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+
+\chapter{Feature Reference}\hypertarget{FeatureReference}{}
+%\fancyhead[CE]{\scshape\color{myRed} {\addfontfeatures{Numbers=OldStyle}\thepage}\hspace{10pt}feature reference}
+
+\section{Introduction}
+The OpenType features of Junicode version 2 and its variable counterpart (hereafter referred to together as
+``Junicode'') have two purposes. One is to provide convenient access to the rich character set of the Medieval Unicode
+Font Initiative (MUFI) recommendation. The other is to enable best practices in the presentation of medieval text,
+promoting accessibility in electronic texts from PDFs to e-books to web pages.
+%\thispagestyle{plain}
+
+Each character in the MUFI recommendation has a code point associated with it: either the one
+assigned by Unicode or, where the character is not recognized by Unicode, in the Private Use Area (PUA) of the Basic
+Multilingual Plane, a block of codes, running from \unic{U+E000} to \unic{U+F8FF}, that are assigned no value by Unicode but instead
+are available for font designers to use in any way they please.
+
+The problem with PUA code points is precisely their lack of any value. Consider, as a point of comparison, the letter
+\textex{a} (\unic{U+0061}). Your computer, your phone, and probably a good many other devices around the house
+store a good bit of information about this \textex{a}: that it’s a letter in the Latin script, that
+it’s lowercase, and that the uppercase equivalent is \textex{A} (\unic{U+0041}). All this information is
+available to word processors, browsers, and other applications running on your computer.
+
+Now suppose you're preparing an electronic text containing what MUFI calls \textUName{latin small letter neckless
+a} (\textex{}). It is assigned to code point \unic{U+F215}, which belongs to the PUA. Beyond that, your
+computer knows nothing about it: not that it is a variant of \textex{a}, or that it is lowercase, or a letter in the Latin
+alphabet, or even a character in a language system. A screen reader cannot read, or even spell out, a word with \unic{U+F215}
+in it; a search engine will not recognize the word as containing the letter \textex{a}.
+
+Junicode offers the full range of MUFI characters---you can enter the PUA code points---but also a solution to the
+problems posed by those code points. Think of an electronic text (a web page, perhaps, or a PDF) as having two layers:
+an underlying text, stable and unchanging, and the displayed text, generated by software at the instant it is needed
+and discarded when it is no longer on the screen. For greatest accessibility the underlying text should contain the
+plain letter \textex{a} (\unic{U+0061}) along with markup indicating how it should be displayed. To generate
+the displayed text, a program called a ``layout engine'' will (simplifying a bit here) read the markup and apply the
+OpenType feature \textSourceText{cv02[5]}\footnote{\ Many OpenType features produce different outcomes depending on
+an index passed to an application’s layout engine along with the feature tag. Different applications have different
+ways of entering this index: consult your application’s documentation. Here, the index is recorded in brackets after
+the feature tag. Users of fontspec (with {\XeLaTeX} or {\LuaTeX}) should also be aware that fontspec indexes start at zero
+while OpenType indexes start at one. Therefore all index numbers listed in this document must be reduced by one for
+use with fontspec.\par } to the underlying \textex{a}, bypassing the PUA code point, with the result that
+readers see \textex{\cvd[4]{2}{a}}{}---the ``neckless a.'' And yet the letter will still register as
+\textex{a} with search engines, screen readers, and so on.
+
+This is the Junicode model for text display, but it is not peculiar to Junicode: it is widely considered to be the best
+practice for displaying text using current font technology.
+
+The full range of OpenType features listed in this document is supported by all major web browsers, LibreOffice, {\XeTeX},
+{\LuaTeX}, and (presumably) other document processing applications. All characters listed here are available in Adobe
+InDesign, though that program supports only a selection of OpenType features. Microsoft Word, unfortunately, supports
+only Stylistic Sets, ligatures (all but the standard ones in peculiar and probably useless combinations), number
+variants, and the \hyperlink{req}{Required Features}. In terms of
+OpenType support, Word is the most primitive of the major text processing applications.
+
+Many MUFI characters cannot be produced by using the OpenType variants of Junicode. These characters fall into three
+categories:
+
+\liststyleLi
+\begin{itemize}
+\item Those with Unicode (non-PUA) code points. MUFI has done valuable work obtaining Unicode code points for medieval characters.
+All such characters (those with hexadecimal codes that \textstyleEmphasis{do not} begin with \textex{E}
+or \textex{F}) are presumed safe to use in accessible and searchable text. However, some of these are
+covered by Junicode OpenType features for particular reasons.
+\item Precomposed characters---those consisting of base character + one or more diacritics. For greatest accessibility,
+these should be entered not as PUA code points, but rather as sequences consisting of base character +
+diacritics. For example, instead of MUFI \unic{U+E498} \textUName{latin small letter e with dot below and acute}, use
+\textex{e} + \unic{U+0323} \textUName{combining dot below} + \unic{U+0301} \textUName{combining acute accent}:
+\textex{ẹ́} (when applying combining marks, start with any marks below the character and work
+downwards, then continue with any marks above the character and work upwards. For example, to make
+\textex{ǭ̣́}, place characters in this order: \textex{o},
+\textUName{combining ogonek} \unic{U+0328}, \textUName{combining dot below} \unic{U+0323}, \textUName{combining
+macron} \unic{U+0304}, \textUName{combining acute} \unic{U+0301}). Some MUFI characters have marks in unconventional positions,
+e.g. \textex{ȯ́} \textUName{latin small letter o with dot above and acute}, where the
+acute appears beside the dot instead of above. This and other characters like it should still be entered as a sequence
+of base character + marks (here \textex{o}, \textUName{combining dot above} \unic{U+0307},
+\textUName{combining acute} \unic{U+0301}). Junicode will position the marks in the manner prescribed by MUFI.
+\item Characters for which a base character (a Unicode character to which it can be linked) cannot be identified, or for
+which there may be an inconsistency in the MUFI recommendation. These include:
+
+\begin{itemize}
+\item \textex{} \unic{U+E8AF}. This is a ligature of long \textex{s} and \textex{l} with stroke,
+but there are no base characters with this style of stroke.
+\item \textex{} \unic{U+EFD8} and \unic{U+EFD9}. MUFI lists these as ligatures (corresponding to the
+historic ligatures \textex{\hlig{uuUU}}, but they cannot be treated as ligatures in the
+font because a single diacritic is positioned over the glyphs as if they were digraphs like
+\textex{ꜳꜲ}.
+\item \textex{} \unic{U+EBE7} and \unic{U+EBE6}, for the same reason.
+\item \textex{} \unic{U+F159} \textUName{latin abbreviation sign small de}. Neither a variant of
+\textex{d} nor an eth (\textex{ð}), this character may be a candidate for Unicode
+encoding.
+\end{itemize}
+\item Characters for which OpenType programming is not yet available. These will be added as they are located and
+studied.% [Check: \unic{U+EBF1}, and smcp version.]
+\end{itemize}
+These characters should be avoided, even if you are otherwise using MUFI’s PUA characters:
+
+\liststyleLii
+\begin{itemize}
+\item \unic{U+F1C5} \textUName{combining curl high position}. Use \unic{U+1DCE} \textUName{combining ogonek above}. The
+positioning problem mentioned in the MUFI recommendation is solved in Junicode (and, to be fair, many other fonts with
+OpenType programming).
+\item \unic{U+F1CA} \textUName{combining dot above high position}. Use \unic{U+0307} \textUName{combining dot above}. It
+will be positioned correctly on any character.
+\end{itemize}
+
+\section{Case-Related Features}
+\subsection{\textSourceText{smcp} -- Small Capitals}
+Converts lowercase letters to small caps; also several symbols and combining marks. All lower- and uppercase pairs (with
+exceptions noted below) have a small cap equivalent. Lowercase letters without matching caps may lack matching small
+caps. fghij $\rightarrow $ \textsc{fghij}.
+
+Note: Precomposed characters defined by MUFI in the Private Use Area have no small cap equivalents. Instead, compose
+characters using combining diacritics, as outlined in the introduction. For example, \textSourceText{smcp} applied
+to the sequence \textex{t} + \textUName{combining ogonek} (\unic{U+0328}) + \textUName{combining
+acute} (\unic{U+0301}) will change \textex{t̨́} to \textex{\textsc{t̨́}}.
+
+\subsection{\textSourceText{c2sc} -- Small Capitals from Capitals}
+Use with \textSourceText{smcp} for all-small-cap text. ABCDE $\rightarrow $ {\addfontfeature{Letters = UppercaseSmallCaps}ABCDE}.
+
+Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters} below) have no lowercase equivalents. Their small capital forms can be
+accessed only through this feature.
+
+\subsection{\textSourceText{pcap} -- Petite Capitals}
+Produces small caps in a smaller size than \textSourceText{smcp}. Use these when small caps have to be mixed with
+lowercase letters. The whole of the basic Latin alphabet is covered, plus a number of other letters, but fewer than
+half of Junicode’s small caps have petite cap equivalents. klmno{\th}
+$\rightarrow $ {\addfontfeature{Letters = PetiteCaps}klmno\th}.
+
+\subsection{\textSourceText{c2pc} -- Petite Capitals from Capitals}}
+Produces petite capitals from capitals. Use with \textSourceText{pcap} to convert mixed-case texts to petite capitals.
+PQRST $\rightarrow $ {\addfontfeature{Letters=UppercasePetiteCaps}PQRST}.
+
+Note: The variants of Ŋ (\unic{U+014A}—see \hyperlink{OtherLatin}{Other Latin Letters} below) have no lowercase equivalents. Their petite capital forms can be
+accessed only through this feature.
+
+\subsection{\textSourceText{case} -- Case-Sensitive Forms}
+Produces combining marks that harmonize with capital letters: {\addfontfeature{Letters=Uppercase}\v{R}, X̉}, etc. Use of this feature reduces the
+likelihood that a combining mark will collide with a glyph in the line above. Some applications turn this
+feature on automatically for runs of capitals, and precomposed characters
+(e.g. \textex{É} \unic{U+00C9}, \textex{Ū} \unic{U+016A})
+already use case-appropriate combining marks. This feature also changes oldstyle to
+lining figures, since these harmonize better with uppercase letters.
+
+\section{Numbers and Sequencing}
+\subsection{\textSourceText{frac} -- Fractions}
+Applied to a slash and surrounding numbers, produces fractions with diagonal
+slashes. 6/9 becomes {\addfontfeature{Fractions=On}6/9}, 16/91 becomes {\addfontfeature{Fractions=On}16/91}.
+
+\subsection{\textSourceText{numr} -- Numerators}
+Changes numbers to those suitable for use on the left/upper side of fractions
+with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{dnom}, to manually construct
+fractions, but for most users \textSourceText{frac} will be a better solution.
+
+\subsection{\textSourceText{dnom} -- Denominators}
+Changes numbers to those suitable for use on the right/lower side of fractions
+with diagonal stroke (\unic{U+2044}). This can be used, with \textSourceText{numr}, to manually construct
+fractions, but for most users \textSourceText{frac} will be a better solution.
