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diff --git a/Master/texmf-dist/doc/aleph/base/News b/Master/texmf-dist/doc/aleph/base/News
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+20040322: RC2 released.
+          * TeX 3.141592
+          * no more dependency on the Omega 1.15 source tree
+          * rename e-Omega to Aleph
+          * Fix: crash when \overfullrule > 0pt
+          * Fix: \charit gives wrong result
+          * Fix: text is offset when typesetting non-TLT text
+          * Fix: leaders crashing or stalling the program
+          * Add: \boxdir to retrieve or set the direction
+                 of a box
+          * Add: \pagerighoffset, \pagebottomoffset to set the
+                 right and bottom margin in non-TLT text
+          * Add: a big set of commands to retrieve version
+                info:
+for each feature-set (Omega, eTeX, Aleph), the commands are:
+
+\<featureset>Version    the expansion is a list of character
+tokens of category 12 (other) representing the featureset
+version number; (1.15 for \OmegaVersion, 0 (RC2) for
+\AlephVersion, 2.1 for \eTeXVersion) (inherited from Omega)
+
+\<featureset>revision   the expansion is a list of character
+tokens of category 12 (other) representing the featureset
+minor version number; (.15 for \Omegarevision, (RC2) for
+\Alephrevision, .1 for \eTeXrevion) (inherited from e-TeX)
+
+\<featureset>version    an integer value representing the
+featureset major version number (1 for \Omegaversion, 0 for
+\Alephversion, 2 for \eTeXversion) (inherited from e-TeX)
+
+\<featureset>minorversion   an integer value representing the
+featureset minor version number (15 for \Omegaminorversion, 0
+for \Alephminorversion, 1 for \eTeXminorversion) (new)
+
+                
+20030524: RC1 released.
+          * Fix: the "overfull box" crash bug
+
+20030106: RC0 released.
+          This release simply provides a binary providing
+          both Omega 1.15 features (all but the XML/SGML ones)
+          and e-TeX 2.1 features.
diff --git a/Master/texmf-dist/doc/aleph/base/readme.txt b/Master/texmf-dist/doc/aleph/base/readme.txt
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index 00000000000..1e3e1133b22
--- /dev/null
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@@ -0,0 +1,4 @@
+Aleph, formerly known as e-Omega, is a project whose aim is to
+provide an extension to Knuth's TeX comprising both Omega 1.15
+and e-TeX 2.1 features. Its main goals are stability, speed and
+power.
diff --git a/Master/texmf-dist/doc/amstex/base/README b/Master/texmf-dist/doc/amstex/base/README
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+READ.ME for AMS-TeX version 2.2                             2001/08/29
+
+AMS-TeX is a macro package that works with the TeX typesetting program.
+A working TeX system is a prerequisite for using any of the components
+of AMS-TeX.  [TeX is not an AMS product; see the AMS TeX Resources page
+(http://www.ams.org/tex/tex-resources.html) for information if you
+do not already have TeX.]
+
+Obtain a printed copy of the full installation instructions:
+ - Process amstinst.tex with Plain TeX, or
+ - Print the amstinst.ps file provided.
+Read the instructions; they are much more complete than the summary
+provided here.
+
+The instructions assume that your TeX system is arranged according to
+the recommended TeX Directory Structure (TDS).  Check the documentation
+for your TeX system to find out if it uses the TDS.  A copy of the TDS
+report can be found at CTAN either as an online document
+    .../tds/standard/tds
+or as a printable pdf file
+    .../tds/standard/tds/tds.pdf
+Items on CTAN can usually be found through the CTAN Catalogue:
+    http://www.ctan.org/search
+
+
+FILES IN THE AMS-TeX DISTRIBUTION
+
+A complete list of the files contained in the distribution is included
+in the installation instructions (amstinst).
+
+There are two basic methods of obtaining the files needed for AMS-TeX:
+ - Retrieve one of the AMS-TeX bundles from the AMS FTP server
+    ftp://ftp.ams.org/pub/tex/
+   or the AMS web site
+    http://www.ams.org/tex/amstex.html
+ - Retrieve the individual files from one of the AMS servers or from CTAN
+    .../macros/amstex/
+Install these files as described in the installation instructions
+(amstinst); a summary appears below, under INSTALLING AMS-TeX.
+
+Also, AMS-TeX will call for AMSFonts.  Check the tfm-files subdirectory
+    TEXMF/fonts/tfm/ams/
+to see whether it is already populated (most TeX distributions now
+include the AMSFonts).  If not, retrieve the .tfm files for AMSFonts 2.2
+and install them into your system tfm-files subdirectory.
+
+These .tfm files can be retrieved in several ways:
+ - as a bundle from the AMSFonts page on the AMS web site at
+    http://www.ams.org/tex/amsfonts.html
+ - as a tfm.tar file in the /pub/tex directory at the AMS FTP site,
+    ftp://ftp.ams.org
+ - as individual .tfm files from the /pub/tex/amsfonts/tfm subdirectory
+   at the AMS FTP site or from CTAN in .../fonts/amsfonts/tfm
+(Note: set the file type to binary in FTP when transferring .tfm files.)
+Even if you do not use any symbols from the AMSFonts, you will need at
+least the .tfm files to use amsppt.sty and to TeX the accompanying
+documentation for AMS-TeX.
+
+The following documentation files will be useful in installing and using
+AMS-TeX.
+
+amstinst.tex -  Installation instructions, comprising Appendices B and C
+amstinst.ps     of amsguide, provided as both TeX source and ready-to-print
+                PostScript.
+amsguide.tex -  The AMS-TeX User's Guide, provided as both TeX source and
+amsguide.ps     a ready-to-print PostScript file.  When you have completed
+                the installation of AMS-TeX 2.2, process the .tex file using
+                AMS-TeX 2.2 and print the resulting .dvi file.  The output
+                will be a brief guide to using AMS-TeX 2.2, supplementing
+                The Joy of TeX.
+joyerr.tex   -  The TeX input file for a document listing errata to
+                The Joy of TeX prior to AMS-TeX 2.0. It also should be
+                run through TeX using AMS-TeX 2.2.
+joyerr2.tex  -  The TeX input file for a document listing errata to the
+                second edition of The Joy of TeX, for AMS-TeX 2.1 and up.
+                Process with AMS-TeX 2.2 as for the other .tex files.
+amsppt.doc   -  Technical documentation for amsppt.sty, including an update
+                history.
+amsppt.faq   -  Frequently asked questions and answers regarding AMS-TeX
+                and amsppt.sty.
+
+
+INSTALLING AMS-TeX 2.2 ON YOUR SYSTEM -- A BRIEF OVERVIEW
+
+Backup any existing AMS-TeX files before installing a new release.
+
+Read the instructions in amstinst; they are more complete than these notes.
+
+If you have retrieved a bundled distribution and unbundled it with the
+appropriate tool, the files will be placed into the following subdirectories:
+
+    TEXMF/doc/ams/amstex
+    TEXMF/source/amstex
+    TEXMF/tex/amstex/base
+    TEXMF/tex/plain/amsfonts
+
+If you have retrieved individual files, you will need to place them into
+subdirectories as described in amstinst.ps.
+
+AMS-TeX will call for the AMSFonts 2.2 .tfm files.  Check for their
+presence on your system and, if necessary, retrieve them and place them
+in the proper location as described above.
+
+Remember that most TDS sytems operate using a filename list or database,
+which must be updated when new files are added; consult your TeX system
+documentation for update instructions.
+
+Run amstex.ini through INITEX (the version of TeX which has no format
+preloaded, distributed with your implementation of TeX). It will produce
+a format file which will function as a preloaded version of AMS-TeX.
+Place this format file in the directory where your implementation of
+TeX looks for format files (see your system documentation), refresh the
+filename database, and you are ready to use AMS-TeX 2.2.
+
+If you habitually use the AMSPPT documentstyle, you may prefer to
+include it in the format file you create. This can be done by editing
+the file amstex.ini, using any text editor, and uncommenting the line
+that reads "\documentstyle{amsppt}".  Before creating the format file,
+read Appendix C from the installation instructions.
+
+We recommend that, as a first test of your installation, you run the
+file amsguide.tex through TeX, and print out the output. This will
+provide further information about using AMS-TeX.
+
+========================================================================
+Highlights of the differences between versions 2.1 and 2.2:
+
+AMSTEX.TEX
+----------
+
+---Removed copyright notice and restriction from message printed on
+   terminal and in log for every run.
+
+AMSPPT.STY
+----------
+(See the user's guide (amsguide.tex) and amsppt.doc, section 20, for
+full details.)
+
+---\subjclass was updated to use \subjclassyear as the date for the
+Mathematics Subject Classification scheme. (NOTE: THIS CHANGE IS NOT
+BACKWARD COMPATIBLE.  EXISTING DOCUMENT FILES NEED NOT BE MODIFIED BUT
+THE OUTPUT WILL BE DIFFERENT IF CLASSIFICATION WAS OLDER THAN 1991.)
+
+========================================================================
+Highlights of the differences between versions 2.0 and 2.1:
+
+AMSTEX.TEX
+----------
+---Improvements to the mechanisms for loading various fonts in
+the AMSFonts package. For example, \loadeusm now defines a
+\eusm command that can be used like \roman or \bold.
+
+---Revamped \printoptions command.
+
+---Some internal cleanup to reduce memory usage in some of TeX's
+memory categories (notably hash size).
+
+---Informational messages appear on screen identifying the
+modules within amstex.tex during the creation of a format file.
+
+AMSPPT.STY
+----------
+(See the user's guide (amsguide.tex) and amsppt.doc, sections 18 and 19,
+for full details.)
+
+---\curraddr was added, for giving the current address of an author,
+if different from the address given in \address.
+
+---\rom was added, for preventing unwanted italicization of certain
+things, such as parentheses or numbers, in theorems and other italic
+passages.  \rom automatically inserts italic corrections.
+
+---The implementation of \nofrills was completely changed, to provide
+better error messages for a missing or misspelled \endkeywords or
+similar end command when reading a delimited argument.
+
+---Multiple \thanks commands in the top matter will now produce
+multiple acknowledgment footnotes instead of discarding all but the
+last one.
+
+---A period is no longer added automatically at the end of a
+\thanks. (NOTE: THIS CHANGE IS NOT BACKWARD COMPATIBLE---DOCUMENT
+FILES WILL HAVE TO BE MODIFIED.)
+
+---\subjclassyear was added to specify the year of the Mathematics
+Subject Classification scheme.  Only 1991 and 2000 are recognized,
+defaulting to 1991 to maintain some backward compatibility.
+
+---\widestnumber\item now works as claimed in the User's Guide.
+
+---The missing \par in the internal command \penaltyandskip@ was added.
+
+---Additional checks were added for runaway \proclaim, \definition,
+\ref, \roster, etc.  The internal macro \runaway@ was changed to make
+its usage more consistent and robust; in the process its name was
+changed to \add@missing (and as the name suggests, it now tries to
+recover by adding the missing \end... command).
+
+---As with amstex.tex, informational messages were added identifying the
+modules within amsppt.sty.
+
+---The bibliography macros were substantially modified to correct
+another longstanding bug: line breaks after explicit hyphens,
+mathbins, and mathrels were inhibited. This also involved changing the
+\ref-specific version of \nofrills.  BACKWARD COMPATIBILITY (WITH
+VERSION 2.0) IS NOT COMPLETE WITH RESPECT TO \nofrills IN THE
+BIBLIOGRAPHY MACROS.  \nofrills NOW SHOULD ALWAYS FOLLOW IMMEDIATELY
+AFTER THE NAME OF THE FIELD TO WHICH IT APPLIES, E.G., \transl\nofrills,
+OR \paper\nofrills. This is more consistent with the usage of \nofrills
+outside of the references section. \nofrills will cause all the "frills",
+such as the parentheses around years in journal article citations, or
+words like "eds." or "vol." that are supplied automatically, to be
+omitted for the given field.  In addition, it will suppress the
+automatic punctuation at the end of the field, if any.
+
+---A \refstyle command was added to allow users to specify one of the
+three different reference styles most commonly used in AMS publications:
+letter labels in square brackets; unnumbered; and numbered (denoted A,
+B, and C, respectively). The syntax is "\refstyle{A}" (immediately after
+the \documentstyle command). Style C, numbered with arabic numerals, is
+the default selected by amsppt.sty.  The \refstyle command ensures 
+proper correspondence between the formatting of cites in the main text 
+and the formatting of the references section. Also, \key can now be used
+for all reference labels, and the \no command is redundant (though still
+supported, for backward compatibility).
+
+---\miscnote was added, and used in the implementation of \toappear,
+so that \toappear and \finalinfo would not be mutually exclusive.
+\miscnote might also be used for things like "preprint" or
+"submitted".  Unlike \finalinfo, \miscnote automatically adds
+parentheses.
+
+---\procinfo was added, to give place and date where the meeting
+took place, for a proceedings volume reference.
+
+---\eds or \ed information will now be used in place of an author's
+name, if \by is absent.  This would be for collections or proceedings
+volumes that are cited as a whole, instead of citing a single paper
+within the volume.
+
+AMSTEX.INI
+----------
+File to make format file creation more convenient. See the
+user's guide and/or installation notes above.
+
+AMSPPT1.TEX
+-----------
+Compatibility file to allow processing of AMS-TeX 1.1 and earlier
+documents under AMS-TeX 2.0+. See the user's guide.
+
+
+(NOTE:  Author packages for use with AMS-TeX are available from the AMS
+web site at http://www.ams.org/tex/author-info.html, or by FTP from
+ftp://ftp.ams.org/pub/author-info/packages.  All packages are compatible
+with AMS-TeX 2.2.  If you have previously received an AMS-TeX author
+package for use with an earlier version of AMS-TeX, for best results you
+should retrieve an upgraded copy from the AMS server.)
+
+========================================================================
+
+Questions or comments can be directed to:
+
+Technical Support
+American Mathematical Society
+201 Charles Street
+P.O. Box 6248
+Providence, RI 02940   USA
+     (800) 321-4AMS (321-4267) ext. 4080 (U.S. and Canada)
+     (401) 455-4080
+Email:  tech-support@ams.org
diff --git a/Master/texmf-dist/doc/amstex/base/amsguide.pdf b/Master/texmf-dist/doc/amstex/base/amsguide.pdf
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+++ b/Master/texmf-dist/doc/amstex/base/amsguide.pdf
diff --git a/Master/texmf-dist/doc/amstex/base/amsguide.tex b/Master/texmf-dist/doc/amstex/base/amsguide.tex
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+%%% ====================================================================
+%%% @TeX-file{
+%%%   filename  = "amsguide.tex",
+%%%   version   = "2.2",
+%%%   date      = "2001/08/07",
+%%%   time      = "16:41:48 EDT",
+%%%   checksum  = "38601 2098 10156 78439",
+%%%   filetype  = "AMS-TeX: user documentation",
+%%%   author    = "American Mathematical Society",
+%%%   copyright = "Copyright 2001 American Mathematical Society,
+%%%                all rights reserved.  Copying of this file is
+%%%                authorized only if either:
+%%%                (1) you make absolutely no changes to your copy,
+%%%                    including name; OR
+%%%                (2) if you do make changes, you first rename it
+%%%                    to some other name.",
+%%%   address   = "American Mathematical Society,
+%%%                Technical Support,
+%%%                Publications Technical Group,
+%%%                P. O. Box 6248,
+%%%                Providence, RI 02940,
+%%%                USA",
+%%%   telephone = "401-455-4080 or (in the USA and Canada)
+%%%                800-321-4AMS (321-4267)",
+%%%   FAX       = "401-331-3842",
+%%%   email     = "tech-support@ams.org (Internet)",
+%%%   codetable = "ISO/ASCII",
+%%%   keywords  = "amstex, ams-tex, tex",
+%%%   supported = "yes",
+%%%   abstract  = "This file is the User's Guide describing the use of
+%%%                AMS-TeX 2.2.  Installation instructions are found
+%%%                in appendix B, in file amstinst.tex.",
+%%%   docstring = "The checksum field above contains a CRC-16 checksum
+%%%                as the first value, followed by the equivalent of
+%%%                the standard UNIX wc (word count) utility output of
+%%%                lines, words, and characters.  This is produced by
+%%%                Robert Solovay's checksum utility.",
+%%%  }
+%%% ====================================================================
+%
+%      In addition to plain TeX and standard CM fonts, TeXing this file
+%      requires the following files and fonts:
+%
+% amstex.tex (version 2.1 or later)
+% amsppt.sty (version 2.1 or later)
+% amsppt.sti (version 2.1 or later)
+% amssym.tex
+% msam10
+% msbm10
+% eufm10
+% cmex7
+% cmex8
+% cmbsy7
+% cmcsc8
+% amstinst.tex (Appendices B and C to this User's Guide)
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\input amstex
+\documentstyle{amsppt}
+
+\define\GuideVersion{2.2}
+\define\GuideDate{August 2001}
+
+\font\tenss=cmss10
+
+\long\def\usertype#1{\smallskip
+  \moveright2pc\vbox{\def\par{\crcr}\halign{%
+    \setbox0\hbox{\tt##}%
+    \hbox\ifdim\wd0<10pc to10pc\fi{\unhbox0\hfil}%
+    \kern1pc \it $\langle$return$\rangle$\hss
+    \cr#1\crcr}}%
+  \smallskip}
+\long\def\systype#1{{\rightskip=4pc\leftskip=4pc\noindent\tt #1\par}}
+
+%      Change default dimensions and fonts
+\pageheight{49pc}
+\dropfoliodepth=2pc
+\hfuzz1pc % to suppress reporting of slightly overfull boxes.
+\aboveheadskip=2\bigskipamount
+\belowheadskip=\medskipamount
+\subheadskip=\bigskipamount
+\addto\tenpoint{\abovedisplayskip=6pt plus2pt minus3pt
+    \belowdisplayskip=\abovedisplayskip}
+\loadbold
+%      Prevent hyphenation of "amsppt":
+\hyphenation{amsppt}
+
+%      Macros for text substitution and for presentation of examples.
+%
+\define\Textures{{\it Textures\/}}
+\define\AMS{American Mathematical Society}
+\define\JAMS{{\it Journal of the \AMS}}
+\define\JoT{{\it The Joy of \TeX{}}}
+\define\Joy{{\it Joy}}
+
+\def\filnam#1{{\tt\ignorespaces#1\unskip}}
+\hyphenchar\tentt=-1 % to prohibit hyphenation in tt text
+
+\newdimen\exindent   \exindent=2\parindent
+% Add a high penalty to discourage line breaks within an example
+% without absolutely prohibiting them.
+{\obeylines
+ \gdef^^M{\par\penalty9999}%
+ \gdef\beginexample#1{\medskip\bgroup %
+   \def~{\char`\~}%
+   \NoBlackBoxes\tt\frenchspacing %
+   \parindent=0pt#1\leftskip=\exindent\obeylines}
+}%  end \obeylines
+\def\endexample{\endgraf\egroup\medskip}
+\newdimen\exboxwidth
+\exboxwidth=3in
+\def\exbox#1#2{\noindent \hangindent=\exboxwidth
+  \leavevmode\llap{\null\rm#1\unskip\enspace}%
+  \hbox to\exboxwidth{\tt\ignorespaces#2\hss}\rm\ignorespaces}
+\chardef\\=`\\       \chardef\{=`\{       \chardef\}=`\}
+\def\<#1>{{\it$\langle$#1\/$\rangle$}}
+\def\Dimen{\<dimen>}
+
+\catcode`\@=11
+\def\cs#1{\leavevmode
+%      Save the previous skip and put it back after the penalty 0
+%      so that the penalty0 won't cause a blank at the end of a line.
+  \skip@\lastskip\unskip\penalty\z@
+  \ifdim\skip@>\z@ \hskip\skip@\fi
+  {\tt\char`\\\ignorespaces#1\unskip}}
+
+%  Redefine the \subhead macro to be on a line by itself and omit period.
+\outer\def\subhead#1\endsubhead{\par\penaltyandskip@{-100}\subheadskip
+  \noindent{\subheadfont@\ignorespaces#1\unskip\endgraf}\nobreak\noindent}
+
+%  Define macros for presentation of tables of symbols.
+\def\BBB#1{\par\bigbreak
+  \leavevmode\llap{$\bullet$\enspace}{\bf#1}}
+\newdimen\biggest
+\setbox0\hbox{$\dashrightarrow$}\biggest=\wd0
+\def\1#1{\hbox to\biggest{\hfill$\csname#1\endcsname$\hfill}\ \ %
+  \cs{#1}}
+\def\fudge{\hbox to\biggest{}\ \ \hphantom{\tt\char'134 }}
+
+\def\getID@#1{\edef\next@{\expandafter\meaning\csname#1\endcsname}%
+ \expandafter\getID@@\next@0\getID@@}
+\def\getID@@#1"#2#3#4#5#6\getID@@{\def\next@{#6}%
+  \edef\msafam@{\the\msafam}\edef\msbfam@{\the\msbfam}%
+  \ifx\next@\empty
+   \edef\next@{\number"#2}%
+    \ifx\next@\msafam@
+     \def\ID@{10#3#4}%
+    \else
+     \ifx\next@\msbfam@
+      \def\ID@{20#3#4}%
+     \else\message{Invalid family IDs for msam/msbm fonts, path 2}%
+    \fi\fi
+  \else
+   \edef\next@{\number"#3}%
+    \ifx\next@\msafam@
+     \def\ID@{1#2#4#5}%
+    \else
+     \ifx\next@\msbfam@
+      \def\ID@{2#2#4#5}%
+     \else\message{Invalid family IDs for msam/msbm fonts, path 3}%
+    \fi\fi
+  \fi}
+\def\2#1{\hbox to.5\hsize
+  {\hbox to\biggest{\hfill$\csname#1\endcsname$\hfill}\ \ %
+    \getID@{#1}{\tt\ID@}\ \ \cs{#1}\hfill}}
+\def\3#1#2{\hbox to.5\hsize
+  {\hbox to\biggest{\hfil$\csname#1\endcsname$\hfil}\ \ %
+    \getID@{#1}{\tt\ID@}\ \ \cs{#1}, \cs{#2}\hss}}
+\def\4#1{\hbox to.5\hsize
+  {\hbox to\biggest{\hfill$\csname#1\endcsname$\hfill}\ \ %
+    \getID@{#1}{\tt\ID@}\ \ \cs{#1}\ \ {\eightpoint(U)}\hfill}}
+
+\catcode`\@=\active
+
+\define\thismonth{\ifcase\month % case 0 --- impossible!
+  \or January\or February\or March\or April\or May\or June%
+  \or July\or August\or September\or October\or November%
+  \or December\fi}
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%% TITLE PAGE
+
+%  Quarantine the large fonts used for the title page
+\begingroup
+\font\fourtn=cmr10 scaled \magstep2
+\font\fourtnsy=cmsy10 scaled \magstep3
+\font\fourtnbf=cmbx10 scaled \magstep3
+\textfont2=\fourtnsy
+
+\shipout\vbox to\vsize{%
+\parindent=0pt
+\vskip5pc
+\rightline{\fourtnbf User's Guide to \AmSTeX{}}
+\bigskip
+\rightline{\fourtn Version \GuideVersion}
+\medskip
+\rightline{\fourtn \GuideDate}
+%\rightline{\fourtn {\thismonth} {\number\year}}
+
+\vfill
+
+\tenpoint
+
+This publication was typeset using \AmSTeX{}, the American
+Mathematical\newline \quad Society's \TeX{} macro system.
+
+Copyright \copyright{} 2001 by the \AMS{}.
+
+All rights reserved. Any material in this guide may be reproduced or
+duplicated for personal or educational use.
+
+\medskip
+\begingroup\obeylines
+\TeX{} is a trademark of the \AMS{}.
+\endgroup
+}% End of vbox being shipped out
+\endgroup
+
+%% END TITLE PAGE
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\topmatter
+\title\nofrills User's Guide to \AmSTeX{} Version 2.2\endtitle
+
+%\date {\thismonth} {\number\year}\enddate
+\date \GuideDate\enddate
+
+\toc
+\widestnumber\head{7}
+\head 1. Overview\endhead
+\head 2. Formatting Features\endhead
+\head 3. Mathematical Constructions\endhead
+\head 4. Fonts\endhead
+\head 5. Symbol Names\endhead
+\head 6. Other Things You Ought to Know\endhead
+\head 7. Getting Help\endhead
+\head {} References\endhead
+\head {} Appendix A. Sample Bibliography Input and Output\endhead
+\head {} Appendix B. Installation Procedures\endhead
+\head {} Appendix C. Before Installing \AmSTeX: Facts About Fonts\endhead
+\endtoc
+
+\endtopmatter
+\document
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 1. Overview\endhead
+
+\AmSTeX{} is a macro package for \TeX{}, designed to simplify the input
+of mathematical material and format the output according to preset style
+specifications.  Although the \AMS{} holds the copyright for \AmSTeX{},
+its use is not restricted, but is encouraged for the preparation of
+manuscripts intended for publication both in the Society's books and
+journals, and also in other mathematical literature.
+
+Version 2.0 of \AmSTeX{} was released in 1990, concurrent with the
+publication of the second edition of \JoT{}.  It contained numerous
+minor improvements and bug fixes, as well as some major changes
+involving additional fonts.  Version 2.1 was first released in 1991;
+interim updates are identified by changes in release date.  The present
+version 2.2 was released in August 2001. This User's Guide describes all
+the new and changed features from these versions and how to use them,
+with further additions and revisions pertaining to the current release.
+Topics are grouped by type, and then presented in roughly the same order
+as they appear in \JoT{}.
+
+This User's Guide assumes that you already have a copy of \JoT{}. It
+contains references to specific sections that won't help you much if you
+don't have a copy. It also assumes for the most part that you will be
+using the ``preprint style'', a set of macros that provides features
+specific to the formatting of a document, such as headings, page
+numbers, and the like. If you are planning to use the preprint style,
+you will also need to have a copy of AMSFonts Version~2.2.  \JoT{} and
+AMSFonts 2.2 are available from the \AMS{} and other distributors.
+
+\subhead Files Comprising the \AmSTeX{} Version~2.2 package
+\endsubhead
+
+The following files are contained in the \AmSTeX{} Version~2.2 package
+distributed by the \AMS{}:
+\medskip
+\settabs\+\indent&\filnam{amsguide.tex}\qquad&\kern.6\hsize\cr
+\+&\filnam{amstex.tex}&
+       the \AmSTeX{} Version 2.2 macros\cr
+\+&\filnam{amstex.bug}&
+       a chronicle of bug fixes to \filnam{amstex.tex} and
+       \filnam{amsppt.sty},\cr
+\+&&   as well as known open bugs\cr
+\+&\filnam{amssym.tex}&
+       macros defining the symbols in fonts \filnam{msam} and
+       \filnam{msbm}\cr
+\+&\filnam{amsppt.sty}&
+       the preprint style for \AmSTeX{} Version 2.2\cr
+\+&\filnam{amsppt.sti}&
+       initialization options for the \AmSTeX{} 2.2 preprint style\cr
+\+&\filnam{amsppt.doc}&
+       technical documentation for \filnam{amsppt.sty}\cr
+\+&\filnam{amsppt.faq}&
+       some frequently asked questions and answers about \AmSTeX{}\cr
+\+&\filnam{amsguide.tex}&
+       the source file for this User's Guide\cr
+\+&\filnam{amstinst.tex}&
+       the source file for Installation Procedures;\cr
+\+&&   appendices to this User's Guide\cr
+\+&\filnam{amsppt1.tex}&
+       a backward compatibility file for use with documents\cr
+\+&&   already completed using \AmSTeX{} versions earlier than 2.0\cr
+\+&\filnam{joyerr.tex}&
+       errata to \JoT{} (first edition)\cr
+\+&\filnam{joyerr2.tex}&
+       errata to \JoT{} (second edition)\cr
+\+&\filnam{amstex.ini}&
+       used in creating format files\cr
+\medskip
+
+The file \filnam{amsppt.doc} is an {\smc ascii} file, and is
+not intended to be processed with \TeX{}\null.  This  documentation file
+is arranged in the same order as the macro file that it describes, and
+explains the intent and mechanics of the macros in detail.  A separate
+file (\filnam{amstex.doc}), documenting the file \filnam{amstex.tex},
+is available on request.
+
+In addition, other files are used during installation.
+For instructions on installing the \AmSTeX{} macros and preprint style,
+see Appendix B\null.  This appendix describes the installation process
+for \TeX{} systems based on the \TeX{} Directory Structure (TDS), and
+also gives suggestions for installation on other systems.
+
+\subhead General Description of Changes\endsubhead
+
+\AmSTeX{} 2.0+, the preprint style, and their technical
+documentation are the result of a joint effort begun by Michael Spivak
+and extended by the Composition Technical Support group of the \AMS{}.
+
+In version 2.0 of \AmSTeX{}, the following changes were made:
+\widestnumber\item{10}
+\roster
+\item All known bugs were eliminated.
+\item Messages were added identifying the current versions of
+  \filnam{amstex.tex} and \filnam{amsppt.sty}, to be displayed on your
+  terminal screen and in the log file.
+\item Some error and help messages were changed for the sake of
+  clarity or to provide more information.
+\item Refinements were made to conserve memory space.
+\item The CM versions of the Computer Modern fonts were substituted for the
+  older AM versions.
+\item Support for additional fonts was added.
+
+  \itemitem{(a)} \filnam{amstex.tex} provides the mechanism for accessing
+    the Euler and extra symbol fonts of the AMSFonts collection.
+  \itemitem{(b)} The preprint style assumes that fonts \filnam{msam},
+    \filnam{msbm}, and \filnam{eufm} are installed and available.
+
+\item Changes were made to the preprint style to make it conform
+  more closely to the style of AMS publications, in particular, the \JAMS.
+
+  \itemitem{(a)} Running heads were made automatic; they can be suppressed
+    if desired.
+  \itemitem{(b)} Additional elements are recognized in both the top matter
+    and the body of a document, and the input syntax was regularized.
+  \itemitem{(c)} Footnotes were changed to have normal indentation.%
+       \footnote{Like this.}
+  \itemitem{(d)} The style of the references was changed considerably.
+
+\item The ability to produce roman-numeral page numbers using the
+  plain \TeX{} convention (negative \cs{pageno}) was added.
+\item In the preprint style, mathematics-oriented hyphenation exceptions
+  were added.  (These follow American, not British, rules.)
+\item An option was added in the preprint style that
+  allows documents to be formatted
+  as chapters of a monograph rather than as separate papers.
+\item Finally, some optional formatting features requested by
+  \AmSTeX{} users were added to the preprint style.
+\endroster
+
+\medskip
+In version 2.1, the following changes were made:
+\roster
+\item \cs{curraddr}, \cs{rom}, and \cs{linespacing} were added.
+\item Additional error conditions were identified and supplied with more
+  informative messages.
+\item A sporadic line-breaking problem in the preprint style references
+  section was remedied.
+\item Some bugs introduced into the preprint style during the
+ version 2.0 changes were found and eliminated.
+\item Use of the Euler fonts other than medium Euler Fraktur was
+  made more convenient.
+\item The ability to use multiple \cs{thanks} commands was added.
+\item The \cs{proclaim} font was changed from slanted to italic, and
+  \cs{proclaimfont} provided so that users can change it if desired.
+\item \cs{nologo} was reinstated.
+\item The installation instructions were revised and augmented.
+\item The backward compatibility file \filnam{amsppt1.tex} was added.
+\endroster
+
+\medskip
+These changes were made in the January 1997 release:
+\roster
+\item Bugs reported since the release of version 2.1 were fixed.
+\item \cs{urladdr} was added; \cs{linespacing} was documented.
+\item Bibliographic elements were added for {\it Math.\ Reviews},
+  {\it CMP\/} and AMS preprint server references.
+\item Various changes were made to permit easier customization:
+
+  \itemitem{(a)} Command names were given to fonts and dimensions used
+    in various environments.
+  \itemitem{(b)} Changeable end-of-document processing was split out
+    and associated with a new command name.
+  \itemitem{(c)} The output routine was simplified.
+  \itemitem{(d)} Initialization options that a user might want to
+    suppress to save space were moved into a separate file,
+    \filnam{amsppt.sti}
+
+\item Page dimensions were changed in the preprint style to match the
+  current AMS publication specifications.
+\item The mechanism for loading AMSFonts was changed to make it easier
+  for a user to specify the use of a PostScript outline version.
+\item The installation instructions were updated and augmented.
+\endroster
+
+These changes were made in version 2.2:
+\roster
+\item Bugs reported since the release of version 2.1 were fixed.
+\item The requirement to acknowledge use of \AmSTeX{} was removed, and
+  the copyright statement and restriction notice is no longer printed
+  out on the terminal every time \AmSTeX{} starts up.
+\item The installation instructions were completely revised, and based
+  on the \TeX{} Directory Structure (TDS) used by most current \TeX{}
+  distributions.
+\item a \cs{subjclassyear} command was provided to allow a particular
+  version of the Mathematics Subject Classification to be cited.
+\endroster
+
+\subhead This User's Guide\endsubhead
+
+This User's Guide has been prepared using \AmSTeX{} Version~2.2 with the
+preprint style.  Some changes have been made: font and dimension settings
+have been reset, the macros for headings have been redefined to produce a
+result more suited to documentation, and some {\it ad hoc\/} macros have
+been defined to simplify the presentation of particular information.
+However, in general, this document and the file from which it was produced
+illustrate the general appearance and input for a preprint with running
+heads.  Printing the output of \TeX{} for this Guide requires AMSFonts
+Version~2.0 or later
+(users of AMSFonts Version~2.0 are strongly encouraged to upgrade to
+Version~2.2).
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 2. Formatting Features
+\endhead
+
+Formatting documents prepared with \AmSTeX{} is accomplished by a
+``style file''.  The features described here are part of the preprint
+style.  The \AmSTeX{} preprint style, Version~2.2, will format an input
+file in a manner suitable for a paper in a journal, unless  the style of
+a \cs{Monograph} is explicitly selected.  Unless noted otherwise,
+the journal style is the style described below.
+
+\setbox1=\hbox{\tt\\dedicatory...\\enddedicatory\ }
+\setbox0=\vbox{\hsize=\wd1\parindent=0pt\tt\obeylines
+  \strut\\title...\\endtitle
+  \\author...\\endauthor
+  \\affil...\\endaffil
+  \\address...\\endaddress
+  \\curraddr...\\endcurraddr
+  \\email...\\endemail
+  \\urladdr...\\endurladdr
+  \\thanks...\\endthanks
+  \\dedicatory...\\enddedicatory
+  \\date...\\enddate
+  \\translator...\\endtranslator
+  \\keywords...\\endkeywords
+  \\subjclass...\\endsubjclass
+  \strut\\abstract...\\endabstract\endgraf}
+\setbox1=\hbox{$\dsize\left\lbrace\,\vcenter{\vphantom{\copy0}}\right.
+   \nulldelimiterspace=0pt$}%
+\setbox2=\hbox{\kern-\wd1$\dsize\left\lbrace\,\vcenter{\copy0}\right\rbrace$}
+
+\subhead Top Matter\endsubhead
+
+Some commands affect the appearance of a whole document.  Such commands
+should go at the top of your input file, right after the \cs{documentstyle}
+line and before the \cs{topmatter} line.  This area will be referred to as
+the ``preamble''.  Commands that should be in the preamble include
+\cs{define}, \cs{TagsOnRight} and the like,
+\cs{NoPageNumbers}, \cs{NoRunningHeads}, \cs{Monograph},
+\cs{pagewidth}, \cs{pageheight}, \cs{pageno},
+and commands that load fonts.
+The preamble is relevant to any document, whether paper or monograph.
+
+The beginning of an \AmSTeX{} file should look something like what
+is shown in Figure 1.
+
+\topinsert
+
+\beginexample{}
+\\input amstex
+\\documentstyle\{...\}
+\medskip
+\<preamble commands, such as \cs{define}, \cs{pageno}, \cs{Monograph},
+\leavevmode\hbox to20pt{}\cs{NoRunningHeads}, \cs{loadbold}, etc.>
+\medskip
+\\topmatter
+\indent\box2
+\strut\\endtopmatter
+\\document
+\endexample
+
+\botcaption {Figure 1} The beginning of an \AmSTeX{} file
+\endcaption
+\endinsert
+
+If any \cs{end...}\ tag is omitted (or misspelled), an error message will
+appear at \cs{endtopmatter} or at the next blank line: for example, if
+you misspell \cs{endtitle}, the message will be something like
+``{\tt !~Paragraph ended before \cs{title} was
+com\discretionary{-}{}{}plete}.'' If you omit \cs{endtopmatter}, there
+won't be any error message, but none of the topmatter material will
+print. %{\tolerance2000\par}
+Tags should be omitted for any top matter elements for which there is
+no data; if ``empty'' tags are included, empty footnotes may appear on
+the first page, or labels indicating addresses at the end of a paper.
+
+If you have documents that were prepared for versions of \AmSTeX{}
+earlier than version 2.0, you may find the file \filnam{amsppt1.tex}
+useful.  By including the line \cs{input amsppt1} immediately after the
+\cs{documentstyle} line, the topmatter commands and the sectioning
+commands that changed in form will work in the original way. Other than
+that, there should be few incompatibility problems with previous
+versions. Note: The use of \filnam{amsppt1.tex} is discouraged except
+for processing preexisting files.
+
+For multi-line titles, affiliations, authors, or dedications (basically
+everywhere that lines are centered individually rather than being set in
+paragraphs), line breaks are obtained by using \cs{\\}.  In other parts
+of the topmatter, which are set in paragraph form, line breaks are
+obtained by \cs{linebreak}.
+
+The title will be set in uppercase.  To turn off the automatic
+uppercasing, use the \cs{nofrills} option:
+\cs{title\\nofrills...\\endtitle}.
+
+Each author is tagged separately, followed by address(es) and other
+information associated with that author.
+
+Normally, the address given with \cs{address} is the address of the
+author at the time the research was being done; if the author's
+address at the time of publication is different, the current address
+should be given with \cs{curraddr}.  This should be entered immediately
+following the \cs{address} for the same author.  If a \cs{curraddr} is
+not paired with an \cs{address}, the current address will not print.
+
+Electronic mail addresses can be tagged \cs{email...\\endemail}.
+Like \cs{curraddr}, every \cs{email} address must be paired with a regular
+\cs{address}, otherwise the e-mail address will not print.
+The \cs{email} address will be printed at the end of the paper, as
+``{\it E-mail address:\/} \<net-address>'', following the address (and
+current address, if present) with which it is paired.
+
+URLs, the addresses of ``home pages'' on the World Wide Web, can be
+included using \cs{urladdr...\\endurladdr}.  They behave in the same
+manner as \cs{email} addresses.
+
+The \cs{thanks} command is provided for acknowledgments of grant support
+and other kinds of support for the author's research, or other general
+information not covered by one of the predefined tags such as
+\cs{keywords} or \cs{subjclass}. The information will be printed as an
+unnumbered footnote at the bottom of the first page.  Like \cs{address},
+\cs{thanks} can be used more than once, and is associated with a
+particular author.
+
+In case a paper has not only an author but a translator, \cs{translator}
+is provided.  This information will be printed at the end of the paper in
+eight-point roman, as ``Translated by'' followed by the translator's name
+in uppercase.
+
+The \cs{dedicatory} command is used for such things as
+``Dedicated to Professor X on the occasion of his eightieth birthday.''
+The dedication will appear in italics, before the abstract.
+
+The information for \cs{keywords} and \cs{subjclass} appears as
+unnumbered footnotes at the foot of the first page, as in AMS journals.
+In a monograph chapter they will not print at all, since they should be
+handled separately, as part of the front matter for the monograph.
+By default, for backward compatibility, the 1991 Mathematics Subject
+Classification will be cited; to specify the 2000 Mathematics Subject
+Classification, enter
+\beginexample{}
+\\subjclassyear\{2000\}
+\\subjclass ...\\endsubjclass
+\endexample
+
+The abstract heading ``{\eightpoint\smc Abstract.}''\ appears in caps
+and small caps, in the same size (eight point) as the abstract itself.
+
+A simple table of contents setup is available.  Tables of contents
+are typed in the topmatter along with everything else (except for
+monographs---see the section {\bf Book Formatting} below), using
+\cs{toc...\\endtoc}.
+\beginexample{}
+\\toc
+\\specialhead...\\endspecialhead
+\\head...\\endhead
+\\subhead...\\endsubhead
+\\subsubhead...\\endsubsubhead
+\\endtoc
+\endexample
+\noindent
+The syntax of the parts is identical to the syntax used
+for headings within the document (see the sections {\bf Headings} and
+{\bf Book Formatting} below), so that for those who wish to do so
+and have a capable text editor, the table of contents can be constructed
+by extracting the relevant lines from the main text.\footnote{But note that
+the original line breaks in multi-line headings would not be appropriate
+for the table of contents, so you'd want to remove any \cs{\\}es that
+might be present.}
+
+Page numbers aren't usually appropriate for the short table of contents
+that might appear in a journal article, but if desired, page numbers can
+be entered in a manner similar to that for a monograph; see the section
+{\bf Book Formatting} below.
+
+The hanging indentation within a table of contents for \cs{head} and
+\cs{subhead} is preset to accommodate numbers of the form
+``1.''\ and ``1.1.''\ respectively; the amount of indentation can
+be adjusted by using \cs{widestnumber}:
+\beginexample{}
+\\toc
+\\widestnumber\\head\{10\}
+\\widestnumber\\subhead\{10.1\}
+...
+\endexample
+\noindent This can be done more than once within different sections of
+the table of contents, if desired.
+
+If the ``section number'' of a \cs{head} happens to be something like
+``Appendix'' (as actually happens in this User's Guide), a pair
+of empty braces should be entered before it, as follows:
+\beginexample{}
+\\head \{\}\ Appendix. Sample bibliography input ...\\endhead
+\endexample
+\noindent
+Insertion of {\tt\{\}} followed by a space at the beginning of the heading
+text will cause the entire entry to be set flush left as a unit.
+
+If you are preparing a monograph, the format and content of the top matter
+will be different.  See the section below on {\bf Book Formatting} for
+details.
+
+
+\subhead Headings \endsubhead
+
+There are four levels of headings (not counting
+\cs{title}):
+\beginexample{}
+\\specialhead...\\endspecialhead
+\\head...\\endhead
+\\subhead...\\endsubhead
+\\subsubhead...\\endsubsubhead
+\endexample
+\noindent The heading of
+this section was typed as
+\beginexample{}
+\\head 2. Formatting Features
+\\endhead
+\endexample
+
+\noindent And the subheading for this subsection was typed as
+\beginexample{}
+\\subhead Headings\\endsubhead
+\endexample
+\noindent
+Ordinarily, subheadings in the preprint style are run into the text, but for
+this User's Guide, the style varies slightly.
+
+\indent\cs{specialhead} is for long articles that need extra divisions at
+a level above the \cs{head} level. In the preprint style
+\cs{specialhead} uses boldface type and is set ragged right; \cs{head}
+is small caps, centered; \cs{subhead} is boldface, flush left,
+run in with the following text; and
+\cs{subsubhead} is italic, indented as for an ordinary paragraph, and run
+into the text.
+
+Explicit line breaks are obtained by a \cs{\\} in a \cs{head} or a
+\cs{specialhead}, but for \cs{subhead} and \cs{subsubhead},
+which are part of their paragraph, just use \cs{linebreak} as
+you would in normal paragraphed text.
+
+If you are preparing a monograph, the styles of headings will be different.
+See the section below on {\bf Book Formatting} for details.
+
+
+\subhead Theorems and Proofs \endsubhead
+
+In addition to the usual proclamations and demonstrations, mathematicians
+may pose other kinds of propositions, which editors may prefer to see
+presented in different styles.  The following have been provided in
+the preprint style.
+\beginexample{}
+\\definition...\\enddefinition
+\\example...\\endexample
+\\remark...\\endremark
+\endexample
+\noindent
+The proof of any proclamation is indicated by \cs{demo...}\cs{enddemo}.
+
+Note that all kinds of proclamations, demonstrations and propositions
+must be ended explicitly; a check for proper endings is included with
+all classes of proclamations and a missing \cs{end...} is reported.
+
+In the preprint style \cs{definition} and \cs{example} have
+the spacing and heading font of \cs{proclaim}, but are in roman.
+\cs{remark} resembles \cs{demo}
+except that extra space added at the end of a proof by \cs{enddemo}
+is not added by \cs{endremark}.
+
+In accordance with the style of the \JAMS, the labels on \cs{proclaim}s
+and similar constructions are now printed in boldface type (\cs{bf})
+and the text in italic (\cs{it}).  (The command \cs{proclaimfont} is
+provided so that a user can change the text of a proclamation to
+slanted type if desired: \cs{redefine\\proclaimfont\{\\sl\}}.)
+
+It is conventional in mathematical publishing to use roman,  upright
+numbers and punctuation even in the midst of
+italic text, to avoid visual conflicts with numbers and punctuation in
+adjacent math formulas.  Since dedicated ``mathematical text italic''
+fonts containing roman numbers and punctuation are not currently
+available, the \filnam{amsppt} preprint style provides a command
+\cs{rom} to be applied  inside theorems and other stretches of
+italic text, to give the desired results.
+For example, to~produce
+
+\proclaim{Proposition 2.5} Let $S_1,\dots,S_m$ be the components
+of a $J$-holomorphic cusp-curve $S$ and suppose that each
+component $S_i$ is \rom(a multiple covering of\rom) a regular
+curve and that Assumption \rom{(1.4a)} is satisfied. \dots
+\endproclaim
+
+\noindent you would use \cs{rom} in the following places:
+\beginexample{}
+each component \$S\char`\_i\$ is \\rom(a multiple covering of\\rom) a
+regular curve and that Assumption \\rom\{(1.4a)\} is satisfied
+\endexample
+
+As you can see, \cs{rom} is used like the math font command \cs{roman}:
+it applies to the next single character or the next group enclosed in
+braces.
+
+\subhead Other Devices \endsubhead
+
+For a list produced by \cs{roster}, the amount of indentation can be
+adjusted to accommodate wide item numbers.  Just before beginning the
+\cs{roster}, type, for example, \cs{widestnumber\\item\{(viii)\}}.
+This adjustment is temporary.  The default will be reinstated by
+\cs{endroster}.
+
+The command \cs{cite} produces
+a reference citation in roman type, within square brackets: \cite{21}.
+
+A structure \cs{block...}\cs{endblock} is provided for quotations.
+It is intended for use in the middle of a paragraph to quote an
+extract from another source.
+
+
+\subhead Book Formatting \endsubhead
+
+If you are preparing a monograph, several features are available in the
+preprint style that will make your output look like chapters rather than
+individual papers.
+
+First of all, you must signal your intentions by typing \cs{Monograph}
+in the preamble, right after the \cs{documentstyle} line.
+
+A typical topmatter section for a monograph chapter would be typed
+like this:
+\beginexample{}
+\\documentstyle\{amsppt\}
+\\Monograph
+\\topmatter
+\\title\\chapter\{4\} Matrix Algebras\\endtitle
+\\endtopmatter
+\endexample
+\noindent which produces a chapter heading that looks like this:
+\bigskip
+\vbox{
+\centerline{\eightpoint CHAPTER IV}
+\bigskip
+\centerline{\bf MATRIX ALGEBRAS}}
+\bigskip
+\noindent
+Notice that the number is converted automatically to roman numerals and
+the word ``{\eightpoint CHAPTER}'' is added.  For a chapter title that
+needs a different sort of treatment, \cs{nofrills} can be used:
+
+\beginexample{}
+\\topmatter
+\\title\\chapter\\nofrills\{APPENDIX D\} The Poisson Integral\\endtitle
+\\endtopmatter
+\endexample
+\noindent This produces
+\bigskip
+\vbox{
+\centerline{\eightpoint APPENDIX D}
+\bigskip
+\centerline{\bf THE POISSON INTEGRAL}}
+\bigskip
+\noindent The replacement \cs{chapter} text will appear exactly as
+typed.
+
+Finally, for things like a preface or introduction which have no
+pretitle text at all, omit the \cs{chapter} command:
+\beginexample{}
+\\topmatter
+\\title Preface\\endtitle
+\\endtopmatter
+\endexample
+
+In monographs, the table of contents is usually treated as a separate
+chapter.  Start by typing the title ``Contents'' as for a preface or
+introduction, and then use the \cs{toc...\\endtoc} structure as the
+body of the document (rather than putting it in the topmatter, as you
+would for a journal article).
+\beginexample{}
+\\topmatter
+\\title Contents\\endtitle
+\\endtopmatter
+\bigskip
+\\document
+\\toc
+\\title Preface\\page\{vii\}\\endtitle
+\\title\\chapter\{1\} Matrix Algebras\\page\{1\}\\endtitle
+\\head \{\} Continuous complex-valued functions\\page\{1\}\\endhead
+...
+\\title Bibliography\\page\{307\}\\endtitle
+\\endtoc
+\\enddocument
+\endexample
+
+The chapter titles listed in the table of contents are typed in the same
+way as in actual use.  To get page numbers in the table of contents, use
+\cs{page} as shown, just before the ending of an element.  This option
+is available for all levels of headings.
+
+In a monograph using the preprint style, the chapter title is used for
+the left running head and the text of section headings
+(from \cs{head}) appears as the right running head.
+It's not uncommon for the text of a heading to be too long to fit
+in the running head width; in such a case use \cs{rightheadtext} to
+specify a shortened form of the heading for use in the running heads:
+\beginexample{}
+\\head Fourier coefficients of continuous periodic functions
+of bounded entropy norm\\endhead
+\\rightheadtext\{Fourier coefficients of periodic functions\}
+\endexample
+\noindent This should follow immediately after the \cs{head}, to ensure
+that both take effect on the same page.  If the chapter title is too long
+to fit as a running head, a shortened form can be supplied in a similar
+way with \cs{leftheadtext} immediately after the \cs{title}.
+See also the section~{\bf Running Heads}.
+
+The style for a chapter of a monograph differs in some particulars from the
+style for a paper.  The text of a \cs{head} will be boldface instead of
+small caps; headings of theorems, propositions, definitions, remarks, etc\.
+will be small caps instead of boldface, and indented rather than flush
+left.
+
+
+\subhead Inserts with Captions \endsubhead
+
+Figures, tables, and some other kinds of objects are often handled as
+inserts.  These objects may be prepared separately from the main document
+and pasted in, in which case space must be left for them.
+These objects usually have captions; a caption may be positioned above (for
+a table) or below (for a figure).
+
+An insert may be specified for the top or ``middle'' of a page, i.e.,
+right where the input for the insert occurs in the text.  These are
+typed as \cs{topinsert} and \cs{midinsert} respectively.
+Furthermore, a caption may be placed at the top or the bottom of the insert,
+using the tags \cs{topcaption} and \cs{botcaption} respectively.
+
+The general structure used to specify an insert with a caption at the top is:
+\beginexample{}
+\\topinsert\quad{\rm or}\quad \\midinsert
+\cs{captionwidth}\{\Dimen\}\quad{\rm(optional)}
+\\topcaption\{\<caption label>\}
+\ \<optional caption text>
+\\endcaption
+\cs{vspace}\{\Dimen\}\quad{\rm or}\quad%
+  \<optional code for the insertion body>
+\\endinsert
+\endexample
+
+Here the notation \Dimen{} means a valid \TeX{} dimension as
+described in the {\bf Dimensions} section of \JoT{}.
+If a bottom caption was desired, \cs{topcaption} would be replaced by
+\cs{botcaption}, and
+the \cs{vspace} command (or the
+optional code for the insertion body) would be moved before the
+\cs{botcaption} macro.
+
+The \cs{vspace\{\Dimen\}} option would be used to leave blank space for
+an object to be pasted into place.  The value of the \Dimen{} should be
+the exact height of the object to be pasted in, because extra space
+around the object and the caption are dependent on the document style,
+and will be provided automatically.
+
+The \cs{captionwidth\{\Dimen\}} option may be used to override the default
+caption width specified by the document style.
+
+The \<caption label> is something like ``Figure~1'' or ``Table~2a''.
+Do not type any final punctuation; it will be provided.  The caption
+label will be set in caps and small caps.
+
+The \<optional caption text> is any descriptive text that may be desired.
+The preprint style will set this in roman.  Even if there is no text, the
+\cs{endcaption} tag must be present.
+
+If you choose to include the \TeX{} code for a figure, table, or other
+captioned object in the input, then omit the \cs{vspace} command
+and type the code where appropriate (before \cs{botcaption}
+or after the \cs{endcaption} of \cs{topcaption}).
+
+Sometimes a table is small enough that it is not necessary to put it in an
+insert.  If the caption is to appear above it, input can be typed as follows:
+\beginexample{}
+\\topcaption\{\<caption label>\}
+\ \<optional caption text>
+\\endcaption
+\ \<code for the table body>
+\endexample
+\noindent
+The form of the input would be the following if the caption is to appear below:
+\beginexample{}
+\ \<code for the table body>
+\\botcaption\{\<caption label>\}
+\ \<optional caption text>
+\\endcaption
+\endexample
+\noindent
+To avoid page-breaking problems,
+this form of ``insertion'' should be used only for very small objects.
+
+
+\subhead Page Numbers \endsubhead
+
+If you are using the preprint style, page numbers will appear in the running
+heads, at the outside margin, except for the first page, where the running head
+will be omitted and the page number will be centered at the bottom of the page.
+
+If you wish to omit page numbers, type \cs{NoPageNumbers} in the preamble
+of the document (after the \cs{documentstyle} line).
+The running head text will remain; see also {\bf Running Heads}.
+
+You can get roman numeral page numbers, e.g.\ for a table of contents or
+preface, using the normal \TeX{} convention of \cs{pageno} plus
+a negative number.
+
+
+\subhead Page Size and Line Spacing \endsubhead
+
+In the preprint style, the default page width is 30pc, and the default
+height is 50.5pc.
+You can change the size of the page by typing
+\beginexample{}
+\\pagewidth\{\Dimen\}\newline
+\\pageheight\{\Dimen\}
+\endexample
+\noindent using suitable \Dimen{}s, where by this notation we mean a
+valid \TeX{} dimension as described in the {\bf Dimensions} section of
+\JoT{}.
+
+The spacing between lines in the preprint style is ordinarily 2pt greater
+than the nominal type size.  This can be changed by providing a multiplication
+factor to the command \cs{linespacing}; for example, \cs{linespacing\{1.5\}}
+gives the effect of typewritten doublespacing.
+
+
+\subhead QED \endsubhead
+
+In the preprint style, \cs{qed} gives an open box `$\square$',
+separated from what precedes it by a quad of space.
+
+
+\subhead Running Heads \endsubhead
+
+If you are using the preprint style, running heads similar to those in
+\Joy{} will appear, with text in the center and page numbers to the
+outside.  (On the first page, as usual, the running head is omitted, and
+the page number is placed at the bottom.)
+
+If you do nothing to define the text of the running heads, the author's
+name will be used on the left-hand and the title on the right-hand pages.
+(This is the style for papers; for monographs, see below.)
+If you want some other values, say a shortened title, you
+can redefine the text to appear on left- and right-hand pages by typing
+\beginexample{}
+\\leftheadtext\{\<left running head text>\}
+\\rightheadtext\{\<right running head text>\}
+\endexample
+
+\noindent These instructions can appear anywhere after the
+\cs{documentstyle} command, but the most
+common place to use them is immediately after a \cs{title} or
+\cs{author} or \cs{head} to override the automatic running head text.
+If \cs{rightheadtext} or \cs{leftheadtext} is specified above the
+topmatter, \cs{title} and \cs{author} will not override them.
+
+If you are doing a monograph rather than a journal article, and use
+the \cs{Monograph} switch, it affects the running heads as follows:
+The chapter title appears in the left-hand running heads, and the text of
+the current section heading (from \cs{head}) appears in the right-hand
+running heads.  In chapters that don't contain any \cs{head}s---for
+example, a foreword---both the left- and right-hand running heads
+will contain the chapter title.
+
+By default, running heads will be uppercase.  This is a frill that
+can be turned off by \cs{nofrills}, e.g.,
+\beginexample{}
+\\rightheadtext\\nofrills\{Text of Running Head\}
+\endexample
+
+If for some reason you don't want running heads at all, type
+\cs{NoRunningHeads} in the preamble of the document (after the
+\cs{documentstyle} line).  When running heads are omitted, page numbers
+will appear centered at the bottom of the page.  (And even those can be
+turned off using \cs{NoPageNumbers}.)
+
+In a monograph, if you don't want
+the text from the section \cs{head}s to appear in the running heads
+you must redefine the internal command, \cs{headmark}, that is used
+by \cs{head} to set the right-hand running head. To do this, put the
+following line in your document file, after \cs{Monograph} and
+before \cs{topmatter}:
+\beginexample{}
+\\redefine\\headmark\#1\{\}
+\endexample
+\noindent (where the {\tt\#1} is an argument number as explained in \Joy,
+in the description of \cs{define} and related commands).
+
+\subhead Tables \endsubhead
+
+There are no special macros to support the creation of tables in
+\AmSTeX{}. Plain \TeX{}'s \cs{settabs}
+command and \cs{halign} can also be used (see {\it The \TeX{}book} for
+documentation of their usage). More sophisticated table macro packages
+are available from other sources. See also the section {\bf Inserts with
+Captions} above.
+
+\subhead Bibliographies \endsubhead
+
+The references section of a paper begins with \cs{Refs} and must have
+\cs{endRefs} at the end.  Each entry in the references begins with
+\cs{ref} and ends with \cs{endref}.  The individual elements between
+\cs{ref} and \cs{endref} can be specified in any order. However,
+following \cs{ref} is usually a number or other label identifying the
+particular reference. This label is produced using \cs{key}.
+The format of the labels is determined by the current
+{\it references style}, which is set by the \cs{refstyle}
+command. The preprint document style provides three reference
+styles denoted A, B, and C, corresponding to
+letter labels, no labels, and arabic numbers respectively.
+The form of the \cs{cite} and \cs{key} commands for each
+style, and the output they produce, is as follows:
+$$
+\vbox{\offinterlineskip\def\strut{\vrule depth.35\normalbaselineskip
+  width0pt height.75\normalbaselineskip}\tabskip0pt
+  \halign{{\tt\strut#}\hfil&\quad#\hfil&\quad\vrule\quad{\tt#}\hfil&
+       \quad#\hfil&\quad\vrule\quad{\tt#}\hfil&\quad#\hfil\cr
+\multispan2\strut depth.7\normalbaselineskip\cs{refstyle\{A\}}&
+       \multispan2\quad\vrule\quad\cs{refstyle\{B\}}&
+       \multispan2\quad\vrule\quad\cs{refstyle\{C\}}\cr
+%
+\noalign{\hrule}
+%
+ height1.1\normalbaselineskip\cs{cite\{DK\}}& [DK]&
+       \cs{cite\{Smith 1989\}}& [Smith 1989]&
+       \cs{cite\{19\}}& [19]\cr
+%
+\cs{key DK}& [DK]&
+       \omit\quad\vrule\quad(no key)\hfil & (no label)&
+       \cs{key 19}& 19.\cr
+}}$$
+The \cs{refstyle} command is normally placed in the preamble of
+a document.
+
+The references are set with hanging indentation.  The amount of indentation
+is preset to accommodate the most common case, two-digit numbers.
+It can be increased (or decreased) by specifying the widest
+label used in the references. For example,
+\beginexample{}
+\\widestnumber\\key\{GHMR\} \% refstyle A
+\\widestnumber\\key\{999\} \% refstyle C --- 3 digits
+\endexample
+\noindent
+will increase the indentation to accommodate the key \hbox{[GHMR]}, or a
+three-digit number, respectively.   You could also specify
+\cs{widestnumber}\cs{key\{9\}} to reduce the indentation from two digits'
+worth to one, if your bibliography has fewer than ten entries. As the
+examples show, you do not include square brackets, periods, font
+commands, or other such formatting when using \cs{widestnumber}.  The
+indentation will be adjusted for these things automatically.
+
+For consecutive references by the same author(s),  \cs{by} is used for
+the first reference, with the author name(s) given in full, and
+\cs{bysame} is used for subsequent ones---just the command \cs{bysame}
+without repetition of the name(s). The horizontal line produced by
+\cs{bysame} has a fixed length of three ems.
+
+Two variations, \cs{ed} and \cs{eds}, are provided for entering editor
+names, as with \cs{page} and \cs{pages}, because the note ``ed.''\ or
+``eds.''\ is part of the automatic formatting.  If \cs{by} is absent,
+the editor name(s) will be used in place of the author name.
+
+For a proceedings volume, the place and date of the meeting can
+be recorded in the \cs{procinfo} field.  Parentheses will be
+added.
+
+There are two options for miscellaneous notes at the end of a reference,
+\cs{finalinfo} and \cs{miscnote}.  \cs{miscnote} differs only by
+automatically adding parentheses; it would typically be used for
+a note such as ``(preprint)'' or ``(submitted)'' or ``(to appear)''.
+Because it's fairly common, the latter has its own command \cs{toappear}
+that is equivalent to \cs{miscnote} {\tt to appear}.
+
+\cs{lang} is used to indicate the original language for papers where
+bibliographic information has been translated or there is some other reason
+to believe that the original language cannot be correctly identified from
+information in the reference.
+
+Sometimes several references are combined into one---for example, parts
+of a long paper that have been published separately.  Another type of
+compound reference is a work cited both in the original and in
+translation.  There are commands \cs{moreref} and \cs{transl} to handle
+such situations.  After \cs{moreref} and \cs{transl}, any of the normal
+reference tags can be used again.
+
+\cs{moreref} is used for citing, e.g., ``part II'' of an article; the
+\cs{moreref} command is followed by the desired additional tags and
+data.  For example:
+\beginexample{}
+...\\moreref\\paper\\rom\{II\}
+\\jour Comm. Pure Appl. Math. \\vol 36
+\\yr 1983 \\pages 571--594\\endref
+\endexample
+
+When using \cs{transl}, a note  that describes the translation is
+normally entered between \cs{transl} and the next tag. The tags and data
+for the translated work then follow. For example:
+\beginexample{}
+...\\transl English transl. \\publ Birkh\\"auser
+\\publaddr Basel \\yr 1985 \\endref
+\endexample
+
+Automatic punctuation will be omitted if the pertinent field was
+included but left blank.  Otherwise, the command \cs{nofrills} can be
+used to keep automatic punctuation from appearing.  For example,
+\cs{bookinfo\\nofrills...}\ suppresses the comma or other punctuation
+that would normally be added at the end of the \cs{bookinfo}
+information. \cs{nofrills} also suppresses other automatic formatting
+such as the word ``eds.''\ for \cs{eds}, the word ``vol.''\ for book volumes,
+or the parentheses around the year for journal articles. The ending
+period of a reference can be suppressed with
+\cs{finalinfo}\cs{nofrills}.
+
+Some examples will illustrate the use of these tags.  See Appendix~A for
+samples of input and output. See also Appendix~C of \JoT{} (first
+edition: Appendix~B) for more information on references.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 3. Mathematical Constructions
+\endhead
+
+\subhead Wide Accents in Math Mode \endsubhead
+
+In version 2.0+ of the AMSFonts,
+there are wider versions of the \cs{widehat} and \cs{widetilde}
+accents; they appear on lines (5) and (6):
+\beginexample{}
+\exbox{(1)}{\$\\hat x, \\tilde x\$} $\hat x, \tilde x$
+\exbox{(2)}{\$\\widehat x, \\widetilde x\$} $\widehat x, \widetilde x$
+\exbox{(3)}{\$\\widehat\{xy\}, \\widetilde\{xy\}\$} %
+  $\widehat{xy}, \widetilde{xy}$
+\exbox{(4)}{\$\\widehat\{xyz\}, \\widetilde\{xyz\}\$} %
+  $\widehat{xyz}, \widetilde{xyz}$
+\exbox{(5)}{\$\\widehat\{xyzu\}, \\widetilde\{xyzu\}\$} %
+  $\widehat{xyzu}, \widetilde{xyzu}$
+\exbox{(6)}{\$\\widehat\{xyzuv\}, \\widetilde\{xyzuv\}\$} %
+  $\widehat{xyzuv}, \widetilde{xyzuv}$
+\endexample
+\noindent
+These wider accents are in the \filnam{msbm} family.  If \filnam{msbm}
+has been loaded, \cs{widehat} and \cs{widetilde} will automatically
+select these wider versions when required; otherwise, the characters
+on line (4) will be the largest available.  If you are using the
+preprint style, \filnam{msbm} is loaded automatically; otherwise,
+see the section entitled {\bf Fonts} for instructions on loading it.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 4. Fonts\endhead
+
+\subhead Additional fonts for \AmSTeX{}\endsubhead
+
+A number of fonts were created for use with \AmSTeX{} 2.0+, both
+Computer Modern fonts in sizes not previously available and new fonts
+of alphabets and symbols intended to be used for mathematical notation.
+These fonts are in the collection AMSFonts Version~2.2.  They must be
+installed on your computer before you can use \AmSTeX{}'s preprint style
+or otherwise refer to them.
+Note that AMSFonts Version~2.2 cannot be used with versions of \AmSTeX{}
+earlier than Version~2.0, and \AmSTeX{} Version~2.2 cannot be used with
+versions of AMSFonts earlier than Version~2.0
+(users of AMSFonts Version~2.0 are strongly encouraged to upgrade to
+Version~2.2).
+
+Several of these fonts are loaded automatically by the preprint
+style and others can be loaded on demand.  The fonts available and the
+commands used to load them are described below.
+
+\subsubhead Fonts loaded with the preprint style
+\endsubsubhead
+Several fonts are loaded automatically for general use.
+\roster
+\item"--" \filnam{cmcsc8} is an additional size of the Computer Modern
+        small caps font.
+\item"--" \filnam{cmex8} and \filnam{cmex7} are additional sizes of the
+        Computer Modern math extension font.  \filnam{cmex8} is used by the
+        preprint style in abstracts and other eight-point environments;
+        \filnam{cmex7} is used for all sub- and superscripts.
+\endroster
+If \cs{PSAMSFonts} is specified (see Appendix C), scaled versions of the
+10-point fonts are loaded instead (this is required for submission to
+AMS journals).
+
+
+\subsubhead Math fonts loaded with the preprint style
+\endsubsubhead
+\roster
+\item"--" \filnam{msam} and \filnam{msbm} contain extra symbols.  The symbols
+        and the names that will produce them are shown in the section
+        {\bf Symbol Names} below.  If you are not using the preprint style,
+        each can be loaded separately by \cs{loadmsam} or \cs{loadmsbm}
+        as appropriate.
+\item"--" \filnam{eufm} is the medium-weight Euler Fraktur (German) font.
+        It can also be loaded by \cs{loadeufm} if the preprint style is not
+        being used.
+\endroster
+
+
+\subsubhead Math fonts loaded by \cs{loadbold}
+\endsubsubhead
+See the sections below on {\bf Bold Characters in Math Mode} and
+{\bf Bold Greek Letters} for details on accessing particular characters
+in these fonts.
+\roster
+\item"--" \filnam{cmmib} is Computer Modern bold math italic.
+        It also contains bold Greek.
+\item"--" \filnam{cmbsy} contains Computer Modern bold math symbols.
+\endroster
+
+
+\subsubhead Additional Euler fonts, for use in math, loaded by
+\cs{loadeu...}\tt\endsubsubhead
+\roster
+\item"--" \filnam{eufb} is bold Fraktur (\cs{loadeufb}).
+\item"--" \filnam{eusm} is medium-weight script (\cs{loadeusm}).
+\item"--" \filnam{eusb} is bold script (\cs{loadeusb}).
+\item"--" \filnam{eurm} is medium-weight ``cursive roman'' (\cs{loadeurm}).
+\item"--" \filnam{eurb} is bold ``cursive roman'' (\cs{loadeurb}).
+\endroster
+
+
+\subsubhead Considerations and warnings\endsubsubhead
+The commands to load these font files should be typed in the preamble area
+between the
+\cs{documentstyle\{...\}} line and the \cs{topmatter}.
+Each \cs{load...} command loads the pertinent fonts (including
+subscript sizes), assigns a ``math
+family'' for them, and defines a math font command.
+The names of the commands are the same as the font names:
+\cs{eufm}, \cs{eufb}, \cs{eusm}, \cs{eusb}, \cs{eurm}, and
+\cs{eurb}.  These are used in the same way as
+\cs{roman} or \cs{bold}, e.g., \cs{eufb\{M\}} or \cs{eufb M}@.
+\AmSTeX{} also defines a couple of synonyms,
+\cs{frak} and \cs{goth}, for \cs{eufm} (medium Euler Fraktur).
+
+\TeX{} can accommodate only sixteen font families in math mode; eight
+are already defined by plain \TeX{} before \AmSTeX{} begins, and the
+preprint style loads three more (\filnam{msam}, \filnam{msbm}, and
+\filnam{eufm}), for a total of eleven.  For this reason, you should load
+additional fonts with care, requesting only those you know for certain
+you will need.
+
+All the fonts described here, and some others as well, are included in the
+collection AMSFonts Version~2.2, which is available from the AMS and other
+distributors.  The math fonts mentioned here are all supplied in sizes from
+five through ten point, suitable for use in mathematical text.
+
+If you intend to use the AMSFonts in PostScript Type~1 outline form,
+see Appendix C.
+
+
+\subhead Bold Characters in Math Mode \endsubhead
+
+Bold letters are obtained by \cs{bold} as described in \Joy{}.
+In addition, bold symbols, italic, and lowercase Greek can be
+obtained once \cs{loadbold} appears in the file (this
+requires version 2.0+ of \AmSTeX{} and AMSFonts).  Two control sequences
+are used for different kinds of bold symbols:
+\beginexample{\exboxwidth=1.25in}
+\exbox{}{\\boldkey} for symbols that actually appear on the keyboard
+\exbox{}{\\boldsymbol} for symbols specified by a single control sequence
+\endexample
+\noindent
+For example,
+$$\hbox{\tt\$\\bold x \\boldsymbol\\in \\boldsymbol\\varGamma\$}$$
+gives
+$$\bold x \boldsymbol\in \boldsymbol\varGamma$$
+[and {\tt\$\\boldsymbol\\lbrack a \\boldsymbol\\rbrack\$} gives
+$\boldsymbol\lbrack a \boldsymbol\rbrack$, if you need to use
+\cs{lbrack} and \cs{rbrack} instead of the {\tt[} and {\tt]} keys].
+
+More precisely, \cs{boldkey} can be used in math formulas in the
+following combinations:
+\roster
+\item"$\bullet$" With any of the symbols
+$$ +\ \ -\ \ =\ \ <\ \ >\ \ (\ \ )\ \ [\ \ ]\ \ |\ \ /\ \ *
+    \ \ .\ \ ,\ \ :\ \ ;\ \ !\ \ ?$$
+to give
+$$
+\boldkey+\ \ \boldkey-\ \ \boldkey=\ \ \boldkey<\ \ \boldkey>\ \
+\boldkey(\ \ \boldkey)\ \ \boldkey[\ \ \boldkey]\ \ \boldkey|\ \
+\boldkey/\ \ \boldkey*\ \ \boldkey.\ \ \boldkey,\ \ \boldkey:\ \
+\boldkey;\ \ \boldkey!\ \ \boldkey?
+$$
+But \cs{bold} cannot be used to get bold versions of these symbols.
+{\tt\$\\bold+\$} will give only the ordinary $+$, etc.
+
+The bold $\boldkey+$ and $\boldkey-$ will be  binary operators,
+like the ordinary $+$ and $-$ symbols;
+the bold $\boldkey=$ will be a binary relation, like the ordinary $=$, etc.
+
+\medskip
+\item"$\bullet$" With letters:
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\boldkey a\$, ..., \$\\boldkey z\$} %
+        $\boldkey a, \dots, \boldkey z$
+\exbox{}{\$\\boldkey A\$, ..., \$\\boldkey Z\$} %
+        $\boldkey A, \dots, \boldkey Z$
+\endexample
+\noindent
+Notice that these are $\fam\cmmibfam bold\ math\ italic$ letters, as
+opposed to the bold text letters $\bold a, \dots, \bold z$, $\bold A,
+\dots, \bold Z$ that you get by using \cs{bold} in math mode.
+
+\medskip
+\item"$\bullet$" With numerals:
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\boldkey 0\$, ..., \$\\boldkey 9\$} %
+        $\boldkey 0, \dots, \boldkey 9$
+\endexample
+\noindent
+However, these combinations simply give the same numerals that you get with
+{\tt\$\\bold0\$}, \dots, {\tt\$\\bold9\$}.
+\endroster
+
+\medskip
+The \cs{boldsymbol} construction can be used in any of the following
+combinations:
+\roster
+\item"$\bullet$" With uppercase and lowercase Greek letters
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\boldsymbol\\Gamma\$, ..., \$\\boldsymbol\\Omega\$} %
+        $\boldsymbol\Gamma$, \dots, $\boldsymbol\Omega$
+\exbox{}{\$\\boldsymbol\\varGamma\$, ..., \$\\boldsymbol\\varOmega\$} %
+        $\boldsymbol\varGamma$, \dots, $\boldsymbol\varOmega$
+\exbox{}{\$\\boldsymbol\\alpha\$, ..., \$\\boldsymbol\\omega\$} %
+        $\boldsymbol\alpha$, \dots, $\boldsymbol\omega$
+\endexample
+\noindent
+In versions of \AmSTeX{} earlier than 2.0, bold unslanted uppercase
+Greek letters $\boldsymbol\Gamma$, \dots, $\boldsymbol\Omega$ were
+specified by \cs{boldGamma}, \dots, \cs{boldOmega}; these control
+sequences have now disappeared.
+
+\medskip
+\item"$\bullet$"
+For convenience, \cs{boldsymbol} may also be followed by a letter (but
+not by a numeral or other character), giving the same result as
+\cs{boldkey}.
+
+\medskip
+\item"$\bullet$"
+You can also apply \cs{boldsymbol} to all the other standard symbols that
+are specified by single control sequences. For example, to get bold primes:
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\boldsymbol\\prime\$} $\boldsymbol\prime$
+\exbox{}{\$\\boldsymbol A\^{ }\{\\boldsymbol\\prime\}\$} %
+        $\boldsymbol A^{\boldsymbol\prime}$
+\endexample
+\noindent
+(But \cs{boldsymbol'}, using the shorthand notation for \cs{prime},
+won't work.)
+
+\medskip
+\item"$\bullet$"
+You can apply \cs{boldsymbol} to ``delimiters'', such as
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\boldsymbol\\\{ ... \\boldsymbol\\\}\$} %
+        $\boldsymbol\{ \dots \boldsymbol\}$
+\exbox{}{\$\\boldsymbol\\langle ... \\boldsymbol\\rangle\$} %
+        $\boldsymbol\langle \dots \boldsymbol\rangle$
+\exbox{}{\$\char`\|, \\boldkey\char`\|, \\\char`\|, \\boldsymbol\\\char`\|\$} %
+        $|,\ \boldkey|,\ \|,\ \boldsymbol\|$
+\exbox{}{\$\\vert, \\boldsymbol\\vert, \\Vert, \\boldsymbol\\Vert\$} %
+        $\vert,\ \boldsymbol\vert,\ \Vert,\ \boldsymbol\Vert$
+\endexample
+\noindent
+However, you can't use \cs{boldsymbol} after \cs{left} and \cs{right}.
+In particular, typing
+\hbox{\tt\\left\\boldsymbol\char`\|\ ...\ \\right\\boldsymbol\char`\|}
+will produce only error messages.
+
+\medskip
+\item"$\bullet$"
+Certain symbols on the bold fonts can't be accessed at all via \cs{boldkey}
+or \cs{boldsymbol}: These include bold versions
+${\fam\cmbsyfam A}$, \dots, ${\fam\cmbsyfam Z}$
+ of the ``calligraphic letters'' $\Cal A$,~\dots, $\Cal Z$ that you type
+as \cs{Cal A}, \dots, \cs{Cal Z},
+and bold versions {\tencmmib0}, \dots, {\tencmmib9}
+ of the oldstyle numbers
+\oldnos0, \dots, \oldnos9 that you get with \cs{oldnos}.  If
+you really need to have these symbols, you will have to enlist the aid of a
+\TeX{}nician, or use \cs{pmb}.
+\endroster
+
+
+\subhead Fraktur Font \endsubhead
+
+The German Fraktur font, which is designed for use
+only in math mode, can be made
+available by typing \cs{loadeufm} in the preamble area
+of your paper.  If you are using the preprint style,
+medium-weight Fraktur is loaded automatically.
+To produce a Fraktur letter, type
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\frak g\$} $\frak g$
+\exbox{}{\$\\frak A\$, \\dots, \$\\frak Z\$} $\frak A$, \dots, $\frak Z$
+\endexample
+
+
+\subhead Blackboard Bold \endsubhead
+
+\AmSTeX{} has a ``blackboard bold'' font, \cs{Bbb}.  Like \cs{Cal},
+it will work only in math mode, and only when applied to uppercase
+letters.  This alphabet is part of the \filnam{msbm} font, and can be
+made available by typing \cs{loadmsbm} at the top of your file.  (It is
+loaded automatically with the preprint style.)
+\beginexample{\exboxwidth=3.75in}
+\exbox{}{\$\\Bbb A, \\Bbb C, \\Bbb R\$, etc.} $\Bbb A, \Bbb C, \Bbb R$, etc.
+\endexample
+
+
+\subhead Poor Man's Bold \endsubhead
+
+\AmSTeX{} now has boldface versions of most math symbols.  However, if you
+need only one or two bold symbols and have run out of \TeX{} capacity for
+new fonts or font families, you can always get a poor man's bold version
+of bold with \cs{pmb}, as described in \Joy{}.
+
+
+\subhead Bold Greek Letters \endsubhead
+
+Bold Greek letters, both lowercase and uppercase, can be obtained by
+using the \cs{boldsymbol} construction, as described in {\bf Bold
+Characters in Math Mode}.  The upright uppercase bold Greek letters are
+part of the ordinary bold font and therefore extra font loading commands
+do not need to be used in order to get them.  However, the lowercase and
+slanted uppercase bold Greek letters are not loaded automatically, so
+you must specify \cs{loadbold} before using them.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 5. Symbol Names
+\endhead
+
+The symbols in the \filnam{msam} and \filnam{msbm} fonts have been
+assigned ``standard'' control sequence names as shown below.  All
+the symbol names are loaded automatically by the preprint style; if
+you are not using the preprint style, the command \cs{UseAMSsymbols}
+will have the same effect.
+This will add about 200 new
+control sequences to \TeX{}'s internal table.  If you are short on
+space, or need only a few of the symbols, you can use a different
+approach to access just the ones you need.  See the section {\bf The
+\cs{newsymbol} command} below.
+
+
+\subhead Special Symbols and Blackboard Bold Letters
+\endsubhead
+
+Certain symbols from the \filnam{msam} family can be specified by
+control sequences that will be defined as soon as the command
+\cs{loadmsam} has appeared in the file.
+
+First there are four symbols that are normally used outside of math mode:
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+   \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+checkmark&circledR\cr
+maltese&yen\cr}}
+$$
+These symbols, like \P, \S, \dag, and \ddag, can also be used in
+math mode, and will change sizes correctly in subscripts and superscripts.
+
+Next are four symbols that are ``delimiters'' (although there are
+no larger versions obtainable with \cs{left} and \cs{right}), so they
+must be used in math mode:
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+   \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+ ulcorner&urcorner\cr
+ llcorner&lrcorner\cr}}$$
+
+Finally, two dashed arrows are constructed from symbols in this family.
+Note that one of them has two names; it can be accessed by either one:
+$$\vcenter{\halign to\hsize{\1{#}\hfil\tabskip\centering&
+   \hbox to.5\hsize{\1{#}\hfil}\tabskip0pt\cr
+ \omit\hbox to.5\hsize{\hbox to\biggest{\hfil$\dashrightarrow$\hfil}\ \ %
+    \cs{dashrightarrow}, \cs{dasharrow}\hss}&dashleftarrow\cr}}$$
+
+The Blackboard Bold letters $\Bbb A, \dots, \Bbb Z$
+appear in the \filnam{msbm} family.  Once \cs{loadmsbm} has appeared
+in the file, they can be typed (in math mode) as \cs{Bbb A}, \dots,
+\cs{Bbb Z}.
+
+The \filnam{msbm} family also contains wider versions of the \cs{widehat}
+and \cs{widetilde} as shown above in {\bf Mathematical Constructions}.
+
+
+\subhead The \cs{newsymbol} Command\endsubhead
+
+All other symbols of the \filnam{msam} and \filnam{msbm} fonts must be named
+by control sequences so that they can be used (in math mode only) when the
+fonts are loaded.  This can be done all at once by typing the instruction
+\cs{UseAMSsymbols}, which will load in the file \filnam{amssym.tex}\null.
+This instruction is included in the preprint style, so the names are
+assigned automatically, which requires over~200 control sequences.
+
+If you are very short on space for control sequence names, and need only
+a few of these symbols, you can omit \cs{UseAMSsymbols}.  Instead,
+assign only the names you will need by using a new \AmSTeX{} control
+sequence \cs{newsymbol} to create a control sequence that will
+properly produce this symbol.  The control sequence can be either the
+``standard'' name, as listed below, or one of your own choosing.
+
+The list of symbols below shows for each symbol the symbol itself, a
+four-character~``ID'', and the ``standard'' name of the symbol.
+(The first character of the ID identifies the font family in which a
+symbol resides.  Symbols from the \filnam{msam} family have {\tt1} as the
+first character; symbols from the \filnam{msbm} family have {\tt2} as the
+first character.)
+For example, the symbol $\nleqslant$ appears as
+\medskip
+\noindent\kern2\parindent\2{nleqslant}
+\medskip
+\noindent
+To produce a control sequence with this name, the instruction
+\medskip
+\noindent\kern2\parindent\cs{newsymbol}\cs{nleqslant 230A}
+\medskip
+\noindent
+appears in the file \filnam{amssym.tex}\null.  This same instruction can
+be typed by a user who is not using the preprint style and has chosen not
+to load all the symbol names by \cs{UseAMSsymbols}.  Thereafter, the
+control sequence \cs{nleqslant} will produce the symbol $\nleqslant$
+(in math mode), and will act properly as a ``binary relation''.
+
+A few symbols in these fonts replace symbols defined in \filnam{plain.tex}
+by combinations of symbols available in the Computer Modern fonts.  These
+are \cs{angle}~($\angle$) and \cs{hbar}~($\hbar$) from the group
+``Miscellaneous symbols'', and \cs{rightleftharpoons}~($\rightleftharpoons$)
+from the group ``Arrows'' below (and \Joy, Appendix~F).  The new symbols will
+change sizes correctly in subscripts and superscripts, provided that you
+are using appropriate redefinitions.  In order to use \cs{newsymbol} to
+replace an existing definition, the name must first be ``undefined''.
+Here are the lines you must put in your file if you are not using the
+preprint style or \cs{UseAMSsymbols} (which perform the redefinition
+automatically):
+\medskip
+\begingroup
+\parindent=2\parindent
+\obeylines
+\cs{undefine}\cs{angle}
+\cs{newsymbol}\cs{angle 105C}
+\cs{undefine}\cs{hbar}
+\cs{newsymbol}\cs{hbar 207E}
+\cs{undefine}\cs{rightleftharpoons}
+\cs{newsymbol}\cs{rightleftharpoons 130A}
+\endgroup
+\medskip
+\noindent
+These symbols are flagged in the tables below with a ``{\eightpoint(U)}''
+as a reminder that they must be undefined.
+
+Note in the tables that some symbols are shown with two names.  In such
+cases, either one can be used to access the symbol.
+
+%  since the symbol tables are set in displays, decrease the skip
+%  above, so that the space between a section heading and table is
+%  not so large.
+\abovedisplayskip=3pt plus 3pt minus 0pt
+
+\BBB{Lowercase Greek letters}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+digamma&varkappa\cr}$$
+
+\BBB{Hebrew letters}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+beth&gimel\cr
+daleth\cr
+}$$
+
+\BBB{Miscellaneous symbols}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+\omit\4{hbar}&backprime\cr
+hslash&varnothing\cr
+vartriangle&blacktriangle\cr
+triangledown&blacktriangledown\cr
+square&blacksquare\cr
+lozenge&blacklozenge\cr
+circledS&bigstar\cr
+\omit\4{angle}&sphericalangle\cr
+measuredangle&\omit\cr
+nexists&complement\cr
+mho&eth\cr
+Finv&diagup\cr
+Game&diagdown\cr
+Bbbk&\omit\cr
+}$$
+
+\BBB{Binary operators}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+dotplus&ltimes\cr
+smallsetminus&rtimes\cr
+\omit\3{Cap}{doublecap}&leftthreetimes\cr
+\omit\3{Cup}{doublecup}&rightthreetimes\cr
+barwedge&curlywedge\cr
+veebar&curlyvee\cr
+doublebarwedge\cr
+boxminus&circleddash\cr
+boxtimes&circledast\cr
+boxdot&circledcirc\cr
+boxplus&centerdot\cr
+divideontimes&intercal\cr}
+$$
+
+\BBB{Binary relations}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+leqq&geqq\cr
+leqslant&geqslant\cr
+eqslantless&eqslantgtr\cr
+lesssim&gtrsim\cr
+lessapprox&gtrapprox\cr
+approxeq\cr
+lessdot&gtrdot\cr
+\omit\3{lll}{llless}&\omit\3{ggg}{gggtr}\cr
+lessgtr&gtrless\cr
+lesseqgtr&gtreqless\cr
+lesseqqgtr&gtreqqless\cr
+\omit\3{doteqdot}{Doteq}&eqcirc\cr
+risingdotseq&circeq\cr
+fallingdotseq&triangleq\cr
+backsim&thicksim\cr
+backsimeq&thickapprox\cr
+subseteqq&supseteqq\cr
+Subset&Supset\cr
+sqsubset&sqsupset\cr
+preccurlyeq&succcurlyeq\cr
+curlyeqprec&curlyeqsucc\cr
+precsim&succsim\cr
+precapprox&succapprox\cr
+vartriangleleft&vartriangleright\cr
+trianglelefteq&trianglerighteq\cr
+vDash&Vdash\cr
+Vvdash\cr
+smallsmile&shortmid\cr
+smallfrown&shortparallel\cr
+bumpeq&between\cr
+Bumpeq&pitchfork\cr
+varpropto&backepsilon\cr
+blacktriangleleft&blacktriangleright\cr
+therefore&because\cr}$$
+\bigbreak
+\BBB{Negated relations}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+nless&ngtr\cr
+nleq&ngeq\cr
+nleqslant&ngeqslant\cr
+nleqq&ngeqq\cr
+lneq&gneq\cr
+lneqq&gneqq\cr
+lvertneqq&gvertneqq\cr
+lnsim&gnsim\cr
+lnapprox&gnapprox\cr
+nprec&nsucc\cr
+npreceq&nsucceq\cr
+precneqq&succneqq\cr
+precnsim&succnsim\cr
+precnapprox&succnapprox\cr
+nsim&ncong\cr
+nshortmid&nshortparallel\cr
+nmid&nparallel\cr
+nvdash&nvDash\cr
+nVdash&nVDash\cr
+ntriangleleft&ntriangleright\cr
+ntrianglelefteq&ntrianglerighteq\cr
+nsubseteq&nsupseteq\cr
+nsubseteqq&nsupseteqq\cr
+subsetneq&supsetneq\cr
+varsubsetneq&varsupsetneq\cr
+subsetneqq&supsetneqq\cr
+varsubsetneqq&varsupsetneqq\cr}$$
+
+\overfullrule=0pt
+
+\BBB{Arrows}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+leftleftarrows&rightrightarrows\cr
+leftrightarrows&rightleftarrows\cr
+Lleftarrow&Rrightarrow\cr
+twoheadleftarrow&twoheadrightarrow\cr
+leftarrowtail&rightarrowtail\cr
+looparrowleft&looparrowright\cr
+leftrightharpoons&\omit\4{rightleftharpoons}\cr
+curvearrowleft&curvearrowright\cr
+circlearrowleft&circlearrowright\cr
+Lsh&Rsh\cr
+upuparrows&downdownarrows\cr
+%      Some fancy tricks to avoid a lot of extra work.  MJD
+upharpoonleft&upharpoonright}\setbox0\lastbox\unhbox0\unskip,\hfill{\cr
+downharpoonleft&\omit\kern7em \cs{restriction}\hfil\cr
+multimap&downharpoonright\cr
+leftrightsquigarrow&rightsquigarrow\cr}$$
+
+\BBB{Negated arrows}
+$$\halign{\hbox to.5\hsize{\2{#}}&\2{#}\cr
+nleftarrow&nrightarrow\cr
+nLeftarrow&nRightarrow\cr
+nleftrightarrow&nLeftrightarrow\cr}$$
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\head 6. Other Things You Ought to Know
+\endhead
+
+\subhead Errata to \JoT{} prior to \AmSTeX{} 2.0
+\endsubhead
+
+The file \filnam{joyerr.tex} contains the full list of errata for the
+first edition of \JoT{}, for versions of \AmSTeX{} earlier than
+version 2.0; \filnam{joyerr2.tex} contains the errata for the second
+edition.  A user who desires a typeset copy of this file may run it
+through \TeX{} and print out the \filnam{.dvi} file.  This will
+require Version~2.0+ of \AmSTeX{} and \filnam{amsppt.sty}, and also
+AMSFonts Version~2.0+ (users of AMSFonts Version~2.0 are strongly
+encouraged to upgrade to Version~2.2).
+
+
+\subhead Acknowledging the Use of \AmSTeX{}\endsubhead
+
+The following are suggested as appropriate statements of acknowledgment
+that \AmSTeX{} has been used to format a document for publication.
+It is not required that such an acknowledgment be made.
+
+\penalty-9000 % to encourage a break without absolutely forcing it.
+A single paper may include the following at the bottom of the first page:
+\beginexample{}
+\rm{}Typeset by \AmSTeX{}
+\endexample
+\noindent
+(This notation is provided automatically by the \AmSTeX{} preprint style.
+It can be suppressed by the command \cs{nologo} in the preamble.)
+
+If an entire journal or book is prepared with \AmSTeX{}, the following
+statement can be placed on its copyright page:
+\beginexample{}
+\rm{}This [journal/book] was typeset by \AmSTeX{}, the \TeX{} macro %
+system of the \AMS{}.
+\endexample
+
+If only selected papers in a journal or book are set with \AmSTeX{}, these
+papers may be identified as shown above, and the following may be placed
+on the copyright page:
+\beginexample{}
+\rm{}\AmSTeX{} is the \TeX{} macro system of the \AMS{}.
+\endexample
+
+
+\head 7. Getting Help
+\endhead
+
+If you should find any bugs in the macros or documentation,
+send a Problem Report to:
+\beginexample{\rm}
+Technical Support
+\AMS{}
+P. O. Box 6248
+Providence, RI 02940
+\vskip 2pt %
+Phone: 800-321-4AMS (4267) \quad or \quad 401-455-4080
+E-mail: tech-support\@ams.org
+\endexample
+
+A Problem Report should contain the following information:
+\roster
+\item version and date of \filnam{amstex.tex} and of \filnam{amsppt.sty}
+  with which the problem occurred;
+\item a detailed description of the problem;
+\item a brief input file which includes the input code for
+  one or more examples that illustrate the problem;
+\item a log file of the \TeX{} session for the input file showing the problem.
+\endroster
+
+\head References\endhead
+
+\noindent\hangindent2pc Knuth, Donald E. {\it The \TeX{}book}. Reading:
+  Addison Wesley, 1986.
+
+\noindent\hangindent2pc Spivak, Michael D. {\it The Joy of \TeX{}},
+  2nd (revised) edition, \AMS{}, Providence, 1990.
+
+\noindent\hangindent2pc {\it Instructions for Preparation of Papers and
+  Monographs: \AmSTeX}, version 2.2, \AMS{}, Providence, 2001.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newpage
+
+%  Arrange for the sample references to be set broadside, with the output
+%  pasted up next to the corresponding input.  The section heading should
+%  be full-width, and the running heads should be the normal page width.
+%  To accomplish the latter, we must redefine plain's \makeheadline.
+
+\begingroup % This will be ended after the broadside section
+
+% To suppress an unimportant `overfull vbox' message (0.8 points):
+\vfuzz=1pt
+
+% Retain headlines at usual width while decreasing \hsize.
+\newdimen\headlinewidth
+\headlinewidth=\hsize
+\def\makeheadline{%
+  \leftskip=0pt
+  \vbox{\vbox to\headlineheight{\vss
+      \hbox to\headlinewidth{\hskip0pt plus\headlinewidth\the\headline}%
+      \kern-\prevdepth}
+    \vskip\headlinespace \vskip-\topskip}%
+  \nointerlineskip}
+
+\head Appendix A.\quad Sample Bibliography Input and Output
+\endhead
+
+%  This measurement includes the space for the running head.
+\pageheight{32pc}
+
+\pagewidth{23pc}
+\beginexample{\exindent=0pt}
+\\Refs
+\\ref\\key 4 \% assuming \\refstyle\{C\}
+\\by V. I. Arnol\$'\$d, A. N. Varchenko,
+\ and S. M. Guse\\u\\i n-Zade
+\\book Singularities of differentiable maps.~\\rom I
+\\publ ``Nauka'' \\publaddr Moscow \\yr 1982
+\\lang Russian
+\\endref
+\ {}
+\\ref\\key 5\\bysame
+\\book Singularities of differentiable maps.~\\rom\{II\}
+\\publ ``Nauka'' \\publaddr Moscow \\yr 1984
+\\lang Russian
+\\endref
+\ {}
+\\ref\\key 6
+\\by O. A. Ladyzhenskaya
+\\book Mathematical problems in the dynamics
+\ of a viscous incompressible fluid
+\\bookinfo 2nd rev. aug. ed.
+\\publ ``Nauka'' \\publaddr Moscow \\yr 1970
+\\lang Russian
+\\transl English transl. of 1st ed.
+\\book The mathematical theory of viscous
+\ incompressible flow
+\\publ Gordon and Breach \\publaddr New York
+\\yr 1963; rev. 1969
+\\endref
+\endexample
+
+\newpage
+
+\beginexample{\exindent=0pt}
+\\ref\\key 7
+\\by P. D. Lax and C. D. Levermore
+\\paper The small dispersion limit for the
+\ KdV equation.~\\rom I
+\\jour Comm. Pure Appl. Math. \\vol 36 \\yr 1983
+\\pages 253--290 \\finalinfo (overview)
+\\moreref\\paper \\rom\{II\}
+\\jour Comm. Pure Appl. Math.
+\\vol 36 \\yr 1983 \\pages 571--594
+\\moreref\\paper \\rom\{III\}
+\\jour Comm. Pure Appl. Math.
+\\vol 36 \\yr 1983 \\pages 809--829 \\endref
+\ {}
+\\ref\\key 10 \\by S. Osher
+\\paper Shock capturing algorithms for equations of
+\ mixed type
+\\inbook Numerical Methods for Partial Differential
+\ Equations \\eds S. I. Hariharan and T. H. Moulton
+\\publ Longman \\publaddr New York \\yr 1986
+\\pages 305--322
+\\endref
+\ {}
+\\ref\\key 17 \\by G. S. Petrov
+\\paper Elliptic integrals and their nonoscillatory
+\ behavior
+\\jour Funktsional. Anal. i Prilozhen.
+\\vol 20 \\yr 1986 \\pages 46--49
+\\transl\\nofrills English transl. in
+\\jour Functional Anal. Appl. \\vol 20\\yr 1986
+\\endref
+\endexample
+
+\newpage
+
+\beginexample{\exindent=0pt}
+\% switch to a different references style
+\\refstyle\{A\}
+\\widestnumber\\key\{GHMR\}
+\ {}
+\\ref\\key C1
+\\by B. Coomes
+\\book Polynomial flows, symmetry groups, and
+\ conditions sufficient for injectivity of maps
+\\bookinfo Ph.D. thesis, Univ. Nebraska--Lincoln
+\\yr 1988
+\\endref
+\ {}
+\\ref\\key C2
+\\bysame \% B. Coomes
+\\paper The Lorenz system does not have a
+\ polynomial flow
+\\jour J. Differential Equations
+\\toappear
+\\endref
+\ {}
+\\ref\\key GHMR
+\\by J. Guckenheimer, P. Holmes, M. Martineau,
+\ and L. P. Robinson
+\\book Nonlinear oscillations, dynamical systems,
+\ and bifurcations of vector fields
+\\bookinfo \% fields can be left blank
+\\publ Springer-Verlag \\publaddr New York
+\\yr 1983
+\\endRefs
+\endexample
+
+\newpage
+
+\begingroup
+\refstyle{C}
+\aboveheadskip=\abovedisplayskip
+
+\Refs
+\ref\key 4 % assuming \refstyle{C}
+\by V. I. Arnol$'$d, A. N. Varchenko, and S. M. Guse\u\i n-Zade
+\book Singularities of differentiable maps.~{\rm I}
+\publ ``Nauka'' \publaddr Moscow
+\yr 1982
+\lang Russian
+\endref
+
+\ref\key 5
+\bysame
+\book Singularities of differentiable maps.~{\rm II}
+\publ ``Nauka'' \publaddr Moscow
+\yr 1984
+\lang Russian
+\endref
+
+\ref\key 6
+\by O. A. Ladyzhenskaya
+\book Mathematical problems in the dynamics of a
+ viscous incompressible fluid
+\bookinfo 2nd rev. aug. ed.
+\publ ``Nauka'' \publaddr Moscow
+\yr 1970
+\lang Russian
+\transl English transl. of 1st ed.
+\book The mathematical theory of viscous
+incompressible flow
+\publ Gordon and Breach \publaddr New York
+\yr 1963; rev. 1969
+\endref
+
+\bigskip
+
+\ref\key 7
+\by P. D. Lax and C. D. Levermore
+\paper The small dispersion limit for the KdV equation.~{\rm I}
+\jour Comm. Pure Appl. Math.
+\vol 36 \yr 1983 \pages 253--290
+\finalinfo (overview)
+\moreref\paper {\rm II}
+\jour Comm. Pure Appl. Math.
+\vol 36 \yr 1983 \pages 571--594
+\moreref\paper {\rm III}
+\jour Comm. Pure Appl. Math.
+\vol 36 \yr 1983 \pages 809--829 \endref
+
+\ref\key 10 \by S. Osher
+\paper Shock capturing algorithms for equations of mixed type
+\inbook Numerical Methods for Partial Differential Equations
+\eds S. I. Hariharan and T. H. Moulton
+\publ Longman \publaddr New York \yr 1986 \pages 305--322
+\endref
+
+\ref\key 17 \by G. S. Petrov
+\paper Elliptic integrals and their nonoscillatory behavior
+\jour Funktsional. Anal. i Pri\-lo\-zhen.
+\vol 20 \yr 1986 \pages 46--49
+\transl\nofrills English transl. in \jour Functional Anal. Appl.
+\vol 20\yr 1986
+\endref
+
+\bigskip
+
+% switch to a different references style
+\refstyle{A}
+\widestnumber\key{GHMR}
+
+\ref\key C1
+\by B. Coomes
+\book Polynomial flows, symmetry groups, and conditions
+ sufficient for injectivity of maps
+\bookinfo Ph.D. thesis, Univ. Nebraska--Lincoln
+\yr 1988
+\endref
+
+\ref\key C2
+\bysame % B. Coomes
+\paper The Lorenz system does not have a polynomial flow
+\jour J. Differential Equations
+\toappear
+\endref
+
+\ref\key GHMR
+\by J. Guckenheimer, P. Holmes, M. Martineau, and L. P. Robinson
+\book Nonlinear oscillations, dynamical systems, and
+ bifurcations of vector fields
+\bookinfo % fields can be left blank
+\publ Springer-Verlag \publaddr New York
+\yr 1983
+\endref
+\endRefs
+
+\endgroup       % end special value of \aboveheadskip
+
+
+\newpage
+\endgroup % end broadside section
+
+% Put the page number at the bottom of the page:
+\csname firstpage\string @true\endcsname
+% Turn off the "Typeset by AmSTeX" logo:
+%\expandafter\redefine\csname logo\string @\endcsname{}
+\nologo
+
+% Reset the page number because the broadside pages in
+% the previous section will become three pages instead of four.
+% 18-JAN-1991 mjd
+\advance\pageno by -1
+
+%      The following file contains the installation instructions
+\input amstinst.tex
+
+\enddocument
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/amstex/base/amsppt.doc b/Master/texmf-dist/doc/amstex/base/amsppt.doc
new file mode 100644
index 00000000000..2338453d289
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/amsppt.doc
@@ -0,0 +1,3399 @@
+%%% ====================================================================
+%%% @AMSTeX-style-file{
+%%%   filename  = "amsppt.sty",
+\def\filename{amsppt.sty}
+%     filename  = "amsppt.doc",
+%%%   version   = "2.2",
+\def\fileversion{2.2}
+%%%   date      = "2001/08/07",
+\def\filedate{2001/08/07}
+%%%   time      = "13:47:28 EDT",
+%%%   checksum  = "45523 3399 17317 143562",
+%%%   author    = "American Mathematical Society",
+%%%   copyright = "Copyright 2001 American Mathematical Society,
+%%%                all rights reserved.  Copying of this file is
+%%%                authorized only if either:
+%%%                (1) you make absolutely no changes to your copy
+%%%                    including name; OR
+%%%                (2) if you do make changes, you first rename it
+%%%                    to some other name.",
+%%%   address   = "American Mathematical Society,
+%%%                Technical Support,
+%%%                Publications Technical Group,
+%%%                P. O. Box 6248,
+%%%                Providence, RI 02940,
+%%%                USA",
+%%%   telephone = "401-455-4080 or (in the USA and Canada)
+%%%                800-321-4AMS (321-4267)",
+%%%   FAX       = "401-331-3842",
+%%%   email     = "tech-support@ams.org (Internet)",
+%%%   codetable = "ISO/ASCII",
+%%%   supported = "yes",
+%%%   keywords  = "amstex, ams-tex, tex",
+%%%   abstract  = "This file is a documentstyle for use with
+%%%                AMS-TeX 2.2. It exists in two forms: amsppt.doc,
+%%%                which is the full form containing all technical
+%%%                documentation, and amsppt.sty, which is identical
+%%%                except that all lines beginning with a single percent
+%%%                sign are removed, to make the file more rapid-loading
+%%%                when processed by TeX.",
+%%%   docstring = "The checksum field above contains a CRC-16 checksum
+%%%                as the first value, followed by the equivalent of
+%%%                the standard UNIX wc (word count) utility output of
+%%%                lines, words, and characters.  This is produced by
+%%%                Robert Solovay's checksum utility.",
+%%% }
+%%% ====================================================================
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%       -0- CONTENTS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%       -0- Contents
+%       -1- Preliminary
+%       -2- Utility definitions
+%       -3- Fonts
+%       -4- Global variable settings
+%       -5- Top matter definitions
+%       -6- Section headings
+%       -7- Theorem environments and similar structures
+%       -8- Rosters
+%       -9- Footnotes
+%      -10- Tables
+%      -11- Figure spaces and captions
+%      -12- Miscellaneous formatting macros
+%      -13- References/Bibliography
+%      -14- End of document
+%      -15- Output routine
+%      -16- Hyphenation exceptions
+%      -17- Notes
+%      -18- Appendix: Notes on version 2.1
+%      -19- Appendix: Notes on versions 2.1a, 2.1b, ...
+%      -20- Appendix: Notes on versions 2.2
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%       -1- PRELIMINARY
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%      AMSPPT.DOC contains all the code for AMSPPT.STY, with
+%      additional comments. AMSPPT.STY is produced by removing from
+%      AMSPPT.DOC all blank lines and lines beginning with a percent
+%      sign.  This is done to allow it to be loaded faster by TeX.
+%
+%      For the most part the internals of AMSPPT.STY aren't closely
+%      related to AMSTEX.TEX: AMSTEX.TEX handles mathematics,
+%      AMSPPT.STY handles visual design and overall structure of
+%      documents.  But some parts of AMSTEX.DOC are relevant, e.g.,
+%      the standard abbreviations \DN@, \RIfM@, etc., the description
+%      of "compressed format", the remarks about the "K-method", and
+%      the allocation of scratch registers and variables such as
+%      \toks@@.
+%
+%      The style produced by AMSPPT.STY is based on the style of the
+%      Journal of the American Mathematical Society (as of December
+%      1990), but is not intended to reproduce it exactly.  For one
+%      thing, most users of AMSPPT.STY will probably have Computer
+%      Modern fonts, while the Journal of the AMS in 1990 used Times
+%      Roman fonts licensed from Autologic, Inc.  This means that line
+%      breaks and page breaks were sure to change when a paper was
+%      submitted to the AMS.  For another thing, preprints naturally
+%      differ in some respects from articles in final published form:
+%      published articles generally have the journal name, volume and
+%      year of publication somewhere on the first page, a ``received
+%      by the editors'' date, subject classification numbers, perhaps
+%      key words and phrases, and an abstract, none of which are
+%      necessary in a preprint (though the last few are sometimes
+%      present).  In addition, the Journal of the AMS has a few
+%      idiosyncrasies such as placement of the abstract at the end of
+%      an article rather than at the beginning, and a non-zero value
+%      of \mathsurround, which were deemed inappropriate for inclusion
+%      in the preprint style (in particular, a non-zero \mathsurround
+%      would require the user to do extra work in certain situations
+%      to cancel unwanted side effects).  Since we are not matching
+%      the style of the Journal of the AMS exactly, we sometimes have
+%      rounded off measurements in AMSPPT.STY to convenient amounts
+%      such as \bigskipamount and \medskipamount or the nearest whole
+%      or half pica.  For example \belowheadskip is 7pt in the Journal
+%      of the AMS, but AMSPPT.STY uses 6pt (half a pica).
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%     Bug in amsppt.sty version 2.1 left \amsppt.sty = \endinput
+%     after the file was loaded. This will fix it if amsppt.sty
+%     was put in the format file.
+%
+\expandafter\ifx\csname amsppt.sty\endcsname\endinput
+  \expandafter\def\csname amsppt.sty\endcsname{2.2 (2001/08/07)}\fi
+%
+%    Check to see if this file was previously loaded and, if so,
+%    if the version numbers agree.
+%
+\xdef\fileversiontest{\fileversion\space(\filedate)}
+\expandafter\ifx\csname\filename\endcsname\fileversiontest
+%    Then file is already loaded, and versions agree. Quit here.
+%    \endinput and \fi MUST be on the same line:
+  \message{[already loaded]}\endinput\fi
+%
+%    If the file versions disagree, we generate an error message,
+%    but we don't do an \endinput: maybe the user will want to
+%    continue, inputting the new version, and see what happens.
+%
+\expandafter\ifx\csname\filename\endcsname\relax % file not yet loaded
+  \else\errmessage{Discrepancy in `\filename' file versions:
+     version \csname\filename\endcsname\space already loaded, trying
+     now to load version \fileversiontest}\fi
+%
+%    Since we are about to change the catcode of @, we define
+%    \csname\filename\endcsname to set the catcode back to its previous
+%    value. Furthermore, it then redefines itself to record the file
+%    version number for future reference (e.g., the test above).
+%
+\expandafter\xdef\csname\filename\endcsname{%
+  \catcode`\noexpand\@=\the\catcode`\@
+  \expandafter\gdef\csname\filename\endcsname{%
+     \fileversion\space(\filedate)}}
+%
+%    Add @ to the plain list of \dospecials, to make it behave
+%    better in verbatim, e-mail addresses, and URL's.
+%
+\def\dospecials{\do\ \do\\\do\{\do\}\do\$\do\&%
+  \do\#\do\^\do\^^K\do\_\do\^^A\do\%\do\~\do\@}
+%
+%    Enable the use of @ as letter in `private' control sequence names.
+%    Cf. TeXbook, p. 344 (above the \mathcode table).
+%
+\catcode`\@=11
+%
+%    For convenience in loading other files of definitions, provide
+%    commands to save and restore the catcode value of any character,
+%    most commonly @.
+%
+\def\savecat#1{%
+  \expandafter\xdef\csname\string#1savedcat\endcsname{\the\catcode`#1}}
+\def\restorecat#1{\catcode`#1=\csname\string#1savedcat\endcsname}
+%
+%    Besides putting the file version on screen, this message also
+%    records it in the transcript/log file (which is useful for
+%    troubleshooting). The file name was already given on screen and in
+%    the transcript file by TeX, as part of the automatic processing
+%    surrounding file input.
+%
+\message{version \fileversion\space(\filedate):}
+%
+%    If another documentstyle inputs amsppt.sty, it should define
+%    \styname and \styversion appropriately. We use an `ifundefined'
+%    test to avoid overriding the definitions, in that case.
+\expandafter\ifx\csname styname\endcsname\relax
+  \def\styname{AMSPPT}\def\styversion{2.2}
+\fi
+%
+%      In AMSPPT.STY we follow the convention in amstex.tex of
+%      appending @ signs at the end of control sequences, rather than
+%      substituting @ signs for vowels as is frequently done in
+%      plain.tex.
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -2- UTILITY DEFINITIONS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{Loading utility definitions,}
+%
+%      For several macros, e.g., \title, we want to allow the user the
+%      following two options:
+%
+%      \title xxx\endtitle
+%      \title\nofrills xxx\endtitle
+%
+%      In the first case, we want the text of the title to be stored
+%      in a box for later use.  In the second case, we want certain
+%      parts of the typesetting to be omitted when constructing the
+%      box.  Internally this is done by prefixing them with \frills@,
+%      which in the normal cases is simply an identity function
+%      (\let\frills@\identity@), whereas in the nofrills case it
+%      gobbles its argument (\let\frills@\eat@).
+%
+%      In order to test for \nofrills we have to use \futurelet
+%      (because if \nofrills is absent, we don't want to do anything
+%      that might affect the actual text of the title, such as
+%      stripping braces or adding an unwanted extra pair around the
+%      first token or group).
+%
+\def\identity@#1{#1}
+%
+\def\nofrills@@#1{%
+%      This extra step in defining \next@ is a precaution in case #1
+%      might be more than one token.
+ \DN@{#1}%
+ \ifx\next\nofrills \let\frills@\eat@
+   \expandafter\expandafter\expandafter\next@\expandafter\eat@
+  \else \let\frills@\identity@\expandafter\next@\fi}
+%
+\def\nofrillscheck#1{\def\nofrills@{\nofrills@@{#1}}%
+  \futurelet\next\nofrills@}
+%
+%      Typical use: if we want to execute a macro called \title, but
+%      check to see if \nofrills is coming up next, we do this:
+%
+%      ... \nofrillscheck\title
+%
+%      If indeed the next thing is \nofrills, then we will execute
+%      \nofrills@@ before calling \title again.  This involves some
+%      shuffling around in order for us to get back the ``real''
+%      definition of \title afterwards and yet still be able to use a
+%      control sequence named \title to read the argument. This is
+%      important in giving the user a useful error message if they
+%      accidentally omit or misspell the matching \endtitle or
+%      whatever. We could use instead the trick used with \align of
+%      adding a space onto the \csname with which we read the
+%      argument, but that would increase the use of hash size.
