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-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/00changes.txt36
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/00readme.txt49
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/monsyl.txt456
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/rgr.readme39
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/rgreekmacros.tex159
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/rgrhyph.tex1179
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/rgrpaper.tex763
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/rgrtestfont.tex274
-rw-r--r--Master/texmf-dist/doc/plain/yannisgr/tomakeformat.txt26
9 files changed, 2981 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/plain/yannisgr/00changes.txt b/Master/texmf-dist/doc/plain/yannisgr/00changes.txt
new file mode 100644
index 00000000000..9be612e38ba
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/00changes.txt
@@ -0,0 +1,36 @@
+ -Files renamed to avoid conflicts with CM:
+ accent.mf renamed to rgraccent.mf
+ punct.mf renamed to rgrpunct.mf
+
+ -Files renamed to avoid conflicts with Levy's Greek
+ gen_acc.mf renamed to rgen_acc.mf
+ grbase.mf renamed to rgrbase.mf
+ greek.mf renamed to rgreek.mf
+ greekmacros.tex renamed to rgreekmacros.tex
+ grtestfont.tex renamed to rgrtestfont.tex
+ lig.mf renamed to rgrlig.mf
+ lower.mf renamed to rgrlower.mf
+ upper.mf renamed to rgrupper.mf
+
+ -Files renamed to conform to HMC foreign language conventions
+ rgrhyph.tex renamed to grhypha.tex
+
+ -Files replaced with near-identical files from Levy's Greek
+ digits.mf
+
+ -Files changed to reflect above renamings:
+ greekcsc.mf
+ mrgrbf10.mf
+ mrgrrg10.mf
+ mrgrsl10.mf
+ mrgrti10.mf
+ m_greek.mf
+ rgrbf10.mf
+ rgreek.mf
+ rgrpaper.tex
+ rgrrg10.mf
+ rgrsc10.mf
+ rgrsl10.mf
+ rgrtestfont.tex
+ rgrti10.mf
+ tomakeformat.txt
diff --git a/Master/texmf-dist/doc/plain/yannisgr/00readme.txt b/Master/texmf-dist/doc/plain/yannisgr/00readme.txt
new file mode 100644
index 00000000000..9110bf9a1c1
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/00readme.txt
@@ -0,0 +1,49 @@
+
+Directory TEX_ROOT:[BABEL.GREEK.YANNIS]
+
+00CHANGES.TXT;5
+00README.TXT;1
+CSC_MISCE.MF;1
+DIGITS.MF;2
+GEN_ACC.MF;2
+GEN_M_ACC.MF;1
+GREEKCSC.MF;2
+IT_DIGITS.MF;1
+IT_LIG.MF;1
+IT_LOWER.MF;1
+LIGCSC.MF;1
+MONSYL.TXT;1
+MRGRBF10.MF;2
+MRGRRG10.MF;2
+MRGRSL10.MF;2
+MRGRTI10.MF;2
+M_ACCENT.MF;1
+M_GREEK.MF;2
+RGEN_ACC.MF;1
+RGR.README;2
+RGRACCENT.MF;1
+RGRBASE.MF;1
+RGRBF10.MF;3
+RGREEK.MF;3
+RGREEKMACROS.TEX;1
+RGRHYPH.TEX;1
+RGRLIG.MF;1
+RGRLOWER.MF;1
+RGRPAPER.DVI;1
+RGRPAPER.LIS;2
+RGRPAPER.TEX;3
+RGRPUNCT.MF;1
+RGRRG10.MF;3
+RGRSC10.300GF;1
+RGRSC10.LIS;1
+RGRSC10.MF;2
+RGRSC10.PL;1
+RGRSC10.TFM;1
+RGRSL10.MF;3
+RGRTESTFONT.TEX;2
+RGRTI10.MF;3
+RGRUPPER.MF;1
+SCSC.MF;1
+TOMAKEFORMAT.TXT;2
+
+Total of 44 files.
diff --git a/Master/texmf-dist/doc/plain/yannisgr/monsyl.txt b/Master/texmf-dist/doc/plain/yannisgr/monsyl.txt
new file mode 100644
index 00000000000..b704a49ee7f
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/monsyl.txt
@@ -0,0 +1,456 @@
+%
+% This is part of the rgr-package, version 1.0
+%
+% LIST OF ONE-SYLLAB WORDS WHICH TAKE NO ACCENT
+% IN THE NEW ONE-ACCENT SYSTEM
+%
+% Source: Dictionnary of Mhqi'wthc (ref. 3 in the paper)
+%
+%
+% Exceptions are: >'h, p~wc, po~u, und mo~u, so~u, to~u etc
+% in case of misunderstanding:
+% for example o pat'erac mou e'ipe
+% can mean: my father said (<o pat'erac mou, e>~ipe)
+% or father said to me (<o pat'erac, mo~u e>~ipe).
+% In the first case it would be: o pat'erac mou e'ipe
+% and in the second one: o pat'erac mo'u e'ipe.
+% But if there is no possible misunderstanding, these words get no
+% accent.
+%
+%
+>~a
+>'a
+<'a
+>'ai
+>'ah
+<'alc
+>'alt
+>'an
+>'aq
+b'att
+b'aq
+b'hx
+b'olt
+bo~u
+bo~uc
+bg'ec
+br'ec
+bg~w
+bge~ic
+bge~i
+bgo~un
+br'e
+b~wx
+bi'oc
+br~w
+bre~ic
+bre~i
+bro~un
+bo~un
+g'a
+g'ar
+g~h
+g~hc
+g~hn
+gi'a
+gi'en
+gi'wt
+gk'el
+gk'i
+gk'olf
+gi'oc
+gio~u
+gi'o
+gio'i
+gi~wn
+gio'uc
+gkro'um
+gla~ux
+gra~uc
+gr'i
+gr~u
+gr'uy
+gk'ol
+g'in
+gi'angk
+gi'ok
+g'uy
+d'a
+da'ic
+d'ac
+d'e
+de~i
+de~in
+d'en
+d'ec
+d~w
+de~ic
+do~un
+d'h
+d'hx
+di'a
+d'ic
+d'on
+do'ux
+dr'ax
+du'o
+dr~w
+dr~ac
+dr~a
+dro~un
+dr~uc
+>'e
+>'ea
+e<~ic
+>'em
+<'en
+<'ex
+e>~u
+ze'uc
+ze~i
+ze~ic
+z~hn
+zo~un
+z~w
+z'en
+>~hn
+<'h
+<~hc
+<'hn
+j'a
+j'in
+j'ic
+jl~a
+jl~ac
+jlo~un
+jl~w
+j'ec
+jr'ix
+jr'iy
+jro~uc
+j'wc
+jei'oc
+jei'a
+jeio'i
+jeio'uc
+jei~wn
+jeio~u
+jei~ac
+jei'ec
+>'ic
+>'i
+ka'i
+k>'an
+k'ic
+k~in
+kl~a
+kl~ac
+klo~un
+kl~w
+k'itc
+k'atc
+kr'a
+kr'aq
+kr'hc
+kte'ic
+k'ur
+k'wk
+k~wc
+k~w
+kla~ic
+ka~ic
+ka~in
+kl'unn
+l'a
+l'ax
+l'iy
+l'ugx
+l'ec
+l'en
+l'ok
+m'a
+ma'itr
+m'arc
+m~ac
+m'at
+m'atc
+m'e
+mo'utc
+m'en
+m'h
+m'hn
+m'i
+m'ic
+mn~an
+mn~ac
+mn~a
+m'orc
+mi'a
+m'ec
+mp~a
+mp'a
+mp'ar
+mp'ac
+mp'iz
+mpl'e
+mpl'ok
+mo~u
+mp'ec
+mplo'um
+mplo'uz
+mp'ol
+mp'ox
+mpr'e
+mpr'ik
+mpr'itz
+mp'it
+mp'ip
+mpr'oc
+m~u
+m~uc
+m'wy
+mp'ak
+mpo'um
+mp'am
+n'a
+na'i
+na~u
+na~un
+na~uc
+n'h
+n'i
+ni'a
+nt'an
+n'ok
+nt'e
+nt'o
+nt'ok
+nt'on
+nto'uc
+n~u
+n~un
+n'ux
+n'ec
+nt'ip
+ntr'in
+nto~u
+ni'oc
+nio~u
+ni'o
+nio'i
+ni~wn
+nio'uc
+ni~ac
+ni'an
+ni'ec
+>'on
+<'oc
+o<~u
+<'on
+<'o
+o<'i
+o<'uc
+o<'u
+o>~uc
+o>'ust
+o>'uf
+o>'uq
+>'oq
+p'a
+pa~ic
+pa~i
+p~an
+p'an
+p~ac
+p'at
+p~w
+pe~ic
+pe~i
+po~un
+p'ec
+p'ik-n'ik
+pl'hn
+plo~uc
+plo~i
+plo~un
+plo~u
+p'i
+pi'ec
+pie~i
+pio~un
+pi~w
+pie~ic
+pn'ux
+po'u
+po'uc
+po'uf
+pr'in
+pr'o
+pro'ix
+pi'a
+pi'o
+pr'oc
+p'ux
+p~ur
+p'w
+p'wc
+poi'oc
+poi'a
+poi'o
+poio'i
+poio'uc
+poi~wn
+poio~u
+poi~ac
+poi'an
+poi'on
+poi'ec
+r'ax
+r'e
+r'ingk
+r'ic
+ro~uc
+ro~u
+ro~un
+r'wx
+r'wc
+r~w
+r'o
+r'ok
+re~i
+s'an
+s'a
+s'arx
+s~ac
+s'e
+s'ex
+s'er
+s'hc
+s'hy
+s'ef
+st'a
+st'o
+s'ik
+sk'i
+sk'wr
+sk'wy
+sn'omp
+s'ok
+s'oc
+so'ut
+so~u
+sto~u
+st'on
+sto'uc
+spl'hn
+sp'or
+sp~w
+sp~ac
+sp~an
+st'ar
+st'ul
+st'ux
+s'u
+st~hc
+st'hn
+st~wn
+st'h
+s'un
+s~uc
+s~un
+sf'hn
+sf'hx
+sf'igx
+st'op
+str'ac
+st'ok
+t'a
+ta~u
+t'akt
+t'an
+t~ac
+t'e
+t'est
+tz'in
+t'i
+ts'ok
+tz'im
+tz'wn
+t'ik
+t'ic
+t'o
+to~u
+t'on
+to'uc
+t~hc
+t'hn
+t~wn
+tr'ak
+t'h
+tz'ak
+tr'am
+tr'ast
+tre~ic
+tr'ic
+tr'ik
+tr'wc
+tr~wc
+tr~wn
+ts'ak
+t'ak
+t'ok
+ts'e
+ts'ek
+ts'if
+tso'u
+ts'a
+tso'uf
+ts'af
+tz'az
+t'ost
+tz'ast
+ts'ingk
+f'i
+f~ac
+f~an
+fe~u
+fl'ert
+fl'ey
+fl'it
+fl'ux
+f'wr
+f~wc
+f'wc
+f'ilm
+fl'ac
+f'ic
+f'on
+fto~u
+f'ast
+fo~unt
+q'a
+q'i
+q'e
+qo'u
+qe'ir
+q'hn
+qj'ec
+qt'ec
+qj'wn
+jo~uc
+jo~un
+jr'h
+jr'wc
+j'wl
+y'i
+y'ec
+y'hn
+y'it
+>'w
+>~w
+>'wm
+>'wn
+>'wq
+>'wy
+<'wc
+
diff --git a/Master/texmf-dist/doc/plain/yannisgr/rgr.readme b/Master/texmf-dist/doc/plain/yannisgr/rgr.readme
new file mode 100644
index 00000000000..f7a455b19aa
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/rgr.readme
@@ -0,0 +1,39 @@
+List of files:
+accent.mf, csc_misce.mf, digits.mf, gen_acc.mf, gen_m_acc.mf, grbase.mf,
+greek.mf, greekcsc.mf, it_digits.mf, it_lig.mf, it_lower.mf, lig.mf,
+ligcsc.mf, lower.mf, m_accent.mf, m_greek.mf, punct.mf, scsc.mf, upper.mf,
+
+rgrrg10.mf, rgrsl10.mf, rgrti10.mf, rgrbf10.mf, rgrsc10.mf, mrgrrg10.mf,
+mrgrsl10.mf, mrgrti10.mf, mrgrbf10.mf,
+
+greekmacros.tex, monsyl.txt, rgrhyph.tex, rgrpaper.tex, tomakeformat.txt,
+grtestfont.tex
+
+*************************************************************************
+ USERS'S GUIDE
+*************************************************************************
+
+Run all the fonts with \mag:=1; Run rgrrg10 also with \mag:=.9;. Make sure
+that the fonts cmssqi8 and mcyr10 are available. Same thing for tugbot.sty
+and tugbot.com (version 0.5 at least). Run rgrpaper.tex (this is a NEW version
+of "Y. Haralambous, K. Thull, Typesetting modern greek with 128 character
+codes, TUGboat 10 (1989) 354-359).
