /dev/null +++ b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/dafx_06.sty @@ -0,0 +1,409 @@ +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +% +% File: dafx_06.sty (LaTeX Document style option "dafx_06") +% +% Usage: \documentclass{article} +% \usepackage{dafx_06} +% +% Or for LaTeX 2.09: +% Usage: \documentstyle[...,dafx_06,...]{article} +% +% Purpose: +% +% Style file for Conference on Digital Audio Effects (DAFX-06). +% Modified from waspaa99.sty +% Features: +% - correct page size (175mm x 226mm) +% - use times-roman font as default font(roman font) in order to achieve +% best quality on paper and screen +% - twocolumn format +% - boldfaced, numbered, and centered section headings +% - correct subsection and subsubsection headings +% - use \title{xx} for title, will automattically be typeset uppercase (not need for the user to do so) +% +% NEW NEW NEW +% +% - use \affiliation{author1, author2, ... and authorN}{address} for author(s) <typeset in italics> +% with a single affiliation (address) +% - use \affiliationS{author}{address1}{address2} for author(s) <typeset in italics> +% with double affiliation (address) +% - use \twoaffiliations{author1}{address1}{author2}{address2} +% for two (or more) authors with two separate addresses +% - use \threeaffiliations{author1}{address1}{author2}{address2}{author3}{address3} +% for three (or more) authors with three separate addresses +% - use \fouraffiliations{author1}{address1}{author2}{address2}{author3}{address3}{author4}{address4} +% for four (or more) authors with four separate addresses +% - note: no need for \name \address \author nor \date +% +% - optional: can use \thanks{xx} within \affiliation, \affiliations, etc. +% asterisk is not printed after name nor in footnote +% - optional: can use \sthanks{xx} after each name within \name or +% \twoauthors if different thanks for each author, +% footnote symbol will appear for each name and footnote +% - optional: use \ninept to typeset text in 9 pt; default is 10pt. +% +% Example of use for one or more authors at a common address and +% common support. For distinct support acknowledgments, +% use \sthanks{xx} after each name. +% +% \documentstyle[dafx_06]{article} +% \title{Title of the paper} +% \affiliation{George P. Burdell and John Q. Professor +% \thanks{This work was supported by...}} +% {Common address, department \\ +% City, etc \\ +% optional e-mail address} +% +% \begin{document} +% OPTIONAL --> \ninept <-- OPTIONAL, for nine pt only +% \maketitle +% \begin{abstract} +% This is the abstract for my paper. +% \end{abstract} +% . +% Insert text of paper +% . +% \end{document} +% +% Example of use for authors at two distinct addresses with only +% one support acknowledgment. For distinct support acknowledgments, +% use \sthanks{xx} after each name. +% +% \documentstyle[dafx_06]{article} +% \title{Title of the paper} +% \twoaffiliations{John Doe +% \thanks{This work was supported by...