+%
+%      We define \usualspace to give a warning message if used in
+%      a place where it's not intended to be used:
+%
+\Invalid@\usualspace
+%
+%      Facility for adding to a token list, providing it was named
+%      with the particular naming convention that we require: an
+%      additional @ sign at the end of the control sequence name.
+%      Usage: \addto\tenpoint{...}
+%
+\def\addto#1#2{\csname \expandafter\eat@\string#1@\endcsname
+  \expandafter{\the\csname \expandafter\eat@\string#1@\endcsname#2}}
+%
+%      Fix Plain's \big, \Big, etc. macros so that they can scale with
+%      size changes.  The relations in \tenpoint are:
+%
+%             total    height above
+%             height   baseline
+%      --------------------------------------------------------------
+%      \big:   12pt    8.5   (12/2 = 6, + 2.5 (height of math axis))
+%      \Big:   18pt    11.5  (18/2 = 9, + 2.5 (height of math axis))
+%      \bigg:  24pt    14.5  (24/2 = 12, + 2.5 (height of math axis))
+%      \Bigg:  30pt    17.5  (30/2 = 15, + 2.5 (height of math axis))
+%
+%      In \tenpoint \bigsize@ will be set to 12pt, the height of an
+%      ordinary parenthesis in the roman font, x 1.2
+\newdimen\bigsize@
+%
+%      Using \vcenter automatically factors the height of the math
+%      axis into our sizing.  We set \nulldelimiterspace to zero,
+%      since we only want the delimiterspace from the \left delimiter.
+%
+\def\big@#1#2{{\hbox{$\left#2\vcenter to#1\bigsize@{}%
+  \right.\nulldelimiterspace\z@\m@th$}}}
+\def\big{\big@\@ne}
+\def\Big{\big@{1.5}}
+\def\bigg{\big@\tw@}
+\def\Bigg{\big@{2.5}}
+%
+%      Definition almost verbatim from TeXbook p. 317.  This is used
+%      in several places, currently (28-DEC-1989) including \head,
+%      \title, \author, \dedicatory, \affil, and \topcaption.
+%
+\def\raggedcenter@{\leftskip\z@ plus.4\hsize \rightskip\leftskip
+  \parfillskip\z@ \parindent\z@ \spaceskip.3333em \xspaceskip.5em
+  \pretolerance9999\tolerance9999 \exhyphenpenalty\@M
+  \hyphenpenalty\@M \let\\\linebreak}
+%
+%      We now define a version of \uppercase that sidesteps any math,
+%      to prevent uppercasing math variables.  In order to be handled
+%      properly the $..$ must be on the outer level (not enclosed in
+%      braces) but this is the usual case in our applications of
+%      \uppercasetext@. Also we increase inter-word space in the
+%      uppercase text. Footnotes are not handled by
+%      \uppercasetext@---a footnote within a \title would have to be
+%      done by using \footnotemark within the title and \footnotetext
+%      after. In most cases footnotes within a title are something for
+%      which the author should use \thanks or \affil or \address
+%      instead.
+%
+%      One other little problem: uppercasing of a few special
+%      characters like the German "ss" and the undotted i and j (\i
+%      and \j), used sometimes with accents.  We do some reassignments
+%      here to handle these.  We don't worry about restoring the
+%      lowercase special characters within math embedded in the text
+%      being uppercased---it's conceivable that someone might want to
+%      use them there, but too unlikely to need providing for.
+%      (Undotted i and j in math would be typed as \imath and \jmath,
+%      not as \i and \j.)
+%
+%      This is what plain.tex has for the special characters:
+%
+% \chardef\ss="19 \chardef\ae="1A \chardef\oe="1B \chardef\o="1C
+% \chardef\AE="1D \chardef\OE="1E \chardef\O="1F
+% \chardef\i="10 \chardef\j="11 % dotless letters
+% \def\aa{\accent23a}
+% \def\AA{\leavevmode\setbox0\hbox{h}\dimen@\ht0\advance\dimen@-1ex%
+%   \rlap{\raise.67\dimen@\hbox{\char'27}}A}
+% \def\l{\char32l}
+% \def\L{\leavevmode\setbox0\hbox{L}\hbox to\wd0{\hss\char32L}}
+%
+\def\uppercasetext@#1{%
+   {\spaceskip1.3\fontdimen2\the\font plus1.3\fontdimen3\the\font
+    \def\ss{SS}\let\i=I\let\j=J\let\ae\AE\let\oe\OE
+    \let\o\O\let\aa\AA\let\l\L
+    \skipmath@#1$\skipmath@$}}
+%
+\def\skipmath@#1$#2${\uppercase{#1}%
+  \ifx\skipmath@#2\else$#2$\expandafter\skipmath@\fi}
+%
+%      Macro to check for missing \endsomething.
+\def\add@missing#1{\expandafter\ifx\envir@end#1%
+  \Err@{You seem to have a missing or misspelled
+  \expandafter\string\envir@end ...}%
+%      It is useful to supply the necessary missing piece, especially
+%      in the case of \endref.
+  \envir@end
+\fi}
+%
+%      \revert@ and \envir@stack are for use by any environments that
+%      don't enclose their text in a group, e.g., \proclaim,
+%      \definition, \roster.
+%
+\newtoks\revert@
+%
+\def\envir@stack#1{\toks@\expandafter{\envir@end}%
+  \edef\next@{\def\noexpand\envir@end{\the\toks@}%
+    \revert@{\the\revert@}}%
+  \revert@\expandafter{\next@}%
+  \def\envir@end{#1}}
+%
+%      Some special trickery is necessary to get around the outerness
+%      of \enddocument
+\begingroup
+\catcode`\ =11
+\gdef\revert@envir#1{\expandafter\ifx\envir@end#1%
+%      restore previous \envir@end:
+\the\revert@%
+%      The space after \enddocument is significant:
+\else\ifx\envir@end\enddocument \Err@{Extra \string#1}%
+\else\expandafter\add@missing\envir@end\revert@envir#1%
+\fi\fi}
+%      This definition can be made here because \enddocument  has not
+%      yet been declared \outer.
+%      The space at the end of \enddocument is necessary:
+\xdef\enddocument {\string\enddocument}%
+%      The space at the end of \enddocument is necessary here also:
+\global\let\envir@end\enddocument %%%%%% don't remove the final space!
+\endgroup\relax
+%
+\def\first@#1#2\end{#1}
+\def\true@{TT}
+\def\false@{TF}
+\def\empty@{}
+%
+%      Test to see whether a given argument is empty or not.  If the
+%      argument = a single space, it will test the same as empty,
+%      which is in fact what we want.
+%
+\begingroup  \catcode`\-=3
+\long\gdef\notempty#1{%
+%      \empty@ is needed if we want the case #1 = {} to work properly:
+  \expandafter\ifx\first@#1-\end-\empty@ \false@\else \true@\fi}
+\endgroup
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -3- FONTS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{more fonts,}
+%      Load some fonts that are not loaded in plain.tex, or only
+%      preloaded (which means that the font information is in TeX's
+%      memory but a control sequence name for the font still needs to
+%      be assigned). plain.tex only loads cmex10, because originally
+%      that was the only size available.  So we load cmex7 and later
+%      cmex8, but we don't load any smaller sizes, in order to
+%      conserve font memory; a need for the extension font in sizes
+%      smaller than 7-point is most unusual.  For subscript sums or
+%      other extension symbols in eightpoint text we will use cmex7
+%      rather than cmex6, to allow us to get away without loading
+%      cmex6.
+%
+%      We use \font@, not simply \font, so that these fonts will be
+%      handled properly by AMS-TeX's syntax check.
+%
+\font@\tensmc=cmcsc10 \relax
+%
+%      \sevenex, and \eightex below, must be able to be interpreted
+%      as math fonts for certain initialization (e.g. establishing
+%      the height of the strut in \eightpoint) that may be requested
+%      before \topmatter is invoked, and the fonts are actually loaded.
+%
+\let\sevenex=\tenex % needs special handling in \PSAMSFonts
+%
+%      We need cmti7 in case \italic is used in a subscript or
+%      superscript. Once again we will conserve font space by not
+%      loading cmti6 or cmti5, and declare the \scriptfont in
+%      \eightpoint to be cmti7 rather than cmti6.  At least until we
+%      know that users actually are using \italic in sub-subscript
+%      size.
+%
+\font@\sevenit=cmti7 \relax
+%
+%      We have to load a lot of other fonts for eight-point text
+%      (footnotes, abstracts, bibliography).  Note that cmti and cmsl
+%      in sizes 5, 6 don't get loaded, since they may not exist (cmti7
+%      is one of the standard 75 Computer Modern fonts, but cmti5 and
+%      cmti6 aren't, nor are any of cmsl5, cmsl6, cmsl7).  AMSPPT
+%      provides for ten-point and eight-point font sets;
+%
+\font@\eightrm=cmr8 \relax % preloaded in plain.tex
+\font@\sixrm=cmr6 \relax % preloaded in plain.tex
+\font@\eighti=cmmi8 \relax     \skewchar\eighti='177 % preloaded
+\font@\sixi=cmmi6 \relax       \skewchar\sixi='177   % preloaded
+\font@\eightsy=cmsy8 \relax    \skewchar\eightsy='60 % preloaded
+\font@\sixsy=cmsy6 \relax      \skewchar\sixsy='60   % preloaded
+\let\eightex=\tenex % needs special handling in \PSAMSFonts
+\font@\eightbf=cmbx8 \relax % preloaded in plain.tex
+\font@\sixbf=cmbx6 \relax   % preloaded in plain.tex
+\font@\eightit=cmti8 \relax % preloaded in plain.tex
+\font@\eightsl=cmsl8 \relax % preloaded in plain.tex
+\font@\eighttt=cmtt8 \relax % preloaded in plain.tex
+\let\eightsmc=\nullfont % needs special handling in \PSAMSFonts
+%
+%      Now we define \tenpoint and \eightpoint for regular text and
+%      footnotes, similarly to the TeXbook, p. 414.  We not only
+%      change the \baselineskip, but also change the glue above and
+%      below displayed formulas, in case an abstract or footnote
+%      happens to have them.  We also need to set not only \strutbox,
+%      but also \strutbox@. The height of \strutbox@ is the height of
+%      \strutbox, minus the value of \normallineskiplimit.  And we
+%      will set \ex@ in each case (for \tenpoint it is supposed to be
+%      equivalent to 1pt, while for \eightpoint it will then
+%      presumably be equivalent to .8pt).
+%
+%      When \ifsyntax@ is true, so that we are checking syntax, then
+%      we won't bother specifying fonts (since we would only change
+%      them all to \dummyft@ anyway), and we simply let \big and its
+%      variants gobble up things with the proper syntax, instead of
+%      worrying about getting the right sizes.
+%
+%      \tenpoint@ is a hook where new material can be added.
+%      \topmatter makes use of this.  Note that to change the
+%      baselineskip to say 14pt, one should say
+%
+%      \addto\tenpoint{\normalbaselineskip14pt\normalbaselines}
+%
+%      rather than just \addto\tenpoint{\baselineskip14pt}
+%
+\newtoks\tenpoint@
+%
+\def\tenpoint{\normalbaselineskip12\p@
+ \abovedisplayskip12\p@ plus3\p@ minus9\p@
+ \belowdisplayskip\abovedisplayskip
+ \abovedisplayshortskip\z@ plus3\p@
+ \belowdisplayshortskip7\p@ plus3\p@ minus4\p@
+ \textonlyfont@\rm\tenrm \textonlyfont@\it\tenit
+ \textonlyfont@\sl\tensl \textonlyfont@\bf\tenbf
+ \textonlyfont@\smc\tensmc \textonlyfont@\tt\tentt
+ \ifsyntax@ \def\big##1{{\hbox{$\left##1\right.$}}}%
+  \let\Big\big \let\bigg\big \let\Bigg\big
+ \else
+   \textfont\z@\tenrm  \scriptfont\z@\sevenrm
+       \scriptscriptfont\z@\fiverm
+   \textfont\@ne\teni  \scriptfont\@ne\seveni
+       \scriptscriptfont\@ne\fivei
+   \textfont\tw@\tensy \scriptfont\tw@\sevensy
+       \scriptscriptfont\tw@\fivesy
+   \textfont\thr@@\tenex \scriptfont\thr@@\sevenex
+        \scriptscriptfont\thr@@\sevenex
+   \textfont\itfam\tenit \scriptfont\itfam\sevenit
+        \scriptscriptfont\itfam\sevenit
+   \textfont\bffam\tenbf \scriptfont\bffam\sevenbf
+        \scriptscriptfont\bffam\fivebf
+   \setbox\strutbox\hbox{\vrule height8.5\p@ depth3.5\p@ width\z@}%
+%      The height of \strutbox@ is supposed to be the height of
+%      \strutbox minus \normallineskip.  We take half from the top and
+%      half from the bottom.
+   \setbox\strutbox@\hbox{\lower.5\normallineskiplimit\vbox{%
+        \kern-\normallineskiplimit\copy\strutbox}}%
+%      We set \bigsize@ to the height of a parenthesis, times 1.2.
+%      \bigsize@ controls the height of \big, \Big, \bigg and \Bigg
+%      delimiters.
+   \setbox\z@\vbox{\hbox{$($}\kern\z@}\bigsize@1.2\ht\z@
+  \fi
+%      \ex@ is supposed to come out to 1pt; multiplication factor may
+%      need to be changed if Computer Modern is not being used. \jot,
+%      a dimen register usually used for extra spacing between lines
+%      of a multi-line displayed equation or similar structure, is
+%      reset to 3\ex@ (in plain.tex it is always 3pt, but in AMSPPT it
+%      may be reduced by \eightpoint).
+  \normalbaselines\rm\dotsspace@1.5mu\ex@.2326ex\jot3\ex@
+  \the\tenpoint@}
+%
+%      Like \tenpoint@, \eightpoint@ is a hook where extra material
+%      can be added to the definition of \eightpoint.
+%
+\newtoks\eightpoint@
+%
+\def\eightpoint{\normalbaselineskip10\p@
+ \abovedisplayskip10\p@ plus2.4\p@ minus7.2\p@
+ \belowdisplayskip\abovedisplayskip
+ \abovedisplayshortskip\z@ plus2.4\p@
+ \belowdisplayshortskip5.6\p@ plus2.4\p@ minus3.2\p@
+ \textonlyfont@\rm\eightrm \textonlyfont@\it\eightit
+ \textonlyfont@\sl\eightsl \textonlyfont@\bf\eightbf
+ \textonlyfont@\smc\eightsmc \textonlyfont@\tt\eighttt
+ \ifsyntax@\def\big##1{{\hbox{$\left##1\right.$}}}%
+  \let\Big\big \let\bigg\big \let\Bigg\big
+ \else
+  \textfont\z@\eightrm \scriptfont\z@\sixrm
+       \scriptscriptfont\z@\fiverm
+  \textfont\@ne\eighti \scriptfont\@ne\sixi
+       \scriptscriptfont\@ne\fivei
+  \textfont\tw@\eightsy \scriptfont\tw@\sixsy
+       \scriptscriptfont\tw@\fivesy
+%      The smallest size of the extension font currently available is
+%      7-point.
+  \textfont\thr@@\eightex \scriptfont\thr@@\sevenex
+   \scriptscriptfont\thr@@\sevenex
+  \textfont\itfam\eightit \scriptfont\itfam\sevenit
+   \scriptscriptfont\itfam\sevenit
+  \textfont\bffam\eightbf \scriptfont\bffam\sixbf
+   \scriptscriptfont\bffam\fivebf
+ \setbox\strutbox\hbox{\vrule height7\p@ depth3\p@ width\z@}%
+%      The height of \strutbox@ is supposed to be the height of
+%      \strutbox minus \normallineskip.  We take half from the top and
+%      half from the bottom.
+ \setbox\strutbox@\hbox{\raise.5\normallineskiplimit\vbox{%
+   \kern-\normallineskiplimit\copy\strutbox}}%
+%      We set \bigsize@ to the height of a parenthesis, times 1.2.
+%      \bigsize@ controls the height of \big, \Big, \bigg and \Bigg
+%      delimiters.
+ \setbox\z@\vbox{\hbox{$($}\kern\z@}\bigsize@1.2\ht\z@
+ \fi
+%      \ex@ is supposed to come out to .8pt; multiplication factor may
+%      need to be changed if Computer Modern is not being used. \jot,
+%      a dimen register usually used for extra spacing between lines
+%      of a multi-line displayed equation or similar structure, is
+%      reset to 3\ex@ (in plain.tex it is 3pt).
+ \normalbaselines\eightrm\dotsspace@1.5mu\ex@.2326ex\jot3\ex@
+ \the\eightpoint@}
+%
+%      \linespacing command to introduce a factor by which
+%      \normalbaselineskip will be multiplied. Multiplying by the
+%      factor will cause any stretch or shrink to be lost; normally
+%      that's not a problem.
+\def\linespacing#1{%
+  \addto\tenpoint{\normalbaselineskip=#1\normalbaselineskip
+    \normalbaselines
+%      Reset the strut boxes.
+    \setbox\strutbox=\hbox{\vrule height.7\normalbaselineskip
+      depth.3\normalbaselineskip width\z@}%
+    \setbox\strutbox@\hbox{\raise.5\normallineskiplimit
+      \vbox{\kern-\normallineskiplimit\copy\strutbox}}%
+  }%
+  \addto\eightpoint{\normalbaselineskip=#1\normalbaselineskip
+    \normalbaselines
+%      Reset the strut boxes.
+    \setbox\strutbox=\hbox{\vrule height.7\normalbaselineskip
+      depth.3\normalbaselineskip width\z@}%
+    \setbox\strutbox@\hbox{\raise.5\normallineskiplimit
+      \vbox{\kern-\normallineskiplimit\copy\strutbox}}%
+  }%
+}
+%
+\def\extrafont@#1#2#3{\font#1=#2#3\relax}
+%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%    Postscript versions of the math fonts from the AMSFonts
+%    package, done jointly by Blue Sky Research and Y&Y, come only
+%    in sizes 10, 7 and 5, i.e. sizes 9, 8 and 6 are not included.
+%
+%    \PSAMSFonts can be called in the initialization, or by a user
+%    before \document and \topmatter, to specify that sizes 9,8,6 of
+%    AMS fonts should be scaled from nearby PS sizes.
+%
+\newif\ifPSAMSFonts
+\def\PSAMSFonts{%
+  \def\extrafont@##1##2##3{%
+    \font##1=##2%
+%    Concatenate the proper size spec to the preceding letters
+      \ifnum##3=9 10 at9pt%
+      \else\ifnum##3=8 10 at8pt%
+      \else\ifnum##3=6 7 at6pt%
+%      Sizes other than 9, 8 or 6 are not expected, so this branch might
+%      generate an error:
+              \else ##3\fi\fi\fi\relax}%
+  \font@\eightsmc=cmcsc10 at 8pt
+  \font@\eightex=cmex10 at 8pt
+  \font@\sevenex=cmex10 at 7pt
+  \PSAMSFontstrue
+}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%    If the user has specified \loadeufb, \loadbold, \loadeusm,
+%    \loadeusm, \loadeurm, \loadeurb, we need to add eightpoint
+%    fonts.  We do this in \topmatter, and the user documentation
+%    instructs the user to include any \load... command between
+%    \documentstyle and \topmatter.
+%
+%    At the same time, if PSAMSFonts has not been specified, add the
+%    regular versions of the three fonts that need special handling.
+%
+\def\loadextrasizes@#1#2#3#4#5#6#7{%
+ \ifx\undefined#1%
+ \else \extrafont@{#4}{#2}{8}\extrafont@{#6}{#2}{6}%
+   \ifsyntax@
+   \else
+     \addto\tenpoint{\textfont#1#3\scriptfont#1#5%
+       \scriptscriptfont#1#7}%
+    \addto\eightpoint{\textfont#1#4\scriptfont#1#6%
+       \scriptscriptfont#1#7}%
+   \fi
+ \fi
+}
+%
+%    Provide a mechanism for delaying additional font loading, which
+%    may be necessary for some publications.
+%
+\newtoks\loadextrafonts@@
+\def\loadextrafonts@{%
+  \loadextrasizes@\msafam{msam}%
+    \tenmsa\eightmsa\sevenmsa\sixmsa\fivemsa
+  \loadextrasizes@\msbfam{msbm}%
+    \tenmsb\eightmsb\sevenmsb\sixmsb\fivemsb
+  \loadextrasizes@\eufmfam{eufm}%
+    \teneufm\eighteufm\seveneufm\sixeufm\fiveeufm
+  \loadextrasizes@\eufbfam{eufb}%
+    \teneufb\eighteufb\seveneufb\sixeufb\fiveeufb
+  \loadextrasizes@\eusmfam{eusm}%
+    \teneusm\eighteusm\seveneusm\sixeusm\fiveeusm
+  \loadextrasizes@\eusbfam{eusb}%
+    \teneusb\eighteusb\seveneusb\sixeusb\fiveeusb
+  \loadextrasizes@\eurmfam{eurm}%
+    \teneurm\eighteurm\seveneurm\sixeurm\fiveeurm
+  \loadextrasizes@\eurbfam{eurb}%
+    \teneurb\eighteurb\seveneurb\sixeurb\fiveeurb
+  \loadextrasizes@\cmmibfam{cmmib}%
+    \tencmmib\eightcmmib\sevencmmib\sixcmmib\fivecmmib
+  \loadextrasizes@\cmbsyfam{cmbsy}%
+    \tencmbsy\eightcmbsy\sevencmbsy\sixcmbsy\fivecmbsy
+  \let\loadextrafonts@\empty@
+  \ifPSAMSFonts
+  \else
+    \font@\eightsmc=cmcsc8 \relax
+    \font@\eightex=cmex8 \relax
+    \font@\sevenex=cmex7 \relax
+  \fi
+  \the\loadextrafonts@@
+}
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -4- GLOBAL VARIABLE SETTINGS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{page dimension settings,}
+%      First we set up some basic parameters, which are different than
+%      in plain.  These values are the ones currently in use (November
+%      1989) in the Journal of the AMS.
+%
+\parindent1pc
+\newdimen\normalparindent \normalparindent\parindent
+\normallineskiplimit\p@
+%
+%      We use a common indent value for setting left and right margins
+%      for abstract, table of contents, figure captions, and block
+%      environments. The name is chosen as if we are going to have
+%      several levels of indent, called \indenti, \indentii, ...; such
+%      names can be constructed using \csname and \romannumeral with a
+%      count register, which might be useful some time.
+%
+\newdimen\indenti \indenti=2pc
+%
+%      Change \magnification (from plain.tex) so that it doesn't reset the
+%      page dimensions to 6.5 x 9 true inches.
+\let\magnification=\mag
+%
+\topskip10pt \relax
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -5- TOP MATTER DEFINITIONS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{top matter,}
+%      After it's first called, since
+%      we do not need \topmatter any longer, we define it to be empty,
+%      to release the memory that the definition takes up.
+%
+\def\topmatter{\loadextrafonts@ \let\topmatter\relax}
+%
+%      \chapter is used within \title...\endtitle to produce something
+%      such as "CHAPTER II", centered above the main text of the
+%      chapter title. We do a little trickery with \afterassignment so
+%      that the user can remove not only the word "CHAPTER" but also
+%      the uppercasing and romannumeralizing by \nofrills.   Note that
+%      we can't use \ignorespaces after \chapter@ in the usual way
+%      because it would get in the way of the \count@ assignment.  In
+%      fact spaces will be ignored by the assignment operation, the
+%      only problem would be when \nofrills is used.
+%
+\def\chapterno@{\uppercase\expandafter{\romannumeral\chaptercount@}}
+%
+\newcount\chaptercount@
+%
+%      In order to avoid interfering with \topskip, we put the
+%      \chapter material in the first line of the title, and do some
+%      box and glue tricks to get it in position.
+%
+%      Perhaps need a test to make sure #1 is a number---if the user
+%      does \chapter{IV} instead of \chapter{4} they may not
+%      understand the error message they get.
+%
+%      \chaptercount@ assignment needs to be global because we are
+%      working from inside the first line of \title.
+%
+\def\chapter{\let\savedef@\chapter
+  \def\chapter##1{\let\chapter\savedef@
+  \leavevmode\hskip-\leftskip
+%      Put the \chapter stuff in an \rlap so it doesn't affect
+%      centering of the title, and in an "uplap" so it is placed above
+%      where we want it.
+   \rlap{\vbox to\z@{\vss\centerline{\eightpoint
+%      We do a baselineskip of 2pc from the base of the "CHAPTER"
+%      banner to the base of the first title line.  (The baseline of
+%      the \null will coincide with the baseline of the first title
+%      line.)
+   \frills@{CHAPTER\space\afterassignment\chapterno@
+       \global\chaptercount@=}%
+   ##1\unskip}\baselineskip2pc\null}}\hskip\leftskip}%
+ \nofrillscheck\chapter}
+%
+%      We store the title in a box using a \setbox.  It could also be
+%      done by defining \thetitle@.  One advantage of \setbox is that
+%      syntax errors within the title (say for math) are reported
+%      immediately instead of during the processing of \endtopmatter.
+%      The title box is always put on the page by \endtopmatter, even
+%      if it's empty. (With other pieces of the topmatter we check
+%      first to see whether there's any text to typeset and skip to
+%      the next item if not.) The text of the title is stored up for
+%      the running heads, unless \rightheadtoks is nonempty---then
+%      presumably the user has already used \rightheadtext to set the
+%      right-hand running head, in which case we leave it unchanged.
+%
+%      The default for titles is uppercasing.  From a design
+%      standpoint it might be preferable to do titles in 14-point text
+%      with initial caps, but since titles may potentially contain any
+%      kind of math, doing this would require a full-fledged
+%      \fourteenpoint analogous to \tenpoint.  So to give the title
+%      extra prominence we use uppercasing instead.  The uppercasing
+%      can be removed by \nofrills.
+%
+\newbox\titlebox@
+%
+\def\title{\let\savedef@\title
+%      We use a \vtop here because we want to know the height of the
+%      first line of the title when we start typesetting the
+%      topmatter, in order to get the correct sinkage from the top of
+%      the page.
+  \def\title##1\endtitle{\let\title\savedef@
+    \global\setbox\titlebox@\vtop{\tenpoint\bf
+      \raggedcenter@
+%      Increased \baselineskip is because of the uppercasing.  We do
+%      it like this instead of putting it inside the \uppercasetext@
+%      macro, because it only applies where an entire paragraph is
+%      made up of uppercase text.
+      \baselineskip1.3\baselineskip
+      \frills@\uppercasetext@{##1}\endgraf}%
+%      Check to see if right and left hand running heads have been
+%      already assigned by the user---if so, don't override.
+    \ifmonograph@
+      \edef\next{\the\leftheadtoks}\ifx\next\empty@ \leftheadtext{##1}\fi
+    \fi
+    \edef\next{\the\rightheadtoks}\ifx\next\empty@ \rightheadtext{##1}\fi
+  }%
+  \nofrillscheck\title}
+%
+%      Currently \author has no need for a \nofrills option, unlike
+%      \title, since uppercasing is not done.
+%
+\newbox\authorbox@
+\def\author#1\endauthor{\global\setbox\authorbox@
+  \vbox{\tenpoint\smc\raggedcenter@ #1\endgraf}\relaxnext@
+  \edef\next{\the\leftheadtoks}%
+  \ifx\next\empty@\leftheadtext{#1}\fi}
+%
+\newbox\affilbox@
+\def\affil#1\endaffil{\global\setbox\affilbox@
+  \vbox{\tenpoint\raggedcenter@#1\endgraf}}
+%
+%      Since \address can be used any number of times, we have to
+%      store the different addresses in control sequences that we
+%      manufacture as needed. We use \addresscount@ to store the
+%      number of times \address is used.
+%
+\newcount\addresscount@
+\addresscount@\z@
+\def\addressfont@{\eightpoint}
+\def\address#1\endaddress{\global\advance\addresscount@\@ne
+%      The first address is `\address1', the next is `\address2', etc.
+  \expandafter\gdef\csname address\number\addresscount@\endcsname
+%      The unusually large shrinkability in the vskip before the
+%      address is there because we don't want the addresses to fall on
+%      a separate page at the end of a paper, and extra shrinkability
+%      may help them to fit on the previous page in borderline cases.
+  {\nobreak\vskip12\p@ minus6\p@\indent\addressfont@\smc#1\par}}
+%
+%      \curraddr was added in version 2.1.  It uses the address count
+%      without advancing it, to add to the most recent address macro.
+%      Ignore empty element; all optional elements are ignored if empty.
+%
+\def\curraddr{\let\savedef@\curraddr
+  \def\curraddr##1\endcurraddr{\let\curraddr\savedef@
+    \if\notempty{##1}%
+      \toks@\expandafter\expandafter\expandafter{%
+        \csname address\number\addresscount@\endcsname}%
+      \toks@@{##1}%
+      \expandafter\xdef\csname address\number\addresscount@\endcsname
+        {\the\toks@\endgraf\noexpand\nobreak
+          \indent\noexpand\addressfont@{\noexpand\rm
+          \frills@{{\noexpand\it Current address\noexpand\/}:\space}%
+          \def\noexpand\usualspace{\space}\the\toks@@\unskip}}%
+    \fi}%
+  \nofrillscheck\curraddr}
+%
+%      \email uses the same counter as \address, since they should
+%      pair up.
+%
+%    Email patch to get tt font
+\def\email{\let\savedef@\email
+  \def\email##1\endemail{\let\email\savedef@
+    \if\notempty{##1}%
+      \toks@{\def\usualspace{{\it\enspace}}\endgraf\indent\addressfont@}%
+      \toks@@{{\tt##1}\par}%
+      \expandafter\xdef\csname email\number\addresscount@\endcsname
+      {\the\toks@\frills@{{\noexpand\it E-mail address\noexpand\/}:%
+        \noexpand\enspace}\the\toks@@}%
+    \fi}%
+  \nofrillscheck\email}
+%
+%    \urladdr the same as \email, with the addition that \tildechar
+%    is provided for printing this character in a URL.
+\def\tildechar{{\tt\char`\~}}
+\def\urladdr{\let\savedef@\urladdr
+  \def\urladdr##1\endurladdr{\let\urladdr\savedef@
+    \if\notempty{##1}%
+      \toks@{\def\usualspace{{\it\enspace}}\endgraf\indent\eightpoint}%
+      \toks@@{\tt##1\par}%
+      \expandafter\xdef\csname urladdr\number\addresscount@\endcsname
+      {\the\toks@\frills@{{\noexpand\it URL\noexpand\/}:%
+        \noexpand\enspace}\the\toks@@}%
+    \fi}%
+  \nofrillscheck\urladdr}
+%
+\def\thedate@{}
+\def\date#1\enddate{\gdef\thedate@{\tenpoint#1\unskip}}
+%
+\def\thethanks@{}
+\def\thanks#1\endthanks{%
+  \if\notempty{#1}%
+    \ifx\thethanks@\empty@ \gdef\thethanks@{\eightpoint#1}%
+    \else
+      \expandafter\gdef\expandafter\thethanks@\expandafter{%
+       \thethanks@\endgraf#1}%
+    \fi
+  \fi}
+%
+\def\thekeywords@{}
+\def\keywords{\let\savedef@\keywords
+  \def\keywords##1\endkeywords{\let\keywords\savedef@
+    \if\notempty{##1}%
+      \toks@{\def\usualspace{{\it\enspace}}\eightpoint}%
+      \toks@@{##1\unskip.}%
+      \edef\thekeywords@{\the\toks@\frills@{{\noexpand\it
+        Key words and phrases.\noexpand\enspace}}\the\toks@@}%
+    \fi}%
+  \nofrillscheck\keywords}
+%
+%      \subjclass is analogous to \keywords.  We also need a year; only
+%      certain years are valid, so we check and report an error if an
+%      invalid year is entered.  Default to 1991, so that archived
+%      material will be processed correctly.
+%      We should also check in case a LaTeX-style year change, [...], is
+%      entered and report an error for that as well; however, that is
+%      more complicated, and not implemented in this round. [2001/02/28]
+%
+\def\xci@{1991}
+\def\mm@{2000}
+\def\subjclassyear#1{%
+   \def\subjyear@{#1}%
+   \ifx\subjyear@\mm@
+   \else \ifx\subjyear@\xci@
+   \else \message{AmS-TeX warning: Unknown edition (#1) of
+       Mathematics Subject Classification; using 1991 edition}%
+     \def\subjyear@{1991}%
+   \fi\fi}
+\subjclassyear{1991}
+\def\thesubjclass@{}
+\def\subjclass{\let\savedef@\subjclass
+ \def\subjclass##1\endsubjclass{\let\subjclass\savedef@
+   \toks@{\def\usualspace{{\rm\enspace}}\eightpoint}%
+   \toks@@{##1\unskip.}%
+   \edef\thesubjclass@{\the\toks@
+     \frills@{{\noexpand\rm\noexpand\subjyear@\noexpand\space
+       {\noexpand\it Mathematics Subject Classification}.\noexpand\enspace}}%
+     \the\toks@@}}%
+  \nofrillscheck\subjclass}
+%
+%      Put the abstract in a box with margins at each side equal to
+%      \indenti, obtained by reducing \hsize within a vbox centered by
+%      $$...$$.  Notice that the \noindent is not erased by \nofrills
+%      and that's what we want.
+%
+\newbox\abstractbox@
+\def\abstract{\let\savedef@\abstract
+  \def\abstract{\let\abstract\savedef@
+    \setbox\abstractbox@\vbox\bgroup\noindent$$\vbox\bgroup
+      \def\envir@end{\endabstract}\advance\hsize-2\indenti
+      \def\usualspace{\enspace}\eightpoint \noindent
+      \frills@{{\smc Abstract.\enspace}}}%
+  \nofrillscheck\abstract}
+%
+%      Finish the box.  The \unskip is here in case the abstract ends
+%      with something that adds vertical space, such as a \proclaim.
+%
+\def\endabstract{\par\unskip\egroup$$\egroup}
+%
+%      \widestnumber used to reset hanging indention in a table of
+%      contents or bibliography.  Other applications may also be added
+%      later.
+%
+%      The outerness of the heading macros causes problems. Therefore
+%      we process \widestnumber in two stages: first, inside a group,
+%      removing the outerness by letting the macros = \relax.  Then,
+%      using an \expandafter\endgroup trick, we read the arguments
+%      while the macros are still nonouter, but process the arguments
+%      after we have exited from the group.
+%
+%      Now that \no is deprecated, provide for the possibility that
+%      \refstyle C has been set before testing for \widestnumber,
+%      and if so, don't reset it.  [bnb, 1996/12/22]
+%
+\def\widestnumber{\begingroup \let\head\relax\let\subhead\relax
+  \let\subsubhead\relax \expandafter\endgroup\setwidest@}
+%
+\def\setwidest@#1#2{%
+   \ifx#1\head\setbox\tocheadbox@\hbox{#2.\enspace}%
+   \else\ifx#1\subhead\setbox\tocsubheadbox@\hbox{#2.\enspace}%
+   \else\ifx#1\subsubhead\setbox\tocsubheadbox@\hbox{#2.\enspace}%
+   \else\ifx#1\key
+       \if C\refstyle@ \else\refstyle A\fi
+       \setboxz@h{\refsfont@\keyformat{#2}}%
+       \refindentwd\wd\z@
+   \else\ifx#1\no\refstyle C%
+       \setboxz@h{\refsfont@\keyformat{#2}}%
+       \refindentwd\wd\z@
+   \else\ifx#1\page\setbox\z@\hbox{\quad\bf#2}%
+       \pagenumwd\wd\z@
+%      We assume the default form for \item numbers rather than trying
+%      to handle all the variations such as "..."
+   \else\ifx#1\item
+       \setboxz@h{(#2)}\rosteritemwd\wdz@
+   \else\message{\string\widestnumber\space not defined for this
+      option (\string#1)}%
+\fi\fi\fi\fi\fi\fi\fi}
+%
+%      \Monograph is capitalized by analogy with \NoRunningHeads and
+%      \UseAMSsymbols because of its global scope.  We don't use
+%      \global's because if the user puts \Monograph in the preamble
+%      area as instructed it will automatically have global effect,
+%      and in some special applications (e.g. documentation) it may be
+%      nice to be able to localize the effect. \Monograph changes
+%      paragraph indention from none to normal for certain structures
+%      (subhead, proclaim, definition, ...) via \varindent@; it also
+%      changes fonts for \head, \proclaim, \definition, \example,
+%      \demo, and \remark.
+%
+%      The \ifmonograph@ test is used to decide whether to save a \toc
+%      in a box or typeset it immediately, as well as whether to
+%      typeset \thanks, \subjclass, and \keywords footnotes .
+%
+\newif\ifmonograph@
+%
+\def\Monograph{\monograph@true \let\headmark\rightheadtext
+  \let\varindent@\indent \def\headfont@{\bf}\def\proclaimheadfont@{\smc}%
+  \def\remarkheadfont@{\smc}}
+%
+\let\varindent@\noindent
+%
+\newbox\tocheadbox@    \newbox\tocsubheadbox@
+\newbox\tocbox@
+%
+%      Allocate a dimen register for the width of the page number
+%      column in table of contents. The true value of \pagenumwd
+%    is not assigned until \toc is actually called, to avoid
+%    initialization complications.
+\newdimen\pagenumwd
+%
+\def\toc{\toc@{Contents}}
+%
+%      We make a separate macro that just redefines \title, \chapter,
+%      \specialhead, \head, \subhead, \subsubhead, to simplify the
+%      code of \toc.  This also makes it a little easier to work
+%      around the outerness that most of them have.
+%
+\def\newtocdefs{%
+%      The space after "\def" in these redefinitions is a convenience
+%      for someone who wants to look for the main definitions---if
+%      they search for "\def\title" the search will pass over "\def
+%      \title" and find the main definition further down.
+   \def \title##1\endtitle
+       {\penaltyandskip@\z@\smallskipamount
+        \hangindent\wd\tocheadbox@\noindent{\bf##1}}%
+   \def \chapter##1{%
+        Chapter \uppercase\expandafter{%
+              \romannumeral##1.\unskip}\enspace}%
+   \def \specialhead##1\endspecialhead
+       {\par\hangindent\wd\tocheadbox@ \noindent##1\par}%
+   \def \head##1 ##2\endhead
+       {\par\hangindent\wd\tocheadbox@ \noindent
+        \if\notempty{##1}\hbox to\wd\tocheadbox@{\hfil##1\enspace}\fi
+        ##2\par}%
+%      Since \subhead and \subsubhead change the \leftskip, we need to
+%      do a \par before closing the group that localizes the change.
+%      Unlike \head, we do not try to right-align the numbers.
+%
+   \def \subhead##1 ##2\endsubhead
+       {\par\vskip-\parskip {\normalbaselines
+        \advance\leftskip\wd\tocheadbox@
+        \hangindent\wd\tocsubheadbox@ \noindent
+        \if\notempty{##1}%
+              \hbox to\wd\tocsubheadbox@{##1\unskip\hfil}\fi
+         ##2\par}}%
+   \def \subsubhead##1 ##2\endsubsubhead
+       {\par\vskip-\parskip {\normalbaselines
+        \advance\leftskip\wd\tocheadbox@
+        \hangindent\wd\tocsubheadbox@ \noindent
+        \if\notempty{##1}%
+              \hbox to\wd\tocsubheadbox@{##1\unskip\hfil}\fi
+        ##2\par}}}
+%
+\def\toc@#1{\relaxnext@
+ \DN@{\ifx\next\nofrills\DN@\nofrills{\nextii@}%
+      \else\DN@{\nextii@{{#1}}}\fi
+      \next@}%
+ \DNii@##1{%
+%      If we're doing a book table of contents, we avoid setting the
+%      whole thing in a box because if it's several pages long we
+%      might run out of memory.
+\ifmonograph@\bgroup\else\setbox\tocbox@\vbox\bgroup
+   \centerline{\headfont@\ignorespaces##1\unskip}\nobreak
+   \vskip\belowheadskip \fi
+%    Redefine \page (it has another definition normally, for use in
+%    references). The \hfilneg at the end is to cancel the
+%    \parfillskip; the \penalty is to keep the \hfilneg from being
+%    removed (normal processing at the end of a paragraph removes the
+%    last skip).
+   \def\page####1%
+       {\unskip\penalty\z@\null\hfil
+        \rlap{\hbox to\pagenumwd{\quad\hfil####1}}%
+              \hfilneg\penalty\@M}%
+   \setbox\tocheadbox@\hbox{0.\enspace}%
+   \setbox\tocsubheadbox@\hbox{0.0.\enspace}%
+   \leftskip\indenti \rightskip\leftskip
+%      Increase \rightskip to move in the right margin to leave room
+%      for page numbers (which will hang over into the "right margin").
+%      The \bf is for taking into account page numbers for chapter titles,
+%      which are bold.  A little extra width shouldn't hurt for toc's
+%      without chapter titles.
+   \setboxz@h{\bf\quad000}\pagenumwd\wd\z@
+   \advance\rightskip\pagenumwd
+%      Redefine all the heading macros to be their table-of-contents
+%      versions.
+   \newtocdefs
+ }%
+ \FN@\next@}
+%
+%      The \egroup closes the \vbox; or if we're in a monograph, just
+%      matches the beginning \bgroup.
+%
+\def\endtoc{\par\egroup}
+%
+%      \pretitle, ..., \prepaper are entry points between the other
+%      parts of the \topmatter so that users can insert things if
+%      necessary.  If \pretitle is used to put any kind of box on the
+%      page, it will throw off the sinkage of the title and everything
+%      will have to be recalculated.
+%
+\let\pretitle\relax
+\let\preauthor\relax
+\let\preaffil\relax
+\let\predate\relax
+\let\preabstract\relax
+\let\prepaper\relax
+%
+%      Now \dedicatory shows how to make use of the \pre... entry
+%      points defined above.
+%
+\def\dedicatory #1\enddedicatory{\def\preabstract{{\medskip
+  \eightpoint\it \raggedcenter@#1\endgraf}}}
+%
+%      A hook is provided for a translator name, for translations.
+%      \eightpoint is used instead of just \eightrm, to be on the safe
+%      side.  For instance, in transliteration some Russian names have
+%      a ``prime'' symbol to represent the Russian ``soft sign''.  If
+%      we didn't use \eightpoint we'd get a 10-point prime symbol.
+%
+\def\thetranslator@{}
+\def\translator{%
+  \let\savedef@\translator
+  \def\translator##1\endtranslator{\let\translator\savedef@
+    \edef\thetranslator@{\noexpand\nobreak\noexpand\medskip
+      \noexpand\line{\noexpand\eightpoint\hfil
+      \frills@{Translated by \uppercase}{##1}\qquad\qquad}%
+       \noexpand\nobreak}}%
+  \nofrillscheck\translator}
+%
+%      \endtopmatter now puts all of these things together on the
+%      page. We start by checking to see if the left-hand running head
+%      has been defined; if not, presumably it's because \author has
+%      not been used, and presumably that means we are in a book
+%      chapter rather than in an article. So we define it to be the
+%      same as the right-hand running head, which will usually be the
+%      text of the title.
+%
+%      When doing chapters in a book, \subjclass, \keywords and
+%      \thanks should not print at the bottom of the page.
+%
+%      The baseline of the title should always fall at a fixed
+%      distance from the top of the page, so we do the spacing with
+%      \topskip instead of \vskip.
+%
+%      The spacing between elements of the topmatter in AMSPPT is
+%      intended to be the same as in the Journal of the AMS; however
+%      the actual spacing currently used in the latter is the rather
+%      idiosyncratic result of a couple of years of piecemeal changes,
+%      so that rather than follow it blindly we have opted to come as
+%      close as possible by choosing whole or half-pica amounts.  The
+%      situation is further complicated by the fact that the
+%      documentstyle for the Journal of the AMS uses a different
+%      method for putting running heads on the page, so that we cannot
+%      measure distance from the top of the page in the same way; and
+%      the date, affiliation, and abstract are handled differently as
+%      well.
+%
+%      In this diagram the first measurement is from the top of the
+%      type block to the baseline of the first line of the title.  In
+%      the Journal of the AMS the value is 5.5pc rather than 4pc,
+%      because it's measured to the top of the running head (which
+%      extends above the text block). The rest of the measurements are
+%      approximate visual space, done in \endtopmatter by \vskip's;
+%      the effective base-to-base distance is approximately half a
+%      pica more than the amount of the \vskip.
+%
+%      ______________________________ top of type area
+%        |                            (according to \pageheight)
+%        | 4pc baselineskip
+%        |   |----------------------|
+%      __|___|_______ TITLE ________|__
+%            | WHICH MAY BE SEVERAL |
+%            |      LINES LONG      |
+%            |----------------------|
+%                      2.5pc
+%                   |--------|
+%                   | AUTHOR |
+%                   |--------|
+%                       1pc
+%                   |--------|
+%                   | AFFIL  |
+%                   |--------|
+%                       1pc
+%                    |------|
+%                    | DATE |
+%                    |------|
+%                       1pc
+%                 |------------|
+%                 | DEDICATORY |
+%                 |------------|
+%                      1.5pc
+%        |------------------------------|
+%        |           ABSTRACT           |
+%        |------------------------------|
+%                      1.5pc
+%        |------------------------------|
+%        |       TABLE OF CONTENTS      |
+%        |------------------------------|
+%                       2pc
+%      |-----------------------------------|
+%      |           START OF TEXT           |
+%      |                                   |
+%
+%
+%      Make this \outer to catch missing or misspelled \end... in the
+%      topmatter.  It doesn't work with \abstract though because that
+%      uses the \setbox\vbox\bgroup ... \egroup mechanism, so we use
+%      \add@missing to catch missing \endabstract's.
+%
+\outer\def\endtopmatter{\add@missing\endabstract
+  \edef\next{\the\leftheadtoks}%
+  \ifx\next\empty@
+    \expandafter\leftheadtext\expandafter{\the\rightheadtoks}%
+  \fi
+  \ifmonograph@\else
+    \ifx\thesubjclass@\empty@\else \makefootnote@{}{\thesubjclass@}\fi
+    \ifx\thekeywords@\empty@\else \makefootnote@{}{\thekeywords@}\fi
+%      If \thanks given, treat it as a footnote text (with no footnote
+%      mark).
+    \ifx\thethanks@\empty@\else \makefootnote@{}{\thethanks@}\fi
+  \fi
+  \inslogo@
+%      We want a sinkage of 4pc from the top of the page (= the top of
+%      the text area, not including the running heads) for articles,
+%      and 7pc for monograph chapters.
+  \pretitle
+  \begingroup % to localize variant topskip
+  \ifmonograph@ \topskip7pc \else \topskip4pc \fi
+%      We don't unvbox the titlebox because we don't expect footnotes
+%      to ever appear in the title, so we don't need to worry about
+%      allowing them to migrate to the outer level.  (Some journals
+%      use footnotes in titles to give acknowledgments of research
+%      support; in AMSPPT this is an unnumbered footnote, done with
+%      \thanks, outside of the title.)
+  \box\titlebox@
+  \endgroup
+  \preauthor
+  \ifvoid\authorbox@\else \vskip2.5pcplus1pc\unvbox\authorbox@\fi
+  \preaffil
+  \ifvoid\affilbox@\else \vskip1pcplus.5pc\unvbox\affilbox@\fi
+  \predate
+  \ifx\thedate@\empty@\else
+    \vskip1pcplus.5pc\line{\hfil\thedate@\hfil}\fi
+  \preabstract
+  \ifvoid\abstractbox@\else
+    \vskip1.5pcplus.5pc\unvbox\abstractbox@ \fi
+  \ifvoid\tocbox@\else\vskip1.5pcplus.5pc\unvbox\tocbox@\fi
+  \prepaper
+  \vskip2pcplus1pc\relax
+}
+%
+\newif\ifdocument@  \document@false
+\def\document{\document@true
+%    We call \loadextrafonts@ here as well as in \topmatter; this is
+%    to allow use of the extra sizes of the fonts in e.g. test documents
+%    that don't include a full topmatter section. If \topmatter was
+%    executed, \loadextrafonts@ will now be a harmless no-op.
+  \loadextrafonts@
+  \let\fontlist@\relax\let\alloclist@\relax
+%      Start out in \tenpoint
+  \tenpoint}
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -6- SECTION HEADINGS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{section heads,}
+%      In accordance with conventional design principles, the space
+%      below headings is not given any stretchability or
+%      shrinkability.
+%
+\newskip\aboveheadskip       \aboveheadskip\bigskipamount
+\newdimen\belowheadskip      \belowheadskip6\p@
+\def\headfont@{\smc}
+%
+%      Since we often want to do a penalty and vskip, and since there
+%      are extra complications involved if there is a preceding vskip
+%      from something else, we define a macro to do it.  Normally it
+%      is used while we're working on the main vertical list, so we
+%      have to use \removelastskip (which does a negative skip) rather
+%      than \unskip (which REALLY removes the last skip).  If the last
+%      thing on the main vertical list is anything other than a vskip,
+%      say a penalty from \pagebreak, the value returned by \lastskip
+%      will be 0, but the potential complications are a whole other
+%      subject.  This macro handles the straightforward cases.
+%
+%      In some cases we may not want to put a penalty at all.
+%      We refrain from doing any penalty if the first argument of
+%      \penaltyandskip@ is 0; the essential effect of an explicit
+%      \penalty0 can be gotten by doing a penalty of 1 instead.
+%
+%      We use \penalty@ instead of \penalty, so that we can redefine
+%      \penalty@ in \nobreak, to prevent page breaks between certain
+%      pairs such as \head \subhead or \head \proclaim or \nopagebreak
+%      \proclaim ---for example, in
+%
+%      "... which leads to this theorem:
+%      \proclaim{Theorem 8.2} ..."
+%
+%      a page break after the colon would be bad, and a user might
+%      want to be able to add a \nopagebreak.
+%
+%      The sequence
+%
+%           \subhead Text...\endsubhead
+%           \subsubhead Text...\endsubsubhead
+%
+%      will still have the weakness of allowing a pagebreak between
+%      the two headings, because \endsubhead doesn't do a \nobreak
+%      (since it's a run-in heading.
+%
+\def\penaltyandskip@#1#2{\par\skip@#2\relax
+  \ifdim\lastskip<\skip@\relax\removelastskip
+      \ifnum#1=\z@\else\penalty@#1\relax\fi\vskip\skip@
+  \else\ifnum#1=\z@\else\penalty@#1\relax\fi\fi}
+%
+%      The above code contains a bug: if \lastskip=\skip@ (as it does
+%      between two adjacent theorems), and this point coincides with
+%      a page break, the \lastskip will remain at the bottom of the
+%      page.  This could be corrected by reformulating the code, but
+%      page breaks would change; therefore, no change has been made,
+%      for reasons of backward compatibility.  However, the following
+%      code would `do the right thing':
+%
+%  \def\penaltyandskip@#1#2{\par\skip@#2\relax
+%    \ifdim\lastskip>\skip@
+%      \ifnum#1=\z@\else\penalty@#1\relax\fi
+%    \else\relax\removelastskip
+%      \ifnum#1=\z@\else\penalty@#1\relax\fi\vskip\skip@
+%    \fi}
+%
+%      When a page ends with space from \lastskip, inserting \pagebreak
+%      at the end of the text of the last element (before \end...) will
+%      remove the space; \removelastskip before the beginning of the
+%      next element has no lasting effect, as it inserts a negative skip
+%      that is smaller than the new skip applied with \penaltyandskip@,
+%      and is therefore removed.
+%
+\def\nobreak{\penalty\@M
+%      Change the definition of \penalty@ so that the following number
+%      will be gobbled (by assigning it to the scratch register
+%      \count@@@).
+  \ifvmode\gdef\penalty@{\global\let\penalty@\penalty\count@@@}%
+%      If the next piece of the document after \nobreak is something
+%      like \subhead or \proclaim that calls \penaltyandskip@, then
+%      \penalty@ will reset itself in the way that we want.  But if
+%      not, then we still want to reset \penalty@; so we use
+%      \everypar.  There are probably some unusual cases that will
+%      still have problems, but at the moment this is the best
+%      solution we have.
+  \everypar{\global\let\penalty@\penalty\everypar{}}\fi}
+%
+\let\penalty@\penalty
+%
+%      We equate the old form of the headings to the new form, for
+%      backward compatibility.  It's easier to do this now rather than
+%      later because \head and \subhead are going to be outer.
+%
+\def\heading#1\endheading{\head#1\endhead}
+\def\subheading{\DN@{\ifx\next\nofrills
+    \expandafter\subheading@
+  \else \expandafter\subheading@\expandafter\empty@
+  \fi}%
+  \FN@\next@
+}
+\def\subheading@#1#2{\subhead#1#2\endsubhead}
+%
+%      One more heading level, for occasional use.  This is the next
+%      level ABOVE \head.  The default style is ragged right;
+%      otherwise it's the same as \head.
+%
+\newskip\abovespecialheadskip
+\abovespecialheadskip=\aboveheadskip
+\def\specialheadfont@{\bf}
+\outer\def\specialhead{%
+  \add@missing\endroster \add@missing\enddefinition
+  \add@missing\enddemo \add@missing\endexample
+  \add@missing\endproclaim
+  \penaltyandskip@{-200}\abovespecialheadskip
+  \begingroup\interlinepenalty\@M\rightskip\z@ plus\hsize
+  \let\\\linebreak
+  \specialheadfont@\noindent}
+\def\endspecialhead{\par\endgroup\nobreak\vskip\belowheadskip}
+%
+%      penalty-200 is the penalty amount used by plain.tex's
+%      \bigbreak.
+%
+\outer\def\head#1\endhead{%
+  \add@missing\endroster \add@missing\enddefinition
+  \add@missing\enddemo \add@missing\endexample
+  \add@missing\endproclaim
+  \penaltyandskip@{-200}\aboveheadskip
+  {\headfont@\raggedcenter@\interlinepenalty\@M
+  #1\endgraf}\headmark{#1}%
+  \nobreak
+  \vskip\belowheadskip}
+%
+%      \headmark will be redefined to be \rightheadtext by \Monograph.
+%
+\let\headmark\eat@
+%
+%      The purpose of \restoredef@ is to work around problems caused
+%      by the outerness of things like \subhead. \relax at the
+%      beginning prevents the \savedef@ (which may be \outer) from
+%      being read prematurely in certain kinds of expansion.
+%
+\def\restoredef@#1{\relax\let#1\savedef@\let\savedef@\relax}
+%
+%      \subhead and \subsubhead are simpler, though they allow
+%      \nofrills. (\head, being centered, does not have automatic
+%      punctuation put in at the end and so \nofrills doesn't have
+%      anything to do.) The syntax of \subhead is changed from
+%      \subheading{...} (version 1) to \subhead...\endsubhead (version
+%      2). This was done for the following reasons: (1) to be
+%      consistent with \head...\endhead (we could have changed \head
+%      instead of \subhead, but the \x...\endx syntax is the one
+%      currently in  use in AMS production); (2) if someone (perhaps
+%      us) ever wants to do something tricky with the headings, having
+%      the \end... may help them avoid technical complications.
+%
+\newskip\subheadskip       \subheadskip\medskipamount
+\def\subheadfont@{\bf}
+\outer\def\subhead{%
+  \add@missing\endroster \add@missing\enddefinition
+  \add@missing\enddemo \add@missing\endexample
+  \add@missing\endproclaim
+  \let\savedef@\subhead \let\subhead\relax
+  \def\subhead##1\endsubhead{\restoredef@\subhead
+    \penaltyandskip@{-100}\subheadskip
+%      Add italic correction in \usualspace, because \subheadfont@ is
+%      italic, in case the substituted punctuation is something tall
+%      like a question mark or exclamation point.
+    {\def\usualspace{\/{\subheadfont@\enspace}}%
+     \varindent@\subheadfont@\ignorespaces##1\unskip\frills@{.\enspace}}%
+    \ignorespaces}%
+  \nofrillscheck\subhead}
+%
+%      In version 2.0 of amsppt.sty we also add a third level of
+%      heading, \subsubhead.
+%
+\newskip\subsubheadskip       \subsubheadskip\medskipamount
+\def\subsubheadfont@{\it}
+\outer\def\subsubhead{%
+  \add@missing\endroster \add@missing\enddefinition
+  \add@missing\enddemo
+  \add@missing\endexample \add@missing\endproclaim
+  \let\savedef@\subsubhead \let\subsubhead\relax
+  \def\subsubhead##1\endsubsubhead{\restoredef@\subsubhead
+    \penaltyandskip@{-50}\subsubheadskip
+%      Add italic correction in \usualspace, because \subsubheadfont@
+%      is italic, in case the substituted punctuation is something tall
+%      like a question mark or exclamation point.
+    {\def\usualspace{\/{\subsubheadfont@\enspace}}%
+     \subsubheadfont@##1\unskip\frills@{.\enspace}}\ignorespaces}%
+  \nofrillscheck\subsubhead}
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -7- THEOREM ENVIRONMENTS AND SIMILAR STRUCTURES
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{theorems/proofs/definitions/remarks,}
+%
+\def\proclaimheadfont@{\bf}
+%      Make \proclaimfont a non-private control sequence, so that
+%      users can change it back to \sl if desired without
+%      complications.
+\def\proclaimfont{\it}
+%
+\newskip\preproclaimskip  \preproclaimskip=\medskipamount
+\newskip\postproclaimskip \postproclaimskip=\medskipamount
+\outer\def\proclaim{%
+  \let\savedef@\proclaim \let\proclaim\relax
+  \add@missing\endroster \add@missing\enddefinition
+  \add@missing\endproclaim \envir@stack\endproclaim
+%      penalty-100 is the penalty amount used by plain.tex's
+%      \medbreak.
+  \def\proclaim##1{\restoredef@\proclaim
+    \penaltyandskip@{-100}\preproclaimskip
+    {\def\usualspace{\/{\proclaimheadfont@\enspace}}%
+     \varindent@\proclaimheadfont@\ignorespaces##1\unskip
+     \frills@{.\enspace}}%
+    \proclaimfont\ignorespaces}%
+  \nofrillscheck\proclaim}
+%
+%      \endproclaim ends the paragraph, switches back to \rm and adds
+%      spacing. (This means that if, for some strange reason, a whole
+%      section of text happens to be in italics, then the user must
+%      type \it again after each \endproclaim, but that seems too
+%      special a case to need providing for.)  Version 2.1 change:
+%      removed \outer prefix, to simplify some programming related
+%      to \add@missing and \revert@envir.
+%
+\def\endproclaim{\revert@envir\endproclaim \par\rm
+  \vskip\postproclaimskip}
+%
+%      In \remark, we take the opportunity again to issue an error
+%      message if a previous \proclaim has no matching \endproclaim.
+%
+\def\remarkheadfont@{\it}
+\def\remarkfont{\rm}
+\newskip\remarkskip  \remarkskip=\medskipamount
+\def\remark{\let\savedef@\remark \let\remark\relax
+  \add@missing\endroster \add@missing\endproclaim
+  \envir@stack\endremark
+  \def\remark##1{\restoredef@\remark
+    \penaltyandskip@\z@\remarkskip
+    {\def\usualspace{\/{\remarkheadfont@\enspace}}%
+     \varindent@\remarkheadfont@\ignorespaces##1\unskip
+     \frills@{.\enspace}}%
+    \remarkfont\ignorespaces}%
+  \nofrillscheck\remark}
+%
+%      \endremark is easy.
+%
+\def\endremark{\par\revert@envir\endremark}
+%
+%    Assumption: \square is defined in initialization (normally via
+%    \UseAMSsymbols).
+\def\qed{\ifhmode\unskip\nobreak\fi\quad
+  \ifmmode\square\else$\m@th\square$\fi}
+%
+%      Proofs are the same as Remarks, except there is an additional
+%      \medskip after a Proof.  We don't have a runaway demo or remark
+%      check until \enddocument because proofs within proofs (and
+%      perhaps remarks within remarks) are possible.
+%
+\newskip\postdemoskip  \postdemoskip=\medskipamount
+%    Ensure that there is no lingering indication of a manual end-of-proof box.
+\newif\if@qedhere
+\def\demo{%
+  \@qedherefalse
+  \DN@{\ifx\next\nofrills
+    \DN@####1####2{\remark####1{####2}\envir@stack\enddemo
+      \ignorespaces}%
+  \else
+    \DN@####1{\remark{####1}\envir@stack\enddemo\ignorespaces}%
+  \fi
+  \next@}%
+\FN@\next@}
+%
+\def\enddemo{\par\revert@envir\enddemo \endremark\vskip\postdemoskip}
+%
+%      \definition uses \proclaimheadfont@ because normally the two
+%      use the same font for the head font, with \definition using \rm
+%      for the text as opposed to the \it used for \proclaim.
+%
+\def\definitionfont{\rm}
+\newskip\predefinitionskip  \predefinitionskip=\medskipamount
+\newskip\postdefinitionskip  \postdefinitionskip=\medskipamount
+\def\definition{\let\savedef@\definition \let\definition\relax
+  \add@missing\endproclaim \add@missing\endroster
+  \add@missing\enddefinition \envir@stack\enddefinition
+%      \proclaimheadfont@ comes after the period here because
+%      sometimes we want the period to be roman rather than bold, e.g.
+%      when the preceding thing is a math formula or a citation, set
+%      in roman type.
+  \def\definition##1{\restoredef@\definition
+    \penaltyandskip@{-100}\predefinitionskip
+    {\def\usualspace{\/{\proclaimheadfont@\enspace}}%
+     \varindent@\proclaimheadfont@\ignorespaces##1\unskip
+     \frills@{.\proclaimheadfont@\enspace}}%
+    \definitionfont\ignorespaces}%
+  \nofrillscheck\definition}
+\def\enddefinition{\revert@envir\enddefinition
+  \par\vskip\postdefinitionskip}
+%
+\def\example{%
+  \DN@{\ifx\next\nofrills
+    \DN@####1####2{\definition####1{####2}\envir@stack\endexample
+      \ignorespaces}%
+  \else
+    \DN@####1{\definition{####1}\envir@stack\endexample\ignorespaces}%
+  \fi
+  \next@}%
+\FN@\next@}
+\def\endexample{\revert@envir\endexample \enddefinition }
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -8- ROSTERS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{rosters,}
+%      In version 2 of amsppt we provide a more convenient way of
+%      changing the indention of roster items.
+%
+\newdimen\rosteritemwd
+\rosteritemwd16pt % approximately the width of (iii) in 10 point text
+%
+%      \roster uses \rostercount@ to store the \item number. The first
+%      item is treated specially, because of the extra space before
+%      it, so we need a flag \iffirstitem@ to identify it.
+%
+\newcount\rostercount@
+\newif\iffirstitem@
+%
+%      Since \item in \roster differs from in \plain, we store plain's
+%      \item in \plainitem@, so that we can restore the definition
+%      after the \roster is over.
+%
+\let\plainitem@\item
+%
+%      In order for our \roster's to work, we will also have to be
+%      sure that \everypar is {}.  Just in case \everypar already has
+%      a value, as it might in some format, we store those values in
+%      the token list \everypartoks@, so that we can restore them at
+%      the end.  \par@ does this storing, and sets \everypar{}.
+%
+\newtoks\everypartoks@
+\def\par@{\everypartoks@\expandafter{\the\everypar}\everypar{}}
+%
+\def\leftskip@{}
+%
+\def\roster{%
+  \envir@stack\endroster
+%      We also have to store the \leftskip, since it will be changed.
+  \edef\leftskip@{\leftskip\the\leftskip}%
+  \relaxnext@
+  \rostercount@\z@% Initialize \rostercount@ to 0.
+  \def\item{\FN@\rosteritem@}%      \item, now redefined, has
+%      to look ahead for [ and ", since we allow optional and literal
+%      arguments. \rosteritem@ itself is defined below.  The following
+%      \next@ (in \DN@) is the one called at the very end of this
+%      \def.
+  \DN@{\ifx\next\runinitem\let\next@\nextii@
+    \else\let\next@\nextiii@
+    \fi\next@}%
+%      First we look to see whether \roster is followed by \runinitem,
+%      since this requires different processing.
+  \DNii@\runinitem% If \runinitem occurs, \nextii@ must kill it off.
+    {\unskip% This unskips any space before the original \roster.
+%      Our definition of \nextii@\runinitem itself uses compressed
+%      format and a \futurelet\next\next@, because we still have to
+%      allow [ or " to come next.
+     \DN@{\ifx\next[\let\next@\nextii@
+       \else\ifx\next"\let\next@\nextiii@\else\let\next@\nextiv@\fi
+       \fi\next@}%
+%      The following \nextii@ is the one created by
+%      \nextii@\runinitem; there is no conflict of names, since the
+%      first calls the second.
+     \DNii@[####1]{\rostercount@####1\relax
+       \enspace\therosteritem{\number\rostercount@}~\ignorespaces}%
+%      If [...] comes next, we use (...) but we explicitly do this by
+%      setting \rostercount@ equal to ... so that succeeding \item's
+%      will have the right numbers (use of something other than a
+%      number will give an error message).
+     \def\nextiii@"####1"{\enspace{\rm####1}~\ignorespaces}%
+%      If "..." comes next, we use ... exactly as typed.
+     \def\nextiv@{\enspace\therosteritem1\rostercount@\@ne~}%
+%      Otherwise just use (1).
+     \par@\firstitem@false% Before doing any of this we still change
+%      \everypar, if necessary, which is normally done elsewhere, and
+%      set \firstitem@false, since this \runinitem counts as the
+%      first.
+     \FN@\next@}%      End of definition of \nextii@\runinitem.
+%      The following \nextiii@ will be used if we didn't have
+%      \runinitem.
+  \def\nextiii@{\par\par@% End the present paragraph, change \everypar
+%      if necessary, prohibit a break, add a small skip, but add
+%      something to offset any \parskip, if there is any, which would
+%      be contributed when the next paragraph is begun by the next
+%      \item.
+    \penalty\@m\smallskip\vskip-\parskip
+%      And set \firstitem@true for use with \item.
+    \firstitem@true}%
+  \FN@\next@}
+%
+%      Remember that \rosteritem@ is called by
+%      \futurelet\next\rosteritem@.
+%
+\def\rosteritem@{\iffirstitem@\firstitem@false
+  \else\par\vskip-\parskip\fi
+%      Except at the first \item, we end the paragraph (consisting of
+%      the previous \item), and subtract any space that might be added
+%      by the next \item.
+ \leftskip\rosteritemwd \advance\leftskip\normalparindent
+ \advance\leftskip.5em \noindent
+ \DNii@[##1]{\rostercount@##1\relax\itembox@}%
+%      If [...] follows \item, we use ... as the number, again by
+%      setting \rostercount@, so that succeeding \items will have the
+%      right number.
+ \def\nextiii@"##1"{\def\therosteritem@{\rm##1}\itembox@}%
+%      If "..." follows  \item, we use ... exactly as typed.
+ \def\nextiv@{\advance\rostercount@\@ne\itembox@}%
+%      Otherwise we print the \rostercount@ in parentheses.
+ \def\therosteritem@{\therosteritem{\number\rostercount@}}%
+ \ifx\next[\let\next@\nextii@\else\ifx\next"\let\next@\nextiii@\else
+  \let\next@\nextiv@\fi\fi\next@}
+%
+\def\itembox@{\llap{\hbox to\rosteritemwd{\hss
+  \kern\z@ % kern to thwart \unskip in \rom
+  \therosteritem@}\enspace}\ignorespaces}
+%
+%      \therosteritem is just a convenience for the user.
+%
+\def\therosteritem#1{\rom{(\ignorespaces#1\unskip)}}
+%
+%      We want to save \Runinitem for last, but it is relevant even to
+%      the definition of \endroster, since we have to worry whether
+%      \endroster is followed by another \Runinitem.  We will use a
+%      flag \ifnextRunin@ to tell us.
+%
+\newif\ifnextRunin@
+%
+\def\endroster{\relaxnext@
+ \revert@envir\endroster % restore \envir@end
+ \par\leftskip@ % End the paragraph, and restore the \leftskip.
+ \global\rosteritemwd16\p@ % restore default value
+ \penalty-50 \vskip-\parskip\smallskip % Add a good break and
+%      subtract any space that will be started by next paragraph, but
+%      add a \smallskip.
+ \DN@{\ifx\next\Runinitem\let\next@\relax
+%      Don't do anything else if \Runinitem comes next.
+  \else\nextRunin@false\let\item\plainitem@ % Otherwise, set
+%      \nextRunin@false, and restore \item to its definition in plain;
+   \ifx\next\par % moreover, if \endroster is followed by \par,
+    \DN@\par{\everypar\expandafter{\the\everypartoks@}}%
+%      delete that instruction (since we've already put in a \par),
+%      and restore \everypar,
+   \else % but if the \endroster isn't followed by a new paragraph,
+    \DN@{\noindent\everypar\expandafter{\the\everypartoks@}}%
+%      start the next paragraph unindented, and restore \everypar.
+  \fi\fi\next@}%
+ \FN@\next@}
+%
+%      Finally, for \Runinitem ... \roster\runinitem we have the usual
+%      junk for worrying about [ or " coming next, and then more
+%      interesting things:  We have to find out how many lines of text
+%      we had before the \roster; we will store this in
+%      \rosterhangafter@.
+%
+\newcount\rosterhangafter@
+\def\Runinitem#1\roster\runinitem{\relaxnext@
+  \envir@stack\endroster
+%      Initialize \rostercount@ to 0.
+ \rostercount@\z@
+%      Define \item as before.
+ \def\item{\FN@\rosteritem@}%
+%      Store everything up to the roster in \runinitem@.
+ \def\runinitem@{#1}%
+ \DN@{\ifx\next[\let\next\nextii@\else\ifx\next"\let\next\nextiii@
+  \else\let\next\nextiv@\fi\fi\next}%
+ \DNii@[##1]{\rostercount@##1\relax
+%      If [...] follows \runinitem, we proceed as before, except we
+%      call this first instance \item@, and we let \nextv@, defined
+%      below, take care of everything.
+  \def\item@{\therosteritem{\number\rostercount@}}\nextv@}%
+%      If "..." follows \runinitem, we define \item@ to use it.
+ \def\nextiii@"##1"{\def\item@{{\rm##1}}\nextv@}%
+ \def\nextiv@{\advance\rostercount@\@ne
+%      Otherwise, we use the proper \rostercount@. Now comes \nextv@,
+%      which has to properly typeset things.
+  \def\item@{\therosteritem{\number\rostercount@}}\nextv@}%
+%      First store things in \box0 .
+ \def\nextv@{\setbox\z@\vbox
+%      Start unindented if we have \ifnextRunin@true.  This will
+%      happen only if we had \Runinitem...\endroster right before.
+  {\ifnextRunin@\noindent\fi
+%      Add the stored things in \runinitem@, and then \item@.
+  \runinitem@\unskip\enspace\item@~\par
+%      This sets \rosterhangafter@ to the number of lines in \box0 ,
+%      i.e., of the material so far; see the TeXbook, p. 103. We need
+%      to say \global since this is set  within \box0. Now we're done
+%      with \box0 !
+  \global\rosterhangafter@\prevgraf}%
+  \firstitem@false% Set \firstitem@false for future \item's.
+%      End previous paragraph unless we had \Runinitem ...\endroster
+%      right before. Now comes the good part: we
+%      \hangindent3\parindent, as before, but we do it for
+%      \rosterhangafter@ lines, the number that already appeared in
+%      the material we set in \box0 .
+  \ifnextRunin@\else\par\fi
+  \hangafter\rosterhangafter@\hangindent3\normalparindent
+%      Start unindented if we had a \Runinitem ... \endroster right
+%      before.
+  \ifnextRunin@\noindent\fi
+  \runinitem@\unskip\enspace%  Put in all the stored stuff
+  \item@~\ifnextRunin@\else\par@\fi% and the \item@, and
+%      end the paragraph, unless we had a \Runinitem ... \endroster
+%      before.
+  \nextRunin@true\ignorespaces}%% Here's where we set \nextRunin@true.
+ \FN@\next@}
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -9- FOOTNOTES
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{footnotes,}
+%      \footmarkform@ tells how to treat a general type of footnote
+%      marker.  And \thefootnotemark is for the user, analogous to
+%      \thetag in AMSTEX.TEX.
+%
+\def\footmarkform@#1{$\m@th^{#1}$}
+\let\thefootnotemark\footmarkform@
+%
+%      \makefootnote@ takes care of the general problem of creating a
+%      footnote whose marker is #1 and whose text is #2, so that we
+%      can concentrate separately on the problem of how the marker is
+%      determined.  It is essentially \vfootnote from the TeXbook, p.
+%      363, except that we don't do fancy things to worry about
+%      category code changes, and instead of adding a \strut at the
+%      end, we will just add the lower part of the strut.
+%
+\def\makefootnote@#1#2{\insert\footins
+ {\interlinepenalty\interfootnotelinepenalty
+ \eightpoint\splittopskip\ht\strutbox\splitmaxdepth\dp\strutbox
+ \floatingpenalty\@MM\leftskip\z@skip\rightskip\z@skip
+ \spaceskip\z@skip\xspaceskip\z@skip
+ \leavevmode{#1}\footstrut\ignorespaces#2\unskip\lower\dp\strutbox
+ \vbox to\dp\strutbox{}}}
+%
+%      Before version 2.0 \footmarkcount@ was declared in amstex.tex.
+%
+\newcount\footmarkcount@
+\footmarkcount@\z@
+%
+%      \footnotemark basically just advances \footmarkcount@ by 1 and
+%      then uses \footmarkform@{\number\footmarkcount@}---we still
+%      have to worry about the space factor as in the definition of
+%      \footnote in the TeXbook, p. 363.  However, we are allowing
+%      both an `optional' argument [#1], where we instead use
+%      \footmarkform@{#1}, and a `literal' argument "#1", where we
+%      instead use #1 exactly as typed, so we need to use a \futurelet
+%      to look at the next symbol. Compressed format is used.
+%
+\def\footnotemark{\let\@sf\empty@\relaxnext@
+ \ifhmode\edef\@sf{\spacefactor\the\spacefactor}\/\fi
+ \DN@{\ifx[\next\let\next@\nextii@\else
+  \ifx"\next\let\next@\nextiii@\else
+  \let\next@\nextiv@\fi\fi\next@}%
+ \DNii@[##1]{\footmarkform@{##1}\@sf}%
+ \def\nextiii@"##1"{{##1}\@sf}%
+ \def\nextiv@{\iffirstchoice@\global\advance\footmarkcount@\@ne\fi
+  \footmarkform@{\number\footmarkcount@}\@sf}%
+ \FN@\next@}
+%
+%      \footnotetext essentially applies \makefootnote@ to the next
+%      group, using \footmarkcount@ for the marker that goes before
+%      the footnote text. However, we once again allow optional and
+%      literal arguments.  Compressed format is used.
+%
+\def\footnotetext{\relaxnext@
+ \DN@{\ifx[\next\let\next@\nextii@\else
+  \ifx"\next\let\next@\nextiii@\else
+  \let\next@\nextiv@\fi\fi\next@}%
+ \DNii@[##1]##2{\makefootnote@{\footmarkform@{##1}}{##2}}%
+ \def\nextiii@"##1"##2{\makefootnote@{##1}{##2}}%
+ \def\nextiv@##1{\makefootnote@{\footmarkform@%
+  {\number\footmarkcount@}}{##1}}%
+ \FN@\next@}
+%
+%      Finally, \footnote is basically \footnotemark\footnote, but we
+%      can't write it directly that way because it, too, can take
+%      optional and literal arguments.  Compressed format again.
+%
+\def\footnote{\let\@sf\empty@\relaxnext@
+ \ifhmode\edef\@sf{\spacefactor\the\spacefactor}\/\fi
+ \DN@{\ifx[\next\let\next@\nextii@\else
+  \ifx"\next\let\next@\nextiii@\else
+  \let\next@\nextiv@\fi\fi\next@}%
+ \DNii@[##1]##2{\footnotemark[##1]\footnotetext[##1]{##2}}%
+ \def\nextiii@"##1"##2{\footnotemark"##1"\footnotetext"##1"{##2}}%
+ \def\nextiv@##1{\footnotemark\footnotetext{##1}}%
+ \FN@\next@}
+%
+%      \adjustfootnotemark just allows the user to change
+%      \footmarkcount@.
+%
+\def\adjustfootnotemark#1{\advance\footmarkcount@#1\relax}
+%
+%      We use the definition of \footnoterule provided by plain, but
+%      change its width from 2 truein to 5pc.
+%
+\def\footnoterule{\kern-4\p@
+  \hrule width5pc\kern 3.6\p@}%      the \hrule is .4pt high
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -10- TABLES
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%
+%      At the present time no table macros are provided.  Captions can
+%      be gotten using \topcaption or \botcaption.
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -11- FIGURE SPACES AND CAPTIONS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{figures and captions,}
+\def\captionfont@{\smc}
+%
+%      These captions are designed for use within \topinsert's and
+%      \midinsert's.  \nofrills is not currently an option, though
+%      probably it should be added eventually.
+%
+\def\topcaption#1#2\endcaption{%
+%      The captionwidth may have been changed by the user so we don't
+%      make the assumption that it is equal to \hsize - 2\indenti.
+  {\dimen@\hsize \advance\dimen@-\captionwidth@
+%      \raggedcenter@ uses the em so we set the font before calling
+%      it. \leftskip and \rightskip are changed by \raggedcenter so
+%      the modifications of \leftskip and \rightskip must come after.
+   \rm\raggedcenter@ \advance\leftskip.5\dimen@ \rightskip\leftskip
+  {\captionfont@#1}%
+%      Include period only if both caption number and text are present.
+  \if\notempty{#2}\if\notempty{#1}.\enspace\fi\ignorespaces#2\fi
+  \endgraf}\nobreak\bigskip}
+%
+%      For whatever reason, the style in current AMS production has
+%      figure captions (= \botcaption) set in a block while table
+%      captions are set ragged center style.
+%
+\def\botcaption#1#2\endcaption{%
+%      The previous vskip may be blank space for a figure, so we can't
+%      use \penaltyandskip@ here, otherwise the \bigskip would not be
+%      added (assuming the preceding vskip is greater than
+%      \bigskipamount):
+  \nobreak\bigskip
+%      Measure how wide the caption is.  Maybe it's only "Figure 1",
+%      or maybe it's "Figure 1. Blah blah blah ... for 10 lines."  In
+%      the first case center it, in the second case put it in
+%      paragraph form.  Include period only if both caption number and
+%      text are present.
+  \setboxz@h{\captionfont@#1\if\notempty{#2}\if\notempty{#1}.\enspace\fi
+    \rm\ignorespaces#2\fi}%
+  {\dimen@\hsize \advance\dimen@-\captionwidth@
+   \leftskip.5\dimen@ \rightskip\leftskip
+%      long caption---set it in a paragraph
+   \noindent \ifdim\wdz@>\captionwidth@
+%      short caption---add \hfil to balance with \parfillskip.
+   \else\hfil\fi
+  {\captionfont@#1}%
+  \if\notempty{#2}\if\notempty{#1}.\enspace\fi\rm\ignorespaces#2\fi\endgraf}}
+%
+%      Redefine plain TeX \@ins to add definition of \vspace (locally)
+%      for use with caption macros.  Also \captionwidth.
+%
+\def\@ins{\par\begingroup\def\vspace##1{\vskip##1\relax}%
+  \def\captionwidth##1{\captionwidth@##1\relax}%
+  \setbox\z@\vbox\bgroup} % start a \vbox
+%
+%      CASE 1: \topcaption plus a table typed by the author.
+%
+%      \topinsert
+%      \topcaption{Table 1}This is a table caption.\endcaption
+%      \halign{ ...
+%       ...
+%      }
+%      \endinsert
+%
+%      CASE 2: \topcaption plus some blank space.
+%
+%      \midinsert
+%      \topcaption{Table 2}This is another table caption.\endcaption
+%      \vspace{13pc}
+%      \endinsert
+%
+%      CASE 3: \botcaption plus some blank space.
+%
+%      \topinsert
+%      \vspace{7pc}
+%      \botcaption{Figure 1}\endcaption
+%      \endinsert
+%
+%      Use of \captionwidth:
+%
+%      \topinsert
+%      \captionwidth{14pc}
+%      \topcaption{Table 1}Text ...
+%      \endcaption
+%      \endinsert
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -12- MISCELLANEOUS FORMATTING MACROS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{miscellaneous,}
+%    \block is intended for typing long quotes in a block, indented on
+%    both margins. It is set up so that it can be used in either of two
+%    ways:
+%
+%         $$\block...\endblock\tag1.1$$
+%
+%    or
+%
+%         Normal text.
+%         \block ...  \endblock
+%         Continue with more text.
+%
+%    In the latter case, we use a TeX display to provide spacing above
+%    and below the block. If we're in vertical mode when \block is
+%    called, we use \noindent to avoid getting an extra blank line
+%    before the display. But then we will get the short display skips
+%    instead of the full display skips, so we set \predisplaysize
+%    explicitly to ensure the full display skips.
+%
+\def\block{\RIfMIfI@\nondmatherr@\block\fi
+       \else\ifvmode\noindent$$\predisplaysize\hsize
+         \else$$\fi
+  \def\endblock{\par\egroup$$}\fi
+  \vbox\bgroup\advance\hsize-2\indenti\noindent}
+\def\endblock{\par\egroup}
+%
+%      In version 1 of amsppt \cite did some parsing to locate a comma
+%      in its argument and if one was found the font was switched from
+%      \citefont to \rm.  In version 2 we no longer do this because if
+%      a \cite deviates too much from the expected form we run into
+%      problems:  The expected form was either \cite{13}, or \cite{13,
+%      Theorem 2.2}.  But if for example the user wants to cite two
+%      references together, \cite{13,15}, we don't want to switch off
+%      \citefont after the comma.  And since authors tend to invent
+%      even more imaginative variations than this, we just did away
+%      with the parsing altogether.
+%
+%      \m@th is in case the author uses subscripts in his citation
+%      codes.
+%
+\def\cite#1{\rom{[{\citefont@\m@th#1}]}}
+%
+%      In version 1 of amsppt \citefont was \bf.
+%
+\def\citefont@{\rm}
+%
+%      \rom provides a way for getting roman punctuation and numerals
+%      in italic text. It takes pains to handle italic corrections
+%      reasonably nicely.
+%
+\def\rom#1{\leavevmode
+  \edef\prevskip@{\ifdim\lastskip=\z@ \else\hskip\the\lastskip\relax\fi}%
+  \unskip
+  \edef\prevpenalty@{\ifnum\lastpenalty=\z@ \else
+    \penalty\the\lastpenalty\relax\fi}%
+  \unpenalty \/\prevpenalty@ \prevskip@ {\rm #1}}
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -13- BIBLIOGRAPHY
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{references,}
+%
+\def\refsfont@{\eightpoint}
+\def\refsheadfont@{\headfont@}
+%
+%      \refindentwd controls the indention from the left margin of the
+%      ref item numbers or key labels.  The initial setting is to 2
+%      decimal digits; numbers up to 99 will be aligned on the right
+%      within a box the width of \refindentwd.  \key labels will be
+%      aligned on the LEFT within a box of the same width; but when
+%      \key's are being used, the indention may need to be increased
+%      if it's required that the labels remain clear from the text.
+%      The \widestnumber macro can be used to do this:
+%      \widestnumber\key{MNOPQ} will increase \refindentwd to the
+%      width of a box containing "[MNOPQ]\enspace". \widestnumber can
+%      also be used with \no: \widestnumber\no{000} for 3-digit
+%      numbers, \widestnumber\no{0} for 1-digit numbers, and so on.
+%      However, the use of \no, with or without \widestnumber, is
+%      deprecated, and this use will not be documented in the user's
+%      guide.
+%
+\newdimen\refindentwd
+\setboxz@h{\refsfont@ 00.\enspace}
+\refindentwd\wdz@
+%
+%      Allow the default title for the references to be varied easily;
+%      users will still be instructed to change it using \nofrills.
+\def\Refsname{References}
+\outer\def\Refs{\add@missing\endroster \add@missing\endproclaim
+ \let\savedef@\Refs \let\Refs\relax % because of \outer-ness
+ \def\Refs##1{\restoredef@\Refs
+%      For a monograph where the title of the References section is
+%      done using \title, we want to omit the normal "References"
+%      heading and the vertical skips above and below.  This can be
+%      accomplished using \Refs\nofrills{}.  As long as the vskip at
+%      the end of \endtopmatter is not less than \aboveheadskip and
+%      \belowheadskip, this will be accomplished by the fact that
+%      \penaltyandskip@ doesn't add to a previous larger vskip, and
+%      the ragged center part will simply vanish if #1 is empty.
+   \if\notempty{##1}\penaltyandskip@{-200}\aboveheadskip
+     \begingroup \raggedcenter@\refsheadfont@
+       \ignorespaces##1\endgraf\endgroup
+     \penaltyandskip@\@M\belowheadskip
+   \fi
+   \begingroup\def\envir@end{\endRefs}\refsfont@\sfcode`\.\@m
+   }%
+%      This line here is a little tricky. If a \nofrills is found when
+%      we look ahead, then \frills@ will become equal to \eat@ and it
+%      will eat "References" before \Refs is allowed to read its
+%      argument.  Also we have to use a \csname trick to get around
+%      the outerness of \Refs.  MJD
+ \nofrillscheck{\csname Refs\expandafter\endcsname
+  \frills@{{\Refsname}}}}
+%
+\def\endRefs{\par % This will check for a missing \endref, also
+  \endgroup}
+%
+%      These two conditionals are used for handling the logic of
+%      typesetting book versus journal article versus proceedings
+%      article references.
+\newif\ifbook@ \newif\ifprocpaper@
+%
+%      The \else clause here is to handle the case when \nofrills is
+%      used outside of the References section in an unexpected place
+%      (i.e., not immediately after \proclaim, \definition, \head, or
+%      the other things that have a \nofrills option).
+%
+\def\nofrills{%
+%      Are we inside a \ref...\endref pair?  If so, OK to continue.
+  \expandafter\ifx\envir@end\endref
+    \let\do\relax
+    \xdef\nofrills@list{\nofrills@list\do\curbox}%
+  \else\errmessage{\Invalid@@ \string\nofrills}%
+  \fi}%
+%
+\def\defaultreftexts{\gdef\edtext{ed.}\gdef\pagestext{pp.}%
+  \gdef\voltext{vol.}\gdef\issuetext{no.}}
+\defaultreftexts
+%
+\def\ref{\par
+  \begingroup \def\envir@end{\endref}%
+%      Start the reference.
+  \noindent\hangindent\refindentwd
+%      Change \par so that it will supply a (presumably) missing
+%      \endref, with an error message.
+  \def\par{\add@missing\endref}%
+%      Footnotes get lost in references on account of the extensive
+%      boxing; change \footnote to emit a warning message.
+  \let\orig@footnote\footnote
+  \def\footnote{\message{AmS-TeX warning: \string\footnote\space within
+       a reference will disappear;^^J
+       use \string\footnotemark\space \string\footnotetext\space instead}%
+    \orig@footnote}%
+%      \nofrills@list should always be assigned globally, to conserve
+%      save stack.
+  \global\let\nofrills@list\empty@
+%
+%      Change \linebreak and \mathbreak to work properly in the
+%      special ref environment.
+  \refbreaks
+  \procpaper@false \book@false \moreref@false
+%      Start an initial box, to match up properly with the first
+%      upcoming \makerefbox; this will be discarded.
+  \def\curbox{\z@}\setbox\z@\vbox\bgroup
+}
+%
+%      \keyhook@ is used for switching  the style of reference labels
+%      automatically behind the scenes. This is for phasing in,
+%      without loss of backward compatibility, a \refstyle command to
+%      implement the various reference styles currently used in AMS
+%      production.  [19-MAR-1991] See the definition of \refstyle.
+%
+\let\keyhook@\empty@
+%
+\def\endref{%
+%      To wind up the preceding box it is convenient to call
+%      \makerefbox again; it will also open a new box, however, so we
+%      give it arguments \thr@@ and \endgraf\egroup that will cause
+%      the new box to be closed immediately and discarded. But we must
+%      first make sure box 3 is void or we'll trigger an error
+%      message.  This is done by dumping the current contents of
+%      (global register) box 3 into (local register) box 2; the \box
+%      command always makes its argument globally void.  (Because box
+%      0 is used heavily in \makerefbox, it's easier to just use box 2
+%      here, rather than try to verify that using box 0 would be safe
+%      in all cases.)
+  \setbox\tw@\box\thr@@
+  \makerefbox?\thr@@{\endgraf\egroup}%
+%      Then we call \endref@ to take all the saved material and
+%      combine it into a paragraph, adding punctuation to separate
+%      pieces.
+  \endref@
+%      The \endgraf is done here rather than in \endref@ because in
+%      \moreref or \transl cases \endref@ shouldn't do the \endgraf.
+  \endgraf
+%      Finally, we need to close the group that was started by \ref.
+%      This has the effect of killing the current definition of
+%      \envir@end, among other things.
+  \endgroup
+  \keyhook@
+  \global\let\keyhook@\empty@ % \global to conserve save stack
+}
+%
+\def\key{\gdef\key{\makerefbox\key\keybox@\empty@}\key} \newbox\keybox@
+%    \no is deprecated in favor of \key; it remains here only for the
+%    purpose of compatibility with existing files.
+\def\no{\gdef\no{\makerefbox\no\keybox@\empty@}%
+  \gdef\keyhook@{\refstyle C}\no}
+\def\by{\makerefbox\by\bybox@\empty@} \newbox\bybox@
+\let\manyby\by % for backward compatibility
+\def\bysame{\by\hbox to3em{\hrulefill}\thinspace\kern\z@}
+\def\paper{\makerefbox\paper\paperbox@\it} \newbox\paperbox@
+\def\paperinfo{\makerefbox\paperinfo\paperinfobox@\empty@}%
+  \newbox\paperinfobox@
+\def\jour{\makerefbox\jour\jourbox@
+  {\aftergroup\book@false \aftergroup\procpaper@false}} \newbox\jourbox@
+\def\issue{\makerefbox\issue\issuebox@\empty@} \newbox\issuebox@
+\def\yr{\makerefbox\yr\yrbox@\empty@} \newbox\yrbox@
+\def\pages{\makerefbox\pages\pagesbox@\empty@} \newbox\pagesbox@
+\def\page{\gdef\pagestext{p.}\makerefbox\page\pagesbox@\empty@}
+\def\ed{\makerefbox\ed\edbox@\empty@} \newbox\edbox@
+\def\eds{\gdef\edtext{eds.}\makerefbox\eds\edbox@\empty@}
+%      The \aftergroup\book@true here sets the \ifbook@ switch so that
+%      later (in \endref@) we will know whether we are typesetting a
+%      book, a journal article, or a proceedings article. Could use
+%      \global instead of \aftergroup but avoiding \global is usually
+%      safer when possible.
+\def\book{\makerefbox\book\bookbox@
+  {\it\aftergroup\book@true \aftergroup\procpaper@false}}
+  \newbox\bookbox@
+\def\bookinfo{\makerefbox\bookinfo\bookinfobox@\empty@}%
+  \newbox\bookinfobox@
+\def\publ{\makerefbox\publ\publbox@\empty@} \newbox\publbox@
+\def\publaddr{\makerefbox\publaddr\publaddrbox@\empty@}%
+  \newbox\publaddrbox@
+%      See the above comment for \book about the \aftergroup
+\def\inbook{\makerefbox\inbook\bookbox@
+  {\aftergroup\procpaper@true \aftergroup\book@false}}
+\def\procinfo{\makerefbox\procinfo\procinfobox@\empty@}%
+  \newbox\procinfobox@
+\def\finalinfo{\makerefbox\finalinfo\finalinfobox@\empty@}%
+  \newbox\finalinfobox@
+\def\miscnote{\makerefbox\miscnote\miscnotebox@\empty@}%
+  \newbox\miscnotebox@
+\def\toappear{\miscnote to appear}
+\def\lang{\makerefbox\lang\langbox@\empty@} \newbox\langbox@
+\newbox\morerefbox@
+%
+%      \vol is special because in AMS style it takes a different font
+%      depending on whether it's a journal volume or a book volume.
+%
+\def\vol{\makerefbox\vol\volbox@{\ifbook@ \else
+  \ifprocpaper@\else\bf\fi\fi}}
+\newbox\volbox@
+%
+%    \MR has to take its argument in braces in order to pick out the
+%    volume number and make it bold. For consistency we do the same for
+%    AMSPPS. [mjd,17-Aug-1995]
+%    Provide an MR number for a bibliography item.
+\define\MR#1{\makerefbox\MR\MRbox@\empty@
+  \def\next@##1:##2:##3\next@{\ifx @##2\empty@##1\else{\bf##1:}##2\fi}%
+  MR \next@#1:@:\next@}
+%
+\newbox\MRbox@
+%
+%    User-comand for citing a preprint on the AMS preprint server.
+%    \MR and \AMSPPS are mutually exclusive (at least in normal use), so
+%    we can use \MRbox@ here instead of allocating another box.
+%
+%    Without the discretionary hyphen, AMSPPS would break as AM-SPPS.
+%
+\define\AMSPPS#1{\makerefbox\AMSPPS\MRbox@\empty@ AMS\-PPS \##1}
+%
+%    Assume for the moment that \CMP and \MR commands won't occur in
+%    the same ref. Too much heavy-duty programming required otherwise.
+%    [mjd,1995/09/28]
+\define\CMP#1{\makerefbox\CMP\MRbox@\empty@ CMP #1}
+%
+\newbox\holdoverbox
+%
+%      \makerefbox takes three arguments: the first is the name of
+%      the calling macro, for use in error messages; argument 2
+%      is the box used for storing data (note: some boxes are shared
+%      by more than one calling macro); argument 3 is additional
+%      material (optional---may be empty) that may be used to
+%      affect the contents of the box.
+%
+\def\makerefbox#1#2#3{\endgraf
+%      Set box 0 to the just-completed line of text.
+  \setbox\z@\lastbox
+%      Although \holdoverbox will usually be void it still doesn't
+%      hurt to \unhbox it here in every case, which simplifies the
+%      programming.
+  \global\setbox\@ne\hbox{\unhbox\holdoverbox
+%      \ifvoid test is necessary here to prevent a \linebreak at the
+%      end of a field from being removed by the \unpenalty.
+    \ifvoid\z@\else\unhbox\z@\unskip\unskip\unpenalty\fi}%
+  \egroup
+%      If box 1 is empty (width <= 0pt) then set the current box to
+%      void (it might still have a baselineskip glue or something in
+%      it at this point, for one thing).  Otherwise set it to box 1.
+  \setbox\curbox\box\ifdim\wd\@ne>\z@ \@ne \else\voidb@x\fi
+%    That finishes the previous box.  Now let's start a new one
+%    using the box given as arg 1 of \makerefbox. But first check
+%    to see if it's void and if not give an error message.
+  \ifvoid#2\else\Err@{Redundant \string#1; duplicate use, or
+     mutually exclusive information already given}\fi
+  \def\curbox{#2}\setbox\curbox\vbox\bgroup \hsize\maxdimen \noindent
+  #3}
+%
+\def\refbreaks{%
+  \def\refconcat##1{\setbox\z@\lastbox \setbox\holdoverbox\hbox{%
+       \unhbox\holdoverbox \unhbox\z@\unskip\unskip\unpenalty##1}}%
+  \def\holdover##1{%
+    \RIfM@
+%    Break the current line, adding \null to ensure proper spacing for
+%    a preceding mathrel or mathbin. The blank line containing the
+%    \null will be discarded by later processing.
+      \penalty-\@M\null
+%      Put a temporary ending of the current math formula on the next
+%      line, by itself.
+      \hfil$\clubpenalty\z@\widowpenalty\z@\interlinepenalty\z@
+      \offinterlineskip\endgraf
+%      Now remove that unwanted extra line and the preceding \lineskip
+%      (of 0pt) and any  penalty.  There shouldn't be any penalty,
+%      actually, because the relevant penalties were set to 0 above;
+%      but the \unpenalty is harmless and perhaps there is an
+%      overlooked eventuality that it will catch.
+      \setbox\z@\lastbox\unskip \unpenalty
+      \refconcat{##1}%
+      \noindent
+%      Since we did a temporary end of the current math formula there
+%      remains some more math coming up; therefore we need to shift
+%      into math mode again.  By breaking immediately after the
+%      beginning of the math formula we leave the unwanted extra
+%      \mathon item in a line by itself; this will be ignored because
+%      in the unpacking process we will only take the last line out of
+%      the current \vbox.
+      $\hfil\penalty-\@M
+%      No \null here because we don't need to do anything extra to
+%      affect the math spacing of the following item. (Line breaks
+%      in math formulas always occur after a \mathbin or \mathrel,
+%      not before, according to AMS style.)
+    \else
+      \endgraf\refconcat{##1}\noindent
+    \fi}%
+  \def\break{\holdover{\penalty-\@M}}%
+  \let\vadjust@\vadjust
+  \def\vadjust##1{\holdover{\vadjust@{##1}}}%
+%      It seems unlikely that \newpage will be needed inside of a
+%      \ref...\endref construction (more likely it will occur between
+%      references, if at all).  So we provide only a very simple
+%      alternate version using \vadjust.
+  \def\newpage{\vadjust{\vfill\break}}%
+}
+%
+\def\refstyle#1{\uppercase{%
+  \gdef\refstyle@{#1}%
+  \if#1A\relax \def\keyformat##1{[##1]\enspace\hfil}%
+  \else\if#1B\relax
+    \refindentwd\parindent
+    \def\keyformat##1{\aftergroup\kern
+              \aftergroup-\aftergroup\refindentwd}%
+  \else\if#1C\relax
+    \def\keyformat##1{\hfil##1.\enspace}%
+  \fi\fi\fi}% end of \uppercase
+}
+%
+%      Make letters the default for ref labels. This is chosen over
+%      refstyle C with a view to eventually phasing out \no in favor
+%      of always using \key, with the formatting being determined by
+%      the refstyle setting.
+\refstyle{A}
+%
+%      You might think that \refbreak@ shouldn't be necessary here (it
+%      executes a line break if the user specified \linebreak in the
+%      last field of the reference), but: sometimes there will be a
+%      language after the final period, and conceivably someone might
+%      need to break the line after the period and before the
+%      language.
+\def\finalpunct{\ifnum\lastkern=\m@ne\unkern\else.\spacefactor2000 \fi
+       \refquotes@\refbreak@}%
+\def\continuepunct#1#2#3#4{}%
+%
+%      \endref@ is shared by \endref, \moreref, and \transl, therefore
+%      some of the code needs to be circumspect.
+\def\endref@{%
+%      Change the format of the reference label, if necessary:
+  \keyhook@
+%      This variant definition of \nofrillscheck is embedded in
+%      \endref@ despite the slight cost in extra execution time, in
+%      order to allow, e.g., subheadings within a bibliography section
+%      to have normal \nofrills action.
+  \def\nofrillscheck##1{%
+    \def\do####1{\ifx##1####1\let\frills@\eat@\fi}%
+    \let\frills@\identity@ \nofrills@list}%
+%      If no author name was given, but editor name was given, then
+%      transfer it to the author name box so that it will print at the
+%      beginning of the reference.  This  would normally happen only
+%      in the case of a proceedings volume or other such collection,
+%      cited as a whole.
+  \ifvoid\bybox@
+    \ifvoid\edbox@
+    \else\setbox\bybox@\hbox{\unhbox\edbox@\breakcheck
+      \nofrillscheck\edbox@\frills@{\space(\edtext)}\refbreak@}\fi
+  \fi
+%      \noindent \hangindent\refindentwd was done earlier by \ref, so
+%      at this point we just need to put the reference label on the
+%      page.
+%
+%      Using this \ifvoid test is partly to prevent accessing \keybox@
+%      in the \moreref and \transl cases:
+  \ifvoid\keybox@\else\hbox to\refindentwd{%
+       \keyformat{\unhbox\keybox@}}\fi
+  \ifmoreref@
+%      Even though this reads ``\commaunbox@,'' a semicolon will be
+%      substituted for the comma by the action of \punct@ if
+%      \morerefbox@ is in fact not void.  (And note that both \transl
+%      and \moreref share \morerefbox@.)
+    \commaunbox@\morerefbox@
+  \else
+%      Put in some special kerns to flag the beginning of a reference,
+%      to avoid adding unwanted punctuation and space if \by is omitted.
+    \kern-\tw@ sp\kern\m@ne sp
+  \fi
+  \ppunbox@\empty@\empty@\bybox@\empty@
+  \ifbook@ % Case 1: \book etc.
+    \commaunbox@\bookbox@ \commaunbox@\bookinfobox@
+    \ppunbox@\empty@{ (}\procinfobox@)%
+    \ppunbox@,{ vol.~}\volbox@\empty@
+    \ppunbox@\empty@{ (}\edbox@{, \edtext)}%
+    \commaunbox@\publbox@ \commaunbox@\publaddrbox@
+    \commaunbox@\yrbox@
+    \ppunbox@,{ \pagestext~}\pagesbox@\empty@
+  \else
+    \commaunbox@\paperbox@ \commaunbox@\paperinfobox@
+    \ifprocpaper@ % Case 2: \paper ... \inbook
+      \commaunbox@\bookbox@
+      \ppunbox@\empty@{ (}\procinfobox@)%
+      \ppunbox@\empty@{ (}\edbox@{, \edtext)}%
+      \commaunbox@\bookinfobox@
+      \ppunbox@,{ \voltext~}\volbox@\empty@
+      \commaunbox@\publbox@ \commaunbox@\publaddrbox@
+      \commaunbox@\yrbox@
+      \ppunbox@,{ \pagestext~}\pagesbox@\empty@
+    \else % Case 3: \paper ... \jour
+      \commaunbox@\jourbox@
+      \ppunbox@\empty@{ }\volbox@\empty@
+      \ppunbox@\empty@{ (}\yrbox@)%
+      \ppunbox@,{ \issuetext~}\issuebox@\empty@
+%      Although \publ and \publaddr will rarely be used with a journal
+%      article, it doesn't really hurt to print them if provided, and
+%      certain rare cases may benefit.  E.g.:
+%
+%      \paper \"Uber maximale Monotonie von Operatoren des Typs
+%      $L^\ast \Phi\circ L$ \paperinfo Report 78-24 \publ Math. Inst.,
+%      Univ. K\"oln \yr 1978 \moreref\jour  published as Manuscripta
+%      Math. \vol28 \yr1979\pages 305--316
+%
+      \commaunbox@\publbox@ \commaunbox@\publaddrbox@
+      \commaunbox@\pagesbox@
+    \fi
+  \fi
+  \commaunbox@\finalinfobox@
+  \ppunbox@\empty@{ (}\miscnotebox@)%
+%      The final punctuation (usually a period) here is not part of a
+%      \ppunbox@ clause because it is always inserted even if
+%      \langbox@ and \MRbox@ are void.
+  \finalpunct
+%    Tweak the spacefactor after langbox to suppress the comma that
+%    would otherwise be added between lang and MR.
+  \ppunbox@\empty@{ (}\langbox@{)\spacefactor1001 }%
+%    Print an MR or AMSPPS number
+  \ifnum\spacefactor>\@m \ppunbox@{}{ }\MRbox@\empty@
+  \else \commaunbox@\MRbox@
+  \fi
+%      Restore defaults "ed.", "pp.", etc. in case they were changed.
+  \defaultreftexts
+}
+%
+%      \punct@ is the same as \identity@, but we define it rather than
+%      using \let, just in case the contents of amsppt.sty ever get
+%      shuffled around in such a way that \identity@ is later in the
+%      file.
+\def\punct@#1{#1}
+%      \ppunbox@ takes 4 arguments.  #1 is punctuation that should
+%      precede ending quotes and/or a line breaking penalty, from the
+%      previous item.  #2 is material (usually a word space) that
+%      should come after ending quotes or a penalty.  #3 is the box
+%      containing the next part of the current reference.  #4 is other
+%      material to follow box #3 (e.g., a closing parenthesis, in some
+%      cases).
+%
+\def\ppunbox@#1#2#3#4{\ifvoid#3\else
+  \let\prespace@\relax
+%      If nofrills was specified for the previous item, then it will
+%      have been ended with a kern of -1sp.  If we find such a kern,
+%      we remove it and omit the normal punctuation (arg #1).
+  \ifnum\lastkern=\m@ne \unkern\let\punct@\eat@
+%      A kern of -2sp here means we are at the very beginning of the
+%      reference, after the key or number. In that case we need to
+%      omit not only the punctuation, but also any following space.
+    \ifnum\lastkern=-\tw@ \unkern\let\prespace@\ignorespaces \fi
+  \fi
+  \nofrillscheck#3%
+  \punct@{#1}\refquotes@\refbreak@
+%      Restore normal definition of \punct@:
+  \let\punct@\identity@
+  \prespace@
+%      If \nofrills is not in effect, the \space will be eaten;
+%      otherwise it will be substituted for the normal pre-item
+%      frills.
+  \frills@{#2\eat@}\space
+%      \refquotes@ and \refbreak@ will be emptied by \breakcheck
+%      (unless of course there is a new line breaking penalty present
+%      for next time around).
+  \unhbox#3\breakcheck
+  \frills@{#4\eat@}{\kern\m@ne sp}\fi}
+%
+\def\commaunbox@#1{\ppunbox@,\space{#1}\empty@}
+%
+%      By putting the \ifnum here inside the \edef we get automatic
+%      initialization of \refbreak@ for the next time around, instead
+%      of needing an extra \let\refbreak@\empty@ step after \refbreak@
+%      is used.
+\def\breakcheck{\edef\refbreak@{\ifnum\lastpenalty=\z@\else
+  \penalty\the\lastpenalty\relax\fi}\unpenalty}
+%
+%      For quotes, the complication is that the ending quotes must
+%      fall after a comma or other such punctuation that might come
+%      next (we don't know yet what punctuation will be used, if any).
+%      And in addition we have the usual possibility of a line break
+%      to worry about at the same time.  Therefore the special control
+%      sequence \endquotes is provided, to be used like this, if let's
+%      say you want book titles to appear in quotes:
+%
+%      \ppunbox@,{ ``}\bookbox@\endquotes
+%      \commaunbox@\bookinfobox@
+%
+%      \endquotes defines the control sequence \refquotes@ to add the
+%      ending quotes later, after we find out whether a comma, period,
+%      or no punctuation at all will be added (not to mention maybe a
+%      line breaking penalty that would need to be shuffled around).
+%
+\def\endquotes{\def\refquotes@{''\let\refquotes@\empty@}}
+\let\refquotes@\empty@
+\let\refbreak@\empty@
+%
+%    We need a switch to handle certain complications with the moreref
+%    case.
+%
+\newif\ifmoreref@
+%
+%    \moreref ends the previous setbox operation, does \endref@ to
+%    typeset any information gathered so far, and then prepares to
+%    start the equivalent of a new \ref.
+%
+\def\moreref{%
+%    To wind up the preceding box it is convenient to call
+%    \makerefbox again; it will also open a new box, however, so we
+%    give it arguments \thr@@ and \endgraf\egroup that will cause the
+%    new box to be closed immediately and discarded. But we must first
+%    make sure box 3 is void or we'll trigger an error message.  This
+%    is done by dumping the current contents of (global register) box
+%    3 into (local register) box 2; the \box command always makes its
+%    argument globally void.  (Because box 0 is used heavily in
+%    \makerefbox, it's easier to just use box 2 here, rather than try
+%    to verify that using box 0 would be safe in all cases.)
+  \setbox\tw@\box\thr@@
+  \makerefbox?\thr@@{\endgraf\egroup}%
+%    This saved definition will be lost if something else in \endref@
+%    uses \savedef@.  Currently (14-MAR-1991) that is not the case,
+%    however, so doing it this way allows us to save a bit of memory.
+  \let\savedef@\finalpunct  \let\finalpunct\empty@
+  \endref@
+%    The next time \punct@ is called by \ppunbox, it will change
+%    ",\refquotes@" into "\refquotes@;" or similarly for
+%    \empty@\refquotes@.  Then \punct@ will be restored to its original
+%    definition.  Note that this definition does not need to be
+%    global; it is local inside the \begingroup ...\endgroup of the
+%    current \ref.
+  \def\punct@##1##2{##2;}%
+  \global\let\nofrills@list\empty@ % global, to conserve save stack
+%      Now restore the normal definition of \finalpunct :
+  \let\finalpunct\savedef@
+  \moreref@true
+%    Set any initial text between \moreref and the following
+%    control sequence in \morerefbox@. This is typically used with
+%    \transl to add a note such as "English transl."
+  \def\curbox{\morerefbox@}%
+  \setbox\morerefbox@\vbox\bgroup \hsize\maxdimen \noindent
+}
+%    And \transl, for setting translation information,
+%    doesn't need to be any different than \moreref:
+%
+\def\transl{\moreref}
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -14- END OF DOCUMENT
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{end of document,}
+%
+%    Make sure that the primitive \end can be executed; \end may be redefined
+%    for some purposes where input errors are likely to occur.
+\ifx\plainend\undefined \let\plainend\end \fi
+\outer\def\enddocument{\par% \par will do a runaway check for \endref
+  \add@missing\endRefs
+  \check@missing@document
+%      Repeat these in case an article (or book chapter!) doesn't have
+%      a references section:
+  \add@missing\endroster \add@missing\endproclaim
+  \add@missing\enddefinition
+  \add@missing\enddemo \add@missing\endremark \add@missing\endexample
+  \enddocument@text
+  \vfill\supereject\plainend}
+
+%      One non-ending element that can be missing is \document.
+\def\check@missing@document{%
+  \ifdocument@
+  \else
+    \Err@{You seem to have a missing or misspelled \string\document}%
+  \fi}
+
+\def\enddocument@text{%
+%      In a monograph we expect the translator name and author
+%      addresses to be handled in the front matter rather than at the
+%      end of the individual chapters:
+  \ifmonograph@ % do nothing
+  \else
+%      No break between the References and the final matter.
+    \nobreak
+%      The \address's get printed at the end of the paper.  Also the
+%      translator name, if any.  We don't need to do an
+%      \ifx\thetranslator@\empty@, as we did with \thesubjclass@ and
+%      other items in \endtopmatter, because we're not constructing a
+%      footnote, just slapping the material on the page.
+    \thetranslator@
+%      Print all the \address's, including e-mail and url addresses if
+%      present. If any of the \email's are undefined the \csname will
+%      just evaluate to \relax.
