diff options
| -rw-r--r-- | Master/texmf-dist/doc/latex/ipa/README | 7 | ||||
| -rw-r--r-- | Master/texmf-dist/doc/latex/ipa/ipaman.dvi | bin | 39756 -> 0 bytes | |||
| -rw-r--r-- | Master/texmf-dist/doc/latex/ipa/ipaman.tex | 531 | ||||
| -rw-r--r-- | Master/texmf-dist/tex/latex/ipa/Uipa.fd | 48 | ||||
| -rw-r--r-- | Master/texmf-dist/tex/latex/ipa/ipa.sty | 317 | ||||
| -rw-r--r-- | Master/tlpkg/tlpsrc/collection-latexextra.tlpsrc | 1 | ||||
| -rw-r--r-- | Master/tlpkg/tlpsrc/ipa.tlpsrc | 2 |
7 files changed, 0 insertions, 906 deletions
diff --git a/Master/texmf-dist/doc/latex/ipa/README b/Master/texmf-dist/doc/latex/ipa/README deleted file mode 100644 index 7d3aee9790f..00000000000 --- a/Master/texmf-dist/doc/latex/ipa/README +++ /dev/null @@ -1,7 +0,0 @@ -This package supersedes, up to our knowledge, macros and manual of -packages ``IPA'' and ``WSUIPA'' also available through CTAN. However, -the metafont files for this package are the same as ones for the -``WSUIPA'' package and, hence, can be found there. - -Authors -July 16, 1994 diff --git a/Master/texmf-dist/doc/latex/ipa/ipaman.dvi b/Master/texmf-dist/doc/latex/ipa/ipaman.dvi Binary files differdeleted file mode 100644 index b5d2ce757c4..00000000000 --- a/Master/texmf-dist/doc/latex/ipa/ipaman.dvi +++ /dev/null diff --git a/Master/texmf-dist/doc/latex/ipa/ipaman.tex b/Master/texmf-dist/doc/latex/ipa/ipaman.tex deleted file mode 100644 index b2677530126..00000000000 --- a/Master/texmf-dist/doc/latex/ipa/ipaman.tex +++ /dev/null @@ -1,531 +0,0 @@ -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%% International Phonetic Alphabet %%%%% -%%%%% -- Manual -- %%%%% -%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% -%%%%% -%%%%% adapted to LaTeX by W. Antweiler, UnivCologneCompCen, 05/28/90 -%%%%% -%%%%% adapted by Andrej Brodnik (Andy) for NFSS, University of -%%%%% Waterloo, 11.01.93 -%%%%% -%%%%% adapted by Andrej Brodnik and Denis Roegel for NFSS2, CRIN -%%%%% (Centre de Recherche en Informatique de Nancy), F-54506 -%%%%% VANDOEUVRE-LES-NANCY, for NFSS2, 16.07.94 -%%%%% -\documentstyle[ipa,12pt]{article} -\newcommand{\B}[1]{$\backslash$#1} -\newcommand{\MF}{{\rm\sc{}metafont}} -\newcommand{\wsu}{{\small\rm WSUIPA}} -\newcommand{\ipam}{{\small\rm IPAMACS}} -\newcommand{\ipas}{{\small\rm IPA}} -\newcommand{\PL}{{\em Phonetic Symbol Guide}} - -\begin{document} -\title{Using the WSU International Phonetic Alphabet} -\author{Washington State University} -\date{ - January 9, 1990 \\ - January 11, 1993\footnote{Adapted for \LaTeX\ and NFSS} \\ - July 16, 1994\footnote{Adapted for \LaTeX\ and NFSS2} -} -\maketitle - -\section{Preface} - -This users guide is intended to serve as a help and supplement to the -Washington State University International Phonetic Alphabet (\wsu) -fonts. It is not intended to be a manual on \TeX, \LaTeX, linguistics, -or the correct usage of the characters, accents and diacritics -contained within the font. It is assumed that the user is familiar -with the version of \LaTeX\ he or she is using and with the characters -contained within the \wsu\ font. Because the uses for a phonetic -alphabet font are probably as varied as the many disciplines which use -the characters, this guide is intended to merely show some of the most -common ways of using the \wsu\ font. Surely each person who implements -the font will develop his or her own favorite way of working with and -using the font. - -The principal source of information regarding the characters and their -shapes has come from sources within the linguistic field---most -notably, Geoffrey K. Pullum and William A. Ladusaw, whose book, {\em -Phonetic Symbol Guide} was used extensively. The \PL\ not only lists -the International Phonetic Alphabet (IPA) characters and diacritics, -it also gives an enlarged illustration of each character which shows -its baseline, height, depth and x-height. These character -illustrations were invaluable in the design of the \wsu\ \MF\ -characters. - -Several other people involved in the wonderful world of linguistics -also aided in the design of the \wsu\ font. Their input concerning -everything from character shape, to placement within the font, to -determining