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diff --git a/Master/texmf-dist/doc/latex/guitarchordschemes/README b/Master/texmf-dist/doc/latex/guitarchordschemes/README index 0397df22b11..16e8d67dcf3 100644 --- a/Master/texmf-dist/doc/latex/guitarchordschemes/README +++ b/Master/texmf-dist/doc/latex/guitarchordschemes/README @@ -1,15 +1,15 @@ -------------------------------------------------------------------------- -the GUITARCHORDSCHEMES package v 0.4 +the GUITARCHORDSCHEMES package v 0.6 Guitar Chord and Scale Tablatures with TikZ -2013/08/25 +2014/09/15 -------------------------------------------------------------------------- Clemens Niederberger Web: https://bitbucket.org/cgnieder/guitarchordschemes/ E-Mail: contact@mychemistry.eu -------------------------------------------------------------------------- -Copyright 2013 Clemens Niederberger +Copyright 2013-2014 Clemens Niederberger This work may be distributed and/or modified under the conditions of the LaTeX Project Public License, either version 1.3 diff --git a/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.pdf b/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.pdf Binary files differindex 87c0de8bbaf..2f94bd693a2 100644 --- a/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.pdf +++ b/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.pdf diff --git a/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.tex b/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.tex index 18891ca9c46..4ad227ba4bf 100644 --- a/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.tex +++ b/Master/texmf-dist/doc/latex/guitarchordschemes/guitarchordschemes_en.tex @@ -1,7 +1,7 @@ -% arara: xelatex -% !arara: biber -% !arara: xelatex -% !arara: xelatex +% arara: pdflatex +% arara: biber +% arara: pdflatex +% arara: pdflatex % -------------------------------------------------------------------------- % the GUITARCHORDSCHEMES package % @@ -35,63 +35,44 @@ % If you have any ideas, questions, suggestions or bugs to report, please % feel free to contact me. % -------------------------------------------------------------------------- -\documentclass[toc=index,toc=bib]{cnpkgdoc} -\docsetup{ - pkg = [use-rbc]guitarchordschemes , - subtitle = Guitar Chord and Scale Tablatures with \TikZ , - code-box = { - backgroundcolor = gray!7!white , - skipbelow = .6\baselineskip plus .5ex minus .5ex , - skipabove = .6\baselineskip plus .5ex minus .5ex , - roundcorner = 3pt , +\documentclass[load-preamble+]{cnltx-doc} +\usepackage{guitarchordschemes} +\usepackage[chordnames]{leadsheets} + +\setcnltx{ + package = guitarchordschemes , + authors = Clemens Niederberger , + email = contact@mychemistry.eu , + url = https://bitbucket.org/cgnieder/guitarchordschemes/ , + info = guitar chord schemes and fingering scales with \TikZ , + add-cmds = { + chordscheme, + setchordscheme, + scales } , - gobble = 1 -} -\usepackage{polyglossia} -\setmainlanguage{english} -\usepackage[oldstyle,proportional]{libertine} -\usepackage{libertinehologopatch} -\cnpkgusecolorscheme{friendly} - -\setmonofont[Ligatures=TeX,Scale=MatchLowercase]{Bitstream Vera Sans Mono} - -\usepackage{fnpct} -\pagestyle{headings} - -\usepackage[biblatex]{embrac}[2013/03/22] -\ChangeEmph{[}[,.02em]{]}[.055em,-.08em] -\ChangeEmph{(}[-.01em,.04em]{)}[.04em,-.05em] - -\renewcommand*\othersectionlevelsformat[3]{% - \textcolor{main}{#3\autodot}\enskip} -\renewcommand*\partformat{% - \textcolor{main}{\partname~\thepart\autodot}} - -\addcmds{ - chordscheme, - setchordscheme, - scales, - textsuperscript + add-silent-cmds = textsuperscript , + abstract = {% + \centering + \chordscheme[ + name = Gmi7 , + position = II , + barre = {2/2-4:3} , + show-root = {4/4} , + root = {2/6:2} , + mute = {1,5} + ]% + } , + index-setup = { + othercode = \footnotesize , + level = \addsec , + noclearpage + } , + makeindex-setup = { + columns = 3 , + columnsep = 1em + } } -\usepackage{filecontents} -\usepackage{imakeidx} -\begin{filecontents*}{\jobname.ist} - heading_prefix "{\\bfseries " - heading_suffix "\\hfil}\\nopagebreak\n" - headings_flag 1 - delim_0 "\\dotfill\\hyperpage{" - delim_1 "\\dotfill\\hyperpage{" - delim_2 "\\dotfill\\hyperpage{" - delim_r "}\\textendash\\hyperpage{" - delim_t "}" - suffix_2p "\\nohyperpage{\\,f.