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128 files changed, 1 insertions, 32644 deletions
diff --git a/Master/texmf-dist/doc/generic/musictex/aa_readm.tex b/Master/texmf-dist/doc/generic/musictex/aa_readm.tex deleted file mode 100644 index e983d73d7b5..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/aa_readm.tex +++ /dev/null @@ -1,43 +0,0 @@ -Dear music lover: - -Here are the tools to write music with MusicTeX under TeX. -The useful macros are MUSIC*.TEX and the *.STY for LaTeX. -The MUSICTEX.ZIP contains a complete distribution to be un`zipped' -on a PC (with pkunzip). - -Starting from November 1st, 1992, examples are stored in a distinct ZIP file, -namely MUSICEXA.ZIP. Therefore, if you only need the new release, you can take -only MUSICTEX.ZIP, but trying the examples is still strongly recommended to -MusicTeX beginners... - -The MUSICTEX.BCK file is a VMS saveset. - -Fonts are readily given in 300 dpi as *.PK and *.TFM. The MUSICPK.ZIP -file contains other dpi implementations. - -If you have problems printing or viewing the MUSICDOC.DVI file, think of: - --- transferring all the given *.TFM in the right directory, whose name - depends on your installation of TeX, - --- transferring all the given *.PK in the "pk" right directory, whose name - depends on your installation of TeX, - --- check whether your installation does not need *.PK files named *.300pk - rather than *.pk (often in unix systems...) - -Other *.TEX files are examples. - -IMPORTANT: use the ftp "ASCII" command to transfer the *.TEX, -the *.STY, the *.PS and the *.MF files. But use the ftp "BINARY" command -to transfer the *.ZIP, *.DVI, *.TFM and *.PK files. If you have a VMS, -use "IMAGE" to transfer the *.BCK file. Transferring the *.ZIP -or the *.BCK provides you with all the needed files, then you -do not need to transfer other files (unless some error happens). - -My suggestion is that you tranfer all MUSI*.* files and -the needed fonts (the *.PK and the *.TFM), and -then try to run TeX upon HADAGIO.TEX and to LaTeX MUSICDOC.TEX - -MUSICDOC gives a supposedly (LaTeX) complete notice about how to use MusicTeX. - Daniel TAUPIN - 33 (1) 69 41 60 79 - Physique des Solides - F-91405 ORSAY diff --git a/Master/texmf-dist/doc/generic/musictex/adagio.tex b/Master/texmf-dist/doc/generic/musictex/adagio.tex deleted file mode 100644 index 462d5ee2477..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/adagio.tex +++ /dev/null @@ -1,438 +0,0 @@ -\title{Adagio} -\subtitle{(pour orgue)} -\headtitle{I. Adagio} -\csname titremorceautoc\endcsname -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} -\othermention{Compos‚ en 1989} -% -% -\vsize=264mm -\hsize=18.5cm - -\maketitle -\parindent 18mm -% -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\def\znotes{\vnotes 0\elemskip}% - - -\tracingstats=1\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{16', 8'} - \def\instrumentii{\vbox{\hsize=\parindent\centerline{cornet}\vskip \interportee -\vskip -10pt\centerline{fl\^ute 8'}}}% -%\check -\elemskip=10pt\relax -\normal -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qu0{#3}}% -\def\doubler{\multiply\noteskip by 2\relax}% -% -\debutmorceau -\hyphenpenalty -50\relax -\global\cleftoksii={{0}{0}{0}{0}}% -\changeclefs\zglu -\notes&|\uptext{\raise 1.5\Interligne\hbox{\kern -14mm\moyen Adagio \bf \metron{\qu}{60}}}\enotes -% mesure 1 -\zglu\notes\itenl1K\wh K&\zq f\zqu h\itenl2d\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenu0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 2 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 3 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 4 -\etroit -\alaligne\NOTes\hup K&\zw d\zq f\zqu h|\qup f\enotes -\temps\Notes&\zq f\qu h|\sk\cu e\enotes -\temps\NOTes&\zq f\qu h|\qup d\enotes -\temps\Notes\soupir&\zq f\qu h|\sk\demisoupir\enotes -% mesure 5 -\barre\notes\wh K&\itenl1d\zq f\zqu h\wh d|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu j\enotes -% mesure 6 -\barre\nspace\NOTes\wh{=I}&\tten1\lsh g\zw d\zq f\rq g\qu{=i}|\itenl2i\hu{=i}\enotes -\temps\NOTes&\zq f\rq g\qu i\enotes -\temps\Notes&\zq f\rq g\qu i|\tten2\ibl0i3\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0k\enotes -\temps\NOTes&\zq{eg}\qu i|\qu{^g}\enotes -% mesure 7 -\barre\NOTes\wh{^J}&\itenl1c\zq e\zqu h\wh{^c}|\itenl0h\hu h\enotes -\temps\NOTes&\zq e\qu h|\enotes -\temps\Notes&\zq e\qu h|\tten0\ibu0h{-3}\qh0h\tbu0\qh0{=g}\enotes -\temps\Notes&\zq e\qu h|\ibu0h{-4}\qh0h\tbu0\qh0f\enotes -% mesure 8 -\barre\NOTes\wh H&\tten1\zq e\zqu g\wh{^c}|\itenl0g\hu g\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\tten0\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes&\zq e\qu g|\ibu0g{-4}\qh0g\tbu0\qh0e\enotes -% mesure 9 -\barre\NOTes\hup K&\rlap{\wh a}\zq d\qu f|\qup f\enotes -\temps\Notes&\zq d\qu f|\sk\cu e\enotes -\temps\NOTes&\zq d\qu f|\qup d\enotes -\temps\Notes\soupir&\zq d\qu f|\sk\demisoupir\enotes -% mesure 10 -\barre\notes\wh K&\rlap{\wh d}\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 11 -\barre\NOTes \wh J&\zw c\zq{^f}\qu h|\hu j\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -\temps\Notes&\zq f\qu h|\ibl0i3\qb0j\enotes -\notes &|\nbbl0\qb0k\tbl0\qb0{_l}\enotes -%\check -% mesure 12 -\alaligne\Notes\wh K&\itenl0d\zq{^f}\zqu h\wh d|\ibl0l{-3}\qb0{_l}\tbl0\qb0k\enotes -\temps\Notes &\zq f\qu h|\ibl0k{-3}\qb0k\tbl0\qb0j\enotes -\temps\Notes &\zq f\qu h|\ibl0j{-3}\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu h|\ibl0i{-3}\qb0i\tbl0\qb0h\enotes -%\check -% mesure 13 -\barre\NOTes\wh N&\tten0\zw d\zq g\qu i|\qlp i\enotes -\temps\Notes&\zq g\qu i|\sk\cu h\enotes -\temps\NOTes&\zq g\qu i|\qup g\enotes -\temps\Notes&\zq g\qu i|\sk\ds \enotes -%\check -% mesure 14 -\barre\nspace\NOTes\wh L&\lna e\zw{^c}\zq e\qu h|\rlap{\hl{^j}}\zcharnote - n{\Trille{2\noteskip}}\relax -\zcharnote q{\ \ (*)}\enotes -\footnote{}{(*) Trilles commenc\'es sur la note et finissant sans -terminaison sur la note suivante.}\relax - \temps\NOTes&\zq e\qu h\enotes -\temps\NOTes&\zq e\qu h|\ql j\enotes -\temps\Notes&\zq e\qu h|\ibl0i3\qb0{=i}\tbl0\qb0j\enotes -%\check -% mesure 15 -\barre\NOTes\wh K&\rlap{\wh d}\zq f\qu h|\rlap{\hl k}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql k\enotes -\temps\Notes&\zq f\qu h|\ibl0j3\qb0{^j}\tbl0\qb0k\enotes -%\check -% mesure 16 -\alapage\NOTes\wh{^J}&\rlap{\wh e}\zq g\qu i|\rlap{\hl l}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\Notes&\zq g\qu i|\ibl0l0\qb0l\enotes -\notes&|\nbbl0\qb0m\tbl0\qb0l\enotes -\temps\Notes&\zq g\qu i|\ibl0k3\qb0k\tbl0\qb0l\enotes -%\check -% mesure 17 -\barre\NOTes\wh K&\zw d\zq f\qu h|\hlp m\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\soupir\enotes -%\check -% mesure 18 -\barre\NOTes\wh J&\zw{=c}\zq{^f}\qu h|\rlap{\hl{^m}}% -\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\ql m\enotes -\temps\Notes&\zq f\qu h|\ibl0l3\qb0l\tbl0\qb0m\enotes -%\check -% mesure 19 -\barre\NOTes\wh I&\rlap{\wh d}\zq g\qu i|\rlap{\hl n}\zcharnote p{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq g\qu i\enotes -\temps\NOTes&\zq g\qu i|\ql n\enotes -\temps\Notes&\zq g\qu i|\ibl0m3\qb0{^m}\tbl0\qb0n\enotes -%\check -% mesure 20 -\alaligne\NOTes\wh H&\rlap{\wh c}\zq{^f}\qu h|\rlap{\hl o}\zcharnote q{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\Notes&\zq f\qu h|\ibl0o0\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0o\enotes -\temps\Notes&\zq f\qu h|\ibl0n3\qb0n\tbl0\qb0o\enotes -%\check -% mesure 21 -\barre\NOTes\wh G&\zw d\zq g\qu i|\qlp p\enotes -\temps\Notes&\zq g\qu i|\sk\cl o\enotes -\temps\Notes&\zq g\qu i|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes&\zq g\qu i|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 22 -\barre\Notes\hup H&\zw{^c}\zq e\qu g|\ibl0j{-4}\qb0{^j}\tbl0\qb0h\enotes -\temps\Notes&\zq e\qu g|\ibl0i3\qb0{=i}\tbl0\qb0 j\enotes -\temps\Notes&\zq e\qu g|\ibl0k3\qb0k\tbl0\qb0l\enotes -\temps\Notes\qu G&\zq e\qu g|\ibl0m3\qb0m\tbl0\qb0n\enotes -%\check -% mesure 23 -\barre\NOTes\hu F&\zw d\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl k\enotes -\temps\Notes\qu G&\zq b\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\NOTes\itenl0H\qu H&\zq a\qu f|\ql m\enotes -%\check -% mesure 24 -\barre\NOTes\tten0\wh H&\zw a\zq{^c}\qu e|\zcharnote o{\Trille{3\noteskip}}\wh l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq {ce}\qu g|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -%\check -% mesure 25 -\barre\NOTes\hup K&\zw d\zq f\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\NOtes\soupir&\zq f\qu h|\soupir\enotes -% mesure 26 -\barre\notes\hup K&\rlap{\hlp d}\zq f\qu h|\ibbl0k0\qb0k\tbbl0\qb0{=j}\enotes -\Notes&|\tbl0\itenl0k\qb0k\enotes -\NOTes&\zq f\qu h|\tten0\hl k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOtes\qu J&\rlap{\ql c}\zq{_e}\qu h|\ql{_l}\enotes -% mesure 27 -\barre\NOtes\wh{=I}&\rlap{\zw d}\zq f\rqu g|\hl m\enotes -\temps\NOtes&\zq f\rqu g\enotes -\temps\NOtes&\zq f\rqu g|\soupir\enotes -\temps\Notes&\zq f\rqu g|\ibl0m3\qb0m\enotes -\notes&|\nbbl0\qb0n\tbl0\qb0{_o}\enotes -% mesure 28 -\alaligne\nspace\Notes\wh G&\rlap{\wh{=b}}\zq d\qu f|\ibl0o{-3}\qb0{_o}\tbl0\qb0n\enotes -\temps\Notes &\zq d\qu f|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -\temps\Notes &\zq d\qu f|\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes &\zq d\zq f\qu{=i}|\ibl0l{-3}\qb0l\tbl0\qb0k\enotes -% mesure 29 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\qlp{_l}\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 30 -\barre\NOTes\wh H&\zw c\zq{^f}\qu h|\itenu0o\hl o\enotes -\temps\NOTes&\zq f\qu h&\enotes -\temps\Notes&\zq f\qu h|\tten0\ibl0o3\qb0o\enotes -\notes&|\nbbl0\qb0p\tbl0\qb0q\enotes -\NOTes&\zq f\qu h|\ql{^m}\enotes -% mesure 31 -\barre\NOTes\wh I&\zw b\zq d\qu g|\itenu0n\hl n\enotes -\temps\NOTes&\zq d\qu g|\enotes -\temps\Notes&\zq d\qu g|\tten0\ibl0n{-3}\qb0n\tbl0\qb0{=m}\enotes -\Notes&\zq d\qu g|\ibl0n{-4}\qb0n\tbl0\qb0{_l}\enotes -%\check -% mesure 32 -\barre\NOTes\wh{=I}&\zw d\zq f\qu{=i}|\itenu0m\hl m\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\tten0\ibl0m{-3}\qb0m\tbl0\qb0{_l}\enotes -\temps\Notes&\zq f\qu{_h}|\ibl0m{-4}\qb0m\tbl0\qb0k\enotes -%\check -% mesure 33 -\barre\NOTes\wh J&\zw c\zq{_e}\qu g|\fl l\qlp l\enotes -\temps\Notes&\zq e\qu g|\sk\cl k\enotes -\temps\NOTes&\zq e\qu g|\qlp j\enotes -\temps\Notes&\zq e\qu g|\sk\ds \enotes -%\check -% mesure 34 -\barre\nspace -\NOTes\wh K&\zw d\lsh f\zq f\qu{=h}|\itenu0k\hl k\enotes -\temps\NOTes&\zq f\qu h|\enotes -\temps\Notes&\zq f\qu h|\tten0\dqb3k{_l}\enotes -\temps\Notes&\zq f\qu h|\dqb{-3}kj\enotes -% mesure 35 -\barre -\Notes\wh J&\zw c\sh f\zq f\qu h|\dqb3k{=l}\enotes -\temps\Notes&\zq f\qu h|\dqb3{^m}n\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 36 -\alapage% -\Notes\wh I&\zw b\zq d\qu g|\dqb{-3}rq\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}po\enotes -\temps\Notes&\zq d\qu g|\dqb{-3}nm\enotes -\temps\Notes&\zq d\qu g|\dqb{-4}nl\enotes -% mesure 37 -\barre -\Notes\wh H&\zw c\zq{^f}\qu h|\sh m\dqb{-3}ml\enotes -\temps\Notes&\zq f\qu h|\dqb3mn\enotes -\temps\Notes&\zq f\qu h|\dqb3op\enotes -\temps\Notes&\zq f\qu h|\dqb{-4}qo\enotes -% mesure 38 -\barre -\Notes\wh G&\itenl0d\zw d\zq g\qu i|\dqb{-3}po\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}n{=m}\enotes -\temps\Notes&\zq g\qu i|\fl l\dqb{-3}lk\enotes -\temps\Notes&\zq g\qu i|\dqb{-3}ji\enotes -% mesure 39 -%\check -\barre -\NOTes\wh F&\tten0\zw d\na i\zq f\qu i|\rlap{\hl{=i}}\zcharnote n{\Trille{2\noteskip}}\enotes -\temps\NOTes&\zq f\qu i|\enotes -\temps\Notes&\zq f\qu i|\ibl0i0\qb0i\enotes -\notes&|\nbbl0\qb0j\tbl0\qb0i\enotes -\temps\Notes&\zq f\qu i|\dqb3hi\enotes -%\check -% mesure 40 -\barre\NOTes\wh E&\zw c\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl j\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 41 -\barre\NOTes\wh H&\zw{^c}\zq e\qu g|\zcharnote o{\Trille{2\noteskip}}\hl{^j}\enotes -\temps\NOTes&\zq e\qu g|\enotes -\temps\Notes&\rlap{\midtwotext{\it rit.}}\zq e\qu g|\ibl0j0\qb0j\enotes -\notes&|\nbbl0\qb0k\tbl0\qb0j\enotes -\temps\Notes&\zq e\qu g|\dqb3{=i}j\enotes -% mesure 42 -\barre\NOTes\hup D&\rlap{\midtwotext{\it a tempo}}\zw d\zq{^f}\qu h|\hlp k\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes\soupir&\zq f\qu h|\soupir\enotes -%\check -% mesure 43 -\barre\notes\wh K&\rlap{\wh d}\zq{=f}\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -%\check -% mesure 44 -\alaligne\NOTes\wh G&\zw b\zq d\qu g|\hu g\enotes -\temps\NOTes&\zq d\qu g\enotes -\temps\NOTes&\zq d\qu g|\soupir\enotes -\temps\Notes&\zq d\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\tbu0\qh0i\enotes -% mesure 45 -\barre\Notes\wh J&\rlap{\rhl b}\zq c\qu e|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq c\qu e|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\rlap{\hl c}\zq e\qu i|\ibu0g{-3}\qh0g\tbu0\qh0f\enotes -\temps\Notes &\zq e\qu i|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -%\check -% mesure 46 -\barre \NOTes\wh F&\zw a\zq c\qu f|\qup f\enotes -\temps\Notes&\zq c\qu f|\sk\cu g\enotes -\temps\NOTes&\zq c\qu f|\qup h\enotes -\temps\Notes&\zq c\qu f|\sk\ds\enotes -% mesure 47 -%\check -\large -\alaligne\notes\hl K&\rlap{\hl d}\zq g\qu i|\ibbu0i0\qh0{iji}\tbu0\qh0h\enotes -\temps\notes&\zq g\qu i|\ibbu0i0\qh0{igh}\tbu0\qh0{=i}\enotes -\temps\notes\hl L&\rlap{\hl{^c}}\zq e\qu g|\ibbl0j3\qb0{^jkl}\tbl0\qb0m\enotes -\temps\notes&\zq e\qu g|\ibbl0n3\qb0{no=p}\tbl0\qb0{^q}\enotes -% mesure 48 -%\check -\barre\notes\hl M&\rlap{\hl a}\zq d\qu f|\ibbl0r{-3}\qb0{r=q_p}\tbl0\qb0o\enotes -\temps\notes&\zq d\qu f|\ibbl0n{-3}\qb0{nml}\tbl0\qb0 k\enotes -\temps\notes\hl G&\rlap{\hl b}\zq e\qu g|\ibbl0n{-3}\qb0{nml}\tbl0\qb0k\enotes -\temps\notes&\zq e\qu g|\ibbl0j{-3}\qb0{^j=ih}\tbl0\qb0g\enotes -% mesure 49 -%\check -\alaligne\notes\hu H&\rlap{\hl a}\zq d\qu f|\ibbl0f3\qb0{fhk}\tbl0\qb0h\enotes -\temps\notes&\zq d\qu f|\ibbl0k3\qb0{mko}\tbl0\qb0m\enotes -\temps\notes\hu I&\rlap{\hl b}\zq d\qu g|\ibbl0g3\qb0{g_il}\tbl0\qb0i\enotes -\temps\notes&\zq d\qu g|\ibbl0l3\qb0{nl_p}\tbl0\qb0n\enotes -% mesure 50 -%\check -\barre\notes\hu H&\rlap{\hl d}\zq f\qu h|\ibbl0h3\qb0{hkm}\tbl0\qb0k\enotes -\temps\notes&\zq f\qu h|\ibbl0m3\qb0{omr}\tbl0\qb0o\enotes -\temps\notes\hu G&\rlap{\hl d}\zq g\qu i|\ibbl0i3\qb0{ikn}\tbl0\qb0k\enotes -\temps\notes&\zq g\qu i|\ibbl0m3\qb0{pnr}\tbl0\qb0 p\enotes -% mesure 51 -%\check -\normal -\alapage\NOTes\hup F&\rlap{\hlp d}\zq f\qu h|\qlp o\enotes -\temps\Notes&\zq f\qu h|\sk\cl n\enotes -\temps\notes&\zq f\qu h|\ibl0m{-3}\qb0m\zcharnote o{\sl 3}\qb0l\tbl0\qb0k\enotes -\temps\Notes\qu G&\rlap{\ql b}\zq e\qu g|\ibl0n{-3}\qb0n\tbl0\qb0m\enotes -% mesure 52 -%\check -\barre\NOTes\wh H&\itenl0a\zw a\zq d\qu f|\ql m\enotes -\temps\NOTes&\zq{^c}\qu e|\zcharnote n{\Trille{2\noteskip}}\hl l\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\NOtes&\zq c\qu e|\ibl0l{-3}\pt l\qb0l\enotes -\notes&|\tbbl0\tbl0\qb0k\enotes -% mesure 53 -%\check -\barre\NOTes\hup D&\tten0\zw a\zq d\qu f|\hlp k\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes&\zq d\qu f|\enotes -\temps\NOTes\soupir&\zq d\qu f|\soupir\enotes -% mesure 54 -\cleftoksii={{3}{0}{0}{0}}\changeclefs -\alaligne\notes\itenu1K\wh K&\itenl2d\zw d\zq f\qu h|\ibbu0h0\qh0h\tbbu0\qh0g\enotes -\Notes&|\tbu0\itenl0h\qh0h\enotes -\NOTes&\zq f\qu h|\tten0\hu h\enotes -\temps\NOTes&\zq f\qu h\enotes -\temps\NOTes&\zq f\qu h|\qu i\enotes -% mesure 55 -\barre\NOTes\tten1\hu K&\zq e\zqu g\qsk\tten2\wh d|\hu g\enotes -\temps\NOTes&\zq e\qu g\enotes -\temps\NOTes\soupir&\zq e\qu g|\soupir\enotes -\temps\Notes\qu K&\zq e\qu g|\ibu0h3\qh0g\enotes -\notes&|\nbbu0\qh0h\enotes -\notes&|\tbu0\qh0i\enotes -% mesure 56 -\barre\Notes\wh{^J}&\rlap{\wh{^c}}\zq e\qu g|\ibu0i{-3}\qh0i\tbu0\qh0h\enotes -\temps\Notes &\zq e\qu g|\ibu0h{-3}\qh0h\tbu0\qh0g\enotes -\temps\Notes &\zq e\qu g|\ibu0g{-3}\qh0g\tbu0\qh0{^f}\enotes -\temps\Notes &\zq e\qu h|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 57 -\barre\NOTes\wh K&\rlap{\wh d}\zq{^f}\qu h|\qup f\enotes -\temps\Notes&\zq f\qu h|\sk\cu g\enotes -\temps\NOTes&\zq f\qu h|\qup h\enotes -\temps\Notes&\zq f\qu h|\sk\ds \enotes -% mesure 58 -\barre\NOTes\qu J&\zq{=c}\rq d\qu g|\qu d\enotes -\temps\NOTes\hup I&\rlap{\hlp b}\zq d\qu g|\itenl0g\qu g\enotes -\temps\notes&\zq d\qu g|\tten0\ibbu0g{-3}\qh0{g=fe}\tbu0\qh0d\enotes -\temps\notes&\zq d\qu g|\ibbu0g{-3}\qh0{gfe}\tbu0\qh0d\enotes -% mesure 59 -%\check -\barre\notes\wh H&\doubler\itenl0a\zw a\zq{^c}\qu e|\ibbu0c0\qh0{^c=bc}\tbu0\qh0a\enotes -\temps\notes&\zq c\qu e|\ibbu0b3\qh0{bcd}\tbu0\qh0e\enotes -\temps\NOTes&\zq d\qu f|\qu f\enotes -\temps\Notes&\zq d\qu f|\ibu0f{-3}\qh0f\tbu0\qh0e\enotes -% mesure 60 -%\check -\barre\NOTes\wh H&\tten0\zw a\zq{^c}\qu e|\zcharnote n{\Trille{3\noteskip}}\hup e\enotes -\temps\NOTes&\zq c\qu e\rlap{\midtwotext{\sl rall.\ \ \ }}\enotes -\temps\NOTes&\zq c\qu e|\enotes -\temps\Notes&\zq c\qu e|\ibu0e{-3}\qh0e\tbu0\qh0d\enotes -% mesure 61 -%\check -\cleftoksii={{6}{0}{0}{0}}% -\zchangeclefs -\barre -\elemskip=1.1\elemskip -\NOTes\itenl1D\wh D&\itenu2d\zw d\zq M\ql a|\itenl0d\zw d\enotes -\temps\NOTes&\zq M\ql a|\enotes -\temps\NOTes&\zq N\ql b|\enotes -\temps\NOTes&\zq L\ql N|\enotes -% mesure 62 -\barre\nspace -\NOTEs\tten1\pointdorgue a\hu D&\tten2\zh{Ma}\pointdorgue d\hl d|\tten0\pointdorgue o\hu d\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -\finmorceau -\bigskip -\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/aria.tex b/Master/texmf-dist/doc/generic/musictex/aria.tex deleted file mode 100644 index fedcb23c40b..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/aria.tex +++ /dev/null @@ -1,563 +0,0 @@ -\title{Aria} -\fulltitle{ VII. \titremorceau} -\othermention{Compos\'e en 1992} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\csname titremorceautoc\endcsname -\maketitle -% -\parindent 13mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -\def\interfacteur{9} -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\nbporteesi=1\relax% -\nbporteesii=1\relax% -\nbporteesiii=1\relax% -\signaturegenerale{1}\relax -%\check -\def\instrumenti{P\'ed. 16'}% -\def\instrumentii{Fl\^ute 8'}% -\def\instrumentiii{\vbox{\hsize=\parindent - \centerline{Nasard}\smallskip\centerline{Tremblant}}}% -%\check -% -% formes frequentes -\def\doubler{\multiply\noteskip by 2\relax}% -\def\halfskip{\divide\noteskip by 2\relax}% -\def\Pause{\sk\sk\qsk\pause}% -\def\deuxc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\tqh0#2} -\def\troisc#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2} -\def\quatrec#1#2{\ibu0#20\zq#1\qh0#2\zq#1\qh0#2\zq#1\qh0#2\zq#1\tqh0#2} -\def\cpdcl#1#2{\Ibl1{#1}{#2}{3}\qbp1{#1}\sk\sk\tbbl1\tqb1{#2}} -% -%\check -% -\generalmeter{\meterfrac 44}% -% -\debutmorceau -\linesinpage=0\relax -\def\barperline{4}\ifnum\musicsize<17\relax\def\barperline{5}\fi -\autolines{18}{\barperline}5\relax -%\check -% -\hyphenpenalty -50\relax -\notes&&\zcharnote{w}{\kern -20mm\moyen Andante -\bf(\metron{\qu}{55})}\enotes -% -%\check -% -\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi -% mesure 1 -\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes -% mesure 2 -\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk -\halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 3 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 4 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\qlp n\sk\sk\sk\sk\sk\Ibbl1{^m}l2\qb1m\tqb1l\enotes -\temps\NOtes\hu I&\zhl d\raise\Interligne\ds - \troisc gi&\qlp k\sk\sk\ds\enotes -%\check -% mesure 5 -\barre\autolines{16}{\barperline}5\relax -\NOtes\hu{^G}&\zw e\raise\Interligne\ds \bigsh g\troisc gi&\hl l\enotes -\temps\NOtes\hu H&\raise\Interligne\ds - \troisc hj&\hl j\sk\sk\cbreath\enotes -% mesure 6 -\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes -\temps\NOtes\hu{=G}&\raise\Interligne\ds - \bigna g\troisc gi&\hl i\sk\sk\cbreath\enotes -% mesure 7 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc hj&\cpdcl hi\cpdcl jl\enotes -\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds - \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0j{_i}1\qb0j\tqb0i\enotes -% mesure 8 -%\check -\barre\NOtes\hu D&\zhl d\raise\Interligne\ds - \troisc fh&\hup h\enotes -\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds - \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk -&\sk\sk\soupir\enotes -% mesure 9 -\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes -% mesure 10 -\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk - \halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 11 -\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 12 -\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds - \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\hl{m}\enotes -% mesure 13 -\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes -\temps\NOtes\hu J&\zhl e\raise\Interligne\ds \troisc gj&\hl l\enotes -% mesure 14 -\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes -\temps\NOtes\hu I&\zhl d\raise\Interligne\ds \troisc gi&\hl k\enotes -% mesure 15 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds - \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes -% mesure 16 -%\check -\barre\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\hup h\enotes -\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds - \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk -&\sk\sk\soupir\enotes -% mesure 17 -\barre\NOtes\wh N&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec gi&\ql i\sk\ql k\enotes -% mesure 18 -\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk - \halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 19 -\barre\NOtes\wh N&\zhl d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 20 -\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds - \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes -\temps\NOtes\qsk\hu K&\qsk\zhl a\raise\Interligne\ds - \na f\troisc df&\qsk\bigna m\qlp{m}\sk\sk\ds\enotes -% mesure 21 -\barre\NOtes\hu{_I}&\zhl e\raise\Interligne\ds\fl i\troisc gi&\hl n\enotes -\temps\NOtes\hu H&\zhl{^c}\raise\Interligne\ds - \troisc eh&\hl l\sk\sk\cbreath\enotes -% mesure 22 -\barre\NOtes\wh K&\zw d\raise\Interligne\ds - \troisc fh&\bigna m\hl m\enotes -\temps\notes&\doubler\fl i\deuxc fi\deuxc fh&\Ibl2kl3\qbp2k\sk\sk\tbbl2\tqb2l\relax - \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes -%\check -% mesure 23 -\barre\notes\doubler\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc hj&\qlp l\sk\sk\sk\sk\sk\bigna m\Ibbl2ml1\qb2m\tqb2l\enotes -\temps\NOtes\hu G&\zhl d\raise\Interligne\ds -\Ibu0ji2\zq g\qh0j\zq g\qh0{=i}\zq g\tqh0i&\qlp k\sk\sk\ds\enotes -% mesure 24 -\barre\NOtes\wh J&\zwh c\raise\Interligne\ds - \troisc eg&\hl j\enotes -\temps\NOtes&\quatrec eg&\ql l\sk\ql n\enotes -% mesure 25 -\barre\NOtes\wh I&\zhl d\raise\Interligne\ds - \troisc gi&\qlpp n\sk\sk\halfskip\sk\bigna m\ccl m\enotes -\temps\NOtes&\na f\Ibu0ih3\zq f\qh0i\zq f\qh0i\zq f\qh0h\zq f\tqh0h\relax - &\hl k\sk\sk\cbreath\enotes -%\check -% mesure 26 -\barre\NOtes\wh J&\zw c\raise\Interligne\ds - \troisc eg&\ql j\sk\ql l\enotes -\temps\NOtes&\quatrec eg&\ql n\sk\ql{_p}\enotes -% mesure 27 -\barre\notes\qsk\doubler\hu{^J}&\qsk\doubler\zhl e\raise\Interligne\ds - \fl i\troisc gi&\qsk\bigfl p\qlp p\sk\sk\sk\sk\sk\Ibbl2on1\qb2o\tqb2n\enotes -\temps\NOtes\qsk\hu K&\qsk\zhl d\raise\Interligne\ds - \sh f\troisc fh&\qsk\qlp{^m}\sk\sk\ds\enotes -% mesure 28 -\barre\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes -\temps\NOtes\hu J&\zhl e\raise\Interligne\ds - \troisc gj&\hl l\sk\sk\cbreath\enotes -% mesure 29 -\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes -\temps\NOtes\hu I&\zhl d\raise\Interligne\ds - \troisc gi&\hl k\sk\sk\cbreath\enotes -% mesure 30 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds - \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes -% mesure 31 -%\check -\barre\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\hup h\enotes -\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds - \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk -&\sk\sk\soupir\enotes -% mesure 32 -\barre\NOtes\wh I&\zhl b\raise\Interligne\ds - \bigsh d\troisc df&\hl i\enotes -\temps\notes&\doubler\zhl d\raise\Interligne\ds - \troisc fi&\Ibl2ik3\qbp2i\sk\sk\bigsh k\tbbl2\tqb2{k}\relax - \Ibl2mo3\qbp2m\sk\sk\tbbl2\tqb2o\enotes -% mesure 33 -\barre \notes\hu L&\doubler\zhl e\raise\Interligne\ds - \troisc gi&\Ibl2nm3\qbp2n\sk\sk\tbbl2\tqb2m\relax - \ql l\enotes -\temps\notes\hu H&\doubler\bigsh c\zhl c\raise\Interligne\ds - \troisc eh&\Ibl2hj3\qbp2h\sk\sk\bigsh j\tbbl2\tqb2j\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -% mesure 34 -\barre \notes\hup K&\doubler\zwh{=d}\raise\Interligne\ds - \troisc fh&\cpdcl ml\hl k\enotes -\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds -\zq f\cu h&\sk\sk\soupir\enotes -%\check -% mesure 35 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds - \troisc gi&\hl n\enotes -\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes -% mesure 36 -\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds - \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax - \cpdcl op\enotes -\temps\notes&\doubler - \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax - \cpdcl sq\enotes -% mesure 37 -\barre\notes\wh K&\doubler\zhl b\raise\Interligne\ds - \troisc dg&\qlp p\sk\sk\sk\sk\sk\Ibbl0qp1\qb0q\tqb0p\enotes -\temps\NOtes&\zhl d\raise\Interligne\ds - \troisc fh&\qlp o\sk\sk\ds\enotes -% mesure 38 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds - \troisc gi&\hl n\enotes -\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes -\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes -% mesure 39 -\barre\NOtes\wh J&\zwh c\raise\Interligne\ds - \troisc eg&\hl l\enotes -\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax - &\soupir\sk\ql o\enotes -% mesure 40 -\barre\notes\bigsh J\hu J&\doubler\zhl{^c}\raise\Interligne\ds - \troisc eg&\cpdcl lm\cpdcl nl\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\itenu0m\hl m\enotes -% mesure 41 -\barre\notes\hu J&\doubler\zwh d\raise\Interligne\ds - \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes -\temps\NOtes\hu I&\quatrec gi&\ql n\sk\qu g\enotes -% mesure 42 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\cpdcl hi\cpdcl jl\enotes -\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds - \troisc gi&\qup i\sk\sk\sk\sk\sk\Ibbl0ji1\qb0j\tqb0i\enotes -% mesure 43 -\barre\NOtes\hup K&\zhlp d\raise\Interligne\ds - \troisc fh&\hup h\enotes -\temps\NOtes\sk\sk\soupir&\deuxc fh\zql c\raise\Interligne\ds - \zq f\cu h&\sk\sk\soupir\enotes -%\check -% mesure 44 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds - \troisc gi&\hl n\enotes -\temps\NOtes&\quatrec gi&\ql m\sk\ql{=m}\enotes -% mesure 45 -\barre\notes\wh J&\doubler\zwh c\raise\Interligne\ds - \troisc eg&\Ibl2ln3\qbp2l\sk\sk\bigsh n\tbbl2\tqb2n\relax - \cpdcl op\enotes -\temps\notes&\doubler - \quatrec eg&\Ibl2qr3\qbp2q\sk\sk\bigsh r\tbbl2\tqb2r\relax - \cpdcl sq\enotes -% mesure 46 -\barre\NOtes\wh K&\zwh d\raise\Interligne\ds - \troisc gi&\qlp p\sk\sk\cl q\enotes -\temps\notes&\doubler - \quatrec gi&\cpdcl po\cpdcl np\enotes -% mesure 47 -\barre\NOtes\hup K&\zhl d\raise\Interligne\ds\troisc fh&\zcharnote - q{\Trille{6\noteskip}}\relax\hl o\enotes -\temps\NOtes\sk\sk\soupir&\zhl c\raise\Interligne\ds - \troisc fh&\sk\sk\sk\noteskip=0.6\noteskip - \Ibbl1no1\qb1n\tqb1o\enotes -% mesure 48 -\barre\notes\wh I&\doubler\zhl{^d}\raise\Interligne\ds - \troisc fi&\qlpp p\sk\sk\sk\sk\sk\sk\ccl q\enotes -\temps\notes&\doubler - \quatrec fi&\cpdcl po\cpdcl nm\enotes -%\check -% mesure 49 -\barre\notes\wh L&\doubler\zhlp e\raise\Interligne\ds - \troisc gi&\qlpp n\sk\sk\sk\sk\sk\sk\ccl m\enotes -\temps\notes&\doubler - \deuxc gi\zql c\raise\Interligne\ds - \zq g\cu i&\cpdcl nl\cpdcl mn\enotes -%\check -% mesure 50 -\barre\notes\wh H&\doubler\zwh{^c}\raise\Interligne\ds - \troisc eh&\cpdcl on\cpdcl op\enotes -\temps\notes&\doubler\quatrec eh&\cpdcl on\cpdcl ml\enotes -% mesure 51 -\barre\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\hlp m\enotes -\temps\notes\hu J&\doubler\zhl d\raise\Interligne\ds - \troisc fh&\sk\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes -% mesure 52 -\barre\NOtes\hu I&\zhl d\raise\Interligne\ds - \troisc gi&\ql n\sk\qu g\enotes -\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\cpdcl hi\cpdcl jl\enotes -% mesure 53 -\barre\kern -0.6\Interligne -\NOtes\itenu0K\wh K&\zhl d\raise\Interligne\ds - \troisc gi&\hu g\sk\sk - \noteskip=0.3\noteskip - \tinynotesize\Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes -\temps\NOtes&\itenl3d\zhl d\raise\Interligne\ds - \troisc fh&\zcharnote - q{\Trille{8\noteskip}}\itenl1h\hu h\sk\enotes -% mesure 54 -\barre\NOtes\tten0\hl K&\tten3\zql d\deuxc fh\zql c\raise\Interligne\ds - \zq f\cu h&\tten1\qup h\sk\sk - \divide \noteskip by 2\relax - \Ibbu2hg1\qh2h\tqh2g\enotes -\temps\NOtes\hu G&\zhl b\raise\Interligne\ds - \troisc dg&\qlp g\sk\sk\ds\enotes -% mesure 55 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds - \troisc gi&\hl n\enotes -\temps\notes&\doubler\ibu3h0\zq g\qh3i\zq g\qh3i&\cpdcl kl\enotes -\notes&\qsk\doubler\zq g\qh3i\zq g\tqh3i&\qsk\bigna m\cpdcl mk\enotes -% mesure 56 -\barre\NOtes\wh J&\zwh c\raise\Interligne\ds - \troisc eg&\hl l\enotes -\temps\NOtes&\zq e\Ibu0gh2\qh0g\zq e\qh0g\zq e\qh0h\zq e\tqh0h\relax - &\soupir\sk\ql o\enotes -% mesure 57 -\barre\notes\bigsh J\hu J&\doubler\zhl{e}\raise\Interligne\ds - \bigsh j\troisc gj&\cpdcl lm\cpdcl nl\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\itenu0m\hl m\enotes -% mesure 58 -\barre\notes\hu J&\doubler\zhl d\raise\Interligne\ds - \troisc fh&\tten0\ql m\sk\sk\sk\Ibbl0nk3\qb0{nml}\tqb0k\enotes -\temps\NOtes\hl I&\zhl{^d}\raise\Interligne\ds - \troisc fi&\qlpp p\sk\sk\divide\noteskip by 2\relax\sk\ccl q\enotes -% mesure 59 -\barre\notes\hl L&\doubler\zhl e\raise\Interligne\ds - \troisc gi&\cpdcl po\cpdcl nl\enotes -\temps\notes\doubler\hl{^J}&\doubler\zhl{e}\raise\Interligne\ds - \sh j\troisc hj&\cpdcl op\cpdcl on\enotes -% mesure 60 -\barre\notes\doubler\hl K&\doubler\zhl{=c}\raise\Interligne\ds - \troisc fh&\cpdcl ml\cpdcl mk\enotes -\temps\NOtes\hl I&\zqlp d\raise\Interligne\ds - \deuxc gi\rlap{\clp c}\zq e\cu h&\qlp n\sk\sk\cl q\enotes -% mesure 61 -\barre\autolines{16}55\bigaccid -\NOtes\hl K&\zhl d\raise\Interligne\ds - \troisc fh&\zcharnote q{\Trille{3\noteskip}}\qlp o\sk\sk\cl n\enotes -\temps\NOtes\hu G&\zhl d\raise\Interligne\ds - \troisc gi&\qlp n\sk\sk\ds\enotes -% mesure 62 -\barre\NOtes\wh G&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec dg&\ql{_i}\sk\ql k\enotes -% mesure 63 -\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk -\halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 64 -\barre\NOtes\wh{_I}&\zhl d\raise\Interligne\ds - \fl i\troisc gi&\qu g\sk\qu{_i}\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 65 -\barre\notes\hu J&\doubler\zhl{_e}\raise\Interligne\ds - \troisc gj&\qlp n\sk\sk\sk\sk\sk - \noteskip=1.5\noteskip\bigna m\varaccid\Ibbl1ml2\qb1m\fl l\tqb1l\enotes -\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds - \fl i\troisc gi&\qlp k\sk\sk\ds\enotes -%\check -% mesure 66 -\barre\autolines{16}{\barperline}5\varaccid -\NOtes\hu{G}&\zw{_e}\raise\Interligne\ds - \fl i\troisc gi&\hl{_l}\enotes -\temps\NOtes\hu H&\raise\Interligne\ds - \troisc hj&\hl j\sk\sk\cbreath\enotes -% mesure 67 -\barre\NOtes\hu F&\zw d\raise\Interligne\ds \troisc fh&\hl k\enotes -\temps\NOtes\hu{G}&\raise\Interligne\ds - \fl i\troisc gi&\fl i\hl i\sk\sk\cbreath\enotes -% mesure 68 -\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds - \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes -\temps\notes\hu K&\doubler\zhl d\raise\Interligne\ds - \fl i\troisc gi&\qup g\sk\sk\sk\sk\sk\Ibbu0hg1\qh0h\tqh0g\enotes -% mesure 69 -%\check -\barre\NOtes\hu D&\zhl d\raise\Interligne\ds - \troisc fh&\hup f\enotes -\temps\NOtes\hpause&\rlap{\raise -4\Interligne\ds - \Ibl2dc2\qb2{d^c}\tqb2{=c}}\zq f\qu h\sk\raise\Interligne\soupir\sk -&\sk\sk\soupir\enotes -% mesure 70 -\barre\NOtes\wh N&\zw{_b}\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec dg&\fl i\ql i\sk\ql k\enotes -% mesure 71 -\barre\NOtes\wh M&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk - \halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 72 -\barre\NOtes\wh N&\zwh d\raise\Interligne\ds - \fl i\troisc gi&\qu g\sk\qu{_i}\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 73 -\barre\NOtes\hu{^J}&\zhl{^c}\raise\Interligne\ds - \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip - \Ibbl1ok3\qb1{onm}\tqb1l\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\qlp m\sk\sk\ds\enotes -% mesure 74 -\elemskip=0.98\elemskip -\barre\NOtes\hu I&\zhl b\raise\Interligne\ds\troisc dg&\hl n\enotes -\temps\NOtes\hu J&\zhl c\raise\Interligne\ds - \troisc eg&\hl l\sk\sk\cbreath\enotes -% mesure 75 -\barre\NOtes\hu H&\zhl a\raise\Interligne\ds\troisc cf&\hl m\enotes -\temps\NOtes\hu I&\zhl b\raise\Interligne\ds - \troisc dg&\hl k\sk\sk\cbreath\enotes -% mesure 76 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -\temps\NOtes\hl K&\zhl d\raise\Interligne\ds - \troisc gi&\hu g\sk\sk - \noteskip=0.3\noteskip\tinynotesize - \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes -% mesure 77 -\autolines{16}{\barperline}5\relax -\barre\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\zcharnote - q{\Trille{3\noteskip}}\qup h\sk\sk\noteskip=0.5\noteskip - \Ibbu2gh1\qh2g\tqh2h\enotes -\temps\NOtes\hu I&\zhl{^d}\raise\Interligne\ds - \troisc fi&\hu i\enotes -% mesure 78 -\barre\NOtes\hu H&\sh d\zhl d\raise\Interligne\ds - \troisc fi&\ds\ibl0i0\qb0i\qb0i\tqb0i\enotes -\temps\notes\hu G&\doubler\zhl b\raise\Interligne\ds - \troisc eg&\cpdcl ij\cpdcl ij\enotes -% mesure 79 -\barre\NOtes\hu F&\zhl{^d}\raise\Interligne\ds - \troisc fh&\ibl0i0\qb0i\qb0m\qb0{^k}\tqb0i\enotes -\temps\NOtes\hu E&\zhl{e}\raise\Interligne\ds - \troisc gi&\ql n\sk\Ibl0ml1\qb0m\tqb0l\enotes -% mesure 80 -\barre\NOtes\hu F&\zhl f\raise\Interligne\ds - \na k\troisc hk&\bigna k\ql k\noteskip=0.25\noteskip - \sk{\tinynotesize\Ibbl0lj2\qb0l\qb0k\tqb0{^j}}\doubler\doubler - \Ibl0km1\qb0k\tqb0m\enotes -\temps\NOtes\hu H&\zhl e\raise\Interligne\ds - \sh j\troisc gj&\Ibl0mj3\qb0{mlk}\tqb0{^j}\enotes -% mesure 81 -\autolines{16}{\barperline}5\relax -\barre\NOtes\hu D&\zhl d\raise\Interligne\ds - \troisc fh&\hlpp k\enotes -\temps\NOtes\hu I&\zhl{d}\raise\Interligne\ds - \fl i\troisc fi&\sk\sk\sk\noteskip=0.6\noteskip\qs\ccl k\enotes -% mesure 82 -\barre\NOtes\hu H&\zhl e\raise\Interligne\ds - \sh j\troisc gj&\sh j\Ibl1jm3\qb1{j=m}\qbp1l\noteskip=0.5\noteskip - \sk\tbbl1\tqb1m\enotes -\temps\NOtes\hu I&\zhl d\raise\Interligne\ds - \bigna f\Ibu0hj2\zq f\qh0h\zq f\qh0{=i}\zq f\tqh0{=j}\relax - &\Ibl1km3\qb1{ko^n}\nbbl1\noteskip=0.6\noteskip\qb1o\tqb1{=n}\enotes -% mesure 83 -\barre\NOtes\hl J&\zhl{_e}\raise\Interligne\ds - \sh f\troisc fh&\Ibl1ml3\qb1{^m=ml}\tqb1{_l}\enotes -\temps\NOtes\hl{_I}&\zhl d\raise\Interligne\ds - \fl i\troisc gi&\Ibl1ko3\qb1{k^m}\qbp1n\noteskip=0.5\noteskip - \sk\tbbl1\tqb1o\enotes -% mesure 84 -\barre\NOtes\hl K&\zhl d\raise\Interligne\ds - \troisc fh&\hl{m}\sk\sk\cbreath\qsk\enotes -\temps\NOtes\hu{_I}&\zhl d\raise\Interligne\ds - \fl i\troisc gi&\ql n\sk\qu g\enotes -% mesure 85 -\barre\notes\hu J&\doubler\fl e\zhl e\raise\Interligne\ds - \troisc hj&\bigaccid\cpdcl h{_i}\cpdcl j{_l}\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \fl i\troisc gi&\hu g\sk\sk - \noteskip=0.3\noteskip\tinynotesize - \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes -% mesure 86 -\barre\autolines{17}55\bigaccid -\NOtes\hl K&\zhl d\raise\Interligne\ds\troisc fh\relax - &\upperfl p\zcharnote o{\Trille{3\noteskip}}\qup h\sk\sk\cu g\enotes -\temps\NOtes\qup G\sk\sk\ds&\zqlp d\raise\Interligne\ds - \rlap{\sk\sk\raise -3\Interligne\ds}\na i\troisc gi&\qup g\sk\sk\ds\enotes -% mesure 87 -\barre\NOtes\wh G&\zw b\raise\Interligne\ds \troisc dg&\hu g\enotes -\temps\NOtes &\quatrec dg&\ql i\sk\ql k\enotes -% mesure 88 -\barre\NOtes\wh K&\zw d\raise\Interligne\ds \troisc fh&\qlpp k\sk\sk -\halfskip\sk\ccl j\enotes -\temps\NOtes &\quatrec fh&\qup h\sk\sk\ds\enotes -% mesure 89 -\barre\NOtes\wh I&\zwh d\raise\Interligne\ds \troisc gi&\qu g\sk\qu i\enotes -\temps\NOtes &\quatrec gi&\ql k\sk\ql n\enotes -% mesure 90 -\barre\autolines{14}55\bigaccid -\NOtes\hu H&\zhl{^c}\raise\Interligne\ds - \troisc eh&\itenu0o\ql o\sk\tten0\noteskip=0.5\noteskip - \Ibbl1ok3\qb1{onm}\tqb1l\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\qlp m\sk\sk\ds\enotes -% mesure 91 -\barre\autolines{16}45\bigaccid -\NOtes\hu I&\zhl d\raise\Interligne\ds\na i\troisc gi&\hl n\enotes -\temps\NOtes\hu J&\zhl e\raise\Interligne\ds - \troisc gj&\hl l\sk\sk\cbreath\enotes -% mesure 92 -\barre\NOtes\hu H&\zhl c\raise\Interligne\ds\troisc fh&\hl m\enotes -\temps\NOtes\hu I&\zhl d\raise\Interligne\ds - \troisc gi&\hl k\sk\sk\cbreath\enotes -% mesure 93 -\barre\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -\temps\NOtes\hl K&\zhl d\raise\Interligne\ds - \troisc gi&\hu g\sk\sk - \noteskip=0.3\noteskip\tinynotesize - \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes -% mesure 94 -\barre\NOtes\wh K&\zhl d\raise\Interligne\ds - \troisc fh&\zcharnote - q{\Trille{7\noteskip}}\hupp h\enotes -\temps\NOtes&\zhl d\raise\Interligne\ds - \troisc fh&\sk\sk\sk\noteskip=0.5\noteskip - \Ibbu2gh1\qh2g\tqh2h\enotes -% mesure 95 -\barre\NOtes\hu I&\zhl{^d}\raise\Interligne\ds - \troisc fi&\qup i\sk\sk\enotes -\temps\notes\hu J&\doubler\zhl e\raise\Interligne\ds - \troisc gj&\Ibl2jk3\qbp2j\sk\sk\tbbl2\tqb2k\relax - \Ibl2ln3\qbp2l\sk\sk\tbbl2\tqb2n\enotes -% mesure 96 -\barre\NOtes\hl K&\zhl d\raise\Interligne\ds - \troisc gi&\hu g\sk\sk - \noteskip=0.3\noteskip\tinynotesize - \Ibbbu0hi4\qh0{hgfg}\tqh0i\enotes -\temps\NOtes\hu K&\zhl d\raise\Interligne\ds - \troisc fh&\zcharnote - q{\Trille{7\noteskip}}\itenl0h\hu h\enotes -% mesure 97 -\barre\NOtes\hu D&\zhl d\raise\Interligne\ds - \troisc fh&\tten0\qup h\sk\sk\cu g\enotes -\temps\NOtes\itenl0G\hu G&\itenl3d\zhl d\raise\Interligne\ds - \troisc gi&\itenl2g\hu g\enotes -% mesure 98 -\barre\NOtes\tten0\wh G&\tten3\zwh d\ibu0i0\zq g\qh0i\zq e\qh0j\zq f\qh0h\relax - \itenl0g\zq g\itenu1i\tqh0i&\tten2\wh g\enotes -\temps\NOtes&\tten0\tten1\zh g\hu i\enotes -\finmorceau -\rightline{\sl\aujourdhui}\eject diff --git a/Master/texmf-dist/doc/generic/musictex/avemario.tex b/Master/texmf-dist/doc/generic/musictex/avemario.tex deleted file mode 100644 index 55305aec630..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/avemario.tex +++ /dev/null @@ -1,1007 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\fulltitle{M\'editation -- Ave Maria} - \author{Charles Gounod \& J.-S. Bach\\Transcription Orgue+soliste Daniel -Taupin\\\& Markus Veittes} - \shortauthor{C. Gounod, J.-S. Bach, D. Taupin} - \othermention{G.O.: fl\^ute 8' [+4']\\R\'ecit : fl\^utes 8'+4' [+nasard ou -chalumeau {\it ad lib.}]\\Positif : cornet ou cromorne\\P\'edale : 16', acc. -G.O.} - \title{Ave Maria} -\maketitle - -\staffbotmarg\Interligne -% -\parindent 13mm -\musicsize=20 -\normal -\relativeaccidentals -\def\oct{\advance\transpose by 7\relax} -\def\nbinstruments{3} -\def\instrumenti{P\'edale} -\def\instrumentii{G.O.} -%\def\interinstrumenti{-2\Interligne} -%\def\interinstrumentii{-2\Interligne} -\def\instrumentiii{Positif} -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax - -\generalmeter{\meterC}% -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiii{{0}{0}{0}{0}} -%\raggedlinestrue % uncomment for ragged right lines - - -\debutmorceau -\def\OrgNotes#1\enotes{\Notes#1&\relax#5\enotes}% -\autolines{25}{3}{5}% - %\check -%Takt 1 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 2 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 3 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\pause&&\pause&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\barre - %\check -%Takt 4 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\pause&&\pause&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&\enotes -\barre - %\check -%Takt 5 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\wh l&A\rlap{---}&\wh e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 6 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\wh m&ve&\hupp f&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&&&&\enotes -\OrgNotes&\ibbl1j3\qb1h\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2h&&&&\enotes -\OrgNotes&\qb2k\tqb2m&&Ma-&\cu f&&&&\enotes -\barre - %\check -%Takt 7 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\hlp n&ri\rlap{---}&\hup g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&\ql k&\rlap{---}&\qu d&&&&\enotes -\barre - %\check -%Takt 8 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hlp l&a,&\hup e&&&&\enotes -\OrgNotes&\ibbl0j3\qb0g\tqb0j&&&&\enotes -\OrgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&\enotes -\OrgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\OrgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 9 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbl0j3\qb0h\tqb0l&\oct\qb4a&\rlap{---}&\Ibu5ac4\qh5a&&&&\enotes -\OrgNotes&\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\qh5b&&&&\enotes -\OrgNotes&\qb1l\tqb1o&\oct\tqb4c&a&\tqh5c&&&&\enotes -\barre - %\check -%Takt 10 -\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \qlp d&ple\rlap{---}&\qup d&&&&\enotes -\OrgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f&&&&\enotes -\OrgNotes&\qh2h\tqh2k&\oct \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \ql d&na,&\qu d&&&&\enotes -\OrgNotes&\ibbu1g3\qh1f\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 11 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\oct - \tten5\ibl4b0\qb4g&&\tten4\cu g&&&&\enotes -\OrgNotes&\ibbl1j3\qb1g\tqb1k&\oct - \qb4N&\rlap{---}&\Ibu5Nb4\qh5N&&&&\enotes -\OrgNotes&\ibbl2k0\qb2n\qb2g&\oct - \qb4a&mi-&\qh5a&&&&\enotes -\OrgNotes&\qb2k\tqb2n&\oct - \tqb4b&nus&\tqh5b&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 12 -\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \qlp c&te\rlap{---}&\qup c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \cl d&&\cu d&&&&\enotes -\temps\OrgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\oct - \ql c&cum,&\qu c&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&\qp&&\qp&&&&\enotes -% -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 13 -\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \itenu5j\hl j&be\rlap{---}&\itenu4j\hu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\oct - \tten5\ibl4c0\qb4j&&\tten4\cu j&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb4c&\rlap{---}&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb4d&ne\rlap{---}&\qh5d&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 14 -\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct\bigaccid - \qlp{^f}&\rlap{dic---}&\bigaccid\qup {^f}&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d&&&&\enotes -\OrgNotes&\qh2f\tqh2j&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql d&\rlap{---}&\qu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&\oct - \ql a&ta&\qu a&&&&\enotes -\barre - %\check -%Takt 15 -\def\atnextline{\staffbotmarg3\Interligne}% -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \hl b&tu&\hu b&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\qp&&\qp&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&\oct - \ql d&in&\qu d&&&&\enotes -\barre - %\check -%Takt 16 -\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&\oct - \itenu5e\hl e&mu\rlap{---}&\itenl4e\hu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&\oct - \tten5\ibl5e1\qb5e&&\tten4\cu e&&&&\enotes -\OrgNotes&\ibbu1f3\qh1e\tqh1g&\oct - \qb5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2e&\oct - \qb5f&&\qh4f&&&&\enotes -\OrgNotes&\qh2g\tqh2j&\oct - \tqb5g&&\tqh4g&&&&\enotes -\barre - %\check -%Takt 17 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \hl h&e\rlap{---}&\ppt h\qu h&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&\enotes -\OrgNotes&\tqh2k&&ri-&\ccu a&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \ql a&bus&\qu a&&&&\enotes -\OrgNotes&\ibbu1g3\qh1d\tqh1h&&&&\enotes -\OrgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 18 -\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\oct - \itenu5d\hl d&et\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&\enotes -\temps\OrgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\oct - \tten5\ibl4d1\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1f3\qh1d\tqh1f&\oct - \qb4d&be\rlap{---}&\Ibu5df4\qh5d&&&&\enotes -\OrgNotes&\ibbu2i0\qh2i\qh2d&\oct - \qb4e&&\qh5e&&&&\enotes -\OrgNotes&\qh2f\tqh2i&\oct - \tqb4f&ne-&\tqh5f&&&&\enotes -\barre - %\check -%Takt 19 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{dic---}&\hu g&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\oct - \qu N&tus&\qu N&&&&\enotes -\OrgNotes&\ibbu1f3\qh1c\tqh1g&&&&\enotes -\OrgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 20 -\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5c\hl c&fruc\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4c1\qb4c&&\tten4\cu c&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4c&tus&\Ibu5ce4\qh5c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4d&&\qh5d&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4e&&\tqh5e&&&&\enotes -\barre - %\check -%Takt 21 -\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5f\hl f&vent\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4f1\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1c3\qh1a\tqh1c&\oct - \qb4f&ris&\Ibu5fh4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4g&&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 22 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp i&tu--&\qlp i&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl h&i,&\cl h&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&\rlap{Je---}&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \ql d&&\qu d&&&&\enotes -\barre - %\check -%Takt 23 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \hlp e&sus.&\hup e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - &&&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - &&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \pt a\ds\sk\sk\cl e&&\qp&&&&\enotes -\barre - %\check -%Takt 24 -\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \hl g&\rlap{Sanc---}&\hu g&&&&\enotes -\OrgNotes&\bigaccid\ibbu1b3\qh1{_b}\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\oct - \ql e&ta&\qu e&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl e&\rlap{\kern -\Interligne Ma-}&\ccu e&&&&\enotes -\barre - %\check -%Takt 25 -\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl h&ri\rlap{---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql a&a,&\qu a&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 26 -\OrgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \hl h&\rlap{sanc---}&\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\oct - \ql c&ta&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2a\qh2c&\oct\qsk - \pt a\ds&&\qsk\pt h\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&\enotes -\barre - %\check -%Takt 27 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {_L}&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \bigaccid\ql{_e}&a,&\bigaccid\qu{_e}&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2b\qh2c&\oct - \pt a\ds&&\pt j\ds&&&&\enotes -\OrgNotes&\tqh2e&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&\enotes -\barre - %\check -%Takt 28 -\OrgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \hl j&ri\rlap{---}&\hl j&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&\enotes -\temps\OrgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \ql d&a!&\qu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1b\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&\enotes -\barre - %\check -%Takt 29 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \itenu5d\hl d&O\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\oct - \tten5\ibl4d{-1}\qb4d&&\tten4\cu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \qb4d&ra&\Ibu5db4\qh5d&&&&\enotes -\OrgNotes&\ibbu2d0\qh2d\qh2N&\oct - \qb4c&&\qh5c&&&&\enotes -\OrgNotes&\qh2b\tqh2d&\oct - \tqb4b&pro&\tqh5 b&&&&\enotes -\barre - %\check -%Takt 30 -\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \qlp g&no\rlap{---}&\qup g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N&&&&\enotes -\OrgNotes&\qh2c\tqh2e&\oct - \cl e&&\cu e&&&&\enotes -\temps\OrgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\oct - \ql c&bis,&\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 31 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5f\hl f&no\rlap{---}&\itenl4f\hu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4f{-1}\qb4f&&\tten4\cu f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4f&bis&\Ibu5fd4\qh5f&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4e&pec-&\qh5e&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4d&ca-&\tqh5d&&&&\enotes -\barre - %\check -%Takt 32 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \qlp k&to\rlap{---}&\qlp k&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \cl i&ri-&\cl i&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ql g&bus,&\qu g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&\oct - \qp&&\qp&&&&\enotes -\barre - %\check -%Takt 33 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\oct - \itenu5h\hl h&nunc&\itenl4h\hu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&&&&\enotes -\OrgNotes&\bigaccid\qsk\ibbu2e0\qh2{^f}\qh2a\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4h1\qb4h&&\tten4\cu h&&&&\enotes -\OrgNotes&\ibbu1b3\qh1a\tqh1c&\oct - \qb4h&et\rlap{---}&\Ibu5hj4\qh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2a&\oct - \qb4i&&\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4j&in&\tqh5j&&&&\enotes -\barre - %\check -%Takt 34 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {=L}&\ds&\oct - \itenu5l\hl l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\oct - \tten5\ibl4j{-4}\qb4l&&\tten4\cl l&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4j&--&\Ibu5je4\qh5j&&&&\enotes -\OrgNotes&\ibbu2e0\qh2g\qh2N&\oct - \qb4g&ra,&\qh5g&&&&\enotes -\OrgNotes&\qh2c\tqh2g&\oct - \tqb4e&in&\tqh5e&&&&\enotes -\barre - %\check -%Takt 35 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \itenu5d\hl d&ho\rlap{---}&\itenl4d\hu d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \tten5\ibl4d3\qb4d&&\tten4\ibu5g3\qh5d&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&\oct - \qb4h&&\tqh5h&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \qb4i&ra&\ibu5i{-1}\qh5i&&&&\enotes -\OrgNotes&\qh2c\tqh2f&\oct - \tqb4h&&\tqh5h&&&&\enotes -\barre - %\check -%Takt 36 -\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\oct - \ibl4h{-3}\usf h\qb4h&\rlap{mor---}&\ibu5j2\qh5g&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\oct - \usf g\qb4g&&\tqh5k&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\oct - \usf f\qb4f&tis&\ibu5i{-2}\qh5i&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\oct - \usf d\tqb4d&&\tqh5g&&&&\enotes -\temps\OrgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\relax - \lsf i\ibu4i{-3}\qh4i&nos-&\ibu5f{-2}\qh5f&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1b&\relax - \lsf h\qh4h&&\tqh5d&&&&\enotes -\OrgNotes&\ibbu2e0\qh2f\qh2N&\relax - \lsf f\qh4f&tr\ae.&\ibu5b{-2}\qh5b&&&&\enotes -\OrgNotes&\qh2b\tqh2f&\relax - \lsf d\tqh4d&&\tqh5N&&&&\enotes -\barre - %\check -%Takt 37 -\OrgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds&\relax - \hup c&A\rlap{---}&\itenl4c\hu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&\enotes -\temps\OrgNotes\zhl J\raise2\Interligne\hbox{\qs}\qupp L&\ds&&\rlap{men.}&\tten4\qu c&&&&\enotes -\OrgNotes&\ibbu1b3\qh1N\tqh1c&&&\uptext{R\'ecit (doux)}&&&&\enotes -\OrgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&\qp&&\qp&&&&\enotes -\barre - %\check -%Takt 38 -\def\orgNotes#1\enotes{\Notes#1&\relax#4\enotes}% -\def\orgNOTes#1\enotes{\NOTes#1&\relax#4\enotes}% -\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\wh l&A\rlap{---}&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp e&\ds&&\hl e&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&&&&&&\enotes -\barre - %\check -%Takt 39 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\wh m&ve&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h\qb2k\tqb2m&&\raise -2\Interligne\hpause&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne\qs\qupp d&\ds&&\hl h&&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1h\tqb1k&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2h&&&&&&&\enotes -\orgNotes&\qb2k\tqb2m&&&\rlap{\kern -\Interligne Ma-}&\cu f&&&&&&\enotes -\barre - %\check -%Takt 40 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\itenu3g\wh g&\zhl g\hup n&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne\qs\qupp d&\ds&&\hl f&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2m\qb2g\qb2k\tqb2m&&\qu k&&&&&&\enotes -\barre - %\check -%Takt 41 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\tten3\zw e\wh - g&\zhlp g\hup l&&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0g\tqb0j&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1l\qb1g\qb1j\tqb1l&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&&&&&&&&&&&\enotes -\orgNotes&\ibbl2j3\qb2g\tqb2j&&&&&&&&&&&\enotes -\orgNotes&\ibbl3k0\qb3l\qb3g\qb3j\tqb3l&&\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 42 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp e&\ds&\hu h&\relax - {\roffset{0.3}{\zhu h}}\oct - \itenu5h\hl h&gra\rlap{---}&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h\qb1l\tqb1o&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp -e&\ds&&{\roffset {0.3}{\zhu l}}\oct - \tten5\ibl4a0\qb4h&&\tten4\ibu5g{-3}\qh5h&&&&&&&&\enotes -\orgNotes&\ibbl0j3\qb0h\tqb0l&&\oct\qb4a&\rlap{---}&\tqh5a&&&&&&&&\enotes -\orgNotes&\ibbl1k0\qb1o\qb1h&&\oct\qb4b&ti-&\cu b&&&&&&&&\enotes -\orgNotes&\qb1l\tqb1o&&\oct\tqb4c&a&\cu c&&&&&&&&\enotes -\barre - %\check -%Takt 43 -\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\bigaccid\zw{^f}&\itenu5o{\zhu o}\oct - \qlp d&ple\rlap{---}&\Ilegu4k\qup d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\bigaccid\qh1{^f}\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f&&&&&&&&\enotes -\orgNotes&\qh2h\tqh2k&&\oct \cl e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl c\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\tten5{\ibu3m{-2}\zqh3o}\oct - \ql d&na,&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1f\tqh1h&&{\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&&\raise -2\Interligne\rlap{\qp}{\qh3i\sk\tqh3j}&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 44 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&\zw g&\relax - \rlap{\roffset{0.3}{\qupp k}}\oct - \normalnotesize\itenu5g\hl g&Do\rlap{---}&\itenu4g\hu g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g\qb2k\tqb2n&&\sk\sk\sk\ccu l&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp d&\ds&&\roffset {0.5}{\zhu k}\oct - \normalnotesize\tten5\ibl4N0\qb4g&&\tten4\ibu5f{-3}\qh5g&&&&&&&&\enotes -\orgNotes&\ibbl1j3\qb1g\tqb1k&&\oct - \qb4N&\rlap{---}&\tqh5N&&&&&&&&\enotes -\orgNotes&\ibbl2k0\qb2n\qb2g&&\oct - \qb4a&mi-&\cu a&&&&&&&&\enotes -\orgNotes&\qb2k\tqb2n&&\oct - \tqb4b&nus&\cu b&&&&&&&&\enotes -\def\atnextline{\autolines{25}35}\relax -\barre - %\check -%Takt 45 -\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&\itenl4e\zw e&{\itenu3n\zhu n}\oct - \qlp c&te\rlap{---}&\Ilegu2j\qup c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \cl d&&\tleg2\cu d&&&&&&&&\enotes -\temps\orgNotes\zhl b\raise 5.5\Interligne \hbox{\qs}\qupp c&\ds&&{\tten3\ibu3l{-3}\zqh3n}\oct - \ql c&cum,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\qh3g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&\raise -2.5\Interligne\rlap{\qp}\qh3h\sk\tqh3i&\qp&\qp&&&&&&&&\enotes -% -\barre - %\check -%Takt 46 -\orgNotes\zhl a\raise 5\Interligne\hbox{\qs}\qupp c&\ds&\tten4\zw e&\relax - {\roffset{0.3}{\zhl j}}\oct - \itenu5j\hu j&be\rlap{---}&\itenu4j\hu j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl a\raise 5\Interligne\qs\qupp c&\ds&&{\zql h}\oct - \tten5\cu j&&\tten4\cl j&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu4ce4\qh4c&\rlap{---}&\Ibl5ce4\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&{\zql g}\oct - \qh4d&ne\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 47 -\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds - &&\bigaccid\zw{^f}\oct - \qup{^f}&\rlap{dic---}&\bigaccid\Ilegu4l\qup {^f}&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\bigaccid\qsk\tqh1{^f}&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2j&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3.5\Interligne\hbox{\qs}\qupp a&\ds&&\oct - \qu d&\rlap{---}&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2d\qh2f\tqh2j&&\oct - \qu a&ta&\qu a&&&&&&&&\enotes -\barre - %\check -%Takt 48 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\relax - {\zw g}\oct \hu b&tu&\hu b&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\qs\qupp b&\ds&&\relax - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2g\tqh2i&&\oct - \qu d&in&\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 49 -\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_b}&\ds&&{\zw{^j}}\oct - \itenu5e\hu e&mu\rlap{---}&\itenl4e\hu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2i0\qh2{^j}\qh2e\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl N\raise 4.2\Interligne\hbox{\qs}\qupp b&\ds&&\oct - \tten5\cu e&&\tten4\cu e&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1e\tqh1g&&\oct - \Ibu5eg4\qh5e&li\rlap{---}&\Ibu4eg4\qh4e&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2e&&\oct - \qh5f&&\qh4f&&&&&&&&\enotes -\orgNotes&\qh2g\tqh2j&&\oct - \tqh5g&&\tqh4g&&&&&&&&\enotes -\barre - %\check -%Takt 50 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\itenu3o\hu o&\relax - \rlap{\hlp k}\oct \itenu4h\hu h&e\rlap{---}&\ppt h\qu h&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h&&&&&&&&\enotes -\orgNotes&\tqh2k&&&ri-&\ccu a&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\qs\qupp a&\ds&\tten3&\tten4\relax - \oct \cu h&bus&\qu a&&&&&&&&\enotes -\orgNotes&\ibbu1g3\qh1d\tqh1h&&{\Ibu3hj4\qh3h}&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2k\qh2d\qh2h\tqh2k&&\qh3i\sk\tqh3j&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 51 -\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\bigaccid\qsk\qupp{_a}&\ds&\bigaccid - \hu r&\bigaccid\zw {=i}\oct\itenu5d\hu d&et\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d\qh2f\tqh2i&&&&&&&&\enotes -\temps\orgNotes\zhl M\raise 3.8\Interligne\hbox{\qs}\qupp a&\ds&\hu k&\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1d\tqh1f&&\oct - \Ibu4df4\qh4d&be\rlap{---}&\ibu5e1\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2i\qh2d&&\oct - \qh4e&&\tqh5e&&&&&&&&\enotes -\orgNotes&\qh2f\tqh2i&&\oct - \tqh4f&ne-&\cu f&&&&&&&&\enotes -\barre - %\check -%Takt 52 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\itenu3n\hu -n&{\zhlp j}\oct - \itenu4g\hu g&\rlap{dic---}&\hu g&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&&&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp N&\ds&\tten3\ibl3n{3}\qb3n&\oct - \tten4\cu g&tus&\qu N&&&&&&&&\enotes -\orgNotes&\ibbu1f3\qh1c\tqh1g&\qb3n&\Ibu4gi4\qh4g&&&&&&\enotes -\orgNotes&\ibbu2i0\qh2j\qh2c\qh2g\tqh2j&\qb3o\sk\tqb3p&\qh4h\sk\tqh4i&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 53 -\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\zw h\hu -q&{\zw h}\oct - \itenu5c\hu c&fruc\rlap{---}&\itenl4c\hu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl L\raise 3.5\Interligne\hbox{\qs}\qupp M&\ds&\itenu3j\hu j&\oct - \tten5\cu c&&\tten4\cu c&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&\oct - \Ibu4ce4\qh4c&tus&\ibu5d1\qh5c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4d&&\qh5d&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4e&&\tqh5e&&&&&&&&\enotes -\barre - %\check -%Takt 54 -\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&\tten3\zw c\hu j&\relax - {\zw j}\oct - \itenu5f\hu f&vent\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl K\raise 3\Interligne\hbox{\qs}\qupp M&\ds&&\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1c3\qh1a\tqh1c&\hu h&\oct - \Ibu4fh4\qh4f&ris&\ibu5g1\qh5f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qh4g&&\qh5g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&\tqh5h&&&&&&&&\enotes -\barre - %\check -%Takt 55 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\hu -g&{\zqlp n}\oct - \qup i&tu--&\Ilegu4k\qlp i&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cu h&i,&\tleg4\cl h&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp K&\ds&&\relax - \rlap{\roff{\hl m}}\oct \qu g&\rlap{Je---}&\Ilegu5l\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \qu d&&\tleg5\qu d&&&&&&&&\enotes -\barre - %\check -%Takt 56 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&&{\zhlp j}\oct - \hup e&sus.&\hup e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\hu g&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - &&&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \pt a\ds\sk\sk\ccl e&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 57 -\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\zw e\relax - &{\bigfl i\zhlp i}\oct \hu g&&&&&&&\enotes -\orgNotes&\ibbu1b3\bigaccid\qh1{_b}\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl J\raise 2\Interligne\hbox{\qs}\qupp N&\ds&\hu l&\oct - \qu e&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl e&&&&&&\enotes -\barre - %\check -%Takt 58 -\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zhl c\itenl3e\itenu4h\zh e\hu -h&\itenu2j\zh j\hl o&ri\rlap{---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\tten3\tten4\zh e\zhl h\hu -j&\tten2\zq j\ql h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c\tqh2e&&\oct - \qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 59 -\orgNotes\bigaccid\zhl {^F}\raise\Interligne\hbox{\qs}\qupp J&\ds&\bigaccid - \zw h\hu{_l}&{\bigfl l\zh l}\oct - \hl h&\rlap{sanc---}&\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\bigaccid\ibbu2d0\qh2{_e}\qh2a\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl F\raise\Interligne\hbox{\qs}\qupp J&\ds&\hu -o&{\zq h}\oct - \ql c&ta&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2a\qh2c&&\oct - \pt a\ds&&\pt h\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl h&\rlap{\kern -\Interligne Ma-}&\ccu h&&&&&&&&\enotes -\barre - %\check -%Takt 60 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\bigaccid\qsk\qupp {_L}&\ds&\zw g\zw j\hu -n&\itenl2j\zh j\oct \hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\bigaccid\qsk\ibbu2d0\qh2{_e}\qh2b\qh2c\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\qs\qupp L&\ds&\bigaccid\hu{_l}&\bigaccid - \tten2\zq j\ql{_l}&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2b\qh2c&&\oct - \pt a\ds&&\pt j\ds&&&&&&&&\enotes -\orgNotes&\tqh2e&&\oct - \ccl j&\rlap{\kern -\Interligne Ma-}&\ccl j&&&&&&&&\enotes -\barre - %\check -%Takt 61 -\orgNotes\bigaccid\zhl {_H}\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -k&{\zhp j}\oct - \hl j&ri\rlap{---}&\hl j&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl H\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\hu j&\oct - \ql d&a!&\qu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1b\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2b\qh2c\tqh2d&&\oct - \pt a\ds\sk\sk\ccl d&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 62 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp M&\ds&\zw f\hu -i&{\zhl f}\oct - \itenu5d\hu d&O\rlap{---}&\itenl4d\hu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N\qh2b\tqh2d&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp M&\ds&&{\zql i}\oct - \tten5\cu d&&\tten4\cu d&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct - \Ibu4db4\qh4d&ra&\ibu5d{-1}\qh5d&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2d\qh2N&&{\itenl4g\zql g}\oct - \qh4c&&\tqh5c&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2d&&\oct - \tqh4b&pro&\cu b&&&&&&&&\enotes -\barre - %\check -%Takt 63 -\orgNotes\zhl G\raise 2\Interligne\hbox{\qs}\qupp L&\ds&\zw e\hu -g&{\tten4\zw g}\oct - \qup g&no\rlap{---}&\Ilegu4l\qup g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2e&&\oct - \cu e&&\tleg4\cu e&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 2\Interligne\qs\qupp L&\ds&\itenu3j\zhl g\hu j&\oct - \qu c&bis,&\qu c&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2c\tqh2e&&\oct - \raise\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 64 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\itenl3f\zw -f&{\zhl j}\oct - \itenu5f\hu f&no\rlap{---}&\itenl4f\hu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl c&{\zhl h}\oct - \tten5\cu f&&\tten4\cu f&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4fd4\qh4f&bis&\cu f&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4e&pec-&\cu e&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4d&ca-&\cu d&&&&&&&&\enotes -\barre - %\check -%Takt 65 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\tten3\zw f\zhl d\hu -i&{\zh m}\oct - \qlp k&\raise\Interligne\hbox{to---}&\Ilegu4k\qlp k&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \cl i&ri-&\tleg4\cl i&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zhl b\hu -k&{\zhl i}\oct - \ql g&bus,&\qu g&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2b\tqh2f&&\oct - \raise2\Interligne\qp&&\qp&&&&&&&&\enotes -\barre - %\check -%Takt 66 -\def\atnextline{\autolines{25}25}\relax -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid - \qupp {_L}&\ds&\bigaccid\zhl{^f}&{\bigaccid\zw j\zhl{_l}}\oct - \itenu5h\hu h&nunc&\itenl4h\hu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&&&&&&&\enotes -\orgNotes&\qsk\ibbu2e0\bigaccid\qh2{^f}\qh2a\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\zhl h&{\bigaccid\zhl{^m}}\oct - \tten5\cu h&&\tten4\cu h&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1a\tqh1c&&\oct - \Ibl4hj4\qb4h&et\rlap{---}&\ibu5i1\qh5h&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2a&&\oct - \qb4i&&\tqh5i&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqb4j&in&\cl j&&&&&&&&\enotes -\barre - %\check -%Takt 67 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qsk\bigaccid\qupp {=L}&\ds&\zw g\zh j&{\zhl n}\oct - \itenu5l\hu l&\raise 3\internote\hbox{ho---}&\itenu4l\hl l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N\qh2c\tqh2g&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp L&\ds&\bigaccid\hu{=l}&{\zql{=l}}\oct - \tten5\cu l&&\tten4\ibu5j{-2}\qh5l&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4je4\qh4j&---&\tqh5j&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2g\qh2N&&{\zql j}\oct - \qh4g&ra,&\cu g&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2g&&\oct - \tqh4e&in&\cu e&&&&&&&&\enotes -\barre - %\check -%Takt 68 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw f\hu -k&{\zhl f}\oct - \itenu5d\hu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N\qh2c\tqh2f&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu -h&{\zhl h}\oct - \tten5\cu d&&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1c&&\oct - \Ibu4hh4\qh4h&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4i&&&&&&&&&\enotes -\orgNotes&\qh2c\tqh2f&&\oct - \tqh4h&&&&&&&&\enotes -\alaligne - %\check -%Takt 69 -\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\zw b\zw d\rh f\zhu -g&\zhl i\oct \Ibu4fc6\qh4h&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\oct \qh4g&&&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\oct - \qh4f&tis&\ibu5i{-2}\qh5i&&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\oct - \tqh4d&&&&&&&&&&\enotes -\temps\orgNotes\zhl G\raise 1.6\Interligne\hbox{\qs}\qupp K&\ds&\hu N&\relax - {\zhl d}\ibu4i{-3}\qh4i&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&\relax - \qh4h&&\tqh5d&&&&&&&&\enotes -\orgNotes&\ibbu2e0\qh2f\qh2N&&\relax - \qh4f&&&&&&&\enotes -\orgNotes&\qh2b\tqh2f&&\relax - \tqh4d&&&&&&\enotes -\barre -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - %\check -%Takt 70 -\orgNotes\zhu C\raise\Interligne\hbox{\qs}\qupp J&\ds - &\bigaccid\zw{_b}\roff{\itenu3c\zw c}&\roff{\itenu4c\zw c}\bigaccid\wh{_b}\relax - &&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\bigaccid\qsk\tqh1{_b}&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\temps\orgNotes\zhu C\raise\Interligne\qs\qupp J&\ds&&&&&&&&\enotes -\orgNotes&\ibbu1b3\qh1N\tqh1b&&&&&&&&\enotes -\orgNotes&\ibbu2d0\qh2e\qh2N\qh2b\tqh2e&&&&&&&&\enotes -\def\atnextline{\autolines{20}35}\relax -\alaligne - %\check -%Takt 71 -\orgNotes\raise\Interligne\rlap{\qs}\wh C\itenl2J\qupp J&\ds&\tten3\zw a\wh -c&\tten4\wh c&&&&&&&&&\enotes -\orgNotes&\oct\ibbu1a3\qh1M\tqh1a&&&&&&&&\enotes -\orgNotes&\oct\ibbu2e0\qh2c\qh2f\qh2c\tqh2a&&&&&&&&\enotes -\temps\orgNotes\tten2\hu J&\oct\ibbu2b0\qh2c\qh2a\qh2M\tqh2a&&&&&&&&\enotes -\orgNotes&\oct\ibbu3M0\qh3M\qh3K\qh3M\tqh3K&&&&&&&&\enotes -\barre - %\check -%Takt 72 -\orgNotes\zw C\qs\itenl3I\qupp I&\ds&&\bigaccid\wh{=b}&&&&&&&&&\enotes -\orgNotes&\ibbl1h3\qb1g\tqb1i&&&&&&&&\enotes -\orgNotes&\ibbl2j{-2}\qb2k\qb2m\qb2k\tqb2i&&&&&&&&\enotes -\temps\orgNotes\tten3\hu I&\ibbl2h0\qb2k\qb2i\qb2g\tqb2i&&&&&&&&&&\enotes -\orgNotes&\ibbu3e0\qh3d\qh3f\pince n\qh3e\tqh3d&&&&&&&&\enotes -\barre - %\check -%Takt 73 -\orgNOTes\pointdurgue C\zwh C\wh J&\zwh e\zwh g\pointdorgue j\wh j\relax - &&\pointdorgue f\wh c&&&&&&&&\enotes -\finmorceau -\bye - diff --git a/Master/texmf-dist/doc/generic/musictex/carillon.tex b/Master/texmf-dist/doc/generic/musictex/carillon.tex deleted file mode 100644 index 548231278ee..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/carillon.tex +++ /dev/null @@ -1,1296 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\shortauthor{D. Taupin} -\title{Carillon triste} -\fullauthor{Daniel TAUPIN} -\othermention{Improvis\'e vers 1960\\Compos\'e en 1991} -\maketitle -\vsize 275mm - -\def\testpgs{5}% -% -\parindent 12mm -% -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-3}\relax % trois bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -%\check -\def\instrumenti{Piano} -%\check -\deuxtemps -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\ff{{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%\check -% au moins deux croches basses et hautes -\def\dqbl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqbh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -% -% trois doubles croches hautes -\def\tqbbl#1#2#3#4{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}% -\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\Tqbbh{\Tqbbu}% -\def\Tqbh{\Tqbu}% -\def\tqbbL#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}% -\def\tqbbH#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}% -\def\tqbL#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#3#4}\tqb0{#5}}% -\def\tqbH#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#3#4}\tqh0{#5}}% -%au moins quatre croches basses et hautes -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tqb0{#5}}% -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3#4#5}\tqb0{#6}}% -\def\qqbu{\qqbh}\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tqh0{#5}}% -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3#4#5}\tqh0{#6}}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% octave basse en blanche -\def\bohl#1{\zh{`#1}\hl{'#1}}% -\def\bohu#1{\zh{`#1}\hu{'#1}}% -\def\sohl#1{\zh{'#1}\hl{`#1}}% -\def\sohu#1{\zh{'#1}\hu{`#1}}% -% -\def\bozh#1{\zh{`#1'#1}}% -\def\bozq#1{\zq{`#1'#1}}% -\def\boql#1{\zq{`#1}\ql{'#1}}% -\def\boqu#1{\zq{`#1}\qu{'#1}}% -% octave sup. en croches u -\def\soqh#1{\zq{'#1}\qh0{`#1}}% -\def\soqb#1{\zq{'#1}\qb0{`#1}}% -\def\soqu#1{\zq{'#1}\qu{`#1}}% -\def\soql#1{\zq{'#1}\ql{`#1}}% -%\check -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne % -\def\sfhu#1{\lsf #1\hu #1}% -\def\sfwu#1{\lsf #1\wh #1}% -\def\sfhl#1{\usf #1\hl #1}% -\def\sfwl#1{\usf #1\wh #1}% -\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}% -\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}% -\def\LPED{\kern -\internote\PED\kern \internote}% -\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% -\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% -\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% -% -\debutmorceau\autolines {10}56\global\advance\linesinpage by 1\relax -\hyphenpenalty -50\relax -\notes|\Uptext{\moyen\kern -20pt Largo \rm(\metron{\qu}{60})}\enotes -\vnotes 0.2\elemskip\zmidtwotext{\kern -5mm\ppff\fff}\enotes -\zglu\notes\PEDDEP|\sfhu N\enotes -\temps\notes\PEDpDEP|\sfhu a\enotes -% mesure 2 -\barre\notes\PEDDEP|\sfhu c\enotes -\temps\notes\PEDpDEP|\sfhu d\enotes -% mesure 3 -\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes -% mesure 4 -\barre\notes\PEDDEP|\sfhu N\enotes -\temps\notes\PEDpDEP|\sfhu a\enotes -% mesure 5 -\barre\notes\PEDDEP|\sfhu c\enotes -\temps\notes\PEDpDEP|\sfhu d\enotes -% mesure 6 -\barre\NOtes\PED\sk\sk\pointdorgue b\pause\DEP|\pointdorgue m\lsf N\hup N\sk\sk\soupir\enotes -% mesure 7 -\barre\notes\PEDDEP|\sfhu N\enotes -\temps\notes\PEDpDEP|\sfhu a\enotes -% mesure 8 -\barre\notes\PEDDEP|\sfhu c\enotes -\temps\notes\PEDpDEP|\sfhu d\enotes -% mesure 9 -\barre\NOtes\PED\sk\sk\pause\sk\DEP\sk|\sfwu e\enotes -% mesure 10 -\troistemps\changecontext\notes\PEDDEP|\sfhu d\enotes -\temps\notes\PEDpDEP|\sfhu e\enotes -\temps\notes\PEDpDEP|\sfhu c\enotes -% mesure 11 -\deuxtemps\changecontext\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes -% mesure 12 -\barre\Notes\PED\sk\sk\pause\sk\DEP\sk|\sfwu N\enotes -% mesure 13 -\def\bassC{\kern -\internote\PED\kern \internote\soupir\sk\boqu C\DEP\sk}% -\def\bassG{\kern -\internote\PED\kern \internote\soupir\sk\boqu G\DEP\sk}% -\def\BassC{\bohu C\sk\DEP}% -\def\BassG{\bohu G\sk\DEP}% -% -\barre\notes\kern -\internote\PED\kern \internote\soupir\uptext{\ppff pp \it il basso}|\pointdorgue m\sfwu N\enotes -\temps\notes\BassC\enotes -\temps\notes\pointdorgue d\soupir|\enotes -% mesure 14 -\autolines 856\relax -\barre\notes\bassC|\uptext{\ppff\fff}\sfhu N\enotes -\temps\notes\bassC|\sfhu a\enotes -% mesure 15 -\barre\notes\bassC|\sfhu c\enotes -\temps\notes\bassC|\sfhu d\enotes -% mesure 16 -\troistemps\changecontext\notes\kern -\internote\PED\kern \internote\soupir|\sfwu N\enotes -\temps\notes\BassC\sk\soupir\enotes -\temps\notes\hpause\sk|\hpause\enotes -% mesure 17 -\deuxtemps\changecontext\notes\uptext{\ppff pp}\bassC|\uptext{\ppff\fff}\sfhu N\enotes -\temps\notes\bassC|\sfhu a\enotes -% mesure 18 -\barre\notes\bassC|\sfhu c\enotes -\temps\notes\bassC|\sfhu d\enotes -% mesure 19 -\barre\notes\LPED\soupir|\sfwu e\enotes -\temps\notes\BassC\enotes -\temps\notes\soupir\enotes -\advance\barsinline by 1\relax -% mesure 20 -\troistemps\changecontext\notes\bassC|\sfhu d\enotes -\temps\notes\bassC|\sfhu e\enotes -\temps\notes\bassC|\sfhu c\enotes -% mesure 21 -\deuxtemps\changecontext\notes\LPED\soupir|\sfwu N\enotes -\temps\notes\BassG\enotes -\temps\notes\soupir|\enotes -% mesure 22 -\barre\notes\LPED\soupir|\sfwu N\enotes -\temps\notes\BassG\enotes -\temps\notes\soupir|\enotes -% mesure 23 -\troistemps\changecontext\notes\LPED\soupir|\pointdorgue m\sfwu N\enotes -\temps\notes\pointdorgue a\BassC\enotes -\temps\notes\soupir\hpause|\sk\hpause\enotes -\advance\barsinline by 1\relax -% mesure 24 -\deuxtemps\changecontext\autolines{14}36\relax -\notes\PED\zcharnote H{\ppff fff}\sfwl N|\dsoupir -\uptext{\ppff p}\ibu0c5\qh0N\tqh0e\enotes -\temps\notes|\tqbH5fcge\enotes -\temps\notes|\tqbL5hjgn\enotes -\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes -% mesure 25 -\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes -\temps\notes|\tqbH5eafc\enotes -\temps\notes|\tqbL5ehfj\enotes -\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes -% mesure 26 -\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes -\temps\notes|\tqbH5gchf\enotes -\temps\notes|\tqbL5ijhm\enotes -\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes -% mesure 27 -\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes -\temps\notes|\tqbH5gchf\enotes -\temps\notes|\tqbL5ikhm\enotes -\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes -% mesure 28 -\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0a5\qh0L\tqh0c\enotes -\temps\notes|\tqbH5eNec\enotes -\temps\notes|\Tqbh gej\enotes -\temps\notes\sk\DEP|\Tqbl glj\enotes -% mesure 29 -\barre\notes\PED\tten0\wh N|\Tqbl nsq\enotes -\temps\notes|\tqbL{-9}mnlj\enotes -\temps\notes|\Tqbl gjg\enotes -\temps\notes\sk\DEP|\tqbH{-5}fegc\enotes -% mesure 30 -\barre\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes -\temps\notes|\tqbH5fcge\enotes -\temps\notes|\tqbL5gjgn\enotes -\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes -% mesure 31 -\barre\notes\PED\sfwl a|\dsoupir\ibu0c5\qh0M\tqh0c\enotes -\temps\notes|\tqbH5eafc\enotes -\temps\notes|\tqbL5ehfj\enotes -\temps\notes\sk\DEP|\tqbL{-9}lomj\enotes -% mesure 32 -\barre\notes\PED\sfwl c|\dsoupir\ibu0d5\qh0a\tqh0f\enotes -\temps\notes|\tqbH5gchf\enotes -\temps\notes|\tqbL5hjhm\enotes -\temps\notes\sk\DEP|\tqbL{-9}hjhf\enotes -% mesure 33 -\barre\notes\PED\sfwl d|\dsoupir\ibu0d5\qh0a\tqh0f\enotes -\temps\notes|\tqbH5gchf\enotes -\temps\notes|\tqbL5hkhm\enotes -\temps\notes\sk\DEP|\tqbL{-9}hkhf\enotes -% mesure 34 -\barre\notes\PED\itenu0e\sfwl e|\dsoupir\ibu0e9\qh0c\tqh0g\enotes -\temps\notes|\tqbH5iejg\enotes -\temps\notes|\tqbH5kljn\enotes -\temps\notes\sk\DEP|\Tqbl lqn\enotes -% mesure 35 -\barre\notes\tten0\wh e|\Tqbl sus\enotes -\temps\notes|\Tqbl qsq\enotes -\temps\notes|\tqbL{-3}mnlq\enotes -\temps\notes|\tqbL{-9}lnlj\enotes -% mesure 36 -\troistemps\autolines{17}26\relax -\changecontext\notes\PED\usf d\hl d|\dsoupir\qsk\ibu0h{-5}\qh0h\tqh0f\enotes -\temps\notes\sk\DEP|\Tqbh khf\enotes -\temps\notes\PED\usf e\hl e|\dsoupir\qsk\na i\ibu0i{-5}\qh0i\tqh0g\enotes -\temps\notes\sk\DEP|\Tqbh lig\enotes -\temps\notes\PED\usf c\hl c|\dsoupir\qsk\ibu0h{-5}\qh0g\tqh0e\enotes -\temps\notes\sk\DEP|\Tqbh jge\enotes -% mesure 37 -\deuxtemps -\changecontext -\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes -\temps\notes|\tqbH5fcge\enotes -\temps\notes|\tqbL5gjgn\enotes -\temps\notes\sk\DEP|\tqbL{-9}jljg\enotes -% mesure 38 -\barre\autolines{14}36\relax -\notes\PED\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0d\enotes -\temps\notes|\bigna b\tqbH5fbgd\enotes -\temps\notes|\bigna i\tqbL5gign\enotes -\temps\notes\sk\DEP|\tqbL{-9}jkig\enotes -% mesure 39 -\barre\notes\PED\itenu0N\sfwl N|\dsoupir\ibu0c5\qh0N\tqh0e\enotes -\temps\notes|\tqbH5gcge\enotes -\temps\notes|\tqbH5jjgl\enotes -\temps\notes|\tqbL5jjnl\enotes -% mesure 40 -\barre\notes\tten0\pointdorgue c\wh N|\Tqbl qsq\enotes -\temps\notes|\tqbL{-9}mnlj\enotes -\temps\notes|\Tqbl gjg\enotes -\temps\notes\sk\DEP|\rlap{\sk\sk\pointdurgue b}\tqbH{-4}gegc\qsk\enotes -% mesure 41 -% -\def\motif#1#2#3#4{\zbarre\notes|\lsf{#1}\qqbbu{-9}{#1}{#2}{#3}{#4}\enotes -\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`#1}{#2}{#3}{#4}\enotes}% -\def\cinqx#1{\rlap{\sk\zcharnote{#1}{\it 5}}}% -% -\alapage\autolines{9}66\relax -\notes\uptext{\ppff pp}\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes -\temps\notes\qqbbl9JLNc\enotes -\motif gecN\relax -% mesure 42 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes -\temps\notes\qqbbl9JMac\enotes -\motif hfca\relax -% mesure 43 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 44 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes -\temps\notes\qqbbl9JMac\enotes -\motif khfd\relax -% mesure 45 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\ccl e\tqbbu gjl\enotes -% mesure 46 -\barre\notes|\tten0\zhl N\Qqbbl nljg\enotes -\temps\notes|\qqbbu{-9}gecN\enotes -\zbarre\notes|\qqbbu{-9}gecN\enotes -\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes -% mesure 47 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\sfwu N\enotes -\temps\notes\qqbbl9JLNc\enotes -\motif gecN\relax -% mesure 48 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJMa}|\sfwu a\enotes -\temps\notes\qqbbl9JMac\enotes -\motif hfca\relax -% mesure 49 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 50 - \def\atnextline{\autolines{8}76}\relax -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes -\temps\notes\qqbbl9JMac\enotes -\motif khfd\relax -% mesure 51 -\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\sfwu e\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\qqbbl{4}lnus\enotes -% mesure 52 -\barre\notes|\tten0\zhl e\qqbbl{-9}qnlj\enotes -\temps\notes|\qqbbH0ngnlj\enotes -\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes -\temps\notes\sk\sk\DEP|\qqbbl{-4}gedc\enotes -% mesure 53 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu d\enotes -\temps\notes\qqbbl9JMac\enotes -\motif khfd\relax -% mesure 54 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJLN}|\sfwu e\enotes -\temps\notes\qqbbl9{=I}LN{=b}\enotes -\zbarre\notes|\lsf l\qqbbu{-9}l{=i}ge\enotes -\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`l}ige\enotes -% mesure 55 -\def\atnextline{\autolines966}% -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 56 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}K}|\sfwu N\enotes -\temps\notes\qqbbl9G{=I}KN\enotes -\zbarre\notes|\lsf g\qqbbu{-9}gd{=b}N\enotes -\temps\notes\rlap{\sk\sk\sk\DEP}\qqbbu{-9}{!`g}dbN\enotes -% mesure 57 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}L}|\sfwu N\enotes -\temps\notes\qqbbl9G{=I}LN\enotes -\zbarre\notes|\lsf g\qqbbu{-9}ge{=b}N\enotes -\temps\notes\qqbbu{-9}{!`g}ebN\enotes -% mesure 58 -\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\sfwu N\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\qqbbl{4}lnus\enotes -% mesure 59 -\troistemps\changecontext\notes|\tten0\zw N\qqbbl{-9}qnlj\enotes -\temps\notes|\qqbbH0ngnlj\enotes -\temps\notes|\qqbbu{-9}gecN\enotes -\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes -\temps\Notes\BassC\sk|\qsk\hpause\enotes -% -% mesure 60 -\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes -\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}% -% -\alapage\autolines{9}66\relax -\notes\uptext{\ppff mf}\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes -\temps\notes\qqbbl9JLNc\enotes -\motif gecN\relax -% mesure 61 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes -\temps\notes\qqbbl9JMac\enotes -\motif hfca\relax -% mesure 62 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 63 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes -\temps\notes\qqbbl9KMad\enotes -\motif khfd\relax -% mesure 64 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JCJL}|\itenu1g\itenl0N\Sfwu N\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\ccl e\tqbbu gjl\enotes -% mesure 65 -\barre\notes|\tten0\tten1\zh g\zhl N\qqbbh{-9}nljg\enotes -\temps\notes|\qqbbu{-9}gecN\enotes -\zbarre\notes|\qqbbu{-9}gecN\enotes -\temps\notes\rlap{\sk\sk\DEP}\qqbbu{-9}{!`g}ecN\enotes -% mesure 66 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJLN}|\uptext{\ppff\fff}\Sfwu N\enotes -\temps\notes\qqbbl9JLNc\enotes -\motif gecN\relax -% mesure 67 -\barre\notes\LPED\qsoupir -\cinqx N{\transpose=-7\qqbbH9JCJMa}|\Sfwu a\enotes -\temps\notes\qqbbl9JMac\enotes -\motif hfca\relax -% mesure 68 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 69 - \def\atnextline{\autolines{8}76}\relax -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes -\temps\notes\qqbbl9KMad\enotes -\motif khfd\relax -% mesure 70 -\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0e\itenu1l\Sfwu e\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\qqbbl{4}lnus\enotes -% mesure 71 -\barre\notes|\tten0\tten1\zh l\zhl e\qqbbH{-9}oqnlj\enotes -\temps\notes|\qqbbH0ngnlj\enotes -\zbarre\notes|\raise \Interligne\rlap{\hpause}\qqbbl{-9}gecN\enotes -\temps\notes\sk\sk\sk\DEP|\qqbbl{-4}gedc\enotes -% mesure 72 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu d\enotes -\temps\notes\qqbbl9KMad\enotes -\motif khfd\relax -% mesure 73 -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJLN}|\Sfwu e\enotes -\temps\notes\qqbbl9{=I}LN{=b}\enotes -\def\motif#1#2#3#4{\zbarre\notes|\usf{!'#1}\qqbbl{-9}{#1}{#2}{#3}{#4}\enotes -\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{!#1}{#2}{#3}{#4}\enotes}% -\motif l{=i}ge\relax -% mesure 74 -\def\atnextline{\autolines966}% -\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 75 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes -\temps\notes\qqbbl9G{=I}KN\enotes -\zbarre\notes|\usf{!'g}\qqbbl{-9}gd{=b}N\enotes -\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}d{=b}N\enotes -% mesure 76 -\barre\advance\elemskip 1pt\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes -\temps\notes\qqbbl9G{=I}LN\enotes -\zbarre\notes|\lsf{!'g}\qqbbu{-9}ge{=b}N\enotes -\temps\notes\sk\sk\sk\DEP|\qqbbu{-9}{g}ebN\enotes -% mesure 77 -\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\qqbbl{4}lnus\enotes -% mesure 78 -\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes -\temps\notes|\qqbbH0ngnlj\enotes -\zbarre\notes|\qqbbu{-9}gecN\enotes -\temps\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes -\temps\notes\BassC\qsk|\qsk\hpause\enotes -% -% mesure 79 -\alapage -\autolines{25}2{\testpgs}\relax -\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne -\llap{\moyen appassionato\kern -1.5cm}\uptext{\kern -\internote\rm(\metron{\qu}{80})}\enotes -% -%\check -\newif\ifsupa\supafalse -\def\accord#1#2#3#4#5#6#7{\normalnotesize -\notes\rlap{\qsk\whp{!`#1}}\smallnotesize -\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{`#1!#1#2}\tqh0{#3}\relax -|\normalnotesize\zwp{#5}\zwp{#6}\zwp{#7}\relax -\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes - %\check 1 -\temps\smallnotesize\notes -\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes -%\check 1 -\temps\notes -|\rlap{\ibbl0{!''#2}8\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{!'''#2}}\relax -\ibbu0{!''#5}7\qh0{!''#5}\qh0{#5}\qh0{#6}\tbu0\qh0{#7}\enotes -%\check 1 -\temps\notes|\rlap{\ibbl0{!'''#3}{-9}\qb0{!'''#3#2`#4}\tqb0{!''#3}}\relax -\ibbu0{!'''#5}{-9}\qh0{!'''#5`#7#6}\tqh0{#5}\enotes -%\check 1 -\temps\notes -\ifsupa|\rlap{\ibbl0{!'#4}{-9}\qb0{!''#2`#4#3}\tqb0{#2}}\relax -\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi -\ibbu0{!''#5}{-9}\qh0{!''#5`#7#6}\tqh0{#5}\enotes -%\check 1 -\temps\notes\raise -2\Interligne -\rlap{\sk\sk\DEP}\ibbu0{#4}{-9}\qh0{#4#3#2}\tqh0{!`#4}\relax -|\ibbu0{!'#5}{-9}\qh0{!'#5`#7#6}\tqh0{#5}\enotes -}% -% -%\check -\accord CEGJNce\relax -% mesure 80 -\barre\accord CFHJacf\relax -% mesure 81 -\barre\supatrue\accord CFHJcfh\relax -% mesure 82 -\barre\accord CFHJdfh\relax -% mesure 83 -\def\Accord#1#2#3#4#5#6#7{\normalnotesize -\notes\rlap{\qsk\whp{!`#1}}\smallnotesize -\raise -2\Interligne\llap{\LPED\sk}\ibbu0{#1}9\qh0{!`#1!#1#2}\tqh0{#3}\relax -|\zwp{#5#6#7}\relax -\usf{!'#5}\whp{!'#5}\smallnotesize\ibbu0{!#5}9\qh0{#5#6}\tqh0{#7}\enotes -%\check 1 -\smallnotesize\temps\notes\ibbu0{'#2}9\qh0{!#4'#2#3}\tqh0{!'#4}\relax -|\ibbu0{!'#5}8\qh0{!'#5#5#6}\tqh0{#7}\enotes -%\check 1 -\temps\notes|\rlap{\ibbl0{!''#2}8\qb0{#2#3#4}\tqb0{!'''#2}}\relax -\ibbu0{!''#5}7\qh0{!''#5#5#6}\tqh0{#7}\enotes}\relax -% -\barre\Accord CEGJNce\relax -\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes -\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes -\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes -% mesure 84 -\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes -\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes -\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes -\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes -\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes -\normalnotesize\temps\notes\boqu C\DEP\qsk|\qu J\enotes -% mesure 85 -\barre\supafalse\notes\zmidtwotext{\ppff ff}\enotes -\accord CEGJNce\relax -% mesure 86 -\barre\accord CFHJacf\relax -% mesure 87 -\barre\supatrue\accord CFHJcfh\relax -% mesure 88 -\barre\accord CFHJdfh\relax -% mesure 89 -\barre\Accord CEGJegj\relax -\temps\notes|\qsk\octfin {20}{8}\rlap{\qqbbl0gljg}\qqbbH0qsnsq\enotes -\temps\notes|\rlap{\qqbbl{-9}ecNL}\qqbbu{-9}nljg\enotes -\temps\notes|\rlap{\qqbbl{-9}{!'c}NLJ}\qqbbu{-9}{!'l}jge\enotes -% mesure 90 -\barre\notes\qqbbu{-9}gecN|\qqbbu{-9}qnlj\enotes -\temps\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes -\temps\notes\qqbbu{-9}cNLJ|\zcharnote{c}{\DIMin}\qqbbu{-9}ljge\enotes -\temps\notes\qqbbu{-9}NLJG|\qqbbu{-9}jgec\enotes -\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes -\normalnotesize\temps\notes\rlap{\qu J}\boqu C\DEP\sk|\enotes -% mesure 91 -\barre\normalnotesize -\addspace{ -0.25\elemskip}\notes\rlap{\qsk\whp{!`C}}\smallnotesize -\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{`C!CF}\tqh0{H}\relax -|\zwp{d}\zwp{f}\zwp{h}\relax -\usf{!'d}\whp{!'d}\smallnotesize\ibbu0{!d}9\qh0{df}\tqh0{h}\enotes -%\check -\temps\smallnotesize\notes -\ibbu0{K}9\qh0{!K'FH}\tqh0{!'K}\relax -|\ibbu0{!'d}8\qh0{!'d}\qh0{d}\qh0{f}\tqh0{h}\enotes -%\check -\temps\notes -|\qsk\octfin{20}8\rlap{\ibbl0{!'F}8\qb0{F}\qb0{H}\qb0{K}\tqb0{!''F}}\relax -\ibbu0{!'d}7\qh0{!'d}\qh0{d}\qh0{f}\tbu0\qh0{h}\enotes -%\check -\temps\notes|\rlap{\ibbl0{!''H}{-9}\qb0{!''HF`K}\tqb0{!'H}}\relax -\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\qsk\enotes -%\check -\temps\notes -\ifsupa|\rlap{\ibbl0{!'K}{-9}\qb0{!''F`KH}\tqb0{F}}\relax -\else\ibbu0{!''H}{-9}\qh0{!''HF`K}\tqh0{H}|\fi -\ibbu0{!''d}{-9}\qh0{!''d`hf}\tqh0{d}\enotes -%\check -\temps\notes\raise -2\Interligne -\rlap{\sk\sk\DEP}\ibbu0{K}{-9}\qh0{KHF}\tqh0{!`K}\relax -|\ibbu0{!'d}{-9}\qh0{!'d`hf}\tqh0{d}\enotes -% mesure 92 -\barre\normalnotesize\notes\rlap{\qsk\whp{!`C}}\smallnotesize -\raise -2\Interligne\llap{\LPED\sk}\ibbu0{C}9\qh0{!`C!CG}\tqh0{=I}\relax -|\bigna i\zwp{e}\zwp{g}\zwp{i}\relax -\usf l\whp l\smallnotesize\Ibbu0{!e}{!i}3\qh0{eg}\tqh0{=i}\enotes -%\check -\temps\smallnotesize\notes -\ibbu0{!'G}9\qh0{!L'G=I}\tqh0{!'L}\relax -|\ibbu0{!'e}8\qh0{!'e}\qh0{e}\qh0{g}\tqh0{=i}\enotes -%\check -\temps\notes -|\qsk\octfin{!'s}8\rlap -{\ibbl0{!'G}8\qb0{G}\qb0{I}\qb0{L}\tqb0{!''G}}\relax -\ibbu0{!'e}7\qh0{!'e}\qh0{e}\qh0{g}\tbu0\qh0{=i}\enotes -%\check -\notes|\rlap{\ibbl0{!''I}{-9}\qb0{!''IG`L}\tqb0{!'I}}\relax -\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\qsk\enotes -%\check -\temps\notes -\ifsupa|\rlap{\ibbl0{!'L}{-9}\qb0{!''G`LI}\tqb0{G}}\relax -\else\ibbu0{!''I}{-9}\qh0{!''IG`L}\tqh0{I}|\fi -\ibbu0{!''e}{-9}\qh0{!''e`ig}\tqh0{e}\enotes -%\check -\temps\notes\raise -2\Interligne -\rlap{\sk\sk\DEP}\ibbu0{L}{-9}\qh0{LIG}\tqh0{!`L}\relax -|\ibbu0{!'e}{-9}\qh0{!'e`ig}\tqh0{e}\enotes -% mesure 93 -\barre\accord CFHJcfh\relax -% mesure 94 -\barre\normalnotesize\supafalse -\notes\rlap{\qsk\whp{!`G}}\smallnotesize -\raise -2\Interligne\llap{\LPED\sk}\ibbu0B9\qh0{!`G!=BD}\tqh0{G}\relax -|\normalnotesize\bigna b\zwp{N}\zwp{b}\zwp{d}\relax -\usf{!'N}\whp{!'N}\smallnotesize\ibbu0{!N}9\qh0{Nb}\tqh0{d}\enotes -%\check -\smallnotesize\temps\notes -\ibbu0{!'D}9\qh0{!'=BDG}\tqh0{!''=B}\relax -|\ibbu0{!'N}8\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{d}\enotes -%\check -\temps\notes -|\rlap{\ibbl0{!''D}8\qb0{D}\qb0{G}\qb0{!'''=B}\tqb0{D}}\relax -\ibbu0{!''N}7\qh0{!''N}\qh0{N}\qh0{=b}\tbu0\qh0{d}\enotes -%\check -\temps\notes|\rlap{\ibbl0{!'''G}{-9}\qb0{!'''GDB}\tqb0{!''G}}\relax -\ibbu0{!'''N}{-9}\qh0{!'''N`db}\tqh0{N}\enotes -%\check -\temps\notes\ibbu0{!''D}{-9}\qh0{!''DB`G}\tqh0{D}\relax -|\ibbu0{!''N}{-9}\qh0{!''N`db}\tqh0{N}\enotes -%\check -\temps\notes\raise -1.5\Interligne\rlap -{\sk\sk\DEP}\ibbu0{!'B}{-9}\qh0{!'B`GD}\tqh0{B}\relax -|\ibbu0{!'N}{-9}\qh0{!'N`db}\tqh0{N}\enotes -% mesure 95 -\def\atnextline{\autolines{25}1{\testpgs}}\relax -\barre\supafalse\normalnotesize -\notes\rlap{\qsk\whp{!`G}}\llap{\LPED\off{0.5\noteskip}}\smallnotesize -\Ibbu0{!`G}{!G}3\qh0{!`G!=BE}\tqh0{G}\relax -|\zwp{N}\bigna b\zwp{b}\zwp{e}\relax -\usf{!'N}\whp{!'N}\smallnotesize\Ibbu0{!N}{!e}2\qh0{!Nb}\tqh0{e}\enotes -%\check -\smallnotesize\temps\notes -\Ibbu0{!'B}{!''B}3\qh0{!'=BEG}\tqh0{!''=B}\relax -|\Ibbu0{!'N}{!'e}3\qh0{!'N}\qh0{N}\qh0{=b}\tqh0{e}\enotes -%\check -\temps\notes -|\rlap{\Ibbl0{!''E}{!'''E}3\qb0{!''EG}\qb0{!'''=B}\tqb0{E}}\relax -\Ibbu0{!''N}{!''e}3\qh0{!''NN=b}\tbu0\qh0{e}\enotes -%\check -\temps\notes|\rlap{\Ibbl0{!'''G}{!''G}3\qb0{!'''GEB}\tqb0{!''G}}\relax -\Ibbu0{!'''N}{!''N}3\qh0{!'''N`eb}\tqh0{N}\enotes -%\check -\temps\notes\Ibbu0{!''E}{!'E}3\qh0{!''EB`G}\tqh0{E}|\relax -\Ibbu0{!''N}{!'N}3\qh0{!''N`eb}\tqh0{N}\enotes -%\check -\temps\notes\raise -1.5\Interligne\rlap -{\sk\sk\DEP}\Ibbu0{!'B}{!B}3\qh0{!'B`GE}\tqh0{B}\relax -|\Ibbu0{!'N}{!N}3\qh0{!'N`eb}\tqh0{N}\enotes -% mesure 96 -\def\atnextline{\autolines{23}2{\testpgs}}\relax -\barre\znotes\zcharnote{e}{\rlap{\DIMin}\kern 12\elemskip\DIMin}\enotes\relax -\Accord CEGJNce\relax -\temps\notes|\qsk\octfin{22}{12}\rlap{\qqbbl9gjln}\qqbbu8nnqs\enotes -\temps\notes|\rlap{\qqbbl{-9}qnlj}\qqbbu{-9}usqn\enotes -\temps\notes|\rlap{\qqbbl{-9}gecN}\qqbbu{-9}nljg\enotes -% mesure 97 -\barre\notes\qqbbu{-9}ecNL|\qqbbu{-9}nljg\enotes -\temps\notes\qqbbu{-9}cNLJ|\qqbbu{-9}ljge\enotes -\temps\notes\qqbbu{-9}NLJG|\zcharnote{a}{\DIMin}\qqbbu{-9}jgec\enotes -\temps\notes\qqbbu{-9}LJGE|\qqbbu{-9}gecN\enotes -\temps\notes\qqbbu{-9}JGEC|\qqbbu{-9}ecNL\enotes -\normalnotesize -\temps\notes\pointdorgue N\itenu0{!`C}\transpose=0\relax\boqu C\DEP\qsk - |\pointdorgue m\qu J\enotes -\suspmorceau -% mesure 98 -\def\interfacteur{9}\computewidths -\preprmorceau\normalnotesize\autolines{18}36\relax -\Notes\tten0\zmidtwotext{\ppff mf}\qqbH9C{!`C}{!C}GJ|\uptext{\it - espressivo}\enotes -\temps\Notes\qqbH9MLNce\enotes -\temps\Notes|\ibu0j5\qh0g\lsf j\qh0j\lsf l\qh0l\lsf m\tqh0m\enotes -% mesure 99 -\barre\Notes\qqbH9E{!`E}{!E}IL|\Ilegu2q\usf n\whp n\enotes -\temps\Notes|\qqbl9Nbeg\enotes -\temps\Notes|\qqbl7ilmn\enotes -% mesure 100 -\deuxtemps -\changecontext\Notes\qqbH9I{!`I}{!I}KM|\hl m\enotes -\temps\Notes\qqbl8N{=b}df|\hl n\enotes -% mesure 101 -\barre\autolines{14}46\relax -\Notes\qqbl{-9}gecN|\zcharnote s{\vrule width 0pt height 7pt}\hl l\enotes -\temps\Notes\qqbl6a{_b}df|\hl 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-\barre\notes\LPED\qsoupir -\cinqx a{\transpose=-7\qqbbH9JCJMa}|\Sfwu c\enotes -\temps\notes\qqbbl9JMac\enotes -\motif jhfc\relax -% mesure 144 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}K}|\Sfwu N\enotes -\temps\notes\qqbbl9G{=I}KN\enotes -\motif gd{=b}N\relax -% mesure 145 -\barre\notes\LPED\qsoupir -{\transpose=-7\tqbbH9JG{=I}L}|\Sfwu N\enotes -\temps\notes\qqbbl9G{=I}LN\enotes -\motif ge{=b}N\relax -% mesure 146 -\barre\notes\LPED\qsoupir{\transpose=-7\tqbbH9JCJL}|\itenl0N\itenu1g\Sfwu N\enotes -\temps\notes\qqbbl9GJLN\enotes -\zbarre\notes|\qqbbl9cegj\enotes -\temps\notes|\qqbbl{4}lnus\enotes -% mesure 147 -\troistemps\changecontext\notes|\tten0\tten1\zw g\zw N\qqbbH{-9}oqnlj\enotes -\temps\notes|\qqbbH0ngnlj\enotes -\temps\notes|\qqbbu{-9}gecN\enotes -\zbarre\notes\transpose=-7\relax\qqbbu{-9}gecN\enotes -\temps\notes\qu C\DEP\soupir\qsk|\qsk\hpause\enotes -% -% mesure 148 -\deuxtemps\pchangecontext\autolines{16}36\notes\LPED\qsoupir -\zmidtwotext{\ppff p}\Tqbbh 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-\temps\notes|\Qqbbu ljge\enotes -% -% mesure 153 -\barre\notes|\tten1\pt g\zhl g\Qqbbu jgec\enotes -\temps\notes|\Qqbbu gecN\enotes -\temps\notes\Qqbbu ecNL\enotes -\temps\notes\cu J\DEP\dsoupir|\soupir\enotes -% -% mesure 154 -\barre\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes -\temps\notes\cu N|\sk\transpose=7\Tqbbu JLN\enotes -\temps\notes|\transpose=7\Qqbbu cNLJ\enotes -\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes -% -% mesure 155 -\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh h\enotes -\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes -\temps\notes|\transpose=7\Qqbbu caMJ\enotes -\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes -% -% mesure 156 -\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh j\enotes -\temps\notes\cu a|\sk\transpose=7\Tqbbu JMa\enotes -\temps\notes|\transpose=7\Qqbbu caMJ\enotes -\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes -% -% mesure 157 -\barre\notes\LPED\qsoupir\Tqbbh CJM|\qsk\wh k\enotes -\temps\notes\cu a|\sk\transpose=7\Tqbbu KMa\enotes -\temps\notes|\transpose=7\Qqbbu daMK\enotes -\temps\Notes\sk\DEP|\transpose=7\cu H\dsoupir\enotes -% -% mesure 158 -\barre\notes\LPED\qsoupir\Tqbbh{!`C}{!C}E|\qsk\itenu1l\wh l\enotes -\temps\notes\Qqbbu GJLN\enotes -\temps\notes|\Qqbbu cegj\enotes -\temps\notes|\Qqbbu ljge\enotes -% -% mesure 159 -\barre\notes|\tten1\pt l\zhl l\Qqbbu jgec\enotes -\temps\notes|\Qqbbu gecN\enotes -\temps\notes\Qqbbu ecNL\enotes -\temps\notes\cu J\DEP\dsoupir|\soupir\enotes -% -% mesure 160 -\troistemps\changecontext\autolines{22}26\relax -\notes\LPED\qsoupir\Tqbbh CJM|\qsk\hl k\enotes -\temps\notes\cu a\sk\DEP|\sk\transpose=7\Tqbbu JMa\enotes -\temps\notes\LPED\qsoupir\Tqbbh CJN|\qsk\hl l\enotes -\temps\notes\bigna b\cu b\sk\DEP|\sk\transpose=7\bigaccid\Tqbbu LN{=b}\enotes -\temps\notes\LPED\qsoupir\Tqbbh CJL|\qsk\hl j\enotes -\temps\notes\bigsh M\cu M\sk\DEP|\sk\Tqbbu ace\enotes -% -% mesure 161 -\deuxtemps\changecontext -\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes -\temps\notes\cu N|\sk\transpose=7\Tqbbh JLN\enotes -\temps\notes|\transpose=7\qqbbh{-9}cNLJ\enotes -\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes -% mesure 162 -\barre\autolines{16}36\notes\LPED\qsoupir\Tqbbh CJL|\qsk\wh g\enotes -\temps\notes\cu N|\sk\transpose=7\bigna I\Tqbbh {I}LN\enotes -\temps\notes|\transpose=7\bigaccid\qqbbh{-9}{=b}NLI\enotes -\temps\Notes\sk\DEP|\transpose=7\cu G\dsoupir\enotes -% -% mesure 163 -\barre\notes\LPED\qsoupir\cinqx b\qqbbH9C{!`C}{!C}EG|\qsk\itenu1g\wh g\enotes -\temps\notes\qqbbH9LJLNc\enotes -\temps\notes\qqbbh{-9}ecNL\enotes -\temps\notes\qqbbh{-9}cNLJ\enotes -% -% mesure 164 -\barre\notes\qqbbh{-9}NLJG|\tten1\hup g\enotes -\temps\notes\qqbbh{-9}LJGE\enotes -\temps\Notes\qu C\DEP\enotes -\temps\Notes\soupir|\soupir\enotes -% -% mesure 165 -\suspmorceau -\def\interfacteur{10}\computewidths -\preprmorceau\autolines{14}46\relax -\notes\LPED\uptext{\it pi\`u dolce}\wh N|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes\sk\DEP|\tqbH6ljnl\enotes -% mesure 166 -\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes -\temps\notes|\tqbH6echf\enotes -\temps\notes|\Tqbh jhm\enotes -\temps\notes\sk\DEP|\tqbH6ljom\enotes -% mesure 167 -\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes -\temps\notes|\tqbH6gfjh\enotes -\temps\notes|\Tqbh mjo\enotes -\temps\notes\sk\DEP|\tqbH6pmqo\enotes -% mesure 168 -\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes -\temps\notes|\tqbH6gfkh\enotes -\temps\notes|\Tqbh mko\enotes -\temps\notes\sk\DEP|\tqbH6pmro\enotes -% mesure 169 -\barre\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes|\Tqbh jnl\enotes -% mesure 170 -\barre\notes\tten0\hlp N|\tqbL6nqns\enotes -\temps\notes|\Tqbl qus\enotes -\temps\notes\sk\DEP|\Tqbl qsq\enotes -\temps\notes\soupir|\Tqbl nlj\enotes -% mesure 171 -\barre\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes\sk\DEP|\tqbH6ljnl\enotes -% mesure 172 -\barre\notes\LPED\wh a|\dsoupir\dqbh af\enotes -\temps\notes|\tqbH6echf\enotes -\temps\notes|\Tqbh jhm\enotes -\temps\notes\sk\DEP|\tqbH6ljom\enotes -% mesure 173 -\barre\notes\LPED\wh c|\dsoupir\dqbh ch\enotes -\temps\notes|\tqbH6gfjh\enotes -\temps\notes|\Tqbh mjo\enotes -\temps\notes\sk\DEP|\tqbH6pmqo\enotes -% mesure 174 -\barre\notes\LPED\wh d|\dsoupir\dqbh dh\enotes -\temps\notes|\tqbH6gfkh\enotes -\temps\notes|\Tqbh mko\enotes -\temps\notes\sk\DEP|\tqbH6pmro\enotes -% mesure 175 -\barre\notes\LPED\itenl0e\wh e|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes|\tqbH6ljnl\enotes -% mesure 176 -\barre\notes\tten0\wh e|\tqbL5nqns\enotes -\temps\notes|\Tqbl qus\enotes -\temps\notes|\Tqbl qsq\enotes -\temps\notes\sk\DEP|\Tqbl nlj\enotes -% mesure 177 -\troistemps\changecontext\autolines{15}36\relax -\addspace{-0.3\elemskip}\relax -\notes\LPED\hl d|\dsoupir\dqbh dh\enotes -\temps\notes\sk\DEP|\tqbH5ifkh\enotes -\temps\notes\LPED\hl e|\dsoupir\dqbh cg\enotes -\temps\notes\sk\DEP|\tqbH5ie{=i}g\enotes -\temps\notes\LPED\hl c|\dsoupir\dqbh ch\enotes -\temps\notes\sk\DEP|\tqbH5h{^f}jh\enotes -% mesure 178 -\deuxtemps\changecontext \addspace{-0.5\elemskip}\relax -\notes\LPED\wh N|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes\sk\DEP|\tqbH6ljnl\enotes -% mesure 179 -\barre\notes\LPED\wh N|\dsoupir\dqbh Nd\enotes -\temps\notes|\tqbH6e{=b}gd\enotes -\temps\notes|\Tqbh {=i}gk\enotes -\temps\notes\sk\DEP|\tqbH6link\enotes -% mesure 180 -\alaligne\autolines{15}46\relax -\notes\LPED\itenu0N\wh N|\dsoupir\dqbh Ne\enotes -\temps\notes|\tqbH6ecge\enotes -\temps\notes|\Tqbh jgl\enotes -\temps\notes|\tqbH6ljnl\enotes -% mesure 181 -\barre\notes\pointdorgue b\tten0\wh N|\tqbL6nqns\enotes -\temps\notes|\Tqbl qsq\enotes -\temps\notes|\tqbL0lnln\enotes -\temps\notes\sk\DEP|\pointdorgue m\ql j\sk\enotes -% mesure 182 -\barre\autolines{12}66\relax -\notes\zcharnote c{\ppff pp}\bassC|\hu N\enotes -\temps\notes\bassC|\hu a\enotes -% mesure 183 -\barre\notes\bassC|\hu c\enotes -\temps\notes\bassC|\hu d\enotes -% mesure 184 -\troistemps\changecontext -\notes\LPED\soupir|\wh N\enotes -\temps\notes\BassC\sk\soupir\enotes -\temps\notes\hpause\sk|\hpause\enotes -% mesure 185 -\deuxtemps\changecontext\notes\bassC|\hu N\enotes -\temps\notes\bassC|\hu a\enotes -% mesure 186 -\alaligne\autolines{11}66\relax -\notes\bassC|\hu c\enotes -\temps\notes\bassC|\hu d\enotes -% mesure 187 -\barre\notes\LPED\soupir|\wh E\enotes -\temps\notes\BassC\enotes -\temps\notes\soupir\enotes -% mesure 188 -\troistemps\changecontext\notes\bassC|\hu d\enotes -\temps\notes\bassC|\hu e\enotes -\temps\notes\bassC|\hu c\enotes -% mesure 189 -\deuxtemps\changecontext \addspace{-0.3\elemskip}\relax -\notes\LPED\soupir|\Uptext{\it senza rallentare}\wh N\enotes -\temps\notes\BassG|\enotes -\temps\notes\soupir|\enotes -% mesure 190 -\barre\notes\LPED\soupir|\wh N\enotes -\temps\notes\zmidtwotext{\DImin}\BassG\enotes -\temps\notes\soupir|\enotes -% mesure 191 -\barre\notes\LPED\soupir|\wh N\enotes -\temps\notes\BassC\enotes -\temps\notes\soupir|\enotes -% -\finmorceau \rightline{\sl \aujourdhui}\eject -\endinput - - - - - - diff --git a/Master/texmf-dist/doc/generic/musictex/choral.tex b/Master/texmf-dist/doc/generic/musictex/choral.tex deleted file mode 100644 index 7ebb61f5f07..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/choral.tex +++ /dev/null @@ -1,900 +0,0 @@ -\title{Choral vari\'e} -\fulltitle{IV. \titremorceau} -\csname titremorceautoc\endcsname -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle - -\parindent 18mm -% -\bigskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % un dieze a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.--Pos}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm Pos.: 8'+4' ou 8'+4'+2' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}% -\smallskip -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -% -\catcodesmusic\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -% -\debutmorceau -% -\autolines 775\relax -%\check -% -\hyphenpenalty -50\relax -\znotes&|\uptext{\raise 1.5\Interligne - \hbox{\kern -10mm\moyen Andante \bf(\metron{\qu}{65})}}\enotes -% -%\advance\barsinline by 1\relax -\advance\linesinpage by 1\relax -% -% mesure 1 -\nspace -\NOtes\hu G&\zh N\hl b|\rlap{\qsk\itenl0c\hlp d}\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes -%\check -% mesure 2 -\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes -\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes -\temps\Notes\qu G&\ql N|\zql g\qu i\enotes -\resp -%\check -% mesure 3 -\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes -\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes -\temps\NOtes\qu D&|\qu k\enotes -%\check -% mesure 4 -\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\Notes\qu I&|\qu g\enotes -\def\atnextline{\autolines775}\resp -% mesure 5 -\barre\NOtes\qu J&\zql c\qu e|\qu g\enotes -\temps\NOtes\qu I&\zql b\hu d|\zq g\qu i\enotes -\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes -% mesure 6 -\barre\NOtes\hu G&\hlp b|\zqu k\zhp g\hlp i\enotes -\temps\NOtes&|\qu k\enotes -\temps\NOtes\qu{=F}&|\qu k\enotes -%\check -% mesure 7 -\barre\NOtes\qu E&\hlp b|\zhp{^g}\zhl i\qup l\enotes -\temps\notes\qu{^G}&|\enotes -\temps\notes&|\cu k\enotes -\temps\notes\qu E&|\dqh{-2}ji\enotes -%\check -% mesure 8 -\barre\NOtes\qu H&\hlp a|\zhu j\zh c\hl e\enotes -\temps\NOtes\qu{^G}&|\enotes -\temps\NOtes\qu{=G}&|\soupir\enotes -% mesure 9 -\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes -\temps\NOtes\qu E&|\qu j\enotes -\temps\NOtes\qu F&|\qu k\enotes -% mesure 10 -\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\Notes\qu I&|\qu g\enotes -\resp -% mesure 11 -\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes -\temps\notes\qu I&\zq b\qu d|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu J&\zq c\qu e|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -\advance\barsinline by -1\relax -\def\atnextline{\autolines675}% -% mesure 12 -\barre\NOTes\hu K&\zhp a\hlp d|\zhp f\hup h\enotes -\temps\NOtes\qu D&|\enotes -% mesure 13 -\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% -% mesure 14 -\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes -\temps\NOtes\qu G&|\qu k\enotes -\temps\NOtes\qu{=F}&|\qu k\enotes -%\check -% mesure 15 -\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes -\temps\notes\qu{^G}&|\enotes -\temps\notes&|\cu k\enotes -\temps\notes\qu E&|\dqh{-2}ji\enotes -%\check -% mesure 16 -\barre\NOtes\qu H&\itenu1a\hlp a|\zhp e\itenl0h\rlap{\hlp h}\qu j\enotes -\temps\NOtes\qu G&|\qu j\enotes -\temps\NOtes\qu{^F}&|\qu j\enotes -%\check -% mesure 17 -\barre\NOtes\qu D&\tten1\hlp a|\tten0\zhp f\zhl h\qup k\enotes -\temps\notes\qu E&|\enotes -\temps\notes&|\cu j\enotes -\temps\notes\qu F&|\dqh{-2}ih\enotes -%\check -% mesure 18 -\barre\NOtes\qu G&\zh b\hl d|\zhl g\hu i\enotes -\temps\NOtes\qu K&|\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 19 -\barre\NOtes\hu I&\itenl0N\zhp N\hlp b|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu G&|\qu f\enotes -% mesure 20 -\barre\NOtes\qu J&\tten0\zhp N\hlp c|\hu e\enotes -\temps\notes\qu I&|\sk\sk\enotes -\temps\NOtes\qu J&|\qu e\enotes -% mesure 21 -\barre\NOtes\qu H&\itenl0a\zhp a\hlp c|\qu e\enotes -\temps\NOtes\qu I&|\qu h\enotes -\temps\NOtes\qu J&|\qu g\enotes -% mesure 22 -\barre\NOtes\qu K&\tten0\itenl0a\zhp a\hlp d|\hu f\enotes -\temps\NOtes\qu J&|\enotes -\temps\NOtes\qu K&|\qu f\enotes -% mesure 23 -\barre\NOtes\qu H&\tten0\zqu c\hlp a|\qu f\enotes -\temps\NOtes\qu K&\qu d|\qu i\enotes -\temps\NOtes\qu J&\ql M|\qu h\enotes -% mesure 24 -\barre\NOtes\qu I&\ql b|\zhl e\qup g\enotes -\temps\notes\qu J&\zhl a\qu c|\sk\cu h\enotes -\temps\NOtes\qu K&\qu d|\qu f\enotes -% mesure 25 -\barre\NOTes\hu G&\zhl b\hl d|\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% -% mesure 26 -\barre\NOtes\hu L&\zhp b\itenu0e\hlp e|\itenl1g\zqu i\hlp g\enotes -\temps\NOtes&|\qu i\enotes -\temps\NOtes\qu K&|\qu i\enotes -% mesure 27 -\barre\NOtes\qu J&\zhp c\tten0\hlp e|\tten1\zhl g\qup l\enotes -\temps\notes\qu E&|\sk\cu k\enotes -\temps\notes\qu{^G}&|\zql{^g}\dqh{-2}ji\enotes -% mesure 28 -\barre\NOtes\hu H&\itenu0a\hlp a|\zqu j\zhp e\hlp h\enotes -\temps\NOtes&|\qu j\enotes -\temps\NOtes\qu G&|\qu j\enotes -% mesure 29 -\barre\notes\qu F&\tten0\zhp a|\rlap{\zhp d\hlp f}\dqh{-2}kj\enotes -\temps\notes\qu D&|\dqh{2}kl\enotes -\temps\notes\qu F&|\dqh2jk\enotes -% mesure 30 -\barre\NOtes\qu G&\zhp b|\zhp d\rlap{\hlp g}\hu i\enotes -\temps\NOtes\qu H&|\enotes -\temps\NOtes\qu I&|\raise 2\Interligne\soupir\enotes -% mesure 31 -\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes -% mesure 32 -\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes -\temps\notes&|\sk\cu e\enotes -\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes -% mesure 33 -\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes -\temps\NOtes\qu J&\hu c|\qu e\enotes -\temps\NOtes\qu H&\ql a|\qu f\enotes -% mesure 34 -\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes -\temps\notes\qu J&\zq e\ql c|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu I&\zq d\ql b|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -% mesure 35 -\barre\NOtes\qu H&\zq e\zqu c\hlp a|\zcharnote q{\Trille - {5\elemskip}}\hu h\enotes -\temps\NOtes\qu K&\zh d\hu f\enotes -\temps\NOtes\qu D&|\qu h\enotes -% mesure 36 -\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\Suspmorceau -% -% -\csname ORchoralb\endcsname -\troistemps \autolines 755\relax -\cleftoksii={{0}{0}{0}{0}}% -\def\instrumenti{P\'ed. 8'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{Positif}}}% -\debutmorceau\notes&\zmidtwotext{claviers s\'epar\'es}|\Uptext{\moyen Stesso tempo}\enotes -% mesure 37 -\def\atnextline{\autolines655}% -\notes\hu G&\dqh3bc|\qu d\enotes -\temps\notes&\dqh5dg|\qu g\enotes -\temps\notes\qu H&\dqh{-3}fe|\qu f\enotes -%\check -% mesure 38 -\barre\notes\qu I&\dqh7dg|\qup g\enotes -\temps\notes\qu H&\dqh3ef|\sk\cu h\enotes -\temps\notes\qu G&\dqh3gi|\qu i\enotes -%\check -% mesure 39 -\barre\notes\qu E&\dqh{-5}he|\qu j\enotes -\temps\notes\qu F&\dqh3fg|\qu j\enotes -\temps\notes\qu D&\dqh3hi|\qu k\enotes -%\check -% mesure 40 -\barre\notes\qu G&\dqh3gh|\qup i\enotes -\temps\notes\qu H&\dqh3ij|\sk\cu h\enotes -\temps\notes\qu I&\dqh3kl|\qu g\enotes -% mesure 41 -\barre\notes\qu J&\dqh{-3}jh|\qu g\enotes -\temps\notes\qu I&\dqh{-3}gf|\qu i\enotes -\temps\notes\qu H&\dqh{-5}ec|\qu j\enotes -% mesure 42 -\bigaccid -\barre\notes\qu G&\dqh5bd|\qu k\enotes -\temps\notes\qu I&\dqh3gh|\qu k\enotes -\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes -%\check -% mesure 43 -\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes -\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes -\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes -%\check -% mesure 44 -\barre\notes\qu H&\dqh{-3}ji|\hu h\enotes -\temps\notes\qu J&\dqh{-3}h{=g}|\enotes -\temps\notes\qu H&\dqh3fg|\soupir\enotes -% mesure 45 -\barre\notes\qu F&\dqh{-3}hg|\qu j\enotes -\temps\notes\qu D&\dqh5fh|\qu j\enotes -\temps\notes\qu F&\dqh3ij|\qu k\enotes -%\check -% mesure 46 -\barre\notes\qu G&\dqh3kl|\qup i\enotes -\temps\notes\qu H&\dqh{-3}kj|\sk\cu h\enotes -\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes -% mesure 47 -\barre\notes\qu J&\dqh3ef|\qu g\enotes -\temps\notes\qu I&\dqh{-5}db|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu J&\dqh5ce|\trioskip\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -% mesure 48 -\barre\notes\hu K&\dqh3fg|\hup h\enotes -\temps\notes&\dqh{-5}hf|\enotes -\temps\notes\qu D&\dqh{-3}dc|\enotes -% mesure 49 -\barre\notes\hu G&\dqh5bd|\hu g\enotes -\temps\notes&\dqh3ef|\enotes -\temps\notes\soupir&\dqh3gh|\soupir\enotes -% -% mesure 50 -\barre\notes\qu G&\dqh3ij|\qu k\enotes -\temps\notes\qu I&\dqh{-3}kj|\qu k\enotes -\temps\notes\qu{=F}&\dqh{-3}ih|\qu k\enotes -%\check -% mesure 51 -\barre\notes\qu E&\dqh5{^g}i|\qup l\enotes -\temps\notes\qu{^G}&\dqh5k{=m}|\sk\cu k\enotes -\temps\notes\qu E&\dqh{-3}lk|\dqh{-2}ji\enotes -%\check -% mesure 52 -\barre\notes\qu H&\dqh3jk|\qu j\enotes -\temps\notes\qu G&\dqh{-3}lk|\qu j\enotes -\temps\notes\qu{^F}&\dqh{-5}jh|\qu j\enotes -%\check -% mesure 53 -\barre\notes\qu D&\dqh{-3}ih|\qup k\enotes -\temps\notes\qu E&\dqh{-5}{=g}e|\sk\cu j\enotes -\temps\notes\qu F&\dqh{-3}dc|\dqh{-2}ih\enotes -%\check -% mesure 54 -\barre\notes\qu G&\dqh3bc|\hu i\enotes -\temps\notes\qu K&\dqh5de|\enotes -\temps\notes\qu J&\dqh{-5}fd|\soupir\enotes -%\check -% mesure 55 -\barre\notes\qu I&\dqh5gi|\qu d\enotes -\temps\notes\qu G&\dqh{-3}kj|\qu g\enotes -\temps\notes\qu I&\dqh{-3}ih|\qu f\enotes -% mesure 56 -\barre\notes\qu J&\dqh7gj|\hu e\enotes -\temps\notes\qu I&\dqh{-3}lk|\enotes -\temps\notes\qu J&\dqh{-3}ji|\qu e\enotes -% mesure 57 -\barre\notes\qu H&\dqh{-5}hf|\qu e\enotes -\temps\notes\qu J&\dqh{-3}ed|\qu h\enotes -\temps\notes\qu L&\dqh5ce|\qu g\enotes -% mesure 58 -\barre\notes\qu K&\dqh5fh|\hu f\enotes -\temps\notes\qu J&\dqh{-3}fe|\enotes -\temps\notes\qu K&\dqh{-3}dc|\qu f\enotes -% mesure 59 -\barre\notes\qu{^K}&\dqh5b{^d}|\qu f\enotes -\temps\notes\qu{^J}&\dqh5fh|\qu i\enotes -\temps\notes\qu K&\dqh{-3}gf|\qu h\enotes -% mesure 60 -\barre\notes\qu L&\dqh{-3}ed|\qup g\enotes -\temps\notes\qu{=J}&\dqh{-5}ca|\sk\cu h\enotes -\temps\notes\qu{=K}&\dqh3bc|\qu f\enotes -% mesure 61 -\barre\notes\hu G&\qup b\sk|\hu g\enotes -\temps\notes&\sk\cl j|\enotes -\temps\notes\soupir&\dqb{-3}ih|\soupir\enotes -% -% mesure 62 -\barre\notes\hu L&\dqh{-3}gf|\qu i\enotes -\temps\notes&\dqh3gh|\qu i\enotes -\temps\notes\qu K&\dqh{-3}g{=f}|\qu i\enotes -% mesure 63 -\barre\notes\qu J&\dqh5eg|\qup l\enotes -\temps\notes\qu E&\dqh{-6}i{=f}|\sk\cu k\enotes -\temps\notes\qu{^G}&\dqh{-3}ed|\dqh{-2}ji\enotes -% mesure 64 -\barre\notes\hu H&\dqh3e{^f}|\qu j\enotes -\temps\notes&\dqh7eh|\qu j\enotes -\temps\notes\qu G&\dqh{-3}ji|\qu j\enotes -%\check -% mesure 65 -\barre\notes\qu F&\dqh{-2}hg|\dqh{-2}kj\enotes -\temps\notes\qu D&\dqh{-2}fe|\dqh3kl\enotes -\temps\notes\qu F&\dqh5fh|\dqh2jk\enotes -% mesure 66 -\barre\notes\qu G&\dqh3de|\hu i\enotes -\temps\notes\qu H&\dqh5fh|\enotes -\temps\notes\qu I&\dqh{-3}g{=f}|\soupir\enotes -\def\atnextline{\autolines665\elemskip=1.03\elemskip}% -% mesure 67 -%\check -\barre\notes\hu J&\dqh5eg|\qu g\enotes -\temps\notes&\dqh{-3}ji|\qu g\enotes -\temps\notes\qu H&\dqh{-3}hg|\qu f\enotes -% mesure 68 -\barre\notes\hu K&\dqh{-7}he|\qup f\enotes -\temps\notes&\dqh{-3}dc|\sk\cu e\enotes -\temps\notes\qu J&\dqh{-3}ba|\qu d\enotes -%\check -% mesure 69 -\barre\notes\qu I&\dqh{-3}NM|\qu d\enotes -\temps\notes\qu J&\dqh5Nb|\qu e\enotes -\temps\notes\qu H&\dqh3cd|\qu f\enotes -% mesure 70 -\barre\notes\qu I&\dqh5bd|\qu g\enotes -\temps\notes\hu J&\dqh{-5}ec|\trioskip\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes&\dqh3de|\trioskip\ibu0g7\qhp0g\sk\tbbu0\tqh0j\enotes -%\check -% mesure 71 -% -\barre\notes\hu K&\dqh3fg|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes -\temps\notes&\dqh{-5}hf|\enotes -\temps\notes\qu D&\dqh{-3}dc|\enotes -% mesure 72 -\barre\NOTes\hu G&\hu b|\hu g\enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -\Suspmorceau -% -%\check -\csname ORchoralc\endcsname -\def\instrumentii{G.O.-Pos.} -\cleftoksii={{6}{0}{0}{0}} -\def\instrumenti{\vbox{\hsize=\parindent - \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}} -\debutmorceau -\autolines 795\relax -% -% mesure 1 -\znotes&|\Uptext{\moyen Stesso tempo}\enotes -\relax\NOtes\hu G&\zh N\hl b\relax - |\zqu d\qsk\itenl0c\hlp d\enotes -\def\atnextline{\autolines 695}\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes -%\check -% mesure 2 -\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes -\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes -\temps\Notes\qu G&\ql N|\zql g\qu i\enotes -\resp -%\check -% mesure 3 -\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes -\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes -\temps\NOtes\qu D&|\qu k\enotes -%\check -% mesure 4 -\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\Notes\qu I&|\qu g\enotes -\resp -% mesure 5 -\barre\NOtes\qu J&\ql c|\zql e\qu g\enotes -\temps\NOtes\qu I&\ql b|\zhl d\zq g\qu i\enotes -\temps\NOtes\qu H&\ql a|\zq f\qu j\enotes -% mesure 6 -\barre\NOtes\qu G&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes -\temps\NOtes\qu{^F}&|\qu k\enotes -\temps\NOtes\qu{=F}&|\qu k\enotes -%\check -% mesure 7 -\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes -\temps\notes\qu{^F}&|\enotes -\temps\notes&|\cu k\enotes -\temps\notes\qu{^G}&|\dqh{-2}ji\enotes -%\check -% mesure 8 -\barre\NOtes\qu{H}&\hlp{a}|\zhu h\zhp{^c}\hlp e\enotes -\temps\NOtes\qu{^G}&|\enotes -\temps\NOtes\qu{=G}&|\soupir\enotes -% mesure 9 -\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes -\temps\NOtes\qu E&|\qu j\enotes -\temps\NOtes\qu F&|\qu k\enotes -% mesure 10 -\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\Notes\qu I&|\qu g\enotes -\resp -% mesure 11 -\barre\NOtes\qu J&\hlp N|\zq c\zql e\qu g\enotes -\temps\notes\qu I&|\trioskip\zq b\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu J&|\trioskip\zq c\zql e\ibu0g2\qhp0g\sk\tbbu0\tqh0h\enotes -% mesure 12 -\barre\NOtes\qu K&\hl a|\rlap{\hlp d}\hu f\enotes -\temps\NOtes\qu J&|\enotes -\temps\NOtes\qu I&\ql b|\qu g\enotes -% mesure 13 -\barre\NOtes\hu H&\zh a\hl c|\zhl e\qu h\enotes -\temps\NOtes&|\qu h\enotes -\temps\NOtes\qu {^G}&\zq b\ql d|\zql{^g}\qu i\enotes -%\check -% mesure 14 -\barre\NOtes\qu H&\hlp a|\zh e\zhl h\qup j\enotes -\temps\notes\qu G&|\sk\cu i\enotes -\temps\notes\qu F&|\trioskip\zq d\zql f\ibu0j2\qhp0j\sk\tbbu0\tqh0k\enotes -% mesure 15 -\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\Notes\qu I&|\qu g\enotes -\resp -% mesure 16 -\barre\NOtes\qu L&\ql c|\zql e\qu g\enotes -\temps\notes\qu K&\ql b|\trioskip\zql d\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -% mesure 17 -\barre\Notes\qu K&\itenu0d\hlp d|\zhp f\hup h\enotes -\temps\Notes\qu J&|\enotes -\temps\Notes\qu K&|\enotes -% mesure 18 -\barre\NOtes\hu G&\tten0\zhl b\hl d|\hu g\enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -\Suspmorceau -% -% mesure 1 -%\check -\csname ORchorald\endcsname -\troistemps -\cleftoksii={{0}{0}{0}{0}} -\def\instrumenti{P\'ed. 8'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{Positif}}}% -\autolines 755\relax -\debutmorceau -\notes\qu E&\zmidtwotext{claviers s\'epar\'es}\dqh6be\relax - |\Uptext{\moyen Un poco pi\`u lento \bf(\metron{\qu}{60})}\qu e\enotes -\temps\notes\qu I&\dqh{-5}ge|\qu g\enotes -\temps\notes\qu {^K}&\dqh{-3}{^d}{^c}|\qu f\enotes -% mesure 2 -\barre\notes\qu L&\dqh5b{^d}|\qup g\enotes -\temps\notes\qu J&\dqh3ef|\sk\cu h\enotes -\temps\notes\qu I&\dqh5gi|\qu i\enotes -% mesure 3 -\barre\notes\qu H&\dqh{-5}hf|\qu j\enotes -\temps\notes\qu G&\dqh5eg|\qu j\enotes -\temps\notes\qu F&\dqh{-5}jh|\qu l\enotes -% mesure 4 -\barre\notes\qu G&\dqh{-3}ih|\qup k\enotes -\temps\notes\qu I&\dqh3gh|\sk\cu j\enotes -\temps\notes\qu{^K}&\dqh{-3}gf|\dqh{-3}ih\enotes -% mesure 5 -\barre\notes\qu L&\dqh{-5}ge|\hu i\enotes -\temps\notes\qu {=K}&\dqh{-5}{=f}d|\enotes -\temps\notes\qu J&\dqh3e{^f}|\qu g\enotes -% mesure 6 -\barre\autolines 665\notes\qu I&\dqh{-5}ge|\qu i\enotes -\temps\notes\qu H&\dqh5{=f}h|\qu k\enotes -\temps\notes\qu G&\dqh{-3}gf|\qu{=m}\enotes -% mesure 7 -\barre\notes\qu{^G}&\dqh5e{^g}|\qup l\enotes -\temps\notes\qu E&\dqh{-7}i{=f}|\sk\cu k\enotes -\temps\notes\qu G&\dqh{-3}ed|\dqh{-3}ji\enotes -% mesure 8 -\barre\notes\qu H&\dqh{-3}ed|\qu j\enotes -\temps\notes\qu J&\dqh3cd|\qu h\enotes -\temps\notes\qu H&\dqh5e{=g}|\dqh5jl\enotes -% mesure 9 -\barre\notes\qu K&\dqh{-5}h{^f}|\qup{^m}\enotes -\temps\notes\qu J&\dqh3ef|\sk\cu k\enotes -\temps\notes\qu I&\dqh3gh|\dqh{-3}lm\enotes -% mesure 10 -\barre\notes\qu L&\dqh{-3}ih|\dqb{-2}nm\enotes -\temps\notes\qu K&\dqh3ij|\dqb2no\enotes -\temps\notes\qu I&\dqh{-5}ki|\dqb{-5}pn\enotes -% mesure 11 -\barre\notes\qu H&\dqh{-3}hg|\dqb{-3}qp\enotes -\temps\notes\qu K&\dqh{-3}fe|\hl o\sk\enotes -\temps\notes\qu D&\dqh{-3}dc|\sk\sk\enotes -% mesure 12 -\barre\autolines675\elemskip=1.03\elemskip -\notes\hu E&\qup b|\qlp n\sk\enotes -\temps\notes&\dsoupir|\sk\cl p\enotes -\temps\notes\qu F&\qu{^c}|\dqb{-3}on\enotes -% mesure 13 -\barre\notes\qu I&\qu{^d}|\dqb{-3}ml\enotes -\temps\notes\qu J&\qu h|\dqb3mn\enotes -\temps\notes\qu I&\qu f|\dqb3op\enotes -%\check -% mesure 14 -\barre\notes\qu J&\qu g|\dqb3lm\enotes -\temps\notes\qu I&\dqh{-2}ed|\dqb3no\enotes -\temps\notes\qu G&\qu e|\dqb{-5}pn\enotes -%\check -% mesure 15 -\barre\notes\qu H&\qu c|\dqb{-3}qp\enotes -\temps\notes\qu J&\qu e|\dqb{-3}on\enotes -\temps\notes\qu{^K}&\qu h|\dqb{-3}ml\enotes -%\check -% mesure 16 -\barre\notes\hu I&\qu f|\dqb{-3}{^k}{^j}\enotes -\temps\notes&\qu g|\dqb{-5}ki\enotes -\temps\notes\qu J&\qu e|\dqb3no\enotes -%\check -% mesure 17 -\barre\NOtes\qu I&\qu{^d}|\nTrille p3\hl m\enotes -\temps\NOtes\qu J&\qu b|\sk\enotes -\temps\notes\qu I&\qu d|\dqb{-3}ml\enotes -%\check -% mesure 18 -\def\atnextline{\autolines665}% -\barre\Notes\hu E&\hu e|\hl l\sk \enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -%\check -% mesure 19 -\barre\notes\hu E&\dqh3Na|\qu b\enotes -\temps\notes&\dqh7be|\qu e\enotes -\temps\notes\qu F&\dqh5fh|\qu{^d}\enotes -%\check -% mesure 20 -\barre\notes\qu G&\dqh5gi|\qup e\enotes -\temps\notes\qu F&\dqh{-5}hf|\sk\cu f\enotes -\temps\notes\qu E&\dqh5eg|\qu g\enotes -%\check -% mesure 21 -\barre\notes\qu{^D}&\dqh{-3}fe|\qu h\enotes -\temps\notes\qu F&\dqh{-3}{^d}b|\qu h\enotes -\temps\notes\qu G&\dqh3{^c}d|\qu i\enotes -%\check -% mesure 22 -\barre\notes\qu E&\dqh5eg|\qup g\enotes -\temps\notes\qu F&\dqh5fh|\sk\cu f\enotes -\temps\notes\qu G&\dqh{-3}gf|\qu e\enotes -%\check -% mesure 23 -\barre\notes\qu J&\dqh3gh|\qu e\enotes -\temps\notes\qu I&\dqh{-5}ig|\qu g\enotes -\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes -%\check -% mesure 24 -\barre\notes\qu G&\dqh{-3}db|\qu i\enotes -\temps\notes\qu I&\dqh3ef|\qu i\enotes -\temps\notes\qu G&\dqh{-5}ge|\qu i\enotes -%\check -% mesure 25 -\barre\notes\qu F&\dqh{-3}hg|\qup j\enotes -\temps\notes\qu H&\dqh{-3}fe|\sk\cu i\enotes -\temps\notes\qu J&\dqh{-3}fe|\dqh{-3}hg\enotes -%\check -% mesure 26 -\barre\notes\hup K&\dqh3de|\hu f\enotes -\temps\notes&\dqh3fg|\enotes -\temps\notes&\dqh3hi|\soupir\enotes -% mesure 27 -\barre\notes\qu F&\dqh{-5}jh|\qu h\enotes -\temps\notes\qu H&\dqh{-3}fe|\qu h\enotes -\temps\notes\qu{^K}&\dqh3fg|\qu i\enotes -%\check -% mesure 28 -\barre\notes\qu L&\dqh3cd|\qup g\enotes -\temps\notes\qu I&\dqh3ef|\sk\cu f\enotes -\temps\notes\qu G&\dqh5gi|\qu e\enotes -%\check -% mesure 29 -\barre\notes\qu H&\dqh{-5}jh|\qu e\enotes -\temps\notes\qu I&\dqh{-3}gf|\trioskip\ibu0e{-2}\qhp0e\sk\tbbu0\tqh0{^d}\enotes -\temps\notes\qu J&\dqh{-5}ge|\trioskip\ibu0e5\qhp0e\sk\tbbu0\tqh0h\enotes -% mesure 30 -\barre\NOTes\hu I&\hu{^d}|\hu f\enotes -\temps\NOTes\soupir&\soupir|\soupir\enotes -\Suspmorceau -% -\csname ORchorale\endcsname -\cleftoksii={{6}{0}{0}{0}} -\def\instrumentii{G.O.-Pos.} -\cleftoksii={{6}{0}{0}{0}} -\def\instrumenti{\vbox{\hsize=\parindent - \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}} -\troistemps -\autolines 755\relax -\debutmorceau -% mesure 1 -%\check -\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Tempo primo (andante) -\bf(\metron{\qu}{65})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes -\def\atnextline{\elemskip=1.12\elemskip}% -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes -%\check -% mesure 2 -\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes -\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes -\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes -\resp -%\check -% mesure 3 -\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes -\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes -\temps\NOtes\qu D&|\qu k\enotes -%\check -% mesure 4 -\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\NOtes\qu I&|\qu g\enotes -\resp -% mesure 5 -\barre\NOtes\qu I&\itenu0b\hlp b|\zqu k\zhp g\hlp i\enotes -\temps\NOtes\qu G&|\qu k\enotes -\temps\NOtes\qu{=F}&|\qu k\enotes -%\check -% mesure 6 -\barre\NOtes\qu E&\tten0\hlp b|\zhp{^g}\zhl i\qup l\enotes -\temps\notes\qu{^G}&|\enotes -\temps\notes&|\cu k\enotes -\temps\notes\qu E&|\dqh{-2}ji\enotes -%\check -% mesure 7 -\barre\NOtes\qu H&\hlp a|\zhu j\zhp c\hlp e\enotes -\temps\NOtes\qu G&|\enotes -\temps\NOtes\qu H&|\soupir\enotes -% mesure 8 -\barre\NOtes\qu F&\itenu0d\hlp d|\zqu j\zhp f\hlp h\enotes -\temps\NOtes\qu E&|\qu j\enotes -\temps\NOtes\qu F&|\qu k\enotes -% mesure 9 -\barre\NOtes\qu G&\tten0\zhp b\hlp d|\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\NOtes\qu I&|\qu g\enotes -\resp -% mesure 10 -\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes -% mesure 11 -\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes -\temps\notes&|\sk\cu e\enotes -\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes -% mesure 12 -\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes -\temps\NOtes\qu J&\hu c|\qu e\enotes -\temps\NOtes\qu H&\ql a|\qu f\enotes -% mesure 13 -\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes -\temps\notes\qu J&\ql c|\trioskip\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu I&\ql b|\trioskip\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -% mesure 14 -\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {6\elemskip}}\hup h\enotes -\temps\NOtes\qu K&\zh f\hl d|\enotes -\temps\NOtes\qu D&|\enotes -% mesure 15 -\barre\NOTEs\hu G&\hl b|\zhl d\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\Suspmorceau \varaccid -\eject -% -\csname ORchoralf\endcsname -% mesure 1 -\def\instrumentii{\vbox{\hsize=\parindent\centerline{Cornet ou} -\centerline{G.O.(mix.)}\vskip 20pt - \centerline{Positif}\centerline{(mixtures)}}}% -\cleftoksii={{0}{0}{0}{0}}\linesinpage=0\relax\barsinline=0\relax -\def\instrumenti{\vbox{\hsize=\parindent - \centerline{P\'ed. 16'}\centerline{/G.O./Pos.}}} -\autolines {14}35\relax -%\check -\troistemps % \vskip -5mm -\debutmorceau\notes\hu G&\zh b\hu d|\Uptext{\moyen\kern -16mm - Allegro moderato \rm\metron{\qu}{80}}\qqbbh0gdef\enotes -\temps\notes&\qu g|\qqbbh4ghij\enotes -\temps\notes\qu H&\zq a\zq c\qu f|\qqbbl0klmk\enotes -%\check -% mesure 2 -\barre\notes\qu I&\zqp b\zqp d\pt g\qu g|\qqbbl{-5}nlkj\enotes -\temps\notes\qu H&\sk\sk\zq c\zq f\cu h|\qqbbh0ijhi\enotes -\temps\notes\qu G&\zq d\zq g\qu i|\qqbbH0ghig\enotes -%\check -% mesure 3 -\barre\notes\qu E&\zq e\zq h\qu j|\qqbbh0jihi\enotes -\temps\notes\qu F&\zh f\zhl h\qu j|\qqbbh4jklm\enotes -\temps\notes\qu D&\qu k|\qqbbH0kmkj\enotes -%\check -% mesure 4 -\autolines {12}35\relax -\barre\notes\qu G&\itenl2d\zhl d\zqp g\qup i|\ibbu0l0\qh0{inm}\tqh0l\enotes -\temps\notes\qu H&\sk\sk\cu h|\qqbbh{-4}kjih\enotes -\temps\notes\qu I&\tten2\zq b\zq d\qu g|\qqbbH0ghig\enotes -% mesure 5 -\barre\notes\qu J&\zq c\zq e\qu g|\qqbbH0jlkj\enotes -\temps\notes\qu I&\zhl d\zq g\qu i|\qqbbh3ijkl\enotes -\temps\notes\qu H&\zq f\qu j|\qqbbl0mnom\enotes -% mesure 6 -\barre\notes\qu G&\zhl g\zq i\qu k|\qqbbH0knml\enotes -\temps\notes\qu F&\zq i\qu k|\qqbbH0klkj\enotes -\temps\notes\qu{=F}&\na f\zq{fik}\rqu g|\qqbbh6ikl{=m}\enotes -%\check -% mesure 7 -\barre\notes\qu E&\zh {^g}\zhl i\qup l|\qqbbh{-2}l{=m}kl\enotes -\temps\notes\qu{^G}&\sk\sk\cu k|\qqbbh{-2}jkij\enotes -\temps\notes\qu H&\zq{eh}\qu j|\qqbbh{-2}high\enotes -%\check -% mesure 8 -\barre\notes\qu D&\zq f\zq h\qu j|\qqbbh3fghi\enotes -\temps\notes\qu E&\zq e\zq g\qu j|\qqbbh{-1}jghi\enotes -\temps\notes\qu{^F}&\zq d\zq f\qu k|\qqbbH0jlkj\enotes -% mesure 9 -\barre\notes\qu G&\itenl2g\zhl g\zqp i\qup k|\qqbbh4ijkl\enotes -\temps\notes\qu H&\sk\sk\cu j|\qqbbh{-4}kjih\enotes -\temps\NOTes\qu I&\tten2\zq d\zq g\qu i|\qu g\enotes -%\check -% mesure 10 -\barre\notes\qu J&\itenl2c\zq e\zqu g\zhl c|\qqbbh0jihi\enotes -\temps\notes\qu I&\zq e\qu g|\qqbbl6jkln\enotes -\temps\notes\qu H&\tten2\itenl1a\zq{ac}\qu f|\qqbbl{-6}qoml\enotes -%\check -% mesure 11 -\barre\notes\qu D&\itenl2a\zhl a\tten1\zqp d\qup f|\qqbbH0konm\enotes -\temps\notes\qu E&\sk\sk\cu e|\qqbbh{-4}lkji\enotes -\temps\notes\qu F&\tten2\zq{Ma}\qu d|\qqbbH0hjih\enotes -%\check -% mesure 12 -\barre\notes\qu G&\zhl N\zq b\qu d|\qqbbh4gijk\enotes -\temps\notes\qu J&\zq c\qu e|\qqbbl4lmno\enotes -\temps\notes\qu H&\zq{ac}\qu f|\qqbbl0mnom\enotes -% mesure 13 -\barre\notes\qu I&\zq d\zq b\qu g|\qqbbh{-4}kjih\enotes -\temps\notes\qu J&\zq c\zql e\ibu1g{-2}\qh1g\sk\tqh1f|\qqbbh0ghfg\enotes -\temps\notes\qu I&\zq b\zql d\ibu1g6\qh1g\sk\tqh1j|\qqbbH5dghi\enotes -% mesure 14 -\barre\notes\qu H&\zhl c\zhp f\hup h|\qqbbl0jklk\enotes -\temps\notes\qu I&|\qqbbh{-4}jihg\enotes -\temps\notes\qu J&\ql d|\qqbbh{-4}hg{^f}e\enotes -% mesure 15 -\barre\notes\qu I&\zq i\zqu k\hlp g|\qqbbH3dfgh\enotes -\temps\notes\qu G&\zq i\qu k|\qqbbh0ihij\enotes -\temps\notes\qu{=F}&\zq i\qu k|\qqbbh0kijk\enotes -% mesure 16 -\barre\notes\qu E&\bigaccid\zh{^g}\zhl i\qup l|\qqbbl0lklm\enotes -\temps\notes\bigaccid\qu{^G}&\sk\sk\cu k|\qqbbl{-2}lkji\enotes -\temps\notes\qu E&\bigaccid\zq e\zq{^g}\qu j|\qqbbH{-2}jihi\enotes -% mesure 17 -\barre\notes\qu H&\zhl e\pt e\zq h\qu j|\qqbbh{-3}jih{=g}\enotes -\temps\notes\bigna G\qu{G}&\zq h\qu j|\qqbbh{-3}jihg\enotes -\temps\notes\qu F&\zq h\qu j|\qqbbh0jhij\enotes -% mesure 18 -\barre\notes\qu D&\zh f\zhl h\qup k|\qqbbh{-2}khij\enotes -\temps\notes\qu E&\sk\sk\cu j|\qqbbl0kljk\enotes -\temps\notes\qu F&\zql d\ibu1i{-2}\zq g\qh1i\sk\zq f\tqh1h|\qqbbl3ijkl\enotes -% mesure 19 -\barre\notes\hu G&\zh d\zh g\hu i|\qqbbh{-4}kjih\enotes -\temps\notes&|\qqbbh0gdef\enotes -\temps\notes\soupir&\soupir|\qqbbh2gfgh\enotes -% -% mesure 20 -\barre\notes\hu G&\zh N\zhl b\qu d|\qqbbh0ifgh\enotes -\temps\notes&\qu g|\qqbbh3ijkl\enotes -\temps\notes\qu H&\zq{ac}\qu f|\qqbbl2mnon\enotes -% mesure 21 -\barre\notes\hu K&\itenl2a\zhl a\zqp d\qup f|\qqbbl{-3}mlkj\enotes -\temps\notes&\sk\sk\cu e|\qqbbh{-4}ihgf\enotes -\temps\notes\qu J&\tten2\zq M\zq a\qu d|\qqbbh{-4}gfed\enotes -% mesure 22 -\barre\elemskip=0.85\elemskip\notes\qu I&\zhl N\zq b\qu d|\qqbbh3defg\enotes -\temps\notes\qu J&\zhl c\qu e|\qqbbh4hijk\enotes -\temps\notes\qu H&\zq a\qu f|\qqbbh4l{^m}no\enotes -% mesure 23 -\advance\barsinline by -1\relax -\barre\notes\qu I&\zq b\zq d\qu g|\qqbbl3klmn\enotes -\temps\notes\qu J&\zq c\zql e\ibu0g{-2}\qh0g\sk\tqh0f|\qqbbh{-2}lmkj\enotes -\temps\notes\qu I&\zq b\zql d\ibu0g6\qh0g\sk\tqh0j|\qqbbH7imnq\enotes -% mesure 24 -\barre\notes\qu H&\zq c\zql e\hup h|\qqbbl{-6}onml\enotes -\temps\notes\qu K&\zh d\zhl f|\qqbbh{-2}khij\enotes -\temps\notes\qu D&|\qqbbH0kljk\enotes -% mesure 25 -\barre\NOTes\hu G&\zh b\zh d\hu g|\hu i\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\finmorceau -% mesure 161 -\def\instrumentii{Mix. \ppff ff} -\cleftoksii={{6}{0}{0}{0}} -\def\instrumenti{\vbox{\hsize=\parindent - \centerline{P\'ed. 16'}\smallskip\centerline{/G.O./Pos.}}} -\debutmorceau -\autolines 755\relax -\NOtes\hu G&\zh N\hl b|\Uptext{\moyen Maestoso \bf(\metron{\qu}{60})}\rlap{\qsk\itenl0c\hlp d}\qu d\enotes -\temps\NOtes&|\qu g\enotes -\def\atnextline{\autolines655}% -\temps\NOtes\qu H&\ql a|\zql c\qu f\enotes -%\check -% mesure 162 -\barre\NOtes\qu I&\qlp b|\tten0\pt d\zhl d\qup g\enotes -\temps\notes\qu H&\sk\cl a|\sk\cu h\enotes -\temps\NOtes\qu G&\ql N|\zql g\qu i\enotes -\resp -%\check -% mesure 163 -\barre\NOtes\qu E&\ql N|\zq e\zql g\qu j\enotes -\temps\NOtes\qu F&\hl a|\zh f\zhl h\qu j\enotes -\temps\NOtes\qu D&|\qu k\enotes -%\check -% mesure 164 -\barre\NOtes\qu G&\hlp b|\rlap{\hlp d}\zqp g\qup i\enotes -\temps\notes\qu H&|\sk\cu h\enotes -\temps\NOtes\qu I&|\qu g\enotes -% mesure 165 -\barre\NOtes\hu J&\itenu0c\hl c|\zhl e\qu g\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\zq a\ql c|\qu f\enotes -% mesure 166 -\barre\NOtes\hu K&\itenu0a\hl a|\zhl d\qup f\enotes -\temps\notes&|\sk\cu e\enotes -\temps\NOtes\qu J&\tten0\zq M\ql a|\itenl0d\qu d\enotes -% mesure 167 -\barre\NOtes\qu I&\zhl N\qu b|\tten0\qu d\enotes -\temps\NOtes\qu J&\hu c|\qu e\enotes -\temps\NOtes\qu H&\ql a|\qu f\enotes -% mesure 168 -\barre\NOtes\qu I&\zqu b\hlp N|\zql d\qu g\enotes -\temps\notes\qu J&\ql c|\zql e\ibu0g{-2}\qhp0g\sk\tbbu0\tqh0f\enotes -\temps\notes\qu I&\ql b|\zql d\ibu0g5\qhp0g\sk\tbbu0\tqh0j\enotes -% mesure 169 -\barre\NOtes\qu J&\zq e\zqu c\hlp a|\zcharnote q{\Trille {5\elemskip}}\hup h\enotes -\temps\NOtes\qu K&|\zh d\hl f\enotes -\temps\NOtes\qu D&|\enotes -% mesure 170 -\barre\NOTes\hu G&\hl b|\zhl d\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/euromtex.dvi b/Master/texmf-dist/doc/generic/musictex/euromtex.dvi Binary files differdeleted file mode 100644 index 2c151a52cd3..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/euromtex.dvi +++ /dev/null diff --git a/Master/texmf-dist/doc/generic/musictex/euromtex.tex b/Master/texmf-dist/doc/generic/musictex/euromtex.tex deleted file mode 100644 index 380c845340f..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/euromtex.tex +++ /dev/null @@ -1,814 +0,0 @@ -% -\def\text#1{\hbox{\rm #1}}% -%\check -\def\ital#1{{\sl #1\/}}% -\def\mutex{M\raise 2pt\hbox{\kern -1pt u\kern -1pt}\TeX} -\def\bslash{{\tt\char'134}}% -\def\|{{\tt\char'174}}% -\def\#{{\tt\char'043}}% -\def\{{{\char'173}}% -\def\}{{\char'175}}% -\def\@{{\char'100}}% -\def\musictex{Music\TeX}% -\def\musicxx{\musictwenty} -\def\keyindex#1{{\tt\bslash #1}\index{#1 \&\&\protect\tt\protect\bslash #1}} -\def\zkeyindex#1{\index{#1 \&\&\protect\tt\protect\bslash #1}} -\def\ixem#1{#1\index{#1}} -\def\itxem#1{\ital{#1}\index{#1}} -\def\aujourdhui{\today} -\def\vboxit#1{\vbox{\hrule\hbox{\vrule\kern3pt - \vbox{\kern3pt#1\kern3pt}\kern3pt\vrule}\hrule}} -\def\hboxit#1{\hbox{\vrule\vbox{\hrule\kern3pt - \hbox{\kern3pt\small\it #1\kern3pt}\kern3pt\hrule}\vrule}} -% -%\check -\tracingstats=1 -% -\input musicext -\documentstyle[musictex,musictrp,euro92]{article} -%% local commands -\tolerance 10000 -\font\mf=logo10 \hyphenchar\mf=-1 \newcommand{\METAFONT}{{\mf METAFONT}} -\begin{document} - -\title{\musictex : using \TeX\ to write\\polyphonic or -instrumental music} -\titlehead{\musictex -- Euro\TeX{}~92} - -\author{Daniel {\sc Taupin}$^{\dag}$} -\authorhead{Taupin} - -\affiliation{$\dag$ Universit\'e de Paris-Sud\\ -Laboratoire de Physique des Solides\\ -b\^atiment 510\\ -F-91405 ORSAY Cedex, France} - -\maketitle - -\begin{abstract} \musictex\ is a set of \TeX\ or La\TeX\ macros which are -fit to typeset polyphonic, instrumental or orchestral music. It is able to -handle an important number of instruments or voices (up to nine) and staffs -(up to four for each instrument). Many usual ornaments have been provided, including -several note sizes which can handle grace notes or extra music like cadenzas. - -Except the risk of typing errors due to a sophisticated set of macros, -the major difficulty still resides in glue and line breaking in the case of -irregular music and slurs. - \end{abstract} - -\begin{resume}{R\'esum\'e} -\musictex\ est un jeu de macro-instructions \TeX\ ou La\TeX\ adapt\'ees \`a -l'\'ecriture de partitions polyphoniques, instrumentales ou orchestrales. -\musictex\ est capable de g\'erer un nombre important d'instruments ou de voix -(jusqu'\`a neuf) et de port\'ees (jusqu'\`a quatre par instrument). -En outre, beaucoup d'ornements sont maintenant disponibles, notamment les notes -de petite taille our indiquer les ornements explicites ou les cadences. - -\`A part les risques d'erreurs li\'ees \`a la difficult\'e d'usage de -certaines proc\'edures, la principale difficult\'e est celle des coupures de -lignes dans le cas o\`u d'une musique irr\'eguli\`ere et la r\'alisation de -liaisons ou de phras\'es esth\'etiques. \end{resume} - -\begin{keywords} -music typesetting, orchestral music, polyphonic music. -\end{keywords} - -\section{What is \musictex\ ?} - \musictex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or -polyphonic music. Therefore, it is mainly supposed to be used to type wide -scores -- just because true musicians seldom like to have to frequently turn -pages -- and this is not really compatible with La\TeX's standard page -formats, even the {\tt A4.sty} whose {\tt\bslash textheight} and {\tt\bslash -textwidth} are too small for musician needs. - - However, a La\TeX\ style has been also provided (and it is used for the -typing of the present paper) but this {\tt musictex} style is fit for -musicographic books rather than for normal scores to be actually played. - - It is to be emphasized that \musictex\ is not intended to be a -compiler which would translate into \TeX\ some \ixem{standard musical -notation}s, nor to decide by itself about aesthetic problems in music typing. -\musictex\ only typesets staves, notes, chords, beams, slurs and ornaments as -requested by the composer. Since it makes very few typesetting decisions, -\musictex\ appears to be a versatile and rather powerful tool. However, due -to the important amount of informations to be provided to the typesetting -process, coding \musictex\ might appear to be awfully complicated, just as -the real keyboard or orchestral music. It should be interfaced therefore by -some pre-compiler in the case of the composer/typesetter wanting aesthetic -decisions to be automatically made by somebody (or something) else. - -\section{\musictex\ pricipal features} -\subsection{Music typesetting is two-dimensional} - - Most of the people who just learnt a bit of music at college probably think -that music is a linear sequence of symbols, just as literary texts to be -\TeX-ed. In fact, with the exception of strictly monodic instruments like -most orchestral wind instruments and solo voices, one should be aware that -reading music actually is a matricial operation~: the non-soloist musician -successively reads \ital{columns} of simultaneous notes which he actually plays -if he is a pianist, clavichordist or organist, which he actually reads and -watches if he conducts an orchertra, and which he is supposed to check and -partially play when he is a soloist who wants to play in time with the -accompanying instrument or choir. - - In fact, our personal experience of playing piano and organ as well as -sometimes helping as an alternate Kapellmeister leads us to think that actual -music reading and composing is a slightly more complicated intellectual -process~: music reading, music composing and music thinking seems to be a -three layer process. The musician usually reads or thinks several consecutive -notes (typically a long \ital{beat} or a group of logically connected notes), then -he goes down to the next instrument or voice and finally assembles the whole -to build a part of music lasting roughly a few seconds. Then he handles the -next \ital{beat} or \ital{bar} of his score. - - Thus, it appears that the humanly logical way of coding music consists -in horizontaly accumulating a set of \ital{vertical combs} with -\ital{horizontal teeth} as described in Table \ref{readtable}. - - \begin{table} - \begin{center} - \begin{tabular}{|ll|ll|}\hboxit{note sequence one} - &\hboxit{note seq.