+
+Read it!
+
+If you want to make a greek format, remove "\input hyphen.tex" from plain.tex,
+and replace by he contents of tomakeformat.txt.
+
+If you want to make the PASCAL word processor mentionned in rgrpaper, you
+will find in monsyl.txt a list of monosyllabes.
+
+That's it. If you are a satisfied user you can send me a postcard for my
+collection (or perhaps some work you have done with this package), else send
+me your remarks and complaints. My address is
+
+ Yannis Haralambous
+ 101/11, rue Breughel
+ 59650 Villeneuve d'Ascq, France
+ Tel. (33) 20.05.28.80
+ email: (Bitnet) yannis@frcitl71
+ (after June, 1, 1990 yannis@frcitl81)
diff --git a/Master/texmf-dist/doc/plain/yannisgr/rgreekmacros.tex b/Master/texmf-dist/doc/plain/yannisgr/rgreekmacros.tex
new file mode 100644
index 00000000000..3aad8fd1ac0
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/rgreekmacros.tex
@@ -0,0 +1,159 @@
+\def\lt{<}
+\def\gt{>}
+\newcount\fontnumber
+\fontnumber=0
+\newif\ifoneaccent\oneaccenttrue
+\def\ifnextchar#1#2#3{\let\tempe #1\def\tempa{#2}\def\tempb{#3}\futurelet
+ \tempc\ifnch}
+\def\ifnch{\ifx\tempc\tempe\let\tempd\tempa\else\let\tempd\tempb\fi\tempd}
+\def\gobble#1{}
+\def\greekmode{%
+\catcode`\<=13%
+\catcode`\>=13%
+\catcode`\'=11%
+\catcode`\`=13%
+\catcode`\~=11%
+\catcode`\"=13%
+\lccode`\<=`\<%
+\lccode`\>=`\>%
+\lccode`\'=`\'%
+\lccode`\~=`\~%
+\lccode`\"=`\"%
+\def\rg{\fontnumber=1\tengr}%
+\def\sl{\fontnumber=2\tengrsl}%
+\def\it{\fontnumber=3\tengrit}%
+\def\bf{\fontnumber=4\tengrbf}%
+\def\smc{\fontnumber=5\tengrsmc}%
+\def\I##1{\setbox0\hbox{##1}\ifdim\ht0=1ex\accent'174 ##1%
+ \else{\ooalign{\hidewidth\char'174\hidewidth\crcr\unhbox0}}\fi}}%
+\newcount\vwl
+\newcount\acct
+{
+ \greekmode
+ \gdef>{\ifnextchar ~{\expandafter\smoothcircumflex\gobble}{\char\lq\>}}
+ \gdef<{\ifnextchar ~{\expandafter\roughcircumflex\gobble}{\char\lq\<}}
+ \gdef\smoothcircumflex#1{\acct=\rq134 \vwl=\lq#1 \dobreathingcircumflex}
+ \gdef\roughcircumflex#1{\acct=\rq100 \vwl=\lq#1 \dobreathingcircumflex}
+ \gdef\dobreathingcircumflex{\ifnum\vwl\lt\rq140 %if uppercase
+ \char\the\acct\kern -.2em\char\the\vwl\else
+ \doaccent\fi}
+ \gdef\doaccent{\accent\the\acct \char\the\vwl\relax}
+ \gdef"{\ifnextchar '{\expandafter\diaeresisacute\gobble}{\accent\lq\"}}
+ \gdef\diaeresisacute#1{\accent\rq043 #1}
+ \gdef`{'}
+}
+
+\newif\ifgreek\greekfalse
+
+\def\begingreek{\bgroup\font\tengr=rgrrg10\font\tengrsl=rgrsl10%
+\font\tengrbf=rgrbf10\font\tengrit=rgrti10\font\tengrsmc=rgrsc10%
+\greektrue\greekmode\rg}
+\def\beginmgreek{\bgroup\font\tengr=mrgrrg10\font\tengrsl=mrgrsl10%
+\font\tengrbf=mrgrbf10\font\tengrit=mrgrti10\font\tengrsmc=rgrsc10%
+\greektrue\greekmode\rg}
+\def\endgreek{\egroup}
+\def\endmgreek{\egroup}
+\def\monotoniko{%
+\font\tengr=mrgrrg10\font\tengrsl=mrgrsl10%
+\font\tengrbf=mrgrbf10\font\tengrit=mrgrti10%
+\ifnum\fontnumber=5\smc%
+ \else\ifnum\fontnumber=4\bf%
+ \else\ifnum\fontnumber=3\it%
+ \else\ifnum\fontnumber=2\sl%
+ \else\rg%
+ \fi%
+ \fi%
+ \fi%
+\fi%
+}
+\def\polutoniko{%
+\font\tengr=rgrrg10\font\tengrsl=rgrsl10%
+\font\tengrbf=rgrbf10\font\tengrit=rgrti10%
+\ifnum\fontnumber=5\smc%
+ \else\ifnum\fontnumber=4\bf%
+ \else\ifnum\fontnumber=3\it%
+ \else\ifnum\fontnumber=2\sl%
+ \else\rg%
+ \fi%
+ \fi%
+ \fi%
+\fi%
+}
+\let\math=$%
+{\catcode`\$=13%
+\gdef\greekdelims{\catcode`\$=13%
+\def${\ifgreek\endgreek\else\begingreek\fi}
+\def\display{\math\math}\def\enddisplay{\math\math}}}
+\def\grave#1{{\edef\next{\the\font}\smc\accent\rq001\next#1}}
+\def\roughgrave#1{{\edef\next{\the\font}\smc\accent\rq002\next#1}}
+\def\smoothgrave#1{{\edef\next{\the\font}\smc\accent\rq003\next#1}}
+\def\diaeresisgrave#1{{\edef\next{\the\font}\smc\accent\rq004\next#1}}
+\def\diaeresiscircumflex#1{{\edef\next{\the\font}\smc\accent\rq005\next#1}}
+\def\breve#1{{\edef\next{\the\font}\smc\accent\rq006\next#1}}
+\def\macron#1{{\edef\next{\the\font}\smc\accent\rq007\next#1}}
+\def\rhorough{{\tengrsmc
+\ifnum\fontnumber=5\char\rq162
+ \else\ifnum\fontnumber=4\char\rq016
+ \else\ifnum\fontnumber=3\char\rq014
+ \else\ifnum\fontnumber=2\char\rq012
+ \else\char\rq010
+ \fi
+ \fi
+ \fi
+\fi
+}}
+\def\rhosmooth{{\tengrsmc
+\ifnum\fontnumber=5\char\rq162
+ \else\ifnum\fontnumber=4\char\rq017
+ \else\ifnum\fontnumber=3\char\rq015
+ \else\ifnum\fontnumber=2\char\rq013
+ \else\char\rq011
+ \fi
+ \fi
+ \fi
+\fi
+}}
+\def\digamma{{\smc\char\rq135}}
+\def\smallDigamma{{\smc\char\rq140}}
+\def\Digamma{{\tengrsmc
+\ifnum\fontnumber=5\char\rq021
+ \else\ifnum\fontnumber=4\char\rq027
+ \else\ifnum\fontnumber=3\char\rq025
+ \else\ifnum\fontnumber=2\char\rq023
+ \else\char\rq021
+ \fi
+ \fi
+ \fi
+\fi
+}}
+\def\vardigamma{{\tengrsmc
+\ifnum\fontnumber=5\char\rq020
+ \else\ifnum\fontnumber=4\char\rq026
+ \else\ifnum\fontnumber=3\char\rq024
+ \else\ifnum\fontnumber=2\char\rq022
+ \else\char\rq020
+ \fi
+ \fi
+ \fi
+\fi
+}}
+\def\understroke{{\smc\char\rq046}}
+\def\overstroke{{\smc\char\rq044}}
+\def\sanpi{{\smc\char\rq136}}
+\def\Sanpi{{\smc\char\rq137}}
+\def\qoppa{{\smc\char\rq133}}
+\def\varqoppa{{\smc\char\rq134}}
+\def\Qoppa{{\smc\char\rq103}}
+\def\Tao{{\smc\char\rq177}}
+\def\ssh{\breve{s}}\def\SSH{\breve{S}}
+\def\dz{\breve{z}}\def\DZ{\breve{Z}}
+\def\psh{\breve{y}}\def\PSH{\breve{Y}}
+\def\ksh{\breve{x}}\def\KSH{\breve{X}}
+\def\inviota{{\smc\char\rq126}}
+\def\grMF{{\smc\char\rq030\char\rq031\char\rq032\char\rq033}\-{\smc%
+\char\rq034\char\rq036\char\rq037\char\rq032}}
+\def\MF{{\smc\char\rq030\char\rq031\char\rq032\char\rq033}\-{\smc%
+\char\rq040\char\rq036\char\rq037\char\rq032}}
+
+\endinput
+
diff --git a/Master/texmf-dist/doc/plain/yannisgr/rgrhyph.tex b/Master/texmf-dist/doc/plain/yannisgr/rgrhyph.tex
new file mode 100644
index 00000000000..5ae489b008c
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/rgrhyph.tex
@@ -0,0 +1,1179 @@
+%
+% This is part of the rgr-package version 1.1
+% as of March 2, 1990 Lille (France)
+%
+% Hyphenation patterns for modern greek language
+% **********************************************
+%
+\patterns{%
+.>a4
+.>'a4
+.>~a4
+.<a4
+.<'a4
+.<~a4
+.'a4
+.>e4
+.>'e4
+.>~e4
+.<e4
+.<'e4
+.<~e4
+.'e4
+.>h4
+.>'h4
+.>~h4
+.<h4
+.<'h4
+.<~h4
+.'h4
+.>i4
+.>'i4
+.>~i4
+.<i4
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+4f~w.
