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| -rw-r--r-- | Master/texmf-dist/doc/latex/titlepages/titlepages.tex | 1833 |
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diff --git a/Master/texmf-dist/doc/latex/titlepages/README b/Master/texmf-dist/doc/latex/titlepages/README new file mode 100644 index 00000000000..80a7fabcc20 --- /dev/null +++ b/Master/texmf-dist/doc/latex/titlepages/README @@ -0,0 +1,20 @@ + titlepages.pdf displays some 40 different designs of title pages +taken from a selection of books and theses. The code for the examples +is included. A variety of colors and fonts are used in the examples. + + If you wish to process the source file titlepages.tex, by either +pdflatex or xelatex, consider saving titlepages.pdf under another name +before doing so in case not all the fonts are available on your system. +In any case, read the advice at the beginning of the file titlepages.tex. + + The work is distributed under the LaTeX Project Public Licence. + +Peter Wilson +2010/07/13 + + + + + + + diff --git a/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf b/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf Binary files differindex 0eb125c3efa..96626d7344e 100644 --- a/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf +++ b/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf diff --git a/Master/texmf-dist/doc/latex/titlepages/titlepages.tex b/Master/texmf-dist/doc/latex/titlepages/titlepages.tex index 43a6ab744f2..f704ca02fbc 100644 --- a/Master/texmf-dist/doc/latex/titlepages/titlepages.tex +++ b/Master/texmf-dist/doc/latex/titlepages/titlepages.tex @@ -1,34 +1,75 @@ % titlepages.tex titlepage styles % Author Peter Wilson, distributed under the LPPL % -% To process this file you need the FontSite 500 CD collection of fonts -% from http://www.fontsite.com/, and Christopher League's `TeX support for -% the FontSite 500 CD' http://contrapunctus.net/fs500tex/. +% To process this file as intended you need the FontSite 500 CD collection +% of fonts from http://www.fontsite.com/, and Christopher League's `TeX +% support for the FontSite 500 CD' http://contrapunctus.net/fs500tex/. +% If you do not have these, then uncomment the \renewcommand*{\FSfont}[1]{} +% line below. % % You will also need the Galapagos Design Group's free Web-O-Mints font % http://www.galapagosdesign.com/original/webomints.htm and their (La)TeX % support CTAN/fonts/webomints % +% If you use xelatex to process the file then you will also need the +% free IM Fell font from http://iginomarini.com/fell/the-revival-fonts. +% % Of course, you need the memoir class, which should be on your system. \documentclass{memoir} \usepackage[T1]{fontenc} \usepackage{lmodern} \usepackage{url} -%%\usepackage{comment} -\usepackage{color} +\usepackage{comment} +\usepackage[svgnames]{xcolor} \ifpdf \usepackage{pdfcolmk} \fi \usepackage{graphicx} +\usepackage{hyperref} +%\usepackage[outline]{contour} +\usepackage{tikz} +\usepackage{pifont} +\ifxetex + \usepackage{fontspec} +\fi + +%\usepackage{pst-text} + +%%%% Additional font macros +\makeatletter +%%%% light series +%% e.g., s:12 +\DeclareRobustCommand\ltseries + {\not@math@alphabet\ltseries\relax + \fontseries\ltdefault\selectfont} +%% e.g., t:32 +\newcommand{\ltdefault}{l} +%% e.g., v:19 +\DeclareTextFontCommand{\textlt}{\ltseries} + +% heavy(bold) series +\DeclareRobustCommand\hbseries + {\not@math@alphabet\hbseries\relax + \fontseries\hbdefault\selectfont} +%% e.g., t:32 +\newcommand{\hbdefault}{hb} +%% e.g., v:19 +\DeclareTextFontCommand{\texthb}{\hbseries} +\makeatother + +\newcommand*{\isbn}{{\small\textsc{ISBN}}} %%% for the Web-O-Mints fonts \newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} %\renewcommand*{\wb}[2]{}% probably kills Web-O-Mints (and some layouts?) %%% for the Fontsite 500 fonts \newcommand*{\FSfont}[1]{% - \fontfamily{#1}\selectfont} + \fontencoding{T1}\fontfamily{#1}\selectfont} %\renewcommand*{\FSfont}[1]{}% kills special font selections +\newcommand*{\labelit}[1]{\phantomsection\label{#1}} +\newcommand*{\refit}[1]{(graphic on page~\pageref{#1})} + \chapterstyle{dash}\renewcommand*{\chaptitlefont}{\normalfont\itshape\LARGE} \setlength{\beforechapskip}{2\onelineskip} \setsecheadstyle{\normalfont\Large\raggedright} @@ -108,6 +149,7 @@ {\end{minipage}\end{vplace}\end{boxminipage}} \definecolor{Dark}{gray}{.2} +\definecolor{MedDark}{gray}{.4} \definecolor{Medium}{gray}{.6} \definecolor{Light}{gray}{.8} @@ -130,7 +172,7 @@ \vspace*{\baselineskip} {\Large The Author}\\[0.167\txtheight] {\bfseries The Big Book of}\\[\baselineskip] -{\textcolor{Medium}{\Huge CONUNDRUMS}}\\[\baselineskip] +{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] {\small With 123 illustrations}\par \vfill {\Large The Publisher \plogo}\par @@ -162,6 +204,74 @@ \vspace*{\drop} \endgroup} +\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking +\drop=0.1\txtheight +\begin{minipage}[t]{0.05\txtwidth} + \color{Red} + \rule{6pt}{\txtheight} +\end{minipage} +\hspace{0.05\txtwidth} +\begin{minipage}[t]{0.6\txtwidth} + \vspace*{\drop} + {\Large THE AUTHOR} \\ + \rule{0.9\txtwidth}{1pt} \par + \vspace{3\baselineskip} + {\noindent\Huge\bfseries CONUNDRUMS} \par + \vspace{2\baselineskip} + {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par + \vspace{6.5\baselineskip} + {\scshape after the foreign edition of year \\ + translated by} \par +\vspace{0.1\baselineskip} + {\Large THE TRANSLATOR} \par + \vspace{\baselineskip} + \rule{0.9\txtwidth}{1pt} \par + \vspace{\baselineskip} + {\Large THE PUBLISHER} +\end{minipage} +\hfill +\begin{minipage}[t]{0.15\txtwidth} + {\color{Red} + \FSfont{5fh}% FontSite Fette Gotisch + \HUGE + \vspace{3.3\baselineskip} + H \\[1.15\baselineskip] + G \\[1.15\baselineskip] + P \\[1.15\baselineskip] + E +}\par + \vspace{4\baselineskip} + {\Large YEAR} +\end{minipage} +\endgroup} + + +\begin{comment} +\vfill + \hbox{% + \hspace*{0.1\txtwidth}% + \textcolor{Red}{\rule{6pt}{\txtheight}} + \hspace*{0.05\txtwidth}% +%\fbox{% +\parbox[b]{0.75\txtwidth}{ + \vbox{% + \vspace{\drop} + {\noindent\Large THE AUTHOR} \\ + \rule{0.8\txtwidth}{2pt} \\ + {\noindent\Huge\bfseries CONUNDRUMS\\} + {\Large\itshape A Handy Guide to Puzzles and Enigmas\\} + {\Large THE AUTHOR}\par + \vspace{0.5\txtheight} + {\noindent The Publisher}\\[\baselineskip] + }% end of vbox +}% end of parbox +%}% end of fbox + }% end of hbox +\vfill +\null +\endgroup} +\end{comment} + \newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 \FSfont{5bo}% Bembo/Bergamo @@ -316,7 +426,8 @@ The Publisher \endgroup} \newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface -\FSfont{5gr}% Galliard/Gareth +%\FSfont{5gr}% Galliard/Gareth +\FSfont{5bo}% Bergamo/Bembo \drop=0.1\txtheight \vspace*{\drop} \rule{\txtwidth}{1pt}\par @@ -324,17 +435,17 @@ The Publisher \rule{\txtwidth}{0.4pt}\par \vspace{0.5\drop} \centering -\textcolor{Medium}{ -{\Huge THE BOOK}\\[0.5\baselineskip] -{\Large OF}\\[0.75\baselineskip] -{\Huge CONUNDRUMS}} +\textcolor{Red}{%\FSfont{5cz}% Chisel +{\FSfont{5ml}\Huge THE BOOK}\\[0.5\baselineskip] +{\FSfont{5ml}\Large OF}\\[0.75\baselineskip]% Delphian (5dp) +{\FSfont{5ml}\Huge CONUNDRUMS}}% Mona Lisa \par \vspace{0.25\drop} \rule{0.3\txtwidth}{0.4pt}\par \vspace{\drop} {\Large \scshape The Author}\par \vfill -{\large \textcolor{Medium}{\plogo}}\\[0.5\baselineskip] +{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] {\large\scshape the publisher}\par \vspace*{\drop} \endgroup} @@ -345,7 +456,7 @@ The Publisher \sffamily \vspace*{\drop} \centering -{\textcolor{Light}{\HUGE CONUNDRUMS}}\par +{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par \vspace{0.5\drop} \colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large Puzzles for the Mind}}\par \vspace{\drop} @@ -360,7 +471,7 @@ The Publisher \vspace*{\drop} \centering {\Large\itshape THE BIG BOOK OF}\\[0.5\drop] -{\textcolor{Medium}{\HUGE\bfseries CONUNDRUMS}}\par +{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par \vspace{\drop} {\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par \vfill @@ -416,23 +527,25 @@ The Date\par \vspace*{\drop} \centering {\LARGE THE UNIVERSITY}\\[2\baselineskip] -{\LARGE\sffamily Conundrums: \\ puzzles for the mind}\par +{\LARGE\sffamily Conundrums: \\ puzzles for the mind\par} \vfill {\LARGE THESIS}\par \vspace{\drop} {\large some remarks concerning the supervisor \\ and the time and place of the examination \\ - and other administrative details}\par + and other administrative details\par} \vfill {\large\bfseries The Candidate}\par \vspace*{\drop} \endgroup} \newcommand*{\titlePW}{\begingroup% PW Thesis +\ttfamily \drop=0.1\txtheight \vspace*{\drop} \centering -{\Large\bfseries SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND}\par +{\Large%\bfseries + SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND\par} \vspace*{\drop} {\large by}\par \vspace*{\drop} @@ -441,11 +554,68 @@ The Date\par \raggedright {\Large Thesis submitted to The University for the degree of - DEGREE, Month year.}\par + DEGREE, Month year.