\ four} - &\hboxit{note seq.\ seven} - &\hboxit{note seq.\ ten}\\\hboxit{note sequence two} - &\hboxit{note seq.\ five} - &\hboxit{note seq.\ eight} - &\hboxit{note seq.\ eleven}\\\hboxit{note seqence three} - &\hboxit{note seq.\ six} - &\hboxit{note seq.\ nine} - &\hboxit{note seq.\ twelve}\\ - \end{tabular} - \end{center} - \caption{The order in which a musician reads music}\label{readtable} - \end{table} - -This is the reason -why, in {\bf \musictex} the fundamental \ital{macro} is of the form - -\begin{center} -{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes} -\end{center} - -\noindent where the character {\tt\&} is used to separate the notes to be -typeset on respective staffs of the various instruments, starting from the -bottom. - -In the case of an instrument whose score has to be written with -several staffs, these staffs are separated by the -character \|. Thus, a score written for a keyboard instrument and -a monodic instrument (for example piano and violin) -will be coded as follows~: - -\begin{center} -{\tt \bslash notes \dots\ \| \dots\ \& \dots\ \bslash enotes} -\end{center} -\noindent for each column of simultaneous \ital{groups of notes}. -It is worth emphasizing that we actually said \ital{``groups of notes''}: -this means that in each section of the previous macro, the music typesetter is -welcome to insert, not only chord notes to be played at once, but small -sequences of consecutive notes which build something he understands as a -musical phrase. This is why note typing macros are of two kinds in \musictex, -namely the note macros which are not followed by spacing afterwards, and those -which induce horizontal spacing afterwards. - -\subsection{The spacing of the notes} - -It seems that many books have dealt with this problem. -Although it can lead to interesting algorithms, we think it is -in practice a rather minor one. - -In fact, each column of notes has not necessarily the same spacing -and, in principle, this \itxem{spacing} should depend on the shortest -duration of the simultaneous notes. But this cannot be established as a rule, -for at least two reasons~: - -\begin{enumerate} - \item spacing does not depend only of the local notes, -but also on the context, at least in the same bar. -\item in the case of polyphonic music, exceptions can easily be found. -Here is an example~: - - - \begin{music} -\computewidths -\def\nbinstruments{1}\relax -\generalmeter{\meterfrac{4}{4}}\relax -\debutextrait -\normal\elemskip=0.110\hsize -\temps\Notes\qsk\qsk\rlap{\hu j}\ql h\enotes -\temps\Notes\hl g\enotes -\temps\Notes\hu k\enotes -\temps\Notes\ql f\enotes -\finextrait - \end{music} - -%\check - -\noindent where it can be clearly seen that the half notes at beats 2 and 3 -must be spaced as if they were quarter notes since they overlap, which is -obvious only because of the presence of the indication of the \itxem{meter} 4/4. -\end{enumerate} -% - -Therefore, we prefered to provide the composer/typesetter with a -set of macros, the spacing of which increases by a factor of $\sqrt 2$ -(incidentally, this can be adjusted)~: - -\begin{center} -{\tt \bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 1 spatial unit\hss}} -\\ -{\tt \bslash Notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 1.4 spacial unit\hss}} -\\ -{\tt \bslash NOtes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 2 spatial units\hss}} -\\{\tt \bslash NOTes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 2.8 spatial units\hss}} -\\{\tt \bslash NOTEs \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 4 spatial units\hss}} -\\{\tt \bslash NOTES \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 5.6 spatial units\hss}} -\end{center} - -%\check - The size of the spatial unit (\keyindex{elemskip}) can be freely adjusted. -In addition, \musictex\ provides a means of adjusting the note spacing -according to an average number of elementary spaces within a line (macro -\keyindex{autolines}). - -\subsection{Music tokens, rather than a readymade generator} -%\check - -The tokens provided by \musictex\ are~: - -\begin{itemize} -\item the note symbols \ital{without stem}~; -\item the note symbols \ital{with stems, and hooks for eighth notes and -beyond}~; -\item the indications of beam beginnings and beam ends~; -\item the indications of beginnings and ends of ties and slurs~; -\item the indications of accidentals~; -\item the ornaments~: arpeggios, trills, mordents, pinc\'es, turns, staccatos -and pizzicatos, fermatas~; -\item the bars, the meter and signature changes, etc. -\end{itemize} - - Thus, {\tt\bslash wh g} produces an \ital{A (445~Hz)} whose -duration is a \ital{whole note}. In the same way, {\tt\bslash qu~c} produces -a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with stem -up}, {\tt \bslash cl J} produces a \ital{C (125~Hz approx.)} whose duration -is an \ital{eighth note with stem down}, etc. - - To generate quarter, eighth, sixteenth, etc. chords, the macro -\keyindex{zq} can be used~: it produces a quarter note head whose position is -memorized and recalled when another stemmed note (possibly with a hook) is -coded~; then the stem is adjusted to link all simultaneous notes. Thus, the -perfect C-major chord, i.e. - -%\check -{\def\nbinstruments{1}\relax -\cleftoksi={{0}{0}{0}{0}}\generalmeter{}\relax -\debutextrait -\normal -\NOTes\qsk\zq c\zq e\zq g\qu j\enotes -\finextrait} - -%\check -\noindent is coded - \hbox{\tt\bslash zq~c\bslash zq~e\bslash zq~g\bslash qu~j} -or, in a more concise way, \hbox{\tt\bslash zq\{ceg\}\bslash qu~j} (stem up)~: -in fact, single notes are treated\dots\ like one-note chords. - -\subsection{Beams} - \ital{Beams}\index{beams} are generated using macros which define their -beginning (at the current horizontal position), together with their altitude, -their sense (upper of lower), their multiplicity, their slope and their -reference number. This latter feature -- the reference number -- appears to -be necessary, since one may want to write beams whose horizontal extents -overlap~: therefore, it is necessary to specify which beam the notes hang on -and which beam is terminated at a given position. - -%\check -\subsection{Setting anything on the score} - -A general macro (\keyindex{zcharnote}) provides a means of -putting any sequence of symbols (in fact, some {\tt \bslash hbox\{...\}}) at any -pitch of any staff of any instrument. Thus, any symbol defined in a font -(letters, math symbols, etc.) can be used to typeset music. - -\subsection{A simple example} - - Before entering other details, we give below an example of the two first -bars of the sonata in C-major K545 by {\sc\ixem{Mozart}}~: - -\begin{music} -\parindent 1cm -\def\nbinstruments{1}\relax -\def\instrumenti{Piano}% -\nbporteesi=2\relax -\generalmeter{\meterfrac{4}{4}}\relax -\debutextrait -\normal -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes -\barre -\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes -\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\finextrait -\end{music} -%\check - - The \ital{coding} is set as follows~: - -\begin{quote}\begin{verbatim} -\begin{music} -\parindent 1cm -\def\nbinstruments{1}\relax % a single instrument -\def\instrumenti{Piano}% % whose name is Piano -\nbporteesi=2\relax % with two staffs -\generalmeter{\meterfrac{4}{4}}\relax % 4/4 meter choosen -\debutextrait % starting real score -\normal % normal 12 pt note spacing -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes -\barre % bar -\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes -\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\finextrait % terminate excerpt -\end{music} - \end{verbatim}\end{quote} - -\begin{itemize} -\item {\tt\bslash ibu0f0} begins an upper beam, aligned on the -\ital{f}, reference number 0, slope 0 -\item {\tt\bslash tbu0} terminates this beam before writing -the second \ital{g} by means of {\tt\bslash qh0g} -\item {\tt\bslash qh..} indicates a note hanging on a beam. - \item {\tt\bslash sk } sets a space between the two quarters at the right -hand, so that the second is aligned with the third eighth of the left hand. - \item{\tt\bslash qlp} is a quarter with a point. - \item{\tt\bslash ibbl1j3} begins -a double beam, aligned on the \ital{C} ({\tt j} at this pitch) -of slope 0.15. -\end{itemize} - -\subsection{Signatures} - -Signatures are stated either for all instruments, such as~: -\keyindex{generalsignature}{\tt=-2} which sets two flats on each staff, but -this can be partly overrided by \keyindex{signatureii}{\tt=1} which puts one -sharp on the staffs of \itxem{instrument number} 2 (ii). Of course, the -current signature may change at any time as well as meters and clefs. - -\subsection{Transposition} - - An important question is~: \ital{``can \musictex\ transpose a score~?''}. -The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register -named \keyindex{transpose} the default value of which is zero, but it may be -set to any positive of negative reasonable value. Then, it offsets all -symbols pitched with letter symbols by that number of pitch steps. However, -it will neither change the signature nor the local accidentals, and if -- for -example -- you transpose by 1 pitch a piece written in $C$, \musictex\ will -not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might -become tricky if accidentals occur within the piece, which might have to be -converted into flats, naturals, sharps or double sharps, depending on the new -choosen signature. To circumvent this trouble, \ital{relative} accidentals -have been implemented, the actual output of which depends of the pitch of -this accidental and of the current signature.\index{relative accidentals} - -\subsection{Grace notes and cadenzas} - -In addition to its facility of generating either sixteen point or twenty point -staffs with note heads of corresponding size, \musictex\ also allows the user -to type smaller notes, in order to represent either \ital{grace notes}, -\ital{cadenzas} or a proposed realization of a \ital{figured bass}. This may -give something like~: - -\begin{music} -\def\DS{\hbox{\ds}} -\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip} -\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}% -\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}% -\def\nbinstruments{2}% -\generalmeter{\meterfrac{4}{4}}% -\signaturegenerale{0}% -\nbporteesii=1\relax -\nbporteesii=2\relax -\cleftoksi={{6}{0}{0}{0}} -\cleftoksii={{6}{0}{0}{0}} -\etroit -\debutextrait -\NOTes\soupir&\soupir|\qu g\enotes -% mesure 1 -\advance\barno by -1\relax -\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes -\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize -\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes -\Notes&\qb0e\tbl0\qb0c|\qu j\enotes -\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes -% mesure 2 -\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax - \zq c\qb1e\zq c\qb1e\relax - \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes -\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax - \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes -\finextrait -\end{music} - -\subsection{Selecting special instrument scores} - -Another question is~: \ital{``can I write an orchestral score and extract the -separate scores for individual instruments~?''} The answer is 95~\% -\ital{yes}~: in fact, you can define your own macros {\tt \bslash -mynotes...\bslash enotes}, {\tt \bslash myNotes...\bslash enotes} with as -many arguments as there are in the orchestral score (hope this is less or -equal to 9, but \TeX perts know how to work around) and change its definition -depending on the selected instrument (or insert a test on the value of some -selection register). But the limitation is that the numbering of instruments -may change, so that {\tt \bslash signatureiii} may have to become {\tt -\bslash signaturei} if instrument $iii$ is alone. But, in turn, this is not a -serious problem for average \TeX\ wizard apprentices. - - \section{How to get it} - - The whole \itxem{distribution} fits into a single 1.2Mbyte or -1.44Mbyte diskette. It can also be obtained through an \ital{anonymous ftp} -at {\tt rsovax.ups.circe.fr} (130.84.128.100), after selecting the -subdirectory {\tt [.musictex]}. All sources (including fonts) are provided, -either separately or ``zipped'' or as VMS `savesets''. - -%\check -\section{Implementation, restrictions and enhancement possibilities} - -The macroinstruction file \musictex\ contains approximately 2500 lines of -code, that is 80~000 bytes approximately. This requires your score to be -compiled by the most extended versions of \TeX\ (65~000 words of working -memory). In desperate situations, we recommend using the -``Big\TeX''\index{Big\protect\TeX} processors which, unfortunately, perform -a great deal of disk input/outputs (on PCs) which make them awfully slow. - -In particular, the number of registers it uses can hinder its compatibility -with some La\TeX\ styles or with La\TeX\ itself in case of restricted memory -availability\index{La\protect\TeX}. - -\subsection{Recent easy enhancements} - -Many enhancements have been asked for, and this is a proof thet \musictex\ is -considered as useful by many people. Some of these enhancements which seemed -hard were in fact rather easy to implement, for example small notes to represent -grace notes and cadenzas. But others may induce heavy problems, for example -the need of having \ital{nice} slurs and ties. - -\subsection{The tie/slur problem} - -While typesetting notes and even beams is a rather simple problem because is -is a \ital{local typesetting}, ties and slurs are much more difficult to handle. - -Or course there is little problem in case of a typesetter wanting a slur or a -tie binding two consecutive notes, not separated by a bar. In practice this -\ital{very restricted} use of slurs or ties can easily be solved by putting -some symbols extracted from the {\tt slur16} or {\tt slurn16}/{\tt slurn20} -fonts somewhere on the staffs using the general use \keyindex{zcharnote} -macro. - - But serious music typesetters or composers know that many ties are supposed -to link notes which are on both sides of a bar, which is a likely place to -insert line breakings, so that the \itxem{tie} coding must have various -versions and sizes to resist that possible line breaking. What has been said -about ties is still more serious in the case of \itxem{phrasing slurs} which -may extend over several bars, lines and sometimes pages. In this case, their -shape is not only a question of producing a long curved symbol of nice -looking shape, it also has to cope with \itxem{glue}. An then the worst is -that music way of typing does not accept \itxem{ragged lines} but equal -length lines, even for the last line of a music piece. Thus, long distance -slurs and ties need to be cut into separate parts (beginning, continuing(s), -endings) which \TeX\ can only link using \ital{horizontal line overlaps} -or \keyindex{leaders} to insure slur continuity over this unavoidable glue. - - - -Therefore and up to now, ties and slurs have been implemented in a way which -may look rather ugly, but we think it is the only way of implementing -\ital{in one pass} ties and slurs which run \ital{across glue}. The principle -is to have tie/slur symbols with a rather long part of horizontal stuff. -Then, at each time a glue occurs and at each time a group of notes is coded -while a slur or tie is pending, an \keyindex{hrule} is issued which overlaps -the preceeding tie/slur symbol so that the final output seems to contain a -continuous line. Unfortunately, this is possible only in the glue expansion -direction, namely in the horizontal direction. - - It could be requested -- and this is thought of -- to have variable size -initial and final curved slur symbols which the user would choose according -to his intention to have short or long range slur symbols. This has not been -\ital{yet} implemented for several reasons~: - - \begin{itemize} - - \item The author's natural lazyness (!) - - \item More seriously~: this would require using some more registers (at -least a dozen) to record the initial sizes (horizontal and vertical) of this -symbol \ital{for each slur/tie} in order to make adequate links over glue and -to close it with the symmetrical symbol. Unfortunately, \TeX\ registers are -not numerous (256 of each kind) and we are afraid such a feature would make -\TeX\ stupidly crash even when typesetting reasonable scores. - - \item We do not think it wise to introduce in \musictex\ itself a great -number of macros which would be pooly used by most users~: the reason is that -\TeX\ memory is hardly limited and that unused macros may occupy some \TeX\ -storage which could make things crash because of {\tt TeX capacity -exceeded}... - - \end{itemize} - -\section{Acknowledgements} - -The idea of implementing the present package is due to the previous work -(\mutex)\index{mutex\&\%\protect\mutex} of Andrea {\sc Steinbach} and Angelika -{\sc Schofer}[1]. This work -provided the basis of the Metafont codes and some line breaking procedures, -which both are still used here... with 99\% corrections and -updates.\index{Schofer, A.}\index{Steinbach, A.} - - -\section{Some examples} - -Many examples can be typeset from the \musictex\ distribution, but they are -not included here because of their need to be compiled with \TeX\ rather than -La\TeX\ and because they need output paper of the extended -291$\times$297~mm$^2$ european size. However we chose to produce a small type -size version of {\sc Haydn}'s \ital{aria} from the Creation and a piece of a -personal composition heavily using beams. - -\vspace{.5cm} -\begin{thebibliography}{Taupin 92} -\bibitem[1]{} Andrea {\sc Steinbach} and Angelika -{\sc Schofer}, {\em Theses} (1987, 1988), -Rheinische Friedrich-Wilhelms Universit\"at, Bonn, Germany. - -\end{thebibliography} - -\newpage - -\begin{center} -{\Large\bf Aria No. 24} -\\{\large\bf (The Creation)} -\\{\large Joseph {\sc Haydn}} -\\Transcription for organ and tenor, D. {\sc Taupin} (1990) -\end{center} - -\begin{music} -\musicsize=16\relax -\def\nbinstruments{2}% -\generalmeter{\meterfrac{4}{4}}% -\signaturegenerale{0}% -\nbporteesii=2\relax -\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}% -\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}% -\def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip} -\cleftoksi={{6}{0}{0}{0}} -\cleftoksii={{6}{0}{0}{0}} -\debutmorceau -\autolines {16}24\relax -\NOTes\soupir&\rlap{\rmidtwotext{\bf II}}\relax -\soupir\relax|\qu g\enotes -% mesure 1 -\advance\barno by -1\relax -\advance\barsinline by -1\relax -\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\itenl0j\ibu1l0\qh1j\enotes -\notes&\qbl0c0|\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes -\Notes&\qb0e\tbl0\qb0c|\qu j\enotes -\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes -% mesure 2 -\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax - \zq c\qb1e\zq c\qb1e\relax - \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes -\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax - \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes -% mesure 3 -\autolines {14}24\relax -\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds -|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes -\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes -\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes -\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes -\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes -% mesure 4 -\barre\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax - \zq{bd}\qb1f\zq{bd}\qb1f\relax - \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes -\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax - \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes -% mesure 5 -\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax - |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes -\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax - |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes -%\check -% mesure 6 -\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax - |\rlap{\hl g}\ppt j\qu j\enotes -\notes&\tbl0\qb0c|\sk\ccu l\enotes -\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes -\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes -%\check -% mesure 7 -\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax - |\rlap{\hlp h}\qu k\sk\qu m\enotes -\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes -\notes&\zq d\qb0f\sk -\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax - \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes -%\check -% mesure 8 -\barre\Notes\hu G&\lcharnote c{\bf I}\relax -\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes -\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax - |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes -%\check -% mesure 9 -\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes -\notes&\nbbl0\qb0b\tqb0c\enotes -\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes -\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes -\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes -\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes -%\check -% mesure 10 -\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes -\notes&|\nbbl1\qb1n\tqb1{^m}\enotes -\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes -\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes -\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes -\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes -%\check -\suspmorceau -\def\nbinstruments{4}% -\nbporteesiii=0\relax -% mesure 11 -\reprmorceau -\autolines {11}23\relax -\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes -\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes -\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes -\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes -% mesure 12 -\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes -\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes -\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes -\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes -% mesure 13 -\autolines {12}23\relax -\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes -\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes -\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes -\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes -\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes -% mesure 14 -\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax - &Sch\"on-&\ql k\enotes -\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes -\temps\Notes\pause&\hpause|\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes -\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes -\suspmorceau -\end{music} -%\removelastskip\rightline{\sl\aujourdhui} -\newpage - -\def\testpgs{4}% -\begin{music} -% -\resettens -\musicsize=16\relax -\nbporteesi=2\relax -\def\nbinstruments{1}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-3}\relax % trois bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{2}}}% -%\check -\def\instrumenti{Piano} -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\ff{{f}\kern -1pt{f}}% -% formes frequentes -% -%\check -% -\def\Tqbbh{\Tqbbu}% -\def\Tqbh{\Tqbu}% -% -%\check -% octave basse en blanche -\def\bohl#1{\zh{`#1}\hl{'#1}}% -\def\bohu#1{\zh{`#1}\hu{'#1}}% -\def\sohl#1{\zh{'#1}\hl{`#1}}% -\def\sohu#1{\zh{'#1}\hu{`#1}}% -% -\def\bozh#1{\zh{`#1'#1}}% -\def\bozq#1{\zq{`#1'#1}}% -\def\boql#1{\zq{`#1}\ql{'#1}}% -\def\boqu#1{\zq{`#1}\qu{'#1}}% -% octave sup. en croches u -\def\soqh#1{\zq{'#1}\qh0{`#1}}% -\def\soqb#1{\zq{'#1}\qb0{`#1}}% -\def\soqu#1{\zq{'#1}\qu{`#1}}% -\def\soql#1{\zq{'#1}\ql{`#1}}% -%\check -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne % -\def\sfhu#1{\lsf #1\hu #1}% -\def\sfwu#1{\lsf #1\wh #1}% -\def\sfhl#1{\usf #1\hl #1}% -\def\sfwl#1{\usf #1\wh #1}% -\def\Sfwu#1{\zw{'#1}\usf{#1}\wh{!#1}}% -\def\Sfwp#1{\pt{'#1}\zw{#1}\pt{!#1}\usf{#1}\wh{#1}}% -% -\parindent 1cm\debutmorceau -% -\autolines{28}14\relax -\znotes\zmidtwotext{\kern -3.5mm\ppff ff}|\raise 9\Interligne -\llap{\moyen - appassionnato\kern -1.5cm}\uptext{\kern -1mm\rm(\metron{\qu}{80})}\enotes -% -%\check -\newif\ifsupa -\supafalse -\def\accord#1#2#3#4#5#6#7{\notes -\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{!`#1!#1#2}\tqh0{#3}\relax -|\pt{#5}\pt{#6}\pt{#7}\zw{#5}\zw{#6}\zw{#7}\relax -\usf{!'#5}\pt{!'#5}\wh{!'#5}\Ibbu0{!#5}{!#7}3\qh0{!#5#6}\tqh0{#7}\enotes -%\check 1 -\temps\notes -\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes -%\check 1 -\temps\notes -|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax -\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes -%\check 1 -\temps\notes|\rlap{\Qqbbl{!'''#3}{!'''#2}{!''#4}{!''#3}}\relax -\Qqbbu{!'''#5}{!''#7}{!''#6}{!''#5}\enotes -%\check 1 -\temps\notes -\ifsupa|\rlap{\Qqbbl{!'#4}{!'#4}{!'#3}{!'#2}}\relax -\else\ibbu0{!''#3}{-9}\qh0{!''#3#2`#4}\tqh0{#3}|\fi -\Qqbbu{!''#5}{!'#7}{!'#6}{!'#5}\enotes -%\check 1 -\temps\notes\raise -2\Interligne -\rlap{\sk\sk\DEP}\Ibbu0{!#4}{!`#4}3\qh0{!#4#3#2}\tqh0{!`#4}\relax -|\Ibbu0{!'#5}{!#5}3\qh0{!'#5`#7#6}\tqh0{#5}\enotes -}% -% -%\check -\accord CEGJNce\relax -% mesure 2 -\autolines{25}1{\testpgs}\relax -\barre\accord CFHJacf\relax -% mesure 3 -\barre\supatrue\accord CFHJcfh\relax -% mesure 4 -\barre -\accord CFHJdfh\relax -% mesure 5 -\def\Accord#1#2#3#4#5#6#7{\notes -\raise -2\Interligne\llap{\PED\sk}\Ibbu0{#1}{#3}3\qh0{`#1!#1#2}\tqh0{#3}\relax -|\pt{#5}\pt{#6}\pt{#7}\zw{#5#6#7}\relax -\usf{!'#5}\whp{!'#5}\Tqbbu{!#5}{!#6}{!#7}\enotes -%\check 1 -\temps\notes\Qqbbu{!#4}{!'#2}{!'#3}{!'#4}\relax -|\Qqbbu{!'#5}{!'#5}{!'#6}{!'#7}\enotes -%\check 1 -\temps\notes|\rlap{\Qqbbl{!''#2}{!''#3}{!''#4}{!'''#2}}\relax -\Qqbbu{!''#5}{!''#5}{!''#6}{!''#7}\enotes}\relax -% -%\check -\barre\Accord CEGJNce\relax -\temps\notes|\qsk\octfin{22}{12}\rlap{\Qqbbl gjln}\Qqbbu nnqs\enotes -\temps\notes|\rlap{\Qqbbl qnlj}\Qqbbu usqn\enotes -\temps\notes|\rlap{\Qqbbl gecN}\Qqbbu nljg\enotes -% mesure 6 -\barre\notes\Qqbbu ecNL|\Qqbbu nljg\enotes -\temps\notes\Qqbbu cNLJ|\Qqbbu ljge\enotes -\temps\notes\Qqbbu NLJG|\zcharnote{a}{\DIMin}\Qqbbu jgec\enotes -\temps\notes\Qqbbu LJGE|\Qqbbu gecN\enotes -\temps\notes\Qqbbu JGEC|\Qqbbu ecNL\enotes -\temps\notes\boqu C\DEP\qsk|\qu J\enotes -% mesure 7 -\barre\supafalse\znotes\zmidtwotext{\llap{\ppff ff}}\enotes -\accord CEGJNce\relax -% mesure 8 -\barre\accord CFHJacf\relax -\suspmorceau - - - -\end{music} -\end{document} - diff --git a/Master/texmf-dist/doc/generic/musictex/extras.tex b/Master/texmf-dist/doc/generic/musictex/extras.tex deleted file mode 100644 index 7091f6ff76d..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/extras.tex +++ /dev/null @@ -1,302 +0,0 @@ -% A logo -\def\musictex{\leavevmode\hbox{Music\TeX}} - -% Here I define an extra font for the dynamics, at 10pt. -\font\ppffx=\fonthdg mbxti10 - -% I like the size of the bold italic to depend on the size of the music, so -% I define this. It would be better for this to be defined in -% \computespecifics however. -\def\ppffs{\ifnum\musicsize=20\ppff\else\ppffx\fi} - -% \dyn {pitch}{text} inserts a dynamic -\def\dyn#1#2{\zcharnote{#1}{{\ppffs #2}}} - -% \nobarnumbers prevents bar numbering -\def\nobarnumbers{\def\wbarno{\relax}} - -% \barnumbers restores bar numbering -\def\barnumbers{\def\wbarno{\w@barno}} - -% \tab is defined as a tab character, so that I can still use tabs. -\catcode`\@=4 -\let\tab=@ -\catcode`\@=11 - -% The next few sections define some extra macros to produce notes. -% They are sometimes useful, but you may not want to use them. - -\def\nqu#1{\rlap{\qu{#1}}} -\def\nql#1{\rlap{\ql{#1}}} -\def\nhu#1{\rlap{\hu{#1}}} -\def\nhl#1{\rlap{\hl{#1}}} -\def\nw#1{\rlap{\wh{#1}}} -\def\nwh#1{\rlap{\wh{#1}}} -\def\nqup#1{\rlap{\qup{#1}}} -\def\nqlp#1{\rlap{\qlp{#1}}} -\def\nhup#1{\rlap{\hup{#1}}} -\def\nhlp#1{\rlap{\hlp{#1}}} -\def\ncl#1{\rlap{\cl{#1}}} -\def\ncu#1{\rlap{\cu{#1}}} - -% shifted dotted whole notes -\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip} -\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip} - -% Half-shifted notes. I sometimes use these for close intervals: for instance -% \zlqu g\zrql f - -\def\zrwh{\zrw} -\def\zlwh{\zlw} -\def\zrw#1{\kern .52\wd@skip\nw{#1}\kern -.52\wd@skip} -\def\zlw#1{\kern -.52\wd@skip\nw{#1}\kern .52\wd@skip} -\def\zrhu#1{\kern .45\hn@width\nhu{#1}\kern -.45\hn@width} -\def\zlhu#1{\kern -.45\hn@width\nhu{#1}\kern .45\hn@width} -\def\zrhl#1{\kern .45\hn@width\nhl{#1}\kern -.45\hn@width} -\def\zlhl#1{\kern -.45\hn@width\nhl{#1}\kern .45\hn@width} -\def\zrhup#1{\kern .45\hn@width\nhup{#1}\kern -.45\hn@width} -\def\zlhup#1{\kern -.45\hn@width\nhup{#1}\kern .45\hn@width} -\def\zrhlp#1{\kern .45\hn@width\nhlp{#1}\kern -.45\hn@width} -\def\zlhlp#1{\kern -.45\hn@width\nhlp{#1}\kern .45\hn@width} -\def\zrqu#1{\kern .45\qd@skip\nqu{#1}\kern -.45\qd@skip} -\def\zlqu#1{\kern -.45\qd@skip\nqu{#1}\kern .45\qd@skip} -\def\zrql#1{\kern .45\qd@skip\nql{#1}\kern -.45\qd@skip} -\def\zlql#1{\kern -.45\qd@skip\nql{#1}\kern .45\qd@skip} -\def\zrqup#1{\kern .45\qd@skip\nqup{#1}\kern -.45\qd@skip} -\def\zlqup#1{\kern -.45\qd@skip\nqup{#1}\kern .45\qd@skip} -\def\zrqlp#1{\kern .45\qd@skip\nqlp{#1}\kern -.45\qd@skip} -\def\zlqlp#1{\kern -.45\qd@skip\nqlp{#1}\kern .45\qd@skip} -\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip} -\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip} -\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip} -\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip} -% -% half left shifted accidentals - for putting before half shifted notes -% -\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\f@lat\kern 0.45\qd@skip}% -}% -\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\df@lat\hskip 0.45\qd@skip}% -}% -\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise - \pl@llap{\s@harp\hskip 0.45\qd@skip}% -}% -\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@ - \pl@llap{\ds@harp\hskip 0.45\qd@skip}}% -\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise - \pl@llap{\n@at\hskip 0.45\qd@skip}}% -% -% cautionary accidentals -% A cautionary accidental is a small one surrounded by parentheses, used for -% reminders. Type the usual accidental name preceded by "c" -% -\def\caution#1#2{\kern -.4\qd@skip\zcharnote{#2}{\raise --.45\Interligne\hbox{\ttyeight\kern -1.4\qd@skip - \rlap{(}\kern1.2\qd@skip)}}#1#2\kern .4\qd@skip} - -\def\cfl{\caution{\smallfl}} -\def\csh{\caution{\smallsh}} -\def\cna{\caution{\smallna}} -\def\cdfl{\caution{\smalldfl}} -\def\cdsh{\caution{\smalldsh}} -\def\cFl{\caution{\smallFl}} -\def\cSh{\caution{\smallSh}} -\def\cNa{\caution{\smallNa}} -\def\cdFl{\caution{\smalldFl}} -\def\cdSh{\caution{\smalldSh}} - -% The following macros can be used to surround a note by parentheses. They -% are also used as ornaments by J.P. Rameau. -% \lpar p produces a left parenthesis, or "port de voix" at pitch p -% \rpar p produces a right parenthesis, or "pinc\'e" - -\def\lpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern -.9\Interligne (}}} -\def\rpar#1{\zcharnote #1{\raise -2.5pt\hbox{\tentt\kern 1.1\Interligne )}}} - -\newdimen\tmp@dimen -\def\bracketshrink{0.17\Interligne} - -% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th -% whose lowest note is p. - -\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne - \divide\tmp@dimen by2\relax - \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink - \advance\tmp@dimen by-\lthick - \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne - \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax - \rlap{\vbox{\hrule width .5\Interligne}}\relax - \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}} - -\newdimen\tmp@dimenc -\newdimen\z@iii\newdimen\z@iv\newdimen\z@v - -% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and -% height h. This will cause an unrecorded space so it should be used within -% \rlap. Note that this macro is a hack and probably gobbles up resources! -% This macro is used by some of the others which follow. - -\def\oblique#1#2#3{\relax % length slope height -\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax -\else\q@antum=25\lthick\divide\q@antum by #2\relax -\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi -\global\z@iv=0pt\relax -\loop\ifdim\z@iv<#1\relax - {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax - \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax - \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by - -0.5\internote - \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi - \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax - \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi - \advance\z@iii by 0.6\internote\relax - \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth - .5\lthick}\relax - \global\advance\z@iv by \q@antum\relax -}\repeat -\fi -} - -\newdimen\tmp@dimenb\newcount\tmp@ct -\def\crescwidth{1.8\Interligne} - -% These macros produce variable size crescendo and diminuendo marks. -% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing -% no space. -\def\varcresc#1#2{\relax% height (note), length (dimen) - \tmp@dimenb \crescwidth\tmp@dimen #2\multiply - \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb - \ifnum 0=\tmp@ct\relax - \tmp@ct 1\fi - \getn@i{#1}\tmp@dimen\n@i\internote - \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax - \advance\tmp@dimen by-\lthick - \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}} - -% \vardim{p}{l} draws a diminuendo at pitch p, and of length l, causing -% no space. -\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply - \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb - \ifnum 0=\tmp@ct\relax - \tmp@ct 1\fi - \getn@i{#1}\tmp@dimen\n@i\internote - \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax - \advance\tmp@dimen by\tmp@dimenb - \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax - \advance\tmp@dimen by \lthick - \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen - by-.02\tmp@dimenb - \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}} - -% \overbracket{p}{l}{s} draws a bracket over the music starting at the -% current position at pitch p, width l and slope s percent, causing no space. -\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick height \lthick - depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick - depth.8\Interligne}}} - -% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the -% bracket to cover n notes (note however that glue inserted by \temps -% commands will expand the space between the notes but will not affect the -% bracket). -% I use this macro to indicate triplets, for instance. - -\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}} - -% \underbracket and \unbkt are similar to the above, but produce -% brackets under the music. -\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick - height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick - height\Interligne}}} -\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick - \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick} - -% Here are several macros to make use of the alternative note graphics found -% in the font files. I copied the idea from the usual note macros in -% MusicTeX. - -% \gu produces grace notes (acciacaturas), stems up -% \gl produces grace notes, stems down -% \smqu,\smql,\smhu,\smhl,\smwh produce small versions of \qu,\ql,\hu,\hl,\wh -% respectively. - -\def\gu@raise{\lthick}\def\gl@raise{\lthick}\def\br@raise{\lthick}% -\def\g@u{{\musicxx\char"45}}% -\def\g@l{{\musicxx\char"46}}% -\def\gu#1{\getn@i{#1}\def\n@fon{\gu}\global\n@raise=\gu@raise\def\n@sym{\g@u}\g@ -gr}% -\def\gl#1{\getn@i{#1}\def\n@fon{\gl}\global\n@raise=\gl@raise\def\n@sym{\g@l}\g@ -gr}% -\def\g@all#1{\ifnum\n@i<100\relax - \h@lines{#1}\global\stem@skip=\hd@skip - \def\s@tem{\relax}\pl@note\raise@note{\n@sym\hss}\ss@uite\fi}% -\def\g@gr{\g@all{1.15\interligne}}% -\def\sm@qu{{\musicxx\char"25\vrule height 2\Interligne depth\z@}} -\def\sm@ql{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"25}} -\def\sm@hu{{\musicxx\char"26\vrule height 2\Interligne depth\z@}} -\def\sm@hl{{\vrule depth 2\Interligne height\z@\kern-.5pt\musicxx\char"26}} -\def\sm@wh{{\musicxx\char"27}} -\let\sm@raise\lthick -\def\g@sm{\g@all{1.1\interligne}}% -\def\g@smw{\g@all{1.3\interligne}}% -\def\smqu#1{\getn@i{#1}\def\n@fon{\smqu}\global\n@raise=\sm@raise\def\n@sym{\sm@ -qu}\g@sm}% -\def\smql#1{\getn@i{#1}\def\n@fon{\smql}\global\n@raise=\sm@raise\def\n@sym{\sm@ -ql}\g@sm}% -\def\smhu#1{\getn@i{#1}\def\n@fon{\smhu}\global\n@raise=\sm@raise\def\n@sym{\sm@ -hu}\g@sm}% -\def\smhl#1{\getn@i{#1}\def\n@fon{\smhl}\global\n@raise=\sm@raise\def\n@sym{\sm@ -hl}\g@sm}% -\def\smwh#1{\getn@i{#1}\def\n@fon{\smwh}\global\n@raise=\sm@raise\def\n@sym{\sm@ -wh}\g@smw}% -% -% This skip aligns some ornaments which appear not to be centred precisely -% on the notes -\def\o@skp{\hskip-.5\hd@skip} - -% \turn p makes a turn symbol at pitch p, causing no space -% \backturn p makes a backward turn symbol at pitch p, causing no space -% \ttrill p makes a terminated trill ... -% \coda p makes a coda ... -% \segno p makes the special "S" ... -\def\turn#1{\zcharnote{#1}{\o@skp\musicxx\char"44}} -\def\backturn#1{\zcharnote{#1}{\o@skp\musicxx\char"43}} -\def\ttrill#1{\zcharnote{#1}{\o@skp\musicxx\char"58\dimen@4.6pt% - \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}} -\def\coda#1{\zcharnote{#1}{\o@skp\musicxx\char"55}} -\def\segno#1{\zcharnote{#1}{\o@skp\musicxx\char"56}} - -% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the -% note stems. -% \downarpeg p is written just before the note at pitch p with its stem -% pointing up in order to indicate a descending arpeggio -% \uparpeg p is written just before the note at pitch p with its stem -% pointing down in order to indicate an ascending arpeggio - -\font\linew=linew10 %would be nice to have slightly shorter lines... -\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote - \rlap{\linew\char"61}} -\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote - \rlap{\linew\char"21}} - -% \qqs is a demi-semiquaver rest -\def\qqs{\charnote0{{\musicxx\char"41}}} - -% These macros change context while forbidding line breaks -\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}} -\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}} - diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisc.tex b/Master/texmf-dist/doc/generic/musictex/fantaisc.tex deleted file mode 100644 index 7a965a73507..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/fantaisc.tex +++ /dev/null @@ -1,4 +0,0 @@ -\def\ftranspose{-1} -\def\fsignature{-3} -\input fantaisi -\bye diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisd.tex b/Master/texmf-dist/doc/generic/musictex/fantaisd.tex deleted file mode 100644 index 7bb931e0917..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/fantaisd.tex +++ /dev/null @@ -1,2 +0,0 @@ -\input fantaisi -\bye diff --git a/Master/texmf-dist/doc/generic/musictex/fantaisi.tex b/Master/texmf-dist/doc/generic/musictex/fantaisi.tex deleted file mode 100644 index 0ab988e5cc1..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/fantaisi.tex +++ /dev/null @@ -1,1183 +0,0 @@ -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\shorttitle{Fantaisie en style romantique} -\title{Fantaisie en style romantique} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1992\\r\'evis\'e en 1995} -\maketitle - -\ifx\ftranspose\undefined\def\ftranspose{0}\fi -\ifx\fsignature\undefined\def\fsignature{-1}\fi - -\parindent 18mm -\tracingstats=2\relax -% -% formes fr\'equentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins deux doubles croches basses et hautes -\def\dqbb#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqhh#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%au moins trois doubles croches basses et hautes -\def\tqbb#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1#2}\tqb0{#3}}% -\def\Tqbb#1#2#3{\ibbl0{#2}0\qb0{#1#2}\tqb0{#3}}% -\def\sTqbb#1#2#3{{\smallnotesize\Tqbb{#1}{#2}{#3}}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqb#1#2#3#4{\Ibl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqB#1#2#3#4{\Ibl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqh#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqh#1#2#3#4{\Ibu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqH#1#2#3#4{\Ibu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -%au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sQqbb#1#2#3#4{{\smallnotesize\Qqbb{#1}{#2}{#3}{#4}}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\sqqBB#1#2#3#4{{\smallnotesize\qqBB{#1}{#2}{#3}{#4}}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% -\def\sqqHH#1#2#3#4{{\smallnotesize\qqHH{#1}{#2}{#3}{#4}}}% -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{\fsignature}\relax % r\'e mineur -\transpose=\ftranspose\relax -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Quatretemps{\generalmeter{\meterfrac{4}{2}}}% -\def\Troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\Deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm Pos.: Plein jeu, acc. G.O.}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasses G.O. \& pos.}% -\smallskip -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\quatretemps -\staffbotmarg=10pt -\debutmorceau -\relativeaccidentals -\bigaccid -\autolines{9}55\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Allegro maestoso - \bf(\metron{\qu}{55})}}\enotes -\advance\linesinpage by 1\relax -\kern -\Interligne -%\check -% mesure 1 -\temps\notes\sk\soupir&\sk\soupir|\qqhh de{^c}d\enotes -%\check -% mesure 2 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 3 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&|\soupir\enotes -\temps\notes\hpause&\hpause|\qqhh de{^c}d\enotes -%\check -% mesure 4 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\check -% mesure 5 -%\check -\quatretemps\changecontext -\NOTEs\pointdurgue G\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 6 -%\check -\barre\NOTes\hu K&\zh{LN}\hl b|\zh{d}\lh e\hl g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 7 -%\check -\barre\NOTes\hu K&\zh{M}\hl a|\zh{d}\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 8 -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 9 -%\check -\quatretemps\changecontext -\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 10 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 11 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 12 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 13 -%\check -\quatretemps\changecontext -\NOTEs\pointdurgue G\hu{=J}&\pointdorgue a\Sh M\zh{M}\hl a\relax - |\pointdorgue l\lsh f\zh{=cf}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 14 -%\check -\barre\NOTes\hu J&\zh{=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 15 -%\check -\barre\NOTes\hu{^I}&\zh{K}\hl N|\zh{d}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -%\check -% mesure 16 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl N|\zh{be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HI{^G}H|\qqhh ab{^N}a\enotes -%\check -% mesure 17 -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 18 -%\check -\quatretemps\changecontext -\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 19 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler\bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 20 -\barre\autolines{16}45\relax -\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 21 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 22 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 23 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 24 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 25 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 26 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 27 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 28 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 29 -\barre\bigaccid -\notes\wh M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 30 -\barre\autolines{10}55\relax -\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -%\check -% mesure 31 -%\check -\barre\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\varaccid -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 32 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 33 -%\check -\barre\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 34 -%\check -\deuxtemps\changecontext\autolines{9}55\relax -\addspace{-\afterruleskip}% -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 35 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 36 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -%\check -% mesure 37 -%\check -\barre\NOTes\hu{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh bcab\enotes -%\check -% mesure 38 -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq J\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 39 -\quatretemps\changecontext -\notes\hu D&\Qqbb HMKM|\uptext{\it\kern -1em un -poco pi\`u vivo}\zqp a\qup d\enotes -\temps\notes&\Qqbb HMKM|\sk\sk\ds\enotes -\zalaligne\autolines{15}45\relax -%\check -\notes\sk\sk\hpause&\Qqbb KaMa|\Ilegu0r\ql o\enotes -\temps\notes&\Qqbb KaMa|\ql o\enotes -%\check -% mesure 40 -\def\atnextline{\autolines{17}35}\relax -\barre\notes\wh K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 41 -\barre\notes\wh H&\bigaccid\Qqbb L{^c}Nc|\doubler\zhl h\hu{^j}\tleg0\enotes -\temps\notes&\Qqbb LcNc|\enotes -\temps\notes&\Qqbb LcNc|\Ilegu0r\zql h\qu h\enotes -\temps\notes&\Qqbb LcNc|\zqu h\qsk\zql g\enotes -%\check -% mesure 42 -\barre\notes\qu K&\Qqbb Mdad|\zql f\qu k\enotes -\temps\notes\bigSh J\qu J&\Qqbb L{^c}Nc|\zql i\qu l\enotes -\temps\notes\qu K&\Qqbb Mdad|\zql h\qu m\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql i\qu n\enotes -%\check -% mesure 43 -\barre\notes\hu H&\Qqbb L{^c}Nc|\bigSh j\zqlp j\qup l\tleg0\enotes -\temps\notes&\Qqbb LcNc|\sk\sk\ds\enotes -\temps\notes\sk\sk\sk\hpause&\Qqbb KaMa|\zhl h\Ilegu0r\qu o\enotes -\temps\notes&\Qqbb KaMa|\qu o\enotes -%\check -% mesure 44 -\barre\notes\hu K&\Qqbb Mdad|\zhl h\qu o\enotes -\temps\notes&\Qqbb Mdad|\doubler\dqh nm\enotes -\temps\notes\hu K&\Qqbb Mdad|\zhl g\qu l\enotes -\temps\notes&\Qqbb Mdad|\qu k\enotes -%\check -% mesure 45 -\barre\notes\zwh G&\Qqbb KbNb|\zhlp i\hu p\enotes -\temps\notes&\Qqbb KbNb|\enotes -\temps\notes&\Qqbb KbNb|\qu n\enotes -\temps\notes&\Qqbb KbNb|\zqu p\raise -2\Interligne\soupir\enotes -%\check -% mesure 46 -\barre\notes\qu H&\Qqbb Mdad|\zql m\qu o\enotes -\temps\notes\qu I&\Qqbb KbNb|\zql l\qu n\enotes -\temps\notes\hu H&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -%\check -% mesure 47 -\barre\notes\hup D&\Qqbb KaMa|\zqlp f\qup k\tleg0\enotes -\temps\notes&\Qqbb KaMa|\sk\sk\dsoupir\enotes -\temps\notes&\Qqbb KbNb|\Ilegu0s\ql r\enotes -\temps\notes\soupir&\Qqbb KbNb|\ql r\enotes -\def\atnextline{}% -%\check -% mesure 48 -\barre\notes\hu G&\Qqbb LcNc|\ql r\enotes -\temps\notes&\Qqbb LcNc|\doubler\dqb qp\enotes -\temps\notes\hu J&\Qqbb LcNc|\ql o\enotes -\temps\notes&\Qqbb LcNc|\ql n\enotes -%\check -% mesure 49 -\barre\notes\hu H&\Qqbb Mcac|\hl q\enotes -\temps\notes&\Qqbb Mcac\enotes -\temps\notes\hu F&\Qqbb Mcac|\zhl m\qu o\enotes -\temps\notes&\Qqbb Mcac|\qu o\enotes -%\check -% mesure 50 -\barre\notes\hu G&\Qqbb KbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu r\enotes -\temps\notes\hu J&\Qqbb LcNc|\zhl l\qu q\enotes -\temps\notes&\Qqbb LcNc|\qu p\enotes -%\check -%\check -% mesure 51 -\barre\def\atnextline{\autolines{14}45}\relax -\notes\hu F&\Qqbb Mcac|\zqlp m\qup o\tleg0\enotes -\temps\notes&\Qqbb Mcac|\sk\sk\ds\enotes -\temps\notes\hu I&\Qqbb KbMb|\Ilegu0s\zhl k\qu p\enotes -\temps\notes&\Qqbb KbNb|\qu p\enotes -%\check -% mesure 52 -\barre\notes\hu L&\Qqbb LbNb|\zhl n\qu p\enotes -\temps\notes&\Qqbb LbNb|\doubler\dqh qp\enotes -\temps\notes\bigSh J\hu J&\bigaccid\Qqbb L{^c}Nc|\zhl l\qu o\enotes -\temps\notes&\Qqbb LcNc|\qu n\enotes -%\check -% mesure 53 -\barre\notes\hup K&\Qqbb Mdad|\zhl m\hu r\enotes -\temps\notes&\Qqbb Mdad\enotes -\temps\notes&\Qqbb Mdad|\zhl h\qu m\enotes -\temps\notes\sk\soupir&\Qqbb Mdad|\qu m\enotes -%\check -% mesure 54 -\barre\notes\hu H&\bigaccid\Qqbb L{^c}Nc|\bigSh j\zql j\qu l\enotes -\temps\notes&\Qqbb Mdad|\zql k\qu m\enotes -\temps\notes\soupir&\Qqbb LcNc|\zhl l\qu n\enotes -\temps\notes\qu H&\Qqbb LcNc|\qu o\enotes -%\check -% mesure 55 -\barre\notes\hu D&\Qqbb Mdad|\wh k\tleg0\enotes -\temps\notes&\Qqbb Mdad|\raise -\Interligne\hpause\enotes -\temps\zalaligne -\notes\Ilegu0a\ql a&\sQqbb Mdad|\uptext{\it Positif ad lib.}\qs\sTqbb fhf\enotes -\temps\notes\ql a&\smallnotesize\Qqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 56 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -%\check -% mesure 57 -\barre\notes\tleg0\bigSh J\hu J&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw l\raise -\Interligne\qs - \bigaccid\Tqbb h{^j}h\enotes -\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\Ilegu0N\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\qu H&\sQqbb L{c}Nc|\smallnotesize\Qqbb jgjg\enotes -%\check -% mesure 58 -\barre\def\atnextline{\autolines{17}35}\relax -\notes\ql K&\sQqbb Mdad|\smallnotesize\zw m\raise -\Interligne\qs - \Tqbb hkh\enotes -\temps\notes\ql L&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jhjh\enotes -\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb khkh\enotes -\temps\notes\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes -%\check -% mesure 59 -\barre\notes\hl L\tleg0&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\zw o\raise -\Interligne\qs - \bigSh j\Tqbb jlj\enotes -\temps\notes&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes -\temps\notes\Ilegu0a\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes -\temps\notes\ql a&\sQqbb L{c}Nc|\smallnotesize\Qqbb ljlj\enotes -%\check -% mesure 60 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zw o\raise -\Interligne\qs\Tqbb lml\enotes -\temps\notes\doubler\dqb NM&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes -\temps\notes\ql L&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes -\temps\notes\ql K&\sQqbb Mdad|\smallnotesize\Qqbb mlml\enotes -%\check -% mesure 61 -\barre\notes\hl b\tleg0&\sQqbb Ndbd|\smallnotesize\zw n\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes -\temps\notes\Ilegu0a\ql N&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes -\temps\notes\ql b&\sQqbb Ndbd|\smallnotesize\Qqbb kiki\enotes -%\check -% mesure 62 -\barre\notes\ql a&\sQqbb Mdad|\smallnotesize\zhup m\raise -\Interligne\qs\Tqbb hkh\enotes -\temps\notes\ql N&\smallnotesize\bigaccid\Qqbb L{^c}Nc|\smallnotesize\bigSh j\Qqbb jljl\enotes -\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hkhk\enotes -\temps\notes\ql L&\sQqbb LcNc|\smallnotesize\zqu l\Qqbb hjhj\enotes -%\check -% mesure 63 -\barre\notes\hl K\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\ql d&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -%\check -% mesure 64 -\barre\notes\ql d&\sQqbb Mdbd|\smallnotesize\zhu k\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb igig\enotes -%\check -% mesure 65 -\barre\notes\hl c\tleg0&\sQqbb Mcac|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\Ilegu0b\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\ql a&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes -%\check -% mesure 66 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql d&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes -\temps\notes\ql c&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb jgj\enotes -\temps\notes\ql b&\sQqbb LcNc|\smallnotesize\Qqbb gjgj\enotes -%\check -% mesure 67 -\barre\notes\hl a\tleg0&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes -%\check -% mesure 68 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\smallnotesize\Qqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\Tqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\smallnotesize\Qqbb igig\enotes -%\check -% mesure 69 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\Ilegu0N\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -%\check -% mesure 70 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\Tqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\Qqbb jgjg\enotes -%\check -% mesure 71 -\def\uppzql#1{\uppz #1\ql #1}% -\barre\notes\hu K\tleg0&\sk\hpause - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hk3\qb0h\zq k\qb0m\zq j\qb0l\zq i\tqb0k\enotes -\temps\notes\bigaccid\hu{^J}&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -%\check -% mesure 72 -\barre\notes\hu K&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes&\zq M\uppzql a\relax -|\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\hu I&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -\temps\notes&\zq N\uppzql b\relax - |\smallnotesize\Ibbl0in3\qb0i\zq n\qb0p\zq m\qb0o\zq l\tqb0n\enotes -%\check -% mesure 73 -\barre\notes\qu H&\zq M\uppzql a\relax - |\smallnotesize\Ibbl0hm3\qb0h\zq m\qb0o\zq l\qb0n\zq k\tqb0m\enotes -\temps\notes\qu H&\zq L\uppzql N\relax - |\smallnotesize\Ibbl0hl3\qb0h\zq l\qb0n\zq k\qb0m\zq{j}\tqb0l\enotes -\temps\notes\qu H&\zq K\uppzql M\relax - |\smallnotesize\varaccid\Ibbl0hk3\qb0h\zq k\qb0m\zq{^j}\qb0l\zq{^i}\tqb0k\enotes -\temps\notes\qu H&\zq{^J}\uppzql L\relax - |\smallnotesize\Ibbl0hj3\qb0h\zq j\qb0l\zq i\qb0k\zq h\tqb0j\enotes -%\check -% mesure 74 -\barre\notes\Ilegl2G\qu K&\sQqbb Mdad|\smallnotesize\itenu1k\zwh k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes\doubler\dqh ML&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\qu K&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\doubler\bigSh J\dqh JK&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -%\check -% mesure 75 -\barre\notes\qu L&\sQqbb Mdad|\smallnotesize\tten1\zwh k\Qqbb hfhf\enotes -\temps\notes\qu M&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes\hu K\tleg2&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -\temps\notes&\sQqbb Mdad|\smallnotesize\Qqbb hfhf\enotes -%\check -% mesure 76 -\barre\notes\Ilegu2a\ql M&\sQqbb afcf|\smallnotesize\itenu1m\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\doubler\dqb aN&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\ql M&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\doubler\dqb LM&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -%\check -% mesure 77 -\barre\notes\ql N&\sQqbb afcf|\smallnotesize\tten1\zwh m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes\ql a&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\hl M\tleg2&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes&\sQqbb afcf|\smallnotesize\Qqbb jhjh\enotes -\cleftoksii={0000}\changeclefs -%\check -% mesure 78 -\barre\notes\Ilegu2b\ql a&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes\doubler\dqb c{^b}&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -\temps\notes\doubler\dqb {^N}a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -%\check -% mesure 79 -\barre\notes\bigaccid\ql {^b}&\sqqHH ei{^g}i\relax - |\smallnotesize\zhu p\raise -\Interligne\qs\Tqbb l{^n}l\enotes -\temps\notes\ql c&\sqqHH eigi|\smallnotesize\Qqbb nlnl\enotes -\temps\notes\ql a\tleg2&\sqqHH ejhj\relax - |\smallnotesize\zhu q\raise -\Interligne\qs\Tqbb lol\enotes -\temps\notes\ql e&\sqqHH ejhj|\smallnotesize\Qqbb olol\enotes -%\check -% mesure 80 -%\cleftoksii={6000}\changeclefs -\barre\notes\hlp f&\sqqHH dhfh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb kmk\enotes -\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes -\temps\notes&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes -\temps\notes\doubler\dqb ed&\sqqHH dhfh|\smallnotesize\Qqbb mkmk\enotes -%\check -% mesure 81 -\barre\notes\hlp e&\sqqHH cheh|\smallnotesize\zwh o\raise -\Interligne\qs\Tqbb jlj\enotes -\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -\temps\notes&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -\temps\notes\ql a&\sqqHH cheh|\smallnotesize\Qqbb ljlj\enotes -%\check -% mesure 82 -\barre\notes\hlp d&\sqqHH bfdf|\smallnotesize\zwh m\raise -\Interligne\qs\Tqbb iki\enotes -\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes -\temps\notes&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes -\temps\notes\doubler \dqb cb&\sqqHH bfdf|\smallnotesize\Qqbb kiki\enotes -%\check -% mesure 83 -\barre\notes\hlp c&\sqqHH afcf|\smallnotesize\zw m\raise -\Interligne\qs\Tqbb hjh\enotes -\temps\notes&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\uptext{\it non legato}&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes -\temps\notes\ql M&\sqqHH afcf|\smallnotesize\Qqbb jhjh\enotes -% mesure 84 -\barre\notes\ql b&\sqqHH bgdg|\smallnotesize\qqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\smallnotesize\qqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\smallnotesize\qqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\smallnotesize\qqBB kiki\enotes -%\check -% mesure 85 -\barre\notes\ql b&\sqqHH bgdg|\sqqBB niki\enotes -\temps\notes\ql a&\sqqHH bfdf|\sqqBB miki\enotes -\temps\notes\ql N&\sqqHH bede|\sqqBB liki\enotes -\temps\notes\ql M&\sqqHH bdbd|\sqqBB kiki\enotes -%\check -% mesure 86 -\cleftoksii={6000}\changeclefs -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Ne{c}e|\sqqBB ojlj\enotes -%\check -% mesure 87 -\barre\notes\ql M&\sQqbb Mdad|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql M&\sQqbb Mdad|\sqqBB okmk\enotes -\temps\notes\ql K&\sQqbb Mdad|\sqqBB okmk\enotes -%\check -% mesure 88 -\barre\notes\ql L&\sQqbb Ne{^c}e|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql L&\sQqbb Nece|\sqqBB ojlj\enotes -\temps\notes\ql a&\sQqbb Nece|\sqqBB ojlj\enotes -%\check -% mesure 89 -\barre\notes\ql M&\sQqbb Ndbd|\bigaccid\sqqBB okmk\enotes -\temps\notes\ql a&\sQqbb Ndbd|\sqqBB okmk\enotes -\temps\notes\ql L&\bigaccid\sQqbb L{^c}Nc|\bigaccid\sqqBB o{^j}lj\enotes -\temps\notes\ql a&\sQqbb LcNc|\sqqBB ojlj\enotes -% -% mesure 90 -\def\octp{\advance\transpose by 7\relax}% -\barre\notes\hup K&\sQqbb Mdad|\sQqbb komo\enotes -\temps\notes&\sQqbb Mdad|\sQqbb komo\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 91 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\advance\linesinpage by 1\relax -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -%\check -% mesure 92 -\barre\notes\wh H&\qsk\Sh c\sqqHH cgeg|\zh{^j}\zhu{^q}\qsk\qqbb jolo\enotes -\temps\notes&\sqqHH cgeg|\qqbb lolo\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -\temps\notes&\sqqHH cgeg|\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 93 -\barre\notes\qu K&\sqqHH dhfh|\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu{^J}&\sqqHH{^c}heh|\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu K&\sqqHH dhfh|\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sqqHH digi|\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 94 -\barre\notes\wh H&\qsk\sqqHH{^c}heh|\zh l\zhu s\qsk\qqbb l{^q}oq\enotes -\temps\notes&\sqqHH cheh|\qqbb oqoq\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 95 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 96 -\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes -\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 97 -\barre\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH cheh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -%\check -% mesure 98 -\barre\notes\hu D&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH dfdf|\qqbb komo\enotes -\temps\notes\hu K&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\zq k\zqu r\qqbb komo\enotes -%\check -% mesure 99 -\barre\notes\wh G&\sqqHH digi|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes&\sqqHH bgdg|\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\temps\notes&\sqqHH bgdg|\zq h\zqu o\qqbb hkik\enotes -\temps\notes&\sqqHH bgdg|\zq g\zqu n\qqbb gkik\enotes -% -% mesure 100 -\barre\notes\wh H&\qsk\sqqHH afcf|\zh j\zhu q\qsk\qqbb jomo\enotes -\temps\notes&\sqqHH afcf|\qqbb momo\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH afcf|\zq h\zqu o\qqbb hmjm\enotes -%\check -% mesure 101 -\cleftoksii={6000}\changeclefs -\barre\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq k\zqu r\qqbb kpnp\enotes -\temps\notes\hu J&\sQqbb LcNc|\zq j\zqu q\qqbb jnln\enotes -\temps\notes&\sQqbb LcNc|\zq i\zqu p\qqbb inln\enotes -% -% mesure 102 -\advance\linesinpage by 1\relax -\barre\notes\hu F&\qsk\sQqbb Mcac|\zh h\zhu o\qsk\qqbb hmjm\enotes -\temps\notes&\sQqbb Mcac|\qqbb jmjm\enotes -\temps\notes\hu G&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -\temps\notes&\sQqbb Ndbd|\zq i\zqu p\qqbb inkn\enotes -%\check -% mesure 103 -\barre\notes\wh L&\sQqbb Ne{^c}e|\zq i\zqu p\qqbb inln\enotes -\temps\notes&\sQqbb Nece|\cNa j\rlap{\doubler\zq j\Ibu0qp1\qh0 q\zq i\tqh0p}\relax - \Ibbl1ji2\qb1{jni}\tqb1n\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\sqqHH af{=c}f|\zq h\zqu o\qqbb hmjm\enotes -\temps\notes&\sqqHH Nece|\zq g\zqu n\qqbb gljl\enotes -% -% mesure 104 -\barre\notes\wh K&\qsk\sqqHH afdf|\zh k\zhu r\qsk\qqbb komo\enotes -\temps\notes&\sqqHH afdf|\qqbb momo\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -% -% mesure 105 -\barre\notes\qu H&\sqqHH Ne{^c}e|\octp\zq e\zqu l\qqbb e{^j}hj\enotes -\temps\notes\qu I&\sqqHH afdf|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes\qu G&\sqqHH Nece|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes\qu H&\sqqHH Nece|\octp\zq h\zqu o\qqbb hljl\enotes -%\check -% mesure 106 -\barre\notes\hup D&\qsk\sqqHH afdf|\octp\zh d\zhu k\qsk\Qqbb dhfh\enotes -\temps\notes&\sqqHH afdf|\octp\Qqbb fhfh\enotes -\temps\notes&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes\soupir&\sqqHH afdf|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 107 -\barre\notes\wh K&\sqqHH Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH Mdad|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH Mdad|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 108 -\barre\notes\wh G&\qsk\sqqHH Ndbd|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sqqHH Ndbd|\qqbb knkn\enotes -\temps\notes&\sqqHH Ndbd|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\sqqHH Ndbd|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 109 -\barre\notes\wh H&\sqqHH afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH ae{^c}e|\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH afdf|\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -% mesure 110 -%\check -\barre\autolines{9}55\relax -\NOtes&\pointdorgue l\hpause - |\pointdorgue l\hpause\enotes -\temps\NOtes\pointdorgue a\pause - &\soupir|\soupir\enotes -\cleftoksii={6000}\changeclefs -\varaccid -\temps\notes&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 111 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 112 -%\check -\barre -\NOTes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 113 -%\check -\deuxtemps\changecontext -\def\atnextline{\autolines{9}55\relax}\relax -\Notes\qsk\cNa J\dqh{J}J&\qsk\zmidtwotext{\it rit.} - \ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\qsk\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -\temps\Notes\dqh{J}J&\ibl0L0\zq{LN}\qb0b\zq{LN}\tqb0b\relax - |\ibu0i0\zq{eg}\qh0i\zq{eg}\tqh0i\enotes -%\check -% mesure 114 -%\check -\quatretemps\changecontext -\NOTEs\cNa F\hu{F}&\zh{JL}\hl a|\zh{ce}\hu h\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh JK{^I}J|\qqhh cd{^b}c\enotes -%\check -% mesure 115 -%\check -\barre\NOTes\hu H&\zh{J=M}\hl a|\zh{c=f}\hu h\enotes -\temps\NOtes&\soupir|\soupir\enotes -\bigaccid -\temps\notes\hpause&\qqhh {^I}JHI|\qqhh {^b}cab\enotes -% mesure 116 -%\check -\barre\NOTes\hup{=I}&\zh{L}\hl{N}|\zh{=be}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh {=I}JHI|\qqhh {=b}cab\enotes -% mesure 117 -%\check -\barre\NOTes\hup{I}&\zh{K}\hl{N}|\zh{bd}\hu g\enotes -\temps\NOtes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -% mesure 118 -\def\atnextline{\autolines{16}45\relax}\relax -%\check -\deuxtemps\changecontext -\Notes\dqh HH&\zcharnote c{\it rit.}\ibl0K0\zq{K}\qb0M\zq{K}\tqb0M\relax - |\ibu0f0\zq{ad}\qh0f\zq{ad}\tqh0f\enotes -\temps\Notes\dqh HH&\ibl0J0\zq{^J}\qb0L\zq{J}\tqb0L\relax - |\ibu0e0\zq{a^c}\qh0e\zq{ac}\tqh0e\enotes -%\check -% mesure 119 -%\check -\quatretemps\changecontext -\NOTEs\pointdurgue D\hu D&\pointdorgue N\zh{HK}\hl M\relax - |\pointdorgue l\zh{a}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 120 -\advance\barsinline by 1\relax -\barre\notes\hup K&\bigSh M\Qqbb Mcac|\doubler - \bigSh f\zh{f}\zhl h\qu{_l}\enotes -\temps\notes&\Qqbb Mcac|\doubler\qu k\enotes -\temps\notes&\Qqbb Mcac|\doubler\zh{f}\zhl h\qu k\enotes -\temps\notes\soupir&\Qqbb Mcac|\doubler\qu j\enotes -%\check -% mesure 121 -\barre\notes\hup G&\Qqbb KbNb|\doubler\zh{d}\zhl g\hu i\enotes -\temps\notes&\Qqbb KbNb\enotes -\temps\notes&\Qqbb KbNb|\doubler\dqh gh\enotes -\temps\notes\soupir&\Qqbb KbNb|\doubler\dqh{^f}g\enotes -%\check -% mesure 122 -\barre\notes\hup J&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu k\enotes -\temps\notes&\Qqbb LcNc|\doubler\qu j\enotes -\temps\notes&\Qqbb LcNc|\doubler\zh{e}\zhl g\qu j\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\qu i\enotes -%\check -% mesure 123 -\barre\notes\hup F&\Qqbb JaLa|\doubler\zh{cf}\hu h\enotes -\temps\notes&\Qqbb JaLa\enotes -\temps\notes&\Qqbb JaMa|\doubler\cNa f\dqh fg\enotes -\temps\notes\soupir&\Qqbb JaMa|\doubler\dqh ef\enotes -%\check -% mesure 124 -\barre\notes\hup I&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu j\enotes -\temps\notes&\Qqbb KbMb|\doubler\qu i\enotes -\temps\notes&\Qqbb KbMb|\doubler\zh{d}\zhl f\qu i\enotes -\temps\notes\soupir&\Qqbb KbMb|\doubler\qu h\enotes -%\check -% mesure 125 -\barre\autolines{16}35\relax -\notes\hup H&\Qqbb LbNb|\doubler\zh{^ce}\hu g\enotes -\temps\notes&\Qqbb LbNb\enotes -\temps\notes&\bigaccid\Qqbb L{^c}Nc|\doubler\dqh ef\enotes -\temps\notes\soupir&\Qqbb LcNc|\doubler\dqh de\enotes -%\check -% mesure 126 -\barre\notes\hu G&\Qqbb LbNb|\doubler\zh{^c}\zhl e\qu i\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu h\enotes -\temps\notes\hu H&\Qqbb LbNb|\doubler\zh{c}\zhl e\qu h\enotes -\temps\notes&\Qqbb LbNb|\doubler\qu g\enotes -%\check -% mesure 127 -\barre\notes\hu K&\Qqbb KaMa|\doubler\zhl{d}\qu f\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zhl{d}\qu{^f}\enotes -\temps\notes&\Qqbb KaMa|\qqhh gfef\enotes -%\check -% mesure 128 -\barre\notes\hu K&\Qqbb KbNb|\doubler\zhl{d}\qu g\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hu K&\bigaccid\Qqbb Ka{^M}a|\doubler\zh d\zhl{f}\qu h\enotes -\temps\notes&\Qqbb KaMa|\qqhh ihgh\enotes -%\check -% mesure 129 -\barre\notes\hl K&\Qqbb KbNb|\doubler\zh d\zhl{g}\qu i\enotes -\temps\notes&\Qqbb KbNb|\qqhh hg{^f}g\enotes -\nspace -\temps\notes\hl L&\bigaccid\Qqbb L{^c}Nc|\doubler\zh e\zhl{g}\qu{^j}\enotes -\temps\notes&\Qqbb LcNc|\qqhh kj{^i}j\enotes -%\check -% mesure 130 -\barre\autolines{17}35\relax -\bigaccid -\notes\hl M&\Qqbb Mdad|\bigaccid\zh{=fh}\hu k\enotes -\temps\notes&\Qqbb Mdad|\enotes -\temps\notes\hu K&\Qqbb Mdad|\zh{f}\hu h\enotes -\temps\notes&\Qqbb Mdad|\enotes -% -% mesure 131 -\barre\notes\hu G&\Qqbb INKN|\doubler\zh{b}\zhl d\qu g\enotes -\temps\notes&\zmidtwotext{\it rit.}\Qqbb INKN|\qu f\enotes -\temps\notes\hu H&\Qqbb {^J}NLN|\doubler\zhl{a^c}\qu e\enotes -\temps\notes&\Qqbb {J}NLN|\qu d\enotes -% -% mesure 132 -\barre \notes\hu D&\Qqbb HMKM|\doubler\zh{a}\hu d\enotes -\temps\notes&\Qqbb HMKM|\enotes -\temps\notes\uptext{\it a tempo}\sk\hpause - &\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -%\check -% -% mesure 133 -\barre\notes\wh F&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\normalnotesize\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb {^J}NLN|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb INKN|\varaccid\zq d\zqu k\qqbb digi\enotes -% -% mesure 134 -\def\octm{\advance\transpose by -7\relax}% -\barre\notes\hu H&\qsk\Sh J\sQqbb JNLN|\zh{^c}\zhu{^j}\qsk\qqbb cheh\enotes -\temps\notes&\sQqbb JNLN|\qqbb eheh\enotes -\temps\notes\hu G&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -\temps\notes&\sQqbb JNLN|\zq a\zqu h\qqBB aece\enotes -%\check -% mesure 135 -\barre\notes\qu F&\sQqbb HMKM|\octm\zq k\zqu r\qqbb komo\enotes -\temps\notes\qu G&\sQqbb{^J}aLa|\octm\zq l\zqu s\qqbb lono\enotes -\temps\notes\qu H&\sQqbb KaMa|\octm\zq m\zqu t\qqbb mror\enotes -\temps\notes\qu I&\sQqbb KbNb|\octm\zq n\zqu u\qqbb nrpr\enotes -%\check -% mesure 136 -\barre\notes\wh H&\qsk\octm\sQqbb{^c}heh|\octm\zh l\zhu s\qsk\qqbb l{^q}oq\enotes -\temps\notes&\octm\sQqbb cheh|\octm\qqbb oqoq\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 137 -\barre\notes\wh K&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\octm\sQqbb dhfh|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\octm\sQqbb dhfh|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 138 -\barre\notes\wh G&\qsk\sQqbb KbNb|\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sQqbb KbNb|\qqbb knkn\enotes -\temps\notes&\octm\sQqbb bgdg|\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\octm\sQqbb bgdg|\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 139 -\barre\notes\wh H&\octm\sQqbb dhfh|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\octm\sQqbb{^c}heh|\zq g\zqu o\qqbb gl{^j}l\enotes -\temps\notes&\octm\sQqbb afdf|\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sQqbb JaLa|\zq g\zqu o\qqbb gljl\enotes -%\check -% mesure 140 -\barre\notes\hl K&\sQqbb Mdad|\zhu k\raise -\Interligne\qs\Tqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\Qqbb hfhf\enotes -\temps\notes\Ilegu0d\ql d&\sQqbb KaMa|\uptext{\it positif}\sQqbb hfhf\enotes -\temps\notes\ql d&\sQqbb KaMa|\raise\Interligne\rlap{\hpause}\sQqbb hfhf\enotes -%\check -% mesure 141 -\barre\notes\ql d&\sQqbb KbNb|\smallnotesize\zhu k\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\doubler\dqb cb&\sQqbb KbNb|\sQqbb igig\enotes -\temps\notes\ql a&\sQqbb LcNc|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb igig\enotes -%\check -% mesure 142 -\barre\notes\hl c\tleg0&\sQqbb JaMa|\smallnotesize\zw m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -\temps\notes\ql a&\sQqbb JaMa|\sQqbb jhjh\enotes -%\check -% mesure 143 -\barre\notes\ql b&\sQqbb IMKM|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql d&\sQqbb IMKM|\sQqbb kiki\enotes -\temps\notes\ql c&\sQqbb JNLN|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb jgj\enotes -\temps\notes\ql b&\sQqbb JNLN|\sQqbb gjgj\enotes -%\check -% mesure 144 -\barre\notes\tleg0\hl a&\sQqbb Mcac|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb hjh\enotes -\temps\notes&\sQqbb Mcac|\sQqbb jhjh\enotes -\temps\notes\Ilegu0c\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\ql b&\sQqbb Mdbd|\sQqbb kiki\enotes -%\check -% mesure 145 -\barre\notes\ql b&\sQqbb Mdbd|\smallnotesize\zhu m\raise -\Interligne\qs\sTqbb iki\enotes -\temps\notes\doubler\dqb cb&\sQqbb Mdbd|\sQqbb kiki\enotes -\temps\notes\ql a&\sQqbb Mdbd|\smallnotesize\zhu l\raise -\Interligne\qs\sTqbb gig\enotes -\temps\notes\ql N&\sQqbb Mdbd|\sQqbb igig\enotes -%\check -% mesure 146 -\barre\notes\hl d\tleg0&\sQqbb Mdad|\smallnotesize\zwh k\raise -\Interligne\qs\sTqbb fhf\enotes -\temps\notes&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\Ilegu0a\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -\temps\notes\ql M&\sQqbb Mdad|\sQqbb hfhf\enotes -%\check -% mesure 147 -\barre\notes\ql L&\bigaccid\sQqbb L{^c}ac|\smallnotesize\bigaccid - \zwh l\raise -\Interligne\qs\sTqbb h{^j}h\enotes -\temps\notes\ql M&\sQqbb L{c}ac|\sQqbb jhjh\enotes -\temps\notes\ql N&\sQqbb LcNc|\sQqbb jgjg\enotes -\temps\notes\ql a&\sQqbb LcNc|\sQqbb jgjg\enotes -%\check -% mesure 148 -\barre\autolines{8}65\relax -\NOTes\pointdurgue H\hu K\tleg0&\pointdurgue H\smallnotesize\zh{Ma}\hl d\relax - |\pointdorgue m\smallnotesize\zh{fh}\hu d\enotes -\temps\NOtes&\zmidtwotext{\it\kern -1em a tempo}\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 149 -\barre\NOtes\hu K&\zh M\hl a|\zh d\hu f\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -%\check -% mesure 150 -%\check -\barre\NOtes\hu K&\zh M\hl a|\zh{df}\hu h\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh KL{^J}K|\qqhh de{^c}d\enotes -% mesure 151 -%\check -\deuxtemps\changecontext -\Notes\dqh{^J}J&\zmidtwotext{\it rit.}\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -\temps\Notes\dqh{J}J&\ibl1L0\zq{LN}\qb1b\zq{LN}\tqb1b\relax - |\ibu2i0\zq{eg}\qh2i\zq{eg}\tqh2i\enotes -%\advancebottom{-2\Interligne}% -%\check -% mesure 152 -\quatretemps\changecontext\varaccid -\NOTes\pointdurgue H\hu K&\pointdorgue a\zh{M}\hl a\relax - |\pointdorgue l\zh{df}\hu h\enotes -\temps\Notes&\soupir|\uptext{\it\kern -1em a tempo}\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 153 -\barre\NOtes\hu K&\zh{^Ma}\hl c|\zh{^fhj}\hl{_l}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{^J}K|\qqhh d{_e}{^c}d\enotes -% mesure 154 -\barre\NOtes\hu J&\zh{^Ma}\hl c|\zh{hj}\hl{^m}\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 155 -\barre\NOtes\hu I&\zh{LN}\hl{^c}|\lSh j\zh{j=l}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh K{_L}{=J}K|\qqhh d{_e}{=c}d\enotes -% mesure 156 -\barre\NOtes\hu G&\zh{KN}\hl{b}|\zh{ik}\hl n\enotes -\temps\Notes&\soupir|\soupir\enotes -\temps\notes\hpause&\qqhh HIGH|\qqhh abNa\enotes -%\check -% mesure 157 -\barre\NOtes\qu D&\zq{^Ma}\ql{d}|\zq{^fh}\ql k\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\temps\notes\hu H&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb Mdad|\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 158 -\barre\autolines{16}35\relax -\notes\wh H&\sQqbb KaMa|\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sQqbb KaMa|\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sQqbb KaMa|\varaccid\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 159 -\staffbotmarg=2pt -\barre\notes\qu H&\sQqbb L{^c}ac|\zq h\zqu o\qqbb hl{^j}l\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue a\soupir|\pointdorgue l\soupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes\sk\hpause&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -% -% mesure 160 -\barre\notes\wh K&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hkmk\enotes -\temps\notes&\sqqHH dhfh|\octp\rlap{\doubler\zq g\Ibu0nm1\qh0 n\zq f\tqh0m}\relax - \Ibbl1gf2\qb1{gkf}\tqb1k\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq e\zqu l\qqbb e{^j}gj\enotes -\temps\notes&\sqqHH dhfh|\varaccid\octp\zq d\zqu k\qqbb dhfh\enotes -% -% mesure 161 -\barre\notes\wh G&\qsk\sqqHH digi|\octp\zh i\zhu p\qsk\qqbb inkn\enotes -\temps\notes&\sqqHH digi|\octp\qqbb knkn\enotes -\temps\notes&\sqqHH digi|\octp\zq g\zqu n\qqbb gkik\enotes -\temps\notes&\sqqHH eigi|\octp\zq i\zqu p\qqbb inln\enotes -%\check -% mesure 162 -\barre\autolines{8}65\relax -\notes\wh H&\sqqHH dhfh|\octp\zq h\zqu o\qqbb hmkm\enotes -\temps\notes&\sqqHH{^c}heh|\octp\zq g\zqu n\qqbb gl{^j}l\enotes -\temps\notes&\sqqHH dhfh|\octp\zq f\zqu m\qqbb fkhk\enotes -\temps\notes&\sqqHH aece|\varaccid\octp\zq e\zqu l\qqbb e{j}gj\enotes -%\check -% mesure 163 -\barre\NOtes\pointdorgue N\hpause - &\zmidtwotext{\ppff {f}{f}{f}}\pointdurgue f\hpause|\pointdorgue l\hpause\enotes -\temps\NOtes\lppz G\qu G&\lppz b\zq{bd}\qu g|\Uptext{\moyen Maestoso}\octp\uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz G\qu I&\lppz d\zq{dg}\qu i|\octp\uppz i\zq{dg}\ql i\enotes -% mesure 164 -\barre -\NOtes\lppz H\qu H&\octp\lppz K\zq{KM}\qu a|\octp\uppz h\zq{df}\ql h\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz I\zq{IK}\qu N|\octp - \uppz g\zq{bd}\ql g\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{HK}\qu M|\octp - \uppz f\zq{ad}\ql f\enotes -\temps\NOtes\lppz H\qu H&\octp\lppz H\zq{H^J}\qu L|\octp - \uppz e\zq{a^c}\ql e\enotes -% mesure 165 -\barre\NOtes\qu I&\zq{bd}\qu{h}|\zq{ik}\ql o\enotes -\temps\NOtes\pointdorgue a\soupir&\pointdorgue l\soupir|\pointdorgue l\soupir\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz N\zq{IK}\ql N|\octp\uppz g\zq{bd}\ql g\enotes -\temps\notes\lppz G\qu I&\octp\uppz N\zq{IK}\ql N|\octp\uppz i\zq{bdg}\ql i\enotes -\cleftoksii={6000}\changeclefs -% mesure 166 -\barre\NOtes\lppz G\qu H&\octp\uppz M\zq{HK}\ql M|\octp\uppz h\zq{adf}\ql h\enotes -\temps\NOtes\lppz G\qu G&\octp\uppz K\zq{GI}\ql K|\octp\uppz g\zq{Nbd}\ql g\enotes -\temps\NOtes\lppz F\qu F&\octp\uppz K\zq{FH}\ql K|\octp\uppz f\zq{Mad}\ql f\enotes -\temps\NOtes\lppz E\qu E&\octp\uppz J\zq{EH}\ql{^J}|\octp\uppz e\zq{La^c}\ql e\enotes -% mesure 167 -\barre\NOTes\wh D&\octp\zw{DF}\wh{H}|\octp\zw{KMa}\wh d\enotes -\finmorceau -\staffbotmarg=0pt -\rightline{\sl\aujourdhui}\vfil\eject - -\endinput diff --git a/Master/texmf-dist/doc/generic/musictex/fugue.tex b/Master/texmf-dist/doc/generic/musictex/fugue.tex deleted file mode 100644 index 7c1c7f77c2c..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/fugue.tex +++ /dev/null @@ -1,677 +0,0 @@ -\parindent 18mm -% -\centerline{\moyen FUGUE}\bigskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % sol majeur -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: mixtures, fonds 8'}% -\par\noindent{\rm P\'ed.: fonds 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 68}% -% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {12}45\relax -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Giocoso \bf(\metron{\cu}{120})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -\def\ptsoupir{\pt 5\soupir}% soupir pointe -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% formes frequentes -% trois croches hautes -\def\trql#1#2#3#4{\ibl0{#2}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -\def\trqL#1#2#3#4{\ibl0{#3}{#1}\qb0{#2#3}\tbl0\qb0{#4}}% -%\check -\def\trqu#1#2#3#4{\ibu0{#2}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -\def\trqU#1#2#3#4{\ibu0{#3}{#1}\qh0{#2#3}\tbu0\qh0{#4}}% -%\check -% -% formes frequentes -% trois croches hautes pizzicato -\def\pztql#1#2#3#4{\ibl0{#2}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\pztqL#1#2#3#4{\ibl0{#3}{#1}\blpz0\qb0{#2}\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\pztqu#1#2#3#4{\ibu0{#2}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\pztqU#1#2#3#4{\ibu0{#3}{#1}\bupz0\qh0{#2}\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -% -\def\lpztqu#1#2#3#4{\ilegl0{#3}\ibu0{#2}{#1}\qh0{#2}\tleg0\bupz0\qh0{#3}\bupz0\tbu0\qh0{#4}}% -\def\lpztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -\def\lpztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\blpz0\qb0{#3}\blpz0\tbl0\qb0{#4}}% -% -\def\lPztqL#1#2#3#4{\ilegu0{#2}\ibl0{#3}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztql#1#2#3#4{\ilegu0{#3}\ibl0{#2}{#1}\qb0{#2}\tleg0\upzqb{#3}\tbl0\upzqb{#4}}% -\def\lPztqU#1#2#3#4{\ilegl0{#2}\ibu0{#3}{#1}\qh0{#2}\tleg0\lpzqh{#3}\tbu0\lpzqh{#4}}% -% -\def\upzqb#1{\upz{#1}\qb0{#1}}% -\def\lpzqh#1{\lpz{#1}\qh0{#1}}% -% -\def\Pztql#1#2#3#4{\ibl0{#2}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\PztqL#1#2#3#4{\ibl0{#3}{#1}\upzqb{#2}\upzqb{#3}\tbl0\upzqb{#4}}% -\def\Pztqu#1#2#3#4{\ibu0{#2}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\PztqU#1#2#3#4{\ibu0{#3}{#1}\lpzqh{#2}\lpzqh{#3}\tbu0\lpzqh{#4}}% -\def\Pztqh{\Pztqu}\def\Pztqb{\Pztql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% croche pointee et 3 doubles croches -\def\cpdddu#1#2#3#4{\ibu0{#1}{-2}\qhp0{#1}\sk\sk\nbbu0\qh0{#2}\qh0{#3}\tqh0{#4}}% -\def\cpdddl#1#2#3#4{\ibl0{#2}{-2}\qbp0{#1}\sk\sk\nbbl0\qb0{#2}\qb0{#3}\tqb0{#4}}% -%\check -% croche et 4 doubles croches -\def\cddddu#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#2}\sk\nbbu0\qh0{#3#4#5}\tqh0{#6}}% -\def\cddddl#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#2}\sk\nbbl0\qb0{#3#4#5}\tqb0{#6}}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% -% mesure 1 -\Notes&|\pztql0iki\enotes -\temps\notes\pause&\pause|\cpdddl lkji\enotes -%\check -% mesure 2 -\barre\Notes&|\pztqU0hjh\enotes -\temps\Notes\pause&\pause|\qu k\sk\dsoupir\enotes -%\check -% mesure 3 -\barre\Notes&|\pztqU0gig\enotes -\temps\Notes\pause&\pause|\pztqu0jhj\enotes -% -% mesure 4 -\barre\Notes&|\lpztqu0khk\enotes -\temps\notes\pause&\pause|\cddddu2ighij\enotes -%\check -% mesure 5 -\barre\autolines {10}55\relax -\Notes&\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\pause&\doubler\ql L\sk\cu{^J}|\cpdddl nmlk\enotes -%\check -% mesure 6 -\barre\Notes&\sh a\Pztql0a{^c}a|\sh j\pztql0jlj\enotes -\temps\Notes\pause&\ql K\sk\cl M|\ql m\sk\dsoupir\enotes -%\check -% mesure 7 -\barre\Notes&\ql N\sk\cl b|\pztql0iki\enotes -\temps\Notes\pause&\ql c\sk\na a\cl a|\pztqL0l{=j}l\enotes -% mesure 8 -\barre\Notes&\ql M\sk\cl K|\pztqL0khk\enotes -\temps\notes\pause&\ql N\sk\dsoupir|\cddddu1gefgh\enotes -% mesure 9 -\barre\Notes&\pztql0LNL|\rlap{\qlp i}\qup n\enotes -\temps\notes\pause&\cpdddl aNML|\rlap{\qlp j}\qup l\enotes -%\check -% mesure 10 -\barre\Notes&\pztql0KMK|\rlap{\qlp h}\qup m\enotes -\temps\notes\pause&\cpdddl baNM|\rlap{\qlp g}\qup k\enotes -% mesure 11 -\barre\Notes&\pztql0LNL|\rlap{\qup l}\pztql2ghi\enotes -\temps\Notes\pause&\pztqu{-2}JIH|\itenu0m\rlap{\qup m}\pztql2hi{^j}\enotes -% mesure 12 -\barre\Notes\ptsoupir&\pztqu0I{^K}I|\tten0\sh k\rlap{\qlp k}\qup m\enotes -\temps\Notes\PztqU0EGE&\qu L\sk\dsoupir|\zql i\qu n\sk\dsoupir\enotes -%\check -\cleftoksii={{0}{0}{0}{0}}\changeclefs % -% mesure 13 -\barre\Notes\qu I\sk\dsoupir&\PztqU0{^d}fd|\pztql0i{^k}i\enotes -\temps\notes\doubler\pztqU0EGE&\doubler\pztqu0geg|\cpdddu l{=k}ji\enotes -%\check -% mesure 14 -\barre\Notes\qu J\sk\dsoupir&\PztqU0cec|\pztql0hjh\enotes -\temps\notes\doubler\pztqU0FHF&\doubler\PztqU0{^d}fd|\cpdddl ml{^k}j\enotes -%\check -\def\atnextline{\autolines{10}45}\relax -% mesure 15 -\barre\Notes\qup{^K}&\pztqU0fhf|\pztql0i{^k}i\enotes -\temps\Notes\qlp L&\pztqu0igi|\pztqL0nln\enotes -%\check -% mesure 16 -\barre\Notes\qup I&\qup{^d}|\rlap{\qup m}\pztql0i{^k}i\enotes -\temps\notes\qup J&\doubler\pztqU0ege|\bigaccid - \rlap{\qup n}\cpdddl l{=k}ji\enotes -%\check -% mesure 17 -\barre\notes\qup H&\cpdddu fe{=d}c|\doubler\rlap{\qup m}\pztql0hjh\enotes -\temps\Notes\qup I&\PztqU0bdb|\zql i\qu n\sk\dsoupir\enotes -%\check -% mesure 18 -\barre\notes\qup G&\cpdddu edcb|\doubler\zhup l\pztql0gig\enotes -\temps\Notes\qup H&\PztqU0aca|\pztqL0jhj\enotes -% -% mesure 19 -\barre\Notes\qup F&\Pztqu0dcd|\rlap{\qup m}\lpztqL0khk\enotes -\temps\notes\qup G&\qu b\sk\sk\sk\dsoupir|\rlap{\doubler - \qu n\sk\raise 2\Interligne\dsoupir}\cl i\sk\qqbbl2ghij\off{-\elemskip}\enotes -%\check -% mesure 20 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 21 -\barre\notes\qup H&\bigsh c\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\sh j\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -\def\atnextline{\autolines{10}55}\relax -% mesure 22 -\barre\notes\qup G&\cpdddl baNM|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\pztql0LNL|\pztqu0ljl\enotes -% mesure 23 -\barre\Notes\qup D&\pztql0MKM|\rlap{\qlp f}\pztqu0khk\enotes -\temps\notes\qup G&\ql b\sk\sk\sk\dsoupir|\rlap{\doubler - \ql d\sk\raise-2\Interligne\dsoupir}\cu i\sk\qqbbu2ghij\enotes -%\check -% mesure 24 -\cleftoksii={{6}{0}{0}{0}}\changeclefs % -\barre\Notes\qup I&\Pztql0bdb|\rlap{\qlp g}\pztqU0kmk\enotes -\temps\notes\qup E&\doubler\PztqL0ebe|\rlap{\qlp i}\cpdddu nmlk\enotes -%\check -% mesure 25 -\barre\notes\qup H&\cpdddl cbaN|\itenl0h\rlap{\qlp h}\doubler\pztqU0jlj\enotes -\temps\Notes\qup D&\pztql0MaM|\tten0\zql h\qu m\sk\dsoupir\enotes -%\check -% mesure 26 -\barre\notes\qup G&\cpdddl baN{=M}|\rlap{\hlp g}\doubler\pztqU0iki\enotes -\temps\Notes\qup C&\qlp L|\pztqu0ljl\enotes -% mesure 27 -\barre\Notes\qup {=F}&\qlp a|\rlap{\hlp{=f}}\pztqu0khk\enotes -\temps\Notes\qup G&\qlp N|\pztqu0igi\enotes -\signaturegenerale{0}% -% mesure 28 -\changecontext\Notes\pztql0JLJ&\ql N\sk\dsoupir|\zql c\qu j\sk\dsoupir\enotes -\transpose=1\relax % pour eviter de monter d'un cran ce qui ecrit en si bemol -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 29 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 30 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 31 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 32 -\barre\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\qlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\zql e\cpdddu gfed\enotes -% mesure 33 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\qlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\rlap{\qlp d}\cpdddu fedc\enotes -% mesure 34 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 35 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\transpose=0\relax % retour a la normale -\temps\Notes\qu J&\zql L\qu N\sk\dsoupir|\rlap{\kern -1pt\qlp j}\Pztqu{-3}ecb\enotes -\signaturegenerale{-3}% -% mesure 36 -\changecontext\Notes\PztqU0CEC&|\qu c\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\pause|\Pztqu0{=b}db\enotes -% mesure 37 -\barre\notes\doubler\PztqU0CEC&|\cpdddu gfed\enotes -\temps\Notes\qu H\sk\dsoupir&\pause|\Pztqu0cec\enotes -% mesure 38 -\barre\notes\doubler\PztqU0DFD&|\cpdddu hgfe\enotes -\temps\Notes\qu {=I}\sk\dsoupir&\pause|\Pztqu0dfd\enotes -% mesure 39 -\barre\notes\doubler\PztqU0G{=I}G&|\bigaccid\cpdddu {=i}{=h}gf\enotes -\temps\Notes\qu J\sk\dsoupir&\pause|\pztqU0ege\enotes -% mesure 40 -\barre\notes\qup E&\rlap{\qlp L}\cpdddu cbaN|\doubler\pztqu0jgj\enotes -\temps\Notes\qup F&\rlap{\qlp M}\pztqU0cac|\bigna h\pztqu0hfh\enotes -% mesure 41 -\barre\notes\qup I&\rlap{\qlp M}\cpdddu dcba|\doubler\pztqu0khk\enotes -\temps\Notes\qup L&\rlap{\qlp N}\pztqu0beb|\pztqu0igi\enotes -% mesure 42 -\barre\notes\qup J&\rlap{\qlp N}\cpdddu edcb|\doubler\pztqu0lil\enotes -\temps\Notes\qup H&\rlap{\qlp a}\qup c|\pztqu0jhj\enotes -% mesure 43 -\barre\notes\doubler\qup{=H}&\rlap{\bigna a\qlp a}\cpdddu fedc|\doubler\pztqu0mjm\enotes -\temps\Notes\qup I&\rlap{\qlp b}\itenu0d\qup d|\pztqu0kik\enotes -% mesure 44 -\barre\Notes\qup G&\tten0\rlap{\qlp{=b}}\qup d|\pztqL0nkn\enotes -\temps\Notes\qup J&\itenu0c\itenu1e\rlap{\zqp c\qlp N}\qup e|\pztql0ljl\enotes -% mesure 45 -\barre\Notes\qup{=H}&\tten0\tten1\itenu0a\rlap{\zqp c\qlp{=a}}\qup e|\na o\pztqL0olo\enotes -\temps\Notes\qup J&\tten0\itenu0d\rlap{\zqp a\qup{^M}}\qup d|\pztqu0{^m}km\enotes -% mesure 46 -\signaturegenerale{-2}% -\changecontext\Notes\qup G&\tten0\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\pztql2ijk\enotes -% mesure 47 -\barre\Notes\qup G&\Pztql0bdb|\qu g\sk\dsoupir\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 48 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 49 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 50 -\barre\Notes\sh F\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl3Nabc|\pause\enotes -% mesure 51 -\barre\Notes\qup I&\PztqL0dbd|\pztql0iki\enotes -\temps\notes\qup J&\doubler\PztqL0geg|\cpdddl lkji\enotes -%\check -% mesure 52 -\barre\Notes\qup L&\Pztql0cec|\pztqU0hjh\enotes -\temps\Notes\qup K&\PztqL0{^f}df|\qu k\sk\dsoupir\enotes -%\check -% mesure 53 -\barre\Notes\qup E&\Pztql0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddl edcb|\doubler\pztqu0jhj\enotes -% -% mesure 54 -\barre\Notes\qup{^F}&\lpztql0ada|\Pztqu0khk\enotes -\temps\notes\qup G&\itenl0N\rlap{\qlp N}\qup d|\cddddu2ighij\enotes -%\check -% mesure 55 -\barre\Notes\qup I&\tten0\rlap{\kern 1pt\qup N}\Pztql0bdb|\pztql0kmk\enotes -\temps\notes\qup G&\doubler\rlap{\kern 1pt\qup a}\Pztql0ege|\bigaccid - \cpdddl n{=m}lk\enotes -%\check -% mesure 56 -\barre\Notes\qup H&\sh M\rlap{\kern 1pt\hup M}\Pztql0aca|\pztql0jlj\enotes -\temps\Notes\qup K&\Pztql0d{^f}d|\ql{^m}\sk\dsoupir\enotes -%\check -% mesure 57 -\barre\Notes\qup G&\rlap{\kern 1pt\qup N}\PztqL0dbd|\pztql0iki\enotes -\temps\Notes\qup H&\rlap{\kern 1pt\qup L}\PztqL0cac|\pztqL0ljl\enotes -% mesure 58 -\barre\Notes\qup{^F}&\sh M\rlap{\kern 1pt\qup M}\Pztql0aca|\pztqL0khk\enotes -\temps\Notes\itenl0G\qup G&\rlap{\qup d}\Pztql0NbN|\qu g\sk\dsoupir\enotes -% mesure 59 -\barre\notes\tten0\qup G&\bigfl e\cpdddl edcb|\enotes -\temps\Notes\qup{=F}&\Pztql0aca|\pause\enotes -%\check -% mesure 60 -\barre\Notes\qu I\sk\dsoupir&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\qup E&\Pztql2Nab|\qup i\enotes -% mesure 61 -\barre\notes\qup H&\doubler\Pztql0cec|\cpdddl lkji\enotes -\temps\Notes\qup D&\Pztql2MNa|\qup h\enotes -% mesure 62 -\barre\Notes\qup G&\Pztql0bdb|\qup k\enotes -\temps\Notes\qup C&\pztql2LMN|\qup g\enotes -% mesure 63 -\barre\Notes\hup H&\Pztql0aca|\pztql0jlj\enotes -\temps\Notes&\pztqL0MLM|\pztqu0hfh\enotes -%\check -% mesure 64 -\barre\Notes\pztql0IKI&\ql b\sk\dsoupir|\ql i\sk\dsoupir\enotes -\temps\notes\cpdddl MLKJ&\ptsoupir|\ptsoupir\enotes -% mesure 65 -\barre\Notes\pztql0IKI\enotes -\temps\notes\cpdddl NMLK&\pause|\pause\enotes -% mesure 66 -\barre\Notes\pztql0JLJ\enotes -\temps\Notes\lpztqL0aMa&\pause|\pause\enotes -% mesure 67 -\barre\Notes\lpztqL0bab\enotes -\temps\Notes\ql M\sk\dsoupir&\pause|\pause\enotes -% mesure 68 -\barre\Notes\qup I&\Pztql0bdb|\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 69 -\barre\Notes\qup H&\pztql0aca|\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 70 -\barre\Notes\qup G&\pztql0NbN|\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 71 -\barre\Notes\qup H&\pztql1JML|\pztqu0fcf\enotes -\temps\Notes\qup I&\itenl0M\rlap{\qlp K}\qup M|\pztqu0dbd\enotes -% mesure 72 -\barre\Notes\qup{=I}&\tten0\pt a\rlap{\qu N}\qsk\qlp M|\pztqu0gdg\enotes -\temps\Notes\qup J&\itenl0L\rlap{\qlp L}\qup N|\pztqu0ece\enotes -% mesure 73 -\barre\Notes\qup H&\tten0\rlap{\qlp L}\hup a|\pztqu0heh\enotes -\temps\Notes\itenl0K\qup K&\itenl1M\qlp M|\pztqu0fdf\enotes -% mesure 74 -\barre\Notes\tten0\qup K&\tten1\rlap{\qlp M}\hup b|\pztqu0ifi\enotes -\temps\Notes\qlp L&\itenl0N\qlp N|\pztqu0geg\enotes -% mesure 75 -\barre\Notes\qup J&\tten0\rlap{\qlp N}\zhp c\hup e|\pztqu0jgj\enotes -\temps\Notes\qlp M&\itenu0a\qlp a|\pztqu0hfh\enotes -% mesure 76 -\barre\Notes\qup K&\tten0\itenu0d\zqp{^Ma}\qlp d|\pztqu0khk\enotes -\temps\Notes\qup G&\tten0\itenl0N\itenu1b\zqp{dN}\qlp b|\pztqu0igi\enotes -% mesure 77 -\barre\Notes\qup J&\tten0\tten1\zqp{N}\rlap{\qlp b}\hup e|\pztqu0lil\enotes -\temps\Notes\qup H&\itenl2a\itenu3c\zqp{a}\qlp c\relax -|\pztqu0jhj\enotes -% mesure 78 -\barre\Notes\qup K&\tten2\tten3\rlap{\kern 1pt\qup c}\zhp a\hlp{^f}|\pztqL0{^m}km\enotes -\temps\Notes\qup J&\qlp d|\pztqL0{m}km\enotes -% mesure 79 -\signaturegenerale{1}% -\changecontext\Notes\qup G&\zqp {Nb}\qlp d|\pztql{-4}nkj\enotes -\temps\Notes\ptsoupir&\ptsoupir|\lpztql2{=i}jk\enotes -% mesure 80 -\barre\Notes\qup G&\Pztql0bdb|\qup g\enotes -\temps\notes\qup J&\cpdddl edcb|\ptsoupir\enotes -% mesure 81 -\barre\Notes\qup F&\Pztql0aca|\enotes -\temps\notes\qup I&\cpdddl dcba|\pause\enotes -% mesure 82 -\barre\Notes\qup E&\Pztql0NbN|\enotes -\temps\Notes\qup H&\lPztqL0cac|\pause\enotes -% mesure 83 -\barre\Notes\qup F&\PztqL0dad\enotes -\temps\notes\qup G&\cl b\sk\qqbbl2Nabc|\pause\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 84 -\barre\Notes\qup I&\PztqU0dfd|\pztql0iki\enotes -\temps\notes\qup E&\doubler\pztqu0geg|\cpdddl lkji\enotes -%\check -% mesure 85 -\barre\Notes\qup F&\PztqU0{^c}ec|\pztqU0{^h}{^j}h\enotes -\temps\Notes\qup I&\Pztqu0fdf|\qu k\sk\dsoupir\enotes -%\check -% mesure 86 -\barre\Notes\qup E&\PztqU0bdb|\pztqU0gig\enotes -\temps\notes\qup H&\cpdddu ed{=c}b|\doubler\pztqu0j{=h}{=j}\enotes -% -% mesure 87 -\barre\Notes\qup{=F}&\lPztqU0ada|\lpztqu0khk\enotes -\temps\Notes\qup G&\Pztqu0d{_b}d|\pztqu0{_i}gi\enotes -% mesure 88 -\barre\Notes\qup J&\PztqU0cec|\pztqL0l{_i}l\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\temps\Notes\qup{=F}&\pztqL0a{_L}a|\pztqu0h{=f}h\enotes -%\check -\signaturegenerale{-2}% -% mesure 89 -\changecontext\Notes\qup I&\Pztql0bdb|\rlap{\kern -1pt\hlp i}\pztqU0dfd\enotes -\temps\notes\doubler\qup L&\doubler\pztqL0NLN|\cpdddu gfed\enotes -% mesure 90 -\barre\Notes\qup H&\pztql0aca|\rlap{\kern -1pt\hlp h}\PztqU0cec\enotes -\temps\notes\qup K&\doubler\pztql0MaM|\cpdddu fedc\enotes -% mesure 91 -\barre\Notes\qup G&\pztql0NbN|\rlap{\kern -1pt\hlp g}\PztqU0bdb\enotes -\temps\notes\qup J&\cpdddl NMLK|\doubler\Pztqu0ece\enotes -% mesure 92 -\barre\Notes\qup H&\pztql1JML|\rlap{\kern -1pt\qlp h}\pztqu0fcf\enotes -\temps\Notes\qup I&\ql K\sk\dsoupir|\zql d\qu i\sk\dsoupir\enotes -% mesure 93 -\barre\Notes&\Pztql0bdb\enotes -\temps\notes\pause&\bigaccid\cpdddl edcb|\pause\enotes -% mesure 94 -\barre\Notes&\fl a\Pztql0aca|\enotes -\temps\Notes\pause&\ql d\sk\dsoupir|\pause\enotes -% mesure 95 -\barre\Notes&\Pztql2N{_a}b\enotes -\temps\Notes\pause&\lpztqL{-2}cba|\pause\enotes -% mesure 96 -\barre\Notes&\Pztql0b{_a}b|\ptsoupir\enotes -\temps\Notes\pause&\qlp L|\Pztqu0ege|\enotes -% mesure 97 -\barre\notes&\qlp K|\bigaccid\cpdddu i{_h}gf\enotes -\temps\Notes\pause&\qlp J|\Pztqu0ege\enotes -\def\atnextline{\autolines{9}65}\relax -% mesure 98 -\barre\Notes&\qup{_H}|\ql j\sk\dsoupir\enotes -\temps\Notes\pause&\qlp I|\Pztqu0f{_h}f\enotes -% mesure 99 -\barre\Notes&\qup K|\lpztqL0kik\enotes -\temps\Notes\pause&\qup L|\Pztqu{-3}li{_h}\enotes -% mesure 100 -\def\atnextline{\autolines{10}55}\relax -\barre\Notes&\Pztql0N{=b}N|\qu g\sk\dsoupir\enotes -\temps\notes\pause&\cpdddl edcb|\ptsoupir\enotes -%\check -% mesure 101 -\barre\Notes&\cna a\Pztql0aca\enotes -\temps\Notes\pause&\qu K\sk\dsoupir|\pause\enotes -% mesure 102 -\barre\Notes&\lPztql2Nab\enotes -\temps\Notes\pause&\Pztql0cec|\pause\enotes -%\check -% mesure 103 -\barre\Notes&\lPztql2MNa\enotes -\temps\Notes\pause&\Pztql0bdb|\pause\enotes -% mesure 104 -\barre\Notes&\lPztql2LMN\enotes -\temps\Notes\pause&\Pztql0aca|\pause\enotes -% mesure 105 -\barre\Notes&\lPztql2K{=L}{^M}\enotes -\temps\Notes\pause&\Pztql0NbN|\pause\enotes -%\check -% mesure 106 -\barre -\Notes&\ql d\sk\dsoupir|\ptsoupir\enotes -\temps\Notes\pause&\Pztql0N{=b}N|\rlap{\qlp{=i}}\qup k\enotes -% mesure 107 -\barre\notes&\cpdddl edcb|\doubler\rlap{\qlp g}\pztqu0ljl\enotes -\temps\Notes\pause&\Pztql0aca|\rlap{\qlp f}\qup h\enotes -% mesure 108 -\barre\Notes&\qu K\sk\dsoupir|\rlap{\qlp{^f}}\pztqu0khk\enotes -\temps\Notes\pause&\lPztql2Nab|\itenl0g\rlap{\qlp g}\qup i\enotes -%\check -% mesure 109 -\barre\notes&\doubler\Pztql0cec|\tten0\rlap{\qlp g}\cpdddu lkji\enotes -\temps\Notes\pause&\lPztql2MNa|\itenl0f\rlap{\qlp {=f}}\qup h\enotes -% mesure 110 -\barre\Notes&\Pztql0bdb|\tten0\rlap{\qlp f}\qup k\enotes -\temps\Notes\pause&\lPztql2LMN|\itenl0e\rlap{\qlp e}\qup g\enotes -% mesure 111 -\barre\notes&\doubler\Pztql0aca|\tten0\rlap{\qlp e}\cpdddu jihg\enotes -\temps\Notes\pause&\lPztql2K{=L}{^M}|\rlap{\qlp d}\qup{^f}\enotes -%\check -% mesure 112 -\barre\Notes&\Pztql0NbN|\itenl1g\rlap{\hlp g}\qup i\enotes -\temps\Notes\pause&\lPztql2JK{_L}|\qup l\enotes -% mesure 113 -\barre\Notes&\Pztql0{=M}N{_a}|\rlap{\qsk\tten1\qlp g}\pt i\hu{_h}\enotes -\temps\Notes\pause&\lpztql2KLM|\zqp {=f}\qlp k\enotes -\def\atnextline{\autolines {13}45}\relax -% mesure 114 -\barre\Notes\ptsoupir&\pztqL0NMN|\rlap{\qlp g}\qup{=i}\enotes -\temps\Notes\PztqU0CEC&\qu J\sk\dsoupir|\ptsoupir\enotes -%\check -% mesure 115 -\barre\NOtes\qu G\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\Pztqu0CEC&\pause|\cpdddu gfed\enotes -% mesure 116 -\barre\NOtes\qu{_H}\sk\dsoupir&|\PztqU0cec\enotes -\temps\notes\doubler\PztqU0DFD&\pause|\bigfl h\cpdddu hgfe\enotes -% mesure 117 -\barre\NOtes\qu{=I}\sk\dsoupir&|\PztqU0dfd\enotes -\temps\notes\doubler\pztqU0GIG&\pause|\bigaccid\na i\cpdddu i{=h}gf\enotes -%\check -% mesure 118 -\barre\NOtes\qup J&\trql{-3}cN{^M}|\uptext - {\it legato}\rlap{\qlp e\itenl0g\ql g}\trqu6egj\enotes -\temps\NOtes\pointdorgue N\qu G\sk\dsoupir - &\pointdurgue H\ql N\sk\dsoupir|\tten0\zq d\zql g\pointdorgue o\qu{=i}\sk\dsoupir\enotes -\signaturegenerale{-3}% -% mesure 119 -\setdoublebar -\changecontext\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes -\temps\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -%\check -% mesure 120 -\barre\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -\temps\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -% mesure 121 -\barre\NOtes\qup H&\rlap{\qup c}\trqL0aLa|\rlap{\zqp e\qlp h}\trqU0jlj\enotes -\temps\NOtes\qup F&\rlap{\qlp M}\trqu0dad|\rlap{\zqp f\qlp h}\trqu0mkm\enotes -% mesure 122 -\barre\NOtes\qup G&\rlap{\qup {=b}}\trqL0NMN|\rlap{\zqp d\qlp f}\na i\trqU0igi\enotes -\temps\NOtes\qup E&\rlap{\qlp L}\trqu0cNc|\rlap{\zqp e\qlp g}\trqu0jlj\enotes -%\check -% mesure 123 -\barre\NOtes\qu G\sk\dsoupir&\zq{KN=b}\ql d\sk\dsoupir - |\zq{=ik}\ql n\sk\dsoupir\enotes -\temps\NOtes\qup J&\rlap{\qup e}\trqL0cNc|\rlap{\zqp g\qlp j}\trqU0lnl\enotes -% mesure 124 -\barre\notes\qup F&\doubler - \rlap{\qlp L}\trqu0cac|\rlap{\zqp h\qlp j}\cpdddu onml\enotes -\temps\NOtes\qup I&\rlap{\qup d}\trqL0aMa|\rlap{\zqp f\qlp h}\trqU0kmk\enotes -%\check -% mesure 125 -\def\atnextline{\autolines {12}45}\relax -\signaturegenerale{-2}\relax -\changecontext\notes\qup E&\doubler - \rlap{\qlp K}\trqu0bNb|\rlap{\zqp g\qlp i}\cpdddu nmlk\enotes -\temps\NOtes\qup H&\rlap{\qup c}\trqL0N{^M}N|\relax - \rlap{\zqp{^f}\qlp h}\trqU0jlj\enotes -% mesure 126 -\barre\NOtes\qup{^F}&\rlap{\qlp{^M}}\trqu0dad|\rlap{\zqp{^f}\qlp h}\trqu0{^m}km\enotes -\temps\NOtes\qup G&\rlap{\qup d}\trqL0bNb|\rlap{\zqp g\qlp i}\trqu{-5}nkj\enotes -% mesure 127 -\barre\NOtes\qup D&\itenl0K\rlap{\qlp K}\trqU{-2}cba|\rlap{\zqp d\qlp{^f}}\trqu2ijk\enotes -\temps\NOtes\qu G\sk\dsoupir&\tten0\zq{KN}\ql b\sk\dsoupir - |\qu g\sk\dsoupir\enotes -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% reprise prelude -%\check -% mesure 128 -\barre\def\atnextline{\autolines{12}35}\relax -\notes\qup G&\zqu N\qqbbl0N{dbd}Nb|\doubler\rlap{\trqL0igi}\trqu0kik\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0jej}\trqu0lgl\enotes -%\check -% mesure 129 -\barre -\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\trqL0hfh}\trqu0jhj\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{bMb}KM|\doubler\rlap{\trqL0idi}\trqu0kfk\enotes -%\check -% mesure 130 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trqL0geg}\relax - \trqu0igi\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hch}\trqu0jej\enotes -% mesure 131 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\trqL0{^f}df}\relax - \trqu0hfh\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0ghi}\trqu0ijk\enotes -%\check -% mesure 132 -\barre\notes\doubler\qup{=I}&\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkn\enotes -\temps\notes\qup J&\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0geg}\trqu0ljl\enotes -%\check -% mesure 133 -\barre\notes\qup F&\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjm\enotes -\temps\notes\qup I&\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 134 -\barre\notes\qup E&\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\trql0geg}\trqu0lgl\enotes -\temps\notes\qup H&\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0heh}\trqu0jhj\enotes -% mesure 135 -\barre\notes\qup D&\zqu K\qqbbl0K{a^Ma}KM|\doubler\rlap{\qlp {^f}}\trqu0khk\enotes -\temps\notes\qup G&\zqu N\qqbbl0N{dad}bd|\doubler\rlap{\trqL0gfg}\trqu{-2}ihg\enotes -%\check -% mesure 136 -\barre\notes\doubler\qu G\sk\dsoupir - &\zqu N\qqbbl0N{d=bd}Nb|\doubler\rlap{\trqL0{=i}{=f}i}\trqu0nkm\enotes -\temps\notes\doubler\qu J\sk\dsoupir - &\zqu L\qqbbl0L{cNc}LN|\doubler\rlap{\trqL0gfg}\trqu0lkl\enotes -%\check -% mesure 137 -\barre\notes\doubler\qu F\sk\dsoupir - &\zqu M\qqbbl0M{cac}Ma|\doubler\rlap{\qlp h}\trqu0mjl\enotes -\temps\notes\doubler\qu I\sk\dsoupir - &\zqu K\qqbbl0K{_bMb}KM|\doubler\rlap{\trql0fef}\trqu0kjk\enotes -%\check -% mesure 138 -\barre\notes\doubler\qu E\sk\dsoupir - &\zqu L\qqbbl0L{bNb}LN|\doubler\rlap{\qlp g}\trqu0lik\enotes -\temps\notes\doubler\qu H\sk\dsoupir - &\zqu J\qqbbl0J{aLa}JL|\doubler\rlap{\trqL0hgh}\trqu{-2}jih\enotes -% mesure 139 -\barre\Notes\qu K\sk\dsoupir&\zq{Nb}\ql K\sk\dsoupir|\zq{gi}\ql k\sk\dsoupir\enotes -\temps\Notes\qu G\sk\dsoupir&\zq{LN}\ql c\sk\dsoupir|\zq{gj}\ql l\sk\dsoupir\enotes -% mesure 140 -\barre% \advance\barsinline by -1\relax -\Notes\qu H\sk\dsoupir&\zq{La}\ql c\sk\dsoupir|\zq{eh}\ql j\sk\dsoupir\enotes -\temps\Notes\pointdurgue K\qup K&\pointdorgue d\zqp{^Ma}\qlp d|\pointdorgue l\zqp{^fh}\qlp k\enotes -\temps\Notes&|\Uptext{\moyen Maestoso\ \bf(\metron{\cu}{90})}\enotes -%\check -% mesure 141 -\def\motif#1#2#3#4{\doubler{\advance\transpose by 2\relax - \ibl0{#1}0\advance\transpose by-3\relax - \ibu1{#4}0}\zq{#1}\rlap{\qb0{#2}}\buppz1\qh1{#3}\relax - \zq{#2}\rlap{\qb0{#3}}\buppz1\qh1{#4}\relax - \zq{#1}\rlap{\tqb0{#2}}\buppz1\tqh1{#3}}% -\setdoublebar\signaturegenerale{1}\changecontext -\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 142 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 143 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 144 % -\barre\notes\qup I&\bigaccid\sh K\qqbbl1K{LMa}NM|\bigsh d\motif bdfh\enotes -\temps\notes\qup E&\qqbbl2L{MNa}bc|\relax - \doubler\zq{gi}\ql e\sk\dsoupir\enotes -% mesure 145 -\barre\notes\qup G&\qqbbl{-2}b{cba}NM|\motif dgik\enotes -\temps\notes\qup J&\qqbbl1LM{Nba}N|\relax - \rlap{\doubler\zq g\ql j\sk\zq e\cl g}\cpdddu lkji\enotes -% mesure 146 -\barre\notes\qup K&\qqbbl1MN{acb}a|\motif cfhj\enotes -\temps\notes\qup I&\qqbbl{-1}N{aba}NM|\relax - \rlap{\doubler\zq g\ql i\sk\zq d\cl g}\cpdddu kjih\enotes -% mesure 147 -\barre\notes\qup L&\qqbbl1L{MNa}bN|\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 148 % -\barre\notes\qup J&\qqbbl1K{LMN}aN|\motif adfh\enotes -\temps\notes\doubler\qup I&\qqbbl1M{LMa}bc|\relax - \rlap{\doubler\zq f\ql h\sk\zq d\cl f}\cpdddu kjih\enotes -% mesure 149 % -\barre\notes\qup L&\qqbbl1L{MNa}bN|\Uptext{\it rit.}\motif begi\enotes -\temps\notes\qup H&\qqbbl{-2}c{baN}ML|\relax - \rlap{\doubler\zq e\ql h\sk\zq c\cl e}\cpdddu jihg\enotes -% mesure 150 % -\barre\notes\qup K&\qqbbl1K{LMa}NM|\Uptext{\it rall. molto}\doubler - \itenl5c\rlap{\pt b\lh d\hlp c}\trqU0fhf\enotes -\temps\NOtes\itenl0G\qup G&\itenl1K\itenu3N\zqp {K}\qlp N|\relax -\itenu2d\rlap{\qsk\tten5\qlp c}\itenu4g\itenu5i\zq d\pt e\zqp g\qup i\enotes -% mesure 151 -\advance\barsinline by -1\relax - \barre\NOtes\tten0\hup G&\tten1\zhp {KN}\hlp -b|\tten2\tten3\tten4\tten5\zhp{dg}\hup i\enotes - \finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% diff --git a/Master/texmf-dist/doc/generic/musictex/gymnoman.tex b/Master/texmf-dist/doc/generic/musictex/gymnoman.tex deleted file mode 100644 index ef6c30e9be4..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/gymnoman.tex +++ /dev/null @@ -1,568 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\title{Gymnomanie} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN} -% -\othermention{Compos\'e en 1994} -\maketitle - -\parindent 12mm -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\troistemps -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\ff{{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%\check -% au moins deux croches basses et hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -% -% trois doubles croches hautes -\def\tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\tqbbh{\tqbbu}% -\def\tqbbb{\tqbbl}% -% quatre doubles croches -\def\qqbbh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4{\Ibbl0{#1}{#2}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}\relax -%\check -% octave basse en blanche -\def\bohl#1{\zh{!`#1}\hl{!#1}}% -\def\bohu#1{\zh{!`#1}\hu{!#1}}% -\def\sohl#1{\zh{!'#1}\hl{!#1}}% -\def\sohu#1{\zh{!'#1}\hu{!#1}}% -% octave basse en blanche pointee -\def\bohlp#1{\zhp{!`#1}\hlp{!#1}}% -\def\bohup#1{\zhp{!`#1}\hup{!#1}}% -\def\sohlp#1{\zhp{!'#1}\hlp{!#1}}% -\def\sohup#1{\zhp{!'#1}\hup{!#1}}% -% -\def\bozh#1{\zh{!`#1!#1}}% -\def\bozq#1{\zq{!`#1!#1}}% -\def\boql#1{\zq{!`#1}\ql{!#1}}% -\def\boqu#1{\zq{!`#1}\qu{!#1}}% -% octave sup. en croches u -\def\soqh#1{\zq{!'#1}\qh0{!#1}}% -\def\soqb#1{\zq{!'#1}\qb0{!#1}}% -\def\soqu#1{\zq{!'#1}\qu{!#1}}% -\def\soql#1{\zq{!'#1}\ql{!#1}}% -%\check -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne % -\def\lPED{\zcharnote{-5}{\hbox to 2.4\internote{\hss\Ped\kern -2pt}}}% -\def\PEDDEP{\PED\sk\sk\sk\DEP\pause}% -\def\PEDpDEP{\PED\sk\sk\sk\DEP\sk}% -\def\upsoupir#1{\raise#1\Interligne\rlap{\soupir}} -% -\debutmorceau -% call \autolines with musiCtex, not with musiXtex !!! -\ifx\mxversion\undefined\autolines {6}55\relax\fi -\advance\barsinline by 1\relax -\notes|\Uptext{\moyen\kern -20pt Lento \rm(\metron{\qu}{65})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff - p}|\zcharnote a{\kern -5mm\ppff mp}\enotes - % -\temps\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 2 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 3 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 4 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 5 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 6 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 7 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 8 -\barre\NOtes \upsoupir2\bohlp K|\hu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu o\enotes - % mesure 9 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq g\qu e\enotes - % mesure 10 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{a^c}\qu e|\qu g\enotes -\temps\NOtes\zq{ae}\qu g|\zql h\qu o\enotes - % mesure 11 -\barre\NOtes \upsoupir2\bohup{D}|\upsoupir{-2}\hup m\enotes -\temps\NOtes\zq{KMa}\qu{d}|\upsoupir{-2}\enotes -\temps\NOtes\zq{Ka}\qu{d}|\qu f\enotes - %\check - % mesure 12 -\barre\NOtes \upsoupir2\bohup F|\hu o\enotes -\temps\NOtes\zq{Mad}|\zql f\enotes -\temps\NOtes\zq{ad}|\zq f\zql h\qu o\enotes - %\check - % mesure 13 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{L}\qu{c}|\zq h\ql e\enotes - %\check - % mesure 14 -\barre\NOtes \upsoupir2\bohup{F}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql{f}\qu n\enotes -\temps\NOtes\zq{ad}|\zq f\zql{h}\qu m\enotes - %\check - % mesure 15 -\barre\NOtes \upsoupir2\bohup{C}|\hu n\enotes -\temps\NOtes\zq{LNc}\qu{e}|\enotes -\temps\NOtes\zq{Nce}|\upsoupir2\ql g\enotes - %\check - % mesure 16 -\barre\NOtes \upsoupir2\bohup D|\hu m\enotes -\temps\NOtes\zq{KMa}\qu d\enotes -\temps\NOtes\zq{Mad}\qu f|\qu m\enotes - %\check - % mesure 17 -\barre\NOtes \upsoupir2\bohlp G|\hup l\enotes -\temps\NOtes\zq{LN_b}\qu e\enotes -\temps\NOtes\zq{Nbe}\qu g|\enotes - %\check - % mesure 18 -\barre\NOtes \upsoupir2\bohup D|\zcharnote b{\CREsc}\hu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d\enotes -\temps\NOtes\zq{Mad}\qu{^f}|\qu m\enotes - %\check - % mesure 19 -\barre\NOtes \upsoupir2\bohup E|\hu{^n}\enotes -\temps\NOtes\zq{L^Nb}\qu e\enotes -\temps\NOtes\zq{Nbe}|\zql{^g}\qu n\enotes - %\check - % mesure 20 -\barre\NOtes \upsoupir2\bohup{^F}|\hu{^o}\enotes -\temps\NOtes\lsh a\zq{^Ma^c}|\ql{^f}\enotes -\temps\NOtes\zq{ac}|\zq f\zql{^h}\qu o\enotes - %\check - % mesure 21 -\barre\NOtes \upsoupir2\bohlp{^G}|\hup{^p}\enotes -\temps\NOtes\lsh b\zq{^Nb^d}|\ql{^g}\enotes -\temps\NOtes\zq{^Mdb}|\zq g\zql{^i}\enotes - %\check - % mesure 22 -\barre\NOtes \upsoupir2\bohlp{=H}|\hup{^q}\enotes -\temps\NOtes\lna a\zq{a^c}|\zq e\ql{=h}\enotes -\temps\NOtes\zq{Lc}|\zq {eg}\ql{^j}\enotes - %\check - % mesure 23 -\barre\NOtes \upsoupir2\bohup{^F}|\qu{^q}\enotes -\temps\NOtes\zq{^Ma^c}|\zql{^f}\qu p\enotes -\temps\NOtes\zq{ac}|\zq f\zql{h}\qu o\enotes - %\check - % mesure 24 -\barre\NOtes \upsoupir2\bohup{^C}|\hup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 25 -\barre\NOtes \upsoupir2\bohlp{K}|\hu{^m}\enotes -\temps\NOtes\zq{^Mad}|\ql{^f}\enotes -\temps\NOtes\zq{ad}|\zq f\zql {h}\qu m\enotes - %\check - % mesure 26 -\barre\NOtes \upsoupir2\bohlp{^J}|\hup{l}\enotes -\temps\NOtes\lsh N\zq{LN^c}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\ql {^g}\enotes - %\check - % mesure 27 -\barre\NOtes \upsoupir2\bohlp{K}\zmidtwotext{\DIMin}|\qu k\enotes -\temps\NOtes\zq{^Ma}\ql d|\qu l\enotes -\temps\NOtes\zq{ad}|\zql {^f}\qu{^m}\enotes - %\check - % mesure 28 -\barre\NOtes \upsoupir2\bohlp{^J}|\hu{^j}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\zql {^g}\upsoupir2\enotes - %\check - % mesure 29 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 30 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup{^n}\enotes -\temps\NOtes\lsh N\zq{^LN^c}|\ql{^e}\enotes -\temps\NOtes\zq{Nb}|\zq e\ql {^g}\enotes - %\check - % mesure 31 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\qu {^f}|\boqu o\enotes - %\check - % mesure 32 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{p}\enotes -\temps\NOtes\zq{L^Nb}|\ql{e}\enotes -\temps\NOtes\zq{Nb}|\zq d\ql {g}\enotes - %\check - % mesure 33 -\barre\NOtes \upsoupir2\bohlp{H}|\bohu{^q}\enotes -\temps\NOtes\zq{a^ce}|\ql{h}\enotes -\temps\NOtes\zq{Lc}\ql {e}|\boqu q\enotes - %\check - % mesure 34 -\barre\NOtes \upsoupir2\bohlp{^J}|\boqu{s}\enotes -\temps\NOtes\zq{a^c}|\zq{^f}\zql{h}\boqu{^q}\enotes -\temps\NOtes\zq{^Mac}|\zql f\boqu o\enotes - %\check - % mesure 35 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu{^n}\enotes -\temps\NOtes\lsh e\lsh N\zq{^LN^c}\ql{e}\enotes -\temps\NOtes\zq{LN}\lq b\zql c|\soupir\enotes - %\check - % mesure 36 -\barre\NOtes \upsoupir2\bohup{^F}|\bohu{o}\enotes -\temps\NOtes\lna a\zq{^Ma}\ql{^c}|\enotes -\temps\NOtes\zq{Mac}\ql {^f}|\boqu o\enotes - %\check - % mesure 37 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{=n}\enotes -\temps\NOtes\lna a\zq{=La^c}|\ql{=e}|\enotes -\temps\NOtes\zq{ac}|\zql e\boqu n\enotes - %\check - % mesure 38 -\barre\NOtes \upsoupir3\bohup K|\boqu {^m}\enotes -\temps\NOtes\zq{K^Ma}\qu d|\boqu l\enotes -\temps\NOtes\zq{Ma}\qu{^f}|\boqu k\enotes - %\check - % mesure 39 -\barre\NOtes \upsoupir2\bohup{H}|\bohu{^j}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\zql h\upsoupir2\enotes - %\check - % mesure 40 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{p}\enotes -\temps\NOtes\zq{KNb}\ql{d}|\enotes -\temps\NOtes\zq{Nbd}|\zql g\enotes - %\check - % mesure 41 -\barre\NOtes \upsoupir2\bohup{H}|\bohup{^q}\enotes -\temps\NOtes\zq{La^c}\ql{e}|\enotes -\temps\NOtes\zq{ace}|\ql h\enotes - %\check - % mesure 42 -\barre\NOtes \upsoupir2\bohup{I}|\boqu{^r}\enotes -\temps\NOtes\zq{^Mb^d}|\zql{^f}\boqu{^q}\enotes -\temps\NOtes\zq{bd}|\zq h\zql {f}\qsk\boqu p\enotes - %\check - % mesure 43 -\barre\NOtes \upsoupir2\bohup{E}|\bohup{s}\enotes -\temps\NOtes\zq{LN}\ql{c}|\enotes -\temps\NOtes\zq{Nc}\ql e\enotes - %\check - % mesure 44 -\barre\NOtes \upsoupir2\bohup{G}|\boqu{t}\enotes -\temps\NOtes\zq{KNb}\ql d|\boqu{s}\enotes -\temps\NOtes\zq{Nbd}\zql {f}|\boqu r\enotes - %\check - % mesure 45 -\barre\NOtes \upsoupir2\bohup{C}|\bohu{s}\enotes -\temps\NOtes\zq{LNc}|\ql{e}\enotes -\temps\NOtes\zq{Nc}|\zq e\zql g\boqu s\enotes - %\check - % mesure 46 -\barre\NOtes \upsoupir2\bohup{G}|\bohup{r}\enotes -\temps\NOtes\zq{Nb}\ql e|\enotes -\temps\NOtes\zq{Nb}\ql d|\enotes - %\check - % mesure 47 -\barre\NOtes \upsoupir2\bohup{H}|\boqu{q}\enotes -\temps\NOtes\zq{Lac}\zql{e}|\boqu p\enotes -\temps\NOtes\zq{Lac}\zql e|\boqu o\enotes - %\check - % mesure 48 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\qsk\bohup{_p}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nbd}|\ql g|\enotes - %\check - % mesure 49 -\barre\NOtes \zmidtwotext{\it rit.}\upsoupir2\bohup{H}|\bohu{o}\enotes -\temps\NOtes\zq{La^c}\ql e|\enotes -\temps\NOtes\zq{ac}\ql e|\boqu n\enotes - %\check - % mesure 50 -\barre\NOtes \zmidtwotext{\it a tempo}\upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu m\enotes - % mesure 51 -\barre\NOtes \upsoupir2\bohlp{^J}|\bohup l\enotes -\temps\NOtes\zq{LN^c}\ql e\enotes -\temps\NOtes\zq{LNc}|\zq h\ql e\enotes - %\check - % mesure 52 -\barre\NOtes \upsoupir2\bohlp K|\bohu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{M_b}\qu d|\boqu m\enotes - % mesure 53 -\barre\NOtes \upsoupir2\bohlp{=J}|\bohup n\enotes -\temps\NOtes\zq{LN=c}|\ql e\enotes -\temps\NOtes\zq{LNc}|\zq g\ql e\enotes - % mesure 54 -\barre\NOtes \upsoupir2\bohup F|\bohu o\enotes -\temps\NOtes\zq{Mac}|\zql f\enotes -\temps\NOtes\zq{Mac}|\zql f\boqu o\enotes - % mesure 55 -\barre\NOtes \upsoupir2\bohlp{H}|\boqu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\boqu o\enotes -\temps\NOtes\zq{Ma}\zql d|\boqu m\enotes - % mesure 56 - %\check -\barre\NOtes \upsoupir2\bohlp{^J}|\bohu n\enotes -\temps\NOtes\zq {LN}|\zq{^c}\ql e\enotes -\temps\NOtes\zq L\zq N|\upsoupir3\zq {ce}\ql g\enotes - % mesure 57 -\barre\NOtes \upsoupir2\bohlp K|\bohu o\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\boqu o\enotes - % mesure 58 -\barre\NOtes \upsoupir2\bohlp{G}|\bohup n\enotes -\temps\NOtes\zq{KN_b}\qu{d}|\enotes -\temps\NOtes\zq{Nbd}|\ql g\enotes - % mesure 59 - %\check -\barre\NOtes \upsoupir2\bohlp{H}|\boqu o\enotes -\temps\NOtes\zq {KMa}\qu d|\boqu n\enotes -\temps\NOtes\zq {Ma}\zql d|\boqu m\enotes - % mesure 60 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\zql{_e}\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 61 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - %\check - % mesure 62 -\barre\NOtes \qsk\upsoupir2\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - % mesure 63 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_o}\enotes -\temps\NOtes\lfl a\zq {=Mac}\zql{=f}|\enotes -\temps\NOtes\zq {acf}|\zql h\enotes - % mesure 64 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu n\enotes -\temps\NOtes\zq {_LNc}\zql{_e}|\boqu m\enotes -\temps\NOtes\zq {Nc}\zql{g}|\boqu{_l}\enotes - % mesure 65 - %\check -\barre\NOtes \upsoupir2\bohlp{F}|\bohup {_k}\enotes -\temps\NOtes\lfl a\zq {Ma_d}\zql{f}|\enotes -\temps\NOtes\zq {adf}\zql{_h}|\enotes - % mesure 66 - %\check -\barre\NOtes \upsoupir2\bohlp{G}|\cna b\cna i\bohu {i}\enotes -\temps\NOtes\zq {Nb}\zql{=d}|\enotes -\temps\NOtes\zq {bd}\zql{f}|\soupir\enotes - % mesure 67 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\zcharnote a{\ppff mf}\bohup {q}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\enotes -\temps\NOtes|\zq {ceh}\ql{j}|\enotes - % mesure 68 - %\check -\barre\NOtes \upsoupir2\bohlp{J}|\boqu {_s}\enotes -\temps\NOtes\zq {_ac}|\zq{_e}\zql{_h}\boqu q\enotes -\temps\NOtes|\zq {ceh}\zql{j}\qsk\fl o\boqu {o}\enotes - % mesure 69 - %\check -\barre\NOtes \upsoupir3\bohlp{_L}|\bohup {n}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}\enotes -\temps\NOtes\zq {Nbe}|\ql{g}\enotes - % mesure 70 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 71 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 72 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 73 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\bohup {_p}\enotes -\temps\NOtes\zq {_LN_b}\zql{_e}|\enotes -\temps\NOtes\zq {Nbe}|\zql g\enotes - % mesure 74 - %\check -\barre\NOtes \upsoupir2\bohlp{_H}|\boqu {q}\enotes -\temps\NOtes\zq {_ac}\zql{_e}|\zq{j_l}\boqu {_o}\enotes -\temps\NOtes\zq {ce}|\zql h\zq{lo}\boqu {q}\enotes - % mesure 75 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_L}|\qsk\boqu {_p}\enotes -\temps\NOtes\zq {N_b}\zql{_e}|\zq{_i_l}\boqu {n}\enotes -\temps\NOtes\zq {be}|\zql g\zq{ln}\boqu {p}\enotes - % mesure 76 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{M}|\qsk\boqu {_o}\enotes -\temps\NOtes\zq {_ac}\zql{f}|\zq{_hj}\boqu {m}\enotes -\temps\NOtes\zq {c}\zql f|\zq{jm}\boqu {o}\enotes - % mesure 77 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\bohup {n}\enotes -\temps\NOtes\zq {=LNc}\zql{=e}|\enotes -\temps\NOtes\zq {Nce}|\zql g\enotes - % mesure 78 - %\check -\barre\NOtes \upsoupir3\bohlp{_K}|\bohu {m}\enotes -\temps\NOtes\zq {M_a_d}\ql{f}|\enotes -\temps\NOtes\zq {KMa}\ql d|\boqu m\enotes - % mesure 79 - %\check -\barre\NOtes \upsoupir3\bohlp{J}|\qsk\bohup {_l}\enotes -\temps\NOtes\zq {_LNc}\ql{_e}|\enotes -\temps\NOtes\zq {Nce}|\ql g\enotes - % mesure 80 - %\check -\barre\NOtes \qsk\upsoupir3\bohlp{_K}|\qsk\zq{f_h}\boqu {_k}\enotes -\temps\NOtes\fl N\fl d\zq {KN_b}\ql{d}|\zq{_g_i}\boqu{_l}\enotes -\temps\NOtes\zq {KM_a}\ql d|\zq{hk}\boqu m\enotes - % mesure 81 - %\check -\barre\NOtes \qsk\upsoupir2\bohlp{J}|\qsk\lna g\zh{=eg}\bohu {j}\enotes -\temps\NOtes\lna L\zq {L=N}\ql{c}|\enotes -\temps\NOtes\zq {Nc}\ql{=e}|\soupir\enotes - %\check - % mesure 82 -\barre\NOtes \upsoupir2\zmidtwotext{\DIMin}\bohup{G}|\bohu{n}\enotes -\temps\NOtes\zq{KN_b}\ql d|\enotes -\temps\NOtes\zq{Nb}\ql d|\boqu n\enotes - %\check - % mesure 83 -\barre\NOtes \upsoupir3\bohlp K|\bohup m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\enotes - %\check - % mesure 84 -\barre\NOtes \upsoupir2\bohlp J|\zq{gj}\boqu{_l}\enotes -\temps\NOtes\zq{_LN}\ql c|\boqu{k}\enotes -\temps\NOtes\zq{LN}\qu {_e}|\boqu j\enotes - % mesure 85 - %\check -\barre\NOtes \upsoupir2\bohlp{K}|\bohu k\enotes -\temps\NOtes\zq {K^Ma}\zql d|\enotes -\temps\NOtes\zq {Mad}\zql{^f}|\soupir\enotes - % mesure 86 -\barre\NOtes\uptext{\kern -\Interligne\ppff - p} \upsoupir2\bohlp K|\zcharnote a{\kern -\Interligne\ppff mp}\cna m\hu m\enotes -\temps\NOtes\zq{=Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 87 -\barre\NOtes \upsoupir2\bohlp{^J}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 88 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 89 -\barre\NOtes \upsoupir2\bohlp{=J}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{LN}\qu{=c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq g\qu e\enotes - % mesure 90 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 91 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 92 - %\check -\barre\NOtes \upsoupir2\bohlp J|\upsoupir{-2}\hu n\enotes -\temps\NOtes\zq L\qu N|\zq c\qu e\enotes -\temps\NOtes\zq L\qu N|\upsoupir3\zq {ce}\qu g\enotes - % mesure 93 -\ifx\mxversion\undefined\def\atnextline{\autolines665}\fi % only with musiCtex -\barre\NOtes\upsoupir2\zmidtwotext{\it diminuendo}\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{Maf}\qu d|\qu m\enotes - % mesure 94 -\barre\NOtes \upsoupir2\bohlp{H}|\upsoupir{-2}\hup l\enotes -\temps\NOtes\zq{LN}\qu{^c}|\qu e\enotes -\temps\NOtes\zq{LN}\qu{c}|\zq h\qu e\enotes - %\check - % mesure 95 -\barre\NOtes \upsoupir2\bohlp K|\hu m\enotes -\temps\NOtes\zq{Ma}\qu d\enotes -\temps\NOtes\zq{ad}|\zql f\qu m\enotes - % mesure 96 -\barre\NOtes \upsoupir2\bohlp{G}|\upsoupir{-2}\hup n\enotes -\temps\NOtes\zq{KN}\qu{_b}|\zq d\qu g\enotes -\temps\NOtes\zq{N}\qu{b}|\zq d\zq g\qu{_i}\enotes - % mesure 97 -\barre\NOtes \upsoupir2\bohup F|\upsoupir{-2}\hu o\enotes -\temps\NOtes\zq{Ma}\qu c|\qu f\enotes -\temps\NOtes\zq{Mac}|\zql f\zq h\qu o\enotes - % mesure 98 -\barre\NOtes \upsoupir2\bohlp{H}|\qu q\enotes -\temps\NOtes\zq{Ma}\qu{c}|\qu o\enotes -\temps\NOtes\zq{Mad}|\zql f\qu m\enotes - % mesure 99 -\barre\NOtes \upsoupir2\bohlp{H}|\hup l\enotes -\temps\NOtes\zq{Lae}\qu{^c}\enotes -\temps\NOtes\zq{ace}|\ql g\enotes - % mesure 100 -\barre\NOtes \pointdurgue{!`D}\upsoupir2\bohup{D}\zmidtwotext{\it rall.}\relax - |\pointdorgue n\hup k\enotes -\temps\NOtes\zq{Mad}|\ql f\enotes -\temps\NOtes\pointdorgue d\zq{Ma}\ql d\enotes -\finmorceau - \rightline{\sl \aujourdhui}\eject -\bye - - - - - - diff --git a/Master/texmf-dist/doc/generic/musictex/howtoget.tex b/Master/texmf-dist/doc/generic/musictex/howtoget.tex deleted file mode 100644 index 476cb790f5e..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/howtoget.tex +++ /dev/null @@ -1,45 +0,0 @@ -%\input genpctex -\def\musictex{Music\TeX}% -\font\gros=cmssbx10 scaled \magstep 4 -\font\enorme= cmssbx10 scaled \magstep 6 -\font \moyen=cmssbx10 scaled \magstep 3 -\font\tt=cmtt10 scaled \magstep 3 -\advance\baselineskip by 4pt -\ \vfil -\centerline{\gros How to get} -\bigskip -\centerline{\enorme\musictex} -\bigskip -\bigskip -\moyen -A PC diskette is sufficient (5'1/4, 1.2Mb) or (3'1/2, MSDos, 1.44Mb). -Send it (formatted) to~: - -\centerline{\gros Daniel TAUPIN,} -\centerline{\gros bƒtiment 510,} -\centerline{\gros Centre Universitaire,} -\centerline{\gros 91405-ORSAY, France.} - -\bigskip -Or, better : -\bigskip -{\tt ftp 193.55.39.100} \quad {\tt(rsovax.lps.u-psud.fr)} - -user : {\tt anonymous} - -{\tt cwd musictex} -\bigskip - - The whole distribution is available as a ``.ZIP'' file but also -all individual files, including notices. -\bigskip - Now, be PATIENT : the line is limited to 9600~bauds, and the path is awfully -complicated, so that it works only 80~\% of the time on the average, with -m.t.b.f. of a few hours and faults lasting minutes, hours and even days. -This will change in the (hopefully) next future. -\bigskip -E-mail : {\tt TAUPIN{\char 64}rsovax.lps.u-psud.fr}\vfil -\eject -\bye - - diff --git a/Master/texmf-dist/doc/generic/musictex/lines.tex b/Master/texmf-dist/doc/generic/musictex/lines.tex deleted file mode 100644 index e331dc9e060..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/lines.tex +++ /dev/null @@ -1,75 +0,0 @@ -% Cut Here - line.tex - -% These macros maintain the box of lines used for the leaders - -\newbox\@linbox -\global\setbox\@linbox\hbox{} -\def\@uplinbox{\global\setbox\@linbox\hbox{}\global\n@l=0\relax -\@uplinboxes} -\def\@uplinboxes{\ifnum\n@l<4\relax\selectligne{\n@l}\ifnum -\l@s=0\relax\else\up@linbox\fi -\global\advance\n@l by 1\relax\@uplinboxes\else\fi}% -\def\up@linbox{\y@ii\l@z\advance\y@ii by-\linthick\relax -\global\setbox\@linbox\hbox{\unhbox\@linbox -\kern-\tenboxwidth\vrule width\tenboxwidth height\l@z depth-\y@ii\relax}} - -% This macro makes the leaders -\def\@tenleader#1{\@tenuskip=#1\advance\@tenuskip by2\tenboxwidth\relax -\nobreak\kern-\tenboxwidth\nobreak\cleaders\hbox{\unhcopy\@linbox -\unhcopy\@tenubox}\hskip\@tenuskip\kern-\tenboxwidth\nobreak} - -% Everything that follows is similar to the tie macros, except that there is -% no need to place a special character at each end of a line. - -% positions x et z de debut des lignes -\newdimen\l@xi\newdimen\l@zi -\newdimen\l@xii\newdimen\l@zii -\newdimen\l@xiii\newdimen\l@ziii -\newdimen\l@xiv\newdimen\l@ziv -% etat des lignes (0= inactive, 1= actif) -% -\newcount\l@si -\newcount\l@sii -\newcount\l@siii -\newcount\l@siv -\newdimen\linthick\linthick0.2pt -% -\def\selectligne#1{{\n@i=#1\relax -\ifnum\n@i<1\relax\n@i=4\fi -\xdef\l@x{\csname l@x\romannumeral\n@i\endcsname}% -\xdef\l@z{\csname l@z\romannumeral\n@i\endcsname}% -\xdef\l@s{\csname l@s\romannumeral\n@i\endcsname}}% -}% -% -% continuation des lignes -\def\clignes{\locx@skip=\x@skip\advance\locx@skip by \n@skip\global\n@l -=0\relax\c@lignes}% -\def\c@lignes{\ifnum\n@l<5\relax\selectligne{\n@l}\ifnum -\l@s=0\relax\else\c@ligne\fi -\global\advance\n@l by 1\relax\c@lignes\fi}% -% -\def\ilin#1#2#3{\selectligne{#1}\global\l@s=1\relax - \global\l@x=\locx@skip\global\advance\l@x by#2\relax - \global\l@z=#3\global\advance\l@z by\altportee\relax\up@linbox} -\def\tlin#1{\selectligne{#1}\t@ligne\global\l@s=0\@uplinbox\relax} -% -\def\c@ligne{\y@ii=\x@skip\advance\y@ii by -\l@x -\ifnum\l@s=1\relax - \raise\l@z\llap{\hbox to\y@ii{\leaders - \hrule height\z@ depth\linthick\hss}}\relax - \global\l@x=-1pt -\fi} -% -\def\t@ligne{\y@i=\l@z\relax -\advance\y@i by -\altportee\relax -\y@ii=\locx@skip\advance\y@ii by-\wd@skip\relax -\advance\y@ii by -\l@x\relax - \ifnum\l@s=1\relax - \raise\y@i\llap{\vrule height\z@ depth\linthick width\y@ii\hskip\wd@skip}% -\fi} - -% The lines are activated by adding \clignes to the \ctenuti macro. - -\let\ctenuti@=\ctenuti\def\ctenuti{\ctenuti@\clignes} - - diff --git a/Master/texmf-dist/doc/generic/musictex/magnific.tex b/Master/texmf-dist/doc/generic/musictex/magnific.tex deleted file mode 100644 index 2d067dd6184..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/magnific.tex +++ /dev/null @@ -1,654 +0,0 @@ -\title{Magnificat} -\fulltitle{X. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1992--1994} -\fullauthor{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle - -\csname titremorceautoc\endcsname - -\parindent 18mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -%\signaturegenerale{-1}\relax % un bemol a la clef -\generalsignature{-1}\relax % un bemol a la clef -\def\nbinstruments{2} -\nbporteesii=2\relax -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\qqtemps{\generalmeter{\meterfrac{3:4}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{Manuel}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\noteskip=2\noteskip}% -\def\tripler{\noteskip=3\noteskip}% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% - %au moins quatre doubles croches basses et hautes -\def\qqbb#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1#2#3}\tqb0{#4}}% -\def\Qqbb#1#2#3#4{\Ibbl0{#1}{#3}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqBB#1#2#3#4{\Ibbl0{#2}{#4}2\qb0{#1#2#3}\tqb0{#4}}% -\def\qqhh#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1#2#3}\tqh0{#4}}% -\def\Qqhh#1#2#3#4{\Ibbu0{#1}{#3}2\qh0{#1#2#3}\tqh0{#4}}% -\def\qqHH#1#2#3#4{\Ibbu0{#2}{#4}2\qh0{#1#2#3}\tqh0{#4}}% - %au moins six doubles croches basses -\def\sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1#2#3#4#5}\tqb0{#6}}% -\def\Sqbb#1#2#3#4#5#6{\smallnotesize\Ibbl0{#1}{#6}5\qb0{#1}\off \internote - \qb0{#2#3#4#5}\tqb0{#6}}% -% -\medskip\noindent{\rm {\bf I} G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm {\bf II} Pos.: 8'+4' ou 8'+4'+2' doux}% -\par\noindent{\rm {\bf III} R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O., acc. Pos./G.O.}% -\smallskip -% -\qqtemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\ifx\mxversion\undefined - \vnotes 0.2\elemskip\nextinstrument\nextstaff\cbreath\enotes - \else - \vnotes 0.66\elemskip\nextinstrument\nextstaff\cbreath\enotes - \fi }% -\def\mpause{\divide\noteskip by 2\relax\sk\pause}% -% -\debutmorceau -\autolines755\relax -\advance\linesinpage by 1\relax -\NOtes\soupir&\zmidtwotext{\kern -\interligne\bf II}\ql M|\uptext{\moyen - Andante}\zq{cf}\qu h\enotes -%\check -% mesure 2 -\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes -\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes -\temps\NOtes&\ql M|\zq{f}\qu h\enotes -%\check -% mesure 3 -\barre\NOtes&\ql K|\zq{ad}\qu f\enotes -\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes -\temps\NOtes&\ql M|\zq{f}\qu h\enotes -%\check -% mesure 4 -\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes -\temps\NOtes&\ql M|\zhl c\tten0\zq{f}\qu h\enotes -\temps\NOtes\pause&\ql J|\zql e\qup g\enotes -\temps\notes&\ql K|\zq b\ql d\cu f\enotes -%\check -% mesure 5 -\barre\NOtes\sk\mpause&\hl M|\zh{ac}\hu f\enotes -\resp -\temps\NOtes&\ql a|\itenl0f\zq{fh}\ql j\enotes -%\check -% mesure 6 -\barre\autolines665\relax -\NOtes&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes -\temps\NOtes\pause&\ql{^M}|\tten0\zq{^fh}\ql k\enotes -%\check -% mesure 7 -\barre\NOtes&\ql N|\zhlp d\zq{g}\qu i\enotes -\temps\NOtes\mpause&\ql a|\zq{=f}\qu h\enotes -\temps\NOtes&\ql N|\zq{g}\qu i\enotes -%\check -% mesure 8 -\barre\NOtes&\ql J|\zq{f}\lq g\ql j\enotes -\temps\Notes\sk\pause&\hl L|\zh{eg}\hl j\enotes -\resp -\temps\NOtes&\ql M|\zq{cf}\qu h\enotes -%\check -% mesure 9 -\barre\NOtes&\ql M|\zhlp c\zq{f}\qu h\enotes -\temps\NOtes\mpause&\ql J|\zq{e}\qu g\enotes -\temps\NOtes&\ql M|\zq{f}\qu h\enotes -%\check -% mesure 10 -\barre\NOtes&\ql K|\zq{ad}\qu f\enotes -\temps\NOtes\mpause&\ql J|\zhl c\zq{e}\qu g\enotes -\temps\NOtes&\ql M|\zq{f}\qu h\enotes -%\check -% mesure 11 -\barre\NOtes&\ql a|\itenl0f\zq{fh}\qu j\enotes -\temps\NOtes&\ql M|\tten0\itenu0f\zq{cf}\qu h\enotes -\temps\NOtes\pause&\ql{^J}|\tten0\itenu0c\zq{^c}\zql f\qsk\qup g\enotes -\temps\notes&\qu H|\tten0\zq a\ql c\cu f\enotes -%\check -% mesure 12 -\barre\Notes\sk\mpause&\hl K|\zh{ad}\hu f\enotes -\temps\NOtes&\soupir|\soupir\enotes -%\check -% mesure 13 -\barre\NOtes&\hl{^M}|\zhlp{^f}\zq h\qu k\enotes -\temps\NOtes\mpause&|\zq h\qu k\enotes -\temps\NOtes&\ql K|\zq h\qu j\enotes -%\check -% mesure 14 -\barre\NOtes&\ql L|\zhlp d\zq{dg}\qu i\enotes -\temps\NOtes\mpause&\ql{=M}|\zq{=f}\qu h\enotes -\temps\NOtes&\ql K|\zq{df}\qu i\enotes -%\check -% mesure 15 -\barre\NOtes&\ql L|\zhp e\zhlp g\qu j\enotes -\temps\NOtes\pause&\hu J|\hu j\enotes -\resp -%\check -% mesure 16 -\barre\NOtes&\ql M|\zhl c\zq{f}\qu h\enotes -\temps\NOtes\mpause&\ql M|\zq{e}\qu h\enotes -\temps\NOtes&\qu I|\zq{bd}\qu g\enotes -%\check -% mesure 17 -\barre\NOtes&\qsk\hu G|\zql a\qsk\zhl b\qup d\enotes -\temps\notes&|\ql N\itenl0f\cu f\enotes -\temps\NOtes\pause&\hu F|\zh{ac}\tten0\hu f\enotes -\cleftoksii={0000}\resp\changeclefs -\def\atnextline{\def\nbinstruments{3}% -\nbporteesii=1\relax}% -%\check -% mesure 18 -\barre\autolines{11}45\relax -\notes\ql M&\uptext{\kern -\interligne\bf II}\Tqh hgh&\uptext{\kern - -\interligne\bf III}\ql h\enotes -\temps\notes\ql K&\Tqh fgh&\ql h\enotes -\temps\notes\ql J&\Tqh ihg&\qu g\enotes -\temps\notes\ql M&\Tqh hgf&\qu h\enotes -%\check -% mesure 19 -\barre\notes\ql K&\Tqh efg&\qu f\enotes -\temps\notes\ql J&\Tqh ihg&\qu g\enotes -\temps\notes\ql M&\Tqh fed&\qu h\enotes -%\check -% mesure 20 -\barre\notes\ql a&\Tqh cba&\qu j\enotes -\temps\notes\ql M&\Tqh Nab&\qu h\enotes -\temps\notes\ql J&\Tqh cde&\qup g\enotes -\temps\notes\ql K&\Tqh fgi&\noteskip=1.5\noteskip\sk\cu f\enotes -%\check -% mesure 21 -\barre\notes\hl M&\Tqh hgf&\hu f\enotes -\temps\notes&\Tqh edc&\sk\cbreath\enotes -\temps\notes\soupir&\Tqh ace&\ql j\enotes -%\check -% mesure 22 -\barre\notes\ql M&\Tqh hgh&\ql j\enotes -\temps\notes\ql J&\bigaccid\Tqh {^f}gh&\ql k\enotes -%\check -% mesure 23 -\barre\notes\ql N&\Tqh ige&\ql i\enotes -\temps\notes\ql a&\bigna f\Tqh fgh&\ql h\enotes -\temps\notes\ql N&\Tqh gef&\ql i\enotes -%\check -% mesure 24 -\barre\notes\ql L&\Tqh ged&\ql j\enotes -\temps\notes\hl J&\Tqh efg&\hl j\enotes -\temps\Notes&\qu c\enotes -\resp -\temps\notes\itenu0M\ql M&\Tqh fef&\qu h\enotes -%\check -% mesure 25 -\barre\notes\tten0\ql M&\Tqh def&\qu h\enotes -\temps\notes\ql J&\Tqh ghi&\qu g\enotes -\temps\notes\ql M&\Tqh hgf&\qu h\enotes -%\check -% mesure 26 -\barre\notes\ql K&\Tqh efg&\qu f\enotes -\temps\notes\ql J&\Tqh ihg&\qu g\enotes -\temps\notes\ql M&\Tqh fde&\qu h\enotes -%\check -% mesure 27 -\barre\notes\ql a&\Tqh cba&\qu j\enotes -\temps\notes\ql M&\Tqh Na{=b}&\qu h\enotes -\temps\notes\bigsh J\ql J&\bigaccid\Tqh{^c}de&\qup g\enotes -\temps\notes\qu H&\Tqh fde&\sk\cu f\enotes -%\check -% mesure 28 -\barre\notes\hl K&\Tqh fed&\hu f\enotes -\temps\notes&\Tqh cbc\enotes -\temps\NOtes\soupir&\qu a&\soupir\enotes -%\check -% mesure 29 -\barre\notes\bigaccid\hl{^M}&\Tqh jh{^f}&\ql k\enotes -\temps\notes&\Tqh def&\ql k\enotes -\temps\notes\ql K&\Tqh hgf&\ql j\enotes -%\check -% mesure 30 -\barre\notes\ql L&\Tqh ghi&\qu i\enotes -\temps\notes\bigaccid\ql{=M}&\Tqh hg{=f}&\qu h\enotes -\temps\notes\ql K&\Tqh ghi&\qu i\enotes -%\check -% mesure 31 -\barre\notes\ql L&\Tqh gih&\ql j\enotes -\temps\notes\hu J&\Tqh ghi&\hl j\enotes -\temps\NOtes&\qu g\enotes -\resp -%\check -% mesure 32 -\barre\notes\ql M&\Tqh hgf&\qu h\enotes -\temps\notes\ql M&\Tqh edc&\qu h\enotes -\temps\notes\qu I&\Tqh bdg&\qu g\enotes -%\check -% mesure 33 -\barre\notes\qu G&\Tqh ihg&\qup d\enotes -\temps\notes\qu J&\Tqh def&\noteskip=1.5\noteskip\sk\itenl0f\cu f\enotes -\temps\notes\hu F&\Tqh ihg&\tten0\hu f\enotes -\temps\NOtes&\qu h&\enotes -\resp -\cleftoksii={6000}\changeclefs -% -\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax}% -% mesure 34 -\barre\autolines665\relax -\NOtes\hl M&\zmidtwotext{\kern -\interligne\bf I}\zw c\hl a|\zq{f}\qu h\enotes -\temps\NOtes&|\zq{f}\qu h\enotes -\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes -\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes -%\check -% mesure 35 -\barre\NOtes \ql K&\ql M|\zq{ad}\qu f\enotes -\temps\NOtes \ql J&\ql L|\zhl c\zq{e}\qu g\enotes -\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes -%\check -% mesure 36 -\barre\NOtes \ql L&\ql N|\zq{eg}\qu j\enotes -\temps\NOtes \ql M&\ql a|\zhl c\zq{f}\qu h\enotes -\temps\NOtes \ql J&\ql N|\zql e\qup g\enotes -\temps\notes \ql K&\ql M|\zq b\ql d\cu f\enotes -%\check -% mesure 37 -\barre\NOtes \hl M&\hl M|\zh{ac}\hu f\enotes -\resp -\temps\NOtes \ql M&\ql a|\itenl0f\zq{fh}\ql j\enotes -%\check -% mesure 38 -\barre\autolines665\relax -\NOtes \ql J&\ql M|\tten0\itenu0h\zq{fh}\ql j\enotes -\temps\NOtes\ql K&\ql{^M}|\tten0\zq{^fh}\ql k\enotes -%\check -% mesure 39 -\def\atnextline{\autolines655}\relax -\barre\NOtes \ql N&\ql b|\zhlp d\zq{g}\qu i\enotes -\temps\NOtes \ql K&\ql a|\zq{=f}\qu h\enotes -\temps\NOtes \ql I&\ql N|\zq{g}\qu i\enotes -%\check -% mesure 40 -\barre\NOtes \ql J&\ql M|\zq{f}\lq g\ql j\enotes -\temps\NOtes \hl L&\hl N|\zh{eg}\hl j\enotes -\resp -\temps\NOtes \ql M&\zq{c}\ql a|\zq{f}\qu h\enotes -%\check -% mesure 41 -\barre\NOtes \ql M&\zhup c\ql a|\zq{f}\qu h\enotes -\temps\NOtes \ql J&\ql N|\zq{e}\qu g\enotes -\temps\NOtes \ql M&\ql a|\zq{f}\qu h\enotes -%\check -% mesure 42 -\barre\NOtes \ql K&\zq a\ql M|\zq{d}\qu f\enotes -\temps\NOtes \ql J&\zhu c\ql L|\zq{e}\qu g\enotes -\temps\NOtes \ql M&\itenu2a\ql a|\zq{f}\qu h\enotes -%\check -% mesure 43 -\barre\NOtes \ql a&\tten2\hl a|\itenl0f\zq{fh}\qu j\enotes -\temps\NOtes \ql M&\qu c|\tten0\zq{f}\qu h\enotes -\temps\NOtes \ql{^J}&\zh{^c}\hl N|\zql e\qup g\enotes -\temps\notes \qu H&\qu a|\sk\cu f\enotes -%\check -% mesure 44 -\barre\NOTes \hl K&\zh a\hl M|\zh{d}\hu f\enotes -\temps\NOtes \soupir&\soupir|\soupir\enotes -%\check -% mesure 45 -\barre\NOtes \hl{^M}&\hlp a|\zhlp{^f}\zq h\qu k\enotes -\temps\NOtes &|\zq h\qu k\enotes -\temps\NOtes \ql K&|\zq h\qu j\enotes -%\check -% mesure 46 -\barre\NOtes \ql L&\ql N|\zhlp d\zq{g}\qu i\enotes -\temps\NOtes \ql{=M}&\ql a|\zq{=f}\qu h\enotes -\temps\NOtes \ql K&\ql M|\zq{f}\qu i\enotes -%\check -% mesure 47 -\barre\NOtes \ql L&\hlp N|\zhp e\zhlp g\qu j\enotes -\temps\NOTes \hu J&|\hu j\enotes -\resp -%\check -% mesure 48 -\barre\NOtes \ql M&\zh c\hl a|\zq{f}\qu h\enotes -\temps\NOtes \ql M&|\zq{f}\qu h\enotes -\temps\NOtes \qu I&\zq b\ql N|\zq{d}\qu g\enotes -%\check -% mesure 49 -\barre\NOtes \hu G&\zw M\qu a|\zhl b\qup d\enotes -\temps\notes &\qu N|\sk\itenl0f\cu f\enotes -\temps\NOTes \hu F&\hu a|\zh{c}\tten0\hu f\enotes - % -\def\atnextline{\def\nbinstruments{3}\nbporteesii=1\relax -\nbporteesiii=1\relax\autolines{14}45}% -% mesure 50 -\barre\notes\hu K&\zmidtwotext{\kern -\interligne\bf II}\Qqbb afdf&\relax - \zmidtwotext{\kern -\interligne\bf III}\qu h\enotes -\temps\notes &\Qqbb afdf&\qu h\enotes -\temps\notes\bigaccid \qu {^J}&\Qqbb Ne{^c}e&\qu g\enotes -\temps\notes \qu K&\Qqbb afdf&\qu h\enotes -%\check -% mesure 51 -\barre\notes\bigaccid \qu {=I}&\Qqbb Nd{=b}d&\qu f\enotes -\temps\notes\bigaccid \qu{^J}&\Qqbb Ne{^c}e&\qu g\enotes -\temps\notes \qu K&\Qqbb afdf&\qu h\enotes -%\check -% mesure 52 -\barre\notes\bigaccid \qu {=J}&\Qqbb af{=c}f&\qu j\enotes -\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes -\temps\notes \hu H&\Qqbb L{^c}Nc&\qup g\enotes -\temps\notes &\Qqbb LcNc&\sk\sk\cu f\enotes -%\check -% mesure 53 -\barre\notes \hu K&\Qqbb Mdad&\qup f\enotes -\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes -\temps\notes \qu H&\Qqbb L{=c}ac&\ql j\enotes -%\check -% mesure 54 -\barre\notes \qu J&\Qqbb Mcac&\ql j\enotes -\temps\notes \qu K&\Qqbb{^M}dad&\ql k\enotes -%\check -% mesure 55 -\barre\notes \qu G&\Qqbb Ndbd&\qu i\enotes -\temps\notes \qu K&\Qqbb {=M}dad&\qu h\enotes -\temps\notes \qu G&\Qqbb KbNb&\qu i\enotes -%\check -% mesure 56 -\barre\notes \hlp J&\Qqbb LcNc&\ql j\enotes -\temps\notes &\Qqbb Lcac&\qlp j\enotes -\temps\notes &\Qqbb LcNc&\sk\sk\ds\enotes -\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes -%\check -% mesure 57 -\barre\notes \qu J&\Qqbb Mcac&\qu h\enotes -\temps\notes \qu H&\Qqbb L{^c}ac&\qu g\enotes -\temps\notes \doubler\dqh {=I}{^J}&\Qqbb LcNc&\qu h\enotes -%\check -% mesure 58 -\barre\notes \qu K&\Qqbb Mdad&\qu f\enotes -\temps\notes\bigaccid \qu{^J}&\Qqbb L{^c}Nc&\qu g\enotes -\temps\notes \qu K&\Qqbb Mdad&\qu h\enotes -%\check -% mesure 59 -\barre\notes\bigaccid \qu{=J}&\Qqbb M{=c}ac&\cna j\qu j\enotes -\temps\notes \qu H&\Qqbb Lcac&\qu h\enotes -\temps\notes\doubler \qu {=I}&\Qqbb L{^c}Nc&\qup g\enotes -\temps\notes \qu H&\Qqbb Lcac&\sk\sk\cu f\enotes -%\check -% mesure 60 -\barre\notes \hu K&\Qqbb Mdad&\hu f\enotes -\temps\notes &\Qqbb Mdad&\enotes -\temps\notes \soupir&\Qqbb Mdad&\soupir\enotes -%\check -% mesure 61 -\barre\notes \hu K&\bigaccid\Qqbb {^M}dad&\ql k\enotes -\temps\notes &\Qqbb Mdad&\ql k\enotes -\temps\notes\bigaccid \ql{^M}&\Qqbb Mcac&\ql j\enotes -%\check -% mesure 62 -\barre\notes \ql N&\Qqbb Ndbd&\qu i\enotes -\temps\notes \ql L&\Qqbb LcNc&\qu h\enotes -\temps\notes \ql K&\Qqbb Kb{=M}b&\qu i\enotes -%\check -% mesure 63 -\barre\notes \qu J&\Qqbb LcNc&\qu j\enotes -\temps\notes \hu H&\Qqbb Mcac&\qup j\enotes -\temps\notes &\Qqbb Lcbc&\sk\sk\ds\enotes -%\check -% mesure 64 -\barre\notes \qu K&\Qqbb Mdad&\qu h\enotes -\temps\notes \qu J&\Qqbb Lcac&\qu h\enotes -\temps\notes \qu I&\Qqbb KbNb&\qu g\enotes -%\check -% mesure 65 -\barre\notes \hu G&\Qqbb KbNb&\qup d\enotes -\temps\notes &\Qqbb KbNb&\sk\sk\itenl0f\cu f\enotes -\temps\notes \hu D&\Qqbb Mdad&\tten0\qup f\enotes -\temps\notes &\Qqbb Mdad&\sk\sk\ds\enotes -\def\atnextline{\autolines{22}35}% -% mesure 66 -\barre\notes\hu K&\uptext{\kern -\interligne\bf I}\zqu -M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb - Madfda&\uptext{\kern -\interligne\bf III}\qu h\enotes -\temps\notes &\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes -\temps\notes \qu H&\zqu N\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Na{^c}eca&\qu g\enotes -\temps\notes \qu K&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\sqbb Madfda&\qu h\enotes -%\check -% mesure 67 -\barre\notes\bigaccid \qu {=I}&\zqu M\rlap{\sk\sk\zcharnote D{\sl 6}}\Sqbb M{=b}dfdb&\qu f\enotes -\temps\notes\bigaccid \qu{^J}&\zqu N\sqbb Na{^c}eca&\qu g\enotes -\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes -%\check -% mesure 68 -\barre\notes \qu H&\zqu M\sqbb Macfca&\qu j\enotes -\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes -\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qup g\enotes -\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\sk\sk\sk\cu f\enotes -%\check -% mesure 69 -\barre\notes \hu K&\zqu M\sqbb Madfda&\hu f\enotes -\temps\notes &\zqu M\sqbb Madfda&\enotes -\temps\notes \qu H&\zqu M\sqbb Madfda&\ds\sk\sk\cu h\enotes -%\check -% mesure 70 -\barre\notes \hu K&\bigsh M\zqu M\sqbb Mad{^f}da&\ql k\enotes -\temps\notes &\zqu M\sqbb Ma{=c}fca&\cna j\ql j\enotes -\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\qu i\enotes -\temps\notes \qu I&\zqu N\sqbb Nbdgdb&\tripler\dqh hg\enotes -% mesure 71 -\barre\notes \hu H&\bigna M\zqu M\sqbb Mad{=f}ca&\qup h\enotes -\temps\notes &\zqu M\sqbb Madfca&\tripler\sk\cu h\enotes -\temps\notes \qu I&\zqu N\sqbb Nbdedb&\qu f\enotes -\temps\notes \qu G&\zqu N\sqbb Nbdgdb&\tripler\dqh ge\enotes -% mesure 72 -\barre\notes \hu H&\zqu a\sqbb adfhfd&\hu d\enotes -\temps\notes &\zqu a\sqbb adfhfd&\enotes -\temps\notes &\zqu a\Sqbb a{^c}egec&\bigaccid\qu {^c}\enotes -% mesure 73 -\barre\notes \hu D&\zqu M\sqbb Madfda&\qup d\enotes -\temps\notes &\zqu M\sqbb Madfdb&\tripler\sk\cu d\enotes -\temps\notes \hu K&\zqu a\sqbb acd{^f}dc&\tripler\qu{^f}\enotes -\temps\notes &\zqu a\sqbb acdfdc&\tripler\dqh ff\enotes -% mesure 74 -\barre\notes \hu I&\zqu N\sqbb Nbdgdb&\tripler\dqh gh\enotes -\temps\notes &\zqu N\sqbb Nbdedb&\tripler\dqh ig\enotes -\temps\notes \hu J&\zqu N\sqbb Nbcecb&\tripler\qu e\enotes -\temps\notes &\zqu N\sqbb Nbcecb&\tripler\dqh ee\enotes -\def\atnextline{\autolines{20}35}% -% mesure 75 -\barre\notes \hu K&\na M\zqu M\sqbb Madfda&\tripler\na f\dqh fg\enotes -\temps\notes &\zqu M\sqbb Madfdb&\tripler\dqh hf\enotes -\temps\notes \hu I&\zqu K\sqbb KNbdbN&\tripler\qu d\enotes -\temps\notes &\zqu K\sqbb KNbdbN&\tripler\dqh dd\enotes -% mesure 76 -\barre\notes \hu H&\zqu N\sqbb Na{^c}eca&\tripler\qu g\enotes -\temps\notes &\zqu N\sqbb Naceca&\uptext{\moyen rit.