which characters should be included, is gratefully -acknowledged. I would especially like to thank Karen Mullen, Associate -Professor of English, University of Louisville, Louisville, Kentucky. -She tested, used the \wsu\ fonts, and took the time to give several -suggestions and recommendations that have improved the font. Also, -Christina A. Thiele, Managing Director, Journal Production Centre, -Carleton University, Ottawa, Ontario, who not only provided a wealth -of phonetic information, but also a wealth of encouragement throughout -the entire font designing process. - -Included with the \wsu\ fonts are: -% -\begin{itemize} - \item The basic \wsu\ font which contains 128 phonetic characters -and/or diacritics in five different point sizes (8, 9, 10, 11 and 12) -and in three typefaces (roman, slanted and bold extended). - \item Each size and typeface includes a TFM (\TeX\ Font Metric) file -and its related GF, PK or PXL file (after you generate them). - \item A macro package (\ipam.TEX) for use with the \wsu\ font for -\TeX\ and \LaTeX\ without NFSS users. Note, that this package is not -necessary for NFSS \LaTeX users. - \item A style file (\ipas.STY) for NFSS \LaTeX\ users, and - \item three {\em WSUIPA Font User's Guides}. The first one is for -\TeX\ ({\small\rm IPAMAN.TEX} -- the original manual), the second one -for \LaTeX\ without NFSS ({\small\rm IPAMAN.LTX} -- the manual adapted -by W.~Antweiler) and the third one is this one. -\end{itemize} - -This guide is divided into three main sections: -% -\begin{enumerate} - \item an introduction to the \wsu\ font, - \item a description of the font layout and the characters included -in the font and - \item how to use \ipas\ more in more sophisticated and in simpler -way. -\end{enumerate} - -Although the \wsu\ fonts are written in \MF, the user does not need -experience with or knowledge of \MF\ to use the font. - - -\section{Introduction to the WSUIPA Font} - -The \wsu\ fonts are written in \MF\ and use the same font parameter -values as their Computer Modern (CM) counterparts (cmr and cmbx). In -fact, while designing the character shapes, the computer modern code -was left intact or modified only slightly whenever possible. -Therefore, the \wsu\ fonts are totally compatible with computer modern -fonts---the design and shape of the characters are computer modern -wherever possible. For the characters that are drastically different -from any computer modern characters or symbols, such as the ``Gamma,'' -``Baby Gamma'' and the ``Esh,'' Pullum and Ladusaw's \PL\ was used as -the character design standard. - -The \wsu\ fonts are obviously not an exhaustive collection of phonetic -or even recognized International Phonetic Alphabet characters. The -characters included in the \wsu\ font were chosen either because they -were listed as a ``major'' entry in Pullum and Ladusaw's \PL, or -because of the recommendations from various people with an interest in -the font. - -\PL\ contains what it classifies as ``major'' and ``minor'' -characters, based upon whether the symbol is an officially recognized -IPA character or is determined by Pullum and Ladusaw to be a standard -symbol in current American transcriptual practice. \PL\ lists 78 -``major'' entries which are not easily attainable in the CM fonts. All -78 of these characters are included in the \wsu\ font, along with 50 -``minor'' entries from \PL. The selection of which ``minor'' entries -to include was based on information and requests from various -phoneticians and linguists who contacted WSU during the beginning -stages of the creation of the font. - - -\section{The Layout of the WSUIPA Font} - -The character-grouping pattern followed by Pullum and Ladusaw in their -\PL\ was adopted as the basis for the \wsu\ font layout. The -characters are grouped together according to shape rather than usage. -Therefore, the ``a'' shapes occupy the first positions: '00 through -'04, ``b'' shapes are in positions '05 through '11 and so forth. The -accents and diacritics follow the character shapes and are in the last -positions in the font. This approach was taken because under it was -assumed that under most circumstances, the user would