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+% \iffalse meta-comment
+%
+% Copyright 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006
+% The LaTeX3 Project and any individual authors listed elsewhere
+% in this file.
+%
+% This file is part of the LaTeX base system.
+% -------------------------------------------
+%
+% It may be distributed and/or modified under the
+% conditions of the LaTeX Project Public License, either version 1.3c
+% of this license or (at your option) any later version.
+% The latest version of this license is in
+% http://www.latex-project.org/lppl.txt
+% and version 1.3c or later is part of all distributions of LaTeX
+% version 2005/12/01 or later.
+%
+% This file has the LPPL maintenance status "maintained".
+%
+% The list of all files belonging to the LaTeX base distribution is
+% given in the file `manifest.txt'. See also `legal.txt' for additional
+% information.
+%
+% The list of derived (unpacked) files belonging to the distribution
+% and covered by LPPL is defined by the unpacking scripts (with
+% extension .ins) which are part of the distribution.
+%
+% \fi
+% $Id: encguide.tex,v 13.13 2006/01/18 23:29:23 robin Exp $
+%
+
+
+\NeedsTeXFormat{LaTeX2e}[1995/12/01]
+
+\documentclass{ltxguide}[1994/11/20]
+
+\usepackage[T1]{fontenc}
+\IfFileExists{lmodern.sty}{\usepackage{lmodern}}{}
+\usepackage{textcomp}
+\usepackage{url}
+\usepackage{mflogo}
+
+\addtolength\textheight{6\baselineskip}
+\addtolength\topmargin{-2\baselineskip}
+
+
+\newcommand\ttverb[1]{\texttt{\string#1}}
+
+
+% for encodings
+\providecommand{\Enc}[1]{\texttt{#1}}
+
+% for packages
+\providecommand{\Pkg}[1]{%
+ \textsf{#1}}
+
+% for files
+\providecommand{\File}[1]{%
+ \texttt{#1}}
+
+% let's have meta values too
+\providecommand{\meta}[1]{%
+ \ensuremath{\langle}\emph{#1}\ensuremath{\rangle}}
+
+\usepackage{tabularx}
+
+% eine Umgebung zur Darstellung von Kodierungen
+%
+% Argumente:
+% #1: Name in LaTeX (z.B. OT1)
+% #2: Name der Kodierung (z.B. TeX text)
+% #3: Name des Autors (z.B. Don Knuth)
+% #4: Bereich der benützten Glyphindizes
+% #5: variable Positionen
+% #6: Beispielzeichensatz
+% #7: Referenz
+%
+% XXX add code to handle more than a single font example (e.g., larm1000,
+% lbrm1000, and lcrm1000).
+%
+\newenvironment{encodinginfo}[7]%
+ {\noindent
+ \begin{tabularx}{\linewidth}{@{}l>{\raggedright\let\\\tabularnewline}X}%
+ \LaTeX{} name: & \texttt{#1}\\%
+ Public name: & #2\\%
+ Author: & #3\\%
+ Glyph slots used: & #4\\%
+ Variable slots: & #5\\%
+ Font example: & \def\@tempa{#6}\ifx\@tempa\@empty---%
+ \else\texttt{#6}\referenceftable{#6}\fi\\%
+ Further reference: & #7%
+ \end{tabularx}%
+ \par\nobreak
+ \vspace*{3pt}%
+ \quote
+ }%
+ {\endquote
+ \vspace{6pt}}
+
+\makeatletter
+\def\referenceftable#1{
+ \@ifundefined{r@fonttable:#1}%
+ \relax
+ {;\space encoding table on page~\pageref{fonttable:#1}}%
+}
+
+% font table macros mainly lifted from manmac.tex
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}}
+\def\hex#1{\hbox{\rm\H{}\tt#1}}
+
+\def\oddline#1{\cr\noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\beginchart#1#2{$$\global\count@=0 #1
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &#2&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$}
+\def\:{\setbox0=\hbox{\noboundary\char\count@\noboundary}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\count@ by1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}
+\def\normalchart{%
+ &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+ &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+ &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+ &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+ &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+ &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+ &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+ &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+ &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ \top}
+
+\def\notophalf{}
+\def\tophalf{%
+%\noalign{\vskip 5pt\hrule}
+ &\oct{20x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline8
+ &\oct{21x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{22x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline9
+ &\oct{23x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{24x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline A
+ &\oct{25x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{26x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline B
+ &\oct{27x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{30x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline C
+ &\oct{31x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{32x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline D
+ &\oct{33x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{34x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline E
+ &\oct{35x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+ &\oct{36x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline F
+ &\oct{37x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+\def\ftable#1#2{%
+ \batchmode
+ \font\X=#1%
+ \errorstopmode
+ \ifx\X\nullfont
+ \@warning{Font #1 not found, table omitted}
+ \else
+ \count@="80
+ \setbox0=\hbox{\X
+ \loop\char\count@\advance\count@ by1 \ifnum\count@<"100
+ \repeat}%
+ \ifdim\wd0>0pt \let\top\tophalf\else\let\top\notophalf\fi
+ \beginchart\X{\hfill\llap{\textbf{#1, \large#2}\label{fonttable:#1}}}\normalchart
+ \endchart\par\vfill
+ \fi}
+\makeatother
+
+
+\setcounter{tocdepth}{3}
+
+\title{\LaTeX{} font encodings}
+
+\author{Frank Mittelbach \and Robin
+ Fairbairns \and Werner Lemberg \and \LaTeX3 Project Team.}
+
+\date{\copyright~Copyright 1995--1997, 2005, 2006 \\[5pt] 6 January 2006}
+
+\begin{document}
+
+\maketitle
+
+\tableofcontents
+
+\section{Introduction}
+
+This document explains the ideas that underpin \LaTeX{} font
+encodings and the constraints that apply when defining a new encoding; it
+also lists the encodings that have already been defined.
+
+\subsection{Encodings in \TeX{}}
+
+\TeX{} (the program) implicitly recognises three sorts of encoding,
+and all are (in a sense) discussed in the \TeX{}book~\cite{A-W:DKn86}:
+\begin{itemize}
+\item[1.] The input encoding, which specifies the meanings of characters
+ in files presented to \TeX{} for processing. The \TeX{}book
+ suggests that `your version of \TeX{} will recognise the characters
+ you type on your keyboard' (\TeX{} the program has provision for
+ static translations of input characters).
+\end{itemize}
+Such direct use of \TeX{}'s facilities is not the way modern
+\LaTeX{} (or indeed any other \TeX{} macro package) is likely to deal
+with input encodings. This document does not address the topic of
+input encodings; the interested reader should examine the \LaTeX{}
+base package \Pkg{inputenc} \cite[sec.~7.5.2, p.~357]{A-W:MG2004}.
+\begin{itemize}
+\item[2.] The token stream that \TeX{} processes internally. This stream
+ of \TeX{}'s consciousness is discussed in great detail in the
+ \TeX{}book.