}" - suffix_3p "\\nohyperpage{\\,ff.}" -\end{filecontents*} -\indexsetup{othercode=\footnotesize} -\makeindex[options={-s \jobname.ist},intoc,columns=3,columnsep=1em] - -\usepackage[backend=biber,style=alphabetic]{biblatex} \addbibresource{\jobname.bib} \begin{filecontents}{\jobname.bib} @online{web:pietsch:fonts, @@ -100,36 +81,6 @@ url = {http://notation.jochenpietsch.de/index_e.html} , urldate = {2012-05-10} } -@package{pkg:etoolbox, - title = {\paket*{etoolbox}}, - author = {Philipp Lehman}, - date = {2011-01-21}, - version = {2.1}, - url = {http://mirror.ctan.org/macros/latex/contrib/etoolbox} -} -@package{pkg:pgfopts, - title = {\paket*{pgfopts}}, - author = {Joseph Wright}, - date = {2011-06-02}, - version = {2.1}, - url = {http://mirror.ctan.org/macros/latex/contrib/pgfopts} -} -@package{pkg:realbookchords, - title = {\paket*{realbookchords}}, - author = {Clemens Niederberger}, - date = {2013-04-29}, - version = {0.1}, - url = {https://bitbucket.org/cgnieder/guitarchordschemes/} -} -@package{pkg:tikz, - author = {Till Tantau and Mark Wibrow and Christian Feuersänger}, - title = {Ti\textit{k}Z/pgf}, - sorttitle = {TikZ}, - version = {2.10}, - date = {2010-02-25}, - url = {http://sourceforge.net/projects/pgf/}, - urldate = {2013-04-18} -} @book{leavitt:mmfg:1, author = {William G. Leavitt}, title = {A Modern Method for Guitar}, @@ -139,304 +90,276 @@ } \end{filecontents} - -\let\verb\lstinline -\makeatletter -\def\TikZ@logo{Ti\textit{k}Z} -\renewrobustcmd\TikZ{\TikZ@logo\index{TikZ@\TikZ@logo}} -\makeatother - \usepackage{ccicons} -\usepackage{acro,accsupp} -\DeclareAcronym{ctan}{ - short = ctan , - long = the \textsc{Comprehensive \TeX{} Archive Network} , - short-format = \scshape , - pdfstring = CTAN , - accsupp = CTAN -} -\acsetup{first-style=footnote} - \setchordscheme{ - finger-format+=\biolinumLF , - name-format+=\libertineLF + finger-format+ = \biolinumLF , + name-format+ = \libertineLF , + chord-name-cs = \chordname } -\TitlePicture{% -\chordscheme[ - name = Gmi7 , - position = II , - barre = {2/2-4:3} , - show-root = {4/4} , - root = {2/6:2} , - mute = {1,5} -]} +\newcommand*\TikZ{Ti\textit{k}Z} + \begin{document} \section{License and Requirements} -\guitarchordschemes is placed under the terms of the \LaTeX{} Project Public License, -version 1.3 or later (\url{http://www.latex-project.org/lppl.txt}). -It has the status “maintained”. +\license + +\guitarchordschemes{} loads the packages \TikZ~\cite{pkg:pgf}, +\pkg{etoolbox}~\cite{pkg:etoolbox} and \pkg{pgfopts}~\cite{pkg:pgfopts}. It +also loads the \TikZ{} libraries \code{shapes.misc}, \code{arrows} and +\code{calc}. -\guitarchordschemes loads the packages \TikZ~\cite{pkg:tikz}, -\paket*{etoolbox}~\cite{pkg:etoolbox} and \paket*{pgfopts}~\cite{pkg:pgfopts}. -It also loads the \TikZ{} libraries \code{shapes.misc}, \code{arrows} and \code{calc}. -Depending on an option it also loads \paket*{realbookchords}~\cite{pkg:realbookchords}. -This package is not yet published on \ac{ctan} and thus not part of any \TeX{} -distribution. Until it is you can find it at -\url{https://bitbucket.org/cgnieder/realbookchords/}. -See section~\ref{sec:realbookchords} for details on this option. +% Depending on an option it also loads +% \pkg{realbookchords}~\cite{pkg:realbookchords}. This package is not yet +% published on \CTAN{} and thus not part of any \TeX{} distribution. Until it is +% you can find it at \url{https://bitbucket.org/cgnieder/realbookchords/}. See +% section~\ref{sec:realbookchords} for details on this option. \section{The Commands} This package more or less provides a single command: -\begin{beschreibung} - \Befehl{chordscheme}[<options>] - \Befehl{scales}[<option>] -\end{beschreibung} +\begin{commands} + \command{chordscheme}[\oarg{options}] + Typeset a guitar chord scheme. + \command{scales}[\oarg{option}] + Typeset a fingering scale. +\end{commands} These commands set the frame for the chord and scale tablatures and can be used to create sheets for manually writing down tablatures: -\begin{beispiel} - \chordscheme -\end{beispiel} - -Similarly \cmd{scales} creates a frame with two more frets: -\begin{beispiel}[below] - \scales -\end{beispiel} - -\subsection{Options for \cmd*{chordscheme}} -The \oa{options} argument is where the actual details for a chord happen. These -are the available ones for \cmd{chordscheme}: -\begin{beschreibung} - \Option{name}{<chordsymbol>}\newline - Set the chord symbol. This option accepts a list of entries. - \Option{position}{<position>}\newline - Set the position for the first of the four frets. - \Option{finger}{<fret>/<string>:<label>}\newline - Specify the finger positions for a chord. This option accepts a list of entries. - The \code{:<label>} is optional. - \Option{root}{<fret>/<string>:<label>}\newline - The same as finger but uses a square instead of a circle to indicate that - this finger is playing the root of the chord. This option accepts a list of - entries. The \code{:<label>} is optional. - \Option{show-root}{<fret>/<string>}\newline - Specify positions of the root that are \emph{not} part of the actual chord - but are somewhere in the vicinity of it on the guitar neck. This option - accepts a list of entries. - \Option{barre}{<fret>/<string range>:<label>}\newline - Specify a barr\'e position for a chord. The \code{<string range>} part must - contain a two string numbers separated with a dash. This option accepts a list - of entries. The \code{:<label>} is optional. - \Option{ring}{<string>}\newline - Specify open strings. This option accepts a list of entries. - \Option{mute}{<string>}\newline - Specify muted/un-played strings This option accepts a list of entries. -\end{beschreibung} +\begin{example}[side-by-side] + \chordscheme +\end{example} + +Similarly \cs{scales} creates a frame with two more frets: +\begin{example} + \scales +\end{example} + +\subsection{Options for \cs*{chordscheme}} +The \meta{options} argument is where the actual details for a chord +happen. These are the available ones for \cs{chordscheme}: +\begin{options} + \keyval{fret-number}{number}\Default{4} + \sinceversion{0.6}The number of frets that are drawn. This number must be + at least 4. The option should be set as first option since it influences + other options. + \keyval{name}{chordsymbol} + Set the chord symbol. This option accepts a comma separated list of + entries. + \keyval{position}{position} + Set the position for the first of the four frets. + \keychoice{finger}{\meta{fret}/\meta{string}:\meta{label}} + Specify the finger positions for a chord. This option accepts a comma + separated list of entries. The \code{:\meta{label}} is optional. + \keychoice{root}{\meta{fret}/\meta{string}:\meta{label}} + The same as finger but uses a square instead of a circle to indicate that + this finger is playing the root of the chord. This option accepts a comma + separated list of entries. The \code{:\meta{label}} is optional. + \keychoice{show-root}{\meta{fret}/\meta{string}} + Specify