path: root/Master/texmf-dist/source/fonts/auncial-new/aunclmfb.dtx

% \iffalse meta-comment
%
% aunclmfb.dtx
%
%  Author: Peter Wilson (Herries Press) herries dot press at earthlink dot net
%  Copyright 1999--2005 Peter R. Wilson
%
%  This work may be distributed and/or modified under the
%  conditions of the Latex Project Public License, either
%  version 1.3 of this license or (at your option) any
%  later version.
%  The latest version of the license is in
%    http://www.latex-project.org/lppl.txt
%  and version 1.3 or later is part of all distributions of
%  LaTeX version 2003/06/01 or later.
%
%  This work has the LPPL maintenance status "author-maintained".
%
%  This work consists of the files listed in the README file.
%
% If you do not have the docmfp package (available from CTAN in
% tex-archive/macros/latex/contrib/supported), comment out the
% \usepackage{docmfp} line below and uncomment the line following it. 
%
%<*driver>
\documentclass[twoside]{ltxdoc}
\usepackage{docmfp}
%%%%%% \providecommand{\DescribeVariable}[1]{} \newenvironment{routine}[1]{}{}
\usepackage{url}
\usepackage[draft=false,
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            pdfpagelabels,
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\providecommand{\phantomsection}{}
\OnlyDescription %% comment this out for the full glory
\EnableCrossrefs
\CodelineIndex
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\begin{document}
  \raggedbottom
  \DocInput{aunclmfb.dtx}
\end{document}
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%
% \changes{v1.0}{1999/05/22}{First public release}
%
% \def\fileversion{v1.0} \def\filedate{1999/05/22}
% \newcommand*{\Lpack}[1]{\textsf {#1}}           ^^A typeset a package
% \newcommand*{\Lopt}[1]{\textsf {#1}}            ^^A typeset an option
% \newcommand*{\file}[1]{\texttt {#1}}            ^^A typeset a file
% \newcommand*{\Lcount}[1]{\textsl {\small#1}}    ^^A typeset a counter
% \newcommand*{\pstyle}[1]{\textsl {#1}}          ^^A typeset a pagestyle
% \newcommand*{\Lenv}[1]{\texttt {#1}}            ^^A typeset an environment
% \newcommand*{\AD}{\textsc{ad}}
% \newcommand*{\thisfont}{Artificial Uncial}
%
% \title{\Lpack{Artificial Uncial}: MetaFont base code\thanks{This
%        file has version number \fileversion, last revised
%        \filedate.}}
%
% \author{%
% Peter Wilson\footnote{\texttt{herries dot press at earthlink dot net}}\\
% Herries Press }
% \date{\filedate}
% \maketitle
% \begin{abstract}
%    The \Lpack{auncial} bundle provides a PostScript Type1 set of 
% \thisfont{} bookhands 
% as used
% for manuscripts in the 6th to the 10th century. This is one in a series
% of manuscript fonts.
%
%    This document contains the MetaFont base code.
% \end{abstract}
% \tableofcontents
% \listoftables
%
% 
%
% \section{Introduction}
%
%    The \Lpack{auncial} bundle provides a PostScript Type1 version of a 
% Metafont~\cite{METAFONT} rendition 
% of the \thisfont{} manuscript book-hand that was in use between about the
% sixth and tenth centuries~\AD. It is part of a project to provide fonts
% covering the major manuscript hands between the first century~\AD{} and
% the invention of printing. 