+\end{itemize}
+Again, this document does not address the topic. \LaTeX's internal
+character representation (\textsc{licr}) is well discussed in
+\cite[sec.~7.11.2, p.~442]{A-W:MG2004}.
+\begin{itemize}
+\item[3.] The font encoding---i.e., the mapping of character codes to
+ glyphs in the fonts that are used to typeset \TeX{}'s output.
+ Again, a set of font encodings is enumerated in the \TeX{}book, but
+ that set has proved inadequate to the needs of modern multilingual
+ use of \LaTeX.
+\end{itemize}
+This document explains \emph{why} Knuth's original set of encodings is
+inadequate to modern conditions, and discusses the issues that
+surround the design and definition of new font encodings.
+
+Font encodings are important for more than their r\^{o}le in mapping the
+glyphs of the fonts to be used for typesetting: their glyph tables are
+also the context in which \TeX{}'s hyphenation algorithm operates.
+There are constraints imposed by \TeX{} that affect the way in which
+new font encodings, for use in a multi-lingual environment, may be
+structured (see section~\ref{sec:restrictions} for details).
+
+\subsection{The history of \TeX{} font encodings}
+
+Little attention was paid to font encodings prior to the arrival of
+\TeX{}\,3. Up to that time, one used Donald Knuth's fonts (the
+Computer Modern family, using the encodings we now refer to as \Enc{OT1} and
+the \Enc{OM} series), or one was on one's own.
+
+The Computer Modern text encoding raises problems in unmodified
+\TeX{}, because hyphenation cannot break words containing
+\verb"\accent" commands. Even in those Western European languages for
+which the \Enc{OT1} encoding has symbols for the necessary
+\verb"\accent"-based diacritics, this shortcoming ruins typesetting of
+running text.
+
+With the advent of \TeX{}\,3, with its ability to switch between
+hyphenation pattern sets, it was clear that the situation could not
+continue. Thus a group at the TUG Annual General Meeting in Cork,
+Ireland, specified a uniform encoding for 256-glyph fonts, that
+contains accented letters and non-\textsc{ascii} letters necessary to
+express most Western European languages (and some Eastern European ones)
+without recourse to the \verb"\accent" command.
+
+This ``Cork'' encoding has since been realised in a series of fonts
+designed with Metafont, in at least one font series that is available
+both in Adobe Type 1 format and in OpenType format, % viz., Latin Modern
+and in a number of virtual-font mappings of other font series.
+
+Since the time of the Cork meeting, much effort has been devoted to
+the design of encodings for text fonts to use with \TeX{}, and the
+Cork encoding influenced the design of many such encodings.
+
+Encodings for mathematical fonts have, in contrast, changed little
+since Knuth's contributions. A TUG Technical Working Group was
+established at the Cork meeting, whose aim was to define a set of
+256-glyph encodings to regularise and extend Knuth's originals, using
+ideas from several other fonts that had appeared since, and from the
+known needs of researchers in mathematics and the mathematical sciences.
+
+Independently, a first proposal (the so-called \emph{Aston proposal}) was worked
+out by Justin Ziegler together with Frank Mittelbach and other members of the
+\LaTeX3 project team~\cite{ziegler}. A first implementation of
+this propsal was realized by Matthias Clasen und Ulrik
+Vieth~\cite{clasen,clasen-vieth}.
+
+However, the slow progress of these Mathematical encodings has been
+overtaken by the addition (in the last decade or so) of a large number
+of mathematical symbols to Unicode~\cite{beeton}; one can expect
+further changes so that new public mathematical font encodings will
+most likely be delayed still further.
+
+
+
+\subsection{Further information}
+
+For a general introduction to \LaTeX, including the new features of
+\LaTeXe, you should read \emph{\LaTeXbook},
+Leslie Lamport, Addison Wesley, 2nd~ed, 1994.
+
+A more detailed description of the new features of \LaTeX, including an
+overview of more than 200 packages and nearly 1000 ready to run examples, is
+to be found in \emph{\LaTeXcomp{} second edition} by Frank Mittelbach and
+Michel Goossens~\cite{A-W:MG2004}.
+
+The \LaTeX{} project sponsored a report on Mathematical % spelt out in full
+font encodings, which
+is worth reading for its insight into the problems of defining the way
+in which math is used: see~\cite{ziegler,clasen,clasen-vieth}.
+
+The \LaTeX{} font selection scheme is based on \TeX, which is described
+by its developer in \emph{The \TeX book}, Donald E.~Knuth, Addison
+Wesley, 1986, revised in 1991 to include the features of \TeX~3.
+
+For more information about \TeX{} and \LaTeX, please contact your local
+\TeX{} Users Group, or the international \TeX{} Users Group
+(\url{http://www.tug.org}).
+
+
+
+\section{Existing font encodings}
+
+This section lists the encodings currently assigned; for each
+encoding, we list the registered (\LaTeX{}) name, the assigned purpose
+of the encoding, and the author. Further details may list the code
+positions used in the encoding, the \emph{variable slots} (see below),
+an example font (for which a listing will be provided later in the
+document if the relevant fonts are present), and a source for further
+reference.
+
+While the characteristic feature of an encoding is that each font
+encoded according to the encoding should have the same glyph set,
+there are some encodings (notably \Enc{OT1} and its descendants) in
+which a few glyph code slots differ in their contents in different
+fonts.
+
+\subsection{Naming conventions}
+
+Names for encoding schemes are strings of up to three letters (all
+upper case) plus digits.
+
+The \LaTeX3 project reserves the use of encoding names starting with the
+following letters: |T| (standard 256-long text encodings), |TS|
+(symbols that are designed to extend a corresponding |T| encoding),
+|X| (text encodings that do not conform to the strict requirements for
+|T| encodings), |M| (standard 256-long mathematical encodings), |S| (other
+symbol encodings), |A| (other special applications), |OT| (standard
+128-long text encodings), and |OM| (standard 128-long mathematical encodings).
+
+Please do not use the above starting letters for non-portable
+encodings. If new standard encodings emerge then we shall add them in
+a later release of \LaTeX.
+
+Encoding schemes which are local to a site or a system should start
+with |L|, experimental encodings intended for wide distribution will
+start with |E|, whilst |U| is for Unknown or Unclassified encodings.
+
+\begin{quote}
+ \itshape We recommend that new encoding names should not be
+ introduced unless careful consideration and discussion in the user
+ community has confirmed the need for the encoding. If encodings have to
+ change from font to font, a number of problems arise, so it is best to
+ develop encodings that can be used with a large number of fonts in parallel.
+ This allows documents to be typeset using different fonts without problems.
+
+ The \Enc{TS1} encoding is a good example of a \emph{bad} encoding (even
+ though it was developed with the best intentions) as a huge number of fonts
+ can only implement parts of it. Similarly, the fact that the few sets of
+ available mathematical fonts (beside Computer Modern Math) nearly
+ all implement slightly different encodings is a huge source of
+ problems. Don't add to this if possible!