\par} \vfill \null \endgroup} +\newcommand*{\titleUL}{\begingroup% University of Liege +\drop=0.1\txtheight +\vspace*{\drop} +\begin{center} +{\LARGE\textsc{THE UNIVERSITY}}\\[\drop] +% University logo +{\LARGE \plogo}\\[\drop] + +\rule{\txtwidth}{1pt}\par +\vspace{0.5\baselineskip} +{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ + \large --- in N pages, with T tables ---}\\[0.5\baselineskip] +\rule{\txtwidth}{1pt}\par + +\vfill + +% fake a footnote reference here +{\Large\textsc{The\textsuperscript{1} Candidate}} + +\vfill + +City, Country + +\vfill + +{\large The Date} +\end{center} + +% faked footnote +\vspace{-0.5\baselineskip} +\noindent\rule{0.4\txtwidth}{0.4pt} \\ +\textsuperscript{1} \url{email.address} +\endgroup} + + +\newcommand*{\titleASU}{% +\begingroup +\FSfont{ptm}% Times +\begin{center} +CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ +by \\ +Im A. Student + +\vfill + +A Polemic Presented in Partial Fulfillment \\ +of the Requirements for the Degree \\ +Name of Degree + +\vfill + +THE UNIVERSITY + +The Date +\end{center} +\endgroup} + \newcommand*{\titleSW}{\begingroup% Story of Writing \raggedleft \vspace*{\baselineskip} @@ -476,7 +646,80 @@ The Date\par \vspace*{\drop} \endgroup} +\newcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{JOHN FELL} \\} +\vfill +{\Huge THE UNIVERSITY PRESS AND +THE `FELL TYPES' \\} +\vfill +{\Large THE PUNCHES AND MATRICES DESIGNED FOR PRINTING + IN THE GREEK, LATIN, ENGLISH, AND ORIENTAL LANGUAGES + BEQUETHED IN 1686 TO \\} +\vfill +{\LARGE THE UNIVERSITY OF OXFORD + BY JOHN FELL, D.D.\\} +\vfill +{DELEGATE OF THE PRESS, DEAN OF CHRISTCHURCH + VICE-CHANCELLOR OF THE UNIVERSITY +AND BISHOP OF OXFORD \\} +\vfill +{\Large BY\\} +{\LARGE STANLEY MORISON \\} +{WITH THE ASSISTANCE OF\\} +{\large HARRY CARTER\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} + +\renewcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{THE DONOR} \\} +\vfill +{\Huge THE UNIVERSITY AND +THE `DONOR' CONUNDRUMS \\} +\vfill +{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} +%\vfill +{\LARGE THE UNIVERSITY OF CITY \\ + BY THE DONOR\\} +%\vfill +{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ + AND OTHER DISTINCTIONS \\} +\vfill +{\large BY\\} +{\LARGE THE AUTHOR \\} +{\footnotesize WITH THE ASSISTANCE OF\\} +{\large THE ASSISTANT\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} + \newcommand*{\titleJE}{\begingroup% Jane Eyre +%\FSfont{5cd}% Clarendon +\FSfont{5cu}% Century Old Style \vspace*{2\baselineskip} {\Large\bfseries The Author}\\[2\baselineskip] \begin{center} @@ -570,6 +813,7 @@ The Date\par \endgroup} + \newcommand*{\titleGP}{\begingroup% Geometric Modeling \drop=0.1\txtheight \centering @@ -585,14 +829,317 @@ on \\ Enigmas \\ Location, date from--to\par \vspace*{2\baselineskip} Edited by \\[\baselineskip] -{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR}\\ -{\itshape Organisation \\ Address}\par +{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par} +{\itshape Organisation \\ Address\par} \vfill \plogo\\ {\scshape year} \\ {\large THE PUBLISHER}\par \endgroup} +\newcommand*{\rotrt}[1]{\rotatebox{90}{#1}} +\newcommand*{\rotlft}[1]{\rotatebox{-90}{#1}} +\newcommand*{\topb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} +\newcommand*{\botb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} +\newcommand*{\titleBC}{\begingroup% Bookbinding & Conservation +\FSfont{5jr}% Jenson Recut (Centaur) +\begin{center} +\def\CP{\textit{\HUGE Conundrums \& Puzzles}} +\settowidth{\unitlength}{\CP} +%{\color{LightGoldenrod}\( \overbrace{\hspace{\unitlength}} \)} \\[\baselineskip] +{\color{LightGoldenrod}\topb} \\[\baselineskip] +\textcolor{Sienna}{\CP} \\[\baselineskip] +{\color{RosyBrown}\LARGE A SIXTY-YEAR STUDY} \\ +%{\color{LightGoldenrod}\( \underbrace{\hspace{\unitlength}} \)} +{\color{LightGoldenrod}\botb} +\end{center} +\vfill +\begin{center} +{\LARGE\textbf{The Author}}\\ +\vfill +\plogo\\[0.5\baselineskip] +YEAR +\end{center} +\endgroup} + +\newcommand*{\titleHC}{\begingroup% Harry Carter +\FSfont{fxlj}% Libertine +\setlength{\drop}{0.1\txtheight} +\vspace*{\drop} +\begin{flushleft} +{\FSfont{5eb}% Erbar Deco +\HUGE +{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ +{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ +{E\,N\,I\,G\,M\,A\,S}\\ +} +\vfill +\Large +A. N. AUTHOR \\ +A. N. OTHER \\ +Y. E. TANOTHER +\vfill +THE PUBLISHER {\normalsize YEAR} +\end{flushleft} +\endgroup} + +%%%%%%%%%%%%%%%% + +%% draw an oval using tikz +\newcommand*{\anoval}[2]{% +\begin{tikzpicture} +\draw[very thick] (0,0) ellipse (#1 and #2); +\end{tikzpicture}} + +%% a zero-sized picture of an oval +\newcommand*{\putoval}{\begingroup +\setlength{\unitlength}{1in} +\begin{picture}(0,0) + \put(-1.25,0){\anoval{1.25in}{1.75in}} +\end{picture} +\endgroup} + +%% rectangular frame +\newcommand*{\fframe}{\begingroup + \wb{10pt}{10pt} + \setlength{\unitlength}{1pt} + \begin{picture}(0,0) +\multiput(11,0)(24,0){11}{e}% bottom +\multiput(23,0)(24,0){10}{f}% bottom +\multiput(11,384)(24,0){11}{e}% top +\multiput(23,384)(24,0){10}{f}% top +\put(0,0){O}% bl +\put(0,382){R}% tl +\put(262,0){M}% br +\put(262,382){P}% tr +\multiput(0,11)(0,24){16}{i}% left +\multiput(0,23)(0,24){15}{j}% left +\multiput(264,11)(0,24){16}{i}% right +\multiput(264,23)(0,24){15}{j}% right + \end{picture} +\endgroup} + +\newcommand*{\titleRMMH}{\begingroup +\FSfont{5ve}% Vendome +\Large +\begin{center} +The \\ +Puzzle \\ +of \\ +Conundrums\\[2\baselineskip] +by \\ +The Authoress\\[3\baselineskip] +\plogo\\[2\baselineskip] +\putoval + +\vspace{2\baselineskip} +The Publisher \\ +{\normalsize YEAR} +\end{center} +\vspace{\baselineskip} +\fframe +\endgroup} + +%%%%%%%%%%%%%%%%%%%%%% + +\newcommand*{\leaf}{{\wb{8pt}{8pt}K}} +\newcommand*{\titleWM}{\begingroup% William Morris +\FSfont{5bo}% Bergamo (Bembo) +\huge +\scshape +\noindent +{\color{Red} +conundrum \leaf\ +essays on puzzles, enigmas and the mind by the author \leaf\ +edited by the editor +} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\noindent +the publisher \\ +\hspace*{1pt}% +\leaf\ year +\vspace*{3\baselineskip} +\endgroup} + + +\newcommand*{\titleEI}{\begingroup% Editions & Impressions +\FSfont{5gl}% Glytus (Glypha) +\drop = 0.3\txtheight +\vspace*{\drop} +\raggedright +{\LARGE {\huge C}ONUNDRUMS \textit{and} \\ +\hspace*{30pt} {\huge E}NIGMAS\par} +\vspace{2\baselineskip} +{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] + \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par +\vspace{2\baselineskip} +\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par +\vfill +The Publisher {\footnotesize YEAR} +\endgroup} + + +\newcommand*{\titleJA}{\begingroup% Jost Amman +\FSfont{5bl}% FontSite Belwe +\begin{center} +\drop=0.2\txtheight +\vspace*{0.5\drop} +\Large THE AUTHOR'S \\[\baselineskip] +{\FSfont{5at}% FontSite Abbot Old Style +\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] +\large \textit{with an intruction by} \\ + SOMEONE ELSE\par +\vfill +YEAR \\ +{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} + \rule{\txtwidth}{0.4pt}} \\[\baselineskip] +\Large THE PUBLISHER +\end{center} +\vspace*{\drop} +\mbox{} +\endgroup} + +\newcommand*{\titlePP}{\begingroup% Printing Poetry +\FSfont{5jr}% FontSite Jenson Recut (Centaur) +\drop=0.1\txtheight +\vspace*{\drop} +\begin{raggedleft} +%{\HUGE\color{Navy} PUZZLING}\\[\baselineskip] +{\HUGE\color{MidnightBlue} PUZZLING}\\[\baselineskip] +{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] +{\HUGE\color{MidnightBlue} CONUNDRUMS} \\[\baselineskip] +{\Large BY THE AUTHOR}\par +\end{raggedleft} +\vfill +\begin{center} +{\large THE PUBLISHER YEAR} +\end{center} +\vspace*{\drop} +%\mbox{} +\endgroup} + + +\newcommand*{\titleGWP}{\begingroup% Gawain Poet +\FSfont{5gm}% FontSite Garamond +\drop=0.1\txtheight +\vspace*{\drop} +\begin{center} +\FSfont{5ci}% FontSite Cipollini +\Huge\color{Red} +THE COMPLETE WORKS OF THE CONUNDRUM POSER +\end{center} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\begin{center} +\large +{\itshape In a Readable Version with a Critical Introduction \\ +by The Critic \\ +\normalsize +Woodcuts by The Artist} \\ +{\color{Red} \rule{\txtwidth}{0.4pt}} +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} + +\endgroup} + +\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}} +\newcommand*{\titleCM}{\begingroup% Christopher Marlowe +\FSfont{5ci}% FontSite Cipollini +\drop=0.05\txtheight +\vspace*{\drop} +\begin{center} +{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\ + A\, U\, T\, H\, O\, R\par} +\vspace{2\baselineskip} +{\huge FOUR CONUNDRUMS\par} +\vspace{\baselineskip} +\FSfont{5lb}% FontSite Lanston Bell +\Large +{\itshape Edited with an Introduction by The Editor \\ + Engravings by The Engraver} +\vfill +\setlength{\unitlength}{3pt} +\begin{picture}(0,40) + \thicklines + {\color{Red} + \put(-20,0){\framebox(40,40){}} + \put(0,0){\line(0,1){40}} + \put(-20,20){\line(1,0){40}}} + \put(-10,10){\makebox(0,0){\lqm{60pt}}} + \put(-10,30){\makebox(0,0){\lqm{60pt}}} + \put(10,10){\makebox(0,0){\lqm{60pt}}} + \put(10,30){\makebox(0,0){\lqm{60pt}}} +\end{picture} +\vfill +THE PUBLISHER +\end{center} +\vspace*{\drop} +\endgroup} + + +\newcommand*{\titleIP}{\begingroup% Into Print +\FSfont{5pl}% FontSite Palladio (Palatino) +\drop=0.1\txtheight +\vspace*{0.5\drop} +\begin{center} +{\Huge CONUNDRUMS}\\[\baselineskip] +\Large +\dingline{49} +\vspace{\baselineskip} +{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement} + +\vspace{\baselineskip} + +THE AUTHOR + +\vfill +\plogo \\[\baselineskip] + +\large +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} + + +\newcommand*{\titleAAT}{\begingroup% An