+
+\subsection{\textSourceText{nalt} -- Alternate Annotation Forms}
+Produces letters and numbers circled, in parenthesis, or followed by periods, as follows:
+
+\textSourceText{nalt[1]}, circled letters or numbers: {\addfontfeature{Annotation=0}a b .~.~. z; 0 1 2 .~.~. 20}.
+
+\textSourceText{nalt[2]}, letter or numbers in parentheses: {\addfontfeature{Annotation=1}a .~.~. z; 0 1 .~.~. 20}.
+
+\textSourceText{nalt[3]}, double-circled numbers: {\addfontfeature{Annotation=2}0 1 .~.~. 10}.
+
+\textSourceText{nalt[4]}, white numbers in black circles: {\addfontfeature{Annotation=3}0 1 2 3 . . . 20}.
+
+\textSourceText{nalt[5]}, numbers followed by period: {\addfontfeature{Numbers={Monospaced,Uppercase},Annotation=4}0 1 . . . 20}
+
+\noindent For enclosed figures 10 and higher, \textSourceText{rlig} (Required Ligatures) must also be enabled (as it should
+be by default: see \hyperlink{req}{Required Features} below).
+
+\subsection{\textSourceText{tnum} -- Tabular
+Figures}
+Fixed-width figures: \ltab{0123456789} (with \textSourceText{lnum}), \otab{0123456789} (default or with
+\textSourceText{onum}).
+
+\subsection{\textSourceText{onum} -- Oldstyle Figures}
+Junicode's default figures are oldstyle and proportional, harmonizing with lowercase characters:
+0123456789. Use this feature to switch temporarily to oldstyle figures in a context where
+\textSourceText{lnum} is active.
+
+\subsection{\textSourceText{pnum} -- Proportional Figures}
+Junicode's default figures are proportionally spaced: unlike tabular figures, they are not
+all the same width: 0123456789. Use this feature to switch temporarily to proportional figures in a context where
+\textSourceText{tnum} is active.
+
+\subsection{\textSourceText{lnum} -- Lining Figures}
+Figures in a uniform height, harmonizing with uppercase letters: \ltab{0123456789} (with
+\textSourceText{tnum}), \lprop{0123456789} (default or with \textSourceText{pnum}).
+
+\subsection{\textSourceText{zero} -- Slashed Zero}
+Produces slashed zero in all number styles, including superscripts, subscripts, and fractions made with
+\textSourceText{frac}: {\addfontfeature{Numbers=SlashedZero}\ltab{0} \otab{0} \lprop{0} \oprop{0},
+\addfontfeature{Fractions=On} 10/30}.
+
+\subsection{\textSourceText{ss09} -- Alternate Figures}
+In the manner of old typefaces, Junicode's default number one is shaped like a small capital I and
+its zero is a plain ring. This feature provides more modern-looking figures:
+{\addfontfeature{StylisticSet=9}01}. Only oldstyle figures
+are affected by this feature.
+
+\section{Superscripts and Subscripts}
+\subsection{\textSourceText{sups} -- Superscripts}
+Produces superscript numbers and letters. Superscript numbers are in one of two styles: oldstyle proportional
+(from oldstyle numbers) and lining tabular (from lining numbers). All lowercase
+letters of the basic Latin alphabet are covered, and most uppercase letters: \sups{\ltab{0123} \oprop{4567} abcde ABDEG}. Wherever
+superscripts are needed (e.g. for footnote numbers), use \textSourceText{sups} instead of the raised and scaled
+characters generated by some programs. With sups: \sups{4567}. Scaled: \textsuperscript{4567}.
+
+\subsection{\textSourceText{subs} -- Subscripts}
+Produces subscript numbers. Only produces oldstyle proportional and lining tabular figures:
+\subs{\oprop{2345} \ltab{8901}}.
+
+\section{Ornaments}
+\subsection{\textSourceText{ornm} -- Ornaments}
+Produces ornaments (fleurons) in either of two ways: as an indexed variant of the bullet character (\unic{U+2022}) or as
+variants of a-z, A-C:
+
+\begin{multicols}{4}
+a, 1{\tabto{4em}}\ornm{a}
+
+b, 2{\tabto{4em}}\ornm{b}
+
+c, 3{\tabto{4em}}\ornm{c}
+
+d, 4{\tabto{4em}}\ornm{d}
+
+e, 5{\tabto{4em}}\ornm{e}
+
+f, 6{\tabto{4em}}\ornm{f}
+
+g, 7{\tabto{4em}}\ornm{g}
+
+h, 8{\tabto{4em}}\ornm{h}
+
+i, 9{\tabto{4em}}\ornm{i}
+
+j, 10{\tabto{4em}}\ornm{j}
+
+k, 11{\tabto{4em}}\ornm{k}
+
+l, 12{\tabto{4em}}\ornm{l}
+
+m, 13{\tabto{4em}}\ornm{m}
+
+n, 14{\tabto{4em}}\ornm{n}
+
+o, 15{\tabto{4em}}\ornm{o}
+
+p, 16{\tabto{4em}}\ornm{p}
+
+q, 17{\tabto{4em}}\ornm{q}
+
+r, 18{\tabto{4em}}\ornm{r}
+
+s, 19{\tabto{4em}}\ornm{s}
+
+t, 20{\tabto{4em}}\ornm{t}
+
+u, 21{\tabto{4em}}\ornm{u}
+
+v, 22{\tabto{4em}}\ornm{v}
+
+w, 23{\tabto{4em}}\ornm{w}
+
+x, 24{\tabto{4em}}\ornm{x}
+
+y, 25{\tabto{4em}}\ornm{y}
+
+z, 26{\tabto{4em}}\ornm{z}
+
+A, 27{\tabto{4em}}\ornm{A}
+
+B, 28{\tabto{4em}}\ornm{B}
+
+C, 29{\tabto{4em}}\ornm{C}
+\end{multicols}
+
+\noindent The method with letters of the alphabet is easier, but the method with bullets will produce a more satisfactory result
+when text is displayed in an environment where Junicode is not available or \textSourceText{ornm} is not
+implemented.
+
+\subsection{Lady Junicode}
+Lady Junicode cannot be produced by an OpenType feature, believing that it would be vulgar to make herself so accessible. She has, indeed,
+commanded that the author of this document not publish her code point, located in one of the more private corners of the
+Private Use Area. She has, however, given permission to publish her miniature:
+\begin{center}
+{\huge\char"0F19F}
+\end{center}
+If you encounter her while adventuring in her domains, greet her respectfully, and she will welcome you graciously.
+
+\section{Alphabetic Variants}
+\subsection{\textSourceText{cv01-cv52} -- Basic Latin Variants}
+These features also affect small cap (\textSourceText{smcp}) and underdotted (\textSourceText{ss07}) forms,
+where available. Variants in \cvc{magenta} are also available via \textSourceText{ss06} “Enlarged Minuscules.”
+Use the \textSourceText{cvNN} features instead of \textSourceText{ss06} when you want to substitute an
+enlarged minuscule for a capital (or, less likely, a lowercase) letter everywhere in a text.
+
+\begin{center}
+\tablefirsthead{\hline
+\bfseries Variant of &\
+\bfseries cvNN &
+\arraybslash{\bfseries Variants}\\\hline}
+\tablehead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\centering\arraybslash{\bfseries Variants}\\\hline}
+\tabletail{\hline}
+\tablelasttail{\hline}
+\begin{supertabular}{| c | c | p{2.9212599in} |}
+%
+\bluerow\color{black}A & cv01 &
+1=\cvd{1}{A}, 2=\cvd[1]{1}{A}, 3=\cvd[2]{1}{A}, 4=\cvc{\cvd[3]{1}{A}}\\
+%
+a & cv02 &
+{1=\cvd{2}{a}, 2=\cvd[1]{2}{a}, 3=\cvd[2]{2}{a}, 4=\cvd[3]{2}{a},
+ 5=\cvd[4]{2}{a}, 6=\cvc{\cvd[5]{2}{a}}, 7=\cvd[6]{2}{a}, 8=\cvd[7]{2}{a}, 9=\cvd[8]{2}{a},
+ 10=\cvd[9]{2}{a}}\\
+%
+\bluerow B & cv03 &
+1=\cvc{\cvd{3}{B}}, 2=\cvd[1]{3}{B}\\
+%
+b & cv04 &
+1=\cvc{\cvd{4}{b}}\\
+%
+\bluerow C & cv05 &
+{1=\cvd{5}{C}, 2=\cvc{\cvd[1]{5}{C}}}\\
+%
+c & cv06 &
+{1=\cvd{6}{c}, 2=\cvd[1]{6}{c}}\\
+%
+\bluerow D & cv07 &
+{1=\cvd{7}{D}, 2=\cvc{\cvd[1]{7}{D}}, 3=\cvc{\cvd[2]{7}{D}}}\\
+%
+d & cv08 &
+{1=\cvd{8}{d}, 2=\cvd[1]{8}{d}, 3=\cvd[2]{8}{d}, 4=\cvc{\cvd[3]{8}{d}},
+ 5=\cvc{\cvd[4]{8}{d}} (also affects ḋ)}\\
+%
+\bluerow E & cv09 &
+{1=\cvd{9}{E}, 2=\cvd[1]{9}{E}, 3=\cvc{\cvd[2]{9}{E}}, 4=\cvd[3]{9}{E}}\\
+%
+e & cv10 &
+{1=\cvd{10}{e}, 2=\cvd[1]{10}{e}, 3=\cvd[2]{10}{e}, 4=\cvc{\cvd[3]{10}{e}}, 5=\cvd[4]{10}{e}}\\