+\end{quote}
+
+
+\subsection{128$^+$ glyph encodings (text)}
+
+The `OT' series of font encodings start with Donald Knuth's original
+text encoding, that used for the text fonts in the earliest releases
+of \TeX{} itself. The `O' of the encoding designator may be taken as
+signifying `original', or just `old'.
+
+\begin{encodinginfo}{OT1}
+ {\TeX{} text}
+ {Donald Ervin Knuth}
+ {0x00--0x7F}
+ {0x0B--0x0F, 0x24, 0x3C, 0x3E, 0x5C, 0x7B--0x7D}
+% {0X--'177}
+% {'13--'17, '44, '74, '76, '134, '173--'175}
+ {cmr10}
+ {\cite[p.427]{A-W:DKn86}}
+
+ Donald Knuth designed his font encoding (and hence his fonts) in a
+ very different environment from that which now pervades the \TeX{}
+ world: his (mainframe) computer had very little memory, there was
+ little experience in (or demand for) for multilingual technical
+ typesetting, and as a result it was appropriate to sacrifice
+ uniformity for efficiency.
+
+ Thus Knuth's original fonts differ slightly in some encoded slots:
+ for example, the glyphs \texttt{\string<}, \texttt{\string>},
+ \verb=\=, \verb={=, and \verb=}= are only available in the
+ typewriter fonts and the \textdollar{} and \textsterling{} signs
+ share the same position (in different font shapes).
+
+ This means that direct selection of these slots can produce
+ unpredictable results, e.g., typing \texttt{\string<} or
+ \verb=\symbol{'74}= in a document can yield `\textquestiondown'.
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{OT2}
+ {UW cyrillic encoding}
+ {University of Washington}
+ {0x00--0x7F}
+ {---}
+ {wnr10}
+ {\cite{Beeton:TB6-3-124}}
+ Support for this encoding is available in the Cyrillic bundle although for
+ all practical purposes it is better to use one of the \Enc{T2} encodings.
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{OT3}
+ {UW IPA encoding}
+ {University of Washington}
+ {0x00--0x7f}
+ {---}
+ {wsuipa10}
+ {\cite[p.149]{CorkGW:91}}
+ The \Enc{OT3} encoding was never really used with \LaTeXe{}
+ following the introduction of the TIPA system which offers much
+ better support for IPA. In particular, no \File{ot3enc.def}
+ file was ever produced.
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{OT4}
+ {Polish text encoding}
+ {B.~Jackowski and M.~Ry\'cko} %% ? Marcin Woli\'nski
+ {0x00--0x7F, 0x81, 0x82, 0x86, 0x8A, 0x8B, 0x91, 0x99, 0x9B, 0xA1,
+ 0xA2, 0xA6, 0xAA, 0xAB, 0xAE, 0xAF, 0xB1, 0xB9, 0xBB, 0xD3, 0xF3,
+ 0xFF}
+ {0x0B--0x0F, 0x24, 0x3C, 0x3E, 0x5C, 0x7B--0x7D}
+ {plr10}
+ {---}
+
+ While Knuth included the means of typesetting the `lost L' (\L) in
+ his \Enc{OT1} encoding, he omitted the ogonek (\,\,\k{}), a diacritic
+ mark that is also needed in Polish text; hence the appearance, well
+ before the \Enc{T1} encoding, of fonts using this encoding.
+\end{encodinginfo}
+
+\begin{encodinginfo}{OT5}
+ {Not currently allocated}
+ {---}
+ {---}
+ {---}
+ {}
+ {---}
+
+\end{encodinginfo}
+
+
+
+\begin{encodinginfo}{OT6}
+ {Armenian text encoding}
+ {Serguei Dachian}
+ {0x03--0x0F, 0x13--0x7F}
+ {---}
+ {artmr10}
+ {---}
+
+ This encoding was allocated to permit use of Dachian's
+ Armenian fonts in a standard \LaTeX{} environment.
+\end{encodinginfo}
+
+
+
+\subsection{256 glyph encodings (text)}
+
+\begin{encodinginfo}{T1}
+ {Cork encoding}
+ {Euro \TeX{} conference at Cork}
+ {0x00--0xFF}
+ {---}
+ {ecrm1000}
+ {\cite[p.514]{tub:MFe90}, \cite[p.99]{Knappen:TB17-2-96}}
+
+ The Cork encoding was developed so that advantage could be taken of
+ the (then) new facilities of \TeX{}\,3, allowing hyphenation of
+ most Western European (and some Eastern European) languages in an
+ unmodified version of \TeX{}.
+
+ The encoding was developed in the absence of any extant effort at
+ font design, but instances written in Metafont (the `EC' fonts), and
+ more recently Adobe Type 1 instances of the same fonts have become
+ available.
+
+ Substantial (but incomplete) instances have also been developed,
+ which use virtual fonts. These latter instances map either Knuth's
+ original (OT1-encoded) fonts, or commercial fonts that contain the
+ Adobe `standard' set of 224 glyphs.
+\end{encodinginfo}
+
+\begin{encodinginfo}
+ {T2A, T2B, T2C}
+ {Cyrillic encodings}
+ {The CyrTUG font team}
+ {0x00--0xFF}
+ {--- (within each encoding)}
+ {larm1000}
+ {\cite{Berdnikov:eurotex-98}}
+
+ There are too many glyphs in the full Cyrillic complement of
+ languages for all of them to be covered by a single
+ \LaTeX{}-compliant encoding (the lower half of each
+ \Enc{T2}~encoding is identical to that of \Enc{T1}, in order that
+ each should be a conforming \LaTeX{} encoding~--- see
+ section~\ref{sec:restrictions}). The approach taken is
+ therefore to develop a single encoding, \Enc{X2} (see \ref{sec:extendedenc})
+ which contains all the glyphs needed for the full set of
+ languages, and then to derive the three \LaTeX{}-complaint
+ \Enc{T2}-family encodings using the \Enc{X2} set together with that of
+ \Enc{T1}.
+
+\end{encodinginfo}
+
+
+
+\begin{encodinginfo}{T3}
+ {IPA encoding}
+ {FUKUI Rei, University of Tokyo}
+ {0x00--0xFF}
+ {---}
+ {tipa10}
+ {\cite[p.102]{Rei:TB17-2-102}}
+
+
+ The \Enc{T3} encoding (and associated macros) provides the glyphs required
+ in phonetic description according to current International Phonetic
+ Association recommendations \cite{ipa}.
+
+ The \Enc{T3} encoding does \emph{not fulfil} the requirements for \Enc{T}
+ encodings---the name is a historical accident. The correct name would be
+ \Enc{X3}, but due to the fact that this font family has been used under its
+ current encoding name for a long time, the name will not change for
+ compatibility reasons.