}\tripler\dqh gg\enotes -% mesure 77 -\barre\notes\hu K&\zqu M\sqbb Madfda&\uptext{\moyen a tempo}\qu h\enotes -\temps\notes &\zqu M\sqbb Madfda&\qu h\enotes -\temps\notes\bigaccid \qu {^J}&\zqu L\sqbb La{^c}eca&\qu g\enotes -\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes -%\check -% mesure 78 -\barre\notes\bigaccid \qu {=I}&\zqu K\sqbb KM{=b}dbM&\qu f\enotes -\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes -\temps\notes \qu K&\zqu M\sqbb Madfda&\qu h\enotes -%\check -% mesure 79 -\barre\notes\bigaccid \qu {=J}&\zqu M\sqbb Ma{=c}fca&\qu j\enotes -\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes -\temps\notes \qu H&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes -%\check -% mesure 80 -\barre\notes \hu K&\zqu K\sqbb KMadaM&\qup f\enotes -\temps\notes &\zqu K\sqbb KMadaM&\sk\sk\ds\enotes -\temps\notes \qu H&\zqu L\sqbb La{=c}eca&\ql j\enotes -%\check -% mesure 81 -\barre\notes \qu J&\zqu L\sqbb Laceca&\ql j\enotes -\temps\notes \qu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes -%\check -% mesure 82 -\barre\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes -\temps\notes \qu K&\zqu K\Sqbb K{=M}adaM&\qu h\enotes -\temps\notes \qu G&\zqu K\sqbb KNbdbN&\qu i\enotes -%\check -% mesure 83 -\barre\notes \hlp J&\zqu M\sqbb MNcecN&\ql j\enotes -\temps\notes &\zqu L\sqbb LNcecN&\qlp j\enotes -\temps\notes &\zqu L\sqbb LNcecN&\sk\sk\ds\enotes -\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes -%\check -% mesure 84 -\barre\notes \qu J&\zqu M\sqbb Macfca&\qu h\enotes -\temps\notes \qu H&\zqu L\sqbb La{^c}eca&\qu g\enotes -\temps\notes \tripler\dqh {=I}{^J}&\zqu L\sqbb LNcecN&\qu h\enotes -%\check -% mesure 85 -\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu f\enotes -\temps\notes\bigaccid \qu{^J}&\zqu L\sqbb LN{^c}ecN&\qu g\enotes -\temps\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes -%\check -% mesure 86 -\barre\notes\bigaccid \qu{=J}&\zqu M\sqbb Ma{=c}fca&\cna j\qu j\enotes -\temps\notes \qu H&\zqu L\sqbb Laceca&\qu h\enotes -\temps\notes\tripler \dqh {=I}{^J}&\zqu L\sqbb LN{^c}ecN&\tripler\dqh gf\enotes -%\check -% mesure 87 -\barre\notes \hu K&\zqu K\sqbb KMadaM&\hu f\enotes -\temps\notes &\zqu K\sqbb KMadaM&\enotes -\temps\notes \soupir&\zqu K\sqbb KMadaM&\soupir\enotes -%\check -% mesure 88 -\barre\notes \hu K&\zqu K\Sqbb K{^M}adaM&\ql k\enotes -\temps\notes &\zqu K\sqbb KMadaM&\ql k\enotes -\temps\notes\bigaccid \ql{^M}&\zqu M\sqbb Macfca&\ql j\enotes -%\check -% mesure 89 -\barre\notes \ql N&\zqu K\sqbb KNbdbN&\qu i\enotes -\temps\notes \ql L&\zqu L\sqbb LNbebN&\qu h\enotes -\temps\notes \ql K&\zqu K\Sqbb K{=M}bdbM&\qu i\enotes -%\check -% mesure 90 -\barre\notes \qu J&\zqu L\sqbb LNcecN&\qu j\enotes -\temps\notes \hu H&\zqu M\sqbb Macfca&\qup j\enotes -\temps\notes &\zqu L\sqbb Laceca&\sk\sk\ds\enotes -%\check -% mesure 91 -\barre\notes \qu K&\zqu K\sqbb KMadaM&\qu h\enotes -\temps\notes \qu J&\zqu L\sqbb Laceca&\qu h\enotes -\temps\notes \qu I&\zqu K\sqbb KNbdbN&\qu g\enotes -%\check -% mesure 92 -\barre\notes \hu G&\zqu K\sqbb KNbdbN&\qup d\enotes -\temps\notes &\zqu K\sqbb KNbdbN&\sk\sk\sk\cu f\enotes -\temps\notes \hu F&\zqu M\sqbb Macfca&\pointdorgue l\hu f\enotes -\temps\notes &\zqu M\ibbl0M1\qb0M\zqu a\qb0a\zqu c\tqb0c\pointdurgue F\cl f&\enotes -\advance\linesinpage by 1\relax -%\check -\def\atnextline{\def\nbinstruments{2}\nbporteesii=2\relax - \def\interfacteur{11}\autolines{14}45}% -% mesure 93 -\def\ddb#1#2#3{\Ibl0{#1}{#3}3\qb0{#1}\sk\nbbl0\qb0{#2}\tqb0{#3}}% -\def\ddh#1#2#3{\Ibu0{#1}{#3}3\qh0{#1}\sk\nbbu0\qh0{#2}\tqh0{#3}}% -\barre\notes\hl M&\zmidtwotext{\kern -2\interligne\bf I}\ql c|\relax - \Uptext{\moyen Maestoso}\zqu h\ddb fed\enotes -\temps\NOtes&\ql a|\zqu h\dqb cd\enotes -\temps\NOtes \ql J&\ql N|\zqu g\dqb ec\enotes -\temps\notes \ql M&\ql a|\zqu h\qqbb fedc\enotes -%\check -% mesure 94 -\barre\notes \ql K&\ql M|\zqu f\ddb dcb\enotes -\temps\NOtes \ql J&\ql L|\zqu g\dqb ce\enotes -\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes -%\check -% mesure 95 -\barre\NOtes \ql L&\zql N\dqh ce|\zq{g}\qu j\enotes -\temps\notes \ql M&\ql a|\zqu h\ddb fed\enotes -\temps\NOtes \ql J&\ql N|\zqup g\dqb ec\enotes -\temps\notes \qu G&\zql M\ddh bab|\sk\sk\cu f\enotes -%\check -% mesure 96 -\barre\notes \hu F&\zhl M\ddh aab|\zhu f\enotes -\temps\notes &\ddh cde\enotes -%\check -% mesure 97 -\barre\notes \ql M&\zql a\ddh fed|\zq{h}\qu j\enotes -\temps\notes \ql J&\zql M\qqhh cbab|\zq{h}\qu j\enotes -\temps\notes\ql K&\bigaccid\zql{^M}\ddh abc|\zq{h}\qu k\enotes -%\check -% mesure 98 -\barre\NOtes \ql N&\zql b\dqh de|\zq{g}\qu i\enotes -\temps\notes \ql K&\ql a|\bigna f\zqu h\ddb fed\enotes -\temps\notes \ql I&\ql N|\zqu i\qqbb edef\enotes -%\check -% mesure 99 -\barre\NOtes \ql J&\ql M|\zqu j\dqb gf\enotes -\temps\notes \hl L&\hl N|\zh{g}\zhu j\ddb ede\enotes -\temps\Notes&|\ql c\cbreath\enotes -%\check -% mesure 100 -\barre\notes \hl M&\qqbb abcb|\zcl{c}\zq{f}\qu h\enotes -\temps\notes &\qqbb aNaM|\zhlp c\zq{f}\qu h\enotes -\temps\notes \ql J&\qqbb NLMN|\zq{e}\qu g\enotes -\temps\notes \ql M&\qqbb abaN|\zq{f}\qu h\enotes -\def\atnextline{\autolines{12}45}\relax -%\check -% mesure 101 -\barre\notes \ql K&\zqu a\ddb MNM|\zq{d}\qu f\enotes -\temps\notes \ql J&\ddb LMN|\zq{ce}\qu g\enotes -\temps\notes \ql M&\qqbb abcd|\zq{f}\qu h\enotes -%\check -% mesure 102 -\barre\notes \ql a&\ddb cbc|\zq{fh}\qu j\enotes -\temps\notes \ql M&\qqbb abca|\zcl c\zq{f}\qu h\enotes -\temps\notes \bigaccid\qu{^J}&\qqbb NbaN|\bigaccid\zhl{^c}\zql e\qup g\enotes -\temps\notes \qu H&\ddb MNL|\sk\cu f\enotes -%\check -% mesure 103 -\barre\notes \ddh KJI&\zqp a\qlp M|\zqp{d}\qup f\enotes -\temps\notes \qqhh HGFE&\sk\sk\ds|\sk\sk\ds\enotes -%\check -% mesure 104 -\barre\notes \qup D&\hl a|\bigaccid\zhl{^f}\zq h\ddh kji\enotes -\temps\notes &|\zql h\qqhh kjih\enotes -%\check -% mesure 105 -\barre\notes \qu G&\ddb Nab|\zhlp d\zq{dg}\qu i\enotes -\temps\notes \qu J&\qqbb cabc|\bigaccid\zq{_e}\qu h\enotes -\temps\notes \ddh KJK&\ql M|\zql d\zq{=f}\qu i\enotes -%\check -% mesure 106 -\barre\notes \bigfl L\ddh LKL&\ql N|\bigfl e\zq e\zq g\qu j\enotes -\temps\notes \ddh JJI&\hl M|\zqp {fh}\qup j\enotes -\temps\notes \ddh HGH&\sk\sk\ds|\sk\sk\ds\enotes -%\check -% mesure 107 -\barre\notes \qu F&\zhl a\qu d|\zqu h\ddb ff{=e}\enotes -\temps\notes \qu K&\ddh dcd|\zq{f}\qu h\enotes -\temps\notes \ddh IHI&\zqu b\ql N\zmidtwotext{\it rall.}|\zq{d}\qu g\enotes -%\check -% mesure 108 -\advance\barsinline -1\relax -\barre\NOtes \qu G&\zhlp N\qu b|\qu d\enotes -\temps\NOtes \hu J&\qu c|\qup e\enotes -\temps\notes &\qu b|\sk\cu f\enotes -% mesure 109 -\barre\NOTes \wh F&\zw M\wh a|\zw{c}\wh f\enotes -\finmorceau -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/marcellx.tex b/Master/texmf-dist/doc/generic/musictex/marcellx.tex deleted file mode 100644 index 98c563df159..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/marcellx.tex +++ /dev/null @@ -1,314 +0,0 @@ -\title{Adagio} -\fulltitle{Adagio} -\csname titremorceautoc\endcsname -\subtitle{(extrait du Concerto pour Hautbois)} -\othermention{R\'ecit: cornet ou cromorne\\G.O. - bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} -\author{Benedetto MARCELLO\\Transcription Daniel TAUPIN} -\shortauthor{B. Marcello, D. Taupin} -\maketitle -% -\parindent 13mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -\def\interfacteur{9} -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\nbporteesi=1\relax% -\nbporteesii=1\relax% -\nbporteesiii=1\relax% -\signaturegenerale{-3}\relax -%\check -\def\instrumenti{P\'ed}% -\def\instrumentii{G.O.}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% formes frequentes -\def\Pause{\sk\sk\qsk\pause}% -% -%\check -% -\generalmeter{\meterfrac 34}% -% -\debutmorceau -\linesinpage=0\relax -\autolines{19}35\relax -%\check -% -\hyphenpenalty -50\relax -\notes&&\zcharnote{w}{\kern -20mm\moyen Adagio -\bf(\metron{\cu}{84})}\enotes -% -%\check -% -% mesure 1 -%\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0&\qb0j&\Pause\enotes -\NOTes\Pause&\ibl0j0\qb0{jjjjj}\tqb0j&\Pause&\Pause\enotes -\advance\linesinpage by 1 -% mesure 2 -\barre\NOTes\Pause -&\ibl0j0\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\qb0k\lq j\tqb0k&\Pause\enotes -% mesure 3 -\def\motif{\zq i\qh0k}% -\barre\NOTes\hup G&\rlap{\pt g\lh f\hlp g}\bigna i\ibu0k0\motif -\motif\motif\motif\motif\tbu0\motif&\Pause\enotes -% mesure 4 -\def\motif{\zq j\qh0 l}% -\barre\NOTes\Ibu2CJ1\qh2C\itenl0J\tqh2J\relax -&\ibu0l0\itenl1e\rlap{\zhp g\hlp e}\motif\motif\relax -&\Ibl1jl1\qb1j\tqb1l\enotes -\NOTes\tten0\hu J&\motif\motif&\Ibl1ln1\qb1l\tqb1n\enotes -\NOTes&\motif&\ibl1n0\qb1n\enotes -\NOtes&\tbu0\motif&\nbbl1\qb1o\tqb1n\enotes -% mesure 5 -\def\motif{\zq h\qh0j}% -\barre\NOTes\qsk\hup F&\qsk\tten1\zql e\relax -\ibu0j0\motif\motif&\qsk\mordant q\zhl o\enotes -\NOTes&\zql d\motif\motif\enotes -\NOTes&\zql c\motif\tbu0\motif&\soupir\enotes -% mesure 6 -\def\motif{\zq h\qh0k}% -\barre\temps\NOTes\hup I&\zhl f\ibu0k0\motif\motif&\Ibl1ik1\qb1i\tqb1k\enotes -\NOTes&\motif&\Ibl1kl2\qb1k\enotes -\NOtes&\motif&\nbbl1\qb1m\tqb1l\enotes -\NOtes&\itenl1d\zql d\motif\sk\tbu0\motif&\Ibbl1mn3\qb1{mno}\tqb1n\enotes -% mesure 7 -\def\motif{\zq g\qh0i}% -\barre\autolines{20}35\relax -\NOTes\qsk\hup E&\qsk\tten1\zql d\ibu0i0\motif -\motif&\qsk\mordant p\zhl n\enotes -\NOTes&\zql c\motif\motif\enotes -\NOTes&\zql b\motif\tbu0\motif&\soupir\enotes -% mesure 8 -\def\motif{\zq h\qh0j}% -\barre\NOtes\hup H&\ibu0j0\zhl e\motif\sk\motif -&\Ibbl1hi3\qb1{hij}\tqb1i\enotes -\NOtes&\motif\sk\motif -&\Ibbl1jk3\qb1{jkl}\tqb1k\enotes -\NOtes&\itenl1c\zql c\motif\sk\tbu0\motif -&\Ibbl1lm3\qb1{lmn}\tqb1m\enotes -% mesure 9 -\def\motif{\zq f\qh0h}% -\barre\NOTes\qsk\hup K&\qsk\tten1\zql c\ibu0h0\motif -\tbu0\motif&\qsk\mordant o\zhl m\enotes -\def\motif{\zq f\qh0i}% -\temps\NOTes&\zql b\ibu0i0\motif\motif\enotes -\NOTes&\zql a\motif\tbu0\motif&\soupir\enotes -% mesure 10 -\def\motif{\zq i\qh0k}% -\barre\autolines{28}25\relax -\Notes\Ibu2NG4\qh2N\sk\sk\sk\itenl0G\tqh2G&\bigna i\zhlp f\relax -\ibu0k0\motif\sk\sk\sk\motif&\Ibbbu1gk7\qh1{g^fgh=ihi}\tqh1j\enotes -\Notes\tten0\hu G&\motif\sk\sk\sk\motif&\Ibbbl1jj7\qb1{kijkn=ml}\tqb1k\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1kl3\qb1{klm}\tqb1l\enotes -% mesure 11 -%\check -\def\motif{\zq g\qh0 j}% -\barre\notes\Ibu2CJ5\qh2C&\zhlp e\ibu0j0\motif -&\ibbbbl1l0\qb1{lkl}\tbbbbl1\tbbbl1\tbbl1\qb1m\enotes -\NOtes&&\tbl1\qbp1l\enotes -\NOTes\itenl0J\tqh2J&\motif&\enotes -\NOtes\tten0\itenl0J\hu J&\motif\sk\motif&\qsoupir\Ibbl1ln2\qb1{lo}\tqb1n\enotes -\NOtes&\motif\sk\tbu0\motif&\Ibbl1ol3\qb1{omm}\tqb1l\enotes -% mesure 12 -%\check -\barre -\NOTes\tten0\qu J&\ibu0h0\zhl d\zq f\qh0h\zq f\tqh0h\relax -&\mordant q\ql k\sk\enotes -\NOtes\itenl2I\hu I&\ibu0i0\zq g\qh0i\sk\zq g\tqh0i&\qsoupir -\Ibbl1km2\qb1{kn}\tqb1m\enotes -\NOtes&\ibu0j0\zq g\qh0j\sk&\ibbl1k0\qb1n\qbp1l\enotes -\Notes&\zq g\tqh0j&\sk\nbbbl1\qb1{kj}\tqb1k\enotes -% mesure 13 -\barre -\notes\tten2\qu I&\zhl c\ibu0g0\zq e\qh0g&\ibbbbl1j0\qb1{j=ij}\relax -\tbbbbl1\tbbbl1\tbbl1\qb1k\enotes -\NOtes&&\tbl1\qbp1j\enotes -\NOTes&\zq e\tqh0g&\enotes -\temps\Notes\hu H&\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h\relax -&\qsoupir\sk\ibbbl1j0\qb1j\tbbl1\qb1l\nbbbl1\qb1{kjk}\tqb1l\enotes -\temps\Notes&\zql d\ibu0h0\zq f\qh0h\sk\sk\sk\zq f\tqh0h&\ibbbl1k0\qb1{mnlmkl}\relax -\triolet M\qb1{jk}\tqb1j\enotes -% mesure 14 -%\check -\def\motif{\zq g\qh0 i}% -\barre\autolines{21}35\relax -\NOTes\hup G&\rlap{\qsk\hlp d}\bigna b\ibu0i0\qh0b\rq -f\rlap{\qsk\itenl0f}\bigna i\motif -&\bigna i\hl i\enotes -\NOTes&\rlap{\qsk\tten0\hl f}\motif\motif\motif\tbu0\motif&\sk\sk\soupir\enotes -% mesure 15 -\barre\NOTes\hup J&\bigna e\zhlp c\Ibu0jg1\zq e\qh0j\tqh0g\relax -&\ibl1l0\bigna l\qb1l\qb1n\enotes -\NOTes&\ibu0g0\zq e\qh0g\zq e\tqh0g&\qb1n\tqb1l\enotes -\temps\NOtes&\ibu0j0\zq e\qh0j\sk\zq e\tqh0j&\fl i\ibbl1i0\qb1{inl}\tqb1i\enotes -% mesure 16 -\barre\NOTes\hlp M&\zql c\ibu0j0\zq g\qh0j&\ibu1k0\itenl1i\qh1i\enotes -\Notes&\zq g\tqh0j&\tten1\nbbbu1\qh1{ihj}\tqh1i\enotes -\temps\NOTes&\ibu0j0\zhl f\zq h\qh0j\zq h\relax -\qh0j\zq h\qh0j\zq h\tqh0j&\qu h\sk\soupir\enotes -% mesure 17 -\def\motif{\zq h\qh0 k}% -\barre\autolines{24}35\relax -\NOtes\hup K&\lsh f\zhlp f\na h\ibu0k0\motif\sk\motif -&\ibbl1m0\sh m\qb1{m=om}\tqb1n\enotes -\Notes&\motif\sk\sk\sk\motif\sk\sk\sk&\Ibbbl1oh7\qb1{onm=lkji}\tqb1{=h}\enotes -\Notes&\motif\sk\sk\sk\sk\tbu0\motif\sk\sk\sk -&\Ibbbu1dl9\qh1{d=e^fghij}\qhp1k\qsk\tbbbbu1\tqh1j\enotes -% mesure 18 -\barre -\NOTes\hup G&\zql d\zq g\ibu0k0\qh0k\zq g\tqh0k&\Ibl1ji1\qb1j\tqb1i\enotes -\temps\NOTes&\itenl0e\zhl e\zq g\ibu0i0\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0i\relax -&\Ibl1lk1\bigfl l\qb1l\tqb1k\mordant n\itenu1l\ql l\enotes -% mesure 19 -\barre\NOTes\hl M&\tten0\zql e\zq{_h}\ibu0j0\qh0j\relax -&\tten1\ibl1l0\qb1l\enotes -\NOtes&\zq h\tqh0j&\nbbl1\qb1m\tqb1l\enotes -\temps\NOTes&\zhl d\zq f\ibu0h0\qh0h&\ibl1k0\qb1k\enotes -\NOtes&\zq f\qh0h&\nbbl1\qb1l\tqb1j\enotes -\NOTes\qu F&\zq f\qh0h\zq f\tqh0h&\itenu1k\mordant m\ql k\enotes -% mesure 20 -\barre\autolines{28}35\relax -\NOtes\hu E&\zql d\ibu0i0\zq g\qh0i\sk\zq g\tqh0 i\relax -&\tten1\ibbl1k0\qb1{knl}\tqb1k\enotes -\temps\NOtes&\zhl c\ibu0g0\zq e\qh0g\sk\zq e\qh0g&\ibbl1i0\qb1{jih}\tqb1i\enotes -\NOTes\ql L&\zq e\qh0g\zq e\tqh0g&\upperna j\mordant o\itenu1j\ql j\enotes -% mesure 21 -\barre -\NOtes\hup K&\zhl b\zq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbl1j0\tten1\qb1j\qb1{_i}\qb1k\enotes -\Notes&&\nbbbl1\qb1m\tqb1l\enotes -\temps\Notes&\zq d\ibu0f0\qh0f\sk\sk\sk\zq d\qh0f\relax -&\ibbbl1i0\qb1{kjihijk}\tqb1l\enotes -\NOtes&\zql a\zq d\qh0f\sk\zq d\tqh0f&\Ibbl1mi3\qb1{mk}\relax -\pince l\qb1j\enotes -\NOtes&&\itenu0i\tqb1i\enotes -% mesure 22 -\barre\Notes\hup J&\zql N\ibu0g0\zq e\qh0g\sk\sk\sk\zq e\tqh0g\relax -&\tten0\ibbbl1i0\qb1{ijj}\tqb1i\Ibbbu1ig3\qh1{ihh}\tqh1g\enotes -\temps\Notes&\ibu0j0\zql e\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\ibbbu1g0\qh1{ghh}\tqh1g\Ibbbu1ge3\qh1{gff}\tqh1e\enotes -\temps\NOtes&\zql e\rq f\ibu0h0\qh0h\sk\zq f\tqh0h\relax -&\ibbu1k0\qh1{flk}\tqh1j\enotes -% mesure 23 -\barre\autolines{21}35\relax -\Notes\hu I&\doubler -\zhl d\zq f\ibu0h0\qh0h\zq f\qh0h\zq f\qh0h\zq f\tqh0h\relax -&\itenu1k\ql k\sk\sk\sk\tten1\Ibl1ki3\qbp1k\sk\sk\tbbl1\tqb1i\enotes -\NOTes\qu J&\zql c\zq e\ibu0g0\qh0g\zq e\tqh0g&\itenu1l\ql l\enotes -% mesure 24 -\barre -\NOTes\qu{H}&\zqu j\ibl0e0\zq e\qb0h&\tten1\ibl1i0\itenu1l\qb1l\enotes -\Notes&\zq e\tqb0 h&\tten1\nbbbl1\qb1{ljk}\tqb1l\enotes -\temps\NOTes\hu I&\zhu i\ibl0d0\zq d\qb0f\zq d\qb0f\zq d\qb0f\zq e\tqb0g\relax -&\qlp m\sk\sk\cl l\enotes -% mesure 25 -\barre\NOTes\hlp M&\zhlp f\ibu0k0\qh0h\zq h\qh0{_k}&\bigfl k\qlp k\enotes -\NOtes&\zq h\qh0k\sk\zq h\qh0k\sk\zq h\qh0k\sk\zq h\tqh0k\sk -&\sk\sk\ibbl1m0\qb1{mnonm}\tqb1l\enotes -% mesure 26 -\barre\autolines{23}35\relax -\NOTes\hlp N&\zhlp e\ibu0i0\zq g\qh0i\zq g\qh0i&\itenu1k\ql{_k}\enotes -\NOtes&\zq i\qh0g\sk\zq i\qh0g\sk\zq i\qh0g\sk\zq i\tqh0g\sk -&\tten1\Ibbl1ko3\qb1{kln}\tqb1{o}\Ibbl1pk3\qb1{pnl}\tqb1k\enotes -% mesure 27 -\barre -\NOTes\hl a&\zhl e\zq h\ibu0j0\qh0j\relax -&\bigfl k\ibl1j0\itenu1k\qb1k\enotes -\Notes&\zq h\qh0j&\tten1\nbbbl1\qb1{kjl}\tqb1k\enotes -\NOtes&\zq h\qh0j\sk\zq h\tqh0j&\Ibbl1jn3\qb1{jlm}\tqb1n\enotes -\temps\NOtes\qu H&\zql f\ibu0j0\zq h\qh0j\sk\zq h\tqh0j\relax -&\Ibbl1ol3\qb1{onm}\tqb1l\enotes -% mesure 28 -\barre\NOTes\hu G&\rlap{\qsk\zhl f}\ibu0i0\bigna i\zq g\qh0i\zq g\qh0i\relax -&\itenu1m\ql m\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\tten1\ibbl1h0\qb1{mgh}\tqb1{=i}\enotes -\temps\NOtes\qu{H}&\itenl0f\zql f\zq h\itenu2h\itenu1j\qu j\relax -&\Ibbl1jk3\qb1{j=kl}\tqb1k\enotes -% mesure 29 -\barre\autolines{23}35\relax -\NOtes\qu F&\tten2\tten1\tten0\zq f\zql h\Ibu0jk2\qh0j\sk\tqh0k\relax -&\ibbl1l0\qb1{lom}\tqb1k\enotes -\temps\NOTes\hu G&\zqlp d\na i\Ibu0ij3\zq g\qh0i\zq g\qh0i\zq g\qh0i\zq g\tqh0j\relax -&\qlp{=i}\sk\sk\cl j\enotes -% mesure 30 -%\check -\barre -\NOTes\hup{H}&\zhlp c\ibu0h0\zq f\qh0h\zq f\qh0h\zq f\qh0h\zq f\qh0h\relax -&\itenl1f\hu f\enotes -\NOtes&\zq f\qh0h\sk\zq f\tqh0h&\tten1\Ibbu1fe3\qh1{fcd}\tqh1e\enotes -% mesure 31 -%\check -\barre -\NOtes\hu G&\zhl d\bigna i\zq g\qh0i\sk\zq g\qh0i\sk -&\Ibbu1fe3\qh1{fed}\tqh1e\enotes -\NOtes&\zq g\qh0i\sk\zq g\tqh0i&\Ibbu1fg3\qh1{fgh}\tqh1g\enotes -\temps\Notes\ql L&\ibu0j0\zql c\zq g\qh0j\sk\sk\sk\zq g\tqh0j\relax -&\Ibbbu1gi7\qh1{gfefghi}\tqh1{=i}\enotes -% mesure 32 -%\check -\barre\autolines{21}35\relax -\NOtes\bigaccid\zql{a}&\zql c\ibu0h0\zq f\qh0h\sk\zq f\tqh0h\relax -&\Ibl1jk3\qbp1j\sk\sk\tbbl1\tqb1k\enotes -\temps\NOTes\hl N&\ibl0d0\rlap{\qup{=i}}\zq d\qb0f\zq d\qb0f\zq d\qb0f\zcu j\zq e\tqb0g\relax -&\qlp k\sk\sk\cl j\enotes -% mesure 33 -%\check -\def\motif{\zq h\qh0 j}% -\barre\NOTes\hu K&\bigaccid\lsh f\na h\zhl f\ibu0j0\motif\motif -\motif\tbu0\motif -&\bigsh m\itenu1m\hl m\enotes -\temps\NOTes\qu G&\zql d\bigna i\zq g\ibu0i0\qh0i\zq g\tqh0i\relax -&\tten1\Ibl1nk1\qb1n\tqb1k\enotes -% mesure 34 -%\check -\barre\NOTes\Ibl2JG5\qb2J&\zql e\zq g\ibu0j0\qh0j&\Ibl1lj2\qb1l\enotes -\NOtes\qb2L&\zq g\tqh0j&\nbbl1\qb1k\tqb1j\enotes -\NOTes\qb2{NMN}\tqb2G&\zh d\zhl g\na i\qup i\sk\sk\cu j&\zcharnote -n{\Trille{2\noteskip}}\na i\qlp i\sk\sk\cl j\enotes -% mesure 35 -%\check -\barre\autolines{17}35\relax -\NOTes\hup J&\Ibu0je1\zq e\zq g\qh0j&\hlp j\enotes -\NOTes&\itenl0N\zq N\zq c\tqh0e\enotes -\temps\NOTes&\tten0\zhl N\ibu0e0\zq c\qh0e\zq c\qh0e\zq c\qh0e\zq c\tqh0e\enotes -% mesure 36 -%\check -\barre\NOTes\hup G&\ibu0e0\zhlp N\zq c\qh0e\rq d\qh0c\rq d\qh0c\rq d\qh0c\zq -{_b}\qh0d\zq b\tqh0d&\sk\sk\qsk\pause\enotes -% mesure 37 -%\check -\barre\NOTes\hup J&\na e\zhlp N\ibu0e0\relax -\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\qh0 e\zq b\tqh0 e\relax -&\sk\sk\qsk\pause\enotes -% mesure 38 -%\check -\barre\autolines{16}45\relax -\NOTes\hlp M&\rlap{\qsk\zql b}\ibu0f0\zq c\qh0f\zq c\qh0f\enotes -\NOTes&\itenl1a\zql a\zq c\qh0 f\zq c\tqh0f&\sk\pause\enotes -\temps\NOTes&\tten1\zq {ac}\rq f\qu e\enotes -% mesure 39 -%\check -\barre\NOTes\hl N&\rlap{\qup f}\na b\ibl0b0\zq b\qb0d\zq b\qb0d\zq b\qb0d\relax -\Ibu1gc2\zq b\rlap{\tqb0d}\qh1g\relax -&\sk\sk\qsk\pause\enotes -\NOTes\ql a&\zq c\qh1e\rq d\tqh1c\enotes -% mesure 40 -%\check -\barre\NOTes\ql M&\zq a\zql c\Ibu1ef1\qh1e\tqh1f\enotes -\temps\NOTes\ibu2N0\qh2{NMN}\tqh2G&\na b\zh b\hu d&\qsk\pause\enotes -% mesure 41 -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs\barre -\NOTES\hlp J&\zhp{LN}\hup c&\sk\pause\enotes -\finmorceau -\rightline{\sl\aujourdhui}\eject - - - diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.bat b/Master/texmf-dist/doc/generic/musictex/musicdoc.bat deleted file mode 100644 index 4a471efec92..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.bat +++ /dev/null @@ -1,10 +0,0 @@ -rem cm-ltx2e = latex2e based on cm* fonts
-call cm-ltx2e musicdoc
-call cm-ltx2e musicdoc
-makeindx -s musicdoc.ist musicdoc.idx
-call cm-ltx2e musicdoc
-makeindx -s musicdoc.ist musicdoc.idx
-call cm-ltx2e musicdoc
-c:\emtex\bin\dvips386 musicdoc -o musicdoc.ps -P386
-prthplj musicdoc musicdoc.lj
-
diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi b/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi Binary files differdeleted file mode 100644 index 7640c385575..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.dvi +++ /dev/null diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.idx b/Master/texmf-dist/doc/generic/musictex/musicdoc.idx deleted file mode 100644 index 3e3b0390d9c..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.idx +++ /dev/null @@ -1,878 +0,0 @@ -\indexentry{standard musical notation}{4} -\indexentry{spacing}{5} -\indexentry{meter}{6} -\indexentry{elemskip=\tty \bslash elemskip}{6} -\indexentry{autolines=\tty \bslash autolines}{6} -\indexentry{zq=\tty \bslash zq}{6} -\indexentry{beams}{7} -\indexentry{zcharnote=\tty \bslash zcharnote}{7} -\indexentry{Mozart}{7} -\indexentry{generalsignature=\tty \bslash generalsignature}{8} -\indexentry{generalsignature=\tty \bslash generalsignature}{8} -\indexentry{signii=\tty \bslash signii}{8} -\indexentry{instrument number}{8} -\indexentry{transpose=\tty \bslash transpose}{8} -\indexentry{relative accidentals}{8} -\indexentry{distribution}{9} -\indexentry{savesets}{9} -\indexentry{active=\tty \bslash active}{9} -\indexentry{zcharnote=\tty \bslash zcharnote}{9} -\indexentry{ties}{9} -\indexentry{phrasing slurs}{9} -\indexentry{glue}{9} -\indexentry{ragged lines}{9} -\indexentry{leaders=\tty \bslash leaders}{9} -\indexentry{hrule=\tty \bslash hrule}{10} -\indexentry{MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{10} -\indexentry{Egler, A.}{10} -\indexentry{Mitchell, R.}{10} -\indexentry{dimen=\tty \bslash dimen}{10} -\indexentry{mutex=\protect\mutex}{10} -\indexentry{Schofer, A.}{10} -\indexentry{Steinbach, A.}{10} -\indexentry{Egler, A.}{10} -\indexentry{musicnft.tex}{11} -\indexentry{musictex.tex}{11} -\indexentry{musicadd.tex}{11} -\indexentry{musicnft.tex}{11} -\indexentry{catcode=\tty \bslash catcode}{11} -\indexentry{sizes}{11} -\indexentry{musicsize=\tty \bslash musicsize}{11} -\indexentry{nbinstruments=\tty \bslash nbinstruments}{11} -\indexentry{signatures}{11} -\indexentry{stems}{11} -\indexentry{beams}{11} -\indexentry{chords}{11} -\indexentry{instrument}{12} -\indexentry{port\'ees}{12} -\indexentry{nbportees$r$=\tty \bslash nbportees$r$}{12} -\indexentry{nbporteesiii=\tty \bslash nbporteesiii}{12} -\indexentry{lyrics}{12} -\indexentry{cleftoks$r$=\tty \bslash cleftoks$r$}{12} -\indexentry{clef de sol}{12} -\indexentry{clef d'ut}{12} -\indexentry{clef de fa}{12} -\indexentry{violin clef}{12} -\indexentry{bass clef}{12} -\indexentry{alto clef}{12} -\indexentry{cleftoksi=\tty \bslash cleftoksi}{12} -\indexentry{generalsignature=\tty \bslash generalsignature}{12} -\indexentry{sharps}{12} -\indexentry{flats}{12} -\indexentry{meter}{12} -\indexentry{generalmeter=\tty \bslash generalmeter}{12} -\indexentry{allabreve=\tty \bslash allabreve}{12} -\indexentry{meterC=\tty \bslash meterC}{12} -\indexentry{generalmeter=\tty \bslash generalmeter}{12} -\indexentry{metertoks$i$=\tty \bslash metertoks$i$}{12} -\indexentry{name of the instrument}{13} -\indexentry{name of the voice}{13} -\indexentry{instrument$r$=\tty \bslash instrument$r$}{13} -\indexentry{parindent=\tty \bslash parindent}{13} -\indexentry{lowersonginstrum=\tty \bslash lowersonginstrum}{13} -\indexentry{uppersonginstrum=\tty \bslash uppersonginstrum}{13} -\indexentry{debutmorceau=\tty \bslash debutmorceau}{13} -\indexentry{parindent=\tty \bslash parindent}{13} -\indexentry{normal=\tty \bslash normal}{13} -\indexentry{large=\tty \bslash large}{13} -\indexentry{elemskip=\tty \bslash elemskip}{13} -\indexentry{etroit=\tty \bslash etroit}{13} -\indexentry{noteskip=\tty \bslash noteskip}{13} -\indexentry{elemskip=\tty \bslash elemskip}{13} -\indexentry{LaTeX=\LaTeX }{13} -\indexentry{begin{\char '173}music{\char '175}=\tty \bslash begin{\char '173}music{\char '175}}{13} -\indexentry{spacing note}{14} -\indexentry{qu=\tty \bslash qu}{14} -\indexentry{qh=\tty \bslash qh}{14} -\indexentry{hl=\tty \bslash hl}{14} -\indexentry{noteskip=\tty \bslash noteskip}{14} -\indexentry{normal=\tty \bslash normal}{14} -\indexentry{elemskip=\tty \bslash elemskip}{14} -\indexentry{vnotes=\tty \bslash vnotes}{14} -\indexentry{elemskip=\tty \bslash elemskip}{14} -\indexentry{elemskip=\tty \bslash elemskip}{14} -\indexentry{hsize=\tty \bslash hsize}{14} -\indexentry{autolines=\tty \bslash autolines}{14} -\indexentry{noteskip=\tty \bslash noteskip}{14} -\indexentry{wh=\tty \bslash wh}{15} -\indexentry{hu=\tty \bslash hu}{15} -\indexentry{hl=\tty \bslash hl}{15} -\indexentry{qu=\tty \bslash qu}{15} -\indexentry{ql=\tty \bslash ql}{15} -\indexentry{cu=\tty \bslash cu}{15} -\indexentry{cl=\tty \bslash cl}{15} -\indexentry{ccu=\tty \bslash ccu}{15} -\indexentry{ccl=\tty \bslash ccl}{15} -\indexentry{cccu=\tty \bslash cccu}{15} -\indexentry{cccl=\tty \bslash cccl}{15} -\indexentry{ccccu=\tty \bslash ccccu}{15} -\indexentry{ccccl=\tty \bslash ccccl}{15} -\indexentry{zq=\tty \bslash zq}{15} -\indexentry{zh=\tty \bslash zh}{15} -\indexentry{zq=\tty \bslash zq}{15} -\indexentry{zh=\tty \bslash zh}{15} -\indexentry{sk=\tty \bslash sk}{15} -\indexentry{rw=\tty \bslash rw}{16} -\indexentry{lw=\tty \bslash lw}{16} -\indexentry{rh=\tty \bslash rh}{16} -\indexentry{lh=\tty \bslash lh}{16} -\indexentry{rq=\tty \bslash rq}{16} -\indexentry{lq=\tty \bslash lq}{16} -\indexentry{rqu=\tty \bslash rqu}{16} -\indexentry{chords}{16} -\indexentry{rql=\tty \bslash rql}{16} -\indexentry{rhu=\tty \bslash rhu}{16} -\indexentry{rhl=\tty \bslash rhl}{16} -\indexentry{roff=\tty \bslash roff}{16} -\indexentry{zhu=\tty \bslash zhu}{16} -\indexentry{zhl=\tty \bslash zhl}{16} -\indexentry{hl=\tty \bslash hl}{16} -\indexentry{zqu=\tty \bslash zqu}{16} -\indexentry{zql=\tty \bslash zql}{16} -\indexentry{zcu=\tty \bslash zcu}{16} -\indexentry{zcl=\tty \bslash zcl}{16} -\indexentry{lhu=\tty \bslash lhu}{16} -\indexentry{lhl=\tty \bslash lhl}{16} -\indexentry{lqu=\tty \bslash lqu}{16} -\indexentry{lql=\tty \bslash lql}{16} -\indexentry{zw=\tty \bslash zw}{16} -\indexentry{zwq=\tty \bslash zwq}{16} -\indexentry{zbv=\tty \bslash zbv}{16} -\indexentry{zsb=\tty \bslash zsb}{16} -\indexentry{nh=\tty \bslash nh}{17} -\indexentry{nq=\tty \bslash nq}{17} -\indexentry{znh=\tty \bslash znh}{17} -\indexentry{znq=\tty \bslash znq}{17} -\indexentry{pt $p$=\tty \bslash pt $p$}{17} -\indexentry{qup=\tty \bslash qup}{17} -\indexentry{qupp=\tty \bslash qupp}{17} -\indexentry{quppp=\tty \bslash quppp}{17} -\indexentry{zqp=\tty \bslash zqp}{17} -\indexentry{zhp=\tty \bslash zhp}{17} -\indexentry{zwp=\tty \bslash zwp}{17} -\indexentry{hup=\tty \bslash hup}{17} -\indexentry{whp=\tty \bslash whp}{17} -\indexentry{qhp=\tty \bslash qhp}{17} -\indexentry{qhpp=\tty \bslash qhpp}{17} -\indexentry{qlp=\tty \bslash qlp}{17} -\indexentry{qlpp=\tty \bslash qlpp}{17} -\indexentry{zhup=\tty \bslash zhup}{17} -\indexentry{zhlp=\tty \bslash zhlp}{17} -\indexentry{zqup=\tty \bslash zqup}{17} -\indexentry{zqlp=\tty \bslash zqlp}{17} -\indexentry{zcup=\tty \bslash zcup}{17} -\indexentry{zclp=\tty \bslash zclp}{17} -\indexentry{noteskip=\tty \bslash noteskip}{17} -\indexentry{ibu=\tty \bslash ibu}{18} -\indexentry{ibl=\tty \bslash ibl}{18} -\indexentry{ibbu=\tty \bslash ibbu}{18} -\indexentry{ibbl=\tty \bslash ibbl}{18} -\indexentry{ibbbu=\tty \bslash ibbbu}{18} -\indexentry{ibbbl=\tty \bslash ibbbl}{18} -\indexentry{ibbbbu=\tty \bslash ibbbbu}{18} -\indexentry{ibbbbl=\tty \bslash ibbbbl}{18} -\indexentry{ibbbbbu=\tty \bslash ibbbbbu}{18} -\indexentry{ibbbbbl=\tty \bslash ibbbbbl}{18} -\indexentry{tbu=\tty \bslash tbu}{18} -\indexentry{tbl=\tty \bslash tbl}{18} -\indexentry{tbu=\tty \bslash tbu}{18} -\indexentry{tbl=\tty \bslash tbl}{18} -\indexentry{ibbbu=\tty \bslash ibbbu}{18} -\indexentry{tbu=\tty \bslash tbu}{18} -\indexentry{nbbu=\tty \bslash nbbu}{18} -\indexentry{nbbbu=\tty \bslash nbbbu}{18} -\indexentry{nbbbbu=\tty \bslash nbbbbu}{18} -\indexentry{nbbbbbu=\tty \bslash nbbbbbu}{18} -\indexentry{nbbl=\tty \bslash nbbl}{18} -\indexentry{nbbbbbl=\tty \bslash nbbbbbl}{18} -\indexentry{qh=\tty \bslash qh}{18} -\indexentry{qb=\tty \bslash qb}{18} -\indexentry{tbu=\tty \bslash tbu}{19} -\indexentry{ibl=\tty \bslash ibl}{19} -\indexentry{tbbu=\tty \bslash tbbu}{19} -\indexentry{tbbl=\tty \bslash tbbl}{19} -\indexentry{tbbbu=\tty \bslash tbbbu}{19} -\indexentry{tbbbl=\tty \bslash tbbbl}{19} -\indexentry{tbbu=\tty \bslash tbbu}{19} -\indexentry{tbbl=\tty \bslash tbbl}{19} -\indexentry{tbbbu=\tty \bslash tbbbu}{19} -\indexentry{tbbbl=\tty \bslash tbbbl}{19} -\indexentry{tbbbbu=\tty \bslash tbbbbu}{19} -\indexentry{tbbbbl=\tty \bslash tbbbbl}{19} -\indexentry{tbbbbbu=\tty \bslash tbbbbbu}{19} -\indexentry{tbbbbbl=\tty \bslash tbbbbbl}{19} -\indexentry{repeated patterns}{20} -\indexentry{hh=\tty \bslash hh}{20} -\indexentry{hb=\tty \bslash hb}{20} -\indexentry{noteskip=\tty \bslash noteskip}{21} -\indexentry{Ibu=\tty \bslash Ibu}{21} -\indexentry{Ibbu=\tty \bslash Ibbu}{21} -\indexentry{Ibbbu=\tty \bslash Ibbbu}{21} -\indexentry{Ibbbbu=\tty \bslash Ibbbbu}{21} -\indexentry{Ibbbbbu=\tty \bslash Ibbbbbu}{21} -\indexentry{Ibl=\tty \bslash Ibl}{21} -\indexentry{Ibbl=\tty \bslash Ibbl}{21} -\indexentry{Ibbbl=\tty \bslash Ibbbl}{21} -\indexentry{Ibbbbl=\tty \bslash Ibbbbl}{21} -\indexentry{Ibbbbbl=\tty \bslash Ibbbbbl}{21} -\indexentry{pause=\tty \bslash pause}{21} -\indexentry{hpause=\tty \bslash hpause}{21} -\indexentry{soupir=\tty \bslash soupir}{21} -\indexentry{dsoupir=\tty \bslash dsoupir}{21} -\indexentry{ds=\tty \bslash ds}{21} -\indexentry{quartsoupir=\tty \bslash quartsoupir}{21} -\indexentry{qs=\tty \bslash qs}{21} -\indexentry{huitsoupir=\tty \bslash huitsoupir}{21} -\indexentry{hs=\tty \bslash hs}{21} -\indexentry{seizsoupir=\tty \bslash seizsoupir}{21} -\indexentry{qqs=\tty \bslash qqs}{21} -\indexentry{PAuse=\tty \bslash PAuse}{21} -\indexentry{PAUSe=\tty \bslash PAUSe}{21} -\indexentry{raise=\tty \bslash raise}{21} -\indexentry{full rest}{21} -\indexentry{half rest}{21} -\indexentry{expause=\tty \bslash expause}{21} -\indexentry{exhpause=\tty \bslash exhpause}{21} -\indexentry{zexpause=\tty \bslash zexpause}{21} -\indexentry{zexhpause=\tty \bslash zexhpause}{21} -\indexentry{sk=\tty \bslash sk}{21} -\indexentry{noteskip=\tty \bslash noteskip}{21} -\indexentry{kern=\tty \bslash kern}{21} -\indexentry{hskip=\tty \bslash hskip}{21} -\indexentry{sk=\tty \bslash sk}{21} -\indexentry{qsk=\tty \bslash qsk}{22} -\indexentry{roff=\tty \bslash roff}{22} -\indexentry{nspace=\tty \bslash nspace}{22} -\indexentry{off=\tty \bslash off}{22} -\indexentry{sk=\tty \bslash sk}{22} -\indexentry{qsk=\tty \bslash qsk}{22} -\indexentry{wh=\tty \bslash wh}{22} -\indexentry{hu=\tty \bslash hu}{22} -\indexentry{hl=\tty \bslash hl}{22} -\indexentry{ccccl=\tty \bslash ccccl}{22} -\indexentry{qh=\tty \bslash qh}{22} -\indexentry{qb=\tty \bslash qb}{22} -\indexentry{*}{22} -\indexentry{fl=\tty \bslash fl}{22} -\indexentry{na=\tty \bslash na}{22} -\indexentry{sh=\tty \bslash sh}{22} -\indexentry{dfl=\tty \bslash dfl}{22} -\indexentry{dsh=\tty \bslash dsh}{22} -\indexentry{lfl=\tty \bslash lfl}{22} -\indexentry{lna=\tty \bslash lna}{22} -\indexentry{lsh=\tty \bslash lsh}{22} -\indexentry{ldfl=\tty \bslash ldfl}{22} -\indexentry{ldsh=\tty \bslash ldsh}{22} -\indexentry{MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m }{22} -\indexentry{bigfl=\tty \bslash bigfl}{23} -\indexentry{bigsh=\tty \bslash bigsh}{23} -\indexentry{smallfl=\tty \bslash smallfl}{23} -\indexentry{smallsh=\tty \bslash smallsh}{23} -\indexentry{bigaccid=\tty \bslash bigaccid}{23} -\indexentry{smallaccid=\tty \bslash smallaccid}{23} -\indexentry{varaccid=\tty \bslash varaccid}{23} -\indexentry{uppersh=\tty \bslash uppersh}{23} -\indexentry{upperna=\tty \bslash upperna}{23} -\indexentry{upperfl=\tty \bslash upperfl}{23} -\indexentry{cautionary accidental}{23} -\indexentry{cfl=\tty \bslash cfl}{23} -\indexentry{csh=\tty \bslash csh}{23} -\indexentry{cfl=\tty \bslash cfl}{23} -\indexentry{cna=\tty \bslash cna}{23} -\indexentry{cdfl=\tty \bslash cdfl}{23} -\indexentry{cdsh=\tty \bslash cdsh}{23} -\indexentry{temps=\tty \bslash temps}{23} -\indexentry{sk=\tty \bslash sk}{23} -\indexentry{transpose=\tty \bslash transpose}{23} -\indexentry{transpose=\tty \bslash transpose}{23} -\indexentry{octaviation}{23} -\indexentry{acute accent}{23} -\indexentry{grave accent}{23} -\indexentry{sh=\tty \bslash sh}{24} -\indexentry{fl=\tty \bslash fl}{24} -\indexentry{na=\tty \bslash na}{24} -\indexentry{dsh=\tty \bslash dsh}{24} -\indexentry{dfl=\tty \bslash dfl}{24} -\indexentry{transpose=\tty \bslash transpose}{24} -\indexentry{Sh=\tty \bslash Sh}{24} -\indexentry{Fl=\tty \bslash Fl}{24} -\indexentry{Na=\tty \bslash Na}{24} -\indexentry{dSh=\tty \bslash dSh}{24} -\indexentry{dFl=\tty \bslash dFl}{24} 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-\indexentry{sign$n$=\tty \bslash sign$n$}{24} -\indexentry{generalsignature=\tty \bslash generalsignature}{24} -\indexentry{cautionary accidental}{24} -\indexentry{cNa=\tty \bslash cNa}{24} -\indexentry{cSh=\tty \bslash cSh}{24} -\indexentry{cFl=\tty \bslash cFl}{24} -\indexentry{cdSh=\tty \bslash cdSh}{24} -\indexentry{cdFl=\tty \bslash cdFl}{24} -\indexentry{octfin=\tty \bslash octfin}{24} -\indexentry{noteskip=\tty \bslash noteskip}{24} -\indexentry{octline=\tty \bslash octline}{24} -\indexentry{octfin=\tty \bslash octfin}{24} -\indexentry{octsup=\tty \bslash octsup}{24} -\indexentry{octfin=\tty \bslash octfin}{24} -\indexentry{everystaff=\tty \bslash everystaff}{24} -\indexentry{Widor, C.-M.}{24} -\indexentry{normaltranspose=\tty \bslash normaltranspose}{24} -\indexentry{zbarre=\tty \bslash zbarre}{25} -\indexentry{itenu=\tty \bslash itenu}{25} -\indexentry{itenl=\tty \bslash itenl}{25} -\indexentry{tten=\tty \bslash tten}{25} -\indexentry{ilegu=\tty \bslash ilegu}{25} 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-.125emX\spacefactor \@m }{27} -\indexentry{barre=\tty \bslash barre}{27} -\indexentry{temps=\tty \bslash temps}{27} -\indexentry{hrule=\tty \bslash hrule}{27} -\indexentry{elemskip=\tty \bslash elemskip}{27} -\indexentry{hrule=\tty \bslash hrule}{27} -\indexentry{hbox=\tty \bslash hbox}{27} -\indexentry{raggedlinestrue=\tty \bslash raggedlinestrue}{27} -\indexentry{hfil=\tty \bslash hfil}{27} -\indexentry{autolines=\tty \bslash autolines}{27} -\indexentry{temps=\tty \bslash temps}{27} -\indexentry{bar numbering}{27} -\indexentry{autolines=\tty \bslash autolines}{27} -\indexentry{freqbarno=\tty \bslash freqbarno}{28} -\indexentry{barno=\tty \bslash barno}{28} -\indexentry{autolines=\tty \bslash autolines}{28} -\indexentry{sepbarrules=\tty \bslash sepbarrules}{28} -\indexentry{stdbarrules=\tty \bslash stdbarrules}{28} -\indexentry{Big\protect\TeX}{28} -\indexentry{alaligne=\tty \bslash alaligne}{28} -\indexentry{break=\tty \bslash break}{28} -\indexentry{break=\tty \bslash break}{28} 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-\indexentry{ornament codings}{47} -\indexentry{hsize=\tty \bslash hsize}{48} -\indexentry{vsize=\tty \bslash vsize}{48} -\indexentry{hoffset=\tty \bslash hoffset}{48} -\indexentry{voffset=\tty \bslash voffset}{48} -\indexentry{eightpoint=\tty \bslash eightpoint}{48} -\indexentry{rm=\tty \bslash rm}{48} -\indexentry{bf=\tty \bslash bf}{48} -\indexentry{sl=\tty \bslash sl}{48} -\indexentry{it=\tty \bslash it}{48} -\indexentry{tenpoint=\tty \bslash tenpoint}{48} -\indexentry{rm=\tty \bslash rm}{48} -\indexentry{bf=\tty \bslash bf}{48} -\indexentry{sl=\tty \bslash sl}{48} -\indexentry{it=\tty \bslash it}{48} -\indexentry{twlpoint=\tty \bslash twlpoint}{48} -\indexentry{frtpoint=\tty \bslash frtpoint}{48} -\indexentry{svtpoint=\tty \bslash svtpoint}{48} -\indexentry{twtypoint=\tty \bslash twtypoint}{48} -\indexentry{twfvpoint=\tty \bslash twfvpoint}{48} -\indexentry{author=\tty \bslash author}{48} -\indexentry{fullauthor=\tty \bslash fullauthor}{48} -\indexentry{shortauthor=\tty \bslash shortauthor}{48} -\indexentry{fulltitle=\tty \bslash fulltitle}{48} -\indexentry{subtitle=\tty \bslash subtitle}{48} -\indexentry{shorttitle=\tty \bslash shorttitle}{48} -\indexentry{title=\tty \bslash title}{48} -\indexentry{othermention=\tty \bslash othermention}{48} -\indexentry{maketitle=\tty \bslash maketitle}{48} -\indexentry{footnotes}{48} -\indexentry{footnote=\tty \bslash footnote}{48} -\indexentry{LaTeX=\protect\LaTeX}{48} -\indexentry{Footnote=\tty \bslash Footnote}{48} -\indexentry{vfootnote=\tty \bslash vfootnote}{48} -\indexentry{legal}{48} -\indexentry{debutmorceau=\tty \bslash debutmorceau}{49} -\indexentry{suspmorceau=\tty \bslash suspmorceau}{49} -\indexentry{reprmorceau=\tty \bslash reprmorceau}{49} -\indexentry{gregorian music}{49} -\indexentry{neumes}{49} -\indexentry{alto clef}{49} -\indexentry{alto clef}{49} -\indexentry{clefdut=\tty \bslash clefdut}{49} -\indexentry{clefs (empty)}{49} -\indexentry{percussion music}{49} -\indexentry{clefdesol=\tty \bslash clefdesol}{49} -\indexentry{clefdut=\tty \bslash clefdut}{49} -\indexentry{clefdefa=\tty \bslash clefdefa}{49} -\indexentry{clefdesolsymbol=\tty \bslash clefdesolsymbol}{49} -\indexentry{clefdefasymbol=\tty \bslash clefdefasymbol}{49} -\indexentry{clefdutsymbol=\tty \bslash clefdutsymbol}{49} -\indexentry{drum clef}{49} -\indexentry{drumclefsymbol=\tty \bslash drumclefsymbol}{49} -\indexentry{harmonic notes}{50} -\indexentry{musicper.tex}{52} -\indexentry{musicper}{52} -\indexentry{musicper.sty}{52} -\indexentry{zx=\tty \bslash zx}{52} -\indexentry{xu=\tty \bslash xu}{52} -\indexentry{xup=\tty \bslash xup}{52} -\indexentry{xupp=\tty \bslash xupp}{52} -\indexentry{xl=\tty \bslash xl}{52} -\indexentry{xlp=\tty \bslash xlp}{52} -\indexentry{xlpp=\tty \bslash xlpp}{52} -\indexentry{xh=\tty \bslash xh}{52} -\indexentry{xb=\tty \bslash xb}{52} -\indexentry{zx=\tty \bslash zx}{52} -\indexentry{xcu=\tty \bslash xcu}{52} -\indexentry{xcup=\tty \bslash xcup}{52} -\indexentry{xcupp=\tty \bslash xcupp}{52} -\indexentry{xccu=\tty \bslash xccu}{52} -\indexentry{xcccu=\tty \bslash xcccu}{52} -\indexentry{xccccu=\tty \bslash xccccu}{52} -\indexentry{xcl=\tty \bslash xcl}{52} -\indexentry{xclp=\tty \bslash xclp}{52} -\indexentry{xclpp=\tty \bslash xclpp}{52} -\indexentry{xccl=\tty \bslash xccl}{52} -\indexentry{xcccl=\tty \bslash xcccl}{52} -\indexentry{xccccl=\tty \bslash xccccl}{52} -\indexentry{zox=\tty \bslash zox}{52} -\indexentry{oxu=\tty \bslash oxu}{52} -\indexentry{oxup=\tty \bslash oxup}{52} -\indexentry{oxupp=\tty \bslash oxupp}{52} -\indexentry{oxl=\tty \bslash oxl}{52} -\indexentry{oxlp=\tty \bslash oxlp}{52} -\indexentry{oxlpp=\tty \bslash oxlpp}{52} -\indexentry{oxh=\tty \bslash oxh}{52} -\indexentry{oxb=\tty \bslash oxb}{52} -\indexentry{zx=\tty \bslash zx}{52} -\indexentry{oxcu=\tty \bslash oxcu}{52} -\indexentry{oxcup=\tty \bslash oxcup}{52} -\indexentry{oxcupp=\tty \bslash oxcupp}{52} -\indexentry{oxccu=\tty \bslash oxccu}{52} -\indexentry{oxcccu=\tty \bslash oxcccu}{52} -\indexentry{oxccccu=\tty \bslash oxccccu}{52} -\indexentry{oxcl=\tty \bslash oxcl}{52} -\indexentry{oxclp=\tty \bslash oxclp}{52} -\indexentry{oxclpp=\tty \bslash oxclpp}{52} -\indexentry{oxccl=\tty \bslash oxccl}{52} -\indexentry{oxcccl=\tty \bslash oxcccl}{52} -\indexentry{oxccccl=\tty \bslash oxccccl}{52} -\indexentry{zk=\tty \bslash zk}{52} -\indexentry{ku=\tty \bslash ku}{52} -\indexentry{kup=\tty \bslash kup}{52} -\indexentry{kupp=\tty \bslash kupp}{52} -\indexentry{kl=\tty \bslash kl}{52} -\indexentry{klp=\tty \bslash klp}{52} -\indexentry{klpp=\tty \bslash klpp}{52} -\indexentry{kh=\tty \bslash kh}{52} -\indexentry{kb=\tty \bslash kb}{52} -\indexentry{zk=\tty \bslash zk}{52} -\indexentry{kcu=\tty \bslash kcu}{52} -\indexentry{kcup=\tty \bslash kcup}{52} -\indexentry{kcupp=\tty \bslash kcupp}{52} -\indexentry{kccu=\tty \bslash kccu}{52} -\indexentry{kcccu=\tty \bslash kcccu}{52} -\indexentry{kccccu=\tty \bslash kccccu}{52} -\indexentry{kcl=\tty \bslash kcl}{52} -\indexentry{kclp=\tty \bslash kclp}{52} -\indexentry{kclpp=\tty \bslash kclpp}{52} -\indexentry{kccl=\tty \bslash kccl}{52} -\indexentry{kcccl=\tty \bslash kcccl}{52} -\indexentry{kccccl=\tty \bslash kccccl}{52} -\indexentry{catcodes=\tty \bslash catcodes}{52} -\indexentry{catcode=\tty \bslash catcode}{52} -\indexentry{catcode=\tty \bslash catcode}{52} -\indexentry{catcode=\tty \bslash catcode}{52} -\indexentry{catcode=\tty \bslash catcode}{52} -\indexentry{french.sty}{52} -\indexentry{Brouard, N.}{52} -\indexentry{musictex.sty}{52} -\indexentry{documentstyle=\tty \bslash documentstyle}{52} -\indexentry{musictex.sty}{52} -\indexentry{LaTeX=\protect\LaTeX}{53} -\indexentry{musictrp}{53} -\indexentry{documentstyle=\tty \bslash documentstyle}{53} -\indexentry{BigLaTeX=Big\LaTeX}{53} -\indexentry{style}{53} -\indexentry{largemusic}{53} -\indexentry{a4wide}{53} -\indexentry{catcode=\tty \bslash catcode}{53} -\indexentry{nextinstrument=\tty \bslash nextinstrument}{53} -\indexentry{\&}{53} -\indexentry{nextstaff=\tty \bslash nextstaff}{53} -\indexentry{\|}{53} -\indexentry{french.sty}{53} -\indexentry{Gaulle, B.}{53} -\indexentry{GUTenberg}{53} -\indexentry{catcode=\tty \bslash catcode}{53} -\indexentry{catcode=\tty \bslash catcode}{53} -\indexentry{debutmorceau=\tty \bslash debutmorceau}{53} -\indexentry{debutextrait=\tty \bslash debutextrait}{53} -\indexentry{finmorceau=\tty \bslash finmorceau}{53} -\indexentry{suspmorceau=\tty \bslash suspmorceau}{53} -\indexentry{finextrait=\tty \bslash finextrait}{53} -\indexentry{guillemets}{53} -\indexentry{tabulation}{53} -\indexentry{lyrics}{53} -\indexentry{catcodesmusic=\tty \bslash catcodesmusic}{53} -\indexentry{catcode=\tty \bslash catcode}{53} -\indexentry{endcatcodesmusic=\tty \bslash endcatcodesmusic}{53} -\indexentry{Big\protect\TeX}{54} -\indexentry{em\TeX}{54} -\indexentry{BigLaTeX=Big\LaTeX}{54} -\indexentry{relax=\tty \bslash relax}{54} -\indexentry{anonymous ftp}{55} -\indexentry{MS-DOS}{55} -\indexentry{VMS}{55} -\indexentry{musictex.zip}{55} -\indexentry{musictex.bck}{55} -\indexentry{basic files}{55} -\indexentry{fonts}{55} -\indexentry{dpi}{55} -\indexentry{piano braces}{55} -\indexentry{format}{56} -\indexentry{INITEX}{56} -\indexentry{input=\tty \bslash input}{65} -\indexentry{hoffset=\tty \bslash hoffset}{65} -\indexentry{voffset=\tty \bslash voffset}{65} -\indexentry{Gounod, C.}{66} -\indexentry{Faur\'e, G.}{66} -\indexentry{Widor, C.-M.}{66} -\indexentry{Gounod, C.}{66} diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg b/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg deleted file mode 100644 index 424c4ca0561..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ilg +++ /dev/null @@ -1,14 +0,0 @@ -This is makeindx, portable version 2.12 [26-May-1993]. -Scanning style file musicdoc.ist............. -** Input style error (file = musicdoc.ist, line = 58): - -- Unknown specifier lethead_prefix. -** Input style error (file = musicdoc.ist, line = 59): - -- Unknown specifier lethead_suffix. -** Input style error (file = musicdoc.ist, line = 60): - -- Unknown specifier lethead_flag. -...done (16 attributes redefined, 3 ignored). -Scanning input file musicdoc.idx....done (878 entries accepted, 0 rejected). -Sorting entries..........done (9187 comparisons). -Generating output file musicdoc.ind....done (698 lines written, 0 warnings). -Output written in musicdoc.ind. -Transcript written in musicdoc.ilg. diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ind b/Master/texmf-dist/doc/generic/musictex/musicdoc.ind deleted file mode 100644 index c16c38c3437..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ind +++ /dev/null @@ -1,698 +0,0 @@ - - \begin{theindex} - \makeatletter -{\bfseries\hfil Symbols\hfil}\nopagebreak - - \item *\rm~: 22 - \item \&\rm~: 53 - \item \|\rm~: 53 - - \indexspace -{\bfseries\hfil A\hfil}\nopagebreak - - \item a4wide\rm~: 53 - \item \tty \bslash absoluteaccidentals\rm~: 24 - \item \tty \bslash active\rm~: 9 - \item acute accent\rm~: 23 - \item \tty \bslash advancebottom\rm~: 44, 45 - \item \tty \bslash alaligne\rm~: 28, 29, 31, 32, 35 - \item \tty \bslash alapage\rm~: 29, 31, 35 - \item \tty \bslash allabreve\rm~: 12 - \item \tty \bslash altitude\rm~: 44 - \item alto clef\rm~: 12, 30, 49 - \item \tty \bslash altportee\rm~: 44 - \item anonymous ftp\rm~: 55 - \item \tty \bslash arpeggio\rm~: 34 - \item \tty \bslash atnextline\rm~: 35, 44 - \item \tty \bslash author\rm~: 48 - \item \tty \bslash autolines\rm~: 6, 14, 27--29, 35, 36 - - \indexspace -{\bfseries\hfil B\hfil}\nopagebreak - - \item \tty \bslash backturn\rm~: 34 - \item bar numbering\rm~: 27 - \item \tty \bslash barno\rm~: 28 - \item baroque\rm~: 47 - \item \tty \bslash barre\rm~: 26, 27, 29, 32, 36 - \item basic files\rm~: 55 - \item bass clef\rm~: 12, 30 - \item beams\rm~: 7, 11, 30, 36 - \item \tty \bslash begin{\char '173}music{\char '175}\rm~: 13 - \item \tty \bslash bf\rm~: 48 - \item Big\protect\TeX\rm~: 28, 54 - \item \tty \bslash bigaccid\rm~: 23 - \item \tty \bslash bigdFl\rm~: 24 - \item \tty \bslash bigdSh\rm~: 24 - \item \tty \bslash bigFl\rm~: 24 - \item \tty \bslash bigfl\rm~: 23 - \item Big\LaTeX\rm~: 53, 54 - \item \tty \bslash bigNa\rm~: 24 - \item \tty \bslash bigSh\rm~: 24 - \item \tty \bslash bigsh\rm~: 23 - \item \tty \bslash bottomfacteur\rm~: 43--45 - \item Brahms\rm~: 30, 36 - \item \tty \bslash break\rm~: 28 - \item Brouard, N.\rm~: 52 - - \indexspace -{\bfseries\hfil C\hfil}\nopagebreak - - \item cadenzas\rm~: 37 - \item \tty \bslash carpg\rm~: 39 - \item \tty \bslash carqg\rm~: 39 - \item \tty \bslash carrg\rm~: 39 - \item \tty \bslash catcode\rm~: 11, 52, 53 - \item \tty \bslash catcodes\rm~: 52 - \item \tty \bslash catcodesmusic\rm~: 53 - \item cautionary accidental\rm~: 23, 24 - \item \tty \bslash ccccl\rm~: 15, 22 - \item \tty \bslash ccccu\rm~: 15 - \item \tty \bslash cccl\rm~: 15 - \item \tty \bslash cccu\rm~: 15 - \item \tty \bslash ccl\rm~: 15 - \item \tty \bslash ccu\rm~: 15 - \item \tty \bslash cdFl\rm~: 24 - \item \tty \bslash cdfl\rm~: 23 - \item \tty \bslash cdSh\rm~: 24 - \item \tty \bslash cdsh\rm~: 23 - \item \tty \bslash cFl\rm~: 24 - \item \tty \bslash cfl\rm~: 23 - \item \tty \bslash changeclefs\rm~: 30 - \item \tty \bslash Changecontext\rm~: 29, 31 - \item \tty \bslash changecontext\rm~: 29, 31, 32 - \item \tty \bslash changesignature\rm~: 29 - \item \tty \bslash charnote\rm~: 33 - \item chords\rm~: 11, 16 - \item \tty \bslash cl\rm~: 15, 39 - \item clef d'ut\rm~: 12, 30 - \item clef de fa\rm~: 12, 30 - \item clef de sol\rm~: 12, 30 - \item \tty \bslash clefdefa\rm~: 49 - \item \tty \bslash clefdefasymbol\rm~: 49 - \item \tty \bslash clefdesol\rm~: 49 - \item \tty \bslash clefdesolsymbol\rm~: 49 - \item \tty \bslash clefdut\rm~: 49 - \item \tty \bslash clefdutsymbol\rm~: 49 - \item clefs (empty)\rm~: 49 - \item \tty \bslash cleftoks$r$\rm~: 12, 29, 30, 35 - \item \tty \bslash cleftoksi\rm~: 12 - \item \tty \bslash cNa\rm~: 24 - \item \tty \bslash cna\rm~: 23 - \item \tty \bslash coda\rm~: 33 - \item \tty \bslash computespecifics\rm~: 41, 44 - \item \tty \bslash computewidths\rm~: 44 - \item \tty \bslash cSh\rm~: 24 - \item \tty \bslash csh\rm~: 23 - \item \tty \bslash csong\rm~: 46 - \item \tty \bslash cu\rm~: 15, 39 - - \indexspace -{\bfseries\hfil D\hfil}\nopagebreak - - \item \tty \bslash dccu\rm~: 40 - \item \tty \bslash dcl\rm~: 40 - \item \tty \bslash dcu\rm~: 40 - \item \tty \bslash dcup\rm~: 40 - \item \tty \bslash debutextrait\rm~: 46, 53 - \item \tty \bslash debutmorceau\rm~: 13, 28, 32, 44--46, 49, 53 - \item \tty \bslash DEP\rm~: 35 - \item \tty \bslash dFl\rm~: 24 - \item \tty \bslash dfl\rm~: 22, 24 - \item \tty \bslash diamg\rm~: 39 - \item \tty \bslash diamw\rm~: 40 - \item \tty \bslash dimen\rm~: 10 - \item distribution\rm~: 9 - \item \tty \bslash documentstyle\rm~: 52, 53 - \item dpi\rm~: 55 - \item drum clef\rm~: 49 - \item \tty \bslash drumclefsymbol\rm~: 49 - \item \tty \bslash ds\rm~: 21 - \item \tty \bslash dSh\rm~: 24 - \item \tty \bslash dsh\rm~: 22, 24 - \item \tty \bslash dsoupir\rm~: 21 - - \indexspace -{\bfseries\hfil E\hfil}\nopagebreak - - \item Egler, A.\rm~: 10, 34 - \item \tty \bslash eightpoint\rm~: 48 - \item \tty \bslash eject\rm~: 28 - \item \tty \bslash elemskip\rm~: 6, 13, 14, 27 - \item em\TeX\rm~: 54 - \item \tty \bslash endcatcodesmusic\rm~: 53 - \item \tty \bslash etroit\rm~: 13 - \item \tty \bslash everystaff\rm~: 24, 35 - \item \tty \bslash exhpause\rm~: 21 - \item \tty \bslash expause\rm~: 21 - - \indexspace -{\bfseries\hfil F\hfil}\nopagebreak - - \item Faur\'e, G.\rm~: 66 - \item fermata\rm~: 35 - \item \tty \bslash finextrait\rm~: 46, 53 - \item \tty \bslash finmorceau\rm~: 29, 32, 44, 53 - \item \tty \bslash finrightrepeat\rm~: 32 - \item \tty \bslash Fl\rm~: 24 - \item \tty \bslash fl\rm~: 22, 24 - \item flats\rm~: 12 - \item fonts\rm~: 55 - \item \tty \bslash Footnote\rm~: 48 - \item \tty \bslash footnote\rm~: 48 - \item footnotes\rm~: 48 - \item format\rm~: 56 - \item french.sty\rm~: 52, 53 - \item \tty \bslash freqbarno\rm~: 28 - \item \tty \bslash frtpoint\rm~: 48 - \item full rest\rm~: 21 - \item \tty \bslash fullauthor\rm~: 48 - \item \tty \bslash fulltitle\rm~: 48 - - \indexspace -{\bfseries\hfil G\hfil}\nopagebreak - - \item Gaulle, B.\rm~: 53 - \item general staff size\rm~: 41 - \item \tty \bslash generalmeter\rm~: 12 - \item \tty \bslash generalsignature\rm~: 8, 12, 24, 29 - \item glue\rm~: 9, 26 - \item Gounod, C.\rm~: 41, 66 - \item grave accent\rm~: 23 - \item \tty \bslash grcl\rm~: 39 - \item \tty \bslash grcu\rm~: 39 - \item gregorian music\rm~: 39, 45, 49 - \item guillemets\rm~: 53 - \item GUTenberg\rm~: 53 - - \indexspace -{\bfseries\hfil H\hfil}\nopagebreak - - \item half rest\rm~: 21 - \item harmonic notes\rm~: 50 - \item Haydn, J.\rm~: 38 - \item \tty \bslash hb\rm~: 20 - \item \tty \bslash hbox\rm~: 27 - \item \tty \bslash hfil\rm~: 27 - \item \tty \bslash hh\rm~: 20 - \item \tty \bslash hl\rm~: 14--16, 22 - \item \tty \bslash hoffset\rm~: 48, 65 - \item \tty \bslash hpause\rm~: 21 - \item \tty \bslash hrule\rm~: 10, 27 - \item \tty \bslash hs\rm~: 21 - \item \tty \bslash hsize\rm~: 14, 48 - \item \tty \bslash hskip\rm~: 21 - \item \tty \bslash hu\rm~: 15, 22 - \item \tty \bslash huitsoupir\rm~: 21 - \item \tty \bslash hup\rm~: 17 - - \indexspace -{\bfseries\hfil I\hfil}\nopagebreak - - \item \tty \bslash Ibbbbbl\rm~: 21 - \item \tty \bslash ibbbbbl\rm~: 18 - \item \tty \bslash Ibbbbbu\rm~: 21 - \item \tty \bslash ibbbbbu\rm~: 18 - \item \tty \bslash Ibbbbl\rm~: 21 - \item \tty \bslash ibbbbl\rm~: 18 - \item \tty \bslash Ibbbbu\rm~: 21 - \item \tty \bslash ibbbbu\rm~: 18 - \item \tty \bslash Ibbbl\rm~: 21 - \item \tty \bslash ibbbl\rm~: 18 - \item \tty \bslash Ibbbu\rm~: 21 - \item \tty \bslash ibbbu\rm~: 18 - \item \tty \bslash Ibbl\rm~: 21 - \item \tty \bslash ibbl\rm~: 18 - \item \tty \bslash Ibbu\rm~: 21 - \item \tty \bslash ibbu\rm~: 18 - \item \tty \bslash Ibl\rm~: 21 - \item \tty \bslash ibl\rm~: 18, 19 - \item \tty \bslash Ibu\rm~: 21 - \item \tty \bslash ibu\rm~: 18 - \item \tty \bslash Ilegl\rm~: 25, 26 - \item \tty \bslash ilegl\rm~: 25 - \item \tty \bslash Ilegu\rm~: 25, 26 - \item \tty \bslash ilegu\rm~: 25 - \item INITEX\rm~: 56 - \item \tty \bslash input\rm~: 65 - \item instrument\rm~: 12 - \item instrument number\rm~: 8 - \item \tty \bslash instrument$r$\rm~: 13 - \item \tty \bslash interbeam\rm~: 43, 44 - \item \tty \bslash interfacteur\rm~: 43--45 - \item \tty \bslash interinstrument\rm~: 43, 45, 46 - \item \tty \bslash Interligne\rm~: 43--45 - \item \tty \bslash interligne\rm~: 43 - \item \tty \bslash Internote\rm~: 43 - \item \tty \bslash internote\rm~: 43 - \item \tty \bslash Interportee\rm~: 43 - \item \tty \bslash interportee\rm~: 43, 45 - \item \tty \bslash interportee+{\fontshape n\selectfont \fontseries m\selectfont \tt \char '134}interinstrument\rm~: - 43 - \item \tty \bslash Invertslur\rm~: 26 - \item \tty \bslash it\rm~: 48 - \item \tty \bslash ITenl\rm~: 25 - \item \tty \bslash Itenl\rm~: 25 - \item \tty \bslash itenl\rm~: 25 - \item \tty \bslash ITenu\rm~: 25 - \item \tty \bslash Itenu\rm~: 25 - \item \tty \bslash itenu\rm~: 25 - - \indexspace -{\bfseries\hfil K\hfil}\nopagebreak - - \item \tty \bslash kb\rm~: 52 - \item \tty \bslash kccccl\rm~: 52 - \item \tty \bslash kccccu\rm~: 52 - \item \tty \bslash kcccl\rm~: 52 - \item \tty \bslash kcccu\rm~: 52 - \item \tty \bslash kccl\rm~: 52 - \item \tty \bslash kccu\rm~: 40, 52 - \item \tty \bslash kcl\rm~: 40, 52 - \item \tty \bslash kclp\rm~: 52 - \item \tty \bslash kclpp\rm~: 52 - \item \tty \bslash kcu\rm~: 40, 52 - \item \tty \bslash kcup\rm~: 40, 52 - \item \tty \bslash kcupp\rm~: 52 - \item \tty \bslash kern\rm~: 21 - \item \tty \bslash kh\rm~: 52 - \item \tty \bslash kl\rm~: 52 - \item \tty \bslash klp\rm~: 52 - \item \tty \bslash klpp\rm~: 52 - \item \tty \bslash ku\rm~: 52 - \item \tty \bslash kup\rm~: 52 - \item \tty \bslash kupp\rm~: 52 - - \indexspace -{\bfseries\hfil L\hfil}\nopagebreak - - \item \tty \bslash large\rm~: 13 - \item largemusic\rm~: 53 - \item \tty \bslash larpeggio\rm~: 34 - \item \LaTeX \rm~: 13 - \item \protect\LaTeX\rm~: 48, 53 - \item \tty \bslash lcharnote\rm~: 33 - \item \tty \bslash ldfl\rm~: 22 - \item \tty \bslash ldsh\rm~: 22 - \item \tty \bslash leaders\rm~: 9 - \item \tty \bslash leftrepeat\rm~: 32 - \item \tty \bslash leftrepeatsymbol\rm~: 31, 32 - \item \tty \bslash leftrightrepeat\rm~: 32 - \item \tty \bslash leftrightrepeatsymbol\rm~: 31 - \item legal\rm~: 48 - \item \tty \bslash lfl\rm~: 22 - \item \tty \bslash lh\rm~: 16 - \item \tty \bslash lhl\rm~: 16 - \item \tty \bslash lhu\rm~: 16 - \item \tty \bslash liftslur\rm~: 26 - \item \tty \bslash lna\rm~: 22 - \item \tty \bslash lowersonginstrum\rm~: 13 - \item \tty \bslash Lpince\rm~: 34 - \item \tty \bslash lppz\rm~: 35 - \item \tty \bslash lpz\rm~: 34 - \item \tty \bslash lq\rm~: 16 - \item \tty \bslash lql\rm~: 16 - \item \tty \bslash lqu\rm~: 16 - \item \tty \bslash lsf\rm~: 34 - \item \tty \bslash lsh\rm~: 22 - \item \tty \bslash lsong\rm~: 46 - \item \tty \bslash lst\rm~: 35 - \item \tty \bslash lthick\rm~: 43 - \item \tty \bslash lw\rm~: 16 - \item lyrics\rm~: 12, 43, 46, 53 - - \indexspace -{\bfseries\hfil M\hfil}\nopagebreak - - \item \tty \bslash maketitle\rm~: 48 - \item \tty \bslash maxbarsinline\rm~: 29 - \item \tty \bslash maxlinesinpage\rm~: 29 - \item meter\rm~: 6, 12 - \item \tty \bslash meterC\rm~: 12 - \item \tty \bslash metertoks$i$\rm~: 12 - \item \tty \bslash metron\rm~: 34 - \item \tty \bslash midtwotext\rm~: 33 - \item Mitchell, R.\rm~: 10 - \item \tty \bslash mordant\rm~: 34 - \item Mozart\rm~: 7 - \item MS-DOS\rm~: 55 - \item musicadd.tex\rm~: 11 - \item musicnft.tex\rm~: 11 - \item musicper\rm~: 52 - \item musicper.sty\rm~: 52 - \item musicper.tex\rm~: 52 - \item \tty \bslash musicsize\rm~: 11, 41, 43, 46 - \item musictex.bck\rm~: 55 - \item musictex.sty\rm~: 52 - \item musictex.tex\rm~: 11 - \item musictex.zip\rm~: 55 - \item musictrp\rm~: 53 - \item MusiXT\kern -.1667em\lower .5ex\hbox {E}\kern -.125emX\spacefactor \@m \rm~: - 10, 22, 27 - \item \protect\mutex\rm~: 10 - - \indexspace -{\bfseries\hfil N\hfil}\nopagebreak - - \item \tty \bslash Na\rm~: 24 - \item \tty \bslash na\rm~: 22, 24 - \item name of the instrument\rm~: 13 - \item name of the voice\rm~: 13 - \item \tty \bslash nbbbbbl\rm~: 18 - \item \tty \bslash nbbbbbu\rm~: 18 - \item \tty \bslash nbbbbu\rm~: 18 - \item \tty \bslash nbbbu\rm~: 18 - \item \tty \bslash nbbl\rm~: 18 - \item \tty \bslash nbbu\rm~: 18 - \item \tty \bslash nbinstruments\rm~: 11 - \item \tty \bslash nbportees$r$\rm~: 12, 46 - \item \tty \bslash nbporteesiii\rm~: 12 - \item neumes\rm~: 39, 49 - \item \tty \bslash nextinstrument\rm~: 53 - \item \tty \bslash nextstaff\rm~: 53 - \item \tty \bslash nh\rm~: 17 - \item \tty \bslash normal\rm~: 13, 14 - \item \tty \bslash normalnotesize\rm~: 37 - \item \tty \bslash normalstems\rm~: 44 - \item \tty \bslash normaltranspose\rm~: 24 - \item \tty \bslash noteskip\rm~: 13, 14, 17, 21, 24, 33 - \item \tty \bslash nq\rm~: 17 - \item \tty \bslash nspace\rm~: 22 - \item \tty \bslash nTrille\rm~: 34 - \item \tty \bslash ntrille\rm~: 34 - \item \tty \bslash nullthick\rm~: 43 - - \indexspace -{\bfseries\hfil O\hfil}\nopagebreak - - \item octaviation\rm~: 23 - \item \tty \bslash octfin\rm~: 24 - \item \tty \bslash octline\rm~: 24 - \item \tty \bslash octsup\rm~: 24 - \item \tty \bslash off\rm~: 22 - \item ornament codings\rm~: 47 - \item ornaments\rm~: 37 - \item \tty \bslash othermention\rm~: 48 - \item \tty \bslash oxb\rm~: 52 - \item \tty \bslash oxccccl\rm~: 52 - \item \tty \bslash oxccccu\rm~: 52 - \item \tty \bslash oxcccl\rm~: 52 - \item \tty \bslash oxcccu\rm~: 52 - \item \tty \bslash oxccl\rm~: 52 - \item \tty \bslash oxccu\rm~: 40, 52 - \item \tty \bslash oxcl\rm~: 40, 52 - \item \tty \bslash oxclp\rm~: 52 - \item \tty \bslash oxclpp\rm~: 52 - \item \tty \bslash oxcu\rm~: 40, 52 - \item \tty \bslash oxcup\rm~: 40, 52 - \item \tty \bslash oxcupp\rm~: 52 - \item \tty \bslash oxh\rm~: 52 - \item \tty \bslash oxl\rm~: 52 - \item \tty \bslash oxlp\rm~: 52 - \item \tty \bslash oxlpp\rm~: 52 - \item \tty \bslash oxu\rm~: 52 - \item \tty \bslash oxup\rm~: 52 - \item \tty \bslash oxupp\rm~: 52 - - \indexspace -{\bfseries\hfil P\hfil}\nopagebreak - - \item \tty \bslash parindent\rm~: 13 - \item \tty \bslash PAUSe\rm~: 21 - \item \tty \bslash PAuse\rm~: 21 - \item \tty \bslash pause\rm~: 21 - \item \tty \bslash PED\rm~: 35 - \item percussion music\rm~: 40, 45, 49 - \item phrasing slurs\rm~: 9 - \item piano braces\rm~: 55 - \item \tty \bslash Pince\rm~: 34 - \item \tty \bslash pince\rm~: 34 - \item \tty \bslash Pincene\rm~: 34 - \item \tty \bslash Pincenw\rm~: 34 - \item \tty \bslash Pincesw\rm~: 34 - \item pizzicato\rm~: 34 - \item \tty \bslash pointdorgue\rm~: 35 - \item \tty \bslash pointdurgue\rm~: 35 - \item port\'ees\rm~: 12 - \item portato\rm~: 35 - \item \tty \bslash pt $p$\rm~: 17 - \item punctum\rm~: 39 - - \indexspace -{\bfseries\hfil Q\hfil}\nopagebreak - - \item \tty \bslash qb\rm~: 18, 22 - \item \tty \bslash qh\rm~: 14, 18, 22 - \item \tty \bslash qhp\rm~: 17 - \item \tty \bslash qhpp\rm~: 17 - \item \tty \bslash ql\rm~: 15 - \item \tty \bslash qlp\rm~: 17 - \item \tty \bslash qlpp\rm~: 17 - \item \tty \bslash qqs\rm~: 21 - \item \tty \bslash qs\rm~: 21 - \item \tty \bslash qsk\rm~: 22, 34 - \item \tty \bslash qu\rm~: 14, 15 - \item \tty \bslash quartsoupir\rm~: 21 - \item \tty \bslash qup\rm~: 17 - \item \tty \bslash qupp\rm~: 17 - \item \tty \bslash quppp\rm~: 17 - - \indexspace -{\bfseries\hfil R\hfil}\nopagebreak - - \item ragged lines\rm~: 9 - \item \tty \bslash raggedlinestrue\rm~: 27 - \item \tty \bslash raise\rm~: 21 - \item relative accidentals\rm~: 8 - \item \tty \bslash relativeaccidentals\rm~: 24 - \item \tty \bslash relax\rm~: 54 - \item repeated patterns\rm~: 20 - \item \tty \bslash reprmorceau\rm~: 29, 32, 44, 49 - \item \tty \bslash resetfacteurs\rm~: 46 - \item \tty \bslash rh\rm~: 16 - \item \tty \bslash rhl\rm~: 16 - \item \tty \bslash rhu\rm~: 16 - \item \tty \bslash rightrepeat\rm~: 32 - \item \tty \bslash rightrepeatsymbol\rm~: 31 - \item rimshot\rm~: 40 - \item \tty \bslash rm\rm~: 48 - \item \tty \bslash roff\rm~: 16, 22 - \item \tty \bslash rq\rm~: 16 - \item \tty \bslash rql\rm~: 16 - \item \tty \bslash rqu\rm~: 16 - \item \tty \bslash rw\rm~: 16 - - \indexspace -{\bfseries\hfil S\hfil}\nopagebreak - - \item \tty \bslash saveclefs\rm~: 30 - \item savesets\rm~: 9 - \item Schofer, A.\rm~: 10 - \item \tty \bslash segno\rm~: 33 - \item \tty \bslash seizsoupir\rm~: 21 - \item \tty \bslash sepbarrules\rm~: 28 - \item \tty \bslash setdoublebar\rm~: 29 - \item \tty \bslash setleftrepeat\rm~: 32 - \item \tty \bslash setleftrightrepeat\rm~: 32 - \item \tty \bslash Setprimavolta\rm~: 33 - \item \tty \bslash setprimavolta\rm~: 32 - \item \tty \bslash setrightrepeat\rm~: 32 - \item \tty \bslash Setsecondavolta\rm~: 33 - \item \tty \bslash setsecondavolta\rm~: 32 - \item sforzando\rm~: 34 - \item \tty \bslash Sh\rm~: 24 - \item \tty \bslash sh\rm~: 22, 24 - \item shaker\rm~: 40 - \item \tty \bslash shaker\rm~: 40 - \item sharps\rm~: 12 - \item \tty \bslash shortauthor\rm~: 48 - \item \tty \bslash shorttitle\rm~: 48 - \item \tty \bslash sign$n$\rm~: 24 - \item signatures\rm~: 11 - \item \tty \bslash signii\rm~: 8 - \item sizes\rm~: 11 - \item \tty \bslash sk\rm~: 15, 21--23 - \item \tty \bslash sl\rm~: 48 - \item \tty \bslash smallaccid\rm~: 23 - \item \tty \bslash smalldFl\rm~: 24 - \item \tty \bslash smalldSh\rm~: 24 - \item \tty \bslash smallFl\rm~: 24 - \item \tty \bslash smallfl\rm~: 23 - \item \tty \bslash smallNa\rm~: 24 - \item \tty \bslash smallnotesize\rm~: 37 - \item \tty \bslash smallSh\rm~: 24 - \item \tty \bslash smallsh\rm~: 23 - \item \tty \bslash soupir\rm~: 21 - \item spacing\rm~: 5 - \item spacing note\rm~: 14 - \item staccato\rm~: 35 - \item staff size\rm~: 41 - \item \tty \bslash staffbotmarg\rm~: 43--46 - \item \tty \bslash stafflinesnb\rm~: 45 - \item \tty \bslash staffspacing$r$\rm~: 41, 43 - \item \tty \bslash stafftopmarg\rm~: 43, 45, 46 - \item standard musical notation\rm~: 4 - \item \tty \bslash stdbarrules\rm~: 28 - \item Steinbach, A.\rm~: 10 - \item \tty \bslash stemfactor\rm~: 44 - \item stems\rm~: 11 - \item style\rm~: 53 - \item \tty \bslash subtitle\rm~: 48 - \item \tty \bslash Suspmorceau\rm~: 29 - \item \tty \bslash suspmorceau\rm~: 29, 32, 44, 49, 53 - \item \tty \bslash svtpoint\rm~: 48 - \item \tty \bslash systemheight\rm~: 44 - - \indexspace -{\bfseries\hfil T\hfil}\nopagebreak - - \item tabulation\rm~: 53 - \item \tty \bslash tbbbbbl\rm~: 19 - \item \tty \bslash tbbbbbu\rm~: 19 - \item \tty \bslash tbbbbl\rm~: 19 - \item \tty \bslash tbbbbu\rm~: 19 - \item \tty \bslash tbbbl\rm~: 19 - \item \tty \bslash tbbbu\rm~: 19 - \item \tty \bslash tbbl\rm~: 19 - \item \tty \bslash tbbu\rm~: 19 - \item \tty \bslash tbl\rm~: 18 - \item \tty \bslash tbu\rm~: 18, 19 - \item \tty \bslash temps\rm~: 23, 26, 27 - \item tenor violin clef\rm~: 35 - \item \tty \bslash tenpoint\rm~: 48 - \item ties\rm~: 9, 25 - \item \tty \bslash tinynotesize\rm~: 37 - \item \tty \bslash title\rm~: 48 - \item \tty \bslash tleg\rm~: 25, 26 - \item \tty \bslash transpose\rm~: 8, 23, 24 - \item \tty \bslash tremolord\rm~: 40 - \item \tty \bslash Trille\rm~: 34 - \item \tty \bslash trille\rm~: 34 - \item \tty \bslash tten\rm~: 25 - \item \tty \bslash turn\rm~: 34 - \item \tty \bslash twfvpoint\rm~: 48 - \item \tty \bslash twlpoint\rm~: 48 - \item \tty \bslash twtypoint\rm~: 48 - - \indexspace -{\bfseries\hfil U\hfil}\nopagebreak - - \item \tty \bslash upperfl\rm~: 23 - \item \tty \bslash upperna\rm~: 23 - \item \tty \bslash uppersh\rm~: 23 - \item \tty \bslash uppersonginstrum\rm~: 13 - \item \tty \bslash uppz\rm~: 35 - \item \tty \bslash Uptext\rm~: 33, 34 - \item \tty \bslash uptext\rm~: 33 - \item \tty \bslash upz\rm~: 34 - \item \tty \bslash usf\rm~: 34 - \item \tty \bslash ust\rm~: 35 - - \indexspace -{\bfseries\hfil V\hfil}\nopagebreak - - \item \tty \bslash vadjust\rm~: 35 - \item \tty \bslash varaccid\rm~: 23 - \item \tty \bslash vbox\rm~: 46 - \item \tty \bslash vfootnote\rm~: 48 - \item violin clef\rm~: 12, 30 - \item violin harmonic notes\rm~: 40 - \item virga\rm~: 39 - \item VMS\rm~: 55 - \item \tty \bslash vnotes\rm~: 14 - \item \tty \bslash voffset\rm~: 48, 65 - \item voices\rm~: 43 - \item \tty \bslash vsize\rm~: 48 - - \indexspace -{\bfseries\hfil W\hfil}\nopagebreak - - \item \tty \bslash wh\rm~: 15, 22 - \item \tty \bslash whp\rm~: 17 - \item Widor, C.-M.\rm~: 24, 66 - - \indexspace -{\bfseries\hfil X\hfil}\nopagebreak - - \item \tty \bslash xb\rm~: 52 - \item \tty \bslash xbarre\rm~: 29 - \item \tty \bslash xbeambarre\rm~: 36 - \item \tty \bslash xccccl\rm~: 52 - \item \tty \bslash xccccu\rm~: 52 - \item \tty \bslash xcccl\rm~: 52 - \item \tty \bslash xcccu\rm~: 52 - \item \tty \bslash xccl\rm~: 52 - \item \tty \bslash xccu\rm~: 40, 52 - \item \tty \bslash xcl\rm~: 40, 52 - \item \tty \bslash xclp\rm~: 52 - \item \tty \bslash xclpp\rm~: 52 - \item \tty \bslash xcu\rm~: 40, 52 - \item \tty \bslash xcup\rm~: 40, 52 - \item \tty \bslash xcupp\rm~: 52 - \item \tty \bslash xh\rm~: 52 - \item \tty \bslash xl\rm~: 52 - \item \tty \bslash xlp\rm~: 52 - \item \tty \bslash xlpp\rm~: 52 - \item \tty \bslash xTrille\rm~: 34 - \item \tty \bslash xtrille\rm~: 34 - \item \tty \bslash xu\rm~: 52 - \item \tty \bslash xup\rm~: 52 - \item \tty \bslash xupp\rm~: 52 - - \indexspace -{\bfseries\hfil Y\hfil}\nopagebreak - - \item \tty \bslash yccu\rm~: 40 - \item \tty \bslash ycl\rm~: 40 - \item \tty \bslash ycu\rm~: 40 - \item \tty \bslash ycup\rm~: 40 - - \indexspace -{\bfseries\hfil Z\hfil}\nopagebreak - - \item \tty \bslash zalapage\rm~: 29 - \item \tty \bslash zbarre\rm~: 25, 29 - \item \tty \bslash zbv\rm~: 16 - \item \tty \bslash zcarpg\rm~: 39 - \item \tty \bslash zcarqg\rm~: 39 - \item \tty \bslash zcarrg\rm~: 39 - \item \tty \bslash zchangeclefs\rm~: 30 - \item \tty \bslash zcharnote\rm~: 7, 9, 33, 35, 46 - \item \tty \bslash zcl\rm~: 16 - \item \tty \bslash zclp\rm~: 17 - \item \tty \bslash zcu\rm~: 16 - \item \tty \bslash zcup\rm~: 17 - \item \tty \bslash zdiamg\rm~: 39 - \item \tty \bslash zdiamw\rm~: 40 - \item \tty \bslash zexhpause\rm~: 21 - \item \tty \bslash zexpause\rm~: 21 - \item \tty \bslash zfinextrait\rm~: 46 - \item \tty \bslash zh\rm~: 15 - \item \tty \bslash zhl\rm~: 16 - \item \tty \bslash zhlp\rm~: 17 - \item \tty \bslash zhp\rm~: 17 - \item \tty \bslash zhu\rm~: 16 - \item \tty \bslash zhup\rm~: 17 - \item \tty \bslash zk\rm~: 52 - \item \tty \bslash zmidtwotext\rm~: 33 - \item \tty \bslash znh\rm~: 17 - \item \tty \bslash znq\rm~: 17 - \item \tty \bslash zox\rm~: 52 - \item \tty \bslash zq\rm~: 6, 15 - \item \tty \bslash zql\rm~: 16 - \item \tty \bslash zqlp\rm~: 17 - \item \tty \bslash zqp\rm~: 17 - \item \tty \bslash zqu\rm~: 16 - \item \tty \bslash zqup\rm~: 17 - \item \tty \bslash zsb\rm~: 16 - \item \tty \bslash zshaker\rm~: 40 - \item \tty \bslash zsong\rm~: 46 - \item \tty \bslash zsuspmorceau\rm~: 29 - \item \tty \bslash ztremolord\rm~: 40 - \item \tty \bslash zw\rm~: 16 - \item \tty \bslash zwp\rm~: 17 - \item \tty \bslash zwq\rm~: 16 - \item \tty \bslash zx\rm~: 52 - - \end{theindex} - \makeatother diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.inx b/Master/texmf-dist/doc/generic/musictex/musicdoc.inx deleted file mode 100644 index 7913308cea9..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.inx +++ /dev/null @@ -1,547 +0,0 @@ -\indexentry{*}{21} -\indexentry{a4wide}{50} -\indexentry{\tty \bslash absoluteaccidentals}{23} -\indexentry{\tty \bslash active}{9} -\indexentry{acute accent}{23} -\indexentry{\tty \bslash advancebottom}{43} -\indexentry{\tty \bslash alaligne}{27, 28, 30, 31, 34} -\indexentry{\tty \bslash alapage}{28, 30, 34} -\indexentry{\tty \bslash allabreve}{12} -\indexentry{\tty \bslash altitude}{42} -\indexentry{alto clef}{12, 29, 45} -\indexentry{\tty \bslash altportee}{42} -\indexentry{anonymous ftp}{51} -\indexentry{\tty \bslash arpeggio}{33} -\indexentry{\tty \bslash atnextline}{34, 43} -\indexentry{\tty \bslash autolines}{6, 14, 26, 27, 28, 34, 35} -\indexentry{\tty \bslash backturn}{33} -\indexentry{bar numbering}{27} -\indexentry{\tty \bslash barno}{27} -\indexentry{baroque}{45} -\indexentry{\tty \bslash barre}{26, 28, 30, 31, 35} -\indexentry{basic files}{51} -\indexentry{bass clef}{12, 29} -\indexentry{beams}{7, 11, 29, 35} -\indexentry{\tty \bslash begin{\char '173}music{\char '175}}{13} -\indexentry{\tty \bslash bigaccid}{22} -\indexentry{\tty \bslash bigdFl}{23} -\indexentry{\tty \bslash bigdSh}{23} -\indexentry{\tty \bslash bigfl}{22} -\indexentry{\tty \bslash bigFl}{23} -\indexentry{Big\LaTeX}{49, 50} -\indexentry{\tty \bslash bigNa}{23} -\indexentry{\tty \bslash bigsh}{22} -\indexentry{\tty \bslash bigSh}{23} -\indexentry{Big\protect\TeX}{27, 50} -\indexentry{\tty \bslash bottomfacteur}{42, 43} -\indexentry{Brahms}{29, 35} -\indexentry{\tty \bslash break}{27} -\indexentry{Brouard, N.}{49} -\indexentry{cadenzas}{36} -\indexentry{\tty \bslash carpg}{38} -\indexentry{\tty \bslash carqg}{38} -\indexentry{\tty \bslash carrg}{38} -\indexentry{\tty \bslash catcode}{11, 49, 50} -\indexentry{\tty \bslash catcodes}{49} -\indexentry{\tty \bslash catcodesmusic}{50} -\indexentry{cautionary accidental}{22, 23} -\indexentry{\tty \bslash ccccl}{15, 21} -\indexentry{\tty \bslash ccccu}{15} -\indexentry{\tty \bslash cccl}{15} -\indexentry{\tty \bslash cccu}{15} -\indexentry{\tty \bslash ccl}{15} -\indexentry{\tty \bslash ccu}{15} -\indexentry{\tty \bslash cdfl}{22} -\indexentry{\tty \bslash cdFl}{23} -\indexentry{\tty \bslash cdsh}{22} -\indexentry{\tty \bslash cdSh}{23} -\indexentry{\tty \bslash cfl}{22} -\indexentry{\tty \bslash cFl}{23} -\indexentry{\tty \bslash changeclefs}{29} -\indexentry{\tty \bslash changecontext}{28, 30} -\indexentry{\tty \bslash Changecontext}{28, 30} -\indexentry{\tty \bslash changesignature}{28} -\indexentry{\tty \bslash charnote}{32} -\indexentry{chords}{11, 16} -\indexentry{\tty \bslash cl}{15, 37} -\indexentry{clef d'ut}{12, 29} -\indexentry{clef de fa}{12, 29} -\indexentry{clef de sol}{12, 29} -\indexentry{\tty \bslash clefdefa}{46} -\indexentry{\tty \bslash clefdefasymbol}{46} -\indexentry{\tty \bslash clefdesol}{46} -\indexentry{\tty \bslash clefdesolsymbol}{46} -\indexentry{\tty \bslash clefdut}{45, 46} -\indexentry{\tty \bslash clefdutsymbol}{46} -\indexentry{clefs (empty)}{46} -\indexentry{\tty \bslash cleftoks$r$}{12, 28, 29, 34} -\indexentry{\tty \bslash cleftoksi}{12} -\indexentry{\tty \bslash cna}{22} -\indexentry{\tty \bslash cNa}{23} -\indexentry{\tty \bslash coda}{32} -\indexentry{\tty \bslash computespecifics}{39, 43} -\indexentry{\tty \bslash computewidths}{43} -\indexentry{\tty \bslash csh}{22} -\indexentry{\tty \bslash cSh}{23} -\indexentry{\tty \bslash cu}{15, 37} -\indexentry{\tty \bslash dccu}{39} -\indexentry{\tty \bslash dcl}{39} -\indexentry{\tty \bslash dcu}{39} -\indexentry{\tty \bslash dcup}{39} -\indexentry{\tty \bslash debutextrait}{44, 50} -\indexentry{\tty \bslash debutmorceau}{13, 28, 31, 43, 44, 50} -\indexentry{\tty \bslash DEP}{34} -\indexentry{\tty \bslash dfl}{22, 23} -\indexentry{\tty \bslash dFl}{23} -\indexentry{\tty \bslash diamg}{38} -\indexentry{\tty \bslash diamw}{38} -\indexentry{\tty \bslash dimen}{10} -\indexentry{distribution}{9} -\indexentry{\tty \bslash documentstyle}{49} -\indexentry{dpi}{51} -\indexentry{drum clef}{46} -\indexentry{\tty \bslash drumclefsymbol}{46} -\indexentry{\tty \bslash ds}{20} -\indexentry{\tty \bslash dsh}{22, 23} -\indexentry{\tty \bslash dSh}{23} -\indexentry{\tty \bslash dsoupir}{20} -\indexentry{Egler, A.}{10, 33} -\indexentry{\tty \bslash eject}{28} -\indexentry{\tty \bslash elemskip}{6, 13, 14, 26} -\indexentry{em\TeX}{50} -\indexentry{\tty \bslash endcatcodesmusic}{50} -\indexentry{\tty \bslash etroit}{13} -\indexentry{\tty \bslash everystaff}{24, 34} -\indexentry{\tty \bslash exhpause}{21} -\indexentry{\tty \bslash expause}{21} -\indexentry{Faur\'e, G.}{59} -\indexentry{fermata}{33} -\indexentry{\tty \bslash finextrait}{44, 50} -\indexentry{\tty \bslash finmorceau}{28, 30, 43, 50} -\indexentry{\tty \bslash finrightrepeat}{30} -\indexentry{\tty \bslash fl}{22, 23} -\indexentry{\tty \bslash Fl}{23} -\indexentry{flats}{12} -\indexentry{fonts}{51} -\indexentry{format}{51} -\indexentry{french.sty}{49, 50} -\indexentry{\tty \bslash freqbarno}{27} -\indexentry{full rest}{20} -\indexentry{Gaulle, B.}{50} -\indexentry{general staff size}{39} -\indexentry{\tty \bslash generalmeter}{12} -\indexentry{\tty \bslash generalsignature}{8, 12, 23, 28} -\indexentry{glue}{9, 26} -\indexentry{Gounod, C.}{40, 59} -\indexentry{grave accent}{23} -\indexentry{\tty \bslash grcl}{37} -\indexentry{\tty \bslash grcu}{37} -\indexentry{gregorian music}{38, 44, 45} -\indexentry{guillemets}{50} -\indexentry{GUTenberg}{50} -\indexentry{half rest}{20} -\indexentry{harmonic notes}{47} -\indexentry{Haydn, J.}{36} -\indexentry{\tty \bslash hb}{19} -\indexentry{\tty \bslash hbox}{26} -\indexentry{\tty \bslash hfil}{26} -\indexentry{\tty \bslash hh}{19} -\indexentry{\tty \bslash hl}{14, 15, 16, 21} -\indexentry{\tty \bslash hoffset}{59} -\indexentry{\tty \bslash hpause}{20} -\indexentry{\tty \bslash hrule}{10, 26} -\indexentry{\tty \bslash hs}{20} -\indexentry{\tty \bslash hsize}{14} -\indexentry{\tty \bslash hskip}{21} -\indexentry{\tty \bslash hu}{15, 21} -\indexentry{\tty \bslash huitsoupir}{20} -\indexentry{\tty \bslash hup}{16} -\indexentry{\tty \bslash ibbbbbl}{17} -\indexentry{\tty \bslash Ibbbbbl}{20} -\indexentry{\tty \bslash ibbbbbu}{17} -\indexentry{\tty \bslash Ibbbbbu}{20} -\indexentry{\tty \bslash ibbbbl}{17} -\indexentry{\tty \bslash Ibbbbl}{20} -\indexentry{\tty \bslash ibbbbu}{17} -\indexentry{\tty \bslash Ibbbbu}{20} -\indexentry{\tty \bslash ibbbl}{17} -\indexentry{\tty \bslash Ibbbl}{20} -\indexentry{\tty \bslash ibbbu}{17, 18} -\indexentry{\tty \bslash Ibbbu}{20} -\indexentry{\tty \bslash ibbl}{17} -\indexentry{\tty \bslash Ibbl}{20} -\indexentry{\tty \bslash ibbu}{17} -\indexentry{\tty \bslash Ibbu}{20} -\indexentry{\tty \bslash ibl}{17, 18} -\indexentry{\tty \bslash Ibl}{20} -\indexentry{\tty \bslash ibu}{17} -\indexentry{\tty \bslash Ibu}{20} -\indexentry{\tty \bslash ilegl}{24} -\indexentry{\tty \bslash Ilegl}{24, 25} -\indexentry{\tty \bslash ilegu}{24} -\indexentry{\tty \bslash Ilegu}{24, 25} -\indexentry{INITEX}{51} -\indexentry{\tty \bslash input}{59} -\indexentry{instrument}{12} -\indexentry{instrument number}{8} -\indexentry{\tty \bslash instrument$r$}{13} -\indexentry{\tty \bslash interbeam}{42} -\indexentry{\tty \bslash interfacteur}{42, 43, 44} -\indexentry{\tty \bslash interinstrument}{42, 44, 45} -\indexentry{\tty \bslash interligne}{41} -\indexentry{\tty \bslash Interligne}{41, 42, 43} -\indexentry{\tty \bslash internote}{41} -\indexentry{\tty \bslash Internote}{41} -\indexentry{\tty \bslash interportee}{42, 44} -\indexentry{\tty \bslash Interportee}{42} -\indexentry{\tty \bslash Invertslur}{25} -\indexentry{\tty \bslash Itenl}{25} -\indexentry{\tty \bslash ITenl}{25} -\indexentry{\tty \bslash itenl}{24, 25} -\indexentry{\tty \bslash itenu}{24, 25} -\indexentry{\tty \bslash Itenu}{25} -\indexentry{\tty \bslash ITenu}{25} -\indexentry{\tty \bslash kb}{48} -\indexentry{\tty \bslash kccccl}{48} -\indexentry{\tty \bslash kccccu}{48} -\indexentry{\tty \bslash kcccl}{48} -\indexentry{\tty \bslash kcccu}{48} -\indexentry{\tty \bslash kccl}{48} -\indexentry{\tty \bslash kccu}{39, 48} -\indexentry{\tty \bslash kcl}{39, 48} -\indexentry{\tty \bslash kclp}{48} -\indexentry{\tty \bslash kclpp}{48} -\indexentry{\tty \bslash kcu}{39, 48} -\indexentry{\tty \bslash kcup}{39, 48} -\indexentry{\tty \bslash kcupp}{48} -\indexentry{\tty \bslash kern}{21} -\indexentry{\tty \bslash kh}{48} -\indexentry{\tty \bslash kl}{48} -\indexentry{\tty \bslash klp}{48} -\indexentry{\tty \bslash klpp}{48} -\indexentry{\tty \bslash ku}{48} -\indexentry{\tty \bslash kup}{48} -\indexentry{\tty \bslash kupp}{48} -\indexentry{\tty \bslash large}{13} -\indexentry{largemusic}{49} -\indexentry{\tty \bslash larpeggio}{33} -\indexentry{\LaTeX }{13, 49} -\indexentry{\tty \bslash lcharnote}{32} -\indexentry{\tty \bslash ldfl}{22} -\indexentry{\tty \bslash ldsh}{22} -\indexentry{\tty \bslash leaders}{9} -\indexentry{\tty \bslash leftrepeat}{31} -\indexentry{\tty \bslash leftrepeatsymbol}{30, 31} -\indexentry{\tty \bslash leftrightrepeat}{31} -\indexentry{\tty \bslash leftrightrepeatsymbol}{30} -\indexentry{\tty \bslash lfl}{22} -\indexentry{\tty \bslash lh}{16} -\indexentry{\tty \bslash lhl}{16} -\indexentry{\tty \bslash lhu}{16} -\indexentry{\tty \bslash liftslur}{25} -\indexentry{\tty \bslash lna}{22} -\indexentry{\tty \bslash lowersonginstrum}{13} -\indexentry{\tty \bslash Lpince}{33} -\indexentry{\tty \bslash lppz}{33} -\indexentry{\tty \bslash lpz}{33} -\indexentry{\tty \bslash lq}{16} -\indexentry{\tty \bslash lql}{16} -\indexentry{\tty \bslash lqu}{16} -\indexentry{\tty \bslash lsf}{33} -\indexentry{\tty \bslash lsh}{22} -\indexentry{\tty \bslash lst}{33} -\indexentry{\tty \bslash lthick}{41} -\indexentry{\tty \bslash lw}{16} -\indexentry{lyrics}{12, 42, 44, 50} -\indexentry{\tty \bslash maxbarsinline}{28} -\indexentry{\tty \bslash maxlinesinpage}{28} -\indexentry{meter}{6, 12} -\indexentry{\tty \bslash meterC}{12} -\indexentry{\tty \bslash metertoks$i$}{12} -\indexentry{\tty \bslash metron}{32} -\indexentry{\tty \bslash midtwotext}{32} -\indexentry{\tty \bslash mordant}{33} -\indexentry{Mozart}{7} -\indexentry{MS-DOS}{51} -\indexentry{musicadd.tex}{11} -\indexentry{musicnft.tex}{11} -\indexentry{musicper}{48} -\indexentry{musicper.sty}{48} -\indexentry{musicper.tex}{48} -\indexentry{\tty \bslash musicsize}{11, 39, 41, 44} -\indexentry{musictex.bck}{51} -\indexentry{musictex.sty}{49} -\indexentry{musictex.tex}{11} -\indexentry{musictex.zip}{51} -\indexentry{musictrp}{49} -\indexentry{\protect\mutex}{10} -\indexentry{\tty \bslash na}{22, 23} -\indexentry{\tty \bslash Na}{23} -\indexentry{name of the instrument}{13} -\indexentry{name of the voice}{13} -\indexentry{\tty \bslash nbbbbbl}{18} -\indexentry{\tty \bslash nbbbbbu}{18} -\indexentry{\tty \bslash nbbbbu}{18} -\indexentry{\tty \bslash nbbbu}{18} -\indexentry{\tty \bslash nbbl}{18} -\indexentry{\tty \bslash nbbu}{18} -\indexentry{\tty \bslash nbinstruments}{11} -\indexentry{\tty \bslash nbportees$r$}{12, 44} -\indexentry{\tty \bslash nbporteesiii}{12} -\indexentry{neumes}{38, 45} -\indexentry{\tty \bslash nextinstrument}{50} -\indexentry{\tty \bslash nextstaff}{50} -\indexentry{\tty \bslash normal}{13, 14} -\indexentry{\tty \bslash normalnotesize}{36} -\indexentry{\tty \bslash normalstems}{42} -\indexentry{\tty \bslash normaltranspose}{23} -\indexentry{\tty \bslash noteskip}{13, 14, 17, 20, 21, 24, 32} -\indexentry{\tty \bslash nspace}{21} -\indexentry{\tty \bslash ntrille}{33} -\indexentry{\tty \bslash nTrille}{33} -\indexentry{\tty \bslash nullthick}{41} -\indexentry{octaviation}{23} -\indexentry{\tty \bslash octfin}{23, 24} -\indexentry{\tty \bslash octline}{24} -\indexentry{\tty \bslash octsup}{24} -\indexentry{\tty \bslash off}{21} -\indexentry{ornament codings}{45} -\indexentry{ornaments}{36} -\indexentry{\tty \bslash oxb}{48} -\indexentry{\tty \bslash oxccccl}{48} -\indexentry{\tty \bslash oxccccu}{48} -\indexentry{\tty \bslash oxcccl}{48} -\indexentry{\tty \bslash oxcccu}{48} -\indexentry{\tty \bslash oxccl}{48} -\indexentry{\tty \bslash oxccu}{39, 48} -\indexentry{\tty \bslash oxcl}{39, 48} -\indexentry{\tty \bslash oxclp}{48} -\indexentry{\tty \bslash oxclpp}{48} -\indexentry{\tty \bslash oxcu}{39, 48} -\indexentry{\tty \bslash oxcup}{39, 48} -\indexentry{\tty \bslash oxcupp}{48} -\indexentry{\tty \bslash oxh}{48} -\indexentry{\tty \bslash oxl}{48} -\indexentry{\tty \bslash oxlp}{48} -\indexentry{\tty \bslash oxlpp}{48} -\indexentry{\tty \bslash oxu}{48} -\indexentry{\tty \bslash oxup}{48} -\indexentry{\tty \bslash oxupp}{48} -\indexentry{\tty \bslash parindent}{13} -\indexentry{\tty \bslash pause}{20} -\indexentry{\tty \bslash PAUSe}{20} -\indexentry{\tty \bslash PAuse}{20} -\indexentry{\tty \bslash PED}{34} -\indexentry{percussion music}{38, 39, 44, 46} -\indexentry{phrasing slurs}{9} -\indexentry{\tty \bslash Pince}{33} -\indexentry{\tty \bslash pince}{33} -\indexentry{\tty \bslash Pincene}{33} -\indexentry{\tty \bslash Pincenw}{33} -\indexentry{\tty \bslash Pincesw}{33} -\indexentry{pizzicato}{33} -\indexentry{\tty \bslash pointdorgue}{33} -\indexentry{\tty \bslash pointdurgue}{34} -\indexentry{portato}{33} -\indexentry{port\relax \'{e}es}{12} -\indexentry{\tty \bslash pt $p$}{16} -\indexentry{punctum}{38} -\indexentry{\tty \bslash qb}{18, 21} -\indexentry{\tty \bslash qh}{14, 18, 21} -\indexentry{\tty \bslash qhp}{16} -\indexentry{\tty \bslash qhpp}{16} -\indexentry{\tty \bslash ql}{15} -\indexentry{\tty \bslash qlp}{16} -\indexentry{\tty \bslash qlpp}{16} -\indexentry{\tty \bslash qqs}{20} -\indexentry{\tty \bslash qs}{20} -\indexentry{\tty \bslash qsk}{21, 33} -\indexentry{\tty \bslash qu}{14, 15} -\indexentry{\tty \bslash quartsoupir}{20} -\indexentry{\tty \bslash qup}{16} -\indexentry{\tty \bslash qupp}{16} -\indexentry{\tty \bslash quppp}{16} -\indexentry{ragged lines}{9} -\indexentry{\tty \bslash raggedlinestrue}{26} -\indexentry{\tty \bslash raise}{20} -\indexentry{relative accidentals}{8} -\indexentry{\tty \bslash relativeaccidentals}{23} -\indexentry{\tty \bslash relax}{50} -\indexentry{repeated patterns}{19} -\indexentry{\tty \bslash reprmorceau}{28, 31, 43} -\indexentry{\tty \bslash resetfacteurs}{44} -\indexentry{\tty \bslash rh}{16} -\indexentry{\tty \bslash rhu}{16} -\indexentry{\tty \bslash rightrepeat}{31} -\indexentry{\tty \bslash rightrepeatsymbol}{30} -\indexentry{rimshot}{38} -\indexentry{\tty \bslash rq}{16} -\indexentry{\tty \bslash rqu}{16} -\indexentry{\tty \bslash rw}{16} -\indexentry{\tty \bslash saveclefs}{29} -\indexentry{savesets}{9} -\indexentry{Schofer, A.}{10} -\indexentry{\tty \bslash segno}{32} -\indexentry{\tty \bslash seizsoupir}{20} -\indexentry{\tty \bslash sepbarrules}{27} -\indexentry{\tty \bslash setdoublebar}{28} -\indexentry{\tty \bslash setleftrepeat}{30} -\indexentry{\tty \bslash setleftrightrepeat}{30} -\indexentry{\tty \bslash Setprimavolta}{31} -\indexentry{\tty \bslash setprimavolta}{31} -\indexentry{\tty \bslash setrightrepeat}{30, 31} -\indexentry{\tty \bslash setsecondavolta}{31} -\indexentry{\tty \bslash Setsecondavolta}{31} -\indexentry{sforzando}{33} -\indexentry{\tty \bslash sh}{22, 23} -\indexentry{\tty \bslash Sh}{23} -\indexentry{shaker}{38} -\indexentry{\tty \bslash shaker}{38} -\indexentry{sharps}{12} -\indexentry{\tty \bslash sign$n$}{23} -\indexentry{signatures}{11} -\indexentry{\tty \bslash signii}{8} -\indexentry{sizes}{11} -\indexentry{\tty \bslash sk}{15, 21, 22} -\indexentry{\tty \bslash smallaccid}{22} -\indexentry{\tty \bslash smalldFl}{23} -\indexentry{\tty \bslash smalldSh}{23} -\indexentry{\tty \bslash smallFl}{23} -\indexentry{\tty \bslash smallfl}{22} -\indexentry{\tty \bslash smallNa}{23} -\indexentry{\tty \bslash smallnotesize}{36} -\indexentry{\tty \bslash smallsh}{22} -\indexentry{\tty \bslash smallSh}{23} -\indexentry{\tty \bslash soupir}{20} -\indexentry{spacing}{5} -\indexentry{spacing note}{14} -\indexentry{staccato}{33} -\indexentry{staff size}{39} -\indexentry{\tty \bslash staffbotmarg}{42, 43, 44, 45} -\indexentry{\tty \bslash stafflinesnb}{44} -\indexentry{\tty \bslash staffspacing$r$}{39, 40, 41} -\indexentry{\tty \bslash stafftopmarg}{42, 43, 44} -\indexentry{standard musical notation}{4} -\indexentry{\tty \bslash stdbarrules}{27} -\indexentry{Steinbach, A.}{10} -\indexentry{\tty \bslash stemfactor}{42} -\indexentry{stems}{11} -\indexentry{style}{49} -\indexentry{\tty \bslash suspmorceau}{28, 30, 31, 43, 50} -\indexentry{\tty \bslash systemheight}{42} -\indexentry{tabulation}{50} -\indexentry{\tty \bslash tbbbbbl}{19} -\indexentry{\tty \bslash tbbbbbu}{19} -\indexentry{\tty \bslash tbbbbl}{19} -\indexentry{\tty \bslash tbbbbu}{19} -\indexentry{\tty \bslash tbbbl}{18, 19} -\indexentry{\tty \bslash tbbbu}{18, 19} -\indexentry{\tty \bslash tbbl}{18} -\indexentry{\tty \bslash tbbu}{18} -\indexentry{\tty \bslash tbl}{18} -\indexentry{\tty \bslash tbu}{17, 18} -\indexentry{\tty \bslash temps}{22, 26, 27} -\indexentry{tenor violin clef}{34} -\indexentry{ties}{9, 25} -\indexentry{\tty \bslash tinynotesize}{36} -\indexentry{\tty \bslash tleg}{24, 25} -\indexentry{\tty \bslash transpose}{8, 22, 23} -\indexentry{\tty \bslash tremolord}{38} -\indexentry{\tty \bslash Trille}{33} -\indexentry{\tty \bslash trille}{33} -\indexentry{\tty \bslash tten}{24} -\indexentry{\tty \bslash turn}{33} -\indexentry{\tty \bslash upperfl}{22} -\indexentry{\tty \bslash upperna}{22} -\indexentry{\tty \bslash uppersh}{22} -\indexentry{\tty \bslash uppersonginstrum}{13} -\indexentry{\tty \bslash uppz}{33} -\indexentry{\tty \bslash Uptext}{32} -\indexentry{\tty \bslash uptext}{32} -\indexentry{\tty \bslash upz}{33} -\indexentry{\tty \bslash usf}{33} -\indexentry{\tty \bslash ust}{33} -\indexentry{\tty \bslash vadjust}{34} -\indexentry{\tty \bslash varaccid}{22} -\indexentry{\tty \bslash vbox}{45} -\indexentry{violin clef}{12, 29} -\indexentry{violin harmonic notes}{39} -\indexentry{virga}{38} -\indexentry{VMS}{51} -\indexentry{\tty \bslash vnotes}{14} -\indexentry{\tty \bslash voffset}{59} -\indexentry{voices}{42} -\indexentry{\tty \bslash wh}{15, 21} -\indexentry{\tty \bslash whp}{16} -\indexentry{Widor, C.-M.}{24, 59} -\indexentry{\tty \bslash xb}{48} -\indexentry{\tty \bslash xbarre}{28} -\indexentry{\tty \bslash xbeambarre}{35} -\indexentry{\tty \bslash xccccl}{48} -\indexentry{\tty \bslash xccccu}{48} -\indexentry{\tty \bslash xcccl}{48} -\indexentry{\tty \bslash xcccu}{48} -\indexentry{\tty \bslash xccl}{48} -\indexentry{\tty \bslash xccu}{39, 48} -\indexentry{\tty \bslash xcl}{39, 48} -\indexentry{\tty \bslash xclp}{48} -\indexentry{\tty \bslash xclpp}{48} -\indexentry{\tty \bslash xcu}{39, 48} -\indexentry{\tty \bslash xcup}{39, 48} -\indexentry{\tty \bslash xcupp}{48} -\indexentry{\tty \bslash xh}{48} -\indexentry{\tty \bslash xl}{48} -\indexentry{\tty \bslash xlp}{48} -\indexentry{\tty \bslash xlpp}{48} -\indexentry{\tty \bslash xtrille}{33} -\indexentry{\tty \bslash xTrille}{33} -\indexentry{\tty \bslash xu}{48} -\indexentry{\tty \bslash xup}{48} -\indexentry{\tty \bslash xupp}{48} -\indexentry{\tty \bslash yccu}{39} -\indexentry{\tty \bslash ycl}{39} -\indexentry{\tty \bslash ycu}{39} -\indexentry{\tty \bslash ycup}{39} -\indexentry{\tty \bslash zalapage}{28} -\indexentry{\tty \bslash zbarre}{24, 28} -\indexentry{\tty \bslash zbv}{16} -\indexentry{\tty \bslash zcarpg}{38} -\indexentry{\tty \bslash zcarqg}{38} -\indexentry{\tty \bslash zcarrg}{38} -\indexentry{\tty \bslash zcharnote}{7, 9, 32, 34, 45} -\indexentry{\tty \bslash zcl}{16} -\indexentry{\tty \bslash zclp}{17} -\indexentry{\tty \bslash zcu}{16} -\indexentry{\tty \bslash zcup}{17} -\indexentry{\tty \bslash zdiamg}{38} -\indexentry{\tty \bslash zdiamw}{38} -\indexentry{\tty \bslash zexhpause}{21} -\indexentry{\tty \bslash zexpause}{21} -\indexentry{\tty \bslash zfinextrait}{44} -\indexentry{\tty \bslash zh}{15} -\indexentry{\tty \bslash zhl}{16} -\indexentry{\tty \bslash zhlp}{17} -\indexentry{\tty \bslash zhp}{16} -\indexentry{\tty \bslash zhu}{16} -\indexentry{\tty \bslash zhup}{17} -\indexentry{\tty \bslash zk}{48} -\indexentry{\tty \bslash zmidtwotext}{32} -\indexentry{\tty \bslash zox}{48} -\indexentry{\tty \bslash zq}{6, 15} -\indexentry{\tty \bslash zqb}{16} -\indexentry{\tty \bslash zqh}{16} -\indexentry{\tty \bslash zql}{16} -\indexentry{\tty \bslash zqlp}{17} -\indexentry{\tty \bslash zqp}{16} -\indexentry{\tty \bslash zqu}{16} -\indexentry{\tty \bslash zqup}{17} -\indexentry{\tty \bslash zsb}{16} -\indexentry{\tty \bslash zshaker}{38} -\indexentry{\tty \bslash zsuspmorceau}{28} -\indexentry{\tty \bslash ztremolord}{38} -\indexentry{\tty \bslash zw}{16} -\indexentry{\tty \bslash zwp}{16} -\indexentry{\tty \bslash zwq}{16} -\indexentry{\tty \bslash zx}{48} -\indexentry{\&}{50} -\indexentry{\|}{50} diff --git a/Master/texmf-dist/doc/generic/musictex/musicdoc.ist b/Master/texmf-dist/doc/generic/musictex/musicdoc.ist deleted file mode 100644 index e194963fa22..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicdoc.ist +++ /dev/null @@ -1,65 +0,0 @@ -%% -%% This is file `gind.ist', generated -%% on <1994/8/14> with the docstrip utility (2.2h). -%% -%% The original source files were: -%% -%% doc.dtx (with options: `gind') -%% -%% This file is part of LaTeX2e. -%% ----------------------------- -%% -%% Copyright (C) 1992-1994 Frank Mittelbach. All rights reserved. -%% -%% \CharacterTable -%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -%% -%% Package `doc' to use with LaTeX 2e -%% Copyright (C) 1989-1994 Frank Mittelbach, all rights reserved. -%% This is a MAKEINDEX style file which should be used to -%% generate the formatted index for use with the doc -%% package. The TeX commands used below are defined in -%% doc.sty. The commands for MAKEINDEX like `level' -%% `item_x1' are described in `` Makeindex, A General -%% Purpose, Formatter-Independent Index Processor'' by -%% Pehong Chen. - -actual '=' -quote '!' -level '>' -encap '#' -preamble -"\n \\begin{theindex} \n \\makeatletter\n" -postamble -"\n\n \\end{theindex}\n \\makeatother\n" -item_x1 "\\efill \n \\subitem " -item_x2 "\\efill \n \\subsubitem " -delim_0 "\\rm~: " -delim_1 "\\rm~: " -delim_2 "\\rm~: " -symhead_positive "Symbols" -symhead_negative "Symbols" -% The next lines will produce some warnings when -% running Makeindex as they try to cover two different -% versions of the program: -lethead_prefix "{\\bfseries\\hfil " -lethead_suffix "\\hfil}\\nopagebreak\n" -lethead_flag 1 -heading_prefix "{\\bfseries\\hfil " -heading_suffix "\\hfil}\\nopagebreak\n" -headings_flag 1 -%% -%% End of file `gind.ist'. diff --git a/Master/texmf-dist/doc/generic/musictex/musicref.dvi b/Master/texmf-dist/doc/generic/musictex/musicref.dvi Binary files differdeleted file mode 100644 index 95b4ef92a0f..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musicref.dvi +++ /dev/null diff --git a/Master/texmf-dist/doc/generic/musictex/musictex.ins b/Master/texmf-dist/doc/generic/musictex/musictex.ins deleted file mode 100644 index 1a0a0e8435c..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/musictex.ins +++ /dev/null @@ -1,9 +0,0 @@ -\input musicnft
-\input musictex
-\input musicvbm
-\input musictrp
-\input musicsty
-\tracingstats=2\relax
-\dump
-
-
diff --git a/Master/texmf-dist/doc/generic/musictex/ostinato.tex b/Master/texmf-dist/doc/generic/musictex/ostinato.tex deleted file mode 100644 index 46feebddc1c..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/ostinato.tex +++ /dev/null @@ -1,450 +0,0 @@ -\title{Adagio con basso ostinato} -\fulltitle{VIII. \titremorceau} -\csname titremorceautoc\endcsname -\subtitle{(pour orgue)} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} - -\othermention{Compos\'e en 1992\vrule width 0pt depth 3mm\\G.O.: fonds 8' ou -8'+4' doux\\R\'ec.: cornet ou cromorne\\P\'ed.: 16', tirasse G.O.}% - -\maketitle - -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\pzqu#1{\lpz{#1}\qu{#1}}% -\def\pzql#1{\upz{#1}\ql{#1}}% -% -\parindent 18mm -% -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-1}\relax % un bemol a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O. fonds}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -% -\debutmorceau -% -\autolines 765\relax -%\check -% -\notes&&\Uptext{\hbox{\kern -16mm\moyen Andante - \bf(\metron{\qu}{65})}}\enotes -\advance\linesinpage by 1\relax -% mesure 1 -\nspace\NOtes\pzql M&&\enotes -\temps \NOtes\pzql M&\pause&\pause\enotes -\temps \NOtes\pzql M&\enotes -%\check -% mesure 2 -\barre\NOtes\pzql M&\zhp c\itenl0f\itenu1h\zhp f\hup h&\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 3 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 4 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hup f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -\def\atnextline{\autolines765}% -% mesure 5 -\barre\NOtes\pzqu J&\tten3\zhp e\zhup j\hl g&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\itenu0h\ql h&\soupir\enotes -% mesure 6 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 7 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 8 -\barre\NOtes\pzqu J&\tten0\zhlp c\itenl0c\zh e\hu h&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\zq g\qu d&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 9 -\barre\NOtes\pzqu H&\tten0\itenu1h\zhp f\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&&\soupir\enotes -% mesure 10 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 11 -\barre\NOtes\pzqu K&\tten0\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 12 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&\itenl0e\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 13 -\barre\NOtes\pzqu H&\tten0\zhp{^c}\zhlp e\hu h&\hl{^j}\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\qu g&\soupir\enotes -% mesure 14 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhp b\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 15 -\barre\NOtes\pzqu G&\tten0\tten1\zhp b\zhp d\itenu0g\hup g&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&&\dqb hi\enotes -% mesure 16 -\barre\NOtes\pzqu J&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl k\enotes -\temps\notes\pzqu I&\ql d&\dqb ij\enotes -% mesure 17 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -%\check -% mesure 18 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 19 -\barre\NOtes\pzqu J&\pt b\itenl0c\zh c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 20 -\barre\NOtes\pzqu F&\tten0\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\itenl2f\zql f\raise \Interligne\soupir&\soupir\enotes -%\check -% mesure 21 -\barre\NOtes\pzql M&\tten2\zhp c\itenl0f\itenu1h\zhp f\hup h\relax - &\hup f\enotes -\temps\NOtes\pzql M&&\enotes -\temps\NOtes\pzql L&&\enotes -%\check -% mesure 22 -\barre\NOtes\pzqu K&\zhlp d\tten0\tten1\itenl0d\itenl1f\zhp f\hup h\relax - &\hup h\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\notes\pzqu J&&\enotes -%\check -% mesure 23 -\barre\NOtes\pzqu I&\tten0\tten1\zhp i\zhlp d\hu f\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\notes\pzqu I&\itenu3g\qu g&\tten2\trioskip\Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -% mesure 24 -\barre\NOtes\pzqu J&\tten3\zhl e\zhp g\hup j&\hu j\enotes -\temps\NOtes\pzqu J&&\enotes -\temps\NOtes\pzqu J&\ql{_e}&\soupir\enotes -% mesure 25 -\barre\NOtes\pzqu J&\zql d\zhp{^f}\hup h&\hl{_l}\enotes -\temps\NOtes\pzqu H&\hl c&\enotes -\temps\NOtes\pzqu{^F}&&\ql k\enotes -% mesure 26 -\barre\NOtes\pzqu G&\zhl b\zh d\hu g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\soupir&\soupir\enotes -% mesure 27 -\barre\NOtes\pzqu L&\zhl b\zhp e\hup g&\hl{_k}\enotes -\temps\NOtes\pzqu L&&\enotes -\temps\NOtes\pzqu J&\itenl0c\ql c&\ql j\enotes -% mesure 28 -\barre\NOtes\pzqu H&\tten0\itenu1h\zqu e\zhp c\hlp h&\hu h\enotes -\temps\NOtes\pzqu H&\hu f&\enotes -\temps\NOtes\pzqu F&&\soupir\enotes -% mesure 29 -\barre\NOtes\pzqu H&\tten1\zhl{^c}\zhp e\hup h&\qup h\enotes -\temps\notes\pzqu G&&\sk\cu i\enotes -\temps\notes\pzqu F&\bigaccid\ql{=c}&\dqh hg\enotes -%\check -% mesure 30 -\barre\NOtes\pzqu I&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qu f\enotes -\temps\NOtes\pzqu H&&\qu h\enotes -\temps\NOtes\pzqu H&\itenu2g\qu g&\qu k\enotes -% mesure 31 -\barre\NOtes\pzqu I&\tten1\tten2\tten0\itenu1g\zhu d\zhp b\hlp g&\qlp n\enotes -\temps\notes\pzqu H&&\sk\cl m\enotes -\temps\notes\pzqu G&\itenl0e\qu e&\dqb lk\enotes -%\check -% mesure 32 -\barre\NOtes\pzqu H&\tten0\tten1\itenl1c\zhu g\zhp{^c}\hlp e&\ql{^j}\enotes -\temps\NOtes\pzqu H&&\ql l\enotes -\temps\NOtes\pzqu I&\qu h&\ql h\enotes -%\check -% mesure 33 -\barre\notes\pzqu G&\tten1\itenu1g\zql c\zhup g\qsk\hu d&\dqh ih\enotes -\temps\notes\pzqu G&\hl b&\dqh gf\enotes -\temps\notes\pzqu I&\itenl0e\qu e&\dqh ed\enotes -%\check -% mesure 34 -\barre\NOtes\pzqu H&\tten0\tten1\zhp{^ce}\hup g&\qu{^c}\enotes -\temps\NOtes\pzqu G&&\qu e\enotes -\temps\NOtes\pzqu F&&\qu h\enotes -% mesure 35 -\barre\NOtes\pzqu G&\itenl0b\itenl1d\zhu f\zhp b\hlp d&\qup f\enotes -\temps\notes\pzqu I&&\sk\cu g\enotes -\temps\notes\pzqu H&\qu e&\dqh ef\enotes -% mesure 36 -\barre\NOtes\pzqu K&\tten0\tten1\zq b\zqu g\hlp d&\hu d\enotes -\temps\NOtes\pzqu K&\zh a\hu f&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 37 -%\check -\barre\NOtes\pzqu K&\itenl0d\zhp {ad}\hup f&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 38 -%\check -\barre\NOtes\pzqu I&\tten0\zhp {bd}\hup g&\hup g\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 39 -%\check -\barre\NOtes\pzqu G&\zhl b\zhp e\hup g&\hu i\enotes -\temps\NOtes\pzqu G\enotes -\temps\NOtes\pzqu I&\ql{^c}&\qu h\enotes -% mesure 40 -%\check -\barre\NOtes\pzqu H&\zh {df}\hu h&\hu h\enotes -\temps\NOtes\pzqu H\enotes -\temps\NOtes\pzqu H&\soupir&\soupir\enotes -% mesure 41 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 42 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 43 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 44 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 45 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 46 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\itenl0e\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu h\enotes -% mesure 47 -\barre\NOtes\pzqu H&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu H&&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 48 -%\check -\barre\NOtes\pzqu J&\zhl{^f}\zhp d\hup h&\qlp k\enotes -\temps\notes\pzqu J&&\sk\cna l\cl l\enotes -\temps\notes\pzqu J&\bigfl e\ql e&\dqb jk\enotes -%\check -% mesure 49 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\itenl0e\bigna e\ql e&\dqb hi\enotes -%\check -% mesure 50 -\barre\NOtes\pzqu J&\tten0\zhl c\zhp e\hup g&\qlp j\enotes -\temps\notes\pzqu J&&\sk\cl{k}\enotes -\temps\notes\pzqu I&\itenl0c\bigsh c\ql c&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 51 -\barre\NOtes\pzqu H&\tten0\sh c\zhp c\zhup h\qsk\zql g&\hu h\enotes -\temps\NOtes\pzqu H&\ql f&\enotes -\temps\NOtes\pzqu H&\ql e&\soupir\enotes -%\check -% mesure 52 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 53 -\barre\NOtes\pzqu J&\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 54 -\barre\NOtes\pzqu F&\zh c\zhu h\qsk\zql d&\hu f\enotes -\temps\NOtes\pzql M&\ql e&\enotes -\temps\NOtes\pzql M&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 55 -\barre\NOtes\pzqu M&\zql e\zhp{^c}\itenu0h\hup h&\qup h\enotes -\temps\notes\pzqu M&\ql f&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu L&\ql g&\dqb kl\enotes -% mesure 56 -\barre\NOtes\pzqu K&\tten0\itenl2d\itenl1f\zhp d\zhp f\hup h&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\itenu0m\ql m\enotes -% mesure 57 -\barre\NOtes\pzqu{=I}&\tten2\tten1\itenu1d\zhp d\zhp f\hup{_h}&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\pzqu I&&\bigaccid\dqb nm\enotes -%\check -% mesure 58 -\barre\NOtes\pzqu H&\zh{^c}\zhu{=h}\qsk\tten1\zql d&\hl l\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu{_I}&\raise\Interligne\rlap{\soupir}\ql f&\soupir\enotes -%\check -% mesure 59 -\bigaccid -\barre\NOtes\pzqu{=I}&\itenl0d\zq d\zql f\hup{_h}&\qlp m\enotes -\temps\notes\pzqu I&\tten0\zql d\qsk\itenu0e\zhu e&\sk\cl n\enotes -\temps\notes\pzqu{=J}&\zql{=c}&\dqb lm\enotes -% mesure 60 -\barre\NOtes\pzqu{^J}&\tten0\itenl0c\zq{^c}\zql e\hup{=h}&\qlp n\enotes -\temps\notes\pzqu J&\tten0\itenu0f\zql c\hu f&\sk\cl o\enotes -\temps\notes\pzqu{=J}&\itenl1d\ql d&\dqb mn\enotes -%\check -% mesure 61 -\barre\NOtes\pzqu{=I}&\tten0\tten1\itenl1d\zhp d\zhlp f\hu{_h}&\qlp o\enotes -\temps\notes\pzqu I&&\sk\cl n\enotes -\temps\notes\pzqu I&\qu g&\dqb mn\enotes -%\check -% mesure 62 -\barre\NOtes\pzqu{_I}&\zhp e\zhup g\qsk\tten1\zhl d&\itenu0l\hl l\enotes -\temps\NOtes\pzqu I\enotes -\temps\notes\pzqu I&\bigaccid\ql{^c}&\tten0\dqb lm\enotes -%\check -% mesure 63 -\barre\NOtes\pzqu{=I}&\itenl0d\zhlp d\zhu{_h}\qsk\qu f&\hl k\enotes -\temps\NOtes\pzqu I&\qu e\enotes -\temps\NOtes\pzqu I&\zq f\qu{=h}&\soupir\enotes -% mesure 64 -\barre\NOtes\pzqu H&\tten0\zh f\zhl d\itenu1h\hup h&\qlp m\enotes -\temps\notes\pzqu H&&\sk\cl n\enotes -\temps\notes\pzqu H&\zq e\ql{^c}&\dqb lm\enotes -% mesure 65 -\barre\NOtes\pzqu K&\tten1\zhlp d\zhp f\hup h&\hl k\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu K&&\soupir\enotes -% mesure 66 -\barre\NOtes\pzqu K&\itenu1f\itenl0d\zhp f\zhlp d\hup h&\hup f\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&&\enotes -% mesure 67 -\barre\NOtes\pzqu I&\tten1\tten0\zhlp d\zhp f\zhu i&\hu h\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\qu i\enotes -%\check -% mesure 68 -\barre\NOtes\pzqu G&\zhlp b\zh d\itenu0g\hu g\relax - &\itenl2i\mordant o\hu i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\notes\pzqu I&\tten0\itenu1e\zq e\qu g&\tten2\trioskip - \Ibu0ij2\qhp0i\sk\tbbu0\tqh0j\enotes -%\check -% mesure 69 -\barre\NOtes\pzqu H&\tten1\itenu0h\zql e\zhp c\hup h&\qu j\enotes -\temps\NOtes\pzqu H&\ql e&\enotes -\temps\NOtes\pzqu H&\ql f&\soupir\enotes -% mesure 70 -\barre\NOtes\pzqu K&\tten0\zh d\zhl{^f}\hup h&\qlp k\enotes -\temps\notes\pzqu K&&\bigaccid\sk\cl{_l}\enotes -\temps\notes\pzqu J&\bigaccid\zq c\ql{_e}&\Ibl0jk1\qb0j\tqb0k\enotes -%\check -% mesure 71 -\barre\NOtes\pzqu I&\zhl d\zhp b\hup g&\hl i\enotes -\temps\NOtes\pzqu G&&\enotes -\temps\NOtes\pzqu I&\itenl0e\ql {=e}&\ql j\enotes -%\check -% mesure 72 -\barre\NOtes\pzqu H&\tten0\itenl0e\zhl c\zhu h\hlp e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl{k}\enotes -\temps\notes\pzqu G&\zq b\qu g&\Ibl0ij1\qb0i\tqb0j\enotes -% mesure 73 -\barre\NOtes\pzqu F&\tten0\itenu1h\zhp c\zhlp h\hu e&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\qu f&\soupir\enotes -% mesure 74 -\barre\NOtes\pzqu H&\tten1\zhl e\zhp{^c}\hup h&\qup h\enotes -\temps\notes\pzqu H&&\sk\bigsh j\cl j\enotes -\temps\notes\pzqu H&\ql g&\dqb kl\enotes -% mesure 75 -\barre\NOtes\pzqu K&\zhp d\zhup{_h}\hl f&\hl m\enotes -\temps\NOtes\pzqu K&&\enotes -\temps\NOtes\pzqu J&\itenu1g\ql g&\itenu0m\ql m\enotes -% mesure 76 -\barre\NOtes\na I\pzqu I&\itenu2g\tten1\zh d\zhl{=b}\hup g&\tten0\ql m\enotes -\temps\notes\pzqu I&&\dqb lk\enotes -\temps\notes\fl I\pzqu I&\itenl0e\zq{_b}\ql e&\bigaccid\dqb{^j}k\enotes -% mesure 77 -\barre\NOtes\pzqu H&\tten0\tten2\zhp{^c}\zhlp e\qu g&\hl{^j}\enotes -\temps\NOtes\pzqu H&\qu h&\enotes -\temps\NOtes\pzqu H&\cfl i\qu i&\soupir\enotes -% mesure 78 -\barre\NOtes\pzqu I&\zhp{_h}\zhp d\hup f&\hlp k\enotes -\temps\NOtes\pzqu I&&\enotes -\temps\NOtes\pzqu H&&\enotes -% mesure 79 -\barre\NOtes\pzqu G&\zhp b\zhup g\itenu0g\hl e&\qlp i\enotes -\temps\notes\pzqu G&&\sk\cl j\enotes -\temps\notes\pzqu I&\ql{^f}&\dqb hi\enotes -% mesure 80 -\barre\NOtes\pzqu H&\tten0\itenl0c\zhp c\zhup g\hl e&\qlp j\enotes -\temps\notes\pzqu H&&\sk\cl k\enotes -\temps\notes\pzqu G&\ql d&\dqb ij\enotes -% mesure 81 -\barre\NOtes\pzqu F&\tten0\zhl e\zhp c\hup h&\hu h\enotes -\temps\NOtes\pzqu F&&\enotes -\temps\NOtes\pzqu F&\ql f&\soupir\enotes -%\check -% mesure 82 -\barre\NOtes\pzqu G&\zql g\zhp d\hup i&\qlp i\enotes -\temps\notes\pzqu G&\ql f&\sk\cl j\enotes -\temps\notes\pzqu I&\ql e&\dqb hi\enotes -%\check -% mesure 83 -\barre\NOtes\pzqu J&\itenl0c\zhp c\zhu g\qsk\ql d&\hu g\enotes -\temps\NOtes\pzqu J&\hl e&\enotes -\temps\NOtes\pzqu J&\qu i&\qu f\enotes -%\check -% mesure 84 -\barre\NOtes\pzqu F&\tten0\pt b\zh c\zhup h\qsk\zql d&\pointdorgue m\hup f\enotes -\temps\NOtes\pzqu F&\ql e&\enotes -\temps\NOtes\pointdurgue F\qu F&\pointdorgue m\zql f&\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex deleted file mode 100644 index d039da83204..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/pacifiqb.tex +++ /dev/null @@ -1,1102 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\musicsize=16\relax -\def\lppage{7}% - % - % -\newdimen\pageheight -\vsize=290mm -\parindent 12mm -% -% sortie de page -% -\pageheight=\vsize\advance\pageheight by 2cm - -\musicsize=16\relax -\def\lppage{7}% -\ifx\gros\undefined\font\gros=\fonthdg\fonthdge bx10 scaled \magstep2\fi - % - % -\voffset-30mm -% -\def\outmorc{\shipout\vbox to \pageheight{\vfil\pagecontents\vfil\line{% -\ifodd\pageno\sl Pacifique (D. Taupin) \rm$\copyright$\hss \number\pageno -\else\rm\number\pageno\hss\sl Pacifique (D. Taupin) \rm$\copyright$\fi}}% -\global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% -% -\output{\outmorc}% -% -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\centerline{\gros Pacifique} -\medskip -\line{Compos\'e en 1972, \sl San Jose (Calif.)\hss Daniel TAUPIN} -\smallskip -\line{\sl r\'ev. mai 1981, janvier 1990\hss\`a Christiane} -\bigskip -%\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{6}{0}{0}{0}}% -\def\noteskipLARGE{\def\scalenoteskip{1.5}}% -\def\noteskipLarge{\def\scalenoteskip{1.2}}% -\def\noteskiplarge{\def\scalenoteskip{1.1}}% -\def\noteskipnormal{\def\scalenoteskip{1.0}}% -% -\generalsignature{-4}\relax % quatre bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\generalmeter{\allabreve} -\normal% \noteskipLarge -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -% octave basse en blanche -\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% -\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% -\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% -\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% -% -% octave sup. en croches u -\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% -\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% -\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% -\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% -\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% -\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% -%\check -\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax - \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% -\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -% octave inf. en croches u -\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% -\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% -\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% -\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% -%\check -\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax - \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% -\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% -%\check -% -\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes} -\def\Arpg#1#2{\vnotes 0.2\elemskip - \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes} -\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes} -\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff - \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes} -% -% soufflets crescendo -% -\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} -\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne -% -\debutmorceau\autolines 95{\lppage}\relax -% -\advance\linesinpage by 1\relax -% -\hyphenpenalty -50\relax -\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes -\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes -\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes -% mesure 2 -\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes -% mesure 3 -\barre\notes\zcharnote{-5}{\Ped\ \it simile}\zh{Mb}\hl d|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -% mesure 4 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 5 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\raise -\internote\rlap{\Uptext{\kern -15mm\it sempre -\ppff mp}}\Ilegl0d\dqh3gh\enotes -% mesure 6 -\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 7 -\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes -\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes -% mesure 8 -\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes -\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes -% mesure 9 -\barre\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 10 -\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes -\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes -% mesure 11 -\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -% mesure 12 -\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 13 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes -% mesure 14 -\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax - |\zq g\qqh0ighi\enotes -\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes -% mesure 15 -\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 16 -\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 17 -\barre\Notes\bohu M|\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0q\dqh3ij\enotes -\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes -% mesure 18 -\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes -\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes -% mesure 19 -\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0p\dqh3gh\enotes -\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes -% mesure 20 -\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes -\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes -% mesure 21 -\barre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes -\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax - |\soupir\uptext{\ppff p}\enotes -\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes -% mesure 22 -\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes -\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes -% mesure 23 -\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes -\temps\notes\Ilegu0d\dqb4bd|\enotes -\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes -% mesure 24 -\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes -% mesure 25 -\barre\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes -\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3Na|\enotes -% mesure 26 -\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax - |\zh{gi_l}\hu n\enotes -\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes -% mesure 27 -\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes -\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes -%\check -% mesure 28 -\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes -\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes -% mesure 29 -\barre\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes -\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes -% mesure 30 -\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes -\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes -%\check -% mesure 31 -\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes -\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes -%\check -%mesure 32 -\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes -% -% mesure 33 -% changement d'espacement -\barre\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes -\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -% mesure 34 -\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes -\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes -% mesure 35 -\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes -\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes -% mesure 36 -\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes -\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes -\temps\arpg K5\relax -\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax - |\qsoqb0hfgh\enotes -%\check -% mesure 37 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes -%\check -% mesure 38 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes -%\check -% mesure 39 -\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes -%\check -% mesure 40 -\barre\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes -\notes\soupir|\Ilegu0t\dsoqb3gh\enotes -%\check -% mesure 41 -\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes -\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes -%check -% mesure 42 -\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes -\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes -%check -% mesure 43 -\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes -\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes -\temps\notes|\Ilegu0t\dsoqb3jk\enotes -%\check -% mesure 44 -\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes -\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes -\temps\notes|\Ilegu0r\dsoqb3gh\enotes -%\check -% mesure 45 -\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes -%check -% mesure 46 -\def\sfql#1{\usf{#1}\ql{#1}}% -\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes -\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\Ilegu0s\dsoqb3fg\enotes -%\check -% mesure 47 -\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes -\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes -%\check -% mesure 48 -\barre\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes -%\check -% mesure 49 -\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes -\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes -%\check -% mesure 50 -\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes -\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes -%\check -% mesure 51 -\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes -\temps\arpg F5\notes\zq{FJM}\ql a\sk|\Tleg0\zq{fhj}\ql m\enotes -\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes -%\check -% mesure 52 -\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes -\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes -%\check -% mesure 53 -\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes -\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes -%\check -% mesure 54 -\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes -\notes\dsoqb3J{=K}|\enotes -\temps\uArpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes -% mesure 55 -\barre\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes -\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes -%\check -%mesure 56 -\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes -\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax -\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes -%\check -% mesure 57 -\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes -\temps\notes\dsoqb3JK|\enotes -\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes -%\check -% mesure 58 -\barre\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\dsoqb3IJ|\enotes -\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes -%\check -% mesure 59 -\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes -\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes -%\check -% mesure 60 -\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes -\temps\notes\dsoqb3GH|\enotes -\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax - |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes -% mesure 61 -%\check -\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes -\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes -%\check -%mesure 62 -\barre\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax - |\zq{moq}\ql t\cbreath\enotes -\temps\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes -%\check -% mesure 63 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes -%\check -% mesure 64 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes -%\check -% mesure 65 -% -\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0q\dqh3gh\enotes -%\check -% mesure 66 -\barre\arpg I5\notes\zh{KMb}\hl d|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes -%\check -% mesure 67 -\barre\Arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes -\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes -\cleftoksi={{6}{6}{0}{0}}% -\changeclefs\nspace -\notes\soupir|\zcharnote A{\ppff f}\Ilegu0g\dqb3MN\enotes -%\check -% mesure 68 -\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax -\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax -\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax - |\qqB0aMNa\enotes -\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes -% mesure 69 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes -%\check -% mesure 70 -\barre\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes -\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes -%\check -% mesure 71 -\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes -\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes -%\check -% mesure 72 -\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes -%\check -% mesure 73 -\barre\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes -\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes -% -% mesure 74 -\barre\arpg {!`D}6\notes\bozh F\hu J|\Tleg0\ql a\sk\enotes -\temps\notes|\Ilegu0d\dqb3Na\enotes -\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes -%\check -% mesure 75 -\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes -\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes -%\check -% mesure 76 -\barre\arpg{-8}6\notes\bozq F\zq H\qu J\relax - |\Tleg0\ql M\enotes -\cleftoksi={{6}{0}{0}{0}}% -\changeclefs -\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes -\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes -% mesure 77 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes -\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes -% mesure 78 -%\check -\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3ij\enotes -\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes -% mesure 79 -\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes -\temps\notes|\dboqh3hi\enotes -\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes -%\check -% mesure 80 -\barre\arpg {`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3gh\enotes -\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes -% mesure 81 -\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes -\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes -%\check -%mesure 82 -\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes -\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes -\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes -% mesure 83 -\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax - |\zq{mp}\qsoqb0kijk\enotes -% \check -% mesure 84 -\barre\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes -\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes -% \check -% mesure 85 -\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% -\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% -\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes -\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes -% mesure 86 -\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes -\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes -% mesure 87 -\barre\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes -\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes -% mesure 88 -\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes -\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes -%\check -% mesure 89 -\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\octfin v{18}\zq{gj}\qsoqh0{=e}{=d}ef\enotes -\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes -%\check -% mesure 90 -\barre\notes\qboqb{-2}gg{=e}{_d}|\zq{=ln}\qsoqb{-2}iig{=e}\enotes -\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\enotes -% mesure 91 -%\check -\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes -\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\boqh d\boqh b\tbu0\boqh N\enotes -%\check -% mesure 92 -\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes -\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes -\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes -\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -%\check -% mesure 93 -\barre\notes\dsoqb0jj\dsoqh0cc|\octline v\ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes -\temps\notes\zmidtwotext{\kern 2\Interligne\it sempre - \ppff \fff}\zq M\cu f|\zq m\cl t\enotes -\znotes|\zbreath\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\temps\notes\dsoupir\boql f|\ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes -% mesure 94 -\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes -%\check -% mesure 95 -\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes -%\check -% mesure 96 -\autolines 95{\lppage}\relax -\barre\notes\boql f\sk\boql f|\octline t\qsoqb0ihgi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes -%\check -% mesure 97 -\barre\notes\boql{=e}\sk\boql e|\qsoqb0gf{=e}g\enotes -\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes -%\check -% mesure 98 -\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes -\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes -%\check -% mesure 99 -\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes -\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes -%\check -% mesure 100 -\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes -\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes -%\check -% mesure 101 -\barre\notes\boql K\sk\boql K|\octfin u{17}\qsoqb0ihgi\enotes -\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes -%\check -% mesure 102 -\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes -\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\cbreath\enotes -% mesure 103 -\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes -\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes -\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes -%\check -% mesure 104 -\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes -\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes -\temps\notes\Ilegu0f\dqb3bc\enotes -%\check -% mesure 105 -\barre\notes\qqB0dcbd|\zh{il}\hl n\enotes -\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes -% mesure 106 -\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes -\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes -\temps\notes\Ilegu0f\dqb3Na|\enotes -%\check -% mesure 107 -\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes -%\check -% mesure 108 -\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes -\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes -\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes -% mesure 109 -%\check -\barre\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax - |\uptext{\it espressivo e delicato}\qqh3abcd\enotes -\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes -% mesure 110 -\barre\notes\zh H\hl L|\Tleg0\qu a\sk\enotes -\temps\notes|\Ilegl0a\dqh3c{=d}\enotes -\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes -%\check -% mesure 111 -\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes -\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes -\temps\notes|\Ilegl0b\dqh3fg\enotes -% mesure 112 -\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes -\temps\notes\zh{IM}\hl b|\rlap{\hl d}\Tleg0\qu f\sk\enotes -\temps\notes|\Ilegl0b\dqh3ij\enotes -% mesure 113 -\barre\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes -\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes -% mesure 114 -\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes -\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes -\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes -% mesure 115 -\barre\Arpg G5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes -\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes -%\check -% mesure 116 -\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes -\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes -\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -%\check -% mesure 117 -\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax - |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax - \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax - \zq{#1}\zq{#2}\qh1{#3}}\enotes}% -%\check -\barre\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm -\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes -% -\advance\linesinpage by 1\relax -% -\motif acf\temps\motif bdg\relax -% mesure 118 -\barre\motif cfh\temps\motif acf\relax -% mesure 119 -\barre\motif bdg\temps\motif cfh\relax -% mesure 120 -\barre\motif dgi\temps\motif bdg\relax -% mesure 121 -\barre\motif cfh\temps\motif dgi\relax -% mesure 122 -\barre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax -% mesure 123 -\barre\motif dfi\temps\motif fhj\relax -% mesure 124 -\barre\motif fik\temps\motif dfi\relax -\generalmeter{\meterfrac 54}\relax\changecontext -\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes -% mesure 125 -%\check -\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes{\advance\transpose by -7\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes -\notes|{\advance\transpose by 7\relax -\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% -%\check -\motif {=e}gjegj\relax -% mesure 126 -\barre\motif fhjfhj\relax -% mesure 127 -\barre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes{\advance\transpose by -7\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes -\notes|{\advance\transpose by 7\relax -\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq g\lq i\qb1j}\enotes -%\check -% mesure 128 -\barre\motif fikfik\relax -% mesure 129 -\barre\motif gi{=l}gil\relax -% mesure 130 -\generalmeter{\allabreve}\changecontext -% -\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax -\sforz x\zh{j=ln}\hu q\enotes -\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes -% mesure 131 -\transpose=0\relax\alaligne -%\autolines 95{\lppage}\relax -\notes\rlap{\bohu F}% -\ifx\mxversion\undefined\Ilegu0g\else\isluru0h\fi\qqh3MNab\relax -|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen tempo I$^{\bf o}$}\enotes -\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes -% mesure 132 -%\check -\Invertslur0\relax -\barre\notes - \bohu L|\qqb0edef\enotes -\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes -% mesure 133 -\barre\Notes\bohu H\ifx\mxversion\undefined\Tleg0\relax - \else\tslur0b\relax - \fi|\hl c\enotes -\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes -\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes -% mesure 134 -%\check -\barre\notes\bohu J|\qqb5{=e}gkj\enotes -\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes -% mesure 135 -\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes -\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes -%\check -% mesure 136 -\barre\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk\tleg0}\qqb{-6}lj{=h}f\enotes -\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes -%\check -% mesure 137 -\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes -\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes -% mesure 138 -%\check -\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes -\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes -%\check -% mesure 139 -\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes -\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes -%\check -% mesure 140 -\barre\autolines {17}4{\lppage}\relax\bigaccid -\ifx\mulooseness\undefined\else\mulooseness=-2\fi -\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip - \hbox{\it e crescendo}}}\soupir|\soupir\enotes -%\check -\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes -%\check -\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk - |\qsk\sk\rlap{\soqb{#1}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#4}}\enotes -}% fin motif -%\check -\temps\motif hfgh\relax -%\check -% mesure 141 -\autolines {18}4{\lppage}\relax -\barre\motif ighi\temps\motif jhij\nspace -% mesure 142 -\barre\motif kjik\temps\motif jihj\nspace -% mesure 143 -\barre\motif ihgi\temps\motif hgfh\nspace -%\check -% mesure 144 -\barre\motif gf{=e}g\temps\motif ffgh\relax -% mesure 145 -\barre\motif ighi\temps\motif jhij\nspace -% mesure 146 -\barre\motif {=k}ijk\temps\motif {=l}jkl\nspace -% mesure 147 -\barre\motif m{_l}{_k}j\temps\motif iijk\nspace -% mesure 148 -\barre\motif lkji\temps\motif hhij\relax -% mesure 149 -\barre\motif kjik\relax -%\check -\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax -\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#8}}\enotes}% fin motif -%\check -\temps\motif j{^j}{=k}{^k}jjjj\nspace -% mesure 150 -\barre\motif {=l}{_l}{=k}{_k}jjjj\relax -\temps\motif jihgjj{=k}{=l}\nspace -% mesure 151 -\barre\Notes\pointdorgue a\zcharnote i{\kern -\elemskip\ppff \fff}\bohl M\relax - |\pointdorgue u\zh{=oq}\sohl m\enotes -%\check -\NOTes\rlap{\pointdurgue F\soupir}\midtwotext{\kern \elemskip\it\vbox{\hsize 2\noteskip -\centerline{a piacere }\centerline{% -quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes -\transpose=-7\relax -% -\ifx\mulooseness\undefined\else\mulooseness=0\fi -\Notes\charnote C{\ppff f}\dqh8FJ\enotes -% -% -% mesure 152 -% -\varaccid -\def\motif{}% -\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% -\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% -\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% -\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% -\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -%\check -\transpose=0\relax -\barre\autolines {25}2{\lppage}\relax -\notes\motifh8FHJMac\enotes -\temps\notes|\motifb8fhjmoq\enotes -%\check -% mesure 153 -\barre\notes|\motifb{-6}t{=s}tqom\enotes -\temps\notes|\na l\motifb{-6}lmjhf{=e}\enotes -\temps\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes -\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\temps\notes\motifh{-4}JHF{=E}FC\enotes -\transpose=-7\relax -\temps\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 154 -\barre -\transpose=-7\relax -\notes\motifh8FIKMbd\enotes -\temps\notes|\motifh8fikmpr\enotes -\transpose=7\relax -\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes -%\check -% mesure 155 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}trpm\enotes -\temps\notes|\na l\motifb{-6}lmkif{=e}\enotes -\temps\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes -\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\temps\notes\motifh{-4}KIF{=E}FD\enotes -\transpose=-7\relax -\temps\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 156 -\transpose=-7\relax -\barre\notes\motifH8FJ{_L}Mc{_e}\enotes -\temps\notes|\motifH8fj{_l}mq{_s}\enotes -\transpose=7\relax -\temps\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes -%\check -% mesure 157 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes -\temps\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes -\temps\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes -\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\temps\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes -\transpose=-7\relax -\temps\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 158 -\def\motif{}% -\def\motifb{}% -\def\motifh{}% -%\normal -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes -\temps\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\temps\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\temps\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes -\temps\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes -%\check -\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% -% mesure 159 -\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax -\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax -\barre -\autolines {27}2{\lppage}\relax -\notes\souffldim|\motifa\enotes -\notes|\motifb\enotes -\transpose=0\relax -\temps\notes|\motifa\enotes -\notes|\motifb\enotes -\transpose=-7\relax -\temps\notes|\motifa\enotes -\notes\motifb\enotes -\transpose=-14\relax -\temps\notes\motifa\enotes -\notes\motifb\enotes -\transpose=-21\relax -\temps\notes\motifa\enotes -\notes\motifb\enotes -%\check -% mesure 160 -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes -\temps\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes -\temps\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes -\notes|\transpose=7\qb0M\tqb0N\enotes -\temps\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes -\temps\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes -% -% mesure 161 -% sixte et quinte inferieures -\transpose=0\relax -\def\motifb{}\def\motifh{}\def\motifH{}% -\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% -\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% -\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\generalmeter{\meterfrac 44}\changecontext -\autolines {25}2{\lppage}\relax -\def\serre{\def\scalenoteskip{0.8}}\serre -\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% -\transpose=0\relax -\temps\notes|\octline r\motif\enotes -\temps\notes\souffldim|\motif\enotes -\temps\notes\hpause|\motif\enotes -\temps\notes|\motif\enotes -% -% -\temps\notes\soupir|\motif\enotes -\temps\notes\zmidtwotext{\ppff p}|\motif\enotes -\temps\notes\Ibu0fg4\bsqh f|\motif\enotes -\notes\tbsqh g|\motif\enotes -% mesure 162 -\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% -\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax - |\Motif onmj\enotes -\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes -% mesure 163 -%\check -\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% -\barre\NOtes\ibu0i0\bsqh j\bsqh h\bsqh i\tbsqh j\relax - |\octline t\Motif qpom\enotes -\autolines {23}2{\lppage}\relax -\temps\notes\Ibu0jh4\bsqh k|\motif rqpm\enotes -\notes\tbsqh i|\motif rqpm\enotes -\temps\notes\Ibu0ig4\bsqh j|\motif qpom\enotes -\notes\tbsqh h|\motif qpom\enotes -%\check -% mesure 164 -\generalmeter{\meterfrac 34}\changecontext -\notes\Ibu0hf4\zq d\qh0i|\motif pon{=l}\enotes -\notes\tbsqh g|\motif ponl\enotes -\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes -%\check -% mesure 165 -\generalmeter{\meterfrac 44}\changecontext -\autolines {26}2{\lppage}\relax -\notes\Ibu0hf4\bsqh i|\octline t\motif ponk\enotes -\notes\tbsqh g|\motif ponk\enotes -\temps\notes\Ibu0ge4\bsqh h|\motif onmj\enotes -\notes\tbsqh f|\motif onmj\enotes -\temps\NOtes\zq a\qu f\sk\ibu0g{-6}\bsqh h\tbsqh f|\Motif onmj\enotes -%\check -% mesure 166 -\barre\serre\notes\ibu0g1\na e\bsqh e\relax|\motif nm{=l}i\enotes -\notes\bsqh g|\motif nmli\enotes -\notes\bsqh f|\motif onmj\enotes -\notes\tbsqh h|\motif onmj\enotes -\temps\notes\ibu0i1\bsqh g|\motif ponk\enotes -\notes\bsqh i|\motif ponk\enotes -\notes\bsqh h|\motif qpo{_l}\enotes -\notes\bigfl e\tbu0\bsqh j|\motif qpol\enotes -%\check -% mesure 167 -\generalmeter{\meterfrac 34}% -\changecontext\autolines {25}2{\lppage}\noautolines\serre -\notes\ibu0j1\bigna h\bsqh h|\octline t\motif qp{=o}m\enotes -\notes\bsqh j|\motif qpom\enotes -\notes\bsqh i|\motif rqpm\enotes -\notes\tbsqh k|\motif rqpm\enotes -\temps\notes\Ibu0jl4\bsqh j|\motif srqm\enotes -\Notes\fl g\tbsqh l|\multnoteskip{.8}\motif srqm\enotes -% -% mesure 168 -\generalmeter{\meterfrac 44}\changecontexte -\Notes\zq f\qu k\sk\Ibu0ik1\bsqh i\tbsqh k|\Motif rqpm\enotes -\temps\Notes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes -% -% mesure 169 -\xbarre\Notes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes -\autolines{11}5{\lppage}\noautolines -\zalaligne\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h|\octline t\Motif onmj\enotes -% mesure 170 -\xbarre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes -\temps\Notes\zq a\qu f\sk\ibu0f0\zq c\bsqh f\zq c\tbsqh f|\Motif onmj\enotes -% mesure 171 -\xbarre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh -f|\na o\Motif onmj\enotes -\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh -f|\Motif p{_o}nk\enotes -%\check -% mesure 172 -\xbarre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh -g|\Motif ponk\enotes -\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh -h|\Motif qpom\enotes -% mesure 173 -\xbarre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax -\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes -\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\enotes - \suspmorceau -\eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% finale % -\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% -% mesure 200 -\linesinpage=0\relax -\barno=200\relax\autolines 95{\lppage}\relax -\generalmeter{\allabreve}\reprmorceau -\savemeters\saveclefs -\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen -a tempo primo, con molta delicatezza}\soupir\enotes -\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes -% mesure 201 -\barre\notes\zh{Mb}\hl d|\qqh0ighi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes -\temps\notes|\Ilegl0d\dqh3ij\enotes -% mesure 202 -\barre\notes\zh{Mb}\hl d|\qqh0kjik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -%\check -% mesure 203 -\barre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -%\check -% mesure 204 -\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 205 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\Ilegu0r\dqh3gh\enotes -% mesure 206 -\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes -\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes -% mesure 207 -\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0t\dqh3jk\enotes -% mesure 208 -\barre\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes -\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes -% mesure 209 -\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax - \ibl0m0\qb0{=o=lm}\tqb0n\enotes -\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes -%\check -% mesure 210 -\barre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes -\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes -\temps\notes|\Ilegu0s\dqb4pr\enotes -% mesure 211 -\barre\notes\zh{ac}\hu f|\qqB0qpoq\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes -% mesure 212 -\generalmeter{\meterfrac 32}\changecontexte -\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes -\temps\notes|\Ilegu0r\dqb3no\enotes -\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes -\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes -%\check -% mesure 213 -\generalmeter{\allabreve}\changecontexte -\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes -\temps\Notes\boqu M|\Tleg0\hl m\enotes -\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes -%\check -% mesure 214 -\alaligne\notes\qqb3abcd|\zh{fh}\hu j\enotes -\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes -%\check -% mesure 215 -\barre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes -\temps\notes\Ilegu0d\dqb3Na\enotes -\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 -\barre\notes\qqB0aNMa|\zh{fh}\hl j\enotes -\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes -% mesure 217 -\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes -\cleftoksi={{6}{6}{0}{0}}\changeclefs -\notes|\Ilegu0j\dqh3Na\enotes -\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes -% mesure 218 -\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes -\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes -\temps\notes|\Ilegu0h\dqh3bc\enotes -%\check -% mesure 219 -\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes -\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes -%\check -% mesure 220 -\barre\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes -\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes -\temps\notes|\Ilegu0h\dqh3Na\enotes -% mesure 221 -\barre\notes\Uptext{\it diminuendo,\ \ ma senza}\bohu D\relax - |\rlap{\hl K}\qqh0baNb\enotes -\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes -% mesure 222 -%\check -\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes -\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes -% mesure 223 -\barre\notes\bohu F|\itenu0f\itenl1M\rlap{\qsk\zqp b\qup d}\bohl f\sk\sk -\itenu2a\itenu3c\zq a\cu c\qsk\enotes -\NOtes\pointdorgue a\bohu F\relax - |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes -\finmorceau \rightline{\sl \aujourdhui} -\eject\bye - - -\bye diff --git a/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex b/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex deleted file mode 100644 index 6edf5faa51c..