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-rw-r--r--Master/texmf-dist/doc/latex/titlepages/README20
-rw-r--r--Master/texmf-dist/doc/latex/titlepages/titlepages.pdfbin579474 -> 1001597 bytes
-rw-r--r--Master/texmf-dist/doc/latex/titlepages/titlepages.tex1833
3 files changed, 1648 insertions, 205 deletions
diff --git a/Master/texmf-dist/doc/latex/titlepages/README b/Master/texmf-dist/doc/latex/titlepages/README
new file mode 100644
index 00000000000..80a7fabcc20
--- /dev/null
+++ b/Master/texmf-dist/doc/latex/titlepages/README
@@ -0,0 +1,20 @@
+ titlepages.pdf displays some 40 different designs of title pages
+taken from a selection of books and theses. The code for the examples
+is included. A variety of colors and fonts are used in the examples.
+
+ If you wish to process the source file titlepages.tex, by either
+pdflatex or xelatex, consider saving titlepages.pdf under another name
+before doing so in case not all the fonts are available on your system.
+In any case, read the advice at the beginning of the file titlepages.tex.
+
+ The work is distributed under the LaTeX Project Public Licence.
+
+Peter Wilson
+2010/07/13
+
+
+
+
+
+
+
diff --git a/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf b/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf
index 0eb125c3efa..96626d7344e 100644
--- a/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf
+++ b/Master/texmf-dist/doc/latex/titlepages/titlepages.pdf
Binary files differ
diff --git a/Master/texmf-dist/doc/latex/titlepages/titlepages.tex b/Master/texmf-dist/doc/latex/titlepages/titlepages.tex
index 43a6ab744f2..f704ca02fbc 100644
--- a/Master/texmf-dist/doc/latex/titlepages/titlepages.tex
+++ b/Master/texmf-dist/doc/latex/titlepages/titlepages.tex
@@ -1,34 +1,75 @@
% titlepages.tex titlepage styles
% Author Peter Wilson, distributed under the LPPL
%
-% To process this file you need the FontSite 500 CD collection of fonts
-% from http://www.fontsite.com/, and Christopher League's `TeX support for
-% the FontSite 500 CD' http://contrapunctus.net/fs500tex/.
+% To process this file as intended you need the FontSite 500 CD collection
+% of fonts from http://www.fontsite.com/, and Christopher League's `TeX
+% support for the FontSite 500 CD' http://contrapunctus.net/fs500tex/.
+% If you do not have these, then uncomment the \renewcommand*{\FSfont}[1]{}
+% line below.
%
% You will also need the Galapagos Design Group's free Web-O-Mints font
% http://www.galapagosdesign.com/original/webomints.htm and their (La)TeX
% support CTAN/fonts/webomints
%
+% If you use xelatex to process the file then you will also need the
+% free IM Fell font from http://iginomarini.com/fell/the-revival-fonts.
+%
% Of course, you need the memoir class, which should be on your system.
\documentclass{memoir}
\usepackage[T1]{fontenc}
\usepackage{lmodern}
\usepackage{url}
-%%\usepackage{comment}
-\usepackage{color}
+\usepackage{comment}
+\usepackage[svgnames]{xcolor}
\ifpdf
\usepackage{pdfcolmk}
\fi
\usepackage{graphicx}
+\usepackage{hyperref}
+%\usepackage[outline]{contour}
+\usepackage{tikz}
+\usepackage{pifont}
+\ifxetex
+ \usepackage{fontspec}
+\fi
+
+%\usepackage{pst-text}
+
+%%%% Additional font macros
+\makeatletter
+%%%% light series
+%% e.g., s:12
+\DeclareRobustCommand\ltseries
+ {\not@math@alphabet\ltseries\relax
+ \fontseries\ltdefault\selectfont}
+%% e.g., t:32
+\newcommand{\ltdefault}{l}
+%% e.g., v:19
+\DeclareTextFontCommand{\textlt}{\ltseries}
+
+% heavy(bold) series
+\DeclareRobustCommand\hbseries
+ {\not@math@alphabet\hbseries\relax
+ \fontseries\hbdefault\selectfont}
+%% e.g., t:32
+\newcommand{\hbdefault}{hb}
+%% e.g., v:19
+\DeclareTextFontCommand{\texthb}{\hbseries}
+\makeatother
+
+\newcommand*{\isbn}{{\small\textsc{ISBN}}}
%%% for the Web-O-Mints fonts
\newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}}
%\renewcommand*{\wb}[2]{}% probably kills Web-O-Mints (and some layouts?)
%%% for the Fontsite 500 fonts
\newcommand*{\FSfont}[1]{%
- \fontfamily{#1}\selectfont}
+ \fontencoding{T1}\fontfamily{#1}\selectfont}
%\renewcommand*{\FSfont}[1]{}% kills special font selections
+\newcommand*{\labelit}[1]{\phantomsection\label{#1}}
+\newcommand*{\refit}[1]{(graphic on page~\pageref{#1})}
+
\chapterstyle{dash}\renewcommand*{\chaptitlefont}{\normalfont\itshape\LARGE}
\setlength{\beforechapskip}{2\onelineskip}
\setsecheadstyle{\normalfont\Large\raggedright}
@@ -108,6 +149,7 @@
{\end{minipage}\end{vplace}\end{boxminipage}}
\definecolor{Dark}{gray}{.2}
+\definecolor{MedDark}{gray}{.4}
\definecolor{Medium}{gray}{.6}
\definecolor{Light}{gray}{.8}
@@ -130,7 +172,7 @@
\vspace*{\baselineskip}
{\Large The Author}\\[0.167\txtheight]
{\bfseries The Big Book of}\\[\baselineskip]
-{\textcolor{Medium}{\Huge CONUNDRUMS}}\\[\baselineskip]
+{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip]
{\small With 123 illustrations}\par
\vfill
{\Large The Publisher \plogo}\par
@@ -162,6 +204,74 @@
\vspace*{\drop}
\endgroup}
+\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking
+\drop=0.1\txtheight
+\begin{minipage}[t]{0.05\txtwidth}
+ \color{Red}
+ \rule{6pt}{\txtheight}
+\end{minipage}
+\hspace{0.05\txtwidth}
+\begin{minipage}[t]{0.6\txtwidth}
+ \vspace*{\drop}
+ {\Large THE AUTHOR} \\
+ \rule{0.9\txtwidth}{1pt} \par
+ \vspace{3\baselineskip}
+ {\noindent\Huge\bfseries CONUNDRUMS} \par
+ \vspace{2\baselineskip}
+ {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par
+ \vspace{6.5\baselineskip}
+ {\scshape after the foreign edition of year \\
+ translated by} \par
+\vspace{0.1\baselineskip}
+ {\Large THE TRANSLATOR} \par
+ \vspace{\baselineskip}
+ \rule{0.9\txtwidth}{1pt} \par
+ \vspace{\baselineskip}
+ {\Large THE PUBLISHER}
+\end{minipage}
+\hfill
+\begin{minipage}[t]{0.15\txtwidth}
+ {\color{Red}
+ \FSfont{5fh}% FontSite Fette Gotisch
+ \HUGE
+ \vspace{3.3\baselineskip}
+ H \\[1.15\baselineskip]
+ G \\[1.15\baselineskip]
+ P \\[1.15\baselineskip]
+ E
+}\par
+ \vspace{4\baselineskip}
+ {\Large YEAR}
+\end{minipage}
+\endgroup}
+
+
+\begin{comment}
+\vfill
+ \hbox{%
+ \hspace*{0.1\txtwidth}%
+ \textcolor{Red}{\rule{6pt}{\txtheight}}
+ \hspace*{0.05\txtwidth}%
+%\fbox{%
+\parbox[b]{0.75\txtwidth}{
+ \vbox{%
+ \vspace{\drop}
+ {\noindent\Large THE AUTHOR} \\
+ \rule{0.8\txtwidth}{2pt} \\
+ {\noindent\Huge\bfseries CONUNDRUMS\\}
+ {\Large\itshape A Handy Guide to Puzzles and Enigmas\\}
+ {\Large THE AUTHOR}\par
+ \vspace{0.5\txtheight}
+ {\noindent The Publisher}\\[\baselineskip]
+ }% end of vbox
+}% end of parbox
+%}% end of fbox
+ }% end of hbox
+\vfill
+\null
+\endgroup}
+\end{comment}
+
\newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149
\FSfont{5bo}% Bembo/Bergamo
@@ -316,7 +426,8 @@ The Publisher
\endgroup}
\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface
-\FSfont{5gr}% Galliard/Gareth
+%\FSfont{5gr}% Galliard/Gareth
+\FSfont{5bo}% Bergamo/Bembo
\drop=0.1\txtheight
\vspace*{\drop}
\rule{\txtwidth}{1pt}\par
@@ -324,17 +435,17 @@ The Publisher
\rule{\txtwidth}{0.4pt}\par
\vspace{0.5\drop}
\centering
-\textcolor{Medium}{
-{\Huge THE BOOK}\\[0.5\baselineskip]
-{\Large OF}\\[0.75\baselineskip]
-{\Huge CONUNDRUMS}}
+\textcolor{Red}{%\FSfont{5cz}% Chisel
+{\FSfont{5ml}\Huge THE BOOK}\\[0.5\baselineskip]
+{\FSfont{5ml}\Large OF}\\[0.75\baselineskip]% Delphian (5dp)
+{\FSfont{5ml}\Huge CONUNDRUMS}}% Mona Lisa
\par
\vspace{0.25\drop}
\rule{0.3\txtwidth}{0.4pt}\par
\vspace{\drop}
{\Large \scshape The Author}\par
\vfill
-{\large \textcolor{Medium}{\plogo}}\\[0.5\baselineskip]
+{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip]
{\large\scshape the publisher}\par
\vspace*{\drop}
\endgroup}
@@ -345,7 +456,7 @@ The Publisher
\sffamily
\vspace*{\drop}
\centering
-{\textcolor{Light}{\HUGE CONUNDRUMS}}\par
+{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par
\vspace{0.5\drop}
\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large Puzzles for the Mind}}\par
\vspace{\drop}
@@ -360,7 +471,7 @@ The Publisher
\vspace*{\drop}
\centering
{\Large\itshape THE BIG BOOK OF}\\[0.5\drop]
-{\textcolor{Medium}{\HUGE\bfseries CONUNDRUMS}}\par
+{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par
\vspace{\drop}
{\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par
\vfill
@@ -416,23 +527,25 @@ The Date\par
\vspace*{\drop}
\centering
{\LARGE THE UNIVERSITY}\\[2\baselineskip]
-{\LARGE\sffamily Conundrums: \\ puzzles for the mind}\par
+{\LARGE\sffamily Conundrums: \\ puzzles for the mind\par}
\vfill
{\LARGE THESIS}\par
\vspace{\drop}
{\large some remarks concerning the supervisor \\
and the time and place of the examination \\
- and other administrative details}\par
+ and other administrative details\par}
\vfill
{\large\bfseries The Candidate}\par
\vspace*{\drop}
\endgroup}
\newcommand*{\titlePW}{\begingroup% PW Thesis
+\ttfamily
\drop=0.1\txtheight
\vspace*{\drop}
\centering
-{\Large\bfseries SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND}\par
+{\Large%\bfseries
+ SOME REMARKS \\ ON CONUNDRUMS \\ AS PUZZLES FOR THE MIND\par}
\vspace*{\drop}
{\large by}\par
\vspace*{\drop}
@@ -441,11 +554,68 @@ The Date\par
\raggedright
{\Large
Thesis submitted to The University for the degree of
- DEGREE, Month year.}\par
+ DEGREE, Month year.\par}
\vfill
\null
\endgroup}
+\newcommand*{\titleUL}{\begingroup% University of Liege
+\drop=0.1\txtheight
+\vspace*{\drop}
+\begin{center}
+{\LARGE\textsc{THE UNIVERSITY}}\\[\drop]
+% University logo
+{\LARGE \plogo}\\[\drop]
+
+\rule{\txtwidth}{1pt}\par
+\vspace{0.5\baselineskip}
+{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\
+ \large --- in N pages, with T tables ---}\\[0.5\baselineskip]
+\rule{\txtwidth}{1pt}\par
+
+\vfill