+%
+\bluerow F & cv11 &
+{1=\cvd{11}{F}, 2=\cvc{\cvd[1]{11}{F}, 3=\cvd[2]{11}{F}}}\\
+%
+f & cv12 &
+{1=\cvd{12}{f}, 2=\cvd[1]{12}{f}, 3=\cvd[2]{12}{f}, 4=\cvd[3]{12}{f}, 5=\cvd[4]{12}{f},
+ 6=\cvd[5]{12}{f}, 7=\cvc{\cvd[6]{12}{f}}, 8=\cvc{\cvd[7]{12}{f}}, 9=\cvd[8]{12}{f}}\\
+%
+\bluerow G & cv13 &
+{1=\cvd{13}{G}, 2=\cvd[1]{13}{G}, 3=\cvd[2]{13}{G}, 4=\cvc{\cvd[3]{13}{G}}}\\
+%
+g & cv14 &
+{1=\cvd{14}{g}, 2=\cvd[1]{14}{g}, 3=\cvd[2]{14}{g}, 4=\cvd[3]{14}{g}, 5=\cvd[4]{14}{g},
+ 6=\cvd[5]{14}{g}, 7=\cvd[6]{14}{g}, 8=\cvc{\cvd[7]{14}{g}}, 9=\cvc{\cvd[8]{14}{g}}}\\
+%
+\bluerow H & cv15 &
+{1=\cvd{15}{H}, 2=\cvc{\cvd[1]{15}{H}}, 3=\cvd[2]{15}{H}}\\
+%
+h & cv16 &
+{1=\cvd{16}{h}, 2=\cvd[1]{16}{h}, 3=\cvc{\cvd[2]{16}{h}}, 4=\cvd[3]{16}{h}, 5=\cvd[4]{16}{h}}\\
+%
+\bluerow I & cv17 &
+{1=\cvd{17}{I}, 2=\cvd[1]{17}{I}, 3=\cvc{\cvd[2]{17}{I}}, 4=\cvd[3]{17}{I}}\\
+%
+i & cv18 &
+{1=\cvd{18}{i}, 2=\cvd[1]{18}{i}, 3=\cvd[2]{18}{i}, 4=\cvd[3]{18}{ii}, 5=\cvd[4]{18}{i},
+ 6=\cvc{\cvd[5]{18}{i}}*}\\
+%
+\bluerow J & cv19 &
+{1=\cvd{19}{J}, 2=\cvc{\cvd[1]{19}{J}}}\\
+%
+j & cv20 &
+{1=\cvd{20}{j}, 2=\cvd[1]{20}{j}, 3=\cvd[2]{20}{j}, \cvc{4=\cvd[3]{20}{j}}}\\
+%
+\bluerow K & cv21 &
+{1=\cvc{\cvd{21}{K}}}\\
+%
+k & cv22 &
+{1=\cvd{22}{k}, 2=\cvd[1]{22}{k}, 3=\cvd[2]{22}{k}, 4=\cvd[3]{22}{k}, \cvc{5=\cvd[4]{22}{k}}, 6=\cvd[5]{22}{k}}\\
+%
+\bluerow L & cv23 &
+{\cvc{1=\cvd{23}{L}}}\\
+%
+l & cv24 &
+{1=\cvd{24}{l}, \cvc{2=\cvd[1]{24}{l}}, 3=\cvd[2]{24}{l}, 4=\cvd[3]{24}{l}, 5=\cvd[4]{24}{l}, 6=\cvd[5]{24}{l}}\\
+%
+\bluerow M & cv25 &
+{1=\cvd{25}{M}, 2=\cvd[1]{25}{M}, 3=\cvd[2]{25}{M}, 4=\cvc{\cvd[3]{25}{M}}}\\
+%
+m & cv26 &
+{1=\cvd{26}{m}, 2=\cvd[1]{26}{m}, 3=\cvd[2]{26}{m}, 4=\cvc{\cvd[3]{26}{m}}}\\
+%
+\bluerow N & cv27 &
+{1=\cvd{27}{N}, \cvc{2=\cvd[1]{27}{N}}, 3=\cvd[2]{27}{N}}\\
+%
+n & cv28 &
+{1=\cvd{28}{n}, 2=\cvd[1]{28}{n}, 3=\cvd[2]{28}{n}, 4=\cvd[3]{28}{n}, \cvc{5=\cvd[4]{28}{n}},
+ 6=\cvd[5]{28}{n}, 7=\cvd[6]{28}{n}}\\
+%
+\bluerow O & cv29 &
+{1=\cvd{29}{O}, 2=\cvc{\cvd[1]{29}{O}}}\\
+%
+o & cv30 &
+{1=\cvd{30}{o}, 2=\cvc{\cvd[1]{30}{o}}}\\
+%
+\bluerow P & cv31 &
+{1=\cvd{31}{P}, 2=\cvc{\cvd[1]{31}{P}}}\\
+%
+p & cv32 &
+{1=\cvc{\cvd{32}{p}}}, 2=\cvd[1]{32}{p}**\\
+%
+\bluerow Q & cv33 &
+{1=\cvd{33}{Q}, 2=\cvc{\cvd[1]{33}{Q}}, 3=\cvd[2]{33}{Q}◌,
+ 4=\cvd[3]{33}{Q}◌◌}\\
+%
+q & cv34 &
+{1=\cvd{34}{q}, 2=\cvc{\cvd[1]{34}{q}}}\\
+%
+\bluerow R & cv35 &
+{1=\cvd{35}{R}, 2=\cvd[1]{35}{R}, 3=\cvc{\cvd[2]{35}{R}}}\\
+%
+r & cv36 &
+{1=\cvd{36}{r}, 2=\cvd[1]{36}{r}, 3=\cvd[2]{36}{r}, 4=\cvc{\cvd[3]{36}{r}}}\\
+%
+\bluerow S & cv37 &
+{1=\cvd{37}{S}, 2=\cvd[1]{37}{S}, 3=\cvc{\cvd[2]{37}{S}}, 4=\cvd[3]{37}{S}, 5=\cvd[4]{37}{S},
+ 6=\cvd[5]{37}{S}, 7=\cvd[6]{37}{S}}\\
+%
+s & cv38 &
+{1=\cvd{38}{s}, 2=\cvd[1]{38}{s}, 3=\cvd[2]{38}{s}, 4=\cvd[3]{38}{s},
+ 5=\cvd[4]{38}{s}, 6=\cvd[5]{38}{s}, 7=\cvc{\cvd[6]{38}{s}}, 8=\cvd[7]{38}{s},
+ 9=\cvd[8]{38}{s}, 10=\cvd[9]{38}{s}, 11=\cvd[10]{38}{s}, 12=\cvd[11]{38}{s}}\\
+%
+\bluerow T & cv39 &
+{1=\cvd{39}{T}, 2=\cvc{\cvd[1]{39}{T}}}\\
+%
+t & cv40 &
+{1=\cvd{40}{t}, 2=\cvd[1]{40}{t}, 3=\cvc{\cvd[2]{40}{t}}, 4=\cvd[3]{40}{t}}\\
+%
+\bluerow U & cv41 &
+{1=\cvc{\cvd{41}{U}}, 2=\cvd[1]{41}{U}, 3=\cvd[2]{41}{U}}\\
+%
+u & cv42 &
+{1=\cvc{\cvd{42}{u}}}\\
+%
+\bluerow V & cv43 &
+{1=\cvc{\cvd{43}{V}}}\\
+%
+v & cv44 &
+{1=\cvd{44}{v}, 2=\cvd[1]{44}{v}, 3=\cvd[2]{44}{v}, 4=\cvd[3]{44}{v}, 5=\cvc{\cvd[4]{44}{v}},
+ 6=\cvd[5]{44}{v}}\\
+%
+\bluerow W & cv45 &
+{1=\cvc{\cvd{45}{W}}, 2=\cvd[1]{45}{W}}\\
+%
+w & cv46 &
+{1=\cvc{\cvd{46}{w}}, 2=\cvd[1]{46}{w}}\\
+%
+\bluerow X & cv47 &
+{1=\cvc{\cvd{47}{X}}}\\
+%
+x & cv48 &
+{1=\cvd{48}{x}, 2=\cvd[1]{48}{x}, 3=\cvd[2]{48}{x}, 4=\cvd[3]{48}{x}, 5=\cvc{\cvd[4]{48}{x}}}\\
+%
+\bluerow Y & cv49 &
+{1=\cvd{49}{Y}, 2=\cvc{\cvd[1]{49}{Y}}}\\
+%
+y & cv50 &
+{1=\cvd{50}{y}, 2=\cvd[1]{50}{y}, 3=\cvd[2]{50}{y}, 4=\cvc{\cvd[3]{50}{y}}, 5=\cvd[4]{50}{y},
+ 6=\cvd[5]{50}{y}}\\
+%
+\bluerow Z & cv51 &
+{1=\cvd{51}{Z}, 2=\cvc{\cvd[1]{51}{Z}}}\\
+%
+z & cv52 &
+{1=\cvd{52}{z}, 2=\cvd[1]{52}{z}, 3=\cvc{\cvd[2]{52}{z}}}\\
+\end{supertabular}
+\end{center}
+
+\noindent * \textSourceText{cv18[4]} changes ii to ij at the end of a word;
+\textSourceText{cv18[5]} changes i to j at the end of a word whether another
+i precedes or not. These variants are chiefly useful for roman numbers, but
+also for Latin words ending in -ii. The j produced by this feature is
+searchable as i.
+
+\noindent ** \textSourceText{cv32[2]} should be on in any edition or extensive
+quotation of the \textit{Ormulum}. The feature produces a p that differs from
+the default only in the way it forms a double-p ligature with \textSourceText{hlig}:
+\cvd[1]{32}{\hlig{pp}}, not \hlig{pp}.
+
+\subsection{\textSourceText{cv53-cv66}, \textSourceText{cv91} -- Other Latin Letters}\hypertarget{OtherLatin}{}
+Some features affect both upper- and lowercase forms. \textSourceText{cv62} also affects
+combining \textex{e} with ogonek, accessible via \textSourceText{\hyperlink{ss10}{ss10}} with the
+entity reference \textSourceText{\&\_eogo;}.
+
+\begin{center}
+\tablefirsthead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\centering\arraybslash{\bfseries Variants}\\\hline}
+\tablehead{\hline
+\bfseries Variant of &
+\bfseries cvNN &
+\arraybslash{\bfseries Variants}\\\hline}
+\tabletail{\hline}
+\tablelasttail{\hline}
+\begin{supertabular}{| c | c |p{2.3212599in}|}
+%
+\bluerow\k{A} (\unic{U+0104}) &
+cv53 &
+{1=\cvd{53}{Ą}, 2=\cvd[1]{53}{Ą}, 3=\cvd[2]{53}{Ą}}\\
+%
+\k{a} (\unic{U+0105}) &
+cv54 &
+{1=\cvd{54}{ą}, 2=\cvd[1]{54}{ą}}\\
+%
+\bluerow ꜳ (\unic{U+A733}) &
+cv55 &
+{1=\cvd{55}{ꜳ}, 2=\cvd[1]{55}{ꜳ}, 3=\cvc{\cvd[2]{55}{ꜳ}}, 4=\cvd[3]{55}{æ}}\\
+%
+{\AE} (\unic{U+00C6}) &
+cv56 &
+{1=\cvd{56}{\AE}, 2=\cvc{\cvd[1]{56}{\AE}}}\\
+%
+\bluerow{\ae} (\unic{U+00E6}) &
+cv57 &
+{1=\cvd{57}{\ae}, 2=\cvc{\cvd[1]{57}{\ae}}, 3=\cvd[2]{57}{\ae}, 4=\cvd[3]{57}{\ae},
+5=\cvd[4]{57}{\ae}, 6=\cvd[5]{57}{\ae}}\\
+%
+Ꜵ (\unic{U+A734}) &
+cv58 &
+{1=\cvd{58}{Ꜵ}, 2=\cvc{\cvd[1]{58}{Ꜵ}}, 3=\cvc{\cvd[2]{58}{Ꜵ}}}\\
+%
+\bluerow ꜵ (\unic{U+A735}) &
+cv59 &
+{1=\cvd{59}{ꜵ}, 2=\cvd[1]{59}{ꜵ}, 3=\cvc{\cvd[2]{59}{ꜵ}}}\\
+%
+ꜹ (\unic{U+A739}) &
+cv60 &
+{1=\cvd{60}{ꜹ}}\\
+%
+\bluerow{\dj} (\unic{U+0111}) &
+cv61 &
+{1=\cvd{61}{\dj}}\\
+%
+{\narrow Ę, ę ... (U+0118, U+0119)} &
+cv62 &
+{1=\cvd{62}{Ę, ę ...}; 2=\cvd[1]{62}{Ę, ę ...}}*\\
+%
+\bluerow{\narrow Ȝ, ȝ (U+021C, U+021D)} &
+cv63 &
+{1=\cvd{63}{Ȝȝ}, 2=\cvd[1]{63}{Ȝȝ}}\\
+%
+Ŋ (U+014A) &
+cv91 &
+{1=\cvd{91}{Ŋ}, 2=\cvd[1]{91}{Ŋ}}\\
+%
+\bluerow{\char"0A7C1} (\unic{U+A7C1}) &
+cv65 &
+{1=\cvd{65}{\char"0A7C1}, 2=\cvd[1]{65}{\char"0A7C1}, 3=\cvd[2]{65}{\char"0A7C1}, 4=\cvd[3]{65}{\char"0A7C1}}\\
+%
+ꝥ, \revthorn{ꝥ} (\unic{U+A765}) &
+cv66 &
+{1=\cvd{66}{ꝥ, \revthorn{ꝥ}}}\\
+\end{supertabular}
+\end{center}
+
+\noindent * \textSourceText{cv62} affects upper- and lowercase ę, and also dotted forms, enlarged forms,
+and the combining mark ◌\&\_eogo;, accessible via \textSourceText{cv84} and as entity
+\textSourceText{\&\_\char"200C{}eogo;}.
