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authorNorbert Preining <norbert@preining.info>2019-09-02 13:46:59 +0900
committerNorbert Preining <norbert@preining.info>2019-09-02 13:46:59 +0900
commite0c6872cf40896c7be36b11dcc744620f10adf1d (patch)
tree60335e10d2f4354b0674ec22d7b53f0f8abee672 /fonts/fetamont/fetamont.dtx
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+% \iffalse meta-comment
+%
+% fetamont.dtx --- LaTeX package for logos related to METAFONT written
+% with the typeface Fetamont.
+%
+% \fi
+%
+% \iffalse
+%<package>\NeedsTeXFormat{LaTeX2e}[1994/06/01]
+%<package>\ProvidesPackage{fetamont}
+%<package>[class to use the fetamont font]
+%<T1ffm>\ProvidesFile{T1ffm.fd}
+%<T1ffmw>\ProvidesFile{T1ffmw.fd}
+%
+%<*driver>
+\documentclass{ltxdoc}
+\usepackage[T1]{fontenc}
+\usepackage[utf8]{inputenc}
+\usepackage{fetamont,lmodern,array,url}
+
+\providecommand{\textttc}[1]{\texttt{\fontseries{lc}\selectfont #1}}
+
+\GetFileInfo{fetamont.sty}
+\RecordChanges
+\PageIndex
+\begin{document}
+ \DocInput{fetamont.dtx}
+\end{document}
+%</driver>
+% \fi
+% \CheckSum{84}
+%% \CharacterTable
+%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%% Digits \0\1\2\3\4\5\6\7\8\9
+%% Exclamation \! Double quote \" Hash (number) \#
+%% Dollar \$ Percent \% Ampersand \&
+%% Acute accent \' Left paren \( Right paren \)
+%% Asterisk \* Plus \+ Comma \,
+%% Minus \- Point \. Solidus \/
+%% Colon \: Semicolon \; Less than \<
+%% Equals \= Greater than \> Question mark \?
+%% Commercial at \@ Left bracket \[ Backslash \\
+%% Right bracket \] Circumflex \^ Underscore \_
+%% Grave accent \` Left brace \{ Vertical bar \|
+%% Right brace \} Tilde \~}
+%
+% \changes{1.0}{2014/01/02}{initial version}
+% \changes{1.1}{2014/01/03}{changed the filename ffmchar\_ij.mf to
+% ffmchar\_ijlower.mf}
+% \changes{1.2}{2014/01/09}{refined the paths and the outline
+% production slightly; solved the BlueValues zones overlap problem;
+% separated the map file from the dtx file; added a list of files to
+% the README; improved the documentations}
+% \changes{1.3}{2014/03/18}{refined the paths again slightly; added a
+% randomize feature to the OpenType versions of the script faces;
+% improved the typeface documentation}
+% \changes{1.4}{2014/06/03}{reduced the number of files drastically,
+% this has changed the shape of letters like IJ in the script faces;
+% improved the English of the typeface documentation; added a compiled
+% version of the package documentation}
+% \changes{1.5}{2015/05/15}{changed the shapes of some digits,
+% added additional kernings, mainly between letters and
+% numbers; changed the shape of the tilde slightly;
+% updated the documentations}
+% \changes{1.6}{2015/10/30}{removed a bug which made the depth
+% of chained lowercase letters too large (wrong depth of letter ij)
+% and took the wrong italic correction of chained letters,
+% updated the documentations}
+% \changes{1.7}{2017/03/13}{added Greek, changed to Unicode
+% (the sources now have to be compiled with \MP{} with the
+% mf2outline base or with mf2outline.py), some kerning pairs
+% have been removed and many others have been added, adjusted the
+% OpenType font information, updated the documentations}
+% \changes{2017/04/07}{2017/04/07}{corrected two accented Greek glyphs,
+% removed version numbers, future versions will be given in dates}
+%
+% \title{The Fetamont Package}
+% \author{Linus Romer}
+% \date{\today{}}
+%
+% \maketitle
+% \tableofcontents
+%
+% \section{Introduction}
+% The logo font, known from logos like \MF{} or \MP{}, has been very
+% limited in its collection of glyphs. The new typeface \emph{Fetamont}
+% extends the logo typeface in two ways:
+% \begin{itemize}
+% \item Fetamont consists of 256+ glyphs, such that the T1 (a.k.a.\ EC,
+% a.k.a.\ Cork) encoding table is complete now.
