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author | Norbert Preining <norbert@preining.info> | 2019-09-02 13:46:59 +0900 |
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committer | Norbert Preining <norbert@preining.info> | 2019-09-02 13:46:59 +0900 |
commit | e0c6872cf40896c7be36b11dcc744620f10adf1d (patch) | |
tree | 60335e10d2f4354b0674ec22d7b53f0f8abee672 /fonts/fetamont/fetamont.dtx |
Initial commit
Diffstat (limited to 'fonts/fetamont/fetamont.dtx')
-rw-r--r-- | fonts/fetamont/fetamont.dtx | 656 |
1 files changed, 656 insertions, 0 deletions
diff --git a/fonts/fetamont/fetamont.dtx b/fonts/fetamont/fetamont.dtx new file mode 100644 index 0000000000..9de36fa5b2 --- /dev/null +++ b/fonts/fetamont/fetamont.dtx @@ -0,0 +1,656 @@ +% \iffalse meta-comment +% +% fetamont.dtx --- LaTeX package for logos related to METAFONT written +% with the typeface Fetamont. +% +% \fi +% +% \iffalse +%<package>\NeedsTeXFormat{LaTeX2e}[1994/06/01] +%<package>\ProvidesPackage{fetamont} +%<package>[class to use the fetamont font] +%<T1ffm>\ProvidesFile{T1ffm.fd} +%<T1ffmw>\ProvidesFile{T1ffmw.fd} +% +%<*driver> +\documentclass{ltxdoc} +\usepackage[T1]{fontenc} +\usepackage[utf8]{inputenc} +\usepackage{fetamont,lmodern,array,url} + +\providecommand{\textttc}[1]{\texttt{\fontseries{lc}\selectfont #1}} + +\GetFileInfo{fetamont.sty} +\RecordChanges +\PageIndex +\begin{document} + \DocInput{fetamont.dtx} +\end{document} +%</driver> +% \fi +% \CheckSum{84} +%% \CharacterTable +%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z +%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z +%% Digits \0\1\2\3\4\5\6\7\8\9 +%% Exclamation \! Double quote \" Hash (number) \# +%% Dollar \$ Percent \% Ampersand \& +%% Acute accent \' Left paren \( Right paren \) +%% Asterisk \* Plus \+ Comma \, +%% Minus \- Point \. Solidus \/ +%% Colon \: Semicolon \; Less than \< +%% Equals \= Greater than \> Question mark \? +%% Commercial at \@ Left bracket \[ Backslash \\ +%% Right bracket \] Circumflex \^ Underscore \_ +%% Grave accent \` Left brace \{ Vertical bar \| +%% Right brace \} Tilde \~} +% +% \changes{1.0}{2014/01/02}{initial version} +% \changes{1.1}{2014/01/03}{changed the filename ffmchar\_ij.mf to +% ffmchar\_ijlower.mf} +% \changes{1.2}{2014/01/09}{refined the paths and the outline +% production slightly; solved the BlueValues zones overlap problem; +% separated the map file from the dtx file; added a list of files to +% the README; improved the documentations} +% \changes{1.3}{2014/03/18}{refined the paths again slightly; added a +% randomize feature to the OpenType versions of the script faces; +% improved the typeface documentation} +% \changes{1.4}{2014/06/03}{reduced the number of files drastically, +% this has changed the shape of letters like IJ in the script faces; +% improved the English of the typeface documentation; added a compiled +% version of the package documentation} +% \changes{1.5}{2015/05/15}{changed the shapes of some digits, +% added additional kernings, mainly between letters and +% numbers; changed the shape of the tilde slightly; +% updated the documentations} +% \changes{1.6}{2015/10/30}{removed a bug which made the depth +% of chained lowercase letters too large (wrong depth of letter ij) +% and took the wrong italic correction of chained letters, +% updated the documentations} +% \changes{1.7}{2017/03/13}{added Greek, changed to Unicode +% (the sources now have to be compiled with \MP{} with the +% mf2outline base or with mf2outline.py), some kerning pairs +% have been removed and many others have been added, adjusted the +% OpenType font information, updated the documentations} +% \changes{2017/04/07}{2017/04/07}{corrected two accented Greek glyphs, +% removed version numbers, future versions will be given in dates} +% +% \title{The Fetamont Package} +% \author{Linus Romer} +% \date{\today{}} +% +% \maketitle +% \tableofcontents +% +% \section{Introduction} +% The logo font, known from logos like \MF{} or \MP{}, has been very +% limited in its collection of glyphs. The new typeface \emph{Fetamont} +% extends the logo typeface in two ways: +% \begin{itemize} +% \item Fetamont consists of 256+ glyphs, such that the T1 (a.k.a.