+
+\end{encodinginfo}
+
+
+
+\begin{encodinginfo}{T4}
+ {African Latin (fc)} % public name
+ {J\"org Knappen} % author name
+ {0x00--0xFF} % range(s) of slots used for glyphs
+ {0x24} % range(s) of slots with variable glyphs if any
+ {fcr10} % name of an example font
+ {\cite{tub:JKn93}}
+
+The African Latin fonts contain in their lower half (0--127) the same
+characters as the European Latin (T1-encoded) Fonts, while in their
+upper half (128--255) they
+contain letters and symbols for African languages that use extended
+Latin alphabets.
+Due to lack of space, J\"org had to play the unfortunate trick of
+assigning \verb=\textdollar= and \verb=\textsterling=
+the same position; users should take these characters
+from the text companion font, if they are needed. Instead of defining
+a lot of new control sequences for the single letters, there are three
+accent-like control sequences with general purpose:
+\verb=\m= (Modified-1),
+\verb=\M= (Modified-2) and
+\verb=\B= (Barred).
+Most standard \LaTeX{} encoding-dependent commands
+work. However, the Icelandic special letters are not available and `best
+replacements' for \verb=\Th=, \verb=\th=, and \verb=\dh=
+are used (barred T and d resp.).
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{T5}
+ {Vietnamese encoding}
+ {Werner Lemberg and
+ Vladimir Volovich}
+ {0x00--0xFF}
+ {---}
+ {vnr10}
+ {\cite{vnr}}
+
+ The \Enc{T5} encoding was developed for Vietnamese. Again, this encoding
+ \emph{does not} conform to the requirements for a \Enc{T}-encoding
+ because its large number of accented letters prevent the \verb=\lccode= and
+ \verb=\uccode= mapping requirements for \Enc{T} encodings from being
+ fulfilled. However, since the Vietnamese language does not
+ use word division in typesetting so that this requirement is
+ actually not important for this particular language.
+ Since every glyph used in Vietnamese text is internally
+ represented as \textsc{licr} macros, the commands \verb=\MakeUppercase= and
+ \verb=\MakeLowercase= still work as expected (as they change the case of the
+ \textsc{ascii} characters in \textsc{licr} definitions).
+
+\end{encodinginfo}
+
+\begin{encodinginfo}
+ {T6}
+ {Armenian}
+ {---}
+ {---}
+ {---}
+ {}
+ {---}
+
+ This encoding is reserved to permit future expansion of Armenian
+ \TeX{} to use 256-character (hyphenatable) fonts.
+\end{encodinginfo}
+
+\begin{encodinginfo}{T7}
+ {Greek encoding}
+ {---}
+ {---}
+ {---}
+ {}
+ {---}
+
+The name is already reserved for a 256 glyph greek encoding. The encoding
+itself hasn't been defined so far.
+
+\end{encodinginfo}
+
+
+
+\subsection{256$^-$ glyph encodings (text symbols)}
+
+\begin{encodinginfo}{TS1}
+ {Text Companion encoding (Cork)}
+ {J\"org Knappen}
+ {0x00--0x0D, 0x12, 0x15, 0x16, 0x18--0x1D, 0x20, 0x24, 0x27, 0x2A,
+ 0x2C--0x3A, 0x3C--0x3E, 0x4D, 0x4F, 0x57, 0x5B, 0x5D--0x60,
+ 0x62--0x64, 0x6C--0x6E, 0x7E--0xBF, 0xD6, 0xF6}
+ {---}
+ {tcrm1000}
+ {\cite{Knappen:TB17-2-96}}
+
+ The text symbol encoding offers access to symbolic glyphs that are
+ commonly used in text (for a variety of reasons), and whose style
+ should vary with the text that surrounds them.
+
+ Unfortunately, the \Enc{TS1} encoding was developed without
+ reference to the glyphs available in existing commercial fonts.
+ As a result, only font families
+ explicitly developed for \TeX{} (i.e., typically originating with
+ \MF{}) actually contain all glyphs required by the \Enc{TS1}
+ encoding. Most other font families (whether free or commercial)
+ often only provide half of the set%
+%%
+%% don't show the comment if the tables are not generated
+%%
+\expandafter\ifx\csname r@fonttable:tcrm1000\endcsname\relax
+\else
+ \expandafter\ifx\csname r@fonttable:ptmr8c\endcsname\relax
+ \else
+ \space (compare the two tables for \Enc{TS1} on
+ pages~\pageref{fonttable:tcrm1000}
+ and~\pageref{fonttable:ptmr8c})%
+ \fi
+\fi.
+ To improve this situation somewhat, NFSS provides a way to define encoding
+ subsets on a per family basis in the \Pkg{textcomp} package (which
+ package offers support for the \Enc{TS1} encoding).
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{TS3}
+ {IPA symbol encoding}
+ {FUKUI Rei, University of Tokyo}
+ {0x00--0x0A, 0x20--0x49, 0x50--0x56, 0x70--0x7B}
+ {---}
+ {tipx10}
+ {\cite{Rei:TB17-2-102}}
+
+ The \Enc{TS3} encoding (together with the \Enc{T3} encoding) provides the
+ glyphs for typesetting phonetic transcriptions following the
+ guidelines of the International Phonetic Association \cite{ipa}. Support
+ is offered through the \Pkg{tipa} package.
+\end{encodinginfo}
+
+
+
+
+\subsection{256 glyph encodings (text extended)}
+\label{sec:extendedenc}
+
+\begin{encodinginfo}
+ {X2}
+ {Cyrillic glyph container}
+ {The CyrTUG font team}
+ {0x00--0xFF}
+ {---}
+ {rxrm1000}
+ {\cite{Berdnikov:eurotex-98}}
+
+ This encoding specifies the glyph container for Cyrillic characters,
+ which is used in specifying the \Enc{T2A}, \Enc{T2B} and \Enc{T2C} encodings.
+\end{encodinginfo}
+
+
+
+
+\subsection{128$^+$ glyph encodings (mathematics)}
+
+
+\begin{encodinginfo}{OML}
+ {\TeX{} math italic}
+ {Donald Ervin Knuth}
+ {0x00--0x7F}
+ {---}
+ {cmmi10}
+ {\cite[p.430]{A-W:DKn86}}
+
+ The \Enc{OML} encoding contains italic Latin and Greek letters for
+ use in mathematical formulas (typically used for variables) together
+ with some symbols.
+
+\end{encodinginfo}
+
+\begin{encodinginfo}{OMS}
+ {\TeX{} math symbol}
+ {Donald Ervin Knuth}
+ {0x00--0x7F}
+ {---}
+ {cmsy10}
+ {\cite[p.431]{A-W:DKn86}}
+
+ The \Enc{OMS} encoding contains basic mathematical symbols,
+ together with an uppercase ``calligraphic'' Latin alphabet.