+
+% fake a footnote reference here
+{\Large\textsc{The\textsuperscript{1} Candidate}}
+
+\vfill
+
+City, Country
+
+\vfill
+
+{\large The Date}
+\end{center}
+
+% faked footnote
+\vspace{-0.5\baselineskip}
+\noindent\rule{0.4\txtwidth}{0.4pt} \\
+\textsuperscript{1} \url{email.address}
+\endgroup}
+
+
+\newcommand*{\titleASU}{%
+\begingroup
+\FSfont{ptm}% Times
+\begin{center}
+CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\
+by \\
+Im A. Student
+
+\vfill
+
+A Polemic Presented in Partial Fulfillment \\
+of the Requirements for the Degree \\
+Name of Degree
+
+\vfill
+
+THE UNIVERSITY
+
+The Date
+\end{center}
+\endgroup}
+
\newcommand*{\titleSW}{\begingroup% Story of Writing
\raggedleft
\vspace*{\baselineskip}
@@ -476,7 +646,80 @@ The Date\par
\vspace*{\drop}
\endgroup}
+\newcommand*{\titleFT}{\begingroup% John Fell Types
+\ifxetex
+ \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman}
+\else
+ \FSfont{fxlj}% Libertine
+\fi
+\begin{center}
+\vfill
+{\HUGE \textcolor{Red}{JOHN FELL} \\}
+\vfill
+{\Huge THE UNIVERSITY PRESS AND
+THE `FELL TYPES' \\}
+\vfill
+{\Large THE PUNCHES AND MATRICES DESIGNED FOR PRINTING
+ IN THE GREEK, LATIN, ENGLISH, AND ORIENTAL LANGUAGES
+ BEQUETHED IN 1686 TO \\}
+\vfill
+{\LARGE THE UNIVERSITY OF OXFORD
+ BY JOHN FELL, D.D.\\}
+\vfill
+{DELEGATE OF THE PRESS, DEAN OF CHRISTCHURCH
+ VICE-CHANCELLOR OF THE UNIVERSITY
+AND BISHOP OF OXFORD \\}
+\vfill
+{\Large BY\\}
+{\LARGE STANLEY MORISON \\}
+{WITH THE ASSISTANCE OF\\}
+{\large HARRY CARTER\\}
+\vfill
+\plogo
+\vfill
+{\LARGE THE PUBLISHER \\}
+{\large YEAR}
+\vfill
+\end{center}
+\endgroup}
+
+\renewcommand*{\titleFT}{\begingroup% John Fell Types
+\ifxetex
+ \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman}
+\else
+ \FSfont{fxlj}% Libertine
+\fi
+\begin{center}
+\vfill
+{\HUGE \textcolor{Red}{THE DONOR} \\}
+\vfill
+{\Huge THE UNIVERSITY AND
+THE `DONOR' CONUNDRUMS \\}
+\vfill
+{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\}
+%\vfill
+{\LARGE THE UNIVERSITY OF CITY \\
+ BY THE DONOR\\}
+%\vfill
+{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\
+ AND OTHER DISTINCTIONS \\}
+\vfill
+{\large BY\\}
+{\LARGE THE AUTHOR \\}
+{\footnotesize WITH THE ASSISTANCE OF\\}
+{\large THE ASSISTANT\\}
+\vfill
+\plogo
+\vfill
+{\LARGE THE PUBLISHER \\}
+{\large YEAR}
+\vfill
+\end{center}
+\endgroup}
+
\newcommand*{\titleJE}{\begingroup% Jane Eyre
+%\FSfont{5cd}% Clarendon
+\FSfont{5cu}% Century Old Style
\vspace*{2\baselineskip}
{\Large\bfseries The Author}\\[2\baselineskip]
\begin{center}
@@ -570,6 +813,7 @@ The Date\par
\endgroup}
+
\newcommand*{\titleGP}{\begingroup% Geometric Modeling
\drop=0.1\txtheight
\centering
@@ -585,14 +829,317 @@ on \\ Enigmas \\
Location, date from--to\par
\vspace*{2\baselineskip}
Edited by \\[\baselineskip]
-{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR}\\
-{\itshape Organisation \\ Address}\par
+{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par}
+{\itshape Organisation \\ Address\par}
\vfill
\plogo\\
{\scshape year} \\
{\large THE PUBLISHER}\par
\endgroup}
+\newcommand*{\rotrt}[1]{\rotatebox{90}{#1}}
+\newcommand*{\rotlft}[1]{\rotatebox{-90}{#1}}
+\newcommand*{\topb}{%
+ \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}}
+\newcommand*{\botb}{%
+ \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}}
+\newcommand*{\titleBC}{\begingroup% Bookbinding & Conservation
+\FSfont{5jr}% Jenson Recut (Centaur)
+\begin{center}
+\def\CP{\textit{\HUGE Conundrums \& Puzzles}}
+\settowidth{\unitlength}{\CP}
+%{\color{LightGoldenrod}\( \overbrace{\hspace{\unitlength}} \)} \\[\baselineskip]
+{\color{LightGoldenrod}\topb} \\[\baselineskip]
+\textcolor{Sienna}{\CP} \\[\baselineskip]
+{\color{RosyBrown}\LARGE A SIXTY-YEAR STUDY} \\
+%{\color{LightGoldenrod}\( \underbrace{\hspace{\unitlength}} \)}
+{\color{LightGoldenrod}\botb}
+\end{center}
+\vfill
+\begin{center}
+{\LARGE\textbf{The Author}}\\
+\vfill
+\plogo\\[0.5\baselineskip]
+YEAR
+\end{center}
+\endgroup}
+
+\newcommand*{\titleHC}{\begingroup% Harry Carter
+\FSfont{fxlj}% Libertine
+\setlength{\drop}{0.1\txtheight}
+\vspace*{\drop}
+\begin{flushleft}
+{\FSfont{5eb}% Erbar Deco
+\HUGE
+{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\
+{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\
+{E\,N\,I\,G\,M\,A\,S}\\
+}
+\vfill
+\Large
+A. N. AUTHOR \\
+A. N. OTHER \\
+Y. E. TANOTHER
+\vfill
+THE PUBLISHER {\normalsize YEAR}
+\end{flushleft}
+\endgroup}
+
+%%%%%%%%%%%%%%%%
+
+%% draw an oval using tikz
+\newcommand*{\anoval}[2]{%
+\begin{tikzpicture}
+\draw[very thick] (0,0) ellipse (#1 and #2);
+\end{tikzpicture}}
+
+%% a zero-sized picture of an oval
+\newcommand*{\putoval}{\begingroup
+\setlength{\unitlength}{1in}
+\begin{picture}(0,0)
+ \put(-1.25,0){\anoval{1.25in}{1.75in}}
+\end{picture}
+\endgroup}
+
+%% rectangular frame
+\newcommand*{\fframe}{\begingroup
+ \wb{10pt}{10pt}
+ \setlength{\unitlength}{1pt}
+ \begin{picture}(0,0)
+\multiput(11,0)(24,0){11}{e}% bottom
+\multiput(23,0)(24,0){10}{f}% bottom
+\multiput(11,384)(24,0){11}{e}% top
+\multiput(23,384)(24,0){10}{f}% top
+\put(0,0){O}% bl
+\put(0,382){R}% tl
+\put(262,0){M}% br
+\put(262,382){P}% tr
+\multiput(0,11)(0,24){16}{i}% left
+\multiput(0,23)(0,24){15}{j}% left
+\multiput(264,11)(0,24){16}{i}% right
+\multiput(264,23)(0,24){15}{j}% right
+ \end{picture}
+\endgroup}
+
+\newcommand*{\titleRMMH}{\begingroup
+\FSfont{5ve}% Vendome
+\Large
+\begin{center}
+The \\
+Puzzle \\
+of \\
+Conundrums\\[2\baselineskip]
+by \\
+The Authoress\\[3\baselineskip]
+\plogo\\[2\baselineskip]
+\putoval
+
+\vspace{2\baselineskip}
+The Publisher \\
+{\normalsize YEAR}
+\end{center}
+\vspace{\baselineskip}
+\fframe
+\endgroup}
+
+%%%%%%%%%%%%%%%%%%%%%%
+
+\newcommand*{\leaf}{{\wb{8pt}{8pt}K}}
+\newcommand*{\titleWM}{\begingroup% William Morris
+\FSfont{5bo}% Bergamo (Bembo)
+\huge
+\scshape
+\noindent
+{\color{Red}
+conundrum \leaf\
+essays on puzzles, enigmas and the mind by the author \leaf\
+edited by the editor
+}
+\vfill
+\begin{center}
+{\normalfont\fontsize{256pt}{256pt}\selectfont ?}
+\end{center}
+\vfill
+\noindent
+the publisher \\
+\hspace*{1pt}%
+\leaf\ year
+\vspace*{3\baselineskip}
+\endgroup}
+
+
+\newcommand*{\titleEI}{\begingroup% Editions & Impressions
+\FSfont{5gl}% Glytus (Glypha)
+\drop = 0.3\txtheight
+\vspace*{\drop}
+\raggedright
+{\LARGE {\huge C}ONUNDRUMS \textit{and} \\
+\hspace*{30pt} {\huge E}NIGMAS\par}
+\vspace{2\baselineskip}
+{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip]
+ \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par
+\vspace{2\baselineskip}
+\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par
+\vfill
+The Publisher {\footnotesize YEAR}
+\endgroup}
+
+
+\newcommand*{\titleJA}{\begingroup% Jost Amman
+\FSfont{5bl}% FontSite Belwe
+\begin{center}
+\drop=0.2\txtheight
+\vspace*{0.5\drop}
+\Large THE AUTHOR'S \\[\baselineskip]
+{\FSfont{5at}% FontSite Abbot Old Style
+\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip]
+\large \textit{with an intruction by} \\
+ SOMEONE ELSE\par
+\vfill
+YEAR \\
+{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt}
+ \rule{\txtwidth}{0.4pt}} \\[\baselineskip]
+\Large THE PUBLISHER
+\end{center}
+\vspace*{\drop}
+\mbox{}
+\endgroup}
+
+\newcommand*{\titlePP}{\begingroup% Printing Poetry
+\FSfont{5jr}% FontSite Jenson Recut (Centaur)
+\drop=0.1\txtheight
+\vspace*{\drop}
+\begin{raggedleft}
+%{\HUGE\color{Navy} PUZZLING}\\[\baselineskip]
+{\HUGE\color{MidnightBlue} PUZZLING}\\[\baselineskip]
+{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip]
+{\HUGE\color{MidnightBlue} CONUNDRUMS} \\[\baselineskip]
+{\Large BY THE AUTHOR}\par
+\end{raggedleft}
+\vfill
+\begin{center}
+{\large THE PUBLISHER YEAR}
+\end{center}
+\vspace*{\drop}
+%\mbox{}
+\endgroup}
+
+
+\newcommand*{\titleGWP}{\begingroup% Gawain Poet
+\FSfont{5gm}% FontSite Garamond
+\drop=0.1\txtheight
+\vspace*{\drop}
+\begin{center}
+\FSfont{5ci}% FontSite Cipollini
+\Huge\color{Red}
+THE COMPLETE WORKS OF THE CONUNDRUM POSER
+\end{center}
+\vfill
+\begin{center}
+{\normalfont\fontsize{256pt}{256pt}\selectfont ?}
+\end{center}
+\vfill
+\begin{center}
+\large
+{\itshape In a Readable Version with a Critical Introduction \\
+by The Critic \\
+\normalsize
+Woodcuts by The Artist} \\
+{\color{Red} \rule{\txtwidth}{0.4pt}}
+THE PUBLISHER
+\end{center}
+\vspace*{0.5\drop}
+
+\endgroup}
+
+\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}}
+\newcommand*{\titleCM}{\begingroup% Christopher Marlowe
+\FSfont{5ci}% FontSite Cipollini
+\drop=0.05\txtheight
+\vspace*{\drop}
+\begin{center}
+{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\
+ A\, U\, T\, H\, O\, R\par}
+\vspace{2\baselineskip}
+{\huge FOUR CONUNDRUMS\par}
+\vspace{\baselineskip}
+\FSfont{5lb}% FontSite Lanston Bell
+\Large
+{\itshape Edited with an Introduction by The Editor \\
+ Engravings by The Engraver}
+\vfill
+\setlength{\unitlength}{3pt}
+\begin{picture}(0,40)
+ \thicklines
+ {\color{Red}
+ \put(-20,0){\framebox(40,40){}}
+ \put(0,0){\line(0,1){40}}
+ \put(-20,20){\line(1,0){40}}}
+ \put(-10,10){\makebox(0,0){\lqm{60pt}}}
+ \put(-10,30){\makebox(0,0){\lqm{60pt}}}
+ \put(10,10){\makebox(0,0){\lqm{60pt}}}
+ \put(10,30){\makebox(0,0){\lqm{60pt}}}
+\end{picture}
+\vfill
+THE PUBLISHER
+\end{center}
+\vspace*{\drop}
+\endgroup}
+
+
+\newcommand*{\titleIP}{\begingroup% Into Print
+\FSfont{5pl}% FontSite Palladio (Palatino)
+\drop=0.1\txtheight
+\vspace*{0.5\drop}
+\begin{center}
+{\Huge CONUNDRUMS}\\[\baselineskip]
+\Large
+\dingline{49}
+\vspace{\baselineskip}
+{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement}
+
+\vspace{\baselineskip}
+
+THE AUTHOR