}} +% {Doe's address, department \\ +% City, etc \\ +% optional e-mail address} +% {Judy Smith} +% {Smith's address, department \\ +% City, etc \\ +% optional e-mail address} +% +% \begin{document} +% OPTIONAL --> \ninept <-- OPTIONAL, for nine pt only +% \maketitle +% \begin{abstract} +% This is the abstract for my paper. +% \end{abstract} +% . +% Insert text of paper +% . +% \end{document} +% +% +% PLEASE REPORT ANY BUGS +% +% Author: Stephen Martucci -- martucci@cdg.nj.nec.com +% Modifications: Jyri Huopaniemi -- jyri.huopaniemi@research.nokia.com +% the Dafx crew -- dafx@sci.univr.it +% The DAFx04 crew -- dafx04@na.infn.it +% The DAFx06 crew -- dafx06@dafx.ca +% +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% +\usepackage[super]{nth} +% +%change default font to times-roman +\renewcommand{\sfdefault}{phv} +\renewcommand{\rmdefault}{ptm} +\renewcommand{\ttdefault}{pcr} + +%\oddsidemargin 0pt % FINAL? +%\evensidemargin -22pt % FINAL? +\oddsidemargin -4.95truemm % no differential margin +\evensidemargin -4.95truemm % no differential margin + +\topmargin 0truept +\headheight 12truept +\footskip 0truept +\textheight 226truemm +\textwidth 175truemm +%\voffset -14truept %A4 letter format +\voffset -28truept %US letter format +\headsep 20truept + +\twocolumn +\columnsep 8truemm +\pagestyle{empty} +\def\ninept{\def\baselinestretch{0.95}\let\normalsize\small\normalsize} + +\def\maketitle{\par + \begingroup + \def\thefootnote{} + \def\@makefnmark{\hbox to 6pt{$^{\@thefnmark}$\hss}} + \if@twocolumn + \twocolumn[\@maketitle] + \else \newpage + \global\@topnum\z@ \@maketitle \fi\@thanks + \endgroup + \setcounter{footnote}{0} + \let\maketitle\relax + \let\@maketitle\relax + \gdef\thefootnote{\arabic{footnote}}\gdef\@@savethanks{}% + \gdef\@thanks{}\gdef\@author{}\gdef\@title{}\let\thanks\relax} + +\def\@maketitle{\newpage + \null + \vskip 1em \begin{center} + {\large \bf \@title \par} \vskip 1.5em {\large \lineskip .5em +\begin{tabular}[t]{c}\@name \\ \@address + \end{tabular}\par} \end{center} + \par + \vskip 1.4em} + +\def\title#1{\gdef\@title{\MakeUppercase{#1}}} +%\def\name#1{\gdef\@name{{\em #1}\\}} +%\def\address#1{\gdef\@address{#1}} +\gdef\@title{\uppercase{title of paper}} +\gdef\@name{{\em Name of author}\\} +\gdef\@address{Address - Line 1 \\ + Address - Line 2 \\ + Address - Line 3} + +\let\@@savethanks\thanks +\def\thanks#1{\gdef\thefootnote{}\@@savethanks{#1}} +\def\sthanks#1{\gdef\thefootnote{\fnsymbol{footnote}}\@@savethanks{#1}} + +\def\affiliationSpace{-0.3cm} + +\def\affiliation#1#2{\gdef\@address{} + \gdef\@name{\begin{tabular}{@{}c@{}} + {\em #1} \\ \vspace*{\affiliationSpace}\\ + #2\relax + \end{tabular} + } +} + +\def\affiliations#1#2#3{\gdef\@address{} + \gdef\@name{\begin{tabular}{@{}c@{}} + {\em #1} \\ \vspace*{\affiliationSpace}\\ + \begin{tabular}{@{}c@{}} + #2\relax + \end{tabular}\hskip 0.3in + \begin{tabular}{@{}c@{}} + #3\relax + \end{tabular} + \end{tabular} + } +} + +\def\twoaffiliations#1#2#3#4{\gdef\@address{} + \gdef\@name{\begin{tabular}{@{}c@{}} + {\em #1} \\ \vspace*{\affiliationSpace}\\ + #2\relax + \end{tabular}\hskip 0.3in + \begin{tabular}{@{}c@{}} + {\em #3} \\ \vspace*{\affiliationSpace}\\ + #4\relax + \end{tabular} + } +} + +\def\threeaffiliations#1#2#3#4#5#6{\gdef\@address{} + \gdef\@name{\begin{tabular}{@{}c@{}} + {\em #1} \\ \vspace*{\affiliationSpace}\\ + #2\relax + \end{tabular}\hskip 0.3in + \begin{tabular}{@{}c@{}} + {\em #3} \\ \vspace*{\affiliationSpace}\\ + #4\relax + \end{tabular} \\ \\ + \begin{tabular}{@{}c@{}} + {\em #5} \\ \vspace*{\affiliationSpace}\\ + #6\relax + \end{tabular} + } +} + +\def\fouraffiliations#1#2#3#4#5#6#7#8{\gdef\@address{} + \gdef\@name{\begin{tabular}{@{}c@{}} + {\em #1} \\ \vspace*{\affiliationSpace}\\ + #2\relax + \end{tabular}\hskip 0.3in + \begin{tabular}{@{}c@{}} + {\em #3} \\ \vspace*{\affiliationSpace}\\ + #4\relax + \end{tabular} \\ \\ + \begin{tabular}{@{}c@{}} + {\em #5} \\ \vspace*{\affiliationSpace}\\ + #6\relax + \end{tabular}\hskip 0.3in + \begin{tabular}{@{}c@{}} + {\em #7} \\ \vspace*{\affiliationSpace}\\ + #8\relax + \end{tabular} + } +} + +\def\@sect#1#2#3#4#5#6[#7]#8{ + \refstepcounter{#1}\edef\@svsec{\csname the#1\endcsname.\hskip 0.6em} + \begingroup \ifnum #2=1\bf\centering + {\interlinepenalty \@M + \@svsec\uppercase{#8}\par}\else\ifnum #2=2\bf + \noindent{\interlinepenalty \@M \@svsec #8\par}\else\it + \@hangfrom{\hskip\parindent}{\interlinepenalty \@M + \@svsec #8\par}\fi\fi\endgroup + \csname #1mark\endcsname{#7}\addcontentsline + {toc}{#1}{\protect\numberline{\csname the#1\endcsname} #7} + \@tempskipa #5\relax + \@xsect{\@tempskipa}} + +\def\abstract{\begin{center} +{\bf ABSTRACT\vspace{-.5em}\vspace{0pt}} +\end{center}} +\def\endabstract{\par} + +\def\copyrightnotice#1{\gdef\@copyrightnotice{#1}}\let\@copyrightnotice\relax +\def\toappear#1{\gdef\@toappear{#1}}\let\@toappear\relax + +%%% Strings for the preprint titlepage footer: + +\newif\if@preprint\@preprintfalse +\def\ds@preprint{\@preprinttrue} +\def\ps@preprint{\let\@mkboth\@gobbletwo\def\@oddhead{} + \def\@oddfoot{\rlap{\@toappear}\hfil\thepage\hfil + \llap{\@copyrightnotice}\gdef\@toappear{}\gdef\@copyrightnotice{}}} + +\if@preprint\ps@preprint +\else\ps@empty\flushbottom\fi + +\def\thebibliography#1{\section{References}\list + {[\arabic{enumi}]}{\settowidth\labelwidth{[#1]}\leftmargin\labelwidth + \advance\leftmargin\labelsep + \usecounter{enumi}} + \def\newblock{\hskip .11em plus .33em minus .07em} + \sloppy\clubpenalty4000\widowpenalty4000 + \sfcode`\.=1000\relax} +\let\endthebibliography=\endlist + +\flushbottom +%%%%% fancyheading included +\def\lhead{\@ifnextchar[{\@xlhead}{\@ylhead}} +\def\@xlhead[#1]#2{\gdef\@elhead{#1}\gdef\@olhead{#2}} +\def\@ylhead#1{\gdef\@elhead{#1}\gdef\@olhead{#1}} + +\def\chead{\@ifnextchar[{\@xchead}{\@ychead}} +\def\@xchead[#1]#2{\gdef\@echead{#1}\gdef\@ochead{#2}} +\def\@ychead#1{\gdef\@echead{#1}\gdef\@ochead{#1}} + +\def\rhead{\@ifnextchar[{\@xrhead}{\@yrhead}} +\def\@xrhead[#1]#2{\gdef\@erhead{#1}\gdef\@orhead{#2}} +\def\@yrhead#1{\gdef\@erhead{#1}\gdef\@orhead{#1}} + +\def\lfoot{\@ifnextchar[{\@xlfoot}{\@ylfoot}} +\def\@xlfoot[#1]#2{\gdef\@elfoot{#1}\gdef\@olfoot{#2}} +\def\@ylfoot#1{\gdef\@elfoot{#1}\gdef\@olfoot{#1}} + +\def\cfoot{\@ifnextchar[{\@xcfoot}{\@ycfoot}} +\def\@xcfoot[#1]#2{\gdef\@ecfoot{#1}\gdef\@ocfoot{#2}} +\def\@ycfoot#1{\gdef\@ecfoot{#1}\gdef\@ocfoot{#1}} + +\def\rfoot{\@ifnextchar[{\@xrfoot}{\@yrfoot}} +\def\@xrfoot[#1]#2{\gdef\@erfoot{#1}\gdef\@orfoot{#2}} +\def\@yrfoot#1{\gdef\@erfoot{#1}\gdef\@orfoot{#1}} + +\newdimen\headrulewidth +\newdimen\footrulewidth +\newdimen\plainheadrulewidth +\newdimen\plainfootrulewidth +\newdimen\headwidth +\newif\if@fancyplain +\def\fancyplain#1#2{\if@fancyplain#1\else#2\fi} + +% Command to reset various things in the headers: +% a.o. single spacing (taken from setspace.sty) +% and the catcode of ^^M (so that epsf files in the header work if a +% verbatim crosses a page boundary) +\def\fancy@reset{\restorecr + \def\baselinestretch{1}% + \ifx\undefined\@newbaseline% NFSS not present; 2.09 or 2e + \ifx\@currsize\normalsize\@normalsize\else\@currsize\fi% + \else% NFSS (2.09) present + \@newbaseline% + \fi} + +% Initialization of the head and foot text. + +\headrulewidth 0.4pt +\footrulewidth\z@ +\plainheadrulewidth\z@ +\plainfootrulewidth\z@ + +\lhead[\fancyplain{}{\sl\rightmark}]{\fancyplain{}{\sl\leftmark}} +% i.e. empty on ``plain'' pages, \rightmark on even, \leftmark on odd pages +\chead{} +%\rhead[\fancyplain{}{\sl\leftmark}]{\fancyplain{}{\sl\rightmark}} +% i.e. empty on ``plain'' pages, \leftmark on even, \rightmark on odd pages +\lfoot{} +\cfoot{} +\rfoot{} + +% Put together a header or footer given the left, center and +% right text, fillers at left and right and a rule. +% The \lap commands put the text into an hbox of zero size, +% so overlapping text does not generate an errormessage. + +\def\@fancyhead#1#2#3#4#5{#1\hbox to\headwidth{\fancy@reset\vbox{\hbox +{\rlap{\parbox[b]{\headwidth}{\raggedright#2\strut}}\hfill +\parbox[b]{\headwidth}{\centering#3\strut}\hfill +\llap{\parbox[b]{\headwidth}{\raggedleft#4\strut}}}\headrule}}#5} + + +\def\@fancyfoot#1#2#3#4#5{#1\hbox to\headwidth{\fancy@reset\vbox{\footrule +\hbox{\rlap{\parbox[t]{\headwidth}{\raggedright#2\strut}}\hfill +\parbox[t]{\headwidth}{\centering#3\strut}\hfill +\llap{\parbox[t]{\headwidth}{\raggedleft#4\strut}}}}}#5} + +\def\headrule{{\if@fancyplain\let\headrulewidth\plainheadrulewidth\fi +\hrule\@height\headrulewidth\@width\headwidth \vskip-\headrulewidth}} + +\def\footrule{{\if@fancyplain\let\footrulewidth\plainfootrulewidth\fi +\vskip-0.3\normalbaselineskip\vskip-\footrulewidth +\hrule\@width\headwidth\@height\footrulewidth\vskip0.3\normalbaselineskip}} + +\def\ps@fancy{% +\@ifundefined{@chapapp}{\let\@chapapp\chaptername}{}%for amsbook +\@ifundefined{chapter}{\def\sectionmark##1{\markboth +{\uppercase{\ifnum \c@secnumdepth>\z@ + \thesection\hskip 1em\relax \fi ##1}}{}}% +\def\subsectionmark##1{\markright {\ifnum \c@secnumdepth >\@ne + \thesubsection\hskip 1em\relax \fi ##1}}}% +{\def\chaptermark##1{\markboth {\uppercase{\ifnum \c@secnumdepth>\m@ne + \@chapapp\ \thechapter. \ \fi ##1}}{}} +\def\sectionmark##1{\markright{\uppercase{\ifnum \c@secnumdepth >\z@ + \thesection. \ \fi ##1}}}}% +\csname ps@headings\endcsname % use \ps@headings defaults if they exist +\ps@@fancy +\gdef\ps@fancy{\@fancyplainfalse\ps@@fancy}% +\headwidth\textwidth} +\def\ps@fancyplain{\ps@fancy \let\ps@plain\ps@plain@fancy} +\def\ps@plain@fancy{\@fancyplaintrue\ps@@fancy} +\def\ps@@fancy{% +\def\@mkboth{\protect\markboth}% +\def\@oddhead{\@fancyhead\@lodd\@olhead\@ochead\@orhead\@rodd}% +\def\@oddfoot{\@fancyfoot\@lodd\@olfoot\@ocfoot\@orfoot\@rodd}% +\def\@evenhead{\@fancyhead\@rodd\@elhead\@echead\@erhead\@lodd}% +\def\@evenfoot{\@fancyfoot\@rodd\@elfoot\@ecfoot\@erfoot\@lodd}% +} +\def\@lodd{\if@reversemargin\hss\else\relax\fi} +\def\@rodd{\if@reversemargin\relax\else\hss\fi} + +\let\latex@makecol\@makecol +\def\@makecol{\let\topfloat\@toplist\let\botfloat\@botlist\latex@makecol} +\def\iftopfloat#1#2{\ifx\topfloat\empty #2\else #1\fi} +\def\ifbotfloat#1#2{\ifx\botfloat\empty #2\else #1\fi} +\def\iffloatpage#1#2{\if@fcolmade #1\else #2\fi} + +\pagestyle{fancy} +\renewcommand{\headrulewidth}{0pt} +\renewcommand{\footrulewidth}{-5mm} +\lhead{\em \small Proc.