% this document contains the MetaFont base code for the font.
%
% This manual is typeset according to the conventions of the
% \LaTeX{} \textsc{docstrip} utility which enables the automatic
% extraction of the \LaTeX{} macro source files~\cite{GOOSSENS94}.
% The \Lpack{docmfp} package is used for documenting the MetaFont portions
% of the distribution~\cite{DOCMFP}.
%
%
% \section{The Metafont code} \label{sec:mf}
%
%
%    As previously noted, this work is part of a larger project to provide
% fonts covering the main manuscript book-hands. As such, one of the
% aims is to produce a coordinated set of fonts, especially as multiple
% hands might be used in a single document. 
%
%    Noting that the hands tend to be somewhat larger than the typical 10pt
% size (where the x-height is approximately 1.5mm) used for modern books, 
% I have also designed the fonts
% at a larger than normal size, then applied some non-linear factors when reducing
% them down to a 10pt size.
%    Further, I have used the height of the Carolingian minuscule as a 
% normalising factor when deciding on the absolute height of any particular
% script. The x-height of the Carolingian font is made equal to the
% x-height of the Computer Modern Roman (CMR) font.
%
%    Modern fonts are effectively drawn. That is, the outline of the letter is
% drawn carefully and the center is filled with ink. This is shown to good
% effect in the Metafont code for the Computer Modern fonts~\cite{CM}.
% In contrast, the manuscript letters were inked by single pen strokes in
% a calligraphic manner. I have tried to repeat this calligraphic style
% in the Metafont code.
%
%    As much as possible I have tried to use parameter values from the
% Computer Modern Roman (CMR) fonts in order to reduce possible
% infelicities if the CM and manuscript fonts are used together. However,
% few of the CMR parameters are applicable to the calligraphic style.
%
%
% \StopEventually{
% \bibliographystyle{alpha}
% \renewcommand{\refname}{Bibliography}
% \begin{thebibliography}{GMS94}
% \addcontentsline{toc}{section}{\refname}
%
% \bibitem[And69]{ANDERSON69}
% Donald M.~Anderson.
% \newblock \emph{The Art of Written Forms: The Theory and Practice of Calligraphy}.
% \newblock Holt, Rinehart and Winston, 1969.
%
% \bibitem[Bol95]{BOLOGNA95}
% Giulia Bologna.
% \newblock \emph{Illuminated Manuscripts: The Book before Gutenberg}.
% \newblock Crescent Books, 1995.
%
% \bibitem[Day95]{DAY95}
% Lewis F.~Day.
% \newblock \emph{Alphabets Old \& New}.
% \newblock (3rd edition originally published by B.~T.~Batsford, 1910) 
% \newblock Senate, 1995.
%
% \bibitem[Dro80]{DROGIN80}
% Marc Drogin.
% \newblock \emph{Medieval Calligraphy: Its History and Technique}.
% \newblock Allenheld, Osmun \& Co., 1980.
%
% \bibitem[Dru95]{DRUCKER95}
% Johanna Drucker.
% \newblock \emph{The Alphabetic Labyrinth}.
% \newblock Thames \& Hudson, 1995.
%
% \bibitem[Fir93]{FIRMAGE93}
% Richard A.~Firmage.
% \newblock \emph{The Alphabet Abecedarium}.
% \newblock David R~Goodine, 1993.
%
% \bibitem[Fli98]{LETTRINE}
% Daniel Flipo.
% \newblock \emph{The LETTRINE package}.
% \newblock (Available from CTAN in \texttt{macros/latex/contrib/supported}). 
% \newblock 1998.
%
% \bibitem[Har95]{HARRIS95}
% David Harris.
% \newblock \emph{The Art of Calligraphy}.
% \newblock DK Publishing, 1995.
%
% \bibitem[Jen95]{BETON}
% Frank Jensen.
% \newblock \emph{The BETON package}.
% \newblock (Available from CTAN in \texttt{macros/latex/contrib/supported}). 
% \newblock 1995.
%
% \bibitem[Joh71]{JOHNSTON75}
% Edward Johnston (ed. Heather Child).
% \newblock \emph{Formal Penship and Other Papers}.
% \newblock Penthalic, 1971.
%
% \bibitem[Knu87]{CM}
% Donald E.~Knuth.
% \newblock \emph{Computer Modern Typefaces}.
% \newblock Addison-Wesley, 1987.
%
% \bibitem[Knu92]{METAFONT}
% Donald E.~Knuth.
% \newblock \emph{The METAFONTbook}.
% \newblock Addison-Wesley, 1992.
%
% \bibitem[GMS94]{GOOSSENS94}
% Michel Goossens, Frank Mittelbach, and Alexander Samarin.
% \newblock \emph{The LaTeX Companion}.
% \newblock Addison-Wesley Publishing Company, 1994.
%
% \bibitem[Tho75]{THOMAS75}
% Alan G.~Thomas.
% \newblock \emph{Great Books and Book Collectors}.
% \newblock Weidenfield and Nichoson, 1975.
%
% \bibitem[Wil99]{DOCMFP}
% Peter R.~Wilson.
% \newblock \emph{The DOCMFP Package}.
% \newblock (Available from CTAN in \texttt{macros/latex/contrib/supported}). 
% \newblock 1999.
%
% \bibitem[Wil99b]{ROMANNUM}
% Peter R.~Wilson.
% \newblock \emph{The ROMANNUM Package}.
% \newblock (Available from CTAN in \texttt{macros/latex/contrib/supported}). 
% \newblock 1999.
%
% \end{thebibliography}
% \PrintIndex
% }
%
%
% \section{The base parameter file}
%
%    We deal with the parameter files first, and start by announcing
% what they are for. The \thisfont{} font comes in three sizes and also as a normal
% and a bold font.
%    \begin{macrocode}
%<*base7|base10|base17|base7b|base10b|base17b>
%<base7>%%% AUNCL7.MF    Artificial Uncial at 7 point design size.
%<base10>%%% AUNCL10.MF  Artificial Uncial at 10 point design size.
%<base17>%%% AUNCL17.MF  Artificial Uncial at 17 point design size.
%<base7b>%%% AUNCLB7.MF    Artificial Uncial Bold at 7 point design size.
%<base10b>%%% AUNCLB10.MF  Artificial Uncial Bold at 10 point design size.
%<base17b>%%% AUNCLB17.MF  Artificial Uncial Bold at 17 point design size.
%
%    \end{macrocode}
%    Parameters from CMR are used as much as possible. We also
% make sure that \Lpack{cmbase} is loaded as well as plain Metafont.
%    \begin{macrocode}
if unknown cmbase: input cmbase fi