+
+\vfill
+\plogo \\[\baselineskip]
+
+\large
+THE PUBLISHER
+\end{center}
+\vspace*{0.5\drop}
+\endgroup}
+
+
+\newcommand*{\titleAAT}{\begingroup% An Approach to Type
+\FSfont{5bd}% FontSite Bodoni
+\drop=0.1\txtwidth
+\vspace*{0.5\drop}
+{\huge THE AUTHOR}
+
+\begin{vplace}[2]
+\begin{raggedleft}
+\LARGE AN APPROACH TO\\[0.2\baselineskip]
+{\FSfont{5cd}\HUGE\texthb{Conundrums}}\par
+\end{raggedleft}
+\end{vplace}
+
+\large{THE PUBLISHER}
+\vspace*{0.5\drop}
+\endgroup}
+
+
+\newcommand*{\titleXX}{\begingroup%
+\FSfont{5pl}% FontSite
+\begin{center}
+\end{center}
+\endgroup}
+
+
+
+
+
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%% The Family Receipt Book
\makeatletter
@@ -665,7 +1212,7 @@ Edited by \\[\baselineskip]
\hspace*{0.3\textwidth}{\Large The Herries Press}\\[0.5\baselineskip]
\hspace*{0.3\textwidth}%
%\hspace*{0.5\bibindent}%
-{\Large 2009}
+{\Large 2010}
\vspace*{\drop}
\endgroup}
@@ -684,7 +1231,7 @@ Edited by \\[\baselineskip]
\footnotesize
\parindent 0pt
\parskip \baselineskip
-\textcopyright{} 2007, 2009 Peter R. Wilson \\
+\textcopyright{} 2007, 2009, 2010 Peter R. Wilson \\
All rights reserved.
This work may be distributed and/or modified under the conditions
@@ -727,13 +1274,14 @@ Information Sciences --- Permanence of Paper for Printed
Library Materials, ANSI Z39.48--1984.
\begin{center}
- 12 11 10 09 08 07\hspace{2em}7 6 5 4 3 2
+ 12 11 10 09 08 07\hspace{2em}8 7 6 5 4 3 %2
\end{center}
\begin{center}
\begin{tabular}{ll}
First edition: & January 2007 \\
-Second impression, with minor extensions & January 2009
+Second impression, with minor extensions & January 2009 \\
+Third impression, with minor extensions & July 2010
\end{tabular}
\end{center}
@@ -797,22 +1345,20 @@ should give a foretaste of it. If the book consists of plain text, the title
page should at least be in harmony with it.
\end{quote}
-This short document provides some examples of title page designs. I claim
-no credit for any of these as I found them in books in my
+This short document provides some forty or so examples of title page designs.
+I claim no credit for any of these as I found them in books in my
library and all I did was create \LaTeX{} code to demonstrate their
general appearance. A list of the sources is given in the Bibliography.
In the real world many different fonts were used
-%but for illustrative purposes I have restricted the ones here to Knuth's
-%Computer Modern Roman family.
and I have used some here, although I have set most pages with
Knuth's Computer Modern Roman family.
The title page for this document is based on one of the examples.
- Several designs are shown following this introduction and the code for
+ The designs are shown following this introduction and the code for
each is
-given at the end. There is no particular ordering to the examples apart
-from the order in which I found them. The designs are meant as possible
+given at the end. There is no particular ordering to the examples, not
+even the order in which I found them. The designs are meant as possible
starting points for exercising your creativity.
While on the subject of introductory pages, the copyright page of a book
@@ -861,131 +1407,215 @@ dating to the late 18th or early 19th century, that I reset using
\begin{showtitle}
\titleJT
-\end{showtitle}
+\end{showtitle}\labelit{JT}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJT?}
+
\begin{showtitle}
\titleTH
-\end{showtitle}
+\end{showtitle}\labelit{TH}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTH?}
\begin{showtitle}
\titleM
-\end{showtitle}
+\end{showtitle}\labelit{M}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleM?}
\begin{showtitle}
\titleS
-\end{showtitle}
+\end{showtitle}\labelit{S}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleS?}
\begin{showtitle}
+\titleHGP
+\end{showtitle}\labelit{HGP}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHGP?}
+
+\begin{showtitle}
\titleRF
-\end{showtitle}
+\end{showtitle}\labelit{RF}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRF?}
\begin{showtitle}
+\titleAT
+\end{showtitle}\labelit{AT}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAT?}
+
+\begin{showtitle}
\titleDB
-\end{showtitle}
+\end{showtitle}\labelit{DB}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDB?}
\begin{showtitle}
\titleAM
-\end{showtitle}
+\end{showtitle}\labelit{AM}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAM?}
\begin{showtitle}
\titleP
-\end{showtitle}
+\end{showtitle}\labelit{P}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleP?}
\begin{showtitle}
+\titleLL
+\end{showtitle}\labelit{LL}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleLL?}
+
+\begin{showtitle}
\titleGM
-\end{showtitle}
+\end{showtitle}\labelit{GM}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGM?}
\begin{showtitle}
\titlePM
-\end{showtitle}
+\end{showtitle}\labelit{PM}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePM?}
\begin{showtitle}
-\titleAT
-\end{showtitle}
-{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAT?}
-
-\begin{showtitle}
-\titleLL
-\end{showtitle}
-{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleLL?}
-
-\begin{showtitle}
\titleCC
-\end{showtitle}
+\end{showtitle}\labelit{CC}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCC?}
\begin{showtitle}
\titleDS
-\end{showtitle}
+\end{showtitle}\labelit{DS}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleDS?}
\begin{showtitle}
\titleMS
-\end{showtitle}
+\end{showtitle}\labelit{MS}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleMS?}
\begin{showtitle}
\titlePW
-\end{showtitle}
+\end{showtitle}\labelit{PW}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePW?}
\begin{showtitle}
+\titleUL
+\end{showtitle}\labelit{UL}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleUL?}
+
+\begin{showtitle}
+\titleASU
+\end{showtitle}\labelit{ASU}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleASU?}
+
+\begin{showtitle}
+\titleBC
+\end{showtitle}\labelit{BC}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBC?}
+
+\begin{showtitle}
\titleSW
-\end{showtitle}
+\end{showtitle}\labelit{SW}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSW?}
\begin{showtitle}
\titleTMB
-\end{showtitle}
+\end{showtitle}\labelit{TMB}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleTMB?}
\begin{showtitle}
+\titleFT
+\end{showtitle}\labelit{FT}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleFT?}
+
+
+\begin{showtitle}
\titleJE
-\end{showtitle}
+\end{showtitle}\labelit{JE}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJE?}
\begin{showtitle}
\titleZD
-\end{showtitle}
+\end{showtitle}\labelit{ZD}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleZD?}
\begin{showtitle}
+\titleWM
+\end{showtitle}\labelit{WM}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWM?}
+
+\begin{showtitle}
\titleWH
-\end{showtitle}
+\end{showtitle}\labelit{WH}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleWH?}
\begin{showtitle}
\titleBWF
-\end{showtitle}
+\end{showtitle}\labelit{BWF}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleBWF?}
\begin{showtitle}
\titleSI
-\end{showtitle}
+\end{showtitle}\labelit{SI}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleSI?}
\begin{showtitle}
+\titleJA
+\end{showtitle}\labelit{JA}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleJA?}
+
+\begin{showtitle}
\titleGP
-\end{showtitle}
+\end{showtitle}\labelit{GP}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGP?}
+\begin{showtitle}
+\titleHC
+\end{showtitle}\labelit{HC}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleHC?}
+
+\begin{showtitle}
+\titlePP
+\end{showtitle}\labelit{PP}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titlePP?}
+
+\begin{showtitle}
+\titleRMMH
+\end{showtitle}\labelit{RMMH}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRMMH?}
+
+
+\begin{showtitle}
+\titleEI
+\end{showtitle}\labelit{EI}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleEI?}
+
+\begin{showtitle}
+\titleGWP
+\end{showtitle}\labelit{GWP}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleGWP?}
+
+\begin{showtitle}
+\titleIP
+\end{showtitle}\labelit{IP}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleIP?}
+
+\begin{showtitle}
+\titleAAT
+\end{showtitle}\labelit{AAT}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleAAT?}
+
+\begin{showtitle}
+\titleCM
+\end{showtitle}\labelit{CM}
+{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleCM?}
+
+%\begin{showtitle}
+%\titleXX
+%\end{showtitle}\labelit{}
+%{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleXX?}
+
+
%%\noindent
-\titleRB
+\titleRB\labelit{RB}
{\par\vspace{0.2\baselineskip}\footnotesize \verb?\titleRB?}
@@ -1003,8 +1633,62 @@ from those there is nothing untoward about any of the examples. You can use
any of them, after changing the words and spacing to suit,
along the lines of:
\begin{verbatim}
+\usepackage[T1]{fontenc}
+\usepackage{lmodern}
+\usepackage{url}
+\usepackage[svgnames]{xcolor}
+\ifpdf
+ \usepackage{pdfcolmk}
+\fi
+%% check if using xelatex rather than pdflatex
+\ifxetex
+ \usepackage{fontspec}
+\fi
+\usepackage{graphicx}
+%%\usepackage{hyperref}
+%% drawing package
+\usepackage{tikz}
+%% for dingbats
+\usepackage{pifont}
+
\providecommand{\HUGE}{\Huge}% if not using memoir
\newlength{\drop}% for my convenience
+%% specify the Webomints family
+\newcommand*{\wb}[1]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}}
+%% select a (FontSite) font by its font family ID
+\newcommand*{\FSfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont}
+%% if you don't have the FontSite fonts either \renewcommand*{\FSfont}[1]{}
+%% or use your own choice of family.
