1 files changed, 32 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/latex/newlfm/test6.tex b/Master/texmf-dist/doc/latex/newlfm/test6.tex
new file mode 100644
index 00000000000..39605b5096d
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/newlfm/test6.tex
@@ -0,0 +1,32 @@
+\documentclass[10pt]{newlfm}
+
+\newlfmP{leftmarginsize=1in,rightmarginsize=1in,addrtoskipbefore=72pt,%
+stdletter,dateno,noheadline,topmarginskip=.6in,leftmarginskipleft=35pt,%
+leftmarginskipright=.35in,Avery5163,labsize=\small,labrowfrto,addrf=LVB}%
+
+\closeline{Yours in fontal health,}
+\Cfooter{\parbox{3in}{{\Large\bfseries\itshape Your font is my font!!}}}
+\greetto{Tovarich Pyotr:}
+\encllist{Document}
+\cclist{George, John, Paul, Ringo}
+
+\makelabels
+
+\setcounter{errorcontextlines}{20}
+
+\begin{document}
+\ltrbody{{\tailor} In terms of the relationships between font descriptions and
+ musical typography, it seems to me that only in the case of the early
+ 1800s can even the slightest case be made for a relationship.}
+\providecommand{\tailor}{}
+\newcounter{tx}
+\setcounter{tx}{0}
+\whiledo{\thetx < 7}{ 
+\addtocounter{tx}{1}
+\renewcommand{\tailor}{\thetx: A line that will differ from case to case.}
+\oneletter{PIT}
+\renewcommand{\tailor}{\thetx: Of course, it doesn't have to, but it will anyway.}%
+\oneletter{CCR}
+}
+
+\end{document}