most likely be -accessing the characters with the use of macros rather than by typing -large portions of entirely phonetic text. Aside from keeping like -shapes together, the positioning of the \wsu\ font was fairly -arbitrary. - - -\section{Character Description} - -Within this section each of the \wsu\ characters are shown in a \MF\ -``smoke mode'' proof. The octal character position is indicated, along -with the corresponding macro name in \ipam, and the name of the -character given in \PL. Only the roman characters will be illustrated -since the shapes of the slanted and bold extended are the same. - -There are several Greek characters included in the \wsu\ font, and -initially it may appear these are merely copies of the corresponding -CM Greek characters. That is true with one very important distinction: -the \wsu\ Greek characters included are not italic. All the lowercase -Greek characters included in the CM fonts are italic which makes them -unsuitable for some situations in phonetics where a non-italic Greek -character is essential. - -\newcommand{\D}[1]{#1&{\ipa\char#1}} -\raggedbottom -\begin{center} -\begin{tabular}{|l|c|l|l|} -\hline -\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\ -\hline\hline -Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\ -Code& & Name & Name\\ -\hline -\D{'00} &\B{inva} &turned a\\ -\D{'01} &\B{scripta} &script a\\ -\D{'02} &\B{nialpha} &lowercase non-italic alpha\\ -\D{'03} &\B{invscripta} &turned script a\\ -\D{'04} &\B{invv} &inverted v\\ -\D{'05} &\B{crossb} &crossed b\\ -\D{'06} &\B{barb} &barred b\\ -\D{'07} &\B{slashb} &slashed b\\ -\D{'10} &\B{hookb} &hooktop b\\ -\D{'11} &\B{nibeta} &non-italic lowercase beta\\ -\D{'12} &\B{slashc} &slashed c\\ -\D{'13} &\B{curlyc} &curly-tail c\\ -\D{'14} &\B{clickc} &stretched c\\ -\D{'15} &\B{crossd} &crossed d\\ -\D{'16} &\B{bard} &barred d\\ -\D{'17} &\B{slashd} &slashed d\\ -\D{'20} &\B{hookd} &hooktop d\\ -\D{'21} &\B{taild} &right-tail d\\ -\D{'22} &\B{dz} &d-yogh ligature\\ -\D{'23} &\B{eth} ð\\ -\D{'24} &\B{scd} &small capital D\\ -\D{'25} &\B{schwa} &schwa\\ -\D{'26} &\B{er} &right-hook schwa\\ -\D{'27} &\B{reve} &reversed e\\ -\D{'30} &\B{niepsilon} &non-italic greek epsilon\\ -\D{'31} &\B{revepsilon} &reversed non-italic epsilon\\ -\D{'32} &\B{hookrevepsilon} &right-hook reversed non-italic epsilon\\ -\D{'33} &\B{closedrevepsilon} &closed reversed non-italic epsilon\\ -\D{'34} &\B{scriptg} &lowercase variant g\\ -\D{'35} &\B{hookg} &hooktop g\\ -\D{'36} &\B{scg} &small capital G\\ -\D{'37} &\B{nigamma} &non-italic gamma\\ -\hline -\end{tabular} -\end{center} -\newpage -\begin{center} -\begin{tabular}{|l|c|l|l|} -\hline -\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\ -\hline\hline -Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\ -Code& & Name & Name\\ -\hline -\D{'40} &\B{ipagamma} &IPA Gamma\\ -\D{'41} &\B{babygamma} &baby gamma\\ -\D{'42} &\B{hv} &h-v ligature\\ -\D{'43} &\B{crossh} &crossed h\\ -\D{'44} &\B{hookg} &hooktop g\\ -\D{'45} &\B{hookheng} &hooktop heng\\ -\D{'46} &\B{invh} &turned h\\ -\D{'47} &\B{bari} &barred i\\ -\D{'50} &\B{dlbari} &barred dotless i\\ -\D{'51} &\B{niiota} &non-italic greek iota\\ -\D{'52} &\B{sci} &small capital I\\ -\D{'53} &\B{barsci} &barred small capital I\\ -\D{'54} &\B{invf} &barred dotless j\\ -\D{'55} &\B{tildel} &l with tilde\\ -\D{'56} &\B{barl} &barred l\\ -\D{'57} &\B{latfric} &belted l\\ -\D{'60} &\B{taill} &l with right tail\\ -\D{'61} &\B{lz} &l-yogh ligature\\ -\D{'62} &\B{nilambda} &non-italic greek lambda\\ -\D{'63} &\B{crossnilambda} &crossed lambda\\ -\D{'64} &\B{labdentalnas} &m with leftward tail at right\\ -\D{'65} &\B{invm} &turned m\\ -\D{'66} &\B{legm} &turned m with long right leg\\ -\D{'67} &\B{nj} &n with leftward hook at left\\ -\D{'70} &\B{eng} &eng\\ -\D{'71} &\B{tailn} &n with right tail\\ -\D{'72} &\B{scn} &small capital N\\ -\D{'73} &\B{clickb} &bull's eye\\ -\D{'74} &\B{baro} &barred o\\ -\D{'75} &\B{openo} &open o\\ -\D{'76} &\B{niomega} &non-italic lowercase greek omega\\ -\D{'77} &\B{closedniomega} &closed omega\\ -\hline -\end{tabular} -\end{center} -\newpage -\begin{center} -\begin{tabular}{|l|c|l|l|} -\hline -\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\ -\hline\hline -Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\ -Code& & Name & Name\\ -\hline -\D{'100} &\B{oo} &double o\\ -\D{'101} &\B{barp} &barred p\\ -\D{'102} &\B{thorn} þ\\ -\D{'103} &\B{niphi} &non-italic lowercase greek phi\\ -\D{'104} &\B{flapr} &fish hook r\\ -\D{'105} &\B{legr} &r with long leg\\ -\D{'106} &\B{tailr} &r with right tail\\ -\D{'107} &\B{invr} &turned r\\ -\D{'110} &\B{tailinvr} &turned r with right tail\\ -\D{'111} &\B{invlegr} &turned long-legged r\\ -\D{'112} &\B{scr} &small capital R\\ -\D{'113} &\B{invscr} &inverted small capital R\\ -\D{'114} &\B{tails} &s with right tail\\ -\D{'115} &\B{esh} &esh\\ -\D{'116} &\B{curlyesh} &curly-tail esh\\ -\D{'117} &\B{nisigma} &non-italic lowercase greek sigma\\ -\D{'120} &\B{tailt} &t with right tail\\ -\D{'121} &\B{tesh} &t-esh ligature\\ -\D{'122} &\B{clickt} &turned t\\ -\D{'123} &\B{nitheta} &non-italic lowercase greek theta\\ -\D{'124} &\B{baru} &barred u\\ -\D{'125} &\B{slashu} &slashed u\\ -\D{'126} &\B{niupsilon} &non-italic lowercase greek upsilon\\ -\D{'127} &\B{scu} &small capital U\\ -\D{'130} &\B{barscu} &barred small capital U\\ -\D{'131} &\B{scriptv} &script v\\ -\D{'132} &\B{invw} &inverted w\\ -\D{'133} &\B{nichi} &non-italic lowercase greek chi\\ -\D{'134} &\B{invy} &turned y\\ -\D{'135} &\B{scy} &small capital Y\\ -\D{'136} &\B{curlyz} &curly-tail z\\ -\D{'137} &\B{tailz} &z with right tail\\ -\hline -\end{tabular} -\end{center} -\newpage -\begin{center} -\begin{tabular}{|l|c|l|l|} -\hline -\multicolumn{4}{|c|}{\bf WSUIPA Characters}\\ -\hline\hline -Char&Char&{\sc IPAMACS}&{\sc Pullum \&\ Ladusaw}\\ -Code& & Name & Name\\ -\hline -\D{'140} &\B{yogh} &yogh\\ -\D{'141} &\B{curlyyogh} &curly-tail yogh\\ -\D{'142} &\B{glotstop} &glottal stop\\ -\D{'143} &\B{revglotstop} &reversed glottal stop\\ -\D{'144} &\B{invglotstop} &inverted glottal stop\\ -\D{'145} &\B{ejective} &ejective\\ -\D{'146} &\B{reveject} &reversed ejective\\ -\D{'147} &\B{dental{\char'043}1} &subscript bridge\\ -\D{'150} &\B{stress} &vertical stroke (superior)\\ -\D{'151} &\B{secstress} &vertical stroke (inferior)\\ -\D{'152} &\B{syllabic} &syllabicity mark\\ -\D{'153} &\B{corner} &corner\\ -\D{'154} &\B{upt} &IPA pointer\\ -\D{'155} &\B{downt} &IPA pointer\\ -\D{'156} &\B{leftt} &IPA pointer\\ -\D{'157} &\B{rightt} &IPA pointer\\ -\D{'160} &\B{halflength} &half-length mark\\ -\D{'161} &\B{length} &length mark\\ -\D{'162} &\B{underdots} &subscript umlaut\\ -\D{'163} &\B{ain} &reversed apostrophe\\ -\D{'164} &\B{upp} &pointer\\ -\D{'165} &\B{downp} &pointer\\ -\D{'166} &\B{leftp} &pointer\\ -\D{'167} &\B{rightp} &pointer\\ -\D{'170} &\B{overring} &over-ring\\ -\D{'171} &\B{underring} &under-ring\\ -\D{'172} &\B{open} &subscript left half-ring\\ -\D{'173} &\B{midtilde} &superimposed (mid-) tilde\\ -\D{'174} &\B{undertilde} &subscript tilde\\ -\D{'175} &\B{underwedge} &subscript wedge\\ -\D{'176} &\B{polishhook} &polish hook\\ -\D{'177} &\B{underarch} &subscript arch\\ -\hline -\end{tabular} -\end{center} -\newpage -\flushbottom - - -\section{Using the {\tt{}ipa.sty} Style File} - -In addition to the necessary font-related files, the \wsu\ font -package also includes a file called {\ipas.STY}. This is a macro style -file which supports \LaTeX\ under NFSS (new font selection scheme). It -greatly simplifies the usage of new font as it will be seen in this -section. The file also defines mnemonics for simpler usage of -characters from a new font. They are the same as ones given in tables -in the previous section. - -If you are using IPA font all what you need to do is to mention \ipas\ -style file in the header of your \LaTeX\ source. For example: -% -\begin{verbatim} -\documentstyle[ipa]{article} -\end{verbatim} - -The \ipas\ style file defines a new font family \B{ipa}, but you -don't need to know this, because you will use it only through the -mnemonics. - -Because the new font is installed under NFSS, the system will also -always choose the correct shape, series, and size whenever you wish to -use it. For example: -% -\begin{quote}\begin{verbatim} -A shibilant is a term occasionally found for a -fricative corresponding to a ``hushing'' sound, -e.g., IPA [\esh] (more technically, a grooved -laminal fricative with a sign {\large\bf \esh}.). -\end{verbatim}\end{quote} -% -which will print as: -% -\begin{quote} -A shibilant is a term occasionally found for a -fricative corresponding to a ``hushing'' sound, -e.g., IPA [\esh] (more technically, a grooved -laminal fricative with a sign {\large\bf \esh}.). -\end{quote} -% -or even -% -\begin{quote}\begin{verbatim} -\dots which is the case in the aforementioned -instances, however, {\large\bf we get the other -retroflex consonants: -[\nj], [\taill], [\taild], and [\tailr]}. They -are printed {\small\sl also as -[\nj], [\taill], [\taild], and [\tailr]}. -\end{verbatim}\end{quote} -% -will print as, -% -\begin{quote} -\dots which is the case in the aforementioned -instances, however, {\bf\large we get the -other retroflex consonants: -[\nj], [\taill], [\taild], and [\tailr]}. They -are printed {\sl\small also as -[\nj], [\taill], [\taild], and [\tailr]}. -\end{quote} -% -% -This means that you can freely change sizes, series, shapes and fonts -(assuming that there exists a wanted font -- note however, that IPA -font comes only in bold extended and medium series, and in normal and -slanted shape.) - -A number of \wsu\ diacritics can be used on top or the bottom of other -characters. To handle this \ipas\ provides two macros: \B{diatop} and -\B{diaunder}. The first one (\B{diatop}) has the syntax: -% -\begin{center} -\verb+\diatop[diacritics|character]+ -\end{center} -% -It takes one argument which is delimited by square brackets ([]) -rather than curly braces, and has two parts.\footnote{From the \LaTeX\ -perspective more correctly would be to use curly braces (\{\}) instead -of square brackets ([]), but we left the square brackets to remain -compatible with the previous versions of the \ipam\ file.} -% -The first part of the argument is delimited, or separated, from the -second part by a vertical bar ($\vert$). The macro \B{diatop} puts the -first part of the argument over the second. - -Using \B{diatop} we can put a ring over another character by, -% -\begin{quote}\begin{verbatim} -The overring may be used over letters with descenders -as an alternative to under-ring to indicate devoicing, -e.g. [\diatop[\overring|g]]. -\end{verbatim}\end{quote} -% -and the output would be, -% -\begin{quote} -The overring may be used over letters with descenders as an -alternative to under-ring to indicate devoicing, e.g. -[\diatop[\overring|g]]. -\end{quote} - -The \B{diatop} macro also allows placement more than one character -stacked over another character. For example, -% -\begin{quote}\begin{verbatim} -For a really special \diatop[{\diatop[\'|\overring]}|n] -\end{verbatim}\end{quote} -% -will print as: -% -\begin{quote} -For a really special \diatop[{\diatop[\'|\overring]}|n] -\end{quote} -% -Notice the use of curly braces to group the argument of the first \B{diatop} -when more than one \B{diatop} command is used. - -The second macro (\B{diaunder}) has a similar syntax: -% -\begin{center} -\verb+\diaunder[diacritics|character]+ -\end{center} -% -As \B{diatop} it also takes one argument which is delimited by square -brackets, and has two parts separated by a vertical bar ($\vert$). It -puts the first part of the argument under the second. - -Using \B{diaunder} we can put \underring under r as in: -% -\begin{quote}\begin{verbatim} -A voiceless trilled r \diaunder[\underring|r] -in certain Scottish dialects. -\end{verbatim}\end{quote} -% -which will print as: -% -\begin{quote} -A voiceless trilled r \diaunder[\underring|r] -in certain Scottish dialects. -\end{quote} -% - -Furthermore, it is also possible to get one or more accents over a -character and another accent or character under it. For example: -% -\begin{quote}\begin{verbatim} -This is a really, really special -\diatop[\overring|{\diaunder[\underring|r]}] -\end{verbatim}\end{quote} -% -will print as: -% -\begin{quote} -This is a really, really special -\diatop[\overring|{\diaunder[\underring|r]}] -\end{quote} - -\section{Historical remarks} - -The first version of this manual was written by W.\ Antweiler of the -University of Cologne Computing Centre, Robert-Koch-Str.