+    \count@\z@
+    \loop\ifnum\count@<\addresscount@\advance\count@\@ne
+      \csname address\number\count@\endcsname
+      \csname email\number\count@\endcsname
+      \csname urladdr\number\count@\endcsname
+    \repeat
+  \fi
+}
+
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -15- OUTPUT ROUTINE
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{output routine,}
+%      We provide a \foliofont@ separate from \headlinefont@ because
+%      it is not uncommon for documentstyles to have the folios in a
+%      different font, although in our basic style this is not the
+%      case.  \foliofont@ is \eightrm instead of \eightpoint merely
+%      for efficiency; we don't expect to need for example math family
+%      assignments in order to typeset the folio.  On the other hand
+%      we need full math capability for \headlinefont@ since running
+%      heads may contain math (from a title or a section head).  From
+%      a design standpoint it might be preferable to have seven-point
+%      running heads (compare a small caps \head that falls at the top
+%      of a page with the running head above it) but it is more
+%      convenient to use the already available \eightpoint macro, and
+%      this saves a bit of overhead.
+%
+\def\folio{\ifnum\pageno<\z@ \romannumeral-\pageno\else\number\pageno \fi}
+\def\foliofont@{\eightrm}
+\def\headlinefont@{\eightpoint}
+%
+%      \leftheadline and \rightheadline use the method described in
+%      the TeXbook, p. 260 for selecting different pieces of the
+%      topmark or botmark.  The necessary \else is inserted by
+%      \leftheadtext and \rightheadtext.  \foliofont@ is applied
+%      within the headline (it was formerly included in \folio).
+%      Thus \folio comprises only the page number, making it suitable
+%      for compiling index terms for use with the non-AMS package
+%      index.tex; there is no intention to add an indexing facility
+%      to AMS-TeX.
+%
+\def\leftheadline{\rlap{\foliofont@\folio}\hfill \iftrue\topmark\fi \hfill}
+\def\rightheadline{\hfill \expandafter\iffalse\botmark\fi
+  \hfill \llap{\foliofont@\folio}}
+%
+\newtoks\leftheadtoks
+\newtoks\rightheadtoks
+%
+%      \leftheadtext and \rightheadtext have a \nofrills option to
+%      turn off uppercasing.  They also set their argument in a box,
+%      during a syntax check, because otherwise syntax errors in the
+%      argument would not be caught (because the output routine, and
+%      hence \headline, is never called during a syntax check).
+%
+\def\leftheadtext{\let\savedef@\leftheadtext
+  \def\leftheadtext##1{\let\leftheadtext\savedef@
+    \leftheadtoks\expandafter{\frills@\uppercasetext@{##1}}%
+    \mark{\the\leftheadtoks\noexpand\else\the\rightheadtoks}
+    \ifsyntax@\setboxz@h{\def\\{\unskip\space\ignorespaces}%
+        \headlinefont@##1}\fi}%
+  \nofrillscheck\leftheadtext}
+%
+\def\rightheadtext{\let\savedef@\rightheadtext
+  \def\rightheadtext##1{\let\rightheadtext\savedef@
+    \rightheadtoks\expandafter{\frills@\uppercasetext@{##1}}%
+    \mark{\the\leftheadtoks\noexpand\else\the\rightheadtoks}%
+    \ifsyntax@\setboxz@h{\def\\{\unskip\space\ignorespaces}%
+        \headlinefont@##1}\fi}%
+  \nofrillscheck\rightheadtext}
+%
+%      In the running heads, we redefine \chapter so that it only does
+%      a roman numeral (via \chapterno@) rather than "CHAPTER " +
+%      roman numeral. In the \nofrills case, however, e.g. for
+%      something like "Appendix A", the given text is printed without
+%      modification.  And we redefine \\ because if the running head
+%      is taken from a title or section head it might possibly contain
+%      a \\ from the line-breaking done in the original text.
+%
+\headline={\def\\{\unskip\space\ignorespaces}\headlinefont@
+  \def\chapter{%
+    \def\chapter##1{%
+      \frills@{\afterassignment\chapterno@ \chaptercount@=}##1.\space}%
+    \nofrillscheck\chapter}%
+  \ifodd\pageno \rightheadline \else \leftheadline\fi}
+%
+%      Capitalization is used to indicate global scope of
+%      \NoRunningHeads and \NoPageNumbers, as is done by amstex.tex
+%      for \TagsOnLeft, etc.
+%
+\def\NoRunningHeads{\global\runheads@false\global\let\headmark\eat@}
+\def\NoPageNumbers{\gdef\folio{}}
+%
+%      Finally, we are ready for the \output routine. It is based on
+%      the \plainoutput routine, but the first page normally has the
+%      `Typeset by AmS-TeX' logo attached, and we add a switch for
+%      running heads.  The default for running heads is "true".
+%
+\newif\iffirstpage@     \firstpage@true
+\newif\ifrunheads@      \runheads@true
+%
+\output={\output@}
+%
+\newdimen\headlineheight \newdimen\headlinespace
+\newdimen\dropfoliodepth
+
+%    Distance of drop folio below the type block
+\dropfoliodepth=1pc
+%    Actual height of normal running head text
+\headlineheight=5pt
+%    Base-to-base distance from running head to first text line
+\headlinespace=24pt
+
+%    Changing the page width with \pagewidth automatically adjusts the
+%    caption width as well. \pagewidth is in AMSTEX.TEX but it sets the
+%    caption width to a different value than the one we want.
+\def\pagewidth#1{\hsize#1%
+   \captionwidth@\hsize \advance\captionwidth@-2\indenti}
+%
+%    Constraints on type block:
+%    ---Total width x height (default) = 30pc x 50.5pc
+%    ---Distance from running-head to first text line (base-to-base) is
+%    24pt.
+%    ---Actual height of running head is approx. 5pt (height of cap
+%    letters in seven-point font).
+%    ---Drop folio on first page drops 1pc below the type block (i.e.,
+%    below the 50.5pc measurement given above).
+
+\def\pageheight#1{%
+  \vsize=#1 % target height
+  \advance\vsize -\headlineheight % subtract height of running head
+  \advance\vsize -\headlinespace % subtract space below running head
+  \advance\vsize \topskip % but the 24pt is base-to-base, so we need to
+                          % compensate for topskip
+}
+
+\pagewidth{30pc}\pageheight{50.5pc}
+
+%    Copyright info at the bottom of article opening pages is done as
+%    an insert separate from \footins because that is the natural way
+%    to achieve the placement we want (below all footnotes, but inside
+%    the text block).
+\newinsert\copyins
+%    Space to allow for, between copyright info and preceding text:
+%    *** Different from AMS-LaTeX value, which is 1.5pc fixed
+%    *** (\bigskipamount=12pt plus 4pt minus 4pt; plain.tex)
+\skip\copyins=12\p@
+%    Maximum height of copyright info: Doesn't really matter, since height
+%    will always be controlled explicitly, but let's make sure this
+%    value referred to by TeX is less than page height anyway.
+\dimen\copyins=40pc
+%    Magnification factor (1000 = 1.000)
+\count\copyins=1000
+%
+%    \inslogo@ is called in \endtopmatter (unlike the method of
+%    amsppt.sty 2.1)
+\def\inslogo@{\insert\copyins{\logo@}}
+%
+\def\logo@{\rightline{\eightpoint Typeset by \AmSTeX}}
+%    \nologo to turn off the `Typeset by AmS-TeX' note.
+\def\nologo{\let\logo@\empty@ \let\inslogo@\empty@}
+%
+%    First-page left or right headline:
+\let\flheadline\hfil \let\frheadline\hfil
+%
+%    Permit pages (e.g. book frontmatter) to be without headers or footers.
+\newif\ifplain@  \plain@false
+%
+\def\output@{%
+%    Cancel possible junk from \ref if page break occurs between
+%    \ref...\endref [mjd,17-Aug-1995]
+  \def\break{\penalty-\@M}\let\par\endgraf
+  \shipout\vbox{%
+    \ifplain@
+      \let\makeheadline\relax \let\makefootline\relax
+    \else
+      \iffirstpage@ \global\firstpage@false
+        \let\rightheadline\frheadline
+        \let\leftheadline\flheadline
+      \else
+        \ifrunheads@ \let\makefootline\relax
+        \else \let\makeheadline\relax \fi
+      \fi
+    \fi
+    \makeheadline \pagebody \makefootline
+  }%
+  \advancepageno \ifnum\outputpenalty>-\@MM\else\dosupereject\fi
+}
+%
+%    Redefine \pagecontents to add \copyins material
+%    *** \skip\footins=\bigskipamount (12pt plus 4pt minus 4pt; plain.tex)
+%    *** In AMS-LaTeX, value = 7pt plus11pt
+\def\pagecontents{%
+  \ifvoid\topins\else\unvbox\topins\fi
+  \dimen@=\dp\@cclv \unvbox\@cclv % open up \box255
+  \ifvoid\footins
+  \else % footnote info is present
+    \vskip\skip\footins
+    \footnoterule
+    \unvbox\footins
+  \fi
+  \ifr@ggedbottom \kern-\dimen@ \vfil \fi
+%    \skip\copyins is visual space between top of copyright info and
+%    bottom of preceding text.
+  \ifvoid\copyins \else \vskip\skip\copyins \unvbox\copyins \fi
+}
+%
+%    \makeheadline is called at the top of a vbox with the page body to
+%    follow.  Restore default \leftskip to avoid indentation when the
+%    page builder activates in the middle of a roster
+\def\makeheadline{%
+  \leftskip=\z@
+  \vbox{%
+%    We smash the running head inside a vbox of the target height, to
+%    ensure that the base of the running head always falls at the same
+%    height in relation to the type block.
+    \vbox to\headlineheight{\vss
+%    If \headline is empty, the \hskip here prevents an `Underfull hbox'
+%    message. If \headline contains an \hfil or \hfill, the \hskip here
+%    will be ignored.
+      \hbox to\hsize{\hskip\z@ plus\hsize\the\headline}%
+      \kern-\prevdepth
+    }%
+    \vskip\headlinespace
+    \vskip-\topskip
+  }%
+  \nointerlineskip
+}
+%
+%    Assumption: called in vmode after the box containing the page body;
+%    thus the depth of the preceding box = depth of last line in the
+%    main text (except in the raggedbottom case).
+\def\makefootline{%
+  \relax\ifdim\prevdepth>\z@ \ifdim\prevdepth>\maxdepth \else
+    \vskip-\prevdepth \fi\fi
+  \nointerlineskip
+  \vbox to\z@{\hbox{}%
+    \baselineskip\dropfoliodepth
+    \hbox to\hsize{\hskip\z@ plus\hsize\the\footline}%
+    \vss}}
+
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -16- HYPHENATION EXCEPTIONS
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\message{hyphenation exceptions (U.S. English)}
+%      Add some common hyphenation exceptions, from TUGboat files,
+%      20-NOV-1989. For more details see TUGboat vol 10, no 3,
+%      November 1989, pp. 336--341. Many words from the TUGboat list
+%      that seemed less likely to occur in mathematical text have been
+%      omitted because hyphenation exceptions use up memory (most
+%      versions of TeX currently have a limit of 307 on hyphenation
+%      exceptions; each added hyphenation exception uses up something
+%      like 2 extra words of main memory as well).  The list of
+%      hyphenations for proper names could be expanded forever if room
+%      permitted; we restrict ourselves to a rather short, extremely
+%      arbitrary list.
+%
+%      Note: The hyphenation rules of British English differ in some
+%      particulars from the U.S. rules.
+%
+\hyphenation{acad-e-my acad-e-mies af-ter-thought anom-aly anom-alies
+an-ti-deriv-a-tive an-tin-o-my an-tin-o-mies apoth-e-o-ses
+apoth-e-o-sis ap-pen-dix ar-che-typ-al as-sign-a-ble as-sist-ant-ship
+as-ymp-tot-ic asyn-chro-nous at-trib-uted at-trib-ut-able bank-rupt
+bank-rupt-cy bi-dif-fer-en-tial blue-print busier busiest
+cat-a-stroph-ic cat-a-stroph-i-cally con-gress cross-hatched data-base
+de-fin-i-tive de-riv-a-tive dis-trib-ute dri-ver dri-vers eco-nom-ics
+econ-o-mist elit-ist equi-vari-ant ex-quis-ite ex-tra-or-di-nary
+flow-chart for-mi-da-ble forth-right friv-o-lous ge-o-des-ic
+ge-o-det-ic geo-met-ric griev-ance griev-ous griev-ous-ly
+hexa-dec-i-mal ho-lo-no-my ho-mo-thetic ideals idio-syn-crasy
+in-fin-ite-ly in-fin-i-tes-i-mal ir-rev-o-ca-ble key-stroke
+lam-en-ta-ble light-weight mal-a-prop-ism man-u-script mar-gin-al
+meta-bol-ic me-tab-o-lism meta-lan-guage me-trop-o-lis
+met-ro-pol-i-tan mi-nut-est mol-e-cule mono-chrome mono-pole
+mo-nop-oly mono-spline mo-not-o-nous mul-ti-fac-eted mul-ti-plic-able
+non-euclid-ean non-iso-mor-phic non-smooth par-a-digm par-a-bol-ic
+pa-rab-o-loid pa-ram-e-trize para-mount pen-ta-gon phe-nom-e-non
+post-script pre-am-ble pro-ce-dur-al pro-hib-i-tive pro-hib-i-tive-ly
+pseu-do-dif-fer-en-tial pseu-do-fi-nite pseu-do-nym qua-drat-ic
+quad-ra-ture qua-si-smooth qua-si-sta-tion-ary qua-si-tri-an-gu-lar
+quin-tes-sence quin-tes-sen-tial re-arrange-ment rec-tan-gle
+ret-ri-bu-tion retro-fit retro-fit-ted right-eous right-eous-ness
+ro-bot ro-bot-ics sched-ul-ing se-mes-ter semi-def-i-nite
+semi-ho-mo-thet-ic set-up se-vere-ly side-step sov-er-eign spe-cious
+spher-oid spher-oid-al star-tling star-tling-ly sta-tis-tics
+sto-chas-tic straight-est strange-ness strat-a-gem strong-hold
+sum-ma-ble symp-to-matic syn-chro-nous topo-graph-i-cal tra-vers-a-ble
+tra-ver-sal tra-ver-sals treach-ery turn-around un-at-tached
+un-err-ing-ly white-space wide-spread wing-spread wretch-ed
+wretch-ed-ly Brown-ian Eng-lish Euler-ian Feb-ru-ary Gauss-ian
+Grothen-dieck Hamil-ton-ian Her-mit-ian Jan-u-ary Japan-ese Kor-te-weg
+Le-gendre Lip-schitz Lip-schitz-ian Mar-kov-ian Noe-ther-ian
+No-vem-ber Rie-mann-ian Schwarz-schild Sep-tem-ber}
+%
+%    Initializations
+%
+%    A "style initialization" file, amsppt.sti, is loaded in, in order
+%    to use the same version of amsppt.sty for both production and
+%    distribution.
+%
+\input amsppt.sti
+%
+%    Write an empty line on screen to tidy up:
+\W@{}
+%
+%    Now we restore the catcode for @ that was in effect before this
+%    file. Note that we do not use \filename here, even though we did
+%    at the beginning of this file, because in the absence of a proper
+%    filename stack mechanism, we cannot be sure (taking into account
+%    possible future changes in the contents of amsppt.sty) that an
+%    intervening input file did not change \filename to another value.
+%
+\csname amsppt.sty\endcsname
+%
+%      And that's it.
+\endinput
+%
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -17- NOTES
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+ Abbreviations used in this file:
+
+ From plain.tex:
+
+ \p@             1pt, dimen register
+ \z@             0pt, dimen register, can be used also as a number
+ \m@ne           -1, count register
+
+ Chardefs and mathchardefs (these control sequences can be used as
+ numbers):
+
+ \@ne            1
+ \tw@            2
+ \thr@@          3
+ \active         13
+ \sixt@@n        16
+ \@cclv          255
+ \@cclvi         256
+ \@m             1000
+ \@M             10000
+ \@MM            20000
+
+ Scratch registers:
+
+ \countdef\count@=255
+ \dimendef\dimen@=0
+ \dimendef\dimen@i=1  global only
+ \dimendef\dimen@ii=2
+ \skipdef\skip@=0
+ \toksdef\toks@=0
+
+ Other:
+
+ \m@th           sets \mathsurround=0pt
+ \z@skip         0pt plus 0pt minus 0pt, skip register
+ \hideskip       -1000pt plus 1fill, skip register
+ \centering      0pt plus 1000pt minus 1000pt, skip register
+ \voidb@x        permanently void box register
+ \endgraf        same as \par, but will be accepted in arguments where
+                   \par would cause an error.
+
+ \space          a macro whose expansion is a space token
+ \empty@          a defined macro with a null expansion
+ \null           an \hbox with null contents
+
+ From amstex.tex:
+
+ \W@             \immediate\write16
+ \eat@           gobbles next token or group in braces
+ \strip@         gets rid of trailing space from given argument
+ \hashtoks@      token register, containing #
+ \centering@     skip register, 0pt plus 1000pt
+ \rightappend@ ... \to ...       Append to a token list.
+ \space@         a space token (\let equal, not a macro like \space)
+ \relaxnext@     \let\next=\relax
+ \ex@            dimen, related to x-height, roughly equal to 1pt
+ \hexnumber@     convert hex digit from decimal form to hex equivalent
+ \font@          font assignment, like \font but modified to make
+                   syntax check work
+ \macro@@        used for stripping off the first part of the result
+                   of a \meaning command.
+
+ \def\FN@{\futurelet\next}
+ \def\DN@{\def\next@}
+ \def\DNii@{\def\nextii@}
+ \def\RIfM@{\relax\ifmmode}
+ \def\RIfMIfI@{\relax\ifmmode\ifinner}
+ \def\setboxz@h{\setbox\z@\hbox}
+ \def\wdz@{\wd\z@}
+ \def\boxz@{\box\z@}
+ \def\setbox@ne{\setbox\@ne}
+ \def\wd@ne{\wd\@ne}
+
+ More scratch registers:
+
+ \toks@@
+ \count@@
+ \count@@@
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -18- APPENDIX: NOTES ON VERSION 2.1
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+---\curraddr was added, for giving the current address of an author,
+if different from the address given in \address.
+
+---\rom was added, for preventing unwanted italicization of certain
+things such as parentheses or numbers, in theorems and other italic
+passages.  \rom automatically inserts italic corrections.
+
+---The implementation of \nofrills was completely changed, to provide
+better error messages for a missing or misspelled \endkeywords or
+similar end command, when reading a delimited argument. The error
+message is now one of
+
+  ! Forbidden control sequence found while scanning use of \keywords.
+  ! Paragraph ended before \keywords was complete.
+
+Previously the message would have had the same form, but would have
+referred to a mysterious control sequence ``\next@'' instead of
+\keywords.
+
+This change also eliminates a longstanding, very minor bug
+(\usualspace@ didn't work if it was stored in something such as
+\keywords@ for later use, because of its dependence on the
+\ifnofrills@ switch).
+
+---Multiple \thanks commands in the top matter will now produce
+multiple acknowledgment footnotes instead of discarding all but the
+last one. A period is no longer added automatically at the end of a
+\thanks.
+
+---\subjclass was updated to use the date (1991) of the current
+Mathematics Subject Classification scheme.
+
+---\widestnumber\item now works as claimed in the User's Guide.
+
+---The missing \par in \penaltyandskip@ was added.
+
+---Additional checks were added for runaway \proclaim, \definition,
+\ref, \roster, etc.  The internal macro \runaway@ was changed to make
+its usage more consistent and robust; in the process its name was
+changed to \add@missing (and as the name suggests, it now tries to
+recover by adding the  missing \end... command).
+
+---The bibliography macros were substantially modified to correct
+another longstanding bug: line breaks after explicit hyphens,
+mathbins, and mathrels were inhibited. This also involved changing the
+\ref-specific version of \nofrills.  Backward compatibility (with
+version 2.0) is not complete with respect to \nofrills in the
+bibliography macros.  This seems best, however, not only to avoid
+extra implementation difficulties, but also because the user syntax in
+version 2.0 was inferior. \nofrills now should always follow
+immediately after the name of the field to which it applies, e.g.,
+\transl\nofrills, or \paper\nofrills. Note that this is more
+consistent with the usage of \nofrills outside of the references
+section. \nofrills will cause all the "frills" such as the parentheses
+around years in journal article citations, or words like "eds." or
+"vol." that are supplied automatically, to be omitted for the given
+field.  In addition, it will suppress the automatic punctuation at the
+end of the field, if any.
+
+The macro \refdef@ is gone; instead, to define a new reference
+element, you need a definition of the form
+
+  \newbox\jourbox@
+  \def\jour{\makerefbox\jour\jourbox@{\it}}
+
+where \makerefbox is a macro with three arguments: #1 is the name of
+the calling macro (for use in error messages, if need be), #2 is the
+box in which the contents of the \jour field should be stored, and #3
+is formatting information (primarily font changes) to be inserted at
+the beginning of the box. However, as before, punctuation and words
+such as "pp.", "eds.", or "vol." that are to be inserted automatically
+are handled by \endref@.
+
+Therefore, to change such frills, or the ordering of the parts of a
+reference, you need to modify \endref@.  The macros \ppunbox@ and
+\commaunbox@ should normally be used to unpack a box, because they
+automatically take care of complications like \nofrills, closing
+quotes, or line breaks. \ppunbox@ takes four arguments:
+
+       #1: punctuation that should come before a line break or
+           closing quotes of a previous field
+       #2: other material such as "(" or "vol." that should be added
+           at the beginning of the current field
+       #3: the name of the box to be unpacked
+       #4: other material such as ")" that should be added
+           at the end of the current field
+
+For example, the command to unpack the \yr field is:
+
+       \ppunbox@\empty@{ (}\yrbox@)%
+
+Note the use of \empty@ to specify no preceding comma or other
+punctuation.
+
+\commaunbox@ is merely an abbreviation for
+
+       \ppunbox@,\space\xxxbox@\empty@
+
+The switches \ifpaperquotes@ and \ifbookquotes@ are gone.  If quotes
+are to be added around a particular part of a reference, it should be
+done in \endref@ using \ppunbox@ and \endquotes as follows:
+
+       \ppunbox@,{ ``}\xxxbox@\endquotes
+
+\endquotes does not typeset the ending quotes immediately (because we
+don't know yet whether to insert a comma or other punctuation before
+the ending quotes).  Instead, it sets a flag to be used in subsequent
+processing.
+
+---A \refstyle command was added to allow users to specify one of the
+three different reference styles most commonly used in AMS
+publications: letter labels in square brackets; unnumbered; and
+numbered (denoted A, B, and C, respectively). The syntax is
+"\refstyle{A}". Style C, numbered with arabic numerals, is the default
+selected by amsppt.sty. Eventually, phasing in the \refstyle command
+will allow the formatting for cites in the main text to be
+automatically  linked with the corresponding references in the
+bibliography. (Since the bibliography style could also affect the
+style of cites, the \refstyle command should be placed in the preamble
+of a document.) Also, eventually \key could be used for all reference
+labels, and the \no command will be unnecessary, because its current
+use is merely to indicate different formatting for the reference
+number.
+
+---\miscnote was added, and used in the implementation of \toappear,
+so that \toappear and \finalinfo would not be mutually exclusive.
+\miscnote might also be used for things like "preprint" or
+"submitted".  Unlike \finalinfo, \miscnote automatically adds
+parentheses.
+
+---\procinfo was added, to give place and date where the meeting
+took place, for proceedings volumes.
+
+---\eds or \ed information will now be used in place of an author's
+name, if \by is absent.  This would be for collections or proceedings
+volumes that are cited as a whole, instead of citing a single paper
+within the volume.
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -19- APPENDIX: NOTES ON VERSIONS 2.1a, 2.1b, ...
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Users that have amsppt.sty built into their amstex format file will
+need to rebuild their format file if they get a newer version of
+amsppt.sty.
+
+Version 2.1a:
+
+---Added a test so that amsppt.sty will give an error message if it's
+about to be loaded and a different version of amsppt.sty was preloaded
+in the format file.
+
+---Added code to compensate for a bug in version 2.1 that left
+\amsppt.sty = \endinput. Probably not necessary---unless the error
+message described above is changed in the future to just a warning
+message.
+
+---Added \loadmsam and \loadmsbm before the call to \UseAMSsymbols,
+so that amsppt.sty 2.1 will work even with an AMSTeX 2.0 format file.
+
+---Changed the definition of \magnification (from plain.tex) so that
+it won't reset the page dimensions to 6.5 by 9 true inches if
+it is used but will behave in a way that's more appropriate
+for the amsppt page dimensions.
+
+---Switched to using box 0 instead of \keybox@ for measuring a \key
+given with the \widestnumber command. This prevents a misnumbering
+problem that occurred in rare cases (e.g., an unnumbered reference
+following numbered references).
+
+---Changed erroneous \proclaimfont@ to \proclaimheadfont@ and
+\demofont@ to \remarkheadfont@ in the definition of \Monograph.  Note:
+This means that fonts used for \remark, \demo, \proclaim \definition,
+\example, were wrong for any document that used \Monograph with amsppt
+2.1; switching to amsppt version 2.1a will make the fonts correct
+according to AMS standard monograph style, but with a slight chance of
+changing line breaks.
+
+---Added \pagenumwd and put the table-of-contents definition of
+\page inside the \toc group so that it will not conflict with
+the normal definition of \page if a single document contains
+both \toc (with \widestnumber\page used) and \Refs.
+
+---Added default definition for \leftskip@ to handle rare cases.
+Added \envir@stack\endroster in \Runinitem to prevent spurious
+"missing \endroster" error every time it's used.
+
+---Change handling of \key and \no to better handle the complications
+related to \refstyle and the need to maintain backward compatibility.
+(I.e., \refstyle should automatically be reset to C if \no is used.)
+
+---Added \procpaper@false and \book@false where appropriate in \book,
+\jour, \inbook to handle (rare?) \moreref cases where the additional
+ref is not the same type as the first ref. Switched around \moreref
+and \transl, a cosmetic change but makes the code easier to
+understand. (It seems reasonable for \transl to be based on \moreref,
+but rather odd for \moreref to be based on \transl, as in version
+2.1.)
+
+---Added \ifvoid test in \makerefbox to give an error message
+if the same tag is used twice or mutually exclusive tags (e.g.,
+\book and \inbook) are used.
+
+---Added some code to print out editors and pages information
+if given even when according to AMS style it should normally
+be omitted.
+
+Version 2.1b:
+
+---Restored the old \nologo command by popular demand.
+
+---Added \linespacing command to facilitate changing line spacing
+globally: \linespacing{2.0} increases line spacing by a factor of 2,
+similarly \linespacing{1.5} or \linespacing{2.3} for arbitrary
+factors.
+
+---Italic font is now used instead of slanted throughout (for e.g.
+\proclaim).
+
+---Omitting \by in a \ref is now possible without getting unwanted
+punctuation at the very beginning after the key.
+
+---\rom now handles preceding ~, not just preceding space.
+
+---\subsubheadfont@ added to facilitate font switching.
+
+---\document does some font setup if \topmatter is omitted.
+
+---Fixed a problem with running heads and \chapter\nofrills.
+
+---Eliminated spurious error message from \roster \widestnumber inside
+a \proclaim.
+
+Version 2.1c:
+
+---Fixed a bug introduced in version 2.1b: lost punctuation and space
+at the beginning of a \moreref.
+
+
+Version 2.1d:
+
+---Minor corrections to \PSAMSFonts, documentation
+
+---Fixed \linespacing bug: the vrule inside \strutbox did not have
+zero width.
+
+Version 2.1e:
+
+---Added \MR, \AMSPPS commands
+
+---Added some code to \output@ to reset \break, \par in case output
+routine is invoked inside \ref ... \endref *and* something added by the
+output routine (e.g., journal logo on first page) uses them.
+
+Version 2.1f:
+
+---Moved MR and AMSPPS numbers after final period.
+
+---Split part of \enddocument into separate \enddocument@text for easier
+customization.
+
+Version 2.1g (January 1997 distribution):
+
+---Added code to initialize PSAMSFonts-sensitive fonts correctly regardless
+of which fonts are being used.
+
+---Moved loading of AMSFonts and symbol names to initialization block at
+end of file.
+
+---In \makeheadline, added \leftskip=\z@ to avoid indentation of journal
+logo when end of page 1/beginning of page 2 contains a roster.
+
+---Added \urladdr to other author addresses.
+
+---Added \refsheadfont@ to permit font change without redefinition.
+
+---Added \refstyle@ to permit correct initialization of indent with
+\widestnumber when \refstyle C is used.
+
+---Added \inslogo@ to \endtopmatter to drop in insert with AMS-TeX logo or
+copyright notice.
+
+---Added \preproclaimskip, \postproclaimskip, \remarkskip, \postdemoskip,
+\predefinitionskip, \postdefinitionskip to permit spacing variations without
+redefinitions.
+
+---Revamped calculation of \pageheight to derive \vsize from known dimensions.
+
+---Revamped output routine for simplicity, and to accept AMS-TeX logo /
+copyright block as a bottom insertion rather than as an element between the
+page body and the footline; this makes it possible to use a single \pageheight
+on all pages.
+
+---Redefined \pagecontents to include logo/copyright insert, \copyins.
+
+---Redefined \makeheadline to reset formatting parameters (\leftskip, etc.)
+to avoid problems if page makeup occurs in the middle of (say) a \roster,
+and to ensure that the running head is always the same height, regardless
+of the presence of accents or math.
+
+---Redefined \makefootline for similar reasons of consistency.
+
+---Moved initialization of AMSFonts to end of file.
+
+---Adjusted indentation of code to clarify structure and nesting.
+
+---Added test for the presence of a local initialization file (amsppt.sti);
+if present, input it, and if not, carry out initialization suitable for the
+use of this style by general users.
+
+Version 2.1h (January 1997 distribution):
+
+---Added a link for an initialization file, amsppt.sti; this permits easier
+tailoring of certain features (e.g. use of PSAMSFONTS, documented in the
+AMS-TeX User's Guide), as well as use in AMS production of publication-time
+local features, without requiring a separate version of amsppt.sty.
+
+---Added \Refsname to permit publication-specific initialization of variant
+references title without requiring full redefinition of \Refs.
+
+---Added \remarkfont and \definitionfont instead of \rm to allow flexibility.
+
+---Removed ninepoint; if this were to be needed, it's likely that enough
+other changes would also be needed that the result would be a different style.
+%
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%      -20- APPENDIX: NOTES ON VERSIONS 2.2
+% %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Version 2.2 (August 2001 distribution):
+
+---Added @ to the plain list of \dospecials, to make it behave better in
+verbatim, e-mail addresses, and URL's.
+
+---Added commands \savecat and \restorecat  to make it easy to save and
+restore the catcode value of any character, most commonly @.
+
+---Replaced explicit font for addresses by \addressfont@.
+
+---Check address fields, thanks and subject classification for presence of
+data, and omit if empty.
+
+---Added \subjclassyear to identify version of classification scheme; check
+for valid years (1991, 2000), default to 1991 for backward compatibility
+
+---Added a check for the presence of \document line; report at \enddocument
+if missing.
+
+---Documented a bug in the application of space between two adjacent theorems;
+didn't fix it (compatibility: would change page breaks).
+
+---Added \if@qedhere to support feature in AMS document styles that permits
+location of end-of-proof box to be varied.
+
+---Removed period at end of caption if it is not followed by text.
+
+---Added a warning to \footnote inside references; footnotes inside references
+disappear, taking with them the reference element to which they are attached.
+
+---Removed \foliofont@ from definition of \folio and added it instead to the
+running heads, permitting "clean" page numbers to be output with indexing
+terms when an auxiliary package such as index.tex (from texsis) is used.
diff --git a/Master/texmf-dist/doc/amstex/base/amsppt.faq b/Master/texmf-dist/doc/amstex/base/amsppt.faq
new file mode 100644
index 00000000000..0f6811d03b1
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/amsppt.faq
@@ -0,0 +1,194 @@
+%% @txtfile{
+%%   filename  = "amsppt.faq",
+%%   version   = "2.2",
+%%   date      = "2001/08/07",
+%%   time      = "13:53:55 EDT",
+%%   checksum  = "02733 194 1367 9268",
+%%   filetype  = "AMS-TeX: user documentation",
+%%   author    = "American Mathematical Society",
+%%   copyright = "Copyright 2001 American Mathematical Society,
+%%                all rights reserved.  Copying of this file is
+%%                authorized only if either:
+%%                (1) you make absolutely no changes to your copy
+%%                    including name; OR
+%%                (2) if you do make changes, you first rename it
+%%                    to some other name.",
+%%   address   = "American Mathematical Society,
+%%                Technical Support,
+%%                Publications Technical Group,
+%%                P. O. Box 6248,
+%%                Providence, RI 02940,
+%%                USA",
+%%   telephone = "401-455-4080 or (in the USA and Canada)
+%%                800-321-4AMS (321-4267)",
+%%   FAX       = "401-331-3842",
+%%   email     = "tech-support@ams.org (Internet)",
+%%   codetable = "ISO/ASCII",
+%%   keywords  = "amstex, ams-tex, tex",
+%%   abstract  = "This file contains frequently asked questions and
+%%                answers concerning AMS-TeX, and in particular how
+%%                to cope with ``missing'' features and features of
+%%                the preprint documentstyle (amsppt) that are
+%%                specifically tailored to AMS publication style.",
+%%   docstring = "The checksum field above contains a CRC-16 checksum
+%%                as the first value, followed by the equivalent of
+%%                the standard UNIX wc (word count) utility output of
+%%                lines, words, and characters.  This is produced by
+%%                Robert Solovay's checksum utility.",
+%% }
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Frequently asked questions about AMS-TeX and amsppt.sty.
+
+  1) Why does the bottom of every page get cut off when \magnification
+     is used?
+  2) How can I prepare a two-column index for a book using AMS-TeX?
+  3) I need 12pt type in my paper.  How do I get it?
+  4) I need to put a footnote in my bibliography, but it disappears.
+     How do I get it to print out?
+  5) A page ending with a theorem is shorter than other pages.  Why?
+  6) Why am I getting a label ``E-mail address'' at the end of my paper
+     with no data?
+  7) I need diagonal arrows in my commutative diagrams.  How do I
+     get them?
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+1) Why does the bottom of every page get cut off when \magnification
+   is used?
+
+Version 2.1 of amsppt.sty was modified (in January 1997) to make the
+output dimensions the same as those for the majority of AMS publications,
+in particular journals.  This made it possible to simplify quite radically
+the AMS ``author packages'' for particular publications, thus (in the
+long run) avoiding questions that were demanding scarce support time.
+
+One of the January 1997 changes consisted in positioning the running
+head, i.e. the top of the type block, at the exact top of the normal
+print area, rather than ``above'' the print area as is the default in
+plain TeX.  Although the default setting for laser printers starts the
+printing 1in down from the top edge of the paper, on a typesetter, that
+setting is traditionally 0 (to avoid wasting the expensive photographic
+medium), and unless special measures are taken, the running heads would
+print ``above'' the top, often overprinting something else or being lost
+off the edge, resulting in even greater waste of materials and time.
+In addition, running heads ``above'' the print area could not be checked
+in the previewers used at AMS.
+
+The earlier behavior can be restored by specifying
+    \voffset-2pc
+when processing a document with amsppt.sty.  This command is present,
+but commented out, in the file amsppt.sti, a file intended for the
+specification of local defaults.  Since amsppt.sti is automatically
+read in by amsppt.sty, uncommenting the relevant command would adjust
+the position of output on paper sufficiently to accommodate magnification
+up to \magstep 1.
+
+Note that no AMS publication uses magnification as a technique for
+providing larger type; if larger type is desired, that is encoded into
+the relevant author package by providing additional fonts.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+2) How can I prepare a two-column index for a book using AMS-TeX?
+
+AMS-TeX was originally intended to provide only features to make it
+easier to typeset mathematical content -- display equations, theorems,
+and similar material.  Niceties of formatting were to be provided by
+other packages such as LaTeX.  Things didn't quite turn out that way,
+and AMS-TeX and LaTeX didn't merge as readily as was once hoped.
+
+It is still not planned to add advanced formatting features, including
+double columns, to AMS-TeX.  However, some simple macros can be defined
+and used in an AMS-TeX source file to produce an .idx file, which can
+then be processed by the makeindex program.  (Makeindex is included
+with all standard TeX distributions.)  The resulting .ind file can be
+processed separately through (AMS-)LaTeX to create a two-column index.
+
+Macros compatible with makeindex and plain TeX (and therefore AMS-TeX)
+can be found on CTAN, in the area
+    /tex-archive/macros/texsis/index/
+
+Read the documentation that comes with makeindex and the comments in
+the file index.tex for instructions.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+3) I need 12pt type in my paper.  How do I get it?
+
+This size isn't needed in most AMS publications, but when it is, it is
+defined for the author packages that need it.  In particular, \twelvepoint
+is defined in the file ams-spec.sty, which is used with monographs and
+book proceedings.  (\elevenpoint is also defined in ams-spec.sty.)
+
+The file amsspec.sty can be obtained as part of the gen-m (generic book)
+author package from the AMS web server:
+    http://www.ams.org/tex/author-info.html
+
+Create a file called myfonts.tex.  Begin that file with the line
+    \savecat @
+and end it with the line
+    \restorecat @
+Copy the definition of \twelvepoint and all associated \font@ commands
+from amsspec.sty into myfonts.tex.  Then include the command
+    \input myfonts
+in the preamble of your document file.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+4) I need to put a footnote in my bibliography, but it disappears.
+   How do I get it to print out?
+
+Not only the footnote disappears, but also the element of the reference
+to which the footnote is attached.  This happens because the parts of
+the footnote are boxed during processing, and footnotes disappear from
+boxed material.  The solution is to use \footnotemark in the reference,
+and \footnotetext{...} after \endref.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+5) A page ending with a theorem is shorter than other pages.  Why?
+
+If a page break occurs between two theorems, or between any combination
+of adjacent theorem or proof (\proclaim or \demo), the space following
+the first one will fall before a favorable penalty and will not be
+removed at the bottom of the page.  This is due to a bug, in which the
+vertical space preceding a theorem or proof will be removed only if it
+is less than the space to be added  In AMS style, the space above is
+the same as the space below, so what should have been done is test for
+a space less than or equal to the space to be added; however, to change
+this now could cause changes in the paging of existing documents.
+
+In order to get rid of the extra space, put \pagebreak immediately
+before the \endproclaim or \enddemo at the bottom of the page; this
+should, of course, be done only for the final run.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+  6) Why am I getting a label ``E-mail address'' at the end of my paper
+     with no data?
+
+In the topmatter templates for AMS author packages, all possible tags
+for subject and author information are included for convenience.  If
+any of these are left in your file with no data, ``empty'' footnotes
+can appear on the first page (for \subjclass or \keywords), or labels
+associated with author addresses can appear at the end of a paper with
+no data.  Checking for ``empty'' tags isn't easily accomplished, so an
+author should make sure that any tag that doesn't have data is removed
+or commented out.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+  7) I need diagonal arrows in my commutative diagrams.  How do I
+     get them?
+
+The \CD structure of AMS-TeX provides only vertical and horizontal
+connectors.  To get diagonal connectors, it is necessary to use another
+package.  XY-pic, by Kristoffer Rose, provides many more facilities
+than \CD, and it is compatible with AMS-TeX.  XY-pic can be found on
+CTAN, in the area
+    /tex-archive/macros/generic/diagrams/xypic/
+Be sure to read the excellent documentation, xyguide, which is available
+in dvi, PostScript and PDF form, ready to print.
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
diff --git a/Master/texmf-dist/doc/amstex/base/amstinst.ps.gz b/Master/texmf-dist/doc/amstex/base/amstinst.ps.gz
new file mode 100644
index 00000000000..0b1475b7f8b
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/amstinst.ps.gz
diff --git a/Master/texmf-dist/doc/amstex/base/amstinst.tex b/Master/texmf-dist/doc/amstex/base/amstinst.tex
new file mode 100644
index 00000000000..ec021e23d43
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/amstinst.tex
@@ -0,0 +1,415 @@
+%%% ====================================================================
+%%% @TeX-file{
+%%%   filename  = "amstinst.tex",
+%%%   version   = "2.2",
+%%%   date      = "2001/08/09",
+%%%   time      = "18:47:33 EDT",
+%%%   checksum  = "30594 415 2485 18444",
+%%%   filetype  = "AMS-TeX: user documentation",
+%%%   author    = "American Mathematical Society",
+%%%   copyright = "Copyright 2001 American Mathematical Society,
+%%%                all rights reserved.  Copying of this file is
+%%%                authorized only if either:
+%%%                (1) you make absolutely no changes to your copy,
+%%%                    including name; OR
+%%%                (2) if you do make changes, you first rename it
+%%%                    to some other name.",
+%%%   address   = "American Mathematical Society,
+%%%                Technical Support,
+%%%                P. O. Box 6248,
+%%%                Providence, RI 02940,
+%%%                USA",
+%%%   telephone = "401-455-4080 or (in the USA and Canada)
+%%%                800-321-4AMS (321-4267)",
+%%%   FAX       = "401-331-3842",
+%%%   email     = "tech-support@ams.org (Internet)",
+%%%   codetable  = "ISO/ASCII",
+%%%   keywords  = "amstex, ams-tex",
+%%%   supported = "yes",
+%%%   abstract  = "This file is part of the AMS-TeX distribution,
+%%%                version 2.2. It contains installation instructions.
+%%%                The file amsguide.tex inputs this file, but this
+%%%                file is also designed so that it can be processed
+%%%                separately, using only Plain TeX.",
+%%%   docstring = "The checksum field above contains a CRC-16 checksum
+%%%                as the first value, followed by the equivalent of
+%%%                the standard UNIX wc (word count) utility output of
+%%%                lines, words, and characters.  This is produced by
+%%%                Robert Solovay's checksum utility.",
+%%%  }
+%%% ====================================================================
+%
+%    This file is input by amsguide.tex, which requires AMS-TeX 2.1 or
+%    later.  However it can also be typeset separately using Plain \TeX{},
+%    means of the mechanism below: we check to see if amsppt.sty has
+%    been loaded earlier; if so, we set the catcode of the ~ character
+%    to 14 so that the following section of definitions will be ignored
+%    (since the definitions would be redundant); otherwise we set the
+%    catcode to 9 ("ignore") so that the definitions will be carried out.
+%    Several definitions differ from the ones in amsguide.tex because
+%    amsppt.sty is absent.
+%
+%    Enclosing the definitions section within the initial \if ...
+%    \else ... \fi would be problematic because of the outerness of
+%    \head and \subhead in the amsppt documentstyle.
+%
+%    Leave the definition of \head active; it is slightly different from
+%    the one in amsppt.sty, and gives a different result in Appendix C.
+%
+\expandafter\ifx\csname amsppt.sty\endcsname\relax
+  \catcode`\~=9 \else \catcode`\~=14 \let\BYE\relax \fi
+~  \let\BYE\bye
+~  \hsize=30pc \vsize=47pc
+  \def\head#1\endhead{\bigskip{\sc\noindent
+    \leftskip0pt plus.5\hsize \rightskip=\leftskip\parfillskip=0pt
+    \def\\{\break}#1\par}\nobreak\smallskip}
+  \font\sc=cmcsc10
+~  \def\subhead#1\endsubhead{\removelastskip\medskip{\bf\noindent
+~    #1\par}\nobreak\smallskip}
+~  \def\AmSTeX{{\the\textfont2 A\kern-.1667em%
+~    \lower.5ex\hbox{M}\kern-.125emS}-\TeX\spacefactor 1000 }
+~  \long\def\usertype#1{\smallskip
+~    \moveright2pc\vbox{\def\par{\crcr}\halign{%
+~      \setbox0\hbox{\tt##}%
+~      \hbox\ifdim\wd0<10pc to10pc\fi{\unhbox0\hfil}%
+~      \kern1pc \it $\langle$return$\rangle$\hss
+~      \cr#1\crcr}}%
+~    \smallskip}
+~  \def\<#1>{{\it$\langle$#1\/$\rangle$}}
+~  \hfuzz1pc % to suppress reporting of overfull boxes.
+~  \hyphenation{amsppt}
+~  \def\Textures{{\it Textures\/}}
+~  \def\AMS{American Mathematical Society}
+~  \def\filnam#1{{\tt\def\\{\char`\\}\ignorespaces#1\unskip}}
+~  \hyphenchar\tentt=-1 % to prohibit hyphenation in tt text
+~  \newdimen\exindent   \exindent=2\parindent
+~  {\obeylines
+~   \gdef^^M{\par\penalty9999}%
+~   \gdef\beginexample#1{\medskip\bgroup %
+~     \def\~{\char`\~}\def\\{\char`\\}\def\{{\char`\{}\def\}{\char`\}}%
+~     \overfullrule0pt\tt\frenchspacing %
+~     \parindent=0pt#1\leftskip=\exindent\obeylines}
+~  }%  end \obeylines
+~  \def\endexample{\endgraf\egroup\medskip}
+~  \def\cs#1{\leavevmode
+~    \skip0\lastskip\unskip\penalty0
+~    \ifdim\skip0>0pt \hskip\skip0\fi
+~    {\tt\def\{{\char`\{}\def\}{\char`\}}%
+~      \def\\{\char`\\}\char`\\\ignorespaces#1\unskip}}
+~  \newcount\rostercount
+~  \def\roster{\par\smallskip\begingroup \rostercount=0
+~    \def\par{{\endgraf}}\hangindent3pc
+~    \def\item{\futurelet\next\iitem}%
+~    \def\iitem{\ifx\next"\expandafter\iiitem
+~      \else\advance\rostercount 1 \iiitem"(\the\rostercount)"\fi}%
+~    \def\iiitem"##1"{\par \noindent\hbox to\hangindent{\hss##1\enspace}}%
+~  }
+~  \def\endroster{\par\smallskip\endgroup}
+~  \def\newpage{\vfil\eject}
+\catcode126=\active % restore ~ to normal; using `\~ here wouldn't work!
+\def\TEXMF{{\tt TEXMF}}
+
+\head Appendix B\\ Installation Procedures\endhead
+
+\subhead B.1. Introduction\endsubhead
+
+The \AmSTeX{} software can be used with any implementation of \TeX{}\null.
+Many \TeX{} distributions include \AmSTeX{}, ready to run; check the
+documentation that came with the \TeX{} distribution you are using.
+When a new version of \AmSTeX{} is released, all distributors are
+notified, so if your \TeX{} system is up to date, it is likely that you
+don't need to do anything at all.
+
+Most up-to-date \TeX{} installations are organized according to the
+\TeX{} Directory Structure (TDS)\null.  This is a tree structure whose
+root is identified as something like {\tt /usr/local/share/texmf} or
+{\tt c:\char`\\sw\char`\\texmf}.  In the following instructions,
+we will use the name \TEXMF{} to identify the root directory of a
+TDS or similar structure.
+
+When installing a new release of \AmSTeX{}, you may want to first
+back up your old version, if you have existing documents that use it.
+Although new releases are intended to be backward compatible, a backup
+provides insurance in case something goes wrong.
+
+
+\subhead B.2. Location of \AmSTeX{} Files in a TDS Tree\endsubhead
+
+Files in the \AmSTeX{} distribution fall into four categories:
+files for use with \TeX{}, source files, documentation, and formats.
+The following list shows all the files in the current distribution,
+along with their recommended locations in a TDS tree.
+
+\medskip
+\begingroup
+\obeylines\obeyspaces\tt%
+TEXMF/
+\  tex/amstex/base/
+\    amstex.tex
+\    amstex.ini
+\    amsppt.sty
+\    amsppt.sti
+\    amsppt1.tex
+\  tex/plain/amsfonts/
+\    amssym.def
+\    amssym.tex
+\  source/amstex/
+\    README
+\    amsppt.doc
+\    amstex.bug
+\  doc/ams/amstex/
+\    amsguide.tex
+\    amsguide.ps
+\    amsppt.faq
+\    amstinst.tex
+\    amstinst.ps
+\    joyerr.tex
+\    joyerr2.tex
+\  \<\TeX-implementation>/formats/
+\    amstex.fmt
+\endgroup
+
+\medskip
+\noindent
+The \AmSTeX{} distribution can be retrieved in bundled form from the
+AMS web site, e.g., as a \filnam{.zip} or \filnam{.tar} file.  In this
+form, the files are already arranged according to the TDS structure.
+(The format file is not included in the distribution.  It is
+platform-specific, and must be created as part of the installation;
+see below.)  To install the collection from a TDS-formatted bundle,
+place the bundled file into a convenient directory and unpack it using
+the \TEXMF{} directory as the ``Extract to'' target.  Some examples:
+
+\halign{\quad#\hfil\quad & #\hfil \cr
+ WinZip: & Click on ``Extract'' and then in the ``Extract to'' box, enter\cr
+         & {\tt\char`\\sw\char`\\texmf}\quad (or whatever TEXMF is on your
+           system)\cr
+ gzip:   & {\tt gzip -dc amstex.tgz \char`\|\ (cd TEXMF; tar xvf -)}\cr
+ unzip:  & {\tt unzip amstex2.zip -d TEXMF}\cr
+}
+
+\noindent
+The bundled file may be deleted after unpacking.
+
+If the files are obtained from CTAN (where they are mirrored from
+the AMS server), they are not in TDS order.  Use the above list to
+place the files into the proper location.
+
+Note: If you currently have any of the following files from very old
+releases of \AmSTeX{}, delete them before installing the new release.
+They are either irrelevant or superseded in the new version of \AmSTeX{},
+and it is best to remove them to avoid confusion.  If you back up your
+existing \AmSTeX{} files before installing the new version, these files
+should be included.
+
+\settabs4\columns {\tt
+\+\ \ amsfil.chg& amsplain.tex& amsppt.mor& amstex.chg\cr
+\+\ \ cyracc.def& cyrmemo.def& cyrmemo.tex& amsplain.fmt\cr
+}
+
+\medskip
+The TFM files for some of AMSFonts 2.2 (\filnam{msam*}, \filnam{msbm*},
+and \filnam{eufm*}) are needed to run \AmSTeX{} with the AMSPPT
+document style, even if you don't plan to actually print anything using the
+AMSFonts.  (These fonts {\it are} needed to process and print the User's
+Guide of which this appendix is a part.)  TFM files are available from the
+AMS web site, \filnam{www.ams.org/tex/amsfonts.html}, or by anonymous FTP
+from \filnam{ftp.ams.org}.  They should be placed in the directory
+\filnam{TEXMF/fonts/tfm/ams/}.
+
+
+\subhead B.3. What if Your \TeX{} System Isn't in a TDS Tree?\endsubhead
+
+If your \TeX{} system is arranged in some other way, you must consult
+the user documentation for guidance.  The hints that follow are just
+that---hints.  If your \TeX{} system documentation recommends something
+different, you should follow that procedure.
+
+We recommend placing \AmSTeX{} files into distinct subdirectories or
+folders, to simplify installation of future versions.
+
+First, determine where \TeX{} will look for files to be input.  If
+\filnam{amstex.tex} and \filnam{amssym.def} are already present, place
+the files listed in section B.2 under {\tt tex/amstex/base/} and
+{\tt tex/plain/amsfonts/} into those same areas.  If neither of these
+files is already present, look for the file \filnam{plain.tex}.
+Create appropriate subdirectories under the area where you find this
+file for the new \AmSTeX{} files.
+
+If there isn't any obvious place to put source or documentation files
+(the ones listed in section B.2 under {\tt source/amstex/} and
+{\tt doc/ams/amstex/}), you can put them in with the input files.
+Consult the documentation for your \TeX{} distribution.
+
+Once all the files are installed, you are ready to create a format
+file.
+
+
+\subhead B.4. Creating a Format File\endsubhead
+
+Every implementation of \TeX{} uses format files to preload the macros,
+fonts, and hyphenation patterns that define basic user environments
+such as \AmSTeX.  Although it is not strictly necessary to use a
+format file for \AmSTeX, preloading will save startup time, especially
+on slower systems.  Note: Each format file takes up 150K--300K of
+disk space (depending on your \TeX{} implementation).
+
+If your \TeX{} system already includes the format file \filnam{amstex.fmt},
+you may not have to create a new one; recent changes to \filnam{amstex.tex}
+are cosmetic, and will not affect any math formatting features.
+If the AMSPPT preprint style has been included in the format, then a new
+format file is in order.  (We recommend using the name \filnam{amsppt.fmt}
+for a format file with AMSPPT preloaded so that there is no question which
+is present; see below.)
+
+Creating a format file (also known as ``initialization'') requires a
+special version of \TeX, a particular switch, or item in a menu.
+Read the documentation for your \TeX{} distribution to learn how to
+create a format file.
+
+Before creating your format file, you will want to consider whether you
+habitually use the AMSPPT document style.  If you use other document styles
+rarely or never, then you would benefit from the use of a format file with
+\filnam{amsppt.sty} preloaded.  If you are likely to use other document styles
+periodically, then you probably do not want to preload \filnam{amsppt.sty}.
+To make a simple \AmSTeX{} format file, proceed with the next paragraph.
+To make a format file with \filnam{amsppt.sty} preloaded, edit the file
+\filnam{amstex.ini} and remove the percent sign (comment character) at the
+beginning of the line {\tt\char`\%}\cs{documentstyle\{amsppt\}}, just before
+the \cs{dump} command.  Save this file with the name \filnam{amsppt.ini}.
+
+If you intend to use Type~1 outline versions of AMSFonts, read Appendix~C
+before proceeding.  Users of \Textures{} will have to comment out one more
+\cs{input} statement; read the instructions.
+
+Update the file name database (if one is used) so that \TeX{} will be able
+to find \filnam{amstex.ini} (or \filnam{amsppt.ini}) and the other files.
+This may be done by a command such as {\tt texhash} or via a menu option.
+Consult the documentation for your \TeX{} distribution for instructions
+on how to perform this update.
+
+Now run the ``initialization'' version of \TeX{} on \filnam{amstex.ini}
+(or \filnam{amsppt.ini}).  This will create an \AmSTeX{} format file named
+\filnam{amstex.fmt} (or \filnam{amsppt.fmt}).  Some implementations of
+\TeX{} will automatically place the format file in the proper directory;
+otherwise you should move this file manually into the \TeX{} formats
+directory.  Once again update the file name database to make the format
+file visible to \TeX{}.
+
+
+\subhead B.5. Using \AmSTeX{} 2.0+\endsubhead
+
+With some \TeX{} implementations, a format file can be specified by preceding
+its name with an ampersand:
+
+\usertype{tex \&amstex filename}
+
+Other implementations treat the name of the format file as a command:
+
+\usertype{amstex filename}
+
+Still other implementations allow the installation of this name as a
+menu option.  For details of how to use format files with your
+implementation of \TeX{}, see your documentation.
+
+
+\subhead B.5. Getting a printed copy of the User's Guide \endsubhead
+
+The \AmSTeX{} User's Guide can be obtained as a PDF file from the AMS
+web site.  It is also included in the distribution as a PostScript file,
+ready to print (\filnam{amsguide.ps}).  Or, you can use your newly
+created \AmSTeX{} or AMSPPT format file to typeset the file
+\filnam{amsguide.tex}; even if you print out this guide from another
+source, we recommend using the file \filnam{amsguide.tex} as a test
+to make sure that your newly installed \AmSTeX{} is working properly.
+
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\newpage
+\csname firstpage\string @true\endcsname
+
+\head Appendix C\\ Before Installing \AmSTeX: Facts About Fonts\endhead
+
+\subhead C.1. Using AMSFonts in PostScript Type~1 Form\endsubhead
+
+The AMSFonts Version~2.2 have been converted to PostScript Type~1 outlines
+in two forms:
+
+The AMS web site ({\tt www.ams.org/tex/type1-fonts.html}) holds the
+canonical distribution.  This is a collection containing all the
+typefaces, but only in 5, 7, and 10 point sizes; other sizes must be created
+by scaling.  The \AmSTeX{} preprint style provides a way for authors to
+indicate that fonts should be loaded under this alternative scaling
+convention.  If you are using this version of AMSFonts, insert the line
+\cs{PSAMSFonts} in the preamble of your file, before the \cs{topmatter}
+line; see section C.3, below, for instructions on making this your local
+default.
+
+Basil Malyshev has created a collection, called BaKoMa, containing the
+Computer Modern fonts as well as all sizes of the AMSFonts used in
+mathematics, but excluding the \filnam{wncy*} cyrillic fonts.  The BaKoMa
+fonts can be used with no special action; however, for papers or monographs
+to be published by the AMS, \cs{PSAMSFonts} should be specified.
+
+
+\subhead C.2. Using AMS Symbol Fonts\endsubhead
+
+The preprint style automatically loads the Fraktur font (\filnam{eufm}) and
+both fonts of extra symbols (\filnam{msam} and \filnam{msbm}), as well as
+all the symbol names, as described in the sections {\bf Fonts} and
+{\bf Symbol Names}.  If these will not be used, and you want a version of
+\filnam{amsppt.sty} that requires less memory than the default version, you
+can suppress the loading of these resources.  If \filnam{amsppt.sty} is to
+be included in your format file, you must make this change before creating
+the format file.  See the next section for instructions.
+
+\subhead C.3 Setting Local Default Options\endsubhead
+
+An ``initialization file'', \filnam{amsppt.sti}, contains settings for
+some options that a user may wish to change locally.  This file is read
+in automatically by \filnam{amsppt.sty}.
+
+Two lines in \filnam{amsppt.sti} affect the inclusion of AMS symbol fonts:
+\beginexample{}
+\\loadeufm \\loadmsam \\loadmsbm
+\\message\{symbol names\}\\UseAMSsymbols\\message\{,\}
+\endexample
+\noindent
+To use \filnam{amsppt.sty} without AMSFonts, comment out both lines (place
+a {\tt\char`\%} at the beginning of each line); to disable just the symbol
+names, comment out the second line.  In either case, remove the {\tt\char`\%}
+sign from the beginning of the line
+\beginexample{}
+\%\\define\\square\{\\vrule width.6em height.5em depth.1em\\relax\}
+\endexample
+\noindent
+This is required for using \cs{qed} to indicate end of proof.
+Extra math symbols can be loaded on demand with \cs{newsymbol} or by
+including \cs{UseAMSsymbols} in the preamble of a particular document.
+
+In order to make the Type~1 versions of the AMSFonts as distributed from
+the AMS web site your local default, activate the line
+\beginexample{}
+\%\\PSAMSFonts
+\endexample
+\noindent
+by removing the {\tt\char`\%} sign from the beginning of the line.
+
+
+\BYE % This is = \relax if this file is input by amsguide.tex
+%% \CharacterTable
+%%  {Upper-case    \A\B\C\D\E\F\G\H\I\J\K\L\M\N\O\P\Q\R\S\T\U\V\W\X\Y\Z
+%%   Lower-case    \a\b\c\d\e\f\g\h\i\j\k\l\m\n\o\p\q\r\s\t\u\v\w\x\y\z
+%%   Digits        \0\1\2\3\4\5\6\7\8\9
+%%   Exclamation   \!     Double quote  \"     Hash (number) \#
+%%   Dollar        \$     Percent       \%     Ampersand     \&
+%%   Acute accent  \'     Left paren    \(     Right paren   \)
+%%   Asterisk      \*     Plus          \+     Comma         \,
+%%   Minus         \-     Point         \.     Solidus       \/
+%%   Colon         \:     Semicolon     \;     Less than     \<
+%%   Equals        \=     Greater than  \>     Question mark \?
+%%   Commercial at \@     Left bracket  \[     Backslash     \\
+%%   Right bracket \]     Circumflex    \^     Underscore    \_
+%%   Grave accent  \`     Left brace    \{     Vertical bar  \|
+%%   Right brace   \}     Tilde         \~}
diff --git a/Master/texmf-dist/doc/amstex/base/joyerr.tex b/Master/texmf-dist/doc/amstex/base/joyerr.tex
new file mode 100644
index 00000000000..4a8771aafe5
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/joyerr.tex
@@ -0,0 +1,512 @@
+%% @texfile{
+%%     filename="joyerr.tex",
+%%     version="2.1",
+%%     date="8-MAY-1991",
+%%     filetype="AMS-TeX: user documentation",
+%%     copyright="Copyright (C) American Mathematical Society,
+%%            all rights reserved.  Copying of this file is
+%%            authorized only if either:
+%%            (1) you make absolutely no changes to your copy
+%%                including name; OR
+%%            (2) if you do make changes, you first rename it to some
+%%                other name.",
+%%     author="American Mathematical Society",
+%%     address="American Mathematical Society,
+%%            Technical Support Department,
+%%            P. O. Box 6248,
+%%            Providence, RI 02940,
+%%            USA",
+%%     telephone="401-455-4080 or (in the USA) 800-321-4AMS",
+%%     email="Internet: Tech-Support@Math.AMS.org",
+%%     codetable="ISO/ASCII",
+%%     checksumtype="line count",
+%%     checksum="512",
+%%     keywords="amstex, ams-tex, tex",
+%%     abstract="This file contains errata to The Joy of TeX, 
+%%            1986 edition. It must be run with AMSTEX and AMSPPT
+%%            2.0+; it is incompatible with previous versions.
+%%            It also requires the file AMSSYM.TEX and the fonts
+%%            MSAM10 and MSBM10."
+%%     }
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\input amstex
+\documentstyle{amsppt}
+
+\define\lastupdate{15 October 89}
+
+\pagewidth{29pc}
+\raggedbottom
+\tenpoint
+
+\def\JoT{{\sl The Joy of \TeX}}
+
+%  Support verbatim listing of TeX source, as defined in TeXbook, p. 421;
+%  lifted from MANMAC.TEX, and modified slightly for narrower columns.
+\catcode`\@=11
+
+\chardef\other=12
+\def\ttverbatim{\begingroup \catcode`\\=\other
+  \catcode`\{=\other \catcode`\}=\other \catcode`\$=\other
+  \catcode`\&=\other \catcode`\#=\other \catcode`\%=\other
+  \catcode`\~=\other \catcode`\_=\other \catcode`\^=\other
+  \catcode`\"=\other
+  \obeyspaces \obeylines \hyphenpenalty=10000 \tt}
+
+\newskip\ttglue
+{\tenpoint\tt \global\ttglue=.5em plus .25em minus .15em}
+% this should be installed in each font
+
+%  From David Eppstein's ``Trees'' paper (TUGboat 6#1), preserve initial
+%  spaces.
+{\obeyspaces\gdef {\ifvmode\indent\fi\space}}
+
+%  Permissible overhang beyond right margin.
+\newdimen\ttrightskip
+\ttrightskip=5pc
+   
+%  Although | is ordinarily an escape character within verbatim mode,
+%  provide a method for letting it instead be the character itself
+%  within a display verbatim listing, as needed; this is based on
+%  a technique developed by Michael Ferguson.  Note that within one
+%  \begintt...\endtt block, | can be only one of:
+%       the printing | character, or
+%       active (the escape character)
+%  It cannot perform both functions at the same time.
+\newif\ifttVertChar     \ttVertCharfalse
+{\catcode`\|=\active \gdef\VertChar{\def|{\char"7C }}}
+
+%  Other non-tt elements that may be embedded within \begintt...\endtt .
+\def\MTH{$}
+\def\sb{_}
+\def\sp{^}
+\def\SP{{\tt\char"20 }}         % "visible" space
+\chardef\bs=`\\
+\def\vrt{{\tt\char`\|}}
+
+\catcode`\|=\active
+{\obeylines \gdef\activatettbar{\global\catcode`\|=\active %
+  \gdef|{\ttverbatim \spaceskip\ttglue \xspaceskip\ttglue %
+         \let^^M=\  \let|=\endgroup}}}
+\activatettbar
+
+\catcode`\@=13
+
+\def\ttindent{\noindent\kern3\parindent\hangindent3\parindent}
+
+%  This definition is stolen from the file of TeXbook errata.
+\def\bugonpage#1(#2) \par{\bigbreak\tenpoint
+  \hrule width\hsize
+  \line{\lower3.5pt\vbox to13pt{}Page #1\hfil(#2)}\hrule width\hsize
+  \nobreak\medskip}
+
+%  Some definitions for setting particular Joy notation.
+\def\CR{$\langle$carriage-return$\rangle$}
+\def\tab{{\smc tab}}
+
+\NoBlackBoxes
+
+\topmatter
+\title Errata to \JoT{} prior to \AmSTeX{} 2.0\endtitle
+\endtopmatter
+
+\document
+
+\noindent
+This list of corrections to \JoT, 1986 edition, includes all known
+corrections that preceded the release of \AmSTeX{} Version 2.0.
+Reprints with corrections may already incorporate some or all of
+these changes.
+
+The printing date of each copy of \JoT\ is identified on the reverse
+of the title page.  The list below will permit you to determine
+which corrections have not already been incorporated in your copy of \JoT.
+
+\smallskip
+\halign{\kern 30pt #\hfil\qquad&#\hfil\cr
+First printing, 1986 & all changes\cr
+Second printing with corrections, 1986 & changes after 11/25/86\cr
+Third printing with corrections, 1987 & changes after 5/12/87\cr}
+\smallskip
+
+For differences between earlier versions of \AmSTeX{} and Version 2.0,
+see the {\bf User's Guide to \AmSTeX{} 2.0}.
+The second edition of \JoT{}, 1990, contains all changes in this list
+as well as new material for \AmSTeX{} 2.0.
+
+(This errata list was last updated \lastupdate.)
+
+
+\bugonpage 12, line 12 (11/11/86)
+
+\noindent
+What output is produced by |\$\|\SP|\|\SP|1.00| and by |\$|\SP|\|\SP|1.00|?
+
+\bugonpage 22, line 28 (11/24/86)
+
+\line{will be some surprises in it---so you should go pick it up
+as soon as possible.\hfil}
+
+\bugonpage 26, line 9 (10/15/89)
+
+\line{uptight when you encounter an error message, because
+\TeX\ can always be coaxed}
+
+\bugonpage 39, line 4 (10/15/89)
+
+\line{words as evenly as possible.  But everyone knows that such
+bland perfection isn't}
+
+\bugonpage 39, line $-4$ (12/12/89)
+
+\line{allowed here also, to accommodate threesomes, foursomes, and
+even more perverse}
+
+\bugonpage 44, line $-10$ (12/12/89)
+
+\line{their own papers might prefer to leave these details to someone
+else, and even}
+
+\bugonpage 81, line 13 (10/25/89)
+
+\line{But don't use |\,| before an expression like $\dsize \frac{dy}{dx}$
+or before the $dx$ in $dy/dx$.}
+
+\bugonpage 88, line $-5$ (5/11/87)
+
+\centerline{\indent We derive the quadratic formula by
+``completing the square'':}
+
+\bugonpage 90, line $-4$ (10/15/89)
+
+\line{to the old style that they may be discomforted by the
+``improvements''.\hfil}
+
+\bugonpage 99, lines 15--16 (8/6/86)
+
+{\baselineskip 18pt
+\ttindent
+|$\varinjlim$                           |$\varinjlim$\newline
+|$\varprojlim$                          |$\varprojlim$\endgraf
+}%      end extra \baselineskip
+
+\bugonpage 108, line 11 (11/11/86)
+
+\ttindent
+|  &=(a+b)(a+b)^n=(a+b)|
+
+\bugonpage 109, line 6 (12/12/89)
+
+\line{when tags are set on the right.  What input do you think you
+should use?\hfill}
+
+\bugonpage 109, line $-14$ (10/15/89)
+
+\line{so that the |=\bigl[| is aligned with the invisible |\qquad|.
+Notice, again, that such}
+
+\bugonpage 113, line 1 (4/10/86)
+
+\line{And there's |\bmatrix...\endbmatrix| to get brackets
+  |\left[...\right]| around}
+
+\bugonpage 127, line 11 (7/13/87)
+
+\line{\indent If you're an experienced mathematical typist you've
+probably already begun to}
+
+\bugonpage 129, lines 14--15 (10/15/89)
+
+\def\vector#1#2{(#1_1,\dots,#1_{#2})}
+\begingroup
+\hyphenpenalty=10000
+\noindent
+with things like $\vector xm$,
+$\vector y{n+1}$ as well.  Explain how to define |\vector| so that we can
+type these as |$\vector xm$| and |$\vector y{n+1}$|.
+
+\endgroup
+
+\bugonpage 129, last 3 lines (10/15/89)
+
+\noindent
+In Exercise 19.20 we defined |\vector| so that
+|$\vector xn$| produces $\vector xn$, etc.  But perhaps you don't like this, 
+perhaps you'd prefer to type |$\vector nx$|, with the `|n|'
+first, and the `|x|' second.  How can you arrange this?
+
+\bugonpage 131, lines 10--11 (10/15/89)
+
+\begingroup
+\noindent
+How would you |\define| the control sequence |\vector| so that
+you type |$\vector x,n.$| to get $\vector xn$, and |$\vector y,m+1.$| to get
+$\vector y{m+1}$, etc.
+
+\endgroup
+
+\bugonpage 144, line 16 (10/15/89)
+
+\line{\indent This command is ``global''---it affects everything
+that follows, even if it is in-}
+
+\bugonpage 162, line $-6$ (5/11/87)
+
+\line{if you typed |\footnote""{...}| then you  would get no marker
+at all, just a note}
+
+\bugonpage 171, line $-7$ (10/15/89)
+
+\line{too much, and only |\linebreak| will force \TeX\ to overcome
+its reluctance.\hfil}
+
+\bugonpage 176, line 4 (12/12/89)
+
+\line{about it, and an |&| is tolerated only in special situations.
+So you should remember}
+
+%  This feature has been reinstated in AMS-TeX 2.0.
+%\bugonpage 178, PAGE NUMBERS (11/14/86)
+%
+%Warning: |\nopagenumbers| does not at present work as advertised
+%with the |amsppt| style.  Consequently, this paragraph has been
+%deleted.
+
+%\bugonpage 178, between lines $-5$ and $-6$ (10/15/89)
+%
+%\line{\bf PAGE NUMBERS\hfil}
+%\vskip 2pt
+%\noindent If you are using the |amsppt| style and you type
+%|\nopagenumbers| at the beginning of the document (after the
+%|\documentstyle| line), the page numbers at the bottom of the page
+%will disappear.  Other styles probably will ignore |\nopagenumbers|.
+
+\bugonpage 179, line 4 (10/15/89)
+
+\line{change its position on the 8$\frac12$ by 11 sheet of paper.
+Typing\hfil}
+
+\bugonpage 180, lines 5--6 (10/15/89)
+
+\ttindent
+|   &=f'(x) = \frac1{2\sqrt x}\qquad|\newline
+|    \foldedtext\foldedwidth{2in}{for some $x$ in $(k, k+1)$,|
+
+\bugonpage 181, line $-$4 (10/15/89)
+
+\line{should be included at the end of that displayed formula.\hfil}
+
+\bugonpage 182, line $-2$ (12/12/89)
+
+\line{argument'' feature of |\roster| (again compare with
+{\bf footnote}).  If you type}
+
+\bugonpage 186, line 13 (10/15/89)
+
+\line{commands are ``global''---they affect everything
+that follows even if used in a group}
+
+\bugonpage 189, line 21 (12/12/89)
+
+\line{will first be divided into lines of a certain length
+(3 inches less than the width}
+
+\bugonpage 195, lines 4, 11 (7/13/87)
+
+Change\qquad ``In addition to''\qquad to\qquad ``First we have''.
+
+\bugonpage 195, line $-1$ (12/12/89)
+
+\ttindent
+|... in a bibliography''.|
+
+\bugonpage 202, line $-6$ (12/12/89)
+
+\line{If `|etc.|' were typed instead of `|etc\.|' there would be a
+larger space after the}
+
+\bugonpage 208, line 12 (12/12/89)
+
+\line{it does in ordinary text.\hfil}
+
+\bugonpage 210, line 4 (12/12/89)
+
+\line{you'll get the two equations $a+b=c$ and $A+B=C$ displayed
+separately.}
+
+\bugonpage 212, line 6 (12/12/89)
+
+\line{If you press \CR, \TeX\ will continue merrily, and you will get
+$a^b{}^c$}
+
+\bugonpage 218, line $-6$ (7/13/87)
+
+\line{Of course, you weren't supposed to anticipate such after-the-fact
+corrections.\hfil}
+
+\bugonpage 222, answer to {\bf 14.11}, line 1 (10/15/89)
+
+\ttindent
+|We derive the quadratic formula by|
+
+\bugonpage 229, answer to {\bf 15.19}, lines 2--3 (10/15/89)
+
+\ttindent
+|$\operatorname{\text{\sl SO}}(n)$       |%
+        $\operatorname{\text{\sl SO}}(n)$\newline
+|$\operatorname{\text{\bf SO}}(n)$       |%
+        $\operatorname{\text{\bf SO}}(n)$
+
+\bugonpage 230, answer to {\bf 16.3}, lines 6--9 (10/25/89)
+
+\noindent
+to suppress any extra space that \TeX\ might put in.  (Actually,
+|...\tag{$**$}$$| happens to work correctly, but |...\tag{$***$}$$|
+would give the tag ($***$); rather than worrying about why this
+happens, just type |...\tag{${*}{*}$}$$|\linebreak
+and |...\tag{${*}{*}{*}$}$$| to be on the safe side.)
+
+\bugonpage 230, answer to {\bf 16.4}, line 3 (7/13/87)
+
+\ttindent
+|Q^l&=Q_1\biggl\{\sum_k(-1)^k(PQ_1-I)^k\biggr\}|
+
+\bugonpage 230, answer to {\bf 16.4}, line 6 (10/25/89)
+
+\ttindent
+|    Q_1\tag 1{${}_r$}|
+
+\bugonpage 231, answer to {\bf 16.6} (10/25/89)
+
+\noindent Line 2:
+
+\ttindent
+|\align \alpha_4&=\sqrt{\dfrac12}\\|
+
+\noindent Line 6:
+
+\ttindent
+|\text{etc.}|
+
+\bugonpage 233, answer to {\bf 17.4}, line 6 (5/13/86)
+
+\ttindent
+|        \dots, $b_{3k}$.}\endmultline|
+
+\bugonpage 234, answer to {\bf 18.4} (5/13/86)
+
+\noindent Line 6:
+
+\ttindent
+|\pmatrix \format\r&\quad\r\\|
+
+\noindent Line 10:
+
+\ttindent
+|=\pmatrix \format\r&\quad\r\\|
+
+\bugonpage 239, answer to {\bf 19.13} (10/15/89)
+
+\gdef\vector#1{(#1_1,\dots,#1_n)}%
+\ttindent
+|\define\vector#1{(#1_1,\dots,#1_n)}|
+\medskip
+\noindent
+and then use |$\vector x| to get $\vector x$ and |$\vector y$| to get
+$\vector y$, etc.
+
+\bugonpage 240, answer to {\bf 19.14} (10/15/89)
+
+\ttindent
+|$\vector\alpha$| and |$\vector{x'}$|.
+
+\bugonpage 240, answer to {\bf 19.15} (10/15/89)
+
+\noindent{\bf 19.15.}
+You can get $\vector{{x'}}$ by typing |$\vector{{x'}}$|; now the argument is
+|{x'}| and |{x'}_1| gives ${x'}_1$, etc.  On the other hand,
+ you can't get the formula $(x_1{}',\dots,x_n{}')$ using |\vector|---you'd
+just have to type it out in full.
+
+\bugonpage 240, answer to {\bf 19.20} (10/15/89)
+
+\ttindent
+|\define\vector#1#2{(#1_1,\dots,#1_{#2})}|
+
+\bugonpage 242, answer to {\bf 19.23} (10/15/89)
+
+\ttindent
+|\define\vector#1#2{(#2_1,\dots,#2_{#1})}|
+\medskip
+\noindent
+Although |#1| and |#2| must appear in that order after the 
+|\define\vector|, they can appear in any order within
+the definition itself.
+
+\bugonpage 242, answer to {\bf 19.24} (10/15/89)
+
+\ttindent
+|\define\vector#1,#2.{(#1_1,\dots,#1_{#2})}|
+
+\bugonpage 242, answer to {\bf 19.27}, line 1 (7/13/87) % Francis O. McGuinness
+
+\line{{\bf 19.27.} This is a perfectly acceptable |\define|, but you are
+{\sl not\/} defining a new}
+
+\bugonpage 251, line 1 (10/25/89)
+
+\line{is supplied as a synonym for |\thickspace|. In |plain|, the thick
+space |\;| can}
+
+\bugonpage 252, line 6 (11/11/86)
+
+\ttindent
+|$f''^2$|
+
+\bugonpage 261, after line 12 (6/22/87)
+
+Add\qquad $\eqsim$\quad|\eqsim|
+
+\bugonpage 261, line 15 (6/22/87)
+
+Change\qquad $\ncong$\quad|\napprox|\qquad to\qquad $\ncong$\quad|\ncong|
+
+\bugonpage 262, line 15 (11/14/86)
+
+Change\qquad $\eth$\quad|\thorn|\qquad to\qquad $\eth$\quad|\eth|
+
+\bugonpage 264, line 1 (11/11/86)
+
+\centerline{\bf Appendix G: $\{$\TeX\ Users$\}$}
+
+\bugonpage 265, line 6 (11/11/86)
+
+\line{you might want to look back at Appendix G\null.
+  Perhaps someone in TUG has}
+
+\bugonpage 275, column 1 (11/14/86)
+
+Add entry\newline
+|\eth| ($\eth$),\quad 262
+
+\bugonpage 279, column 1 (12/12/89)
+
+\noindent
+|\lesssim| ($\lesssim$),\quad 260
+
+\bugonpage 281, column 1 (6/22/86)
+
+Remove entry for\quad |\napprox|
+
+Add entry\newline
+|\ncong| ($\ncong$),\quad 261
+
+\bugonpage 284, column 1 (12/12/89)
+
+\noindent
+|\Psi| ($\Psi$),\quad 255
+
+\bugonpage 288, column 2 (11/14/86)
+
+Delete entry for\quad |\thorn|
+
+\enddocument
diff --git a/Master/texmf-dist/doc/amstex/base/joyerr2.tex b/Master/texmf-dist/doc/amstex/base/joyerr2.tex
new file mode 100644
index 00000000000..8e1881980ac
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/base/joyerr2.tex
@@ -0,0 +1,319 @@
+%% @texfile{
+%%   filename  = "joyerr2.tex",
+%%   version   = "1.01",
+%%   date      = "2001/08/05",
+%%   time      = "17:03:46 EDT",
+%%   checksum  = "04000 319 1132 9628",
+%%   author    = "American Mathematical Society",
+%%   filetype  = "AMS-TeX: user documentation",
+%%   copyright = "Copyright 2000 American Mathematical Society,
+%%                all rights reserved.  Copying of this file is
+%%                authorized only if either:
+%%                (1) you make absolutely no changes to your copy
+%%                    including name; OR
+%%                (2) if you do make changes, you first rename it to some
+%%                    other name.",
+%%   address   = "American Mathematical Society,
+%%                Technical Support,
+%%                Electronic Products and Services,
+%%                P. O. Box 6248,
+%%                Providence, RI 02940,
+%%                USA",
+%%   telephone = "401-455-4080 or (in the USA and Canada)
+%%                800-321-4AMS (321-4267)",
+%%   FAX       = "401-331-3842",
+%%   email     = "tech-support@ams.org (Internet)",
+%%   codetable = "ISO/ASCII",
+%%   keywords  = "amstex, ams-tex, tex",
+%%   abstract  = "This file contains errata to The Joy of TeX,
+%%                second edition, 1990. It must be run with AMSTEX
+%%                and AMSPPT 2.0+; it is incompatible with previous
+%%                versions. It also requires the file amssym.tex and
+%%                the fonts msam10 and msbm10.",
+%%   docstring = "The checksum field above contains a CRC-16 checksum
+%%                as the first value, followed by the equivalent of
+%%                the standard UNIX wc (word count) utility output of
+%%                lines, words, and characters.  This is produced by
+%%                Robert Solovay's checksum utility.",
+%% }
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\input amstex
+\documentstyle{amsppt}
+
+\define\lastupdate{5 August 2001}
+
+\pagewidth{29pc}
+\raggedbottom
+\tenpoint
+
+%  \ninepoint required for diversions; sidetrip symbol not available.
+%  Substitute 7pt for \scriptfont, usually 6pt; not really needed
+\catcode`\@=11
+\font@\ninerm=cmr10 at 9pt
+\font@\ninei=cmmi10 at 9pt
+\font@\ninesy=cmsy10 at 9pt
+\font@\nineit=cmti10 at 9pt
+\font@\ninesl=cmsl10 at 9pt
+\font@\ninebf=cmbx10 at 9pt
+\font@\ninett=cmtt10 at 9pt
+\def\ninepoint{\normalbaselineskip12pt
+ \def\rm{\fam0\ninerm}%
+ \def\it{\fam\itfam\nineit}%
+ \def\sl{\fam\slfam\ninesl}%
+ \def\bf{\fam\bffam\ninebf}%
+ \def\tt{\ninett}%
+ \def\smc{\tensmc}%
+ \textfont0=\ninerm   \scriptfont0=\sevenrm   \scriptscriptfont0=\fiverm
+ \textfont1=\ninei    \scriptfont1=\seveni    \scriptscriptfont1=\fivei
+ \textfont2=\ninesy   \scriptfont2=\sevensy   \scriptscriptfont2=\fivesy
+ \textfont3=\tenex   \scriptfont3=\tenex     \scriptscriptfont3=\tenex
+ \textfont\itfam=\nineit
+ \textfont\slfam=\ninesl
+ \textfont\bffam=\ninebf \scriptfont\bffam=\sevenbf
+   \scriptscriptfont\bffam=\fivebf
+ \tt\ttglue=.45em  minus .135em
+ \setbox\strutbox=\hbox{\vrule height8pt depth3pt width0pt}%
+ \normalbaselines\rm}
+
+\def\JoT{{\sl The Joy of \TeX}}
+
+%  Support verbatim listing of TeX source, as defined in TeXbook, p. 421;
+%  lifted from MANMAC.TEX, and modified slightly for narrower columns.
+\catcode`\@=11
+
+\chardef\other=12
+\def\ttverbatim{\begingroup \catcode`\\=\other
+  \catcode`\{=\other \catcode`\}=\other \catcode`\$=\other
+  \catcode`\&=\other \catcode`\#=\other \catcode`\%=\other
+  \catcode`\~=\other \catcode`\_=\other \catcode`\^=\other
+  \catcode`\"=\other
+  \obeyspaces \obeylines \hyphenpenalty=10000 \tt}
+
+\newskip\ttglue
+{\tenpoint\tt \global\ttglue=.5em plus .25em minus .15em}
+% this should be installed in each font
+
+%  From David Eppstein's ``Trees'' paper (TUGboat 6#1), preserve initial
+%  spaces.
+{\obeyspaces\gdef {\ifvmode\indent\fi\space}}
+
+%  Permissible overhang beyond right margin.
+\newdimen\ttrightskip
+\ttrightskip=5pc
+
+%  Although | is ordinarily an escape character within verbatim mode,
+%  provide a method for letting it instead be the character itself
+%  within a display verbatim listing, as needed; this is based on
+%  a technique developed by Michael Ferguson.  Note that within one
+%  \begintt...\endtt block, | can be only one of:
+%       the printing | character, or
+%       active (the escape character)
+%  It cannot perform both functions at the same time.
+\newif\ifttVertChar     \ttVertCharfalse
+{\catcode`\|=\active \gdef\VertChar{\def|{\char"7C }}}
+
+%  Other non-tt elements that may be embedded within \begintt...\endtt .
+\def\MTH{$}
+\def\sb{_}
+\def\sp{^}
+\def\SP{{\tt\char"20 }}         % "visible" space
+\chardef\bs=`\\
+\def\vrt{{\tt\char`\|}}
+
+\catcode`\|=\active
+{\obeylines \gdef\activatettbar{\global\catcode`\|=\active %
+  \gdef|{\ttverbatim \spaceskip\ttglue \xspaceskip\ttglue %
+         \let^^M=\  \let|=\endgroup}}}
+\activatettbar
+
+\catcode`\@=13
+
+\def\ttindent{\noindent\kern3\parindent\hangindent3\parindent}
+
+%  This definition is stolen from the file of TeXbook errata.
+\def\bugonpage#1(#2) \par{\bigbreak\tenpoint
+  \hrule width\hsize
+  \line{\lower3.5pt\vbox to13pt{}Page #1\hfil(#2)}\hrule width\hsize
+  \nobreak\medskip}
+
+%  Some definitions for setting particular Joy notation.
+\def\CR{$\langle$carriage-return$\rangle$}
+\def\tab{{\smc tab}}
+
+\NoBlackBoxes
+
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\topmatter
+\title Errata to \JoT, second edition,\linebreak
+  for \AmSTeX{} 2.0\endtitle
+\leftheadtext{Errata to \JoT, second edition, for \AmSTeX{} 2.0}
+\rightheadtext{Errata to \JoT, second edition, for \AmSTeX{} 2.0}
+\endtopmatter
+
+\document
+
+\noindent
+This list of corrections to \JoT, second edition, 1990, includes all known
+corrections to that edition.  Corrections for the previous edition, which
+preceded the release of \AmSTeX{} Version 2.0, can be found in the file
+|joterr.tex|.
+
+The printing date of each copy of \JoT\ is identified on the reverse
+of the title page.  No corrections have been made in any reprint of
+\JoT, second edition, since the initial printing in 1990.
+
+\smallskip
+(This errata list was last updated \lastupdate.)
+
+
+\bugonpage xviii, line 16 (1997/06/07)
+
+\noindent
+[{\sl change $d0$ at end of line to $d\theta$.}]
+
+\bugonpage xx, line 14 (1997/06/07)
+
+\noindent
+[{\sl change $d0$ at end of line to $d\theta$.}]
+
+\bugonpage 19, lines $-9$ to $-7$ (1997/06/07)
+
+\begingroup
+\hsize27.5pc
+\leftskip1.5pc
+\noindent
+sensation, particularly the material that he has expounded on pages\linebreak
+22--23. Including this material cost an extra \$1000, but it did make
+\P\P\linebreak
+1 and 2 quite popular
+\endgroup
+
+\bugonpage 23, lines 24--26 (1997/06/07)
+
+\begingroup
+\hsize=30.15pc
+\BlackBoxes
+\indent The head of the department, our university's own I. M. Stable,
+  attributes Treemu\-nch's recent aberrant behavior to the much-publicized
+  ``research'' for his paper; notwithstanding, others say that Treemunch's
+  name isn't on the computers' databases,
+\par
+\endgroup
+
+\bugonpage 24, line 17 (1997/06/07)
+
+\noindent\kern1.5pc
+\line{notwithstanding, others say that Treemunch's name isn't on
+  the computers'}
+
+\bugonpage 24, line $-13$ (1997/06/07)
+
+\ttindent
+|the computers'\linebreak databases ...|
+
+\bugonpage 33, line 9 (1997/06/07)
+
+\line{\indent Ties are often preferable to |\.|\ after abbreviations.
+For example, it is best}
+
+\bugonpage 97, lines 7--8 (1997/06/07)
+
+\noindent
+some other kind of tag. Some journals place these tags to the left of
+the formula:
+
+\bugonpage 129, line 13 (1997/06/07)
+
+\noindent\kern-1.5pc
+{\bf ACCENTS IN MATH MODE}
+
+\bugonpage 137, line 12 (1997/06/07)
+
+\noindent\kern-1.5pc
+{\bf ARROWS}
+
+\bugonpage 163, line 16 (1997/06/07)
+
+\noindent\kern-1.5pc
+{\bf GREEK LETTERS}
+
+\bugonpage 163, line 21 (1997/06/07)
+
+\noindent\kern-1.5pc
+{\bf HORIZONTAL BRACES}
+
+\bugonpage 175, line $-13$ (1997/06/07)
+
+\noindent
+|amsppt| style, you still must type |\loadmsam| and |\loadmsbm| but you can
+
+\bugonpage 182, line 20 (1997/06/07)
+
+\noindent\kern-1.5pc
+{\bf RUNNING HEADS}
+
+\bugonpage 183, lines $-3$ to $-2$ (1997/06/07)
+
+\noindent
+the |\bigl| and |\bigr| for the delimiters (see {\bf big and bigg})
+should be accompanied by a |\bigm|{\tt\char`\|} for the $\vert$:
+
+\bugonpage 194, lines $-4$ to $-3$ (1997/06/07)
+
+\begingroup
+\NoBlackBoxes
+\ninepoint
+\leftskip18pt
+\noindent
+\AmSTeX\ also takes care to disregard extraneous spaces in constructions
+like \hbox{|\author|} and |\title|.  Although we typed\par
+\endgroup
+
+\bugonpage 201, line $-11$ (1997/06/07)
+
+\noindent
+\line{tuation, the |amsppt| preprint style provides a command |\rom| to
+be applied}
+
+\bugonpage 244, lines $-3$ to $-1$ (1997/06/07)
+
+\noindent
+When you leave out the |&|, \TeX\ simply inserts a blank for the right
+hand part of the second formula, so the whole second formula was treated
+as the left hand part, with the right hand part being blank.
+
+\bugonpage 291, column 2 (1999/01/07)
+
+Add entry\newline
+empty delimiter (|\left.|, |\right.|), 85, 144
+
+\bugonpage 293, column 2, index entry ``formulas'' (1996/11/23)
+
+Add second level entry\newline
+\indent{\it see also\/} tags
+
+\bugonpage 298, column 1 (1997/06/07)
+
+\noindent
+margin gap in |\multline|, 175
+
+\bugonpage 298, column 1, index entry ``math formulas'' (1997/06/07)
+
+Add second level entry\newline
+\indent|\tag|, 97
+
+\bugonpage 293, column 2, index entry ``numbers'' (1996/11/23)
+
+Add second level entry\newline
+\indent{\it see also\/} tags
+
+\bugonpage 300, column 1, index entry ``operators'' (1997/06/07)
+
+\indent space around, 43--44, 164-165, 224
+
+\bugonpage 303, column 1, index entry ``relations'' (1997/06/07)
+
+\indent space around, 43--44, 137, 165
+
+\enddocument
diff --git a/Master/texmf-dist/doc/amstex/siam/amsamp.tex b/Master/texmf-dist/doc/amstex/siam/amsamp.tex
new file mode 100644
index 00000000000..44048937dd7
--- /dev/null
+++ b/Master/texmf-dist/doc/amstex/siam/amsamp.tex
@@ -0,0 +1,365 @@
+%  This is the sample paper for the AmSTeX SIAM style file, (amstex)siam.sty
+%  for use with AmSTeX version 2.1 or later and amsppt.sty, version 2.1a.
+%  RCS information: $Revision: 1.1 $, $Date: 93/01/25 15:33:19 $.
+\input amstex
+\documentstyle{amstexs1}
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Macro definitions for running heads and first page              %
+\accepted\SIMAF                                                   %
+\firstpageno{10}                                                  %
+\lastpageno{12}                                                   % 
+\issuevolume{1}                                                   %
+\issuenumber{2}                                                   %
+\issuemonth{February}                                             %
+\placenumber{002}             % place of paper in this issue      %
+\issueyear{1988}                                                  %
+\shortauthor{Bradley J. Lucier and Douglas N. Arnold}             %
+\shorttitle{A Sample Paper}                                       %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Macros specific to this paper   %
+\define\loner{{L^1(\Bbb R)}}      %
+\define\linfr{{L^\infty(\Bbb R)}} %
+\define\bvr{{\roman{BV}(\Bbb R)}} %
+\define\TV{{\roman {TV}}}         %
+\define\sdot{\,\cdot\,}           %
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+\topmatter
+\title
+A SAMPLE PAPER, WITH A RATHER LONG TITLE, TO ILLUSTRATE THE 
+\AmSTeX\ SIAM STYLE\footnote[\boldkey*]{Unlikely to appear.}
+\endtitle
+\author
+BRADLEY J. LUCIER\footnote[\dag]{Department of Mathematics, Purdue University,
+West Lafayette, Indiana 47907.  Present address, somewhere on the beach
+(lucier\@math.purdue.edu).
+The work of the first author was not supported by the
+Wolf Foundation.}\ and DOUGLAS N. ARNOLD\footnote[\ddag]{Department
+of Mathematics, Pennsylvania State University,
+University Park, Pennsylvania 16802.}
+\endauthor
+\abstract
+This sample paper illustrates many of the amstex
+macros as used with the \AmSTeX\ SIAM style file amstexsiam (version 2.0a).
+The \AmSTeX\ SIAM style file, which
+inputs and builds upon the amsppt style (version 2.1a or later)
+of Michael Spivak, gives authors easy
+access to most of the typographical constructions used in SIAM journals.
+It does not address the issues of the table of contents
+or tables, which must be set using more primitive \TeX\ macros.
+\endabstract
+\keywords
+porous medium, interface curves
+\endkeywords
+\subjclass
+65N60
+\endsubjclass
+\endtopmatter
+\document
+\subhead 1. Introduction\endsubhead
+We are concerned with numerical approximations to the so-called
+porous-medium equation \cite{6},
+$$
+\alignedat2
+  &u_t=\phi(u)_{xx},&&\qquad x\in\Bbb R,\quad t>0,\quad\phi(u)=u^m,\quad m>1,
+\\
+  &u(x,0)=u_0(x),&&\qquad x\in\Bbb R.
+\endalignedat
+\tag 1.1
+$$
+We assume that the initial data $u_0(x)$ has bounded support, that
+$0\leq u_0\leq M$, and that $\phi(u_0)_x\in\bvr$.
+It is well known that a unique solution $u(x,t)$ of (1.1) exists,
+and that $u$ satisfies
+$$
+  0\leq u\leq M\text{ and }\TV\phi(u(\,\cdot\,,t))_x\leq\TV\phi(u_0)_x.
+\tag 1.2
+$$
+If the data has slightly more regularity, then this too is satisfied
+by the solution. Specifically, if $m$ is no greater than two and
+$u_0$ is Lipschitz continuous, then $u(\,\cdot\,,t)$ is also Lipschitz;
+if $m$ is greater than two and $(u_0^{m-1})_x\in\linfr$, then
+$(u(\,\cdot\,,t)^{m-1})_x\in\linfr$ 
+(see [3]). (This will follow from results presented here, also.)
+We also use the fact that the solution $u$ is H\"older continuous in $t$.
+
+\subhead 2. $\linfr$ error bounds\endsubhead
+After a simple definition, we state a theorem
+that expresses the error of approximations $u^h$ in
+terms of the weak truncation error $E$.
+\definition{Definition 2.1}\rm A {\it definition}
+is the same as a theorem set in roman
+type.  In version 2 of the \AmSTeX\ style file for the SIAM journals,
+definitions are set with their own command.
+\enddefinition
+\proclaim{Theorem 2.1}
+Let $\{u^h\}$ be a family of approximate solutions satisfying
+the following conditions for $0\leq t\leq T${\rm:}
+\roster
+\item For all $x\in\Bbb R$ and positive $t$, $0\leq u^h(x,t)\leq M${\rm;}
+\item Both $u$ and $u^h$ are H\"older--$\alpha$ in $x$
+for some $\alpha\in(0,1\wedge 1/(m-1))${\rm;} $u^h$ is right
+continuous in $t${\rm;}
+and $u^h$ is H\"older continuous in $t$ on
+strips $\Bbb R\times(t^n,t^{n+1})$, with the set $\{t^n\}$ having no
+limit points\/{\rm;} and
+\item There exists a positive function $\omega(h,\epsilon)$ such that\/{\rm:}
+whenever $\{w^\epsilon\}_{0<\epsilon\leq\epsilon_0}$ is a family of functions
+in $\bold X$ for which
+{\roster
+\item"(a)" there is a sequence of positive numbers $\epsilon$ tending
+to zero, such that for these  values of
+$\epsilon$, $\|w^\epsilon\|_\infty\leq 1/\epsilon$,
+\item"(b)" for all positive
+$\epsilon$, $\|w_x^\epsilon(\sdot,t)\|_\loner\leq 1/\epsilon^2$, and
+\item"(c)" for all $\epsilon>0$, 
+$$
+\sup\Sb
+x\in\Bbb R\\0\leq t_1,t_2\leq T\endSb
+\dfrac{|w^\epsilon(x,t_2)-w^\epsilon(x,t_1)|}{|t_2-t_1|^p}\leq 1/\epsilon^2,
+$$
+where $p$ is some number not exceeding $1$,
+\endroster}%
+then\footnote{This is an obvious ploy, but we need a footnote.}
+ $|E (u^h,w^\epsilon,T)|\leq\omega(h,\epsilon).$
+\item
+This is the fourth item in the outer roster.
+\endroster
+Then, there is a constant $C=C(m,M,T)$ such that
+$$\multline
+\|u-u^h\|_{\infty,\Bbb R\times[0,T]}\leq C\biggl[
+\sup \biggl |\int_\Bbb R(u_0(x)-u^h(x,0))  w(x,0) \,dx\biggr|\\
++\omega(h,\epsilon)+\epsilon^\alpha\biggr],\endmultline
+\tag 2.1
+$$
+where the supremum is taken over all $w\in\bold X$.
+\endproclaim
+
+\demo{Proof}
+We assume first that $Q$ is decreasing and consider the following cases:
+\case{Case\/ {\rm1:}
+$b'\geq 1/2$} We have $P(1/8)\geq\delta>0$ where $\delta$
+depends only on $d$, for otherwise by (3.7) applied to $P$ and $p=\infty$,
+$P$ could not attain the value $1$ at $x=1$.  Similarly, for
+$m=(a'+b')/2$, $Q(m)\geq\delta'>0$ for some $\delta'$ depending only on $d$
+since otherwise $Q$ cannot attain the value $1$ at $x=a'$.  Hence, for
+$\delta''=\min(\delta,\delta')$, 
+$|A(y)|\geq|m-1/8|\geq b'/4\geq\frac18\max(b',1)$ for 
+$y\in[0,\delta'']$.  On the other hand,
+$|A(y)|\leq \max(b',1)$ for all $y\in[0,1]$, so (4.2) follows for
+all $1\leq p\leq\infty$.
+\endcase
+\case{Case\/ {\rm2:}
+$b'\leq 1/2$} We have $P(3/4)\leq\delta<1$ with $\delta$
+depending only on $d$ for otherwise (3.7) applied to $1-P$ and $p=\infty$
+would show that $P$ could not attain the value $0$ at $x=0$.  It follows
+that $|A(y)|\geq 3/4-b'\geq 1/4$, $y\in[\delta,1]$, while $|A(y)|\leq 1$
+for all $y\in[0,1]$.  Hence (4.2) follows for
+all $1\leq p\leq\infty$.
+\endcase
+We consider now when $Q$ is increasing.  We can assume that $Q$ is not
+a translate of $P$, i.e\., we do not have $P(x)=Q(x+\delta)$ for some $\delta$,
+for then (4.2) follows trivially.  In what follows, $C$ and $\delta$
+depend on $d$, and $C$ may depend on $p$.  We consider the following cases:
+\case{Case\/ {\rm3:} $a'\geq 1/4$ and $b'\leq 100$}
+From (3.7) for $P$
+and $p=\infty$, it follows that $P(1/8)\geq\delta$ since otherwise $P$ cannot
+attain the value $1$ at $x=1$.  Hence $|A(y)|\geq a'-1/8\geq1/8$ on
+$[0,\delta]$.  On the other hand $|A(y)|\leq b'$ for all $y\in[0,1]$ and hence
+(4.2) follows for all $1\leq p\leq\infty$.
+\endcase
+Let $z$ be in $\bold X$. Because $E(u,\sdot,\sdot)\equiv0$,
+Equation (1.5) implies that
+$$
+\int_\Bbb R\Delta uz|^T_0dx=\int_0^T\int_\Bbb R
+\Delta u(z_t+\phi[u,u^h]z_{xx})\,dx\,dt-
+E(u^h,z,t),
+\tag 2.2
+$$
+where $\Delta u=u-u^h$ and 
+$$
+\phi[u,u^h]=\dfrac{\phi(u)-\phi(u^h)}{u-u^h}.
+$$
+Extend $\phi[u,u^h](\cdot,t)=\phi[u,u^h](\cdot,0)$ for negative $t$, and
+$\phi[u,u^h](\cdot,t)=\phi[u,u^h](\cdot,T)$
+for $t>T$.
+Fix a point $x_0$ and a number $\epsilon>0$. Let $j_\epsilon$
+be a smooth function of $x$ with integral $1$ and support in 
+$[-\epsilon,\epsilon]$,
+and let $J_\delta$ be a smooth function of
+$x$ and $t$ with integral $1$ and support in 
+$[-\delta,\delta]\times[-\delta,\delta]$; $\delta$ and $\epsilon$ are
+positive numbers to be specified later.
+We choose $z=z^{\epsilon\delta}$ to satisfy
+$$
+\aligned
+  &z_t+(\delta+J_\delta*\phi[u,u^h])z_{xx}=0,\qquad x\in\Bbb R,\;0
+\leq t\leq T,\\
+  &z(x,T)=j_\epsilon(x-x_0).
+\endaligned
+\tag 2.3
+$$
+The conclusion of the theorem now follows from (2.1) and the fact that
+$$
+|j_\epsilon*\Delta u(x_0,t)-\Delta u(x_0,t)|\leq C\epsilon^\alpha,
+$$
+which follows from  Assumption 2.
+\qquad\qed
+\enddemo
+\example{Example\/ {\rm 1}}  This is an example of an example.
+\endexample
+\remark{Remark\/ {\rm 1}} Examples are set the same as definitions in
+some styles,
+and the same as proofs in others.  What convention does this style follow?
+\endremark
+Sometimes you want to include a figure, as in Fig.~1.
+\topinsert
+\def\Bif{{\bf if\/ }}\def\Bwhile{{\bf while\/ }}\def\Belse{{\bf else\/ }}
+\settabs\+\qquad&\qquad&\qquad&\qquad&\cr
+\+\smc Tree Partition Algorithm \{\cr
+\+&Let stack size denote the number of nodes in the\cr
+\+&&subtrees stored temporarily on the local stack\cr
+\+&pop I from global stack\cr
+\+&set stack size := 0\cr
+\+&\Bwhile (stack size $\leq$ max size and stack size + 
+I$\rightarrow$tree size $>$ 3 (max size)) \{\cr
+\+&&process I as an interior node\cr
+\+&&let min tree be the smaller of the subtrees of the two children of I\cr
+\+&&let max tree be the larger of the subtrees of the two children of I\cr
+\+&&\Bif (min tree$\rightarrow$tree size + stack size $>$ 3 (max size)) \{\cr
+\+&&&push min tree onto the global stack\cr
+\+&&\} \Belse \{\cr
+\+&&&push min tree onto the local stack\cr
+\+&&&set stack size := stack size + min tree$\rightarrow$tree size\cr
+\+&&\}\cr
+\+&&set I := max tree\cr
+\+&\}\cr
+\+&\Bif (I$\rightarrow$tree size + stack size $>$ 3 (max size)) \{\cr
+\+&&push I onto the global stack\cr
+\+&\} \Belse \{\cr
+\+&&push I onto the local stack\cr
+\+&\}\cr
+\+&Process all subtrees on the local stack\cr
+\+\}\cr
+\botcaption{Fig.~1}  Tree partition algorithm Tree partition algorithm
+Tree partition algorithm Tree partition algorithm Tree partition algorithm
+Tree partition algorithm Tree partition algorithm.\endcaption
+\endinsert
+
+We finish with a table of all SIAM journals.
+\midinsert
+\topcaption{Table 1}{SIAM journal acronyms and titles}\endcaption
+\settabs\+\indent&Acronym\indent&Title&\cr
+\hbox to \hsize{\hrulefill}
+\+&Acronym&Title&\cr
+\hbox to \hsize{\hrulefill}
+\+&SINUM&SIAM Journal on Numerical Analysis&\cr
+\+&SIREV&SIAM Review&\cr
+\+&SIMA&SIAM Journal on Mathematical Analysis&\cr
+\+&SIMAX&SIAM Journal on Matrix Analysis and Applications&\cr
+\+&SICOMP&SIAM Journal on Computing&\cr
+\+&SISC&SIAM Journal on Scientific Computing&\cr
+\+&SIOPT&SIAM Journal on Optimization&\cr
+\+&SIAP&SIAM Journal on Applied Mathematics&\cr
+\+&SICON&SIAM Journal on Control and Optimization&\cr
+\+&SIDMA&SIAM Journal on Discrete Mathematics&\cr
+\+&TVP&Theory of Probability and Its Applications&\cr
+\hbox to \hsize{\hrulefill}
+\endinsert
+
+\Refs
+\ref
+  \no 1
+  \by L. A. Caffarelli and A. Friedman
+  \paper Regularity of the free boundary of a gas flow in an 
+         $n$-dimensional porous medium
+  \jour Indiana Math. J.
+  \vol 29
+  \yr 1980
+  \pages 361--391
+\endref
+\ref\no 2
+  \by R. DeVore and B. Lucier
+  \paper High order regularity for solutions of the inviscid Burgers equation
+  \inbook Nonlinear Hyperbolic Problems
+\procinfo Proceedings of an Advanced Research Workshop, Bordeaux,
+France, June 1988
+  \bookinfo Lecture Notes in Mathematics
+  \vol 1402
+  \eds C. Carasso, P. Charrier, B. Hanouzet, and J.-L. Joly 
+  \yr 1989
+  \publ Springer-Verlag
+  \publaddr New York
+  \pages 147--154
+\endref
+\ref \no 3
+  \bysame
+  \paper Wavelets
+  \jour Acta Numerica
+  \yr 1992
+  \ed A. Iserles
+  \publ Cambridge University Press
+  \publaddr New York
+  \pages 1--56
+\endref
+\ref \no 4
+  \by R. A. DeVore and V. A. Popov
+  \paper Interpolation spaces and non-linear approximation
+  \inbook Function Spaces and Applications
+  \bookinfo Lecture Notes in Mathematics
+  \procinfo Proceedings of the US--Swedish Seminar held in Lund, 
+Sweden, June 15--21, 1986
+  \vol 1302
+  \eds M. Cwikel, J. Peetre, Y. Sagher, and H. Wallin
+  \publ Springer-Verlag
+  \publaddr New York
+  \yr 1988
+  \pages 191--205
+  \endref
+\ref \no 5
+  \by R. A. DeVore and X. M. Yu
+  \paper Nonlinear $n$-widths in Besov spaces
+  \inbook Approximation Theory VI: Vol. 1
+  \eds C. K. Chui, L. L. Schumaker, and J. D. Ward
+  \publ Academic Press
+  \publaddr New York
+  \yr 1989
+  \pages 203--206
+  \lang In Russian
+  \endref
+\ref 
+  \no 6
+  \by K. Hollig and M. Pilant
+  \paper Regularity of the free boundary for the porous medium equation
+  \paperinfo MRC Tech. Rep. 2742
+\endref
+\ref 
+  \no 7
+  \by J. Jerome
+  \book Approximation of Nonlinear Evolution Systems 
+  \publ Academic Press 
+  \publaddr New York 
+  \yr 1983
+\endref
+\ref
+  \no 8
+  \manyby R. J. LeVeque
+  \paper Convergence of a large time step generalization of Godunov's method 
+         for conservation laws
+  \jour Comm. Pure Appl. Math.
+  \vol 37 
+  \yr 1984
+  \pages 463--478
+\endref
+\ref\no 9
+  \by O. Rioul and M. Vetterli
+  \paper Wavelets and signal processing
+  \jour IEEE Signal Processing Magazine
+  \vol 8
+  \issue 4
+  \yr 1991
+  \toappear
+\endref
+\endRefs
+\enddocument
+
diff --git a/Master/texmf-dist/doc/cslatex/base/INSTALL.cslatex b/Master/texmf-dist/doc/cslatex/base/INSTALL.cslatex
new file mode 100644
index 00000000000..19695bb86cc
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/INSTALL.cslatex
@@ -0,0 +1,35 @@
+CSLaTeX 2e
+----------
+
+Toto je LaTeX2e z øíjna 1997 upravený pro èeskou a slovenskou
+sazbu. Vznikl pøizpùsobením star¹ích verzí autorù Jiøího Zlatu¹ky a
+Zdeòka Wagnera.
+
+Poslední poèe¹tìní provedl pan Jaroslav Snajdr, viz 
+http://home.zcu.cz/~snajdr5/cslatex.
+
+Pøebalení do taru s ji¾ docstipovanými soubory pro UNIX provedl 
+Petr Ol¹ák.
+
+Tar cslatex-01-98.tar obsahuje jednak úplnou verzi LaTeXu 2e datovanou
+k prosinci 1997, dále balík tools a graphics. V¹e je ji¾ po
+"rozbalení" programem docstrip pøipraveno pøímo k provozu. Proto je
+instalace jednoduchá:
+
+INSTALACE
+---------
+
+0. Je potøeba mít instalován tex, csplain, ltfonts a csfonty.
+
+1. Rozbalte tar do adresáøe, ve kterém máte texmf (v teTeXu mezi prvním a
+   druhým texmf)
+ 
+2. cd texmf/web2c
+
+3. initex cslatex.ini
+
+Pøed i po bodu 3 je vhodné aktualizovat databázi ls-R, napøíklad
+pøíkazem MakeTeXls-R.
+
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/README-cspsfont b/Master/texmf-dist/doc/cslatex/base/README-cspsfont
new file mode 100644
index 00000000000..5b553a8936b
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/README-cspsfont
@@ -0,0 +1,93 @@
+
+               Informace o balíku cspsfont
+               %%%%%%%%%%%%%%%%%%%%%%%%%%%
+               23. 11. 1995     Petr Ol¹ák
+               5. 1. 1996    Zdenìk Wagner
+      
+24. 3. 1999: POZOR! Pro ¹est fontù pcrb8t, pcrbc8t, pcrbo8t, pcrr8t, pcrrc8t
+             a pcrro8t jsme museli zmìnit názvy na *8u, tak¾e nyní se
+             správnì jmenují: pcrb8u, pcrbc8u, pcrbo8u, pcrr8u,
+             pcrrc8u a pcrro8u. Dùvod: Názvy *8t byly v konfliktu se
+             stejnými názvy pou¾ívanými v LaTeXu v kódování T1.
+             Nebude-li vám tedy fungovat èe¹tina v rodinì Courier,
+             nezapomeòte zmìnit svá makra, která obsahují konfliktní
+             názvy *8t.
+
+Tento dokument byl pùvodnì vytvoøen Petrem Ol¹ákem. Podporu pro LaTeX2e
+vytvoøil nezávisle Zdenìk Wagner. Po mezinárodní dohodì o názvech
+èeskoslovenských fontù ZW upravil tento dokument, pøepsal makra PO pro plain a
+kvùli kompatibilitì se svým pøedchozím neoficiálním balíkem (a také proto, ¾e
+je vìt¹í a po soutoku dvou øek se výsledný tok také jmenuje podle té vìt¹í)
+jej pøejmenoval z cpmacros na cspsfont.
