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+% This is part of the book TeX for the Impatient.
+% Copyright (C) 2003 Paul W. Abrahams, Kathryn A. Hargreaves, Karl Berry.
+% See file fdl.tex for copying conditions.
+
+\input macros
+\chapter{Using \TeX}
+
+\chapterdef{usingtex}
+
+% Avoid underfull box complaint about the empty paragraph
+% that precedes the first section heading.
+%
+\def\par{{\parfillskip = 0pt plus 1fil\endgraf}\let\par=\endgraf}
+\vglue-\abovesectionskip % we've skipped enough already
+\vskip0pt % Make \combineskips work.
+
+\section Turning input into ink
+
+\subsection Programs and files you need
+
+In order to produce a \TeX\ document, you'll need to run the \TeX\
+program and several related programs as well. You'll also need
+supporting files for \TeX\ and possibly for these other programs. In
+this book we can tell you about \TeX, but we can't tell you about the
+other programs and the supporting files except in very general terms
+because they depend on your local \TeX\ environment. The people who
+provide you with \TeX\ should be able to supply you with what we call
+\emph{local information}.
+\pix^^{local information}
+The local information tells you how to
+start up \TeX, how to use the related programs, and how to gain access
+to the supporting files.
+
+Input to \TeX\ consists of a file of ordinary text that you can prepare
+with a ^{text editor}. A \TeX\ input file, unlike an input file for a
+typical word processor, doesn't ordinarily contain any invisible
+^{control characters}.
+Everything that \TeX\ sees is visible to you too if you
+look at a listing of the file.
+
+Your input file may turn out to be little more than a skeleton that
+calls for other input files. \TeX\ users often organize large documents
+such as books this way. You can use the ^|\input| command (\xref\input)
+to embed one input file within another. In particular, you can use
+|\input| to incorporate files containing \emph{macro definitions}---%
+^^{macros//in auxiliary files}
+auxiliary definitions that enhance \TeX's capabilities.
+If any macro files are available at your \TeX\ installation, the local
+information about \TeX\ should tell you how to get at the macro files
+and what they can do for you. The standard form of \TeX,
+the one described in this book, incorporates a
+collection of macros and other definitions known as ^{\plainTeX}
+(\xref{\plainTeX}).
+
+When \TeX\ processes your document, it produces a file called the
+^{\dvifile}. The abbreviation ``|dvi|'' stands for ``device
+independent''. The abbreviation was chosen because the information in
+the \dvifile\ is independent of the device that you use to print or
+display your document.
+
+To print your document or view it with a \emph{previewer},
+^^{previewer}
+you need to process the ^{\dvifile} with
+a \emph{device driver\/} program.
+^^{device drivers}
+(A previewer is a program that
+enables you to see on a screen some approximation of what the typeset
+output will look like.)
+Different output devices usually
+require different device drivers.
+After running the device driver,
+you may also need to transfer the output of the device driver to the
+printer or other output device.
+^^{printers} ^^{output devices}
+The local information about \TeX\ should tell
+you how to get the correct device driver and use it.
+
+Since \TeX\ has no built-in knowledge of particular fonts, it uses
+\emph{font files}
+^^{font files}
+to obtain information about the fonts used in your
+document. The font files should also be part of your local \TeX\
+environment. Each font normally requires two files: one containing the
+dimensions of the characters in the font (the \emph{metrics file})
+^^{metrics file}
+and one containing the shapes of the characters (the \emph{shape file}).
+^^{shape file}
+Magnified versions of a font share the metrics file but have
+different shape files. ^^{magnification} Metrics files are sometimes
+referred to as ^{\tfmfile}s, and the different varieties of shape files
+are sometimes referred to as ^{\pkfile}s, ^{\pxlfile}s, and ^{\gffile}s.
+These names correspond to the names of the files that \TeX\ and its
+companion programs use. For example, |cmr10.tfm| is the metrics file
+for the |cmr10| font (10-point Computer Modern Roman).