+
+\subsection{\textSourceText{ss01} -- Alternate thorn and eth}
+Produces Nordic thorn and eth (\textex{\eng\revthorn{{\th}{\dh}{\TH}}}) when the language is English, and English thorn and eth
+(\textex{\icel\revthorn{{\th}{\dh}{\TH}}}) with any other language, reversing the font’s ordinary usage.
+This also affects small caps, crossed
+thorn (\textex{ꝥ \revthorn{ꝥ}}---see also
+\hyperlink{OtherLatin}{\textSourceText{cv66}}), combining mark eth
+(\unic{U+1DD9}, \textex{◌ᷙ \revthorn{◌ᷙ}}), and enlarged thorn and eth (see \textSourceText{\hyperlink{ss06}{ss06}}).
+This feature depends on \textSourceText{\hyperlink{req}{loca}} (Localized Forms), which in most applications will
+always be enabled.
+
+\subsection{\textSourceText{ss02} -- Insular Letter-Forms}
+Produces insular letter-forms, e.g. \textex{\addfontfeatures{Language=English,StylisticSet=2}dfgrsw}.
+The result is different,
+depending on whether the language is English or Irish (make sure the language for your document is set
+properly). In English text, capitals are not affected (except W), as these do not not commonly have
+insular shapes in early manuscripts; instead, enter the Unicode code points or use the Character Variant
+(\textSourceText{cvNN}) features. In English text, ss02 imitates the typography of the Old English
+passages of Hickes’s \textit{Thesaurus}, not the usage of Old English or Anglo-Latin manuscripts. In
+Irish texts, it imitates the distribution of insular characters but cannot imitate the style of
+particular scribal hands or typefaces.
+
+\subsection{\textSourceText{ss04} -- High
+Overline}
+Produces a high overline over letters used as roman numbers: \textex{\addfontfeature{StylisticSet=4}cdijlmvx CDI JLMVXↃ}.
+
+\subsection{\textSourceText{ss05} --
+Medium-High Overline}
+Produces a medium-high overline over (or through the ascenders of) letters used as roman numbers, and some others as
+well: \textex{\addfontfeature{StylisticSet=5,Style=Historic}bcdhijklmſvx{\th}}.
+
+\subsection{\textSourceText{ss06} --
+Enlarged Minuscules}\hypertarget{ss06}{}
+Letters that are lowercase in form but uppercase in function, and between upper- and
+lowercase in size, often used in medieval manuscripts as \textit{litterae notabiliores} to begin sentences,
+paragraphs, and other textual units.
+This feature
+covers the whole of the basic Latin alphabet and a number of other letters that
+occur at the beginnings of sentences.
+Uppercase letters are also covered by this feature so that enlarged minuscules
+can, if you like, be searched as capitals. This is Junicode's collection of
+enlarged minuscules:
+
+\begin{multicols}{6}
+\color{BrickRed}a\hfill→\hfill\enla{a}
+
+á\hfill→\hfill\enla{á}
+
+\cvd[6]{2}{a}\hfill→\hfill\enla{\cvd[6]{2}{a}}
+
+ꜳ\hfill→\hfill\enla{ꜳ}
+
+æ\hfill→\hfill\enla{æ}
+
+ꜵ\hfill→\hfill\enla{ꜵ}
+
+b\hfill→\hfill\enla{b}
+
+c\hfill→\hfill\enla{c}
+
+d\hfill→\hfill\enla{d}
+
+ḋ\hfill→\hfill\enla{ḋ}
+
+d́\hfill→\hfill\enla{d́}
+
+\cvd{8}{ḋ}\hfill→\hfill\enla{\cvd{8}{ḋ}}
+
+ꝺ\hfill→\hfill\enla{ꝺ}
+
+ꝺ́\hfill→\hfill\enla{ꝺ́}
+
+{\addfontfeature{Language=Icelandic}ð\hfill→\hfill\enla{ð}}
+
+ð\hfill→\hfill\enla{ð}
+
+e\hfill→\hfill\enla{e}
+
+\cvd[1]{10}{e}\hfill→\hfill\enla{\cvd[1]{10}{e}}
+
+é\hfill→\hfill\enla{é}
+
+ę\hfill→\hfill\enla{ę}
+
+\cvd{62}{ę}\hfill→\hfill\enla{\cvd{62}{ę}}
+
+f\hfill→\hfill\enla{f}
+
+ꝼ\hfill→\hfill\enla{ꝼ}
+
+g\hfill→\hfill\enla{g}
+
+ᵹ\hfill→\hfill\enla{ᵹ}
+
+ꟑ\hfill→\hfill\enla{ꟑ}
+
+h\hfill→\hfill\enla{h}
+
+\cvd{16}{h}\hfill→\hfill\enla{\cvd{16}{h}}
+
+\cvd[3]{16}{h}\hfill→\hfill\enla{\cvd[3]{16}{h}}
+
+ħ\hfill→\hfill\enla{ħ}
+
+i\hfill→\hfill\enla{i}
+
+ı\hfill→\hfill\enla{ı}
+
+j\hfill→\hfill\enla{j}
+
+ȷ\hfill→\hfill\enla{ȷ}
+
+k\hfill→\hfill\enla{k}
+
+l\hfill→\hfill\enla{l}
+
+m\hfill→\hfill\enla{m}
+
+\cvd{26}{m}\hfill→\hfill\enla{\cvd{26}{m}}
+
+n\hfill→\hfill\enla{n}
+
+o\hfill→\hfill\enla{o}
+
+œ\hfill→\hfill\enla{œ}
+
+p\hfill→\hfill\enla{p}
+
+q\hfill→\hfill\enla{q}
+
+r\hfill→\hfill\enla{r}
+
+s\hfill→\hfill\enla{s}
+
+ſ\hfill→\hfill\enla{ſ}
+
+t\hfill→\hfill\enla{t}
+
+u\hfill→\hfill\enla{u}
+
+v\hfill→\hfill\enla{v}
+
+w\hfill→\hfill\enla{w}
+
+ƿ\hfill→\hfill\enla{ƿ}
+
+x\hfill→\hfill\enla{x}
+
+y\hfill→\hfill\enla{y}
+
+z\hfill→\hfill\enla{z}
+
+{\addfontfeature{Language=Icelandic}þ\hfill→\hfill\enla{þ}}
+
+þ\hfill→\hfill\enla{þ}
+\end{multicols}
+
+\noindent If you are using the variable version of the font (Junicode VF), consider using the
+\hyperlink{enlarge}{Enlarge axis}
+%\href{https://psb1558.github.io/Junicode-New/EnlargedAxis.html}{Enlarge axis}
+instead, for reasons of flexibility and accessibility.
+
+\subsection{\textSourceText{ss07} -- Underdotted Text}
+Produces underdotted text (indicating deletion in medieval manuscripts) for many
+letters (including
+the whole of the basic Latin alphabet and a number of other letters), e.g.
+\textex{\addfontfeature{StylisticSet=7}abcdefg HIJKLM}. This also affects small
+caps, e.g. \textex{\textsc{abcdef} $\rightarrow $ {\addfontfeature{StylisticSet=7}\textsc{abcdef}}}.
+For letters without corresponding underdotted forms (e.g. \unic{U+A751}, ꝑ),
+use \unic{U+0323}, combining dot below (\textex{\hspace{0.05em}ꝑ̣}).
+
+\subsection{\textSourceText{ss08} -- Contextual Long s}
+In English, French, and Latin text only, varies \textex{s} and \textex{ſ} according to rules
+followed by many early printers: \textex{\colongs sports, essence, stormy, disheveled, transfusions, slyness, cliffside}. For this
+feature to work properly, \textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by
+default: see \hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode.
+
+\subsection{\textSourceText{ss16} --
+Contextual r Rotunda}\hypertarget{ss16}{}
+Converts \textex{r} to \textex{ꝛ} (lowercase only) following the
+most common rules of medieval manuscripts:
+\textex{\addfontfeature{StylisticSet=16,Contextuals=Alternate}priest, firmer, frost, ornament}.
+For this feature to work properly,
+\textSourceText{calt} ``Contextual Alternates'' must also be enabled (as it should be by default: see
+\hyperlink{req}{Required Features} below). This feature does not work in {\ltech}, except in harf mode.
+
+\subsection{\textSourceText{salt} --
+Stylistic Alternates (medieval capitals, etc.)}\hypertarget{salt}{}
+Junicode has two series of decorative capitals in medieval scripts. These affect only the letters
+A-Z and a-z. \textSourceText{salt[1]} provides rustic capitals, a script used for text in the late
+ancient and early medieval periods and for display until around the eleventh century:
+\textex{\addfontfeature{StylisticAlternates=0}Gazifrequens Libycos duxit Karthago triumphos}. \textSourceText{salt[2]}
+provides Lombardic capitals, a style used mainly for what are now called drop caps. Junicode’s Lombardic capitals
+are not suitable for running text, titles, or headers:
+\textex{\addfontfeature{StylisticAlternates=1}A\,B\,C\,D\,E\,F}.
+Rustic capital Æ is available (\textex{\addfontfeature{StylisticAlternates=0}Æ}), but not Lombardic.
+\textSourceText{salt[3]} provides variants of rustic G and Lombardic F and T:
+\textex{\addfontfeature{StylisticAlternates=2}G\,F\,T}.
+Miscellaneous alternates (for which Character Variants are
+unavailable) are also gathered here on \textSourceText{salt[1]}:
+ð \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ð},
+ẏ \rightarrow{ }\textex{\addfontfeature{Language=English,StylisticAlternates=0}ẏ}.
+
+\subsection{\textSourceText{cv68} -- Variant of ʔ (\unic{U+0294}, glottal stop)}
+1=\cvd{68}{ʔ}.
+
+\section{Greek}
+Junicode has two distinct styles of Greek. In the roman face, it is upright and
+modern, especially designed to harmonize with Junicode's Latin letters. In the
+italic, it is slanted and old-style, being based on the eighteenth-century
+Greek type designed by Alexander Wilson and used by the Foulis Press in
+Glasgow. Both Greek styles include the full polytonic and monotonic character
+sets: \textex{αβγδεζ \textit{αβγδεζ}}.