+4q~w.
+4y~w.
+4w~w.
+}
+\endinput
+
diff --git a/Master/texmf-dist/doc/plain/yannisgr/rgrpaper.tex b/Master/texmf-dist/doc/plain/yannisgr/rgrpaper.tex
new file mode 100644
index 00000000000..98aa8cd94e5
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/rgrpaper.tex
@@ -0,0 +1,763 @@
+%
+% ************ tb26haralambous.tex
+\input tugboat.sty
+
+%\input mssymb
+\font\cyr=mcyr10
+%\input cyracc.def
+
+\input rgreekmacros
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+\def\oct#1{\hbox{\tenrm\'{}\kern-.2em\tenit#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\tenrm\H{}\tentt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<128 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=128 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+\greekdelims
+\font\ninergr=rgrrg10 scaled 900
+
+\TBremark{Pick up fonts for Imagen. Make fonts for APS}
+
+\def\blash{\math\backslash\math}
+\let\bs=\blash
+\def\begineight{\smallskip\bgroup\eightpoint}
+\def\endeight{\par\egroup\smallskip}
+%\font\smallrg=rgrrg8 % commented out by rw
+\def\QED.{\math\square\mah}
+\def\O#1{\hbox{\rm\char'23\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\refersto#1{\math{}^#1\math}
+\def\referred#1{\par\hang\noindent#1.} % overwritten below
+\newdimen\thehangindent
+\setbox0=\hbox{0. }
+\thehangindent=\wd0
+\def\referred#1{\par\hangindent\thehangindent\noindent
+ \hbox to \thehangindent{\hss#1.\ }\ignorespaces}
+
+\def\infoot{\baselineskip9.4pt\eightrm}
+\def\@{@}
+%\def\.#1{{\def\\{\backslash}\tentex#1}} % commented out by rfw
+\font\qq=cmssqi8
+\def\mottoline#1{{\rightline{\qq #1}}}
+\def\htb{\hskip2pt\relax}
+\def\frak{\fam\euffam}
+%\def\cyr{\cyracc\tencyr}
+
+% ***********************************************************************
+
+\title * Typesetting Modern Greek with\\ 128 Character Codes \\ version 1.1*
+
+\author * Yannis Haralambous *
+\address * U.F.R. de Math\'ematiques\\
+ Universit\'e de Lille--Flandres--Artois\\
+ 59655 Villeneuve d'Ascq Cedex, France *
+\netaddress[\network{Bitnet}] * yannis@frcitl81 *
+
+\author * Klaus Thull *
+\address * Freie Universit\"at Berlin *
+\netaddress[\network{Usenet}] * thull@fubinf.uucp *
+\TBremark{Check Thull's network address; gateway didn't like "unido".}
+\TBremark{this one generally works--kt}
+
+\article
+
+{\baselineskip11.3pt
+\mottoline{``Ved dette v\ae ret,}
+\mottoline{n\aa r det regner}
+\mottoline{s\aa\ sn\o r det''}
+\smallskip
+\mottoline{--- Fr\o ydis Frosk}
+}
+
+\vskip8pt\noindent
+In european scripts where diacritical marks are common,
+there are (at least) two reasons to avoid \TeX's accent mechanism
+in favor of many accented characters.
+
+One is the possible misplacement of accents by |dvitype|'s rounding
+algorithm;\TBremark{dvitype or a driver?}
+\TBremark{really dvitype--kt}
+the second is lack or invalidity of hyphenation. For
+example, large portions of german text may be unhyphenatable, and,
+given the german inclination to long words, may not be in shape to be
+typeset at all. Thus, in Europe, the obvious thing to do is: let
+$\MF$\ put the accents onto the letters, then access these characters
+via \TeX's ligature mechanism.
+
+Accordingly, the greek fonts created by Silvio Levy\refersto1 have
+256 characters each, and are a fine tool to typeset greek texts,
+ancient as well as modern, except those containing the most recent
+unique accent ``$\monotoniko '{}$'' (see below). But alas, there is
+the commercial world, whose device drivers just cannot do 256-code
+fonts (even |.pxl|-fonts were seen on the ``Big-Tech'' sales
+exhibition in West Berlin last winter). The free drivers are in
+better shape generally, but often the commercial ones cannot be
+disposed of in a hurry. So we decided to reduce these fonts to 128
+characters. We kept only the ones strictly necessary for writing
+modern greek without misusing the |\accent| primitive. At the same
+time, we constructed some new fonts, which we describe below.
+
+\head * The Reduced Greek Fonts *
+
+In modern post-war greek, the use of the grave accent ``$\grave{}$''
+($bare'ia$) progressively faded, so that only two accents and the
+breathings were left (this was the kind of greek the first author
+learned at school). So the first reduction we did on Levy's fonts was
+to omit all grave accents. Secondly, we made $s$ a free character
+again, so that in the transliteration one has to type |s| for $s$,
+and |c| for $c$. Thirdly, we omitted the iota subscribed letters.
+All these, however, can still be accessed by macros if so wished.
+
+Let's recall now the procedure, most of which is due to Levy: to
+typeset greek, you get into ``Greek mode'' by typing |\begingreek|.
+Similarly, you get out by typing |\endgreek|, but if you have to do
+this often, it is better to type |\greekdelims| at the beginning of
+your file. In that case |$| is used to enter and leave greekmode, and
+|\math| takes the former meaning of |$| (do not forget to type
+``{\tt\bs\SP}''). The transliteration code is the following:
+\display
+\tabskip1.1pt
+\hbox{\valign
+{\hbox to
+8pt{\null\hfil\strut$#$\hfil}&\hbox to 8pt{\null\hfil\strut\tt#\hfil}\cr
+a&a\cr b&b\cr g&g\cr d&d\cr e&e\cr z&z\cr h&h\cr j&j\cr
+i&i\cr k&k\cr l&l\cr m&m\cr n&n\cr x&x\cr o&o\cr p&p\cr
+r&r\cr s&s\cr c&c\cr t&t\cr u&u\cr f&f\cr q&q\cr y&y\cr w&w\cr}}
+\enddisplay
+To get an acute ($>oxe'ia$), or circumflex ($perispwm'enh$) accent you
+type |'|~(single quote), or |~|~(tilde) resp.\ in front of the vowel.
+To get a rough ($dase'ia$) or smooth ($yil'h$) breathing you type |<|
+or |>|, resp., in front of the vowel or the accent, if there is one.
+A diaeresis ($dialutik'a$) is represented by |"|~(double quote), and
+for a diaeresis with acute accent, just type |"'|~(double quote,
+single quote). To get a vowel with a iota subscript
+($<upogegramm'enh$) you have to use the macro |\I{...}|.
+
+If you need one of the omitted accents or combination of accents,
+you can get it by a macro:
+for example
+\list[\unitemized]
+$\grave{e}$ by |\grave{e}|,
+$\breve{a}$ by |\breve{a}|,
+$\macron{h}$ by |\macron{h}|,
+$\roughgrave{i}$ by |\roughgrave{i}|,
+$\smoothgrave{o}$ by |\smoothgrave{o}|,
+$\diaeresisgrave{w}$ by |\diaeresisgrave{w}|,
+$\diaeresiscircumflex{u}$ by |\diaeresiscircumflex{u}|,
+$\rhorough$ by |\rhorough|, and
+$\rhosmooth$ by |\rhosmooth|.