\ EC, +% a.k.a.\ Cork) encoding table is complete now. +% \item Fetamont has additional faces like ``light ultracondensed'' or +% ``script''. +% \end{itemize} +% The \verb|fetamont| package provides \LaTeX{} support for the +% Fetamont typeface. Both the package and the typeface are distributed +% on {\small CTAN} under the terms of the \emph{\LaTeX{} Project Public +% License} ({\small LPPL}). +% +% This document describes the \LaTeX{} support for the Fetamont +% typeface. The design and the constructions of the typeface itself are +% described in \cite{romer17}. +% +% The OpenType versions of the script faces support the Randomize +% feature, which can be used with Lua\TeX. It is \emph{not} +% possible to use this feature with the package described here. +% \section{Usage} +% The package is loaded by |\usepackage{fetamont}|. There are no +% options provided yet for the |fetamont| package. +% +% If you use the \texttt{fetamont} package as a replacement for the +% \texttt{mflogo} package you will probably only need the control +% sequences |\MF|, |\MP| and |\MT| which produce the well known logos +% \MF, \MP{} and \MT. +% +% When you need other words written in the Fetamont typeface, you may +% use |\textffm| and |\textffmw|. E.~g. |\textffm{My Logo}| will +% produce \textffm{My Logo} and |\textffmw{Script}| will produce +% \textffmw{Script}. +% +% To gain access to all faces of Fetamont you may sometimes +% additionally need |\ffmfamily| or |\ffmwfamily| +% (see subsection~\ref{sec:accesstoallfaces}). +% \section{The many faces of Fetamont} +% \subsection{Bold and heavy faces} +% The bold face of the original logo font family clearly fits better +% with \emph{Computer Modern Sans Bold}, whereas the demibold face is +% the better choice for a combination with \emph{Computer Modern +% Extended Bold}: +% \begin{center} +% \begin{tabular}{rl} +% {\ffmfamily\fontseries{b}\selectfont \huge META} +% & \textbf{\huge Serif}\\ +% \textsf{\textbf{\huge Sans}} +% & {\ffmfamily\fontseries{eb}\selectfont \huge META} +% \end{tabular} +% \end{center} +% Ulrik Vieth has already mentioned this unsatisfactory situation in +% \cite{vieth99}. He has assumed that \emph{Computer Modern Roman} will +% be used in boldface series much more frequently than \emph{Computer +% Modern Sans Serif}. So he assigned the demibold faces to the bold +% series in his |mflogo| package (see~\cite{vieth99}). +% +% In order to be compatible to Ulrik Vieths assignment I have chosen +% the following naming scheme for weights: +% \begin{center} +% \begin{tabular}{lll} +% original name & Fetamont name & symbol\\\hline +% -- & light & l\\ +% medium & medium & r\\ +% demibold & bold & b\\ +% bold & heavy & h +% \end{tabular} +% \end{center} +% \subsection{Script faces} +% The ``crazy shapes'' by D.~E.~Knuth show impressively the +% randomization power of \MF. The Fetamont typeface has also the +% ability to use randomized paths. The results are the Fetamont script +% faces. They are drawn by a rotated ellipse pen to make it look more +% handwritten. The script faces may be used for comics or childish +% texts: +% \begin{center} +% {\ffmwfamily\fontseries{l}\selectfont \huge ¿Donde?} +% {\ffmwfamily\fontseries{m}\selectfont \huge \quad --- \quad} +% {\ffmwfamily\fontseries{eb}\selectfont\huge ¡Aqui!