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/pacifiqn.tex +++ /dev/null @@ -1,1113 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -% -\parindent 12mm -% -\title{Pacifique} -\shortauthor{D. Taupin} -\fullauthor{Daniel TAUPIN\\\`a Christiane} - \othermention{Compos\'e en 1972, \sl San Jose (Calif.)\\r\'ev. mai 1981, -janvier 1990} -\maketitle - -\tracingstats=2\relax -% -\nbporteesi=2\relax -\def\nbinstruments{1} -\global\cleftoksi={{6}{0}{0}{0}}% -\def\noteskipLARGE{\def\scalenoteskip{1.5}}% -\def\noteskipLarge{\def\scalenoteskip{1.2}}% -\def\noteskiplarge{\def\scalenoteskip{1.1}}% -\def\noteskipnormal{\def\scalenoteskip{1.0}}% -% -\signaturegenerale{-4}\relax % quatre bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{Piano} -%\check -\generalmeter{\allabreve} -\normal\noteskipLarge -\def\fff{{f}\kern -1pt{f}\kern -1pt{f}}% -\def\gluemaxskip{6pt}% -% -% formes frequentes -% -%au moins deux croches basses et hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -%au moins quatre croches basses et hautes -\def\qqb#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqB#1#2#3#4#5{\ibl0{#3}{#1}\qb0{#2#3#4}\tbl0\qb0{#5}}% -\def\qqh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -\def\qqH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2#3#4}\tbu0\qh0{#5}}% -% octave basse en blanche -\def\bohl#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hl{#1}}% -\def\bohu#1{{\advance\transpose by-7\relax\zh{#1}\relax}\hu{#1}}% -\def\sohl#1{\zh{#1}{\advance\transpose by 7\relax\hl{#1}}\sk}% -\def\sohu#1{\zh{#1}{\advance\transpose by 7\relax\hu{#1}}\sk}% -% -% octave sup. en croches u -\def\soqh#1{\zq{#1}\rlap{\advance\transpose by 7\qh0{#1}}\sk}% -\def\soqu#1{\zq{#1}\rlap{\advance\transpose by 7\qu{#1}}\sk}% -\def\soqb#1{\zq{#1}\rlap{\advance\transpose by 7\qb0{#1}}\sk}% -\def\soql#1{\zq{#1}\rlap{\advance\transpose by 7\ql{#1}}\sk}% -\def\dsoqh#1#2#3{{\advance\transpose by 7\ibu0{#2}{#1}}\soqh{#2}\tbu0\soqh{#3}}% -\def\dsoqb#1#2#3{\ibl0{#2}{#1}\soqb{#2}\tbl0\soqb{#3}}% -%\check -\def\qsoqh#1#2#3#4#5{{\advance\transpose by 7\relax\ibu0{#2}{#1}}\soqh{#2}\relax - \soqh{#3}\soqh{#4}\tbu0\soqh{#5}}% -\def\qsoqb#1#2#3#4#5{\ibl0{#2}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -\def\qsoqB#1#2#3#4#5{\ibl0{#3}{#1}\soqb{#2}\soqb{#3}\soqb{#4}\tbl0\soqb{#5}}% -%\check -% octave inf. en croches u -\def\boqh#1{{\advance\transpose by -7\relax\zq{#1}}\qh0{#1}}% -\def\boqb#1{{\advance\transpose by -7\relax\zq{#1}}\qb0{#1}}% -\def\dboqh#1#2#3{\ibu0{#2}{#1}\boqh{#2}\tbu0\boqh{#3}}% -\def\dboqb#1#2#3{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\tbl0\boqb{#3}}% -%\check -\def\qboqb#1#2#3#4#5{{\advance\transpose by -7\relax\ibl0{#2}{#1}}\boqb{#2}\relax - \boqb{#3}\boqb{#4}\tbl0\boqb{#5}}% -\def\qboqh#1#2#3#4#5{\ibu0{#2}{#1}\boqh{#2}\boqh{#3}\boqh{#4}\tbu0\boqh{#5}}% -%\check -% -\def\arpg#1#2{\vnotes 0.2\elemskip\arpeggio{#1}{#2}\enotes} -\def\Arpg#1#2{\vnotes 0.2\elemskip - \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes} -\def\uarpg#1#2{\vnotes 0.2\elemskip\nextstaff\arpeggio{#1}{#2}\enotes} -\def\uArpg#1#2{\vnotes 0.2\elemskip\nextstaff - \off{-\internote}\larpeggio{#1}{#2}\off{\internote}\enotes} -% -% soufflets crescendo -% -\def\soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Cresc}}} -\def\Soufflcr{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\CREsc}}} -% -\def\interfacteur{11}% -\computewidths -\staffbotmarg=5\Interligne -% -\debutmorceau -% -\noteskipLarge -\hyphenpenalty -50\relax -\notes|\Uptext{\moyen\kern -20pt Andante \rm(\metron{\qu}{90})}\enotes -\vnotes 0.2\elemskip\uptext{\kern -5mm\ppff p}|\uptext{\ppff mp}\enotes -\zglu\Notes\PED\zh{Ma}\hl c|\soupir\enotes -\zglu\notes\sk\DEP|\Ilegl0d\dqh3fg\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0hfgh\enotes -% mesure 2 -\barre\notes\PED\zh{Mb}\hl d\sl\sk\DEP|\qqh0ighi\enotes -\temps\notes\PED\zh{Ma}\hl c\sk\sk\DEP|\qqh0jhij\enotes -% mesure 3 -\barre\notes\PED\zh{Mb}\hl d\sk\zcharnote{-5}{\it simile}|\Tleg0\qu k\sk\Ilegl0d\dqh4ik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -% mesure 4 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 5 -\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\raise -\internote\rlap{\Uptext{\it sempre \ppff mp}}\Ilegl0d\dqh3gh\enotes -% mesure 6 -\barre\notes\zh{LN}\hl b|\qqh0ighi\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 7 -\barre\notes\zh{N=b}\hl d|\qqh0{=k}{=i}jk\enotes -\temps\notes\zh{Nc}\hl{=e}|\qqh0{=l}jkl\enotes -% mesure 8 -\barre\notes\zh{Mc}\hl f|\qqh{-3}m{_l}{_k}j\enotes -\temps\notes\zh{M_b}\hl d|\qqh0k{_i}jk\enotes -% mesure 9 -\alaligne\notes\zh{LN}\hl b|\qqh{-3}lkji\enotes -\temps\notes\zh{ac}\hl e|\qqh0jhij\enotes -% mesure 10 -\barre\notes\zh{ad}\hl f|\qqh{-3}kjih\enotes -\temps\notes\lh b\zh c\hl{=e}|\qqh0ighi\enotes -% mesure 11 -\barre\notes\zh{Nb}\hl{=e}|\qqh{-3}jihg\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -% mesure 12 -\barre\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 13 -\alaligne\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes\rmidtwotext{\kern -3mm\it un poco}|\Ilegu0r\dqh3gh\enotes -% mesure 14 -\barre\notes\bohl e\rmidtwotext{\it pi\`u forte}\relax - |\zq g\qqh0ighi\enotes -\temps\notes\bohl a|\rlap{\hl e}\zq h\qqh0jhij\enotes -% mesure 15 -\barre\notes\bohu M|\rlap{\hl f}\zq h\qqh0kijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 16 -\barre\notes\bohu a|\rlap{\hl e}\zq h\qqh0jijk\enotes -\temps\notes\bohu L|\rlap{\hl g}\zq i\qqh{-3}lkji\enotes -% mesure 17 -\alaligne\Notes\bohu M|\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0q\dqh3ij\enotes -\temps\notes\bohu K|\rlap{\hl f}\zq h\qqh{-3}kjih\enotes -% mesure 18 -\barre\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh3ghik\enotes -\temps\notes\bohu{=L}|\rlap{\hl e}\zq g\qqh{-3}jihg\enotes -% mesure 19 -\barre\Notes\bohu M|\rlap{\ql f}\zq f\tleg0\qu h\enotes -\temps\notes|\Ilegu0p\dqh3gh\enotes -\temps\notes\bohu K|\rlap{\hl d}\zq f\qqh0ihgi\enotes -% mesure 20 -\barre\notes\bohu J|\rlap{\hl c}\zq f\qqh0hgfh\enotes -\temps\notes\bohu J|\rlap{\hl c}\zq{=e}\qqh0gfeg\enotes -% mesure 21 -\xbarre\Notes\zq F\ql M|\zq{ac}\tleg0\qu f\enotes -\zalapage\notes\rlap{\zcharnote{-5}{\ppff mf}}\Ilegu0d\dqb3MN\relax - |\soupir\uptext{\ppff p}\enotes -\temps\notes\qqB0aMNa|\zh{fh}\hu j\enotes -% mesure 22 -\barre\notes\qqB0bNab|\zh{gi}\hu{=l}\enotes -\temps\notes\qqB0cabc|\zh{hj}\hu m\enotes -% mesure 23 -\barre\notes\Tleg0\ql d\sk|\zh{hk}\hu m\enotes -\temps\notes\Ilegu0d\dqb4bd|\enotes -\temps\notes\qqB0cbac|\zh{hj}\hu{_l}\enotes -% mesure 24 -\barre\notes\qqB0baNb|\zh i\rh j\hu{=l}\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hu m\enotes -% mesure 25 -\alaligne\notes\qqB0NM{=L}N|\zh{gj=l}\hl n\enotes -\temps\notes\Tleg0\ql M\zmidtwotext{\it crescendo}\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3Na|\enotes -% mesure 26 -\barre\notes\zmidtwotext{\it\ poco\ \ a\ \ poco}\qqB0bNab\relax - |\zh{gi_l}\hu n\enotes -\temps\notes\qqB0cabc|\zh{fhj}\hu m\enotes -% mesure 27 -\barre\notes\qqB0{=d}bcd|\zh{fi=k}\hu m\enotes -\temps\notes\qqB0{=e}cde|\zh{gj}\rh i\hu{=l}\enotes -%\check -% mesure 28 -\barre\notes\qqb{-3}f{_e}{_d}c|\zh{f=hj}\hu m\enotes -\temps\notes\qqb{1}bcde|\zh{gil}\hu n\enotes -% mesure 29 -\alaligne\notes\qqb0cbcd|\zh{_hjm}\hl o\enotes -\temps\notes\qqb0cbab|\zh{fhj}\hl m\enotes -% mesure 30 -\barre\notes\qqb{-3}cbaN|\zh{gj=l}\hl n\enotes -\temps\notes\qqb3MNac|\zh{hjm}\hl o\enotes -%\check -% mesure 31 -\barre\notes\qqb{-3}baNM|\zh{i_ln}\hl p\enotes -\temps\notes\qqb3LMNb|\zh{gil}\hu n\enotes -%\check -%mesure 32 -\barre\notes\Tleg0\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -\temps\notes\qqb0dcde|\zh{iln}\hl p\enotes -% -% mesure 33 -% changement d'espacement -\def\interfacteur{12}% -\alaligne\noteskipLARGE\nspace\notes\qqb{-3}cbaN|\zh{j=ln}\hl q\enotes -\temps\notes\Tleg0\ql a\sk|\zh{hjm}\hl o\enotes -\temps\notes\Ilegl0F\dqb3bc|\enotes -% mesure 34 -\barre\notes\qqb{-3}dcba|\zh{ikm}\hl p\enotes -\temps\notes\qqb3Nabc|\zh{j=ln}\hl q\enotes -% mesure 35 -\barre\notes\qqb0dcde|\zh{kmp}\hl r\enotes -\temps\notes\soufflcr\qqb{-3}cbaN|\zh{=lnq}\hl{=s}\enotes -% mesure 36 -\barre\nspace\notes\zmidtwotext{\ppff f}\tleg0\ql M|\zq{m_oq}\ql t\cbreath\enotes -\zalapage\noteskipLarge\notes\zmidtwotext{\ppff mf}\soupir|\Ilegu0s\dsoqb3fg\enotes -\temps\arpg K5\relax -\notes \zh{Mac}\hl f\uptext{\vbox{\offinterlineskip\hbox{\it arpeggi}\vskip 1mm\hbox{\it nervosi}}}\relax - |\qsoqb0hfgh\enotes -%\check -% mesure 37 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0ighi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jhij\enotes -%\check -% mesure 38 -\barre\arpg K5\notes\zh{Mbd}\hl f|\qsoqb0kjik\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0jihj\enotes -%\check -% mesure 39 -\barre\Arpg J5\notes\zh{=LNc}\lh b\hl{=e}|\qsoqb0ihgi\enotes -\temps\arpg K5\notes\zh{Mac}\hl f|\qsoqb0hgfh\enotes -%\check -% mesure 40 -\alaligne\Arpg J5\notes\zh{JNc}\lh b\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg F6\notes\zq{FJMa}\ql c|\Tleg0\zq f\ql m\sk\enotes -\notes\soupir|\Ilegu0t\dsoqb3gh\enotes -%\check -% mesure 41 -\barre\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb0ighi\enotes -\temps\arpg a4\notes\zh{ace}\hl h|\qsoqb0jhij\enotes -%check -% mesure 42 -\barre\Arpg K5\notes\zh{Mb=d}\hl f|\qsoqb0{=k}ijk\enotes -\temps\Arpg J5\notes\zh{JNc}\hl{=e}|\qsoqb0{=l}jkl\enotes -%check -% mesure 43 -\barre\Arpg K5\notes\zh{Mcf}\hl{=h}|\qsoqb{-3}m{_l}{_k}j\enotes -\temps\Arpg I5\notes\zh{IMb}\hl{_d}\sk|\Tleg0\zq i\ql p\enotes -\temps\notes|\Ilegu0t\dsoqb3jk\enotes -%\check -% mesure 44 -\advancebottom{\Interligne}\relax -\alaligne\Arpg L5\notes\zh{Lb_e}\hl g|\qsoqb{-3}lkji\enotes -\temps\arpg K5\notes\zh{Mac}\hl f\sk|\Tleg0\zq h\ql o\enotes -\temps\notes|\Ilegu0r\dsoqb3gh\enotes -%\check -% mesure 45 -\barre\arpg I5\notes\zh{IMb}\hl d|\qsoqb0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qsoqb0hgfh\enotes -%check -% mesure 46 -\def\sfql#1{\usf{#1}\ql{#1}}% -\barre\Arpg J5\notes\soufflcr\zh{JNc}\hl{=e}|\qsoqb0gf{=e}g\enotes -\temps\arpg E5\notes\zq{FJM}\sfql a\sk|\Tleg0\zq f\sfql m\enotes -\temps\notes\zmidtwotext{\ppff f}\dsoqb{-3}F{=E}|\relax - \ifx\mxversion\undefined\Ilegu0s\relax - \else\Ilegu0q\relax - \fi - \dsoqb3fg\enotes -%\check -% mesure 47 -\barre\notes\zq F\ql M\sk\dsoqb3{_E}F|\zq{jm}\qsoqb0hfgh\enotes -\temps\notes\qsoqb0GEFG|\zq{_ln}\qsoqb0ighi\enotes -%\check -% mesure 48 -\alaligne\noteskipLARGE\notes\zq H\ql a\sk\dsoqb{-3}FE|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zq D\ql K\sk\dsoqb3EF|\zq{mp}\qsoqb0kijk\enotes -%\check -% mesure 49 -\barre\notes\zq G\ql N\sk\zq E\ql L|\zq{np}\qsoqb{-3}lkji\enotes -\temps\notes\qsoqb0HGHI|\zq{mo}\qsoqb0jijk\enotes -%\check -% mesure 50 -\barre\notes\zq J\ql c\sk\zq J\ql c|\zq{=ln}\qsoqb{-3}jihg\enotes -\temps\notes\qboqb{-3}fe{=d}{_d}|\zq{jm}\qsoqb0hghi\enotes -%\check -% mesure 51 -\alaligne\notes\zq J\ql c\sk\zq J\ql c|\zq{jm}\qsoqb{-3}hgf{=e}\enotes -\temps\arpg F5\notes\zq{FJM}\ql a\sk|\relax - \ifx\mxversion\undefined\Tleg0\relax - \else\tslur0o\relax - \fi - \zq{fhj}\ql m\enotes -\temps\notes\Ilegl0F\zmidtwotext{\it meno}\dqb3MN|\soupir\enotes -%\check -% mesure 52 -\barre\nspace\uarpg h4\notes\zmidtwotext{\it\ \ forte}\qqb0aNab|\zh{hjm}\hl o\enotes -\temps\uArpg h5\notes\qqb0cbcd|\zh{j_lo}\hl q\enotes -%\check -% mesure 53 -\barre\nspace\uarpg l4\notes\qqb0edef|\zh{lnp}\hl s\enotes -\temps\uarpg l4\notes\qqb{-3}edcb|\zh{lnp}\hl s\enotes -%\check -% mesure 54 -\barre\nspace\uarpg h5\notes\tleg0\ql a\sk|\zh{jlo}\hl q\enotes -\advancebottom{-\Interligne}\relax \def\interfacteur{10}% -\zalapage\noteskipLarge\notes\dsoqb3J{=K}|\enotes -\temps\uarpg h5\notes\qsoqb0{=L}KLM|\zh{j=ln}\hl q\enotes -% mesure 55 -\barre\noteskipLarge\nspace\uArpg h5\notes\qboqb0gfg{=h}|\zh{j=ln}\hl q\enotes -\temps\uArpg i4\notes\qboqb{-3}gf{=e}d|\zh{=ikn}\hl{=p}\enotes -%\check -%mesure 56 -\barre\nspace\uArpg h5\notes\zq J\ql c\sk\dboqb3{=d}{=e}|\zh{j=ln}\hl q\enotes -\temps\notes\zcharnote j{\kern -2\noteskip\it senza arpeggiare}\relax -\qboqb{-3}f{_e}{_d}c|\zq{m=oq}\ql t\sk\zq{moq}\ql t\enotes -%\check -% mesure 57 -\barre\notes\zmidtwotext{\ppff f}\zq I\ql b\sk|\zh{ikm}\hl p\enotes -\temps\notes\dsoqb3JK|\enotes -\temps\notes\Soufflcr\qsoqb{-3}LKJI|\zq{_lnp}\ql s\sk\zq{lnp}\ql s\enotes -%\check -% mesure 58 -\alaligne\notes\zq H\ql a\sk|\zh{hjl}\hl o\enotes -\temps\notes\dsoqb3IJ|\enotes -\temps\notes\qsoqb0KJIK|\zq{ikm}\ql p\sk\zq{ikm}\ql p\enotes -%\check -% mesure 59 -\barre\notes\qsoqb0JIHJ|\zh{hjm}\hl o\enotes -\temps\notes\qsoqb0IHGI|\zq{i=ln}\ql p\sk\zq{i=ln}\ql p\sk\enotes -%\check -% mesure 60 -\barre\notes\soufflcr\zq H\ql a|\zh{jmo}\hl q\enotes -\temps\notes\dsoqb3GH|\enotes -\temps\notes\rlap{\sk\sk\zmidtwotext{\ppff ff}}\qsoqb0IHGI\relax - |\zq{kmp}\ql r\sk\zq{kmp}\ql r\sk\enotes -% mesure 61 -%\check -\barre\notes\qsoqb0HGFH|\zq{jmo}\ql q\sk\zq{jmo}\ql q\sk\enotes -\temps\notes\qsoqb0GF{=E}G|\zq{j=ln}\ql q\sk\zq{jln}\ql q\sk\enotes -%\check -%mesure 62 -\def\interfacteur{9}% -\alaligne\arpg F6\notes\zmidtwotext{\ppff \fff}\zq{FJMa}\ql c\relax - |\zq{moq}\ql t\cbreath\enotes -\temps\noteskipLarge\notes\zmidtwotext{\ppff mp \it subito}\soupir|\Ilegu0r\dqh3fg\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hfgh\enotes -%\check -% mesure 63 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0ighi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jhij\enotes -%\check -% mesure 64 -\barre\arpg I4\notes\zh{IKM}\hl b|\qqh0kjik\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0jihj\enotes -%\check -% mesure 65 -% -\barre\Arpg H5\notes\zh{JN}\lh b\hl c|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0q\dqh3gh\enotes -%\check -% mesure 66 -\alaligne\arpg I4\notes\zh{KMb}\hl d|\qqh0ihgi\enotes -\temps\arpg H5\notes\zh{JMa}\hl c|\qqh0hgfh\enotes -%\check -% mesure 67 -\barre\arpg H5\notes\zh{J=LN}\hl c|\qqh0gf{=e}g\enotes -\temps\arpg M3\notes\zq{Ma}\ql c|\Tleg0\qu f\enotes -\cleftoksi={{6}{6}{0}{0}}% -\changeclefs\nspace -\notes\soupir|\zcharnote A{\ppff f}\ifx\mxversion\undefined\Ilegu0g\else - \Ilegu0d\fi - \dqb3MN\enotes -%\check -% mesure 68 -\def\bozh#1{{\advance\transpose by -7\zh{#1}}\zh{#1}}\relax -\def\bozq#1{{\advance\transpose by -7\zq{#1}}\zq{#1}}\relax -\barre\arpg{!`F}6\notes\uptext{\ppff f \it e nervoso}\bozh F\hu J\relax - |\qqB0aMNa\enotes -\temps\arpg{!`E}6\notes\bozh E\hu I|\qqB0bNab\enotes -% mesure 69 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qqB0cabc\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqB0{=d}bcd\enotes -%\check -% mesure 70 -\alaligne\noteskipLARGE\Arpg A7\notes\bozh J\hu N|\qqB0{=e}c{=d}e\enotes -\temps\arpg {!`E}8\notes\bozh F\zh{=H}\hu M|\qqb{-3}f{_e}{_d}c\enotes -%\check -% mesure 71 -\barre\arpg B6\notes\bozh I\hu M|\qqb3bcdf\enotes -\temps\arpg A8\notes\bozh E\zh I\hu N|\qqb{-3}edcb\enotes -%\check -% mesure 72 -\barre\arpg A6\notes\bozh H\hu L|\qqb3abce\enotes -\temps\arpg B6\notes\bozh I\hu M|\qqb{-3}dcba\enotes -%\check -% mesure 73 -\alaligne\noteskipLARGE\arpg B5\notes\bozh J\hu{=L}|\qqb3Nabd\enotes -\temps\arpg B6\notes\bozh J\hu N|\qqb{-3}cbaN\enotes -% -% mesure 74 -\barre\arpg {!`D}6\notes\bozh F\hu J|\ifx\mxversion\undefined\Tleg0\relax - \else\tslur0b\fi - \ql a\sk\enotes -\temps\notes|\Ilegu0d\dqb3Na\enotes -\temps\arpg B5\notes\bozh I\hu K|\qqB0baNb\enotes -%\check -% mesure 75 -\barre\arpg C5\notes\bozh J\hu M|\qqB0aNMa\enotes -\temps\Arpg C5\notes\bozh J\hu {=L}\zmidtwotext{\ppff mf}|\qqB0NM{=L}N\enotes -%\check -% mesure 76 -\barre\noteskipLarge\arpg{-8}6\notes\bozq F\zq H\qu J\relax - |\Tleg0\ql M\enotes -\cleftoksi={{6}{0}{0}{0}}% -\changeclefs\def\interfacteur{11}% -\advancebottom{\Interligne}\relax -\zalapage\nspace\notes\zmidtwotext{\it pi\`u dolce}\soupir|\Ilegu0r\dboqh3gh\enotes -\temps\arpg D5\notes\bozh L\hu N|\qboqh0ighi\enotes -% mesure 77 -%\check -\barre\arpg A6\notes\bozh H\hu L|\qboqh0jijk\enotes -\temps\arpg E5\notes\bozh L\hu N|\qboqh{-3}lkji\enotes -% mesure 78 -%\check -\barre\arpg F4\notes\zh{FJ}\hu M|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3ij\enotes -\temps\arpg {!`G}7\notes\bozh I\hu M|\qboqh{-3}kjih\enotes -% mesure 79 -\barre\Arpg C5\Notes\bozh J\hu{=L}|\zq N\qu g\enotes -\temps\notes|\dboqh3hi\enotes -\temps\arpg C6\notes\bozh J\hu N|\qboqh{-3}jihg\enotes -%\check -% mesure 80 -\alaligne\arpg {!`F}6\notes\bozh F\hu J|\zq a\qu h\sk\enotes -\temps\notes|\dboqh3gh\enotes -\temps\arpg B5\notes\bozh I\hu K|\qboqh0ihgi\enotes -% mesure 81 -\barre\arpg B6\notes\bozh J\hu M|\qboqh0hgfh\enotes -\temps\Arpg B5\notes\bozh J\hu{=L}|\qboqh0gfeg\enotes -%\check -%mesure 82 -\barre\arpg {!`F}6\notes\bozq F\qu J\zmidtwotext{\ppff f}|\Tleg0\zq{Ma}\qu f\sk\enotes -\temps\notes\dboqh3LM\zmidtwotext{\it sempre}|\dsoqb3gh\enotes -\temps\notes\qboqb0NLMN|\zq{ln}\qsoqh0ighi\enotes -% mesure 83 -\barre\notes\zmidtwotext{\it crescendo}\qboqb0aMNa|\zq{lo}\qsoqb0jhij\enotes -\temps\notes\zmidtwotext{\it\kern 1.5\noteskip e}\qboqb0bNab\relax - |\zq{mp}\qsoqb0kijk\enotes -% \check -% mesure 84 -\alaligne\noteskipLARGE\notes\zmidtwotext{\it\ \ pi\`u}\qboqb{-3}cbaN|\zq{nq}\qsoqb{-3}lkji\enotes -\temps\notes\zmidtwotext{\it animato}\zh F\hl M|\zq{jm}\qsoqb2hijl\enotes -% \check -% mesure 85 -\def\boql#1{{\advance\transpose by -7\relax\zq{#1}}\ql{#1}}% -\def\boqu#1{{\advance\transpose by -7\relax\zq{#1}}\qu{#1}}% -\barre\notes\boql b\sk\boql b|\zq{mp}\qsoqb{-3}kjih\enotes -\temps\notes\bohu L|\zq{jl}\qsoqb2ghik\enotes -% mesure 86 -\barre\notes\boql a\sk\boql a|\zq{mo}\qsoqb{-3}jihg\enotes -\temps\notes\bohu K|\zq{ik}\qsoqb2fghj\enotes -% mesure 87 -\alaligne\nspace\notes\boql N\sk\boql N|\zq{=ln}\qsoqh{-3}ihgf\enotes -\temps\notes\bohu J|\zq{gi}\qsoqh2{=e}fgi\enotes -% mesure 88 -\barre\notes\qboqh0M{=L}MN|\zq{jm}\qsoqb0hghi\enotes -\temps\notes\qboqb0aNab|\zq{mo}\qsoqb0jij{=k}\enotes -%\check -% mesure 89 -\barre\notes\zmidtwotext{\ppff \fff}\qboqb0c{=b}c{=d}|\relax - \ifx\mxversion\undefined\octsup v9\relax - \else \ioctfinup v\relax - \fi \zq{gj}\qsoqh0{=e}{=d}ef\enotes -\temps\notes\qboqb0{=e}def|\zq{j=l}\qsoqh0gfgh\enotes -%\check -% mesure 90 -\alaligne\noteskipLarge\notes\qboqb{-2}gg{=e}{_d}|\relax - \ifx\mxversion\undefined\octfin v9\fi - \zq{=ln}\qsoqb{-2}iig{=e}\enotes -\temps\notes\qboqb{-2}cbN{=L}|\qsoqh{-2}{_d}dbN\relax - \ifx\mxversion\undefined\else\toctfin\fi - \enotes -% mesure 91 -%\check -\barre\notes\qboqh{-2}JIG{=E}|\qsoqh{-2}ddbN\enotes -\temps\notes\rlap{\qboqb0CGEC}\ibu0d{-2}\boqh d\qsk\boqh d\boqh b\tbu0\boqh N\enotes -%\check -% mesure 92 -\barre\notes\rlap{\qsk\ibu0A0\boqh C\tbu0\boqh C}\ibu0K0\boqh K\qsk\rq K\tbu0\qh0J|\enotes -\temps\notes\rlap{\qsk\dsoqb0CC}\ibu0d0\boqh d\qsk\rq d\tbu0\qh0c|\enotes -\temps\notes\dsoqb0JJ|\ibu0k0\boqh k\rq k\tbu0\qh0j\enotes -\temps\notes|\rlap{\qsk\dsoqb0cc}\ibu0q0\soqh k\qsk\rq r\tbu0\qh0q\enotes -\cleftoksi={{0}{0}{0}{0}}\zchangeclefs -%\check -% mesure 93 -\barre\noteskipLarge\def\scalenoteskip{1.05}\relax -\notes\dsoqb0jj\dsoqh0cc|\ifx\mxversion\undefined\octsup v6\else\ioctfinup t\fi - \ibl0l0\soqb k\lq q\soqb k\zq p\soqb k\lq p\tbl0\soqb j\enotes -\temps\notes\zq M\cu f|\zq m\cl t\zbreath\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\staffbotmarg=3\Interligne\def\interfacteur{11}% -\zalapage\notes\midtwotext{\kern -6mm\it sempre - \ppff \fff}\enotes -\temps\notes\dsoupir\boql f|\ifx\mxversion\undefined\octline v\fi - \ibl0f1\soqb f\soqb g\tbl0\soqb h\enotes -% mesure 94 -\barre\notes\zmidtwotext{\it ed accelerando}\boql f\sk\boql f|\qsoqb0ighi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jhij\enotes -%\check -% mesure 95 -\barre\notes\boql f\sk\boql f|\qsoqb0kjik\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0jihj\enotes -%\check -% mesure 96 -\barre\notes\boql f\sk\boql f|\qsoqb0ihgi\enotes -\temps\notes\boql f\sk\boql f|\qsoqb0hgfh\enotes -%\check -% mesure 97 -\alaligne\noteskipLarge -\notes\boql{=e}\sk\boql e|\ifx\mxversion\undefined\octline t\fi - \qsoqb0gf{=e}g\enotes -\temps\notes\boql f\sk\boql f|\qsoqb3ffgh\enotes -%\check -% mesure 98 -\barre\notes\boql d\sk\boql d|\qsoqb0ighi\enotes -\temps\notes\boql c\sk\boql c|\qsoqb0jhij\enotes -%\check -% mesure 99 -\barre\notes\boql b\sk\boql b|\qsoqb0kjik\enotes -\temps\notes\boql a\sk\boql a|\qsoqb0jihj\enotes -%\check -% mesure 100 -\barre\notes\boql N\sk\boql N|\qsoqb0ihgi\enotes -\temps\notes\boql M\sk\boql M|\soql h\sk\dsoqb3gh\enotes -%\check -% mesure 101 -\alaligne\notes\boql K\sk\boql K|\ifx\mxversion\undefined\octfin u{17}\fi - \qsoqb0ihgi\enotes -\temps\notes\boql J\sk\boql J|\qsoqb0hgfh\enotes -%\check -% mesure 102 -\barre\notes\boql J\sk\boql J|\qsoqb0gf{=e}g\enotes -\temps\NOtes\pointdorgue d\bohu K|\pointdorgue o\zh{hk}\bohl m\relax - \ifx\mxversion\undefined\else\toctfin\fi \enotes -% mesure 103 -\barre\notes\zmidtwotext{\ppff mp \it dolce}\soupir|\Uptext{\moyen A tempo}\enotes -\temps\notes\Ilegl0F\dqb3Na|\hpause\enotes -\temps\notes\qqb2bcdf|\zh{fi}\hu k\enotes -%\check -% mesure 104 -\barre\notes\qqb{-3}edcb|\zh{gi}\lh k\hl l\enotes -\temps\notes\tleg0\ql c\sk|\zh{hj}\hl l\enotes -\temps\notes\Ilegu0f\dqb3bc\enotes -%\check -% mesure 105 -\alaligne\notes\qqB0dcbd|\zh{il}\hl n\enotes -\temps\notes\qqB0cbac|\zh{hj}\hl m\enotes -% mesure 106 -\barre\notes\qqB0baNb|\lh i\zh j\hl{=l}\enotes -\temps\notes\tleg0\ql a\sk|\zh{hj}\hl m\enotes -\temps\notes\Ilegu0f\dqb3Na|\enotes -%\check -% mesure 107 -\barre\notes\qqB0baNb|\zh{gik}\hl m\enotes -\temps\notes\qqB0aNMa|\zh{hj}\hl m\enotes -%\check -% mesure 108 -\barre\notes\qqB0NM{=L}N|\zh{gj}\lh i\hl{=l}\enotes -\temps\notes\Tleg0\ql M\sk|\zq{hj}\ql m\enotes -\temps\notes\soupir|\Ilegl0M\dqh3MN\enotes -% mesure 109 -\advancebottom{-2\Interligne}% -%\check -\alaligne\notes\uptext{\it senza arpeggiare}\zh{FJ}\hl M\relax - |\uptext{\it espressivo e delicato}\qqh3abcd\enotes -\temps\notes\rlap{\zh{EI}\hl L}\zh N|\qqh{-3}edcb\enotes -% mesure 110 -\barre\notes\zh H\hl L|\ifx\mxversion\undefined\Tleg0\else\tslur0a\fi - \qu a\sk\enotes -\temps\notes|\Ilegl0a\dqh3c{=d}\enotes -\temps\notes\zh{JN}\hl c|\qqh4{=e}fgh\enotes -%\check -% mesure 111 -\barre\notes\zh{JN}\hl b|\qqh{-6}ig{_d}c\enotes -\temps\notes\zh{FJ}\hl M|\Tleg0\qu c\sk\enotes -\temps\notes|\Ilegl0b\dqh3fg\enotes -% mesure 112 -\barre\notes\zh F\hl L|\rlap{\hl c}\qqh0{=h}ijh\enotes -\temps\notes\zh{IM}\hl b|\rlap{\hl d}\tleg0\qu f\sk\enotes -\temps\notes|\Ilegl0b\dqh3ij\enotes -% mesure 113 -\alaligne\notes\zh{IM}\hl b|\rlap{\hl d}\qqh{-6}kigf\enotes -\temps\notes\zh{JN}\hl c|\qqH6{=e}gkj\enotes -% mesure 114 -\barre\notes\zh{FJ}\hu M|\ibu0j{-6}\qh0{j=h}\tbu0\tleg0\qh0f\enotes -\temps\notes\zmidtwotext{\it crescendo}|\Ilegu0s\cl{_n}\enotes -\Arpg F5\notes\zh{FJ}\hu{=a}|\qqB0mljl\enotes -% mesure 115 -\barre\arpg I5\notes\zh{IM}\hl d|\qqh{-5}lkif\enotes -\temps\notes\Soufflcr\zh{JN}\hl c|\rlap{\sk\sk\sk\tleg0}\qqH6{=e}gkj\enotes -%\check -% mesure 116 -\barre\notes\zmidtwotext{\ppff ff}\zq{J=L}\ql N|\dsoqh{-3}dc\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\nspace\notes\zq{c=e}\qu g|\dsoqb{-3}kj\enotes -\temps\notes\zq{j=l}\ql n|\dsoqb{-3}rq\enotes -\temps\notes\zq{ce}\qu g|\dsoqb{-3}kj\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs %\check -% mesure 117 -\def\motif#1#2#3{\notes\ibu0F4\boqh F\relax - |\sk{\advance\transpose by 3\relax\ibu1{#3}6}\zq{#1}\zq{#2}\qh1{#3}\relax - \tbl0\zq{#1}\zq{#2}\qb0{#3}\tbu1{\advance\transpose by 7\relax - \zq{#1}\zq{#2}\qh1{#3}}\enotes}% -%\check -\staffbotmarg=5\Interligne -\alapage\vnotes 0.2\elemskip\zmidtwotext{\ppff f}|\zcharnote v{\kern -10mm -\moyen pi\`u vivo \rm(\metron{\qu}{110})}\enotes -\motif acf\temps\motif bdg\relax -% mesure 118 -\barre\motif cfh\temps\motif acf\relax -% mesure 119 -\barre\motif bdg\temps\motif cfh\relax -% mesure 120 -\barre\motif dgi\temps\motif bdg\relax -% mesure 121 -\alaligne\motif cfh\temps\motif dgi\relax -% mesure 122 -\xbarre\znotes\Soufflcr\enotes\motif {cf}hj\temps\motif cfh\relax -% mesure 123 -\xbarre\motif dfi\temps\motif fhj\relax -% mesure 124 -\xbarre\motif fik\temps\motif dfi\relax -\generalmeter{\meterfrac 54}\relax\lchangecontext -\znotes\zmidtwotext{\kern -5mm\ppff ff}\enotes -% mesure 125 -%\check -\def\motif#1#2#3#4#5#6{\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes{\advance\transpose by -7\relax -\zq{#1}\zq{#2}\qh1{#3}\zq{#4}\zq{#5}\qh0{#6}}\enotes -\notes|\zq{#1}\zq{#2}\qb1{#3}\zq{#4}\zq{#5}\qb0{#6}\enotes -\notes|{\advance\transpose by 7\relax -\zq{#1}\zq{#2}\qb1{#3}\tbl0\zq{#4}\zq{#5}\qb0{#6}}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq{#1}\zq{#2}\qb1{#3}}\enotes}% -%\check -\noteskipLarge\relax -\motif {=e}gjegj\relax -% mesure 126 -\xbarre\motif fhjfhj\relax -% mesure 127 -\xbarre\notes\ibu0a0\boqh C\ibu1e0{\advance\transpose by -14\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes{\advance\transpose by -7\relax -\zq g\rq i\qh1j\zq g\rq i\qh0j}\enotes -\notes|\zq g\lq i\qb1j\zq g\lq i\qb0j\enotes -\notes|{\advance\transpose by 7\relax -\zq g\lq i\qb1j\tbl0\zq g\lq i\qb0j}\enotes -\notes|{\advance\transpose by 14\relax -\tbl1\zq g\lq i\qb1j}\enotes -%\check -% mesure 128 -\alaligne\motif fikfik\relax -% mesure 129 -\xbarre\motif gi{=l}gil\relax -% mesure 130 -\generalmeter{\allabreve}\changecontext -\noteskipnormal\NOtes|\octfin z1\rlap{\sforz I\zh{ce}\hl g}\relax -\sforz x\zh{j=ln}\hu q\enotes -\temps\NOtes\pointdorgue c\hpause|\pointdorgue o\hpause\enotes -% mesure 131 -\noteskipLarge\transpose=0\relax\barre -\notes\rlap{\bohu F}\ifx\mxversion\undefined\Ilegu0g\else\Ilegu0e\fi - \qqh3MNab|\zcharnote{-4}{\it dolce ed espressivo}\Uptext{\kern -3mm\moyen - tempo I$^{\bf o}$}\enotes -\temps\notes\qqb0cbcd|\zh{hj}\hu m\uptext{\it m.s.}\enotes -% mesure 132 -\ifx\mxversion\undefined - \def\atnextline{\Invertslur0\relax\liftslur0{-2\Interligne}}% -\else - \def\atnextline{\Invertslur0\relax}% -\fi -%\show\Invertslur -%\show\liftslur -\alaligne\notes\bohu L|\qqb0edef\enotes -\temps\notes|\rlap{\zh{il}\hu n}\qqb{-3}edcb\enotes -% mesure 133 -\barre\Notes\ifx\mxversion\undefined\Tleg0\else\tslur0L\fi - \bohu H|\hl c\enotes -\temps\notes|\raise -5\Interligne\rlap{\soupir}\zh{lo}\hl q\enotes -\temps\notes|\Ilegl0K\ibl0c1\qb0{=b}\tqb0c\enotes -% mesure 134 -%\check -\barre\notes\bohu J|\qqb5{=e}gkj\enotes -\temps\notes|\rlap{\zh n\rh p\hu q}\qqB{-6}igdc\enotes -% mesure 135 -\barre\notes\bohl M|\ibl0e0\qb0{=h=ef}\tqb0g\enotes -\temps\notes|\rlap{\zh{m=o}\hu q}\qqb3hijk\enotes -%\check -% mesure 136 -\alapage\noteskipLarge\Arpg D6\notes\zh{FJM}\hl{=a}|\rlap{\sk\sk\sk - \ifx\mxversion\undefined\tleg0\else\tslur0a\fi}\qqb{-6}lj{=h}f\enotes -\temps\arpg G6\notes\zh{IMb}\hl d|\qqb{-6}ki{_h}g\enotes -%\check -% mesure 137 -\barre\arpg I5\notes\zh{KMb}\hl d|\qqb{-6}ki{_h}g\enotes -\temps\Arpg H5\notes\zmidtwotext{\it crescendo}\zh{JN}\lh b\hl c|\qqh{-6}{=l}kig\enotes -% mesure 138 -%\check -\barre\Arpg H6\notes\zh{=Lb=e}\hl g\zmidtwotext{\it molto}|\qqh{-6}n{=l}ki\enotes -\temps\Arpg b{9}\notes\zh c|\rlap{\zh {=eg}\hl j}\qqh{-6}pnlk\enotes -%\check -% mesure 139 -\barre\Arpg H5\notes\zh{=LN}\bohl c|\qqb{-8}rpnj\enotes -\temps\notes\zmidtwotext{\ppff f}\boql c\sk\boql c|\qsoqb{-8}rpnj\enotes -%\check -% mesure 140 -\alaligne\noteskiplarge\bigaccid -\notes\zmidtwotext{\vbox{\hbox{\ppff ff \it con fuoco}\smallskip - \hbox{\it e crescendo}}}\soupir|\soupir\enotes -%\check -\noteskipnormal\def\scalenoteskip{0.75}\relax -\notes\ibbl0F3\soqb F\qs\tbl0\soqb G\qs|\qs\ibbu0m3\soqh f\qs\tbu0\soqh g\enotes -%\check -\def\motif#1#2#3#4{\notes\ibbu0b0{\advance\transpose by -7\relax\boqh{#1}}\sk - |\qsk\sk\rlap{\soqb{#1}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#2}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#3}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#4}}\enotes -}% fin motif -%\check -\temps\motif hfgh\relax -%\check -% mesure 141 -\xbarre\motif ighi\temps\motif jhij\relax -% mesure 142 -\xbarre\motif kjik\temps\motif jihj\relax -% mesure 143 -\def\scalenoteskip{0.7}\alaligne\motif ihgi\temps\motif hgfh\relax -%\check -% mesure 144 -\xbarre\motif gf{=e}g\temps\motif ffgh\relax -% mesure 145 -\xbarre\motif ighi\temps\motif jhij\relax -% mesure 146 -\alaligne\motif {=k}ijk\temps\motif {=l}jkl\relax -% mesure 147 -\xbarre\motif m{_l}{_k}j\temps\motif iijk\relax -% mesure 148 -\xbarre\motif lkji\temps\motif hhij\relax -% mesure 149 -\alaligne\motif kjik\relax -%\check -\def\motif#1#2#3#4#5#6#7#8{\notes\ibbu0b0{\advance\transpose by -7\relax -\boqh{#1}}\sk|\qsk\sk\rlap{\soqb{#5}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#2}}\sk|\rlap{\qsk\sk\soqb{#6}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#3}}\sk|\rlap{\qsk\sk\soqb{#7}}\enotes -\notes{\advance\transpose by -7\relax\boqh{#4}}\sk\qsk|\rlap{\qsk\sk -\tbl0\soqb{#8}}\enotes}% fin motif -%\check -\temps\motif j{^j}{=k}{^k}jjjj\relax -% mesure 150 -\xbarre\motif {=l}{_l}{=k}{_k}jjjj\relax -\temps\motif jihgjj{=k}{=l}\relax -% mesure 151 -\noteskipLarge\varaccid -\xbarre\Notes\pointdorgue a\zcharnote i{\ppff \fff}\bohl M\relax - |\pointdorgue u\zh{=oq}\sohl m\enotes -%\check -\NOtes\rlap{\pointdurgue F\soupir}\midtwotext{\it\vbox{\hsize 2\noteskip -\centerline{a piacere -}\centerline{% -quasi una}\centerline{cadenza}}}|\pointdorgue m\hpause\enotes -\transpose=-7\relax -% -\staffbotmarg=3\Interligne -\Notes\charnote C{\ppff f}\dqh8FJ\enotes -% -% -% mesure 152 -% -\def\motif{}% -\def\motifb#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\usf{#2}\qb0{#2}\tbbl0\qb0{#3}% -\nbbl0\qb0{#4}\tbbl0\qb0{#5}\nbbl0\qb0{#6}\tqb0{#7}}% -\def\motifh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}% -\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -\def\motifH#1#2#3#4#5#6#7{{\advance\transpose by 3\ibbu0{#2}{#1}}% -\lsf{#2}\qh0{#2}\tbbu0\qh0{#3}\nbbu0\qh0{#4}\tbbu0\qh0{#5}\nbbu0\qh0{#6}\tqh0{#7}}% -%\check -\noteskipnormal\def\scalenoteskip{1.11}\hyphenpenalty -20\relax -\transpose=0\relax -\alapage\notes\motifh8FHJMac\enotes -\temps\notes|\motifb8fhjmoq\enotes -%\check -% mesure 153 -\barre\notes|\motifb{-6}t{=s}tqom\enotes -\zbarre\notes|\na l\motifb{-6}lmjhf{=e}\enotes -\zbarre\notes|\usf f\ibbl0d0\qb0f\tbbl0\qb0c\enotes -\notes\nbbu0\qh0a\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}JHF{=E}FC\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-6}\qh0H\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 154 -\alaligne -\transpose=-7\relax -\notes\motifh8FIKMbd\enotes -\zbarre\notes|\motifh8fikmpr\enotes -\transpose=7\relax -\notes|\usf f\ibbl0f4\qb0{fi}\tqb0k\enotes -%\check -% mesure 155 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}trpm\enotes -\zbarre\notes|\na l\motifb{-6}lmkif{=e}\enotes -\zbarre\notes|\usf f\ibbl0e0\qb0f\tbbl0\qb0d\enotes -\notes\nbbu0\qh0b\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zbarre\notes\motifh{-4}KIF{=E}FD\enotes -\transpose=-7\relax -\zalaligne\notes\ibbu0I{-6}\qh0I\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 156 -\transpose=-7\relax -\barre\notes\motifH8FJ{_L}Mc{_e}\enotes -\zbarre\notes|\motifH8fj{_l}mq{_s}\enotes -\transpose=7\relax -\zbarre\notes|\sforz h\ibbl0g4\qb0{fj}\tqb0{_l}\enotes -%\check -% mesure 157 -\transpose=0\relax -\barre\notes|\motifb{-6}t{=s}t{_s}qm\enotes -\zbarre\notes|\na l\motifb{-6}lm{_l}jf{=e}\enotes -\zbarre\notes|\sforz h\ibbl0e0\qb0f\tbbl0\qb0{_e}\enotes -\notes\nbbu0\qh0c\tbbu0\qh0M\nbbu0\qh0{=L}\tqh0M\enotes -\zalaligne\notes\motifh{-6}{_L}JF{=E}F{_E}\enotes -\transpose=-7\relax -\zbarre\notes\ibbu0I{-4}\qh0J\lsf F\qh0F\lsf F\qh0F\lsf F\tqh0F\enotes -%\check -% mesure 158 -\def\motif{}% -\def\motifb{}% -\def\motifh{}% -\noteskipnormal -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FIK}\tqh0M\enotes -\zbarre\notes\transpose=0\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=7\relax\ibbu0I8\qh0{IK}\tqh0M\enotes -\zbarre\notes|\transpose=0\relax\lsf i\ibbu0i8\qh0{ik}\tqh0m\enotes -\zbarre\notes|\transpose=7\relax\lsf g\ibbu0g8\qh0{gik}\tqh0m\enotes -%\check -\def\souffldim{\zmidtwotext{\kern -1cm\raise 5pt\hbox{\Dimin}}}% -% mesure 159 -\transpose=7\relax\def\motifa{\sforz u\ibbu0m0\qh0{nm}\tqh0n}\relax -\def\motifb{\ibbl0k{-8}\qb0{ki}\tqb0f}\relax -\barre\notes\souffldim|\motifa\enotes -\notes|\motifb\enotes -\transpose=0\relax -\zbarre\notes|\motifa\enotes -\notes|\motifb\enotes -\transpose=-7\relax -\zbarre\notes|\motifa\enotes -\notes\motifb\enotes -\transpose=-14\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -\transpose=-21\relax -\zbarre\notes\motifa\enotes -\notes\motifb\enotes -%\check -% mesure 160 -\barre\notes\transpose=-7\relax\ibbu0H8\qh0{FJM}\tqh0N\enotes -\zbarre\notes\transpose=0\relax\ibbu0H8\qh0{HJM}\tqh0N\enotes -\zbarre\notes\transpose=7\relax\ibbu0J0\qh0{HJ}\enotes -\notes|\transpose=7\qb0M\tqb0N\enotes -\zbarre\notes|\transpose=0\relax\ibbu0h8\qh0{hjm}\tqh0n\enotes -\zbarre\notes|\transpose=7\relax\ibbl0h8\qb0{hjm}\tqb0n\enotes -% -% mesure 161 -% sixte et quinte inferieures -\transpose=0\relax -\def\motifb{}\def\motifh{}\def\motifH{}% -\def\bsqh#1{{\advance\transpose by -5\relax\zq{#1}}\qh0{#1}}% -\def\bqqh#1{{\advance\transpose by -4\relax\zq{#1}}\qh0{#1}}% -\def\tbsqh{\tbu0\bsqh}\def\tbqqh{\tbu0\bqqh}% -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\generalmeter{\meterfrac 44}\changecontext\staffbotmarg=5\Interligne -\def\serre{\def\scalenoteskip{0.8}}\serre -\def\motif{\ibbbl2n{-6}\qb2{onm}\tqb2j}% -\transpose=0\relax -\def\atnextline{\serre}\relax -\ifx\mxversion\undefined - \def\everystaff{\znotes\nextstaff\octline t\enotes}\relax -\fi -\zalapage -\ifx\mxversion\undefined\else - \znotes|\ioctfinup t\enotes -\fi -\notes|\motif\enotes -\zbarre\notes\souffldim|\motif\enotes -\zbarre\notes\hpause|\motif\enotes -\zbarre\notes|\motif\enotes -% -% -\temps\notes\soupir|\motif\enotes -\zbarre\notes\zmidtwotext{\ppff p}|\motif\enotes -\zbarre\notes\ibu0f1\bsqh f|\motif\enotes -\notes\tbsqh g|\motif\enotes -% mesure 162 -\def\Motif#1#2#3#4{\Ibbbl2{#1}{#4}3\hb2{#1#2#3}\tbl2\hb2{#4}}% -\barre\NOtes\ibu0g0\bsqh h\bsqh f\bsqh g\tbsqh h\relax - |\Motif onmj\enotes -\temps\NOtes\ibu0h0\bsqh i\bsqh g\bsqh h\tbsqh i|\Motif ponk\enotes -% mesure 163 -%\check -\def\motif#1#2#3#4{\Ibbbl1{#1}{#4}3\qb1{#1#2#3}\tbl1\qb1{#4}}% -\barre\NOtes\ibu0g0\bsqh j\bsqh h\bsqh i\tbsqh j\relax - |\Motif qpom\enotes -\temps\notes\ibu0j{-6}\bsqh k|\motif rqpm\enotes -\notes\tbsqh i|\motif rqpm\enotes -\zbarre\notes\ibu0i{-6}\bsqh j|\motif qpom\enotes -\notes\tbsqh h|\motif qpom\enotes -%\check -% mesure 164 -\generalmeter{\meterfrac 34}\changecontext -\notes\ibu0h{-4}\zq d\qh0i|\motif pon{=l}\enotes -\notes\tbsqh g|\motif ponl\enotes -\temps\NOtes\zh b\zh{=e}\hu g|\Motif ponl\enotes -%\check -% mesure 165 -\generalmeter{\meterfrac 44}\changecontext\serre -\Notes\Ibu0hg3\bsqh i|\motif ponk\enotes -\Notes\tbsqh g|\motif ponk\enotes -\zbarre\Notes\Ibu0ge3\bsqh h|\motif onmj\enotes -\Notes\tbsqh f|\motif onmj\enotes -\zbarre\NOtes\zq a\qu f\sk\Ibu0gf1\bsqh h\tbsqh f|\Motif onmj\enotes -%\check -% mesure 166 -\barre\serre\notes\ibu0g1\bigna e\bsqh e\relax|\motif nm{=l}i\enotes -\notes\bsqh g|\motif nmli\enotes -\notes\bsqh f|\motif onmj\enotes -\notes\tbsqh h|\motif onmj\enotes -\notes\ibu0i1\bsqh g|\motif ponk\enotes -\notes\bsqh i|\motif ponk\enotes -\notes\bsqh h|\motif qpol\enotes -\notes\tbu0\bsqh j|\motif qpol\enotes -%\check -% mesure 167 -\generalmeter{\meterfrac 34}% -\changecontext\notes\ibu0j1\bigna h\bsqh h\relax -|\motif qp{=o}m\enotes -\notes\bsqh j|\motif qpom\enotes -\notes\bsqh i|\motif rqpm\enotes -\notes\tbsqh k|\motif rqpm\enotes -\notes\ibu0j1\bsqh j|\motif srqm\enotes -\notes\bigfl g\tbsqh l|\motif srqm\enotes -% -% mesure 168 -\generalmeter{\meterfrac 44}\changecontexte -\NOtes\zq f\qu k\sk\ibu0i2\bsqh i\tbsqh k|\Motif rqpm\enotes -\zbarre\NOtes\ibu0i0\bsqh j\bsqh i\fl h\bsqh h\tbsqh j|\Motif qpom\enotes -% -% mesure 169 -\barre\NOtes\ibu0h0\bsqh i\bsqh h\bsqh g\tbsqh i|\Motif ponk\enotes -\zbarre\Notes\ibu0g0\bsqh h\bsqh g\bsqh f\tbsqh h| -\Motif onmj\enotes -% mesure 170 -\barre\Notes\ibu0f0\bsqh g\bsqh f\na e\bsqh e\tbsqh g|\Motif nm{=l}i\enotes -\temps\Notes\zh a\hu f|\Motif onmj\enotes -%\check -% mesure 171 -\barre\Notes\ibu0f0\na a\zq c\bsqh f\zq c\bsqh f\zq c\bsqh f\zq c\tbsqh -f|\na o\Motif onmj\enotes -\temps\Notes\ibu0f0\zq d\bqqh f\zq d\bqqh f\zq d\bqqh f\zq d\tbqqh -f|\Motif p{_o}nk\enotes -%\check -% mesure 172 -\barre\Notes\ibu0g0\zq d\bsqh g\zq d\bsqh g\zq d\bsqh g\zq d\tbsqh -g|\Motif ponk\enotes -\temps\Notes\ibu0h0\zq f\bsqh h\zq f\bsqh h\zq f\bsqh h\zq f\tbsqh -h|\Motif qpom\enotes -% mesure 173 -\barre\Notes\ibu0g0\zmidtwotext{\it smorz.}\relax -\zq{c=e}\qh0i\zq{ce}\qh0i\zq{ce}\qh0i\zq{ce}\tqh0i|\Motif pon{=l}\enotes -\nspace\NOtes\pointdorgue l\hpause|\pointdorgue l\hpause\toctfin\enotes -\suspmorceau\def\everystaff{}\relax -\eject -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% finale % -\transpose=0\relax\cleftoksi={{6}{0}{0}{0}}% - \eject\staffbotmarg=3\Interligne\relax -\def\interfacteur{11}% -\def\scalenoteskip{1.0}% -% mesure 200 -\barno=200\relax -\generalmeter{\allabreve}\reprmorceau -\savemeters\noteskipLarge\saveclefs -\notes\zmidtwotext{\ppff p}|\Uptext{\kern -7mm\moyen -a tempo primo, con molta delicatezza}\soupir\enotes -\temps\notes\hpause|\Ilegl0d\dqh3fg\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hfgh\enotes -% mesure 201 -\xbarre\notes\zh{Mb}\hl d|\qqh0ighi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu j\sk\enotes -\temps\notes|\Ilegl0d\dqh3ij\enotes -% mesure 202 -\xbarre\notes\zh{Mb}\hl d|\qqh0kjik\enotes -\temps\notes\zh{Ma}\hl c|\qqh0jihj\enotes -%\check -% mesure 203 -\xbarre\notes\zh M\lh N\hl b|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu h\enotes -\temps\notes|\Ilegl0d\dqh3gh\enotes -%\check -% mesure 204 -\alaligne\notes\zh{Mb}\hl d|\qqh0ihgi\enotes -\temps\notes\zh{Ma}\hl c|\qqh0hgfh\enotes -% mesure 205 -\barre\notes\zh{Mb}\lh N\hl d|\qqh0gf{=e}g\enotes -\temps\notes\zh{Ma}\hl c|\Tleg0\qu f\sk\enotes -\temps\notes|\Ilegu0r\dqh3gh\enotes -% mesure 206 -\barre\notes\zh{LN}\hl b|\rlap{\hl e}\qqh0ighi\enotes -\temps\notes\zh{La}\hl c|\rlap{\hl e}\qqh0jijk\enotes -% mesure 207 -\barre\notes\zh b\bohl e|\rlap{\hl g}\qqh{-3}lkji\enotes -\cleftoksi={{0}{0}{0}{0}}\changeclefs -\temps\notes\zh{ac}\hl e|\Tleg0\qu h\sk\enotes -\temps\notes|\Ilegu0t\dqh3jk\enotes -% mesure 208 -\alaligne\notes\zh{Nc}\hu{=e}|\na l\qqb3lmno\enotes -\temps\notes\zh{ce}\hu i|\qqb{-6}pnkj\enotes -% mesure 209 -\barre\nspace\notes\zh{cf}\hu{=h}|\Uptext{\it sempre \ppff p}\relax - \ibl0m0\qb0{=o=lm}\tqb0n\enotes -\temps\notes\zh{c_e}\hu h|\qqb3opqr\enotes -%\check -% mesure 210 -\xbarre\notes\zh{=ac}\hu{_g}|\qqb{-7}sq{=o}m\enotes -\temps\notes\zh{bd}\hu f|\Tleg0\ql r\enotes -\temps\notes|\Ilegu0s\dqb4pr\enotes -% mesure 211 -\xbarre\notes\zh{ac}\hu f|\qqB0qpoq\enotes -\cleftoksi={{6}{0}{0}{0}}\changeclefs -\temps\notes\zh{Nb}\hl{=e}|\qqB0ponp\enotes -% mesure 212 -\generalmeter{\meterfrac 32}\changecontexte -\Notes\zh{Ma}\hl c|\Tleg0\ql o\enotes -\temps\notes|\Ilegu0r\dqb3no\enotes -\temps\notes\zh{KM}\hl b|\qqB0ponp\enotes -\temps\notes\zh{JM}\hl a|\qqB0onmo\enotes -%\check -% mesure 213 -\generalmeter{\allabreve}\changecontexte -\notes\zh{J=L}\hl N|\qqB0nm{=l}n\enotes -\temps\Notes\boqu M|\Tleg0\hl m\enotes -\temps\notes\zmidtwotext{\kern -1.5\noteskip\ppff pp}\Ilegu0e\dqb3MN\enotes -%\check -% mesure 214 -\xbarre\notes\qqb3abcd|\zh{fh}\hu j\enotes -\temps\notes\qqb{-3}cbaN|\zh{=eg}\hu j\enotes -%\check -% mesure 215 -\xbarre\Notes\tleg0\ql a|\zh{fh}\hu j\enotes -\temps\notes\Ilegu0d\dqb3Na\enotes -\temps\notes\qqb0baNb|\zh{fi}\hu k\enotes% mesure 216 -\alaligne\notes\qqB0aNMa|\zh{fh}\hl j\enotes -\temps\notes\qqB0NM{=L}N|\zh{=eg}\hu j\enotes -% mesure 217 -\barre\notes\Tleg0\hl M|\zh{fh}\hu j\enotes -\cleftoksi={{6}{6}{0}{0}}\changeclefs -\notes|\Ilegl0E\dqh3Na\enotes -\temps\notes\bohu K|\rlap{\hl M}\qqh5bcdf\enotes -% mesure 218 -\barre\notes\bohu L|\rlap{\hl N}\qqh{-3}edcb\enotes -\temps\Notes\bohu H|\Tleg0\rlap{\ql a}\qu c\enotes -\temps\notes|\Ilegl0E\dqh3bc\enotes -%\check -% mesure 219 -\barre\notes\bohu I|\rlap{\hl M}\qqh0dcbd\enotes -\temps\notes\bohu J|\rlap{\hl M}\qqh0cbac\enotes -%\check -% mesure 220 -\alaligne\notes\bohu J|\rlap{\hl{=L}}\qqh0baNb\enotes -\temps\notes\bohu F\sk|\Tleg0\rlap{\ql J}\qu a\enotes -\temps\notes|\Ilegl0F\dqh3Na\enotes -% mesure 221 -\barre\notes\Uptext{\it diminuendo,\ \ \ ma senza}\bohu D\relax - |\rlap{\hl K}\qqh0baNb\enotes -\temps\notes\bohu C|\rlap{\hl J}\qqh0aNMa\enotes -% mesure 222 -%\check -\barre\notes\Uptext{\it rallentare}\bohu C|\rlap{\hl J}\qqh0NMLN\enotes -\temps\NOtes\bohu F|\Tleg0\rlap{\hl J}\hu M\enotes -% mesure 223 -\barre\notes\bohu F|\itenu0f\itenl1M\roff{\zqp b\zqup d}\bohl f\sk\sk -\itenu2a\itenu3c\zq a\cu c\qsk\enotes -\NOtes\pointdorgue a\bohu F\relax - |\pointdurgue F\tten0\tten1\tten2\tten3\zh{ac}\bohl f\enotes -\finmorceau \rightline{\sl \aujourdhui} -\eject -\bye -\endinput diff --git a/Master/texmf-dist/doc/generic/musictex/praetori.tex b/Master/texmf-dist/doc/generic/musictex/praetori.tex deleted file mode 100644 index 91b8dc1d1f2..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/praetori.tex +++ /dev/null @@ -1,18 +0,0 @@ - -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{0}% -\def\Signature{3}\relax % trois diezes a la clef -\input praetorx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-1}\relax -\def\Signature{1}\relax % un dieze a la clef -\input praetorx -\resetfacteurs\advance\staffbotmarg by 2\Interligne -\barsinline=0\relax\linesinpage=0\relax -\def\Transpose{-2}\relax -\def\Signature{-1}\relax % un bemol a la clef -\input praetorx -\bye - diff --git a/Master/texmf-dist/doc/generic/musictex/praetorx.tex b/Master/texmf-dist/doc/generic/musictex/praetorx.tex deleted file mode 100644 index 86df23daf8e..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/praetorx.tex +++ /dev/null @@ -1,162 +0,0 @@ -\fulltitle{Dans une \'etable obscure} -\shorttitle{Dans une \'etable obscure} - \fullauthor{Praetorius 1571(env.) -- 1621\\Version fran\c caise d'A. -Mahot\\Transposition Daniel Taupin} - \othermention{Paroisse de Gif-sur-Yvette\\Transposition \`a usage -priv\'e} - \shortauthor{Praetorius} - \maketitle - % -\tracingstats=1\relax -\relativeaccidentals -\sepbarrules -% -\parindent 15mm -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{3}\resetsignatures -\barsinline=0\relax\linesinpage=0\relax -\global\nbporteesii=0 -\global\nbporteesi=1\relax -\global\nbporteesiii=1\relax -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\def\lowersonginstrum{1} % to be used to make heavy bars at staff left -\def\uppersonginstrum{3} % to be used to make heavy bars at staff left -% -\signaturegenerale{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{12}% -\def\instrumenti{\vbox{\hsize=\parindent -\centerline{T\'enors}\centerline{basses}}}% -\def\instrumentiii{\vbox{\hsize=\parindent -\centerline{Sopran.}\centerline{Altos}}}% -%\check -\def\instrumentii{}% -\def\respire{\notes&&\cbreath\enotes}% -% -\def\eightpoint{\Tenpoint}% -%\check -\catcode`\@=13 -\catcodesmusic -\def@#1|#2|#3&{&\vbox to 0pt{\vss -\parindent 0pt\parskip 0pt\hsize=1.5\Interligne -\centerline{\vphantom{\'EQ}#1}\centerline{\vphantom{\'EQ}#2}\relax -\centerline{\vphantom{\'EQ}#3}\vskip -2\Interligne\vss}&}% -% -\debutmorceau -\autolines 754\relax -\transpose=\Transpose -\notes&&\Uptext{\raise 2\Interligne\hbox{\moyen Lent}}\enotes - % -\znotes\zcharnote C{\ppff pp}&&\Uptext{\kern -2\Interligne - \ppff pp \it et myst\'erieux}\enotes -\temps\NOtes\zhl a\hu c@Dans|Tan -|Plein&\zhl h\hu l\enotes -%\advance\barsinline by 1\relax -% -\barre\Notes\zql a\qu c@une|dis|d'u -&\zql h\qu l\enotes -\temps\Notes\zql a\qu c@\'e -|que|ne&\zql h\qu l\enotes -\temps\Notes\Soufflcr C\zql K\qu d@table|les|foi&\Soufflcr t\zql h\qu m\enotes -\temps\Notes\zql a\qu c@obs -|Rois|pro -&\zql h\qu l\enotes -% -%\check -\barre\Notes\zhl L\hu b@cu -|ma -|fon -&\zhl g\hu l\enotes -\temps\notes\souffldim C&&\souffldim t\enotes -\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes -% -%\check -\barre\NOtes\zcharnote C{\ppff ppp}\zhl I\hu f@Sous|Tan --|Le&\Uptext{\ppff ppp}\zhl i\hu k\enotes -\temps\Notes\zql J\qu e@le|dis|monde&\zql f\qu j\enotes -\temps\Notes\zql K\qu d@ciel|que|est&\zql f\qu i\enotes -% -%\check -\barre\NOtes\zhl L\hu c@\'e -|les|\`a&\zhl e\hu h\enotes -\temps\NOtes\zhl L\hu b@toi -|ber -|ge -&\zhl e\hu g\enotes -% -%\check -\barre\NOtes\pointdurgue C\zhl H\hu c@l\'e !|gers|noux !&\pointdorgue m\zhl e\hu h\enotes -\temps\NOtes\zhl a\hu c@Et|Lui|Toi&\zhl h\hu l\enotes -% -\barre\Notes\zql a\qu c@d'u -|por|sou -&\zql h\qu l\enotes -\temps\Notes\zql a\qu c@ne|tent|ve -&\zql h\qu l\enotes -\temps\Notes\Soufflcr C\zql K\qu d@Vier -|leurs|rain&\Soufflcr t\zql h\qu m\enotes -\temps\Notes\zql a\qu c@ge|hom -|du&\zql h\qu l\enotes -% -%\check -\barre\Notes\zhl L\hu b@pu -|ma -|mon -&\zhl g\hu l\enotes -\temps\notes\souffldim C&&\souffldim t\enotes -\temps\NOtes\zhl M\hu a@re,|ges,|de,&\zhl h\hu j\enotes -% -%\check -\barre\NOtes\zcharnote C{\ppff p}\zhl I\hu f@Un|Por --|\'E -&\Uptext{\ppff p}\zhl i\hu k\enotes -\temps\Notes\zql J\qu e@doux|tons -|tends&\zql f\qu j\enotes -\temps\Notes\zql K\qu d@Sau -|Lui|les&\zql f\qu i\enotes -% -%\check -\barre\NOtes\zhl L\hu c@veur|nos|mains&\zhl e\hu h\enotes -\temps\NOtes\zhl L\hu b@est|bai -|sur&\zhl e\hu g\enotes -% -%\check -% \autolines 654 -\barre\NOTes\pointdurgue C\zhl H\hu c@n\'e.|sers !|nous !&\pointdorgue m\zhl e\hu h\enotes -\Changecontext -\temps\Notes\zcharnote C{\ppff mf}\soupir&&\uptext{\ppff mf}\soupir\enotes -\temps\notes\zcl H\cu a@Le|Le|\^O&\zcl e\cu j\enotes% -\temps\notes\zcl H\cu a@Sei -|Sei -|J\'e&\zcl e\cu j\enotes% -% -%\check -\barre\Notes\itenl0I\itenu1c\zql I\qu M@gneur|gneur|sus--- - &\itenl3d\itenu4i\zql{^d}\qu i\enotes -\Notes\Souffldim C\tten0\tten1\zql J\qu c&&\relax - \tten3\tten4\Souffldim t\zql e\qu g\enotes -\temps\Notes\zql M\qu c@J\'e -|J\'e -|tout&\zql f\qu h\enotes -\temps\Notes\zql I\qu a@sus|sus|pe -&\zql d\qu f\enotes -% -%\check -\barre\NOTes\rlap{\hlp L}\hup N@Christ|Christ|tit !&\relax -\rlap{\hlp e}\hup e\enotes -\temps\Notes\zcharnote C{\ppff f}\zql a\qu c\relax - @Est|Sau -|Le&\Uptext{\ppff f}\zql h\qu l\enotes -% -%\check -%\autolines 754 -\barre\Notes\zql N\qu d@n\'e|ra|monde&\zql i\qu l\enotes -\temps\Notes\zql a\qu c@dans|bien|en -&\zql h\qu l\enotes -\temps\Notes\zql K\qu d@u -|nous|tier&\zql h\qu m\enotes -\temps\Notes\zql a\qu c@ne|sou -|T'ac -&\zql h\qu l\enotes -% -%\check -\barre\Notes\zhl L\hu b@cr\`e -|ri -|cla -&\zhl g\hu l\enotes -\temps\notes\souffldim C&&\souffldim t\enotes -\temps\NOtes\zhl M\hu a@che,|re,|me,&\zhl h\hu j\enotes -% -%\check -\barre\NOtes\zcharnote C{\ppff pp}\zhl I\hu f@Quand|En|Dans&\Uptext{\ppff - pp}\zhl i\hu k\enotes -\temps\Notes\zql J\qu e@a|cette|l'a -&\zql f\qu j\enotes -\temps\Notes\zql K\qu d@son -|heu -|do -&\zql f\qu i\enotes -% -%\check -\barre\NOtes\zhl L\hu c@n\'e|reu -|ra -&\zhl e\hu h\enotes -\temps\Notes\itenu0d\zh E\zhl L\qu b\tten0\qu d@mi -|se|ble&\zhl e\hu g\enotes -% -%\check -\barre\temps\NOtes\pointdurgue C\zh L\zhl H\hu c@nuit.|nuit.|nuit.&\relax - \pointdorgue m\zhl e\hu h\enotes -\temps -\finmorceau -\medskip\rightline{\it le \aujourdhui} -\absoluteaccidentals -\vfil\eject - -\endinput diff --git a/Master/texmf-dist/doc/generic/musictex/prelude.tex b/Master/texmf-dist/doc/generic/musictex/prelude.tex deleted file mode 100644 index 2f07abcc0f0..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/prelude.tex +++ /dev/null @@ -1,704 +0,0 @@ -\title{Pr\'elude et fugue} -\fulltitle{\enorme VI. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\csname titremorceautoc\endcsname -\maketitle - -\parindent 18mm -% -\bigskip -\centerline{\moyen PR\'ELUDE}\medskip -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{6}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % sol mineur -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -\def\Pince{\pince{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{G.O.}% -%\check -\def\gluemaxskip{7pt}% -\medskip\noindent{\rm G.O.: Plein jeu, fonds 16' {\sl ad libitum.}}% -\par\noindent{\rm P\'ed.: fonds et anches 16', tirasse G.O.}% -\smallskip -% -\quatretemps% -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\doubler{\multiply\noteskip by 2\relax}% -\debutmorceau -% calcul de \elemskip en fonction de la largeur de page pour eviter les glues -% -\autolines {17}35\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqbbh{\dqbbu}\def\dqbbb{\dqbbl}% -% -% quatre doubles croches -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5#6{\ibbu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbbL#1#2#3#4#5#6{\ibbl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% quatre croches -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5#6{\ibu0{#2}{#1}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\qqbL#1#2#3#4#5#6{\ibl0{#2}{#1}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}\relax -%\check -% -% mesure 1 -\smallnotesize\bigaccid -\notes&\zmidtwotext{\ppff ff\hskip 8mm}\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 2 -\barre\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 3 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\Notes\hpause&|\cl n\qsoupir\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps -\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 4 -\autolines {16}35\relax -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 5 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 6 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps -\NOtes\pointdorgue 7\qup D&\tten1\pointdorgue{10}\zqp{K^Ma}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{^fh}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 7 -\barre\autolines 775\relax -\smallnotesize\bigaccid -\notes&\qqbbH8FD{^F}HJ\enotes -\temps\notes\sk\sk\sk\pause&\qqbbH0KLKLJ\enotes -\zbarre\notes&\qqbbl3K{^M}N{_b}\enotes -\temps\notes&\qqbbL3aabcd\enotes -% mesure 8 -\barre\notes&|\qqbbH3dec{^f}g\enotes -\temps\notes\sk\sk\pause&|\qqbbl2hijk\enotes -\zbarre\notes&|\qqbbL{-2}jlj{=i}j\enotes -\temps\notes&|\qqbbl2{^m}non\enotes -% mesure 9 -\barre\notes\soupir&|\qqbbl{-3}{^m}lkj\enotes -\normalnotesize -\temps\NOtes\qu G&\zq{KN}\ql b|\zq{dg}\ql{_i}\enotes -\smallnotesize\bigaccid -\zbarre\notes\sk\sk\sk\hpause&\qsoupir\ibbl0L4\qb0{KN}\tqb0{^M}\enotes -\temps\notes&\qqbbL3LNKba\enotes -% mesure 10 -\barre\notes&\qqbbL2abNdc\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH4fdbgh\enotes -\zbarre\notes&|\qqbbh{-3}ihg{=f}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -%\check -% mesure 11 -\normalnotesize -\barre\NOtes\qu J&\zq {LN}\ql c|\qu e\enotes -\smallnotesize\bigaccid -\temps\notes\sk\soupir&|\qsoupir\ibbu0d2\qh0{ce}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2fechg\enotes -\temps\notes&|\qqbbH2hh{^f}ji\enotes -% mesure 12 -\barre\notes&|\qqbbH3jjhlk\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-4}lkji\enotes -\zbarre\notes&|\qqbbh{-4}hg{^f}e\enotes -\temps\notes&|\qqbbh{-4}dc{=b}a\enotes -% mesure 13 -\normalnotesize -\barre\NOtes\qu G&\zq {=IK}\lq M\ql N|\qu{=b}\enotes -\smallnotesize\bigaccid -\temps\notes\soupir&|\qsoupir\ibbu0a2\qh0{N=b}\tqh0a\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbH2cbNdc\enotes -\temps\notes&|\qqbbh3dbfe\enotes -%\check -% mesure 14 -\barre\notes&|\off{-2\Interligne}\qqbbh3fd{_h}g\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl5hfml\enotes -\zbarre\notes&|\qqbbl{-3}kj{i}{_h}\enotes -\temps\notes&|\qqbbh{-3}gfed\enotes -% mesure 15 -\normalnotesize -\barre\NOtes\qu C&\zq {J=LN}\lq b\ql c|\qu{=e}\enotes -\smallnotesize\bigaccid -\temps\notes\soupir&|\qsoupir\ibbu0d2\qh0{c=e}\tqh0d\enotes -\zbarre\notes\sk\sk\hpause&|\qqbbh3ecgf\enotes -\temps\notes&|\qqbbh3gei{_h}\enotes -%\check -% mesure 16 -\troistemps -\changecontext\notes&|\off{-2.4\Interligne}\qqbbL5hig{=l}m\enotes -\temps\notes\sk\pause&\midtwotext{\it animando}|\qqbbl{-3}nmlk\enotes -\temps\notes&|\qqbbl{-3}j{i}{_h}g\enotes -% mesure 17 -\quatretemps\normalnotesize -\changecontext\Notes -\off{-\Interligne}\qu F&\off{-1.4\Interligne}\zq {M_ac}\ql f|\off{-\Interligne}\qu{_h}\enotes -\smallnotesize\bigaccid -\temps\notes\soupir&\zmidtwotext{\it poco a poco}|\qsoupir\ibbu0d6\qh0{cf}\tqh0g\enotes -\zbarre\notes\sk\sk\hpause&|\fl h\qqbbh{-3}hgfe\enotes -\temps\notes&|\qqbbh{-3}dc{=b}{=a}\enotes -%\check -% mesure 18 -\normalnotesize -\barre\autolines {16}35\relax -\NOtes\qu G&\zq {=IK}\ql N|\qu{=b}\enotes -\smallnotesize\bigaccid -\temps\notes\soupir&|\qsoupir\ibbu0b7\qh0{Nb}\tqh0d\enotes -\temps\notes\sk\sk\hpause&|\qqbbu0gd{^f}g\enotes -\temps\notes&|\qqbbu3{=i}gik\enotes -%\check -% mesure 19 -\barre\notes&|\qqbbl{-2}m{_o}nm\enotes -\temps\notes\hpause&|\qqbbl{-3}lkj{=i}\enotes -\normalnotesize -\temps\notes\cu J&\bigaccid\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -% mesure 20 -\normalnotesize -\barre\nspace\notes\cu I&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\bigaccid\cu{_H}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 21 -\normalnotesize -\barre\nspace\notes\cu G&\bigaccid\lfl b\zq{=LN}\lq b\ccl c|\fl i\rq i\zq{=eg}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\ibbu0f5\qh0{cg}\tqh0f\enotes -\temps\notes\sk\soupir&|\qqbbH3hgej{=i}\enotes -\normalnotesize -\temps\notes\cu{F}&\bigaccid\zq{M_a}\ccl c|\zq{f_h}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{ch}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfji\enotes -%\check -% mesure 22 -\normalnotesize -\barre\notes\bigaccid\cu{^F}&\bigaccid\sh M\lna a\zq{JMa}\ccl c|\lna h\sh f\zq{fh}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\advance\noteskip by 1pt\ibbu0f5\qh0{dh}\tqh0g\enotes -\temps\notes\sk\soupir&|\qqbbH3ihfj{=i}\enotes -\normalnotesize -\temps\notes\cu{K}&\zq{Ma}\ccl c|\zq{dfh}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\sk\dsoupir&|\ibbl0i5\qb0{ho}\tqb0n\enotes -\temps\notes\sk\soupir&|\qqbbL3mo{^m}q{=p}\enotes -% mesure 23 -\barre\notes&|\qqbbl3qosr\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl{-3}srq{_p}\enotes -\temps\notes&|\qqbbl{-3}qpon\enotes -\temps\notes&|\qqbbl{-3}{^m}lkj\enotes -%\check -% mesure 24 -\autolines {17}35\relax -\normalnotesize\varaccid -\barre\notes\qu G&\zq{Nb}\ql d|\Uptext{\hbox{\kern -6mm\moyen Allegro moderato - \bf(\metron{\qu}{65})}}\zqu i\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu i\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu j\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu j\qqbbL{-2}ijgfg\enotes -% mesure 25 -%\check -\barre\notes\qu G&\zq{Nb}\ql d|\zqu k\qqbbL{-2}hig{^f}g\enotes -\temps\notes\soupir&\soupir|\zqu k\qqbbL{-2}higfg\enotes -\temps\notes\qu G&\lq a\zq{Nc}\ql e|\zqu l\qqbbL{-2}ijgfg\enotes -\temps\notes\soupir&\soupir|\zqu l\qqbbL{-2}ijgfg\enotes -%\check -% mesure 26 -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\doubler\rlap{\dql{-3}ig}\dqu{-3}ki\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 27 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-3}\qh0j\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0k\enotes -%\check -% mesure 28 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-3}\qh0i\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu7ej\enotes -% mesure 29 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-3}\qh0h\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 30 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 31 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\hu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 32 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\rlap{\qu b}\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 33 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 34 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 35 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 36 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 37 -\barre\notes\qup D&\zqu K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 38 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 39 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 40 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 41 -\generalmeter{\meterfrac 54}\changecontext -\NOTes\qu K&\zq{Nb}\ql K|\zq{gi}\ql k\enotes -\temps\NOTes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOTes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOTEs\qup K&\zqp{^Ma}\qlp d|\zqp{^fh}\qlp k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 42 -\quatretemps\changecontext -\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\doubler\zql g\dqu{-3}lj\enotes -%\check -% mesure 43 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 44 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 45 -\barre\NOtes\qu K&\zq{Nb}\ql d|\zq{gi}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu G&\zq{LN}\ql c|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% mesure 46 -\barre\NOtes\qu H&\zq{La}\ql c|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -\temps\NOtes\qu K&\zq{^Ma}\ql d|\zq{^fh}\ql k\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -%\check -% mesure 47 -\generalmeter{\meterfrac 32}\changecontext -\NOTEs\hu G&\zh I\zh K\hl N|\zh b\zh d\hu g\enotes -\smallnotesize\bigaccid -\notes&|\Uptext{\hbox{\kern -16mm\moyen Maestoso \bf(\metron{\qu}{50})}}\enotes -\notes&\qqbbH9KGKNa\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}abN{^M}N\enotes -\temps\notes&\qqbbl7KNbc\enotes -\temps\notes&\qqbbL{-4}cdbab\enotes -%\check -% mesure 48 -\quatretemps -\changecontext\notes&|\qqbbH8bNbd{^f}\enotes -\temps\notes\sk\sk\pause&|\qqbbH{-4}ggdcd\enotes -\temps\notes&|\qqbbH7dbdfg\enotes -\temps\notes&|\qqbbu0ifgi\enotes -%\check -% mesure 49 -\barre\notes&|\qqbbL0ikgik\enotes -\normalnotesize -\temps\notes\hpause&|\cl n\qsoupir\sk\enotes -\temps\Notes\ccu G&\itenl1N\itenu2g\zq{Nbd}\ccl g|\itenu3n\zq{ik}\ccu n|\enotes -\temps\NOtes\pointdorgue 8\qup G&\tten1\tten2\pointdurgue H\zqp{Nce}\qlp g\relax - |\tten3\pointdorgue o\zqp{jl}\qlp n\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -\autolines {16}35\relax -% mesure 50 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7IGJLM\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}MNLKL\enotes -\temps\notes&\qqbbl7JLN{=b}\enotes -\temps\notes&\qqbbL{-4}acNMN\enotes -%\check -% mesure 51 -\barre\notes&\qqbbH7MLN{=b}c\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0debce\enotes -\temps\notes&|\qqbbH7cNceg\enotes -\temps\notes&|\qqbbL0hjg{=i}j\enotes -%\check -% mesure 52 -\barre\notes&|\qqbbL0kljln\enotes -\normalnotesize -\temps\notes\hpause&|\cl q\qsoupir\sk\enotes -\temps\Notes\ccu E&\itenu1c\zq{LN}\ccl c|\itenu2j\zq{eg}\ccu j\enotes -\temps\NOtes\pointdorgue 7\qup F&\tten1\pointdorgue{10}\zqp{JM_a}\qlp c\relax - |\tten2\pointdorgue{10}\zqp{f_h}\qup j\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -%\check -% mesure 53 -\smallnotesize\bigaccid -\barre\notes&\qqbbH7KJM{_a}b\enotes -\temps\notes\sk\sk\pause&\qqbbL{-4}acaNa\enotes -\temps\notes&\qqbbl7Mac{=e}\enotes -\temps\notes&\qqbbL{-4}cfcbc\enotes -%\check -% mesure 54 -% \barre\notes&\qqbbH7c{_a}c{=e}f\enotes -\barre\notes&\ibbu0h7\qh0{_a}\qh0c|\sk\sk\qh0{=e}\tqh0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbH0f{_h}fef\enotes -\temps\notes&|\qqbbH7ecfhi\enotes -\temps\notes&|\qqbbL0hjhgh\enotes -%\check -% mesure 55 -\troistemps\changecontext\notes&|\qqbbl6f{_h}j{=l}\enotes -\temps\notes\sk\sk\pause&|\qqbbl2mn{_o}n\enotes -\temps\notes&|\qqbbl{-3}m{_l}{_k}j\enotes -% mesure 56 -%\check -\normalnotesize -\quatretemps\changecontext\NOTes\qup I&\zqp M\zqp b\qlp{_d}|\zqp{fi}\qlp{_k}\enotes -\smallnotesize\bigaccid -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\notes\sk\sk\sk\hpause&\ibbu0h5\qh0M\qh0b|\sk\sk\qh0{_d}\tqh0e\enotes -\temps\notes&|\qqbbh{-2}fdcd\enotes -%\check -% mesure 57 -\barre\notes&|\qqbbH7bb{_d}fh\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbL{-2}gifef\enotes -\temps\notes&|\qqbbH8e{_d}fi{_k}\enotes -\temps\notes&|\qqbbL{-2}kmkjk\enotes -% -% mesure 58 -\barre\notes&|\qqbbl5ikmo\enotes -\temps\notes\hpause&|\qqbbl{-3}p{_o}{_n}m\enotes -\normalnotesize -\temps\NOtes\qup E&\zqp{_Nb}|\zqp e\rlap{\qlp {_g}}\zqp{il}\qup{_n}\enotes -\temps\Notes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 59 -\smallnotesize\bigaccid -\barre\notes&\ibbl0L7\qb0L\qb0b\enotes -\notes&|\qb0e\tqb0f\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbh{-2}{_g}e{_d}e\enotes -\temps\notes&|\qqbbH6dce{g}j\enotes -\temps\notes&|\qqbbL{-2}jljij\enotes -% mesure 60 -\barre\notes&|\qqbbl5{=h}jl{_n}\enotes -\temps\notes\sk\sk\sk\pause&|\qqbbl2opqp\enotes -\temps\notes&|\qqbbl{-3}o{=n}ml\enotes -\temps\notes&|\qqbbl{-3}{_k}jih\enotes -% mesure 61 -\normalnotesize -\barre\nspace\autolines{18}35\relax -\Notes\cu{_H}&\zmidtwotext{\it accelerando poco a poco}\relax -\zq K\lq a\lfl a\zq M\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0g3\qh0{fi}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH3gidih\enotes -\normalnotesize -\temps\Notes\cu G&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 62 -\barre\nspace -\normalnotesize -\Notes\cu F&\zq K\zq M\lfl a\lq a\ccl b|\fl h\zq d\zq f\rq h\ccu i\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{df}\tqh0e\enotes -\temps\notes\soupir&|\qqbbH3ffdih\enotes -\normalnotesize -\temps\Notes\cu E&\zq L\zq N\ccl b|\zq e\zq g\ccu i\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{eg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeih\enotes -% mesure 63 -\normalnotesize -\barre\Notes\cu D&\zq K\zq N\ccl{=b}|\zq d\zq g\ccu{=i}\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgeji\enotes -\normalnotesize\nspace -\temps\Notes\cu C&\zq{=L}\zq N\lfl b\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -% mesure 64 -\normalnotesize -\barre\Notes\cu I&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize\nspace -\temps\Notes\cu{_H}&\zq M\zq{_a}\ccl c|\zq f\zq{_h}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{c_h}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfji\enotes -% mesure 65 -\normalnotesize -\barre\Notes\cu G&\zq{=L}\zq N\lq b\ccl c|\fl i\zq{=e}\zq g\rq i\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{cg}\tqh0f\enotes -\temps\notes\soupir&|\qqbbH3fgej{=i}\enotes -\normalnotesize -\temps\Notes\cu F&\zq M\zq{=a}\ccl c|\zq f\zq{=h}\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{fh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhfj{=i}\enotes -% mesure 66 -\normalnotesize -\barre\Notes\cu{^F}&\zq{^M}\zq a\ccl c|\zq{^f}\zq h\ccu j\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{dh}\tqh0g\enotes -\temps\notes\soupir&|\qqbbH3fhf{_i}h\enotes -\normalnotesize -\temps\Notes\cu G&\zq K\zq N\ccl b|\zq d\zq g\ccu i\enotes -\smallnotesize\bigaccid -\temps\notes\dsoupir&|\ibbu0f3\qh0{di}\tqh0h\enotes -\temps\notes\soupir&|\qqbbH5higik\enotes -\autolines {17}35\relax -%\check -% mesure 67 -\normalnotesize -\barre\notes\hu G&\zqu N\qqbbl2Ndbd|\raise 7\Interligne\rlap{\vbox to 2\Interligne -{\vss\hbox{\moyen Allegro \bf(\metron{\qu}{70})}}}\relax - \doubler\rlap{\dql{-3}ig}\dqu{-5}ni\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0i3\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\rlap{\ibl1h{-4}\qb1j\sk\tqb1e}\relax - \ibu0l{-4}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NcLN|\ibu0h6\zql e\qh0g\sk\tqh0l\enotes -%\check -% mesure 68 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\rlap{\ibl1h{-3}\qb1h\sk\tqb1f}\relax - \ibu0j{-5}\qh0m\sk\tqh0h\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0h3\zql f\qh0h\sk\tqh0j\enotes -\temps\notes\hu I&\zqu K\qqbbl3KbMb|\rlap{\ibl1g{-3}\qb1i\sk\tqb1d}\relax - \ibu0k{-4}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0h5\zql d\qh0f\sk\tqh0i\enotes -%\check -% mesure 69 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\rlap{\ibl1g{-3}\qb1g\sk\tqb1e}\relax - \ibu0i{-5}\qh0l\sk\tqh0g\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0h2\zql e\qh0g\sk\tqh0i\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}hc}\dqh{-5}je\enotes -\temps\notes&\qqbbl{-2}LaJL|\doubler\zql c\dqu6eh\enotes -% mesure 70 -\barre\notes\hu D&\zqu K\qqbbl2Ka{^M}a|\rlap{\ibl1f{-3}\qb1{^f}\sk\tqb1d}\relax - \ibu0h{-5}\qh0k\sk\tqh0f\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql d\qh0f\sk\tqh0h\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\relax - \qqbbl2Ndad|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql i\qu k\enotes -%\check -% mesure 71 -\barre\notes\bigaccid\hu{=I}&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\hu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}ge}\dqu{-3}lj\enotes -\temps\notes&\qqbbl{-2}NcLN|\doubler\zql e\dqu4jl\enotes -%\check -% mesure 72 -\barre\notes\hu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\bigaccid\hu{_I}&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\fl i\dql{-3}ih}\dqu{-4}kj\enotes -\temps\notes&\qqbbl{-2}MbKM|\ibu0i4\zql f\qh0i\sk\tqh0k\enotes -%\check -% mesure 73 -\barre\notes\hu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}gg}\dqu{-3}li\enotes -\temps\notes&\qqbbl{-2}NbLN|\ibu0j2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\hu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-3}ji\enotes -\temps\notes&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 74 -\barre\notes\hu D&\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0j\enotes -%\check -\temps\notes\doubler\dqu{-2}G{^F}&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qu G&\rlap{\cu b}\qqbbl{-2}bdNb|\zq i\qu k\enotes -%\check -% mesure 75 -\barre\notes\qup G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\sk\cu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0n\enotes -\temps\notes\doubler\dqu2JK&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql e\qu j\enotes -%\check -% mesure 76 -\barre\notes\qup F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\sk\cu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0m\enotes -\temps\notes\doubler\dqu2IJ&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\qu i\enotes -%\check -% mesure 77 -\barre\notes\qup E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql{-3}ge}\dqu{-3}lg\enotes -\temps\notes\sk\cu G&\qqbbl{-2}NbLN|\ibu0k2\zql e\qh0g\sk\tqh0l\enotes -\temps\notes\doubler\dqu2HI&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-5}he}\dqu{-3}jh\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0h2\zql e\qh0h\sk\tqh0j\enotes -% mesure 78 -\barre\notes\qup D&\zql K\qqbbl2Ka{^M}a|\doubler\rlap{\dql0{^f}f}\dqu{-4}kh\enotes -\temps\notes\doubler\sk\sh F\cu F&\qqbbl{-2}MaKM|\ibu0h2\zql f\qh0h\sk\tqh0k\enotes -\temps\notes\doubler\dqu2GH&\rlap{\doubler\cu N\cu a}\qqbbl2Ndad\relax -|\doubler\rlap{\dql{-2}gf}\dqu{-2}ih\enotes -\temps\notes\qu I&\rlap{\cu b}\qqbbl{-2}bdNb|\zql g\qu g\enotes -%\check -% mesure 79 -\barre\notes\qu G\sk&\zqu N\qqbbl2Nd{=b}d|\doubler\rlap{\dql{-5}{=i}{=f}}\dqu{-5}nk\enotes -\temps\notes\bigaccid\qu{=I}&\qqbbl{-2}bdNb|\ibu0k5\zql f\qh0k\sk\tqh0m\enotes -\temps\notes\qu J&\zqu L\qqbbl2LcNc|\doubler\rlap{\dql{-3}gf}\dqu{-3}lk\enotes -\temps\notes\qu L&\qqbbl{-2}NcLN|\zql g\doubler\dqu{-3}lj\enotes -%\check -% mesure 80 -\barre\notes\qu F&\zqu M\qqbbl3Mcac|\doubler\rlap{\dql0hh}\dqu{-3}mj\enotes -\temps\notes\qu H&\qqbbl{-3}acMa|\ibu0j3\zql h\qh0j\sk\tqh0l\enotes -\temps\notes\qu I&\zqu K\qqbbl3K{_b}Mb|\doubler\rlap{\dql{-2}fe}\dqu{-2}kj\enotes -\temps\notes\qu K&\qqbbl{-2}MbKM|\zql d\doubler\dqu{-3}ki\enotes -%\check -% mesure 81 -\barre\notes\qu E&\zqu L\qqbbl2LbNb|\doubler\rlap{\dql0gg}\dqu{-3}li\enotes -\temps\notes\qu G&\qqbbl{-2}NbLN|\ibu0k2\zql g\qh0i\sk\tqh0k\enotes -\temps\notes\qu H&\zqu J\qqbbl3JaLa|\doubler\rlap{\dql{-2}hg}\dqu{-2}ji\enotes -\temps\notes\qu J&\qqbbl{-2}LaJL|\ibu0i{-2}\zql e\qh0j\sk\tqh0h\enotes -% mesure 82 -\barre\notes\qu K&\qqbbl2KbNb|\doubler\rlap{\dql{-2}ih}\dqu{-2}kj\enotes -\temps\notes\qu L&\qqbbl{-2}NbLN|\doubler\rlap{\dql2gh}\dqu2ij\enotes -\temps\notes\qup K&\qqbbl6KNbd|\rlap{\cl g\sk - \raise -3\internote\dsoupir}\zqp i\qup k\enotes -\notes\sk\sk\dsoupir&|\ql g\sk\raise 3\internote\dsoupir\enotes -% mesure 83 -\barre\notes\qu J&\qqbbl7JLNc|\zq{gj}\ql l\enotes -\temps\NOtes\soupir&\cl e\dsoupir|\soupir\enotes -\temps\notes\qu H&\qqbbl7HJLa|\zq{eh}\ql j\enotes -\temps\NOtes\soupir&\cl c\dsoupir|\soupir\enotes -% mesure 84 -\barre\notes\qu K&\qqbbl7K{^M}ad|\bigaccid\rlap{\cl{^f}\sk -\raise-3\interligne\dsoupir}\zq{h}\qu k\enotes -\temps\NOTEs\soupir&\soupir|\zql f\raise 3\interligne\soupir\enotes -\temps\NOTEs\hpause&\hpause|\hpause\enotes -% mesure 85 -\troistemps\changecontext\NOtes\cu G&\zq{KNb}\cl d|\zq{gik}\cl n\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu E&\zq{JLN}\cl c|\zq{egj}\cl l\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\temps\NOtes\cu C&\zq{JL}\cl a|\zq{ceh}\cl j\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -% mesure 86 -\barre\NOTEs\qu D&\zq{K^M}\ql a|\zq{d^fh}\ql k\enotes -\temps\NOTEs\soupir&\soupir|\soupir\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\temps\NOtes\zq D\cu K&\cu d|\cu k\enotes -\temps\NOtes\dsoupir&\dsoupir|\dsoupir\enotes -\advance\barsinline by -1\relax -% mesure 87 -\barre\NOTES\zh N\hl G&\hu g|\hu n\enotes -\temps\NOTES\soupir&\soupir|\soupir\enotes -% -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject diff --git a/Master/texmf-dist/doc/generic/musictex/purcellx.tex b/Master/texmf-dist/doc/generic/musictex/purcellx.tex deleted file mode 100644 index 2fc2789d0da..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/purcellx.tex +++ /dev/null @@ -1,211 +0,0 @@ -\fulltitle{Andante cantabile} -\title{Andante cantabile} -\author{Daniel PURCELL (1660--1717)\\transcription pour orgue Daniel TAUPIN} -\shortauthor{D. Purcell, D. Taupin} - \othermention{R\'ecit: fl\^utes 8', 4', nasard \sl(ad lib.)\\G.O.: -bourdon 8'\\P\'ed.: bourdon 16'+tirasse G.O.} - \maketitle - -\csname titremorceautoc\endcsname -% -\parindent 13mm -% -\tracingstats=2\relax -% -\def\nbinstruments{3} -\global\cleftoksi={{6}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\nbporteesi=1\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -% -\signaturegenerale{-1}\relax -%\check -\def\instrumenti{P\'ed}% -\def\instrumentii{G.O.}% -\def\instrumentiii{R\'ecit}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multiply\noteskip by 2\relax}% -% -%\check -% -\generalmeter{\meterfrac 44}% -% -\debutmorceau -\autolines{19}34\relax -%\check -% -\hyphenpenalty -50\relax -\notes&&\zcharnote{w}{\kern -20mm\moyen Andante cantabile -\bf(\metron{\qu}{52})}\enotes -% -%\check -% -% mesure 1 -\NOTes\qlp M&\zhl a\zq{c}\qu f&\ust m\ql m\enotes -\temps\NOtes\sk\cl L&\zq{c}\qu f&\ust m\ql m\enotes -\temps\NOtes\Ibu0KH3\qh0{KJI}\tqh0H&\zhl c\zq{f}\qu h\sk\zq{f}\qu h\sk -&\ust m\ql m\sk\ql m\enotes -% mesure 2 -%\check -\barre\NOtes\ibu0I{-2}\qh0I\tqh0G&\zq f\zql d\qsk\zhu g&\ust n\ql n\enotes -\temps\NOtes\ibu0J0\qh0J&\zhl c\qu e&\ust n\ql n\enotes -\Notes\nbbu0\qh0I\tqh0J\enotes -\temps\Notes\qu H&\zq f\qu h&\ust o\ql o\cbreath\enotes -\temps\NOTes\qu F&\itenl0f\zq h\zql f\itenu1m\zqu m&\ql q\enotes -% mesure 3 -\barre\NOtes\qu G&\tten0\tten1\zq h\zql f\ibu1m{-2}\qh1m\tqh1k&\ql p\enotes -\temps\NOtes\qu H&\zhu j\ibl1f{1}\qb1f&\ust o\ql o\enotes -\Notes&\nbbl1\qb1g\tqb1h\enotes -\temps\NOtes\ibu0I0\qh0{IGH}\tqh0I&\qlp d\sk\ibu1i{-1}\qh1i\zcl f\tqh1h\relax -&\ibl2m{-2}\qb2{nmn}\tqb2k\enotes -% mesure 4 -\barre\autolines{15}44\relax -\NOtes\qu J&\zql e\qu g&\ibl2l{-2}\qb2l\tqb2j\enotes -\temps\NOtes\qu K&\rlap{\kern -0.4\internote\zhl f}\ibu1a{-2}\qh1a\tqh1M&\hl m\enotes -\temps\NOTes\qu I&\ql d\enotes -\temps\NOTes\qu J&\zql c\qu e&\ql l\enotes -% mesure 5 -\barre\Notes\qu F&\zq a\qu f&\ql m\cbreath\enotes -\temps\NOTes\soupir&\soupir&\ust q\ql q\enotes -\temps\NOTes\soupir&\soupir&\ust m\ql m\enotes -\temps\NOTes\ql d&\zql f\itenl0f\qu m&\itenu1p\ql p\enotes -% mesure 6 -\barre\NOTes\ql N&\tten0\zqu i\qlp f&\tten1\ql p\enotes -\temps\NOtes\ql a&\qu j\cl e&\itenu1o\ql o\enotes -\temps\NOtes\qlp b&\zhl d\qu k&\tten1\ibl1o0\qb1o\enotes -\Notes&&\nbbl1\qb1p\tqb1o\enotes -\temps\NOtes\sk\cl N&\itenu0g\qu g&\ibl1n{-1}\qb1n\tqb1m\enotes -% mesure 7 -\barre\NOtes\ql J&\tten0\zql e\qu g&\ibl1l{-3}\ust l\qb1l\enotes -\notes&&\cbreath\enotes -\NOtes&&\tqb1j\enotes -\temps\NOTes\qu H&\itenl1c\zql c\qu j&\hl q\enotes -\temps\NOtes\ql K&\tten1\ibl0d{-3}\zhu f\qb0c\tqb0a\enotes -\temps\NOTes\qu G&\na b\ql b&\ql{=p}\enotes -% mesure 8 -\barre -\autolines{26}24\relax -\NOtes\qu J&\zql c\qu e&\ibl1q{-4}\ust q\qb1q\tqb1n\enotes -\temps\NOtes\ql L&\zhu g\hlp c&\ibl1o0\qb1q\enotes -\notes&&\nbbl1\fl p\qbp1p\sk\tbbbl1\tqb1q\enotes -\temps\notes\ql M&&\ibbl1n0\qbp1o\sk\tbbbl1\tbbl1\qb1p\enotes -\notes&&\nbbl1\qbp1n\sk\tbbbl1\tqb1o\enotes -\temps\notes\qu H&\itenl2f\qu f&\ibbl1l0\qbp1m\sk\tbbbl1\tbbl1\qb1n\enotes -\notes&&\ibbl1j0\qbp1l\sk\tbbbl1\tqb1m\enotes -% mesure 9 -\barre\NOtes\ibl0I3\qb0I&\tten2\zq f\ibu1k0\qh1k&\upz l\cl k\enotes -\notes\nbbl0\qbp0a\sk\tbbbl0\tqb0b&\nbbu1\qhp1j\sk\tbbbu1\tqh1k&\ql r\enotes -\temps\notes -\ibbl0M0\qbp0N\sk\tbbbl0\tbbl0\qb0a\sh M\nbbl0\qbp0M\sk\tbbbl0\tqb0N\relax -&\ibbu0i0\qhp0i\sk\tbbbu0\tbbu0\qh0j\nbbu0\qhp0h\sk\tbbbu0\tqh0i\relax -&\sk\sk\sk\cl q\enotes -\temps\notes\ql L&\qu g\relax -&\ibbl0o0\qbp0p\sk\tbbbl0\tbbl0\qb0q\nbbl0\qbp0o\sk\tbbbl0\tqb0p\enotes -\temps\notes\ql K&\bigna f\zq f\qu i\relax -&\ibbl0m0\qbp0n\sk\tbbbl0\tbbl0\qb0o\nbbl0\qbp0m\sk\tbbbl0\tqb0n\enotes -% mesure 10 -\barre\autolines{24}24\relax -\NOtes\qu J&\rlap{\qup i}\ibl0d0\qb0e&\ibl1l1\ust l\qb1l\enotes -\notes&&\cbreath\enotes -\notes&\nbbl0\qbp0d\sk\tbbbl0\tqb0e&\qb1n\enotes -\NOTes\ql L&\itenl0c\ql c\cu j&\qb1q\tqb1n\enotes -\temps\NOtes\ql M&\zhup h\tten0\Ibl0ca1\qb0c&\ibl1l0\qb1o\enotes -\notes&&\cbreath\enotes -\NOTes&\tqb0a&\qb1m\enotes -\NOTes\qu I&\ql d&\qb1 k\enotes -\Notes&\Ibbu0gf1\qh0g\tqh0f&\tqb1p\enotes -% mesure 11 -\barre -\notes\Ibbu2JI3\qhp2J\sk\tbbbu2\tbbu2\qh2K\nbbu2\qhp2I\sk\tbbbu2\tqh2J\relax -&\zqu e\qlp c&\ibl1k0\qb1n\sk\rlap{\cbreath}\sk\qb1l\enotes -\NOTes\qu H&\itenu0f\qu f\cl M&\qb1j\tqb1m\enotes -\temps\NOTes\qu G&\tten0\rlap{\qlp b}\Ibu0fd3\qh0f&\Ibl1kp1\qb1l\enotes -\Notes&\nbbu0\qh0e\tqh0d&\tqb1p\enotes -\temps\NOTes\Ibu2JH1\qh2J\tqh2H&\qu e\cl c&\Ibl1po1\qb1p\tqb1o\enotes -% mesure 12 -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\barre\autolines{20}24\relax -\NOtes\qup I&\zhl K\qu d&\Ibl1on1\qb1o\tqb1n\enotes -\temps\NOtes&\itenu1N\qu N&\Ibl1nm1\qb1n\enotes -\Notes\Ibbu2HI1\qh2H\tqh2{=I}&&\tqb1m\enotes -\temps\NOtes\qu J&\zql L\tten1\cu N\qu c&\Ibl1lq1\qb1l\tqb1q\enotes -\temps\NOtes\qu D&\ql M&\Ibl1qp1\qb1q\enotes -\NOtes&\itenu2b\cu{_b}&\tqb1p\enotes -% mesure 13 -\barre -\NOtes\Ibu2EF1\qh2E\tqh2F&\tten2\zql J\Ibu0ba1\qh0b\tqh0a&\Ibl0po1\qb0p\tqb0o\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\temps\NOtes\ql M&\zq{cf}\qu a&\ibl0o0\qb0o\enotes -\Notes&&\nbbl0\qb0p\tqb0o\enotes -\temps\NOtes\ql L&\zq{eg}\qu j&\ibl0n0\qb0n\enotes -\Notes&&\nbbl0\qb0o\tqb0n\enotes -\temps\NOtes\ql K&\zq{fh}\qu k&\ibl0m0\qb0m\enotes -\Notes&&\nbbl0\qb0n\tqb0m\enotes -% mesure 14 -\barre\autolines{19}34\relax -\NOTes\hu J&\zhl e\qup h&\ql l\enotes -\notes&&\cbreath\enotes -\temps\NOtes&&\itenu0o\ql o\enotes -\temps\Notes&\Ibbu0ij1\bigna i\qh0i\tqh0j\enotes -\temps\NOTes\hu I&\zhu k\qlp d\cu{^f}\qu g\cl e&\tten0\ibl0k0\qb0{okn}\tqb0l\enotes -% mesure 15 -\barre\NOtes\qup H&\zq e\qu{^j}&\Ibl0jh1\ust j\qb0{^j}\ust h\tqb0h\enotes -\temps\NOtes&\zh f\itenl1k\zhl m\hup k&\qlp k\enotes -\temps\Notes\Ibbu0GH1\qh0G\tqh0H\enotes -\temps\NOtes\qup I\enotes -\temps\Notes&&\Ibbl0lm1\qb0l\tqb0m\enotes -\temps\Notes\sk\sk\Ibbu2HG1\qh2H\tqh2G\relax - &\zq g\itenu2l\ql l&\ibbl0m0\qb0{nom}\tqb0n\enotes -% mesure 16 -\barre -\NOtes\hu H&\tten2\zh h\zhu l\qsk\tten1\Ibl0ki1\qb0k\tqb0{=i}&\qlp l\enotes -\temps\NOtes&\ql{^j}&\sk\cl k\enotes -\temps\NOtes\qu D&\zq{fh}\qu k&\cl k\enotes -\notes&&\cbreath\enotes -\temps\NOtes\sk\soupir&\sk\soupir&\Ibl0lh2\qb0{lm}\tqb0h\enotes -% mesure 17 -\barre\autolines{17}34\relax -\NOtes\hl d&\fl i\zhl i\zq k\qu m&\Ibl1ik3\qb1i\enotes -\notes&&\cbreath\enotes -\NOtes&\sk\zh l\hu n&\qb1{mn}\tqb1k\enotes -\temps\NOtes\itenu1c\hl c&\hl h&\Ibl1ln3\qb1l\enotes -\notes&&\cbreath\enotes -\NOtes&\sk\Ibl0ol1\qb0o\tqb0l&\qb1{nq}\tqb1n\enotes -% mesure 18 -\barre\NOtes\tten1\ibl2M0\qb2{cMN}\tqb2a&\zhlp f\zqp k\qu m\sk\qu l\cl j\relax - &\Ibl1ol3\qb1{oqm}\tqb1o\enotes -\temps\NOtes\ql b&\zq k\qu k&\Ibl1kn1\qb1k\tqb1n\enotes -\temps\NOtes\ql b&\zq{ce}\qu g&\Ibl1lj2\qb1l\enotes -\Notes&&\nbbl1\qb1k\tqb1j\enotes -% mesure 19 -\barre\NOtes\ql a&\rlap{\qlp f}\Ibu0jm1\qh0j\tqh0m&\qlp m\enotes -\temps\NOtes\ql N&\itenu0i\qu i\enotes -\Notes&\cl d&\Ibbl1nm1\qb1n\tqb1m\enotes -\NOTes\ql J&\itenl1c\zh c\zhl e\tten0\qup i&\xTrille n{1.5\noteskip}\ql l\enotes -\temps\NOtes\qu C&\sk\cu h&\sk\cl m\enotes -% mesure 20 -\barre\autolines{16}34\relax -\NOTes\qu F&\tten1\zq{cf}\qu h&\ql m\enotes -\notes&&\cbreath\enotes -\temps\NOTes\qu H&\zq c\zql j\hu f&\ql q\enotes -\temps\NOtes\itenu2I\hu I&\zhl d\qu k&\Ibl1pm3\qb1p\qb1o\enotes -\NOtes&\itenl1g\qu g&\qb1n\tqb1m\enotes -% mesure 21 -\barre\NOtes\tten2\Ibu2IJ1\qh2I&\tten1\zhl c\zq e\qu g&\Ibl1lk1\qb1l\enotes -\Notes\tqh2J&&\nbbl1\qb1k\tqb1j\enotes -\temps\NOTes\qu H&\itenl1f\zq f\qu j&\qlp m\enotes -\temps\NOtes\Ibu2KI1\qh2K&\tten1\zql d\Ibu0fg1\qh0f\enotes -\Notes\tqh2I&\tqh0g&\Ibbl1nm1\qb1n\tqb1m\enotes -\temps\NOtes\qu J&\Ibl0cb1\zq e\zqu g\qb0c\tqb0b&\ql l\enotes -% mesure 22 -\barre\NOTes\pointdurgue F\wh F\relax -&\zhu f\zql c\qsk\qup a&\pointdorgue m\wh m\enotes -\temps\NOtes&\ql d\cu N\enotes -\temps\NOTES&\zh c\zh a\pointdorgue m\hu f\enotes -\finmorceau -\rightline{\sl\aujourdhui}\eject - diff --git a/Master/texmf-dist/doc/generic/musictex/racine.tex b/Master/texmf-dist/doc/generic/musictex/racine.tex deleted file mode 100644 index f547ba468e3..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/racine.tex +++ /dev/null @@ -1,590 +0,0 @@ -% \input musixtex -\hsize 190mm \vsize 280mm -\hoffset -1.84cm - - -\fulltitle{Cantique de Jean Racine} -\shorttitle{Cantique de Jean Racine} -\shortauthor{G. Faur\'e} -\fullauthor{Gabriel Faur\'e\\Transcription Orgue Daniel Taupin} -\othermention{Gif~: 2.4/9.11.13/19.23/33.37.41/54/46.47.48.51} -\maketitle - -% -\parindent 14mm -\musicsize=20 - -\def\quatreinstruments{\def\nbinstruments{4}\relax -\nbporteesi=1\relax -\nbporteesii=2\relax -\nbporteesiii=1\relax -\nbporteesiv=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{6000}\relax -\cleftoksiv{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{0pt}\relax -\def\staffspacingii{1.0}\def\interinstrumentii{-2\Interligne}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -\def\staffspacingiv{0.64}\def\interinstrumentiv{0pt}\relax -} - % -\def\sanspedale{\def\nbinstruments{3}\relax -\nbporteesi=2\relax -\nbporteesii=1\relax -\nbporteesiii=1\relax -\cleftoksi{6000}\relax -\cleftoksii{6000}\relax -\cleftoksiii{0000}\relax -\def\staffspacingi{1.0}\def\interinstrumenti{-2\Interligne}\relax -\def\staffspacingii{0.64}\def\interinstrumentii{0pt}\relax -\def\staffspacingiii{0.64}\def\interinstrumentiii{0pt}\relax -} - % -\font\gros=\fonthdg\fonthdge bx12 scaled \magstep2 -\font\paroles=\fonthdg\fonthdge r8 - -%\paroles -% \line{G.O. ({\bf I}) : 8'+4', acc. Positif/R\'ecit\hss Gabriel Faur\'e} -% \line{Positif ({\bf II}) : 8'+4'+1 1/3, acc. R\'ecit\hss Transcription Orgue Daniel -%Taupin } -% \line{R\'ecit ({\bf III}) : 8'+4'\hss... } -% \line{P\'edale : 16'+8', acc. Positif\hss } - -\quatreinstruments -\normal -\def\instrumenti{P‚dale} -\def\instrumentii{Manuel} -\def\instrumentiii{\vbox{\hbox{T\'enors}\hbox{Basses}}} -\def\instrumentiv{\vbox{\hbox{Sopran.}\hbox{Altos}}} -\generalmeter{\meterC}% -% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\bigaccid\Ibl0{#1}{#2}1\qb0{#1}\varaccid\tqb0{#2}} -\def\dqh#1#2{\bigaccid\Ibu0{#1}{#2}1\qh0{#1}\varaccid\tqh0{#2}} -\def\sdqh{\ds\dqh} -\def\lsdqb{\raise-3\Internote\ds\dqb} -\def\sdqb{\ds\dqb} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\tQb#1#2#3{\ibl0{#2}0\qb0{#1}\varaccid\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\tQh#1#2#3{\ibu0{#2}0\qh0{#1}\varaccid\qh0{#2}\tqh0{#3}} -\def\Sqh#1#2#3{\bigaccid\Tqh{#1}{#2}{#3}\Tqh} -\def\Sqb#1#2#3{\bigaccid\Tqb{#1}{#2}{#3}\Tqb} -\def\Qqh#1#2{\sdqh{#1}{#2}\Tqh} -\def\Qqb#1#2{\sdqb{#1}{#2}\Tqb} -\def\dnu#1#2{\bigaccid\qu{#1}\sk\sk\qu{#2}}% -\def\Dnu#1#2{\bigaccid\zq{!#1}\qu{!`#1}\sk\sk\zq{!`#2}\qu{!#2}}% -\def\dnb#1#2{\bigaccid\ql{#1}\sk\sk\ql{#2}}% -\def\Dnb#1#2{\bigaccid\zq{!#1}\ql{!`#1}\sk\sk\zq{!`#2}\ql{!#2}}% -\def\dnl{\dnb}\def\Dnl{\Dnb} -\def\Hu#1{\bigaccid\zh{!`#1}\hu{!#1}} -\def\Hl#1{\bigaccid\zh{!`#1}\hl{!#1}} -\def\hlu#1#2{\bigaccid\zhl{#1}\hu{#2}} -\def\huu#1#2{\bigaccid\zh{#1}\hu{#2}} -\def\hll#1#2{\bigaccid\zh{#1}\hl{#2}} -\def\qlu#1#2{\bigaccid\zql{#1}\qu{#2}} -\def\quu#1#2{\bigaccid\zq{#1}\qu{#2}} -\def\qll#1#2{\bigaccid\zq{#1}\ql{#2}} -\def\Pause{\sk\sk\sk\sk\sk\pause} -\def\Hpause{\sk\sk\hpause} -% -\def\zmid#1{\zcharnote{12}{\paroles #1}} -% -\staffbotmarg\Interligne - -\generalsignature{-5} -\def\nbinstruments{2}% -\debutmorceau -\autolines{14}{4}{4}% -%Takt 1 -\notes\zcharnote b{$\wedge$}\wh K&\uptext{\kern -1.5\Interligne - \bf II}\sdqb cd\Tqb fcd|\uptext{\moyen Andante}\Hpause\enotes -\temps\notes&\Tqb acd\sdqb cd|\sk\sk\sk\qu f\enotes -%Takt 2 -\barre\notes\hu F&\Sqb acdfda|\hu h\enotes -\temps\notes\hu H&\Qqb {=b}ceca|\hu g\enotes -%Takt 3 -\autolines{13}{4}{4}% -\barre\notes\hu K&\Qqb acdaM|\hup f\enotes -\temps\notes\hu J&\Sqb acdfda|\sk\sk\sk\qu h\enotes -%Takt 4 -\def\atnextline{\autolines{13}44}% -\barre\notes\qu I&\sdqb{=e}f|\qu k\enotes -\temps\notes\qu H&\sdqb fc|\qu j\enotes -\temps\notes\qu G&\sdqb cd|\qu i\enotes -\temps\notes\qu F&\sdqb da|\qu h\enotes -%Takt 5 -\barre\notes\hu H&\sdqb{=b}c|\qu h\enotes -\temps\notes &\Tqb eca|\qu g\enotes -\temps\notes\qu K&\sdqb{=N}a|\qu f\enotes -\temps\notes\qu F&\Tqb daM|\qu f\enotes -%Takt 6 -\barre\notes\hu G&\Qqb{=a}bdbL|\hu e\enotes -\temps\notes\hu H&\Qqb {=b}cec{_a}|\hu g\enotes -%Takt 7 -\barre\notes\dnu KJ&\Qqb{=N}adaM|\hu f\enotes -\temps\notes\dnu IH&\sdqb cd\sdqb da|\soupir\sk\sk\qu f\enotes -%Takt 8 -\barre\notes\hup G&\Qqb {=a}bdbL|\hu e\enotes -\temps\notes\sk\sk\sk\ql N&\Qqb{=b}cedc|\hu i\enotes -%Takt 9 -\barre\notes\dnb ML&\Qqb{=b}cfc{=a}|\hu{=h}\enotes -\temps\notes\dnb KJ&\sdqb ae\sdqb ea|\sk\sk\sk\qu f\enotes -%Takt 10 -\barre\notes\dnu IH&\sdqb{=e}f\sdqb fc|\dnu kj\enotes -\temps\notes\dnu GF&\sdqb cd\Tqb fd{_a}|\dnu i{_h}\enotes -%Takt 11 -\barre\notes\hu H&\Qqb{=b}ceca|\dnu hg\enotes -\temps\notes\dnu DF&\Qqb{=N}adad|\dnu fh\enotes -%Takt 12 -\advance\linesinpage by -1\relax - % -\barre\notes\hu G&\Qqb{=a}bdb{_N}|\hu f\enotes -\temps\notes\hu H&\Qqb N{_a}caN|\hu e\enotes -\def\atnextline{\sanspedale\def\nbinstruments{2}\savemeters}% - % -%Takt 13 -\barre\notes\zcharnote B{\kern -2\Interligne\rm(P‚d.)}\zhl K\relax - \raise 2\Interligne\sdqb Ma\sdqb aM|\cu d\sk\ds\itenl1d\qu d&\Hpause\enotes -\temps\notes\cl a\sk\ds|\tten1\Tqh dcd&\soupir\enotes -\temps\notes\zcharnote C{\bf I \rm(G.O.)}\soupir|\Tqh fda&\relax - \zmid{Verbe ‚-}\clp M\sk\ccl M\enotes -%Takt 14 -\barre\notes\hu F|\Qqh cdfda&\zmid{gal}\hl a\enotes -\temps\notes\hu H|\Qqh {=b}ceca&\zmid{au}\qlp N\sk\sk\sk\zmid{TrŠs-}\sk\cl N\enotes -%Takt 15 -\barre\notes\hu K|\Qqh acdaM&\zmid{Haut}\hlp M\enotes -\temps\notes\hu J|\Sqh acdfda&\sk\sk\sk\zmid{notre}\qll Ma\enotes -%Takt 16 -\barre\notes\qu I|\sdqh{=e}f&\zmid{u-}\qll Md\enotes -\temps\notes\qu H|\sdqh fc&\zmid{ni-}\zq M\ql c\enotes -\temps\notes\qu G|\sdqh cd&\zmid{que es-}\zq K\ql b\enotes -\temps\notes\qu F|\sdqh da&\zmid{p\'e}\zq a\ql a\enotes - %\check -%Takt 17 -\def\atnextline{\sanspedale\def\nbinstruments{3}\savemeters}% -\barre\notes\hu H|\Qqh aceca&\zmid{ran-}\zql a\hu c\sk\sk\ql N&\Pause\enotes -\temps\notes\dnu DF|\Qqh acdaM&\zmid{ce}\zq M\ql d\sk\sk\zmid{Jour}\zq M\ql d\enotes - %\check -%Takt 18 -\barre\notes\hu G|\Qqh bdedb&\zmid{\'e-}\zh L\hl d&\Pause\enotes -\temps\notes\hu H|\Qqh NcecN&\zmid{ter-}\zh N\hl c\enotes - %\check -%Takt 19 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nel}\zh M\hl d&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{de}\zq M\ql d\sk\sk - \zmid{la}\zq M\ql d&\soupir\sk\sk\zmid{De}\qu f\enotes - %\check -%Takt 20 -\barre\notes\wh H|\Qqh cdfda&\zmid{terre}\hll Md&\zmid{la}\qu h\sk\sk - \zmid{pai-}\qu h\enotes -\temps\notes|\Qqh NdedN&\zmid{et}\zq L\ql d\sk\sk - \zmid{des}\zq M\ql c&\zmid{si-}\qu g\sk\sk - \zmid{ble}\qu g\enotes - %\check -%Takt 21 -\barre\notes\hu K|\Qqh MadaM&\zmid{cieux,}\zh K\hlp d&\zmid{nuit,}\hup f\enotes -\temps\notes\hu J|\Sqh acdfda&\hl J\sk\sk\zmid{nous}\qu a&\sk\sk\sk - \zq f\qu h\enotes - %\check -%Takt 22 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{rom-}\qll Ib\sk\sk - \zmid{pons}\qll Hd&\quu fk\sk\sk\quu fj\enotes -\temps\notes\dnu {=G}J|\sdqh bf\sdqh eb&\zmid{le}\qll {=G}d\sk\sk - \zmid{si-}\qll Jc&\quu fi\sk\sk\quu {=e}j\enotes - %\check -%Takt 23 -\barre\notes\hup F|\Qqh {=N}c{=e}cN&\zmid{len-}\hll Fc&\huu {=e}i\enotes -\temps\notes\sk\sk\sk\qu J|\Sqh acfh{_e}c&\zmid{ce,}\qll Mc\sk\sk - \zmid{Di-}\qll Je&\quu fh\sk\sk\quu hj\enotes - %\check -%Takt 24 -\barre\notes\hu K|\Qqh bfhfb&\zmid{vin}\hll Kf&\zhu i\qsk\hl h\enotes -\temps\notes\hu L|\Qqh bd{=g}db&\zmid{Sau-}\hll Lb&\zh{=g}\hu k\enotes - %\check -%Takt 25 -\barre\notes\Dnu a{=N}|\sdqh ce\ds\rq c\dqh b{=e}\relax - &\zmid{veur,}\qll aa\sk\sk\qll{=N}b&\zhup j\dnb e{=e}\enotes -\temps\notes\Dnu ML|\ds\zq a\dqh cf\ds\zq{=a}\dqh c{_g}&\relax -\qll Ma\sk\sk\zmid{jet-}\qll L{=a}&\ql f\sk\sk\quu{_g}j\enotes - %\check -%Takt 26 -\barre\notes\Hu K|\Qqh bdfdb&\zmid{te}\zh K\hlp b\sk\sk\zmid{sur}\relax - &\zhl f\qu i\sk\sk\qu i\enotes -\temps\notes\Hu L|\Qqh bd{=g}db&\hl L\sk\sk\qu b&\zhl{=g}\qu k\sk\sk\qu k\enotes - %\check -%Takt 27 -\barre\notes\Hu{=L}|\Qqh c{=g}igc&\zmid{yeux,}\hll {=L}b&\zhl{=g}\hup j\enotes -\temps\notes\zq F\dnu MH|\Qqh ch{_g}ca&\quu Ma\sk\sk\zmid{Di-}\qll ac\relax - &\ql h\sk\sk\lfl g\zqu h\qsk\ql g\enotes - %\check -%Takt 28 -\barre\notes\Dnu KM|\sdqh fk\zq{=h}\Tqh jfe&\zmid{vin}\qll Kd\sk\sk\quu M{=a}\relax - &\Ilegu1q\zhl f\qu m\sk\sk\qu j\sk\tleg1\enotes -\temps\notes\Dnu ba|\Qqh di{_j}f{=d}&\zmid{Sau-}\qll bb\sk\sk\quu a{=d}&\relax - \Ilegu1q\quu fk\sk\sk\quu {_j}m\sk\tleg1\enotes - %\check -%Takt 29 -\barre\notes\Dnu{=N}{=L}|\Qqh ei{=g}{_d}i&\zmid{veur}\qll {=N}e\sk\sk - \zmid{jet-}\qll {=L}b&\quu il\sk\sk\quu {=g}k\enotes -\temps\notes\Dnu{M}{=K}|\Qqh chfca&\zmid{te}\qll Ma\sk\sk - \zmid{sur}\qll {=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 30 -\barre\notes\zh E\hu L|\Qqh c{=g}ec{=N}&\zmid{nous}\hll L{=N}&\huu ej\enotes -\temps\notes\hu E|\Qqh dgedN&\zmid{les}\hll LN&\huu di\enotes - %\check -%Takt 31 -\barre\notes\hu H|\Qqh cehec&\zmid{yeux !}\hll Ha&\huu ch\enotes -\temps\notes\Hpause|\Tqh e{=g}h\zqu j\Tqb jgh&\Hpause - &\Hpause\enotes - %\check -%Takt 32 -\barre\notes\hu J|\zhu l\Qqb{=g}hjgh&\Pause&\Pause\enotes -\temps\notes\hu L|\zhu k\raise -\interligne\ds\dqb{^f}g\Tqb ifg\enotes -\def\atnextline{\sanspedale\def\nbinstruments{1}}% - %\check -%Takt 33 -\advance\linesinpage by -1\relax - % -\barre\notes\hl a|\zhup j\raise -\interligne\ds\dqb e{=g}\Tqb hec\enotes -\temps\notes\hl{=N}|\Tqb egh\zqu l\sdqb jh\enotes - %\check -%Takt 34 -\barre\notes\dnb ML|\bigaccid\zqu o\sdqb{=i}j\bigaccid\zqu{=n}\sdqb kj\enotes -\temps\notes\dnb KJ|\bigaccid\zqu m\sdqb{=g}h\zqu l\sdqb ih\enotes - %\check -%Takt 35 -\barre\notes\dnu IL|\zqu l\sdqb fh\zqu k\raise -\Interligne\ds\dqb e{=g}\enotes -\temps\notes\dnu HJ|\zqu j\raise -2\Interligne\ds\dqb eg\zqu j\Tqb heh\enotes - %\check -%Takt 36 -\barre\notes\hl K|\zhu i\raise -2\Interligne\ds\dqb fh\Tqb dfh\enotes -\temps\notes\hl L|\zhu k\raise -2\Interligne\ds\dqb e{=g}\Tqb ieg\enotes - %\check -\def\atnextline{\quatreinstruments\savemeters}% - %\check -%Takt 37 -\barre\notes&\hl{=L}|\zhu j\raise -2\Interligne\ds\dqb {=g}i\Tqb {=e}gi&\Pause - &\Pause\enotes -\temps\notes\soupir\sk\sk\qu J&\dnb Mc|\Sqh cfhjeh\enotes - %\check -%Takt 38 -\barre\notes\hl K&\hl b|\Qqh fhifh&\Pause&\Pause\enotes -\temps\notes\hl L&\hl d|\Qqh e{=g}ieg\enotes - %\check -%Takt 39 -\barre\notes\wh H&\hlp c|\Qqh e{=g}hec&\Hpause&\Hpause\enotes -\temps\notes&\uptext{\bf II}\sk\sk\sk\soupir|\Sqh eghjhe&\soupir\sk\sk - \zmid{R\'e-}\qll Ha&\soupir\sk\sk\quu ej\enotes - \ifx\mxversion\undefined\hskip -\Interligne\fi % only with MusiCTeX, not MusiX -\cleftoksii{0000}\changeclefs - %\check -%Takt 40 -\barre\notes\hu H&\Qqh eecee|\zh h\hu j&\zmid{pands}\hll Ha&\huu ej\enotes -\temps\notes\hu I&\Qqh ddbdd|\zh f\hu i&\zmid{sur}\hll IM&\huu di\enotes - %\check -%Takt 41 -\barre\notes\wh J&\Qqh cc{=N}cc|\lna e\zq e\qu{=g}\sk\sk\qu e&\relax - \zmid{nous}\qll J{=L}\sk\sk - \zmid{le}\qll Jc&\quu c{=g}\sk\sk\zq c\qu {=e}\enotes -\temps\notes&\Qqh ccbcc|\zq{=d}\qu f\sk\sk\zq e\qu g&\zmid{feu}\qll -Jb\sk\sk\zmid{de la}\zq J\cl b\sk\zq J\cl b&\zq {=d}\qu f\sk - \sk\zq{=e}\cu h\sk\zq e\cu h\enotes - %\check -%Takt 42 -\barre\notes\wh M&\sdqh cc\sdqh cc|\zq f\qu h\sk\sk\zq f\qu h&\zmid{grƒ-}\zhl -M\qu a\sk\sk\ql f&\huu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq{=h}\qu j&\zmid{ce}\qll Mf\sk\sk - \zmid{puis-}\qll Me&\zq {=g}\qu i\sk\sk\zq {=h}\qu j\enotes - %\check -%Takt 43 -\barre\notes\wh I&\Qqh ffeff|\zh{=h}\hu j&\zmid{gr\^a}\hll Ie&\zh h\hu j\enotes -\temps\notes&\Qqh ffiff|\zq i\qu k\sk\sk\zcharnote{n}{\bf I\rm(G.O.)}\soupir - &\zmid{te,}\qll Id\sk\sk\zmid{que}\qll bf&\zq i\qu k\sk\sk\zq i\qu k\enotes - %\check -%Takt 44 -\barre\notes\hl b&\Qqh ffdff|\zh i\hu k&\zmid{tout}\hll bf&\huu ik\enotes -\temps\notes\hl L&\Qqh eecee|\zh{_g}\hu j&\zmid{l'en-}\hll Le&\zh{_g}\hu j\enotes - %\check -%Takt 45 -\barre\notes\wh M&\Qqh ccfcc|\zh f\hu{=h}&\zmid{fer,}\qll Mc\sk\sk - \zmid{que}\qll Mf&\quu f{=h}\sk\sk\quu fh\enotes -\temps\notes&\Qqh ffeff|\zq{=g}\qu i\sk\sk\zq h\qu j&\zmid{tout}\qll {=N}f\sk\sk - \zmid{l'en-}\qll {=a}e&\quu fi\sk\sk\quu fj\enotes - %\check -%Takt 46 -\barre\notes\wh b&\Qqh ffiff|\zh i\hl k&\zmid{fer}\qll bd\sk\sk - \zmid{fuie}\ql b&\quu fk\sk\sk\quu ik\enotes -\temps\notes&\Qqh iihii|\zq j\ql l\sk\sk\zq{=k}\ql m&\zmid{au}\lq c\ql b\sk\sk - \zmid{son}\qll b{=d}&\quu il\sk\sk\qll hm\enotes - %\check -%Takt 47 -\barre\notes\wh L&\Qqb iihii|\zh{=k}\hl m\zcharnote m{\bf II \rm(Pos.)}\relax - &\zmid{de}\zqp L\qlp{=d}\sk\sk\sk\zmid{ta}\relax - \zq L\cl d&\zhp h\hup m\sk\sk\sk\zq g\cu n\enotes -\temps\notes&\sdqb ig\Tqb ebe|\zq l\cl n\sk\ds\sk\soupir&\zmid{voix}\qll Le\sk - \sk\soupir&\quu gn\sk\sk\zmid{Dis-}\quu in\enotes -\cleftoksii{6000}\changeclefs - %\check -%Takt 48 -\barre\notes\itenl0F\wh F&\Hpause|\sdqh{c}f\zql g\Tqh geb&\soupir\sk\sk - \zmid{Dis-}\qll bg&\Ilegu1o\zmid{si}\quu {=h}m\sk\sk\quu ej\tleg1\enotes -\temps\notes&\soupir\sk\sk\ql N|\zql f\Tqh fc{=h}\zql i\Tqh iec&\relax - \zmid{si-}\qll{=a}f\sk\sk\zmid{pe}\qll{N}e&\zq e\hu j\sk\sk\qu i\enotes -\def\atnextline{\sanspedale\savemeters}% - %\check -%Takt 49 -\barre\notes\tten0\zhl F\zhlp M\qsk\zcharnote D{\it(Ped.)}\relax - |\zhu h\raise -3\Interligne\ds\dqb ce\tQb fce\relax - &\zmid{le}\qll Me\sk\sk\zmid{som-}\zql M\noteskip=1.5\noteskip\dqh dc\relax - &\zq j\zqu{=h}\noteskip=1.5\noteskip\sk\sk\zql h\dqh kl\enotes -\temps\notes\ql I\sk\sk\soupir|\Sqh idfifd&\zmid{meil}\qll Id\sk\sk\soupir - &\quu ik\sk\sk\zmid{d'une}\quu fk\enotes - %\check -%Takt 50 -\barre\notes\itenl1J\wh J\sk\sk\ql d|\sdqh{=e}{=g}\zql f\Tqh fgi&\soupir - \sk\sk\zmid{lan-}\qll Md&\zmid{\^a-}\quu{=e}j\sk\sk\zmid{me}\quu d{=g}\enotes -\temps\notes\ql c\sk\sk\itenu2b\ql b|\bigaccid\zql{=e}\Tqh egi\ds\zq d\dqh fg\relax - &\qll{=L}c\sk\sk\zmid{guis-}\qll{_K}b&\zmid{lan-}\quu bg\sk\sk\rq g\qu f\enotes - %\check -%Takt 51 -\barre\notes\tten1\zhl J\tten2\ql b\sk\sk\noteskip=1.5\noteskip\dqh{=a}{=N}\relax - |\ds\zq c\dqh{=e}{=g}\Tqh{=h}ei&\zmid{san-}\zhl J\ql b\sk\sk\noteskip - =1.5\noteskip\dqb {=a}{=N}&\zhl{=e}\qu{=g}\sk\sk\noteskip=1.5\noteskip - \dqh{=h}i\enotes -\temps\notes\zcl M\cu a\sk\ds\zq F\qu M|\Qqh cfhfc&\zmid{te,}\qll Fa\sk - \sk\zmid{qui}\ql M&\quu fh\sk\sk\soupir\enotes - %\check -%Takt 52 -\barre\notes\Hu b|\Qqh dfifd&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu{_a}|\Qqh cfjfc&\zmid{la}\zhl a\ql f\sk - \sk\zmid{con-}\ql f&\soupir\sk\sk\qu f\enotes - %\check -%Takt 53 -\barre\notes\Hu N|\Qqh fiebe&\zmid{duit}\zhl N\ql f\sk\sk\ql e\relax - &\hlp i\sk\sk\qu i\enotes -\temps\notes\Dnu MK|\Qqh dfifb&\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll Kf\relax - &\qu m\sk\sk\qlu ii\enotes - %\check -%Takt 54 -\barre\notes\Hu L|\Qqh cgigc&\zmid{bli}\hll Lb&\rq j\qu i\sk\sk\noteskip - =1.5\noteskip\rq j\cu i\rq j\cu i\enotes -\temps\notes\Hu M|\Qqh ce{=h}ec&\zmid{ de}\zql M\noteskip=1.5\noteskip - \dqh fe\zmid{tes}\dqh dc&\quu {=h}j\sk\sk\noteskip=1.5\noteskip - \zq h\cu k\zq h\cu l\enotes - %\check -%Takt 55 -\barre\notes\Hu N|\Qqh d{=h}igd&\zmid{lois,}\zhl N\ql c\sk\sk\ql b\relax - &\quu{=h}l\sk\sk\quu ik\enotes -\temps\notes\zmidtwotext{\kern -2\Interligne\bf I \rm(G.O.)}\Dnu ML|\relax - \Qqh df{=h}fc&\soupir\sk\sk\ql M&\Hpause\enotes - %\check -%Takt 56 -\barre\notes\Hu K\zcharnote I{(+P‚d.)}|\sdqh bf\itenu1i\zqu i\Tqb ifb&\hl b\sk - \zmid{qui}\sk\qu b&\hpause\enotes -\temps\notes\Hu J\zcharnote I{(+P‚d.)}|\tten1\zqu i\raise -2\Interligne\ds - \dqb bf\zqu {_h}\qsk - \Tqb ifb&\zmid{la}\qll bf\sk\sk\zmid{con-}\qll af&\soupir\sk\sk\qu f\enotes - \def\atnextline{\quatreinstruments}% - %\check -%Takt 57 -\barre\notes\wh I&\hu I|\zhu g\raise -5\Internote\ds\dqb bf\Tqb ifb\relax - &\zmid{duit}\zhl N\ql f\sk\sk\ql e&\hlp i\sk\sk\qu i\enotes -\temps\notes&\Hl b|\zqu f\raise -6\Internote\ds\dqb df\zqu i\Tqb ifd\relax - &\zmid{\`a}\qll Md\sk\sk\zmid{l'ou-}\qll bd&\qu m\sk\sk\quu fk\enotes - %\check -%Takt 58 -\barre\notes\hu H&\Hl a|\itenu1j\zh h\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{bli}\hll ac&\quu hl\sk\sk\noteskip=1.5\noteskip - \zq h\cu l\zq h\cu l\enotes -\temps\notes\hu G&\Hl N|\tten1\rh i\zhu j\raise -3\Interligne\ds - \dqb ce\Tqb ece&\zmid{de}\qll Nb\sk\sk\zmid{tes}\qll Nb&\quu il\sk\sk - \noteskip=1.5\noteskip\zq i\cu k\zq i\cu l\enotes - %\check -%Takt 59 -\barre\notes\hu F&\zw F\wh M|\zq{=h}\zqu j\raise -3\Interligne\ds - \dqb c{=e}\Tqb fc{=a}&\zmid{lois !}\zhp M\hl c&\huu {=h}m\enotes -\temps\notes\Hpause&\zmidtwotext{\bf II \rm(Pos.)}|\Sqh cefhfc&\sk - \sk\sk\zmid{\^O}\ql M&\Hpause\enotes -\def\atnextline{\sanspedale}% - %\check -%Takt 60 -\barre\notes\Pause - &\hu F|\Qqh cdfd{_a}&\zmid{Christ sois}\dnb aa&\Pause\enotes -\temps\notes&\hu H|\Qqh {=b}c{_e}ca&\zmid{fa-\ \ \ \ vo-}\dnb NN\enotes - %\check -%Takt 61 -\barre\notes\hu K|\Qqh acdaM&\zmid{ra-}\hl M&\Pause\enotes -\temps\notes\hu J|\Sqh acdfda&\zmid{ble \`a}\ql M\sk\sk\zmid{\ ce}\zql M\cu -a\sk\cu a\enotes - %\check -%Takt 62 -\barre\notes\dnu IH|\sdqh{=e}f\sdqh fc&\zmid{peu-}\zhl M\qu d\sk - \sk\qu c&\Pause\enotes -\temps\notes\qu G|\sdqh cd&\zmid{ple}\qll Kb\enotes -\temps\notes\qu F|\sdqh da&\zmid{fi-}\qll aa\enotes - %\check -%Takt 63 -\barre\notes\hu H|\sdqh ac\Tqh eca&\relax - \Ilegl1F\zmid{d\`e-}\zql a\hu c\sk\sk\ql N\tleg1&\Pause\enotes -\temps\notes\qu D|\sdqh ac&\zmid{le}\qll Md&\enotes -\temps\notes\qu F|\Tqh daM&\zmid{pour}\qll Md\sk\sk\enotes - %\check -%Takt 64 -\barre\notes\hu G|\Qqb bdedb&\zmid{te}\hll Ld&\Pause\enotes -\temps\notes\hu H|\Qqb NcecN&\zmid{b\'e-}\hll Nc\enotes - %\check -%Takt 65 -\barre\notes\wh I|\Qqh MbdbM&\zmid{nir}\hll Md&\Hpause\enotes -\temps\notes|\Sqh bcdfdb&\zmid{main-}\qll Md\sk\sk\zmid{te-}\qll Md&\relax - \soupir\sk\sk\zmid{Re-}\qu f\enotes -%Takt 66 -\barre\notes\wh H|\zh f\zhu h\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{nant}\hll Md&\zmid{\c cois}\ql h\sk\sk\zmid{\c les}\ql h\enotes -\temps\notes|\zh e\zhu g\raise -4\Interligne\ds\dqb ac\Tqb dad&\relax - \zmid{ras-}\qll Ld\sk\sk\zmid{sem-}\qll Lc&\zmid{chants}\ql g\sk\sk - \zmid{qu'il}\ql g\enotes - %\check -%Takt 67 -\barre\notes\zql D\sdqh ac\zql H\Tqh daM|\zh d\zhu f&\relax - \zmid{bl\'e,}\zw d\ql K\sk\sk\qu H&\zmid{of-}\hu f\enotes -\temps\notes\dnb KJ|\Sqh adfhfd&\ql K\sk\sk\ql J&\zmid{re}\hl f\sk - \sk\zmid{Re-}\qu h\enotes - %\check -%Takt 68 -\barre\notes\wh I|\sdqh ad\zqu h\Tqb fda&\zmid{chants}\zhl I\raise\Interligne - \soupir\sk\sk - \qu a&\zmid{\c cois}\zhlp f\qu k\sk\sk\zmid{les}\qu j\enotes -\temps\notes|\zqu k\Tqb fdf\zqu j\Tqb hfd&\zmid{qu'il}\zhl I\ql d\sk\sk\ql c&\relax - \zmid{chants}\qu i\sk\sk\zmid{qu'il}\quu fh\enotes - %\check -%Takt 69 -\barre\notes\qsk\dnu LI|\zhu i\qsk\tQb hbe\Tqb heb&\zmid{offre}\zql L\hu b\sk - \sk\zmid{\`a}\ql I&\zmid{of-}\zh e\hu h\enotes -\temps\notes\dnu LK|\zqu i\Sqb gbegeb&\zmid{ta}\zql L\hu b\sk\sk - \zmid{gloi-}\ql K&\zmid{fre,}\zq e\qu g\sk\sk\zmid{…}\qu i\enotes - %\check -%Takt 70 -\barre\notes\zmidtwotext{\kern -\Interligne\bf I \rm(G.O.)}\wh J|\sdqb be\zqu i\Tqb geb\relax - &\zmid{ta}\zhl J\raise\Interligne\soupir\sk\sk\zmid{gloire}\qu b\relax - &\zhlp g\qu l\sk\sk\qu k\enotes -\temps\notes|\zqu l\Tqb geg\zqu k\Tqb ige&\zmid{im-}\zhl J\ql e\sk\sk - \zmid{mor-}\ql d&\qu j\sk\sk\quu gi\enotes - %\check -%Takt 71 -\barre\notes\qsk\Dnl MJ|\zhu j\qsk\tQb icf\Tqb ifc&\zmid{tel-}\zql M\hl c\sk\sk - \ql J&\zh f\hu i\enotes -\temps\notes\Dnl ML|\zqu j\tQb hcf\itenu1h\zqu h\qsk\Tqb gca&\zmid{le,}\relax - \qll Mc\sk\sk\zmid{et}\qll Lc&\zq f\qu h\sk\sk\rq h\qu g\enotes - %\check -%Takt 72 -\barre\notes\Dnl KM|\tten1\zqu h\tQb fdf\zqu{=h}\tQb ece&\zmid{de}\qll Kd\sk\sk - \qll M{=a}&\zhl f\qu m\sk\sk\qu j\enotes -\temps\notes\Dnl ba|\zqu i\Tqb dfd\zqu{_j}\tQb f{=d}f&\zmid{tex}\ql b\sk\sk - \qll {_a}{=d}&\zq f\qu k\sk\sk\zq{j}\qu m\enotes - %\check -%Takt 73 -\barre\notes\Dnl{=N}{=L}|\zqu i\tQb ebe\zqu{=g}\tQb{_d}bd&\zmid{dons}\qll {=N}e\sk - \sk\qll{=L}b&\zq i\qu l\sk\sk\zq{=g}\qu k\enotes -\temps\notes\Dnl M{=K}|\zqu h\tQb cac\zq h\zqu j\tQb fcf&\zmid{qu'il}\qll Ma\sk - \sk\qll{=K}a&\quu hj\sk\sk\quu fj\enotes - %\check -%Takt 74 -\barre\notes\zh E\hu L|\zh{=g}\zhu j\tQb ece\tQb ece&\zmid{tour-}\hll L{=N}\relax - &\huu ej\enotes -\temps\notes\zh{_D}\hu{_K}|\zh g\zhu i\raise -3\Interligne\ds - \dqb be\Tqb ebe&\zmid{ne}\zqp{_K}\qlp N\sk\sk\sk\zmid{com-}\zq K\cl N&\zqp e\qup i\sk - \sk\sk\zq e\cu i\enotes - %\check -%Takt 75 -\barre\notes\Hu J|\zhu h\raise -3\Interligne\ds\dqb ae\tQb eae\relax - &\hll Ja&\zh e\hup h\enotes -\temps\notes|\zcharnote n{\bf II}\sk\enotes -\temps\notes\hu K|\zhu{_j}\tQb fdf\Tqb hfd&\zmid{Et}\hll K{_c}&\hu f\sk - \sk\ql h\enotes - %\check -%Takt 76 -\barre\notes\dnu GI|\zqu i\raise -3\Interligne\ds\dqb dg\zqu h\relax - \raise -3\Interligne\ds\dqb {=d}f&\zmid{de}\qll Gd\sk\sk\qll Ia&\zq d\qu i\sk - \sk\zq{=d}\qu f\enotes -\temps\notes\dnb L{_K}|\zqu{_g}\raise -3\Interligne\ds - \dqb be\zq{=g}\zqu i\tQb gb{=e}&\zmid{tes}\qll LN\sk\sk\qll K{=N}&\relax - \zq d\qu g\sk\sk\zq{=f}\qu i\enotes - %\check -%Takt 77 -\def\atnextline{\quatreinstruments\savemeters}% - % -\barre\notes\Pause&\dnu JG|\zqu h\raise -3\Interligne\ds - \dqb a{_e}\zqu j\tQb {=h}eh&\zmid{dons}\qll Ja\sk\sk\qll Nc&\quu eh\sk\sk - \dfl i\quu il\enotes -\temps\notes\Pause&\dnu F{=G}\relax - |\zqu k\tQb {_h}fh\raise 2\Interligne\rlap{\ds}\Tqh bdb&\zmid{qu'il}\relax - \qll Md\sk\sk\zmid{re-}\qll {=N}b&\zq h\qu k\sk\sk\zq d\qu f\enotes - %\check -%Takt 78 -\barre\notes&\wh H|\Qqh acfca&\zmid{tour-}\hll aa&\zh c\hu h\enotes -\temps\notes&|\Qqh NcecN&\zmid{ne}\zqp H\qlp{_N}\sk\sk\sk - \zmid{com-}\zq H\cl N&\zqp c\qup e\sk\sk\sk\cu d\enotes - %\check - %Takt 79 -\barre\notes\zcharnote b{$\wedge$}\hl K&\zmidtwotext{\bf III - \rm(r\'ecit)}\sdqb Ma\Tqb daM|\sk\hpause&\zmid{bl\'e !}\zhp K\hlp M\relax - &\hup d\enotes -\temps\notes\hpause&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir \enotes - %\check - %Takt 80 -\barre\notes\hu F&\Qqb cdfda|\hu h&\Pause&\Pause\enotes -\temps\notes\hu G&\Qqb {=a}bdbN|\hu g\enotes - %\check - %Takt 81 -\barre\notes\itenl1H\wh H&\Qqb {=N}adaM|\hup f&\Hpause&\Hpause\enotes -\temps\notes&\Sqb acdfda|\sk\sk\sk\soupir&\soupir\sk\sk -\zmid{Et}\qll Ha&\soupir\sk\sk\zq d\qu f\enotes - %\check - %Takt 82 -\barre\notes\tten1\wh H&\Qqb NdedN|&\zmid{de}\zhl H\dnu NM&\zhu e\qsk\hl d\enotes -\temps\notes&\Qqb NcecN|&\zmid{tes}\hll HL&\huu cg\enotes - %\check - %Takt 83 -\barre\notes\wh K&\Qqb MadaM|&\zmid{dons}\zhp K\hlp M&\zhp d\hup f\enotes -\temps\notes&\Tqb acd\sdqb da|\soupir\sk\sk\qu f&\sk\sk\sk\soupir - &\sk\sk\sk\soupir\enotes - %\check - %Takt 84 -\barre\notes\hu{=H}&|\zqu k\Tqb efe\zqu j\Tqb fef&\Pause&\Pause\enotes -\temps\notes\dnu IJ&|\zqu i\Tqb dfd\zqu h\tQb fcf&\enotes - %\check - %Takt 85 -\barre\notes\dnu KL&|\zqu h\Tqb cfc\zqu g\tQb ebe&\Hpause&\Hpause\enotes -\temps\notes\dnu MF&\Sqb {=a}cMd{_a}M|\qu f\sk\sk\soupir - &\zmid{qu'il}\qll F{=a}\sk\sk - \zmid{re-}\qll F{_a}&\zq c\qu f\sk\sk\zq d\qu {_h}\enotes - %\check - %Takt 86 -\barre\notes\wh G&\Qqh MbdbM|&\zmid{tour-}\zw G\wh b&\zw d\wh f\enotes -\temps\notes&|\Tqh bdf\zq i\cu k\ds\enotes - %\check - %Takt 87 -\barre\notes\wh H&\sdqh Na|\sk\sk\sk\Tqh ceg&\zmid{ne}\relax - \zhlp H\hup N&\zhp c\hup e\enotes -\temps\notes&|\zq h\cu j\sk\ds\soupir&\sk\sk\zmid{com-}\qll HN\relax - &\sk\sk\quu dd\enotes - %\check - %Takt 88 -\barre\notes\itenl1K\wh K&|\Qqh acdaM&\relax - \zmid{bl\'e}\itenl0K\itenu3M\zw K\wh M&\itenl4d\wh d\enotes -\temps\notes&|\Tqb acd\itenu2f\zqu f\Tqb fda\enotes - \advance\barsinline by -1\relax % accepter une mesure de plus - %\check - %Takt 89 -\barre\notes\tten1\wh K&|\tten2\zw {Mad}\wh f\sk - &\tten0\tten3\zw K\wh M&\tten4\wh d\enotes -\finmorceau -\bye - diff --git a/Master/texmf-dist/doc/generic/musictex/recit.tex b/Master/texmf-dist/doc/generic/musictex/recit.tex deleted file mode 100644 index a5b93c29128..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/recit.tex +++ /dev/null @@ -1,413 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\title{R\'ecit} -\fulltitle{II. R\'ecit} -\csname titremorceautoc\endcsname -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\fullauthor{Daniel TAUPIN\\organiste … Gif-sur-Yvette} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqh#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\troistemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -% -\autolines 855\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\NOtes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -% mesure 1 -\advance\linesinpage by 1\relax -% -\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -%\check -% mesure 2 -\barre\NOtes\hu G&\zhp b\zh d\itenu1g\hup g|\hu i\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\itenu2e\qu e|\itenl0i\qu i\enotes -%\check -% mesure 3 -\barre\NOtes\hu H&\zhp c\zhp e\tten2\tten1\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-2}hg\enotes -\temps\notes\qu J&|\dqh{-2}ji\enotes -%\check -% mesure 4 -\barre\NOtes\hu K&\zh a\zh d\hu{^f}|\hu h\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 5 -\barre\NOtes\hu I&\itenu0d\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\tten0\itenu0d\zq a\zq d\qu{^f}|\qu i\enotes -% mesure 6 -\autolines 755\relax -\barre\NOtes\hu G&\tten0\itenu1d\zhp b\zhp d\hup g|\hu k\enotes -\temps\NOtes&|\enotes -\temps\NOtes\qu I&|\qu k\enotes -%\check -% mesure 7 -\barre\NOtes\qu{=I}&\tten1\itenl1N\zqu d\zhp{=b}\hlp N|\qup m\enotes -\temps\notes&\qu{=f}|\sk\cu l\enotes -\temps\notes\qu G&\qu d|\dqh{-5}mk\enotes -%\check -% mesure 8 -\barre\NOtes\hup J&\tten1\zhl N\zhp c\hup e|\qup l\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes&\ql a|\qu j\enotes -% mesure 9 -\barre\notes\hl K&\zhp d\zhp{^f}\hup h|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes\ql J&|\dqh{-3}ih\enotes -% mesure 10 -\barre\NOtes\hu I&\itenu1g\zh b\zhl d\hup g|\qup k\enotes -\temps\notes&|\sk\cu i\enotes -\temps\NOtes\qu J&\zq c\ql e|\qu g\enotes -% mesure 11 -\barre\NOtes\hu K&\tten1\zhl d\zhp g\hup i|\soupir\enotes -\temps\notes&|\dsoupir\cu d\enotes -\temps\notes\qu J&\ql e|\dqh7gj\enotes -% mesure 12 -\barre\NOtes\hup K&\zhp a\zh d\hup{^f}|\hup h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\ql c|\relax\enotes -% mesure 13 -\barre\NOTes\hu G&\zh g\zh b\hu d|\hu g\enotes -\temps\NOtes\soupir&\soupir|\soupir\enotes -% -% mesure 14 -\barre\NOtes\hu I&\zh b\zh d\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq a\zq c\qu{^f}|\qu h\enotes -%\check -% mesure 15 -\barre\NOtes\itenl1G\hlp G&\itenu0d\zhu g\zhp b\hlp d|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&\itenl2N\ql N|\qu i\enotes -%\check -% mesure 16 -\barre\NOtes\tten1\hlp G&\tten2\tten0\itenl1N\zhp{=b}\zqu d\hlp N|\xTrille q{2\noteskip}\hu{=i}\enotes -\temps\NOtes&\qu{=f}|\relax\enotes -\temps\notes&\qu d|\ibu0i0\qh0i\noteskip=0.6\elemskip\relax\nbbu0\qh0h\tqh0i\enotes -%\check -% mesure 17 -\barre\NOtes\hu J&\tten1\zhl N\zhp c\hup e|\qup j\enotes -\temps\notes&|\sk\cu k\enotes -\temps\NOtes\qu H&\ql a|\qu l\enotes -%\check -% mesure 18 -\barre\NOtes\hlp K&\itenu1f\itenu2h\zhp d\zhp {^f}\hup h|\itenl0k\hlp k\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -% mesure 19 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp{^f}\hup h|\tten0\dqb5k{^m}\enotes -\temps\notes&|\dqb3no\enotes -\temps\notes&|\dqb{-5}pn\enotes -% mesure 20 -\barre\notes\hup I&\zhp b\zhp d\hup g|\dqb6kn\enotes -\temps\notes&|\dqb3op\enotes -\temps\notes&|\dqb{-5}qo\enotes -% mesure 21 -\barre\notes\hup H&\zhp a\zhp c\hup{^f}|\dqb9ko\enotes -\temps\notes&|\dqb3pq\enotes -\temps\notes&|\dqb{-5}rp\enotes -% mesure 22 -\barre\notes\hup G&\itenl1N\zqu d\zhp N\hlp{=b}|\dqb3n{_o}\enotes -\temps\notes&\qu{=f}|\dqb{-3}nm\enotes -\temps\notes&\qu d|\dqb{-3}lk\enotes -% mesure 23 -\barre\NOtes\qu J&\tten1\zhp N\zhp c\hup e|\qup j\enotes -\temps\notes\qu H&|\sk\cl k\enotes -\temps\notes\qu J&|\dqb{-5}lj\enotes -% mesure 24 -\barre\notes\hu K&\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 25 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu h\enotes -\temps\notes&|\dqh3ij\enotes -% -% mesure 26 -\barre\NOtes\hup D&\zhl d\zhp{^f}\hup h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&\ql c|\trioskip\ibl0d5\qbp0d\sk\tbbl0\tqb0k\enotes -% mesure 27 -\barre\NOtes\qu G&\itenu1d\itenu2g\zhp b\zhp d\hup g|\qlp k\enotes -\temps\notes\hu I&|\sk\cl l\enotes -\temps\notes&|\dqb5m{_o}\enotes -% mesure 28 -\barre\notes\hup{=I}&\tten1\tten2\itenu1g\zhl{=b}\zhp d\hup g|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&\ql N|\dqb{-3}j{=i}\enotes -% mesure 29 -\barre\NOtes\hu J&\tten1\zh c\zh e\hu g|\ql k\enotes -\temps\notes&|\ql j\enotes -\resp -\temps\notes\qu H&\soupir|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 30 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 31 -\barre\NOtes\qup I&\itenl3b\tten1\zhu f\zhp b\hlp d|\hl k\enotes -\temps\notes\sk\cu H&|\relax\enotes -\temps\NOtes\qu G&\itenl2g\qu g|\itenl0g\qu g\enotes -% mesure 32 -\barre\NOtes\hu E&\tten3\tten2\zhl b\zhp e\hup g|\tten0\qup g\enotes -\temps\notes&|\sk\cu d\enotes -\temps\notes\qu J&\ql c|\dqh7gj\enotes -% mesure 33 -\barre\NOtes\hu K&\zh d\zh{^f}\hu a|\hu h\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes\qu J&\soupir|\trioskip\ibl0g5\qbp0g\sk\tbbl0\tqb0n\enotes -% mesure 34 -\barre\notes\hup{=I}&\itenu1g\zhp{=b}\zhp d\hup g|\dqb3n{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}lk\enotes -% mesure 35 -\barre\notes\hup J&\tten1\itenl1c\zhp c\zhp e\hup g|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb3kl\enotes -% mesure 36 -\barre\notes\hup H&\tten1\itenu1f\zhp a\zhp c\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 37 -\barre\notes\hu I&\tten1\zhl b\zq f\hup d|\dqh{-5}kg\enotes -\temps\notes&\qu{^f}|\dqh3{^f}g\enotes -\temps\notes\qu{=I}&\zqu{_h}\ql{=b}|\dqh3{=i}k\enotes -%\check -% mesure 38 -\barre\NOtes\hu J&\zhu g\zhp c\hlp e|\qu k\enotes -\temps\NOtes&|\qu j\enotes -\resp -\temps\notes\qu H&\qu{=h}|\trioskip\ibl0f5\qbp0f\sk\tbbl0\tqb0m\enotes -% mesure 39 -\barre\notes\hup F&\zhp a\zhp c\itenl1f\hup f|\dqb3mn\enotes -\temps\notes&|\dqb{-3}ml\enotes -\temps\notes&|\dqb{-3}kj\enotes -%\check -% mesure 40 -\barre\notes\hup I&\tten1\zhp f\zhp b\hup d|\dqh{-5}kg\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3{_i}k\enotes -%\check -% mesure 41 -\barre\notes\hup J&\itenu1c\itenu2e\zhp N\zhp c\hup e|\dqb3lm\enotes -\temps\notes&|\dqb{-3}lk\enotes -\temps\notes&|\dqb{-3}ji\enotes -% mesure 42 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp a\zhp c\hup e|\dqh3hi\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes&|\dqh5hj\enotes -% mesure 43 -\barre\notes\hu K&\tten1\zhp a\zhp d\hup{^f}|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes\qu{^F}&|\dqb{-3}ih\enotes -% mesure 44 -\barre\NOtes\qu G&\zql b\zhp e\hup g|\qup g\enotes -\temps\notes\hu E&\hl c|\sk\cu{^f}\enotes -\temps\notes&|\dqh8gj\enotes -% -% mesure 45 -\barre\NOtes\hup D&\zhp d\zhp{^f}\hup h|\xTrille p{3\noteskip}\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes&|\relax\enotes -%\check -% mesure 46 -\barre\NOtes\hup G&\zh b\zh d\hu g|\hu g\enotes -\temps\Notes&|\relax\enotes -\resp -\temps\notes&\soupir|\fl i\trioskip\ibl0i5\qbp0i\sk\tbbl0\tqb0p\enotes -%\check -% mesure 47 -\barre\notes\hup{=L}&\lna e\zhp e\zhp g\hup{_b}|\dqb{-3}p{_o}\enotes -\temps\notes&|\dqb{-3}nm\enotes -\temps\notes&|\dqb{-3}{=l}k\enotes -%\check -% mesure 48 -\barre\NOtes\hup M&\itenl1f\itenl2h\zhp f\zhp{_h}\hup c|\hu j\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0h5\qbp0{_h}\sk\tbbl0\tqb0{_o}\enotes -%\check -% mesure 49 -\barre\nspace\notes\hup K&\tten1\tten2\zhp d\zhp f\hup{_h}|\dqb{-3}{_o}n\enotes -\temps\notes&|\dqb{-3}m{_l}\enotes -\temps\notes&|\dqb{-3}kj\enotes -% mesure 50 -\barre\NOtes\hup L&\itenu1e\itenu2g\zhp b\zhp e\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\notes&|\trioskip\ibl0e5\qbp0e\sk\tbbl0\tqb0l\enotes -% mesure 51 -\barre\notes\hup J&\tten1\tten2\zhp c\zhp e\hup g|\dqb{-3}lk\enotes -\temps\notes&|\dqb3jk\enotes -\temps\notes&|\dqb{-5}lj\enotes -%\check -% mesure 52 -\barre\notes\hup K&\itenu1d\zhp{ad}\hup{^f}|\dqb3hi\enotes -\temps\notes&|\dqb{-3}hg\enotes -\temps\notes&|\dqb5hj\enotes -%\check -% mesure 53 -\barre\notes\hup I&\tten1\zhp{bd}\hup g|\dqb3kl\enotes -\temps\notes&|\dqb{-3}kj\enotes -\temps\notes&|\dqb{-5}ki\enotes -% mesure 54 -\barre\notes\hup L&\itenu1c\itenu2e\zh{Nc}\hup e|\dqh3gh\enotes -\temps\notes&|\dqh{-3}g{^f}\enotes -\temps\notes&|\dqh5gi\enotes -% mesure 55 -\barre\notes\hup H&\tten1\tten2\itenl1a\zhp{ac}\hup e|\dqb3jk\enotes -\temps\notes&|\dqb{-3}ji\enotes -\temps\notes&|\dqb{-5}jh\enotes -% mesure 56 -\barre\notes\hup K&\tten1\itenu1d\zhp{ad}\hup{^f}|\dqh{-5}{^f}d\enotes -\temps\notes&|\dqh3ef\enotes -\temps\notes&|\dqh3gh\enotes -% mesure 57 -\barre\notes\itenl0G\hup G&\tten1\itenu1g\zhp{bd}\hup g|\dqh{-5}ig\enotes -\temps\notes&|\dqh3{^f}g\enotes -\temps\notes&|\dqh3hi\enotes -% mesure 58 -\barre\notes\tten0\itenl0G\hup G&\tten1\itenu1g\zhp{ce}\hup g|\dqh{-7}jg\enotes -\temps\notes&|\dqh5{^f}g\enotes -\temps\notes&|\dqh3ij\enotes -% mesure 59 -\barre\notes\tten0\hup G&\tten1\itenu1g\itenl2b\zhp{bd}\hup g|\dqh3kl\enotes -\temps\notes&|\dqh{-3}kj\enotes -\temps\notes&|\dqh{-3}i{_h}\enotes -%\check -% mesure 60 -\generalmeter{\meterfrac 24}% -\advance\elemskip by 1.5pt -\changecontext\notes\qu L&\itenu3e\tten1\tten2\zql b\zh e\hu g|\Uptext{\moyen pi\`u lento}\dqb5gi\enotes -\temps\notes\qu J&\itenl1c\ql c|\dqb3jk\enotes -%\check -% mesure 61 -\barre\NOTes\itenl0H\hu H&\tten1\tten3\itenl1a\zh a\zh c\hu e|\qlpp l\enotes -\temps\notes&|\ccl n\enotes -%\check -% mesure 62 -\barre\NOtes\tten0\hu H&\tten1\itenl1a\lna e\zh a\zh{^c}\hu e|\xTrille q{2\noteskip}\qup{^j}\enotes -\temps\notes&|\trioskip\sk\ibbl0i3\qb0i\tqb0j\enotes -%\check -% mesure 63 -\barre\NOTEs\pointdurgue G\hu K&\tten1\pointdorgue m\zh{ad}\hu{^f}|\pointdorgue m\hl k\enotes -% mesure 64 -\troistemps -\advance\elemskip by -1.5pt -\changecontext\NOtes\hu I&\soupir|\soupir\enotes -\temps\notes&\zq b\zql d\hu g|\dqh7dg\enotes -\temps\notes\qu L&\zq c\ql e|\dqh{-3}ji\enotes -% mesure 65 -\barre\NOTEs\hup K&\itenl0d\zhu h\zhp d\hlp{^f}|\Uptext{\moyen tempo primo}\xTrille o{\noteskip}\hu h\enotes -\temps\notes&\qu j|\dqb{-3}hg\enotes -% mesure 66 -\barre\NOTes\hu G&\tten0\zh{dg}\hu i|\hu g\enotes -\temps\notes\soupir&\soupir|\soupir\enotes -% mesure 67 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes\qu H&\zq{ac}\qu{^f}|\qu h\enotes -% mesure 68 -\barre\NOtes\hu G&\itenu1g\zhp b\zh d\hup g|\hu i\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu I&\itenl2e\qu e|\itenl0i\qu i\enotes -% mesure 69 -\barre\NOtes\hu J&\tten1\tten2\zhl c\zhp e\hup g|\tten0\qu i\enotes -\temps\notes&|\dqh{-3}hg\enotes -\temps\notes\qu L&\ql a|\dqh{-3}ji\enotes -% mesure 70 -\barre\NOtes\hu K&\zh d\zh{^f}\hu h|\hu h\enotes -\temps\NOtes&|\relax\enotes -\temps\NOtes\qu J&\soupir|\soupir\enotes -% mesure 71 -\barre\NOtes\hu I&\itenl1d\itenu2g\zhp b\zhp d\hup g|\qu d\enotes -\temps\NOtes&|\qu g\enotes -\temps\notes\qu H&|\dqh5ik\enotes -% -% mesure 72 -\barre\NOtes\hup G&\zhp{=b}\tten1\tten2\zhp d\hup g|\qlp m\enotes -\temps\notes&|\sk\cl m\enotes -\temps\notes\qu{=I}&|\dqb{-3}lk\enotes -% mesure 73 -\barre\NOtes\hup J&\zh e\zhu g\hlp c|\hl j\enotes -\temps\Notes&|\relax\enotes -\temps\NOtes&\zq{^f}\qu h|\ql k\enotes -\autolines {12}45\relax -% mesure 74 -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -\barre\notes\hu I&\zhl b\zhp d\hup g|\qqbbl0klkj\enotes -\temps\notes&|\qqbbl{-3}kjih\enotes -\temps\notes\qu{=I}&\ql{=b}|\qqbbl{-3}gfed\enotes -% mesure 75 -\autolines{14}35\relax -\alaligne\notes\hu J&\zhu g\zhp c\hup e|\qqbbl0lmlk\enotes -\temps\notes&|\qqbbl{-3}lkji\enotes -\temps\notes\qu H&\qu a|\qqbbh{-3}hg{^f}{=e}\enotes -% mesure 76 -\barre\notes\hu K&\zhl d\zhp{^f}\hup h|\qqbbl0{^m}nm{=l}\enotes -\temps\notes&|\qqbbl{-4}mlkj\enotes -\temps\notes\qu J&\ql c|\qqbbl{-5}ihg{^f}\enotes -% mesure 77 -\barre\notes\qu I&\zq b\zq d\qu g|\qqbbh0g{=e}{^f}g\enotes -\temps\notes\qu H&\zq c\zql e\hu h|\qqbbl4hij{_l}\enotes -\temps\notes\qu K&\zq d\qu{^f}|\qqbbl0k{=l}{^m}k\enotes -\quatretemps -% mesure 78 -\autolines {10}35\relax -\changecontext\barsinline=0\relax -\NOTEs\hlp I&\zwh g\zhp b\hlp d|\hl n\enotes -\temps\NOtes&|\dsoupir\cl d\enotes -\temps\NOtes\qu J&\zq c\ql e|\dqb5gj\enotes -% mesure 79 -\barre\NOtes\hup K&\zw d\zw{^f}\wh h|\xTrille o{3\noteskip}\hlp h\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\notes\qu D&|\dqh{-3}hg\enotes -% mesure 80 -\barre\NOtes\wh G&\zw b\zw d\wh g|\mordant o\wh g\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\temps\NOtes&|\enotes -\finmorceau -\medskip\rightline{\it \aujourdhui} -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/recueil.tex b/Master/texmf-dist/doc/generic/musictex/recueil.tex deleted file mode 100644 index d8c18ca5a83..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/recueil.tex +++ /dev/null @@ -1,128 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\vsize 270mm -\hyphenation{re-gis-tra-tion} -\csname french\endcsname -\tracingstats=2\relax -\line{\ \hss} -\font \geant=\fonthdg\fonthdge bx12 scaled \magstep 6 -\vskip 15mm -\font\assezgros=\fonthdg\fonthdge r17 scaled \magstep 1 -\centerline{\assezgros Daniel TAUPIN} -\vfil -{\baselineskip 20mm -\centerline{\geant PETITES} -\centerline{\geant PI\`ECES}\centerline{\geant POUR} -\centerline{\geant PLAIRE} -} -\vskip 15mm -\centerline{\sl Petites pi\`eces pas trop difficiles pour orgue} -\smallskip -\centerline{\sl \`a deux claviers et p\'edalier} -\vfil -\centerline{Orsay, \aujourdhui} -\eject -%\check -\null -\vfil -\hbox to \hsize{\hss\vbox{\hsize 12cm -\centerline{\moyen PR\'EFACE ET AVERTISSEMENT} - \bigskip Pour pouvoir avoir l'outrecuidance de se pr\'etendre compositeur -\`a la fin du XX\`eme si\`ecle, il est indispensable de faire preuve -d'audaces, de produire du jamais entendu, m\^eme si seule une minorit\'e -infime d'initi\'es, c'est-\`a-dire l'\'elite musicale et musicologique, est -capable d'appr\'ecier la d\'elicate saveur des \'etranget\'es harmoniques -qu'on lui propose. - \medskip Ou bien alors, si l'on veut produire de la musique tonale, il faut -se r\'esigner \`a \^etre catalogu\'e dans cette musique de vari\'et\'es, qui -est r\'eput\'ee \^etre \`a la vraie musique ce que le ``fast-food'' est \`a -la gastronomie. - \medskip En d\'efinitive, l'audace de l'auteur de ces ``Petites Pi\`eces -Pour Plaire'' est d'avoir os\'e \'ecrire de la musique qui n'est ni de la -musique ``contemporaine'', ni de la musique de ``vari\'et\'es'', qui aurait -pu \^etre \'ecrite -- disons modestement~: comme exercices de style -- par -des \'el\`eves des compositeurs des deux ou trois si\`ecles pass\'es. Leur -simple objectif est de charmer les oreilles d'auditeurs de culture classique, -tout en restant compatibles avec le genre des lieux o\`u l'on trouve le plus -d'orgues classiques, \`a savoir les \'eglises. - \medskip -\centerline{\vrule height 0.4pt width 0.5\hsize} -\vskip 1mm - \medskip Comme il est \'ecrit dans le titre, ces pi\`eces n\'ecessitent -l'usage du p\'edalier, mais la partie de p\'edale est rarement difficile~; de -ce fait elles pourront servir de pi\`eces d'initiation \`a l'orgue pour des -pianistes d'un niveau moyen. - \medskip Bien que certaines pi\`eces (notamment le Choral Vari\'e et la -Romance sans Paroles) -mentionnent une registration \`a trois claviers, toutes ces pi\`eces peuvent -\^etre jou\'ees avec les instruments usuels \`a deux claviers et p\'edalier. - \vskip 15mm - \rightline{\vtop{\divide\hsize by 2\relax\centerline{\sl Daniel -TAUPIN}\smallskip \centerline{\sl \aujourdhui}}} - - \bigskip - \centerline{\rm Tous droits de reproduction commerciale r\'eserv\'es} - \centerline{\rm All rights of commercial distribution reserved} - \bigskip - \def\tocitem#1#2{\hbox to \hsize{\hskip 1cm #1\dotfill\ p. #2\hskip 1cm}} - \input recueil.toc -}\hss}\vfil -\eject - \def\titremorceautoc{\write\toc{\noexpand\tocitem{\titremorceau}{\the\pageno}}} - \newwrite\toc - \immediate\openout\toc=recueil.toc -% -% -\def\misazero{\def\nbinstruments{2}\nbporteesi=1\relax -\nbporteesii=2\relax -\barsinline=0\relax -\linesinpage=0\relax -\signaturegenerale{0}\savesignature -\resetfacteurs -\computewidths}% -% -\misazero -\input adagio -% -\misazero -\input recit -% -\misazero -\input tierce -% -\misazero -\input choral -% -\misazero -\input reves -% -\misazero -\input prelude -% -\misazero -\input fugue -% -\misazero -\input aria -% -\misazero -\input ostinato -% -\misazero -\input romances -% -\misazero -\input magnific -% -\misazero -\input marcellx -% -\misazero -\input purcellx -% -\misazero -\input avemario -% -\closeout\toc -\bye diff --git a/Master/texmf-dist/doc/generic/musictex/reves.tex b/Master/texmf-dist/doc/generic/musictex/reves.tex deleted file mode 100644 index d955c73811b..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/reves.tex +++ /dev/null @@ -1,529 +0,0 @@ -\title{R\^eves} -\fulltitle{V. \titremorceau} -\subtitle{(pour orgue)} -\csname titremorceautoc\endcsname -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{0}\relax % pas d'armature -\def\quatretemps{\generalmeter{\meterfrac{4}{4}}}% -\def\troistemps{\generalmeter{\meterfrac{3}{4}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{4}}}% -\def\Mordant{\mordant{10}}% -\def\Pince{\pince{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -\def\doubler{\multnoteskip 2\relax}% -\def\tripler{\multnoteskip 3\relax}% -% formes frequentes -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\medskip\noindent{\rm G.O.: bourdon 8', unda maris ou tremblant}% -\par\noindent{\rm R\'ec.: nasard, tremblant}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\generalmeter{\meterfrac 44\meterfrac 54}% -% -\def\trioskip{\doubler\relax\divide\noteskip by 3\relax}% -\debutmorceau -\autolines {10}45\relax -\footnote{}{\noteskip=18pt\altportee=0pt\resetstem -\tenpoint\bf* \rm Notation :\ \ \zwq 1\ \ \ = \itenl01\wh 1\tten0\qu 1\ \ .}% -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{\hbox{\kern -16mm\moyen Adagio molto \bf(\metron{\qu}{50})}}\enotes -\advance\linesinpage by 1\relax -% \advance\barsinline by 1\relax -% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\temps\Notes\itenu0J\zwq J\zcharnote 8 {\bf *}&\itenl1c\qu c\enotes -\temps\Notes&\tten1\itenl1c\zw c\qsk\wh d\enotes -\temps\Notes&\qu g|\pause\enotes -\temps\Notes&\qu{_h}\enotes -\temps\Notes&\qu{_i}\enotes -% mesure 2 -\barre\nspace\nspace - \notes\tten0\itenu0J\zwq J&\tten1\itenl1c\lh d\lfl d\zhl c\relax - \ibu0g0\qh0g\trioskip\nbbu0\qh0{=h}\tqh0g|\sk\hpause\enotes -\temps\notes&\dqu3ef\enotes -\temps\NOTEs&\tten1\itenl1c\itenl2e\itenu3g\relax - \zhp c\zhp e\hup g|\divide\noteskip by 2\relax\sk\hpause\enotes -\temps\NOtes&|\qu c\enotes -% mesure 3 -\def\atnextline{\autolines {9}45}\relax -\barre\nspace -\Notes\tten0\wh J&\tten1\tten2\tten3\zw c\zw e\itenu1g\wh g|\qu{_d}\enotes -\temps\Notes&|\qu g\enotes -\temps\Notes&|\qu{_h}\enotes -\temps\Notes&|\qu{_i}\enotes -% mesure 4 -\barre\nspace\notes\doubler\hu{=H}&\zw g\tten1\lfl d\fl e\kern 3pt\lh d\hl e\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0{_h}\tqh0g\enotes -\temps\notes&|\dqu3{_e}f\enotes -\temps\NOTEs\itenu0J\hup J&\itenu1c\itenu2e\zhp c\hlp{=e}|\hu g\enotes -\temps\NOtes&\qu{_h}|\qu j\enotes -% mesure 5 -%\barre -\alaligne -\notes\tten0\wh J&\tten1\tten2\itenu1c\itenu2e\zw{ceg}\relax - |\ibu0g0\qh0g\trioskip\nbbu0\qh0f\tqh0g\enotes -\temps\notes&|\dqh3ef\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes&|\qu{_h}\enotes -% mesure 6 -\barre\NOtes\wh{_H}&\tten1\tten2\itenu2e\zw{_ac}\wh e|\qu{_i}\enotes -\temps\NOtes&|\qu j\enotes -\temps\NOtes&|\qu k\enotes -\temps\notes&|\dql3l{^m}\enotes -% mesure 7 -\barre\nspace\NOtes\zwq E&\tten2\itenu2e\zwq{be}\zwq{^g}|\ql{^n}\enotes -\temps\NOtes&|\ql l\enotes -\temps\notes&|\cddcu i{^j}\enotes -\temps\notes&|\dqu3{^g}h\enotes -\temps\NOtes&|\qu i\enotes -% mesure 8 -\barre\NOtes\zwq J&\tten2\itenl1c\zwq{ce}\zwq{=g}|\ql j\enotes -\temps\NOtes&|\qu{=g}\enotes -\temps\notes&|\cddcu e{^f}\enotes -\temps\notes&|\dqu3cd\enotes -\temps\NOtes&|\qu e\enotes -% mesure 9 -\barre\Notes\zw{^G}&\tten1\itenl1c\zw{ac_e}|\qu{^f}\enotes -\temps\Notes&|\qu{^g}\enotes -\temps\Notes&|\qu{^h}\enotes -\temps\notes&|\dql3jk\enotes -%\check -% mesure 10 -\barre\NOtes\zwq J&\tten1\zwq{Nc=e}|\ql l\enotes -\temps\NOtes&|\ql j\enotes -\temps\notes&|\na g\cddcu g{=h}\enotes -\temps\notes&|\dqu3e{=f}\enotes -\temps\NOtes&|\qu g\enotes -% mesure 11 -\barre\NOtes\zwq F&\fl d\zwq{_af}\rlap{\qsk\hup d}|\qu{_h}\enotes -\temps\NOtes&|\qu{_i}\enotes -\temps\NOtes&|\ql j\enotes -\temps\notes&\itenl0b\hu b|\dql3kl\enotes -\temps\NOtes&|\ql{^m}\enotes -% mesure 12 -\barre\nspace\Notes\zwq E&\tten0\zw b\zwq{e^g}|\ql{^n}\enotes -\temps\Notes&|\ql l\enotes -\temps\notes&|\cddcu i{^j}\enotes -\temps\notes&|\dqu3{^g}{^h}\enotes -\temps\NOtes&\qu{^b}|\qu{^i}\enotes -\def\atnextline{\autolines {11}45}\relax -% mesure 13 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\temps\NOtes&|\qu{^g}\enotes -\temps\notes&\hu d|\na e\cddcu e{^f}\enotes -\temps\notes&|\dqu3{^c}d\enotes -\temps\NOtes&\qu e|\qu e\enotes -% mesure 14 -\barre\NOtes\wh F&\rlap{\lna c\qsk\hup{c}}\zw{a=f}|\qu f\enotes -\temps\NOtes&|\qu{=c}\enotes -\temps\notes&|\dqu3de\enotes -\temps\NOtes&\qu{_d}|\qu f\enotes -% mesure 15 -\barre\nspace\NOtes\wh{_E}&\lfl e\rlap{\qsk\hup e}\zw{_b_g}|\qu{_g}\enotes -\temps\NOtes&|\qu{_d}\enotes -\temps\notes&|\bigfl e\dqu3{e}f\enotes -\temps\NOtes&\qu{=d}|\qu g\enotes -% mesure 16 -\advance\barsinline by -1\relax -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\temps\NOtes&|\qu{=e}\enotes -\temps\notes&|\bigfl g\dqu3{g}{_h}\enotes -\temps\NOtes&\qu f|\qu{_i}\enotes -% mesure 17 -\barre\NOtes\zwq J&\zwq{ce}\zwq g|\ql j\enotes -\temps\NOtes&|\qu{=g}\enotes -\temps\notes&|\cddcu ef\enotes -\temps\notes&|\dqu3cd\enotes -\temps\NOtes&|\qu e\enotes -% mesure 18 -\barre\nspace\NOtes\wh{^F}&\zw a\zw{_e}\qsk\itenu1d\wh d|\qu{_e}\enotes -\temps\notes&|\dqu{3}de\enotes -\temps\notes&|\dqu{3}cd\enotes -\temps\notes&|\dqu{3}ef\enotes -% mesure 19 -\barre\NOtes\wh G&\tten1\zw b\zw d\zw g|\qu g\enotes -\temps\notes&|\cddcu d{_e}\enotes -\temps\Notes&|\dqu3bc\enotes -\temps\Notes&|\qu d\enotes -% mesure 20 -\advance\barsinline by -1\relax -\autolines {22}25\relax -\cleftoksii={{6}{0}{0}{0}}\changeclefs -\def\sxtu#1#2#3#4#5#6{{\advance\transpose by 4\ibbu0{#1}2}\qh0{#1}\relax - \qh0{#2}\qh0{#3}\qh0{#4}\qh0{#5}\tqh0{#6}}% -%\check -\def\sxtl#1#2#3#4#5#6{{\advance\transpose by 2\ibbl0{#1}2}\qb0{#1}\relax - \qb0{#2}\qb0{#3}\qb0{#4}\qb0{#5}\tqb0{#6}}% -%\check -% croche et deux doubles croches (1ere = 3eme) -\def\duoskip{\tripler\relax - \divide\noteskip by 2\relax}% -\def\cddcu#1#2{\duoskip\ibu0{#1}0\qh0{#1}\sk - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\duoskip\ibl0{#1}0\qb0{#1}\sk - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre\notes\doubler\wh{_G}&\fl N\sxtl N{_a}{_d}{_e}da|\bigaccid\qu{_e}\enotes -\temps\notes&\sxtl{N}ad{e}da|\qu f\enotes -\temps\notes&\sxtl{N}ad{e}da|\qu g\enotes -\temps\notes&\sxtl{N}{a}{=d}{=e}da|\tripler\dqu2hi\enotes -% mesure 21 -\autolines {29}25\relax -\barre\notes\doubler\wh{^J}&\sxtl M{_a}d{_e}da|\bigsh j\cddcu jk\enotes -\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{-2}{^g}{^f}\enotes -\temps\notes&\sxtl M{a}d{e}da|\tripler\dqu{2}{^e}f\enotes -\temps\notes&\sxtl M{a}d{e}da|\qu g\enotes -% mesure 22 -\barre\notes\zwq K&\sxtl KMbcbM|\qu h\enotes -\temps\notes&\sxtl KMbcbM|\qu i\enotes -\temps\notes&\sxtl KMbcbM|\tripler\dqu2jk\enotes -\temps\notes&\sxtl KMbcbM|\ql l\enotes -\temps\notes&\sxtl KMbcbM|\ql m\enotes -\autolines {27}25\relax -% mesure 23 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\notes\itenu0J\zwq J&\sxtu Ncefec|\ql n\enotes -\temps\notes&\sxtu Ncefec|\tripler\dql{-2}lj\enotes -\temps\notes&\sxtu Ncefec|\cddcu gh\enotes -\temps\notes&\sxtu Ncefec|\tripler\dqu2ef\enotes -\temps\notes&\sxtu Ncefec|\qu g\enotes -% mesure 24 -\barre\notes\tten0\hup J&\sxtu Ncefec|\tripler\dqu2hi\enotes -\temps\notes&\sxtu Ncefec|\tripler\dqu2jk\enotes -\temps\notes&\sxtu Ncefec|\tripler\dql4ln\enotes -\temps\notes\qu H&\multnoteskip{1.1}\sxtu ac{_e}{^f}ec|\bigsh m\ql{m}\enotes -% mesure 25 -\autolines {31}25\relax -\barre\notes\zwq G&\noteskip 1.2\noteskip\sxtu ac{=e}{^f}ec|\ql n\enotes -\temps\notes&\sxtu acefec|\tripler\dql{-4}lj\enotes -\temps\notes&\sxtu acefec|\cddcu gh\enotes -\temps\notes&\sxtu acefec|\tripler\dqu2e{^f}\enotes -\temps\notes&\sxtu acegec|\qu g\enotes -% mesure 26 -\barre\notes\doubler\zwq{_G}&\noteskip 1.3\noteskip -\lfl N\bigfl a\sxtu N{a}e{^f}ea|\doubler\qu{_h}\enotes -\temps\notes&\sxtu Naefea|\tripler\dql2{_i}j\enotes -\temps\notes&\sxtu Naefea|\tripler\dql2kl\enotes -\temps\notes&\sxtu Naefea|\tripler\dql2{^m}{^n}\enotes -\temps\notes&\sxtu Naefea|\tripler\ql{_p}\enotes -% mesure 27 -\autolines {28}25\relax\barre\notes\zwq J&\bigna N\sxtu Ncegec|\ql q\enotes -\temps\notes&\sxtu Ncegec|\doubler\ql{=n}\enotes -\temps\notes&\sxtu Ncegec|\bigaccid\cddcl l{=m}\enotes -\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\temps\notes&\sxtu Ncegec|\ql l\enotes -%\check -% mesure 28 -\barre\notes\zwq H&\noteskip 1.2\noteskip\sxtu ac{_e}{_g}ec|\bigaccid\ql{^m}\enotes -\temps\notes&\sxtu acegec|\tripler\dql{-2}{=l}k\enotes -\temps\notes&\fl a\sxtu ac{=e}fec|\tripler\dql{-2}j{_i}\enotes -\temps\notes&\sxtu acefec|\tripler\dqu{-2}{_h}{_g}\enotes -% mesure 29 -\autolines {24}25\relax -\barre\notes\wh J&\sxtu Ncegec|\cddcu ef\enotes -\temps\notes&\sxtu Ncegec|\tripler\dqu3{=g}{=i}\enotes -\temps\notes&\sxtu Ncegec|\tripler\dql2jk\enotes -\temps\notes&\sxtu Ncegec|\tripler\dql4ln\enotes -%\check -% mesure 30 -\barre\notes\wh H&\sxtu ac{^f}{^g}fc|\ql q\enotes -\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{_p}{^n}\enotes -\temps\notes&\sxtu acfgfc|\tripler\dql{-2}{^m}l\enotes -\temps\notes&\sxtu acfgfc|\tripler\dql{-2}kj\enotes -%\check -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 31 -\autolines {25}25\relax -\barre\notes\hup J&\sxtl Ncegec|\cddcu gh\enotes -\temps\notes&\sxtl Nce{^f}ec|\tripler\dqu{-2}{^f}e\enotes -\temps\notes&\sxtl Ncefec|\tripler\dqu{-2}dc\enotes -\temps\notes\itenl0H\doubler\qu{_H}&\fl N\sxtl N{_a}d{_e}da|\doubler - \itenl1e\qu{_e}\enotes -%\check -% mesure 32 -\barre\notes\doubler\tten0\wh{_H}&\noteskip 1.1\noteskip\fl N\sxtl -N{_a}d{_e}da|\bigfl e\tten1\qu{e}\enotes -\temps\notes&\noteskip 1.1\noteskip\sxtl Nad{=e}da|\bigaccid\hup{=e}\enotes -\temps\notes&\sxtl Nadeda|\enotes -\temps\notes&\sxtl Nadeda|\enotes -%\check -% mesure 33 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\qu f\enotes -\temps\notes&\sxtl Madfda|\tripler\dql2{_h}{_i}\enotes -\temps\notes&\sxtl Madfda|\tripler\dql2j{_k}\enotes -\temps\notes&\sxtl Madfda|\tripler\dql2{_l}m\enotes -%\check -% mesure 34 -\barre\nspace\notes\doubler\wh{_L}&\noteskip 1.2\noteskip - \sxtl M{_N}{_b}{_e}bN|\bigaccid\ql{_p}\enotes -\temps\notes&\sxtl MNbebN|\tripler\dql{-2}{_o}{_n}\enotes -\temps\notes&\sxtl MNbebN|\tripler\dql{-2}m{_l}\enotes -\temps\notes&\sxtl MNbebN|\tripler\dql{-4}{_k}{_i}\enotes -%\check -% mesure 35 -\barre\notes\doubler\wh{_K}&\sxtl M{_a}{_d}fda|\bigfl h\cddcu h{_i}\enotes -\temps\notes&\sxtl Madfda|\tripler\dqu{-2}f{_e}\enotes -\temps\notes&\sxtl Madfda|\tripler\dqu2{_d}e\enotes -\temps\notes&\sxtl Madfda|\qu f\enotes -%\check -% mesure 36 -\barre\notes\doubler\wh{_L}&\sxtl M{_N}{_b}ebN|\doubler\uptext{\it rit.