Approach to Type +\FSfont{5bd}% FontSite Bodoni +\drop=0.1\txtwidth +\vspace*{0.5\drop} +{\huge THE AUTHOR} + +\begin{vplace}[2] +\begin{raggedleft} +\LARGE AN APPROACH TO\\[0.2\baselineskip] +{\FSfont{5cd}\HUGE\texthb{Conundrums}}\par +\end{raggedleft} +\end{vplace} + +\large{THE PUBLISHER} +\vspace*{0.5\drop} +\endgroup} + + +\newcommand*{\titleXX}{\begingroup% +\FSfont{5pl}% FontSite +\begin{center} +\end{center} +\endgroup} + + + + + %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% %% The Family Receipt Book \makeatletter @@ -665,7 +1212,7 @@ Edited by \\[\baselineskip] \hspace*{0.3\textwidth}{\Large The Herries Press}\\[0.5\baselineskip] \hspace*{0.3\textwidth}% %\hspace*{0.5\bibindent}% -{\Large 2009} +{\Large 2010} \vspace*{\drop} \endgroup} @@ -684,7 +1231,7 @@ Edited by \\[\baselineskip] \footnotesize \parindent 0pt \parskip \baselineskip -\textcopyright{} 2007, 2009 Peter R. Wilson \\ +\textcopyright{} 2007, 2009, 2010 Peter R. Wilson \\ All rights reserved. This work may be distributed and/or modified under the conditions @@ -727,13 +1274,14 @@ Information Sciences --- Permanence of Paper for Printed Library Materials, ANSI Z39.48--1984. \begin{center} - 12 11 10 09 08 07\hspace{2em}7 6 5 4 3 2 + 12 11 10 09 08 07\hspace{2em}8 7 6 5 4 3 %2 \end{center} \begin{center} \begin{tabular}{ll} First edition: & January 2007 \\ -Second impression, with minor extensions & January 2009 +Second impression, with minor extensions & January 2009 \\ +Third impression, with minor extensions & July 2010 \end{tabular} \end{center} @@ -797,22 +1345,20 @@ should give a foretaste of it. If the book consists of plain text, the title page should at least be in harmony with it. \end{quote} -This short document provides some examples of title page designs. I claim -no credit for any of these as I found them in books in my +This short document provides some forty or so examples of title page designs. +I claim no credit for any of these as I found them in books in my library and all I did was create \LaTeX{} code to demonstrate their general appearance. A list of the sources is given in the Bibliography. In the real world many different fonts were used -%but for illustrative purposes I have restricted the ones here to Knuth's -%Computer Modern Roman family. and I have used some here, although I have set most pages with Knuth's Computer Modern Roman family. The title page for this document is based on one of the examples. - Several designs are shown following this introduction and the code for + The designs are shown following this introduction and the code for each is -given at the end. There is no particular ordering to the examples apart -from the order in which I found them. The designs are meant as possible +given at the end. There is no particular ordering to the examples, not +even the order in which I found them. The designs are meant as possible starting points for exercising your creativity. While on the subject of introductory pages, the copyright page of a book @@ -861,131 +1407,215 @@ dating to the late 18th or early 19th century, that I reset using \begin{showtitle} \titleJT -\end{showtitle} +\end{showtitle}\labelit{JT} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJT?} + \begin{showtitle} \titleTH -\end{showtitle} +\end{showtitle}\labelit{TH} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTH?} \begin{showtitle} \titleM -\end{showtitle} +\end{showtitle}\labelit{M} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleM?} \begin{showtitle} \titleS -\end{showtitle} +\end{showtitle}\labelit{S} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleS?} \begin{showtitle} +\titleHGP +\end{showtitle}\labelit{HGP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHGP?} + +\begin{showtitle} \titleRF -\end{showtitle} +\end{showtitle}\labelit{RF} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRF?} \begin{showtitle} +\titleAT +\end{showtitle}\labelit{AT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAT?} + +\begin{showtitle} \titleDB -\end{showtitle} +\end{showtitle}\labelit{DB} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDB?} \begin{showtitle} \titleAM -\end{showtitle} +\end{showtitle}\labelit{AM} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAM?} \begin{showtitle} \titleP -\end{showtitle} +\end{showtitle}\labelit{P} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleP?} \begin{showtitle} +\titleLL +\end{showtitle}\labelit{LL} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleLL?} + +\begin{showtitle} \titleGM -\end{showtitle} +\end{showtitle}\labelit{GM} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGM?} \begin{showtitle} \titlePM -\end{showtitle} +\end{showtitle}\labelit{PM} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePM?} \begin{showtitle} -\titleAT -\end{showtitle} -{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAT?} - -\begin{showtitle} -\titleLL -\end{showtitle} -{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleLL?} - -\begin{showtitle} \titleCC -\end{showtitle} +\end{showtitle}\labelit{CC} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCC?} \begin{showtitle} \titleDS -\end{showtitle} +\end{showtitle}\labelit{DS} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDS?} \begin{showtitle} \titleMS -\end{showtitle} +\end{showtitle}\labelit{MS} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleMS?} \begin{showtitle} \titlePW -\end{showtitle} +\end{showtitle}\labelit{PW} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePW?} \begin{showtitle} +\titleUL +\end{showtitle}\labelit{UL} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleUL?} + +\begin{showtitle} +\titleASU +\end{showtitle}\labelit{ASU} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleASU?} + +\begin{showtitle} +\titleBC +\end{showtitle}\labelit{BC} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBC?} + +\begin{showtitle} \titleSW -\end{showtitle} +\end{showtitle}\labelit{SW} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSW?} \begin{showtitle} \titleTMB -\end{showtitle} +\end{showtitle}\labelit{TMB} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTMB?} \begin{showtitle} +\titleFT +\end{showtitle}\labelit{FT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleFT?} + + +\begin{showtitle} \titleJE -\end{showtitle} +\end{showtitle}\labelit{JE} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJE?} \begin{showtitle} \titleZD -\end{showtitle} +\end{showtitle}\labelit{ZD} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleZD?} \begin{showtitle} +\titleWM +\end{showtitle}\labelit{WM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWM?} + +\begin{showtitle} \titleWH -\end{showtitle} +\end{showtitle}\labelit{WH} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWH?} \begin{showtitle} \titleBWF -\end{showtitle} +\end{showtitle}\labelit{BWF} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBWF?} \begin{showtitle} \titleSI -\end{showtitle} +\end{showtitle}\labelit{SI} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSI?} \begin{showtitle} +\titleJA +\end{showtitle}\labelit{JA} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJA?} + +\begin{showtitle} \titleGP -\end{showtitle} +\end{showtitle}\labelit{GP} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGP?} +\begin{showtitle} +\titleHC +\end{showtitle}\labelit{HC} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHC?} + +\begin{showtitle} +\titlePP +\end{showtitle}\labelit{PP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePP?} + +\begin{showtitle} +\titleRMMH +\end{showtitle}\labelit{RMMH} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRMMH?} + + +\begin{showtitle} +\titleEI +\end{showtitle}\labelit{EI} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleEI?} + +\begin{showtitle} +\titleGWP +\end{showtitle}\labelit{GWP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGWP?} + +\begin{showtitle} +\titleIP +\end{showtitle}\labelit{IP} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleIP?} + +\begin{showtitle} +\titleAAT +\end{showtitle}\labelit{AAT} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAAT?} + +\begin{showtitle} +\titleCM +\end{showtitle}\labelit{CM} +{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCM?} + +%\begin{showtitle} +%\titleXX +%\end{showtitle}\labelit{} +%{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleXX?} + + %%\noindent -\titleRB +\titleRB\labelit{RB} {\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRB?} @@ -1003,8 +1633,62 @@ from those there is nothing untoward about any of the examples. You can use any of them, after changing the words and spacing to suit, along the lines of: \begin{verbatim} +\usepackage[T1]{fontenc} +\usepackage{lmodern} +\usepackage{url} +\usepackage[svgnames]{xcolor} +\ifpdf + \usepackage{pdfcolmk} +\fi +%% check if using xelatex rather than pdflatex +\ifxetex + \usepackage{fontspec} +\fi +\usepackage{graphicx} +%%\usepackage{hyperref} +%% drawing package +\usepackage{tikz} +%% for dingbats +\usepackage{pifont} + \providecommand{\HUGE}{\Huge}% if not using memoir \newlength{\drop}% for my convenience +%% specify the Webomints family +\newcommand*{\wb}[1]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} +%% select a (FontSite) font by its font family ID +\newcommand*{\FSfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont} +%% if you don't have the FontSite fonts either \renewcommand*{\FSfont}[1]{} +%% or use your own choice of family. +%% select a (TeX Font) font by its font family ID +\newcommand*{\TXfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont} +%% Generic publisher's logo +\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}} +%% Some shades +\defincolor{Dark}{gray}{0.2} +\defincolor{MedDark}{gray}{0.4} +\defincolor{Medium}{gray}{0.6} +\defincolor{Light}{gray}{0.8} + +%%%% Additional font series macros +\makeatletter +%%%% light series +%% e.g., kernel doc, section s: line 12 or thereabouts +\DeclareRobustCommand\ltseries + {\not@math@alphabet\ltseries\relax + \fontseries\ltdefault\selectfont} +%% e.g., kernel doc, section t: line 32 or thereabouts +\newcommand{\ltdefault}{l} +%% e.g., kernel doc, section v: line 19 or thereabouts +\DeclareTextFontCommand{\textlt}{\ltseries} + +% heavy(bold) series +\DeclareRobustCommand\hbseries + {\not@math@alphabet\hbseries\relax + \fontseries\hbdefault\selectfont} +\newcommand{\hbdefault}{hb} +\DeclareTextFontCommand{\texthb}{\hbseries} +\makeatother + \begin{document} \pagestyle{empty} \titleX @@ -1012,17 +1696,10 @@ along the lines of: ... \end{verbatim} - Some of the original title pages used color. In such cases I have -used a shade of gray instead, which requires the \texttt{color} package. -The values I have used are below, together with the definition -of the publisher's logo (\cs{plogo}): -\begin{verbatim} -\usepackage{color} -\definecolor{Dark}{gray}{.2} -\definecolor{Medium}{gray}{.6} -\definecolor{Light}{gray}{.8} -\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}} -\end{verbatim} + Some of the original title pages used color. In such cases I have tried +to match the colors using palette provided by the \texttt{svgnames} option +to the \texttt{xcolor} package. + In other cases I have used the \texttt{graphicx} package to scale or rotate elements of the design. @@ -1030,20 +1707,26 @@ rotate elements of the design. such as including a publication date or removing the publisher, or use a different font (or fonts). The design is in your hands. + I used slightly different coding than given below to display the graphic +examples in order to produce slightly smaller displays than the following +macros will provide. If you are interested look in the preamble of +the source file \texttt{titlepages.tex}. + -\section{titleJT} +\section{titleJT \refit{JT}} This is based on the title page of \emph{Jan Tschichold: Typographer}~\cite{MCLEAN75}. The book was designed by Herbert\index{Spencer, Herbert} Spencer and Christine\index{Charlton, Christine} Charlton. The text type is 12/14 Monotype Garamond 156 with chapter headings in -24 point Sabon Semi-bold. +24 point Sabon Semi-bold. Page size is 57pc by 57pc. I used Garamond for the printed example. \begin{verbatim} \newcommand*{\titleJT}{\begingroup% Jan Tschichold: typographer +\FSfont{5gm} % FontSite Garamond \drop = 0.08\textheight \vspace*{\drop} \hspace*{0.3\textwidth} @@ -1057,12 +1740,12 @@ Christine\index{Charlton, Christine} Charlton. The text type is \endgroup} \end{verbatim} -\section{titleTH} +\section{titleTH \refit{TH}} This is based on the title page of Thames and Hudson's \emph{Manual of Typography} by Ruari McLean~\cite{MCLEAN80}. The main element of the title was set using a red font with everything else in normal black. If you -use this you need the \texttt{color} package. +use this you need the \texttt{xcolor} package. The page size is 38 by 57pc. \begin{verbatim} \newcommand*{\titleTH}{\begingroup% T&H Typography @@ -1070,7 +1753,7 @@ use this you need the \texttt{color} package. \vspace*{\baselineskip} {\Large The Author}\\[0.167\textheight] {\bfseries The Big Book of}\\[\baselineskip] -{\textcolor{Medium}{\Huge CONUNDRUMS}}\\[\baselineskip] +{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip] {\small With 123 illustrations}\par \vfill {\Large The Publisher \plogo}\par @@ -1078,7 +1761,7 @@ use this you need the \texttt{color} package. \endgroup} \end{verbatim} -\section{titleM} +\section{titleM \refit{M}} This is based on a title page designed by Jan\index{Tschichold, Jan} Tschichold in 1954 for a King Penguin book on Misericords and @@ -1100,7 +1783,7 @@ shown in~\cite{MCLEAN80}. \endgroup} \end{verbatim} -\section{titleS} +\section{titleS \refit{S}} This is based on a title page designed by Jan\index{Tschichold, Jan} Tschichold in 1949 for a King Penguin book on Scripts and @@ -1120,17 +1803,76 @@ shown in~\cite{MCLEAN80}. \endgroup} \end{verbatim} -\section{titleRF} +\section{titleHGP \refit{HGP}} + + This example is based on the title page of the English translation of +an 18th Century Japanese book on papermaking~\cite{HAMILTON48}. In the +original the Japanese title is given using Latin characters, +\emph{Kamisuki Ch\={o}h\={o}ki}, in a large +font followed by the English title in italics. The Japanese title +in Kanji is in red vertically at the right side of the page. + + In my version I used Fette Gotisch instead of Kanji. The original +page size is 36 by 54pc. Interestingly the page size of a Japanese +edition that I have, published around 1943, is almost the same at +33 by 55pc. + + +\begin{verbatim} +\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking +\drop=0.1\txtheight +\begin{minipage}[t]{0.05\txtwidth} + \color{Red} + \rule{6pt}{\txtheight} +\end{minipage} +\hspace{0.05\txtwidth} +\begin{minipage}[t]{0.6\txtwidth} + \vspace*{\drop} + {\Large THE AUTHOR} \\ + \rule{0.9\txtwidth}{1pt} \par + \vspace{3\baselineskip} + {\noindent\Huge\bfseries CONUNDRUMS} \par + \vspace{2\baselineskip} + {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par + \vspace{6.5\baselineskip} + {\scshape after the foreign edition of year \\ + translated by} \par +\vspace{0.1\baselineskip} + {\Large THE TRANSLATOR} \par + \vspace{\baselineskip} + \rule{0.9\txtwidth}{1pt} \par + \vspace{\baselineskip} + {\Large THE PUBLISHER} +\end{minipage} +\hfill +\begin{minipage}[t]{0.15\txtwidth} + {\color{Red} + \FSfont{5fh}% FontSite Fette Gotisch + \HUGE + \vspace{3.3\baselineskip} + H \\[1.15\baselineskip] + G \\[1.15\baselineskip] + P \\[1.15\baselineskip] + E +}\par + \vspace{4\baselineskip} + {\Large YEAR} +\end{minipage} +\endgroup} +\end{verbatim} + +\section{titleRF \refit{RF}} This is based on a title page designed by Rudolph\index{Ruzicka, Rudolph} Ruzicka in 1971 for an Imprint Society's book of Robert Frost's poetry and shown in~\cite{MCLEAN80}. The text is set with Ruzicka's Linotype Fairfield with the display lines in Monotype Bembo. - I used Bembo for the printed example. + I used Bergamo (Bembo) for the printed example. \begin{verbatim} \newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149 +\FSfont{5bp} % FontSite Bergamo (Bembo) \drop = 0.2\textheight \centering \vfill @@ -1144,16 +1886,57 @@ with the display lines in Monotype Bembo. \endgroup} \end{verbatim} -\section{titleDB} +\section{titleAT \refit{AT}} + +This is based on the title page from \emph{Anatomy of a Typeface}~\cite{LAWSON90}. +In the original both the title, in a decorative font, and the +publisher's logo were in red. +You will need the \texttt{xcolor} package for this style. The text was +set in Galliard, designed by Matthew Carter. The page size is 36 by 54pc. + + I used Mona Lisa for the main title and Bergamo (Bembo) for the +remainder in the printed example. + +\begin{verbatim} +\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface +\FSfont{5bp} % FontSite Bergamo (Bembo) +\drop=0.1\textheight +\vspace*{\drop} +\rule{\textwidth}{1pt}\par +\vspace{2pt}\vspace{-\baselineskip} +\rule{\textwidth}{0.4pt}\par +\vspace{0.5\drop} +\centering +\textcolor{Red}{ +{\FSfont{5ml} % FontSite Mona Lisa + \Huge THE BOOK}\\[0.5\baselineskip] +{\FSfont{5ml} + \Large OF}\\[0.75\baselineskip] +{\FSfont{5ml} + \Huge CONUNDRUMS}}\par +\vspace{0.25\drop} +\rule{0.3\textwidth}{0.4pt}\par +\vspace{\drop} +{\Large \scshape The Author}\par +\vfill +{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip] +{\large\scshape the publisher}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleDB \refit{DB}} This is based on the title page of \emph{The Design of Books}~\cite{WILSON93}, designed by Adrian\index{Wilson, Adrian} Wilson. The types used in the book -are handset Palatino and Linotype Aldus, designed by Hermann Zapf. +are handset Palatino and Linotype Aldus, designed by Hermann Zapf. The +page size is 51 by 66pc. - I used Palatino for the printed example. + I used URW Palladio (Palatino) for the printed example. \begin{verbatim} \newcommand*{\titleDB}{\begingroup% AW, Design of Books +\FSfont{5pl} % FontSite URW Palladio (Palatino) \drop = 0.14\textheight \centering \vspace*{\drop} @@ -1170,17 +1953,18 @@ are handset Palatino and Linotype Aldus, designed by Hermann Zapf. \endgroup} \end{verbatim} -\section{titleAM} +\section{titleAM \refit{AM}} This is based on a title page designed by Will\index{Carter, Will} Carter for a limited edition of Samual Taylor Coleridge's \emph{The Rime of the Ancient Mariner} from \emph{The Design of Books}~\cite{WILSON93}. The book was typeset using Bembo. - I used Bembo for the printed example. + I used Bergamo (Bembo) for the printed example. \begin{verbatim} \newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW p. 151 +\FSfont{5bo} % FontSite Bergamo (Bembo) \drop = 0.12\textheight \centering \vspace*{\drop} @@ -1198,17 +1982,18 @@ was typeset using Bembo. \endgroup} \end{verbatim} -\section{titleP} +\section{titleP \refit{P}} This is based on a title page designed by Adrian\index{Wilson, Adrian} Wilson in 1961 for a book about the Pyramids and shown in \emph{The Design of Books}~\cite{WILSON93}. The text type is 11/13 Monotype Bembo. - I used Bembo for the printed example. + I used Bergamo (Bembo) for the printed example. \begin{verbatim} \newcommand*{\titleP}{\begingroup% The Pyramids, AW p. 81 +\FSfont{5bo} % FontSite Bergamo (Bembo) \drop = 0.12\textheight \vspace*{\drop} \hspace*{0.3\textwidth} @@ -1223,12 +2008,39 @@ Bembo. \endgroup} \end{verbatim} -\section{titleGM} +\section{titleLL \refit{LL}} + + This is based on the title page of \emph{Lost Languages}~\cite{ROBINSON02}. +The book was designed by Cathleen\index{Bennett, Cathleen} Bennett and the +The page size is 43 by 55pc. In the original the main element of the title +was set in a light blue font. The \texttt{xcolor} package is +needed for this style. + +\begin{verbatim} +\newcommand*{\titleLL}{\begingroup% Lost Languages +\drop=0.1\textheight +\fboxsep 0.5\baselineskip +\sffamily +\vspace*{\drop} +\centering +{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par +\vspace{0.5\drop} +\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large + Puzzles for the Mind}}\par +\vspace{\drop} +{\Large The Author}\par +\vfill +{\footnotesize THE PUBLISHER}\par +\vspace*{\drop} +\endgroup} +\end{verbatim} + +\section{titleGM \refit{GM}} The original for this is the title page for \emph{Gentle Madness} by Nicholas Basbanes~\cite{BASBANES95}, except that the vertical rule was made up of printers' ornaments in the original. The book was designed by -Paula\index{Szafranski, Paula R} R.~Szafranski. +Paula\index{Szafranski, Paula R} R.~Szafranski, and the page size is 36 by 54pc. \begin{verbatim} \newcommand*{\titleGM}{\begingroup% Gentle Madness @@ -1256,22 +2068,21 @@ Paula\index{Szafranski, Paula R} R.~Szafranski. \endgroup} \end{verbatim} -\section{titlePM} +\section{titlePM \refit{PM}} This is a version of \cs{titleGM} which is closer to the original as I have used ornaments from the Web-O-Mints font~\cite{WEBOMINTS} instead of the vertical rule. These should be available on your system (but you may have to install the \texttt{webo.map} file). I obtained the various numbers used in the setting of the ornaments through trial and error as it is a once-off -layout, but it would be possible to calculate them. Note the use of color -for the printers' ornaments. +layout, but it would be possible to calculate them. Note the use of a gray +shade for the printers' ornaments. The book consists of several parts and the title page ornaments are repeated on each \cs{part} page, thus stylistically tying them together with the title page. \begin{verbatim} -\newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} \newcommand*{\titlePM}{\begingroup% \titleGM with Ornaments \drop = 0.1\textheight \vspace*{\baselineskip} @@ -1301,73 +2112,14 @@ together with the title page. \end{verbatim} -\section{titleAT} - -This is based on the title page from \emph{Anatomy of a Typeface}~\cite{LAWSON90}. -In the original both the title and the publisher's logo were in red. -You will need the \texttt{color} package for this style. The text was -set in Galliard, designed by Matthew Carter. - - I used Galliard for the printed example. - -\begin{verbatim} -\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface -\drop=0.1\textheight -\vspace*{\drop} -\rule{\textwidth}{1pt}\par -\vspace{2pt}\vspace{-\baselineskip} -\rule{\textwidth}{0.4pt}\par -\vspace{0.5\drop} -\centering -\textcolor{Medium}{ -{\Huge THE BOOK}\\[0.5\baselineskip] -{\Large OF}\\[0.75\baselineskip] -{\Huge CONUNDRUMS}}\par -\vspace{0.25\drop} -\rule{0.3\textwidth}{0.4pt}\par -\vspace{\drop} -{\Large \scshape The Author}\par -\vfill -{\large \textcolor{Medium}{\plogo}}\\[0.5\baselineskip] -{\large\scshape the publisher}\par -\vspace*{\drop} -\endgroup} -\end{verbatim} - -\section{titleLL} - - This is based on the title page of \emph{Lost Languages}~\cite{ROBINSON02}. -The book was designed by Cathleen\index{Bennett, Cathleen} Bennett. -In the original the main element -of the title was set in a light blue font. The \texttt{color} package is -needed for this style. - -\begin{verbatim} -\newcommand*{\titleLL}{\begingroup% Lost Languages -\drop=0.1\textheight -\fboxsep 0.5\baselineskip -\sffamily -\vspace*{\drop} -\centering -{\textcolor{Light}{\HUGE CONUNDRUMS}}\par -\vspace{0.5\drop} -\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large - Puzzles for the Mind}}\par -\vspace{\drop} -{\Large The Author}\par -\vfill -{\footnotesize THE PUBLISHER}\par -\vspace*{\drop} -\endgroup} -\end{verbatim} - -\section{titleCC} +\section{titleCC \refit{CC}} A title page for a work that consists of two or more volumes. It is based on a Survey of Cambridge~\cite{CAMBRIDGE59} which was published in 2 Parts, -plus a set of maps. The main element of the title was set using a red font, +plus a set of maps. The page size is 50 by 63.5pc. +The main element of the title was set using a red font, everything else was as normal. If you try this you need to use the -\texttt{color} package. +\texttt{xcolor} package. \begin{verbatim} \newcommand*{\titleCC}{\begingroup% City of Cambridge @@ -1375,7 +2127,7 @@ everything else was as normal. If you try this you need to use the \vspace*{\drop} \centering {\Large\itshape THE BIG BOOK OF}\\[0.5\drop] -{\textcolor{Medium}{\HUGE\bfseries CONUNDRUMS}}\par +{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par \vspace{\drop} {\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par \vfill @@ -1389,12 +2141,13 @@ everything else was as normal. If you try this you need to use the \endgroup} \end{verbatim} -\section{titleDS} +\section{titleDS \refit{DS}} A student of mine, Donald\index{Sanderson, Donald} Sanderson, used \LaTeX{} to typeset his thesis~\cite{SANDERSON94}. This is the title page style mandated by -Rensselaer Polytechnic Institute as of 1994. +Rensselaer Polytechnic Institute as of 1994. The page size is letterpaper, +51.5 by 66pc. \begin{verbatim} \newcommand*{\titleDS}{\begingroup% DS Thesis @@ -1436,11 +2189,11 @@ The Date\par \endgroup} \end{verbatim} -\section{titleMS} +\section{titleMS \refit{MS}} Maarten\index{Sneep, Maarten} Sneep used the \LaTeX{} \texttt{memoir} class to typeset his -thesis~\cite{SNEEP04}. This style is based on his title page. +thesis~\cite{SNEEP04}. This style is based on his title page, size 40 by 57pc. \begin{verbatim} \newcommand*{\titleMS}{\begingroup% MS Thesis @@ -1461,41 +2214,149 @@ thesis~\cite{SNEEP04}. This style is based on his title page. \endgroup} \end{verbatim} -\section{titlePW} +\section{titlePW \refit{PW}} This is a typeset version of the title page from my\index{Wilson, Peter} thesis~\cite{WILSON71}. submitted to the University of Nottingham in 1971. The original was -typewritten with the mathematics inserted by hand with pen and ink. +typewritten with the mathematics inserted by hand with pen and ink +on a sheet size of 46 by 59.5pc. +The example uses a typwriter font. \begin{verbatim} \newcommand*{\titlePW}{\begingroup% PW Thesis +\ttfamily \drop=0.1\textheight \vspace*{\drop} \centering -{\Large\bfseries SOME REMARKS \\ ON CONUNDRUMS \\ - AS PUZZLES FOR THE MIND}\par +{\Large%\bfseries + SOME REMARKS \\ ON CONUNDRUMS \\ + AS PUZZLES FOR THE MIND\par} \vspace*{\drop} {\large by}\par \vspace*{\drop} -{\Large THE CANDIDATE}\par +{\Large THE CANDIDATE\par} \vfill \raggedright {\Large Thesis submitted to The University for the degree of - Degree, Month year.}\par + Degree, Month year.\par} \vfill \null \endgroup} \end{verbatim} +\section{titleUL \refit{UL}} + + This was supplied by Luca\index{Merciadri, Luca} Merciadri +as an example of the title page for a dissertation for the Universit\'{e} +de Li\`{e}ge.\footnote{Personal email, 2010/06/28.