+\endlist
+
+Finally, you have access to the following punctuation marks:
+\display
+\hbox{\tabskip1.5pt
+\valign
+{\hbox to 15pt{\hfil\strut$#$\hfil}&\hbox to 15pt{\hfil\strut\tt#\hfil}\cr
+.&.\cr ,&,\cr ;&;\cr :&:\cr !&!\cr ?&?\cr ''&''\cr ((&((\cr
+))&))\cr
+}}
+\enddisplay
+as well as the ten digits, parentheses, hyphen, en-dash, slash,
+percent sign, asterisk, plus and equal signs.
+
+\head * Some New Fonts *
+
+To write mathematics in greek one also needs slanted letters (for
+statements of theorems, according to |amsppt| style) and small
+capital letters (for titles and references). We have constructed
+these fonts, in the same reduced way, so that, together with the
+reduced Levy fonts, we obtain a complete family of greek fonts,
+namely regular, boldface, slanted, and small caps. We have called
+these fonts |rgrrg|, |rgrbf|, |rgrsl|, |rgrsc|. Inside of greek mode
+you just write |\bf|, |\sl|, |\smc| as usual and |\rg| (instead of
+|\rm|) to get the regular gree font.
+
+Here is an example of an alleged mathematical text, complete with
+translation:
+$
+\proclaim \smc {1.1.4.} Jewrhma.
+Gi'a k'aje jetik'o >ak'eraio
+\math n\math,
+<up'arqei m'ia tri'ada m'h mhdenik~wn >akera'iwn \math(x,y,z)\math, t'etoia
+<~wste\math\math x^n+y^n=z^n.\math\math
+
+\noindent{\smc Apodeixh tou 1.1.4.} Gi'a \math n=2\math, ft'anei n'a p'aroume
+\math x=3,y=4,z=5\math. Gi'a \math n\gt 2\math,
+>af'hnoume t'hn >ap'odeixh st'on >anagn'wsth s'an >'askhsh.
+{\bf <'o.>'e.d.}
+$
+
+\proclaim \smc {1.1.4.} Theorem.
+For each positive integer \math n\math,
+there exists a triple of non-zero integers \math (x,y,z)\math\ such that
+\math\math x^n+y^n=z^n.\math\math
+
+\noindent{\smc Proof of 1.1.4.} For \math n=2\math, we find
+\math x=3,y=4,z=5\math. For \math n\gt 2\math, the proof
+left to the reader as an exercise. {\bf q.e.d.}
+
+\head * Fonts for one-accent greek *
+
+Some years after the re-establishment of democracy in Greece in 1974,
+a new system of accentuation has been introduced, omitting completely
+breathings and subscript iota, and simplifying the two remaining
+accents into one ``universal accent,'' $\monotoniko ' \polutoniko
+(tonik'o shme~io).$ This system is currently taught at school and it
+seems that any official document (including written examinations in
+some high schools) written in the old fashion multi-accent system is
+considered invalid (!).
+
+So we thought that perhaps people would like to write in the old
+system and have a font to print the same text in fully official
+one-accent greek. We created fonts analogous to the reduced regular,
+boldface, and slanted which we have denoted by the prefix ``|m|''
+(for $monotonik'o$): |mrgrrg|, |mrgrbf|, |mrgrsl|. Note that the
+small capitals font |rgrsc| doesn't have any accents at all, and so
+may be used in any accent system.
+
+These new fonts are designed to work with the same input as the old
+accent system. The printed text will follow the current
+grammar\refersto2 (at least concerning the accent), with one
+exception: monosyllables (like articles, prepositions and other
+auxiliary words) don't take any accent at all. To solve this problem
+we are working at a Pascal word processor program, based on Fred
+M.~Liang's packed trie device, which will, once given the list of the
+accented monosyllables, recognize them, and replace them by
+non-accented words. According to the dictionary of
+H.~Mihiotis\refersto3, there are 284 such words, to which we ust
+add many new and foreign words.
+
+Of course, you can write your text in one-accent greek right away
+(unfortunately there is no ``magic'' macro to transform it back into
+multi-accent greek~\dots). With these new fonts you will get a nice
+symmetric ``universal'' accent instead of an acute or a circumflex.
+
+To write in one-accent greek you get into ``Greek one-accent mode'',
+by typing |\beginmgreek|. If you are in greek multi-accent mode
+already, you must use the macro |\monotoniko|. There is also the
+converse macro |\polutoniko|. So if you want to obtain
+\display\vbox{$
+\centerline{\monotoniko O Hr'akleitoc 'elege \polutoniko
+((t\grave{a} p'anta \rhorough e~i))}
+\centerline{\monotoniko kai e'iqe d'ikio! \dots}
+$}\enddisplay
+you type
+\verbatim
+\beginmgreek O Hr'akleitoc 'elege
+\polutoniko
+ ((t\grave{a} p'anta \rhorough e~i))
+\monotoniko
+ kai e'iqe d'ikio!...\endgreek
+\endverbatim
+
+\head * The Greek Numeral Symbols *
+
+The so-called Ionian\refersto4 system of numeration (\math{\sim}\math
+fifth century {\smc bc}) consisted of the following numerals:
+\display
+\hbox{\valign
+{\hbox to 15pt{\hfil\strut$#$\hfil}&\hbox to 15pt{\hfil\strut\rm#\hfil}\cr
+A&1\cr B&2\cr G&3\cr D&4\cr E&5\cr {\Digamma}&6\cr Z&7\cr H&8\cr J&9\cr}}
+\enddisplay
+\display
+\hbox{\valign
+{\hbox to 15pt{\hfil\strut$#$\hfil}&\hbox to 15pt{\hfil\strut\rm#\hfil}\cr
+I&{10}\cr K&{20}\cr L&{30}\cr M&{40}\cr N&{50}\cr X&{60}\cr
+O&{70}\cr P&{80}\cr {\Qoppa}&{90}\cr}}
+\enddisplay
+\display
+\hbox{\valign
+{\hbox to 20pt{\hfil\strut$#$\hfil}&\hbox to 20pt{\hfil\strut\rm#\hfil}\cr
+R&{100}\cr S&{200}\cr T&{300}\cr U&{400}\cr F&{500}\cr Q&{600}\cr Y&{700}\cr
+W&{800}\cr {\Sanpi}&{900}\cr}}
+\enddisplay
+
+The letters $\Digamma, \Qoppa, \Sanpi$ are called digamma, qoppa,
+sanpi. They belong to an older alphabet. Later on, as lowercase
+letters were introduced and as the need for higher numbers grew, the
+numerals became:
+\display
+\hbox{\tabskip1pt
+\valign
+{\hbox to 15pt{\hfil\strut$#\overstroke$\hfil}&
+ \hbox to 15pt{\hfil\strut\rm#\hfil}\cr
+a&1\cr b&2\cr g&3\cr d&4\cr e&5\cr {\digamma}&6\cr z&7\cr h&8\cr
+j&9\cr}}
+\enddisplay
+\display
+\hbox{\tabskip1pt
+\valign
+{\hbox to 15pt{\hfil\strut$#\overstroke$\hfil}&
+ \hbox to 15pt{\hfil\strut\rm#\hfil}\cr
+i&{10}\cr k&{20}\cr l&{30}\cr m&{40}\cr n&{50}\cr x&{60}\cr
+o&{70}\cr p&{80}\cr {\qoppa}&{90}\cr}}
+\enddisplay
+\display
+\hbox{\tabskip1pt
+\valign
+{\hbox to 20pt{\hfil\strut$#\overstroke$\hfil}&
+ \hbox to 20pt{\hfil\strut\rm#\hfil}\cr
+r&{100}\cr s&{200}\cr t&{300}\cr u&{400}\cr f&{500}\cr q&{600}\cr y&{700}\cr
+w&{800}\cr {\sanpi}&{900}\cr}}
+\enddisplay
+\display
+\hbox{\tabskip2.5pt\valign
+{\hbox to 30pt{\hfil\strut$\understroke#$\hfil}&
+ \hbox to 30pt{\hfil\strut\rm#000\hfil}\cr
+a&1\cr b&2\cr g&3\cr d&4\cr e&5\cr {\digamma}&6\cr z&7\cr}}
+\enddisplay
+\display
+\hbox{\valign
+{\hbox to 30pt{\hfil\strut$#$\hfil}&
+ \hbox to 30pt{\hfil\strut\rm#000\hfil}\cr
+h&8\cr j&9\cr M&{10}\cr}}
+\enddisplay
+So, for example, the date {\sl February 16th, 1989} would be written
+$i\digamma\overstroke\ Febrouar'iou \understroke a\sanpi pj$ and the
+following equality holds:
+$
+\display\vbox{
+\centerline{sz\overstroke\math{} + {}\math ypj\overstroke\ =
+ \sanpi\qoppa\digamma\hskip1pt\overstroke.}
+}
+\enddisplay
+$
+
+Notice that there is no zero. Zero is, and has always been, the
+cardinal of the empty set which in Ancient Greece was not considered
+an entity in its own right.
+
+To express numbers greater than 10,000 there were many ways. One of
+them was to use 10,000 as a base: thus, for example, 67,536,753
+(\math {}= 6753 \mathbin\cdot 10,000 + 6753\math) was written
+$M\understroke\digamma yng\math\cdot\math \understroke\digamma yng$.
+
+\medskip
+\noindent{\smc Exercise}:
+ {\sl If $-gwno$ means ``-gon'', which of the following
+polygons can by constructed by rule and compasses?}\par
+\smallskip
+$\centerline{iz\overstroke -gwno, l\digamma\overstroke -gwno, \understroke
+dtxj-gwno,}
+\centerline{\understroke akd-gwno, Me\overstroke\math\cdot\math\understroke
+eflz-gwno, \sanpi\qoppa\digamma\overstroke-gwno.}$
+\medskip
+
+Let's return now to \TeX: you can obtain these symbols by the following
+macros:
+|\digamma| for
+$\digamma$,
+|\vardigamma| for
+$\vardigamma$,
+|\Digamma| for
+$\Digamma$,
+|\qoppa| for
+$\qoppa$,
+|\Qoppa| for
+$\Qoppa$,
+|\sanpi| for
+$\sanpi$, and
+|\Sanpi| for
+$\Sanpi$.
+To get the tick marks which distinguish units and thousands, you can
+use |\overstroke| after the numeral, or |\understroke| in front of
+the numeral.