+
+\TeX\ itself uses only the metrics file, since it doesn't care what the
+characters look like but only how much space they occupy. The device
+driver ordinarily uses the shape file, since it's responsible for
+creating the printed image of each typeset character. Some device
+drivers need to use the metrics file as well. Some device drivers can
+utilize fonts that are resident in a printer and don't need shape files
+for those fonts.
+\secondprinting{\vfill\eject}
+
+
+\subsection Running {\TeX}
+
+\bix^^{running \TeX}
+You can run \TeX\ on an input file |screed.tex| by typing
+^^{input files}
+something like `|run tex|' or just `|tex|' (check your local information).
+\TeX\ will respond with something like:
+% 4/23/90 is Shakespeare's 426th birthday, and Karl's 26th.
+\csdisplay
+This is TeX, Version 3.0 (preloaded format=plain 90.4.23)
+**
+|
+The ``preloaded format'' here refers to a predigested form of the
+^{\plainTeX} macros that come with \TeX.
+You can now type `|screed|' to get \TeX\ to process your file.
+When it's done, you'll see something like:
+\csdisplay
+(screed.tex [1] [2] [3] )
+Output written on screed.dvi (3 pages, 400 bytes).
+Transcript written on screed.log.
+|
+displayed on your terminal, or printed in the record of your
+run if you're not working at a terminal. Most of this output is
+self-explanatory.
+The numbers in brackets are page numbers that \TeX\ displays when it
+ships out each page of your document to the \dvifile.
+\TeX\ will usually assume an
+extension `|.tex|' to an input file name
+if the input file name you gave doesn't
+have an extension. For some forms of \TeX\ you may be able to
+invoke \TeX\ directly for an input file by typing:
+\csdisplay
+tex screed
+|
+or something like this.
+
+Instead of providing your \TeX\ input from a file, you can type it directly at
+your terminal. To do so, type `^|\relax|' instead of `|screed|' at the
+`|**|' prompt.
+\TeX\ will now prompt you with a `|*|' for each line of input and interpret
+each line of input as it sees it.
+To terminate the input, type a command such as `|\bye|' that tells \TeX\
+you're done.
+Direct input is sometimes a handy way of experimenting with \TeX.
+
+When your input file contains other embedded input files, the displayed
+information indicates when \TeX\ begins and ends processing each
+embedded file.
+^^{input files//embedded}
+\xrdef{infiles}
+\TeX\ displays a left parenthesis and the file name
+when it starts working on a file and displays the corresponding right
+parenthesis when it's done with the file.
+If you get any ^{error messages} in the displayed output, you can match
+them with a file by looking for the most recent unclosed left parenthesis.
+
+For a more complete explanation of how to run \TeX,
+see \knuth{Chapter~6} and your ^{local information}.
+\eix^^{running \TeX}
+
+
+\section Preparing an input file
+
+In this section we explain some of the conventions that you must follow in
+preparing input for \TeX\null. Some of the information given here also
+appears in the examples in \chapterref{examples} of this book.
+^^{input, preparing}
+
+\subsection Commands and control sequences
+
+\bix^^{commands}
+\bix^^{control sequences}
+Input to \TeX\ consists of a sequence of commands that tell \TeX\ how to
+typeset your document. Most characters act as commands of a particularly
+simple kind: ``typeset me''. The letter `|a|', for instance, is a
+command to typeset an `a'. But there's another kind of command---a
+\emph{control sequence}---that gives \TeX\ a more elaborate
+instruction. A control sequence ordinarily starts with a backslash
+(|\|), though you can change that convention if you need to.
+\xrdef{@backslash}
+For instance, the input:
+
+\csdisplay
+She plunged a dagger (\dag) into the villain's heart.
+|
+contains the control sequence |\dag|; it produces the typeset output:
+\display{%
+She plunged a dagger (\dag) into the villain's heart.