} +% \end{center} +% \subsection{Condensed Faces} +% The titles in Knuth's books use a variant of the logo typeface that +% matches \emph{Computer Modern Sans Serif Demibold Condensed 40}. So I +% decided to add this variant as \emph{Fetamont Bold Condensed 40} and +% let also a light and medium variant benefit from the condensation. +% \begin{center} +% {\ffmfamily\fontseries{lc}\selectfont \huge Light Condensed 10}\\[2ex] +% {\ffmfamily\fontseries{c}\selectfont \huge Medium Condensed 10}\\[2ex] +% {\ffmfamily\fontseries{bc}\selectfont\huge Bold Condensed 40} +% \end{center} +% \subsection{Ultracondensed Face} +% The credits written on movie posters are often typeset in an +% ultracondensed face. Also fetamont provides such a face: +% \begin{center} +% {\ffmfamily\fontseries{lec}\selectfont \Huge Light Ultracondensed 10} +% \end{center} +% \subsection{Naming Scheme For The Fetamont Faces} +% The file name of every face begins with the prefix \verb|ffm|, which +% stands for «\emph{f}ree typeface \emph{f}eta\emph{m}ont». The +% suffixes normally contain a symbol for the weight: \verb|l| for +% light, \verb|r| for regular, \verb|b| for bold and \verb|h| for +% heavy. The number at the end stands for the optical size +% (e.~g. 10~pt). Depending on the face, the suffix is made of +% additional symbols: +% \begin{center} +% \begin{tabular}{|cccc|cccc|} +% \hline +% \multicolumn{4}{|c|}{Upright} & \multicolumn{4}{c|}{Oblique}\\\hline +% & r8 & b8 & h8 & & o8 & bo8 & ho8\\ +% & r9 & b9 & h9 & & o9 & bo9 & ho9\\ +% l10 & r10 & b10 & h10 & lo10 & o10 & bo10 & ho10\\ +% \hline +% \multicolumn{4}{|c|}{Condensed Upright} +% & \multicolumn{4}{c|}{Condensed Oblique}\\\hline +% lc10 & c10 & & & lco10 & co10 & & \\ +% & & bc40 & & & & bco40 & \\ +% \hline +% \multicolumn{4}{|c|}{Ultracondensed Upright} +% & \multicolumn{4}{c|}{Ultracondensed Oblique}\\\hline +% lq10 & & & & lqo10 & & & \\ +% \hline +% \multicolumn{4}{|c|}{Script Upright} +% & \multicolumn{4}{c|}{Script Oblique}\\\hline +% lw10 & w10 & bw10 & hw10 & lwo10 & wo10 & bwo10 & hwo10\\\hline +% \end{tabular} +% \end{center} +% \subsection{NFSS--Access To All Faces}\label{sec:accesstoallfaces} +% The following tabular shows the NFSS--access for every Fetamont face. +% \begin{center} +% \begin{tabular}{lll} +% MF-name & low level access & sample +% \\\hline\hline +% ffml10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{l}\selectfont Gauß} +% \\ +% ffmr10, ffmr9, ffmr8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{m}\selectfont Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\ +% ffmb10, ffmb9, ffmb8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{b}\selectfont Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\ +% ffmh10, ffmh9, ffmh8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{eb}\selectfont Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\ +% ffmlo10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{l}\slshape Gauß} +% \\ +% ffmo10, ffmo9, ffmo8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{m}\slshape Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\ +% ffmbo10, ffmbo9, ffmbo8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{b}\slshape Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\ +% ffmho10, ffmho9, ffmho8 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{eb}\slshape Gauß \footnotesize{Gauß} +% \tiny{Gauß}} +% \\\hline +% ffmlc10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{lc}\selectfont Gauß} +% \\ +% ffmc10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{c}\selectfont Gauß} +% \\ +% ffmbc40 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{bc}\selectfont Gauß} +% \\ +% ffmlco10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{lc}\slshape Gauß} +% \\ +% ffmco10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{c}\slshape Gauß} +% \\ +% ffmbco40 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{bc}\slshape Gauß} +% \\\hline +% ffmlq10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\} +% \textbackslash