+%% select a (TeX Font) font by its font family ID
+\newcommand*{\TXfont}[1]{\fontencoding{T1}\fontfamily{#1}\selectfont}
+%% Generic publisher's logo
+\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}}
+%% Some shades
+\defincolor{Dark}{gray}{0.2}
+\defincolor{MedDark}{gray}{0.4}
+\defincolor{Medium}{gray}{0.6}
+\defincolor{Light}{gray}{0.8}
+
+%%%% Additional font series macros
+\makeatletter
+%%%% light series
+%% e.g., kernel doc, section s: line 12 or thereabouts
+\DeclareRobustCommand\ltseries
+ {\not@math@alphabet\ltseries\relax
+ \fontseries\ltdefault\selectfont}
+%% e.g., kernel doc, section t: line 32 or thereabouts
+\newcommand{\ltdefault}{l}
+%% e.g., kernel doc, section v: line 19 or thereabouts
+\DeclareTextFontCommand{\textlt}{\ltseries}
+
+% heavy(bold) series
+\DeclareRobustCommand\hbseries
+ {\not@math@alphabet\hbseries\relax
+ \fontseries\hbdefault\selectfont}
+\newcommand{\hbdefault}{hb}
+\DeclareTextFontCommand{\texthb}{\hbseries}
+\makeatother
+
\begin{document}
\pagestyle{empty}
\titleX
@@ -1012,17 +1696,10 @@ along the lines of:
...
\end{verbatim}
- Some of the original title pages used color. In such cases I have
-used a shade of gray instead, which requires the \texttt{color} package.
-The values I have used are below, together with the definition
-of the publisher's logo (\cs{plogo}):
-\begin{verbatim}
-\usepackage{color}
-\definecolor{Dark}{gray}{.2}
-\definecolor{Medium}{gray}{.6}
-\definecolor{Light}{gray}{.8}
-\newcommand*{\plogo}{\fbox{$\mathcal{PL}$}}
-\end{verbatim}
+ Some of the original title pages used color. In such cases I have tried
+to match the colors using palette provided by the \texttt{svgnames} option
+to the \texttt{xcolor} package.
+
In other cases I have used the \texttt{graphicx} package to scale or
rotate elements of the design.
@@ -1030,20 +1707,26 @@ rotate elements of the design.
such as including a publication date or removing the publisher, or use
a different font (or fonts). The design is in your hands.
+ I used slightly different coding than given below to display the graphic
+examples in order to produce slightly smaller displays than the following
+macros will provide. If you are interested look in the preamble of
+the source file \texttt{titlepages.tex}.
+
-\section{titleJT}
+\section{titleJT \refit{JT}}
This is based on the title page of
\emph{Jan Tschichold: Typographer}~\cite{MCLEAN75}. The book was designed
by Herbert\index{Spencer, Herbert} Spencer and
Christine\index{Charlton, Christine} Charlton. The text type is
12/14 Monotype Garamond 156 with chapter headings in
-24 point Sabon Semi-bold.
+24 point Sabon Semi-bold. Page size is 57pc by 57pc.
I used Garamond for the printed example.
\begin{verbatim}
\newcommand*{\titleJT}{\begingroup% Jan Tschichold: typographer
+\FSfont{5gm} % FontSite Garamond
\drop = 0.08\textheight
\vspace*{\drop}
\hspace*{0.3\textwidth}
@@ -1057,12 +1740,12 @@ Christine\index{Charlton, Christine} Charlton. The text type is
\endgroup}
\end{verbatim}
-\section{titleTH}
+\section{titleTH \refit{TH}}
This is based on the title page of Thames and Hudson's \emph{Manual of
Typography} by Ruari McLean~\cite{MCLEAN80}. The main element of the
title was set using a red font with everything else in normal black. If you
-use this you need the \texttt{color} package.
+use this you need the \texttt{xcolor} package. The page size is 38 by 57pc.
\begin{verbatim}
\newcommand*{\titleTH}{\begingroup% T&H Typography
@@ -1070,7 +1753,7 @@ use this you need the \texttt{color} package.
\vspace*{\baselineskip}
{\Large The Author}\\[0.167\textheight]
{\bfseries The Big Book of}\\[\baselineskip]
-{\textcolor{Medium}{\Huge CONUNDRUMS}}\\[\baselineskip]
+{\textcolor{Red}{\Huge CONUNDRUMS}}\\[\baselineskip]
{\small With 123 illustrations}\par
\vfill
{\Large The Publisher \plogo}\par
@@ -1078,7 +1761,7 @@ use this you need the \texttt{color} package.
\endgroup}
\end{verbatim}
-\section{titleM}
+\section{titleM \refit{M}}
This is based on a title page designed by Jan\index{Tschichold, Jan}
Tschichold in 1954 for a King Penguin book on Misericords and
@@ -1100,7 +1783,7 @@ shown in~\cite{MCLEAN80}.
\endgroup}
\end{verbatim}
-\section{titleS}
+\section{titleS \refit{S}}
This is based on a title page designed by Jan\index{Tschichold, Jan}
Tschichold in 1949 for a King Penguin book on Scripts and
@@ -1120,17 +1803,76 @@ shown in~\cite{MCLEAN80}.
\endgroup}
\end{verbatim}
-\section{titleRF}
+\section{titleHGP \refit{HGP}}
+
+ This example is based on the title page of the English translation of
+an 18th Century Japanese book on papermaking~\cite{HAMILTON48}. In the
+original the Japanese title is given using Latin characters,
+\emph{Kamisuki Ch\={o}h\={o}ki}, in a large
+font followed by the English title in italics. The Japanese title
+in Kanji is in red vertically at the right side of the page.
+
+ In my version I used Fette Gotisch instead of Kanji. The original
+page size is 36 by 54pc. Interestingly the page size of a Japanese
+edition that I have, published around 1943, is almost the same at
+33 by 55pc.
+
+
+\begin{verbatim}
+\newcommand*{\titleHGP}{\begingroup% Handy Guide to Papermaking
+\drop=0.1\txtheight
+\begin{minipage}[t]{0.05\txtwidth}
+ \color{Red}
+ \rule{6pt}{\txtheight}
+\end{minipage}
+\hspace{0.05\txtwidth}
+\begin{minipage}[t]{0.6\txtwidth}
+ \vspace*{\drop}
+ {\Large THE AUTHOR} \\
+ \rule{0.9\txtwidth}{1pt} \par
+ \vspace{3\baselineskip}
+ {\noindent\Huge\bfseries CONUNDRUMS} \par
+ \vspace{2\baselineskip}
+ {\Large\itshape A Handy Guide to Puzzles and Enigmas} \par
+ \vspace{6.5\baselineskip}
+ {\scshape after the foreign edition of year \\
+ translated by} \par
+\vspace{0.1\baselineskip}
+ {\Large THE TRANSLATOR} \par
+ \vspace{\baselineskip}
+ \rule{0.9\txtwidth}{1pt} \par
+ \vspace{\baselineskip}
+ {\Large THE PUBLISHER}
+\end{minipage}
+\hfill
+\begin{minipage}[t]{0.15\txtwidth}
+ {\color{Red}
+ \FSfont{5fh}% FontSite Fette Gotisch
+ \HUGE
+ \vspace{3.3\baselineskip}
+ H \\[1.15\baselineskip]
+ G \\[1.15\baselineskip]
+ P \\[1.15\baselineskip]
+ E
+}\par
+ \vspace{4\baselineskip}
+ {\Large YEAR}
+\end{minipage}
+\endgroup}
+\end{verbatim}
+
+\section{titleRF \refit{RF}}
This is based on a title page designed by Rudolph\index{Ruzicka, Rudolph}
Ruzicka in 1971 for an Imprint Society's book of Robert Frost's poetry and
shown in~\cite{MCLEAN80}. The text is set with Ruzicka's Linotype Fairfield
with the display lines in Monotype Bembo.
- I used Bembo for the printed example.
+ I used Bergamo (Bembo) for the printed example.
\begin{verbatim}
\newcommand*{\titleRF}{\begingroup% Robert Frost, T&H p 149
+\FSfont{5bp} % FontSite Bergamo (Bembo)
\drop = 0.2\textheight
\centering
\vfill
@@ -1144,16 +1886,57 @@ with the display lines in Monotype Bembo.
\endgroup}
\end{verbatim}
-\section{titleDB}
+\section{titleAT \refit{AT}}
+
+This is based on the title page from \emph{Anatomy of a Typeface}~\cite{LAWSON90}.
+In the original both the title, in a decorative font, and the
+publisher's logo were in red.
+You will need the \texttt{xcolor} package for this style. The text was
+set in Galliard, designed by Matthew Carter. The page size is 36 by 54pc.
+
+ I used Mona Lisa for the main title and Bergamo (Bembo) for the
+remainder in the printed example.
+
+\begin{verbatim}
+\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface
+\FSfont{5bp} % FontSite Bergamo (Bembo)
+\drop=0.1\textheight
+\vspace*{\drop}
+\rule{\textwidth}{1pt}\par
+\vspace{2pt}\vspace{-\baselineskip}
+\rule{\textwidth}{0.4pt}\par
+\vspace{0.5\drop}
+\centering
+\textcolor{Red}{
+{\FSfont{5ml} % FontSite Mona Lisa
+ \Huge THE BOOK}\\[0.5\baselineskip]
+{\FSfont{5ml}
+ \Large OF}\\[0.75\baselineskip]
+{\FSfont{5ml}
+ \Huge CONUNDRUMS}}\par
+\vspace{0.25\drop}
+\rule{0.3\textwidth}{0.4pt}\par
+\vspace{\drop}
+{\Large \scshape The Author}\par
+\vfill
+{\large \textcolor{Red}{\plogo}}\\[0.5\baselineskip]
+{\large\scshape the publisher}\par
+\vspace*{\drop}
+\endgroup}
+\end{verbatim}
+
+\section{titleDB \refit{DB}}
This is based on the title page of \emph{The Design of Books}~\cite{WILSON93},
designed by Adrian\index{Wilson, Adrian} Wilson. The types used in the book
-are handset Palatino and Linotype Aldus, designed by Hermann Zapf.
+are handset Palatino and Linotype Aldus, designed by Hermann Zapf. The
+page size is 51 by 66pc.
- I used Palatino for the printed example.
+ I used URW Palladio (Palatino) for the printed example.
\begin{verbatim}
\newcommand*{\titleDB}{\begingroup% AW, Design of Books
+\FSfont{5pl} % FontSite URW Palladio (Palatino)
\drop = 0.14\textheight
\centering
\vspace*{\drop}
@@ -1170,17 +1953,18 @@ are handset Palatino and Linotype Aldus, designed by Hermann Zapf.
\endgroup}
\end{verbatim}
-\section{titleAM}
+\section{titleAM \refit{AM}}
This is based on a title page designed by Will\index{Carter, Will}
Carter for a limited edition of Samual Taylor Coleridge's \emph{The Rime of the
Ancient Mariner} from \emph{The Design of Books}~\cite{WILSON93}. The book
was typeset using Bembo.
- I used Bembo for the printed example.
+ I used Bergamo (Bembo) for the printed example.
\begin{verbatim}
\newcommand*{\titleAM}{\begingroup% Ancient Mariner, AW p. 151
+\FSfont{5bo} % FontSite Bergamo (Bembo)
\drop = 0.12\textheight
\centering
\vspace*{\drop}
@@ -1198,17 +1982,18 @@ was typeset using Bembo.
