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diff --git a/Master/texmf-dist/doc/latex/greektonoi/greektonoi-en.tex b/Master/texmf-dist/doc/latex/greektonoi/greektonoi-en.tex
index 0a45fcc4c65..0a46f1d6aea 100644
--- a/Master/texmf-dist/doc/latex/greektonoi/greektonoi-en.tex
+++ b/Master/texmf-dist/doc/latex/greektonoi/greektonoi-en.tex
@@ -3,7 +3,6 @@
\usepackage{polyglossia}
\setmainlanguage{english}
\setotherlanguage[variant=polytonic]{greek}
-%\newfontfamily\greekfont[ExternalLocation, Mapping=tex-text]{Cardo104s}
\setmainfont % load font from path
[
%Path = C:/Windows/Fonts/,
@@ -18,21 +17,23 @@
\newfontfamily\greekGFS{GFS Neohellenic}
\newfontfamily\baske[Mapping=greektonoi]{GFS Baskerville}
\setmonofont[Scale=0.75]{DejaVu Sans Mono}
+\newfontfamily\ariall{Arial}
\usepackage{hyperref}
\usepackage{metalogo}
+\usepackage{booktabs}
+\usepackage{longtable}
\usepackage{greektonoi}
\title{Documentation for the {\sf greektonoi.sty} package and {\sf greektonoi.map} mapping.}
\author{Charalampos Milt. Cornaros\thanks{ Questions, commentary and bug reports to \texttt{kornaros@aegean.gr} please.}}
-\date{2015/12/12}
+\date{2016/01/01}
\let\tb=\textbackslash
-
-
+\newcommand*{\cellpar}[1]{\parbox[b]{0.50\textwidth}{#1}}
\begin{document}
\maketitle
\begin{abstract}
-The \textsf{greektonoi} package provides the possibility to directly type or paste in ancient Greek texts with diacritical characters and transforming monotonic texts to polytonic ones. To insert accents and breathings we use a method similar to the common \texttt{Beta Code} convention.
+The \textsf{greektonoi} package offers the possibility to directly type or paste in ancient Greek texts with diacritical marks and transforming monotonic texts to polytonic ones. To insert accents and breathings we use a method similar to the common \texttt{Beta Code} convention.
-This file documents version 0.1 of \textsf{greektonoi.sty}.
+This file documents version 0.2 of \textsf{greektonoi.sty}.
\end{abstract}
\tableofcontents
@@ -42,28 +43,28 @@ This file documents version 0.1 of \textsf{greektonoi.sty}.
\addtocontents{toc}{ ~\hfill\textbf{Page}\par}
\section{Introduction}
-From 1952 the polytonic(multi-accents) writing system in Greece was abolished by the Greek parliament. However the need of using it has not been eliminated. Many publishing houses, the Orthodox Church of Greece, writers, scholars and other individuals continue to write with the polytonic system. The \url{www.unicode.org} included, luckily, almost all the monotonic and polytonic Greek characters: \texttt{Unicode Greek and Coptic code set} (with codes U + 0370 - U+03FF), \texttt{Greek Extended code set} ( from U + 1F00 - U+1FFF) and \texttt{Combining Diacritical Marks code set} ( U + 0300 - U+036F) as well. The Greek difthogos ( δίφθογος) ‘ου’ is one of the few exceptions letters that are not included (see \url{https://en.wikipedia.org/wiki/Ou_(ligature)} ). Generally, writing in the polytonic system (in electronic devises) remains a difficult problem. The problem has been successfully confronted with \TeX{} and its branches. We make a package {\sf greektonoi.sty } and a map file {\sf greetonoi.map} that gives us the opportunity to include pollytonic letters in our texts using \XeTeX engine. We can also use them for the easy (but not automatic) conversion of monotonic texts into polytonic ones.
+The polytonic(multi-accents) writing system in Greece was abolished by the Greek parliament since 1982. However, the need for using it has not been eliminated. Many publishing houses, the Orthodox Church of Greece, writers, scholars and other individuals continue to write by using the polytonic system. Fortunatelly, almost all the monotonic and polytonic Greek characters are included in the Unicode sets by the \url{www.unicode.org}: \texttt{Unicode Greek and Coptic code set} (with codes U + 0370 - U+03FF), \texttt{Greek Extended code set} (from U + 1F00 - U+1FFF) and \texttt{Combining Diacritical Marks code set} ( U + 0300 - U+036F) as well. The Greek diphthong (δίφθογος) ‘ου’ is one of the few letter combinations that are not included (see \url{https://en.wikipedia.org/wiki/Ou_(ligature)} ). In general, writing in the polytonic system (in electronic devices) remains a difficult problem. The problem has been successfully confronted with \TeX{} and its branches. We created a package {\sf greektonoi.sty } and a map file {\sf greetonoi.map} that gives us the opportunity to include pollytonic letters in our texts by using the \XeTeX{} engine. They can also be used in order to easily (though not automatically) convert monotonic texts into polytonic ones.