+% \item Fetamont has additional faces like ``light ultracondensed'' or
+% ``script''.
+% \end{itemize}
+% The \verb|fetamont| package provides \LaTeX{} support for the
+% Fetamont typeface. Both the package and the typeface are distributed
+% on {\small CTAN} under the terms of the \emph{\LaTeX{} Project Public
+% License} ({\small LPPL}).
+%
+% This document describes the \LaTeX{} support for the Fetamont
+% typeface. The design and the constructions of the typeface itself are
+% described in \cite{romer17}.
+%
+% The OpenType versions of the script faces support the Randomize
+% feature, which can be used with Lua\TeX. It is \emph{not}
+% possible to use this feature with the package described here.
+% \section{Usage}
+% The package is loaded by |\usepackage{fetamont}|. There are no
+% options provided yet for the |fetamont| package.
+%
+% If you use the \texttt{fetamont} package as a replacement for the
+% \texttt{mflogo} package you will probably only need the control
+% sequences |\MF|, |\MP| and |\MT| which produce the well known logos
+% \MF, \MP{} and \MT.
+%
+% When you need other words written in the Fetamont typeface, you may
+% use |\textffm| and |\textffmw|. E.~g. |\textffm{My Logo}| will
+% produce \textffm{My Logo} and |\textffmw{Script}| will produce
+% \textffmw{Script}.
+%
+% To gain access to all faces of Fetamont you may sometimes
+% additionally need |\ffmfamily| or |\ffmwfamily|
+% (see subsection~\ref{sec:accesstoallfaces}).
+% \section{The many faces of Fetamont}
+% \subsection{Bold and heavy faces}
+% The bold face of the original logo font family clearly fits better
+% with \emph{Computer Modern Sans Bold}, whereas the demibold face is
+% the better choice for a combination with \emph{Computer Modern
+% Extended Bold}:
+% \begin{center}
+% \begin{tabular}{rl}
+% {\ffmfamily\fontseries{b}\selectfont \huge META}
+% & \textbf{\huge Serif}\\
+% \textsf{\textbf{\huge Sans}}
+% & {\ffmfamily\fontseries{eb}\selectfont \huge META}
+% \end{tabular}
+% \end{center}
+% Ulrik Vieth has already mentioned this unsatisfactory situation in
+% \cite{vieth99}. He has assumed that \emph{Computer Modern Roman} will
+% be used in boldface series much more frequently than \emph{Computer
+% Modern Sans Serif}. So he assigned the demibold faces to the bold
+% series in his |mflogo| package (see~\cite{vieth99}).
+%
+% In order to be compatible to Ulrik Vieths assignment I have chosen
+% the following naming scheme for weights:
+% \begin{center}
+% \begin{tabular}{lll}
+% original name & Fetamont name & symbol\\\hline
+% -- & light & l\\
+% medium & medium & r\\
+% demibold & bold & b\\
+% bold & heavy & h
+% \end{tabular}
+% \end{center}
+% \subsection{Script faces}
+% The ``crazy shapes'' by D.~E.~Knuth show impressively the
+% randomization power of \MF. The Fetamont typeface has also the
+% ability to use randomized paths. The results are the Fetamont script
+% faces. They are drawn by a rotated ellipse pen to make it look more
+% handwritten. The script faces may be used for comics or childish
+% texts:
+% \begin{center}
+% {\ffmwfamily\fontseries{l}\selectfont \huge ¿Donde?}
+% {\ffmwfamily\fontseries{m}\selectfont \huge \quad --- \quad}
+% {\ffmwfamily\fontseries{eb}\selectfont\huge ¡Aqui!}
+% \end{center}
+% \subsection{Condensed Faces}
+% The titles in Knuth's books use a variant of the logo typeface that
+% matches \emph{Computer Modern Sans Serif Demibold Condensed 40}. So I
+% decided to add this variant as \emph{Fetamont Bold Condensed 40} and
+% let also a light and medium variant benefit from the condensation.