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{OMX}
+ {\TeX{} math extension}
+ {Donald Ervin Knuth}
+ {0x00--0x7F}
+ {---}
+ {cmex10}
+ {\cite[p.432]{A-W:DKn86}}
+
+ \Enc{OMS} encodes mathematical symbols with variable sizes, such as
+ the $\sum$ sign, which changes its size if used in displayed
+ formulas, and the construction parts for
+ brackets, braces and radicals, etc., which can stretch to accommodate
+ the thing they're enclosing.
+
+\end{encodinginfo}
+
+
+
+
+\subsection{256 glyph encodings (mathematics)}
+
+So far there are no 256 glyph mathematical encodings. A proposal is
+given in \cite{ziegler}.
+
+
+\subsection{Other encodings}
+
+\begin{encodinginfo}
+ {C..}
+ {CJK encodings}
+ {Werner Lemberg}
+ {0x00--0xFF}
+ {---}
+ {} % no font, of course
+ {\cite{CJK}}
+
+ The \Pkg{CJK} package defines a number of encodings which access Chinese,
+ Japanese and Korean fonts.
+
+\end{encodinginfo}
+
+\begin{encodinginfo}
+ {E..}
+ {Experimental encodings}
+ {---}
+ {0x00--0xFF}
+ {all}
+ {}
+ {\cite[p.416]{A-W:MG2004}}
+
+ As the name indicates, encodings starting with the letter \Enc{E} are
+ intended for experimental encodings, that are still likely to change.
+\end{encodinginfo}
+
+\begin{encodinginfo}{L..}
+ {Local encoding (site dependent)}
+ {---}
+ {0x00--0xFF}
+ {all}
+ {}
+ {\cite[p.416]{A-W:MG2004}}
+
+ `Local' encodings provide the means to develop representation
+ techniques that are suited to a particular \TeX{} environment. While
+ the developer has freedom to specify their encoding as he or she
+ pleases, there is a strong incentive to obey the \LaTeX{} rules for
+ encodings, since it will otherwise be difficult to compose text using
+ the encoding.
+
+ At least it was the intention that \Enc{L..} encodings are local and
+ site dependent. However, a number of such encodings became generally
+ used without ever getting a different name allocated.
+
+\end{encodinginfo}
+
+
+
+\begin{encodinginfo}{LY1}
+ {Y\&Y 256 glyph encoding}
+ {Berthold Horn}
+ {0x00--0x08, 0x0C, 0x10, 0x12--0xFF}
+ {\emph{believed none}}
+ {ptmr8y}
+ {\cite[p.416]{A-W:MG2004}}
+
+ This is an alternative to the \Enc{T1} encoding developed by Y\&Y and
+ used in their commerical \TeX{} implementation.
+
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{LV1}
+ {MicroPress encoding}
+ {Michael Vulis}
+ {\emph{unknown}}
+ {\emph{unknown}}
+ {}
+ {\cite[p.416]{A-W:MG2004}}
+
+ This is an encoding developed by MicroPress and used for some of their
+ fonts.
+
+\end{encodinginfo}
+
+
+\begin{encodinginfo}{LGR}
+ {Greek 256 glyph encoding}
+ {\emph{unknown}}
+ {0x00--0xFF}
+ {\emph{believed none}}
+ {grmn1000}
+ {\cite[p.575]{A-W:MG2004}}
+
+ Currently the main encoding in use for the Greek language.
+
+ This encoding doesn't conform to the restrictions for
+ \Enc{T}-encodings described in section~\ref{sec:restrictions} on
+ page~\pageref{sec:restrictions} as it doesn't have \textsc{ascii}
+ glyphs at all.
+
+\end{encodinginfo}
+
+
+\begin{encodinginfo}
+ {PD1}
+ {PDF DocEncoding}
+ {Adobe}
+ {0x08--0x0A, 0x0C, 0x0D, 0x18--0x7E, 0x80--0x9E, 0xA0--0xAE, 0xB0--0xFF}
+ {---}
+ {}
+ {\cite{Adobe:PDF-1.6}, \cite{hyperref}}
+
+ The \Enc{PD1} encoding is a virtual encoding with 256 glyphs needed to
+ produce bookmarks and similar text in PDF document generated with pdf\LaTeX.
+ The encoding is ``virtual'' because by design there are no \TeX{}
+ fonts that cover \Enc{PD1}. Details can be found in appendix D.1
+ of~\cite{Adobe:PDF-1.6}.
+\end{encodinginfo}
+
+\begin{encodinginfo}
+ {PU}
+ {PDF Unicode Encoding}
+ {Adobe}
+ {---}
+ {---}
+ {}
+ {\cite{Adobe:PDF-1.6}, \cite{hyperref}}
+
+ Another virtual encoding (with more than 600 characters) for
+ Unicode-encoded bookmarks in PDF documents.
+\end{encodinginfo}
+
+\begin{encodinginfo}{U}
+ {Unknown encoding}
+ {---}
+ {potentially 0x00-0xFF}
+ {all}
+ {wasy10}
+ {\cite[p.416]{A-W:MG2004}}
+
+ This encoding should be used for fonts that resist classification,
+ e.g., when it is clear that there will never be more than one font
+ using the same encoding.
+
+\end{encodinginfo}
+
+
+
+\section{Restrictions}
+\label{sec:restrictions}
+
+
+\subsection{Required glyphs for general text encodings}
+
+Encodings that are supposed to be used with \LaTeX{} for `general
+purpose text fonts' need to have certain fixed glyphs in certain
+encoding slots. A `general purpose text font' is one intended for
+arbitrary natural language text and not just within special
+environments (such as the phonetic alphabet) or just for typesetting
+individual symbols (e.g., the text companion font with encoding
+\Enc{TS1}).
+
+This is the case for the following glyphs that have to be in their
+\textsc{ascii} positions for general purpose text encodings:
+\begin{center}
+\begin{tabular}[t]{cc}
+ Glyph & Position \\ \hline
+ ! & \number`\! \\
+ ' & \number`\' \\
+ ( & \number`\( \\
+ ) & \number`\) \\
+ \relax* & \number`\* \\
+ + & \number`\+ \\
+ , & \number`\, \\
+ - & \number`\- \\
+ . & \number`\. \\
+ / & \number`\/ \\
+ 0 \ldots\ 9 & \number`\0\ to \number`\9 \\
+ \end{tabular}
+ \quad
+ \begin{tabular}[t]{cc}
+ Glyph & Position \\ \hline
+ : & \number`\: \\
+ ; & \number`\; \\
+ = & \number`\= \\
+ ? & \number`\? \\
+ @ & \number`\@ \\
+ A \ldots\ Z & \number`\A\ to \number`\Z \\
+ \relax[ & \number`\[ \\
+ ] & \number`\] \\
+ ` & \number`\` \\
+ a \ldots\ z & \number`\a\ to \number`\z \\
+\end{tabular}
+\quad
+\begin{tabular}[t]{cc}
+Glyph\footnotemark & Position \\ \hline
+< & \number`\< \\
+> & \number`\> \\
+\string| & \number`\| \\
+\end{tabular}\footnotetext{The requirement for these three glyphs is
+ violated in the Latin alphabet \Enc{OT} encodings.}
+\end{center}
+In addition the following glyphs have to be present
+somewhere\footnote{The position in this case is not important as they
+are generated from ligature programs.} in the encoding together with
+corresponding ligature programs to generate them:
+\begin{center}
+\begin{tabular}[t]{cc}
+Glyph & Ligature program \\ \hline
+ `` & \texttt{`\/`} \\
+ '' & \texttt{'\/'} \\
+ -- & \texttt{-\/-} \\
+ --- & \texttt{-\/-\/-} \\
+\end{tabular}
+\end{center}
+
+This is $33 + 2 * 26 = 85$ positions ``required'', which leaves 171
+positions free.