+
+To set Greek properly (especially polytonic text) requires that both \textSourceText{locl}
+and \textSourceText{ccmp} be active, as they should be by default in most
+text processing applications (but in MS Word they must be explicitly enabled
+by checking the ``kerning'' box on the ``Advanced'' tab of the Font Dialog).
+
+Modern monotonic Greek should be set using only characters from the Unicode “Greek
+and Coptic” range (\unic{U+0370–U+03FF}). When monotonic text is set in all caps, Junicode
+suppresses accents automatically (except in single-letter words, for which
+you must substitute unaccented forms manually). This substitution is not
+performed on text containing visually identical letters from the ``Greek Extended''
+range (\unic{U+0F00–U+1FFF}).
+Thus when setting polytonic Greek, one should use (for example) \textex{Ά}
+(\unic{U+1FBB}), not \textex{Ά} (\unic{U+0386}),
+though they look the same.
+
+You can set polytonic Greek either by entering code points from the Greek
+Extended range or by entering sequences of base characters and diacritics.
+When using the latter method, you must first make sure the language for the
+text in question (whether a single word, a short passage, or a complete
+document) is set to Greek, and then enter characters in canonical order
+(that is, the sequence defined by Unicode as equivalent to the composite
+character). The order is as follows: 1. base character; 2. diacritics
+positioned either above or in front of the base character, working from left
+to right or bottom to top; 3. the \textit{ypogegrammeni} (\unic{U+0345}), or for
+capitals, if you prefer, the \textit{prosgegrammeni} (\unic{U+1FBE}).\footnote{\ Some
+applications will automatically reorder sequences of letters and accents,
+sparing you the trouble of remembering the canonical order.}
+
+For example, the sequence ω (\unic{U+03C9}) ◌̓ (\unic{U+0313}) ◌́ (\unic{U+0301}) ◌ͅ (\unic{U+0345})
+produces \textex{\grk ᾤ}.
+Substitute capital Ω (\unic{U+03A9}) and the result is
+\textex{\grk ᾬ}. Note that in a number of applications the layout
+engine will perform these substitutions before Junicode’s own programming is
+invoked. If either the layout engine or Junicode fails to produce your
+preferred result, try placing \unic{U+034F} \textUName{combining grapheme joiner}
+(don't waste time puzzling over the name) somewhere
+in the sequence of combining marks---for example, before the \textit{ypogegrammeni}
+to make \textex{\grk Ὤ͏ͅ}.
+
+\subsection{\textSourceText{ss03} -- Alternate Greek}
+Provides alternate shapes of {\addfontfeature{Language=Greek}β γ θ π φ χ ω}:
+\textex{\addfontfeature{StylisticSet=3}β γ θ π φ χ ω}.
+These are chiefly useful in linguistics, as they harmonize with IPA characters.
+
+\section{Punctuation}
+MUFI encodes nearly twenty marks of punctuation in the PUA. In Junicode these can be accessed in
+either of two ways: all are indexed variants of \textex{.} (period), and all are associated with the Unicode marks of
+punctuation they most resemble (but it should not be inferred that the medieval marks are semantically identical with
+the Unicode marks, or that there is an etymological relationship between them). The first method will be easier for
+most to use, but the second is more likely to yield acceptable fallbacks in environments where Junicode is not
+available.
+
+Marks with Unicode encoding are not included here, as they can safely be entered directly. In MUFI 4.0 several marks
+have PUA encodings, but have since that release been assigned Unicode code points: \textit{paragraphus} (⹍
+\unic{U+2E4D}), medieval comma (⹌~\unic{U+2E4C}), \textit{punctus elevatus} (⹎ \unic{U+2E4E}), \textit{virgula suspensiva}
+(⹊ \unic{U+2E4A}), triple dagger (⹋ \unic{U+2E4B}).
+
+\subsection{\textSourceText{ss18} -- Old-Style Punctuation Spacing}
+Colons, semicolons, parentheses, quotation marks and several other glyphs are spaced as in early printed books.
+
+\subsection{\textSourceText{cv69} -- Variants of ⁊⹒
+(\unic{U+204A / U+2E52}, Tironian nota)}
+1=\cvd{69}{⁊⹒}, 2=\cvd[1]{69}{⁊⹒}, 3=\cvd[2]{69}{⁊⹒}.
+
+\subsection{\textSourceText{cv70} --
+ Variants of . (period)}
+1=\cvd{70}{.}, 2=\cvd[1]{70}{.}, 3=\cvd[2]{70}{.}, 4=\cvd[3]{70}{.}, 5=\cvd[4]{70}{.}, 6=\cvd[5]{70}{.},
+7=\cvd[6]{70}{.}, 8=\cvd[7]{70}{.}, 9=\cvd[8]{70}{.}, 10=\cvd[9]{70}{.}, 11=\cvd[10]{70}{.}, 12=\cvd[11]{70}{.},
+13=\cvd[12]{70}{.}, 14=\cvd[13]{70}{.}, 15=\cvd[14]{70}{.}, 16=\cvd[15]{70}{.}, 17=\cvd[16]{70}{.},
+18=\cvd[17]{70}{.}, 19=\cvd[18]{70}{.}, 20=\cvd[19]{70}{.}. This
+feature provides access to all non-Unicode MUFI punctuation marks. Some of them are available via other features (see
+below).
+
+\subsection{\textSourceText{cv71} -- Variant of {\textperiodcentered} (\unic{U+00B7}, middle dot)}
+1=\cvd{71}{\char"25CC\textperiodcentered} (\textit{distinctio}), 2=\cvd[1]{71}{\char"25CC\textperiodcentered}.
+
+\subsection{\textSourceText{cv72} --
+Variants of , (comma)}
+1=\cvd{72}{,}, 2=\cvd[1]{72}{,}.
+
+\subsection{\textSourceText{cv73} --
+Variants of ; (semicolon)}
+1=\cvd{73}{;} (\textit{punctus versus}), 2=\cvd[1]{73}{;}, 3=\cvd[2]{73}{;}, 4=\cvd[3]{73}{;},
+5=\cvd[4]{73}{;}, 6=\cvd[5]{73}{;}, 7=\cvd[6]{73}{;}.
+
+\subsection{\textSourceText{cv74} -- Variants of ⹎ (\unic{U+2E4E}, \textit{punctus elevatus})}
+1=\cvd{74}{⹎}, 2=\cvd[1]{74}{⹎}, 3=\cvd[2]{74}{⹎}, 4=\cvd[3]{74}{⹎} (\textit{punctus flexus}).
+
+\subsection{\textSourceText{cv7}\textSourceText{5} -- Variant of ! (exclamation mark)}
+1=\cvd{75}{!} (\textit{punctus exclamativus}).
+
+\subsection{\textSourceText{cv76}
+-- Variants of ? (question mark)}
+1=\cvd{76}{?}, 2=\cvd[1]{76}{?}, 3=\cvd[2]{76}{?}. Shapes of the \textit{punctus interrogativus}.
+
+\subsection{\textSourceText{cv77}
+-- Variant of \~{} (ASCII tilde)}
+1=\cvd{77}{\~{}} (same as MUFI \unic{U+F1F9}, ``wavy line'').
+
+\subsection{\textSourceText{cv78} --
+Variant of * (asterisk)}
+1=\cvd{78}{*}. MUFI defines \unic{U+F1EC} as a \textit{signe de renvoi}. Manuscripts employ a number of shapes (of which this is one) for
+this purpose. Junicode defines it as a variant of the asterisk---the most common modern \textit{signe de renvoi}.
+
+\subsection{\textSourceText{cv7}\textSourceText{9} -- Variants of / (slash)}
+1=\cvd{79}{/}, 2=\cvd[1]{79}{/}. The first of these is Unicode, \unic{U+2E4E}.
+
+\section{Abbreviations}
+\subsection{\textSourceText{cv80} -- Variant of ꝝ (\unic{U+A75D}, rum
+abbreviation)}
+1=\cvd{80}{ꝝ}.
+
+\subsection{\textSourceText{cv81} -- Variants of ◌͛ (\unic{U+035B}, combining
+zigzag above)}
+1=\cvd{81}{◌͛}, 2=\cvd[1]{81}{◌͛}, 3=\cvd[2]{81}{◌͛}. Positioning of the zigzag can differ from that of other combining
+marks, e.g. \textex{b͛ f͛ d͛}. If \textSourceText{calt} ``Contextual Alternates'' is enabled (as it is by
+default in most apps), variant forms of \textSourceText{cv81[2]} will be used with several letters, e.g.
+\textex{\cvd[1]{81}{d͛ \ f͛ \ k͛}}. Enable \textSourceText{case} for forms that harmonize with capitals
+(\textex{\addfontfeature{Letters=Uppercase}\cvd[1]{81}{A͛ B͛ C͛ D͛}}),
+\textSourceText{smcp} for forms that harmonize with small caps
+(\textex{\textsc{\cvd[1]{81}{e͛ f͛ g͛ h͛}}}).
+
+\subsection{\textSourceText{cv82} -- Variants of spacing ꝰ (\unic{U+A770})}
+1=\cvd{82}{ꝰ}, 2=\cvd[1]{82}{ꝰ}. \textSourceText{cv82[1]} produces the baseline \textit{{}-us} abbreviation (same as MUFI
+\unic{U+F1A6}). MUFI also has an uppercase baseline \textit{{}-us} abbreviation (\unic{U+F1A5}), but as there is no uppercase version
+of \unic{U+A770} to pair it with, it is indexed separately here.
+
+\subsection{\textSourceText{cv83} -- Variants of ꝫ (\unic{U+A76B}, ``et'' abbreviation)}
+1=\cvd{83}{ꝫ}, 2=\cvd[1]{83}{ꝫ}, 3=\cvd[2]{83}{ꝫ}. \textSourceText{[1]} and \textSourceText{[3]} are
+identical in shape to a semicolon and a colon, but as they are semantically the same as \unic{U+A76B},
+it is preferable to use those
+characters with this feature. \textSourceText{[2]} produces a subscript version of
+the character, a common variant in early printed books.
+
+\section{Combining Marks}
+\subsection{\textSourceText{cv84} -- MUFI combining marks (variants of \unic{U+0304})}
+MUFI encodes a number of combining marks in the PUA (with code points between \unic{E000} and \unic{F8FF}), but when these characters
+are entered directly, they can interfere with searching and accessibility, and some important applications fail to
+position them correctly over their base characters. To avoid these problems, enter \unic{U+0304} (◌̄, \textUName{combining
+macron}) and apply \textSourceText{cv84}, with the appropriate index, to both mark and base character. This
+collection of marks does not include any Unicode-encoded marks (from the ``Combining Diacritical Marks'' ranges), as
+these can safely be entered directly. It does include three marks (\textSourceText{cv84[30]},
+\textSourceText{[31]} and \textSourceText{[32]}) that lack MUFI code points but are used to form MUFI
+characters, and three more (\textSourceText{[2]}, \textSourceText{[33]},
+and \textSourceText{[34]}) that have no code points in Unicode or MUFI.
