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Diffstat (limited to 'Master/texmf-dist/doc/fonts/malayalam')
39 files changed, 5390 insertions, 0 deletions
diff --git a/Master/texmf-dist/doc/fonts/malayalam/FILES b/Master/texmf-dist/doc/fonts/malayalam/FILES new file mode 100644 index 00000000000..b7f28c43afc --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/FILES @@ -0,0 +1,186 @@ + +Files included in the Malayalam-TeX package (some are only in the full version) + + +Article: Directory with macro-files, demo-files and the user's guide + elephant.mm The fable of the Blind Men and the Elephant in Malayalam + elephant.tex + lion.mm The fable of the Lion and the Mouse in Malayalam + lion.tex + mmarticl.mm An article about Malayalam-TeX + mmarticl.tex + mmchart.tex A chart showing all characters in the Malayalam font + mmconj.mm A chart showing all conjuncts of two letters in Malayalam + mmconj.tex + mmexp.mm A demo of more experimental styles of the Malayalam font + mmexp.tex + mmfont.tex Macros to load the Malayalam fonts (loaded by mmmacs) + mmfuture.tex some thoughts on the future of Malayalam-TeX + mmguide.dvi DVI-file of the user's guide + mmguide.mm source of the user's guide + mmguide.ps PostScript version of the user's guide + mmguide.tex Pre-processed version of the user's guide + mmmacs.tex Macros to use Malayalam-TeX + mmphmacs.tex Macros to use phonetic letters for Malayalam (requires WSUIPA) + mmqfont.tex Macros to quickly load a subset of the Malayalam fonts + mmqmacs.tex same as mmmacs.tex, but uses a subset of the Malayalam fonts + mmsample.mm Samples of each style and size of the Malayalam font + mmsample.tex + mmscript.tex + mmtable.mm A table of the transliteration scheme used by Malayalam-TeX + mmtable.tex + mmtitle.tex Title page of the user's guide + mmtrans.mm A table of the transliteration scheme used by Malayalam-TeX + mmtrans.tex + mmtrmacs.tex macros to use the transcription-mode of Malayalam-TeX + mmxfont.tex macros to load some experimental style fonts + ornament.tex macros to load an ornament font + prodigal.mm The fable of the prodigal son in Malayalam with parallel translation + prodigal.tex + test.mm A simple test + test.tex + twolines.tex macros to make parallel translations on two/three lines. +DNG: Directory including files to use Frans Velthuis Devanagari fonts + dn2dng.pat pattern-file to translate from Velthuis' transcription to mine + dng.pat pattern-file to translate from my transcription to Velthuis' + dng.tex chapter of user-guide explaining use of Devanagari + dngmacs.tex macros to use Devanagari + dngtrans.dng table of transcription of Devanagari used + dngtrans.tex + dntrmacs.tex macros to use Devanagari in transcription + misspaal.dng demo of Devanagari +MF: directory with Metafont sources of the Malayalam font + effect.mf selects a special effect to be applied to letters + esoteric.mf esoteric effect + fnt_code.mf defines alternative glyph positions in the Malayalam font + hstripes.mf horizontal stripes effect + mm.bat MS-DOS batch file to create all fonts + mm.fts Atari-ST CSTeX fts file to create all fonts + mm.job MS-DOS emTeX job file to create all fonts + mm10.mf parameters for mm10 + mm10s.mf + mm12.mf + mm12s.mf + mm17.mf + mm17s.mf + mm6.mf + mm6s.mf + mm8.mf + mm8s.mf + mmb10.mf + mmb10s.mf + mmb12.mf + mmb12s.mf + mmb17.mf + mmb17s.mf + mmbig.mf + mmbigo.mf + mmc10.mf + mmc10s.mf + mmc12.mf + mmc12s.mf + mmc17.mf + mmc17s.mf + mmcb10.mf + mmcb10s.mf + mmcb12.mf + mmcb12s.mf + mmcb17.mf + mmcb17s.mf + mmcillu.mf cillu letters + mmcoding.mf defines glyph positions in the Malayalam font + mmconj.mf conjuncts + mmcons.mf consonants + mmcsl10.mf + mmcsl10s.mf + mmcsl12.mf + mmcsl12s.mf + mmcvconj.mf consonant-vowel combinations + mmdefs.mf definitions of Metafont macros used by the Malayalam font + mmexpa12.mf + mmexpb12.mf + mmexpc12.mf + mmfnt.mf galley file using alternative glyph encoding + mmfont.mf galley file using normal glyph encoding + mmlnums.mf Latin numerals + mmnums.mf Malayalam numerals + mmpunct.mf punctuation marks + mmrconj.mf conjuncts with subscribed ra + mmscons.mf conjuncts of stacked letters + mmsec.mf secondary variants of consonants + mmsl10.mf + mmsl10s.mf + mmsl12.mf + mmsl12s.mf + mmstyles.txt list of styles defined + mmtest.fts Atari-ST CSTeX test bed file + mmtest.mf test bed file + mmvowels.mf vowels + orn10.mf ornamental font + outline.mf outline effect + rejected.mf rejected variant shapes of some Malayalam letters + reverse.mf reverse video effect + shadow.mf shadow effect + var_ja.mf variant ja +MT: Directory containing code for another unfinished Malayalam metafont + mt12.mf + mtdefs.mf + mtfont.mf +Preprocessor: Directory containing the preprocessor source and support files + ack2mm.pat patterns to translate A.C.K. transcription to mine + avltree.c AVL tree code used by the pre-processor + avltree.h AVL tree header file + Makefile Make file for UNIX + ml.bat MS-DOS batch file to pre-process a Malayalam text (trad. script) + ml.g Atari-ST gulam file to pre-process a Malayalam text (trad. script) + mlr.bat MS-DOS batch file to pre-process a Malayalam text (mod. script) + mlr.g Atari-ST gulam file to pre-process a Malayalam text (mod. script) + mltr.g Atari-ST gulam file to pre-process a Malayalam text (mod. & trad. script) + mltrth.g Atari-ST gulam file to pre-process a Malayalam text (mod. & trad. & Dev. & Tam.) + mm.c main source of the pre-processor + mm.h header file of the pre-processor + mm.pat patters to translate Malayalam transcription to TeX-commands + mm.prj Atari-ST Pure C project file for the pre-processor + mm.scr Malayalam script definition (trad. script) + mm.trs Malayalam transliteration definition (trad. script) + mm2ack.pat patterns to translate my transliteration to that of A.C.K. + mmr.scr Malayalam script definition (mod. script) + mmr.trs Malayalam transliteration definition (mod. script) + mmrfull.trs Malayalam transliteration definition (mod. script, alt. punctuation) + patc: Directory containing the patc program, a transcription translator + detex.g Atari-ST gulam batch file to remove TeX commands + detex.pat patterns to remove TeX commands + patc.c the source of the pattern translator + patc.prj Atari-ST Pure C project file for patc + patc.txt manual pages for patc + pstree.c pattern-search tree source + pstree.h pattern-search tree headers + pstree.c + pstree.h + readfile.c file access + readfile.h + scr.c script definitions + scr.h + trs.c transliteration definitions + trs.h + Unicode: + unicode.txt some thoughts on using Unicode +Tamil: Directory to handle Tamil with Malayalam tex (requires WNTML) + adami.pat patterns to translate the ADAMI transliteration to mine + tamil.pat patterns to translate the Tamil transliteration to TeX-macros + tamil.tex chapter of user's guide on using Tamil + test.tam a test in ADAMI transliteration + test.tex a test in pre-processed form + test.tml a test in my transliteration + tmlmacs.tex macros to use Tamil + tmltrans.tex table of the Tamil transliteration (pre-processed) + tmltrans.tml macros to use Tamil in transliteration + tmltrans.txt table of the Tamil transliteration (source) + wntml.pat patterns to translate the original wntml transliteration +Charity a file explaining the concept of Charity-ware +Files this file +Install Some notes on Installation +Readme You should know by now +Todo Future extensions, bug fixes, etc. (Hints and comments appreciated) + +-- diff --git a/Master/texmf-dist/doc/fonts/malayalam/INSTALL b/Master/texmf-dist/doc/fonts/malayalam/INSTALL new file mode 100644 index 00000000000..2598b5de13e --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/INSTALL @@ -0,0 +1,105 @@ + +Malayalam-TeX installation guide + + +Malayalam-TeX has been installed and tested on MS-DOS with emTeX, Atari-ST with +CSTeX and various on UNIX machines. A Macintosh version (OzTeX) is forthcoming. + +The installation procedures differs on all these machines, so look under the heading +of your machine. + +Included are .PK files intended for use with a CanonCX laserprinter engine (which is the +engine most 300 DPI laser printers use) If you need different fonts, you will have +to generate the fonts yourself using METAFONT. + +Atari-ST with CSTeX (presuming you use the command line shell gulam) + +To install + 1. Unpack the archive. + 2. Place the *.tfm files in a directory where TeX can find them + 3. Place the *.pk files in the directories where the DVI previewer and DVI printer + driver can find them. + 4. Place the mm.ttp, patc.ttp and the gulam batch files (ending with .G) + in a directory your shell can find them (normally C:\bin\) + 5. Set the environment variable MMDIR to the path where mm.trs, mm.scr, etc. are. + (mmfont\preproc in the distribution) + Everything should be in working order now +To create the .pk fonts + 1. Start C_MF + 2. Edit the file MM.FTS to include the fonts and magnifications you need + 3. Set the input directory to the directory where the Malayalam Metafont sources are + 4. Select the output device + 5. Create the fonts. (This may take some time) + C_MF will automatically place the resulting .PK files in the correct directories. + + +MS-DOS with emTeX + +To install + 1. Unpack the archive + 2. Place the *.TFM files in a directory where TeX can find them + 3. Place the *.PK files in the directories where the DVI previewer and DVI printer + driver can find them. + 4. Place the PATCH.EXE, MM.EXE and the batch files (ending with .BAT) + in a directory your path points at (normally C:\DOS\) + 5. Set the environment variable MMDIR to the path where MM.TRS, MM.SCR, etc. are. + (MMFONT\PREPROC in the distribution) + Everything should be in working order now +To create the *.PK fonts + 1. Edit the file MM.JOB to select the files and device you need + 2. Run MFJOB with this file. + + +UNIX + +To install + 1. Unpack the archive. (It may be required to change all names to lowercase + if this is not done automatically) + 2. Place the *.tfm files in a directory where TeX can find them. (or tell + TeX where they are by setting the environment variable TEXFONTS) + 3. Place the *.pk fonts in a directory your previewer and printer driver can + find them. (or tell TeX where they are by setting the environment variable + TEXPKS) For some TeX implementations, it may be required to rename the + fonts from *.pk to *.300pk + 6. Look in mm.c to find the line saying #define ATARI_ST, change this into + #define UNIX + 5. Make the preprocessor and the patc program, by saying make in the directory + they reside. + 6. Make the batch programs (ending in .g) executable, if you wish you may remove + the .g extention. (It is only needed for gulam on the Atari) + 7. Set the environment variable MMDIR to point at the directory where + the .scr and .trs files are (mmfont/preproc in the distribution). +To create the *.*pk fonts + 1. run Metafont, for example to make mm10.300gf + type `mf &plain "\mode=hplaser; mag:=1; input mm10"' + replace hplaser with your favourite mode + 2. Convert the resulting *.*gf file to a *.*pk file + type `gftopk mm10.gf mm10.pk' + To make all fonts, run the batch file mm.bat. This may take some time. +To test + type `ml mmtable.mm mmtable.tex' + type `tex &plain mmtable' + Print or view the resulting mmtable.dvi file. + + +Porting + +The included source code has been successfully compiled on + +* Turbo-C v2.03 for Atari ST. +* gcc v2.3.1 on HP-UX. +* Turbo C++ on MS-DOS. (use Huge memory model and word alignment options, increase + stack-size) + +If it doesn't work right away, things you may need to do include: +* change options in the Makefile +* make a project file for Turbo C++ (the one included is for Atari) +* change the line with + #define ATARI_ST + in the file mm.c to your system type. + + + +Good luck + +Jeroen diff --git a/Master/texmf-dist/doc/fonts/malayalam/README b/Master/texmf-dist/doc/fonts/malayalam/README new file mode 100644 index 00000000000..e69de29bb2d --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/README diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm new file mode 100644 index 00000000000..052d1f0d0a8 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.mm @@ -0,0 +1,41 @@ +% elephant.mm -- The old fable of the blind men and the elephant +% last edit: 04-APR-1993 + +\input mmmacs +\input ornament +\parindent=0pt +\emergencystretch=50pt + +\centerline{{\twelvebf The blind men and the elephant}} +\medskip +\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}} +\ornline{\Sine} + +$cila janmaandhanmar (piRavikkuruTanmaar) yad.rcchayaa oru svalattu vannukuTi tan"n"aL{}kku +oru aanaye kaaNiccu koTukkeeNamenn oru aanappaappaanooTu taatpayyattooTe aapee +kSiccatinnu avan: parishoodhiccu pooykkoL{}vinennu paRan~n~u. aanayuTe kaal +tappinookkiya kuruTanum atinRe tunbikkai taTavinookkiya veroru kuruTanum +atinRe cethi tapooTinookkiya maRRooruttanum atinRe vaal toTTunookkiya +maRReeyavanum at nallatennu paRan~n~u. ivvaNNam aanaye parishoodhanakazhicca sheeSam +avar pookamvazhiyil anyoonyom aanayuTe mahiMayekkooNTu paRavaan tuTan"n"i. kaal +tappi nookkiyavan aan uralpoolee ennum inbikkai taTavinookkiyavan atu ulakkapoolee +ennum vaal tooTTunookkiyavan atu cuul (maaccil) poolee ennum cevi +talooTi yavan atu muRampoolee ennum paRan~n~u. in"n"inee anyoonyam vipariitamaayi +colli tiiraatta shaNThayiTTu naTannu.\par$ + +\ornline{\Sine} + +Some men, all blind from their birth, (happening) to be together at one place, requested +earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off. +It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind +man stroking his trunk, (so said) another passing his hand over the ear, (so said) another +thouching his tail. Having thus examined the elephant, as they went away, they began to +speak to one another of the greatness of the elephant. He that had felt the leg said the +elephant was like a mortar for poundig rice. He that felt the trunk, that it was like +a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that +had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling +without end, each declaring the contrary to the other. + +\ornline{\Orn} + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex new file mode 100644 index 00000000000..22d96b85267 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/elephant.tex @@ -0,0 +1,39 @@ + +\input mmmacs +\input ornament +\parindent=0pt +\emergencystretch=50pt + +\centerline{{\twelvebf The blind men and the elephant}} +\medskip +\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.182}} +\ornline{\Sine} + +{\mm \X{\<26>\<63>}\X{\<50>} \X{\<28>}\X{\<193>\<62>}\X{\<219>}\X{\<193>}\X{\<80>} {\RMF(}\X{\<42>\<63>}\X{\<49>}\X{\<53>\<63>}\X{\<168>}\X{\<136>}\X{\<31>}\X{\<193>\<62>}\X{\<80>}{\RMF)} \X{\<47>}\X{\<153>}\X{\M{\<26>}{\Z\<27>}}\X{\<47>\<62>} \X{\<18>}\X{\<136>} \X{\<56>\K{-.5}\<86>}\X{\<50>}\X{\<172>} \X{\<53>}\X{\<174>}\X{\<128>}\X{\<31>\<63>} \X{\<36>}\X{\<161>}\X{\<82>}{}\X{\<168>} +\X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<21>\<62>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<71>\<160>}\X{\<35>}\X{\<70>\<46>}\X{\mmV{\<167>}} \X{\<18>}\X{\<136>} \X{\<6>}\X{\<40>}\X{\<242>\<62>}\X{\<242>\<62>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}} \X{\<36>\<62>}\X{\M{\<36>}{\Z\<42>}}\X{\<249>}\X{\<71>\<165>\<62>}\X{\<70>\<31>} \X{\<6>}\X{\<71>\<42>} +\X{\<251>\<63>}\X{\<247>}\X{\<36>\<63>}\X{\<174>} \X{\<5>}\X{\<53>}\X{\<79>}{\RMF:} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>\<63>}\X{\M{\<247>}{\<65>}} \X{\<71>\<42>\<62>}\X{\<70>\M{\<47>}{\<115>}\<62>}\X{\<82>}{}\X{\<53>\<63>}\X{\<70>\<40>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<21>\<62>}\X{\<81>} +\X{\<36>}\X{\<242>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<133>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<70>\<53>}\X{\<70>\<48>\<62>}\X{\<136>} \X{\<128>}\X{\<136>}\X{\<31>}\X{\<134>}\X{\<2>} +\X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<37>\<63>} \X{\<36>}\X{\<71>\<42>\<62>}\X{\<31>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} \X{\<46>}\X{\<71>\<243>\<62>}\X{\<136>}\X{\<165>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<62>}\X{\<81>} \X{\<70>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>} +\X{\<46>}\X{\<71>\<243>}\X{\<47>}\X{\<53>}\X{\<134>}\X{\<2>} \X{\<5>}\X{\<81>} \X{\<40>}\X{\M{\<50>}{\<85>}}\X{\<70>\<36>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<250>}\X{\<241>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\<70>\<47>} \X{\<42>}\X{\<48>\<63>}\X{\<71>\<54>\<62>}\X{\<39>}\X{\<40>}\X{\<21>}\X{\<52>\<63>}\X{\<247>} \X{\<71>\<54>}\X{\<55>}\X{\<2>} +\X{\<5>}\X{\<53>}\X{\<80>} \X{\<71>\<42>\<62>}\X{\<21>}\X{\<46>\K{-.5}\<86>}\X{\<52>\<63>}\X{\<47>\<63>}\X{\<81>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<70>\<40>\<83>\<62>}\X{\<2>} \X{\<6>}\X{\<40>}\X{\M{\<47>}{\<65>}}\X{\<70>\<31>} \X{\<46>}\X{\<57>\<63>}\<2>\X{\<5>}\X{\<70>\<47>}\X{\<71>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>}\X{\<49>}\X{\<53>\<62>}\X{\<79>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.} \X{\<21>\<62>}\X{\<81>} +\X{\<36>}\X{\<242>\<63>} \X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<6>}\X{\<79>} \X{\<9>}\X{\<48>}\X{\<81>\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<7>}\X{\<79>\<44>\<63>}\X{\<70>\<70>\<160>} \X{\<36>}\X{\<31>}\X{\<53>\<63>}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\<9>}\X{\<50>}\X{\<160>}\X{\<71>\<42>\<62>}\X{\<71>\<50>} +\X{\<14>}\X{\<174>}\X{\<2>} \X{\<53>\<62>}\X{\<81>} \X{\<71>\<36>\<62>}\X{\M{\<164>}{\<65>}}\X{\<71>\<40>\<62>}\X{\<160>\<63>}\X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<26>}{\<66>}}\X{\<81>} {\RMF(}\X{\<46>\<62>}\X{\<247>\<63>}\X{\<81>}{\RMF)} \X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<70>\<26>}\X{\<53>\<63>} +\X{\<36>}\X{\<71>\<50>\<62>}\X{\<31>\<63>} \X{\<47>}\X{\<53>}\X{\<79>} \X{\<5>}\X{\<133>} \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<71>\<220>\<62>}\X{\<71>\<50>} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<7>}\X{\<161>\<63>}\X{\<71>\<40>} \X{\<5>}\X{\<71>\<40>\<83>\<62>}\X{\<40>\<83>}\X{\<2>} \X{\<53>\<63>}\X{\<42>}\X{\<48>\<64>}\X{\<36>}\X{\<46>\<62>}\X{\<47>\<63>} +\X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>} \X{\<36>\<64>}\X{\<48>\<62>}\X{\<165>} \X{\<54>}\X{\M{\<35>}{\Z\<32>}}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}} \X{\<40>}\X{\<31>}\X{\<174>}{\RMF.}\par} + +\ornline{\Sine} + +Some men, all blind from their birth, (happening) to be together at one place, requested +earnestly of an elephant-driver to show them an elephant. He said: examine it, and be off. +It is a fine thing, said one blind man, feeling the elephant's leg; (so said) another blind +man stroking his trunk, (so said) another passing his hand over the ear, (so said) another +thouching his tail. Having thus examined the elephant, as they went away, they began to +speak to one another of the greatness of the elephant. He that had felt the leg said the +elephant was like a mortar for poundig rice. He that felt the trunk, that it was like +a pestle or rice-beater; he that had touched the tail, that it was like a broom, and he that +had stroked the ear, that it was like a winnowing fan. Thus they went on quarrelling +without end, each declaring the contrary to the other. + +\ornline{\Orn} + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm new file mode 100644 index 00000000000..5fdca69777d --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.mm @@ -0,0 +1,120 @@ +% lion.mm -- The old fable of the lion and the mouse +% last edit: 26-DEC-1992 + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\emergencystretch=50pt + +\centerline{{\twelvebf The lion and the mouse}} +\medskip +\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}} +\bigskip + +$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu +taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe +kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, +kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel +ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e +kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree +vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e +raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum +ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+ +yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil +viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa +san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil +kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka +koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu. +^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT +uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu +``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane +tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT +keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane +svatantranaakki ayakkayum ceytu. + +\smallskip + +^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.'' + +$\bigskip + +$$^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu +taNaluLLa taTicca oru karuveelakav.rkSattin_t_e viTarnnataaya konpukaLuTe +kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, +kalahiccukoNTirunna oru kuuTTam cuNTeli atin_t_e muukkinmeel +ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan_t_e +kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree +vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin_t_e +raktattekkoNTu siMhattin_t_e kuliinatakku bhaMgam varuttarutu ennu paRakayum +ceytu. ^siMham kaaryyam aaloociccu atin_t_e apeekSapoolee ceyyunnataaNu+ +yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil +viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan_t_e irekkaayiTTuLLa +san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil +kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka +koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu. +^cuNTeli itu keeTTiTTu aa siMhattin_t_e shabdamaaNennaRin~n~atukoNT +uTanee aa sthalatteekku cennu tan_t_e bandhu aaNennum atukoNTu +``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane +tan_t_e paNi tuTan"n"i: muurccayuLLa tan_t_e ceRiya pallukaLekkoNT +keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane +svatantranaakki ayakkayum ceytu. + +\smallskip + +^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.'' + +$$ + +\bigskip + +A lion, faint with heat and weary with hunting, was lying down to take his +repose under the spreading bows of a thick shady oak. It happened that, while +he slept, a company of quarreling mice ran over his nose and waked him; upon which, +starting up, he clapped his paw upon one of them and was just about to put +it to death, when the little suppliant implored his mercy in a very moving +manner, begging him not to stain his noble character with the blood of a despicable and +small beast. The lion considering the matter, thought proper to do as he was +desired and immediately released his little trembling prisoner. Not long after, traversing +the forest in pursuit of his prey, he chanced to run into the toils of the hunters, +from whence, not able to disengage himself, he set up a most hideous and loud +roar. The mouse hearing the voice, and knowing it to be the lion's, immediately +repaired to the place and bid him fear nothing, for that he was his friend. +Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots +ad fastenings of the toils, set the royal brute at liberty. + +\smallskip + +Moral: The least may help the greatest. + +\bigskip + +{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000% +\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu +taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe +kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, +kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel +ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e +kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree +vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e +raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum +ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+ +yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil +viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa +san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil +kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka +koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu. +^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT +uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu +``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane +tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT +keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane +svatantranaakki ayakkayum ceytu. +\smallskip +\bslash smallskip +\smallskip +^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.'' +\dollar +} +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex new file mode 100644 index 00000000000..1f8323f1809 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/lion.tex @@ -0,0 +1,117 @@ + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\emergencystretch=50pt + +\centerline{{\twelvebf The lion and the mouse}} +\medskip +\centerline{{\it An old fable}\footnote*{taken from Frohnmeyer, p.170}} +\bigskip + +{\mm \X{\<18>}\X{\<136>} \X{\<56>\<63>}\X{\<2>\<57>}\X{\<2>} \X{\<9>}\X{\M{\<55>}{\Z\<35>}}\X{\<165>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<40>\<62>}\X{\<47>\<62>}\X{\<164>\<63>}\X{\<40>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>} \X{\<36>}\X{\<51>}\X{\T{\<76>}{\R{.8ex}{\<174>}}} \X{\<251>\<64>}\X{\<35>\<63>}\X{\M{\<247>}{\<65>}}\<2>\X{\<71>\<21>\<62>}\X{\M{\<187>}{\<65>}} +\X{\<36>}\X{\<35>}\X{\M{\<50>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<31>\<63>}\X{\<247>} \X{\<18>}\X{\<136>} \X{\<21>}\X{\<136>}\X{\<71>\<53>}\X{\<50>}\X{\<21>}\X{\M{\<53>}{\<67>}}\X{\<251>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<53>\<63>}\X{\<31>}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<36>\<62>}\X{\<47>} \X{\<70>\<21>\<62>}\X{\M{\<220>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<70>\<31>} +\X{\<21>\<64>}\X{\<70>\<52>} \X{\<53>\<63>}\X{\<210>\<62>}\X{\<46>}\X{\<165>\<63>}\X{\<40>\<62>}\X{\<47>\<63>} \X{\<21>\<63>}\X{\<31>}\X{\<167>\<63>}\X{\<136>}\X{\<174>}{\RMF.} \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>} \X{\<21>\<63>}\X{\<31>}\X{\<174>}\X{\<49>}\X{\M{\<161>}{\<65>}}\X{\<71>\<220>\<62>}\X{\<82>}{\RMF,} +\X{\<21>}\X{\<50>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<18>}\X{\<136>} \X{\<139>}\X{\<164>}\X{\<2>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\M{\<46>}{\<66>}}\X{\<160>\<63>}\X{\<71>\<193>}\X{\<81>} +\X{\<18>\<62>}\X{\<31>\<63>}\X{\<160>}\X{\<47>}\X{\<49>\<63>} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<40>} \X{\<9>}\X{\<35>}\X{\T{\<76>}{\R{.8ex}{\<165>}}\<63>}{\RMF.} \X{\<6>}\X{\<47>}\X{\<133>}\X{\<40>\<63>}\X{\<46>\<63>}\X{\<165>}\X{\<2>} \X{\<70>\<30>}\X{\<164>\<63>} \X{\<5>}\X{\<53>}\X{\<47>\<63>}\X{\<81>} \X{\<18>}\X{\<167>\<63>}\X{\<70>\<40>} \X{\<36>}\X{\<70>\<79>\<49>} +\X{\<70>\<70>\<21>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<42>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}} \X{\<70>\<21>\<62>}\X{\M{\<50>}{\<85>}\<62>}\X{\<49>\<62>}\X{\<160>\<63>}{\RMF.} \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<53>}\X{\<51>}\X{\<71>\<48>} +\X{\<53>\<83>}\X{\<56>}\X{\<40>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<21>}\X{\<136>}\X{\<35>}\X{\mmV{\<160>}} \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.} \X{\<7>}\X{\<205>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<40>\<63>}\X{\<150>}\X{\M{\<55>}{\Z\<31>}}\X{\<28>}\X{\<222>}\X{\<53>\<63>}\X{\<70>\<79>\<49>} +\X{\<48>}\X{\<176>}\X{\<70>\<165>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<128>}\X{\<50>\<64>}\X{\<40>}\X{\<36>}\X{\<168>} \X{\<45>}\<2>\X{\<23>}\X{\<2>} \X{\<53>}\X{\<136>}\X{\<165>}\X{\<136>}\X{\<133>} \X{\<14>}\X{\<174>} \X{\<42>}\X{\<49>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>} +\X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<2>} \X{\<21>\<62>}\X{\T{\<76>}{\R{.8ex}{\<249>}}}\X{\<2>} \X{\<6>}\X{\<71>\<50>\<62>}\X{\<26>\<63>}\X{\M{\<247>}{\<65>}} \X{\<5>}\X{\<36>\<63>}\X{\<70>\<79>\<49>} \X{\<5>}\X{\<71>\<42>}\X{\<251>}\X{\<71>\<42>\<62>}\X{\<71>\<50>} \X{\<70>\<26>}\X{\M{\<249>}{\<65>}}\X{\<167>}\X{\<36>\<62>}\X{\<132>}\<77> +\X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<36>} \X{\<14>}\X{\<174>} \X{\<21>}\X{\M{\<187>}{\<65>}}\<77> \X{\<53>\<63>}\X{\<49>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<167>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<36>}\X{\<31>}\X{\M{\<53>}{\<65>}}\X{\<21>\<62>}\X{\<48>}\X{\<70>\<40>} \X{\<251>}\X{\<35>}\X{\<165>\<63>}\X{\<81>} +\X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<15>}\X{\<49>} \X{\<21>\<62>}\X{\<50>}\X{\<2>} \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\M{\<46>}{\<65>}}\X{\<71>\<220>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<7>}\X{\<70>\<48>}\X{\<160>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}\X{\<51>\K{-.2}\<51>} +\X{\<56>}\X{\<185>\<62>}\X{\<49>}\X{\<165>\<63>}\X{\<81>} \X{\<21>\<62>}\X{\<164>\<63>}\X{\M{\<50>}{\<66>}}\X{\<71>\<31>} \X{\<42>\<62>}\X{\<163>}\X{\<71>\<242>\<62>}\X{\<82>} \X{\<71>\<53>}\X{\<31>}\X{\<80>}\X{\<70>\<53>}\X{\<247>} \X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>\<63>}\X{\<81>} +\X{\<21>}\X{\M{\<31>}{\<65>}}\X{\M{\<161>}{\<65>}}\X{\<53>\<62>}\X{\<79>} \X{\<56>}\<2>\X{\<23>}\X{\<36>\<63>}\X{\<47>\<62>}\X{\<47>\<63>}{\RMF.} \X{\<5>}\X{\<36>\<63>}\X{\<81>\<40>\<63>}\X{\<174>} \X{\<53>\<63>}\X{\M{\<164>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<53>\<62>}\X{\<79>} \X{\<36>}\X{\<40>\<63>}\X{\<168>} \X{\<21>}\X{\<52>\<63>}\X{\<53>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<47>}{\<112>}} +\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} \X{\<15>}\X{\<49>}\X{\<49>}\X{\M{\<53>}{\<65>}}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<181>}\X{\<48>}\X{\<40>\<62>}\X{\<38>}\X{\<71>\<165>\<62>}\X{\<71>\<31>} \X{\<5>}\X{\<50>}\X{\<49>\<63>}\X{\<70>\<160>\<62>}\X{\<187>\<63>}\X{\<136>}\X{\<174>}{\RMF.} +\X{\M{\<26>}{\<65>}}\X{\<70>\<187>}\X{\<50>\<63>} \X{\<7>}\X{\<133>} \X{\<71>\<21>}\X{\<164>\<63>}\X{\M{\<164>}{\<65>}} \X{\<6>} \X{\<56>\<63>}\<2>\X{\<57>}\X{\<165>\<63>}\X{\<70>\<79>\<49>} \X{\<54>}\X{\M{\<44>}{\Z\<38>}}\X{\<46>\<62>}\X{\<70>\<35>}\X{\<167>}\X{\<49>\<63>}\X{\<163>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\mmV{\<187>}} +\X{\<9>}\X{\<31>}\X{\<71>\<40>} \X{\<6>} \X{\<56>\K{-.5}\<88>}\X{\<50>}\X{\<71>\<165>}\X{\<168>} \X{\<70>\<26>}\X{\<174>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<44>}\X{\M{\<219>}{\<65>}} \X{\<6>}\X{\<70>\<35>}\X{\<174>}\X{\<2>} \X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}} +{\RMF``}\X{\<18>}\X{\<174>}\X{\<2>} \X{\<45>}\X{\<47>}\X{\<70>\<242>}\X{\<71>\<31>}\X{\<187>}{\RMF''} \X{\<14>}\X{\<174>}\X{\<2>} \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.} \X{\<42>\<63>}\X{\<70>\<167>} \X{\<9>}\X{\<31>}\X{\<70>\<40>} +\X{\<36>}\X{\<70>\<79>\<49>} \X{\<42>}\X{\<35>\<63>} \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF:} \X{\M{\<46>}{\<66>}}\X{\T{\<76>}{\R{.8ex}{\<247>}}}\X{\M{\<47>}{\<65>}}\X{\<51>\K{-.2}\<51>} \X{\<36>}\X{\<70>\<79>\<49>} \X{\<70>\<26>}\X{\<49>\<63>}\X{\<47>} \X{\<42>}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\<70>\<160>\<62>}\X{\mmV{\<187>}} +\X{\<70>\<21>}\X{\<35>\<63>}\X{\<47>}\X{\<70>\<31>} \X{\<128>}\X{\M{\<31>}{\<65>}}\X{\<168>}\X{\<21>} \X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<21>}\X{\M{\<164>}{\<65>}}\X{\<21>}\X{\<70>\<51>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<21>}\X{\<31>\<63>}\X{\<247>}\X{\M{\<49>}{\<65>}}\X{\<172>}{\RMF,} \X{\<71>\<21>}\X{\<56>}\X{\<48>\<63>}\X{\<53>\<64>}\X{\<48>}\X{\<70>\<40>} +\X{\<56>\K{-.5}\<86>}\X{\<36>}\X{\<215>}\X{\<40>\<62>}\X{\<160>\<63>} \X{\<5>}\X{\<47>}\X{\<160>}\X{\M{\<47>}{\<65>}}\X{\<2>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.} + +\smallskip + +\X{\<5>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}{\RMF:} {\RMF``}\X{\M{\<42>}{\<66>}}\X{\M{\M{\<50>}{\<85>}}{\<65>}}\X{\<21>}\X{\<82>}{}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<2>} \X{\<9>}\X{\<42>}\X{\<21>\<62>}\X{\<48>}\X{\<2>} \X{\<9>}\X{\<187>\<62>}\X{\<128>}\X{\<2>}{\RMF.