\section{Design Details}
-Writing polytonic texts in \LaTeX{} is usually done using the Greek option of \textsf{babel} package. So with the instruction:
+Writing polytonic texts in \LaTeX{} can be usually performed by using the Greek option of \textsf{babel} package. So with the instruction:
\begin{center} \verb'\usepackage[polutonikogreek]{babel}' \end{center}
-in the preamble of our file, we can start writing immediately a polytonic text. The insertion of accents and breathings is an easy task without using any special combinations of keys and dead keys from the keyboard. The encodings are: to insert the greek accent(tonos) we simply use the symbol '( U+0027), we put the diaeresis using the symbol " (U+0022). For the acute accent we use the same character as for the greek accent, we insert the vareia(grave) with the symbol `(U+ 0060) and the circumflex (perispomeni) with the symbol \char"007E {}(U+007E).
-The encodings for the breathings are: we use the symbol >(U+003E) for the psili(smooth, lenis), we use the symbol <(U+003C) for the daseia (asper, dense) and for the iota subscriptum (υπογεγραμμένη) we use the symbol |(U+OO7C). In order to write, for example, the word ἁμαρτία we insert simply <amart’ia (see \url{http://tex.stackexchange.com /questions/210843/how-do-i-write-amartia-in-polytonic-greek} ).
+in the preamble of our file, we can immediately start writing a polytonic text. The insertion of accents and breathings is an easy task without using any special combinations of keys and dead keys directly from the keyboard. The encodings are: to insert the greek accent(tonos) we simply use the symbol '( U+0027), we put the diaeresis using the symbol " (U+0022). For the acute accent we use the same character as for the greek accent, we insert the vareia(grave) with the symbol `(U+ 0060) and the circumflex (perispomeni) with the symbol \char"007E {}(U+007E).
+The encodings for the breathings are: we use the symbol >(U+003E) for the psili(smooth, lenis), we use the symbol <(U+003C) for the daseia (asper, dense) and for the iota subscript (υπογεγραμμένη) we use the symbol |(U+OO7C). In order to write, for example, the word ἁμαρτία we simply insert <amart’ia (see \url{http://tex.stackexchange.com /questions/210843/how-do-i-write-amartia-in-polytonic-greek} ).
-Another possibility is to use of the \textsf{betababel} package (see \url{http://ftp.yzu.edu.tw/CTAN/macros/latex/contrib/betababel/betatest.pdf }).
-This uses the same concepts with the exception that the encodings are different from the ones before. So we insert the psili with ), the daseia with (, the diaeresis with +, the acute accent with /, the vareia (grave accent) with \tb, the circumflex accent with the symbol = and the iota subscriptum with the symbol |.
+Another possibility is to use the \textsf{betababel} package (see \url{http://ftp.yzu.edu.tw/CTAN/macros/latex/contrib/betababel/betatest.pdf }).
+This uses the same concepts with the exception that the encodings are different from the ones previously used. So we insert the psili with ), the daseia with (, the diaeresis with +, the acute accent with /, the vareia (grave accent) with \tb, the circumflex accent with the symbol = and the iota subscript with the symbol |.
-The main problem with the above methodologies is that the output is \emph{not} Unicode and it can not be re-used. Also, they don’t have enough flexibility: For example, the */)ANDRA will give the correct result with the \textsf{betababel} package but the */)ANDRA will not. Another problem that we found out is that most of the above combinations are inserted using the {\sf Shift} key which we think is time consuming and makes typing more difficult for one hand typing.
+The main problem with the above methodologies is that the output is \emph{not} unicode and as a result it can not used again. Also, there is not enough flexibility: For example, the */)ANDRA will provide the correct result with the \textsf{betababel} package but the */)ANDRA will not. Another problem that emerges is that most of the above combinations are inserted using the {\sf Shift} key which is regarded as time consuming and makes typing more difficult in case of one hand typing.
\section{The mapping file {\sf greektonoi.map} }
-The \XeTeX{} engine gives us fantastic possibilities for the easy use of Unicode fonts of ttf and otf font format without installing them in our computer. The above mentioned packages, babel and betababel, cannot be used, unfortunately,with \XeTeX{} engine. Because of that, we decided to design from the beginning a proper mapping file to work with the option \verb'\setmainlanguage[variant=polytonic]{greek}' of the \textsf{polygossia} package. In \textsf{greektonoi.map} there are almost 3,000 accents combinations in order to easily insert the polytonic symbols. The new encodings are : `(U+0027) and '(U+0060) for bareia, - (U+002D) and |(U+007C) for the iota subscriptum, the ) (U+0029) and ] (U+005D) for the acute accent, the ((U+0028) and [(U+005B) for the grave accent and the "(U+0022) or +(U+002B) for the diaeresis. We can put the usual tonos accent with the normal way using the Greek keyboard (using, for example, a combination of ; with a vowel in PCs) or with the symbol /(U+002F). The symbols |, (, ), +, /, = and `correspond to the symbols |, ( , ) , +, /, = και \tb{} that we see in the \textsf{betababel} package.