+
+Balík cspsfont obsahuje makra pro podporu práce se základními PostScriptovými
+fonty v kódování CSfontù.  Makra jsou urèena pro plain a LaTeX2e.
+
+Pøedpoklady:
+- Je instalován cstex96 nebo cstex95.alfa,
+- Pro konverzi z dvi se pou¾ije dvips,
+- Je k dispozici PostScriptový RIP (napø. v tiskárnì nebo Ghostscript),
+  který umí rastrovat základní PostScriptové fonty v Adobe StandardEncoding
+  (písmové sady Times, Bookman, NewCenturySchlbk, Helvetica,
+  Avantgarde-Book, Palatino, Courier).
+
+Instalace:
+  cd /usr/local/lib
+  zcat cspsfont.tar.gz | tar xvf -
+  Je-li v /usr/local/lib/texmf u¾ rozbalen csplain a cslatex a jsou-li
+  vygenerovány cs-formáty, není tøeba dìlat nic.
+
+Pou¾ití:
+- V plainu:
+   \input ctimes
+  Od této chvíle budou pøíkazy \bf, \tt, \rm a \it pracovat s fonty
+  odpovídající písmové sadì Times. V csplainu navíc je mo¾né na vstupu
+  pou¾ívat èeský/slovenský text. Fonty pou¾ité v matematickém re¾imu
+  zùstávají ze sady CM.
+  Pøíklad: Nech» $M_1$ je {\it mno¾ina} -- slovo "Nech»" a "je" bude
+           v Times-Roman, slovo "mno¾ina" bude v Times-Italic, písmeno "M"
+           zùstane v cmmi (Computer Modern math italic) a index "1" rovnì¾
+           zùstane v cmr (Computer Modern Roman).
+  Analogicky dal¹í písmové sady:
+           ctimes   ... Times-Roman
+           cbookman ... Bookman
+           cncent   ... NewCenturySchlbk
+           chelvet  ... Helvetica
+           cavantga ... AvantGarde-Book
+           cpalatin ... Palatino
+
+- V LaTeXu:
+  V adresáøi emtex\dist\cspsfont najdete soubor cspsfont.drv. Zpracujte jej
+  LaTeXem2e a vytisknìte. Tím získáte úplnou dokumentaci. Pokud vás nezajímá,
+  jak je v¹e udìláno, a chcete pouze návod pro u¾ivatele, najdìte pøed
+  zpracováním v souboru cspsfont.drv øádek obsahující \OnlyDescribtion a
+  vyma¾te ^^A z jeho zaèátku.
+
+Poznámka:
+  Pokud pro rastrování z PostScriptu pou¾íváte Ghostscript, je nutné
+  zamìnit náhradní fonty dodávané s balíkem (*.gsf) za skuteèné
+  PostScriptové fonty (*.pfb). Pokud to neudìláte, doèkáte se velmi
+  nekvalitního výsledku, který by mohl TeXu dìlat jen ostudu.
+  Skuteèné PostScriptové fonty (*.pfb) jsou ov¹em vázány licencí a není
+  mo¾né je ¹íøit zdarma. V Ghostscriptu od verze 3.33 jsou dodávány 
+  náhradníci ke standardním 35 fontùm ve formátu pfb, které uvolnila
+  firma URW a dal¹í firmy pro free pou¾ití. Tyto náhradní fonty u¾ mají
+  velmi slu¹nou kvalitu.
+
+Copyright
+%%%%%%%%%
+
+Tento balík patøí mezi volnì ¹íøený software; mù¾ete
+jej dále distribuovat anebo modifikovat za podmínek GNU General Public
+License, jak ji publikovala Free Software Foundation; buï ve verzi 2
+této licence nebo (podle Va¹í volby) v libovolné pozdìj¹í verzi.
+
+Tento software je distribuován s pøáním, aby byl u¾iteèný, ale BEZ
+®ÁDNÉ ZÁRUKY. Viz GNU General Public License.
+
+Anglický originál GNU General Publics License najdete v distribuci
+CSTeXu a mnoha dal¹ích volnì ¹íøených programù. Mù¾ete si té¾ o nìj
+napsat na adresu Free Software Foundation, Inc., 59 Temple Place,
+Suite 330, Boston, MA 02111-1307 USA
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/README.cslatex b/Master/texmf-dist/doc/cslatex/base/README.cslatex
new file mode 100644
index 00000000000..17acb5b46a7
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/README.cslatex
@@ -0,0 +1,211 @@
+CSLaTeX --- úpravy LaTeXu 2e pro èeskou a slovenskou sazbu
+              Verze pro LaTeX z prosince '96
+==========================================================
+28.10.1997                                  Jaroslav ©najdr
+
+CSLaTeX je sada konfiguraèních souborù pro LaTeX2e, které umo¾òují v
+tomto systému pøipravovat èeské a slovenské dokumenty. Balík je
+distribuován (jak je u LaTeXu zvykem) v souboru cslatex.dtx, který
+obsahuje pøíslu¹ná makra i s dùkladnou dokumentací. Soubor cslatex.ins
+je dávka pro program docstrip, který z dtx zdroje vygeneruje vlastní
+soubory.
+
+Instalace
+---------
+
+(jednodu¹¹í postup instalace z balíku cslatex-10-97.tar, viz INSTALL.cslatex)
+
+Pro instalaci potøebujete (kromì TeXu):
+
+o CS-fonty.
+
+o èeské a slovenské vzory dìlení czhyphen.tex a skhyphen.tex. Jsou
+  souèástí csplainu.
+
+o LaTeXové "obrázkové" fonty lasy, lcircle a line.
+
+o Originální LaTeX2e. Distribuèní soubory jsou k nalezení na CTANu v
+  adresáøi /tex-archive/macros/latex/base/.
+
+Pokud toto v¹echno máte, mù¾ete zaèít instalovat:
+
+o Sma¾te (zazálohujte) starou verzi LaTeXu. POZOR! Toto se netýká
+  podpùrných balíèkù, napø. graphics, tools nebo psnfss. Jejich
+  upgrade (je-li k dispozici novìj¹í verze) je samostatnou zále¾itostí
+  a není bezpodmíneènì nutný. Pokud máte nainstalovanou star¹í verzi
+  CSLaTeXu, mìly by zmizet adresáøe texmf/tex/latex/cslatex, input a
+  src. Máte-li v adresáøi input nìkteré styly, které nejsou standardní
+  souèástí LaTeXu (napø. a4, a4wide, fancyhdr), vytvoøte adresáø
+  texmf/tex/latex/misc a pøesuòte je tam.
+
+o Pokud vá¹ TeX pou¾ívá ke hledání v adresáøovém stromu hashovací
+  soubor (napø. v teTeXu ls-R), nechte ho znovu vytvoøit, aby se
+  projevily provedené zmìny -- smazané soubory. V teTeXu k tomuto
+  slou¾í pøíkaz texhash.
+
+o Vytvoøte si nìkde v /tmp doèasný adresáø, do kterého zkopírujete
+  distribuèní soubory LaTeXu a CSLaTeXové soubory cslatex.dtx a
+  cslatex.ins.
+
+o V tomto adresáøi rozbalte distribuci LaTeXu pøíkazy "initex
+  unpack.ins" a "initex cslatex.ins".
+
+o V normální konfiguraci pou¾ívá LaTeX v kódování T1 dc-fonty. Máte-li
+  novìj¹í ec-fonty, vytvoøte pøíslu¹nì upravené definièní soubory
+  pøíkazem "initex ec.ins". Tento krok musí následovat a¾ PO
+  zpracování unpack.ins.
+
+o Vytvoøte formát LaTeX pøíkazem "initex latex.ltx".
+
+Nyní máme v na¹em adresáøi 266 souborù, z nich¾ ty potøebné pøesuneme
+na pøíslu¹ná místa do adresáøové struktury TeXu:
+
+o Soubor latex.fmt pøesuòte do adresáøe s formáty -- v teTeXu
+  texmf/web2c.
+
+o Konfiguraèní soubory pro èe¹tinu pøesuneme do adresáøe
+  texmf/tex/latex/cslatex. Jsou to tyto:
+
+	fonttext.cfg
+	hyphen.cfg
+	il2enc.def
+	il2*.fd
+	lczech.sty
+	lslovak.sty
+
+o Do adresáøe texmf/tex/latex/input dáme vstupní soubory LaTeXu:
+
+	docstrip.tex
+	*.cls
+	*.clo
+	*.sty
+	*.fd
+	*.ist
+	*.def
+	*.cfg
+
+o Zdrojové soubory LaTeXu
+
+	fontmath.ltx
+	fonttext.ltx
+	hyphen.ltx
+	latex.ltx
+	ltpatch.ltx
+	preload.ltx
+	
+nejsou tøeba pro normální práci, ale budeme je potøebovat, pokud
+chceme vygenerovat znovu formát. Tento pøípad mù¾e nastat, kdy¾ budeme
+do LaTeXu pøidávat nové vzory dìlení, nebo kdy¾ si fmt soubor prostì
+omylem sma¾eme. Proto je pøesuneme do adresáøe /texmf/tex/latex/src. 
+
+Ostatní soubory nebudeme potøebovat, proto je mù¾eme smazat.
+
+Vygenerujeme hashovací soubor pro TeX pøíkazem "texhash"
+(teTeX). LaTeX je nainstalován a mù¾eme ho otestovat na nìjakém
+krátkém dokumentíku.
+
+
+Konfigurace dìlení slov
+-----------------------
+
+Konfiguraèní pøíkazy se nacházejí v souboru cslatex/hyphen.cfg.
+Pøíslu¹ná èást souboru je viditelnì ohranièena komentáøovými
+øádkami. K zavedení vzorù dìlení slou¾í pøíkaz
+
+	\DeclareLanguage[seznam kódování]{jméno pøíkazu zapnutí vzorù}%
+	                {jméno souboru se vzory a výjimkami}%
+                        {\lefthyphenmin=èíslo \righthyphenmin=èíslo
+                         \@requesthyphens <nebo> \@splitrequestedfalse}
+
+Vzory dìlení naètené s \@requesthyphens umí vyu¾ívat funkci pøená¹ení
+pomlèky pøi dìlení (viz ní¾e).
+
+Implicitnì je zavedena americká angliètina, èe¹tina a sloven¹tina v
+kódování IL2. Pro zavedení èe¹tiny v IL2 i T1 pou¾ijte:
+
+	\DeclareLanguage[IL2,T1]{\czech}{czhyphen.tex}%
+                                {\lefthyphenmin=2 \righthyphenmin=3
+                                 \@requesthyphens}%
+
+V bì¾ném TeXu mù¾e být maximálnì 4 a¾ 5 vzorù najednou -- víc se do
+jeho pamìti nevejde.
+
+
+Styl czech.sty/slovak.sty
+-------------------------
+
+Bez zavedení tohoto stylu se CSLaTeX chová jako normální LaTeX a
+pou¾ívá cm-fonty bez èeských znakù.
+
+Pomocný styl zavedeme pomocí
+
+	\usepackage[parametry]{czech}
+popø.
+	\usepackage[paremetry]{slovak}
+
+Parametry mù¾ou být:
+
+T1
+	Cork kódování. Budou se pou¾ívat dc(ec) fonty. Aby se správnì
+        dìlila slova, musí být vzory dìlení nata¾eny také pro T1 (viz
+        vý¹e). Bez tohoto parametru je pou¾ito kódování IL2.
+
+split
+	Zapíná pøená¹ení pomlèky pøi dìlení slov typu propan-
+	-butan. Tato vlastnost funguje skoro bez problémù -- výjimkou
+	je pou¾ití `-' jako minus v èísle, které ète TeX v
+	horizontálním módu (tak bývá zadáváno napø. \looseness=-1); v
+	tìchto pøípadech je pøi zapnutém pøená¹ení dìlítka mo¾né
+	napsat \minus.
+
+nosplit
+	Vypíná pøená¹ení pomlèky. To je také implicitní chování.
+
+nocaptions
+	Nebudou pøedefinovány texty vkládané LaTeXem jako "Kapitola"
+        nebo "Obsah". Zùstanou tedy pùvodní "Chapter" nebo "Contents".
+
+olduv
+	Pøíkaz \uv je (novì) definován tak, ¾e zajistí správný kerning
+	kolem uvozovek, ale uvnitø jeho argumentu nelze pou¾ít pøíkaz
+        \verb. Pou¾itím volby olduv dostaneme starou definici, která
+	se chovala pøesnì obrácenì -- ¹patný kerning, lze pou¾ít \verb.
+	Oba tyto po¾adavky se navzájem vyluèují a nikdo dosud
+	nevymyslel øe¹ení, kde by fungovalo obojí najednou.
+
+Volba 'cstex', která umo¾òovala pou¾ívání pøíkazù \csprimeson/off,
+byla zru¹ena a tyto pøíkazy lze pou¾ívat rovnou. Kvùli zpìtné
+kompatibilitì je stále deklarována, ale vùbec nic nedìlá -- její
+pou¾ití pouze nezpùsobí chybu.
+
+Pøíkazy definované ve stylu czech/slovak.sty
+--------------------------------------------
+
+\dateczech
+	Pøíkaz \today expanduje na èeské datum, napø. 30. srpna 1977.
+
+\dateslovak
+	Slovenské datum, napø. 30. augusta 1977.
+
+\dateUSenglish
+	Americké \today, napø. August 30th, 1977.
+
+\dateenglish
+	Britské \today, napø. 30th August 1977.
+
+\captionsczech
+	Èeské captions -- Pøedmluva, Tabulka.
+
+\captionsslovak
+	Slovenské captions -- Predhovor, Tabuµka.
+
+\captionsenglish
+	Anglické captions -- Preface, Table.
+
+\csprimeson, \csprimesoff
+	``Anglické'' uvozovky se (ne)budou sázet jako èeské 99 66.
+
+\cstieon, \cstieoff
+	Pøedefinuje vlnku ~, aby se v mat. módu (ne)sázela mezera.
+
+--
diff --git a/Master/texmf-dist/doc/cslatex/base/cs-fonts.doc b/Master/texmf-dist/doc/cslatex/base/cs-fonts.doc
new file mode 100644
index 00000000000..f941800c0ca
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/cs-fonts.doc
@@ -0,0 +1,166 @@
+
+             ********** Informace o CS-fontech **********
+             ********************************************
+             21.9.96                           Petr Ol¹ák
+
+CS-fonty jsou konzervativním roz¹íøením CM fontù Donalda Knutha. Tím je 
+mínìno, ¾e ka¾dý CS-font má svùj protìj¹ek v nìjakém CM fontu, pøièem¾ tyto 
+dva fonty se naprosto shodují v kódování, tvarech a ¹íøkách  znakù prvních 
+128 pozic ve fontu. Kódování tìchto fontù je pøesnì popsáno v knize
+"D. Knuth: Computer Modern Typefaces, vol. E of Computer & Typesetting".
+Znaky s kódy nad 128 v CS-fontech odpovídají kódování písmen èeské abecedy
+podle ISO 8859-2. Pøesný popis kódování CS-fontù je uveden v dodatku F
+knihy "P. Ol¹ák: Typografický systém TeX".
+
+Následuje seznam v¹ech CM fontù. Pokud není vpravo uveden alternativní název
+CS-fontu, jedná se o matematický font, který nemá v CS-fontech alternativu.
+Také ji nepotøebuje.
+
+CM font                           CS-font
+--------------------------------------------------------------------
+cmr17, 12, 10, 9, 8, 7, 6, 5      csr17, 12, 10, 9, 8, 7, 6, 5
+cmbx12, 10, 9, 8, 7, 6, 5         csbx12, 10, 9, 8, 7, 6, 5
+cmsl12, 10, 9, 8                  cssl12, 10, 9, 8
+cmtt12, 10, 9, 8                  cstt12, 10, 9, 8
+cmsltt10, cmvtt10                 cssltt10, csvtt10
+cmss17, 12, 10, 9, 8              csss17, 12, 10, 9, 8
+cmssi17, 12, 10, 9, 8             csssi17, 12, 10, 9, 8
+cmssdc10, cmssbx10                csssdc10, csssbx10
+cmssqi8, cmssq8                   csssqi8, csssq8
+cmdunh10, cmbxsl10, cmb10         csdunh10, csbxsl10, csb10
+cmff10, cmfib10                   csff10, csfib10
+--------------------------------------------------------------------
+cmti12, 10, 9, 8, 7               csti12, 10, 9, 8, 7
+cmbxti10, cmitt10                 csbxti10, csitt10
+cmu10, cmfi10                     csu10, csfi10
+--------------------------------------------------------------------
+cmcsc10, cmtcsc10                 cscsc10, cstcsc10
+--------------------------------------------------------------------
+cminch10                          csinch10
+--------------------------------------------------------------------
+cmmi12, 10, 9, 8, 7, 6, 5
+cmmib10
+--------------------------------------------------------------------
+cmtex10, 9, 8
+--------------------------------------------------------------------
+cmsy10, 9, 8, 7, 6, 5
+cmbsy10
+--------------------------------------------------------------------
+cmex10
+--------------------------------------------------------------------
+
+Mezi soubory metrik CS-fontù navíc najdeme metriky vytvoøené Sauterovou
+extrapolací, které nemají pøímou obdobu mezi CM fonty:
+
+                                  CS-font
+--------------------------------------------------------------------
+                                  csb17, 12, 9, 8, 7, 6, 5
+                                  csbxsl12, 5, 6, 7, 8, 9
+				  csbxti17, 12
+				  cscsc17, 12
+				  csdunh17, 12, 5, 6, 7, 8, 9
+				  csfib12, 10, 9
+				  csitt12, 17, 8, 9
+				  cssl17, 5, 6, 7
+				  cssltt12, 8, 9
+				  csssbx12, 17, 9
+				  cstcs12, 17
+				  csti17
+				  csu12, 17, 7, 8, 9
+				  csvtt12, 8, 9
+--------------------------------------------------------------------
+
+Odli¹nosti od CM fontù
+**********************
+
+Nelze tvrdit, ¾e text pou¾ívající jen znaky z pozic 0--127 bude
+100% shodnì zpracován pøi pou¾ití CM fontù i CS fontù. Odli¹nosti existují,
+ale jsou tak nepatrné, ¾e je velmi malá prvadìpodobnost, ¾e by pøi bì¾ném
+u¾ívání byla pozorovatelná rozdílnost. Nicménì pøesto zde v¹echny
+odli¹nosti uvádím vèetnì komentáøù. Uvedené hodnoty jsou pøíkladem
+pøi srovnání fontu csr10 s cmr10.
+
+1. Kerningové páry
+------------------
+".." -- mezi teèkami v csr10 je implicitní kern, aby bylo mo¾no sázet
+        elipsu. Kern 0,011111pt. V cmr10 není.
+"ka" -- csr10: -0,0027777pt, cmr10: -0,0055555pt.
+"P." "P," -- csr10: -0,0027777pt, cmr10 není.
+"F." "F," "V." "V," "W." "W," -- csr10 -0,0055555pt, cmr10 není.
+"Av" "Aw" -- csr10: -0,011111pt, cmr10 není.
+
+2. Ligatury
+-----------
+"<<" vede v csr10 na francouzské uvozovky, kód 158, v cmr10 není.
+">>" vede v csr10 na francouzské uvozovky, kód 159, v cmr10 není.
+
+3. Vý¹ky znakù
+--------------
+Formát .tfm je omezen na maximálnì 16 rùzných vý¹ek znakù v jednom fontu.
+V cmr10 je obsazeno v¹ech 16 rùzných vý¹ek. Pøitom v csr10 pøicházejí dal¹í
+vý¹ky znakù dané akcentovanými znaky. Proto METAFONT provedl v csr10 jistá
+zaokrouhlení, která zpùsobí odli¹nost vý¹ek od vý¹ek v cmr10 maximálnì o
+0,007779pt. Jedná se o tyto znaky:
+
+\Gamma a¾ \Omega, \AE, \OE a v¹echny kapitálky:
+                                        v csr10 jsou men¹í o 0,00773pt
+Nadr¾ítko (kód 22), nadpuntík (kód 95) a pøehláska (kód 127):
+                                        v csr10 vìt¹í o 0,007779pt
+i, j                                    v csr10 vìt¹í o 0,007779pt
++ (znak plus)                           v csr10 men¹í o 0,007778pt
+
+Rozdílnost vý¹ek není kritická, proto¾e pøi sazbì se vìt¹inou berou v úvahu
+jen ¹íøky znakù. Pouze výjimeènì promluví do sazby i vý¹ka (vìt¹inou kdy¾
+objekt v øádku je vìt¹í ne¾ \baselineskip).
+
+
+Opravy v CS fontech
+*******************
+
+20.9.1996: È a dal¹í akcentované kapitálky mìly vìt¹í vý¹ku ne¾ kresba o
+           1,2pt. Opraveno.
+
+20.9.1996: Odstranìny nevhodné záporné kerny: 
+           Tì, Tø, T\"o, T\"u, T\"a, T\`a, analog. pro «, Y, Ý.
+           Vì, Vø, V\"o, V\"u, analog. pro F, W. 
+           Redukovány pøíli¹né záporné kerny: 
+           Té, Tó, Tù, Tà, Tá, Tú, analog. pro «, Y, Ý. 
+
+           Uvedené zmìny nemìní kontrolní souèet fontu, proto¾e ten je
+           poèítán jen ze ¹íøek znakù (viz sekce 1132 v mf.web).
+           Dùsledek: Není potøeba znovu generovat bitové mapy fontù.
+           Pokud chcete fonty zavést do sazby, nezapomeòte pouze znovu
+           vygenerovat formáty za pøítomnosti nových metrik.
+
+1.7.1997   csaccent.mf -- støí¹ka nad o ní¾e,
+                       -- odstranìna chyba v generování \`A ve vysokém
+                          rozli¹ení.
+           csacutl.mf, csiacutl.mf  -- èárka nad ó více vpravo.
+	   csotheru.mf -- upraveno umístìní krou¾ku nad Ù.
+           kmroman.mf  -- úprava nìkterých kernù. 1. Pøisazeno blí¾e:
+                          Vè, Vì, V\"u, Vc (toté¾ pro W a F)
+                          Té, Tì, Tó, Tá, Tú, Tc, Tè (té¾ pro «, Y, Ý)
+                          tato úprava ov¹em neznamená návrat ke stavu
+			  pøed 20.9.96, ale pokud mo¾no optimální kompromis.
+			  2. odsazeno od sebe:
+			  ï`` a »`` (viz \uv{nebuï} \uv{labu»})
+                          Pozor: aby kern zaèal pracovat, nelze pou¾ít
+                          øe¹ení makra \uv pomocí \aftergroup (to je
+			  implicitnì v csplainu). Místo toho pi¹te:
+                          \def\uv #1{\clqq #1\crqq}.
+
+Copyright
+*********
+
+Zdrojové soubory k CSfontùm patøí mezi volnì ¹íøený software; mù¾ete
+jej dále distribuovat anebo modifikovat za podmínek GNU General Public
+License, jak ji publikovala Free Software Foundation; buï ve verzi 2
+této licence nebo (podle Va¹í volby) v libovolné pozdìj¹í verzi.
+
+Tento software je distribuován s pøáním, aby byl u¾iteèný, ale BEZ
+®ÁDNÉ ZÁRUKY. Viz GNU General Public License.
+
+Anglický originál GNU General Publics License najdete v distribuci
+CSTeXu a mnoha dal¹ích volnì ¹íøených programù. Mù¾ete si té¾ o nìj
+napsat na adresu Free Software Foundation, Inc., 59 Temple Place,
+Suite 330, Boston, MA 02111-1307 USA
diff --git a/Master/texmf-dist/doc/cslatex/base/cscorr.tab b/Master/texmf-dist/doc/cslatex/base/cscorr.tab
new file mode 100644
index 00000000000..c7f8597b58e
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/cscorr.tab
@@ -0,0 +1,132 @@
+% The description file for a2ac program for making Czech and Slovak composites
+%
+% Petr Olsak,  June 1995
+%
+% Tested for 32 fonts (see file mfonts.bat and psfonts.tex)
+
+ReduceKerns 9
+
+>> Captop = b(I,4)
+>> distance = 0.0916 Captop
+>> Acutetop = Captop + h(acute) + distance
+>> Carontop = Captop + h(caron) + distance
+>> acutewidth = w(acute)
+>> acuteshift = 0.1 acutewidth
+>> Acuteshift = 0.19 acutewidth
+>> vshift = 0
+>> diershift = b(acute,4) - b(dieresis,4)
+>> Ccorrection = 0.1 w(C)
+>> ccorrection = 0.05 w(c)
+>> quotwidth = w(quoteright)
+>> quotshift = .1quotwidth-b(quoteright,1)
+
+NC Aacute 2 ; PCC A 0 0 ; PAT acute Acuteshift Acutetop ;
+NC Adieresis 2 ; PCC A 0 0 ; PAT dieresis 0 Acutetop-diershift ;
+NK (Aacute,Adieresis) : A
+NC aacute 2 ; PCC a 0 0 ; PAC acute acuteshift vshift ;
+NC adieresis 2 ; PCC a 0 0 ; PAC dieresis 0 vshift ;
+NK (aacute,adieresis) : a
+RK (T,P) (aacute,adieresis) 0
+NC Agrave 2 ; PCC A 0 0 ; PAT grave -Acuteshift Acutetop ;
+NC agrave 2 ; PCC a 0 0 ; PAC grave -acuteshift vshift ;
+%  Agrave needn't kerns---it is symbol only.
+
+NC Ccaron 2 ; PCC C 0 0 ; PAT caron Ccorrection Carontop ;
+NK Ccaron : C
+NC ccaron 2 ; PCC c 0 0 ; PAC caron ccorrection vshift ;
+NK ccaron : c
+RK V ccaron 0
+
+NC Dcaron 2 ; PCC D 0 0 ; PAT caron 0 Carontop ;
+NK Dcaron : D
+NC dcaron 2 ; PCC d 0 0 ; PCT quoteright quotshift+b(d,3) 1.1b(d,4) ;
+RWX dcaron W(d)+0.7quotwidth
+NK * dcaron : * d
+NK dcaron * : f * -.3quotwidth
+
+NC Ecaron 2 ; PCC E 0 0 ; PAT caron 0 Carontop ;
+NC Eacute 2 ; PCC E 0 0 ; PAT acute Acuteshift Acutetop ;
+NK (Ecaron,Eacute) : E
+NC ecaron 2 ; PCC e 0 0 ; PAC caron 0 0 ;
+NC eacute 2 ; PCC e 0 0 ; PAC acute acuteshift vshift ;
+NK (ecaron,eacute) : e
+RK (P,T,V) ecaron 0
+RK (P,T) eacute 0
+
+NC Iacute 2 ; PCC I 0 0 ; PAT acute Acuteshift Acutetop ;
+NK Iacute : I
+NC iacute 2 ; PCC dotlessi 0 0 ; PAC acute acuteshift 0 ;
+NK iacute : i
+
+NC Lcaron 2 ; PCC L 0 0 ; PCT quoteright quotshift+b(I,3) 1.1Captop ;
+NC Lacute 2 ; PCC L 0 0 ; PAT acute 0 Acutetop ;
+NK (Lcaron,Lacute) : L
+NC lcaron 2 ; PCC l 0 0 ; PCT quoteright quotshift+b(l,3) 1.1b(l,4) ;
+RWX lcaron W(l)+0.7quotwidth
+NK * lcaron : * l
+NK lcaron * : f * -.3quotwidth
+NC lacute 2 ; PCC l 0 0 ; PAT acute acuteshift Acutetop ;
+NK lacute : l
+
+NC Ncaron 2 ; PCC N 0 0 ; PAT caron 0 Carontop ;
+NK Ncaron : N
+NC ncaron 2 ; PCC n 0 0 ; PAC caron 0 vshift ;
+NK ncaron : n
+
+NC Ocircumflex 2 ; PCC O 0 0 ; PAT circumflex 0 Carontop ;
+NC Odieresis 2 ; PCC O 0 0 ; PAT dieresis 0 Acutetop-diershift ;
+NC Oacute 2 ; PCC O 0 0 ; PAT acute Acuteshift Acutetop ;
+NK (Ocircumflex,Odieresis,Oacute) : O
+NC ocircumflex 2 ; PCC o 0 0 ; PAC circumflex 0 vshift ;
+NC odieresis 2 ; PCC o 0 0 ; PAC dieresis 0 vshift ;
+NC oacute 2 ; PCC o 0 0 ; PAC acute acuteshift vshift ;
+NK (ocircumflex,odieresis,oacute) : o
+
+NC Rcaron 2 ; PCC R 0 0 ; PAT caron 0 Carontop ;
+NC Racute 2 ; PCC R 0 0 ; PAT acute Acuteshift Acutetop ;
+NK (Rcaron,Racute) : R
+NC rcaron 2 ; PCC r 0 0 ; PAC caron 0 vshift ;
+NC racute 2 ; PCC r 0 0 ; PAC acute acuteshift vshift ;
+NK (rcaron,racute) : r
+RK (F,P,T,V) rcaron 0
+RK (P,T) racute 0
+
+NC Scaron 2 ; PCC S 0 0 ; PAT caron 0 Carontop ;
+NK Scaron : S
+NC scaron 2 ; PCC s 0 0 ; PAC caron 0 vshift ;
+NK scaron : s
+RK (F,P,T,V) scaron 0
+
+NC Tcaron 2 ; PCC T 0 0 ; PAT caron 0 Carontop ;
+NK Tcaron : T
+NC tcaron 2 ; PCC t 0 0 ; PCC quoteright quotshift+b(t,3) 0 ;
+RWX tcaron W(t)+0.7quotwidth
+NK * tcaron : * t
+NK tcaron * : f * -.3quotwidth
+
+NC Udieresis 2 ; PCC U 0 0 ; PAT dieresis 0 Acutetop-diershift ;
+NC Uring 2 ; PCC U 0 0 ; PAT ring 0 Carontop ;
+NC Uacute 2 ; PCC U 0 0 ; PAT acute Acuteshift Acutetop ;
+NK (Udieresis,Uring,Uacute) : U
+NC udieresis 2 ; PCC u 0 0 ; PAC dieresis 0 vshift ;
+NC uring 2 ; PCC u 0 0 ; PAC ring 0 vshift ;
+NC uacute 2 ; PCC u 0 0 ; PAC acute acuteshift vshift ;
+NK (udieresis,uring,uacute) : u
+RK (F,P,T,V) uring 0
+
+NC Yacute 2 ; PCC Y 0 0 ; PAT acute Acuteshift Acutetop ;
+NK Yacute : Y
+NC yacute 2 ; PCC y 0 0 ; PAC acute acuteshift vshift ;
+NK yacute : y
+
+RC Zcaron 2 ; PCC Z 0 0 ; PAT caron 0 Carontop ;
+NK Zcaron : Z
+RC zcaron 2 ; PCC z 0 0 ; PAC caron 0 vshift ;
+NK zcaron : z
+RK (F,P,T,V) zcaron 0
+
+NK (eacute,ecaron,iacute) quotedblleft quotwidth
+
+ReduceKerns 9
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/csplain.doc b/Master/texmf-dist/doc/cslatex/base/csplain.doc
new file mode 100644
index 00000000000..98cf251bbc0
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/csplain.doc
@@ -0,0 +1,197 @@
+          Balík souborù (texinput) na generování formátu csplain
+          ******************************************************
+          *  Petr Ol¹ák                      Verze: záøí 1996  *
+                                                    øíjen 1998
+
+Formát csplain je skoro shodný s klasickým formátem plain. Rozdíl je jedinì
+v tom, ¾e místo CM fontù se pracuje s CS-fonty, co¾ umo¾òuje zavést
+v tomto kódování fontù vzory dìlení pro èeský a slovenský jazyk.
+Pomocí formátu csplain je mo¾no nahradit originální formát plain,
+tj. pro anglické dokumenty se oba formáty chovají (skoro) stejnì.
+Nepatrné odli¹nosti, vyplývající z pou¾ití CS-fontù místo CM fontù,
+viz soubor cs-fonts.doc.
+
+
+Potøebné soubory
+****************
+
+Pro vygenerování formátu csplain je potøeba:
+ 1. v /tfm mít metriky CS-fontù (napø. csr10.tfm),
+ 2. v /texinput mít následující soubory:
+         csplain.ini  ... hlavní soubor pro vygenerování formátu
+         plain.tex    ... Knuthùv plain
+         csfonts.tex  ... makro pro zavedení CS-fontù
+         il2code.tex  ... makro pro práci s kódem CS-fontù (ISO-8859-2)
+         hyphen.lan   ... øídicí soubor k zavední vzorù dìlení rùzných jazykù
+         hyphen.tex   ... základní vzory dìlení pro US (souèástí plainu)
+         hyphen.ex    ... slovník výjimek pro US
+         czhyphen.tex ... vzory dìlení pro èe¹tinu
+         czhyphen.ex  ... slovník výjimek pro èe¹tinu
+         skhyphen.tex ... vzory dìlení pro sloven¹tinu
+         skhyphen.ex  ... slovník výjimek pro sloven¹tinu
+         plaina4.tex  ... makro upravující výhozí rozmìr zrcadla pro A4
+3. pokud pøedpokládáte vstupní soubory v jiném kódování, ne¾ ISO-8859-2,
+   potøebujete navíc a) pøi pou¾ití emTeXu -- pøíslu¹nou *.tcp tabulku
+                     b) pøi vyu¾ití encTeXu -- pøíslu¹ný soubor enc-?.tex
+
+
+Generování formátu
+******************
+
+Generování formátu csplain je závislé na implementaci TeXu.
+V UNIX like systémech (odvozených z implementace web2c) pou¾ijte pøíkaz:
+
+         initex csplain.ini
+
+nebo v novìj¹í verzi web2c:
+
+         tex -ini csplain.ini
+
+Vstupní kódování bude rovno vnitønímu kódování ISO-8859-2. Pøedpokláte-li
+kódování vstupních textù v jiném kódování, ne¾ ISO-8859-2 a navíc máte
+implementaci binárního programu TeX obsahující encTeX (to poznáte podle
+druhého øádku v soborech *.log), pak si vyberte jedno z písmen: w=CP1250,
+k=Kamenicti, p=PC Latin2 (CP852) a inicializujte formát takto:
+
+         tex -ini \let\enc=? \input csplain.ini
+
+kde ? je jedno z písmen w, k, nebo p charakterizující vstupní kódování. Na
+pøíkazovém øádku v UNIXu musíte ka¾dý znak "\" psát dvakrát, napøíklad:
+
+         tex -ini \\let\\enc=k \\input csplain.ini
+
+Potøebujete-li implementovat vstupní kódování, které zde není uvedeno,
+zvolte si pro nì nìjaké dal¹í písmeno a editujte pøíslu¹ný soubor enc-?.tex.
+
+V DOSu (emTeXu) mù¾ete volit vstupní kódování pomocí *TCP tabulek. Napø.
+pro kódování Kamenických napí¹ete:
+
+         tex[386] /i /8 -cKAMENIC.TCP csplain.ini
+
+Mù¾ete si ovìøit správnost instalace csplainu testem cstrip. Viz soubor
+cstripm.dvi nebo cstripm.ps
+
+
+Pou¾ití èe¹tiny a sloven¹tiny
+*****************************
+
+csplain je inicializován tak, aby se implicitnì choval jako plain.  To
+znamená, ¾e je nastaveno anglické dìlení slov a sekvence \v, \'
+expandují na primitiv \accent. Rovnì¾ je aktivní \nonfrenchspacing.
+Rozdíl je jen ve velikosti implicitního rozmìru zrcadla sazby, které je 
+v csplainu nastaveno pro palcové okraje pøi formátu A4, zatímco 
+v plainu je nastaveno pro palcové okraje formátu Letter.
+
+Pro sazbu v èeském nebo slovenském jazyce NEMUSÍTE volat styl
+czech.sty. Staèí pou¾ít na zaèátku dokumentu tyto sekvence:
+
+\chyph      % nebo \shyph : inicializuje èeské/slovenské dìlení slov 
+            % a \frenschpacing
+\csaccents  % zpùsobí jiné chování sekvencí \' \v a \r, které od této
+            % chvíle expandují na znaky podle CSfontù
+
+% návrat k pùvodnímu nastavení:
+\ehyph      % americké dìlení a \nonfrenchspacing
+\cmaccents  % \, \v expandují na primitiv \accent
+
+Od verze csplainu <Sep. 1996> je sekvence pro uvozovky \uv{cosi}
+zanesena do formátu.
+           
+
+Verze csplainu.
+***************
+
+csplain zavádí do \everyjob hlá¹ení o datu posledního zásahu do
+zdrojových textù csplainu (viz soubor csplain.ini). Pokud tam takové
+hlá¹ení není, máte verzi csplainu z r. 1994 nebo star¹í.
+
+Jednotlivé verze oznaèujeme datem zmìny zdrojového textu a nikoli
+èíslem. Odli¹nosti novìj¹ích verzí ne¾ <Apr. 1995> jsou uvedeny pøímo
+v souboru csplain.ini. Odli¹nosti verze z roku 1994 od <Apr. 1995>
+jsou uvedeny ní¾e.
+
+V èem se li¹í csplain z csTeXu94 od verze <Apr. 1995>
+*****************************************************
+
+1. plain.tex. Místo verze 3.0 je pou¾ita verze 3.14159.
+
+2. csfonts.tex. Navíc pøidána vlastnost \font\preloaded = nezavádìj ¾ádný font.
+   Dùsledek: Po naètení formátu plain.tex je zavedeno pouhých 16 základních
+   fontù proti døívìj¹ím 50.
+   Dùvod: Pøi dne¹ních rychlostech poèítaèù u¾ asi neoceníme, ¾e je nìjaký
+   font dopøedu zaveden ve formátu. Navíc máme více místa pro nové fonty.
+   Odchylka: Kromì nepatrného zdr¾ení pøi zavádìní (døíve \preloaded) fontù
+   není ¾ádný jiný rozdíl.
+
+3. il2code.tex (døíve extcode.tex). Kromì pùvodních definic \catcode,
+   \lccode a \uccode obsauje dal¹í makra závislá na kódování.
+   a) makro \csaccents pøedefinuje makra \v, \', ... tak, ¾e expandují
+      pøímo do znakù podle CS-fontù.
+      Výhody:
+      * Po \csaccents lze naèíst vzory dìlení ve tvaru nezávislém na
+        kódování.
+      * Po \csaccents budou správnì rozdìlena i slova zapsaná
+        t\'imto zp\r usobem. Také na nì bude správnì fungovat primitiv
+        \uppercase (výjimku tvoøí pøípad, kdy je \'i psáno "postaru", tj.
+        jako \'\i).
+      * \v d a \v t vede na ï a » (s apostrofy, nikoly s háèky).
+      Výchozí chování formátu csplain je z dùvodu nutné kompatibility
+      se standardním plainem nastaveno na pùvodní význam maker \v, \'.
+      Pøíkazem \csaccents se inicializuje nový význam a pøíkazem \cmaccents
+      se v¹e vrací do pùvodního stavu. Inicializace je navíc lokální vrámci
+      skupiny.
+      Pokud bude nìkdo èasto pøepínat \csaccents, \cmaccents, pak mù¾e
+      potlaèit hlá¹ky na terminálu a do .logu pøedefinováním pøíkazu
+      \csaccentsmessage, \cmaccentsmessage.
+   b) Jsou doplnìny definice sekvencí, které jsou závislé na kódování
+      CS-fontù. Tj. uvozovky \clqq, \crqq, \flqq, \frqq, \ogonek, \promile.
+      Dále je definován pøíkaz \extrahyphens, který inicializuje
+      \hyphenchar do alternativního znaku v CS-fontu pro základní
+      desetibodové textové fonty. Tím napø. "je-li" nebude rozdìleno.
+      Bohu¾el vzniká zobrazovací zádrhel: pøi hlá¹kách "Overfull" TeX
+      zobrazuje na terminál místo znaku - znak ^^9c. V emTeXu staèí mírnì
+      upravit tabulku tcp a smìrovat do ^^9c nìjaký náhradní a podobný
+      semigrafický symbol (viz pøilo¾ená tabulka kamenic.tcp).
+
+4. hyphen.lan.
+   * Na zaèátku má \csaccents, aby zavedl vzory dìlení napsané
+     pomocí sekvencí a na konci vrací \cmaccents.
+   * Místo hyphen.cz a hyphen.czx zavádí czhyphen.tex a czhyphen.ex (z dùvodu
+     kompatibility s makrem pro èe¹tinu v LaTeXu 2e). Podobnì pro dal¹í
+     jazyky.
+   * Místo pùvodních \righthyphenmin=2 je pro \chyph a \shyph zavedeno
+     \righthyphenmin=3 (co¾ je podle normy). Sází-li u¾ivatel do úzkých
+     sloupcù, mù¾e si to zmìnit napøíklad takto: \chyph \righthyphenmin=2
+   * Pøi volání czhyphen.tex, skhyphen.tex je \let\global=\relax, aby
+     nedo¹lo ke zmìnì \everyjob\message. Skuteènost, jaké dìlení slov je
+     zavedeno, lze zjistit z verze csplainu <Apr. 1995>, tj. není potøeba
+     jmenovat nìjaké konkrétní lidi v \everyjobu.
+
+5. czhyphen.tex je kompletnì jiné (zøejmì lep¹í), ne¾ v pùvodním csTeXu.
+   Je pou¾ito dìlení, které (po mírném pomr¹ení) dal k dispozici Pavel
+   ©eveèek TeXovské veøejnosti pro pou¾ití v nekomerèním svìtì zdarma.
+
+6. czhyphen.ex je zmen¹eno o vìci, které u¾ czhyphen.tex umí správnì a
+   zbytek je pøepsán do sekvencí nezávislých na kódování.
+
+7. skhyphen.tex je pravdìpodobnì stejné, jako bylo (nezkoumal jsem to).
+   Stejnì tak zùstává skhyphen.ex. Je pou¾ito dìlení ruènì vyrobené
+   Jankou Chlebíkovou.
+
+8. csplain.ini.
+   * Zmìnìno poøadí volání extcode.tex
+   * Zmìnìn text \everyjob\message.
+
+9. czech.sty
+   * Na zaèátku zaøazena vìtvièka
+     \if Formát=LaTeX2e \input lczech.sty \endinput \fi
+   * Zaøazen novì test na \ifx\chyph\undefined \message{Warning...}
+   * Zaøazen test na pou¾ití CS-fontù podle prvních dvou písmen v názvu
+     fontu \tenrm. Pokud CS-fonty jsou zavedeny a pøitom není definován
+     \clqq (pøípad starý csformát, nový czech.sty), pak se definují nìkteré
+     sekvence analogicky, jako v bodì 3b).
+   * Do pøíkazù \czechTeX, resp. \originalTeX je vlo¾eno \csaccents, resp.
+     \cmaccents, tj. styl czech aktivuje \csaccents.
+   * V¹e, co bylo øeèeno pro czech.sty platí analogicky pro slovak.sty
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/license.eng b/Master/texmf-dist/doc/cslatex/base/license.eng
new file mode 100644
index 00000000000..f645095dde6
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/license.eng
@@ -0,0 +1,367 @@
+
+                       THE LICENCE OF CSTeX
+   ==============================================================
+   Petr Olsak                                       Dec. 12. 1998
+
+Preamble
+--------
+ 
+The CSTeX package is build from sub-packages (we'll call modules).
+Each module can be authorized by different author(s) and licensed by
+different licence. The aim of this document is to distinguish between
+"required" modules (if these modules are not installed, the whole
+package cannot be called CSTeX) and "optional" modules (usually
+distributed with some implementation of TeX and CSTeX).  A good news
+is, that all "required" modules are licensed by license compatible
+with common licenses of free software. The "optional" modules may or
+may not have this feature.
+
+This document quotes the sources of the original (Czech and/or English)
+license texts for each module. This document itself is translated into
+Czech (see license.cz file). However, only the English original of this
+document (this file) has the legal power.
+
+Notice: The "current administrator" of CSTeX is Petr Olsak 
+(email: olsak@math.feld.cvut.cz). He reserves the right to find his
+successor. In exceptional cases, for instance if the current
+administrator cannot do his work on CSTeX any more, the CSTUG (Czech
+and Slovak users group, http://www.cstug.cz) has a right to find next
+administrator.
+
+This document can be changed in future, if some new authors and
+packages for CSTeX occurs. Only the current administrator can do some
+changes of this document. The license notices of each package have to be
+compatible with the wish of its authors.
+
+The "CTAN:" means "Comprehensive TeX Archive Network" and it is 
+one of the following public ftp sites:
+
+ftp://ctan.tug.org/tex-archive
+ftp://ftp.tex.ac.uk/tex-archive
+ftp://ftp.dante.de/tex-archive
+ftp://ftp.cstug.cz/pub/tex/CTAN 
+
+The "CSTEX:" means "CSTeX ftp site" and it is 
+one of the following public ftp sites:
+
+ftp://math.feld.cvut.cz/pub/cstex        (primary server)
+ftp://ftp.cstug.cz/pub/tex/local/cstex   (mirror)
+
+
+--------------------------------------------------------------------
+
+I. The "required" modules
+=========================
+
+1. TeX, METAFONT, Computer Modern, plain.
+   author: Donald Knuth
+   license: The program for "TeX/METAFONT/Computer Modern" is in
+            the public domain and users may freely incorporate the
+            algorithms from public source codes in their own programs.
+	    However, use of the name "TeX/METAFONT/Computer Modern"
+            is restricted to software systems that agree exactly with
+            the programs maintained by author. For more details see
+            CTAN:/systems/knuth/tex/tex.web and volumes B, D and E
+            of Computers & Typesetting.
+   notice:  use TRIP/TRAP test for validating your implementation of
+            TeX/METAFONT programs.
+   source:  CTAN:/systems/knuth
+
+2. The implementation package of "TeX/METAFONT/drivers/supports" into an
+   operating system. The CSTeX can be combined with any implementation package
+   (commercial or free). See the paragraph III for more details.
+   notice:  Some dvi to PostScript convertor is needed. The Rokicki's dvips
+            is recommended. It is free software.
+
+3. CSfonts (Czech and Slovak fonts derived from Computer Modern)
+   authors: Petr Novak, Karel Horak, Lada Lhotka, Petr Olsak
+   emails: <Petr.Novak@internet.cz>, <horakk@math.cas.cz> 
+           <lhotka@jcu.cz>, <olsak@math.feld.cvut.cz>
+   license: GPL
+   source:  CSTEX:/web2c/csfonts.tar.gz
+
+4a czhyphen.tex (Czech hyphenation patterns for TeX)
+   author: Pavel Sevecek
+   email:  <pavel@lingea.cz>
+   license: GPL
+   included in: CSTEX:/web2c/csplain.tar.gz
+
+4b skhyphen.tex (Slovak hyphenation patterns for TeX)
+   author: Hanka Chlebikova
+   email:  <chlebikj@dcs.fmph.uniba.sk>
+   license: GPL
+   included in: CSTEX:/web2c/csplain.tar.gz   
+
+5. czech.sty, slovak.sty (The standard styles for Czech/Slovak languages)
+   authors: Oldrich Ulrych, Karel Horak, Petr Olsak, Jaroslav Snajdr
+   emails:  <ulrych@karlin.mff.cuni.cz>, <horakk@math.cas.cz>,
+            <olsak@math.feld.cvut.cz>, <snajdr5@students.zcu.cz>
+   license: GPL
+   included in: CSTEX:/web2c/csplain.tar.gz 
+
+6. csplain (the TeX format derived from plain)
+   author: Petr Olsak
+   email:  <olsak@math.feld.cvut.cz>
+   license: GPL with appendix
+   appendix: You can do any changes in this software for your own
+             usage. However, you cannot distribute the changed
+             software under the same name "csplain".  Only the current
+             administrator of CSTeX can do official changes to
+             csplain.
+   notice:   see the cstrip.tex for validating of csplain format in 
+             your TeX implementation.
+   source:   CSTEX:/web2c/csplain.tar.gz
+
+7. LaTeX (the macro package for TeX)
+   authors: Leslie Lamport, LaTeX 2e team
+   license: see the COPYRIGHT notice in src/latex.ltx, for example.
+   source:  CTAN:/macros/latex
+
+8. csLaTeX (the extension of LaTeX for Czech and Slovak languages)
+   authors: Jiri Zlatuska, Zdenek Wagner, Jaroslav Snajdr
+   emails:  <zlatuska@muni.cz>, <wagner@beba.cesnet.cz>,
+            <snajdr5@students.zcu.cz>
+   license: GPL
+   source:  http://home.zcu.cz/~snajdr5/cslatex/
+
+9. cspsfonts (The usage of the standard PS fonts in Czech/Slovak languages)
+   authors: Petr Olsak, Zdenek Wagner
+   emails:  <olsak@math.feld.cvut.cz>, <wagner@beba.cesnet.cz>
+   license: GPL
+   source:  CSTEX:/web2c/cspsfonts.tar.gz
+ 
+You can find the complete text of GPL in the file lic-gpl.eng.
+
+
+II. The "optional" packages
+===========================
+
+-- The implementation of CSfont in Type1 format derived from BaKoMa fonts
+   author: Petr Olsak
+   email: <olsak@math.feld.cvut.cz>
+   author of BaKoMa fonts: Basil K. Malyshev <malyshev@mx.ihep.su>
+   license: The same, as BaKoMa license: The author of BaKoMa fonts
+            grants to any individual or non-commercial organization
+            the right to use and to make an unlimited number of copies
+            of full package or selected fonts when this is done
+            WITHOUT CHARGE and has attached the file BaKoMa-CM.Fonts
+            with licence agreement. This fonts cannot be sold or
+            distributed with any commercial product or used in any
+            commercial organization without additional agreement with
+            author of BaKoMa fonts.  If you want to charge a small fee
+            via distribution these fonts or any derivations from this
+            fonts, you should contact the author of BaKoMa fonts.  
+            See BaKoMa-CM.Fonts file in cspdftexlib.tag.gz.
+   source: CSTEX:/web2c/cspdftexlib.tar.gz 
+
+-- The program MNU (for menu configuration for DOS)
+   author: Petr Olsak
+   email: <olsak@math.feld.cvut.cz>
+   license: Free, but without source codes and without any warranty.
+   source: CSTEX:/emtex/mnu.zip
+               
+-- The program a2ac (adds composites and kerns in afm files)
+   author: Petr Olsak
+   email: <olsak@math.feld.cvut.cz>
+   license: GPL
+   source:  ftp://math.feld.cvut.cz/pub/olsak/a2ac
+
+-- enctex (a simple patch of TeX for re-encoding ability)
+   author: Petr Olsak
+   license: GPL
+   comment: The resulting program cannot be called TeX after enctex patch
+            is applied. See the Knuth's license for TeX.
+            The name "a program derived from TeX using enctex"
+            is recommended.
+   source:  ftp://math.feld.cvut.cz/pub/olsak/enctex
+            CSTEX:/web2c/enctex.tar.gz
+
+-- csindex (a simple extension of makeindex program)
+   author of makeindex: Pehong Chen <phc@renoir.berkeley.edu>
+   authors of csindex: Zdenek Wagner (for DOS, OS2), Zdenek Salvet (for Linux)
+   emails:  <wagner@beba.cesnet.cz>, <salvet@ics.muni.cz> 
+   license: see the COPYING file in csindex-*.tar.gz
+   source:  CSTEX:/web2c/csindex-*.tar.gz
+
+-- csbibtex (a simple extension of bibtex program for DOS)
+   author of bibtex: Oren Patashnik <patashnik@score.stanford.edu>
+   author of csbibtex: Petr Novotny <novotny@earn.cvut.cz>
+   license: Copying of this file is authorized only if either
+        (1) you make absolutely no changes to your copy, including name, or
+        (2) if you do make changes, you name it something other than
+        btxbst.doc, plain.bst, unsrt.bst, alpha.bst, and abbrv.bst.
+   source: CSTEX:/emtex/bibtex.zip
+
+-- csuvodlat (a Czech translation "LaTeX strucny popis" of a german original)
+   authors o original: Hubert Partl, Elisabeth Schlegl, Irene Hyna
+   author of translation: Pavel Sykora <sykora@fsid.cvut.cz>
+   license: You may copy and distribute this text in unchanged
+            electronic form, you can print this text but you cannot
+            distribute the hardcopy form of this text.
+   source: CSTEX:/web2c/csuvodlat.tar.gz         
+
+-- CSED (the text editor for DOS)
+   author: Pavel Sevecek
+   email: <pavel@lingea.cz>   
+   license: NON FREE. However, the members of CSTUG can use this
+            software without any charges. See smlcsed.tex for
+            more details.
+   source:  NONE in publics sites. Please, contact the CSTUG.
+
+-- texspell (The spell checker, cz, sk, eng. dictionaries + program for DOS)
+   authors: Janus Drozd, Jan Hajic, Jan Hric 1991-92 
+   license: NON FREE. Only CSTUG has the right to distribute this
+            program only for its members. Copying of texspell, its
+            dictionaries and its documentation by another subject, for
+            another subject or using this program by another subject is
+            interpreted as a breaking of author's copyright. Authors
+            nor CSTUG give no warranty for this program. See the file
+            emtex\doc\programs\smlouva.cs for more details.
+   source:  NONE in public sites. Please, contact the CSTUG.
+
+-- qedit (the text editor for DOS)
+   licensed by: SemWare, 4343 Shallowford Rd, Suite C3A, Marietta, USA
+   version: v2.15 August 1991, Shareware version.
+   license: NON FREE. If you continue using qedit beyond a 30-day trial
+            period, you MUST PURCHASE a license for it. Along with
+            licensed copy of the software, you will receive a printed,
+            bound manual, and you will be entitled to free technical
+            support and low-cost updates.
+   notice:  This shareware version of qedit is distributed as one option
+            of the text editor for DOS implementation of TeX with CSTeX.
+            It is not alone option, of course.
+   source:  CSTEX:/emtex/qedit.zip
+
+-- te (the simple text editor for DOS)
+   author:  Peter Sawatzki, Buchenhof 3, D-5800 Haagen 1, Germany
+   version: 28. Nov. 1989
+   license: free, but without source codes and without warranty.
+   source:  CSTEX:/emtex/te.zip
+
+-- vlnka (replaces spaces by tie in places where no-break is recommended)
+   author:  Oldrich Ulrych, Stepan Kasal
+   license: Program is in public domain including Pascal source codes.
+   source:  CSTEX:/emtex/tie.zip
+
+-- vlna (replaces spaces by tie in places where no-break is recommended)
+   author:  Petr Olsak
+   email:   olsak@math.feld.cvut.cz
+   license: Program is free including WEB source codes.
+   source:  ftp://math.feld.cvut.cz/pub/olsak/vlna
+
+-- cstocs2 (converts the czech/slovak text between different encodings)
+   author:  Josef Tkadlec
+   email:   tkadlec@math.feld.cvut.cz
+   license: Program is free including Pascal source codes, without warranty.
+   source:  CSTEX:/emtex/cstocs2.zip
+
+-- dvicopy (the dvi to dvi procesor includes the virtual fonts)
+   author:  Peter Breitenlohner
+   email:   <peb@dmumpiwh.mppmu.mpg.de>
+   license: GPL
+   source:  CSTEX:/emtex/dvicopy.zip
+   notice:  The DOS binary is used here for usage in emTeX implementation.
+   source codes in: CSTEX:/web2c/texk*.tar.gz
+
+-- dviout (the dvi to dvi processor handles with names of fonts)
+   author:  Oldrich Ulrych
+   email:   <ulrych@karlin.mff.cuni.cz>
+   license: Free including Pascal source codes.
+   source:  CSTEX:/emtex/dviout.zip
+
+-- pmCSTeX (user interface for emTeX + CSTeX + EPM editor for OS2)
+   author:  Petr Mikulik
+   email:   mikulik@sci.muni.cz
+   license: Free software
+   source:  CSTEX:/emtex/os2.zip
+
+-- dviwin (dvi viewer for MS Windows)
+   author:  Hippocrates Sendoukas
+   email:   <isendo@leon.nrcps@ariadne-t.gr>
+   license: The author of this software grants to any individual or
+            non-commercial organization the right to use and to make an
+            unlimited number of copies of this software. Commercial
+            entities may use the software for an evaluation period of
+            two weeks. Any further use requires a license from the
+            author. See emtex\doc\win\dviwin.wri for more details.
+   source in: CSTEX:/emtex/texwin.zip
+
+-- TeXtelmExtel (the user interface for TeX in MS Windows)
+   author:  Andreas Krebs
+   email:   <krebs@edvz.sbg.ac.at>
+   license: Free software. See emtex\doc\win\texmex.wri, section 1.4
+            for more details and author's answers the question
+            "Why Freeware".
+   source in: CSTEX:/emtex/texwin.zip
+
+-- MS Windows support of emTeX + CSTeX packed in zip archive
+   author: Josef Krob
+   email:  jokr@phil.muni.cz
+   license: see the dviwin and TeXtelmExtel licenses. These programs are
+            used in this archive.
+   source:  CSTEX:/emtex/texwin.zip
+
+
+III The implementation packages of TeX available on CSTeX ftp site
+==================================================================
+
+1. web2c (for C compiler including sources, binaries for many platforms)
+   authors: Karl Berry, Olaf Weber 
+   emails:  <kb@cs.umb.edu>, <Olaf.Weber@cwi.nl> 
+   license: GPL, see COPYING* files in texk-*/ source tree.     
+   source:  CTAN:/systems/web2c
+   files:   texk-*.tar.gz, texmflib-*.tar.gz, etexlib-2.0.tar.gz,
+            omegalib-1.5.tar.gz, pdftexlib-0.12f.tar.gz.
+   note:    this package includes more sub-packages from different
+            authors (eTeX, pdfTeX, LaTex, omega, ...) See the
+            appropriate license files in these sub-packages.
+
+1a cstex/web2c (ready to install CSTeX with web2c from TeX sources)
+   author: Petr Olsak 
+   email:  <olsak@math.feld.cvut.cz>
+   license: See above for licenses of individual modules.
+   source:  CSTEX:/web2c
+   note:    All archive files of "OS independent" modules of CSTeX
+            are *primary* distributed in this directory in tar.gz
+            format. They are the following archive files: csfonts,
+            csplain, cslatex-*, cspsfonts, cspdftexlib, enctex,
+            csindex-*, csuvodlat.
+
+2. emTeX for DOS or OS/2 or (but somewhat bad choice) for MS Win.
+   author: Eberhard Mattes
+   email:  <mattes@azu.informatik.uni-stuttgart.de>
+   license: Software written by Eberhard Mattes which is part of the
+            emTeX distribution may be used without restrictions.
+            This software  may only be distributed in UNCHANGED
+            and COMPLETE form, including all the files listed in
+            README.ENG's `Distribution files' section, and only if
+            this is done WITHOUT CHARGE (you are allowed to omit some
+            or all of the *.fli files). See emtex\doc\english\readme.eng
+            section 6 for more details.
+   source:  CTAN:/systems/os2/emtex
+   files:   see emtex\doc\english\readme.eng section 4.
+
+2a cstex/emtex (ready to install CSTeX with emTeX + user interface for DOS)
+   author: Petr Olsak 
+   email:  <olsak@math.feld.cvut.cz>
+   license: See above for licenses of individual modules.
+            The install program and the user interface for DOS is based
+            on program MNU (see above) and DOS batches. They are free
+            software.
+   source:  CSTEX:/emtex
+   note:    see the @ctimne.txt file for more details.
+
+3. teTeX for UNIX (derived from web2c)
+   author: Thomas Esser
+   email: <te@informatik.uni-hannover.de>
+   license: GPL
+   source:  CTAN:/systems/unix/teTeX
+
+3a cstex/tetex-rpm (ready to install CSTeX with teTeX from *rpm packages)
+   author: Michal Choura
+   email:  <Michal.Choura@bigfoot.com>
+   license: See above for licenses of individual modules.
+   source:  CSTEX:/tetex-rpm
+
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/mklinks b/Master/texmf-dist/doc/cslatex/base/mklinks
new file mode 100644
index 00000000000..c375d62306b
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/mklinks
@@ -0,0 +1,101 @@
+#!/bin/sh
+# This script makes a links to Ghostscript fonts for
+# Adobe standard fonts in current directory
+# Petr Olsak, March 1998
+
+# Please, change the Ghostcript Font path, if needed:
+
+GSFPATH=/usr/lib/ghostscript/fonts
+
+# Warning!! It seems that some fonts does not work
+# with pdftex version 3.14159-0.12f (Web2C 7.2):
+# You have to use the version 0.12h at least.
+
+ln -s $GSFPATH/b018015l.pfb URWBookmanL-DemiBold.pfb
+ln -s $GSFPATH/b018035l.pfb URWBookmanL-DemiBoldItal.pfb
+ln -s $GSFPATH/b018012l.pfb URWBookmanL-Ligh.pfb
+ln -s $GSFPATH/b018032l.pfb URWBookmanL-LighItal.pfb
+
+ln -s $GSFPATH/n022003l.pfb NimbusMonL-Regu.pfb
+ln -s $GSFPATH/n022023l.pfb NimbusMonL-ReguObli.pfb
+ln -s $GSFPATH/n022004l.pfb NimbusMonL-Bold.pfb
+ln -s $GSFPATH/n022024l.pfb NimbusMonL-BoldObli.pfb
+
+ln -s $GSFPATH/a010013l.pfb URWGothicL-Book.pfb
+ln -s $GSFPATH/a010033l.pfb URWGothicL-BookObli.pfb
+ln -s $GSFPATH/a010015l.pfb URWGothicL-Demi.pfb
+ln -s $GSFPATH/a010035l.pfb URWGothicL-DemiObli.pfb
+
+ln -s $GSFPATH/n019003l.pfb NimbusSanL-Regu.pfb
+ln -s $GSFPATH/n019023l.pfb NimbusSanL-ReguItal.pfb
+ln -s $GSFPATH/n019004l.pfb NimbusSanL-Bold.pfb
+ln -s $GSFPATH/n019024l.pfb NimbusSanL-BoldItal.pfb
+
+ln -s $GSFPATH/n019043l.pfb NimbusSanL-ReguCond.pfb
+ln -s $GSFPATH/n019063l.pfb NimbusSanL-ReguCondItal.pfb
+ln -s $GSFPATH/n019044l.pfb NimbusSanL-BoldCond.pfb
+ln -s $GSFPATH/n019064l.pfb NimbusSanL-BoldCondItal.pfb
+
+ln -s $GSFPATH/p052003l.pfb URWPalladioL-Roma.pfb
+ln -s $GSFPATH/p052023l.pfb URWPalladioL-Ital.pfb
+ln -s $GSFPATH/p052004l.pfb URWPalladioL-Bold.pfb
+ln -s $GSFPATH/p052024l.pfb URWPalladioL-BoldItal.pfb
+
+ln -s $GSFPATH/c059013l.pfb CenturySchL-Roma.pfb
+ln -s $GSFPATH/c059033l.pfb CenturySchL-Ital.pfb
+ln -s $GSFPATH/c059016l.pfb CenturySchL-Bold.pfb
+ln -s $GSFPATH/c059036l.pfb CenturySchL-BoldItal.pfb
+
+ln -s $GSFPATH/n021003l.pfb NimbusRomNo9L-Regu.pfb
+ln -s $GSFPATH/n021023l.pfb NimbusRomNo9L-ReguItal.pfb
+ln -s $GSFPATH/n021004l.pfb NimbusRomNo9L-Medi.pfb
+ln -s $GSFPATH/n021024l.pfb NimbusRomNo9L-MediItal.pfb
+
+ln -s $GSFPATH/s050000l.pfb StandardSymL.pfb
+ln -s $GSFPATH/z003034l.pfb URWChanceryL-MediItal.pfb
+ln -s $GSFPATH/d050000l.pfb Dingbats.pfb
+
+
+ln -s URWBookmanL-DemiBold.pfb     Bookman-Demi.pfb
+ln -s URWBookmanL-DemiBoldItal.pfb Bookman-DemiItalic.pfb
+ln -s URWBookmanL-Ligh.pfb         Bookman-Light.pfb
+ln -s URWBookmanL-LighItal.pfb     Bookman-LightItalic.pfb
+
+ln -s NimbusMonL-Regu.pfb          Courier.pfb
+ln -s NimbusMonL-ReguObli.pfb      Courier-Oblique.pfb
+ln -s NimbusMonL-Bold.pfb          Courier-Bold.pfb
+ln -s NimbusMonL-BoldObli.pfb      Courier-BoldOblique.pfb
+
+ln -s URWGothicL-Book.pfb          AvantGarde-Book.pfb
+ln -s URWGothicL-BookObli.pfb      AvantGarde-BookOblique.pfb
+ln -s URWGothicL-Demi.pfb          AvantGarde-Demi.pfb
+ln -s URWGothicL-DemiObli.pfb      AvantGarde-DemiOblique.pfb
+
+ln -s NimbusSanL-Regu.pfb          Helvetica.pfb
+ln -s NimbusSanL-ReguItal.pfb      Helvetica-Oblique.pfb
+ln -s NimbusSanL-Bold.pfb          Helvetica-Bold.pfb
+ln -s NimbusSanL-BoldItal.pfb      Helvetica-BoldOblique.pfb
+
+ln -s NimbusSanL-ReguCond.pfb      Helvetica-Narrow.pfb
+ln -s NimbusSanL-ReguCondItal.pfb  Helvetica-Narrow-Oblique.pfb
+ln -s NimbusSanL-BoldCond.pfb      Helvetica-Narrow-Bold.pfb
+ln -s NimbusSanL-BoldCondItal.pfb  Helvetica-Narrow-BoldOblique.pfb
+
+ln -s URWPalladioL-Roma.pfb        Palatino-Roman.pfb
+ln -s URWPalladioL-Ital.pfb        Palatino-Italic.pfb
+ln -s URWPalladioL-Bold.pfb        Palatino-Bold.pfb
+ln -s URWPalladioL-BoldItal.pfb    Palatino-BoldItalic.pfb
+
+ln -s CenturySchL-Roma.pfb         NewCenturySchlbk-Roman.pfb
+ln -s CenturySchL-Ital.pfb         NewCenturySchlbk-Italic.pfb
+ln -s CenturySchL-Bold.pfb         NewCenturySchlbk-Bold.pfb
+ln -s CenturySchL-BoldItal.pfb     NewCenturySchlbk-BoldItalic.pfb
+
+ln -s NimbusRomNo9L-Regu.pfb       Times-Roman.pfb
+ln -s NimbusRomNo9L-ReguItal.pfb   Times-Italic.pfb
+ln -s NimbusRomNo9L-Medi.pfb       Times-Bold.pfb
+ln -s NimbusRomNo9L-MediItal.pfb   Times-BoldItalic.pfb
+
+ln -s StandardSymL.pfb             Symbol.pfb
+ln -s URWChanceryL-MediItal.pfb    ZapfChancery-MediumItalic.pfb
+ln -s Dingbats.pfb                 ZapfDingbats.pfb
diff --git a/Master/texmf-dist/doc/cslatex/base/parpozn.tex b/Master/texmf-dist/doc/cslatex/base/parpozn.tex
new file mode 100644
index 00000000000..90193dc83a8
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/parpozn.tex
@@ -0,0 +1,625 @@
+
+% Pár poznámek k novému CSTeXu
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% 5. 2. 1996                                        Petr Ol¹ák
+% Zpracovat formátem csplain, kódování ISO8859-2
+
+\magnification\magstep1
+
+%\input cncent 
+% Mù¾ete zru¹it komentáø, máte-li PostScriptový font NewCenturySchlbk
+
+\chyph
+\newcount\itemnum                 % Èíslované polo¾ky
+\raggedbottom                     % Vynechat dole na stránce pøíp. místo
+\emergencystretch=2em
+
+\font\mflogo=logo10               % METAFONT logo
+
+\def\,{\thinspace}
+\def\csori{$\cal C\kern-.1667em\lower.5ex\hbox{$\cal S$}\kern-.075em $}
+\def\cs#1{\csori\ifx-#1\hbox{-}\else#1\fi}
+\def\mf{{\mflogo META}\-{\mflogo FONT}}
+\def\twoe{$2_{\textstyle\varepsilon}$}
+\def\LaTeX{L\kern-.36em\raise.5ex\hbox{\sevenrm A}\kern-.12em\TeX}
+\def\ps{Post\-Script}
+\def\clqq{\char254 }
+\def\crqq{{\edef\iSF{\spacefactor\the\spacefactor}\char255 \iSF\relax}}
+\def\uv{\bgroup\aftergroup\closequotes\leavevmode\clqq\let\next=}
+\def\closequotes{\unskip\crqq\relax}
+\def\begitems{\medskip\bgroup\catcode`\*=13 \narrower}
+\def\enditems{\par\egroup\medskip}
+{\catcode`\*=13 \gdef*{\par\noindent\llap{$\bullet$\ }\ignorespaces}
+\gdef\numerate{%                         \numerate napsat tìsnì za \begitems
+  \def*{\par\advance\itemnum by1\noindent
+    \llap{\bf\the\itemnum. }\ignorespaces}}}
+
+\font\titlefont=\fontname\tenbf\space scaled\magstep2
+
+\def\title#1\par{\centerline{\titlefont #1}\bigskip}
+\def\sub#1\par{\vskip1.5\bigskipamount\goodbreak\noindent{\bf #1}\par
+  \nobreak\medskip}
+\def\Ad #1. {\medskip\noindent{\bf Ad #1. }}
+
+\title Pár poznámek k~novému CS\TeX{}u
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\noindent Petr Ol¹ák \hfill 5.~února 1996 \medskip
+
+\sub Trocha historie
+%%%%%%%%%%%%%%%%%%%%
+
+Pùvodní \cs\TeX{} vy¹el z~projektu Oldøicha Ulrycha se zámìrem nabídnout
+u¾ivatelùm, kteøí problematice (aspoò zpoèátku) nechtìjí rozumìt pøíli¹ do
+hloubky, snadnì obsluhovatelný instalaèní balík. ©lo o~to, abychom pro
+èlovìka, který jedním dechem polo¾í dvì otázky \uv{co je to \TeX{} a mohl
+bych jej vyzkou¹et na svém PC?}, mìli pøipravenou nìjakou odpovìï na otázku
+první a {\it snadnou\/} odpovìï na otázku druhou: \uv{tu má¹ diskety a
+vyzkou¹ej si to}.
+
+Hlavní pilíø práce spoèíval tedy v~sestavení funkèní instalace pro DOS
+z~veøejnì dostupných PD (in public domain) programù. Pùvodnì se
+jednalo o~programy z~Sb\TeX{}u a pozdìji o~programy
+z~em\TeX{}u. Samozøejmì tam byla zahrnuta té¾ práce programátorù
+z~na¹ich zemí. Bylo toti¾ potøeba doplnit pøevzaté programy o~dal¹í
+nástroje pro poøizování dokumentù v~èeském a slovenském jazyce. Také
+byla snaha pokud mo¾no co nejvíce ulehèit ¾ivot øadovému
+u¾ivateli. Znamená to, ¾e u¾ivatel by napøíklad nemìl být nucen pøi
+bì¾ných po¾adavcích èíst mnohdy velmi rozsáhlou, nepøehlednou a
+nesourodou dokumentaci jednotlivých balíkù PD programù, ze kterých
+cílový balík sestával.
+
+V~prehistorické dobì \cs\TeX{}u (1990--92) byla situace z~jedné strany
+obtí¾ná, proto¾e plno vìcí pro podporu èe¹tiny a sloven¹tiny bylo teprve ve
+vývoji. Z~druhé strany v¹ak byla situace jednodu¹¹í, proto¾e pod pojmem
+\uv{zkou¹et \TeX{} na PC} se jaksi samozøejmì oèekávalo prostøedí
+operaèního systému DOS.
+
+V~roce 1993 jsem se zapojil do vytvoøení nové verze \cs\TeX{}u,
+proto¾e jsem pova¾oval za vhodné zaøadit do nìj svùj program MNU, který
+umo¾nil vytváøet modifikovatelné a snadno ovladatelné nabídky pro spou¹tìní
+jednotlivých \TeX{}ovských úkolù. Program MNU spolupracuje s~pomìrnì
+rozsáhlými DOSovskými dávkami. Je tedy patrné, ¾e i tato verze instalace
+se opírala o~jednou¾ivatelský a jednoúlohový operaèní systém DOS.
+
+Jako autoøi instalaèního balíku jsme se tehdy domluvili na tom, ¾e
+budeme ka¾doroènì zaèleòovat zmìny a opravy. Proto jsme tehdej¹í verzi
+\cs\TeX{}u nazvali \cs\TeX{}93 a o~rok pozdìji s~nepatrnými úpravami byl
+dán k~dispozici \cs\TeX{}94. Oèekávalo se, ¾e se v~této øadì bude
+pokraèovat\dots
+
+Dnes máme pro PC rùzné operaèní systémy a ten pøevládající%
+\footnote{$^{\dag}$)}{MS Windows}
+není shodný s~tím, který mají pùvodní autoøi \cs\TeX{}u v~oblibì. Navíc
+nemáme jenom PC, ale existují i jiné von Neumannovy strojky, na nich znovu
+jiné operaèní systémy a v¹e se spojuje do heterogenních, mnohdy dosti
+specifických, sítí. Pro tyto podmínky zatím nebyl \cs\TeX{} stavìný.
+
+Mezi pùvodní cíle \cs\TeX{}u je tøeba zaøadit i snahu po unifikaci øe¹ení
+problematiky èeské a slovenské sazby. To má dvì výhody: Za prvé, ¹etøí se
+síly programátorù, kteøí podporu pro národní sazbu vytváøejí, proto¾e na
+øe¹ení stejného problému nepracují bez vzájemné informovanosti na více
+místech souèasnì. Za druhé, ¹etøí se nervy u¾ivatelù, kteøí si vzájemnì
+vymìòují \TeX{}ovské dokumenty a zku¹enosti s~\TeX{}em, proto¾e v¹ichni
+pracují se stejným produktem.
+
+Tohoto cíle se bohu¾el nepodaøilo dosáhnout.
+Dnes se dá tì¾ko posoudit, kolik procent instalací \TeX{}u, na nich¾
+se poøizuje sazba v~na¹ich národních jazycích, tvoøí
+\cs\TeX{}. Udìláme anketu aspoò mezi èleny \cs TUGu?
+Pravdìpodobnì je procento vysoké, ale existují i lokální
+instalace postavené na jiných principech øe¹ení národní problematiky.
+Nìkteré takové instalace dokonce pøesahují lokální charakter svého
+pùsobení. Uveïme napøíklad instalaci pana Kasprzaka, která je navíc ¹íøena
+prostøednictvím Internetu.
+
+
+\sub O~názvu
+%%%%%%%%%%%%
+
+Logo \cs\TeX{} je zkratkou \uv{èeský a slovenský \TeX}, co¾ asi ka¾dý ví.
+Èíslo verze za logem odpovídá roèníku, kdy byla verze pøipravena a ¹íøena.
+Oèekávalo se, ¾e bude existovat \cs\TeX{}95, proto¾e pøedcházely verze
+\cs\TeX{}93 a \cs\TeX{}94. Bohu¾el, pro názorový nesoulad mezi úèastníky
+diskusní skupiny \uv{tzv. tvùrcù \cs\TeX{}u} a pro následný absolutní
+nezájem tìchto úèastníkù pøilo¾it ruku k~dílu, kdy¾ u¾ byla stanovena
+koncepce a kdy¾ jsem zveøejnil uvnitø této skupiny alfa verzi, se pøíprava
+na verzi 95 protáhla a byla uvedena a¾ v~roce 1996. Dokumentace se na
+souèasnou verzi \cs\TeX{}u vìt¹inou odvolává pod èíslem 95, nìkde se pí¹e
+\cs\TeX{}95,6. U¾ivatele je tøeba upozornit, ¾e mezi \cs\TeX{}em 95 a
+pøedchozími verzemi je hodnì dosti zásadních rozdílù, viz ní¾e.
+
+Proto¾e od nynìj¹í verze platí úmluva, ¾e se jednotlivé moduly
+v~\cs\TeX{}u budou opravovat prùbì¾nì, nebudou vznikat dal¹í verze s~èísly
+podle roèníkù. Z~toho dùvodu bude asi jednodu¹¹í øíkat nejnovìj¹í verzi
+prostì \cs\TeX{}. Pøedchozí verze by se mìly pro odli¹ení dùslednì nazývat
+\cs\TeX{}94, \cs\TeX{}93 èi \cs\TeX{}92. Tuto fintu, a do jisté míry podraz
+vùèi u¾ivatelùm, u¾ známe z~produktu souèasného \LaTeX{} teamu. Produkt se
+pøekvapivì jmenuje \LaTeX, zatímco to, co jsme byli a¾ dosud zvyklí
+\LaTeX{}em nazývat, máme nyní pojmenovávat jako \LaTeX{}2.09. V~dal¹ím
+textu budeme tedy slovem \cs\TeX{} oznaèovat verzi \cs\TeX{}95,6.
+
+®ádná jiná varianta poèe¹tìní \TeX{}u by se nemìla nazývat stejným jménem.
+Pouze \cs TUGem oficiálnì podporovaná verze má toto jméno. Toté¾ platí
+o~formátech \TeX{}u, které jsou zahrnuty v~\cs\TeX{}u. V~souèasné dobì jde
+o~jména {\tt csplain}, {\tt csamstex}, {\tt cslamstex}, {\tt cslatex}, {\tt
+csamslat} a {\tt cslt209}. Pokud napøíklad najdeme na síti \TeX{}ovský
+dokument, který bude mít v~úvodním komentáøi napsáno \uv{zpracovat formátem
+csplain}, mìlo by tím být naprosto jednoznaènì øeèeno, o~co jde.
+
+
+\sub Vymezení pojmu a struktura \cs\TeX{}u
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Název bychom mìli, teï si je¹tì povíme, co to vlastnì ten \cs\TeX{} je.
+Døíve jsme mìli situaci jednodu¹¹í, proto¾e jsme vìt¹inou tento název
+ztoto¾òovali s~onìmi devatenácti disketami pro DOS. Ov¹em i pøi takovém
+pojetí jsme se dopou¹tìli nìkterých omylù a nepøesností. Tøeba tvrzení, ¾e
+\cs\TeX{} je em\TeX{} je omyl. Nebo jiné tvrzení, ¾e pod pojmem \cs\TeX{}
+si pøedstavím urèité seskupení nabídek realizovaných programem MNU, také
+není v~poøádku.
+
+V~souèasné dobì, kdy s~\cs\TeX{}em pracují u¾ivatelé rùzných operaèních
+systémù (OS), je tøeba vymezit tento pojem ponìkud opatrnìji.
+
+\cs\TeX{} pro daný OS se skládá z~tìchto komponent:
+
+\begitems  \numerate
+* Základ -- \TeX, makra, fonty, ovladaèe. Fungující pro anglický jazyk.
+* Prostøedky pro podporu è/s sazby závislé na OS.
+* \cs-fonty.
+* Makra pro sazbu v~národním prostøedí a dal¹í podpora nezávislá na OS.
+\enditems
+
+\Ad 1. Základ vìt¹inou vzniká kompilací Knuthova zdrojového textu {\tt
+tex.web} do spustitelného programu pro daný OS. Toté¾ platí pro \mf. Dále
+jsou souèástí základu Knuthovy fonty ve tvaru {\tt mf} a makra
+spoleènì s~makry dal¹ích autorù. Napøíklad makra \LaTeX{}u.
+V~neposlední øadì základ musí zahrnovat {\tt dvi} ovladaè pro zobrazovací
+jednotku v~daném OS, tzv. prohlí¾eè, a ovladaèe pro nejbì¾nìji pou¾ívaná
+výstupní zaøízení.
+
+Nebývá obvyklé, aby tento základ vznikl v~dílnách èeských autorù.
+Jako základ se pou¾ívají PD instalace \TeX{}u pro daný OS.
+Napøíklad pro DOS a OS/2 se pou¾ívá jako základ em\TeX, pro UNIX
+je pou¾ita \TeX{}ovská instalace Karla Berryho. Základ není vhodné oznaèovat
+jako souèást \cs\TeX{}u ve smyslu vykonané práce autorù \cs\TeX{}u,
+ov¹em z~pohledu skuteènosti, ¾e bez základu nám to nepojede, zøejmì se
+bez oznaèení \uv{souèást \cs\TeX{}u} mnohdy neobejdeme.
+
+Základ urèuje zpùsob balení dal¹ích komponent, tj. napø. strukturu
+pou¾itých adresáøù, zpùsob a typ pou¾itého programu pro vytváøení
+instalaèních modulù (napøíklad zip nebo tar), zpùsob prezentování
+dokumentace a pøípadnì dal¹í nále¾itosti.
+
+\Ad 2. Abychom mohli poøizovat èesky a slovensky psané dokumenty,
+potøebujeme nìkteré dal¹í prostøedky, které jsou závislé na pou¾itém OS.
+Napøíklad je potøeba zodpovìdìt otázku, jak a zda vùbec øe¹í OS poøizování
+zdrojových textù \TeX{}u s~národními abecedami. Jedná se tøeba o~volbu
+editoru a pomùcek k~poøizování textù vèetnì nabodeníèek. Také zde
+patøí rùzné konvertory, preprocesory (tøeba program vlnka), kontroly
+pøeklepù apod. V~ka¾dém OS bude asi tato podpora na jiné úrovni. V~nìkterém
+OS mù¾eme mít navíc rùzná \uv{vylep¹ení}, napøíklad program MNU.
+
+Aèkoli se nìkteré vìci z~této oblasti dají pøevzít z~nabídky PD programù,
+pøesto je potøeba udìlat v~daném OS kus samostatné programátorské
+práce. V¹e, co kdokoli pro svùj OS udìlá, je v~projektu \cs\TeX{} vítáno.
+Napøíklad pro UNIXy se v~souèasné dobì dají pou¾ít fonty v~\hbox{ISO8859-2}
+zavedené do X aplikace (napøíklad editoru). V~pøípadì Emacsu se dá vkládání
+nabodeníèek øe¹it na úrovni maker editoru. Jiná mo¾nost je vyu¾ít pøepínání
+tabulky Xmodmap na úrovni X serveru. Pokud napøíklad tyto softwarové
+pomùcky nabídnou autoøi do \cs\TeX{}u pro UNIXy, budeme potì¹eni.
+
+\Ad 3. V~ka¾dé instalaci \TeX{}u jsou za základní fonty pova¾ovány
+Knuthovy fonty Computer Modern. Nic na tom nemìní skuteènost, ¾e instalace
+vìt¹inou umí pracovat s~rozsáhlým mno¾stvím dal¹ích, obvykle \ps{}ových,
+fontù. Jako základní fonty pro èeskou a slovenskou sazbu jsou v~\cs\TeX{}u
+stanoveny \cs-fonty.
+
+\cs-fonty jsou k~dispozici ve stejném formátu, jako Computer Modern fonty a
+navazují na nì. Jedná se tedy o~formáty {\tt mf} a {\tt tfm}, které
+jsou pøenositelné na libovolný OS.
+
+\Ad 4. Makra \cs\TeX{}u navazují na makra základu a na \cs-fonty.
+Ve v¹ech pøípadech jde o~textové soubory pøenositelné na libovolný OS.
+Makra modifikují formáty, pøevzaté ze základu (napøíklad {\tt plain}, {\tt
+latex}) tak, aby se v~nich místo Computer Modern fontù pracovalo
+s~\cs-fonty. Dále jsou v~tìchto makrech zahrnuty èeské a slovenské vzory
+dìlení slov. Výsledné formáty mají pøed pùvodním názvem pøedponu {\tt cs},
+tj. tøeba {\tt csplain}, {\tt cslatex}. Toto jsou oficiální názvy
+formátù \cs\TeX{}u.
+
+Kromì maker existují dal¹í pomùcky pro èeskou a slovenskou sazbu,
+nezávislé na OS. Uveïme napøíklad virtuální fonty v kódování
+\cs-fontù, které umo¾òují sazbu \ps{}ovými fonty v národních jazycích.
+
+\medskip
+
+\uv{\cs\TeX{} pro jistý OS} pøedstavuje relativnì samostatný celek a je
+nabízen na ftp serverech v~samostatných adresáøích. Rozlièný mù¾e být
+i zpùsob distribuce a zpùsob instalace. Tyto vìci se vìt¹inou podøizují
+zpùsobùm, jaké jsou pou¾ity pøi instalaci základu.
+
+První dvì komponenty jsou závislé na operaèním systému, zatímco dal¹í dvì
+komponenty se v~rùzných OS neli¹í. Proto tøetí a ètvrtou komponentu
+nazýváme {\it jádrem\/} \cs\TeX{}u, které je ve v¹ech OS \uv{skoro} shodné.
+Slùvko \uv{skoro} v~sobì zahrnuje pouze nutné transformace textových
+souborù, struktury adresáøù a názvù souborù z~dùvodu specifik daného OS:
+máme rùzné konce øádkù pro MAC, DOS a UNIX a nìkteré ménìcenné OS
+nerozli¹ují velikosti písmen v~názvech souborù a mají velmi nepøíjemné
+omezení v~délce názvu.
+
+V~souèasné dobì nabízíme \cs\TeX{} pro DOS a OS/2. Základem tohoto \cs\TeX{}u
+je em\TeX{}, který je spoleèný pro oba OS. Nad touto instalací lze pou¾itím
+balíku {\tt texwin.zip} vytvoøit té¾ podporu pro MS Windows.
+Dále existuje \cs\TeX{} pro UNIXy, ov¹em zatím jen v~plenkách.
+Základem je instalace Karla Berryho. Nabízené TARy nyní obsahují jen
+pøevedené jádro \cs\TeX{}u zabalené do struktury adresáøù podle základu.
+Zatím pro UNIX chybí druhá komponenta. Po jednání s~autory softu
+spadajícího do druhé komponenty, se pokusím do \cs\TeX{}u pro UNIX zaøadit i
+jejich práci. Dále rád pøivítám jakoukoli spolupráci s~u¾ivateli Amigy,
+MACu, VAXu apod. Nabízím odbornou konzultaci k~problematice \TeX{}u a
+okolí, ov¹em o~operaèních systémech samotných vím velmi málo. Doèkáme se
+v~brzké dobì roz¹íøení \cs\TeX{}u pro dal¹í OS?
+
+
+\sub Výhody proti pøedchozí verzi \cs\TeX{}94
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+V~následujících dvou odstavcích si shrneme výhody a nevýhody nové verze
+vzhledem ke staré. Tím odpovíme na otázku, zda má pro u¾ivatele smysl
+pøecházet na novou verzi \cs\TeX{}u.
+Nejvýznamnìj¹í výhody se dají shrnout do následujících
+bodù. První dva body se týkají srovnání \cs\TeX{}u pro DOS, ostatní body
+mají obecnìj¹í platnost.
+
+\begitems \numerate
+* Lep¹í kompatibilita se souèasným em\TeX{}em.
+* Konèí (snad) problémy s~{\tt tex386} kontra rùzné DOSovské správy pamìti.
+* Je implicitnì zaøazeno automatické dogenerování fontù.
+* Je zaøazen {\tt cslatex} jako c/s varianta \LaTeX{}u \twoe.
+* Mo¾nost pou¾ít \ps{}ové fonty i v~národní sazbì.
+* Nové vzory dìlení slov pro èe¹tinu.
+* Existuje WWW stránka s~pøehledným rozdìlením \cs\TeX{}u do modulù.
+\enditems
+
+\Ad 1. V~pùvodním balíku byl základ em\TeX{} pøebrán jen èásteènì
+a byl kompletnì pøebalen s~ohledem na potøeby instalace \cs\TeX{}u. Èasem
+se objevily dvì nevýhody. Za prvé to odporovalo po¾adavku autora em\TeX{}u
+E. Mattese distribuovat em\TeX{} pouze jako celek. Za druhé, E. Mattes
+mezitím pøe¹el k~novìj¹ím verzím a dramaticky zmìnil adresáøovou strukturu
+i syntaxi konfiguraèních souborù%
+  \footnote{*)}{Takové zásadní zmìny se v~em\TeX{}u odehrávají zhruba
+  s~frekvencí dvou let. Není to poprvé, co se s~tím setkáváme, bohu¾el.}.
+Tím se distribuovaný \cs\TeX{} znaènì vzdálil od aktuální verze svého
+základu a nastaly problémy. Kdy¾ si nìkdo vzpomnìl, ¾e chce tisknout
+jazykem PCL na 600\,dpi tiskárnách, nefungovalo to. Kdy¾ si sehnal novìj¹í
+verzi ovladaèe, kde byla chyba odstranìna, byl zmaten novým jazykem
+konfiguraèního souboru a strukturou adresáøù. Teprve za cenu obrovského
+úsilí spojil starý \cs\TeX{} s~novým programem do fungujícího celku.
+Podobná vìc platila pro bublinkové tiskárny, nové verze grafických karet
+monitoru apod. Tyto vìci ve starém \cs\TeX{}u podporovány nebyly a
+kombinací nových ovladaèù em\TeX{}u se starým \cs\TeX{}em pøibývaly potí¾e.
+
+Proto¾e lze pøedpokládat, ¾e v~budoucnu dojde k~dal¹ím zmìnám v~em\TeX{}u,
+bude pro snadnìj¹í obnovování \cs\TeX{}u pro DOS jednodu¹¹í pøevzít základ
+beze zmìn s~originálnì balenými ZIPy.
+
+\Ad 2. Potì¹ím v¹echny zoufalce, kteøí chtìjí s~DOSem obslou¾it více
+ne¾ 640\,kb pamìti pomocí rùzných berlièek, jako je {\tt emm386} a jim
+podobné. To s~pùvodní verzí em\TeX{}u ne¹lo moc dohromady. Souèasná verze
+em\TeX{}u u¾ obsahuje pøíslu¹né {\tt exe} programy (napø. {\tt
+tex386.exe}) ve \uv{vykuchaném} tvaru. Znamená to, ¾e tyto programy
+nemají obsluhu roz¹íøené pamìti zahrnutu pøímo v~sobì. Místo toho uvedené
+programy spolupracují s~dvìma rùznými podpùrnými nástroji -- {\tt emx} nebo
+{\tt rsx}. Nástroj {\tt emx} obsahuje pùvodní Mattesovo pojetí práce
+s~roz¹íøenou pamìtí, zatímco {\tt rsx} doká¾e spolupracovat s~{\tt emm386}.
+Typ podpùrného nástroje si program vybere automaticky v~závislosti na
+pøítomném (nebo nepøítomném) emulátoru pamìti. Dùsledkem toho je, ¾e se to
+nepere s~Microsoftským pojetím obsluhy roz¹íøené pamìti.
+
+Nedá se pøedpokládat, ¾e problém pamìti v~DOSu je nav¾dy vyøe¹en. Rùzné
+novìj¹í verze zpìtnì nekompatibilních obsluhovaèù pamìti mohou znovu
+zpùsobit problémy. Budi¾ pouze útìchou, ¾e se nemusí kvùli tomu (snad)
+mìnit verze programù {\tt tex386.exe} a jim podobných, ale staèí vymìnit
+pøíslu¹ný {\tt rsx}. Problémy tohoto typu budou existovat tak dlouho, jak
+dlouho bude existovat DOS. Zvrácenost tohoto operaèního systému spoèívá v~tom,
+¾e nechává na aplikaci, aby se sama nìjak vypoøádala se vstupem do
+roz¹íøené pamìti. Pokud na stejném hardware spustíte nìjaký UNIX, bariéra
+640\,kb pøestává existovat a operaèní systém nabízí aplikaci tolik
+virtuální pamìti, kolik se konfiguruje.
+
+\Ad 3. V~\cs\TeX{}u 94 zabíraly pøevá¾né mno¾ství distribuèních disket
+bitové mapy \cs-fontù pro nejrùznìj¹í tiskárny a v~nejrùznìj¹ích
+velikostech. Automatické dogenerování bitmap \cs-fontù pak nebylo skoro
+potøeba provádìt a bylo implicitnì vypnuté. Dnes se pou¾ívá vìt¹í mno¾ství
+typù tiskáren a vìt¹í mno¾ství fontù. Automatické dogenerování bitmap je
+proto implicitnì zapnuté. To má pouze tu nevýhodu, ¾e administrátor sítì,
+který instaluje \cs\TeX{} do místa zabezpeèeného proti zápisu u¾ivatelem,
+musí pozmìnit obsah konfiguraèních souborù, aby se novì generované bitmapy
+vytváøely v~místì, kam u¾ivatel zapisovat mù¾e. Pokud se vychází z~malého
+mno¾ství hotových bitových map, existuje je¹tì druhá nevýhoda. Tou
+je skuteènost, ¾e se na fonty zpoèátku musí chvíli poèkat.
+
+Aby byla trochu kompenzována druhá nevýhoda, jsou v~\cs\TeX{}u zaøazeny
+knihovny bitových map pro pùvodní ètyøi typy podporovaných tiskáren, ov¹em
+tyto knihovny zahrnují jen nejpou¾ívanìj¹í minimum. Proto nejsou tak
+rozsáhlé. V¹e mimo tyto výchozí knihovny projde automatickým generováním.
+
+\Ad 4. V~nové verzi \cs\TeX{}u jsme se doèkali pøevedení \LaTeX{}u
+\twoe{} do národního prostøedí. Tento formát se nyní nazývá {\tt cslatex}.
+V~\cs\TeX{}u pro DOS lze navíc pou¾ít pùvodní formát \LaTeX{} 2.09 a lze si
+snadno z~nabídky vybrat, která verze \LaTeX{}u bude pou¾ita.
+
+Výhody nového \LaTeX{}u \twoe{} vám neøeknu, proto¾e \LaTeX{} nepou¾ívám.
+Kdo jej pou¾ívá, zøejmì by na¹el celou øádku argumentù, proè pøejít na
+\LaTeX{} \twoe.
+
+\Ad 5. V~novém \cs\TeX{}u máte mo¾nost pou¾ít základní skupinu
+\ps{}ových fontù. Jsou zaøazeny virtuální popisy tìchto fontù ve stejném
+kódování, jako \cs-fonty. Rovnì¾ jsou k~dispozici makra pro {\tt cslatex} i
+{\tt csplain}, která umo¾ní snadné pou¾ití tìchto fontù koncovému
+u¾ivateli.
+
+Základní skupina \ps{}ových fontù je instalována v~ka¾dém \ps{}o\-vém RIPu,
+tak¾e ji kupujete spoleènì s~RIPem v~tiskárnì. Do \cs\TeX{}u budou zahrnuty
+v~nejbli¾¹í dobì té¾ knihovny bitových map tìchto fontù pro nejbì¾nìj¹í
+tiskárny v~obvyklých rozli¹eních. Potom bude mo¾né si sazbu s~tìmito
+fonty prohlí¾et a tisknout na levných tiskárnách. V~èinnosti ale nebude
+automatické generování nestandardních velikostí, proto¾e popisy kreseb
+tìchto fontù jsou chránìny licencí a není mo¾né je ¹íøit zdarma.
+
+Pokud pou¾ijete rastrovací mechanismus tìchto fontù z~PD instalace
+Ghostscriptu, tj. místo originálních a licencí chránìných fontù ve formátu
+{\tt pfb} pou¾ijete volnì ¹íøené {\tt gsf}, velmi vás prosím, nevystavujte
+takové dokumenty na veøejnosti. Dìlali byste \TeX{}u jen ostudu.
+
+Je té¾ pøibalen nástroj pro vytvoøení dal¹ích virtuálních popisù
+libovolných \ps{}ových fontù. Je jím program {\tt a2ac}. Pokud si tedy
+koupíte \ps{}ový font ve Standard AdobeEncoding, pak máte mo¾nost jej
+pou¾ít v~èeské sazbì v~\TeX{}u. Doporuèuje se nekupovat poèe¹tìné varianty
+tìchto fontù, proto¾e velmi èasto platí, ¾e poèe¹tìný font znamená pomr¹ený
+font. Je daleko lep¹í vyu¾ít pro poèe¹tìní nástrojù z~\cs\TeX{}u.
+
+\Ad 6. V~novém \cs\TeX{}u jsou pou¾ity nové vzory dìlení èeských slov
+od Pavla ©eveèka a kol. Tyto vzory jsou podstatnì lep¹í, ne¾ vzory dìlení
+z~\cs\TeX{}u 94. Slovenské vzory dìlení zatím bohu¾el zùstaly beze
+zmìny. Vzory dìlení (èeské i slovenské) jsou navíc ulo¾eny v~souborech
+nezávislých na volbì kódování, tj. neovlivní pøípadnì jinou volbu vnitøního
+kódování \TeX{}u a jsou snadno pøenositelné do jiných OS.
+
+\Ad 7. Existuje WWW stránka, která informuje o~souèasném stavu
+\cs\TeX{}u a pøehlednì ukazuje rozdìlení jednotlivých instalací do modulù
+(napøíklad instalaèních ZIPù). Prostøednictvím WWW lze té¾ zkopírovat pøímo
+do va¹eho poèítaèe libovolný modul \cs\TeX{}u nebo kontaktovat autory
+modulù elektronickým dopisem.
+
+
+\sub Nevýhody proti pøedchozí verzi \cs\TeX{}94
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\begitems \numerate
+* Neexistuje snadná obnova pøedchozí verze na novou.
+* Vìt¹í nároky na disk.
+* Ménì komfortní instalaèní procedura.
+* Ménì kladen dùraz na DOS.
+* Men¹í spolehlivost na rozhraních kompetencí.
+* Opravy se budou dìlat za chodu.
+\enditems
+
+\Ad 1. Pøedchozí verze \cs\TeX{}u (94 a 93) se od nové velmi výraznì
+li¹í v~adresáøové struktuøe. Proto pøi pøechodu na novou verzi je nutné
+zcela opustit verzi starou. Chcete-li mít obì verze vedle sebe, pøejmenujte
+starý adresáø na jiný název ne¾ {\tt emtex} a instalujte nový \cs\TeX{} vedle.
+Po pøejmenování staré verze bude je¹tì potøeba pozmìnit obsah i jména
+spou¹tìcích dávek staré verze a dále upravit set pro {\tt TEXDIR} v~{\tt
+cfg\char92texset.bat}.
+
+\Ad 2. Proto¾e jsme do \cs\TeX{}u zaøadili kompletní em\TeX{},
+nastávají problémy s~velikostí instalace na disku. Tvùrce em\TeX{}u
+Eberhard Mattes se tímto systémem intenzívnì zabývá, a tak mu asi je jedno,
+¾e jeho instalace zabírá 50\,MB. Ménì jedno to je náhodnému u¾ivateli,
+který na svém disku kromì \TeX{}u chce mít plno dal¹ích vìcí a \TeX{}
+pova¾uje jen jako nezávazný experiment.
+
+Mattes balí do svých ZIPù skupiny software, které se paralelnì doplòují.
+Napøíklad {\tt exe} programy pro DOS i OS/2 jsou ve spoleèném ZIPu. Nebo
+dokumentace je jednak anglická a jednak nìmecká. A¾ poté, co je ZIP
+rozbalen na disk se tedy mù¾e zaèít ¹etøit místem vymazáním zbyteèného
+softu. Napøíklad vymazání v¹eho, co se týká OS/2, proto¾e máme zatím jenom
+DOS, pøípadnì vymazání ve¹keré nìmecké dokumentace, proto¾e radìji èteme
+anglicky.
+
+Jako kompromis byly vytvoøeny tøi varianty, definující mno¾inu pou¾itých
+ZIPù pro instalaci. Nejmen¹í varianta \uv{{\tt small}} instaluje funkèní
+minimum. To vyjde na 17\,MB. Pak se dá napøíklad vymazat v¹e, co patøí OS/2
+a není pou¾itelné pro DOS a dále nìmecká dokumentace a v¹e se zredukuje na
+13\,MB. Pokud dále problematice velmi rozumíme a víme naprosto pøesnì, co
+budeme potøebovat a co ne, dají se ruènì dále vymazávat jednotlivosti, a¾
+dojdeme obvykle k~8\,MB. Pokud odma¾eme \LaTeX{} a necháme jen plain,
+dostaneme se na hranici 5\,MB. Men¹í to rozhodnì nikdy nebude. Proto¾e
+v~prùbìhu práce se budou generovat formáty a dále fonty, je rozumné pro
+minimální nároky poèítat obvykle s~20\,MB. Dal¹í varianty instalace \uv{{\tt
+all}} a \uv{{\tt big}} zaberou po øadì zhruba 38\,MB a 50\,MB.
+
+\Ad 3. Zpùsob balení Mattesových ZIPù tedy znemo¾nil elegantní
+instalaci jen tìch èástí \cs\TeX{}u, které skuteènì potøebujeme. Proto
+nemìlo smysl pro novou verzi \cs\TeX{}u pou¾ít analogii k~instalaènímu
+programu, který známe ze star¹ích verzí.
+
+\Ad 4. A¾ dosud byla práce autorù v~\cs\TeX{}u nejprve inspirována
+jejich vlastními potøebami. Souèasná verze \cs\TeX{}u pro DOS je asi prvním
+balíkem, kdy jsem jako autor balíku nevytvoøil toto dílo pro svou vlastní
+potøebu, ale pro druhé. Cítím toti¾ závazek vùèi u¾ivatelùm DOSu, kteøí
+novou verzi em\TeX{}u zapracovanou do \cs\TeX{}u potøebují. Skuteènì, na
+své domácí 286 zùstanu u~verze z~\cs\TeX{}u 94, která se mi podaøila
+vmìstnat vèetnì starého \LaTeX{}u do 5\,MB na disku. Ka¾dý, kdo má pouze
+40\,MB disk ví, co to znamená \uv{disková tíseò}. Tam se prostì nová
+verze nevejde a ani se nedá zkou¹et. V~zamìstnání bych asi také nebyl
+u¾ivateli pochválen, kdybych pøe¹el na novou verzi, na kterou nejsou
+zvyklí. A~já osobnì v~zamìstnání pou¾ívám \TeX{} skoro výhradnì na UNIXu.
+
+Dùsledkem tohoto odklonu autorových potøeb od odvedené práce mù¾e být, a
+pravdìpodobnì je, ménì propracovaný a urèitì ménì prozkou¹ený balík.
+
+\Ad 5. Jednotlivé èásti \cs\TeX{}u dìlají rùzní autoøi pod rùznými
+operaèními systémy. Výsledná práce pak pøi opomenutí nemusí zcela zapadat
+do koncepce \cs\TeX{}u a vznikají potí¾e na \uv{rozhraních kompetencí}.
+Pøíkladem je souèasný balík {\tt cslatex}, který vytvoøil Z.~Wagner a
+odzkou¹el pod svým operaèním systémem, kterým je OS/2. Pøitom zcela
+ignoroval skuteènost, ¾e v~balíku MNU pro DOS jsou pro {\tt cslatex}
+pøipraveny polo¾ky v~menu a dávky. Tyto dávky ov¹em s~dodaným balíkem
+neumìly pracovat. Vznikla otázka, zda zmìnit dávky nebo balík {\tt cslatex}.
+Ani já, ani on, jsme nemìli mo¾nost ani chu» vyzkou¹et, zda na¹e dílo na
+sebe navazuje, proto¾e nikdo z~nás pøíli¹ nepracuje s~DOSem. V~následující
+kapitole se proto pokusím vymezit po¾adavky na autora modulu, co musí
+udìlat, aby byl modul bezproblémovì zaøazen do \cs\TeX{}u.
+
+\Ad 6. Je mi jasné, ¾e pro u¾ivatele nebude pøíli¹ snadné sledovat
+postupný pohyb ve verzích jednotlivých modulù a jejich opravy, pøesto¾e ka¾dá
+významnìj¹í zmìna v~\cs\TeX{}u bude zveøejnìna na listu. 
+V~souboru {\tt zmeny.txt} pøístupném jednak pomocí ftp a jednak
+pomocí WWW bude pøibývat podrobný záznam o~jednotlivých zmìnách vèetnì data
+zanesení zmìny na serveru. Toto opatøení, na rozdíl od skokových zmìn
+jednou roènì, umo¾ní autorùm provádìt opravy modulù v~okam¾iku, kdy na to
+mají náladu a chu» a já je nebudu muset nutit ke splnìní èasových termínù,
+které podle mých zku¹eností stejnì neplnili. Pravda, je to ponìkud ménì
+u¾ivatelsky pøehledné, bohu¾el.
+
+
+\sub Jak zaøadit nový modul
+%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+I~vy se mù¾ete stát spoluautory \cs\TeX{}u. Kdy¾ vytvoøíte instalaèní modul
+(napøíklad ZIP), který je v~souladu se stávající strukturou \cs\TeX{}u pro
+daný OS a je jednodu¹e zaèlenitelný do stávajícího stavu, je to jedinì
+vítáno. Je ov¹em bezpodmíneènì potøeba, abyste si zkusmo instalovali
+souèasnou verzi \cs\TeX{}u pro daný OS a na nìm provedli experiment
+zaèlenìní va¹eho modulu. Pøi tomto zaèlenìní je potøeba zaznamenat úkony a
+zmìny, které je nutné udìlat v~souborech pocházejících z~rukou jiných
+autorù.  Tyto zmìny je pak potøeba podrobnì popsat a zaslat tìmto autorùm.
+A¾ je autoøi zaèlení do svých modulù, je teprve mo¾né nový modul zaèlenit do
+\cs\TeX{}u.
+
+Pøíklad. Budete chtít pøidat modul Ghostscriptu {\tt gs.zip} pro \cs\TeX{}
+pro DOS. Provedete následující:
+
+\begitems \numerate
+* Instalujete si {\it souèasnou\/} verzi \cs\TeX{}u pro DOS.
+* Instalujete svùj balík.
+* Provedete zásahy do stávajících souborù (tøeba pøidání polo¾ky v~MNU).
+* Odzkou¹íte funkènost instalace vèetnì va¹eho balíku.
+* Za¹lete autorovi zmìnìných souborù soupis zmìn (napøíklad mì za¹lete
+  instrukci o~zaèlenìní nové polo¾ky do {\tt cfg.mnu} a do instalaèních
+  dávek).
+* Já provedu potøebné zmìny a vystavím obnovený modul {\tt mnu.zip} a vá¹
+  modul {\tt gs.zip}. Také provedu zmìny v~instalaèních dávkách, pøípadnì
+  v~dokumentaci.  Nepoèítejte s~tím, ¾e to budu znovu zkou¹et!
+* Vy dáte annonci o~novém modulu na listu {\tt cstex} a budete na tomto listu
+  odpovídat na pøípadné problémy a dotazy u¾ivatelù.
+\enditems
+
+Samozøejmostí dobøe pøipraveného modulu je nejen správná struktura modulu
+ale také dobrý a instruktivní dokumentaèní soubor v~èe¹tinì nebo ve
+sloven¹tinì. Také je tøeba (napøíklad v~dokumentaci) rozli¹it va¹i práci od
+práce pøevzaté ve formì pøevzatých PD programù a modul by nemìl být
+v~rozporu s~po¾adavky autorù pøevzatých PD programù.
+
+Je to dost hodnì práce, ale kdy¾ u¾ takovou vìc jednou udìláte pro sebe,
+asi stojí za to ji zveøejnit pro druhé pod hlavièkou \cs\TeX{}u. U¹etøíte
+tím práci mnoha dal¹ím lidem, kteøí bohu¾el, jak plyne z~mých zku¹eností,
+vám za to ani nebudou pøíli¹ vdìèní.
+
+Zaøazení nìkterých nových modulù mù¾e být nejprve pøedmìtem diskuse
+s~autory konkurenèních produktù. Napøíklad zaøadit do \cs\TeX{}u pro DOS
+alternativní systém k~systému MNU mù¾e vy¾adovat del¹í diskusi. Netvrdím,
+¾e bych byl z~dùvodu své je¹itnosti zásadnì proti. Asi by zále¾elo na
+okolnostech a na projektu výsledného uspoøádání modulù.
+
+
+\sub Co s~pátou disketou
+%%%%%%%%%%%%%%%%%%%%%%%%
+
+Kromì PD programù se v~nìkterých komponentách \cs\TeX{}u mohou
+vyskytovat i~programy vázané licencí. Takové programy pak \cs TUG
+roz¹iøuje podle podmínek stanovených smlouvou mezi autorem,
+resp. distributorem a \cs TUGem.
+
+V~roce 1992 \cs TUG koupil editor \cs Ed a korektor pøeklepù, obojí pro
+DOS. Od té doby k~¾ádným dal¹ím nákupùm ani pøechodùm na novìj¹í verze
+nedo¹lo. Souèasné vedení \cs TUGu neinklinuje k~pøíli¹ rozsáhlé podpoøe
+nákupu podpùrných programù pro \TeX, zvlá¹tì pokud se jedná o~software
+závislý na pou¾itém OS.
+
+Zmínìný editor \cs Ed a korektor pøeklepù je podle smluv s~autory mo¾né
+bezplatnì ¹íøit jen pro èleny \cs TUGu a není dovoleno jej distribuovat
+mimo øady èlenské základny. Tento software je zaøazen na páté disketì
+v~\cs\TeX{}u pro DOS. Zatímco celý \cs\TeX{} je k~dispozici na anonymních
+ftp serverech, obsah této páté diskety z~uvedených dùvodù pøístupný není.
+
+Kolektivní èlenové \cs TUGu dostali v~roce 1993 celý \cs\TeX{} 93 na
+disketách, vèetnì páté diskety. Individuální èlenové si pak mohli obsah
+páté diskety kopírovat od kolektivních èlenù. Dal¹í mo¾ností je distribuce
+obsahu páté diskety prostøednictvím Internetu za pou¾ití osobního
+identifikaèního èísla (PIN), které na po¾ádání pøidìlí èlenovi \cs TUGu
+Martin Bílý.
+
+V~novém \cs\TeX{}u je obsah páté diskety z~pohledu zastoupených souborù
+zcela stejný jako c \cs\TeX{}u94, 
+ov¹em ZIPy jsou zabalené s~nepatrnì odli¹nou strukturou.
+Uvnitø ZIPu je pøidán hlavní adresáø {\tt emtex}, aby struktura tìchto ZIPù
+souhlasila se strukturou ostatních ZIPù v~instalaci. Máte-li pátou disketu
+z~\cs\TeX{}u 94 nebo 93, pak staèí pøebalit ZIPy do nové struktury a mù¾ete
+disketu pou¾ívat i v~souèasném \cs\TeX{}u. Pro pøebalení je v~\cs\TeX{}u
+pøipravena dávka {\tt newcs5.bat}, kterou je mo¾no na \uv{obnovení}
+diskety pou¾ít. Upozornìní: Proveïte nejprve zálohu pùvodní diskety.
+
+
+\sub Kde najdeme novou instalaci?