+}
+\noindent Everything in this example except for the |\dag| and the spaces
+acts like a ``typeset me'' command. We'll explain more about spaces
+on \xrefpg{spaces}.
+
+There are two kinds of control sequences: \emph{control words}
+^^{control words}
+and \emph{control symbols}:
+^^{control symbols}
+\ulist\compact
+\li A control word consists of a
+backslash followed by one or more letters, e.g., `|\dag|'.
+The first character that isn't a letter marks the end
+of the control word.
+\li A control symbol consists of a backslash followed by a single character
+that isn't a letter, e.g., `|\$|'.
+The character can be a space or even the end of a line (which is a perfectly
+legitimate character).
+\endulist
+\noindent
+A control word (but not a control symbol)
+absorbs any spaces or ends of line that follow it.
+^^{control sequences//absorbing spaces}
+If you don't want to lose a space after a control word,
+follow the control sequence with a ^{control space}
+(|\!visiblespace|) or with `|{}|'. Thus either:
+\csdisplay
+The wonders of \TeX\!visiblespace!.shall never cease!!
+|
+or:\hfil\
+\csdisplay
+The wonders of \TeX{} shall never cease!!
+|
+produces:
+\display{%
+The wonders of \TeX{} shall never cease!
+}
+\noindent rather than:
+\display{%
+The wonders of \TeX shall never cease!
+}
+\noindent
+which is what you'd get if you left out the `|\|\visiblespace'
+or the `|{}|'.
+
+Don't run a control word together with the text that follows it---\TeX\
+won't know where the control word ends. For instance, the |\c| control
+sequence places a cedilla accent on the character that follows it. The
+French word {\it gar\c con\/} must be typed as
+`|gar\c!visiblespace!.con|', not `|gar\ccon|'; if you write the latter,
+\TeX\ will complain about an undefined control sequence |\ccon|.
+
+A control symbol, on the other hand, doesn't absorb anything that
+follows it. Thus you must type `\$13.56' as `|\$13.56|', not
+`|\$!vs13.56|'; the latter form would produce `\hbox{\$ 13.56}'.
+However, those accenting commands that are named by control symbols are
+defined in such a way that they produce the effect of absorbing a
+following space. Thus, for example, you can type the French word {\it
+d\'eshabiller\/} either as `|d\'eshabiller|' or as
+`|d\'!visiblespace!.eshabiller|'.
+
+Every control sequence is also a command,
+but not the other way around.
+^^{commands//versus control sequences}
+^^{control sequences//versus commands}
+For instance, the letter `|N|'
+is a command, but it isn't a control sequence.
+In this book we ordinarily use ``command'' rather than
+``control sequence'' when either term would do.
+We use ``control sequence'' when we want to emphasize aspects of \TeX\
+syntax that don't apply to commands in general.
+
+\eix^^{control sequences}
+\eix^^{commands}
+
+
+\subsection Arguments
+
+\xrdef{arg1}
+Some commands need to be followed by one or more
+\emph{arguments} ^^{arguments}
+that help to determine what the command does.
+For instance, the |\vskip| command, which
+tells \TeX\ to skip down (or up) the page,
+expects an argument specifying how much space to skip. To skip
+down two inches, you would type `|\vskip 2in|', where |2in|
+is the argument of |\vskip|.
+
+Different commands expect different kinds of arguments. Many commands
+expect dimensions, such as the |2in| in the example above.
+Some commands, particularly those defined by macros,
+expect arguments that are either a single character or some
+text enclosed in braces.
+Yet others require that their arguments be enclosed in braces, i.e.,
+they don't accept single-character arguments.
+The description of each command in this book tells you what kinds of arguments,
+if any, the command expects.
+In some cases, required braces define a group (see \xref{bracegroup}).
+
+\secondprinting{\vfill\eject}
+
+
+\subsection Parameters
+
+\xrdef{introparms}
+Some commands are parameters (\xref{parameter}).