+% \begin{center}
+% {\ffmfamily\fontseries{lc}\selectfont \huge Light Condensed 10}\\[2ex]
+% {\ffmfamily\fontseries{c}\selectfont \huge Medium Condensed 10}\\[2ex]
+% {\ffmfamily\fontseries{bc}\selectfont\huge Bold Condensed 40}
+% \end{center}
+% \subsection{Ultracondensed Face}
+% The credits written on movie posters are often typeset in an
+% ultracondensed face. Also fetamont provides such a face:
+% \begin{center}
+% {\ffmfamily\fontseries{lec}\selectfont \Huge Light Ultracondensed 10}
+% \end{center}
+% \subsection{Naming Scheme For The Fetamont Faces}
+% The file name of every face begins with the prefix \verb|ffm|, which
+% stands for «\emph{f}ree typeface \emph{f}eta\emph{m}ont». The
+% suffixes normally contain a symbol for the weight: \verb|l| for
+% light, \verb|r| for regular, \verb|b| for bold and \verb|h| for
+% heavy. The number at the end stands for the optical size
+% (e.~g. 10~pt). Depending on the face, the suffix is made of
+% additional symbols:
+% \begin{center}
+% \begin{tabular}{|cccc|cccc|}
+% \hline
+% \multicolumn{4}{|c|}{Upright} & \multicolumn{4}{c|}{Oblique}\\\hline
+% & r8 & b8 & h8 & & o8 & bo8 & ho8\\
+% & r9 & b9 & h9 & & o9 & bo9 & ho9\\
+% l10 & r10 & b10 & h10 & lo10 & o10 & bo10 & ho10\\
+% \hline
+% \multicolumn{4}{|c|}{Condensed Upright}
+% & \multicolumn{4}{c|}{Condensed Oblique}\\\hline
+% lc10 & c10 & & & lco10 & co10 & & \\
+% & & bc40 & & & & bco40 & \\
+% \hline
+% \multicolumn{4}{|c|}{Ultracondensed Upright}
+% & \multicolumn{4}{c|}{Ultracondensed Oblique}\\\hline
+% lq10 & & & & lqo10 & & & \\
+% \hline
+% \multicolumn{4}{|c|}{Script Upright}
+% & \multicolumn{4}{c|}{Script Oblique}\\\hline
+% lw10 & w10 & bw10 & hw10 & lwo10 & wo10 & bwo10 & hwo10\\\hline
+% \end{tabular}
+% \end{center}
+% \subsection{NFSS--Access To All Faces}\label{sec:accesstoallfaces}
+% The following tabular shows the NFSS--access for every Fetamont face.