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Instalace \cs\TeX{}u je k~dispozici na ftp serveru s~anonymním pøístupem
+\medskip
+{\tt math.feld.cvut.cz}
+\medskip
+\noindent v~adresáøi {\tt /pub/cstex}. Tam jsou v~souèasné
+dobì adresáøe {\tt msdos}, {\tt os2} a {\tt unix}. Pøitom první dva
+adresáøe jsou zcela toto¾né (UNIXový link), proto¾e distribuce pro DOS a
+OS/2 vychází ze stejného základu em\TeX.
+
+Distribuce pro MS Windows je realizována jedním doplòkovým modulem {\tt
+texwin.zip}, který je souèástí \cs\TeX{}u pro DOS.
+
+Dále jsou k~dispozici soubory {\tt diskuse.txt} a {\tt zmeny.txt}. V~prvním
+je souhrn nejpodstatnìj¹ích diskusních pøíspìvkù, týkajících se \cs\TeX{}u
+na diskusní skupinì {\tt cstex}. V~druhém je podrobný seznam zmìn vèetnì
+data provedení zmìny v~jednotlivých modulech. Dùvody, proè byla zmìna
+provedena, je mnohdy mo¾né vyèíst ze souboru {\tt diskuse.txt}.
+
+Pøi zkopírování \cs\TeX{}u z~ftp serveru doporuèuji uchovat si soubor {\tt
+zmeny.txt}, nebo» tento soubor vlastnì charakterizuje verzi \cs\TeX{}u,
+kterou jste si zrovna zkopírovali. Proto¾e jsou zmìny provádìny \uv{za
+chodu}, mù¾ete v~budoucnu porovnat svùj soubor {\tt zmeny.txt}
+s~vystavovaným a máte pøehled o~rozdílech mezi va¹í verzí \cs\TeX{}u a
+vystavovanou.
+
+\cs\TeX{} je rovnì¾ pøístupný prostøednictvím WWW na
+
+\medskip {\tt http://math.feld.cvut.cz/olsak/cstex}.\medskip
+
+\noindent Server {\tt math.feld.cvut.cz} je primárním serverem \cs\TeX{}u. Ostatní
+ftp servery jej mohou zrcadlit.
+
+\cs\TeX{} pro daný OS má vìt¹inou specifický zpùsob instalace a mnohdy té¾
+distribuce. Napøíklad \cs\TeX{} pro DOS a OS/2 mù¾e být ¹íøen té¾ na
+disketách 1.44\,MB. Proto je zde pøipravena dávka {\tt makeinst.bat}, která
+z~adresáøe, v~nìm¾ jsou v¹echny moduly pohromadì, pøekopíruje instalaèní
+soubory na jednotlivé diskety s~oznaèením CS-1 a¾ CS-5, EM-1 a¾ EM-7 a PK-1
+a¾ PK-3. Tím vzniká instalaèní sada disket pou¾itelná na poèítaèích s~DOSem
+nebo OS/2.
+
+Pro UNIX zatím podobná vìc není udìlána, proto¾e disketové médium pro UNIX
+nebývá zcela obvyklé a instalaèní TARy základu daleko pøesahují kapacitu
+jedné diskety.
+
+\end
diff --git a/Master/texmf-dist/doc/cslatex/base/prvni.tex b/Master/texmf-dist/doc/cslatex/base/prvni.tex
new file mode 100644
index 00000000000..fabbc439a20
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/prvni.tex
@@ -0,0 +1,1554 @@
+
+%  První setkání s TeXem
+%%%%%%%%%%%%%%%%%%%%%%%%
+% (C) 1999    Petr Ol¹ák
+
+% format: csplain, kódování ISO-8859-2
+
+% Tento dokument mù¾ete vytisknout pro vlastní potøeby nebo jej
+% elektronicky dále ¹íøit v nezmìnìné podobì jako soubory prvni.tex,
+% prvni.ps a prvni.pdf
+
+\chyph
+\magnification\magstep1
+\advance\vsize by\baselineskip
+
+%% Varianta pro pdftex
+\ifx\pdfoutput\undefined
+  \def\zalozka#1{}
+\else
+  \def\zalozka#1{%
+     \advance\secnum by1
+     \pdfdest num\secnum fitbh
+     {\let~=\space \def\TeX{TeX}%
+     \pdfoutline goto num\secnum count 0 {#1}}}
+  \pdfinfo{
+     /Author (Petr Olsak)
+     /CreationDate (D:19990328)
+     /ModDate (D:19990328)     
+     /Creator (TeX)  
+     /Producer (pdfTeX)
+     /Title (Prvni setkani s TeXem)
+     /Subject (manual)  
+     /Keywords (TeX) }
+  \pdfcatalog{/PageMode /UseOutlines} 
+  \pdfcompresslevel=9
+\fi
+
+%% Vzhled dokumentu
+\parindent=11pt
+\lineskiplimit=-4pt
+\emergencystretch=2em
+\raggedbottom
+
+%% Deklarace registrù
+\newcount\bibnum
+\newcount\footnum
+\newcount\secnum
+
+% Fonty
+\input cpalatin
+\font\tentt=cstt10 \hyphenchar\tentt=-1
+\font\cmit=csti10
+\font\mflogo=logo10
+\font\showtt=cstt9
+\font\tencsr=csr10
+\font\titulfont=\fontname\tenbf\space scaled\magstep2
+\font\bigfont=\fontname\tenbf\space scaled\magstep5
+\font\scriptm=\fontname\tenrm\space at7pt
+\scriptfont0=\scriptm
+
+%% Základní makra
+\def\sekce #1\par{\removelastskip\bigskip
+   \zalozka{#1}
+   \noindent{\titulfont #1}\par\nobreak\medskip}
+\def\bod{\item{$\triangleright$}}
+\def\bib{\parindent=22pt\global\advance\bibnum by1 
+  \par\hang\indent\llap{[\the\bibnum]\hskip11pt}\ignorespaces}
+
+%% Èárka místo teèky v matematice:
+\mathcode`\.="013B
+\def\doteq{\buildrel\hbox{.}\over=}
+
+%% Verbatim prostøedí \begtt...\endtt, "...".
+{\obeyspaces \gdef\activespace{\obeyspaces\let =\ }}
+\def\setverb{\def\do##1{\catcode`##1=12}\dospecials}
+\def\begtt{\medskip\hbox\bgroup\vrule\vbox\bgroup\hrule
+  \smallskip\bgroup \setverb \catcode`\"=12 \activespace 
+  \baselineskip=.9\baselineskip
+  \def\par{\leavevmode\strut\endgraf} 
+  \obeylines \startverb} 
+{\obeylines \catcode`\|=0 \catcode`\\=12 
+  |gdef|startverb#1^^M#2\endtt{%
+    |showtt#2|egroup|smallskip|hrule|egroup|vrule|egroup|medskip}} 
+\def\"{"} \catcode`\"=13
+\def"{\leavevmode\hbox\bgroup\let"=\egroup\setverb\obeyspaces\tt}
+
+%% Prostøedí ukázek
+\def\beguk{\medskip\hbox\bgroup\vrule\vbox\bgroup\hrule\medskip
+   \leftskip=\parindent \rightskip=\parindent \relax}
+\def\enduk{\medskip\hrule\egroup\vrule\egroup\medskip}
+
+%% Tabulky
+\def\begtable{$$\vbox\bgroup
+  \let\par=\cr \obeylines \halign\bgroup &##\hfil\qquad\cr}
+\def\endtable{\egroup\egroup$$}
+\abovedisplayskip=\abovedisplayshortskip
+\def\tabline{\noalign{\smallskip\hrule}}
+\def\.{\hphantom{0}}
+
+%% Výètová prostøedí 
+\def\begitems{\medskip\bgroup}
+\def\enditems{\par\egroup\medskip}
+
+%% Loga
+\def\LaTeX{L\kern-.36em\raise.5ex\hbox{\sevenrm A}\kern-.12em\TeX}
+\def\CS{$\cal C\kern-.1667em\lower.5ex\hbox{$\cal S$}\kern-.075em $}
+\def\mf{{\mflogo META}\-{\mflogo FONT}}
+\def\AMS{$\cal A\kern-.166em\lower.5ex\hbox{$\cal M$}\kern-.075em S$}
+\def\twoe{$2_{\textstyle\varepsilon}$}
+
+%% Poznámky pod èarou
+\let\orifootnote=\footnote
+\def\footnote{\global\advance\footnum by1\orifootnote{$^{\the\footnum}$}}
+
+%% Pomocné
+\def\url#1{{\tt #1}}
+\let\pp=\noindent
+\let\,=\thinspace
+
+%% Titulní strana
+\bgroup \nopagenumbers \pageno=0
+\null\vfill
+{\baselineskip=40pt
+\centerline{\bigfont První setkání s~\TeX{}em}
+\centerline{\bigfont Petr Ol¹ák}
+}
+\vskip 0pt plus2fill\break
+\parindent=0pt \parskip=\bigskipamount
+\null\vfil
+Autor programu \TeX{} je profesor Donald Knuth.
+\par
+\TeX{} je ochranná známka American Mathematical Society.
+\par
+Ostatní v manuálu pou¾ité názvy programových produktù, firem
+apod. mohou být ochrannými známkami nebo registrovanými ochrannými
+známkami pøíslu¹ných vlastníkù.
+\vfill
+Copyright $\copyright$ RNDr. Petr Ol¹ák, 1999
+\par
+Tento text si mù¾ete vytisknout pro vlastní potøeby. Je k~dispozici
+spoleènì s~balíkem \CS\TeX{} na
+\url{ftp://math.feld.cvut.cz/pub/cstex/doc} 
+ve zdrojovém textu ({\tt prvni.tex}), PostScriptu ({\tt prvni.ps}) a ve
+formátu PDF ({\tt prvni.pdf}).  Mù¾ete jej také distribuovat, ale pouze
+v~nezmìnìné elektronické podobì.
+\bigskip\break
+\egroup
+\pageno=1
+
+
+
+\sekce Úvod
+%%%%%%%%%%%
+
+Tento manuál je koncipován jako \uv{první seznámení s~programem \TeX{}%
+    \footnote{Název \TeX{} se ète \uv{tech}, nikoli \uv{teks}.}
+na jeden veèer}. Mìl by umo¾nit zaèáteèníkovi porozumìt
+základním principùm \TeX{}u. Manuál obsahuje ukázku jednoduchého dokumentu,
+který by si mìl ètenáø sám pøepsat do svého poèítaèe a na nìm \TeX{}
+vyzkou¹et. Je to dobrý první krok do pestrého svìta tohoto programu plného
+zajímavých mo¾ností. Ukázka by mìla té¾ naznaèit u¾iteènost dobrého návrhu
+znaèkování vstupního textu tak, aby byl oddìlen obsah dokumentu od jeho
+formy. Pøedvedená ukázka také ilustruje základní principy roz¹íøení \TeX{}u
+(plain nebo \LaTeX). Tím mù¾e u¾ivatel hned na prvním dokumentu rozhodnout,
+které \TeX{}ové roz¹íøení je bli¾¹í jeho srdci a podle toho vybrat dal¹í
+literaturu pro doplòující studium.
+
+Pøedpokládáme, ¾e ètenáø má urèité dùvody proè pou¾ít \TeX{}, tak¾e se zde
+nebudeme zdr¾ovat výètem jeho výhod, rozepisovat ob¹írnì jeho historii a
+nebudeme polemizovat o~u¾iteènosti èi neu¾iteènosti dávkového èi
+interaktivního systému na pøípravu sazby.
+
+
+\sekce \TeX\ a jeho okolí
+%%%%%%%%%%%%%%%%%%%%%%%%%
+
+\TeX{} je formátor. Je to program, kterému pøedlo¾íme vstupní text
+dokumentu v~\uv{holé} textové podobì doplnìný textovými
+znaèkami, které vymezují strukturu dokumentu nebo dávají \TeX{}u pokyny
+o~zpùsobu formátování dokumentu. Bývá obvyklé (ale není to nutné)
+pojmenovat tento soubor s~pou¾itím pøípony {\tt.tex}, napøíklad 
+\hbox{\tt dokument.tex}. Na výstupu pak po zpracování \TeX{}em dostaneme
+tzv.~{\tt dvi} soubor%,
+    \footnote{odvozeno z~anglického \uv{device independent}~-- na
+              zaøízení nezávislý},
+který obsahuje definitivní informace o~pou¾itých fontech a o~umístìní
+jednotlivých znakù na stránce. Tento soubor má název odvozený od názvu
+vstupního souboru, ale má pøíponu {\tt.dvi}. Lze jej prostøednictvím
+vhodného programu prohlédnout na obrazovce (vidíme, jak bude dokument
+skuteènì vypadat), nebo jej vytisknout na tiskárnì.
+
+\TeX{} tedy ète na svém vstupu soubor s~dobøe definovanou syntaxí jazyka
+znaèek a na výstupu je rovnì¾ soubor s~úplným popisem sazby. \TeX{}
+jako takový je nezávislý na operaèním systému. Vývoj samotného \TeX{}u
+je zastaven, tak¾e pro u¾ivatele nehrozí nebezpeèí vzniku dal¹ích
+nekompatibilních verzí. Dal¹í programy \uv{okolo \TeX{}u} tvoøí
+dohromady tzv.~implementaci \TeX{}u a umo¾ní s~\TeX{}em rozumným
+zpùsobem pracovat.
+
+Zaèínající u¾ivatel se samozøejmì hlavnì ptá po zpùsobu, jak mù¾e
+v~konkrétním operaèním systému s~konkrétní \TeX{}ovou implementací
+s~tímto programem pracovat, jak jej spustit, jakými tlaèítky se ovládá
+textový editor, jaké nabídky jsou k~dispozici, co nad kterým obrázkem udìlá
+my¹. Ptá se tedy po u¾ivatelském rozhraní. Jednotlivé manuály o~\TeX{}u
+tradiènì odkazují na tzv.~\uv{místní pøíruèku} (Local Guide), která by
+mìla toto rozhraní popisovat. Tato pøíruèka je závislá na pou¾itém
+operaèním systému, na pou¾ité implementaci \TeX{}u, na vybraném textovém
+editoru a nìkdy té¾ na administrátorovi systému, který konfiguruje nìkteré
+vìci specificky pro vìt¹í pohodlí u¾ivatelù. Ani v~tomto manuálu nejsou
+uvedeny podrobnosti o~u¾ivatelském rozhraní.
+
+V~graficky orientovaných operaèních systémech je vìt¹inou mo¾né otevøít
+souèasnì v~jednom okénku textový editor, ve kterém u¾ivatel pí¹e nebo
+modifikuje vstupní text a ve vedlej¹ím okénku prohlí¾eè výstupního
+{\tt dvi} souboru. Po modifikaci vstupního textu a spu¹tìní \TeX{}u
+(nejlépe klávesovou zkratkou pøímo z~editoru) se bìhem pár sekund 
+projeví zmìna v~prohlí¾eèi výsledného dokumentu.
+
+Textový editor, ve kterém pøipravujeme nebo modifikujeme vstupní texty
+dokumentù, nesmí ukládat na disk ¾ádné skryté formátovací informace
+implementované jen pro tento editor (jako napøíklad zmìna fontu, mìkké
+konce øádku apod.). To dìlají tzv.~textové procesory, na které v~pøípadì
+práce s~\TeX{}em vìt¹inou nepou¾íváme.
+
+Zvyklosti ve znaèkování dokumentu jsou vesmìs závislé na pou¾itém {\it
+formátu} \TeX{}u, který modifikuje jeho chování. Øíkáme, ¾e je
+dokument napsán ve formátu {\it \LaTeX}, pokud je nìkde na zaèátku
+vstupního textu dokumentu uvedena znaèka "\documentclass" nebo
+"\documentstyle".  Pokud tam tuto znaèku nenajdeme, mù¾eme
+pøedpokládat, ¾e je dokument napsán ve formátu {\it plain}, v~pøípadì
+èesky psaného dokumentu pak ve formátu {\it csplain}. Tento manuál je
+napøíklad napsán ve formátu csplain a je ulo¾en v~souboru 
+{\tt prvni.tex}. Mù¾e se stát, ¾e nìjaký dokument je napsán ve formátu
+\AMS\TeX{} nebo v~jiném ménì pou¾ívaném formátu. Tím se ale zde nebudeme
+zabývat. Rozdíl mezi plainem a \LaTeX{}em a smysl pou¾ití formátù vyplyne
+a¾ z~dal¹ího textu.
+
+Následující tabulka pøedpokládá, ¾e pracujeme
+v~operaèním systému, který umo¾òuje u¾ivateli zadávat pokyny z~pøíkazového
+øádku. Tím nevyluèujeme, ¾e nelze nìkteré popisované èinnosti implementovat
+do nìjaké u¾ivatelské nabídky konkrétního u¾ivatelského rozhraní.
+Pøedpokládáme, ¾e jsme pøipravili vstupní text dokumentu do souboru
+{\tt dokument.tex}.
+
+\begtable
+  pøíkazový øádek    &  komentáø
+  \tabline
+  "tex dokument"       &  anglický dokument, formát plain
+  "csplain dokument"   &  èeský nebo slovenský dokument, formát csplain
+  "latex dokument"     &  formát \LaTeX, jazyk je deklarován v~dokumentu
+  "cslatex dokument"   &  modifikovaný \LaTeX{} pro èe¹tinu a sloven¹tinu
+\endtable  
+
+V¹imneme si, ¾e v~pøíkazovém øádku pí¹eme za jméno formátu název vstupního
+souboru a ¾e pøíponu {\tt.tex} nemusíme psát. Dobøe instalovaná
+implementace \TeX{}u by mìla podle jména formátu spustit \TeX{} modifikovaný
+právì tímto formátem.
+
+Pokud nemáte ve své implementaci \TeX{}u formát csplain, je to ¹patné
+znamení. Nebudete toti¾ schopni zpracovat ani tento manuál ani
+ukázku, která je v~nìm obsa¾ena. V~takovém pøípadì doporuèujeme
+poohlédnout se po \CS\TeX{}u, který najdete napøíklad na
+\url{http://math.feld.cvut.cz/olsak/cstex}.
+
+K~prohlédnutí dokumentu se pou¾ívají rùzné programy (tzv.~dvi~prohlí¾eèe).
+Volba prohlí¾eèe závisí na pou¾itém operaèním systému a na implementaci
+\TeX{}u. V~UNIXu je nejèastìj¹í program {\tt xdvi} (staèí napsat 
+"xdvi dokument"). V~MS Windows se pou¾ívá {\tt windvi}, {\tt dviwin}
+nebo {\tt yapp}. V~DOSu se stekáme nejèastìji s~programem {\tt dviscr}
+z~implementace em\TeX{}. Pro OS/2 má em\TeX{} \uv{okenní} variantu
+prohlí¾eèe {\tt dvipm}.
+
+Na PostScriptovou tiskárnu vytiskneme dokument programam {\tt dvips},
+pøíkazový øádek: "dvips -Ptiskarna dokument". Nemáme-li PostScriptovou
+tiskárnu, vìt¹inou pøed ní pøedøadíme Ghostscript, co¾ je volnì
+dostupný konvertor z~PostScriptu. Nìkdy lze té¾ najít ovladaè pro 
+tiskárnu pøímo v~pøíslu¹né \TeX{}ové implementaci.
+
+
+\sekce Jdeme na to
+%%%%%%%%%%%%%%%%%%
+
+Nejprve zkusíme v~nìjakém textovém editoru vytvoøit soubor {\tt pokus.tex},
+který obsahuje zku¹ební vìtu:
+
+\begtt %--------------------------------------------------------------
+Ahoj svìte!
+\bye
+\endtt %--------------------------------------------------------------
+
+Pokud zpracujeme tento soubor \TeX{}em s~formátem csplain
+(pøipomínáme, ¾e je mo¾né pou¾ít povel {\tt csplain pokus}), 
+dostaneme výstupní soubor {\tt pokus.dvi}. Navíc
+\TeX{} ulo¾í informaci o~zpracování do souboru {\tt pokus.log}. Výsledný
+{\tt dvi} soubor si mù¾eme prohlédnout prohlí¾eèem. Dostaneme
+oèekávaný  výsledek:
+
+\beguk %-------------------------------------------------------------
+\tencsr Ahoj svìte!
+\enduk %-------------------------------------------------------------
+
+\pp Pøitom dole na stránce je je¹tì vyti¹tìno èíslo strany:~1.
+
+Pokud zkusíme tentý¾ soubor zpracovat \TeX{}em s~formátem plain
+(pøíkazový øádek {\tt tex pokus}), výstup bude zmr¹ený: \uv{Ahoj svte!}.
+Vidíme, ¾e textový soubor s~akcenty nelze jednodu¹e vnutit originálnímu
+americkému \TeX{}u, ale místo formátu plain je potøeba pou¾ít modifikovaný
+csplain.
+
+Kdybychom chtìli tentý¾ soubor zpracovat \TeX{}em s~formátem \LaTeX{}
+(krátce øíkáme, ¾e soubor zpracováváme \LaTeX{}em), obdr¾íme chybové
+hlá¹ení:
+
+\begtt %--------------------------------------------------------------
+! LaTeX Error: Missing \begin{document}.
+
+See the LaTeX manual or LaTeX Companion for explanation.
+Type  H <return>  for immediate help.
+ ...                                              
+                                                  
+l.1 A
+     hoj svìte!
+? 
+\endtt %--------------------------------------------------------------
+
+Vidíme tedy, ¾e soubor není vhodnì pøipraven ke zpracování \LaTeX{}em.
+Chybí mu "\begin{document}". Pozdìji uká¾eme, ¾e mu chybí více vìcí, ale
+v~tuto chvíli radìji zùstaneme u~csplainu. Komunikaci s~\TeX{}em pøi
+chybovém hlá¹ení ukonèíme odesláním znaku {\tt x}. Chceme-li, aby
+\TeX{} chybu ignoroval a pokraèoval ve zpracování dokumentu, staèí na
+otazník odpovìdìt \uv{Enter} (v~tomto pøíkladì, kdy dokument vhodný
+pro csplain chceme zpracovat \LaTeX{}em, se pouze doèkáme dal¹í
+zavleèené chyby).
+
+Zkusíme si nyní pøepsat do poèítaèe následující ponìkud rozsáhlej¹í
+dokument. Soubor nazveme tøeba {\tt mujprvni.tex} a vytvoøíme jej
+libovolným textovým editorem. Pokud je ètenáø od pøírody \uv{lenivý}, mù¾e
+se místo zdlouhavého pøepisování pokusit najít text ukázky ve vstupním
+souboru {\tt prvni.tex} tohoto manuálu a pøenést jej do svého souboru
+{\tt mujprvni.tex} jako blok v~textovém editoru.
+
+Mo¾ná nám mù¾e pøipadat èást oznaèená jako \uv{oblast definic} hodnì
+nepochopitelná, skoro jako porucha na lince. Pøesto se zatím pokusíme
+pøekonat odpor k~této poru¹e a dùslednì v¹echny znaky pøepí¹eme.
+\TeX{} se nám za to odvdìèí silnými mo¾nostmi, které budeme postupnì
+odhalovat.
+
+Nemusíme se obtì¾ovat pøepisováním textù, schovaných za znakem "%", proto¾e
+tímto znakem je zahájen komentáø, který konèí koncem øádku a který je pøi
+zpracování \TeX{}em ignorován. V~ka¾dém pøípadì ale nevynechávejme prázdné
+øádky v~ukázce a vìnujme pozornost obsahu èásti oznaèené jako \uv{vlastní
+text}, kde jsou vyjmenovány základní jevy, se kterými se pøi poøizování
+textù pro \TeX{} budeme neustále setkávat.
+
+\begtt %=============================================================
+%%%%%%%% Zde zaèíná "oblast definic" pro tento dokument %%%%%%%%%%%
+
+\chyph       % inicializace èeského dìlení slov v csplainu
+\font\titulfont=\fontname\tenbf\space scaled \magstep2  % vìt¹í font
+\def\bod{\item{$\bullet$}}  % definice zkratky \bod pro výèet
+\def\nadpis#1\par{          % definice nadpisu:
+   \removelastskip\bigskip  %   odma¾e poslední vert. mezeru a pøidá vlastní
+   \indent{\titulfont #1}   %   odsazený text nadpisu vìt¹ím fontem
+   \par\nobreak\medskip}    %   konec øádku, zakázaný zlom, men¹í mezera
+\let\itemskip=\medskip      % kolem výètu prvkù bude men¹í mezera \medskip
+
+%%%%%%%% Zde zaèíná "vlastní text" dokumentu %%%%%%%%%%%%%%%%%%%%%%%%
+
+\nadpis Mùj první dokument
+
+Zkou¹ím napsat první text v~\TeX u. Tento odstavec musí být
+tak dlouhý, aby bylo vidìt, ¾e se rozlomil aspoò na dva øádky.
+
+Jednotlivé odstavce oddìlujeme od sebe prázdným øádkem. Prázdnými øádky
+vùbec ne¹etøíme, proto¾e zvy¹ují pøehlednost zdrojového textu.
+Vyzkou¹íme si nyní nìkolik vìcí.
+
+\itemskip
+\bod Budeme pou¾ívat èeské \uv{uvozovky}, které se li¹í od ``anglických''.
+     Uvìdomíme si, ¾e pou¾ití "tìchto znakù" je úplnì ¹patnì!
+\bod Rozli¹ujme mezi spojovníkem (je-li), pomlèkou ve vìtì~--
+     a dlouhou pomlèkou---ta se pou¾ívá v~anglických dokumentech.
+\bod Pøedpokládáme, ¾e ka¾dý doká¾e rozeznat 1 (jednièku) od l
+     (písmene el) a 0 (nulu) od O~(písmene~O).
+\bod Zkusíme pøepnout do {\bf polotuèného písma}, nebo do
+     {\it kurzívy}. Také vyzkou¹íme {\tt strojopis}.
+\bod V¹imneme si, ¾e ve slovech grafika, firma, apod. se písmena
+     f a i automaticky promìnila v~jediný znak fi (srovnáme to
+     s~nesprávným f\/i).
+\bod Mezery mezi písmeny jsou automaticky vyrovnávány podle tvaru písmen.
+     Ve slovì \uv{Tento} je napøíklad písmeno~e tìsnìji pøisazeno
+     k~písmenu~T, aby se mezery mezi písmeny opticky jevily stejnomìrné.
+\bod Vypravíme se na malou exkurzi do matematiky: $a^2 + b^2 = c^2$.
+     Zjistíme, ¾e èíslo -1 je zde napsáno ¹patnì (prokletý spojovník),
+     zatímco správnì má být $-1$.
+\bod Proto¾e \% uvozuje komentáø a \$ pøepíná do matematické sazby,
+     musíme pøed nì napsat zpìtné lomítko, chceme-li ji dostat do dokumentu.
+\itemskip
+
+\nadpis Závìr
+
+To by pro zaèátek staèilo. Pøíkazem {\tt\char`\\bye} ukonèíme na¹e pokusy.
+\bye
+\endtt %=============================================================
+
+Po zpracování tohoto dokumentu formátem csplain si mù¾eme prohlédnout
+prohlí¾eèem {\tt dvi} souboru následující výsledek:
+
+\beguk %=============================================================
+\parindent=20truept
+\baselineskip=12truept
+\font\tenbf=csbx10 at10truept \font\tenit=csti10 at10truept 
+\font\tentt=cstt10 at10truept
+\font\tenrm=csr10 at10truept \tenrm
+\font\symbol=cmsy10 at10truept
+\font\mmi=cmmi10 at10truept \font\sevenrm=csr7 at7truept
+\textfont0=\tenrm \scriptfont0=\sevenrm
+\textfont1=\mmi \textfont2=\symbol
+\font\titulfont=csbx10 scaled\magstep1  % vìt¹í font
+\def\bod{\item{$\bullet$}}  % definice zkratky \bod pro výèet
+\def\nadpis#1\par{          % definice nadpisu:
+   \removelastskip\bigskip  %   odma¾e poslední vert. mezeru a pøidá vlastní
+   \indent{\titulfont #1}   %   odsazený text nadpisu vìt¹ím fontem
+   \par\nobreak\medskip}    %   konec øádku, zakázaný zlom, men¹í mezera
+\bigskipamount=12truept \medskipamount=6truept
+\let\itemskip=\medskip       % kolem výètu prvkù bude men¹í mezera \medskip
+
+\nadpis Mùj první dokument
+
+Zkou¹ím napsat první text v~\TeX u. Tento odstavec musí být
+tak dlouhý, aby bylo vidìt, ¾e se rozlomil aspoò na dva øádky.
+
+Jednotlivé odstavce oddìlujeme od sebe prázdným øádkem. Prázdnými øádky
+vùbec ne¹etøíme, proto¾e zvy¹ují pøehlednost zdrojového textu.
+Vyzkou¹íme si nyní nìkolik vìcí.
+
+\itemskip
+\bod Budeme pou¾ívat èeské \uv{uvozovky}, které se li¹í od ``anglických''.
+     Uvìdomíme si, ¾e pou¾ití \"tìchto znakù\" je úplnì ¹patnì!
+\bod Rozli¹ujme mezi spojovníkem (je-li), pomlèkou ve vìtì~-- 
+     a dlouhou pomlèkou---ta se pou¾ívá v~anglických dokumentech.
+\bod Pøedpokládáme, ¾e ka¾dý doká¾e rozeznat 1 (jednièku) od l
+     (písmene el) a 0 (nulu) od O~(písmene~O).
+\bod Zkusíme pøepnout do {\bf polotuèného písma}, nebo do
+     {\it kurzívy}. Také vyzkou¹íme {\tt strojopis}.
+\bod V¹imneme si, ¾e ve slovech grafika, firma, apod. se písmena
+     f a i automaticky promìnila v~jediný znak fi (srovnáme to
+     s~nesprávným f\/i).
+\bod Mezery mezi písmeny jsou automaticky vyrovnávány podle tvaru písmen.
+     Ve slovì \uv{Tento} je napøíklad písmeno~e tìsnìji pøisazeno
+     k~písmenu~T, aby se mezery mezi písmeny opticky jevily stejnomìrné.
+\bod Vypravíme se na malou exkurzi do matematiky: $a^2 + b^2 = c^2$.
+     Zjistíme, ¾e èíslo -1 je zde napsáno ¹patnì (prokletý spojovník),
+     zatímco správnì má být $-1$.
+\bod Proto¾e \% uvozuje komentáø a \$ pøepíná do matematické sazby,
+     musíme pøed nì napsat zpìtné lomítko, chceme-li ji dostat do dokumentu.
+\itemskip
+
+\nadpis Závìr
+
+To by pro zaèátek staèilo. Pøíkazem {\tt\char`\\bye} ukonèíme na¹e pokusy.
+\enduk %=============================================================
+
+V¹imnìme si, ¾e v~pøíkladu je dùslednì oddìlena forma od obsahu dokumentu.
+V~èásti oznaèené \uv{vlastní text} jsou pou¾ity znaèky "\nadpis",
+"\bod" a "\itemskip", které ohranièují logické èásti dokumentu (vymezení
+nadpisu, uvedení dal¹í polo¾ky ve výètu prvkù, obklopení skupiny výètu prvkù)
+a nepopisují ¾ádné konkrétní formátovací informace (volba fontu, velikost
+fontu, velikost mezer nad a pod nadpisem, tvar puntíku ve výètu prvkù
+apod.).
+
+Znaèky vymezující strukturu dokumentu jsou definovány v~èásti \uv{oblast
+definic}. Zde je øeèeno, jaký bude mít nadpis font, jak bude
+v~textu umístìn a jak bude vypadat formátování výètu prvkù. Podrobnìj¹í
+rozbor tìchto definic uvedeme za chvíli.
+
+Toto oddìlení formy od obsahu se v~mnoha pøípadech zaèáteèníkùm nedaøí.
+Pøímo v~textu jejich dokumentù se vyskytují znaèky jako "\vskip12mm"
+(vertikální mezera 12\,mm), "\vfill\break" (vynucené ukonèení strany) a mnoho
+dal¹ích ne¹varù. My se pokusíme hned z~poèátku se takovým vìcem pokud mo¾no
+vyhnout. V~sekci \uv{zmìna vzhledu dokumentu} uvidíme, ¾e se nám to bohatì
+vyplatí.
+
+
+\sekce Vysvìtlení pou¾itých znaèek v~pøíkladu
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Jednotlivé znaèky, které øídí formátování a vymezují strukturu dokumentu
+jsou vesmìs ve tvaru "\slovo". Tyto znaèky se nazývají
+{\it øídicí sekvence\/} a nìkdy té¾ budeme hovoøit o~{\it pøíkazech},
+proto¾e jimi pøikazujeme, aby \TeX{} nìco vykonal.
+
+Øídicí sekvence v~pøíkladu rozdìlíme na dvì skupiny. 1.~ty, co jsou
+definovány v~samotném \TeX{}u nebo v~pou¾itém formátu (v~na¹em pøípadì
+ve formátu {\tt csplain}). 2.~øídicí sekvence, které jsme definovali sami.
+
+Zaèneme rozborem druhé skupiny øídicích sekvencí:
+
+\begitems
+\bod "\nadpis" je sekvence, která oèekává za sebou text nadpisu a pak
+     prázdný øádek.
+\bod "\titulfont" je pøepínaè pro vìt¹í velikost fontu pro nadpis.
+     Je definován na øádku zaèínajícím pøíkazem "\font" a pou¾it v~definici
+     øídicí sekvence "\nadpis".
+\bod "\bod" je sekvence, která uvozuje polo¾ku ve výètu prvkù. Promìní se
+     v~nìjakou grafickou realizaci zará¾ky (zde puntík) a zpùsobí odsazení
+     textu polo¾ky.
+\bod "\itemskip" vytvoøí vertikální mezeru, která oddìlí výèet prvkù
+     od ostatního textu. Pou¾ije se na zaèátku i na konci výètu.
+\enditems
+
+Ostatní øídicí sekvence jsou definovány v~pou¾itém formátu nebo pøímo
+zabudovány v~\TeX{}u. U¾ivatel se s~nimi bude postupnì seznamovat
+studiem vhodné literatury. Zde uvedeme velmi struènì jen ty nejdùle¾itìj¹í
+øídicí sekvence, abychom usnadnili pochopení pøíkladu.
+
+\begitems
+\bod "\chyph". Tato øídicí sekvence inicializuje èeské vzory dìlení slov a
+     je definována pouze ve formátu csplain. V~pøípadì èeských textù
+     bychom ji nikdy nemìli vynechat! Analogicky "\shyph" inicializuje
+     slovenské vzory dìlení slov. Bez tìchto pøíkazù \TeX{} pracuje
+     implicitnì s~anglickými vzory dìlení.
+\bod "\font" zavede z~instalace \TeX{}u do dokumentu dal¹í font.
+     Struktura parametrù pøíkazu bude vysvìtlena v~sekci o~fontech.
+\bod "\def" definuje novou øídicí sekvenci (zde "\bod" a "\nadpis").
+     Za øídicí sekvencí mù¾e následovat formální popis parametrù nové
+     sekvence a pak následuje ve slo¾ených závorkách tìlo definice.
+     V~ní je popsáno, co se pøi pou¾ití nové øídicí sekvence má vykonat.
+\bod "\item" zahájí výètovou polo¾ku (odsazením textu) a pøevezme
+     za sebou ve slo¾ených závorkách parametr, který popisuje vzhled puntíku.
+\bod "\bullet" vytvoøí v~matematickém módu èerný puntík: $\bullet$.
+\bod "\bigskip" vytvoøí vertikální mezeru velikosti jednoho øádku a
+     "\medskip" velikosti poloviny øádku. "\indent" odsadí dal¹í text
+     o~velikost odstavcové zará¾ky.
+\bod Øídicí sekvence "\par" je explicitní ukonèení odstavce. \TeX{} ji
+     internì vytváøí v~místì ka¾dého prázdného øádku. Ve formálním popisu
+     parametru za "\def\nadpis" má ale "\par" pouze vymezovací
+     úèinek. Formální popis parametru v~na¹em pøíkladì èteme takto:
+     novì definovaná øídicí sekvence "\nadpis" pøevezme za sebou text
+     a¾ po první výskyt "\par" (tedy a¾ po první výskyt prázdného øádku)
+     a ulo¾í jej do \uv{promìnné} s~oznaèením "#1".
+\bod "\let" èteme èesky nech». Tento pøíkaz ztoto¾ní význam nové
+     øídicí sekvence (v~na¹em pøíkladì "\itemskip") s~pøedlohou (v~tomto
+     pøíkladì "\medskip").
+\enditems
+
+V~na¹í ukázce jsme pou¾ili té¾ nìkteré speciální \TeX{}ovské znaky.
+Vysvìtlíme si nyní struènì jejich význam.
+
+\begitems
+\bod Znak "~" znamená nedìlitelnou mezeru. Je zde pou¾ita za neslabiènými
+     pøedlo¾kami a pøed jednopísmennými ukázkami, aby se v~tìchto místech
+     nerozdìlil øádek. Pøi poøizování textu nemusíme psát za neslabiènými 
+     pøedlo¾kami vlnku \uv{ruènì}. Vlnky tam lze doplnit pozdìji jednoduchými
+     programy, které bývají souèástí \TeX{}ovských instalací.
+\bod Znaky "{ }" mají v~\TeX{}u tøi mírnì odli¹né významy.
+\itemitem{1.} Obklopují tìla definic za pøíkazem "\def", jak ji¾ bylo øeèeno.
+\itemitem{2.} Obklopují parametry nìkterých øídicích sekvencí (viz
+     napøíklad text {\tt uvozovky}, který je parametrem øídicí sekvence
+     "\uv", nebo text "$\bullet$", který je parametrem øídicí sekvence
+     "\item".
+\itemitem{3.} Samotné znaky "{ }" vymezují jisté skupiny, ve kterých je
+     ve¹keré pøiøazení a nastavení lokální. Skupiny se èasto pou¾ívají pro
+     vymezení platnosti pøepínaèù písma (viz "\bf", "\it", "\tt" a
+     "\titulfont").
+\item{} Závorky "{ }" musí vzájemnì párovat, co¾ je dùle¾ité zejména ve
+     vymezovacích významech~(ad~1 a~2). Proto tøeba tìlo definice
+     "\bod" obsahuje text "\item{$\bullet$}" a je ukonèeno a¾ druhou
+     závorkou~"}".
+\bod Znak "%" uvozuje komentáø a¾ do konce øádku.
+\bod Znak "$" pøepíná do {\it matematického módu} a zpìt. V matematickém
+     módu \TeX{} sestavuje sazbu ponìkud odli¹ným zpùsobem (v¹imneme
+     si, ¾e napøíklad promìnné $a$, $b$ jsou v matematickém módu
+     automaticky sázeny kurzívou).
+\bod Znak "^" v~matematickém módu uvozuje horní index (exponent).
+\enditems
+
+\sekce Zmìna vzhledu dokumentu
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pøedvedeme, v~èem spoèívá výhoda oddìlení obsahu
+dokumentu od formy. Pøedpokládejme, ¾e nám nìjaký zku¹enìj¹í kolega
+pomù¾e s~pøípravou definic pro ná¹ dokument. Pøedpokládejme dále, ¾e onen
+kolega má na vìc ponìkud jiný typografický názor a zaène vìci pøedìlávat.
+V~editoru modifikuje definice a ve vedlej¹ím okénku v~prohlí¾eèi se prùbì¾nì
+mìní ná¹ první dokument skoro k~nepoznání. Pøitom kolega
+{\it vùbec nemusí\/} zasáhnout do vlastního textu dokumentu.
+
+Pøedev¹ím se mu nelíbí rodina fontù Computer Modern, která je
+v~\TeX{}u implicitnì nastavena. Mnoho instalací \TeX{}u obsahuje
+nástroje pro práci s~dal¹ími, zejména PostScriptovými, fonty. Máme-li
+takovou instalaci, mù¾eme napsat na zaèátek dokumentu tøeba 
+"\input cbookman" a máme celý dokument v~rodinì Bookman. Pøíkaz "\input"
+zavádí do dokumentu externí soubor definic, zde soubor s~názvem {\tt
+cbookman.tex}. Tento soubor obsahuje pøíkazy "\font" na zavedení
+skupiny fontù Bookman a nastaví je jako implicitní.
+
+Kolega se dále rozhodl vkládat mezi ka¾dý odstavec drobnou vertikální mezeru
+a místo puntíkù pro výèty chce pou¾ít ètvereèky, které ve vìt¹í velikosti
+zaøadí i do nadpisù. Koneènì velikost fontu pro nadpis se mu zdá pøíli¹
+velká (místo "\magstep2" v~øádku "\font" pou¾ije \uv{men¹í} "\magstep1").
+Výsledek jeho sna¾ení v~\uv{oblasti definic} dopadne tøeba takto:
+
+\begtt %=============================================================
+\chyph             % inicializace èeského dìlení slov v csplainu
+\magnification\magstep1     % celý dokument bude 1,2 krát vìt¹í
+\input cbookman \setsimplemath  % pou¾ité písmo: Bookman i v matematice
+\font\titulfont=\fontname\tenbf\space scaled \magstep1  % vìt¹í font
+\newdimen\indskip \indskip=15pt % výèty budou odsazeny 15pt
+\def\ctverecek#1{\noindent  % ètvereèek promìnné velikosti v místì \indskip
+   \hbox to\indskip{\vrule height#1pt depth0pt width#1pt\hss}}
+\def\bod{\par\hangindent=\indskip \ctverecek{4}}  % definice zkratky \bod
+\def\nadpis#1\par{          % definice nadpisu:
+   \removelastskip\bigskip  %   odma¾e poslední vert.mezeru a pøidá vlastní
+   \ctverecek{7}{\titulfont #1} % nadpis odsazený ètvereèkem
+   \par\nobreak}            %   konec øádku, zakázaný zlom, ¾ádná mezera
+\parskip=\medskipamount     % mezi odstavci bude mezera jako \medskip
+\parindent=0pt              % odstavce nebudou odsazeny zará¾kou
+\let\itemskip=\relax        % ¾ádné dal¹í mezery mezi výèty
+\endtt %=============================================================
+
+Ná¹ dokument vypadá pak následovnì:
+
+\beguk %=============================================================
+\input cbookman             % pou¾ité písmo: Bookman
+\font\mmi=\fontname\tenit 
+\font\sevenrm=\fontname\tenrm\space at 7pt
+\textfont0=\tenrm \scriptfont0=\sevenrm
+\textfont1=\mmi 
+
+\font\titulfont=\fontname\tenbf\space scaled \magstep1  % vìt¹í font
+\newdimen\indskip \indskip=15pt  % výèty budou odsazeny 15pt
+\def\ctverecek#1{\noindent  % ètvereèek o promìnné velikosti v místì \indskip
+   \hbox to\indskip{\vrule height#1pt depth0pt width#1pt\hss}}
+\def\bod{\par\hangindent=\indskip \ctverecek{4}}  % definice zkratky \bod
+\def\nadpis#1\par{          % definice nadpisu:
+   \removelastskip\bigskip  %   odma¾e poslední vert. mezeru a pøidá vlastní
+   \ctverecek{7}{\titulfont #1} % nadpis odsazený ètvereèkem
+   \par\nobreak}            %   konec øádku, zakázaný zlom, ¾ádná mezera
+\parskip=\medskipamount     % mezi odstavci bude mezera jako \medskip
+\parindent=0pt              % odstavce nebudou odsazeny zará¾kou
+\let\itemskip=\relax        % ¾ádné dal¹í mezery mezi výèty
+
+\nadpis Mùj první dokument
+
+Zkou¹ím napsat první text v~\TeX u. Tento odstavec musí být
+tak dlouhý, aby bylo vidìt, ¾e se rozlomil aspoò na dva øádky.
+
+Jednotlivé odstavce oddìlujeme od sebe prázdným øádkem. Prázdnými øádky
+vùbec ne¹etøíme, proto¾e zvy¹ují pøehlednost zdrojového textu.
+Vyzkou¹íme si nyní nìkolik vìcí.
+
+\itemskip
+\bod Budeme pou¾ívat èeské \uv{uvozovky}, které se li¹í od ``anglických''.
+     Uvìdomíme si, ¾e pou¾ití \"tìchto znakù\" je úplnì ¹patnì!
+\bod Rozli¹ujme mezi spojovníkem (je-li), pomlèkou ve vìtì~-- 
+     a dlouhou pomlèkou---ta se pou¾ívá v~anglických dokumentech.
+\bod Pøedpokládáme, ¾e ka¾dý doká¾e rozeznat 1 (jednièku) od l
+     (písmene el) a 0 (nulu) od O~(písmene~O).
+\bod Zkusíme pøepnout do {\bf polotuèného písma}, nebo do
+     {\it kurzívy}. Také vyzkou¹íme {\tt strojopis}.
+\bod V¹imneme si, ¾e ve slovech grafika, firma, apod. se písmena
+     f a i automaticky promìnila v~jediný znak fi (srovnáme to
+     s~nesprávným f\/i).
+\bod Mezery mezi písmeny jsou automaticky vyrovnávány podle tvaru písmen.
+     Ve slovì \uv{Tento} je napøíklad písmeno~e tìsnìji pøisazeno
+     k~písmenu~T, aby se mezery mezi písmeny opticky jevily stejnomìrné.
+\bod Vypravíme se na malou exkurzi do matematiky: $a^2 + b^2 = c^2$.
+     Zjistíme, ¾e èíslo -1 je zde napsáno ¹patnì (prokletý spojovník),
+     zatímco správnì má být $-1$.
+\bod Proto¾e \% uvozuje komentáø a \$ pøepíná do matematické sazby,
+     musíme pøed nì napsat zpìtné lomítko, chceme-li ji dostat do dokumentu.
+\itemskip
+
+\nadpis Závìr
+
+To by pro zaèátek staèilo. Pøíkazem {\tt\char`\\bye} ukonèíme na¹e pokusy.
+\enduk %==============================================================
+
+Kdyby ná¹ kolega chtìl, implementoval by tøeba automatické èíslování
+polo¾ek, automatické èíslování nadpisù, generování obsahu a dal¹í vìci.
+Vysvìtlení nových øídicích sekvencí, které kolega pou¾il, bohu¾el
+pøekraèuje rámec tohoto úvodního dokumentu.
+
+Definice lze umístit do jiného souboru ne¾ vlastní text dokumentu.
+Na zaèátku dokumentu pak soubor definic naèteme pøíkazem "\input".
+Nebo naopak, hlavní bude soubor definic, ze kterého se pøíkazem "\input"
+postupnì naèítají jednotlivé kapitoly rozsáhlej¹ího díla.
+
+
+\sekce Stojíme na køi¾ovatce
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+V~pøedchozím pøíkladì jsme ilustrovali dùle¾itou vlastnost \TeX{}u~--
+schopnost mìnit vzhled dokumentu jen výmìnou nìkterých definic. Kromì toho
+ale tyto definice také musejí navazovat na úmluvu, jakými znaèkami bude
+autor vymezovat strukturu svého dokumentu. Kdyby autor pou¾il místo znaèky
+"\nadpis" znaèku "\section", \TeX{} by nám pøi zpracování dokumentu vynadal:
+
+\begtt %--------------------------------------------------------------
+! Undefined control sequence.
+l.14 \section
+              Mùj první dokument
+?
+\endtt %--------------------------------------------------------------
+
+\pp tedy: nedefinovaná øídicí sekvence. Odpovíme-li na otazník pouhým
+stiskem klávesy Enter, \TeX{} tuto sekvenci zcela ignoruje a pracuje dál.
+®ádného zvýraznìní nadpisu bychom se nedoèkali. Je tedy vidìt,
+¾e je hodnì dùle¾ité ujasnit si, jaké znaèkování struktury dokumentu
+pou¾ijeme.
+
+V~této souvislosti si musíme odpovìdìt jednu dùle¾itou otázku. Chceme se
+nauèit jazyk definic \TeX{}u na takové úrovni, jako ná¹ imaginární kolega
+z~pøedchozího pøíkladu? Budeme radìji sami kontrolovat ka¾dý detail vzhledu
+dokumentu prostøednictvím vlastních definic, ne¾ abychom pøebírali hotová
+øe¹ení odjinud? Pokud na tyto otázky odpovíme \uv{ano}, pak je pro nás
+výhodné pou¾ít formát plain (pro èeské a slovenské dokumenty jen mírnì
+modifikovaný formát csplain), který definuje jen minimum základních
+øídicích sekvencí. O~dal¹í øídicí sekvence stejnì jako o~modifikaci
+vzhledu dokumentu podle na¹ich pøedstav se musíme postarat sami.
+V~takovém pøípadì si mù¾eme sami rozhodnout, jaké znaèky pro vymezení
+struktury dokumentu pou¾ijeme, proto¾e si pro nì nakonec udìláme vlastní
+definice.
+
+Na druhé stranì, pokud rádi pøebíráme hotová øe¹ení, pokud nechceme
+zbyteènì pronikat do problematiky jazyka definic \TeX{}u, pokud se
+spokojíme s~u¾ pøipravenými ¹ablonami vzhledu dokumentu (tzv. styly),
+pokud jsme ochotni se místo tøí set základních pøíkazù \TeX{}u uèit
+zhruba tisíc u¾ivatelských znaèek pro \LaTeX, bude pro nás
+výhodné pou¾ít radìji formát \LaTeX{}.
+
+\LaTeX{} doporuèuje urèité znaèkování struktury dokumentu. Napøíklad se
+pøedpokládá èlenìní na kapitoly (znaèka "\chapter") a na sekce (znaèka
+"\section"). Ka¾dý dokument by mìl zaèít záhlavím uvozeným sekvencí
+"\documentclass" (u~staré verze \LaTeX{}u se mù¾eme setkat je¹tì se
+sekvencí "\documentstyle"). Parametrem této sekvence by mìl být název
+základního stylového souboru (souboru definic upravujících vzhled
+dokumentu). Nejèastìji bývá tímto parametrem "book" (formát knihy)
+nebo "article" (formát èlánku). Doplòkové stylové soubory se naèítají pomocí
+sekvence "\usepackage". Vlastní text dokumentu musí být uzavøen mezi
+znaèkami "\begin{document}" a "\end{document}". Èasto se vyskytují dal¹í
+znaèky "\begin" a "\end" vymezující v~\LaTeX{}u jistá prostøedí (napøíklad
+prostøedí pro výètové polo¾ky).
+
+Vra»me se k~na¹emu pøíkladu a pøepi¹me jej do znaèkování podle \LaTeX{}u.
+
+\begtt %=============================================================
+\documentclass{article}  % základní styl bude "odborný èlánek"
+\usepackage{czech}       % doplòkový soubor definic pro èeský jazyk
+\begin{document}         % povinné
+
+\section{Mùj první dokument}
+
+Zkou¹ím napsat první text v~\TeX u. Tento odstavec musí být
+tak dlouhý, aby bylo vidìt, ¾e se rozlomil aspoò na dva øádky.
+
+Jednotlivé odstavce oddìlujeme od sebe prázdným øádkem. Prázdnými øádky
+vùbec ne¹etøíme, proto¾e zvy¹ují pøehlednost zdrojového textu.
+Vyzkou¹íme si nyní nìkolik vìcí.
+
+\begin{itemize}
+\item Budeme pou¾ívat èeské \uv{uvozovky}, které se li¹í od ``anglických''.
+      Uvìdomíme si, ¾e pou¾ití "tìchto znakù" je úplnì ¹patnì!
+\item Rozli¹ujme mezi spojovníkem (je-li), pomlèkou ve vìtì~-- 
+      a dlouhou pomlèkou---ta se pou¾ívá v~anglických dokumentech.
+\item Pøedpokládáme, ¾e ka¾dý doká¾e rozeznat 1 (jednièku) od l
+      (písmene el) a 0 (nulu) od O~(písmene~O).
+\item Zkusíme pøepnout do {\bf polotuèného písma}, nebo do
+      {\it kurzívy}. Také vyzkou¹íme {\tt strojopis}.
+\item V¹imneme si, ¾e ve slovech grafika, firma, apod. se písmena
+      f a i automaticky promìnila v~jediný znak fi (srovnáme to
+      s~nesprávným f\/i).
+\item Mezery mezi písmeny jsou automaticky vyrovnávány podle tvaru písmen.
+      Ve slovì \uv{Tento} je napøíklad písmeno~e tìsnìji pøisazeno
+      k~písmenu~T, aby se mezery mezi písmeny opticky jevily stejnomìrné.
+\item Vypravíme se na malou exkurzi do matematiky: $a^2 + b^2 = c^2$.
+      Zjistíme, ¾e èíslo -1 je zde napsáno ¹patnì (prokletý spojovník),
+      zatímco správnì má být $-1$.
+\item Proto¾e \% uvozuje komentáø a \$ pøepíná do matematické sazby,
+      musíme pøed nì napsat zpìtné lomítko, chceme-li ji dostat do dokumentu.
+\end{itemize}
+
+\section{Závìr}
+
+To by pro zaèátek staèilo. Pøíkazem \verb|\bye| ukonèíme na¹e pokusy.
+\end{document}
+\endtt %--------------------------------------------------------------
+
+Poznamenejme, ¾e zavedení doplòkového stylu {\tt czech} zpùsobí aktivaci
+èeských vzorù dìlení slov a písma s~èeskými znaky. Bez pou¾ití tohoto stylu
+pracuje \LaTeX{} implicitnì s~anglickými vzory dìlení slov a s~písmy, která
+neobsahují háèkovaná a èárkovaná písmena.
+
+Upozoròujeme, ¾e v~souèasné dobì je \LaTeX{}ù nìkolik druhù. U¾
+zmínìný \uv{starý \LaTeX} (tzv.~verze 2.09), ve kterém se
+struktura záhlaví dokumentu mírnì li¹ila. Dále je pro potøeby
+èeských dokumentù nutné rozli¹ovat mezi tzv.~\uv{babelizovaným
+\LaTeX{}em} a \CS\LaTeX{}em. Babelizovaný \LaTeX{} implementuje 
+èeský a slovenský jazyk pomocí balíku maker \uv{Babel}, který k~nám
+byl importován ze zahranièí. Babelizovaný \LaTeX{} implicitnì
+neobsahuje èeské ani slovenské vzory dìlení slov a pøi instalaci je
+potøeba tyto vzory dìlení do nìj zavést. Na druhé stranì \CS\LaTeX{} je
+modifikace \LaTeX{}u pro potøeby èeských a slovenských
+dokumentù a vzory dìlení èe¹tiny i sloven¹tiny jsou v~nìm implicitnì
+obsa¾eny. Vý¹e uvedená ukázka je pou¾itelná pro \CS\LaTeX. V~pøípadì
+dobøe instalovaného babelizovaného \LaTeX{}u by záhlaví dokumentu
+mohlo vypadat asi takto:
+
+\begtt
+\documentclass{article}       % základní styl bude "odborný èlánek"
+\usepackage[cp1250]{inputenc} % je nutno specifikovat kódování dokumentu
+\usepackage[T1]{fontenc}      % po¾adujeme LaTeXovské fonty s akcenty
+\usepackage[czech]{babel}     % voláme styl czech z Babelu
+\begin{document}
+\endtt
+
+Výsledek po zpracování na¹eho dokumentu \LaTeX{}em v~tomto manuálu
+pro struènost neuvádíme. Kdo chce, mù¾e si sám \LaTeX{}
+vyzkou¹et. Nelíbí se nám, ¾e za èísly v~nadpisech nejsou teèky?
+Zavedeme do dokumentu prostøednictvím "\usepackage" dal¹í doplòkový
+styl, který toto výchozí chování základního stylu {\tt article}
+upraví. Nelíbí se nám, ¾e jsou mezi jednotlivými polo¾kami ve výètu
+velké mezery a polo¾ky jsou a¾ pøíli¹ odsazeny? Pou¾ijeme v~dokumentu
+dal¹í doplòkový styl. Nelíbí se nám, ¾e je pou¾ito písmo Computer
+Modern? Napi¹me tøeba "\usepackage{times}".
+
+Otázka ale je, kdo pro nás tyto doplòkové styly (neboli doplòující sady
+definic pro \TeX) bude pøipravovat. Velké mno¾ství stylù na v¹echno mo¾né
+lze nalézt ve veøejných archivech \TeX{}ovského softwaru. \LaTeX{} nám tedy
+pøi jednoduchých ¹ablonovitých po¾adavcích na vzhled dokumentu umo¾òuje
+zùstat v~roli autora, který poøizuje text. Nemusíme umìt pomìrnì slo¾itý
+jazyk definic \TeX{}u.
+
+Pokud nám ¾ádná z~mo¾ností nabízených stylù nevyhovuje, musíme se pokusit
+tyto styly modifikovat podle své potøeby. To ale mù¾e být u¾ hodnì
+komplikované. Zále¾í znovu na nás, zda rádi modifikujeme zdrojové kódy
+cizích programù nebo si radìji napí¹eme programy vlastní. Pokud pí¹eme
+radìji programy vlastní, asi nám bude spí¹e vyhovovat jednodu¹¹í výchozí
+formát plain (csplain).
+
+Jestli¾e jsme se rozhodli pracovat radìji v~plainu, pak lze k~dal¹ímu
+studiu doporuèit následující literaturu:
+
+\begitems
+\bib Michael Doob. {\it Jemný úvod do \TeX{}u}. Tøetí vydání èeského
+     pøekladu, \CS{}TUG 1993. Kní¾ka je rovnì¾ volnì k~dispozici ve
+     zdrojových textech jako {\tt jemny.tex} v~archivu 
+     {\tt ftp://math.feld.cvut.cz/pub/cstex/doc/jemny.tar.gz}.
+     Anglický originál je volnì ¹íøen jako {\tt gentle.tex}.
+\bib Petr Ol¹ák. {\it \TeX{}book naruby}. Konvoj 1997. Celý text knihy je
+     volnì k~dispozici ve formátu {\tt pdf}
+     na \url{http://math.feld.cvut.cz/olsak/tbn.html}.
+\enditems
+
+Vyhovuje-li nám více \LaTeX, pak je mo¾né sáhnout po tìchto manuálech:
+
+\begitems
+\bib Jiøí Rybièka. {\it \LaTeX{} pro zaèáteèníky}. Druhé, upravené vydání,
+     Konvoj 1999.
+\bib Tobias Oetiker. {\it Ne pøíli¹ struèný úvod do systému
+     \LaTeX{} \twoe}. Text je ¹íøen volnì vèetnì zdrojových textù a je
+     pøelo¾en do mnoha jazykù. Do èe¹tiny pøelo¾il Michal Koèer.
+     {\tt ftp://math.feld.cvut.cz/pub/cstex/doc/lshort2e.tar.gz}
+\bib Leslie Lamport. {\it\LaTeX---A Document Preparation System---User's
+     Guide and Reference Manual}. Ad\-di\-son-Wes\-ley, Reading, MA, 
+     USA, 2nd ed. 1994. 
+\bib Michel Goossens, Frank Mittelbach, Alexander Samarin.
+     {\it The \LaTeX{} Companion}. Druhé vydání, Addisson Wesley 1994.
+\bib Michel Goossens, Sebastian Rahtz, Frank Mittelbach.
+     {\it The \LaTeX{} Graphics Companion: Illustrating Documents with
+     \TeX{} and PostScript}. Addisson Wesley 1997.
+\enditems
+
+Pokud budeme pou¾ívat \LaTeX{} a budeme chtít rozumìt pou¾itým stylovým
+souborùm, mù¾eme pou¾ít knihu [2]. Popisuje toti¾ vnitøní algoritmy
+\TeX{}u, co¾ jsou informace, které vyu¾ijeme jak v~plainu tak v~\LaTeX{}u.
+
+Pro úplnost je¹tì citujme dva tituly. První z~nich je základní biblí
+k~\TeX{}u od samotného autora \TeX{}u (èeská alternativa [2] ji pomìrnì
+dobøe nahrazuje) a druhý titul obsahuje informace o~\TeX{}ových
+souvislostech, tj. popis spolupracujících programù v~bì¾ných distribucích,
+implementace fontù, vkládání obrázkù apod.
+
+\begitems
+\bib Donald E. Knuth. {\it The \TeX{}book}. Mnohonásobné vydání. Addison
+     Wesley, 1986--{\tt*}. Díl~A~z~pìtidílné monografie k~\TeX{}u a \mf{}u
+     \uv{Computers \& Typesetting}.
+\bib Petr Ol¹ák. {\it Typografický systém \TeX}. \CS{}TUG 1995.
+\enditems
+
+Dal¹í text v~tomto manuálu se vìnuje základùm \TeX{}u, které bývají
+shodné pøi pou¾ití vìt¹iny formátù. Ukázky budeme pro jednoduchost
+nadále zkou¹et ve formátu csplain, proto¾e jinak bychom museli kolem
+vlastního textu ukázky pøidat zmínìné \uv{obkladové øádky} závislé na
+pou¾itém \uv{druhu} \LaTeX{}u.
+
+
+\sekce Technické pozadí formátù
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+V~pøedchozím textu jsme na mnoha místech hovoøili o~formátech \TeX{}u
+(plain, \LaTeX{}, csplain), ale zatím jsme poøádnì neøekli, co to je.
+
+Formát je binární soubor (v~\TeX{}ové implementaci má pøíponu {\tt.fmt}),
+který zahrnuje:
+
+\begitems
+\bod výchozí sadu definic, která roz¹iøuje vestavìné øídicí sekvence
+     o~dal¹í, pro u¾ivatele vìt¹inou snadnìji pou¾itelné,
+\bod výchozí nastavení vnitøních parametrù \TeX{}u (napøíklad ¹íøka
+     odstavce nebo velikost odstavcové zará¾ky),
+\bod výchozí fonty, které budou v~dokumentu pou¾ity, pokud u¾ivatel
+     nespecifikuje jiné,
+\bod vzory dìlení vybraných jazykù, podle kterých \TeX{} dìlí slova pøi
+     zalamování odstavce.
+\enditems
+
+A¾ na vzory dìlení lze v¹e ostatní ve vlastním dokumentu pomocí
+\TeX{}ových definic dodateènì mìnit. Pro naètení vzorù dìlení
+jednotlivých jazykù má \TeX{} speciální øídicí sekvenci "\patterns",
+která funguje jen pøi vytváøení formátu.  Existuje je¹tì jedna øídicí
+sekvence, která má smysl pouze pøi generování formátu: "\dump". Tento
+pøíkaz zpùsobí ulo¾ení \uv{nabytých vìdomostí}
+\TeX{}u z~jeho vnitøní pamìti do binárního formátového souboru {\tt *.fmt}
+a ukonèí èinnost \TeX{}u. Tento soubor se mù¾e pozdìji pøi startu
+\TeX{}u naèíst, a \TeX{} tím zaèíná se svými znalostmi z~místa, kde
+naposledy naèítání definic skonèil v~dobì pøíkazu "\dump".
+
+Pøíkazy "\patterns" a "\dump" umí speciální varianta \TeX{}u zvaná
+ini\TeX{}. V~nových implementacích \TeX{}u není tato varianta
+reprezentována samostatným programem, ale vyvolá se prostøednictvím
+pøepínaèe {\tt -i} nebo {\tt -ini}. Napøíklad k~vygenerování formátu
+plain lze postupovat takto:
+
+\begtt
+> tex -ini plain
+* \dump
+\endtt
+
+\TeX{} zde ve variantì ini\TeX{} naèetl soubor definic plain.tex a ulo¾il
+nabyté vìdomosti do souboru {\tt plain.fmt}. Nyní lze formátový soubor
+pou¾ít:
+
+\begtt
+> tex &plain document
+\endtt
+
+V~bì¾ných \TeX{}ových distribucích je implementována nìjakým zpùsobem
+zkratka, která u¾ivateli umo¾ní místo {\tt tex \&plain} psát pouze
+{\tt tex} a tøeba místo {\tt tex \&latex} psát pouze {\tt latex}.
+
+
+\sekce Rozmìrové jednotky pou¾ívané v~\TeX u a typografii
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Z~historických dùvodù v~typografii stále pøe¾ívají mìrné jednoty
+rozdílné od soustavy SI. Základní mìrnou jednotkou, která se pou¾ívá
+v~anglosaských zemích, je jednotka point ({\tt pt}), která má rozmìr
+asi tøetinu milimetru. Dvanáctinásobek je pica (èteme pajka, {\tt
+pc}).  Jednotkou, která se pou¾ívala v~Evropì, je \uv{Didotùv bod}
+({\tt dd}), který je vìt¹í ne¾ point, ale zhruba taky mìøí tøetinu
+milimetru.  Dvanáctinásobek tohoto bodu je cicero ({\tt cc}). 
+V~poèítaèových programech pro sazbu se pou¾ívá poèítaèový bod
+({\tt bp}), který je jen velmi nepatrnì vìt¹í. 72 poèítaèových bodù se
+pøesnì vejde do jednoho palce ({\tt in}, inch pou¾ívaný pøedev¹ím
+v~Americe).
+
+V¹echny tyto jednotky je mo¾né pou¾ít v~\TeX{}u jako dvoupísmenové zkratky,
+jak ukazuje následující tabulka. Navíc lze pou¾ít jednotky odvozené
+z~metru.
+
+\begtable
+  "pt"  &  monotypový bod     & $1\,{\tt pt} = 1/72.27\,{\tt in} \doteq %
+                                             0.35146\,{\tt mm}$       
+  "pc"  &  pica               & $1\,{\tt pc} = 12\,{\tt pt}$            
+  "bp"  &  poèítaèový bod     & $1\,{\tt bp} = 1/72\,{\tt in}$          
+  "dd"  &  Didotùv bod        & $1\,{\tt dd} = 1238/1157\,{\tt pt}$     
+  "cc"  &  cicero             & $1\,{\tt cc} = 12\,{\tt dd}$            
+  "in"  &  palec (inch, coul) & $1\,{\tt in} = 25.4\,{\tt mm}$          
+  "cm"  &  centimetr          & $1\,{\tt cm} = 10\,{\tt mm}$            
+  "mm"  &  milimetr           & $1\,{\tt mm} \doteq 2.84528\,{\tt pt}$  
+  "sp"  &  jednotka \TeX{}u   & $1\,{\tt sp} = 1/65536\,{\tt pt}$       
+  "em"  &  velikost písma     & závislé na aktuálním písmu               
+  "ex"  &  vý¹ka malého x     & závislé na aktuálním písmu               
+\endtable
+
+Velikost písma se mìøí zhruba jako celková vý¹ka øádku, který obsahuje
+v¹echny znaky písma (mimo akcentované verzálky, tj. neuva¾ujeme v~takovém
+øádku háèky a èárky nad velkými písmeny). Zhruba to také odpovídá
+¹íøce velkého písmene M (odtud jednotka {\tt em}). Bohu¾el, na jednotlivých
+písmech není nic spoleèného, co by se dalo v¾dy jednodu¹e zmìøit a pøesnì
+øíci, ¾e právì to je ona velikost písma.
+
+
+\sekce Práce s~fonty
+%%%%%%%%%%%%%%%%%%%%
+
+Implicitní fonty, které jsou v~ka¾dé implementaci \TeX{}u k~dispozici
+a které jsou nezávislé na pou¾itém operaèním systému, jsou fonty
+rodiny Computer Modern. Bì¾ná antikva v~této rodinì má název {\tt
+cmr10}. To je zkratka pro \uv{Computer Modern Roman ve velikosti 10pt}. 
+Fonty Computer Modern bývají u¾ naèteny ve formátu a pro
+jednotlivé varianty (antikva, kurzíva, polotuèné, strojopis) bývají
+pøipraveny pøepínaèe "\rm", "\it", "\bf", "\tt".
+
+Fonty Computer Modern neobsahují akcentovaná písmena (s~háèky a èárkami).
+Proto jsou ve formátu csplain místo nich implicitnì naèteny tak zvané
+\CS{}fonty, které roz¹iøují Computer Modern fonty o~písmena s~akcenty
+z~èeské a slovenské abecedy. Bì¾ná antikva v~této rodinì má název
+{\tt csr10}. \LaTeX{} také implicitnì pracuje s~rodinou Computer Modern a
+\CS\LaTeX{} navíc po zavedení stylu {\tt czech.sty}  (pøíkazem
+"\usepackage{czech}") pøepíná na implicitní pou¾ití \CS{}fontù. Pak je tedy
+mo¾né psát èeský text.
+
+Kromì toho \LaTeX{} mù¾e pracovat s~jiným roz¹íøením Computer Modern
+fontù, s~tzv. DC nebo EC fonty. Tyto fonty mají specifické kódování
+(v~\LaTeX{}u oznaèované jako T1) a obsahují v¹echny znaky abeced latinkou
+pí¹ících evropských zemí.
+
+Ve v¹ech formátech ale mù¾ete zavést nový pøepínaè pro nové písmo
+pomocí pøíkazu "\font". Ten má následující syntaxi:
+
+\begtt
+\font\pøepínaè=název-fontu nepovinné parametry zvìt¹ení
+\endtt
+
+Napøíklad
+
+\begtt
+\font\titulfont=csr10 scaled \magstep2
+\endtt
+
+\pp zavede do \TeX{}u font csr10 (tedy bì¾nou poèe¹tìnou antikvu
+odvozenou z~Computer Modern) ve zvìt¹ení $1.44$ krát normální
+velikost, která je 10 bodù. Tento font se pak v~textu aktivuje
+pøepínaèem "\titulfont". Proè zrovna koeficient $1.44$? To je
+koeficient, pro který byla v~\TeX{}u vytvoøena zkratka
+"\magstep2". Následující tabulka shrnuje v¹echny zkratky typu
+"\magstep", které jsou definovány ve v¹ech bì¾nì pou¾ívaných
+formátech.
+
+\begtable
+   sekvence       &   koeficient           & implementováno jako 
+   \tabline
+   "\magstep0"    &   1:1 (¾ádné zvìt¹ení) & 1000               
+   "\magstep1"    &   $1.2$                & 1200               
+   "\magstep2"    &   $1.2^2 = 1.44$       & 1440               
+   "\magstep3"    &   $1.2^3 = 1.728$      & 1728               
+   "\magstep4"    &   $1.2^4 = 2.0736$     & 2074               
+   "\magstep5"    &   $1.2^5 = 2.48832$    & 2488               
+   "\magstephalf" &   $\sqrt{1.2}\doteq1.095445$ & 1095         
+\endtable
+
+Odstupòování jednotlivých velikostí písma pomocí mocnin èísla $1.2$ bývá
+v~typografii dobrým zvykem.
+
+Ve sloupci \uv{implementováno jako} vidíme, ¾e koeficient se za slovem
+{\tt magstep} (stejnì jako na mnoha dal¹ích místech v~\TeX{}u) zadává jako
+celé èíslo odpovídající tisícinásobku uva¾ované hodnoty. Chceme-li tedy
+pou¾ít font dvojnásobnì velký, pou¾ijeme {\tt scaled~2000} a pøi po¾adavku
+na polovièní velikost pí¹eme {\tt scaled~500}.
+
+Kromì koeficientu zvìt¹ení (slovo {\tt scaled}) mù¾eme chtít zvìt¹it
+font bez ohledu na jeho pùvodní velikost do námi po¾adované velikosti.
+K~tomu se pou¾ívá slovo {\tt at}, napøíklad:
+
+\begtt %--------------------------------------------------------------
+\font\prvni=csr10 at 20pt
+\font\druhy=csr10 scaled 2000
+\endtt %--------------------------------------------------------------
+
+Oba øádky této ukázky zavádìjí stejný font ve stejném zvìt¹ení.
+
+Rodina písma Computer Modern (a jeho odvozeniny, napøíklad \CS{}fonty)
+obsahuje rùzné velikosti stejné varianty písma, pøitom tyto
+alternativy nejsou jen stejnomìrným násobením v¹ech rozmìrù. 
+Doporuèuje se, zvlá¹tì v~men¹ích velikostech písma, pou¾ívat
+implicitní velikost písma a dále ji nezmen¹ovat ani nezvìt¹ovat. 
+Implicitní velikost písma je oznaèena èíslem v~názvu
+fontu, tj. napøíklad {\tt csr10} má implicitní velikost 10\,pt a 
+{\tt csr5} má velikost 5\,pt. Srovnáme výsledek tohoto pøíkladu:
+
+\begtt %--------------------------------------------------------------
+\font\zvetseny=csr5 at10pt
+\font\normalni=csr10
+\normalni Tady je pøirozená velikost písma 10 bodù
+\zvetseny a tady je písmo navr¾ené pro pìt bodù zvìt¹eno na 10 bodù.
+\endtt %--------------------------------------------------------------
+
+Na výstupu dostaneme:
+
+\beguk %--------------------------------------------------------------
+\font\zvetseny=csr5 at10truept
+\font\normalni=csr10 at10truept
+\baselineskip=12truept
+\normalni Tady je pøirozená velikost 10 bodù
+\zvetseny a tady je písmo navr¾ené pro pìt bodù zvìt¹eno na 10 bodù.
+\enduk %--------------------------------------------------------------
+
+Pøepnout písmo dokumentu do jiné rodiny fontù znamená postarat se o~zmìnu
+významu v¹ech pøepínaèù jednotlivých variant písma ("\rm", "\bf", "\it" a
+"\tt") a nezapomenout na vhodnou zmìnu fontu té¾ v~nadpisech a v~dal¹ích
+velikostech písma, které jsou v~dokumentu pou¾ity. Jednoduché definice
+alternativních pøepínaèù najdeme pro csplain v~následujících souborech:
+
+\begtable
+  soubor         &  Rodina fontù
+  \tabline
+  "cavantga.tex"   &  Avantgarde Book
+  "cbookman.tex"   &  Bookman
+  "chelvet.tex"    &  Helvetica
+  "cncent.tex"     &  New Century
+  "cpalatin.tex"   &  Palatino
+  "ctimes.tex"     &  Times Roman
+\endtable
+
+Tyto rodiny fontù jsou instalovány v~ka¾dém výstupním PostScriptovém
+zaøízení, tak¾e s~tìmito fonty mù¾eme v~\TeX{}u pracovat, ani¾ bychom je
+museli mít zakoupené. \TeX{} samotný toti¾ pracuje pouze s~metrickými
+informacemi k~fontùm a do výstupu vkládá pouze odkazy na fonty. Metrické
+informace jsou obvykle k~dispozici zdarma. Pokud budeme tisknout na
+PostScriptovém zaøízení, pak jsme s~cenou PostScriptového modulu tyto fonty
+vlastnì koupili a mù¾eme v~nich tisknout \TeX{}ové dokumenty. Pokud budeme
+tisknout na zaøízení bez PostScriptu, pak je vhodné PostScriptový kód
+zpracovat volnì dostupným programem Ghostscript, který má v~sobì zahrnuty
+volnì dostupné alternativy k~uvedeným základním fontùm. Rozdíl mezi
+alternativou a draze koupeným fontem pøitom ani moc nepoznáme.
+
+Chceme-li napøíklad pøepnout do písma Bookman, staèí napsat do dokumentu
+"\input bookman". Takovou vìc jsme u¾ ilustrovali na na¹em pøíkladì
+v~pøedchozím textu.
+
+Podíváme-li se do souborù {\tt cbookman.tex} a dal¹ích, které najdeme
+v~instalaci \TeX{}u nìkde v~adresáøi {\tt csplain}, zjistíme, ¾e zde nejsou
+pøedefinovány pøímo pøepínaèe "\rm", "\bf", "\it" a "\tt", ale ¾e se zde
+místo nich pracuje s~pøepínaèi "\tenrm", "\tenbf", "\tenit" a "\tentt".
+To jsou toti¾ v~plainu (i csplainu) skuteèné pøepínaèe \uv{nejni¾¹í
+úrovnì}. Pro u¾ivatele se pak definují znaèky "\rm", "\bf", "\it" a "\tt"
+s~dal¹ím pøihlédnutím na chování tìchto znaèek v~matematickém módu.
+Napøíklad "\bf" je definováno takto:
+
+\begtt %--------------------------------------------------------------
+\def\bf{\tenbf \fam\bffam}
+\endtt %--------------------------------------------------------------
+
+Je-li tedy pøedefinován pøepínaè "\tenbf", bude se od této chvíle chovat
+jinak i znaèka "\bf". Kód "\fam\bffam" zde nebudeme rozebírat, proto¾e
+pøekraèuje rámec tohoto úvodního textu. Spokojíme se s~tím, ¾e v~textovém
+módu nemá tento kód ¾ádný vliv a v~matematickém módu cosi udìlá.
+
+Pøíkaz "\fontname\pøepínaè\space" se promìní zpìt v~pùvodní název
+fontu ukonèený mezerou. Tato vlastnost byla pou¾ita v~na¹em pøíkladu,
+kde jsme zavádìli vìt¹í font pomocí této konstrukce:
+
+\begtt %---------------------------------------------------------------
+\font\titulfont=\fontname\tenbf\space scaled \magstep2  % vìt¹í font
+\endtt %---------------------------------------------------------------
+
+Výhodou tohoto zápisu je fakt, ¾e nemusíme znát název fontu, staèí si
+zapamatovat základní pøepínaèe "\tenrm", "\tenbf", "\tenit" a "\tentt".
+Názvy fontù se nejenom tì¾ko pamatují, ale také se mohou zmìnit,
+pokud pøed takovou konstrukcí pou¾ijeme "\input cbookman" nebo nìco
+podobného.
+
+V~\LaTeX{}u asi takové obraty nebudeme potøebovat, proto¾e o~zavedení
+potøebných fontù pro rùzné velikosti se \LaTeX{} stará sám. Pro
+pøepínání mezi rodinami fontù pou¾íváme v~\LaTeX{}u pøíkaz
+"\usepackage" a následuje ve slo¾ených závorkách jedno ze slov
+{\tt avantgar}, {\tt bookman}, {\tt helvet}, {\tt newcent}, 
+{\tt palatino}, {\tt times}. Písmeno {\tt c} na zaèátku názvu rodiny 
+fontù (na rozdíl od csplainu) nepí¹eme.
+
+Mo¾ná nás zaène zajímat, jaké fonty máme v~\TeX{}ové instalaci
+pøipraveny k~pou¾ití. Staèí udìlat men¹í prùzkum v~adresáøi {\tt tfm}
+(odvozeno od zkratky \TeX{} font metrics) a podívat se do jednotlivých
+podadresáøù na názvy pøítomných souborù. To jsou souèasnì názvy fontù,
+které jsou pou¾itelné v~pøíkaze "\font". Chceme rychle vìdìt, jak který
+font vypadá? Napi¹me na pøíkazový øádek 
+
+\begtt %-----------------------------------------------------------------
+tex testfont
+\endtt %-----------------------------------------------------------------
+
+\TeX{} se nás vyptá na název fontu, který zadáme bez pøípony
+{\tt.tfm}. Pak nás po¾ádá o~instrukci, co s~naèteným fontem má dìlat.
+Nejlépe je odpovìdìt "\table\end" a podívat se na tabulku znakù
+testovaného fontu tøeba pomocí "xdvi testfont".
+
+
+\sekce Speciální znaky
+%%%%%%%%%%%%%%%%%%%%%%
+
+V~této sekci popí¹eme chování speciálních vstupních znakù, které
+nejsou \TeX{}em vìt¹inou slepì pøepisovány do výstupu, ale \TeX{} na
+nì urèitým zpùsobem zareaguje.
+
+Jedním takovým speciálním znakem je "\" (zpìtné lomítko). Pokud za ním
+následuje písmeno, \TeX{} pøeète øídicí sekvenci typu "\slovo"
+ukonèenou prvním znakem, který není písmeno (separátorem). Je-li 
+tímto separátorem mezera, pak se na výstupu neobjeví. Ostatní
+separátory nejsou na rozdíl od mezery ignorovány.
+Vyzkou¹ejte si:
+
+\begtt %----------------------------------------------------------
+Zkou¹ím \TeX.  % Teèka je separátor sekvence \TeX, který se vytiskne
+Pí¹u v \TeX u  % Separátorem je mezera pøed u, která se netiskne
+\TeX   je formátor.  
+\endtt %----------------------------------------------------------
+
+Z~posledního øádku ukázky dostáváme nesprávný výsledek: \TeX je formátor.
+Projevila se toti¾ dal¹í vlastnost \TeX{}u: jednu mezeru i více mezer
+za sebou pova¾uje za mezeru jedinou a ta v~na¹em pøíkladì funguje jako
+separátor, který mizí. Proto se èasto pou¾ívají \uv{zbyteèné skupiny},
+jejich¾ závorky mají funkci separátoru øídicí sekvence:
+
+\begtt %-----------------------------------------------------------
+Pí¹u v \TeX{}u. \TeX{} je formátor.
+Nebo radìji pí¹u v {\TeX}u a pou¾ívám {\TeX} jako formátor.
+\endtt %-----------------------------------------------------------
+
+Pokud za zpìtným lomítkem následuje nìco jiného, ne¾ písmeno
+(napøíklad "\$"), je øídicí sekvence tvoøena jen tímto znakem.
+Mezery za takovými jednoznakovými sekvencemi zùstávají
+zachovány: 
+
+\begtt %-----------------------------------------------------------
+Pracuji se 100\% nasazením.
+\endtt %-----------------------------------------------------------
+
+Vidíme, ¾e dal¹ím speciálním znakem v~\TeX{}u je mezera. Jak jsme pøed
+chvílí uvedli, více mezer za sebou se chová jako mezera jediná.
+
+V¹echny mezery na zaèátku øádku jsou ignorovány a¾ po první znak, který
+není mezera. Toho mù¾eme vyu¾ít pro zlep¹ení pøehlednosti na¹ich
+vstupních textù (viz na¹e ukázka s~výètem prvkù).
+
+Konec øádku je v~\TeX{}u interpretován jako mezera, která se vytiskne,
+pokud není separátorem øídicí sekvence. Pokud si mezeru z~konce
+øádku nepøejeme, mù¾eme ji \uv{zamaskovat} komentáøovým znakem:
+
+\begtt %-----------------------------------------------------------
+Toto            je
+      zvrácený
+pøí%
+klad v~\TeX
+u.
+\endtt %-----------------------------------------------------------
+
+Prázdný øádek vytvoøí interní pøíkaz "\par", který ukonèuje
+odstavec. Není-li co ukonèovat, "\par" nedìlá nic. Proto více
+prázdných øádkù pod sebou se chovají stejnì jako jeden prázdný
+øádek. I~toho lze vyu¾ít pro zvý¹ení pøehlednosti zdrojových textù.
+
+V~následující tabulce je pøehled v¹ech znakù, které bývají 
+nastaveny jako speciální:
+
+\begtable
+  "\"          & uvozuje øídicí sekvenci
+  mezera       & speciální vlastnosti popsány vý¹e
+  konec øádku  & speciální vlastnosti popsány vý¹e
+  "{"          & zahájení skupiny, parametru nebo definice
+  "}"          & konec skupiny, parametru nebo definice
+  "$"          & pøepínaè matematického módu
+  "&"          & separátor pou¾ívaný v tabulkách
+  "#"          & oznaèení parametru v definicích
+  "^"          & konstruktor mocniny v matematickém módu
+  "_"          & konstruktor indexu v matematickém módu
+  "~"          & nedìlitelná mezera
+  "%"          & zahajuje na øádku komentáø
+\endtable
+
+Speciální význam ka¾dého znaku lze v~\TeX{}u nastavit pomocí urèitých
+definic. Vý¹e uvedená tabulka tedy není v~nièem definitivní.
+Uvedený seznam speciálních znakù bývá takto nastaven ve
+formátech plain, csplain i \LaTeX. 
+
+Pokud chceme vytisknout souvislej¹í èást textu bez speciální
+interpretace, musíme tìmto znakùm jejich speciální funkce odebrat. 
+V~\LaTeX{}u se pro tyto úèely pou¾ívá \LaTeX{}ové prostøedí vymezené 
+pøíkazy "\begin{verbatim}" a "\end{verbatim}". V¹e mezi tìmito pøíkazy%
+  \footnote{s výjimkou sekvence ètrnácti znakù 
+           \uv{{\tt \char`\\end\char`\{verbatim\char`\}}}}
+se vytiskne tak, jak je napsáno ve vstupním textu. Uvedené prostøedí
+v¾dy ukonèí odstavec a zahájí tisk textu bez speciální interpretace.
+Pokud chceme mít bez speciální interpretace jen èást textu uvnitø
+odstavce, pou¾ijeme v~\LaTeX{}u pøíkaz "\verb|text bez svislé èáry|"
+nebo tøeba "\verb+text bez znaku plus+".
+
+V~plainu ani v~csplainu hotové øe¹ení na vypnutí speciální
+interpretace znakù nenajdeme. Mù¾eme se inspirovat dvojicí "\begtt"
+a "\endtt" ve zdrojovém textu tohoto manuálu.
+
+Pokud chceme vytisknout jen jednotlivé speciální znaky, mìli bychom
+vìdìt, jakou sekvencí to zaøídit. Pro znaky pou¾ívané v~bì¾ném textu
+("$", "&", "#" a "_") jsou ve v¹ech formátech pøipraveny øídicí
+sekvence "\$", "\&", "\#" a "\_". Tím po¾adovaný znak vytiskneme 
+v~libovolném fontu.  Výjimkou je znak \$, který se v~kurzívì 
+Computer Modern fontu mìní v~libru: {\cmit\$}. Je to taková malá 
+kuriozita \TeX{}u.
+
+S~ostatními speciálními znaky to tak jednoduché není. V~implicitnì
+nastaveném fontu Computer Modern toti¾ tyto znaky vesmìs nemají ve
+fontu svùj odpovídající obraz. Napøíklad na pozici 92 bychom mìli
+najít podle normy ASCII znak~"\" (zpìtné lomítko), ale místo nìj tam
+najdeme znak~`` (obrácené uvozovky).  Nemile nás pøekvapí i jinak
+obyèejný znak "<" (symbol pro relaci je men¹í), který nemá ve fontu
+svùj obraz a místo nìho dostaneme do výstupu < (obrácený
+vykøièník). Pokud chceme, aby se do výstupu vìrnì dostal znak, který
+známe z~tabulky ASCII, musíme pou¾ít variantu fontu "\tt" (strojopis),
+nebo jinou rodinu fontu, která má fonty v~kódování pøesnì podle
+ASCII. Následující tabulka ukazuje v¹echny bì¾né ASCII znaky, které
+mají v~Computer Modern jiný obraz:
+
+\begtable
+  kód znaku & "\tt" (strojopis)  & Computer Modern 
+  \tabline
+  \.60             &  "<"        & \tencsr <       
+  \.62             &  ">"        & \tencsr >       
+  \.92             &  "\"        & \tencsr \char92 
+   123             &  "{"        & \tencsr --      
+   124             &  "|"        & \tencsr ---     
+   125             &  "}"        & \tencsr \char125
+\endtable
+
+Znak z~dané pozice ve fontu vytiskneme pomocí pøíkazu "\char kód".
+Napøíklad "\char92" nám vytiskne ve strojopisu "\" a v~antikvì
+Computer Modern {\tencsr\char92}. Pokud si nepamatujeme èíselnou
+hodnotu ASCII kódu nìjakého znaku, mù¾eme místo ní pou¾ít konstrukci
+"`\znak", tak¾e napøíklad "`\\" vrátí èíslo 92. Proto pøi tisku
+zpìtného lomítka pí¹eme "{\tt\char`\\}".
+
+Budeme-li chtít vytisknout nìkterý ze znakù "< > \ { | }", musíme si
+uvìdomit, jaký význam daný znak reprezentuje. Vìt¹inou se jedná
+o~matematické symboly, tak¾e pro nì pou¾ijeme odpovídající øídicí
+sekvence v~matematickém módu (mezi dvìma dolary). Relace \uv{je men¹í}
+a \uv{je vìt¹í} lze dokonce v~matematickém módu napsat pøímo, zatímco
+v~textovém módu se promìní ve ¹panìlskou interpunkci. Následující
+tabulka udává doporuèený zpùsob tisku pøíslu¹ných znakù podle jejich
+významu:
+
+$$\vbox{\let\par=\cr \obeylines \halign{&#\hfil\quad
+   význam znaku          & jak jej zapsat         & jak se vytiskne 
+   \tabline
+   relace \uv{je men¹í}  & "$a < b$"              & $a < b$ 
+   relace \uv{je vìt¹í}  & "$a > b$"              & $a > b$ 
+   uzavøený interval     & "$\langle a,b\rangle$" & $\langle a,b\rangle$
+   ASCII znaky "< >"     & "{\tt < >}"            & "< >"
+   rozdíl mno¾in         & "$A\setminus B$"      & $A\setminus B$
+   ASCII znak "\"        & "{\tt\char`\\}"        & "\"
+   Mno¾inové závorky     & "$M = \{a,b,c\}$"      & $M = \{a,b,c\}$
+   ASCII znaky "{ }"     & "{\tt\char`\{ \char`\}}" & "{ }"
+   Vlnka jako akcent     & "\~a"                  & \~a
+   Samostatný akcent     & "\~{}"                 & \~{}
+   ASCII znak "~"        & "{\tt\char`\~}"        & "~"
+   Støí¹ka jako akcent   & "\^a"                  & \^a
+   ASCII znak "^"        & "{\tt\char`\^}"        & "^"      
+}}$$
+
+V~\LaTeX{}u lze místo konstrukcí "{\tt\char`\znak}" pou¾ít
+jednodu¹¹ího "\verb|znak|". Ov¹em pøíkaz "\verb", který odebírá znaku
+jeho speciální funkci a zapíná tisk ve strojopisu, nemusí fungovat
+v¹ude. Napøíklad jej nelze pou¾ít jako argument jiného pøíkazu
+("\section", "\uv", apod.).
+
+
+\sekce Umístìní sazby na papíøe
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pøi poznávání \TeX{}u si jistì velmi brzo polo¾íme otázku, jak je
+mo¾né zmìnit velikost okrajù, neboli jak umístit sazbu na papíøe.
+
+V~plainu jsou implicitnì nastaveny velikosti okrajù jeden palec 
+z~ka¾dé strany papíru amerického formátu Letter. Takové formáty papíru
+u~nás vìt¹inou nerostou, tak¾e plain nám na papíru A4 udìlá jen levý a
+horní okraj velikosti jeden palec a pravý okraj bude men¹í a spodní
+vìt¹í.
+
+V~csplainu jsou implicitnì nastaveny velikosti okrajù jeden palec 
+z~ka¾dé strany pro formát A4. Sazba je tedy v~csplainu mírnì u¾¹í a
+vy¹¹í, ne¾ v~plainu. Sazbu pøitom mìøíme bez pøípadného záhlaví a bez
+stránkových èíslic.
+
+Umístìní sazby mìøíme vzhledem k~poèátku, který se nalézá na papíøe
+1~palec od levého okraje a 1~palec od horního okraje. Levý horní roh
+sazby se kryje s~tímto poèátkem, pokud jsou nastaveny registry
+"\hoffset=0pt" a "\voffset=0pt". Levý horní roh sazby se posune
+doprava o~hodnotu "\hoffset" a dolù o~hodnotu "\voffset".  Pøi
+záporných hodnotách tìchto registrù se sazba posunuje samozøejmì doleva
+respektive nahoru.
+
+©íøka sazby (pøesnìji ¹íøka zpracovávaného odstavce) se nastaví pomocí
+registru "\hsize". Vý¹ka sazby na stránce se nastaví pomocí "\vsize".
+V~následující ukázce jsou uvedeny hodnoty, které nastavuje plain.
+
+\begtt
+\voffset=0in       % velikost horního okraje = \voffset + 1 palec
+\hoffset=0in       % velikost levého okraje  = \hoffset + 1 palec
+\hsize=6.5in       % ¹íøka øádku, 165.1mm
+\vsize=8.9in       % vý¹ka sazby, 266mm
+\endtt
+
+Formát csplain má registry "\hoffset" a "\voffset" také nulové, ale
+¹íøku a vý¹ku sazby nastavuje odli¹nì:
+
+\begtt
+\hsize= 159.2 mm   % ¹íøka øádku v csplainu (¹íøka A4 - 2in)
+\vsize= 239.2 mm   % vý¹ka sazby (vý¹ka A4 - 2in)
+\endtt
+
+Pokud chceme nastavit vlastní velikosti, doporuèujeme nejprve registry
+"\hoffset" a "\voffset" nastavit na hodnotu $-1$\,in a pak k~nim pøièíst
+hodnoty po¾adovaných okrajù pomocí pøíkazu "\advance". Dále
+doporuèujeme vý¹ku sazby pøesnì rozmìøit na poèet øádkù. K~tomu
+potøebujeme vìdìt, ¾e vzdálenost dvou øádkù se urèí pomocí registru
+"\baselineskip" (pozor: pøi vìt¹ím písmu se toto øádkování mù¾e
+rozhodit). Plain i csplain nastavují "\baselineskip" na 12\,pt.
+Kromì toho je úèaøí prvního øádku od pomyslného horního okraje sazby
+vzdáleno o~"\topskip", který má v~plainu i v~csplainu hodnotu 10\,pt.
+Proto¾e se vý¹ka sazby "\vsize" mìøí od horního pomyslného okraje po
+úèaøí posledního øádku na stránce, vychází "\vsize" jako
+\hbox{$"\topskip" + (n-1)\times "\baselineskip"$}, kde $n$ je poèet øádkù na
+stránce. Nastavení velikosti sazby tedy mù¾eme udìlat napøíklad takto:
+
+\begtt
+\voffset=-1in
+\advance\voffset by 2cm   % velikost horního okraje bude 2cm
+\hoffset=-1in
+\advance\hoffset by 1.5cm % velikost pravého okraje bude 1.5cm
+\hsize=10cm               % ¹íøka øádku bude 10 cm
+\vsize=\topskip
+\advance\vsize by 15\baselineskip % sazba bude mít 16 øádkù na stránce
+\endtt 
+
+V~\LaTeX{}u se pøi nastavování rozmìrù sazby pou¾ívají registry
+speciálnì deklarované v~tomto formátu. Jedná se o~"\textheight" (vý¹ka
+sazby), "\textwidth" (¹íøka sazby), "\oddsidemargin" (levý okraj na
+lichých stránkách), "\evensidemargin" (levý okraj na sudých stránkách)
+a "\topmargin" (horní okraj).  \LaTeX{} pak sám podle hodnot tìchto
+registrù nastaví vnitøní registry \TeX{}u "\hoffset", "\voffset",
+"\hsize" a "\vsize".  U¾ivatel \LaTeX{}u by k~nim nemìl pøistupovat
+pøímo a navíc by mìl s~registry zacházet \uv{\LaTeX{}ovsky}, co¾ 
+prakticky znamená, ¾e místo jednoduchého pøiøazení nebo pøíkazu 
+"\advance" by mìl zapisovat své po¾adavky zhruba takto:
+
+\begtt
+\setlength\topmargin{-1in}
+\addtolength\topmargin{2cm}       % velikost horního okraje bude 2cm
+\setlength\oddsidemargin{-1in}
+\addtolength\oddsidemargin{1.5cm} % velikost pravého okraje bude 1.5cm 
+\setlength\evensidemargin{\oddsidemargin}
+\setlength\textwidth{10cm}        % ¹íøka sazby bude 10cm
+\setlength\textheight{\topskip}
+\addtolength\textheight{15\baselineskip} % 16 øádkù
+\endtt
+
+\TeX{}em vìt¹inou nenastavujeme parametry pro archovou montá¾ sazby,
+tak¾e nám vý¹e uvedené pøíklady pro nastavení velikosti sazby bohatì
+staèí. Pokud bychom chtìli se sazbou dále manipulovat a umis»ovat ji
+na jednotlivé archy podle urèitých po¾adavkù, pou¾ijeme vìt¹inou
+pomocné programy, které manipulují s~PostScriptovým výstupem.
+Pøedstavme si, ¾e chceme stránky tohoto manuálu zmen¹it tak, aby se
+ve¹ly dvì vedle sebe na stranu A4. Dále chceme tyto stránky uspoøádat
+tak, abychom po oboustranném vyti¹tìní manuálu na ¹est archù A4
+dostali svazeèek, který pøelo¾íme v~pùli a máme kní¾eèku 
+s~24 na sebe navazujícími stránkami. Pro takový úkol se asi nejlépe hodí
+programy z~volnì ¹íøeného balíèku psutils. Na pøíkazový øádek mù¾eme
+postupnì napsat tyto instrukce:
+
+\begtt
+> csplain prvni
+> dvips prvni
+> psbook prvni.ps p0.ps
+> pstops "4:0L@.7(21cm,.5cm)+1L@.7(21cm,14.4cm)" p0.ps p1.ps
+> pstops "4:2L@.7(21cm,.5cm)+3L@.7(21cm,14.4cm)" p0.ps p2.ps
+> lpr -Ptiskarna p1.ps
+> lpr -Ptiskarna p2.ps
+> rm prvni.ps p0.ps p1.ps p2.ps
+\endtt
+
+Pøíkaz {\tt dvips} pøevede dokument do PostScriptu a {\tt psbook}
+uspoøádá stránky pro pou¾ití do \uv{svazeèku}. První volání pøíkazu 
+{\tt pstops} vybere v¾dy dvì ze ètyø stránek, zmen¹í je na
+$0.7$\,násobek pùvodní velikosti ({\tt @.7}) a umístí je do archu
+podle uvedených parametrù. Tím vzniká podklad pro tisk lícových stran
+archù A4 ({\tt p1.ps}). Podobnì druhé volání pøíkazu {\tt pstops}
+vytvoøí podklad pro rubovou stranu archù. Vlastní tisk ({\tt lpr})
+pak mù¾eme provést na tiskárnì, která neumí oboustranný tisk, ve dvou
+prùchodech. Pøed druhým prùchodem obrátíme vyti¹tìné papíry a vlo¾íme
+je do zásobníku tiskárny znovu.
+
+
+\sekce Overfull/Underfull box
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+
+Pøi práci s~\TeX{}em narazíme postupnì na celou øadu chybových
+hlá¹ení, pøi kterých se program vìt¹inou zastaví a vyzve nás k~nìjaké
+akci. Aèkoli tøeba jen zmáèkneme klávesu Enter, uvìdomíme si, ¾e je
+nìco ¹patnì a pokusíme se chybu øe¹it.
+
+Kromì toho \TeX{} vypisuje varování o~pøeteèených (overfull) a
+nedoplnìných (underfull) boxech. Proto¾e se pøi tìchto výpisech
+nezastavuje, pova¾ují to mnozí zaèáteèníci za men¹í zlo, kterého si
+není nutné v¹ímat. Není to tak docela pravda.
+
+Pøeteèené boxy (overfull) bychom mìli rovnì¾ zaøadit do kategorie
+chyb. \TeX{}u se toti¾ nepodaøilo vmìstnat sazbu do pøedepsané ¹íøky
+"\hsize". Prakticky to znamená, ¾e sazba v~daném místì \uv{vyènívá}
+na pravé stranì ven smìrem do okraje. Hlá¹ení obsahuje údaj, o~kolik
+bodù sazba vyènívá, èíslo øádku ve zdrojovém kódu a kus textu, který urèuje
+problémové místo. Plain a csplain dále nastavuje registr
+"\overfullrule" na 5\,pt, tak¾e se v~sazbì na problémovém místì objeví
+tì¾ko pøehlédnutelný èerný obdélník. \LaTeX{} tento registr nuluje,
+tak¾e èerné obdélníky nejsou vidìt, co¾ dává u¾ivateli pocit, ¾e je
+v¹echno v~poøádku. 
+
+Objeví-li se pøeteèený box v~odstavci, vìt¹inou staèí \uv{rozvolnit}
+mezery. Mezery mezi slovy mají toti¾ pru¾nost (mohou se smr¹»ovat
+natahovat). Tato pru¾nost ale není neomezená, ale daná jistými
+parametry podle pou¾itého fontu. Chceme-li dát mezerám vìt¹í volnost 
+v~roztahování, ne¾ si pøál autor fontu, pi¹me napøíklad
+"\emergencystretch=2cm". \TeX{} má plno dal¹ích vnitøních registrù,
+jejich¾ nastavením ovlivníme algoritmy na sestavování
+odstavce. Jejich popis ov¹em pøekraèuje rámec tohoto úvodního textu.
+
+Nedoplnìné boxy (underfull) mù¾eme na rozdíl od pøeteèených boxù
+pova¾ovat pouze za varování. \TeX{} nás informuje, ¾e byl nucen
+v~nìkterém místì natáhnout mezery víc, ne¾ je esteticky zdrávo. Hodnota
+{\tt badness}, která hlá¹ení doprovází, udává zhruba stupeò estetické
+vady v~takovém místì (nebo také velikost násilí provedené na
+mezerách). Èím vy¹¹í badness, tím hor¹í výsledek.  Maximální hodnota
+badness je 1000, co¾ znaèí, ¾e nìkterý øádek je úplnì ¹patnì. Stojí
+zato se podívat do sazby na takto oznaèená místa a zamyslet se, co by
+se dalo zmìnit, aby se zlep¹ila estetická úroveò výsledku.
+
+\LaTeX{}oví u¾ivatelé dosti èasto neopatrnì pracují s~pøíkazem "\\",
+který se v~rùzných \LaTeX{}ových prostøedích chová jako ukonèení
+øádku. Nìkdy se dostane takový pøíkaz i na konec odstavce, co¾ samo
+o~sobì nemá logiku, proto¾e na konci odstavce se samo sebou ukonèí
+øádek. Pokud se tak stane, \TeX{} na konci odstavce vytvoøí je¹tì dal¹í
+prázdný øádek, ve kterém nemá ¾ádnou mezeru k~nata¾ení na ¹íøku
+"\hsize" a oprávnìnì se rozèílí: {\tt Underfull hbox badness 1000}. 
+V~tomto pøípadì vlastnì \TeX{} køièí na u¾ivatele, který nebyl schopen
+opustit principy starodávného psacího stroje a potøebuje mít k~ruce tu
+velikou páku, do které je obèas potøeba pra¹tit, aby se pøe¹lo na nový
+øádek.
+
+
+
+\end
+
+
+
+
diff --git a/Master/texmf-dist/doc/cslatex/base/test8z.tex b/Master/texmf-dist/doc/cslatex/base/test8z.tex
new file mode 100644
index 00000000000..bb9250d3373
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/test8z.tex
@@ -0,0 +1,77 @@
+
+% test.tex -- plainTeX file for test of standard PostScript fonts
+%             in Czech and Slovak, font metric names: p*8z and p*8u.
+%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
+% Juni 1995                                              Petr Ol¹ák
+% March 1999: pcr*8t was renamed to pcr*8u
+
+% Encoding: ISO-8859-2
+% Needs Format: csplain
+
+\chyph  % czech hyphenation used
+
+\advance\vsize by2\baselineskip
+
+\def\allowhyphens{\nobreak\hskip0pt\relax}
+\def \uv#1{\char254 \allowhyphens#1\allowhyphens\char255 }
+
+\def\text#1{Tento text je napsán Post\-Scrip\-to\-vým fontem #1 za pou¾ití
+\TeX{}ov\-ské metriky {\tt \fontname\testfont}. Metrika fontu
+v~èeské/slovenské variantì byla pøipravena konvertorem {\tt a2ac}
+s~následným pou¾itím programu {\tt afm2tfm}. Je potøeba si v¹ímat ménì
+obvyklých slov, jako je slovo ¹»astný (písmeno » uprostøed slova), nebo
+tøeba slovenské koµko. Vìøme, ¾e výsledný text pùjde nejen pøeèíst, ale
+bude i typograficky pokud mo¾no v~poøádku. Také je tøeba \uv{sledovat
+chování} na¹ich \uv{uvozovek}.
+\medskip
+Á á Ä ä È è Ï ï É é Ì ì Í í Å å ¥ µ Ò ò Ó ó Ô ô Ö ö Ø ø À à © ¹ « » Ú ú Ù ù
+Ü ü Ý ý ® ¾.}
+
+\def\extension{8z}
+\def\test#1 #2 {\font\testfont=#1\extension\space{\testfont\text{#2}\bigskip}}
+\emergencystretch=1em
+
+\test ptmr   Times-Roman
+\test ptmb   Times-Bold
+\test ptmbi  Times-BoldItalic
+\test ptmri  Times-Italic
+\test ptmrc  Times-Roman-SmallCaps
+
+\test pagk   AvantGarde-Book
+\test pagko  AvantGarde-BookOblique
+\test pagd   AvantGarde-Demi
+\test pagdo  AvantGarde-DemiOblique
+
+\test pbkd    Bookman-Demi
+\test pbkdi   Bookman-DemiItalic
+\test pbkl    Bookman-Light
+\test pbkli   Bookman-LightItalic
+
+{\rightskip=0pt plus4em \def\extension{8u}
+\test pcrb    Courier-Bold
+\test pcrbo   Courier-BoldOblique
+\test pcrro   Courier-Oblique
+\test pcrr    Courier
+}
+
+\test pncb   NewCenturySchlbk-Bold
+\test pncbi  NewCenturySchlbk-BoldItalic
+\test pncri  NewCenturySchlbk-Italic
+\test pncr   NewCenturySchlbk-Roman
+
+\test phvb    Helvetica-Bold
+\test phvbo   Helvetica-BoldOblique
+\test phvbn   Helvetica-Narrow-Bold
+\test phvron  Helvetica-Narrow-Oblique
+\test phvrn   Helvetica-Narrow
+\test phvro   Helvetica-Oblique
+\test phvr    Helvetica
+
+\test pplbi   Palatino-BoldItalic
+\test pplri   Palatino-Italic
+\test pplr    Palatino-Roman
+\test pplb    Palatino-Bold
+
+\test pzcmi   ZapfChancery-MediumItalic
+
+\end
diff --git a/Master/texmf-dist/doc/cslatex/base/testlat.tex b/Master/texmf-dist/doc/cslatex/base/testlat.tex
new file mode 100644
index 00000000000..349afa4c518
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/testlat.tex
@@ -0,0 +1,28 @@
+\documentclass[12pt]{article}
+\usepackage{czech} % Zapne kodovani cestiny a deleni slov.
+\usepackage{times} % Misto CS-fontu budou pouzity PostScriptove fonty
+\parskip=\baselineskip % Mezi odstavci bude prázdný øádek
+\emergencystretch=4em  % abych dovolil vetsi mezery a nebyly Overfull
+
+\begin{document}
+Tady je text napsaný PostScriptovým fontem vèetnì zpracování akcentù v~èeském
+jazyce a správného dìlení slov.
+
+Matematika i pøi sazbì PostScriptovým fontem zùstává ve fontu CM.
+Proto je rozdíl mezi èíslovkou \uv{2} napsanou pøímo v textu a èíslovkou
+\uv{$2$} napsanou na vstupu mezi dolary.
+
+Kromì stylu {\tt times.sty} je mo¾no pou¾ít styly pro pøepínání do dal¹ích
+PostScriptových fontù: {\tt avant.sty}, {\tt bookman.sty}, 
+{\tt helvet.sty}, {\tt newcent.sty}, {\tt palatino.sty}
+(vyzkou¹ejte si).
+
+V plainu lze té¾ pou¾ít stejným zpùsobem PostScriptové fonty, ov¹em
+místo volání vý¹e uvedených stylù je nutno volat soubory 
+{\tt ctimes.tex}, {\tt cavantga.tex}, {\tt cbookman.tex}, 
+{\tt chelvet.tex}, {\tt cncent.tex}, {\tt cpalatin.tex}.  Napøíklad kdekoli
+v textu pí¹eme \verb|\input ctimes| a od této chvíle máme text sázený 
+fontem Times-Roman.
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/cslatex/base/zmeny.txt b/Master/texmf-dist/doc/cslatex/base/zmeny.txt
new file mode 100644
index 00000000000..c1b48244292
--- /dev/null
+++ b/Master/texmf-dist/doc/cslatex/base/zmeny.txt
@@ -0,0 +1,159 @@
+Zmeny v nabizenych souborech CSTeXu v dobe verejneho provozu
+
+Datum     Soubor        Poznamka
+--------------------------------------------------
+18.1.96   i-all.ba      Opraven preklep dvipsesxe na dvipsexe
+          i1.ba         Opraven odkaz na soubor @ctimne (misto !ctimne)
+22.1.96   mnu.zip       Pridana aktualnejsi dokumentace, soubor codelat.txt, 
+                        user.doc a cfg.doc. Mirna zmena v texset.bat.
+                        Uprava napovedy pri initex.bat (dotaz huge/big/std)
+                        Zarazena opravena verze kalk.exe (viz chyba 10^10).
+          cstugdoc.zip  zrusen soubor cstex.doc, nebod jeho novejsi
+	                verze je nyni v mnu.zip
+                        Pridan odkaz na diskusi o csTeXu a na soubor zmen.
+25.1.96   listzip.html  Opraven preklep wagner@ipf -> wagner@icpf
+ 5.2.96   parpozn.tex   Do CSTeXu zarazen clanek o CSTeXu
+ 8.2.96   mnu.zip       Opravena chyba v texbat.bat TEXDIR->EMTEXDIR 
+                        pro texspell a upravena dokumentace.
+ 8.2.96   @ctimne.txt   Upravena dokumentace.
+ 8.3.96   cslatex.zip   Opravena struktura ZIPu, uz je v souladu s MNU.
+ 8.3.96   mnu.zip       Opraveny preklepy v dokumentaci.
+14.3.96   cspsfont.zip  *.vf premisteny do fonts\vf\a2ac, oprava dokumenmtace.
+15.3.96   csplain.zip,tar  Oprava v souboru csfonts.tex, nyni lze pouzit
+                        i mimo iniTeX. Format csplain zcela beze zmeny.
+          newcs5.bat    Nyni generuje spell.zip, puvodne chybne texspell.zip.
+          pk            Obsah diskety pk2 se vejde na disketu pk1, snizen 
+                        pocet disket. Opraveno: makeinst.bat, make-d.bat
+                        i-all.bat, i-big.bat, listzip.html,txt, @ctimne.txt
+19.3.96   minitex       Zavedeny dalsi tri diskety s tzv. miniTeXem
+                        Upraveny soubory @ctimne.txt, *.ba, install.bat,
+			make-d.bat, makeinst.bat, listzip.html,txt.
+          pk3 a pk4     Zahrnuty rastry zakladnich PostScriptovych fontu.
+	  mnu.zip       Opraveno volani VF v em ovladacich; moznost
+	                generovani formatu za behu. Upraveno: prints.bat, 
+			scr???.cnf, cs.cnf, inibat.bat,mnu, metafont.bat,
+                        texbat.bat, texrun.bat.
+          cspsfont.zip  Oprava p*c8?.vf, tj. Small Caps varianty PS fontu.
+21.3.96   cspsfont.tar  Zaneseny opravy z cspsfont.zip.
+          cslatex.tar   Vlozen soubor latex209.cfg.
+26.3.96   @ctimne.txt makeinst.bat i-big.ba i-all.ba  Opravy v nesrovnalostech
+                        poctu disket v dokumentaci a i-davkach.