}{\RMF''} + +}\bigskip + +{\mmtr Oru simham u\d s\d natt\=alum n\=ay\=a\d t\d tin\=alum ta\d larnnu k\d s{\=\i}\d niccu\.nk\=o\d n\d tu +ta\d nalu\d l\d la ta\d ticca oru karuv\=elakav\d rk\d satti\b n\b te vi\d tarnnat\=aya konpuka\d lu\d te +k{\=\i}\b ze vi\'sr\=amattin\=ayi ki\d tannirunnu. Avi\d te ki\d tannu\b ra\.n\.nunp\=o\d l, +kalahiccuko\d n\d tirunna oru k\=u\d t\d tam cu\d n\d teli ati\b n\b te m\=ukkinm\=el +\=o\d tikkaya\b ri atine u\d nartti. \=Ayatunimittam \~ne\d t\d ti avayil onnine ta\b n\b te +kaiko\d n\d tu pi\d ticcu koll\=a\b r\=akki. App\=o\d l ce\b riya cu\d n\d teli va\d lar\=e +vyasanatt\=o\d t\=e karu\d nakk ap\=ek\d siccu. Itra ce\b riya nik\d r\d s\d tajantuvi\b n\b te +raktattekko\d n\d tu si\d mhatti\b n\b te kul{\=\i}natakku bha\.ngam varuttarutu ennu pa\b rakayum +ceytu. Si\d mham k\=aryyam \=al\=ociccu ati\b n\b te ap\=ek\d sap\=ol\=e ceyyunnat\=a\d n\u u +y\=ogyata ennu ka\d n\d t\u u vi\b raccuko\d n\d tirunna ce\b riya ta\d tavuk\=arane k\d sa\d nattil +vi\d t\d tuka\d la\~n\~nu. \=E\b ra k\=alam ka\b ziyum munp\=e ta\b n\b te irekk\=ayi\d t\d tu\d l\d la +sa\~nc\=a\b rattil k\=a\d t\d til\=u\d t\=e p\=a\~n\~napp\=o\d l v\=e\d tarvecca ke\d niyil +ka\d tu\.n\.nuv\=an sa\.ngatiy\=ayi. Atilninnu vi\d t\d tup\=ov\=an tanikku ka\b zivill\=ayka +ko\d n\d tu \=e\b ra\b ravum bhaya\.nkaran\=adatt\=o\d t\=e ala\b rikko\d n\d tirunnu. +Cu\d n\d teli itu k\=e\d t\d ti\d t\d tu \=a si\d mhatti\b n\b te \'sabdam\=a\d nenna\b ri\~n\~natuko\d n\d t +u\d tan\=e \=a sthalatt\=ekku cennu ta\b n\b te bandhu \=a\d nennum atuko\d n\d tu +``onnum bhayappe\d t\=e\d n\d ta'' ennum pa\b ra\~n\~nu. Pinne u\d tane +ta\b n\b te pa\d ni tu\d ta\.n\.ni: m\=urccayu\d l\d la ta\b n\b te ce\b riya palluka\d lekko\d n\d t +ke\d niya\d te ku\d tukkuka \d leyum ke\d t\d tuka\d leyum ka\d ticca\b ruttu, k\=esariv{\=\i}rane +svatantran\=akki ayakkayum ceytu. + +\smallskip + +Atuko\d n\d tu: ``p\=ulluka\d l{}ko\d n\d tum upak\=aram u\d n\d t\=akum.'' + +} + +\bigskip + +A lion, faint with heat and weary with hunting, was lying down to take his +repose under the spreading bows of a thick shady oak. It happened that, while +he slept, a company of quarreling mice ran over his nose and waked him; upon which, +starting up, he clapped his paw upon one of them and was just about to put +it to death, when the little suppliant implored his mercy in a very moving +manner, begging him not to stain his noble character with the blood of a despicable and +small beast. The lion considering the matter, thought proper to do as he was +desired and immediately released his little trembling prisoner. Not long after, traversing +the forest in pursuit of his prey, he chanced to run into the toils of the hunters, +from whence, not able to disengage himself, he set up a most hideous and loud +roar. The mouse hearing the voice, and knowing it to be the lion's, immediately +repaired to the place and bid him fear nothing, for that he was his friend. +Then straight he fell to work, and with his little sharp teeth gnawing asunder the knots +ad fastenings of the toils, set the royal brute at liberty. + +\smallskip + +Moral: The least may help the greatest. + +\bigskip + +{\raggedright\tt\catcode`\^=11\catcode`\~=11\hyphenpenalty=10000\dollar ^oru simham uSNattaalum naayaaTTinaalum taLarnnu kSiiNiccuMkooNTu +taNaluLLa taTicca oru karuveelakav.rkSattin\_t\_e viTarnnataaya konpukaLuTe +kiizhe vishraamattinaayi kiTannirunnu. ^aviTe kiTannuRan"n"unpooL, +kalahiccukoNTirunna oru kuuTTam cuNTeli atin\_t\_e muukkinmeel +ooTikkayaRi atine uNartti. ^aayatunimittam n~eTTi avayil onnine tan\_t\_e +kaikoNTu piTiccu kollaaRaakki. ^appooL ceRiya cuNTeli vaLaree +vyasanattooTee karuNakk apeekSiccu. ^itra ceRiya nik.rSTajantuvin\_t\_e +raktattekkoNTu siMhattin\_t\_e kuliinatakku bhaMgam varuttarutu ennu paRakayum +ceytu. ^siMham kaaryyam aaloociccu atin\_t\_e apeekSapoolee ceyyunnataaNu+ +yoogyata ennu kaNTu+ viRaccukoNTirunna ceRiya taTavukaarane kSaNattil +viTTukaLan~n~u. ^eeRa kaalam kazhiyum munpee tan\_t\_e irekkaayiTTuLLa +san~caaRattil kaaTTiluuTee paan~n~appooL veeTar+vecca keNiyil +kaTun"n"uvaan saMgatiyaayi. ^atilninnu viTTupoovaan tanikku kazhivillaayka +koNTu eeRaRavum bhayan"karanaadattooTee alaRikkoNTirunnu. +^cuNTeli itu keeTTiTTu aa siMhattin\_t\_e shabdamaaNennaRin~n~atukoNT +uTanee aa sthalatteekku cennu tan\_t\_e bandhu aaNennum atukoNTu +``onnum bhayappeTeeNTa'' ennum paRan~n~u. ^pinne uTane +tan\_t\_e paNi tuTan"n"i: muurccayuLLa tan\_t\_e ceRiya pallukaLekkoNT +keNiyaTe kuTukkuka Leyum keTTukaLeyum kaTiccaRuttu, keesariviirane +svatantranaakki ayakkayum ceytu. +\smallskip +\bslash smallskip +\smallskip +^atukoNTu: ``puullukaL{}koNTum upakaaram uNTaakum.'' +\dollar +} +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm new file mode 100644 index 00000000000..74a16cdcba8 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.mm @@ -0,0 +1,440 @@ +% mmarticle.mm -- article about Malayalam TeX +% (c) 1993 Jeroen Hellingman +% last edit: 02-APR-1993 + +\input mmmacs +\input mmtrmacs + +\def\q{\hfill\quad} +\def\os{\oldstyle} +\font\logo=logo10 +\def\MF{{\logo METAFONT}} +\parindent=0pt + +\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or + June\or July\or August\or September\or October\or November\or December\fi + \space\number\year} + +\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip +\centerline{Jeroen Hellingman}\bigskip + +{\narrower +\noindent{\bf Abstract}\medskip + +\noindent Malayalam, a language spoken in the Indian state of Kerala, +employs a beautiful but complicated script. This script uses numerous +ligatures and places glyphs on top of each other and out of phonetic +order. To be able to typeset Malayalam, a \MF\ containing all +necessary letter forms, a pre-processor and a collection of +\TeX-macro's were designed. Together they form a package called +Malayalam-\TeX. This package enables the user to type Malayalam in an +adaptable roman transliteration, which after being processed by the +pre-processor, can be typeset with \TeX. + +During the design and development of the package, several shortcomings +of the \TeX\ system appeared, which made a straightforward +implementation of the Malayalam script difficult. Several additions to +\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and +\TeX\ together proved to be a powerful tool that made the development +of the package an enjoyable task.\par} + +\beginsection Introduction + +The Malayalam language, ($malayaaLam$), which is the first language of +an estimated {\os30}~million people in the South Indian state Kerala, +uses its own script, which is characterised by curly shaped +characters. It is believed that those rounded shapes developed because +it was written on palm leaves with a metal nib, which would have +pricked through the medium, if the script had contained sharp curves. +The same rounded shapes can be found in the other South Indian and +Sri~Lankan scripts, which are all closely related to Malayalam script. + +Through the centuries, Malayalam has been written in various scripts +and variations of scripts. Until a few centuries ago, the Malayalam +language was normally written in the Old Tamil or $^mappiLLa$ +($$^mappiLLa$$) alphabet, also known as $vaTTezhuttu$ +($$vaTTezhuttu$$), the `rounded characters'. This script however, did +not contain many letters necessary for writing Sanskrit. They became +necessary in writing Malayalam since the language absorbed many +Sanskrit loans, which could only be written in an ambiguous way. + +To overcome those problems, the {\os17}th~century poet $^tun~jettu +^ezhuttacchan_$ ($$^tun~jettu ^ezhuttacchan_$$)\footnote*{literally +``Father of Letters.''} adopted the modern Malayalam script, the +so-called $^aaryavezhuttu$ ($$^aaryavezhuttu$$) or `Aryan characters' +from the Tamil Grantha alphabet to render Sanskrit poetry in +Malayalam. Tamil Grantha, in its turn, was derived from the ancient +Brahmi script. His alphabet quickly became the standard for writing +Malayalam. (however, a variant of the old script, called $koolezhuttu$ +($$koolezhuttu$$) was in use far into this century for keeping records +in the Raja's palaces.) + +The Malayalam script still looks very similar to the Tamil script, but +unlike Tamil, it uses complex conjunct characters, with letters +subscribed to others, and out of phonetic order, as can be seen in +most Indian scripts. + +With the introduction of the printing press in Kerala, somewhere in +the {\os18}th~century, printing letters for Malayalam where designed, +modelled after the, at that time, popular Latin Bodoni types, with +large differences between thin and thick strokes. Printing Malayalam, +however, proved to be quite complicated; in traditional typography, +several hundreds of distinct lead glyphs where needed to typeset the +language. + +To ease learning and typesetting, the government of the state of +Kerala adopted a reformed script in {\os1974}. It abandons most of the +subscribed conjuncts and all the irregular vowel signs. Although this +script is now teached in all schools in Kerala, and newspapers are +printed in it, the original script is still in widespread use, and +mixtures of the two styles in one document can be seen regularly. In +the following section I will explain the reformed script. + +\beginsection The Malayalam Script + +Like all scripts derived from Brahmi, Malayalam script is neither +purely syllabic, nor purely alphabetic. The modern alphabet consists +of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and +{\os36}~for the consonants followed by an `inherent'~$$a$$. To write a +syllable with another vowel, a special sign is applied to the normal +consonant character. When two consonants appear next to each other +without an intermediate vowel, They are joined to each other in some +way. + +Traditionally, the Malayalam syllabary has been ordered, following the +Sanskrit order, on phonetic principles, putting related sounds +together. For the sounds not used in Sanskrit, new letters where added +to the end of the syllabary. + +\noindent The vowels are:\footnote*{The traditional alphabet also +includes the Sanskrit vowels $.r.r$, $.l$, and $.l.l$ for respectively +$$.r.r$$, $$.l$$, and $$.l.l$$.} + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr +$a$ & $aa$ & $i$ & $ii$ & $u$ & $uu$ & $.r$ \cr +$$a$$ & $$aa$$ & $$i$$ & $$ii$$ & $$u$$ & $$uu$$ & $$.r$$ \cr +$e$ & $ee$ & $ai$ & $o$ & $oo$ & $au$ \cr +$$e$$ & $$ee$$ & $$ai$$& $$o$$ & $$oo$$& $$au$$ \cr +}}} +\bigskip + +\noindent After the vowels, are normally listed the modifiers $M$, +$$M$$, and $H$, $$H$$. They are called {\it anusvaram} and {\it +visargam} and represent a nasal sound and a aspiration respectively. + +The consonants are: + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr +$ka$ & $kha$ & $ga$ & $gha$ & $n"a$ & $ya$ & $ra$ & $la$ & $va$ \cr +$$ka$$ & $$kha$$ & $$ga$$ & $$gha$$ & $$n"a$$ & $$ya$$ & $$ra$$ & $$la$$ & $$va$$ \cr +$ca$ & $cha$ & $ja$ & $jha$ & $n~a$ & $sha$ & $Sa$ & $sa$ \cr +$$ca$$ & $$cha$$ & $$ja$$ & $$jha$$ & $$n~a$$ & $$sha$$ & $$Sa$$ & $$sa$$ \cr +$Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ & $ha$ & $La$ & $zha$ & $Ra$ \cr +$$Ta$$ & $$Tha$$ & $$Da$$ & $$Dha$$ & $$Na$$ & $$ha$$ & $$La$$ & $$zha$$ & $$Ra$$ \cr +$ta$ & $tha$ & $da$ & $dha$ & $na$ \cr +$$ta$$ & $$tha$$ & $$da$$ & $$dha$$ & $$na$$ \cr +$pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr +$$pa$$ & $$pha$$ & $$ba$$ & $$bha$$ & $$ma$$ \cr +}}} +\bigskip + +\noindent When a vowel follows a consonant, it is written with a vowel +sign, some of them standing to the left, or on both sides of the +consonant to which they belong. This can be quite confusing in the +when one starts learning the script. Here the vowel signs are given +with the letter $ka$, {\it$$ka$$}: + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr +$ka$ & $kaa$ & $ki$ & $kii$ & $ku$ & $kuu$ & $k.r$ \cr +$$ka$$ & $$kaa$$ & $$ki$$ & $$kii$$ & $$ku$$ & $$kuu$$ & $$k.r$$ \cr +$ke$ & $kee$ & $kai$ & $ko$ & $koo$ & $kau$ \cr +$$ke$$ & $$kee$$ & $$kai$$& $$ko$$ & $$koo$$& $$kau$$ \cr +}}} +\bigskip + +\noindent The biggest complexities arise when two consonants follow +each other. In that case there are several alternatives. First, the +consonants are joined with each other to form a new conjunct, like in +$jja$, $nta$, and $NTa$; second one can write the second consonant as +a subscript to the first, like in $ppa$, and $NNa$; the third option +is to use a special symbol, $+$, called $candrakala$, +{\it$$candrakala$$}, to indicate the absence of the inherent vowel in +a consonant. This symbol is also used when a word ends in a consonant. +Several letters form a ligature with this sign: $k$ for $ka+$, $N$ for +$Na+$, $t$ for $ta+$ or $la+$, $n$ for $na+$, $m$ for $ma+$, $r$ for +$ra+$, and $L$ for $La+$. + +Some consonants have a special sign when they occur as the last +element of a consonant cluster: +$ya$ becomes ${}<<ya$ as in $kya$, {\it$$kya$$}; +$ra$ becomes ${}<<ra$ , standing to the left of the cluster, as in +$kra$, {\it$$kra$$}; +$la$ becomes ${}<<la$, as in $kla$, {\it$$kla$$}; and +$va$ becomes ${}<<va$ as in $kva$, {\it$$kva$$}. + +\beginsection The font + +I faced several problems while designing the font for Malayalam: I +have no knowledge of the language; I had no clear arrangement of all +needed conjuncts, nor a good example typeface, which I could use as a +guideline; and finally, I also had very little experience with \MF. + +After some trials, in which I produced Malayalam letters in the +traditional typographic style, I decided to switch to a `script' style +of letters, for two reasons. First designing and coding a font in the +traditional style, with unnatural thick-thin transistions --~i.e., +transistions that do not appear when writing with a calligraphic +pen~--, would have costed a lot of time, which I could not spend on +it. Second, the traditional design is hard on the eyes, because it has +a big difference between thick and thin. It often produces a page +which looks `stained' from distance, instead of the more evenly +distributed gray you see when you look at a page typeset in English. + +After this decision was made, I proceeded as follows. First, I drew +each character about {\os2}~centimetres high out of free hand on graph +paper with a yellow marker-pen, the same type you use to highlight +text. When I was satisfied with this character, I decided where to put +control points, and marked them with a black dot, measured the +positions of the dots on the graph paper and coded them, together with +the path my pen had made through those points, in \MF. After running +\MF\ the character appeared on the screen for the first time. When I +was not satisfied with its look, I would move some control points a +bit, and re-run \MF. I repeated this process until I was satisfied +with the character. + +Because many conjuncts consist of a part of each of the characters it +is build up of, I defined a macro for most consonants. This way all +that was needed to define the shape of a conjunct was a macro-call for +each of the constituent consonants, sometimes adjusting some points +where one consonant goes over into the other. + +This way of producing characters has proven very productive. I spend +on average about half an hour per character --~although I needed +several hours to get some, notably $ja$ and $ya$, right~-- Still the +results are acceptable, thanks to \MF, which does a great job of +producing nice curves. + +Malayalam script includes many conjuncts of consonants which are build +by placing a smaller variant of the glyph of the second consonant +below the normal sized glyph of the first consonant. To avoid coding +these smaller consonants again, I decided to create a second font, +called the {\it subfont\/}, which contains only the characters that +can be subscribed. This font uses the same code to produce the glyphs, +but \MF-parameters have been adjusted, so that this font combines well +with the `main'-font. The job of combining glyphs from the `sub' and +`main' font to create stacked conjuncts is left to \TeX. + +My way of coding glyphs results in little `{\logo META}-ness'. Unlike +Donald Knuth's Computer Modern fonts, only a few variations in letter +style can be derived from the \MF-source. I produced several styles: a +regular, slanted, and bold style drawn with a circular pen, and a +style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8}, +{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I +created some `big' bold fonts for headlines and a few more +experimental fonts. A sample of each style is given in appendix~C. + +\beginsection Typesetting Malayalam + +When you have a font for the English alphabet, typesetting is +straightforward. Roughly speaking, all you have to do is to place the +letters in a row, in the same order as you type them, taking care to +move to the next line when the current line is filled up. There is +roughly a one-to-one relationship between characters, letters, and +glyphs. Typesetting Malayalam text is much more complicated. You have +to use conjuncts, stack glyphs on top of each other, or place glyphs +that represent sounds that come after a consonant before the glyph of +representing that consonant. + +But when we look at Malayalam script from a different position, it can +be said to consist of syllables, which are just as easily placed on a +line from left to right as English. The remaining problem is how to +construct the syllables. + +Here it is where \TeX's box-building capabilities come to the rescue. +To build a syllable, you can put a glyph in a box, place it relative +to another character, and put the resulting construction into another +box for use it in further constructing, until the syllable is +complete, and it can be added to the current line. + +As has been shown by the implementation of Telugu-\TeX\ [???], it is +possible to let \TeX\ do all the necessary processing, however, at a +high cost in both processor load and memory usage at run time, which +makes it impossible to use Telugu-\TeX\ on a small personal computer. +Also, programming these tasks in the \TeX-programming language is +awkward, requiring many `dirty tricks'. For these reasons I decided to +implement a pre-processor, written in~C, which does most of the +syllable-composing work. + +Another problem in typesetting Malayalam is that this language has +many very long `words'. Both in speaking as in writing, the boundaries +between words tend to disappear, and often the last letter of a word +changes and/or forms a conjunct with the first of the next word. This +effect, know as `Sandhi', appears in most languages, but in Malayalam +it is quite prominent, and also reflected in the orthography. As a +result, a text contains very long sequences of characters and few +spaces, which can serve as line-break points. As a result, it is +difficult to obtain even spacing between words, especially in narrow +columns. Several of \TeX's line-breaking parameters had to be adjusted +to get acceptable results. + +\beginsection Typing Malayalam + +Now that we have all the elements to {\it output\/} Malayalam, we need +some way to {\it input\/} it. Unfortunately, I have no keyboard or +editor on which I can type Malayalam script directly. So I was forced +to use some transcription scheme in ASCII. The transcription I decided +to use was based on the following principles. First it should be +easily readable, avoiding as much as possible non-letters and capital +letters in the middle of words, non-ambiguous, so that it can be +converted automatically, easily recognisable, and finally, besides +being able to produce Malayalam text from it, I wanted to be able to +create a scientific transcription from the same source. + +However desirable some standard transcription may be, people can be +very `religious' about what they consider a good transcription-scheme. +Beside that they can also have huge texts already available in some +transcription, and be unwilling to convert that, so I decided to have +the pre-processor read the transcription from a file, which can easily +be changed to reflect the users favourite transcription. + +The transcription method is only of limited use to native speakers, +who may not even know the roman alphabet, and also awkward for +entering large pieces of text, since many typing errors only show up +when the text is seen after processing by \TeX, so it should be +replaced by some way of entering text directly. + +\beginsection Some thoughts on a future \TeX\par + +Creating a typesetting system for Malayalam was an enjoyable task, in +which \TeX\ and \MF\ proved to be very powerful tools. Still, many +things remain to be desired. The pre-processing stage, and the need to +represent non-Latin scripts with a sequence of inpenetratable commands +to typeset glyphs is far from ideal. A much more workable scheme would +be to have \TeX\ understand that some characters are Malayalam +characters, while others are Latin or from yet another script, and +have \TeX\ typeset them as such correctly, including contextual +analysis. + +This first of all raises the issue of character-sets. Some few years +ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a +final concession to user-demand for multi-lingual support, but by now +it would be very desirous to make the leap to 16-bit characters, and +have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS +character set standard, and make \TeX\ really +multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual, +since many more obscure or obsolete writing systems have been left +out of ISO-10464} + +Having all the characters defined isn't enough. \TeX\ needs to deal +with them in a way that makes sense. Nowadays, \TeX\ only truly +understands two writing systems --~that of English, and that of +mathematics~-- and does a wonderful, although not perfect, job in +handling those. But other scripts require some kind of pre-processor, +or extremely clever hacking with \TeX-macros, as is is done in Klaus +Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would +be to add more modes to \TeX, for example an Arabic-mode for the +Arabic script, and a Malayalam mode for Malayalam script --~one can, +however, also imagine one generalized mode for all Indic scripts~--, +and to take the idea further, a mode for music and dance notation, and +chemical structure formulas. + +I suggest to take a modular approach in creating these modes, to make +the development of these a managable task; no single person can know +all the relevant details of all writing systems. A script or writing +system `module' or `driver' would come into action whenever a +character of its script, or token requiring the explicit change of +mode, is encountered, and handle all consequent characters and tokens, +until one arrives that it cannot handle --~these may include some +normal tokens like a `space' character, which is common in most +writing systems. + +While processing its part of the input, a module will add boxes to the +current horizontal list, which will then be handled by \TeX's +paragraph handling mechanism as usual --~although some extensions may +be needed, as to handle right-to-left and top-down scripts correctly. + +Each script module would have its own active fonts, and knowledge of +how to represent characters with the glyphs of that font. An extended +font metric format should provide information about how to build +conjunct forms or use contextual variants of glyphs available in a +font. + +A nice starting point may be the Japanese P-\TeX-system, which already +supports a 16-bit character set, and also incorporates code to do +vertical typesetting as is required by some writing systems. The +adaptation of P-\TeX\ to Unicode for at least the ideographic +characters will be reasonable straightforward. Adding the various +script modules and extra character-categories may be more difficult. + +In the long term, I favour, however, a completely redesigned batch +oriented text formatter like \TeX, but one that understands Unicode +and uses functional instead of typographical tagging of the input +text. Preferably it would understand SGML, and format this using some +lay-out style definition, which then should be defined in a language +less arcane than \TeX's. + +\MF, I would like to see develop into an interactive program, in which +points, constrains between points and pen strokes through them can be +added or moved and their effects can be seen immediately. I very much +prefer the its pen-stroke metaphor above the outline editing most +other font design tools offer, but maybe the idea of changing +`pressure' on or rotation of the a pen during its movement can be +incorporated in this metaphor as well. Its output should ofcourse be +typographically scalable, and also modifiable to add effects like +slanting, bolding, or stretching, --~to align lines of +Arabic or Hebrew script, or, as I have once seen in a beautiful +handwritten letter in Tamil, in scripts where it has not been done +before because of techical limitations~-- in a typographycally +acceptable way. + +\beginsection Conclusion + +Because of the powers of \TeX, and its companion \MF, automated +typesetting of the traditional script is no longer a big problem. +Malayalam \TeX\ can both produce the traditional style script and the +reformed script, as well as a scientific transliteration from the same +input file. + +The world knows many scripts, many of them have only a very limited +use, --~compared with some of them, Malayalam, is a very widely used +script. As shown with my experience with Malayalam, it is only several +months of work to obtain acceptable typesetting quality for most +scripts (The exception being ideographic or logographic scripts as +Chinese), thus bringing computerized typography within the reach of +many people. + +\beginsection Appendix A + +The following table shows all glyphs in the Malayalam font {\tt mm10}. +\bigskip +\input mmchart.tex +\table mm10 + +\beginsection Appendix B + +A sample of text in Malayalam, typeset in {\tt mm10}, using the +traditional script, followed by an automatically derived transcription, +an English translation, and finally the transcription actually input. +\bigskip +\input lion.tex + +\beginsection Appendix C + +\input mmsample + +\beginsection Appendix D + +The following table shows the character(s) you have to type in order +to produce a Malayalam character. The third column shows the +scientific transliteration of each character. +\bigskip +\input mmtrans + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex new file mode 100644 index 00000000000..7089879b539 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmarticl.tex @@ -0,0 +1,436 @@ + +\input mmmacs +\input mmtrmacs + +\def\q{\hfill\quad} +\def\os{\oldstyle} +\font\logo=logo10 +\def\MF{{\logo METAFONT}} +\parindent=0pt + +\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or + June\or July\or August\or September\or October\or November\or December\fi + \space\number\year} + +\headline={{\it preliminary version of \today \hfil Typesetting Malayalam with \TeX}} + + +\centerline{\twelvebf Typesetting Malayalam with \TeX}\bigskip +\centerline{Jeroen Hellingman}\bigskip + +{\narrower +\noindent{\bf Abstract}\medskip + +\noindent Malayalam, a language spoken in the Indian state of Kerala, +employs a beautiful but complicated script. This script uses numerous +ligatures and places glyphs on top of each other and out of phonetic +order. To be able to typeset Malayalam, a \MF\ containing all +necessary letter forms, a pre-processor and a collection of +\TeX-macro's were designed. Together they form a package called +Malayalam-\TeX. This package enables the user to type Malayalam in an +adaptable roman transliteration, which after being processed by the +pre-processor, can be typeset with \TeX. + +During the design and development of the package, several shortcomings +of the \TeX\ system appeared, which made a straightforward +implementation of the Malayalam script difficult. Several additions to +\TeX\ would have made the pre-processor unnecessary. Still, \MF\ and +\TeX\ together proved to be a powerful tool that made the development +of the package an enjoyable task.\par} + +\beginsection Introduction + +The Malayalam language, ({\mm \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}), which is the first language of +an estimated {\os30}~million people in the South Indian state Kerala, +uses its own script, which is characterised by curly shaped +characters. It is believed that those rounded shapes developed because +it was written on palm leaves with a metal nib, which would have +pricked through the medium, if the script had contained sharp curves. +The same rounded shapes can be found in the other South Indian and +Sri~Lankan scripts, which are all closely related to Malayalam script. + +Through the centuries, Malayalam has been written in various scripts +and variations of scripts. Until a few centuries ago, the Malayalam +language was normally written in the Old Tamil or {\mm \X{\<46>}\X{\<242>\<63>}\X{\<51>\K{-.2}\<51>}} +({\mmtr Mappi\d l\d la}) alphabet, also known as {\mm \X{\<53>}\X{\<70>\<164>}\X{\<52>\<72>}\X{\<165>\<72>}} +({\mmtr va\d t\d te\b zuttu}), the `rounded characters'. This script however, did +not contain many letters necessary for writing Sanskrit. They became +necessary in writing Malayalam since the language absorbed many +Sanskrit loans, which could only be written in an ambiguous way. + +To overcome those problems, the {\os17}th~century poet {\mm \X{\<36>\<72>}\X{\<70>\<186>}\X{\<165>\<72>} +\X{\<14>}\X{\<52>\<72>}\X{\<165>}\X{\mmV{\<26>}\<27>}\X{\<79>}} ({\mmtr Tu\~njettu E\b zuttaccha\b n})\footnote*{literally +``Father of Letters.''} adopted the modern Malayalam script, the +so-called {\mm \X{\<6>}\X{\<80>\<47>}\X{\<70>\<53>}\X{\<52>\<72>}\X{\<165>\<72>}} ({\mmtr \=Aryave\b zuttu}) or `Aryan characters' +from the Tamil Grantha alphabet to render Sanskrit poetry in +Malayalam. Tamil Grantha, in its turn, was derived from the ancient +Brahmi script. His alphabet quickly became the standard for writing +Malayalam. (however, a variant of the old script, called {\mm \X{\<71>\<21>\<62>}\X{\<70>\<50>}\X{\<52>\<72>}\X{\<165>\<72>}} +({\mmtr k\=ole\b zuttu}) was in use far into this century for keeping records +in the Raja's palaces.) + +The Malayalam script still looks very similar to the Tamil script, but +unlike Tamil, it uses complex conjunct characters, with letters +subscribed to others, and out of phonetic order, as can be seen in +most Indian scripts. + +With the introduction of the printing press in Kerala, somewhere in +the {\os18}th~century, printing letters for Malayalam where designed, +modelled after the, at that time, popular Latin Bodoni types, with +large differences between thin and thick strokes. Printing Malayalam, +however, proved to be quite complicated; in traditional typography, +several hundreds of distinct lead glyphs where needed to typeset the +language. + +To ease learning and typesetting, the government of the state of +Kerala adopted a reformed script in {\os1974}. It abandons most of the +subscribed conjuncts and all the irregular vowel signs. Although this +script is now teached in all schools in Kerala, and newspapers are +printed in it, the original script is still in widespread use, and +mixtures of the two styles in one document can be seen regularly. In +the following section I will explain the reformed script. + +\beginsection The Malayalam Script + +Like all scripts derived from Brahmi, Malayalam script is neither +purely syllabic, nor purely alphabetic. The modern alphabet consists +of {\os61}~syllabic characters, {\os15}~for the pure vowel sounds, and +{\os36}~for the consonants followed by an `inherent'~{\mmtr a}. To write a +syllable with another vowel, a special sign is applied to the normal +consonant character. When two consonants appear next to each other +without an intermediate vowel, They are joined to each other in some +way. + +Traditionally, the Malayalam syllabary has been ordered, following the +Sanskrit order, on phonetic principles, putting related sounds +together. For the sounds not used in Sanskrit, new letters where added +to the end of the syllabary. + +\noindent The vowels are:\footnote*{The traditional alphabet also +includes the Sanskrit vowels {\mm \X{\<96>}}, {\mm \X{\<12>}}, and {\mm \X{\<97>}} for respectively +{\mmtr {\rii}}, {\mmtr \d l}, and {\mmtr {\lii}}.} + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr +{\mm \X{\<5>}} & {\mm \X{\<6>}} & {\mm \X{\<7>}} & {\mm \X{\<7>\<87>}} & {\mm \X{\<9>}} & {\mm \X{\<9>\<87>}} & {\mm \X{\<11>}} \cr +{\mmtr a} & {\mmtr \=a} & {\mmtr i} & {\mmtr {\=\i}} & {\mmtr u} & {\mmtr \=u} & {\mmtr \d r} \cr +{\mm \X{\<14>}} & {\mm \X{\<15>}} & {\mm \X{\<70>\<14>}} & {\mm \X{\<18>}} & {\mm \X{\<18>\<62>}} & {\mm \X{\<18>\<87>}} \cr +{\mmtr e} & {\mmtr \=e} & {\mmtr ai}& {\mmtr o} & {\mmtr \=o}& {\mmtr au} \cr +}}} +\bigskip + +\noindent After the vowels, are normally listed the modifiers {\mm \<2>}, +{\mmtr \d m}, and {\mm \<3>}, {\mmtr \d h}. They are called {\it anusvaram} and {\it +visargam} and represent a nasal sound and a aspiration respectively. + +The consonants are: + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q\q\q&#\q&#\q&#\q&#\cr +{\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}} & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}} \cr +{\mmtr ka} & {\mmtr kha} & {\mmtr ga} & {\mmtr gha} & {\mmtr \.na} & {\mmtr ya} & {\mmtr ra} & {\mmtr la} & {\mmtr va} \cr +{\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}} & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}} \cr +{\mmtr ca} & {\mmtr cha} & {\mmtr ja} & {\mmtr jha} & {\mmtr \~na} & {\mmtr \'sa} & {\mmtr \d sa} & {\mmtr sa} \cr +{\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}} & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr +{\mmtr \d ta} & {\mmtr \d tha} & {\mmtr \d da} & {\mmtr \d dha} & {\mmtr \d na} & {\mmtr ha} & {\mmtr \d la} & {\mmtr \b za} & {\mmtr \b ra} \cr +{\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}} \cr +{\mmtr ta} & {\mmtr tha} & {\mmtr da} & {\mmtr dha} & {\mmtr na} \cr +{\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}} \cr +{\mmtr pa} & {\mmtr pha} & {\mmtr ba} & {\mmtr bha} & {\mmtr ma} \cr +}}} +\bigskip + +\noindent When a vowel follows a consonant, it is written with a vowel +sign, some of them standing to the left, or on both sides of the +consonant to which they belong. This can be quite confusing in the +when one starts learning the script. Here the vowel signs are given +with the letter {\mm \X{\<21>}}, {\it{\mmtr ka}}: + +\bigskip +\centerline{\vbox{\twelvemmc\halign{#\q&#\q&#\q&#\q&#\q&#\q&#\cr +{\mm \X{\<21>}} & {\mm \X{\<21>\<62>}} & {\mm \X{\<21>\<63>}} & {\mm \X{\<21>\<64>}} & {\mm \X{\<21>\<72>}} & {\mm \X{\<21>\<73>}} & {\mm \X{\<21>\<75>}} \cr +{\mmtr ka} & {\mmtr k\=a} & {\mmtr ki} & {\mmtr k{\=\i}} & {\mmtr ku} & {\mmtr k\=u} & {\mmtr k\d r} \cr +{\mm \X{\<70>\<21>}} & {\mm \X{\<71>\<21>}} & {\mm \X{\<70>\<70>\<21>}} & {\mm \X{\<70>\<21>\<62>}} & {\mm \X{\<71>\<21>\<62>}} & {\mm \X{\<21>\<87>}} \cr +{\mmtr ke} & {\mmtr k\=e} & {\mmtr kai}& {\mmtr ko} & {\mmtr k\=o}& {\mmtr kau} \cr +}}} +\bigskip + +\noindent The biggest complexities arise when two consonants follow +each other. In that case there are several alternatives. First, the +consonants are joined with each other to form a new conjunct, like in +{\mm \X{\<162>}}, {\mm \X{\<194>}}, and {\mm \X{\<187>}}; second one can write the second consonant as +a subscript to the first, like in {\mm \X{\<242>}}, and {\mm \X{\<241>}}; the third option +is to use a special symbol, {\mm \<77>}, called {\mm \X{\<26>}\X{\<74>\<195>}\X{\<21>}\X{\<50>}}, +{\it{\mmtr candrakala}}, to indicate the absence of the inherent vowel in +a consonant. This symbol is also used when a word ends in a consonant. +Several letters form a ligature with this sign: {\mm \X{\<94>}} for {\mm \X{\<21>}\<77>}, {\mm \X{\<78>}} for +{\mm \X{\<35>}\<77>}, {\mm \X{\<81>}} for {\mm \X{\<36>}\<77>} or {\mm \X{\<50>}\<77>}, {\mm \X{\<79>}} for {\mm \X{\<40>}\<77>}, {\mm \X{\<2>}} for {\mm \X{\<46>}\<77>}, {\mm \X{\<80>}} for +{\mm \X{\<48>}\<77>}, and {\mm \X{\<82>}} for {\mm \X{\<51>}\<77>}. + +Some consonants have a special sign when they occur as the last +element of a consonant cluster: +{\mm \X{\<47>}} becomes {\mm {}\hbox{}\<83>} as in {\mm \X{\<21>\<83>}}, {\it{\mmtr kya}}; +{\mm \X{\<48>}} becomes {\mm {}\<74>\hbox{}} , standing to the left of the cluster, as in +{\mm \X{\<74>\<21>}}, {\it{\mmtr kra}}; +{\mm \X{\<50>}} becomes {\mm {}\M{\hbox{}}{\<85>}}, as in {\mm \X{\M{\<21>}{\<85>}}}, {\it{\mmtr kla}}; and +{\mm \X{\<53>}} becomes {\mm {}\hbox{}\K{-.5}\<86>} as in {\mm \X{\<21>\K{-.5}\<86>}}, {\it{\mmtr kva}}. + +\beginsection The font + +I faced several problems while designing the font for Malayalam: I +have no knowledge of the language; I had no clear arrangement of all +needed conjuncts, nor a good example typeface, which I could use as a +guideline; and finally, I also had very little experience with \MF. + +After some trials, in which I produced Malayalam letters in the +traditional typographic style, I decided to switch to a `script' style +of letters, for two reasons. First designing and coding a font in the +traditional style, with unnatural thick-thin transistions --~i.e., +transistions that do not appear when writing with a calligraphic +pen~--, would have costed a lot of time, which I could not spend on +it. Second, the traditional design is hard on the eyes, because it has +a big difference between thick and thin. It often produces a page +which looks `stained' from distance, instead of the more evenly +distributed gray you see when you look at a page typeset in English. + +After this decision was made, I proceeded as follows. First, I drew +each character about {\os2}~centimetres high out of free hand on graph +paper with a yellow marker-pen, the same type you use to highlight +text. When I was satisfied with this character, I decided where to put +control points, and marked them with a black dot, measured the +positions of the dots on the graph paper and coded them, together with +the path my pen had made through those points, in \MF. After running +\MF\ the character appeared on the screen for the first time. When I +was not satisfied with its look, I would move some control points a +bit, and re-run \MF. I repeated this process until I was satisfied +with the character. + +Because many conjuncts consist of a part of each of the characters it +is build up of, I defined a macro for most consonants. This way all +that was needed to define the shape of a conjunct was a macro-call for +each of the constituent consonants, sometimes adjusting some points +where one consonant goes over into the other. + +This way of producing characters has proven very productive. I spend +on average about half an hour per character --~although I needed +several hours to get some, notably {\mm \X{\<28>}} and {\mm \X{\<47>}}, right~-- Still the +results are acceptable, thanks to \MF, which does a great job of +producing nice curves. + +Malayalam script includes many conjuncts of consonants which are build +by placing a smaller variant of the glyph of the second consonant +below the normal sized glyph of the first consonant. To avoid coding +these smaller consonants again, I decided to create a second font, +called the {\it subfont\/}, which contains only the characters that +can be subscribed. This font uses the same code to produce the glyphs, +but \MF-parameters have been adjusted, so that this font combines well +with the `main'-font. The job of combining glyphs from the `sub' and +`main' font to create stacked conjuncts is left to \TeX. + +My way of coding glyphs results in little `{\logo META}-ness'. Unlike +Donald Knuth's Computer Modern fonts, only a few variations in letter +style can be derived from the \MF-source. I produced several styles: a +regular, slanted, and bold style drawn with a circular pen, and a +style drawn with a `calligraphic' (elliptical) pen, in {\os6}, {\os8}, +{\os10}, {\os12}, and {\os17} point sizes. Beside those those, I +created some `big' bold fonts for headlines and a few more +experimental fonts. A sample of each style is given in appendix~C. + +\beginsection Typesetting Malayalam + +When you have a font for the English alphabet, typesetting is +straightforward. Roughly speaking, all you have to do is to place the +letters in a row, in the same order as you type them, taking care to +move to the next line when the current line is filled up. There is +roughly a one-to-one relationship between characters, letters, and +glyphs. Typesetting Malayalam text is much more complicated. You have +to use conjuncts, stack glyphs on top of each other, or place glyphs +that represent sounds that come after a consonant before the glyph of +representing that consonant. + +But when we look at Malayalam script from a different position, it can +be said to consist of syllables, which are just as easily placed on a +line from left to right as English. The remaining problem is how to +construct the syllables. + +Here it is where \TeX's box-building capabilities come to the rescue. +To build a syllable, you can put a glyph in a box, place it relative +to another character, and put the resulting construction into another +box for use it in further constructing, until the syllable is +complete, and it can be added to the current line. + +As has been shown by the implementation of Telugu-\TeX\ [???], it is +possible to let \TeX\ do all the necessary processing, however, at a +high cost in both processor load and memory usage at run time, which +makes it impossible to use Telugu-\TeX\ on a small personal computer. +Also, programming these tasks in the \TeX-programming language is +awkward, requiring many `dirty tricks'. For these reasons I decided to +implement a pre-processor, written in~C, which does most of the +syllable-composing work. + +Another problem in typesetting Malayalam is that this language has +many very long `words'. Both in speaking as in writing, the boundaries +between words tend to disappear, and often the last letter of a word +changes and/or forms a conjunct with the first of the next word. This +effect, know as `Sandhi', appears in most languages, but in Malayalam +it is quite prominent, and also reflected in the orthography. As a +result, a text contains very long sequences of characters and few +spaces, which can serve as line-break points. As a result, it is +difficult to obtain even spacing between words, especially in narrow +columns. Several of \TeX's line-breaking parameters had to be adjusted +to get acceptable results. + +\beginsection Typing Malayalam + +Now that we have all the elements to {\it output\/} Malayalam, we need +some way to {\it input\/} it. Unfortunately, I have no keyboard or +editor on which I can type Malayalam script directly. So I was forced +to use some transcription scheme in ASCII. The transcription I decided +to use was based on the following principles. First it should be +easily readable, avoiding as much as possible non-letters and capital +letters in the middle of words, non-ambiguous, so that it can be +converted automatically, easily recognisable, and finally, besides +being able to produce Malayalam text from it, I wanted to be able to +create a scientific transcription from the same source. + +However desirable some standard transcription may be, people can be +very `religious' about what they consider a good transcription-scheme. +Beside that they can also have huge texts already available in some +transcription, and be unwilling to convert that, so I decided to have +the pre-processor read the transcription from a file, which can easily +be changed to reflect the users favourite transcription. + +The transcription method is only of limited use to native speakers, +who may not even know the roman alphabet, and also awkward for +entering large pieces of text, since many typing errors only show up +when the text is seen after processing by \TeX, so it should be +replaced by some way of entering text directly. + +\beginsection Some thoughts on a future \TeX\par + +Creating a typesetting system for Malayalam was an enjoyable task, in +which \TeX\ and \MF\ proved to be very powerful tools. Still, many +things remain to be desired. The pre-processing stage, and the need to +represent non-Latin scripts with a sequence of inpenetratable commands +to typeset glyphs is far from ideal. A much more workable scheme would +be to have \TeX\ understand that some characters are Malayalam +characters, while others are Latin or from yet another script, and +have \TeX\ typeset them as such correctly, including contextual +analysis. + +This first of all raises the issue of character-sets. Some few years +ago, Donald Knuth decided to move from 7-bit to 8-bit characters, as a +final concession to user-demand for multi-lingual support, but by now +it would be very desirous to make the leap to 16-bit characters, and +have \TeX\ understand the emerging 16-bit Unicode or ISO-10464~UCS +character set standard, and make \TeX\ really +multi-lingual.\footnote*{multi-lingual does not mean `omni'-lingual, +since many more obscure or obsolete writing systems have been left +out of ISO-10464} + +Having all the characters defined isn't enough. \TeX\ needs to deal +with them in a way that makes sense. Nowadays, \TeX\ only truly +understands two writing systems --~that of English, and that of +mathematics~-- and does a wonderful, although not perfect, job in +handling those. But other scripts require some kind of pre-processor, +or extremely clever hacking with \TeX-macros, as is is done in Klaus +Lagally's Arab\TeX\ or in Telugu-\TeX. A more elegant solution would +be to add more modes to \TeX, for example an Arabic-mode for the +Arabic script, and a Malayalam mode for Malayalam script --~one can, +however, also imagine one generalized mode for all Indic scripts~--, +and to take the idea further, a mode for music and dance notation, and +chemical structure formulas. + +I suggest to take a modular approach in creating these modes, to make +the development of these a managable task; no single person can know +all the relevant details of all writing systems. A script or writing +system `module' or `driver' would come into action whenever a +character of its script, or token requiring the explicit change of +mode, is encountered, and handle all consequent characters and tokens, +until one arrives that it cannot handle --~these may include some +normal tokens like a `space' character, which is common in most +writing systems. + +While processing its part of the input, a module will add boxes to the +current horizontal list, which will then be handled by \TeX's +paragraph handling mechanism as usual --~although some extensions may +be needed, as to handle right-to-left and top-down scripts correctly. + +Each script module would have its own active fonts, and knowledge of +how to represent characters with the glyphs of that font. An extended +font metric format should provide information about how to build +conjunct forms or use contextual variants of glyphs available in a +font. + +A nice starting point may be the Japanese P-\TeX-system, which already +supports a 16-bit character set, and also incorporates code to do +vertical typesetting as is required by some writing systems. The +adaptation of P-\TeX\ to Unicode for at least the ideographic +characters will be reasonable straightforward. Adding the various +script modules and extra character-categories may be more difficult. + +In the long term, I favour, however, a completely redesigned batch +oriented text formatter like \TeX, but one that understands Unicode +and uses functional instead of typographical tagging of the input +text. Preferably it would understand SGML, and format this using some +lay-out style definition, which then should be defined in a language +less arcane than \TeX's. + +\MF, I would like to see develop into an interactive program, in which +points, constrains between points and pen strokes through them can be +added or moved and their effects can be seen immediately. I very much +prefer the its pen-stroke metaphor above the outline editing most +other font design tools offer, but maybe the idea of changing +`pressure' on or rotation of the a pen during its movement can be +incorporated in this metaphor as well. Its output should ofcourse be +typographically scalable, and also modifiable to add effects like +slanting, bolding, or stretching, --~to align lines of +Arabic or Hebrew script, or, as I have once seen in a beautiful +handwritten letter in Tamil, in scripts where it has not been done +before because of techical limitations~-- in a typographycally +acceptable way. + +\beginsection Conclusion + +Because of the powers of \TeX, and its companion \MF, automated +typesetting of the traditional script is no longer a big problem. +Malayalam \TeX\ can both produce the traditional style script and the +reformed script, as well as a scientific transliteration from the same +input file. + +The world knows many scripts, many of them have only a very limited +use, --~compared with some of them, Malayalam, is a very widely used +script. As shown with my experience with Malayalam, it is only several +months of work to obtain acceptable typesetting quality for most +scripts (The exception being ideographic or logographic scripts as +Chinese), thus bringing computerized typography within the reach of +many people. + +\beginsection Appendix A + +The following table shows all glyphs in the Malayalam font {\tt mm10}. +\bigskip +\input mmchart.tex +\table mm10 + +\beginsection Appendix B + +A sample of text in Malayalam, typeset in {\tt mm10}, using the +traditional script, followed by an automatically derived transcription, +an English translation, and finally the transcription actually input. +\bigskip +\input lion.tex + +\beginsection Appendix C + +\input mmsample + +\beginsection Appendix D + +The following table shows the character(s) you have to type in order +to produce a Malayalam character. The third column shows the +scientific transliteration of each character. +\bigskip +\input mmtrans + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex new file mode 100644 index 00000000000..09ef121a4ad --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmchart.tex @@ -0,0 +1,62 @@ +% mmchart.tex -- chart of Malayalam font +% (c) 1992 Jeroen Hellingman +% last edit: 06-DEC-1992 + +%%%%%%% + +\font\cmss=cmss10 +\newcount\counter\counter=0 + +\def\chartstrut{\lower4.5pt\vbox to14pt{}} +\def\cell#1{\hfil#1\hfil} +\def\>{\global\advance\counter by-255} +\def\:{{\setbox0\hbox{\sfont\char\counter}% + \dimen0=\ht0\advance\dimen0by1pt\ht0=\dimen0% + \dimen0=\dp0\advance\dimen0by1pt\dp0=\dimen0% + \kern1pt\box0\kern1pt}% + \global\advance\counter by16} +\def\tablerule{\noalign{\hrule}} + +\def\chart{{\cmss\vbox{\tabskip=0pt\offinterlineskip\global\counter=0 +\halign to \hsize{\vrule width.8pt\chartstrut##\tabskip0pt plus10pt% + &\cell{##}&\vrule width.8pt##% + &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##% + &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##% + &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##% + &\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}&\vrule##&\cell{##}% + &\vrule width.8pt##\tabskip=0pt\cr + \noalign{\hrule height.8pt} + &\multispan{33}\fontname\hfill&\cr + \noalign{\hrule height.8pt} + & &&0&&1&&2&&3&&4&&5&&6&&7&&8&&9&&A&&B&&C&&D&&E&&F&\cr\noalign{\hrule height.8pt} + &0&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&1&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&2&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&3&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&4&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&5&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&6&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&7&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&8&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&9&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&A&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&B&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&C&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&D&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&E&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\tablerule +\>&F&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\cr\noalign{\hrule height.8pt} +}}}} + +\def\table #1 { + \font\sfont=#1% + \edef\fontname{#1} + \chart\bigskip +} + +%%%%%% + +\endinput + + + +
\ No newline at end of file diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm new file mode 100644 index 00000000000..ad1c14c0e17 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.mm @@ -0,0 +1,481 @@ +% mmconj.tex -- table of conjuncts +% (c) 1993 Jeroen Hellingman +% last edit: 07-FEB-1993 + +\nopagenumbers +\input mmqmacs +\twelvemm + +\beginsection Conjuncts + +{\obeylines + +$k$ + $ka$ = $kka$ +$k$ + $kha$ = $kkha$ +$k$ + $Ta$ = $kTa$ +$k$ + $ta$ = $kta$ +$k$ + $ra$ = $kra$ +$k$ + $la$ = $kla$ +$k$ + $Sa$ = $kSa$ +$k$ + $S$ + $ma$ = $kSma$ + +$kh$ + $ra$ = $khra$ + +$g$ + $ga$ = $gga$ +$g$ + $da$ = $gda$ +$g$ + $d$ + $dha$ = $gddha$ +$g$ + $na$ = $gna$ +$g$ + $ma$ = $gma$ +$g$ + $ra$ = $gra$ +$g$ + $la$ = $gla$ + +$gh$ + $ra$ = $ghra$ + +$n"$ + $ka$ = $n"ka$ +$n"$ + $n"a$ = $n"n"a$ + +$c$ + $ca$ = $cca$ +$c$ + $cha$ = $ccha$ + +$j$ + $ja$ = $jja$ +$j$ + $n~a$ = $jn~a$ + +$n~$ + $ca$ = $n~ca$ +$n~$ + $ja$ = $n~ja$ +$n~$ + $n~a$ = $n~n~a$ + +$T$ + $Ta$ = $TTa$ +$T$ + $Tha$ = $TTha$ +$T$ + $ra$ = $Tra$ + +$D$ + $Da$ = $DDa$ + +$N<<+$ + $ka$ = $Nka$ +$N<<+$ + $Ta$ = $NTa$ +$N<<+$ + $Da$ = $NDa$ +$N<<+$ + $Dha$ = $NDha$ +$N<<+$ + $Na$ = $NNa$ + +$t<<+$ + $ta$ = $tta$ +$t<<+$ + $tha$ = $ttha$ +$t<<+$ + $na$ = $tna$ +$t<<+$ + $ma$ = $tma$ +$t<<+$ + $ra$ = $tra$ + +$d$ + $da$ = $dda$ +$d$ + $dha$ = $ddha$ +$d$ + $ra$ = $dra$ + +$n<<+$ + $ta$ = $nta$ +$n<<+$ + $t<<+$ + $ra$ = $ntra$ +$n<<+$ + $tha$ = $ntha$ +$n<<+$ + $da$ = $nda$ +$n<<+$ + $d$ + $ra$ = $ndra$ +$n<<+$ + $dha$ = $ndha$ +$n<<+$ + $na$ = $nna$ +$n<<+$ + $pa$ = $npa$ +$n<<+$ + $ma$ = $nma$ + +$p$ + $ta$ = $pta$ +$p$ + $pa$ = $ppa$ +$p$ + $pha$ = $ppha$ +$p$ + $ra$ = $pra$ + +$ph$ + $ra$ = $phra$ + +$b$ + $dha$ = $bdha$ +$b$ + $ba$ = $bba$ +$b$ + $bha$ = $bbha$ +$b$ + $ra$ = $bra$ + +$bh$ + $da$ = $bhda$ +$bh$ + $ra$ = $bhra$ + +$m<<+$ + $ma$ = $mma$ +$m<<+$ + $ra$ = $mra$ +$m<<+$ + $la$ = $mla$ + +$y$ + $k$ + $ka$ = $ykka$ +$y$ + $Ta$ = $yTa$ +$y$ + $ta$ = $yta$ +$y$ + $ya$ = $yya$ + +$R<<+$ + $Ra$ = $RRa$ + +$l<<+$ + $k$ + $ka$ = $lkka$ +$l<<+$ + $pa$ = $lpa$ +$l<<+$ + $la$ = $lla$ + +$v$ + $va$ = $vva$ + +$sh$ + $ma$ = $shma$ +$sh$ + $ra$ = $shra$ +$sh$ + $la$ = $shla$ +$sh$ + $sha$ = $shsha$ + +$S$ + $Ta$ = $STa$ +$S$ + $T$ + $ra$ = $STra$ +$S$ + $ma$ = $Sma$ + +$s$ + $ka$ = $ska$ +$s$ + $k$ + $ka$ = $skka$ +$s$ + $Ta$ = $sTa$ +$s$ + $T$ + $ra$ = $sTra$ +$s$ + $ta$ = $sta$ +$s$ + $t<<+$ + $ra$ = $stra$ +$s$ + $tha$ = $stha$ +$s$ + $na$ = $sna$ +$s$ + $ma$ = $sma$ +$s$ + $ra$ = $sra$ +$s$ + $R$ + $Ra$ = $sRRa$ +$s$ + $sa$ = $ssa$ + +$h$ + $na$ = $hna$ +$h$ + $ma$ = $hma$ + +$L<<+$ + $La$ = $LLa$ + +$zh$ + $ca$ = $zhca$ + +} + +\mmc + +$ + +kya khya gya ghya n"ya cya chya jya jhya n~ya +Tya Thya Dya Dhya Nya tya thya dya dhya nya +pya phya bya bhya mya yya rya lya vya shya Sya sya +hya Lya Rya zhya + +kra khra gra ghra n"ra cra chra jra jhra n~ra +Tra Thra Dra Dhra Nra tra thra dra dhra nra +pra phra bra bhra mra yra rra lra vra shra Sra sra +hra Lra Rra zhra + +kla khla gla ghla n"la cla chla jla jhla n~la +Tla Thla Dla Dhla Nla tla thla dla dhla nla +pla phla bla bhla mla yla rla lla vla shla Sla sla +hla Lla Rla zhla + +kva khva gva ghva n"va cva chva jva jhva n~va +Tva Thva Dva Dhva Nva tva thva dva dhva nva +pva phva bva bhva mva yva rva lva vva shva Sva sva +hva Lva Rva zhva + +$ + +\bye + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\nointerlineskip +\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr + && $ka$ & $kha$ & $ga$ & $gha$ & $n"a$ + & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$ + & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ + & $ta$ & $tha$ & $da$ & $dha$ & $na$ + & $pa$ & $pha$ & $ba$ & $bha$ & $ma$ + & $ya$ & $ra$ & $la$ & $va$ + & $sha$ & $Sa$ & $sa$ + & $ha$ & $La$ & $zha$ & $Ra$ \cr +\noalign{\hrule} +$ka$ && $kka$ & $kkha$ & $kga$ & $kgha$ & $kn"a$ + & $kca$ & $kcha$ & $kja$ & $kjha$ & $kn~a$ + & $kTa$ & $kTha$ & $kDa$ & $kDha$ & $kNa$ + & $kta$ & $ktha$ & $kda$ & $kdha$ & $kna$ + & $kpa$ & $kpha$ & $kba$ & $kbha$ & $kma$ + & $kya$ & $kra$ & $kla$ & $kva$ + & $ksha$ & $kSa$ & $ksa$ + & $k>ha$ & $kLa$ & $kzha$ & $kRa$ \cr +$kha$ && $khka$ & $khkha$ & $khga$ & $khgha$ & $khn"a$ + & $khca$ & $khcha$ & $khja$ & $khjha$ & $khn~a$ + & $khTa$ & $khTha$ & $khDa$ & $khDha$ & $khNa$ + & $khta$ & $khtha$ & $khda$ & $khdha$ & $khna$ + & $khpa$ & $khpha$ & $khba$ & $khbha$ & $khma$ + & $khya$ & $khra$ & $khla$ & $khva$ + & $khsha$ & $khSa$ & $khsa$ + & $kh>ha$ & $khLa$ & $khzha$ & $khRa$ \cr +$ga$ && $gka$ & $gkha$ & $gga$ & $ggha$ & $gn"a$ + & $gca$ & $gcha$ & $gja$ & $gjha$ & $gn~a$ + & $gTa$ & $gTha$ & $gDa$ & $gDha$ & $gNa$ + & $gta$ & $gtha$ & $gda$ & $gdha$ & $gna$ + & $gpa$ & $gpha$ & $gba$ & $gbha$ & $gma$ + & $gya$ & $gra$ & $gla$ & $gva$ + & $gsha$ & $gSa$ & $gsa$ + & $g>ha$ & $gLa$ & $gzha$ & $gRa$ \cr +$gha$ && $ghka$ & $ghkha$ & $ghga$ & $ghgha$ & $ghn"a$ + & $ghca$ & $ghcha$ & $ghja$ & $ghjha$ & $ghn~a$ + & $ghTa$ & $ghTha$ & $ghDa$ & $ghDha$ & $ghNa$ + & $ghta$ & $ghtha$ & $ghda$ & $ghdha$ & $ghna$ + & $ghpa$ & $ghpha$ & $ghba$ & $ghbha$ & $ghma$ + & $ghya$ & $ghra$ & $ghla$ & $ghva$ + & $ghsha$ & $ghSa$ & $ghsa$ + & $gh>ha$ & $ghLa$ & $ghzha$ & $ghRa$ \cr +$n"a$ && $n"ka$ & $n"kha$ & $n"ga$ & $n"gha$ & $n"n"a$ + & $n"ca$ & $n"cha$ & $n"ja$ & $n"jha$ & $n"n~a$ + & $n"Ta$ & $n"Tha$ & $n"Da$ & $n"Dha$ & $n"Na$ + & $n"ta$ & $n"tha$ & $n"da$ & $n"dha$ & $n"na$ + & $n"pa$ & $n"pha$ & $n"ba$ & $n"bha$ & $n"ma$ + & $n"ya$ & $n"ra$ & $n"la$ & $n"va$ + & $n"sha$ & $n"Sa$ & $n"sa$ + & $n">ha$ & $n"La$ & $n"zha$ & $n"Ra$ \cr +\noalign{\hrule} +$ca$ && $cka$ & $ckha$ & $cga$ & $cgha$ & $cn"a$ + & $cca$ & $ccha$ & $cja$ & $cjha$ & $cn~a$ + & $cTa$ & $cTha$ & $cDa$ & $cDha$ & $cNa$ + & $cta$ & $ctha$ & $cda$ & $cdha$ & $cna$ + & $cpa$ & $cpha$ & $cba$ & $cbha$ & $cma$ + & $cya$ & $cra$ & $cla$ & $cva$ + & $csha$ & $cSa$ & $csa$ + & $c>ha$ & $cLa$ & $czha$ & $cRa$ \cr +$cha$ && $chka$ & $chkha$ & $chga$ & $chgha$ & $chn"a$ + & $chca$ & $chcha$ & $chja$ & $chjha$ & $chn~a$ + & $chTa$ & $chTha$ & $chDa$ & $chDha$ & $chNa$ + & $chta$ & $chtha$ & $chda$ & $chdha$ & $chna$ + & $chpa$ & $chpha$ & $chba$ & $chbha$ & $chma$ + & $chya$ & $chra$ & $chla$ & $chva$ + & $chsha$ & $chSa$ & $chsa$ + & $ch>ha$ & $chLa$ & $chzha$ & $chRa$ \cr +$ja$ && $jka$ & $jkha$ & $jga$ & $jgha$ & $jn"a$ + & $jca$ & $jcha$ & $jja$ & $jjha$ & $jn~a$ + & $jTa$ & $jTha$ & $jDa$ & $jDha$ & $jNa$ + & $jta$ & $jtha$ & $jda$ & $jdha$ & $jna$ + & $jpa$ & $jpha$ & $jba$ & $jbha$ & $jma$ + & $jya$ & $jra$ & $jla$ & $jva$ + & $jsha$ & $jSa$ & $jsa$ + & $j>ha$ & $jLa$ & $jzha$ & $jRa$ \cr +$jha$ && $jhka$ & $jhkha$ & $jhga$ & $jhgha$ & $jhn"a$ + & $jhca$ & $jhcha$ & $jhja$ & $jhjha$ & $jhn~a$ + & $jhTa$ & $jhTha$ & $jhDa$ & $jhDha$ & $jhNa$ + & $jhta$ & $jhtha$ & $jhda$ & $jhdha$ & $jhna$ + & $jhpa$ & $jhpha$ & $jhba$ & $jhbha$ & $jhma$ + & $jhya$ & $jhra$ & $jhla$ & $jhva$ + & $jhsha$ & $jhSa$ & $jhsa$ + & $jh>ha$ & $jhLa$ & $jhzha$ & $jhRa$ \cr +$n~a$ && $n~ka$ & $n~kha$ & $n~ga$ & $n~gha$ & $n~n"a$ + & $n~ca$ & $n~cha$ & $n~ja$ & $n~jha$ & $n~n~a$ + & $n~Ta$ & $n~Tha$ & $n~Da$ & $n~Dha$ & $n~Na$ + & $n~ta$ & $n~tha$ & $n~da$ & $n~dha$ & $n~na$ + & $n~pa$ & $n~pha$ & $n~ba$ & $n~bha$ & $n~ma$ + & $n~ya$ & $n~ra$ & $n~la$ & $n~va$ + & $n~sha$ & $n~Sa$ & $n~sa$ + & $n~>ha$ & $n~La$ & $n~zha$ & $n~Ra$ \cr +\noalign{\hrule} +$Ta$ && $Tka$ & $Tkha$ & $Tga$ & $Tgha$ & $Tn"a$ + & $Tca$ & $Tcha$ & $Tja$ & $Tjha$ & $Tn~a$ + & $TTa$ & $TTha$ & $TDa$ & $TDha$ & $TNa$ + & $Tta$ & $Ttha$ & $Tda$ & $Tdha$ & $Tna$ + & $Tpa$ & $Tpha$ & $Tba$ & $Tbha$ & $Tma$ + & $Tya$ & $Tra$ & $Tla$ & $Tva$ + & $Tsha$ & $TSa$ & $Tsa$ + & $T>ha$ & $TLa$ & $Tzha$ & $TRa$ \cr +$Tha$ && $Thka$ & $Thkha$ & $Thga$ & $Thgha$ & $Thn"a$ + & $Thca$ & $Thcha$ & $Thja$ & $Thjha$ & $Thn~a$ + & $ThTa$ & $ThTha$ & $ThDa$ & $ThDha$ & $ThNa$ + & $Thta$ & $Ththa$ & $Thda$ & $Thdha$ & $Thna$ + & $Thpa$ & $Thpha$ & $Thba$ & $Thbha$ & $Thma$ + & $Thya$ & $Thra$ & $Thla$ & $Thva$ + & $Thsha$ & $ThSa$ & $Thsa$ + & $Th>ha$ & $ThLa$ & $Thzha$ & $ThRa$ \cr +$Da$ && $Dka$ & $Dkha$ & $Dga$ & $Dgha$ & $Dn"a$ + & $Dca$ & $Dcha$ & $Dja$ & $Djha$ & $Dn~a$ + & $DTa$ & $DTha$ & $DDa$ & $DDha$ & $DNa$ + & $Dta$ & $Dtha$ & $Dda$ & $Ddha$ & $Dna$ + & $Dpa$ & $Dpha$ & $Dba$ & $Dbha$ & $Dma$ + & $Dya$ & $Dra$ & $Dla$ & $Dva$ + & $Dsha$ & $DSa$ & $Dsa$ + & $D>ha$ & $DLa$ & $Dzha$ & $DRa$ \cr +$Dha$ && $Dhka$ & $Dhkha$ & $Dhga$ & $Dhgha$ & $Dhn"a$ + & $Dhca$ & $Dhcha$ & $Dhja$ & $Dhjha$ & $Dhn~a$ + & $DhTa$ & $DhTha$ & $DhDa$ & $DhDha$ & $DhNa$ + & $Dhta$ & $Dhtha$ & $Dhda$ & $Dhdha$ & $Dhna$ + & $Dhpa$ & $Dhpha$ & $Dhba$ & $Dhbha$ & $Dhma$ + & $Dhya$ & $Dhra$ & $Dhla$ & $Dhva$ + & $Dhsha$ & $DhSa$ & $Dhsa$ + & $Dh>ha$ & $DhLa$ & $Dhzha$ & $DhRa$ \cr +$Na$ && $Nka$ & $Nkha$ & $Nga$ & $Ngha$ & $Nn"a$ + & $Nca$ & $Ncha$ & $Nja$ & $Njha$ & $Nn~a$ + & $NTa$ & $NTha$ & $NDa$ & $NDha$ & $NNa$ + & $Nta$ & $Ntha$ & $Nda$ & $Ndha$ & $Nna$ + & $Npa$ & $Npha$ & $Nba$ & $Nbha$ & $Nma$ + & $Nya$ & $Nra$ & $Nla$ & $Nva$ + & $Nsha$ & $NSa$ & $Nsa$ + & $N>ha$ & $NLa$ & $Nzha$ & $NRa$ \cr +\noalign{\hrule} +$ta$ && $tka$ & $tkha$ & $tga$ & $tgha$ & $tn"a$ + & $tca$ & $tcha$ & $tja$ & $tjha$ & $tn~a$ + & $tTa$ & $tTha$ & $tDa$ & $tDha$ & $tNa$ + & $tta$ & $ttha$ & $tda$ & $tdha$ & $tna$ + & $tpa$ & $tpha$ & $tba$ & $tbha$ & $tma$ + & $tya$ & $tra$ & $tla$ & $tva$ + & $tsha$ & $tSa$ & $tsa$ + & $t>ha$ & $tLa$ & $tzha$ & $tRa$ \cr +$tha$ && $thka$ & $thkha$ & $thga$ & $thgha$ & $thn"a$ + & $thca$ & $thcha$ & $thja$ & $thjha$ & $thn~a$ + & $thTa$ & $thTha$ & $thDa$ & $thDha$ & $thNa$ + & $thta$ & $ththa$ & $thda$ & $thdha$ & $thna$ + & $thpa$ & $thpha$ & $thba$ & $thbha$ & $thma$ + & $thya$ & $thra$ & $thla$ & $thva$ + & $thsha$ & $thSa$ & $thsa$ + & $th>ha$ & $thLa$ & $thzha$ & $thRa$ \cr +$da$ && $dka$ & $dkha$ & $dga$ & $dgha$ & $dn"a$ + & $dca$ & $dcha$ & $dja$ & $djha$ & $dn~a$ + & $dTa$ & $dTha$ & $dDa$ & $dDha$ & $dNa$ + & $dta$ & $dtha$ & $dda$ & $ddha$ & $dna$ + & $dpa$ & $dpha$ & $dba$ & $dbha$ & $dma$ + & $dya$ & $dra$ & $dla$ & $dva$ + & $dsha$ & $dSa$ & $dsa$ + & $d>ha$ & $dLa$ & $dzha$ & $dRa$ \cr +$dha$ && $dhka$ & $dhkha$ & $dhga$ & $dhgha$ & $dhn"a$ + & $dhca$ & $dhcha$ & $dhja$ & $dhjha$ & $dhn~a$ + & $dhTa$ & $dhTha$ & $dhDa$ & $dhDha$ & $dhNa$ + & $dhta$ & $dhtha$ & $dhda$ & $dhdha$ & $dhna$ + & $dhpa$ & $dhpha$ & $dhba$ & $dhbha$ & $dhma$ + & $dhya$ & $dhra$ & $dhla$ & $dhva$ + & $dhsha$ & $dhSa$ & $dhsa$ + & $dh>ha$ & $dhLa$ & $dhzha$ & $dhRa$ \cr +$na$ && $nka$ & $nkha$ & $nga$ & $ngha$ & $nn"a$ + & $nca$ & $ncha$ & $nja$ & $njha$ & $nn~a$ + & $nTa$ & $nTha$ & $nDa$ & $nDha$ & $nNa$ + & $nta$ & $ntha$ & $nda$ & $ndha$ & $nna$ + & $npa$ & $npha$ & $nba$ & $nbha$ & $nma$ + & $nya$ & $nra$ & $nla$ & $nva$ + & $nsha$ & $nSa$ & $nsa$ + & $n>ha$ & $nLa$ & $nzha$ & $nRa$ \cr +\noalign{\hrule} +$pa$ && $pka$ & $pkha$ & $pga$ & $pgha$ & $pn"a$ + & $pca$ & $pcha$ & $pja$ & $pjha$ & $pn~a$ + & $pTa$ & $pTha$ & $pDa$ & $pDha$ & $pNa$ + & $pta$ & $ptha$ & $pda$ & $pdha$ & $pna$ + & $ppa$ & $ppha$ & $pba$ & $pbha$ & $pma$ + & $pya$ & $pra$ & $pla$ & $pva$ + & $psha$ & $pSa$ & $psa$ + & $p>ha$ & $pLa$ & $pzha$ & $pRa$ \cr +$pha$ && $phka$ & $phkha$ & $phga$ & $phgha$ & $phn"a$ + & $phca$ & $phcha$ & $phja$ & $phjha$ & $phn~a$ + & $phTa$ & $phTha$ & $phDa$ & $phDha$ & $phNa$ + & $phta$ & $phtha$ & $phda$ & $phdha$ & $phna$ + & $phpa$ & $phpha$ & $phba$ & $phbha$ & $phma$ + & $phya$ & $phra$ & $phla$ & $phva$ + & $phsha$ & $phSa$ & $phsa$ + & $ph>ha$ & $phLa$ & $phzha$ & $phRa$ \cr +$ba$ && $bka$ & $bkha$ & $bga$ & $bgha$ & $bn"a$ + & $bca$ & $bcha$ & $bja$ & $bjha$ & $bn~a$ + & $bTa$ & $bTha$ & $bDa$ & $bDha$ & $bNa$ + & $bta$ & $btha$ & $bda$ & $bdha$ & $bna$ + & $bpa$ & $bpha$ & $bba$ & $bbha$ & $bma$ + & $bya$ & $bra$ & $bla$ & $bva$ + & $bsha$ & $bSa$ & $bsa$ + & $b>ha$ & $bLa$ & $bzha$ & $bRa$ \cr +$bha$ && $bhka$ & $bhkha$ & $bhga$ & $bhgha$ & $bhn"a$ + & $bhca$ & $bhcha$ & $bhja$ & $bhjha$ & $bhn~a$ + & $bhTa$ & $bhTha$ & $bhDa$ & $bhDha$ & $bhNa$ + & $bhta$ & $bhtha$ & $bhda$ & $bhdha$ & $bhna$ + & $bhpa$ & $bhpha$ & $bhba$ & $bhbha$ & $bhma$ + & $bhya$ & $bhra$ & $bhla$ & $bhva$ + & $bhsha$ & $bhSa$ & $bhsa$ + & $bh>ha$ & $bhLa$ & $bhzha$ & $bhRa$ \cr +$ma$ && $mka$ & $mkha$ & $mga$ & $mgha$ & $mn"a$ + & $mca$ & $mcha$ & $mja$ & $mjha$ & $mn~a$ + & $mTa$ & $mTha$ & $mDa$ & $mDha$ & $mNa$ + & $mta$ & $mtha$ & $mda$ & $mdha$ & $mna$ + & $mpa$ & $mpha$ & $mba$ & $mbha$ & $mma$ + & $mya$ & $mra$ & $mla$ & $mva$ + & $msha$ & $mSa$ & $msa$ + & $m>ha$ & $mLa$ & $mzha$ & $mRa$ \cr +\noalign{\hrule} +$ya$ && $yka$ & $ykha$ & $yga$ & $ygha$ & $yn"a$ + & $yca$ & $ycha$ & $yja$ & $yjha$ & $yn~a$ + & $yTa$ & $yTha$ & $yDa$ & $yDha$ & $yNa$ + & $yta$ & $ytha$ & $yda$ & $ydha$ & $yna$ + & $ypa$ & $ypha$ & $yba$ & $ybha$ & $yma$ + & $yya$ & $yra$ & $yla$ & $yva$ + & $ysha$ & $ySa$ & $ysa$ + & $y>ha$ & $yLa$ & $yzha$ & $yRa$ \cr +$ra$ && $rka$ & $rkha$ & $rga$ & $rgha$ & $rn"a$ + & $rca$ & $rcha$ & $rja$ & $rjha$ & $rn~a$ + & $rTa$ & $rTha$ & $rDa$ & $rDha$ & $rNa$ + & $rta$ & $rtha$ & $rda$ & $rdha$ & $rna$ + & $rpa$ & $rpha$ & $rba$ & $rbha$ & $rma$ + & $rya$ & $rra$ & $rla$ & $rva$ + & $rsha$ & $rSa$ & $rsa$ + & $r>ha$ & $rLa$ & $rzha$ & $rRa$ \cr +$la$ && $lka$ & $lkha$ & $lga$ & $lgha$ & $ln"a$ + & $lca$ & $lcha$ & $lja$ & $ljha$ & $ln~a$ + & $lTa$ & $lTha$ & $lDa$ & $lDha$ & $lNa$ + & $lta$ & $ltha$ & $lda$ & $ldha$ & $lna$ + & $lpa$ & $lpha$ & $lba$ & $lbha$ & $lma$ + & $lya$ & $lra$ & $lla$ & $lva$ + & $lsha$ & $lSa$ & $lsa$ + & $l>ha$ & $lLa$ & $lzha$ & $lRa$ \cr +$va$ && $vka$ & $vkha$ & $vga$ & $vgha$ & $vn"a$ + & $vca$ & $vcha$ & $vja$ & $vjha$ & $vn~a$ + & $vTa$ & $vTha$ & $vDa$ & $vDha$ & $vNa$ + & $vta$ & $vtha$ & $vda$ & $vdha$ & $vna$ + & $vpa$ & $vpha$ & $vba$ & $vbha$ & $vma$ + & $vya$ & $vra$ & $vla$ & $vva$ + & $vsha$ & $vSa$ & $vsa$ + & $v>ha$ & $vLa$ & $vzha$ & $vRa$ \cr +\noalign{\hrule} +$sha$ && $shka$ & $shkha$ & $shga$ & $shgha$ & $shn"a$ + & $shca$ & $shcha$ & $shja$ & $shjha$ & $shn~a$ + & $shTa$ & $shTha$ & $shDa$ & $shDha$ & $shNa$ + & $shta$ & $shtha$ & $shda$ & $shdha$ & $shna$ + & $shpa$ & $shpha$ & $shba$ & $shbha$ & $shma$ + & $shya$ & $shra$ & $shla$ & $shva$ + & $shsha$ & $shSa$ & $shsa$ + & $sh>ha$ & $shLa$ & $shzha$ & $shRa$ \cr +$Sa$ && $Ska$ & $Skha$ & $Sga$ & $Sgha$ & $Sn"a$ + & $Sca$ & $Scha$ & $Sja$ & $Sjha$ & $Sn~a$ + & $STa$ & $STha$ & $SDa$ & $SDha$ & $SNa$ + & $Sta$ & $Stha$ & $Sda$ & $Sdha$ & $Sna$ + & $Spa$ & $Spha$ & $Sba$ & $Sbha$ & $Sma$ + & $Sya$ & $Sra$ & $Sla$ & $Sva$ + & $Ssha$ & $SSa$ & $Ssa$ + & $S>ha$ & $SLa$ & $Szha$ & $SRa$ \cr +$sa$ && $ska$ & $skha$ & $sga$ & $sgha$ & $sn"a$ + & $sca$ & $scha$ & $sja$ & $sjha$ & $sn~a$ + & $sTa$ & $sTha$ & $sDa$ & $sDha$ & $sNa$ + & $sta$ & $stha$ & $sda$ & $sdha$ & $sna$ + & $spa$ & $spha$ & $sba$ & $sbha$ & $sma$ + & $sya$ & $sra$ & $sla$ & $sva$ + & $ssha$ & $sSa$ & $ssa$ + & $s>ha$ & $sLa$ & $szha$ & $sRa$ \cr +\noalign{\hrule} +$ha$ && $hka$ & $hkha$ & $hga$ & $hgha$ & $hn"a$ + & $hca$ & $hcha$ & $hja$ & $hjha$ & $hn~a$ + & $hTa$ & $hTha$ & $hDa$ & $hDha$ & $hNa$ + & $hta$ & $htha$ & $hda$ & $hdha$ & $hna$ + & $hpa$ & $hpha$ & $hba$ & $hbha$ & $hma$ + & $hya$ & $hra$ & $hla$ & $hva$ + & $hsha$ & $hSa$ & $hsa$ + & $h>ha$ & $hLa$ & $hzha$ & $hRa$ \cr +$La$ && $Lka$ & $Lkha$ & $Lga$ & $Lgha$ & $Ln"a$ + & $Lca$ & $Lcha$ & $Lja$ & $Ljha$ & $Ln~a$ + & $LTa$ & $LTha$ & $LDa$ & $LDha$ & $LNa$ + & $Lta$ & $Ltha$ & $Lda$ & $Ldha$ & $Lna$ + & $Lpa$ & $Lpha$ & $Lba$ & $Lbha$ & $Lma$ + & $Lya$ & $Lra$ & $Lla$ & $Lva$ + & $Lsha$ & $LSa$ & $Lsa$ + & $L>ha$ & $LLa$ & $Lzha$ & $LRa$ \cr +$zha$ && $zhka$ & $zhkha$ & $zhga$ & $zhgha$ & $zhn"a$ + & $zhca$ & $zhcha$ & $zhja$ & $zhjha$ & $zhn~a$ + & $zhTa$ & $zhTha$ & $zhDa$ & $zhDha$ & $zhNa$ + & $zhta$ & $zhtha$ & $zhda$ & $zhdha$ & $zhna$ + & $zhpa$ & $zhpha$ & $zhba$ & $zhbha$ & $zhma$ + & $zhya$ & $zhra$ & $zhla$ & $zhva$ + & $zhsha$ & $zhSa$ & $zhsa$ + & $zh>ha$ & $zhLa$ & $zhzha$ & $zhRa$ \cr +$Ra$ && $Rka$ & $Rkha$ & $Rga$ & $Rgha$ & $Rn"a$ + & $Rca$ & $Rcha$ & $Rja$ & $Rjha$ & $Rn~a$ + & $RTa$ & $RTha$ & $RDa$ & $RDha$ & $RNa$ + & $Rta$ & $Rtha$ & $Rda$ & $Rdha$ & $Rna$ + & $Rpa$ & $Rpha$ & $Rba$ & $Rbha$ & $Rma$ + & $Rya$ & $Rra$ & $Rla$ & $Rva$ + & $Rsha$ & $RSa$ & $Rsa$ + & $R>ha$ & $RLa$ & $Rzha$ & $RRa$ \cr +} + +\bye + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex new file mode 100644 index 00000000000..5fc700c1fb8 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmconj.tex @@ -0,0 +1,477 @@ + +\nopagenumbers +\input mmqmacs +\twelvemm + +\beginsection Conjuncts + +{\obeylines + +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<160>}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<22>}} = {\mm \X{\M{\<21>}{\Z\<22>}}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<176>}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<200>}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<21>}{\<85>}}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<55>}} = {\mm \X{\<251>}} +{\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<251>}{\Z\<46>}}} + +{\mm \X{\Q{\<22>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<22>}{\<84>}}} + +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<23>}} = {\mm \X{\<240>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<177>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<178>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<179>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<180>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<201>}} +{\mm \X{\Q{\<23>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<23>}{\<85>}}} + +{\mm \X{\Q{\<24>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<24>}{\<127>}}} + +{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\<181>}} +{\mm \X{\Q{\<25>}{\N{.8}{\<77>}}}} + {\mm \X{\<25>}} = {\mm \X{\<161>}} + +{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<247>}} +{\mm \X{\Q{\<26>}{\N{.8}{\<77>}}}} + {\mm \X{\<27>}} = {\mm \X{\M{\<26>}{\Z\<27>}}} + +{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<162>}} +{\mm \X{\Q{\<28>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<184>}} + +{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\<185>}} +{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<28>}} = {\mm \X{\<186>}} +{\mm \X{\Q{\<30>}{\N{.8}{\<77>}}}} + {\mm \X{\<30>}} = {\mm \X{\<163>}} + +{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<164>}} +{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<32>}} = {\mm \X{\B{\<31>}{\Z\<32>}}} +{\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<204>}} + +{\mm \X{\Q{\<33>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\M{\<33>}{\<89>}}} + +{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<35>}{\<112>}}} +{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\<187>}} +{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<33>}} = {\mm \X{\<188>}} +{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<34>}} = {\mm \X{\<78>\<34>}} +{\mm \X{\Q{\<35>}{\N{.8}{\<77>}}}} + {\mm \X{\<35>}} = {\mm \X{\<241>}} + +{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<165>}} +{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<36>\K{-.5}\<88>}} +{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<191>}} +{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<190>}} +{\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<205>}} + +{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<166>}} +{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<192>}} +{\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<206>}} + +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\<194>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<215>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<40>\K{-.5}\<88>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\<195>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<216>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\<219>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<167>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<220>}} +{\mm \X{\Q{\<40>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<193>}} + +{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<42>}{\Z\<36>}}} +{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<242>}} +{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<43>}} = {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}} +{\mm \X{\Q{\<42>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<42>}{\<124>}}} + +{\mm \X{\Q{\<43>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<43>}{\<125>}}} + +{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<39>}} = {\mm \X{\M{\<44>}{\Z\<39>}}} +{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<44>}} = {\mm \X{\<248>}} +{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<45>}} = {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}} +{\mm \X{\Q{\<44>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<44>}{\<126>}}} + +{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<38>}} = {\mm \X{\M{\<45>}{\Z\<38>}}} +{\mm \X{\Q{\<45>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<209>}} + +{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<46>\K{-.27}\<46>}} +{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<46>}{\<123>}}} +{\mm \X{\Q{\<46>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<46>}{\<85>}}} + +{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<47>}{\<115>}}} +{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}} +{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<47>}{\Z\<36>}}} +{\mm \X{\Q{\<47>}{\N{.8}{\<77>}}}} + {\mm \X{\<47>}} = {\mm \X{\<249>}} + +{\mm \X{\Q{\<49>}{\N{.8}{\<77>}}}} + {\mm \X{\<49>}} = {\mm \X{\<243>}} + +{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<50>}{\<115>}}} +{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<42>}} = {\mm \X{\<81>\<42>}} +{\mm \X{\Q{\<50>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<50>}{\<85>}}} + +{\mm \X{\Q{\<53>}{\N{.8}{\<77>}}}} + {\mm \X{\<53>}} = {\mm \X{\<250>}} + +{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}} +{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<210>}} +{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<50>}} = {\mm \X{\M{\<54>}{\<85>}}} +{\mm \X{\Q{\<54>}{\N{.8}{\<77>}}}} + {\mm \X{\<54>}} = {\mm \X{\<244>}} + +{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\M{\<55>}{\Z\<31>}}} +{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<55>}{\Z\<204>}}} +{\mm \X{\Q{\<55>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<55>}{\Z\<46>}}} + +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<112>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}}} + {\mm \X{\<21>}} = {\mm \X{\M{\<56>}{\<115>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<31>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\M{\<31>}{\<84>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<36>}} = {\mm \X{\M{\<56>}{\Z\<36>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\Q{\<36>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\M{\<56>}{\Z\<205>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<37>}} = {\mm \X{\<56>\K{-.5}\<88>}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\M{\<56>}{\Z\<46>}}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<48>}} = {\mm \X{\<211>}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<80>}} + {\mm \X{\<49>}} = {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<243>}} +{\mm \X{\Q{\<56>}{\N{.8}{\<77>}}}} + {\mm \X{\<56>}} = {\mm \X{\<245>}} + +{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<40>}} = {\mm \X{\<199>}} +{\mm \X{\Q{\<57>}{\N{.8}{\<77>}}}} + {\mm \X{\<46>}} = {\mm \X{\<198>}} + +{\mm \X{\Q{\<51>}{\N{.8}{\<77>}}}} + {\mm \X{\<51>}} = {\mm \X{\<51>\K{-.2}\<51>}} + +{\mm \X{\Q{\<52>}{\N{.8}{\<77>}}}} + {\mm \X{\<26>}} = {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}} + +} + +\mmc + +{\mm + +\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>} +\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>} +\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\T{\<76>}{\R{.8ex}{\<47>}}} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>} +\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>} + +\X{\<200>} \X{\M{\<22>}{\<84>}} \X{\<201>} \X{\M{\<24>}{\<127>}} \X{\M{\<25>}{\<84>}} \X{\M{\<26>}{\<124>}} \X{\<202>} \X{\<203>} \X{\M{\<29>}{\<84>}} \X{\M{\<30>}{\<126>}} +\X{\<204>} \X{\M{\<32>}{\<123>}} \X{\M{\<33>}{\<126>}} \X{\M{\<34>}{\<126>}} \X{\M{\<35>}{\<127>}} \X{\<205>} \X{\M{\<37>}{\<84>}} \X{\<206>} \X{\<207>} \X{\<208>} +\X{\M{\<42>}{\<124>}} \X{\M{\<43>}{\<125>}} \X{\M{\<44>}{\<126>}} \X{\<209>} \X{\M{\<46>}{\<123>}} \X{\M{\<47>}{\<84>}} \X{\T{\<76>}{\R{.8ex}{\<48>}}} \X{\M{\<50>}{\<84>}} \X{\M{\<53>}{\<84>}} \X{\<210>} \X{\M{\<55>}{\<125>}} \X{\<211>} +\X{\<212>} \X{\M{\<51>}{\<84>}} \X{\M{\<49>}{\<84>}} \X{\M{\<52>}{\<84>}} + +\X{\M{\<21>}{\<85>}} \X{\M{\<22>}{\<85>}} \X{\M{\<23>}{\<85>}} \X{\M{\<24>}{\<85>}} \X{\M{\<25>}{\<85>}} \X{\M{\<26>}{\<85>}} \X{\M{\<27>}{\<85>}} \X{\M{\<28>}{\<85>}} \X{\M{\<29>}{\<85>}} \X{\M{\<30>}{\<85>}} +\X{\M{\<31>}{\<85>}} \X{\M{\<32>}{\<85>}} \X{\M{\<33>}{\<85>}} \X{\M{\<34>}{\<85>}} \X{\M{\<35>}{\<85>}} \X{\M{\<36>}{\<85>}} \X{\M{\<37>}{\<85>}} \X{\M{\<38>}{\<85>}} \X{\M{\<39>}{\<85>}} \X{\M{\<40>}{\<85>}} +\X{\M{\<42>}{\<85>}} \X{\M{\<43>}{\<85>}} \X{\M{\<44>}{\<85>}} \X{\M{\<45>}{\<85>}} \X{\M{\<46>}{\<85>}} \X{\M{\<47>}{\<85>}} \X{\T{\<76>}{\R{.8ex}{\<50>}}} \X{\M{\<50>}{\<85>}} \X{\M{\<53>}{\<85>}} \X{\M{\<54>}{\<85>}} \X{\M{\<55>}{\<85>}} \X{\M{\<56>}{\<85>}} +\X{\M{\<57>}{\<85>}} \X{\M{\<51>}{\<85>}} \X{\M{\<49>}{\<85>}} \X{\M{\<52>}{\<85>}} + +\X{\<21>\K{-.5}\<86>} \X{\<22>\K{-.5}\<86>} \X{\<23>\K{-.5}\<86>} \X{\<24>\K{-.5}\<86>} \X{\<25>\K{-.5}\<86>} \X{\<26>\K{-.5}\<86>} \X{\<27>\K{-.5}\<86>} \X{\<28>\K{-.5}\<86>} \X{\<29>\K{-.5}\<86>} \X{\<30>\K{-.5}\<86>} +\X{\<31>\K{-.5}\<86>} \X{\<32>\K{-.5}\<86>} \X{\<33>\K{-.5}\<86>} \X{\<34>\K{-.5}\<86>} \X{\<35>\K{-.5}\<86>} \X{\<36>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<38>\K{-.5}\<86>} \X{\<39>\K{-.5}\<86>} \X{\<40>\K{-1.5}\<93>} +\X{\<42>\K{-.5}\<86>} \X{\<43>\K{-.5}\<86>} \X{\<44>\K{-.5}\<86>} \X{\<45>\K{-.5}\<86>} \X{\<46>\K{-.5}\<86>} \X{\<47>\K{-.5}\<86>} \X{\T{\<76>}{\R{.8ex}{\<53>}}} \X{\<50>\K{-.5}\<86>} \X{\<250>} \X{\<54>\K{-.5}\<86>} \X{\<55>\K{-.5}\<86>} \X{\<56>\K{-.5}\<86>} +\X{\<57>\K{-1.5}\<93>} \X{\<51>\K{-.5}\<86>} \X{\<49>\K{-.5}\<86>} \X{\<52>\K{-.5}\<86>} + +} + +\bye + + +\nointerlineskip +\halign{#\ &\vrule#\ &&\hfil#\ \hfil\cr + && {\mm \X{\<21>}} & {\mm \X{\<22>}} & {\mm \X{\<23>}} & {\mm \X{\<24>}} & {\mm \X{\<25>}} + & {\mm \X{\<26>}} & {\mm \X{\<27>}} & {\mm \X{\<28>}} & {\mm \X{\<29>}} & {\mm \X{\<30>}} + & {\mm \X{\<31>}} & {\mm \X{\<32>}} & {\mm \X{\<33>}} & {\mm \X{\<34>}} & {\mm \X{\<35>}} + & {\mm \X{\<36>}} & {\mm \X{\<37>}} & {\mm \X{\<38>}} & {\mm \X{\<39>}} & {\mm \X{\<40>}} + & {\mm \X{\<42>}} & {\mm \X{\<43>}} & {\mm \X{\<44>}} & {\mm \X{\<45>}} & {\mm \X{\<46>}} + & {\mm \X{\<47>}} & {\mm \X{\<48>}} & {\mm \X{\<50>}} & {\mm \X{\<53>}} + & {\mm \X{\<54>}} & {\mm \X{\<55>}} & {\mm \X{\<56>}} + & {\mm \X{\<57>}} & {\mm \X{\<51>}} & {\mm \X{\<52>}} & {\mm \X{\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<21>}} && {\mm \X{\<160>}} & {\mm \X{\M{\<21>}{\Z\<22>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\M{\<21>}{\Z\<26>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\<176>}} & {\mm \X{\<21>\K{-.5}\<88>}} & {\mm \X{\M{\<21>}{\Z\<38>}}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<21>\<83>}} & {\mm \X{\<200>}} & {\mm \X{\M{\<21>}{\<85>}}} & {\mm \X{\<21>\K{-.5}\<86>}} + & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\<251>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<21>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<22>}} && {\mm \X{\M{\<22>}{\<112>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<22>\K{-.5}\<88>}} & {\mm \X{\M{\<22>}{\Z\<38>}}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<22>\<83>}} & {\mm \X{\M{\<22>}{\<84>}}} & {\mm \X{\M{\<22>}{\<85>}}} & {\mm \X{\<22>\K{-.5}\<86>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<22>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<23>}} && {\mm \X{\M{\<23>}{\<112>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\<240>}} & {\mm \X{\<218>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\M{\<23>}{\Z\<28>}}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<23>\K{-.5}\<88>}} & {\mm \X{\<177>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\<179>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<180>}} + & {\mm \X{\<23>\<83>}} & {\mm \X{\<201>}} & {\mm \X{\M{\<23>}{\<85>}}} & {\mm \X{\<23>\K{-.5}\<86>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<23>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<24>}} && {\mm \X{\M{\<24>}{\<112>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<24>\K{-.5}\<88>}} & {\mm \X{\M{\<24>}{\Z\<38>}}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<24>\<83>}} & {\mm \X{\M{\<24>}{\<127>}}} & {\mm \X{\M{\<24>}{\<85>}}} & {\mm \X{\<24>\K{-.5}\<86>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<24>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<25>}} && {\mm \X{\<181>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\<161>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<25>\K{-.5}\<88>}} & {\mm \X{\M{\<25>}{\Z\<38>}}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<25>\<83>}} & {\mm \X{\M{\<25>}{\<84>}}} & {\mm \X{\M{\<25>}{\<85>}}} & {\mm \X{\<25>\K{-.5}\<86>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<25>}{\N{.8}{\<77>}}\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<26>}} && {\mm \X{\M{\<26>}{\<112>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\<247>}} & {\mm \X{\M{\<26>}{\Z\<27>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<26>\K{-.5}\<88>}} & {\mm \X{\M{\<26>}{\Z\<38>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<26>\<83>}} & {\mm \X{\M{\<26>}{\<124>}}} & {\mm \X{\M{\<26>}{\<85>}}} & {\mm \X{\<26>\K{-.5}\<86>}} + & {\mm \X{\M{\<26>}{\Z\<54>}}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<26>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<27>}} && {\mm \X{\M{\<27>}{\<112>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<27>\K{-.5}\<88>}} & {\mm \X{\M{\<27>}{\Z\<38>}}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<27>\<83>}} & {\mm \X{\<202>}} & {\mm \X{\M{\<27>}{\<85>}}} & {\mm \X{\<27>\K{-.5}\<86>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<27>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<28>}} && {\mm \X{\M{\<28>}{\<112>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<162>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<184>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<28>\K{-.5}\<88>}} & {\mm \X{\M{\<28>}{\Z\<38>}}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<28>\<83>}} & {\mm \X{\<203>}} & {\mm \X{\M{\<28>}{\<85>}}} & {\mm \X{\<28>\K{-.5}\<86>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<28>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<29>}} && {\mm \X{\M{\<29>}{\<112>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<29>\K{-.5}\<88>}} & {\mm \X{\M{\<29>}{\Z\<38>}}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<29>\<83>}} & {\mm \X{\M{\<29>}{\<84>}}} & {\mm \X{\M{\<29>}{\<85>}}} & {\mm \X{\<29>\K{-.5}\<86>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<29>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<30>}} && {\mm \X{\M{\<30>}{\<112>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\<185>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\<186>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\<163>}} + & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<30>\K{-.5}\<88>}} & {\mm \X{\M{\<30>}{\Z\<38>}}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<30>\<83>}} & {\mm \X{\M{\<30>}{\<126>}}} & {\mm \X{\M{\<30>}{\<85>}}} & {\mm \X{\<30>\K{-.5}\<86>}} + & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<30>}{\N{.8}{\<77>}}\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<31>}} && {\mm \X{\M{\<31>}{\<112>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\<164>}} & {\mm \X{\B{\<31>}{\Z\<32>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<31>\K{-.5}\<88>}} & {\mm \X{\M{\<31>}{\Z\<38>}}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<31>\<83>}} & {\mm \X{\<204>}} & {\mm \X{\M{\<31>}{\<85>}}} & {\mm \X{\<31>\K{-.5}\<86>}} + & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<31>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<32>}} && {\mm \X{\M{\<32>}{\<112>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<32>\K{-.5}\<88>}} & {\mm \X{\M{\<32>}{\Z\<38>}}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<32>\<83>}} & {\mm \X{\M{\<32>}{\<123>}}} & {\mm \X{\M{\<32>}{\<85>}}} & {\mm \X{\<32>\K{-.5}\<86>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<32>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<33>}} && {\mm \X{\M{\<33>}{\<112>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\M{\<33>}{\Z\<23>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\M{\<33>}{\<89>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<33>\K{-.5}\<88>}} & {\mm \X{\M{\<33>}{\Z\<38>}}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<33>\<83>}} & {\mm \X{\M{\<33>}{\<126>}}} & {\mm \X{\M{\<33>}{\<85>}}} & {\mm \X{\<33>\K{-.5}\<86>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<33>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<34>}} && {\mm \X{\M{\<34>}{\<112>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\M{\<34>}{\<89>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<34>\K{-.5}\<88>}} & {\mm \X{\M{\<34>}{\Z\<38>}}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<34>\<83>}} & {\mm \X{\M{\<34>}{\<126>}}} & {\mm \X{\M{\<34>}{\<85>}}} & {\mm \X{\<34>\K{-.5}\<86>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<34>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<35>}} && {\mm \X{\M{\<35>}{\<112>}}} & {\mm \X{\<78>\<22>}} & {\mm \X{\<78>\<23>}} & {\mm \X{\<78>\<24>}} & {\mm \X{\<78>\<25>}} + & {\mm \X{\<78>\<26>}} & {\mm \X{\<78>\<27>}} & {\mm \X{\<78>\<28>}} & {\mm \X{\<78>\<29>}} & {\mm \X{\<78>\<30>}} + & {\mm \X{\<187>}} & {\mm \X{\M{\<35>}{\Z\<32>}}} & {\mm \X{\<188>}} & {\mm \X{\<78>\<34>}} & {\mm \X{\<241>}} + & {\mm \X{\<78>\<36>}} & {\mm \X{\<35>\K{-.5}\<88>}} & {\mm \X{\M{\<35>}{\Z\<38>}}} & {\mm \X{\<78>\<39>}} & {\mm \X{\<78>\<40>}} + & {\mm \X{\<78>\<42>}} & {\mm \X{\<78>\<43>}} & {\mm \X{\<78>\<44>}} & {\mm \X{\<78>\<45>}} & {\mm \X{\<78>\<46>}} + & {\mm \X{\<35>\<83>}} & {\mm \X{\M{\<35>}{\<127>}}} & {\mm \X{\M{\<35>}{\<85>}}} & {\mm \X{\<35>\K{-.5}\<86>}} + & {\mm \X{\<78>\<54>}} & {\mm \X{\<78>\<55>}} & {\mm \X{\<78>\<56>}} + & {\mm \X{\<78>\<57>}} & {\mm \X{\<78>\<51>}} & {\mm \X{\<78>\<52>}} & {\mm \X{\<78>\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<36>}} && {\mm \X{\M{\<36>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}} + & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}} + & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}} + & {\mm \X{\<165>}} & {\mm \X{\<36>\K{-.5}\<88>}} & {\mm \X{\M{\<36>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<191>}} + & {\mm \X{\M{\<36>}{\Z\<42>}}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<190>}} + & {\mm \X{\<36>\<83>}} & {\mm \X{\<205>}} & {\mm \X{\M{\<36>}{\<85>}}} & {\mm \X{\<36>\K{-.5}\<86>}} + & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<221>}} + & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr +{\mm \X{\<37>}} && {\mm \X{\M{\<37>}{\<112>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<37>\K{-.5}\<88>}} & {\mm \X{\M{\<37>}{\Z\<38>}}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<37>\<83>}} & {\mm \X{\M{\<37>}{\<84>}}} & {\mm \X{\M{\<37>}{\<85>}}} & {\mm \X{\<37>\K{-.5}\<86>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<37>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<38>}} && {\mm \X{\M{\<38>}{\<112>}}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<38>\K{-.5}\<88>}} & {\mm \X{\<166>}} & {\mm \X{\<192>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<38>\<83>}} & {\mm \X{\<206>}} & {\mm \X{\M{\<38>}{\<85>}}} & {\mm \X{\<38>\K{-.5}\<86>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<38>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<39>}} && {\mm \X{\M{\<39>}{\<112>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<39>\K{-.5}\<88>}} & {\mm \X{\M{\<39>}{\Z\<38>}}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<39>\<83>}} & {\mm \X{\<207>}} & {\mm \X{\M{\<39>}{\<85>}}} & {\mm \X{\<39>\K{-.5}\<86>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<39>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<40>}} && {\mm \X{\M{\<40>}{\<112>}}} & {\mm \X{\<79>\<22>}} & {\mm \X{\<79>\<23>}} & {\mm \X{\<79>\<24>}} & {\mm \X{\<79>\<25>}} + & {\mm \X{\<79>\<26>}} & {\mm \X{\<79>\<27>}} & {\mm \X{\<79>\<28>}} & {\mm \X{\<79>\<29>}} & {\mm \X{\<79>\<30>}} + & {\mm \X{\<79>\<31>}} & {\mm \X{\<79>\<32>}} & {\mm \X{\<79>\<33>}} & {\mm \X{\<79>\<34>}} & {\mm \X{\<79>\<35>}} + & {\mm \X{\<194>}} & {\mm \X{\<40>\K{-.5}\<88>}} & {\mm \X{\<195>}} & {\mm \X{\<219>}} & {\mm \X{\<167>}} + & {\mm \X{\<220>}} & {\mm \X{\<79>\<43>}} & {\mm \X{\<79>\<44>}} & {\mm \X{\<79>\<45>}} & {\mm \X{\<193>}} + & {\mm \X{\<40>\<83>}} & {\mm \X{\<208>}} & {\mm \X{\M{\<40>}{\<85>}}} & {\mm \X{\<40>\K{-1.5}\<93>}} + & {\mm \X{\<79>\<54>}} & {\mm \X{\<79>\<55>}} & {\mm \X{\<79>\<56>}} + & {\mm \X{\<79>\<57>}} & {\mm \X{\<79>\<51>}} & {\mm \X{\<79>\<52>}} & {\mm \X{\<79>\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<42>}} && {\mm \X{\M{\<42>}{\<112>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\M{\<42>}{\Z\<36>}}} & {\mm \X{\<42>\K{-.5}\<88>}} & {\mm \X{\M{\<42>}{\Z\<38>}}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\M{\<42>}{\Z\<40>}}} + & {\mm \X{\<242>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<42>\<83>}} & {\mm \X{\M{\<42>}{\<124>}}} & {\mm \X{\M{\<42>}{\<85>}}} & {\mm \X{\<42>\K{-.5}\<86>}} + & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<42>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<43>}} && {\mm \X{\M{\<43>}{\<112>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<43>\K{-.5}\<88>}} & {\mm \X{\M{\<43>}{\Z\<38>}}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<43>\<83>}} & {\mm \X{\M{\<43>}{\<125>}}} & {\mm \X{\M{\<43>}{\<85>}}} & {\mm \X{\<43>\K{-.5}\<86>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<43>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<44>}} && {\mm \X{\M{\<44>}{\<112>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<44>\K{-.5}\<88>}} & {\mm \X{\M{\<44>}{\Z\<38>}}} & {\mm \X{\M{\<44>}{\Z\<39>}}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\<248>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<44>\<83>}} & {\mm \X{\M{\<44>}{\<126>}}} & {\mm \X{\M{\<44>}{\<85>}}} & {\mm \X{\<44>\K{-.5}\<86>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<44>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<45>}} && {\mm \X{\M{\<45>}{\<112>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\<196>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<45>\K{-.5}\<88>}} & {\mm \X{\M{\<45>}{\Z\<38>}}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<45>\<83>}} & {\mm \X{\<209>}} & {\mm \X{\M{\<45>}{\<85>}}} & {\mm \X{\<45>\K{-.5}\<86>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<45>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<46>}} && {\mm \X{\M{\<46>}{\<112>}}} & {\mm \X{\<2>\<22>}} & {\mm \X{\<2>\<23>}} & {\mm \X{\<2>\<24>}} & {\mm \X{\<2>\<25>}} + & {\mm \X{\<2>\<26>}} & {\mm \X{\<2>\<27>}} & {\mm \X{\<2>\<28>}} & {\mm \X{\<2>\<29>}} & {\mm \X{\<2>\<30>}} + & {\mm \X{\<2>\<31>}} & {\mm \X{\<2>\<32>}} & {\mm \X{\<2>\<33>}} & {\mm \X{\<2>\<34>}} & {\mm \X{\<2>\<35>}} + & {\mm \X{\<2>\<36>}} & {\mm \X{\<46>\K{-.5}\<88>}} & {\mm \X{\M{\<46>}{\Z\<38>}}} & {\mm \X{\<2>\<39>}} & {\mm \X{\M{\<46>}{\Z\<40>}}} + & {\mm \X{\<220>}} & {\mm \X{\<2>\<43>}} & {\mm \X{\<2>\<44>}} & {\mm \X{\<2>\<45>}} & {\mm \X{\<46>\K{-.27}\<46>}} + & {\mm \X{\<46>\<83>}} & {\mm \X{\M{\<46>}{\<123>}}} & {\mm \X{\M{\<46>}{\<85>}}} & {\mm \X{\<46>\K{-.5}\<86>}} + & {\mm \X{\<2>\<54>}} & {\mm \X{\<2>\<55>}} & {\mm \X{\<2>\<56>}} + & {\mm \X{\<2>\<57>}} & {\mm \X{\<2>\<51>}} & {\mm \X{\<2>\<52>}} & {\mm \X{\<2>\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<47>}} && {\mm \X{\M{\<47>}{\<112>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\M{\<47>}{\Z\<36>}}} & {\mm \X{\<47>\K{-.5}\<88>}} & {\mm \X{\M{\<47>}{\Z\<38>}}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<249>}} & {\mm \X{\M{\<47>}{\<84>}}} & {\mm \X{\M{\<47>}{\<85>}}} & {\mm \X{\<47>\K{-.5}\<86>}} + & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<47>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<48>}} && {\mm \X{\T{\<76>}{\R{.8ex}{\<21>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<22>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<23>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<24>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<25>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<26>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<27>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<28>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<29>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<30>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<31>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<32>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<33>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<34>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<35>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<36>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<37>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<38>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<39>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<40>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<42>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<43>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<44>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<45>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<46>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<47>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<48>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<50>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<53>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<54>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<55>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<56>}}}} + & {\mm \X{\T{\<76>}{\R{.8ex}{\<57>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<51>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<52>}}}} & {\mm \X{\T{\<76>}{\R{.8ex}{\<49>}}}} \cr +{\mm \X{\<50>}} && {\mm \X{\M{\<50>}{\<112>}}} & {\mm \X{\<81>\<22>}} & {\mm \X{\<81>\<23>}} & {\mm \X{\<81>\<24>}} & {\mm \X{\<81>\<25>}} + & {\mm \X{\<81>\<26>}} & {\mm \X{\<81>\<27>}} & {\mm \X{\<81>\<28>}} & {\mm \X{\<81>\<29>}} & {\mm \X{\<81>\<30>}} + & {\mm \X{\<81>\<31>}} & {\mm \X{\<81>\<32>}} & {\mm \X{\<81>\<33>}} & {\mm \X{\<81>\<34>}} & {\mm \X{\<81>\<35>}} + & {\mm \X{\<81>\<36>}} & {\mm \X{\<50>\K{-.5}\<88>}} & {\mm \X{\M{\<50>}{\Z\<38>}}} & {\mm \X{\<81>\<39>}} & {\mm \X{\<81>\<40>}} + & {\mm \X{\<81>\<42>}} & {\mm \X{\<81>\<43>}} & {\mm \X{\<81>\<44>}} & {\mm \X{\<81>\<45>}} & {\mm \X{\<81>\<46>}} + & {\mm \X{\<50>\<83>}} & {\mm \X{\M{\<50>}{\<84>}}} & {\mm \X{\M{\<50>}{\<85>}}} & {\mm \X{\<50>\K{-.5}\<86>}} + & {\mm \X{\<81>\<54>}} & {\mm \X{\<81>\<55>}} & {\mm \X{\<81>\<56>}} + & {\mm \X{\<81>\<57>}} & {\mm \X{\<81>\<51>}} & {\mm \X{\<81>\<52>}} & {\mm \X{\<81>\<49>}} \cr +{\mm \X{\<53>}} && {\mm \X{\M{\<53>}{\<112>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<53>\K{-.5}\<88>}} & {\mm \X{\M{\<53>}{\Z\<38>}}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<53>\<83>}} & {\mm \X{\M{\<53>}{\<84>}}} & {\mm \X{\M{\<53>}{\<85>}}} & {\mm \X{\<250>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<53>}{\N{.8}{\<77>}}\<49>}} \cr +\noalign{\hrule} +{\mm \X{\<54>}} && {\mm \X{\M{\<54>}{\<112>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\<197>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<54>\K{-.5}\<88>}} & {\mm \X{\M{\<54>}{\Z\<38>}}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<54>\<83>}} & {\mm \X{\<210>}} & {\mm \X{\M{\<54>}{\<85>}}} & {\mm \X{\<54>\K{-.5}\<86>}} + & {\mm \X{\<244>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<54>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<55>}} && {\mm \X{\M{\<55>}{\<112>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\M{\<55>}{\Z\<31>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\M{\<55>}{\Z\<35>}}} + & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<55>\K{-.5}\<88>}} & {\mm \X{\M{\<55>}{\Z\<38>}}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<55>}{\Z\<46>}}} + & {\mm \X{\<55>\<83>}} & {\mm \X{\M{\<55>}{\<125>}}} & {\mm \X{\M{\<55>}{\<85>}}} & {\mm \X{\<55>\K{-.5}\<86>}} + & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<55>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<56>}} && {\mm \X{\M{\<56>}{\<112>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\M{\<56>}{\Z\<36>}}} & {\mm \X{\<56>\K{-.5}\<88>}} & {\mm \X{\M{\<56>}{\Z\<38>}}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\M{\<56>}{\Z\<46>}}} + & {\mm \X{\<56>\<83>}} & {\mm \X{\<211>}} & {\mm \X{\M{\<56>}{\<85>}}} & {\mm \X{\<56>\K{-.5}\<86>}} + & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\<245>}} + & {\mm \X{\Q{\<56>}{\N{.8}{\<77>}}\<57>}} & {\mm 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\X{\Q{\<57>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\<198>}} + & {\mm \X{\<57>\<83>}} & {\mm \X{\<212>}} & {\mm \X{\M{\<57>}{\<85>}}} & {\mm \X{\<57>\K{-1.5}\<93>}} + & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<57>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<51>}} && {\mm \X{\M{\<51>}{\<112>}}} & {\mm \X{\<82>\<22>}} & {\mm \X{\<82>\<23>}} & {\mm \X{\<82>\<24>}} & {\mm \X{\<82>\<25>}} + & {\mm \X{\<82>\<26>}} & {\mm \X{\<82>\<27>}} & {\mm \X{\<82>\<28>}} & {\mm \X{\<82>\<29>}} & {\mm \X{\<82>\<30>}} + & {\mm \X{\<82>\<31>}} & {\mm \X{\<82>\<32>}} & {\mm \X{\<82>\<33>}} & {\mm \X{\<82>\<34>}} & {\mm \X{\<82>\<35>}} + & {\mm \X{\<82>\<36>}} & {\mm \X{\<51>\K{-.5}\<88>}} & {\mm \X{\M{\<51>}{\Z\<38>}}} & {\mm \X{\<82>\<39>}} & {\mm \X{\<82>\<40>}} + & {\mm \X{\<82>\<42>}} & {\mm \X{\<82>\<43>}} & {\mm \X{\<82>\<44>}} & {\mm \X{\<82>\<45>}} & {\mm \X{\<82>\<46>}} + & {\mm \X{\<51>\<83>}} & {\mm \X{\M{\<51>}{\<84>}}} & {\mm \X{\M{\<51>}{\<85>}}} & {\mm \X{\<51>\K{-.5}\<86>}} + & {\mm \X{\<82>\<54>}} & {\mm \X{\<82>\<55>}} & {\mm \X{\<82>\<56>}} + & {\mm \X{\<82>\<57>}} & {\mm \X{\<51>\K{-.2}\<51>}} & {\mm \X{\<82>\<52>}} & {\mm \X{\<82>\<49>}} \cr +{\mm \X{\<52>}} && {\mm \X{\M{\<52>}{\<112>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<22>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<23>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<24>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<25>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<26>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<27>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<28>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<29>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<30>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<31>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<32>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<33>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<34>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<35>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<36>}} & {\mm \X{\<52>\K{-.5}\<88>}} & {\mm \X{\M{\<52>}{\Z\<38>}}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<39>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<40>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<42>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<43>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<44>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<45>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<46>}} + & {\mm \X{\<52>\<83>}} & {\mm \X{\M{\<52>}{\<84>}}} & {\mm \X{\M{\<52>}{\<85>}}} & {\mm \X{\<52>\K{-.5}\<86>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<54>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<55>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<56>}} + & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<57>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<51>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<52>}} & {\mm \X{\Q{\<52>}{\N{.8}{\<77>}}\<49>}} \cr +{\mm \X{\<49>}} && {\mm \X{\M{\<49>}{\<112>}}} & {\mm \X{\<80>\<22>}} & {\mm \X{\<80>\<23>}} & {\mm \X{\<80>\<24>}} & {\mm \X{\<80>\<25>}} + & {\mm \X{\<80>\<26>}} & {\mm \X{\<80>\<27>}} & {\mm \X{\<80>\<28>}} & {\mm \X{\<80>\<29>}} & {\mm \X{\<80>\<30>}} + & {\mm \X{\<80>\<31>}} & {\mm \X{\<80>\<32>}} & {\mm \X{\<80>\<33>}} & {\mm \X{\<80>\<34>}} & {\mm \X{\<80>\<35>}} + & {\mm \X{\<80>\<36>}} & {\mm \X{\<49>\K{-.5}\<88>}} & {\mm \X{\M{\<49>}{\Z\<38>}}} & {\mm \X{\<80>\<39>}} & {\mm \X{\<80>\<40>}} + & {\mm \X{\<80>\<42>}} & {\mm \X{\<80>\<43>}} & {\mm \X{\<80>\<44>}} & {\mm \X{\<80>\<45>}} & {\mm \X{\<80>\<46>}} + & {\mm \X{\<49>\<83>}} & {\mm \X{\M{\<49>}{\<84>}}} & {\mm \X{\M{\<49>}{\<85>}}} & {\mm \X{\<49>\K{-.5}\<86>}} + & {\mm \X{\<80>\<54>}} & {\mm \X{\<80>\<55>}} & {\mm \X{\<80>\<56>}} + & {\mm \X{\<80>\<57>}} & {\mm \X{\<80>\<51>}} & {\mm \X{\<80>\<52>}} & {\mm \X{\<243>}} \cr +} + +\bye + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm new file mode 100644 index 00000000000..bd71bd5dab5 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.mm @@ -0,0 +1,57 @@ +% mmexp.mm --- Malayalam experimental font style samples +% (c) 1993 Jeroen Hellingman +% Last edit: 07-FEB-1993 + +\input mmqmacs +\input mmtrmacs +\input mmxfont + +\font\logo=logo10 +\def\MF{{\logo METAFONT}} +\parindent=0pt + +This file shows some more `experimental' settings of the parameters for +\MF. You can define your own experimental fonts by copying one of the +parameter files to your own file, and change the following parameters +--~the values below come from {\tt mmc10.mf}: + +\bigskip + +{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr + +\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr +\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr +\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr +\+slant := & 0; & {\rm slant of characters.}\cr + +\medskip + +\+rot := & 45; & {\rm angle of pen.