+
+If there are free slots available then adding all or some of the
+diacritics would be the best way to fill them.
+
+If there are insufficient slots for the characters needed, a possible
+technique is to create a subsidiary encoding, and to move non-letter
+characters to it. Since only ``letters'' take part in the hyphenation
+algorithm, this technique doesn't affect the appearance of the typeset
+result.
+
+\subsection{The constraints on upper/lower case tables}
+
+Due to some technical restrictions of \TeX{} related to hyphenation it
+is not possible in \LaTeX{} to use more than one \verb=\lccode= or
+\verb=\uccode= table. Therefore all encodings need to share these two
+tables which are defined to be those of the \Enc{T1} encoding.
+
+The \Enc{T1} encoding has some nasty peculiarities which make certain slot
+positions more or less unusable for other encodings if this
+restriction is to be obeyed. This is unfortunate but since \Enc{T1} is well
+established and the basis for a large number of languages it seemed
+better to live with this situation instead of trying to replace \Enc{T1} with a
+slightly better standard (with the result that for a long time
+different \LaTeX{} installations would not be able to communicate with
+each other because of incompatible font sets).
+
+The positions that are problematic are as follows.
+\begin{center}
+\begin{tabular}{lp{.8\linewidth}}
+25 (\char 25) & uppercase maps strangely (same as for 105, \char 105)\\
+26 (\char 26) & uppercase maps strangely (same as for 106, \char 106)\\
+27 (\char 27) & lowercase maps to itself which makes this slot subject
+ to hyphenation (used to support \Enc{OT1} encoding) \\
+157 (\char 157) & lowercase maps strangely (same as for 73, \char 73) \\
+158 (\char 158) & uppercase maps strangely (same as for 240, \char 240) \\
+\end{tabular}
+\end{center}
+One way to use such slots is to fill them with ligature glyphs as
+\TeX{} will not consult these tables for glyphs constructed through
+ligatures programs but instead uses the entries for the individual
+glyphs used to produce the ligature.
+
+A complete listing of the uppercase/lowercase mapping tables is to be
+found in section~\ref{sec:uclc-tab} (page \pageref{sec:uclc-tab}).
+
+\newcount\temp \newcount\tempL \newcount\tempU
+
+\def\nextstep{\global\tempL=\lccode\temp
+ \global\tempU=\uccode\temp
+ \lctablenumbersize\the\temp &
+ \the\tempL&
+ \the\tempU&\printlowerupper{\the\temp}{\the\tempL}{\the\tempU}\\
+ \global\advance\temp by 1
+ \stepprint}
+
+\def\printlowerupper#1#2#3{\char#1\relax
+ (\ifnum#2=0\relax--\else\char#2\fi
+ /\ifnum#3=0\relax--\else\char#3\fi)}
+
+\def\stepprint{\relax\ifnum\temp<\endval
+ \let\next=\nextstep
+ \else
+ \let\next=\relax
+ \fi
+ \next}
+
+\def\dolctable#1#2{{\temp=#1\relax
+\def\endval{#2}%
+\setlength\tabcolsep{1.5pt}%
+\begin{tabular}[t]{@{}cccc@{}}
+pos&lc&uc&glyphs\\\hline
+\stepprint
+\end{tabular}}}
+
+\iffalse
+\begin{center}
+\tiny\let\lctablenumbersize\tiny
+\mbox{\dolctable{0}{52}\vrule
+\dolctable{52}{104}\vrule
+\dolctable{104}{156}\vrule
+\dolctable{156}{208}\vrule
+\dolctable{208}{256}}
+\end{center}
+\fi
+
+\iffalse
+\begin{center}\tiny
+\mbox{\dolctable{0}{65}\vrule
+\dolctable{65}{128}\vrule
+\dolctable{128}{193}\vrule
+\dolctable{193}{256}}
+\end{center}
+\fi
+
+
+
+\section{Encoding specific commands}
+
+An encoding specific command is one that generates a glyph (or
+glyphs), to produce a graphic effect that may be implemented
+differently in different encodings. The encoding specific command
+automatically changes its implementation when the encoding changes in
+the course of the document. Encoding specific commands figure in
+\LaTeX's internal character representation (\textsc{licr}) and are also
+discussed in \cite[sec.~7.11.2, p.~442]{A-W:MG2004}.
+
+The following table only covers the encoding specific commands from
+the \Enc{OT1} and \Enc{T1} encodings. Other encodings may specify
+additional encoding specific commands. In the table, the first 15
+commands are `accent-like' and need as an argument the character to be
+accented. For example, |\v{c}| is the \textsc{licr} for `\v{c}'.