+The \XeTeX{} engine gives us endless possibilities for the easy use of Unicode fonts of ttf and otf font format without installing them in our computer. The packages, babel and betababel, mentioned above, cannot be used, unfortunately, with the \XeTeX{} engine. Because of that, we decided to design from scratch a proper mapping file to work with the option \verb'\setmainlanguage[variant=polytonic]{greek}' of the \textsf{polygossia} package. In \textsf{greektonoi.map} there are almost 3,000 accent combinations in order to easily insert the polytonic symbols. The new encodings are : `(U+0027) and '(U+0060) for bareia, - (U+002D) and |(U+007C) for the iota subscript, the ) (U+0029) and ] (U+005D) for the psili, the =(U+003D) for circumflex, the ((U+0028) and [(U+005B) for the daseia and the "(U+0022) or +(U+002B) for the diaeresis. We can put the usual tonos(acute accent) with the normal way by simply using the Greek keyboard (using, for example, a combination of ; with a vowel in PCs) or with the symbol /(U+002F). The symbols |, (, ), +, /, = and `correspond to the symbols |, ( , ) , +, /, = and \tb{} that we see in the \textsf{betababel} package.
-The use of the \textsf{Shift} key in most of the above cases could be eliminated with the use of the symbols: -, [, ], ", /, = respectively that doesn’t use the \textsf{Shift} key in order to be insert them (except for the "(U+0022) ). The last symbol " usually does not imported correctly in the text with some editors such as Word, for example(MS Word wrongly imports the character «(U+00AB) ).
-In this case, we could alternately use the symbol +. We could insert these auxiliary symbols in our text in any possible order. The only mnemonic rule we have set is: all of the diacritical characters are placed to the left of the vowel in any order. The iota subscriptum ( | or - ) should definitely come just before or just after the vowel. To take, for example, the word ἁμαρτίᾳ, we write [αμαρτία- or (αμαρτία| or [αμαρτ/ια| or (αμαρτ/ι-α ). The first two combinations [αμαρτία- or (αμαρτία|, are very useful in case we have already the (monotonic) word αμαρτία (or a whole monotonic text that we like to convert to polytonic one using \textsf{greektonoi.map}. We simply add the proper symbols at the left of the vowels that we interested in and we get the pollytonic text in the output.\vspace{1em}\\ \noindent
+The use of the \textsf{Shift} key in most of the above cases could be minimized with the use of the symbols: -, [, ], ", /, = and ` or ' respectively that doesn’t use the \textsf{Shift} key in order to insert them (except for the "(U+0022) ). The last symbol " is not usually imported properly in the text with some editors such as Word, for example(MS Word wrongly imports the character «(U+00AB) ).
+In this case, we could alternatively use the symbol +. We could insert these auxiliary symbols in our text in any possible order. The only mnemonic rule we have set is: all of the diacritical marks are placed to the left of the vowel in any order. The iota subscript ( | or - ) should definitely come just before or just after the vowel. To taking, for example, the word ἁμαρτίᾳ, we write [αμαρτία- or (αμαρτία| or [αμαρτ/ια| or (αμαρτ/ι-α. The first two combinations [αμαρτία- or (αμαρτία|, are very useful in case we have already the (monotonic) word αμαρτία (or a whole monotonic text that we would like to convert to a polytonic one using \textsf{greektonoi.map}). We simply add the proper symbols on the left of the vowels that we are interested in and we get the pollytonic text in the output.\vspace{1em}\\ \noindent
{\bf Example:} In order to have the pollytonic text
\begin{quote}
@@ -75,7 +76,7 @@ from the corresponding monotonic we could type:
Τη- πάντα διδούση| κα`ι ]απολαμβανούση| φύσει [ο πεπαιδευμένος κα`ί α]ιδήμων λέγει· «δ`ος, `(ο θέλεις, ]απόλαβε, [`ο θέλεις». Λέγει δ`ε το=υτο ο)υ καταθρασυνόμενος, ]αλλ`ά πειθαρχ=ών μόνον κα`ι ε]υνο=ων α]υτ=|η.
\end{quote}
-We noticed a problem with the use of the symbols ] and [ after the use of the double backslash \tb\tb{}. For example, the \tb\tb [`υ =]υ arise a problem but the \tb\tb (`υ =]υ or \tb\tb\{\} [`υ =]υ does not. The use of the double \{ and \} is a simple solution in order to separate the \tb\tb{} from the subsequent words. We will give below a complete example of greektonoi enconding using \XeLaTeX{} engine.