+
+This feature may often appear to have no effect. When this happens it is because
+an application replaced a sequence like \textex{a \unic{U+0304}} with a precomposed character
+like \textex{ā} (\unic{U+0101}) before Junicode's OpenType programming had a chance to work.
+This process is called normalization, and it usually has the effect of simplifying
+text processing tasks, but can sometimes prevent the proper functioning of OpenType
+features. To disable it, place the character \unic{U+034F} \textUName{combining
+grapheme joiner} between the base
+character and the combining mark (or the first combining mark). For example, to produce
+the combination \textex{\cvd[1]{84}{u͏̄}}, enter \textex{u \unic{U+034F U+0304}}.
+
+These marks can sometimes be produced by other \textSourceText{cvNN} features, which may be preferable to
+\textSourceText{cv84} as providing more suitable fallbacks for applications that do not support Character Variant
+(\textSourceText{cvNN}) features.
+
+For some marks with PUA code points, users may find it easier to use \hyperlink{ss10}{entities} than this feature.
+
+These marks are not affected by most other features. This is to preserve flexibility, given the rule that the feature
+that produces them must be applied to both the mark and the base character. For example, if you had to
+apply \textSourceText{smcp} ``Small Caps'' to \textSourceText{U+1DE8} ◌͏ᷨ to get
+\textSourceText{cv84[11]} \cvd[10]{84}{◌͏̄}, it would be impossible to produce the sequence
+\textex{\cvd[10]{84}{na͏{\char"34F\char"304}a}}
+(or the reverse case \textex{\textsc{na{\char"1DE8}a}})
+with the diacritic properly positioned.
+
+\begin{multicols}{6}
+\color{BrickRed}1\hfill=\hfill\cvd{84}{◌͏̄}
+
+2\hfill=\hfill\cvd[1]{84}{◌͏̄}
+
+3\hfill=\hfill\cvd[2]{84}{◌͏̄}
+
+4\hfill=\hfill\cvd[3]{84}{◌͏̄}
+
+5\hfill=\hfill\cvd[4]{84}{◌͏̄}
+
+6\hfill=\hfill\cvd[5]{84}{◌͏̄}
+
+7\hfill=\hfill\cvd[6]{84}{◌͏̄}
+
+8\hfill=\hfill\cvd[7]{84}{◌͏̄}
+
+9\hfill=\hfill\cvd[8]{84}{◌͏̄}
+
+10\hfill=\hfill\cvd[9]{84}{◌͏̄}
+
+11\hfill=\hfill\cvd[10]{84}{◌͏̄}
+
+12\hfill=\hfill\cvd[11]{84}{◌͏̄}
+
+13\hfill=\hfill\cvd[12]{84}{◌͏̄}
+
+14\hfill=\hfill\cvd[13]{84}{◌͏̄}
+
+15\hfill=\hfill\cvd[14]{84}{◌͏̄}
+
+16\hfill=\hfill\cvd[15]{84}{◌͏̄}
+
+17\hfill=\hfill\cvd[16]{84}{◌͏̄}
+
+18\hfill=\hfill\cvd[17]{84}{◌͏̄}
+
+19\hfill=\hfill\cvd[18]{84}{◌͏̄}
+
+20\hfill=\hfill\cvd[19]{84}{◌͏̄}
+
+21\hfill=\hfill\cvd[20]{84}{◌͏̄}
+
+22\hfill=\hfill\cvd[21]{84}{◌͏̄}
+
+23\hfill=\hfill\cvd[22]{84}{◌͏̄}
+
+24\hfill=\hfill\cvd[23]{84}{◌͏̄}
+
+25\hfill=\hfill\cvd[24]{84}{◌͏̄}
+
+26\hfill=\hfill\cvd[25]{84}{◌͏̄}
+
+27\hfill=\hfill\cvd[26]{84}{◌͏̄}
+
+28\hfill=\hfill\cvd[27]{84}{◌͏̄}
+
+29\hfill=\hfill\cvd[28]{84}{◌͏̄}
+
+30\hfill=\hfill\cvd[29]{84}{◌͏̄}
+
+31\hfill=\hfill\cvd[30]{84}{◌͏̄}
+
+32\hfill=\hfill\cvd[31]{84}{◌͏̄}
+
+33\hfill=\hfill\cvd[32]{84}{◌͏̄}
+
+34\hfill=\hfill\cvd[33]{84}{◌͏̄}
+
+35\hfill=\hfill\cvd[34]{84}{◌͏̄}
+
+36\hfill=\hfill\cvd[34]{84}{◌͏̄}
+
+37\hfill=\hfill\cvd[34]{84}{◌͏̄}
+\end{multicols}
+
+\subsection{\textSourceText{cv67} -- Spacing zigzag (variant of \unic{U+00AF}, spacing macron)}
+A spacing version of ◌͛ (\unic{U+035B}, combining zigzag) appears in John Hutchins,
+\textit{The History and Antiquities of the County of Dorset} (London, 1774). It
+is not in Unicode or MUFI. In the future this feature may be used, as necessary,
+for other spacing marks of abbreviation.
+
+\subsection{\textSourceText{ss10} -- Character Entities for Combining Marks}\hypertarget{ss10}{}
+Instead of \textSourceText{\hyperlink{cv84}{cv84}} for representing non-Unicode combining marks, some users may
+wish to use XML/HTML-style entities. When \textSourceText{ss10} is turned on (preferably for the entire
+text), these entities appear as combining marks and are correctly positioned over base characters.
+For example, the letter \textex{e} followed by
+\textex{\&{\textcompwordmark}\_eogo;} will yield \textex{e\&\_eogo;}. An advantage of entities is that
+they are (unlike the PUA code points or the indexes of \textSourceText{cv84}) mnemonic and thus easy to use.
+A disadvantage is that
+searches cannot ignore combining marks entered by this method as they can using the \textSourceText{cv84} method.
+(Every method of entering non-Unicode combining marks has disadvantages: users should weigh these, choose a method,
+and stick with it.)
+
+If you use any of these entities in a work intended for print publication, you should call your publisher’s
+attention to them, since they will likely have their own method of representing them.
+
+\begin{multicols}{4}
+\color{RViolet}%
+% Some of the marks in this table are made with cv84. It appears that the
+% program may be calculating column width using the width of the unresolved
+% entity, and that is causing some cells to wrap. We use cv84 for those
+% cells.
+\&{\textcompwordmark}\_ansc;\hfill→\hfill\textstyleEntityRef{◌\&\_ansc;}
+
+\&{\textcompwordmark}\_an;\hfill→\hfill\textstyleEntityRef{◌\&\_an;}
+
+\&{\textcompwordmark}\_ar;\hfill→\hfill\textstyleEntityRef{◌\&\_ar;}
+
+\&{\textcompwordmark}\_arsc;\hfill→\hfill\textstyleEntityRef{◌\&\_arsc;}
+
+\&\_{\textcompwordmark}as;\hfill→\hfill\textstyleEntityRef{◌\&\_as;}
+
+\&{\textcompwordmark}\_bsc;\hfill→\hfill\textstyleEntityRef{◌\&\_bsc;}
+
+\&{\textcompwordmark}\_dsc;\hfill→\hfill\textstyleEntityRef{◌\&\_dsc;}
+
+\&{\textcompwordmark}\_eogo;\hfill→\hfill\textstyleEntityRef{◌\&\_eogo;}
+
+\&{\textcompwordmark}\_emac;\hfill→\hfill\cvd[12]{84}{◌\char"0304}
+
+\&\_{\textcompwordmark}idotl;\hfill→\hfill\textstyleEntityRef{◌\&\_idotl;}
+
+\&\_{\textcompwordmark}j;\hfill→\hfill\textstyleEntityRef{◌\&\_j;}
+
+\&\_{\textcompwordmark}jdotl;\hfill→\hfill\textstyleEntityRef{◌\&\_jdotl;}
+
+\&\_{\textcompwordmark}ksc;\hfill→\hfill\textstyleEntityRef{◌\&\_ksc;}
+
+{\narrow\&\_{\textcompwordmark}munc;\hfill→\hfill\cvd[18]{84}{◌\char"0304}}
+
+\&\_{\textcompwordmark}oogo;\hfill→\hfill\cvd[20]{84}{◌\char"0304}
+
+{\narrow\&\_{\textcompwordmark}oslash;\hfill→\hfill\cvd[21]{84}{◌\char"0304}}
+
+\&\_{\textcompwordmark}omac;\hfill→\hfill\cvd{84}{◌\char"0304}
+
+\&\_{\textcompwordmark}orr;\hfill→\hfill\textstyleEntityRef{◌\&\_orr;}
+
+\&\_{\textcompwordmark}oru;\hfill→\hfill\textstyleEntityRef{◌\&\_oru;}
+
+\&\_{\textcompwordmark}q;\hfill→\hfill\textstyleEntityRef{◌\&\_q;}
+
+\&\_{\textcompwordmark}ru;\hfill→\hfill\textstyleEntityRef{◌\&\_ru;}
+
+\&\_{\textcompwordmark}sa;\hfill→\hfill\textstyleEntityRef{◌\&\_sa;}
+
+\&\_{\textcompwordmark}tsc;\hfill→\hfill\textstyleEntityRef{◌\&\_tsc;}
+
+\&\_{\textcompwordmark}y;\hfill→\hfill\textstyleEntityRef{◌\&\_y;}
+
+{\narrow\&\_{\textcompwordmark}thorn;\hfill→\hfill\textstyleEntityRef{◌\&\_thorn;}}
+\end{multicols}
+
+\noindent For another function of Stylistic Set 10, see \hyperlink{tagchapter}{Chapter 6, Entering Characters with Tags}.
+
+\subsection{\textSourceText{ss20} -- Low Diacritics}
+The MUFI recommendation includes a number of precomposed characters with base letters
+{\addfontfeature{Language=Icelandic}b, h, k, {\th}, ꝺ and {\dh}} and a number of combining
+marks. Instead of being positioned above ascender height as usual (e.g.
+\textex{hͣ}), the MUFI glyphs have the marks positioned above the x-height
+(e.g. \textex{\addfontfeature{StylisticSet=20}hͣ}).
+Using the MUFI code points for these precomposed glyphs can interfere with searching
+and drastically reduce accessibility. Users of Junicode should instead use a sequence of base character + combining
+mark, and apply \textSourceText{ss20} to the two glyphs. Variant shapes of \textex{ꝺ} and \textex{{\dh}}
+that accommodate the combining mark will be substituted for the normal base characters (but this is not necessary for
+the other base characters). Examples:
+\textex{\addfontfeature{StylisticSet=20}bͦ ꝺᷦ \cvd[14]{84}{h̄} kͤ {\th}ͭ ðᷢ}. These marks are affected by this
+feature:
+
+\begin{multicols}{3}
+ \seminarrow\color{BrickRed}◌ͣ (\unic{U+0363})
+
+ ◌ᷓ (\unic{U+1DD3})
+
+ ◌ͤ (\unic{U+0364})
+
+ \cvd[14]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[15]})
+
+ ◌ᷞ (\unic{U+1DDE})
+
+ \cvd[18]{84}{◌͏̄} (\unic{U+0304}\slash\textSourceText{cv84[19]}).