+
+\begin{tabbing}
+\ttverb\textvisiblespace\quad\=bbbbbbbbbbbbbb\=b'b'\=ccccccccccc\kill
+\ttverb\`{} \>OT1,T1\> \a`{}\> (grave) \\
+\ttverb\'{} \>OT1,T1\> \a'{}\> (acute) \\
+\ttverb\^{} \>OT1,T1\> \^{}\> (circumflex) \\
+\ttverb\~{} \>OT1,T1\> \~{}\> (tilde) \\
+\ttverb\"{} \>OT1,T1\> \"{}\> (umlaut) \\
+\ttverb\H{} \>OT1,T1\> \H{}\> (Hungarian umlaut) \\
+\ttverb\r{} \>OT1,T1\> \r{}\> (ring) \\
+\ttverb\v{} \>OT1,T1\> \v{}\> (ha\v{c}ek) \\
+\ttverb\u{} \>OT1,T1\> \u{}\> (breve) \\
+\ttverb\t{} \>OT1,T1\> \t{}\> (tie) \\
+\ttverb\={} \>OT1,T1\> \a={}\> (macron) \\
+\ttverb\.{} \>OT1,T1\> \.{}\> (dot) \\
+\ttverb\b{} \>OT1,T1\> \b{}\> (underbar) \\
+\ttverb\c{} \>OT1,T1\> \c{}\> (cedilla) \\
+\ttverb\d{} \>OT1,T1\> \d{}\> (dot under) \\
+\ttverb\k{} \>T1 \> \k{}\> (ogonek) \\
+% \ttverb\AA \>OT1,T1\> \AA \> \\ % no longer
+\ttverb\AE \>OT1,T1\> \AE \> \\
+\ttverb\DH \>T1 \> \DH \> \\
+\ttverb\DJ \>T1 \> \DJ \> \\
+\ttverb\L \>OT1,T1\> \L \> \\
+\ttverb\NG \>T1 \> \NG \> \\
+\ttverb\OE \>OT1,T1\> \OE \> \\
+\ttverb\O \>OT1,T1\> \O \> \\
+\ttverb\SS \>OT1,T1\> \SS \> \\
+\ttverb\TH \>T1 \> \TH \> \\
+% \ttverb\aa \>OT1,T1\> \aa \> \\ no-longer
+\ttverb\ae \>OT1,T1\> \ae \> \\
+\ttverb\dh \>T1 \> \dh \> \\
+\ttverb\dj \>T1 \> \dj \> \\
+\ttverb\guillemotleft \>T1 \> \guillemotleft \> (guillemet) \\
+\ttverb\guillemotright \>T1 \> \guillemotright \> (guillemet) \\
+\ttverb\guilsinglleft \>T1 \> \guilsinglleft \> (guillemet) \\
+\ttverb\guilsinglright \>T1 \> \guilsinglright \> (guillemet) \\
+\ttverb\i \>OT1,T1\> \i \> \\
+\ttverb\j \>OT1,T1\> \j \> \\
+\ttverb\l \>OT1,T1\> \l \> \\
+\ttverb\ng \>T1 \> \ng \> \\
+\ttverb\oe \>OT1,T1\> \oe \> \\
+\ttverb\o \>OT1,T1\> \o \> \\
+\ttverb\quotedblbase \>T1 \> \quotedblbase \> \\
+\ttverb\quotesinglbase \>T1 \> \quotesinglbase \> \\
+\ttverb\ss \>OT1,T1\> \ss \> \\
+\ttverb\textasciicircum \>OT1,T1\> \textasciicircum \> \\
+\ttverb\textasciitilde \>OT1,T1\> \textasciitilde \> \\
+\ttverb\textbackslash \>OT1,T1\> \textbackslash \> \\
+\ttverb\textbar \>OT1,T1\> \textbar \> \\
+\ttverb\textbraceleft \>OT1,T1\> \textbraceleft \> \\
+\ttverb\textbraceright \>OT1,T1\> \textbraceright \> \\
+\ttverb\textcompwordmark \>OT1,T1\> \textcompwordmark\> (invisible) \\
+\ttverb\textdollar \>OT1,T1\> \textdollar \> \\
+\ttverb\textemdash \>OT1,T1\> \textemdash \> \\
+\ttverb\textendash \>OT1,T1\> \textendash \> \\
+\ttverb\textexclamdown \>OT1,T1\> \textexclamdown \> \\
+\ttverb\textgreater \>OT1,T1\> \textgreater \> \\
+\ttverb\textless \>OT1,T1\> \textless \> \\
+\ttverb\textquestiondown \>OT1,T1\> \textquestiondown\> \\
+\ttverb\textquotedbl \>T1 \> \textquotedbl \> \\
+\ttverb\textquotedblleft \>OT1,T1\> \textquotedblleft\> \\
+\ttverb\textquotedblright \>OT1,T1\> \textquotedblright\> \\
+\ttverb\textquoteleft \>OT1,T1\> \textquoteleft \> \\
+\ttverb\textquoteright \>OT1,T1\> \textquoteright \> \\
+\ttverb\textregistered \>OT1,T1\> \textregistered \> \\
+\ttverb\textsection \>OT1,T1\> \textsection \> \\
+\ttverb\textsterling \>OT1,T1\> \textsterling \> \\
+\ttverb\texttrademark \>OT1,T1\> \texttrademark \> \\
+\ttverb\textunderscore \>OT1,T1\> \textunderscore \> \\
+\ttverb\textvisiblespace \>OT1,T1\> \textvisiblespace\> \\
+\ttverb\th \>T1 \> \th \>
+\end{tabbing}
+
+
+
+
+\begin{thebibliography}{99}
+\addcontentsline{toc}{section}{\numberline{\relax}\refname}
+
+
+\bibitem{Adobe:PDF-1.6} \emph{\textsc{PDF} reference}:
+ Adobe portable document format version~1.6. Adobe Systems
+ Incorporated, 2005. % why \textsuperscript{3}?
+ \url{http://partners.adobe.com/public/developer/en/pdf/PDFReference16.pdf}.
+
+\bibitem{Beeton:TB6-3-124} Barbara Beeton:
+ \emph{Mathematical symbols and cyrillic fonts ready for
+ distribution}. In: TUGBoat, 6\#3), 1985.
+ \url{http://tug.org/TUGboat/Articles/tb06-3/tb13beetcyr.pdf}.
+
+\bibitem{beeton} Barbara Beeton: \emph{Unicode
+ and math, a combination whose time has come -- Finally!}. In:
+ TUGBoat, 21\#3, 2000.
+ \url{http://www.tug.org/TUGboat/Articles/tb21-3/tb68beet.pdf}.
+
+
+\bibitem{Berdnikov:eurotex-98} A.\@ Berdnikov, O.\@
+ Lapko, M.\@ Kolodin, A.\@ Janishevsky and
+ A.\@ Burykin: \emph{The Encoding Paradigm in
+ \LaTeXe{} and the Projected X2 Encoding for Cyrillic Texts}.
+ Euro\TeX~98.
+ \url{http://www.gutenberg.eu.org/pub/GUTenberg/publicationsPDF/28-29-berdnikova.pdf}.
+
+\bibitem{CJK} \emph{The \Pkg{CJK} package}:
+ \url{http://cjk.ffii.org}.
+
+\bibitem{clasen} Matthias Clasen: \emph{A new
+ implementation of \LaTeX{} math}, 1997-98.
+ \url{http://www.tug.org/twg/mfg/papers/current/newmath.ps.gz}.
+
+\bibitem{clasen-vieth} Matthias Clasen and Ulrik
+ Vieth: \emph{Towards a new Math Font Encoding
+ for (La)\TeX}. March 1998,
+ \url{http://www.tug.org/twg/mfg/papers/current/mfg-euro-all.ps.gz}.
+
+\bibitem{CorkGW:91}
+Dean Guenther and Janene Winter.
+\newblock An international phonetic alphabet.
+\newblock In Guenther \cite{proc:MGu91}, pages 149--156.
+\newblock Published as {TUG}boat 12\#1.
+
+\bibitem{proc:MGu91}
+Mary Guenther, editor.