~of the \nth{9} Int.~Conference on Digital Audio +Effects (DAFx-06), Montreal, Canada, September 18-20, 2006} +\rhead{} +\lfoot{} +\rfoot{} +\cfoot{{\vskip 11mm}{\small DAFX-\thepage}}{} +%\cfoot{{\vskip 11mm}{\small DAFx-06 -- \thepage}}{} + diff --git a/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/fft_plot2.png b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/fft_plot2.png Binary files differnew file mode 100644 index 0000000000..e3ccb1c57e --- /dev/null +++ b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/fft_plot2.png diff --git a/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.bib b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.bib new file mode 100644 index 0000000000..032b9f43f2 --- /dev/null +++ b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.bib @@ -0,0 +1,31 @@ +@inbook{Serra:1996:sms, + Author = {X. Serra}, + Chapter = {Musical Sound Modeling with Sinusoids plus Noise}, + Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads, Eds.~Swets~\&~Zeitlinger}, + Title = {Musical Signal Processing}, + Pages = {91--122}, + Year = {1996}} + +@article{Moorer:2000:AES:audio:millenium, + Author = {James A. Moorer}, + Title = {Audio in the New Millennium}, + Journal = {Journal of the {AES}}, + Volume = 48, + Number = 5, + Year = 2000, + Month = may, + Pages = {490--498}} + +@inproceedings{Arfib:1998:DAFx, + Author = {D. Arfib}, + Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects (DAFx-98)}, + Title = {Different Ways to Write Digital Audio Effects Programs}, + Address = {Barcelona, Spain}, + Pages = {188--91}, + Year = {1998}} + +@techreport{Askenfelt:1976:automatic:transcription, + Author = {A. Askenfelt}, + Title = {Automatic notation of played music (status report)}, + Institution = {{STL-QPSR, Vol. 1, pp. 1--11}}, + Year = {1976}} diff --git a/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.tex b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.tex new file mode 100644 index 0000000000..d701918526 --- /dev/null +++ b/macros/latex/contrib/conferences/confproc/example/papers/sources_pdftex/p_005/p_005.tex @@ -0,0 +1,335 @@ +% Template LaTeX file for DAFx-06 papers +% +% To generate the correct references using BibTeX, run +% latex, bibtex, latex, latex +% modified from DAFx-00 version by Florian Keiler, 2002-07-08 +% from DAFx-02 to DAFx-03 by Gianpaolo Evangelista +% from DAFx-05 to DAFx-06 by Vincent Verfaille, 2006-02-05 +% +% Template with hyper-references (links) active after conversion to pdf +% (with the distiller) or if compiled with pdflatex. +% +% 20060205: added package 'hypcap' to correct hyperlinks to figures and tables +% use of \papertitle and \paperauthorA, etc for same title in PDF and Metadata +% +% 1) Please compile using latex or pdflatex. +% 2) If using pdflatex, you need your figures in a file format other than eps! e.g. png or jpg is working +% 3) Please use "paperftitle" and "pdfauthor" definitions below + +%------------------------------------------------------------------------------------------ +% ! ! ! ! ! ! ! ! ! ! ! ! user defined variables ! ! ! ! ! ! ! ! ! ! ! ! ! ! +% Please use these commands to define title and author of the paper: +\def\papertitle{Templates for Two Authors} +\def\paperauthorA{Alfred