\endgroup}
\end{verbatim}
-\section{titleP}
+\section{titleP \refit{P}}
This is based on a title page designed by Adrian\index{Wilson, Adrian}
Wilson in 1961 for a book about the Pyramids and shown in
\emph{The Design of Books}~\cite{WILSON93}. The text type is 11/13 Monotype
Bembo.
- I used Bembo for the printed example.
+ I used Bergamo (Bembo) for the printed example.
\begin{verbatim}
\newcommand*{\titleP}{\begingroup% The Pyramids, AW p. 81
+\FSfont{5bo} % FontSite Bergamo (Bembo)
\drop = 0.12\textheight
\vspace*{\drop}
\hspace*{0.3\textwidth}
@@ -1223,12 +2008,39 @@ Bembo.
\endgroup}
\end{verbatim}
-\section{titleGM}
+\section{titleLL \refit{LL}}
+
+ This is based on the title page of \emph{Lost Languages}~\cite{ROBINSON02}.
+The book was designed by Cathleen\index{Bennett, Cathleen} Bennett and the
+The page size is 43 by 55pc. In the original the main element of the title
+was set in a light blue font. The \texttt{xcolor} package is
+needed for this style.
+
+\begin{verbatim}
+\newcommand*{\titleLL}{\begingroup% Lost Languages
+\drop=0.1\textheight
+\fboxsep 0.5\baselineskip
+\sffamily
+\vspace*{\drop}
+\centering
+{\textcolor{SkyBlue}{\HUGE CONUNDRUMS}}\par
+\vspace{0.5\drop}
+\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large
+ Puzzles for the Mind}}\par
+\vspace{\drop}
+{\Large The Author}\par
+\vfill
+{\footnotesize THE PUBLISHER}\par
+\vspace*{\drop}
+\endgroup}
+\end{verbatim}
+
+\section{titleGM \refit{GM}}
The original for this is the title page for \emph{Gentle Madness} by
Nicholas Basbanes~\cite{BASBANES95}, except that the vertical rule was made up
of printers' ornaments in the original. The book was designed by
-Paula\index{Szafranski, Paula R} R.~Szafranski.
+Paula\index{Szafranski, Paula R} R.~Szafranski, and the page size is 36 by 54pc.
\begin{verbatim}
\newcommand*{\titleGM}{\begingroup% Gentle Madness
@@ -1256,22 +2068,21 @@ Paula\index{Szafranski, Paula R} R.~Szafranski.
\endgroup}
\end{verbatim}
-\section{titlePM}
+\section{titlePM \refit{PM}}
This is a version of \cs{titleGM} which is closer to the original as I
have used ornaments from the Web-O-Mints font~\cite{WEBOMINTS} instead of the
vertical rule. These should be available on your system (but you may have to
install the \texttt{webo.map} file). I obtained the various numbers used
in the setting of the ornaments through trial and error as it is a once-off
-layout, but it would be possible to calculate them. Note the use of color
-for the printers' ornaments.
+layout, but it would be possible to calculate them. Note the use of a gray
+shade for the printers' ornaments.
The book consists of several parts and the title page ornaments
are repeated on each \cs{part} page, thus stylistically tying them
together with the title page.
\begin{verbatim}
-\newcommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}}
\newcommand*{\titlePM}{\begingroup% \titleGM with Ornaments
\drop = 0.1\textheight
\vspace*{\baselineskip}
@@ -1301,73 +2112,14 @@ together with the title page.
\end{verbatim}
-\section{titleAT}
-
-This is based on the title page from \emph{Anatomy of a Typeface}~\cite{LAWSON90}.
-In the original both the title and the publisher's logo were in red.
-You will need the \texttt{color} package for this style. The text was
-set in Galliard, designed by Matthew Carter.
-
- I used Galliard for the printed example.
-
-\begin{verbatim}
-\newcommand*{\titleAT}{\begingroup% Anatomy of a Typeface
-\drop=0.1\textheight
-\vspace*{\drop}
-\rule{\textwidth}{1pt}\par
-\vspace{2pt}\vspace{-\baselineskip}
-\rule{\textwidth}{0.4pt}\par
-\vspace{0.5\drop}
-\centering
-\textcolor{Medium}{
-{\Huge THE BOOK}\\[0.5\baselineskip]
-{\Large OF}\\[0.75\baselineskip]
-{\Huge CONUNDRUMS}}\par
-\vspace{0.25\drop}
-\rule{0.3\textwidth}{0.4pt}\par
-\vspace{\drop}
-{\Large \scshape The Author}\par
-\vfill
-{\large \textcolor{Medium}{\plogo}}\\[0.5\baselineskip]
-{\large\scshape the publisher}\par
-\vspace*{\drop}
-\endgroup}
-\end{verbatim}
-
-\section{titleLL}
-
- This is based on the title page of \emph{Lost Languages}~\cite{ROBINSON02}.
-The book was designed by Cathleen\index{Bennett, Cathleen} Bennett.
-In the original the main element
-of the title was set in a light blue font. The \texttt{color} package is
-needed for this style.
-
-\begin{verbatim}
-\newcommand*{\titleLL}{\begingroup% Lost Languages
-\drop=0.1\textheight
-\fboxsep 0.5\baselineskip
-\sffamily
-\vspace*{\drop}
-\centering
-{\textcolor{Light}{\HUGE CONUNDRUMS}}\par
-\vspace{0.5\drop}
-\colorbox{Dark}{\textcolor{white}{\normalfont\itshape\Large
- Puzzles for the Mind}}\par
-\vspace{\drop}
-{\Large The Author}\par
-\vfill
-{\footnotesize THE PUBLISHER}\par
-\vspace*{\drop}
-\endgroup}
-\end{verbatim}
-
-\section{titleCC}
+\section{titleCC \refit{CC}}
A title page for a work that consists of two or more volumes. It is based
on a Survey of Cambridge~\cite{CAMBRIDGE59} which was published in 2 Parts,
-plus a set of maps. The main element of the title was set using a red font,
+plus a set of maps. The page size is 50 by 63.5pc.
+The main element of the title was set using a red font,
everything else was as normal. If you try this you need to use the
-\texttt{color} package.
+\texttt{xcolor} package.
\begin{verbatim}
\newcommand*{\titleCC}{\begingroup% City of Cambridge
@@ -1375,7 +2127,7 @@ everything else was as normal. If you try this you need to use the
\vspace*{\drop}
\centering
{\Large\itshape THE BIG BOOK OF}\\[0.5\drop]
-{\textcolor{Medium}{\HUGE\bfseries CONUNDRUMS}}\par
+{\textcolor{Red}{\HUGE\bfseries CONUNDRUMS}}\par
\vspace{\drop}
{\LARGE\itshape VOLUME 1: SOCIAL AND MORAL}\par
\vfill
@@ -1389,12 +2141,13 @@ everything else was as normal. If you try this you need to use the
\endgroup}
\end{verbatim}
-\section{titleDS}
+\section{titleDS \refit{DS}}
A student of mine, Donald\index{Sanderson, Donald} Sanderson,
used \LaTeX{} to typeset his
thesis~\cite{SANDERSON94}. This is the title page style mandated by
-Rensselaer Polytechnic Institute as of 1994.
+Rensselaer Polytechnic Institute as of 1994. The page size is letterpaper,
+51.5 by 66pc.
\begin{verbatim}
\newcommand*{\titleDS}{\begingroup% DS Thesis
@@ -1436,11 +2189,11 @@ The Date\par
\endgroup}
\end{verbatim}
-\section{titleMS}
+\section{titleMS \refit{MS}}
Maarten\index{Sneep, Maarten} Sneep used the \LaTeX{} \texttt{memoir}
class to typeset his
-thesis~\cite{SNEEP04}. This style is based on his title page.
+thesis~\cite{SNEEP04}. This style is based on his title page, size 40 by 57pc.
\begin{verbatim}
\newcommand*{\titleMS}{\begingroup% MS Thesis
@@ -1461,41 +2214,149 @@ thesis~\cite{SNEEP04}. This style is based on his title page.
\endgroup}
\end{verbatim}
-\section{titlePW}
+\section{titlePW \refit{PW}}
This is a typeset version of the title page from my\index{Wilson, Peter}
thesis~\cite{WILSON71}.
submitted to the University of Nottingham in 1971. The original was
-typewritten with the mathematics inserted by hand with pen and ink.
+typewritten with the mathematics inserted by hand with pen and ink
+on a sheet size of 46 by 59.5pc.
+The example uses a typwriter font.
\begin{verbatim}
\newcommand*{\titlePW}{\begingroup% PW Thesis
+\ttfamily
\drop=0.1\textheight
\vspace*{\drop}
\centering
-{\Large\bfseries SOME REMARKS \\ ON CONUNDRUMS \\
- AS PUZZLES FOR THE MIND}\par
+{\Large%\bfseries
+ SOME REMARKS \\ ON CONUNDRUMS \\
+ AS PUZZLES FOR THE MIND\par}
\vspace*{\drop}
{\large by}\par
\vspace*{\drop}
-{\Large THE CANDIDATE}\par
+{\Large THE CANDIDATE\par}
\vfill
\raggedright
{\Large
Thesis submitted to The University for the degree of
- Degree, Month year.}\par
+ Degree, Month year.\par}
\vfill
\null
\endgroup}
\end{verbatim}
+\section{titleUL \refit{UL}}
+
+ This was supplied by Luca\index{Merciadri, Luca} Merciadri
+as an example of the title page for a dissertation for the Universit\'{e}
+de Li\`{e}ge.\footnote{Personal email, 2010/06/28.} Luca also noted
+that he used a similarly styled titlepage for many other publications.
+I have exercised editorial privilege to modify the coding to match that
+of the other examples.
+
+\begin{verbatim}
+\newcommand*{\titleUL}{\begingroup% University of Liege
+\drop=0.1\textheight
+\vspace*{\drop}
+\begin{center}
+{\LARGE\textsc{THE UNIVERSITY}}\\[\drop]
+% University logo
+{\LARGE \plogo}\\[\drop]
+
+\rule{\textwidth}{1pt}\par
+\vspace{0.5\baselineskip}
+{\huge\bfseries Conundrums: An Investigation of Mind Puzzles\\
+ \large --- in N pages, with T tables ---}\\[0.5\baselineskip]
+\rule{\textwidth}{1pt}\par
+\vfill
+{\Large\textsc{The\footnote{\texttt{email address}} Candidate}}
+\vfill
+City, Country
+\vfill
+{\large The Date}
+\end{center}
+\endgroup}
+\end{verbatim}
+
+\section{titleASU \refit{ASU}}
+
+ A thesis titlepage that I\index{Wilson, Peter} designed, based on
+the requirements of at least one of the
+schools of Arizona State University, as specified in 2009. The page size is
+letterpaper, 51.5 by 66pc. The permitted fonts
+were Arial, Century, Garamond, Lucida Bright, Tahoma, Times, or Verdana.
+The same font and size had to be used throughout the thesis. I used Times
+for the example.
+\begin{verbatim}
+\newcommand*{\titleASU}{\begingroup
+\TXfont{ptm}% Times
+\begin{center}
+CONTINUING CONONDRUMS IN THE TYPOGRAPHIC REQUIREMENTS FOR THESIS \\
+by \\
+Im A. Student\par
+\vfill
+A Polemic Presented in Partial Fulfillment \\
+of the Requirements for the Degree \\
+Name of Degree\par
+\vfill
-\section{titleSW}
+THE UNIVERSITY
+
+The Date
+\end{center}
+\endgroup}
+\end{verbatim}
+
+\section{titleBC \refit{BC}}
+
+ This is based on the title page of \textit{Bookbinding \& Conservation}
+by Don Etherington\cite{ETHERINGTON10}, a well known book conservator
+and binder. The book was designed and typeset
+by Maria Mann\index{Mann, Maria}. The page size is 50.5 by 66.5pc.