positions of the root that are \emph{not} part of the actual chord + but are somewhere in the vicinity of it on the guitar neck. This option + accepts a comma separated list of entries. + \keychoice{barre}{\meta{fret}/\meta{string range}:\meta{label}} + Specify a barr\'e position for a chord. The \meta{string range} part must + contain a two string numbers separated with a dash. This option accepts a + list of entries. The \code{:\meta{label}} is optional. + \keyval{ring}{string} + Specify open strings. This option accepts a comma separatedlist of + entries. + \keyval{mute}{string} + Specify muted/un-played strings. This option accepts a comma separated + list of entries. +\end{options} Let's take a look at a few examples: -\setchordscheme{use-rbc=false} -\begin{beispiel} - \chordscheme[ - name = G , - position = I , - finger = {2/5:1} , - root = {3/6:2, 3/1:4} , - ring = {2,3,4} - ] -\end{beispiel} +\begin{example}[side-by-side] + \chordscheme[ + name = G , + position = I , + finger = {2/5:1} , + root = {3/6:2, 3/1:4} , + ring = {2,3,4} + ] +\end{example} +\makeatletter +\setchordscheme{chord-name-cs=\@firstofone} +\makeatother -Or a more “jazzy” chord: -\begin{beispiel} - \chordscheme[ - name = G\textsuperscript{6} , - position = II , - finger = {1/4:1, 3/3:4, 2/2:3} , - root = 2/6:2 , - show-root = 4/4 , - mute = {1,5} - ] -\end{beispiel} +Or a more "`jazzy"' chord: +\begin{example}[side-by-side] + \chordscheme[ + name = G\textsuperscript{6} , + position = II , + finger = {1/4:1, 3/3:4, 2/2:3} , + root = 2/6:2 , + show-root = 4/4 , + mute = {1,5} + ] +\end{example} One with a barr\'e: -\begin{beispiel} - \chordscheme[ - name = Gmi\textsuperscript{7} , - position = II , - barre = 2/2-4:3 , - show-root = 4/4 , - root = 2/6:2 , - mute = {1,5} - ] -\end{beispiel} - -\subsection{Options for \cmd*{scales}} -The \oa{options} argument for \cmd{scales} are similar to the ones for -\cmd{chordscheme}: -\begin{beschreibung} - \Option{name}{<title>}\newline - Set a title for the scale. - \Option{position}{<position>}\newline - Set the position for the first of the six frets. - \Option{finger}{<fret>/<string>:<label>}\newline - Specify the finger positions for the scale. This option accepts a list of entries. - The \code{:<label>} is optional. - \Option{root}{<fret>/<string>:<label>}\newline - The same as finger but uses a square instead of a circle to indicate that - this finger is playing the root of the scale. This option accepts a list of - entries. The \code{:<label>} is optional. - \Option{fret number}{<integer>}\Default{6} - The number of frets displayed for a scale. The minimum number is 6. - \Option{fingering}{type 1|type 1A|type 2|type 3|type 4}\newline - Set a whole predefined fingering. The types correspond to ones taught - in \citeauthor{leavitt:mmfg:1}'s \citetitle{leavitt:mmfg:1}~\cite{leavitt:mmfg:1}. - This option assumes an ionic scale a places the roots correspondingly. - \Option{fingering*}{type 1|type 1A|type 2|type 3|type 4}\newline - The same as \key{fingering} but not scale is assumed and no roots are - indicated. - \Option{fingering?}{type 1|type 1A|type 2|type 3|type 4}\newline - The same as \key{fingering*} but also no labels for the fingers are given. -\end{beschreibung} +\begin{example}[side-by-side] + \chordscheme[ + name = Gmi\textsuperscript{7} , + position = II , + barre = 2/2-4:3 , + show-root = 4/4 , + root = 2/6:2 , + mute = {1,5} + ] +\end{example} + +\subsection{Options for \cs*{scales}} +The \meta{options} argument for \cs{scales} are similar to the ones for +\cs{chordscheme}: +\begin{options} + \keyval{fret-number}{number}\Default{6} + \sinceversion{0.6}The number of frets that are drawn. This number must be + at least 6. The option should be set as first option