+
+\head * Symbols for cypriotic greek *
+
+The official language of Cyprus is greek. It is also the language
+used in the mass-media and at school. But the language actually
+spoken is a dialect, derived from byzantine greek (and as it seems,
+far more faithful to ancient greek than the one spoken
+in Greece). Some literature has been written in the dialect, and
+since there are phonemes not available in the greek alphabet,
+cypriotic writers use several conventions of new symbols to express
+them.
+
+In the convention we followed,\refersto5 the symbols $\ssh$, $\SSH$
+stand for the sound ``sh'' (like ``shower'' in english, or ``{\cyr
+shashka}'' in russian), $\dz$, $\DZ$ stand for ``j'' (like ``jazz''
+in english or ``{\cyr dzhungli}'' in russian), $\psh$, $\PSH$ stand
+for a $y$ followed by a $\ssh$ (like ``{\cyr pshenitza}'' in russian)
+and $\ksh$, $\KSH$ stand for a $k$ followed by a $\ssh$ (like in
+hindi ``k\d setriya'').
+
+You can get these symbols by the macros |\ssh|, |\SSH|, |\dz|, |\DZ|,
+|\psh|, |\PSH|, |\ksh|, |\KSH|. Here is an example of a small text
+using these symbols:
+\smallskip
+$
+\ninergr
+\frenchspacing
+\parindent0pt
+\advance\baselineskip1.0pt
+\tolerance=5000
+\obeylines
+Dki'alexec to'uc xer'orotsouc, dentr'on mou, n'a riz'wseic,
+n'a f'aeic t'hn zwo'ullan sou, pott'e s>'on j'a sterk'wseic.
+T\dz i >'en kane~i p>'on''xerokagi'ac t\dz i >'en >'e\ssh ei st'axhn %
+q~wma
+n'a \ssh\ssh iepasto~un o<i r'izec sou, plast~hkan t\dz i >'all''>a\-k'o\-ma.
+O<i spalajki'ec t\dz a'i o<i bati'ec p~asin n'a s'e tul'ixoun,
+>epki'asan se po'u t'on laim'on, sf'iggoun se n'a s'e pn'i\-xoun.
+T\dz i >'an pp'esei mi'a sta\ksh i'a ner'on, >enn'a t'hn p'innoun >'alloi
+t\dz i >enn'a skent\dz 'ereic t\dz eiaqama'i, <'enan xerodroump'a\-lin.
+>'Ejja xort'wseic n'a \ssh\ssh iaste~ic pott'e to~u <'hliou >amm'a\-ti,
+giat''>enn'a s'e qaski'azousin o<i spalajki'ec t\dz i o<i b'atoi.
+T\dz i >eso'unh, kakor'izikon, >enn'a doule'ukeic gr'onouc
+t\dz a'i n'a gure'ukeic ''pospa\ssh i'an po'u to'uc kako'uc geit'o\-nouc.
+T\dz i o<i k'opoi e>ic t''>an'ajjeman. M'agkoumou m'en prok'a\-meic\dots
+t\dz i >eso'unh t'o qa"'irin mou, ftwq'on mou, >'enna k'ameic.
+$
+\rightline{\sevenrm From Ilias Georgiou's ``Geloklaman"}
+
+\smallskip
+
+\head * On hyphenation *
+
+There is still no greek hyphenation list, so one has to use
+hyphenation from other languages. We have compared on an ordinary
+text, the standard english (Liang), the german (Schwarz) and
+portuguese (Rezende)\refersto6 hyphenation patterns. The results
+were surprising: on 267 possible hyphens, these three patterns missed
+199 (!!), 141 and 149 resp, found 46, 115, 111 correct ones and 22,
+11, 7 bad ones (the portuguese mistakes were less embarrassing than
+the german ones). So, for a temporary substitute, we would choose
+either the german or the portuguese patterns.
+
+And since you will be forced to make corrections by hand, here are the
+complete actual rules of greek hyphenation:
+
+{\sl Let \math c_1,c_2,\dots,c_n\math\ be consonants \math (n\geq2)\math\
+and \math v_1,v_2,v_3,v_4\math\ vowels. Then we have}
+\list[\parindent0pt\leftskip0pt\sl][\def\tagform#1{{\smc #1\enspace}}]
+
+\item[\tag{Rule 1.}] The combination \math v_1c_1v_2\math\ is
+separated as \math v_1-c_1v_2\math\ {\rm(ex. $pa-ra-ka-l~w$)}
+
+\item[\tag{Rule 2.}] The combination \math v_1c_1\dots c_nv_2\math\
+is separated as \math v_1-c_1\dots c_nv_2\math\ {\bf if }there
+is a greek word starting with \math c_1c_2\math\ $(l'a-sph,
+ko-fte-r'oc),$ {\bf else }\math v_1c_1-c_2\dots c_nv_2\math\
+$(j'ar-roc, >eq-jr'oc)$
+
+\item[\tag{Rule 3.}] The combinations of vowels \math v_1v_2,
+v_1v_2v_3\math\ or \math v_1v_2v_3v_4\math\ are not to be separated
+if they are pronounced as one phoneme $(>ah-d'o-ni$ but
+$>a-'ht-th-toc$, $pi'o$ but $p'u-o).$
+\endlist
+
+S.~Levy made in his fonts separate characters of all possible accented
+letters, to prevent problems of hyphenation (\TeX\ doesn't yet
+hyphenate words with accents). The only exceptions he made, were the
+two combinations $ \roughgrave{}, \smoothgrave{}$ which occur only on
+monosyllables.
+
+In our case, to be able to reduce the fonts, we were forced to make
+accents also of $\char\rq134$, $\char\rq100$, $"{}$, $"'{}$, $\I{}$
+(and macros of $\grave{}$, $\smoothgrave{}$, $\roughgrave{}$,
+$\breve{}$, $\macron{}$, $\diaeresisgrave{}$,
+$\diaeresiscircumflex{}$, $\rhorough$, $\rhosmooth$ as already
+mentioned). This of course adds problems to hyphenation.
+Nevertheless, $\char\rq134$, $\char\rq100$ occur on one- and
+2-syllable words only, $"{}$, $"'{}$ occur rarely and $\I{}$ depends
+on the kind of language one is writing (to find it, you have to go
+back to older versions of $kajare'uousa$ as for example in the
+following lovely text:
+
+\medskip
+
+{\tolerance=5000
+$ \advance\baselineskip1pt >En\I{~w} <esp'eran tin\grave{a}
+>exantl'hsac t\grave{a} murol'ogi'a tou >ekoim~ato <o Froum'entioc
+>ep\grave{i} t~hc >'ammou t~hc paral'iac, katab\grave{a}c >ex
+o>uran~wn <o >ap'ostoloc >eke~inoc t~wn Sa\-x'o\-nwn >'hnoixe
+di\grave{a} maqa'irac t\grave{a} st'hjh to~u koimwm'enou, e>is'hgage
+to\grave{u}c <iero\grave{u}c dakt'ulouc tou e>ic \def\hhh{\grave{h}}
+t\hhh n >op\hhh n ka\grave{i} >exag\grave{w}n t\hhh n kard'ian
+>eb'ujisen a>ut'hn e>ic l'akkon pl'hrh <'udatoc, <'oper <hg'iasen
+prohgoum'enwc. <H fl'egousa >eke'inh kard'ia >'efrixen e>ic
+t\grave{o} <'udwr <wc smar\grave{i}c
+\def\ooo{\grave{o}}%
+\def\aaa{\grave{a}}%
+\def\uuu{\grave{u}}%
+\def\iii{\grave{i}}%
+>ent\ooo c to~u thgan'iou, >afo~u d\grave{e} >ekr'uwsen,
+>'ejese p'alin a>ut\hhh n <o <'agioc e>ic t\ooo n t'opon thc ka\iii\
+kle'isac t\hhh n plhg\hhh n >ep'estreyen e>ic t\ooo n >idik'on tou.
+
+>'Etuq'e pote, >anagn~wst'a mou, n\aaa\ >apokoimhj\I{~h}c m\grave{e}
+>anup'oforon b~hqa, koim'wmenoc n\aaa\ <idr'ws\I{h}c ka\iii\ >exu\-pn'h\-sac
+n\aaa\ e<urej\I{~h}c >iatreum'enoc? >Agno~wn <'oti e>~isai kal\aaa\
+>ano'igeic mhqanik~wc t\ooo\ st'oma, <'ina plh\-r'w\-s\I{h}c e>ic t\ooo n
+>epikat'araton b~hqa t\ooo n sun'hjh f'oron. >All\aaa\ p'oshn a>isj'anesai
+qar'an, m\hhh\ e<ur'iskwn e>ic t\ooo n l'a\-rugga t\ooo\ >oqlhr\ooo n
+jhr'ion! O<'utw <'ama >'hnoixe ka\iii\ <o Frou\-m'entioc to\uuu c
+>ofjalmo'uc, <htoim'asjh n\aaa\ prosf'e\-r\I{h} e>ic t\hhh n >aq'a\-riston
+>Iw'annan t\hhh n sun'hjh dakr'uwn spo\-nd'hn, >all\aaa\ par\aaa\ p~asan
+prosdok'ian o<i >ofjalmo'i tou e<u\-r'e\-jhsan xhro\iii\ ka\iii\ n\aaa\
+progeumat'is\I{h} m~allon \smoothgrave{h} n\aaa\ kla'us\I{h}
+\I{>h}sj'a\-ne\-to >'orexin met\aaa\ polu'hmeron nhste'i\-an <o kal\ooo c
+Be\-ne\-de\-kt~i\-noc.
+$
+}
+
+\rightline{\sevenrm From Emmanouil~Ro\"\i dis' ``The Popess Johanna (1866)''}
+\medskip
+
+Note that in one-accent greek, all accented letters are represented
+by separate characters in the code table, so that no hyphenation
+problem arises.