} Luca also noted +that he used a similarly styled titlepage for many other publications. +I have exercised editorial privilege to modify the coding to match that +of the other examples. + +\begin{verbatim} +\newcommand*{\titleUL}{\begingroup% University of Liege +\drop=0.1\textheight +\vspace*{\drop} +\begin{center} +{\LARGE\textsc{THE UNIVERSITY}}\\[\drop] +% University logo +{\LARGE \plogo}\\[\drop] + +\rule{\textwidth}{1pt}\par +\vspace{0.5\baselineskip} +{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\ + \large --- in N pages, with T tables ---}\\[0.5\baselineskip] +\rule{\textwidth}{1pt}\par +\vfill +{\Large\textsc{The\footnote{\texttt{email address}} Candidate}} +\vfill +City, Country +\vfill +{\large The Date} +\end{center} +\endgroup} +\end{verbatim} + +\section{titleASU \refit{ASU}} + + A thesis titlepage that I\index{Wilson, Peter} designed, based on +the requirements of at least one of the +schools of Arizona State University, as specified in 2009. The page size is +letterpaper, 51.5 by 66pc. The permitted fonts +were Arial, Century, Garamond, Lucida Bright, Tahoma, Times, or Verdana. +The same font and size had to be used throughout the thesis. I used Times +for the example. +\begin{verbatim} +\newcommand*{\titleASU}{\begingroup +\TXfont{ptm}% Times +\begin{center} +CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\ +by \\ +Im A. Student\par +\vfill +A Polemic Presented in Partial Fulfillment \\ +of the Requirements for the Degree \\ +Name of Degree\par +\vfill -\section{titleSW} +THE UNIVERSITY + +The Date +\end{center} +\endgroup} +\end{verbatim} + +\section{titleBC \refit{BC}} + + This is based on the title page of \textit{Bookbinding \& Conservation} +by Don Etherington\cite{ETHERINGTON10}, a well known book conservator +and binder. The book was designed and typeset +by Maria Mann\index{Mann, Maria}. The page size is 50.5 by 66.5pc. + Four colours were used for the original +titlepage. The horizontal braces were set in a kind of gold, the main title +in a sort of sepia brown with the subtitle in a lighter shade, and the +remainder in black. The horizontal braces carried over into the main +work where they were used above and below the chapter titles. + + My example is set with Jenson Recut (Centaur) which is not too dissimilar +from the original. I used rotated braces above and below the title. + +\begin{verbatim} +\newcommand*{\rotrt}{\rotatebox{90}{#1}} +\newcommand*{\rotlft}{\rotatebox{-90}{#1}} +\newcommand*{\topb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}} +\newcommand*{\botb}{% + \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}} +\newcommand*{\titleBC}{\begingroup +\FSfont{5jr}% Fontsite Jenson Recut (Centaur) +\begin{center} +\def\CP{\textit{\HUGE Conundrums \& Puzzles}} +\settowidth{\unitlength}{\CP} +{\color{LightGoldenrod}\topb} \\[\baselineskip] +\textcolor{Sienna}{\CP} \\[\baselineskip] +{\color{RosyBrown}\LARGE A DECADES-LONG STUDY} \\ +{\color{LightGoldenrod}\botb} +\end{center} +\vfill +\begin{center} +{\LARGE\textbf{The Author}}\\ +\vfill +\plogo\\[0.5\baselineskip] +YEAR +\end{center} +\endgroup} +\end{verbatim} + + +\section{titleSW \refit{SW}} This is based on the title page of \emph{The Story of Writing}~\cite{ROBINSON95} published by Thames \& Hudson. - +The page size is 45.5 by 60.5pc. \begin{verbatim} \newcommand*{\titleSW}{\begingroup% Story of Writing \raggedleft @@ -1510,12 +2371,14 @@ typewritten with the mathematics inserted by hand with pen and ink. \endgroup} \end{verbatim} -\section{titleTMB} +\section{titleTMB \refit{TMB}} A somewhat old fashioned title page style which, however, suits the period of the book --- \emph{Three Men in a Boat}~\cite{JEROME64}, first -published in 1889. +published in 1889. The edition that I have has a page size of 31 by 51pc. + I had to do a lot of hand adjustments to the spacing to get a +reasonable look for the example. \begin{verbatim} \newcommand*{\titleTMB}{\begingroup% Three Men in a Boat @@ -1538,15 +2401,68 @@ published in 1889. \endgroup} \end{verbatim} -\section{titleJE} +\section{titleFT \refit{FT}} + + This is modeled after the title page of Stanley\index{Morison, Stanley} + Morison's magnificent +\emph{John Fell, the University Press and the `Fell' types}~\cite{MORISON67} +published by Oxford University Press on 12 October 1967 --- the day after +Morison died. It is a large book --- double crown quarto pages of handmade +rag paper --- printed with handset lead type cast from the matrices +bequeathed to the Press by John Fell in 1686. For more details +about the book and type see \cite{OULD00,OULD03,THOMAS05}. + + I have used the IM Fell type in the example, the original page size +being 60 by 90pc. + +\begin{verbatim} +\newcommand*{\titleFT}{\begingroup% John Fell Types +\ifxetex + \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman} +\else + \FSfont{fxlj}% Libertine +\fi +\begin{center} +\vfill +{\HUGE \textcolor{Red}{THE DONOR} \\} +\vfill +{\Huge THE UNIVERSITY AND +THE `DONOR' CONUNDRUMS \\} +\vfill +{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\} +%\vfill +{\LARGE THE UNIVERSITY OF CITY \\ + BY THE DONOR\\} +%\vfill +{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\ + AND OTHER DISTINCTIONS \\} +\vfill +{\large BY\\} +{\LARGE THE AUTHOR \\} +{\footnotesize WITH THE ASSISTANCE OF\\} +{\large THE ASSISTANT\\} +\vfill +\plogo +\vfill +{\LARGE THE PUBLISHER \\} +{\large YEAR} +\vfill +\end{center} +\endgroup} +\end{verbatim} + +\section{titleJE \refit{JE}} This is modeled after the title page of \emph{Jane Eyre} from an edition published by the Folio Society~\cite{BRONTE65}. The book was originally -published in 1847. This edition was set 10 point Scotch Roman leaded -1~1/2 points. +published in 1847. The Folio Society edition is set in 10 point Scotch Roman +leaded 1~1/2 points and the page size is 33 by 52.5pc. + + My example is set with Century Old Style \begin{verbatim} \newcommand*{\titleJE}{\begingroup% Jane Eyre +\FSfont{5cu}% FontSite Century Old Style \vspace*{2\baselineskip} {\Large\bfseries The Author}\\[2\baselineskip] \begin{center} @@ -1562,12 +2478,13 @@ published in 1847. This edition was set 10 point Scotch Roman leaded \endgroup} \end{verbatim} -\section{titleZD} +\section{titleZD \refit{ZD}} This is an elaborate style using printers' ornaments and based on the title page of the Folio Society's edition of \emph{Zuleika Dobson} by Max Beerbohm~\cite{BEERBOHM66}. The text was set with 11/12 Monotype -Ehrhardt. The book was originally published in 1911. +Ehrhardt on a page size of 32 by 51pc. +The book was originally published in 1911. I have used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS}, which in this case matches the one used in the original, and rotating it via @@ -1575,7 +2492,6 @@ the \texttt{graphicx} package. I also made an ornament by combining the two math symbols $\prec$ and $\succ$. \begin{verbatim} -\providecommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} \newcommand*{\cdiam}{\prec\kern-2pt\succ} \newcommand*{\titleZD}{\begingroup% Zuleika Dobson \vspace*{2\baselineskip} @@ -1612,20 +2528,59 @@ an ornament by combining the two math symbols $\prec$ and $\succ$. \endgroup} \end{verbatim} -\section{titleWH} +\section{titleWM \refit{WM}} + + This is a representation of the kind of titlepage represented +by \textit{The Ideal Book}~\cite{PETERSON82} designed by William +S.~Peterson\index{Peterson, William S}. The text was set in Bembo +and the titles were set in William Morris's Golden type. The page +size is 45 by 65pc. + + In the original the text at the top of the titlepage was printed +with a red ink while the rest of the page was in regular black. +Between the title and the publisher +was a 16th Century woodcut of a printers workshop. I have used Bergamo (Bembo) +in the graphic examplar and a large `?' instead of a woodcut. + +\begin{verbatim} +\newcommand*{\leaf}{{\wb{8pt}{8pt}K}} +\newcommand*{\titleWM}{\begingroup% William Morris +\FSfont{5bo}% FontSite Bergamo (Bembo) +\huge +\scshape +\noindent +{\color{Red} +conundrum \leaf\ +essays on puzzles, enigmas and the mind by the author \leaf\ +edited by the editor +} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\noindent +the publisher \\ +\hspace*{1pt}% +\leaf\ year +\vspace*{3\baselineskip} +\endgroup} +\end{verbatim} + + +\section{titleWH \refit{WH}} The inspiration for this style came from one of the Cambridge University Printer's Christmas books --- \emph{Words in Their Hands} by Walter Nurnberg~\cite{NURNBERG64}. I assume that Brooke\index{Crutchley, Brooke} Crutchley, the Printer, was also the designer as, unlike in some other books -in the series, no designer was mentioned. +in the series, no designer was mentioned. The page size is 43 by 52pc. I used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS} for the page, in two instances stretching it via the \texttt{graphicx} package. \begin{verbatim} -\providecommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}} \newcommand*{\titleWH}{\begingroup% Words in their Hands \drop = 2\baselineskip \centering @@ -1645,10 +2600,11 @@ two instances stretching it via the \texttt{graphicx} package. \endgroup} \end{verbatim} -\section{titleBWF} +\section{titleBWF \refit{BWF}} This example page is based on the title page from Seamus Heaney's -wonderful translation of \emph{Beowulf}~\cite{HEANEY99}. +wonderful translation of \emph{Beowulf}~\cite{HEANEY99}. The original +page size is 30.5 by 47pc. \begin{verbatim} \newcommand*{\titleBWF}{\begingroup% Beowulf @@ -1664,11 +2620,11 @@ wonderful translation of \emph{Beowulf}~\cite{HEANEY99}. \endgroup} \end{verbatim} -\section{titleSI} +\section{titleSI \refit{SI}} - This page does'nt look much out of the ordinary --- it is + This page doesn't look much out of the ordinary --- it is based on the title page of -\emph{The Sagas of the Icelanders}~\cite{THORSSON00}. +\emph{The Sagas of the Icelanders}~\cite{THORSSON00}, page size 36 by 55.5pc. However, this is one in a series of books called \emph{World of the Sagas}, the whole being produced by an editor and several translators. These, together with the names of the editorial advisory board, are listed on the @@ -1690,7 +2646,41 @@ recto page facing the title page, thus making up a double spread. \endgroup} \end{verbatim} -\section{titleGP} +\section{titleJA \refit{JA}} + +This example is based on the title page of +\emph{Jost Amman's Cuts of Craft-Workers} \cite{AMMAN08} published by the +Incline Press.\footnote{A more affordable version is published by Dover in +1976 with the title \emph{The Book of Trades} (\isbn\ 0-486-22886-X).