+% \begin{center}
+% \begin{tabular}{lll}
+% MF-name & low level access & sample
+% \\\hline\hline
+% ffml10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{l}\selectfont Gauß}
+% \\
+% ffmr10, ffmr9, ffmr8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{m}\selectfont Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\
+% ffmb10, ffmb9, ffmb8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{b}\selectfont Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\
+% ffmh10, ffmh9, ffmh8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{eb}\selectfont Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\
+% ffmlo10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{l\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{l}\slshape Gauß}
+% \\
+% ffmo10, ffmo9, ffmo8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{m\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{m}\slshape Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\
+% ffmbo10, ffmbo9, ffmbo8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{b\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{b}\slshape Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\
+% ffmho10, ffmho9, ffmho8
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{eb\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{eb}\slshape Gauß \footnotesize{Gauß}
+% \tiny{Gauß}}
+% \\\hline
+% ffmlc10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{lc}\selectfont Gauß}
+% \\
+% ffmc10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{c}\selectfont Gauß}
+% \\
+% ffmbc40
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{bc}\selectfont Gauß}
+% \\
+% ffmlco10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lc\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{lc}\slshape Gauß}
+% \\
+% ffmco10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{c\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{c}\slshape Gauß}
+% \\
+% ffmbco40
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{bc\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{bc}\slshape Gauß}
+% \\\hline
+% ffmlq10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\}
+% \textbackslash selectfont}
+% &
+% {\ffmfamily\fontseries{lec}\selectfont Gauß}
+% \\
+% ffmlqo10
+% &
+% \textttc{\textbackslash ffmfamily\textbackslash fontseries\{lec\}
+% \textbackslash slshape}
+% &
+% {\ffmfamily\fontseries{lec}\slshape Gauß}
+% \\\hline
+% ffmlw10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\}
+% \textbackslash selectfont}
+% &
+% {\ffmwfamily\fontseries{l}\selectfont Gauß}
+% \\
+% ffmw10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\}
+% \textbackslash selectfont}
+% &
+% {\ffmwfamily\fontseries{m}\selectfont Gauß}
+% \\
+% ffmbw10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\}
+% \textbackslash selectfont}
+% &
+% {\ffmwfamily\fontseries{b}\selectfont Gauß}
+% \\
+% ffmhw10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\}
+% \textbackslash selectfont}
+% &
+% {\ffmwfamily\fontseries{eb}\selectfont Gauß}
+% \\
+% ffmlwo10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{l\}
+% \textbackslash slshape}
+% &
+% {\ffmwfamily\fontseries{l}\slshape Gauß}
+% \\
+% ffmwo10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{m\}
+% \textbackslash slshape}
+% &
+% {\ffmwfamily\fontseries{m}\slshape Gauß}
+% \\
+% ffmbwo10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{b\}
+% \textbackslash slshape}
+% &
+% {\ffmwfamily\fontseries{b}\slshape Gauß}
+% \\
+% ffmhwo10
+% &
+% \textttc{\textbackslash ffmwfamily\textbackslash fontseries\{eb\}
+% \textbackslash slshape}
+% &
+% {\ffmwfamily\fontseries{eb}\slshape Gauß}
+% \\
+% \end{tabular}
+% \end{center}
+%
+% \StopEventually{\PrintIndex}
+%
+% \section{Package Implementation}
+%
+% \subsection{The font definition files}
+%
+% As the \emph{T1} encoding is used for the \emph{f}ree typeface
+% \emph{f}eta\emph{m}ont, the font definition file is named |T1ffm.fd|.
+% This is the default font family of Fetamont. Additionally, there is
+% also a script font family (|T1ffmw.fd|).
+%
+% The italic faces are always silently substituted by oblique faces.