since it influences + other options. + \keyval{name}{title} + Set a title for the scale. + \keyval{position}{position} + Set the position for the first of the six frets. + \keychoice{finger}{\meta{fret}/\meta{string}:\meta{label}} + Specify the finger positions for the scale. This option accepts a comma + separated list of entries. The \code{:\meta{label}} is optional. + \keychoice{root}{\meta{fret}/\meta{string}:\meta{label}} + The same as finger but uses a square instead of a circle to indicate that + this finger is playing the root of the scale. This option accepts a comma + separated list of entries. The \code{:\meta{label}} is optional. + \keyval{fret number}{integer}\Default{6} + The number of frets displayed for a scale. The minimum number is 6. + \keychoice{fingering}{type 1,type 1A,type 2,type 3,type 4} + Set a whole predefined fingering. The types correspond to ones taught + in \citeauthor{leavitt:mmfg:1}'s + \citetitle{leavitt:mmfg:1}~\cite{leavitt:mmfg:1}. This option assumes an + ionic scale a places the roots correspondingly. + \keychoice{fingering*}{type 1,type 1A,type 2,type 3,type 4} + The same as \option{fingering} but not scale is assumed and no roots are + indicated. + \keychoice{fingering?}{type 1,type 1A,type 2,type 3,type 4} + The same as \option{fingering*} but also no labels for the fingers are given. +\end{options} Let's see an example: -\begin{beispiel}[below] - \scales[ - name = F-major (Fingering Type~1A) , - position = I , - fingering = type 1A - ] -\end{beispiel} - -An example for \key{fingering*}: -\begin{beispiel}[below] - \scales[ - name = Fingering Type~3 , - fingering* = type 3 - ] -\end{beispiel} - -Now an example for \key{fingering?}: -\begin{beispiel}[below] - \scales[ - name = Fingering Type~2 , - fingering? = type 2 - ] -\end{beispiel} +\begin{example} + \scales[ + name = F-major (Fingering Type~1A) , + position = I , + fingering = type 1A + ] +\end{example} + +An example for \option{fingering*}: +\begin{example} + \scales[ + name = Fingering Type~3 , + fingering* = type 3 + ] +\end{example} + +Now an example for \option{fingering?}: +\begin{example} + \scales[ + name = Fingering Type~2 , + fingering? = type 2 + ] +\end{example} At last an example for an explicitly set scale: -\begin{beispiel}[below] - \scales[ - finger = { - 2/1:1, 5/1:4, - 2/2:1, 5/2:4, - 2/3:1, 4/3:3, 5/3:4, - 2/4:1, 4/4:3, - 2/5:1, 3/5:2, 4/5:3, - 2/6:1, 5/6:4 - } - ] -\end{beispiel} - +\begin{example} + \scales[ + finger = { + 2/1:1, 5/1:4, + 2/2:1, 5/2:4, + 2/3:1, 4/3:3, 5/3:4, + 2/4:1, 4/4:3, + 2/5:1, 3/5:2, 4/5:3, + 2/6:1, 5/6:4 + } + ] +\end{example} \section{Options} There are quite a number of options determining the layout of the tablatures. They can either be set as package options or via the setup command: -\begin{beschreibung} - \Befehl{setchordscheme}{<options>} -\end{beschreibung} +\begin{commands} + \command{setchordscheme}{options} + The setup command for \guitarchordschemes. +\end{commands} Below every option and its corresponding default setting is described. -\begin{beschreibung} - \Option{x-unit}{<dim>}\Default{.8cm} - The basic $x$ unit for the \TikZ{} picture the chord scheme is set in. - \Option{y-unit}{<dim>}\Default{.8cm} - The basic $y$ unit for the \TikZ{} picture the chord scheme is set in. - \Option{finger-format}{<TeX code>}\Default{\cmd*{sffamily}\cmd*{small}} - The format the numbers for the fingers are typeset with. - \Option{finger-format+}{<TeX code>}\Default{} - Code to be appended to \key{finger-format}. - \Option{position-format}{<TeX code>}\Default{\cmd*{sffamily}} - The format the number for the position is typeset with. - \Option{position-format+}{<TeX code>}\Default{} - Code to be appended to \key{position-format}. - \Option{name-format}{<TeX