} +The cuts --- wood cuts of 16th Century craftsmen --- were +introduced by Veronica\index{Speedwell, Veronica} Speedwell who, I believe, +also designed the book. The page size is 30 by 47pc. + + I used Abbot Old Style for the main title and Belwe for the remainder. + +\begin{verbatim} +\newcommand*{\titleJA}{\begingroup% Jost Amman +\FSfont{5bl}% FontSite Belwe +\begin{center} +\drop=0.2\textheight +\vspace*{0.5\drop} +\Large THE AUTHOR'S \\[\baselineskip] +{\FSfont{5at}% FontSite Abbot Old Style +\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip] +\large \textit{with an intruction by} \\ + SOMEONE ELSE\par +\vfill +YEAR \\ +{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt} + \rule{\txtwidth}{0.4pt}} \\[\baselineskip] +\Large THE PUBLISHER +\end{center} +\vspace*{\drop} +\mbox{} +\endgroup} +\end{verbatim} + +\section{titleGP \refit{GP}} This is a title page based on one~\cite{WILSON92} of a series of books reporting on various annual workshops organised by the International @@ -1699,6 +2689,9 @@ held in a retreat in the foothills of the Catskill Mountains in New York and well away from any distractions (unless you liked hiking). + Camera-ready copy for the publisher was created via \LaTeX. The final +page size was 35.5 by 53.5. + \begin{verbatim} \newcommand*{\titleGP}{\begingroup% Geometric Modeling \drop=0.1\textheight @@ -1716,8 +2709,8 @@ Conference on \\ Enigmas \\ Location, date from--to\par \vspace*{2\baselineskip} Edited by \\[\baselineskip] -{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR}\\ -{\itshape Organisation \\ Address}\par +{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par}\\ +{\itshape Organisation \\ Address\par} \vfill \plogo\\ {\scshape year} \\ @@ -1725,11 +2718,353 @@ Edited by \\[\baselineskip] \endgroup} \end{verbatim} -\section{titleRB} +\section{titleHC \refit{HC}} + + This is based on the title page of +\textit{Harry Carter Typographer}~\cite{THOMAS05}. The original is set with +Jan van Krimpen's Romulus at 12/15pt on a page size of 51 by 66pc. The main +title was set with outline (hollow) type. It was +printed on a Western proof press at the Old School Press. + + For the example, not having a simple outline font, I have used Erbar +Deco for the main title and Libertine instead of Romulus for the remainder. + + +\begin{verbatim} +\newcommand*{\titleHC}{\begingroup% Harry Carter +\FSfont{fxlj}% Libertine +\setlength{\drop}{0.1\txtheight} +\vspace*{\drop} +\begin{flushleft} +{\FSfont{5eb}% Erbar Deco +\HUGE +{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\ +{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\ +{E\,N\,I\,G\,M\,A\,S}\\ +} +\vfill +\Large +A. N. AUTHOR \\ +A. N. OTHER \\ +Y. E. TANOTHER +\vfill +THE PUBLISHER {\normalsize YEAR} +\end{flushleft} +\endgroup} +\end{verbatim} + +\section{titlePP \refit{PP}} + + This example is based on the title page of +\emph{Printing Poetry}~\cite{BURKE80} written and designed by +Clifford\index{Burke, Clifford} and printed letterpress. +The page size is 41 by 64.5pc. + + The original was composed in Monotype Italian Old Style but not +having that I have used Jenson Recut (Centaur) instead + +\begin{verbatim} +\newcommand*{\titlePP}{\begingroup% Printing Poetry +\FSfont{5jr}% FontSite Jenson Recut (Centaur) +\drop=0.1\textheight +\vspace*{\drop} +\begin{raggedleft} +{\HUGE PUZZLING}\\[\baselineskip] +{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip] +{\HUGE CONUNDRUMS} \\[\baselineskip] +{\Large BY THE AUTHOR}\par +\end{raggedleft} +\vfill +\begin{center} +{\large THE PUBLISHER YEAR} +\end{center} +\vspace*{\drop} +%\mbox{} +\endgroup} +\end{verbatim} + +\section{titleRMMH \refit{RMMH}} + + This style is based on the titlepage of \textit{The Bookbinding +Career of Rachel McMasters Miller Hunt}~\cite{TITCOMBE74}. The Hunt +Institute for Botanical Documentation and its Hunt Botanical Library +were founded in 1960 by Roy Arthur Hunt and his wife Rachel McMasters +Miller Hunt (1882--1963). Rachel Miller as she was then started designer +bookbinding as a `hobby' in 1904 and cotinued after her marriage until 1920 +creating over 120 elegant works in that time. + + The frontispiece of the book in question is an oval photograph of a +very attractive young Edwardian lady. The same size oval ring on the titlepage +encloses the title together with a rectangular frame of printers ornaments, +which are also used to frame the chapter titles. The book was designed by +Thomas C. Pears III~\index{Pears, Thoms C. III} and set in Monotype Spectrum +with Hunt Roman, designed by Hermann Zapf for the Hunt Botanical Library. +The page size is 44 by 62pc. + + In the printed example I have used Vendome as I have neither +Spectrum nor Hunt. As you might infer from the code below there is a lot +of trial and error involved in getting all the elements positioned well +with each other. + +\begin{verbatim} +%% draw an oval using tikz +\newcommand*{\anoval}[2]{% +\begin{tikzpicture} +\draw[very thick] (0,0) ellipse (#1 and #2); +\end{tikzpicture}} + +%% a zero-sized picture of an oval +\newcommand*{\putoval}{\begingroup +\setlength{\unitlength}{1in} +\begin{picture}(0,0) + \put(-1.25,0){\anoval{1.25in}{1.75in}} +\end{picture} +\endgroup} + +%% rectangular ornamental frame +\newcommand*{\fframe}{\begingroup + \wb{10pt}{10pt} + \setlength{\unitlength}{1pt} + \begin{picture}(0,0) +\multiput(11,0)(24,0){11}{e}% bottom +\multiput(23,0)(24,0){10}{f}% bottom +\multiput(11,384)(24,0){11}{e}% top +\multiput(23,384)(24,0){10}{f}% top +\put(0,0){O}% bl +\put(0,382){R}% tl +\put(262,0){M}% br +\put(262,382){P}% tr +\multiput(0,11)(0,24){16}{i}% left +\multiput(0,23)(0,24){15}{j}% left +\multiput(264,11)(0,24){16}{i}% right +\multiput(264,23)(0,24){15}{j}% right + \end{picture} +\endgroup} + +\newcommand*{\titleRMMH}{\begingroup +\FSfont{5ve}% FontSite Vendome +\Large +\vspace*{0.1\textheight} +\begin{center} +The \\ +Puzzle \\ +of \\ +Conundrums\\[2\baselineskip] +by \\ +The Authoress\\[3\baselineskip] + +\plogo\\[2\baselineskip] +\putoval + +\vspace{2\baselineskip} + +The Publisher \\ +{\normalsize YEAR} +\end{center} +\vspace{\baselineskip} +{\centering\begin{picture}(0,0) + \put(-140,0){\fframe} + \end{picture} + \par} +\endgroup} +\end{verbatim} + +\section{titleEI \refit{EI}} + + A titlepage based on that in +\emph{Editions and Impressions}~\cite{BASBANES07}, designed by +Roni\index{Moc{\'a}n, Roni} Moc{\'a}n and +Jessica\index{Lagunas, Jessica} Lagunas. The page size is 36 by 54pc. + + I used Glytus (Glypha) for the example in normal and light weights, which +looked not too dissimilar from the original fonts. + +\begin{verbatim} +\newcommand*{\titleEI}{\begingroup% Editions & Impressions +\FSfont{5gl}% Glytus (Glypha) +\drop = 0.3\textheight +\vspace*{\drop} +\raggedright +{\LARGE {\huge C}ONUNDRUMS \textit{and} \\ +\hspace*{30pt} {\huge E}NIGMAS\par} +\vspace{2\baselineskip} +{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip] + \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par +\vspace{2\baselineskip} +\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par +\vfill +The Publisher {\footnotesize YEAR} +\endgroup} +\end{verbatim} + +\section{titleGWP \refit{GWP}} + + An example based on +\emph{The Complete Works of the Gawain-Poet}~\cite{GAWAIN65}, designed by +Adrian\index{Wilson, Adrian} for the University of Chicago Press. The +page size is 40 by 57pc. + + I used Cipollini for the main title and Garamond for the remainder. In +the center of the original titlepage there is a woodcut of a knight on +horseback; I have used a large `?' instead. + +\begin{verbatim} +\newcommand*{\titleGWP}{\begingroup% Gawain Poet +\FSfont{5gm}% FontSite Garamond +\drop=0.1\textheight +\vspace*{\drop} +\begin{center} +\FSfont{5ci}% FontSite Cipollini +\Huge\color{Red} +THE COMPLETE WORKS OF THE CONUNDRUM POSER +\end{center} +\vfill +\begin{center} +{\normalfont\fontsize{256pt}{256pt}\selectfont ?} +\end{center} +\vfill +\begin{center} +\large +{\itshape In a Readable Version with a Critical Introduction \\ +by The Critic \\ +\normalsize +Woodcuts by The Artist} \\ +{\color{Red} \rule{\txtwidth}{0.4pt}} +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} +\end{verbatim} + +\section{titleIP \refit{IP}} + + The titlepage of \emph{Into Print}~\cite{DREYFUS95} is the basis for +this example. The book was designed by John\index{Trevitt, John} Trevitt +and printed at the Stamperia Valdonega under the supervision of Martino +Mardersteig using Dante VAL, a special version of Monotype Dante. +The page size is 36 by 54pc. + + The original used a Greek key motif below the main title, and also +below each chapter head. + + I used Palladio (Palatino) in my example and a row of dingbats +instead of the key motif. + +\begin{verbatim} +\newcommand*{\titleIP}{\begingroup% Into Print +\FSfont{5pl}% FontSite Palladio (Palatino) +\drop=0.1\textheight +\vspace*{0.5\drop} +\begin{center} +{\Huge CONUNDRUMS}\\[\baselineskip] +\Large +\dingline{49} +\vspace{\baselineskip} +{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement} + +\vspace{\baselineskip} + +THE AUTHOR + +\vfill +\plogo \\[\baselineskip] + +\large +THE PUBLISHER +\end{center} +\vspace*{0.5\drop} +\endgroup} +\end{verbatim} + +\section{titleAAT \refit{AAT}} + + \emph{An Approach to Type}~\cite{BIGGS62} provides an introduction to +type and its history and use. This is followed by extended examples of +some 20 or so types that have proved useful over the decades and centuries. +The page size is 44 by 58.5pc. + + Although it was not stated, I think that Bodoni was used as the main type +in the original titlepage, and I have used the same. I don't know +what was the display type for the main title word but I have used +a heavy-bold Clarendon. + +\begin{verbatim} +\newcommand*{\titleAAT}{\begingroup% An Approach to Type +\FSfont{5bd}% FontSite Bodoni +\drop=0.1\textwidth +\vspace*{0.5\drop} +{\huge THE AUTHOR} + +\begin{vplace}[2] +\begin{raggedleft} +\LARGE AN APPROACH TO\\[0.2\baselineskip] +{\FSfont{5cd}% FontSite Clarendon + \HUGE\texthb{Conundrums}}\par +\end{raggedleft} +\end{vplace} + +\large{THE PUBLISHER} +\vspace*{0.5\drop} +\end{verbatim} + + +\section{titleCM \refit{CM}} + + \emph{Christopher Marlowe}~\cite{MARLOWE66} is another work designed +by Adrian\index{Wilson, Adrian}, this time for the Limited Editions Club. + + The title was set in the striking Carolus type by Karl-Erik Forsberg, +and the remainder in Bembo. In the center of the titlepage is a partitioned +box containing the devices for the four plays developed by the designer. +The page size is 56 by 73.5pc. + + In my rendition I have used Cipollini for the main title and Lanston Bell +for the remainder. In my case the `devices' are simply `?'