}\cr +\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr +\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr +\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr + +\medskip + +\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr +\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr +} + +\bigskip + +{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright +{\xamm\mmcurrm Malayalam Experimental A 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\xbmm\mmcurrm Malayalam Experimental B 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\xcmm\mmcurrm Malayalam Experimental C 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\bigmmr\mmcurrm Malayalam Big 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan\smallskip$} +{\hugemmr\mmcurrm Malayalam Huge 36pt: $muunnu saMvatsaran"n"aL+>>kkakaM\smallskip$} +} + +%%%%%% end of mmexp.txt diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex new file mode 100644 index 00000000000..f9b2b3afde5 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmexp.tex @@ -0,0 +1,53 @@ + +\input mmqmacs +\input mmtrmacs +\input mmxfont + +\font\logo=logo10 +\def\MF{{\logo METAFONT}} +\parindent=0pt + +This file shows some more `experimental' settings of the parameters for +\MF. You can define your own experimental fonts by copying one of the +parameter files to your own file, and change the following parameters +--~the values below come from {\tt mmc10.mf}: + +\bigskip + +{\tt\settabs\+font\_identifier := & 0.8333mm\#;andmore & \cr + +\+ht\# := & 1.667mm\#; & {\rm height of normal characters.}\cr +\+u\# := & 0.8333mm\#; & {\rm unit width (0.5 ht).}\cr +\+rm\# := & 0.5mm\#; & {\rm space inbetween characters.}\cr +\+slant := & 0; & {\rm slant of characters.}\cr + +\medskip + +\+rot := & 45; & {\rm angle of pen.}\cr +\+thick\# := & 0.75pt\#; & {\rm thickness of thickest lines.}\cr +\+thin\# := & 0.333pt\#; & {\rm thickness of thinnest lines.}\cr +\+subthick\# := & 0.550pt\#; & {\rm thickness of thickest lines in subscribed characters.}\cr + +\medskip + +\+font\_size := & 10pt\#; & {\rm font size as seen by \TeX.}\cr +\+font\_identifier := & "MMC10"; & {\rm font identifier.}\cr +} + +\bigskip + +{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright +{\xamm\mmcurrm Malayalam Experimental A 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\xbmm\mmcurrm Malayalam Experimental B 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\xcmm\mmcurrm Malayalam Experimental C 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\bigmmr\mmcurrm Malayalam Big 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\bigmmo\mmcurrm Malayalam Big Outline Shadow 21pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>}\smallskip}} +{\hugemmr\mmcurrm Malayalam Huge 36pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2>\smallskip}} +} + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex new file mode 100644 index 00000000000..51dd9f7cb3a --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfont.tex @@ -0,0 +1,99 @@ +% mmfont.tex -- load fonts for Malayalam TeX +% copyright 1993 Jeroen Hellingman +% last edit: 02-JAN-1993 + +\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi + +%%%%%% fonts + +\font\sixmmf=mm6 % Malayalam Regular 6pt +\font\sixmmsf=mm6s % Malayalam Regular 6pt Subscript +\font\sixrm=cmr6 + +\font\eightmmf=mm8 % Malayalam Regular 8pt +\font\eightmmsf=mm8s % Malayalam Regular 8pt Subscript + +\font\mmf=mm10 % Malayalam Regular 10pt +\font\mmsf=mm10s % Malayalam Regular 10pt Subscript +\font\mmbf=mmb10 % Malayalam Bold 10pt +\font\mmbsf=mmb10s % Malayalam Bold 10pt Subscript +\font\mmslf=mmsl10 % Malayalam Slanted 10pt +\font\mmslsf=mmsl10s % Malayalam Slanted 10pt Subscript +\font\mmcf=mmc10 % Malayalam Calligraphic Regular 10pt +\font\mmcsf=mmc10s % Malayalam Calligraphic Regular 10pt Subscript +\font\mmcbf=mmcb10 % Malayalam Calligraphic Bold 10pt +\font\mmcbsf=mmcb10s % Malayalam Calligraphic Bold 10pt Subscript +\font\mmcslf=mmcsl10 % Malayalam Calligraphic Slanted 10pt +\font\mmcslsf=mmcsl10s % Malayalam Calligraphic Slanted 10pt Subscript + +\font\twelvemmf=mm12 % Malayalam Regular 12pt +\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript +\font\twelvemmbf=mmb12 % Malayalam Bold 12pt +\font\twelvemmbsf=mmb12s % Malayalam Bold 12pt Subscript +\font\twelvemmslf=mmsl12 % Malayalam Slanted 12pt +\font\twelvemmslsf=mmsl12s % Malayalam Slanted 12pt Subscript +\font\twelvemmcf=mmc12 % Malayalam Calligraphic Regular 12pt +\font\twelvemmcsf=mmc12s % Malayalam Calligraphic Regular 12pt Subscript +\font\twelvemmcbf=mmcb12 % Malayalam Calligraphic Bold 12pt +\font\twelvemmcbsf=mmcb12s % Malayalam Calligraphic Bold 12pt Subscript +\font\twelvemmcslf=mmcsl12 % Malayalam Calligraphic Slanted 12pt +\font\twelvemmcslsf=mmcsl12s % Malayalam Calligraphic Slanted 12pt Subscript +\font\twelverm=cmr12 +\font\twelvebf=cmbx12 +\font\twelvesl=cmsl12 + +\font\seventeenmmf=mm17 % Malayalam Regular 17pt +\font\seventeenmmsf=mm17s % Malayalam Regular 17pt Subscript +\font\seventeenmmcf=mmc17 % Malayalam Calligraphic Regular 17pt +\font\seventeenmmcsf=mmc17s % Malayalam Calligraphic Regular 17pt Subscript +\font\seventeenmmbf=mmb17 % Malayalam Bold 17pt +\font\seventeenmmbsf=mmb17s % Malayalam Bold 17pt Subscript +\font\seventeenmmcbf=mmcb17 % Malayalam Calligraphic Bold 17pt +\font\seventeenmmcbsf=mmcb17s % Malayalam Calligraphic Bold 17pt Subscript +\font\seventeenrm=cmr17 +\font\seventeenbf=cmbx12 at 17.28pt + +%%%%%% font-selection macros + +\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm + \mmcbls=7.8pt\ifmmmode\setmm\fi} + +\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm + \mmcbls=10.5pt\ifmmmode\setmm\fi} + +\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf + \mmcbls=13pt\ifmmmode\setmm\fi} + +\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf + \mmcbls=15.6pt\ifmmmode\setmm\fi} + +\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf + \mmcbls=22.5pt\ifmmmode\setmm\fi} + +%%%%%% end of mmfont.tex diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex new file mode 100644 index 00000000000..c253325e3d4 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmfuture.tex @@ -0,0 +1,51 @@ +% mmfuture.tex +% (c) 1992 Jeroen Hellingman +% Last edit: 09-DEC-1992 + + +\beginsection On the future of \TeX + +Working on Malayalam-\TeX, I met with more and more limitations of +\TeX, which needed ad-hoc solutions, that will not win an elegance +price. It made me dream of a future \TeX-like system, that would +incorporate all scripts in a more elegant way. Several people have +made suggestions on the future of \TeX, but most of them, again, +focussed on the Western languages. I think a transistion to the +emerging 16-bit Unicode (ISO 10646) standard will be the most natural +next step. + +\TeX\ was orignally designed for two `scripts', English and +Mathematics, and it does a very good job of typesetting both of them, +but one gets in problems when one tries to typeset another script with +it, for example Malayalam, or one of the various other scripts in use +for writing the spoken languages of the world, or to name the most +difficult of all, typesetting music. A future-\TeX\ should be build up +in some modular manner, so that other scripts can be added more +easily. + +Apart from being a typesetting system, \TeX\ is a fullfledged +programming language, but a horrible ackward one. As Frank Mittelbach, +suggested, it would be nice to replace it with a more conventional +one, although his suggestion to use lisp fills me with new horrors. I +think a more modern functional language like miranda would be a much +candidate. A functional language with some very basic functions needed +for typesetting would be a good kernel in my eyes. All logic needed +for typesetting a script could then be coded in the language itself, +instead of being hardwired into the system. + +Adding a new script would then be as easy as designing a font for the +script (A difficult enough task in itself) and writing the logic for +composing the script from a character-stream, which then could be +loaded into the system. + +An anochronism that has annoyed me more and more when I started making +several variants and sizes of my font is the use of bitmaps, with took +up more and more space on my harddisk. + +I would propose to join the powers of \TeX\ and \MF into one program, +that use the speak the same language, so that one can have direct +access to character-programs, to create the letter in the size and +style wanted at the a certain moment. + + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm new file mode 100644 index 00000000000..9bb4c194525 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.mm @@ -0,0 +1,511 @@ +% mmguide.mm -- Malayalam-\TeX\ user guide +% Copyright 1993, 1994, 1995 Jeroen Hellingman +% +% pre-process this file using mltr +% +% History +% 04-MAY-1998 Updated transcription (JH) +% 23-NOV-1995 Updated for new transcription scheme (JH) +% 22-JAN-1994 Last edit (JH) +% 22-JAN-1994 Added instruction for getting cillu/virama variants (JH) + +\def\editdate{4 May 1998} + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\def\@{@} + +\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or + June\or July\or August\or September\or October\or November\or December\fi + \space\number\year} + +\def\MT{Malayalam-\TeX} + +\headline={{\hfil \it \MT\ v1.6 User's Guide}} + +%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% + +\beginsection {\twelvebf Introduction} + +\MT\ is a package to typeset Malayalam with +\TeX\footnote*{\MT\ will work only with \TeX3.0 or later +versions of \TeX.}. It can be used to typeset in both +the traditional and reformed script. The complete package +includes a pre-processor and fonts in various styles (regular, bold, +slanted, calligraphic) and various sizes. + +Malayalam Text +is entered in an easily adaptable ASCII transcription. +This text is then converted to commands for \TeX\ to typeset +the Malayalam by a pre-processor, which takes care of applying the +correct conjunct letters and placing the vowel signs on the right position. +The same ASCII transcription can also be used to derive scientific +transcription of the text, which will save scholars lots of time +spend in typing the macros for accented letters themselves. + +This document assumes a working knowledge of \TeX, and will not +try to explain things already explained in the \TeX-book. It +can roughly be divided in three parts. The first part explains how to +use \MT\ in a standard fashion. The second part goes deeper +into the internals, so that you are able to change the behaviour of +\MT. This part can be skipped if you are happy with the +standard settings. Some appendices complete this manual. + +\vfill\eject +\beginsection {\twelvebf Preparing Your Document} + +When you want to use \MT, all you have to do is say + +\medskip +{\tt\bslash input mmmacs} +\medskip + +somewhere near the beginning of your document, before the first +occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in +a directory where it can be found by \TeX. This file will load the +fonts and define the commands necessary. After this, you can use the +commands as described below. + +\beginsection How To Type Malayalam + +Since on most computers it is impossible to enter Malayalam directly, +Malayalam text needs to be entered in transcription. Traditionally, +Western scholars have used a transcription with various accents, like +$$.d$$, $$sh$$ or~$$zh$$ to represent Malayalam characters, but even +these cannot be reproduced on most computers. To solve this +problem, \MT\ uses a +transcription that only uses the characters of the standard +ASCII character set. + +The following table shows the character(s) you have to type in order +to produce a Malayalam character. The third column shows the +scientific transcription of each character. + +\bigskip +\input mmtrans +\bigskip + +Malayalam text can only be entered when in {\it Malayalam mode}. +Malayalam mode starts and ends with a {\tt\dollar}-sign. + +Punctuation marks can be typed in Malayalam the same way as in English. +They will show up as expected. A nice ornamental star +\ornstar\ can be produced with {\tt\bslash ornstar}. + +Figures in Malayalam mode will appear as +European figures. If you want Malayalam figures, you will have to +say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will +appear as $\mmfigures 1234567890\rmfigures$. To switch back to +European figures, say {\tt\bslash rmfigures}. + +More precise control over the formation of ligatures can be reached with +the characters {\tt >>} and {\tt<<}. {\tt >>} will +prevent the formation of a ligature, and a virama will be used between +the consonants instead. {\tt<<} will force the +pre-processor to use the secondary variant for the following +character. This can be used to show vowel-signs or secondary letters +on themselves. {\tt []} will produce a dotted circle $[]$, to make +tables like the above, and, last but not least, {\tt >} will +disambiguate the transcription if needed. + +The cillu letters ($k, .n, t, n$, and $r$) will be +used automatically at the end of words, as well as anusvaram ($m$). +If a full letter with candrakala is desired, you should +place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields +$t<<+$ and {\tt m<<+} yields $m<<+$. + +The usage of the {\tt\dollar}-sign by \MT\ overrides its normal +meaning in +\TeX. To enter and leave normal math-mode, you will have to type +{\tt\bslash math}, for display math you just say {\tt\bslash Math}. +The \dollar-sign itself is produced by {\tt\bslash dollar}. + +\beginsection Malayalam transcription + +Malayalam Text can also be printed in scientific transcription. +When you want a Malayalam passage to appear in scientific +transcription, you have to switch to {\it Malayalam-transcription +mode}, which is started and ended with {\tt\dollar\dollar}. The +transcription used follows, but for a few exceptions, the +standardized transcription of the National Library in Calcutta. + +If you want to use a capital letter in Malayalam-transcription mode, +you can precede the letter with a {\tt\char"5E}. This will be ignored +in Malayalam mode. If the need may arise to typeset a whole passage +of transcribed Malayalam in capital letters, the trick can be done +by enclosing it between {\tt\char"5E\char"5E} and +{\tt\char"5E\char"5E}. + +\beginsection Choosing Fonts + +With \MT\ you can use, as in English, several font-styles: +regular, {\sl slanted}, and {\bf bold}. There is no {\it italic}, +since italic fonts, which have a different design are unknown in +Malayalam typography, but the font is available in two flavours, the +normal style, using the same line thickness every where in the +character, and a `calligraphic' version, which shows differences in +line thickness in the character, as if it was written with a +calligraphic pen. Of course, the fonts are provided in several sizes: +6, 8, 10, 12, and 17~points high. + +Every style and size is given a macro, which you have to enter to use +a certain style and size. For example, if you want to use 12pt +Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If +you use it in normal mode, the font-change will be in effect the next +time you switch to Malayalam mode, in Malayalam mode, it works +immediately. + +Available fonts are: + +{\bigskip\tt\def\\{\bslash} +\settabs6\columns +\+\\sixmmr & \\eightmmr \cr +\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr +\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr +\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr +}\bigskip + +A sample of each font-style appears in the Appendix. + +\beginsection {\twelvebf Using the Pre-Processor} + +When you have finished typing (a part of) your document, you cannot +feed it to \TeX\ immediately. First you have to run it trough the +pre-processor, which will replace the Malayalam in transcription you +entered with instructions for \TeX\ to typeset the correct glyphs. The +pre-processor takes care of placing the vowel-signs around +consonants, and using the correct conjuncts for consonants without +intervening vowels. + +To pre-process you document, you type: +\medskip +{\tt ml} {\it input-file output-file} +\medskip +This will process the file for traditional script. If you want to use +the nowadays normal reformed script, say: +\medskip +{\tt mlr} {\it input-file output-file} +\medskip + +Actually, the commands {\tt ml} and {\tt mlr} are two small command +files, which call two programs with various parameters that do the +actual pre-processing. The first is called {\tt patc}, which takes +care of Malayalam-transcription mode, the second is {\tt mm} which +task it is to do the contextual analysis for the Malayalam script. +If you don't use Malayalam transcription in your document, you can +run only {\tt mm} to save some time. + +\beginsection {\twelvebf Advanced Topics} + +This part of this guide explains how to use the components of +\MT\ separately, and how to modify its tables, for +example to change the transcription it understands, or to change the +way it composes conjuncts. It should be read carefully, and care +should be taken when you tamper with the tables, since several tables +depend on each other in delicate ways. If you want to change the +transcription only, the best way is to use Patc to translate your +transcription to the standard transcription. To show you how this +can be accomplished, I have include the file {\tt ack.pat}, that +translates the transcription used on the {\tt alt.culture.kerala} newsgroup +to the transcription used with {\tt mm}, assuming that Malayalam text +is delimited with {\tt\dollar} in the source already (If they are +missing, you should place them manually; it is a non-trivial +task to have a computer automatically recognize Malayalam passages in +English text). With this file, you can convert texts in this +transcription by giving the command: + +\medskip +{\tt patc -p ack.pat {\it input-file output-file}} +\medskip + +\beginsection Patc + +Patc is a program that can translate patterns occurring in a input file +to other patterns in the output file. It is fully table driven, and +both the patterns it reads as well as those it outputs are defined in +tables or {\it pattern-files}. It is an ideal tool to switch from one +transcription scheme to another. Within the \MT\ package it +is used to translate the easy-to-type transcription of Malayalam I +adopted into a sequence of \TeX-commands that will produce scientific +transcription. The transcription it reads and the commands it outputs +are given in a pattern-file called {\tt mm.pat}. + +Patc should be called as follows: + +\medskip +{\tt patc [-v] -p {\it pattern-file input-file output-file}} +\medskip + +The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p} +option tells it that the next parameter given is the name of a +pattern file. The last two +parameters tells it to read from {\it input-file} and to write to +{\it output-file}. The actual format of a pattern-file +is described in the documentation that comes with {\tt patc}. (Read +this first, the following sections assume knowledge of its contents) + +\beginsection mm + +{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam +script. It uses the correct shapes for vowels depending on whether they +appear initially or after a consonant, and selects the correct +conjuncts. This program, too, is table driven. + +{\tt mm} is called by: + +\medskip +{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]} +\medskip + +Available options are {\tt-v}, {\tt-V}, and {\tt-h}. +The {\tt -v} option tells {\tt mm} to be verbose, if given, +the pre-processor will inform you about files read. +if you give the {\tt-V} option instead, it will also print +a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced +to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm} +will do nothing but print a help message. + +The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from +the file given in the next parameter. The transcription definition defines which +Roman characters are used to transcribe Malayalam characters. If it is omitted, +{\tt mm} will use {\tt mmr.trs}. +The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the +file given in the next parameter. The script definition defines which glyphs from the +font are to be used to represent Malayalam characters in various +contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which +defines reformed script. + +The last two parameters tell {\tt mm} where to read its input from and +where to put its output. Default, the name of the input file ends with +{\tt.mm} and the name of the output file with {\tt.tex}. +If the name of the output file is omitted, {\tt mm} +will construct it from the input file name by replacing the extension +of it with {\tt.tex}. + +{\tt mm} will look for it's transcription and script files in the +current directory first, and then in the directory pointed at by the +environment variable {\tt MMDIR}. + +\beginsection Transcription Files + +As stated above, a transcription definition tells the preprocessor +how to interprete an input-file. It not only tells it which sequence +of Roman characters stands for which Malayalam characters, but also how to +separate Malayalam text from English text, which the pre-processor +should leave untouched, and also tells the pre-processor how to +recognize \TeX-commands (in a limited way) and comments --~which it +strips from the input-file. + +A transcription definition is given in a {\it transcription file}. +The general structure of a transcription file is the same as that of a patc +file. Inside a transcription file, the following {\tt\@}-commands can +occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}. + +{\tt\@atbegin} defines which patterns will start +and {\tt\@atend} defines which patterns that will end Malayalam mode. +You can give several patterns, in double quotes, on the same line as the +command is. A quick glance in {\tt mm.trs} will learn you that, apart +from the {\tt\dollar}-sign, you can also use +{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it. +Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to +delimit reformed script, while {\tt<{}ml>} and +{\tt<{}/ml>} delimit traditional script, so that you can use both +in the same document, in which case you will have to run the pre-processor +twice on the input-file. These delimiters are provided, in case +you want to be more clear about the language used, or want to use the +{\tt\dollar}-sign for some other purpose. Imagine writing a book about +the relationships between Dravidian languages, in which most of the +examples are from Tamil, I guess you would prefer to reserve the +{\tt\dollar}-signs for Tamil then (but in that case you will have to +remove them in the current transcription files). + +{\tt\@table} starts the table of patterns that are used for +transcribing Malayalam characters. Each following non-empty line until +the next {\tt\@}-command is considered to be an entry in the table. The +format is basically the same as that of the {\tt\@patterns}-tables of +patc, but you may not use pattern-set switching, and an extra action, +{\tt=} is added. This action maps a transcription pattern to an +internal code. Extreme care is required when changing these codes, +since they are hardwired into the pre-processor, that knows that some +of them are consonants, and others vowels, and uses that knowledge to +perform its task. Also, the same codes are used in the script +definition to identify characters. The codes should match in +the transcription-table, internally in the pre-processor and in the +script-file. + +Finally, {\tt\@end} tells the preprocessor the transcription file has +ended. It will not try the parse the rest, but close immediately after +reading this command. If a file ends before the {\tt\@end} command is +seen, the pre-processor will complain, but that is nothing to bother +about. + +\beginsection Script Files + +A script files contain a script-definition. A script definition tells the +pre-processor how to place graphical elements to represent a string of +characters. Because the output of the pre-processor is fed to \TeX\ +for actual typesetting, the script file contains \TeX-commands to +typeset those graphical elements, to place them on top or below of +another, etc. The general structure of a script file is the same as +that of a transcription file, but, since scripts can be quite +complicated, it can (and will) contain much more commands. In a script +file you will find the following commands: {\tt \@malayalam, +\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild, +\@primary, \@secondary, \@reepham{\rm, and} \@end}. + +The {\tt\@malayalam} command tells the pre-processor that it is +dealing with Malayalam script. It must be given as the first command +in a script file. At this time the pre-processor does not understand +any other script, but if it will in future, it will be functional, +since pre-processor needs to know which script it is dealing with, +since not all peculiarities of Malayalam script are expressed in +general mechanisms defined in a script file. + +{\tt\@atbegin} defines the sequence that is output every time the +pre-processor enters Malayalam mode. At this time the file {\tt +mm.scr} it contains a begingroup brace and a \TeX-command that selects +the current Malayalam font. + +{\tt\@atend} defines the sequence that is output every time the +pre-processor leaves Malayalam mode, currently only a endgroup brace. + +{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences +that are output at the begin respectively the end of every syllable. In +{\tt mm.scr} you will find commands that make a separate h-box of +every syllable. + +{\tt\@prebuild} starts a table that defines a sequence of +\TeX-commands for each character and for sequences of characters for +which the general construction method will fail. Each non-empty line +of the table describes how to typeset a sequence of one or more +characters. The first element of the line is the character sequence in +the character string, the second element the sequence of \TeX-commands +that will produce its graphical representation. If the pre-processor +encounters a single character for which no way of typesetting it is +given in this table, it will complain, and forget the character. + +{\tt\@primary} starts a table that defines the \TeX-commands for each +character and for sequences of characters when they occur at the start +of a syllable. Every entry in this table contains three elements. The +first is the character-sequence, the second the \TeX-commands that +will be placed in front of the syllable, the third the \TeX-commands +that will be placed after it. In {\tt mm.scr} this table is very +short, since Malayalam script does not modify the first letters of a +syllable (as in Devanagari), but the last ones. The only entry +describes the reepham character. + +{\tt\@secondary} starts a table that defines the \TeX-commands for each +character and for sequences of characters when they occur at the end +of a syllable. The table has the same format as the {\tt\@primary} +table, but in {\tt mm.scr} it is much longer, since it defines the +glyphs for all the vowel-signs, and for the secondary variants of +$ya$, $ra$, $la$, and $va$. + +{\tt\@reepham} tells the pre-processor that a traditional style +reepham is used: a little upright stroke centered above the +consonant (cluster). This command is needed because otherwise, the +pre-processor will center the reepham, incorrectly, above the whole +syllable. + +\beginsection Macros defined by \MT + +The traditional Malayalam script is so complicated, that it was impossible +to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam +font consists of two physical fonts, one with characters at normal size, +called the {\it base-font}, and +one with smaller sized characters, called the {\it sub-font}, that can be +used to build conjunct characters on the fly. + +One can be tempted to use a normal font for a smaller size for this purpose, +but that wouldn't work out as nice, since smaller sized fonts are +normally also drawn with thinner lines, while the sub-font is drawn with +exactly the same pen as the base-font --~and also some other parameters +are set in such a way that composing conjuncts will work fine. + +The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font, +if a glyph from that font is needed. It is not aware of the current style used. +This means that {\tt\bslash Z} has to be redefined to select the correct +sub-font, depending on current style. This is done behind the scenes when +you select a font style. + +The macro that selects a font style, sets the base-font, the sub-font, and +a corresponding roman font from with several punctuation marks are borrowed, and, +when in Malayalam mode, makes the base-font current, otherwise the base-font +is made current when Malayalam mode is entered. +For a font styles in Malayalam three fonts need to be loaded in as follows: + +\bigskip + +\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr +{\def\\{\bslash} +\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr +\+{\tt\\font\\twelvemmsf=mmz12} & load the sub-font\cr +\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr +} + +\bigskip + +An example of a macro to select a style is + +\bigskip + +{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt +\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr +\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr +\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr +\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr +\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr +\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr +} + +\bigskip + +If you wish to include more styles, you should define new font selection +macro's following this example. The baselineskip should be larger than +for roman text, since Malayalam script tends to have taller characters. + +\bigskip + +The \TeX-macros given in {\tt mm.scr} to compose glyphs are all +one-letter macros. +They are defined in the file {\tt mmmacs.tex}. Care is taken that they +do not redefine standard \TeX\ macros, and you should not redefine +them in your document. They are the following: + +\bigskip + +{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font. + +{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used, +for example, to build <ml>zhu</ml> from <ml>zha</ml> and +<ml>{}<<u</ml> in traditional script. + +{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to +build, for example, to build $pla$ from $pa$ and ${}<<la$. Note that if the subscribed character is +wider than the character it is subscribed to, the width of the resulting box +will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml> +and <ml>{}<<ra</ml>. + +{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is +used to position the reepham stroke in traditional script. + +{\tt\bslash Z}: switch to the subfont, the font that contains the +somewhat smaller glyphs that are subscribed to characters. + +{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}. + +{\tt\bslash K\#1}: kern {\tt\#1} em. + +{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}. + +%%%%%%% + +\input tamil.tex + +\input dng.tex + +\bye + +%%%%%% end of mmguide.txt diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex new file mode 100644 index 00000000000..5e582135f91 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmguide.tex @@ -0,0 +1,498 @@ + +\def\editdate{4 May 1998} + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\def\@{@} + +\def\today{\number\day\space\ifcase\month\or January\or February\or March\or April\or May\or + June\or July\or August\or September\or October\or November\or December\fi + \space\number\year} + +\def\MT{Malayalam-\TeX} + +\headline={{\hfil \it \MT\ v1.6 User's Guide}} + + +\beginsection {\twelvebf Introduction} + +\MT\ is a package to typeset Malayalam with +\TeX\footnote*{\MT\ will work only with \TeX3.0 or later +versions of \TeX.