+^^{parameters//as commands}
+You can use a parameter in either of two ways:
+\olist
+\li You can use the value of a parameter
+as an argument to another command. For example, the command
+\hbox{|\vskip\parskip|}
+causes a vertical skip by the value of the |\parskip| (paragraph skip)
+glue parameter.
+\li You can change the value of the parameter by assigning
+something to it. For example, the assignment \hbox{|\hbadness=200|}
+causes the value of the |\hbadness| number parameter to be $200$.
+\endolist
+\noindent
+We also use the term ``parameter'' to refer to entities such as |\pageno|
+that are actually registers but behave just like parameters.
+^^{registers//parameters as}
+
+Some commands are names of tables. These commands are used like
+parameters, except that they require an additional argument that
+specifies a particular entry in the table. For example, |\catcode| names
+a table of category codes (\xref{category code}). Thus
+the command
+\hbox{|\catcode`~=13|} sets the category code of the `|~|'
+character to $13$.
+
+
+\subsection Spaces
+
+\xrdef{spaces}
+\bix^^{spaces}
+You can freely use extra spaces in your input. Under nearly all circumstances
+\TeX\ treats several spaces in a row as being equivalent to a
+single space. For instance, it doesn't matter whether you put one space
+or two spaces after a ^{period} in your input. Whichever you do, \TeX\
+performs its end-of-sentence maneuvers and leaves the appropriate
+(in most cases) amount of space after the period.
+\TeX\ also treats the end of an input line as equivalent to a space.
+Thus you can end your input lines wherever it's convenient---%
+\TeX\ makes input
+lines into
+paragraphs in the same way no matter where the line breaks are in your
+input.
+
+A blank line in your input marks the end of a paragraph.
+^^{paragraphs//ending}
+Several blank lines are equivalent to a single one.
+
+\TeX\ ignores input spaces within math formulas (see below). Thus you can
+include or omit spaces anywhere within a math formula---\TeX\ doesn't care.
+Even within a math formula, however,
+you must not run a control word together with a following letter.
+
+If you are defining your own macros, you need to be particularly careful about
+where you put ends of line in their definitions.
+It's all too easy to define a macro that produces an
+^{unwanted space} in addition to whatever else it's supposed to produce.
+We discuss this problem elsewhere since it's somewhat
+technical; see \xrefpg{unwantedspace}.
+
+A space or its equivalent between two words in your input doesn't simply turn
+into a space character in your output.
+A few of these input spaces turn into ends of lines
+in the output,
+since input lines generally don't correspond to output lines.
+The others turn into spaces of variable width called ``glue'' (\xref{glue}),
+which has a natural size (the size it ``wants to be'')
+but can stretch or shrink.
+When \TeX\ is typesetting a paragraph
+that is supposed to have an even right margin (the usual
+case), it adjusts the widths of the glue in each line
+to get the lines to end at the margin.
+(The last line of a paragraph is an exception, since it isn't ordinarily
+required to end at the right margin.)
+
+You can prevent an input space from turning into an end of line by using a
+^{tie} (^|~|).
+For example, you wouldn't want \TeX\ to put a line break between the
+`Fig.' and `8' of `Fig.~8'.
+By typing `|Fig.~8|' you can prevent such a line break.
+\eix^^{spaces}
+\needspace{2in}
+
+\subsection Comments
+
+\xrdef{comments}
+\pix\bix^^{comments}
+You can include comments in your \TeX\ input.
+When \TeX\ sees a comment it just passes over it, so
+what's in a comment doesn't affect your typeset document in any way.
+Comments are useful for
+providing extra information about what's in your input file.
+For example:
+\csdisplay
+% ========= Start of Section `Hedgehog' =========
+|
+
+{\indexchar % }%
+A comment starts with a percent sign (|%|) and extends to the end of the
+input line.
+\TeX\ ignores not just the comment but the end of the line as well, so
+comments have another very
+important use: connecting two lines so that the end of line
+^^{line breaks//deleting}
+between them is invisible to \TeX\ and doesn't generate
+an output space or an end of line.