+Throughout this process, we noticed a problem with the use of the symbols ] and [ after the use of the double backslash \tb\tb{}. For example, the \tb\tb [`υ =]υ causes a problem but the \tb\tb (`υ =]υ or \tb\tb\{\} [`υ =]υ does not. The use of the double \{ and \} is a simple solution in order to separate the \tb\tb{} from the subsequent words. We will provide a complete example of greektonoi enconding using \XeLaTeX{} engine below.
\begin{verbatim}
@@ -113,11 +114,11 @@ The output is\vspace{1em}
\vspace{0.3em}\\
In the above example we used two new font families, the {\sf GFS Neohellenic} and {\sf GFS Baskerville} from the Greek Font Society (see \url{http://www.greekfontsociety.gr/pages/en_typefaces.html}). For the first typeface we used {\sf greektonoi} mapping only locally ie. only for the part of our text that is included inside the \begin{center} \verb'{\greekfont \addfontfeature{Mapping=greektonoi} ...},'\end{center}
- We used the {\sf greektonoi.map} mapping and the second typeface named \verb'\baske' for a whole text area (that uses the \verb'\baske' typeface). In order to take the pdf output from the above code we have to install the {\sf greektonoi} mapping or alternatively, put the file {\sf greektonoi.tec} in the same folder that we have saved the above code(with the {\sf .tex} extention).
+ We used the {\sf greektonoi.map} mapping and the second typeface named \verb'\baske' for a whole text area (that uses the \verb'\baske' typeface). In order to receive the pdf output from the above code we have to install the {\sf greektonoi} mapping or alternatively, put the file {\sf greektonoi.tec} in the same folder that we have saved the above code(with the {\sf .tex} extention).
\section{The greektonoi package}
-The {\sf greektonoi.map} mapping is useful only in large polytonic texts written without math symbols or other \TeX{} commands in the middle. The use of [ and ] for inserting breathings is completly improper in texts that include \TeX{} commands because these characters are used to delimit the set of variables from the body of the command. Therefore, we made {\sf greektonoi.sty} package which is more suitable for such cases. There are almost nine hundreds commands stored in the package for easy importing of greek numerals, polytonic archaic Greek, accents, breathings and other symbols. The commands have been using letters from the Greek alphabet (β, ψ, δ, π and so on) although in a future revised version we intent to extend the package with commands that use only ascii characters for those users that do not have the greek keyboard. In {\sf greektonoi.sty} underlie the same concepts as in {\sf greektonoi.map}. The vareia(\textbf{β}αρεία) is inserted using the letter β, for psili(\textbf{ψ}ιλή) we use ψ, daseia(\textbf{δ}ασεία) is inserted with δ and the circumflex(\textbf{π}ερισπωμένη) is inserted typing π. For iota subscriptum (υπογεγραμ\textbf{μ}ένη) we use the letter μ, for tonos the letter τ and for diaeresis(δια\textbf{λ}υτικά) the λ character. So to write the text above using exclusively the {\sf greektonoi.sty} package
+The {\sf greektonoi.map} mapping is useful only in large polytonic texts written without any math symbols or other \TeX{} commands in the middle. The use of [ and ] to insert breathings is completely improper in texts that include \TeX{} commands because these characters are used to delimit the set of variables from the body of the command. Therefore, we created {\sf greektonoi.sty} package which is more suitable for such cases. There are almost nine hundred commands stored in the package to easily and effectively facilitate the import of greek numerals, polytonic archaic Greek, accents, breathings and other symbols. The commands have been using letters from the Greek alphabet (β, ψ, δ, π and so on) although in a revised future version we intend to extend the package with commands that use only ascii characters for those users that do not have the greek keyboard. In {\sf greektonoi.sty} underlie the same concepts as in {\sf greektonoi.map}. The vareia(\textbf{β}αρεία) is inserted using the letter β, for psili(\textbf{ψ}ιλή) we use ψ, daseia(\textbf{δ}ασεία) is inserted with δ and the circumflex(\textbf{π}ερισπωμένη) is inserted by typing π. For iota subscript (υπογεγραμ\textbf{μ}ένη) we use the letter μ, for tonos the letter τ and for diaeresis(δια\textbf{λ}υτικά) the λ character. So, in order to write the text above by using exclusively the {\sf greektonoi.sty} package
we could type the following:
\begin{verbatim}
@@ -139,28 +140,250 @@ we could type the following:
It should be noted that the use of the double \{\} is necessary to separate a command from the rest of the word. For example: \tb ψαπολαμβανούσ\tb ημ is not correct because there is no command named \tb ψαπολαμβανούσ The \{\} combination separates the initial ἀ (written
-with the command \tb ψα) of the word ἀπολαμβανούσῃ from πολαμβανούσ\ημ (which uses the command \tb ημ or equivalently the \tb μη to put the iota subscriptum below η). It should be also noted that if a space or other final character (comma, semicolon, colon, quotation mark and so on) follows then the use of \{\} is not nessesary. We can alternatively use the commands \tb / or \tb ] to avoid the use of {\sf Shift} key to type the \{\}. You could also use the tilde character \verb'~' (U + 007E) for this case. Certainly, the latter use the {\sf Shift} key so the time required for the typing \tb ] (two characters), for example, is the same as the time required for the combination {\sf Shift + tilde}. If you prefer the tilde symbol for seperation purposes then you should put somewhere in the begining of main part of the code
-the command \verb'\tildeON'. The command \verb'\tildeOFF' restores the \char"007E (tilde) to its normal \LaTeX{} use.