\ 10, D-5000 -K\"{o}ln 41, Germany, e-mail: {\tt a0062@uvax.rrz.uni-koeln.de}. This -manual did not include information about the original author. All -fonts along with the \TeX-macros and the original manual can be -retrieved via anonymous ftp from {\tt ymir.claremont.edu}. - -The next version consisted of a changed manual and new \LaTeX\ style -file {\tt ipa.sty}, which supported NFSS. The style file was based on -previous \TeX-macros. It with an accompanying WSUIPA manual was -prepared by Andrej Brodnik (Andy) of the University of Waterloo, -Department of Computer Science, 200 University Avenue West, Waterloo, -Ontario, N2L 3G1, Canada, e-mail: {\tt abrodnik@uwaterloo.ca}. - -This version of the manual is almost the same as the previous one, -only style file was upgraded for \LaTeX\ NFSS2. They were prepared by -Denis Roegel of CRIN (Centre de Recherche en Informatique de Nancy), -F-54506 Vandoeuvre-les-Nancy, France, e-mail: {\tt roegel@loria.fr} -and Andrej Brodnik. - -\end{document} - - diff --git a/Master/texmf-dist/tex/latex/ipa/Uipa.fd b/Master/texmf-dist/tex/latex/ipa/Uipa.fd deleted file mode 100644 index 8472b9920df..00000000000 --- a/Master/texmf-dist/tex/latex/ipa/Uipa.fd +++ /dev/null @@ -1,48 +0,0 @@ -%% -%% This is file `Uipa.fd' by D. Roegel (roegel@loria.fr) -%% and Andrej Brodnik (abrodnik@watdragon.uwaterloo.ca) -%% July 16, 1994 -%% -%% \CharacterTable -%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -\ProvidesFile{Uipa.fd}[1994/07/16] -\DeclareFontFamily{U}{ipa}{} -\DeclareFontShape{U}{ipa}{m}{n} - { - <5> <6> <7> wsuipa8 - <8> <9> <10><10.95> gen * wsuipa - <12><14.4> wsuipa12 - <17.28><20.74><24.88> wsuipa17 - }{} -\DeclareFontShape{U}{ipa}{bx}{n} - { - <5> <6> <7> wbxipa8 - <8> <9> <10><10.95> gen * wbxipa - <12><14.4> wbxipa12 - <17.28><20.74><24.88> wbxipa17 - }{} -\DeclareFontShape{U}{ipa}{m}{sl} - { - <5> <6> <7> wslipa8 - <8> <9> <10><10.95> gen * wslipa - <12><14.4> wslipa12 - <17.28><20.74><24.88> wslipa17 - }{} -\DeclareFontShape{U}{ipa}{m}{it} - {<->ssub * ipa/m/sl}{} -\endinput -%% -%% End of file `Uipa.fd'. diff --git a/Master/texmf-dist/tex/latex/ipa/ipa.sty b/Master/texmf-dist/tex/latex/ipa/ipa.sty deleted file mode 100644 index d88147735ee..00000000000 --- a/Master/texmf-dist/tex/latex/ipa/ipa.sty +++ /dev/null @@ -1,317 +0,0 @@ -%% This is file `ipa.sty' -%% Adapted from ipamacs.tex by D. Roegel (roegel@loria.fr) -%% and Andrej Brodnik (abrodnik@watdragon.uwaterloo.ca) -%% -%% -%% \CharacterTable -%% {Upper-case \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z -%% Lower-case \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z -%% Digits \0\1\2\3\4\5\6\7\8\9 -%% Exclamation \! Double quote \" Hash (number) \# -%% Dollar \$ Percent \% Ampersand \& -%% Acute accent \' Left paren \( Right paren \) -%% Asterisk \* Plus \+ Comma \, -%% Minus \- Point \. Solidus \/ -%% Colon \: Semicolon \; Less than \< -%% Equals \= Greater than \> Question mark \? -%% Commercial at \@ Left bracket \[ Backslash \\ -%% Right bracket \] Circumflex \^ Underscore \_ -%% Grave accent \` Left brace \{ Vertical bar \| -%% Right brace \} Tilde \~} -\def\fileversion{v1.0} -\def\filedate{1994/07/16} -\def\docdate {1994/07/16} -\NeedsTeXFormat{LaTeX2e} -\ProvidesPackage{ipa}[1994/07/16 IPA macros package] -% -% -%% The following macro is necessary to place an accent over the -%% character definitions below. For example, you should say: -%% \diatop[\^|\openo] -%% -% \diatop is a slightly modified version of Christina Thiele's one. -% [From {\em TeX Users Group Eighth Annual: Conference Proceedings} -% Meeting, Seattle, August 24-26, 1987, TeXniques no. 5, (Providence, -% 1988), p.11.] - -\def\diatop[#1|#2]{% - {\setbox1=\hbox{#1{}}% diacritic mark - \setbox2=\hbox{#2{}}% letter (the group {} in case it is a diacritic) - \dimen0=\ifdim\wd1>\wd2\wd1\else\wd2\fi% compute the max width - % the `natural height' of diacritics is 1ex; - % \dimen1 is the shift upwards - \dimen1=\ht2\advance\dimen1by-1ex% - % center the diacritic mark on the width of the letter: - \setbox1=\hbox to\dimen0{\hss#1{}\hss}% - \leavevmode % force horizontal mode - \rlap{\raise\dimen1\box1}% the raised diacritic mark - \hbox