+For instance, if you type:
+\csdisplay
+A fool with a spread%
+sheet is still a fool.
+|
+you'll get:
+\display{
+A fool with a spread%
+sheet is still a fool.
+}
+\eix^^{comments}
+
+
+\subsection Punctuation
+
+\null
+\xrdef{periodspacing}
+\TeX\ normally adds some extra space after what it thinks is a
+^{punctuation} mark at the end of a sentence,
+namely, `^|.|', `^|?|', or `|!!|' \indexchar !
+^^{period} ^^{question mark} ^^{exclamation point}
+followed by an input space.
+\TeX\ doesn't add
+the extra space if the punctuation mark follows
+a capital letter, though, because it assumes the capital
+letter to be an initial in someone's name.
+You can force the extra space where it wouldn't otherwise occur by
+typing something like:
+\csdisplay
+A computer from IBM\null?
+|
+The |\null| doesn't produce any output, but it does prevent \TeX\
+from associating the capital `M' with the question mark.
+On the other hand, you can cancel the
+extra space where it doesn't belong by typing a control space
+after the punctuation mark, e.g.:
+\csdisplay
+Proc.\!visiblespace!.Royal Acad.\!visiblespace!.of Twits
+|
+so that you'll get:
+\display{Proc.\ Royal Acad.\ of Twits}
+\noindent rather than:
+\display{Proc. Royal Acad. of Twits}
+
+Some people prefer not to leave more space after punctuation at the
+end of a sentence. You can get this effect with the
+^|\frenchspacing| command (\xref\frenchspacing).
+|\frenchspacing| is often recommended for ^{bibliographies}.
+
+For single ^{quotation marks}, you should use the left and right
+single quotes
+(|`| and |'|) on your keyboard. For left and right
+double quotation marks, use two left single
+quotes or two right single quotes (|``| or |''|) rather
+than the double quote (|"|) on your keyboard.
+The keyboard double quote
+will in fact give you a right double quotation mark in
+many fonts, but the two right single quotes
+are the preferred \TeX\ style.
+For example:
+
+\vbox{%
+\csdisplay
+There is no `q' in this sentence.
+``Talk, child,'' said the Unicorn.
+She said, ``\thinspace`Enough!!', he said.''
+|
+}%
+These three lines yield:
+\display{\par\restoreplainTeX
+There is no `q' in this sentence.
+\par ``Talk, child,'' said the Unicorn.
+\par She said, ``\thinspace`Enough!', he said.''
+}
+\noindent
+The |\thinspace| in the third input line prevents
+the single quotation mark from coming
+too close to the double quotation marks.
+Without it, you'd just see three
+nearly equally spaced quotation marks in a row.
+
+\TeX\ has three kinds of ^{dashes}:
+\ulist\compact
+\li Short ones (hyphens) like this ( - ). You get them by typing~`^|-|'.
+\li Medium ones (en-dashes) like this ( -- ). You get them by typing~`^|--|'.
+\li Long ones (em-dashes) like this ( --- ). You get them by typing~`^|---|'.
+\endulist
+\noindent
+Typically you'd use hyphens to indicate compound words like
+``will-o'-the-wisp'',
+en-dashes to indicate
+page ranges such as ``pages~81--87'', and em-dashes to indicate
+a break in continuity---like this.
+
+
+\subsection Special characters
+
+Certain characters have special meaning to \TeX, so you shouldn't use them
+in ordinary text. They are:
+
+\csdisplay
+ $ # & % _ ^ ~ { } \
+|
+^^|$//in ordinary text|
+^^|#//in ordinary text|
+^^|&//in ordinary text|
+^^|_//in ordinary text|
+^^|^//in ordinary text|
+^^|~//in ordinary text|
+^^|%//in ordinary text|
+^^|{//in ordinary text|
+^^|}//in ordinary text|
+{\recat!ttidxref[\//in ordinary text]]
+\noindent
+In order to produce them in your typeset document,
+you need to use circumlocutions. For the first five,
+you should instead type:
+^^|\$|
+^^|\#|
+^^|\&|
+^^|\%|
+^^|\_|
+\csdisplay
+ \$ \# \& \% \_
+|
+
+\noindent
+For the others, you need something more elaborate:
+
+\csdisplay
+ \^{!visiblespace} \~{!visiblespace} $\{$ $\}$ $\backslash$
+|
+
+
+\subsection Groups
+
+\bix^^{groups}
+A \emph{group}
+consists of material enclosed in matching left and right braces (|{| and
+|}|).