+with the command \tb ψα) of the word ἀπολαμβανούσῃ from πολαμβανούσ\ημ (which uses the command \tb ημ or equivalently the \tb μη to put the iota subscript below η). It should be also noted that if a space or other any final character (comma, semicolon, colon, quotation mark and so on) follows then the use of \{\} is not nessesary. We can alternatively use the commands \tb / or \tb ] to avoid in this case the use of {\sf Shift} key to type the \{\}. We could also use the tilde character \verb'~' (U + 007E) for this case. Certainly, the latter uses the {\sf Shift} key so the time required for typing of \tb ] (two characters), for example, is the same as the time required for the combination {\sf Shift + tilde}. If we prefer the tilde symbol for separation purposes then we should put the command \verb'\tildeON' somewhere in the beginning of main part of the code. The command \verb'\tildeOFF' restores the \char"007E (tilde) to its normal \LaTeX{} use.
\vspace{1em}\\ \noindent
{\bf Example:}
\tb ψα\tb ]πόλαβε or equivalently \tb tildeON .... \tb ψα\char"007E πόλαβε ....\tb tildeOFF
-\section{Last Comments}
+\section{Final Comments}
-The {\sf greektonoi.sty} package must be in the same folder that we save our code or it must be installed in our \TeX{} system. It can be used with the {\sf greektonoi.tec} or independently from it. It offers great possibilities for easily typing polytonic greek or converting monotonic to polytonic using simple commands. Within the package are stored
-with memorable names many commands to type even archaic Greek letters. For example, to insert the left double quotes
-(U + 00AB, «) we can use the command \tb << while the corresponding right (U + 00BB, ») are inserted with the command \tb >>.
-To obtain the semicolon (U + 0387, Greek ano teleia) we use the command \tb ; There is also the possibility to introduce numerals of the Greek system such as sambi ϡ and Ϡ (ie. the greek small letter sampi and letter sampi respectively) with the commands \tb σαμ and \tb Σαμ respectively. There are quite a few archaic symbols like digamma \Γγ(U + 03DC, Digamma) and \γγ(U + 03DD, small digamma) using the commands \tb Γγ and \tb γγ respectively and many other commands for the unicode sets mentioned in the introduction. We can find them by an inspection of {\sf greektonoi.sty}.
+The {\sf greektonoi.sty} package must be stored at the same folder in which we save our code or it must be installed in our \TeX{} system. It can be used with the {\sf greektonoi.tec} or independently. It offers tremendous possibilities concerning typing polytonic greek easily or converting monotonic to polytonic using simple commands. Many commands are stored within the package through which typing even archaic greek letters could be performed. For example, to insert the left double quotes
+(U + 00AB, «) we can use the command \tb << while the corresponding right quotes(U + 00BB, ») are inserted with the command \tb >>.
+To obtain the semicolon (U + 0387, Greek ano teleia) we use the command \tb ; There is also the possibility to introduce numerals of the Greek system such as sambi ϡ and Ϡ (ie. the greek small letter sampi and letter sampi respectively) with the commands \tb σαμ and \tb Σαμ respectively. There are quite a few archaic symbols like digamma \Γγ(U + 03DC, Digamma) and \γγ(U + 03DD, small digamma) using the commands \tb Γγ and \tb γγ respectively and many other commands for almost every greek symbol included in the unicode code sets mentioned in the introduction. We can find them by an inspection of the table below.
\section{Acknowledgements}
-I would like to thank the associate professor Antonis Tsolomitis of the Department of Mathematics of the University of Aegean for pointing me out an error in the first version of {\sf greektonoi.map} and also miss Margaret Christoforatou student of the Department of Mathematics in the University of Aegean who helped me to translate this documentation in English.
-
-
+I would like to thank the associate professor Antonis Tsolomitis of the Department of Mathematics of the University of Aegean for pointing out an error during the design process of the first version of {\sf greektonoi.map} and also miss Margaret Christoforatou student of the Department of Mathematics in the University of Aegean who helped me translate this documentation at English.