}\qu{_g}\enotes -\temps\notes&\sxtl MNbebN|\doubler\qu{_h}\enotes -\temps\notes&\sxtl MNbebN|\doubler\qu{_i}\enotes -\temps\notes&\sxtl MNbebN|\qu j\enotes -%\check -% mesure 37 -\autolines{30}25\relax -\barre\notes\doubler\itenl0L\wh{=K}&\noteskip 1.2\noteskip\sxtl M{=a}{=d}fda|\itenu2m\wh m\enotes -\temps\notes&\sxtl M{_a}dfda|\enotes -\temps\notes&\noteskip 1.15\noteskip\sxtl M{=N}{_d}{_e}dN|\enotes -\temps\notes&\noteskip 1.15\noteskip\sxtl M{_N}{=d}edN|\enotes -%\check -\barre\autolines{15}35\relax -% mesure 38 -\notes\tten0\itenl0L\wh K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\tten2\hlp m\enotes -\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N\enotes -\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0N\tqb0d\enotes -\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0e\qb0d\tqb0N|\sk\soupir\enotes -% mesure 39 -\barre\notes\tten0\hup K&\rlap{\sk\zcharnote D{\sl 3}}\ibl0M5\qb0M\qb0{_N}\tqb0d|\enotes -\temps\notes&\rlap{\sk\zcharnote D{\sl 3}}\ibl0d{-5}\qb0{_e}\qb0d\tqb0N|\sk\sk\pause\enotes -\temps\NOtes&\itenl3L\hl L\enotes -\temps\NOtes\itenl2J\qu J&|\enotes -%\check -% mesure 40 -\barre\nspace\autolines{11}45\relax -\NOtes\tten2\zwq J&\tten3\zwq L\itenl1L|\uptext{\it a tempo}\qu c\enotes -\temps\NOtes&\wh{=N}|\qu{_d}\enotes -\temps\NOtes&\itenu2c\hup c|\qu g\enotes -\temps\NOtes&|\qu{_h}\enotes -\temps\NOtes&|\qu{_i}\enotes -% mesure 41 -% -% croche et deux doubles croches (1ere = 3eme) -\def\cddcu#1#2{\ibu0{#1}0\qh0{#1}\trioskip - \nbbu0\qh0{#2}\tqh0{#1}}% -\def\cddcl#1#2{\ibl0{#1}0\qb0{#1}\trioskip - \nbbl0\qb0{#2}\tqb0{#1}}% -% -\barre -\nspace\notes\doubler\hu{_H}&\doubler\tten1\itenl1L\relax -\tten2\itenu2c\zwq L\zwq c\hl{_a}|\cddcu g{_h}\enotes -\temps\notes&|\dqu3{_e}f\enotes -\temps\NOTEs\itenu0J\hup J&\hl{N}|\hu g\enotes -\temps\NOtes&\ql{a}|\qu j\enotes -% mesure 42 -\barre\notes\tten0\wh J&\tten1\tten2\itenu1c\itenl2L\zw{LNc}\relax - |\cddcu gf\enotes -\temps\notes&|\dqh3ef\enotes -\temps\NOtes&|\qu g\enotes -\temps\NOtes&|\qu{_h}\enotes -% mesure 43 -\barre\NOtes\wh{_H}&\tten1\tten2\itenl1N\zw{_ac}\wh L|\qu{_i}\enotes -\temps\NOtes&|\qu j\enotes -\temps\NOtes&|\qu k\enotes -\temps\notes&|\dql3l{^m}\enotes -% mesure 44 -\barre\nspace\NOtes\zwq E&\tten1\itenu2e\zwq{be}\zwq{^N}|\ql{^n}\enotes -\temps\NOtes&|\ql l\enotes -\temps\notes&|\cddcu i{^j}\enotes -\temps\notes&|\dqu3{^g}h\enotes -\temps\NOtes&|\qu i\enotes -% mesure 45 -\barre\NOtes\zwq J&\tten2\itenu1c\zwq{ce}\zwq{=N}|\ql j\enotes -\temps\NOtes&|\qu{=g}\enotes -\temps\notes&|\cddcu e{^f}\enotes -\temps\notes&|\dqu3cd\enotes -\temps\NOtes&|\qu e\enotes -% mesure 46 -\barre\NOtes\zw{^G}&\tten1\itenu1c\zw{ac_e}|\qu{^f}\enotes -\temps\NOtes&|\qu{^g}\enotes -\temps\NOtes&|\qu{^h}\enotes -\temps\notes&|\dql3jk\enotes -%\check -% mesure 47 -\barre\NOtes\zwq J&\tten1\zwq{Lc}\kern 3pt\qsk\zhl M|\ql l\enotes -\temps\NOtes&|\ql j\enotes -\temps\notes&\hl{_a}|\na g\cddcu g{=h}\enotes -\temps\notes&|\dqu3e{=f}\enotes -\temps\NOtes&\ql N|\qu g\enotes -% mesure 48 -\barre\nspace\NOtes\zwq{_G}&\lfl a\zwq{_Nc}\qsk\zwq a|\qu{_h}\enotes -\temps\NOtes&|\qu{_i}\enotes -\temps\NOtes&|\ql j\enotes -\temps\notes&|\dql3kl\enotes -\temps\NOtes&|\ql{^m}\enotes -\cleftoksii={{0}{0}{0}{0}}\changeclefs -% mesure 49 -\barre\NOtes\zwq E&\zw b\zwq{b^g}\zw d|\ql{^n}\enotes -\temps\NOtes&|\ql l\enotes -\temps\notes&|\cddcu i{^j}\enotes -\temps\notes&|\dqu3{^g}{^h}\enotes -\temps\NOtes&\qu{^d}|\qu{^i}\enotes -% mesure 50 -\barre\NOtes\zwq{^J}&\lsh f\zwq{^c^g}\qsk\hu f|\qsk\ql{^j}\enotes -\temps\NOtes&|\qu{^g}\enotes -\temps\notes&\hu d|\bigna e\cddcu e{^f}\enotes -\temps\notes&|\dqu3{^c}d\enotes -\temps\NOtes&\qu e|\qu e\enotes -% mesure 51 -\barre\NOtes\wh F&\lna c\rlap{\qsk\hup c}\zw{a=f}|\qu f\enotes -\temps\NOtes&|\qu{=c}\enotes -\temps\notes&|\dqu3de\enotes -\temps\NOtes&\qu{_d}|\qu f\enotes -% mesure 52 -\barre\autolines{10}35\nspace -\NOtes\wh{_E}&\bigna d\lfl b\rlap{\qsk\hup d}\zw{b_g}|\qu{_g}\enotes -\temps\NOtes&|\qu{_d}\enotes -\temps\notes&|\bigfl e\dqu3{e}f\enotes -\temps\NOtes&\qu{_e}|\qu g\enotes -% mesure 53 -\barre\nspace\NOtes\wh{=E}&\lna e\rlap{\qsk\hup e}\zw{=b_h}|\qu{_h}\enotes -\temps\NOtes&|\qu{=e}\enotes -\temps\notes&|\dqu3{_g}{_h}\enotes -\temps\NOtes&\qu f|\qu{_i}\enotes -% mesure 54 -\barre\NOtes\zwq J&\zwq{cf}\qsk\zw g|\ql j\enotes -\temps\notes&|\cddcu gf\enotes -\temps\notes&|\dqu{-2}ed\enotes -\temps\notes&|\dqu2cd\enotes -\temps\NOtes&\qu{_h}|\qu e\enotes -% mesure 55 -\barre\nspace\NOtes\wh H&\lfl d\zw{c=f}\qsk\zw{dg}|\qu{^f}\enotes -\temps\notes&|\dqu{-2}gf\enotes -\temps\notes&|\dqu{-2}ih\enotes -\temps\notes&|\noteskip 0.9\noteskip\ibu0g{-1}\qh0g\zcharnote n{\sl 3}\relax -\qh0{^f}\tqh0{=f}\enotes -\cleftoksii={{6}{0}{0}{0}}\changeclefs -% mesure 56 -\barre\nspace\NOtes\wh J&\fl a\fl e\zw{Nd}\qsk\zw{ae}|\qu{=e}\enotes -\temps\notes&|\bigsh f\dqu{-2}{f}e\enotes -\temps\notes&|\dqu3{^g}{^h}\enotes -\temps\notes&|\dqu3jk\enotes -%\check -% mesure 57 -\barre\bigaccid -\NOtes\zwq C&\zwq{Nc=e}|\ql l\enotes -\temps\NOtes&|\ql j\enotes -\temps\notes&|\cddcu gh\enotes -\temps\notes&|\dqu{-2}{^f}e\enotes -\temps\notes&|\dqu{-2}dc\enotes -%\check -% mesure 58 -\barre\NOtes\wh{_H}&\zw{^M}\rw d\wh{_e}|\qu{_e}\enotes -\temps\notes&|\trioskip\fl f\ibu0f0\qh0f\zcharnote l{\sl 3}\qh0e\tqh0f\enotes -\temps\notes&|\dqu2ef\enotes -\temps\notes&|\dqu2de\enotes -% mesure 59 -\barre\NOtes\wh J&\zw{Nb}\rw c\wh{=e}|\qu{=e}\enotes -\temps\notes&|\dqu{-2}{=f}e\enotes -\temps\notes&|\dqu4gi\enotes -\temps\notes&|\dqu4jl\enotes -% mesure 60 -\barre\NOtes\wh{_G}&\fl N\zw M\rw N\rw d\wh c|\ql{^m}\enotes -\temps\notes&|\trioskip\ibl0l0\qb0l\zcharnote c{\sl 3}\qb0m\tqb0l\enotes -\temps\notes&|\dqb{-2}kj\enotes -\temps\notes&|\dqu{-2}{_i}{_h}\enotes -% mesure 61 -\barre\NOtes\wh H&\sh M\zw M\zw a\wh d|\qu{=h}\enotes -\temps\notes&|\trioskip\ibu0e0\qh0{^f}\zcharnote n{\sl 3}\qh0e\tqh0f\enotes -\temps\notes&|\dqu2de\enotes -\temps\notes&|\dqu6fi\enotes -% mesure 62 -\barre\NOTEs\hup E&\itenu0a\zwq a\qsk\zhp L\hup N|\hu h\enotes -\temps\notes&|\trioskip\ibu0g{-1}\qhp0g\sk\tbbu0\tqh0{^f}\enotes -\temps\NOTEs\hu D&\itenu1d\zh {^M}\hu d|\hu f\enotes -\resp -% mesure 63 -\barre\NOtes\itenl3D\zwq D&\tten0\tten1\itenu1d\zwq{^fad}|\qu d\enotes -\temps\notes&|\qu{_e}\enotes -\temps\notes&|\qu h\enotes -\temps\notes&|\qu{_i}\enotes -\temps\notes&|\qu j\enotes -% mesure 64 -\barre\notes\tten3\itenl3D\zwq D&\tten1\itenu1d\zh L\zhl N\zwq d|\cddcu h{_i}\enotes -\temps\notes&|\dqu2{^f}g\enotes -\temps\NOTEs&\itenl0M\zhu a\hlp{^M}|\qu h\enotes -\temps\NOtes&\qu{_b}|\ql k\enotes -%\check -% mesure 65 -\barre\notes\tten3\itenl3D\zwq D&\tten0\tten1\itenu1d\zhp{^M}\zwq d\hlp a|\cddcu h{_i}\enotes -\temps\notes&|\dqu2{^f}g\enotes -\temps\NOtes&|\qu h\enotes -\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\temps\notes&|\dqu2gh\enotes -% mesure 66 -\barre\notes\tten3\itenl3D\zw D&\tten1\itenu1d\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\temps\NOtes&|\qu d\enotes -\temps\notes&\zh{LN}\hl{_b}|\dqu2gh\enotes -\temps\notes&|\dqu2gh\enotes -% mesure 67 -\barre\notes\tten3\itenl3D\zw D&\tten1\zh{^M}\zw d\hl a|\sh f\cddcu fe\enotes -\temps\NOtes&|\qu d\enotes -\temps\notes&\zh{LN}\itenu2b\hl{_b}|\dqu2gh\enotes -\temps\notes&|\dqu2gh\enotes -% mesure 68 -\barre\nspace\NOTes\tten3\itenl3D\zw D&\tten2\lfl b\zw{_L_Nb_e}|\hl{_i}\enotes -\temps\NOtes&|\ql j\enotes -\temps\NOtes&|\sh j\ql j\enotes -% mesure 69 -\barre\NOTes\tten3\zwq D\pointdorgue 8&\na L\na N\zwq{Kd}\qsk\itenl2N\zh L\hu N|\pointdorgue m\zwq k\enotes -\temps\NOTes&\tten2\zh N\hu {_b}\enotes -\temps\NOtes&\zq{^M}\pointdorgue {11}\qu a\enotes -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject -\varaccid diff --git a/Master/texmf-dist/doc/generic/musictex/romances.tex b/Master/texmf-dist/doc/generic/musictex/romances.tex deleted file mode 100644 index c337b1192b3..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/romances.tex +++ /dev/null @@ -1,499 +0,0 @@ -\title{Romance sans paroles} -\fulltitle{IX. \titremorceau} -\subtitle{(pour orgue)} -\othermention{Compos\'e en 1992--93} -\author{Daniel TAUPIN} -\shortauthor{D. Taupin} -\maketitle - -\csname titremorceautoc\endcsname - -% -% formes frequentes -% deux croches hautes -\def\dqb#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}} -\def\dqh#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}} -\def\Tqb#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}} -\def\Tqh#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}} -\def\doubler{\noteskip=2\noteskip}% -\def\bassyn#1{\doubler\dsoupir\cu{#1}\dsoupir} -% -\parindent 18mm -% - -\tracingstats=2\relax -% -\nbporteesii=1\relax -\def\nbinstruments{3} -\global\cleftoksiii={{0}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{-2}\relax % deux bemols a la clef -\def\quatretemps{\generalmeter{\meterfrac{12}{8}}}% -\def\troistemps{\generalmeter{\meterfrac{9}{8}}}% -\def\deuxtemps{\generalmeter{\meterfrac{6}{8}}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{Positif ({\bf II})}% -\def\instrumentiii{R\'ecit ({\bf III})}% -%\check -\def\gluemaxskip{7pt}% -% -\medskip\noindent{\rm G.O.: fonds 8'+4' ou 8'+4'+2' (acc. positif.)}% -\par\noindent{\rm Pos.: fonds 8'+4'+2' doux}% -\par\noindent{\rm R\'ec.: nasard, larigot ({\ppff f}, tremblant {\sl ad lib.})}% -\par\noindent{\rm P\'ed.: 16'+8',(+4' doux {\sl ad lib.})}% -\smallskip -% -\deuxtemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\def\resp{\vnotes 0.2\elemskip&&\cbreath\enotes}% -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{{\advance\transpose by 1\relax - \ibbu0{#2}{#1}}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\sqbbh#1#2#3#4#5#6#7{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\relax - \qh0{#4}\qh0{#5}\qh0{#6}\tqh0{#7}}\relax -\def\sqbbH#1#2.#3#4#5#6#7#8{\Ibbu0{#1}{#2}5\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\qh0{#7}\tqh0{#8}}\relax -\def\sqbbl#1#2#3#4#5#6#7{\ibbl0{#2}{#1}\qb0{#2}\qh0{#3}\qh0{#4}\relax - \qh0{#5}\qh0{#6}\tqb0{#7}}\relax -\def\sqbbL#1#2.#3#4#5#6#7#8{\Ibbl0{#1}{#2}5\qb0{#3}\qb0{#4}\relax - \qb0{#5}\qb0{#6}\qb0{#7}\tqb0{#8}}\relax -% -\debutmorceau -% -\ifnum\musicsize>16\def\barperline{6}\else\def\barperline{7}\fi -\autolines {6}{\barperline}5\relax -%\check -% -\ifnum\musicsize>16\relax\advance\linesinpage by 1\relax\fi -% mesure 1 -\ifx\mxversion\undefined\kern -\internote\fi -\notes&\sqbbH dd.bdgdbN&\Uptext{\hbox{\kern -16mm\moyen Andante con moto - \bf(\metron{\qup}{60})}}\enotes -\zbarre \notes\pause&\sqbbH dd.a{^c}g{^f}gc&\pause\enotes -%\check -% mesure 2 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes&\sqbbH ff.d{^f}gigd&\sk\sk\qsk\pt i\soupir\enotes -\zbarre\notes\pause&\sqbbH cc.{=c}dfdca&\sk\soupir\sk\Ilegu3o\sk\cu d\enotes -%\check -% mesure 3 -\barre\ifx\mxversion\undefined\kern -\Interligne\fi -\notes\bassyn G&\sqbbH eg.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 4 -\barre\notes\doubler\dsoupir\cu H\dsoupir&\bigsh c\sqbbH gh.c{=e}g{^j}ge&\doubler - \qup{^j}\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH ee.acegfe&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 5 -\barre\notes\doubler\dsoupir\cu{=I}\dsoupir&\sqbbH fg.dfh{=i}hf&\doubler - \Ilegu3o\Tqh{=i}hg\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 6 -\barre\notes\doubler\dsoupir\cu K\dsoupir&\sqbbH gh.d{^f}h{=j}{=i}h&\doubler - \qu{^f}\sk\cu{=e}\enotes -\zbarre\notes\bassyn I&\sqbbH hh.{_i}fgigd&\qu d\tleg3\sk - \cbreath\sk\Ilegu3o\cu d\enotes -%\check -% mesure 7 -\barre\notes\bassyn G&\sqbbH dg.bd{^f}g{=e}f&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 8 -\barre\notes\bassyn{^J}&\sqbbH gg.{^c}{=e}g{^j}ge&\doubler - \qlp{=l}\enotes -\zbarre\notes\doubler\dsoupir\cna J\cu{J}\dsoupir&\sqbbH fd.{^f}dhfd{=c}&\relax - \ql k\tleg3\sk - \cbreath\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 9 -\barre\notes\bassyn I&\sqbbH df.dbgd{_e}g&\doubler - \ql i\sk\cl j\enotes -\zbarre\notes\bassyn D&\sqbbH ff.d{^f}jhdf&\doubler - \ql h\sk\cl i\enotes -%\check -% mesure 10 -\barre\notes\bassyn G&\sqbbH fd.igdgdb&\doubler\hu g\tleg3\sk\sk\enotes -\zbarre\notes\bassyn J&\sqbbH bd.Nbcdec&\doubler\sk\dsoupir - \Ilegu3o\cu d\enotes -%\check -% mesure 11 -\barre\notes\bassyn G&\sqbbH df.bdgi{=e}{^f}&\doubler - \qu g\sk\cu h\enotes -\zbarre\notes\doubler\dsoupir\cu I\dsoupir&\sqbbH gg.dfgied&\doubler - \qu i\sk\cu k\enotes -%\check -% mesure 12 -\barre\notes\bassyn H&\sqbbH eg.{^c}{=e}gied&\doubler\qlp n\enotes -\zbarre\notes\bassyn J&\sqbbH fg.{=c}{^f}hjhf&\doubler\ql {^m}\sk\cl{=l}\enotes -%\check -% mesure 13 -\barre\notes\bassyn K&\sqbbH gi.dgijig&\doubler\Tqb kji\enotes -\zbarre\notes\doubler\dsoupir\cu{^J}\dsoupir&\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{i}hg\enotes -%\check -% mesure 14 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}{=j}hf&\doubler\qu h\tleg3\sk\dsoupir\enotes -\zbarre\notes\bassyn G&\sqbbH gi.gdgili&\doubler\Ilegu3o\qu i\sk\cu i\enotes -%\check -% mesure 15 -\barre\notes\bassyn H&\sqbbH hj.hehjlj&\doubler\qu j\sk\cu j\enotes -\zbarre\notes\bassyn I&\sqbbH hj.idgilk&\doubler\qu k\sk\cu k\enotes -%\check -% mesure 16 -\barre\notes\bassyn{^F}&\sqbbH ii.{^j}hdfh{=i}&\doubler\Tqh k{^j}{=j}\enotes -\zbarre\notes\bassyn G&\sqbbH fh.egh{=j}{_i}g&\doubler\Tqh {_i}hg\enotes -%\check -% mesure 17 -\barre\notes\bassyn K&\sqbbH gg.hd{^f}hjh&\qup h\enotes -\zbarre\notes\doubler\qup G&\Ibbu0ge3\qh0{gig}\tqh0d&\cu g\tleg3\sk\dsoupir - \Ilegu3p\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\zmidtwotext{\kern -\Interligne\bf I \rm(GO)}\Ibbl0bc1\qb0b\tqb0c&\doubler - \uptext{\kern -\Interligne\bf I \rm(GO)}\itenl0d\cu d\enotes -%\check -% mesure 18 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 19 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \Ilegu3o\zqp {^f}\zqlp h\qu k\sk\cu {=j}\enotes -%\check -% mesure 20 -\barre\notes\doubler\qup G&\sqbbL LN.{=L}{^M}NabN&\doubler - \zqlp d\zq g\Tqh ihg\enotes -\zbarre\notes\doubler\qup J&\sqbbL cL.cbaN{=M}{=L}&\doubler - \zqlp{=e}\zq g\Tqh ihg\enotes -%\check -% mesure 21 -\barre\notes\doubler\hu K&\sqbbL La.{^M}K{=L}MNa&\doubler - \zq d\zql{^f}\qup h\sk\raise -2.5\Interligne\soupir\enotes -\zbarre\notes\doubler\sk\sk\soupir&\sqbbL NN.bMNabc&\qu d\tleg3\sk - \doubler\cbreath\Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 22 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq{^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\itenl0g\zq g\itenu1i\qu i\sk - \tten0\tten1\itenl0g\zq g\zq i\cu k\enotes -%\check -% mesure 23 -\barre\notes\doubler\qup{^J}&\sqbbL cM.{^c}{=e}cbaN&\doubler - \tten0\pt f\zqp g\rlap{\qsk\itenu1h\zqp h}\qup{=l}\sk\sk\enotes -\zbarre\notes\doubler\qu K\sk\dsoupir&\sqbbL La.{^M}K{=L}MNa&\relax - \tten1\zq {^f}\zq h\qu k\tleg3\sk\doubler\sk\Ilegu3o\cna j\cl j\enotes -%\check -% mesure 24 -\barre\notes\qup G&\sqbbL aa.{_b}aN{=c}aN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 25 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu G\sk\dsoupir&\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{(I)}\Ibbu0dc1\qh0d\tqh0c&\relax - \uptext{\bf III}\Ilegu3p\cu d\enotes -%\check -% mesure 26 -\barre\notes\doubler\qu G\sk\cu K&\rlap{\ql b\sk\sk\sk\cl a}\relax -\sqbbH df.bdgdce&\doubler\qu g\sk\cu h\enotes -\zbarre\notes\doubler\qu I\sk\cu H&\rlap{\ql b\sk\sk\sk\qsk\cl c}\relax -\sqbbH ff.dgigd{^f}&\doubler\qu i\sk\cu k\enotes -%\check -% mesure 27 -\barre\notes\doubler\qu G\sk\cu{=I}&\rlap{\ql{=b}\sk\sk\sk\cl d}\relax - \sqbbH fh.dg{=i}g{=f}g&\doubler\ql n\sk\cl m\enotes -\zbarre\notes\qup J&\zqlp c\sqbbH gi.egjghg&\doubler\Tqb lkj\enotes -%\check -% mesure 28 -\barre\notes\doubler\qup H&\rlap{\qsk\zql e}\sqbbH gi.{^f}hjijh&\doubler - \Tqb lkj\enotes -\zbarre\notes\doubler\qup{^J}&\zqlp e\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh{_i}hg\enotes -%\check -% mesure 29 -\barre\notes\doubler\qup{=J}&\rlap{\ql d\sk\sk\sk\cna c\cl c}\relax - \sqbbH gg.hg{^f}{=j}hf&\doubler\qu h\sk\cu{^f}\enotes -\zbarre\notes\doubler\qu I\sk\soupir&\rlap{\ql d\sk\sk\sk\cl c}\relax - \sqbbH gg.gihg{^f}g&\qu d\tleg3\sk\cbreath\sk - \Ilegu3o\cu d\enotes -%\check -% mesure 30 -\barre\notes\doubler\qup I&\zqlp b\sqbbH gh.dgigdg&\doubler - \Tqh ghi\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 31 -\barre\notes\doubler - \qup K&\zqlp c\sqbbH fh.c{=e}{^f}hjh&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler\qu I\sk\cu{=I}&\zqlp d\sqbbH ii.giki{=i}g&\doubler - \ql n\sk\cl {=m}\enotes -%\check -% mesure 32 -\barre\notes\doubler\qup J&\zqlp c\sqbbH gi.{_e}ghjhg&\doubler - \Tqb {_l}kj\enotes -\zbarre\notes\doubler\qup{^J}&\lsh c\zqlp c\sqbbH gh.{=e}gh{^j}hg&\doubler - \Tqh ihg\enotes -%\check -% mesure 33 -\barre\notes\doubler\qup{_I}&\lna c\zqlp c\sqbbH gh.{_e}gh{=j}hg&\doubler - \Tqh ihg\enotes -\zbarre\notes\doubler\qu K\sk\ds&\zql d\sqbbH ge.{^f}hjhfd&\doubler - \qu h\tleg3\sk\dsoupir\enotes -%\check -% mesure 34 -\barre\notes\doubler\qu G\sk\cu F&\rlap{\ql b\sk\sk\sk\cl d}\relax - \sqbbH ff.dgigdg&\doubler\Ilegu3o\Tqh gh{=i}\enotes -\zbarre\notes\doubler\qup E&\zqlp c\sqbbH gh.eghjhg&\doubler - \Tqb ijk\enotes -%\check -% mesure 35 -\barre\notes\doubler - \qup D&\zqlp c\sqbbH gg.{^f}hjhdf&\doubler - \Tqb k{=l}{^m}\enotes -\zbarre\notes\doubler - \qu{=E}\sk\cu{=I}&\rlap{\ql b\sk\sk\sk\cl{=b}}\sqbbH gg.{=e}g{=i}gdf&\doubler - \ql n\sk\cl m\enotes -% mesure 36 -\barre\notes\doubler\qup J&\lna e\rlap{\qsk\zql e}\sqbbH gi.{^f}hjkjh&\doubler - \Tqb {=l}kj\enotes -\zbarre\notes\doubler\qup H&\zqlp c\sqbbH gh.{_e}ghjhg&\doubler - \Tqb {_i}hg\enotes -% mesure 37 -\barre\notes\doubler\ql{I}\sk\ds&\rlap{\clp{^c}\sk\sk\pt{-5}\raise -4\Interligne\ds}\relax - \sqbbH cc.{^c}egeca&\doubler - \ql{^j}\tleg3\sk\ds\enotes -\cleftoksii={6000}\changeclefs -\zbarre\notes\doubler\qup K&\uptext{\kern -\Interligne(I)}\sqbbL La.{^M}K{=L}MNa&\relax - \uptext{\kern -2\Interligne\bf I}\doubler\Ilegu3o - \zqp {^f}\zqlp h\qu k\sk\cu{=j}\enotes -%\check -% mesure 38 -\barre\notes\qup G&\sqbbL aa.{_b}aNcaN&\doubler - \itenl0d\zqp d\zqlp g\qu i\sk\cu j\enotes -\zbarre\notes\qup K&\sqbbL LL.{^M}{=L}MKLM&\doubler - \tten0\zql d\zqp {^f}\qu h\sk \zcu i\raise -3\Interligne\ds\enotes -%\check -% mesure 39 -\barre\notes\hu G&\sqbbL NI.N{^M}NKIK&\doubler\zh b\zh d\hu g\sk\sk\enotes -\zbarre\notes\sk\sk\soupir - &\cu G\sk\ds&\sk\tleg3\sk\uptext{\rm (I)}\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\temps\notes&\uptext{\bf III}\Ibbu0dc1\qh0d\tqh0c&\relax - \Ilegu3q\cu k\enotes -%\check -% mesure 40 -\barre\notes\doubler\qu G\sk\cu{^F}&\sqbbH bb.babNac&\doubler - \zq{ik}\ql n\sk\zq{j^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH bd.babNdb&\doubler - \zq{kn}\ql p\sk\zq{=mp}\cl r\enotes -%\check -% mesure 41 -\barre\notes\qup H&\sqbbH ce.a{^c}{=e}gfe&\doubler\zq{=lo}\ql{^q}\sk\tleg3\enotes -\zbarre\notes\doubler\qu K\sk\cu{^F}&\sqbbH ff.{^f}dhfd{=c}&\doubler - \Ilegu3r\zqp{^m}\zqlp o\qu r\sk\cl{=q}\enotes -%\check -% mesure 42 -\barre\notes\doubler\qu G\sk\cu J&\sqbbH dd.bdgdec&\doubler - \itenu2n\zq{kn}\ql p\sk\tten2\zq{ln}\cl q\enotes -\zbarre\notes\doubler\qu K\sk\cu K&\sqbbH dd.ac{^f}dcd&\doubler - \zqp k\zqlp{^m}\qu o\sk\cu p\enotes -% mesure 43 -\barre\notes\doubler\hu G&\sqbbH cc.bdgdec&\doubler - \zq{ik}\ql n\tleg3\sk\ds\enotes -\zbarre\notes\doubler\sk\soupir&\sqbbH ff.bd{=e}{^f}gh&\doubler - \Ilegu3r\ql k\sk\itenl0k\cl k\enotes -%\check -% mesure 44 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL if.{!'b}abNa{^M}&\doubler - \tten0\itenl0k\zqlp k\ql n\sk\zq{^m}\cl o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbH gj.{'N}abN{=e}d&\doubler - \tten0\zq k\itenl0n\itenu1p\zq n\ql p\sk - \tten0\tten1\zq n\zq p\cl r\enotes -%\check -% mesure 45 -\barre\notes\doubler\qsk\qup H&\qsk\sqbbL jf.{!'^c}{=e}cbaN&\doubler\qsk - \lna s\zqp o\zqp {^q}\qlp{s}\sk\tleg3\sk\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbH he.hgfed{=c}&\doubler - \Ilegu3s\zqp {^m}\zqlp o\qu r\sk\cu {=q}\enotes -%\check -% mesure 46 -\barre\notes\doubler\qup G&\sqbbH ce.bcd{=e}{^f}g&\doubler - \zqlp k\zq n\Tqh pon\enotes -\zbarre\notes\doubler\qup J&\sqbbL ff.eihg{=f}{=e}&\doubler - \zqlp{=l}\zq n\Tqh pon\enotes -%\check -% mesure 47 -\barre\notes\doubler\qup K&\sqbbL eh.{!'^M}K{=L}MNa&\doubler - \zqp {k^m}\qlp o\enotes -\zbarre\notes\doubler\qu G\sk&\Ibbu0gc3\qh0{g_ed}\tqh0c&\cl n\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes\ds&\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3r\itenl0k\cu k\enotes -%\check -% mesure 48 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0k\zqlp k\qu n\sk\zq {^m}\cu o\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zq k\zq n\ql p\sk\cl n\enotes -%\check -% mesure 49 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \lq n\zq o\ql{^q}\tleg3\sk\dsoupir\enotes -\cleftoksii={0000}\changeclefs -\zbarre\notes\doubler\qup K&\sqbbH eh.{!'^M}K{=L}MNa&\doubler - \Ilegu3r\zq {^m}\zq o\ql r\sk\cna q\cl q\enotes -%\check -% mesure 50 -\barre\notes\qup G&\sqbbH hh.{!'_b}aNcaN&\doubler - \itenl0k\zqp k\zqlp n\qu p\sk\cu q\enotes -\zbarre\notes\qup K&\sqbbH ee.{!'^M}{=L}MKLM&\doubler - \tten0\itenl0k\zqp k\zqlp {^m}\qu o\sk \cu p\enotes -%\check -% mesure 51 -\barre\notes\hu G&\sqbbH gd.{!'N}{^M}NKIK&\doubler\tten0\zh i\zh k\hl n\sk\sk\enotes -\zbarre\notes\sk\sk\soupir&\cu N\zmidtwotext{\bf I \ppff ff}\sk\dsoupir - &\sk\tleg3\sk\dsoupir\enotes -\cleftoksii={6000}\changeclefs -\temps\notes&\cl c&\cu d\enotes -%\check -% mesure 52 -\barre\NOtes\qu G\sk\cu H&\Tqb bN{^M}&\zqlp d\zq g\qu i\sk\zq{^f}\cu h\enotes -\zbarre\NOtes\Tqh IHG&\Tqb KMN&\zqlp d\Ibu1gi2\zq b\qh1g\zq{^f}\qh1h\zq g\tqh1i\enotes -%\check -% mesure 53 -\barre\NOtes\qu H\sk\cu J&\Tqb aLN&\zqlp e\zq g\qu j\sk\zq{g}\cu i\enotes -\zbarre\NOtes\qup K&\Tqb {^M}KJ&\zqp d\zqlp{^f}\qu h\sk\cu h\enotes -%\check -% mesure 54 -\barre\NOtes\qup I&\Tqb IKN&\zql d\Ibu1ig2\zq g\qh1i\zq{^f}\qh1h\zcl e\zq g\tqh1i\enotes -\zbarre\NOtes\qup{^J}&\Tqh {=L}{^J}N&\zqp{=e}\zqlp g\qu{^j}\sk\cu j\enotes -% check -% mesure 55 -\barre\notes\qup K&\sqbbL aJ.aN{^M}{=L}KJ&\doubler - \zqp{^f}\zqlp h\qu k\sk\cu k\enotes -\zbarre\notes\doubler\qu G\sk\cu J&\sqbbL IK.IKNK{_L}J&\doubler - \zq d\zq g\itenu1g\qu i\sk\tten1\zq e\zq g\cu j\enotes -%\check -% mesure 56 -\barre\notes\qup K&\sqbbL KK.KJK{^M}aJ&\doubler\zqp d\zqlp {^f}\qu h\sk\cu i\enotes -\zbarre\notes\qup G&\sqbbL Ia.IK{=L}MNa&\doubler\zq{bd}\qu g\sk\ds\enotes -%\check -% mesure 57 -\barre\notes\qup I&\sqbbL aa.babNab&\doubler - \uptext{\it non legato}\zq{dg}\qu i\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup H&\sqbbL bb.cbcabc&\doubler\zq{eh}\qu j\sk\zq{eh}\cu j\enotes -%\check -% mesure 58 -\barre\notes\qup I&\sqbbL aa.d{^c}dbNd&\doubler\zq g\zq i\qu k\sk\zq{eg}\cu k\enotes -\zbarre\notes\qup {^F}&\sqbbL NN.{=c}aKMac&\doubler\zqp{^f}\zqlp h\Tqh k{^j}{=j}\enotes -%\check -% mesure 59 -\barre\notes\qup G&\sqbbL aa.{=b}aNbaN&\doubler - \zq{dg}\qu {=i}\sk\zq{dg}\cu i\enotes -\zbarre\notes\qup E&\sqbbL Ma.{!`e}gh{=j}{_i}g&\doubler - \zq e\zql g\Tqh {_i}hg\enotes -%\check -% mesure 60 -\barre\notes\qup D&\sqbbL LL.aK{^M}aca&\itenl1d\zqp d\zqp {^f}\qup h\enotes -\zbarre\notes\doubler\qu G&\cl N\sk\ds&\tten1\zq d\cu g\sk\dsoupir - \enotes -\temps\notes\ds&\zmidtwotext{\kern -2\Interligne\fff}\Ibbl0bc1\qb0b\tqb0c&\doubler - \Ilegu3o\itenl0d\cu d\enotes -%\check -% mesure 61 -\barre\notes\doubler\qu I\sk\cu{^F}&\sqbbL bM.babNa{^M}&\doubler - \tten0\itenl0d\zqlp d\qu g\sk\zq {^f}\cu h\enotes -\zbarre\notes\doubler\qu G\sk\cu I&\sqbbL Nc.NabN{=e}d&\doubler - \tten0\zql d\zq g\qu i\sk\zcl g\cu g\enotes -%\check -% mesure 62 -\barre\notes\doubler\qu H\sk\dsoupir&\sqbbL ce.{^c}a{=b}cd{=e}&\doubler - \zq g\rq h\qu{^j}\tleg3\sk\dsoupir\enotes -\zbarre\notes\doubler\qu {^F}\sk\cu H&\sqbbL dM.d{=c}{_b}aN{^M}&\doubler - \lst f\zq {^f}\zq h\qu k\sk\lppz f\zq {fh}\cu {=j}\enotes -%\check -% mesure 63 -\barre\notes\doubler\qu I\sk\cu G&\sqbbL aa.NabNcb&\doubler - \lst d\zq d\zq g\qu i\sk\lppz e\zq{eg}\cu j\enotes -\zbarre\notes\doubler\qu K\sk\cu D&\sqbbL NN.aNa{^M}ba&\doubler - \lst d\zq{d^f}\qu h\sk\lppz d\zq{d^f}\qu i\enotes -%\check -% mesure 64 -\barre\notes\doubler\qu G\sk\ds&\sqbbL NH.NLKJIH&\doubler - \zhp {bd}\hup g\enotes -\ifnum\musicsize<17\relax\autolines695\relax\fi -\zbarre\NOtes\qu G\sk\ds&\cu G\ds\cl a&\relax - \sk\ds\uptext{\kern 3\Interligne\llap{\moyen maestoso}}\rq d\cu c\enotes -%\check -% mesure 65 -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 66 -\barre\NOtes\qu{=E}\sk\cu G&\lsh c\zqp{=LNc}\qlp{=e}&\relax - \Ilegu3o\lsh j\zqp{gj=l}\qlp n\enotes -\zbarre\NOtes\qu{^F}\sk\ds&\zq{^Ma}\ql d\sk\ds&\tleg3\zq {^fh}\ql k\sk\ds\enotes -%\check -% mesure 67 -\barre\NOtes\qu H\sk\cu I&\ust c\zq{_La}\ql c\sk\uppz b\zq{KN}\cl b&\relax - \lst e\zq{_eh}\qu{=j}\sk\lppz d\zq{dg}\cu i\enotes -\zbarre\NOtes\qu J\sk\cu{^J}&\zql L\qup N\sk\cl{=L}&\relax - \rlap{\zq c\ql e\sk\lsh c\zq c\cl{=e}}\Tqh hgh\enotes -%\check -% mesure 68 -\barre\Notes\hu K&\zh{=J^M}\hl a&\hu d\sk\sk\sk\enotes -\zbarre\NOtes\soupir&\ds\zq{^M}\cl a&\ds\rq d\cu c\enotes -%\check -% mesure 69 -\advance\maxbarsinline by 1\relax -\barre\NOtes\qu G\sk\cu{^F}&\ust N\ql N\sk\uppz a\zq{^M}\cl a&\relax - \lst b\zq{bd}\qu g\sk\lppz d\zq{^fd}\cu h\enotes -\zbarre\NOtes\qu G\sk\cu{=F}&\ust b\zq N\ql b\sk\uppz d\zq{=Mb}\cl d&\relax - \lst d\zq{dg}\qu i\sk\lppz f\zq{=fi}\cu k\enotes -%\check -% mesure 70 -\barre\NOtes\qup C&\zq{J=LN}\ql c\sk\ds&\zq{=egj}\ql{=l}\sk\ds\enotes -\zbarre -\NOtes\qu D\sk\cu{^F}&\zqp{^Ma}\qlp d&\zqp{^f}\zqlp h\qu k\sk\cu j\enotes -%\check -% mesure 71 -\barre\notes\qup G&\doubler\zcl K\zqp N\qup b\ql J&\relax - \rlap{\zq d\cl g\sk\zq{_e}\ql g}\ibu0i0\qh0i\sk\nbbu0\qh0{ihj}\tqh0i\enotes -\zbarre\notes\qup D&\doubler\zcl K\zqp{^M}\qup a\ql J&\relax - \rlap{\zq d\cl{^f}\sk\zq{c}\ql f}\ibu0h0\qh0h\sk\nbbu0\qh0{hgi}\tqh0h\enotes -% mesure 72 -\barre\NOtes\hup G\sk\sk&\zql{J}\zqp{=L}\itenu0N\qup N\sk\cl H&\relax - \zqp{c}\zqlp{=e}\itenu1g\qup g\enotes -\zbarre\NOtes&\zqp{I}\zqlp K\tten0\qup N&\zqp{b}\zqlp{d}\tten1\qup g\enotes -%\check -\finmorceau -% -\medskip\rightline{\it \aujourdhui} -\vfil -\eject diff --git a/Master/texmf-dist/doc/generic/musictex/screatim.tex b/Master/texmf-dist/doc/generic/musictex/screatim.tex deleted file mode 100644 index e4ae7e68d9f..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/screatim.tex +++ /dev/null @@ -1,139 +0,0 @@ -\input musicnft -\input musictex -\input musicsty -% -\def\nbinstruments{2}% -\generalmeter{\meterfrac{4}{4}}% -\signaturegenerale{0}% -\hsize 190mm -\vsize 275mm -\centerline{\enorme Aria No. 24} -\medskip\centerline{\moyen (La Cr\'eation)} -\medskip\centerline{\moyen Joseph HAYDN} -% -\rightline{Transcription pour Orgue et T\'enor, D. Taupin (1990)} -\medskip -\nbporteesii=1\relax -\nbporteesii=2\relax -\def\instrumenti{P\'ed.}\def\instrumentii{Manuel} -\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}% -\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}% -\etroit \def\DS{\hbox{\ds}}\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip} -\cleftoksi={{6}{0}{0}{0}} -\cleftoksii={{6}{0}{0}{0}} -\debutmorceau -\NOTes\soupir\relax -&\rlap{\rmidtwotext{\bf II}}\relax -\soupir\relax -|\relax -\qu g\relax -\enotes -% mesure 1 -\advance\barno by -1\relax -\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\smallnotesize -\itenl0j\relax -\ibu1l0\relax -\qh1j\relax -\enotes -\notes&\qbl0c0|\smallnotesize\nbbu1\nbbbu1\tten0\qh1{jkj}\tbu1\qh1i\enotes -\Notes&\qb0e\tbl0\qb0c|\smallnotesize\qu j\enotes -\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes -% mesure 2 -\smallnotesize -\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax - \zq c\qb1e\zq c\qb1e\relax - \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes -\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax - \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes -% mesure 3 -\normalnotesize -\barre\NOtes\itenl2G\wh G&\zw N\raise 3.5\Interligne\ds -|\rlap{\cl f}\itenl0k\ibu1m0\qh1k\enotes -\notes&\qbl0b0|\nbbu1\nbbbu1\tten0\qh1{klk}\tbu1\qh1{^j}\enotes -\Notes&\zq d\qb0f\tbl0\qb0b|\qu k\enotes -\temps\Notes&\ibl0d0\zq d\qb0{fb}\zq d\qb0f|\qu m\sk\pt k\qbu1k{-4}\enotes -\notes&\tbl0\qb0b|\sk\tbbu1\tbu1\qh1i\enotes -% mesure 4 -\alaligne\Notes\tten2\wh G&\ql G\sk\ql I|\rlap{\qupp g}\ibl1c0\qb1g\relax - \zq{bd}\qb1f\zq{bd}\qb1f\relax - \zq{bd}\tbl1\rlap{\qb1f}\ \ \ccu h\enotes -\temps\Notes&\ql K\sk\pt I\qbl0I{-4}|\ibl1d0\rlap{\qb1b}\cu g\relax - \zq{bd}\rlap{\qb1f}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0G|\tbl1\zq{bd}\qb1f\enotes -% mesure 5 -\tinynotesize -\barre\Notes\hu J&\rlap{\lhu J}\ibl0M0\qb0J\zq N\qb0c\zq N\qb0c\tbl0\zq N\qb0c\relax - |\rlap{\hl e}\qu j\sk\qbu1l{-4}\tbu1\qh1j\enotes -\temps\Notes\hu K&\rlap{\lhu K}\ibl0M0\qb0K\zq N\qb0b\zq N\qb0b\tbl0\zq N\qb0b\relax - |\rlap{\hl f}\ibu1k0\qh1{ikm}\tbu1\qh1k\enotes -%\check -% mesure 6 -\normalnotesize -\barre\Notes\wh L&\zw N\raise 3.5\Interligne\ds\qbl0c0\qb0e\relax - |\rlap{\hl g}\ppt j\qu j\enotes -\notes&\tbl0\qb0c|\sk\ccu l\enotes -\temps\Notes&\ibl0c0\qb0{ece}|\rlap{\hl g}\qu n\sk\raise 2\Interligne\DS\enotes -\notes&\tbl0\qb0c|\ibbu1m{-3}\qh1m\tbu1\qh1l\enotes -%\check -% mesure 7 -\barre\Notes\wh M&\zw a\raise 3.5\Interligne\ds\qbl0d0\qb0f\tbl0\qb0d\relax - |\rlap{\hlp h}\qu k\sk\qu m\enotes -\temps\Notes&\ibl0d0\qb0f|\pt o\qbu1o{-3}\enotes -\notes&\zq d\qb0f\sk -\zq d\qb0f\sk\tbl0\zq d\qb0f|\sk\tbbu1\tbu1\qh1n\relax - \ibbu1m{-3}\rlap{\raise -\Interligne\qp}\qh1{mlk}\tbu1\qh1j\enotes -%\check -% mesure 8 -\alaligne\tinynotesize -\Notes\hu G&\lcharnote c{\bf I}\relax -\pz b\ibl0M3\qb0N\pz d\qb0b\pz f\qb0d\pz d\tqb0b|\ql i\rlap{\uptext{\bf I}}\sk\ds\ppz p\zq{km}\cl p\enotes -\temps\Notes\hu G&\ibl0M3\pz b\qb0N\pz e\qb0c\pz g\qb0e\pz e\tqb0c\relax - |\zq{jl}\ql q\sk\ds\ppz l\zq{gj}\cl l\enotes -%\check -% mesure 9 -\barre\Notes\hu G&\pz b\ibl0M3\qb0N|\zq{gi}\ql k\enotes -\notes&\nbbl0\qb0b\tqb0c\enotes -\zglu\Notes&\pz f\ibl0d{-4}\qb0d\pz d\tqb0b|\ds\ppz p\zq{km}\cl p\enotes -\temps\Notes\hu G&\pz b\ibl0M3\qb0N|\ppz q\ibl1m3\zq l\qb1q\enotes -\notes&\nbbl0\qb0c\tqb0d|\nbbl1\qb1q\tqb1p\enotes -\temps\notes&\pz g\ibl0e{-4}\qb0e\sk\pz e\tqb0c|\ibbl1p0\qb1{qpq}\tqb1s\enotes -%\check -% mesure 10 -\barre\Notes\hu G&\zq{Nb}\ql d|\pz t\ibl1o{-3}\qb1r\enotes -\notes&|\nbbl1\qb1n\tqb1{^m}\enotes -\zglu\notes&\soupir|\ibbl1m0\qb1{nmn}\tqb1m\enotes -\temps\Notes\hpause&\ibl0I6\pz J\qb0G|\pz p\cl n\enotes -\notes&\nbbl0\qb0N\tqb0{^M}|\ibbu1g{-3}\qh1g\tqh1{^f}\enotes -\notes&\ibbl0N0\qb0{NMN}\tqb0M|\ibbu1g0\qh1{gfg}\tqh1f\enotes -%\check -\suspmorceau -\def\nbinstruments{4}% -\nbporteesiii=0\relax -% mesure 11 -\reprmorceau -\NOtes\qu G&\ql N|\st n\qu g&&\hpause\enotes -\zglu\NOtes\soupir&\rlap{\rmidtwotext{\bf II}}\soupir|\zq d\qu{=f}&&\enotes -\temps\NOtes\hpause&\hpause|\zq c\qu e&&\soupir\enotes -\zglu\NOtes&|\zq b\qu d&Mit~&\ilegu0p\qu g\enotes -% mesure 12 -\barre\Notes&\qu J|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&W\"urd~&\ql j\enotes -\Notes&\soupir|\zq c\qh0e\zq c\tqh0e&und~&\ql j\enotes -\temps\Notes\pause&\hpause|\zq c\ibu0e0\qh0e\zq c\qh0e&Ho-&\ql l\enotes -\Notes&\zcharnote C{\bf I}|\zq c\qh0e\zq c\tqh0e&heit~&\ql j\enotes -% mesure 13 -\barre\Notes&\qu C|\zw N\zq c\ibu0e0\qh0e\zq c\qh0e&an-&\qup g\enotes -\Notes&\qu E|\zq c\qh0e\zq c\tqh0e&\sk ge-&\sk\cu h\enotes -\temps\Notes\pause&\qu G|\zq c\ibu0e0\qh0e\zq c\qh0e&tan,~&\tleg0\qu g\enotes -\Notes&\ibu1E{-3}\qhp1E|\zq c\qh0e&mit~&\ilegu0p\qu g\enotes -\notes&\sk\tbbu1\tqh1C|\zq c\tqh0e&&\enotes -% mesure 14 -\barre\Notes&\qu G|\zw N\ibu0e0\zq{bd}\qh0f\zq{bd}\qh0f\relax - &Sch\"on-&\ql k\enotes -\Notes&\soupir|\zq{bd}\qh0f\zq{bd}\tqh0f&heit,~&\ql k\enotes -\temps\Notes\pause&\hpause|\zq{bd}\qh0f\zq{bd}\qh0f&St\"ark~&\ql m\enotes -\Notes&|\zq{bd}\qh0f\zq{bd}\tqh0f&und~&\ibu2k{-4}\qh2k\tqh2i\enotes -\suspmorceau -\removelastskip\rightline{\sl\aujourdhui} - -\bye diff --git a/Master/texmf-dist/doc/generic/musictex/souvenir.tex b/Master/texmf-dist/doc/generic/musictex/souvenir.tex deleted file mode 100644 index 5210a58558d..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/souvenir.tex +++ /dev/null @@ -1,29 +0,0 @@ -\ifx\Smalltype\undefined \def\Smalltype{\ninepoint}\fi - % -\def\Transpose{0}% -\def\Signature{-3}\relax % trois bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-4}% -\def\Signature{-4}\relax % quatre bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\bye - -\def\Transpose{-4}\relax -\def\Signature{3}\relax % trois diezes a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -% -\def\Transpose{-3}\relax -\def\Signature{-2}\relax % deux bemols a la clef -\generalsignature{\Signature}\savesignature -\barsinline=0\relax\linesinpage=0\relax -\input souvenix -\bye - diff --git a/Master/texmf-dist/doc/generic/musictex/souvenix.tex b/Master/texmf-dist/doc/generic/musictex/souvenix.tex deleted file mode 100644 index 6d69a70f29d..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/souvenix.tex +++ /dev/null @@ -1,475 +0,0 @@ - -\fulltitle{Un souvenir...} -\shortauthor{Rossi/Capitani} -\title{Un souvenir} -\othermention{Paroles d'Oreste ROSSI} -\fullauthor{Musique de Fernand CAPITANI}% -\maketitle - -\ifx\Transpose\undefined\def\Transpose{0}\fi -\ifx\Signature\undefined\def\Signature{-3}\fi - -\tracingstats=1\relax -%\check -% -% -% soufflets crescendo et decrescendo -% -\def\soufflcr#1{\zcharnote{#1}{\kern -1cm\cresc}}% -\def\Soufflcr#1{\zcharnote{#1}{\kern -1cm\CResc}}% -% -\def\souffldim#1{\zcharnote{#1}{\kern -1cm\dimin}}% -\def\Souffldim#1{\zcharnote{#1}{\kern -1cm\DImin}}% -% -%\check -\def\nbinstruments{2} -\setstaffs12\relax -\setstaffs21\relax -\setclefs1{6000}% -\setclefs2{0000}% -% -\generalsignature{\Signature}% -\generalmeter{\meterfrac{4}{4}} -%\check -\def\interfacteur{10}% -\parindent 15mm -\def\instrumenti{Piano}% -\def\instrumentii{Chant}% -\setinterinstrument1{4\Interligne} -%\check -\def\respire{\notes\nextinstrument\cbreath\enotes}% -% -%\check -\catcode`\@=13 -% -\def\doct#1#2{\Ibl0{#1}{#2}1{\zq{'#1}}\qb0{#1}{\zq{'#2}}\tqb0{#2}}% -\def\doctu#1#2{{\advance\transpose by 7\relax -\Ibu0{#1}{#2}1\zq{#1}}\qh0{#1}{\zq{'#2}}\tqh0{#2}}% -% -\def\nbinstruments{1}\computewidths -\debutmorceau -\autolines {10}44\relax -\transpose=\Transpose -\notes|\Uptext{\raise 2\Interligne\hbox{\moyen Moderato}}\enotes -% -\def\rchone{\lq q\zq{lnp}\ql s}% -\def\Lchone{\lh c\zh{be}\hl g}% -\def\lchone{\lq c\zq{be}\ql g}% -\def\Lchtwo{\zh{bd}\hl g}% -\def\lchtwo{\zq{bd}\ql g}% -%\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\raise 3\Interligne\soupir}% -\def\octs#1{\zw{#1}\advance\transpose by 7\zw{#1}\zcharnote{H}{\soupir}}% -\znotes\zmidtwotext{\kern -2\Interligne\ppff p}\enotes -\temps\NOtes\octs E|\soupir\enotes -\temps\NOtes\Lchone|\rchone\enotes -\temps\NOtes|\rchone\enotes -\temps\NOtes\lchone|\rchone\enotes - %\check -% mesure 2 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 3 -% -\def\lchthree{\lq f\zq{ce}\ql h}% -\def\Lchthree{\lh f\zh{ce}\hl h}% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r\enotes -\temps\notes\Lchthree|\doct jk\enotes -\temps\NOtes|\zq{lnq}\ql s\enotes -\temps\notes\lchthree|\doct kj\enotes -% - %\check -% mesure 4 -\def\lchfour{\zq{be}\ql g}% -\def\Lchfour{\zh{be}\hl g}% -\xbarre\NOtes\octs G|\zw{inp}\qsk\zql m\enotes -\temps\NOtes\Lchfour|\ql l\enotes -\temps\NOtes|\ql k\enotes -\temps\NOtes\lchfour|\Fl k\ql k\enotes -% - %\check -% mesure 5 -% -\def\lchfive{\lq e\zq c\ql f}% -\def\Lchfive{\lh e\zh c\hl f}% -\def\uchfive{\lq m\zq{hl}\ql o}% -\barre\autolines 854\relax -\NOtes\octs F|\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive\enotes -\temps\NOtes|\uchfive\enotes -\temps\notes\lchfive|\lq m\zq l\doct hh\enotes -% - %\check -% mesure 6 -% -\def\lchsix{\lq c\zq{Nb}\ql e}% -\def\Lchsix{\lNa c\lh c\zh{Nb}\hl e}% -\xbarre\NOtes\octs B|\itenl1g\itenu2n\zw{gn}\qsk\ql m\enotes -\temps\NOtes\Lchsix|\ql l\enotes -\temps\NOtes|\ql j\enotes -\temps\NOtes\lchsix|\ql i\enotes -% - %\check -% mesure 7 -\def\lchseven{\zq{Ma}\ql c}% -\def\Lchseven{\Fl c\zh{Mac}\hl e}% -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n\enotes -\temps\notes\bigaccid\Lchseven|\doctu fg\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m\enotes -\temps\notes\lchseven|\doctu ef\enotes -% - %\check -% mesure 8 -\xbarre\NOTes\itenl1E\itenu2L\zw E\zw L\raise 3\Interligne\hpause - |\Na j\rh j\zh{egi}\hu l\enotes -\temps\NOTes\Fl c\Lchthree|\lh m\zh{il}\hl p\enotes -% - %\check -% mesure 9 -\xbarre\notes\qsk\enotes -\NOTEs\llap{\lNa c\kern 1pt}\tten1\tten2\zw{EL}\lw c\zw{be}\wh g\relax - |\lw p\zw{lnq}\wh s\enotes -\setdoublebar\suspmorceau -% - %\check -% mesure 10 -\def\nbinstruments{2}\generalmeter{}\savemeters - %\computewidths - %\advance\linesinpage by 1 - \lreprmorceau -{\leftrepeatsymbol}% -\def\txt#1|#2&{{\vbox to 0pt{\Smalltype\baselineskip 10pt -\vss\hrule width \elemskip height 0pt -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #2\kern\internote}\smallskip -\hbox{\vrule height 6pt depth 2pt width 0pt\kern -\internote - #1\kern\internote}}}}% -\znotes\zmidtwotext{\ppff p}&\enotes -% -\znotes\rlap{\arpeggio E6}\arpeggio c6\enotes -\notes\zw{EILNb}|\wh g&\ds\enotes -\hardlyrics{\txt Se |De &}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt sou-|la &}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt ve-|mer-&}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt nir |veil-&}\notes&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt c'est |leuse &}\notes&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt croire |a-&}\notes&\hsong\thelyrics\cu j\enotes -\hardlyrics{\txt en |ven-&}\notes&\hsong\thelyrics\cu j\enotes - %\check -% mesure 11 -\xbarre\znotes\arpeggio G5|\arpeggio d4\enotes -\NOtes\zh{GK}\hu b|\zh{dgi}\hu k&\hsong{\txt co-|tu-&}\hl k\enotes -\temps\znotes\arpeggio M8|\arpeggio i4\enotes -\NOtes\zh{Nd}|\zhl g\zh{knp}\hu r&\hsong{\txt re |re &}\hl k\enotes -% - %\check -% mesure 12 -\xbarre -\znotes\rlap{\arpeggio D8}\arpeggio b7\enotes -\notes\zw{EILNb}|\zw g\qsk\hl f&\ds\enotes -\hardlyrics{\txt Que |Qui &}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt tout |un &}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt vient |jour &}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt de |a &}\notes|\zhl e&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt re-|pu &}\notes&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt com-|nous &}\notes&\hsong\thelyrics\cu j\enotes -\hardlyrics{\txt men-|u-&}\notes&\hsong\thelyrics\cu j\enotes - %\check -% mesure 13 -\xbarre\znotes\arpeggio E6|\arpeggio c4\enotes -\nspace -\NOtes\zw{GKb}|\Sh h\zw{dik}\qsk\zhl h\sk&\hsong{\txt cer |nir &}\wh k\enotes -\temps\NOtes|\hl g\enotes -% - %\check -% mesure 14 -\alaligne -\notes\zh{JN}\hl c|\zh{eg}\hu l&\ds\enotes -\hardlyrics{\txt\kern -\Interligne C'est |Je &}\notes&\hsong\thelyrics\cl l\enotes -\hardlyrics{\txt re-|gar-&}\notes&\hsong\thelyrics\cl k\enotes -\hardlyrics{\txt voir |de &}\notes&\hsong\thelyrics\cu j\enotes -\hardlyrics{\txt - l'\^e-|mal-&}\notes\bigaccid\zh H\zh L\Na a\hl a|\zh{cj}\zhu e\qsk\zql i&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt tre |gr\'e &}\notes&\hsong\thelyrics\cu i\enotes -\hardlyrics{\txt qu'on |mes &}\notes|\bigaccid\Na h\ql h&\hsong\thelyrics\cu j\enotes -\hardlyrics{\txt a-|bles-&}\notes&\hsong\thelyrics\cu j\enotes - %\check -% mesure 15 -\xbarre\NOTes\zh{F}\zhl J\zh{ac}|\zh{e}\hu g&\hsong{\txt do-|su-&}\hu g\enotes -\temps\NOTes\zh{M}\hl c|\zh{hjl}\hl n&\hsong{\txt re |res &}\hu g\enotes -% - %\check -% mesure 16 -\xbarre -\notes\bigaccid\Sh a\zw{FLac}|\zw e\wh g&\ds\enotes -\hardlyrics{\txt Et |L'in-&}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt re-|ef-&}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt trou-|fa-&}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt ver |\c ca-&}\notes&\hsong\thelyrics\cu f\enotes -\hardlyrics{\txt tout |ble &}\notes&\hsong\thelyrics\cu f\enotes -\hardlyrics{\txt le |sou-&}\notes&\hsong\thelyrics\cu g\enotes -\hardlyrics{\txt pas-|ve-&}\notes&\hsong\thelyrics\cu g\enotes - %\check -% mesure 17 -\xbarre\NOtes\Na a\zw{Ia}|\zh{g}\zhu i\qlp d&\zsong{\txt s\'e... |nir... &}\wh i\enotes -\temps\notes|\Ibbl0ef2\qb0e\Sh e\qb0e\tqb0f\enotes -\NOTes|\Sh f\Sh m\zhl f\zh{ikm}\hu p\enotes -% - %\check -% mesure 18 -\setdoublebar\alaligne -% -\autolines {10}44\relax -\znotes\zmidtwotext{\kern -3mm\ppff p}&\uptext{\rm REFRAIN}\soupir\enotes -\temps\NOtes\octs E|\soupir\enotes -%\temps\NOtes\Lchone|\rchone&\hsong{Un }\ql l\enotes -\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes -\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes - %\check -% mesure 19 -\barre\NOtes\octs G|\itenl1k\itenl2n\itenu3p\itenu4r\zw{knpr}&\hsong{\txt|nir &}\wh k\enotes -\temps\NOtes\Lchtwo\enotes -\temps\NOtes\sk\enotes -\temps\NOtes\lchtwo\enotes - %\check -% mesure 20 -% -\xbarre\NOtes\octs H|\tten1\tten2\tten3\tten4\zq{knp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -\Interligne C'est l'i-&}\cl j\cl k\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes -\temps\Notes\lchthree|\doct kj&\dhsong{\txt|\kern -\Interligne ge d'un &}\cl k\cl j\enotes -%\temps\Notes\lchthree|\doct kj&\dhsong{ge d'un }\cl k\cl j\enotes -% - %\check -% mesure 21 -\xbarre\NOtes\octs G|\zh{inl}\hl p&\hsong{\txt|r\^e-&}\hl i\enotes -\temps\NOtes\Lchfour|\enotes -\temps\NOtes|\zh{inl}\hl p&\hsong{\txt|ve &}\hl i\enotes -\temps\NOtes\lchfour|\enotes -% - %\check -% mesure 22 -% -\def\lchttwo{\zq a\zq c\ql e}% -\def\Lchttwo{\zh a\zh c\hl e}% -\def\uchttwo{\zq{hjl}\ql o}% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\Lchttwo|\uchttwo&\hsong{\txt|\kern -5pt D'une &}\qu h\enotes -\temps\NOtes|\uchttwo&\hsong{\txt|\kern -\internote heu-&}\qu h\enotes -\temps\Notes\lchttwo|\zq j\zq l\doct hh&\dhsong{\txt|re trop &}\cu h\cu h\enotes -% - %\check -% mesure 23 -% -\def\Lchtthree{\lh c\zh{Nb}\hl e}% -\def\lchtthree{\lq c\zq{Nb}\ql e}% -\barre\NOtes\octs B|\zh{gjl}\hl n&\hsong{\txt|br\`e-&}\hu g\enotes -\temps\NOtes\Lchtthree|\enotes -\temps\NOtes|\itenl1g\itenl2j\itenu3l\itenu4n\zh{gjl}\hl n&\hsong{\txt|ve &}\hu g\enotes -\temps\NOtes\lchsix|\enotes -% - %\check -% mesure 24 -\def\Lchtfour{\zh{Mac}\hl e}% -\barre\NOtes\octs B|\tten1\tten2\tten3\tten4\zq{gjl}\qu n&\soupir\enotes -\temps\Notes\Lchtfour|\doctu fg&\dhsong{\txt|Qui ne &}\cu f\cu g\enotes -\temps\NOtes|\zq f\qu m&\hsong{\txt|veut &}\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes -% - %\check -% mesure 25 -\barre\NOtes\octs E|\zh{gil}\hu n&\hsong{\txt|nir &}\hu g\enotes -\temps\NOtes\lchtthree\enotes -\temps\NOtes\soupir|\Sh m\zh{ikm}\hu p&\hsong{\txt|---&}\hu i\enotes -\temps\NOtes\qu I\enotes -% - %\check -% mesure 26 -\barre\temps\NOtes\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes -\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes -% - %\check -% mesure 27 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 28 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\dhsong{\txt|\kern -2\Interligne C'est tou-&}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|te &}\ql l\enotes -\temps\Notes\lchthree|\doct kj&\dhsong{\txt|la ten-&}\cl{kj}\enotes -% - %\check -% mesure 29 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|dres-&}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|se &}\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 30 -% -\barre\NOtes\octs F|\soupir&\soupir\enotes -\temps\NOtes\lFl c\Lchfive|\uchfive&\hsong{\txt|Des &}\qu h\enotes -\hardlyrics{\txt|beaux &}\notes|\uchfive&\hsong\thelyrics\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|jours d'i-&}\cu{hh}\enotes -% - %\check -% mesure 31 -% -\barre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|vres-&}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|se &}\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 32 -\barre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\zsong{\kern -2\internote\txt|Que l'on &}\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt voit |croit&}\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\dhsong{\txt re- ve-|re- te-&}\cu e\cu f\enotes -% - %\check -% mesure 33 -\barre\NOtes\octs E|\Na j\rh j\zh{egi}\hu l&\hsong{\txt nir |nir &}\wh e\enotes -\temps\NOtes\qu N\enotes -\temps\NOtes\qu a\enotes -\temps\NOtes\Sh a\qu a\enotes -% - %\check -% mesure 34 -\barre\notes\zh G\zhl K|\zh b\hu d&\ds\enotes -\hardlyrics{\txt|Un &}\notes&\hsong\thelyrics\Ibu0eh2\qh0d\enotes -\hardlyrics{\txt|soir &}\notes&\hsong\thelyrics\qh0g\enotes -\notes&\hsong{\txt|tu &}\bigaccid\Sh h\tqh0h\enotes -\temps\notes\zh I\hu N|\zh k\hl g&\hsong{\txt|as &}\ibu0j0\qh0i\enotes -\hardlyrics{\txt|pu &}\notes&\hsong\thelyrics\qh0k\enotes -\notes&\hsong{\txt|te &}\qh0j\enotes -\notes&\hsong{\txt|re-&}\tqh0i\enotes - %\check -% mesure 35 -\barre\NOTes\Sh H\zw H\wh N|\zw e\zw g\hu k&\hsong{\txt|pren-&}\hl k\enotes -\temps\NOTes|\hu j&\hsong{\txt|dre &}\hl j\enotes - %\check -% mesure 36 -\barre\notes\zw K\bigaccid\Sh a\wh a|\bigaccid\Sh f\zw f\wh j&\ds\enotes -\hardlyrics{\txt|\kern -\internote Tout &}\notes&\hsong\thelyrics\ibu0j0\qh0j\enotes -\hardlyrics{\txt|bri-&}\notes&\hsong\thelyrics\qh0j\enotes -\hardlyrics{\txt|ser, &}\notes&\hsong\thelyrics\tqh0j\enotes -\hardlyrics{\txt|tout &}\notes&\hsong\thelyrics\Ibu0kh4\qh0k\enotes -\notes&\hsong{\txt|a-&}\qh0k\enotes -\notes&\hsong{\txt|n\'e-&}\bigaccid\Sh h\qh0h\enotes -\notes&\hsong{\txt|an-&}\tqh0h\enotes - %\check -% mesure 37 -\barre\notes\Ibu0Ga3\qh0{GKN}\Sh a\tqh0a|\zw{g}\wh i&\hsong{\txt|tir &}\wh i\enotes -\temps\notes|\Ibu0cf3\qh0{bdg}\Sh f\tqh0f\enotes - %\check -% mesure 38 -\barre\notes\zh I\hu M|\zh d\bigaccid\Na f\hu f&\ds\enotes -\hardlyrics{\txt|\kern -3\internote Mais &}\notes&\hsong\thelyrics\Ibu0gj3\qh0f\enotes -\hardlyrics{\txt|pour &}\notes&\hsong\thelyrics\qh0i\enotes -\hardlyrics{\txt|moi &}\notes&\hsong\thelyrics\tqh0j\enotes -\hardlyrics{\txt|qui &}\notes\zh K\hl b|\zh f\hl i&\hsong\thelyrics\Ibu0ki3\qh0k\enotes -\hardlyrics{\txt|ne &}\notes&\hsong\thelyrics\qh0k\enotes -\hardlyrics{\txt|sais &}\notes&\hsong\thelyrics\qh0j\enotes -\hardlyrics{\txt|com-&}\notes&\hsong\thelyrics\tqh0i\enotes - %\check -% mesure 39 -\barre\NOTes\zw J\wh b|\bigaccid\Fl g\zw e\wh g&\hsong{\txt|pren-&}\hu k\enotes -\temps\NOTes&\hsong{\txt|dre &}\hu j\enotes - %\check -% mesure 40 -\barre\Notes\zmidtwotext{\it rit.}\zw F\wh M|\zw e\zw j\qsk\zhl i&\soupir\enotes -\temps\NOtes&\hsong{\txt|\kern -\internote Qu'on &}\ql j\enotes -\temps\NOtes|\Sh h\hl h&\hsong{\txt|peut &}\ql k\enotes -\temps\NOtes&\hsong{\txt|men-&}\ql l\enotes - %\check -% mesure 41 -\barre\Notes\zw I\qu b|\bigaccid\Na h\zw{hm}\qsk\qu k&\hsong{\txt|tir &}\wh m\enotes -\temps\Notes\qu c|\qu j\enotes -\temps\Notes\Sh c\qu c|\Sh i\qu i\enotes -\temps\Notes\qu d|\Na i\qu i\enotes - %\check -% mesure 42 -\barre\temps\NOtes\zmidtwotext{\it a tempo}\octs E|\soupir&\soupir\enotes -\temps\NOtes\Lchone|\rchone&\hsong{\txt|Un &}\ql l\enotes -\temps\NOtes|\rchone&\hsong{\txt|sou-&}\ql l\enotes -\temps\NOtes\lchone|\rchone&\hsong{\txt|ve-&}\ql l\enotes - %\check -% mesure 43 -\barre\NOtes\octs G|\itenl1k\itenu3p\itenu4r\Sh o\zw{kpr}\qsk\zql o&\hsong{\txt|nir &}\wh k\enotes -\temps\NOtes\Lchtwo|\ql n\enotes -\temps\NOtes\sk|\Sh m\ql m\enotes -\temps\NOtes\lchtwo|\ql n\enotes - %\check -% mesure 44 -% -\barre\NOtes\octs H|\tten1\tten3\tten4\zq{kp}\ql r&\soupir\enotes -\temps\Notes\Lchthree|\doct jk&\thsong{\txt|\kern -\Interligne C'est l'i-&}\cl {jk}\enotes -\temps\NOtes|\zq{lnq}\ql s&\hsong{\txt|ma-&}\ql l\enotes -\temps\Notes\lchthree|\doct kj&\dhsong{\txt|ge d'un &}\cl{kj}\enotes -% - %\check -% mesure 45 -\barre\NOtes\octs G|\zh{in}\zhl p\qsk\zqu m&\hsong{\txt|r\^e-&}\hu i\enotes -\temps\NOtes\Lchfour|\qu l\enotes -\temps\NOtes\sk|\zh{in}\zhl p\qsk\zqu k&\hsong{\txt|ve &}\hu i\enotes -\temps\NOtes\lchfour|\Fl k\qu k\enotes -% - %\check -% mesure 46 -% -\barre\autolines {9}54\relax -\NOtes\octs F|\soupir&\soupir\enotes -\temps\hardlyrics{\txt|\kern -\internote D'une &}\notes\lFl c\Lchfive|\uchfive&\hsong\thelyrics\qu h\enotes -\temps\hardlyrics{\txt|\kern -\internote heu-&}\notes|\uchfive&\hsong\thelyrics\qu h\enotes -\temps\Notes\lchfive|\lq m\zq l\doct hh&\zsong{\txt|\kern -\internote re trop &}\cu{hh}\enotes -% - %\check -% mesure 47 -% -\xbarre\NOtes\octs B|\zh{g}\zhl n\qsk\qu m&\hsong{\txt|br\`e-&}\hu g\enotes -\temps\NOtes\Lchsix|\qu l\enotes -\temps\NOtes|\itenl1g\itenu2n\zh{g}\zhl n\qsk\qu j&\hsong{\txt|ve &}\hu g\enotes -\temps\NOtes\lchsix|\qu i\enotes -% - %\check -% mesure 48 -\xbarre\NOtes\octs B|\tten1\tten2\zq g\qu n&\soupir\enotes -\temps\Notes\Lchseven|\doctu fg&\dhsong{\txt|\kern -\internote Qui ne &}\cu f\cu g\enotes -\temps\NOtes|\Fl j\zh h\zhl j\kern 1pt\zq f\zqu m&\hsong{\txt|\kern -\internote veut &}\qu f\enotes -\temps\Notes\lchseven|\doctu ef&\dhsong{\txt|pas fi-&}\cu e\cu f\enotes -% - %\check -% mesure 49 -\xbarre\NOTes\itenl1E\itenl2L\octs E\relax -|\Na j\rh j\zh{egi}\hu l&\hsong{\txt|nir...&}\wh e\enotes -\temps\NOTes - \ifnum\transpose<-2\relax - \Fl c\qsk\lh e\zh c\zh f\hl h\else \sk\fi -|\ifnum\transpose<-2\else - \rlap{\Fl c\qsk\lh e\zh c\zh f\zhl h}\fi - \zh{il}\rh m\hu p\relax -\enotes - %\check -% mesure 50 -\xbarre\NOTes\Na c\qsk\tten1\tten2\zh E\zhl L\rh c\zh b\zh e\hu g|\qsk -\lh q\zh l\zh n\zh p\hl s\enotes -\temps\NOtes\qu E|\hpause&\pause\enotes -\temps\NOtes\soupir\enotes -\setrightrepeat\finpartition -\medskip\rightline{\it le \aujourdhui} -\eject - - - - diff --git a/Master/texmf-dist/doc/generic/musictex/tierce.tex b/Master/texmf-dist/doc/generic/musictex/tierce.tex deleted file mode 100644 index ecfc89d98e5..00000000000 --- a/Master/texmf-dist/doc/generic/musictex/tierce.tex +++ /dev/null @@ -1,367 +0,0 @@ -% \input musixtex -% \input musixcpt -% \input musixsty -\title{Tierce en taille} -\fulltitle{III. \titremorceau} -\csname titremorceautoc\endcsname -% -\parindent 18mm - -\subtitle{\sl (pour orgue)} -\othermention{Compos\'e en 1990} -\author{Daniel TAUPIN} -\maketitle - -\tracingstats=2\relax -% -\nbporteesii=2\relax -\def\nbinstruments{2} -\global\cleftoksii={{0}{3}{0}{0}}% -\global\cleftoksi={{6}{0}{0}{0}}% -% -\signaturegenerale{1}\relax % un dieze a la clef -\def\quatretemps{\generalmeter{\allabreve}}% -\def\troistemps{\generalmeter{\meterfrac{3}{2}}}% -\def\deuxtemps{\generalmeter{\meterfrac{2}{2}}}% -\def\Mordant{\mordant{10}}% -\def\Pince{\pince{10}}% -%\check -\def\instrumenti{P\'edale 16'}% -\def\instrumentii{\vbox{\hsize=\parindent\centerline{R\'ecit}\vskip 33pt - \centerline{G.O.}}}% -%\check -\def\gluemaxskip{7pt}% -% -% formes frequentes -% -% deux croches hautes -\def\dql#1#2#3{\ibl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqu#1#2#3{\ibu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -\def\dqh{\dqu}\def\dqb{\dql}% -% -% deux doubles croches hautes -\def\dqbbu#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tbl0\qb0{#3}}% -\def\dqbbl#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tbu0\qh0{#3}}% -% -% croche pointee et double croche meme hauteur -\def\cpdcl#1{\trioskip\ibl0{#1}0\qbp0{#1}\sk\tbbl0\tqb0{#1}}% -\def\cpdcu#1{\trioskip\ibu0{#1}0\qhp0{#1}\sk\tbbu0\tqh0{#1}}% -% -\medskip\noindent{\rm G.O.: fonds 8' ou 8'+4' doux}% -\par\noindent{\rm R\'ec.: cornet ou cromorne}% -\par\noindent{\rm P\'ed.: 16', tirasse G.O.}% -\smallskip -% -\quatretemps -% -\def\trioskip{\multiply\noteskip by 2\relax\divide\noteskip by 3\relax}% -\debutmorceau -\advancebottom{4\internote}% -\autolines {8}44\relax -\def\resp{\vnotes 0.2\elemskip&|\cbreath\enotes}% -%\check -% -\hyphenpenalty -50\relax -\notes&|\Uptext{ \hbox{\kern -16mm\moyen Adagio \bf(\metron{\qu}{60})}}\enotes -\advance\barsinline by 1\relax -\advance\linesinpage by 1\relax -\def\qqbbh#1#2#3#4#5{\ibbu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbH#1#2#3#4#5{\ibbu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbbu{\qqbbh}\def\qqbbb{\qqbbl}% -\def\qqbbl#1#2#3#4#5{\ibbl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -\def\dqbbh#1#2#3{\ibbu0{#2}{#1}\qh0{#2}\tqh0{#3}}\relax -\def\dqbbu{\dqbbh}\def\dqbbb{\dqbbl}% -\def\dqbbl#1#2#3{\ibbl0{#2}{#1}\qb0{#2}\tqb0{#3}}\relax -%\check -\def\qqbh#1#2#3#4#5{\ibu0{#2}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbH#1#2#3#4#5{\ibu0{#3}{#1}\qh0{#2}\qh0{#3}\qh0{#4}\tqh0{#5}}\relax -\def\qqbl#1#2#3#4#5{\ibl0{#2}{#1}\qb0{#2}\qb0{#3}\qb0{#4}\tqb0{#5}}\relax -%\check -% -% mesure 1 -\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes -% mesure 2 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 3 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 4 -\autolines{9}44\relax -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbu0b3\qh0b\tqh0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 5 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 6 -\barre\NOTes\hu H&\zh c\zhl e\hup h|\qup c\enotes -\temps\notes&|\cu c\enotes -\temps\NOtes\hu D&\itenl1d\zh d\zhl f|\xTrille i{1.5\noteskip}\qup c\enotes -\temps\notes&\qu j|\sk\cu b\enotes -% mesure 7 -\barre\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup b\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu N\enotes -% mesure 8 -\barre\NOTes\hu H&\zh c\zhl e\wh h|\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTes\hu K&\itenl1d\zh d\hl f|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\trioskip\dqbbh3Na\enotes -% mesure 9 -\barre\NOtes\hu G&\tten1\zh d\zh g\hu i|\itenl1b\qu b\enotes -\temps\notes&|\tten1\qqbbh3bb{^c}d\enotes -\temps\NOTes\hu H&\itenu1h\zh{^ce}\hu h|\xTrille i{\noteskip}\qup{c}\enotes -\temps\notes&|\trioskip\ibbu1b3\qh1b\tqh1c\enotes -% mesure 10 -\barre\NOTes\hup K&\tten1\zhp {df}\hup h|\hup d\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu a\enotes -% mesure 11 -\barre\NOTes\wh H&\zh{=c}\zhl e\wh h|\qup{=c}\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&\itenl2d\zh d\zhl f|\ibu0c3\qh0c\trioskip\nbbu0\qh0d\tqh0e\enotes -\temps\notes&|\Pince\dql{-3}dc\enotes -% mesure 12 -\troistemps -\changecontext\NOTes\hu G&\tten2\itenl2d\zh d\zh g\hu i|\xTrille i{\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -\temps\NOTEs\wh K&\zw d\tten2\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 13 -\deuxtemps\changecontext\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince j\qqbbl{-3}hghd\enotes -% mesure 14 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 15 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{ch}\qu e|\dql{-3}cb\enotes -%\check -% mesure 16 -\troistemps -\changecontext\temps\NOtes\qu K&\zql d\zh f\hu h|\xTrille i{1.5\noteskip}\qup a\enotes -\temps\notes\qu D&\zql c|\sk\cu N\enotes -\temps\NOTes\wh G&\zw{bd}\zw g|\wh N\enotes -\resp -% mesure 17 -\deuxtemps -\changecontext\notes\hup I&\zw{gi}\hlp d|\cpdcl g\enotes -\temps\NOTes&|\hl d\enotes -\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes -% mesure 18 -\barre\NOTEs\hup H&\itenl1e\itenu2h\zhp{^c}\zhp e\hup h|\hup{^c}\enotes -\temps\notes\qu {^J}&\tten1\tten2\zq e\rq g\qu h|\cpdcu a\enotes -% mesure 19 -\barre\NOtes\qu K&\zhl d\zq f\qu h|\ql h\enotes -\temps\notes\qu I&\zq g\qu i|\dql{-3}gf\enotes -\temps\NOtes\hu H&\zh{^c}\zhl e\qu h|\xTrille l{1.5\noteskip}\qlp e\enotes -\temps\notes&\qu g|\sk\cl d\enotes -% mesure 20 -\barre\NOTEs\hup D&\zhp d\zhp f\hup h|\hlp d\enotes -\resp -\temps\notes\qu J&\itenl1c\itenu2h\zq{=ce}\qu h|\cpdcu a\enotes -% mesure 21 -\barre\NOTes\hu H&\tten1\tten2\zw f\zw h\hl c|\hu c\enotes -\temps\notes&|\cu c\enotes -\temps\notes\hu K&|\ibl1c3\qb1c\trioskip\nbbl 1\qb1d\tqb1e\enotes -\temps\notes&\itenl1d\ql d|\Pince\dql{-2}dc\enotes -% mesure 22 -\barre\NOtes\hu G&\tten1\zh g\zh i\hu d|\itenu1 b\qu b\enotes -\notes&|\tten1\trioskip\qqbbl3bbcd\enotes -\temps\notes\hu J&\zh c\zh e\hu g|\cpdcl e\enotes -\temps\notes&|\dql{-6}ea\enotes -% mesure 23 -\barre\NOtes\hu I&\zh d\zh g\hu i|\itenu0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh{-1}dNab\enotes -\temps\NOTes\hu H&\itenu2h\zh e\zh h\hu c|\qup c\enotes -\temps\notes&|\cu c\enotes -% mesure 24 -\troistemps\changecontext\NOTes\hu F&\tten2\itenl2f\zh f\zh h\hu c|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\tten2\zw{^d}\zw f\wh i|\Mordant \wh b\enotes -\resp -% mesure 25 -\barre\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes -% mesure 26 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 27 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 28 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTEs\hu I&\itenl1d\zh d\zh g\hu i|\hu b\enotes -% mesure 29 -\troistemps\changecontext\NOTes\hu K&\tten1\itenl1d\zh d\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -\temps\NOTEs\hup G&\tten1\zhp d\zhp g\hup i|\hup N\enotes -\temps\Notes\soupir&\soupir|\soupir\enotes -%\check -% mesure 31 -\deuxtemps\changecontext\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes -% mesure 31 -\barre\NOTEs\hu I&\tten1\tten2\zhl d\zhp g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\zql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu1h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 32 -\barre\NOTes\hu K&\tten1\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbu0N3\trioskip\qh0N\tqh0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 33 -\barre\NOtes\hu J&\zw g\zh c\hl e|\itenu0e\ql e\enotes -\temps\notes&|\trioskip\tten0\qqbbl3eefg\enotes -\temps\notes\hu I&\zh b\hl d|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 34 -\barre\NOtes\hu H&\zh c\zhl e\wh h|\itenl0a\qu a\enotes -\temps\notes&|\tten0\trioskip\qqbbh3aabc\enotes -\temps\NOtes\hu K&\zh d\hl f|\itenl0d\qu d\enotes -\temps\notes&|\tten0\trioskip\qqbbh3ddef\enotes -%\check -% mesure 35 -\cleftoksii={{0}{0}{0}{0}}\changeclefs -\barre\NOTes\hu I&\zhl d\zhp g\hup i|\qup g\enotes -\temps\notes&|\cu h\enotes -\temps\notes\qu L&\hl e|\dqu{-4}ge\enotes -\temps\notes\qu H&\zq h\qu j|\dqu{-3}ji\enotes -% mesure 36 -\troistemps\changecontext\NOtes\qu K&\zw d\zh f\hu h|\xTrille o{\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOtes\hup G&\zhp{dg}\hup i|\hup g\enotes -\resp -\temps\notes\soupir&\soupir|\cpdcu b\enotes -% mesure 37 -\deuxtemps\changecontext\notes\hu I&\zh{^d}\zhl f\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\zh g\hl e|\pince o\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -% mesure 38 -\barre\notes\hu{^J}&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-3}hg\enotes -\temps\notes\hu K&\zh d\hl f|\pince o\dqu{-3}fe\enotes -\temps\NOtes&|\qu d\enotes -% mesure 39 -\barre\notes\hu I&\zh b\zhl d\wh g|\dqu3gh\enotes -\temps\notes&|\dqu{-8}gd\enotes -\temps\notes\hu J&\zh c\hl e|\dqu3ef\enotes -\temps\NOtes&|\pince o\qu e\enotes -% mesure 40 -\barre\notes\hu H&\zh{^c}\zhl e\wh h|\dqu3hi\enotes -\temps\notes&|\dqu{-8}he\enotes -\temps\notes\hu J&\zh d\hl f|\dqu3fg\enotes -\temps\NOtes&|\pince o\qu f\enotes -%\check -% mesure 41 -\barre\notes\hu G&\zhl d\zw g\wh i|\dqu3ij\enotes -\temps\notes&|\dqu{-3}ih\enotes -\temps\notes\hu L&\hl e|\dqu{-3}gf\enotes -\temps\notes&|\dqu{-5}ge\enotes -%\check -% mesure 42 -\barre\notes\hu H&\itenu1h\zh c\zhl e\wh h|\dqu3jk\enotes -\temps\notes&|\dqu{-3}ji\enotes -\temps\notes\hu{^J}&\hl{^c}|\dqu{-3}hg\enotes -\temps\notes&|\dqu{-3}fe\enotes -% mesure 43 -\barre\notes\qu K&\tten1\zql d\zh f\hu h|\dqu3fg\enotes -\temps\notes\qu{=J}&\ql{=c}|\pince o\dqu{-6}fd\enotes -\temps\NOTes\hu I&\zh{bd}\hu g|\qup g\enotes -\temps\notes&|\cu h\enotes -% mesure 44 -\troistemps\changecontext\NOtes\qu K&\itenl0d\zh d\zh f\hu h|\xTrille o{1.5\noteskip}\qup h\enotes -\temps\notes\qu D&|\sk\cu g\enotes -\temps\NOTEs\wh G&\tten0\zw b\zw d\wh g|\Mordant\wh g\enotes -\resp -% mesure 45 -\cleftoksii={{0}{3}{0}{0}}\changeclefs -\barre\notes\hup G&\itenu1g\itenu2i\zw i\zw g\hlp d|\cpdcl g\enotes -\temps\NOTEs&|\hu d\enotes -\temps\notes\qu J&\ql e|\trioskip\Pince\qqbbl{-5}edeb\enotes -% mesure 46 -\barre\NOTEs\hu I&\tten1\tten2\zh d\zhl g\hup i|\hu d\enotes -\temps\notes\qu L&\itenl1e\ql e|\cpdcu N\enotes -\temps\notes\qu H&\tten1\itenu0h\zq c\zql e\qu h|\dqu3ab\enotes -% mesure 47 -\barre\NOTes\hu K&\tten0\zw d\zh f\hu h|\xTrille i{1.0\noteskip}\qup a\enotes -\temps\notes&|\ibbl0N3\trioskip\qb0N\tqb0a\enotes -\temps\NOtes\hu G&\zh g\hu i|\itenl0b\qu b\enotes -\temps\notes&|\trioskip\tten0\qqbbh3bbcd\enotes -% mesure 48 -\barre\NOTes\hu H&\zh f\zh h\hu j|\xTrille i{1.2\noteskip}\qup c\enotes -\temps\notes&|\sk\trioskip\ibbl0b3\qb0b\tqb0c\enotes -\temps\NOtes\hu I&\itenl1d\zh d\zh g\hu i|\itenl0d\qu d\enotes -\temps\notes&|\trioskip\tten0\qqbbh3defg\enotes -% mesure 49 -\barre\NOtes\hu K&\tten1\zql d\zh f\hu h|\Pince\ql f\enotes -\temps\notes&\zql c|\dql{-2}ed\enotes -\temps\notes\hu I&\zh b\zh d\hu g|\dql6dg\enotes -\temps\notes&|\dql{-8}dN\enotes -% mesure 50 -\troistemps\changecontext\NOTes\hu H&\zh c\zhl e\hup h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu b\enotes -\temps\NOTEs\wh I&\zw{^d}\zw f\wh i|\Mordant\wh b\enotes -\resp -% mesure 51 -\deuxtemps\changecontext\notes\wh H&\zw{^df}\hup i|\cpdcl f\enotes -\temps\NOTes&|\hu{^d}\enotes -\temps\notes&\qu h|\trioskip\Pince\qqbbl{-3}fefb\enotes -% mesure 52 -\barre\notes\hu G&\zh b\zh e\hu g|\cpdcl e\enotes -\temps\NOtes&|\hu e\enotes -\temps\notes\hu H&\zh {cf}\hu h|\enotes -\temps\notes&|\trioskip\ibl0f3\qb0f\sk\nbbl0\qb0g\tqb0h\enotes -% mesure 53 -\barre\NOTes\hu I&\itenl1b\itenu2g\zh {bd}\hu g|\hu d\enotes -\temps\NOTes\hl L&\tten1\tten2\zh b\zh e\hu g|\hl g\enotes -% mesure 54 -\barre\temps\notes\hu H&\zh c\zh f\hu h|\qqbl{-2}fedc\enotes -\temps\NOTes\hu I&\itenl1d\zw d\zh g\hu i|\xTrille i{1.5\noteskip}\qup b\enotes -\temps\notes&|\cu a\enotes -% mesure 55 -\barre\NOTes\wh K&\tten1\zw d\zw f\wh h|\Mordant \wh a\enotes -\resp -% mesure 56 -\barre\notes\wh{=J}&\zw{=cf}\wh h|\cpdcl h\enotes -\temps\NOTes&|\hu f\enotes -\temps\notes&|\trioskip\pince{11}\qqbbl{-3}hghd\enotes -% mesure 57 -\barre\NOtes\hu I&\zh{bd}\hu g|\qu g\enotes -\temps\NOtes&|\qu N\enotes -\temps\NOtes\hu H&\itenu2h\zh{ce}\hu h|\itenl1a\qu a\enotes -\temps\notes&|\trioskip\tten1\qqbbu3aabc\enotes -% mesure 58 -\barre\NOtes\hu K&\tten2\itenl2d\zh{df}\hu h|\itenl1d\qu d\enotes -\temps\notes&|\trioskip\tten1\qqbbu3ddef\enotes -\temps\notes\qu I&\tten2\zq d\zq b\qu g|\ibu0e{-9}\qh0g\tqh0N\enotes -\temps\notes\qu J&\zq{hc}\qu e|\dql{-3}cb\enotes -%\check -% mesure 59 -\advance\barsinline by -1\relax -\barre\NOTes\hu K&\itenl1d\zw d\zh g\hu i|\hu b\enotes -\temps\NOTes\hu D&\zh f\hu h|\xTrille i{\noteskip}\qup a\enotes -\temps\notes&|\cu N\enotes -% mesure 60 -\barre\NOTEs\wh G&\tten1\zw{bd}\zw g|\wh N\enotes -\finmorceau -\rightline{\sl\aujourdhui}\vfil\eject diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf deleted file mode 100644 index 3a49d49fc7b..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamd20.mf +++ /dev/null @@ -1,4 +0,0 @@ -input musicd20 -numeric beammult; -beammult:=2; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf deleted file mode 100644 index 56ae0526129..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamn11.mf +++ /dev/null @@ -1,5 +0,0 @@ -font_identifier := "beamn11"; -input musicd11 -numeric beammult; -beammult:=1; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf deleted file mode 100644 index 103abeedfaf..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamn13.mf +++ /dev/null @@ -1,6 +0,0 @@ -font_identifier := "beamn13"; -input musicd13 -numeric beammult; -beammult:=1; -input beamngen - diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf deleted file mode 100644 index 6760e5b74b0..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamn16.mf +++ /dev/null @@ -1,6 +0,0 @@ -font_identifier := "beamn16"; -input musicd16 -numeric beammult; -beammult:=1; -input beamngen - diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf deleted file mode 100644 index 6968e0f8887..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamn20.mf +++ /dev/null @@ -1,5 +0,0 @@ -font_identifier := "beamn20"; -input musicd20 -numeric beammult; -beammult:=1; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf b/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf deleted file mode 100644 index cdd378559f9..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamngen.mf +++ /dev/null @@ -1,83 +0,0 @@ -% Length has been changed to longueur for BCPL_string -% Nicolas Brouard 25/10/91 -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BALKEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -font_x_height beamht#; - -def drawbeams (expr st, jj, nn) = - save i, j, longueur, height; - numeric i, j, longueur, height; - longueur:= 60.0/32; - for i=0 upto 5: - height := longueur*st ; - beginchar(jj*6+i, longueur, height, 0); - clear; - z2 = (w,h); - z1 = origin; - penpos1(beamht,90); - penpos2(beamht,90); - for j=0 upto nn-1: - penstroke (z1e---z2e) shifted (0,beamstep*j); - endfor; - endchar; - longueur := 2*longueur; - endfor; -enddef; - -def drawbeamsneg (expr st, jj, nn) = - save i, longueur, depth; - numeric i, longueur, depth; - longueur:= 60.0/32; - for i=0 upto 5: - depth := longueur*st; - beginchar(64+jj*6+i, longueur, 0, depth); - clear; - z2 = (w,d); - z1 = origin; - penpos1(beamht,90); - penpos2(beamht,90); - for j=0 upto nn-1: - penstroke (z1e---z2e) shifted (0,beamstep*j); - endfor; - endchar; - longueur := 2*longueur; - endfor; -enddef; -numeric beamstep; -numeric ss[]; - -beamstep:=0.75nhh; -ss[0]:=0.05; -ss[1]:=0.10; -ss[2]:=0.15; -ss[3]:=0.20; -ss[4]:=0.25; -ss[5]:=0.30; -ss[6]:=0.35; -ss[7]:=0.4; -ss[8]:=0.45; -ss[9]:=0.50; -ss[10]:=0.55; - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Balken mit positiver Steigung % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -for j=0 upto 9 : -drawbeams(ss[j],j,beammult); -endfor; - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Balken mit negativer Steigung % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -for j=0 upto 9 : -drawbeamsneg(-ss[j],j,beammult); -endfor; - -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf deleted file mode 100644 index 5a6e5670014..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamq20.mf +++ /dev/null @@ -1,4 +0,0 @@ -input musicd20 -numeric beammult; -beammult:=4; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf deleted file mode 100644 index ea3e714e700..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamt20.mf +++ /dev/null @@ -1,4 +0,0 @@ -input musicd20 -numeric beammult; -beammult:=3; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf b/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf deleted file mode 100644 index 9b485f9a69b..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/beamv20.mf +++ /dev/null @@ -1,4 +0,0 @@ -input musicd20 -numeric beammult; -beammult:=5; -input beamngen diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf deleted file mode 100644 index 66e6b36f8a3..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicbra.mf +++ /dev/null @@ -1,24 +0,0 @@ -%%% -% this is musicbra.mf -%%% - -font_identifier := "music_brace_20"; -font_coding_scheme:="UNSPECIFIED"; - -input musicd20 - -%%% -% setup fontdimen 1-7 -% "Parameters are zero unless otherwise specified." -% METAFONT-Book App. F -%%% -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; -font_quad nhw#; -%font_extra_space 0pt; - -input musicbrg -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf deleted file mode 100644 index e0b760c533b..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicbrb.mf +++ /dev/null @@ -1,24 +0,0 @@ -%%% -% this is musicbra.mf -%%% - -font_identifier := "music_brace_20"; -font_coding_scheme:="UNSPECIFIED"; - -input musicd20 - -%%% -% setup fontdimen 1-7 -% "Parameters are zero unless otherwise specified." -% METAFONT-Book App. F -%%% -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; -font_quad nhw#; -%font_extra_space 0pt; - -input musicbrh -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf deleted file mode 100644 index 758c9f3df18..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicbrg.mf +++ /dev/null @@ -1,53 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% this is musicbrg.mf -% -% Version 0.99 [August 93] Andreas Egler -% [January] Daniel Taupin -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -transform t; -path p; - -pen thin_pen, med_pen, thick_pen; -thin_pen:= pencircle scaled .15pt; -med_pen:= pencircle scaled thin; -thick_pen:= pencircle scaled med; - -apog_fact=0.75; - -%%%%%%%%%%%%%% -% big braces % -%%%%%%%%%%%%%% -% -% change firstbrace and lastbrace if you need smaller or larger braces -% - -firstbrace:=20; % smallest brace is 2*20 pt (\simeq 14mm) -lastbrace:=99; % largest brace is 2*99 pt (\simeq 69mm) - -def bigbrace(expr v) = - vwidth:=v*pt; - hwidth:=.2vwidth; - actwidth:=.035vwidth; - - x1=hwidth; y1=vwidth; - x2l=.2hwidth; y2=.75vwidth; - x3r=.8hwidth; y3=1/3vwidth; - x4=0; y4=0; - penpos1(thinwidth,-90); - penpos2(1.25med+.8actwidth,40); - penpos3(1.25med+actwidth,45); - penpos4(.5thin+thinwidth,-90); - - currentpen:= pencircle; - penstroke z1e..z2e..z3e..{left+sw}z4e; - addto currentpicture also currentpicture reflectedabout (origin, right); - penlabels(1,2,3,4); -enddef; - -for v=firstbrace upto lastbrace : - beginchar (v-firstbrace, .2v*pt#, 0, 0); - bigbrace (v); - endchar; -endfor; - diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf b/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf deleted file mode 100644 index 7a0abd2cfbd..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicbrh.mf +++ /dev/null @@ -1,40 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -% this is musicbrg.mf from Stanislav Kneifl -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -% -% change firstbrace and lastbrace if you need smaller or larger braces -% - -firstbrace:=20; % smallest brace is 2*20 pt (\simeq 14mm) -lastbrace:=99; % largest brace is 2*99 pt (\simeq 69mm) - -def drawpianobracket (expr height) = - u# := 1nhh#/5pt# * 1pt#; - v# := (height/40) * 1pt#; - define_pixels (u, v); - beginchar (height-firstbrace, 1.25nhh#, 0, 0); - z1 = origin; - z2 = (4.7u, 7v); - z3 = (3.6u, 16.5v); - z4 = (1.9u, 25v); - z5 = (2.28u, 32v); - z6 = (w, 40v); - penpos1 (max(1,0.1u), 125); - penpos2 (1.2u, 180); - penpos3 (3.2u, 195); - penpos4 (2.5u, 180); - penpos5 (1.14u, 180); - penpos6 (max(2,0.3u), 150); - penstroke z1e{dir 35}..z2e..z3e..z4e..z5e..{dir 60}z6e; - currenttransform := identity reflectedabout ((0,0),(1,0)); - penstroke z1e{dir 35}..z2e..z3e..z4e..z5e..{dir 60}z6e; - currenttransform := identity; - endchar; -enddef; - -for v=firstbrace upto lastbrace : - drawpianobracket (v); -endfor; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf deleted file mode 100644 index cb2c11106a0..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicd11.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd11.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 11pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 0.70pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf deleted file mode 100644 index 5c814a43c00..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicd13.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd13.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 13pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 0.80pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf deleted file mode 100644 index 38f96a256de..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicd16.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd16.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 16pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 1.00pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf b/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf deleted file mode 100644 index c8e36c9547c..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicd20.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd20.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 20pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.125pt; -s := 1.25pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf b/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf deleted file mode 100644 index 5c221a74b82..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicdef.mf +++ /dev/null @@ -1,61 +0,0 @@ -% this is musicdef.mf -% -% -% hier evtl. mode fuer gewuenschten output setzen -% -% AGFA P400 mode: for devices that print 406 pixels per inch -% mode_def agfa = -% proofing:=0; -% fontmaking:=1; -% tracingtitles:=0; -% pixels_per_inch:=406; -% blacker:=0.65; -% fillin:=0; -% o_correction:=1; -% enddef; -% localfont:=agfa; -% mode:=agfa; -% mode_setup; -% -% -%mode_def ibm = % ibm mode: for the IBM3820 -% proofing:=0; % no, we're not making proofs -% fontmaking:=1; % yes, we are making a font -% tracingtitles:=0; % no, don't show titles in the log -% pixels_per_inch:=300; -% blacker:=.78; % (this value is conjectural) -% fillin:=0.25; % (ditto) -% o_correction:=.5; % (ditto) -% enddef; -%localfont:=ibm; -%mode:=ibm; -mode_setup; -% -%fontmaking:=1; -turningcheck:=1; -displaying:=2; -designsize:=16; -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth -beamht#:=0.6nhh#; %Balkenst"arke -nhh:=nhh#*pt; %noteheadheight *pt -nhw:=nhw#*pt; %noteheadwidth *pt -thinwidth := 0.4pt; -beamht := beamht#*pt; -s := 1.0pt; -S := 1/16designsize; -%pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; -openit; -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; -% -pickup pencircle scaled (0.1pt); -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle fi enddef; -% diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf deleted file mode 100644 index f6fcd2df725..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicg16.mf +++ /dev/null @@ -1,1360 +0,0 @@ -apog_fact=0.75; -apog_nhh=apog_fact*nhh; -apog_nhh#=apog_fact*nhh#; -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% NOTENKOEPFE UND FAEHNCHEN % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -%%%%%%%%%%%%%%% -%%notenkoepfe % -%%%%%%%%%%%%%%% - -def drawnoteb(expr noteheadwidth, noteheadheight, theta_a, theta_b, theta_c, -width_a, width_b) = - % .l - penpos1(width_a, theta_a); % .2 - % .r - penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l - % .r - penpos2(width_b, 180+theta_b); % .4 - % .l - penpos4(width_b, theta_b); % - y1 = y3 = 0; - x2 = x4 = 1/2noteheadwidth; - x1l= 0; x3l = noteheadwidth; y2l = noteheadheight; y4l = -noteheadheight; - penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle) - rotatedaround((origin +1/2noteheadwidth*right),theta_c); - enddef; -%%%%%%%%%%%%%%% -% flags % -%%%%%%%%%%%%%%% -% -% -pickup pencircle scaled (0.1pt); -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle fi enddef; -def flagshape(suffix i) (expr width, height, thicka, thin, shiftx, shifty) = - pair intersectionp; % - thick := 1/3 height; - sh[-3] = (shiftx, 0); - sh[i] = (shiftx, shifty); % .1 - penpos[i](thick,90); % - penpos[i+1]( 3thin ,90); % .2 - penpos[i+2](thin,0); % - penpos[i+3](thin,0); % .3 - x[i] = -1/16mm; % - y[i]r = height; % .4 - x[i+1] = 3/8width; % - y[i+1] = height - thick; % - y[i+3] = 0; - x[i+2]r = x[i+3]+2s= width; - y[i+2]r = height - 2thick; - if i>1: intersectionp = z[i-2]; - else : intersectionp = z[i+3]; - fi; - penstrike (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)} - ..z[i+1]e{z[i+1]e-z[i]e} - ..z[i+2]e{down}..intersectionp shifted (sh[i-4]-sh[i])) - shifted sh[i]; - for n=0 upto 3: - k:=i+n; - penlabels(k);endfor; - enddef; - -def flagshaper(suffix i) (expr width, height, thicka, thin, shift) = - pair intersectionp; % - thick := 1/3 height; - sh[-3] := origin+shift; - sh[i] = shift; % .1 - penpos[i](thick,90); % - penpos[i+1]( 3thin ,90); % .2 - penpos[i+2](thin,0); % - penpos[i+3](thin,0); % .3 - x[i] = 0; % - y[i]r = height; % .4 - x[i+1] = 3/8width; % - y[i+1] = height - thick; % - y[i+3] = 0; - x[i+2]r = x[i+3]+2s= width; - y[i+2]r = height - 2thick; - if i>1: intersectionp = z[i-2]; - else : intersectionp = z[i+3]; - fi; - penstrike (counterclockwise - (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)} - ..z[i+1]e{z[i+1]e-z[i]e} - ..z[i+2]e{down}..intersectionp shifted (-sh[i-4]+sh[i])) - reflectedabout (z1r scaled 0.5, - z1r scaled 0.5+right) ) - shifted sh[i]; - enddef; - -%%%%%%%%%%%%%%%%%%%%%% -% song system limits % -%%%%%%%%%%%%%%%%%%%%%% -beginchar(126,nhw#,nhh#,0); - clear; - z1=(-0.5nhw,-0.2pt); - z2=(0,-0.2pt); - z3=(0.7nhw,0.5nhh); - penpos1(0.4pt,90); - penpos2(0.4pt,90); - penpos3(0.1pt,135); - penstroke (z1e--z2e..z3e); -endchar; -beginchar(127,nhw#,-nhh#,0); - clear; - z1=(-0.5nhw,0.2pt); - z2=(0,0.2pt); - z3=(0.7nhw,-0.5nhh); - penpos1(0.4pt,90); - penpos2(0.4pt,90); - penpos3(0.1pt,135); - penstroke (z1e--z2e..z3e); -endchar; - -%%%%%%%%%%%%%%%% -% 4 crescendos % -%%%%%%%%%%%%%%%% -for n:=1 upto 4: - beginchar(15+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#); - pickup pencircle scaled (0.4s); - draw (0,(0.5+0.1*n)*nhh)--(4*n*nhw,0)--(0,-(0.5+0.1*n)*nhh); - endchar; -endfor; -%%%%%%%%%%%%%%%%%% -% 4 decrescendos % -%%%%%%%%%%%%%%%%%% -for n:=1 upto 4: - beginchar(19+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#); - pickup pencircle scaled (0.4s); - draw (4*n*nhw,(0.5+0.1*n)*nhh)--(0,0)--(4*n*nhw,-(0.5+0.1*n)*nhh); - endchar; -endfor; -%%%%%%%%%%%%%%% -% accents % -%%%%%%%%%%%%%%% -% point au-dessus de la note -beginchar(24, nhw#, 1.0nhh#, 0.0nhh#); - clear; - pickup pencircle scaled 0.25nhh; - drawdot (0.5nhw, nhh); -endchar; -% point au-dessous de la note -beginchar(25, nhw#, 0.0nhh#, 1.0nhh#); - clear; - pickup pencircle scaled 0.25nhh; - drawdot (0.5nhw, -nhh); -endchar; -% barre au-dessus de la note -beginchar(26, nhw#, 1.0nhh#, 0.0nhh#); - clear; - pickup penrazor scaled 0.15nhh rotated 90; - draw (0.0nhw, nhh)--(1.0nhw, nhh); -endchar; -% trait au-dessous de la note -beginchar(27, nhw#, 0.0nhh#, 1.0nhh#); - clear; - pickup penrazor scaled 0.15nhh rotated 90; - draw (0.0nhw, -nhh)--(1.0nhw, -nhh); -endchar; -% accent (pizz.) au-dessus de la note -beginchar(28, nhw#, 1.0nhh#, 0.0nhh#); - clear; - dely:=1.2nhh; - rayon:=0.2nhh; - z1=(0.5nhw,dely+rayon); - z2=(0.5nhw-rayon,dely); - z3=(0.5nhw,dely-0.45nhh); - z4=(0.5nhw+rayon,dely); - fill z1{left}..{down}z2--z3--z4{up}..{left}cycle; -endchar; -% accent (pizz.) au-dessous de la note -beginchar(29, nhw#, 0.0nhh#, 1.0nhh#); - clear; - rayon:=0.2nhh; - z1=(0.5nhw,nhh+rayon); - z2=(0.5nhw-rayon,nhh); - z3=(0.5nhw,0.55nhh); - z4=(0.5nhw+rayon,nhh); - fill (z1{left}..{down}z2--z3--z4{up}..{left}cycle) rotatedaround ((0.5nhw,0),180); -endchar; -% accent (sforz.) au-dessus de la note -beginchar(30, nhw#, 1.5nhh#, 0.0nhh#); - clear; - z1=(1.2nhw,1.3nhh); - z2=(-0.2nhw,1.3nhh); - pickup pencircle scaled 0.5s; - draw z1--(x2,y2+0.3nhh); - draw z1--(x2,y2-0.3nhh); -endchar; -% accent (sforz.) au-dessous de la note -beginchar(31, nhw#, 0.0nhh#, 1.0nhh#); - clear; - z1=(1.2nhw,-1.3nhh); - z2=(-0.2nhw,-1.3nhh); - pickup pencircle scaled 0.5s; - draw z1--(x2,y2+0.3nhh); - draw z1--(x2,y2-0.3nhh); -endchar; -%%%%%%%%%%%%%%% -% breve % -%%%%%%%%%%%%%%% -beginchar(32, nhw#, 0.7nhh#, 0.7nhh#); - clear; - pickup pencircle scaled (4thinwidth); - draw (0,h)--(0,-d); - draw (w,h)--(w,-d); - fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle; - fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle; -endchar; -%%%%%%%%%%%%%%% -%% volle Note % -%%%%%%%%%%%%%%% -beginchar(33, nhw#, .5nhh#, .5nhh#); - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, w/2, nhh/2); -endchar; -%%%%%%%%%%%%%%% -%% halbe Note % -%%%%%%%%%%%%%%% -beginchar(34, nhw#, .5nhh#, .5nhh#); - w:=w+2thinwidth; -% drawnoteb(w, h, 0, 90, 20, thinwidth, nhh/4); - drawnoteb(w, h, 0, 90, 20, 3*thinwidth, nhh/4); -endchar; -%%%%%%%%%%%%%%% -%% ganze Note % -%%%%%%%%%%%%%%% -beginchar(35,1.5nhh#, .5nhh#, .5nhh#); -% drawnoteb(w, h, 0, 85, 0, nhh/3, thinwidth); - drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth); -endchar; -%%%%%%%%%%%%%%% -% semi-breve % -%%%%%%%%%%%%%%% -beginchar(36, 2nhw#, 0.7nhh#, 0.7nhh#); - clear; - pickup pencircle scaled (4thinwidth); - draw (0,h)--(0,-d); - draw (w,h)--(w,-d); - fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle; - fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle; -endchar; -%%%%%%%%%%%%%%% -%% volle kleine Note % -%%%%%%%%%%%%%%% -beginchar(37, apog_fact*nhw#, .50*apog_nhh#, .50*apog_nhh#); - w:=apog_fact*nhw; - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, w/2, apog_nhh/2); -endchar; -%%%%%%%%%%%%%%% -%% halbe Note % -%%%%%%%%%%%%%%% -beginchar(38, apog_fact*nhw#, apog_fact*0.5nhh#, apog_fact*0.5nhh#); - w:=w+2thinwidth; -% drawnoteb(w, h, 0, 90, 20, thinwidth, nhh/4); - drawnoteb(w, h, 0, 90, 20, 3*thinwidth, apog_nhh/4); -endchar; -%%%%%%%%%%%%%%% -%% ganze Note % -%%%%%%%%%%%%%%% -beginchar(39, 1.5*apog_nhh#, apog_fact*0.5nhh#, apog_fact*0.5nhh#); -% drawnoteb(w, h, 0, 85, 0, nhh/3, thinwidth); - drawnoteb(w, h, 0, 85, 0, apog_nhh/3, 3*thinwidth); -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(40, 0, 3nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshape(1,w, h, nhh, 5thinwidth, 0, 0); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(41, 0, 3.25nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0); - flagshape(5,.95 w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(42, 0, 3.75 nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0); - flagshape(5, .95w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh); - flagshape(9, .9w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(43, 0, 4.25nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0); - flagshape(5,.95 w, 2.25 nhh, 2/3nhh, 5thinwidth, 0, nhh); - flagshape(9,.9w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh); - flagshape(13,0.85w, 2nhh, 2/3nhh, 5thinwidth, 0, 2.25nhh); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(44, 0, 4.5nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshape(1, w, 2.5nhh, 2/3nhh, 5thinwidth, 0, 0); - flagshape(5, w, 2.25nhh, 2/3nhh, 5thinwidth, 0, nhh); - flagshape(9, w, 2 nhh, 2/3nhh, 5thinwidth, 0, 1.75nhh); - flagshape(13,0.9 w, 2nhh, 2/3nhh, 5thinwidth, 0, 2.25nhh); - flagshape(17,0.9 w, 1.5nhh, 1/3nhh, 5thinwidth, 0, 3nhh); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%% -beginchar(45, 0, 3nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshaper(1,w, h, nhh, 5thinwidth, origin); - penlabels(1,2,3,4); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(46, 0, 3.25nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,0.75nhh)); - flagshaper(5, w, 2.25 nhh, 2/3nhh, 5thinwidth,(0,-0.25nhh)); - penlabels(1,2,3,4,5,6,7,8); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(47, 0, 3.75 nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,1.5nhh)); - flagshaper(5, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,0.75nhh)); - flagshaper(9, .95w, 2.25 nhh, 2/3nhh, 5thinwidth, origin); - penlabels(1,2,3,4,5,6,7,8,9,10,11,12); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(48, 0, 4.25nhh#, 0); - clear; - w:=0.8*nhw; - pickup pencircle scaled (0.1pt); - flagshaper(1, w, 2.5nhh, 2/3nhh, 5thinwidth, (0,1.75nhh)); - flagshaper(5, w, 2.25 nhh, 2/3nhh, 5thinwidth, (0,1nhh)); - flagshaper(9,w, 2 nhh, 2/3nhh, 5thinwidth, (0,0.34nhh)); - flagshaper(13,0.9w, 2nhh, 2/3nhh, 5thinwidth, (0,-0.32nhh)); - penlabels(1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(49, 0, 4.5nhh#, 0); - clear; - w:=0.8*nhw; - flagshaper(1, w, 2.25nhh, 2/3nhh, 5thinwidth, (0,2.5nhh)); - flagshaper(5, w, 2.25nhh, 2/3nhh, 5thinwidth, (0,1.75nhh)); - flagshaper(9, w, 2 nhh, 2/3nhh, 5thinwidth, (0,1nhh)); - flagshaper(13,0.9 w, 2nhh, 2/3nhh, 5thinwidth, (0,0.5nhh)); - flagshaper(17,0.9 w, 2nhh, 1/3nhh, 5thinwidth, (0,0nhh)); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% VERSETZUNGSZEICHEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%%%%%%%%% -%% "flat" % -%%%%%%%%%%%% -def flat (expr reduction) = - clear; flatraise:=-0.1*nhh*reduction; - penpos4(7/24reduction*nhh, 25);%/5,20 % 1 - penpos3(reduction*nhh/6,-90);%/5,20 % - penpos6(reduction*nhh/6,-90);%/5,20 % - penpos2(reduction*nhh/5, 90);%/5,20 % - y1 = h; % 4 - x1 = x2 = x3 = reduction*s; x4 = reduction*(nhw-s); % 2 - y4 = reduction*s; % - y2l - y3r = 1/4h; y2l = 0; % 3 - currentpen:= pencircle scaled 3thinwidth; - penstroke (z2e...z4e...z3e{3left+2down}) shifted (0,flatraise);%right ,sw - draw (z1--z3) shifted (0,flatraise) ; - penlabels(1,2,3,4); -enddef; -% -beginchar(50, nhw#, 2nhh#, 2nhh#); - flat (1.0); -endchar; -% -%%%%%%%%%% -%% "bb" % -%%%%%%%%%% -beginchar(51,2nhw#, 2nhh#, 2nhh#); - flat (1.0); - draw (z1--z3) shifted ((w/2 - 1.5s),flatraise); - penstroke (z2e..z4e...z3e{3left+2down})shifted ((w/2 - -1.5s),flatraise); -endchar; -%%%%%%%%%%%%% -%% "sharp" % -%%%%%%%%%%%%% -def sharp ( expr reduction ) = - clear; - penpos3(3/8reduction*nhh,90); - penpos4(3/8reduction*nhh,90); - penpos5(3/8reduction*nhh,90); - penpos6(3/8reduction*nhh,90); - y1 + y2 = -0.5reduction*s; y1 - y2 = 2h - reduction*s; - x1 = x2 = reduction*s; y3 = 1/4reduction*nhh; - y4l = y3r; x3= 0; x4 = 0.8*reduction*nhw; - y5 = -y4; y6 = -y3; x5 = x3; x6 = x4; - currentpen:= pencircle scaled 3thinwidth; - draw z1--z2; - draw (z1--z2) shifted (w-2reduction*s,reduction*s); - penstroke z3e--z4e; - penstroke (z5e--z6e) ; - penlabels(1,2,3,4,5,6); -enddef; -% -beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#); - sharp(1.0); -endchar; -% -%%%%%%%%%% -%% "xx" % -%%%%%%%%%%% -beginchar(53, nhw#, .5nhw#, .5nhw#); - clear; - z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w); - z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w); - currentpen:= pencircle scaled .2nhh; - draw z1--z4; draw z3--z2; - currentpen:= pensquare scaled .30w; - drawdot z1; drawdot z2; drawdot z3; drawdot z4; -endchar; -%%%%%%%%%%%%%%% -% "natural" % -%%%%%%%%%%%%%%% -def natural = - clear; - reduction:=w/(0.8*nhw); - penpos3(3/8reduction*nhh,90); - penpos4(3/8reduction*nhh,90); - penpos7(3/8reduction*nhh,90); - penpos8(3/8reduction*nhh,90); - x1 = x2 = x3 = x7 = 0.75*reduction*s; - x5 = x6 = x4 = x8 = w-x1; - y1 = h; y3 = 0.30reduction*nhh ; - y4l = y3r-0.5*reduction*s ; - y6 = -y1; y5 = -y2; - y7l = y2; - y7 = -y4; y8 = -y3; - currentpen:= pencircle scaled 3thinwidth; - draw z1--z2; - draw z5--z6; - penstroke z3e--z4e; - penstroke z7e--z8e; -enddef; -% -beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#); - natural; -endchar; -% -%%%%%%%%%%%%%%%% -%% "1/4 flat" % -%%%%%%%%%%%%%%%% -beginchar(55, nhw#, 2nhh#, 2nhh#); - clear; - penpos4(7/24nhh, 25);%/5,20 % 1 - penpos3(nhh/6,-90);%/5,20 % - penpos2(nhh/6, 90);%/5,20 % - y1 = h; % 4 - x1 = x2 = x3 = w-s; x4 =2w-3s; % 2 - y4 = s; % - y2l - y3r = 1/4h; y2l = 0; % 3 - currentpen:= pencircle scaled 3thinwidth; - penstroke (counterclockwise - (z2e...z4e...z3e{3left+2down}) reflectedabout(z1 ,z3)); - draw z1--z3; - penlabels(1,2,3,4); -endchar; -%%%%%%%%%%%%%%%% -%% "3/4 flat" % -%%%%%%%%%%%%%%%% -beginchar(56, 2nhw#, 2nhh#, 2nhh#); - clear; - penpos4(7/24nhh, 25);%/5,20 % 1 - penpos3(nhh/6,-90);%/5,20 % - penpos2(nhh/6, 90);%/5,20 % - y1 = h; % 4 - x1 = x2 = x3 = w/2; x4 =x1+nhw-2s; % 2 - y4 = s; % - y2l - y3r = 1/4h; y2l = 0; % 3 - currentpen:= pencircle scaled 3thinwidth; - penstroke z2e...z4e...z3e{3left+2down}; - penstroke (counterclockwise - (z2e...z4e...z3e{3left+2down}) reflectedabout(z1 ,z3)); - draw z1--z3; - penlabels(1,2,3,4); -endchar; -% -% Gregorian notes -% -beginchar(57, nhw#, .5nhh#, .5nhh#); - fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% PAUSEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%%%%%% -%% "dp" % -%%%%%%%%% -beginchar(58,1/2nhw#, 3nhh#, 0); - clear; - penpos1(nhh,90); - penpos2(nhh,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -labels(1,2); -endchar; -%%%%%%%%%% -%% "ddp" % -%%%%%%%%%% -beginchar(59,1/2nhw#, 3nhh#, 0); - clear; - penpos1(2nhh,90); - penpos2(2nhh,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -labels(1,2); -endchar; -%%%%%%%%%%%%%%%%%% -%% "ganze Pause" % -%%%%%%%%%%%%%%%%%% -beginchar(60, nhw#, 3nhh#, 0); - clear; - penpos1(nhh/2,90); - penpos2(nhh/2,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -endchar; -% -%%%%%%%%%%%%%%%%%% -%% "halbe Pause" % -%%%%%%%%%%%%%%%%%% -beginchar(61, nhw#, 2.5nhh#, 0); - clear; - penpos1(nhh/2,90); - penpos2(nhh/2,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -endchar; -%%%%%%%%%%%%%%%%%%%% -%% "viertel Pause" % -%%%%%%%%%%%%%%%%%%%% -beginchar(62, nhw#, 4nhh#, 0); % .1 - clear; % .2 - thin := 5 thinwidth; thick := 1/2 nhh; % 8..3 - alpha_a = -50; alpha_b = -50; % .4 - penpos1 ( thin, (alpha_a+90)); % .5 - penpos5 ( thin, alpha_b); % .6 - penpos2 ( thick, alpha_a ); % - penpos4 ( thick, alpha_b ); % .7 - penpos3 ( thick, 1/2(alpha_a+alpha_b)); - x3r:=9/10[x3,x3r]; - penpos8 ( thick, 1/2(alpha_a+alpha_b)); - x8l:=9/10[x8,x8l]; - penpos6 ( 2/3thick, alpha_b); - penpos7 ( 1/2thick, 10); - y1l = h - 2s; - x1l = 2s; - z2r = z1 +(nhh* right) rotated alpha_a; - z5 = z4l+(nhh* right) rotated alpha_b; - z3 = 1/3[z2,z4]; - z8 = 2/3[z2,z4]; - z4 = (w,h) scaled .55; - y6r = 1.45nhh; - x6l = x4l; - x7 = 0.9w; y7= nhh; - currentpen:= pencircle scaled thin; - draw z1--z2r; draw z5--z4l; - penstroke z2e..z3e..z8e..z4e; - penstroke z5e{nw}..z6e..z7e; -endchar; -%%%%%%%%%%%%%%%%%%% -%% "achtel Pause" % -%%%%%%%%%%%%%%%%%%% -beginchar(63, 2nhh#, 3nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh; - currentpen := pencircle scaled 4thinwidth; - draw z1..z2; - currentpen := pensquare rotated45 scaled(2*thinwidth); - draw z2..z3{up+left}; - fill z3..z4..z3..cycle; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "sechzehntel Pause" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(64,2nhh#, 3nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh; -% - x5=x2; y5=y2; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pensquare rotated45 scaled(2*thinwidth); - draw z2..z3{up+left}; - draw z2..z3{up+left} shifted(-1/3nhh,-nhh); - fill z3..z4..z3..cycle; - fill z3..z4..z3..cycle shifted(-1/3nhh,-nhh); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% "zweiunddreissigstel Pause" % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(65,2nhh#, 4nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh; -% - x5=x2+1/6nhh; y5=y2+nhh; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pensquare rotated45 scaled(2*thinwidth); - draw z2..z3{up+left} shifted( 1/6nhh,nhh); - draw z2..z3{up+left} shifted(-1/6nhh, 0); - draw z2..z3{up+left} shifted(-3/6nhh,-nhh); - fill z3..z4..z3..cycle shifted( 1/6nhh, nhh); - fill z3..z4..z3..cycle shifted(-1/6nhh, 0); - fill z3..z4..z3..cycle shifted(-3/6nhh,-nhh); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% "vierundsechzigstel Pause" %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(66,2nhh#, 5nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=x4=1/2nhh; y4=3nhh; y3=10/4nhh; -% - x5=x2+1/3nhh; y5=y2+2nhh; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pensquare rotated45 scaled(2*thinwidth); - draw z2..z3{up+left} shifted( 1/3nhh, 2nhh); - draw z2..z3{up+left} shifted( 0,nhh); - draw z2..z3{up+left} shifted(-1/3nhh, 0); - draw z2..z3{up+left} shifted(-2/3nhh,-nhh); - fill z3..z4..z3..cycle shifted( 1/3nhh, 2nhh); - fill z3..z4..z3..cycle shifted( 0, nhh); - fill z3..z4..z3..cycle shifted(-1/3nhh,0); - fill z3..z4..z3..cycle shifted(-2/3nhh,-nhh); -endchar; -%%%%%%%%%%%%%%%%%%% -% ornements % -%%%%%%%%%%%%%%%%%%% -beginchar (67, 2nhw#, nhh#, 0); - clear; - x1=0.2w; y1=h; x6=w-x1; y6=h-y1; - x2=0; y2=0.5h; x5=w-x2; y5=h-y2; - x3=0.25w; y3=0; x4=w-x3; y4=h-y3; - pickup pencircle scaled 4thinwidth; - penpos1 (5thinwidth,90); - penpos2 (5thinwidth, 180); - penpos3 (0.3nhw, -10); - penpos4 (0.3nhw, -10); - penpos5 (5thinwidth, 180); - penpos6 (5thinwidth, 90); - penstroke (z1e..{down}z2e{down}..{right}z3e{right}..{right}z4e{right}..{down}z5e{down}..z6e) ; - pickup pencircle scaled 2s ; - drawdot (x1,y1-s) ; - drawdot (x6,y6+s) ; -endchar; -beginchar (68, 2nhw#, nhh#, 0); - clear; - x1=0.2w; y1=0; x6=w-x1; y6=h-y1; - x2=0; y2=0.5h; x5=w-x2; y5=h-y2; - x3=0.25w; y3=h; x4=w-x3; y4=h-y3; - pickup pencircle scaled 4thinwidth; - penpos1 (5thinwidth,-90); - penpos2 (5thinwidth, -180); - penpos3 (0.3nhw, 10); - penpos4 (0.3nhw, 10); - penpos5 (5thinwidth, -180); - penpos6 (5thinwidth, -90); - penstroke (z1e..{up}z2e{up}..{right}z3e{right}..{right}z4e{right}..{up}z5e{up}..z6e); - pickup pencircle scaled 2s; - drawdot (x1,y1+s); - drawdot (x6,y6-s); -endchar; -%%%%%%%%%%%%%%% -% appogiature % -%%%%%%%%%%%%%%% -beginchar(69, apog_fact*nhw#, 3*apog_nhh#, .50*apog_nhh#); - clear; - w:=apog_fact*nhw; - flagshape(1,w, 3*apog_nhh, apog_nhh, 4thinwidth, w,0); - clear; - w:=apog_fact*nhw; - w:=w+2thinwidth; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - clear; - pickup pencircle scaled 4thinwidth; - w:=apog_fact*nhw; - draw (w,0)--(w,h); - x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6*(x2-x1); - draw z1--z2; -% - w:=apog_fact*nhw; -endchar; -beginchar(70, apog_fact*nhw#, 0.5apog_nhh#, 3*apog_nhh#); - clear; - w:=apog_fact*nhw; - flagshaper(1,w, 3apog_nhh, apog_nhh, 5thinwidth, (0,-3apog_nhh)); - clear; - w:=apog_fact*nhw; - w:=w+2thinwidth; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - pickup pencircle scaled 4thinwidth; - draw (0,0)--(0,-d); - clear; - w:=apog_fact*nhw; - x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6*(x2-x1); - draw z1--z2; -% - w:=apog_fact*nhw; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% NOTENSCHLUESSEL % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% VIOLINSCHLUESSEL % -%%%%%%%%%%%%%%%%%%%% -def violin(expr width, beginleft, begindown, thick, penthick) = -x10=x3=x2=x8; -y6l=56/15width+y12r; -x11-x4=width; -x5=x4+13/15width; -x2=x4+31/45 width; -x1=x4+7/15width; -x4=beginleft; -x2-x12=4/15 width; -x9+2/5width=x6; -x6-4/15width=x7; -x9=x4+1/5width; -y12r=begindown; -y2r=y4=2y11; -y8=y12r+4/15width; -y2r=y12r+28/15width; -y1=y12r+width; -y3r=y12r+13/15width; -y7=y12r+116/45width; -y5=y12r+16/5width; -y5-y10=y11; -y9=y12r+2/15width; -y13=y8; x13=x8-0.6s; -penpos1(0,180); -penpos2(thick,90); -penpos3(penthick+1/16thick,-90); -penpos4(5/4thick,120); -penpos5(5/6thick,-120); -penpos6(5/3thick,-85); -penpos7(1/2thick,0); -penpos8(penthick,0); -penpos13(penthick,0); -penpos9(5/4thick,170); -penpos10(5/6thick,180); -penpos11(thick,0); -penpos12(penthick,-90); -pickup pencircle scaled 1s; -% -% penstroke z1e{2left}..z2e..z11e..z3e -% ..z4e{right+up}..z10e..{up}z5e..z6e; -% penstroke z6e{down+left}..{down}z7e--z8e; -% fill z8l{2down+right}..z12l..z9l -% --z9r..z12r..{up}z8r..cycle; -% pickup pencircle scaled 1s; -% fill z9l{3/2right+up}..{right+2down}z9r..cycle; -penstroke z1e{2left}..z2e..z11e..z3e -..z4e{right+up}..z10e..{up}z5e..z6e; -penstroke z6e{down+left}..{down}z7e--z8e -{2down+right}..z12e..{2left+up}z9e; -pickup pencircle scaled 2.5s; -drawdot (x9+0.4s,y9+0.8s); -% -penlabels(1,2,3,4,5,6,7,8,9,10,11,12); -enddef; -% -beginchar(71,3.25nhw#, 6nhh#, 2nhh#); -clear; -violin(15/8nhh,1.75nhh,-1.5nhh,0.4nhh,0.111nhh); -endchar; - -%%%%%%%%violin-schluessel verkleinert%%%%%%%% -beginchar(72,2.60nhw#, 6nhh#, 2nhh#); -clear; -violin(12/8nhh,1.40nhh,-1.2nhh,0.32nhh,1/10nhh); -endchar; - -%%%%%%%%%%%%%%%%%%%%% -% BASS--SCHLUESSEL %% -%%%%%%%%%%%%%%%%%%%%% -% clef de fa par D. Taupin % -%%%%%%%%%%%%%%%%%%%%%%%%%%%% -def bass (expr reduction) = - clear; - x2=0.80*reduction*nhw; y2=3nhh; - x1=x2+1.25*reduction*s; y1=y2; - x3=x2+0.71*reduction*nhw; y3=y2+reduction*nhh; - x4=x3+0.71*reduction*nhw; y4=y2-0.2*reduction*nhh; - x6=x2-6*reduction*thinwidth; y6=y2-2.2*reduction*nhh; - x7=x4+0.50*reduction*nhw; x8=x7; - y7=y2+0.38*reduction*nhh; y8=y2-0.38*reduction*nhh; -% - currentpen:=pencircle scaled (4*reduction*thinwidth); - penpos2(6*reduction*thinwidth,180); - penpos3(6*reduction*thinwidth, 90); - penpos4(0.5*reduction*nhh,0); - penpos6(0.3*reduction*nhh,-30); - penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down}..{left+0.1down}z6); - currentpen := pencircle scaled (0.4reduction*nhh); - pickup pencircle scaled (2*(x2-x1)); - drawdot z1; - pickup pencircle scaled 1.7s; - drawdot z7; drawdot z8; -enddef; -% -beginchar(73, 3nhw#, 4nhh#, 0); - bass(1.0); -endchar; - -%%%%%%verkleinerter bass-schluessel%%%%%%%%% -beginchar(74, 2.4*nhw#, 4nhh#, 0); - bass(0.8); -endchar; - -%%%%%%%%%%%%%%%%%%% -% ALT--SCHLUESSEL % -%%%%%%%%%%%%%%%%%%% -def alt(expr height, beginleft, begindown, thick) = -x1=x7; -x2=x8; -y1-y7=height; -y2-y8=height; -y7=begindown; -x7=beginleft; -x2=x1+1/4height; -x6l=x8l; -y5=y7+1/2height; -y9=y7+1/9height; -x5=x3; -y4=y5+0.120height; -x4-x7=height+3thinwidth; -x4-x5=1/2height+3thinwidth; -y3-y5=2/7height; -y8=y7; -y6=y7; -x9=0.62x5+0.38x4; -x10=x9; y10=y7+height; -x11=0.5x3+0.5x6; y11=y3; penpos11(1/2thick,0); -penpos8(1/4thick,180); -penpos2(1/4thick,180); -penpos1(thick,180); -penpos7(thick,180); -penpos6(thick,0); -penpos5(1/10thick,0); -penpos9(1/3thick,90); -penpos3(1/2thick,0); -penpos4(thick,180); -penpos10(1/3thick,-90); - -pickup pencircle scaled 1s; -fill z7l--z1l--z1r--z7r--cycle; -fill z8l--z2l--z2r--z8r--cycle; -penstroke z5e..{left+2down}z6e; -penstroke z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e; - - -pickup pencircle scaled 1s; -penstroke - (counterclockwise(z7e--z1e)reflectedabout(z7,z8)); -penstroke -(counterclockwise(z8e--z2e)reflectedabout(z7,z8)); -penstroke -(counterclockwise(z5e..{left+2down}z6e)reflectedabout(z7,z8)); -penstroke -(counterclockwise (z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e) -reflectedabout(z7,z8)); - -pickup pencircle scaled 2.5s; -drawdot (x3+0.1nhh, y3); -drawdot (x3+0.1nhh, 2y7-y3); -penlabels(1,2,3,4,5,6,7,8); -enddef; - -%%%%%%%%%%%Altschl"usseL%%%%%%%%%%% -beginchar(75,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,2nhh,0.4nhh); -endchar; - -%%%%%%%%%Verkleinerter Altschluessel%%%%%%%%% -beginchar(76,2.8nhw#, 4nhh#, 0nhh#); -clear; -alt(1.6nhh,1.00nhh,2nhh,0.32nhh); -endchar; - -%%%%%%%%%Baritonschluessel%%%%%%%%% -beginchar(77,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,4nhh,2/5nhh); -endchar; - -%%%%%%%%%Mezzosopranschluessel%%%%%%%%% -beginchar(78,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,1nhh,2/5nhh); -endchar; - -%%%%%%%%%Sopranschluessel%%%%%%%%% -beginchar(79,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,0nhh,2/5nhh); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% SONDERZEICHEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - - - -def alla_breve (expr trans) = - thin := 5thinwidth; thick := 1/2 nhh; - penpos1(thin, 0); - penpos2(thin, -90); - penpos3(thick,180); - penpos4(thin, 90); - penpos5(thin, 45); - penpos6(3/4thick,45); - 2x2r = 2x4r = x1 + 2s = w; - x3r = 0; 2y1 = 3y2 = y4r = h; - y3r = 2/3h; - x5 = w -2s; - y5 = h -2s; - z6r = z5r; - penstroke (z1e..z2e..z3e..z4e..z5e) transformed trans; - currentpen := pencircle scaled (2/3thick); - drawdot z6; -enddef; - - -%%%%%%%%%%%%%%% -% "fermate1" %% -%%%%%%%%%%%%%%% -beginchar(80, 2nhw#, 1.25nhh#, 0); - clear; - penpos2(nhh/3,90); - penpos4(nhh/3,90); - y2r =1.2h; - z1 = origin; 2x2l = 2x4l = x3 = w; y4l = y3 = 0; - penstroke z1..z2e..z3; - currentpen:= pencircle scaled (nhh/3); - drawdot z4; -endchar; -%%%%%%%%%%%%%%% -% "fermate2" %% -%%%%%%%%%%%%%%% -beginchar(81, 2nhw#, 0, 1.25nhh#); - clear; - penpos2(nhh/3,90); - penpos4(nhh/3,90); - y2l = -1.2d; - z1 = origin; 2x2l = 2x4 = x3 = w; - y4r = y3 = 0; - penstroke (z1..z2e..z3); - currentpen := pencircle scaled (nhh/3); - drawdot z4; -endchar; -%%%%%%%%%%%%%%%% -% "allabreve" %% -%%%%%%%%%%%%%%%% -beginchar(82, 2nhh#, 3nhh#, 0); - clear; - alla_breve(identity); - z7 = z4 + 2/16 h *up; - z8 = z2 + 2/16 h *down; - currentpen := pencircle scaled (thin); - draw z7--z8; -endchar; -%%%%%%%% -% "C" %% -%%%%%%%% -beginchar(83, 2nhh#, 3nhh#, 0); - clear; - alla_breve(identity); -endchar; -%%%%%%%%%%%%%%% -% "reverseC" %% -%%%%%%%%%%%%%%% -beginchar(84, 2nhh#, 3nhh#, 0); - clear; - transform T; - xxpart T = -yypart T; xypart T = yxpart T; % T is a reflection - (w/2,0) transformed T = (w/2,0); (w/2,1) transformed T = (w/2,1); - thin := 5thinwidth; thick := 1/2 nhh; - penpos1(thin, 0); - penpos2(thin, -90); - penpos3(thick,180); - penpos4(thin, 90); - penpos5(thin, 45); - penpos6(3/4thick,45); - 2x2r = 2x4r = x1 + 2s = w; - x3r = 0; 2y1 = 3y2 = y4r = h; - y3r = 2/3h; - x5 = w -2s; - y5 = h -2s; - z6r = z5r; - penstroke (counterclockwise - (z1e..z2e..z3e..z4e..z5e) transformed T); - currentpen := pencircle scaled (2/3thick); - drawdot (z6 transformed T); -endchar; -%%%%%%%%%%%%%%% -% reprises sym% -%%%%%%%%%%%%%%% -beginchar(85, 2nhw#, 3nhh#, 0); - clear; - x1=0.5w; y1=0.5h; - x2=0.5nhh; y2=y1; - x3=x1; y3=y1+nhh; - x4=2x1-x2; y4=2y1-y2; - x5=2x1-x3; y5=2y1-y3; - pickup pencircle scaled 4thinwidth; - draw (x1,0)--(x1,h); - draw (0,y1)--(w,y1); - pickup pencircle xscaled 10thinwidth yscaled 4thinwidth; - draw z2..z3..z4..z5..cycle; -endchar; -beginchar(86, 3nhw#, 3nhw#, 0); - clear; - x1=0.5w; y1=0.5h; - x2=x1; y2=y1+0.4h; - x3=2x1-x2; y3=2y1-y2; - x4=x1-0.4h; y4=y1; - x5=2x1-x4; y5=2y1-y4; - x6=x1+0.4w; y6=y1+0.4h; - x7=2x1-x6; y7=2y1-y6; - pickup pencircle scaled 10thinwidth; - drawdot z2; drawdot z3; - drawdot z4; drawdot z5; - pickup pencircle scaled 4thinwidth; - draw z6--z7; -% - x8=x1-0.3w; y8=y1+0.3h; - x9=2x1-x8; y9=2y1-y8; -% - draw z8--z9; -endchar; -%%%%%%%%%%%%%%% -% " pince" % -%%%%%%%%%%%%%%% -def pince = - clear; - x1=-0.125w; y1=0.25h; - x2=1/8w; y2=8/10h; - x3=0.5w-x2; y3=h-y2; - x4=0.5w+x2; y4=y2; - x5=0.5w+x3; y5=y3; - x6=w-x1; y6=h-y1; - pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45; - draw (z1--z2--z3--z4--z5--z6); -enddef; -% -beginchar(87, 1.2nhw#, 0.8nhh#, 0); - pince; -endchar; -% -beginchar(88, 1.8nhw#, 0.8nhh#, 0); - w:=2w/3; - pince; - draw (z4--z5--z6) shifted (0.5w,0); -endchar; -%%%%%%%%%%%%%%% -% "mordant" % -%%%%%%%%%%%%%%% -beginchar(89, 1.2nhw#, 0.8nhh#, 0); - pince; - pickup pencircle scaled (4thinwidth); - draw (0.5w,-0.4h)--(0.5w,1.4h); -endchar; -%%%%%%%%%%%%%%% -% arpeggio %% -%%%%%%%%%%%%%%% -def arpegel = - clear; - y1=0; x1=0.5w; - y2=0.3nhh; x2=8/10w; - y3=nhh-y2; x3=w-x2; - y4=nhh; x4=0.5w; - pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45; - draw (z1..z2..z3..z4); -enddef; -% -beginchar(90, 0.4nhw#, nhh#, 0); - arpegel; -endchar; -for jj=1 upto 9: - beginchar(90+jj, 0.4nhw#, (1+jj)*nhh#, 0); - arpegel; - for kk=1 upto jj: - draw (z1..z2..z3..z4) shifted (0,kk*nhh); - endfor; -endchar; -endfor; -%%%%%%%%%%%%%%% -% "trille" %% -%%%%%%%%%%%%%%% -def arp_elem = - clear; - x1=0; y1=0.5h; - x2=1/3nhw; y2=8/10h; - x3=nhw-x2; y3=h-y2; - x4=nhw; y4=0.5h; - pickup pencircle xscaled 0.33nhh yscaled 0.1nhh rotated 45; - draw (z1..z2..z3..z4); -enddef; -% -beginchar(100, nhw#, 0.45nhh#, 0); - arp_elem; -endchar; -% -for jj=1 upto 9: - beginchar(100+jj, (jj+1)*nhw#, 0.45nhh#, 0); - arp_elem; - for kk=1 upto jj: - draw (z1..z2..z3..z4) shifted (kk*nhw,0); - endfor; - endchar; -endfor; -%%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(110, 0, 3apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshape(1,w, h, apog_nhh, 5thinwidth, 0, 0); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(111, 0, 3.25apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0); - flagshape(5,.95 w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(112, 0, 3.75apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0); - flagshape(5, .95w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh); - flagshape(9, .9w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(113, 0, 4.25apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0); - flagshape(5,.95 w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh); - flagshape(9,.9w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh); - flagshape(13,0.85w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 2.25apog_nhh); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(114, 0, 4.5apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshape(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 0); - flagshape(5, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, 0, apog_nhh); - flagshape(9, w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 1.75apog_nhh); - flagshape(13,0.9 w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, 0, 2.25apog_nhh); - flagshape(17,0.9 w, 1.5apog_nhh, 1/3apog_nhh, 5thinwidth, 0, 3apog_nhh); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%% - -beginchar(115, 0, 3apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshaper(1,w, h, apog_nhh, 5thinwidth, origin); - penlabels(1,2,3,4); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(116, 0, 3.25apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.75apog_nhh)); - flagshaper(5, w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth,(0,-0.25apog_nhh)); - penlabels(1,2,3,4,5,6,7,8); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(117, 0, 3.75apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.5apog_nhh)); - flagshaper(5, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.75apog_nhh)); - flagshaper(9, .95w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, origin); - penlabels(1,2,3,4,5,6,7,8,9,10,11,12); - w := 0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(118, 0, 4.25apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshaper(1, w, 2.5apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.75apog_nhh)); - flagshaper(5, w, 2.25 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1apog_nhh)); - flagshaper(9,w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.34apog_nhh)); - flagshaper(13,0.9w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, (0,-0.32apog_nhh)); - penlabels(1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16); - w := 0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(119, 0, 4.5apog_nhh#, 0); - clear; - w:=0.8*apog_fact*nhw; - flagshaper(1, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, (0,2.5apog_nhh)); - flagshaper(5, w, 2.25apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1.75apog_nhh)); - flagshaper(9, w, 2 apog_nhh, 2/3apog_nhh, 5thinwidth, (0,1apog_nhh)); - flagshaper(13,0.9 w, 2apog_nhh, 2/3apog_nhh, 5thinwidth, (0,0.5apog_nhh)); - flagshaper(17,0.9 w, 2apog_nhh, 1/3apog_nhh, 5thinwidth, (0,0apog_nhh)); - w := 0; -endchar; -%%%%%%%%%%%%%%%% -% kleine versetzungen -%%%%%%%%%%%%%%%% -beginchar(120, apog_fact*nhw#, 2apog_fact*nhh#, 2apog_fact*nhh#); - flat (apog_fact); -endchar; -beginchar(121,2*apog_fact*nhw#, 2*apog_fact*nhh#, 2*apog_fact*nhh#); - flat (apog_fact); - draw (z1--z3) shifted ((w/2 - 1.5s),0); - penstroke (z2e..z4e...z3e{3left+2down})shifted ((w/2 -1.5s),0); -endchar; -beginchar(122, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#); - sharp(apog_fact); -endchar; -beginchar(123, apog_fact*nhw#, .5nhw#, .5nhw#); - clear; - z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w); - z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w); - pwidth:=0.2*apog_fact*nhh; - currentpen:= pencircle scaled pwidth; - draw z1--z4; draw z3--z2; - currentpen:= pensquare scaled .30w; - drawdot z1; drawdot z2; drawdot z3; drawdot z4; -endchar; -beginchar(124, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#); - natural; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% volle Note mit | --> |O|% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(125,1.5nhh#, .5nhh#, .5nhh#); - drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth); - pickup pensquare scaled 0.2w; - draw (-0.05w,-0.4nhh)--(-0.05w,0.4nhh); - draw (1.05w,-0.4nhh)--(1.05w,0.4nhh); -endchar; - diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf b/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf deleted file mode 100644 index 8457f0336b5..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicgen.mf +++ /dev/null @@ -1,1372 +0,0 @@ -apog_fact=0.75; -apog_nhh=apog_fact*nhh; -apog_nhh#=apog_fact*nhh#; -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% NOTENKOEPFE UND FAEHNCHEN % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% -%%%%%%%%%%%%%%% -%%notenkoepfe % -%%%%%%%%%%%%%%% - -def drawnoteb(expr noteheadwidth, noteheadheight, theta_a, theta_b, theta_c, -width_a, width_b) = - % .l - penpos1(width_a, theta_a); % .2 - % .r - penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l - % .r - penpos2(width_b, 180+theta_b); % .4 - % .l - penpos4(width_b, theta_b); % - y1 = y3 = 0; - x2 = x4 = 1/2noteheadwidth; - x1l= 0; x3l = noteheadwidth; y2l = noteheadheight; y4l = -noteheadheight; - penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle) - rotatedaround((origin +1/2noteheadwidth*right),theta_c); - enddef; - -def drawnotew(expr noteheadwidth, noteheadheight, theta_a, theta_b, -width_a, width_b) = - % .l - penpos1(width_a, theta_a); % .2 - % .r - penpos3(width_a, 180+theta_a); %.l.1.r .r.3.l - % .r - penpos2(width_b, 180+theta_b); % .4 - % .l - penpos4(width_b, theta_b); % - y1l = y3l = 0; - x2l = x4l = 0.5noteheadwidth; - x1l= 0; x3l = noteheadwidth; - y2l = noteheadheight; y4l = -noteheadheight; -%%%% penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle); -%%%% pickup pencircle xscaled width_a yscaled width_b; -%%%% draw (z1{up}..z2{right}..z3{down}..z4{left}..cycle); - fill (z1l{up}..z2l{right}..z3l{down}..z4l{left}..cycle); cullit; - unfill (z1r{up}..z2r{right}..z3r{down}..z4r{left}..cycle); cullit; - penlabels(1,2,3,4); - enddef; -%%%%%%%%%%%%%%% -% flags % -%%%%%%%%%%%%%%% -% -% -pickup pencircle scaled (0.1pt); -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle fi enddef; -% -% -def flagshape(suffix i) (expr width, height, thick, thin, shiftx, shifty, - flagsense) = - pair intersectionp; % -% % .1 - penpos[i](thick,90); % - penpos[i+1](3thin,45); % .2 - penpos[i+2](thin,0); % - penpos[i+3](thin,0); % .3 - x[i] = shiftx-0.2pt; % - y[i]r = height+shifty; % .4 - x[i+1] = shiftx+3/8width; % - y[i+1] = height+shifty - thick; % - x[i+2]r = shiftx+width; - y[i+2]r = height+shifty - 2thick; - y[i+3] = shifty; - x[i+3]r = shiftx+0.6width; - if i>1: intersectionp = z[i-2]; - else : intersectionp = z[i+3]; - fi; - - if flagsense>0: penstrike - (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)} - ..z[i+1]e{z[i+1]e-z[i]e} - ..z[i+2]e{down}..intersectionp); - else: - penstrike (counterclockwise - (z[i]e{dir(angle(z[i+1]e-z[i]e)-15)} - ..z[i+1]e{z[i+1]e-z[i]e} - ..z[i+2]e{down}..intersectionp) - reflectedabout ((0,h/2), (nhw,h/2))) ; - fi; - -enddef; -%%%%%%%%%%%%%%%%%%%%%% -% song system limits % -%%%%%%%%%%%%%%%%%%%%%% -beginchar(14,0.5nhw#,0,0); - clear; - z1=(0,0); - z2=(0.5nhw,0); - z3=(1.5nhw,nhh); - penpos1(0.4pt,90); - penpos2(0.4pt,90); - penpos3(0.2pt,135); - penstroke (z1e--z2e{right+0.2up}..z3e); -endchar; -beginchar(15,0.5nhw#,0,0); - clear; - z1=(0,0); - z2=(0.5nhw,0); - z3=(1.5nhw,-nhh); - penpos1(0.4pt,90); - penpos2(0.4pt,90); - penpos3(0.2pt,45); - penstroke (z1e--z2e{right-0.2up}..z3e); -endchar; - -%%%%%%%%%%%%%%%% -% 4 crescendos % -%%%%%%%%%%%%%%%% -for n:=1 upto 4: - beginchar(15+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#); - pickup pencircle scaled (0.4s); - draw (0,(0.5+0.1*n)*nhh)--(4*n*nhw,0)--(0,-(0.5+0.1*n)*nhh); - endchar; -endfor; -%%%%%%%%%%%%%%%%%% -% 4 decrescendos % -%%%%%%%%%%%%%%%%%% -for n:=1 upto 4: - beginchar(19+n, 4*n*nhw#, (0.5+0.1*n)*nhh#, (0.5+0.1*n)*nhh#); - pickup pencircle scaled (0.4s); - draw (4*n*nhw,(0.5+0.1*n)*nhh)--(0,0)--(4*n*nhw,-(0.5+0.1*n)*nhh); - endchar; -endfor; -%%%%%%%%%%%%%%% -% accents % -%%%%%%%%%%%%%%% -% point au-dessus de la note -beginchar(24, nhw#, 1.0nhh#, 0.0nhh#); - clear; - pickup pencircle scaled 0.25nhh; - drawdot (0.5nhw, 0.2pt+1.15nhh); -endchar; -% point au-dessous de la note -beginchar(25, nhw#, 0.0nhh#, 1.0nhh#); - clear; - pickup pencircle scaled 0.25nhh; - drawdot (0.5nhw, -0.2pt-1.15nhh); -endchar; -% barre au-dessus de la note -beginchar(26, nhw#, 1.0nhh#, 0.0nhh#); - clear; - dely:=0.2pt+1.15nhh; - pickup penrazor scaled 0.15nhh rotated 90; - draw (0.0nhw, dely)--(1.0nhw, dely); -endchar; -% trait au-dessous de la note -beginchar(27, nhw#, 0.0nhh#, 1.0nhh#); - clear; - dely:=0.2pt+1.15nhh; - pickup penrazor scaled 0.15nhh rotated 90; - draw (0.0nhw, -dely)--(1.0nhw, -dely); -endchar; -% accent (pizz.) au-dessus de la note -beginchar(28, nhw#, 1.0nhh#, 0.0nhh#); - clear; - dely:=1.2nhh; - rayon:=0.2nhh; - z1=(0.5nhw,dely+rayon); - z2=(0.5nhw-rayon,dely); - z3=(0.5nhw,dely-0.45nhh); - z4=(0.5nhw+rayon,dely); - fill z1{left}..{down}z2--z3--z4{up}..{left}cycle; -endchar; -% accent (pizz.) au-dessous de la note -beginchar(29, nhw#, 0.0nhh#, 1.0nhh#); - clear; - rayon:=0.2nhh; - dely:=1.2nhh; - z1=(0.5nhw,dely+rayon); - z2=(0.5nhw-rayon,dely); - z3=(0.5nhw,dely-0.45nhh); - z4=(0.5nhw+rayon,dely); - fill (z1{left}..{down}z2--z3--z4{up}..{left}cycle) - rotatedaround ((0.5nhw,0),180); -endchar; -% accent (sforz.) au-dessus de la note -beginchar(30, nhw#, 1.5nhh#, 0.0nhh#); - clear; - z1=(1.2nhw,1.3nhh); - z2=(-0.2nhw,1.3nhh); - pickup pencircle scaled 0.5s; - draw z1--(x2,y2+0.3nhh); - draw z1--(x2,y2-0.3nhh); -endchar; -% accent (sforz.) au-dessous de la note -beginchar(31, nhw#, 0.0nhh#, 1.0nhh#); - clear; - z1=(1.2nhw,-1.3nhh); - z2=(-0.2nhw,-1.3nhh); - pickup pencircle scaled 0.5s; - draw z1--(x2,y2+0.3nhh); - draw z1--(x2,y2-0.3nhh); -endchar; -%%%%%%%%%%%%%%% -% breve % -%%%%%%%%%%%%%%% -beginchar(32, nhw#, 0.7nhh#, 0.7nhh#); - clear; - pickup pencircle scaled (4thinwidth); - draw (0,h)--(0,-d); - draw (w,h)--(w,-d); - fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle; - fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% volle Note -- quarter note -- noire % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(33, nhw#, .5nhh#, .5nhh#); - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, w/2, nhh/2); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% halbe Note -- half note -- blanche % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(34, nhw#, .5nhh#, .5nhh#); - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, 3*thinwidth, nhh/4); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% ganze Note -- whole note -- ronde % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(35,1.5nhh#, .5nhh#, .5nhh#); - drawnotew(w, h, 0, 30, nhh/3, 3.5*thinwidth); -endchar; -%%%%%%%%%%%%%%% -% semi-breve % -%%%%%%%%%%%%%%% -beginchar(36, 2nhw#, 0.7nhh#, 0.7nhh#); - clear; - pickup pencircle scaled (4thinwidth); - draw (0,h)--(0,-d); - draw (w,h)--(w,-d); - fill (0,0.75h)--(w,0.75h)--(w,0.25h)--(0,0.25h)--cycle; - fill (0,-0.75d)--(w,-0.75d)--(w,-0.25d)--(0,-0.25d)--cycle; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% volle kleine Note -- small quarter note % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(37, apog_fact*nhw#, .50*apog_nhh#, .50*apog_nhh#); - w:=apog_fact*nhw; - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, w/2, apog_nhh/2); -endchar; -%%%%%%%%%%%%%%% -%% halbe Note % -%%%%%%%%%%%%%%% -beginchar(38, apog_fact*nhw#, apog_fact*0.5nhh#, apog_fact*0.5nhh#); - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, 3*thinwidth, apog_nhh/4); -endchar; -%%%%%%%%%%%%%%% -%% ganze Note % -%%%%%%%%%%%%%%% -beginchar(39, 1.5*apog_nhh#, apog_fact*0.5nhh#, apog_fact*0.5nhh#); - drawnotew(w, h, 0, 30, apog_nhh/3, 3.5*thinwidth*apog_fact); -endchar; -% -% general parameters for flags -% - flagw:=0.8*nhw; - flagthick:=nhh; - flagthin:=5thinwidth; -% - def cflag (expr sense) = - pickup pencircle scaled (0.1pt); - flagshape(1, flagw, h, flagthick, flagthin, 0, 0, sense); - enddef; - def ccflag (expr sense) = - pickup pencircle scaled (0.1pt); - flagshape(1, flagw, 2.50flagthick, 2/3flagthick, flagthin, - 0, 0, sense); - flagshape(5, flagw, 2.25flagthick, 2/3flagthick, flagthin, - 0, flagthick, sense); - enddef; - def cccflag (expr sense) = - ccflag(sense); - flagshape(9, flagw, 2.25flagthick, 2/3flagthick, flagthin, - 0, 1.75flagthick, sense); - enddef; - def ccccflag (expr sense) = - cccflag(sense); - flagshape(13, flagw, 2.25flagthick, 2/3flagthick, flagthin, - 0, 2.50flagthick, sense); - enddef; - def cccccflag (expr sense) = - ccccflag(sense); - flagshape(17, flagw, 2.25flagthick, 2/3flagthick, flagthin, - 0, 3.25flagthick, sense); - enddef; -%%%%%%%%%%%%%%%%%%%%%% -% "8flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%% -flagw:=0.8*nhw; -beginchar(40, 0, 3nhh#, 0); - clear; - cflag(1); - w:=0; -endchar; -% idem mais avec barre (appogiature) -beginchar(12, 0, 3nhh#, 0); - clear; - cflag(1); - pickup pencircle scaled 4thinwidth; - clear; - w:=nhw; - x1=-0.25w; y1=0.6nhh; x2=1.1w; y2=y1+0.6*(x2-x1); - draw z1--z2; - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(41, 0, 3.25nhh#, 0); - clear; - ccflag(1); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(42, 0, 4.00nhh#, 0); - clear; - cccflag(1); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(43, 0, 4.75nhh#, 0); - clear; - ccccflag(1); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(44, 0, 5.50nhh#, 0); - clear; - cccccflag(1); - w:=0; -endchar; -flagw:=1.0*nhw; % flags up should be wider -%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%% -beginchar(45, 0, 3nhh#, 0); - clear; - cflag(-1); - w:=0; -endchar; -% idem mais avec barre (appogiature) -beginchar(13, 0, 3nhh#, 0); - clear; - cflag(-1); - pickup pencircle scaled 4thinwidth; - clear; - w:=nhw; - x1=-0.25w; y1=1.6nhh; x2=1.2w; y2=y1+0.6*(x2-x1); - draw z1--z2; - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(46, 0, 3.25nhh#, 0); - clear; - ccflag(-1); - w:=0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(47, 0, 4.00nhh#, 0); - clear; - cccflag(-1); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(48, 0, 4.75nhh#, 0); - clear; - ccccflag(-1); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(49, 0, 5.50nhh#, 0); - clear; - cccccflag(-1); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% VERSETZUNGSZEICHEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%%%%%%%%% -% "flat" % -%%%%%%%%%%%% -def flat (expr reduction,shiftx,flatsense) = - clear; flatraise:=0; % - penpos4(8/24reduction*nhh,0);%/5,20 % 1 - penpos3(reduction*nhh/8,-90);%/5,20 % - penpos6(reduction*nhh/7, 90);%/5,20 % - penpos2(reduction*nhh/8, 90);%/5,20 % 6 \ - y1 = 1.5*reduction*nhh+flatraise; % / 4 - x1=x2=x5 = reduction*s; x4 = reduction*(nhw-s); % 2 / - y4 = 0.1reduction*s+flatraise; % / - y3l = flatraise-0.5*reduction*nhh; %35 - y2l = 0.5y4; y5=y3; - x3=x5-1.5thinwidth; - y6r=0.5*reduction*nhh+flatraise; x6=(x2+x4)/2; - currentpen:= pencircle scaled 3thinwidth; - if flatsense>0: - penstroke - (z2e..{right}z6e{right}..{down}z4e{down}..{left+down}z3e) - shifted (shiftx,flatraise); - cullit; - draw (z1--z5) shifted (shiftx,flatraise); - penlabels (1,2,3,4,5); - else: - penstroke (counterclockwise ( - (z2e..{right}z6e{right}..{down}z4e{down}..{3left+2down}z3e) - reflectedabout(z1,z5))) - shifted (shiftx,flatraise); - cullit; - draw (z1--z5) shifted (shiftx,flatraise); - fi; cullit; -enddef; -% -beginchar(50, nhw#, 2nhh#, 2nhh#); - flat (1.0, 0, 1); -endchar; -% -%%%%%%%%%% -%% "bb" % -%%%%%%%%%% -beginchar(51,1.7nhw#, 2nhh#, 2nhh#); - flat (1.0, 0, 1); cullit; clear; - flat (1.0, 0.7nhw, 1); -endchar; -%%%%%%%%%%%%% -% "sharp" % -%%%%%%%%%%%%% -def sharp ( expr reduction ) = - clear; - penpos3(3/8reduction*nhh,90); - penpos4(3/8reduction*nhh,90); - penpos5(3/8reduction*nhh,90); - penpos6(3/8reduction*nhh,90); - y1 + y2 = -0.5reduction*s; y1 - y2 = 2h - reduction*s; - x1 = x2 = reduction*s; y3 = 1/4reduction*nhh; - y4l = y3r; x3= 0; x4 = 0.8*reduction*nhw; - y5 = -y4; y6 = -y3; x5 = x3; x6 = x4; - x7 = w-x1 ; x8 = w-x2; y7=-y1; y8=-y2; - currentpen:= pencircle scaled 3thinwidth; - draw z1--z2; - draw z7--z8; - penstroke z3e--z4e; - penstroke (z5e--z6e) ; - penlabels(1,2,3,4,5,6,7,8); -enddef; -% -beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#); - sharp(1.0); -endchar; -% -%%%%%%%%%% -%% "xx" % -%%%%%%%%%%% -beginchar(53, nhw#, .5nhw#, .5nhw#); - clear; - z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w); - z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w); - currentpen:= pencircle scaled .2nhh; - draw z1--z4; draw z3--z2; - currentpen:= pensquare scaled .30w; - drawdot z1; drawdot z2; drawdot z3; drawdot z4; -endchar; -%%%%%%%%%%%%%%% -% "natural" % -%%%%%%%%%%%%%%% -def natural = - clear; - reduction:=w/(0.8*nhw); - penpos3(3/8reduction*nhh,90); - penpos4(3/8reduction*nhh,90); - penpos7(3/8reduction*nhh,90); - penpos8(3/8reduction*nhh,90); - x1 = x2 = x3 = x7 = 0.75*reduction*s-1.5thinwidth; - x5 = x6 = x4 = x8 = w-x1; - y1 = h; y3 = 0.30reduction*nhh ; - y4l = y3r-0.5*reduction*s ; - y6 = -y1; y5 = -y2; - y7l = y2; - y7 = -y4; y8 = -y3; - currentpen:= pencircle scaled 3thinwidth; - draw (z1--(x2,y2+1.5thinwidth)) shifted (1.5thinwidth,0); - draw ((x5,y5-1.5thinwidth)--z6) shifted (-1.5thinwidth,0); - penstroke z3e--z4e; - penstroke z7e--z8e; - penlabels(1,2,3,4,5,6,7,8); -enddef; -% -beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#); - natural; -endchar; -% -%%%%%%%%%%%%%%%% -%% "1/4 flat" % -%%%%%%%%%%%%%%%% -beginchar(55, nhw#, 2nhh#, 2nhh#); - flat (1.0, 0.65nhw,-1); -endchar; -%%%%%%%%%%%%%%%% -%% "3/4 flat" % -%%%%%%%%%%%%%%%% -beginchar(56, 1.7nhw#, 2nhh#, 2nhh#); - flat (1.0, 0.65nhw, -1); clear; cullit; - flat (1.0, 0.65nhw, 1); -endchar; -% -% Gregorian notes -% -beginchar(57, nhw#, .5nhh#, .5nhh#); - fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% PAUSEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%%%%%% -%% "dp" % -%%%%%%%%% -beginchar(58,1/2nhw#, 3nhh#, 0); - clear; - penpos1(nhh,90); - penpos2(nhh,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -labels(1,2); -endchar; -%%%%%%%%%% -%% "ddp" % -%%%%%%%%%% -beginchar(59,1/2nhw#, 3nhh#, 0); - clear; - penpos1(2nhh,90); - penpos2(2nhh,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -labels(1,2); -endchar; -%%%%%%%%%%%%%%%%%% -%% "ganze Pause" % -%%%%%%%%%%%%%%%%%% -beginchar(60, nhw#, 3nhh#, 0); - clear; - penpos1(nhh/2,90); - penpos2(nhh/2,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -endchar; -% -%%%%%%%%%%%%%%%%%% -%% "halbe Pause" % -%%%%%%%%%%%%%%%%%% -beginchar(61, nhw#, 2.5nhh#, 0); - clear; - penpos1(nhh/2,90); - penpos2(nhh/2,90); - y1r = y2r = h; - x1r = 0; x2r = w; - currentpen:= pencircle; - penstroke z1e--z2e; -endchar; -%%%%%%%%%%%%%%%%%%%% -%% "viertel Pause" % -%%%%%%%%%%%%%%%%%%%% -beginchar(62, nhw#, 4nhh#, 0); % .1 - clear; % .2 - thin := 1/8 nhh; thick := 1/2 nhh; % 8..3 - alpha_a = -50; alpha_b = -50; % .4 - penpos1 ( thin, (alpha_a+90)); % .5 - penpos5 ( thin, alpha_b); % .6 - penpos2 ( thick+thin, alpha_a ); % - penpos4 ( thick+thin, alpha_b ); % .7 - penpos3 ( thick, 1/2(alpha_a+alpha_b)); - x3r:=9/10[x3,x3r]; - penpos8 ( thick, 1/2(alpha_a+alpha_b)); - x8l:=9/10[x8,x8l]; - penpos6 ( 2/3thick, alpha_b); - penpos7 ( thin, 45); - y1l = h - 2s; - x1l = 2s; - z2r = z1 +(nhh* right) rotated alpha_a; - z5 = z4l+(nhh* right) rotated alpha_b; - z3 = 1/3[z2,z4]; - z8 = 2/3[z2,z4]; - z4 = (w,h) scaled .55; - y6r = 1.45nhh; - x6l = x4l; - x7 = 0.9w; y7= nhh-thin; - z10= z5r shifted (0.36thin,0.36thin); - currentpen:= penrazor scaled thin rotated 45; - draw z1--z2r; draw z10--z4l; - cullit; penstroke z2e..z3e..z8e..z4e; pickup pencircle scaled thin; -% cullit; penstroke z5e{nw}..z6e..z7e; cullit; - cullit; penstroke z5e..z6e..{up+4right}z7e; cullit; - penlabels(1,2,3,4,5,6,7,8,9,10); -endchar; -%%%%%%%%%%%%%%%%%%% -%% "achtel Pause" % -%%%%%%%%%%%%%%%%%%% -beginchar(63, 2nhh#, 3nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=1/2nhh; y3=10/4nhh; - z4-z3=(0.20nhh,0.35nhh); - currentpen := pencircle scaled 4thinwidth; - draw z1..z2; - currentpen := pencircle scaled(2*thinwidth); - draw z2..z3{up+left}; - z5=z3; - filldraw z5..z4..z5..cycle; - penlabels (1,2,3,4,5); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%% -%% "sechzehntel Pause" % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(64,2nhh#, 3nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=1/2nhh; y3=10/4nhh; - z4-z3=(0.20nhh,0.35nhh); -% - x5=x2; y5=y2; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pencircle scaled(2*thinwidth); - draw z2..z3{up+left}; - draw z2..z3{up+left} shifted(-1/3nhh,-nhh); - filldraw z3..z4..z3..cycle; - filldraw z3..z4..z3..cycle shifted(-1/3nhh,-nhh); - penlabels(1,2,3,4,5,6); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% "zweiunddreissigstel Pause" % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(65,2nhh#, 4nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=1/2nhh; y3=10/4nhh; - z4-z3=(0.20nhh,0.35nhh); -% - x5=x2+1/6nhh; y5=y2+nhh; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pencircle scaled(2*thinwidth); - draw z2..z3{up+left} shifted( 1/6nhh,nhh); - draw z2..z3{up+left} shifted(-1/6nhh, 0); - draw z2..z3{up+left} shifted(-3/6nhh,-nhh); - filldraw z3..z4..z3..cycle shifted( 1/6nhh, nhh); - filldraw z3..z4..z3..cycle shifted(-1/6nhh, 0); - filldraw z3..z4..z3..cycle shifted(-3/6nhh,-nhh); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%% "vierundsechzigstel Pause" %% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(66,2nhh#, 5nhh#, 0) - clear; - %punkte f"ur achtelpause, 16. und 32. Pause - x1=y1= nhh; x2=7/4nhh; y2=11/4nhh; - x3=1/2nhh; y3=10/4nhh; - z4-z3=(0.20nhh,0.35nhh); -% - x5=x2+1/3nhh; y5=y2+2nhh; - y6=0; x6=x5-1/3y5; - currentpen := pencircle scaled 4thinwidth; - draw z5..z6; - currentpen := pencircle scaled(2*thinwidth); - draw z2..z3{up+left} shifted( 1/3nhh, 2nhh); - draw z2..z3{up+left} shifted( 0,nhh); - draw z2..z3{up+left} shifted(-1/3nhh, 0); - draw z2..z3{up+left} shifted(-2/3nhh,-nhh); - filldraw z3..z4..z3..cycle shifted( 1/3nhh, 2nhh); - filldraw z3..z4..z3..cycle shifted( 0, nhh); - filldraw z3..z4..z3..cycle shifted(-1/3nhh,0); - filldraw z3..z4..z3..cycle shifted(-2/3nhh,-nhh); -endchar; -%%%%%%%%%%%%%%%%%%% -% ornements % -%%%%%%%%%%%%%%%%%%% -beginchar (67, 2nhw#, nhh#, 0); - clear; - x1=0.2w; y1r=h; x6=w-x1; y6=h-y1; - x2r=0; y2=0.5h; x5=w-x2; y5=h-y2; - x3=0.22w; y3r=0; x4=w-x3; y4=h-y3; - pickup pencircle scaled 4thinwidth; - penpos1 (5thinwidth,90); - penpos2 (5thinwidth, 180); - penpos3 (0.2nhw, -40); - penpos4 (0.2nhw, -40); - penpos5 (5thinwidth, 180); - penpos6 (5thinwidth, 90); - penstroke (z1e..{down}z2e{down}..{right}z3e{right}..{right}z4e{right}..{down}z5e{down}..z6e) ; - pickup pencircle scaled 2s ; - drawdot (x1,y1r-s) ; - drawdot (x6,y6l+s) ; - penlabels(1,2,3,4,5,6); -endchar; -beginchar (68, 2nhw#, nhh#, 0); - clear; - x1=0.2w; y1r=0; x6=w-x1; y6=h-y1; - x2r=0; y2=0.5h; x5=w-x2; y5=h-y2; - x3=0.22w; y3r=h; x4=w-x3; y4=h-y3; - pickup pencircle scaled 4thinwidth; - penpos1 (5thinwidth,-90); - penpos2 (5thinwidth, -180); - penpos3 (0.2nhw, 40); - penpos4 (0.2nhw, 40); - penpos5 (5thinwidth, -180); - penpos6 (5thinwidth, -90); - penstroke (z1e..{up}z2e{up}..{right}z3e{right}..{right}z4e{right}..{up}z5e{up}..z6e); - pickup pencircle scaled 2s; - drawdot (x1,y1r+s); - drawdot (x6,y6l-s); - penlabels(1,2,3,4,5,6); -endchar; -%%%%%%%%%%%%%%% -% appogiature % -%%%%%%%%%%%%%%% -beginchar(69, apog_fact*nhw#, 3.5*apog_nhh#, .50*apog_nhh#); - clear; - w:=apog_fact*nhw; - flagshape(1,0.8w, 3*apog_nhh, apog_nhh, 4thinwidth, w, 0.5apog_nhh, 1); - clear; - w:=apog_fact*nhw; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - clear; - pickup pencircle scaled 4thinwidth; - w:=apog_fact*nhw; - draw (w-2thinwidth,0)--(w-2thinwidth,h); - x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6*(x2-x1); - draw z1--z2; -% - w:=apog_fact*nhw; -endchar; -beginchar(70, apog_fact*nhw#, 0.5apog_nhh#, 3.5*apog_nhh#); - clear; - w:=apog_fact*nhw; - flagshape(1,w, 3apog_nhh, apog_nhh, 4thinwidth, 0.2pt, apog_nhh, -1); - clear; - w:=apog_fact*nhw; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - pickup pencircle scaled 4thinwidth; - draw (2thinwidth,0)--(2thinwidth,-d); - clear; - w:=apog_fact*nhw; - x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6*(x2-x1); - draw z1--z2; -% - w:=apog_fact*nhw; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% NOTENSCHLUESSEL % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% VIOLINSCHLUESSEL % -%%%%%%%%%%%%%%%%%%%% -def violin(expr width, beginleft, begindown, thick, penthick) = -x10=x3=x2=x8; -y6l=56/15width+y12r; -x11-x4=width; -x5=x4+13/15width; -x2=x4+31/45 width; -x1=x4+7/15width; -x4=beginleft; -x2-x12=4/15 width; -x9+2/5width=x6; -x6-4/15width=x7; -x9=x4+1/5width; -y12r=begindown; -y2r=y4=2y11; -y8=y12r+4/15width; -y2r=y12r+28/15width; -y1=y12r+width; -y3r=y12r+13/15width; -y7=y12r+116/45width; -y5=y12r+16/5width; -y5-y10=y11; -y9=y12r+2/15width; -y13=y8; x13=x8-0.6s; -penpos1(0,180); -penpos2(thick,90); -penpos3(penthick+1/16thick,-90); -penpos4(5/4thick,120); -penpos5(5/6thick,-120); -penpos6(5/3thick,-85); -penpos7(1/2thick,0); -penpos8(penthick,0); -penpos13(penthick,0); -penpos9(5/4thick,170); -penpos10(5/6thick,180); -penpos11(thick,0); -penpos12(penthick,-90); -pickup pencircle scaled 1s; -% -% penstroke z1e{2left}..z2e..z11e..z3e -% ..z4e{right+up}..z10e..{up}z5e..z6e; -% penstroke z6e{down+left}..{down}z7e--z8e; -% fill z8l{2down+right}..z12l..z9l -% --z9r..z12r..{up}z8r..cycle; -% pickup pencircle scaled 1s; -% fill z9l{3/2right+up}..{right+2down}z9r..cycle; -penstroke z1e{2left}..z2e..z11e..z3e -..z4e{right+up}..z10e..{up}z5e..z6e; -penstroke z6e{down+left}..{down}z7e--z8e -{2down+right}..z12e..{2left+up}z9e; -pickup pencircle scaled 2.5s; -drawdot (x9+0.4s,y9+0.8s); -% -penlabels(1,2,3,4,5,6,7,8,9,10,11,12); -enddef; -% -beginchar(71,3.25nhw#, 6nhh#, 2nhh#); -clear; -violin(15/8nhh,1.75nhh,-1.5nhh,0.4nhh,0.111nhh); -endchar; - -%%%%%%%%violin-schluessel verkleinert%%%%%%%% -beginchar(72,2.60nhw#, 6nhh#, 2nhh#); -clear; -violin(12/8nhh,1.40nhh,-1.2nhh,0.32nhh,1/10nhh); -endchar; - -%%%%%%%%%%%%%%%%%%%%% -% BASS--SCHLUESSEL %% -%%%%%%%%%%%%%%%%%%%%% -% clef de fa par D. Taupin % -%%%%%%%%%%%%%%%%%%%%%%%%%%%% -def bass (expr reduction) = - clear; - x2=0.80*reduction*nhw; y2=3nhh; - x1=x2r+1.25*reduction*s; y1=y2; - x3=x2+0.71*reduction*nhw; y3=y2+reduction*nhh; - x4=x3+0.71*reduction*nhw; y4=y2-0.2*reduction*nhh; - x6=x2-6*reduction*thinwidth; y6=y2-2.2*reduction*nhh; - x7=x4+0.50*reduction*nhw; x8=x7; - y7=y2+0.38*reduction*nhh; y8=y2-0.38*reduction*nhh; -% - currentpen:=pencircle scaled (4*reduction*thinwidth); - penpos2(6*reduction*thinwidth,180); - penpos3(6*reduction*thinwidth, 90); - penpos4(0.5*reduction*nhh,0); - penpos6(0.1*reduction*nhh,-10); - penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down}..{left+0.1down}z6e); - currentpen := pencircle scaled (0.4reduction*nhh); - pickup pencircle scaled (2*(x2r-x1)); - drawdot z1; - pickup pencircle scaled 1.7s; - drawdot z7; drawdot z8; - penlabels(1,2,3,4,6); -enddef; -% -beginchar(73, 3nhw#, 4nhh#, 0); - bass(1.0); -endchar; - -%%%%%%verkleinerter bass-schluessel%%%%%%%%% -beginchar(74, 2.4*nhw#, 4nhh#, 0); - bass(0.8); -endchar; - -%%%%%%%%%%%%%%%%%%% -% ALT--SCHLUESSEL % -%%%%%%%%%%%%%%%%%%% -def alt(expr height, beginleft, begindown, thick) = -x1=x7; -x2=x8; -y1-y7=height; -y2-y8=height; -y7=begindown; -x7=beginleft; -x2=x1+1/4height; -x6l=x8l; -y5=y7+1/2height; -y9=y7+1/9height; -x5=x3; -y4=y5+0.120height; -x4-x7=height+3thinwidth; -x4-x5=1/2height+3thinwidth; -y3-y5=2/7height; -y8=y7; -y6=y7; -x9=0.62x5+0.38x4; -x10=x9; y10=y7+height; -x11=0.5x3+0.5x6; y11=y3; penpos11(1/2thick,0); -penpos8(1/4thick,180); -penpos2(1/4thick,180); -penpos1(thick,180); -penpos7(thick,180); -penpos6(thick,0); -penpos5(1/10thick,0); -penpos9(1/3thick,90); -penpos3(1/2thick,0); -penpos4(thick,180); -penpos10(1/3thick,-90); - -pickup pencircle scaled 1s; -fill z7l--z1l--z1r--z7r--cycle; -fill z8l--z2l--z2r--z8r--cycle; -penstroke z5e..{left+2down}z6e; -penstroke z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e; - - -pickup pencircle scaled 1s; -penstroke - (counterclockwise(z7e--z1e)reflectedabout(z7,z8)); -penstroke -(counterclockwise(z8e--z2e)reflectedabout(z7,z8)); -penstroke -(counterclockwise(z5e..{left+2down}z6e)reflectedabout(z7,z8)); -penstroke -(counterclockwise (z5e{right+4down}..{right}z9e{right}..{up}z4e{up}..{left}z10e{left}..{left+4down}z11e) -reflectedabout(z7,z8)); - -pickup pencircle scaled 2.5s; -drawdot (x3+0.1nhh, y3); -drawdot (x3+0.1nhh, 2y7-y3); -penlabels(1,2,3,4,5,6,7,8); -enddef; - -%%%%%%%%%%%Altschl"usseL%%%%%%%%%%% -beginchar(75,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,2nhh,0.4nhh); -endchar; - -%%%%%%%%%Verkleinerter Altschluessel%%%%%%%%% -beginchar(76,2.8nhw#, 4nhh#, 0nhh#); -clear; -alt(1.6nhh,1.00nhh,2nhh,0.32nhh); -endchar; - -%%%%%%%%%Baritonschluessel%%%%%%%%% -beginchar(77,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,4nhh,2/5nhh); -endchar; - -%%%%%%%%%Mezzosopranschluessel%%%%%%%%% -beginchar(78,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,1nhh,2/5nhh); -endchar; - -%%%%%%%%%Sopranschluessel%%%%%%%%% -beginchar(79,3.5nhw#, 4nhh#, 0nhh#); -clear; -alt(2nhh,1.25nhh,0nhh,2/5nhh); -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% SONDERZEICHEN % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - - - -def alla_breve (expr trans) = - thin := 5thinwidth; thick := 1/2 nhh; - penpos1(thin, 0); - penpos2(thin, -90); - penpos3(thick,180); - penpos4(thin, 90); - penpos5(thin, 45); - penpos6(3/4thick,45); - 2x2r = 2x4r = x1 + 2s = w; - x3r = 0; 2y1 = 3y2 = y4r = h; - y3r = 2/3h; - x5 = w -2s; - y5 = h -2s; - z6r = z5r; - penstroke (z1e..z2e..z3e..z4e..z5e) transformed trans; - currentpen := pencircle scaled (2/3thick); - drawdot z6; -enddef; - - -%%%%%%%%%%%%%%% -% "fermate1" %% -%%%%%%%%%%%%%%% -beginchar(80, 2nhw#, 1.25nhh#, 0); - clear; - penpos2(nhh/3,90); - penpos1(nhh/8,180); - penpos3(nhh/8,0); - penpos4(nhh/3,90); - y2r =1.2h; - z1 = origin; 2x2l = 2x4l = x3 = w; y4l = y3 = 0; - penstroke z1e..z2e..z3e; - currentpen:= pencircle scaled (nhh/3); - drawdot z4; - penlabels(1,2,3); -endchar; -%%%%%%%%%%%%%%% -% "fermate2" %% -%%%%%%%%%%%%%%% -beginchar(81, 2nhw#, 0, 1.25nhh#); - clear; - penpos2(nhh/3,-90); - penpos1(nhh/8,180); - penpos3(nhh/8,0); - penpos4(nhh/3,90); - y2r = -1.2d; - z1 = origin; 2x2l = 2x4 = x3 = w; - y4r = y3 = 0; - penstroke (z1e..z2e..z3e); - currentpen := pencircle scaled (nhh/3); - drawdot z4; - penlabels(1,2,3); -endchar; -%%%%%%%%%%%%%%%% -% "allabreve" %% -%%%%%%%%%%%%%%%% -beginchar(82, 2nhh#, 3nhh#, 0); - clear; - alla_breve(identity); - z7 = z4 + 2/16 h *up; - z8 = z2 + 2/16 h *down; - currentpen := pencircle scaled (thin); - draw z7--z8; - penlabels(1,2,3,4,5,6,7,8); -endchar; -%%%%%%%% -% "C" %% -%%%%%%%% -beginchar(83, 2nhh#, 3nhh#, 0); - clear; - alla_breve(identity); -endchar; -%%%%%%%%%%%%%%% -% "reverseC" %% -%%%%%%%%%%%%%%% -beginchar(84, 2nhh#, 3nhh#, 0); - clear; - transform T; - xxpart T = -yypart T; xypart T = yxpart T; % T is a reflection - (w/2,0) transformed T = (w/2,0); (w/2,1) transformed T = (w/2,1); - thin := 5thinwidth; thick := 1/2 nhh; - penpos1(thin, 0); - penpos2(thin, -90); - penpos3(thick,180); - penpos4(thin, 90); - penpos5(thin, 45); - penpos6(3/4thick,45); - 2x2r = 2x4r = x1 + 2s = w; - x3r = 0; 2y1 = 3y2 = y4r = h; - y3r = 2/3h; - x5 = w -2s; - y5 = h -2s; - z6r = z5r; - penstroke (counterclockwise - (z1e..z2e..z3e..z4e..z5e) transformed T); - currentpen := pencircle scaled (2/3thick); - drawdot (z6 transformed T); -endchar; -%%%%%%%%%%%%%%%%%% -% repeat symbols % -%%%%%%%%%%%%%%%%%% -beginchar(85, 2nhw#, 3nhh#, 0); - clear; - x1=0.5w; y1=0.5h; - x2=0.5nhh; y2=y1; - x3=x1; y3=y1+nhh; - x4=2x1-x2; y4=2y1-y2; - x5=2x1-x3; y5=2y1-y3; - pickup pensquare xscaled thinwidth yscaled 4thinwidth; - draw (0,y1)--(w,y1); - pickup pensquare xscaled 4thinwidth yscaled thinwidth; - draw (x1,0)--(x1,h); - pickup pencircle xscaled 12thinwidth yscaled 4thinwidth; - draw z2..z3..z4..z5..cycle; -endchar; -beginchar(86, 3nhw#, 3nhw#, 0); - clear; - x1=0.5w; y1=0.5h; - x2=x1-0.1w; y2=y1+0.4h; - x3=2x1-x2; y3=2y1-y2; - x4=x1-0.3h; y4=y1-0.1h; - x5=2x1-x4; y5=2y1-y4; - x6=x1+0.25w; y6=y1+0.4h; - x7=2x1-x6; y7=2y1-y6; - pickup pencircle scaled 1.6s; - drawdot z2; drawdot z3; - pickup pencircle scaled s; - drawdot z4; drawdot z5; - z8l=z2+(0,0.8s); z9=2z1-z8; - penpos1 (1.8s,25); - penpos10 (1.8s,25); - penpos11 (1.8s,25); - penpos8 (0.5s,-90); - penpos9 (0.5s,-90); - z10=z1+(-s,s); z11=2z1-z10; - penstroke (z8e{left}..{right+down}z10e..z11e{right+down}..{left}z9e); - pickup penrazor scaled 0.8s; - draw z6--z7; -% - penlabels (1,2,3,4,5,6,7,8,9); -endchar; -%%%%%%%%%%%%%%% -% " pince" % -%%%%%%%%%%%%%%% -def pince = - clear; - x1-x3=x3-x5; y1=y3; - x2=1/8w; y2=8/10h; - x3=0.5w-x2; y3=h-y2; - x4=0.5w+x2; y4=y2; - x5=0.5w+x3; y5=y3; - x6=w-x1; y6=h-y1; - pickup pensquare xscaled 0.40nhh yscaled 0.1nhh rotated 52; - draw (z1--z2--z3--z4--z5--z6); -enddef; -% -beginchar(87, 1.2nhw#, 0.8nhh#, 0); - pince; -endchar; -% -beginchar(88, 1.8nhw#, 0.8nhh#, 0); - w:=2w/3; - pince; - draw (z4--z5--z6) shifted (z4-z2); - w:=1.8nhw; -endchar; -%%%%%%%%%%%%%%% -% "mordant" % -%%%%%%%%%%%%%%% -beginchar(89, 1.2nhw#, 0.8nhh#, 0); - pince; - pickup pencircle scaled (4thinwidth); - draw (0.5w,-0.4h)--(0.5w,1.4h); -endchar; -%%%%%%%%%%%%%%% -% arpeggio %% -%%%%%%%%%%%%%%% -def arpegel = - clear; - y1=0; x1=0.5w; - y2=0.3nhh; x2=8/10w; - y3=nhh-y2; x3=w-x2; - y4=nhh; x4=0.5w; - pickup pencircle xscaled 0.40nhh yscaled 0.1nhh rotated 45; - draw (z1..z2..z3..z4); -enddef; -% -beginchar(90, 0.4nhw#, nhh#, 0); - arpegel; -endchar; -for jj=1 upto 9: - beginchar(90+jj, 0.4nhw#, (1+jj)*nhh#, 0); - arpegel; - for kk=1 upto jj: - draw (z1..z2..z3..z4) shifted (0,kk*nhh); - endfor; -endchar; -endfor; -%%%%%%%%%%%%%%% -% "trille" %% -%%%%%%%%%%%%%%% -def arp_elem = - clear; - x1=0; y1=0.5h; - x2=1/3nhw; y2=8/10h; - x3=nhw-x2; y3=h-y2; - x4=nhw; y4=0.5h; - pickup pencircle xscaled 0.33nhh yscaled 0.1nhh rotated 45; - draw (z1..z2..z3..z4); -enddef; -% -beginchar(100, nhw#, 0.45nhh#, 0); - arp_elem; -endchar; -% -for jj=1 upto 9: - beginchar(100+jj, (jj+1)*nhw#, 0.45nhh#, 0); - arp_elem; - for kk=1 upto jj: - draw (z1..z2..z3..z4) shifted (kk*nhw,0); - endfor; - endchar; -endfor; -% -% general parameters for small flags -% - flagw:=0.8*nhw*apog_fact; - flagthick:=nhh*apog_fact; - flagthin:=5thinwidth*apog_fact; -%%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%% -flagw:=0.8*nhw*apog_fact; -beginchar(110, 0, 3apog_nhh#, 0); - clear; - cflag(1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(111, 0, 3.25apog_nhh#, 0); - clear; - ccflag(1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(112, 0, 4.00apog_nhh#, 0); - clear; - cccflag(1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(113, 0, 4.75apog_nhh#, 0); - clear; - ccccflag(1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach unten" % -%%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(114, 0, 5.50apog_nhh#, 0); - clear; - cccccflag(1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%% -%% "8flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%% -flagw:=1.0*nhw*apog_fact; -beginchar(115, 0, 3apog_nhh#, 0); - clear; - cflag(-1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "16flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(116, 0, 3.25apog_nhh#, 0); - clear; - ccflag(-1); - w:=0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "32flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(117, 0, 4.00apog_nhh#, 0); - clear; - cccflag(-1); - w := 0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%% -%% "64flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(118, 0, 4.75apog_nhh#, 0); - clear; - ccccflag(-1); - w := 0; -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -%% "128flag nach oben" % -%%%%%%%%%%%%%%%%%%%%%%%% - -beginchar(119, 0, 5.50apog_nhh#, 0); - clear; - cccccflag(-1); - w := 0; -endchar; -%%%%%%%%%%%%%%%%%%%%%%% -% kleine versetzungen % -%%%%%%%%%%%%%%%%%%%%%%% -beginchar(120, apog_fact*nhw#, 2apog_fact*nhh#, 2apog_fact*nhh#); - flat (apog_fact, 0, 1); -endchar; -beginchar(121,1.7*apog_fact*nhw#, 2*apog_fact*nhh#, 2*apog_fact*nhh#); - flat (apog_fact, 0, 1);cullit; clear; - flat (apog_fact, 0.7*apog_fact*nhw, 1); -endchar; -beginchar(122, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#); - sharp(apog_fact); -endchar; -beginchar(123, apog_fact*nhw#, .5nhw#, .5nhw#); - clear; - z1 = (0.150w, h-0.150w); z2 = (w-0.150w, h-0.150w); - z3 = (0.150w,-h+0.150w); z4 = (w-0.150w,-h+0.150w); - pwidth:=0.2*apog_fact*nhh; - currentpen:= pencircle scaled pwidth; - draw z1--z4; draw z3--z2; - currentpen:= pensquare scaled .30w; - drawdot z1; drawdot z2; drawdot z3; drawdot z4; -endchar; -beginchar(124, 0.8apog_fact*nhw#, 1.5apog_fact*nhh#, 1.5apog_fact*nhh#); - natural; -endchar; -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% volle Note mit | --> |O| % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(125,1.5nhh#, .5nhh#, .5nhh#); - drawnoteb(w, h, 0, 85, 0, nhh/3, 3*thinwidth); - pickup pensquare scaled 0.2w; - draw (-0.05w,-0.4nhh)--(-0.05w,0.4nhh); - draw (1.05w,-0.4nhh)--(1.05w,0.4nhh); -endchar; -%%%%%%%%%%%%%%%%% -% repeat colons % -%%%%%%%%%%%%%%%%% -beginchar(126,0.6nhh#, 4nhh#, 0); - pickup pencircle scaled 0.3nhh; - drawdot (0.3nhh, 1.5nhh); - drawdot (0.3nhh, 2.5nhh); -endchar; - diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf deleted file mode 100644 index 534b5c99e50..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicn11.mf +++ /dev/null @@ -1,10 +0,0 @@ -font_identifier := "musicn11"; -input musicd11 -font_x_height nhh#; -font_quad nhw#; -font_normal_space 0pt; -font_normal_stretch 0pt; -font_normal_shrink 0pt; -input musicgen -end - diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf deleted file mode 100644 index 6d4189fc8d3..