+\newblock {\em {\TeX} 90 Conference Proceedings}, March 1991.
+\newblock Published as {TUG}boat 12\#1.
+
+\bibitem{tub:MFe90}
+Michael~J. Ferguson.
+\newblock Report on multilingual activities.
+\newblock {\em {TUG}boat}, 11(4):514--516, 1990.
+
+\bibitem{fontinst} \emph{The \Pkg{fontinst} package}:
+ \textlangle CTAN\textrangle\url{/fonts/utilities/fontinst}.
+
+\bibitem{Rei:TB17-2-102} Fukui Rei:
+ \emph{\textsl{TIPA}: A system for processing phonetic
+ symbols in \LaTeX}. In: TUGBoat, 17\#, 1996.
+ \url{http://www.tug.org/TUGboat/Articles/tb17-2/tb51rei.pdf}.
+
+\bibitem{hyperref} \emph{The \Pkg{hyperref} package}:
+ \url{http://www.tug.org/applications/hyperref}.
+
+\bibitem{tub:JKn93}
+J\"org Knappen.
+\newblock Fonts for Africa: The fc Fonts.
+\newblock {\em {TUG}boat}, 14(2):104, 1993.
+
+\bibitem{Knappen:TB17-2-96} J\"org Knappen:
+ \emph{The \Pkg{dc} fonts~1.3: Move towards stability
+ and completeness}. In: TUGBoat 17\#2, 1996.
+ \url{http://www.tug.org/TUGboat/Articles/tb17-2/tb51knap.pdf}.
+
+\bibitem{A-W:DKn86}
+Donald~E. Knuth.
+\newblock {\em The {\TeX}book}.
+\newblock Volume~A of {\em Computers \& {T}ypesetting\/},
+ May 1989.
+\newblock Eight printing.
+
+\bibitem{vnr} \emph{The \Pkg{vnr} font family}, developed by
+ the author of pdf\TeX, {H\`an Th\^e\protect\llap{\raise 0.5ex\hbox{\'{\relax}}} Th\`anh}.
+ \url{http://vntex.org/download/vntex}.
+
+ \bibitem{ipa} Home page of the International Phonetic Association.
+ \url{http://www.arts.gla.ac.uk/IPA/ipa.html}
+
+\bibitem{A-W:LLa94}
+Leslie Lamport.
+\newblock {\em {\LaTeX:} A Document Preparation System}.
+\newblock Addison-Wesley, Reading, Massachusetts, second edition, 1994.
+
+\bibitem{LH-Fonts} \emph{The \Pkg{lh}-Fonts for Cyrillic}:
+ \textlangle CTAN\textrangle\url{/fonts/cyrillic/lh}.
+
+\bibitem{A-W:MG2004}
+Frank Mittelbach and Michel Goossens.
+\newblock {\em The {\LaTeX} Companion second edition}.
+\newblock With Johannes Braams, David Carlisle, and Chris Rowley.
+\newblock Addison-Wesley, Reading, Massachusetts, 2004.
+
+\bibitem{Unicode} \emph{The Unicode Standard}.
+ \url{http://unicode.org}.
+
+\bibitem{ziegler} Justin Ziegler, \emph{Technical
+ Report on Math Font Encodings}, June 1994,
+ \url{http://www.tug.org/twg/mfg/papers/ltx3pub/l3d007.ps.gz}.
+
+\end{thebibliography}
+
+\clearpage\appendix
+\begin{center}
+ \Large\bfseries Appendices
+\end{center}
+
+\section{Example code tables}
+
+This appendix contains a table of each font mentioned as an ``example''
+font above, providing that the font was available when the document
+was processed with \LaTeX{}. (\LaTeX{} generates a warning message
+for each font it fails to find.)
+
+\subsection{Text encodings}
+
+\ftable{cmr10}{OT1}
+
+\ftable{wnr10}{OT2}
+
+\ftable{wsuipa10}{OT3}
+
+\ftable{plr10}{OT4}
+
+\ftable{artmr10}{OT6}
+
+\ftable{ecrm1000}{T1}
+
+\ftable{larm1000}{T2A}
+
+\ftable{lbrm1000}{T2B}
+
+\ftable{lcrm1000}{T2C}
+
+\ftable{tipa10}{T3}
+
+\ftable{fcr10}{T4}
+
+\ftable{vnr10}{T5}
+
+
+\subsection{Text symbol encodings}
+
+The full table for \Enc{TS1} as provided by European Computer Modern family:
+\ftable{tcrm1000}{TS1}
+
+\pagebreak
+
+In contrast typical PostScript fonts usually have incomplete implementations
+of \Enc{TS1} sometimes missing more than half of the glyphs:
+
+\ftable{ptmr8c}{TS1}
+
+\ftable{tipx10}{TS3}
+
+
+
+\subsection{Extended text encodings}
+
+\ftable{rxrm1000}{X2}
+
+
+\subsection{Mathematical encodings}
+
+\ftable{cmmi10}{OML}
+
+\ftable{cmsy10}{OMS}
+
+\ftable{cmex10}{OMX}
+
+
+\subsection{Other encodings}
+
+\ftable{ptmr8y}{LY1}
+
+%%\ftable{????}{LV1}
+
+\ftable{grmn1000}{LGR}
+
+\ftable{wasy10}{U}
+\ftable{logo10}{U}
+
+\clearpage
+\section{Uppercase and lowercase tables}
+\label{sec:uclc-tab}
+
+The following two sets of tables list the \verb"\uppercase" and
+\verb"\lowercase" values for each position in the \LaTeX{} standard
+256-character tables.
+
+Each row of each table lists:
+\begin{quote}
+ \begin{tabular}{lp{0.7\textwidth}}
+ pos & The position in the table (0-255) \\
+ lc & The value in the \verb"\lowercase" table at the position \\
+ & (note that value 0 here means that \verb"\lowercase" is
+ ineffective for this character, and hyphenation does not apply
+ to it) \\
+ uc & The value in the \verb"\uppercase" table at the position \\
+ & (note that value 0 here means that \verb"\uppercase" is
+ ineffective for this character) \\
+ glyphs & The glyphs specified for the T1 encoding for this
+ position, laid out as \meta{glyph}\textbf{(}\meta{lowercase
+ glyph}\textbf{/}\meta{uppercase glyph}\textbf{)}
+ \end{tabular}
+\end{quote}
+
+\begin{center}
+ \let\lctablenumbersize\footnotesize
+ \makebox[\textwidth]{\hss
+ \dolctable{0}{32}\quad\dolctable{32}{64}\quad
+ \dolctable{64}{96}\quad\dolctable{96}{128}%
+ \hss}
+
+ \makebox[\textwidth]{\hss
+ \dolctable{128}{160}\quad\dolctable{160}{192}\quad
+ \dolctable{192}{224}\quad\dolctable{224}{256}%
+ \hss}
+\end{center}
+\end{document}
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%