}. It can be used to typeset in both +the traditional and reformed script. The complete package +includes a pre-processor and fonts in various styles (regular, bold, +slanted, calligraphic) and various sizes. + +Malayalam Text +is entered in an easily adaptable ASCII transcription. +This text is then converted to commands for \TeX\ to typeset +the Malayalam by a pre-processor, which takes care of applying the +correct conjunct letters and placing the vowel signs on the right position. +The same ASCII transcription can also be used to derive scientific +transcription of the text, which will save scholars lots of time +spend in typing the macros for accented letters themselves. + +This document assumes a working knowledge of \TeX, and will not +try to explain things already explained in the \TeX-book. It +can roughly be divided in three parts. The first part explains how to +use \MT\ in a standard fashion. The second part goes deeper +into the internals, so that you are able to change the behaviour of +\MT. This part can be skipped if you are happy with the +standard settings. Some appendices complete this manual. + +\vfill\eject +\beginsection {\twelvebf Preparing Your Document} + +When you want to use \MT, all you have to do is say + +\medskip +{\tt\bslash input mmmacs} +\medskip + +somewhere near the beginning of your document, before the first +occurrence of Malayalam text, and have the file {\tt mmmacs.tex} in +a directory where it can be found by \TeX. This file will load the +fonts and define the commands necessary. After this, you can use the +commands as described below. + +\beginsection How To Type Malayalam + +Since on most computers it is impossible to enter Malayalam directly, +Malayalam text needs to be entered in transcription. Traditionally, +Western scholars have used a transcription with various accents, like +{\mmtr \d d}, {\mmtr \'s} or~{\mmtr \b z} to represent Malayalam characters, but even +these cannot be reproduced on most computers. To solve this +problem, \MT\ uses a +transcription that only uses the characters of the standard +ASCII character set. + +The following table shows the character(s) you have to type in order +to produce a Malayalam character. The third column shows the +scientific transcription of each character. + +\bigskip +\input mmtrans +\bigskip + +Malayalam text can only be entered when in {\it Malayalam mode}. +Malayalam mode starts and ends with a {\tt\dollar}-sign. + +Punctuation marks can be typed in Malayalam the same way as in English. +They will show up as expected. A nice ornamental star +\ornstar\ can be produced with {\tt\bslash ornstar}. + +Figures in Malayalam mode will appear as +European figures. If you want Malayalam figures, you will have to +say {\tt\bslash mmfigures} first. After that {\tt 1234567890} will +appear as {\mm \mmfigures {\mmone}{\mmtwo}{\mmthree}{\mmfour}{\mmfive}{\mmsix}{\mmseven}{\mmeight}{\mmnine}{\mmzero}\rmfigures}. To switch back to +European figures, say {\tt\bslash rmfigures}. + +More precise control over the formation of ligatures can be reached with +the characters {\tt >>} and {\tt<<}. {\tt >>} will +prevent the formation of a ligature, and a virama will be used between +the consonants instead. {\tt<<} will force the +pre-processor to use the secondary variant for the following +character. This can be used to show vowel-signs or secondary letters +on themselves. {\tt []} will produce a dotted circle {\mm \<00>}, to make +tables like the above, and, last but not least, {\tt >} will +disambiguate the transcription if needed. + +The cillu letters ({\mm \X{\mmV{\<21>}}{\RMF,} \X{\<78>}{\RMF,} \X{\<81>}{\RMF,} \X{\<79>}}, and {\mm \X{\<80>}}) will be +used automatically at the end of words, as well as anusvaram ({\mm \X{\<2>}}). +If a full letter with candrakala is desired, you should +place {\tt <<+} after the final letter, e.g. {\tt t<<+} yields +{\mm \X{\mmV{\<36>}}} and {\tt m<<+} yields {\mm \X{\mmV{\<46>}}}. + +The usage of the {\tt\dollar}-sign by \MT\ overrides its normal +meaning in +\TeX. To enter and leave normal math-mode, you will have to type +{\tt\bslash math}, for display math you just say {\tt\bslash Math}. +The \dollar-sign itself is produced by {\tt\bslash dollar}. + +\beginsection Malayalam transcription + +Malayalam Text can also be printed in scientific transcription. +When you want a Malayalam passage to appear in scientific +transcription, you have to switch to {\it Malayalam-transcription +mode}, which is started and ended with {\tt\dollar\dollar}. The +transcription used follows, but for a few exceptions, the +standardized transcription of the National Library in Calcutta. + +If you want to use a capital letter in Malayalam-transcription mode, +you can precede the letter with a {\tt\char"5E}. This will be ignored +in Malayalam mode. If the need may arise to typeset a whole passage +of transcribed Malayalam in capital letters, the trick can be done +by enclosing it between {\tt\char"5E\char"5E} and +{\tt\char"5E\char"5E}. + +\beginsection Choosing Fonts + +With \MT\ you can use, as in English, several font-styles: +regular, {\sl slanted}, and {\bf bold}. There is no {\it italic}, +since italic fonts, which have a different design are unknown in +Malayalam typography, but the font is available in two flavours, the +normal style, using the same line thickness every where in the +character, and a `calligraphic' version, which shows differences in +line thickness in the character, as if it was written with a +calligraphic pen. Of course, the fonts are provided in several sizes: +6, 8, 10, 12, and 17~points high. + +Every style and size is given a macro, which you have to enter to use +a certain style and size. For example, if you want to use 12pt +Malayalam calligraphic slanted, you say {\tt\bslash twelvemmcsl}. If +you use it in normal mode, the font-change will be in effect the next +time you switch to Malayalam mode, in Malayalam mode, it works +immediately. + +Available fonts are: + +{\bigskip\tt\def\\{\bslash} +\settabs6\columns +\+\\sixmmr & \\eightmmr \cr +\+\\mmr & \\mmsl & \\mmb & \\mmc & \\mmcsl & \\mmcb \cr +\+\\twelvemmr & \\twelvemmsl & \\twelvemmb & \\twelvemmc &\\twelvemmcsl & \\twelvemmcb \cr +\+\\seventeenmmr& \\seventeenmmb& \\seventeenmmc& \\seventeenmmcb\cr +}\bigskip + +A sample of each font-style appears in the Appendix. + +\beginsection {\twelvebf Using the Pre-Processor} + +When you have finished typing (a part of) your document, you cannot +feed it to \TeX\ immediately. First you have to run it trough the +pre-processor, which will replace the Malayalam in transcription you +entered with instructions for \TeX\ to typeset the correct glyphs. The +pre-processor takes care of placing the vowel-signs around +consonants, and using the correct conjuncts for consonants without +intervening vowels. + +To pre-process you document, you type: +\medskip +{\tt ml} {\it input-file output-file} +\medskip +This will process the file for traditional script. If you want to use +the nowadays normal reformed script, say: +\medskip +{\tt mlr} {\it input-file output-file} +\medskip + +Actually, the commands {\tt ml} and {\tt mlr} are two small command +files, which call two programs with various parameters that do the +actual pre-processing. The first is called {\tt patc}, which takes +care of Malayalam-transcription mode, the second is {\tt mm} which +task it is to do the contextual analysis for the Malayalam script. +If you don't use Malayalam transcription in your document, you can +run only {\tt mm} to save some time. + +\beginsection {\twelvebf Advanced Topics} + +This part of this guide explains how to use the components of +\MT\ separately, and how to modify its tables, for +example to change the transcription it understands, or to change the +way it composes conjuncts. It should be read carefully, and care +should be taken when you tamper with the tables, since several tables +depend on each other in delicate ways. If you want to change the +transcription only, the best way is to use Patc to translate your +transcription to the standard transcription. To show you how this +can be accomplished, I have include the file {\tt ack.pat}, that +translates the transcription used on the {\tt alt.culture.kerala} newsgroup +to the transcription used with {\tt mm}, assuming that Malayalam text +is delimited with {\tt\dollar} in the source already (If they are +missing, you should place them manually; it is a non-trivial +task to have a computer automatically recognize Malayalam passages in +English text). With this file, you can convert texts in this +transcription by giving the command: + +\medskip +{\tt patc -p ack.pat {\it input-file output-file}} +\medskip + +\beginsection Patc + +Patc is a program that can translate patterns occurring in a input file +to other patterns in the output file. It is fully table driven, and +both the patterns it reads as well as those it outputs are defined in +tables or {\it pattern-files}. It is an ideal tool to switch from one +transcription scheme to another. Within the \MT\ package it +is used to translate the easy-to-type transcription of Malayalam I +adopted into a sequence of \TeX-commands that will produce scientific +transcription. The transcription it reads and the commands it outputs +are given in a pattern-file called {\tt mm.pat}. + +Patc should be called as follows: + +\medskip +{\tt patc [-v] -p {\it pattern-file input-file output-file}} +\medskip + +The {\tt -v} option tells {\tt patc} to be verbose, and the {\tt -p} +option tells it that the next parameter given is the name of a +pattern file. The last two +parameters tells it to read from {\it input-file} and to write to +{\it output-file}. The actual format of a pattern-file +is described in the documentation that comes with {\tt patc}. (Read +this first, the following sections assume knowledge of its contents) + +\beginsection mm + +{\tt mm} is the `actual' pre-processor, it translates the Roman transcription into Malayalam +script. It uses the correct shapes for vowels depending on whether they +appear initially or after a consonant, and selects the correct +conjuncts. This program, too, is table driven. + +{\tt mm} is called by: + +\medskip +{\tt mm [-{\it option}] [-t {\it transcription-file}] [-s {\it script-file}] {\it input-file} [{\it output-file}]} +\medskip + +Available options are {\tt-v}, {\tt-V}, and {\tt-h}. +The {\tt -v} option tells {\tt mm} to be verbose, if given, +the pre-processor will inform you about files read. +if you give the {\tt-V} option instead, it will also print +a~{\tt.}~for every syllable output, and a {\tt+} every time it is forced +to use a virama instead of a conjunct. When {\tt-h} is given, {\tt mm} +will do nothing but print a help message. + +The {\tt-t} option tells {\tt mm} to read the {\it transcription definition} from +the file given in the next parameter. The transcription definition defines which +Roman characters are used to transcribe Malayalam characters. If it is omitted, +{\tt mm} will use {\tt mmr.trs}. +The {\tt-s} option tells {\tt mm} to read the {\it script definition} from the +file given in the next parameter. The script definition defines which glyphs from the +font are to be used to represent Malayalam characters in various +contexts. If it is omitted, {\tt mm} will use {\tt mmr.scr}, which +defines reformed script. + +The last two parameters tell {\tt mm} where to read its input from and +where to put its output. Default, the name of the input file ends with +{\tt.mm} and the name of the output file with {\tt.tex}. +If the name of the output file is omitted, {\tt mm} +will construct it from the input file name by replacing the extension +of it with {\tt.tex}. + +{\tt mm} will look for it's transcription and script files in the +current directory first, and then in the directory pointed at by the +environment variable {\tt MMDIR}. + +\beginsection Transcription Files + +As stated above, a transcription definition tells the preprocessor +how to interprete an input-file. It not only tells it which sequence +of Roman characters stands for which Malayalam characters, but also how to +separate Malayalam text from English text, which the pre-processor +should leave untouched, and also tells the pre-processor how to +recognize \TeX-commands (in a limited way) and comments --~which it +strips from the input-file. + +A transcription definition is given in a {\it transcription file}. +The general structure of a transcription file is the same as that of a patc +file. Inside a transcription file, the following {\tt\@}-commands can +occur: {\tt\@atbegin}, {\tt\@atend}, {\tt\@table}, and {\tt\@end}. + +{\tt\@atbegin} defines which patterns will start +and {\tt\@atend} defines which patterns that will end Malayalam mode. +You can give several patterns, in double quotes, on the same line as the +command is. A quick glance in {\tt mm.trs} will learn you that, apart +from the {\tt\dollar}-sign, you can also use +{\tt<{}malayalam>} to start Malayalam and {\tt<{}/malayalam>} to end it. +Further, {\tt<{}mlr>} and {\tt<{}/mlr>} are provided to +delimit reformed script, while {\tt<{}ml>} and +{\tt<{}/ml>} delimit traditional script, so that you can use both +in the same document, in which case you will have to run the pre-processor +twice on the input-file. These delimiters are provided, in case +you want to be more clear about the language used, or want to use the +{\tt\dollar}-sign for some other purpose. Imagine writing a book about +the relationships between Dravidian languages, in which most of the +examples are from Tamil, I guess you would prefer to reserve the +{\tt\dollar}-signs for Tamil then (but in that case you will have to +remove them in the current transcription files). + +{\tt\@table} starts the table of patterns that are used for +transcribing Malayalam characters. Each following non-empty line until +the next {\tt\@}-command is considered to be an entry in the table. The +format is basically the same as that of the {\tt\@patterns}-tables of +patc, but you may not use pattern-set switching, and an extra action, +{\tt=} is added. This action maps a transcription pattern to an +internal code. Extreme care is required when changing these codes, +since they are hardwired into the pre-processor, that knows that some +of them are consonants, and others vowels, and uses that knowledge to +perform its task. Also, the same codes are used in the script +definition to identify characters. The codes should match in +the transcription-table, internally in the pre-processor and in the +script-file. + +Finally, {\tt\@end} tells the preprocessor the transcription file has +ended. It will not try the parse the rest, but close immediately after +reading this command. If a file ends before the {\tt\@end} command is +seen, the pre-processor will complain, but that is nothing to bother +about. + +\beginsection Script Files + +A script files contain a script-definition. A script definition tells the +pre-processor how to place graphical elements to represent a string of +characters. Because the output of the pre-processor is fed to \TeX\ +for actual typesetting, the script file contains \TeX-commands to +typeset those graphical elements, to place them on top or below of +another, etc. The general structure of a script file is the same as +that of a transcription file, but, since scripts can be quite +complicated, it can (and will) contain much more commands. In a script +file you will find the following commands: {\tt \@malayalam, +\@atbegin, \@atend, \@atbeginsyllabe, \@atendsyllabe, \@prebuild, +\@primary, \@secondary, \@reepham{\rm, and} \@end}. + +The {\tt\@malayalam} command tells the pre-processor that it is +dealing with Malayalam script. It must be given as the first command +in a script file. At this time the pre-processor does not understand +any other script, but if it will in future, it will be functional, +since pre-processor needs to know which script it is dealing with, +since not all peculiarities of Malayalam script are expressed in +general mechanisms defined in a script file. + +{\tt\@atbegin} defines the sequence that is output every time the +pre-processor enters Malayalam mode. At this time the file {\tt +mm.scr} it contains a begingroup brace and a \TeX-command that selects +the current Malayalam font. + +{\tt\@atend} defines the sequence that is output every time the +pre-processor leaves Malayalam mode, currently only a endgroup brace. + +{\tt\@atbeginsyllabe} and {\tt @atendsyllabe} define the sequences +that are output at the begin respectively the end of every syllable. In +{\tt mm.scr} you will find commands that make a separate h-box of +every syllable. + +{\tt\@prebuild} starts a table that defines a sequence of +\TeX-commands for each character and for sequences of characters for +which the general construction method will fail. Each non-empty line +of the table describes how to typeset a sequence of one or more +characters. The first element of the line is the character sequence in +the character string, the second element the sequence of \TeX-commands +that will produce its graphical representation. If the pre-processor +encounters a single character for which no way of typesetting it is +given in this table, it will complain, and forget the character. + +{\tt\@primary} starts a table that defines the \TeX-commands for each +character and for sequences of characters when they occur at the start +of a syllable. Every entry in this table contains three elements. The +first is the character-sequence, the second the \TeX-commands that +will be placed in front of the syllable, the third the \TeX-commands +that will be placed after it. In {\tt mm.scr} this table is very +short, since Malayalam script does not modify the first letters of a +syllable (as in Devanagari), but the last ones. The only entry +describes the reepham character. + +{\tt\@secondary} starts a table that defines the \TeX-commands for each +character and for sequences of characters when they occur at the end +of a syllable. The table has the same format as the {\tt\@primary} +table, but in {\tt mm.scr} it is much longer, since it defines the +glyphs for all the vowel-signs, and for the secondary variants of +{\mm \X{\<47>}}, {\mm \X{\<48>}}, {\mm \X{\<50>}}, and {\mm \X{\<53>}}. + +{\tt\@reepham} tells the pre-processor that a traditional style +reepham is used: a little upright stroke centered above the +consonant (cluster). This command is needed because otherwise, the +pre-processor will center the reepham, incorrectly, above the whole +syllable. + +\beginsection Macros defined by \MT + +The traditional Malayalam script is so complicated, that it was impossible +to fit all needed glyphs into a single \TeX-font. Therefore, a Malayalam +font consists of two physical fonts, one with characters at normal size, +called the {\it base-font}, and +one with smaller sized characters, called the {\it sub-font}, that can be +used to build conjunct characters on the fly. + +One can be tempted to use a normal font for a smaller size for this purpose, +but that wouldn't work out as nice, since smaller sized fonts are +normally also drawn with thinner lines, while the sub-font is drawn with +exactly the same pen as the base-font --~and also some other parameters +are set in such a way that composing conjuncts will work fine. + +The pre-processor uses a macro ({\tt\bslash Z}) to switch to the sub-font, +if a glyph from that font is needed. It is not aware of the current style used. +This means that {\tt\bslash Z} has to be redefined to select the correct +sub-font, depending on current style. This is done behind the scenes when +you select a font style. + +The macro that selects a font style, sets the base-font, the sub-font, and +a corresponding roman font from with several punctuation marks are borrowed, and, +when in Malayalam mode, makes the base-font current, otherwise the base-font +is made current when Malayalam mode is entered. +For a font styles in Malayalam three fonts need to be loaded in as follows: + +\bigskip + +\settabs\+{\tt XfontXtwelvemmfXmm12sXXXXXXX}&second\cr +{\def\\{\bslash} +\+{\tt\\font\\twelvemmf=mm12} & load the base-font\cr +\+{\tt\\font\\twelvemmsf=mm12s} & load the sub-font\cr +\+{\tt\\font\\twelverm=cmr12} & load the roman font for punctuation marks\cr +} + +\bigskip + +An example of a macro to select a style is + +\bigskip + +{\def\\{\bslash}\def\{{\char"7B}\def\}{\char"7D}\def\perc{\char"25}\tt +\+\\def\\twelvemmr\{\perc & {\rm to select {\tt\\twelvemmr}:} \cr +\+\quad\\let\\mmcurf=\\twelvemmf & {\rm define the current base-font,} \cr +\+\quad\\let\\mmcursf=\\twelvemmsf & {\rm define the current sub-font,} \cr +\+\quad\\let\\mmcurrm=\\twelverm & {\rm define the current roman font,}\cr +\+\quad\\mmcbls=15.6pt & {\rm set the current baselineskip,} \cr +\+\quad\\ifmmmode\\setmm\\fi\} & {\rm and if we are in Malayalam mode select it.}\cr +} + +\bigskip + +If you wish to include more styles, you should define new font selection +macro's following this example. The baselineskip should be larger than +for roman text, since Malayalam script tends to have taller characters. + +\bigskip + +The \TeX-macros given in {\tt mm.scr} to compose glyphs are all +one-letter macros. +They are defined in the file {\tt mmmacs.tex}. Care is taken that they +do not redefine standard \TeX\ macros, and you should not redefine +them in your document. They are the following: + +\bigskip + +{\tt\bslash<\#1>}: typeset glyph number {\tt\#1} from the current font. + +{\tt\bslash B\#1\#2}: put {\tt\#2} centered below {\tt\#1}. This is used, +for example, to build <ml>zhu</ml> from <ml>zha</ml> and +<ml>{}<<u</ml> in traditional script. + +{\tt\bslash M\#1\#2}: put {\tt\#2} right below {\tt\#1}. This is used to +build, for example, to build {\mm \X{\M{\<42>}{\<85>}}} from {\mm \X{\<42>}} and {\mm {}\M{\hbox{}}{\<85>}}. Note that if the subscribed character is +wider than the character it is subscribed to, the width of the resulting box +will be adjusted. This happens when <ml>pra</ml> is build from <ml>pa</ml> +and <ml>{}<<ra</ml>. + +{\tt\bslash T\#1\#2}: put {\tt\#1} centered on top of {\tt\#2}. This is +used to position the reepham stroke in traditional script. + +{\tt\bslash Z}: switch to the subfont, the font that contains the +somewhat smaller glyphs that are subscribed to characters. + +{\tt\bslash R\#1\#2}: decrease the height of box {\tt\#2} by {\tt\#1}. + +{\tt\bslash K\#1}: kern {\tt\#1} em. + +{\tt\bslash X\#1}: equivalent to {\tt\bslash hbox\#1}. + + +\input tamil.tex + +\input dng.tex + +\bye + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex new file mode 100644 index 00000000000..bbf5464dd72 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmmacs.tex @@ -0,0 +1,139 @@ +% mmmacs -- macros for Malayalam TeX +% (c) 1993 Jeroen Hellingman +% last edit: 02-APR-1993 +% +% History: +% 02-APR-1993 made virama stick out halfway. (JH) +% 12-JAN-1993 version 1.0 (Jeroen Hellingman) + +\ifx\mmmacsloaded\relax\endinput\else\let\mmmacsloaded=\relax\fi + +%%%%%% fonts + +\input mmfont.tex % load fonts + +%%%%%% font selection + +\newdimen\mmcbls % Malayalam Current BaseLineSkip +\def\mmslant{0} % slant factor of current Malayalam font +\newif\ifmmmode\mmmodefalse + +% trick from the TeXbook, p. 375 +{\catcode`p=12 \catcode`t=12 \gdef\xxx#1pt{#1}} +\let\getfactor=\xxx +\def\getslant#1{\expandafter\getfactor\the\fontdimen1#1} + +\def\Z{\mmcursf} +\def\RMF{\mmcurrm} + +\def\mm{\setmm\noexpand\mmmodetrue} +\def\setmm{\pretolerance=9999\tolerance=5000\hyphenpenalty=10000% + \language=13\mmcurf\gdef\mmslant{\getslant\mmcurf}% + \baselineskip=\mmcbls\emergencystretch=30pt} + +\mmr % select Malayalam Regular 10pt + +%%%%%% glyph composing macros + +% put #1 centered on top of #2, taking into account \mmslant +\def\puton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}% + \dimen0=.5\wd0\advance\dimen0by.5\wd1% + \dimen1=\ht0\advance\dimen1by\dp1% + \dimen3=.5\wd0\advance\dimen3by-.5\wd1% + \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts + \advance\dimen0by-\dimen5 + \advance\dimen3by-\dimen5 + \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}} + +% put #1 to the right on top of #2, taking into account \mmslant +\def\putrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}% + \dimen0=\wd1% + \dimen1=\ht0\advance\dimen1by\dp1% + \dimen3=0pt% + \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts + \advance\dimen0by-\dimen5 + \advance\dimen3by-\dimen5 + \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}} + +% put #1 to the far right on top of #2, taking into account \mmslant +% #1 will stick partly out #2, for placing virama +\def\putfarrighton#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}% + \dimen0=0.667\wd1% + \dimen1=\ht0\advance\dimen1by\dp1% + \dimen3=-0.333\wd1% + \dimen5=\mmslant\dimen1 % calculate correction needed for slanted fonts + \advance\dimen0by-\dimen5 + \advance\dimen3by-\dimen5 + \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}} + +\def\mmV#1{\putfarrighton{\N{.8}{\<77>}}{#1}} % place virama + +% put #1 centered underneath #2, taking into account \mmslant +\def\putbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}% + \dimen0=.5\wd0\advance\dimen0by.5\wd1% + \dimen1=\dp0\advance\dimen1by\ht1% + \dimen3=.5\wd0\advance\dimen3by-.5\wd1% + % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra. + \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0% + \hbox{}\kern0.5\dimen7% + \advance\dimen3by0.5\dimen7% + \fi + \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts + \advance\dimen0by-\dimen5 + \advance\dimen3by-\dimen5 + \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}} +\def\B#1#2{\putbelow{#2}{#1}} + +% put #1 right aligned underneath #2, taking into account \mmslant +\def\putrightbelow#1#2{\hskip0pt{\setbox1=\hbox{#1}\setbox0=\hbox{#2}% + \dimen1=\dp0\advance\dimen1by\ht1% + % test: if #1 wider than #2, kern wd1-wd0 extra. + \ifdim\wd1>\wd0\dimen0=\wd1\advance\dimen0by-\wd0\kern\dimen0\fi + \dimen5=-\mmslant\dimen1 % calculate correction needed for slanted fonts + \box0\kern-\wd1% + \ifdim\dimen5=0pt\else\kern\dimen5\fi % avoid unneccessary kerns + \lower\dimen1\box1 + \ifdim\dimen5=0pt\else\kern-\dimen5\fi}} + +% lower height of box #2 with #1 +% to be used in conjunction with \M to construct consonant clusters +\def\R#1#2{\setbox0=\hbox{#2}% + \dimen0=\ht0\advance\dimen0by-#1% + \ht0=\dimen0\box0} + +% lower glyph #2 with #1 ex +% to be used to lower the virama sign when it is placed on top of a glyph +\def\N#1#2{\setbox0=\hbox{\lower#1ex\hbox{#2}}\dp0=0pt\box0} + +%%%%%% single letter commands + +\def\D#1{{\mm\char#1}} % show single Malayalam characters +\def\C{\char} +\def\K#1{\kern#1em} +\def\T{\puton} +\def\Q#1#2{\putrighton{#2}{#1}} +\def\M#1#2{\putrightbelow{#2}{#1}} +\def\X{\leavevmode\hbox} +\def\<#1>{\leavevmode{\char#1}} + +%%%%%% digit usage + +\newif\ifmmfigs\mmfigsfalse + +\def\mmfigures{\mmfigstrue} +\def\rmfigures{\mmfigsfalse} + +\def\mmzero{\ifmmfigs\<102>\else{\RMF 0}\fi} +\def\mmone{\ifmmfigs\<103>\else{\RMF 1}\fi} +\def\mmtwo{\ifmmfigs\<104>\else{\RMF 2}\fi} +\def\mmthree{\ifmmfigs\<105>\else{\RMF 3}\fi} +\def\mmfour{\ifmmfigs\<106>\else{\RMF 4}\fi} +\def\mmfive{\ifmmfigs\<107>\else{\RMF 5}\fi} +\def\mmsix{\ifmmfigs\<108>\else{\RMF 6}\fi} +\def\mmseven{\ifmmfigs\<109>\else{\RMF 7}\fi} +\def\mmeight{\ifmmfigs\<110>\else{\RMF 8}\fi} +\def\mmnine{\ifmmfigs\<111>\else{\RMF 9}\fi} + +\endinput + +%%%%%% end of mmmacs diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex new file mode 100644 index 00000000000..e317417348e --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmphmacs.tex @@ -0,0 +1,22 @@ +% mmtrmacs -- macros for Malayalam text in phonetic script +% copyright 1992 Jeroen Hellingman +% last edit: 21-JUL-1992 + +% we use the wsuipa font + +\font\ipa=wsuipa10 + +\def\mmph{% + \def\m{{\ipa\char"34}}% + \def\ng{{\ipa\char"38}}% + \def\ny{{\ipa\char"37}}% + \def\nn{{\ipa\char"39}}% + \def\tt{{\ipa\char"50}}% + \def\dd{{\ipa\char"11}}% + \def\ll{{\ipa\char"30}}% + \def\sh{{\ipa\char"4D}}% + \def\ss{{\ipa\char"4C}}% + \def\rr{{\ipa\char"46}}% + \def\u{{\ipa\char"15}}} + +% eof diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex new file mode 100644 index 00000000000..a770baea1be --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqfont.tex @@ -0,0 +1,105 @@ +% mmqfont.tex -- load fonts for Malayalam TeX (quickly, only essentials) +% copyright 1993 Jeroen Hellingman +% last edit: 02-JAN-1993 + +\ifx\mmfontsloaded\relax\endinput\else\let\mmfontsloaded=\relax\fi + +%%%%%% fonts (use only the most `essential', the others will be replaced) + +\font\mmf=mm10 % Malayalam Regular 10pt +\font\mmsf=mm10s % Malayalam Regular 10pt Subscript + +\font\twelvemmf=mm12 % Malayalam Regular 12pt +\font\twelvemmsf=mm12s % Malayalam Regular 12pt Subscript +\font\twelverm=cmr12 + +%%%%%% Replacements for the other fonts: + +\let\seventeenmmf=\twelvemmf % Malayalam Regular 17pt +\let\seventeenmmsf=\twelvemmsf % Malayalam Regular 17pt Subscript +\let\seventeenrm=\twelverm + +\let\sixmmf=\mmf % Malayalam Regular 6pt +\let\sixmmsf=\mmsf % Malayalam Regular 6pt Subscript +\let\sixrm=\rm + +\let\eightmmf=\mmf % Malayalam Regular 8pt +\let\eightmmsf=\mmsf % Malayalam Regular 8pt Subscript + +\let\mmbf=\mmf % Malayalam Bold 10pt +\let\mmbsf=\mmsf % Malayalam Bold 10pt Subscript +\let\mmslf=\mmf % Malayalam Slanted 10pt +\let\mmslsf=\mmsf % Malayalam Slanted 10pt Subscript +\let\mmcf=\mmf % Malayalam Calligraphic Regular 10pt +\let\mmcsf=\mmsf % Malayalam Calligraphic Regular 10pt Subscript +\let\mmcbf=\mmf % Malayalam Calligraphic Bold 10pt +\let\mmcbsf=\mmsf % Malayalam Calligraphic Bold 10pt Subscript +\let\mmcslf=\mmf % Malayalam Calligraphic Slanted 10pt +\let\mmcslsf=\mmsf % Malayalam Calligraphic Slanted 10pt Subscript + +\let\twelvemmsf=\twelvemmsf % Malayalam Regular 12pt Subscript +\let\twelvemmbf=\twelvemmf % Malayalam Bold 12pt +\let\twelvemmbsf=\twelvemmsf % Malayalam Bold 12pt Subscript +\let\twelvemmslf=\twelvemmf % Malayalam Slanted 12pt +\let\twelvemmslsf=\twelvemmsf % Malayalam Slanted 12pt Subscript +\let\twelvemmcf=\twelvemmf % Malayalam Calligraphic Regular 12pt +\let\twelvemmcsf=\twelvemmsf % Malayalam Calligraphic Regular 12pt Subscript +\let\twelvemmcbf=\twelvemmf % Malayalam Calligraphic Bold 12pt +\let\twelvemmcbsf=\twelvemmsf % Malayalam Calligraphic Bold 12pt Subscript +\let\twelvemmcslf=\twelvemmf % Malayalam Calligraphic Slanted 12pt +\let\twelvemmcslsf=\twelvemmsf % Malayalam Calligraphic Slanted 12pt Subscript +\let\twelvebf=\twelverm +\let\twelvesl=\twelverm + +\let\seventeenmmcf=\seventeenmmf % Malayalam Calligraphic Regular 17pt +\let\seventeenmmcsf=\seventeenmmsf % Malayalam Calligraphic Regular 17pt Subscript +\let\seventeenmmbf=\seventeenmmf % Malayalam Bold 17pt +\let\seventeenmmbsf=\seventeenmmsf % Malayalam Bold 17pt Subscript +\let\seventeenmmcbf=\seventeenmmf % Malayalam Calligraphic Bold 17pt +\let\seventeenmmcbsf=\seventeenmmsf % Malayalam Calligraphic Bold 17pt Subscript +\let\seventeenbf=\seventeenrm + +%%%%%% font-selection macros + +\def\sixmmr{\let\mmcurf=\sixmmf\let\mmcursf=\sixmmsf\let\mmcurrm=\sixrm + \mmcbls=7.8pt\ifmmmode\setmm\fi} + +\def\eightmmr{\let\mmcurf=\eightmmf\let\mmcursf=\eightmmsf\let\mmcurrm=\sevenrm + \mmcbls=10.5pt\ifmmmode\setmm\fi} + +\def\mmr{\let\mmcurf=\mmf\let\mmcursf=\mmsf\let\mmcurrm=\rm + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmsl{\let\mmcurf=\mmslf\let\mmcursf=\mmslsf\let\mmcurrm=\sl + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmb{\let\mmcurf=\mmbf\let\mmcursf=\mmbsf\let\mmcurrm=\bf + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmc{\let\mmcurf=\mmcf\let\mmcursf=\mmcsf\let\mmcurrm=\rm + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmcsl{\let\mmcurf=\mmcslf\let\mmcursf=\mmcslsf\let\mmcurrm=\sl + \mmcbls=13pt\ifmmmode\setmm\fi} +\def\mmcb{\let\mmcurf=\mmcbf\let\mmcursf=\mmcbsf\let\mmcurrm=\bf + \mmcbls=13pt\ifmmmode\setmm\fi} + +\def\twelvemmr{\let\mmcurf=\twelvemmf\let\mmcursf=\twelvemmsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmsl{\let\mmcurf=\twelvemmslf\let\mmcursf=\twelvemmslsf\let\mmcurrm=\twelvesl + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmb{\let\mmcurf=\twelvemmbf\let\mmcursf=\twelvemmbsf\let\mmcurrm=\twelvebf + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmc{\let\mmcurf=\twelvemmcf\let\mmcursf=\twelvemmcsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmcsl{\let\mmcurf=\twelvemmcslf\let\mmcursf=\twelvemmcslsf\let\mmcurrm=\twelvesl + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\twelvemmcb{\let\mmcurf=\twelvemmcbf\let\mmcursf=\twelvemmcbsf\let\mmcurrm=\twelvebf + \mmcbls=15.6pt\ifmmmode\setmm\fi} + +\def\seventeenmmr{\let\mmcurf=\seventeenmmf\let\mmcursf=\seventeenmmsf\let\mmcurrm=\seventeenrm + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmc{\let\mmcurf=\seventeenmmcf\let\mmcursf=\seventeenmmcsf\let\mmcurrm=\seventeenrm + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmb{\let\mmcurf=\seventeenmmbf\let\mmcursf=\seventeenmmbsf\let\mmcurrm=\seventeenbf + \mmcbls=22.5pt\ifmmmode\setmm\fi} +\def\seventeenmmcb{\let\mmcurf=\seventeenmmcbf\let\mmcursf=\seventeenmmcbsf\let\mmcurrm=\seventeenbf + \mmcbls=22.5pt\ifmmmode\setmm\fi} + +%%%%%% end of mmqfont.tex diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex new file mode 100644 index 00000000000..6330d9af538 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmqmacs.tex @@ -0,0 +1,9 @@ +% mmqmacs.tex -- load macros for Malayalam TeX (quickly, only essential fonts will be used) +% copyright 1993 Jeroen Hellingman +% last edit: 02-JAN-1993 + +\input mmqfont +\input mmmacs + +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm new file mode 100644 index 00000000000..7c4ea4af716 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.mm @@ -0,0 +1,64 @@ +% mmsample.mm -- Sample of each style +% (c) 1993 Jeroen Hellingman +% Last edit: 04-JAN-1993 + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\emergencystretch=50pt + +\centerline{\twelvebf Samples} + +% ``How within the period of three years a gentleman may change into +% an evident profligate is something that I cannot comprehend.'' + +\bigskip + +{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright +{\sixmmr\mmcurrm Malayalam Regular 6pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\eightmmr\mmcurrm Malayalam Regular 8pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\mmr\mmcurrm Malayalam Regular 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\mmsl\mmcurrm Malayalam Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\mmb\mmcurrm Malayalam Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\mmc\mmcurrm Malayalam Calligraphic 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\twelvemmr\mmcurrm Malayalam Regular 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\twelvemmb\mmcurrm Malayalam Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} +{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku boodhippaan vahiyaa.\smallskip$} + +{\seventeenmmr\mmcurrm Malayalam Regular 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$} +{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu enikku\smallskip$} +{\seventeenmmb\mmcurrm Malayalam Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat pookkiri aayibhaviccatu\smallskip$} +{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: $muunnu saMvatsaran"n"aL+>>kkakaM oru maryyaadasvan +oru saakSaat\smallskip$} +} + +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex new file mode 100644 index 00000000000..cfaa6e09423 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmsample.tex @@ -0,0 +1,59 @@ + +\input mmmacs +\input mmtrmacs + +\parindent=0pt +\emergencystretch=50pt + +\centerline{\twelvebf Samples} + + +\bigskip + +{\parindent=-25pt\leftskip=25pt\overfullrule=0pt\raggedright +{\sixmmr\mmcurrm Malayalam Regular 6pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\eightmmr\mmcurrm Malayalam Regular 8pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\mmr\mmcurrm Malayalam Regular 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\mmsl\mmcurrm Malayalam Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\mmb\mmcurrm Malayalam Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\mmc\mmcurrm Malayalam Calligraphic 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\mmcsl\mmcurrm Malayalam Calligraphic Slanted 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\mmcb\mmcurrm Malayalam Calligraphic Bold 10pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\twelvemmr\mmcurrm Malayalam Regular 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\twelvemmsl\mmcurrm Malayalam Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\twelvemmb\mmcurrm Malayalam Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\twelvemmc\mmcurrm Malayalam Calligraphic 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\twelvemmcsl\mmcurrm Malayalam Calligraphic Slanted 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} +{\twelvemmcb\mmcurrm Malayalam Calligraphic Bold 12pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>} \X{\<71>\<44>\<62>}\X{\<39>\<63>}\X{\<242>\<62>}\X{\<79>} \X{\<53>}\X{\<57>\<63>}\X{\<47>\<62>}{\RMF.