Alabama} +\def\paperauthorB{Chris Christmas} + + +%------------------------------------------------------------------------------------------ +\documentclass[twoside]{article} +\usepackage{dafx_06,amssymb,amsmath} +%\setcounter{page}{1} +\input{../../expages.tex}\setpagenumber{03} +\ninept + +\usepackage{mathptmx} + % Saves a lot of ouptut space in PDF... after conversion with the distiller + % Delete if you cannot get PS fonts working on your system. + +% pdf-tex settings: detect automatically if run by latex or pdflatex +\newif\ifpdf +\ifx\pdfoutput\relax +\else + \ifcase\pdfoutput + \pdffalse + \else + \pdftrue +\fi + +\ifpdf % compiling with pdflatex + \usepackage[pdftex, + pdftitle={\papertitle}, + pdfauthor={\paperauthorA, \paperauthorB}, + colorlinks=false, % links are activated as colror boxes instead of color text + bookmarksnumbered, %use section numbers with bookmarks + pdfstartview= XYZ % starts with zoom=100% instead of full screen; especially useful if working with a big screen :-) + ]{hyperref} + \pdfcompresslevel=9 + \usepackage[pdftex]{graphicx} + \usepackage[figure,table]{hypcap} +\else % compiling with latex + \usepackage[dvips]{graphicx} + \usepackage[dvips, + colorlinks=false, % no color links + bookmarksnumbered, %use section numbers with bookmarks + pdfstartview= XYZ % starts with zoom=100% instead of full screen + ]{hyperref} + % hyperrefs are active in the pdf file after conversion + \usepackage[figure,table]{hypcap} +\fi + +%------------------------------------------------------------------------------------------ +\title{\papertitle} + +\twoaffiliations{\paperauthorA} +{\href{http://www.music.mcgill.ca/~mtech/spcl/}{SPCL, Music Technology Area}\\ Schulich School of Music\\ McGill University, Montreal, Canada \\ {\tt \href{mailto:dafx06@dafx.ca}{dafx06@dafx.ca}} +} +{\paperauthorB} +{\href{http://dafx05.ssr.upm.es}{Signal Processing Applications Group} \\ Dept.~SSR, ETSI Telecomunicacion\\ UPM, Madrid, Spain \\ + {\tt \href{mailto:dafx05@ssr.upm.es}{dafx05@ssr.upm.es}} +} + +%------------------------------------------------------------------------------------------ +\begin{document} +% more pdf-tex settings: +\ifpdf % used graphic file format for pdflatex + \DeclareGraphicsExtensions{.png,.jpg,.pdf} +\else % used graphic file format for latex + \DeclareGraphicsExtensions{.eps} +\fi + +\maketitle + +\begin{abstract} +This is the template file for the proceedings of the \nth{9} International Conference on Digital Audio Effects (DAFx-06). +This template has been generated from WASPAA'99 templates and aims at producing conference proceedings in electronic form. +The format is essentially the one used for ICASSP conferences. + +Please use either this \LaTeX{} or the accompanying Word formats when preparing your submission. +The templates are available in electronic form at the website: +\\ \href{http://www.dafx.ca}{http://www.dafx.ca}. Thanks! +\end{abstract} + +\section{Introduction} +This template can be found on the conference website. + +\subsection{Figures} +All figures should be centered on the column (or page, if the figure spans both columns). +Figure captions (in italic) should follow each figure and have the format given in Figure \ref{fft_plot}. +\begin{figure}[ht] +\centerline{\includegraphics[scale=0.8]{fft_plot2}} +\caption{{\it Sinusoid in time and frequency domain.