%<base7>font_identifier:="AUNCL"; font_size 7pt#;
%<base10>font_identifier:="AUNCL"; font_size 10pt#;
%<base17>font_identifier:="AUNCL"; font_size 17.28pt#;
%<base7b>font_identifier:="AUNCLB"; font_size 7pt#;
%<base10b>font_identifier:="AUNCLB"; font_size 10pt#;
%<base17b>font_identifier:="AUNCLB"; font_size 17.28pt#;

%    \end{macrocode}
%
% \DescribeVariable{jutstretch}
%    The CMR scaling for lowercase serifs wrt 17pt size.
%    \begin{macrocode}
%<base7|base7b> jutstretch:=1.19; 
%<base10|base10b> jutstretch:=1.152; 
%<base17|base17b> jutstretch:=1.0;
%    \end{macrocode}
%
% \DescribeVariable{stemstretch}
%    The CMR scaling for lowercase stem widths wrt 17pt size.
%    \begin{macrocode}
%<base7|base7b> stemstretch:=1.50;
%<base10|base10b> stemstretch:=1.31;
%<base17|base17b> stemstretch:=1.0;
%    \end{macrocode}
%
% \DescribeVariable{caprat}
%    The scaling for `capitals' wrt `lowercase'. This is pretty much a guess.
%    \begin{macrocode}
 caprat:=1.25;          % ratio of capital height to minuscule height
%    \end{macrocode}
%
% \DescribeVariable{cap_jutstretch}
%    The CMR scaling for uppercase serifs wrt 17pt size.
%    \begin{macrocode}
%<base7|base7b> cap_jutstretch:=1.3;   
%<base10|base10b> cap_jutstretch:=1.2;   
%<base17|base17b> cap_jutstretch:=1.0;   
%    \end{macrocode}
%
% \DescribeVariable{cap_stemstretch}
%    The CMR scaling for uppercase stem width wrt 17pt size.
%    \begin{macrocode}
%<base7|base7b> cap_stemstretch:=1.45;  
%<base10|base10b> cap_stemstretch:=1.31;  
%<base17|base17b> cap_stemstretch:=1.0;  
%    \end{macrocode}
%
% \DescribeVariable{bfudge}
%    Letter width scaling for bold font wrt normal font.
%    \begin{macrocode}
%<base7|base10|base17> bfudge:=1.0;
%<base7b|base10b|base17b> bfudge:=1.2;
%    \end{macrocode}
%
% \DescribeVariable{szfudge}
%    Width scaling wrt 17pt letter width.
%    \begin{macrocode}
%<base7|base7b> szfudge:=1.18; 
%<base10|base10b> szfudge:=1.0; 
%<base17|base17b> szfudge:=1.0; 
%    \end{macrocode}
%
% \DescribeVariable{hstretch}
%    Horizontal stretching factor wrt 17pt size letter width.
%    \begin{macrocode}
 hstretch:=szfudge*bfudge;
%    \end{macrocode}
%
% \DescribeVariable{carol_height}
%    The x-height of the Carolingian minuscule font.
%    \begin{macrocode}
%<base7|base7b> carol_height#:=108.5/36pt#; 
%<base10|base10b> carol_height#:=155/36pt#; 
%<base17|base17b> carol_height#:=268/36pt#; 
%    \end{macrocode}
%
% \DescribeVariable{vstretch}
%    The height of this font wrt the Carolingian font.
%    \begin{macrocode}
 vstretch:=1.4;   