+
+\section{List of {\sf greektonoi} commands}
+
+\begin{longtable}{@{}lll@{}}\toprule
+\multicolumn{1}{l}{Command}&\multicolumn{1}{l}{Output}&\multicolumn{1}{l}{Example}
+%\hline
+\\\midrule
+\multicolumn{3}{c}{{\bf greektonoi.map}}\endfirsthead
+\multicolumn{1}{l}{Command}&\multicolumn{1}{l}{Output}&\multicolumn{1}{l}{Example}\\\midrule
+\endhead
+\midrule
+\char"0028{} or [ for daseia & ῾ & [α \char"21D2{} ἁ\\
+\char"0029{} or ] for psili & ᾿ & )α \char"21D2{} ἀ\\
+| or - for iota subscript & ͅ & η| or η- or |η or -η \char"21D2{} ῃ\\
+ " or + for diairesis & ¨ & "υ \char"21D2{} ϋ, "ύ \char"21D2{} ΰ \\
+ = for circumflex & ͂ & =ω \char"21D2{} ῶ\\
+ ` or ' for grave (bareia) & ` & `o or 'ο or 'ό or `ό \char"21D2{} ὸ \\
+ / or ; (in Greek Keyboard) for accute (oxeia) & ´ & /ο or ό \char"21D2{} ό \\
+
+\midrule
+\multicolumn{3}{c}{{\bf greektonoi.sty}}\\
+\midrule
+\tb -- & – & \\
+\tb --- & — & \\
+\tb / or \tb ] or \{ \} & (to insert \{\}) & \\
+\tb << & \char"00AB & \\
+\tb >> & \char"00BB & \\
+\tb (( & \char"201C & \\
+\tb )) & \char"201D & \\
+\tb ; & \; & \\
+\tb \char"007E & \~ & \\
+ \tb ααπ (left(α) single quotation(απ) mark) & \ααπ & \\
+\tb δαπ (right(δ) single quot. mark) & \δαπ & κα\tb βι \{\}\tb δαπ\tb δαπ \char"21D2{} κα\βι{}\δαπ\δαπ \\\midrule
+δ for daseia & ῾ & \tb δα \char"21D2{} ἁ\\
+ψ for psili & ᾿ & \tb ψα \char"21D2{} ἀ\\
+μ for iota subscript & ͅ & \tb μη or \tb ημ \char"21D2{} ῃ\\
+ λ for diairesis & ¨ & \tb λυ \char"21D2{} ϋ, \tb λύ \char"21D2{} \λύ\\
+ π for circumflex & ͂ & \tb πω \char"21D2{} \πω \\
+ β for grave (bareia) & ` &
+ \tb βι \char"21D2{} \βι \\
+ τ for accute (oxeia) & ´ & \tb τι \char"21D2{} \τι\\
+ \tb κρν (koronis) & ᾽& \\\midrule
+ \multicolumn{3}{c}{{\bf Macron and Vrachy vowels}}\\\midrule
+\tb βρχα (alpha with vrachy)& ᾰ& \\
+\tb μκρα (alpha with macron)& ᾱ& \\
+\tb βρχΑ (capital alpha with vrachy) & \βρχΑ & \\
+\tb μκρΑ (capital alpha with macron) & \μκρΑ& \\
+\tb βρχι (iota with vrachy) & ῐ & \\
+\tb μκρι (iota with macron) & ῑ & \\
+\tb βρχΙ (capital iota with vrachy) & \βρχΙ & \\
+\tb μκρΙ (capital iota with macron) & \μκρΙ& \\
+\tb βρχυ (upsilon with vrachy)& ῠ& \\
+\tb μκρυ (upsilon with macron)& ῡ& \\
+\tb βρχΥ (capital upsilon with vrachy) & Ῠ& \\
+\tb μκρY (capital upsilon with macron) & Ῡ&
+\\\midrule
+\multicolumn{3}{c}{{\bf Rounded forms}}\\\midrule
+ \tb εβ (beta symbol)&\εβ & \εβ vs. β\\
+ \tb εθ(theta symbol)& \char"03D1 & \εθ vs. θ\\
+ \tb εΘ(capital theta symbol) & \εΘ & \εΘ vs. Θ \\
+ \tb εφ (phi symbol) & \char"03D5 & \εφ vs. φ\\
+ \tb επ (pi symbol) & \char"03D6 & \επ vs. π\\
+ \tb ερ (rho symbol)& \char"03F1 & \ερ vs. ρ\\
+ \tb εκ (kappa symbol)& \char"03F0 & \εκ vs. κ \\
+\tb εε or \tb ηε(lunate epsilon symbol) & \char"03F5 & \εε vs. ε
+\\\midrule
+\multicolumn{3}{c}{{\bf Archaic letters}}\\\midrule
+ \tb γρ (rho ρ with stroke i.e. {\bf γ}ραμμή) & {\ariall \char"03FC} & \\
+ \tb ησ (small lunate sigma {\bf η}μισέλινο {\bf σ}ίγμα) & \char"03F2 & \\