+ Four colours were used for the original
+titlepage. The horizontal braces were set in a kind of gold, the main title
+in a sort of sepia brown with the subtitle in a lighter shade, and the
+remainder in black. The horizontal braces carried over into the main
+work where they were used above and below the chapter titles.
+
+ My example is set with Jenson Recut (Centaur) which is not too dissimilar
+from the original. I used rotated braces above and below the title.
+
+\begin{verbatim}
+\newcommand*{\rotrt}{\rotatebox{90}{#1}}
+\newcommand*{\rotlft}{\rotatebox{-90}{#1}}
+\newcommand*{\topb}{%
+ \resizebox*{\unitlength}{\baselineskip}{\rotrt{$\}$}}}
+\newcommand*{\botb}{%
+ \resizebox*{\unitlength}{\baselineskip}{\rotlft{$\}$}}}
+\newcommand*{\titleBC}{\begingroup
+\FSfont{5jr}% Fontsite Jenson Recut (Centaur)
+\begin{center}
+\def\CP{\textit{\HUGE Conundrums \& Puzzles}}
+\settowidth{\unitlength}{\CP}
+{\color{LightGoldenrod}\topb} \\[\baselineskip]
+\textcolor{Sienna}{\CP} \\[\baselineskip]
+{\color{RosyBrown}\LARGE A DECADES-LONG STUDY} \\
+{\color{LightGoldenrod}\botb}
+\end{center}
+\vfill
+\begin{center}
+{\LARGE\textbf{The Author}}\\
+\vfill
+\plogo\\[0.5\baselineskip]
+YEAR
+\end{center}
+\endgroup}
+\end{verbatim}
+
+
+\section{titleSW \refit{SW}}
This is based on the title page of
\emph{The Story of Writing}~\cite{ROBINSON95} published by Thames \& Hudson.
-
+The page size is 45.5 by 60.5pc.
\begin{verbatim}
\newcommand*{\titleSW}{\begingroup% Story of Writing
\raggedleft
@@ -1510,12 +2371,14 @@ typewritten with the mathematics inserted by hand with pen and ink.
\endgroup}
\end{verbatim}
-\section{titleTMB}
+\section{titleTMB \refit{TMB}}
A somewhat old fashioned title page style which, however, suits the
period of the book --- \emph{Three Men in a Boat}~\cite{JEROME64}, first
-published in 1889.
+published in 1889. The edition that I have has a page size of 31 by 51pc.
+ I had to do a lot of hand adjustments to the spacing to get a
+reasonable look for the example.
\begin{verbatim}
\newcommand*{\titleTMB}{\begingroup% Three Men in a Boat
@@ -1538,15 +2401,68 @@ published in 1889.
\endgroup}
\end{verbatim}
-\section{titleJE}
+\section{titleFT \refit{FT}}
+
+ This is modeled after the title page of Stanley\index{Morison, Stanley}
+ Morison's magnificent
+\emph{John Fell, the University Press and the `Fell' types}~\cite{MORISON67}
+published by Oxford University Press on 12 October 1967 --- the day after
+Morison died. It is a large book --- double crown quarto pages of handmade
+rag paper --- printed with handset lead type cast from the matrices
+bequeathed to the Press by John Fell in 1686. For more details
+about the book and type see \cite{OULD00,OULD03,THOMAS05}.
+
+ I have used the IM Fell type in the example, the original page size
+being 60 by 90pc.
+
+\begin{verbatim}
+\newcommand*{\titleFT}{\begingroup% John Fell Types
+\ifxetex
+ \fontspec[Alternate=0]{IM_FELL_Double_Pica_PRO_Roman}
+\else
+ \FSfont{fxlj}% Libertine
+\fi
+\begin{center}
+\vfill
+{\HUGE \textcolor{Red}{THE DONOR} \\}
+\vfill
+{\Huge THE UNIVERSITY AND
+THE `DONOR' CONUNDRUMS \\}
+\vfill
+{\Large THE PUZZLES \& ENIGMAS \\ PRESENTED IN 1768 TO \\}
+%\vfill
+{\LARGE THE UNIVERSITY OF CITY \\
+ BY THE DONOR\\}
+%\vfill
+{\footnotesize WHO HAS ACHIEVED A VARIETY OF ACADEMIC \\
+ AND OTHER DISTINCTIONS \\}
+\vfill
+{\large BY\\}
+{\LARGE THE AUTHOR \\}
+{\footnotesize WITH THE ASSISTANCE OF\\}
+{\large THE ASSISTANT\\}
+\vfill
+\plogo
+\vfill
+{\LARGE THE PUBLISHER \\}
+{\large YEAR}
+\vfill
+\end{center}
+\endgroup}
+\end{verbatim}
+
+\section{titleJE \refit{JE}}
This is modeled after the title page of \emph{Jane Eyre} from an edition
published by the Folio Society~\cite{BRONTE65}. The book was originally
-published in 1847. This edition was set 10 point Scotch Roman leaded
-1~1/2 points.
+published in 1847. The Folio Society edition is set in 10 point Scotch Roman
+leaded 1~1/2 points and the page size is 33 by 52.5pc.
+
+ My example is set with Century Old Style
\begin{verbatim}
\newcommand*{\titleJE}{\begingroup% Jane Eyre
+\FSfont{5cu}% FontSite Century Old Style
\vspace*{2\baselineskip}
{\Large\bfseries The Author}\\[2\baselineskip]
\begin{center}
@@ -1562,12 +2478,13 @@ published in 1847. This edition was set 10 point Scotch Roman leaded
\endgroup}
\end{verbatim}
-\section{titleZD}
+\section{titleZD \refit{ZD}}
This is an elaborate style using printers' ornaments and based on
the title page of the Folio Society's edition of \emph{Zuleika Dobson}
by Max Beerbohm~\cite{BEERBOHM66}. The text was set with 11/12 Monotype
-Ehrhardt. The book was originally published in 1911.
+Ehrhardt on a page size of 32 by 51pc.
+The book was originally published in 1911.
I have used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS},
which in this case matches the one used in the original, and rotating it via
@@ -1575,7 +2492,6 @@ the \texttt{graphicx} package. I also made
an ornament by combining the two math symbols $\prec$ and $\succ$.
\begin{verbatim}
-\providecommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}}
\newcommand*{\cdiam}{\prec\kern-2pt\succ}
\newcommand*{\titleZD}{\begingroup% Zuleika Dobson
\vspace*{2\baselineskip}
@@ -1612,20 +2528,59 @@ an ornament by combining the two math symbols $\prec$ and $\succ$.
\endgroup}
\end{verbatim}
-\section{titleWH}
+\section{titleWM \refit{WM}}
+
+ This is a representation of the kind of titlepage represented
+by \textit{The Ideal Book}~\cite{PETERSON82} designed by William
+S.~Peterson\index{Peterson, William S}. The text was set in Bembo
+and the titles were set in William Morris's Golden type. The page
+size is 45 by 65pc.
+
+ In the original the text at the top of the titlepage was printed
+with a red ink while the rest of the page was in regular black.
+Between the title and the publisher
+was a 16th Century woodcut of a printers workshop. I have used Bergamo (Bembo)
+in the graphic examplar and a large `?' instead of a woodcut.
+
+\begin{verbatim}
+\newcommand*{\leaf}{{\wb{8pt}{8pt}K}}
+\newcommand*{\titleWM}{\begingroup% William Morris
+\FSfont{5bo}% FontSite Bergamo (Bembo)
+\huge
+\scshape
+\noindent
+{\color{Red}
+conundrum \leaf\
+essays on puzzles, enigmas and the mind by the author \leaf\
+edited by the editor
+}
+\vfill
+\begin{center}
+{\normalfont\fontsize{256pt}{256pt}\selectfont ?}
+\end{center}
+\vfill
+\noindent
+the publisher \\
+\hspace*{1pt}%
+\leaf\ year
+\vspace*{3\baselineskip}
+\endgroup}
+\end{verbatim}
+
+
+\section{titleWH \refit{WH}}
The inspiration for this style came from one of the Cambridge University
Printer's Christmas books --- \emph{Words in Their Hands} by Walter
Nurnberg~\cite{NURNBERG64}. I assume that Brooke\index{Crutchley, Brooke}
Crutchley, the Printer, was also the designer as, unlike in some other books
-in the series, no designer was mentioned.
+in the series, no designer was mentioned. The page size is 43 by 52pc.
I used one of the ornaments from the Web-O-Mints font~\cite{WEBOMINTS}
for the page, in
two instances stretching it via the \texttt{graphicx} package.
\begin{verbatim}
-\providecommand*{\wb}[2]{\fontsize{#1}{#2}\usefont{U}{webo}{xl}{n}}
\newcommand*{\titleWH}{\begingroup% Words in their Hands
\drop = 2\baselineskip
\centering
@@ -1645,10 +2600,11 @@ two instances stretching it via the \texttt{graphicx} package.
\endgroup}
\end{verbatim}
-\section{titleBWF}
+\section{titleBWF \refit{BWF}}
This example page is based on the title page from Seamus Heaney's
-wonderful translation of \emph{Beowulf}~\cite{HEANEY99}.
+wonderful translation of \emph{Beowulf}~\cite{HEANEY99}. The original
+page size is 30.5 by 47pc.
\begin{verbatim}
\newcommand*{\titleBWF}{\begingroup% Beowulf
@@ -1664,11 +2620,11 @@ wonderful translation of \emph{Beowulf}~\cite{HEANEY99}.
\endgroup}
\end{verbatim}
-\section{titleSI}
+\section{titleSI \refit{SI}}
- This page does'nt look much out of the ordinary --- it is
+ This page doesn't look much out of the ordinary --- it is
based on the title page of
-\emph{The Sagas of the Icelanders}~\cite{THORSSON00}.
+\emph{The Sagas of the Icelanders}~\cite{THORSSON00}, page size 36 by 55.5pc.
However, this is one in a series of books called \emph{World of the Sagas},
the whole being produced by an editor and several translators. These, together
with the names of the editorial advisory board, are listed on the
@@ -1690,7 +2646,41 @@ recto page facing the title page, thus making up a double spread.
\endgroup}
\end{verbatim}
-\section{titleGP}
+\section{titleJA \refit{JA}}
+
+This example is based on the title page of
+\emph{Jost Amman's Cuts of Craft-Workers} \cite{AMMAN08} published by the
+Incline Press.\footnote{A more affordable version is published by Dover in
+1976 with the title \emph{The Book of Trades} (\isbn\ 0-486-22886-X).}
+The cuts --- wood cuts of 16th Century craftsmen --- were
+introduced by Veronica\index{Speedwell, Veronica} Speedwell who, I believe,
+also designed the book. The page size is 30 by 47pc.
+
+ I used Abbot Old Style for the main title and Belwe for the remainder.
+
+\begin{verbatim}
+\newcommand*{\titleJA}{\begingroup% Jost Amman
+\FSfont{5bl}% FontSite Belwe
+\begin{center}
+\drop=0.2\textheight
+\vspace*{0.5\drop}
+\Large THE AUTHOR'S \\[\baselineskip]
+{\FSfont{5at}% FontSite Abbot Old Style
+\huge\textcolor{Red}{Some Conundrums}}\\[2\baselineskip]
+\large \textit{with an intruction by} \\
+ SOMEONE ELSE\par
+\vfill
+YEAR \\
+{\color{Red} \rule{\txtwidth}{0.4pt}\vspace*{-\baselineskip}\vspace{3pt}
+ \rule{\txtwidth}{0.4pt}} \\[\baselineskip]
+\Large THE PUBLISHER
+\end{center}
+\vspace*{\drop}
+\mbox{}
+\endgroup}
+\end{verbatim}
+
+\section{titleGP \refit{GP}}
This is a title page based on one~\cite{WILSON92} of a series of books
reporting on various annual workshops organised by the International
@@ -1699,6 +2689,9 @@ held in a retreat in the
foothills of the Catskill Mountains in New York and well away from any
distractions (unless you liked hiking).