+%
+% \begin{macrocode}
+%<*T1ffm>
+\DeclareFontFamily{T1}{ffm}{}
+% \end{macrocode}
+%
+% Light faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{l}{n}{<-> ffml10}{}
+\DeclareFontShape{T1}{ffm}{l}{sl}{<-> ffmlo10}{}
+\DeclareFontShape{T1}{ffm}{l}{it}{<-> ssub * ffm/l/sl}{}
+% \end{macrocode}
+%
+% Regular/medium faces (three different optical sizes):
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{m}{n}{
+ <-8> ffmr8
+ <9> ffmr9
+ <10-> ffmr10
+}{}
+\DeclareFontShape{T1}{ffm}{m}{sl}{
+ <-8> ffmo8
+ <9> ffmo9
+ <10-> ffmo10
+}{}
+\DeclareFontShape{T1}{ffm}{m}{it}{
+ <-> ssub * ffm/m/sl
+}{}
+% \end{macrocode}
+%
+% Bold faces (three different optical sizes, bold extended faces
+% are silently substituted):
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{b}{n}{
+ <-8> ffmb8
+ <9> ffmb9
+ <10-> ffmb10
+}{}
+\DeclareFontShape{T1}{ffm}{b}{sl}{
+ <-8> ffmbo8
+ <9> ffmbo9
+ <10-> ffmbo10
+}{}
+\DeclareFontShape{T1}{ffm}{b}{it}{
+ <-> ssub * ffm/b/sl
+}{}
+\DeclareFontShape{T1}{ffm}{bx}{n}{
+ <-> ssub * ffm/b/n
+}{}
+\DeclareFontShape{T1}{ffm}{bx}{sl}{
+ <-> ssub * ffm/b/sl
+}{}
+\DeclareFontShape{T1}{ffm}{bx}{it}{
+ <-> ssub * ffm/b/sl
+}{}
+% \end{macrocode}
+%
+% Heavy/extra bold faces (three different optical sizes):
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{eb}{n}{
+ <-8> ffmh8
+ <9> ffmh9
+ <10-> ffmh10
+}{}
+\DeclareFontShape{T1}{ffm}{eb}{sl}{
+ <-8> ffmho8
+ <9> ffmho9
+ <10-> ffmho10
+}{}
+\DeclareFontShape{T1}{ffm}{eb}{it}{
+ <-> ssub * ffm/h/sl
+}{}
+% \end{macrocode}
+%
+% Light condensed faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{lc}{n}{<-> ffmlc10}{}
+\DeclareFontShape{T1}{ffm}{lc}{sl}{<-> ffmlco10}{}
+\DeclareFontShape{T1}{ffm}{lc}{it}{<-> ssub * ffm/lc/sl}{}
+% \end{macrocode}
+%
+% Condensed faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{c}{n}{<-> ffmc10}{}
+\DeclareFontShape{T1}{ffm}{c}{sl}{<-> ffmco10}{}
+\DeclareFontShape{T1}{ffm}{c}{it}{<-> ssub * ffm/c/sl}{}
+% \end{macrocode}
+%
+% Bold condensed faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{bc}{n}{<-> ffmbc40}{}
+\DeclareFontShape{T1}{ffm}{bc}{sl}{<-> ffmbco40}{}
+\DeclareFontShape{T1}{ffm}{bc}{it}{<-> ssub * ffm/bc/sl}{}
+% \end{macrocode}
+%
+% Light ultra condensed faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffm}{lec}{n}{<-> ffmlq10}{}
+\DeclareFontShape{T1}{ffm}{lec}{sl}{<-> ffmlqo10}{}
+\DeclareFontShape{T1}{ffm}{lec}{it}{<-> ssub * ffm/lec/sl}{}
+%</T1ffm>
+% \end{macrocode}
+%
+% The script faces need an own family for a proper NFSS--access:
+%
+% \begin{macrocode}
+%<*T1ffmw>
+\DeclareFontFamily{T1}{ffmw}{}
+% \end{macrocode}
+%
+% Light faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffmw}{l}{n}{<-> ffmlw10}{}
+\DeclareFontShape{T1}{ffmw}{l}{sl}{<-> ffmlwo10}{}
+\DeclareFontShape{T1}{ffmw}{l}{it}{<-> ssub * ffmw/l/sl}{}
+% \end{macrocode}
+%
+% Medium/regular faces:
