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+\documentclass[10pt,stdletter,sidebyside,dateno,faxheaderpage]{newlfm}
+
+\lthmasta\sigsLvBa
+
+\closeline{Yours in fontal health,}
+\Cfooter{\parbox{3in}{{\Large\bfseries\itshape Your font is my font!!}}}
+\Rheader{\fbox{\parbox[b][2in]{1in}{\hspace*{1in} \vspace*{1in} }}}
+\greetto{Tovarich Pyotr:}
+\encllist{Document}
+\cclist{George, John, Paul, Ringo}
+
+\leftmarginsize{1in}
+\rightmarginsize{1in}
+\addrtoskipbefore{72pt}
+
+\begin{document}
+
+\ltrbody{\tailor In terms of the relationships between font descriptions and
+  musical typography, it seems to me that only in the case of the early
+  1800s can even the slightest case be made for a relationship.}
+\providecommand{\tailor}{}
+\renewcommand{\tailor}{A line that will differ from case to case.}
+\doltr{\setadrto{\adrPIT}}
+\renewcommand{\tailor}{Of course, it doesn't have to, but it will anyway.}
+\doltr{\setadrto{\adrCCR}}
+
+\end{document}