+
+$
+\gdef\tttt{
+Kaj'otan mprost'a thc ka'i t'hn k'uttaze. Noi'w\-jo\-ntac mi'a >ap'eranth
+ e>uqar'isthsh n'a t'hn bl'epei >'etsi mprost'a tou ka'i <'ena >ap'eranto
+ >ani\-ka\-no\-po'i\-h\-to po'u d'en mpo\-ro~u\-se n'a t'hn
+ tra\-b'h\-xei st'hn >agka\-li'a tou ka'i n'a t'hn fi\-l'h\-sei
+ >eke~i st'on laim'o
+ po'u t'hn e>~iqe fi\-l'h\-sei t'hn m'ia ka'i mo\-na\-di\-k'h
+ for'a ka'i e>~iqe
+ noi'w\-sei m'esa tou t'hn pi'o >'omor\-fh stig\-m'h to~u ka\-lo\-kai\-rio~u
+ ki <'oti
+ t'o ka\-lo\-ka'i\-ri a>u\-t'o, ft'a\-no\-ntac st'o >apo\-ko\-r'u\-fw\-m'a
+ tou, e>~iqe ki'o\-lac pe\-r'a\-sei. >All'a d'en e>~iqe >ak'oma
+ pe\-r'a\-sei tele'iwc, giat'i >eke'inh bris\-k'o\-tan t'wra mpro\-st'a
+ tou. Ka'i d'en mpo\-ro~u\-se n'a k'anei t'i\-po\-ta.
+}
+$
+
+
+\head * Samples, Tables, and Remarks *
+
+\head * The font {\tt rgrrg10} *
+$\tttt$
+
+\head * The font {\tt rgrbf10} *
+$\bf\tttt$
+
+\head * The font {\tt rgrsl10} *
+$\sl\tttt$
+
+\figure[\top]
+\raggedcenter
+Layout for fonts |rgrrg|, |rgrbf|, |rgrsl|
+$\table$
+\endfigure
+
+$\monotoniko
+\gdef\ttttt
+{
+Kaj'otan mprost'a thc kai thn k'uttaze. Noi'w\-jo\-ntac mia >ap'eranth
+ e>uqar'isthsh na thn bl'epei >'etsi mprost'a tou kai <'ena >ap'eranto
+ >ani\-ka\-no\-po'i\-h\-to pou den mpo\-ro~u\-se na thn
+ tra\-b'h\-xei sthn >agka\-li'a tou kai na thn fi\-l'h\-sei
+ >eke~i ston laim'o
+ pou thn e>~iqe fi\-l'h\-sei thn m'ia kai mo\-na\-di\-k'h
+ for'a kai e>~iqe
+ noi'w\-sei m'esa tou thn pio >'omor\-fh stig\-m'h tou ka\-lo\-kai\-rio~u
+ ki <'oti
+ to ka\-lo\-ka'i\-ri a>u\-t'o, ft'a\-no\-ntac sto >apo\-ko\-r'u\-fw\-m'a
+ tou, e>~iqe ki'o\-lac pe\-r'a\-sei. >All'a den e>~iqe >ak'oma
+ pe\-r'a\-sei tele'iwc, giat'i >eke'inh bris\-k'o\-tan t'wra mpro\-st'a
+ tou. Kai den mpo\-ro~u\-se na k'anei t'i\-po\-ta.
+}
+$
+
+
+\figure[\bot]
+\raggedcenter
+Layout for fonts |mrgrrg|, |mrgrbf|, |mrgrsl|
+$\monotoniko\table$
+\endfigure
+
+\head * The font {\tt mrgrrg10} *
+$\monotoniko\ttttt$
+
+\head * The font {\tt mrgrbf10} *
+$\monotoniko\bf\ttttt$
+
+\head * The font {\tt mrgrsl10} *
+$\monotoniko\sl\ttttt$
+
+
+\figure[\top]
+\raggedcenter
+Layout for font |rgrsc|
+$\smc\table$
+\endfigure
+
+
+We conclude with the following remark: people writing french, czech,
+turkish or other languages with many diacritical marks complain that
+there is no space left in Computer Modern to incorporate
+already-accented letters. The solution (in the case of French) that
+D\'esarm\'enien\refersto7 proposed, was to replace greek uppercase
+letters by the french \'e, \`e, \^ e, \^ o, \^\i, \^ a, \^ u, \`a,
+\`u. But then the question is: where to put the greek uppercase
+letters, which are necessary for mathematical formulas. We answer: if
+you have the greek |rgr| family of fonts, you already have all kinds
+of greek uppercase letters. Just take them from there! Of course,
+math families must be restructured in that case since math family~7
+cannot be used for those letters anymore. As Gariepy\refersto8
+pointed out already, the inconvenience with this solution is that for
+every language with accents you will need another |cm| family of
+fonts. That's why we still believe that the best once and for all
+solution would be to be able to work with fonts of 256 characters.
+
+
+\head * Improvements and changes -- version 1.1 (as of March 4, 1990) *
+
+(by the first author)\medskip
+
+\noindent An hyphenation list has been added.
+Greek grammar has changed very often in
+the last 20 years, mainly because greek is a very manifold language (some
+people find it {\it chaotic}, I find it {\it beautiful\/}). I followed the
+hyphenation rules of \refersto2\ as presented in section ``On hyphenation''
+of this paper. These rules
+are very simple and hold as well for the multi-accent as for the one-accent
+system. I found exactly 1168 patterns; many of them came simply from the
+following fact: since |'|,|~|,|>|,|<| are of category 11 during hyphenation,
+|<'o-so| could occur. This leaves $<'o$ alone, which is rather ugly.
+
+Italics fonts (|rgrti| and |mrgrti|) have been added.
+Since in the |cm| family,
+|cmti| has almost the same lowercase letters as |cmmi| and the same uppercase
+ones as |cmsl|, I tried to do the same. Some changes were necessary: 1) the
+handwritten modern greek alpha looks more like {\it a} and 2) tau's stem has a
+hook. There is still some kerning to do. I call this version {\it
+``experimental''}. Maybe in some later (1.2?) version there will be an entirely
+new italics font.
+
+In the |rgrsc| font (as you can see in the table) the symbols $\rhorough,
+\rhosmooth, \Digamma$ and $\vardigamma$ exist now in all styles: regular,
+slanted, italic and boldface. \TeX\ will know which one to choose, depending on
+the font you are using (inside |greekmode|). If you add some new style (for
+example typewriter or sans-serif) 1) please let me know, 2) add these four
+letters in |rgrsc|, 3) add the information in |greekmacros.tex|.
+
+There is |\smallDigamma| for the small capital digamma $\smallDigamma$. Some
+people still persist in calling it {\it ``ef''}. Also there are two new
+symbols:
+
+1) following an advice of my father, I added a variation $\varqoppa$
+of lowercase qoppa. This symbol is used in our days for the numeral 90 (the
+current year is $\understroke a\sanpi\varqoppa$). The macro for $\varqoppa$ is
+|\varqoppa|.
+
+2) a funny ``upside-down'' iota with circumflex $\inviota$ (the macro is
+|\inviota|). This symbol was used in the last century for the sound of $i$ in
+$gi'a$ (cf. ``$pi'o$'' in hyphenation {\smc rule 3}). Here is an example
+of such a text, taken from a 1907 edition\refersto9:
+
+\let\w=\grave
+$
+{\ninergr
+\frenchspacing
+\parindent0pt
+\advance\baselineskip1.0pt
+\tolerance=5000
+\obeylines
+Kair\w oc f'ernei t\w a l'aqana, kair\w oc t\w a parapo'ul\inviota a,
+M\w e t\w on kair\w o ka\w i t\w o dendr\w i k'anei karp\w o ka\w i f'ulla.
+>'A"inte, >or'e, m\inviota\w a kopan\inviota\w a s>'an n>~atan qulop'hta,
+N\w a ''p\inviota\I{~h}c t\w hn Gk'olfw j'arreuec?
+D\w en e>~in'' mall\inviota\w a t\w a g'ene\inviota a.
+J'el''<h >ag'ap'' >apomon\w h ki''>ahto~u grhgorws'unh.
+J'elei lago~u pat'hmata, >allo\inviota ~wc <uge\inviota\w a s''>af'inei.
+X'ereic t'i magar'oplash po~u e>~inai \I{<h} guna~ikec?
+$
+\rightline{\sevenrm From Spyridon Peresiadis's ``I Golfo"}
+}
+
+\smallskip
+
+Finally I inserted the logos $\grMF$ and $\MF$ in the |rgrsc| font (the macros
+are |\grMF| and the usual |\MF|). There is still no PASCAL word processor
+program to detect monosyllabes, volunteers are welcome. This upgrading has been
+done on a Macintosh SE/30 using Andrew Trevorrow's Oz\TeX\ and Victor
+Ostromoukhov's Mac$\MF$.
+
+
+\setbox0=\hbox{22. }
+\thehangindent=\wd0
+\def\referred#1{\par\hangindent\thehangindent\noindent
+ \hbox to \thehangindent{\hss#1.\ }\ignorespaces}
+\raggedright
+
+\head * References *
+
+\referred1 {\smc S.Levi}: Using Greek Fonts with \TeX, {\sl TUGboat},
+{\bf 9} (1988) 20--24
+%\referred2 $\monotoniko {\smc M.Triantafullidh:} Grammatik'h
+\referred2 $\monotoniko {\smc M.Triantafullidh:}
+{\rg Neoellhnik'h Grammatik'h, }
+{\sl Organism'oc 'Ek\-do\-shc Sqolik'wn Bibl'iwn},
+Aj'hna 1982$
+\referred3 {$\smc Q.Mhqiwth:$} $Ne'wtaton Lexik'on t~hc Neoellhnik~hc Gl'wsshc,
+{\sl >Ek\-d'o\-seic Kastal'ia}, >Aj~hnai 1972$
+\referred4 {\smc C.B.Boyer}: A History of Mathematics, {J.\ Wiley \&
+Sons,} New~York 1968
+\referred5 ${\smc H.Gewrgiou:} Gel'oklam'an, {\sl Seir'a Kupriak~hc
+La"ik~hc Po'ihshc <Upourge'iou paide'iac\/} {\bf 4}, Leukws'ia 1980$
+\referred6 {\smc Unix} \TeX\ distribution tape, Seattle 1988
+\referred7 {\smc J.D\'esarm\'enien:} How to run \TeX\ in a French
+environment: hyphenation, fonts, typography, {\sl TUGboat}, {\bf 5} (1984)
+91--102
+\referred8 {\smc A.Gariepy:} French in \TeX, {\sl TUGboat}, {\bf 9}
+(1988) 65--69
+\referred9 {$\smc S.Peresiadhc:$} $<H Gk'olfw. Dr'ama e>idulliak\w on e>ic
+pr'axeic p'ente, {\sl >Ekdotik\w oc O>~ikoc Gewrg'iou F'exh,} >Aj~hnai 1907$
+
+
+\makesignature
+\endarticle
+
+% version 19.6.1989
+
+\hbox{Yannis Haralambous}
+\hbox{Universit\'e de Lille--Flandres--Artois}
+\smallskip
+\hbox{Klaus Thull}
+\hbox{Freie Universit\"at Berlin}
+-------
+
diff --git a/Master/texmf-dist/doc/plain/yannisgr/rgrtestfont.tex b/Master/texmf-dist/doc/plain/yannisgr/rgrtestfont.tex
new file mode 100644
index 00000000000..4b4b770f71b
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/rgrtestfont.tex
@@ -0,0 +1,274 @@
+% This file is based on Knuth's and Levy's "testfont"files
+%
+% The text is taken from the book of Kwsto'ula Mhtropo'ulou, Za'ar 19.