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicn13.mf +++ /dev/null @@ -1,10 +0,0 @@ -font_identifier := "musicn13"; -input musicd13 -font_x_height nhh#; -font_quad nhw#; -font_normal_space 0pt; -font_normal_stretch 0pt; -font_normal_shrink 0pt; -input musicgen -end - diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf deleted file mode 100644 index 77021eaa980..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicn16.mf +++ /dev/null @@ -1,9 +0,0 @@ -font_identifier := "musicn16"; -input musicd16 -font_x_height nhh#; -font_quad nhw#; -font_normal_space 0pt; -font_normal_stretch 0pt; -font_normal_shrink 0pt; -input musicgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf b/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf deleted file mode 100644 index 73a69d1dcf6..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musicn20.mf +++ /dev/null @@ -1,9 +0,0 @@ -font_identifier := "musicn20"; -input musicd20 -font_x_height nhh#; -font_quad nhw#; -font_normal_space 0pt; -font_normal_stretch 0pt; -font_normal_shrink 0pt; -input musicgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf deleted file mode 100644 index cb2c11106a0..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikd11.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd11.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 11pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 0.70pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf deleted file mode 100644 index 5c814a43c00..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikd13.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd13.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 13pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 0.80pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf deleted file mode 100644 index 38f96a256de..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikd16.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd16.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 16pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.1pt; -s := 1.00pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf b/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf deleted file mode 100644 index c8e36c9547c..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikd20.mf +++ /dev/null @@ -1,48 +0,0 @@ -%%% -% this is musicd20.mf -%%% - -% input modes -% input local - -mode_setup; - -%blacker:=0; %uncomment to override - -font_size 20pt#; - -nhh#:=1/4designsize; %noteheadheight -nhw#:=1.2nhh#; %noteheadwidth - -thin#:=1/50designsize; -med#:=1/33designsize; -thick#:=1/16designsize; - -thinwidth := 0.125pt; -s := 1.25pt; -S := 1/16designsize; - -beamht#:=0.48nhh#; %beamthickness - -% use pixelmacros from plain -define_pixels(nhh,nhw,beamht); -define_blacker_pixels(thin,med,thick); - -% pair constants -pair ne,se,sw,nw; %northeast,southeast,southwest,northwest -ne = up+right; se = down+right; sw = down+left; nw = up+left; - -% displaying:=2; %uncomment to see characters immediatly on screen - -def clear = - numeric x[],y[],x[]l,y[]l,x[]r,y[]r,dx[],dy[]; - pair sh[]; -enddef; - -% this macro might be deleted -def penstrike text t = - forsuffixes e = l,r: path_.e:=t; endfor - if cycle path_.l: cyclestroke_ - else: filldraw path_.l -- reverse path_.r -- cycle - fi -enddef; diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf b/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf deleted file mode 100644 index 0b7de414897..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikgen.mf +++ /dev/null @@ -1,1252 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% this is musikgen.mf -% -% Version 5.02 [March 94] Daniel Taupin changed '047 to a + for percussion -% -% Version 5.01 [January 94] Daniel Taupin -% -% Version 4.89 [September 93] Andreas Egler -% - blacker influence now -% - redesigned chars 71, 72, 53, 123 -% -% Version 4.88 [January 93] Ross Mitchell -% - redesigned chars 63, 64, 65, 66 -% -% Version 4.87 [] Daniel Taupin -% -% Version 2.00 [] Daniel Taupin -% -% Version 1.00 [August 86] Angelika Schofer/Andrea Steinbach -% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -%"At most 15 different nonzero heights, 15 different nonzero depths, ... -% may appear in a single fonts. If these limits are exceeded, METAFONT will -% change one or more values, ..., until the restriction hold. A warning -% message is issued ..; for example 'some charht values had to be adjusted -% by as much as 0.12pt' means that you had too many different nonzero -% heights, ..." METAFONT-Book App. F - -%<<<>>> This indicates the heights I've changed - -%{{{ This always indicates a lowres fix to avoid seperated points -%}}} and/or 'invisible' lines. It doesn't affect higher resolutions !! - -pair pone, ptwo; -transform t; -path p; -picture save_pic; - -pen thin_pen, med_pen; -thin_pen:= pencircle scaled thin; -med_pen:= pencircle scaled med; - -apog_fact=0.75; -apog_nhh=apog_fact*nhh; -apog_nhh#=apog_fact*nhh#; -apog_nhw#=apog_fact*nhw#; - -%%%AE it's somewhat faster to use already computed pictures -def mirror (expr pone, ptwo) = - currentpicture:=currentpicture reflectedabout(round(pone),round(ptwo)) -enddef; -def add_mirror (expr pone, ptwo) = - addto currentpicture also currentpicture - reflectedabout (round(pone), round(ptwo)) -enddef; - -def savepic = save_pic:= currentpicture enddef; -def callpic = currentpicture:= save_pic enddef; -def clearpic = save_pic:= nullpicture enddef; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% basic macros for noteheads and flags % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% noteheads % -%%%%%%%%%%%%% -def drawnoteb(expr noteheadwidth, noteheadheight, theta_a, - theta_b, theta_c, width_a, width_b) = - penpos1(width_a, theta_a); % .l - penpos3(width_a, 180+theta_a); % .2 - penpos2(width_b, 180+theta_b); % .r - penpos4(width_b, theta_b); %.l.1.r .r.3.l - x1l = y1 = y3 = 0; % .r - x3l = 2x2 = 2x4 = noteheadwidth; % .4 - y2l =-y4l = noteheadheight; % .l - t:= identity rotatedaround ((x2,0),theta_c); - penstroke (z1e{up}..z2e{right}..z3e{down}..z4e{left}..cycle) - transformed t; -%{{{ - currentpen:= pencircle; - draw (z1{up}..z2{right}..z3{down}..z4{left}..cycle) transformed t -%}}} -enddef; - -def drawnotew(expr noteheadwidth, noteheadheight, theta_a, - theta_b, width_a, width_b) = - penpos1(width_a, theta_a); % .l - penpos3(width_a, 180+theta_a); % .2 - penpos2(width_b, 180+theta_b); % .r - penpos4(width_b, theta_b); %.l.1.r .r.3.l - x1l= y1l = y3l = 0; % .r - x3l= 2x2l = 2x4l = noteheadwidth;% .4 - y2l=-y4l = noteheadheight; % .l - fill z1l{up}..z2l{right}..z3l{down}..z4l{left}..cycle; - erase fill z1r{up}..z2r{right}..z3r{down}..z4r{left}..cycle; -%{{{ - currentpen:= pencircle; - draw z1{up}..z2{right}..z3{down}..z4{left}..cycle; -%}}} - penlabels(1,2,3,4) -enddef; - -%%%AE I found in a notebook a whole note which looks slight different -def drawnote_w(expr noteheadwidth, noteheadheight, theta, width_a, width_b)= - x1= y1 = y3 = y5 = y7 = 0; - x3= 2x2 = 2x4 = 2x6 = 2x8 = noteheadwidth; - y2=-y4 = noteheadheight; - x5= x3-x7 = x1+width_a; - y6=-y8 = y2-width_b; - fill z1{curl3}..z2..{curl3}z3{curl3}..z4..{curl3}cycle; - unfill (z5..z6..z7..z8..cycle) rotatedaround ((x2,0),theta); - labels(range 1 thru 8); -enddef; -%%%AE if you have GFtoDVI and want to see the character, -% uncomment the next four lines -%beginchar(0,1.5nhh#, .5nhh#, .5nhh#); -% drawnote_w(w, h, 45, 1.6thick, .5thin); -%endchar; -%end - -%%%%%%%%% -% flags % -%%%%%%%%% -%%%AE the penstrike macro is a copy of plain's penstroke -% macro, 'fill' is replaced by 'filldraw', this is -% responsible for 'strange path' when sharp turns ahead (intersectionp) -% the second macro does the same with a little more 'tolerance' -% -% I don't like it at all, because the flags are thicker -% on lowres than (or as?) on highres devices -% {Sorry, my english is very bad, nevertheless I hope you -% understand my words} -% -%%%def penstrike text t = -%%% forsuffixes e = l,r: path_.e:=t; endfor -%%% if cycle path_.l: cyclestroke_ -%%% else: filldraw path_.l -- reverse path_.r -- cycle fi enddef; -% -%def penstrike text t = -% forsuffixes e = l,r: path_.e:=t; endfor -% if cycle path_.l: cyclestroke_ -% else: fill path_.l -- reverse path_.r -- cycle; -% draw path_.l -- reverse path_.r -- cycle fi enddef; - -def flagshape(suffix i) (expr width, height, thick, - thin, shiftx, shifty, flagsense) = - pair intersectionp; % .1 - penpos[i](thick+blacker, 90); % - penpos[i+1](3.25thin+blacker, 70);% .2 - penpos[i+3](thin, -45); % - x[i] = rt shiftx; % .3 - y[i] = height+shifty-thick/2; % - x[i+1] = shiftx+3/8width; % .4 - y[i+1] = height+shifty-.95thick; % - x[i+2] = shiftx+width-thin/2; - y[i+2] = height+shifty-2thick; - x[i+3] = shiftx-thin/2+0.6width; - y[i+3] = shifty; - if i>1: intersectionp = z[i-2]; else: intersectionp = z[i+3]; fi; - if flagsense>0: - penpos[i+2](1.25thin+blacker, 35); - else: - penpos[i+2](1.05thin+blacker, 0); - fi; - penstroke z[i]e..z[i+1]e..z[i+2]e{down}..intersectionp; -%{{{ - currentpen:= pencircle; - draw lft z[i]..z[i+1]..z[i+2]{down}..intersectionp; -%}}} - penlabels (range i thru i+3) -enddef; - -% Added by D. Taupin Jan 1993 -beginchar(14,0.5nhw#,0,0); "Song system limit up"; -%%%AE clearxy is already done by 'beginchar();' -% clear; - x1=y1=y2=0; 3x2=x3=3w; y3=nhh; - p:= z1---z2..z3; - pickup penrazor scaled med rotated 90; - draw p; -%{{{ - currentpen:= pencircle; - draw p; -%}}} - savepic; -endchar; - -beginchar(15,0.5nhw#,0,0); "Song system limit down"; - callpic; - mirror (origin, right); -endchar; - -for n:=1 upto 4: -%<<<>>>(0.5+0.1*n)*nhh# - beginchar(15+n, 4n*nhw#, 0, (0.5+0.1n)*nhh#); "Crescendo"; - pickup med_pen; - draw (0,(0.5+0.1n)*nhh)--(w,0)--(0,-d); - endchar; -endfor; - -for n:=1 upto 4: -%<<<>>>(0.5+0.1*n)*nhh# - beginchar(19+n, 4n*nhw#, 0, (0.5+0.1n)*nhh#); "Decrescendo"; - pickup med_pen; - draw (w,(0.5+0.1n)*nhh)--(0,0)--(w,-d); - endchar; -endfor; - -%%%%%%%%%%% -% accents % -%%%%%%%%%%% -dely:=1.15nhh+.2pt; - -%%%AE 'fill fullcircle' is faster and produce 'nicer' circles -beginchar(24, nhw#, nhh#, 0); "Point au-dessus de la note"; - fill fullcircle scaled thick shifted (.5w, dely); - savepic; -endchar; - -beginchar(25, nhw#, 0, nhh#); "Point au-dessous de la note"; - callpic; - mirror (origin, right); -endchar; - -beginchar(26, nhw#, nhh#, 0); "Barre au-dessus de la note"; -%%%AE faster - fill unitsquare xscaled w yscaled 1.25med shifted (0,dely-.625med); - savepic; -endchar; - -beginchar(27, nhw#, 0, nhh#); "Trait au-dessous de la note"; - callpic; - mirror (origin, right); -endchar; - -beginchar(28, nhw#, nhh#, 0); "Accent (pizz.) au-dessus de la note"; - rayon:= thin+.1nhh; - z1=(0.5w,w+rayon); - z2=(0.5w-rayon,w); - z3=(0.5w,w-0.45nhh); - z4=(0.5w+rayon,w); - fill z3--z4{up}..z1..{down}z2--cycle; - savepic; -endchar; - -beginchar(29, nhw#, 0, nhh#); "Accent (pizz.) au-dessous de la note"; - callpic; - mirror (origin, right); -endchar; - -%%%AE why 1.5nhh ??? -beginchar(30, nhw#, 1.5nhh#, 0); "Accent (sforz.) au-dessus de la note"; - pickup med_pen; - draw (-.2w, 1.6nhh)--(1.2w, 1.3nhh)--(-.2w, nhh); - savepic; -endchar; - -beginchar(31, nhw#, 0, nhh#); "Accent (sforz.) au-dessous de la note"; - callpic; - mirror (origin, right); -endchar; - -%%%%%%%%% -% breve % -%%%%%%%%% -def breve = - fill unitsquare xscaled w yscaled .5h shifted (0,.25h); - add_mirror (origin, right); - nh:= .7nhh; - pickup thin_pen; - draw (0,nh)--(0,-nh); draw (w,nh)--(w,-nh); -enddef; - -%<<<>>>.7nhh# -beginchar(32, nhw#, 0.5nhh#, 0.5nhh#); "Breve"; - breve; -endchar; - -beginchar(33, nhw#, .5nhh#, .5nhh#); "Quarter note"; - w:=w+2thinwidth; -%%%AE a little bit smaller, because a quarter note -% seems to be thicker as an half note - drawnoteb(w, .99h, 0, 90, 20, w/2, h); -endchar; - -beginchar(34, nhw#, .5nhh#, .5nhh#); "Half note"; - w:=w+2thinwidth; - drawnoteb(w, h, 0, 90, 20, thin, thick); -endchar; - -beginchar(35,1.5nhh#, .5nhh#, .5nhh#); "Whole note"; - drawnotew(w, h, 0, 30, 1.3thick, 1.75thin); -endchar; - -%<<<>>>.7nhh# -beginchar(36, 2nhw#, 0.5nhh#, 0.5nhh#); "Semi-breve"; - breve; -endchar; - -beginchar(37, apog_nhw#, .5apog_nhh#, .5apog_nhh#); "Small quarter note"; - w:=w+2thinwidth; - drawnoteb(w, .99h, 0, 90, 20, w/2, h); -endchar; - -%beginchar(38, apog_nhw#, .5apog_nhh#, .5apog_nhh#); "Small half note"; -% w:=w+2thinwidth; -% drawnoteb(w, h, 0, 90, 20, thin, apog_fact*thick); -%endchar; - -def doublesharp (expr high)= - clear; - x4= .5w; y4=high; - x1=w-x7=.5w+1/25nhh; y1=y7=0; - x2=w-x6=.51w+thin; y2=y6=.3y4; - x3=w-x5=.58w+thin; y3=y5=.6y4; - t:= identity rotatedaround ((.5w, 0), 90); - fill (z1{up}..z2..z3..{nw}z4 & z4{sw}..z5..z6..{down}z7--z1--cycle) - rotatedaround ((.5w, 0), 45); - addto currentpicture also currentpicture transformed t; - addto currentpicture also currentpicture transformed (t transformed t); - labels (1,2,3,4,5,6,7) -enddef; - - -beginchar(38, nhw#, nhh#, nhh#); "Circled doublesharp"; - doublesharp (.62w); - pickup thin_pen; - draw (0,0){up}..{right}(0.5nhw,0.5nhw).. - {down}(nhw,0)..{left}(0.5nhw,-0.5nhw)..cycle; -endchar; - - - -% beginchar(39, 1.5apog_nhh#, .5apog_nhh#, .5apog_nhh#); "Small full note"; -% drawnotew(w, h, 0, 30, apog_fact*1.3thick, 1.5thin); -% endchar; - -% -beginchar(39, nhw#, nhh#, nhh#); "Bongo cross"; - pickup pencircle scaled med; - draw (0,0)--(nhw,0); - draw (0.5nhw,-0.5nhw) -- (0.5nhw,0.5nhw) -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% general parameters for flags % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -flagw:=0.8nhw; -flagthick:=nhh; -flagthin:=5thinwidth; - -def cflag (expr sense) = - flagshape(1, flagw, h, flagthick, flagthin, 0, 0, sense); - if sense<0 : mirror ((0,h/2), (1,h/2)); fi -enddef; - -def flagloop (expr sense, doitagain) = - flagshape(1, flagw, 2.50flagthick, 2/3flagthick, - flagthin, 0, 0, sense); - for xyz:=1 upto doitagain: - flagshape([4xyz+1], flagw, 2.25flagthick, 2/3flagthick, - flagthin, 0, (.75xyz+.25)*flagthick, sense); - endfor; - if sense<0 : mirror ((0,h/2), (1,h/2)); fi -enddef; - -def ccflag (expr sense) = flagloop(sense, 1) enddef; -def cccflag (expr sense) = flagloop(sense, 2) enddef; -def ccccflag (expr sense) = flagloop(sense, 3) enddef; -def cccccflag (expr sense) = flagloop(sense, 4) enddef; - -beginchar(40, 0, 3nhh#, 0); "1/8flag down"; - cflag(1); - savepic; -endchar; - -% Acciacaturra, added by D.Taupin Jan 93. -% idem mais avec barre (appogiature) -beginchar(12, 0, 3nhh#, 0); "Acciacaturra stem up"; - callpic; - pickup med_pen; - x1=-0.25nhw; y1=0.2h; x2=1.1nhw; y2=y1+0.6(x2-x1); - draw z1--z2; -endchar; - -beginchar(41, 0, 3.25nhh#, 0); "1/16flag down"; - ccflag(1); -endchar; - -beginchar(42, 0, 4.00nhh#, 0); "1/32flag down"; - cccflag(1); -endchar; - -beginchar(43, 0, 4.75nhh#, 0); "1/64flag down"; - ccccflag(1); -endchar; - -beginchar(44, 0, 5.50nhh#, 0); "1/128flag down"; - cccccflag(1); -endchar; - -%%% -% flags up should be wider -%%% -flagw:=nhw; - -beginchar(45, 0, 3nhh#, 0); "1/8flag up"; - cflag(-1); - savepic; -endchar; - -% added by D.Taupin Jan 93. -% idem mais avec barre (appogiature) -beginchar(13, 0, 3nhh#, 0); "Acciacaturra stem down"; - callpic; - pickup med_pen; - x1=-0.25nhw; y1=1.6nhh; x2=1.2nhw; y2=y1+0.6(x2-x1); - draw z1--z2; -endchar; - -beginchar(46, 0, 3.25nhh#, 0); "1/16flag up"; - ccflag(-1); -endchar; - -beginchar(47, 0, 4.00nhh#, 0); "1/32flag up"; - cccflag(-1); -endchar; - -beginchar(48, 0, 4.75nhh#, 0); "1/64flag up"; - ccccflag(-1); -endchar; - -beginchar(49, 0, 5.50nhh#, 0); "1/128flag up"; - cccccflag(-1); -endchar; - -%%%%%%%%%%%%%%% -% accidentals % -%%%%%%%%%%%%%%% -def flat (expr reduction, shiftx, flatsense) = - clear; - fthick:= reduction*s; - penpos4(4/3fthick+blacker,0); % 1 - penpos3(1/2fthick+blacker,-90);% - penpos6(4/7fthick+blacker,90); % 6 - penpos2(.1thinwidth, 180); % / \ - x1 = x2 = x3 = x5 = fthick; % 2 4 - y1 = 6fthick; y2l= 0.5y4; % / - y3l=-2fthick; y5= y3r; % 3,5 - x4 = 3.6fthick; y4 = 0.1fthick; - y6r= 2fthick; x6= 0.5(x2+x4); - t:=identity shifted (shiftx,0); - p:= (z1--z5) transformed t; - pickup penrazor scaled (2sind40*thin) rotated 40; - draw p; -%{{{ - currentpen:= pencircle; - draw p; -%}}} - penstroke (z2e..{right}z6e..z4e{sw+down}..{sw}z3e) transformed t; - if flatsense<0: mirror (z5 transformed t, z1 transformed t); fi; - penlabels (1,2,3,4,5,6) -enddef; - -%<<<>>> 2nhh# -beginchar(50, nhw#, 1.5nhh#, 1.5nhh#); "Flat"; - flat (1, 0, 1); - savepic; -endchar; - -%<<<>>> 2nhh# -beginchar(51,1.7nhw#, 1.5nhh#, 1.5nhh#); "Doubleflat"; - callpic; - addto currentpicture also currentpicture shifted (.7nhw, 0); -endchar; - -def sharp = - clear; - reduction:=w/0.8nhw; - sthick:= .5reduction*thick; - y1 =-y7= h-1.5sthick; y2 =-y8 = .5sthick-h; - x1 = x2 = y3 = -y6 = w-x7 = w-x8 = 2sthick; - y4 =-y5 = y3 + 3sthick; - x3 = x5 = 0; x4 = x6 = w; - pickup penrazor scaled thin rotated angle(z4-z3); - draw z1--z2; draw z8--z7; -%{{{ - currentpen:= pencircle; - draw z1--z2; draw z8--z7; -%}}} - pickup penrazor scaled 3sthick rotated 90; - draw z3--z4; draw z5--z6; - labels (range 1 thru 8) -enddef; - -beginchar(52, 0.8nhw#, 1.5nhh#, 1.5nhh#); "Sharp"; - sharp; -endchar; - -%<<<>>>.5nhw# -beginchar(53, nhw#, nhh#, nhh#); "Doublesharp"; - doublesharp (.65w); -endchar; - -def natural = - clear; - reduction:=w/0.8nhw; - nthick:= 3/4reduction*thick; - x1 = x2 = x3 = nthick; - x5 = x6 = x4 = w-x1; - y1 = -y6 = h; - y2 = -y5 = 1.6nthick; - y4 = -y3 = y2+4/3nthick; - pickup penrazor scaled thin rotated angle(z4-z2); - draw lft z1--bot lft(x3,y3-nthick); - draw top rt(x4,y4+nthick)--rt z6; -%{{{ - pickup pencircle; - draw lft z1--lft(x3,y3-nthick); - draw rt(x4,y4+nthick)--rt z6; -%}}} - pickup penrazor scaled 2nthick rotated 90; - draw z2--z4; draw z3--z5; - labels(1,2,3,4,5,6) -enddef; - -beginchar(54, 0.8nhw#, 1.5nhh#, 1.5nhh#); "Natural"; - natural; -endchar; - -%<<<>>> 2nhh# -beginchar(55, nhw#, 1.5nhh#, 1.5nhh#); "1/4 flat"; - flat (1, 0.65nhw, -1); -endchar; - -%<<<>>> 2nhh# -beginchar(56, 1.7nhw#, 1.5nhh#, 1.5nhh#); "3/4 flat"; - flat (1, 0.65nhw, -1); flat (1, 0.65nhw, 1); -endchar; - -beginchar(57, nhw#, .5nhh#, .5nhh#); "Gregorian notes"; - fill (0.5w-0.8h,0)--(0.5w,h)--(0.5w+0.8h,0)--(0.5w,-h)--cycle; -endchar; - -beginchar(0, nhw#, .5nhh#, .5nhh#); "Gregorian diamond"; - fill (0,0)--(0.5w,0.5nhw)--(w,0)--(0.5w,-0.5nhw)--cycle; -endchar; - -beginchar(1, 0.71*nhw#, .5nhh#, .5nhh#); "Gregorian square"; - fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle; -endchar; - -beginchar(2, 0.71*nhw#, .5nhh#, .5*nhh#); "Gregorian square left"; - fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle; - pickup thin_pen; - draw (0.5thin,0.355nhw-thin)--(0.5thin,-1.5nhh+0.5thin); -endchar; - -beginchar(3, 0.71*nhw#, .5nhh#, .5nhh#); "Gregorian square right"; - fill (0,0.355nhw)--(w,0.355nhw)--(w,-0.355nhw)--(0,-0.355nhw)--cycle; - pickup thin_pen; - draw (w-0.5thin,0.355nhw-thin)--(w-0.5thin,-1.5nhh+0.5thin); -endchar; - -beginchar(4, nhw#, 3nhh#, 0); "Gregorian C clef"; - fill (0,2nhh+0.8nhh)..{right}(0.5w,2nhh+nhh)--(w,2nhh+nhh)-- - (w,2nhh+0.3nhh)--(0.5w,2nhh+0.3nhh){left}..(0,2nhh+0.1nhh)--cycle; - fill (0,2nhh-0.8nhh)..{right}(0.5w,2nhh-nhh)--(w,2nhh-nhh)-- - (w,2nhh-0.3nhh)--(0.5w,2nhh-0.3nhh){left}..(0,2nhh-0.1nhh)--cycle; - pickup thin_pen; - draw (0.5thin,2.5nhh)--(0.5thin,1.5nhh); -endchar; - -%%%%%%%%% -% rests % -%%%%%%%%% -beginchar(58,1/2nhw#, 3nhh#, 0); "Dp"; - fill unitsquare xscaled w yscaled 1/3h shifted (0, 2/3h); -endchar; - -beginchar(59,1/2nhw#, 3nhh#, 0); "Ddp"; - fill unitsquare xscaled w yscaled 2/3h shifted (0, 1/3h); -endchar; - -beginchar(60, nhw#, 3nhh#, 0); "Full rest"; - fill unitsquare xscaled w yscaled .5nhh shifted (0,h-.5nhh); -endchar; - -%<<<>>> 2.5nhh# -beginchar(61, nhw#, 3nhh#, 0); "Half rest"; - fill unitsquare xscaled w yscaled .5nhh shifted (0,h-nhh); -endchar; - -beginchar(62, nhw#, 4nhh#, 0); "Quarter rest"; - rthin:= 1/8 nhh; % .1 - rthick:= 2 thick+rthin; % .2 - alpha:= -50; % .3 - penpos1 (rthin, 90+alpha); % .4 - penpos5 (rthin, alpha); % .5,10 - penpos2 (rthick, alpha); % .6 - penpos4 (rthick, alpha); % - penpos3 (3/4rthick, alpha);% .7 - penpos6 (4/3thick, alpha); - penpos7 (rthin, 45); - y1l = h - 2s; - x1l = 2s; - z2r = z1 +(nhh* right) rotated alpha; - z3 = 1/2[z2,z4]; - z4 = (w,h) scaled .55; - z5 = z4l+(nhh* right) rotated alpha; - x6l = x4l; y6r = 1.45nhh; - x7 = 0.9w; y7= nhh-.5s; - z10 = z5r shifted (sqrt(2)*rthin/4,sqrt(2)*rthin/4); - - pickup penrazor scaled rthin rotated 45; - draw z1--z2r; draw z4l--z10; - penstroke z2e..z3e..z4e; - penstroke z5e..z6e..z7e; - penlabels(1,2,3,4,5,6,7,10); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Quaver rest and submultiples. % -% Ross Mitchell, January 1993 % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%% -% Draw the crook needed for quaver rests and shorter. -% The crook extends left from the point z.i on the stem. -%%% -def crook(suffix i)= - x3:=x.i-6.5fact; y3:=top y.i-3.0fact; - x4:=x.i-6.0fact; y4:= y.i+0.5fact; - draw z.i{dir 240}..{dir 160}z3; - filldraw z3{dir 160}..z4{dir-20}..{dir 160}z3..cycle -enddef; - -beginchar(63, 2nhh#, 3nhh#, 0); "Quaver rest"; - z1=(nhh,nhh); - z2-z1=whatever*dir 70; % Angle the stem at 70 degrees. -%%% -% Define the scaling factor `fact' implicitly. -% This value will be used for the shorter rests as well. -%%% - z2-z1=(5fact,1.7nhh); - pickup med_pen; - draw z1..z2; - crook(2); - penlabels (1,2,3,4); -endchar; - -beginchar(64,2nhh#, 3nhh#, 0); "Semiquaver rest"; - z1=(nhh,0); - z2-z1=whatever*dir 75; % Angle the stem at 75 degrees. - y2-y1=2.7nhh; - z5-z2=whatever*(z1-z2); y5=y2-nhh; - pickup med_pen; - draw z1..z2; - crook(2); crook(5); - penlabels (1,2,3,4,5); -endchar; - -beginchar(65,2nhh#, 4nhh#, 0); "Demisemiquaver rest"; - z1=(nhh,0); - z2-z1=whatever*dir 80; % Angle the stem at 80 degrees. - y2-y1=3.7nhh; - z5-z2=whatever*(z1-z2); y5=y2-nhh; - z6-z2=whatever*(z1-z2); y6=y5-nhh; - pickup med_pen; - draw z1..z2; - crook(2); crook(5); crook(6); - penlabels (1,2,3,4,5,6); -endchar; - -%<<<>>> 5nhh# -beginchar(66,2nhh#, 4.75nhh#, 0); "Hemidemisemiquaver rest"; - z1=(nhh,0); - z2-z1=whatever*dir 82; % Angle the stem at 82 degrees. - y2-y1=4.7nhh; - z5-z2=whatever*(z1-z2); y5=y2-nhh; - z6-z2=whatever*(z1-z2); y6=y5-nhh; - z7-z2=whatever*(z1-z2); y7=y6-nhh; - pickup med_pen; - draw z1..z2; - crook(2); crook(5); crook(6); crook(7); - penlabels (1,2,3,4,5,6,7); -endchar; - -%%%%%%%%%%%%% -% ornaments % -%%%%%%%%%%%%% -beginchar (67, 2nhw#, nhh#, 0); "Ornament"; - x1=w-x6=0.2w; y1r=h; y6=h-y1; - x2r=0; y2=0.5h; x5=w-x2; y5=h-y2; - x3=0.22w; y3r=0; x4=w-x3; y4=h-y3; - penpos1 (med, 90); - penpos2 (med, 180); - penpos3 (thick,-40); - penpos4 (thick,-40); - penpos5 (med, 180); - penpos6 (med, 90); - penstroke z1e..{down}z2e{down}..{right}z3e{right} - ..{right}z4e{right}..{down}z5e{down}..z6e; - fill fullcircle scaled (s+thick) shifted (x1,y1r-thick); - fill fullcircle scaled (s+thick) shifted (x6,y6l+thick); - penlabels(1,2,3,4,5,6); - savepic; -endchar; - -beginchar (68, 2nhw#, nhh#, 0); "Ornament"; - callpic; - mirror ((.5w,0), (.5w,1)); -endchar; - -%<<<>>>3.5apog_nhh# -beginchar(69, apog_nhw#, 3.25apog_nhh#, .5apog_nhh#); "Appogiature stem up"; - flagshape(1,0.8w, 3apog_nhh, apog_nhh, 4thinwidth, w, 0.5apog_nhh, 1); - clear; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - clear; - pickup pencircle scaled .8med; - draw (w-2thinwidth,0)--(w-2thinwidth,3.5apog_nhh); - x1=-0.1w; y1=0.6apog_nhh; x2=2w; y2=y1+0.6(x2-x1); - draw z1--z2; -endchar; - -beginchar(70, apog_nhw#, 0.5apog_nhh#, 3.5apog_nhh#); "Appogiature stem down"; - flagshape(1,w, 3apog_nhh, apog_nhh, 4thinwidth, 0.2pt, apog_nhh, -1); - mirror ((0,h/2), (1,h/2)); - clear; - drawnoteb(w, 0.5apog_nhh, 0, 90, 20, w/2, apog_nhh/2); - pickup pencircle scaled .8med; - draw (2thinwidth,0)--(2thinwidth,-d); - clear; - x1=-0.3w; y1=-1.6apog_nhh; x2=1.3w; y2=y1+0.6(x2-x1); - draw z1--z2; -endchar; - -%%%%%%%%% -% clefs % -%%%%%%%%% -def violin(expr reduction) = - clear; - gx:=reduction*-nhw; - gy:=reduction*nhh; - gthick:=1.6reduction*thick; - gthin:=.95reduction*med; - - x1=x4=23/24gx+w; x2=x10=3/4gx+w; x3r=w; x8l=7/8gx+w; - x5=x11r=2gx+w; x6=gx+w; x7=1/2gx+w; x9=5/4gx+w; - y1=3/8gy; y2=y5=2gy; y3=gy; y4r=0; y6=27/8gy; - y7l=21/4gy; y8l=23/4gy; y9=17/4gy; y10=y11=-7/8gy; - penpos1(gthin,180); - penpos2(gthick,90); - penpos3(gthick,0); - penpos4(5/4gthin,-90); - penpos5(11/8gthick,110); - penpos6(5/4gthick,120); - penpos7(4/5gthin,-140); - penpos8(5/4gthick,-80); - penpos9(3/8gthick,0); - penpos10(gthin,0); - penpos11(1/2gthick,180); - penstroke z1e{left}..z2e..z3e..z4e..z5e{up+ne}..z6e..{up+nw}z7e - ..z8e{sw}..{down}z9e{down}..{down}z10e..z11e; -%{{{ - currentpen:= pencircle; - draw z3..z4..z5{up+ne}..z6..{up+nw}z7 - ..z8{sw}..{down}z9{down}..{down}z10..z11; -%}}} - fill fullcircle scaled (3(x2-x1)) shifted (x11+11/40gy, y11); - penlabels(range 1 thru 11) -enddef; - -%<<<>>> 6nhh# -beginchar(71,3.25nhw#, 5.50nhh#, 2nhh#); "G-clef"; - violin(1); -endchar; - -%<<<>>> 6nhh# -beginchar(72,2.60nhw#, 5.50nhh#, 2nhh#); "small G-clef"; - violin(0.8); -endchar; - -% clef de fa par D. Taupin -def bass (expr reduction) = - clear; - x2=0.80reduction*nhw; y2=3nhh; - x1=x2r+1.25reduction*s; y1=y2; - x3=x2+0.71reduction*nhw; y3=y2+reduction*nhh; - x4=x3+0.71reduction*nhw; y4=y2-0.2reduction*nhh; - x6=x2-6reduction*thinwidth; y6=y2-2.2reduction*nhh; - x7=x4+0.50reduction*nhw; x8=x7; - y7=y2+0.38reduction*nhh; y8=y2-0.38reduction*nhh; - - penpos2(.6thick*reduction,180); - penpos3(.6thick*reduction, 90); - penpos4(2thick*reduction,0); - penpos6(.4thick*reduction,-10); - - penstroke(z2e{up}..{right}z3e{right}..{down}z4e{down} - ..{left+0.1down}z6e); -%{{{ - currentpen:= pencircle; - draw (z2{up}..{right}z3{right}..{down}z4{down}..{left+0.1down}z6); -%}}} - fill fullcircle scaled (2(x2r-x1)) shifted z1; - fill fullcircle scaled 1.7s shifted z7; - fill fullcircle scaled 1.7s shifted z8; - penlabels(1,2,3,4,6) -enddef; - -beginchar(73, 3nhw#, 4nhh#, 0); "F-clef"; - bass(1.0); -endchar; - -beginchar(74, 2.4nhw#, 4nhh#, 0); "small F-clef"; - bass(0.8); -endchar; - -def alt(expr reduction, yshift) = - clear; - nh:=h*reduction; - athick:=1/10nh; - ahigh:=1/2nh; - - x4=13/16nh+3thinwidth; x5=9/16nh; - x6=1/2nh; x9=x10=2/3nh; x11=17/32nh; - y4=yshift+31/50ahigh; y5=yshift+1/2ahigh; - y6=yshift; y9=yshift+1/9ahigh; - y10=yshift+ahigh; y11=yshift+11/14ahigh; - penpos4(athick,180); - penpos5(1/8athick,0); - penpos6(athick,0); - penpos9(1/3athick,90); - penpos10(1/3athick,-90); - penpos11(1/2athick,0); - - penstroke z5e..{sw+down}z6e; - penstroke z5e{se+3down}..{right}z9e{right}..{up}z4e{up} - ..{left}z10e{left}..{sw+3down}z11e; - fill fullcircle scaled (5/2thick*reduction) - shifted (x11l+5/4thick*reduction, y11-.05nhh); - fill unitsquare xscaled athick yscaled ahigh - shifted (5/16nh-1/2athick,yshift); - fill unitsquare xscaled 1/4athick yscaled ahigh - shifted (x6l-1/4athick,yshift); - add_mirror ((0,yshift),(1,yshift)); - penlabels(4,5,6,9,10,11) -enddef; - -beginchar(75,3.5nhw#, 4nhh#, 0); "Alto clef"; - alt(1, 2nhh); - savepic; -endchar; - -beginchar(76,2.8nhw#, 4nhh#, 0); "small Alto clef"; - alt(0.8 ,2nhh); -endchar; - -%%%%%%%%%%%%% -% drum clef % (by Andreas Egler) -%%%%%%%%%%%%% -beginchar(77, 3nhw#, 4nhh#, 0); - fill unitsquare xscaled .5nhw yscaled 2nhh shifted (.5nhw,1nhh); - fill unitsquare xscaled .5nhw yscaled 2nhh shifted (1.5nhw,1nhh); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% this sign is sometimes used % -% to indicate a (randomly played) % -% tremolo accord (ragtime, boogie) % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(78, 0, 3nhh#, 0); - clear; - x1=-x2=-.5nhw; y1=1nhh; y2=1.6nhh; - pickup med_pen; - for i=0 upto 4: draw (z1--z2) shifted (0,.4nhh*i); endfor; - labels (1,2); -endchar; - - -%%%%%%%%%% -% shaker % -%%%%%%%%%% -beginchar(79, nhw#, nhh#, nhh#); - x1=x4=y2=y4=0; y1=-0.6nhh; x2=x3=w; y3=0.6nhh; - fill z1--z2--z3--z4--cycle; - labels (1,2,3,4); -endchar; - - -%%%%%%%%%%%%%%%%% -% special signs % -%%%%%%%%%%%%%%%%% -%<<<>>>1.25nhh# -beginchar(80, 2nhw#, 1.5*apog_nhh#, 0); "Fermate up"; - x1 = y1 = y3 = 0; - y2r = 1.5nhh; 2x2l = x3 = w; - penpos1(med,180); - penpos2(1.3thick,90); - penpos3(med,0); - penstroke z1e..z2e..z3e; - fill fullcircle scaled 1.3thick shifted (.5w, .65thick); - savepic; - penlabels(1,2,3); -endchar; - -beginchar(81, 2nhw#, 0, 1.25nhh#); "Fermate down"; - callpic; - mirror (origin, right); -endchar; - -beginchar(82, 2nhh#, 3nhh#, 0); "Allabreve"; - 2x2 = 2x4 = x1 + 2s = w; - x3r = 0; 2y1 = 3y2 = y4r = h; - y3r = 2/3h; x5 = w -2s; y5 = h -2s; - z6r = z5r + (-0.1s, .2s); - penpos1(med, 0); - penpos2(med, -90); - penpos3(s+thick,180); - penpos4(med, 90); - penpos5(med, 0); - penpos6(s+med,45); - penstroke z1e..z2e..z3e..z4e..z5e; -%{{{ - currentpen:= pencircle; - draw z1..z2..z3..z4..z5; -%}}} - fill fullcircle scaled 1.3thick shifted z6; - savepic; - - pickup med_pen; - draw (w/2, y2r-1/8h)--(w/2, y4r+1/8h); - penlabels(1,2,3,4,5,6); -endchar; - -beginchar(83, 2nhh#, 3nhh#, 0); "C"; - callpic; -endchar; - -beginchar(84, 2nhh#, 3nhh#, 0); "reverseC"; - callpic; - mirror ((w/2,0),(w/2,1)); -endchar; - -%%%%%%%%%%%%%%%%%% -% repeat symbols % -%%%%%%%%%%%%%%%%%% -beginchar(85, 2nhw#, 3nhh#, 0); "Repeat symbol"; - x2 = w-x4 = 1/6h; y2 = y4 = 1/2h; - x3 = x5 = 1/2w; y3 = h-y5 = 5/6h; - pickup pencircle scaled 1.25thin; - draw (0,h/2)--(w,h/2); draw (w/2,0)--(w/2,h); - pickup pencircle xscaled 1.2thick yscaled 1.25thin; - draw z2..z3..z4..z5..cycle; - labels (1,2,3,4); -endchar; - -%<<<>>>3nhw# -beginchar(86, 3nhw#, 4.75apog_nhh#, 0); "Repeat symbol"; - x6 = .75w; y6 = .9w; x8 = .4w; y8l = .95w; - x11= y11 = .5w; z10 = z11+(-s,s); - penpos8 (med, -90); - penpos10 (1.8thick, 25); - penpos11 (1.8thick, 25); - penstroke z8e{left}..{se}z10e..z11e; - fill fullcircle scaled 1.6thick shifted (z8l-(0, .8thick)); - fill fullcircle scaled thick shifted (.2w, .4w); - pickup penrazor scaled 0.8thick; - draw z6--z11; - addto currentpicture also currentpicture rotatedaround((.5w,.5w),180); - penlabels (8,9,11); -endchar; - -def pince (expr length)= - clear; - off:= w/2length; - nh:= .8nhh; - y1 = y3 = nh-y2 = nh-y4 = 1/5nh; - x1=-.5off; x2=x1+off; x3=x2+off; x4=x3+off; - pickup pensquare xscaled (thick+.15nhh) yscaled thin rotated 52; - p:= z1--z2--z3--z4; - for i=1 upto length: draw p shifted ((i-1)*2off,0); endfor -enddef; -%%%%%%%%%% Begin Andreas Egler's -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% full rest outside a staff % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(5, nhw#, nhh#, 0); - fill unitsquare xscaled w yscaled .5nhh shifted (0,-.5nhh); - fill unitsquare xscaled 1.8w yscaled med shifted (-.4w,-0.5med); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% half rest outside a staff % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(6, nhw#, nhh#, 0); - fill unitsquare xscaled w yscaled .5nhh; - fill unitsquare xscaled 1.8w yscaled med shifted (-.4w,-0.5med); -endchar; -%%%%%%%%%%%%%%%%%%%%% -% mordant with line % -%%%%%%%%%%%%%%%%%%%%% -beginchar(7, 1.8nhw#, apog_nhh#, 0); - pince(3); - pickup med_pen; - draw ((x1,0)--(x1,2h)) shifted (-.5thick,0); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -% mordant with hook ne % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(9, 1.8nhw#, apog_nhh#, 0); - pince(3); - pickup pencircle scaled .75med; - z5=2[z3,z4]-(.5thick,1/5nh); z6=z3 rotatedaround (z5,-90); - draw (z4..z5{z4-z3}..{z3-z4}z6) shifted 2(x4-x2,0); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -% mordant with hook nw % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(10, 1.8nhw#, apog_nhh#, 0); - pince(3); - pickup pencircle scaled .75med; - z5=1.75[z3,z2]-(x3-x1,0); z6=z1 rotatedaround (z5,90); - draw (z1..z5{z2-z3}..{z3-z2}z6) shifted -(.5thick, 1/5nh); -endchar; - -%%%%%%%%%%%%%%%%%%%%%%%% -% mordant with hook sw % -%%%%%%%%%%%%%%%%%%%%%%%% -beginchar(11, 1.8nhw#, apog_nhh#, 0); - pince(3); - pickup pencircle scaled .75med; - z5=1.5[z2,z1]-.75(.5thick,1/5nh); z6=z2 rotatedaround (z5,-90); - draw (z1..z5{z1-z2}..{z2-z1}z6); -endchar; -%%%%%%%%%% End Andreas Egler -%<<<>>> .8nhh# -beginchar(87, 1.2nhw#, apog_nhh#, 0); "Pince"; - pince(2); -endchar; - -%<<<>>> .8nhh# -beginchar(88, 1.8nhw#, apog_nhh#, 0); "???"; - pince(3); -endchar; - -%<<<>>> .8nhh# -beginchar(89, 1.2nhw#, apog_nhh#, 0); "Mordant"; - pince(2); - fill unitsquare xscaled med yscaled 2h shifted ((.5w-.5med),-.5h); -endchar; - -def arpeg (expr length)= - clear; - x1=.5w; y1=0; z2=z1+(0,.5nhh); z3=z1+(0,nhh); - pickup penrazor scaled (thick+.16nhh) rotated 46;% try 50 - callpic; - draw (z1{ne}..{nw}z2{nw}..{ne}z3) shifted (0, length*nhh); - savepic; - labels (1,2,3) -enddef; - -clearpic; -for jj=0 upto 9: -%<<<>>>(1+jj)*nhh# - beginchar(90+jj, 0.4nhw#, nhh#, 0); "Arpeggio"; - arpeg(jj); - endchar; -endfor; - -def trill (expr length)= - clear; - x1=0; y1=.5h; z2=z1+(.5nhw,0); z3=z1+(nhw,0); - pickup penrazor scaled 1.4thick rotated 48; - callpic; - draw (z1{ne}..{se}z2{se}..{ne}z3) shifted (length*nhw, 0); - savepic; - labels (1,2,3) -enddef; - -clearpic; -for jj=0 upto 9: -%<<<>>>0.45nhh# - beginchar(100+jj, (jj+1)*nhw#, 0.5nhh#, 0); "Trille"; - trill(jj); - endchar; -endfor; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% general parameters for small flags % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -flagw:=0.8nhw*apog_fact; -flagthick:=apog_nhh; -flagthin:=5thinwidth*apog_fact; - -beginchar(110, 0, 3apog_nhh#, 0); "Small 1/8flag down"; - cflag(1); -endchar; - -beginchar(111, 0, 3.25apog_nhh#, 0); "Small 1/16flag down"; - ccflag(1); -endchar; - -beginchar(112, 0, 4.00apog_nhh#, 0); "Small 1/32flag down"; - cccflag(1); -endchar; - -beginchar(113, 0, 4.75apog_nhh#, 0); "Small 1/64flag down"; - ccccflag(1); -endchar; - -beginchar(114, 0, 5.50apog_nhh#, 0); "Small 1/128flag down"; - cccccflag(1); -endchar; - -%%% -% flags up should be wider -%%% -flagw:=nhw*apog_fact; - -beginchar(115, 0, 3apog_nhh#, 0); "Small 1/8flag up"; - cflag(-1); -endchar; - -beginchar(116, 0, 3.25apog_nhh#, 0); "Small 1/16flag up"; - ccflag(-1); -endchar; - -beginchar(117, 0, 4.00apog_nhh#, 0); "Small 1/32flag up"; - cccflag(-1); -endchar; - -beginchar(118, 0, 4.75apog_nhh#, 0); "Small 1/64flag up"; - ccccflag(-1); -endchar; - -beginchar(119, 0, 5.50apog_nhh#, 0); "Small 1/128flag up"; - cccccflag(-1); -endchar; - -%%%%%%%%%%%%%%%%%%%%% -% small accidentals % -%%%%%%%%%%%%%%%%%%%%% -%<<<>>>2apog_nhh# -beginchar(120, apog_nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small flat"; - flat (apog_fact, 0, 1); - savepic; -endchar; - -%<<<>>>2apog_nhh# -beginchar(121,1.7*apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small doubleflat"; - callpic; - addto currentpicture also currentpicture shifted(0.7apog_fact*nhw,0); -endchar; - -beginchar(122, 0.8apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small sharp"; - sharp; -endchar; - -%<<<>>>.5nhw# -beginchar(123, apog_nhw#, apog_nhh#, apog_nhh#); "Small doublesharp"; - doublesharp(.75w); -endchar; - -beginchar(124, 0.8apog_fact*nhw#, 1.5apog_nhh#, 1.5apog_nhh#); "Small natural"; - natural; -endchar; - -beginchar(125,1.5nhh#, .5nhh#, .5nhh#); "Full note with | --> |O|"; - fill unitsquare xscaled thick yscaled nhh shifted (-4/5thick,-d); - add_mirror ((w/2, 0),(w/2, 1)); - drawnoteb(w, h, 0, 85, 0, 1.3thick, thin); -endchar; - -beginchar(126,0.6nhh#, 4nhh#, 0); "Repeat colons"; - fill fullcircle scaled 1.2thick shifted (0.5w, 3/8h); - add_mirror ((0, h/2),(1, h/2)); -endchar; - -%%%%%%%%%%% -% rimshot % -%%%%%%%%%%% -def caro (expr reduction)= - x1=w-w*reduction; y1=y3=0; x2=x4=w-.5w*reduction; - x3=w; -y2=y4=0.6nhh*reduction; - pickup thin_pen; - draw z1--z2; draw z3--z4; - pickup pencircle xscaled (.15nhw*reduction) yscaled thinwidth - rotated -45; - draw z2--z3; draw z4--z1; - labels (1,2,3,4); -enddef; - -beginchar(127, nhw#, nhh#, nhh#); - caro(.95); -endchar; - - -%%%AE some characters are 'kerned' and 'raised' by MusicTeX -% this can be done faster with modified fonts and -% as an additional advantage, there is more 'main memory' for -% future enhancements, for example: -% -%\def\w@coli{\selectinstr{\p@loop\raise\altportee -% \hbox to \z@{\hss\musicnorfont\char 126\hss}\n@portee\repeat}}% -% -% with -% -%beginchar(126, 0, 4nhh#, 0); "Repeat colons"; -% fill fullcircle scaled 1.2thick shifted (0, 3/8h); -% add_mirror ((0, h/2),(1, h/2)); -%endchar; -% -% becomes -% -%\def\w@coli{\selectinstr{\p@loop\raise\altportee -% \hbox{\musicnorfont\char 126}\n@portee\repeat}}% -% -% or -% -%\def\clefdesol{\hbox to 3.2\Interligne{\musickeyfont -% \kern -1.2\internote\hss\char"47\hss}}% -% -% with -% -%beginchar(71, 8/3nhw#, 5.50nhh#, 2nhh#); "G-clef"; -% violin(1); -%endchar; -% -% becomes -% -%\def\clefdesol{\hbox{\musickeyfont\char"47}}% -% -% or -% -%\def\d@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"3F}}% -% -% with -% -%beginchar(63, 2nhh#, 3nhh#, 0); "Quaver rest"; -% ... -% currentpicture:= currentpicture shifted (round(-0.3nhw), 0); -%endchar; -% -% becomes -% -%\def\d@soup{\hbox{\musicnfont\char"3F}}% -% -% and so on diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf deleted file mode 100644 index 6fd4e776ddf..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikn11.mf +++ /dev/null @@ -1,19 +0,0 @@ -%%% -% this is musicn11.mf -%%% - -font_identifier:="musicn11"; -font_coding_scheme:="UNSPECIFIED"; - -input musikd11 - -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; %fontdimen 5 -font_quad nhw#; %fontdimen 6 -%font_extra_space 0pt; - -input musikgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf deleted file mode 100644 index 7a73e707a00..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikn13.mf +++ /dev/null @@ -1,19 +0,0 @@ -%%% -% this is musicn13.mf -%%% - -font_identifier:="musicn13"; -font_coding_scheme:="UNSPECIFIED"; - -input musikd13 - -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; %fontdimen 5 -font_quad nhw#; %fontdimen 6 -%font_extra_space 0pt; - -input musikgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf deleted file mode 100644 index b5aeebdb70a..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikn16.mf +++ /dev/null @@ -1,19 +0,0 @@ -%%% -% this is musicn16.mf -%%% - -font_identifier:="musicn16"; -font_coding_scheme:="UNSPECIFIED"; - -input musikd16 - -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; %fontdimen 5 -font_quad nhw#; %fontdimen 6 -%font_extra_space 0pt; - -input musikgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf b/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf deleted file mode 100644 index 3f56be5c445..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/musikn20.mf +++ /dev/null @@ -1,19 +0,0 @@ -%%% -% this is musicn20.mf -%%% - -font_identifier:="musicn20"; -font_coding_scheme:="UNSPECIFIED"; - -input musikd20 - -%font_slant 0; -%font_normal_space 0pt; -%font_normal_stretch 0pt; -%font_normal_shrink 0pt; -font_x_height nhh#; %fontdimen 5 -font_quad nhw#; %fontdimen 6 -%font_extra_space 0pt; - -input musikgen -end diff --git a/Master/texmf-dist/fonts/source/public/musictex/slur16.mf b/Master/texmf-dist/fonts/source/public/musictex/slur16.mf deleted file mode 100644 index 04d83c01173..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slur16.mf +++ /dev/null @@ -1,230 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) -input musicdef -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN UND (DE)CRESCENDO % -% % -% (Phrasierungsbogen und Bogen der Steigung 0) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -def drawslurs (expr st) = - save i, factor, longueur, height; - numeric i, absp, longueur, height, factor; - factor:= 1/6; - for i= 0 upto 15: - longueur := (i+2)*nhw#; - height := 0 ; - - beginchar(i, longueur, height, 0); - clear; - z2r = (w,h); - z1l = origin; - absp := abs((-h,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2l+factor*(-h,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - % currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - penstroke z1e..z3e..z2e; %statt dir 30 - endchar; - endfor; -enddef; - -def drawslursneg (expr st) = - save i, factor, longueur, depth; - numeric i, absp, longueur, depth, factor; - factor:= 1/6; - for i=0 upto 15: - longueur := (i+2)*nhw#; - depth := longueur*st ; - - beginchar(16+i, longueur, 0, depth); - clear; - z2l = (w,-d); - z1r = origin; - absp := abs((d,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2l+factor*(d,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); -% currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - penstroke (z1e..z3e..z2e) rotatedaround(1/2z2r, 180); - endchar; - endfor; -enddef; - -def drawleftslur = - save i, longueur, height; - numeric i, longueur, height; - longueur := 9*nhw#; - for i = 1 upto 9: - height := (i+2)*1/2nhh# ; - beginchar(i-1+32, longueur, height, 0); - clear; - z2r = (w+4thinwidth,h); - z1l = origin; - penpos1(thinwidth,90); - penpos2(5/12beamht,90); -% currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - penstroke z1e..z2e{(2w,0)}; %statt dir 30 - endchar; - endfor; -enddef; - -def drawrightslur = - save i, longueur, height; - numeric i, longueur, height; - longueur := 9*nhw#; - for i= 1 upto 9: - height := (i+2)*1/2nhh#; - beginchar(i-1+48, longueur, height, 0); - clear; - z1r = (0-4\thinwidth,h); - z2l = (w,0); - penpos2(thinwidth,90); - penpos1(5/12beamht,90); -% currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - penstroke z1e{right}..z2e; %statt dir 30 - endchar; - endfor; -enddef; - -def drawleftslurneg = - save i, longueur, depth; - numeric i, longueur, depth; - longueur := 9*nhw#; - for i= 1 upto 9: - depth := (i+2)*1/2nhh# ; - beginchar(i-1+64, longueur, 0, depth); - clear; - z2l = (w+4thinwidth,-d); - z1r = origin; - penpos1(thinwidth,90); - penpos2(5/12beamht,90); - pickup pencircle scaled (1/16mm + blacker); - % currentpen := pencircle xscaled thinwidth yscaled beamht ; - penstroke z1e..z2e{(2w,0)}; %statt dir 30 - endchar; - endfor; -enddef; - -def drawrightslurneg = - save i, longueur, depth; - numeric i, longueur, depth; - longueur := 9*nhw#; - for i= 1 upto 9: - depth := (i+2)*1/2nhh#; - - beginchar(i-1+80, longueur, 0, depth); - clear; - z1l = (0-4\thinwidth,-d); - z2r = (w,0); - penpos2(thinwidth,90); - penpos1(5/12beamht,90); -% currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - penstroke z1e{right}..z2e; %statt dir 30 - endchar; - endfor; -enddef; - -%decrescendo und cresc. -def drawcrescendo = - save i, height, longueur, depth; - numeric i, longueur, height, depth; - for i= 0 upto 15: - longueur := (i+1)*nhw#; - depth := 1/2nhh# ; - height := depth ; - - beginchar(i+96, longueur, height, depth); - clear; - z1 = origin; - z2l = (w,h); - z3r = (w,-d); - penpos2(1/16mm,90); - penpos1(1/16mm,90); - penpos3(1/16mm,90); - pickup pencircle scaled (blacker); - penstrike z1e--z2e; - penstrike z1e--z3e; - endchar; - endfor; -enddef; - -def drawdecrescendo = - save i, height, longueur, depth; - numeric i, longueur, height, depth; - for i= 0 upto 15: - longueur := (i+1)*nhw#; - depth := 1/2nhh# ; - height := depth ; - - beginchar(i+112, longueur, height, depth); - clear; - z1l = (0,h); - z2 = (w,0); - z3r = (0,-d); - penpos2(1/16mm,90); - penpos1(1/16mm,90); - penpos3(1/16mm,90); - pickup pencircle scaled (blacker); - penstrike z3e---z2e; - penstrike z1e---z2e; -%label(1,2,3); - endchar; - endfor; -enddef; - -%%%%%%%%%%%%%%%%%%% -% Bogen nach oben % -%%%%%%%%%%%%%%%%%%% - -drawslurs(0); - -%%%%%%%%%%%%%%%%%%%% -% Bogen nach unten % -%%%%%%%%%%%%%%%%%%%% - -drawslursneg(0); - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% linge Halbboegen nach oben % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawleftslur; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% rechte Halbboegen nach oben % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawrightslur; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% linke Halbboegen nach unten % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawleftslurneg; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% rechte Halbboegen nach unten % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawrightslurneg; - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% Crescendo und Decrescendo % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawcrescendo; -drawdecrescendo; - - -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf deleted file mode 100644 index 2bf325cfeb8..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurdd16.mf +++ /dev/null @@ -1,41 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) -input musicdef -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN (KONKAV) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - -def drawslursneg (expr i, j) = - save jj, factor, longueur, depth; - numeric jj, absp, longueur, depth, factor; - factor:= 1/6; - longueur := j*nhw#; - depth := i*1/2nhh#; - if j<4 : jj := (j*(j-1)+(i-1))*8 - else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi; - beginchar(jj, longueur, 0, depth); - clear; - z2r = (w,-d); - z1l = origin; - absp := abs((d,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2r+factor*(d,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - currentpen := pencircle xscaled thinwidth yscaled beamht ; - penstroke (z1e..z3e..z2e) rotatedaround (1/2z2r,180); - endchar; -enddef; - -%%%%%%%%%%%%%%%%%%%%%%% -% negative Steigungen % -%%%%%%%%%%%%%%%%%%%%%%% - -for j= 1 upto 17: -for i= 1 upto min(2j,8): -drawslursneg(i,j); -endfor;endfor; -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf deleted file mode 100644 index 93f677d67bf..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurdu16.mf +++ /dev/null @@ -1,42 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) -input musicdef -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN (KONVEX) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - -def drawslursneg (expr i,j) = - save jj, factor, longueur, depth; - numeric jj, absp, longueur, depth, factor; - factor:= 1/6; - longueur := j*nhw#; - depth := i*1/2nhh#; - if j<4 : jj := (j*(j-1)+(i-1))*8 - else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi; - beginchar(jj, longueur, 0, depth); - clear; - % x2 = w; x1 = 0; - z2r = (w,-d); - z1l = origin; - absp := abs((d,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2r+factor*(d,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - currentpen := pencircle xscaled thinwidth yscaled beamht ; - penstroke (z1e..z3e..z2e); - endchar; -enddef; - -%%%%%%%%%%%%%%%%%%%%%%% -% negative Steigungen % -%%%%%%%%%%%%%%%%%%%%%%% - -for j= 1 upto 17: -for i= 1 upto min(2j,8): -drawslursneg(i,j); -endfor;endfor; -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf b/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf deleted file mode 100644 index 38f36742d75..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurgen.mf +++ /dev/null @@ -1,133 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN % -% % -% (Phrasierungsbogen und Bogen der Steigung 0) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -def drawslurs (expr st, hflag, istart) = - save i, factor, longueur, height, depth; - numeric i, absp, longueur, height, depth, factor, bnummer, quotum, quotum#; - factor:= 1/6; - if hflag = 0 : bnummer:=31; quotum#:=0.5*nhw#; quotum:=0.5*nhw; - else : bnummer:=15; quotum#:=nhw#; quotum:=nhw; - fi; - for i=0 upto bnummer: fulllength:=(i+1)*quotum#; - if hflag = 0 : longueur:= fulllength; - else : longueur:= fulllength/2; - fi; - - depth := 0 ; - - ww:= (i+1)*quotum; - hh:=0; - dd:=0; - absp := abs((-hh,ww)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - height := factor*fulllength; - -% modif Ian Collier - if (hflag=0) and (i mod 2 = 0): - height := height - factor*quotum# - fi; - - beginchar(istart+i, longueur, height, depth); - clear; - z2l = (ww,hh); - z1l = origin; - z3r = (ww/2,h); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - % currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - if hflag=0 : penstroke z1e..{right}z3e{right}..z2e; fi; - if hflag<0 : penstroke z1e..{right}z3e; fi; - if hflag>0 : - penstroke (z3e{right}..z2e) shifted (-ww/2,0); fi; - endchar; - endfor; -enddef; - -def drawslursneg (expr st, hflag, istart) = - save i, factor, longueur, height, depth; - numeric i, absp, longueur, height, depth, factor, bnummer, quotum, quotum#; - factor:= 1/6; - if hflag = 0 : bnummer:=31; quotum#:=0.5*nhw#; quotum:=0.5*nhw; - else : bnummer:=15; quotum#:=nhw#; quotum:=nhw; - fi; - for i=0 upto bnummer: fulllength:=(i+1)*quotum#; - if hflag = 0 : longueur := fulllength; - else : longueur:= fulllength/2; - fi; - height := 0 ; - - ww:= (i+1)*quotum; - hh:=0; - dd:=0; - absp := abs((dd,ww)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - depth:=fulllength*factor; - -% modif Ian Collier - if (hflag=0) and (i mod 2 = 0): - depth := depth - factor*quotum# - fi; - beginchar(istart+i, longueur, height, depth); - clear; - z2r = (ww,-dd); - z1r = origin; - z3l = (ww/2,-d); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); -% currentpen := pencircle xscaled thinwidth yscaled beamht ; - pickup pencircle scaled (1/16mm + blacker); - if hflag=0 : penstroke z1e..{right}z3e{right}..z2e; fi; - if hflag<0 : penstroke z1e..{right}z3e; fi; - if hflag>0 : - penstroke (z3e{right}..z2e) shifted (-ww/2,0); fi; - endchar; - endfor; -enddef; - -%%%%%%%%%%%%%%%%%%% -% Bogen nach oben % -%%%%%%%%%%%%%%%%%%% - -drawslurs(0,0,0); - -%%%%%%%%%%%%%%%%%%%% -% Bogen nach unten % -%%%%%%%%%%%%%%%%%%%% - -drawslursneg(0,0,32); - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% linke Halbboegen nach oben % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawslurs(0,-1,64); - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% rechte Halbboegen nach oben % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawslurs(0,1,80); - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% linke Halbboegen nach unten % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawslursneg(0,-1,96); - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% rechte Halbboegen nach unten % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -drawslursneg(0,1,112); - -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf deleted file mode 100644 index 3b42e09f668..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurn16.mf +++ /dev/null @@ -1,3 +0,0 @@ -input musicd16 -input slurgen - diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf b/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf deleted file mode 100644 index b83ddc75a72..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurn20.mf +++ /dev/null @@ -1,3 +0,0 @@ -input musicd20 -input slurgen - diff --git a/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf b/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf deleted file mode 100644 index 4a8b0d6a10f..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/slurud16.mf +++ /dev/null @@ -1,41 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) -input musicdef -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN (KONKAV) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - - -def drawslurs (expr i,j) = - save jj, factor, longueur, height; - numeric jj, absp, longueur, height, factor; - factor:= 1/6; - height := i*1/2nhh#; - longueur := j*nhw#; - if j<4 : jj := (j*(j-1)+(i-1))*8 - else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi; - beginchar(jj, longueur, height, 0); - clear; - z2r = (w,h); - z1l = origin; - absp := abs((-h,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2r+factor*(-h,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - currentpen := pencircle xscaled thinwidth yscaled beamht ; - penstroke (z1e..z3e..z2e) rotatedaround (1/2z2r,180); - endchar; -enddef; - -%%%%%%%%%%%%%%%%%%%%%%% -% positive Steigungen % -%%%%%%%%%%%%%%%%%%%%%%% - -for j= 1 upto 17: -for i= 1 upto min(2j,8): -drawslurs(i,j); -endfor;endfor; -end; diff --git a/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf b/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf deleted file mode 100644 index fe132ce67e0..00000000000 --- a/Master/texmf-dist/fonts/source/public/musictex/sluruu16.mf +++ /dev/null @@ -1,40 +0,0 @@ -% Change of length into longueur for new modes.mf (Nicolas Brouard 4/11/91) -input musicdef -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% % -% BOGEN (KONVEX) % -% % -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -def drawslurs(expr i,j) = - save jj,factor, longueur, height; - numeric jj, absp, longueur, height, factor; - factor:= 1/6; - height = i*1/2nhh#; - longueur = j*nhw#; - if j<4 : jj := (j*(j-1)+(i-1))*8 - else: jj := (i-1)*8+(j mod 2)*64+floor((j-2)/2);fi; - beginchar(jj, longueur, height, 0); - clear; - z2r = (w,h); - z1l = origin; - absp := abs((-h,w)); - if (factor*absp)>2nhh : factor:= 2nhh/absp fi; - z3r = 1/2z2l+factor*(-h,w); - penpos1(thinwidth,90); - penpos2(thinwidth,90); - penpos3(5/12beamht,90); - currentpen := pencircle xscaled thinwidth yscaled beamht ; - penstroke z1e..z3e..z2e; %statt dir 30 - endchar; -enddef; - -%%%%%%%%%%%%%%%%%%%%%%% -% positive Steigungen % -%%%%%%%%%%%%%%%%%%%%%%% - -for j= 1 upto 17: -for i= 1 upto min(2j,8): -drawslurs(i,j); -endfor;endfor; -end; diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm Binary files differdeleted file mode 100644 index f63412b9cfd..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn11.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm Binary files differdeleted file mode 100644 index 13a9f238007..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn13.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm Binary files differdeleted file mode 100644 index 5e075393f0b..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm Binary files differdeleted file mode 100644 index dea59418b3e..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/beamn20.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm Binary files differdeleted file mode 100644 index 5bfc2af27e0..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicbra.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm Binary files differdeleted file mode 100644 index e3893b2d22e..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicbrb.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm Binary files differdeleted file mode 100644 index ffe014fee2a..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn11.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm Binary files differdeleted file mode 100644 index e4ae6838de2..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn13.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm Binary files differdeleted file mode 100644 index 19908ee40c5..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm Binary files differdeleted file mode 100644 index 680573d289e..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musicn20.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm Binary files differdeleted file mode 100644 index ce71a5ee8c0..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn11.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm Binary files differdeleted file mode 100644 index 64bde630755..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn13.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm Binary files differdeleted file mode 100644 index deb3cee52fb..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm Binary files differdeleted file mode 100644 index e585a865e40..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/musikn20.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm Binary files differdeleted file mode 100644 index b26ad8bab95..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/slurdd16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm Binary files differdeleted file mode 100644 index b26ad8bab95..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/slurdu16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm Binary files differdeleted file mode 100644 index da105c141e2..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/slurn16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm Binary files differdeleted file mode 100644 index 151394b0117..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/slurn20.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm Binary files differdeleted file mode 100644 index 422fcbaca9f..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/slurud16.tfm +++ /dev/null diff --git a/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm b/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm Binary files differdeleted file mode 100644 index 422fcbaca9f..00000000000 --- a/Master/texmf-dist/fonts/tfm/public/musictex/sluruu16.tfm +++ /dev/null diff --git a/Master/texmf-dist/tex/generic/musictex/musicadd.tex b/Master/texmf-dist/tex/generic/musictex/musicadd.tex deleted file mode 100644 index 5867fb8165a..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicadd.tex +++ /dev/null @@ -1,111 +0,0 @@ -% -% MUSICADD.TEX version 4.81 October 1992 -\message{Version 5.02 -- February 28th, 1994}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 -% -\newcount\t@wvii -\newcount\t@wviii -\newcount\t@wix -\newcount\t@pvii\newcount\t@svii -\newcount\t@pviii\newcount\t@sviii -\newcount\t@pix\newcount\t@six -\newcount\t@px\newcount\t@sx -\newdimen\b@xvii\newdimen\b@zvii -\newdimen\b@xviii\newdimen\b@zviii -\newdimen\b@xix\newdimen\b@zix -\newdimen\b@xx\newdimen\b@zx -\newdimen\bb@xvii\newdimen\bb@zvii -\newdimen\bb@xviii\newdimen\bb@zviii -\newdimen\bb@xix\newdimen\bb@zix -\newdimen\bb@xx\newdimen\bb@zx -\newdimen\bbb@xvii\newdimen\bbb@zvii -\newdimen\bbb@xviii\newdimen\bbb@zviii -\newdimen\bbb@xix\newdimen\bbb@zix -\newdimen\bbb@xx\newdimen\bbb@zx -\newdimen\bbbb@zvii -\newdimen\bbbb@zviii -\newdimen\bbbb@zix -\newdimen\bbbb@zx -\newdimen\bbbbb@zvii -\newdimen\bbbbb@zviii -\newdimen\bbbbb@zix -\newdimen\bbbbb@zx -\newcount\b@pvii\newcount\b@nvii -\newcount\b@pviii\newcount\b@nviii -\newcount\b@pix\newcount\b@nix -\newcount\b@px\newcount\b@nx -\newcount\nbporteesvii -\newcount\nbporteesviii -\newcount\nbporteesix -% -\def\stafflinesnbvii{5} -\def\stafflinesnbviii{5} -\def\stafflinesnbix{5} -% -\def\clefdutvii{\clefdutsymbol} -\def\clefdutviii{\clefdutsymbol} -\def\clefdutix{\clefdutsymbol} -% -\def\clefdefavii{\clefdefasymbol} -\def\clefdefaviii{\clefdefasymbol} -\def\clefdefaix{\clefdefasymbol} -% -\def\clefdesolvii{\clefdesolsymbol}% -\def\clefdesolviii{\clefdesolsymbol}% -\def\clefdesolix{\clefdesolsymbol}% -% -\newcount\signvii -\newcount\signviii -\newcount\signix -% -\newcount\o@signvii -\newcount\o@signviii -\newcount\o@signix -% -\newtoks\cleftoksvii -\newtoks\cleftoksviii -\newtoks\cleftoksix -% -\newtoks\o@cksvii -\newtoks\o@cksviii -\newtoks\o@cksix -% -\newtoks\tempotoksvii -\newtoks\tempotoksviii -\newtoks\tempotoksix -% -\def\instrumentvii{}% -\def\instrumentviii{}% -\def\instrumentix{}% -% -\global\nbporteesvii=1\relax -\global\nbporteesviii=1\relax -\global\nbporteesix=1\relax -% -\global\cleftoksvii={{0}{0}{0}{0}}\relax -\global\cleftoksviii={{0}{0}{0}{0}}\relax -\global\cleftoksix={{0}{0}{0}{0}}\relax -% -\newtoks\metertoksvii -\newtoks\metertoksviii -\newtoks\metertoksix -% -\global\metertoksvii={{0}{0}{0}{0}}\relax -\global\metertoksviii={{0}{0}{0}{0}}\relax -\global\metertoksix={{0}{0}{0}{0}}\relax -% -\def\maxlegatenuti{9} -% -\newdimen\t@xvii\newdimen\t@zvii -\newdimen\t@xviii\newdimen\t@zviii -\newdimen\t@xix\newdimen\t@zix -\newdimen\t@xx\newdimen\t@zx - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - diff --git a/Master/texmf-dist/tex/generic/musictex/musicdoc.tex b/Master/texmf-dist/tex/generic/musictex/musicdoc.tex deleted file mode 100644 index 6a8db08dd6f..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicdoc.tex +++ /dev/null @@ -1,4118 +0,0 @@ -\documentstyle[twoside,multicol,musictex,musictrp,musicper,a4report,11pt]{report} - -\def\hboxit#1{\hbox{\vrule\vbox{\hrule\kern3pt - \hbox{\kern3pt\small\it #1\kern3pt}\kern3pt\hrule}\vrule}} -% -\def\tty{\csname normalshape\endcsname\csname mediumseries\endcsname\tt} -% -\def\text#1{\leavevmode\hbox{\rm #1}}% -%\check -\def\ital#1{{\sl #1\/}}% -\def\mutex{M\raise 2pt\hbox{\kern -1pt u\kern -1pt}\TeX} -\def\bslash{{\tty\char'134}}% -\def\unix{{\sc unix}}% -\def\Bslash{\tty\char'134}% -\def\|{{\tty\char'174}}% -\def\#{{\tty\char'043}}% -\def\{{{\char'173}}% -\def\}{{\char'175}}% -\def\musictex{Music\TeX}% -\def\musixtex{MusiX\TeX}% -\def\musicxx{\musictwenty} -\def\keyindex#1{\leavevmode - \hbox{\tty\bslash #1}\index{#1=\protect\tty\protect\bslash #1}} -\def\zkeyindex#1{\index{#1=\protect\tty\protect\bslash #1}} -\def\ixem#1{#1\index{#1}} -\def\itxem#1{\ital{#1}\index{#1}} -\def\aujourdhui{\today} -% -%\check -\tracingstats=1 -% -%%%% \input musicext : extracting the wanted macro - -\makeatletter - -\def\tmp@dimenb{\y@ii} -\newdimen\tmp@dimen -% \overbracket{p}{l}{s} draws a bracket over the music starting at the -% current position at pitch p, width l and slope s percent, causing no space. -\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick height \lthick - depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick - depth.8\Interligne}}} - -% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the -% bracket to cover n notes (note however that glue inserted by \temps -% commands will expand the space between the notes but will not affect the -% bracket). -% I use this macro to indicate triplets, for instance. - -\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}} - -% \underbracket and \unbkt are similar to the above, but produce -% brackets under the music. -\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick - height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick - height\Interligne}}} -\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick - \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick} - - -\newdimen\tmp@dimenc -\newdimen\z@iii\newdimen\z@iv\newdimen\z@v - -% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and -% height h. This will cause an unrecorded space so it should be used within -% \rlap. Note that this macro is a hack and probably gobbles up resources! -% This macro is used by some of the others which follow. - -\def\oblique#1#2#3{\relax % length slope height -\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax -\else\q@antum=25\lthick\divide\q@antum by #2\relax -\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi -\global\z@iv=0pt\relax -\loop\ifdim\z@iv<#1\relax - {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax - \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax - \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by - -0.5\internote - \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi - \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax - \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi - \advance\z@iii by 0.6\internote\relax - \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth - .5\lthick}\relax - \global\advance\z@iv by \q@antum\relax -}\repeat -\fi -} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% end musicext excerpt -\font\musext=musicbrb -\tolerance 10000 -\csname normalshape\endcsname\csname mediumseries\endcsname -\csname pnormalshape\endcsname\csname pmediumseries\endcsname -\makeindex - -\long\def\theindex{\chapter{Index} -\parindent \z@ -\parskip \z@ \@plus .3\p@ \relax \let \item \@idxitem \columnseprule \z@ -\columnsep 35\p@ \begin{multicols}{2} -} - -\def\endtheindex{\end{multicols}} - -% -\begin{document} -\title{\Huge\bf \musictex\\\LARGE\bf Using - \TeX\ to write polyphonic\\or -instrumental music\\\Large\sl Version 5.17 -- \today} -\author{\Large\rm Daniel \sc Taupin\\\large\sl - Laboratoire de Physique des Solides\\\normalsize\sl - (associ\'e au CNRS)\\\normalsize\sl - b\^atiment 510, Centre Universitaire, F-91405 ORSAY Cedex} - \date{} -\maketitle -\clearpage -\thispagestyle{empty} -\null -\setcounter{page}0 -\clearpage -\tableofcontents -\setcounter{secnumdepth}3 -\pagestyle{headings} -% -\chapter{What is \musictex\ ?} - \musictex\ is a set of \TeX\ macros to typeset polyphonic, orchestral or -polyphonic music. Therefore, it is mainly supposed to be used to type wide -scores -- just because true musicians seldom like to have to frequently turn -pages -- and this is not really compatible with \LaTeX's standard page -formats, even the {\tty A4.sty} the {\Bslash textheight} and {\Bslash -textwidth} of which are too small for musician needs. - - However, a \LaTeX\ style has been also provided (and it is used for the -typing of the present paper) but this {\tty musictex} style is fit for -musicographic books rather than for normal scores to be actually played. - - It should be emphasized that \musictex\ is not intended to be a -compiler which would translate some \ixem{standard musical -notation}s into \TeX\, nor to decide by itself about aesthetic problems in music typing. -\musictex\ only typesets staves, notes, chords, beams, slurs and ornaments as -requested by the composer. Since it makes very few typesetting decisions, -\musictex\ appears to be a versatile and rather powerful tool. However, due -to the important amount of information to be provided to the typesetting -process, coding \musictex\ might appear to be awfully complicated, just as -the real keyboard or orchestral music. Therefore, it should be interfaced therefore by -some pre-compiler in the case of the composer/typesetter wanting aesthetic -decisions to be automatically made by somebody (or something) else. - -\section{\musictex\ principal features} -\subsection{Music typesetting is two-dimensional} - - Most of the people who just learnt a bit of music at college probably think -that music is a linear sequence of symbols, just as literary texts to be -\TeX-ed. In fact, with the exception of strictly monodic instruments like -most orchestral wind instruments and solo voices, one should be aware that -reading music actually is a matricial operation: the non-soloist musician -successively reads \ital{columns} of simultaneous notes which he actually plays -if he is a pianist, clavichordist or organist, which he actually reads and -watches if he conducts an orchestra, and which he is supposed to check and -partially play when he is a soloist who wants to play in time with the -accompanying instrument or choir. - - In fact, our personal experience of playing piano and organ as well as -sometimes helping as an alternate Kapellmeister leads us to think that actual -music reading and composing is a slightly more complicated intellectual -process: music reading, music composing and music thinking seems to be a -three layer process. The musician usually reads or thinks several consecutive -notes (typically a long \ital{beat} or a group of logically connected notes), then -he goes down to the next instrument or voice and finally assembles the whole -to build a part of music lasting roughly a few seconds. Then he handles the -next \ital{beat} or \ital{bar} of his score. - - Thus, it appears that the humanly logical way of coding music consists -in horizontally accumulating a set of \ital{vertical combs} with -\ital{horizontal teeth} as described in Table \ref{readtable}. - - \begin{table} - \begin{center} - \begin{tabular}{|ll|ll|}\hboxit{note sequence one} - &\hboxit{note seq.\ four} - &\hboxit{note seq.\ seven} - &\hboxit{note seq.\ ten}\\\hboxit{note sequence two} - &\hboxit{note seq.\ five} - &\hboxit{note seq.\ eight} - &\hboxit{note seq.\ eleven}\\\hboxit{note seqence three} - &\hboxit{note seq.\ six} - &\hboxit{note seq.\ nine} - &\hboxit{note seq.\ twelve}\\ - \end{tabular} - \end{center} - \caption{The order in which a musician reads music}\label{readtable} - \end{table} - -This is the reason -why, in {\bf \musictex} the fundamental \ital{macro} is of the form - -\begin{center} -{\Bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes} -\end{center} - -\noindent where the character {\tty\&} is used to separate the notes to be -typeset on respective staffs of the various instruments, starting from the -bottom. - -In the case of an instrument whose score has to be written with -several staffs, these staffs are separated by the -character \|. Thus, a score written for a keyboard instrument and -a monodic instrument (for example piano and violin) -will be coded as follows: - -\begin{center} -{\Bslash notes \dots\ \| \dots\ \& \dots\ \bslash enotes} -\end{center} -\noindent for each column of simultaneous \ital{groups of notes}. -It is worth emphasizing that we actually said \ital{``groups of notes''}: -this means that in each section of the previous macro, the music typesetter is -welcome to insert, not only chord notes to be played at once, but small -sequences of consecutive notes which build something he understands as a -musical phrase. This is why note typing macros are of two kinds in \musictex, -namely the note macros which are not followed by spacing afterwards, and those -which induce horizontal spacing afterwards. - -\subsection{The spacing of the notes} - -It seems that many books have dealt with this problem. -Although it can lead to interesting algorithms, we think it is -not in practice an important point. - -In fact, each column of notes has not necessarily the same spacing -and, in principle, this \itxem{spacing} should depend on the shortest -duration of the simultaneous notes. But this cannot be established as a rule, -for at least two reasons: - -\begin{enumerate} - \item spacing does not depend only on the local notes, -but also on the context, at least in the same bar. -\item in the case of polyphonic music, exceptions can easily be found. -Here is an example: - - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\generalmeter{\meterfrac{4}{4}}\relax -\debutextrait -\normal\elemskip=0.110\hsize -\temps\Notes\qsk\qsk\rlap{\hu j}\ql h\enotes -\temps\Notes\hl g\enotes -\temps\Notes\hu k\enotes -\temps\Notes\ql f\enotes -\finextrait - \end{music} - -%\check - -\noindent where it can be clearly seen that the half notes at beats 2 and 3 -must be spaced as if they were quarter notes since they overlap, which is -obvious only because of the presence of the indication of the \itxem{meter} 4/4. -\end{enumerate} -% - -Therefore, we preferred to provide the composer/typesetter with a -set of macros, the spacing of which increases by a factor of $\sqrt 2$ -(incidentally, this can be adjusted): - -\begin{center} -{\Bslash notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 1 spatial unit\hss}} -\\ -{\Bslash Notes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 1.4 spacial unit\hss}} -\\ -{\Bslash NOtes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 2 spatial units\hss}} -\\{\Bslash NOTes \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 2.8 spatial units\hss}} -\\{\Bslash NOTEs \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 4 spatial units\hss}} -\\{\Bslash NOTES \dots\ \& \dots\ \& \dots\ \bslash enotes\ \ \% -\hbox to 2.5cm{\rm 5.6 spatial units\hss}} -\end{center} - -%\check - The size of the spatial unit (\keyindex{elemskip}) can be freely adjusted. -In addition, \musictex\ provides a means of adjusting the note spacing -according to an average number of elementary spaces within a line (macro -\keyindex{autolines}). - -\subsection{Music tokens, rather than a readymade generator} -%\check - -The tokens provided by \musictex\ are: - -\begin{itemize} -\item the note symbols \ital{without stem}; -\item the note symbols \ital{with stems, and hooks for eighth notes and -beyond}; -\item the indications of beam beginnings and beam ends; -\item the indications of beginnings and ends of ties and slurs; -\item the indications of accidentals; -\item the ornaments: arpeggios, trills, mordents, pinc\'es, turns, staccatos -and pizzicatos, fermatas; -\item the bars, the meter and signature changes, etc. -\end{itemize} - - Thus, {\Bslash wh a} produces an \ital{A (of nominal frequency 222.5~Hz, -unless transposed)} of duration being a -\ital{whole note}. In the same way, {\Bslash wh h} produces an \ital{A -(445~Hz)} of duration represented by a \ital{whole note}, {\Bslash qu~c} -produces a \ital{C (250~Hz approx.)} whose value is a \ital{quarter note with -stem up}, {\Bslash cl J} produces a \ital{C (125~Hz approx.)} of -duration equal to an \ital{eighth note with stem down}, etc. - - To generate quarter, eighth, sixteenth, etc. chords, the macro -\keyindex{zq} can be used: it produces a quarter note head the vertical -position of which is -memorized and recalled when another stemmed note (possibly with a hook) is -coded; then the stem is adjusted to link all simultaneous notes. Thus, the -perfect C-major chord, i.e. - -%\check -{\def\nbinstruments{1}\relax -\cleftoksi={{0}{0}{0}{0}}\generalmeter{}\relax -\debutextrait -\normal -\NOTes\qsk\zq c\zq e\zq g\qu j\enotes -\finextrait} - -%\check -\noindent is coded - \hbox{\Bslash zq~c\bslash zq~e\bslash zq~g\bslash qu~j} -or, in a more concise way, \hbox{\Bslash zq\{ceg\}\bslash qu~j} (stem up): -in fact, single notes are treated\dots\ like one-note chords. - -\subsection{Beams} - \ital{Beams}\index{beams} are generated using macros which define their -beginning (at the current horizontal position), together with their altitude, -their direction (upper of lower), their multiplicity, their slope and their -reference number. This latter feature -- the reference number -- appears to -be necessary, since one may want to write beams whose horizontal extents -overlap: therefore, it is necessary to specify which beam the notes hang on -and which beam is terminated at a given position. - -%\check -\subsection{Setting anything on the score} - -A general macro (\keyindex{zcharnote}) provides a means of -putting any sequence of symbols (in fact, some {\Bslash hbox\{...\}}) at any -pitch of any staff of any instrument. Thus, any symbol defined in a font -(letters, math symbols, etc.) can be used to typeset music. - -\section{A simple example} - - Before giving more details, we give below an example of the two first -bars of the sonata in C-major K545 by {\sc\ixem{Mozart}}: - -\begin{music} -\parindent 1cm -\def\nbinstruments{1}\relax -\def\instrumenti{Piano}% -\nbporteesi=2\relax -\generalmeter{\meterfrac{4}{4}}\relax -\debutextrait -\normal -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes -\barre -\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes -\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\finextrait -\end{music} -%\check - - The \ital{coding} is set as follows: - -\begin{quote}\begin{verbatim} -\begin{music} -\parindent 1cm -\def\nbinstruments{1}\relax % a single instrument -\def\instrumenti{Piano}% % whose name is Piano -\nbporteesi=2\relax % with two staffs -\generalmeter{\meterfrac{4}{4}}\relax % 4/4 meter chosen -\debutextrait % starting real score -\normal % normal 12 pt note spacing -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\ql l\sk\ql n\enotes -\barre % bar -\Notes\ibu0f0\qh0{dgf}|\qlp i\enotes -\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotes -\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hl j\enotes -\finextrait % terminate excerpt -\end{music} - \end{verbatim}\end{quote} - -\begin{itemize} -\item {\Bslash ibu0f0} begins an upper beam, aligned on the -\ital{f}, reference number 0, slope 0 -\item {\Bslash tbu0} terminates this beam before writing -the second \ital{g} by means of {\Bslash qh0g} -\item {\Bslash qh..} indicates a note hanging on a beam. - \item {\Bslash sk } sets a space between the two quarters at the right -hand, so that the second is aligned with the third eighth of the left hand. - \item{\Bslash qlp} is a quarter with a point. - \item{\Bslash ibbl1j3} begins -a double beam, aligned on the \ital{C} ({\tty j} at this pitch) -of slope 0.15. -\end{itemize} - -\section{Some highlights} -\subsection{Signatures} - -Signatures can be stated either for all instruments, for example by -\keyindex{generalsignature}{\tty\{-2\}} which sets two flats on each staff, or -separately for each instrument. Thus, the \keyindex{generalsignature} -can be partly overridden by \keyindex{signii}{\tty=1} which puts one -sharp on the staffs of \itxem{instrument number} 2 (ii). Of course, the -current signature may change at any time as well as the meters and clefs. - -\subsection{Transposition} - - An important question is: \ital{``can \musictex\ transpose a score~?''}. -The answer is now 99.5~\% \ital{yes}. If fact, there is an internal register -named \keyindex{transpose} the default value of which is zero, but it may be -set to any reasonable positive of negative value. In that case, it offsets all -symbols pitched with letter symbols by that number of pitch steps. However, -it will neither change the signature nor the local accidentals, and if -- for -example -- you transpose a piece written in $C$ by 1 pitch, \musictex\ will -not know whether you want it in $D\flat$, in $D$ or in $D\sharp$. This might -become tricky if accidentals occur within the piece, which might have to be -converted into flats, naturals, sharps or double sharps, depending on the new -chosen signature. To avoid this trouble, \ital{relative} accidentals -have been implemented, the actual output of which depends on the pitch of -this accidental and of the current signature.\index{relative accidentals} - - -\subsection{Selecting special instrument scores} - -Another question is: \ital{``can I write an orchestral score and extract the -separate scores for individual instruments~?''} The answer is 95~\% -\ital{yes}: in fact, you can define your own macros {\Bslash -mynotes...\bslash enotes}, {\Bslash myNotes...\bslash enotes} with as many -arguments as there are in the orchestral score (hope this is less or equal to -9, but \TeX perts know how to work around) and change its definition -depending on the selected instrument (or insert a test on the value of some -selection register). But the limitation is that the numbering of instruments -may change, so that {\Bslash signiii} may have to become {\Bslash signi} if -instrument $iii$ is alone. But, in turn, this is not a serious problem for -average \TeX\ wizard apprentices. - - \subsection{Variable staff and note sizes} - - Although the staff size is 20 pt as a standard, \musictex\ allors scores of -16 pt staff sizes. In addition, any instrument may have a special staff size -(usually smaller than the overall staff size) and special commands -\verb|\smallnotesize| or \verb|\tinynotesize| enable notes (and also beams or -accidentals) to be of a smaller size, in order to quote optional notes or -\ital{cadenzas}. - - \section{How to get it} - - The whole \itxem{distribution} fits into a single 1.2Mbyte or -1.44Mbyte diskette. It can also be obtained through an \ital{anonymous ftp} -at {\tty rsovax.lps.u-psud.fr} (193.55.39.100), after selecting the -subdirectory {\tty [.musictex]}. All sources (including fonts) are provided, -either separately or ``zipped'' or as VMS ``\ixem{savesets}''. - -%\check -\section{Enhancements} -\subsection{Recent easy enhancements} - -Many enhancements have been asked for, and this is a proof that \musictex\ is -considered as useful by many people. Some of these enhancements which seemed -hard were in fact rather easy to implement, for example small notes to represent -grace notes and cadenzas. But others may induce heavy problems, for example -the need of having \ital{nice} slurs and ties. - -In the same way, we recently introduce Andreas {\sc Egler}'s fonts to have -nicer braces at the left of the score, for example for piano music. - -Besides, we recently found a hard incompatibility of \musictex\ and a genuine -product of the author's native country, namely {\tt french.sty} by Bernard -{\sc Gaulle} which is the \ital{standard} of the French \TeX\ user group, -namely the GUTenberg association. This was partly due to macro name collisions ---- easy to solve --- and to the fact that {\tt french.sty} sets a lot of -characters as \keyindex{active} characters in order to make them handle -correctly the French spacing before and after punctuation marks. This seems to -have been solved in the 4.99 version of \musictex, with the restriction that -French macros cannot be used --- at least easily --- within lyrics. - -Besides, \musictex\ has been adapted --- since version 5.00 --- to score -\ital{gregorian chant} and \ital{percussion music}. - -\subsection{The tie/slur problem} - -While typesetting notes and even beams is a rather simple problem because it -is a \ital{local typesetting}, ties and slurs are much more difficult to handle. - -Of course there is small problem in case of a typesetter wanting a slur or a -tie binding two consecutive notes, not separated by a bar. In practice this -\ital{very restricted} use of slurs or ties can easily be solved by putting -some symbols extracted from the {\tty slur16} or {\tty slurn16}/{\tty slurn20} -fonts somewhere on the staffs using the general use \keyindex{zcharnote} -macro. - - But serious music typesetters or composers know that many ties are supposed -to link notes which are on both sides of a bar, which is a likely place to -insert line breakings, so that the coding of \itxem{ties} must have various -versions and sizes to resist that possible line breaking. What has been said -about ties is still more serious in the case of \itxem{phrasing slurs} which -may extend over several bars, lines and sometimes pages. In this case, their -shape is not only a question of producing a long curved symbol of nice -looking shape, it also has to cope with \itxem{glue}. An then the worst is -that music way of typing does not accept \itxem{ragged lines} but equal -length lines, even for the last line of a music piece. Thus, long distance -slurs and ties need to be cut into separate parts (beginning, continuing(s), -endings) which \TeX\ can only link using \ital{horizontal line overlaps} -or \keyindex{leaders} to insure slur continuity over this unavoidable glue. - - -Therefore and up to now, ties and slurs have been implemented in a way which -may look rather ugly, but we think it is the only way of implementing -\ital{in one pass} ties and slurs which run \ital{across glue}. The principle -is to have tie/slur symbols with a rather long horizontal part. -Then, at each time a glue occurs and at each time a group of notes is coded -while a slur or tie is pending, an \keyindex{hrule} is issued which overlaps -the preceding tie/slur symbol so that the final output seems to contain a -continuous line. Unfortunately, this is possible only in the glue expansion -direction, namely in the horizontal direction. - -Variable size -initial and final curved slur symbols have recently been implemented; -the user has to choose them according -to his intention to have short or long range slur symbols. - -\subsection{\musixtex} - -\ixem{\musixtex} is a new package, heavily derived from \musictex\ by Andreas -{\sc Egler} and Ross {\sc Mitchell}. Its fundamentals are taken from -\musictex, but it works in three passes~:\index{Egler, A.}\index{Mitchell, R.} - \begin{enumerate} - \item The first pass \TeX es the source with a different set of macros, -which generate a special file telling where slurs/ties start and begin. - \item The second pass (a C program) computes the optimal length of the -slurs/recorded. - \item The third pass generates the definitive DVI from the initial source, -owing to information produced by the second pass, name to choose the adequate -slur/tie symbols according to the chosen final note spacing. - \end{enumerate} - We do not decribe \musixtex\ here, but we give some suggestion to make the -same \musictex\ source runable with both \musictex\ and \musixtex. - -\subsection{Enhancement limitations} -Many requested improvements have not been -\ital{yet} implemented for several reasons: - - \begin{itemize} - - \item The author's natural lazyness (!) - - \item More seriously: many of them would require using some more -registers; unfortunately, \TeX\ registers are not numerous (256 of each -kind and the limit of \keyindex{dimen} registers is nearly reached) and we -are afraid many requested new features would make \TeX\ stupidly crash even -when typesetting reasonable scores. - - \item We do not think it is wise to introduce in \musictex\ itself a great -number of macros which would be poorly used by most users: the reason is that -\TeX\ memory is hardly limited and that unused macros may occupy some \TeX\ -storage which could make things crash because of {\tty TeX capacity -exceeded}... - - \end{itemize} - - -\section{Acknowledgements} - -The idea of implementing the present package is due to the previous work -(\mutex)\index{mutex=\protect\mutex} of Andrea {\sc Steinbach} and Angelika -{\sc Schofer}\footnote{Steinbach A. \& Schofer A., \ital{Theses} (1987, 1988), -Rheinische Friedrich-Wilhelms Universit\"at, Bonn, Germany.}. This work -provided the basis of the Metafont codes and some line breaking procedures, -which both are still used here... with 99\% corrections and -updates.\index{Schofer, A.}\index{Steinbach, A.} - -Besides, the original fonts of \musictex, named {\tt musicn20}, {\tt -musicn16}, {\tt musicn13} and {\tt musicn11}, have been recently reviewed -by Andreas {\sc Egler} and the new release --- used in the version 5.00 and -above of \musictex\ --- is called {\tt musikn20}, {\tt musikn16}, {\tt -musikn13} {\tt musikn11} and {\tt musicbrb}.\index{Egler, A.} - - -\chapter{Practical use} -\section{Heading statements} - -Before any reference to \musictex\ macros: - -\medskip{\Bslash input musicnft } - -{\Bslash input musictex} - - \medskip\noindent which may be followed by {\Bslash input musicadd} -in the case you have more than six instruments (voice is two instruments: one -for the music, one for the text) or more than 6 simultaneous beams or ties or -slurs.\index{musicnft.tex}\index{musictex.tex}\index{musicadd.tex} -\index{musicnft.tex} - - \medskip After that, you may write a complete book of \TeX\ provided that -you do not use {\tty \&} as a tabulation character (its \keyindex{catcode} -has been changed) inside the music score and that you do not overwrite -\musictex's definitions. This means that no special macros have been designed -to help you write titles, author names, comments, literature excerpts, etc., -unless you use \LaTeX\ with the {\tt musictex} style. - -\section{Before you begin to write notes} - -You should first specify whether you want to typeset music in size -20pt\index{sizes} per staff or 16pt. This only optional, the default value -being 20pt. If you want the 16pt size, then you have to say: - -\medskip \keyindex{musicsize}{\tty=16} - -\medskip Then, the first compulsory declaration is: - -\medskip {\Bslash def\keyindex{nbinstruments}{\tty\{$n$\}}} - -\medskip \noindent where $n$ is the number of instruments, used by -\musictex\ to performs loops building staffs, setting signatures, meters, -etc. Therefore, it must be defined before any other statements. An instrument -may consist of several staffs, e.g. the piano. The difference between one -instrument of several staffs and several instruments is as follows: - -\begin{itemize} - \item distinct instruments may have distinct \itxem{signatures}, distinct -staffs of a unique instrument share the same signature. - \item \itxem{stems} may be hung to \itxem{beams} belonging to differents -staffs of the same instrument. - \item \itxem{chords} may extend across several staffs of the same -instrument. - \item staffs of a unique \itxem{instrument} are tied together -with a big brace at the beginning of each line. - -\end{itemize} - -\medskip If the number of staffs (in French ``\itxem{port\'ees}'') is not -equal to one, this number must be specified by: - -\medskip -%\check -{\tty\keyindex{nbportees$r$}=$p$\bslash relax} - - \medskip\noindent where $p$ is the number of staffs, and where $r$ is the -roman numeral of the instrument considered (e.g. \keyindex{nbporteesiii} -for the 3rd instrument, starting from the bottom). This value may be zero, in -which case the staff lines are omitted, and this instrument may be used to -code the \itxem{lyrics} of a song, below the actual ``instrument'' -representing the notes of the song. - -\medskip Unless all your instruments only use the \ital{violin} clef, you -have to specifiy all the clefs used for all the instruments. This is done by -coding: - -\medskip{\tty\keyindex{cleftoks$r$}=\{\{$s1$\}\{$s2$\}\{$s3$\}\{$s4$\}\}\%} - -\medskip\noindent where $r$ is the roman numeral of the instrument, $s1$ -specifies the clef of the lower staff, $s2$ the clef of the second staff, -etc. One must always give four values with the above syntax, otherwise\dots\ -$s1=0$ means the \ital{violin} clef (\ixem{clef de sol} in French), $s1=1$ -through $s1=4$ mean the \ital{alto} clef (\ixem{clef d'ut} in French) set on -first (lower) through fourth (next to upper line of the staff), $s1=5$ means -the \ital{bass} clef at third (middle) line, and $s1=6$ means the usual -\ital{bass} clef (\ixem{clef de fa} in French) at the usual fourth line. -\index{violin clef}\index{bass clef}\index{alto clef} As an example, a -standard piano score should include: - -\medskip{\tty\keyindex{cleftoksi}=\{\{6\}\{0\}\{0\}\{0\}\}\%} or {\Bslash -cleftoksi=\{6000\}\%} - -\medskip -If the signature is not void, one should code: - -\medskip{\tty\keyindex{generalsignature}{\tty\{$s$\}}\bslash relax} - -\medskip\noindent where $s>0$ indicates the number of \itxem{sharps} in the -signature and $s<0$ the number of \itxem{flats}\footnote{We have seen once a -score in G-minor where the signature consisted of two flats (B and E) plus -one sharp (F). This is not supported by \musictex.}. - -\medskip If there a \itxem{meter} indication is to be posted, it should be -specified using the macro - -\medskip {\tty\keyindex{generalmeter}\{$m$\}\%} - -\medskip \noindent where $m$ is the description of the meter indication which should -appear on each staff. If it is a \ital{fraction} (e.g. 3/4) on should code - -\medskip{\Bslash generalmeter\{\bslash meterfrac\{3\}\{4\}\}\%} - -\medskip\noindent or, in a simpler way (if the numbers are less than 10): - -\medskip{\Bslash generalmeter\{\bslash meterfrac 34\}\%} - -\medskip\rm Special denotations can be used, such as \keyindex{allabreve} to -get \raise -6pt\hbox{\allabreve} and \keyindex{meterC} to get \raise --6pt\hbox{\meterC}. - -\medskip However, not all music scores have the same meter in each staff. -Especially, some staffs may have \ital{ternary} meters while others have -\ital{binary}. This can be specified by using the \keyindex{generalmeter} macro -to set the meter for most of the scores and overriding it by means of a more -sophisticated command: - - -%\check -\medskip{\Bslash metertoksii=\{\{\bslash -meterfrac\{12\}8\}\{\bslash -allabreve\}\{\}\{\}\}\%} -\zkeyindex{metertoks$i$} - -\medskip \rm\noindent which sets the meter to 12/8 for the first (lower) -staff, and \ital{alla breve} for the second staff of the instrument number 2 -(\ital{ii}). Note that there is room for 4 staffs and that void items must be -specified, otherwise \TeX\ weird errors occur. - -\subsection{Instrument names} If you want the \itxem{name of the instrument}s -(or the \itxem{name of the voice}s) to be displayed in front of their -respective staffs at the beginning, you may code: - -\medskip\Bslash def\bslash instrument$r$\{\ital{name of the instrument}\}\% -\zkeyindex{instrument$r$} - -\medskip \noindent\rm where $r$ is the roman numeral of the instrument -considered. In this case, you should also adjust the \keyindex{parindent} -dimension so that the long name of an instrument does not spill too far into -the left margin. - -\subsection{Polyphonic songs} -Except staffs of a unique instrument tied together with a big brace, staffs -normally begin on the left with a thin vertical rule. However, it is usual to -tie all human voices together with a left heavy and right thin vertical rule. -This can be specified (but only once per system) by specifying - -\medskip{\tty\bslash def\keyindex{lowersonginstrum}\{$m$\}} - -{\tty\bslash def\keyindex{uppersonginstrum}\{$n$\}} - -\medskip\noindent where $m$ and $n$ are the intrument numbers of the first -and last choral voices. An example of using this feature is given in -{\tty PRAETORI} and -- more complicated -- also in {\tty ANGESCAM} -and {\tty ANGESCAO}. - -%\check -\section{Starting your masterpiece} -\subsection{Typing the first system} - -Just code - -\medskip\keyindex{debutmorceau} - -\medskip\noindent which will initiate (with indentation \keyindex{parindent}) -the first set of staffs for all instruments you have previously defined. But -that is not sufficient to begin writing notes and silences. In fact, you also -must choose the spacing of the notes. - -\subsection{Easy selecting note spacing} -The easiest way of getting a reasonable note spacing is done by saying - -\medskip\keyindex{normal} - -\medskip This defines an elementary spacing of {\tty 10pt}. If you say -\keyindex{large}\footnote{To avoid problems with the \LaTeX\ -\index{LaTeX=\protect\LaTeX} -macro of the same name, this macro is only activated under \LaTeX\ when -\keyindex{begin\{music\}} is invoked.} the elementary spacing (\keyindex{elemskip}) is set to {\tty -12pt}. Once this is done, you can select $\sqrt 2$ multiples of this value to -select specific note spacing by initiating your note column with {\Bslash -notes} (spacing {\Bslash elemskip}), {\Bslash Notes} (spacing {\tty -1.4\bslash elemskip}), etc. - -The is also a macro named \keyindex{etroit} which yields -narrower\footnote{\ital{Etroit} means \ital{narrow} in French.} spacings but -not increasing in the same way. - -\medskip In practice, the choice of the macro {\Bslash notes}, {\Bslash -Notes}, {\Bslash NOtes}, etc., to initiate of column of notes sets an -internal dimension register, named \keyindex{noteskip} to the given multiple -of \keyindex{elemskip}. Thus, each \itxem{spacing note} (\keyindex{qu}, -\keyindex{qh}, \keyindex{hl}, etc.) will be followed by a spacing of -\keyindex{noteskip}. Then, the advantage of the definition of {\Bslash -elemskip} is that, whenever it is changed, all subsequent {\Bslash noteskip}s -will be updated proportionally so that a simple change of {\Bslash elemskip} -can expand or shrink all consecutive note spacings as a whole. - -If these values of {\Bslash elemskip} are not -fit to your needs, you can also say - -\medskip{\tty\keyindex{normal}\keyindex{elemskip}=15pt} - -\medskip\noindent or revert to the basic note introducing sequence: - -\medskip{\tty\keyindex{vnotes} $q$ \bslash elemskip -\ital{note specifications} \bslash enotes} - -\medskip\noindent where $q$ is a positive integer or decimal number. - -\medskip Of course, if you are sufficiently skilled with \TeX, you can also -compute \keyindex{elemskip} according to the number of bars you want in a -line and the number of notes in each bar. - - -\medskip However, you may also prefer to ask \musictex\ to compute the size -of \keyindex{elemskip} from the current page width (\keyindex{hsize}) after -assuming a constant number of bars of a constant number of beats within each -line\footnote{This does not meet the requirements of contemporaneous music, -but fits very well to baroque and romantic music.}. In this case, you have -better use the \keyindex{autolines} macro, which is described below (see: -\ref{linepagebreak}, ``Line and page breaking''). - -%\check - \section{Note pitch specification} - - Note pitches are usually specified by letters ranging from {\tty a} to {\tty -z} for those which are usually written under the G-clef ({\tty a} corresponds -to the $A$ of nominal frequency 222.5~Hz; the \ital{G} of the G-clef is denoted -{\tty g}). Lower pitch notes are specified using upper case letters ranging -from {\tty A} to {\tty N} (the \ital{F} of the F-clef is denoted {\tty M}, and -{\tty F} is one octave below). -%\check - -\medskip If necessary, a numeric symbol can be used to place a symbol -independently of the active clef. - -\medskip Besides, notes below {\tty A} (i.e. the $A$ of nominal frequency -55.625~Hz), namely the lowest octave of the modern pianos, can only be coded -using the transposition features (see below: \ital{transposition} and -\ital{octaviation}) or in absolute vertical position using numbers. - -\section{Writing notes} - -There are two major kinds of note macros: \begin{enumerate} \item those -which terminate a note/chord stem and are followed by a horizontal spacing of -value \keyindex{noteskip}, - \item those which initiate or extend a note/chord stem and do not cause -horizontal spacing. -\end{enumerate} - -\medskip The first kind is used to type a melody, the second kind is used to -type chords. -%\check - -\subsection{Single (spacing) notes} - -\begin{quote}\begin{description} -\item[\keyindex{wh}~$p$ : ]whole note at pitch $p$. -\item[\keyindex{hu}~$p$ : ]half note at pitch $p$ with stem up. -\item[\keyindex{hl}~$p$ : ]half note at pitch $p$ with stem down. -\item[\keyindex{qu}~$p$ : ]quarter note at pitch $p$ with stem up. -\item[\keyindex{ql}~$p$ : ]quarter note at pitch $p$ with stem down. -\item[\keyindex{cu}~$p$ : ]eighth note\footnote{The {\Bslash c} of this macro - name is taken from the French word {``croche''} which is by the way one - half of the english {``crotchet''}; {\Bslash cc...}, {\Bslash ccc...} - are standing for {``double croche''}, {``triple croche''}, etc.} - at pitch $p$ with stem up. -\item[\keyindex{cl}~$p$ : ]eighth note at pitch $p$ with stem down. -\item[\keyindex{ccu}~$p$ : ]sixteenth note at pitch $p$ with stem up. -\item[\keyindex{ccl}~$p$ : ]sixteenth note at pitch $p$ with stem down. -\item[\keyindex{cccu}~$p$ : ]32-th note at pitch $p$ with stem up. -\item[\keyindex{cccl}~$p$ : ]32-th note at pitch $p$ with stem down. -\item[\keyindex{ccccu}~$p$ : ]64-th note at pitch $p$ with stem up. -\item[\keyindex{ccccl}~$p$ : ]64-th note at pitch $p$ with stem down. -%\check -\end{description}\end{quote} - -\medskip As an example, the sequence: - -\begin{music}\parindent=0pt\def\nbinstruments{1}\def\instrumenti{} - \generalsignature{0}\savesignature\cleftoksi={{0}{0}{0}{0}} - \debutextrait\normal -\notes\cu c\temps\cl j\enotes\barre -\notes\ccu c\temps\ccl j\enotes\barre -\notes\cccu c\temps\cccl j\enotes\barre -\notes\ccccu c\temps\ccccl j\enotes\finextrait -\end{music} - -\medskip \noindent was coded as: - -%\check -\begin{quote}\begin{verbatim} -\notes\cu c\temps\cl j\enotes\barre -\notes\ccu c\temps\ccl j\enotes\barre -\notes\cccu c\temps\cccl j\enotes\barre -\notes\ccccu c\temps\ccccl j\enotes -\end{verbatim}\end{quote} - -\medskip If these notes are preceded by \ital{non-spacing} notes (i.e. -macros \keyindex{zq} or \keyindex{zh}) their stem is extended up or down so -as to join all notes into a single chord. - \subsection{Non-spacing (chord) notes} - -\begin{quote}\begin{description} -\item[\keyindex{zq}~$p$ : ]quarter (or shorter) note head at pitch $p$ with no -spacing after. -\item[\keyindex{zh}~$p$ : ]half note head at pitch $p$ with no spacing after. -\end{description}\end{quote} - -\medskip It must be pointed out that the pitch $p$ of these notes is -memorized so that the stem of the further spacing note will join them into -a chord. This stem top and bottom pitch is \ital{reset} at each spacing -note. - -\medskip \noindent{\sl REMARK : Notes of duration longer than whole notes are -always non-spacing. This saves one useless definition, since these notes are -always longer than other simultaneous ones. If needed they can be followed by -\keyindex{sk} to force spacing.} - \subsection{Shifted non-spacing (chord) -heads} These symbols are used mainly in chords where \ital{second} intervals -are present. It is the responsibility of the typist to choose which heads -should be shifted left or right. - -\rm\medskip \par\keyindex{rw}~$p$ : whole note head shifted right by one note -width ($\approx$ 6pt), no spacing. - \par\keyindex{lw}~$p$ : whole note head shifted left by one note -width ($\approx$ 6pt), no spacing. - \par\keyindex{rh}~$p$ : half note head shifted right by one note -width ($\approx$ 6pt), no spacing. - \par\keyindex{lh}~$p$ : half note head shifted left by one note -width ($\approx$ 6pt), no spacing. - \par\keyindex{rq}~$p$ : quarter note head shifted right by one note -width ($\approx$ 6pt), no spacing. - \par\keyindex{lq}~$p$ : quarter note head shifted left by -one note width ($\approx$ 6pt), no spacing. - -\medskip Except that they are shifted left of right, these macros act like -{\Bslash z...} macros for stem building. - -\subsection{Shifted notes} - -\begin{quote}\begin{description} - \item[\keyindex{rqu} : ]acts like {\Bslash qu} but the note head is -shifted one note width. This is used for \itxem{chords} with upper note -on the right side of the stem. - \item[\keyindex{rql} : ]same with stem down. - \item[\keyindex{rhu} : ]same as above for a half note, stem up. - \item[\keyindex{rhl} : ]same with stem down. -\end{description}\end{quote} - -In addition on can use the command \keyindex{roff} to offset any note -character by one quarter note head, e.g.: - - \verb|\roff{\zqup h}| - -\noindent which will post a pointed quarter note with stem up, offset by one -quarter note head with respect to its normal abscissa. \verb|\roff{...}| is -heavily recommended instead of \verb|\qsk| if the score is intended to be run -also with \musixtex. - -\subsection{Non-spacing single notes} - -\begin{quote}\begin{description} - \item[\keyindex{zhu} : ]half note with stem up but no spacing. It acts like -{\Bslash hu} for stem building. - \item[\keyindex{zhl} : ]half note with stem down but no spacing. It acts like -\keyindex{hl} for stem building. - \item[\keyindex{zqu} : ]quarter note with stem up but no spacing. It acts like -{\Bslash qu} for stem building. - \item[\keyindex{zql} : ]quarter note with stem down but no spacing. It acts -like {\Bslash ql} for stem building. - \item[\keyindex{zcu} : ]eighth note with stem up but no spacing. It acts like -{\Bslash cu} for stem building. - \item[\keyindex{zcl} : ]eighth note with stem down but no spacing. It acts -like {\Bslash cl} for stem building. - - -\item[\keyindex{lhu}, \keyindex{lhl}, \keyindex{lqu}, \keyindex{lql} : ]same -as above, but the whole of the note is shifted one note width on the left. - \item[\keyindex{zw}~$p$ : ]whole note at pitch $p$ with no spacing after. -\item[\keyindex{zwq}~$p$ : ]arbitrary duration note (\raise -2.5pt\hbox{\musicxx\char 125}) at pitch $p$ with no spacing after. -\item[\keyindex{zbv}~$p$ : ]breve note (\raise -2.5pt\hbox{\musicxx\char 36}) at pitch $p$ with no spacing after. -\item[\keyindex{zsb}~$p$ : ]semi-breve note (\raise -2.5pt\hbox{\musicxx\char 32}) at pitch $p$ with no spacing after. -\end{description}\end{quote} - -\subsection{Single (spacing) stemless notes} - - Although not standard in real music scores, one may need to have stemless -quarter and half noteheads posted in the same way as whole notes. This can be -done with the following commands: - -\begin{quote}\begin{description} -\item[\keyindex{nh}~$p$ : ]half notehead at pitch $p$. -\item[\keyindex{nq}~$p$ : ]quarter notehead at pitch $p$. -\end{description}\end{quote} - -\medskip As an example, the sequence: - -\begin{music}\parindent=0pt\def\nbinstruments{1}\def\instrumenti{} - \generalsignature{0}\savesignature\cleftoksi={{0}{0}{0}{0}} - \debutextrait\normal -\notes\nq c\temps\nq j\enotes\barre -\Notes\nh c\temps\nh j\enotes\barre -\notes\nq {cdef}\enotes\finextrait -\end{music} - -\medskip \noindent was coded as: - -%\check -\begin{quote}\begin{verbatim} -\notes\nq c\temps\nq j\enotes\barre -\Notes\nh c\temps\nh j\enotes\barre -\notes\nq {cdef}\enotes\finextrait -\end{verbatim}\end{quote} - - In case of special need, non spacing variants have been provided, namely -\keyindex{znh} and \keyindex{znq}. - -\subsection{Pointed notes} - One simple way of doing consists in putting \keyindex{pt -$p$} to get a \ital{dot} after the normal note head at pitch $p$. Thus a -quarter note with a point can be coded {\Bslash pt h\bslash qu h}. - - -\medskip A simpler way of doing consists in using compact macros, namely: -\keyindex{qup}, \keyindex{qupp}, \keyindex{quppp}, \keyindex{zqp}, -\keyindex{zhp}, \keyindex{zwp} (these three {\Bslash z...p} are useful in -chords), \keyindex{hup}, \keyindex{whp}, \keyindex{qhp}, \keyindex{qhpp}, -\keyindex{qlp}, \keyindex{qlpp}, etc. - - -\medskip You may also introduce pointed notes, especially in groups by coding -a \ital{period} before (not after) the letter representing the pitch: -{\Bslash qu\{.a.\^{}b.c\}} which is equivalent to: - -\medskip -\begin{quote}\begin{verbatim} -\pt{a}\qu{a}\pt{b}\sh{b}\qu{b}\pt{c}\qu{c} -\end{verbatim}\end{quote} - -Finally, pointed nots can also be produced without spacing aftef, using -\keyindex{zhup}, \keyindex{zhlp}, \keyindex{zqup}, \keyindex{zqlp}, -\keyindex{zcup}, \keyindex{zclp}, and the same with two {\tty p}'s for -double-pointed notes. - -\section{Beams} - - Beams are not automatically handled, but they must be declared explicitely, -\ital{before} the first spacing note involving them is coded. Two kinds of -macros are provided: - -\begin{enumerate} - -\item fixed slope beams have an arbitrary slope chosen by the user in -the range -45\% to +45\% (by multiples of 5\%); - -\item semi-automatic beams have their slope computed knowing the number -of \keyindex{noteskip} over which they are supposed to extend, and knowing the -initial and final pitch of the notes they are supposed to link. - -\end{enumerate} - -\subsection{Fixed slope beams} - -\begin{quote}\begin{description} -\item[\keyindex{ibu}~$nps$ : ]initiates an \ital{upper beam} 3 horizontal -line spacings above the pitch $p$~; $m$ is its reference number, which must be -in the range [0-5] ([0-9] if {\tty musicadd} file has been {\Bslash -input}); -$s$ is the slope of the beam. - -\end{description}\end{quote} - - $s$ is an integer in the range [-9,9]. -$s=1$ means a slope of 5\%, $s=9$ means a slope of 45\% (the maximum with the -{\tty beamn20} or {\tty beamn16} fonts), $s=-3$ means a slope of -15\%, etc. -With usual spacings a slope of 2 or 3 is fit for ascending scales. A slope of -6 to 9 is fit for ascending arpeggios. - -\begin{quote}\begin{description} - -\item[\keyindex{ibl}~$nps$ : ]initiates a \ital{lower beam} 3 horizontal line -spacings below the pitch $p$. Other parameters as above. - - -\item[\keyindex{ibbu}~$nps$ : ]initiates a \ital{double upper beam} (same -parameter meaning). - \item[\keyindex{ibbl}~$nps$ : ]initiates a \ital{double lower beam} (same -parameter meaning). - \item[\keyindex{ibbbu}~$nps$ : ]initiates a \ital{triple upper beam} (same -parameter meaning). - \item[\keyindex{ibbbl}~$nps$ : ]initiates a \ital{triple lower beam} (same -parameter meaning). - \item[\keyindex{ibbbbu}~$nps$ : ]initiates a \ital{quadruple upper beam} (same -parameter meaning). - \item[\keyindex{ibbbbl}~$nps$ : ]initiates a \ital{quadruple lower beam} (same -parameter meaning). - \item[\keyindex{ibbbbbu}~$nps$ : ]initiates a \ital{quintuple upper beam} (same -parameter meaning). - \item[\keyindex{ibbbbbl}~$nps$ : ]initiates a \ital{quintuple lower beam} (same -parameter meaning). -\end{description}\end{quote} - -\medskip Beam termination is also not automatic. The termination of a given -beam must be explicitely declared \ital{before} coding the last spacing note -connected to that beam. - -\begin{quote}\begin{description} -\item[\keyindex{tbu}~$n$ : ]terminates upper beam number $n$ at current -position. \item[\keyindex{tbl}~$n$ : ]terminates lower beam number $n$ at -current position. -\end{description}\end{quote} - -\medskip\keyindex{tbu} and \keyindex{tbl} terminate beams of any -multiplicity. Therefore 32-th notes hanging on a triple beam are initiated by -\keyindex{ibbbu}~$nps$ and terminated by \keyindex{tbu}~$n$. - -\medskip It is also possible to code beams whose multiplicity is not the same -at the beginning. The multiplicity can be increased at any position. For -instance, \keyindex{nbbu}~$n$ which sets the multiplicity of upper beam -number $n$ to 2 starting at the current position, \keyindex{nbbbu}~$n$ sets -its multiplicity to 3, \keyindex{nbbbbu}~$n$ sets its multiplicity to 4, and -\keyindex{nbbbbbu}~$n$ sets it to 5. \keyindex{nbbl}~$n$ \dots -\keyindex{nbbbbbl}~$n$ perform the same functions for lower beams. - -\medskip Notes hanging or standing on beams are coded in the form -{\Bslash qh$n\,\,p$} and {\Bslash qb$n\,\,p$} where $n$ is the beam number and $p$ -the pitch of the note head. \musictex\ adjusts the length of the note stem to -link the bottom of the chord to an upper beam (normally with \keyindex{qh}) and -the top of the chord to a lower beam (normally with \keyindex{qb}). - -\medskip Note that the difference between upper and lower beams does not -mainly consist in the beam being above or below the note heads; rather, it -specifies whether the abscissa of the beginning and the end of this beam is -aligned on the right (upper beam) or on the left (lower) beam. Thus, the -sequence: - -\begin{music} -\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait -\large\temps -\notes\ibu0h0\qh0e\nbbu0\qh0e\nbbbu0\qh0e\nbbbu0\relax -\qh0e\nbbbbu0\qh0e\nbbbbbu0\qh0e\tbu0\qh0e\enotes -\finextrait -\end{music} - -%\check -\noindent has been coded as -\begin{quote}\begin{verbatim} -\notes\ibu0h0\qh0e\nbbu0\qh0e\nbbbu0\qh0e\nbbbu0\relax -\qh0e\nbbbbu0\qh0e\nbbbbbu0\qh0e\tbu0\qh0e\enotes -\end{verbatim}\end{quote} -%\check - - \rm It is quite possible to terminate with \keyindex{tbu} a beam initiated -with \keyindex{ibl}. This may give: - - -\begin{music} -\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait -\large\temps -\notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qh0e\enotes -\finextrait -\end{music} - -%\check -\noindent which has been coded as - -\begin{quote}\begin{verbatim} -\notes\ibl0p0\qb0p\nbbl0\qb0p\nbbbl0\qb0p\tbu0\qh0e\enotes -\end{verbatim}\end{quote} -%\check - \rm Partial termination of beams is also possible, by using \keyindex{tbbu} -or \keyindex{tbbl}~: these macros terminate the current beam except that of -order 1 (eighths). \keyindex{tbbbu} or \keyindex{tbbbl} terminate the current -beam except those of order 1 and 2, etc. - - -\medskip -The macros \keyindex{tbbu} and \keyindex{tbbl} may also be invoked when only -a single beam is active. Then, a second beam (upper or lower according -the initiating procedure) is opened \ital{one note width before -the current position, and closed immediately}. Thus the following sequence - -\begin{music} -\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures\debutextrait -\large \temps -\notes\ibu0e0\qh0e\tbbu0\tbu0\qh0e\enotes -\finextrait -\end{music} - -\medskip\noindent is coded: - -\medskip -\begin{quote}\begin{verbatim} -\notes\ibu0e0\qh0e\tbbu0\tbu0\qh0e\enotes -\end{verbatim}\end{quote} - -%\check - -\rm \medskip The same behaviour occurs in the case of \keyindex{tbbbu}, -\keyindex{tbbbl}, \keyindex{tbbbbu}, \keyindex{tbbbbl}, \keyindex{tbbbbbu} -and \keyindex{tbbbbbl}. - -\medskip The symmetrical pattern is also possible. For example: - -\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures -\debutextrait\normal -\Notes\ibbl0j0\rlap{\qsk\tbbl0}\qb0j\tbl0\qb0j\enotes -\finextrait -\end{music} - -\noindent has been coded as: - -\medskip -\begin{quote}\begin{verbatim} -\Notes\ibbl0j0\rlap{\qsk\tbbl0}\qb0j\tbl0\qb0j\enotes -\end{verbatim}\end{quote} - - -\medskip \noindent{\sl REMARK: these codings may seem complicated. In fact, -it is the responsibility of the user to define macros which perform the most -common sequences in his masterpiece. For example, one could define sets of -four sixteenths by the macro:} - -\medskip{\Bslash def\bslash qqh\#1\#2\#3\#4\#5\{\% - -\bslash ibbl0\#2\#1\bslash qh \#2\bslash qh \#3\bslash tbl0\bslash qh \#4\}} - -\medskip\noindent{\sl -where the first argument is the slope and the other four arguments are the -pitches of the four consecutive sixteenths wanted.} - %\check -\subsection{Repeated pattern beams}\index{repeated patterns} - Note heads hanging on beams are not necessarily quarter (or higher order) -note heads. It is possible to hang half note heads on beams using -\keyindex{hh} and \keyindex{hb} macros, e.g.: - -\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures -\debutextrait\normal -\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes -\Notes\ibbu0g0\hh0g\tbu0\hh0g\enotes -\finextrait -\end{music} - -\noindent has been coded as: - -\medskip -\begin{quote}\begin{verbatim} -\Notes\ibbl0j0\hb0j\tbl0\hb0j\enotes -\Notes\ibbu0g0\hh0g\tbu0\hh0g\enotes -\end{verbatim}\end{quote} - -It is also possible to write - -\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures -\debutextrait\normal -\Notes\ibbl0j3\wh j\tbl0\wh l\enotes -\Notes\ibbu0g3\wh g\tbu0\wh i\enotes -\finextrait -\end{music} - -\noindent which was coded as: - -\medskip -\begin{quote}\begin{verbatim} -\Notes\ibbl0j3\wh j\tbl0\wh l\enotes -\Notes\ibbu0g3\wh g\tbu0\wh i\enotes -\end{verbatim}\end{quote} - -\noindent However, a better look could be obtained in a more sophisticated -way\footnote{You are suggested to make your own macro if you have to type many -of these.}: - -\begin{music}\def\nbinstruments{1}\nbporteesi=1\relax -\cleftoksi={{0}{0}{0}{0}}\def\instrumenti{}\resetsignatures -\debutextrait\normal -\Notes\zw j\qsk\ibbl0j3\sk\tbl0\wh l\enotes -\Notes\ibbu0g3\wh g\tbu0\qsk\wh i\enotes -\finextrait -\end{music} - -\noindent which was simply coded as: - -\medskip -\begin{quote}\begin{verbatim} -\Notes\zw j\qsk\ibbl0j3\sk\tbl0\wh l\enotes -\Notes\ibbu0g3\wh g\tbu0\qsk\wh i\enotes -\end{verbatim}\end{quote} - - -\subsection{Semi-automatic beams} - In order to avoid tedious checks to adjust the slope (and even the starting -pitch) of beams in music with a lot of steep beams, a set of automatically -slope computing has recently been implemented (file {\tty musicvbm.tex}). If -you say {\Bslash Ibu2gj3} \musictex\ will understand that you want to -build an upper beam (beam number 2) horizontally extending \hbox{3\Bslash -noteskip}, the first note of which is a {\tty g} and the last note is a{\tty j}. -Knowing these parameters it will choose the highest slope number which -corresponds to a slope not more than $(\hbox{\tty j}-\hbox{\tty -g})/(3\keyindex{noteskip})$. Moreover, if there is no sufficiently steep beam -slope available, then it will raise the starting point. - - -\medskip Ten such macros are available: \keyindex{Ibu}, \keyindex{Ibbu}, -\keyindex{Ibbbu}, \keyindex{Ibbbbu}, \keyindex{Ibbbbbu}, \keyindex{Ibl}, -\keyindex{Ibbl}, \keyindex{Ibbbl}, \keyindex{Ibbbbl} and \keyindex{Ibbbbbl}. -Examples of their use is given in {\tty marcello.tex}. - -\par\penalty -8000 -\rm - \section{Rests} - - Except that difference that they have no specific pitch, rests are coded in a -very simple way. - -\subsection{ordinary rests} - - Full bar rests (also called ``pauses'') are coded as \keyindex{pause}; -smaller rests are \keyindex{hpause} (of duration equal to a \ital{half -note}), \keyindex{soupir} (duration equal to a \ital{quarter note}), -\keyindex{dsoupir} (duration equal to an \ital{eighth note}, also -\keyindex{ds}), \keyindex{quartsoupir} (duration equal to an -\ital{sixteenth note}, also \keyindex{qs}), \keyindex{huitsoupir} (duration -equal to an \ital{thirtysecond note}, also \keyindex{hs}), -\keyindex{seizsoupir} (duration equal to an \ital{sixty fourth note}, also -\keyindex{qqs}). - - Long rests (lasting several bars) can be coded as \keyindex{PAuse} -and \keyindex{PAUSe}, which respectively yield: - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\generalmeter{\meterfrac{4}{4}}\relax -\debutextrait -\normal\elemskip=0.115\hsize -\temps\Notes\sk\PAuse\enotes -\barre\Notes\sk\PAUSe\enotes -\finextrait - \end{music} - -\subsection{Lifted rests} - All the previous rests are \ital{hboxes}; this means that they -can be vertically offset to meet polyphonic music requirements using the -standard \TeX\ command \keyindex{raise}. - - In addition, two symbols have been provided to put a \itxem{full rest} or a -\itxem{half rest} above or below the staff. Then the ordinary \verb|\pause| or -\verb|\hpause| cannot be used since there is a need for small horizontal line -to distinguish between the full and the half rest. They are~: - \begin{itemize} - \item \keyindex{expause}~$p$ (spacing) for \hbox to 1.5em{\hss\expause 1\hss} -at pitch position $p$, - \item \keyindex{exhpause}~$p$ (spacing) for \hbox to 1.5em{\hss\exhpause 1\hss}, - \item \keyindex{zexpause}~$p$ (non spacing) for \hbox to 1.5em{\hss\zexpause 1\hss}, - \item \keyindex{zexhpause}~$p$ (non spacing) for \hbox to -1.5em{\hss\zexhpause 1\hss}. - \end{itemize} - - \section{Phantom notes} - -It may be interesting, when coding a sequence of notes within a unique pair -{\Bslash notes...\bslash enotes}, to skip one note place in order -- for -example -- to set the third note of one staff at the same abscissa as that of -the second note of another staff. This can be done by inserting \keyindex{sk} -which causes a spacing of one \keyindex{noteskip}\footnote{Do not use -\keyindex{kern} nor \keyindex{hskip}~: in fact \keyindex{sk} not only causes -a space but also records that space for correct handling of beams.}. - -\medskip If you just want to shift a note or a symbol by one note head width, -you may write \keyindex{qsk}. However, if you want to offset a note by one -note head width in a chord, you have better use the \keyindex{roff} -macro\footnote{The reason for that pertains to \ixem{\musixtex} which might -dilate or shrink the {\bslash \qsk} spacing while the {\bslash roff} offset is -absolute.}. - -\medskip Note that these two latter macros must be used inside a pair {\tty -\bslash notes...\bslash enotes}. If you want to make a spacing of one note -head width outside, write \keyindex{nspace}. Conversely, a more general -spacing is allowed within the {\Bslash notes...\bslash enotes} pairs, namely: - -\medskip{\tty\keyindex{off} $d$} - -\medskip\noindent where $d$ is any \TeX\ valid dimension, for example -{\Bslash noteskip} or {\tty 5\bslash Interligne}. In fact, if you look to the -\musictex\ source, you will find that {\Bslash off} is the basic control -sequence used to define \keyindex{sk}, \keyindex{qsk}, etc. - - -\section{Collective coding: sequences of notes} - - -As seen in the {\sc Mozart} example, it is not necessary to write a macro -sequence {\Bslash notes...\bslash enotes} for each column. If, on all -staffs of all instruments, spacings are equal or multiple of a unique value, -the notes may be concatenated in each staff: each note in each staff makes -the current position horizontally advance by the elementary spacing specified -by the choice of {\Bslash notes}, {\Bslash Notes}, {\Bslash -NOtes}, etc. - -%\check - - - -\medskip The major interest of this feature resides in that fact that -the note macros are able to write several items; for instance -{\Bslash qu\{cdefghij\}} writes the \ital{C-major} scale in quarters with -stem up. In the same way {\Bslash cl\{abcdef\^{ }gh\}} writes the -\ital{A-minor} scale in eighths. Not all note generating macros can be used -to perform collective coding, but most of them can. They are: - -\begin{itemize} \item all the spacing notes: \keyindex{wh}, \keyindex{hu}, -\keyindex{hl}... \keyindex{ccccl} and the beam hooked notes, i.e. -\keyindex{qh}$n$ and \keyindex{qb}$n$. \item all the chord notes with names -of the form {\Bslash z...}. \end{itemize} - - Conversely, shifted notes are not supposed to be used in collective coding, -mainly because they are used in very special cases which do not deserve -wasting memory space to make them collective. - -\medskip If necessary a void space can be inserted in a collective coding by -using {\tty*}\index{*}. - - -%\check -\section{Accidentals} - - -Accidentals can be introduced in two ways. - -\medskip The first way, the \ital{manual} way of coding them, consists for -example in coding {\tty\keyindex{fl} a} to put a \ital{flat} at the pitch $a$, -supposedly before the further note of that pitch. There is no control upon -the fact that a note will be put at this position and at this pitch. -Naturals, sharps, double flats and double sharps are coded \keyindex{na}~$p$, -\keyindex{sh}~$p$, \keyindex{dfl}~$p$ and \keyindex{dsh}~$p$ respectively. - -\medskip -Alternate procedures \keyindex{lfl}, \keyindex{lna}, \keyindex{lsh}, -\keyindex{ldfl} and \keyindex{ldsh} -place the same accidentals, but their abscissa is shifted one note head width -on the left. The purpose of this is to avoid collision of accidentals -in a chord with narrow intervals. - -\medskip -%\check - The second way of coding accidentals consists in putting the symbol {\tty -\^{ }} (sharp), the symbol {\tty\_} (flat), the symbol {\tty=} (natural), the -symbol {\tty>\relax} (double sharp), or the symbol {\tty<\relax} (double -flat) within the coding of the note, e.g.: {\Bslash qh\{\^{ }g\}} yields a -$G\sharp$. This may very well be combined with collective coding, e.g.: -{\Bslash qu\{ac\^{ }d\}}. - - -\medskip Two sizes are available for accidentals. They revert to the small -version when notes are supposed to be too close to each other. These two -sizes can be forces by coding \keyindex{bigfl}, \keyindex{bigsh}, etc., or -\keyindex{smallfl}, \keyindex{smallsh}, etc. If one does not want to have any -small accidentals, then one can declare \keyindex{bigaccid} (conversely -\keyindex{smallaccid} or \keyindex{varaccid} -- the latter restoring variable -sizes). - - -\medskip Small accidentals can also be put \ital{above} the note -heads. This is done using \keyindex{uppersh}~$p$, \keyindex{upperna}~$p$ or -\keyindex{upperfl}~$p$: - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\debutextrait -\normal -\temps\NOtes\sk\uppersh l\ql l\enotes -\temps\NOtes\upperna m\ql m\enotes -\temps\NOtes\upperfl l\ql l\enotes -\finextrait - \end{music} - - It also possible to introduce \ital{\ixem{cautionary accidental}s} on a -score, i.e.\ small size accidentals between parentheses. This done by preceding -the name of the accidental keyword by a {\tty c}, e.g. -by coding {\tty\keyindex{cfl}}$p$ to get a cautionary flat. - Available cautionary accidentals are \keyindex{csh}, \keyindex{cfl}, \keyindex{cna}, -\keyindex{cdfl} and \keyindex{cdsh}, which give: - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\debutextrait -\normal -\temps\NOtes\sk\csh g\qu g\enotes -\temps\NOtes\cfl h\qu h\enotes -\temps\NOtes\cna i\qu i\enotes -\temps\NOtes\cdfl j\qu j\enotes -\temps\NOtes\cdsh k\qu k\enotes -\finextrait - \end{music} - - Since cautionary accidentals are wider -that normal ones, it might be useful to insert some spacing before them, either -using \keyindex{temps} or a \keyindex{sk} within a {\Bslash notes...\bslash -enotes} group. - - - \section{Transposition and octaviation} - - -An important feature is the existence of a special register -\keyindex{transpose} the normal value of which is 0. If you say - -\medskip -{\Bslash transpose=3} - -\medskip\rm\noindent all subsequent pitches specified by -upper or lower case letters will be transposed 3 positions. If you set -\keyindex{transpose} to 7 you may write your music one octave below its final -pitch. Thus, you can define \ital{octaviation} macros like -%\check - -\medskip -\Bslash def\bslash soqu\#1\{\bslash zq\{\#1\}\{\bslash transpose=7\bslash relax -\bslash qu\{\#1\}\}\} - -\medskip\rm\noindent to build quarter note octaves in a single call. Note -that the octaviated note is coded within braces so that the transposition -is only local. -%\check - - -\medskip - \ital{Octaviation}\index{octaviation} can also be performed in is another -way, namely unsing special codes to transpose by multiples of 7 intervals. -For example {\Bslash qu\{'ab\}} is equivalent to {\Bslash qu\{hi\}} and -{\Bslash qu\{\`{}kl\}} is equivalent to {\Bslash qu\{de\}}. It should be -emphasized here that the {\tty'} (\itxem{acute accent}) and the {\tty\`{}} -(\itxem{grave accent}) have cumulative effects, so that {\Bslash qu\{''A'A\}} -is equivalent to {\Bslash qu\{ah\}} and that the {\Bslash transpose} -parameter is only reset to its initial value (not necessarily zero) when -changing staff or instrument (i.e. {\tty \|} or {\tty \&}) or at {\Bslash -enotes}. Since this may be confusing, it is useful to use the {\tty !} prefix -to reset the {\Bslash transpose} register explicitely to the value it had -when entering {\Bslash notes}\footnote{This value is saved in another -register named \keyindex{normaltranspose}.}. Thus {\Bslash qu\{!a'a\}} always -gives the note {\tty a} and its upper octave {\tty h} \ital{shifted by the -value of {\Bslash transpose} at the beginning of the current} \noindent -{\Bslash notes...\bslash enotes} group (or {\Bslash Notes...\bslash enotes}, -etc.) whatever the number of previous grave and acute accents occurring -inbetween. - -\medskip - The above processes indeed change the vertical position of the note heads -and associated symbols (note stems, accents and beams) but they do not -take care of the necessary changes of accidentals when transposing, i.e. the -fact that an $F\sharp$ occurring with a zero signature should become a -$B\natural$ when transposing from the tonality of $C$ major to $F$ major where -the normal $B$ is the $B\flat$. Since the intent of the composer is not -obvious -- he may want to shift a group of notes within the same tonality -or conversely to transpose it in another tonality -- this is not done -automatically. Thus the \keyindex{sh}, \keyindex{fl}, \keyindex{na}, \keyindex{dsh} and -\keyindex{dfl} symbols \ital{are not affected} by a change of the \keyindex{transpose} -register. - - -\medskip - But the composer/typesetter may ask \musictex\ to do that work. In this -case, he should code \keyindex{Sh}, \keyindex{Fl}, \keyindex{Na}, -\keyindex{dSh} and \keyindex{dFl} (or \keyindex{bigSh}, \keyindex{bigFl}, -\keyindex{bigNa}, \keyindex{bigdSh} and \keyindex{bigdFl} or -\keyindex{smallSh}, \keyindex{smallFl}, \keyindex{smallNa}, -\keyindex{smalldSh}, \keyindex{smalldFl}, \keyindex{cSh}, \keyindex{cFl}, -\keyindex{cNa}, \keyindex{cdSh} and \keyindex{cdFl}) instead of the usual -lower case accidental symbols. The symbol \keyindex{Sh} (resp. -\keyindex{bigSh} and \keyindex{smallSh}) means that the corresponding pitch -has to be raised by \ital{one half pitch} with respect to its normal value -\ital{according to the current signature}. Thus {\Bslash Sh b} means a -$B\sharp$ if the signature is zero or positive, and a $B\natural$ if it is -negative. The same logic applies for all accidentals having an upper case -forelast letter. - - -\medskip - Obviously, the computation is done after taking account of the value of -the \keyindex{transpose} register. - - -\medskip The compact codes {\tty \^{}}, {\tty \_}, {\tty =} are normally not -affected by transposition and signatures, but their behaviour can be changed -by saying \keyindex{relativeaccidentals} and reset by -\keyindex{absoluteaccidentals} (the default situation). - -%\check - - -\medskip Although \ital{relative accidental coding} is an easy and safe way -of coding \ital{transposable} scores, care should be exercised in getting rid -of the habit of saying {\Bslash na b} to rise the pitch of a $B$ when the -tonality is $F$ major (i.e. with {\tty\keyindex{sign$n$}=-1} or -{\tty\keyindex{generalsignature}\{-1\}}). An example of sophisticated -transposition is given in the score {\tty souvenir.tex} (which {\Bslash -input}s {\tty souvenix.tex}). It should be noted that \ital{relative accidental -coding} is compatible with \itxem{cautionary accidental} coding: in this -case, one should code \keyindex{cNa}, \keyindex{cSh}, \keyindex{cFl}, -\keyindex{cdSh}, \keyindex{cdFl} respectively. - -\medskip - Besides, the typical piano octave transposition \hbox{\sl 8 - - - - - } can -be obtained by coding: - -%\check -\medskip \keyindex{octfin} $p$ $n$ - -\medskip\noindent which puts the 8 and dotted line symbols at the pitch $p$ -(usually {\tty p} to {\tty r}). The length is $n$\keyindex{noteskip}. This -obviously fit for short octaviation denotations. To transpose a whole line, -use \keyindex{octline}~$p$. Since \keyindex{octfin} terminates with a small -hook down, to indicate clearly where octaviation stops, you may also like to -use \keyindex{octsup} which behaves like \keyindex{octfin} without the final -hook. All this supposes you have an idea of the actual line breaking of your -score in that section, and this is admittedly difficult to handle when octave -transposition is supposed to long a large number of lines. In that latter -case, you can use the {\Bslash def\keyindex{everystaff}\{...\}} to insert -whatever code you like at each new line of score. This has been used to set -octaviation in the score of the \ital{Toccata in F} by Charles-Marie -\index{Widor, C.-M.}{\sc Widor}\footnote{A French organist (1844-1937) and -composer who was in charge of the organ of St-Sulpice in Paris, from 1864 to -1934.}: at each bar (or virtual bar, namely \keyindex{zbarre}), the {\Bslash -everystaff} procedure is updated to produce the convenient code, in case of -the line breaking happening before the next definition. -%\check - - \section{Ties and slurs} - - They have been implemented in a way which may look -rather ugly, but we think it is the only way of implementing \ital{in one -pass} ties and slurs which run \ital{across glue}. - - -\medskip Slurs and ties must be initiated within the pair {\Bslash -notes...\bslash notes} before the spacing note is coded. They must be -terminated also before the last note is coded. - - -\medskip\keyindex{itenu}~$np$ - - -\medskip\noindent\rm (\ital{ten} stands for the Italian word \ital{tenuto}) -initiates an upper tie (convex) at pitch $p$. Just like beams, ties have a -reference number $n$, from 0 to 6 (or 9 if {\tty musicadd} is included). -\keyindex{itenl}~$np$ initiates a lower tie (concave). - - -\medskip The tie of reference number $n$ is terminated by -\keyindex{tten}~$n$. - - -\medskip Slurs are initiated with \keyindex{ilegu}~$np$ and -\keyindex{ilegl}~$np$, where \ital{leg} stands for the Italian word -\ital{legato}, and they are terminated with \keyindex{tleg}~$n$. Except that -slurs start before the note position and stop after, ties and slurs work the -same way with the same syntax. They also share the same registers so that -slurs nesting tied notes should have numbers $n$ distinct from each other. -\subsection{Standard and nicer slurs} - -\medskip Since version 4.7, beginnings and ends of slurs are produced using -a special font ({\tty slurn16} or {\tty slurn20}) rather than using \TeX\ -bracing tokens from {\tty cmex10}. Thus the bending of slurs is now nicer and, -moreover, several slur sizes are available. For example: - -\begin{music} -\def\nbinstruments{1}\relax -\computewidths -\debutextrait -\normal -\temps\NOtes\Ilegu0l\qu g\enotes -\NOtes\qu h\enotes -\NOtes\ql i\enotes -\NOtes\tleg0\ql j\enotes -\finextrait - \end{music} - -\noindent has been coded using \keyindex{Ilegu} rather than \keyindex{ilegu} -(resp.\ using \keyindex{Ilegl} rather than \keyindex{ilegl} if a lower slur -is wanted), namely: - -\begin{quote}\begin{verbatim} -\NOtes\Ilegu0l\qu g\enotes -\NOtes\qu h\enotes -\NOtes\ql i\enotes -\NOtes\tleg0\ql j\enotes -\end{verbatim}\end{quote} - - It should to be noted that, as a standard, \itxem{ties} still use the \TeX\ -bracing symbols; this is mainly done to avoid visibility problems with ties -occurring in the middle of staffs, i.e. in a situation where tie lines could -overlap and be confused with staff lines. But the \musictex\ user can request -using special slur fonts by coding \keyindex{Itenu} or \keyindex{Itenl} -instead of \keyindex{itenu} or \keyindex{itenl}. Even more, big symbol ties -are available using \keyindex{ITenu} or \keyindex{ITenl}. - -\medskip As a standard, only two slur and tie symbol sizes are referred by -\musictex\ macros, but a quick look into {\tty musicnft.tex} show that these -definitions explicitely refer to a character number of the slur font: - -\begin{quote}\begin{verbatim} -\def\ITenu#1{\selecttenue{#1}\I@tenu{70}}% -\def\Ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\I@tenu{70}{#2}}}% -\def\Itenu#1{\selecttenue{#1}\I@tenu{66}}% -\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\I@tenu{66}{#2}}}% -\end{verbatim}\end{quote} - - Then the \musictex\ user can, for his own special needs, define new macros -using other character codes in the range 64--79, knowing that each character -of this range is one point longer than the previous one. - -\subsection{Problem with large slur ends} - -Due to spacing problems, it may happen that the end of an \keyindex{Ilegu} or -\keyindex{Ilegl} makses some ugly overlap between the currrent slur -horizontal rule and the ending symbol itself. This is due to the ending -symbol being so long that it overlaps the end of the horizontal rule. The -easiest way of removing that slight trouble consists in replacing --- for -example --- {\tty\keyindex{tleg}0} with the more sophisticated commands~: - -\medskip\verb|\rlap{\qsk\tleg0}| - -\medskip\noindent which delays the position of the closing slur symbol by a -space equal to the note head width. - -\subsection{Weird slurs and ties} - -In some special cases, usually in romantic music, one may want to invert the -sense of a slur, linking for example a keyboard phrase beginning at the left -hand and ending at the right hand. Thus, the slur of number $n$ (a numeric -vamue, not a roman numeral) can be inverted -by - -\medskip\keyindex{Invertslur} $n$ - -\medskip Besides, for some good reason, one may want to raise a slur at the -next line. This is done by - -\medskip\verb|\def\atnextline{|\keyindex{liftslur} $n$\verb|{| -\ital{dimension} \verb|}}| - -\medskip\noindent which will lift the slur number $n$ by the given amount at -the next line change. Of course, \keyindex{liftslur} could be called in the middle -of a line, but the result would be rather ugly. - -These two features are used at bars number 131--132 of examples {\tty -PACIFIQB} and {\tty PACIFIQN}. - -\subsection{Refined slurs for clever typesetters} - In addition to the previous extension and improvement of existing features, -long nice horizontal slurs are also available, but they can be used only with -two restrictions: - -\begin{itemize} - -\item They are not managed when \itxem{glue} is inserted, especially by -\keyindex{temps} and \keyindex{barre}; - -\item They cannot be cut at line breaking. - -\end{itemize} - - Thus, their use is recommended only for nice slurs extending a few bars and -not supposed to occur across lines. With this restrictions, - -\begin{music} -\def\nbinstruments{1}\relax -\computewidths -\debutextrait -\normal -\temps\NOtes\zcharnote l{\huslur{3.5\noteskip}}\qu g\enotes -\NOtes\qu h\enotes -\NOtes\ql i\enotes -\NOtes\ql j\enotes -\finextrait -\end{music} - -\noindent has been obtained by coding: - -\begin{quote}\begin{verbatim} -\NOtes\zcharnote l{\huslur{3.5\noteskip}}\qu g\enotes -\NOtes\qu h\enotes -\NOtes\ql i\enotes -\NOtes\ql j\enotes -\end{verbatim}\end{quote} - -However, the best solution is now to use \ixem{\musixtex} which systematically -makes beautiful slurs, at the cost of a three pass system instead of one... - -\section{Bars} - -\subsection{Bars and spacing} - - - Ordinary \ital{bars} a coded using the macro \keyindex{barre} (this is a -French word\footnote{Whose advantage is that it differs from {\Bslash -bar} which is already defined in \TeX.}). This macro provides an optional -(discretionary) line or page break\footnote{Unless it is triggered according -to bar counting when \keyindex{autolines} has been invoked.}. It also -provides some \ital{glue} in order to expand the text over an evenly filled -line. - - -\medskip However, since the number of bars in a score line is generally -small, it may be convenient to allow \ital{glue} not only on each sides of -\ital{bars}. This can be done using the macro \keyindex{temps} (the -French word for \ital{beat}). This macro has two effects: - -\begin{enumerate} - \item it inserts some \ital{glue} but prevents line breaking\footnote{This -could unpleasantly occur if you insert a space...