}\smallskip}} + +{\seventeenmmr\mmcurrm Malayalam Regular 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}} +{\seventeenmmc\mmcurrm Malayalam Calligraphic 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>} \X{\<14>}\X{\<40>\<63>}\X{\<160>\<72>}\smallskip}} +{\seventeenmmb\mmcurrm Malayalam Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>} \X{\<71>\<42>\<62>}\X{\<160>\<63>}\X{\<48>\<63>} \X{\<6>}\X{\<47>\<63>}\X{\<45>}\X{\<53>\<63>}\X{\<247>}\X{\<36>\<72>}\smallskip}} +{\seventeenmmcb\mmcurrm Malayalam Calligraphic Bold 17pt: {\mm \X{\<46>\<73>}\X{\<167>\<72>} \X{\<56>}\<2>\X{\<53>}\X{\<221>}\X{\<48>}\X{\<161>}\X{\<82>}\hbox{}\X{\<160>}\X{\<21>}\<2> \X{\<18>}\X{\<48>\<72>} \X{\<46>}\X{\<80>\<249>\<62>}\X{\<38>}\X{\<56>\K{-.5}\<86>}\X{\<79>} +\X{\<18>}\X{\<48>\<72>} \X{\<56>\<62>}\X{\<251>\<62>}\X{\<81>}\smallskip}} +} + +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm new file mode 100644 index 00000000000..a296bca277f --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmscript.mm @@ -0,0 +1,39 @@ + +The vowels, $svaraM$, or $uyir$. + +($hrasvaM$ or short vowels and $diirghaM$, or long vowels + +the $vyanjanaM$, or consonants: + +\vfill\eject + +the $varggyaM$, or `letters in classes': + +\def\q{\quad\hfill} +\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000\noindent#2}}} +\def\malstrut{\vtop to4pt{}\vbox to10pt{}} +{\twelvemmr\halign{\malstrut\col{5cm}{#}\q + &\col{1.5cm}{#}\q + &\col{1.5cm}{#}\q + &\col{1.5cm}{#}\q + &\col{1.5cm}{#}\q + &\col{1.5cm}{#}\q\cr +$varggaM$, or class & +$kharaM$, `hard' or `strong' & +$atikharaM$, `very hard' & +$m.rdu$, `soft' & +$ghooSaM$, `voice' & +$anunaasikaM$, `nasal' \cr +$kaNTyaM$, or velar sounds & $ka$ & $kha$ & $ga$ & $gha$ & $n"a$ \cr +$taalavyaM$, or palatal sounds & $ca$ & $cha$ & $ja$ & $jha$ & $n~a$ \cr +$muurdhanyaM$, or retroflex sounds & $Ta$ & $Tha$ & $Da$ & $Dha$ & $Na$ \cr +$dantyaM$, or dental sounds & $ta$ & $tha$ & $da$ & $dha$ & $na$ \cr +$oSThyaM$, or labial sounds & $pa$ & $pha$ & $ba$ & $bha$ & $ma$ \cr +\noalign{\hrule} +$antastha$, $iTaiyinaM$, or $madhyamaM$, `intermediate' +consonants & $ya$ & $ra$ & $la$ & $va$ \cr +$uuSmaavu+$, or fricatives & $sha$ & $Sa$ & $sa$ & $ha$ \cr +Dravidian consonants & $La$ & $zha$ & $Ra$ \cr +}} +\medskip + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm new file mode 100644 index 00000000000..5c796fe4745 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.mm @@ -0,0 +1,108 @@ +% mmtable.mm -- table of malayaaLam script +% copyright 1992 Jeroen Hellingman +% last edit: 25-DEC-1992 + +\input mmmacs +\input mmtrmacs +\input mmphmacs + +\parindent=0pt + +\centerline{\twelvebf Table of Malayalam letters with transcription} + +\bigskip + +\def\q{\quad\hfill} +\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}} +\def\malstrut{\vtop to4pt{}\vbox to10pt{}} +\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr +\col{1.75cm}{normal character shape} & +\col{1.75cm}{secondary form} & +\col{1.75cm}{\rm ASCII transcription} & +\col{1.75cm}{scientific transcription} & +\col{4cm}{remark} \cr +\noalign{\hrule} +$a$ & & a & $$a$$ & $$a$$ is inherent in consonants. \cr +$aa$ & $[]<<aa$ & aa & $$aa$$ \cr +$i$ & $[]<<i$ & i & $$i$$ \cr +$ii$ & $[]<<ii$ & ii & $$ii$$ & older form: $MraM$, $M[]M$. \cr +$u$ & $[]<<u$ & u & $$u$$ & irregular secundary shape. \cr +$uu$ & $[]<<uu$ & uu & $$uu$$ & idem. \cr +$.r$ & $[]<<.r$ & .r & $$.r$$ (\r{r}) & used in Sanskrit loan words. \cr +$.r.r$ & $[]<<.r.r$& .r.r & $$.r.r$$ (\r{\=r}) & only used in a few Sanskrit words. \cr +$.l$ & $[].l$ & .l & $$.l$$ (\r{l}) & idem. \cr +$.l.l$ & $[].l.l$ & .l.l & $$.l.l$$ (\r{\=l}) & not used in any word at all. \cr +$e$ & $[]<<e$ & e & $$e$$ \cr +$ee$ & $[]<<ee$ & ee & $$ee$$ \cr +$ai$ & $[]<<ai$ & ai & $$ai$$ \cr +$o$ & $[]<<o$ & o & $$o$$ \cr +$oo$ & $[]<<oo$ & oo & $$oo$$ \cr +$au$ & $[]<<au$ & au & $$au$$ & now normally written $[]<<au"$, ({\tt au"}). \cr +\noalign{\hrule} +$aM$ & $[]M$ & aM & $$aM$$ ({\mmph a\m}) & anusvara, or $muRakkaM$. \cr +$aH$ & $[]H$ & aH & $$aH$$ & visarga, or $visarggaM$. \cr +\noalign{\hrule} +$ka$ & $[]<<ka$ & ka & $$ka$$ \cr +$kha$ & & kha & $$kha$$ \cr +$ga$ & & ga & $$ga$$ \cr +$gha$ & & gha & $$gha$$ \cr +$n"a$ & & n"a & $$n"a$$ ({\mmph \ng a}) \cr +\noalign{\hrule} +$ca$ & & ca & $$ca$$ (\v ca) \cr +$cha$ & & cha & $$cha$$ (\v cha) \cr +$ja$ & & ja & $$ja$$ (\v\j a) \cr +$jha$ & & jha & $$jha$$ (\v\j ha) \cr +$n~a$ & & n\~{}a & $$n~a$$ ({\mmph\ny a}) \cr +\noalign{\hrule} +$Ta$ & & Ta & $$Ta$$ ({\mmph\tt a}) \cr +$Tha$ & & Tha & $$Tha$$ ({\mmph\tt ha}) \cr +$Da$ & & Da & $$Da$$ ({\mmph\dd a}) \cr +$Dha$ & & Dha & $$Dha$$ ({\mmph\dd ha}) \cr +$Na$ & & Na & $$Na$$ ({\mmph\nn a}) \cr +\noalign{\hrule} +$ta$ & & ta & $$ta$$ \cr +$tha$ & & tha & $$tha$$ \cr +$da$ & & da & $$da$$ \cr +$dha$ & & dha & $$dha$$ \cr +$na$ & & na, n\_a & $$na, n_a$$ (\v na) \cr +\noalign{\hrule} +$pa$ & & pa & $$pa$$ \cr +$pha$ & & pha, fa & $$pha$$, $$fa$$ \cr +$ba$ & & ba & $$ba$$ \cr +$bha$ & & bha & $$bha$$ \cr +$ma$ & & ma & $$ma$$ \cr +\noalign{\hrule} +$ya$ & $[]<<ya$ & ya & $$ya$$ \cr +$ra$ & $[]<<ra$ & ra & $$ra$$ & primary shape: $r<<[]$ \cr +$Ra$ & $[]<<Ra$ & Ra, t\_a & $$Ra$$ (\v ra, \dd ra), $$t_a$$ & $valiya Ra$, `large $$Ra$$'. \cr +$RRa$ & & RRa, t\_t\_a & $$RRa$$ \cr +$la$ & $[]<<la$ & la & $$la$$ \cr +$va$ & $[]<<va$ & va & $$va$$ \cr +$sha$ & & sha & $$sha$$ (sha, {\mmph\sh a}) & $ciRiya sha$, `small $$sha$$'. \cr +$Sa$ & & Sa & $$Sa$$ ({\mmph\ss a}) & $valiya Sa$, `large $$Sa$$'. \cr +$sa$ & & sa & $$sa$$ \cr +$ha$ & & ha & $$ha$$ \cr +$La$ & & La & $$La$$ ({\mmph\ll a}) & $valiya La$, `large $$La$$'. \cr +$zha$ & & zha & $$zha$$ (\dd la, {\mmph\rr a}) \cr +\noalign{\hrule} + & $[]<<+$ & + & & virama, or $candrakala$, `cresent'. \cr + & $[]<<u+$ & u+ & $$u+$$ (\.u, {\mmph\u}) & half $$u+$$, or $arayukaram$. \cr +\noalign{\hrule} +$0$ & & 0 & 0 \cr +$1$ & & 1 & 1 \cr +$2$ & & 2 & 2 \cr +$3$ & & 3 & 3 \cr +$4$ & & 4 & 4 \cr +$5$ & & 5 & 5 \cr +$6$ & & 6 & 6 \cr +$7$ & & 7 & 7 \cr +$8$ & & 8 & 8 \cr +$9$ & & 9 & 9 \cr +\noalign{\hrule} + & & << & & join. \cr + & & >> & & non-join. \cr +$[]$ & & [] & $$[]$$ & dotted circle. \cr + & & > & & disambiguating character. \cr +} + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex new file mode 100644 index 00000000000..0f92518ac1e --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtable.tex @@ -0,0 +1,105 @@ + +\input mmmacs +\input mmtrmacs +\input mmphmacs + +\parindent=0pt + +\centerline{\twelvebf Table of Malayalam letters with transcription} + +\bigskip + +\def\q{\quad\hfill} +\def\col#1#2{\hbox{\vtop{\hsize=#1\raggedright\tolerance=10000#2}}} +\def\malstrut{\vtop to4pt{}\vbox to10pt{}} +\halign{\malstrut\twelvemmr#\q&\twelvemmr#\q&\tt#\q&#\q&#\q&\col{4cm}{#}\q\cr +\col{1.75cm}{normal character shape} & +\col{1.75cm}{secondary form} & +\col{1.75cm}{\rm ASCII transcription} & +\col{1.75cm}{scientific transcription} & +\col{4cm}{remark} \cr +\noalign{\hrule} +{\mm \X{\<5>}} & & a & {\mmtr a} & {\mmtr a} is inherent in consonants. \cr +{\mm \X{\<6>}} & {\mm \<00>\<62>} & aa & {\mmtr \=a} \cr +{\mm \X{\<7>}} & {\mm \<00>\<63>} & i & {\mmtr i} \cr +{\mm \X{\<7>\<87>}} & {\mm \<00>\<64>} & ii & {\mmtr {\=\i}} & older form: {\mm \<2>\X{\<48>}\<2>}, {\mm \<2>\<00>\<2>}. \cr +{\mm \X{\<9>}} & {\mm \M{\<00>}{\<65>}} & u & {\mmtr u} & irregular secundary shape. \cr +{\mm \X{\<9>\<87>}} & {\mm \M{\<00>}{\<66>}} & uu & {\mmtr \=u} & idem. \cr +{\mm \X{\<11>}} & {\mm \M{\<00>}{\<67>}} & .r & {\mmtr \d r} (\r{r}) & used in Sanskrit loan words. \cr +{\mm \X{\<96>}} & {\mm \M{\<00>}{\<68>}}& .r.r & {\mmtr {\rii}} (\r{\=r}) & only used in a few Sanskrit words. \cr +{\mm \X{\<12>}} & {\mm \<00>\X{\<12>}} & .l & {\mmtr \d l} (\r{l}) & idem. \cr +{\mm \X{\<97>}} & {\mm \<00>\X{\<97>}} & .l.l & {\mmtr {\lii}} (\r{\=l}) & not used in any word at all. \cr +{\mm \X{\<14>}} & {\mm \<70>\<00>} & e & {\mmtr e} \cr +{\mm \X{\<15>}} & {\mm \<71>\<00>} & ee & {\mmtr \=e} \cr +{\mm \X{\<70>\<14>}} & {\mm \<70>\<70>\<00>} & ai & {\mmtr ai} \cr +{\mm \X{\<18>}} & {\mm \<70>\<00>\<62>} & o & {\mmtr o} \cr +{\mm \X{\<18>\<62>}} & {\mm \<71>\<00>\<62>} & oo & {\mmtr \=o} \cr +{\mm \X{\<18>\<87>}} & {\mm \<70>\<00>\<87>} & au & {\mmtr au} & now normally written {\mm \<00>\<87>}, ({\tt au"}). \cr +\noalign{\hrule} +{\mm \X{\<5>}\<2>} & {\mm \<00>\<2>} & aM & {\mmtr a\d m} ({\mmph a\m}) & anusvara, or {\mm \X{\M{\<46>}{\<65>}}\X{\<49>}\X{\<160>}\<2>}. \cr +{\mm \X{\<5>}\<3>} & {\mm \<00>\<3>} & aH & {\mmtr a\d h} & visarga, or {\mm \X{\<53>\<63>}\X{\<56>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\<2>}. \cr +\noalign{\hrule} +{\mm \X{\<21>}} & {\mm \M{\<00>}{\<112>}} & ka & {\mmtr ka} \cr +{\mm \X{\<22>}} & & kha & {\mmtr kha} \cr +{\mm \X{\<23>}} & & ga & {\mmtr ga} \cr +{\mm \X{\<24>}} & & gha & {\mmtr gha} \cr +{\mm \X{\<25>}} & & n"a & {\mmtr \.na} ({\mmph \ng a}) \cr +\noalign{\hrule} +{\mm \X{\<26>}} & & ca & {\mmtr ca} (\v ca) \cr +{\mm \X{\<27>}} & & cha & {\mmtr cha} (\v cha) \cr +{\mm \X{\<28>}} & & ja & {\mmtr ja} (\v\j a) \cr +{\mm \X{\<29>}} & & jha & {\mmtr jha} (\v\j ha) \cr +{\mm \X{\<30>}} & & n\~{}a & {\mmtr \~na} ({\mmph\ny a}) \cr +\noalign{\hrule} +{\mm \X{\<31>}} & & Ta & {\mmtr \d ta} ({\mmph\tt a}) \cr +{\mm \X{\<32>}} & & Tha & {\mmtr \d tha} ({\mmph\tt ha}) \cr +{\mm \X{\<33>}} & & Da & {\mmtr \d da} ({\mmph\dd a}) \cr +{\mm \X{\<34>}} & & Dha & {\mmtr \d dha} ({\mmph\dd ha}) \cr +{\mm \X{\<35>}} & & Na & {\mmtr \d na} ({\mmph\nn a}) \cr +\noalign{\hrule} +{\mm \X{\<36>}} & & ta & {\mmtr ta} \cr +{\mm \X{\<37>}} & & tha & {\mmtr tha} \cr +{\mm \X{\<38>}} & & da & {\mmtr da} \cr +{\mm \X{\<39>}} & & dha & {\mmtr dha} \cr +{\mm \X{\<40>}} & & na, n\_a & {\mmtr na, \b na} (\v na) \cr +\noalign{\hrule} +{\mm \X{\<42>}} & & pa & {\mmtr pa} \cr +{\mm \X{\<43>}} & & pha, fa & {\mmtr pha}, {\mmtr fa} \cr +{\mm \X{\<44>}} & & ba & {\mmtr ba} \cr +{\mm \X{\<45>}} & & bha & {\mmtr bha} \cr +{\mm \X{\<46>}} & & ma & {\mmtr ma} \cr +\noalign{\hrule} +{\mm \X{\<47>}} & {\mm \<00>\<83>} & ya & {\mmtr ya} \cr +{\mm \X{\<48>}} & {\mm \M{\<00>}{\<84>}} & ra & {\mmtr ra} & primary shape: {\mm \X{\T{\<76>}{\R{3.5ex}{\<00>}}}} \cr +{\mm \X{\<49>}} & {\mm \Q{\<00>}{\N{.8}{\<77>}}\<49>} & Ra, t\_a & {\mmtr \b ra} (\v ra, \dd ra), {\mmtr \b ta} & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<49>}}, `large {\mmtr \b ra}'. \cr +{\mm \X{\<243>}} & & RRa, t\_t\_a & {\mmtr \b ta} \cr +{\mm \X{\<50>}} & {\mm \M{\<00>}{\<85>}} & la & {\mmtr la} \cr +{\mm \X{\<53>}} & {\mm \<00>\K{-.5}\<86>} & va & {\mmtr va} \cr +{\mm \X{\<54>}} & & sha & {\mmtr \'sa} (sha, {\mmph\sh a}) & {\mm \X{\<26>\<63>}\X{\<49>\<63>}\X{\<47>} \X{\<54>}}, `small {\mmtr \'sa}'. \cr +{\mm \X{\<55>}} & & Sa & {\mmtr \d sa} ({\mmph\ss a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<55>}}, `large {\mmtr \d sa}'. \cr +{\mm \X{\<56>}} & & sa & {\mmtr sa} \cr +{\mm \X{\<57>}} & & ha & {\mmtr ha} \cr +{\mm \X{\<51>}} & & La & {\mmtr \d la} ({\mmph\ll a}) & {\mm \X{\<53>}\X{\<50>\<63>}\X{\<47>} \X{\<51>}}, `large {\mmtr \d la}'. \cr +{\mm \X{\<52>}} & & zha & {\mmtr \b za} (\dd la, {\mmph\rr a}) \cr +\noalign{\hrule} + & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & + & & virama, or {\mm \X{\<26>}\X{\<216>}\X{\<21>}\X{\<50>}}, `cresent'. \cr + & {\mm \M{\<00>}{\<65>}\<77>} & u+ & {\mmtr \u u} (\.u, {\mmph\u}) & half {\mmtr \u u}, or {\mm \X{\<5>}\X{\<48>}\X{\M{\<47>}{\<65>}}\X{\<21>}\X{\<48>}\X{\<2>}}. \cr +\noalign{\hrule} +{\mm {\mmzero}} & & 0 & 0 \cr +{\mm {\mmone}} & & 1 & 1 \cr +{\mm {\mmtwo}} & & 2 & 2 \cr +{\mm {\mmthree}} & & 3 & 3 \cr +{\mm {\mmfour}} & & 4 & 4 \cr +{\mm {\mmfive}} & & 5 & 5 \cr +{\mm {\mmsix}} & & 6 & 6 \cr +{\mm {\mmseven}} & & 7 & 7 \cr +{\mm {\mmeight}} & & 8 & 8 \cr +{\mm {\mmnine}} & & 9 & 9 \cr +\noalign{\hrule} + & & << & & join. \cr + & & >> & & non-join. \cr +{\mm \<00>} & & [] & {\mmtr \dotcircle} & dotted circle. \cr + & & > & & disambiguating character. \cr +} + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm new file mode 100644 index 00000000000..20f1bb95775 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.mm @@ -0,0 +1,77 @@ +% mmtrans.mm -- Malayalam-\TeX\ transcription table +% (c) Jeroen Hellingman 1992 +% Last edit: 25-DEC-1992 + +\bgroup +\def\malstrut{\vtop to4pt{}\vbox to10pt{}} +\def\q{\quad\hfill} +\def\x{\vrule\ } +\def\xx{\vrule width.8pt} +\offinterlineskip +\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr +\noalign{\hrule height.8pt} +a & $a$ or implicit & $$a$$ & +ka & $ka$ & $$ka$$ & +pa & $pa$ & $$pa$$ \cr +aa & $aa$ or $[]<<aa$ & $$aa$$ & +kha & $kha$ & $$kha$$ & +pha, fa & $pha$ & $$pha, fa$$ \cr +i & $i$ or $[]<<i$ & $$i$$ & +ga & $ga$ & $$ga$$ & +ba & $ba$ & $$ba$$ \cr +ii & $ii$ or $[]<<ii$ & $$ii$$ & +gha & $gha$ & $$gha$$ & +bha & $bha$ & $$bha$$ \cr +u & $u$ or $[]<<u$ & $$u$$ & +n"a & $n"a$ & $$n"a$$ & +ma & $ma$ & $$ma$$ \cr +uu & $uu$ or $[]<<uu$ & $$uu$$ & +ca & $ca$ & $$ca$$ & +ya & $ya$ & $$ya$$ \cr +.r & $.r$ or $[]<<.r$ & $$.r$$ & +cha & $cha$ & $$cha$$ & +ra & $ra$ & $$ra$$ \cr +.r.r & $.r.r$ or $[]<<.r.r$ & $$.r.r$$ & +ja & $ja$ & $$ja$$ & +Ra, t\_a& $Ra$ & $$Ra, t_a$$ \cr +.l & $.l$ & $$.l$$ & +jha & $jha$ & $$jha$$ & +RRa, t\_t\_a & $RRa$ & $$RRa$$ \cr +.l.l, .L& $.l.l$ & $$.l.l$$ & +n\~{}a & $n~a$ & $$n~a$$ & +la & $la$ & $$la$$ \cr +e & $e$ or $[]<<e$ & $$e$$ & +Ta & $Ta$ & $$Ta$$ & +va & $va$ & $$va$$ \cr +ee & $ee$ or $[]<<ee$ & $$ee$$ & +Tha & $Tha$ & $$Tha$$ & +sha & $sha$ & $$sha$$ \cr +ai & $ai$ or $[]<<ai$ & $$ai$$ & +Da & $Da$ & $$Da$$ & +Sa & $Sa$ & $$Sa$$ \cr +o & $o$ or $[]<<o$ & $$o$$ & +Dha & $Dha$ & $$Dha$$ & +sa & $sa$ & $$sa$$ \cr +oo & $oo$ or $[]<<oo$ & $$oo$$ & +Na & $Na$ & $$Na$$ & +ha & $ha$ & $$ha$$ \cr +au & $au$ or $[]<<au$ & $$au$$ & +ta & $ta$ & $$ta$$ & +La & $La$ & $$La$$ \cr +au" & $au"$ or $[]<<au"$ & $$au"$$ & +tha & $tha$ & $$tha$$ & +zha & $zha$ & $$zha$$ \cr +M & $M$ & $$M$$ & +da & $da$ & $$da$$ & ++ & $[]<<+$ & \cr +H & $H$ & $$H$$ & +dha & $dha$ & $$dha$$ & +u+ & $[]<<u+$ & $$u+$$ \cr + & & & +na, n\_a& $na$ & $$na, n_a$$ & + & & \cr +\noalign{\hrule height.8pt} +}\egroup + + +\endinput diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex new file mode 100644 index 00000000000..28da2196ac7 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrans.tex @@ -0,0 +1,74 @@ + +\bgroup +\def\malstrut{\vtop to4pt{}\vbox to10pt{}} +\def\q{\quad\hfill} +\def\x{\vrule\ } +\def\xx{\vrule width.8pt} +\offinterlineskip +\halign{\malstrut\xx\ \tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\ &\tt#\q&\x#\q&\x#\q\xx\cr +\noalign{\hrule height.8pt} +a & {\mm \X{\<5>}} or implicit & {\mmtr a} & +ka & {\mm \X{\<21>}} & {\mmtr ka} & +pa & {\mm \X{\<42>}} & {\mmtr pa} \cr +aa, A & {\mm \X{\<6>}} or {\mm \<00>\<62>} & {\mmtr \=a} & +kha & {\mm \X{\<22>}} & {\mmtr kha} & +pha, fa & {\mm \X{\<43>}} & {\mmtr pha, fa} \cr +i & {\mm \X{\<7>}} or {\mm \<00>\<63>} & {\mmtr i} & +ga & {\mm \X{\<23>}} & {\mmtr ga} & +ba & {\mm \X{\<44>}} & {\mmtr ba} \cr +ii, I & {\mm \X{\<7>\<87>}} or {\mm \<00>\<64>} & {\mmtr {\=\i}} & +gha & {\mm \X{\<24>}} & {\mmtr gha} & +bha & {\mm \X{\<45>}} & {\mmtr bha} \cr +u & {\mm \X{\<9>}} or {\mm \<00>\<72>} & {\mmtr u} & +n"a & {\mm \X{\<25>}} & {\mmtr \.na} & +ma & {\mm \X{\<46>}} & {\mmtr ma} \cr +uu, U & {\mm \X{\<9>\<87>}} or {\mm \<00>\<73>} & {\mmtr \=u} & +ca & {\mm \X{\<26>}} & {\mmtr ca} & +ya & {\mm \X{\<47>}} & {\mmtr ya} \cr +.r & {\mm \X{\<11>}} or {\mm \<00>\<75>} & {\mmtr \d r} & +cha & {\mm \X{\<27>}} & {\mmtr cha} & +ra & {\mm \X{\<48>}} & {\mmtr ra} \cr +.r.r, .R& {\mm \X{\<96>}} or {\mm \M{\<00>}{\<68>}} & {\mmtr {\rii}} & +ja & {\mm \X{\<28>}} & {\mmtr ja} & +Ra, t\_a& {\mm \X{\<49>}} & {\mmtr \b ra, \b ta} \cr +.l & {\mm \X{\<12>}} & {\mmtr \d l} & +jha & {\mm \X{\<29>}} & {\mmtr jha} & +RRa, t\_t\_a & {\mm \X{\<243>}} & {\mmtr \b ta} \cr +.l.l, .L& {\mm \X{\<97>}} & {\mmtr {\lii}} & +n\~{}a & {\mm \X{\<30>}} & {\mmtr \~na} & +la & {\mm \X{\<50>}} & {\mmtr la} \cr +e & {\mm \X{\<14>}} or {\mm \<70>\<00>} & {\mmtr e} & +Ta & {\mm \X{\<31>}} & {\mmtr \d ta} & +va & {\mm \X{\<53>}} & {\mmtr va} \cr +ee, E & {\mm \X{\<15>}} or {\mm \<71>\<00>} & {\mmtr \=e} & +Tha & {\mm \X{\<32>}} & {\mmtr \d tha} & +sha & {\mm \X{\<54>}} & {\mmtr \'sa} \cr +ai & {\mm \X{\<70>\<14>}} or {\mm \<70>\<70>\<00>} & {\mmtr ai} & +Da & {\mm \X{\<33>}} & {\mmtr \d da} & +Sa & {\mm \X{\<55>}} & {\mmtr \d sa} \cr +o & {\mm \X{\<18>}} or {\mm \<70>\<00>\<62>} & {\mmtr o} & +Dha & {\mm \X{\<34>}} & {\mmtr \d dha} & +sa & {\mm \X{\<56>}} & {\mmtr sa} \cr +oo, O & {\mm \X{\<18>\<62>}} or {\mm \<71>\<00>\<62>} & {\mmtr \=o} & +Na & {\mm \X{\<35>}} & {\mmtr \d na} & +ha & {\mm \X{\<57>}} & {\mmtr ha} \cr +au & {\mm \X{\<18>\<87>}} or {\mm \<00>\<87>} & {\mmtr au} & +ta & {\mm \X{\<36>}} & {\mmtr ta} & +La & {\mm \X{\<51>}} & {\mmtr \d la} \cr +au" & {\mm \<87>} or {\mm \<70>\<00>\<87>} & {\mmtr au} & +tha & {\mm \X{\<37>}} & {\mmtr tha} & +zha & {\mm \X{\<52>}} & {\mmtr \b za} \cr +M & {\mm \<2>} & {\mmtr \d m} & +da & {\mm \X{\<38>}} & {\mmtr da} & ++ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & \cr +H & {\mm \<3>} & {\mmtr \d h} & +dha & {\mm \X{\<39>}} & {\mmtr dha} & +u+ & {\mm \Q{\<00>}{\N{.8}{\<77>}}} & {\mmtr \u u} \cr + & & & +na, n\_a& {\mm \X{\<40>}} & {\mmtr na, \b na} & + & & \cr +\noalign{\hrule height.8pt} +}\egroup + + +\endinput diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex new file mode 100644 index 00000000000..0a138605747 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmtrmacs.tex @@ -0,0 +1,66 @@ +% mmtrmacs -- macros for Malayalam text in transcription +% (c) 1993 Jeroen Hellingman +% last edit: 10-JAN-1993 + +\ifx\mmtrmacsloaded\relax\endinput\else\let\mmtrmacsloaded=\relax\fi + +%%%%%% nothing special to start Malayalam transcription + +\def\mmtr{} + +%%%%%% we need the mm-fonts for dotted circle and ornamental star + +\def\dotcircle{{\mm\char0}} +\def\ornstar{{\mm\char255}} + +%%%%%% make math-mode available + +\def\math{$} +\def\Math{$$} +\def\dollar{\$} +\def\lbrace{{\char"7B}} +\def\rbrace{{\char"7D}} +\def\bslash{{\char"5C}} + +%%%%%% accent-jiggling + +% double dot below accent (uses umlaut) +\def\dd#1{\putaccentbelow{\char"7F}{#1}} +% ring below accent +\def\r#1{\putaccentbelow{\char"17}{#1}} +% override default TeX definitions +%\def\`#1{\putaccentontop{\char"12}{#1}} +%\def\'#1{\putaccentontop{\char"13}{#1}} +%\def\v#1{\putaccentontop{\char"14}{#1}} +%\def\u#1{\putaccentontop{\char"15}{#1}} +%\def\=#1{\putaccentontop{\char"16}{#1}} + +\def\rii{\putaccentontop{\char"16}{\d r}} +\def\lii{\putaccentontop{\char"16}{\d l}} +\def\Rii{\putaccentontop{\char"16}{\d R}} +\def\Lii{\putaccentontop{\char"16}{\d L}} +\def\RII{\Rii} +\def\LII{\Lii} + +% put accent #1, which is normally put on top, centered below #2 +\def\putaccentbelow#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}% + \dimen0=.5\wd0\advance\dimen0by.5\wd1% + \dimen1=\dp0\advance\dimen1by\ht1\advance\dimen1by.2ex% + \dimen3=.5\wd0\advance\dimen3by-.5\wd1% + \setbox2=\hbox{\box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}% + \dimen4=\dp2% + \advance\dimen4by-1.3ex% adjust depth of box + \dp2=\dimen4% + \box2}} + +% put accent #1 centered on top of #2 +\def\putaccentontop#1#2{\hskip0pt{\setbox0=\hbox{#2}\setbox1=\hbox{#1}% + \dimen0=.5\wd0\advance\dimen0by.5\wd1% + \dimen1=\ht0\advance\dimen1by-1ex% was: .45em% + \dimen3=.5\wd0\advance\dimen3by-.5\wd1% + \box0\kern-\dimen0\raise\dimen1\box1\kern\dimen3}} + +%%%%%% That's all + +\endinput + diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex new file mode 100644 index 00000000000..5e5ebd00ea8 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/mmxfont.tex @@ -0,0 +1,36 @@ +% mmxfont.tex -- load extra fonts for Malayalam TeX +% (c) 1993 Jeroen Hellingman +% last edit: 22-JAN-1992 + +% The following fonts are only available for reformed script, +% when used with traditional script, various glyphs will be missing. + +%%%%% some fonts for headlines + +\font\bigmmf=mmbig % Malayalam Big 21pt +\font\bigmmof=mmbigo % Malayalam Big Outline 21pt +\font\bigrm=cmbx12 scaled \magstep3 +\font\hugemmf=mmbig scaled \magstep3 % Malayalam Big 36pt +\font\hugerm=cmbx12 scaled 2986 % \magstep6 not available + +\def\bigmmr{\let\mmcurf=\bigmmf\let\mmcursf=\mmsf\let\mmcurrm=\bigrm + \mmcbls=28pt\ifmmmode\setmm\fi} +\def\bigmmo{\let\mmcurf=\bigmmof\let\mmcursf=\mmsf\let\mmcurrm=\bigrm + \mmcbls=28pt\ifmmmode\setmm\fi} +\def\hugemmr{\let\mmcurf=\hugemmf\let\mmcursf=\mmsf\let\mmcurrm=\hugerm + \mmcbls=48pt\ifmmmode\setmm\fi} + +%%%%% some experimental fonts + +\font\mmxa=mmexpa12 % Malayalam Experimental A 12pt +\font\mmxb=mmexpb12 % Malayalam Experimental B 12pt +\font\mmxc=mmexpc12 % Malayalam Experimental C 12pt + +\def\xamm{\let\mmcurf=\mmxa\let\mmcursf=\mmsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\xbmm{\let\mmcurf=\mmxb\let\mmcursf=\mmsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} +\def\xcmm{\let\mmcurf=\mmxc\let\mmcursf=\mmsf\let\mmcurrm=\twelverm + \mmcbls=15.6pt\ifmmmode\setmm\fi} + +%%%%% end of mmexfont.tex diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex new file mode 100644 index 00000000000..123c289ddfa --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/ornament.tex @@ -0,0 +1,16 @@ +% ornament.tex -- load ornament font +% (c) Jeroen Hellingman 1993 +% last edit: 04-APR-1993 + +\font\ornament=orn10 + +\def\orn{{\ornament\char0}} +\def\Orn{{\ornament\char1}} +\def\ORN{{\ornament\char2}} +\def\sine{{\ornament\char3}} +\def\Sine{{\ornament\char4}} +\def\SINE{{\ornament\char5}} + +\def\ornline#1{\bigskip\centerline{#1}\bigskip} + +\endinput diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm new file mode 100644 index 00000000000..f4557417ce2 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.mm @@ -0,0 +1,252 @@ +% prodigal.mm -- the fable of the prodigal son with parallel +% transcription and translation, taken from Grierson. +% last edit: 07-FEB-1993 + +\input mmmacs +\input mmtrmacs +\input twolines + +\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}} +\def\firststyle{\malstrut} +\def\secondstyle{\rm} +\def\thirdstyle{\it} + +\raggedbottom +\emergencystretch=30pt +\parindent=0pt + +\centerline{$$^^malayaaLam^^$$} +\bigskip + +\beginthreelines + +[$oru$|$$^oru$$|One] [$manuSyannu$|$$manuSyannu$$|man-to] +[$raNTu$|$$raNDu$$|two] [$makkaL$|$$makkaL$$|sons] +[$uNTaayirunnu.$|$$uND-aay-irunnu.$$|having-become-were.] +[$atil$|$$^adil$$|That-in] [$iLayavan$|$$iLayavan$$|the-younger] +[$appanooTu,$|$$appanooDu,$$|the-father-to,] +[$`appaa,$|$$`appaa,$$|`father,] +[$vastukkaLil$|$$vastu-kkaLil$$|goods-in] [$enikku$|$$enikku$$|me-to] +[$vareeNTunna$|$$var-eeNDunna$$|coming] [$pan"ku$|$$pan"gu$$|share] +[$tareeNamee,'$|$$tar-eeNam-ee,'$$|give-should,'] +[$ennu$|$$ennu$$|having-said] [$paRun~n~u,$|$$paRun~n~u,$$|said,] +[$avanum$|$$avan-um$$|he-and] [$mutaline$|$$mudaline$$|property] +[$avarkku$|$$avarkku$$|them-to] +[$pakuti ceytu.$|$$pagudi-ceydu.$$|share-made.] +% +[$eeRe$|$$^eeRe$$|Many] [$naal$|$$naal$$|days] +[$kazhiyum$|$$kazhiyum$$|passing] [$munpe$|$$mumbe$$|before] +[$iLaya$|$$iLaya$$|younger] [$makan$|$$makan$$|son] +[$sakalavum$|$$sakalavum$$|all] +[$svaruupiccukoNTu$|$$svaruupiccu-koNDu$$|having-collected-for-himself] +[$duura$|$$duura$$|far] +[$deeshatteekku$|$$deeshatteekku$$|country-to] +[$yaatra$|$$yaatra$$|journey] [$pooyi$|$$pooyi$$|having-gone] +[$aviTe$|$$aviDe$$|there] +[$durnnaTappaayi$|$$durnnaDapp-aayi$$|bad-conduct-becoming] +[$jiiviccu$|$$jiiviccu$$|having-lived] +[$tanRe$|$$tanRe$$|his] [$vastu$|$$vastu$$|property] +[$naanaavidham$|$$naanaavidham$$|in-various-ways] +[$aakkikkaLan~n~u.$|$$aakki-kkaLan~n~u.$$|made-wasted.] +% +[$ellaam$|$$^ellaam$$|All] +[$celavazhicca$|$$celavazhicca$$|spent] [$sheeSam$|$$sheeSam$$|after] +[$aa$|$$aa$$|that] [$deeshattil$|$$deeshattil$$|country-in] +[$kaThina$|$$kaThina$$|severe] [$kSaamam$|$$kSaamam$$|famine] +[$uNTaayiTTu$|$$uNDaay-iTTu$$|having-become] +[$avannu$|$$avannu$$|him-to] [$muTTu$|$$muTTu$$|want] +[$vannu$|$$vannu$$|coming] [$tuTan"n"i.$|$$tuDan"n"i.$$|began.] +% +[$ennaaRe$|$$^ennaaRe$$|Then] [$avan$|$$avan$$|he] +[$pooyi$|$$pooyi$$|having-gone] [$aa$|$$aa$$|that] +[$deeshattilee$|$$deeshattil-ee$$|country-in-being] +[$pauranmaaril$|$$pauranmaaril$$|citizens-among] +[$oruttanooTu$|$$oruttanooDu$$|one-with] +[$paRRikkoNTu$|$$paRRi-kkoNDu$$|joining-himself] +[$aayavan$|$$aay-avan$$|having-become-he] +[$avane$|$$avane$$|him] [$tanRe$|$$tanRe$$|his] +[$nilan"n"aLil$|$$nilan"n"aLil$$|fields-in] +[$pannikaLe$|$$pannigaLe$$|pigs] [$meeypaan$|$$meeypaan$$|to-feed] +[$ayaccu.$|$$ayaccu.$$|sent.] +% +[$pannikaL$|$$^pannigaL$$|Pigs] [$tinnunna$|$$tinunna$$|eating] +[$marappayaRu$|$$marappayaRu$$|husk] [$koNTu$|$$koNDu$$|taking] +[$tanRe$|$$tanRe$$|his] [$vayaRu$|$$vayaRu$$|belly] +[$niReppaan$|$$niReppaan$$|to-fill] +[$avan$|$$avan$$|he] [$aagrahiccu$|$$aagrahiccu$$|wished] +[$en"kilum$|$$en"gilum$$|though] [$aarum$|$$aar-um$$|anybody] +[$avannu$|$$avannu$$|him-to] [$koTuttilla.$|$$koDutt-illa.$$|gave-not.] +% +[$appooL$|$$^appooL$$|Then] [$buddhi$|$$buddhi$$|sense] +[$teLin~n~iTTu$|$$teLin~n~iTTu$$|having-cleared] [$avan$|$$avan$$|he] +[$paRan~n~u,$|$$paRan~n~u,$$|said,] [$`enRe$|$$`enRe$$|`my] +[$appanRe$|$$appanRe$$|father-of] [$etra$|$$etra$$|how-many] +[$kuulikkaar$|$$kuulikkaar$$|servants] [$appam$|$$appam$$|bread] +[$tinnu$|$$tinnu$$|having-eaten] +[$sheeSippikkunnuNTu$|$$sheeSippikkunn-uNDu$$|saving-are] +[$n~aanoo$|$$n~aan-oo$$|I-but] [$vishappu$|$$vishappu$$|hunger] +[$koNTu$|$$koNDu$$|taking] +[$nashiccupookunnu.$|$$nashiccu-poogunnu.$$|perishing-go.] +% +[$n~aan$|$$^n~aan$$|I] [$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen] +[$enRe$|$$enRe$$|my] [$appanRe$|$$appanRe$$|father's] +[$aTukkaleekku$|$$aDukkaleekku$$|presence-to] +[$pooyi$|$$pooyi$$|going] [$avanooTu,$|$$avanooDu,$$|him-to,] +[$``appaa,$|$$``appaa,$$|``father,] [$n~aan$|$$n~aan$$|I] +[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and] +[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin] +[$ceytu.$|$$ceydu.$$|did.] +% +[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy] +[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying] +[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called] +[$yoogyanalla.$|$$yoogyan-alla.$$|fit-man-am-not.] +% +[$ninRe$|$$^ninRe$$|Thy] [$kuulikkaaril$|$$kuulikkaaril$$|servants-among] +[$oruttane$|$$oruttane$$|one] [$poole$|$$poole$$|like] +[$enne$|$$enne$$|me] +[$aakkikkoLLeeNamee,''$|$$aakki-kkoLL-eeNam-ee,''$$|having-made-to-take-is-wanted,''] +[$ennu$|$$ennu$$|saying] [$paRayum.'$|$$paRayum.'$$|shall-say.'] +% +[$enniTTu$|$$^enniTTu$$|Having-said] +[$ezhuniiRRu$|$$ezhuniiRRu$$|having-arisen] +[$tanRe$|$$tanRe$$|his] [$appanRe$|$$appanRe$$|father's] +[$aTukkaleekku$|$$aDukkaleeku$$|presence-to] [$pooyi.$|$$pooyi.$$|went.] +% +[$avan$|$$^avan$$|He] +[$duurattuLLappooL$|$$duurattuLL-appool$$|far-being-time-at] +[$tannee$|$$tannee$$|indeed] [$appan$|$$appan$$|the-father] +[$avane$|$$avane$$|him] [$kaNTu$|$$kaNDu$$|seeing] +[$karaLalin~n~u$|$$karaL-alin~n~u$$|heart-melting] +[$ooTiccennu$|$$ooDi-ccennu$$|running-going] [$avanRe$|$$avanRe$$|his] +[$kazhuttil$|$$kazhuttil$$|neck-on] +[$keTTippiTiccu$|$$keTTippiDiccu$$|having-attached-seized] +[$avane$|$$avane$$|him] +[$cunpiccu.$|$$cumbiccu.$$|kissed.] +% +[$makan$|$$^magan$$|The-son] [$avanooTu,$|$$avanooDu,$$|him-to,] +[$`appaa,$|$$`appaa,$$|`father,] [$n~aan$|$$n~aan$$|I] +[$svarggattooTum$|$$svarggattooD-um$$|heaven-to-and] +[$ninnooTum$|$$ninnooDum$$|thee-to-and] [$paapam$|$$paapam$$|sin] +[$ceytu.$|$$ceydu.$$|did.] +% +[$ini$|$$^ini$$|Hereafter] [$ninRe$|$$ninRe$$|thy] +[$makan$|$$magan$$|son] [$ennu$|$$ennu$$|saying] +[$viLikkappeTuvaan$|$$viLikka-ppeDuvaan$$|to-be-called] +[$yoogyanumalla,'$|$$yoogyan-um-alla,'$$|fit-man-at-all-am-not,'] +[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.] +% +[$ennaaRe$|$$^ennaaRe$$|But] [$appan$|$$appan$$|the-father] +[$tanRe$|$$tanRe$$|his] [$daasarooTu,$|$$daasarooTu,$$|slaves-to,] +[$`veekam$|$$`vegam$$|`quickly] +[$meelttaramaaya$|$$meel-ttaram-aaya$$|high-class-being] +[$an"ki$|$$an"gi$$|robe] +[$koNTuvannu$|$$koNDu-vannu$$|having-taken-having-come] +[$ivane$|$$ivane$$|him] [$uTuppippin,$|$$uDuppippin,$$|dress-ye,] +[$keikku$|$$keikku$$|hand-on] [$moodiravum$|$$moodirav-um$$|ring-and] +[$kaalukaLkku$|$$kaalugaLkku$$|feet-on] +[$cerippukaLum$|$$cerippugaLum$$|shoes-and] +[$iTuvippin.$|$$iDuvippin.$$|put-ye.] +% +[$naam$|$$^naam$$|We] [$bhakSiccu$|$$bhakSiccu$$|eating] +[$aanandikka.$|$$aanandikka.$$|shall-feast.] +% +[$ii$|$$^ii$$|This] [$enRe$|$$enRe$$|my] [$makan$|$$magan$$|son] +[$mariccavan$|$$mariccavan$$|dead-man] +[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,] +[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyrittu;$$|revived;] +[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|gone-man] +[$aayirunnu,$|$$aay-irunnu,$$|having-become-is,] +[$kaNTukiTTakayum$|$$kaNDukiTTagayum$$|seeing-finding] +[$ceytuvalloo?'$|$$ceydu-v-alloo?'$$|made-is-it-not?'] +[$ennu$|$$ennu$$|saying] [$paRan~n~u.$|$$paRan~n~u.$$|said.] +% +[$avar$|$$^avar$$|They] [$aanandiccu$|$$aanandiccu$$|feasting] +[$tuTan"n"i.$|$$tuDan"n"i.$$|began.] + + +[$ennaal$|$$^ennaal$$|Now] [$avanRe$|$$avanRe$$|his] +[$muutta$|$$muutta$$|elder] [$makan$|$$magan$$|son] +[$vayalil$|$$vayalil$$|field-in] [$aayirunnu,$|$$aay-irunnu,$$|had-been,] +[$aayavan$|$$aay-avan$$|having-become-he] [$vannu$|$$vannu$$|coming] +[$viiTTinooTu$|$$viiTTinooDu$$|house-to] +[$aTuttappooL$|$$aDuttappooL$$|coming-when] +[$vaadyavum$|$$vaadyav-um$$|music-and] +[$n.rttaghooSan"n"aLum$|$$n.rttaghooSan"n"aL-um$$|dancing-sounds-and] +[$keeTTu$|$$keeTTu$$|hearing] +[$baalyakkaaril$|$$baalya-kkaaril$$|servants-among] +[$oruttane$|$$oruttane$$|one] [$viLiccu,$|$$viLiccu,$$|calling,] +[$`itentu?'$|$$`id-endu?'$$|`this-what?'] [$ennu$|$$ennu$$|saying] +[$coodiccu.$|$$coodiccu.$$|asked.] +% +[$avan$|$$^avan$$|he] [$avanooTu$|$$avanooDu$$|him-to] +[$paRun~n~u,$|$$paRun~n~u,$$|said,] [$`ninRe$|$$`ninRe$$|`thy] +[$sahoodaran$|$$sahoodaran$$|brother] [$vannu$|$$vannu$$|coming] +[$`ninRe$|$$`ninRe$$|`thy] [$appan$|$$appan$$|father] +[$avane$|$$avane$$|him] [$saukhyattooTe$|$$saukhyattooDe$$|healthy] +[$kiTTiyatukoNTu$|$$kiTTiyadu-koNDu$$|finding-on-account-of] +[$virunnu$|$$virunnu$$|feast] [$kazhiccu.'$|$$kazhiccu.'$$|made.'] +% +[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he] +[$koopiccu$|$$koopiccu$$|getting-angry] [$akam$|$$agam$$|house] +[$bukavaan$|$$bugavaan$$|to-enter] +[$manassillaan~n~u,$|$$manass-illaan~n~u,$$|mind-was-not,] +[$enniTTu$|$$enniTTu$$|having said] [$appan$|$$appan$$|the-father] +[$puRattu$|$$puRattu$$|out] [$vannu$|$$vannu$$|having-come] +[$avanooTu$|$$avanooDu$$|him-with] +[$apeekSiccu.$|$$apeekSiccu.$$|entreated.] +% +[$ennaaRe$|$$^ennaaRe$$|But] [$avan$|$$avan$$|he] +[$avanooTu,$|$$avanooDu,$$|him-to,] +[$`kaNTaalum,$|$$`kaND-aalum,$$|`see-please,] [$itra$|$$itra$$|so-many] +[$varSamaayi$|$$varSam-aayi$$|years-having-become] +[$n~aan$|$$n~aan$$|I] [$ninne$|$$ninne$$|thee] +[$seevikkunnu.$|$$seevikkunnu.$$|serve.] +% +[$ninRe$|$$^ninRe$$|Thy] [$kalpana$|$$kalpana$$|order] +[$oru$|$$oru$$|one] [$naaLum$|$$naaL-um$$|day-even] +[$laMghiccatum$|$$lan"ghiccad-um$$|trangressing-even] +[$illa,$|$$illa,$$|was-not,] [$ennaal$|$$ennaal$$|but] [$enRe$|$$enRe$$|my] +[$can"n"aatikaLumaayi$|$$can"n"aatikaLum-aayi$$|friends-with-having-become] +[$aanandikkeeNTatinnu$|$$aanandikk-eeNDadinnu$$|to-feast-wanted-being-for] +[$nii$|$$nii$$|thou] [$orikkalum$|$$orikkal-um$$|once-even] +[$enikku$|$$enikku$$|me-to] [$or$|$$or$$|one] +[$aaTTinkuTTi$|$$aaTTinkuTTi$$|kid] +[$tanniTTilla.$|$$tann-iTT-illa.$$|gavest-not.] +% +[$veeshyamaaroTu$|$$^veeshyamaaroDu$$|Harlots-with] +[$kuuTi$|$$kuuDi$$|joining] [$ninRe$|$$ninRe$$|thy] +[$mutal$|$$mudal$$|property] [$tinnu$|$$tinnu$$|eating] +[$kaLan~n~a$|$$kaLan~n~a$$|having-wasted] [$ii$|$$ii$$|this] +[$ninRe$|$$ninRe$$|thy] [$makan$|$$magan$$|son] +[$vannappoozhekkoo$|$$vann-appoozhekkoo$$|coming-when] +[$avannaayi$|$$avann-aayi$$|him-for] [$virunnu$|$$virunnu$$|feast] +[$kazhiccuvalloo?'$|$$kazhiccuv-alloo?'$$|madest-is-it-not?'] +[$ennu$|$$ennu$$|saying] [$uttaram$|$$uttaram$$|reply] +[$colli.$|$$colli.$$|spoke.] +% +[$appooL$|$$^appooL$$|Then] [$avan$|$$avan$$|he] +[$avanooTu$|$$avanooDu$$|him-to] [$paRan~n~u,$|$$paRan~n~u,$$|said,] +[$`makanee,$|$$`magan-ee,$$|`son-O,] [$nii$|$$nii$$|thou] +[$eppoozhum$|$$eppoozh-um$$|always] [$ennooTu$|$$ennooDu$$|me-with] +[$kuTe$|$$kuDe$$|together] +[$aakunnuvalloo?'$|$$aagunnuv-alloo?'$$|art-is-it-not?'] +[$enikkuLLatu$|$$enikk-uLLadu$$|me-to-being-that] +[$ellaam$|$$ellaam$$|all] [$ninReeTu$|$$ninReeDu$$|thine] +[$aakunnu.$|$$aagunnu.$$|is.] +% +[$ennaal$|$$^ennaal$$|But] [$ii$|$$ii$$|this] [$ninRe$|$$ninRe$$|thy] +[$sahoodaran$|$$sahoodaran$$|brother] [$mariccavan$|$$mariccavan$$|dead-man] +[$aayirunnu$|$$aay-irunnu$$|had-become] +[$tirikee$|$$tirigee$$|again] [$uyirttu;$|$$uyirttu;$$|revived;] +[$kaaNaate$|$$kaaNaade$$|not-seeing] [$pooyavan$|$$pooyavan$$|goer] +[$aayirunnu,$|$$aay-irunnu,$$|had-become,] +[$kaNTukiTTiyirikkayaal$|$$kaNDu-kiTTiy-irikkayaal$$|seeing-reaching-being-because] +[$naam$|$$naam$$|we] [$aanandiccu$|$$aanandiccu$$|having-been-merry] +[$santooSikkeeNTatalloo?