+%
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\nopagenumbers
+\parindent=0pt
+\newlinechar=`@
+\input rgreekmacros %not necessary if you have a greek format
+
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+
+\def\today{\ifcase\month\or
+ January\or February\or March\or April\or May\or June\or
+ July\or August\or September\or October\or November\or December\fi
+ \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+ \m=-\n \multiply\m 60 \advance\m \time
+ \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1\lt10 0\fi \number#1}
+
+{\catcode`\|=0 \catcode`\\=\other
+|gdef|help{|message{%
+\init switches to another font;@%
+\end or \bye finishes the run;@%
+\table prints the font layout in tabular format;@%
+\text prints a sample text, assuming TeX text font conventions;@%
+\sample combines \table and \text;@%
+\mixture mixes a background character with a series of others;@%
+\alternation interleaves a background character with a series;@%
+\alphabet prints all lowercase letters within a given background;@%
+\alphabets does one \alphabet for each lowercase background letter;@%
+\ALPHABET prints all uppercase letters within a given background;@%
+\ALPHABETs does one \ALPHABET for each uppercase background letter;@%
+\accents prints all lowercase vowels with accents and breathings;@%
+\series prints a series of letters withing a given background;@%
+\lowers prints a comprehensive test of lowercase;@%
+\uppers prints a comprehensive test of uppercase;@%
+\digits prints a comprehensive test of numerals;@%
+\math prints a comprehensive test of TeX math italic;@%
+\names prints a text that mixes upper and lower case;@%
+\punct prints a punctuation test;@%
+\bigtest combines many of the above routines;@%
+\help repeats this message;@%
+and you can use ordinary TeX commands (e.g., to \input a file).}}}
+
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n\lt255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+ \def\do##1{\catcode`##1=\other}\dospecials
+ \read-1 to\next
+ \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+ \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+ \setchar\starting \setchar\ending}
+
+\def\init{\message{@Name of the font to test = }
+ \read-1 to\fontname
+ \font\testfont=\fontname
+ \headline={\sevenrm Test of \fontname\unskip\ on \today\ at \hours\hfil
+ Page \folio}
+ \testfont \setbaselineskip
+ \ifdim\fontdimen6\testfont\lt10pt \rightskip=0pt plus 20pt
+ \else\rightskip=0pt plus 2em \fi
+ \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+ \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont
+ \message{Now type a test command (\string\help\space for help):}}
+
+\def\mixture{\promptthree \domix\mixpattern}
+\def\alternation{\promptthree \domix\altpattern}
+\def\mixpattern{\0\1\0\0\1\1\0\0\0\1\1\1\0\1}
+\def\altpattern{\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0}
+\def\domix#1{\par\chardef\0=\background \n=\starting
+ \until\ifnum\n=\ending\do\chardef\1=\n #1\par\n=\count\n \repeat}
+
+\count`w=`a\count`a=`b\count`b=`g\count`g=`d\count`d=`e\count`e=`z
+\count`z=`h\count`h=`j\count`j=`i\count`i=`k\count`k=`l\count`l=`m
+\count`m=`n\count`n=`x\count`x=`o\count`o=`p\count`p=`r\count`r=`c
+\count`c=`t\count`t=`u\count`u=`f\count`f=`q\count`q=`y\count`y=`w
+\count`W=`A\count`A=`B\count`B=`G\count`G=`D\count`D=`E\count`E=`Z
+\count`Z=`H\count`H=`J\count`J=`I\count`I=`K\count`K=`L\count`L=`M
+\count`M=`N\count`N=`X\count`X=`O\count`O=`P\count`P=`R\count`R=`S
+\count`S=`T\count`T=`U\count`U=`F\count`F=`Q\count`Q=`Y\count`Y=`W
+\count`0=`1\count`1=`2\count`2=`3\count`3=`4\count`4=`5
+\count`5=`6\count`6=`7\count`7=`8\count`8=`9\count`9=`0
+
+\long\def\until#1\do#2\repeat{\def\body{#2}\def\cond{#1}\etareti}
+\def\etareti{\cond\let\next=\relax\else\let\next=\etareti\fi\body\next}
+
+\def\alphabet{\setchar\background \dosseries{`a}{`w}}
+\def\ALPHABET{\setchar\background \doseries{`A}{`W}}
+\def\series{\promptthree \doseries\starting\ending}
+\def\doseries#1#2{\def\!{\discretionary{\background}{\background}{\background}}
+ \!\n=#1\until\ifnum\n=#2\do\char\n\!\n=\count\n \repeat\par}
+\def\dosseries#1#2{\def\!{\discretionary{\background}{\background}{\background}}
+ \!\n=#1\until\ifnum\n=#2\do\char\n\!\n=\count\n \repeat s\par}
+
+\def\lowers{\docomprehensive hs{`a}{`w}}
+\def\uppers{\docomprehensive HO{`A}{`W}}
+\def\digits{\docomprehensive H0{`0}{`9}}
+\def\docomprehensive#1#2#3#4{\par\n=#3
+ \until\ifnum\n=#4\do\line{\altr#1\hfil\altr#2}\n=\count\n\repeat}
+\def\altr#1{\setbox0=\hbox{#1}\setbox2=\hbox{#1\char\n}%
+ \dim=.5\hsize \advance\dim-\wd0 \divide\dim\wd2 \multiply\dim\wd2
+ \xleaders\box2\hskip\dim\box0}
+\def\alphabets{\m=`a\until\ifnum\m=`w
+ \do\chardef\background=\m{\dosseries{`a}{`w}}\m=\count\m \repeat}
+\def\ALPHABETS{\m=`A\until\ifnum\m=`W
+ \do\chardef\background=\m{\doseries{`A}{`W}}\m=\count\m \repeat}
+
+\def\separator{\vfil\penalty-100\vfilneg
+ \medskip\leaders\hrule height.4pt\vskip.4pt\medskip}
+
+\def\bigtest{%
+\sample\vfil\break
+\accents\separator
+\names\separator
+\punct\separator
+\alphabets\separator
+\lowers\separator
+\uppers\separator
+\digits}
+
+\def\math{\message{(Sorry, that's not here yet.)}}
+
+\def\oct#1{\hbox{\tenrm\'{}\kern-.2em\tenit#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\tenrm\H{}\tentt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+ \noalign{\nointerlineskip}
+ \multispan{19}\hrulefill&
+ \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+ \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n\lt128 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=128 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+ \halign to\hsize\bgroup
+ \chartstrut##\tabskip0pt plus10pt&
+ &\hfil##\hfil&\vrule##\cr
+ \lower6.5pt\null
+ &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+ \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+ &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+ \ifdim\ht0>7.5pt\reposition
+ \else\ifdim\dp0>2.5pt\reposition\fi\fi
+ \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+ \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+ \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+\begingreek
+
+\def\accents{\longseries a\shortseries e\longseries h\mediumseries i
+\shortseries o\mediumseries u\longseries w \rseries}
+\def\longseries#1{#1 `#1 '#1 ~#1 #1| `#1| '#1| ~#1| <#1 <`#1 <'#1 <~#1 <#1|
+ <`#1| <'#1| <~#1| >#1 >`#1 >'#1 >~#1 >#1| >`#1| >'#1| >~#1| \par}
+\def\shortseries#1{#1 `#1 '#1 <#1 <`#1 <'#1 >#1 >`#1 >'#1 \par}
+\def\mediumseries#1{#1 `#1 '#1 ~#1 %
+ <#1 <`#1 <'#1 <~#1 >#1 >`#1 >'#1 >~#1 "#1 "`#1 "'#1 "~#1 \par}