}} +\label{fft_plot} +\end{figure} +Figures must be vectorial (no screen copy, no bitmap, etc). For example when using \texttt{Matlab}, export using either Postscript or PDF format. Also, in order to provide a better readibility, figure text font size should be at list identical to footnote font size. To do so using \texttt{Matlab}, use the \texttt{subplot} command before plotting. + +\subsection{Tables} +As for figures, all tables should be centered on the column (or page, if the table spans both columns). +Table captions should be in italic, follow each table and have the format given in Table \ref{tab:example}. + +\begin{table}[htdp] + \begin{center} + \begin{tabular}{|c|c|}\hline + angle ($\theta$, rad) & $\sin \theta$ \\\hline + $\frac{\pi}{2}$ & 1 \\ + $\pi$ & 0 \\ + $\frac{3\pi}{2}$ & -1 \\ + $2\pi$ & 0 \\\hline + \end{tabular} + \end{center} + \label{tab:example} + \caption{{\it Basic trigonometric values.}} +\end{table}% + +\subsection{Equations} +Equations should be placed on separate lines and numbered: + +\begin{equation} +X(e^{j\Omega})=\sum_{n=0}^{N-1}x(n)e^{-j\Omega n} +\label{eq1} +\end{equation} +where the sequence $x(n)$ in equation (\ref{eq1}) is a windowed frame: +\begin{equation} +x(n)=s(n)\cdot w(n) +\label{eq2} +\end{equation} +with a window function $w(n)$. + +\subsection{Page Numbers} +Page numbers will be added to the document electronically, so {\em please leave the numbering as is}, +that is, the first page will start at page DAFX-1 and the last page, at most, will have to be DAFX-6 +for the submission of papers for an oral presentation or DAFX-4 in the case of a poster presentation. + +\subsection{References} +The references will be numbered in order of appearance \cite{Serra:1996:sms,Moorer:2000:AES:audio:millenium,Arfib:1998:DAFx,Askenfelt:1976:automatic:transcription}. Please avoid listing references that do not appear in the text. + +\subsubsection{Reference Format} +The reference format is the standard IEEE one. We recommend to use BibTeX to create the reference list. + +\section{Conclusions} +This template can be found on the conference website. +If you wish to include a single authors' affiliation please use the companion LaTeX template tmpl\_la\_href. +Please, submit full-length papers (max.~6 pages for oral presentation and max.~4 pages for posters). + +Submission is fully electronic and automated through the Conference Web Submission System. +DO NOT send us papers directly by e-mail. + + +\section{Acknowledgements} +Many thanks to the great number of anonymous reviewers! + + +\section{Margin Check} +This section shows the column margins for pages other than the first one. \bigskip\newline +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. + +\section{Margin Check} +This section shows the column margins for pages other than the first one. \bigskip\newline +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. + +\section{Margin Check} +This section shows the column margins for pages other than the first one. \bigskip\newline +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. +DAFx-06 welcomes you to Montreal. Montreal welcomes Digital Audio Effects, we simply love them. + +%\newpage +\bibliographystyle{IEEEtran} +\bibliography{p_005} + + +\end{document} |