+
+ ◌ͦ (\unic{U+0366})
+
+ ◌ͬ (\unic{U+036C})
+
+ ◌ᷢ (\unic{U+1DE2})
+
+ ◌ᷣ (\unic{U+1DE3})
+
+ \cvd{87}{◌ᷣ} (\unic{U+1DE3}\slash\textSourceText{cv87[1]})
+
+ ◌ͭ (\unic{U+036D})
+
+ ◌ᫎ (\unic{U+1ACE})
+
+ ◌ͧ (\unic{U+0367})
+
+ ◌ͮ (\unic{U+036E})
+
+ ◌ᷦ (\unic{U+1DE6})
+
+ ◌͛ (\unic{U+035B})
+ \end{multicols}
+
+\noindent\textSourceText{ss20} is intended for use only with the diacritics and base characters listed here; other
+base+diacritic combinations may be disrupted by the feature. You should therefore apply it only to
+relevant base+diacritic pairs (e.g. via a style in InDesign or a word processor or a command in
+{\LuaTeX}).
+
+
+
+\subsection{\textSourceText{cv85} -- Variant of ◌ᷓ (U+1DD3, combining open a)}
+1=\cvd{85}{◌ᷓ}.
+
+\subsection{\textSourceText{cv86} -- Variant of ◌ᷘ (\unic{U+1DD8}, combining insular
+d)}
+1=\cvd{86}{◌ᷘ}.
+
+\subsection{\textSourceText{cv87} -- Variant of ◌ᷣ (\unic{U+1DE3}, combining r rotunda)}
+1=\cvd{87}{◌ᷣ}.
+
+\subsection{\textSourceText{cv8}\textSourceText{8} -- Variant of combining dieresis (\unic{U+0308})}
+1=\cvd{88}{◌̈}. This also affects precomposed characters on which this variant dieresis may occur, e.g.
+\textex{\cvd{88}{\"a}}.
+
+\subsection{\textSourceText{cv89} -- Variant of ◌̅ (\unic{U+0305},
+combining overline)}
+1=\cvd{89}{◌̅}.
+
+\subsection{\textSourceText{cv}\textSourceText{90} -- Variants of ◌͞◌ (\unic{U+035E}, combining double macron)}
+1=\cvd{90}{◌͞◌}, 2=\cvd[1]{90}{◌͞◌}.
+
+\subsection{\textSourceText{cv92} -- Variant of breve
+below (\unic{U+032E})}
+1=\cvd{92}{◌◌̮◌}. Position the mark after the middle of three glyphs, and apply \textSourceText{cv92}
+to both the mark and (at least) the middle glyph. This mark is not available via \textSourceText{cv84}.
+
+\section{Currency and Weights}
+\subsection{\textSourceText{cv93} -- Variants of {\textcurrency} (\unic{U+0044}, generic
+currency sign)}
+
+\begin{multicols}{6}
+\color{RViolet}1\hfill=\hfill\cvd{93}{\textcurrency}
+
+2\hfill=\hfill\cvd[1]{93}{\textcurrency}
+
+3\hfill=\hfill\cvd[2]{93}{\textcurrency}
+
+4\hfill=\hfill\cvd[3]{93}{\textcurrency}
+
+5\hfill=\hfill\cvd[4]{93}{\textcurrency}
+
+6\hfill=\hfill\cvd[5]{93}{\textcurrency}
+
+7\hfill=\hfill\cvd[6]{93}{\textcurrency}
+
+8\hfill=\hfill\cvd[7]{93}{\textcurrency}
+
+9\hfill=\hfill\cvd[8]{93}{\textcurrency}
+
+10\hfill=\hfill\cvd[9]{93}{\textcurrency}
+
+11\hfill=\hfill\cvd[10]{93}{\textcurrency}
+
+12\hfill=\hfill\cvd[11]{93}{\textcurrency}
+
+13\hfill=\hfill\cvd[12]{93}{\textcurrency}
+
+14\hfill=\hfill\cvd[13]{93}{\textcurrency}
+
+15\hfill=\hfill\cvd[14]{93}{\textcurrency}
+
+16\hfill=\hfill\cvd[15]{93}{\textcurrency}
+
+17\hfill=\hfill\cvd[16]{93}{\textcurrency}
+
+18\hfill=\hfill\cvd[17]{93}{\textcurrency}
+
+19\hfill=\hfill\cvd[18]{93}{\textcurrency}
+
+20\hfill=\hfill\cvd[19]{93}{\textcurrency}
+
+21\hfill=\hfill\cvd[20]{93}{\textcurrency}
+
+22\hfill=\hfill\cvd[21]{93}{\textcurrency}
+
+23\hfill=\hfill\cvd[22]{93}{\textcurrency}
+
+24\hfill=\hfill\cvd[23]{93}{\textcurrency}
+
+25\hfill=\hfill\cvd[24]{93}{\textcurrency}
+
+26\hfill=\hfill\cvd[25]{93}{\textcurrency}
+
+27\hfill=\hfill\cvd[26]{93}{\textcurrency}
+\end{multicols}
+
+\noindent All of MUFI’s currency and weight symbols (those that do
+not have Unicode code points) are gathered here, but some are also variants of other currency signs (see below).
+
+\subsection{\textSourceText{cv9}\textSourceText{4} -- Variant of ℔ (\unic{U+2114})}
+1=\cvd{94}{℔}. Same as MUFI \unic{U+F2EB} (French Libra sign).
+
+\subsection{\textSourceText{cv95} -- Variants of {\pounds} (\unic{U+00A3}, British pound sign)}
+1=\cvd{95}{\pounds}, 2=\cvd[1]{95}{\pounds}, 3=\cvd[2]{95}{\pounds}, 4=\cvd[3]{95}{\pounds},
+5=\cvd[4]{95}{\pounds}, 6=\cvd[5]{95}{\pounds}. Same as MUFI \unic{U+F2EA, F2EB, F2EC, F2ED,
+F2EE, F2EF}, pound signs from various locales.
+
+\subsection{\textSourceText{cv96} -- Variant of ₰ (\unic{U+20B0}, German penny sign)}
+1=\cvd{96}{₰}. Same as MUFI \unic{U+F2F5}.
+
+\subsection{\textSourceText{cv97} -- Variant of ƒ (\unic{U+0192}, florin)}
+1=\cvd{97}{ƒ}. Same as MUFI \unic{U+F2E8}.
+
+\subsection{\textSourceText{cv98} -- Variant of ℥ (\unic{U+2125}, Ounce sign)}
+1=\cvd{98}{℥}. Same as MUFI \unic{U+F2FD}, Script ounce sign.
+
+\section{Gothic}
+\subsection{\textSourceText{ss19} -- Latin to Gothic Transliteration}
+Produces Gothic letters from Latin: \revthorn{Warþ þan in dagans jainans} $\rightarrow $
+{\addfontfeature{StylisticSet=19}Warþ þan in dagans
+jainans}. In web pages, the letters will be searchable as their Latin equivalents.
+
+\section{Runic}
+\subsection{\textSourceText{ss12} -- Early English Futhorc}
+Changes Latin letters to their equivalents in the early English futhorc. Because of the variability of the runic
+alphabet, this method of transliteration may not produce the result you want. In that case, it may be necessary to
+manually edit the result. fisc flodu ahof $\rightarrow $ {\addfontfeature{StylisticSet=12}fisc flodu ahof}.
+
+\subsection{\textSourceText{ss13} -- Elder
+Futhark}
+Changes Latin letters to their equivalents in the Elder Futhark. Because of the variability of the runic alphabet, this
+method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit the
+result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=13}ABCDEFG}.
+
+\subsection{\textSourceText{ss14} -- Younger
+Futhark}
+Changes Latin letters to their equivalents in the Younger Futhark. Because of the variability of the runic alphabet,
+this method of transliteration may not produce the result you want. In that case, it may be necessary to manually edit
+the result. ABCDEFG $\rightarrow $ {\addfontfeature{StylisticSet=14}ABCDEFG}.
+
+\subsection{\textSourceText{ss15} --
+Long Branch to Short Twig}
+In combination with \textSourceText{ss14}, converts long branch (the default for the Younger Futhark) to short twig runes:
+{\addfontfeature{StylisticSet=14}{ABCDEFG $\rightarrow $
+\addfontfeature{StylisticSet=15}ABCDEFG}}.
+
+\subsection{\textSourceText{rtlm}
+-- Right to Left Mirrored Forms}
+Produces mirrored runes, e.g. {\addfontfeature{StylisticSet=12}ABCDEFG $\rightarrow $ \addfontfeature{MyStyle=mirrored}GFEDCBA}.
+This feature cannot change the direction of text or reverse its order.
+
+\section{Ligatures and Digraphs}
+
+Old-style fonts typically contain a standard collection of ligatures (conjoined letters), including
+\textex{fi}, \textex{fl}, \textex{ff}, \textex{ffi}, and \textex{ffl}.
+Most software will display these ligatures automatically (except
+Microsoft Word, for which they must be enabled explicitly). Junicode has a large number of ligatures,
+including the standard f-ligatures, a similar set for long s, e.g. \textex{ſl}, \textex{ſſ}, \textex{ſſi}, but also more
+specialized forms like \textex{ſꞇ},
+\textex{\addfontfeatures{StylisticSet=2,CharacterVariant=38:10}st},
+\textex{\addfontfeatures{Language=English,StylisticSet=2,CharacterVariant=38:10}sw}
+(the last two with \textSourceText{ss02} and \textSourceText{cv38[11]}), and a few more. Most of Junicode’s
+ligatures, however, are not automatic, but belong to the set of either Historic Ligatures
+or Discretionary Ligatures, both of which must be invoked explicitly. These are listed in the following sections.
+
+\subsection{\textSourceText{hlig} -- Historic Ligatures}
+
+Produces ligatures for combinations that should not ordinarily be rendered as
+ligatures in modern text.\footnote{\ Some
+fonts define \textSourceText{hlig} differently, as including all ligatures in which at least one
+element is an archaic character, e.g.