+17.4.96   mnu.zip       Oprava programu pickfile (chybne chovani po End)
+          listzip.html  Odkazy "/ftp/cstex" nahrazeny "ftp://math...".
+30.4.96   cl2*.zip      Zaneseny ZIPy obsahujici balicky graph, tools
+                        a psnfs pro LaTeX v podobe uz pripravene programem 
+                        docstrip. Zarazeno na disketu: cs3. Zmeny:
+                        i-all,i-big.ba, makeinst.bat, listzip.html,txt.
+17.5.96   minitex       Soubory pro minitex maji samostatny adresar.
+23.5.96   dvid16f       Zarazena nova verze ovladacu. Odstranena chyba
+                        v nespravne interpretaci virtualnich fontu.
+23.5.96   mnu.zip       Odstraneny preklepy a vymenen program fix.exe
+                        (autor: Pavel Lisy).
+23.5.96   qedit.zip     Makro pro editor pri chybe umisteno do /bin.
+23.5.96   minitex2,3    Viz zmeny v mnu.zip a qedit.zip.
+18.6.96   mfjob12b->c
+          em1--em8      Rozhozeni ZIPu podle noveho doporuceni E. Mattesse.
+                        Vznika jedna disketa navic. Zmeny se tykaji souboru:
+                        @ctimne.txt, makeinst.bat, emtexdoc.zip, 
+                        i-small,i-all,i-big.ba, listzip.html,txt.
+25.9.96  fontcs.zip,tar Oprava metrik CS-fontu + nova dokumentace cs-font.doc
+25.9.96  csplain.zip,tar Drobna uprava csplain.ini a il2code.tex.
+26.9.96  minitex1,3.zip Zaneseny zmeny z 25.9.96.
+27.9.96  cspsfont.zip,tar Opravy podle Z. Wagnera (Caps and small caps).
+8.11.96  texwin.zip     Aktualizovana verze podpory pro MS Win (J. Krob).
+19.11.96 csplain.zip,tar Oprava chybneho \csprimeson v czech.sty a slovak.sty
+25.11.96 zmeny.txt      Soubor zarazen do adresare msdos, aby byl automaticky
+                        pritomen v instalaci (uprava install.bat, make-d.bat).
+25.11.96 i-add.bat, i-remove.bat -- pridany davky podle J. Demela.
+25.11.96 mnu.zip        Nova koncepce nabidek podle J. Demela. Mazani
+                        vsech PK v rolete METAFONT.
+25.11.96 texwin.zip, bibtex.zip  upravy ZIPu: vyhozeni inibat.mnu, bibtex.exe
+27.11.96 minitex2,minitex3.zip  Zaneseny zmeny v mnu.zip z 25.11.96.
+13.12.96 cs-*pk.tar.gz  Vychozi knihovny pk CS-fontu balene pro UNIX
+13.12.96 unix/tetex     README.tetex a *-tt.tar.gz. Navod na pocesteni teTeXu.
+13.1.97  minitex3.zip   Prebalen dosud chybny soubor csacutl.mf
+21.1.97  tetex/cspsfont-tt.tar Odstranena stara verze psnfss.
+21.1.97  tetex/RPMS/i386 Pridano pocesteni tetexu ve formatu rpm
+19.2.97  os2/os2.zip    Pridan "modul" pro EPM editor OS/2 pana Mikulika
+3.3.97   tetex/cslatex-12-96.tar Pridano nove pocesteni noveho LaTeXu.
+3.3.97   mnu.zip, minitex3.zip  Soubor tiskarny.bat opraveno set DOT=fx100,
+                        cs.cnf pridano +height a +width podle A4.
+13.3.97  /unix          Zmena koncepce adresare unix/, pridano README.web2c
+                        a web2c verze 7. Zruseno web2c verze 6.1. Tary
+			spolecne pro web2c i teTeX (spolecna struktura TDS).
+13.3.97  /unix/RPMS     Nove baliky rpm pro tetex-0.4.
+18.3.97  texwin.zip     Nova verze s odkazem na (txw)dll.zip (knihovny).
+20.3.97	 cslatex-12-96.tar   Oprava souboru il2enc.def a lslovak.sty.
+20.3.97  cslatex-1.1-2.*.rpm Zaneseni zmen z cslatex-12-96 do RPM.
+24.3.97  msdos,os2      Nove ZIPy emTeXu a novy cslatex 2e od p. Snajdra.
+25.3.97  minitex*.zip   Prebaleno podle novych ZIPu.
+25.3.97  mnu.zip        program fix.exe podle pana Ginzela.
+26.3.97	 cslatex.tar/zip Pridany styly a4.sty, a4wide.sty a fancyhdr.sty
+3.4.97   cslatex.tar/rpm/zip Akualizovana verze cslatexu z 1.4.97
+4.4.97   mnu.zip        texset.bat: set PRNFILE az po volani fix.exe.
+4.4.97   minitex1,3.zip Aktualizace.
+4.4.97   makeinst.bat, i-disk.ba, install.bat   Drobne upravy.
+25.4.97  cslatex,csplain.zip,tar  Nove styly czech,slovak.sty, ver.2.0.
+28.4.97	 minitex1.zip, csplain,cslatex*.rpm  Nove styly czech,slovak, ver.2.0
+23.5.97  csfonts.tar,csplain.rpm,fontcs.zip  Pridany VF cs2cm a cm2cs
+23.5.97  dvipsexe.zip  Uprava config.ps, aby cetl cm2cs automaticky
+23.5.97  install.bat,i3.ba  Novy zaver instalacni davky  
+23.5.97  mnu.zip  Nova koncepce tiskarny.bat (lze editovat VCOM, PCOM),
+                  vyhozeno dvi-out, nahrazeno dvicopy s vf-cnv/cs2cm.
+23.5.97  minitex*.zip  Zaneseny upravy uvedene vyse.
+1.7.97   csfonts.tar,fontcs.zip,minitex3.zip,*cbas.zip,CS-*pk.tar.gz
+             Uprava CS-fontu (carka nad o, kerning \uv{nebud} \uv{labut}.
+24.9.97  lamstex.zip  Pribalena zaplata pro lams*.mf. 
+6.10.97  cstocs2.zip  Prevzata verze cstocs od pana Tkadlece
+6.10.97  mnu.zip      czech.dsi od pana Ginzela, prekompilovan rempks.exe
+6.10.97  minitex2.zip, minitex3.zip  Zaneseny zmeny z 6.10.97.
+19.11.97 txwdll.zip   Nove zabalene knihovny pro MS Win.
+20.10.97 @ctimne.txt  Pridana informace o nedestruktivnosti install.bat.
+22.1.98  cstocs2.zip  Opravena chyba r' R' u' U'.
+22.1.98  mnu.zip      inibat.mnu Uprava textu 1250_il2 -> 1250
+22.1.98  minitex2,3.zip  Zaneseny vyse uvedene opravy. 
+27.1.98  texwin.zip, txwdll.zip  Aktualizace podle pana Kroba.
+13.2.98  cslatex-12-97.tar Aktualni verze LaTeXu 97/12 a aktualni pocesteni
+13.2.98  cslatex.zip  Aktualni pocesteni LaTeXu od pana Snajdra
+13.2.98  csplain.tar,zip  Aktualni czech.sty, slovak.sty od p. Snajdra
+13.2.98  l2base.zip l2input.zip l2tools.zip  Aktualni LaTeX 97/12 z emTeXu
+13.2.98  emxrsx.zip first.zip german.zip emtexdoc.zip  Aktualni emTeX
+13.2.98  makeinst.bat i-all.ba i-big.ba i-small.ba  Podle aktualniho emtexu
+16.2.98  cslatex-12-97.tar Pridan chybejici soubor texsys.cfg (chyba z 13.2.)
+17.2.98  csfonts.tar  Opraven puvodne vadny cmr17.vf
+17.2.98  README.web2c, README  Aktualizovana dokumentace
+17.2.98  enctex.tar  Zarazen do distribuce CSTeXu
+24.2.98  enctex.tar  il2-t1, 1250-t1, opraven chybny kod pismene \'s
+9.3.98   cstetex-bin-1.3.tar.gz  Binarky pro tetex s ceskym I/O a glibc.
+16.3.98  csplain.tar  csplain.ini -- pridana detekce encTeXu
+19.3.98  csplain.tar,zip  czech/slovak.sty -- pridana navaznost na Babel.
+26.3.98  cspsfont(s).tar,zip  IL2*.fd -> il2*fd + oprava podle p. Wagnera
+26.3.98  csplain.tar,zip  czech/slovak.sty -- ProvidesPackage bez pripony
+27.3.98  enctex.tar  pridan soubor enctex.patch-to-7.2
+1.4.98   README.web2c-7.2  novy popis instalace z web2c 7.2
+1.4.98   texk-7.2,texmflib-7.3,etexlib-2.0,omegalib-1.5,
+         pdftexlib-0.12f,cspdftexlib.tar.gz  Nove balicky pro web2c 7.2
+3.4.98   bin-web2c7.2-linuxi-libc5.tar.gz, README.bin-web2c7.2 pridano
+7.5.98   README.web2c-7.2 , pridana sekce o omlazeni pdftexu
+7.5.98   cspdftexlib.tar.gz  aktualizovany soubory pdftex.cnf a rawfnts.map
+7.5.98   bin-web2c7.2-linuxi-libc5.tar.gz  pridan novy pdftex 0.12l
+25.6.98  cspdftexlib.tar  vyhodil jsem DC fonty a pridal jsem type1 CS fonty
+10.8.98  RPMS/i386/*.rpm  zamena RPM baliku *-2 za *-4.
+10.8.98  README.web2c-7.2  drobna (nepodstatna) uprava textu
+11.8.98  enctex.tar  soubor encmacro.tex: oprava makra \redefaccent
+9.11.98  README.web2c-7.2  aktualizace kapitoly "Omlazeni pdftexu"
+10.11.98 README.web2c-7.2  oprava textu kapitoly "Omlazeni pdftexu"
+19.11.98 enctex.tar  pridani tabulky 1250-latex
+26.11.98 csfonts.tar.gz, fontcs.zip  oprava vf/cm2cs/cm*17.vf
+27.11.98 RPMS/i386/*.rmp zamena RPM baliku *-5 za *-7.
+2.12.98  csplain.tar,zip  pridani moznosti vyuzit enctex
+4.12.98  cslatex-06-98.tar, cslatex,l2base,l2input.zip  Aktualizace csLaTeXu
+22.12.98 nova www stranka CSTeXu a licencni soubor license.eng/cz
+22.12.98 nova adresarova struktura FTP CSTeXu (web2c, emtex, tetex-rpm)
+22.12.98 csfonts.tar/fontcs.zip, csplain.tar/zip, cspsfonts.tar/zip
+         enctex.tar, csindex-*.tar.gz  dokumentace v souladu s licenci.
+5.1.99   license.eng/cz  oprava adresy na horakk@math.cas.cz
+10.2.99  csfonts.tar  vymazan zavleceny cscspu.mf z Computer Modern
+19.3.99  cspsfonts.tar, cspsfont.zip  do cavatga.tex a dalsich pridano
+         makro \setsimplemath
+24.3.99  cspsfonts.tar, cspsfont.zip  zmena nazvu fontu *8t -> *8u
diff --git a/Master/texmf-dist/doc/etex/base/etex.html b/Master/texmf-dist/doc/etex/base/etex.html
new file mode 100644
index 00000000000..15d269c4c8c
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/etex.html
@@ -0,0 +1,222 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
+<html>
+<head><title>e-TeX reference site</title>
+</HEAD><BODY>
+<H1>The e-T<sub><big>E</big></sub>X Reference Site</H1>
+Welcome to the <a href="#etex-orthography">e-TeX<sup>1</sup></a>
+reference site: e-TeX V1.1 (the first production release) is now available for
+general access; please read the document describing the 
+<a href="legal.html">legal status of e-TeX</a> before proceeding further.  
+A brief description of the functionality provided by e-TeX may be found in the
+on-line <a href="etex_ref.html#NewFeatures">Reference Manual</a>. 
+<p> 
+The following resources are intended to be of use to e-TeX implementors, but
+may be of interest to anyone considering using e-TeX; they be accessed directly
+from the hyperlinks on this page, via 
+<a href="ftp://vms.rhbnc.ac.uk/e-TeX/">ftp</a>
+(<code>ftp://vms.rhbnc.ac.uk/e-TeX/</code>), or via NFS using the pseudo-URL:
+<code>nfs://vms.rhbnc.ac.uk/disk36/export/anonymous/e-TeX</code>. 
+<ul>
+<li><a href="etex_ref.html">
+	The e-TeX reference manual</a>, abridged version
+		(<code>etex_ref.html</code>)
+<li><a href="etex.ch">
+	The master e-TeX change file</a> 
+		(<code>etex.ch</code>)
+<li><a href="etex_gen.tex">
+	Instructions for building e-TeX</a> 
+		(<code>etex_gen.tex</code>)
+<li><a href="webmerge.tex">WebMerge</a>,
+	Peter Breitenlohner's program 	for merging changefiles
+		(<code>webmerge.tex</code>)
+<li><a href="xbmc10.mf">MetaFont source</a>,
+	needed for TeX--XeT logo
+		(<code>xbmc10.mf</code>)
+<li><a href="etex_gen.zip">A zip file</a>, 
+        containing all of the above
+		(<code>etex_gen.zip</code>)
+</ul>
+
+The e-TeX team recommend that e-TeX be configured such that the command by
+which it is invoked be the same as the default name for the format to be used.
+Since it is expected that most sites will choose to install e-TeX so that it
+can be invoked with the command "etex", we provide a source file which can be
+used to build the "etex" format (an analogous "elatex" source file will be
+provided in due course, ideally in collaboration with the 
+<a href="http://www.tex.ac.uk/CTAN/latex/latex3.html">LaTeX3 team</a>). 
+A few adjunct source files, required or optionally used by the "etex" source
+file, are also supplied: 
+<ul>
+<li><a href="src/etex.src">
+	The "etex" format source</a> 
+		(<code>etex.src</code>)
+<li><a href="src/beta/etex.src">Beta-test "etex" format source</a>, 
+        allows for single-read O/S's 
+		(<code>etex.src</code>)
+<li><a href="src/etex_src.html">
+	The manual for the "etex" format source</a>
+		(<code>etex_src.html</code>)
+<li><a href="src/etexdefs.lib">e-TeX library file</a>
+	containing symbolic names for e-TeX's constants
+		(<code>etexdefs.lib</code>)
+<li><a href="src/examples/language.def"> 
+	Example language definition file</a> 
+        (<code>language.def</code>)
+<li><a href="etex_src.zip">A zip file</a>,
+        containing all of the above
+		(<code>etex_src.zip</code>)
+</ul>
+
+A reference implementation, developed by 
+<a href="mailto:spieler@linac.ikp.physik.th-darmstadt.de">Christian Spieler</a>
+for VAX/VMS and AXP/VMS, is also provided, to which 
+<a href="mailto:knappen@vkpmzd.kph.uni-mainz.de">J&ouml;rg Knappen</a> 
+has recently contributed a modified "weave" changefile and a RUNOFF file
+containing the source for a VMS HELP library for e-TeX: 
+<ul>
+<li><a href="vms/makeetex.com">
+	DCL procedure for creating VMS e-TeX</a>
+		(<code>makeetex.com</code>)
+<li><a href="vms/makeetex.tex">TeX steering file</a>,
+	produces VMS e-TeX changefile from component changefiles
+		 (<code>makeetex.tex</code>) 
+<li><a href="vms/tex_vms.ch">
+	Christian Spieler's change file for VMS TeX</a>
+		(<code>tex_vms.ch</code>) 
+<li><a href="vms/etex_vms.ech">
+	Christian Spieler's ancilliary change file for VMS e-TeX</a>
+		(<code>etex_vms.ech</code>) 
+<li><a href="vms/etex_cli.cld">
+	The internal CLD file used by VMS e-TeX</a>
+		(<code>etex_cli.cld</code>) 
+<li><a href="vms/weave.ch">
+	J&ouml;rg Knappen's modified "weave" changefile</a>
+                (<code>weave.ch</code>)
+<li><a href="vms/etex.rnh">
+	J&ouml;rg Knappen's RUNOFF source file for VMS HELP on e-TeX</a>
+                (<code>etex.rnh</code>) 
+<li><a href="etex_vms.zip">
+	A zip file containing all of the above</a>
+		(<code>etex_vms.zip</code>)
+</ul>
+
+A further reference implementation (PubliC e-TeX, a.k.a. "pubtex" and "dos-tp") 
+by <a href="mailto:peb@mppmu.mpg.de">Peter Breitenlohner</a>
+for MS/DOS is also available:
+<ul>
+<li><a href="ftp://ftp.dante.de/tex-archive/systems/msdos/dos-tp/README">
+	the README file</a> 
+		(<code>README</code>)
+<li><a href="ftp://ftp.dante.de/tex-archive/systems/msdos/dos-tp/">
+	the directory root</a> 
+	     (<code>ftp://ftp.dante.de/tex-archive/systems/msdos/dos-tp/</code>)
+</ul>
+
+An e-TeX implementation must be validated by performing the 
+<a href="etrip.zip">e-TRIP</a> test
+(the e-TeX equivalent of Knuth's <a href="knuth/tripman.tex">TRIP</a> test).
+The components of the e-TRIP suite are as follows: 
+<ul>
+<li><a href="trip/etripman.tex">Manual for the e-TRIP test</a> 
+		<code>(etripman.tex)</code>
+<li><a href="trip/etrip.tex">Source file for the e-TRIP test</a>    
+		<code>(etrip.tex)</code>
+<li><a href="trip/etrip.pl">Property-list file for the e-TRIP font</a>     
+		<code>(etrip.pl)</code>
+<li><a href="trip/etripin.log">
+	Log file for the e-TRIP test format-creation run</a>  
+		<code>(etripin.log)</code>
+<li><a href="trip/etrip.log">Log file for the e-TRIP test</a>    
+		<code>(etrip.log)</code>
+<li><a href="trip/etrip.fot">
+	"Photo" (terminal log) file for the e-TRIP test</a>    
+		<code>(etrip.fot)</code>
+<li><a href="etrip.zip">A ZIP file</a>, 
+	containing all of the above
+		<code>(<code>etrip.zip</code>)</code> 
+</ul>
+
+Finally we provide the definitive (Knuthian) TeX and Trip files:
+<ul>
+<li><a href="knuth/tripman.tex">Manual for the TRIP test</a> 
+		<code>(tripman.tex)</code>
+<li><a href="knuth/trip.tex">Source file for the TRIP test</a>    
+		<code>(trip.tex)</code>
+<li><a href="knuth/trip.pl">Property-list file for the TRIP font</a>     
+		<code>(trip.pl)</code>
+<li><a href="knuth/tripin.log">
+	Log file for the TRIP test format-creation run</a>  
+		<code>(tripin.log)</code>
+<li><a href="knuth/trip.log">Log file for the TRIP test</a>    
+		<code>(trip.log)</code>
+<li><a href="knuth/trip.fot">
+	"Photo" (terminal log) file for the TRIP test</a>    
+		<code>(trip.fot)</code>
+<li><a href="knuth/trip.typ">DVItype output for the TRIP test</a>    
+		<code>(trip.typ)</code>
+<li><a href="knuth/tripos.tex">I/O file from the TRIP test</a>  
+		<code>(tripos.tex)</code>
+<li><a href="knuth/tex.web">Source of TeX-the-program</a>     
+		<code>(tex.web)</code>
+<li><a href="knuth/texbook.tex">Source of <em>The TeXbook</em></a> 
+		<code>(texbook.tex)</code>
+<li><a href="knuth/glue.web">Fixed-point arithmetic for TeX</a>    
+		<code>(glue.web)</code>
+<li><a href="knuth.zip">A zip file</a>,
+	containing all of the above
+		<code>(knuth.zip)</code>
+</ul>
+
+Any problems encountered when using e-TeX which cannot be replicated
+when using a TRIP-validated implementation of TeX should be reported to
+<a href="mailto:etex-support@vms.rhbnc.ac.uk">the e-TeX team</a>,
+and accompanied by sufficient information to enable the scenario
+to be reproduced at another site; the exact version and implementation
+of e-TeX should of course be specified.
+<hr>
+<h4><a name="etex-orthography">[1]</a> 
+	The orthography of e-T<sub><big>E</big></sub>X
+</h4> 
+The e-TeX team request that wherever e-TeX is referred to in text, it be
+represented by the use of its (e-)TeX logo (<code>$\varepsilon$-\TeX</code>),
+by the nearest HTML equivalent
+(<code>e-T&lt;sub&gt;&lt;big&gt;E&lt;/big&gt;&lt;/sub&gt;X</code>), or if
+all else fails, by the simple ASCII string "e-TeX". However, bearing in mind
+(a)&nbsp;<a
+href="ftp://ftp.dl.ac.uk/src/backupa/Documents/Standards/iso/9660/">
+the current
+ISO standard for CD-ROMs</a> 
+(which precludes the use of a hyphen in filenames), and (b)&nbsp;the problems
+of moving files between case-sensitive (e.g.&nbsp;Unix) and case-insensitive
+(e.g.&nbsp;VMS, MS/DOS) operating systems, it is strongly recommended that
+wherever "e-TeX" occurs in the context of a filename, logical name, DCL symbol
+or analogous construct it be spelled (a)&nbsp;without the hyphen, and
+(b)&nbsp;entirely in lower case. It is further recommended that the component
+"etex" of such a name be separated from any subsequent component(s) by an
+underscore, unless this would (in the case of a filename) cause it
+to exceed the MS/DOS limit of 8+3 characters in which case the
+underscore should be omitted.  Similar considerations may also
+be taken into account when constructing logical names, DCL symbols, etc,
+although the upper bound will then be system-dependent. 
+<hr>
+Please notify any errors in this document to 
+<a href="http://www.vms.rhbnc.ac.uk/~chaa006/">its creator</a>;<br> 
+Last updated:  7-JUL-1997 17:23:32 /PT.<br>
+<FORM METHOD="POST" ACTION="http://www.webtechs.com/cgi-bin/html-check.pl">
+<INPUT NAME="recommended" VALUE="0" TYPE="hidden">
+<INPUT NAME="level" VALUE="Wilbur" TYPE="hidden">
+<INPUT NAME="input" VALUE="0" TYPE="hidden">
+<INPUT NAME="esis" VALUE="0" TYPE="hidden">
+<INPUT NAME="render" VALUE="0" TYPE="hidden">
+<a href="http://ugweb.cs.ualberta.ca/~gerald/validate
+	/?url=http://www.rhbnc.ac.uk/e-TeX/">
+<img src="/www/logos/valid_html3_2.gif" alt="HTML 3.2 Checked!">
+</a>
+<INPUT NAME="URLs" 
+       VALUE="http://www.rhbnc.ac.uk/e-TeX/"
+       TYPE="hidden"
+>
+<INPUT TYPE="image" SRC="/www/logos/valid_html_wilbur.gif">
+</FORM>
+</body>
+</html>
diff --git a/Master/texmf-dist/doc/etex/base/etex_gen.tex b/Master/texmf-dist/doc/etex/base/etex_gen.tex
new file mode 100644
index 00000000000..795aaf36884
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/etex_gen.tex
@@ -0,0 +1,286 @@
+% etex_gen.tex --- How to generate e-TeX --- last modified 22 Oct 1996
+
+\font\eighttt= cmtt8
+\font\eightrm= cmr8
+\font\rtitlefont= cmr7 scaled\magstep5
+\font\ititlefont= cmmi7 scaled\magstep5
+\def\titlefont{\rtitlefont \textfont1=\ititlefont}
+\def\eTeX{$\varepsilon$-\TeX}
+\def\NTS{NTS}
+\let\mc=\eightrm
+\rm
+\let\mainfont=\tenrm
+
+\def\.#1{\hbox{\tt#1}}
+\def\\#1{\hbox{\it#1\/\hskip.05em}} % italic type for identifiers
+
+\parskip 2pt plus 1pt
+\baselineskip 12pt plus .25pt
+
+\output{\shipout\box255\global\advance\pageno by 1} % for the title page only
+\null
+\vfill
+\centerline{\titlefont How to generate \eTeX}
+\vskip 6pt
+\centerline{({\sl Version 1, October 1996\/})}
+\vskip 18pt
+\centerline{by The \NTS\ Team}
+\vskip 6pt
+\centerline{Peter Breitenlohner, Max-Planck-Institut f\"ur Physik, M\"unchen}
+\vskip 6pt
+\centerline{Philip Taylor, RHBNC, University of London}
+\vfill
+\centerline{\vbox{\hsize 4in
+\noindent Given an implementaion of \TeX82 for a particular system, this
+report describes how to generate a corresponding implementation of
+\eTeX.}}
+\vskip 24pt
+{\baselineskip 9pt
+\eightrm\noindent
+The preparation of this report was supported in part by DANTE,
+Deutschsprachige Anwendervereinigung \TeX\ e.V.\hfil\break
+`\TeX' is a trademark of the American Mathematical Society.
+
+}\pageno=0\eject
+
+\output{\shipout\vbox{ % for subsequent pages
+    \baselineskip0pt\lineskip0pt
+    \hbox to\hsize{\strut
+      \ifodd\pageno \hfil\eightrm\firstmark\hfil
+        \mainfont\the\pageno
+      \else\mainfont\the\pageno\hfil
+        \eightrm\firstmark\hfil\fi}
+    \vskip 10pt
+    \box255}
+  \global\advance\pageno by 1}
+\let\runninghead=\mark
+\outer\def\section#1.{\noindent{\bf#1.}\quad
+  \runninghead{\uppercase{#1} }\ignorespaces}
+
+\section Introduction.
+Let us first review the process of generating an implementation of
+\TeX82 for a particular system from the source files as, e.g., described
+in the \.{WEB} manual [1].  The system independent source file
+\.{tex.web} must remain unmodified.  All changes to \.{tex.web}
+necessary for a particular operating system and\slash or compiler are to
+be collected in a system dependent change file, typically named
+\.{tex.ch}.  Both files \.{tex.web} and \.{tex.ch} are effectively
+merged when input by the \.{WEB} system programs \.{WEAVE} and
+\.{TANGLE}.  When \.{WEAVE} processes this merged input, a file
+\.{tex.tex} is produced.  Further processing by \TeX\ yields a `pretty
+printed' version of the input together with an index.
+
+When \.{TANGLE} processes the merged input, a string pool file
+\.{tex.pool} and a Pascal file \.{tex.pas} (or similar) are produced.
+The Pascal file can then be further processed by a suitable compiler
+and\slash or language converter such as \.{web2c}, and eventually yields
+an executable program.
+
+There are actually three versions of the program:  First there is
+\.{INITEX} with its capability to initialize all of \TeX's tables and to
+write them in compact form to a format file.  Next there is the
+production version \.{VIRTEX} requiring a format file as input.  Finally
+there is \.{TRIPTEX}, a version of \.{INITEX} with special values for
+some of \TeX's parameters, for the \.{TRIP} test [2] that should be used
+to validate a \TeX\ implementation.  Depending on the capabilities of
+the compiler, these three versions of the program are generated from
+three slightly different change files or they are generated from one
+change file with different compiler options.  They might even be one and
+the same executable program used with different run time options.
+
+\vskip 24pt plus 24pt
+\section Generating \eTeX.
+The process of generating \eTeX\ is essentially the same as that of
+generating \TeX\ as described above.  Conceptually there is a system
+independent source file \.{etex.web} and a system dependent change file
+\.{etex.sys}.  Processing these two files by \.{TANGLE} yields a string
+pool file \.{etex.pool} as well as a Pascal file \.{etex.pas}, whilst
+processing by \.{WEAVE} produces a \TeX\ source file, \.{etex.tex}.
+
+It may, however, be necessary to increase some of the constants defined
+in \.{TANGLE} and \.{WEAVE}.  The following values should suffice in
+most cases:
+$$
+\vcenter{\halign{$#$\hfil\qquad&#\hfil\cr
+\\{max\_bytes}\times\\{ww}=100~000&\.{TANGLE} and \.{WEAVE}\cr
+\\{max\_texts}=2~500&\.{TANGLE} and \.{WEAVE}\cr
+\\{max\_toks}\times\\{zz}=180~000&\.{TANGLE}\cr
+\\{max\_names}=5~000&\.{TANGLE}\cr
+\\{max\_scraps}=3~000&\.{WEAVE}\cr
+\\{stack\_size}=300&\.{WEAVE}\cr
+}}
+$$
+
+The source file \.{etex.web} for \eTeX\ does not, however, exist as a
+physical file.  It is the hypothetical file obtained by applying the
+changes in the actual source file \.{etex.ch} to \.{tex.web}.  Thus
+\.{etex.web} inherits the bulk of code from \.{tex.web}, whilst the
+system independent source file \.{etex.ch} for \eTeX\ defines the
+differences between \.{etex.web} and \.{tex.web}.  In order to generate
+an implementation of \eTeX\ two change files have to be applied to
+\.{tex.web}, one after the other (the actual file names may differ):
+$$
+\vcenter{\halign{#\hfil&\qquad\.{#}\hfil&\qquad#\hfil\cr
+0.&tex.web&system independent \.{WEB} source for \TeX\cr
+1.&etex.ch&system independent changes for \eTeX\cr
+2.&etex.sys&system dependent changes for \eTeX\cr
+}}
+$$
+
+The process of merging several change files into \.{tex.web} should
+certainly not be performed by hand.  There are programs such as \.{TIE}
+and \.{PATCHWEB} that perform this process automatically.  If no such
+program is available, a \TeX\ program \.{WEBMERGE} can be used.
+\.{WEBMERGE} reads \.{tex.web} and up to nine change files and produces
+a merged change file that can then be processed, together with
+\.{tex.web}, by \.{TANGLE} and \.{WEAVE}.  [On systems such as VMS, use
+of \.{WEBMERGE} can leave a large number of temporary files
+lying around; this can be avoided by setting a version limit (e.g.~1) on any
+existing versions of those files, or by setting a version limit on the
+directory in which they will be created.  On other systems, it will probably
+leave one large temporary file.]
+
+Every implementor of \eTeX\ is responsible for creating and maintaining
+a suitable \.{etex.sys} in the same way as every implementor of \TeX\
+is responsible for creating and maintaining \.{tex.ch}.  Since the bulk
+of code in \.{etex.web} is identical to that in \.{tex.web} the bulk of
+the system dependent changes in \.{etex.sys} for a particular system
+will be identical to those in \.{tex.ch} for the same system.  In the
+following we try to give some hints where \.{etex.sys} for a particular
+system might deviate from the corresponding \.{tex.ch}.
+
+First, it might be necessary to increase the size of \TeX's string pool
+in order to accommodate \eTeX's additional strings (message texts as
+well as multi-letter control sequences).  If this turns out to be
+necessary for \eTeX\ it would certainly not be harmful to do it for
+\TeX\ as well.  \TeX\ and \eTeX\ use three constants related to the
+string pool:  \\{max\_strings} the maximal number of strings,
+\\{pool\_size} the maximal number of string characters, and
+\\{string\_vacancies} the minimal number of available string characters
+in addition to those occupied by strings from the pool file.  It is,
+therefore, sufficient to increase \\{pool\_size} (or reduce
+\\{string\_vacancies}) by the number of \eTeX's additional string
+characters and to increase \\{max\_strings} by the number of \eTeX's
+additional strings.  The later will, however, be unnecessary for most
+implementations as \\{max\_strings} is usually increased substantially
+beyond its standard value in order to accommodate large \TeX\ macro
+packages.
+
+For Version~1 of \eTeX, there are less than 100 additional strings with
+less that 1000 additional string characters.  The precise numbers can be
+obtained by running \.{POOLTYPE} on \TeX's and \eTeX's pool files
+(\.{POOLTYPE} reports the total number of strings and string characters
+in a pool file).
+
+Next, \.{etex.sys} may contain a system dependent modification of the
+\\{eTeX\_banner} string.  The modified \\{eTeX\_banner} string must
+contain `\.{e-TeX}' as well as the \eTeX\ version number.  Note,
+however, that the \\{banner} string modified by \.{tex.ch} will not be
+referenced by \eTeX\ unless the implementor intentionally changes that
+aspect of \eTeX's functionality:  therefore \.{etex.sys} can modify the
+\\{banner} string in the same way as does \.{tex.ch}.
+
+Then, \.{etex.sys} might deviate from \.{tex.ch} in order to use a
+different pool file name and\slash or format file extension (see below).
+
+Finally, \.{etex.sys} will necessarily deviate whenever \.{etex.ch}
+and \.{tex.ch} try to change the same piece of \.{WEB} code or when the
+system independent \eTeX\ changes from \.{etex.ch} and the system
+dependent \TeX\ changes from \.{tex.ch} interfere in some other way.  In
+case of any such interference implementors must first of all determine
+how to combine the respective changes from \.{etex.ch} and \.{tex.ch}
+in order to obtain \eTeX's functionality for a particular system.
+Obviously, this process cannot be automated since it requires human
+insight.
+
+The \NTS\ team has tried to formulate \.{etex.ch} such that
+interferences with system dependent change files \.{tex.ch} are
+unlikely.  Suggestions by implementors how any remaining such
+interferences could be avoided by a reformulation of \.{etex.ch} will
+be taken under serious consideration.  Such interferences can be further
+reduced by reformulating the system dependent change file \.{tex.ch} for
+\TeX, e.g.\ by reducing the range of change entries from entire modules
+to the pieces of code that are actually changed.
+
+Implementors might prefer to maintain the system dependent change file
+\.{etex.sys} not as a physical file but as a hypothetical file defined
+through its deviation from \.{tex.ch}.  If there are no interferences of
+the kind mentioned above, then the effect of applying the changes from
+the hypothetical \.{etex.sys} to the hypothetical \.{etex.web} can be
+achieved by applying 3 change files, one after the other, to \.{tex.web}
+(using some tool such as \.{TIE}, \.{PATCHWEB}, or \.{WEBMERGE}):
+$$
+\vcenter{\halign{#\hfil&\qquad\.{#}\hfil&\qquad#\hfil\cr
+0.&tex.web&system independent \.{WEB} source for \TeX\cr
+1.&etex.ch&system independent changes for \eTeX\cr
+2.&tex.ch&system dependent changes for \TeX\cr
+3.&tex.ech&additional system dependent changes for \eTeX\cr
+}}
+$$
+The third change file \.{tex.ech} will be rather short and contains just
+the differences between \.{etex.sys} and \.{tex.ch}.  It is recommended
+that implementors try to remove all interferences between \.{etex.ch}
+and \.{tex.ch} and use this method to generate \eTeX.
+
+As with \TeX\ there are three versions of \eTeX:  \.{e-INITEX},
+\.{e-VIRTEX}, and \.{e-TRIPTEX}.  Depending on the implementation they
+will again be generated from the three slightly different versions of
+\.{tex.ch} or with different compiler options or they may be one and the
+same program used with different run time options.
+
+\vskip 24pt plus 24pt
+\section \eTeX\ modes.
+In order to ensure maximal compatibility with \TeX, \eTeX\ can run in
+either compatibility mode or extended mode.  The possibility of this
+choice is, of course, an extended feature of \eTeX.  Once \eTeX\ has
+chosen compatibility mode it is, however, a legitimate implementation of
+\TeX\ (assuming the \TeX\ implementation itself is legitimate).  The
+only differences between \eTeX\ in compatibility mode and \TeX\ are
+those allowed by D.E.~Knuth [2] between different implementations of
+\TeX.
+
+An \.{e-TRIP} test suite [3] defines the criteria by which a program can
+qualify to use the name `\eTeX'.  Part of the \.{e-TRIP} test consists
+of the standard \.{TRIP} test for \.{e-TRIPTEX} in compatibility and
+extended mode.
+
+\eTeX\ can therefore be used instead of \TeX\ without the necessity to
+maintain both programs.  For the case that both programs should
+nevertheless co-exist on a system, it might be a good idea to name the
+pool file for \eTeX\ \.{etex.pool} instead of \.{tex.pool} and to use
+an extension other than \.{.fmt}, e.g., \.{.efmt} for \eTeX\ format
+files.  (Format files for \TeX\ and \eTeX\ are incompatible).  All this
+will require additional changes in the file \.{tex.ech}.
+
+When \.{INITEX} or \.{VIRTEX} start, they inspect the first non-blank
+character from the command line or in response to the \.{**} prompt.
+This may be an \.{\&} immediately followed by the name of a format file
+to be loaded.  Otherwise \.{VIRTEX} loads a default format, whereas
+\.{INITEX} starts without loading a format.
+
+When \.{e-INITEX} or \.{e-VIRTEX} start, they inspect the first
+non-blank character from the command line or in response to the \.{**}
+prompt.  This may again be an \.{\&} immediately followed by the name of
+a format file to be loaded; otherwise \.{e-VIRTEX} loads a default
+format.  For \.{e-INITEX} the first non-blank character may be an \.{*}
+immediately followed by what would normally be the input for \.{INITEX}
+(without intervening blanks).  \.{e-INITEX} enters extended mode in
+response to the \.{*}, or compatibility mode otherwise.  This mode is
+recorded in format files produced by \.{e-INITEX} and entered again when
+such a format is loaded (by either \.{e-INITEX} or \.{e-VIRTEX}).
+
+\vskip 24pt plus 24pt
+\section References.
+\item {[1]}
+{\sl The \.{WEB} system of structured documentation\/},
+by Donald E.~Knuth,\hfil\break Stanford Computer Science Report~980.
+
+\item {[2]}
+{\sl A torture test for \TeX\/},
+by Donald E.~Knuth, Stanford Computer Science Report~1027.
+
+\item {[3]}
+{\sl A torture test for \eTeX\/},
+by The \NTS\ Team (Peter Breitenlohner and Bernd Raichle).
+
+\end
diff --git a/Master/texmf-dist/doc/etex/base/etex_man.pdf b/Master/texmf-dist/doc/etex/base/etex_man.pdf
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diff --git a/Master/texmf-dist/doc/etex/base/etex_man.sty b/Master/texmf-dist/doc/etex/base/etex_man.sty
new file mode 100644
index 00000000000..94d4245838c
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/etex_man.sty
@@ -0,0 +1,92 @@
+% macros definitions for e-TeX manual
+
+\def\NTS{\leavevmode\hbox{$\cal N\kern-0.35em\lower0.5ex\hbox{$\cal T$}%
+  \kern-0.2emS$}}
+\def\eTeX{\leavevmode\hbox{$\varepsilon$}-\TeX}
+\def\TeXbook{{\sl The \TeX\/book\/}}
+
+\DeclareFontShape{OT1}{cmr}{bxrev}{n}{<-> xbmc10}{} % for right-to-left text
+\DeclareTextFontCommand{\revrm}{\fontseries{bxrev}\fontshape{n}\selectfont}
+
+\ifx\beginL\undefined % this is \TeX
+  \def\XeT{X\kern-.125em\lower.5ex\hbox{E}\kern-.1667emT}
+  \def\TeXeT{\TeX-\hbox{\revrm{\XeT}}}
+  \def\TeXXeT{\TeX-\hbox{\revrm{-\XeT}}}
+\else
+  \ifx\eTeXversion\undefined % this is \TeXeT
+    \def\TeXeT{\TeX-\revrm{\beginR\TeX\endR}}
+    \def\TeXXeT{\TeX-\revrm{\beginR\TeX-\endR}}
+  \else % this is \eTeX
+    \def\TeXeT{\TeX-\revrm{\TeXXeTstate=1\beginR\TeX\endR}}
+    \def\TeXXeT{\TeX-\revrm{\TeXXeTstate=1\beginR\TeX-\endR}}
+  \fi
+\fi
+
+{\def~{|} \global\catcode`\|=\active \global\let|=~}
+\def\|{\leavevmode\verb|}
+\def\<{\leavevmode\hbox\bgroup\catcode`>=13$\langle$} % syntax quantity
+\def\>{\/$\rangle$\egroup} % finish syntax quantity
+\def\cstok#1{\leavevmode\thinspace\hbox{\vrule\vtop{\vbox{\hrule\kern1pt
+        \hbox{\vphantom{\tt/}\thinspace{\tt#1}\thinspace}}
+      \kern1pt\hrule}\vrule}\thinspace} % control sequence token
+\def\[#1]{\thinspace{\tt#1}\thinspace} % keyword in syntax
+
+\newenvironment{paramlist}%
+ {\endgraf\parskip=0pt
+  \advance\leftskip by5em \parindent=-2.5em}%
+ {\endgraf}
+
+\newenvironment{syntax}%
+ {\endgraf\nobreak\medskip
+  \begingroup \catcode`<=13 \catcode`[=13 \let|=\|%
+  \let\par=\endsyntaxline \obeylines}%
+ {\medbreak}
+
+\def\endsyntaxline{\futurelet\next\syntaxswitch}
+\def\syntaxswitch{\ifx\next\<\let\next=\syntaxrule
+  \else\ifx\next\end\let\next=\endgroup
+  \else\let\next=\continuerule\fi\fi \next}
+\def\continuerule{\hfil\break\indent\qquad}
+{\catcode`<=13 \catcode`>=13 \catcode`[=13
+  \global\let<=\< \global\let>=\> \global\let[=\[
+  \gdef\syntaxrule<{\endgraf\indent\<}}
+\def\is{\ $\longrightarrow$ }
+\def\alt{\ $\vert$ }
+\def\more{whatever \TeXbook\ defines}
+\def\ot#1{\|#1|$_{12}$} % an other token
+\def\cs#1{{\tt\char`\\#1}}
+
+\newenvironment{multilist}[2]%
+ {$$\setbox\z@=\hbox\bgroup  % catch some funny things -> \mathord
+  \let\a=\empty
+  \let\b=\empty
+  \count@=\z@
+  \toks@={#2}%
+  \def\item##1\cr
+   {\ifnum \count@=\z@
+      \count@=#1%
+      \expandafter\def\expandafter\b\expandafter{\b\y{}}%
+    \fi
+    \advance\count@ by\m@ne
+    \expandafter\def\expandafter\a\expandafter{\a\x{##1}}}%
+  \ignorespaces}%
+ {\loop
+  \ifnum \count@>\z@
+    \expandafter\def\expandafter\a\expandafter{\a\expandafter\z\b\relax}%
+    \advance\count@ by\m@ne
+  \repeat
+  \def\x##1{\expandafter\y\b\relax{##1}}%
+  \def\y\y##1##2\relax##3%
+   {\ifx @##1@%
+      \def\b{##2\y{##3}}%
+    \else
+      \def\b{##2\y{##1&##3}}%
+    \fi}%
+  \def\z\y##1##2\relax{\def\b{##2\y{##1}}}%
+  \a
+  \def\x
+   {\expandafter\egroup\expandafter\halign\expandafter\bgroup
+    \expandafter&\the\toks@\cr}%
+  \def\y##1{\expandafter\def\expandafter\x\expandafter{\x##1\cr}}%
+  \b
+  \x\egroup $$}
diff --git a/Master/texmf-dist/doc/etex/base/etex_man.tex b/Master/texmf-dist/doc/etex/base/etex_man.tex
new file mode 100644
index 00000000000..7ce0d00110c
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/etex_man.tex
@@ -0,0 +1,1150 @@
+%&latex % english hyphenation
+
+\documentclass{article}
+
+\usepackage{etex_man}
+
+\begin{document}
+
+\begin{center}
+%% {\LARGE Draft, \today}\\[6pt]
+{\huge\bf The \eTeX\ manual}\\[6pt]
+{\sl Version 2, February 1998\/}\\[18pt]
+by The \NTS\ Team\\[6pt]
+Peter Breitenlohner, Max-Planck-Institut f\"ur Physik, M\"unchen\\[18pt]
+\small\noindent
+The preparation of this report was supported in part by {\sc Dante},\\
+Deutschsprachige Anwendervereinigung \TeX\ e.V.\\
+`\TeX' is a trademark of the American Mathematical Society.
+\end{center}
+
+\section{Introduction}
+
+The \NTS\ project intends to develop an `New Typesetting System' (\NTS)
+that will eventually replace today's \TeX3.  The \NTS\ program will
+include many features missing in \TeX, but there will also exist a mode
+of operation that is 100\% compatible with \TeX3.  It will, necessarily,
+require quite some time to develop \NTS\ to maturity and make it widely
+available.
+
+Meanwhile \eTeX\ intends to fill the gap between \TeX3 and the future
+\NTS. It consists of a series of features extending the capabilities of
+\TeX3.%
+\footnote{The \TeX3 program; for the moment there are no plans to extend
+the software related to \TeX.}
+
+Since compatibility between \eTeX\ and \TeX3 has been a main concern,
+\eTeX\ has two modes of operation:\\
+(1)~In \TeX\ compatibility mode it fully deserves the name \TeX\ and
+there are neither extended features nor additional primitive commands.
+That means in particular that \eTeX\ passes the \|TRIP| test
+\cite{tripman} without any restriction.  There are, however, a few
+minor modifications that would be legitimate in any implementation of
+\TeX.\\
+(2)~In extended mode there are additional primitive commands and the
+extended features of \eTeX\ are available.
+
+We have tried to make \eTeX\ as compatible with \TeX\ as possible
+even in extended mode.  In a few cases there are, however, some subtle
+differences described in detail later on.  Therefore the \eTeX\ features
+available in extended mode are grouped into two categories:\\
+(1)~Most of them have no semantic effect as long as none of the
+additional primitives are executed; these `extensions' are permanently
+enabled.\\
+(2)~The remaining optional \eTeX\ features (`enhancements') can be
+individually enabled and disabled; initially they are all disabled.
+For each enhancement there is a state variable \|\...state|; an
+enhancement is enabled or disabled by assigning a positive or
+non-positive value respectively to that state variable.
+
+For \eTeX\ Versions~1 and~2 there is just one enhancement:  mixed
+direction typesetting (\TeXXeT) with the state variable \|\TeXXeTstate|.
+
+Version~1.1 of \eTeX\ was released in November 1996, Version~2.0 in
+February 1998.
+It is expected that there will be about one \eTeX\ version per year,
+where each later version adds new features.  It would be desirable if
+these \eTeX\ versions were incorporated into many of the existing
+implementations of \TeX3 without much delay.
+
+With each \eTeX\ version there will be an \|e-TRIP| test \cite{etripman}
+in order to help to verify that a particular implementation deserves the
+name \eTeX\ in the same way as the \|TRIP| test \cite{tripman} helps to
+verify that an implementation deserves the name \TeX.
+
+\section{Generating \eTeX}
+
+\subsection{Generating the \eTeX\ Program}
+
+An implementation of \TeX\ consists of a WEB change file \|tex.ch|
+containing all system-dependent changes for a particular system.  The
+WEB system program \|TANGLE| applies this change file to the
+system-independent file \|tex.web| defining the \TeX\ program in order to
+generate a \TeX\ Pascal file for that system \cite{webman}.  Similarly
+an implementation of \eTeX\ consists of a system-dependent change file
+\|etex.sys| to be applied to the system-independent file \|e-tex.web|
+defining the \eTeX\ program.  Since \eTeX\ differs from \TeX\ by a
+relatively small fraction of its code \|e-tex.web| does, however, not
+exist as a physical file; it is instead defined in terms of a
+system-independent change file \|e-tex.ch| to be applied to \|tex.web|.
+Similarly it should be possible to define the system-dependent change
+file \|etex.sys| for a particular system in terms of its deviations
+from the corresponding file \|tex.ch| \cite{etexgen}.
+
+\subsection{Generating Format Files for \eTeX}
+
+When (the INITEX or VIRTEX version of) the \TeX\ program is started, it
+analyzes the first non-blank input line from the command line or (with
+the \|**| prompt) from the terminal:  The first non-blank character of
+that input line may be an \|&| followed immediately by the name of the
+format to
+be loaded; otherwise VIRTEX uses a default format whereas INITEX starts
+without loading a format file.
+
+For eINITEX (the INITEX version of \eTeX) there is an additional
+possibility:  If the first non-blank input character is an \|*|
+(immediately followed what would be the first non-blank input character
+for INITEX), the program starts in extended mode without loading a
+format file.  If the first non-blank character is neither \|&| nor \|*|
+then eINITEX starts without loading a format but in compatibility mode.
+Whenever a format file is loaded by eINITEX or eVIRTEX the mode
+(compatibility or extended) is inherited from the format.
+
+It is recommended that the input file \|etex.src| be used instead of
+\|plain.tex| when generating an \eTeX\ format in extended mode.  That
+file will first read \|plain.tex| (without reading \|hyphen.tex|) and
+will then supply macro definitions supporting \eTeX\ features.
+
+\section{\eTeX\ Extensions}
+
+\subsection{Compatibility and Extended Mode}
+
+Once \eTeX\ has entered compatibility mode it behaves as any other
+implementation of \TeX.  All of \eTeX's additional commands are absent;
+it is therefore impossible to access any of the extensions or
+enhancements.  The ability of eINITEX to initially choose between
+compatibility and extended mode is, however, by itself a feature not
+present in any \TeX\ implementation.
+
+The remainder of this document is devoted to a detailed and mostly
+technical description of all aspects where \eTeX\ (in extended mode)
+behaves differently from \TeX. It will be assumed that the reader is
+familiar with \TeXbook\ \cite{texbook} describing \TeX's behaviour in
+quite some detail.
+
+All of \eTeX's extensions and enhancements available in extended mode are
+activated by either executing some new primitive command or by assigning
+a nonzero value to some new integer parameter or state variable. Since
+all these new variables are initially zero,%
+\footnote{To be precise all state variables are zero when eINITEX or eVIRTEX
+is started; integer parameters that are not state variables are zero when
+eINITEX is started without loading a format file or inherited from the
+format file otherwise.}
+\eTeX\ behaves as \TeX\ as long as none of \eTeX's new control sequences
+are used, with the following exceptions which should, however, have
+no effect on the typesetting of error-free \TeX\ documents (produced with
+error-free formats):\\
+(1) When \|\tracingcommands| has a value of~3 or more, or\\
+when \|\tracinglostchars| has a value of~2 or more, \eTeX\ will display
+additional information not available in \TeX.\\
+(2) When using a count, dimen, skip, muskip, box, or token register number
+in the range 256--32767, \eTeX\ will access one of its additional registers
+whereas \TeX\ will produce an error and use register number zero.
+
+\subsection{Optimization}
+
+When a value is assigned to an \<internal quantity> within a save group,
+the former value is restored when the group ends, provided the
+assignment was not global. This is achieved by saving the former value
+on \TeX's `save stack'. \eTeX\ refrains from creating such save stack
+entries when the old and new value are the same (`reassignments').
+
+\|\aftergroup| tokens are also kept on \TeX's save stack.  When the
+current group ends, \TeX\ converts each \|\aftergroup| token into a
+token list and inserts this list as new `input level' into the input stack.
+\eTeX\ collects all \|\aftergroup| tokens from one group into one token
+list and thus conserves input levels.
+
+When a completed page is written to the DVI file (shipped out), \TeX\
+multiplies the relevant stretch or shrink components of glue nodes in a
+box by the glue expansion factor of that box and converts the product to
+DVI units.  In order to avoid overflow each resulting value $x$ is
+artificially limited to the range $|x|\le10^9$.
+Consider the example:
+\begin{verbatim}
+   \shipout\vbox to100pt{
+     \hrule width10pt
+     \vskip 0pt plus1000fil
+     \vskip 0pt plus1000fil
+     \vskip 0pt plus-2000fil
+     \hrule
+     \vskip 0pt plus0.00005fil
+     }
+\end{verbatim}
+Here the three glues between the two rules add up to zero; when \TeX\
+converts each stretch component individually they will, however, add up
+to $10^9$ DVI units due to the truncation mentioned above. \eTeX, however,
+accumulates the relevant stretch or shrink components of consecutive
+glue nodes (possibly separated by insert, mark, adjust, kern, and
+penalty nodes) before converting them to DVI units.  During this process
+glue nodes may be converted into equivalent kern nodes and some glue
+specifications may be recycled; this may affect the memory usage
+statistics displayed after the page has been shipped out.
+
+\subsection{Tracing and Diagnostics}
+
+When \|\tracingcommands| has a value of~3 or more, the commands
+following a prefix (\|\global|, etc.) are shown as well, e.g.:
+\begin{verbatim}
+   \global\count0=0    =>    {\global}
+                             {\count}
+\end{verbatim}
+
+When \|\tracinglostchars| has a value of~2 or more, missing characters
+are displayed on the terminal even if the value of \|\tracingonline| is
+0~or less.
+
+When \|\tracingscantokens| has a value of~1 or more, the opening and
+closing of pseudo-files (generated by \|\scantokens|) is recorded as for
+any other file, with `\verb*| |' as filename.
+
+When the program is compiled with the code for collecting statistics and
+\|\tracingassigns| has a value of~1 or more, all assignments subject to
+\TeX's grouping mechanism are traced, e.g.:
+\begin{verbatim}
+   \def\foo{\relax}    =>    {changing \foo=undefined}
+                             {into \foo=macro:->\relax }
+   \global\count17=7   =>    {globally changing \count17=0}
+                             {into \count17=7}
+   \count17=7          =>    {reassigning \count17=7}
+\end{verbatim}
+
+When \|\tracingifs| has a value of~1 or more, all conditionals
+(including \|\unless|, \|\or|, \|\else|, and \|\fi|) are traced, together
+with the starting line and nesting level; the \|\showifs| command displays
+the state of all currently active conditionals. Thus the input
+\begin{verbatim}
+   \unless\iffalse
+      \iffalse
+      \else
+         \showifs
+      \fi
+   \fi
+\end{verbatim}
+might yield
+\begin{verbatim}
+   {\unless\iffalse: (level 1) entered on line 1}
+   {\iffalse: (level 2) entered on line 2}
+   {\else: \iffalse (level 2) entered on line 2}
+   ### level 2: \iffalse\else entered on line 2
+   ### level 1: \unless\iffalse entered on line 1
+   {\fi: \iffalse (level 2) entered on line 2}
+   {\fi: \unless\iffalse (level 1) entered on line 1}
+\end{verbatim}
+
+When \|\tracinggroups| has a value of~1 or more, the start and end of
+each save group is traced, together with the starting line and grouping
+level; the \|\showgroups| command displays the state of all currently
+active save groups. Thus the input
+\begin{verbatim}
+   \begingroup
+      {
+         \showgroups
+      }
+   \endgroup
+\end{verbatim}
+might yield
+\begin{verbatim}
+  {entering semi simple group (level 1) at line 1}
+  {entering simple group (level 2) at line 2}
+  ### simple group (level 2) entered at line 1 ({)
+  ### semi simple group (level 1) entered at line 1 (\begingroup)
+  ### bottom level
+  {leaving simple group (level 2) entered at line 2}
+  {leaving semi simple group (level 1) entered at line 1}
+\end{verbatim}
+
+Occasionally conditionals and/or save groups are not properly nested
+with respect to \|\input| files.  Although this might be perfectly
+legitimate, such anomalies are mostly unintentional and may cause quite
+obscure errors.  When \|\tracingnesting| has a value of~1 or more,
+these anomalies are shown; when \|\tracingnesting| has a value of~2 or more,
+the current context (traceback) is shown as well. Thus the input
+\begin{verbatim}
+   \newlinechar=`\^^J
+   \begingroup
+      \iftrue
+         \scantokens{%
+      \endgroup
+   ^^J\fi
+   ^^J\bgroup
+      ^^\tracingnesting=2
+      ^^J\iffalse
+      ^^J\else
+        }%
+     \egroup
+   \fi
+\end{verbatim}
+might yield%
+\footnote{The \cs{scantokens} command will be discussed later.}
+\begin{verbatim}
+Warning: end of semi simple group (level 1) entered at line 2 of
+ a different file
+Warning: end of \iftrue entered on line 3 of a different file
+Warning: end of file when simple group (level 1) entered at line
+ 3 is incomplete
+Warning: end of file when \iffalse\else entered on line 5 is inc
+omplete
+l.7 \else
+
+l.11      }
+           %
+\end{verbatim}
+
+The command \|\showtokens{|\<token list>\|}| displays the token list, and
+allows the display of quantities that cannot be displayed by \|\show| or
+\|\showthe|, e.g.:
+\begin{verbatim}
+  \showtokens\expandafter{\jobname}
+  \showtokens\expandafter{\topmarks 27}
+\end{verbatim}
+
+\subsection{Status Enquiries}
+
+A number of \TeX's internal quantities can be assigned values but
+these values cannot be retrieved in \TeX. \eTeX\ introduces several new
+primitives that allow the retrieval of information about its internal state.
+
+\noindent
+\|\eTeXversion| returns \eTeX's (major) version number;\\
+\|\eTeXrevision| expands into a list of character tokens representing
+the revision (minor version) number.  Thus
+\begin{verbatim}
+   \message{\number\eTeXversion\eTeXrevision}
+\end{verbatim}
+should write the complete version as shown when \eTeX\ is started.
+
+\noindent
+When used as number, \|\interactionmode| returns one of the
+values 0~(batchmode), 1~(nonstopmode), 2~(scrollmode),
+or~3~(errorstopmode).  Assigning one of these values to
+\|\interactionmode| changes the current interaction mode accordingly;
+such assignments are always global.
+
+\noindent
+\|\currentgrouplevel| returns the current save group level;\\
+\|\currentgrouptype| returns a number representing the type of the
+innermost group:
+\begin{multilist}{2}{\hfil\qquad#:&\quad#\qquad\hfil}
+\item 0&bottom level (no group)\cr
+\item 1&simple group\cr
+\item 2&hbox group\cr
+\item 3&adjusted hbox group\cr
+\item 4&vbox group\cr
+\item 5&vtop group\cr
+\item 6&align group\cr
+\item 7&no align group\cr
+\item 8&output group\cr
+\item 9&math group\cr
+\item 10&disc group\cr
+\item 11&insert group\cr
+\item 12&vcenter group\cr
+\item 13&math choice group\cr
+\item 14&semi simple group\cr
+\item 15&math shift group\cr
+\item 16&math left group\cr
+\end{multilist}
+
+\noindent
+\|\currentiflevel| returns the number of currently active
+conditionals;\\
+\|\currentifbranch| indicates which branch of the innermost conditional
+is taken: 1~`then branch', $-1$~`else branch', or 0~not yet decided;\\
+\|\currentiftype| returns 0~if there are no active conditionals, a
+positive number indicating the type of the innermost active conditional,
+or the negative of that number when the conditional was prefixed by
+\|\unless|:
+\begin{multilist}{3}{\hfil\qquad#:&\quad#\qquad\hfil}
+\item 1&\cs{if}\cr
+\item 2&\cs{ifcat}\cr
+\item 3&\cs{ifnum}\cr
+\item 4&\cs{ifdim}\cr
+\item 5&\cs{ifodd}\cr
+\item 6&\cs{ifvmode}\cr
+\item 7&\cs{ifhmode}\cr
+\item 8&\cs{ifmmode}\cr
+\item 9&\cs{ifinner}\cr
+\item 10&\cs{ifvoid}\cr
+\item 11&\cs{ifhbox}\cr
+\item 12&\cs{ifvbox}\cr
+\item 13&\cs{ifx}\cr
+\item 14&\cs{ifeof}\cr
+\item 15&\cs{iftrue}\cr
+\item 16&\cs{iffalse}\cr
+\item 17&\cs{ifcase}\cr
+\item 18&\cs{ifdefined}\cr
+\item 19&\cs{ifcsname}\cr
+\item 20&\cs{iffontchar}\cr
+\end{multilist}
+
+\noindent
+\|\lastnodetype| returns a number indicating the type of the last node,
+if any, on the current (vertical, horizontal, or math) list:
+\begin{multilist}{2}{\hfil\qquad#:&\quad#\qquad\hfil}
+\item -1&none (empty list)\cr
+\item 0&char node\cr
+\item 1&hlist node\cr
+\item 2&vlist node\cr
+\item 3&rule node\cr
+\item 4&ins node\cr
+\item 5&mark node\cr
+\item 6&adjust node\cr
+\item 7&ligature node\cr
+\item 8&disc node\cr
+\item 9&whatsit node\cr
+\item 10&math node\cr
+\item 11&glue node\cr
+\item 12&kern node\cr
+\item 13&penalty node\cr
+\item 14&unset node\cr
+\item 15&math mode nodes\cr
+\end{multilist}
+
+\noindent
+The commands \|\fontcharht|, \|\fontcharwd|, \|\fontchardp|, and
+\|\fontcharic| followed by a font specification and a character code,
+return a dimension: the height, width, depth, or italic correction of the
+character in the font, or \[0pt] if no such character exists;
+the conditional \|\iffontchar| tests the existence of that character.
+
+\noindent
+When used as number, \|\parshape| returns the number of lines of the current
+parshape specification (or zero).\\
+\eTeX's \|\parshapeindent|, \|\parshapelength|, and \|\parshapedimen|,
+followed by a number $n$ return the dimensions of the parshape
+specification:\\
+\[0pt] for $n\le0$ or when no parshape is currently active, otherwise\\
+\|\parshapeindent|$\,n$ and \|\parshapedimen|$\,2n-1$ both return the
+indentation of line $n$ (explicitly specified or implied by repeating the
+last specification),\\
+\|\parshapelength|$\,n$ and \|\parshapedimen|$\,2n$ both return the length
+of line $n$.
+
+\subsection{Expressions}
+
+\eTeX\ introduces the notion of expressions of type number, dimen, glue, or
+muglue, that can be used whenever a quantity of that type is needed. Such
+expressions are evaluated by \eTeX's scanning mechanism; they are initiated
+by one of the commands \|\numexpr|, \|\dimexpr|, \|\glueexpr|, or \|\muexpr|
+(determining the type~$t$) and optionally terminated by one \|\relax| (that
+will be absorbed by the scanning mechanism). An expression consists of one
+or more terms of the same type to be added or subtracted; a term of type~$t$
+consists of a factor of that type, optionally multiplied and\slash or
+divided by numeric factors; finally a factor of type~$t$ is either a
+parenthesized subexpression or a quantity (number, etc.) of that type.
+Thus, the conditional
+\begin{verbatim}
+  \ifdim\dimexpr (2pt-5pt)*\numexpr 3-3*13/5\relax + 34pt/2<\wd20
+\end{verbatim}
+is true if and only if the width of box~20 exceeds 32\[pt]. Note the use of
+\|\relax| to terminate the inner (numeric) expression, the outer (dimen)
+expression is terminated automatically by the token \|<|$_{12}$ that does
+not fit into the expression syntax.
+
+The arithmetic performed by \eTeX's expressions does not do much that could
+not be done by \TeX's arithmetic operations \|\advance|, \|\multiply|, and
+\|\divide|, although there are some notable differences: Each factor is
+checked to be in the allowed range, numbers must be less than $2^{31}$ in
+absolute value, dimensions or glue components must be less than
+$2^{14}$\[pt], \[mu], \[fil], etc.\ respectively. The arithmetic operations
+are performed individually, except for `scaling' operations (a
+multiplication immediately followed by a division) which are performed as
+one combined operation with a 64-bit product as intermediate value. The
+result of each operation is again checked to be in the allowed range.
+Finally the results of divisions and scalings are rounded, whereas \TeX's
+\|\divide| truncates.
+
+The important new feature is, however, that the evaluation of expressions
+does not involve assignments and can therefore be performed in
+circumstances where assignments are not allowed, e.g., inside an \|\edef| or
+\|\write|. This also allows the definition of purely expandable loop constructions:
+\begin{verbatim}
+  \def\foo#1#2{\number#1
+    \ifnum#1<#2,
+      \expandafter\foo
+      \expandafter{\number\numexpr#1+1\expandafter}%
+      \expandafter{\number#2\expandafter}%
+    \fi}
+\end{verbatim}
+such that, e.g., `\|\foo{7}{13}|' expands into `\|7, 8, 9, 10, 11, 12, 13|'.
+
+The commands \|\gluestretch| and \|\glueshrink| are to be followed by a glue
+specification and return the stretch or shrink component of that glue as
+dimensions (with \[fil] etc.\ replaced by \[pt]), the commands
+\|\gluestretchorder| and \|\glueshrinkorder| return the order of infinity:
+0~for \[pt], 1~for \[fil], 2~for \[fill], and 3~for \[filll].
+
+The commands \|\gluetomu| and \|\mutoglue| convert glue into muglue
+and vice versa by simply equating 1\[pt] with 1\[mu], precisely what \TeX\
+does (in addition to an error message) when the wrong kind of glue is used.
+
+\subsection{Additional Registers and Marks}
+
+\eTeX\ increases the number of \TeX's count, dimen, skip, muskip, box, and
+token registers from 256 to 32768. The additional registers, numbered
+256--32767, can be used exactly as the first 256, except that they can
+not be used for insertion classes.
+
+As in \TeX, the first 256 registers of each kind are realized as static
+arrays that are part of the `table of equivalents'; values to be restored
+when a save group ends are kept on the save stack. The additional registers
+are realized as sparse arrays built from \TeX's main memory and are
+therefore less efficient. They use a four-level index structure and
+individual registers are present only when needed. Values to be restored
+when a particular save group ends are kept in a linked list (again built
+from main memory) with one save stack entry pointing to that list.%
+\footnote{With the effect that the order of restoring (or discarding) saved
+values may be somewhat surprising.}
+
+\medskip
+\eTeX\ generalizes \TeX's mark concept to mark classes 0--32767, with mark
+class~0 used for \TeX's marks.\\
+The command \|\marks| followed by a mark class~$n$ and a mark text appends a
+mark node to the current list; \|\marks0| is synonymous with \|\mark|. The
+page builder and the \|\vsplit| command record information about the mark nodes
+found on the page or box produced, separately for each mark class. The
+information for mark class~0 is kept in a small static array as in \TeX, the
+information for the additional mark classes is again kept in a sparse array
+with entries present only when needed.\\
+The command \|\firstmarks|$\,n$ expands to the mark text for mark class~$n$
+first encountered on the most recent page, etc., and again \|\firstmarks0|
+is synonymous with \|\firstmark|.
+
+\subsection{Input Handling}
+
+The command \|\readline|\<number>\[to]\<control sequence> defines the
+control sequence as parameterless macro whose replacement text is the
+contents of the next line read from the designated file, as for \|\read|.
+The difference is that the current category codes are ignored and all
+characters on that line (including an endline character) are converted to
+character tokens with category 12 (`other'), except that the character
+code~32 gets category 10 (`space').
+
+The command \|\scantokens{...}| absorbs a list of unexpanded tokens,
+converts it into a character string that is treated as if it were an
+external file, and starts to read from this `pseudo-file'. A rather
+similar effect can be achieved by the commands
+\begin{verbatim}
+   \toks0={...}
+   \immediate\openout0=file
+   \immediate\write0{\the\toks0}
+   \immediate\closeout0
+   \input file
+\end{verbatim}
+In particular every occurrence of the current newline character is
+interpreted as start of a new line, and input characters will be converted
+into tokens as usual.
+The \|\scantokens| command is, however, expandable and does not use token
+registers, write streams, or external files. Furthermore the conversion from
+\TeX's internal ASCII codes to external characters and back to ASCII codes
+is skipped. Finally the current context (traceback) shown, e.g., as part
+of an error message continues beyond an input line from a pseudo-file until
+an input line from a real file (or the terminal) is found.
+
+When \eTeX's input mechanism attempts to read beyond the end of an \|\input|
+file or \|\scantokens| pseudo-file, and before checking for `runaway'
+conditions and closing the file, it will first read a list of tokens that
+has been predefined by the command \|\everyeof={|\<token list>\|}|.
+
+\subsection{Breaking Paragraphs into Lines}
+
+Traditional typesetting with lead type used to adjust (stretch or shrink)
+the interword spaces in the last line of a paragraph by the same amount as
+those in the preceding line. With \TeX\ the last line is, however, usually
+typeset at its natural width due to infinitely stretchable parfillskip glue.
+\eTeX\ allows interpolation between these two extremes by specifying a
+suitable value for \|\lastlinefit|. For a value of~0 or less, \eTeX\
+behaves as \TeX, values from~1 to 1000 indicate a glue adjustment fraction
+$f$ times 1000, values above 1000 are interpreted as $f=1$.
+
+The new algorithm is used only if\\
+1. \|\lastlinefit| is positive;\\
+2. \|\parfillskip| has infinite stretchability; and\\
+3. the stretchability of \|\leftskip| plus \|\rightskip| is finite.%
+\footnote{As usual for parameters influencing \TeX's line-breaking algorithm,
+the values current at the end of the (partial) paragraph are used.}\\
+Thus the last line of a paragraph would normally be typeset at its
+natural width and the stretchability of parfillskip glue would be used to
+achieve the desired line width. The algorithm proceeds as usual, considering
+all possible sequences of feasible break points and accumulating demerits for
+the stretching or shrinking of lines as well as for visually incompatible
+lines. When a candidate for the last line has been reached, the following
+conditions are tested:\\
+4. the previous line was not `infinitely bad' and was stretched with positive
+finite stretchability or was shrunk with positive shrinkability;\\
+5. the last line has infinite stretchability entirely due to parfillskip
+glue;\\
+6. if the previous line was stretched or shrunk the last line has
+positive finite stretchability or shrinkability respectively.\\
+If all three conditions are satisfied, a glue adjustment factor of $f$ times
+that of the preceding line will be applied to the relevant stretch or
+shrink components of all glue nodes in the last line, and the corresponding
+demerits are computed. (The last line will, however, not be stretched beyond
+the desired line width.)
+
+When all possible candidates for the last line of the paragraph have been
+examined, the one having fewest accumulated demerits is chosen. If \eTeX's
+modified algorithm was applied to that last line, the actual stretching or
+shrinking is achieved by suitably modifying the parfillskip glue node.
+
+All computations described so far are performed with machine-independent
+integer arithmetic. Note, however, that the actual stretching requires
+machine-dependent floating point arithmetic. Therefore, when a paragraph is
+interrupted by a displayed equation and the line preceding the display is
+subject to the adjustment just described, the display will in general be
+preceded by abovedisplayskip and not by abovedisplayshortskip glue.
+
+\medskip
+
+After breaking a paragraph into lines, \TeX\ computes the interline
+penalties by adding the values of:\\
+\|\interlinepenalty| between any two lines,\\
+\|\clubpenalty| after the first line of a (partial) paragraph,\\
+\|\widowpenalty| before the last line of the paragraph,\\
+\|\displaywidowpenalty| before the line immediately preceding a displayed
+equation, and\\
+\|\brokenpenalty| after lines ending with a discretionary break.\\
+\eTeX\ generalizes the concept of interline, club, widow, and display widow
+penalty by allowing their replacement by arrays of penalty values with the
+commands\\
+\|\interlinepenalties|,\\
+\|\clubpenalties|,\\
+\|\widowpenalties|, and\\
+\|\displaywidowpenalties|.\\
+Each of these commands is to be followed by an optional equal sign and a
+number $n$.  If $n\le0$ the respective array is reset and \TeX's
+corresponding single value is used as usual; a positive value $n$
+declares an array of length $n$ and must be followed by $n$ penalty
+values.  When one of these arrays has been set, its values are used
+instead of \TeX's corresponding single values as follows (repeating the
+last value when necessary):\\
+the $i^{\rm th}$ interline penalty value is used after line $i$ of the
+paragraph;\\
+the $i^{\rm th}$ club penalty value is used after line $i$ of a partial
+paragraph;\\
+the $i^{\rm th}$ widow penalty value is used after line $m-i$ of a
+paragraph without displayed equations or the last partial paragraph of
+length $m$;\\
+the $i^{\rm th}$ display widow penalty value is used after line $m-i$ of a
+partial paragraph of length $m$ that is followed by a displayed equation.
+
+When used after \|\the| or in situations where \TeX\ expects to see a
+number, the same four commands serve to retrieve the arrays of penalties.
+Specifying, e.g., \|\clubpenalties|\<number> with a number $n$, returns~0
+for $n<0$ or when the club penalty array has been reset, the length of the
+declared club penalty array for $n=0$, or the $n^{\rm th}$ club penalty
+value for $n>0$ (again repeating the last  value when necessary).
+
+\subsection{Math Formulas}
+
+\TeX's \|\left|\<delimiter>\|...\right|\<delimiter> produces two delimiters
+with a common size adjusted to the height and depth of the enclosed material.
+In \eTeX\ this can be generalized by occurrences of \|\middle|\<delimiter>
+dividing the enclosed material into segments resulting in a sequence
+of delimiters with a common size adjusted to the maximal height and depth of
+all enclosed segments. The spacing between a segment and the delimiter to
+its left or right is as for \TeX's left or right delimiter respectively.
+
+\subsection{Hyphenation}
+
+\TeX\ uses the \|\lccode| values for two quite unrelated purposes:\\
+(1) when \|\lowercase| converts character tokens to their lower-case
+equivalents (in the same way as \|\uppercase| uses the \|\uccode| values);
+and\\
+(2) when hyphenation patterns or exceptions are read, and when words are
+hyphenated during the line-breaking algorithm.
+
+\eTeX\ introduces the concept of (language-dependent) hyphenation codes that
+are used instead of the \|\lccode| values for hyphenation purposes. In order
+to explain the details of \eTeX's behaviour, we need some technical aspects
+of hyphenation patterns. When INITEX starts without reading a format file,
+the (initially empty) hyphenation patterns are in a form suitable for
+inserting new patterns specified by \|\patterns| commands; when INITEX
+attemps hyphenation or prepares to write a format file, they are compressed
+into a more compact form suitable for finding hyphens. Only these compressed
+patterns can be read from a format file (by INITEX or VIRTEX).
+
+In \eTeX\ the hyphenation patterns are supplemented by hyphenation codes.
+When eINITEX starts without reading a format file both are initially empty;
+when a \|\patterns| command is executed and \|\savinghyphcodes| has a positive
+value, the current \|\lccode| values are saved as hyphenation codes for the
+current language. These saved hyphenation codes are later compressed together
+with the patterns and written to or read from a format file. When the
+patterns have been compressed (always true for eVIRTEX) and hyphenation
+codes have been saved for the current language, they are used
+instead of the \|\lccode| values for hyphenation purposes (reading
+hyphenation exceptions and hyphenating words).
+
+\subsection{Discarded Items}
+
+When \TeX's page builder transfers (vertical mode) material from the `recent
+contributions' to the `page so far', it discards glue, kern, and penalty
+nodes (discardable items) preceding the first box or rule on the page under
+construction and inserts a topskip glue node immediately before that box or
+rule. Note, however, that this topskip glue need not be the first node on
+the page, it may be preceded by insertion, mark, and whatsit nodes.
+Similarly when the \|\vsplit| command has split the first part off a vbox,
+discardable items are discarded from the top of the remaining vbox and a
+splittopskip glue node is inserted immediately before the first box or rule.
+
+When \eTeX's parameter \|\savingvdiscards| has been assigned a positive
+value, these `discarded items' are saved in two lists and can
+be recovered by the commands \|\pagediscards| and \|\splitdiscards| that
+act like `unvboxing' hypothetical box registers containing a vbox with the
+discarded items.
+
+The list of items discarded by the page builder is emptied at the end of
+the output routine and by the \|\pagediscards| command; new items may
+be added as long as the new `page so far' contains no box or rule.
+
+The list of items discarded by the \|\vsplit| command is emptied at the
+start of a vsplit operation and by the \|\splitdiscards| command; new items
+are added at the end of a vsplit operation.
+
+\subsection{Expandable Commands}
+
+Chapter~20 of \TeXbook\ gives complete lists of all expandable \TeX\
+commands and of all cases where expandable tokens are not expanded.
+For \eTeX\ there are these additional conditionals:
+
+\begin{itemize}
+\item
+\|\ifdefined|\<token>\quad(test if token is defined)
+\end{itemize}
+\noindent
+True if \<token> is defined; creates no new hash table entry.
+
+\begin{itemize}
+\item
+\|\ifcsname...\endcsname|\quad(test if control sequence is defined)
+\end{itemize}
+\noindent
+True if the control sequence \|\csname...\endcsname| would be defined;
+creates no new hash table entry.
+
+\begin{itemize}
+\item
+\|\iffontchar|\<font>\<8-bit number>\quad(test if char exists)
+\end{itemize}
+\noindent
+True if \|\char|\<8-bit number> in \|\font|\<font> exists.
+
+These are \eTeX's additional expandable commands:
+
+\begin{itemize}
+\item\|\unless|.\\
+The next (unexpanded) token must be a boolean conditional
+(i.e., not \|\ifcase|); the truth value of that conditional is reversed.
+
+\item\|\eTeXrevision|.\\
+The expansion is a list of character tokens of category 12 (`other')
+representing \eTeX's revision (minor version) number, e.g., `.0' or
+`.1'.
+
+\item\|\topmarks|\<15-bit number>,
+\|\firstmarks|\<15-bit number>,\\
+\|\botmarks|\<15-bit number>,
+\|\splitfirstmarks|\<15-bit number>, and\\
+\|\splitbotmarks|\<15-bit number>.\\
+These commands generalize \TeX's \|\topmark| etc.\ to 32768 distinct
+mark classes; the special case \|\topmarks0| is synonymous with
+\|\topmark| etc.
+
+\item\|\unexpanded|\<general text>.\\
+The expansion is the token list \<balanced text>.
+
+\item\|\detokenize|\<general text>.\\
+The expansion is a list of character tokens representing the token list
+\<balanced text>. As with the lists of character tokens produced by \TeX's
+\|\the| and \eTeX's \|\readline|, these tokens have category 12 (`other'),
+except that the character code~32 gets category 10 (`space').
+
+\item\|\scantokens|\<general text>.\\
+The expansion is null; but \eTeX\ creates a pseudo-file containing the
+characters representing the token list \<balanced text> and prepares to
+read from this pseudo-file before looking at any more tokens from its
+current source.
+
+\end{itemize}
+
+These are the additional \eTeX\ cases when expandable tokens are not
+expanded:
+
+\begin{itemize}
+\item
+When \eTeX\ is reading the argument token for \|\ifdefined|.
+
+\item
+When \eTeX\ is absorbing the token list for \|\unexpanded|,
+\|\detokenize|, \|\scantokens|, or \|\showtokens|.
+
+\item
+Protected macros (defined with the \|\protected| prefix) are not
+expanded when building an expanded token list (for \|\edef|, \|\xdef|,
+\|\message|,\\
+\|\errmessage|, \|\special|, \|\mark|, \|\marks| or when writing the
+token list for \|\write| to a file) or when looking ahead in an
+alignment for \|\noalign| or \|\omit|.%
+\footnote{Whereas protected macros were introduced with \eTeX\ Version~1,
+suppression of their expansion in alignments was introduced with Version~2.}
+
+\item
+When building an expanded token list, the tokens resulting from the
+expansion of \|\unexpanded| are not expanded further (this is the same
+behaviour as is exhibited by the tokens resulting from the expansion of
+\|\the|\<token variable> in both \TeX\ and \eTeX).
+
+\end{itemize}
+
+\section{\eTeX\ Enhancements}
+
+The execution of most new primitives related to enhancements is
+disallowed when the corresponding enhancement is currently disabled and
+will lead to an `\|Improper...|' error message.  The offending command
+may nevertheless already have had some effect such as, e.g., bringing
+\eTeX\ into horizontal mode.
+
+\subsection{Mixed-Direction Typesetting}
+
+This feature supports mixed left-to-right and right-to-left typesetting
+and introduces the four text-direction primitives \|\beginL|, \|\endL|,
+\|\beginR|, and \|\endR|.  The code is inspired by but different from
+\TeXeT\ \cite{texet}.
+
+In order to avoid confusion with \TeXeT\ the present implementation of
+mixed-direction typesetting is called \TeXXeT.  It uses the same text-direction
+primitives, but differs from \TeXeT\ in several important aspects:\\
+(1)~Right-to-left text is reversed explicitly by \eTeX\ and is written
+to a normal DVI file without any \|begin_reflect| or \|end_reflect|
+commands;\\
+(2)~a math node is (ab)used instead of a whatsit node to record the text-direction
+primitives in order to minimize the influence on the line-breaking
+algorithm for pure left-to-right text;\\
+(3)~right-to-left text interrupted by a displayed equation is
+automatically resumed after that equation;\\
+(4)~display math material is always printed left-to-right, even in
+constructions such as:
+\begin{verbatim}
+   \hbox{\beginR\vbox{\noindent$$abc\eqno(123)$$}\endR}
+\end{verbatim}
+
+\TeXXeT\ is enabled or disabled by assigning a positive or non-positive
+value respectively to the \|\TeXXeTstate| state variable.  As long as
+\TeXXeT\ is disabled, \eTeX\ and \TeX3 build horizontal lists and
+paragraphs in exactly the same way.  Even \TeXXeT\ will, in general,
+produce the same results as \TeX3 for pure left-to-right text.  There
+are, however, circumstances where some differences may arise.  This is
+best illustrated by an example:
+\begin{verbatim}
+   \vbox{\noindent
+      $\hfil\break
+      \null\hfil\break
+      \null$\par
+\end{verbatim}
+Here \TeX\ will produce three lines containing the following nodes:\\
+1. mathon, hfil glue, break penalty, and rightskip glue;\\
+2. empty hbox, hfil glue, break penalty, and rightskip glue;\\
+3. empty hbox, mathoff, nobreak penalty, parfillskip glue, and rightskip
+   glue.\\
+These lines can be retrieved via:
+\begin{verbatim}
+      \setbox3=\lastbox
+      \unskip\unpenalty
+      \setbox2=\lastbox
+      \unskip\unpenalty
+      \setbox1=\lastbox
+\end{verbatim}
+Later on these lines can be `unhboxed' as part of a new paragraph and
+possibly their contents analyzed.  As a consequence in \TeX\ (and \eTeX\
+in compatibility mode) there may be horizontal lists where mathon
+and mathoff nodes are not properly paired.  Therefore \TeX\ might
+attempt hyphenation of `words' originating from math mode or prevent
+hyphenation of words originating from horizontal mode.
+
+Math-mode material is always typeset left-to-right by \TeXXeT, even when
+it is contained inside right-to-left text.  Therefore \TeXXeT\ will
+insert additional \|beginM| and \|endM| math nodes such that
+material originating from math mode is always enclosed between properly
+paired math nodes.  Consequently \TeXXeT\ will never attempt hyphenation
+of `words' originating from math mode nor prevent hyphenation of words
+originating from horizontal mode.
+
+The additional math nodes introduced by \TeXXeT\ are, however,
+transparent to operations such as \|\lastpenalty| that inspect or remove
+the last node of a horizontal list.%
+\footnote{This was not the case for some earlier \TeXXeT\ implementations.}
+
+When \TeXXeT\ is enabled or disabled during the construction of a box,
+that box may contain text-direction directives or math nodes that are
+not properly paired.  Such unpaired nodes may cause warning messages
+when the box is shipped out.  It is, therefore, advisable that \TeXXeT\
+be enabled or disabled only in vertical mode.
+
+\section{Syntax Extensions for \eTeX}
+
+\subsection{Mode-Independent Commands}
+
+The syntax for \TeX's mode-independent commands, as described in the
+first part of Chapter~24 of \TeXbook, is extended by modifications of
+existing commands as well as by new commands.
+
+First, \eTeX\ has 32768 \|\count|, \|\dimen|, \|\skip|, \|\muskip|,
+\|\box|, and \|\toks| registers instead of \TeX's 256.  Thus it allows
+a \<15-bit number> instead of an \<8-bit number> in almost all syntax
+constructions referring to these registers; the only exception to this is
+the \|\insert| command:  insertion classes are restricted to the range
+0--254 in \eTeX\ as they are in \TeX.
+
+Next, \eTeX\ extends the list of \TeX's internal quantities:
+\begin{syntax}
+<internal integer>\is\more  \alt|\eTeXversion|
+  \alt|\interactionmode|\alt<penalties><number>
+  \alt|\lastnodetype|\alt|\currentgrouplevel|\alt|\currentgrouptype|
+  \alt|\currentiflevel|\alt|\currentiftype|\alt|\currentifbranch|
+  \alt|\gluestretchorder|<glue>\alt|\glueshrinkorder|<glue>
+  \alt|\numexpr|<integer expr><optional spaces and |\relax|>
+<penalties>\is|\interlinepenalties|\alt|\clubpenalties|
+  \alt|\widowpenalties|\alt|\displaywidowpenalties|
+<internal dimen>\is\more
+  \alt|\parshapeindent|<number>\alt|\parshapelength|<number>
+  \alt|\parshapedimen|<number>
+  \alt|\gluestretch|<glue>\alt|\glueshrink|<glue>
+  \alt|\fontcharht|<font><8-bit number>%
+  \alt|\fontcharwd|<font><8-bit number>
+  \alt|\fontchardp|<font><8-bit number>%
+  \alt|\fontcharic|<font><8-bit number>
+  \alt|\dimexpr|<dimen expr><optional spaces and |\relax|>
+<internal glue>\is\more  \alt|\mutoglue|<muglue>
+  \alt|\glueexpr|<glue expr><optional spaces and |\relax|>
+<internal muglue>\is\more  \alt|\gluetomu|<glue>
+  \alt|\muexpr|<muglue expr><optional spaces and |\relax|>
+\end{syntax}
+
+The additional possibilities for \<integer parameter> are:
+\begin{paramlist}
+\|\TeXXeTstate|\quad(positive if mixed-direction typesetting is enabled)
+
+\|\tracingassigns|\quad(positive if showing assignments)
+
+\|\tracinggroups|\quad(positive if showing save groups)
+
+\|\tracingifs|\quad(positive if showing conditionals)
+
+\|\tracingscantokens|\quad(positive
+   if showing the opening and closing of \|\scantokens| pseudo-files)
+
+\|\tracingnesting|\quad(positive
+   if showing improper nesting of groups and conditionals within files)
+
+\|\predisplaydirection|\quad(text direction preceding a display)
+
+\|\lastlinefit|\quad(adjustment
+   ratio for last line of paragraph, times 1000)
+
+\|\savingvdiscards|\quad(positive
+   if saving items discarded from vertical lists)
+
+\|\savinghyphcodes|\quad(positive
+   if \|\patterns| saves \|\lccode| values as hyphenation codes)
+\end{paramlist}
+\noindent
+Note that the \eTeX\ state variable \|\TeXXeTstate| (the only one so
+far) is an \<integer parameter>.  That need not be the case for all
+future state variables; it might turn out that some future enhancements
+can be enabled and disabled only globally, not subject to grouping.
+
+The additional possibilities for \<token parameter> are:
+\begin{paramlist}
+\|\everyeof|\quad(tokens to insert when an \|\input| file ends)
+\end{paramlist}
+
+Here is the syntax for \eTeX's expressions:
+\begin{syntax}
+<integer expr>\is<integer term>
+  \alt<integer expr><add or sub><integer term>
+<integer term>\is<integer factor>
+  \alt<integer term><mul or div><integer factor>
+<integer factor>\is<number>
+  \alt<left paren><integer expr><right paren>
+<dimen expr>\is<dimen term>
+  \alt<dimen expr><add or sub><dimen term>
+<dimen term>\is<dimen factor>
+  \alt<dimen term><mul or div><integer factor>
+<dimen factor>\is<dimen>
+  \alt<left paren><dimen expr><right paren>
+<glue expr>\is<glue term>
+  \alt<glue expr><add or sub><glue term>
+<glue term>\is<glue factor>
+  \alt<glue term><mul or div><integer factor>
+<glue factor>\is<glue>
+  \alt<left paren><glue expr><right paren>
+<muglue expr>\is<muglue term>
+  \alt<muglue expr><add or sub><muglue term>
+<muglue term>\is<muglue factor>
+  \alt<muglue term><mul or div><integer factor>
+<muglue factor>\is<muglue>
+  \alt<left paren><muglue expr><right paren>
+<optional spaces and |\relax|>\is<optional spaces>
+  \alt<optional spaces>|\relax|
+<add or sub>\is<optional spaces>\ot+\alt<optional spaces>\ot-
+<div or mul>\is<optional spaces>\ot*\alt<optional spaces>\ot/
+<left paren>\is<optional spaces>\ot(
+<right paren>\is<optional spaces>\ot)
+\end{syntax}
+
+Next, \eTeX\ extends the syntax for assignments:
+\begin{syntax}
+<prefix>\is\more\alt|\protected|
+<simple assignment>\is\more
+  \alt<penalties assignment>
+  \alt|\readline|<number>[to]<control sequence>
+<penalties assignment>\is%
+  <penalties><equals><number><penalty values>
+<interaction mode assignment>\is\more
+  \alt|\interactionmode|<equals><2-bit number>
+\end{syntax}
+\noindent
+In a \<penalties assignment> for which the \<number> is $n$, the
+\<penalty values> are \<empty> if $n\le0$, otherwise they consist of $n$
+consecutive occurrences of \<number>.
+
+Finally, the remaining mode-independent \eTeX\ commands:
+
+\begin{itemize}
+\item
+\|\showgroups|, \|\showifs|, \|\showtokens|\<general text>.
+These commands are intended to help you figure out what \eTeX\ thinks it
+is doing.
+The \|\showtokens| command displays the token list \<balanced text>.
+
+\item
+\|\marks|\<15-bit number>\<general text>.  This command generalizes
+\TeX's \|\mark| command to 32768 distinct mark classes; the special case
+\|\marks0| is synonymous with \|\mark|.
+
+\end{itemize}
+
+\subsection{Vertical-Mode Commands}
+
+The syntax for \TeX's vertical-mode commands, as described in the second
+part of Chapter~24 of \TeXbook, is extended by \eTeX\ as follows:
+
+\begin{itemize}
+\item
+\|\pagediscards|, \|\splitdiscards|.
+These two commands are similar to \|\unvbox|.
+When \|\savingvdiscards| is positive, items discarded by the page
+builder and by the \|\vsplit| command are collected in two special
+lists.  One of these special lists is appended to the current vertical
+list (in the same way as \|\unvbox| appends the vertical list inside a
+vbox) and becomes empty.
+
+\item
+Here are the additional possibilities for \<horizontal command>:
+\begin{syntax}
+<horizontal command>\is\more
+  \alt|\beginL|\alt|\endL|\alt|\beginR|\alt|\endR|
+\end{syntax}
+
+\end{itemize}
+
+\subsection{Horizontal-Mode Commands}
+
+The syntax for \TeX's horizontal-mode commands, as described in
+Chapter~25 of \TeXbook, is extended by \eTeX\ as follows:
+
+\begin{itemize}
+\item
+Here are the additional possibilities for \<vertical command>:
+\begin{syntax}
+<vertical command>\is\more
+  \alt|\pagediscards|\alt|\splitdiscards|
+\end{syntax}
+
+\item
+\|\beginL|, \|\endL|, \|\beginR|, \|\endR| (text-direction commands).\\
+The use of these commands is illegal when the \TeXXeT\ enhancement is
+currently disabled; otherwise a \|beginL|, etc.\ text-direction node (a
+new kind of math node) is appended to the current horizontal list.
+These nodes delimit the beginning and end of hlist segments containing
+left-to-right~(L) or right-to-left~(R) text.  Before a paragraph is
+broken into lines, \|endL| and \|endR| nodes are added to terminate any
+unfinished L~or R~segments; when a paragraph is continued after display
+math mode, any such unfinished segments are automatically resumed,
+starting the new hlist with \|beginL| and \|beginR| nodes as necessary.
+
+\item
+\|\marks|\<15-bit number>\<general text>.  This command generalizes
+\TeX's \|\mark| command to 32768 distinct mark classes; the special case
+\|\marks0| is synonymous with \|\mark|.
+
+\end{itemize}
+
+\subsection{Math-Mode Commands}
+
+The syntax for \TeX's math-mode commands, as described in Chapter~26 of
+\TeXbook, is extended by \eTeX\ as follows:
+
+\begin{itemize}
+\item
+\|\left|\<delim>\<math mode material>\\
+\|\middle|\<delim>\<math mode material>\|...|\|\right|\<delim>\\
+(generalizing \TeX's
+\|\left|\<delim>\<math mode material>\|\right|\<delim>).\\
+For each \<math mode material> \eTeX\ begins a new group, starting out
+with a new math list (always in the same style) that begins with a left
+boundary item containing everything processed so far.  This group must
+be terminated with either `\|\middle|' or `\|right|', at which time the
+internal math list is completed with a new boundary item containing the
+new delimiter.  In the case of `\|\middle|', a new group is started
+again, in the case of `\|\right|', \eTeX\ appends an Inner atom to the
+current list; the nucleus of this atom contains the internal math list
+just completed.
+
+\end{itemize}
+
+\begin{thebibliography}{9}
+
+\bibitem{tripman}
+{\sl A torture test for \TeX\/},
+by Donald E.~Knuth, Stanford Computer Science Report~1027.
+
+\bibitem{etripman}
+{\sl A torture test for \eTeX\/},
+by The \NTS\ Team (Peter Breitenlohner and Bernd Raichle).
+Version~2, January 1998.
+
+\bibitem{webman}
+{\sl The WEB system of structured documentation\/},
+by Donald E.~Knuth,\hfil\break Stanford Computer Science Report~980.
+
+\bibitem{etexgen}
+{\sl How to generate \eTeX\/},
+by The \NTS\ Team (Peter Breitenlohner and Phil Taylor).
+Version~2, January 1998.
+
+\bibitem{texbook}
+\TeXbook\ (Computers and Typesetting, Vol.~A),
+by Donald E.~Knuth,
+Addison Wesley, Reading, Massachusetts, 1986.
+
+\bibitem{texet}
+
+{\sl Mixing right-to-left texts with left-to-right texts\/},
+by Donald~E. Knuth and Pierre MacKay,
+{\sl TUGboat\/} {\bf 8}, 14--25, 1987.
+
+\end{thebibliography}
+
+\end{document}
+
diff --git a/Master/texmf-dist/doc/etex/base/etex_ref.html b/Master/texmf-dist/doc/etex/base/etex_ref.html
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
+<HTML>
+<HEAD>
+   <TITLE>The e-TeX Short Reference Manual</TITLE>
+   <META NAME="GENERATOR" CONTENT="Mozilla/3.0Gold (Win95; I) [Netscape]">
+</HEAD>
+<BODY>
+
+
+<CENTER><P>The e-TeX Short Reference Manual<//P></CENTER>
+
+<CENTER><P>NTS team<BR>
+October 1996</CENTER>
+
+<P>Derived from a paper originally presented as:
+
+<CENTER><P>Philip Taylor, "e-TeX: a 100%-compatible successor to TeX"<BR>
+(Following humbly in the footsteps of the Grand Wizard) </CENTER>
+
+<P>in: Proceedings of the Ninth European TeX Conference EuroTeX'95, September
+4-8, 1995, Arnhem, The Netherlands, pp. 359-370. 
+
+<P>
+<HR>
+
+<H2>Table of Contents</H2>
+
+<OL>
+<LI><A HREF="#Introduction">Introduction</A> </LI>
+
+<LI><A HREF="#Installation">Installation</A> </LI>
+
+<LI><A HREF="#NewFeatures">The new features</A> </LI>
+
+</OL>
+
+<P>
+<HR>
+
+<H2>Table of new commands</H2>
+
+<UL>
+<LI><TT><A HREF="#beginL">\beginL</A></TT> </LI>
+
+<LI><TT><A HREF="#beginR">\beginR</A></TT> </LI>
+
+<LI><TT><A HREF="#botmarks">\botmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#detokenize">\detokenize</A></TT> </LI>
+
+<LI><TT><A HREF="#endL">\endL</A></TT> </LI>
+
+<LI><TT><A HREF="#endR">\endR</A></TT> </LI>
+
+<LI><TT><A HREF="#eTeXrevision">\eTeXrevision</A></TT> </LI>
+
+<LI><TT><A HREF="#eTeXversion">\eTeXversion</A></TT> </LI>
+
+<LI><TT><A HREF="#everyeof">\everyeof</A></TT> </LI>
+
+<LI><TT><A HREF="#firstmarks">\firstmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#currentgrouplevel">\currentgrouplevel</A></TT> </LI>
+
+<LI><TT><A HREF="#currentgrouptype">\currentgrouptype</A></TT> </LI>
+
+<LI><TT><A HREF="#ifcsname">\ifcsname</A></TT> </LI>
+
+<LI><TT><A HREF="#ifdefined">\ifdefined</A></TT> </LI>
+
+<LI><TT><A HREF="#interactionmode">\interactionmode</A></TT> </LI>
+
+<LI><TT><A HREF="#lastnodetype">\lastnodetype</A></TT> </LI>
+
+<LI><TT><A HREF="#marks">\marks</A></TT> </LI>
+
+<LI><TT><A HREF="#middle">\middle</A></TT> </LI>
+
+<LI><TT><A HREF="#predisplaydirection">\predisplaydirection</A></TT> </LI>
+
+<LI><TT><A HREF="#protected">\protected</A></TT> </LI>
+
+<LI><TT><A HREF="#readline">\readline</A></TT> </LI>
+
+<LI><TT><A HREF="#scantokens">\scantokens</A></TT> </LI>
+
+<LI><TT><A HREF="#showgroups">\showgroups</A></TT> </LI>
+
+<LI><TT><A HREF="#showtokens">\showtokens</A></TT> </LI>
+
+<LI><TT><A HREF="#splitfirstmarks">\splitfirstmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#splitbotmarks">\splitbotmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#TeXXeTstate">\TeXXeTstate</A></TT> </LI>
+
+<LI><TT><A HREF="#topmarks">\topmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingassigns">\tracingassigns</A></TT> </LI>
+
+<LI><A HREF="#AdditionalTracingInformation"><TT>\tracingcommands</TT></A> </LI>
+
+<LI><TT><A HREF="#tracinggroups">\tracinggroups</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingifs">\tracingifs</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingscantokens">\tracingscantokens</A></TT> </LI>
+
+<LI><TT><A HREF="#unexpanded">\unexpanded</A></TT> </LI>
+
+<LI><TT><A HREF="#unless">\unless</A></TT> </LI>
+</UL>
+
+<P>
+<HR><A NAME="Introduction"></A>
+
+<H1>1 Introduction</H1>
+
+<P>e-TeX is the first concrete result of an international research &amp;
+development project, the <I>NTS</I> Project, which was established under
+the &aelig;gis of DANTE e.V. during 1992. The aims of the project are to perpetuate
+and develop the spirit and philosophy of TeX, whilst respecting Knuth's
+wish that TeX should remain frozen. 
+
+<P>The group were very concerned that unless there existed some evolutionary
+flexibility within which TeX could react to changing needs and environments,
+it might all too soon become eclipsed by more modern yet less sophisticated
+systems. Accordingly they agreed to investigate a possible successor or
+successors to TeX, successors which would enshrine and encapsulate all
+that was best in TeX whilst being freed from the evolutionary constraints
+which Knuth had placed on TeX itself. To avoid any suggestion that it was
+TeX which the group sought to develop against Knuth's wishes, a working
+title of <I>NTS</I> (for New Typesetting System) was chosen for the project.
+
+
+<P>During the initial meetings of the <I>NTS</I> group, it became clear
+that there were two possible approaches to developments based on TeX: an
+evolutionary path which would simply continue where Knuth had left off,
+and which would use as its basis the source code of TeX itself (i.e. <TT><A HREF="#TeX.Web">TeX.Web</A></TT>);
+the other a revolutionary path which would be based on a completely new
+implementation of TeX, using a modern rapid-prototyping language which
+could allow individual components of the system to be modified or replaced
+in a simple and straightforward manner. The group agreed that the latter
+(revolutionary) approach had much greater potential, but were aware that
+the re-implementation would be non-trivial, and would require external
+funding to bring it to fruition in finite time; accordingly they agreed
+to concentrate their initial efforts on the former (evolutionary) path,
+and set to work to specify and implement a direct derivative of TeX which
+became known as e-TeX (the <I>e</I> of e-TeX may be read as <I>extended</I>,
+<I>enhanced</I>, <I>evolutionary</I> or <I>European</I> at will(!), and
+is also an acknowledgement of the parallel developments which have lead
+the LaTeX&nbsp;3 team to modify their initial goal and to release an interim
+LaTeX, LaTeX2e, which is directly derived from the LaTeX sources. 
+
+<P>The group took as the starting point for the development of e-TeX the
+many contributions which had been made on <TT><A HREF="#NTS-L">NTS-L</A></TT>
+(the open mailing list on which discussions pertinent to e-TeX &amp; <I>NTS</I>
+take place), together with the extremely interesting list of ideas which
+Knuth gives at the end of <TT><A HREF="#TeX82.Bug">TeX82.Bug</A></TT>,
+and which he describes as <I>`Possibly nice ideas that will not be implemented'</I>
+(and which he contrasts with <I>`Bad ideas that will not be implemented'</I>!).
+Individual members of the group also contributed ideas of their own which
+had not necessarily been discussed publicly. All proposals were then subjected
+to a rigorous vetting procedure to ensure that they conformed to the e-TeX
+philosophy, which may be summarised as follows: 
+
+<BLOCKQUOTE>
+<P>e-TeX will in all ways demonstrate its affinity to, and derivation from,
+Knuth's TeX; it will be implemented as a change-file to <TT><A HREF="#TeX.Web">TeX.Web</A></TT>,
+and will not exploit features which could only be achieved by using a particular
+implementation, operating system or language; it will be capable of being
+used successfully on a machine as small as an 80286-based PC or similar.
+
+
+<P>At format-generation time, a user will have the option of generating
+either a TeX-compatible format or an e-TeX format; if the TeX-compatible
+format is subsequently used in conjunction with e-TeX, the result will
+be <A NAME="TripCompatible"></A><I>Trip-compatible</I> (i.e. indistinguishable
+from TeX proper). If an e-TeX format is generated and used in conjunction
+with e-TeX, then provided that none of the new e-TeX primitives are used,
+the results will be identical to those which would be produced using TeX
+proper. If an e-TeX format is used in conjunction with e-TeX and if one
+or more of the new e-TeX primitives are used, then those portions of the
+document which are affected by the new primitive(s) may be processed in
+a manner unique to e-TeX; other portions of the document will be processed
+in a manner identical to that of TeX proper. Only if an e-TeX format is
+used in conjunction with e-TeX and if an explicit assignment is made to
+one of the <A NAME="EnhancedMode"></A><I>enhanced-mode</I> variables to
+enable that particular enhanced mode will e-TeX behave in a manner which
+may be distinguishable from that of TeX even if no other reference to an
+e-TeX primitive occurs anywhere in the document. (These modes of operation
+are referred to as <A NAME="CompatibilityMode"></A><I>compatibility-mode</I>,
+<A NAME="ExtendedMode"></A><I>extended-mode</I> and <I>enhanced-mode</I>
+respectively.) 
+
+<P>All new e-TeX primitives will be syntactically identical to existing
+TeX primitives: that is, they will be either <I>control-words</I> or <I>control-symbols</I>
+within a normal category code r&eacute;gime. Where an analogous primitive exists
+within TeX, the corresponding e-TeX primitive(s) will occupy the same syntactic
+niche. Every effort will be made to ensure that new e-TeX primitives fit
+into the existing set of TeX datatypes; no new datatype will be introduced
+unless it is absolutely essential. 
+</BLOCKQUOTE>
+
+<P>In brief, this implies that e-TeX will follow the principle of least
+surprise: an existing TeX user, on using e-TeX for the first time, should
+not be surprised by e-TeX's behaviour, and should be able to take advantage
+of new e-TeX features without having either to unlearn some aspects of
+TeX or to learn some new e-TeX philosophy. 
+
+<P>
+<HR><A NAME="Installation"></A>
+
+<H1>2 Installation</H1>
+
+<P>It is intended that e-TeX be available ready-compiled for those systems
+for which pre-compiled binaries are the norm (e.g. MS-DOS, VMS, ...); for
+other systems such as Unix(TM), e-TeX is supplied as a change-file which
+will need to be applied to <TT><A HREF="#TeX.Web">TeX.Web</A></TT> in the
+normal way. However, since there will already be an implementation-specific
+change-file for the system of interest, some means will be required of
+merging <TT><A HREF="#TeX.Web">TeX.Web</A></TT> with not one but (at least)
+two change-files; possibilities include <I><A HREF="#PatchWeb">PatchWeb</A></I>,
+<I><A HREF="#Tie">Tie</A></I>, etc., but if none of these are available
+then <I><A HREF="#WebMerge">WebMerge</A></I>, a TeX script, is supplied
+and can be used as a slower but satisfactory alternative. In practice,
+two or three change-files will be needed: the e-TeX system-independent
+change-file, the TeX system-dependent change-file, and perhaps a small
+e-TeX system-dependent change-file. The system-independent e-TeX change-file
+is supplied as part of the e-TeX kit, and sample system-dependent e-TeX
+change-files are also supplied which may be used as a guide to those places
+at which system-dependent interactions are to be expected: an experienced
+implementor should have little difficulty in modifying one of these to
+produce an e-TeX system-dependent change-file for the system of interest.
+Once e-TeX has been tangled and woven, it should be compiled and linked
+in the normal way. 
+
+<P>Once a working binary (or binaries, for those systems which have separate
+executables for <TT>IniTeX</TT> and <TT>VirTeX</TT>) has been acquired
+or produced, the next step will be to generate a suitable format file or
+files. Whilst e-TeX can be used in conjunction with <TT><A
+HREF="src/plain.tex">Plain.TeX</A></TT> to produce a Plain <I>e-format</I>,
+it is better to use the supplied <TT><A HREF="#etex.src">etex.src</A></TT> file
+which supplements the e-TeX primitives with additional useful control
+sequences. 
+
+<P>When generating the format file, and regardless of the format source
+used, one fundamental decision must be made: is e-TeX to generate a <I><A HREF="#CompatibilityMode">compatibility
+mode</A></I> format, or an <I><A HREF="#ExtendedMode">extended mode</A></I>
+format? If the former, <I>all</I> e-TeX <A NAME="extension"></A>extensions
+and <A NAME="enhancement"></A>enhancements will be disabled, the format
+will contain only the TeX-defined set of primitives, and any subsequent
+use of the format in conjunction with e-TeX will result in completely TeX-compatible
+behaviour and semantics, including compatibility at the level of the <A HREF="#Trip">Trip</A>
+test. If the latter option, however, is selected, then all extensions present
+in e-TeX will automatically be activated, and the format file will contain
+not only the TeX-defined set of primitives but also those defined by e-TeX
+itself; any subsequent use of such a format in conjunction with e-TeX will
+result in e-TeX operating in <I><A HREF="#ExtendedMode">extended mode</A></I>;
+documents which contains no references to any of the e-TeX-defined primitives
+will continue to generate results identical to those which would have been
+produced were the document processed by TeX, but compatibility at the <A HREF="#Trip">Trip</A>-test
+level can no longer be accomplished, and of course any document which makes
+reference to an e-TeX primitive will generate results which could not have
+been accomplished using TeX. It should be noted that neither a <I><A HREF="#CompatibilityMode">compatibility
+mode</A></I> format nor an <I><A HREF="#ExtendedMode">extended mode</A></I>
+format may be used in conjunction with TeX itself; they are only suitable
+for use in conjunction with e-TeX, since formats are not in general portable.
+Finally it should be emphasised that even if an <I><A HREF="#ExtendedMode">extended
+mode</A></I> format is generated, any document processed using such a format
+but not referencing any e-TeX-defined primitive will produce results identical
+to those which would have been produced had the same document been processed
+using TeX; only if the document makes an explicit assignment to one of
+the <I><A HREF="#EnhancedMode">enhanced mode</A></I> state variables (<TT><A
+HREF="#TeXXeTstate">\TeXXeTstate</A></TT> is the only instance of these in V1
+of e-TeX) will compatibility with TeX be compromised: e-TeX is then said to be
+operating in <I><A HREF="#EnhancedMode">enhanced mode</A></I> rather than <I><A
+HREF="#ExtendedMode">extended mode</A></I>. 
+
+
+<P>The choice between generating a <I><A HREF="#CompatibilityMode">compatibility
+mode</A></I> format and an <I><A HREF="#ExtendedMode">extended mode</A></I>
+format is made at the point of specifying the format source file: assuming
+that the operating system supports command-line entry with parameters,
+then a normal TeX format-generation command would probably resemble: 
+
+<PRE>        initex plain \dump
+</PRE>
+
+<P>or if the more verbose interactive form is preferred: 
+
+<PRE>        initex
+        **plain
+        *\dump
+</PRE>
+
+<P>With e-TeX, exactly the same command will achieve exactly the same effect,
+and the format generated will be a <I><A HREF="#CompatibilityMode">compatibility-mode</A></I>
+format; thus assuming that the Ini-version of e-TeX is invoked with the
+command <TT>einitex</TT>, the following will both generate <I><A HREF="#CompatibilityMode">compatibility-mode</A></I>
+formats: 
+
+<PRE>        einitex plain \dump
+</PRE>
+
+<P>and 
+
+<PRE>        einitex
+        **plain
+        *\dump
+</PRE>
+
+<P>In order to generate an <I><A HREF="#ExtendedMode">extended mode</A></I>
+format, the file-specification for the format source file must be preceded
+by an asterisk (<TT>*</TT>); whilst this may seem an inelegant mechanism,
+it has the great advantage that it avoids almost all system dependencies
+(Graphical user interface (GUI) systems excepted, of course), and the asterisk
+as a component element of a filename is a very remote possibility (most
+filing systems reserve the asterisk as a `wild card' character, which can
+therefore not form a part of a real file name <I>per se</I>). Thus to generate
+an <I><A HREF="#ExtendedMode">extended mode</A></I> Plain format, the following
+dialogue may be used: 
+
+<PRE>        einitex *plain \dump
+</PRE>
+
+<P>or 
+
+<PRE>        einitex
+        ***plain
+        *\dump
+</PRE>
+
+<P>and to generate an <I><A HREF="#ExtendedMode">extended mode</A></I>
+<TT>etex.src</TT> format, the following instead: 
+
+<PRE>        einitex *etex.src \dump
+</PRE>
+
+<P>or 
+
+<PRE>        einitex
+        ***etex.src
+        *\dump
+</PRE>
+
+<P>Once suitable formats have been generated, they can then be used in
+conjunction both with <I>e-IniTeX</I> and <I>e-VirTeX</I> without further
+formality: in particular, no asterisk is needed (nor should be used!) if
+a format is specified, since the format implicitly defines (depending as
+its mode of generation) in which mode (compatibilty or extended) e-TeX
+will operate. Thus, for example, if a <TT>plain</TT> format had been generated
+in <I><A HREF="#CompatibilityMode">compatibility mode</A></I>, and an <TT>etex</TT>
+format had been generated in <I><A HREF="#ExtendedMode">extended mode</A></I>,
+then both: 
+
+<pRE>        einitex &amp;Plain
+</PRE>
+
+<P>and 
+
+<pRE>        evirtex &amp;plain
+</PRE>
+
+<P>will cause e-TeX to process any subsequent commands in <I><A HREF="#CompatibilityMode">compatibility
+mode</A></I>. On the other hand, both 
+
+<PRE>        einitex &amp;etex
+</PRE>
+
+<P>and 
+
+<PRE>        eVirTeX &amp;etex
+</PRE>
+
+<P>will cause e-TeX to process any subsequent commands in <I><A HREF="#ExtendedMode">extended
+mode</A></I>, <B>but only because the <TT>etex</TT> format was generated
+in <I><A HREF="#ExtendedMode">extended mode</A></I></B>: it is not the
+<B>name</B> of the format, nor is it the contents of the <B>source</B>
+of the format, which determine the mode of operation -- it is the <B>mode
+of operation</B> which was used when the format was generated. Any format
+generated in <I><A HREF="#CompatibilityMode">compatibility mode</A></I>
+will cause e-TeX to operate in <I><A HREF="#CompatibilityMode">compatibility
+mode</A></I> whenever it is used, whilst the equivalent format, built from
+the same source but generated in <I><A HREF="#ExtendedMode">extended mode,</A></I>
+will cause e-TeX to operate in <I><A HREF="#ExtendedMode">extended mode</A></I>
+whenever it is used. 