code>}\Default{\cmd*{large}} - The format the chord name/symbol is typeset with. - \Option{name-format+}{<TeX code>}\Default{} - Code to be appended to \key{name-format}. - \Option{string-name-format}{<TeX code>}\Default{\cmd*{sffamily}\cmd*{small}} - The format the names of the strings are typeset with. - \Option{string-name-format+}{<TeX code>}\Default{} - Code to be appended to \key{string-name-format}. - \Option{line-width}{<dim>}\Default{1pt} - The line width used for all lines drawn in the chord scheme. - \Option{finger-radius}{<dim>}\Default{.1875} - The radius of the circles that represent the fingers in multiples of - \key{x-unit}. Also determines the size of the root markers and the barr\'e. - \Option{finger-x-offset}{<dim>}\Default{.375} - The $x$ offset of the number with respect to the circle in multiples of - \key{x-unit}. - \Option{finger-y-offset}{<dim>}\Default{.375} - The $y$ offset of the number with respect to the circle in multiples of - \key{y-unit}. - \Option{finger-style}{<tikz style>}\Default{fill} - The \TikZ{} style the circles representing the fingers are drawn with. - This is equivalent to\linebreak \cmd{tikzset}{finger style/.style=\{<tikz style>\}}. - \Option{root-style}{<tikz style>}\Default{fill} - The \TikZ{} style the squares representing the roots are drawn with. - This is equivalent to\linebreak \cmd{tikzset}{root style/.style=\{<tikz style>\}}. - \Option{show-root-style}{<tikz style>}\Default{draw} - The \TikZ{} style the squares representing the “ghost roots” are drawn with. - This is equivalent to \cmd{tikzset}{show root style/.style=\{<tikz style>\}}. - \Option{ringing-style}{<tikz style>}\Default{draw} - The \TikZ{} style the circles representing the open string markers are drawn - with. This is equivalent to \cmd{tikzset}{ringing style/.style=\{<tikz style>\}}. - \Option{muted-style}{<tikz style>}\Default{\{cross out,draw\}} - The \TikZ{} style the nodes representing muted strings are drawn with. - This is equivalent to \cmd{tikzset}{muted style/.style=\{<tikz style>\}}. - \Option{tuning}{<comma list of string names>}\Default{\{E,B,G,D,A,E\}} - The tuning. - \Option{use-rbc}{\default{true}|false}\Default{false} - If set to true the \key{name} will be set in the command \cmd{rbc} from the - \paket*{realbookchords}. If this option is not used as a package option - then make sure you also load \paket*{realbookchords}~\cite{pkg:realbookchords}. - Please be aware that the latter requires \XeLaTeX{} or \LuaLaTeX. See - section~\ref{sec:realbookchords} for details. -\end{beschreibung} - -\section{Using \paket*{realbookchords}}\label{sec:realbookchords} -Setting \cmd{setchordscheme}{use-rbc=true} or using the same as package option -will set the chord names/symbols in \paket*{realbookchords}' command \cmd{rbc}. - -In order to use this option you need to install the \paket*{realbookchords} -package~\cite{pkg:realbookchords}. I expect it to go to \ac{ctan} eventually but -until then you can get it at \url{https://bitbucket.org/cgnieder/realbookchords/}. -The package uses Jochen Pietsch's “New Real Book” font~\cite{web:pietsch:fonts} -for typesetting the chord symbols which you can get at -\url{http://notation.jochenpietsch.de/} or from me. I published it here: \url{http://www.niederberger.com.de/gitarren-akkorde-und-skalen-mit-latex}. -It is placed under the Creative Commons Attribution-Noncommercial-Share Alike~3.0 -Unported License \ccbyncsaeu. - -\paket*{realbookchords} requires that you compile your document with \XeLaTeX{} -or \LuaLaTeX. - -Here is an example of how the chord symbol looks with \paket*{realbookchords}: -\begin{beispiel} - \setchordscheme{use-rbc=true} - \chordscheme[ - name = Gmi7(\b5) , - position = II , - finger = {1/2:1, 2/3:4, 