}, - \item if some ties or slurs are pending it expands them across the glue by -writing an \keyindex{hrule} which overlaps the unfinished tie and makes it -look prolongated. - \end{enumerate} - - -\medskip - Whatever the care you exercize in adjusting the size of the -\keyindex{elemskip}, you are still likely to find some broken ties (which -indicate excessive glue disassembling the gliding tie \keyindex{hrule}s) or -some unexpected (and unwanted) line breaks or some Over[aw]full -\keyindex{hbox}es. A useful means of estimating the remaining space to be -filled with glue consists in declaring \keyindex{raggedlinestrue}~: after -that, an \keyindex{hfil} will be inserted by \musictex\ before each computed -(when using \keyindex{autolines}) or forced line break. Thus, all the musical -text will be packed on the left of the line and you will clearly see the -amount of remaining space. Then, it will be up to you do decide changing some -spacing parameters. - - -\medskip\noindent{\bf Important: \sl do not use \keyindex{temps} when -\ital{beams} are pending, otherwise their spatial synchronization would fail. - In other words, ties and slurs can jump over glue (because horizontal rules -may overlap and thus have some elasticity) but beams (as well as any oblique -lines) cannot.} - -\subsection{Bar numbering} -\rm Unless otherwise specified, \index{bar numbering}bars are -numbered. This is a good means of finding errors provided that the Music\TeX\ -user has put comments in his source text recording the (expected) bar number. -However, this can look unpleasant for final outputs, since the habit is to -number bars only each other five or ten bars. This is not a serious problem -since the frequency of bar numbering is defined as: - -\medskip{\Bslash def\keyindex{freqbarno}\{1\}} - -\medskip -If you replace the {\tty 1} by {\tty 5}, bar numbering will occur each other five -bars. You can also inhibit any bar number printing by telling: - -\medskip{\Bslash def\bslash wbarno\{\}} - -\medskip\noindent or, in a more clever way: - -\medskip{\Bslash def\bslash freqbarno\{9999\}}. - -\medskip The bar counter is also accessible, its name is \keyindex{barno}. -This has nothing to do the the bar counting invoked by \keyindex{autolines}, -so you can change it without any dramatic consequence. - -\subsection{Full and instrument divided bars} - Normally, bars (as well as double bars, final bars and repeat bars) are -drawn as a continuous line, starting for the bottom of the lower staff of the -lower instrument, and ending at the top of the upper staff of the upper -instrument. However, one may want to have discontinuous bars, that is, one -continuous bar for all the staffs of a unique instrument. This is done by -issuing the command \keyindex{sepbarrules}. An example of this is given in the -{\tty ANGESCAO} (or {\tty ANGESCAM}) example; it has also been used in the -example of section \ref{avemaria}. - - The initial situation can be forced or restored by -\keyindex{stdbarrules}. - -\section{Line and page breaking}\label{linepagebreak} - - -Bars provide a line breaking mechanism which is supposed to enable \TeX\ -to break a full score into lines and pages, with an optimal distribution -of the text into lines and pages. Unfortunately, this does not work -correctly for scores of more that approximately one page. The reason is -that \TeX\ must compile the entire contents of a paragraph, before it -tries to break it into lines and pages. Therefore, one cannot rely on \TeX\ -to make that work which automatically results in the diagnostic {\tty TeX -capacity exceeded, memory...}. -%\check - - -\medskip To circumvent this dramatically restrictive capacity\footnote{\TeX\ -has been designed to type text, not music.} unless you use some -Big\TeX\footnote{Whose drawback is that it is very slow on ordinary PCs.} -another mechanism must be invoked to break lines.\index{Big\protect\TeX} - - -\medskip The first one is the manual one: you replace some of the {\Bslash -barre} macro calls by either \keyindex{alaligne} (equivalent to -\keyindex{break} within text: in fact it contains a \keyindex{break} plus -some (many) other things). In the same way, you can code {\Bslash alapage} to -force an \keyindex{eject} with proper reinitialization of staffs, clefs and -signatures. - - -\medskip The second one is fit for scores with -bars of regular length: after \keyindex{debutmorceau}, you code the -following macro: - - -\medskip\Bslash autolines $tml$ - -\medskip\noindent\rm where $t$ is the number of \ital{elementary spacings} -(the length of {\Bslash notes...\bslash enotes}) in an average bar, $m$ is -the number of bars you wish in a line and $l$ is the number of lines you wish -in a page\footnote{After having coded nearly one hundred of pages of music, I -strongly recommend the use of \keyindex{autolines} except when inserting -short excerpts of less than one line, such as in musicographic books.}. - -\medskip This sets some parameters, namely \keyindex{maxbarsinline} and -\keyindex{maxlinesinpage} which are simply used to count the bars, optionally -perform \keyindex{alaligne} or \keyindex{alapage} instead of the normal -\keyindex{barre}. You may freely alter the values of these parameters, once -they have been established by \keyindex{autolines}. Moreover, you can still -force line breaking of page ejection using {\Bslash alaligne} or -\keyindex{alapage} without problem since these macros actually reset the bar -counters appropriately. - - -\medskip On the other hand, you may want to forbid line breaking at a bar, -then you replace {\Bslash barre} by \keyindex{xbarre}. - - -\medskip Conversely, you may want to -break a line \ital{not at a bar}\footnote{For example, you may prefer to turn -the page at a place where the pianist has one hand free.}. This is allowed by -\keyindex{zbarre} (optional line break) or forced by {\Bslash -zalaligne} or \keyindex{zalapage}. - - -\medskip -The final heavy double bar of a piece is provided by \keyindex{finmorceau}. -If you just want to terminate the text with a simple bar, you say -\keyindex{suspmorceau}. If you want to terminate it without a bar, you code -\keyindex{zsuspmorceau}. Once you have stopped the score by any of these -means, you can restart it using \keyindex{reprmorceau}. - -However, using {\Bslash reprmorceau} after a {\Bslash finmorceau} may have a -little drawback: if {\Bslash finmorceau} occurs at the bottom of a page -defined by \keyindex{autolines}, it does not cause a page break which could -lead to en empty page after the end of the piece but, conversely, this might -cause another trouble if this only was the end of a scora part, not the end of -the whole score. Therefore, an alternate command has been provided, namely -\keyindex{Suspmorceau} which duly performs the page break, in order to be -ready to score another part of a complex peace. Thus, as a rule~: - -\begin{itemize} - \item use \keyindex{finmorceau} at the very end of your score, - \item use \keyindex{Suspmorceau} at the end of the parts of a complex piece. - -\end{itemize} - - -\medskip If you want the next vertical bar to be a double bar, you have to -declare \keyindex{setdoublebar} before the \keyindex{barre} (or the -\keyindex{suspmorceau} or \keyindex{alaligne} or \keyindex{alapage}) to be -marked with a double thin bar. - - -\section{Changing score attributes} - - - As seen before, you can change the -signature of the whole set of instruments by \keyindex{generalsignature}~$n$ -where $n>0$ means a number of sharps, $n<0$ means a number of flats. Or, you -may prefer to change the signature of only one or two instruments by the -statement: - - -\medskip\Bslash sign$r$=$s$ - -\medskip\rm\noindent - %\check - where $r$ is the roman numeral of the instrument considered, and $s$ its -specific signature. Since you may change simultaneously (with respect to the -score) but consecutively (with respect to your code) the signatures of -several instruments, this change takes place only when you say -\keyindex{changesignature} (within a bar) or \keyindex{changecontext} (after -a single vertical rule) or \keyindex{Changecontext} (after a double vertical -rule). -%\check - In the same way, you may want to change the active clefs. -This is done by - -\medskip\tty\keyindex{cleftoks$r$}=\{\{$s1$\}\{$s2$\}\{$s3$\}\{$s4$\}\}\% - -\medskip\rm\noindent where $r$ is the roman numeral of the instrument, $s1$ -specifies the clef of the lower staff, $s2$ the clef of the second staff, -etc. One must always give four values with the above syntax, otherwise\dots\ -$s1=6$ means the \ital{bass} clef (\ixem{clef de fa} in French), $s1=0$ means -the \ital{violin} clef (\ixem{clef de sol} in French), $s1=1$ through $s1=5$ -mean the \ital{alto} clef (\ixem{clef d'ut} in French) set on first (lower) -through fifth (upper line of the staff). \index{violin clef}\index{bass -clef}\index{alto clef} - As seen above in the case of signatures, several clefs may be changed at the -same time; thus all the clef changes become operational only when the macro -\keyindex{changeclefs} is coded. Normal usage consists in issuing this -command before the bar, not after (this helps the music player when the -change happens across a line break). - - The \verb|\changeclefs| command normally takes some horizontal space to put -one of more clef symbols, but it may happen that you have no notes -immediately before on the staff whose clef is changed. In that case, you can -use \keyindex{zchangeclefs} which performs the same posting, overwritten left on -the last part of the score in that staff. Of course it is your responsability -to ensure that no notes will collide with the clef change symbols. - %\check - - Caution should be exercized changing clefs when \itxem{beams} are pending: -in fact the \verb|\changeclefs| and \verb|\zchangeclefs| perturbate the -computation of beams and this command should be invoked only - \begin{itemize} - \item out of {\Bslash notes}, {\Bslash Notes}... --- {\Bslash enotes} pairs; - \item only when no beam is pending\footnote{No problem with slurs and ties.}. -\end{itemize} - -If a clef change has to be typeset when one or several beams are pending, the -operation should be done in a more manual way: -\begin{itemize} - \item say \keyindex{saveclefs} instead of \keyindex{changeclefs}~: -This actually records the \keyindex{cleftoks$r$} statement and no further -{\Bslash changeclefs} will repeat the clef change; the new clef will not -be typeset by \verb|\saveclefs| itself but rather by the next \verb|\notes| or -\verb|\Notes| command; - \item say \verb|\charnote0{\smallclefdesol}| (resp. -\verb|\charnote0{\smallclefdefa}| or \verb|\charnote0{\smallclefdut}|) where -you like it and at the right staff (i.e. within {\Bslash notes}, {\Bslash -Notes}... --- {\Bslash enotes} pairs) to type set the wanted clef symbol. - \end{itemize} - As an example, an excerpt of {\sc Brahms}'s Intermezzo op.~117,1 provided by -Miguel {\sc Filgueiras}:\index{Brahms} - -\begin{music} -\parindent 1cm -\def\nbinstruments{1}\relax -\def\freqbarno{9999}% no bar numbers -\nbporteesi=2\relax -\cleftoksi={6000}% F- and G-clefs -\generalsignature{-3}% 3 flats -\relax -\debutextrait -\normal -\off{1em}\temps\Notes\larpeggio{E}5\zq{EI}\qu{N}\charnote0{\smallclefdesol}\relax -\nextstaff\qsk\ibl0e{-1}\zq{eg}\qb0l\zq{d}\qb0k\enotes -\cleftoksi={0000}\saveclefs\Notes\tbu0\zq{ce}\qh0j\relax -\nextstaff\zq{sn}\cl{l}\enotes -\Notes\zq{be}\qu{i}\nextstaff\zq{sn}\ql{l}\enotes -\cleftoksi={6000}\changeclefs\Notes\zq{E}\cu{I}\relax -\nextstaff\ibbu1h{-1}\zq{ae}\qh1h\tbu1\zq{N}\qh1g\enotes -\finextrait - \end{music} -\noindent which was coded as: - \begin{verbatim} -\begin{music} -\def\nbinstruments{1}\relax -\def\freqbarno{9999}% no bar numbers -\nbporteesi=2\relax -\cleftoksi={6000}\generalsignature{-3}% 3 flats -\debutextrait -\normal -\off{1em}\temps\Notes\larpeggio{E}5\zq{EI}\qu{N}% -\charnote0{\smallclefdesol}\relax -\nextstaff\qsk\ibl0e{-1}\zq{eg}\qb0l\zq{d}\qb0k\enotes -\cleftoksi={0000}\saveclefs\Notes\tbu0\zq{ce}\qh0j\relax -\nextstaff\zq{sn}\cl{l}\enotes -\Notes\zq{be}\qu{i}\nextstaff\zq{sn}\ql{l}\enotes -\cleftoksi={6000}\changeclefs\Notes\zq{E}\cu{I}\relax -\nextstaff\ibbu1h{-1}\zq{ae}\qh1h\tbu1\zq{N}\qh1g\enotes -\finextrait -\end{music} - \end{verbatim} - -\medskip \ital{Meter} changes are implemented the same way: - -\medskip\Bslash metertoks$r$=\{\{$m1$\}\{$m2$\}\{$m3$\}\{$m4$\}\}\% - -\medskip\rm\noindent - where $r$ is the roman numeral of the instrument, $m1$ specifies the meter -of the lower staff, $m2$ the meter of the second staff, etc. One must always -give four values with the above syntax, otherwise\dots\ Since meter changes -are meaningful only across bars, they are actually taken in account with -\keyindex{changecontext} or \keyindex{Changecontext} or \keyindex{alaligne} -or \keyindex{alapage}. - - -\section{Repeats} -%\check - - - To insert a \ital{repeat bar} you can use several sets of procedures. - -\subsection{Elementary and unsafe solutions} The -simplest consists in using the commands \keyindex{leftrepeatsymbol}, -\keyindex{rightrepeatsymbol} and \keyindex{leftrightrepeatsymbol} -- coded -outside the {\Bslash notes...\bslash enotes} pairs -- which will simply -insert these colon adorned double bars at the requested place. For example: - -\begin{music} - \def\nbinstruments{1} - \generalsignature{0}\savesignature - \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax - \debutextrait\normal - \notes\hu g\enotes - \leftrepeatsymbol - \notes\hu h\enotes - \leftrightrepeatsymbol - \notes\hu i\enotes - \rightrepeatsymbol - \Notes\wh j\enotes - \finextrait -\end{music} - - \noindent has been coded as: -%\check - - -\begin{quote}\begin{verbatim} -\notes\hu g\enotes -\leftrepeatsymbol -\notes\hu h\enotes -\leftrightrepeatsymbol -\notes\hu i\enotes -\rightrepeatsymbol -\Notes\wh j\enotes -\end{verbatim}\end{quote} - -\medskip - However, the previous way of coding does not provide for line breaking -at repeat bars, nor does it advance the bar numbering. In fact, this way of -coding if only fit for repeats occurring in the middle of a bar. - - -\medskip A second way of coding consists in saying \keyindex{setleftrepeat}, -\keyindex{setrightrepeat} or \keyindex{setleftrightrepeat} before a bar -(\keyindex{barre}), \keyindex{suspmorceau} or \keyindex{changecontext}). In -this case, the next single\footnote{\keyindex{setrightrepeat} does not change -the effect of \keyindex{finmorceau}; in that case use -\keyindex{finrightrepeat}.} vertical bar will be replaced with the selected -repeat bar. This meets the traditional music typesetting conventions in the -only case of the \ital{right repeat} but, unfortunately, left and left/right -repeats use to behave in a different manner when in the middle of a line and -at a line break. - - -\subsection{Safe and correct coding} The third coding, namely the correct coding -- i.e. transforming in -the correct manner when occurring at a line break -- is obtained by -substituting the \keyindex{barre} command with \keyindex{leftrepeat}, -\keyindex{rightrepeat} and \keyindex{leftrightrepeat}. -%\check - - -\medskip - Now, if you want to force a new line at a repeat, you should code -respectively: - - -\medskip\keyindex{setrightrepeat}\keyindex{alaligne} - - \keyindex{setrightrepeat}\keyindex{suspmorceau} - - {\Bslash alaligne}\keyindex{leftrepeatsymbol} - - \keyindex{reprmorceau}\keyindex{leftrepeatsymbol} - - \keyindex{debutmorceau}\keyindex{leftrepeatsymbol} - -\medskip\noindent or the combination of two of these in the case of a -left/right repeat. - -\subsection{Specific first and second pass scoring} - -A frequent situation consists in a long repeated score, but the last few bars -are different at first pass and at second pass. This can be specified by -saying \keyindex{setprimavolta} or \keyindex{setsecondavolta}\footnote{From -the Italian \ital{prima volta} meaning ``first time'', and \ital{seconda -volta} meaning ``second time''.} before the next \keyindex{barre} or -\ital{repeat} (usually {\Bslash rightrepeatsymbol}). For example~: - - -\begin{music} - \def\nbinstruments{1} - \generalsignature{0}\savesignature - \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax - \debutextrait\normal - \Notes\qu {ghij}\enotes - \setprimavolta\barre - \Notes\qu {hijk}\enotes - \setsecondavolta\setrightrepeat\barre - \Notes\qu {ijkl}\enotes - \barre - \NOTes\wh j\enotes - \finextrait -\end{music} - - \noindent has been coded as: -\begin{quote}\begin{verbatim} - \def\nbinstruments{1} - \generalsignature{0}\savesignature - \nbporteesi=1\cleftoksi={{0}{0}{0}{0}}\relax - \debutextrait\normal - \Notes\qu {ghij}\enotes - \setprimavolta\barre - \Notes\qu {hijk}\enotes - \setsecondavolta\setrightrepeat\barre - \Notes\qu {ijkl}\enotes - \barre - \NOTes\wh j\enotes - \finextrait -\end{verbatim} \end{quote} - -The ``prima volta'' and ``seconda volta'' symbols are normally set at {\tty -2\bslash Interligne} above the upper line of the staff, and one centimeter -wide. If the music typesetter does not like that, he can issue for example: - -\medskip\keyindex{Setprimavolta}\verb|{4\Interligne}{0.78in}| - -\medskip\noindent where the first argument is the vertical offset, and the -second one is the length of the upper horizontal line. A symmetrical feature is -\keyindex{Setsecondavolta} with also two dimension arguments. - -Note that these special settings are only valid for one usage; after that, -they are reset to the standard values. - -%\check -\subsection{Large scope repeats} Large scope repeats have also been provided -special symbols, namely using \keyindex{coda} and \keyindex{segno}~: - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\nbporteesi=1\relax -\debutextrait -\normal -\notes\sk\enotes -\temps\NOtes\coda l\enotes -\temps\NOtes\segno l\enotes -\finextrait - \end{music} - -\medskip\noindent which have been coded: - -\begin{quote}\begin{verbatim} -\NOtes\coda l\enotes -\NOtes\segno l\enotes -\end{verbatim}\end{quote} - -%\check - \section{Miscellaneous} - -\subsection{Putting anything anywhere} - -Special macros are provided to help the composer to set any \TeX\ -text on the staffs. The macro - -\medskip\keyindex{charnote}~$p$\tty\{ {\rm text} \} - -\medskip\rm\noindent -sets the given text with its base line at pitch $p$ of the current staff -(this means it must be coded inside {\Bslash notes...\bslash enotes}). -Whatever the length of the text, the spacing is \keyindex{noteskip}. -If you do not want it to cause spacing, you code \keyindex{zcharnote}. -If you want the possible spilling text to expand on the left rather than on the -right, then you can use \keyindex{lcharnote}. -% - -\medskip -To place some text at the mid-position between the two staffs of -a keyboard instrument, you may code: - -\medskip\tty\keyindex{midtwotext}\{ {\rm text} \}\ \ \% \rm (spacing) - -\medskip\tty\keyindex{zmidtwotext}\{ {\rm text} \}\ \ \% \rm (non spacing) - -\medskip\rm\noindent being however -careful, a) to put it inside {\Bslash notes...\bslash enotes}, b) to code it in the -text of the lower staff. - -\medskip A text to be put above the current staff is introduced by -{\tty\keyindex{uptext}\{...\}}. This may however cause some collision with bar -numbering or notes above the staff; it is then wise to use {\tty -\keyindex{Uptext}\{...\}} which puts the text two pitches higher (recommended -to post the tempo). - -\medskip -The macro \keyindex{zcharnote} is fit for coding special notations like -accents above or below the notes. It behaves like \keyindex{charnote} but -causes no spacing. -\subsection{Metronomic indications} - -Metronomic indication deserves a special macro. The mention: - \par\centerline{\def\nbinstruments{0}\computewidths -\metron{\hup}{60}}\smallskip\noindent - is coded by {\tty\keyindex{metron}\{\bslash hup\}\{60\}} (normally embedded -in \keyindex{Uptext} which is in turn embedded within {\Bslash -notes...\bslash enotes}). - - - -\subsection{Usual ornaments} - -%\check -\ital{Arpeggios} (i.e. \raise -4pt\hbox{\musicxx\char92}\ ) can be coded with - the macro - -\medskip\keyindex{arpeggio} $pm$ - -\medskip\rm\noindent where $p$ is the pitch of -the base of the arpeggio symbol and $m$ is its multiplicity (one period is -equal to one space between staff lines, i.e. 5 points). This macro causes -a space of one note head width. If should be issued before the concerned -chords. Its variant \keyindex{larpeggio} sets the arpeggio symbol slightly -more on the left, in order to avoid collision with accidentals in front of -the chords. - - Note the \keyindex{arpeggio} and \keyindex{larpeggio} make an extra spacing -of width one notehead (i.e; \keyindex{qsk}) so that it is wise to insert a -{\Bslash qsk} in the other staffs before notes which are syncrhonous to the -arpeggiated note. - -\medskip \ital{Trills} can be coded in several ways. \keyindex{trille}~$l$ -(where $l$ is a \TeX\ dimension) yields \hbox{\trille{1cm}} while -\keyindex{Trille}~$l$ (where $l$ is a \TeX\ dimension) yields -\hbox{\Trille{2cm}}. To put these patterns at a given pitch, one may use -\keyindex{xtrille}~$pl$ or \keyindex{xTrille}~$pl$. On the other hand -\keyindex{ntrille}~$pn$ is equivalent to -\keyindex{xtrille}~$p${\tty\{$n$\bslash noteskip\}} and -\keyindex{nTrille}~$pn$ is equivalent to {\tty -\keyindex{xTrille}~$p$\{$n$\bslash noteskip\}} - - -\medskip Other \ital{ornaments} are available: - - \begin{itemize} - \item \keyindex{mordant}~$p$ for \hbox to 1.5em{\mordant 0\hss}, - \item \keyindex{pince}~$p$ for \hbox to 1.5em{\pince 0\hss}, - \item \keyindex{Pince}~$p$ for \hbox to 1.5em{\Pince 0\hss}, - \item \keyindex{Lpince}~$p$ for \hbox to 2em{\hss\Lpince 0\hss} (thanks to A. -{\sc Egler})\index{Egler, A.}, - \item \keyindex{Pincesw}~$p$ for \hbox to 2em{\hss\Pincesw 0\hss}, - \item \keyindex{Pincene}~$p$ for \hbox to 2em{\hss\Pincene 0\hss}, - \item \keyindex{Pincenw}~$p$ for \hbox to 2em{\hss\Pincenw 0\hss}, - \item \keyindex{turn}~$p$ for \hbox to 2.5em{\kern 0.6em\turn 0\hss}, - \item \keyindex{backturn}~$p$ for \hbox to 2.5em{\kern 0.6em\backturn 0\hss}, - \item \keyindex{upz}~$p$ (upper \ital{pizzicato}) to put a dot above a note -head at pitch $p$, - \item \keyindex{lpz}~$p$ (lower \ital{pizzicato}) to put a dot below a note -head at pitch $p$, - \item \keyindex{usf}~$p$ (upper \itxem{sforzando}) to put a $>$ accent above -a note head at pitch $p$, - \item \keyindex{lsf}~$p$ (lower \itxem{pizzicato}) to put a $>$ accent below -a note head at pitch $p$, - \item \keyindex{ust}~$p$ (upper \itxem{staccato} or \itxem{portato}) to put a -hyphen above a note head at pitch $p$, - \item \keyindex{lst}~$p$ (lower \ital{staccato} or \ital{portato}) to put a -hyphen below a note head at pitch $p$, - \item \keyindex{uppz}~$p$ (upper strong \ital{pizzicato}) to put an -apostrophe above a note head at pitch $p$, - \item \keyindex{lppz}~$p$ (lower strong \ital{pizzicato}) to put a reversed -apostrophe below a note head at pitch $p$. - \item \keyindex{pointdorgue}~$p$ puts a \itxem{fermata} (in French ``point -d'orgue'') at pitch $p$. No spacing occurs. - \item \keyindex{pointdurgue}~$p$ puts a reverse \ital{fermata} at the same -place. - \item \keyindex{PED} to insert the piano pedal command below the staff; -pedal release is specified by \keyindex{DEP}; thus the following example - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\cleftoksi={{6}{0}{0}{0}}\relax -\nbporteesi=2\relax -\debutextrait -\normal -\temps\NOtes\qsk\PED\wh J|\qsk\qu h\enotes -\temps\NOtes|\qu g\enotes -\temps\NOtes|\hu k\enotes -\temps\Notes\DEP\enotes -\finextrait - \end{music} - - \noindent was coded as: - -\begin{verbatim} -\temps\NOtes\qsk\PED\wh J|\qsk\qu h\enotes -\temps\NOtes|\qu g\enotes -\temps\NOtes|\hu k\enotes -\temps\Notes\DEP\enotes -\end{verbatim} - - \end{itemize} - -%\check - -\subsection{New line synchronization of coding} - - The procedure named \keyindex{everystaff} is executed each time a new system -is typed. It is normally void, but it can be defined (simply by {\Bslash -def\keyindex{everystaff}\{...\}}) to tell \musictex\ to post anything -reasonable at the beginning of each system. It was used in the example -{NWIDOR} to post octaviation dashed lines at the end of the piece. - - -\medskip - The procedure named \keyindex{atnextline}, normally void, is executed at the -next computed (through \keyindex{autolines}) or forced line break (using -\keyindex{alaligne} or \keyindex{alapage}). More precisely, it is executed -after the break and before the next system is typed. Thus it is fit for -posting new definitions of layout parameters, when no system is -pending\footnote{Its logic is similar to plain \TeX's \keyindex{vadjust} -command.}. - - \medskip - \index{tenor violin clef}In some scores, tenor parts are not code using the -\ital{bass} clef, but using rather the \ital{violin clef} subscripted by a -{\tty 8}. This is not directly supported by the \keyindex{cleftoks$r$}{\tty=} -command, but it can be handled using \keyindex{everystaff} and \keyindex{zcharnote}. -As an example the following score - -\begin{music} -\def\nbinstruments{4} -\cleftoksi={6000} -\cleftoksii={0000} -\cleftoksiii={0000} -\cleftoksiv={0000} -\font\eightfig=cmr8 -\def\everystaff{\znotes&\zcharnote{-6}{\eightfig - \kern -1.4\Interligne 8}&\zcharnote{-6}{\eightfig - \kern -1.4\Interligne 8}\enotes} -\debutextrait -\normal -\NOtes\hu{HIJK}&\hu{efgh}&\hl{hijk}&\hl{hmlk}\enotes -\finextrait -\end{music} -\noindent was coded as: - -\begin{quote}\begin{verbatim} -\def\nbinstruments{4} -\cleftoksi={6000} -\cleftoksii={0000} -\cleftoksiii={0000} -\cleftoksiv={0000} -\font\eightfig=cmr8 -\def\everystaff{\znotes&\zcharnote{-6}{\eightfig - \kern -1.4\Interligne 8}&\zcharnote{-6}{\eightfig - \kern -1.4\Interligne 8}\enotes} -\debutextrait -\normal -\NOtes\hu{HIJK}&\hu{efgh}&\hl{hijk}&\hl{hmlk}\enotes -\finextrait -\end{verbatim}\end{quote} - where the \verb|\eightfig| font declaration can obviously be omitted if -the \TeX\ format declares an 8 point roman font. - -%\check - -\subsection{Beams across bars} - -The \keyindex{barre} macro inserts glue and terminates spacing account. Thus -it is not compatible with pending \itxem{beams} and this is the usual way most -composers wrote their scores, at least until the beginning of the XIX-th -century. Unfortunately, later composers ({\sc Brahms}, {\sc Scriabin}, etc.) -wanted to write beams jumping across bars. - -This can be partly handled by \musictex, using the macro -\keyindex{xbeambarre}\footnote{An ugly mixture of French and English which is -therefore not likely to be redefined by somebody else.} which puts a bar line -of global width {\Bslash elemskip} with no glue around. Bar counting is done -for \keyindex{autolines} purpose but no line breaking can occur, which means -that the beams going across line or page breaks are not supported. - -We give an example from {\sc Brahms}'s Intermezzo op.~118,1 provided by -Miguel {\sc Filgueiras}:\index{Brahms} - -\begin{music} -\def\interfacteur{13} -\def\nbinstruments{1} -\nbporteesi=2\relax -\cleftoksi={6000} -\generalmeter{\allabreve} -\debutextrait -\normal -\off{1em}\temps\Notes\qp\nextstaff\Ilegu0r\zq{q}\ql{j}\enotes -\barre -\Notes\qsk\ibu0a1\qh0{CEJLcL}\relax -\nextstaff\qsk\rw{l}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes -\Notes\qh0J\itenl1a\qh0a\nextstaff\tleg0\zq{o}\ql{h}\enotes -\xbeambarre -\Notes\zh{.L.a}\hl{.e}\relax -\nextstaff\tten1\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes -\Notes\qp\nextstaff\zq{q}\ql{j}\enotes -\finextrait - \end{music} -\noindent whose coding is: - -\begin{verbatim} -\begin{music} -\def\interfacteur{13} -\def\nbinstruments{1} -\nbporteesi=2\relax -\cleftoksi={6000} -\generalmeter{\allabreve} -\debutextrait -\normal -\off{1em}\temps\Notes\qp\nextstaff\Ilegu0r\zq{q}\ql{j}\enotes -\barre -\Notes\qsk\ibu0a1\qh0{CEJLcL}\relax -\nextstaff\qsk\rw{l}\pt{p}\zh{_p}\pt{i}\hl{_i}\enotes -\Notes\qh0J\itenl1a\qh0a\nextstaff\tleg0\zq{o}\ql{h}\enotes -\xbeambarre -\Notes\zh{.L.a}\hl{.e}\relax -\nextstaff\tten1\qb0{chj}\tbl0\qb0l\cl{q}\ds\enotes -\Notes\qp\nextstaff\zq{q}\ql{j}\enotes -\finextrait - \end{music} -\end{verbatim} - -%\check -\section{Small and tiny notes} - -Before entering details, let us point out that we are presently concerned with -typing notes of smaller size than the normal one, without attempting to change -the interval between the five lines building a single staff. Changing staff -line interval will be treated in a further section. - -\subsection{Cadenzas and explicit ornaments} - - Ornaments and \itxem{cadenzas} usually need to be written using smaller -notes\footnote{This is independent of the staff size.}. This can be done -everywhere by stating \keyindex{smallnotesize} or \keyindex{tinynotesize}. -Normal note size is restored by \keyindex{normalnotesize}.\index{ornaments} - - These macros only have a local scope. Thus, if these macros are invoked -outside the {\Bslash notes...\bslash enotes} pair, the change is valid for -the rest of the piece unless explicitely modified but, if they are invoked -inside, their effect is local to the current staff of the current {\Bslash -notes...\bslash enotes} pair. As an example, the following excerpt (beginning -of the Aria of the ``Creation'' by Joseph {\sc Haydn})\index{Haydn, J.} - -\begin{music} -\def\DS{\hbox{\ds}} -\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip} -\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}% -\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}% -\def\nbinstruments{2}% -\generalmeter{\meterfrac{4}{4}}% -\signaturegenerale{0}% -\nbporteesii=1\relax -\nbporteesii=2\relax -\cleftoksi={{6}{0}{0}{0}} -\cleftoksii={{6}{0}{0}{0}} -\etroit -\debutextrait -\NOTes\soupir&\soupir|\qu g\enotes -% mesure 1 -\advance\barno by -1\relax -\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes -\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize -\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes -\Notes&\qb0e\tbl0\qb0c|\qu j\enotes -\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes -% mesure 2 -\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax - \zq c\qb1e\zq c\qb1e\relax - \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes -\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax - \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes -\finextrait -\end{music} - -\noindent can be coded as: - -\begin{verbatim} -\def\DS{\hbox{\ds}} -\def\FS{\hbox{\kern 0.3\noteskip\soupir}\kern -0.3\noteskip} -\def\qbl#1#2#3{\ibl{#1}{#2}{#3}\qb{#1}{#2}}% -\def\qbu#1#2#3{\ibu{#1}{#2}{#3}\qh{#1}{#2}}% -\def\nbinstruments{2}% -\generalmeter{\meterfrac{4}{4}}% -\signaturegenerale{0}% -\nbporteesii=1\relax -\nbporteesii=2\relax -\cleftoksi={{6}{0}{0}{0}} -\cleftoksii={{6}{0}{0}{0}} -\etroit -% -% end of preliminary definitions -% -\debutextrait -\NOTes\soupir&\soupir|\qu g\enotes -% mesure 1 -\advance\barno by -1\relax -\barre\NOtes\itenu2J\wh J&\zw N\ibl0c0\qb0e|\qu j\enotes -\notes&\qbl0c0|\noteskip=0.6\elemskip\tinynotesize -\Ibbu1ki2\qh1{kj}\tqh1i\qsk\enotes -\Notes&\qb0e\tbl0\qb0c|\qu j\enotes -\temps\Notes&\ibl0c0\qb0{ece}\tbl0\qb0c|\ql l\sk\ql j\enotes -% mesure 2 -\barre\Notes\tten2\wh J&\ql J\sk\ql L|\ppt g\rlap{\qu g}\qbl1e0\relax - \zq c\qb1e\zq c\qb1e\relax - \zq c\tbl1\rlap{\qb1e}\ \ \ccu h\enotes -\temps\Notes&\ql N\sk\pt L\ibl0L{-4}\qb0L|\ibl1e0\zq c\rlap{\qb1e}\cu g\relax - \zq c\rlap{\qb1e}\raise\Interligne\DS \rlap{\qu g}\qb1g\enotes -\notes&\sk\tbbl0\tbl0\qb0J|\tbl1\zq c\qb1e\enotes -\finextrait -\end{verbatim} - - \subsection{Grace notes} - - Grace notes are a special case of small and tiny notes: the difference is -that they are always coded as eighth notes with an oblique bar over the flag. -To perform this, special variants of \keyindex{cu} and \keyindex{cl} have been -provided, namely \keyindex{grcu} and \keyindex{grcl}, with the only difference -that the flag has been slashed. Using this together with the note reduction -macro, grace notes (optionally chord grace notes) can be easily coded: - - \begin{music} - \def\nbinstruments{1} - \nbporteesi=1\relax - \cleftoksi={{0}{0}{0}{0}}\relax - \debutextrait - \normal - \NOtes\qsk\hu h\enotes - \temps\smallnotesize - \notes\grcu j\enotes - \temps\normalnotesize - \NOtes\hu i\enotes - \barre\tinynotesize - \notes\qsk\zq h\grcl j\enotes - \normalnotesize - \NOTEs\wh i\enotes - \finextrait - \end{music} - - The previous example was coded as: - -\begin{quote}\begin{verbatim} -\NOtes\qsk\hu h\enotes -\temps\smallnotesize -\notes\grcu j\enotes -\temps\normalnotesize -\NOtes\hu i\enotes -\barre\tinynotesize -\notes\qsk\zq h\grcl j\enotes -\normalnotesize -\NOTEs\wh i\enotes -\end{verbatim}\end{quote} - -\subsection{Gregorian note shapes}\label{gregnotes} - Provided that four line staffs are used, \itxem{gregorian music} was -frequently quoted using specific \itxem{neumes}, and this way of coding -has been commonly used for the coding of liturgical chant in the Catholic -Church until the middle of the twentieth century. Symbols available in -\musictex\ are~: - -\begin{itemize} - \item Diamond shaped \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 0} = -\keyindex{diamg}~$p$~, - \item Square \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 1} = -\keyindex{carrg}~$p$~, - \item Left stemmed \itxem{virga}: \raise 2.5pt\hbox{\musicxx\char 2} = -\keyindex{carpg}~$p$~, - \item Right stemmed \itxem{virga}: \raise 2.5pt\hbox{\musicxx\char 3} = -\keyindex{carqg}~$p$~. \end{itemize} - -They all have a non-spacing variant, which are~: - -\begin{itemize} - \item Non spacing diamond shaped \itxem{punctum}: \raise -2.5pt\hbox{\musicxx\char 0} = \keyindex{zdiamg}~$p$~, - \item Non spacing square \itxem{punctum}: \raise 2.5pt\hbox{\musicxx\char 1} -= \keyindex{zcarrg}~$p$~, - \item Non spacing left stemmed \itxem{virga}: \raise -2.5pt\hbox{\musicxx\char 2} = \keyindex{zcarpg}~$p$~, - \item Non spacing right stemmed \itxem{virga}: \raise -2.5pt\hbox{\musicxx\char 3} = \keyindex{zcarqg}~$p$~. - \end{itemize} - -To memorize these symbols, remember that {\tt carr} comes from the French -word \ital{carr\'e} which means \ital{square}, that the letter {\tt p} has a -tail on the left side and the {\tt q} has a tail on the right side. Other -\itxem{neumes} can ne obtained by combining two or more of these symbols - - -\subsection{Percussion stemless note shapes}\label{percunotes} -Percussion\index{percussion music} music often uses stemless note heads -different from the usual ones. - -\begin{itemize} - \item White diamond or \itxem{rimshot}: \raise 2.5pt\hbox{\musicxx\char 127} = -\keyindex{diamw}~$p$~, - \item The \itxem{shaker}: \raise 2.5pt\hbox{\musicxx\char 79} = -\keyindex{shaker}~$p$~, - \item The {tremolo chord}: \hbox to 2em{\hss\musicxx\char 78\hss} = -\keyindex{tremolord}~$p$~, -\end{itemize} - - -They all have a non-spacing variant\footnote{Stemless, not to be confused with -{\bslash zq} qui extends stems within a chord. For that purpose, see -\ref{genpercus} and \ref{othernotes}.}, which are~: - -\begin{itemize} - \item Non spacing white diamond or \itxem{rimshot}: \raise -2.5pt\hbox{\musicxx\char 127} = \keyindex{zdiamw}~$p$~, - \item Non spacing \itxem{shaker}: \raise 2.5pt\hbox{\musicxx\char 79} = -\keyindex{zshaker}~$p$~, - \item Non spacing {tremolo chord}: \hbox to 2em{\hss\musicxx\char 78\hss} = -\keyindex{ztremolord}~$p$~, -\end{itemize} - - -\subsection{Other note shapes}\label{othernotes} The classical note heads -given above --- namely \raise 0.5ex\hbox{\musicnorfont\char 33}~, \raise -0.5ex\hbox{\musicnorfont\char34} and \raise 0.5ex\hbox{\musicnorfont\char35} ---- can be replaced with less classical note heads, for example to code -special \itxem{violin harmonic notes} or \itxem{percussion music}. See an -example in \ref{abnormalscores} - - At present time, alternate available note heads are~: - \begin{itemize} - - \item The \raise 0.5ex\hbox{\musicnorfont\char 0} symbol which is obtained using the \verb|\qu|, -\verb|\qh| etc. macros replacing the ``{\tt q}'' letter in the macro name -with a ``{\tt y}'' or writing \keyindex{ycu}, \keyindex{ycl}, -\keyindex{yccu}, \keyindex{ycup} etc. instead of \verb|\cu|, \verb|\cl|, -\verb|\ccu|, \verb|\cup|, etc. - - \item The \raise 0.5ex\hbox{\musicnorfont\char 127} symbol which is obtained -using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter -in the macro name with a ``{\tt d}'' (think of \ital{diamond}) or writing -\keyindex{dcu}, \keyindex{dcl}, \keyindex{dccu}, \keyindex{dcup}, etc. -instead of \verb|\cu|, \verb|\cl|, \verb|\ccu|, \verb|\cup|, etc. - - - \item The \raise 0.5ex\hbox{\musicnorfont\char 39} symbol which is obtained -using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter -in the macro name with a ``{\tt k}'' or writing \keyindex{kcu}, -\keyindex{kcl}, \keyindex{kccu}, \keyindex{kcup}, etc. instead of \verb|\cu|, -\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc. - - - \item The \raise 0.5ex\hbox{\musicnorfont\char"35} symbol which is obtained -using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter -in the macro name with a ``{\tt x}'' or writing \keyindex{xcu}, -\keyindex{xcl}, \keyindex{xccu}, \keyindex{xcup} instead of \verb|\cu|, -\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc. - - - \item The \raise 0.5ex\hbox{\musicnorfont\char38} symbol which is obtained -using the \verb|\qu|, \verb|\qh| etc. macros replacing the ``{\tt q}'' letter -in the macro name with the pair ``{\tt ox}'' or writing \keyindex{oxcu}, -\keyindex{oxcl}, \keyindex{oxccu}, \keyindex{oxcup} instead of \verb|\cu|, -\verb|\cl|, \verb|\ccu|, \verb|\cup|, etc. - - \end{itemize} - %\check -\section{Staff size} \index{staff size} -\subsection{Moving from 20pt to 16pt general staff sizes and conversely} - You also want to write some parts of your score in 20pt -staff size and in 16pt staff size, namely -for distinct parts of pieces. Changing the \ixem{general staff size} -is done by saying: - -\tty\keyindex{musicsize}=16\bslash computespecifics\quad \rm or - -\Bslash musicsize=20\keyindex{computespecifics} - -\rm\noindent respectively. - -\subsection{Changing staff size for certain instruments}\label{staffspace} -Regardless of the general choice of 16pt or 20pt staff sizes, it is now -possible to assign certain instruments -- not sperate staffs belonging to a -same instrument -- to have narrower staff size. This is done by giving a -special definition of \keyindex{staffspacing$r$} where $r$ is the roman -numeral of the instrument considered. For example, if the second instrument -(starting from the system bottom) is required to have 25\% narrower staffs, -one only hase to declare: - -\medskip{\Bslash def\bslash staffspacingii\{0.75\}} - -\medskip\noindent before the starting command {\Bslash debutmorceau}. - -Not only does this statement change the vertical spacing between staff lines, -but is also changes the size of the key, accidental and note symbols to fit -the modified staff line spacing. However, the existence of discrete font -scales for music symbol typing results in some reasonable restrictions of the -values of \keyindex{staffspacing$r$}~: recommended values are approximately -1, 0.8 and 0.64; if different values are chosen, then the symbol size is -taken smaller than the line spacing, which may lead to readable but rather -ugly typesetting. - -As an example, we give two bars of the \ital{Ave Maria} by Charles {\sc -Gounod}\index{Gounod, C.} using the first prelude of Johann-Sebastian Bach's -\ital{Well Tempered Clavier} (transcription for organ, violin and voice, -thanks to Markus {\sc Veittes}):\label{avemaria} - - \begin{music} -\def\nbinstruments{4} -\computewidths -\sepbarrules -\generalmeter{\meterC}\relax -\def\oct{\advance\transpose by 7\relax} -\def\staffspacingii{0.64} -\def\staffspacingiv{0.64} -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiv{{0}{0}{0}{0}} -\nbporteesi=2\relax -\nbporteesiii=0\relax -\debutextrait -\normal\elemskip=0.02\hsize -%Takt 9 -\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct - \itenu5h\hl h&gra---&\itenl4h\hu h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l\enotes -\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&---&\tqh5a\enotes -\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes -\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 10 -\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct - \qlp d&ple---&\Ilegu4k\pt d\qu d\enotes -\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\enotes -\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct - \ql d&na,&\qu d\enotes -\Notes|\ibbu1g3\qh1f\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes -\finextrait - \end{music} - - This example was coded as: - -\begin{quote}\begin{verbatim} -\def\nbinstruments{4} -\sepbarrules -\generalmeter{\meterC}\relax -\def\oct{\advance\transpose by 7\relax} -\def\staffspacingii{0.64} -\def\staffspacingiv{0.64} -\cleftoksi{{6}{0}{0}{0}} -\cleftoksii{{0}{0}{0}{0}} -\cleftoksiv{{0}{0}{0}{0}} -\nbporteesi=2\relax -\nbporteesiii=0\relax -% -\debutextrait -\normal\elemskip=0.02\hsize -%Takt 9 -\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct - \itenu5h\hl h&gra---&\itenl4h\hu h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l\enotes -\Notes|\ibbl1k0\qb1o\qb1h\qb1l\tqb1o\enotes -\temps\Notes\zhl c\raise27pt\qs\qupp e|\ds&\oct - \tten5\ibl4c0\qb4h&&\tten4\ibu5g{-3}\qh5h\enotes -\Notes|\ibbl0j3\qb0h\tqb0l&\oct\qb4a&---&\tqh5a\enotes -\Notes|\ibbl1k0\qb1o\qb1h&\oct\qb4b&ti-&\cu b\enotes -\Notes|\qb1l\tqb1o&\oct\tqb4c&a&\cu c\enotes -\barre -%Takt 10 -\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct - \qlp d&ple---&\Ilegu4k\pt d\qu d\enotes -\Notes|\ibbu1g3\bigaccid\qh1{^f}\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\enotes -\Notes|\qh2h\tqh2k&\oct \cl e&&\tleg4\cu e\enotes -\temps\Notes\zhl c\raise27pt\qs\qupp d|\ds&\oct - \ql d&na,&\qu d\enotes -\Notes|\ibbu1g3\qh1f\tqh1h\enotes -\Notes|\ibbu2i0\qh2k\qh2f\qh2h\tqh2k&\qp&&\qp\enotes -\end{verbatim}\end{quote} - - - - %\check - \section{Layout parameters} - - - Most layout parameters are set by \musictex\ to reasonable default values. -However, sophisticated scores\footnote{To our knowledge, the most complicated -scores are those written for the piano, during the romantic and post-romantic -periods.} may need more place below the lowest staff, between staves, etc. -\def\nochange{(\ital{NOT to be changed})} We give below a short list of the -most significant parameters. - -%\check - -\subsection{List of layout parameters} - -{\sl REMARK : the mention ``\nochange'' does not mean that this parameter cannot -be changed, but that it should not be modified directly, e.g.\ by saying -something like {\Bslash interligne=14pt}. In other words, changing these -parameters must be performed using more comprehensive macros which not only -update them but also perform some other compulsory related changes.} - -\begin{description} - - \item[\keyindex{interligne} : ]vertical interval between lines in a staff of -the current instrument, taking account of a possible specification of \keyindex{staffspacing$r$} -(see \ref{staffspace}) -\nochange - \item[\keyindex{Interligne} : ]vertical distance between the base of staff -lines of the current instrument, taking account of a possible specification -of \keyindex{staffspacing$r$} (\keyindex{interligne} is the size of the blank -space between lines; the difference between them is the line thickness -\keyindex{lthick}) \nochange. - \item[\keyindex{internote} : ]the vertical spacing of contiguous notes of -the current instrument, taking account of a possible specification of -\keyindex{staffspacing$r$}, i.e.\ the half of {\Bslash Interligne} \nochange - \item[\keyindex{Internote} : ]the vertical spacing of contiguous notes of -the instrument(s) whose \keyindex{staffspacing$r$} has the \ital{default -value} of one (1.0). Since this dimension is the same, regardless of the -actual value of the staff line spacing of any instrument, only this value -should be used to specify horizontal spacings. It should be used rather than -absolute dimensions in \verb|pt| or \verb|mm|, since \verb|\Internote| is -duly proportional to the general size (\keyindex{musicsize}) but not -dependent on specific changes in \keyindex{staffspacing$r$} \nochange - \item[\keyindex{nullthick} : ]reserved height above base line for zero staff -lines (text of songs) - \item[\keyindex{staffbotmarg} : ]margin below the first staff of the lowest -instrument. If not already assigned a non zero dimension, it is set to -\keyindex{bottomfacteur}\keyindex{Interligne} at the next system. - \item[\keyindex{stafftopmarg} : ]margin above the upper staff of the upper -instrument. - \item[\keyindex{interbeam} : ]vertical distance between beams. - \item[\keyindex{interportee} : ]the distance between the bottom of one staff and -the bottom of the next one. It is set to -2\keyindex{interfacteur}{\Bslash internote} at the next system. - \item[\keyindex{Interportee} : ]the distance between the top of one staff -and the bottom of the next one. Re-computed at the at the next system. - \item[\keyindex{interinstrument} : ]the additional vertical distance between -two different instruments (must be positive, otherwise weird results can -happen). This means that the distance between the upper -staff of the previous instrument and the lowest line of the current -instrument is equal to \keyindex{interportee+\bslash interinstrument}. -This value is normally zero, but it helps putting additional space between -distinct instruments for the sake of clarity. This is a general dimension -which holds for each of the vertical spaces between instruments, except the -upper one, in which case this interval is irrelevant. However, this parameter -can be overridden for the space above a specific instrument. For example (see -the example {\tty angescao.tex}) one can state: - -\medskip -\begin{quote}\begin{verbatim} -\def\interinstrumenti{5pt} -\end{verbatim}\end{quote} - -\medskip -\noindent to force an additional spacing of 5 points above instrument $i$, -whatever the value of \keyindex{interinstrument}. - This feature can usefully be used to have more space before instruments -representing \itxem{voices}, in order to have enough place to put -\itxem{lyrics} without assigning these lyrics a zero staff specific instrument -(useful to avoid having too many declared insruments in a choir score). - \item[\keyindex{systemheight} : ]the distance from the bottom of the -lowest staff to the top of the highest staff of the upper instrument. This is -the height of the vertical bars (single, double, repeats, etc.) \nochange. -\end{description} - - -\medskip - In addition, when handling notes of a given staff of a given instrument, the -following dimensions are available (note these are not true registers, but -\ital{equivalenced symbols} through a {\Bslash def}): -\begin{itemize} - \item\keyindex{altitude} : the altitude of the lowest line of the lowest -staff of the current instrument \nochange. - \item\keyindex{altportee} : the altitude of the lowest line of the current -staff \nochange. - \item\keyindex{stemfactor} : a parameter defining the size of half, quarter -and hooked eighth notes stems. Normally a stem has the length of one octave, -i.e. 3.5\keyindex{Interligne}. However, this is not valid for small size -notes and, therefore, the stem size is related to the \keyindex{interbeam} -dimensions which, in turn, is \ital{normally} equal to 0.75 -\keyindex{Interligne}. Thus the normal value of \keyindex{stemfactor} is -4.66, but it can be shortened for any purpose by saying, for example: - - \verb|\def\stemfactor{3.5}| - -Normal stem length is restored by calling the macro \keyindex{normalstems}. - -\end{itemize} - -%\check - -\subsection{Changing layout parameters} - - Most of these values can be changed, but only between the end of the -previous system and the beginning of the next one. This can be inserted -between a \keyindex{suspmorceau} (or a \keyindex{finmorceau}) -and a \keyindex{reprmorceau} (or a \keyindex{debutmorceau}), but it is -wiser to say, for example: - -\medskip -\begin{quote}\begin{verbatim} -\def\atnextline{\global\staffbotmarg=5\Interligne} -\end{verbatim}\end{quote} - -\medskip - -When doing so, the \musictex\ user should be aware that this could disturb -pending \ital{slurs} or \ital{ties}, since the altitude of these is stored in -an absolute way, starting from the baseline of the systems. Therefore, -changing the \keyindex{staffbotmarg} dimension can also be made by means of -{\tty\keyindex{advancebottom}\{$<dimension>$\}} which updates all pending slur -and tie altitudes by the given dimension. This has been used in {\tty -pacifiqn} and {\tty pacifiqb}. - -\medskip The user may prefer to redefine {\Bslash -def\keyindex{bottomfacteur}} or {\Bslash def\keyindex{interfacteur}} to a -given integer number, but this can be done only between a -\keyindex{suspmorceau} (or a \keyindex{finmorceau}) and a -\keyindex{reprmorceau} (or a \keyindex{debutmorceau}), but it is wiser to use -\keyindex{atnextline} as previously. - -\medskip It is also wise to use \keyindex{atnextline} to change the the -number of instruments, the staff spacings, the number of staffs at the next -line... provided that the coding of the notes \ital{resists} an unexpected -line change executing the \keyindex{atnextline}. - -\medskip In anycase it is a good idea to look at the procedures -\keyindex{computewidths} and \keyindex{computespecifics} to understant what -they really compute, and also to find the places where they are actually -invoked. - -\subsection{Changing the vertical distance between consecutive systems} - -If this has to be changed only once at the beginning of a piece, the simplest -is to say - -\medskip -\begin{quote}\begin{verbatim} -\def\bottomfacteur{8} -\end{verbatim}\end{quote} - -\medskip\noindent before invoking\keyindex{debutmorceau}. Note that -\keyindex{bottomfacteur} is invoked to compute the dimension register -\keyindex{staffbotmarg} whenever this register contains a zero dimension. -The number (it must be a number) is multiplied by \keyindex{Interligne} and -affected to \keyindex{staffbotmarg}. - -\medskip If this has to be changed several times to meet page layout -requirements with scores sometimes -- but only sometimes -- going very deep -below the lowes staff of the systems, it is wiser to use -\keyindex{advancebottom}, namely: - -\medskip -\begin{quote}\begin{verbatim} -\advancebottom{10pt} -\end{verbatim}\end{quote} - -\medskip\noindent to advance the bottom margin register by that dimension at -the next system line break. - -{\medskip\noindent\sl REMARK : it is also possible to change the system top -margin, i.e.\ \keyindex{stafftopmarg} between systems. Changing top and -bottom margin add together but it may influence the position of the whole in -the pages.} - -\subsection{Changing staff distance within systems} - -This can be done at the beginning by changing the definition of -\keyindex{interfacteur} (it is {\Bslash def}ined to a number) before the -first \keyindex{debutmorceau}. But it is also possible to give a new -dimension to the dimension register \keyindex{interportee} and, optionally, -to the dimension register \keyindex{interinstrument} (see above). - -\subsection{Changing the number of lines in staffs} - -Unless explicitely specified, staffs consist of five lines, in accordance to -the normal way of coding music scores. However, two exceptions might be -preferred when using \musictex~: - -\begin{itemize} - \item \itxem{gregorian music} is often writen using staff of -four lines instead of five, - \item \itxem{percussion music} (e.g. drums, triangle) only needs one line -staffs, since the pitch cannot change. -\end{itemize} - -Therefore, since its version 5.00, \musictex\ allows for choosing the number -of lines of the staffs of an instrument. This is done by defining the macro -\keyindex{stafflinesnb}$r$ --- where $r$ is the roman numeral of the wanted -instrument as usual --- to be the number of lines of the specific staff. -For example~:\label{gregorian} - -\begin{quote} -\noindent\verb|\def\stafflinesii{4}| -\end{quote} -will make the instrument number 2 (i.e. {\tt ii}) to have staffs of four -lines, that is, fit for gregorian music. -%\check - -\subsection{Resetting normal layout parameters} - -Except \keyindex{musicsize} which has to be explicitely changed if needed, all -layour registers are reset to default values by \keyindex{resetfacteurs} which -put zero dimensions into \keyindex{staffbotmarg} and \keyindex{stafftopmarg}, -so that the next \keyindex{debutmorceau} will recompute them, unless they have -been given non zero dimensions inbetween. - -\subsection{Typesetting one-line excerpts rather than larges scores} - -Very often, what is wanted is not to typeset a large comprehensive score of -several lines and pages, but an excerpt of one or two bars, preferably -centered such as the various examples of this manual. This can be done simply -by replacing \keyindex{debutmorceau} with -\keyindex{debutextrait}\footnote{\ital{Extrait} is the French word for -\ital{excerpt}.} and {\Bslash finmorceau} or {\Bslash suspmorceau} with -\keyindex{finextrait}. - - If you want to terminate it without a bar, you code -\keyindex{zfinextrait} which acts like {\Bslash zsuspmorceau}.. - -%\check - - \subsection{Lyrics}\index{lyrics} - - Lyrics can be introduced in several ways~: - \begin{enumerate} - - \item The first one consists in dedicating -one instrument whose \keyindex{nbportees$r$} is zero. Then the text of the -lyrics is just inserted, note by note, by inserting it at the right position -between {\Bslash notes}...{\Bslash enotes}. The drawback is that a four voice -choir needs eight instruments which may lead to troubles if there is also an -orchestra score below the voices. - - \item Therefore, another solution consists in adjusting \keyindex{interinstrument} -and \keyindex{staffbotmarg} to give more place below the song -instruments\footnote{Beware of a shift of one position, since {\Bslash -intersinstrument$r$} indicates the interval \ital{above} the $r$-th -instrument.}. Then the texts of the lyrics are indicated with the song tune -instrument, using \keyindex{zcharnote} with a negative numeric position -value. - - By the way, the {\Bslash zcharnote} may have a {\Bslash vbox} as a second -argument, and this \keyindex{vbox} may contain several {\Bslash hbox}es -describing the text of the different couplets (see example {\tty ANGESCAO}). - - \item Of easier use are the commands \keyindex{zsong} (right of the note), -\keyindex{lsong} (left) and \keyindex{csong} (centered) which post the lyrics -at the lower staff line \ital{minus} the previous -\keyindex{interinstrument}~$n$ or the \keyindex{staffbotmarg} quantity. These -commands only have one argument, namely the lyrics text: - - -\begin{center} -\keyindex{zsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{lsong}\verb|{|\ital{text}\verb|}|\quad -\keyindex{csong}\verb|{|\ital{text}\verb|}| -\end{center} - - \medskip As an example, the following French song - - \begin{music} - \generalsignature{1} - \def\nbinstruments{1} - \debutextrait - \NOtes\zsong{Au }\qu g\enotes - \NOtes\zsong{clair }\qu g\enotes - \NOtes\zsong{de }\qu g\enotes - \NOtes\zsong{la }\qu h\enotes - \barre - \NOTes\zsong{lu- }\hu i\enotes - \NOTes\zsong{ne, }\hu h\enotes - \barre - \NOtes\zsong{mon }\qu g\enotes - \NOtes\zsong{a- }\qu i\enotes - \NOtes\zsong{mi }\qu h\enotes - \NOtes\zsong{Pier- }\qu h\enotes - \barre - \NOTes\zsong{rot, }\wh g\sk\enotes - \finextrait - \end{music} - -\noindent was coded as: - -\begin{quote}\begin{verbatim} - \generalsignature{1} - \def\nbinstruments{1} - \debutextrait - \NOtes\zsong{Au }\qu g\enotes - \NOtes\zsong{clair }\qu g\enotes - \NOtes\zsong{de }\qu g\enotes - \NOtes\zsong{la }\qu h\enotes - \barre - \NOTes\zsong{lu- }\hu i\enotes - \NOTes\zsong{ne, }\hu h\enotes - \barre - \NOtes\zsong{mon }\qu g\enotes - \NOtes\zsong{a- }\qu i\enotes - \NOtes\zsong{mi }\qu h\enotes - \NOtes\zsong{Pier- }\qu h\enotes - \barre - \NOTes\zsong{rot, }\wh g\sk\enotes - \finextrait -\end{verbatim}\end{quote} - - \end{enumerate} - - -%\check - - \section{Other special ornaments} - - Since the first release of \musictex, many users have either asked for -new features of proposed their own procedures to be included in \musictex. -Some of them have been added because of their high utility, some others have -been left aside for several reasons. The major reason for not including many -proposals in the \musictex\ release is that -- at least on many computers and -especially PC's -- the \TeX\ memory is limited to 65~000 ``words''. This is a -very restricted value which causes many trials to exceed the capacity of \TeX\ -(unless using ``big\TeX''). Therefore, only the proposed macros of very -general use can be introduced in the release as a standard and the users are -suggested to take their specific procedures and include them (directly of by -means of an {\Bslash input}) in their own source code. - - This is particularly valid for people who want to typeset \itxem{baroque} -music using the ancient \itxem{ornament codings} rather than the modern -equivalents. As a compromise, some macros kindly provided by Ian {\sc Collier} -in Great Britain have slightly been updated and provided in a separate file -named {\tty musicext.tex}. - - For example, brackets can be produced: - - \begin{music} -\def\nbinstruments{1}\relax -\computewidths -\nbporteesi=1\relax -\debutextrait -\normal -\temps\Notes\ovbkt j3{15}\ql{hij}\enotes -\finextrait - - \end{music} - -%\check - \section{The {\tt musicsty} macros}\label{musicsty} -% non musical procedures used in typesetting the non-musical -% texts together with musictex - This file is made for non \TeX perts and/or lazy score typesetters. It -provides - \begin{itemize} - \item a set of font definitions of common use, such as \verb|\tenrm|, -\verb|\eightrm|, etc., - \item a reasonable setting of \keyindex{hsize}, \keyindex{vsize}, -\keyindex{hoffset}, \keyindex{voffset} dimensions in order to have a good -layout fi for European A4 paper\footnote{People addicted to \itxem{legal} or -other paper sizes should correct it for their own purpose.} - \item a set of text size commands: - - \begin{description} - \item[\keyindex{eightpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 8 point font size; - \item[\keyindex{tenpoint}] which sets the usual \keyindex{rm}, -\keyindex{bf}, \keyindex{sl}, \keyindex{it} commands to 10 point font size; - \item[\keyindex{twlpoint}] to get 12 point font size; - \item[\keyindex{frtpoint}] to get 14.4 point font size; - \item[\keyindex{svtpoint}] to get 17.28 point font size; - \item[\keyindex{twtypoint}] to get 20.74 point font size; - \item[\keyindex{twfvpoint}] to get 24.88 point font size; - \end{description} - \item a set of commands to make easy piece titles~: - \begin{itemize} \item \keyindex{author} or -\keyindex{fullauthor} to be put at the right of the first page, below the -title of the piece; the calling sequence is, for example: - - \verb| \author{Daniel TAUPIN\\organiste \`a Gif-sur-Yvette}| - - \noindent where the \verb|\\| makes theauthor name displayed on two or -several lines. - - - \item \keyindex{shortauthor} to be put at the bottom of each page, - \item \keyindex{fulltitle} which is the big main title of the piece, - \item \keyindex{subtitle} is displayed below the main title of the piece, - \item \keyindex{shorttitle} or \keyindex{title} - which is the title repeated at the bottom of each page, - \item \keyindex{othermention} which is displayed on the left of the page, in -front of the author's name (it may contain several \verb|\\| to display it on -several lines, - \item \keyindex{maketitle} which displays all the previous stuff. - \end{itemize} - - \item Some additional commands to make \itxem{footnotes}. - These commands are - \begin{itemize} - \item The normal Plain-\TeX\ \keyindex{footnote} command which has two -arguments --- not only one as in \LaTeX\index{LaTeX=\protect\LaTeX} --- namely -the label of the footnote, i.e. any sequence of characters and not only -figures, and the text of the footnote. - -\noindent{\sl IMPORTANT: the \verb|\footnote| command does not work inside -boxes\footnote{This is not a \TeX-bug, this is a feature!}, therefore this -command must not be issued within music. But another alternate feature is -provided (see below).} - - \item The \keyindex{Footnote} command, which counts the footnotes and uses a -number as the label of the foot note (equivalent to \LaTeX's \verb|\footnote| -command). The same restriction applies concerning footnotes within the music -coding. - - \item The \keyindex{vfootnote} command, taken from the Plain-\TeX, which -makes the footnote itself at the bottom of the current page, but does not put -the footnote label at the place it is referred in the main text. - - Thus, if a footnote is needed whose reference lies inside the music itself, -the music typesetter must perform it in two steps~: - \begin{enumerate} - \item quote the reference inside the music, using \verb|zcharnote| for -example, - \item post the footnote itself, using \verb|\vfootnote| outside the music, -either before \keyindex{debutmorceau} or between \keyindex{suspmorceau} and -\keyindex{reprmorceau} or equivalent commands. - \end{enumerate} - - \end{itemize} - \end{itemize} - - Note that \verb|musicsty| should not be used with \LaTeX. - - -\section{Abnormal music coding} -\subsection{Gregorian chant} -\index{gregorian music}Gregorian chant is often coded using four line staffs -(see section \ref{gregorian}) and using special notes (called \itxem{neumes}) -which are described in section \ref{gregnotes}. But the gregorian chant also -needs a special \itxem{alto clef} which is in fact the ancester of the modern -alto clef. The gregorian \itxem{alto clef} can be invoked instead of the -modern one by re-declaring the \keyindex{clefdut}$r$ macro. Thus - -\begin{quote}\begin{verbatim} -\def\clefdutiv{\gclefdut} -\end{verbatim}\end{quote} -will cause the instrument number 4 (i.e. {\tt iv}) to exhibit a gregorian C -clef whenever the value of \verb|\cleftoskiv| refers to an alto clef. -The modern alto clef can be restored for that instrument by~: - - -\begin{quote}\begin{verbatim} -\def\clefdutiv{\clefdutsymbol} -\end{verbatim}\end{quote} - -\subsection{Music score without clefs or with special clefs}\index{clefs -(empty)} Regardless of the number of lines of the staffs, an instrument may -have no clefs, e.g. for \itxem{percussion music} but also for any weird -purpose. This done by declaring some of the following items~: - -\medskip -\verb|\def|\keyindex{clefdesol}$r$\verb|{\relax}| - -\verb|\def|\keyindex{clefdut}$r$\verb|{\relax}| - -\verb|\def|\keyindex{clefdefa}$r$\verb|{\relax}| - -\medskip - At first sight, it could be thought to be silly to cancel the G clef, the C -clef and/or the F clef to have an empty clef symbol. But the reason is that -the absence of clefs does not mean that notes should not be raised according -to their pitch. Thus, if the user uses the G clef coding of pitches, he is -welcome to use the present feature to cancel the G clef, but if he uses some -alto clef coding, then he should cancel the alto clef symbol. Of course, all -this is irrelevant if the engraver chooses to use numeric coding of note -position like \verb|\qu{10}|. - - Normal symbols for these clefs and for instrument or roman number $r$ can be -restored by~: - - -\medskip -\verb|\def\clefdesol|$r$\verb|{|\keyindex{clefdesolsymbol}\verb|}| - -\verb|\def\clefdefa|$r$\verb|{|\keyindex{clefdefasymbol}\verb|}| - -\verb|\def\clefdut|$r$\verb|{|\keyindex{clefdutsymbol}\verb|}| - -\medskip Besides, a special \itxem{drum clef} (two heavy vertical bars) can -replace any of the standard clefs, for exemple the G clef by saying~: - -\medskip -\verb|\def\clefdesol|$r$\verb|{|\keyindex{drumclefsymbol}\verb|}| - - -\medskip It is to be emphasised that these features are specific to one -instrument --- not one staff of a several staff instrument --- so that some -weird score for \ital{monks}, \ital{drum} and \ital{electronic keyboard} -such as - -\begin{music} -\parindent 19mm -\def\nbinstruments{3} \def\instrumenti{keyboard} -\def\instrumentii{drum} \def\instrumentiii{monks} -\def\stafflinesnbii{1} \def\stafflinesnbiii{4} -\generalsignature{0} \generalmeter{\relax} -\signi=-1\relax % one flat at keyboard -\nbporteesi=2\relax % 2 staffs at keyboard -\cleftoksi={6000}\cleftoksiii={3000}\cleftoksii={1000} -\def\clefdutiii{\gclefdut} % gregorian C clef at instrument iii -\def\clefdutii{\drumclefsymbol} % cancel C clef at instrument ii -\def\interinstrumentii{-4\Interligne} % less spacing above drum -\normal -\debutextrait -\Notes\hu F|\zh c\hu h&\diamw 0&\carrg {acd}\enotes -\NOtes\qu I|\zq N\qu d&\diamg 0&\diamg f\enotes -\NOtes\qu J|\zq a\qu e&\diamg 0&\diamg e\enotes -\notes\hu G|\zh b\hu d&\zshaker 3\diamw {00}&\zcarrg d\carqg g\carrg {hgh}\enotes -\finextrait -\end{music} -\noindent could be coded as follows, regardless this is relevant~: -\begin{verbatim} -\parindent 19mm -\def\nbinstruments{3} \def\instrumenti{keyboard} -\def\instrumentii{drum} \def\instrumentiii{monks} -\def\stafflinesnbii{1} \def\stafflinesnbiii{4} -\generalsignature{0} \generalmeter{\relax} -\signi=-1\relax % one flat at keyboard -\nbporteesi=2\relax % 2 staffs at keyboard -\cleftoksi={6000}\cleftoksiii={3000}\cleftoksii={1000} -\def\clefdutiii{\gclefdut} % gregorian C clef at instrument iii -\def\clefdutii{\drumclefsymbol} % cancel C clef at instrument ii -\def\interinstrumentii{-4\Interligne} % less spacing above drum -\normal -\debutextrait -\Notes\hu F|\zh c\hu h&\diamw 0&\carrg {acd}\enotes -\NOtes\qu I|\zq N\qu d&\diamg 0&\diamg f\enotes -\NOtes\qu J|\zq a\qu e&\diamg 0&\diamg e\enotes -\notes\hu G|\zh b\hu d&\zshaker 3\diamw {00}&\zcarrg d\carqg g\carrg {hgh}\enotes -\finextrait -\end{verbatim} - -In the same way, a possible violin score with \itxem{harmonic notes} (see -\ref{othernotes}) could be~:\label{abnormalscores} - -\begin{music} -\def\freqbarno{9999}% no bar numbers -\def\nbinstruments{1}\nbporteesi=1\relax -\generalsignature{-2}\generalmeter{\allabreve}\cleftoksi={0000} -\normal -\debutextrait -\NOtes\zd o\zh d\hu h\enotes -\Notes\ibu0k0\zq g\yh0k\qh0j\zq e\yh0i\tbu0\qh0j\enotes -\barre -\NOTes\zd g\hu k\enotes -\NOTes\hpause\enotes -\barre -\NOtes\zd o\zh d\hl h\enotes -\Notes\ibl0b0\zq g\yb0k\qb0j\zq e\yb0i\tbl0\qb0j\enotes -\barre -\NOTes\zd g\hu k\enotes -\NOTes\hpause\enotes -\finextrait -\end{music} - -It was coded as follows: -\begin{quote}\begin{verbatim} -\def\nbinstruments{1}\nbporteesi=1\relax -\generalsignature{-2}\generalmeter{\allabreve}\cleftoksi={0000} -\normal -\debutextrait -\NOtes\zd o\zh d\hu h\enotes -\Notes\ibu0k0\zq g\yh0k\qh0j\zq e\yh0i\tbu0\qh0j\enotes -\barre -\NOTes\zd g\hu k\enotes -\NOTes\hpause\enotes -\barre -\NOtes\zd o\zh d\hl h\enotes -\Notes\ibl0b0\zq g\yb0k\qb0j\zq e\yb0i\tbl0\qb0j\enotes -\barre -\NOTes\zd g\hu k\enotes -\NOTes\hpause\enotes -\finextrait -\end{verbatim}\end{quote} - - -\subsection{Usual percussion music} -\label{genpercus} Besides single percussion scores usually -written using one-line staffs, percussion music involving several instruments -is often writen on five-line staffs with a \ital{drum clef}, where the -instruments are distinguished by the type of the note heads and the apparent -pitch of the note on the staff. We give an example --- kindly provided by -Agusti {\sc Mart\'in Domingo}~: - -\medskip -\begin{music} -\def\freqbarno{9999}% no bar numbers -\def\nbinstruments{1}\generalsignature{0}\def\stafflinesbi{5} -\generalmeter{\meterfrac44} -\cleftoksi={0000}\def\clefdesoli{\drumclefsymbol} -\normal -\debutextrait -\leftrepeat -\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes -\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes -\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes -\barre -\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes -\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes -\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes -\barre -\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes -\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes -\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes -\setrightrepeat\finextrait -\end{music} - Its coding was~: - \begin{quote}\begin{verbatim} -\begin{music} -\def\nbinstruments{1}\generalsignature{0}\def\stafflinesbi{5} -\generalmeter{\meterfrac44} -\cleftoksi={0000}\def\clefdesoli{\drumclefsymbol} -\normal -\debutextrait -\leftrepeat -\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes -\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\xh0{nn}\enotes -\Notes\zk d\zql f\zq j\xh0n\tbu0\xh0n\enotes -\barre -\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes -\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\kh0{nn}\enotes -\Notes\zx d\zql f\zq j\kh0n\tbu0\kh0n\enotes -\barre -\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes -\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes -\Notes\zql f\rlap{\soupir}\ibu0m0\oxh0{nn}\enotes -\Notes\zox d\zql f\zq j\kh0n\tbu0\oxh0n\enotes -\setrightrepeat\finextrait -\end{music} - \end{verbatim}\end{quote} - - To use these different note heads, one must - \begin{itemize} - \item either include a specific percussion file namely {\tt -\ixem{musicper.tex}} after the usual \verb|\input musictex| or invoke the -\LaTeX\ style option {\tt\ixem{musicper}}\index{musicper.sty}; - \item use special macro names to replace the usual elliptic back note head -with either a double sharp sign or with a $+$. These macros are~: - \begin{itemize} - \item \keyindex{zx}, \keyindex{xu}, \keyindex{xup}, \keyindex{xupp}, - \keyindex{xl}, \keyindex{xlp}, \keyindex{xlpp}, - \keyindex{xh}, \keyindex{xb}, \keyindex{zx}, - \keyindex{xcu}, \keyindex{xcup}, \keyindex{xcupp}, - \keyindex{xccu}, \keyindex{xcccu}, \keyindex{xccccu}, - \keyindex{xcl}, \keyindex{xclp}, \keyindex{xclpp}, - \keyindex{xccl}, \keyindex{xcccl} and \keyindex{xccccl}, which behave exactly like - \verb|\zq|, \verb|\qu|, \verb|\qup|, \verb|\qupp|, - \verb|\ql|, \verb|\qlp|, \verb|\qlpp|, - \verb|\qh|, \verb|\qb|, \verb|\zq|, - \verb|\cu|, \verb|\cup|, \verb|\cupp|, - \verb|\ccu|, \verb|\cccu|, \verb|\ccccu|, - \verb|\cl|, \verb|\clp|, \verb|\clpp|, - \verb|\ccl|, \verb|\cccl| and \verb|\ccccl|, except that the note head is - \raise 0.6ex\hbox{\musicnorfont\char '65} instead of \raise -0.5ex\hbox{\musicnorfont\char '41}~. - \item \keyindex{zox}, \keyindex{oxu}, \keyindex{oxup}, \keyindex{oxupp}, - \keyindex{oxl}, \keyindex{oxlp}, \keyindex{oxlpp}, - \keyindex{oxh}, \keyindex{oxb}, \keyindex{zx}, - \keyindex{oxcu}, \keyindex{oxcup}, \keyindex{oxcupp}, - \keyindex{oxccu}, \keyindex{oxcccu}, \keyindex{oxccccu}, - \keyindex{oxcl}, \keyindex{oxclp}, \keyindex{oxclpp}, - \keyindex{oxccl}, \keyindex{oxcccl} and \keyindex{oxccccl}, to get a note -head of -\raise 0.6ex\hbox{\musicnorfont\char 38} instead of \raise -0.5ex\hbox{\musicnorfont\char '41}~. - \item \keyindex{zk}, \keyindex{ku}, \keyindex{kup}, \keyindex{kupp}, - \keyindex{kl}, \keyindex{klp}, \keyindex{klpp}, - \keyindex{kh}, \keyindex{kb}, \keyindex{zk}, - \keyindex{kcu}, \keyindex{kcup}, \keyindex{kcupp}, - \keyindex{kccu}, \keyindex{kcccu}, \keyindex{kccccu}, - \keyindex{kcl}, \keyindex{kclp}, \keyindex{kclpp}, - \keyindex{kccl}, \keyindex{kcccl} and \keyindex{kccccl}, to get a -note head of - \raise 0.6ex\hbox{\musicnorfont\char 39} instead of \raise -0.6ex\hbox{\musicnorfont\char '41}~. - \end{itemize} - \end{itemize} - - - \section{Writing your own macros: the {\Bslash catcode} problems} - -As seen before, the \keyindex{catcodes} of the {\tty\|} and {\tty\&} symbols -are modified by \musictex, in the range of the actual scores but no -more\footnote{Since version 4.99.} in -the whole of the \TeX\ source. Thus, if you define your own macros to make -your writing easier, you are likely to invoke the {\tty\|} or {\tty\&} -symbols in a part of text where their \keyindex{catcode}s are not correctly set. -This may result typically in a diagnostic like~: - -\verb|! Misplaced alignment tab character &.| - -\noindent when you attempt, not to define, but to use your macro using the -{\tty\&} symbol to change the instrument. Smart \TeX ers know that the -\keyindex{catcode}s are attached to the characters \ital{when they are input} -and not when they are used; thus you must be sure that {\tty\|} and {\tty\&} -have the correct \musictex\ \keyindex{catcode} when the macro is defined, -which may well occur outside the actual score. - -It is also worth pointing out that the same problem may occur with other -punctuation marks like ``{\tty<\relax}'', ``{\tty>\relax}'', ``\verb|^|, -etc., if their \keyindex{catcode} has been changed by some other set of -macros, like {\tty \ixem{french.sty}}. - - - \section{Musicla\TeX} - -\subsection{The {\tt musictex.sty} style} - - As said before, the amount of memory and registers used by \musictex\ makes -it hardly compatible with \LaTeX. However, Nicolas {\sc -Brouard}\index{Brouard, N.} succeeded in building a {\tty\ixem{musictex.sty}} -which is now included in the distribution. This is not recommended to make -separate music scores. Its purpose is rather to provide a means of inserting -short musical excerpts in books or articles written with \LaTeX. Then, the -\keyindex{documentstyle} command should include {\tty musictex} in the -options. - - -\medskip - The \LaTeX\ style file {\tty \ixem{musictex.sty}} simply \verb|\input|s -the following files (in that very order): \begin{itemize} - \item {\tty musicpre.tex} - \item {\tty musicnft.tex} - \item {\tty musictex.tex} - \item {\tty musicvbm.tex} - \item {\tty musicpos.tex} - \end{itemize} - - - -\medskip - In the case of a \LaTeX\index{LaTeX=\protect\LaTeX} -user wanting to use accidental -transposition facilities, he should invoke {\tty\ixem{musictrp}} in the -options of the \keyindex{documentstyle} command. - - In case of {\tty TeX capacity exceeded...}, use a ``Bigla\TeX'' (after -checking there is no visible error in the source -code).\index{BigLaTeX=Big\LaTeX} - -\subsection{Wide music in \LaTeX} - - Another difficulty appears with \LaTeX: internal \LaTeX\ macros handle the -page size in a way which is not supposed to be changed within a given document. -This means that text horizontal and vertical sizes are somewhat frozen so that -one can hardly insert pieces of music of page size different from the size -specified by the LaTeX \itxem{style}. Although a \itxem{largemusic} has been -provided, the main drawback is an unpredictable behaviour of top and bottom -printouts, especially page numberings. - - If the whole of a document has wide pages, it can be haddled with the {\tty -a4wide}\index{a4wide} style option, or any derivate of it. - -%\check - - \subsection{The {\Bslash catcode} problems} - The {\tty musicpos.tex} file -merely overrides the \keyindex{catcode}s of the {\tty\|} and {\tty\&} symbols -which are modified by \musictex. To have access to these symbols when coding -music, on should then enclose the scores or excerpts within {\Bslash -begin\{music\}} and {\Bslash end\{music\}}. But there is also another -possibility, i.e.\ to say \keyindex{nextinstrument} instead of {\tty -\&}\index{\&} and \keyindex{nextstaff} instead of {\tty\|}.\index{\|} - - Another problem comes from the {\tty \ixem{french.sty}} written by Bernard -{\sc Gaulle}\index{Gaulle, B.} which is the standard of the \ixem{GUTenberg} -French association. This style changes many \keyindex{catcode}s which lead -\musictex\ to fail in many cases. Therefore, since the version 4.99, the -\keyindex{catcode}s of all are forced to the adequate value at -\keyindex{debutmorceau}, \keyindex{debutextrait} and restored at their -original value at \keyindex{finmorceau}, \keyindex{suspmorceau} and -\keyindex{finextrait}. This means that some facilities like the -\itxem{guillemets} or the \itxem{tabulation} character are inhibited within -music scores (possible problem with sophisticated \itxem{lyrics}) but -perfectly available within the normal text. - - Anyway, in case of emergency, one can invoke \keyindex{catcodesmusic} to -establish the \keyindex{catcode}s at their value fit for music, and -\keyindex{endcatcodesmusic} to reset them at their external value, for example -those chosen by {\tty french.sty}. - - \section{Implementation and restrictions} - - The macroinstruction file \musictex\ contains approximately 2500 lines of -code, that is 80~000 bytes approximately. This requires your score to be -compiled by the most extended versions of \TeX\ (65~000 words of working -memory). It is therefore wise to set \hbox{\Bslash tracingsstats} to 2 in -order to have an information about the memory used in each page. In desperate -situations, we recommend using the ``Big\TeX'' processors which, -unfortunately, perform a great deal of disk input/outputs (on PCs with i286 -processors) which make them awfully slow\footnote{Using i386 or i486 -processors, this problem disappears with the specific version of {\tty -emTeX}}.\index{Big\protect\TeX}\index{em\TeX} - -In particular, the number of registers it uses and the amount of memory used -by \LaTeX\ macros makes it doubtfully compatible with \LaTeX, unless using -Big\LaTeX.\index{BigLaTeX=Big\LaTeX} - -Other precautions are necessary: beware of end-of-line spaces; they corrupt -layout and may cause unwanted line breakings after which music symbols seem -to \ital{float} in the air without staffs. To avoid that, it is recommended -to use \keyindex{relax} rather than {\tty\%} at the end of source lines. - -\chapter{Installation} - -\section{Getting the stuff} - -As seen before, all the files are available at \itxem{anonymous ftp} {\tty -rsovax.lps.u-psud.fr} (193.55.39.100) in the directory\footnote{{\sc -unix} addicts whould beware that this primary server is an old MicroVax run -the VMS system. Therefore the brackets in the directory name are compulsory, -not optional.} -{\tty[anonymous.musictex]}, which can more easily be reached -using the simple command - -{\tt cd musictex} - - -This directory normally contains {\tty musictex.zip} which contains -all the distribution for PC (\ixem{MS-DOS}) computers. This is only for -{\tty ftp}-ing convenience since all source files are directly available -in the same directory. In addition a set of examples (i.e. the files -whose name does not begin with ``{\tty music}'') is packed into -{\tty musicexa.zip}, and {\tty recueil.zip} contains the zipped DVIs of a large -subset of the examples. Finally the PK files of specific fonts are provided -in {\tty musicpk.zip}; getting this file is useless if you are able to {\tty -metafont} the files whose {\tty *.mf} are provided in the main package. - -The \ixem{VMS} files are also packed into {\tty musictex.bck}\index{musictex.zip} -\index{musictex.bck}. Notwithstanding the fact that files are packed together -or not, the files provided are of two kinds: -\begin{enumerate} -\item the basic files; -\item the example files. -\end{enumerate} - -All \itxem{basic files} are either of the form {\tty music*.*} (excluding of -course {\tty *.zip} and {\tty *.bck}), {\tty beamn*.*} and {\tty slurn*.*}. Other -files ({\tty *.tex} or {\tty *.dvi}) are example files. - -\ital{Fonts}\index{fonts} are provided as {\tty *.mf} files but also as {\tty -*.tfm} and {\tty *.pk} files for 300~dpi printers or previewers. Additional -values of the \ixem{dpi} parameter are also provided in {\tty musicpk.zip}. -Normally needed fonts are {\tty musikn20}, {\tty musikn16}, {\tty musikn13}, -{\tty musikn11}, {\tty musicbra} or {\tty musicbrb}\footnote{{\tt musicbra} -and {\tt musicbrb} exhibit some drawing differences, but they meet the same -purpose of typing \itxem{piano braces}.}, {\tty beamn20}, {\tty beamn16}, {\tty beamn13}, -{\tty beamn11}, {\tty slurn20} and {\tty slurn16}. - -\section{Installing the fonts} - \textit{All} files with the extension \verb|.tfm|\footnote{\TeX\ font metric -files, needed directly from binary for \TeX ing the examples or the doc.} have -to be copied in the same directory as the other \verb|.tfm|'s. -Then, if you get the error message: - -\verb|! Font ... not loadable: Metric (TFM) file not found.| - -\noindent this means -you did not succeed in installing the \verb|.tfm|'s, or you installed them in -the wrong directory. Then look at your general \TeX\ -documentation\footnote{The specific \TeX\ installation manual, not necessarily -the \TeX book.} and try again. - - -The \verb|.tfm| only contains the width, height and depth of each character -of a font and is the only font file needed for \TeX ing. But, to preview -and/or view you need the pixel fonts, i.e. not the metrics but the exact -drawing of the characters. On most systems they are packed and have either -the extension \verb|.pk| or the extension {\tt.}$<dpi>${\tty pk}, where $dpi$ -is the actual resolution of the font needed in the requested size. This means -that the the given \verb|*.pk| files provided often have to be renamed as -\verb|*.300pk|, especially in \unix\ systems. - - Mostly needed and spreaded are the fonts for \verb|dvi|-driver with -resolution of 300dpi. Using Em\TeX the \verb|.pk|-fonts have to be copied in -\verb|...\pixel.lj\300dpi\|. In \unix\ systems they often have to be renamed -as \verb|*.300pk| and put in a directory --- the name of which can be -provided by your local manual or \TeX-wizard --- of the form -\verb|.../fonts/pk|. - -\section{Building a format}\label{formatbuild} - -Introducing the basically needed files in a \itxem{format} (with -\ixem{INITEX}) is a means of saving computer time and memory. Besides, you -will have a format compatible with \musixtex\ and --- provided you made the -symmetrical format for \musixtex that is, including {\tt musixcpt} in your -\musixtex\ format --- you can compile exactly the same source files with both -\musictex\ and \musixtex, which is a good means of finding whether some -strange behaviour is specific to one implementation or the other, or whether -you made some general mistake. - -\subsection{Starting from nil} -\begin{enumerate} -\item Build up a file called \verb|musictex.ini| with following contents: - -\begin{verbatim} -\input plain % or your local plain-like TeX format -\input musicnft -\input musictex -\input musicvbm -\input musictrp % optionally -\input musicsty % optionally -\def\fmtname{musictex}\def\fmtversion{5.08} -\dump -\end{verbatim} - -\item Make your format with the command - -\smallskip - \verb|initex musictex.ini|\footnote{depends on your implementation. -{\tty initex} may require another form, such as -``\verb|tex386 -i|''.} - -\item Then your format may me invoked for \TeX ing score by something like - - - \verb|tex &musictex| \textit{jobname}\footnote{depends on your -implementation. Very often the formatless \TeX is invoked by \verb|virtex| -rather than \verb|tex| which already invokes a default plain format.}. -\end{enumerate} - -\subsection{Starting from your usual plain format} -\begin{enumerate} - \item First, try to find --- on your favourite system --- whether \verb|tex| is -an executable routine, or a \verb|tex.bat| command in MS-DOS or a {\sl -shell\/} procedure under \unix. - \item If \verb|tex| is a command try to find the ``initex'' local command: -usually it is either \verb|initex| or \verb|tex -i|. - \item Try to find the name of the ``plain \TeX'' format (usually posted -when \TeX ing anything. - \item Then, {\it mutatis mutandis\/}, assuming the ``initex'' command has -the name \verb|initex| and the ``plain \TeX'' format is \verb|plain|, run the -shell command: - - \medskip - \verb|initex \&plain musictex.ins| - - \medskip\noindent which will produce a format file {\tt musictex.fmt} which -you shall put in the same directory as the others formats (hoping you have -the access rights...). Note, in \unix\ systems, the backslash before the -\verb|&| which tells the system to consider this character as a member of the -command, not a batch execution indication. Once this is done, you can -\musictex\ any score you have written using a command such as: - - \medskip - \verb|tex \&musictex my-score.tex| - - \medskip\noindent that is, specifying your new format {\tt musictex.fmt} -instead of the usual {\tt plain.fmt}. - - For MS-DOS/{\tt emTeX} users the format building command is: - - \verb|tex386 -i &plain musictex.ins| - - \noindent (you can change \verb|plain| into \verb|dc-plain| or any other -plain-like format you have) then: - - \verb|copy musictex.fmt \emtex\btexfmts\*.*| - - \noindent and the {\tt musictex.bat} command can be - -% It makes no sense to state -mt20000, perhaps this is useful for MusicTeX, -% (it uses hyphenation to break a line) but not for MusiXTeX (it uses musixflx) -\begin{quote}\begin{verbatim} -if exist %1.tex goto tex -goto end - -:tex -tex386 -mt20000 &musictex %1 %2 %3 %4 %5 %6 %7 %8 %9 - -:end - \end{verbatim}\end{quote} -\end{enumerate} - - - - - \input musicdoc.ind - - -\chapter{Examples} - -\vskip -8mm -Due to compatibility problems with \LaTeX\ (used to produce this notice) -large examples must be \TeX -ed separately, i.e.\ using \TeX\ and not \LaTeX. -Therefore, the Music\TeX\ future user is suggested to produce -some of the following examples and to look carefully at the way some -special features have been coded. - -\medskip When producing this examples, care should be taken about the fact -that many several files are supposed to be included (by means of -\keyindex{input}) in other files. Thus the only good files to be directly -\TeX-ed are those which begin with ``{\Bslash input musicnft}'' or - ``\verb|% \input musixtex|''. This latter command indicates that this -exemple can be run, both with \musictex\ inserting - - \verb|\input musicnft| - - \verb|\input musictex| - - \verb|\input musicvbm| - - \verb|\input musictrp| - - \verb|\input musicsty| - - \noindent at the beginning, or inserting the correcponding files of -MusiX\TeX\ (see corresponding manual). A simplerway of doing consists in having -two formats, one for \musictex\ (see \ref{formatbuild}), one for MusiX\TeX\ -plus its compatibility input files. - -In addition, it must be noted that most DVI previewers and laser printers -have their origin at one inch below and one inch right of the right upper -corner of the paper, while the musical examples have their upper left -significant corner only at one centimeter right and below the left top of the -paper. Therefore, special parameters have to be given to the DVI -transcription programs unless special \keyindex{hoffset} and -\keyindex{voffset} \TeX\ commands are introduced within the source \TeX\ -text. - -\medskip Suggested tests are: - -\begin{itemize} -\item{\tty PACIFIQN} for a long original piano work (11 pages); - {\tty PACIFIQB} is the same in 16~pt staff size; -\item{\tty CARILLON} for a sophisticated piano score (use Big\TeX~!); -\item{\tty PRAETORI} to get an ancient polyphonic song with three - transpositions; -\item{\tty ANGESCAO} if you like Christmas carols with four voices, a - three-staff organ score and the same transposed to meet ordinary - singer's limitations; {\tty ANGESCAM} is the same without organ. See {\tty - angescax.tex} to see how the same source has been used for two distinct -layouts. -\item{\tty HPRELFUG} if you like imitations of J.-S. Bach - (included in {\tty RECUEIL}); -\item{\tty MARCELLX} if you like pre-baroque music (included in {\tty RECUEIL}); -\item{\tty RECUEIL} if you want to get all the organ works\footnote{All -subsets of {\tty RECUEIL} can be \musictex-ed separately.} of the author in a -single book (65 pages); - \item{\tty HWIDOR} and {\tty NWIDOR} to get the Toccata by Charles-Marie -{\sc Widor} in two different sizes; - \item{\tty AVEMARIX} to get the ``M\'editation'' (alias ``Ave Maria'') by -Charles {\sc Gounod} for organ and violin or song.\index{Gounod, C.} and {\tty -AVEMARIO} to get the same for organ solo; - \item{\tty RACINE} to get the ``Cantique de Jean Racine'' by Gabriel {\sc -Faur\'e} in a transcription fit for organ rather than for -piano.\index{Faur\'e, G.} - -\end{itemize}\index{Widor, C.-M.}\index{Gounod, C.} - -\chapter{Summary of denotations} -\section{Pitches} -\begin{music} -\cleftoksi={6000} -\def\lbnt#1{\zcharnote{9}{\tty #1}\wh{!#1}} -\def\LBNT#1{\zcharnote{9}{\tty !\relax #1}\wh{!#1}} -\def\nbinstruments{1}\relax -\debutextrait\autolines{13}{1}{12}\temps\notes\qsk -\LBNT {`A}\LBNT {`B}\relax -\LBNT {`C}\LBNT {`D}\LBNT {`E}\relax -\LBNT {`F}\LBNT {`G}\relax -\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\enotes\finextrait -\def\lbnt#1{\zcharnote{-5}{\tty #1}\wh{!#1}}\relax -\debutextrait\autolines{13}{1}{12}\temps\notes\qsk -\lbnt G\lbnt H\lbnt I\relax -\lbnt J\lbnt K\lbnt L\lbnt M\lbnt N\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\relax -\enotes\finextrait -\def\nbinstruments{1}\relax -\cleftoksi={0000} -\def\lbnt#1{\zcharnote{10}{\tty #1}\wh{!#1}}\relax -\debutextrait\autolines{13}{1}{12}\temps\notes\qsk -\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\lbnt h\lbnt i\relax -\lbnt j\lbnt k\lbnt l\lbnt m\enotes\finextrait -\def\lbnt#1{\zcharnote{-4}{\tty #1}\wh{!#1}}\relax -\debutextrait\autolines{13}{1}{12}\temps\notes\qsk -\lbnt n\lbnt o\lbnt p\lbnt q\lbnt r\relax -\lbnt s\lbnt t\lbnt u\lbnt v\lbnt w\lbnt x\lbnt y\lbnt z\relax -\enotes -\finextrait -\end{music} -\section{Notes and Rests} -\begin{music} -\def\mcra#1{\zcharnote{10}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}} -\def\Mcra#1{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}} -\def\nbinstruments{1} -\debutextrait\normal\temps\NOTes\sk -\mcra{zbv}\zbv i\sk\mcra{zsb}\zsb i\sk\enotes\Notes\relax -\mcra{wh}\wh i\qsk -\mcra{hu}\hu f\qsk\mcra{hl}\hl l\qsk -\mcra{qu}\qu f\qsk\mcra{ql}\ql l\qsk -\mcra{cu}\cu f\qsk\mcra{cl}\cl l\qsk -\qsk\mcra{ccu}\ccu f\qsk\qsk\mcra{ccl}\ccl l\qsk\relax -\qsk\qsk\mcra{cccu}\cccu d\qsk\qsk\qsk\mcra{cccl}\cccl l\qsk -\qsk\qsk\mcra{ccccu}\ccccu f\qsk\qsk\qsk\mcra{ccccl}\ccccl l\enotes\finextrait -\end{music} -% -\begin{music} -\def\mcra#1{\zcharnote{10}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}} -\def\Mcra#1{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}} -\def\nbinstruments{1} -\debutextrait\normal\temps\NOTes\qsk -\mcra{whp}\whp i\qsk -\mcra{hup}\hup f\qsk\mcra{hlp}\hlp l\qsk -\mcra{qup}\qup f\qsk\mcra{qlp}\qlp l\qsk -\mcra{cup}\cup f\qsk\mcra{clp}\clp l\qsk\enotes -\Notes\qsk\mcra{qh0}\ibu0f0\qh0f\tbu0\sk -\qsk\mcra{qb0}\ibl0l0\qb0l\tbl0\sk\relax -\qsk\mcra{qhp0}\ibu0f0\qhp0f\tbu0\sk -\qsk\mcra{qbp0}\ibl0l0\qbp0l\tbl0\sk\relax -\qsk\mcra{qhpp0}\ibu0f0\qhpp0f\tbu0\sk -\qsk\mcra{qbpp0}\ibl0l0\qbpp0l\tbl0\sk\relax -\enotes -\finextrait -% -\def\mcrb#1#2{\zcharnote{14}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}% -\mcra{#2}}% -\def\Mcrb#1#2{\zcharnote{18}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}% -\Mcra{#2}}% -\def\mcrc#1#2#3{\zcharnote{18}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}% -\mcrb{#2}{#3}}% -\debutextrait\normal\NOTES\qsk\relax -\Mcrb{seizsoupir}{qqs}\qqs\qsk% hemi-demi-semi-quaver rest -\mcrb{huitsoupir}{hs}\hs\qsk% demi-semi-quaver rest -\mcrc{quartsoupir}{qsoupir}{qs}\qs\qsk\qsk% semi-quaver rest -\mcrc{demisoupir}{dsoupir}{ds}\ds\qsk% quaver rest -\enotes\finextrait -\debutextrait\normal\NOTEs -\mcrb{soupir}{qp}\qp\qsk% crotchet rest -\mcra{hpause}\hpause% minim rest -\mcra{pause}\pause% semibreve rest -\mcra{PAuse}\PAuse% ? rest -\enotes\NOTes -\mcra{PAUSe}\PAUSe% ?? rest -\enotes\finextrait -\end{music} -% -\section{Other symbols} - - -\begin{music} -\def\nbinstruments{1}\parindent 0pt -\def\mcra#1{\zcharnote{17}{\hbox to 1.3\Interligne{\hss\Bslash #1\hss}}} -\def\Mcra#1{\charnote{17}{\hbox to \noteskip{\Bslash #1\hss}}} -\debutextrait\NOTEs -\mcra{nTrille}\nTrille{n}4\sk\qsk -\mcra{ntrille}\ntrille{n}4\sk\sk -\mcra{pince}\pince{n}\sk\mcra{Pince}\Pince{n}\sk\relax -\mcra{mordant}\mordant{n}\sk -\mcra{turn}\turn{n}\sk\mcra{backturn}\backturn{n}\sk -\mcra{coda}\coda{n}\sk\mcra{segno}\segno{n}\sk -\enotes\finextrait -\debutextrait -\def\mcra#1{\zcharnote{10}{\hbox to \noteskip{\Bslash #1\hss}}}\relax -\NOTes\sk\relax -\mcra{dimin}\zcharnote b{\dimin}\sk\sk -\mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax -\mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax -\mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\sk\relax -\enotes\finextrait -\debutextrait -\def\mcra#1{\zcharnote{10}{\hbox to \noteskip{\Bslash #1\hss}}}\relax -\NOTes\sk\relax -\mcra{cresc}\zcharnote b{\cresc}\sk\sk\relax -\mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax -\mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax -\mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\relax -\enotes\finextrait -\debutextrait -\def\mcra#1{\zcharnote{14}{\hbox to 2\Interligne{\hss\Bslash #1\hss}}}\relax -\NOTEs\sk -\mcra{pointdorgue}\pointdorgue{l}\wh k\sk\relax -\mcra{pointdurgue}\pointdurgue{e}\wh f\sk\enotes -\NOTes -\mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax -\enotes\finextrait -\end{music} -\end{document} - - diff --git a/Master/texmf-dist/tex/generic/musictex/musicext.tex b/Master/texmf-dist/tex/generic/musictex/musicext.tex deleted file mode 100644 index 243b1354f17..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicext.tex +++ /dev/null @@ -1,225 +0,0 @@ - - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 - -% \dyn {pitch}{text} inserts a dynamic -\def\dyn#1#2{\zcharnote{#1}{{\ppff #2}}} - -% \nobarnumbers prevents bar numbering -\def\nobarnumbers{\def\wbarno{\relax}} - -% \barnumbers restores bar numbering -\def\barnumbers{\def\wbarno{\w@barno}} - -% \tab is defined as a tab character, so that I can still use tabs. -\catcode`\@=4 -\let\tab=@ -\catcode`\@=11 - -% The next few sections define some extra macros to produce notes. - -% shifted dotted whole notes -\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip} -\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip} - -% Half-shifted notes. I sometimes use these for close intervals: for instance -% \zlqu g\zrql f - -\def\zrwh{\zrw} -\def\zlwh{\zlw} -\def\zrw#1{\kern .52\wd@skip\zw{#1}\kern -.52\wd@skip} -\def\zlw#1{\kern -.52\wd@skip\zw{#1}\kern .52\wd@skip} -\def\zrhu#1{\kern .45\hn@width\zhu{#1}\kern -.45\hn@width} -\def\zlhu#1{\kern -.45\hn@width\zhu{#1}\kern .45\hn@width} -\def\zrhl#1{\kern .45\hn@width\zhl{#1}\kern -.45\hn@width} -\def\zlhl#1{\kern -.45\hn@width\zhl{#1}\kern .45\hn@width} -\def\zrhup#1{\kern .45\hn@width\zhup{#1}\kern -.45\hn@width} -\def\zlhup#1{\kern -.45\hn@width\zhup{#1}\kern .45\hn@width} -\def\zrhlp#1{\kern .45\hn@width\zhlp{#1}\kern -.45\hn@width} -\def\zlhlp#1{\kern -.45\hn@width\zhlp{#1}\kern .45\hn@width} -\def\zrqu#1{\kern .45\qd@skip\zqu{#1}\kern -.45\qd@skip} -\def\zlqu#1{\kern -.45\qd@skip\zqu{#1}\kern .45\qd@skip} -\def\zrql#1{\kern .45\qd@skip\zql{#1}\kern -.45\qd@skip} -\def\zlql#1{\kern -.45\qd@skip\zql{#1}\kern .45\qd@skip} -\def\zrqup#1{\kern .45\qd@skip\zqup{#1}\kern -.45\qd@skip} -\def\zlqup#1{\kern -.45\qd@skip\zqup{#1}\kern .45\qd@skip} -\def\zrqlp#1{\kern .45\qd@skip\zqlp{#1}\kern -.45\qd@skip} -\def\zlqlp#1{\kern -.45\qd@skip\zqlp{#1}\kern .45\qd@skip} -\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip} -\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip} -\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip} -\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip} -% -% half left shifted accidentals - for putting before half shifted notes -% -\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\f@lat\kern 0.45\qd@skip}% -}% -\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\df@lat\hskip 0.45\qd@skip}% -}% -\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise - \pl@llap{\s@harp\hskip 0.45\qd@skip}% -}% -\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@ - \pl@llap{\ds@harp\hskip 0.45\qd@skip}}% -\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise - \pl@llap{\n@at\hskip 0.45\qd@skip}}% - -% -% The following macros can be used to surround a note by parentheses. They -% are also used as ornaments by J.P. Rameau. -% \lpar p produces a left parenthesis, or "port de voix" at pitch p -% \rpar p produces a right parenthesis, or "pinc\'e" - -\def\lpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern -0.76\wd@skip (}}} -\def\rpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern 0.76\wd@skip )}}} - - -\newdimen\tmp@dimen -\def\bracketshrink{0.17\Interligne} - -% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th -% whose lowest note is p. - -\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne - \divide\tmp@dimen by2\relax - \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink - \advance\tmp@dimen by-\lthick - \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne - \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax - \rlap{\vbox{\hrule width .5\Interligne}}\relax - \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}} - -\newdimen\tmp@dimenc -\newdimen\z@iii\newdimen\z@iv\newdimen\z@v - -% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and -% height h. This will cause an unrecorded space so it should be used within -% \rlap. Note that this macro is a hack and probably gobbles up resources! -% This macro is used by some of the others which follow. - -\def\oblique#1#2#3{\relax % length slope height -\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax -\else\q@antum=25\lthick\divide\q@antum by #2\relax -\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi -\global\z@iv=0pt\relax -\loop\ifdim\z@iv<#1\relax - {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax - \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax - \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by - -0.5\internote - \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi - \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax - \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi - \advance\z@iii by 0.6\internote\relax - \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth - .5\lthick}\relax - \global\advance\z@iv by \q@antum\relax -}\repeat -\fi -} - -\newdimen\tmp@dimenb\newcount\tmp@ct -\def\crescwidth{1.8\Interligne} - -% These macros produce variable size crescendo and diminuendo marks. -% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing -% no space. -\def\varcresc#1#2{\relax% height (note), length (dimen) - \tmp@dimenb \crescwidth\tmp@dimen #2\multiply - \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb - \ifnum 0=\tmp@ct\relax - \tmp@ct 1\fi - \getn@i{#1}\tmp@dimen\n@i\internote - \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax - \advance\tmp@dimen by-\lthick - \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}} - -% \vardim{p}{l} draws a diminuendo at pitch p, and of length l, causing -% no space. -\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply - \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb - \ifnum 0=\tmp@ct\relax - \tmp@ct 1\fi - \getn@i{#1}\tmp@dimen\n@i\internote - \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax - \advance\tmp@dimen by\tmp@dimenb - \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax - \advance\tmp@dimen by \lthick - \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen - by-.02\tmp@dimenb - \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}} - -% \overbracket{p}{l}{s} draws a bracket over the music starting at the -% current position at pitch p, width l and slope s percent, causing no space. -\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick height \lthick - depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick - depth.8\Interligne}}} - -% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the -% bracket to cover n notes (note however that glue inserted by \temps -% commands will expand the space between the notes but will not affect the -% bracket). -% I use this macro to indicate triplets, for instance. - -\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}} - -% \underbracket and \unbkt are similar to the above, but produce -% brackets under the music. -\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%) - \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax - \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax - \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick - height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax - \advance\tmp@dimenb by.5\lthick\relax - \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick - height\Interligne}}} -\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%) - \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen - by -\noteskip\advance\tmp@dimen by\lthick - \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick} - -% Here are several macros to make use of the alternative note graphics found -% in the font files. I copied the idea from the usual note macros in -% MusicTeX. - - -% \ttrill p makes a terminated trill ... -\def\ttrill#1{\zcharnote{#1}{\o@skp\musicnorfont\char"58\dimen@4.6pt% - \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}} - -% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the -% note stems. -% \downarpeg p is written just before the note at pitch p with its stem -% pointing up in order to indicate a descending arpeggio -% \uparpeg p is written just before the note at pitch p with its stem -% pointing down in order to indicate an ascending arpeggio - -\font\linew=linew10 %would be nice to have slightly shorter lines... -\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote - \rlap{\linew\char"61}} -\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote - \rlap{\linew\char"21}} - -% \qqs is a demi-semiquaver rest -\def\qqs{\charnote0{{\musicnorfont\char"41}}} - -% These macros change context while forbidding line breaks -\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}} -\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}} - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - diff --git a/Master/texmf-dist/tex/generic/musictex/musicnew.tex b/Master/texmf-dist/tex/generic/musictex/musicnew.tex deleted file mode 100644 index 31281827a1e..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicnew.tex +++ /dev/null @@ -1,28 +0,0 @@ -% - % THIS is MusicTeX -\def\mcversion{5.13} -\message{Version \mcversion\space -- September 9th, 1995}% - -\def\setclef#1{\noinstrument #1\relax\selectinstr \cleftoks} -\let\setclefs\setclef - -\def\setstaffs#1{\noinstrument #1\relax\selectinstr \nbportees} - -\def\setinterinstrument#1#2{\noinstrument #1\relax - \expandafter\def\csname interinstrument\romannumeral\noinstrument\endcsname{#2}} - -\def\hardnotes#1\notes{\termskip\noteskip=#1\relax \n@otes} - -\def\hardlyrics#1\notes{%\termskip - \def\thelyrics{\hbox{#1}}% - \setbox\ch@box\thelyrics \noteskip\wd\ch@box \n@otes} - %\check - -\def\dhsong{\rlap} -\def\thsong{\rlap} -\def\zsong{\rlap} -\def\hsong{\rlap} - -\endinput - - diff --git a/Master/texmf-dist/tex/generic/musictex/musicnft.tex b/Master/texmf-dist/tex/generic/musictex/musicnft.tex deleted file mode 100644 index 0e928c75cf9..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicnft.tex +++ /dev/null @@ -1,938 +0,0 @@ -% -% This is MusicNFT from MusicTeX -\message{Version 5.18 -- August 26th, 1996}% -% -% finding which class of fonts is normally used (cmxxx, dmxxx, dcxxx,...) -\def\wordsplita#1#2#3.XX.{#1}% -\def\wordsplitb#1#2#3.XX.{#2}% -\rm -\edef\fonthdg{\expandafter\wordsplita\fontname\the\font.XX.}% -\edef\fonthdge{\expandafter\wordsplitb\fontname\the\font.XX.}% - % -\font\cmmi=cmmi10 scaled \magstep1 -\font\cmbxbig=\fonthdg\fonthdge bx10 scaled \magstep2 -\font\cmbx=\fonthdg\fonthdge bx10 scaled \magstep1 -\font\cmbxsmall=\fonthdg\fonthdge bx10 -\font\cmbxtiny=\fonthdg\fonthdge bx8 -\font\cmbxmicro=\fonthdg\fonthdge bx7 -\font\moyen=\fonthdg\fonthdge bx10 scaled \magstep1 -\font\cmex=cmex10 -\font\cmsy=cmsy10 scaled \magstep1 -\font\cmr=\fonthdg\fonthdge r10 scaled \magstep1 -\font\ttyeight=\fonthdg\fonthdge tt8 - - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 - -% -\let\@plainwlog=\wlog -\def\wlog#1{}% -% -\font\musictwenty=musikn20 -\fontdimen35\musictwenty=0pt\relax -\font\musicsixteen=musikn16 -\font\slurntwenty=slurn20 -\font\slurnsixteen=slurn16 -\font\musicthirteen=musikn13 -\font\musiceleven=musikn11 -\font\beamtwenty=beamn20 -\fontdimen50\beamtwenty=0pt\relax -\font\beamsixteen=beamn16 -\font\beamthirteen=beamn13 -\font\beameleven=beamn11 -% -\newif\ifcautionacc -\cautionaccfalse -% -\def\q@u{\musicnfont\char33\hss}% -\def\h@a{\musicnfont\char34\hss}% -\def\w@h{\musicnfont\char35\hss}% -\def\d@iamg{\musicnfont\char0\hss}% -\def\d@iamw{\musicnfont\char127\hss}% -\def\s@haker{\musicnfont\char79\hss}% -\def\t@remolord{\musicnfont\char78\hss}% -\def\c@arrg{\musicnfont\char1\hss}% -\def\c@arpg{\musicnfont\char2\hss}% -\def\c@arqg{\musicnfont\char3\hss}% -\def\w@hq{\musicnfont\char 125\hss}% -\def\s@bv{\musicnfont\char36\hss}% -\def\b@rv{\musicnfont\char32\hss}% -\def\c@upchar{39}% offset to upper eighth hook -\def\c@dnchar{44}% offset to upper eighth hook -% - % -% -\def\musicxx{\musicnorfont}% -\def\slurnxx{\slurnorfont}% -\def\slurnfont{\slurnorfont}% -% -\def\set@normalnotesize{\def\beamfont{\beamnorfont}% -\def\musicnfont{\musicnorfont}% -\def\i@nterbeam{0.75\Interligne}% -\def\b@alkthick{0.24\Interligne}} -% -\def\set@smallnotesize{\def\beamfont{\beamsmallfont}% -\def\musicnfont{\musicsmallfont}% -\def\i@nterbeam{0.6\Interligne}% -\def\b@alkthick{0.192\Interligne}} -% -\def\set@tinynotesize{\def\beamfont{\beamtinyfont}% -\def\musicnfont{\musictinyfont}% -\def\i@nterbeam{0.48\Interligne}% -\def\b@alkthick{0.1536\Interligne}} -% -\set@normalnotesize -% -\def\qu@raise{\z@}% -\def\ha@raise{\z@}% -\def\wh@raise{\z@}% -\def\zwq#1{\getn@i{#1}\def\n@fon{\zwq}\def\n@sym{\w@hq}\g@zw}% -\def\zsb#1{\getn@i{#1}\def\n@fon{\zsb}\def\n@sym{\s@bv}\g@zsb}% semi-breve -\def\zbv#1{\getn@i{#1}\def\n@fon{\zbv}\def\n@sym{\b@rv}\g@zbv}% breve -\def\g@zbv{\n@raiseq - \h@lines{\bv@width}\def\s@tem{\resetstem}\plap@symss\fi}% -\def\g@zsb{\n@raiseq - \h@lines{\sb@width}\def\s@tem{\resetstem}\plap@symss\fi}% -% -\newbox\ch@box -\newdimen\lthick -\global\lthick=0.4pt -%\newdimen\qn@width -%\newdimen\hn@width -%\newdimen\wn@width -%\newdimen\sb@width -%\newdimen\bv@width -\newdimen\qd@skip -\newdimen\hd@skip -\newdimen\wd@skip -% -\newcount\musicsize -% -\def\musickeyfont{\ifdim\internote<0.76\Internote\musictinyfont -\else\ifdim\internote<0.95\Internote\musicsmallfont - \else\musicnorfont - \fi -\fi}% -% -\def\meterfont{\ifdim\internote<0.76\Internote\metersmallfont -\else\ifdim\internote<0.95\Internote\meternorfont - \else\meterbigfont - \fi -\fi}% -% -\def\pointfont{\ifdim\internote<0.76\Internote\metertinyfont -\else\ifdim\internote<0.95\Internote\metersmallfont - \else\meternorfont - \fi -\fi}% -% -\def\computespecifics{\ifnum\musicsize=0\relax\musicsize=20\relax\fi -\ifnum\musicsize=20\relax - \def\ppff{\ppfftwenty}% - \def\beamnorfont{\beamtwenty}\def\musicnorfont{\musictwenty}% - \def\beamsmallfont{\beamsixteen}\def\musicsmallfont{\musicsixteen}% - \def\beamtinyfont{\beamthirteen}\def\musictinyfont{\musicthirteen}% - \def\meternorfont{\cmbx}\def\metersmallfont{\cmbxsmall}% - \def\metertinyfont{\cmbxtiny}\def\slurnorfont{\slurntwenty}% - \def\meterbigfont{\cmbxbig}% -\else - \def\ppff{\ppffsixteen}% - \def\beamnorfont{\beamsixteen}\def\musicnorfont{\musicsixteen}% - \def\beamsmallfont{\beamthirteen}\def\musicsmallfont{\musicthirteen}% - \def\beamtinyfont{\beameleven}\def\musictinyfont{\musiceleven}% - \def\meternorfont{\cmbxsmall}\def\metersmallfont{\cmbxtiny}% - \def\metertinyfont{\cmbxmicro}\def\slurnorfont{\slurnsixteen}% - \def\meterbigfont{\cmbx}% -\fi -\Interligne=\musicsize pt\divide\Interligne by 4\relax -\Internote=0.5\Interligne -\interbeam=\i@nterbeam -\computeqn@w}% -% -\def\computeqn@w{% -\setbox\ch@box=\hbox{\w@h}\wn@width=\wd\ch@box -\setbox\ch@box=\hbox{\s@bv}\sb@width=\wd\ch@box -\setbox\ch@box=\hbox{\b@rv}\bv@width=\wd\ch@box -\setbox\ch@box=\hbox{\c@arrg}\gr@width=\wd\ch@box -\setbox\ch@box=\hbox{\h@a}\hn@width=\wd\ch@box -\setbox\ch@box=\hbox{\q@u}\qn@width=\wd\ch@box -\qd@skip=\qn@width\advance\qd@skip by -\hlthick -\hd@skip=\hn@width\advance\hd@skip by -\hlthick -\wd@skip=\wn@width\advance\wd@skip by -\hlthick -}% -\def\normalnotesize{\set@normalnotesize\computespecifics - \def\currentsize{\normalnotesize}} -\def\smallnotesize{\set@smallnotesize\computespecifics - \def\currentsize{\smallnotesize}} -\def\tinynotesize{\set@tinynotesize\computespecifics - \def\currentsize{\tinynotesize}} -% -%\check -% -\def\s@oupir{{\musicnfont\char"3E}}% -% - %\newdimen\c@height -\newcount\c@mult -%\check -\def\d@cr#1{\c@mult=#1\relax % queue de #1 croche(s) vers le haut -\advance\c@mult by \c@upchar\d@crg}% -\def\d@gru{\c@mult=12\relax\d@crg}% queue de croche barree vers le haut -\def\d@crg{\setbox\ch@box=\rlap{\musicnfont\char\c@mult}\c@height=\ht\ch@box -\global\advance\st@top by \c@height -\global\advance\st@top by \internote - \ifdim\st@top>\st@bot - \maxst@top - \global\advance\st@bot by -\altportee - \global\advance\st@top by -\altportee - \kern\stem@skip\vrule height\st@top depth -\st@bot width \lthick - \advance\st@top by -\c@height\raise\st@top\box\ch@box - \kern -\lthick \kern-\stem@skip - \fi\resetstem}% -%\check -\def\p@cr#1{\c@mult=#1\relax % queue de #1 croche(s) vers le bas -\advance\c@mult by \c@dnchar\p@crg}% -\def\p@gru{\c@mult=13\relax\p@crg}% queue de croche barree vers la bas -\def\p@crg{\setbox\ch@box=\rlap{\kern \hlthick\musicnfont - \char\c@mult}\c@height=\ht\ch@box -\global\advance\st@bot by -\internote -\global\advance\st@bot by -\c@height -\ifdim\st@top>\st@bot - \minst@bot - \global\advance\st@bot by -\altportee - \global\advance\st@top by -\altportee - \raise\st@bot\box\ch@box - \vrule height\st@top depth -\st@bot width \lthick - \kern -\lthick -\fi \resetstem}% -% -% grace notes (croches barrees) -\def\grcu#1{\getn@i{#1}\def\n@sym{\q@u}\def\n@fon{\grcu}\n@raiseq - \h@linesqn\global\stem@skip=\qd@skip - \def\s@tem{\d@gru}\pl@symssq\fi}% -\def\grcl#1{\getn@i{#1}\def\n@sym{\q@u}\def\n@fon{\grcl}\n@raiseq - \h@linesqn\def\s@tem{\p@gru}\pl@symssq\fi}% -% -%\check -\def\s@harp{\musicnfont\char"34}\def\sh@raise{\z@}% -\def\f@lat{\musicnfont\char"32}\def\fl@raise{\z@}% -\def\n@at{\musicnfont\char"36}\def\na@raise{\z@}% -\def\ds@harp{\musicnfont\char"35}% -\def\df@lat{\musicnfont\char"33}% -% -\def\smalln@at{\cau@left\musicnfont\char"7C\cau@right}% -\def\smallf@lat{\cau@left\musicnfont\char"78\cau@right}% -\def\smalls@harp{\cau@left\musicnfont\char"7A\cau@right}% -\def\smallds@harp{\cau@left\musicnfont\char"7B\cau@right}% -\def\smalldf@lat{\cau@left\musicnfont\char"79\cau@right}% -\def\cau@left{\ifcautionacc\raise-.45\Interligne - \hbox{\ttyeight(\kern -\lthick}\fi} -\def\cau@right{\ifcautionacc\raise-.45\Interligne - \hbox{\ttyeight\kern -\lthick)\kern -.2\Interligne}\fi\cautionaccfalse} -% -\def\n@rpl@lap{\global\n@raise=\z@\pl@llap}% -\def\bigsh#1{\inhgetn@i{#1}\n@rpl@lap{\s@harp}}% -\def\smallsh#1{\inhgetn@i{#1}\n@rpl@lap{\smalls@harp}}% -\def\csh{\cautionacctrue\smallsh}% -\def\uppersh#1{\zcharnote{#1}{\raise3\internote -\hbox to \qn@width{\hss\smalls@harp\hss}}}% -% -\def\bigdsh#1{\inhgetn@i{#1}\n@rpl@lap{\ds@harp}}% -\def\smalldsh#1{\inhgetn@i{#1}\n@rpl@lap{\smallds@harp}}% -\def\cdsh{\cautionacctrue\smalldsh}% -% -\def\bigna#1{\inhgetn@i{#1}\n@rpl@lap{\n@at}}% -\def\smallna#1{\inhgetn@i{#1}\n@rpl@lap{\smalln@at}}% -\def\cna{\cautionacctrue\smallna}% -\def\upperna#1{\zcharnote{#1}{\raise3\internote -\hbox to \qn@width{\hss\smalln@at\hss}}}% -% -\def\bigfl#1{\inhgetn@i{#1}\n@rpl@lap{\f@lat}}% -\def\smallfl#1{\inhgetn@i{#1}\n@rpl@lap{\smallf@lat}}% -\def\cfl{\cautionacctrue\smallfl}% -\def\upperfl#1{\zcharnote{#1}{\raise3\internote -\hbox to \qn@width{\hss\smallf@lat\hss}}}% -% -\def\bigdfl#1{\inhgetn@i{#1}\n@rpl@lap{\df@lat}}% -\def\smalldfl#1{\inhgetn@i{#1}\n@rpl@lap{\smalldf@lat}}% -\def\cdfl{\cautionacctrue\smalldfl} -% -\def\na#1{\ifdim\small@test\bigna{#1}\else\smallna{#1}\fi}% -\def\fl#1{\ifdim\small@test\bigfl{#1}\else\smallfl{#1}\fi}% -\def\sh#1{\ifdim\small@test\bigsh{#1}\else\smallsh{#1}\fi}% -\def\dfl#1{\ifdim\small@test\bigdfl{#1}\else\smalldfl{#1}\fi}% -\def\dsh#1{\ifdim\small@test\bigdsh{#1}\else\smalldsh{#1}\fi}% -% -%\check -\def\b@adjust{\ifdim\y@ii>2.1\q@antum -\multiply\q@antum by 2\relax\advance\b@char by 1\relax\fi -}% -\newcount\b@char -\def\b@alkdefs{\b@char=0\relax -\ifnum \b@p>0\relax\b@char=\b@p\relax\multiply\b@char by 6\relax - \advance\b@char by -6\relax\ifnum\b@char>54\relax\b@char=54\relax\fi\fi -\ifnum \b@p<0\relax\b@char=-\b@p\relax\multiply\b@char by 6\relax - \advance\b@char by 58\relax\ifnum\b@char>118\relax\b@char=118\relax\fi\fi -\q@antum=60pt\divide\q@antum by 32\relax\b@adjust -\b@adjust -\b@adjust -\b@adjust -\b@adjust -\chardef\b@alk=\b@char}% -%\check -\def\s@lopdefs{\q@antum=60pt\divide\q@antum by 32\relax \def\s@lope{0.0}\relax -\ifnum \b@p=1\relax\def\s@lope{0.05}\fi -\ifnum \b@p>1\relax\b@char=\b@p\relax\multiply\b@char by 5\relax - \ifnum\b@char>50\relax\b@char=50\relax\fi - \edef\s@lope{0.\the\b@char}\fi -\ifnum \b@p=-1\relax\def\s@lope{-0.05}\fi -\ifnum \b@p<-1\relax\b@char=-\b@p\relax\multiply\b@char by 5\relax - \ifnum\b@char>50\relax\b@char=50\relax\fi - \edef\s@lope{-0.\the\b@char}\fi -}% -%\check -\def\p@outre{% \y@ii : longueur, \b@p : pente, \y@i : altitude -\ifnum \b@p=0\relax - \y@iii=\y@i\y@iv=\y@i - \advance\y@iii by -\b@alkthick - \advance\y@iv by \b@alkthick - \vrule height \y@iv depth -\y@iii width \y@ii -% \raise \y@i\hbox{\vrule height \b@alkthick depth \b@alkthick -% width \y@ii} -\else\b@alkdefs\beamfont - \global\y@iv=\z@ - \loop\ifdim\y@iv<\y@ii - {\y@v=\y@ii\advance\y@v by -\y@iv - \advance\y@v by -\q@antum - \y@iii=\y@i - \advance\y@iii by \s@lope\y@iv - \ifdim\y@v<\z@\advance\y@iii by \s@lope\y@v\hskip\y@v\fi - \raise\y@iii\hbox to \q@antum{\b@alk\hss}\global\advance\y@iv by \q@antum - }\repeat -\fi -}% -%\check -\def\clefdefasymbol{\hbox to 3.2\Interligne{\musickeyfont - \kern -0.8\internote\hss\char"49\hss}}% -\def\smallclefdefa{\hbox to 2.8\Interligne{\musickeyfont - \kern -0.64\internote\hss\char"4A\hss}}% -%\check -\def\clefdesolsymbol{\hbox to 3.2\Interligne{\musickeyfont - \kern -1.2\internote\hss\char"47\hss}}% -\def\smallclefdesol{\hbox to 2.8\Interligne{\musickeyfont -\kern -0.96\internote\hss\char"48\hss}}% -%\check -\def\clefdutsymbol{\hbox to 3.2\Interligne{\musickeyfont - \kern -0.8\internote\hss\char"4B\hss}}% -\def\smallclefdut{\hbox to 2.8\Interligne{\musickeyfont - \kern -0.64\internote\hss\char"4C\hss}}% -\def\gclefdut{\hbox to 3.2\Interligne{\musickeyfont - \kern 0.4\internote\hss\char"04\hss}}% -\def\drumclefsymbol{\hbox to 3.2\Interligne{\musickeyfont - \kern 0.4\internote\hss\char"4D\hss}}% -% -\def\allabreve{{\kern \internote\musickeyfont\char"52}}% -\def\meterC{{\kern \internote\musickeyfont\char"53}}% -% -\def\d@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"3F}}% -\def\q@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"40}}% -\def\h@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"41}}% -\def\s@soup{\hbox{\kern -0.3\qn@width\musicnfont\char"42}}% -\def\p@orgue{\hbox{\kern -0.5\hn@width\musicnfont\char"50}}% -\def\p@urgue{\hbox{\kern -0.5\hn@width\musicnfont\char"51}}% -\def\trille#1{\hbox to #1{\leaders\hbox{\musicnfont\char"64}\hfill}}% -\def\Trille#1{\hbox to #1{\it tr\leaders\hbox{\musicnfont\char"64}\hfill}}% -% -% Gregorian notes -% -\def\diamg#1{\getn@i{#1}\def\n@fon{\diamg}\def\n@sym{\d@iamg}\g@diamg}% -\def\zdiamg#1{\getn@i{#1}\def\n@fon{\diamg}\def\n@sym{\d@iamg}\rlap{\g@diamg}}% -\def\diamw#1{\getn@i{#1}\def\n@fon{\diamw}\def\n@sym{\d@iamw}\g@diamg}% -\def\zdiamw#1{\getn@i{#1}\def\n@fon{\diamw}\def\n@sym{\d@iamw}\rlap{\g@diamg}}% -\def\carrg#1{\getn@i{#1}\def\n@fon{\carrg}\def\n@sym{\c@arrg}\g@diamg}% -\def\zcarrg#1{\getn@i{#1}\def\n@fon{\carrg}\def\n@sym{\c@arrg}\rlap{\g@diamg}}% -\def\carqg#1{\getn@i{#1}\def\n@fon{\carqg}\def\n@sym{\c@arqg}\g@diamg}% -\def\zcarqg#1{\getn@i{#1}\def\n@fon{\carqg}\def\n@sym{\c@arqg}\rlap{\g@diamg}}% -\def\carpg#1{\getn@i{#1}\def\n@fon{\carpg}\def\n@sym{\c@arpg}\g@diamg}% -\def\zcarpg#1{\getn@i{#1}\def\n@fon{\carpg}\def\n@sym{\c@arpg}\rlap{\g@diamg}}% -% -\def\g@diamg{\advancetrue\g@diam}% -\def\g@diam{\global\n@raise=\wh@raise\ifnum\n@i<100\relax - \h@lines{\gr@width}\def\s@tem{\resetstem}\pl@symssq\fi}% - %\check -%%%%%%%%%%%%%%%%%%%%%%%%% notes with black diamond heads %%%%%%%%%%%%%%%%%%%% - - %\check -\def\yu{\advancetrue\yu@z}% -\def\yup{\advancetrue\yup@z}% -\def\yupp{\advancetrue\yupp@z}% -\def\yuppp{\advancetrue\yuppp@z}% -\def\yu@z#1{\getn@i{#1}\def\n@fon{\yu}\def\n@sym{\d@iamg}\g@qu}% -\def\yup@z#1{\getn@i{#1}\def\n@fon{\yup}\def\n@sym{\d@iamgp}\g@qu}% -\def\yupp@z#1{\getn@i{#1}\def\n@fon{\yupp}\def\n@sym{\d@iamgpp}\g@qu}% -\def\yuppp@z#1{\getn@i{#1}\def\n@fon{\yuppp}\def\n@sym{\d@iamgppp}\g@qu}% -\def\yl{\advancetrue\yl@z}% -\def\ylp{\advancetrue\ylp@z}% -\def\ylpp{\advancetrue\ylpp@z}% -\def\ylppp{\advancetrue\ylppp@z}% -\def\yl@z#1{\getn@i{#1}\def\n@fon{\yl}\def\n@sym{\d@iamg}\g@ql}% -\def\ylp@z#1{\getn@i{#1}\def\n@fon{\ylp}\def\n@sym{\d@iamgp}\g@ql}% -\def\ylpp@z#1{\getn@i{#1}\def\n@fon{\ylpp}\def\n@sym{\d@iamgpp}\g@ql}% -\def\ylppp@z#1{\getn@i{#1}\def\n@fon{\ylppp}\def\n@sym{\d@iamgppp}\g@ql}% - %\check - % -\def\d@iamgp{\hbox to \qn@width{\d@iamg\hss}\P@t}% -\def\d@iamgpp{\hbox to \qn@width{\d@iamg\hss}\PP@t}% -\def\d@iamgppp{\hbox to \qn@width{\d@iamg\hss}\PPP@t}% -% -\def\yh#1{\selectpoutre{#1}\yh@}% -\def\yb#1{\selectpoutre{#1}\yb@}% -\def\yh@#1{\getn@i{#1}\def\n@fon{\yh@}\def\n@sym{\d@iamg}\g@qh@}% % position -\def\yb@#1{\getn@i{#1}\def\n@fon{\yb@}\def\n@sym{\d@iamg}\g@qb@} % #1 position -% -% x heads without stems -\def\zy#1{\getn@i{#1}\def\n@fon{\zy}\def\n@sym{\d@iamg}\g@zq} -\def\zyp#1{\getn@i{#1}\def\n@fon{\zyp}\def\n@sym{\d@iamgp}\g@zq} -\def\zypp#1{\getn@i{#1}\def\n@fon{\zypp}\def\n@sym{\d@iamgpp}\g@zq} -\def\zyppp#1{\getn@i{#1}\def\n@fon{\zyppp}\def\n@sym{\d@iamgppp}\g@zq} - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas pour percussion x - % -\def\ycu{\advancetrue\mycu1}\def\yccu{\advancetrue\mycu2} -\def\ycccu{\advancetrue\mycu3}\def\yccccu{\advancetrue\mycu4}% -\def\ycl{\advancetrue\mycl1}\def\yccl{\advancetrue\mycl2} -\def\ycccl{\advancetrue\mycl3}\def\yccccl{\advancetrue\mycl4}% -% -\def\yclp{\advancetrue\myclp1}\def\ycup{\advancetrue\mycup1}% -\def\yclpp{\advancetrue\myclpp1}\def\ycupp{\advancetrue\mycupp1}% -\def\yclppp{\advancetrue\myclppp1}\def\ycuppp{\advancetrue\mycuppp1}% - % -\def\mycu#1#2{\getn@i{#2}\def\n@sym{\d@iamg}% -\edef\n@fon{\noexpand\mycu #1}\g@cu{#1}} -\def\mycup#1#2{\getn@i{#2}\def\n@sym{\d@iamgp}% -\edef\n@fon{\noexpand\mycup #1}\g@cu{#1}} -\def\mycupp#1#2{\getn@i{#2}\def\n@sym{\d@iamgpp}% -\edef\n@fon{\noexpand\mycupp #1}\g@cu{#1}} -\def\mycuppp#1#2{\getn@i{#2}\def\n@sym{\d@iamgppp}% -\edef\n@fon{\noexpand\mycupp #1}\g@cu{#1}} - % -\def\mycl#1#2{\getn@i{#2}\def\n@sym{\d@iamg}% -\edef\n@fon{\noexpand\mycl #1}\g@cl{#1}} -\def\myclp#1#2{\getn@i{#2}\def\n@sym{\d@iamgp}% -\edef\n@fon{\noexpand\myclp #1}\g@cl{#1}} -\def\myclpp#1#2{\getn@i{#2}\def\n@sym{\d@iamgpp}% -\edef\n@fon{\noexpand\myclpp #1}\g@cl{#1}} -\def\myclppp#1#2{\getn@i{#2}\def\n@sym{\d@iamgppp}% -\edef\n@fon{\noexpand\myclppp #1}\g@cl{#1}} - -%%%%%%%%%%%%%%%%%%%%%%%%% notes with white diamond heads %%%%%%%%%%%%%%%%%%%% - - %\check -\def\du{\advancetrue\du@z}% -\def\dup{\advancetrue\dup@z}% -\def\dupp{\advancetrue\dupp@z}% -\def\duppp{\advancetrue\duppp@z}% -\def\du@z#1{\getn@i{#1}\def\n@fon{\du}\def\n@sym{\d@iamw}\g@qu}% -\def\dup@z#1{\getn@i{#1}\def\n@fon{\dup}\def\n@sym{\d@iamwp}\g@qu}% -\def\dupp@z#1{\getn@i{#1}\def\n@fon{\dupp}\def\n@sym{\d@iamwpp}\g@qu}% -\def\duppp@z#1{\getn@i{#1}\def\n@fon{\duppp}\def\n@sym{\d@iamwppp}\g@qu}% -\def\dl{\advancetrue\dl@z}% -\def\dlp{\advancetrue\dlp@z}% -\def\dlpp{\advancetrue\dlpp@z}% -\def\dlppp{\advancetrue\dlppp@z}% -\def\dl@z#1{\getn@i{#1}\def\n@fon{\dl}\def\n@sym{\d@iamw}\g@ql}% -\def\dlp@z#1{\getn@i{#1}\def\n@fon{\dlp}\def\n@sym{\d@iamwp}\g@ql}% -\def\dlpp@z#1{\getn@i{#1}\def\n@fon{\dlpp}\def\n@sym{\d@iamwpp}\g@ql}% -\def\dlppp@z#1{\getn@i{#1}\def\n@fon{\dlppp}\def\n@sym{\d@iamwppp}\g@ql}% - %\check - % -\def\d@iamwp{\hbox to \qn@width{\d@iamw\hss}\P@t}% -\def\d@iamwpp{\hbox to \qn@width{\d@iamw\hss}\PP@t}% -\def\d@iamwppp{\hbox to \qn@width{\d@iamw\hss}\PPP@t}% -% -\def\dh#1{\selectpoutre{#1}\dh@}% -\def\db#1{\selectpoutre{#1}\db@}% -\def\dh@#1{\getn@i{#1}\def\n@fon{\dh@}\def\n@sym{\d@iamw}\g@qh@}% % position -\def\db@#1{\getn@i{#1}\def\n@fon{\db@}\def\n@sym{\d@iamw}\g@qb@} % #1 position -% -% x heads without stems -\def\zd#1{\getn@i{#1}\def\n@fon{\zd}\def\n@sym{\d@iamw}\g@zq} -\def\zdp#1{\getn@i{#1}\def\n@fon{\zdp}\def\n@sym{\d@iamwp}\g@zq} -\def\zdpp#1{\getn@i{#1}\def\n@fon{\zdpp}\def\n@sym{\d@iamwpp}\g@zq} -\def\zdppp#1{\getn@i{#1}\def\n@fon{\zdppp}\def\n@sym{\d@iamwppp}\g@zq} - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas pour percussion x - % -\def\dcu{\advancetrue\mdcu1}\def\dccu{\advancetrue\mdcu2} -\def\dcccu{\advancetrue\mdcu3}\def\dccccu{\advancetrue\mdcu4}% -\def\dcl{\advancetrue\mdcl1}\def\dccl{\advancetrue\mdcl2} -\def\dcccl{\advancetrue\mdcl3}\def\dccccl{\advancetrue\mdcl4}% -% -\def\dclp{\advancetrue\mdclp1}\def\dcup{\advancetrue\mdcup1}% -\def\dclpp{\advancetrue\mdclpp1}\def\dcupp{\advancetrue\mdcupp1}% -\def\dclppp{\advancetrue\mdclppp1}\def\dcuppp{\advancetrue\mdcuppp1}% - % -\def\mdcu#1#2{\getn@i{#2}\def\n@sym{\d@iamw}% -\edef\n@fon{\noexpand\mdcu #1}\g@cu{#1}} -\def\mdcup#1#2{\getn@i{#2}\def\n@sym{\d@iamwp}% -\edef\n@fon{\noexpand\mdcup #1}\g@cu{#1}} -\def\mdcupp#1#2{\getn@i{#2}\def\n@sym{\d@iamwpp}% -\edef\n@fon{\noexpand\mdcupp #1}\g@cu{#1}} -\def\mdcuppp#1#2{\getn@i{#2}\def\n@sym{\d@iamwppp}% -\edef\n@fon{\noexpand\mdcupp #1}\g@cu{#1}} - % -\def\mdcl#1#2{\getn@i{#2}\def\n@sym{\d@iamw}% -\edef\n@fon{\noexpand\mdcl #1}\g@cl{#1}} -\def\mdclp#1#2{\getn@i{#2}\def\n@sym{\d@iamwp}% -\edef\n@fon{\noexpand\mdclp #1}\g@cl{#1}} -\def\mdclpp#1#2{\getn@i{#2}\def\n@sym{\d@iamwpp}% -\edef\n@fon{\noexpand\mdclpp #1}\g@cl{#1}} -\def\mdclppp#1#2{\getn@i{#2}\def\n@sym{\d@iamwppp}% -\edef\n@fon{\noexpand\mdclppp #1}\g@cl{#1}} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% arpeges -% -\def\arpegesym#1{\hbox to \Interligne{\kern -1.2\Interligne -\vbox to #1{\parindent=\z@ -\offinterlineskip\ifdim #1>4\Interligne\Arp@elem\fi\hrule -\cleaders\arp@elem\vfill\kern -\interligne}\hss}}% -\def\arp@elem{\vbox to \Interligne{\vss\musicnorfont\char"5A}}% -\def\Arp@elem{\vbox to 4\Interligne{\vss\musicnorfont\char"5D}}% -% -\def\arpeggio#1#2{\zcharnote{#1}{\n@iii=#2\relax\advance\n@iii by 89\relax -\musicnorfont\chardef\arp@el=\n@iii\relax\arp@el}\qsk}% -\def\larpeggio#1#2{\lcharnote{#1}{\n@iii=#2\relax\advance\n@iii by 89\relax -\musicnorfont\chardef\arp@el=\n@iii\relax\arp@el\kern -0.3\qn@width}\qsk}% -% -% -% This skip aligns some ornaments which appear not to be centred precisely -% on the notes -\def\o@skp{\kern-.5\hd@skip} -\def\mordant#1{\zcharnote{#1}{\musicnfont\char 89}}% -\def\pince#1{\zcharnote{#1}{\musicnfont\char 87}}% -\def\Pince#1{\zcharnote{#1}{\musicnfont\char 88}}% -\def\Lpince#1{\zcharnote{#1}{\musicnfont\char 7}}% -\def\Pincesw#1{\zcharnote{#1}{\musicnfont\char 11}}% -\def\Pincenw#1{\zcharnote{#1}{\musicnfont\char 10}}% -\def\Pincene#1{\zcharnote{#1}{\musicnfont\char 9}}% -% \turn p makes a turn symbol at pitch p, causing no space -% \backturn p makes a backward turn symbol at pitch p, causing no space -% \coda p makes a coda ... -% \segno p makes the special "S" ... -\def\turn#1{\zcharnote{#1}{\o@skp\musicnfont\char"44}} -\def\backturn#1{\zcharnote{#1}{\o@skp\musicnfont\char"43}} -\def\coda#1{\zcharnote{#1}{\o@skp\musicnorfont\char"55}} -\def\segno#1{\zcharnote{#1}{\o@skp\musicnorfont\char"56}} -% -\def\sforz#1{{\advance\transpose by -2\usf{#1}}}% -\def\pz#1{{\advance\transpose by -2\upz{#1}}}% -\def\ppz#1{\uppz{#1}}% -\def\st#1{{\advance\transpose by -2\ust{#1}}}% -% -\def\usf#1{\zcharnote{#1}{\musicnfont\char 30}}% -\def\lsf#1{\zcharnote{#1}{\musicnfont\char 31}}% -\def\ust#1{\zcharnote{#1}{\musicnfont\char 26}}% -\def\lst#1{\zcharnote{#1}{\musicnfont\char 27}}% -\def\upz#1{\zcharnote{#1}{\musicnfont\char 24}}% -\def\lpz#1{\zcharnote{#1}{\musicnfont\char 25}}% -\def\uppz#1{\zcharnote{#1}{\musicnfont\char 28}}% -\def\lppz#1{\zcharnote{#1}{\musicnfont\char 29}}% -% -% placement des accents au-dessus de poutres et non de tetes de notes -\def\acc@balk{\global\stem@skip=\z@ % -\y@ii=\b@z % a augmenter avec la pente -\y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x -\advance\y@ii by \s@lope\y@v -\advance\y@ii by -\altportee -\raise\y@ii\rlap{\kern\stem@skip\balk@accent}}% -%\check -\def\busf#1{\def\balk@accent{\musicnfont\char 30}\selectpoutre{#1}\acc@balk}% -\def\blsf#1{\def\balk@accent{\musicnfont\char 31}\selectpoutre{#1}\acc@balk}% -\def\bust#1{\def\balk@accent{\musicnfont\char 26}\selectpoutre{#1}\acc@balk}% -\def\blst#1{\def\balk@accent{\musicnfont\char 27}\selectpoutre{#1}\acc@balk}% -\def\bupz#1{\def\balk@accent{\musicnfont\char 24}\selectpoutre{#1}\acc@balk}% -\def\blpz#1{\def\balk@accent{\musicnfont\char 25}\selectpoutre{#1}\acc@balk}% -\def\buppz#1{\def\balk@accent{\musicnfont\char 28}\selectpoutre{#1}\acc@balk}% -\def\blppz#1{\def\balk@accent{\musicnfont\char 29}\selectpoutre{#1}\acc@balk}% -% -% soufflets crescendo et decrescendo -% -\def\dimin{{\musicnorfont\char"10}}% -\def\Dimin{{\musicnorfont\char"11}}% -\def\DImin{{\musicnorfont\char"12}}% -\def\DIMin{{\musicnorfont\char"13}}% -\def\cresc{{\musicnorfont\char"14}}% -\def\Cresc{{\musicnorfont\char"15}}% -\def\CResc{{\musicnorfont\char"16}}% -\def\CREsc{{\musicnorfont\char"17}}% -% -% colons for repeats (:| |: :||:) -% -%\check -\def\w@coli{\selectinstr{\p@loop\raise\altportee - \hbox to \z@{\hss\musickeyfont\char 126\hss}\n@portee\repeat}}% -% -% long pauses -% -\def\PAuse{\hbox to \noteskip{\musicnorfont\char"3A\hss}\advance\locx@skip - by \noteskip}% -\def\PAUSe{\hbox to \noteskip{\musicnorfont\char"3B\hss}\advance\locx@skip - by \noteskip}% -\def\expause#1{\charnote{#1}{\musicnorfont\char 5\hss}} -\def\zexpause#1{\zcharnote{#1}{\musicnorfont\char 5\hss}} -\def\exhpause#1{\charnote{#1}{\musicnorfont\char 6\hss}} -\def\zexhpause#1{\zcharnote{#1}{\musicnorfont\char 6\hss}} -% -% special song system left begins -% -\def\type@songsymbols{\raise\lowersongalt\llap{\musicnorfont\char 15}% -\advance\lowersongalt by \uppersongalt -\advance\lowersongalt by -\hlthick -\raise\lowersongalt\llap{\musicnorfont\char 14}} -% -% -% horizontal upper slur offset by #2 noteheads, total width #1 -% -\def\h@uslur#1#2{\y@v=#1\relax\advance\y@v by -#2\hn@width -\global\setbox\ch@box=\hbox{\slurnorfont\char31}% maximum of one part slurs -\ifdim\wd\ch@box>\y@v - \global\n@iii=0\relax - \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}% - \ifdim\wd\ch@box<\y@v\global\advance\n@iii by 1\relax - \repeat - \hbox to #1{\kern #2\hn@width\hss\slurnorfont\char\n@iii\hss}% -\else - \global\n@iii=79\relax - \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}% - \ifdim 2\wd\ch@box>\y@v\global\advance\n@iii by -1\relax - \repeat - \hbox to #1{\kern #2\hn@width\y@iv=\ht\ch@box\y@iii=-\ht\ch@box - \advance\y@iii by \t@y - \slurnorfont\char\n@iii - \leaders\hrule height \y@iv depth \y@iii\hfill - \advance\n@iii by 16\relax \char\n@iii}% -\fi} -% -% horizontal lower slur offset by #2 noteheads, total width #1 -% -\def\h@dslur#1#2{\y@v=#1\relax\advance\y@v by -#2\hn@width -\global\setbox\ch@box=\hbox{\slurnorfont\char31}% maximum of one part slurs -\ifdim\wd\ch@box>\y@v - \global\n@iii=32\relax - \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}% - \ifdim\wd\ch@box<\y@v\global\advance\n@iii by 1\relax - \repeat - \hbox to #1{\kern #2\hn@width\hss\slurnorfont\char\n@iii\hss}% -\else - \global\n@iii=111\relax - \loop\global\setbox\ch@box=\hbox{\slurnorfont\char\n@iii}% - \ifdim 2\wd\ch@box>\y@v\global\advance\n@iii by -1\relax - \repeat - \hbox to #1{\kern #2\hn@width\y@iv=\dp\ch@box\y@iii=-\dp\ch@box - \advance\y@iii by \t@y - \slurnorfont\char\n@iii - \leaders\hrule height \y@iii depth \y@iv\hfill - \advance\n@iii by 16\relax \char\n@iii}% -\fi} -% -% sames without offsets -% -\def\hdslur#1{\h@dslur {#1}0} -\def\huslur#1{\h@uslur {#1}0} -% -% noter un debut de tenue -% -\def\ITenu#1{\selecttenue{#1}\I@tenu{70}}% -\def\Ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\I@tenu{70}{#2}}}% -\def\Itenu#1{\selecttenue{#1}\I@tenu{66}}% -\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\I@tenu{66}{#2}}}% -\def\ITenl#1{\selecttenue{#1}\I@tenl{102}}% -\def\Ilegl#1#2{\selecttenue{#1}\advance\locx@skip by -1.5\qn@width -\I@tenl{102}{#2}\advance\locx@skip by 1.5\qn@width}% -\def\Itenl#1{\selecttenue{#1}\I@tenl{98}}% -\def\ilegl#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\I@tenl{98}{#2}}}% -% -\def\I@tenall{\check@tenvoid\global\t@s=1\relax % etat en cours - \global\t@x=\locx@skip - \global\advance\t@x by 0.8\qd@skip - \global\t@y= 0.20\Interligne - \pl@base\global\t@z=\y@i\global\advance\t@z by\altportee - \setbox\ch@box=\hbox{\L@slur}}% -% -\def\I@tenu#1#2{\global\t@p=1\relax % sens=1 - \global\t@w=#1\relax - \inhgetn@i{#2}% - \I@tenall - \global\advance\t@z by \ht\ch@box - \global\advance\t@z by 0.24\Interligne - \global\advance\t@z by -\t@y - \up@tenbox}% -% -\def\I@tenl#1#2{\global\t@p=-1\relax % sens= -1 - \global\t@w=#1\relax - \inhgetn@i{#2}% - \I@tenall - \global\advance\t@z by -\dp\ch@box - \global\advance\t@z by -0.24\Interligne - \up@tenbox}% - -\def\Invertslur#1{\selecttenue{#1}\global\t@p=-\t@p -\ifnum\t@w>63\relax - \ifnum\t@w<96\global\advance\t@w by 32\relax - \else\global\advance\t@w by -32\fi -\fi} - - -% -%\check -% -\def\Tten{\tten}% -\def\Tleg#1{\rlap{\qsk\tleg#1}}% -% -\def\t@ten{\check@tenopen\y@i=\t@z\advance\y@i by -\altportee -\y@ii=\locx@skip\advance\y@ii by -\t@x -\ifnum\t@w=0\relax\else\advance\y@ii by 0.4\qd@skip\fi -\ifnum\t@p>0\relax - \ifnum\t@s=2\relax - \raise\y@i\llap{\ifnum\t@w=0\relax - \up@rleg\else - \Up@rleg\kern -0.2\qd@skip\fi}% - \else - \raise\y@i\llap{\ifnum\t@w=0\relax - \up@leg\else - \Up@leg\kern -0.2\qd@skip\fi}% - \fi -\else - \ifnum\t@s=2\relax - \raise\y@i\llap{\ifnum\t@w=0\relax - \lo@rleg\else - \Lo@rleg\kern -0.2\qd@skip\fi}% - \else - \raise\y@i\llap{\ifnum\t@w=0\relax - \lo@leg\else - \Lo@leg\kern -0.2\qd@skip\fi}% - \fi -\fi -\global\t@w=0\relax -\global\t@s=0\relax -\@uptenubox}% -% -% -\def\L@slur{\slurnorfont\char\t@w}% -\def\R@slur{\global\advance\t@w by 16\slurnorfont\char\t@w}% -\newdimen\slur@off -\newdimen\slur@maxlen -% -\def\leg@hrule{\leaders\hrule height \t@y\hfill}% -% -% complete slur of length #1 (up and down) -\def\Up@leg{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box - \advance\slur@off by -\t@y - \ifdim \y@ii>2\wd\ch@box - \raise -\slur@off\hbox{\L@slur}\leg@hrule\raise -\slur@off\hbox{\R@slur}% - \else - \raise -\slur@off\hbox{\huslur{\y@ii}}% - \fi}}% -% -\def\Lo@leg{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box - \advance\slur@off by -0.1pt - \ifdim \y@ii>2\wd\ch@box - \raise -\slur@off\hbox{\L@slur}\leg@hrule\raise -\slur@off\hbox{\R@slur}% - \else - \raise -\slur@off\hbox{\hdslur{\y@ii}}% - \fi}}% -% -% slur termination of length #1 (up and down) -\def\Up@rleg{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box % - \advance\slur@off by -\t@y - \ifdim \y@ii>\wd\ch@box\leg@hrule - \else\hss\fi \raise -\slur@off\hbox{\R@slur}}}% -% -\def\Lo@rleg{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box % - \advance\slur@off by -0.1pt - \ifdim \y@ii>\wd\ch@box\leg@hrule - \else\hss\fi \raise -\slur@off\hbox{\R@slur}}}% -% -%\check -% -% slur beginning (left) (up and down) -\def\Up@les{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=\ht\ch@box - \advance\slur@off by -\t@y - \UpLo@les}}% -% -%\check -% -\def\Lo@les{% longueur \y@ii -\hbox to \y@ii{\setbox\ch@box=\hbox{\L@slur}\slur@off=-\dp\ch@box - \advance\slur@off by -0.1pt - \UpLo@les}}% -% -%\check -% -\def\UpLo@les{\raise -\slur@off\hbox{\L@slur}% - \advance\y@ii by -\wd\ch@box - \ifdim \y@ii>\z@\leg@hrule - \else\hss -% \ifdim\y@ii<-.8\p@ \vrule height 1cm\fi - \fi}% -%\check -% -\def\c@ten{%\rlap{\vrule height 1cm} - \y@ii=\x@skip\advance\y@ii by -\t@x - \global\t@x=-.8\p@ %<-- - \ifnum\t@s=1\relax - \ifnum\t@w=0\relax - \ifnum\t@p>0\relax - \raise\t@z\llap{\up@les}\else - \raise\t@z\llap{\lo@les}\fi - \else - \ifnum\t@p>0\relax - \raise\t@z\llap{\Up@les}\else - \raise\t@z\llap{\Lo@les}\fi - \fi - \else - \ifnum\t@s=2\relax - \slur@off=\t@z - \advance\slur@off by \t@y -% \advance\slur@off by 3\p@ - \kern -\y@ii\vrule height \slur@off depth -\t@z width \y@ii - \fi - \fi - \global\t@s=2\relax -}% -% -\def\n@skmb{\nobreak\global\slur@maxlen=\z@ -% compute the maximum length of slurs to be handled - \ten@loop - \setbox\ch@box=\hbox{\ifnum\t@w=0\relax\lu@slur - \else\L@slur\fi}\ifdim\slur@maxlen<\wd\ch@box - \global\slur@maxlen=\wd\ch@box\fi - \global\advance\n@l by 1\relax - \repeat -% compute the maximum excess length of beginning slurs - \global\slur@off=\z@ - \ten@loop - \y@ii=\x@skip\advance\y@ii by \n@skip\advance\y@ii by -\t@x - \advance\y@ii by -\slur@maxlen - % \y@ii is the length that will be given to \c@ten for that slur/tie - % assuming \slur@maxlen left offset... - \ifnum\t@s=1\relax - \setbox\ch@box=\hbox{\ifnum\t@w=0\relax\lu@slur\else\L@slur\fi}% - {\advance\y@ii by -\wd\ch@box - \ifdim\y@ii<\slur@off \global\slur@off=\y@ii\fi}% - \fi - \global\advance\n@l by 1\relax - \repeat - \global\advance\slur@maxlen by \slur@off -% - \nobreak\global\advance\n@skip by -\slur@maxlen}% -\def\skip@b{\hskip \slur@maxlen - \global\advance\x@skip by\slur@maxlen}% % - - % -% -%\check -% -% symboles slurn20 des liaisons et tenues -% -\newcount\t@wi -\newcount\t@wii -\newcount\t@wiii -\newcount\t@wiv -\newcount\t@wv -\newcount\t@wvi -% -\let\wlog=\@plainwlog -% -\def\k@ii{\fontdimen 8\musictwenty} -\def\k@iii{\fontdimen 9\musictwenty} -\def\k@iiii{\fontdimen 10\musictwenty} -\def\k@iiv{\fontdimen 11\musictwenty} -\def\k@iv{\fontdimen 12\musictwenty} -\def\k@ivi{\fontdimen 13\musictwenty} -\def\k@ivii{\fontdimen 14\musictwenty} -\def\k@iviii{\fontdimen 15\musictwenty} -\def\k@iix{\fontdimen 16\musictwenty} -% -\def\internotei{\fontdimen 17\musictwenty} -\def\internoteii{\fontdimen 18\musictwenty} -\def\internoteiii{\fontdimen 19\musictwenty} -\def\internoteiv{\fontdimen 20\musictwenty} -\def\internotev{\fontdimen 21\musictwenty} -\def\internotevi{\fontdimen 22\musictwenty} -\def\internotevii{\fontdimen 23\musictwenty} -\def\internoteviii{\fontdimen 24\musictwenty} -\def\internoteix{\fontdimen 25\musictwenty} -\def\c@height{\fontdimen 26\musictwenty} -% -\def\qn@width{\fontdimen 27\musictwenty} -\def\hn@width{\fontdimen 28\musictwenty} -\def\wn@width{\fontdimen 29\musictwenty} -\def\sb@width{\fontdimen 30\musictwenty} -\def\bv@width{\fontdimen 31\musictwenty} -\def\gr@width{\fontdimen 32\musictwenty} -% -\def\clef@skip{\fontdimen 28\beamtwenty} -\def\nullthick{\fontdimen 29\beamtwenty} -\def\bbbb@xi{\fontdimen 30\beamtwenty} -\def\bbbb@xii{\fontdimen 31\beamtwenty} -\def\bbbb@xiii{\fontdimen 32\beamtwenty} -\def\bbbb@xiv{\fontdimen 33\beamtwenty} -\def\bbbb@xv{\fontdimen 34\beamtwenty} -\def\bbbb@xvi{\fontdimen 35\beamtwenty} -\def\bbbb@xvii{\fontdimen 36\beamtwenty} -\def\bbbb@xviii{\fontdimen 37\beamtwenty} -\def\bbbb@xix{\fontdimen 38\beamtwenty} -\def\bbbb@xx{\fontdimen 39\beamtwenty} -% -\def\bbbbb@xi{\fontdimen 40\beamtwenty} -\def\bbbbb@xii{\fontdimen 41\beamtwenty} -\def\bbbbb@xiii{\fontdimen 42\beamtwenty} -\def\bbbbb@xiv{\fontdimen 43\beamtwenty} -\def\bbbbb@xv{\fontdimen 44\beamtwenty} -\def\bbbbb@xvi{\fontdimen 45\beamtwenty} -\def\bbbbb@xvii{\fontdimen 46\beamtwenty} -\def\bbbbb@xviii{\fontdimen 47\beamtwenty} -\def\bbbbb@xix{\fontdimen 48\beamtwenty} -\def\bbbbb@xx{\fontdimen 49\beamtwenty} - -% this macro sets the new big (piano) braces (due to Andreas Egler) -% !!! Attention !!! -% there is no checking of -% too small or large dimensions -% -\font\musext=musicbra -\newcount\selbrace -\def\mult@portee{\y@ii=\nbportees\interportee - \advance\y@ii by -\Interportee - \advance\y@ii by \nbportees\lthick - \advance\y@ii by -2\lthick -% - \selbrace=\y@ii\relax\select@brace% - \divide\y@ii by 2\raise\y@\llap{% - \raise\y@ii\llap{\musext\char\selbrace% - \kern.5\Interligne}}}% -% -\def\select@brace{\divide\selbrace by 65536% -\advance\selbrace by -40\divide\selbrace by 2}% -% dim to count means 1pt -> 65536 sp -% 40 pt is the length of the smallest brace -% the next brace is 2pt larger - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - diff --git a/Master/texmf-dist/tex/generic/musictex/musicper.tex b/Master/texmf-dist/tex/generic/musictex/musicper.tex deleted file mode 100644 index 6d9f41f1754..