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-rw-r--r--Master/texmf-dist/doc/latex/aurical/aurical.pdfbin111188 -> 97947 bytes
-rw-r--r--Master/texmf-dist/doc/latex/aurical/aurical.tex2
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diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.pdf b/Master/texmf-dist/doc/latex/aurical/aurical.pdf
index 798b20c0c61..b62800c010b 100644
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diff --git a/Master/texmf-dist/doc/latex/aurical/aurical.tex b/Master/texmf-dist/doc/latex/aurical/aurical.tex
index 90c1bf6ce20..c8a1b7e4de1 100644
--- a/Master/texmf-dist/doc/latex/aurical/aurical.tex
+++ b/Master/texmf-dist/doc/latex/aurical/aurical.tex
@@ -65,7 +65,7 @@ this paragraph. It is selected by the command {\Fontskrivan \char92 Fontamici}.
It contains a few extra ligatures like Ch, ch, ss, ssi, sk, sl, and a special
swash character to write the logo of the band: \\ \hspace*{5em}Amici Musicae @ntiquae\\ To
make room for these additional glyphs, some characters had to be withdrawn.
-Besides the standard ligatuares fi, fl, ffi and ffl, which are faked by negative
+Besides the standard ligatures fi, fl, ffi and ffl, which are faked by negative
kerning, \Fontlukas \v s \Fontamici could be removed, because it is written like
\v s in ancient czech texts. Similiarly, the uppercase german double~s* SS,
perthousandzero and compwordmark are withdrawn to make space for additional