2/4:3} , - show-root = {4/4} , - root = {2/6:2} , - mute = {1,5} - ] -\end{beispiel} - -\printbibliography - -\printindex +\begin{options} + \keyval{x-unit}{dim}\Default{.8cm} + The basic $x$ unit for the \TikZ{} picture the chord scheme is set in. + \keyval{y-unit}{dim}\Default{.8cm} + The basic $y$ unit for the \TikZ{} picture the chord scheme is set in. + \keyval{finger-format}{\TeX{} code}\Default{\cs*{sffamily}\cs*{small}} + The format the numbers for the fingers are typeset with. + \keyval{finger-format+}{\TeX{} code}\Default + Code to be appended to \option{finger-format}. + \keyval{position-format}{\TeX{} code}\Default{\cs*{sffamily}} + The format the number for the position is typeset with. + \keyval{position-format+}{\TeX{} code}\Default + Code to be appended to \option{position-format}. + \keyval{name-format}{\TeX{} code}\Default{\cs*{large}} + The format the chord name/symbol is typeset with. + \keyval{name-format+}{\TeX{} code}\Default + Code to be appended to \option{name-format}. + \keyval{chord-name-format}{cs}\Default{\cs*{@firstofone}} + \sinceversion{0.5}The command that is used to parse the chord name. + \meta{cs} needs to be a command that takes a mandatory argument. + \keyval{scales-name-format}{cs}\Default{\cs*{@firstofone}} + \sinceversion{0.5}The command that is used to parse the scales name. + \meta{cs} needs to be a command that takes a mandatory argument. + \keyval{string-name-format}{\TeX{} code}\Default{\cs*{sffamily}\cs*{small}} + The format the names of the strings are typeset with. + \keyval{string-name-format+}{\TeX{} code}\Default + Code to be appended to \option{string-name-format}. + \keyval{chord-frets}{number}\Default{4} + \sinceversion{0.6}The default number of frets of a chord scheme. + \meta{number} must be at least 4. + \keyval{scales-frets}{number}\Default{6} + \sinceversion{0.6}The default number of frets of a scales scheme. + \meta{number} must be at least 6. + \keyval{line-width}{dim}\Default{1pt} + The line width used for all lines drawn in the chord scheme. + \keyval{finger-radius}{num}\Default{.1875} + The radius of the circles that represent the fingers in multiples of + \option{x-unit}. Also determines the size of the root markers and the + barr\'e. + \keyval{finger-x-offset}{num}\Default{.375} + The $x$ offset of the number with respect to the circle in multiples of + \option{x-unit}. + \keyval{finger-y-offset}{num}\Default{.375} + The $y$ offset of the number with respect to the circle in multiples of + \option{y-unit}. + \keyval{finger-style}{\TikZ{} style}\Default{fill} + The \TikZ{} style the circles representing the fingers are drawn with. + This is equivalent to \cs*{tikzset}\Marg{finger + style/.style=\{\meta{\TikZ{} style}\}}. + \keyval{root-style}{\TikZ{} style}\Default{fill} + The \TikZ{} style the squares representing the roots are drawn with. + This is equivalent to \cs*{tikzset}\Marg{root style/.style=\{\meta{\TikZ{} + style}\}}. + \keyval{show-root-style}{\TikZ{} style}\Default{draw} + The \TikZ{} style the squares representing the "`ghost roots"' are drawn + with. This is equivalent to \cs*{tikzset}\Marg{show root + style/.style=\{\meta{\TikZ{} style}\}}. + \keyval{ringing-style}{\TikZ{} style}\Default{draw} + The \TikZ{} style the circles representing the open string markers are + drawn with. This is equivalent to \cs*{tikzset}\Marg{ringing + style/.style=\{\meta{\TikZ{} style}\}}. + \keyval{muted-style}{\TikZ{} style}\Default{cross out,draw} + The \TikZ{} style the nodes representing muted strings are drawn with. + This is equivalent to \cs*{tikzset}\Marg{muted style/.style=\{\meta{\TikZ{} + style}\}}. + \keyval{tuning}{comma separated list of string names}\Default{E,B,G,D,A,E} + The tuning. +\end{options} \end{document} |