+ Camera-ready copy for the publisher was created via \LaTeX. The final
+page size was 35.5 by 53.5.
+
\begin{verbatim}
\newcommand*{\titleGP}{\begingroup% Geometric Modeling
\drop=0.1\textheight
@@ -1716,8 +2709,8 @@ Conference on \\ Enigmas \\
Location, date from--to\par
\vspace*{2\baselineskip}
Edited by \\[\baselineskip]
-{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR}\\
-{\itshape Organisation \\ Address}\par
+{\Large FIRST EDITOR \\ SECOND EDITOR \\ THIRD EDITOR\par}\\
+{\itshape Organisation \\ Address\par}
\vfill
\plogo\\
{\scshape year} \\
@@ -1725,11 +2718,353 @@ Edited by \\[\baselineskip]
\endgroup}
\end{verbatim}
-\section{titleRB}
+\section{titleHC \refit{HC}}
+
+ This is based on the title page of
+\textit{Harry Carter Typographer}~\cite{THOMAS05}. The original is set with
+Jan van Krimpen's Romulus at 12/15pt on a page size of 51 by 66pc. The main
+title was set with outline (hollow) type. It was
+printed on a Western proof press at the Old School Press.
+
+ For the example, not having a simple outline font, I have used Erbar
+Deco for the main title and Libertine instead of Romulus for the remainder.
+
+
+\begin{verbatim}
+\newcommand*{\titleHC}{\begingroup% Harry Carter
+\FSfont{fxlj}% Libertine
+\setlength{\drop}{0.1\txtheight}
+\vspace*{\drop}
+\begin{flushleft}
+{\FSfont{5eb}% Erbar Deco
+\HUGE
+{C\,O\,N\,U\,N\,D\,R\,U\,M\,S\,,}\\
+{P\,U\,Z\,Z\,L\,E\,S\,, \&} \\
+{E\,N\,I\,G\,M\,A\,S}\\
+}
+\vfill
+\Large
+A. N. AUTHOR \\
+A. N. OTHER \\
+Y. E. TANOTHER
+\vfill
+THE PUBLISHER {\normalsize YEAR}
+\end{flushleft}
+\endgroup}
+\end{verbatim}
+
+\section{titlePP \refit{PP}}
+
+ This example is based on the title page of
+\emph{Printing Poetry}~\cite{BURKE80} written and designed by
+Clifford\index{Burke, Clifford} and printed letterpress.
+The page size is 41 by 64.5pc.
+
+ The original was composed in Monotype Italian Old Style but not
+having that I have used Jenson Recut (Centaur) instead
+
+\begin{verbatim}
+\newcommand*{\titlePP}{\begingroup% Printing Poetry
+\FSfont{5jr}% FontSite Jenson Recut (Centaur)
+\drop=0.1\textheight
+\vspace*{\drop}
+\begin{raggedleft}
+{\HUGE PUZZLING}\\[\baselineskip]
+{A WORKBOOK FOR RESOLUTIONS}\\[1.1\baselineskip]
+{\HUGE CONUNDRUMS} \\[\baselineskip]
+{\Large BY THE AUTHOR}\par
+\end{raggedleft}
+\vfill
+\begin{center}
+{\large THE PUBLISHER YEAR}
+\end{center}
+\vspace*{\drop}
+%\mbox{}
+\endgroup}
+\end{verbatim}
+
+\section{titleRMMH \refit{RMMH}}
+
+ This style is based on the titlepage of \textit{The Bookbinding
+Career of Rachel McMasters Miller Hunt}~\cite{TITCOMBE74}. The Hunt
+Institute for Botanical Documentation and its Hunt Botanical Library
+were founded in 1960 by Roy Arthur Hunt and his wife Rachel McMasters
+Miller Hunt (1882--1963). Rachel Miller as she was then started designer
+bookbinding as a `hobby' in 1904 and cotinued after her marriage until 1920
+creating over 120 elegant works in that time.
+
+ The frontispiece of the book in question is an oval photograph of a
+very attractive young Edwardian lady. The same size oval ring on the titlepage
+encloses the title together with a rectangular frame of printers ornaments,
+which are also used to frame the chapter titles. The book was designed by
+Thomas C. Pears III~\index{Pears, Thoms C. III} and set in Monotype Spectrum
+with Hunt Roman, designed by Hermann Zapf for the Hunt Botanical Library.
+The page size is 44 by 62pc.
+
+ In the printed example I have used Vendome as I have neither
+Spectrum nor Hunt. As you might infer from the code below there is a lot
+of trial and error involved in getting all the elements positioned well
+with each other.
+
+\begin{verbatim}
+%% draw an oval using tikz
+\newcommand*{\anoval}[2]{%
+\begin{tikzpicture}
+\draw[very thick] (0,0) ellipse (#1 and #2);
+\end{tikzpicture}}
+
+%% a zero-sized picture of an oval
+\newcommand*{\putoval}{\begingroup
+\setlength{\unitlength}{1in}
+\begin{picture}(0,0)
+ \put(-1.25,0){\anoval{1.25in}{1.75in}}
+\end{picture}
+\endgroup}
+
+%% rectangular ornamental frame
+\newcommand*{\fframe}{\begingroup
+ \wb{10pt}{10pt}
+ \setlength{\unitlength}{1pt}
+ \begin{picture}(0,0)
+\multiput(11,0)(24,0){11}{e}% bottom
+\multiput(23,0)(24,0){10}{f}% bottom
+\multiput(11,384)(24,0){11}{e}% top
+\multiput(23,384)(24,0){10}{f}% top
+\put(0,0){O}% bl
+\put(0,382){R}% tl
+\put(262,0){M}% br
+\put(262,382){P}% tr
+\multiput(0,11)(0,24){16}{i}% left
+\multiput(0,23)(0,24){15}{j}% left
+\multiput(264,11)(0,24){16}{i}% right
+\multiput(264,23)(0,24){15}{j}% right
+ \end{picture}
+\endgroup}
+
+\newcommand*{\titleRMMH}{\begingroup
+\FSfont{5ve}% FontSite Vendome
+\Large
+\vspace*{0.1\textheight}
+\begin{center}
+The \\
+Puzzle \\
+of \\
+Conundrums\\[2\baselineskip]
+by \\
+The Authoress\\[3\baselineskip]
+
+\plogo\\[2\baselineskip]
+\putoval
+
+\vspace{2\baselineskip}
+
+The Publisher \\
+{\normalsize YEAR}
+\end{center}
+\vspace{\baselineskip}
+{\centering\begin{picture}(0,0)
+ \put(-140,0){\fframe}
+ \end{picture}
+ \par}
+\endgroup}
+\end{verbatim}
+
+\section{titleEI \refit{EI}}
+
+ A titlepage based on that in
+\emph{Editions and Impressions}~\cite{BASBANES07}, designed by
+Roni\index{Moc{\'a}n, Roni} Moc{\'a}n and
+Jessica\index{Lagunas, Jessica} Lagunas. The page size is 36 by 54pc.
+
+ I used Glytus (Glypha) for the example in normal and light weights, which
+looked not too dissimilar from the original fonts.
+
+\begin{verbatim}
+\newcommand*{\titleEI}{\begingroup% Editions & Impressions
+\FSfont{5gl}% Glytus (Glypha)
+\drop = 0.3\textheight
+\vspace*{\drop}
+\raggedright
+{\LARGE {\huge C}ONUNDRUMS \textit{and} \\
+\hspace*{30pt} {\huge E}NIGMAS\par}
+\vspace{2\baselineskip}
+{\large\ltseries\hspace*{15pt} {\LARGE T}WENTY {\LARGE Y}EARS \\[.1\baselineskip]
+ \hspace*{15pt} OF {\LARGE P}UZZLEMENTS}\par
+\vspace{2\baselineskip}
+\hspace*{15pt}{\ltseries \textit{\large {\footnotesize BY} The Author}}\par
+\vfill
+The Publisher {\footnotesize YEAR}
+\endgroup}
+\end{verbatim}
+
+\section{titleGWP \refit{GWP}}
+
+ An example based on
+\emph{The Complete Works of the Gawain-Poet}~\cite{GAWAIN65}, designed by
+Adrian\index{Wilson, Adrian} for the University of Chicago Press. The
+page size is 40 by 57pc.
+
+ I used Cipollini for the main title and Garamond for the remainder. In
+the center of the original titlepage there is a woodcut of a knight on
+horseback; I have used a large `?' instead.
+
+\begin{verbatim}
+\newcommand*{\titleGWP}{\begingroup% Gawain Poet
+\FSfont{5gm}% FontSite Garamond
+\drop=0.1\textheight
+\vspace*{\drop}
+\begin{center}
+\FSfont{5ci}% FontSite Cipollini
+\Huge\color{Red}
+THE COMPLETE WORKS OF THE CONUNDRUM POSER
+\end{center}
+\vfill
+\begin{center}
+{\normalfont\fontsize{256pt}{256pt}\selectfont ?}
+\end{center}
+\vfill
+\begin{center}
+\large
+{\itshape In a Readable Version with a Critical Introduction \\
+by The Critic \\
+\normalsize
+Woodcuts by The Artist} \\
+{\color{Red} \rule{\txtwidth}{0.4pt}}
+THE PUBLISHER
+\end{center}
+\vspace*{0.5\drop}
+\endgroup}
+\end{verbatim}
+
+\section{titleIP \refit{IP}}
+
+ The titlepage of \emph{Into Print}~\cite{DREYFUS95} is the basis for
+this example. The book was designed by John\index{Trevitt, John} Trevitt
+and printed at the Stamperia Valdonega under the supervision of Martino
+Mardersteig using Dante VAL, a special version of Monotype Dante.
+The page size is 36 by 54pc.
+
+ The original used a Greek key motif below the main title, and also
+below each chapter head.
+
+ I used Palladio (Palatino) in my example and a row of dingbats
+instead of the key motif.
+
+\begin{verbatim}
+\newcommand*{\titleIP}{\begingroup% Into Print
+\FSfont{5pl}% FontSite Palladio (Palatino)
+\drop=0.1\textheight
+\vspace*{0.5\drop}
+\begin{center}
+{\Huge CONUNDRUMS}\\[\baselineskip]
+\Large
+\dingline{49}
+\vspace{\baselineskip}
+{\itshape Selected writings on Puzzles, \\ Enigmas, and Other Attempts at \\ Bafflement}
+
+\vspace{\baselineskip}
+
+THE AUTHOR
+
+\vfill
+\plogo \\[\baselineskip]
+
+\large
+THE PUBLISHER
+\end{center}
+\vspace*{0.5\drop}
+\endgroup}
+\end{verbatim}
+
+\section{titleAAT \refit{AAT}}
+
+ \emph{An Approach to Type}~\cite{BIGGS62} provides an introduction to
+type and its history and use. This is followed by extended examples of
+some 20 or so types that have proved useful over the decades and centuries.
+The page size is 44 by 58.5pc.
+
+ Although it was not stated, I think that Bodoni was used as the main type
+in the original titlepage, and I have used the same. I don't know
+what was the display type for the main title word but I have used
+a heavy-bold Clarendon.