+^^|{//starting a group|
+^^|}//ending a group|
+By placing a command within a group, you can limit its effects to
+the material within the group.
+For instance, the |\bf| command tells \TeX\ to set
+something in {\bf boldface} type. If you were to put |\bf| into your input
+and do nothing else to counteract it, everything in your document following the
+|\bf| would be set in boldface.
+By enclosing |\bf| in a group,
+you limit its effect to the group. For example, if you type:
+\csdisplay
+We have {\bf a few boldface words} in this sentence.
+|
+\noindent you'll get:
+\display{We have {\bf a few boldface words} in this sentence.}
+
+\noindent You can also use a group to limit the effect of
+an assignment to one of \TeX's parameters.
+These parameters contain values that affect how \TeX\ typesets your document.
+For example, the value of the |\parindent|
+parameter specifies the indentation at the beginning of a paragraph.
+The assignment |\parindent = 15pt|
+sets the indentation to $15$ printer's points.
+By placing this assignment at the beginning
+of a group containing a few paragraphs, you can change
+the indentation of just those paragraphs. If you don't enclose
+the assignment in a group,
+the changed indentation will apply to the rest of the document (or up to the
+next assignment to |\parindent|, if there's a later one).
+
+\xrdef{bracegroup}
+Not all pairs of braces indicate a group.
+In particular, the braces associated with an argument for which the
+braces are \emph{not} required don't indicate a group---they just
+serve to delimit the argument.
+Of those commands that do require braces for their arguments,
+some treat the braces as defining a group
+and the others interpret the argument in some special way that depends on
+the command.\footnote
+{More precisely, for primitive commands either
+the braces define a group or they enclose tokens that aren't processed in
+\TeX's stomach.
+For |\halign| and |\valign| the group has a trivial
+effect because everything within the braces either doesn't reach the stomach
+(because it's in the template) or is enclosed in a further inner group.
+^^|\halign//grouping for|
+^^|\valign//grouping for|
+}
+\eix^^{groups}
+
+
+\subsection Math formulas
+
+\bix^^{math}
+\xrdef{mathform}
+A math formula can appear in text (\emph{text math})
+^^{text math}
+or set off on a line by itself
+with extra vertical space around it (\emph{display math}).
+^^{display math}
+You enclose a text formula in single dollar signs (|$|)
+and a displayed formula in double dollar signs (|$$|).
+\ttidxref{$}\ttidxref{$$}
+For example:
+
+\csdisplay
+If $a<b$, then the relation $$e^a < e^b$$ holds.
+|
+\noindent This input produces:
+\display{\centereddisplays
+If $a<b$, then the relation $$e^a < e^b$$ holds.}
+\smallskip
+\noindent \chapterref{math} describes the commands that are useful
+in math formulas.
+\eix^^{math}
+
+
+\section How \TeX\ works
+
+In order to use \TeX\ effectively, it helps to
+have some idea of how \TeX\ goes about
+its activity of transmuting input into output.
+You can imagine \TeX\ as a kind of organism with ``eyes'',
+``mouth'', ``gullet'',
+``stomach'', and ``intestines''.
+Each part of the organism transforms its input in some way and passes
+the transformed input to the next stage.
+
+The ^{eyes} transform an input file into a sequence of characters.