+
+<P>Although e-TeX is completely TeX-compatible, and there is therefore
+no real reason why any system should need both TeX and e-TeX, it is anticipated
+that until complete confidence exists in the compatibility of e-TeX many
+sites and users will prefer to retain instances of each. For this reason
+it is intended that change-files and binaries should ensure that both TeX
+and e-TeX can happily co-exist on any system by a careful choice of name-spaces.
+In the case of the reference VMS&nbsp;implementation, for example, this
+is accomplished by using the prefix &quot;etex_&quot; for each logical
+name which defines the e-TeX environment, in contrast to the prefix &quot;tex_&quot;
+which defines the analogous TeX environment; the &quot;etex_*&quot; logical
+names are defined as search lists which first reference an e-TeX specific
+location followed by the analogous location for TeX.
+
+<P>
+<HR><A NAME="NewFeatures"></A>
+
+<H1>3 The new features</H1>
+
+<P>Bearing in mind the contraints outlined in the introduction, the group
+identified 35 new primitives which they believed would give
+added functionality to e-TeX without compromising its compatibility with
+TeX; of the 35 new primitives, 29 are extensions (which by definition
+do not affect the semantics of existing TeX documents), whilst just six
+(all concerned with the implementation of <A HREF="#TeX--XeT">TeX--XeT</A>)
+are associated with an enhancement. In addition to the new primitives,
+additional functionality was added to some existing primitives, and TeX's
+behaviour in some unusual boundary conditions was made more robust (this
+last has been subsumed in the most recent version of TeX, so this is no
+longer e-TeX-specific). 
+
+<P>The new features are listed and briefly described below, clustered together
+to indicate related functionality.
+The technical terms used below to
+describe syntax entities as defined in <I><TT><A 
+HREF="knuth/texbook.tex">The
+TeXbook.</A></TT></I> 
+
+<H2>3.1 Additional control over expansion</H2>
+
+<UL>
+<LI><TT><A HREF="#protected">\protected</A></TT> </LI>
+
+<LI><TT><A HREF="#detokenize">\detokenize</A></TT> </LI>
+
+<LI><TT><A HREF="#unexpanded">\unexpanded</A></TT> </LI>
+</UL>
+
+<DL>
+<DT><A NAME="protected"></A><TT>\protected</TT> </DT>
+
+<DD>is a prefix, analogous to <TT>\long</TT>, <TT>\outer</TT>, and <TT>\global</TT>;
+it associates with the macro being defined an attribute which inhibits
+expansion of the macro in expansion-only contexts (for example, within
+the parameter text of a <TT>\write</TT> or <TT>\edef</TT>); if, however,
+the parser or command processor (TeX's `oesophagus' and `stomach', in
+Knuth's alimentary paradigm) is currently demanding a <I>command</I>, then
+the <TT>\protected</TT> macro will expand in the normal way. This behaviour
+is identical to that displayed by the explicit expansion of a token-list
+register through the use of <TT>\the</TT>; the same model is used elsewhere
+in e-TeX to achieve a consistent paradigm for <I>partial expansion</I>.
+</DD>
+
+<DT><A NAME="detokenize"></A><TT>\detokenize</TT>, </DT>
+
+<DD>when followed by a <I>&lt;general text&gt;</I>, expands to yield a
+sequence of character tokens of <TT>\catcode</TT> 10 (<I>space</I>) or
+12 (<I>other</I>) corresponding to a decomposition of the tokens of the
+<I>&lt;balanced text&gt;</I> of the unexpanded <I>&lt;general text&gt;&gt;</I>;
+c.f. <TT>\showtokens</TT>. The effect is rather as if <TT><A HREF="#scantokens">\scantokens</A></TT>
+(q.v.) were applied to the <I>&lt;general text&gt;</I> within a r&eacute;gime
+in which only <TT>\catcodes</TT> 10 and 12 existed. Note that in order
+to preserve the boundaries between <I>control words</I> and any following
+<I>letter</I>, a <I>space</I> is yielded after each control word including
+the last. </DD>
+
+<DT><A NAME="unexpanded"></A><TT>\unexpanded</TT>, </DT>
+
+<DD>when followed by a <I>&lt;general text&gt;</I>, expands to yield the
+<I>&lt;balanced text&gt;</I> of the unexpanded <I>&lt;general text&gt;</I>.
+No further expansion will occur if e-TeX is currently performing a <TT>\write</TT>,
+<TT>\edef</TT>, etc., but further expansion will occur if the parser or
+command processor is currently demanding a <I>command</I>. The effect is
+as if the <I>&lt;general text&gt;</I> were assigned to a token list register,
+and the latter were then partially expanded using <TT>\the</TT>, but no
+assignment actually takes place; thus <TT>\unexpanded</TT> can be used
+in expansion-only contexts. </DD>
+</DL>
+
+<H2>3.2 Provision for re-scanning already read text</H2>
+
+<UL>
+<LI><TT><A HREF="#readline">\readline</A></TT> </LI>
+
+<LI><TT><A HREF="#scantokens">\scantokens</A></TT> </LI>
+</UL>
+
+<DL>
+<DT><A NAME="readline"></A><TT>\readline</TT> </DT>
+
+<DD>is analogous to <TT>\read</TT>, but treats each character as if it
+were currently of <TT>\catcode</TT> 10 (<I>space</I>) or 12 (<I>other</I>);
+the text thus read is therefore suitable for being scanned and re-scanned
+(using <TT><A HREF="#scantokens">\scantokens</A></TT>, q.v.) under different
+<TT>\catcode</TT> r&eacute;gimes. </DD>
+
+<DT><A NAME="scantokens"></A><TT>\scantokens</TT>, </DT>
+
+<DD>when followed by a <I>&lt;general text&gt;</I>, decomposes the <I>&lt;balanced
+text&gt;</I> of the <I>&lt;general text&gt;</I> into the corresponding
+sequence of characters as if the <I>&lt;balanced text&gt;</I> were written
+unexpanded to a file; it then uses TeX's <TT>\input</TT> mechanism to re-process
+these characters under the current <TT>\catcode</TT> r&eacute;gime. As the <TT>\input</TT>
+mechanism is used, even hex notation (<TT>^^xy</TT>) will be re-interpreted.
+Parentheses and a single space representing the <I>pseudo-file</I> will
+be displayed if <TT><A HREF="#tracingscantokens">\tracingscantokens</A></TT>
+(q.v.) is positive and non-zero. </DD>
+</DL>
+
+<H2>3.3 Environmental enquiries</H2>
+
+<UL>
+<LI><TT><A HREF="#eTeXrevision">\eTeXrevision</A></TT> </LI>
+
+<LI><TT><A HREF="#eTeXversion">\eTeXversion</A></TT> </LI>
+
+<LI><TT><A HREF="#currentgrouplevel">\currentgrouplevel</A></TT> </LI>
+
+<LI><TT><A HREF="#currentgrouptype">\currentgrouptype</A></TT> </LI>
+
+<LI><TT><A HREF="#ifcsname">\ifcsname</A></TT> </LI>
+
+<LI><TT><A HREF="#ifdefined">\ifdefined</A></TT> </LI>
+
+<LI><TT><A HREF="#lastnodetype">\lastnodetype</A></TT> </LI>
+</UL>
+
+<DL>
+<DT><A NAME="eTeXrevision"></A><TT>\eTeXrevision</TT>: </DT>
+
+<DD>an primitive which expands to yield a sequence of character tokens
+of <TT>\catcode</TT> 12 (<I>other</I>; these represent the minor component
+of the combined version/revision number. Pre-release versions will be characterised
+by an initial <I>minus</I> sign (<TT>-</TT>), whilst post-release versions
+will be implicitly positive; both will contain an explicit leading decimal
+point, which will follow any minus sign present. </DD>
+
+<DT><A NAME="eTeXversion"></A><TT>\eTeXversion</TT>: </DT>
+
+<DD>an internal read-only integer representing the major component of the
+combined version/revision number. </DD>
+
+<DT><A NAME="currentgrouplevel"></A><TT>\currentgrouplevel</TT>: </DT>
+
+<DD>an internal read-only integer which returns the current group level
+(i.e. depth of nesting). </DD>
+
+<DT><A NAME="currentgrouptype"></A><TT>\currentgrouptype</TT>: </DT>
+
+<DD>an internal read-only integer which returns the type of the innermost
+group as an integer in the range 0..16. Textual definitions of these types
+may be provided through an associated macro library, but it is intended
+that these definitions shall be easily replaceable by national language
+versions in environments within which English language texts are sub-optimal.
+</DD>
+
+<DT><A NAME="ifcsname"></A><TT>\ifcsname</TT>: </DT>
+
+<DD>similar in effect to the sequence <TT>\unless</TT> <TT>\expandafter</TT>
+<TT>\ifx</TT> <TT>\expandafter</TT> <TT>\relax</TT> <TT>\csname</TT> but
+avoids the side-effect of the <I>cs-name</I> being ascribed the value <TT>\relax</TT>,
+and also does not rely on <TT>\relax</TT> having its canonical meaning.
+No hash-table entry is used if <I>cs-name</I> does not exist. (<TT><A HREF="#unless">\unless</A></TT>
+is explained below.) </DD>
+
+<DT><A NAME="ifdefined"></A><TT>\ifdefined</TT>: </DT>
+
+<DD>similar in effect to <TT><A HREF="#unless">\unless</A></TT> <TT>\ifx</TT>
+<TT>\undefined</TT>, but does not require <TT>\undefined</TT> to actually
+be undefined, since no explicit comparison is made with any particular
+control sequence. </DD>
+
+<DT><A NAME="lastnodetype"></A><TT>\lastnodetype</TT>: </DT>
+
+<DD>an internal read-only integer which returns the type of the last node
+on the current list as an integer in the range -1..15+ (only values -1..15
+are defined in the first release, but future releases may define additional
+values). Textual definitions of these types may be provided through an
+associated macro library. </DD>
+</DL>
+
+<H2>3.4 Generalisation of the <TT>\mark</TT> concept: a class of <TT>\marks</TT></H2>
+
+<UL>
+<LI><TT><A HREF="#marks">\marks</A></TT> </LI>
+
+<LI><TT><A HREF="#botmarks">\botmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#firstmarks">\firstmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#topmarks">\topmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#splitfirstmarks">\splitfirstmarks</A></TT> </LI>
+
+<LI><TT><A HREF="#splitbotmarks">\splitbotmarks</A></TT> </LI>
+</UL>
+
+<DL>
+<DT><A NAME="marks"></A><TT>\marks</TT>: </DT>
+
+<DD>this is one of Knuth's `possibly good ideas', listed at the end of <TT><A
+HREF="#TeX82.Bug">TeX82.Bug</A></TT>; whereas TeX has only one <TT>\mark</TT>,
+which has to be over-loaded if more than one class of information is to be
+saved (e.g. over-loading is necessary if separate information for recto and
+verso pages is to be maintained), e-TeX has a whole class of <TT>\marks</TT>
+(256, in the first release); thus rather than writing <TT>\mark</TT>
+<I>&lt;general text&gt;</I> as in TeX, in e-TeX one writes <TT>\marks</TT>
+<I>8-bit number</I> <I>&lt;general text&gt;</I>. For example,
+<TT>\marks&nbsp;0</TT> could be used to retain information for the verso page,
+whilst <TT>\marks 1</TT> could retain information for the recto. There are
+equivalent classes for the five <TT>\marks</TT> variables <A
+NAME="botmarks"></A><TT>\botmarks</TT>, <A
+NAME="firstmarks"></A><TT>\firstmarks</TT>, <A
+NAME="topmarks"></A><TT>\topmarks</TT>, <A
+NAME="splitfirstmarks"></A><TT>\splitfirstmarks</TT> and <A
+NAME="splitbotmarks"></A><TT>\splitbotmarks</TT>. It should be noted that
+<TT>\marks&nbsp;0</TT> and <TT>\mark</TT> are in fact identical, as are
+<TT>\topmarks&nbsp;0</TT> and \<TT>topmark</TT>, \<TT>botmarks&nbsp;0</TT> and
+<TT>\botmark</TT> and so on.</DD> 
+</DL>
+
+<H2>3.5 Bi-directional typesetting: the <A HREF="#TeX--XeT">TeX--XeT</A>
+primitives</H2>
+
+<UL>
+<LI><TT><A HREF="#TeXXeTstate">\TeXXeTstate</A></TT> </LI>
+
+<LI><TT><A HREF="#beginL">\beginL</A></TT> </LI>
+
+<LI><TT><A HREF="#beginR">\beginR</A></TT> </LI>
+
+<LI><TT><A HREF="#endL">\endL</A></TT> </LI>
+
+<LI><TT><A HREF="#endR">\endR</A></TT> </LI>
+
+<LI><TT><A HREF="#predisplaydirection">\predisplaydirection</A></TT> </LI>
+</UL>
+
+<P><A HREF="#TeX--XeT">TeX--XeT</A> was developed by Peter Breitenlohner
+based on the original <!--A HREF="TeX-XeT-TODO"-->TeX-XeT<!--/A--> of Donald Knuth
+and Pierre MacKay; whereas <!--A HREF="#TeX-XeT"-->TeX-XeT<!--/A--> generated non-standard
+<I>DVI</I> files, <A HREF="#TeX--XeT">TeX--XeT</A> generates perfectly
+normal <I>DVI</I> files which can therefore be processed by standard <I>DVI</I>
+drivers (assuming, of course, that the necessary fonts are available).
+Both systems permit the direction of typesetting (conventionally left-to-right
+in Western documents) to be reversed for part or all of a document, which
+is particularly useful when setting languages such as Hebrew or Arabic.
+
+
+<DL>
+<DT><A NAME="beginL"></A><TT>\beginL</TT>: </DT>
+
+<DD>indicates the start of a region (e.g. a section of text, or a pre-constructed
+<I>box</I>) which should be set left-to-right; </DD>
+
+<DT><A NAME="beginR"></A><TT>\beginR</TT>: </DT>
+
+<DD>indicates the start of a region which should be set right-to-left;
+</DD>
+
+<DT><A NAME="endL"></A><TT>\endL</TT>: </DT>
+
+<DD>indicates the end of a region which should be set left-to-right; </DD>
+
+<DT><A NAME="endR"></A><TT>\endR</TT>: </DT>
+
+<DD>indicates the end of a region which should be set right-to-left; </DD>
+
+<DT><A NAME="TeXXeTstate"></A><TT>\TeXXeTstate</TT>: </DT>
+
+<DD>an internal read/write integer, its value is zero or negative to indicate
+that <A HREF="#TeX--XeT">TeX--XeT</A> features are not to be used; a positive
+value indicates that they may be used. As the internal data structures
+built by <A HREF="#TeX--XeT">TeX--XeT</A> differ from those built by TeX,
+and as the typesetting of a document by <A HREF="#TeX--XeT">TeX--XeT</A>
+may therefore differ from that performed by TeX, <TT>\TeXXeTstate</TT>
+defaults to zero, and even if set positive during format creation will
+be re-set to zero before the format is dumped. Explicit user action therefore
+is required to enable <A HREF="#TeX--XeT">TeX--XeT</A> semantics, and <A HREF="#TeX--XeT">TeX--XeT</A>
+is therefore classed as an <I><A HREF="#enhancement">enhancement</A></I>,
+not simply an <I><A HREF="#extension">extension</A></I>. </DD>
+
+<DT><A NAME="predisplaydirection"></A><TT>\predisplaydirection</TT>: </DT>
+
+<DD>an internal read/write integer, initialised by e-TeX to indicate the
+direction of the last partial paragraph before a display; it is used to
+control the placement of elements such as equation numbers, and can be
+explictly set to affect this placement. </DD>
+</DL>
+
+<H2>3.6 Additional debugging features</H2>
+
+<UL>
+<LI><TT><A HREF="#interactionmode">\interactionmode</A></TT> </LI>
+
+<LI><TT><A HREF="#showgroups">\showgroups</A></TT> </LI>
+
+<LI><TT><A HREF="#showtokens">\showtokens</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingassigns">\tracingassigns</A></TT> </LI>
+
+<LI><TT><A HREF="#tracinggroups">\tracinggroups</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingifs">\tracingifs</A></TT> </LI>
+
+<LI><TT><A HREF="#tracingscantokens">\tracingscantokens</A></TT> </LI>
+
+<LI><A HREF="#AdditionalTracingInformation">Additional detail for <TT>\tracingcommands</TT></A>
+</LI>
+</UL>
+
+<DL>
+<DT><A NAME="interactionmode"></A><TT>\interactionmode</TT>: </DT>
+
+<DD>whereas in TeX there exist only explicit commands such as <TT>\scrollmode</TT>,
+<TT>\errorstopmode</TT>, etc., in e-TeX read/write access is provided via
+<TT>\interactionmode</TT> (an internal integer); assigning a numeric value
+sets the associated mode, whilst the current mode may be ascertained by
+interrogating its value. Symbolic definitions of these values may be provided
+through an associated macro library. </DD>
+
+<DT><A NAME="showgroups"></A><TT>\showgroups</TT>: </DT>
+
+<DD><I>(e-)TeX</I> has many different classes of <I>group</I>, which should
+normally be properly balanced and nested; if a nesting or imbalance error
+occurs, it can be <I>very</I> difficult to track down the source of the
+problem. <TT>\showgroups</TT> causes e-TeX to display the level and type
+of all active groups from the point within which it was called. </DD>
+
+<DT><A NAME="showtokens"></A><TT>\showtokens</TT>, </DT>
+
+<DD>when followed by a <I>&lt;general text&gt;</I>, displays a sequence
+of characters corresponding to the decomposition of the <I>&lt;balanced
+text&gt;</I> of the unexpanded <I>&lt;general text&gt;</I>; c.f. <TT><A HREF="#detokenize">\detokenize</A></TT>.
+</DD>
+
+<DT><A NAME="tracingassigns"></A><TT>\tracingassigns</TT>: </DT>
+
+<DD><TT>\tracingassigns</TT>
+(an internal read/write integer) causes e-TeX to display the
+contents of registers <em>before</em> an assignment, as well
+as after the assignment,
+while set to a positive non-zero value. In standard TeX, 
+only the value <em>after</em> the assignment can be displayed
+during a trace.
+</DD>
+
+<DT><A NAME="tracinggroups"></A><TT>\tracinggroups</TT>: </DT>
+
+<DD>a further aid to debugging runaway-group problems, <TT>\tracinggroups</TT>
+(an internal read/write integer) causes e-TeX to trace entry and exit to
+every group while set to a positive non-zero value. </DD>
+
+<DT><A NAME="tracingifs"></A><TT>\tracingifs</TT>: </DT>
+
+<DD> <tt>\tracingifs</tt> is an aid to debugging the expansion of conditionals.
+If it is set to a positive non-zero value, e-TeX traces the flow of
+control through conditional statements.</DD>
+
+<DT><A NAME="tracingscantokens"></A><TT>\tracingscantokens</TT>: </DT>
+
+<DD>an internal read/write integer, assigning it a positive non-zero value
+will cause an open-parenthesis and space to be displayed whenever <TT><A HREF="#scantokens">\scantokens</A></TT>
+is invoked; the matching close-parenthesis will be recorded when the scan
+is complete. If a traceback occurs during the expansion of <TT><A HREF="#scantokens">\scantokens</A></TT>,
+the first displayed line number will reflect the logical line number of
+the pseudo-file created from the parameter to <TT><A HREF="#scantokens">\scantokens</A></TT>;
+thus enabling <TT>\tracingscantokens</TT> can assist in identifying why
+an seemingly irrational line number is shewn as the source of error (the
+traceback always continues until the line number of the actual source file
+is displayed). </DD>
+
+<DT><A NAME="AdditionalTracingInformation"></A>Additional tracing information:
+</DT>
+
+<DD>If <TT>\tracingcommands</TT> is greater than 2, additional information
+is displayed (the maximum value defined in standard TeX is 2). </DD>
+</DL>
+
+<H2>3.7 Miscellaneous primitives</H2>
+
+<UL>
+<LI><TT><A HREF="#everyeof">\everyeof</A></TT> </LI>
+
+<LI><TT><A HREF="#middle">\middle</A></TT> </LI>
+
+<LI><TT><A HREF="#unless">\unless</A></TT> </LI>
+</UL>
+
+<DL>
+<DT><A NAME="everyeof"></A><TT>\everyeof</TT>: </DT>
+
+<DD>this is another of Knuth's `possibly good ideas', listed at the end of
+<TT><A HREF="#TeX82.Bug">TeX82.Bug</A></TT>; analogous to the other
+<TT>\every...</TT> primitives, it takes as parameter a <I>&lt;balanced
+text&gt;</I>, the tokens of which are inserted when the end of a file (either
+real or virtual, if <TT><A HREF="#scantokens">\scantokens</A></TT> is used) is
+reached. This allows <TT>\input</TT> statements to be used within the
+replacement text of <TT>\edef</TT>s, and allows totally arbitrary files to be
+<TT>\input</TT> within an e-TeX conditional, since the necessary <TT>\fi</TT>
+can be inserted before e-TeX complains that it has fallen off the end of the
+file. It should be noted that the <code>\everyeof</code> tokens are <em>not</em>
+inserted if the end-of-file is forced through the use of <code>\endinput</code>.
+</DD> 
+
+<DT><A NAME="middle"></A><TT>\middle</TT>: </DT>
+
+<DD>analogous to TeX's <TT>\left</TT> and <TT>\right</TT>, <TT>\middle</TT>
+specifies that the following delimiter is to serve both as a right and
+left delimiter; it will be set with spacing appropriate to a right delimiter
+w.r.t. the preceding atom(s), and with spacing appropriate to a left delimiter
+w.r.t. the succeeding atom(s). A particularly nice 
+<a href="http://vzdmzi.zdv.uni-mainz.de/~knappen/jk006.html">example</a> 
+of its use
+has kindly been provided by 
+<a href="mailto:knappen@vkpmzd.kph.uni-mainz.de">J&ouml;rg Knappen</a></DD>
+
+<DT><A NAME="unless"></A><TT>\unless</TT>: </DT>
+
+<DD>TeX has, by design, a rather sparse set of conditional primitives:
+<TT>\ifeof</TT>, <TT>\ifodd</TT>, <TT>\ifvoid</TT>, etc., have no complementary
+counterparts. Whilst this normally poses no problems since each accepts
+both a <TT>\then</TT> (implicit) and an <TT>\else</TT> (explicit) part,
+they fall down when used as the final <TT>\if...</TT> of a <TT>\loop ...
+\if ... \repeat</TT> construct, since no <TT>\else</TT> is allowed after
+the final <TT>\if...</TT>. <TT>\unless</TT> allows the sense of all Boolean
+conditionals to be inverted, and thus (for example) <TT>\unless</TT>
+<TT>\ifeof</TT> yields <I>true</I> iff end-of-file has <I>not</I> yet been
+reached. 
+<a href="mailto:dak@neuroinformatik.ruhr-uni-bochum.de"">David Kastrup</a> has
+correctly pointed out that a similar effect can be achieved by macro
+programming, but the solution is not sufficiently general to allow it to be
+used unchanged in all contexts in which the new <tt>\unless</tt> primitive can
+be used.</DD> 
+</DL>
+
+<HR>
+
+<H2>References:</H2>
+
+<DL>
+<DT><A NAME="TeX.Web"></A><B><TT>TeX.Web</TT></B> </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/knuth/tex/tex.web">tex-archive/systems/knuth/tex/tex.web</A>
+</DD>
+
+<DT><A NAME="TeX82.Bug"></A><B><TT>TeX82.Bug</TT></B> </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/knuth/errata/tex82.bug">tex-archive/systems/knuth/errata/tex82.bug</A>
+</DD>
+
+<DT><A NAME="Trip"></A><B><TT>Trip</TT> test</B> </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/knuth/tex/tripman.tex">tex-archive/systems/knuth/tex/tripman.tex</A>
+</DD>
+
+<DT><A NAME="Plain.TeX"></A><B><TT>Plain.TeX</TT></B> </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/knuth/lib/plain.tex">tex-archive/systems/knuth/lib/plain.tex</A>
+</DD>
+
+<DT><A NAME="TeX--XeT"></A><B>TeX--XeT</B> </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/knuth/tex--xet/">tex-archive/systems/knuth/tex--xet</A>
+</DD>
+
+<dt><a name="etex.src"></a><b><tt>etex.src</tt></b></dt>
+
+<dd><a href="src/etex.src">etex.src</a></dd>
+
+<DT><A NAME="NTS-L"></A><B>Discussion List <TT>NTS-L</TT></B> </DT>
+
+<DD>Subscribe with e-mail to the Listserver program 
+<A HREF="mailto:listserv@vm.urz.uni-heidelberg.de">
+listserv@urz.uni-heidelberg.de</A>
+</DD>
+
+<DT><A NAME="Tie"></A><B>Tie</B> (written in C) </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.tex.ac.uk/tex-archive/web/tie/">tex-archive/web/tie</A>
+</DD>
+
+<DT><A NAME="WebMerge"></A><B>WebMerge</B> (written in TeX) </DT>
+
+<DD><a href="webmerge.tex">webmerge.tex</a></DD>
+
+<DT><A NAME="PatchWeb"></A><B>PatchWeb</B> (for PC, bundled with "dos-tp") </DT>
+
+<DD>CTAN: <A HREF="ftp://ftp.dante.de/tex-archive/systems/msdos/dos-tp/">tex-archive/systems/msdos/dos-tp/</A>
+</DD>
+</DL>
+
+<P>
+<HR>
+
+<ADDRESS>The NTS team</ADDRESS>
+
+<hr>
+Put on the WWW by Bernd Raichle, member of the NTS group;<br>
+subsequently updated by Philip Taylor, 
+with corrections by Peter Breitenlohner.<br>
+last updated:  30-JUL-1997 19:31:47 (PT)<br>
+<FORM METHOD="POST" ACTION="http://www.webtechs.com/cgi-bin/html-check.pl">
+<INPUT NAME="recommended" VALUE="0" TYPE="hidden">
+<INPUT NAME="level" VALUE="Wilbur" TYPE="hidden">
+<INPUT NAME="input" VALUE="0" TYPE="hidden">
+<INPUT NAME="esis" VALUE="0" TYPE="hidden">
+<INPUT NAME="render" VALUE="0" TYPE="hidden">
+<a href="http://ugweb.cs.ualberta.ca/~gerald/validate
+	/?url=http://www.rhbnc.ac.uk/e-TeX/etex_ref.html">
+<img src="/www/logos/invalid_html3_2.gif" alt="HTML 3.2 Checked!">
+</a>
+<INPUT NAME="URLs" 
+       VALUE="http://www.rhbnc.ac.uk/e-TeX/etex_ref.html"
+       TYPE="hidden"
+>
+<INPUT TYPE="image" SRC="/www/logos/invalid_html_wilbur.gif">
+</FORM>
+</BODY>
+</HTML>
diff --git a/Master/texmf-dist/doc/etex/base/etex_src.html b/Master/texmf-dist/doc/etex/base/etex_src.html
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+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0//EN">
+<html>
+<head><title>The "etex.src" file and its adjuncts: V2.0</title>
+</HEAD><BODY>
+<H1>The e-T<sub><big>E</big></sub>X format source file 
+<code>"etex.src" (V2.0)</code></H1>
+<p>
+The primary e-TeX format source file, <code>"etex.src"</code>, is in principle
+merely a wrapper for <code>"plain.tex"</code>, providing modified definitions
+for some Plain TeX commands (at present, just
+one:&nbsp;<code>\tracingall</code>), improving and generalising
+the register allocation mechanism, and adding new commands
+<p>
+In so doing, we have taken the opportunity to 
+(a)&nbsp;provide intrinsic support for multiple-language
+typesetting (by deferring the processing of patterns and exceptions until a
+rudimentary language-handling environment has been defined), 
+(b)&nbsp;provide a local as well as a global register allocation mechanism, 
+(c)&nbsp;provide for the allocation of blocks of registers as well as single 
+	registers, 
+(d)&nbsp;provide a means of allocating and accessing <em>vectors</em>
+	(monodimensional arrays) of registers, and finally
+(e)&nbsp;provide a simple but effective module-handling system, to allow e-TeX
+ancilliary source files to be structured as libraries rather than as flat
+linear text files. 
+<p>
+As the new commands and other features are not documented elsewhere,
+a brief explanation of their syntax and semantics is provided here. 
+<p>
+<dl>
+<dt><code>\tracingall</code></dt>
+<dd>The definition is augmented to enable tracing for the new e-TeX
+        tracing primitives <code>\tracingassigns</code>, 
+        <code>\tracinggroups</code>, <code>\tracingifs</code>,
+        <code>\tracingnesting</code> 
+        and <code>\tracingscantokens</code>; the numeric value assigned
+        to the TeX primitives <code>\tracingcommands</code> and
+	<code>\tracinglostchars</code> is increased 
+        as e-TeX will report additional detail in these circumstances.
+        <p>
+</dd>
+
+<dt><code>\eTeX</code></dt>
+<dd>A simple implementation of the e-TeX logo; a more sophisticated version,
+    capable of being used in maths sub/superscripts for example, may find
+    its way into <code>etexdefs.lib</code> in due course.
+    <p>
+</dd>
+
+<dt><code>\loggingall</code></dt>
+<dd>This command is equivalent to the sequence <code>\tracingall</code>
+        <code>\tracingonline = 0 </code>.
+        <p>
+</dd>
+
+<dt><code>\tracingnone</code></dt>
+<dd>This command restores the initial state of the various 
+        <code>\tracing...</code> primitives following use of 
+        <code>\tracingall</code> or <code>\loggingall</code>.
+        <p>
+</dd>
+
+<dt><code>\newmarks</code></dt>
+<dd>As e-TeX provides 2<sup>15</sup> <code>\marks</code> rather than the single
+        <code>\mark</code> of TeX, an allocator mechanism is required; we 
+         believe that <code>\marks</code> are closer to
+        <code>\box</code>es than to (say) <code>\count</code>s or
+        <code>\dimen</code>s and so have provided an analogous allocation
+        mechanism, in that <code>\newmarks</code>&nbsp&lt;<code><em>control
+        sequence or active character</em></code>&gt; assigns a <em>numeric
+        value</em> to the parameter rather than making it a synonym for an
+        actual <code>\mark</code>; this numeric value can then be used to access
+        individual <code>\marks</code>, <code>\topmarks</code>,
+        <code>\splitbotmarks</code>,&nbsp;etc., as in 
+<pre>
+        \newmarks \rectomarks
+         . . .
+        \marks \rectomarks {This may form part of the recto running head}
+         . . .
+        \leftline {\topmarks \rectomarks}
+</pre>
+        It should be noted that as <code>\marks 0</code> is synonymous with
+        <code>\mark</code>, <code>\newmarks</code> will never allocate that
+        particular value.
+        <br><em><strong>Note:</strong></em> 
+	This command was called <code>\newmark</code> in V1.1; the alternative
+	spelling has been retained for compatibility, although it is now classed
+	as deprecated.
+        <p>        
+</dd>
+
+<dt>
+<code>\globbox</code>,
+<code>\globcount</code>,
+<code>\globdimen</code>,
+<code>\globmarks</code>,
+<code>\globmuskip</code>,
+<code>\globskip</code>,
+<code>\globtoks</code>
+</dt>
+<dd>
+Analogous to TeX's <code>\newbox</code> (etc), these commands globally allocate
+registers from e-TeX's extended register pool (i.e.&nbsp;from the register
+range from 2<sup>0</sup> (for \marks) or from 2<sup>8</sup> 
+(for all other classes) to 2<sup>15</sup>-1).  Registers are globally 
+allocated from the lower end of the range.
+<p>
+</dd>
+<dt>
+<code>\locbox</code>,
+<code>\loccount</code>,
+<code>\locdimen</code>,
+<code>\locmarks</code>,
+<code>\locmuskip</code>,
+<code>\locskip</code>,
+<code>\loctoks</code>
+</dt>
+<dd>
+Analogous to <code>\globbox</code> (etc), these commands locally allocate
+registers from e-TeX's extended register pool (i.e.&nbsp;from the register
+range from 2<sup>0</sup> (for \marks) or from 2<sup>8</sup> 
+(for all other classes) to 2<sup>15</sup>-1).  Registers are locally
+allocated from the upper end of the range.
+<p>
+</dd>
+<dt>
+<code>\globboxblk</code>,
+<code>\globcountblk</code>,
+<code>\globdimenblk</code>,
+<code>\globmarksblk</code>,
+<code>\globmuskipblk</code>,
+<code>\globskipblk</code>,
+<code>\globtoksblk</code>
+</dt>
+<dd>
+These commands extend <code>\globbox</code> (etc) by globally allocating 
+contiguous blocks of registers from e-TeX's extended register pool.  
+The syntax used is:
+<pre>
+        \glob(whatever)blk &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be
+expressed as a balanced text if it exceeds a single token.  
+The &lt;control sequence or active character&gt; will be
+<code>\mathchardef</code>'d to the ordinal of the lowest register allocated. 
+<p>
+</dd>
+<dt>
+<code>\locboxblk</code>,
+<code>\loccountblk</code>,
+<code>\locdimenblk</code>,
+<code>\locmarksblk</code>,
+<code>\locmuskipblk</code>,
+<code>\locskipblk</code>,
+<code>\loctoksblk</code>
+</dt>
+<dd>
+These commands extend <code>\locbox</code> (etc) by locally allocating 
+contiguous blocks of registers from e-TeX's extended register pool.
+The syntax used is:
+<pre>
+        \loc(whatever)blk &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be
+expressed as a balanced text if it exceeds a single token. 
+The &lt;control sequence or active character&gt; will be
+<code>\mathchardef</code>'d to the ordinal of the lowest register allocated. 
+<p>
+</dd>
+<dt>
+<code>\globcountvector</code>,
+<code>\globdimenvector</code>,
+<code>\globmuskipvector</code>,
+<code>\globskipvector</code>,
+<code>\globtoksvector</code>
+</dt>
+<dd>
+An extension to <code>\globcountblk</code> (etc), these commands use 
+e-TeX's arithmetic expression capabilities to globally allocate 
+vectors of boxes (etc) from e-TeX's extended register pool.  
+The syntax used is:
+<pre>
+        \glob(whatever)vector &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be 
+expressed as a balanced text if it exceeds a single token.  Once the 
+vector has been defined, element <em>m</em> can be accessed in both left- 
+and right-hand contexts as 
+<pre>
+        &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+where 0 &lt;= <em>m</em> &lt; <em>n</em>.  As with <em>n</em>, <em>m</em>
+must be expressed as a balanced text if it exceeds a single token.  
+<p>
+</dd>
+<dt>
+<code>\globboxvector</code>,
+<code>\globmarksvector</code>,
+</dt>
+<dd>
+Analogous to but subtly different from the above, these commands use 
+e-TeX's arithmetic expression capabilities to globally allocate 
+vectors of boxes (etc) from e-TeX's extended register pool.  
+The syntax used is:
+<pre>
+        \glob(box-or-marks)vector &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be 
+expressed as a balanced text if it exceeds a single token.  Once the 
+vector has been defined, element <em>m</em> can be accessed in left-hand
+contexts as 
+<pre>
+        &lt;box-or-marks-referencer&gt; &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+and in right-hand contexts as
+<pre>
+        &lt;box-or-marks-dereferencer&gt; &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+where 0 &lt;= <em>m</em> &lt; <em>n</em>.  As with <em>n</em>, <em>m</em>
+must be expressed as a balanced text if it exceeds a single token.  
+<p>
+The significance of <code>&lt;box-or-marks-(de)referencer&gt;</code> is that
+boxes and marks are unlike other registers in that there exists a whole family
+of (de)referencers, one of which must be used in order to access
+the particular element required.  For boxes, the sole referencer is
+<code>\setbox</code>, whilst the possible dereferencers include 
+<code>\box</code>, 
+<code>\copy,</code>
+<code>\unhbox,</code>
+<code>\unvbox,</code>,
+<code>\unhcopy</code> and
+<code>\unvcopy</code>.
+For marks, the sole referencer is 
+<code>\marks</code>, whilst the possible dereferencers include
+<code>\topmarks</code>,
+<code>\firstmarks</code>,
+<code>\botmarks</code>,
+<code>\splitfirstmarks</code> and
+<code>\splitbotmarks</code>.
+<p>
+</dd>
+<dt>
+<code>\loccountvector</code>,
+<code>\locdimenvector</code>,
+<code>\locmuskipvector</code>,
+<code>\locskipvector</code>,
+<code>\loctoksvector</code>
+</dt>
+<dd>
+An extension to <code>\loccountblk</code> (etc), these commands use 
+e-TeX's arithmetic expression capabilities to locally allocate 
+vectors of boxes (etc) from e-TeX's extended register pool.  
+The syntax used is:
+<pre>
+        \loc(whatever)vector &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be 
+expressed as a balanced text if it exceeds a single token.  Once the 
+vector has been defined, element <em>m</em> can be accessed in both left- 
+and right-hand contexts as 
+<pre>
+        &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+where 0 &lt;= <em>m</em> &lt; <em>n</em>.  As with <em>n</em>, <em>m</em>
+must be expressed as a balanced text if it exceeds a single token.  
+<p>
+</dd>
+<dt><code>\locboxvector</code>,
+<code>\locmarksvector</code>,
+</dt>
+<dd>
+Analogous to but subtly different from the above, these commands use 
+e-TeX's arithmetic expression capabilities to locally allocate 
+vectors of boxes (etc) from e-TeX's extended register pool.  
+The syntax used is:
+<pre>
+        \loc(box-or-marks)vector &lt;control sequence or active char&gt; <em>n</em>
+</pre>
+where <em>n</em> specifies the length of the desired block.  As
+<em>n</em> is parsed as an undelimited parameter, it must be 
+expressed as a balanced text if it exceeds a single token.  Once the 
+vector has been defined, element <em>m</em> can be accessed in left-hand
+contexts as 
+<pre>
+        &lt;box-or-marks-referencer&gt; &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+and in right-hand contexts as
+<pre>
+        &lt;box-or-marks-dereferencer&gt; &lt;control sequence or active char&gt; <em>m</em>
+</pre>
+where 0 &lt;= <em>m</em> &lt; <em>n</em>.  As with <em>n</em>, <em>m</em>
+must be expressed as a balanced text if it exceeds a single token.  
+<p>
+The significance of <code>&lt;box-or-marks-(de)referencer&gt;</code> is that
+boxes and marks are unlike other registers in that there exists a whole family
+of (de)referencers, one of which must be used in order to access
+the particular element required.  For boxes, the sole referencer is
+<code>\setbox</code>, whilst the possible dereferencers include 
+<code>\box</code>, 
+<code>\copy,</code>
+<code>\unhbox,</code>
+<code>\unvbox,</code>,
+<code>\unhcopy</code> and
+<code>\unvcopy</code>.
+For marks, the sole referencer is 
+<code>\marks</code>, whilst the possible dereferencers include
+<code>\topmarks</code>,
+<code>\firstmarks</code>,
+<code>\botmarks</code>,
+<code>\splitfirstmarks</code> and
+<code>\splitbotmarks</code>.
+<p>
+</dd>
+<dt><code>\reserveinserts</code></dt>
+<dd>As there are now so many registers available, there is a risk that a macro
+package may allocate so many that there are none of the first 255 
+left for use by insertions (which cannot use the extended register set).
+<code>\reserveinserts</code> <em>n</em> allows a package writer or user to 
+reserve an additional <em>n</em> insertions above and beyond those already 
+allocated.  The syntax used is:
+<pre>
+        \reserveinserts <em>n</em>
+</pre>
+<em>n</em> must be expressed as a balanced text if it exceeds a single token.  
+<p>
+</dd>
+
+<dt><code>\load</code></dt>
+<dd>Although (Plain) TeX provides facilities for either
+        <code>\input</code>ting a complete file or for <code>\read</code>ing a
+        file line-by-line, it makes no provision for any intermediate level of
+        file access.  In e-TeX, we provide facilities for 
+        <code>\input</code>ting one or more named <em>modules</em> from a
+        suitably structured library file. The syntax used is: 
+<pre>
+        \load &lt;<em>module</em>&gt;[, &lt;<em>module</em>&gt;...] from &lt;<em>file</em>&gt;
+</pre>
+        whilst the library file itself should be structured as:
+<pre>
+        %% e-TeXlib Vx.y
+        \module {&lt;<em>name</em>&gt;}
+         . . .
+        \endmodule
+
+        \module {&lt;<em>name</em>&gt;}
+         . . .
+        \endmodule
+   
+         etc.  
+</pre>
+        The %% header is required, and the actual values in
+	<code>Vx.y</code> must correspond to the current version/revision
+        of e-TeX; for the current release, the header must therefore
+        be:
+<pre>
+        %% e-TeXlib V2.0
+</pre>
+        If a library file is changed during the lifetime of the system, it
+        is <em>recommended</em> (but not required) that this amendment be
+        recorded in a <em>cycle number</em> appended to the header;
+        a <em>cycle number</em> is of the form <code>;</code><em>digit[s]</em>,
+        and thus a valid header for the current release of e-TeX might be
+        any of:
+<pre>
+        %% e-TeXlib V2.0
+        %% e-TeXlib V2.0;1
+        %% e-TeXlib V2.0;247
+</pre>
+        etc.  The necessity for a perfect match between the library header
+         and the current version/revision of e-TeX may be relaxed in a future
+         release if it transpires that no changes in the structure of user
+         libraries are required for compatibility with future versions of e-TeX.
+        <p>
+</dd>
+
+<dt>Modules in the standard library (<code>etexdefs.lib</code>)</dt>
+<dd>
+e-TeX is distributed with a standard library which provides mnemonic
+names for the various values which can be returned by the new primitives.
+The library contains four modules: 
+<code>grouptypes</code>,
+<code>nodetypes</code>,
+<code>interactionmodes</code> and
+<code>iftypes</code>.  The standard format source, <code>etex.src</code>,
+loads <code>interactionmodes</code> by default; the others can be loaded
+using the appropriate one of the following:
+<pre>
+	\load grouptypes from etexdefs.lib
+	\load nodetypes from etexdefs.lib
+	\load iftypes from etexdefs.lib
+</pre>
+Once the relevant module has been loaded, the numeric values
+associated with each of the possible types/modes can be retrieved
+using one of the following commands with one of the parameters shewn:
+<pre>
+	\grouptypes
+			{simple}
+			{hbox}
+			{adjustedhbox}
+			{vbox}
+			{vtop}
+			{align}
+			{noalign}
+			{output}
+			{math}
+			{disc}
+			{insert}
+			{vcenter}
+			{mathchoice}
+			{semisimple}
+			{mathshift}
+			{mathleft}
+
+	\nodetypes
+			{char}
+			{hlist}
+			{vlist}
+			{rule}
+			{ins}
+			{mark}
+			{adjust}
+			{ligature}
+			{disc}
+			{whatsit}
+			{math}
+			{glue}
+			{kern}
+			{penalty}
+			{unset}
+			{maths}
+
+	\conditionaltypes
+			{charif}
+			{catif}
+			{numif}
+			{dimif}
+			{oddif}
+			{vmodeif}
+			{hmodeif}
+			{mmodeif}
+			{innerif}
+			{voidif}
+			{hboxif}
+			{vboxif}
+			{xif}
+			{eofif}
+			{trueif}
+			{falseif}
+			{caseif}
+			{definedif}
+			{csnameif}
+			{fontcharif}
+
+	\interactionmodes
+			{batch}
+			{nonstop}
+			{scroll}
+			{errorstop}
+</pre>
+</dd>
+
+<dt>Multiple language typesetting</dt>
+<dd>When TeX gained <code>\language</code> and
+        <code>\setlanguage</code> primitives with the advent of TeX 3.0, no
+        change was made to the Plain TeX source code to really exploit these
+        features with the single exception of the <code>\newlanguage</code>
+        command.  In "<code>etex.src</code>", we defer the loading of
+        <em>patterns</em> and <em>hyphenation exceptions</em> until a
+        rudimentary language handling environment has been defined.  We now
+        assume that the user (or rather the format-creator) will,
+	if required, modify the file
+        called "<code>language.def</code>" by adding the
+        various languages to be supported by the format.  Each entry apart from
+        the last in "<code>language.def</code>" is of the form: 
+<pre>
+        \addlanguage {&lt;<em>language</em>&gt;}
+                     {&lt;<em>patterns file</em>&gt;}
+                     {&lt;<em>exceptions file</em>&gt;}
+                     {&lt;<em>left hyphen min</em>&gt;}
+                     {&lt;<em>right hyphen min</em>&gt;} %%% shewn wrapped for clarity
+</pre>
+        The first line <em><strong>must</strong></em> be:
+<pre>
+        \addlanguage {USenglish}{hyphen.tex}{}{2}{3}
+</pre>
+        whilst the last must be
+<pre>
+        \uselanguage {USenglish}
+</pre>
+        to ensure that legacy documents not explicitly specifying a language
+	process in a manner identical to TeX (that is, using American English
+	patterns, exceptions and left- and right-hyphen minima).
+        In the absence of a suitable <code>language.def</code>
+        file, the default fallback mode (USenglish, with the canonical patterns,
+        exceptions and left- and right-hyphen minima for TeX) will be used.
+        Within the user document, <code>\uselanguage {&lt;<em>some
+        language</em>&gt;}</code> should be used to switch languages, which
+        will have the effect of loading appropriate patterns, exceptions, and
+        left- and right hyphen minima.  To allow the use of more powerful
+        language-handling environments (e.g.&nbsp;<a
+        href="http://homepage.cistron.nl/~jlbraams/babel.html">Babel</a>),
+        the <code>\uselanguage</code> command finishes by testing whether the
+        putative control sequence <code>\uselanguage@hook</code> is defined; if
+        it is, then it is expanded, passing as parameter the name of the
+        language to be used.  It should be noted that <code>\uselanguage</code>
+	is automatically invoked during the expansion of 
+	<code>\addlanguage</code> <em>prior</em> to the reading of patterns; 
+	a further hook, <code>\addlanguage@hook</code>, is invoked in an
+	identical manner <em>after</em> the reading of patterns and exceptions
+	so as to allow (for example) category-codes to be changed for the
+	duration of the pattern- and exception-loading régime.  This code is 
+	still classed as experimental, and if it transpires that a superior 
+	mechanism would improve the interface to 
+        <a href="http://homepage.cistron.nl/~jlbraams/babel.html">Babel</a>
+        or <a href="http://www.tex.ac.uk/CTAN/latex/">LaTeX</a>, it may be
+        enhanced in the future. 
+        <p>
+</dd>
+</dl>
+<p>
+The e-TeX format source "etex.src" is a product of 
+<a href="/e-TeX/NTS-Group.Html">the NTS group</a>. 
+<hr>
+<p>
+Please notify any errors in this document to <a
+href="http://www.vms.rhbnc.ac.uk/~chaa006/">its creator</a>;<br> 
+Last updated and
+<a href="http://validator.w3.org/check?url=http://www.rhbnc.ac.uk/e-TeX/v2/src/etex_src.html">
+validated
+</a>
+ 24-MAR-1998 19:45:12 
+/PT<br>
+<img src="/logos/vh40.gif" alt="W3C HTML 4.0 validated.">
+</body>
+</html>
diff --git a/Master/texmf-dist/doc/etex/base/legal.html b/Master/texmf-dist/doc/etex/base/legal.html
new file mode 100644
index 00000000000..986bb351b63
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/legal.html
@@ -0,0 +1,52 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
+<html>
+<head><title>e-TeX legal status</title>
+</HEAD><BODY>
+<H1>The legal status of e-T<sub><big>E</big></sub>X </H1>
+When <a href="http://www-cs-faculty.stanford.edu/~knuth/">Professor Donald
+E.&nbsp;Knuth</A> released TeX to the world, he did so in a simple and
+straightforward way which allowed users everywhere to benefit from his work
+whilst protecting them from pirated and illegal versions.  He did so without
+pages of legalese, using simple language and in terms that are readily
+understood <p> 
+In creating e-TeX, we have followed his example: we 
+release
+e-TeX to the world under exactly the same conditions as Don
+released TeX.  The name e-TeX is a trademark of the 
+<a href="nts-group.html">NTS group</a>,
+as are its typeset and HTML logos.  No package may describe
+itself as "e-TeX" unless (a)&nbsp;it is generated using the official
+source files from the e-TeX reference site, together with such
+system-dependent changes as are necessary and permitted in order
+for it to run on a specific system, and (b)&nbsp;it has been validated
+for conformity using the <a href="etrip.zip">e-TRIP</a> test.
+<p>
+No changes shall be made by anyone other than a member of the
+NTS group to any of the files which form a part of the e-TeX
+distribution.  If, for whatever reason, someone other than
+a member of the NTS group wishes to change such a file, then
+he or she shall (a) add a comment indicating the reason for,
+and nature of the change, together with the date and the name
+of the person making the change, and (b) shall save the changed
+file under a different name, so that there shall exist no
+risk of confusion between the changed file and the authoritative
+official version.
+<p>
+Although it is <em>preferred</em> that e-TeX be distributed in
+source form, it is recognised that there are systems for which
+binary distributions are the norm.  It is therefore
+<em>required</em> that any binary distribution of e-TeX be
+accompanied by a clear statement that the definitive sources
+for e-TeX are available free-of-charge at the
+<a href="http://www.rhbnc.ac.uk/e-TeX/">e-TeX reference site</a>.
+<p>
+With the exception of anything specifically referred to above,
+all components of the system known as "e-TeX" are
+released under exactly the same terms and conditions as the
+system known as "TeX".
+<p>
+Enjoy!
+<hr>
+Release date: 11th November 1996
+</body>
+</html>
diff --git a/Master/texmf-dist/doc/etex/base/nts-group.html b/Master/texmf-dist/doc/etex/base/nts-group.html
new file mode 100644
index 00000000000..f5da0833981
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/nts-group.html
@@ -0,0 +1,42 @@
+<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
+<html>
+<head><title>The NTS Group</title>
+</HEAD><BODY>
+<H1>The <em>N<sub><big>T</big></sub>S</em> Group</H1>
+The NTS group was created under the ægis of 
+<a href="http://www.dante.de/Welcome_english.html">
+<strong>D</strong><small><b>ANTE</b></small>&nbsp;e.<small>V</small></A> 
+at Hamburg in
+1992.  Its brief was "to perpetuate and develop the spirit and philosophy of
+TeX, whilst respecting Knuth's wish that TeX should remain frozen". 
+<p>
+The group is currently composed of the following members:
+<ul>
+<li><a href="mailto:joachim.lammarsch@urz.uni-heidelberg.de">
+	Joachim Lammarsch</a>, managing director;
+<li><a href="http://www.vms.rhbnc.ac.uk/~chaa006/">Philip Taylor</a>, 
+	technical director;
+<li><a href="mailto:peb@mppmu.mpg.de">Peter Breitenlohner</a>, 
+	head of e-TeX development;
+<li><a href="http://www.fi.muni.cz/~zlatuska/">Jiri Zlatuska</a>, 
+	head of NTS development;
+<li>
+<a href="http://www.informatik.uni-stuttgart.de/ifi/is/Personen/raichle.html">
+	Bernd Raichle</a>, 2-i/c, e-TeX & NTS projects;
+<li><a href="mailto:sowa@clio.rz.uni-duesseldorf.de">Friedhelm Sowa</a>, 
+	graphics and user interfaces.
+</ul>
+The group's primary activity at this time is the development of 
+<a href="http://www.rhbnc.ac.uk/e-TeX/">e-TeX</a>; in abeyance, awaiting
+adequate funding, is the much longer-term project "NTS" from which the group
+takes its name. 
+<p> 
+The group gratefully acknowledges the contribution made by
+previous members including, but not restricted to,
+Rainer Schöpf and Joachim Schrod.
+The group also gratefully acknowledges the support (both
+financial and otherwise) given by the members of 
+<strong>D</strong><small><b>ANTE</b></small>&nbsp;e.<small>V</small>.
+to the work of the project.
+</body>
+</html>
diff --git a/Master/texmf-dist/doc/etex/base/webmerge.tex b/Master/texmf-dist/doc/etex/base/webmerge.tex
new file mode 100644
index 00000000000..a55ac3e9301
--- /dev/null
+++ b/Master/texmf-dist/doc/etex/base/webmerge.tex
@@ -0,0 +1,392 @@
+% This is webmerge.tex
+% Copyright (C) 1995,96 by the NTS team; all rights are reserved.
+%
+\def\fileversion{V 1.1}
+\def\filedate{29 Mar 96}
+%
+% In order to generate e-TeX several change files have to be applied
+% (one after the other) to tex.web.  This can be done efficiently with
+% programs such as PATCHWEB or TIE.  If neither of these is available
+% the present program WEBMERGE can be used to merge several change
+% files into one change file that can then be used with TANGLE.
+%
+% If the web file or one of the change files contains tab of form feed
+% characters there is, however, a problem that can't be solved in a
+% satisfactory way.  This should not be a real problem since the
+% original tex.web and etex.ch don't contain these characters and there
+% is no real good reason why the system-dependent change files should
+% (except may be that some editors insist on converting sequences of
+% space characters into tabs).
+%
+% The problem is due to the fact that (an unmodified) TeX cannot write
+% tabs or form feeds to the output file.  Therefore WEBMERGE offers two
+% alternatives: if \ifallowtabs is false (by default) then tab and form
+% feed characters are invalid and lead to error messages; if this
+% happens one may use the command
+%    \allowtabstrue
+% to allow tab and form feed as valid input characters.  If they are
+% written to the output file they will appear as '^^I' and '^^L'.  This
+% must then be changed manually with a suitable editor before the output
+% from WEBMERGE can be used as input for TANGLE.
+%
+% Typically three change files are required to generate e-TeX, e.g.,
+%    1. etex.ch    (system independent changes for e-TeX)
+%    2. tex.ch     (system dependent changes for TeX)
+%    3. tex.ech    (additional system dependent changes for e-TeX)
+% The sequence commands (to be used with plain TeX)
+%    \input webmerge
+%    \webfile{tex.web}       % web file
+%    \changefile{etex.ch}    % 1. change file
+%    \changefile{tex.ch}     % 2. change file
+%    \changefile{tex.ech}    % 3. change file
+%    \outfile{etex.ch}       % output file, start processing
+% creates a combined change file `etex.ch'.
+% Webmerge uses a temporary file with default name `tmp.tmp',
+% the command
+%    \tempfile{<temp name>}
+% can be used to change that name.
+%
+% Webmerge is slow, therefore PATCHWEB or TIE should be used whenever
+% possible. The program checks for correct change files and gives error
+% messages similar to those of TANGLE and WEAVE.  The error recovery is,
+% however, rather limited.
+%
+% In case of problems please contact:
+%     Peter Breitenlohner peb@mppmu.mpg.de
+
+% We make @ signs act like letters, temporarily.
+\catcode`\@=11
+
+\newif\ifallowtabs % initially false
+\def\allowtabs{\catcode`\^^I=12 \catcode`\^^L=12 }
+\def\forbidtabs{\catcode`\^^I=15 \catcode`\^^L=15 }
+
+\toksdef\toks@ii=2
+
+% First we redefine plain.tex's \loop to allow the construction
+%     \loop ... \if... \else ... \repeat
+%
+\def\@iterate{\@body \expandafter\@iterate\fi}
+%
+% and to allow nested loops such as
+%     \loop{... \loop ... \if... \repeat ... \if...}\repeat
+% where the braces do not imply grouping
+%
+\def\loop#1\repeat{%
+  \toks@\expandafter{\@body}%
+  \toks@ii\expandafter{\@@body}%
+  \edef\@@body{\def\noexpand\@body{\the\toks@}%
+              \def\noexpand\@@body{\the\toks@ii}}%
+  \def\@body{#1}\@iterate \@@body}
+\let\@body=\empty
+\let\@@body=\empty
+
+%
+\def\@msg{\immediate\write\sixt@@n}
+\@msg{*** webmerge \fileversion\space <\filedate> ***}
+%
+% Conceptually the web file (web_0) is combined with the first change
+% file, ch_1, in order to produce a ficticious web file web_1. Then
+% web_1 is combined with ch_2 in order to produce web_2 etc.
+
+% The logic of merging is that of TANGLE and WEAVE.
+% With several change files there may, however, be changes on top of
+% changes, i.e., a line changed by one change file may be changed again
+% by another change file.
+
+% The program below uses quite a few control sequences, many of them
+% constructed dynamically.
+% The most important ones are \<i>read (<i>=0,1,...) used to obtain the
+% next line from web_<i>.  For reasons of efficiency they are \let to
+% either \<i>w (changing=false), \<i>c (changing=true), of \<i>e (file
+% has ended).
+% \<i>g is used to obtain the next line from ch_<i> and test for
+% @x/@y/@z,
+% \<i>prime (prime the change buffer) scans for the next @x from ch_<i>,
+% and \<i>match discards matching lines from web_<i-1> and ch_<i> until
+% an @y is found.
+
+\def\tempfile#1{\def\t@n{#1}}
+\def\t@n{tmp.tmp} % default tempfile name
+\newread\t@r      % read tempfile
+\newwrite\t@w     % write tempfile
+\def\t@o{\immediate\write\t@w} % write to tempfile
+\newwrite\o@w     % write output file
+\def\o@o{\immediate\write\o@w} % write to outfile
+
+\newcount\@nch    % number of change files
+\newcount\@num    % number of active changes
+\newcount\@res    % result from @x/@y/@z test
+\begingroup       % \@pct expands to `% '
+  \lccode`\1=`\%
+  \lowercase{\endgroup \def\@pct{1 }}
+%
+
+% We need macros to define read streams, count registers, and control
+% sequences dynamically (inside \edef)
+
+\def\@nrd#1{\ifx#1\relax \csname newread\endcsname#1\fi}
+\def\@nct#1{\ifx#1\relax \csname newcount\endcsname#1\else #1\z@ \fi}
+\def\@cs#1{\csname#1\endcsname}
+\def\@csi#1{\csname\@i#1\endcsname}
+\def\@dcs#1{\expandafter\def\csname#1\endcsname}
+\def\@ecsi#1{\expandafter\edef\csname\@i#1\endcsname}
+\def\@ncsi#1{\expandafter\noexpand\csname\@i#1\endcsname}
+\def\@read{\expandafter\noexpand\csname\@ii read\endcsname}
+\def\@ifx{\noexpand\ifx}
+\def\@ifnum{\noexpand\ifnum}
+\def\@ifeof{\noexpand\ifeof\@csi r}
+\def\@else{\noexpand\else}
+\def\@fi{\noexpand\fi}
+\def\@loop{\noexpand\loop}
+\def\@repeat{\noexpand\repeat}
+\def\@expa{\noexpand\expandafter\noexpand}
+\def\@expai#1{\expandafter\@expa\csname\@i#1\endcsname}
+
+\def\webfile#1{% define webfile
+   \ifnum\@nch=\m@ne \@nch\z@ \@dcs{0n}{#1}%
+   \else \@msg{\string\webfile{#1} ignored (out of order)}%
+   \fi}
+\def\changefile#1{% define a changefile
+   \ifnum\@nch<\z@
+      \@msg{\string\changefile{#1} ignored (missing \string\webfile)}%
+   \else \ifnum\@nch>8 \@msg{\string\changefile{#1} ignored (too many)}%
+   \else \advance\@nch\@ne \@dcs{\number\@nch n}{#1}%
+   \fi \fi}
+\def\outfile#1{% define outfile and process
+   \ifnum\@nch<\@ne
+      \@msg{\string\outfile{#1} ignored (missing \string\changefile)}%
+   \else \def\o@n{#1}\@init \@merge \@done
+   \fi}
+\def\@init{% initialize
+   \@msg{}\@msg{webmerge \fileversion\space <\filedate>}%
+   \immediate\openout\o@w=\o@n
+   \o@o{\@pct This is \o@n, a WEB change file produced by webmerge.tex}%
+   \begingroup
+   \def\do##1{\catcode`##1=12 }\dospecials
+   \ifallowtabs \allowtabs \else \forbidtabs \fi
+   \endlinechar=\m@ne
+   \count@\z@
+   \loop \edef\@i{\number\count@}\@@init
+   \ifnum\count@<\@nch \advance\count@\@ne \let\@ii\@i
+   \repeat
+   \o@o{}%
+   \@msg{out=\o@n, merging ...}}
+%
+% Here now is the quite complicated macro \@@init
+% its main purpose is to dynamically construct
+% the macro \<i>read that returns the next line of web_<i> in \@web
+% as well as various auxiliary macros \<i>...
+%
+\def\@@init{% initialize input file <i>
+   \edef\x{% define \read streams and \count registers
+      \noexpand\@nrd\@ncsi r% \newread\<i>r
+      \noexpand\@nct\@ncsi l% \newcount\<i>l (line number)
+      \noexpand\@nct\@ncsi s% \newcount\<i>s (status)
+   }\x \@csi l\z@ \@csi s\z@  % \<i>l=0 \<i>s=0
+   \openin\@csi r\@csi n % \openin\<i>r=\<i>n
+   \@msg{\ifeof\@csi runable to open input file
+      \else \ifnum\@i=\z@ web\else change \@i\fi =\fi \@csi n}%
+   \ifnum\count@=\z@ % <i>=0 for web file
+      \let\@web\relax
+%%
+%%    \def\0w{% return web_0 line (file not yet ended)
+%%       \read\0r to\@web \0s=0 % read from web_0, mark as unchanged
+%%       \ifeof\0r \0e \else \advance\0l by 1 \fi}
+%%
+      \@ecsi w{% return web_0 line (file not yet ended)
+         \read\@csi rto\@web \@csi s\z@
+         \@ifeof \@ncsi e\@else \advance\@csi l\@ne \@fi}%
+%%
+%%    \def\0e{% return web_0 line (file has ended)
+%%       \let\0read=\0e \let\@web=\relax}
+%%
+      \@ecsi e{% return web_0 line (file has ended)
+         \let\@ncsi{read}\@ncsi e\let\@web\relax}%
+%%
+%%    \ifeof\0r \0e \else \let\0read=\0w
+%%
+      \ifeof\@csi r\@csi e%
+      \else \edef\x{\let\@ncsi{read}\@ncsi w}\x
+      \fi
+      \o@o{\@pct to be applied to \@csi n}%
+      \o@o{\@pct combining the changes (one after the other) from}%
+   \else % <i>=1,2,3,... for change files
+      \o@o{\@pct \@i. \@csi n}%
+%%
+%%    \def\<i>g#1{% read change file and test for @x/@y/@z
+%%       \ifeof\<i>r \let\<i>x=\relax \@res=#1
+%%       \else \@res=0 \read\<i>r to\<i>x
+%%         \advance\<i>l by 1 \expandafter\@test\<i>x ab\@#1<i>
+%%       \fi}
+%%
+      \@ecsi g##1{% read change file and test for @x/@y/@z
+         \@ifeof \let\@ncsi x\relax \@res##1%
+         \@else \@res\z@ \read\@csi rto\@ncsi x%
+            \advance\@csi l\@ne \@expa\@test\@ncsi xab\noexpand\@##1\@i
+         \@fi}%
+%%
+%%    \def\<i>w{% return web_i line (changing is false)
+%%       \<i-1>read % get web_<i-1> line
+%%       \ifx\@web\<i>x % test for match
+%%         \expandafter\<i>match % match lines from web_i-i and ch_i
+%%       \fi} % else return web_<i-1> line
+%%
+      \@ecsi w{% return web_i line (changing is false)
+         \@read \@ifx\@web\@ncsi x\@expai{match}\@fi}%
+%%
+%%    \def\<i>c{% return web_i line (changing is true)
+%%       \<i>g 3 % get ch_i line and test for @z
+%%       \ifnum\@res=3 % @z found
+%%          \@echg <i> % deactivate a change
+%%          \<i>prime % prime the change buffer
+%%          \expandafter\<i>read % read again, now from web_<i-1>
+%%       \else \@mod\<i>x % return ch_i line, mark as changed (\0s=1)
+%%       \fi}
+%%
+      \@ecsi c{% return web_i line (changing is true)
+         \@ncsi g\thr@@
+         \@ifnum\@res=\thr@@
+            \noexpand\@echg\@i \@ncsi{prime}\@expai{read}%
+         \@else \noexpand\@mod\@ncsi x%
+         \@fi}%
+%%
+%%    \def\<i>e{% return web_i line (change file has ended)
+%%       \<i-1>read} % return web_<i-1> line
+%%
+      \@ecsi e{% return web_i line (change file has ended)
+         \@read}%
+%%
+%%    \def\<i>prime{% prime the change buffer
+%%       \loop
+%%          \<i>g 1 % get ch_i line and test for @x
+%%          \ifnum\@res=1 \else \repeat % repeat until found
+%%       \loop
+%%          \<i>g 0 % get ch_i line
+%%          \ifx\<i>x\empty \repeat % repeat until not blank line
+%%       \ifx\<x>\relax \let\<i>read=\<i>e % change file has ended
+%%       \else \let\<i>read=\<i>w %
+%%
+      \@ecsi{prime}{% prime the change buffer
+         \@loop \@ncsi g\@ne \@ifnum\@res=\@ne \@else \@repeat
+         \@loop \@ncsi g\z@ \@ifx\@ncsi x\noexpand\empty \@repeat
+         \@ifx\@ncsi x\relax \let\@ncsi{read}\@ncsi e%
+         \@else \let\@ncsi{read}\@ncsi w%
+         \@fi}%
+%%
+%%    \def\<i>match{% match lines from web_<i-1> and ch_<i>
+%%       \ifx\@web\relax % web_<i-1> and ch_<i> have ended
+%%          \let\<i>read=\<i>e \<i> % indicate web_<i> has ended
+%%       \else \@bchg % activate a change
+%%          \loop \@chg % write a matching line to output (maybe)
+%%             \<i>g 2 % get ch_i line and test for @y
+%%          \ifnum\@res=2 \@endm <i> % end of match found
+%%          \else \<i-1>read % get web_<i-1> line
+%%             \ifx\@web\relax % test for end of web file
+%%                \@err <i>{Web file ended during change}
+%%             \fi
+%%             \ifx\@web\<i>x % test for matching lines
+%%             \else \advance\<i>s by 1 \fi % count mismatches
+%%          \repeat
+%%          \let\<i>read=\<i>c % now changing is true
+%%       \fi
+%%       \<i>read} % get next web_<i> line again
+%%
+      \@ecsi{match}{% match lines from web_<i-1> and ch_<i>
+         \@ifx\@web\relax
+            \let\@ncsi{read}\@ncsi e%
+         \@else \noexpand\@bchg
+            \@loop \noexpand\@chg \@ncsi g\tw@
+            \@ifnum\@res=\tw@ \noexpand\@endm\@i%
+            \@else \@read
+               \@ifx\@web\relax
+                  \noexpand\@err\@i{Web file ended during change}%
+               \@fi
+               \@ifx\@web\@ncsi x\@else \advance\@csi s\@ne \@fi
+            \@repeat
+            \let\@ncsi{read}\@ncsi c%
+         \@fi
+         \@ncsi{read}}%
+%%
+%%    \<i>prime % prime the change buffer
+%%
+      \@csi{prime}% prime the change buffer
+   \fi}
+\def\@done{%terminate
+   \count@\z@
+   \loop \edef\@i{\number\count@}%
+      \ifnum\count@=\z@ \else % change file
+         \ifeof\@csi r\else \@@err{Change file entry didn't match}\fi
+      \fi
+      \closein\@csi r% close input file <i>
+   \ifnum\count@<\@nch \advance\count@\@ne
+   \repeat
+   \endgroup
+   \immediate\closeout\o@w
+   \@nch\m@ne % prepare for next \webfile
+   \@msg{... done}\@msg{}}
+
+\catcode`\0=11 % for \0s
+\def\@merge{% process
+   \@num\z@
+   \expandafter\loop\csname\number\@nch read\endcsname % read web_<n>
+      \ifnum\0s=\@ne \t@o{\@web}\fi
+   \ifx\@web\relax
+   \else
+   \repeat}
+\def\@chg{\ifnum\0s=\z@ \o@o{\@web}\fi}
+\def\@mod{\0s\@ne \let\@web}
+\catcode`\0=12
+
+\def\@err#1{\def\@i{#1}\@@err}
+\def\@@err#1{\@msg{! #1}%
+   \@msg{ ... change file \@i\space (\@csi n) line \the\@csi l}}
+
+\def\@test#1#2#3\@{\if#1@ \csname set@#2\endcsname \fi \@eat}
+\def\@eat#1#2{}
+\def\set@x{\@res\@ne \expandafter\@xyz}
+\def\set@y{\@res\tw@ \expandafter\@xyz}
+\def\set@z{\@res\thr@@ \expandafter\@xyz}
+\let\set@X=\set@x
+\let\set@Y=\set@y
+\let\set@Z=\set@z
+\def\@xyz\@eat#1#2{%
+   \ifnum#1=\@res
+   \else \@err#2{Extra \@@xyz{\@res} ignored (expecting \@@xyz#1)}%
+      \@res\z@
+   \fi}
+\def\@@xyz#1{@\ifcase#1\or x\or y\or z\fi}
+
+\def\@endm#1{%
+   \ifnum\csname#1s\endcsname>\z@
+      \@err#1{Hmm... \the\@csi s of the preceding lines failed to match}%
+   \fi
+   \csname#1s\endcsname\z@}
+
+\def\@bchg{% activate a change
+   \ifnum\@num=\z@ % first change activated, start writing to temp
+      \immediate\openout\t@w=\t@n\space
+      \o@o{@x l.\number\csname 0l\endcsname}
+   \fi
+   \advance\@num\@ne}
+\def\@echg#1{% deactivate a change
+   \expandafter\ifx\csname#1x\endcsname\relax
+      \@err#1{Change file ended during change}%
+   \fi
+   \advance\@num\m@ne
+   \ifnum\@num=\z@ % last change deactivated
+      \t@o{@z}%
+      \immediate\closeout\t@w % close temp file
+      \openin\t@r=\t@n\space
+      \o@o{@y}
+      \loop \read\t@r to\t@x \o@o{\t@x}% copy temp to output
+         \ifeof\t@r \closein\t@r
+         \else
+      \repeat
+   \fi}
+
+\@nch=\m@ne
+
+\catcode`\@=12 % at signs are no longer letters
+
+\endinput
diff --git a/Master/texmf-dist/doc/fontinst/base/README b/Master/texmf-dist/doc/fontinst/base/README
new file mode 100644
index 00000000000..6c5acf8fc52
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/README
@@ -0,0 +1,113 @@
+README for fontinst
+
+* What is it?
+
+Fontinst is a program that helps with installing fonts
+for (La)TeX. Since it is written entirely in TeX macros,
+it is completely portable.
+
+More precisely, fontinst helps mainly with the number 
+crunching and shoveling parts of font installation. This
+means in practice that it creates a number of files which
+give the TeX metrics (and related information) for a font
+family that (La)TeX needs to do any typesetting in these 
+fonts. Fontinst furthermore makes it easy to create fonts 
+containing glyphs from more than one base font, taking 
+advantage of e.g. "expert" font sets.
+
+Fontinst cannot examine files to see if they contain any 
+useful information, nor automatically search for files 
+or work with binary file formats; those tasks must 
+normally be done manually or with the help of some other
+tool, such as the pltotf and vptovf programs.
+
+
+* Documentation
+
+The doc directory contains pure documentation; in 
+particular the doc/manual directory should be of 
+interest, as it contains the fontinst manual. For all 
+questions about how one uses fontinst, see this manual.
+
+Sadly, the manual has been neglected for some time, and 
+although it was recently revised, much remains to do. 
+In particular, many commands still lack description and 
+explanations (although at least the manual now lists 
+all the syntaxes). Some alternative sources of information 
+that you may find useful are:
+
+ * Philipp Lehman's "The Font Installation Guide"
+   Available on CTAN, at info/Type1fonts/fontinstallationguide/
+
+ * intro98.tex - parts of the 1998 fontinst v1.8 manual
+   that were split off during the recent revision.
+
+ * The fontinst mailing list and its archives
+   (See below for relevant addresses.)
+
+ * The fontinst Literate Programming sources (see 
+   source/fisource.dvi). If a command isn't documented 
+   anywhere else, there is probably a discussion of it 
+   in the sources. They're thoroughly indexed.
+
+The examples directory contains some examples (with 
+comments) of using fontinst to install a font family.
+
+
+* Installation
+
+To use fontinst, you only need to make sure the inputs
+directory and its subdirectories are on TeX's input path.
+Usually you do this by moving it to a suitable location.
+In a TDS texmf tree, the inputs directory is usually
+made the ${TEXMF}/tex/fontinst directory.
+
+You will probably also want to move the file fontdoc.sty
+in the latex directory to some location where TeX will 
+find it. Many of the .mtx and .etx files in the inputs
+hierarchy are simultaneously fontinst input files and
+LaTeX documents; the fontdoc package is needed to typeset
+them as the latter. In a TDS texmf tree, the normal place
+for fontdoc.sty is in the tex/latex/misc directory.
+
+Also recall that some TeX implementations maintain a 
+database over files that have been installed. If you've 
+placed fontinst in a suitable place but TeX complains it 
+cannot find the file fontinst.sty then the problem may 
+be that you need to update this database of files. That 
+is however nothing that is particular for fontinst.
+
+
+* Latin and other scripts
+
+The fontinst distribution includes the necessary encoding
+definition (.etx) files for the latin script as used in
+European languages, but there is nothing in fontinst as 
+a program that restricts it to these languages. In the T2
+bundle (CTAN:macros/latex/contrib/t2) there are 
+corresponding fontinst files for the cyrillic scripts 
+(and in the future it might become part of the main
+fontinst distribution). 
+
+
+* The test directory
+
+This is mainly of interest for advanced fontinst users.
+It collects some files that were written to test the new 
+features in various versions of fontinst. 
+
+
+* Mailing list
+
+Questions and bug reports should be sent to the fontinst 
+mailing list
+
+   fontinst@tug.org
+
+General information about the mailing list is at:
+
+   http://tug.org/mailman/listinfo/fontinst
+
+
+7 August 2004,
+Lars Hellstr\"om
diff --git a/Master/texmf-dist/doc/fontinst/base/encspecs/encspecs.tex b/Master/texmf-dist/doc/fontinst/base/encspecs/encspecs.tex
new file mode 100644
index 00000000000..3d1027d9415
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/encspecs/encspecs.tex
@@ -0,0 +1,1293 @@
+\documentclass[a4paper]{article}
+
+\usepackage{array}
+
+\makeatletter
+\@ifundefined{l@nohyphenation}{\newlanguage\l@nohyphenation}{}
+\DeclareRobustCommand\meta[1]{%
+   \ensuremath{\langle}%
+   \sbox{\z@}{%
+      \setlanguage\l@nohyphenation
+      \normalfont\itshape #1\/%
+      \setlanguage\language
+   }%
+   \unhbox\z@
+   \ensuremath{\rangle}%
+}
+\makeatother
+\DeclareRobustCommand\marg[1]{%
+   \texttt{\char`\{}\meta{#1}\texttt{\char`\}}%
+}
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\makeatletter
+\DeclareTextFontCommand\textsmaller{%
+   \fontsize{\scaledsize{\f@size}}{\f@baselineskip}\selectfont
+}
+\newcommand\scaledsize[1]{%
+   \ifdim #1\p@>6\p@
+      \ifdim #1\p@>7\p@
+         \ifdim #1\p@>8\p@
+            \ifdim #1\p@>9\p@
+               \ifdim #1\p@>10\p@
+                  \ifdim #1\p@>11\p@
+                     \ifdim #1\p@>12\p@
+                        \ifdim #1\p@>14\p@ 14%
+                        \else 12\fi
+                     \else 11\fi
+                  \else 10\fi
+               \else 9\fi
+            \else 8\fi
+         \else 7\fi
+      \else 6\fi
+   \else 5\fi
+}
+\makeatother
+\DeclareRobustCommand\ETX{\textsmaller{ETX}}
+                        
+
+\usepackage{shortvrb}
+\MakeShortVerb{\|}
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\newcommand{\TeXOmega}{Omega}
+\DeclareRobustCommand\eTeX{\ensuremath{\varepsilon}-\kern-.125em\TeX}
+\DeclareRobustCommand\package[1]{\textsf{#1}}
+
+\providecommand*{\href}[2]{#2}
+\newcommand*{\ctanref}[2]{\href{ftp://ftp.ctan.org/#1}{#2}}
+
+\title{Writing \ETX\ format font encoding specifications}
+\author{Lars Hellstr\"om}
+\date{2003/07/09}
+
+\begin{document}
+\maketitle
+
+\begin{abstract}
+  This paper explains how one writes formal specifications of font 
+  encodings for \LaTeX\ and suggests a ratification procedure for such 
+  specifications.
+\end{abstract}
+
+
+\tableofcontents
+
+\vspace{0mm plus 35mm}
+\pagebreak[2]
+
+
+\section{Introduction}
+
+\paragraph*{Why should one specify font encodings?}
+Because without a specification, font 
+designers\footnote{Maybe not a good term, since it is really about 
+making fonts available to \TeX. Some of these people actually 
+design glyphs, but most of them merely working with the metrics.} 
+cannot tell whether their fonts will work in general, they can 
+only test that they work in the cases they know about. Font design 
+is subject to a surprising amount of obscure technicalities and it 
+is very hard to consider (or even find documentation that 
+mentions) them all.
+    
+\paragraph*{Why should one make formal specifications?}
+Because the informal specifications that we have today 
+are incomplete and hard to use. E.g.\ the \LaTeX\ 
+\meta{enc}\texttt{enc.def} files only say something about the 
+characters that are accessed via commands, and even for those you 
+really have to do reverse engineering to figure out what the 
+encoding contains. To figure out what the remaining characters 
+should do you have to compile what the various user manuals claim 
+to work and then work backwards from that, but I don't think the 
+general problem of which character tokens are allowed in input is 
+thoroughly treated anywhere. On top of that, \LaTeX\ itself 
+contributes some character tokens when the document is being 
+typeset.\footnote{This is basically the ``a \texttt{T}$*$ encoding 
+must contain the characters \ldots'' problem that was the reason 
+that the \texttt{T2} encoding had to be split up.}
+
+On the other side of things there are the files which tell e.g.
+\textsf{fontinst} or \textsf{AFMtoTFM} what the target font 
+encoding is. These are basically recipes which are known (?\@) to 
+produce valid results, and they do usually provide more 
+information about the encoding than the sources listed above, but 
+they don't give much information about where the recipe can be 
+modified.
+    
+\paragraph*{Why use the \ETX\ format?}
+To begin with it is an established format; many of those 
+who are making fonts already use it, even if for a slightly 
+different purpose. Another major reason is that an \ETX\ file is both 
+a \LaTeX\ document and a processable data file; this is the same kind 
+of bilinguality that has made the \texttt{.dtx} format so useful. 
+Finally the \ETX\ format makes it easy to create experimental font 
+installations when a new encoding is being designed; \textsf{fontinst} 
+can directly read the file, but the file can also be automatically 
+converted to a PostScript encoding vector if that approach seems more 
+convenient.
+
+On the other hand, there are some features (such as the prominent 
+role of the glyph names) of the \ETX\ format that would 
+probably had been done differently in a file format that was built 
+from scratch, but then you would also lose several of the advantages 
+listed above.
+
+
+\section{Points to keep in mind}
+
+\subsection{Characters, glyphs, and slots}
+
+One fundamental difference one must understand is that between 
+characters and glyphs. A \emph{character} is a semantic entity---it 
+carries some meaning, even if you usually have to combine several 
+characters to make up even one word---whereas a \emph{glyph} simply 
+is a piece of graphics. In printed text, glyphs are used to represent 
+characters and the first step of reading is to determine which 
+character(s) a given glyph is representing.
+
+In the output, \TeX\ neither deals with characters nor glyphs, really 
+(although many of its messages speak of characters), but with 
+\emph{slots}, which essentially are numbered positions in a font. To 
+\TeX, a slot is simply something which can have certain metric 
+properties (width, height, depth, etc.\@) but to the driver which 
+actually does the printing the slot also specifies a glyph. The same 
+slot in two different fonts can correspond to two quite different 
+characters.
+
+For completeness it should also be mentioned that the \emph{input} of 
+\TeX\ is a stream of semantic entities and thus \TeX\ is dealing with 
+characters on that side, but the input is not the subject of this 
+paper.
+
+
+\subsection{Ligatures}
+
+In typography, a \emph{ligature} is a glyph which has been formed by 
+joining glyphs that represent two or more characters; this joining can 
+involve quite a lot of deformation of the original shapes. Examples 
+of ligatures are the `fi' ligature (from `f' and `i'), the `\AE' 
+ligature (from `A' and `E'), and the `\textit{\&}' character (from `E' 
+and `t'), the latter two of which has evolved to become characters of 
+their own. For those ligatures (such as `fi') that have not evolved to 
+characters, \TeX\ has a mechanism for forming the ligature out of the 
+characters it is composed from, under the guidance of ligature\slash 
+kerning programs found in the font.
+
+More technically, what happens is really that if the |\char| (or 
+equivalent) for one slot is immediately followed by the |\char| (or 
+equivalent) for another (or the same) slot and there is a ligaturing 
+instruction in the \texttt{\small LIGKERN} table of the current font 
+which applies to this slot pair then this ligaturing instruction is 
+executed. This usually replaces the two slots in the pair with a 
+single new slot specified by the ligaturing instruction (it could 
+also keep one or both of the original slots, but that is less common). 
+\TeX\ has no idea about whether these replacements change the meaning 
+of anything, but \TeX\ assumes that it doesn't, and it is up to the 
+font designer to ensure that this is the case.
+
+Apart from forming ligatures in text, the ligaturing mechanism of 
+\TeX\ is traditionally also employed for another task which is much 
+more problematic. Ligatures are also used to produce certain 
+characters which are not part of visible ASCII---the most common are 
+the endash (typed as |--|) and the emdash (typed as |---|). This is a 
+problem because it violates \TeX's assumption that the meaning is 
+unchanged; the classical problem with this appears in the \texttt{OT2} 
+encoding, where the Unicode character \texttt{U+0446} 
+(\textsc{cyrillic small letter tse}) could be typed as |ts|, whilst 
+the |t| and |s| by themselves produced Unicode characters 
+\texttt{U+0442} (\textsc{cyrillic small letter te}) and \texttt{U+0441} 
+(\textsc{cyrillic small letter es}) respectively. \TeX's hyphenation 
+mechanism can however decompose ligatures, so it sometimes happened 
+that the \textsc{tse} was hyphenated as \textsc{te}-\textsc{es}, 
+which is quite different from what was intended. Since this is such 
+an obvious disadvantage, the use of ligatures for forming non-English 
+letters quickly disappeared after 8-bit input encodings became 
+available. The practice still remains in use for punctuation, however, 
+and the font designer must be aware of this. For many font encodings 
+there is a set of ligatures which must be present and replace two or 
+more characters by a single, different character. These ligatures are 
+called \emph{mandatory ligatures} in this paper.
+
+The use of mandatory ligatures in new font encodings is strongly 
+discouraged, for a number of reasons. The main problem is that they 
+create unhealthy dependencies between input and output encoding, 
+whereas these should ideally be totally independent. Using ligatures 
+in this way complicates the internal representation of text, and it 
+also makes it much harder to typeset text where those ligatures are not 
+wanted (such as verbatim text). Furthermore it creates problems with 
+kerning, since the ``ligature'' has not yet been formed when a kern 
+to the left of it is inserted. Finally, a much better solution (when 
+it is available) is to use an \TeXOmega\ translation process 
+(see~\cite[Sec.~8--11]{Omega-doc}), since that \emph{is} independent 
+of the font, different translations can be combined, and they can 
+easily handle even ``abbreviations'' much more complicated than those 
+ligatures can deal with.
+
+
+\subsection{Output stages}
+
+On its way out of \LaTeX\ towards the printed text, a character passes 
+through a number of stages. The following five seem to cover what is 
+relevant for the present discussion:
+\begin{enumerate}
+  \item \emph{\LaTeX\ Internal Character Representation} (LICR); 
+    see~\cite{LaTeXCompanion}, Section~7.11 for a full description. 
+    At this point the character is a character token (e.g.~|a|), 
+    a text command (e.g.~|\ss|), or a combination (e.g.~|\H{o}|).
+  \item \emph{Horizontal material;} this is what the character is 
+    en route from \TeX's mouth to its stomach. For most characters 
+    this is equivalent to a single |\char| command (e.g.\ |a| is 
+    equivalent to |\char|\,|97|), but some require more than one, some 
+    are combined using the |\accent| and |\char| commands, some 
+    involve rules and\slash or kerns, and some are built using boxes 
+    that arbitrarily combine the above elements.
+  \item \emph{DVI commands;} this is the DVI file commands that 
+    produce the printed representation of the character.
+  \item \emph{Printed text;} this is the graphical representation of 
+    the character, e.g. as ink on paper or as a pattern on a computer 
+    screen. Here the text consists of glyphs.
+  \item \emph{Interpreted text;} this is essentially printed text 
+    modulo equivalence of interpretation, hence the text doesn't really 
+    reach this stage until someone reads it. Here the text consists of 
+    characters.
+\end{enumerate}
+
+In theory there is a universal mapping from LICR to interpreted text, 
+but various technical restrictions make it impossible to simultaneously 
+support the entire mapping. A \LaTeX\ encoding selects a restriction 
+of this mapping to a limited set which will be ``well supported'' 
+(meaning kerning and such between characters in the set works), whereas 
+elements outside this set at best can be supported through temporary 
+encoding changes. The encoding also specifies a decomposition of the 
+mapping into one part which maps LICR to horizontal material and one 
+part which maps horizontal material to interpreted text. The first 
+part is realized by the text command definitions usually found in the 
+\meta{enc}\texttt{enc.def} file for the encoding. The second part is 
+the font encoding, the specification of which is the topic of this 
+paper. It is also worth noticing that an actual font is a mapping of 
+horizontal material to printed text.
+
+An alternative decomposition of the mapping from LICR to interpreted 
+text would be at the DVI command level, but even though this 
+decomposition is realized in most \TeX\ implementations, it has very 
+little relevance for the discussion of encodings. The main reason for 
+this is that it depends not only on the encoding of a font, but 
+also on its metrics. Furthermore it is worth noticing that in e.g.\ 
+pdf\TeX\ there need not be a DVI command level.
+
+
+\subsection{Hyphenation}
+
+There are strong connections between font encoding and hyphenation because 
+\TeX's hyphenation mechanism operates on horizontal material; more 
+precisely the hyphenation mechanism only works on pieces of horizontal 
+material that are equivalent to sequences of |\char| commands. This 
+implies that hyphenation patterns, as selected via the |\language| 
+parameter, are not only for a specific language, they are also for a 
+specific font encoding.
+
+The hyphenation mechanism uses the |\lccode| values to distinguish 
+between three types of slots: lower case letters (|\lccode|\(\,n = 
+n\)), upper case letters (|\lccode|\(\,n \notin \{0,n\}\)), and 
+non-letters (|\lccode|\(\,n = 0\)); only the first two types can be 
+part of a hyphenatable word and only lower case letters are needed 
+in the hyphenation patters. This does however place severe 
+restrictions on how letters can be placed in a text font because 
+\TeX\ uses the same |\lccode| values for all text in a paragraph and 
+therefore these values cannot be changed whenever the encoding changes. 
+In \LaTeX\ the |\lccode| table is not allowed to change at all and 
+consequently all text font encodings must work using the standard set 
+of |\lccode| values.
+
+In \eTeX\ each set of hyphenation patterns has its own set of 
+|\lccode| values for hyphenation, so the problem isn't as severe 
+there. The hyphenation mechanism of \TeXOmega\ should become 
+completely independent of the font encoding, but in the current 
+implementation it is still operating on material encoded according to 
+a font encoding.
+
+
+\subsection{Production and specification \ETX\ files}
+
+Finally, it is worth pointing out the difference between an \ETX\ file 
+created for the specification of a font encoding and one created for 
+being used in actually producing fonts with this encoding. They are 
+usually not the same. Specification \ETX s certainly may be of direct 
+use in the production of fonts---especially experimental fonts 
+produced as part of the work on a new encoding---but they are usually 
+not ideal for the purpose. In particular there is often a need to 
+switch between alternative names for a glyph to accommodate what is 
+actually in the fonts, but such trickeries are undesirable 
+complications in a specification. On the other hand a production 
+\ETX\ file has little need for verbose comments, whereas they are rather 
+an advantage in a specification \ETX\ file.
+
+Therefore one shouldn't be surprised if there are two \ETX\ files for a 
+specific encoding: one which is a specification version and one which 
+is a production version. If both might need to be in the same 
+directory then one should, as a rule of thumb, include a 
+`\texttt{spec}' in the name of the specification version.
+
+
+\section{Font encoding specifications}
+
+\subsection{Basic principles}
+
+Most features of the font encoding are categorized as either 
+\emph{mandatory} or \emph{ordinary}. The mandatory features are what 
+macros may rely on, whereas the ordinary simply are something which 
+fonts with this encoding normally provide. Font designers may choose 
+to provide other features than the ordinary, but are recommended to 
+provide the ordinary features to the extent that the available 
+resources permit.
+
+Many internal references in the specification are in the form of 
+\emph{glyph names} and the choice of these is a slightly tricky 
+matter. From the point of formal specification, the choices can be 
+completely arbitrary, but from the point of practical usefulness they 
+most likely are not. One of the main advantages of the \ETX\ format 
+for specifications is that such specifications can also be used to 
+make experimental implementations, but this requires that the glyph 
+names in the specification are the same as those used in the fonts 
+from which the experimental implementation should be built. Yet 
+another aspect is that the glyph names are best chosen to be the ones 
+one can expect to find in actual fonts, as that will make things 
+easier for other people that want to make non-experimental 
+implementations later. For this last purpose, a good reference is 
+Adobe's technical note on Unicode and glyph names~\cite{unicodesign}. 
+For most common glyphs, \cite{unicodesign} ends up recommending that 
+one should follow the Adobe glyph list~\cite{AGL}, which however has 
+the peculiar trait of recommending names on the form 
+\texttt{afii}\textit{ddddd} (rather than the Unicode-based alternative 
+\texttt{uni}\textit{xxxx}) for most non-latin glyphs. This is somewhat 
+put in perspective by~\cite{ATN5013}.
+
+
+\subsection{Slot assignments}
+
+The purpose of the slot assignments is to specify for each slot which 
+character or characters it is mapped to. That one slot is mapped to 
+many characters is an unfortunate, but not very uncommon, reality in 
+many encodings, as limitations in font size have often encouraged 
+identifications of two characters which are almost the same. It should 
+be avoided in new encodings.
+
+Slot assignmets are done using the |\nextslot| command and a 
+|\setslot| \dots\ |\endsetslot| construction as follows:
+\begin{quote}
+  |\nextslot|\marg{slot number}\\*
+  |\setslot|\marg{glyph name}\\*
+  \mbox{\quad}\meta{slot commands}\\*
+  |\endsetslot|
+\end{quote}
+A typical example of this is
+\begin{quote}\begin{verbatim}
+\nextslot{65}
+\setslot{A}
+  \Unicode{0041}{LATIN CAPITAL LETTER A}
+\endsetslot
+\end{verbatim}\end{quote}
+which gets typeset as
+\begin{quote}
+  \textbf{Slot 65 `\texttt{A}'}\\*
+  Unicode character \texttt{U+0041}, \textsc{latin capital letter a}.
+\end{quote}
+
+The |\nextslot| command does not typeset anything; it simply stores 
+the slot number in a counter, for later use by |\setslot|. The 
+|\endsetslot| command increments this counter by one. Hence the 
+|\nextslot| command is unnecessary between |\setslot|s for consecutive 
+slots. Besides |\nextslot|, there is also a command |\skipslots| which 
+increments the slot number counter by a specified amount. The 
+argument of both |\nextslot| and |\skipslots| can be arbitrary 
+\package{fontinst} integer expressions (see~\cite{fontinst-man}). All 
+\TeX\ \meta{number}s that survive full expansion are valid 
+\package{fontinst} integer expressions, but for example |`\~| isn't, 
+as |\~| is a macro which will break before the expression is typeset. 
+These cases can however be fixed by preceding the \TeX\ \meta{number} 
+by |\number|, as |\number`\~| survives full expansion by expanding to 
+|126|.
+
+The main duty of the \meta{slot commands} is to specify the target 
+character (or characters) for this slot. The simplest way of doing 
+this is to use the |\Unicode| command, which has the syntax
+\begin{quote}
+  |\Unicode|\marg{code point}\marg{name}
+\end{quote}
+The \meta{code point} is the number of the character (in hexadecimal 
+notation, usually a four-digit number) and the \meta{name} is the name. 
+Case is insignificant in these arguments. If a character does not 
+have a Unicode code point then the specification should simply be a 
+description in text which identifies the character. Such descriptions 
+are written using the |\comment| command
+\begin{quote}
+  |\comment|\marg{text}
+\end{quote}
+It is worth noticing that the \meta{text} is technically only an 
+argument of |\comment| when the program processing the \ETX\ file is 
+ignoring |\comment| commands. This means |\verb| and similar 
+catcode-changing commands \emph{can} be used in the \meta{text}. The 
+|\par| command is on the other hand not allowed in the \meta{text}.
+
+The |\comment| command should also be used for any further piece of 
+explanation of or commentary to the character used for the slot, if the 
+exposition seems to need it. There can be any number of |\comment| 
+commands in the \meta{slot commands}.
+
+
+\subsection{Ligatures}
+
+There are three classes of ligatures in the font encoding 
+specifications: mandatory, ordinary, and odd. Mandatory ligatures must 
+be present in any font which complies with the encoding, whereas 
+ordinary and odd ligatures need not be. No clear distinction can be 
+made between ordinary and odd ligatures, but a non-mandatory ligature 
+should be categorized as ordinary if it makes sense for the majority 
+of users, and as odd otherwise. Hence the `fi' ligature is 
+categorized as ordinary in the \texttt{T1} encoding, whereas the `ij' 
+ligature is odd.
+
+In the \ETX\ format, a ligature is specified using one of the slot 
+commands
+\begin{quote}
+  |\Ligature|\marg{ligtype}\marg{right}\marg{new}\\
+  |\ligature|\marg{ligtype}\marg{right}\marg{new}\\
+  |\oddligature|\marg{note}\marg{ligtype}\marg{right}\marg{new}
+\end{quote}
+|\Ligature| is used for mandatory ligatures, |\ligature| is used for 
+ordinary ligatures, and |\oddligature| is used for odd ligatures. The 
+\meta{right} and \meta{new} arguments are names of the glyphs being 
+assigned to the slots involved in this ligature. The \meta{right} 
+specifies the right part in the slot pair being affected by the 
+ligature, whereas the left part is the one of the |\setslot| \dots\ 
+|\endsetslot| construction in which the ligaturing command is placed. 
+The \meta{new} specifies a new slot which will be inserted by the 
+ligaturing instruction. The \meta{ligtype} is the actual ligaturing 
+instruction that will be used; it must be |LIG|, |/LIG|, |/LIG>|, 
+|LIG/|, |LIG/>|, |/LIG/|, |/LIG/>|, or |/LIG/>>|. The slashes specify 
+retention of the left or right original character; the |>| signs 
+specify passing over that many slots in the result without further 
+ligature processing. \meta{note}, finally, is a piece of text which 
+explains when the odd ligature may be appropriate. It is typeset as a 
+footnote.
+
+As an example of ligatures we find the following in the specification 
+of the \texttt{T1} encoding:
+\begin{quote}
+  |\nextslot{33}|\\
+  |\setslot{exclam}|\\
+  |  \Unicode{0021}{EXCLAMATION MARK}|\\
+  |  \Ligature{LIG}{quoteleft}{exclamdown}|\\
+  |\endsetslot|
+\end{quote}
+It is typeset as
+\begin{quote}
+  \textbf{Slot 33 `\texttt{exclam}'}\\*
+  Unicode character \texttt{U+0021}, \textsc{exclamation mark}.\\*
+  \textbf{Mandatory ligature} 
+  \texttt{exclam}${}*{}$\texttt{quoteleft}${}\rightarrow
+  {}$\texttt{exclamdown}
+\end{quote}
+With other \meta{ligtype}s there may be more names listed on the 
+right hand side and possibly a `$\lfloor$' symbol showing the 
+position at which ligature processing will start afterwards.
+  
+
+\subsection{Math font specialities}
+
+There are numerous technicalities which are special to math fonts, but 
+only a few of them are exhibited in \ETX\ files.\footnote{For an 
+overview of the subject, see for example Vieth~\cite{Vieth2001}.} Most 
+of these have to do with the \TeX\ mechanisms that find sufficiently 
+large characters for commands like |\left|, |\sqrt|, and |\widetilde|.
+
+The first mechanism for this is that a character in a font can sort of 
+say ``If I'm too small, then then try character \dots\ instead''. This 
+is expressed in an \ETX\ file using the |\nextlarger| command, which 
+has the syntax
+\begin{quote}
+  |\nextlarger|\marg{glyph name}
+\end{quote}
+The second mechanism constructs a sufficiently large character from 
+smaller pieces; this is known as a `varchar' or `extensible character'. 
+This is expressed in an \ETX\ file using an ``extensible recipe'', the 
+syntax for which is
+\begin{quote}
+  |\varchar| \meta{varchar commands} |\endvarchar|
+\end{quote}
+where each \meta{varchar command} is one of
+\begin{quote}
+  |\varrep|\marg{glyph name}\\
+  |\vartop|\marg{glyph name}\\
+  |\varmid|\marg{glyph name}\\
+  |\varbot|\marg{glyph name}
+\end{quote}
+There can be at most one of each and their order is irrelevant. The 
+most important is the |\varrep| command, as that is the part which is 
+repeated until the character is sufficiently large. The |\vartop|, 
+|\varmid|, and |\varbot| commands are used to specify some other part 
+which should be put at the top, middle, and bottom of the extensible 
+character respectively. Not all extensible recipes use all of these, 
+however.
+
+As an example, here is how a very large left brace is constructed:
+\begin{center}
+  \begin{tabular}{>{%
+    \fontencoding{OMX}\fontfamily{cmex}\selectfont
+    $\vcenter\bgroup\hbox\bgroup
+  }l<{\egroup\egroup$} l}
+    \char"38& For |\vartop{bracelefttp}|\\
+    \char"3E& For |\varrep{braceex}|\\
+    \char"3C& For |\varmid{braceleftmid}|\\
+    \char"3E& Again for |\varrep{braceex}|\\
+    \char"3A& For |\varbot{braceleftbt}|
+  \end{tabular}
+\end{center}
+
+Both |\nextlarger| and |\varchar| commands are like |\ligature| in 
+that they describe ordinary features for the encoding; they appear in 
+a specification \ETX\ file mainly to explain the purpose of some 
+ordinary character. There is no such thing as a mandatory |\nextlarger| 
+or |\varchar|, but varchars are occationally used to a similar effect. 
+In these cases, the character generated by the extensible recipe is 
+something quite different from what a |\char| for that slot would 
+produce. Thus for the slot to produce the expected result it must be 
+referenced using a |\delimiter| or |\radical| primitive, since those 
+are the only ones which make use of the extensible recipe. The effect 
+is that the slot has a \emph{semimandatory} assignment; the result of 
+|\char| is unspecified (as for a slot with an ordinary assignment), but 
+the result for a large delimiter or radical is not (as for a slot with 
+a mandatory assignment). 
+
+Thus some math fonts have an extra section ``Semimandatory characters'' 
+between the mandatory and ordinary character sections. In that section 
+for the \texttt{OMX} encoding we find for example 
+\begin{quote}\begin{verbatim}
+\nextslot{60}
+\setslot{braceleftmid}
+  \Unicode{2016}{DOUBLE VERTICAL LINE}
+  \comment{This is the large size of the |\Arrowvert| 
+     delimiter, a glyphic variation on |\Vert|. 
+     The \texttt{braceleftmid} glyph ordinarily 
+     placed in this slot must not be too tall, 
+     or else the extensible recipe actually producing 
+     the character might sometimes not be used.}
+  \varchar
+    \varrep{arrowvertex}
+  \endvarchar
+\endsetslot
+\end{verbatim}\end{quote}
+which is typeset as
+\begin{quote}
+  \textbf{Slot 60 `\texttt{braceleftmid}'}\\*
+  Unicode character \texttt{U+2016}, \textsc{double vertical line}.\\
+  This is the large size of the |\Arrowvert| 
+  delimiter, a glyphic variation on |\Vert|. 
+  The \texttt{braceleftmid} glyph ordinarily 
+  placed in this slot must not be too tall, 
+  or else the extensible recipe actually producing 
+  the character might sometimes not be used.\\
+  \textbf{Extensible glyph:}\\*
+  \textbf{Repeated} \texttt{arrowvertex}
+\end{quote}
+
+
+
+
+\subsection{Fontdimens}
+
+Each \TeX\ font contains a list of fontdimens, numbered from $1$ and 
+up, which are accessible via the |\fontdimen| \TeX\ primitive. Quite a 
+few are also used implicitly by \TeX\ and therefore cannot be left out 
+even if they are totally irrelevant, but as one can always include 
+some extra fontdimens in a font---the only bounds on how many 
+fontdimens there may be are the general bound on the size of a TFM 
+file and the amount of font memory \TeX\ has available---this is 
+usually not a problem.
+
+The reason fontdimens are part of font encoding specifications is 
+that the meaning of e.g.\ |\fontdimen|\,|8| varies between different 
+fonts depending on their encoding; thus the encoding specification 
+must define the quantity stored in each |\fontdimen| parameter. This 
+is done using the |\setfontdimen| command, which has the syntax
+\begin{quote}
+  |\setfontdimen|\marg{number}\marg{name}
+\end{quote}
+The \meta{number} is the fontdimen number (as a sequence of decimal 
+digits where the first digit isn't zero) and the \meta{name} is a 
+symbolic name for the quantity.
+
+The standard list of symbolic names for fontdimen quantities appears 
+below; the listed quantities should always be described using the names 
+in this list. Encoding specifications that employ other quantities as 
+fontdimens should include definitions of these quantities. Those 
+quantities that are defined as ``Formula parameter \dots'' have to 
+do with how mathematical formulae are rendered and are usually much 
+too complicated to explain here. For exact definitions of these 
+parameters, the reader is referred to Appendix~G of \textit{The 
+\TeX book}~\cite{TeXbook}.
+\begin{list}{}{%
+   \setlength\labelwidth{0pt}%
+   \setlength\itemindent{-\leftmargin}%
+   \def\makelabel#1{\hspace{\labelsep}\normalfont\itshape #1}%
+   \setlength\itemsep{0.5\itemsep}%
+   \setlength\parsep{0.5\parsep}%
+}
+\item[acccapheight]
+  The height of accented full capitals.
+\item[ascender]
+  The height of lower case letters with ascenders.
+\item[axisheight] Formula parameter $\sigma_{22}$.
+\item[baselineskip]
+  The font designer's recommendation for natural length of the 
+  \TeX\ parameter |\baselineskip|.
+\item[bigopspacing1] Formula parameter $\xi_{9}$.
+\item[bigopspacing2] Formula parameter $\xi_{10}$.
+\item[bigopspacing3] Formula parameter $\xi_{11}$.
+\item[bigopspacing4] Formula parameter $\xi_{12}$.
+\item[bigopspacing5] Formula parameter $\xi_{13}$.
+\item[capheight]
+  The height of full capitals.
+\item[defaultrulethickness] Formula parameter $\xi_{8}$.
+\item[delim1] Formula parameter $\sigma_{20}$.
+\item[delim2] Formula parameter $\sigma_{21}$.
+\item[denom1] Formula parameter $\sigma_{11}$.
+\item[denom2] Formula parameter $\sigma_{12}$.
+\item[descender]
+  The depth of lower case letters with descenders.
+\item[digitwidth]
+  The median width of the digits in the font.
+\item[extraspace]
+  The natural width of extra interword glue at the end of a sentence. 
+  \TeX\ implicitly uses this parameter if |\spacefactor| is $2000$ or 
+  more and |\xspaceskip| is zero.
+\item[interword]
+  The natural width of interword glue (spaces). \TeX\ implicitly uses 
+  this parameter unless |\spaceskip| is nonzero.
+\item[italicslant]
+  The slant per point of the font. Unlike all other fontdimens, it is 
+  not proportional to the font size. 
+\item[maxdepth]
+  The maximal depth over all slots in the font.
+\item[maxheight]
+  The maximal height over all slots in the font.
+\item[num1] Formula parameter $\sigma_{8}$.
+\item[num2] Formula parameter $\sigma_{9}$.
+\item[num3] Formula parameter $\sigma_{10}$.
+\item[quad]
+  The quad width of the font, normally approximately equal to the 
+  font size and\slash or the width of an `M'. Also implicitly available 
+  as the length unit |em| and used for determining the size of the 
+  length unit |mu|.
+\item[shrinkword]
+  The (finite) shrink component of interword glue (spaces). \TeX\ 
+  implicitly uses this parameter unless |\spaceskip| is nonzero.
+\item[stretchword]
+  The (finite) stretch component of interword glue (spaces). \TeX\ 
+  implicitly uses this parameter unless |\spaceskip| is nonzero.
+\item[sub1] Formula parameter $\sigma_{16}$.
+\item[sub2] Formula parameter $\sigma_{17}$.
+\item[subdrop] Formula parameter $\sigma_{19}$.
+\item[sup1] Formula parameter $\sigma_{13}$.
+\item[sup2] Formula parameter $\sigma_{14}$.
+\item[sup3] Formula parameter $\sigma_{15}$.
+\item[supdrop] Formula parameter $\sigma_{18}$.
+\item[verticalstem]
+  The dominant width of vertical stems. This quantity is meant to be used 
+  as a measure of how ``dark'' the font is.
+\item[xheight]
+  The x-height (height of lower case letters without ascenders). Also 
+  implicitly available as the length unit |ex|.
+\end{list}
+
+
+\subsection{The codingscheme}
+
+The final encoding-dependent piece of information in a \TeX\ font is 
+the codingscheme, which is essentially a string declaring what 
+encoding the font has. This information is currently only used by 
+programs that convert the information in a \TeX\ font to some other 
+format and these use it to identify the glyphs in the font. Therefore 
+this string should be chosen so that the contents of the slots in the 
+font can be positively identified. Observe that the encoding 
+specification by itself does not provide enough information for this, 
+since there are usually a couple of slots that do not contain 
+mandatory characters. On the other hand, it is not a problem in this 
+context if the font leaves some of the slots (even mandatory ones) 
+empty as that is anyway easily detected. The only problem is with 
+fonts where the slots are assigned to other characters than the ones 
+specified in the encoding.
+
+For that reason, it is appropriate to assign two codingscheme strings 
+to each encoding. The main codingscheme is for fonts were all slots 
+(mandatory and ordinary alike) have been assigned according to the 
+specification or have been left empty. The variant codingscheme is for 
+fonts where some ordinary slots have been assigned other characters 
+than the ones listed in the specification, but where the mandatory 
+slots are still assigned according to the specification or are left 
+empty. The font encoding specification should give the main 
+codingscheme name, whereas the variant codingscheme name could be 
+formed by adding \verb*| VARIANT| to the main codingscheme name.
+
+Technically the codingscheme is specified by setting the 
+\texttt{codingscheme} string variable. This has the syntax
+\begin{quote}
+  |\setstr{codingscheme}|\marg{codingscheme name}
+\end{quote}
+e.g.
+\begin{quote}
+  |\setstr{codingscheme}{EXTENDED TEX FONT ENCODING - LATIN}|
+\end{quote}
+which is typeset as
+\begin{quote}
+  \textbf{Default} s(\texttt{codingscheme}) = 
+  \verb*|EXTENDED TEX FONT ENCODING - LATIN|
+\end{quote}
+A codingscheme name may be at most 40 characters long and may not 
+contain parentheses. If the entire \verb*| VARIANT| cannot be suffixed 
+to a main name because the result becomes to long (as in the above 
+example) then use the first 40 characters of the result.
+
+
+\subsection{Overall document structure}
+\label{Ssec:Structure}
+
+The overall structure of a font encoding specification should be 
+roughly the following
+\begin{quote}
+  |\relax|\\
+  |\documentclass[twocolumn]{article}|\\
+  |\usepackage[specification]{fontdoc}|\\
+  \meta{preamble}\\
+  |\begin{document}|\\
+  \meta{title}\\
+  \meta{manifest}\\
+  |\encoding|\\
+  \meta{body}\\
+  |\endencoding|\\
+  \meta{discussion}\\
+  \meta{change history}\\
+  \meta{bibliography}\\
+  |\end{document}|
+\end{quote}
+The commands described in the preceding subsections must all go in 
+the \meta{body} part of the document, as that is the only part of the 
+file which actually gets processed as a data file. The part before 
+|\encoding| is skipped and the part after |\endencoding| is never 
+even input, so whatever appears there is only part of the \LaTeX\ 
+document. For the purposes of processing as a data file, the 
+important markers in the file are the |\relax|, the |\endcoding|, and 
+the |\endencoding| commands.
+
+The \meta{title} is the usual |\maketitle| (and the like) stuff. The 
+person or persons who appear as author(s) are elsewhere in this paper 
+described as the \emph{encoding proposers}. The \meta{title} should 
+also give the date when the specification was last changed.
+
+The \meta{manifest} is an important, although usually pretty short, 
+part of the specification. It is a piece of text which explains the 
+purpose of the encoding (in particular what it can be used for) and 
+the basic ideas (if any) which have been used in its construction. It 
+is often best marked up as an abstract.
+
+The \meta{discussion} is the place for any longer comments on the 
+encoding, such as analyses of different implementations, comparisons 
+with other encodings, etc. This is also the place to explain any more 
+general structures in the encoding, such as the arrow kit in the 
+proposed \texttt{MS2} encoding~\cite{ClasenVieth}. In cases where the 
+specification is mainly a formulation of what is already an 
+established standard the \meta{discussion} is often rather short as 
+the relevant discussion has already been published elsewhere, but 
+it is anyway a service to the reader to include this information. 