+
+\begin{verbatim}
+\newcommand*{\titleAAT}{\begingroup% An Approach to Type
+\FSfont{5bd}% FontSite Bodoni
+\drop=0.1\textwidth
+\vspace*{0.5\drop}
+{\huge THE AUTHOR}
+
+\begin{vplace}[2]
+\begin{raggedleft}
+\LARGE AN APPROACH TO\\[0.2\baselineskip]
+{\FSfont{5cd}% FontSite Clarendon
+ \HUGE\texthb{Conundrums}}\par
+\end{raggedleft}
+\end{vplace}
+
+\large{THE PUBLISHER}
+\vspace*{0.5\drop}
+\end{verbatim}
+
+
+\section{titleCM \refit{CM}}
+
+ \emph{Christopher Marlowe}~\cite{MARLOWE66} is another work designed
+by Adrian\index{Wilson, Adrian}, this time for the Limited Editions Club.
+
+ The title was set in the striking Carolus type by Karl-Erik Forsberg,
+and the remainder in Bembo. In the center of the titlepage is a partitioned
+box containing the devices for the four plays developed by the designer.
+The page size is 56 by 73.5pc.
+
+ In my rendition I have used Cipollini for the main title and Lanston Bell
+for the remainder. In my case the `devices' are simply `?'.
+
+
+\begin{verbatim}
+\newcommand*{\lqm}[1]{{\HUGE\fontsize{#1}{#1}\selectfont ?}}
+\newcommand*{\titleCM}{\begingroup% Christopher Marlowe
+\FSfont{5ci}% FontSite Cipollini
+\drop=0.05\textheight
+\vspace*{\drop}
+\begin{center}
+{\color{Red}\HUGE T\, H\, E\ \ \ O\, R\, I\, G\, I\, N\, A\, L \\
+ A\, U\, T\, H\, O\, R\par}
+\vspace{2\baselineskip}
+{\huge FOUR CONUNDRUMS\par}
+\vspace{\baselineskip}
+\FSfont{5lb}% FontSite Lanston Bell
+\Large
+{\itshape Edited with an Introduction by The Editor \\
+ Engravings by The Engraver}
+\vfill
+\setlength{\unitlength}{3pt}
+\begin{picture}(0,40)
+ \thicklines
+ {\color{Red}
+ \put(-20,0){\framebox(40,40){}}
+ \put(0,0){\line(0,1){40}}
+ \put(-20,20){\line(1,0){40}}}
+ \put(-10,10){\makebox(0,0){\lqm{60pt}}}
+ \put(-10,30){\makebox(0,0){\lqm{60pt}}}
+ \put(10,10){\makebox(0,0){\lqm{60pt}}}
+ \put(10,30){\makebox(0,0){\lqm{60pt}}}
+\end{picture}
+\vfill
+THE PUBLISHER
+\end{center}
+\vspace*{\drop}
+\endgroup}
+\end{verbatim}
+
+
+\section{titleRB \refit{RB}}
This is the title page of an old book that I reset using \LaTeX. The
style is definitely Victorian and it looks as though the printer used every
-font that he had in his shop. He was most likely the designer as well.
+font that he had in his shop. He was most likely the designer as well.
+ The page size is 28 by 45pc.
The two lengths \cs{rbtextwidth} and \cs{rbtextheight} are the true
dimensions of the original textblock (in the original code \cs{textwidth}
@@ -1814,14 +3149,31 @@ setup has been done for you by Christopher League).
\addtolength{\itemindent}{\labelsep}
}
+\renewcommand{\prebibhook}{Not every book listed here has an \isbn\
+number, usually either because they were limited editions, for example
+the one from Incline Press, or they were published before the advent
+of the \isbn\ designation in 1970.}
+
\bibliographystyle{alpha}
\begin{thebibliography}{RCHM99}
+\bibitem[Amm08]{AMMAN08}
+ Jost Amman.
+\newblock \emph{Cuts of Craft-Workers},
+ with an Introduction by Veronica Speedwell,
+\newblock Incline Press, Oldham, England, 2008.
+\newblock (First published as the \emph{Standbuch} in 1568).
+
\bibitem[Bas95]{BASBANES95}
Nicholas A. Basbanes.
\newblock \emph{A Gentle Madness: Bibliophiles, Bibliomanes, and the Eternal
Passion for Books},
-\newblock Henry Holt, 1995.
+\newblock Henry Holt, 1995. (\isbn\ 0-8050-3653-9)
+
+\bibitem[Bas07]{BASBANES07}
+ Nicholas A. Basbanes.
+\newblock \emph{Editions and Impressions: Twenty Years on the Book Beat},
+\newblock Fine Books Press, 2007. (\isbn\ 978-0-9799491-1-1)
\bibitem[Bee65]{BEERBOHM66}
Max Beerbohm.
@@ -1829,16 +3181,51 @@ setup has been done for you by Christopher League).
\newblock The Folio Society, 1966.
\newblock (First published in 1911).
+\bibitem[Big62]{BIGGS62}
+ John R. Biggs.
+\newblock \emph{A Approach to Type},
+\newblock Pitman Publishing Corporation, 1962.
+
+
\bibitem[Bro65]{BRONTE65}
Charlotte Bront\"{e}.
\newblock \emph{Jane Eyre},
\newblock The Folio Society, 1965.
\newblock (First published in 1847).
+\bibitem[Bur80]{BURKE80}
+ Clifford Burke.
+\newblock \emph{Printing Poetry: A Workbook in Typographic Reification},
+\newblock Scarab Press, San Francisco, 1980. (\isbn\ 0-912962-01-1)
+
+\bibitem[Dre95]{DREYFUS95}
+ John Dreyfus.
+\newblock \emph{Into Print: Selected Writings on Printing History, Typography
+ and Book Production},
+\newblock David R. Godine, 1995. (\isbn\ 1-56792-045-4)
+
+\bibitem[Eth10]{ETHERINGTON10}
+ Don Etherington.
+\newblock \emph{Bookbinding \& Conservation --- A Sixty-year Odyssey
+ of Art and Craft},
+\newblock Oak Knoll Press, 2010. (\isbn\ 978-1-58456-277-1)
+
+\bibitem[Gaw65]{GAWAIN65}
+ Gawain.
+\newblock \emph{The Complete Works of the Gawain-Poet},
+\newblock University of Chicago Press, 1965.
+\newblock(In a Modern English Version with a Critical Introduction
+ by John Gardner).
+
+\bibitem[Ham48]{HAMILTON48}
+ Charles E. Hamilton (translator).
+\newblock \emph{Kamisuki Ch\={o}h\={o}ki A Handy Guide to Papermaking},
+\newblock University of California, 1948.
+
\bibitem[Hea99]{HEANEY99}
Seamus Heaney.
\newblock \emph{Beowulf},
-\newblock Faber and Faber, 1999.
+\newblock Faber and Faber, 1999. (\isbn\ 0-571-203760-0)
\bibitem[Jer64]{JEROME64}
Jerome K. Jerome.
@@ -1849,7 +3236,7 @@ setup has been done for you by Christopher League).
\bibitem[Law90]{LAWSON90}
Alexander Lawson.
\newblock \emph{Anatomy of a Typeface},
-\newblock David R. Godine, 1990.
+\newblock David R. Godine, 1990. (\isbn\ 0-87923-333-8)
\bibitem[Lea02]{LEAGUE02}
Christopher League.
@@ -1862,21 +3249,48 @@ setup has been done for you by Christopher League).
\newblock \emph{Web-O-Mints}, September, 2002.
\newblock (Available from CTAN in \url{/fonts/webomints}).
+\bibitem[Mar66]{MARLOWE66}
+ Christopher Marlowe.
+\newblock \emph{Four Plays},
+\newblock The Limited Editions Club, 1966.
+\newblock (First published late 16th Century).
+
\bibitem[McL75]{MCLEAN75}
Ruari McLean.
\newblock \emph{Jan Tschichold: Typographer},
-\newblock David R. Godine, 1975.
+\newblock David R. Godine, 1975. (\isbn\ 0-87923-841-0)
\bibitem[McL80]{MCLEAN80}
Ruari McLean.
\newblock \emph{The Thames and Hudson Manual of Typography},
-\newblock Thames and Hudson, 1980.
+\newblock Thames and Hudson, 1980. (\isbn\ 0-500-68022-1)
+
+\bibitem[Mor67]{MORISON67}
+ Stanley Morison (assisted by Harry Carter).
+\newblock \emph{John Fell the University Press and the `Fell' types},
+\newblock Oxford University Press, 1967.
\bibitem[Nur64]{NURNBERG64}
Walter Nurnberg.
\newblock \emph{Words in their Hands},
\newblock Privately printed at the University Printing House, Cambridge, 1964.
+\bibitem[OT00]{OULD00}
+ Martyn Ould and Martyn Thomas.
+\newblock \emph{The Fell Revival},
+\newblock The Old School Press, 2000.
+
+\bibitem[Oul03]{OULD03}
+ Martyn Ould.
+\newblock \emph{Stanley Morison \& `John Fell'},
+\newblock The Old School Press, 2003.
+
+\bibitem[Pet82]{PETERSON82}
+ William S. Peterson (editor).
+\newblock \emph{The Ideal Book: Essays and Lectures on the Arts of the Book
+ by William Morris},
+\newblock University of California Press, 1982. (\isbn\ 0-520-04563-7)
+
\bibitem[RCHM59]{CAMBRIDGE59}
Royal Commission on Historical Monuments.
\newblock \emph{City of Cambridge}, 2 Parts,
@@ -1885,12 +3299,12 @@ setup has been done for you by Christopher League).
\bibitem[Rob95]{ROBINSON95}
Andrew Robinson.
\newblock \emph{The Story of Writing},
-\newblock Thames \& Hudson, 1995.
+\newblock Thames \& Hudson, 1995. (\isbn\ 0-500-281564-4)
\bibitem[Rob02]{ROBINSON02}
Andrew Robinson.
\newblock \emph{Lost Languages: The Enigma of the World's Undeciphered Scripts},
-\newblock McGraw-Hill, 2002.
+\newblock McGraw-Hill, 2002. (\isbn 0-07-135743-2)
\bibitem[San94]{SANDERSON94}
Donald B. Sanderson.
@@ -1903,16 +3317,25 @@ setup has been done for you by Christopher League).
on scattering and absorption},
\newblock Thesis, Vrije Universitet, 2004.
+\bibitem[TLR05]{THOMAS05}
+ Martyn Thomas, John A. Lane and Anne Rogers.
+\newblock \emph{Harry Carter Typographer},
+\newblock The Old School Press, 2005. (\isbn\ 1-899933-11-5)
\bibitem[Tho00]{THORSSON00}
\"{O}rn\'{o}lfur Thorsson (editor).
\newblock \emph{The Sagas of the Icelanders},
-\newblock Viking, 2000.
+\newblock Viking, 2000. (\isbn\ 0-670-88990-3)
+
+\bibitem[Tit74]{TITCOMBE74}
+ Marianne Fletcher Titcombe.
+\newblock \emph{The Bookbinding Career of Rachel McMasters Miller Hunt},
+\newblock Hunt Botanical Library, Pittsburgh, Pennsylvania, 1974. (\isbn 0-913196-16-9)
\bibitem[Wil93]{WILSON93}
Adrian Wilson.
\newblock \emph{The Design of Books},
-\newblock Chronicle Books, 1993.
+\newblock Chronicle Books, 1993. (\isbn\ 0-8118-0304-X)
\bibitem[Wil71]{WILSON71}
P. R. Wilson.
@@ -1922,7 +3345,7 @@ setup has been done for you by Christopher League).
\bibitem[Wil92]{WILSON92}
P. R. Wilson, M. J. Wozny and M. J. Pratt (editors).
\newblock \emph{Geometric Modeling for Product Realization},
-\newblock IFIP Transactions, B-8, North-Holland, 1992.
+\newblock IFIP Transactions, B-8, North-Holland, 1992. (\isbn\ 0-444-81662-3)
\end{thebibliography}