%    \end{macrocode}
%
% \DescribeVariable{x_height} 
%    The x-height of lower case letters. Scaled from the Carolingian font.
%    \begin{macrocode}
 x_height#:=vstretch*carol_height#; 
%    \end{macrocode}
%
% \DescribeVariable{u}
%    The unit width. The CMR values are used.
%    \begin{macrocode}
%<base7> u#:=15.5/36pt#;  
%<base10> u#:=20/36pt#;  
%<base17> u#:=32.5/36pt#;  
%<base7b> u#:=17.9/36pt#;  
%<base10b> u#:=23/36pt#;  
%<base17b> u#:=37/36pt#;  
%    \end{macrocode}
%
% \DescribeVariable{width_adj}
% \DescribeVariable{serif_fit}
% \DescribeVariable{cap_serif_fit}
% \DescribeVariable{letter_fit}
%    The majority of these parameters and values are constant.
% They are for fine adjustements of characters. The CM values are used.
%    \begin{macrocode}
 width_adj#:=0pt#;         % width adjustment for certain characters
 serif_fit#:=0pt#;         % extra sidebar near lowercase serifs
%<base7|base7b> cap_serif_fit#:=3.5/36pt#;  % extra sidebar near uppercase serifs
%<base10|base10b> cap_serif_fit#:=5/36pt#;  % extra sidebar near uppercase serifs
%<base17|base17b> cap_serif_fit#:=8/36pt#;  % extra sidebar near uppercase serifs
%<base7|base7b> letter_fit#:=0pt#;        % extra space added to all sidebars
%<base10|base10b> letter_fit#:=0pt#;        % extra space added to all sidebars
%<base17|base17b> letter_fit#:=-0.1pt#;        % extra space added to all sidebars

%    \end{macrocode}
%
% \DescribeVariable{cap_height} 
%    The height of capital letters.
%    \begin{macrocode}
%<base7|base7b> cap_height#:=172.2/36pt#;        % height of caps
%<base10|base10b> cap_height#:=246/36pt#;        % height of caps
%<base17|base17b> cap_height#:=425/36pt#;        % height of caps
%    \end{macrocode}
%
% \DescribeVariable{thickfudge}
%    The reciprocal of the font height in nib widths. Normal font height
% is 5 nib widths and the bold font height is 3.5 nib widths.
%    \begin{macrocode}
%<base7|base10|base17> thickfudge:=1/5;     
%<base7b|base10b|base17b> thickfudge:=1/3.5;     
%    \end{macrocode}
%
% \DescribeVariable{thinfudge}
%    The nib sharpness.
%    \begin{macrocode}
thinfudge:=1/6;      
%    \end{macrocode}
%
% \DescribeVariable{thick}
%    The maximum nib width. 
% That is, the width of the thickest line that can be penned.
%    \begin{macrocode}
thick#:=stemstretch*thickfudge*x_height#;    % max pen breadth
%    \end{macrocode}
%
% \DescribeVariable{thin}
%    The nib thinness. 
% That is, the width of the thinnest line that can be penned.
%    \begin{macrocode}
thin#:=thinfudge*thick#;  
%    \end{macrocode}
%
% \DescribeVariable{pangle}
%  The pen angle (in degrees).
%    \begin{macrocode} 
pangle:=10;                  % pen angle
%    \end{macrocode}
%
% \DescribeVariable{asc_height} 
%    The height of lower case ascenders.
%    \begin{macrocode}
  asc_height#:=4/3x_height#;
%    \end{macrocode}
%
% \DescribeVariable{desc_depth} 
%    The depth of lower case descenders.
%    \begin{macrocode}
  desc_depth#:=2/3x_height#;
%    \end{macrocode}
%
% \DescribeVariable{fig_height} 
%    The height of numerals. Make these midway between normal and capital
% letters.
%    \begin{macrocode}
  fig_height#:=(0.5[1,caprat])*x_height#;
%    \end{macrocode}
%
% \DescribeVariable{fig_width} 
%    The width of numerals. All numerals are the same width (roughly, an `o').
%    \begin{macrocode}
  fig_width#:=hstretch*(x_height#);
%    \end{macrocode}
%
% \DescribeVariable{body_height} 
%    The height of the tallest character.
%    \begin{macrocode}
 body_height#:=caprat*asc_height#;    
%    \end{macrocode}
%
% \DescribeVariable{body_depth} 
%    The depth of the lowest character.
%    \begin{macrocode}
 body_depth#:=caprat*desc_depth#;    
%    \end{macrocode}
%
% \DescribeVariable{half_height} 
%    Half the normal letter height.
%    \begin{macrocode}
 half_height#:=1/2x_height#;    % half the height of x height letters