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicper.tex +++ /dev/null @@ -1,227 +0,0 @@ -% -% This is Musicper from MusicTeX -\message{Version 5.03 -- March 31st, 1994}% -% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 - -%%%% notes with a doublesharp-head - -\def\x@u{\musicnfont\char"35\hss}% - %\check -\def\xu{\advancetrue\xu@z}% -\def\xup{\advancetrue\xup@z}% -\def\xupp{\advancetrue\xupp@z}% -\def\xuppp{\advancetrue\xuppp@z}% -\def\xu@z#1{\getn@i{#1}\def\n@fon{\xu}\def\n@sym{\x@u}\g@qu}% -\def\xup@z#1{\getn@i{#1}\def\n@fon{\xup}\def\n@sym{\x@up}\g@qu}% -\def\xupp@z#1{\getn@i{#1}\def\n@fon{\xupp}\def\n@sym{\x@upp}\g@qu}% -\def\xuppp@z#1{\getn@i{#1}\def\n@fon{\xuppp}\def\n@sym{\x@uppp}\g@qu}% -\def\xl{\advancetrue\xl@z}% -\def\xlp{\advancetrue\xlp@z}% -\def\xlpp{\advancetrue\xlpp@z}% -\def\xlppp{\advancetrue\xlppp@z}% -\def\xl@z#1{\getn@i{#1}\def\n@fon{\xl}\def\n@sym{\x@u}\g@ql}% -\def\xlp@z#1{\getn@i{#1}\def\n@fon{\xlp}\def\n@sym{\x@up}\g@ql}% -\def\xlpp@z#1{\getn@i{#1}\def\n@fon{\xlpp}\def\n@sym{\x@upp}\g@ql}% -\def\xlppp@z#1{\getn@i{#1}\def\n@fon{\xlppp}\def\n@sym{\x@uppp}\g@ql}% - %\check - % -\def\x@up{\hbox to \qn@width{\x@u\hss}\P@t}% -\def\x@upp{\hbox to \qn@width{\x@u\hss}\PP@t}% -\def\x@uppp{\hbox to \qn@width{\x@u\hss}\PPP@t}% -% -\def\xh#1{\selectpoutre{#1}\xh@}% -\def\xb#1{\selectpoutre{#1}\xb@}% -\def\xh@#1{\getn@i{#1}\def\n@fon{\xh@}\def\n@sym{\x@u}\g@qh@}% % position -\def\xb@#1{\getn@i{#1}\def\n@fon{\xb@}\def\n@sym{\x@u}\g@qb@} % #1 position -% -% x heads without stems -\def\zx#1{\getn@i{#1}\def\n@fon{\zx}\def\n@sym{\x@u}\g@zq} -\def\zxp#1{\getn@i{#1}\def\n@fon{\zxp}\def\n@sym{\x@up}\g@zq} -\def\zxpp#1{\getn@i{#1}\def\n@fon{\zxpp}\def\n@sym{\x@upp}\g@zq} -\def\zxppp#1{\getn@i{#1}\def\n@fon{\zxppp}\def\n@sym{\x@uppp}\g@zq} - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas pour percussion x - % -\def\xcu{\advancetrue\mxcu1}\def\xccu{\advancetrue\mxcu2} -\def\xcccu{\advancetrue\mxcu3}\def\xccccu{\advancetrue\mxcu4}% -\def\xcl{\advancetrue\mxcl1}\def\xccl{\advancetrue\mxcl2} -\def\xcccl{\advancetrue\mxcl3}\def\xccccl{\advancetrue\mxcl4}% -% -\def\xclp{\advancetrue\mxclp1}\def\xcup{\advancetrue\mxcup1}% -\def\xclpp{\advancetrue\mxclpp1}\def\xcupp{\advancetrue\mxcupp1}% -\def\xclppp{\advancetrue\mxclppp1}\def\xcuppp{\advancetrue\mxcuppp1}% - % -\def\mxcu#1#2{\getn@i{#2}\def\n@sym{\x@u}% -\edef\n@fon{\noexpand\mxcu #1}\g@cu{#1}} -\def\mxcup#1#2{\getn@i{#2}\def\n@sym{\x@up}% -\edef\n@fon{\noexpand\mxcup #1}\g@cu{#1}} -\def\mxcupp#1#2{\getn@i{#2}\def\n@sym{\x@upp}% -\edef\n@fon{\noexpand\mxcupp #1}\g@cu{#1}} -\def\mxcuppp#1#2{\getn@i{#2}\def\n@sym{\x@uppp}% -\edef\n@fon{\noexpand\mxcupp #1}\g@cu{#1}} - % -\def\mxcl#1#2{\getn@i{#2}\def\n@sym{\x@u}% -\edef\n@fon{\noexpand\mxcl #1}\g@cl{#1}} -\def\mxclp#1#2{\getn@i{#2}\def\n@sym{\x@up}% -\edef\n@fon{\noexpand\mxclp #1}\g@cl{#1}} -\def\mxclpp#1#2{\getn@i{#2}\def\n@sym{\x@upp}% -\edef\n@fon{\noexpand\mxclpp #1}\g@cl{#1}} -\def\mxclppp#1#2{\getn@i{#2}\def\n@sym{\x@uppp}% -\edef\n@fon{\noexpand\mxclppp #1}\g@cl{#1}} - - -%%%% notes with a circled doublesharp-head - -\def\ox@u{\musicnfont\char 38\hss}% - %\check -\def\oxu{\advancetrue\oxu@z}% -\def\oxup{\advancetrue\oxup@z}% -\def\oxupp{\advancetrue\oxupp@z}% -\def\oxuppp{\advancetrue\oxuppp@z}% -\def\oxu@z#1{\getn@i{#1}\def\n@fon{\oxu}\def\n@sym{\ox@u}\g@qu}% -\def\oxup@z#1{\getn@i{#1}\def\n@fon{\oxup}\def\n@sym{\ox@up}\g@qu}% -\def\oxupp@z#1{\getn@i{#1}\def\n@fon{\oxupp}\def\n@sym{\ox@upp}\g@qu}% -\def\oxuppp@z#1{\getn@i{#1}\def\n@fon{\oxuppp}\def\n@sym{\ox@uppp}\g@qu}% -\def\oxl{\advancetrue\oxl@z}% -\def\oxlp{\advancetrue\oxlp@z}% -\def\oxlpp{\advancetrue\oxlpp@z}% -\def\oxlppp{\advancetrue\oxlppp@z}% -\def\oxl@z#1{\getn@i{#1}\def\n@fon{\oxl}\def\n@sym{\ox@u}\g@ql}% -\def\oxlp@z#1{\getn@i{#1}\def\n@fon{\oxlp}\def\n@sym{\ox@up}\g@ql}% -\def\oxlpp@z#1{\getn@i{#1}\def\n@fon{\oxlpp}\def\n@sym{\ox@upp}\g@ql}% -\def\oxlppp@z#1{\getn@i{#1}\def\n@fon{\oxlppp}\def\n@sym{\ox@uppp}\g@ql}% - %\check - % -\def\ox@up{\hbox to \qn@width{\ox@u\hss}\P@t}% -\def\ox@upp{\hbox to \qn@width{\ox@u\hss}\PP@t}% -\def\ox@uppp{\hbox to \qn@width{\ox@u\hss}\PPP@t}% -% -\def\oxh#1{\selectpoutre{#1}\oxh@}% -\def\oxb#1{\selectpoutre{#1}\oxb@}% -\def\oxh@#1{\getn@i{#1}\def\n@fon{\oxh@}\def\n@sym{\ox@u}\g@qh@}% % position -\def\oxb@#1{\getn@i{#1}\def\n@fon{\oxb@}\def\n@sym{\ox@u}\g@qb@} % #1 position -% -% x heads without stems -\def\zox#1{\getn@i{#1}\def\n@fon{\zox}\def\n@sym{\ox@u}\g@zq} -\def\zoxp#1{\getn@i{#1}\def\n@fon{\zoxp}\def\n@sym{\ox@up}\g@zq} -\def\zoxpp#1{\getn@i{#1}\def\n@fon{\zoxpp}\def\n@sym{\ox@upp}\g@zq} -\def\zoxppp#1{\getn@i{#1}\def\n@fon{\zoxppp}\def\n@sym{\ox@uppp}\g@zq} - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas pour percussion x - % -\def\oxcu{\advancetrue\moxcu1}\def\oxccu{\advancetrue\moxcu2} -\def\oxcccu{\advancetrue\moxcu3}\def\oxccccu{\advancetrue\moxcu4}% -\def\oxcl{\advancetrue\moxcl1}\def\oxccl{\advancetrue\moxcl2} -\def\oxcccl{\advancetrue\moxcl3}\def\oxccccl{\advancetrue\moxcl4}% -% -\def\oxclp{\advancetrue\moxclp1}\def\oxcup{\advancetrue\moxcup1}% -\def\oxclpp{\advancetrue\moxclpp1}\def\oxcupp{\advancetrue\moxcupp1}% -\def\oxclppp{\advancetrue\moxclppp1}\def\oxcuppp{\advancetrue\moxcuppp1}% - % -\def\moxcu#1#2{\getn@i{#2}\def\n@sym{\ox@u}% -\edef\n@fon{\noexpand\moxcu #1}\g@cu{#1}} -\def\moxcup#1#2{\getn@i{#2}\def\n@sym{\ox@up}% -\edef\n@fon{\noexpand\moxcup #1}\g@cu{#1}} -\def\moxcupp#1#2{\getn@i{#2}\def\n@sym{\ox@upp}% -\edef\n@fon{\noexpand\moxcupp #1}\g@cu{#1}} -\def\moxcuppp#1#2{\getn@i{#2}\def\n@sym{\ox@uppp}% -\edef\n@fon{\noexpand\moxcupp #1}\g@cu{#1}} - % -\def\moxcl#1#2{\getn@i{#2}\def\n@sym{\ox@u}% -\edef\n@fon{\noexpand\moxcl #1}\g@cl{#1}} -\def\moxclp#1#2{\getn@i{#2}\def\n@sym{\ox@up}% -\edef\n@fon{\noexpand\moxclp #1}\g@cl{#1}} -\def\moxclpp#1#2{\getn@i{#2}\def\n@sym{\ox@upp}% -\edef\n@fon{\noexpand\moxclpp #1}\g@cl{#1}} -\def\moxclppp#1#2{\getn@i{#2}\def\n@sym{\ox@uppp}% -\edef\n@fon{\noexpand\moxclppp #1}\g@cl{#1}} - -%%%% notes with a + head, for bongos ... - -\def\k@u{\musicnfont\char 39\hss}% - %\check -\def\ku{\advancetrue\ku@z}% -\def\kup{\advancetrue\kup@z}% -\def\kupp{\advancetrue\kupp@z}% -\def\kuppp{\advancetrue\kuppp@z}% -\def\ku@z#1{\getn@i{#1}\def\n@fon{\ku}\def\n@sym{\k@u}\g@qu}% -\def\kup@z#1{\getn@i{#1}\def\n@fon{\kup}\def\n@sym{\k@up}\g@qu}% -\def\kupp@z#1{\getn@i{#1}\def\n@fon{\kupp}\def\n@sym{\k@upp}\g@qu}% -\def\kuppp@z#1{\getn@i{#1}\def\n@fon{\kuppp}\def\n@sym{\k@uppp}\g@qu}% -\def\kl{\advancetrue\kl@z}% -\def\klp{\advancetrue\klp@z}% -\def\klpp{\advancetrue\klpp@z}% -\def\klppp{\advancetrue\klppp@z}% -\def\kl@z#1{\getn@i{#1}\def\n@fon{\kl}\def\n@sym{\k@u}\g@ql}% -\def\klp@z#1{\getn@i{#1}\def\n@fon{\klp}\def\n@sym{\k@up}\g@ql}% -\def\klpp@z#1{\getn@i{#1}\def\n@fon{\klpp}\def\n@sym{\k@upp}\g@ql}% -\def\klppp@z#1{\getn@i{#1}\def\n@fon{\klppp}\def\n@sym{\k@uppp}\g@ql}% - %\check - % -\def\k@up{\hbox to \qn@width{\k@u\hss}\P@t}% -\def\k@upp{\hbox to \qn@width{\k@u\hss}\PP@t}% -\def\k@uppp{\hbox to \qn@width{\k@u\hss}\PPP@t}% -% -\def\kh#1{\selectpoutre{#1}\kh@}% -\def\kb#1{\selectpoutre{#1}\kb@}% -\def\kh@#1{\getn@i{#1}\def\n@fon{\kh@}\def\n@sym{\k@u}\g@qh@}% % position -\def\kb@#1{\getn@i{#1}\def\n@fon{\kb@}\def\n@sym{\k@u}\g@qb@} % #1 position -% -% x heads without stems -\def\zk#1{\getn@i{#1}\def\n@fon{\zk}\def\n@sym{\k@u}\g@zq} -\def\zkp#1{\getn@i{#1}\def\n@fon{\zkp}\def\n@sym{\k@up}\g@zq} -\def\zkpp#1{\getn@i{#1}\def\n@fon{\zkpp}\def\n@sym{\k@upp}\g@zq} -\def\zkppp#1{\getn@i{#1}\def\n@fon{\zkppp}\def\n@sym{\k@uppp}\g@zq} - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas pour percussion x - % -\def\kcu{\advancetrue\mkcu1}\def\kccu{\advancetrue\mkcu2} -\def\kcccu{\advancetrue\mkcu3}\def\kccccu{\advancetrue\mkcu4}% -\def\kcl{\advancetrue\mkcl1}\def\kccl{\advancetrue\mkcl2} -\def\kcccl{\advancetrue\mkcl3}\def\kccccl{\advancetrue\mkcl4}% -% -\def\kclp{\advancetrue\mkclp1}\def\kcup{\advancetrue\mkcup1}% -\def\kclpp{\advancetrue\mkclpp1}\def\kcupp{\advancetrue\mkcupp1}% -\def\kclppp{\advancetrue\mkclppp1}\def\kcuppp{\advancetrue\mkcuppp1}% - % -\def\mkcu#1#2{\getn@i{#2}\def\n@sym{\k@u}% -\edef\n@fon{\noexpand\mkcu #1}\g@cu{#1}} -\def\mkcup#1#2{\getn@i{#2}\def\n@sym{\k@up}% -\edef\n@fon{\noexpand\mkcup #1}\g@cu{#1}} -\def\mkcupp#1#2{\getn@i{#2}\def\n@sym{\k@upp}% -\edef\n@fon{\noexpand\mkcupp #1}\g@cu{#1}} -\def\mkcuppp#1#2{\getn@i{#2}\def\n@sym{\k@uppp}% -\edef\n@fon{\noexpand\mkcupp #1}\g@cu{#1}} - % -\def\mkcl#1#2{\getn@i{#2}\def\n@sym{\k@u}% -\edef\n@fon{\noexpand\mkcl #1}\g@cl{#1}} -\def\mkclp#1#2{\getn@i{#2}\def\n@sym{\k@up}% -\edef\n@fon{\noexpand\mkclp #1}\g@cl{#1}} -\def\mkclpp#1#2{\getn@i{#2}\def\n@sym{\k@upp}% -\edef\n@fon{\noexpand\mkclpp #1}\g@cl{#1}} -\def\mkclppp#1#2{\getn@i{#2}\def\n@sym{\k@uppp}% -\edef\n@fon{\noexpand\mkclppp #1}\g@cl{#1}} - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -% special percussion symbols moved from musicnft.sty - -\def\shaker#1{\charnote{#1}{\s@haker}}% -\def\zshaker#1{\zcharnote{#1}{\s@haker}}% -\def\tremolord#1{\charnote{#1}{\t@remolord}}% -\def\ztremolord#1{\zcharnote{#1}{\t@remolord}}% - - -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - - diff --git a/Master/texmf-dist/tex/generic/musictex/musicpln.tex b/Master/texmf-dist/tex/generic/musictex/musicpln.tex deleted file mode 100644 index 5db818627d3..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicpln.tex +++ /dev/null @@ -1,298 +0,0 @@ -% version 5.00 October 1992 updated jan 94 -\ifx\fonthdg\undefined\def\fonthdg{c}\fi % prefix to cmxxx fonts. -\ifx\fonthdge\undefined\def\fonthdge{m}\fi % prefix to cmxxx fonts. - % change to "d" for dmxxx fonts -\font\cmmi=cmmi10 scaled \magstep1 -\font\cmbx=\fonthdg\fonthdge bx10 scaled \magstep1 -\font\smcmbx=\fonthdg\fonthdge bx10 -\font\cmex=cmex10 -\font\cmsy=cmsy10 scaled \magstep1 -\font\smcmsy=cmsy10 -\font\cmr=\fonthdg\fonthdge r10 scaled \magstep1 -\font\smcmr=\fonthdg\fonthdge r10 -\font\ttyeight=\fonthdg\fonthdge tt8 -\font\linew=linew10 -\font\circlew=circlew1 -% -\catcode`\@=11\relax -\def\q@u{\kern -0.70pt\cmsy\char"0F\kern 0.7pt}\def\qu@raise{-2.1pt}% -\def\h@a{\kern-0.3pt\cmr\char"6F}\def\ha@raise{-2.1pt}% -\def\w@h{\cmbx\char"6F}\def\wh@raise{-2.1pt}% -%\check -% petites notes -\def\smq@u{\kern-0.70pt\smcmsy\char"0F\kern 0.7pt}% -\def\smh@a{\kern-0.3pt\smcmr\char"6F}% -\def\smw@h{\smcmbx\char"6F}% -% -\newbox\ch@box -\newdimen\lthick -\global\lthick=0.4pt\relax -\newdimen\qn@width -\newdimen\hn@width -\newdimen\wn@width -\newdimen\qd@skip -\newdimen\hd@skip -\newdimen\wd@skip -\newcount\musicsize -\def\computespecifics{\ifnum\musicsize=0\relax\musicsize=20\relax\fi -\Interligne=\musicsize pt\divide\Interligne by 4\relax -\def\ppff{\ppffsixteen}% -\ifnum\musicsize=20\relax\def\meterfont{\moyen}\else\def\meterfont{\cmbx}% -\def\ppff{\ppfftwenty}\fi% -\interbeam=0.75\Interligne -\wn@width=6pt\relax -\hn@width=4.8pt\relax -\qn@width=4.5pt \relax -\qd@skip=\qn@width\relax\advance\qd@skip by -\lthick\relax -\hd@skip=\hn@width\relax\advance\qd@skip by -\lthick\relax -\wd@skip=\wn@width\relax\advance\wd@skip by -\lthick\relax -\setbox\ch@box=\hbox{\c@rochu}\relax\c@height=\ht\ch@box\relax -}% -% -\def\s@oupir{\hbox{\kern 3pt\raise 5pt\hbox{\linew\char"42}\relax -\kern -4pt\raise 12.5pt\hbox{\cmex\char"7C}\relax -\kern 0.5pt\raise 14pt\hbox{\circlew\char"72}}}% -\def\c@rochu{{\ttyeight\char"5C}}% -\def\c@rochl{{\ttyeight\char"2F}}% -\newdimen\c@height % hauteur d'un crochet de croche -%\check -\def\d@cr#1{% % queue de #1 croche(s) vers le haut -\global\advance\st@top by #1\Interligne\relax -\global\advance\st@top by -\st@bot\global\advance\st@top by 2.5\Interligne\relax - \ifdim\st@top>1pt\relax - \global\advance\st@bot by -\altportee\relax - \raise\st@bot\rlap{\kern\stem@skip\vrule height\st@top width \lthick - \advance\st@top by -\c@height\relax - \ifnum #1>0\relax\raise\st@top\rlap{\c@rochu}\fi - \ifnum #1>1\relax\global\advance\st@top by -\Interligne\raise\st@top -\rlap{\c@rochu}\fi - \ifnum #1>2\relax\global\advance\st@top by -\Interligne\raise\st@top -\rlap{\c@rochu}\fi - \ifnum #1>3\relax\global\advance\st@top by -\Interligne\raise\st@top -\rlap{\c@rochu}\fi - }\fi - \resetstem}% -%\check -\def\p@cr#1{% % queue de #1 croche(s) vers le bas -\global\advance\st@top by #1\Interligne\relax -\global\advance\st@top by -\st@bot\global\advance\st@top by 2.5\Interligne\relax -\global\advance\st@bot by -#1\Interligne\relax - \global\advance\st@bot by -2.5\Interligne\relax - \ifdim\st@top>1pt\relax - \global\advance\st@bot by -\altportee\relax - \raise\st@bot\llap{\relax - \ifnum #1>0\relax\rlap{\c@rochl}\fi - \ifnum #1>1\relax\raise\Interligne\rlap{\c@rochl}\fi - \ifnum #1>2\relax\raise 2\Interligne\rlap{\c@rochl}\fi - \ifnum #1>3\relax\raise 3\Interligne\rlap{\c@rochl}\fi - \vrule height\st@top width \lthick - \kern -\lthick}\fi - \resetstem}% -%\check -\def\s@harp{\cmmi\char"5D}\def\sh@raise{-2.5pt}% -\def\f@lat{\cmmi\char"5B}\def\fl@raise{-2.5pt}% -\def\n@at{{\cmmi\char"5C}}\def\na@raise{-2.5pt}% -\def\balkuu{\char"20}\def\balkuuu{\char"21}\def\balkuuuu{\char"22}% -\def\balku{\char"28}% -\def\balkdd{\char"60}\def\balkddd{\char"61}\def\balkdddd{\char"62}% -\def\balkd{\char"68}% -\def\ds@harp{\cmbx\char"78\kern -0.4pt}\def\df@lat{\cmmi\char"5B\hskip - -1.5pt\char"5B\kern -0.8pt}% -%\check -\def\s@lopdefs{\q@antum=10pt\relax\def\s@lope{0.0}% -\ifnum \b@p>1\relax\def\s@lope{0.15}\fi -\ifnum \b@p>3\relax\def\s@lope{0.20}\fi -\ifnum \b@p>5\relax\def\s@lope{0.40}\fi -\ifnum \b@p>7\relax\def\s@lope{0.60}\fi -\ifnum \b@p<-1\relax\def\s@lope{-0.15}\fi -\ifnum \b@p<-3\relax\def\s@lope{-0.20}\fi -\ifnum \b@p<-5\relax\def\s@lope{-0.40}\fi -\ifnum \b@p<-7\relax\def\s@lope{-0.60}\fi -}% -\def\b@alkdefs{\q@antum=10pt\relax -\ifnum \b@p>1\relax\def\b@alk{\balku}\fi -\ifnum \b@p>3\relax\def\b@alk{\balkuu}\fi -\ifnum \b@p>5\relax\def\b@alk{\balkuuu}\fi -\ifnum \b@p>7\relax\def\b@alk{\balkuuuu}\fi -\ifnum \b@p<-1\relax\def\b@alk{\balkd}\fi -\ifnum \b@p<-3\relax\def\b@alk{\balkdd}\fi -\ifnum \b@p<-5\relax\def\b@alk{\balkddd}\fi -\ifnum \b@p<-7\relax\def\b@alk{\balkdddd}\fi -}% -%\check -\def\p@outre{% \y@ii : longueur, \b@p : pente, \y@i : altitude -\ifnum \b@p=0\relax\raise \y@i\hbox{\vrule height 0.5\internote depth - 0.5\internote width \y@ii}\relax -\else \b@alkdefs\linew - \global\y@iv=0pt - \loop\ifdim\y@iv<\y@ii\relax - {\y@v=\y@ii\relax\advance\y@v by -\y@iv\relax\advance\y@v by -\q@antum\relax - \y@iii=\y@i\relax\advance\y@iii by \s@lope\y@iv\relax\advance\y@iii by - -0.5\internote - \ifnum \b@p<0\relax\advance\y@iii by \s@lope\q@antum\relax\fi - \ifdim\y@v<0pt\relax\advance\y@iii by \s@lope\y@v\relax\hskip\y@v\fi - \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax - \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax - \raise\y@iii\hbox to \z@ {\b@alk\hss}\advance\y@iii by 0.2\internote\relax - \raise\y@iii\hbox to \q@antum{\b@alk\hss}\global\advance\y@iv by \q@antum\relax - }\repeat -\fi -}% -%\check -\def\clefdefa{\hbox{\kern 1.5pt\circlew\raise 4\Interligne -\rlap{\char7\char4\kern -6.8pt\char4}\relax -\raise 3.1\Interligne\rlap{\kern 1.7pt\char"73}% -\raise 2.5\Interligne\rlap{\kern 9pt\vrule height\Interligne width 1.6pt}% -\kern 8.3pt\raise\Interligne -\rlap{\char 13\kern -15.2pt\char13}\kern 1.5pt\raise 2.5\Interligne -\hbox{\moyen :}}}% -%\check -\def\clefdesolsymbol{\hbox{\circlew\kern 1pt \raise 11pt\rlap{\kern 4pt\char7\char8}% -\raise10pt\rlap{\kern 4pt\char7\char8}% -\raise 5pt\rlap{\kern -1pt\tenbf\char'050}% -\raise \z@ \rlap{\kern \z@ \char 10\char9}% -\raise -3pt\rlap{\kern 3.5pt\char"73}% -\raise 9.5pt\rlap{\kern 1.20pt\linew\char"13}% -\raise 12pt\rlap{\kern 1.55pt\linew\char"13}% -\raise 3\Interligne\rlap{\linew\kern 4pt\char"45}% -\raise \z@\rlap{\kern 7pt\linew\char"45}\raise 2\Interligne\rlap{\linew\kern - 5pt\char"45}% -\raise -5pt\rlap{\kern 8pt\char 5}% -\raise 27.5pt\rlap{\kern 3.8pt\char3\char0}% -\raise 26.5pt\rlap{\kern 4pt\char3\char0}% -\raise 22.2pt\rlap{\kern 6.4pt\eightbf\char'051}% -\raise 21pt\rlap{\kern 6.4pt\eightbf\char'051}\relax -\kern 12pt}}% -%\check - \def\clefdutsymbol{\hbox{\kern2pt\vrule width 3pt height -4\Interligne\kern1pt\vrule height 4\Interligne - \def\rempl{\hbox{\vrule width 1pt height 3pt}}% -\kern 6pt\vbox to 4\Interligne{\offinterlineskip\rempl\hbox{\circlew -\char"09}\kern -2\Interligne -\hbox{\circlew\char"08}\rempl}}}% -% -\def\smallclefdut{\clefdutsymbol}% -\def\smallclefdefa{\clefdefasymbol}% -\def\smallclefdesol{\clefdesolsymbol}% -%\check -\def\allabreve{\meterfrac{2}{2}}% -%\check -\def\arp@elem{\vbox to 6pt{\vss\cmsy\char"6F}}% -\def\Arp@elem{\arp@elem}% -\def\d@soup{\raise\Interligne\hbox{\linew -\kern 0.8\Interligne\char2\kern -\Interligne\raise 1.8\Interligne -\hbox{\circlew\char"72}\kern -3pt\raise 7.5pt\hbox{\cmex -\char"7D}}} -\def\q@soup{\rlap{\d@soup}\kern 1pt\raise 4pt\hbox{\d@soup}}% -\def\p@orgue{\hbox{\kern 0.5\qn@width\circlew\char"72\kern -10pt\raise - 6pt\rlap{\char11\char8}\raise - 7pt\hbox{\char11\char8}}}% -\def\p@urgue{\hbox{\kern 0.5\qn@width\circlew\char"72\kern -10pt% -\raise-6pt\rlap{\char10\char9}\raise-7pt\hbox{\char10\char9}}}% -% -\def\t@ilde{{\cmex\char"65}}% -\def\trille#1{\hbox to #1{\leaders\hbox{\t@ilde\kern -0.8pt}\hfill}}% -\def\Trille#1{\hbox to #1{\raise 1.2\Interligne\hbox{\it tr}\leaders -\hbox{\t@ilde\kern -0.8pt}\hfill}}% -% -\def\st#1{\zcharnote{#1}{\raise -2pt \rlap{\tt -}}}% -\def\ppz#1{\zcharnote{#1}{\raise 2pt \rlap{\tt \char13}}}% -\def\pz#1{\zcharnote{#1}{\tenbf\kern 1.5pt .}}% -\def\sforz#1{\zcharnote{#1}{\cmmi\char"3E}}% -% -% arpeges -% -\def\arpegesym#1{\hbox to \Interligne{\kern -1.2\Interligne\vbox to - #1{\parindent=\z@ -\offinterlineskip% \ifdim #1>4\Interligne\Arp@elem\fi\hrule -\cleaders\arp@elem\vfill\kern -\interligne}\hss}}% -% -\def\sh#1{\getn@i{#1}\global\n@raise=\sh@raise - \pl@llap{\s@harp\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}% -}% -\def\na#1{\getn@i{#1}\global\n@raise=\na@raise - \pl@llap{\n@at\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}% -}% -\def\fl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\f@lat\ifdim\small@test\relax\else\kern -0.20\Interligne\fi}% -}% -\def\dsh#1{\getn@i{#1}\global\n@raise=\z@ - \pl@llap{\ds@harp}}% -%\check -\def\dfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\df@lat}}% -% -% colons for repeat bars (:| |: :||:) -% -% -%\check -\def\w@coli{\selectinstr{\p@loop - \y@i=\altportee \n@portee - \advance\y@i by 1.4\Interligne - \raise\y@i\hbox to \z@{\hss\bf .\hss}% - \advance\y@i by \Interligne - \raise\y@i\hbox to \z@{\hss\bf .\hss}\repeat}} -% -\def\type@songsymbols{} -% -\def\ilegu#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\i@tenu{#2}}}% -\def\ilegl#1#2{\selecttenue{#1}{\advance\locx@skip by -1.5\qn@width -\i@tenl{#2}}}% -\def\t@ten{\y@i=\t@z\advance\y@i by -\altportee -\y@ii=\locx@skip\advance\y@ii by -\t@x -\ifnum\t@p>0\relax - \ifnum\t@s=2\relax - \raise\y@i\llap{\up@rleg}% - \else - \raise\y@i\llap{\up@leg}% - \fi -\else - \ifnum\t@s=2\relax - \raise\y@i\llap{\lo@rleg}% - \else - \raise\y@i\llap{\lo@leg}% - \fi -\fi -\global\t@s=0\relax\@uptenubox}% -% -\def\c@ten{\y@ii=\x@skip\advance\y@ii by -\t@x -\ifnum\t@s=1\relax - \ifnum\t@p>0\relax - \raise\t@z\llap{\up@les}\else - \raise\t@z\llap{\lo@les}\fi -\else\ifnum\t@s=2\relax - \global\t@x=\t@z - \global\advance\t@x by \t@y - \kern -\y@ii\vrule height \t@x depth -\t@z width \y@ii - \fi -\fi -\global\t@x=-.8pt%<-- -\global\t@s=2\relax}% -% -\newdimen\k@ii -\newdimen\k@iii -\newdimen\k@iiii -\newdimen\k@iiv -\newdimen\k@iv -\newdimen\k@ivi -\newdimen\k@ivii -\newdimen\k@iviii -\newdimen\k@iix - -% -% positions x et z de debut des tenues -\newdimen\t@xi\newdimen\t@zi -\newdimen\t@xii\newdimen\t@zii -\newdimen\t@xiii\newdimen\t@ziii -\newdimen\t@xiv\newdimen\t@ziv -\newdimen\t@xv\newdimen\t@zv -\newdimen\t@xvi\newdimen\t@zvi -\newdimen\t@xvii\newdimen\t@zvii -\newdimen\t@xviii\newdimen\t@zviii -\newdimen\t@xix\newdimen\t@zix -\newdimen\t@xx\newdimen\t@zx -% -\newdimen\nullthick % pour les parties sans portees (paroles) -\newdimen\clef@skip - diff --git a/Master/texmf-dist/tex/generic/musictex/musicpos.tex b/Master/texmf-dist/tex/generic/musictex/musicpos.tex deleted file mode 100644 index dd666c5a309..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicpos.tex +++ /dev/null @@ -1,43 +0,0 @@ -% musicpos.tex Version 4.99 decembre 1993 N. Brouard+D. Taupin - -\newenvironment{music}{\catcodesmusic\parskip \z@\resetfacteurs -\def\large{\normal\elemskip=2.4\Interligne}\relax -\global\linesinpage=0\relax}{} -% -\newdimen\largevaugment -\newdimen\largehaugment -% -\newenvironment{largemusic}{\vfill\eject\catcodesmusic\parskip \z@ -\resetfacteurs\def\large{\normal\elemskip=2.4\Interligne}\relax -\global\linesinpage=0\relax -% -\edef\theoldtextwidth{\the\textwidth} -\edef\theoldtextheight{\the\textheight} -% -\def\largetextwidth{185mm} -\def\largetextheight{260mm} -\largevaugment=\largetextheight\relax\advance\largevaugment by -\theoldtextheight -\largehaugment=\largetextwidth\relax\advance\largehaugment by -\theoldtextwidth -\divide\largevaugment by 2\relax -\divide\largehaugment by 2\relax -\advance\voffset by \largevaugment % essai -\advance\hoffset by -\largehaugment -\xdef\thelargehoffset{\the\hoffset} -\hsize\largetextwidth % pour essai -\textwidth \largetextwidth % pour essai -%\check 1 -% -\bgroup -%\advance\voffset by \largevaugment % essai -\textwidth \largetextwidth -%\textheight \largetextheight -% -\hsize\largetextwidth -\vsize\largetextheight}{\egroup -% -\advance\voffset by 0.5\largevaugment % essai -\clearpage -\advance\voffset by -0.5\largevaugment % essai -} -%-% End of musictex.sty - diff --git a/Master/texmf-dist/tex/generic/musictex/musicpre.tex b/Master/texmf-dist/tex/generic/musictex/musicpre.tex deleted file mode 100644 index b8fe30390f4..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicpre.tex +++ /dev/null @@ -1,64 +0,0 @@ -%-% Musictex.sty version 4.61 of June, 12 1992 -%-% Updates to version 4.31 November 1991 of plain musictex -%-% Musictex.sty version 0.0 of 5, November 1991 -%-% It is a first attempt to make musictex running by LaTeX -%-% We defined an environment named music to change the catcodes -%-% of the vertical bar and the ampersand for musictex. -%-% We used TeX command instead of LaTeX command inside of music. -%-% It needs a rather big \Tex{}, but emTeX compiler on PCs does the trip -%-% for small music arrays. It works better on work stations. -%-% Nicolas Brouard <brouard@frined51> -%-% With this file you need extra fonts. If extrafonts are -%-% are not available then use \documenstyle[musicpln]{article} -%-% -%-% In both cas you can add the option file bigmusic.sty which -%-% enlarges LaTeX page to a big size (A4). -%-% \documentstyle[musicpln,bigmusic]{article} -%-% -%-% Here is an example: -%-% \documentstyle[musictex]{article} -%-% \begin{document} -%-%\def\nbinstruments{1}\relax -%-%\generalmeter{\meterfrac{4}{4}}\relax -%-%\debutmorceau -%-%\normal -%-%\zglu\Notes\rlap{\hu j}\ql h\enotes -%-%\temps\Notes\hl g\enotes -%-%\temps\Notes\hu k\enotes -%-%\temps\Notes\ql f\enotes -%-%\suspmorceau -%-% \end{music} -%-% -%-% Latex blabla -%-% -%-% \begin{music} -%-%\def\nbinstruments{1}\relax -%-%\generalmeter{\meterfrac{4}{4}}\relax -%-%\debutmorceau -%-%\normal -%-%\zglu\Notes\rlap{\hu j}\ql h\enotes -%-%\temps\Notes\hl g\enotes -%-%\temps\Notes\hu k\enotes -%-%\temps\Notes\ql f\enotes -%-%\suspmorceau -%-% \end{document} -%-% -%-% Building Musictex.sty -%-% -%-% Two files are required to build musictex.sty from -%-% the plain distribution, musicpre.tex and musicpos.\TeX{}. -%-% Then musictex.sty is the concatenation of -%-% of musicpre.tex+musicnft.tex+musictex.tex+musicvbm.tex+musicpos.tex -%-% On unix: -%-% cat musicpre.tex musicnft.tex musictex.tex -%-% ... musicvbm.tex musicpos.tex >musictex.sty -%-% On dos: -%-% copy musicpre.tex+musicnft.tex+musictex.tex+ -%-% ... musicvbm.tex+musicpos.tex musictex.sty -%-% If you don't have the fonts, you should use: -%-% On unix: -%-% cat musicpre.tex musicpln.tex musictex.tex musicpos.tex >musicpln.sty -%-% On dos: -%-% copy musicpre.tex+musicpln.tex+musictex.tex+musicpos.tex musicpln.sty -%-% You also need the option file bigmusic.sty to make wide scores, but real -%-% large scores are advised to be compiled under TeX, not LaTeX. diff --git a/Master/texmf-dist/tex/generic/musictex/musicref.tex b/Master/texmf-dist/tex/generic/musictex/musicref.tex deleted file mode 100644 index 9e99d179389..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicref.tex +++ /dev/null @@ -1,88 +0,0 @@ -\input musicnft -\input musictex -\input musicsty -\parindent 0mm\nopagenumbers\def\wbarno{}\def\nbinstruments{1} -\def\musictex{Music\TeX}\def\zch{\zcharnote}% -\centerline{\enorme \musictex\ Reference}\bigskip -\centerline{\moyen Pitches}\bigskip -\def\LBNT#1#2{\zch{!g}{#1#2}\wh{!#1#2}}\relax -\def\lbnt#1{\zch g{#1}\wh{#1}}\relax -\def\lbnu#1#2{\zch g{#1}\zch B{\hbox{\kern -3pt '#2}}\wh{#1}}\relax -\cleftoksi={6000}\debutmorceau\autolines{26}{1}{12}\temps\relax -% Pitches -\notes\LBNT `A\LBNT `B\LBNT `C\LBNT `D\LBNT `E\LBNT `F\LBNT `G\enotes\relax -\notes\lbnt A\lbnt B\lbnt C\lbnt D\lbnt E\lbnt F\lbnt G\enotes\relax -\notes\lbnu HA\lbnu IB\lbnu JC\lbnu KD\lbnu LE\lbnu MF\lbnu NG\enotes\relax -\notes\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\enotes\relax -\def\lbnu#1#2{\zch K{#1}\zch a{\hbox{\kern -3pt '#2}}\wh{#1}}\relax -\def\lbnv#1#2{\zch K{#1}\zch a{\hbox{\kern -4pt ''#2}}\wh{#1}}\relax -\def\lbnw#1#2{\zch K{#1}\zch a{\hbox{\kern -5pt '{'}'#2}}\wh{#1}}\relax -\cleftoksi={0000}\def\lbnt#1{\zch K{#1}\wh{#1}}\alaligne\notes\relax -\lbnt a\lbnt b\lbnt c\lbnt d\lbnt e\lbnt f\lbnt g\relax -\lbnu h a\lbnu i b\lbnu j c\lbnu k d\lbnu l e\lbnu m f\lbnu n g\relax -\lbnv o a\lbnv p b\lbnv q c\lbnv r d\lbnv s e\lbnv t f\lbnv u g\relax -\lbnw v a\lbnw w b\lbnw x c\lbnw y d\lbnw z e\enotes\suspmorceau -% -\bigskip\centerline{\moyen Notes, Accidentals, Accents, and Rests}\bigskip -\def\mcra#1{\zch r{$\backslash$#1}}\relax -\def\mcrx#1#2{\zch r{$\backslash$#1}\zch a{#2}}\relax -% Notes & Accidentals -\debutmorceau\temps\NOtes\relax -\mcrx{zsb}{Accidentals:}\zsb i\sk\mcra{zbv}\zbv i\sk\enotes\Notes\relax -\mcra{wh}\wh i\relax -\mcrx{hu}{\tt>}\hu {>f}\mcra{hl}\hl l\relax -\mcrx{qu}{\tt\^}\qu {^f}\mcra{ql}\ql l\relax -\mcrx{cu}{\tt=}\cu {=f}\mcra{cl}\cl l\enotes\NOtes\relax -\mcrx{ccu}{\tt\_}\ccu {_f}\mcra{ccl}\ccl l\relax -\mcrx{cccu}{\tt<}\cccu {<f}\mcra{cccl}\cccl l\relax -\mcra{ccccu}\ccccu f\mcra{ccccl}\ccccl l\enotes -% Pointed Notes and Accents -\def\mcra#1{\zch o{$\backslash$#1}}\alaligne\Notes\relax -\mcra{pt$\backslash$zbv}\pt j\zbv j\sk\sk\relax -\mcra{whp}\whp i\mcra{hup}\hup h\mcra{qup}\qup g\mcra{cup}\cup f\relax -\sk\mcra{pt$\backslash$ccu}\pt e\ccu e\sk\sk\relax -\mcra{lpz}\lpz g\qu g\mcra{upz}\upz j\ql j\relax -\mcra{lsf}\lsf g\qu g\mcra{usf}\usf j\ql j\relax -\mcra{lst}\lst g\qu g\mcra{ust}\ust j\ql j\relax -\mcra{lppz}\lppz g\qu g\mcra{uppz}\uppz j\ql j\relax -\enotes\suspmorceau -% Rests -\def\mcra#1{\zch u{$\backslash$#1}}\relax% 1 macro -\def\mcrb#1#2{\zch u{$\backslash$#1}% - \zch q{$\backslash$#2}}\relax% 2 alternative macros -\def\mcrc#1#2#3{\zch y{$\backslash$#1}% - \zch u{$\backslash$#2}% - \zch q{$\backslash$#3}}\relax% 3 alternative macros -\debutmorceau\Notes\sk\relax -\mcrb{seizsoupir}{qqs}\qqs\sk\mcrc{huitsoupir}{hsoupir}{hs}\hs\sk\relax -\mcrc{quartsoupir}{qsoupir}{qs}\qs\sk\sk\relax -\mcrc{demisoupir}{dsoupir}{ds}\ds\sk\mcrb{soupir}{qp}\qp\sk\relax -\mcra{hpause}\hpause\sk\mcra{pause}\pause\sk\relax -\mcra{PAuse}\PAuse\sk\mcra{PAUSe}\PAUSe\enotes\suspmorceau -% more Symbols -\bigskip\centerline{\moyen Other Symbols}\bigskip -\def\mcra#1{\zch v{$\backslash$#1}}\relax -\debutmorceau\NOtes\sk\relax -\mcra{nTrille}\nTrille n 2\sk\mcra{ntrille}\ntrille n 2\sk\sk\relax -\mcra{pince}\pince n\sk\mcra{Pince}\Pince n\sk\relax -\mcra{mordant}\mordant n\sk\sk\relax -\mcra{turn}\turn n\sk\mcra{backturn}\backturn n\sk\sk\relax -\mcra{coda}\coda n\sk\mcra{segno}\segno n\sk\enotes\relax -\def\mcra#1{\zch r{$\backslash$#1}}\alaligne\NOtes\sk\relax -\mcra{pointdorgue}\pointdorgue l\wh k\sk\relax -\mcra{pointdurgue}\pointdurgue e\wh f\sk\relax -\mcra{PED}\PED\sk\mcra{DEP}\DEP\sk\relax -\mcra{arpeggio f 1}\arpeggio f 1\sk\sk\relax -\mcra{arpeggio d 4}\arpeggio d 4\sk\sk\relax -\mcra{arpeggio b 7}\arpeggio b 7\sk\enotes\relax -\def\mcra#1{\zch o{$\backslash$#1}}\alaligne\NOtes\sk\sk\relax -\mcra{dimin}\zcharnote b{\dimin}\sk\relax -\mcra{Dimin}\zcharnote b{\Dimin}\sk\sk\relax -\mcra{DImin}\zcharnote b{\DImin}\sk\sk\sk\relax -\mcra{DIMin}\zcharnote b{\DIMin}\sk\sk\sk\mcra{octfin}\octfin r 2\sk\sk\relax -\enotes\alaligne\NOtes\mcra{octline}\octline r\sk\sk\relax -\mcra{cresc}\zcharnote b{\cresc}\sk\relax -\mcra{Cresc}\zcharnote b{\Cresc}\sk\sk\relax -\mcra{CResc}\zcharnote b{\CResc}\sk\sk\sk\relax -\mcra{CREsc}\zcharnote b{\CREsc}\sk\sk\sk\sk\sk\relax -\enotes\suspmorceau\bye diff --git a/Master/texmf-dist/tex/generic/musictex/musicsix.tex b/Master/texmf-dist/tex/generic/musictex/musicsix.tex deleted file mode 100644 index a61bc298eb4..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicsix.tex +++ /dev/null @@ -1,11 +0,0 @@ -% This file facilitates compilation of some musixtex features. -% Version 5.13 - -\newtoks\t@c -\def\@fourtoks#1#2#3#4#5+{#1#2#3#4} - -\def\setclef#1#2{\noinstrum@nt#1\relax \s@l@ctclefs \t@c{#2000}% - \cleftoks\expandafter\expandafter\expandafter{\expandafter\@fourtoks\the\t@c+}} - \let\setclefs\setclef - -\endinput diff --git a/Master/texmf-dist/tex/generic/musictex/musicsty.tex b/Master/texmf-dist/tex/generic/musictex/musicsty.tex deleted file mode 100644 index 9149e37d49b..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicsty.tex +++ /dev/null @@ -1,368 +0,0 @@ -% -% This is Musicsty from MusicTeX -\message{Version 5.14 -- September 20th, 1995}% -% -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 -\def\makeatletter{\catcode`\@=11} -\def\makeatother{\catcode`\@=12} -% -% non musical procedures used in typesetting the non-musical -% texts together with musictex -% -\def\fontid{\fonthdg\fonthdge} -% -% eight point fonts -% -\font\eightrm=\fontid r8 -\font\eighti=cmmi8 \skewchar\eighti='177 -\font\eightsy=cmsy8 \skewchar\eightsy='60 -\font\eightbf=\fontid bx8 -\font\eightsl=\fontid sl8 -\font\eightit=\fontid ti8 -\font\eighttt=\fontid tt8 -% -% nine point fonts -% -\font\ninerm=\fontid r9 -\font\ninei=cmmi10 scaled 900 \skewchar\ninei='177 -\font\ninesy=cmsy10 scaled 900 \skewchar\ninesy='60 -\font\ninebf=\fontid bx9 -\font\ninesl=\fontid sl9 -\font\nineit=\fontid ti9 -\font\ninett=\fontid tt9 -% -% twelve point fonts -% -\font\twlrm=\fontid r12 -\font\twli=cmmi12 \skewchar\twli='177 -\font\twlsy=cmsy10 scaled \magstep1 \skewchar\twlsy='60 -\font\twlbf=\fontid bx12 -\font\twlsl=\fontid sl12 -\font\twlit=\fontid ti12 -\font\twltt=\fontid tt12 -% -% fourteen point fonts -% -\font\frtrm=\fontid r12 scaled \magstep1 -\font\frti=cmmi12 scaled \magstep1 \skewchar\frti='177 -\font\frtsy=cmsy10 scaled \magstep2 \skewchar\frtsy='60 -\font\frtbf=\fontid bx12 scaled \magstep1 -\font\frtsl=\fontid sl12 scaled \magstep1 -\font\frtit=\fontid ti12 scaled \magstep1 -\font\frttt=\fontid tt12 scaled \magstep1 -% -% seventeen point fonts -% -\font\svtrm=\fontid r17 -\font\svti=cmmi12 scaled \magstep2 \skewchar\svti='177 -\font\svtsy=cmsy10 scaled \magstep3 \skewchar\svtsy='60 -\font\svtbf=\fontid bx12 scaled \magstep2 -\font\svtsl=\fontid sl12 scaled \magstep2 -\font\svtit=\fontid ti12 scaled \magstep2 -\font\svttt=\fontid tt12 scaled \magstep2 -% -% twenty point fonts -% -\font\twtyrm=\fontid r17 scaled \magstep1 -\font\twtyi=cmmi12 scaled \magstep3 \skewchar\twtyi='177 -\font\twtysy=cmsy10 scaled \magstep4\skewchar\twtysy='60 -\font\twtybf=\fontid bx12 scaled \magstep3 -\font\twtysl=\fontid sl12 scaled \magstep3 -\font\twtyit=\fontid ti12 scaled \magstep3 -\font\twtytt=\fontid tt12 scaled \magstep3 -% -% twenty five point fonts -% -\font\twfvrm=\fontid r17 scaled \magstep2 -\font\twfvi=cmmi12 scaled \magstep4 \skewchar\twfvi='177 -\font\twfvsy=cmsy10 scaled \magstep5 \skewchar\twfvsy='60 -\font\twfvbf=\fontid bx12 scaled \magstep4 -\font\twfvsl=\fontid sl12 scaled \magstep4 -\font\twfvit=\fontid ti12 scaled \magstep4 -\font\twfvtt=\fontid tt12 scaled \magstep4 -% -% SEVERAL DIFFERENT POINT SIZES -% -\def\twfvpoint{\Twfvpoint} -\def\Twfvpoint{\normalbaselineskip=30pt -\def\rm{\fam0\twfvrm}% -\def\it{\fam\itfam\twfvit}% -\def\sl{\fam\slfam\twfvsl}% -\def\bf{\fam\bffam\twfvbf}% -\def\smc{\twfvrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\twfvrm \scriptfont0=\twtyrm \scriptscriptfont0=\svtrm -\textfont1=\twfvi \scriptfont1=\twtyi \scriptscriptfont1=\svti -\textfont2=\twfvsy \scriptfont2=\twtysy \scriptscriptfont2=\svtsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\twfvit \scriptfont\itfam=\twtyit -\textfont\slfam=\twfvsl \scriptfont\slfam=\twtysl -\textfont\bffam=\twfvbf \scriptfont\bffam=\twtybf -\scriptscriptfont\bffam=\twtybf -\setbox\strutbox=\hbox{\vrule height 22pt depth 8pt width 0pt}% -\def\tt{\twfvtt}\normalbaselines\rm} -% -\def\twtypoint{\Twtypoint} -\def\Twtypoint{\normalbaselineskip=25pt -\def\rm{\fam0\twtyrm}% -\def\it{\fam\itfam\twtyit}% -\def\sl{\fam\slfam\twtysl}% -\def\bf{\fam\bffam\twtybf}% -\def\smc{\twtyrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\twtyrm \scriptfont0=\svtrm \scriptscriptfont0=\frtrm -\textfont1=\twtyi \scriptfont1=\svti \scriptscriptfont1=\frti -\textfont2=\twtysy \scriptfont2=\svtsy \scriptscriptfont2=\frtsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\twtyit \scriptfont\itfam=\svtit -\textfont\slfam=\twtysl \scriptfont\slfam=\svtsl -\textfont\bffam=\twtybf \scriptfont\bffam=\svtbf -\scriptscriptfont\bffam=\svtbf -\setbox\strutbox=\hbox{\vrule height 18pt depth 7pt width 0pt}% -\def\tt{\twtytt}\normalbaselines\rm} -% -\def\svtpoint{\Svtpoint} -\def\Svtpoint{\normalbaselineskip=21pt -\def\rm{\fam0\svtrm}% -\def\it{\fam\itfam\svtit}% -\def\sl{\fam\slfam\svtsl}% -\def\bf{\fam\bffam\svtbf}% -\def\smc{\svtrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\svtrm \scriptfont0=\frtrm \scriptscriptfont0=\twlrm -\textfont1=\svti \scriptfont1=\frti \scriptscriptfont1=\twli -\textfont2=\svtsy \scriptfont2=\frtsy \scriptscriptfont2=\twlsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\svtit \scriptfont\itfam=\frtit -\textfont\slfam=\svtsl \scriptfont\slfam=\frtsl -\textfont\bffam=\svtbf \scriptfont\bffam=\frtbf -\scriptscriptfont\bffam=\frtbf -\setbox\strutbox=\hbox{\vrule height 14.5pt depth 6.5pt width 0pt}% -\def\tt{\svttt}\normalbaselines\rm} -% -\def\frtpoint{\Frtpoint} -\def\Frtpoint{\normalbaselineskip=17pt -\def\rm{\fam0\frtrm}% -\def\it{\fam\itfam\frtit}% -\def\sl{\fam\slfam\frtsl}% -\def\bf{\fam\bffam\frtbf}% -\def\smc{\frtrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\frtrm \scriptfont0=\twlrm \scriptscriptfont0=\eightrm -\textfont1=\frti \scriptfont1=\twli \scriptscriptfont1=\eighti -\textfont2=\frtsy \scriptfont2=\twlsy \scriptscriptfont2=\eightsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\frtit \scriptfont\itfam=\twlit -\textfont\slfam=\frtsl \scriptfont\slfam=\twlsl -\textfont\bffam=\frtbf \scriptfont\bffam=\twlbf -\scriptscriptfont\bffam=\twlbf -\setbox\strutbox=\hbox{\vrule height 12pt depth 5pt width 0pt}% -\def\tt{\frttt}\normalbaselines\rm} -% -\def\twlpoint{\Twlpoint} -\def\Twlpoint{\normalbaselineskip=14pt -\def\rm{\fam0\twlrm}% -\def\it{\fam\itfam\twlit}% -\def\sl{\fam\slfam\twlsl}% -\def\bf{\fam\bffam\twlbf}% -\def\smc{\twlrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\twlrm \scriptfont0=\tenrm \scriptscriptfont0=\eightrm -\textfont1=\twli \scriptfont1=\teni \scriptscriptfont1=\eighti -\textfont2=\twlsy \scriptfont2=\tensy \scriptscriptfont2=\eightsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\twlit \scriptfont\itfam=\tenit -\textfont\slfam=\twlsl \scriptfont\slfam=\tensl -\textfont\bffam=\twlbf \scriptfont\bffam=\tenbf -\scriptscriptfont\bffam=\tenbf -\setbox\strutbox=\hbox{\vrule height 10pt depth 4pt width 0pt}% -\def\tt{\twltt}\normalbaselines\rm} -% -% -\def\tenpoint{\Tenpoint} -\def\Tenpoint{\normalbaselineskip=12pt -\def\rm{\fam0\tenrm}% -\def\it{\fam\itfam\tenit}% -\def\sl{\fam\slfam\tensl}% -\def\bf{\fam\bffam\tenbf}% -\def\smc{\tenrm}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\tenrm \scriptfont0=\eightrm \scriptscriptfont0=\eightrm -\textfont1=\teni \scriptfont1=\eighti \scriptscriptfont1=\eighti -\textfont2=\tensy \scriptfont2=\eightsy \scriptscriptfont2=\eightsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\tenit \scriptfont\itfam=\eightit -\textfont\slfam=\tensl \scriptfont\slfam=\eightsl -\textfont\bffam=\tenbf \scriptfont\bffam=\eightbf -\scriptscriptfont\bffam=\eightbf -\setbox\strutbox=\hbox{\vrule height 8.5pt depth 3.5pt width 0pt}% -\def\tt{\tentt}\normalbaselines\rm} -% -\def\eightpoint{\Eightpoint} -\def\Eightpoint{\normalbaselineskip=10pt -\def\rm{\fam0\eightrm}% -\def\it{\fam\itfam\eightit}% -\def\sl{\fam\slfam\eightsl}% -\def\bf{\fam\bffam\eightbf}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\eightrm \scriptfont0=\eightrm \scriptscriptfont0=\eightrm -\textfont1=\eighti \scriptfont1=\eighti \scriptscriptfont1=\eighti -\textfont2=\eightsy \scriptfont2=\eightsy \scriptscriptfont2=\eightsy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\eightit \scriptfont\itfam=\eightit -\textfont\slfam=\eightsl \scriptfont\slfam=\eightsl -\textfont\bffam=\eightbf \scriptfont\bffam=\eightbf -\scriptscriptfont\bffam=\eightbf -\setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}% -\def\tt{\eighttt}\normalbaselines\rm} -% -\def\ninepoint{\Ninepoint} -\def\Ninepoint{\normalbaselineskip=10pt -\def\rm{\fam0\ninerm}% -\def\it{\fam\itfam\nineit}% -\def\sl{\fam\slfam\ninesl}% -\def\bf{\fam\bffam\ninebf}% -\def\mit{\fam 1}% -\def\cal{\fam 2}% -\textfont0=\ninerm \scriptfont0=\ninerm \scriptscriptfont0=\ninerm -\textfont1=\ninei \scriptfont1=\ninei \scriptscriptfont1=\ninei -\textfont2=\ninesy \scriptfont2=\ninesy \scriptscriptfont2=\ninesy -\textfont3=\tenex \scriptfont3=\tenex \scriptscriptfont3=\tenex -\textfont\itfam=\nineit \scriptfont\itfam=\nineit -\textfont\slfam=\ninesl \scriptfont\slfam=\ninesl -\textfont\bffam=\ninebf \scriptfont\bffam=\ninebf -\scriptscriptfont\bffam=\ninebf -\setbox\strutbox=\hbox{\vrule height 7pt depth 3pt width 0pt}% -\def\tt{\ninett}\normalbaselines\rm} -% -% GENERAL FOOTNOTES -% -\newcount\footmarkcount -\footmarkcount=0\relax -\def\resetfootnote{\global\footmarkcount=0\relax} -% -\def\footmarknumber{\raise 0.8ex\hbox{\eightpoint\rm\the\footmarkcount}} -% -\def\Footnote#1{\global\advance\footmarkcount by 1\relax -\footnote{\footmarknumber}{#1}}% -%\check -% \TeX book footnote -% -% En cas de panique: couper en deux (une seule note autorisee) -% -\def\markfootnote{{\advance\footmarkcount by 1\relax\footmarknumber}} -% -\def\realfootnote#1{\global\advance\footmarkcount by 1\relax -\vfootnote{{\footmarknumber}#1}}% -% -\def\footnotehsize{}% to enable inserting different \hsize (two columns case) -\def\vfootnote#1{\insert\footins\bgroup\parskip \z@\eightpoint - \interlinepenalty=\interfootnotelinepenalty - \splittopskip=\ht\strutbox \advance\splittopskip by 1pt - \splitmaxdepth=\dp\strutbox \floatingpenalty=20000 - \leftskip=\z@ \rightskip=\z@ - \spaceskip \z@ \xspaceskip \z@ - \eightpoint\footnotehsize\noindent{#1}\footstrut\futurelet\next\fo@t} -% -%\check -% -\def\footnoterule{\vskip-3pt - \hrule width 2truein \vskip 2.6pt } % the \hrule is .4pt high -% -% -\def\aujourdhui{\space\number\day\space\ifcase\month\or -janvier\or f\'evrier\or mars\or avril\or -mai\or juin\or juillet\or ao\^ut\or septembre\or -octobre\or novembre\or d\'ecembre\fi -\space\number\year} -\def\today{\space\ifcase\month\or -January\or February\or March\or April\or -May\or June\or July\or August\or September\or -October\or November\or December\fi -\space\number\day,\space\number\year} -\def\boxit#1{\vbox{\hrule\hbox{\vrule\kern3pt - \vbox{\kern3pt#1\kern3pt}\kern3pt\vrule}\hrule}} -\def\cenboxit#1{\centerline{\hbox{\boxit{#1}}}} -\def\Item{\medskip\item} -% -\def\nologo{} -% -\def\umero{\raise 0.8ex\hbox{\kern-0.05em\the\scriptfont\fam o}} - -\let\titremorceau\empty -\def\shorttitle#1{\def\titremorceau{#1}} -\def\title{\shorttitle} -\def\subtitle#1{\def\subt@itremorceau{#1}} -\let\headt@itremorceau\undefined -\def\headtitle#1{\def\headt@itremorceau{#1}} -\def\fulltitle{\headtitle} -\let\othert@itremorceau\empty -\def\othermention#1{\def\othert@itremorceau{#1}} - -\let\s@hortauthor\empty -\def\shortauthor#1{\def\s@hortauthor{#1}} - -\def\fullauthor#1{\def\f@ullauthor{#1}} -\def\author{\fullauthor} - -\newif\ifcopyright - -\def\outmorceau{\shipout\vbox to 270mm{\tenpoint\vss\pagecontents\vss\line{% -\ifodd\pageno\sl \titremorceau\ \ifx\s@hortauthor\empty - \else(\s@hortauthor) - \fi -\ifcopyright -\rm$\copyright$\fi \hss -\number\pageno -\else\rm\number\pageno\hss\sl \titremorceau\ - \ifx\s@hortauthor\empty - \else(\s@hortauthor) - \fi -\ifcopyright\rm$\copyright$\fi\fi}}% - \global\advance\count0 by 1\relax - \ifnum\outputpenalty>-20000 \else\dosupereject\fi}% - -\output{\outmorceau} - -\def\maketitle{\centerline{\enorme \ifx\headt@itremorceau\undefined - \titremorceau\else\headt@itremorceau\fi} -\medskip -\ifx\subt@itremorceau\undefined\else - \centerline{\tenpoint\sl \subt@itremorceau} -\medskip -\fi - - -\hbox to \hsize{\tenpoint - \vtop{\def\\{\hss\egroup\hbox to 0.5\hsize\bgroup\relax}\relax - \hbox to 0.5\hsize - \bgroup\othert@itremorceau\hss - \egroup - }\hss - \vtop{\def\\{\egroup\hbox to 0.5\hsize\bgroup\relax\hss}\relax - \hbox to 0.5\hsize - \bgroup\hss\f@ullauthor - \egroup - }} -\bigskip -} - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - -\hsize=185mm -\vsize=264mm -\hoffset=-1.79cm -\voffset=-1.54cm - -\endinput diff --git a/Master/texmf-dist/tex/generic/musictex/musictex.tex b/Master/texmf-dist/tex/generic/musictex/musictex.tex deleted file mode 100644 index d384e72438a..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musictex.tex +++ /dev/null @@ -1,2440 +0,0 @@ -% - % THIS is MusicTeX -\def\mcversion{5.18} -\message{Version \mcversion\space -- August 26th, 1996}% - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\newif\ifcatcodesmusic - -\def\catcodesmusic{\ifcatcodesmusic\relax - \else - \edef\catcode@gt{\the\catcode`\>}\catcode`\>=12% - \edef\catcode@lt{\the\catcode`\<}\catcode`\<=12% - \edef\catcode@vert{\the\catcode`\|}\catcode`\|=13% - \edef\catcode@and{\the\catcode`\&}\catcode`\&=13% - \edef\catcode@excl{\the\catcode`\!}\catcode`\!=12% - \edef\catcode@star{\the\catcode`\*}\catcode`\*=12% - \edef\catcode@pt{\the\catcode`\.}\catcode`\.=12% - \edef\catcode@sc{\the\catcode`\:}\catcode`\:=12% - \fi\catcodesmusictrue} - - \catcodesmusic - - % PARAMETERS DIFFERENT THAN IN PLAIN - % -\normallineskiplimit=\p@ -\parindent 10mm - % - % EXTRA FONTS NEEDED - % -\font\enorme=\fonthdg\fonthdge bx12 scaled \magstep4 -\font\moyen=\fonthdg\fonthdge bx12 scaled \magstep1 -\font\tentt=\fonthdg\fonthdge tt10 -\font\ppffsixteen=\fonthdg\fonthdge bxti10 -\font\ppfftwenty=\fonthdg\fonthdge bxti10 scaled \magstep1 - % -\tolerance=10000\relax - % procedures speciales D. taupin - % **** \hsize 16cm \vsize 24cm - % -\let\@plainwlog=\wlog -\def\wlog#1{}% - % - %\check - % -\raggedbottom -\def\p@t{\kern 1.5pt\pointfont\char"2E}% -\def\P@t{\pt@raise\hbox{\p@t}}% -\def\PP@t{\pt@raise\hbox{\p@t\char"2E}}% -\def\PPP@t{\pt@raise\hbox{\p@t\char"2E\char"2E}}% - % - %\check - % -\def\f@tok#1#2\af@tok{#1}% -\def\s@tok#1#2\af@tok{#2}% - % -\def\gl@au#1{\ifnum #1<0\relax\global\advance #1 by -1\relax\fi - \ifnum #1>0\relax\global\advance #1 by 1\relax\fi}% -\def\gl@de#1{\ifnum #1<0\relax\global\advance #1 by 1\relax\fi - \ifnum #1>0\relax\global\advance #1 by -1\relax\fi}% - % - % - % Amount of skip needed at bar lines -\newskip\tempsskip -\newdimen\brace@w -\newdimen\afterruleskip -\newdimen\pt@up % offset point de notes pointees -\newdimen\noteskip -\newdimen\elemskip -\newdimen\q@antum -\newdimen\n@raise -\newdimen\n@width -\newdimen\stem@skip -\newdimen\interligne % entre les lignes - %%%% \newdimen\nullthick % pour les parties sans portees (paroles) -\newdimen\staffbotmarg % marge au-dessous des portees -\newdimen\stafftopmarg % au-dessus des portees -\newdimen\Internote % la moitie de \Interligne -\def\internote{\Internote}% -\newdimen\interbeam % distance entre poutres -\newdimen\Interligne % de la base d'une ligne a l'autre -\newdimen\interportee % distance between staffs of the same instrument (incl) -\newdimen\Interportee % distance between staffs of the same instrument (excl) -\newdimen\interinstrument % distance between instruments (added to \interportee) -\newdimen\systemheight - % -\newdimen\altplancher -\newdimen\altportee -\newdimen\line@width -\newdimen\x@skip -\newdimen\locx@skip -\newdimen\st@bot % note stem bottom -\newdimen\st@top % note stem top - % - % positions x et z de debut des tenues -\newdimen\t@xi\newdimen\t@zi -\newdimen\t@xii\newdimen\t@zii -\newdimen\t@xiii\newdimen\t@ziii -\newdimen\t@xiv\newdimen\t@ziv -\newdimen\t@xv\newdimen\t@zv -\newdimen\t@xvi\newdimen\t@zvi - % -\newdimen\t@y - % - % signes des tenues ( \t@p: entier de -1 a +1 ) - % etat des tenues ( \t@s: 0= inactive, 1= actif, 2= continuation ) - % -\newcount\t@pi\newcount\t@si -\newcount\t@pii\newcount\t@sii -\newcount\t@piii\newcount\t@siii -\newcount\t@piv\newcount\t@siv -\newcount\t@pv\newcount\t@sv -\newcount\t@pvi\newcount\t@svi - % - % positions x et z de debut des poutres -\newdimen\b@xi\newdimen\b@zi -\newdimen\b@xii\newdimen\b@zii -\newdimen\b@xiii\newdimen\b@ziii -\newdimen\b@xiv\newdimen\b@ziv -\newdimen\b@xv\newdimen\b@zv -\newdimen\b@xvi\newdimen\b@zvi - % -\newdimen\bb@xi\newdimen\bb@zi -\newdimen\bb@xii\newdimen\bb@zii -\newdimen\bb@xiii\newdimen\bb@ziii -\newdimen\bb@xiv\newdimen\bb@ziv -\newdimen\bb@xv\newdimen\bb@zv -\newdimen\bb@xvi\newdimen\bb@zvi - % -\newdimen\bbb@xi\newdimen\bbb@zi -\newdimen\bbb@xii\newdimen\bbb@zii -\newdimen\bbb@xiii\newdimen\bbb@ziii -\newdimen\bbb@xiv\newdimen\bbb@ziv -\newdimen\bbb@xv\newdimen\bbb@zv -\newdimen\bbb@xvi\newdimen\bbb@zvi - % -\newdimen\bbbb@zi -\newdimen\bbbb@zii -\newdimen\bbbb@ziii -\newdimen\bbbb@ziv -\newdimen\bbbb@zv -\newdimen\bbbb@zvi - % -\newdimen\bbbbb@zi -\newdimen\bbbbb@zii -\newdimen\bbbbb@ziii -\newdimen\bbbbb@ziv -\newdimen\bbbbb@zv -\newdimen\bbbbb@zvi - % - % pentes des poutres ( entier de -3 a +3 ) - % multiplicite des poutres ( de -5 a +5 . 0= inactive ) - % -\newcount\b@pi\newcount\b@ni -\newcount\b@pii\newcount\b@nii -\newcount\b@piii\newcount\b@niii -\newcount\b@piv\newcount\b@niv -\newcount\b@pv\newcount\b@nv -\newcount\b@pvi\newcount\b@nvi - % -\newif\ifraggedlines - % -\newcount\barno -\newcount\lastbarno -\newcount\notes@open -\def\check@nopen{\ifnum\notes@open>0\relax\enotes\errmessage{ missing - \noexpand\enotes\ mesure \the\barno}\fi}% - % - % altitudes des portees de chaque instrument - % -\newcount\ut@ref -\newcount\noportee -\newcount\noinstrument - % -\newcount\nbporteesi -\newcount\nbporteesii -\newcount\nbporteesiii -\newcount\nbporteesiv -\newcount\nbporteesv -\newcount\nbporteesvi - % -\newcount\signi -\newcount\signii -\newcount\signiii -\newcount\signiv -\newcount\signv -\newcount\signvi - % -\newif\ifadvance\advancetrue -\newcount\transpose -\newcount\normaltranspose -\newcount\o@signi -\newcount\o@signii -\newcount\o@signiii -\newcount\o@signiv -\newcount\o@signv -\newcount\o@signvi - % -\newtoks\cleftoksi -\newtoks\cleftoksii -\newtoks\cleftoksiii -\newtoks\cleftoksiv -\newtoks\cleftoksv -\newtoks\cleftoksvi - % -\newtoks\o@cksi -\newtoks\o@cksii -\newtoks\o@cksiii -\newtoks\o@cksiv -\newtoks\o@cksv -\newtoks\o@cksvi - % -\newtoks\metertoksi -\newtoks\metertoksii -\newtoks\metertoksiii -\newtoks\metertoksiv -\newtoks\metertoksv -\newtoks\metertoksvi - % -\global\nbporteesi=1% -\global\nbporteesii=1% -\global\nbporteesiii=1% -\global\nbporteesiv=1% -\global\nbporteesv=1% -\global\nbporteesvi=1% -\global\cleftoksi={{0}{0}{0}{0}}% -\global\cleftoksii={{0}{0}{0}{0}}% -\global\cleftoksiii={{0}{0}{0}{0}}% -\global\cleftoksiv={{0}{0}{0}{0}}% -\global\cleftoksv={{0}{0}{0}{0}}% -\global\cleftoksvi={{0}{0}{0}{0}}% - % - %\check - % -\def\n@advance{\global\advance\noinstrument by 1\relax}% -\def\n@loop{\global\noinstrument=0\relax\loop - \ifnum\noinstrument<\nbinstruments\relax\n@advance - \selectinstr}% -\def\m@loop{\global\noinstrument=0\relax\loop - \ifnum\noinstrument<\maxinstruments\relax\n@advance - \selectinstr}% - % -\def\savemeters{\savemeter}% -\def\savemeter{\m@loop\global\metertoks={{}{}{}{}}\repeat}% - %\check -\def\maxinstruments{6}% - -\def\setclef#1{\noinstrument #1\relax\selectinstr \cleftoks} -\let\setclefs\setclef - -\def\setstaffs#1{\noinstrument #1\relax\selectinstr \nbportees} - -\def\setinterinstrument#1#2{\noinstrument #1\relax - \expandafter\def\csname interinstrument\romannumeral\noinstrument\endcsname{#2}} - - % -\def\selectinstr{% -\xdef\altitude{\csname k@i\romannumeral\noinstrument\endcsname}% -\xdef\nbportees{\csname nbportees\romannumeral\noinstrument\endcsname}% -\xdef\staffspacing{\csname staffspacing\romannumeral\noinstrument\endcsname}% -\xdef\stafflinesnb{\csname stafflinesnb\romannumeral\noinstrument\endcsname}% -\xdef\clefdut{\csname clefdut\romannumeral\noinstrument\endcsname}% -\xdef\clefdefa{\csname clefdefa\romannumeral\noinstrument\endcsname}% -\xdef\clefdesol{\csname clefdesol\romannumeral\noinstrument\endcsname}% -\xdef\internote{\csname internote\romannumeral\noinstrument\endcsname}% -\xdef\sign{\csname sign\romannumeral\noinstrument\endcsname}% -\xdef\o@sign{\csname o@sign\romannumeral\noinstrument\endcsname}% -\xdef\cleftoks{\csname cleftoks\romannumeral\noinstrument\endcsname}% -\xdef\metertoks{\csname metertoks\romannumeral\noinstrument\endcsname}% -\xdef\o@cks{\csname o@cks\romannumeral\noinstrument\endcsname}% -\interportee=\interfacteur\internote -\interportee=2\interportee -\Interportee=\interportee -\advance\Interportee by -\stafflinesnb\internote -\advance\Interportee by -\stafflinesnb\internote -\advance\Interportee by 2\internote -} - %\check - % - % compteurs de travail - % -\newcount\n@i -\newcount\n@ii -\newcount\n@iii - % - % registres de travail - % -\newbox\toks@box -\newbox\w@rkbox -\newbox\n@otebox - % - %%%%\newdimen\clef@skip -\newdimen\sign@skip - % -\newdimen\y@ -\newdimen\y@i -\newdimen\y@ii -\newdimen\y@iii -\newdimen\y@iv -\newdimen\y@v - % -\newtoks\arg@suite -\def\hlthick{0.5\lthick} -\def\vdlthick{\vrule depth \hlthick} - % - % fabrique un jeu complet (ou systeme complet de portees) - % en fonction de \nbinstruments -\def\null@portee{\global\advance\y@ by \nullthick - \ifdim\systemheight>\p@\global\advance\systemheight by \nullthick - \else - \global\advance\altplancher by \nullthick - \fi -}% - % - %\check - % -\ifx\mult@portee\undefined - \def\mult@portee{\y@ii=\nbportees\interportee - \advance\y@ii by -\Interportee - \advance\y@ii by \nbportees\lthick - \advance\y@ii by -\lthick - \raise\y@\llap{\cmex\raise 8\p@\rlap{\char'072}\raise\y@ii\rlap{\char -'070}\divide\y@ii by 2\relax{\advance\y@ii by 8\p@\raise\y@ii\rlap{\char -'074}}\y@v=\y@ii\relax\advance\y@v by -5\p@ - \kern 3.8\p@ - \vrule depth -5\p@ height \y@v width 1.2\p@ \kern -1.2\p@ - \advance\y@v by \y@ii - \advance\y@ii by 5\p@ - \vrule depth -\y@ii height \y@v width 1.2\p@ - \kern 2.5\p@}}% -\fi % end \ifx \mult@portee - % - %\check - % -\def\n@portee{\global\advance\noportee by 1\relax}% -\def\p@loop{\global\noportee=0\relax - \loop\ifnum\noportee<\nbportees\relax\alt@comp}% - % - %\check - % -\def\alt@comp{\altportee=\altitude - \advance\altportee by \noportee\interportee}% - % -\def\lowersonginstrum{99} % to be used to make heavy bars at staff left -\def\uppersonginstrum{0} % to be used to make heavy bars at staff left -\newdimen\lowersongalt -\newdimen\uppersongalt - % -\def\portees{\rlap{\global\y@=\staffbotmarg - % -\lowersongalt=\z@ -\uppersongalt=\z@ -\global\systemheight=\z@ -\global\altplancher=\y@ -\n@loop - % - \global\noportee=0\relax - \global\altitude=\y@ - \ifnum\noinstrument=\lowersonginstrum\relax - \lowersongalt=\altitude - \fi - % - \ifnum\nbportees=0\relax - \null@portee - \else - \ifnum\nbportees>1\relax - \mult@portee - \fi - {\loop \raise\y@\portee - \n@portee \global\advance\y@ by \interportee - \global\advance\systemheight by \interportee - \ifnum\noportee<\nbportees - \repeat}\fi % fin du \else pour 0 portees=chant - \ifnum\noinstrument=\uppersonginstrum\relax\uppersongalt=\y@ - \advance\uppersongalt by -\Interportee - \advance\uppersongalt by \hlthick - \fi - \ifnum\noinstrument<\nbinstruments - \xdef\interinstrum{\csname interinstrument\romannumeral\noinstrument - \endcsname}% - \expandafter\ifx\interinstrum\relax\xdef\interinstrum{\interinstrument}\fi - \global\advance\systemheight by \interinstrum - \global\advance\y@ by \interinstrum - \fi -\repeat -\global\advance\systemheight by -\Interportee -\global\advance\systemheight by \hlthick - % -\raise\altplancher\rlap{\vdlthick height \systemheight}% -\ifnum\uppersonginstrum>\lowersonginstrum\relax - \advance\uppersongalt by -\lowersongalt - \raise\lowersongalt - \llap{\vdlthick height \uppersongalt width 0.6\Interligne - \kern 0.3\Interligne - \vdlthick height \uppersongalt width \lthick}\type@songsymbols -\fi -{\advance\stafftopmarg by \staffbotmarg -\raise \stafftopmarg\hbox{\vdlthick height \systemheight width \z@}}}}% - % - %\check - % portee simple -\def\staffline{\kern\internote\kern\internote\kern -\lthick -\hrule width \line@width height \hlthick depth \hlthick -} -\def\portee{\rlap{\vbox to \z@ {\vss -\ifnum\stafflinesnb>5\staffline\fi -\ifnum\stafflinesnb>4\staffline\fi -\ifnum\stafflinesnb>3\staffline\fi -\ifnum\stafflinesnb>2\staffline\fi -\ifnum\stafflinesnb>1\staffline\fi -\ifnum\stafflinesnb>0\staffline\fi\kern -\hlthick -}}}% - %\check - % - % initialisations des dimensions etc... - % - %*************** definition des titres des instruments - % *********************** - % -\def\instrumenti{}% -\def\instrumentii{}% -\def\instrumentiii{}% -\def\instrumentiv{}% -\def\instrumentv{}% -\def\instrumentvi{}% - %\check - % -\def\maxlegatenuti{6}% -\def\ten@loop{\global\n@l=0\relax\loop\ifnum\n@l<\maxlegatenuti\relax - \selecttenue{\n@l}}% - % -\def\resettens{\resetlegs}% -\newcount\n@l -\def\resetlegs{\global\setbox\@tenubox - \hbox{\kern\tenboxwidth}\ten@loop \global\t@p=0\relax \global\t@s=0\relax - \global\advance\n@l by 1\relax - \repeat}% - % - %\check - % -\def\piece@begina{\barno=1\relax\global\barsinline=0\relax -\frenchspacing\ifnum1>\nbinstruments\errmessage{\noexpand\nbinstruments - not defined !}\fi -\def\barvrule{\thinvrule}\resetlegs -\savesignature\computewidths}% - % -\def\debutmorceau{\catcodesmusic\leavevmode\piece@begina -\advance\line@width by -\parindent -\portees\instrumentnames -\advance\line@width by \parindent -\tempsskip=2pt plus \gluemaxskip minus 2pt -\zglueskip=0pt plus \gluemaxskip minus .5pt% -\piece@beginb\setnormalhyphen}% - % -\def\piece@beginb{\writeclefs\everystaff -\writesignatures\writemeters -\save@all\currenthyphenpenalty}% - % -\def\save@all{\saveclefs\savesignature\savemeters}% - % -\def\debutextrait{\catcodesmusic\piece@begina -\setbox\w@rkbox=\hbox{\portees}% to compute heights -\setbox\w@rkbox=\hbox\bgroup -\def\barre{\xbarre}\piece@beginb}% - %\check -\def\zfinextrait{\def\suspmorceau{\zsuspmorceau}\finextrait} -\def\finextrait{\def\z@suspend{}\suspmorceau\egroup -\line@width=\wd\w@rkbox -\centerline{\instrumentnames\portees\unhbox\w@rkbox}\endcatcodesmusic}% - % - % saving penalties to be able to restore them at the end of music - % -\def\savepenalties{\edef\restorepenalties{% -\noexpand\linepenalty=\the\linepenalty\noexpand\relax -\noexpand\interlinepenalty=\the\interlinepenalty\noexpand\relax -\noexpand\hyphenpenalty=\the\hyphenpenalty\noexpand\relax -\noexpand\exhyphenpenalty=\the\exhyphenpenalty\noexpand\relax -\noexpand\finalhyphendemerits=\the\finalhyphendemerits\noexpand\relax -\noexpand\doublehyphendemerits=\the\doublehyphendemerits\noexpand\relax -\noexpand\adjdemerits=\the\adjdemerits\noexpand\relax -\noexpand\pretolerance=\the\pretolerance\noexpand\relax -}}% - %\check -\def\computewidths{\computespecifics -\interportee=\interfacteur\Interligne -\Interportee=\interportee\advance\Interportee by -8\internote -\ifdim\stafftopmarg<\p@ \stafftopmarg=\topfacteur\Interligne\fi -\ifdim\staffbotmarg<\p@ \staffbotmarg=\bottomfacteur\Interligne\fi -\global\interligne=\Interligne -\global\Internote=0.5\Interligne - % -\ifx\internotei\undefined\relax\else - \n@loop - % decide staffspacing - \expandafter\ifx\staffspacing \undefined\global\internote=\Internote - \else - \expandafter\ifx\staffspacing \relax\global\internote=\Internote - \else\global\internote=\staffspacing\Internote - \fi\fi - \repeat -\fi - % -\ifdim\nullthick<\p@ \global\nullthick=4\Interligne\fi -\global\advance\interligne by -\lthick - % -\afterruleskip=\stdafterruleskip -\global\line@width=\hsize}% - % -\def\stdafterruleskip{4\Internote}% - % - %\check - % -\def\n@alaligne{\n@suspmorceau\lreprmorceau}% -\def\n@zalaligne{\n@zsuspmorceau\lreprmorceau}% -\def\lreprmorceau{\reprmorceau}% -\def\n@suspmorceau{\check@nopen\gluebrule\newbar\z@suspend}% -\def\n@Suspmorceau{\n@suspmorceau} -\def\n@zsuspmorceau{\check@nopen\termskip\z@suspend}% -\def\z@suspend{\ifraggedlines\else\hfilneg\ \fi - \adv@bottom\par\removelastskip\endcatcodesmusic}% -\def\alapage{\suspmorceau\preprmorceau}% -\def\zalapage{\zsuspmorceau\preprmorceau}% -\def\preprmorceau{\eject\global\linesinpage=0\relax\reprmorceau}% -\def\reprmorceau{\catcodesmusic\atnextline\computewidths\noindent\leavevmode -\global\barsinline=0\relax{\advance\linesinpage by 1\relax\message{Line \the -\linesinpage:}}\relax -\adv@bottom\portees\writeclefs\kern 0.5\Interligne\wbarno@x -\kern -0.5\Interligne\everystaff -\writesignatures\writemeters\zgluearule -\save@all\currenthyphenpenalty\def\atnextline{}}% - % -\def\everystaff{}\def\atnextline{}% - %\check - % -\def\resetsignatures{\generalsignature{0}\savesignature}% - % -\def\savesignature{\m@loop\o@sign=\sign\repeat}% - %\check -\def\saveclefs{\m@loop\global\o@cks=\cleftoks\repeat} - %\check - % - % definitions en fonction du numero de l'instriment - % -\newskip\zglueskip - % -\def\meterfrac#1#2{\setbox\w@rkbox=\vbox{\hbox{\ \meterfont - #1}\hbox{\ \meterfont #2}}% -\vbox to 8\internote{\offinterlineskip\vss\hbox to \wd\w@rkbox{\hss -\meterfont #1\hss}\vss -\vss\hbox to \wd\w@rkbox{\hss\meterfont #2\hss}\vss}}% - %\check -\newtoks\t@gene -\def\generalmeter#1{\t@gene={{#1}{#1}{#1}{#1}}\m@loop -\global\metertoks=\t@gene\repeat}% - %\check -\def\signaturegenerale{\generalsignature}% -\def\generalsignature#1{\m@loop\sign=#1\relax\repeat}% - % - % compteurs de travail - % - % a completer pour fermer les poutres -\def\zglu{\zglue}% -\def\zglue{\nobreak\@tenleader{\zglueskip}\nobreak}% - % -\def\n@skmb{\nobreak\global\advance\n@skip by -\brace@w}% - % -\def\temps{\n@skmb\termskip\nobreak\zglu\nobreak\skip@b}% -\def\changesignatures{\changesignature}% -\def\changesignature{\n@skmb\termskip\nobreak\zglu\nobreak - \skip@b\writenewsignatures}% -\def\z@barre{\n@skmb\termskip\nobreak\skip@b\-\hskip\zglueskip\nobreak}% - -\def\xz@barre{\temps}% - % -\def\newbar{\barvrule\def\barvrule{\thinvrule}\message{bar \the\barno}% -\global\advance\barno by 1\relax}% - % -\def\w@barno{\global\n@iii=\barno\global\divide\n@iii by \freqbarno\relax -\ifnum\n@iii=\lastbarno\relax -\else{\y@i=\altplancher\advance\y@i by \systemheight -\advance\y@i by 2\internote\raise\y@i\llap{\it \number\barno - \kern -6\p@}}\fi\global\lastbarno=\n@iii -}% -\newif\ifprimavolta -\newif\ifsecondavolta -\def\freqbarno{1}\def\wbarno{\w@barno} -\def\wbarno@x{\ifprimavolta\make@prima 1\else - \ifsecondavolta\make@prima 2\else - \wbarno - \fi\fi - \primavoltafalse\secondavoltafalse - \global\n@iii=\barno\global\divide\n@iii by \freqbarno\relax - \global\lastbarno=\n@iii} -% - \def\Setprimavolta#1#2{\primavoltatrue\def\up@volta{#1}\def\lg@volta{#2}} - \def\setprimavolta{\Setprimavolta{2\Interligne}{1cm}} - - \def\Setsecondavolta#1#2{\secondavoltatrue\def\up@volta{#1}\def\lg@volta{#2}} - \def\setsecondavolta{\Setsecondavolta{2\Interligne}{1cm}} - -\def\make@prima#1{{\y@i=\altplancher\advance\y@i by \systemheight -\advance\y@i by \up@volta - \raise\y@i\rlap{\vrule height 2\Interligne\rm\ #1.}\advance\y@i 2\Interligne - \raise\y@i\rlap{\vrule height \z@ depth \lthick width \lg@volta}% - }} -\def\up@volta{2\Interligne}\def\lg@volta{1cm} - % - % discretionary line breaking - % -\def\noautolines{\def\barre{\n@barre}\def\zbarre{\z@barre}% -\def\alaligne{\c@ountline\n@alaligne}\def\zalaligne{\n@zalaligne}% -\def\suspmorceau{\c@ountline\n@suspmorceau}\def\zsuspmorceau{\c@ountline\n@zsuspmorceau}% -\def\Suspmorceau{\n@Suspmorceau} -\def\currenthyphenpenalty{\setnohyphenpenalty}% -\def\updatecontext{\n@updatecon}% -\def\leftrepeat{\n@leftrepeat}% -\def\leftrightrepeat{\n@leftrightrepeat}% -\setnohyphenpenalty}% - % -\def\setnohyphenpenalty{\linepenalty=500\pretolerance=-1% -\finalhyphendemerits=-10\hyphenpenalty=-10% -\exhyphenpenalty=0\doublehyphendemerits=0% -\adjdemerits=0\interlinepenalty=0}% - % -\def\sethyphenpenalty{\linepenalty=500\pretolerance=-1% -\finalhyphendemerits=1000\hyphenpenalty=1000% -\exhyphenpenalty=0\doublehyphendemerits=0% -\adjdemerits=0\interlinepenalty=1000}% - % -\newcount\barsinline -\newcount\linesinpage -\newcount\maxbarsinline -\newcount\maxlinesinpage -\def\c@ountbar{\global\advance\barsinline by 1\relax}% -\def\c@ountline{\global\advance\linesinpage by 1\relax}% - % -\def\autolines#1#2#3{% #1 nombre d'elemskip par mesure, - % #2 nombre de mesures par ligne, - % #3 nb lignes par page -\global\maxbarsinline=#2\relax -\global\maxlinesinpage=#3\relax -\global\elemskip=\line@width\global\advance\elemskip by -10\Internote -\global\divide\elemskip by \maxbarsinline\relax -\global\advance\elemskip by -6\Internote\global\divide\elemskip by #1\relax -\def\barre{\t@barre}\def\updatecontext{\t@updatecon}\def\zbarre{\t@zbarre}% -\def\alaligne{\t@alaligne}\def\zalaligne{\t@zalaligne}% -\def\suspmorceau{\t@suspmorceau}\def\zsuspmorceau{\t@zsuspmorceau}% -\def\Suspmorceau{\t@Suspmorceau}% -\def\leftrepeat{\t@leftrepeat}% -\def\leftrightrepeat{\t@leftrightrepeat}% -\def\currenthyphpenalsty{\sethyphenpenalty}\sethyphenpenalty}% - % -\def\t@barre{\c@ountbar -\ifnum\barsinline<\maxbarsinline\relax\x@barre -\else\t@alaligne -\fi}% -\def\t@zbarre{\c@ountbar -\ifnum\barsinline<\maxbarsinline\relax\xz@barre -\else\t@zalaligne -\fi}% - % -\def\t@alaligne{\c@ountline -\ifnum\linesinpage<\maxlinesinpage\relax\n@alaligne -\else\alapage -\fi} - % -\def\t@suspmorceau{\c@ountline\n@suspmorceau -\ifnum\linesinpage<\maxlinesinpage\relax -\else\eject\global\linesinpage=0\relax -\fi} - % -\def\t@zalaligne{\c@ountline -\ifnum\linesinpage<\maxlinesinpage\relax\n@zalaligne -\else\zalapage -\fi}% - % -\def\t@zsuspmorceau{\c@ountline\n@zsuspmorceau -\ifnum\linesinpage<\maxlinesinpage\relax -\else\eject\global\linesinpage=0\relax -\fi}% - % -\def\t@Suspmorceau{\setdoubleBAR\t@suspmorceau} - % - % -\def\tz@barre{\c@ountbar -\ifnum\barsinline<\maxbarsinline\relax\z@barre -\else - \c@ountline - \ifnum\linesinpage<\maxlinesinpage\relax\zalaligne - \global\advance\linesinpage by -1\relax % car \alaligne aura aussi augmente - \else\zalapage -\fi\fi}% - % -\def\t@updatecon{\c@ountbar - \ifnum\barsinline<\maxbarsinline\relax\x@updatecon -\else - \c@ountline - \ifnum\linesinpage<\maxlinesinpage\l@updatecon - \else\p@updatecon -\fi\fi}% - %\check - % -\noautolines - % -\def\n@barre{\gluebrule\newbar\gluearule}% barre de mesure -\def\xbarre{\c@ountbar\x@barre} -\def\xbeambarre{\notes\charnote0{\hss\altplancher=\z@\newbar\wbarno@x}\enotes} -\def\x@barre{\gluebrule\newbar\zgluearule}% barre de mesure - % sans possibilite de saut - % -\def\d@oubleBAR{\thinvrule\nobreak\hskip -0.6\Internote\global\advance\x@skip0.6\Internote -\nobreak\thickvrule}% - % -\def\addspace#1{\kern#1\global\advance\x@skip#1} - % -\def\d@oublebar{\thinvrule\nobreak\hskip 0.8\Internote -\global\advance\x@skip0.8\Internote -\nobreak\thinvrule}% - % -\def\r@ightrepeat{\hbox{\w@colons\d@oubleBAR}\global\advance\x@skip - 7.12\Internote} -\def\l@eftrepeat{\hbox{\thickvrule\kern 0.6\Internote\thinvrule\w@colons -}\global\advance\x@skip7.12\Internote} -\def\l@eftrightrepeat{\hbox{\w@colons\thickvrule - \kern 0.6\Internote\thickvrule\w@colons}\global\advance\x@skip - 6.2\Internote} - % - %\check - % -\def\leftrightrepeatsymbol{\gluebrule\l@eftrightrepeat\glueaftersymbol} -\def\glueaftersymbol{{\def\wbarno{}\afterruleskip=\Internote\zgluearule}}% -\def\leftrepeatsymbol{\gluebrule\l@eftrepeat\glueaftersymbol}% -\def\rightrepeatsymbol{\gluebrule\r@ightrepeat\glueaftersymbol}% - % - %\check - % -\def\doublebarre{\setdoublebar\barre}% double barre de mesure -\def\setdoublebar{\def\barvrule{\d@oublebar}}% -\def\setemptybar{\def\barvrule{\relax}}% -\def\setdoubleBAR{\def\barvrule{\d@oubleBAR}}% -\def\rightrepeat{\setrightrepeat\barre}% -\def\finrightrepeat{\setrightrepeat\suspmorceau}% - % -\def\setrightrepeat{\def\barvrule{\r@ightrepeat}}% -\def\setleftrepeat{\def\barvrule{\l@eftrepeat}}% -\def\setleftrightrepeat{\def\barvrule{\l@eftrightrepeat}}% - % -\def\think@vrule@f#1{\raise\altplancher\hbox{\vdlthick height\systemheight width - #1}\global\advance\x@skip by #1}% - -\def\stdbarrules{\def\think@vrule{\think@vrule@f}} % standard v rules over all instruments -\stdbarrules - -\def\sepbarrules{\def\think@vrule{\think@vrule@s}} % standard v rules over all instruments - % -\def\think@vrule@s#1{\n@loop \selectinstr - \y@v=\nbportees\interportee \advance\y@v -\Interportee \advance\y@v \lthick - \raise\altitude \hbox to \z@{\vdlthick width #1 height - \y@v\hss}\repeat - \global\advance\x@skip by #1\kern #1} % separated vrules par instrum - - %\check -\def\vrule@inst#1{\selectinstr{\p@loop\raise\altportee - \hbox to \z@{\vrule width #1 height 8\internote\hss}\n@portee\repeat}}% - % - % -\def\thinvrule{\think@vrule{\lthick}}% -\def\thickvrule{\think@vrule{1.2\Internote}}% - % -\def\finmorceau{\setdoubleBAR\finpartition}% -\def\zfinmorceau{\setemptybar\finpartition}% -\def\finpartition{\n@suspmorceau}% - %\check - % -\def\c@other{}% void, but possibly changed by lines.tex... and others -\def\gluearule{\-\zgluearule}% -\def\zgluearule{\nobreak\wbarno@x\ygluearule}% -\def\ygluearule{\nobreak\kern\afterruleskip\nobreak - \global\advance\x@skip\afterruleskip\global\n@skip=\z@}% - % terminate skips and continue slurs and ties if any -\def\termskip{\upd@sk - \ten@loop\ifnum\t@s=0\relax - \else\c@ten - \fi - \global\advance\n@l by 1\relax - \repeat\nobreak - \c@other\nobreak -\global\n@skip=\z@\global\x@skip=\z@}% - % -\def\gluebrule{\nobreak\termskip\@tenleader{\tempsskip}\nobreak}% - % -\def\writesignatures{\global\sign@skip=\z@ -\w@ritesigns -\global\advance\sign@skip by 0.4\Internote \nobreak\hskip\sign@skip -}% -\def\Writesignatures{\global\sign@skip=\z@ -\w@ritesigns -\nobreak\advance\sign@skip by 1.2\Internote\kern\sign@skip\nobreak}% - % -\def\w@ritesigns{\n@loop\writesigni\repeat}% - % - %\check -\def\instrumentnames{\n@loop\writeinsname\repeat}% - % - %\check -\def\writenewsignatures{\global\sign@skip=\z@ - \n@loop\writenewsigni\repeat - \nobreak\ifdim\sign@skip>0.1pt\global\advance\sign@skip by 1.2\Internote - \nobreak\global\n@skip=\sign@skip\termskip - \fi - \nobreak}% - % - %\check - % - % normal hyphenation process when \noautolines - % -\def\setnormalhyphen{\edef\-{\noexpand\discretionary{}% - %\check 2 -{\noexpand\hbox{\noexpand\portees\noexpand\writeclefs -\noexpand\everystaff}% -\noexpand\hbox{\noexpand\writesignatures}% -}% - %\check 2 -{}}}% fin du def \setnormalhyphen - %\check - % ecrire toutes les indications de mesure sur toutes les portees -\def\writemeters{\global\n@skip=\z@ -\n@loop\writemeteri\repeat\nobreak -\ifdim\n@skip>\z@\advance\n@skip by 1.2\Internote - \global\n@skip=\n@skip\termskip -\fi\nobreak}% - % - %\check -\def\writemeteri{\nobreak\selectinstr{\p@loop - \edef\w@call{\noexpand\writemeterp{\noexpand\noportee}\the\metertoks}\relax - \setbox\toks@box=\hbox{\w@call{}{}{}{}}\relax - \ifdim\n@skip<\wd\toks@box\global\n@skip=\wd\toks@box\fi - \raise\altportee\rlap {\box\toks@box}\n@portee - \repeat}}% - %\check -\def\writeclefs{% ecrire toutes les clefs sur toutes les portees -\global\clef@skip=\z@ -\w@riteclefs -\kern\clef@skip}% - % -\def\w@riteclefs{\n@loop\writeclefi\repeat}% - % - %\check -\def\writenewclefs{% ecrire toutes les nouvelles clefs sur toutes les - % portees -\global\clef@skip=\z@ -\w@ritenewclefi -\kern\clef@skip\global\advance\x@skip\clef@skip\nobreak}% - % - %\check -\def\zwritenewclefs{% ecrire toutes les nouvelles clefs sur toutes les - % portees, a gauche et sans espacement -\global\clef@skip=\z@ -\setbox\w@rkbox\hbox{\w@ritenewclefi}\kern -\clef@skip\box\w@rkbox -\kern\clef@skip\nobreak}% - % -\def\w@ritenewclefi{\n@loop\writenewclefi\repeat}% - % - %\check -\def\writesigni{\selectinstr\def\o@test{999}\w@ritenewsigni}% -\def\writenewsigni{\selectinstr\def\o@test{\o@sign}\w@ritenewsigni}% -\def\w@ritenewsigni{{\p@loop - \n@portee - \ifnum\o@test=\sign\relax\else - \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}% - \setbox\toks@box=\hbox{\kern 0.4\Internote\get@ref\compnwsign - \kern 0.4\Internote}% - \ifdim\sign@skip<\wd\toks@box \global\sign@skip=\wd\toks@box\fi - \raise\altportee\rlap{\box\toks@box}% - \fi -\repeat}% -}% - %\check -\def\writeinsname{\selectinstr -\xdef\instrument{\csname instrument\romannumeral -\noinstrument\endcsname}% -\altportee=\altitude -\ifnum\nbportees>0\relax\advance\altportee by \nbportees\interportee - \advance\altportee by -\Interportee - \advance\altportee by \altitude\divide\altportee by 2\relax -\fi - \setbox\n@otebox=\llap{\vbox{\hsize=\parindent\advance\hsize by - -0.8\Internote \centerline{\instrument}}\ - \kern 2\p@}\advance\altportee by -0.5\ht\n@otebox - \raise\altportee\box\n@otebox -}% - %\check -\def\get@refs#1#2#3#4{% #1-#4: cle correspondante 0=sol, 6=fa, 1-4=ut . -\ifcase\noportee\relax\global\ut@ref=0\relax -\or\global\ut@ref=#1\relax -\or\global\ut@ref=#2\relax -\or\global\ut@ref=#3\relax -\or\global\ut@ref=#4\relax -\fi} -\def\compnwsign{\ifnum\o@sign=0\relax - \else\ifnum\sign=0\relax - \else\kern 0.4\Internote - \fi - \fi - \ifnum\o@sign<0\relax\w@flats\w@sharps - \else\w@sharps\w@flats - \fi}% - % - %\check -\def\w@flats{% -\ifnum\sign<0\relax\s@bemol{6}\else\ifnum\o@sign<0\relax\s@becarre{6}\fi\fi -\ifnum\sign<-1\relax\s@bemol{9}\else\ifnum\o@sign<-1\relax\s@becarre{9}\fi -\fi -\ifnum\sign<-2\relax\s@bemol{5}\else\ifnum\o@sign<-2\relax\s@becarre{5}\fi -\fi -\ifnum\sign<-3\relax\s@bemol{8}\else\ifnum\o@sign<-3\relax\s@becarre{8}\fi -\fi -\ifnum\sign<-4\relax\s@bemol{4}\else\ifnum\o@sign<-4\relax\s@becarre{4}\fi -\fi -\ifnum\sign<-5\relax\s@bemol{7}\else\ifnum\o@sign<-5\relax\s@becarre{7}\fi -\fi -\ifnum\sign<-6\relax\s@bemol{3}\else\ifnum\o@sign<-6\relax\s@becarre{3}\fi -\fi -}% - %\check -\def\w@sharps{% -\ifnum\sign>0\relax\s@dieze{10}\else\ifnum\o@sign>0\relax\s@becarre{10}\fi -\fi -\ifnum\sign>1\relax\s@dieze{7}\else\ifnum\o@sign>1\relax\s@becarre{7}\fi\fi -\ifnum\sign>2\relax\s@dieze{11}\else\ifnum\o@sign>2\relax\s@becarre{11}\fi -\fi -\ifnum\sign>3\relax\s@dieze{8}\else\ifnum\o@sign>3\relax\s@becarre{8}\fi\fi -\ifnum\sign>4\relax\s@dieze{5}\else\ifnum\o@sign>4\relax\s@becarre{5}\fi\fi -\ifnum\sign>5\relax\s@dieze{9}\else\ifnum\o@sign>5\relax\s@becarre{9}\fi\fi -\ifnum\sign>6\relax\s@dieze{6}\else\ifnum\o@sign>6\relax\s@becarre{6}\fi\fi -}% - %\check -\def\s@bemol#1{\global\n@iii=#1\relax - \p@bedieze\global\advance\y@iii by \fl@raise\raise\y@iii\hbox to - 2.08\internote{\def\musicnfont{\musickeyfont}\hss\f@lat\hss}% -}% -\def\s@becarre#1{\global\n@iii=#1\relax - \p@bedieze\global\advance\y@iii by \na@raise\raise\y@iii\hbox to - 2.08\internote{\def\musicnfont{\musickeyfont}\hss\n@at\hss}% -}% -\def\s@dieze#1{\global\n@iii=#1\relax - \p@bedieze\global\advance\y@iii by \sh@raise\raise\y@iii\hbox to - 2.16\internote{\def\musicnfont{\musickeyfont}\hss\s@harp\hss}% -}% - % -\def\p@bedieze{\global\advance\n@iii by \ut@ref\relax - \global\advance\n@iii by \ut@ref\relax - % cas de la cle de fa - \ifnum\ut@ref=6\global\advance\n@iii by -14\relax\else - \ifnum\ut@ref>0\global\advance\n@iii by -7\relax\fi\fi - \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi - \ifnum\n@iii<1\relax\global\advance\n@iii by 7\relax\fi - \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi - \ifnum\n@iii>11\relax\global\advance\n@iii by -7\relax\fi - \global\y@iii=\n@iii\internote - \global\advance\y@iii by -2\internote -} - %\check - % - %\check - % -\def\writeclefp#1#2#3#4#5{% -\n@i=#1\relax -\ifcase\n@i\singleclef{#2}% -\or\singleclef{#3}\or\singleclef{#4}\or\singleclef{#5}\fi -}% - % - %\check -\def\writemeterp#1#2#3#4#5{% -\n@i=#1\relax -\ifcase\n@i\hbox{#2}\or\hbox{#3}\or\hbox{#4}\or\hbox{#5}\fi -}% - % - %\check -\def\writenewclefp#1#2#3#4#5#6#7#8#9{% -\n@i=#1\relax -\ifcase\n@i\newsingleclef{#2}{#6}% -\or\newsingleclef{#3}{#7}\or\newsingleclef{#4}{#8}\or -\newsingleclef{#5}{#9}\fi -}% - %\check - % -\def\singleclef#1{% -\global\n@iii=#1\relax -\charclef -}% - %\check - % -\def\Clefdut{\global\advance\n@iii by -3\relax\raise\n@iii\Interligne\clefdut}% -\def\Clefdefa{\global\advance\n@iii by -6\relax -\raise\n@iii\Interligne\clefdefa} - % -\def\charclef{% -\ifdim\clef@skip<4.8\Internote\global\clef@skip=4.8\Internote\fi -\ifcase\n@iii\relax\clefdesol\relax -\or{\Clefdut}% -\or{\Clefdut}% -\or{\Clefdut}% -\or{\Clefdut}% -\or{\Clefdefa}% -\or{\Clefdefa}% -\fi}% - %\check - % -\def\smallClefdut{\global\advance\n@iii by -3\relax\raise\n@iii -\Interligne\smallclefdut}% -\def\smallClefdefa{\global\advance\n@iii by -6\relax\raise\n@iii -\Interligne\smallclefdefa}% -\def\smallcharclef{% -\ifdim\clef@skip<4.8\Internote\global\clef@skip=4.8\Internote\fi -\ifcase\n@iii\relax\smallclefdesol\relax -\or{\smallClefdut}% -\or{\smallClefdut}% -\or{\smallClefdut}% -\or{\smallClefdut}% -\or{\smallClefdefa}% -\or{\smallClefdefa}% -\fi}% - %\check -\def\newsingleclef#1#2{% -\global\n@iii=#1\relax -\n@ii=#2\relax -\ifnum\n@ii=\n@iii\relax\else\smallcharclef -\fi}% - %\check -\def\writeclefi{\selectinstr -{\p@loop - \edef\w@call{\noexpand\writeclefp{\noexpand\noportee}\the\cleftoks}% - \setbox\toks@box=\hbox{\w@call{}{}{}{}}% - \ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi - \raise\altportee\rlap{\box\toks@box}\n@portee - \repeat}% -}% - %\check -\def\writenewclefi{\selectinstr{\p@loop - \edef\w@call{\noexpand\writenewclefp{\noexpand\noportee}\the\cleftoks\the -\o@cks}% -\setbox\toks@box=\hbox{\w@call{}{}{}{}}% -\ifdim\clef@skip<\wd\toks@box \global\clef@skip=\wd\toks@box\fi - \raise\altportee\rlap{\box\toks@box}\n@portee\repeat}% -}% - %\check - % minuscule: une seule barre - % majuscule: double barre -\def\changecontexte{\changecontext}% -\def\Changecontexte{\Changecontext}% - % -\def\changecontext{\gluebrule\newbar\nobreak\updatecontext}% -\def\pchangecontext{\gluebrule\newbar\nobreak\p@updatecon}% -\def\lchangecontext{\gluebrule\newbar\nobreak\l@updatecon}% - %\check -\def\Changecontext{\setdoublebar\changecontext}% -\def\pChangecontext{\setdoublebar\pchangecontext}% -\def\lChangecontext{\setdoublebar\lchangecontext}% - % - % write colons on all staffs (a part of [left][right]repeat symbols - % -\def\wrcolons{\w@colons}% -\def\w@colons{\nobreak\hskip 0.8\Internote\nobreak - \n@loop \w@coli\repeat - \nobreak\hskip 0.8\Internote\nobreak}% - % - %\check - % -\def\n@updatecon{% imprime tout ce qui est nouveau -\nobreak\writenewclefs -\nobreak\writenewsignatures\nobreak\setnormalhyphen\-\writemeters\zgluearule -\save@all}% - % -\def\x@updatecon{% imprime tout ce qui est nouveau -\nobreak\writenewclefs\nobreak\wbarno@x -\nobreak\writenewsignatures\nobreak\writemeters\ygluearule -\save@all}% - % -\def\l@updatecon{\nobreak\writenewclefs\nobreak\writenewsignatures -\z@suspend\reprmorceau}% - % -\def\p@updatecon{\nobreak\writenewclefs\nobreak\writenewsignatures -\z@suspend\preprmorceau}% - % - %\check - % -\def\n@leftrepeat{\gluebrule -\nobreak\writenewclefs -\discretionary{\newbar}% - %\check 1 -{\hbox{\portees\writeclefs\everystaff\Writesignatures}% -\l@eftrepeat\hbox{\writemeters}}% - %\check 1 -{\l@eftrepeat}\nobreak\writemeters\zgluearule -\save@all\setnormalhyphen}% - % - %\check - % -\def\n@leftrightrepeat{\gluebrule -\nobreak\writenewclefs - % -\discretionary{\setrightrepeat\newbar}% - %\check 1 -{\hbox{\portees\writeclefs\everystaff\Writesignatures -\l@eftrepeat\writemeters}}% - %\check 1 -{\l@eftrightrepeat}\nobreak\writemeters\zgluearule -\save@all\setnormalhyphen}% - % -\def\t@leftrepeat{\c@ountbar - \ifnum\barsinline<\maxbarsinline\relax\setleftrepeat\x@barre -\else - \c@ountline - \ifnum\linesinpage<\maxlinesinpage\l@leftrepeat - \else\p@leftrepeat -\fi\fi}% - % - %\check - % -\def\t@leftrightrepeat{\c@ountbar - \ifnum\barsinline<\maxbarsinline\relax\setleftrightrepeat\x@barre -\else - \c@ountline - \ifnum\linesinpage<\maxlinesinpage\l@leftrightrepeat - \else\p@leftrightrepeat -\fi\fi}% - % - %\check - % -\def\l@leftrepeat{\suspmorceau - \reprmorceau\l@eftrepeat}% - % -\def\p@leftrepeat{\suspmorceau - \preprmorceau\l@eftrepeat}% - % - %\check - % -\def\l@leftrightrepeat{\setrightrepeat\suspmorceau - \reprmorceau\l@eftrepeat}% - % -\def\p@leftrightrepeat{\setrightrepeat\suspmorceau - \preprmorceau\l@eftrepeat}% - % -\def\Changeclef{\Changeclefs}\def\Changeclefs{% -\gluebrule\thinvrule\nobreak\hskip 1.2\Internote\nobreak\newbar -\nobreak\writenewclefs\saveclefs}% - %\check -\def\changeclefs{\termskip\writenewclefs\saveclefs}% -\def\zchangeclefs{\termskip\zwritenewclefs\saveclefs}% - %\check - %************************************************************************** - % les notes proprement dites - %************************************************************************** -\def\vnotes#1\elemskip{\noteskip=#1\elemskip \n@otes}% -\def\hardnotes#1\notes{\noteskip=#1\relax \n@otes} -\def\znotes{\noteskip=\z@\n@otes}% -\def\multnoteskip#1{\noteskip=#1\noteskip\relax}% -\def\scalenoteskip{1.0}% - % - %\check - % -\def\enotes{\e@notes}% - % -\newdimen\n@skip -\def\skip@n{\hskip \n@skip}% -\def\skip@b{\hskip \brace@w\global\advance\x@skip by\brace@w}% - % -\def\upd@sk{\nobreak\skip@n\global\advance\x@skip by\n@skip\nobreak}% - % -\def\nextstaff{\endstaff\beginstaff}% -\def\nextinstrument{\endinstrument\begininstrument}% - % -\def\n@otes{\def|{\nextstaff}\def&{\nextinstrument}\normaltranspose=\transpose -\multnoteskip{\scalenoteskip}\check@nopen -\global\advance\notes@open by 1\relax\upd@sk -\def\rq{\rq@}\def\lq{\lq@}\def\ds{\demisoupir}\relax -\locx@skip=\x@skip -\global\n@skip=\noteskip -\global\noinstrument=0\relax -\begininstrument}% - % - %\check -\def\begininstrument{\global\advance\noinstrument by 1\relax -\selectinstr\resetstem -\ifdim\internote<0.76\Internote\csname set@tinynotesize\endcsname - \computespecifics -\else\ifdim\internote<0.95\Internote\csname set@smallnotesize\endcsname - \computespecifics - \else\csname currentsize\endcsname\fi -\fi -\global\noportee=0\relax\beginstaff -}% - %\check - % -\def\endinstrument{\endstaff}% - %\check - % -\def\beginstaff{\alt@comp - \n@portee - \edef\get@ref{\noexpand\get@refs\the\cleftoks{}{}{}{}}\relax\get@ref - \setbox\n@otebox=\hbox\bgroup\computeqn@w - \locx@skip=\x@skip }% - %\check - % -\def\endstaff{\egroup - \ifdim\n@skip<\wd\n@otebox \global\n@skip=\wd\n@otebox - \fi - \nobreak\raise\altportee\rlap{\unhbox\n@otebox}\nobreak}% - % - %\check - % -\def\e@notes{\global\notes@open=0\relax\endinstrument -\ifdim\n@skip<\noteskip \showthe\noteskip\showthe\n@skip -\global\n@skip=\noteskip -\fi}% - % - %\check - % -\def\shortstems{\def\stemfactor{4.00}} -\def\normalstems{\def\stemfactor{4.66}} -\normalstems - % queue de note vers le bas -\def\p@tail{\global\advance\st@bot by -\stemfactor\interbeam\global\stem@skip=\z@ -\minst@bot\pd@tail}% - % queue de note vers le haut -\def\d@tail{\global\advance\st@top by \stemfactor\interbeam\maxst@top\pd@tail}% -\def\minst@bot{\global\advance\st@bot by -\altportee - \ifdim\st@bot>2\Interligne \global\st@bot=2\Interligne\fi - \global\advance\st@bot by \altportee} -\def\maxst@top{\global\advance\st@top by -\altportee - \ifdim\st@top<2\Interligne \global\st@top=2\Interligne\fi - \global\advance\st@top by \altportee} - % - %\check - %\def\pd@tail{\global\advance\st@top by -\st@bot - % \ifdim\st@top>\p@\global\advance\st@bot by -\altportee - % \raise\st@bot\rlap{\kern\stem@skip\vrule height\st@top width \lthick}\fi - % \resetstem}% - %\check -\def\pd@tail{\ifdim\st@top>\st@bot - \global\advance\st@bot by -\altportee - \global\advance\st@top by -\altportee - \kern\stem@skip - \vrule height\st@top depth -\st@bot width \lthick - \kern-\stem@skip - \kern-\lthick -\fi \resetstem}% - %\check -\def\resetstem{\global\st@bot=99cm\global\st@top=-\st@bot}% - % -\def\setstem{{\advance\y@i by -\n@raise \advance\y@i by \altportee -\ifdim\st@bot>\y@i\global\st@bot=\y@i\fi -\ifdim\st@top<\y@i\global\st@top=\y@i\fi}}% - % - %\check - % - % sequence de placement d'un caractere a une position dans la portee -\def\pl@note{\pl@base \advance\y@i by \n@raise}% -\def\pl@base{\y@i=\n@i\internote}% - % - % lignes supplementaires pour \n@i (position) - % -\newcount\h@lnlv -\newdimen\hlp@width -\newdimen\h@lineup -\newdimen\h@linedn - %\def\h@linei{\raise\h@lnlv\internote - % \llap{\vdlthick width 1.6\hlp@width height \hlthick - % \kern -1.3\hlp@width}}% -\def\h@linei{\h@lineup=\h@lnlv\internote -\h@linedn=\h@lineup -\advance\h@lineup by \hlthick -\advance\h@linedn by -\hlthick -\kern -0.3\hlp@width -\vrule height \h@lineup depth -\h@linedn width 1.6\hlp@width -\kern -1.3\hlp@width}% - %\check - % -\def\h@linesqn{\h@lines{\qn@width}}% -\def\adv@locx@mqn{\advance\locx@skip by -\qn@width}% - % -\def\h@lines#1{% -\ifnum\stafflinesnb>3 % no help lines for percussion instruments - \hlp@width=#1\h@lnlv=0\relax - \loop\advance\h@lnlv by -1\relax - \ifnum\n@i<\h@lnlv\relax\advance\h@lnlv by -1\relax - \ifnum\h@lnlv<-20\relax\showthe\h@lnlv\fi - \h@linei\repeat -% \h@lnlv=8\relax -\h@lnlv=\stafflinesnb\relax -\advance\h@lnlv\stafflinesnb\relax -\advance\h@lnlv -2\relax -\loop\advance\h@lnlv by 1\relax - \ifnum\n@i>\h@lnlv\relax\advance\h@lnlv by 1\relax - \ifnum\h@lnlv>30\relax\showthe\h@lnlv\fi - \h@linei\repeat -\fi}% - %\check - % *********** les symboles de notes ou assimiles **************** - % - % placement - % -\newcount\inh@alt -\def\getn@i{\global\inh@alt=0\relax\xgetn@i}% - % -\def\inhgetn@i{\global\inh@alt=1\relax\xgetn@i}% - % -\def\xgetn@i#1{\n@i=9999\relax % par defaut -\edef\t@ruc{\f@tok #1\noexpand\relax\af@tok}\ifcat a\t@ruc\relax -\getn@iletter{#1}% -\else\getn@inonlet{#1}% \ifcat pas lettre -\fi\global\n@raise=\z@}% % -\def\getn@inonlet#1{\edef\ss@uite{}\edef\s@uite{\s@tok #1{}\af@tok}% -\edef\alt@suite{}\ifcat 1\t@ruc\relax -\t@rucfig{#1}% cas active character dont chiffre -\else\t@rucexpcar{#1}% -\fi\alt@suite}% fi du \ifcat 1 - %\check - % analysis of accidentals within collective note coding -\def\absoluteaccidentals{\def\Xna{\na}\def\Xsh{\sh}\def\Xfl{\fl}% -\def\Xdsh{\dsh}\def\Xdfl{\dfl}}% -\absoluteaccidentals - % -\def\t@rucexpcar#1{\if ^\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\Xsh{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi - \if _\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\Xfl{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi}% - %\check -\def\t@rucfig#1{\if=\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\Xna{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi -\if*\t@ruc\relax - \sk - \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi -\if.\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\pt{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi -\if>\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\Xdsh{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi -\if<\t@ruc\relax - \edef\alt@suite{\ifnum - \inh@alt=0\relax\noexpand\Xdfl{\s@uite}\fi - \noexpand\getn@i{\s@uite}}\fi -\if!\t@ruc\relax - \transpose=\normaltranspose\relax - \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi -\if'\t@ruc\relax - \advance\transpose by 7\relax - \edef\alt@suite{\noexpand\getn@i{\s@uite}}\fi -\if`\t@ruc\relax - \advance\transpose by -7\relax - \edef\alt@suite{\noexpand\getn@i{\s@uite}}% -\else \if -\t@ruc\relax\n@i=#1\relax\fi - \if 1\t@ruc\relax\n@i=#1\relax\fi - \if 2\t@ruc\relax\n@i=#1\relax\fi - \if 3\t@ruc\relax\n@i=#1\relax\fi - \if 4\t@ruc\relax\n@i=#1\relax\fi - \if 5\t@ruc\relax\n@i=#1\relax\fi - \if 6\t@ruc\relax\n@i=#1\relax\fi - \if 7\t@ruc\relax\n@i=#1\relax\fi - \if 8\t@ruc\relax\n@i=#1\relax\fi - \if 9\t@ruc\relax\n@i=#1\relax\fi - \if 0\t@ruc\relax\n@i=#1\relax\fi -\fi}% - %\check - % -\def\getn@iletter#1{\n@i=\expandafter`\t@ruc\relax -\ifnum\n@i >96\relax \advance\n@i by -101\relax % ramener au E (position - % zero en clef de sol, ut@ref=0) -\else\advance\n@i by -83\relax % ramener au S= E + 14 -\fi -\advance\n@i by \ut@ref\relax -\advance\n@i by \ut@ref\relax -\advance\n@i by \transpose\relax -\edef\s@uite{\s@tok #1{}\af@tok}\edef\ss@uite{\noexpand\n@fon{\s@uite}}}% - %\check - % -\def\pt@raise{\ifodd\n@i\relax\pt@up=-0.1\Interligne\else\pt@up -=0.3\Interligne\fi -\advance\pt@up by -\n@raise\raise\pt@up}% - % -\def\lcharnote#1#2{\getn@i{#1}\pl@llap{#2}}% -\def\ccharnote#1#2{\getn@i{#1}\pl@lrlap{#2}}% - % -\def\bigaccid{\def\small@test{\noteskip>-1\p@}}% -\def\smallaccid{\def\small@test{\noteskip>9999\p@}}% -\def\varaccid{\def\small@test{\noteskip>1.9\qn@width}}% -\def\k@eiqdskip{\kern 0.8\qd@skip} -\def\k@meiqdskip{\kern -0.8\qd@skip} - % -\varaccid % accidents de taille variable - %\check -\def\lfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\ifdim\small@test\f@lat\else\smallf@lat\fi\k@eiqdskip}}% - %\check -\def\ldfl#1{\getn@i{#1}\global\n@raise=\fl@raise - \pl@llap{\ifdim\small@test\df@lat\else\smalldf@lt\fi\k@eiqdskip}}% - %\check -\def\lsh#1{\getn@i{#1}\global\n@raise=\sh@raise - \pl@llap{\ifdim\small@test\s@harp\else\smalls@harp\fi\k@eiqdskip}}% -\def\ldsh#1{\getn@i{#1}\global\n@raise=\z@ - \pl@llap{\ifdim\small@test\ds@harp\else\smallds@harp\fi\k@eiqdskip}}% - %\check -\def\lna#1{\getn@i{#1}\global\n@raise=\na@raise - \pl@llap{\ifdim\small@test\n@at\else\smalln@at\fi\k@eiqdskip}}% - %\check -\def\pl@llap{\pl@note\raise\y@i\llap}% -\def\pl@lrlap{\pl@note\raise\y@i\lrlap}% -\def\lrlap#1{\rlap{\hss#1}}% -\def\uplap#1{\vbox to\z@{\vss#1}} - %**************** notes (sans queue) ******************* - % -\def\xcharnote#1#2#3{\getn@i{#2}\pl@base - \raise\y@i\hbox to #1{#3\hss}\advance\locx@skip by #1\relax}% - %\check - % -\def\raise@note{\advance\locx@skip by\noteskip\raise\y@i\hbox to \noteskip}% - % - % rondes sous diverses formes - % - % ronde decalee a gauche (sans avance) -\def\lw#1{\kern -\wd@skip\zw{#1}\kern \wd@skip}% - % - % ronde decalee a droite (sans avance) -\def\rw#1{\kern \wd@skip\zw{#1}\kern -\wd@skip}% - %\check - % ronde sans avance -\def\zw#1{\getn@i{#1}\def\n@fon{\zw}\def\n@sym{\w@h}\g@zw}% -\def\zwp#1{\getn@i{#1}\def\n@fon{\zwp}\def\n@sym{\w@hp}\g@zw}% -\def\zwpp#1{\getn@i{#1}\def\n@fon{\zwpp}\def\n@sym{\w@hpp}\g@zw}% -\def\zwppp#1{\getn@i{#1}\def\n@fon{\zwppp}\def\n@sym{\w@hppp}\g@zw}% -\def\g@zw{\advancefalse\g@w}% - %\check - % -\def\phpause{\hbox to \noteskip{\vrule width - 1.2\qn@width height \internote\hss}}% -\def\pause{\hbox{\raise 5\internote\phpause}\advance\locx@skip by \noteskip}% -\def\hpause{\hbox{\raise 4\internote\phpause}\advance\locx@skip by \noteskip}% -\def\demisoupir{\hbox to \noteskip{\d@soup\hss}\advance\locx@skip by \noteskip}% -\def\qp{\hbox to \noteskip{\s@oupir\hss}\advance\locx@skip by \noteskip}% -\def\soupir{\qp}% -\def\dsoupir{\demisoupir}% - % quart de soupir -\def\qs{\hbox to \noteskip{\q@soup\hss}% -\advance\locx@skip by \noteskip}% -\def\qsoupir{\qs}% -\def\quartsoupir{\qs}% - % huitieme de soupir -\def\hs{\hbox to \noteskip{\h@soup\hss}% -\advance\locx@skip by \noteskip}% -\def\hsoupir{\hs}% -\def\huitsoupir{\hs}% - % seizieme de soupir -\def\qqs{\hbox to \noteskip{\s@soup\hss}% -\advance\locx@skip by \noteskip}% -\def\seizsoupir{\qqs}% - %\check -\def\pl@noteq{\pl@note \setstem - \ifdim\noteskip>\z@ - \ifdim\st@bot<29cm - \s@tem - \fi - \fi -}% - % -\def\Ped{{\cmsy P\kern -1\p@\it ed.}}% -\def\PED{\rlap{\zcharnote{-5}{\kern -2\p@\Ped}}}% -\def\DEP{\rlap{\zcharnote{-7}{\kern 0.5\noteskip\kern -4\p@\moyen *}}}% - %\check -\def\pl#1{\zcharnote{#1}{\raise 2\p@ \rlap{\ttyeight +}}}% -\def\pointdorgue#1{\zcharnote{#1}{\raise \Interligne\p@orgue}}% -\def\pointdurgue#1{\zcharnote{#1}{\raise-\Interligne\p@urgue}}% -\def\ntrille#1#2{\zcharnote{#1}{\trille{#2\elemskip}}}% -\def\nTrille#1#2{\zcharnote{#1}{\Trille{#2\elemskip}}}% -\def\xtrille#1#2{\zcharnote{#1}{\trille{#2}}}% -\def\xTrille#1#2{\zcharnote{#1}{\Trille{#2}}}% - % -\def\pt#1{\inhgetn@i{#1}\def\n@fon{\pt}\def\n@sym{\z@p}\g@pt} -\def\ppt#1{\inhgetn@i{#1}\def\n@fon{\ppt}\def\n@sym{\z@pp}\g@pt} -\def\pppt#1{\inhgetn@i{#1}\def\n@fon{\pppt}\def\n@sym{\z@ppp}\g@pt} -\def\g@pt{\n@raiseq \pl@note\raise\y@i\rlap{\n@sym}\fi}% - % -\def\n@raiseq{\global\n@raise=\qu@raise\ifnum\n@i<100\relax} - % - %\check - % - % blanche sans queue decalee a gauche - % blanche pointee sans queue - % blanche decalee a gauche -\def\lh#1{\kern -\hd@skip\zh{#1}\kern \hd@skip}% - % blanche decalee a droite sans queue -\def\rh#1{\kern \hd@skip\zh{#1}\kern -\hd@skip}% - % blanche sans queue ni avance -\def\zh#1{\getn@i{#1}\def\n@fon{\zh}\def\n@sym{\h@a}\g@zh} -\def\zhp#1{\getn@i{#1}\def\n@fon{\zhp}\def\n@sym{\h@ap}\g@zh} -\def\zhpp#1{\getn@i{#1}\def\n@fon{\zhpp}\def\n@sym{\h@app}\g@zh} -\def\zhppp#1{\getn@i{#1}\def\n@fon{\zhppp}\def\n@sym{\h@appp}\g@zh} -\def\g@zh{\global\n@raise=\ha@raise\global\n@width=\hn@width\g@z}% -\def\g@z{\ifnum\n@i<100\relax - \h@lines{\n@width}\pl@note\setstem\rlap@symss\fi}% - % - % noires sans queues - % -\def\zq#1{\getn@i{#1}\def\n@fon{\zq}\def\n@sym{\q@u}\g@zq} -\def\zqp#1{\getn@i{#1}\def\n@fon{\zqp}\def\n@sym{\q@up}\g@zq} -\def\zqpp#1{\getn@i{#1}\def\n@fon{\zqpp}\def\n@sym{\q@upp}\g@zq} -\def\zqppp#1{\getn@i{#1}\def\n@fon{\zqppp}\def\n@sym{\q@uppp}\g@zq} -\def\g@zq{\global\n@raise=\qu@raise\global\n@width=\qn@width\g@z}% - % - %\check -\def\rq@#1{\kern \qd@skip\zq{#1}\kern -\qd@skip}% -\def\lq@#1{\kern -\qd@skip\zq{#1}\kern \qd@skip}% - % *********************** notes avec queue ********************** - % - %\check -\def\qu{\advancetrue\qu@z}% -\def\qup{\advancetrue\qup@z}% -\def\qupp{\advancetrue\qupp@z}% -\def\quppp{\advancetrue\quppp@z}% -\def\qu@z#1{\getn@i{#1}\def\n@fon{\qu}\def\n@sym{\q@u}\g@qu}% -\def\qup@z#1{\getn@i{#1}\def\n@fon{\qup}\def\n@sym{\q@up}\g@qu}% -\def\qupp@z#1{\getn@i{#1}\def\n@fon{\qupp}\def\n@sym{\q@upp}\g@qu}% -\def\quppp@z#1{\getn@i{#1}\def\n@fon{\quppp}\def\n@sym{\q@uppp}\g@qu}% - %\check -\def\g@qu{\n@raiseq - \global\stem@skip=\qd@skip\def\s@tem{\d@tail}\g@qbh@\fi}% - % -\def\q@up{\hbox to \qn@width{\q@u\hss}\P@t}% -\def\q@upp{\hbox to \qn@width{\q@u\hss}\PP@t}% -\def\q@uppp{\hbox to \qn@width{\q@u\hss}\PPP@t}% -\def\h@ap{\hbox to \hn@width{\h@a\hss}\P@t}% -\def\h@app{\hbox to \hn@width{\h@a\hss}\PP@t}% -\def\h@appp{\hbox to \hn@width{\h@a\hss}\PPP@t}% -\def\w@hp{\hbox to \wn@width{\w@h\hss}\P@t}% -\def\w@hpp{\hbox to \wn@width{\w@h\hss}\PP@t}% -\def\w@hppp{\hbox to \wn@width{\w@h\hss}\PPP@t}% - % -\def\z@p{\kern \qn@width\P@t}\def\z@pp{\kern \qn@width\PP@t}% -\def\z@ppp{\kern \qn@width \PPP@t}% - %\check -\def\rqu#1{\getn@i{#1}\def\n@fon{\qu}\def\n@sym{\kern \qd@skip\q@u}% - \n@raiseq - \kern \qd@skip \h@linesqn\kern -\qd@skip - \global\stem@skip=\qd@skip\def\s@tem{\d@tail}\pl@symss\fi}% - %\check - % noire queue en haut sans avance -\def\zqu{\advancefalse\qu@z}% -\def\zqup{\advancefalse\qup@z}% -\def\zqupp{\advancefalse\qupp@z}% -\def\zquppp{\advancefalse\quppp@z}% - % - % espace vide d'une note -\def\off#1{\advance\locx@skip by #1\kern #1}% -\def\sk{\off\noteskip}% -\def\qsk{\off\qn@width}% -\def\hqsk{\off{0.5\qn@width}}% -\def\hsk{\off\hn@width}% - \def\offs@t#1{\off{-\s@o@}#1\off\s@o@} -\def\loffset#1{\edef\s@o@{#1\qn@width}\offs@t} -\def\roffset#1{\edef\s@o@{-#1\qn@width}\offs@t} -\def\roff{\roffset 1} -\def\loff{\loffset 1} -%\check -\def\lqu#1{\kern -\qd@skip\zqu{#1}\kern \qd@skip}% - %\check - % noires queue en base -\def\ql{\advancetrue\ql@z}% -\def\qlp{\advancetrue\qlp@z}% -\def\qlpp{\advancetrue\qlpp@z}% -\def\qlppp{\advancetrue\qlppp@z}% -\def\ql@z#1{\getn@i{#1}\def\n@fon{\ql}\def\n@sym{\q@u}\g@ql}% -\def\qlp@z#1{\getn@i{#1}\def\n@fon{\qlp}\def\n@sym{\q@up}\g@ql}% -\def\qlpp@z#1{\getn@i{#1}\def\n@fon{\qlpp}\def\n@sym{\q@upp}\g@ql}% -\def\qlppp@z#1{\getn@i{#1}\def\n@fon{\qlppp}\def\n@sym{\q@uppp}\g@ql}% -\def\g@ql{\n@raiseq - \def\s@tem{\p@tail}\g@qbh@\fi}% - % - % la meme sans avance -\def\zql{\advancefalse\ql@z}% -\def\zqlp{\advancefalse\qlp@z}% -\def\zqlpp{\advancefalse\qlpp@z}% -\def\zqlppp#1{\advancefalse\qlppp@z}% - %\check - % decalees a gauche et a droite -\def\lql#1{\kern -\qd@skip\zql{#1}\kern \qd@skip}% -\def\rql#1{\kern \qd@skip\zql{#1}\kern -\qd@skip}% - % - % croches, doubles croches, triples croches, quadruple croches queue en - % haut et en bas - % -\def\clp{\advancetrue\mclp1}\def\cup{\advancetrue\mcup1}% -\def\clpp{\advancetrue\mclpp1}\def\cupp{\advancetrue\mcupp1}% -\def\clppp{\advancetrue\mclppp1}\def\cuppp{\advancetrue\mcuppp1}% - % -\def\zclp{\advancefalse\mclp1}\def\zcup{\advancefalse\mcup1}% -\def\zclpp{\advancefalse\mclpp1}\def\zcupp{\advancefalse\mcupp1}% -\def\zclppp{\advancefalse\mclppp1}\def\zcuppp{\advancefalse\mcuppp1}% - % -\def\cu{\advancetrue\mcu1}\def\ccu{\advancetrue\mcu2} -\def\cccu{\advancetrue\mcu3}\def\ccccu{\advancetrue\mcu4}% -\def\cl{\advancetrue\mcl1}\def\ccl{\advancetrue\mcl2} -\def\cccl{\advancetrue\mcl3}\def\ccccl{\advancetrue\mcl4}% - % -\def\zcu{\advancefalse\mcu1}\def\zccu{\advancefalse\mcu2}% -\def\zcccu{\advancefalse\mcu3}\def\zccccu{\advancefalse\mcu4}% -\def\zcl{\advancefalse\mcl1}\def\zccl{\advancefalse\mcl2}% -\def\zcccl{\advancefalse\mcl3}\def\zccccl{\advancefalse\mcl4}% - % -\def\mcu#1#2{\getn@i{#2}\def\n@sym{\q@u}% -\edef\n@fon{\noexpand\mcu #1}\g@cu{#1}} -\def\mcup#1#2{\getn@i{#2}\def\n@sym{\q@up}% -\edef\n@fon{\noexpand\mcup #1}\g@cu{#1}} -\def\mcupp#1#2{\getn@i{#2}\def\n@sym{\q@upp}% -\edef\n@fon{\noexpand\mcupp #1}\g@cu{#1}} -\def\mcuppp#1#2{\getn@i{#2}\def\n@sym{\q@uppp}% -\edef\n@fon{\noexpand\mcupp #1}\g@cu{#1}} -\def\g@cu#1{\n@raiseq - \h@linesqn\global\stem@skip=\qd@skip - \def\s@tem{\d@cr#1}\pl@symssq\fi}% -\def\mcl#1#2{\getn@i{#2}\def\n@sym{\q@u}% -\edef\n@fon{\noexpand\mcl #1}\g@cl{#1}} -\def\mclp#1#2{\getn@i{#2}\def\n@sym{\q@up}% -\edef\n@fon{\noexpand\mclp #1}\g@cl{#1}} -\def\mclpp#1#2{\getn@i{#2}\def\n@sym{\q@upp}% -\edef\n@fon{\noexpand\mclpp #1}\g@cl{#1}} -\def\mclppp#1#2{\getn@i{#2}\def\n@sym{\q@uppp}% -\edef\n@fon{\noexpand\mclppp #1}\g@cl{#1}} -\def\g@cl#1{\n@raiseq - \h@linesqn\def\s@tem{\p@cr#1}\pl@symssq\fi}% - % - % ronde -\def\wh#1{\getn@i{#1}\def\n@fon{\wh}\def\n@sym{\w@h}\g@wh}% -\def\whp#1{\getn@i{#1}\def\n@fon{\whp}\def\n@sym{\w@hp}\g@wh}% -\def\whpp#1{\getn@i{#1}\def\n@fon{\whpp}\def\n@sym{\w@hpp}\g@wh}% -\def\whppp#1{\getn@i{#1}\def\n@fon{\whppp}\def\n@sym{\w@hppp}\g@wh}% -\def\g@wh{\advancetrue\g@w}% -\def\g@w{\global\n@raise=\wh@raise\ifnum\n@i<100\relax - \h@lines{\wn@width}\def\s@tem{\resetstem}\pl@symssq\fi}% - %\check -\def\zwh#1{\getn@i{#1}\def\n@fon{\wh}\def\n@sym{\w@h}\rlap{\g@wh}}% - % - % blanche sans queue isolee -\def\nh#1{\getn@i{#1}\def\n@fon{\nh}\def\n@sym{\h@a}\g@nh}% -\def\g@nh{\advancetrue\g@nhz}% -\def\g@nhz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax - \h@lines{\hn@width}\def\s@tem{\resetstem}\pl@symssq\fi}% -\def\znh#1{\getn@i{#1}\def\n@fon{\nh}\def\n@sym{\h@a}\rlap{\g@nhz}}% - % - % noiree sans queue isolee -\def\nq#1{\getn@i{#1}\def\n@fon{\nq}\def\n@sym{\q@u}\g@nq}% -\def\g@nq{\advancetrue\g@nqz}% -\def\g@nqz{\global\n@raise=\qu@raise\ifnum\n@i<100\relax - \h@lines{\hn@width}\def\s@tem{\resetstem}\pl@symssq\fi}% -\def\znq#1{\getn@i{#1}\def\n@fon{\nq}\def\n@sym{\q@u}\rlap{\g@nqz}}% - % - % blanche avec queue -\def\ha{\hu}% -\def\hu#1{\getn@i{#1}\def\n@fon{\hu}\def\n@sym{\h@a}\g@hu}% -\def\hup#1{\getn@i{#1}\def\n@fon{\hup}\def\n@sym{\h@ap}\g@hu}% -\def\hupp#1{\getn@i{#1}\def\n@fon{\hupp}\def\n@sym{\h@app}\g@hu}% -\def\huppp#1{\getn@i{#1}\def\n@fon{\huppp}\def\n@sym{\h@appp}\g@hu}% -\def\g@hu{\advancetrue\g@huz}% -\def\g@huz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax - \h@lines{\hn@width}\global\stem@skip=\hd@skip - \def\s@tem{\d@tail}\pl@symssq\fi}% - % - %\check -\def\rhu#1{\getn@i{#1}\def\n@fon{\hu}\global\n@raise=\ha@raise -\def\n@sym{\kern \hd@skip\h@a}% -\ifnum\n@i<100\relax - \kern \hd@skip - \h@lines{\hn@width}\kern -\hd@skip - \global\stem@skip=\hd@skip\def\s@tem{\d@tail}\pl@symss\fi}% - %\check - % blanche avec queue sans avance -\def\zhu#1{\getn@i{#1}\def\n@fon{\hu}\def\n@sym{\h@a}\g@zhu}% -\def\zhup#1{\getn@i{#1}\def\n@fon{\hup}\def\n@sym{\h@ap}\g@zhu}% -\def\zhupp#1{\getn@i{#1}\def\n@fon{\hupp}\def\n@sym{\h@app}\g@zhu}% -\def\zhuppp#1{\getn@i{#1}\def\n@fon{\huppp}\def\n@sym{\h@appp}\g@zhu}% -\def\g@zhu{\advancefalse\g@huz}% - %\check -\def\lhu#1{\kern -\hn@width\zhu{#1}\kern \hn@width}% - % - % - % blanches queue en bas -\def\hl#1{\getn@i{#1}\def\n@fon{\hl}\def\n@sym{\h@a}\g@hl}% -\def\hlp#1{\getn@i{#1}\def\n@fon{\hlp}\def\n@sym{\h@ap}\g@hl}% -\def\hlpp#1{\getn@i{#1}\def\n@fon{\hlpp}\def\n@sym{\h@app}\g@hl}% -\def\hlppp#1{\getn@i{#1}\def\n@fon{\hlppp}\def\n@sym{\h@appp}\g@hl}% -\def\g@hl{\advancetrue\g@hlz}% -\def\g@hlz{\global\n@raise=\ha@raise\ifnum\n@i<100\relax - \h@lines{\hn@width}\def\s@tem{\p@tail}\pl@symssq\fi}% - %\check -\def\zhl#1{\getn@i{#1}\def\n@fon{\hl}\def\n@sym{\h@a}\rlap{\g@zhl}}% -\def\zhlp#1{\getn@i{#1}\def\n@fon{\hlp}\def\n@sym{\h@ap}\rlap{\g@zhl}}% -\def\zhlpp#1{\getn@i{#1}\def\n@fon{\hlpp}\def\n@sym{\h@app}\rlap{\g@zhl}}% -\def\zhlppp#1{\getn@i{#1}\def\n@fon{\hlppp}\def\n@sym{\h@appp}\rlap{\g@zhl}}% -\def\g@zhl{\advancefalse\g@hlz}% - %\check -\def\rhl#1{\kern \hd@skip\zhl{#1}\kern -\hd@skip}% -\def\lhl#1{\kern -\hn@width\zhl{#1}\kern \hn@width}% - %\check - %**************** initialisation de poutres ****************** - % \ibu{0<numero<10}{altitude~note}{pente de -9 a +9} - % \ibl{0<numero<10}{altitude~note}{pente de -9 a +9} - % -\def\selectpoutre#1{{\n@i=#1\relax - \ifnum\n@i<0\relax\n@i=29\relax\fi - \advance\n@i by 1\relax -\xdef\b@x{\csname b@x\romannumeral\n@i\endcsname}% -\xdef\b@z{\csname b@z\romannumeral\n@i\endcsname}% -\xdef\bb@x{\csname bb@x\romannumeral\n@i\endcsname}% -\xdef\bb@z{\csname bb@z\romannumeral\n@i\endcsname}% -\xdef\bbb@x{\csname bbb@x\romannumeral\n@i\endcsname}% -\xdef\bbb@z{\csname bbb@z\romannumeral\n@i\endcsname}% -\xdef\bbbb@x{\csname bbbb@x\romannumeral\n@i\endcsname}% -\xdef\bbbb@z{\csname bbbb@z\romannumeral\n@i\endcsname}% -\xdef\bbbbb@x{\csname bbbbb@x\romannumeral\n@i\endcsname}% -\xdef\bbbbb@z{\csname bbbbb@z\romannumeral\n@i\endcsname}% -\xdef\b@n{\csname b@n\romannumeral\n@i\endcsname}% -\xdef\b@p{\csname b@p\romannumeral\n@i\endcsname}}\s@lopdefs}% - % fin selectpoutre - % -\def\ibu#1{\selectpoutre{#1}\i@bu}% -\def\i@bu#1#2{\ifnum\b@n=0\relax\else\t@bu\fi - \global\b@n=-1\relax - \global\b@x=\locx@skip - \global\advance\b@x by \qd@skip\inhgetn@i{#1}\pl@base - \global\b@z=\y@i\global\advance\b@z by\altportee\global\b@p=#2\relax - \global\advance\b@z by 4.333\interbeam}% - % -\def\ibl#1{\selectpoutre{#1}\i@bl}% -\def\i@bl#1#2{\ifnum\b@n=0\relax\else\t@bl\fi - \global\b@n=1\relax - \global\b@x=\locx@skip\inhgetn@i{#1}\pl@base - \global\b@z=\y@i\global\advance\b@z by \altportee\global\b@p=#2\relax - \global\advance\b@z by -4.333\interbeam}% - %\check -\def\ibbu#1{\selectpoutre{#1}\i@bbu}% -\def\ibbl#1{\selectpoutre{#1}\i@bbl}% -\def\i@bbu#1#2{\ifnum\b@n=0\relax\i@bu{#1}{#2}\relax\global\advance\b@z by - \interbeam\fi\n@bbu\relax}% -\def\i@bbl#1#2{\ifnum\b@n=0\relax\i@bl{#1}{#2}\relax\global\advance\b@z by - -\interbeam\fi\n@bbl\relax}% -\def\nbbu#1{\selectpoutre{#1}\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbu\fi -\fi}% -\def\nbbl#1{\selectpoutre{#1}\ifnum\b@n>-2\relax\ifnum\b@n<2\relax\n@bbl\fi -\fi}% -\def\n@bbu{\gl@au{\b@n}\global\bb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam - \else \global\advance\bb@z by \interbeam - \fi - {\advance\locx@skip by \qd@skip \global\bb@x=\locx@skip - \advance\locx@skip by -\b@x - \global\advance\bb@z by \s@lope\locx@skip }}% - % -\def\n@bbl{\gl@au{\b@n}\global\bb@x=\locx@skip - \global\advance\bb@x by \lthick - \global\bb@z=\b@z\ifnum\b@n<0\relax\global\advance\bb@z by -\interbeam - \else \global\advance\bb@z by \interbeam \fi - {\advance\locx@skip by -\b@x -\global\advance\bb@z by \s@lope\locx@skip }}% - %\check -\def\ibbbu#1{\selectpoutre{#1}\i@bbbu}% -\def\ibbbl#1{\selectpoutre{#1}\i@bbbl}% -\def\i@bbbu#1#2{\ifnum\b@n=0\relax\i@bbu{#1}{#2}% -\global\advance\b@z by \interbeam -\global\advance\bb@z by \interbeam -\fi\n@bbbu}% -\def\i@bbbl#1#2{\ifnum\b@n=0\relax\i@bbl{#1}{#2}% -\global\advance\b@z by -\interbeam -\global\advance\bb@z by -\interbeam -\fi\n@bbbl}% -\def\nbbbu#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n -=1\relax\n@bbu\fi - \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi -}% -\def\nbbbl#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n -=1\relax\n@bbl\fi - \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi -}% -\def\n@bbbu{\gl@au{\b@n}\global\bbb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bbb@z by -2\interbeam - \else \global\advance\bbb@z by 2\interbeam - \fi - {\advance\locx@skip by \qd@skip\global\bbb@x=\locx@skip - \advance\locx@skip by -\b@x - \global\advance\bbb@z by \s@lope\locx@skip }}% - % -\def\n@bbbl{\gl@au{\b@n}\global\bbb@x=\locx@skip - \global\advance\bbb@x by \lthick - \global\bbb@z=\b@z\ifnum\b@n<0\relax\global\advance\bbb@z by - -2\interbeam - \else \global\advance\bbb@z by 2\interbeam - \fi - {\advance\locx@skip by -\b@x\global\advance\bbb@z by \s@lope\locx@skip }}% - %\check - % -\def\ibbbbu#1{\selectpoutre{#1}\i@bbbbu}% -\def\ibbbbl#1{\selectpoutre{#1}\i@bbbbl}% -\def\i@bbbbu#1#2{\ifnum\b@n=0\relax\i@bbbu{#1}{#2}% -\global\advance\b@z by \interbeam -\global\advance\bb@z by \interbeam -\global\advance\bbb@z by \interbeam -\fi\n@bbbbu}% -\def\i@bbbbl#1#2{\ifnum\b@n=0\relax\i@bbbl{#1}{#2}% -\global\advance\b@z by -\interbeam -\global\advance\bb@z by -\interbeam -\global\advance\bbb@z by -\interbeam -\fi\n@bbbbl}% -\def\nbbbbu#1{\selectpoutre{#1}% - \ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n=1\relax\n@bbu\fi - \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi - \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi -}% -\def\nbbbbl#1{\selectpoutre{#1}% - \ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n=1\relax\n@bbl\fi - \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi - \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbbl\fi -}% -\def\n@bbbbu{\gl@au{\b@n}\global\bbbb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam - \else \global\advance\bbbb@z by 3\interbeam - \fi - {\advance\locx@skip by \qd@skip \global\bbbb@x=\locx@skip - \advance\locx@skip by -\b@x - \global\advance\bbbb@z by \s@lope\locx@skip }}% - % -\def\n@bbbbl{\gl@au{\b@n}{\advance\locx@skip by \lthick - \global\bbbb@x=\locx@skip}\global\bbbb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bbbb@z by -3\interbeam - \else \global\advance\bbbb@z by 3\interbeam - \fi - {\advance\locx@skip by -\b@x\global\advance\bbbb@z by \s@lope\locx@skip }}% - %\check - % - % -\def\ibbbbbu#1{\selectpoutre{#1}\i@bbbbbu}% -\def\ibbbbbl#1{\selectpoutre{#1}\i@bbbbbl}% -\def\i@bbbbbu#1#2{\ifnum\b@n=0\relax\i@bbbbu{#1}{#2}% -\global\advance\b@z by \interbeam -\global\advance\bb@z by \interbeam -\global\advance\bbb@z by \interbeam -\global\advance\bbbb@z by \interbeam -\fi\n@bbbbbu}% -\def\i@bbbbbl#1#2{\ifnum\b@n=0\relax\i@bbbbl{#1}{#2}% -\global\advance\b@z by -\interbeam -\global\advance\bb@z by -\interbeam -\global\advance\bbb@z by -\interbeam -\global\advance\bbbb@z by -\interbeam -\fi\n@bbbbbl}% -\def\nbbbbbu#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbu\fi\ifnum\b@n -=1\relax\n@bbu\fi - \ifnum\b@n=-2\relax\n@bbbu\fi\ifnum\b@n=2\relax\n@bbbu\fi - \ifnum\b@n=-3\relax\n@bbbbu\fi\ifnum\b@n=3\relax\n@bbbbu\fi - \ifnum\b@n=-4\relax\n@bbbbbu\fi\ifnum\b@n=4\relax\n@bbbbbu\fi -}% -\def\nbbbbbl#1{\selectpoutre{#1}\ifnum\b@n=-1\relax\n@bbl\fi\ifnum\b@n -=1\relax\n@bbl\fi - \ifnum\b@n=-2\relax\n@bbbl\fi\ifnum\b@n=2\relax\n@bbbl\fi - \ifnum\b@n=-3\relax\n@bbbbl\fi\ifnum\b@n=3\relax\n@bbbbl\fi - \ifnum\b@n=-4\relax\n@bbbbbl\fi\ifnum\b@n=4\relax\n@bbbbbl\fi -}% -\def\n@bbbbbu{\gl@au{\b@n}\global\bbbbb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bbbbb@z by -4\interbeam - \else \global\advance\bbbbb@z by 4\interbeam - \fi - {\advance\locx@skip by \qd@skip \global\bbbbb@x=\locx@skip - \advance\locx@skip by -\b@x - \global\advance\bbbbb@z by \s@lope\locx@skip }}% - % -\def\n@bbbbbl{\gl@au{\b@n}{\advance\locx@skip by \lthick - \global\bbbbb@x=\locx@skip}\global\bbbbb@z=\b@z - \ifnum\b@n<0\relax\global\advance\bbbbb@z by -4\interbeam - \else \global\advance\bbbbb@z by 4\interbeam - \fi - {\advance\locx@skip by -\b@x\global\advance\bbbbb@z by \s@lope\locx@skip }}% - %\check - % - % terminaison de toutes les poutres en suspens - % - %***** terminer une poutre superieure **************** - %\check - % -\def\tbu#1{\selectpoutre{#1}\t@bu}% -\def\tqh#1{\selectpoutre{#1}\t@qh}% -\def\tbbu#1{\selectpoutre{#1}\t@bbu}% -\def\tbbbu#1{\selectpoutre{#1}\t@bbbu}% -\def\tbbbbu#1{\selectpoutre{#1}\t@bbbbu}% -\def\tbbbbbu#1{\selectpoutre{#1}\t@bbbbbu}% - %\check -\def\t@qh{\t@bu\qh@}% -\def\t@bu{\ifnum\b@n<-1\relax\t@bbu\fi -\ifnum\b@n>1\relax\t@bbu\fi -\y@i=\b@z -\advance\y@i by -\altportee -\y@ii=\locx@skip -\advance\y@ii by \qn@width -\advance\y@ii by -\b@x -\llap{\p@outre\hskip -\qn@width}% -\global\b@n=0\relax}% - % - %\check -\def\t@bbu{\ifnum\b@n<-2\relax\t@bbbu\fi - \ifnum\b@n>2\relax\t@bbbu\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi -\y@i=\bb@z\y@ii=-\bb@x\t@xbu}% - %\check -\def\t@xbu{\advance\y@i by -\altportee -\advance\y@ii by \locx@skip \advance\y@ii by \qn@width -\llap{\p@outre\hskip -\qn@width}% -\ifnum\b@n>0\relax -\advance\y@i by \s@lope\y@ii\raise\y@i\rlap{\kern\qn@width -\kern -\lthick\vrule height \z@ depth 1.8\internote width \lthick}\fi -\gl@de{\b@n}}% - %\check -\def\t@bbbu{\ifnum\b@n<-3\relax\t@bbbbu\fi - \ifnum\b@n>3\relax\t@bbbbu\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi -\y@i=\bbb@z\y@ii=-\bbb@x\t@xbu}% - % - %\check -\def\t@bbbbu{\ifnum\b@n<-4\relax\t@bbbbbu\fi - \ifnum\b@n>4\relax\t@bbbbbu\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi -\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbu}\fi -\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbu}\fi -\y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbu}% - %\check -\def\t@bbbbbu{\ifnum\b@n<-5\relax\showthe\b@n\global\b@n=-5\relax\fi -\ifnum\b@n>5\relax\showthe\b@n\global\b@n=5\relax\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbu}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbu}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbu}\fi -\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbu}\fi -\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbu}\fi -\ifnum\b@n=4\relax{\adv@locx@mqn\n@bbbbbu}\fi -\ifnum\b@n=-4\relax{\adv@locx@mqn\n@bbbbbu}\fi -\y@i=\bbbbb@z\y@ii=-\bbbbb@x\t@xbu}% - %***** terminer une poutre inferieure**************** -\def\tbl#1{\selectpoutre{#1}\t@bl}% -\def\tqb#1{\selectpoutre{#1}\t@qb}% -\def\tbbl#1{\selectpoutre{#1}\t@bbl}% -\def\tbbbl#1{\selectpoutre{#1}\t@bbbl}% -\def\tbbbbl#1{\selectpoutre{#1}\t@bbbbl}% -\def\tbbbbbl#1{\selectpoutre{#1}\t@bbbbbl}% - % provisoire -\def\t@qb{\t@bl\qb@}% -\def\t@bl{\relax -\ifnum\b@n<-1\relax\t@bbl\fi -\ifnum\b@n>1\relax\t@bbl\fi -\y@i=\b@z -\advance\y@i by -\altportee -\y@ii=\locx@skip -\advance\y@ii by \lthick -\advance\y@ii by -\b@x -\kern\lthick\llap{\p@outre}\kern -\lthick -\global\b@n=0\relax}% - %\check - % -\def\t@bbl{\relax -\ifnum\b@n<-2\relax\t@bbbl\fi -\ifnum\b@n>2\relax\t@bbbl\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi -\y@i=\bb@z\y@ii=-\bb@x\t@xbl}% - % -\def\t@xbl{\advance\y@i by -\altportee -\advance\y@ii by \locx@skip -\advance\y@ii by \lthick -\kern\lthick\llap{\p@outre}\kern-\lthick -\ifnum\b@n<0\relax\advance\y@i by \s@lope\y@ii -\raise\y@i\rlap{\vrule height \interbeam width \lthick}\fi -\gl@de{\b@n}}% - %\check -\def\t@bbbl{\ifnum\b@n<-3\relax\t@bbbbl\fi - \ifnum\b@n>3\relax\t@bbbbl\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi -\y@i=\bbb@z\y@ii=-\bbb@x\t@xbl}% - %\check -\def\t@bbbbl{\ifnum\b@n<-4\relax\t@bbbbbl\fi - \ifnum\b@n>4\relax\t@bbbbbl\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi -\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbl}\fi -\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbl}\fi -\y@i=\bbbb@z\y@ii=-\bbbb@x\t@xbl}% - %\check -\def\t@bbbbbl{\relax -\ifnum\b@n<-5\relax\showthe\b@n\global\b@n=-5\relax\fi -\ifnum\b@n>5\relax\showthe\b@n\global\b@n=5\relax\fi -\ifnum\b@n=1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=-1\relax{\adv@locx@mqn\n@bbl}\fi -\ifnum\b@n=2\relax{\adv@locx@mqn\n@bbbl}\fi -\ifnum\b@n=-2\relax{\adv@locx@mqn\n@bbbl}\fi -\ifnum\b@n=3\relax{\adv@locx@mqn\n@bbbbl}\fi -\ifnum\b@n=-3\relax{\adv@locx@mqn\n@bbbbl}\fi -\ifnum\b@n=4\relax{\adv@locx@mqn\n@bbbbbl}\fi -\ifnum\b@n=-4\relax{\adv@locx@mqn\n@bbbbbl}\fi -\y@i=\bbbbb@z\y@ii=-\bbbbb@x\t@xbl}% - %******************** notes accrchees aux poutres - % ************************************ - % -\def\zqh#1{\selectpoutre{#1}\advancefalse\qh@}% -\def\zqb#1{\selectpoutre{#1}\advancefalse\qb@}% -\def\zqhp#1{\selectpoutre{#1}\advancefalse\qhp@}% -\def\zqbp#1{\selectpoutre{#1}\advancefalse\qbp@}% -\def\zqhpp#1{\selectpoutre{#1}\advancefalse\qhpp@}% -\def\zqbpp#1{\selectpoutre{#1}\advancefalse\qbpp@}% - % -\def\qh#1{\selectpoutre{#1}\qh@}% -\def\hh#1{\selectpoutre{#1}\hh@}% -\def\qhp#1{\selectpoutre{#1}\qhp@}% -\def\qhpp#1{\selectpoutre{#1}\qhpp@}% -\def\qhppp#1{\selectpoutre{#1}\qhppp@}% -\def\qh@#1{\getn@i{#1}\def\n@fon{\qh@}\def\n@sym{\q@u}\g@qh@}% % position -\def\hh@#1{\getn@i{#1}\def\n@fon{\hh@}\def\n@sym{\h@a}\g@qh@}% % position -\def\qhp@#1{\getn@i{#1}\def\n@fon{\qhp@}\def\n@sym{\q@up}\g@qh@}% % position -\def\qhpp@#1{\getn@i{#1}\def\n@fon{\qhpp@}\def\n@sym{\q@upp}\g@qh@}% % position -\def\qhppp@#1{\getn@i{#1}\def\n@fon{\qhppp@}\def\n@sym{\q@uppp}\g@qh@}% % - % position -\def\qb#1{\selectpoutre{#1}\qb@}% -\def\hb#1{\selectpoutre{#1}\hb@}% -\def\qbp#1{\selectpoutre{#1}\qbp@}% -\def\qbpp#1{\selectpoutre{#1}\qbpp@}% -\def\qbppp#1{\selectpoutre{#1}\qbppp@}% -\def\qb@#1{\getn@i{#1}\def\n@fon{\qb@}\def\n@sym{\q@u}\g@qb@} % #1 position -\def\hb@#1{\getn@i{#1}\def\n@fon{\hb@}\def\n@sym{\h@a}\g@qb@} % #1 position -\def\qbp@#1{\getn@i{#1}\def\n@fon{\qbp@}\def\n@sym{\q@up}\g@qb@} % #1 position -\def\qbpp@#1{\getn@i{#1}\def\n@fon{\qbpp@}\def\n@sym{\q@upp}\g@qb@} % #1 - % position -\def\qbppp@#1{\getn@i{#1}\def\n@fon{\qbppp@}\def\n@sym{\q@uppp}\g@qb@} % #1 - % position -\def\g@qb@{\n@raiseq - \global\stem@skip=\z@\def\s@tem{\d@balk}\g@qbh@\fi}% - % -\def\g@qh@{\n@raiseq - \global\stem@skip=\qd@skip\def\s@tem{\d@balk}\g@qbh@\fi}% - % -\def\g@qbh@{\h@linesqn\pl@symssq}% - % -\def\pl@symss{\pl@noteq\raise@note{\n@sym\hss}\ss@uite}% -\def\pl@symssq{\ifadvance\pl@symss\else\plap@symss\fi\advancetrue}% - % -\def\rlap@symss{\raise\y@i\rlap{\n@sym}\ss@uite}% -\def\plap@symss{\pl@noteq\rlap@symss}% - % -\def\d@balk{% % queue de note vers une poutre -\y@ii=\b@z % a augmenter avec la pente -\y@v=\locx@skip\advance\y@v by \stem@skip\advance\y@v by -\b@x -\advance\y@ii by \s@lope\y@v -\ifdim\y@ii>\st@top % la poutre est au-dessus - \ifnum\b@n>0\relax\advance\y@ii by \b@n\interbeam - \advance\y@ii by -\interbeam - \fi\global\st@top=\y@ii % a mettre a jour avec la pente ulterieurement -\else - \ifdim\y@ii<\st@bot - \ifnum\b@n<0\relax\advance\y@ii by \b@n\interbeam - \advance\y@ii by \interbeam - \fi\global\st@bot=\y@ii -\fi\fi\pd@tail}% - % - %*********************************** notes sans avancement (accords) -\def\zha#1{{\noteskip=\z@\ha{#1}}}% - % -\def\charnote{\xcharnote{\noteskip}}% -\let\hcharnote\charnote -\def\zcharnote{\xcharnote{\z@}}% - -\def\zchar#1#2{\raise#1\internote\rlap{#2}} -\def\lchar#1#2{\raise#1\internote\llap{#2}} -\def\cchar#1#2{\raise#1\internote\lrlap{#2}} -\let\hchar\zchar - - %\check - % - %************************* liaisons horizontales ************************** - % Tie Fixes. - % I have rewritten several tie macros to eliminate those annoying gaps which - % often appear. The new macros cause ties to be extended with leader, rather - % than lines whose length has to be guessed. TeX cannot make multiple - % horizontal lines with \leaders, so instead I use an \hbox containing - % several short fragments of lines. Each line fragment is of length - % \tenboxwidth, which is initially .75pt. - % In order for the new ties to work properly, every horizontal space must be - % recorded. I have had to amend some macros so that they record the space - % which they produce. - % -\newbox\@tenubox \newskip\@tenuskip \newdimen\tenboxwidth \tenboxwidth.75pt - % - % -macros to maintain a box of tie extenders which is used in the leaders -\global\setbox\@tenubox\hbox{\kern\tenboxwidth} -\def\@uptenubox{\global\setbox\@tenubox - \hbox{\kern\tenboxwidth}\ten@loop - \ifnum\t@s=0\relax\else\up@tenbox\fi - \global\advance\n@l by 1\relax\repeat}% -\def\up@tenbox{\y@ii\t@z\advance\y@ii by \t@y - \global\setbox\@tenubox\hbox{\unhbox\@tenubox - \kern-\tenboxwidth\vrule width\tenboxwidth height\y@ii depth-\t@z}} - % - % -This macro makes the leaders. #1 is the amount of skip. It is extended - % by \tenboxwidth on each side in order to get the lines to join up. -\def\@tenleader#1{\@tenuskip=#1\advance\@tenuskip by2\tenboxwidth\relax -\nobreak\kern-\tenboxwidth\nobreak\cleaders\copy\@tenubox\hskip\@tenuskip -\kern-\tenboxwidth\nobreak} - % -\def\selecttenue#1{{\n@i=#1\relax -\ifnum\n@i<0\relax\n@i=29\fi - \advance\n@i by 1\relax -\xdef\t@x{\csname t@x\romannumeral\n@i\endcsname}% -\xdef\t@z{\csname t@z\romannumeral\n@i\endcsname}% -\xdef\t@p{\csname t@p\romannumeral\n@i\endcsname}% -\xdef\t@s{\csname t@s\romannumeral\n@i\endcsname}% -\xdef\t@w{\csname t@w\romannumeral\n@i\endcsname}}% -\ifnum\t@w=0\relax - \global\t@y=1.2\p@ -\else - \global\t@y= 0.2\Interligne -\fi -}% fin selecttenue - % - %\check - % mise a jour marge inferieure et correction d'altitude de tenues - % -\newdimen\bottom@adv -\def\advancebottom#1{\global\bottom@adv=#1\relax}% -\def\adv@bottom{\global\advance\staffbotmarg by \bottom@adv - \ten@loop \global\advance\t@z by \bottom@adv\relax - \global\advance\n@l by 1\relax - \repeat \@uptenubox - \global\bottom@adv=\z@}% - % - %\check - % -\def\lu@slur{\cmex\char"7A}\def\ru@slur{\cmex\char"7B}% -\def\ll@slur{\cmex\char"7C}\def\rl@slur{\cmex\char"7D}% -\setbox\n@otebox=\hbox{\lu@slur}\brace@w=\wd\n@otebox - % -\def\leg@hrule{\leaders\hrule height \t@y\hfill}% - % - % complete slur of length #1 (up and down) -\def\up@leg{% longueur y@ii -\hbox to \y@ii{\lu@slur\ifdim \y@ii>2\brace@w\leg@hrule -\else\hss\fi\ru@slur}}% - % -\def\lo@leg{% longueur y@ii -\hbox to \y@ii{\ll@slur\ifdim \y@ii>2\brace@w\leg@hrule -\else\hss\fi\rl@slur}}% - % - % slur termination of length #1 (up and down) -\def\up@rleg{% longueur y@ii -\hbox to \y@ii{\ifdim \y@ii>\brace@w\leg@hrule -\else\hss\fi\ru@slur}}% - % -\def\lo@rleg{% longueur y@ii -\hbox to \y@ii{\ifdim \y@ii>\brace@w\leg@hrule -\else\hss\fi\rl@slur}}% - %\check - % - % slur beginning (left) (up and down) -\def\up@les{% longueur y@ii -\hbox to \y@ii{\lu@slur\ifdim \y@ii>\brace@w\leg@hrule -\else\hss\fi}}% - % -\def\lo@les{% longueur y@ii -\hbox to \y@ii{\ll@slur\ifdim \y@ii>\brace@w\leg@hrule -\else\hss\fi}}% - %\check - % - % noter un debut de tenue - % -\def\itenu#1{\selecttenue{#1}\i@tenu}% - % \rtenu starts a 'tenuto' one note head on the right -\def\rtenu#1#2{\selecttenue{#1}\i@tenu{#2}\global\advance\t@x by \wn@width}% - % -\def\check@tenvoid{\ifnum\t@s=0\relax\else\errmessage{Attemt to re-open an -opened slur/tie}\fi} -\def\check@tenopen{\ifnum\t@s=0\errmessage{Attemt to close an -unopened slur/tie}\fi} - % -\def\i@tenu#1{\check@tenvoid\global\t@p=1\relax % sens=1 - \global\t@s=1\relax % etat en cours - \global\t@x=\locx@skip - \global\advance\t@x by \qd@skip - \inhgetn@i{#1}\pl@base\global\t@z=\y@i\global\advance\t@z by\altportee - \global\advance\t@z by 3.7\p@ - \global\t@y=1.2\p@ - \global\t@w=0\relax - \up@tenbox}% - % -\def\itenl#1{\selecttenue{#1}\i@tenl}% -\def\minternote{-\internote}% - % \rtenl starts a 'tenuto' one note head on the right -\def\rtenl#1#2{\selecttenue{#1}\i@tenl{#2}\global\advance\t@x by \wn@width}% -\def\i@tenl#1{\check@tenvoid\global\t@p=-1\relax % sens= -1 - \global\t@s=1\relax % actif - \global\t@x=\locx@skip - \global\advance\t@x by \qd@skip - \inhgetn@i{#1}\pl@base\global\t@z=\y@i\global\advance\t@z by \altportee - \global\advance\t@z by -4.5\p@\relax - \global\t@y=1.2\p@ - \global\t@w=0\relax - \up@tenbox}% - %\check -\def\tten#1{\selecttenue{#1}\t@ten}% -\def\tleg#1{\selecttenue{#1}\check@tenopen{\advance\locx@skip by - 1.5\qn@width\kern 1.5\qn@width\t@ten\kern -1.5\qn@width}}% - -\def\liftslur#1{\selecttenue{#1}\l@iftslur}% -\def\l@iftslur#1{\global\advance\t@z by #1\relax}% - % - %\check - % - %********************** ponctuations speciales **************************** - % -\def\breath{\raise 3\Interligne\hbox{\enorme'}}% -\def\zbreath{\raise 3\Interligne\rlap{\enorme'}}% -\def\cbreath{\charnote0{\raise 3\Interligne - \hbox to \noteskip{\hss\enorme'\hss}}}% -\def\uptext#1{\resetstem\raise 5\Interligne\rlap{#1}}% -\def\Uptext#1{\resetstem\raise 7\Interligne\rlap{#1}}% -\def\text@sp{\vrule width \z@ height 8.5\p@ depth 3.5\p@} -\def\f{{\ppff {f}}} -\def\ff{{\ppff {f}\kern -0.1ex{f}}} -\def\fff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}}} -\def\ffff{{\ppff {f}\kern -0.1ex{f}\kern -0.1ex{f}\kern -0.1ex{f}}} -\def\m@idcomp{\y@v=\interportee\advance\y@v by 4\Interligne\divide\y@v by - %%\def\m@idcomp{\y@v=\Interportee\divide\y@v by - 2\relax -\raise\y@v\vbox to \z@}% - % -\def\midtwotext#1{{\m@idcomp -{\vss\hbox to \noteskip{\hss\text@sp #1\hss}\vss}}}% -\def\rmidtwotext#1{{\m@idcomp -{\vss\hbox to \noteskip{\text@sp #1\hss}\vss}}}% -\def\zmidtwotext#1{{\m@idcomp -{\vss\rlap{\text@sp #1}\vss}}}% -\def\lmidtwotext#1{{\m@idcomp -{\vss\hbox to \noteskip{\hss\text@sp #1}\vss}}}% - %\check -\def\metron#1#2{{\shortstems\noteskip 10\p@ #1 1\ = #2}}% - %\check - % - %************************************************************************** - % definition standard, modifiables par l'usager - %************************************************************************** - % -\def\resetfacteurs{\stafftopmarg=\z@\staffbotmarg=\z@\nullthick=8\Internote - % -\def\stafflinesnbi{5}% -\def\stafflinesnbii{5}% -\def\stafflinesnbiii{5}% -\def\stafflinesnbiv{5}% -\def\stafflinesnbv{5}% -\def\stafflinesnbvi{5}% - % -\def\clefduti{\clefdutsymbol}% -\def\clefdutii{\clefdutsymbol}% -\def\clefdutiii{\clefdutsymbol}% -\def\clefdutiv{\clefdutsymbol}% -\def\clefdutv{\clefdutsymbol}% -\def\clefdutvi{\clefdutsymbol}% - % -\def\clefdefai{\clefdefasymbol}% -\def\clefdefaii{\clefdefasymbol}% -\def\clefdefaiii{\clefdefasymbol}% -\def\clefdefaiv{\clefdefasymbol}% -\def\clefdefav{\clefdefasymbol}% -\def\clefdefavi{\clefdefasymbol}% - % -\def\clefdesoli{\clefdesolsymbol}% -\def\clefdesolii{\clefdesolsymbol}% -\def\clefdesoliii{\clefdesolsymbol}% -\def\clefdesoliv{\clefdesolsymbol}% -\def\clefdesolv{\clefdesolsymbol}% -\def\clefdesolvi{\clefdesolsymbol}% - % -\def\interfacteur{9}% -\def\bottomfacteur{3}% -\def\topfacteur{3}% -\elemskip=4\Internote -\def\gluemaxskip{0.1\line@width}% -\zglueskip=0pt plus \gluemaxskip minus .5pt% -\tempsskip=2pt plus \gluemaxskip minus 2pt -}% -\resetfacteurs - %\check -\def\normal{\ifdim\Interligne<\p@\computewidths\fi -\def\scalenoteskip{1.0}\elemskip=4\Internote -\def\notes{\vnotes 1.0\elemskip }% double croches -\def\Notes{\vnotes 1.4\elemskip }% croches -\def\NOtes{\vnotes 2.0\elemskip }% croches pointees -\def\NOTes{\vnotes 2.8\elemskip }% noires -\def\NOTEs{\vnotes 4.0\elemskip }% -\def\NOTES{\vnotes 5.6\elemskip }% -}% - % -\ifx\large\undefined - \def\large{\normal\elemskip=4.8\Internote}\fi - % -\def\etroit{\normal -\def\Notes{\vnotes 1.3\elemskip }% croches -\def\NOtes{\vnotes 1.8\elemskip }% croches pointees -\def\NOTes{\vnotes 2.6\elemskip }% noires -\def\NOTEs{\vnotes 3.6\elemskip }% -\def\NOTES{\vnotes 5.2\elemskip }% -}% - %\check -\def\testseq{}% -\def\nspace{\vnotes 0.2\elemskip\sk\enotes}% - % - %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -\def\barfill{\leaders\hbox{ --}\hfill}% -\def\octnvrule{\vrule width \z@ height 3\p@ depth 3\p@}% -\def\octvrule{\vrule width \lthick height 3\p@ depth 3\p@}% -\def\octsup#1#2{\zcharnote{#1}{\hbox to #2\noteskip -{\llap{\rm 8}\barfill\octnvrule}}}% -\def\Octsup#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill\octnvrule}}}% - %\check -\def\octfin#1#2{\zcharnote{#1}{\hbox to #2\noteskip{\llap{\rm 8}\barfill ---\octvrule}}}% -\def\Octfin#1#2{\zcharnote{#1}{\hbox to #2{\rm 8\barfill ---\octvrule}}}% -\def\octline#1{\zcharnote{#1}{\hbox to \line@width{\llap{\rm 8}\barfill -\octnvrule\hskip 12\Internote}}}% -\def\Octline#1{\zcharnote{#1}{\hbox to \line@width{\rm 8\barfill -\octnvrule\hskip 8\Internote}}}% - %\check -\def\xtuplet#1#2{\global\n@l=#1\relax\global\advance\n@l by -1\relax -{\divide\noteskip by \n@l\relax\zcharnote{#2}{\kern\n@l\noteskip - \hbox to\z@{\hss\it #1\hss}}}}% -\def\triolet{\xtuplet3}% - %\check - \let\thelyrics\empty -\def\hardlyrics#1\notes{\let\save@noteskip\noteskip - \def\noteskip{\z@\relax\errmessage{You cannot use \noexpand\noteskip - in \noexpand\hardlyrics's 1st argument!}}% -\def\thelyrics{\hbox{#1}}% -\wd\ch@box\z@ \setbox\ch@box\thelyrics \let\noteskip\save@noteskip - \noteskip\wd\ch@box \n@otes} - %\check - - -%\def\setsongraise#1#2{\n@v#1\relax % select instrument -% \expandafter\def\csname T@R\romannumeral\n@v\endcsname{#2}} -\def\setsongraise#1#2{\noinstrument#1\relax % select instrument - \expandafter\def\csname T@R\romannumeral\noinstrument\endcsname{#2}} - -\let\T@Ri\z@ -\let\T@Rii\z@ -\let\T@Riii\z@ -\let\T@Riv\z@ -\let\T@Rv\z@ -\let\T@Rvi\z@ - -\def\zsong{\let\@Ti\rlap \C@t} -\def\lsong{\let\@Ti\llap \C@t} -\def\csong{\let\@Ti\lrlap \C@t} -\def\hsong{\let\@Ti\hard@box \C@t} -\def\dhsong{\let\@Ti\dhard@box \C@t} -\def\thsong{\let\@Ti\thard@box \C@t} - -\def\C@t#1{\C@tx{\@Ti{\strut#1}\vss}} -\def\lrlap#1{\rlap{\hss#1}} -\def\hard@box#1{\rlap{\hbox to\noteskip{#1\hfil}}} -\def\dhard@box#1{\rlap{\hbox to 2\noteskip{#1\hfil}}} -\def\thard@box#1{\rlap{\hbox to 3\noteskip{#1\hfil}}} - -\def\C@tx{\edef\savenu@iv{\the\y@iv}% - \ifnum\noinstrument= 1 \y@iv\staffbotmarg - \else - \advance\noinstrument -1\relax - \y@iv\csname interinstrument\romannumeral\noinstrument\endcsname - \C@Inter \advance\y@iv\stem@skip \divide\y@iv 2 - \advance\noinstrument 1 - \fi - \advance\y@iv-\csname T@R\romannumeral\noinstrument\endcsname -%% \advance\noinstrument 1 \fi - \edef\lower@dim{\the\y@iv}\relax \y@iv\savenu@iv\relax - \lower\lower@dim\uplap} - -\def\C@Inter{\stem@skip\interportee \advance\stem@skip-8\internote - \ifnum\stafflinesnb=4 \advance\stem@skip 2\internote \fi - \ifnum\stafflinesnb=6 \advance\stem@skip-2\internote \fi} - - - % -\let\wlog=\@plainwlog - % -\def\interfacteur{1}% -\csname musicnorfont\endcsname -\def\nbinstruments{\maxinstruments}\savemeter -\csname normalnotesize\endcsname -\normal % to get \notes correctly defined -\resetfacteurs -\def\nbinstruments{0}% - % -\def\magstep#1{\ifcase#1 \@m\or 1200\or 1440\or 1728\or 2074\or - 2488\or 2986\or 3583\or 4300\or 5160\fi\relax} - % - -\def\endcatcodesmusic{\catcode`\&=\catcode@and -\catcode`\|=\catcode@vert -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\!=\catcode@excl -\catcode`\*=\catcode@star -\catcode`\:=\catcode@sc -\catcode`\.=\catcode@pt -\catcodesmusicfalse} - -\endcatcodesmusic - -\catcode`\@=\catcodeat -\def\musictexactive{\relax} -\endinput - diff --git a/Master/texmf-dist/tex/generic/musictex/musictrp.tex b/Master/texmf-dist/tex/generic/musictex/musictrp.tex deleted file mode 100644 index 31c952ef87d..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musictrp.tex +++ /dev/null @@ -1,175 +0,0 @@ - -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 -\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12 -\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12 -% -\def\Na#1{\ifdim\small@test\bigNa{#1}\else\smallNa{#1}\fi}% -\def\Fl#1{\ifdim\small@test\bigFl{#1}\else\smallFl{#1}\fi}% -\def\Sh#1{\ifdim\small@test\bigSh{#1}\else\smallSh{#1}\fi}% -\def\dFl#1{\ifdim\small@test\bigdFl{#1}\else\smalldFl{#1}\fi}% -\def\dSh#1{\ifdim\small@test\bigdSh{#1}\else\smalldSh{#1}\fi}% -% -\def\cNa{\cautionacctrue\smallNa} -\def\cFl{\cautionacctrue\smallFl} -\def\cSh{\cautionacctrue\smallSh} -\def\cdFl{\cautionacctrue\smalldFl} -\def\cdSh{\cautionacctrue\smalldSh} -% -\def\lNa#1{\k@meiqdskip\bigNa{#1}\k@eiqdskip}% -\def\lFl#1{\k@meiqdskip\bigFl{#1}\k@eiqdskip}% -\def\lSh#1{\k@meiqdskip\bigSh{#1}\k@eiqdskip}% -\def\ldFl#1{\k@meiqdskip\bigdFl{#1}\k@eiqdskip}% -\def\ldSh#1{\k@meiqdskip\bigdSh{#1}\k@eiqdskip}% -% -%\check -% -\def\sign@diff{\global\n@iii=\n@i - \global\advance\n@iii by -\ut@ref\relax - \global\advance\n@iii by -\ut@ref\relax - \loop\ifnum\n@iii>6\relax \global\advance\n@iii by -7\relax\repeat - \loop\ifnum\n@iii<0\relax \global\advance\n@iii by 7\relax\repeat - \n@ii=999\relax - \ifcase\n@iii\relax\n@ii=6\relax % mi - \or\n@ii=1\relax % fa - \or\n@ii=3\relax % sol - \or\n@ii=5\relax % la - \or\n@ii=7\relax % si - \or\n@ii=2\relax % do - \or\n@ii=4\relax % re - \fi % \n@ii positive signature limit - % \n@ii-8 negative signature limit - \advance\n@ii by -\sign - \advance\n@ii by 6 - \divide\n@ii by 7\relax -} -% -\def\bigdFl#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\f@lat}\relax - \or \global\n@raise=\fl@raise\pl@llap{\df@lat}\relax - \else \message{Impossible to double flatten the note ! - \noexpand\Fl #1 }\showthe\n@ii - \fi -}% -%\check -% -\def\bigFl#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\na@raise\pl@llap{\n@at}\relax - \or \global\n@raise=\fl@raise\pl@llap{\f@lat}\relax - \or \global\n@raise=\fl@raise\pl@llap{\df@lat}\relax - \else \message{Impossible to flatten the note ! - \noexpand\Fl #1 }\showthe\n@ii - \fi -}% -%\check -\def\bigNa#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\s@harp}\relax - \or \global\n@raise=\na@raise\pl@llap{\n@at}\relax - \or \global\n@raise=\fl@raise\pl@llap{\f@lat}\relax - \else \message{Impossible to reset natural the note ! - \noexpand\Na #1 }\showthe\n@ii - \fi -}% -\def\bigSh#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\z@\pl@llap{\ds@harp}\relax - \or \global\n@raise=\sh@raise\pl@llap{\s@harp}\relax - \or \global\n@raise=\na@raise\pl@llap{\n@at}\relax - \else \message{Impossible to sharpen the note ! - \noexpand\Sh #1 }\showthe\n@ii - \fi -}% -\def\bigdSh#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\message{Impossible to double sharpen the note ! - \noexpand\dSh #1 }\showthe\n@ii - \or \global\n@raise=\z@\pl@llap{\ds@harp}\relax - \or \global\n@raise=\sh@raise\pl@llap{\s@harp}\relax - \else \message{Impossible to double sharpen the note ! - \noexpand\dSh #1 }\showthe\n@ii - \fi -}% -% -\def\smalldFl#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax - \or \global\n@raise=\fl@raise\pl@llap{\smalldf@lat}\relax - \else \message{Impossible to double flatten the note ! - \noexpand\Fl #1 }\showthe\n@ii - \fi -}% -%\check -% -\def\smallFl#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\na@raise\pl@llap{\smalln@at}\relax - \or \global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax - \or \global\n@raise=\fl@raise\pl@llap{\smalldf@lat}\relax - \else \message{Impossible to flatten the note ! - \noexpand\Fl #1 }\showthe\n@ii - \fi -}% -%\check -\def\smallNa#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax - \or \global\n@raise=\na@raise\pl@llap{\smalln@at}\relax - \or \global\n@raise=\fl@raise\pl@llap{\smallf@lat}\relax - \else \message{Impossible to reset natural the note ! - \noexpand\Na #1 }\showthe\n@ii - \fi -}% -\def\smallSh#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\global\n@raise=\z@\pl@llap{\smallds@harp}\relax - \or \global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax - \or \global\n@raise=\na@raise\pl@llap{\smalln@at}\relax - \else \message{Impossible to sharpen the note ! - \noexpand\Sh #1 }\showthe\n@ii - \fi -}% -\def\smalldSh#1{\getn@i{#1}\sign@diff - \ifcase\n@ii\relax\message{Impossible to double sharpen the note ! - \noexpand\dSh #1 }\showthe\n@ii - \or \global\n@raise=\z@\pl@llap{\smallds@harp}\relax - \or \global\n@raise=\sh@raise\pl@llap{\smalls@harp}\relax - \else \message{Impossible to double sharpen the note ! - \noexpand\dSh #1 }\showthe\n@ii - \fi -}% -\def\pl@hboxq#1{\pl@note\raise\y@i\hbox to \qd@skip{\hss #1 \hss}}% -\def\upperFl#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote - \ifcase\n@ii\relax - \pl@hboxq{\smalln@at}\relax - \or - \pl@hboxq{\smallf@lat}\relax - \or - \pl@hboxq{\smalldf@lat}\relax - \else \message{Impossible to sharpen the note ! - \noexpand\Sh #1 }\showthe\n@ii - \fi -}% -\def\upperNa#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote - \ifcase\n@ii\relax - \pl@hboxq{\smalls@harp}\relax - \or - \pl@hboxq{\smalln@at}\relax - \or - \pl@hboxq{\smallf@lat}\relax - \else \message{Impossible to sharpen the note ! - \noexpand\Sh #1 }\showthe\n@ii - \fi -}% -\def\upperSh#1{\getn@i{#1}\sign@diff\global\n@raise=3\internote - \ifcase\n@ii\relax - \pl@hboxq{\smallds@harp}\relax - \or - \pl@hboxq{\smalls@harp}\relax - \or - \pl@hboxq{\smalln@at}\relax - \else \message{Impossible to sharpen the note ! - \noexpand\Sh #1 }\showthe\n@ii - \fi -}% -\def\relativeaccidentals{\def\Xna{\Na}\def\Xsh{\Sh}\def\Xfl{\Fl}% -\def\Xdsh{\dSh}\def\Xdfl{\dFl}}% - - - -\catcode`\>=\catcode@gt -\catcode`\<=\catcode@lt -\catcode`\@=\catcodeat - diff --git a/Master/texmf-dist/tex/generic/musictex/musicvbm.tex b/Master/texmf-dist/tex/generic/musictex/musicvbm.tex deleted file mode 100644 index f2025bed144..00000000000 --- a/Master/texmf-dist/tex/generic/musictex/musicvbm.tex +++ /dev/null @@ -1,94 +0,0 @@ -% adjustable beam slopes -% #1: beam number, #2: starting pitch, #3: ending pitch, #4: extension (number -% of \noteskip's) -\edef\catcodeat{\the\catcode`\@}\catcode`\@=11 - -\def\Ibu#1{\selectpoutre{#1}\I@bu{\i@bu}}% -\def\Ibbu#1{\selectpoutre{#1}\I@bu{\i@bbu}}% -\def\Ibbbu#1{\selectpoutre{#1}\I@bu{\i@bbbu}}% -\def\Ibbbbu#1{\selectpoutre{#1}\I@bu{\i@bbbbu}}% -\def\Ibl#1{\selectpoutre{#1}\I@bl{\i@bl}}% -\def\Ibbl#1{\selectpoutre{#1}\I@bl{\i@bbl}}% -\def\Ibbbl#1{\selectpoutre{#1}\I@bl{\i@bbbl}}% -\def\Ibbbbl#1{\selectpoutre{#1}\I@bl{\i@bbbbl}}% -% -\newcount\s@lopenum -\newcount\the@pitch -\newdimen\b@eamlength -% -% compute altitude difference of tried beam in \y@iv -% and compare with notes altitude difference -% -\def\I@buuchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax -\ifdim \y@iv>\n@ii\internote\relax - \advance\s@lopenum by -1\relax\I@buuchk -\fi -\ifnum \s@lopenum>9\relax \advance\n@i by 1\relax - \advance\n@ii by -1\relax\I@buuchk -\fi}% -% -\def\I@budchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax -\ifdim \y@iv<\n@ii\internote\relax - \advance\s@lopenum by 1\relax\I@budchk -\fi}% -% -\def\I@bu#1#2#3#4{{\inhgetn@i{#3}\n@ii=\n@i\relax -\inhgetn@i{#2}\advance\n@ii by -\n@i\relax -\b@eamlength=\noteskip -\multiply\b@eamlength by #4\relax -\ifnum\n@ii=0\relax - \edef\I@boper{\noexpand #1}\I@boper{#2}0\relax -\else\ifnum\n@ii>0\relax\s@lopenum=10\relax \I@buuchk - \else \s@lopenum=-10\relax \I@budchk - \fi - \edef\I@boper{\noexpand #1{\the\n@i}{\the\s@lopenum}\relax}\I@boper -\fi}}% -% -%\check -% -\def\I@bldchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax -\ifdim \y@iv<\n@ii\internote\relax - \advance\s@lopenum by 1\relax\I@bldchk -\fi -\ifnum \s@lopenum<-9\relax \advance\n@i by -1\relax - \advance\n@ii by 1\relax\I@bldchk -\fi}% -% -\def\I@bluchk{\y@iv=0.05\b@eamlength\multiply \y@iv by \s@lopenum\relax -\ifdim \y@iv>\n@ii\internote\relax - \advance\s@lopenum by -1\relax\I@bluchk -\fi}% -% -\def\I@bl#1#2#3#4{{\inhgetn@i{#3}\n@ii=\n@i\relax -\inhgetn@i{#2}\advance\n@ii by -\n@i\relax -\b@eamlength=\noteskip -\multiply\b@eamlength by #4\relax -\ifnum\n@ii=0\relax - \edef\I@boper{\noexpand #1}\I@boper{#2}0\relax -\else\ifnum\n@ii>0\relax\s@lopenum=10\relax \I@bluchk - \else \s@lopenum=-10\relax \I@bldchk - \fi - \edef\I@boper{\noexpand #1{\the\n@i}{\the\s@lopenum}\relax}\I@boper -\fi}}% -% -%\check -% sets of double notes with computed slopes -\def\Dqbbl#1#2{\Ibbl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\Dqbbu#1#2{\Ibbu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -\def\Dqbl#1#2{\Ibl0{#1}{#2}1\qb0{#1}\tqb0{#2}}% -\def\Dqbu#1#2{\Ibu0{#1}{#2}1\qh0{#1}\tqh0{#2}}% -%\check -% sets of triple notes with computed slopes -\def\Tqbbl#1#2#3{\Ibbl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\Tqbbu#1#2#3{\Ibbu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -\def\Tqbl#1#2#3{\Ibl0{#1}{#3}2\qb0{#1}\qb0{#2}\tqb0{#3}}% -\def\Tqbu#1#2#3{\Ibu0{#1}{#3}2\qh0{#1}\qh0{#2}\tqh0{#3}}% -%\check -% sets of quadruple notes with computed slopes -\def\Qqbbl#1#2#3#4{\Ibbl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}% -\def\Qqbbu#1#2#3#4{\Ibbu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}% -\def\Qqbl#1#2#3#4{\Ibl0{#1}{#4}3\qb0{#1}\qb0{#2}\qb0{#3}\tqb0{#4}}% -\def\Qqbu#1#2#3#4{\Ibu0{#1}{#4}3\qh0{#1}\qh0{#2}\qh0{#3}\tqh0{#4}}% -%\check -\catcode`\@=\catcodeat - diff --git a/Master/texmf-dist/tex/latex/musictex/a4report.sty b/Master/texmf-dist/tex/latex/musictex/a4report.sty deleted file mode 100644 index eac46a0a587..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/a4report.sty +++ /dev/null @@ -1,15 +0,0 @@ -% a4.sty from a4letter.sty H.partl Wien - -% \oddsidemargin 53pt \evensidemargin 53pt \marginparwidth 90pt\marginparsep -% 11pt \marginparpush 5pt -% \topmargin 27pt \headheight 12pt \headsep 45pt \footheight 12pt \footskip -% 25pt -% \textheight 505pt \textwidth 365pt \columnsep 10pt \columnseprule 0pt -% The above values (letter.sty) are replaced by the following values: - - -\oddsidemargin 0.0in \evensidemargin 0.0in \marginparwidth .08in -\marginparsep .01in \marginparpush 5pt -\topmargin -15pt \headheight 12pt \headsep 25pt \footheight 12pt \footskip 25pt -\textheight 8.9in \columnsep 10pt \columnseprule 0pt -\textwidth 210mm \advance\textwidth by -2in diff --git a/Master/texmf-dist/tex/latex/musictex/bigmusic.sty b/Master/texmf-dist/tex/latex/musictex/bigmusic.sty deleted file mode 100644 index 56c19e67b16..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/bigmusic.sty +++ /dev/null @@ -1,15 +0,0 @@ -%-% bigmusic.sty to be used -%-% \documentstyle[bigmusic,musictex]{article} -%-% with environment \begin{music} -%-% It enlarges LaTeX to its near maximum page size for -%-% large music array. -%-% Theses lines can be changed just before \begin{document} -\hoffset -1in % This should theoretically not be changed but if equal to 0 - % tex put a value of 1 inch. So we set it to -1 inch. -\voffset -1in -\evensidemargin 5mm -\oddsidemargin 5mm -\topmargin 1mm -\textwidth 190mm -\textheight 260mm - diff --git a/Master/texmf-dist/tex/latex/musictex/musicper.sty b/Master/texmf-dist/tex/latex/musictex/musicper.sty deleted file mode 100644 index a814c6f9c43..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/musicper.sty +++ /dev/null @@ -1,2 +0,0 @@ -\input musicper.tex - diff --git a/Master/texmf-dist/tex/latex/musictex/musictex.sty b/Master/texmf-dist/tex/latex/musictex/musictex.sty deleted file mode 100644 index 3ebde05263f..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/musictex.sty +++ /dev/null @@ -1,6 +0,0 @@ -\input musicpre.tex -\input musicnft.tex -\input musictex.tex -\input musicvbm.tex -\input musicpos.tex -\endinput diff --git a/Master/texmf-dist/tex/latex/musictex/musictrp.sty b/Master/texmf-dist/tex/latex/musictex/musictrp.sty deleted file mode 100644 index 742a5a0dc99..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/musictrp.sty +++ /dev/null @@ -1,2 +0,0 @@ -\input musictrp.tex - diff --git a/Master/texmf-dist/tex/latex/musictex/musicvbm.sty b/Master/texmf-dist/tex/latex/musictex/musicvbm.sty deleted file mode 100644 index 0be1490414c..00000000000 --- a/Master/texmf-dist/tex/latex/musictex/musicvbm.sty +++ /dev/null @@ -1,2 +0,0 @@ -\input musicvbm.tex - diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds index 9ab15602c19..6f60c2b189d 100755 --- a/Master/tlpkg/libexec/ctan2tds +++ b/Master/tlpkg/libexec/ctan2tds @@ -479,6 +479,7 @@ $Master = "$mydir/../.."; 'mtx', "die 'skipping, problematic musixtex binaries'", 'multido', "&MAKEpst", 'multirow', "&MAKEflatten", + 'musictex', "die 'skipping, superseded by musixtex", 'mwrite', "die 'skipping, nonfree license", 'mx' , "die 'skipping, author does not recommend system install'", 'mxd', "&MAKEflatten", diff --git a/Master/tlpkg/tlpsrc/collection-music.tlpsrc b/Master/tlpkg/tlpsrc/collection-music.tlpsrc index 806cb2e86cb..2a800468a15 100644 --- a/Master/tlpkg/tlpsrc/collection-music.tlpsrc +++ b/Master/tlpkg/tlpsrc/collection-music.tlpsrc @@ -6,7 +6,6 @@ depend figbas depend gchords depend guitar depend harmony -depend musictex depend musixtex depend songbook depend musixflx diff --git a/Master/tlpkg/tlpsrc/musictex.tlpsrc b/Master/tlpkg/tlpsrc/musictex.tlpsrc deleted file mode 100644 index e69de29bb2d..00000000000 --- a/Master/tlpkg/tlpsrc/musictex.tlpsrc +++ /dev/null |