$|$$santooSikk-eeNDadalloo?$$|to-feast-wanted-being-is-it-not?] +[$aakunnu.'$|$$aagunnu.'$$|is.'] + + +\endthreelines + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex new file mode 100644 index 00000000000..3ea084ea4d3 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/prodigal.tex @@ -0,0 +1,226 @@ + +\input mmmacs +\input mmtrmacs +\input twolines + +\def\malstrut{\leavevmode\lower6pt\vbox to20pt{}} +\def\firststyle{\malstrut} +\def\secondstyle{\rm} +\def\thirdstyle{\it} + +\raggedbottom +\emergencystretch=30pt +\parindent=0pt + +\centerline{{\mmtr MALAY\=A\d LAM}} +\bigskip + +\beginthreelines + +[{\mm \X{\<18>}\X{\<136>}}|{\mmtr Oru}|One] [{\mm \X{\<46>}\X{\<134>}\X{\<55>\<83>}\X{\<174>}}|{\mmtr manu\d syannu}|man-to] +[{\mm \X{\<48>}\X{\M{\<187>}{\<65>}}}|{\mmtr ra\d n\d du}|two] [{\mm \X{\<46>}\X{\<160>}\X{\<82>}}|{\mmtr makka\d l}|sons] +[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF.}}|{\mmtr u\d n\d d-\=ay-irunnu.}|having-become-were.] +[{\mm \X{\<5>}\X{\<36>\<63>}\X{\<81>}}|{\mmtr Adil}|That-in] [{\mm \X{\<7>}\X{\<51>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr i\d layavan}|the-younger] +[{\mm \X{\<5>}\X{\<242>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr appan\=o\d du,}|the-father-to,] +[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,] +[{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}\X{\<160>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr vastu-kka\d lil}|goods-in] [{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to] +[{\mm \X{\<53>}\X{\<71>\<48>}\X{\M{\<187>}{\<65>}}\X{\<167>}}|{\mmtr var-\=e\d n\d dunna}|coming] [{\mm \X{\<42>}\X{\<182>}}|{\mmtr pa\.ngu}|share] +[{\mm \X{\<36>}\X{\<71>\<48>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF'}}|{\mmtr tar-\=e\d nam-\=e,'}|give-should,'] +[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|having-said] [{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,] +[{\mm \X{\<5>}\X{\<53>}\X{\<134>}\X{\<2>}}|{\mmtr avan-um}|he-and] [{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<50>\<63>}\X{\<70>\<40>}}|{\mmtr mudaline}|property] +[{\mm \X{\<5>}\X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<168>}}}}|{\mmtr avarkku}|them-to] +[{\mm \X{\<42>}\X{\<128>}\X{\<36>\<63>} \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr pagudi-ceydu.}|share-made.] +[{\mm \X{\<15>}\X{\<70>\<49>}}|{\mmtr \=E\b re}|Many] [{\mm \X{\<40>\<62>}\X{\<81>}}|{\mmtr n\=al}|days] +[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\b ziyum}|passing] [{\mm \X{\M{\<46>}{\<65>}}\X{\<70>\<220>}}|{\mmtr mumbe}|before] +[{\mm \X{\<7>}\X{\<51>}\X{\<47>}}|{\mmtr i\d laya}|younger] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr makan}|son] +[{\mm \X{\<56>}\X{\<21>}\X{\<50>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr sakalavum}|all] +[{\mm \X{\<56>\K{-.5}\<86>}\X{\<147>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr svar\=upiccu-ko\d n\d du}|having-collected-for-himself] +[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}}|{\mmtr d\=ura}|far] +[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<71>\<165>}\X{\<168>}}|{\mmtr d\=e\'satt\=ekku}|country-to] +[{\mm \X{\<47>\<62>}\X{\<205>}}|{\mmtr y\=atra}|journey] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone] +[{\mm \X{\<5>}\X{\<53>\<63>}\X{\<70>\<31>}}|{\mmtr avi\d de}|there] +[{\mm \X{\M{\<38>}{\<65>}}\X{\T{\<76>}{\R{.8ex}{\<167>}}}\X{\<31>}\X{\<242>\<62>}\X{\<47>\<63>}}|{\mmtr durnna\d dapp-\=ayi}|bad-conduct-becoming] +[{\mm \X{\<28>\<64>}\X{\<53>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr j{\=\i}viccu}|having-lived] +[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\M{\<56>}{\Z\<133>}}}|{\mmtr vastu}|property] +[{\mm \X{\<40>\<62>}\X{\<40>\<62>}\X{\<53>\<63>}\X{\<39>}\X{\<2>}}|{\mmtr n\=an\=avidham}|in-various-ways] +[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<160>}\X{\<51>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr \=akki-kka\d la\~n\~nu.}|made-wasted.] +[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr Ell\=am}|All] +[{\mm \X{\<70>\<26>}\X{\<50>}\X{\<53>}\X{\<52>\<63>}\X{\<247>}}|{\mmtr celava\b zicca}|spent] [{\mm \X{\<71>\<54>}\X{\<55>}\X{\<2>}}|{\mmtr \'s\=e\d sam}|after] +[{\mm \X{\<6>}}|{\mmtr \=a}|that] [{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<81>}}|{\mmtr d\=e\'sattil}|country-in] +[{\mm \X{\<21>}\X{\<32>\<63>}\X{\<40>}}|{\mmtr ka\d thina}|severe] [{\mm \X{\<251>\<62>}\X{\<46>}\X{\<2>}}|{\mmtr k\d s\=amam}|famine] +[{\mm \X{\<9>}\X{\<187>\<62>}\X{\<47>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr u\d n\d d\=ay-i\d t\d tu}|having-become] +[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\M{\<46>}{\<65>}}\X{\M{\<164>}{\<65>}}}|{\mmtr mu\d t\d tu}|want] +[{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] [{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.] +[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] +[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|having-gone] [{\mm \X{\<6>}}|{\mmtr \=a}|that] +[{\mm \X{\<71>\<38>}\X{\<54>}\X{\<165>\<63>}\X{\<71>\<50>}}|{\mmtr d\=e\'sattil-\=e}|country-in-being] +[{\mm \X{\<70>\<42>\<87>}\X{\<48>}\X{\<193>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr pauranm\=aril}|citizens-among] +[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr oruttan\=o\d du}|one-with] +[{\mm \X{\<42>}\X{\<243>\<63>}\X{\<70>\<160>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr pa\b ti-kko\d n\d du}|joining-himself] +[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he] +[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] +[{\mm \X{\<40>\<63>}\X{\<50>}\X{\<161>}\X{\<51>\<63>}\X{\<81>}}|{\mmtr nila\.n\.na\d lil}|fields-in] +[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<70>\<51>}}|{\mmtr panniga\d le}|pigs] [{\mm \X{\<71>\<46>}\X{\Q{\<47>}{\N{.8}{\<77>}}\<42>\<62>}\X{\<79>}}|{\mmtr m\=eyp\=an}|to-feed] +[{\mm \X{\<5>}\X{\<47>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ayaccu.}|sent.] +[{\mm \X{\<42>}\X{\<167>\<63>}\X{\<21>}\X{\<82>}}|{\mmtr Panniga\d l}|Pigs] [{\mm \X{\<36>\<63>}\X{\<174>}\X{\<167>}}|{\mmtr tinunna}|eating] +[{\mm \X{\<46>}\X{\<48>}\X{\<242>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr marappaya\b ru}|husk] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking] +[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<53>}\X{\<47>}\X{\M{\<49>}{\<65>}}}|{\mmtr vaya\b ru}|belly] +[{\mm \X{\<40>\<63>}\X{\<70>\<49>}\X{\<242>\<62>}\X{\<79>}}|{\mmtr ni\b repp\=an}|to-fill] +[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] [{\mm \X{\<6>}\X{\<201>}\X{\<57>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=agrahiccu}|wished] +[{\mm \X{\<14>}\X{\<181>\<63>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr e\.ngilum}|though] [{\mm \X{\<6>}\X{\<136>}\X{\<2>}}|{\mmtr \=ar-um}|anybody] +[{\mm \X{\<5>}\X{\<53>}\X{\<174>}}|{\mmtr avannu}|him-to] [{\mm \X{\<70>\<21>\<62>}\X{\M{\<31>}{\<65>}}\X{\<165>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr ko\d dutt-illa.}|gave-not.] +[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\M{\<44>}{\<65>}}\X{\<192>\<63>}}|{\mmtr buddhi}|sense] +[{\mm \X{\<70>\<36>}\X{\<51>\<63>}\X{\<163>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr te\d li\~n\~ni\d t\d tu}|having-cleared] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] +[{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr `en\b re}|`my] +[{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father-of] [{\mm \X{\<14>}\X{\<205>}}|{\mmtr etra}|how-many] +[{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<80>}}|{\mmtr k\=ulikk\=ar}|servants] [{\mm \X{\<5>}\X{\<242>}\X{\<2>}}|{\mmtr appam}|bread] +[{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|having-eaten] +[{\mm \X{\<71>\<54>}\X{\<55>\<63>}\X{\<242>\<63>}\X{\<168>}\X{\<174>}\X{\M{\<187>}{\<65>}}}|{\mmtr \'s\=e\d sippikkunn-u\d n\d du}|saving-are] +[{\mm \X{\<30>\<62>}\X{\<71>\<40>\<62>}}|{\mmtr \~n\=an-\=o}|I-but] [{\mm \X{\<53>\<63>}\X{\<54>}\X{\M{\<242>}{\<65>}}}|{\mmtr vi\'sappu}|hunger] +[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ko\d n\d du}|taking] +[{\mm \X{\<40>}\X{\<54>\<63>}\X{\M{\<247>}{\<65>}}\X{\<71>\<42>\<62>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr na\'siccu-p\=ogunnu.}|perishing-go.] +[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~N\=an}|I] [{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen] +[{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's] +[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=ekku}|presence-to] +[{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}}|{\mmtr p\=oyi}|going] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,] +[{\mm {\RMF``}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr ``app\=a,}|``father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] +[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and] +[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin] +[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.] +[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] +[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] +[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called] +[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<40>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr y\=ogyan-alla.}|fit-man-am-not.] +[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<139>}\X{\<50>\<63>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr k\=ulikk\=aril}|servants-among] +[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<71>\<42>\<62>}\X{\<70>\<50>}}|{\mmtr p\=ole}|like] +[{\mm \X{\<14>}\X{\<70>\<167>}}|{\mmtr enne}|me] +[{\mm \X{\<6>}\X{\<160>\<63>}\X{\<70>\<160>\<62>}\X{\<71>\<51>\K{-.2}\<51>}\X{\<35>}\X{\<71>\<46>}{\RMF,}{\RMF''}}|{\mmtr \=akki-kko\d l\d l-\=e\d nam-\=e,''}|having-made-to-take-is-wanted,''] +[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<47>}{\<65>}}\X{\<2>}{\RMF.}{\RMF'}}|{\mmtr pa\b rayum.'}|shall-say.'] +[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr Enni\d t\d tu}|Having-said] +[{\mm \X{\<14>}\X{\B{\<52>}{\<65>}}\X{\<40>\<64>}\X{\M{\<243>}{\<65>}}}|{\mmtr e\b zun{\=\i}\b tu}|having-arisen] +[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<5>}\X{\<242>}\X{\<70>\<79>\<49>}}|{\mmtr appan\b re}|father's] +[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<160>}\X{\<71>\<50>}\X{\<168>}}|{\mmtr a\d dukkal\=eku}|presence-to] [{\mm \X{\<71>\<42>\<62>}\X{\<47>\<63>}{\RMF.}}|{\mmtr p\=oyi.}|went.] +[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|He] +[{\mm \X{\M{\<38>}{\<66>}}\X{\<48>}\X{\<172>}\X{\<51>\K{-.2}\<51>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr d\=urattu\d l\d l-app\=ol}|far-being-time-at] +[{\mm \X{\<36>}\X{\<71>\<167>}}|{\mmtr tann\=e}|indeed] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father] +[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}}|{\mmtr ka\d n\d du}|seeing] +[{\mm \X{\<21>}\X{\<48>}\X{\<51>}\X{\<50>\<63>}\X{\M{\<163>}{\<65>}}}|{\mmtr kara\d l-ali\~n\~nu}|heart-melting] +[{\mm \X{\<18>\<62>}\X{\<31>\<63>}\X{\<70>\<247>}\X{\<174>}}|{\mmtr \=o\d di-ccennu}|running-going] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his] +[{\mm \X{\<21>}\X{\B{\<52>}{\<65>}}\X{\<165>\<63>}\X{\<81>}}|{\mmtr ka\b zuttil}|neck-on] +[{\mm \X{\<70>\<21>}\X{\<164>\<63>}\X{\<242>\<63>}\X{\<31>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr ke\d t\d tippi\d diccu}|having-attached-seized] +[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] +[{\mm \X{\M{\<26>}{\<65>}}\X{\<220>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr cumbiccu.}|kissed.] +[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr Magan}|The-son] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,] +[{\mm {\RMF`}\X{\<5>}\X{\<242>\<62>}{\RMF,}}|{\mmtr `app\=a,}|`father,] [{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] +[{\mm \X{\<56>\K{-.5}\<86>}\X{\T{\<76>}{\R{.8ex}{\<240>}}}\X{\<71>\<165>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr svarggatt\=o\d d-um}|heaven-to-and] +[{\mm \X{\<40>\<63>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}\X{\<2>}}|{\mmtr ninn\=o\d dum}|thee-to-and] [{\mm \X{\<42>\<62>}\X{\<42>}\X{\<2>}}|{\mmtr p\=apam}|sin] +[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}{\RMF.}}|{\mmtr ceydu.}|did.] +[{\mm \X{\<7>}\X{\<40>\<63>}}|{\mmtr Ini}|Hereafter] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] +[{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] +[{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\<160>}\X{\<70>\<242>}\X{\M{\<31>}{\<65>}}\X{\<53>\<62>}\X{\<79>}}|{\mmtr vi\d likka-ppe\d duv\=an}|to-be-called] +[{\mm \X{\<71>\<47>\<62>}\X{\<23>\<83>}\X{\<134>}\X{\<46>}\X{\M{\<50>}{\<85>}}{\RMF,}{\RMF'}}|{\mmtr y\=ogyan-um-alla,'}|fit-man-at-all-am-not,'] +[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.] +[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father] +[{\mm \X{\<36>}\X{\<70>\<79>\<49>}}|{\mmtr tan\b re}|his] [{\mm \X{\<38>\<62>}\X{\<56>}\X{\<71>\<48>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr d\=asar\=o\d tu,}|slaves-to,] +[{\mm {\RMF`}\X{\<71>\<53>}\X{\<21>}\X{\<2>}}|{\mmtr `vegam}|`quickly] +[{\mm \X{\<71>\<46>}\X{\B{\<50>}{\Z\<165>}}\X{\<48>}\X{\<46>\<62>}\X{\<47>}}|{\mmtr m\=el-ttaram-\=aya}|high-class-being] +[{\mm \X{\<5>}\X{\<181>\<63>}}|{\mmtr a\.ngi}|robe] +[{\mm \X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}\X{\<53>}\X{\<174>}}|{\mmtr ko\d n\d du-vannu}|having-taken-having-come] +[{\mm \X{\<7>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr ivane}|him] [{\mm \X{\<9>}\X{\M{\<31>}{\<65>}}\X{\<242>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF,}}|{\mmtr u\d duppippin,}|dress-ye,] +[{\mm \X{\<70>\<21>}\X{\<7>}\X{\<168>}}|{\mmtr keikku}|hand-on] [{\mm \X{\<71>\<46>\<62>}\X{\<38>\<63>}\X{\<48>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr m\=odirav-um}|ring-and] +[{\mm \X{\<21>\<62>}\X{\M{\<50>}{\<65>}}\X{\<21>}\X{\<82>\<168>}}|{\mmtr k\=aluga\d lkku}|feet-on] +[{\mm \X{\<70>\<26>}\X{\<48>\<63>}\X{\M{\<242>}{\<65>}}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr cerippuga\d lum}|shoes-and] +[{\mm \X{\<7>}\X{\M{\<31>}{\<65>}}\X{\<53>\<63>}\X{\<242>\<63>}\X{\<79>}{\RMF.}}|{\mmtr i\d duvippin.}|put-ye.] +[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr N\=am}|We] [{\mm \X{\<45>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr bhak\d siccu}|eating] +[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<160>}{\RMF.}}|{\mmtr \=anandikka.}|shall-feast.] +[{\mm \X{\<7>\<87>}}|{\mmtr \=I}|This] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] +[{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man] +[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,] +[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyrittu;}|revived;] +[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|gone-man] +[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|having-become-is,] +[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>}\X{\<21>}\X{\M{\<47>}{\<65>}}\X{\<2>}}|{\mmtr ka\d n\d duki\d t\d tagayum}|seeing-finding] +[{\mm \X{\<70>\<26>}\X{\M{\<47>}{\Z\<133>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ceydu-v-all\=o?'}|made-is-it-not?'] +[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF.}}|{\mmtr pa\b ra\~n\~nu.}|said.] +[{\mm \X{\<5>}\X{\<53>}\X{\<80>}}|{\mmtr Avar}|They] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|feasting] +[{\mm \X{\<133>}\X{\<31>}\X{\<161>\<63>}{\RMF.}}|{\mmtr tu\d da\.n\.ni.}|began.] + + +[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|Now] [{\mm \X{\<5>}\X{\<53>}\X{\<70>\<79>\<49>}}|{\mmtr avan\b re}|his] +[{\mm \X{\M{\<46>}{\<66>}}\X{\<165>}}|{\mmtr m\=utta}|elder] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] +[{\mm \X{\<53>}\X{\<47>}\X{\<50>\<63>}\X{\<81>}}|{\mmtr vayalil}|field-in] [{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-been,] +[{\mm \X{\<6>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr \=ay-avan}|having-become-he] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] +[{\mm \X{\<53>\<64>}\X{\<164>\<63>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr v{\=\i}\d t\d tin\=o\d du}|house-to] +[{\mm \X{\<5>}\X{\M{\<31>}{\<65>}}\X{\<165>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr a\d duttapp\=o\d l}|coming-when] +[{\mm \X{\<53>\<62>}\X{\<38>\<83>}\X{\M{\<53>}{\<65>}}\X{\<2>}}|{\mmtr v\=adyav-um}|music-and] +[{\mm \X{\<155>}\X{\<165>}\X{\<71>\<24>\<62>}\X{\<55>}\X{\<161>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\d rttagh\=o\d sa\.n\.na\d l-um}|dancing-sounds-and] +[{\mm \X{\<71>\<21>}\X{\M{\<164>}{\<65>}}}|{\mmtr k\=e\d t\d tu}|hearing] +[{\mm \X{\<44>\<62>}\X{\<50>\<83>}\X{\<160>\<62>}\X{\<48>\<63>}\X{\<81>}}|{\mmtr b\=alya-kk\=aril}|servants-among] +[{\mm \X{\<18>}\X{\<136>}\X{\<165>}\X{\<70>\<40>}}|{\mmtr oruttane}|one] [{\mm \X{\<53>\<63>}\X{\<51>\<63>}\X{\M{\<247>}{\<65>}}{\RMF,}}|{\mmtr vi\d liccu,}|calling,] +[{\mm {\RMF`}\X{\<7>}\X{\<70>\<36>}\X{\<222>}{\RMF?}{\RMF'}}|{\mmtr `id-endu?'}|`this-what?'] [{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] +[{\mm \X{\<71>\<26>\<62>}\X{\<38>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr c\=odiccu.}|asked.] +[{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr Avan}|he] [{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to] +[{\mm \X{\<42>}\X{\M{\<49>}{\<65>}}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ru\~n\~nu,}|said,] [{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy] +[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|coming] +[{\mm {\RMF`}\X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr `nin\b re}|`thy] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|father] +[{\mm \X{\<5>}\X{\<53>}\X{\<70>\<40>}}|{\mmtr avane}|him] [{\mm \X{\<70>\<56>\<87>}\X{\<22>\<83>}\X{\<71>\<165>\<62>}\X{\<70>\<31>}}|{\mmtr saukhyatt\=o\d de}|healthy] +[{\mm \X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>}\X{\<133>}\X{\<70>\<21>\<62>}\X{\M{\<187>}{\<65>}}}|{\mmtr ki\d t\d tiyadu-ko\d n\d du}|finding-on-account-of] +[{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast] [{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}{\RMF'}}|{\mmtr ka\b ziccu.'}|made.'] +[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] +[{\mm \X{\<71>\<21>\<62>}\X{\<42>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr k\=opiccu}|getting-angry] [{\mm \X{\<5>}\X{\<21>}\X{\<2>}}|{\mmtr agam}|house] +[{\mm \X{\M{\<44>}{\<65>}}\X{\<21>}\X{\<53>\<62>}\X{\<79>}}|{\mmtr bugav\=an}|to-enter] +[{\mm \X{\<46>}\X{\<40>}\X{\<245>\<63>}\X{\M{\<50>}{\<85>}\<62>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr manass-ill\=a\~n\~nu,}|mind-was-not,] +[{\mm \X{\<14>}\X{\<167>\<63>}\X{\M{\<164>}{\<65>}}}|{\mmtr enni\d t\d tu}|having said] [{\mm \X{\<5>}\X{\<242>}\X{\<79>}}|{\mmtr appan}|the-father] +[{\mm \X{\M{\<42>}{\<65>}}\X{\<49>}\X{\<172>}}|{\mmtr pu\b rattu}|out] [{\mm \X{\<53>}\X{\<174>}}|{\mmtr vannu}|having-come] +[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-with] +[{\mm \X{\<5>}\X{\<71>\<42>}\X{\<251>\<63>}\X{\M{\<247>}{\<65>}}{\RMF.}}|{\mmtr ap\=ek\d siccu.}|entreated.] +[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<70>\<49>}}|{\mmtr Enn\=a\b re}|But] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] +[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}{\RMF,}}|{\mmtr avan\=o\d du,}|him-to,] +[{\mm {\RMF`}\X{\<21>}\X{\<187>\<62>}\X{\M{\<50>}{\<65>}}\X{\<2>}{\RMF,}}|{\mmtr `ka\d n\d d-\=alum,}|`see-please,] [{\mm \X{\<7>}\X{\<205>}}|{\mmtr itra}|so-many] +[{\mm \X{\<53>}\X{\T{\<76>}{\R{.8ex}{\<55>}}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr var\d sam-\=ayi}|years-having-become] +[{\mm \X{\<30>\<62>}\X{\<79>}}|{\mmtr \~n\=an}|I] [{\mm \X{\<40>\<63>}\X{\<70>\<167>}}|{\mmtr ninne}|thee] +[{\mm \X{\<71>\<56>}\X{\<53>\<63>}\X{\<168>}\X{\<174>}{\RMF.}}|{\mmtr s\=evikkunnu.}|serve.] +[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr Nin\b re}|Thy] [{\mm \X{\<21>}\X{\<81>\<42>}\X{\<40>}}|{\mmtr kalpana}|order] +[{\mm \X{\<18>}\X{\<136>}}|{\mmtr oru}|one] [{\mm \X{\<40>\<62>}\X{\M{\<51>}{\<65>}}\X{\<2>}}|{\mmtr n\=a\d l-um}|day-even] +[{\mm \X{\<50>}\<2>\X{\<24>\<63>}\X{\<247>}\X{\<133>}\X{\<2>}}|{\mmtr la\.nghiccad-um}|trangressing-even] +[{\mm \X{\<7>}\X{\M{\<50>}{\<85>}}{\RMF,}}|{\mmtr illa,}|was-not,] [{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr enn\=al}|but] [{\mm \X{\<14>}\X{\<70>\<79>\<49>}}|{\mmtr en\b re}|my] +[{\mm \X{\<26>}\X{\<161>\<62>}\X{\<36>\<63>}\X{\<21>}\X{\M{\<51>}{\<65>}}\X{\<46>\<62>}\X{\<47>\<63>}}|{\mmtr ca\.n\.n\=atika\d lum-\=ayi}|friends-with-having-become] +[{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>\<63>}\X{\<174>}}|{\mmtr \=anandikk-\=e\d n\d dadinnu}|to-feast-wanted-being-for] +[{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou] [{\mm \X{\<18>}\X{\<48>\<63>}\X{\<160>}\X{\M{\<50>}{\<65>}}\X{\<2>}}|{\mmtr orikkal-um}|once-even] +[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}}|{\mmtr enikku}|me-to] [{\mm \X{\<18>}\X{\<80>}}|{\mmtr or}|one] +[{\mm \X{\<6>}\X{\<164>\<63>}\X{\M{\<40>}{\<113>}}\X{\<164>\<63>}}|{\mmtr \=a\d t\d tinku\d t\d ti}|kid] +[{\mm \X{\<36>}\X{\<167>\<63>}\X{\<164>\<63>}\X{\M{\<50>}{\<85>}}{\RMF.}}|{\mmtr tann-i\d t\d t-illa.}|gavest-not.] +[{\mm \X{\<71>\<53>}\X{\<54>\<83>}\X{\<46>\<62>}\X{\<70>\<48>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr V\=e\'syam\=aro\d du}|Harlots-with] +[{\mm \X{\<139>}\X{\<31>\<63>}}|{\mmtr k\=u\d di}|joining] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] +[{\mm \X{\M{\<46>}{\<65>}}\X{\<36>}\X{\<81>}}|{\mmtr mudal}|property] [{\mm \X{\<36>\<63>}\X{\<174>}}|{\mmtr tinnu}|eating] +[{\mm \X{\<21>}\X{\<51>}\X{\<163>}}|{\mmtr ka\d la\~n\~na}|having-wasted] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this] +[{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] [{\mm \X{\<46>}\X{\<21>}\X{\<79>}}|{\mmtr magan}|son] +[{\mm \X{\<53>}\X{\<167>}\X{\<71>\<242>\<62>}\X{\<70>\<52>}\X{\<71>\<160>\<62>}}|{\mmtr vann-app\=o\b zekk\=o}|coming-when] +[{\mm \X{\<5>}\X{\<53>}\X{\<167>\<62>}\X{\<47>\<63>}}|{\mmtr avann-\=ayi}|him-for] [{\mm \X{\<53>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr virunnu}|feast] +[{\mm \X{\<21>}\X{\<52>\<63>}\X{\M{\<247>}{\<65>}}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr ka\b ziccuv-all\=o?'}|madest-is-it-not?'] +[{\mm \X{\<14>}\X{\<174>}}|{\mmtr ennu}|saying] [{\mm \X{\<9>}\X{\<165>}\X{\<48>}\X{\<2>}}|{\mmtr uttaram}|reply] +[{\mm \X{\<70>\<26>\<62>}\X{\M{\<50>}{\<85>}\<63>}{\RMF.}}|{\mmtr colli.}|spoke.] +[{\mm \X{\<5>}\X{\<71>\<242>\<62>}\X{\<82>}}|{\mmtr App\=o\d l}|Then] [{\mm \X{\<5>}\X{\<53>}\X{\<79>}}|{\mmtr avan}|he] +[{\mm \X{\<5>}\X{\<53>}\X{\<71>\<40>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr avan\=o\d du}|him-to] [{\mm \X{\<42>}\X{\<49>}\X{\M{\<163>}{\<65>}}{\RMF,}}|{\mmtr pa\b ra\~n\~nu,}|said,] +[{\mm {\RMF`}\X{\<46>}\X{\<21>}\X{\<71>\<40>}{\RMF,}}|{\mmtr `magan-\=e,}|`son-O,] [{\mm \X{\<40>\<64>}}|{\mmtr n{\=\i}}|thou] +[{\mm \X{\<14>}\X{\<71>\<242>\<62>}\X{\B{\<52>}{\<65>}}\X{\<2>}}|{\mmtr epp\=o\b z-um}|always] [{\mm \X{\<14>}\X{\<71>\<167>\<62>}\X{\M{\<31>}{\<65>}}}|{\mmtr enn\=o\d du}|me-with] +[{\mm \X{\<128>}\X{\<70>\<31>}}|{\mmtr ku\d de}|together] +[{\mm \X{\<6>}\X{\<128>}\X{\<174>}\X{\<53>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}{\RMF'}}|{\mmtr \=agunnuv-all\=o?'}|art-is-it-not?'] +[{\mm \X{\<14>}\X{\<40>\<63>}\X{\<168>}\X{\<51>\K{-.2}\<51>}\X{\<133>}}|{\mmtr enikk-u\d l\d ladu}|me-to-being-that] +[{\mm \X{\<14>}\X{\M{\<50>}{\<85>}\<62>}\X{\<2>}}|{\mmtr ell\=am}|all] [{\mm \X{\<40>\<63>}\X{\<71>\<79>\<49>}\X{\M{\<31>}{\<65>}}}|{\mmtr nin\b r\=e\d du}|thine] +[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}}|{\mmtr \=agunnu.}|is.] +[{\mm \X{\<14>}\X{\<167>\<62>}\X{\<81>}}|{\mmtr Enn\=al}|But] [{\mm \X{\<7>\<87>}}|{\mmtr {\=\i}}|this] [{\mm \X{\<40>\<63>}\X{\<70>\<79>\<49>}}|{\mmtr nin\b re}|thy] +[{\mm \X{\<56>}\X{\<71>\<57>\<62>}\X{\<38>}\X{\<48>}\X{\<79>}}|{\mmtr sah\=odaran}|brother] [{\mm \X{\<46>}\X{\<48>\<63>}\X{\<247>}\X{\<53>}\X{\<79>}}|{\mmtr mariccavan}|dead-man] +[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}}|{\mmtr \=ay-irunnu}|had-become] +[{\mm \X{\<36>\<63>}\X{\<48>\<63>}\X{\<71>\<21>}}|{\mmtr tirig\=e}|again] [{\mm \X{\<9>}\X{\<47>\<63>}\X{\T{\<76>}{\R{.8ex}{\<172>}}}{\RMF;}}|{\mmtr uyirttu;}|revived;] +[{\mm \X{\<21>\<62>}\X{\<35>\<62>}\X{\<70>\<36>}}|{\mmtr k\=a\d n\=ade}|not-seeing] [{\mm \X{\<71>\<42>\<62>}\X{\<47>}\X{\<53>}\X{\<79>}}|{\mmtr p\=oyavan}|goer] +[{\mm \X{\<6>}\X{\<47>\<63>}\X{\<136>}\X{\<174>}{\RMF,}}|{\mmtr \=ay-irunnu,}|had-become,] +[{\mm \X{\<21>}\X{\M{\<187>}{\<65>}}\X{\<21>\<63>}\X{\<164>\<63>}\X{\<47>\<63>}\X{\<48>\<63>}\X{\<160>}\X{\<47>\<62>}\X{\<81>}}|{\mmtr ka\d n\d du-ki\d t\d tiy-irikkay\=al}|seeing-reaching-being-because] +[{\mm \X{\<40>\<62>}\X{\<2>}}|{\mmtr n\=am}|we] [{\mm \X{\<6>}\X{\<40>}\X{\<195>\<63>}\X{\M{\<247>}{\<65>}}}|{\mmtr \=anandiccu}|having-been-merry] +[{\mm \X{\<56>}\X{\<71>\<194>\<62>}\X{\<55>\<63>}\X{\<71>\<160>}\X{\<187>}\X{\<36>}\X{\<71>\M{\<50>}{\<85>}\<62>}{\RMF?}}|{\mmtr sant\=o\d sikk-\=e\d n\d dadall\=o?}|to-feast-wanted-being-is-it-not?] +[{\mm \X{\<6>}\X{\<128>}\X{\<174>}{\RMF.}{\RMF'}}|{\mmtr \=agunnu.'}|is.'] + + +\endthreelines + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.mm b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm new file mode 100644 index 00000000000..a253a998fc9 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.mm @@ -0,0 +1,46 @@ + +\input mmqmacs + +\twelvemmc + +%\tracingmacros=1 + + +$pp+ v+ kush acchan$ + + +\beginsection A test of $\mmcb malayaaLam$-mode + +Below are given the letters of the Malayalam alphabet: + +<malayalam> + +a aa i ii u uu .r e ee ai o oo au + +ka kha ga gha n"a ca cha ja jha n~a Ta Tha Da Dha Na ta tha da dha na +pa pha ba bha ma ya ra la va sha Sa sa ha La zha Ra + + +kka gga n"n"a cca jja TTa DDa NNa tta dda nna ppa bba mma yya lla vva shsha ssa LLa RRa + +. , : ; ? ! ( ) - -- --- + +1,23,45,67,890 \mmfigures 1,23,45,67,890 + +\mmc + +kra khra gra ghra n"ra cra chra jra jhra n~ra +Tra Thra Dra Dhra Nra tra thra dra dhra nra +pra phra bra bhra mra yra rra lra vra shra Sra sra +hra Lra Rra zhra + +kya khya gya ghya n"ya cya chya jya jhya n~ya +Tya Thya Dya Dhya Nya tya thya dya dhya nya +pya phya bya bhya mya yya rya lya vya shya Sya sya +hya Lya Rya zhya + +kSa kSma kva thva nva hva ggya + +</malayalam> + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/test.tex b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex new file mode 100644 index 00000000000..f8f7db41df9 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/test.tex @@ -0,0 +1,45 @@ + +\input mmqmacs + +\twelvemmc + + + +{\mm \X{\Q{\<242>}{\N{.8}{\<77>}}} \X{\Q{\<53>}{\N{.8}{\<77>}}} \X{\<21>\<72>}\X{\Q{\<54>}{\N{.8}{\<77>}}} \X{\<5>}\X{\Q{\<26>}{\N{.8}{\<77>}}\<27>}\X{\<79>}} + + +\beginsection A test of {\mm \mmcb \X{\<46>}\X{\<50>}\X{\<47>\<62>}\X{\<51>}\X{\<2>}}-mode + +Below are given the letters of the Malayalam alphabet: + +{\mm + +\X{\<5>} \X{\<6>} \X{\<7>} \X{\<7>\<87>} \X{\<9>} \X{\<9>\<87>} \X{\<11>} \X{\<14>} \X{\<15>} \X{\<70>\<14>} \X{\<18>} \X{\<18>\<62>} \X{\<18>\<87>} + +\X{\<21>} \X{\<22>} \X{\<23>} \X{\<24>} \X{\<25>} \X{\<26>} \X{\<27>} \X{\<28>} \X{\<29>} \X{\<30>} \X{\<31>} \X{\<32>} \X{\<33>} \X{\<34>} \X{\<35>} \X{\<36>} \X{\<37>} \X{\<38>} \X{\<39>} \X{\<40>} +\X{\<42>} \X{\<43>} \X{\<44>} \X{\<45>} \X{\<46>} \X{\<47>} \X{\<48>} \X{\<50>} \X{\<53>} \X{\<54>} \X{\<55>} \X{\<56>} \X{\<57>} \X{\<51>} \X{\<52>} \X{\<49>} + + +\X{\<160>} \X{\<240>} \X{\<161>} \X{\<247>} \X{\<162>} \X{\<164>} \X{\M{\<33>}{\<89>}} \X{\<241>} \X{\<165>} \X{\<166>} \X{\<167>} \X{\<242>} \X{\<248>} \X{\<46>\K{-.27}\<46>} \X{\<249>} \X{\M{\<50>}{\<85>}} \X{\<250>} \X{\<244>} \X{\<245>} \X{\<51>\K{-.2}\<51>} \X{\<243>} + +{\RMF.} {\RMF,} {\RMF:} {\RMF;} {\RMF?} {\RMF!} {\RMF(} {\RMF)} {\RMF-} {\RMF--} {\RMF---} + +{\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero} \mmfigures {\mmone}{\RMF,}{\mmtwo}{\mmthree}{\RMF,}{\mmfour}{\mmfive}{\RMF,}{\mmsix}{\mmseven}{\RMF,}{\mmeight}{\mmnine}{\mmzero} + +\mmc + +\X{\<74>\<21>} \X{\<74>\<22>} \X{\<74>\<23>} \X{\<74>\<24>} \X{\<74>\<25>} \X{\<74>\<26>} \X{\<74>\<27>} \X{\<74>\<28>} \X{\<74>\<29>} \X{\<74>\<30>} +\X{\<74>\<31>} \X{\<74>\<32>} \X{\<74>\<33>} \X{\<74>\<34>} \X{\<74>\<35>} \X{\<74>\<36>} \X{\<74>\<37>} \X{\<74>\<38>} \X{\<74>\<39>} \X{\<74>\<40>} +\X{\<74>\<42>} \X{\<74>\<43>} \X{\<74>\<44>} \X{\<74>\<45>} \X{\<74>\<46>} \X{\<74>\<47>} \X{\<80>\<48>} \X{\<74>\<50>} \X{\<74>\<53>} \X{\<74>\<54>} \X{\<74>\<55>} \X{\<74>\<56>} +\X{\<74>\<57>} \X{\<74>\<51>} \X{\<74>\<49>} \X{\<74>\<52>} + +\X{\<21>\<83>} \X{\<22>\<83>} \X{\<23>\<83>} \X{\<24>\<83>} \X{\<25>\<83>} \X{\<26>\<83>} \X{\<27>\<83>} \X{\<28>\<83>} \X{\<29>\<83>} \X{\<30>\<83>} +\X{\<31>\<83>} \X{\<32>\<83>} \X{\<33>\<83>} \X{\<34>\<83>} \X{\<35>\<83>} \X{\<36>\<83>} \X{\<37>\<83>} \X{\<38>\<83>} \X{\<39>\<83>} \X{\<40>\<83>} +\X{\<42>\<83>} \X{\<43>\<83>} \X{\<44>\<83>} \X{\<45>\<83>} \X{\<46>\<83>} \X{\<249>} \X{\<80>\<47>} \X{\<50>\<83>} \X{\<53>\<83>} \X{\<54>\<83>} \X{\<55>\<83>} \X{\<56>\<83>} +\X{\<57>\<83>} \X{\<51>\<83>} \X{\<49>\<83>} \X{\<52>\<83>} + +\X{\<21>\K{-.5}\<90>} \X{\Q{\<21>\K{-.5}\<90>}{\N{.8}{\<77>}}\<46>} \X{\<21>\K{-.5}\<86>} \X{\<37>\K{-.5}\<86>} \X{\<40>\K{-.5}\<86>} \X{\<57>\K{-.5}\<86>} \X{\<240>\<83>} + +} + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex new file mode 100644 index 00000000000..c274d60f349 --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/article/twolines.tex @@ -0,0 +1,129 @@ +% twolines.tex -- macros to create double lines, one with the +% translation in parallel below the other. +% (c) Jeroen Hellingman 1993 +% last edit: 04-JAN-1993 + +{\catcode`\[=\active +\gdef[{\stacktwo} + +\gdef\begintwolines{\bgroup\catcode`\[=\active + \def[{\stacktwo} + \def\firstonly{\def\stacktwo{\stacktwofirstonly}} + \def\secondonly{\def\stacktwo{\stacktwosecondonly}}} +\gdef\endtwolines{\egroup} + +\gdef\beginthreelines{\bgroup\catcode`\[=\active + \def[{\stackthree} + \def\firstonly{\def\stackthree{\stackthreefirstonly}} + \def\secondonly{\def\stackthree{\stackthreesecondonly}} + \def\thirdonly{\def\stackthree{\stackthreethirdonly}}} +\gdef\endthreelines{\egroup} +} + +%%%%%% commands to be placed before material in lines + +\def\firststyle{\rm} +\def\secondstyle{\it} +\def\thirdstyle{\bf} + +%%%%%% + +\def\stacktwo#1|#2]{\putunder{{\secondstyle#2}}{\firststyle#1}} +\def\stacktwofirstonly#1|#2]{{\firststyle#1}} +\def\stacktwosecondonly#1|#2]{{\secondstyle#2}} + +\def\stackthree#1|#2|#3]{\putunder{{\putunder{{\thirdstyle#3}}{\secondstyle#2}}}{\firststyle#1}} +\def\stackthreefirstonly#1|#2|#3]{{\firststyle#1}} +\def\stackthreesecondonly#1|#2|#3]{{\secondstyle#2}} +\def\stackthreethirdonly#1|#2|#3]{{\thirdstyle#3}} + +%%%%%% actual stacking macro + +% put #1 centered underneath #2 +\def\putunder#1#2{\hskip0pt{\setbox1=\hbox{\strut#1}\setbox0=\hbox{\strut#2}% + \dimen0=.5\wd0\advance\dimen0by.5\wd1% + \dimen1=\dp0\advance\dimen1by\ht1% + \dimen3=.5\wd0\advance\dimen3by-.5\wd1% + % test: if #1 wider than #2, kern 0.5(wd1-wd0) before, and idem after extra. + \ifdim\wd1>\wd0\dimen7=\wd1\advance\dimen7by-\wd0% + \hbox{}\kern0.5\dimen7% + \advance\dimen3by0.5\dimen7% + \fi + \box0\kern-\dimen0\lower\dimen1\box1\kern\dimen3}} + +%%%%%% end of twolines.tex + +\message{This file contains a demo, edit it to see it.} +\endinput % Remove this line to see the demo. + +\parindent=0pt + +\begintwolines +\beginsection [A|Een] [Demo|demonstratie] [of|van] [Twolines|Twolines] + +[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie] +[to|om] [show|] [the|het] [effect|effekt] [of|van] +[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,] +[|zijn] [the|de] [Dutch|Engelse] +[equivalents|equivalenten] [of|van] [these|deze] [words|woorden] +[are|] [placed|] [centered|gecentreerd] [below|boven] +[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,] +[as far as|voor zover] [the|de] [difference|verschillen] [in|in] +[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|] +\endtwolines + +\bigskip + +\beginthreelines +[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen] +[also|ook|auch] [be||] [produced.|geproduceerd|produciert] +[|worden.|worden.] +\endthreelines + +\bigskip + +\beginthreelines\firstonly +[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen] +[also|ook|auch] [be||] [produced.|geproduceerd|produciert] +[|worden.|worden.] +\endthreelines + +\bigskip + +\beginthreelines\secondonly +[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen] +[also|ook|auch] [be||] [produced.|geproduceerd|produciert] +[|worden.|worden.] +\endthreelines + +\bigskip + +\beginthreelines\thirdonly +[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen] +[also|ook|auch] [be||] [produced.|geproduceerd|produciert] +[|worden.|worden.] +\endthreelines + +\bigskip + +\beginthreelines +[Three|Drie|Drei] [lines|regels|Regel] [can|kunnen|k\"onnen] +[also|ook|auch] [be||] [produced.|geproduceerd|produciert] +[|worden.|worden.] +\endthreelines + +\bigskip + +\begintwolines\secondonly +[This|dit] [is|is] [a|een] [little|kleine] [demo|demonstratie] +[to|om] [show|] [the|het] [effect|effekt] [of|van] +[twolines.|twolines] [|te laten zien.] [As|Zoals] [you|je] [can|kunt] [see,|zien,] +[|zijn] [the|de] [Dutch|Engelse] +[equivalents|equivalenten] [of|van] [these|deze] [words|woorden] +[are|] [placed|] [centered|gecentreerd] [below|boven] +[the|de] [English|Nederlandse] [words,|woorden] [|geplaatst,] +[as far as|voor zover] [the|de] [difference|verschillen] [in|in] +[|de] [grammar|grammatica] [|het] [allow|toestaan.] [it.|] +\endtwolines + +\bye diff --git a/Master/texmf-dist/doc/fonts/malayalam/charity b/Master/texmf-dist/doc/fonts/malayalam/charity new file mode 100644 index 00000000000..e69de29bb2d --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/charity diff --git a/Master/texmf-dist/doc/fonts/malayalam/todo b/Master/texmf-dist/doc/fonts/malayalam/todo new file mode 100644 index 00000000000..e69de29bb2d --- /dev/null +++ b/Master/texmf-dist/doc/fonts/malayalam/todo |