to\dimen0{\hss#2\hss}% the letter - }% - }% - -\def\diaunder[#1|#2]{% - {\setbox1=\hbox{#1{}}% diacritic mark - \setbox2=\hbox{#2{}}% letter (the group {} in case it is a diacritic) - \dimen0=\ifdim\wd1>\wd2\wd1\else\wd2\fi% compute the max width - % \dimen1 is the shift downwards - \dimen1=\ht2\advance\dimen1by-0.9ex% - % center the diacritic mark on the width of the letter: - \setbox1=\hbox to\dimen0{\hss#1{}\hss}% - \leavevmode % force horizontal mode - \rlap{\lower\dimen1\box1}% the lowered diacritic mark - \hbox to\dimen0{\hss#2\hss}% the letter - }% - }% - - -%% As an alternative, you could uncomment the following two lines: -%% -%% \catcode`"=\active -%% \def"#1#2{\diatop[#1|#2]} -%% -%% And then you could place an accent over the ipa character by -%% calling the macro " which itself calls \diatop. For example, you -%% would say: -%% -%% "\^\openo -%% -%% or even you could uncomment the following two lines: -%% -%% \catcode`_=\active -%% \def_#1#2{\diaunder[#1|#2]} -%% -%% And then you could place an accent under the ipa character by -%% calling the macro _ which itself calls \diaunder. For example, you -%% would say: -%% -%% _\open{r} -%% - -%% THE FOLLOWING macros access the IPA chars from the WSU IPA font - -\DeclareFontSubstitution{U}{ipa}{m}{n} -\def\ipa{\protect\@pipa} -\def\@pipa{\fontencoding{U}\fontfamily{ipa}\selectfont} - -% Decimal numbers were used rather than octal or hexadecimal -% numbers, in order to be sure than it worked everywhere, -% especially with the french package where -% quotes can be active. - -%% A-type shapes: -\def\inva{{\ipa\symbol{0}}}% '000 -\def\scripta{{\ipa\symbol{1}}}% '001 -\def\nialpha{{\ipa\symbol{2}}}% '002 -\def\invscripta{{\ipa\symbol{3}}}% '003 -\def\invv{{\ipa\symbol{4}}}% '004 - -%% B-type shapes: -\def\crossb{{\ipa\symbol{5}}}% '005 -\def\barb{{\ipa\symbol{6}}}% '006 -\def\slashb{{\ipa\symbol{7}}}% '007 -\def\hookb{{\ipa\symbol{8}}}% '010 -\def\nibeta{{\ipa\symbol{9}}}% '011 - -%% C-type shapes: -\def\slashc{{\ipa\symbol{10}}}% '012 -\def\curlyc{{\ipa\symbol{11}}}% '013 -\def\clickc{{\ipa\symbol{12}}}% '014 - -%% D-type shapes: -\def\crossd{{\ipa\symbol{13}}}% '015 -\def\bard{{\ipa\symbol{14}}}% '016 -\def\slashd{{\ipa\symbol{15}}}% '017 -\def\hookd{{\ipa\symbol{16}}}% '020 -\def\taild{{\ipa\symbol{17}}}% '021 -\def\dz{{\ipa\symbol{18}}}% '022 -\def\eth{{\ipa\symbol{19}}}% '023 -\def\scd{{\ipa\symbol{20}}}% '024 - -%% E-type shapes: -\def\schwa{{\ipa\symbol{21}}}% '025 -\def\er{{\ipa\symbol{22}}}% '026 -\def\reve{{\ipa\symbol{23}}}% '027 -\def\niepsilon{{\ipa\symbol{24}}}% '030 -\def\revepsilon{{\ipa\symbol{25}}}% '031 -\def\hookrevepsilon{{\ipa\symbol{26}}}% '032 -\def\closedrevepsilon{{\ipa\symbol{27}}}% '033 - -%% G-type shapes: -\def\scriptg{{\ipa\symbol{28}}}% '034 -\def\hookg{{\ipa\symbol{29}}}% '035 -\def\scg{{\ipa\symbol{30}}}% '036 -\def\nigamma{{\ipa\symbol{31}}}% '037 -\def\ipagamma{{\ipa\symbol{32}}}% '040 -\def\babygamma{{\ipa\symbol{33}}}% '041 - -%% H-type shapes: -\def\hv{{\ipa\symbol{34}}}% '042 -\def\crossh{{\ipa\symbol{35}}}% '043 -\def\hookh{{\ipa\symbol{36}}}% '044 -\def\hookheng{{\ipa\symbol{37}}}% '045 -\def\invh{{\ipa\symbol{38}}}% '046 - -%% I-type shapes: -\def\bari{{\ipa\symbol{39}}}% '047 -\def\dlbari{{\ipa\symbol{40}}}% '050 ``dotless bar i'' -\def\niiota{{\ipa\symbol{41}}}% '051 -\def\sci{{\ipa\symbol{42}}}% '052 -\def\barsci{{\ipa\symbol{43}}}% '053 ``barred small cap i'' - -%% J-type shape: -\def\invf{{\ipa\symbol{44}}}% '054 - -%% L-type shapes: -\def\tildel{{\ipa\symbol{45}}}% '055 -\def\barl{{\ipa\symbol{46}}}% '056 -\def\latfric{{\ipa\symbol{47}}}% '057 -\def\taill{{\ipa\symbol{48}}}% '060 -\def\lz{{\ipa\symbol{49}}}% '061 -\def\nilambda{{\ipa\symbol{50}}}% '062 -\def\crossnilambda{{\ipa\symbol{51}}}% '063 - -%% M-type shapes: -\def\labdentalnas{{\ipa\symbol{52}}}%'064 -\def\invm{{\ipa\symbol{53}}}% '065 -\def\legm{{\ipa\symbol{54}}}% '066 - -%% N-type shapes: -\def\nj{{\ipa\symbol{55}}}% '067 -\def\eng{{\ipa\symbol{56}}}% '070 -\def\tailn{{\ipa\symbol{57}}}% '071 -\def\scn{{\ipa\symbol{58}}}% '072 - -%% O-type shapes: -\def\clickb{{\ipa\symbol{59}}}% '073 -\def\baro{{\ipa\symbol{60}}}% '074 -\def\openo{{\ipa\symbol{61}}}% '075 -\def\niomega{{\ipa\symbol{62}}}% '076 -\def\closedniomega{{\ipa\symbol{63}}}% '077 -\def\oo{{\ipa\symbol{64}}}% '100 - -%% P-type shapes: -\def\barp{{\ipa\symbol{65}}}% '101 -\def\thorn{{\ipa\symbol{66}}}% '102 -\def\niphi{{\ipa\symbol{67}}}% '103 - -%% R-type shapes: -\def\flapr{{\ipa\symbol{68}}}% '104 -\def\legr{{\ipa\symbol{69}}}% '105 -\def\tailr{{\ipa\symbol{70}}}% '106 -\def\invr{{\ipa\symbol{71}}}% '107 -\def\tailinvr{{\ipa\symbol{72}}}% '110 -\def\invlegr{{\ipa\symbol{73}}}% '111 -\def\scr{{\ipa\symbol{74}}}% '112 -\def\invscr{{\ipa\symbol{75}}}% '113 - -%% S-type shapes: -\def\tails{{\ipa\symbol{76}}}% '114 -\def\esh{{\ipa\symbol{77}}}% '115 -\def\curlyesh{{\ipa\symbol{78}}}% '116 -\def\nisigma{{\ipa\symbol{79}}}% '117 - -%% T-type shapes: -\def\tailt{{\ipa\symbol{80}}}% '120 -\def\tesh{{\ipa\symbol{81}}}% '121 -\def\clickt{{\ipa\symbol{82}}}% '122 -\def\nitheta{{\ipa\symbol{83}}}% '123 - -%% U-type shapes: -\def\baru{{\ipa\symbol{84}}}% '124 -\def\slashu{{\ipa\symbol{85}}}% '125 -\def\niupsilon{{\ipa\symbol{86}}}% '126 -\def\scu{{\ipa\symbol{87}}}% '127 -\def\barscu{{\ipa\symbol{88}}}% '130 - -%% V-type shape: -\def\scriptv{{\ipa\symbol{89}}}% '131 - -%% W-type shape: -\def\invw{{\ipa\symbol{90}}}% '132 - -%% X-type shape: -\def\nichi{{\ipa\symbol{91}}}% '133 - -%% Y-type shapes: -\def\invy{{\ipa\symbol{92}}}% '134 -\def\scy{{\ipa\symbol{93}}}% '135 - -%% Z-type shapes: -\def\curlyz{{\ipa\symbol{94}}}% '136 -\def\tailz{{\ipa\symbol{95}}}% '137 -\def\yogh{{\ipa\symbol{96}}}% '140 -\def\curlyyogh{{\ipa\symbol{97}}}% '141 - -%% ?-type shapes: -\def\glotstop{{\ipa\symbol{98}}}% '142 -\def\revglotstop{{\ipa\symbol{99}}}% '143 -\def\invglotstop{{\ipa\symbol{100}}}%'144 -\def\ejective{{\ipa\symbol{101}}}% '145 -\def\reveject{{\ipa\symbol{102}}}% '146 - -%% AND that should be it, as far as actual characters go. -%% -%% THE following is the set of diacritics. Please try to get -%% the 4 t-bars lined up above the 4 pointers, so you may -%% have to reshuffle things a bit. Not to worry too much. I -%% think the diacritics can be grouped more according to -%% shape, so comma-like things are together, etc. -%% - -\def\dental#1{\oalign{#1\crcr - \hidewidth{\ipa\symbol{103}}\hidewidth}}% '147 - -\def\upt{{\ipa\symbol{108}}}% '154 These are IPA pointers -\def\downt{{\ipa\symbol{109}}}% '155 -\def\leftt{{\ipa\symbol{110}}}% '156 -\def\rightt{{\ipa\symbol{111}}}% '157 - - % These are American versions of t-bars -\def\upp{{\ipa\symbol{116}}}% '164 -\def\downp{{\ipa\symbol{117}}}% '165 -\def\leftp{{\ipa\symbol{118}}}% '166 -\def\rightp{{\ipa\symbol{119}}}% '167 - -\def\stress{{\ipa\symbol{104}}}% '150 primary stress -\def\secstress{{\ipa\symbol{105}}}% '151 secondary stress - -\def\syllabic{{\ipa\symbol{106}}}% '152 syllabic marker - -\def\corner{{\ipa\symbol{107}}}% '153 - - % American equivalent: raised dot -\def\halflength{{\ipa\symbol{112}}}% '160 - % American equivalent: colon -\def\length{{\ipa\symbol{113}}}% '161 - -\def\underdots{{\ipa\symbol{114}}}% '162 - - % ``reversed apostrophe'', p. 216 -\def\ain{{\ipa\symbol{115}}}% '163 - -\def\overring{{\ipa\symbol{120}}}% '170 -\def\underring{{\ipa\symbol{121}}}% '171 - -\def\open{{\ipa\symbol{122}}}% '172 - -\def\midtilde{{\ipa\symbol{123}}}% '173 -\def\undertilde{{\ipa\symbol{124}}}% '174 - -\def\underwedge{{\ipa\symbol{125}}}% '175 - -\def\polishhook{{\ipa\symbol{126}}}% '176 - -\def\underarch#1{\oalign{#1\crcr - \hidewidth{\ipa\symbol{127}}\hidewidth}}% '177 - -%% AND that's it for the diacritics. - -\endinput -%% -%% End of file `ipa.sty'. - - - - - - diff --git a/Master/tlpkg/tlpsrc/collection-latexextra.tlpsrc b/Master/tlpkg/tlpsrc/collection-latexextra.tlpsrc index 6bc7220fa8d..8a22e4cb082 100644 --- a/Master/tlpkg/tlpsrc/collection-latexextra.tlpsrc +++ b/Master/tlpkg/tlpsrc/collection-latexextra.tlpsrc @@ -243,7 +243,6 @@ depend inlinedef depend interactiveworkbook depend inversepath depend invoice -depend ipa depend iso depend iso10303 depend isodate diff --git a/Master/tlpkg/tlpsrc/ipa.tlpsrc b/Master/tlpkg/tlpsrc/ipa.tlpsrc deleted file mode 100644 index e377d24f241..00000000000 --- a/Master/tlpkg/tlpsrc/ipa.tlpsrc +++ /dev/null @@ -1,2 +0,0 @@ -name ipa -category Package |