+The ^{mouth} transforms the sequence of characters into a sequence of
+\emph{tokens},
+^^{tokens}
+where each token is either a single character or a control sequence.
+^^{control sequences//as tokens}
+The gullet expands the tokens into a sequence of
+\emph{primitive commands}, which are also tokens.
+^^{expanding tokens}
+The ^{stomach} carries out the operations specified by the primitive commands,
+producing a sequence of pages.
+Finally, the ^{intestines} transform each page into the form required
+for the \dvifile\ and send it there.
+^^{\dvifile//created by \TeX's intestines}
+These actions are described in more detail
+in \chapterref{concepts} under \conceptcit{\anatomy}.
+^^{\anatomy}
+
+The real typesetting goes on in the stomach.
+The commands instruct \TeX\ to typeset such-and-such a character in
+such-and-such a font, to insert an interword space, to end a paragraph, and
+so on.
+Starting with individual typeset characters and other simple typographic
+elements, \TeX\ builds up a page ^^{pages} as a nest of
+^{boxes} within boxes within boxes \seeconcept{box}.
+Each typeset character occupies a box, and so does an entire page.
+A box can contain not just smaller boxes but also \emph{glue} ^^{glue}
+(\xref{glue}) and a few other things.
+The glue produces
+space between the smaller boxes.
+An important property of glue is that it can stretch and shrink;
+thus \TeX\ can make a box
+larger or smaller by stretching or shrinking
+the glue within~it.
+
+Roughly speaking, a line is a box containing a sequence of character boxes,
+and a page is a box containing a sequence of line boxes.
+There's glue between the words of a line and between the lines of a page.
+\TeX\ stretches or shrinks
+the glue on each line so as to make the right margin
+of the page come out even and the glue on each page
+so as to make the bottom margins of different pages be equal.
+Other kinds of typographical elements can also appear in a line or in a page,
+but we won't go into them here.
+
+As part of the process of assembling pages, \TeX\ needs to break paragraphs
+into lines and lines into pages. The stomach first sees a paragraph as one
+long line, in effect. It inserts \emph{line breaks}
+^^{line breaking}
+in order to transform
+the paragraph into a sequence of lines of the right length, performing a
+rather elaborate analysis in order to choose the set of breaks
+that makes the paragraph look best
+\seeconcept{line break}.
+The stomach carries out a similar
+but simpler process in order to transform a sequence of lines into a page.
+Essentially the stomach accumulates lines until no more lines can fit on the
+page. It then chooses a single place to break the page, putting the lines
+before the break on the current page
+and saving the lines after the break for the
+next page \seeconcept{page break}. ^^{page breaks//inserted by \TeX's stomach}
+
+When \TeX\ is assembling an entity from a list of items (boxes, glue, etc.),
+it is in one of six
+\emph{modes} ^^{modes} (\xref{mode}).
+The kind of entity it is assembling defines the mode that it is in.
+There are two ordinary modes: ordinary horizontal mode for assembling
+paragraphs (before they are broken into lines)
+and ordinary vertical mode for assembling pages.
+There are two restricted modes:
+restricted horizontal mode for appending items horizontally to form
+a horizontal box
+and internal vertical mode for appending items vertically to form
+a vertical box (other than a page).
+Finally, there are two math modes: text math mode for assembling math formulas
+within a paragraph and display math mode for assembling math formulas that are
+displayed on lines by themselves (see ``Math formulas'', \xref{mathform}).
+
+
+\section New \TeX\ versus old {\TeX}
+
+\xrdef{newtex}
+In 1989 Knuth made a major revision to \TeX\ in order to
+adapt it to the
+character sets needed to support typesetting for languages other than
+English.\space ^^{foreign languages}
+The revision included a few minor extra features that could be added
+without disturbing anything else.
+This book describes ``^{\newTeX}''.
+If you're still using an older version
+of \TeX\ (version $2.991$ or earlier),
+you'll want to know what features of {\newTeX} you can't use.