+\def\rseries{r <r >r\par}
+\def\names{ >Afrod'ith Beatr'ikh Gi'annhc Dhm'htrhc E>ugen'ia
+ Zw'h <Hrakl~hc Je'ofiloc >Iw'anna Kl'aouc Louk~ac
+ Mar'ia N'ikh Xanjo'ula O>id'ipouc Pl'atwn Rox'anh S'ilbio
+ Ter'eza <Upat'ia F'ilippoc Qar'a Yuq'h >Wrig'enhc \par}
+\def\punct{{\hyphenpenalty=10000\par\dopunct{ka'i}\dopunct{t~hs}\dopunct{<'ena}
+ \dopunct{<ELLAS}\par}}
+\def\dopunct#1{#1, #1: #1; ''#1'' #1? #1! ((#1)) (#1) [#1] #1* #1.\par}
+\def\from#1{{\sevenrm\unskip\nobreak\hfil\penalty50\hskip2em\hbox{}
+ \nobreak\hfil (From #1)\parfillskip=0pt\finalhyphendemerits=0 \par}}
+
+\def\text{{\advance\baselineskip-4pt
+\setbox0=\hbox{abcdefghijklmnopqrstuvwxyz}
+\ifdim\hsize\gt2\wd0 \ifdim 15pc\gt2\wd0 \hsize=15pc \else \hsize=2\wd0 \fi\fi
+((T'o br~hka!)) f'wnaxe. ((T'o br~hka! E>~isai <'ena pr'oswpo m'esa >ap'o
+<'ena bibl'io po'u pot'e d'en gr'afthke, giat'i >eg'w prosp'ajhsa, >eg'w
+m'ono, ka'i m''a>ut'h t'h nekr'h gl'wssa ka'i d'en mp'oresa n'a t'o p~w, n'a
+t'o fti'axw, d'en mp'oresa pot'e, giat'i <h gl'wssa e>~inai nekr'h,
+>endi'amesh, mi'a gl'wssa gi'a poiht'ec, gi'a >anjr'wpouc po'u >oneire'uontai
+s'an a>ut'o t'o paid'i, t'on >Ast'erh po'u to~u f'ortwsan >'adika du'o
+jan'atouc ka'i d'en m'ilhse. D'en e>~inai mi'a gl'wssa gi'a >emp'orio to'uth
+>ed~w <h dik'h mou ka'i gi''a>ut'o d'en s'e >anagn'wrise kan'enac <'otan
+milo~usa gi'a s'ena. D'en j'a mporo~use pot'e n'a e>~inai s'ugqronh <h pr'axh
+m'e t'h fantas'ia. Pot'e >'idia <h pragmatik'h <istor'ia m'e t'h nekr'h
+gl'wssa. Pot'e. T'a pr'oswpa <up'hrxane, na'i, e>~inai >al'hjeia, <up'hrxane
+>all'a pot'e s'e sq'esh m'e t'hn pragmatik'othta po'u dihg'hjhka m'e t'h
+nekr'h, >'aqrhsth gl'wssa t~wn qam'enwn >Etro'uskwn. <Up'hrxane s'e qr'ono
+ka'i q~wro parwqhm'eno, >'asqeto, qr'ono mhd'en, pr'oswpa po'u <h
+pragmatik'othta <h dik'h mac t'a e>~iqe de~i >alli~wc. Ka'i m'ono >es'u,
+m'ono >es'u e>~isai mis'oc, e>~isai KANENAS, giat'i >eg'w d'en pr'oftasa
+n'a s'e k'anw >al'hjeia, >eg'w d'en mp'oresa n'a s'e k'anw pr'oswpo
+<uparkt'o m'esa >ap'o t'h fjor'a. E>~isai <'ena pr'oswpo m'esa >ap'o <'ena
+mujist'orhma po'u pot'e d'en gr'afthke giat'i <h gl'wssa a>ut'h e>~inai
+m'ono gi'a t'oso, t'oso l'igo, <'oso >~htan o<i 19 m'erec s'e ke~ino t'o
+Sept'embrh ka'i >'etsi >~htan po'u s''>'afhsa mis'o, s''<'ena trago'udi
+m'esa, s'e mi'a l'exh pali'a, s''<'ena >anastenagm'o, s'e mis'o >'oneiro
+spasm'eno. S''>'afhsa >'etsi ka'i d'en >'eginec pot'e mi'a >al'hjeia gi'a
+to'uc >'allouc, gi'a to'uc tr'itouc, gi'a to'uc logiko'uc, gi'a <'osouc
+rwto~usan gi'a s'ena, gi'a t'h guna'ika sou >ak'oma po'u nom'izei p'wc s'e
+x'erei ka'i d'en x'erei t'ipota >ap'o s'ena. >Eg'w fta'iw >ag'aph mou ka'i
+p'ali >ag'aph j'a so~u''dina ka'i l'exeic nekr'ec, >'aqrhstec ka'i
+m''a>ut'ec j'a prospajo~usa, j'a >'hjela n'a g'ineic <'ena >ast'eri ka'i mi'a
+ter'astia fwtein'h gramm'h st'hn >'akrh to~u k'osmou, >en~w >es'u mo~u
+mil~ac gi'a qrus'afi ka'i p'wc gi''a>ut'o t'o mis'o qrus'afi, mis'o ka'i
+klemm'eno, sk'otwsec du'o >aj'wouc, du'o x'enouc, du'o zw'ec, >es'u, t'o
+>'astro mou ka'i t'o f~wc mou. M'ilhs'e mou loip'on, p'ec mou p'wc >'eqw
+>'adiko ka'i p'wc d'en e>~inai gi'a s'ena <'ola to~uta, p'ec mou t'hn
+>al'hjeia >'h <'ena y'ema, p'ec mou, p'ec mou Za'ar >ag'aph mou...))
+
+Logik'oc. M'e t'ic l'exeic metrhm'enec. Du'o, t'esseric, >oqt'w, d'wdeka. <O
+>'erwt'ac tou kr'athse <'oso krat~ane o<i >epoq'ec. Mi'a >epoq'h. M'e broq'ec
+ka'i ke~ino t'o jamp'o k'itrino <'hlio. Sept'embrhc. <'Enac. M'ono. Met'a
+xanag'urise st'o sp'iti tou. X'enoc. Ka'i m'onoc. Ka'i >'emeine >eke~i.
+X'eqase. >'H o>'ute ki a>ut'o. P'erase st'hn >'allh >'oqjh, st'o pot'ami,
+p'anta t'o''lege p'wc <h >'allh >'oqjh e>~inai <h pi'o e>'ukolh. >'Oqi a>ut'h
+>ed~w po'u t'hn perpat~ame. <H >'allh. A>ut'h po'u d'en t'hn x'eroume >ak'oma.
+Za'ar, t'o d'eqthke n'a t'on l'eei m'ono >eke'inh. Na'i e>~iqe skot'wsei. Du'o
+>aj'wouc. >'Enoqouc. D'en e>~iqe shmas'ia. >'Afhse n'a <upoyiasto~un t'on
+>Ast'erh. >Eke~inoc >'agnwstoc. Ka'i m'ono gi'a t'o qrus'afi milo~use. <O
+>Ast'erhc j'a pono~use. <'Opwc p'onese >eke'inh. >'Oqi, d'en >'hjele n'a
+pon~ane o<i >'anjrwpoi. >'Oqi po'u noiaz'otan. >'Oqi po'u d'en t'o >'anteqe.
+<'Omwc fob'otan. Fob'otan pol'u k'aje for'a po'u >'emene m'onoc m'e t'on
+<eaut'o tou. Ka'i <h logik'h d'en >'eftane. T'ote, d'en >'eftane <h logik'h.
+>'Htane gi'a to'uc pol'u >aj'wouc a>ut'h <h logik'h. A>ut'oc tetrag'wnize to'uc
+k'uklouc. T'esseric gwn'iec. M'ia, d'uo, tre~ic, t'esseric. Gwn'ies. <'Olec.
+Ka'i <h logik'h tou. <O >'erwt'ac tou m'ono mi'a >epoq'h.
+
+((>Eg'w d'en >erwte'uomai)) e>~iqe pe~i. D'en t'on e>~iqe pist'eyei. >~Htan <o
+k'itrinoc jamp'oc Sept'embrhc ka'i <h l'imnh ka'i o<i stajmo'i ka'i o<i n'uqtec
+m'e t'on >'erwta. D'en t'on e>~iqe pist'eyei.
+
+((T'i >'eqeic n'a mo~u pe~ic t'wra? S''t'o e>~iqa pe~i. <H gl'wssa po'u
+>epim'eneic n'a mil~ac, <h dik'h sou <h gl'wssa e>~inai >'aqrhsth >entel~wc
+ka'i d'en mpore~i kan'enac n'a t'hn zwntan'eyei. >Eg'w >'emeina p'anta <o
+x'enoc, t'o e>~idec, t'o x'ereic, t'o''majec pi'a. Giat'i >epim'eneic? T'i
+zht~ac >ap'o m'ena? >Eg'w >'etsi <'opwc e>~imai ftiagm'enoc d'en qwr'aw s'e
+kan'ena >'oneiro, d'en qwr'aw s'e kami'a nekr'h di'alekto. E>~imai <o x'enoc
+ka'i d'en j'a s''>anagnwr'izw s'e l'igo. D'en j'a x'erw giat'i ka'i p~wc ka'i
+p'oso m''>ag'aphsec. Ka'i j'a''jela st''>al'hjeia n'a mo~u t'o pe~ic a>ut'o:
+Nom'izeic <'oti m''>ag'amhsec? >Es'u, >em'ena!! M'a poi'a sq'esh j'a mporo~use
+n'a <up'arqei >an'ames'a mac? M'ila mou. S'>ako'uw. E>~imai <o x'enoc. >'Emeina
+<o x'enoc. K'anenac d'en kat'alabe t'hn >erhmi'a mou. Pot'e. M'onoc ka'i
+x'enoc. Ka'i s'e koit'azw st'a m'atia. P~wc s'e l'ene? Poi'a e>~isai? Giat'i
+s''>ar'esei n'a >epim'eneic <'oti m''>ag'aphsec? T'i x'ereic >es'u >ap'o
+m'ena?))}}
+
+\def\sample{\names\table\text}
+
+\init
+
diff --git a/Master/texmf-dist/doc/plain/yannisgr/tomakeformat.txt b/Master/texmf-dist/doc/plain/yannisgr/tomakeformat.txt
new file mode 100644
index 00000000000..b2f85c8fdcf
--- /dev/null
+++ b/Master/texmf-dist/doc/plain/yannisgr/tomakeformat.txt
@@ -0,0 +1,26 @@
+% Hyphenation, miscellaneous macros, and initial values for standard layout
+\message{hyphenation}
+
+\def\lt{<}\def\gt{>}
+\catcode`\<=11
+\catcode`\>=11
+\catcode`\'=11
+\catcode`\~=11
+\catcode`\"=11
+\lccode`\<=`\<%
+\lccode`\>=`\>%
+\lccode`\'=`\'%
+\lccode`\~=`\~%
+\lccode`\"=`\"%
+
+\input grhypha
+
+\catcode`\<=12
+\catcode`\>=12
+\catcode`\'=12
+\catcode`\~=13
+\catcode`\"=12
+
+\message{greekmacros v1.1}
+\input rgreekmacros
+
generated by cgit v1.2.3 (git 2.39.1) at 2024-12-29 02:40:10 +0000