+those involving long s (\textrm{ſ\hspace{0.2em}}). In Junicode, however, a
+historic ligature is defined not by the characters it is composed of, but
+rather by the join between them. If two characters (though modern) should not be joined except
+in certain historic contexts, they form a historic ligature. If they should be
+joined in all contexts (even if archaic), the ligature is not historic
+and should be defined in \textSourceText{liga}.} Most of these are from the MUFI recommendation,
+ranges B.1.1(b) and B.1.4. This feature does
+not produce digraphs (which have a phonetic value), for which see
+\textSourceText{\hyperlink{ss17}{ss17}}. The ligatures:
+\addfontfeatures{Ligatures=Historic}
+
+\begin{multicols}{5}
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}f\hfill→\hfill{}af}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}ꝼ\hfill→\hfill{}aꝼ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}g\hfill→\hfill{}ag}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}l\hfill→\hfill{}al}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}n\hfill→\hfill{}an}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}N\hfill→\hfill{}aN}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}p\hfill→\hfill{}ap}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}r\hfill→\hfill{}ar}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}R\hfill→\hfill{}aR}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\addfontfeature{Language=Icelandic}a{\textcompwordmark}{\th}\hfill→\hfill{}a{\th}}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+a{\textcompwordmark}v\hfill→\hfill{}av}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\cvd[1]{2}{a}{\textcompwordmark}{v}\hfill→\hfill{}\cvd[1]{2}{av}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}b\hfill→\hfill{}bb}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}g\hfill→\hfill{}bg}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+b{\textcompwordmark}o\hfill→\hfill{}bo}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+c{\textcompwordmark}h\hfill→\hfill{}ch}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+c{\textcompwordmark}k\hfill→\hfill{}ck}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝺ{\textcompwordmark}ꝺ\hfill→\hfill{}ꝺꝺ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+d{\textcompwordmark}e\hfill→\hfill{}de}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝺ{\textcompwordmark}e\hfill→\hfill{}ꝺe}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}a\hfill→\hfill{}ea}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}c\hfill→\hfill{}ec}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꝼ\hfill→\hfill{}eꝼ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ᵹ\hfill→\hfill{}eᵹ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}m\hfill→\hfill{}em}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}n\hfill→\hfill{}en}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}o\hfill→\hfill{}eo}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞃ\hfill→\hfill{}eꞃ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞅ\hfill→\hfill{}eꞅ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}ꞇ\hfill→\hfill{}eꞇ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}x\hfill→\hfill{}ex}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+e{\textcompwordmark}y\hfill→\hfill{}ey}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+f{\textcompwordmark}ä\hfill→\hfill{}fä}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}d\hfill→\hfill{}gd}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}\revthorn{ð}\hfill→\hfill{}\revthorn{gð}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}ꝺ\hfill→\hfill{}gꝺ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}g\hfill→\hfill{}gg}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\cvd[2]{14}{ɡ{\textcompwordmark}ɡ}\hfill→\hfill{}ɡɡ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}o\hfill→\hfill{}go}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}p\hfill→\hfill{}gp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+g{\textcompwordmark}r\hfill→\hfill{}gr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+H{\textcompwordmark}r\hfill→\hfill{}Hr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}r\hfill→\hfill{}hr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}ſ\hfill→\hfill{}hſ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+h{\textcompwordmark}ẝ\hfill→\hfill{}hẝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}r\hfill→\hfill{}kr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}ſ\hfill→\hfill{}kſ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+k{\textcompwordmark}ẝ\hfill→\hfill{}kẝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+l{\textcompwordmark}l\hfill→\hfill{}ll}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}a\hfill→\hfill{}na}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}i\hfill→\hfill{}ni}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\textsc{n}{\textcompwordmark}ſ\hfill→\hfill{}\textsc{nſ}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+n{\textcompwordmark}v\hfill→\hfill{}nv}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}c\hfill→\hfill{}oc}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+O{\textcompwordmark}Ꝛ\hfill→\hfill{}OꝚ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}ꝛ\hfill→\hfill{}oꝛ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+O{\textcompwordmark}Ꝝ\hfill→\hfill{}OꝜ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+o{\textcompwordmark}ꝝ\hfill→\hfill{}oꝝ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}P\hfill→\hfill{}PP}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}p\hfill→\hfill{}pp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝓ{\textcompwordmark}p\hfill→\hfill{}ꝓp}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}s\hfill→\hfill{}Ps}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}e\hfill→\hfill{}pe}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}s\hfill→\hfill{}ps}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+P{\textcompwordmark}si\hfill→\hfill{}Psi}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+p{\textcompwordmark}si\hfill→\hfill{}psi}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+q{\textcompwordmark}ꝩ\hfill→\hfill{}qꝩ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\narrow q{\textcompwordmark}ꝫ/q\cvd[1]{83}{ꝫ}\hfill→\hfill\hlig{{}qꝫ/\cvd[1]{83}{qꝫ}}}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꝗ{\textcompwordmark}ꝗ\hfill→\hfill{}ꝗꝗ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+Q{\textcompwordmark}Ꝛ\hfill→\hfill{}QꝚ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+q{\textcompwordmark}ꝛ\hfill→\hfill{}qꝛ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}\"a\hfill→\hfill{}ſ\"a}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}c{\textcompwordmark}h\hfill→\hfill{}ſch}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}t{\textcompwordmark}r\hfill→\hfill{}ſtr}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}ꝩ\hfill→\hfill{}ſꝩ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ſ{\textcompwordmark}ƿ\hfill→\hfill{}ſƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ꞇ{\textcompwordmark}ꞇ\hfill→\hfill{}ꞇꞇ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+U{\textcompwordmark}E\hfill→\hfill{}UE}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+u{\textcompwordmark}e\hfill→\hfill{}ue}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+U{\textcompwordmark}U\hfill→\hfill{}UU}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+u{\textcompwordmark}u\hfill→\hfill{}uu}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\revthorn{{\th}{\textcompwordmark}r\hfill→\hfill{}{\th}r}}
+
+%{\color[rgb]{0.38039216,0.09019608,0.16078432}
+%\revthorn{{\th}{\textcompwordmark}s\hfill→\hfill{}{\th}s}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+\revthorn{{\th}{\textcompwordmark}ẝ\hfill→\hfill{}{\th}ẝ}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ð{\textcompwordmark}ð\hfill→\hfill{}ðð}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+{\th}\textcompwordmark{\th}\hfill→\hfill{}{\th}{\th}}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}
+ƿ{\textcompwordmark}ƿ\hfill→\hfill{}ƿƿ}
+
+{\color[rgb]{0.38039216,0.09019608,0.16078432}\addfontfeature{Language=English}
+ꝥ{\textcompwordmark}ꝥ\hfill→\hfill{}ꝥꝥ}
+
+\end{multicols}
+
+\noindent\addfontfeatures{Ligatures=histoff}
+Note: For the ligature \textex{\textsc{\hlig{nſ}}} to
+work properly, \unic{U+017F} \textex{ſ} must be entered directly, not by applying an OpenType feature to
+\textex{s}.
+
+\subsection{\textSourceText{dlig} --
+Discretionary Ligatures}
+Produces lesser-used ligatures:
+\textex{\textcolor[rgb]{0.5529412,0.15686275,0.11764706}{\addfontfeature{Ligatures=Rare}ct, ſp, str, st, tr, tt, ty}}.
+The collection of discretionary ligatures in the italic face also includes
+{\textit{\addfontfeature{Ligatures=Rare}as, is, us}}.
+
+
+\subsection{\textSourceText{ss17} -- Rare
+Digraphs}\hypertarget{ss17}{}
+By ``digraph'' we mean conjoined letters that represent a phonetic value: the most common examples
+for western languages are \textex{{\ae}} and \textex{{\oe}} (though these, because they
+are so common, are not included in this feature). Use of this feature in web pages enables easier searches: for
+example, producing \textex{\addfontfeature{StylisticSet=17}{\th}au} from
+\textex{{\th}au} allows the word to be
+searched as ``{\th}au.'' The digraphs covered by this feature are \textcolor[rgb]{0.5529412,0.15686275,0.11764706}{%
+\addfontfeature{StylisticSet=17,Language=Icelandic}aa, ao, au, av, ay, ꝺv, ðv, gv, oo, vy,} plus capital and small cap
+equivalents and digraph +
+diacritic combinations anticipated in the
+MUFI recommendation. To produce such a digraph + diacritic combination, either type a letter + diacritic combination as
+the second element of the digraph or type the diacritic after the second element. For example,
+\textex{a} + \textex{\'u} yields \textex{\addfontfeature{StylisticSet=17}a\'u}, and so does
+\textex{a} + \textex{u} + \unic{U+0301} (combining acute accent). To produce a digraph +
+diacritic combination not covered by MUFI (e.g. \textex{ꜵ̀}), you may have to place \unic{U+034F}
+\textUName{combining grapheme joiner} (see \hyperlink{cv84}{cv84} above) between the second element of the digraph and the combining mark.
+
+\section{Required Features}
+Required features, which provide some of the font’s most basic functionality---ligatures, support for
+other features, kerning, and more---include \textSourceText{ccmp} (Glyph Composition/Decomposition),
+\textSourceText{calt} (Contextual Alternates), \textSourceText{liga} (Standard Ligatures),
+\textSourceText{loca} (Localized Forms), \textSourceText{rlig} (Required Ligatures),
+\textSourceText{kern} (Horizontal Kerning), and \textSourceText{mark}/\textSourceText{mkmk} (Mark
+Positioning). In MS Word these features have to be explicitly enabled on the Advanced tab of the Font dialog (Ctrl-D or
+Cmd-D: enable Kerning, Standard Ligatures, and Contextual Alternates, and the others will be enabled automatically),
+but in most other applications they are enabled by default.
+
+
+\chapter{Non-MUFI Code Points}\hypertarget{nonmufi}{}
+
+Characters in Junicode that do not have Unicode code points should be accessed via OpenType
+features whenever possible. MUFI/PUA code points should be used only in applications that do not support OpenType, or
+that support it only partially (for example, MS Word). For certain characters that lack either Unicode or MUFI code
+points, code points in the Supplementary Private Use Area-A (plane 15) are available.
+
+\begin{multicols}{4}
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0000\hfill\cvd{53}{Ą}}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0001\hfill{}󰀁}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0002\hfill{}󰀂}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0003\hfill{}󰀃}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0004\hfill{}󰀄}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0005\hfill{}󰀅}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0006\hfill{}󰀆}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0007\hfill{}󰀇}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0008\hfill{}󰀈}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0009\hfill{}󰀉}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000A\hfill{}󰀊}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000B\hfill{}󰀋}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000C\hfill{}󰀌}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000D\hfill{}󰀍}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000E\hfill{}󰀎}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F000F\hfill{}󰀏}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0010\hfill{}󰀐}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0011\hfill{}󰀑}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0012\hfill{}󰀒}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0013\hfill{}󰀓}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0014\hfill{}󰀔}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0015\hfill{}󰀕}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0016\hfill{}󰀖}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0017\hfill{}󰀗}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0018\hfill{}󰀘}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0019\hfill{}󰀙}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001A\hfill{}󰀚}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001B\hfill{}󰀛}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001C\hfill{}󰀜}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001D\hfill{}󰀝}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001E\hfill{}󰀞}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F001F\hfill{}󰀟}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0020\hfill\char"0F0020}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0021\hfill\char"0F0021}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0030\hfill\char"0F0030}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0031\hfill\char"0F0031}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0032\hfill\char"0F0032}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0033\hfill\char"0F0033}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0034\hfill\char"0F0034}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0035\hfill\char"0F0035}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0036\hfill\char"0F0036}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0037\hfill\char"0F0037}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0038\hfill\char"0F0038}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0039\hfill\char"0F0039}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003A\hfill\char"0F003A}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003B\hfill\char"0F003B}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003C\hfill\char"0F003C}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003D\hfill\char"0F003D}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003E\hfill\char"0F003E}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F003F\hfill\char"0F003F}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0040\hfill\char"0F0040}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0041\hfill\char"0F0041}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0042\hfill\char"0F0042}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0043\hfill\char"0F0043}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
+U+F0044\hfill\char"0F0044}
+
+{\color[rgb]{0.13333334,0.29411766,0.07058824}
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