diff options
Diffstat (limited to 'Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex')
-rw-r--r-- | Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex | 10 |
1 files changed, 5 insertions, 5 deletions
diff --git a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex index 7028a807d31..1ce95adb9ac 100644 --- a/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex +++ b/Master/texmf-dist/doc/generic/musixtex/notationMistakes/sottieng.tex @@ -381,8 +381,8 @@ Here is an example, with its solution, by two distinguished publishers: \zendextract \subsec -Beam placement should be adapted to the contexte. This placement varies -depending on this group of notes is isolated or in a series: +Beam placement should be adapted to the context. This placement varies +depending on whether this group of notes is isolated or in a series: \startextract \NOTes\hu c\hu d\en @@ -476,7 +476,7 @@ Meanwhile avoid ``acrobatics'' to strictly abide these rules: \subsec -At some epochs a single tie was supposed to refer to \textbf{all} +During some epochs a single tie was supposed to refer to \textbf{all} notes of a particular chord. Particular cases have become so frequent, that it is better to note all ties explicitly. @@ -687,7 +687,7 @@ Accidentals other than well defined ones, get classified in three sets: Put an editorial accidental when you think the source is wrong. Note it with a small-size accidental above or below the note. -If this note is within a chord, place it left to the note. +If this note is within a chord, place it left of the note. {\footnotesize \textit{Thorough bass} also uses such small accidentals above notes. But the misunderstanding is unlikely most of the time. @@ -1046,7 +1046,7 @@ with the authors of your source. \subsec What to do when you think you've done with your edition? Of course, -you rush on your instrument, and you play the piece with this edition. +you rush to your instrument, and you play the piece with this edition. But since you are familiar with the piece, you will very likely miss quite a few misprints, overwhelmed by your enthusiasm. |