+\tb Ησ or \tb ηΣ(Capital lunate sigma {\bf Η}μισέλινο {\bf Σ}ίγμα)& \char"03F9 & \\
+\cellpar{\tb Ητσ or \tb ητΣ \\(Capital dotted lunate sigma -
+{\bf Η}μισέλινο Σίγμα {\bf τ}ελίτσα)} & \char"03FE & \\
+\tb ητσ (small dotted lunate sigma) & \char"037C & \\
+\tb αηε (reversed(α) lunate(η) epsilon(ε) symbol)& \αηε & \\
+\tb αησ (small reversed lunate sigma)& \char"037B & \\
+\tb Αησ or \tb αηΣ (Capital reversed(Α) lunate(η) sigma(σ)) & \char"03FD & \\
+\cellpar{\tb Αητσ or \tb αητΣ \\(Capital reversed dotted lunate sigma)}& \char"03FF & \\
+\tb ατσ (reversed dotted sigma)& \char"037D & \\
+\tb γΥ (Upsilon with hook(γ) symbol)& \char"03D2 & \\
+\tb γΎ (Upsilon with acute and hook symbol)& \char"03D3 & \\
+\cellpar{\tb λγΥ or \tb γΫ \\(Upsilon with diaeresis(λ) and hook(γ) symbol)}& \char"03D4 & \\
+\tb ιωτ(greek letter yot) & \char"03F3 & \\
+\tb σαν (small letter san)& \char"03FB & \\
+\tb Σαν (capital letter San)& {\ariall \char"03FA} & \\
+\tb σχω (greek small letter sho)& \char"03F8 & \\
+\tb Σχω (capital letter Sho)& {\ariall \char"03F7} &
+\\\midrule
+\multicolumn{3}{c}{{\bf Ου Diphthongs}}\\\midrule
+\tb Ου or \tb Λου (Latin Capital Script Ou)& \char"0222 & \\
+\tb ου or \tb λου (Latin small Script ou)& \char"0223 & \\
+\tb Κου (Cyrillic uppercase letter monograph Uk) & \char"A64A & \\
+\tb κου (Cyrillic lower letter monograph Uk ) & \char"A64B & \\
+\midrule
+\multicolumn{3}{c}{{\bf Greek Numeral Signs and Numerals}}\\\midrule
+\cellpar{\tb καχ or ακ\\ (lower(κ) numeral(α) sign for thousands(χ) or left(α) keraia(κ))} & \καχ &\\
+\cellpar{\tb ααμ or δκ \\(upper(α) numeral(α) sign for smaller values(μ) or right(δ) keraia)} & \ααμ & \tb ακ εωοε\tb δκ \char"21D2{} \ακ εωοε\δκ\\
+\tb διγ or \tb γγ or \tb δγ (small digamma)& \char"03DD & \\
+\tb Διγ or \tb Γγ or \tb Δγ (Capital digamma)& \char"03DC & \\
+\tb κοπ (small letter koppa)& \char"03DF & \\
+\tb Κοπ (Capital letter koppa)& \char"03DE & \\
+\tb Ακοπ or \tb αΚοπ or \tb Κοφ (archaic(A) koppa) & \char"03D8 & \\
+\tb ακοπ or \tb κοφ (small archaic koppa)& \char"03D9 & \\
+\tb σαμ (sampi)& \char"03E1 & \\
+\tb Σαμ (Sampi)& \char"03E0 & \\
+\tb στ (small stigma)& \char"03DB & \\
+\tb Στ (capital stigma) & \char"03DA & \\\midrule
+\multicolumn{3}{c}{{\bf Some useful combinations}}\\\midrule
+\tb ός or \tb τος & \τος& \\
+\tb άν or \tb ταν & άν& \\
+\tb έν or \tb τεν & έν& \\
+\tb ήν or \tb την & ήν& \\
+\tb όν or \tb τον& όν& \\
+\tb ύν or \tb τυν& \ύν& \\
+\tb ών or \tb των& ών& \\
+\tb άς or \tb τας& άς& \\
+\tb έρ or \tb τερ& έρ& \\
+\tb μώω or \tb τμωω & \τμωω & \\
+\tb μώων or \tb τμωων & \τμωων& \\
+\tb ές or \tb τες & ές& \\
+\tb ής or \tb της& ής& \\
+\tb ίς or \tb τις& ίς& \\
+\tb ύς or \tb τυς& ύς& \\
+\tb ώς or \tb τως& ώς& \\
+\tb έρ or \tb τερ& έρ& \\
+\tb ίο or \tb τιο& ίο& \\
+\tb ήρ or \tb τηρ & ήρ& \\
+\tb ύω or \tb τυω & ύω& \\
+\tb ίων or \tb τιων& ίων& \\
+\tb ίως or \tb τιως & ίως& \\
+\tb ίω or \tb τιω & ίω& \\