%    \end{macrocode}
%
% \DescribeVariable{side}
%    We might be using a square for the character design.
%    \begin{macrocode}
side#:=x_height#;     
%    \end{macrocode}
%
% \DescribeVariable{rule_thickness}
%    Thickness of rules (in math symbols). The CMR values are used.
%    \begin{macrocode}
%<base7|base7b> rule_thickness#:=.34pt#; 
%<base10|base10b> rule_thickness#:=.4pt#; 
%<base17|base17b> rule_thickness#:=.6pt#; 

%    \end{macrocode}
%
% \DescribeVariable{jutfudge}
%    Controls the protrusion of serifs.
%    \begin{macrocode}
jutfudge:= 3/4;
%    \end{macrocode}
%
% \DescribeVariable{jut} 
%    The lowercase serif protrusion.
%    \begin{macrocode}
jut#:=jutstretch*jutfudge*thick#; 
%    \end{macrocode}
%
% \DescribeVariable{srad}
%    |srad| with |0 < srad < 1| controls the serif radius.
%    \begin{macrocode}
srad:=0.5;   
%    \end{macrocode}
%
% \DescribeVariable{o}
%    Amount of overshoot for curves (as in an `o'). Use CMR values.
%    \begin{macrocode} 
%<base7|base7b> o#:=5/36pt#;   
%<base10|base10b> o#:=8/36pt#;   
%<base17|base17b> o#:=10/36pt#;   

%    \end{macrocode}
%
% \DescribeVariable{slant}
% |slant| is the amount the font slopes to the right. 
%    \begin{macrocode}
slant:=0;      % tilt ratio $(\Delta x/\Delta y)$

%    \end{macrocode}
% 
% \DescribeVariable{monospace} 
%    We are generating a variable-width font.
%    \begin{macrocode}
monospace:=false;    % should all characters have the same width?

%    \end{macrocode}
%
% \DescribeVariable{dot_size}
%    The size of (punctuation) dots.
%    \begin{macrocode}
dot_size#:=5thin#;   % size of dots
%    \end{macrocode}
%
% \DescribeVariable{comma_width}
%    The horizontal width of a comma.
%    \begin{macrocode}
comma_width#:=2.5dot_size#; 

%    \end{macrocode}
%
% \DescribeVariable{accent_ysize}
% \DescribeVariable{accent_thickness}
%  |accent_ysize| is the height/depth of an accent and |accent_thickness| is
% the width of the pen for drawing accents.
%    \begin{macrocode}
accent_ysize#:=3/2thick#;
accent_thickness#:=4/16[thin#,thick#];
%    \end{macrocode}
%
% \DescribeVariable{accent_gap}
% |accent_gap| is the space between the top of a character and the bottom
% of a (top) accent.
%    \begin{macrocode}
accent_gap#:=1/2accent_ysize#;

%    \end{macrocode}
%
%
%
% \DescribeVariable{accent_angle}
% \DescribeVariable{sin_accent_angle}
% \DescribeVariable{cos_accent_angle}
% The angle that an accent makes with the horizontal, with its sin and cosine.
%    \begin{macrocode}
accent_angle:=45;
sin_accent_angle:= sind(accent_angle);
cos_accent_angle:= cosd(accent_angle);

%    \end{macrocode}
%
%    Finally, call the driver file for the font.
%    \begin{macrocode} 
generate auncltitle      %% switch to the driver file

%    \end{macrocode}
%
%    The end of this code section.
%    \begin{macrocode}
%</base7|base10|base17|base7b|base10b|base17b>
%    \end{macrocode}
%
% \Finale
%
\endinput

%% \CharacterTable
%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
%%   Digits        \0\1\2\3\4\5\6\7\8\9
%%   Exclamation   \!     Double quote  \"     Hash (number) \#
%%   Dollar        \$     Percent       \%     Ampersand     \&
%%   Acute accent  \'     Left paren    \(     Right paren   \)
%%   Asterisk      \*     Plus          \+     Comma         \,
%%   Minus         \-     Point         \.     Solidus       \/
%%   Colon         \:     Semicolon     \;     Less than     \<
%%   Equals        \=     Greater than  \>     Question mark \?
%%   Commercial at \@     Left bracket  \[     Backslash     \\
%%   Right bracket \]     Circumflex    \^     Underscore    \_
%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
%%   Right brace   \}     Tilde         \~}