selectfont} +% & +% {\ffmfamily\fontseries{lec}\selectfont Gauß} +% \\ +% ffmlqo10 +% & +% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\} +% \textbackslash slshape} +% & +% {\ffmfamily\fontseries{lec}\slshape Gauß} +% \\\hline +% ffmlw10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\} +% \textbackslash selectfont} +% & +% {\ffmwfamily\fontseries{l}\selectfont Gauß} +% \\ +% ffmw10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\} +% \textbackslash selectfont} +% & +% {\ffmwfamily\fontseries{m}\selectfont Gauß} +% \\ +% ffmbw10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\} +% \textbackslash selectfont} +% & +% {\ffmwfamily\fontseries{b}\selectfont Gauß} +% \\ +% ffmhw10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\} +% \textbackslash selectfont} +% & +% {\ffmwfamily\fontseries{eb}\selectfont Gauß} +% \\ +% ffmlwo10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\} +% \textbackslash slshape} +% & +% {\ffmwfamily\fontseries{l}\slshape Gauß} +% \\ +% ffmwo10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\} +% \textbackslash slshape} +% & +% {\ffmwfamily\fontseries{m}\slshape Gauß} +% \\ +% ffmbwo10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\} +% \textbackslash slshape} +% & +% {\ffmwfamily\fontseries{b}\slshape Gauß} +% \\ +% ffmhwo10 +% & +% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\} +% \textbackslash slshape} +% & +% {\ffmwfamily\fontseries{eb}\slshape Gauß} +% \\ +% \end{tabular} +% \end{center} +% +% \StopEventually{\PrintIndex} +% +% \section{Package Implementation} +% +% \subsection{The font definition files} +% +% As the \emph{T1} encoding is used for the \emph{f}ree typeface +% \emph{f}eta\emph{m}ont, the font definition file is named |T1ffm.fd|. +% This is the default font family of Fetamont. Additionally, there is +% also a script font family (|T1ffmw.fd|). +% +% The italic faces are always silently substituted by oblique faces. +% +% \begin{macrocode} +%<*T1ffm> +\DeclareFontFamily{T1}{ffm}{} +% \end{macrocode} +% +% Light faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{l}{n}{<-> ffml10}{} +\DeclareFontShape{T1}{ffm}{l}{sl}{<-> ffmlo10}{} +\DeclareFontShape{T1}{ffm}{l}{it}{<-> ssub * ffm/l/sl}{} +% \end{macrocode} +% +% Regular/medium faces (three different optical sizes): +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{m}{n}{ + <-8> ffmr8 + <9> ffmr9 + <10-> ffmr10 +}{} +\DeclareFontShape{T1}{ffm}{m}{sl}{ + <-8> ffmo8 + <9> ffmo9 + <10-> ffmo10 +}{} +\DeclareFontShape{T1}{ffm}{m}{it}{ + <-> ssub * ffm/m/sl +}{} +% \end{macrocode} +% +% Bold faces (three different optical sizes, bold extended faces +% are silently substituted): +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{b}{n}{ + <-8> ffmb8 + <9> ffmb9 + <10-> ffmb10 +}{} +\DeclareFontShape{T1}{ffm}{b}{sl}{ + <-8> ffmbo8 + <9> ffmbo9 + <10-> ffmbo10 +}{} +\DeclareFontShape{T1}{ffm}{b}{it}{ + <-> ssub * ffm/b/sl +}{} +\DeclareFontShape{T1}{ffm}{bx}{n}{ + <-> ssub * ffm/b/n +}{} +\DeclareFontShape{T1}{ffm}{bx}{sl}{ + <-> ssub * ffm/b/sl +}{} +\DeclareFontShape{T1}{ffm}{bx}{it}{ + <-> ssub * ffm/b/sl +}{} +% \end{macrocode} +% +% Heavy/extra bold faces (three different optical sizes): +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{eb}{n}{ + <-8> ffmh8 + <9> ffmh9 + <10-> ffmh10 +}{} +\DeclareFontShape{T1}{ffm}{eb}{sl}{ + <-8> ffmho8 + <9> ffmho9 + <10-> ffmho10 +}{} +\DeclareFontShape{T1}{ffm}{eb}{it}{ + <-> ssub * ffm/h/sl +}{} +% \end{macrocode} +% +% Light condensed faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{lc}{n}{<-> ffmlc10}{} +\DeclareFontShape{T1}{ffm}{lc}{sl}{<-> ffmlco10}{} +\DeclareFontShape{T1}{ffm}{lc}{it}{<-> ssub * ffm/lc/sl}{} +% \end{macrocode} +% +% Condensed faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{c}{n}{<-> ffmc10}{} +\DeclareFontShape{T1}{ffm}{c}{sl}{<-> ffmco10}{} +\DeclareFontShape{T1}{ffm}{c}{it}{<-> ssub * ffm/c/sl}{} +% \end{macrocode} +% +% Bold condensed faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{bc}{n}{<-> ffmbc40}{} +\DeclareFontShape{T1}{ffm}{bc}{sl}{<-> ffmbco40}{} +\DeclareFontShape{T1}{ffm}{bc}{it}{<-> ssub * ffm/bc/sl}{} +% \end{macrocode} +% +% Light ultra condensed faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffm}{lec}{n}{<-> ffmlq10}{} +\DeclareFontShape{T1}{ffm}{lec}{sl}{<-> ffmlqo10}{} +\DeclareFontShape{T1}{ffm}{lec}{it}{<-> ssub * ffm/lec/sl}{} +%</T1ffm> +% \end{macrocode} +% +% The script faces need an own family for a proper NFSS--access: +% +% \begin{macrocode} +%<*T1ffmw> +\DeclareFontFamily{T1}{ffmw}{} +% \end{macrocode} +% +% Light faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffmw}{l}{n}{<-> ffmlw10}{} +\DeclareFontShape{T1}{ffmw}{l}{sl}{<-> ffmlwo10}{} +\DeclareFontShape{T1}{ffmw}{l}{it}{<-> ssub * ffmw/l/sl}{} +% \end{macrocode} +% +% Medium/regular faces: +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffmw}{m}{n}{ + <-> ffmw10 +}{} +\DeclareFontShape{T1}{ffmw}{m}{sl}{ + <-> ffmwo10 +}{} +\DeclareFontShape{T1}{ffmw}{m}{it}{ + <-> ssub * ffmw/m/sl +}{} +% \end{macrocode} +% +% Bold faces (bold extended faces are silently substituted): +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffmw}{b}{n}{ + <-> ffmbw10 +}{} +\DeclareFontShape{T1}{ffmw}{b}{sl}{ + <-> ffmbwo10 +}{} +\DeclareFontShape{T1}{ffmw}{b}{it}{ + <-> ssub * ffmw/b/sl +}{} +\DeclareFontShape{T1}{ffmw}{bx}{n}{ + <-> ssub * ffmw/b/n +}{} +\DeclareFontShape{T1}{ffmw}{bx}{sl}{ + <-> ssub * ffmw/b/sl +}{} +\DeclareFontShape{T1}{ffmw}{bx}{it}{ + <-> ssub * ffmw/b/sl +}{} +% \end{macrocode} +% +% Heavy/extra bold faces (three different optical sizes): +% +% \begin{macrocode} +\DeclareFontShape{T1}{ffmw}{eb}{n}{ + <-> ffmhw10 +}{} +\DeclareFontShape{T1}{ffmw}{eb}{sl}{ + <-> ffmhwo10 +}{} +\DeclareFontShape{T1}{ffmw}{eb}{it}{ + <-> ssub * ffmw/h/sl +}{} +%</T1ffmw> +% \end{macrocode} +% +% \subsection{The style file: \texttt{fetamont.sty}} +% +% The following macros are adapted from the |mflogo| package +% by \cite{vieth99}. +% +% \begin{macro}{\ffmfamily} +% This is the declarative font changing command for the ``normal'' +% font family. +% \begin{macrocode} +%<*package> +\DeclareRobustCommand\ffmfamily{% + \not@math@alphabet\ffmfamily\relax + \fontencoding{T1}\fontfamily{ffm}\selectfont} +% \end{macrocode} +% \end{macro} +% +% \begin{macro}{\ffmwfamily} +% This is the declarative font changing command for the script font +% family. +% \begin{macrocode} +\DeclareRobustCommand\ffmwfamily{% + \not@math@alphabet\ffmwfamily\relax + \fontencoding{T1}\fontfamily{ffmw}\selectfont} +% \end{macrocode} +% \end{macro} +% +% \begin{macro}{\textffm} +% This is basically the same as |\ffmfamily| but takes one argument. +% \begin{macrocode} +\DeclareTextFontCommand{\textffm}{\ffmfamily} +% \end{macrocode} +% \end{macro} +% +% \begin{macro}{\textffmw} +% This is basically the same as |\ffmwfamily| but takes one argument. +% \begin{macrocode} +\DeclareTextFontCommand{\textffmw}{\ffmwfamily} +% \end{macrocode} +% \end{macro} +% +% \begin{macro}{\MF} +% \begin{macro}{\MP} +% \begin{macro}{\MT} +% These are the definitions of the \MF, \MP{} and \MT{} logos. +% \begin{macrocode} +\def\MF{\textffm{META}\@dischyph\textffm{FONT}\@} +\def\MP{\textffm{META}\@dischyph\textffm{POST}\@} +\def\MT{\textffm{META}\@dischyph\textffm{TYPE1}\@} +%</package> +% \end{macrocode} +% \end{macro} +% \end{macro} +% \end{macro} +% +% \PrintChanges +% +% \begin{thebibliography}{Romer17} +% \bibitem[Romer17]{romer17} +% Linus Romer. +% \emph{The Fetamont Typeface}. +% 2017 +% \bibitem[Vieth99]{vieth99} +% Ulrik Vieth. +% \emph{The |mflogo| package}. +% \url{mirrors.ctan.org/macros/latex/contrib/mflogo/mflogo.pdf}, 1999 +% \end{thebibliography} +% +% \PrintIndex +% +% \Finale +\endinput |