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffmw}{m}{n}{
+ <-> ffmw10
+}{}
+\DeclareFontShape{T1}{ffmw}{m}{sl}{
+ <-> ffmwo10
+}{}
+\DeclareFontShape{T1}{ffmw}{m}{it}{
+ <-> ssub * ffmw/m/sl
+}{}
+% \end{macrocode}
+%
+% Bold faces (bold extended faces are silently substituted):
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffmw}{b}{n}{
+ <-> ffmbw10
+}{}
+\DeclareFontShape{T1}{ffmw}{b}{sl}{
+ <-> ffmbwo10
+}{}
+\DeclareFontShape{T1}{ffmw}{b}{it}{
+ <-> ssub * ffmw/b/sl
+}{}
+\DeclareFontShape{T1}{ffmw}{bx}{n}{
+ <-> ssub * ffmw/b/n
+}{}
+\DeclareFontShape{T1}{ffmw}{bx}{sl}{
+ <-> ssub * ffmw/b/sl
+}{}
+\DeclareFontShape{T1}{ffmw}{bx}{it}{
+ <-> ssub * ffmw/b/sl
+}{}
+% \end{macrocode}
+%
+% Heavy/extra bold faces (three different optical sizes):
+%
+% \begin{macrocode}
+\DeclareFontShape{T1}{ffmw}{eb}{n}{
+ <-> ffmhw10
+}{}
+\DeclareFontShape{T1}{ffmw}{eb}{sl}{
+ <-> ffmhwo10
+}{}
+\DeclareFontShape{T1}{ffmw}{eb}{it}{
+ <-> ssub * ffmw/h/sl
+}{}
+%</T1ffmw>
+% \end{macrocode}
+%
+% \subsection{The style file: \texttt{fetamont.sty}}
+%
+% The following macros are adapted from the |mflogo| package
+% by \cite{vieth99}.
+%
+% \begin{macro}{\ffmfamily}
+% This is the declarative font changing command for the ``normal''
+% font family.
+% \begin{macrocode}
+%<*package>
+\DeclareRobustCommand\ffmfamily{%
+ \not@math@alphabet\ffmfamily\relax
+ \fontencoding{T1}\fontfamily{ffm}\selectfont}
+% \end{macrocode}
+% \end{macro}
+%
+% \begin{macro}{\ffmwfamily}
+% This is the declarative font changing command for the script font
+% family.
+% \begin{macrocode}
+\DeclareRobustCommand\ffmwfamily{%
+ \not@math@alphabet\ffmwfamily\relax
+ \fontencoding{T1}\fontfamily{ffmw}\selectfont}
+% \end{macrocode}
+% \end{macro}
+%
+% \begin{macro}{\textffm}
+% This is basically the same as |\ffmfamily| but takes one argument.
+% \begin{macrocode}
+\DeclareTextFontCommand{\textffm}{\ffmfamily}
+% \end{macrocode}
+% \end{macro}
+%
+% \begin{macro}{\textffmw}
+% This is basically the same as |\ffmwfamily| but takes one argument.
+% \begin{macrocode}
+\DeclareTextFontCommand{\textffmw}{\ffmwfamily}
+% \end{macrocode}
+% \end{macro}
+%
+% \begin{macro}{\MF}
+% \begin{macro}{\MP}
+% \begin{macro}{\MT}
+% These are the definitions of the \MF, \MP{} and \MT{} logos.
+% \begin{macrocode}
+\def\MF{\textffm{META}\@dischyph\textffm{FONT}\@}
+\def\MP{\textffm{META}\@dischyph\textffm{POST}\@}
+\def\MT{\textffm{META}\@dischyph\textffm{TYPE1}\@}
+%</package>
+% \end{macrocode}
+% \end{macro}
+% \end{macro}
+% \end{macro}
+%
+% \PrintChanges
+%
+% \begin{thebibliography}{Romer17}
+% \bibitem[Romer17]{romer17}
+% Linus Romer.
+% \emph{The Fetamont Typeface}.
+% 2017
+% \bibitem[Vieth99]{vieth99}
+% Ulrik Vieth.
+% \emph{The |mflogo| package}.
+% \url{mirrors.ctan.org/macros/latex/contrib/mflogo/mflogo.pdf}, 1999
+% \end{thebibliography}
+%
+% \PrintIndex
+%
+% \Finale
+\endinput