. + + +\begin{verbatim} +\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}} +\newcommand*{\titleCM}{\begingroup% Christopher Marlowe +\FSfont{5ci}% FontSite Cipollini +\drop=0.05\textheight +\vspace*{\drop} +\begin{center} +{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\ + A\, U\, T\, H\, O\, R\par} +\vspace{2\baselineskip} +{\huge FOUR CONUNDRUMS\par} +\vspace{\baselineskip} +\FSfont{5lb}% FontSite Lanston Bell +\Large +{\itshape Edited with an Introduction by The Editor \\ + Engravings by The Engraver} +\vfill +\setlength{\unitlength}{3pt} +\begin{picture}(0,40) + \thicklines + {\color{Red} + \put(-20,0){\framebox(40,40){}} + \put(0,0){\line(0,1){40}} + \put(-20,20){\line(1,0){40}}} + \put(-10,10){\makebox(0,0){\lqm{60pt}}} + \put(-10,30){\makebox(0,0){\lqm{60pt}}} + \put(10,10){\makebox(0,0){\lqm{60pt}}} + \put(10,30){\makebox(0,0){\lqm{60pt}}} +\end{picture} +\vfill +THE PUBLISHER +\end{center} +\vspace*{\drop} +\endgroup} +\end{verbatim} + + +\section{titleRB \refit{RB}} This is the title page of an old book that I reset using \LaTeX. The style is definitely Victorian and it looks as though the printer used every -font that he had in his shop. He was most likely the designer as well. +font that he had in his shop. He was most likely the designer as well. + The page size is 28 by 45pc. The two lengths \cs{rbtextwidth} and \cs{rbtextheight} are the true dimensions of the original textblock (in the original code \cs{textwidth} @@ -1814,14 +3149,31 @@ setup has been done for you by Christopher League). \addtolength{\itemindent}{\labelsep} } +\renewcommand{\prebibhook}{Not every book listed here has an \isbn\ +number, usually either because they were limited editions, for example +the one from Incline Press, or they were published before the advent +of the \isbn\ designation in 1970.} + \bibliographystyle{alpha} \begin{thebibliography}{RCHM99} +\bibitem[Amm08]{AMMAN08} + Jost Amman. +\newblock \emph{Cuts of Craft-Workers}, + with an Introduction by Veronica Speedwell, +\newblock Incline Press, Oldham, England, 2008. +\newblock (First published as the \emph{Standbuch} in 1568). + \bibitem[Bas95]{BASBANES95} Nicholas A. Basbanes. \newblock \emph{A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal Passion for Books}, -\newblock Henry Holt, 1995. +\newblock Henry Holt, 1995. (\isbn\ 0-8050-3653-9) + +\bibitem[Bas07]{BASBANES07} + Nicholas A. Basbanes. +\newblock \emph{Editions and Impressions: Twenty Years on the Book Beat}, +\newblock Fine Books Press, 2007. (\isbn\ 978-0-9799491-1-1) \bibitem[Bee65]{BEERBOHM66} Max Beerbohm. @@ -1829,16 +3181,51 @@ setup has been done for you by Christopher League). \newblock The Folio Society, 1966. \newblock (First published in 1911). +\bibitem[Big62]{BIGGS62} + John R. Biggs. +\newblock \emph{A Approach to Type}, +\newblock Pitman Publishing Corporation, 1962. + + \bibitem[Bro65]{BRONTE65} Charlotte Bront\"{e}. \newblock \emph{Jane Eyre}, \newblock The Folio Society, 1965. \newblock (First published in 1847). +\bibitem[Bur80]{BURKE80} + Clifford Burke. +\newblock \emph{Printing Poetry: A Workbook in Typographic Reification}, +\newblock Scarab Press, San Francisco, 1980. (\isbn\ 0-912962-01-1) + +\bibitem[Dre95]{DREYFUS95} + John Dreyfus. +\newblock \emph{Into Print: Selected Writings on Printing History, Typography + and Book Production}, +\newblock David R. Godine, 1995. (\isbn\ 1-56792-045-4) + +\bibitem[Eth10]{ETHERINGTON10} + Don Etherington. +\newblock \emph{Bookbinding \& Conservation --- A Sixty-year Odyssey + of Art and Craft}, +\newblock Oak Knoll Press, 2010. (\isbn\ 978-1-58456-277-1) + +\bibitem[Gaw65]{GAWAIN65} + Gawain. +\newblock \emph{The Complete Works of the Gawain-Poet}, +\newblock University of Chicago Press, 1965. +\newblock(In a Modern English Version with a Critical Introduction + by John Gardner). + +\bibitem[Ham48]{HAMILTON48} + Charles E. Hamilton (translator). +\newblock \emph{Kamisuki Ch\={o}h\={o}ki A Handy Guide to Papermaking}, +\newblock University of California, 1948. + \bibitem[Hea99]{HEANEY99} Seamus Heaney. \newblock \emph{Beowulf}, -\newblock Faber and Faber, 1999. +\newblock Faber and Faber, 1999. (\isbn\ 0-571-203760-0) \bibitem[Jer64]{JEROME64} Jerome K. Jerome. @@ -1849,7 +3236,7 @@ setup has been done for you by Christopher League). \bibitem[Law90]{LAWSON90} Alexander Lawson. \newblock \emph{Anatomy of a Typeface}, -\newblock David R. Godine, 1990. +\newblock David R. Godine, 1990. (\isbn\ 0-87923-333-8) \bibitem[Lea02]{LEAGUE02} Christopher League. @@ -1862,21 +3249,48 @@ setup has been done for you by Christopher League). \newblock \emph{Web-O-Mints}, September, 2002. \newblock (Available from CTAN in \url{/fonts/webomints}). +\bibitem[Mar66]{MARLOWE66} + Christopher Marlowe. +\newblock \emph{Four Plays}, +\newblock The Limited Editions Club, 1966. +\newblock (First published late 16th Century). + \bibitem[McL75]{MCLEAN75} Ruari McLean. \newblock \emph{Jan Tschichold: Typographer}, -\newblock David R. Godine, 1975. +\newblock David R. Godine, 1975. (\isbn\ 0-87923-841-0) \bibitem[McL80]{MCLEAN80} Ruari McLean. \newblock \emph{The Thames and Hudson Manual of Typography}, -\newblock Thames and Hudson, 1980. +\newblock Thames and Hudson, 1980. (\isbn\ 0-500-68022-1) + +\bibitem[Mor67]{MORISON67} + Stanley Morison (assisted by Harry Carter). +\newblock \emph{John Fell the University Press and the `Fell' types}, +\newblock Oxford University Press, 1967. \bibitem[Nur64]{NURNBERG64} Walter Nurnberg. \newblock \emph{Words in their Hands}, \newblock Privately printed at the University Printing House, Cambridge, 1964. +\bibitem[OT00]{OULD00} + Martyn Ould and Martyn Thomas. +\newblock \emph{The Fell Revival}, +\newblock The Old School Press, 2000. + +\bibitem[Oul03]{OULD03} + Martyn Ould. +\newblock \emph{Stanley Morison \& `John Fell'}, +\newblock The Old School Press, 2003. + +\bibitem[Pet82]{PETERSON82} + William S. Peterson (editor). +\newblock \emph{The Ideal Book: Essays and Lectures on the Arts of the Book + by William Morris}, +\newblock University of California Press, 1982. (\isbn\ 0-520-04563-7) + \bibitem[RCHM59]{CAMBRIDGE59} Royal Commission on Historical Monuments. \newblock \emph{City of Cambridge}, 2 Parts, @@ -1885,12 +3299,12 @@ setup has been done for you by Christopher League). \bibitem[Rob95]{ROBINSON95} Andrew Robinson. \newblock \emph{The Story of Writing}, -\newblock Thames \& Hudson, 1995. +\newblock Thames \& Hudson, 1995. (\isbn\ 0-500-281564-4) \bibitem[Rob02]{ROBINSON02} Andrew Robinson. \newblock \emph{Lost Languages: The Enigma of the World's Undeciphered Scripts}, -\newblock McGraw-Hill, 2002. +\newblock McGraw-Hill, 2002. (\isbn 0-07-135743-2) \bibitem[San94]{SANDERSON94} Donald B. Sanderson. @@ -1903,16 +3317,25 @@ setup has been done for you by Christopher League). on scattering and absorption}, \newblock Thesis, Vrije Universitet, 2004. +\bibitem[TLR05]{THOMAS05} + Martyn Thomas, John A. Lane and Anne Rogers. +\newblock \emph{Harry Carter Typographer}, +\newblock The Old School Press, 2005. (\isbn\ 1-899933-11-5) \bibitem[Tho00]{THORSSON00} \"{O}rn\'{o}lfur Thorsson (editor). \newblock \emph{The Sagas of the Icelanders}, -\newblock Viking, 2000. +\newblock Viking, 2000. (\isbn\ 0-670-88990-3) + +\bibitem[Tit74]{TITCOMBE74} + Marianne Fletcher Titcombe. +\newblock \emph{The Bookbinding Career of Rachel McMasters Miller Hunt}, +\newblock Hunt Botanical Library, Pittsburgh, Pennsylvania, 1974. (\isbn 0-913196-16-9) \bibitem[Wil93]{WILSON93} Adrian Wilson. \newblock \emph{The Design of Books}, -\newblock Chronicle Books, 1993. +\newblock Chronicle Books, 1993. (\isbn\ 0-8118-0304-X) \bibitem[Wil71]{WILSON71} P. R. Wilson. @@ -1922,7 +3345,7 @@ setup has been done for you by Christopher League). \bibitem[Wil92]{WILSON92} P. R. Wilson, M. J. Wozny and M. J. Pratt (editors). \newblock \emph{Geometric Modeling for Product Realization}, -\newblock IFIP Transactions, B-8, North-Holland, 1992. +\newblock IFIP Transactions, B-8, North-Holland, 1992. (\isbn\ 0-444-81662-3) \end{thebibliography} |