+\tb έω or \tb τεω & \τεω& \\
+\tb έων or \tb τεων& έων& \\
+\tb έως or \tb τεως& έως& \\
+\tb άω or \tb ταω & άω& \\
+\tb βάς or \tb βας & ὰς& \\
+\tb βεν or \tb βέν & ὲν& \\
+\tb βερ or \tb βέρ & ὲρ& \\
+\tb βες or \tb βές& ὲς& \\
+\tb βόν or \tb βον & ὸν& \\
+\tb βός or \tb βος& ὸς& \\
+\tb βις or \tb βίς& ὶς& \\
+\tb βιν or \tb βίν& ὶν& \\
+\tb βυν or \tb βύν & ὺν& \\
+\tb βής or \tb βης & ὴς& \\
+\tb βηρ or \tb βήρ & ὴρ& \\
+\tb βήν or \tb βην& ὴν& \\
+\tb βυς or \tb βύς & ὺς& \\
+\tb βώς or \tb βως & ὼς& \\
+\tb βών or \tb βων& ὼν& \\
+\tb δβας or \tb δβάς & ἃς& \\
+\tb δβος or \tb δβός & ὃς& \\
+\tb δβυς or \tb δβύς& ὓς& \\
+\tb δβεν or \tb δβέν& ἓν& \\
+\tb δβην or \tb δβήν& ἣν& \\
+\tb δβον or \tb δβόν& ὃν& \\
+\tb δτεν or \tb δέν& ἕν& \\
+\tb δτως or \tb δώς& ὥς& \\
+\tb δτος or \tb δός & ὅς& \\
+\tb δπων or \tb δπών & ὧν& \\
+\tb δπις or \tb δπίς& ἷς& \\
+\tb δπια or \tb δπία& ἷα& \\
+\tb δπυς or \tb δπύς& ὗς& \\
+\tb δτυω or \tb δύω& ὕω& \\
+\tb δτια or \tb δία& ἵα& \\
+\tb δως & ὡς& \\
+\tb πδις or \tb πδίς & ἷς& \\
+\tb πδιος or \tb πδίος& ἷος& \\
+\tb πδιον or \tb πδίον& ἷον& \\
+\tb πδιοί or \tb πδίοί & ἷοί& \\
+\tb πδων or \tb πδών & ὧν& \\
+\tb πας or \tb πάς& ᾶς& \\
+\tb πμαον or \tb πμάον& ᾷον& \\
+\tb παν or \tb πάν & ᾶν& \\
+\tb πυν or \tb πύν& ῦν& \\
+\tb πυξ or \tb πύξ& ῦξ& \\
+\tb πυς or \tb πύς & ῦς& \\
+\tb πψυς or \tb πψύς& ὖς& \\
+\tb πψυν or \tb πψύν& ὖν& \\
+\tb πψην or \tb πψήν& ἦν& \\
+\tb πδυς or \tb πδύς& ὗς& \\
+\tb πις or \tb πίς & ῖς& \\
+\tb πιος or \tb πίος& ῖος& \\
+\tb πιο or \tb πίο & ῖο& \\
+\tb πια or \tb πία& ῖα& \\
+\tb πδιά & ἷά& \\
+\tb πδίς or \tb πδις& ἷς& \\
+\tb πιν or \tb πίν & ῖν& \\
+\tb πμωα or \tb πμώα& ῷα& \\
+\tb πων or \tb πών& ῶν& \\
+\tb πως or \tb πώς& ῶς& \\
+\tb πμας or \tb πμάς& ᾷς& \\
+\tb πμώος or \tb πμωος& ῷος& \\
+\tb πμώα or \tb πμωα& ῷα& \\
+\tb πμώω or \tb πμωω& ῴω& \\
+\tb πής or \tb πης& ῆς& \\
+\tb πμης or \tb πμής& ῇς& \\
+\tb μης or \tb μής& ῃς& \\
+\tb πήρ or \tb πηρ& ῆρ& \\
+\tb πήν or \tb πην & ῆν& \\
+\tb ψβαν or \tb ψβάν & ἂν& \\
+\tb ψταν or \tb ψάν& ἄν& \\
+\tb ψτον or \tb ψόν & ὄν& \\
+\tb ψπυς or \tb ψπύς& ὖς& \\
+\tb ψπυν or \tb ψπύν& ὖν& \\
+\tb ψτεκ or \tb ψέκ& ἔκ& \\
+\tb ψβην or \tb ψβήν & ἢν& \\
+\tb ψβων or \tb ψβών& ὢν& \\
+\tb ψτων or \tb ψών& ὤν& \\
+\tb ψβον or \tb ψβόν& ὂν& \\
+\tb ψτιη or \tb ψίη & ἴη& \\
+\tb ψτιης or \tb ψίης& ἴς& \\
+\tb ψτυω or \tb ψύω& ὔω& \\
+\tb ψπυς or \tb ψπύς& ὖς& \\
+\tb ψτεν or \tb ψέν& ἔν& \\
+\tb ψτην or \tb ψήν& ἤν& \\
+\tb ψπην or \tb ψπήν& ἦν& \\
+\tb ψις & ἰς& \\
+\tb ψεν & ἐν& \\
+\tb ψες & ἐς& \\
+\tb ψεπ & ἐπ& \\
+\tb μής & ῄς& \\
+\tb μάς or \tb μτας& ᾴς& \\
+\tb μώα & ῴα& \\
+\tb μης & ῃς& \\
+\tb ρρ & ῤῥ& \\
+\tb και (small kai symbol) & \char"03D7 &\\
+\tb Και (capital kai symbol) & \char"03CF(most fonts haven't it) &\\
+\end{longtable}
\end{english}
-%\section{Version history}
-%\subsection{Changes in v0.1}
-%
+
\end{document} \ No newline at end of file