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diff --git a/Master/texmf-dist/doc/latex/confproc/example/exbiblio.bib b/Master/texmf-dist/doc/latex/confproc/example/exbiblio.bib new file mode 100644 index 00000000000..fcc45f26afd --- /dev/null +++ b/Master/texmf-dist/doc/latex/confproc/example/exbiblio.bib @@ -0,0 +1,108 @@ +%% +%% This is file `exbiblio.bib', +%% generated with the docstrip utility. +%% +%% The original source files were: +%% +%% confproc.dtx (with options: `exbiblio') +%% +%% This is `exbiblio.bib', an example file for the confproc package. +%% Copyright (C) 2007 by Vincent Verfaille <vincent@music.mcgill.ca> +%% +%% This file is part of the confproc package. +%% ------------------------------------------- +%% +%% It may be distributed and/or modified under the conditions of the +%% LaTeX Project Public License, either version 1.2 of this license or +%% (at your option) any later version. +%% +%% The latest version of this license is in +%% http://www.latex-project.org/lppl.txt +%% and version 1.2 or later is part of all distributions of LaTeX version +%% 1999/12/01 or later. +%% +%% This file may not be distributed without the original source file +%% `confproc.dtx'. +%% +%% The list of all files belonging to the confproc package is given in +%% the file `readme.txt'. +%% +%% For more details, LaTeX the source `confproc.dtx'. +%% +@misc{bib:intro, + Author = {~}, + Title = {\procbibintro\newline{}% + \centerline{\underline{\hspace*{5cm}}}}} + +@book{Mitra:Kaiser:1993:DSP:handbook, + Author = {S.~K. Mitra and J.~F. Kaiser}, + Title = {Handbook for Digital Signal Processing}, + Publisher = {J. Wiley {\&} Sons}, + Year = {1993}} + +@book{Haykin:1991:adaptive:filter, + Author = {Simon Haykin}, + Title = {Adaptive Filter Theory}, + Publisher = {Prentice Hall}, + Address = {Englewood Cliffs}, + Edition = {Second}, + Year = {1991}} + +@inbook{Serra:1996:sms, + Author = {X. Serra}, + Chapter = {Musical Sound Modeling with Sinusoids plus Noise}, + Publisher = {G. D. Poli, A. Picialli, S. T. Pope and C. Roads,% + Eds.~Swets~\&~Zeitlinger}, + Title = {Musical Signal Processing}, + Pages = {91--122}, + Year = {1996}} + +@article{Moorer:2000:AES:audio:millenium, + Author = {James A. Moorer}, + Title = {Audio in the New Millennium}, + Journal = {Journal of the {AES}}, + Volume = 48, + Number = 5, + Year = 2000, + Month = may, + Pages = {490--498}} + +@inproceedings{Arfib:1998:DAFx, + Author = {D. Arfib}, + Booktitle = {Proc. of the COST-G6 Workshop on Digital Audio Effects % + (DAFx-98)}, + Title = {Different Ways to Write Digital Audio Effects Programs}, + Address = {Barcelona, Spain}, + Pages = {188--91}, + Year = {1998}} + +@techreport{Askenfelt:1976:automatic:transcription, + Author = {A. Askenfelt}, + Title = {Automatic notation of played music (status report)}, + Institution = {{STL-QPSR, Vol. 1, pp. 1--11}}, + Year = {1976}} + +@mastersthesis{Egozy:1995:MIT:features:gesture, + Author = {E.~B. Egozy}, + title = {Deriving musical control features from a real-time timbre % + analysis of the clarinet}, + School = {Massachusetts Institute of Technology}, + Year = {1995}} + +@phdthesis{Dutilleux:1991, + Author = {P. Dutilleux}, + School = {University of Aix-Marseille II}, + Title = {Vers la machine \`a sculpter le son, modification en % + temps-r\'eel des caract\'eristiques fr\'equentielles et temporelles% + des sons}, + Year = {1991}} + +@unpublished{Fitz:Haken:2003:Web:morphing:loris, + Author = {K. Fitz and L. Haken}, + Title = {{Current Research in Real-time Sound Morphing}}, + Note = {Available at \href{http://www.cerlsoundgroup.org/RealTimeMorph/}% + {http://www.cerlsoundgroup.org/RealTimeMorph/}}, + Year = {Accessed March 08, 2006}} +\endinput +%% +%% End of file `exbiblio.bib'. |