+The following features aren't available in the older versions:
+\ulist\compact
+\li ^|\badness| (\xref\badness)
+\li ^|\emergencystretch| (\xref\emergencystretch)
+\li ^|\errorcontextlines| (\xref\errorcontextlines)
+\li ^|\holdinginserts| (\xref\holdinginserts)
+\li ^|\language|, ^|\setlanguage|, and |\new!-lan!-guage|
+(\pp\xrefn\language, \xrefn{\@newlanguage}) ^^|\newlanguage|
+\li ^|\lefthyphenmin| and ^|\righthyphenmin| (\xref\lefthyphenmin)
+\li ^|\noboundary| (\xref\noboundary)
+\li ^|\topglue| (\xref\topglue)
+\li The |^^|$xy$ notation for hexadecimal digits (\xref{hexchars})
+\endulist
+\noindent
+We recommend that you obtain new \TeX\ if you can.
+
+\section Resources
+
+\xrdef{resources}
+A number of resources are available to help you in using \TeX.
+\texbook\ is the definitive source of information on \TeX:
+
+\smallskip
+{\narrower\noindent
+^{Knuth, Donald E.}, \texbook. Reading, Mass.: Addison-Wesley, 1984.\par}
+\smallskip
+\noindent
+Be sure to get the seventeenth printing (January 1990) or later;
+the earlier printings don't cover the features of new \TeX.
+
+^{\LaTeX} is a very popular collection of commands designed to simplify the use
+of \TeX. It is described in:
+\smallskip
+{\narrower\noindent\frenchspacing\spaceskip = 3.33pt plus 2pt minus 1.2pt
+^{Lamport, Leslie}, {\sl The \LaTeX\ Document Preparation System}.
+Reading, Mass.: Addison-Wesley, 1986.\par}
+\smallskip
+\noindent
+^{\AMSTeX} is the collection of commands adopted by the American Mathematical
+Society as a standard for submitting mathematical man\-u\-scripts
+electronically.
+It is described in:
+\smallskip
+{\narrower\noindent
+^{Spivak, Michael~D.}, {\sl The Joy of \TeX}. Providence, R.I.:
+American Mathematical Society, 1986.
+\par}
+\smallskip
+\noindent
+You can join the ^{\TUG} (TUG), which publishes a newsletter
+called {\it ^{TUGBoat}}.
+TUG is an excellent source not only for information about \TeX\ but also
+for collections of macros, including \AMSTeX.
+Its address is:
+\smallskip
+{\obeylines
+^{\TUG}
+c/o American Mathematical Society
+P.O. Box 9506
+Providence, RI 02940
+U.S.A.
+}
+\smallskip
+\noindent
+Finally, you can obtain copies of the ^|eplain.tex| macros
+described in \chapterref{eplain} as well as the macros used in typesetting
+this book.
+They are available through the Internet network by anonymous \ftp\ from the
+following hosts:
+{\obeylines\display{\tt
+labrea.stanford.edu [36.8.0.47]
+ics.uci.edu [128.195.1.1]
+june.cs.washington.edu [128.95.1.4]}}
+
+The electronic version includes additional macros
+that format input for the
+^{\BibTeX}\ computer program, written by Oren Patashnik at Stanford
+University, ^^{Patashnik, Oren}
+and print the output from that program.
+If you find bugs in the macros, or think of improvements, you can send
+electronic mail to Karl at {\tt karl@cs.umb.edu}.
+
+The macros are also available for US \$10.00 on $5\frac1/4$\inches\
+or $3\frac1/2$\inches\ PC-format diskettes from:
+\smallskip
+{\obeylines
+Paul Abrahams
+214 River Road
+Deerfield, MA 01342
+\vskip\tinyskipamount
+Email: {\tt Abrahams\%Wayne-MTS@um.cc.umich.edu}
+}
+\smallskip
+\noindent
+These addresses are correct as of June 1990; please be aware that they may
+change after that, particularly the electronic addresses.
+
+\endchapter\byebye