+References to the original documents should always be given.
+
+It might be convenient to include an FAQ section at the end of the 
+discussion. This is particularly suited for explaining things where 
+one has to look for a while and consult the references to find the 
+relevant information.
+
+The \meta{change history} documents how the specification has changed 
+over time. It is preferably detailed, as each detail in an encoding 
+is important, but one should not be surprised if it is anyway rather 
+short due to that there haven't been that many changes.
+
+The \meta{bibliography} is an important part of the specification. It 
+should at the very least include all the sources which have been used 
+in compiling the encoding specification, regardless of whether they 
+are printed, available on the net, merely ``personal communication'', 
+or something else. It is also a service to the reader to include in 
+the bibliography some more general references for related matters.
+
+The \meta{preamble} is just a normal \LaTeX\ preamble and there are no 
+restrictions on defining new commands in it, although use of such 
+commands in the \meta{body} part is subject to the same restrictions 
+as use of any general \LaTeX\ command. The preamble should however 
+\emph{not} load any packages not part of the required suite of 
+\LaTeX\ packages, as that may prevent users who do not have these 
+packages from typesetting the specification. Likewise, the 
+specification should \emph{not} require that some special font is 
+available. Glyph examples for characters are usually better 
+referenced via Unicode character charts than via special fonts. 
+
+An exception to this rule about packages is that the specification 
+must load the \package{fontdoc} package, as shown in the outline 
+above, since that defines the |\setslot| etc.\ commands that should 
+appear in the \meta{body}. This should not be a problem, as the 
+\package{fontdoc} package can preferably be kept in the same directory 
+as the collection of encoding specifications (see below). The 
+\texttt{specification} option should be passed to the package to let it know 
+that the file being processed is an encoding specification---otherwise 
+|\Ligature| and |\ligature| will get the same formatting, for one. It 
+is not necessary to use the \package{article} document class, and 
+neither must it be passed the \texttt{twocolumn} option, but it is 
+customary to do so. In principle any other document class within 
+required \LaTeX\ will do just as well.
+
+If you absolutely think that using some non-required package 
+significantly improves the specification, then try writing the code so 
+that is loads the package only if it is available and provide some 
+kind of fallback definition for sites where it is not. E.g.\ the 
+\package{url} package could be loaded as
+\begin{verbatim}
+\IfFileExists{url.sty}{\usepackage{url}}{}
+\providecommand\url{\verb}
+\end{verbatim}
+The |\url| command defined by this is not equivalent to the command 
+defined by the \package{url} package, but it can serve fairly well 
+(with a couple of extra overfull lines as only ill effect) if its 
+use is somewhat restricted.
+
+Finally, a technical restriction on the \meta{preamble}, \meta{title}, 
+and \meta{manifest} is that they must not contain any mismatched 
+|\if|s (of any type) or |\fi|s, as \TeX\ conditionals will be used for 
+skipping those parts of the file when it is processed as a data file. 
+If the definition of some macro includes mismatched |\if|s or |\fi|s 
+(this will probably occur only rarely) then include some extra code 
+so that they do match.
+
+
+% All technical parts of the encoding specification (slot assignments, 
+% fontdimens, etc.\@) have to be in the \meta{encoding commands} part. 
+% The other parts are suitably used for longer commentry, such as the 
+% mainfest (see below), revision history, and bibliography.
+% 
+% When the file is being typeset as a \LaTeX\ document there is nothing 
+% special going on. The |\encoding| and |\endencoding| commands may set 
+% some internal variables, but otherwise they do very little. When the 
+% file is being read by \package{fontinst}, things are quite different. 
+% Everything between the initial |\relax| and |\encoding| is skipped, 
+% and the file is not read further than to the |\endencoding|. Hence 
+% the \meta{preamble}, \meta{\LaTeX\ text 1}, and \meta{\LaTeX\ text 2} 
+% can contain pretty much anything (with a few exceptions) which is 
+% legal in a \LaTeX\ document. 
+
+
+\subsection{Encoding specification body syntax}
+
+The \meta{body} part of an encoding specification must comply to a 
+much stricter syntax than the rest of the file.
+The full syntax of the \ETX\ format can\footnote{Well, it should be, 
+only the manual hasn't been updated for a while now, so some things 
+are missing from it. They're all documented in the \package{fontinst} 
+sources~\cite{fontinst-pre}, though.} be found in the \package{fontinst} 
+manual~\cite{fontinst-man}, but font encoding specifications only need 
+a subset of that. The \meta{body} is a sequence of 
+\meta{encoding command}s, each of which should be one of the 
+following:
+\begin{quote}
+  |\setslot|\marg{glyph name} \meta{slots commands} |\endsetslot|\\
+  |\nextslot|\marg{number}\\
+  |\skipslots|\marg{number}\\
+  |\setfontdimen|\marg{number}\marg{name}\\
+  |\setstr{codingscheme}|\marg{codingscheme name}\\
+  |\needsfontinstversion|\marg{version number}
+\end{quote}
+The |\needsfontinstversion| command is usually placed immediately 
+after the |\encoding| command. The \meta{version number} must be at 
+least |1.918| for many of the features described in this file to be 
+available.
+
+The \meta{slot commands} are likewise a sequence of \meta{slot 
+command}s, each of which should be one of the following:
+\begin{quote}
+  |\Unicode|\marg{code point}\marg{name}\\
+  |\comment|\marg{text}\\
+  |\Ligature|\marg{ligtype}\marg{right}\marg{new}\\
+  |\ligature|\marg{ligtype}\marg{right}\marg{new}\\
+  |\oddligature|\marg{note}\marg{ligtype}\marg{right}\marg{new}\\
+  |\nextlarger|\marg{glyph name}\\
+  |\varchar| \meta{varchar commands} |\endvarchar|
+\end{quote}
+where \meta{varchar commands} similarly is a sequence of \meta{varchar 
+command}s, each of which should be one of the following:
+\begin{quote}
+  |\varrep|\marg{glyph name}\\
+  |\vartop|\marg{glyph name}\\
+  |\varmid|\marg{glyph name}\\
+  |\varbot|\marg{glyph name}
+\end{quote}
+Finally, one can include any number of \meta{comment command}s between 
+any two encoding, slot, or varchar commands. The comment commands are
+\begin{quote}
+  |\begincomment| \meta{\LaTeX\ text} |\endcomment|\\
+  |\label|\marg{reference label}
+\end{quote}
+The \meta{\LaTeX\ text} can be pretty much any \LaTeX\ code that can 
+appear in conditional text. (|\begincomment| is either |\iffalse| or 
+|\iftrue| depending on whether the encoding specification is 
+processed as a data file or typeset as a \LaTeX\ document respectively. 
+|\endcomment| is always |\fi|.) The |\label| command is just 
+the normal \LaTeX\ |\label| command; when it is used in a \meta{slot 
+commands} it references that particular slot (by number and glyph 
+name).
+
+
+\subsection{Additional \package{fontdoc} features}
+
+There is an ``in comment paragraph'' form |\textunicode| of the 
+|\Unicode| command. Both commands have the same syntax, but 
+|\textunicode| is only allowed in ``comment'' contexts. A typical use 
+of |\textunicode| is
+\begin{quote}
+  |\comment{An |\dots\\
+  \quad\dots| this is \textunicode{2012}{FIGURE DASH}; in |\dots\\
+  |}|
+\end{quote}
+which is typeset as
+\begin{quote}
+  An \dots\ this is \texttt{U+2012} (\textsc{figure dash}); in \dots
+\end{quote}
+
+The \package{fontdoc} package inputs a configuration file 
+\texttt{fontdoc.cfg} if that exists. This can be used to pass 
+additional options to the package. The only currently available 
+options that this could be of interest for are the \texttt{hypertex} 
+and \texttt{pdftex} options, which hyperlinks each \texttt{U+}\dots\ 
+generated by |\Unicode| or |\textunicode| (using Hyper\TeX\ or 
+pdf\TeX\ conventions\footnote{One could just as well do the same 
+thing using some other convention if a suitable definition of 
+\cs{FD@codepoint} is included in \texttt{fontdoc.cfg}. See the 
+\package{fontinst} sources~\cite{fontinst-pre} for more details.} 
+respectively) to a corresponding glyph image on the Unicode consortium 
+website. To use this feature one should put the line
+\begin{quote}
+  |\ExecuteOptions{hypertex}|
+\end{quote}
+or
+\begin{quote}
+  |\ExecuteOptions{pdftex}|
+\end{quote}
+in the \texttt{fontdoc.cfg} file. \emph{Please} do not include this 
+option in the |\usepackage|\nolinebreak[1]|{fontdoc}| of an encoding 
+specification file as that can be a severe annoyance for people whose 
+\TeX\ program or DVI viewers do not support the necessary extensions.
+% Hyper\TeX\ |\special|s.
+
+
+\section{Font encoding ratification}
+
+This section describes a suggested ratification process for font 
+encoding specifications. As there are fewer technical matters that 
+impose restrictions on what it may look like, it is probably more 
+subjective than the other parts of this paper.
+
+\medskip
+
+A specification in the process of being ratified can be in one of 
+three different stages: \emph{draft}, \emph{beta}, or \emph{final}. 
+Initially the specification is in the draft stage, during which it 
+will be scrutinized and can be subject to major changes. A 
+specification which is in the beta stage has got a formal approval 
+but the encoding in question may still be subject to some minor 
+changes if weighty arguments present themselves. Once the 
+specification has reached the final stage, the encoding may not 
+change at all.
+
+
+\subsection{Getting to the draft stage}
+
+The process of taking an encoding to the draft stage can be 
+summarized in the following steps. Being in the draft stage doesn't 
+really say anything about whether the encoding is in any way correct 
+or useful, except in that some people (the encoding proposers) 
+believe it is and are willing to spend some time on ratifying it. 
+
+\paragraph{Write an encoding specification} The first step is to 
+write a specification for the font encoding in question. This 
+document must not only technically describe the encoding but also 
+explain what the encoding is for and why it was created. See 
+Subsection~\ref{Ssec:Structure} for details on how the document is 
+preferably organised.
+
+\paragraph{Request an encoding name} The second step is to write to 
+the \LaTeX3 project and request a \LaTeX\ encoding name for the 
+encoding. This mail should be in the form of a \LaTeX\ bug report, it 
+must be sent to 
+\begin{quote}
+  \href{mailto:latex-bugs@latex-project.org}%
+  {\texttt{latex-bugs@latex-project.org}},
+\end{quote}
+and it must include the encoding specification file. Suggestions for 
+an encoding name are appreciated, but not necessarily accepted.
+The purpose of this mail is \emph{not} to get an approval of the 
+encoding, but only to have a reasonable name assigned to it.
+
+\paragraph{Upload the specification to CTAN} The third step is make 
+the encoding specification publicly available by uploading it to 
+CTAN. Encoding specifications are collected in the
+\begin{quote}
+  \ctanref{info/encodings}{\texttt{info/encodings}}
+\end{quote}
+directory (which should also contain the most recent version of this 
+paper). The name of the uploaded file should be 
+\meta{encoding name}\texttt{draft.etx}. The reason for this naming is 
+that it must be clear that the specification has not yet been ratified.
+
+\paragraph{Announce the encoding} When the upload has been confirmed, 
+it is time to announce the encoding by posting a message about it to 
+the relevant forums. Most important is the \texttt{tex-fonts} mailing 
+list, since that is where new encodings should be debated. Messages 
+should also be posted to the \texttt{comp.text.tex} newsgroup and any 
+forums related to the intended use of the encoding: an encoding for 
+Sanskrit should be announced on Indian \TeX\ users forums, an 
+encoding for printing chess positions should be announced on some 
+chess-with-\TeX\ user forum, etc.; in the extent that such forums exist.
+
+The full address of the \texttt{tex-fonts} mailing list is
+\begin{quote}
+  \texttt{tex-fonts@math.utah.edu}
+\end{quote}
+This list rejects postings from non-members, so you need to subscribe 
+to it before you can post your announcement. This is done by sending 
+a `subscribe me' mail to
+\begin{quote}
+  \href{mailto:tex-fonts-request@math.utah.edu}
+    {\texttt{tex-fonts-request@math.utah.edu}}
+\end{quote}
+The list archives can be found at
+\begin{quote}
+  \href{http://www.math.utah.edu/mailman/listinfo/tex-fonts}
+    {\textsc{http:}/\slash \texttt{www.math.utah.edu}\slash 
+    \texttt{mailman}\slash \texttt{listinfo}\slash 
+    \texttt{tex-fonts}}
+\end{quote}
+A tip is to read through the messages from a couple of months 
+before you write up your announcement, as that should help you get 
+acquainted with the normal style on the list. Please do not send 
+messages encoded in markup languages (notably, \textsmaller{HTML}, 
+\textsmaller{XML}, and word processor formats) to the list.
+
+\paragraph{Experimental encodings} There is a point in going through 
+the above procedure even for experimental encodings, i.e., encodings 
+whose names start with an \texttt{E}. Of course there is no idea in 
+ratifying a specification of an experimental encoding, as it is very 
+likely to frequently change, but having a proper name assigned to the 
+encoding and uploading its specification to CTAN makes it much simpler 
+for other people to learn about and make references to the encoding.
+
+
+\subsection{From draft to beta stage}
+
+The main difference between a draft and beta stage specification 
+respectively is that beta stage specifications have been scrutinized 
+by other people and found to be free of errors. The practical 
+implementation of this is that a debate is held (in the normal 
+anarchical manner of mailing list debates) on the \texttt{tex-fonts} 
+mailing list. In particular the following aspects of the 
+specification should be checked:
+\begin{enumerate}
+  \item \emph{Is the encoding technically correct?} 
+    There are many factors which affect what \TeX\ does and it is 
+    easy to overlook some. (The \cs{lccode}s seem to be particularly 
+    troublesome, in this respect.) Sometimes fonts simply cannot work 
+    as an encoding specifies they should and it is important that 
+    such defects in the encoding are discovered on an early stage.
+  \item \emph{Are there any errors in the specification?}
+    A font encoding specification is largely a table and typos are 
+    easy to make. Proof-reading may be boring, but it is very, very 
+    important.
+  \item \emph{Is the specification sufficiently precise?}
+    Are there any omissions, ambiguities, inaccuracies, or completely 
+    irrelevant material in the specification? There shouldn't be.
+\end{enumerate}
+During the debate, the encoding proposers should hear what other 
+people have to say about the encoding draft, revise it accordingly 
+when some flaw is pointed out, and upload the revised version. This 
+cycle may well have to be repeated several times before everyone's 
+content. It is worth pointing out that in practice the debate should 
+turn out to be more of a collective authoring of the specification 
+than a defense of its validity. There is no point in going into it 
+expecting the worst.
+
+Unfortunately, it might happen that there never is a complete agreement 
+on an encoding specification---depending on what side on takes, either 
+the encoding proposers refuse to correct obvious flaws in it, or someone 
+on the list insists that there is a flaw although there is obviously 
+not---but hopefully that will never happen. If it anyway does happen 
+then the person objecting should send a mail whose subject contains the 
+phrase "formal protest against XXX encoding" (with XXX replaced by 
+whatever the encoding is called) to the list. Then it will be up to 
+the powers that be to decide on the fate of the encoding (see below).
+
+\paragraph{Summarize the debate} When the debate on the encoding is 
+over---e.g.\ a month after anyone last posted anything new on the 
+subject---then the encoding proposers should summarize the debate on 
+the encoding specification draft and post this summary as a follow-up 
+on the original mail to \texttt{latex-bugs}. This summary should list 
+the changes that have been made to the encoding, what suggestions there 
+were for changes which have not been included, and whether there were 
+any formal protests against the encoding. The summary should also explain 
+what the proposers want to have be done with the encoding. In the 
+usual case this is having it advanced to beta stage, but the proposers 
+might alternatively at this point have reached the conclusion that the 
+encoding wasn't such a good idea to start with and therefore withdraw 
+it, possibly to come again later with a different proposal.
+
+In response to this summary, the \LaTeX-project people may do one of 
+three things:
+\begin{itemize}
+  \item 
+    If the proposers wants the encoding specification advanced and 
+    there are no formal protests against this, then the encoding 
+    should be advanced to the beta stage. The \LaTeX-project 
+    people do this by adding the encoding to the list of approved 
+    (beta or final stage) encodings that they [presumably] maintain.
+  \item 
+    If the proposers want to withdraw the encoding specification 
+    then the name assigned to it should once again be made available 
+    for use for other encodings.
+  \item
+    If the proposers want the encoding specification advanced but 
+    there is some formal protest against this, then the entire matter 
+    should be handed over to some suitable authority, as a suggestion 
+    some technical TUG committee, for resolution.
+\end{itemize}
+
+
+\paragraph{Update the specification on CTAN} When the specification 
+has reached the beta stage, its file on CTAN should be updated to say 
+so. In particular the file name should be changed from \meta{encoding 
+name}\texttt{draft.etx} to \meta{encoding name}\texttt{spec.etx}.
+
+
+\paragraph{Modifying beta stage encodings} If a beta stage encoding is 
+modified then the revised specification should go through the above 
+procedure of ratification again before it can replace the previous 
+\meta{encoding name}\texttt{spec.etx} file on CTAN. The revised 
+version should thus initially be uploaded as \meta{encoding 
+name}\texttt{draft.etx}, reannounced, and redebated. It can however 
+be expected that such debates will not be as extensive as the 
+original debates.
+
+
+\subsection{From beta stage to final stage}
+
+The requirements for going from beta stage to final stage are more 
+about showing that the encoding has reached a certain maturity than 
+about demonstrating any technical merits of it. The main difference in 
+usefulness between a beta stage encoding and a final stage encoding is 
+that the latter can be considered safe for archival purposes, whereas 
+one should have certain reservations against such use of beta stage 
+encodings.
+
+It seems reasonable that the following conditions should have to be 
+fulfilled before a beta stage encoding can be made a final stage 
+encoding:
+\begin{itemize}
+  \item At least one year must have passed since the last change was 
+    made to the specification.
+  \item At least two people other than the proposer must have 
+    succeeded in implemented the encoding in a font.
+\end{itemize}
+It is quite possible that some condition should be added or some of 
+the above conditions reformulated.
+
+
+% References updated 2004/08/07.
+\begin{thebibliography}{???}
+\bibitem{ATN5013}
+  Adobe Systems Incorporated:
+  \textit{Adobe Standard Cyrillic Font Specification}, 
+  Adobe Technical Note \#5013, 1998;
+  \href{http://partners.adobe.com/asn/developer/pdfs/tn/%
+  5013.Cyrillic_Font_Spec.pdf}{\textsc{http}:/\slash 
+  \texttt{partners.adobe.com}\slash \texttt{asn}\slash 
+  \texttt{developer}\slash \texttt{pdfs}\slash \texttt{tn}\slash 
+  \texttt{5013.Cyrillic\_Font\_Spec.pdf}}.
+\bibitem{AGL}
+  Adobe Systems Incorporated: \textit{Adobe Glyph List},
+  text file, 1998,
+  \href{http://partners.adobe.com/asn/developer/type/glyphlist.txt}
+  {\textsc{http}:/\slash \texttt{partners.adobe.com}\slash
+  \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash
+  \texttt{glyphlist.txt}}.
+\bibitem{unicodesign}
+  Adobe Systems Incorporated:
+  \textit{Adobe Solutions Network: Unicode and Glyph Names}, 
+  web page, 1998,
+  \href{http://partners.adobe.com/asn/developer/type/unicodegn.html}
+  {\textsc{http}:/\slash \texttt{partners.adobe.com}\slash
+  \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash
+  \texttt{unicodegn.html}}.
+\bibitem{ClasenVieth}
+  Matthias Clasen and Ulrik Vieth:
+  \textit{Towards a new Math Font Encoding for (La)TeX},
+  March 1998, presented at EuroTeX'98;
+  \href{http://tug.org/twg/mfg/papers/current/mfg-euro-all.ps.gz}
+  {\textsc{http}:/\slash \texttt{tug.org}\slash \texttt{twg}\slash
+  \texttt{mfg}\slash \texttt{papers}\slash \texttt{current}\slash
+  \texttt{mfg-euro-all.ps.gz}}.
+\bibitem{fontinst-man}
+  Alan Jeffrey, Rowland McDonnell, Ulrik Vieth, and Lars Hellstr\"om:
+  \textit{\package{fontinst}---font installation software for \TeX} 
+  (manual), 2004, 
+  \ctanref{fonts/utilities/fontinst/doc/fontinst.tex}{%
+  \textsc{ctan}:\discretionary{}{}{\thinspace}%
+  \texttt{fonts}\slash \texttt{utilities}\slash 
+  \texttt{fontinst}\slash \texttt{doc}\slash \texttt{fontinst.tex}}.
+% \bibitem{fontinst}
+%   Alan Jeffrey, Sebastian Rahtz, and Ulrik Vieth: 
+%   \textit{The \package{fontinst} utility}, documented source code, 
+%   v\,1.801,
+%   \ctanref{fonts/utilities/fontinst/source}{%
+%   \textsc{ctan}:\discretionary{}{}{\thinspace}%
+%   \texttt{fonts}\slash \texttt{utilities}\slash 
+%   \texttt{fontinst}\slash \texttt{source}/}.
+\bibitem{fontinst-pre}
+  Alan Jeffrey, Sebastian Rahtz, Ulrik Vieth, and Lars Hellstr\"om: 
+  \textit{The \package{fontinst} utility}, documented source code, 
+  v\,1.9xx,
+  \ctanref{fonts/utilities/fontinst-prerelease/source}{%
+  \textsc{ctan}:\discretionary{}{}{\thinspace}%
+  \texttt{fonts}\slash \texttt{utilities}\slash 
+  \texttt{fontinst}\slash \texttt{source}/}.
+\bibitem{TeXbook}
+  Donald E.\ Knuth, Duane Bibby (illustrations): \textit{The \TeX book}, 
+  Ad\-di\-son--Wes\-ley, 1991; 
+  volume A of \textit{Computers and typesetting}.
+\bibitem{LaTeXCompanion}
+  Frank Mittelbac and Michel Goossens, with Johannes Braams, 
+  David Carlisle, and Chris Rowley:
+  \textit{The \LaTeX\ Companion} (second edition), 
+  Ad\-di\-son--Wes\-ley, 2004; ISBN~0-201-36299-6.
+\bibitem{Omega-doc}
+  John Plaice and Yannis Haralambous:
+  \textit{Draft documentation for the Omega system},
+  version~1.12, 1999; 
+  \href{http://omega.cse.unsw.edu.au:8080/doc-1.12.ps}{%
+  \textsc{http:}/\slash \texttt{omega.cse.unsw.edu.au:8080}\slash
+  \texttt{doc-1.12.ps}}.
+%   \textsc{ctan}:\discretionary{}{}{\thinspace}%
+%   \texttt{systems}\slash \texttt{omega}\slash 
+%   \texttt{omega-doc-1.8.tar.gz}.
+\bibitem{Vieth2001}
+  Ulrik Vieth: 
+  \textit{Math typesetting in \TeX: The~good, the~bad, the~ugly},
+  to appear in the proceedings of Euro\TeX\ 2001;
+  \href{http://www.ntg.nl/eurotex/vieth.pdf}{%
+  \textsc{http}:/\slash \texttt{www.ntg.nl}\slash 
+  \texttt{eurotex}\slash \texttt{vieth.pdf}}.
+\end{thebibliography}
+
+
+\end{document}
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/encspecs/omxdraft.etx b/Master/texmf-dist/doc/fontinst/base/encspecs/omxdraft.etx
new file mode 100644
index 00000000000..efccabde857
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/encspecs/omxdraft.etx
@@ -0,0 +1,985 @@
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2001/06/01]
+
+% \usepackage[T1]{fontenc}
+\DeclareTextCommandDefault{\textvisiblespace}{%
+   \mbox{\kern.06em\vrule height.3ex}%
+   \vbox{\hrule width.3em}%
+   \hbox{\vrule height.3ex\kern.06em}}
+
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\showbranches
+
+\begin{document}
+
+\title{\texttt{OMX} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2001/10/20}
+\maketitle
+
+\begin{abstract}
+  The \TeX\ math extensions (\texttt{OMX}) encoding is a container for 
+  most of the ``growing'' characters in the standard math set-up, but 
+  that is pretty much the extent of it. Some of the characters occur 
+  in ``normal size'' in other encodings; in these cases it is usually 
+  a single math command that usually make use of characters in both 
+  encodings.
+\end{abstract}
+
+
+\encoding
+
+\begincomment
+\section{Mandatory characters}
+
+\subsection{Delimiters}
+\endcomment
+
+\nextslot{0}
+\setslot{parenleftbig}
+  \Unicode{0028}{LEFT PARENTHESIS}
+  \nextlarger{parenleftBig}
+\endsetslot
+
+\setslot{parenrightbig}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+  \nextlarger{parenrightBig}
+\endsetslot
+
+\setslot{bracketleftbig}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+  \nextlarger{bracketleftBig}
+\endsetslot
+
+\setslot{bracketrightbig}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+  \nextlarger{bracketrightBig}
+\endsetslot
+
+\setslot{floorleftbig}
+  \Unicode{230A}{LEFT FLOOR}
+  \nextlarger{floorleftBig}
+\endsetslot
+
+\setslot{floorrightbig}
+  \Unicode{230B}{RIGHT FLOOR}
+  \nextlarger{floorrightBig}
+\endsetslot
+
+\setslot{ceilingleftbig}
+  \Unicode{2308}{LEFT CEILING}
+  \nextlarger{ceilingleftBig}
+\endsetslot
+
+\setslot{ceilingrightbig}
+  \Unicode{2309}{RIGHT CEILING}
+  \nextlarger{ceilingrightBig}
+\endsetslot
+
+\setslot{braceleftbig}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+  \nextlarger{braceleftBig}
+\endsetslot
+
+\setslot{bracerightbig}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+  \nextlarger{bracerightBig}
+\endsetslot
+
+\setslot{angleleftbig}
+  \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+  \nextlarger{angleleftBig}
+\endsetslot
+
+\setslot{anglerightbig}
+  \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+  \nextlarger{anglerightBig}
+\endsetslot
+
+\setslot{barex}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{This is used by the \cs{vert} command. When not accessed 
+    as a delimiter, this character may be much shorter than one 
+    would expect.}
+  \varchar
+    \varrep{barex}
+  \endvarchar
+\endsetslot
+
+\setslot{bardblex}
+  \Unicode{2016}{DOUBLE VERTICAL LINE}
+  \comment{This is used by the \cs{Vert} command. When not accessed 
+    as a delimiter, this character may be much shorter than one 
+    would expect.}
+  \varchar
+    \varrep{bardblex}
+  \endvarchar
+\endsetslot
+
+\setslot{slashbig}
+  \Unicode{2215}{DIVISION SLASH}
+  \comment{Although this character is normally accessed via \TeX's 
+    growing delimiter mechanism, it is not used as such in formulae, 
+    but as a large division slash. Since the use is unambigously for 
+    division and the like, it would be inaccurate to identify this 
+    character with \textunicode{002F}{SOLIDUS}.}
+  \nextlarger{slashBig}
+\endsetslot
+
+\setslot{backslashbig}
+  \Unicode{005C}{REVERSE SOLIDUS}
+  \comment{This is \TeX's \cs{backslash} (use for ``double coset''), 
+    not \cs{setminus}, and hence it is not 
+    \textunicode{2216}{SET MINUS}.}
+  \nextlarger{backslashBig}
+\endsetslot
+
+\nextslot{62}
+\setslot{braceex}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{This is used by the \cs{bracevert} command.}
+  \label{braceex}
+  \varchar
+    \varrep{braceex}
+  \endvarchar
+  \comment{This slot contains the repeatable part of a extensible 
+    brace delimiter. In the standard set-up, the extensible recipes of 
+    slots~\ref{bracelefttp}, \ref{bracerighttp}, \ref{braceleftbt}, 
+    \ref{bracerightbt}, \ref{parenleftbt}, and \ref{parenrightbt} all 
+    make use of this slot.}
+\endsetslot
+
+\nextslot{"42}
+\setslot{parenleftex}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{As astonishing as it may seem, there is no command which 
+    accesses this slot. The glyph is similar to that in 
+    slot~\ref{braceex}, but shifted to the left.}
+  \varchar
+    \varrep{parenleftex}
+  \endvarchar
+\endsetslot
+
+\setslot{parenrightex}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{As astonishing as it may seem, there is no command which 
+    accesses this slot. The glyph is similar to that in 
+    slot~\ref{braceex}, but shifted to the right.}
+  \varchar
+    \varrep{parenrightex}
+  \endvarchar
+\endsetslot
+
+\nextslot{"7A}
+\setslot{bracehtipdownleft}
+  \comment{This is \cs{braceld}, a tip (pointing left, bending down) 
+    used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipdownright}
+  \comment{This is \cs{bracerd}, a tip (pointing right, bending down) 
+    used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipupleft}
+  \comment{This is \cs{bracelu}, a tip (pointing left, bending up) 
+    used to build over- and underbraces.}
+\endsetslot
+
+\setslot{bracehtipupright}
+  \comment{This is \cs{braceru}, a tip (pointing right, bending up) 
+    used to build over- and underbraces.}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Text style operators}
+
+With the exception of the integrals, all the following characters 
+should be \textsc{n-ary \dots}, but some cases there are no such 
+variants defined in Unicode.
+\endcomment
+
+\nextslot{"46}
+\setslot{unionsqtext}
+  \Unicode{2294}{SQUARE CUP}
+  \nextlarger{unionsqdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{contintegraltext}
+  \Unicode{222E}{CONTOUR INTEGRAL}
+  \nextlarger{contintegraldisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circledottext}
+  \Unicode{2299}{CIRCLED DOT OPERATOR}
+  \nextlarger{circledotdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circleplustext}
+  \Unicode{2295}{CIRCLED PLUS}
+  \nextlarger{circleplusdisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{circlemultiplytext}
+  \Unicode{2297}{CIRCLED TIMES}
+  \nextlarger{circlemultiplydisplay}
+\endsetslot
+
+\skipslots{1}
+\setslot{summationtext}
+  \Unicode{2211}{N-ARY SUMMATION}
+  \nextlarger{summationdisplay}
+\endsetslot
+
+\setslot{producttext}
+  \Unicode{220F}{N-ARY PRODUCT}
+  \nextlarger{productdisplay}
+\endsetslot
+
+\setslot{integraltext}
+  \Unicode{222B}{INTEGRAL}
+  \nextlarger{integraldisplay}
+\endsetslot
+
+\setslot{uniontext}
+  \Unicode{22C3}{N-ARY UNION}
+  \nextlarger{uniondisplay}
+\endsetslot
+
+\setslot{intersectiontext}
+  \Unicode{22C2}{N-ARY INTERSECTION}
+  \nextlarger{intersectiondisplay}
+\endsetslot
+
+\setslot{unionmultitext}
+  \Unicode{228E}{MULTISET UNION}
+  \nextlarger{unionmultidisplay}
+\endsetslot
+
+\setslot{logicalandtext}
+  \Unicode{22C0}{N-ARY LOGICAL AND}
+  \nextlarger{logicalanddisplay}
+\endsetslot
+
+\setslot{logicalortext}
+  \Unicode{22C1}{N-ARY LOGICAL OR}
+  \nextlarger{logicalordisplay}
+\endsetslot
+
+\skipslots{8}
+\setslot{coproducttext}
+  \Unicode{2210}{N-ARY COPRODUCT}
+  \nextlarger{coproductdisplay}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Accents, arrows, and the radical}
+\endcomment
+
+\nextslot{"62}
+\setslot{hatwide}
+  \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+  \nextlarger{hatwider}
+\endsetslot
+
+\skipslots{2}
+
+\setslot{tildewide}
+  \Unicode{0303}{COMBINING TILDE}
+  \nextlarger{tildewider}
+\endsetslot
+
+\nextslot{"70}
+\setslot{radicalbig}
+  \Unicode{221A}{SQUARE ROOT}
+  \nextlarger{radicalBig}
+\endsetslot
+
+\nextslot{"78}
+\setslot{arrowtp}
+  \Unicode{2191}{UPWARDS ARROW}
+  \varchar
+    \vartop{arrowtp}
+    \varrep{arrowvertex}
+ \endvarchar
+\endsetslot
+
+\setslot{arrowbt}
+  \Unicode{2193}{DOWNWARDS ARROW}
+  \varchar
+    \varrep{arrowvertex}
+    \varbot{arrowbt}
+  \endvarchar
+\endsetslot
+
+\nextslot{"7E}
+\setslot{arrowdbltp}
+  \Unicode{21D1}{UPWARDS DOUBLE ARROW}
+  \varchar
+    \vartop{arrowdbltp}
+    \varrep{arrowdblvertex}
+  \endvarchar
+\endsetslot
+
+\setslot{arrowdblbt}
+  \Unicode{21D3}{DOWNWARDS DOUBLE ARROW}
+  \varchar
+    \varrep{arrowdblvertex}
+    \varbot{arrowdblbt}
+  \endvarchar
+\endsetslot
+
+
+
+
+
+
+\begincomment
+\section{Semimandatory characters}
+\endcomment
+
+\nextslot{"3A}
+\setslot{braceleftbt}
+  \comment{This is the \cs{lgroup} delimiter, which looks like a 
+    \textunicode{007B}{LEFT CURLY BRACKET} with flat middle section. 
+    There does not seem to be such a character in Unicode, but a 
+    close approximation would be a narrowed 
+    \textunicode{3014}{LEFT TORTOISE SHELL BRACKET}.}
+  \label{braceleftbt}
+  \varchar
+    \vartop{bracelefttp}
+    \varrep{braceex}
+    \varbot{braceleftbt}
+  \endvarchar
+  \comment{The slot contains the curved bottom of a 
+    \textunicode{007B}{LEFT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{bracerightbt}
+  \comment{This is the \cs{rgroup} delimiter, which looks like a 
+    \textunicode{007D}{RIGHT CURLY BRACKET} with flat middle section. 
+    There does not seem to be such a character in Unicode, but a 
+    close approximation would be a narrowed 
+    \textunicode{3015}{RIGHT TORTOISE SHELL BRACKET}.}
+  \label{bracerightbt}
+  \varchar
+    \vartop{bracerighttp}
+    \varrep{braceex}
+    \varbot{bracerightbt}
+  \endvarchar
+  \comment{The slot contains the curved bottom of a 
+    \textunicode{007D}{RIGHT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{braceleftmid}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{This is used by the \cs{arrowvert} command.}
+  \varchar
+    \varrep{arrowvertex}
+  \endvarchar
+  \comment{The slot contains the middle part of a 
+    \textunicode{007B}{LEFT CURLY BRACKET}.}
+\endsetslot
+
+\setslot{bracerightmid}
+  \Unicode{2016}{DOUBLE VERTICAL LINE}
+  \comment{This is used by the \cs{Arrowvert} command.}
+  \varchar
+    \varrep{arrowdblvertex}
+  \endvarchar
+  \comment{The slot contains the middle part of a 
+    \textunicode{007D}{RIGHT CURLY BRACKET}.}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{arrowvertex}
+  \Unicode{2195}{UP DOWN ARROW}
+  \varchar
+    \vartop{arrowtp}
+    \varrep{arrowvertex}
+    \varbot{arrowbt}
+  \endvarchar
+  \comment{This slot contains the repeatable middle part of a vertical 
+    arrow.}
+\endsetslot
+
+\setslot{parenleftbt}
+  \label{parenleftbt}
+  \comment{This is the \cs{lmoustache} delimiter, whose top half is 
+    like \cs{lgroup} and whose bottom half is like \cs{rgroup}.}
+  \varchar
+    \vartop{bracelefttp}
+    \varrep{braceex}
+    \varbot{bracerightbt}
+  \endvarchar
+  \comment{This slot contains the curved bottom of a 
+    \textunicode{0028}{LEFT PARENTHESIS}.}
+\endsetslot
+
+\setslot{parenrightbt}
+  \label{parenrightbt}
+  \comment{This is the \cs{rmoustache} delimiter, whose top half is 
+    like \cs{rgroup} and whose bottom half is like \cs{lgroup}.}
+  \varchar
+    \vartop{bracerighttp}
+    \varrep{braceex}
+    \varbot{braceleftbt}
+  \endvarchar
+  \comment{This slot contains the curved bottom of a 
+    \textunicode{0029}{RIGHT PARENTHESIS}.}
+\endsetslot
+
+\nextslot{"77}
+\setslot{arrowdblvertex}
+  \Unicode{21D5}{UP DOWN DOUBLE ARROW}
+  \varchar
+    \vartop{arrowdbltp}
+    \varbot{arrowdblbt}
+    \varrep{arrowdblvertex}
+  \endvarchar
+  \comment{This slot contains the repeatable middle part of a vertical 
+    double arrow.}
+\endsetslot
+
+
+
+
+
+\begincomment
+\section{Ordinary characters}
+\endcomment
+
+
+\begincomment
+\subsection{\texttt{Big} size delimiters}
+\endcomment
+
+\nextslot{16}
+\setslot{parenleftBig}
+  \Unicode{0028}{LEFT PARENTHESIS}
+  \nextlarger{parenleftbigg}
+\endsetslot
+
+\setslot{parenrightBig}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+  \nextlarger{parenrightbigg}
+\endsetslot
+
+\nextslot{46}
+\setslot{slashBig}
+  \Unicode{2215}{DIVISION SLASH}
+  \nextlarger{slashbigg}
+\endsetslot
+
+\setslot{backslashBig}
+  \Unicode{005C}{REVERSE SOLIDUS}
+  \nextlarger{backslashbigg}
+\endsetslot
+
+\nextslot{"44}
+\setslot{angleleftBig}
+  \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+  \nextlarger{angleleftbigg}
+\endsetslot
+
+\setslot{anglerightBig}
+  \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+  \nextlarger{anglerightbigg}
+\endsetslot
+
+\nextslot{"68}
+\setslot{bracketleftBig}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+  \nextlarger{bracketleftbigg}
+\endsetslot
+
+\setslot{bracketrightBig}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+  \nextlarger{bracketrightbigg}
+\endsetslot
+
+\setslot{floorleftBig}
+  \Unicode{230A}{LEFT FLOOR}
+  \nextlarger{floorleftbigg}
+\endsetslot
+
+\setslot{floorrightBig}
+  \Unicode{230B}{RIGHT FLOOR}
+  \nextlarger{floorrightbigg}
+\endsetslot
+
+\setslot{ceilingleftBig}
+  \Unicode{2308}{LEFT CEILING}
+  \nextlarger{ceilingleftbigg}
+\endsetslot
+
+\setslot{ceilingrightBig}
+  \Unicode{2309}{RIGHT CEILING}
+  \nextlarger{ceilingrightbigg}
+\endsetslot
+
+\setslot{braceleftBig}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+  \nextlarger{braceleftbigg}
+\endsetslot
+
+\setslot{bracerightBig}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+  \nextlarger{bracerightbigg}
+\endsetslot
+
+
+
+
+
+\begincomment
+\subsection{\texttt{bigg} size delimiters}
+\endcomment
+
+\nextslot{18}
+\setslot{parenleftbigg}
+  \Unicode{0028}{LEFT PARENTHESIS}
+  \nextlarger{parenleftBigg}
+\endsetslot
+
+\setslot{parenrightbigg}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+  \nextlarger{parenrightBigg}
+\endsetslot
+
+\setslot{bracketleftbigg}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+  \nextlarger{bracketleftBigg}
+\endsetslot
+
+\setslot{bracketrightbigg}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+  \nextlarger{bracketrightBigg}
+\endsetslot
+
+\setslot{floorleftbigg}
+  \Unicode{230A}{LEFT FLOOR}
+  \nextlarger{floorleftBigg}
+\endsetslot
+
+\setslot{floorrightbigg}
+  \Unicode{230B}{RIGHT FLOOR}
+  \nextlarger{floorrightBigg}
+\endsetslot
+
+\setslot{ceilingleftbigg}
+  \Unicode{2308}{LEFT CEILING}
+  \nextlarger{ceilingleftBigg}
+\endsetslot
+
+\setslot{ceilingrightbigg}
+  \Unicode{2309}{RIGHT CEILING}
+  \nextlarger{ceilingrightBigg}
+\endsetslot
+
+\setslot{braceleftbigg}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+  \nextlarger{braceleftBigg}
+\endsetslot
+
+\setslot{bracerightbigg}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+  \nextlarger{bracerightBigg}
+\endsetslot
+
+\setslot{angleleftbigg}
+  \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+  \nextlarger{angleleftBigg}
+\endsetslot
+
+\setslot{anglerightbigg}
+  \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+  \nextlarger{anglerightBigg}
+\endsetslot
+
+\setslot{slashbigg}
+  \Unicode{2215}{DIVISION SLASH}
+  \nextlarger{slashBigg}
+\endsetslot
+
+\setslot{backslashbigg}
+  \Unicode{005C}{REVERSE SOLIDUS}
+  \nextlarger{backslashBigg}
+\endsetslot
+
+
+
+\begincomment
+\subsection{\texttt{Bigg} size delimiters}
+\endcomment
+
+\nextslot{32}
+\setslot{parenleftBigg}
+  \Unicode{0028}{LEFT PARENTHESIS}
+  \nextlarger{parenlefttp}
+\endsetslot
+
+\setslot{parenrightBigg}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+  \nextlarger{parenrighttp}
+\endsetslot
+
+\setslot{bracketleftBigg}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+  \nextlarger{bracketlefttp}
+\endsetslot
+
+\setslot{bracketrightBigg}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+  \nextlarger{bracketrighttp}
+\endsetslot
+
+\setslot{floorleftBigg}
+  \Unicode{230A}{LEFT FLOOR}
+  \nextlarger{bracketleftbt}
+\endsetslot
+
+\setslot{floorrightBigg}
+  \Unicode{230B}{RIGHT FLOOR}
+  \nextlarger{bracketrightbt}
+\endsetslot
+
+\setslot{ceilingleftBigg}
+  \Unicode{2308}{LEFT CEILING}
+  \nextlarger{bracketleftex}
+\endsetslot
+
+\setslot{ceilingrightBigg}
+  \Unicode{2309}{RIGHT CEILING}
+  \nextlarger{bracketrightex}
+\endsetslot
+
+\setslot{braceleftBigg}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+  \nextlarger{bracelefttp}
+\endsetslot
+
+\setslot{bracerightBigg}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+  \nextlarger{bracerighttp}
+\endsetslot
+
+\setslot{angleleftBigg}
+  \Unicode{2329}{LEFT-POINTING ANGLE BRACKET}
+\endsetslot
+
+\setslot{anglerightBigg}
+  \Unicode{232A}{RIGHT-POINTING ANGLE BRACKET}
+\endsetslot
+
+\setslot{slashBigg}
+  \Unicode{2215}{DIVISION SLASH}
+\endsetslot
+
+\setslot{backslashBigg}
+  \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Extensible delimiters}
+\endcomment
+
+\nextslot{48}
+\setslot{parenlefttp}
+  \comment{This slot contains the curved top of a 
+    \textunicode{0028}{LEFT PARENTHESIS}.}
+  \varchar
+    \vartop{parenlefttp}
+    \varrep{parenleftex}
+    \varbot{parenleftbt}
+  \endvarchar
+\endsetslot
+
+\setslot{parenrighttp}
+  \comment{This slot contains the curved top of a 
+    \textunicode{0029}{RIGHT PARENTHESIS}.}
+  \varchar
+    \vartop{parenrighttp}
+    \varrep{parenrightex}
+    \varbot{parenrightbt}
+  \endvarchar
+\endsetslot
+
+\setslot{bracketlefttp}
+  \comment{This slot contains the corner top of a 
+    \textunicode{005B}{LEFT SQUARE BRACKET}.}
+  \varchar
+    \vartop{bracketlefttp}
+    \varrep{bracketleftex}
+    \varbot{bracketleftbt}
+  \endvarchar
+\endsetslot
+
+\setslot{bracketrighttp}
+  \comment{This slot contains the corner top of a 
+    \textunicode{005D}{RIGHT SQUARE BRACKET}.}
+  \varchar
+    \vartop{bracketrighttp}
+    \varrep{bracketrightex}
+    \varbot{bracketrightbt}
+  \endvarchar
+\endsetslot
+
+\setslot{bracketleftbt}
+  \comment{This slot contains the corner bottom of a 
+    \textunicode{005B}{LEFT SQUARE BRACKET}, but it serves as the 
+    final slot in the chain of larger sizes of 
+    \textunicode{230A}{LEFT FLOOR}.}
+  \varchar
+    \varrep{bracketleftex}
+    \varbot{bracketleftbt}
+ \endvarchar
+\endsetslot
+
+\setslot{bracketrightbt}
+  \comment{This slot contains the corner bottom of a 
+    \textunicode{005D}{RIGHT SQUARE BRACKET}, but it serves as the 
+    final slot in the chain of larger sizes of 
+    \textunicode{230B}{RIGHT FLOOR}.}
+  \varchar
+    \varrep{bracketrightex}
+    \varbot{bracketrightbt}
+  \endvarchar
+\endsetslot
+
+\setslot{bracketleftex}
+  \comment{This slot contains the repeatable middle part of a 
+    \textunicode{005B}{LEFT SQUARE BRACKET}, but it serves as the 
+    final slot in the chain of larger sizes of 
+    \textunicode{2308}{LEFT CEILING}.}
+  \varchar
+    \vartop{bracketlefttp}
+    \varrep{bracketleftex}
+  \endvarchar
+\endsetslot
+
+\setslot{bracketrightex}
+  \comment{This slot contains the repeatable middle part of a 
+    \textunicode{005D}{RIGHT SQUARE BRACKET}, but it serves as the 
+    final slot in the chain of larger sizes of 
+    \textunicode{2309}{RIGHT CEILING}.}
+  \varchar
+    \vartop{bracketrighttp}
+    \varrep{bracketrightex}
+  \endvarchar
+\endsetslot
+
+\setslot{bracelefttp}
+  \comment{This slot contains the curved top of a 
+    \textunicode{007B}{LEFT CURLY BRACKET}.}
+  \label{bracelefttp}
+  \varchar
+    \vartop{bracelefttp}
+    \varrep{braceex}
+    \varmid{braceleftmid}
+    \varbot{braceleftbt}
+  \endvarchar
+\endsetslot
+
+\setslot{bracerighttp}
+  \comment{This slot contains the curved top of a 
+    \textunicode{007D}{RIGHT CURLY BRACKET}.}
+  \label{bracerighttp}
+  \varchar
+    \vartop{bracerighttp}
+    \varrep{braceex}
+    \varmid{bracerightmid}
+    \varbot{bracerightbt}
+  \endvarchar
+\endsetslot
+
+
+
+
+  
+\begincomment
+\subsection{Display style operators}
+\endcomment
+
+\nextslot{"47}
+\setslot{unionsqdisplay}
+  \Unicode{2294}{SQUARE CUP}
+\endsetslot
+
+\skipslots{1}
+\setslot{contintegraldisplay}
+  \Unicode{222E}{CONTOUR INTEGRAL}
+\endsetslot
+
+\skipslots{1}
+\setslot{circledotdisplay}
+  \Unicode{2299}{CIRCLED DOT OPERATOR}
+\endsetslot
+
+\skipslots{1}
+\setslot{circleplusdisplay}
+  \Unicode{2295}{CIRCLED PLUS}
+\endsetslot
+
+\skipslots{1}
+\setslot{circlemultiplydisplay}
+  \Unicode{2297}{CIRCLED TIMES}
+\endsetslot
+
+\skipslots{8}
+\setslot{summationdisplay}
+  \Unicode{2211}{N-ARY SUMMATION}
+\endsetslot
+
+\setslot{productdisplay}
+  \Unicode{220F}{N-ARY PRODUCT}
+\endsetslot
+
+\setslot{integraldisplay}
+  \Unicode{222B}{INTEGRAL}
+\endsetslot
+
+\setslot{uniondisplay}
+  \Unicode{22C3}{N-ARY UNION}
+\endsetslot
+
+\setslot{intersectiondisplay}
+  \Unicode{22C2}{N-ARY INTERSECTION}
+\endsetslot
+
+\setslot{unionmultidisplay}
+  \Unicode{228E}{MULTISET UNION}
+\endsetslot
+
+\setslot{logicalanddisplay}
+  \Unicode{22C0}{N-ARY LOGICAL AND}
+\endsetslot
+
+\setslot{logicalordisplay}
+  \Unicode{22C1}{N-ARY LOGICAL OR}
+\endsetslot
+
+\skipslots{1}
+\setslot{coproductdisplay}
+  \Unicode{2210}{N-ARY COPRODUCT}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\nextslot{"63}
+\setslot{hatwider}
+  \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+  \nextlarger{hatwiderr}
+\endsetslot
+
+\setslot{hatwiderr}
+  \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{tildewider}
+  \Unicode{0303}{COMBINING TILDE}
+  \nextlarger{tildewiderr}
+\endsetslot
+
+\setslot{tildewiderr}
+  \Unicode{0303}{COMBINING TILDE}
+\endsetslot
+
+
+\begincomment
+\subsection{Radicals}
+\endcomment
+
+\nextslot{"71}
+\setslot{radicalBig}
+  \Unicode{221A}{SQUARE ROOT}
+  \nextlarger{radicalbigg}
+\endsetslot
+
+\setslot{radicalbigg}
+  \Unicode{221A}{SQUARE ROOT}
+  \nextlarger{radicalBigg}
+\endsetslot
+
+\setslot{radicalBigg}
+  \Unicode{221A}{SQUARE ROOT}
+  \nextlarger{radicalbt}
+\endsetslot
+
+\setslot{radicalbt}
+  \Unicode{221A}{SQUARE ROOT}
+  \varchar
+    \varbot{radicalbt}
+    \vartop{radicaltp}
+    \varrep{radicalvertex}
+  \endvarchar
+\endsetslot
+
+\setslot{radicalvertex}
+  \comment{This is the repeatable, vertically middle part of an 
+    extensible \textunicode{221A}{SQUARE ROOT}.}
+\endsetslot
+
+\setslot{radicaltp}
+  \comment{This is the top corner part of an extensible 
+    \textunicode{221A}{SQUARE ROOT}.}
+\endsetslot
+
+
+
+
+
+\begincomment
+\section{Fontdimens and codingscheme}
+
+\texttt{OMX} fonts have the necessary fontdimens to serve as a math 
+group 3 font.
+\endcomment
+
+\setfontdimen{1}{italicslant}    % italic slant
+\setfontdimen{2}{interword}      % interword space
+\setfontdimen{3}{stretchword}    % interword stretch
+\setfontdimen{4}{shrinkword}     % interword shrink
+\setfontdimen{5}{xheight}        % x-height
+\setfontdimen{6}{quad}           % quad
+\setfontdimen{7}{extraspace}     % extra space after .
+
+\setfontdimen{8}{defaultrulethickness} % default rule thickness
+\setfontdimen{9}{bigopspacing1}        % bigopspacing 1
+\setfontdimen{10}{bigopspacing2}       % bigopspacing 2
+\setfontdimen{11}{bigopspacing3}       % bigopspacing 3
+\setfontdimen{12}{bigopspacing4}       % bigopspacing 4
+\setfontdimen{13}{bigopspacing5}       % bigopspacing 5
+
+\setstr{codingscheme}{TEX MATH EXTENSION}
+
+
+
+
+
+\endencoding
+
+
+\section{Discussion}
+
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fontinst/base/encspecs/ot1draft.etx b/Master/texmf-dist/doc/fontinst/base/encspecs/ot1draft.etx
new file mode 100644
index 00000000000..8fbdb57c29c
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/encspecs/ot1draft.etx
@@ -0,0 +1,1001 @@
+\relax
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2001/06/01]
+
+\DeclareRobustCommand\cs[1]{\texttt{\char`\\#1}}
+
+\showbranches
+
+\begin{document}
+
+\title{\texttt{OT1} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2001/09/09}
+\maketitle
+
+\begin{abstract}
+  The \texttt{OT1} encoding is an attempt to describe the encoding of 
+  the text fonts in Donald~E.~Knuth's \emph{Computer Modern} family 
+  of fonts~\cite{ComputerModern}. This is an impossibile goal, since 
+  these fonts present no less than five different encodings, but they 
+  are nontheless largely treated by \LaTeX\ as having identical 
+  encodings. Due to the ambiguities this creates, and in view of that 
+  the \texttt{T1} encoding supersedes \texttt{OT1} as text font 
+  encoding, there is little point in using the text commands for 
+  distiguishing mandatory features of \texttt{OT1} from the ordinary.
+  
+  \texttt{OT1} is however also used as a math font encoding (to go 
+  with \texttt{OML}, \texttt{OMS}, and \texttt{OMX}), and that use is 
+  today the by far most important since there is no obvious alternative 
+  to the standard math font set-up. Therefore this specification 
+  considers a feature of the encoding to be mandatory if it is 
+  (i)~necessary for the standard math set-up or (ii)~is a text feature 
+  which works for all encoding variants.
+\end{abstract}
+
+\encoding
+\needsfontinstversion{1.918}
+
+
+
+\begincomment
+\section{Encoding variants}
+
+This document aims to record all the encoding variations that are 
+present within the set of fonts classified by \LaTeX\ as having the 
+\texttt{OT1} encoding. It turns out that they can all be described 
+using only two parameters. One of these might be called 
+`\textit{ligaturing}' as one factor it affects is how many ligatures 
+there will be in the font. The other parameter is best called 
+`\textit{italicizing}' as it is different between italic and 
+non-italic fonts. Most of the Computer Modern fonts have 
+\(\mathit{ligaturing} = 2\) and \(\mathit{italicizing} = 0\).
+
+\endcomment
+\setint{ligaturing}{2}
+\setint{italicizing}{0}
+
+
+\begincomment
+
+
+\section{Mandatory characters}
+
+\subsection{Latin letters}
+\endcomment
+
+\nextslot{16}
+\setslot{dotlessi}
+  \Unicode{0131}{LATIN SMALL LETTER DOTLESS I}
+  \comment{A dotless i `\i', used to produce accented letters such as
+     `\=\i'. It is not used for math.}
+\endsetslot
+
+\setslot{dotlessj}
+  \Unicode{F6BE}{LATIN SMALL LETTER DOTLESS J}
+  \comment{A dotless j `\j', used to produce accented letters such as
+     `\=\j'. It is not used for math. The Unicode standard does not 
+     define this character, but Adobe has assigned code point 
+     \texttt{U+F6BE} (which is in the private use subarea assigned by 
+     Adobe) to it.}
+\endsetslot
+
+\nextslot{25}
+\setslot{germandbls}
+  \Unicode{00DF}{LATIN SMALL LETTER SHARP S}
+  \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{ae}
+  \Unicode{00E6}{LATIN SMALL LETTER AE}
+  \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{oe}
+  \Unicode{0153}{LATIN SMALL LIGATURE OE}
+  \comment{This is a single letter, and should not be faked with `oe'. 
+     It is not used in math.}
+\endsetslot
+
+\setslot{oslash}
+  \Unicode{00F8}{LATIN SMALL LETTER O WITH STROKE}
+  \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{AE}
+  \Unicode{00C6}{LATIN CAPITAL LETTER AE}
+  \comment{This slot is not used in math.}
+\endsetslot
+
+\setslot{OE}
+  \Unicode{0152}{LATIN CAPITAL LIGATURE OE}
+  \comment{This is a single letter, and should not be faked with 
+     `OE'. It is not used in math.}
+\endsetslot
+
+\setslot{Oslash}
+  \Unicode{00D8}{LATIN CAPITAL LETTER O WITH STROKE}
+  \comment{This slot is not used in math.}
+\endsetslot
+
+
+\nextslot{65}
+\setslot{A}
+  \Unicode{0041}{LATIN CAPITAL LETTER A}
+  \label{A}
+\endsetslot
+
+\setslot{B}
+  \Unicode{0042}{LATIN CAPITAL LETTER B}
+\endsetslot
+
+\setslot{C}
+  \Unicode{0043}{LATIN CAPITAL LETTER C}
+\endsetslot
+
+\setslot{D}
+  \Unicode{0044}{LATIN CAPITAL LETTER D}
+\endsetslot
+
+\setslot{E}
+  \Unicode{0045}{LATIN CAPITAL LETTER E}
+\endsetslot
+
+\setslot{F}
+  \Unicode{0046}{LATIN CAPITAL LETTER F}
+\endsetslot
+
+\setslot{G}
+  \Unicode{0047}{LATIN CAPITAL LETTER G}
+\endsetslot
+
+\setslot{H}
+  \Unicode{0048}{LATIN CAPITAL LETTER H}
+\endsetslot
+
+\setslot{I}
+  \Unicode{0049}{LATIN CAPITAL LETTER I}
+\endsetslot
+
+\setslot{J}
+  \Unicode{004A}{LATIN CAPITAL LETTER J}
+\endsetslot
+
+\setslot{K}
+  \Unicode{004B}{LATIN CAPITAL LETTER K}
+\endsetslot
+
+\setslot{L}
+  \Unicode{004C}{LATIN CAPITAL LETTER L}
+\endsetslot
+
+\setslot{M}
+  \Unicode{004D}{LATIN CAPITAL LETTER M}
+\endsetslot
+
+\setslot{N}
+  \Unicode{004E}{LATIN CAPITAL LETTER N}
+\endsetslot
+
+\setslot{O}
+  \Unicode{004F}{LATIN CAPITAL LETTER O}
+\endsetslot
+
+\setslot{P}
+  \Unicode{0050}{LATIN CAPITAL LETTER P}
+\endsetslot
+
+\setslot{Q}
+  \Unicode{0051}{LATIN CAPITAL LETTER Q}
+\endsetslot
+
+\setslot{R}
+  \Unicode{0052}{LATIN CAPITAL LETTER R}
+\endsetslot
+
+\setslot{S}
+  \Unicode{0053}{LATIN CAPITAL LETTER S}
+\endsetslot
+
+\setslot{T}
+  \Unicode{0054}{LATIN CAPITAL LETTER T}
+\endsetslot
+
+\setslot{U}
+  \Unicode{0055}{LATIN CAPITAL LETTER U}
+\endsetslot
+
+\setslot{V}
+  \Unicode{0056}{LATIN CAPITAL LETTER V}
+\endsetslot
+
+\setslot{W}
+  \Unicode{0057}{LATIN CAPITAL LETTER W}
+\endsetslot
+
+\setslot{X}
+  \Unicode{0058}{LATIN CAPITAL LETTER X}
+\endsetslot
+
+\setslot{Y}
+  \Unicode{0059}{LATIN CAPITAL LETTER Y}
+  \label{Y}
+\endsetslot
+
+\setslot{Z}
+  \Unicode{005A}{LATIN CAPITAL LETTER Z}
+\endsetslot
+
+
+\nextslot{97}
+\setslot{a}
+  \Unicode{0061}{LATIN SMALL LETTER A}
+\endsetslot
+
+\setslot{b}
+  \Unicode{0062}{LATIN SMALL LETTER B}
+\endsetslot
+
+\setslot{c}
+  \Unicode{0063}{LATIN SMALL LETTER C}
+\endsetslot
+
+\setslot{d}
+  \Unicode{0064}{LATIN SMALL LETTER D}
+\endsetslot
+
+\setslot{e}
+  \Unicode{0065}{LATIN SMALL LETTER E}
+\endsetslot
+
+\setslot{f}
+  \Unicode{0066}{LATIN SMALL LETTER F}
+  \ifnumber{\int{ligaturing}}={2}\then
+    \ligature{LIG}{f}{ff}
+    \ligature{LIG}{i}{fi}
+    \ligature{LIG}{l}{fl}
+  \Fi
+\endsetslot
+
+\setslot{g}
+  \Unicode{0067}{LATIN SMALL LETTER G}
+\endsetslot
+
+\setslot{h}
+  \Unicode{0068}{LATIN SMALL LETTER H}
+\endsetslot
+
+\setslot{i}
+  \Unicode{0069}{LATIN SMALL LETTER I}
+\endsetslot
+
+\setslot{j}
+  \Unicode{006A}{LATIN SMALL LETTER J}
+\endsetslot
+
+\setslot{k}
+  \Unicode{006B}{LATIN SMALL LETTER K}
+\endsetslot
+
+\setslot{l}
+  \Unicode{006C}{LATIN SMALL LETTER L}
+\endsetslot
+
+\setslot{m}
+  \Unicode{006D}{LATIN SMALL LETTER M}
+\endsetslot
+
+\setslot{n}
+  \Unicode{006E}{LATIN SMALL LETTER N}
+\endsetslot
+
+\setslot{o}
+  \Unicode{006F}{LATIN SMALL LETTER O}
+\endsetslot
+
+\setslot{p}
+  \Unicode{0070}{LATIN SMALL LETTER P}
+\endsetslot
+
+\setslot{q}
+  \Unicode{0071}{LATIN SMALL LETTER Q}
+\endsetslot
+
+\setslot{r}
+  \Unicode{0072}{LATIN SMALL LETTER R}
+\endsetslot
+
+\setslot{s}
+  \Unicode{0073}{LATIN SMALL LETTER S}
+\endsetslot
+
+\setslot{t}
+  \Unicode{0074}{LATIN SMALL LETTER T}
+\endsetslot
+
+\setslot{u}
+  \Unicode{0075}{LATIN SMALL LETTER U}
+\endsetslot
+
+\setslot{v}
+  \Unicode{0076}{LATIN SMALL LETTER V}
+\endsetslot
+
+\setslot{w}
+  \Unicode{0077}{LATIN SMALL LETTER W}
+\endsetslot
+
+\setslot{x}
+  \Unicode{0078}{LATIN SMALL LETTER X}
+\endsetslot
+
+\setslot{y}
+  \Unicode{0079}{LATIN SMALL LETTER Y}
+\endsetslot
+
+\setslot{z}
+  \Unicode{007A}{LATIN SMALL LETTER Z}
+\endsetslot
+
+
+\begincomment
+\subsection{Greek letters}
+\endcomment
+
+\nextslot{0}
+\setslot{Gamma}
+  \Unicode{0393}{GREEK CAPITAL LETTER GAMMA}
+\endsetslot
+
+\setslot{Delta}
+  \Unicode{0394}{GREEK CAPITAL LETTER DELTA}
+\endsetslot
+
+\setslot{Theta}
+  \Unicode{0398}{GREEK CAPITAL LETTER THETA}
+\endsetslot
+
+\setslot{Lambda}
+  \Unicode{039B}{GREEK CAPITAL LETTER LAMBDA}
+  % Unicode's preferred name for this character seems to be
+  % GREEK CAPITAL LETTER LAMDA, i.e., without the `B'. Why?
+  % GREEK CAPITAL LETTER LAMBDA is listed as an alternative name.
+\endsetslot
+
+\setslot{Xi}
+  \Unicode{039E}{GREEK CAPITAL LETTER XI}
+\endsetslot
+
+\setslot{Pi}
+  \Unicode{03A0}{GREEK CAPITAL LETTER PI}
+\endsetslot
+
+\setslot{Sigma}
+  \Unicode{03A3}{GREEK CAPITAL LETTER SIGMA}
+\endsetslot
+
+\setslot{Upsilon1}
+  \Unicode{03D2}{GREEK UPSILON WITH HOOK SYMBOL}
+  \comment{This is primarily a math character and it is should 
+    be visually distinct from the character in slot~\ref{Y}. This is 
+    not generally the case for the normal Upsilon 
+    \textunicode{03A5}{GREEK CAPITAL LETTER UPSILON}, which is by 
+    the way what usually has the glyph name \texttt{Upsilon}. 
+    An argument for the latter is however that all the purely 
+    mathematical Upsilons that exist in the Unicode standard are 
+    described as variants of the non-hook character.}
+\endsetslot
+
+\setslot{Phi}
+  \Unicode{03A6}{GREEK CAPITAL LETTER PHI}
+\endsetslot
+
+\setslot{Psi}
+  \Unicode{03A8}{GREEK CAPITAL LETTER PSI}
+\endsetslot
+
+\setslot{Omega}
+  \Unicode{03A9}{GREEK CAPITAL LETTER OMEGA}
+\endsetslot
+
+
+\begincomment
+\subsection{Digits}
+\endcomment
+
+\nextslot{48}
+\setslot{zero}
+  \Unicode{0030}{DIGIT ZERO}
+\endsetslot
+
+\setslot{one}
+  \Unicode{0031}{DIGIT ONE}
+\endsetslot
+
+\setslot{two}
+  \Unicode{0032}{DIGIT TWO}
+\endsetslot
+
+\setslot{three}
+  \Unicode{0033}{DIGIT THREE}
+\endsetslot
+
+\setslot{four}
+  \Unicode{0034}{DIGIT FOUR}
+\endsetslot
+
+\setslot{five}
+  \Unicode{0035}{DIGIT FIVE}
+\endsetslot
+
+\setslot{six}
+  \Unicode{0036}{DIGIT SIX}
+\endsetslot
+
+\setslot{seven}
+  \Unicode{0037}{DIGIT SEVEN}
+\endsetslot
+
+\setslot{eight}
+  \Unicode{0038}{DIGIT EIGHT}
+\endsetslot
+
+\setslot{nine}
+  \Unicode{0039}{DIGIT NINE}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\nextslot{18}
+\setslot{grave}
+   \Unicode{0300}{COMBINING GRAVE ACCENT}
+\endsetslot
+
+\setslot{acute}
+  \Unicode{0301}{COMBINING ACUTE ACCENT}
+\endsetslot
+
+\setslot{caron}
+  \Unicode{030C}{COMBINING CARON}
+  \comment{The caron or h\'a\v cek accent `\v{}'.}
+\endsetslot
+
+\setslot{breve}
+  \Unicode{0306}{COMBINING BREVE}
+\endsetslot
+
+\setslot{macron}
+  \Unicode{0304}{COMBINING MACRON}
+\endsetslot
+
+\setslot{ring}
+  \Unicode{030A}{COMBINING RING ABOVE}
+  \comment{The text definition of `\verb|\r{A}|' assumes that this 
+    glyph has the same width as that in slot~\ref{A}.}
+\endsetslot
+
+\setslot{cedilla}
+  \Unicode{0327}{COMBINING CEDILLA}
+  \comment{This slot is not required for math, but is used by 
+    the \cs{c} \LaTeX\ command.}
+\endsetslot
+
+
+\nextslot{94}
+\setslot{circumflex}
+  \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+  \Unicode{005E}{CIRCUMFLEX ACCENT}
+\endsetslot
+
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{dotaccent}
+  \Unicode{0307}{COMBINING DOT ABOVE}
+  \label{dotaccent}
+\endsetslot
+
+\begincomment
+\par\medskip
+Note that the \(\mathit{ligaturing} = 0\) assignment to 
+slot~\ref{underscore} is ordinary, not mandatory.
+\endcomment
+
+\Fi
+
+
+\nextslot{126}
+\setslot{tilde}
+  \Unicode{0303}{COMBINING TILDE}
+  \Unicode{007E}{TILDE}
+\endsetslot
+
+\setslot{dieresis}
+  \Unicode{0308}{COMBINING DIAERESIS}
+\endsetslot
+
+
+\begincomment
+\subsection{Symbols}
+\endcomment
+
+\nextslot{33}
+\setslot{exclam}
+  \Unicode{0021}{EXCLAMATION MARK}
+  \Ligature{LIG}{quoteleft}{exclamdown}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{numbersign}
+  \Unicode{0023}{NUMBER SIGN}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\ifnumber{\int{italicizing}}={0}\then
+
+\setslot{dollar}
+  \Unicode{0024}{DOLLAR SIGN}
+\endsetslot
+
+\Else
+
+\setslot{sterling}
+  \Unicode{00A3}{POUND SIGN}
+\endsetslot
+
+\Fi
+
+\setslot{percent}
+  \Unicode{0025}{PERCENT SIGN}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{ampersand}
+  \Unicode{0026}{AMPERSAND}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{quoteright}
+  \Unicode{2019}{RIGHT SINGLE QUOTATION MARK}
+  \comment{This slot is not used for math.}
+  \ifnumber{\int{ligaturing}}>{0}\then
+    \Ligature{LIG}{quoteright}{quotedblright}
+  \Fi
+\endsetslot
+
+\setslot{parenleft}
+  \Unicode{0028}{LEFT PARENTHESIS}
+\endsetslot
+
+\setslot{parenright}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+\endsetslot
+
+\setslot{asterisk}
+  \Unicode{002A}{ASTERISK}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{plus}
+  \Unicode{002B}{PLUS SIGN}
+\endsetslot
+
+\setslot{comma}
+  \Unicode{002C}{COMMA}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{hyphen}
+  \Unicode{002D}{HYPHEN-MINUS}
+  \comment{This slot is not used for math.}
+  \ifnumber{\int{ligaturing}}>{0}\then
+    \Ligature{LIG}{hyphen}{endash}
+  \Fi
+\endsetslot
+
+\setslot{period}
+  \Unicode{002E}{FULL STOP}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\setslot{slash}
+  \Unicode{002F}{SOLIDUS}
+\endsetslot
+
+\nextslot{58}
+\setslot{colon}
+  \Unicode{003A}{COLON}
+\endsetslot
+
+\setslot{semicolon}
+  \Unicode{003B}{SEMICOLON}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{equal}
+  \Unicode{003D}{EQUALS SIGN}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{question}
+  \Unicode{003F}{QUESTION MARK}
+  \Ligature{LIG}{quoteleft}{questiondown}
+\endsetslot
+
+\setslot{at}
+  \Unicode{0040}{COMMERCIAL AT}
+  \comment{This slot is not used for math.}
+\endsetslot
+
+\nextslot{91}
+\setslot{bracketleft}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{bracketright}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+\endsetslot
+
+\nextslot{96}
+\setslot{quoteleft}
+  \Unicode{2018}{LEFT SINGLE QUOTATION MARK}
+  \comment{This slot is not used for math.}
+  \ifnumber{\int{ligaturing}}>{0}\then
+    \Ligature{LIG}{quoteleft}{quotedblleft}
+  \Fi
+\endsetslot
+
+
+
+\begincomment
+\section{Ordinary characters}
+
+\subsection{Letters}
+\endcomment
+
+\ifnumber{\int{ligaturing}}={2}\then
+
+\nextslot{11}
+\setslot{ff}
+  \Unicode{FB00}{LATIN SMALL LIGATURE FF}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+  \ligature{LIG}{i}{ffi}
+  \ligature{LIG}{l}{ffl}
+\endsetslot
+
+\setslot{fi}
+  \Unicode{FB01}{LATIN SMALL LIGATURE FI}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{fl}
+  \Unicode{FB02}{LATIN SMALL LIGATURE FL}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{ffi}
+  \Unicode{FB03}{LATIN SMALL LIGATURE FFI}
+  \comment{This glyph should be three characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{ffl}
+  \Unicode{FB04}{LATIN SMALL LIGATURE FFL}
+  \comment{This glyph should be three characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\Fi
+
+\nextslot{"8A}
+\setslot{Lslash}
+  \Unicode{0141}{LATIN CAPITAL LETTER L WITH STROKE}
+  \comment{The letter `\L'.}
+\endsetslot
+
+\nextslot{"AA}
+\setslot{lslash}
+  \Unicode{0142}{LATIN SMALL LETTER L WITH STROKE}
+  \comment{The letter `\l'.}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+\endcomment
+
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\nextslot{125}
+\setslot{hungarumlaut}
+  \Unicode{030B}{COMBINING DOUBLE ACUTE ACCENT}
+  \comment{The long Hungarian umlaut `\H{}'.}
+\endsetslot
+
+\Fi
+
+\begincomment
+\subsection{Symbols}
+\endcomment
+
+\ifnumber{\int{ligaturing}}<{2}\then
+
+\nextslot{11}
+\setslot{arrowup}
+  \Unicode{2191}{UPWARDS ARROW}
+\endsetslot
+
+\setslot{arrowdown}
+  \Unicode{2193}{DOWNWARDS ARROW}
+\endsetslot
+
+\setslot{quotesingle}
+  \Unicode{0027}{APOSTROPHE}
+\endsetslot
+
+\setslot{exclamdown}
+  \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\setslot{questiondown}
+  \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\Fi
+
+\nextslot{32}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{lslashslash}
+  \comment{When this character is followed by 
+     \textunicode{004C}{LATIN CAPITAL LETTER L} then the combined 
+     result is \textunicode{0141}{LATIN CAPITAL LETTER L WITH STROKE}; 
+     this is used by the \cs{L} command. When this character is 
+     followed by \textunicode{006C}{LATIN SMALL LETTER L} then the 
+     combined result is \textunicode{0142}{LATIN SMALL LETTER L WITH 
+     STROKE}; this is used by the \cs{l} command. There are no further  
+     semantics for this character.}
+  \ligature{LIG}{L}{Lslash}
+  \ligature{LIG}{l}{lslash}
+  \comment{These ligatures, and the characters they point to, were 
+     added by Alan Jeffrey early in \textsf{fontinst} development in 
+     order to allow the character in this slot to exhibit the correct 
+     behaviour even in fonts where there is no corresponding glyph.}
+\endsetslot
+
+\Else
+
+\setslot{visiblespace}
+  \Unicode{2423}{OPEN BOX}
+  \comment{A visible space glyph `\textvisiblespace'.}
+\endsetslot
+
+\Fi
+
+
+\nextslot{34}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{quotedblright}
+  \Unicode{201D}{RIGHT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\Else
+
+\setslot{quotedbl}
+  \Unicode{0022}{QUOTATION MARK}
+\endsetslot
+
+\Fi
+
+\nextslot{60}
+\ifnumber{\int{ligaturing}}={2}\then
+
+\setslot{exclamdown}
+  \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{questiondown}
+  \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\Else
+
+\setslot{less}
+  \Unicode{003C}{LESS-THAN SIGN}
+\endsetslot
+
+\skipslots{1}
+
+\setslot{greater}
+  \Unicode{003E}{GREATER-THAN SIGN}
+\endsetslot
+
+\Fi
+
+\nextslot{92}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{quotedblleft}
+  \Unicode{201C}{LEFT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\Else
+
+\setslot{backslash}
+  \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+\nextslot{95}
+\setslot{underscore}
+  \Unicode{005F}{LOW LINE}
+  \label{underscore}
+\endsetslot
+
+\begincomment
+\par\medskip
+Note that the \(\mathit{ligaturing} > 0\) assignment to 
+slot~\ref{dotaccent} is mandatory, not ordinary.
+\endcomment
+
+\Fi
+
+
+\nextslot{123}
+\ifnumber{\int{ligaturing}}>{0}\then
+
+\setslot{endash}
+  \Unicode{2013}{EN DASH}
+  \Ligature{LIG}{hyphen}{emdash}
+\endsetslot
+
+\setslot{emdash}
+  \Unicode{2014}{EM DASH}
+  \comment{In a monowidth font this character is preferably given the 
+     width of two normal characters.}
+\endsetslot
+
+\Else
+
+\setslot{braceleft}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+\endsetslot
+
+\setslot{bar}
+  \Unicode{007C}{VERTICAL LINE}
+\endsetslot
+
+\setslot{braceright}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+\endsetslot
+
+\Fi
+
+
+\begincomment
+\section{Fontdimens}
+\endcomment
+
+\setfontdimen{1}{italicslant}    % italic slant
+\setfontdimen{2}{interword}      % interword space
+\setfontdimen{3}{stretchword}    % interword stretch
+\setfontdimen{4}{shrinkword}     % interword shrink
+\setfontdimen{5}{xheight}        % x-height
+\setfontdimen{6}{quad}           % quad
+\setfontdimen{7}{extraspace}     % extra space after .
+
+
+\begincomment
+\section{Coding scheme}
+\endcomment
+
+\ifnumber{\int{ligaturing}}={2}\then
+
+\setstr{codingscheme}{TEX TEXT}
+
+\Else\ifnumber{\int{ligaturing}}={1}\then
+
+\setstr{codingscheme}{TEX TEXT WITHOUT F-LIGATURES}
+
+\Else
+
+\setstr{codingscheme}{TEX TYPEWRITER TEXT}
+
+\Fi\Fi
+
+
+\endencoding
+
+
+\section{Discussion}
+
+
+\subsection{\texttt{OT1} as math font encoding}
+
+As source for the math requirements on the \texttt{OT1} encoding 
+was used the standard \LaTeX\ math set-up~\cite{fontdef}. Those 
+definitions that make use of \texttt{OT1} fonts either use the 
+\texttt{operators} symbol font\slash font family~0 or have math 
+class~7 (\cs{mathalpha}).
+
+There are two slots used for math that have different assignments 
+in different encoding variants. Slot 36 (\texttt{dollar}\slash 
+\texttt{sterling}) depends on the $\mathit{italicizing}$, and is used 
+by the commands \cs{mathdollar} (called by \verb|\$|) and 
+\cs{mathsterling} (called by \cs{pounds}). This works because these 
+commands explicitly take the character from a font with the correct 
+$\mathit{italicizing}$.
+
+Slot~95 (\texttt{dotaccent}\slash \texttt{underline}) depends on the 
+$\mathit{ligaturing}$ and is used by the \cs{dot} command. This 
+command does \emph{not} work for fonts with \(\mathit{ligaturing}=0\), 
+and hence e.g.\ the formula \verb|$\mathtt{\dot{x}}$| does not produce 
+a typewriter dotted `x', but rather an `x' and underscore printed on 
+top of each other. This is thus an error, but due to that it is 
+unlikely that the error will be missed by the author who encounters 
+it, the error is probably harmless.
+
+
+\subsection{\texttt{OT1} as text font encoding}
+
+The sources used to determine the text requirements on the 
+\texttt{OT1} encoding were~\cite{ltoutenc}.
+
+It turns out that there are LICR commands which rely on non-mandatory 
+features of the font. It is mostly for the \(\mathit{ligaturing} = 0\) 
+fonts that commands produce incorrect results. The following commands 
+work with all \texttt{OT1} fonts which have \(\mathit{ligaturing} > 0\) 
+but fail with the others: \cs{L}, \cs{l}, \cs{.}, \cs{H}, 
+\cs{textemdash}, \cs{textendash}, and \cs{textquotedblleft}.
+In addition, the command \cs{textquotedblright} produces a 
+reasonable, but not exactly correct, result.
+
+Traditionally the \cs{textexclamdown} and \cs{textquestiondown} have 
+only worked for fonts which have \(\mathit{ligaturing} = 2\), but 
+that can be fixed; see~\cite{latex/3368}.
+
+
+
+\begin{thebibliography}{9}
+\bibitem{ltoutenc}
+  Johannes Braams, David Carlisle, Alan Jeffrey, Frank Mittelbach, 
+  Chris Rowley, and Rainer Sch\"opf:
+  \textit{ltoutenc.dtx}, v\,1.91 (2000);
+  the file \texttt{ltoutenc.dtx} in the \LaTeX\ base distribution. 
+\bibitem{latex/3368}
+  Lars Hellstr\"om:
+  \textit{\texttt{OT1} def.\ of \cs{textexclamdown} and 
+  \cs{textquestiondown}}, \LaTeX\ bugs database entry 
+  \textbf{latex/3368}, 2001.
+%   ; \textsc{http:}/\slash \texttt{www.latex-project.org}\slash
+%   \texttt{cgi-bin}\slash \texttt{ltxbugs2html\discretionary{?}{}{?}%
+%   pr=latex/3368}.
+\bibitem{ComputerModern}
+  Donald E. Knuth:
+  \textit{Computer Modern Typefaces}, 
+  volume E of \textit{Computers \& Typesetting},
+  Ad\-di\-son--Wes\-ley, 1986, xvi+588\,pp.;
+  ISBN~0-201-13446-2.
+\bibitem{fontdef}
+  Frank Mittelbach and Rainer Sch\"opf:
+  \textit{The \texttt{fontdef.dtx} file}, v\,2.2x (1999);
+  the file \texttt{fontdef.dtx} in the \LaTeX\ base distribution. 
+\end{thebibliography}
+
+
+\end{document}
+
+
+
diff --git a/Master/texmf-dist/doc/fontinst/base/encspecs/t1draft.etx b/Master/texmf-dist/doc/fontinst/base/encspecs/t1draft.etx
new file mode 100644
index 00000000000..d160fab4e02
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/encspecs/t1draft.etx
@@ -0,0 +1,1457 @@
+\relax
+\documentclass[twocolumn]{article}
+\usepackage[specification]{fontdoc}[2001/06/18]
+\usepackage{shortvrb}
+
+\MakeShortVerb{\|}
+
+\begin{document}
+\title{\texttt{T1} encoding draft specification}
+\author{Lars Hellstr\"om}
+\date{2002/07/05}
+\maketitle
+
+\begin{abstract}
+  The \texttt{T1} encoding covers most\footnote{But not quite all.} 
+  letters in the latin script that are used in European languages. 
+  Code points 32--126 coincide with ASCII\footnote{As defined in 
+  Appendix C of \emph{The \TeX book}~\cite{TeXbook}, not as defined 
+  by the ANSI.} and code points 192--255 are mainly the same as in 
+  the latin-1 encoding~\cite{ISO8859-1,latin-page}, but there are 
+  exceptions. 
+\end{abstract}
+
+\encoding
+
+\needsfontinstversion{1.918}
+
+\begincomment
+\section{Mandatory characters}
+\endcomment
+
+\begincomment
+\subsection{Letters}
+More than two thirds of the characters in the encoding are letters. 
+This is a deliberate choice: \TeX's hyphenation algorithm requires 
+that all characters in a word are taken from the same font, hence it 
+is advantageous\footnote{Probably less so than what was thought when 
+the encoding was designed, but still advantageous.} to keep as many 
+letters as possible in the same font. Taking symbols from other fonts 
+is less of a disadvantage.
+
+\subsubsection{``Unaccented'' letters in slots 0--127}
+\endcomment
+
+\nextslot{25}
+\setslot{dotlessi}
+  \Unicode{0131}{LATIN SMALL LETTER DOTLESS I}
+  \comment{A dotless i `\i', used to produce accented letters such as
+     `\=\i'.}
+\endsetslot
+
+\setslot{dotlessj}
+  \Unicode{F6BE}{LATIN SMALL LETTER DOTLESS J}
+  \comment{A dotless j `\j', used to produce accented letters such as
+     `\=\j'. The Unicode standard does not define this character, but 
+     Adobe has assigned code point \texttt{U+F6BE} (which lies 
+     in the private use subarea assigned by Adobe) to it.}
+\endsetslot
+
+
+\nextslot{65}
+\setslot{A}
+  \Unicode{0041}{LATIN CAPITAL LETTER A}
+\endsetslot
+
+\setslot{B}
+  \Unicode{0042}{LATIN CAPITAL LETTER B}
+\endsetslot
+
+\setslot{C}
+  \Unicode{0043}{LATIN CAPITAL LETTER C}
+\endsetslot
+
+\setslot{D}
+  \Unicode{0044}{LATIN CAPITAL LETTER D}
+\endsetslot
+
+\setslot{E}
+  \Unicode{0045}{LATIN CAPITAL LETTER E}
+\endsetslot
+
+\setslot{F}
+  \Unicode{0046}{LATIN CAPITAL LETTER F}
+\endsetslot
+
+\setslot{G}
+  \Unicode{0047}{LATIN CAPITAL LETTER G}
+\endsetslot
+
+\setslot{H}
+  \Unicode{0048}{LATIN CAPITAL LETTER H}
+\endsetslot
+
+\setslot{I}
+  \Unicode{0049}{LATIN CAPITAL LETTER I}
+  \oddligature{This ligature only occurs in Dutch typography.}
+     {LIG}{J}{IJ}
+  \oddligature{This ligature only occurs in Dutch typography.}
+     {LIG}{j}{IJ}
+\endsetslot
+
+\setslot{J}
+  \Unicode{004A}{LATIN CAPITAL LETTER J}
+\endsetslot
+
+\setslot{K}
+  \Unicode{004B}{LATIN CAPITAL LETTER K}
+\endsetslot
+
+\setslot{L}
+  \Unicode{004C}{LATIN CAPITAL LETTER L}
+\endsetslot
+
+\setslot{M}
+  \Unicode{004D}{LATIN CAPITAL LETTER M}
+\endsetslot
+
+\setslot{N}
+  \Unicode{004E}{LATIN CAPITAL LETTER N}
+\endsetslot
+
+\setslot{O}
+  \Unicode{004F}{LATIN CAPITAL LETTER O}
+\endsetslot
+
+\setslot{P}
+  \Unicode{0050}{LATIN CAPITAL LETTER P}
+\endsetslot
+
+\setslot{Q}
+  \Unicode{0051}{LATIN CAPITAL LETTER Q}
+\endsetslot
+
+\setslot{R}
+  \Unicode{0052}{LATIN CAPITAL LETTER R}
+\endsetslot
+
+\setslot{S}
+  \Unicode{0053}{LATIN CAPITAL LETTER S}
+\endsetslot
+
+\setslot{T}
+  \Unicode{0054}{LATIN CAPITAL LETTER T}
+\endsetslot
+
+\setslot{U}
+  \Unicode{0055}{LATIN CAPITAL LETTER U}
+\endsetslot
+
+\setslot{V}
+  \Unicode{0056}{LATIN CAPITAL LETTER V}
+\endsetslot
+
+\setslot{W}
+  \Unicode{0057}{LATIN CAPITAL LETTER W}
+\endsetslot
+
+\setslot{X}
+  \Unicode{0058}{LATIN CAPITAL LETTER X}
+\endsetslot
+
+\setslot{Y}
+  \Unicode{0059}{LATIN CAPITAL LETTER Y}
+\endsetslot
+
+\setslot{Z}
+  \Unicode{005A}{LATIN CAPITAL LETTER Z}
+\endsetslot
+
+
+\nextslot{97}
+\setslot{a}
+  \Unicode{0061}{LATIN SMALL LETTER A}
+\endsetslot
+
+\setslot{b}
+  \Unicode{0062}{LATIN SMALL LETTER B}
+\endsetslot
+
+\setslot{c}
+  \Unicode{0063}{LATIN SMALL LETTER C}
+\endsetslot
+
+\setslot{d}
+  \Unicode{0064}{LATIN SMALL LETTER D}
+\endsetslot
+
+\setslot{e}
+  \Unicode{0065}{LATIN SMALL LETTER E}
+\endsetslot
+
+\setslot{f}
+  \Unicode{0066}{LATIN SMALL LETTER F}
+  \ligature{LIG}{f}{ff}
+  \ligature{LIG}{i}{fi}
+  \ligature{LIG}{l}{fl}
+\endsetslot
+
+\setslot{g}
+  \Unicode{0067}{LATIN SMALL LETTER G}
+\endsetslot
+
+\setslot{h}
+  \Unicode{0068}{LATIN SMALL LETTER H}
+\endsetslot
+
+\setslot{i}
+  \Unicode{0069}{LATIN SMALL LETTER I}
+  \oddligature{This ligature only occurs in Dutch typography.}
+     {LIG}{j}{ij}
+\endsetslot
+
+\setslot{j}
+  \Unicode{006A}{LATIN SMALL LETTER J}
+\endsetslot
+
+\setslot{k}
+  \Unicode{006B}{LATIN SMALL LETTER K}
+\endsetslot
+
+\setslot{l}
+  \Unicode{006C}{LATIN SMALL LETTER L}
+\endsetslot
+
+\setslot{m}
+  \Unicode{006D}{LATIN SMALL LETTER M}
+\endsetslot
+
+\setslot{n}
+  \Unicode{006E}{LATIN SMALL LETTER N}
+\endsetslot
+
+\setslot{o}
+  \Unicode{006F}{LATIN SMALL LETTER O}
+\endsetslot
+
+\setslot{p}
+  \Unicode{0070}{LATIN SMALL LETTER P}
+\endsetslot
+
+\setslot{q}
+  \Unicode{0071}{LATIN SMALL LETTER Q}
+\endsetslot
+
+\setslot{r}
+  \Unicode{0072}{LATIN SMALL LETTER R}
+\endsetslot
+
+\setslot{s}
+  \Unicode{0073}{LATIN SMALL LETTER S}
+\endsetslot
+
+\setslot{t}
+  \Unicode{0074}{LATIN SMALL LETTER T}
+\endsetslot
+
+\setslot{u}
+  \Unicode{0075}{LATIN SMALL LETTER U}
+\endsetslot
+
+\setslot{v}
+  \Unicode{0076}{LATIN SMALL LETTER V}
+\endsetslot
+
+\setslot{w}
+  \Unicode{0077}{LATIN SMALL LETTER W}
+\endsetslot
+
+\setslot{x}
+  \Unicode{0078}{LATIN SMALL LETTER X}
+\endsetslot
+
+\setslot{y}
+  \Unicode{0079}{LATIN SMALL LETTER Y}
+\endsetslot
+
+\setslot{z}
+  \Unicode{007A}{LATIN SMALL LETTER Z}
+\endsetslot
+
+
+\begincomment
+\subsubsection{Mainly East-European accented letters 
+  in slots 128--191}
+\endcomment
+
+\nextslot{128}
+\setslot{Abreve}
+  \Unicode{0102}{LATIN CAPITAL LETTER A WITH BREVE}
+\endsetslot
+
+\setslot{Aogonek}
+  \Unicode{0104}{LATIN CAPITAL LETTER A WITH OGONEK}
+\endsetslot  
+
+\setslot{Cacute}
+  \Unicode{0106}{LATIN CAPITAL LETTER C WITH ACUTE}
+\endsetslot
+
+\setslot{Ccaron}
+  \Unicode{010C}{LATIN CAPITAL LETTER C WITH CARON}
+\endsetslot
+
+\setslot{Dcaron}
+  \Unicode{010E}{LATIN CAPITAL LETTER D WITH CARON}
+\endsetslot
+
+\setslot{Ecaron}
+  \Unicode{011A}{LATIN CAPITAL LETTER E WITH CARON}
+\endsetslot
+
+\setslot{Eogonek}
+  \Unicode{0118}{LATIN CAPITAL LETTER E WITH OGONEK}
+\endsetslot
+
+\setslot{Gbreve}
+  \Unicode{011E}{LATIN CAPITAL LETTER G WITH BREVE}
+\endsetslot
+
+\setslot{Lacute}
+  \Unicode{0139}{LATIN CAPITAL LETTER L WITH ACUTE}
+\endsetslot
+
+\setslot{Lcaron}
+  \Unicode{013D}{LATIN CAPITAL LETTER L WITH CARON}
+  \comment{The normal glyph for this character consists of a capital 
+    L and a right single quote, but the underlying accent is a caron. 
+    The glyph name \texttt{Lquoteright} is not uncommon, but 
+    \cite{AGL} uses \texttt{Lcaron}.}
+\endsetslot
+
+\setslot{Lslash}
+  \Unicode{0141}{LATIN CAPITAL LETTER L WITH STROKE}
+  \comment{The letter `\L'.}
+\endsetslot
+
+\setslot{Nacute}
+  \Unicode{0143}{LATIN CAPITAL LETTER N WITH ACUTE}
+\endsetslot
+
+\setslot{Ncaron}
+  \Unicode{0147}{LATIN CAPITAL LETTER N WITH CARON}
+\endsetslot
+
+\setslot{Eng}
+  \Unicode{014A}{LATIN CAPITAL LETTER ENG}
+\endsetslot
+
+\setslot{Ohungarumlaut}
+  \Unicode{0150}{LATIN CAPITAL LETTER O WITH DOUBLE ACUTE}
+  \comment{The letter `\H{O}'.}
+\endsetslot
+
+\setslot{Racute}
+  \Unicode{0154}{LATIN CAPITAL LETTER R WITH ACUTE}
+\endsetslot
+
+\setslot{Rcaron}
+  \Unicode{0158}{LATIN CAPITAL LETTER R WITH CARON}
+\endsetslot
+
+\setslot{Sacute}
+  \Unicode{015A}{LATIN CAPITAL LETTER S WITH ACUTE}
+\endsetslot
+
+\setslot{Scaron}
+  \Unicode{0160}{LATIN CAPITAL LETTER S WITH CARON}
+\endsetslot
+
+\setslot{Scedilla}
+  \Unicode{015E}{LATIN CAPITAL LETTER S WITH CEDILLA}
+  \comment{In Romanian, character \textunicode{0218}{latin 
+     capital letter s with comma below} is preferred, but that 
+     wasn't known when this encoding was designed.}
+\endsetslot
+
+\setslot{Tcaron}
+  \Unicode{0164}{LATIN CAPITAL LETTER T WITH CARON}
+\endsetslot
+
+\setslot{Tcommaaccent}
+  \Unicode{021A}{LATIN CAPITAL LETTER T WITH COMMA BELOW}
+\endsetslot
+
+\setslot{Uhungarumlaut}
+  \Unicode{0170}{LATIN CAPITAL LETTER U WITH DOUBLE ACUTE}
+  \comment{The letter `\H{U}'.}
+\endsetslot
+
+\setslot{Uring}
+  \Unicode{016E}{LATIN CAPITAL LETTER U WITH RING ABOVE}
+\endsetslot
+
+\setslot{Ydieresis}
+  \Unicode{0178}{LATIN CAPITAL LETTER Y WITH DIAERESIS}
+\endsetslot
+
+\setslot{Zacute}
+  \Unicode{0179}{LATIN CAPITAL LETTER Z WITH ACUTE}
+\endsetslot
+
+\setslot{Zcaron}
+  \Unicode{017D}{LATIN CAPITAL LETTER Z WITH CARON}
+\endsetslot
+
+\setslot{Zdotaccent}
+  \Unicode{017B}{LATIN CAPITAL LETTER Z WITH DOT ABOVE}
+\endsetslot
+
+\skipslots{1}
+\setslot{Idotaccent}
+  \Unicode{0130}{LATIN CAPITAL LETTER I WITH DOT ABOVE}
+  \comment{This character's |\lccode| value points to slot 105 
+     (\texttt{i}), as does that of slot 73 (\texttt{I}).}
+\endsetslot
+
+\setslot{dcroat}
+  \Unicode{0111}{LATIN SMALL LETTER D WITH STROKE}
+\endsetslot
+
+
+\nextslot{160}
+\setslot{abreve}
+  \Unicode{0103}{LATIN SMALL LETTER A WITH BREVE}
+\endsetslot
+
+\setslot{aogonek}
+  \Unicode{0105}{LATIN SMALL LETTER A WITH OGONEK}
+\endsetslot
+
+\setslot{cacute}
+  \Unicode{0107}{LATIN SMALL LETTER C WITH ACUTE}
+\endsetslot
+
+\setslot{ccaron}
+  \Unicode{010D}{LATIN SMALL LETTER C WITH CARON}
+\endsetslot
+
+\setslot{dcaron}
+  \Unicode{010F}{LATIN SMALL LETTER D WITH CARON}
+  \comment{The normal glyph for this character consists of a 
+    lower case d and a right single quote, but the underlying 
+    accent is a caron.}
+\endsetslot
+
+\setslot{ecaron}
+  \Unicode{011B}{LATIN SMALL LETTER E WITH CARON}
+\endsetslot
+
+\setslot{eogonek}
+  \Unicode{0119}{LATIN SMALL LETTER E WITH OGONEK}
+\endsetslot
+
+\setslot{gbreve}
+  \Unicode{011F}{LATIN SMALL LETTER G WITH BREVE}
+\endsetslot
+
+\setslot{lacute}
+  \Unicode{013A}{LATIN SMALL LETTER L WITH ACUTE}
+\endsetslot
+
+\setslot{lcaron}
+  \Unicode{013E}{LATIN SMALL LETTER L WITH CARON}
+  \comment{The normal glyph for this character consists of a 
+    lower case l and a right single quote, but the underlying 
+    accent is a caron. The glyph name \texttt{lquoteright} is 
+    not uncommon, but \cite{AGL} uses \texttt{lcaron}.}
+\endsetslot
+
+\setslot{lslash}
+  \Unicode{0142}{LATIN SMALL LETTER L WITH STROKE}
+\endsetslot
+
+\setslot{nacute}
+  \Unicode{0144}{LATIN SMALL LETTER N WITH ACUTE}
+\endsetslot
+
+\setslot{ncaron}
+  \Unicode{0148}{LATIN SMALL LETTER N WITH CARON}
+\endsetslot
+
+\setslot{eng}
+  \Unicode{014B}{LATIN SMALL LETTER ENG}
+\endsetslot
+
+\setslot{ohungarumlaut}
+  \Unicode{0151}{LATIN SMALL LETTER O WITH DOUBLE ACUTE}
+  \comment{The letter `\H{o}'.}
+\endsetslot
+
+\setslot{racute}
+  \Unicode{0155}{LATIN SMALL LETTER R WITH ACUTE}
+\endsetslot
+
+\setslot{rcaron}
+  \Unicode{0159}{LATIN SMALL LETTER R WITH CARON}
+\endsetslot
+
+\setslot{sacute}
+  \Unicode{015B}{LATIN SMALL LETTER S WITH ACUTE}
+\endsetslot
+
+\setslot{scaron}
+  \Unicode{0161}{LATIN SMALL LETTER S WITH CARON}
+\endsetslot
+
+\setslot{scedilla}
+  \Unicode{015F}{LATIN SMALL LETTER S WITH CEDILLA}
+  \comment{In Romanian, character \textunicode{0219}{latin 
+     small letter s with comma below} is preferred, but that 
+     wasn't known when this encoding was designed.}
+\endsetslot
+
+\setslot{tcaron}
+  \Unicode{0165}{LATIN SMALL LETTER T WITH CARON}
+  \comment{The normal glyph for this character consists of a 
+    lower case t and a right single quote, but the underlying 
+    accent is a caron.}
+\endsetslot
+
+\setslot{tcommaaccent}
+  \Unicode{021B}{LATIN SMALL LETTER T WITH COMMA BELOW}
+\endsetslot
+
+\setslot{uhungarumlaut}
+  \Unicode{0171}{LATIN SMALL LETTER U WITH DOUBLE ACUTE}
+\endsetslot
+
+\setslot{uring}
+  \Unicode{016F}{LATIN SMALL LETTER U WITH RING ABOVE}
+\endsetslot
+
+\setslot{ydieresis}
+  \Unicode{00FF}{LATIN SMALL LETTER Y WITH DIAERESIS}
+\endsetslot
+
+\setslot{zacute}
+  \Unicode{017A}{LATIN SMALL LETTER Z WITH ACUTE}
+\endsetslot
+
+\setslot{zcaron}
+  \Unicode{017E}{LATIN SMALL LETTER Z WITH CARON}
+\endsetslot
+
+\setslot{zdotaccent}
+  \Unicode{017C}{LATIN SMALL LETTER Z WITH DOT ABOVE}
+\endsetslot
+
+
+\begincomment
+\subsubsection{Mainly West-European accented letters in slots 192--255}
+\endcomment
+
+\nextslot{192}
+\setslot{Agrave}
+  \Unicode{00C0}{LATIN CAPITAL LETTER A WITH GRAVE}
+\endsetslot
+
+\setslot{Aacute}
+  \Unicode{00C1}{LATIN CAPITAL LETTER A WITH ACUTE}
+\endsetslot
+
+\setslot{Acircumflex}
+  \Unicode{00C2}{LATIN CAPITAL LETTER A WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Atilde}
+  \Unicode{00C3}{LATIN CAPITAL LETTER A WITH TILDE}
+\endsetslot
+
+\setslot{Adieresis}
+  \Unicode{00C4}{LATIN CAPITAL LETTER A WITH DIAERESIS}
+\endsetslot
+
+\setslot{Aring}
+  \Unicode{00C5}{LATIN CAPITAL LETTER A WITH RING ABOVE}
+\endsetslot
+
+\setslot{AE}
+  \Unicode{00C6}{LATIN CAPITAL LETTER AE}
+\endsetslot
+
+\setslot{Ccedilla}
+  \Unicode{00C7}{LATIN CAPITAL LETTER C WITH CEDILLA}
+\endsetslot
+
+\setslot{Egrave}
+  \Unicode{00C8}{LATIN CAPITAL LETTER E WITH GRAVE}
+\endsetslot
+
+\setslot{Eacute}
+  \Unicode{00C9}{LATIN CAPITAL LETTER E WITH ACUTE}
+\endsetslot
+
+\setslot{Ecircumflex}
+  \Unicode{00CA}{LATIN CAPITAL LETTER E WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Edieresis}
+  \Unicode{00CB}{LATIN CAPITAL LETTER E WITH DIAERESIS}
+\endsetslot
+
+\setslot{Igrave}
+  \Unicode{00CC}{LATIN CAPITAL LETTER I WITH GRAVE}
+\endsetslot
+
+\setslot{Iacute}
+  \Unicode{00CD}{LATIN CAPITAL LETTER I WITH ACUTE}
+\endsetslot
+
+\setslot{Icircumflex}
+  \Unicode{00CE}{LATIN CAPITAL LETTER I WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Idieresis}
+  \Unicode{00CF}{LATIN CAPITAL LETTER I WITH DIAERESIS}
+\endsetslot
+
+\setslot{Eth}
+  \Unicode{00D0}{LATIN CAPITAL LETTER ETH}
+  \Unicode{0110}{LATIN CAPITAL LETTER D WITH STROKE}
+  \comment{This slot is being used to represent two different 
+    letters whose capital forms are identical. The |\lccode| value 
+    points to slot \ref{eth}.} 
+\endsetslot
+
+\setslot{Ntilde}
+  \Unicode{00D1}{LATIN CAPITAL LETTER N WITH TILDE}
+\endsetslot
+
+\setslot{Ograve}
+  \Unicode{00D2}{LATIN CAPITAL LETTER O WITH GRAVE}
+\endsetslot
+
+\setslot{Oacute}
+  \Unicode{00D3}{LATIN CAPITAL LETTER O WITH ACUTE}
+\endsetslot
+
+\setslot{Ocircumflex}
+  \Unicode{00D4}{LATIN CAPITAL LETTER O WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Otilde}
+  \Unicode{00D5}{LATIN CAPITAL LETTER O WITH TILDE}
+\endsetslot
+
+\setslot{Odieresis}
+  \Unicode{00D6}{LATIN CAPITAL LETTER O WITH DIAERESIS}
+\endsetslot
+
+\setslot{OE}
+  \Unicode{0152}{LATIN CAPITAL LIGATURE OE}
+  \comment{This is a single letter, and should not be faked with `OE'.}
+\endsetslot
+
+\setslot{Oslash}
+  \Unicode{00D8}{LATIN CAPITAL LETTER O WITH STROKE}
+\endsetslot
+
+\setslot{Ugrave}
+  \Unicode{00D9}{LATIN CAPITAL LETTER U WITH GRAVE}
+\endsetslot
+
+\setslot{Uacute}
+  \Unicode{00DA}{LATIN CAPITAL LETTER U WITH ACUTE}
+\endsetslot
+
+\setslot{Ucircumflex}
+  \Unicode{00DB}{LATIN CAPITAL LETTER U WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{Udieresis}
+  \Unicode{00DC}{LATIN CAPITAL LETTER U WITH DIAERESIS}
+\endsetslot
+
+\setslot{Yacute}
+  \Unicode{00DD}{LATIN CAPITAL LETTER Y WITH ACUTE}
+\endsetslot
+
+\setslot{Thorn}
+  \Unicode{00DE}{LATIN CAPITAL LETTER THORN}
+\endsetslot
+
+\setslot{SS}
+  \comment{This is an ``uppercased'' sharp s (`\ss') which always 
+    looks exactly like two S's next to each other. In a monowidth 
+    font it should be two letters wide. There are other characters 
+    which could have made better use of this slot; the only function 
+    of this slot which could not have been handled using macros is 
+    that |\SS| and |SS| can have different hyphenation.}
+\endsetslot
+
+\setslot{agrave}
+  \Unicode{00E0}{LATIN SMALL LETTER A WITH GRAVE}
+\endsetslot
+
+\setslot{aacute}
+  \Unicode{00E1}{LATIN SMALL LETTER A WITH ACUTE}
+\endsetslot
+
+\setslot{acircumflex}
+  \Unicode{00E2}{LATIN SMALL LETTER A WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{atilde}
+  \Unicode{00E3}{LATIN SMALL LETTER A WITH TILDE}
+\endsetslot
+
+\setslot{adieresis}
+  \Unicode{00E4}{LATIN SMALL LETTER A WITH DIAERESIS}
+\endsetslot
+
+\setslot{aring}
+  \Unicode{00E5}{LATIN SMALL LETTER A WITH RING ABOVE}
+\endsetslot
+
+\setslot{ae}
+  \Unicode{00E6}{LATIN SMALL LETTER AE}
+\endsetslot
+
+\setslot{ccedilla}
+  \Unicode{00E7}{LATIN SMALL LETTER C WITH CEDILLA}
+\endsetslot
+
+\setslot{egrave}
+  \Unicode{00E8}{LATIN SMALL LETTER E WITH GRAVE}
+\endsetslot
+
+\setslot{eacute}
+  \Unicode{00E9}{LATIN SMALL LETTER E WITH ACUTE}
+\endsetslot
+
+\setslot{ecircumflex}
+  \Unicode{00EA}{LATIN SMALL LETTER E WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{edieresis}
+  \Unicode{00EB}{LATIN SMALL LETTER E WITH DIAERESIS}
+\endsetslot
+
+\setslot{igrave}
+  \Unicode{00EC}{LATIN SMALL LETTER I WITH GRAVE}
+\endsetslot
+
+\setslot{iacute}
+  \Unicode{00ED}{LATIN SMALL LETTER I WITH ACUTE}
+\endsetslot
+
+\setslot{icircumflex}
+  \Unicode{00EE}{LATIN SMALL LETTER I WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{idieresis}
+  \Unicode{00EF}{LATIN SMALL LETTER I WITH DIAERESIS}
+\endsetslot
+
+\setslot{eth}
+  \Unicode{00F0}{LATIN SMALL LETTER ETH}
+  \label{eth}
+\endsetslot
+
+\setslot{ntilde}
+  \Unicode{00F1}{LATIN SMALL LETTER N WITH TILDE}
+\endsetslot
+
+\setslot{ograve}
+  \Unicode{00F2}{LATIN SMALL LETTER O WITH GRAVE}
+\endsetslot
+
+\setslot{oacute}
+  \Unicode{00F3}{LATIN SMALL LETTER O WITH ACUTE}
+\endsetslot
+
+\setslot{ocircumflex}
+  \Unicode{00F4}{LATIN SMALL LETTER O WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{otilde}
+  \Unicode{00F5}{LATIN SMALL LETTER O WITH TILDE}
+\endsetslot
+
+\setslot{odieresis}
+  \Unicode{00F6}{LATIN SMALL LETTER O WITH DIAERESIS}
+\endsetslot
+
+\setslot{oe}
+  \Unicode{0153}{LATIN SMALL LIGATURE OE}
+  \comment{This is a single letter, and should not be faked with `oe'.}
+\endsetslot
+
+\setslot{oslash}
+  \Unicode{00F8}{LATIN SMALL LETTER O WITH STROKE}
+\endsetslot
+
+\setslot{ugrave}
+  \Unicode{00F9}{LATIN SMALL LETTER U WITH GRAVE}
+\endsetslot
+
+\setslot{uacute}
+  \Unicode{00FA}{LATIN SMALL LETTER U WITH ACUTE}
+\endsetslot
+
+\setslot{ucircumflex}
+  \Unicode{00FB}{LATIN SMALL LETTER U WITH CIRCUMFLEX}
+\endsetslot
+
+\setslot{udieresis}
+  \Unicode{00FC}{LATIN SMALL LETTER U WITH DIAERESIS}
+\endsetslot
+
+\setslot{yacute}
+  \Unicode{00FD}{LATIN SMALL LETTER Y WITH ACUTE}
+\endsetslot
+
+\setslot{thorn}
+  \Unicode{00FE}{LATIN SMALL LETTER THORN}
+\endsetslot
+
+\setslot{germandbls}
+  \Unicode{00DF}{LATIN SMALL LETTER SHARP S}
+\endsetslot
+
+
+\begincomment
+\subsection{Accents}
+The Unicode equivalents of the accents are taken to be the combining 
+forms of the accents found in code point \texttt{U+0300} and upwards. 
+The reasons for this are (i) that they are primarily used with the 
+|\accent| primitive, i.e., as combining characters, (ii) that some 
+of them (e.g. \texttt{tilde}) have non-combining counterparts 
+elsewhere in the encoding, and (iii) that they are not primarily 
+phonetic marks.
+\endcomment
+
+\nextslot{0}
+\setslot{grave}
+   \Unicode{0300}{COMBINING GRAVE ACCENT}
+\endsetslot
+
+\setslot{acute}
+  \Unicode{0301}{COMBINING ACUTE ACCENT}
+\endsetslot
+
+\setslot{circumflex}
+  \Unicode{0302}{COMBINING CIRCUMFLEX ACCENT}
+\endsetslot
+
+\setslot{tilde}
+  \Unicode{0303}{COMBINING TILDE}
+\endsetslot
+
+\setslot{dieresis}
+  \Unicode{0308}{COMBINING DIAERESIS}
+\endsetslot
+
+\setslot{hungarumlaut}
+  \Unicode{030B}{COMBINING DOUBLE ACUTE ACCENT}
+  \comment{The long Hungarian umlaut `\H{}'.}
+\endsetslot
+
+\setslot{ring}
+  \Unicode{030A}{COMBINING RING ABOVE}
+\endsetslot
+
+\setslot{caron}
+  \Unicode{030C}{COMBINING CARON}
+  \comment{The caron or h\'a\v cek accent `\v{}'.}
+\endsetslot
+
+\setslot{breve}
+  \Unicode{0306}{COMBINING BREVE}
+\endsetslot
+
+\setslot{macron}
+  \Unicode{0304}{COMBINING MACRON}
+\endsetslot
+
+\setslot{dotaccent}
+  \Unicode{0307}{COMBINING DOT ABOVE}
+\endsetslot
+
+\setslot{cedilla}
+  \Unicode{0327}{COMBINING CEDILLA}
+\endsetslot
+
+\setslot{ogonek}
+  \Unicode{0328}{COMBINING OGONEK}
+\endsetslot
+
+
+\begincomment
+\subsection{Digits}
+\endcomment
+
+\nextslot{48}
+\setslot{zero}
+  \Unicode{0030}{DIGIT ZERO}
+\endsetslot
+
+\setslot{one}
+  \Unicode{0031}{DIGIT ONE}
+\endsetslot
+
+\setslot{two}
+  \Unicode{0032}{DIGIT TWO}
+\endsetslot
+
+\setslot{three}
+  \Unicode{0033}{DIGIT THREE}
+\endsetslot
+
+\setslot{four}
+  \Unicode{0034}{DIGIT FOUR}
+\endsetslot
+
+\setslot{five}
+  \Unicode{0035}{DIGIT FIVE}
+\endsetslot
+
+\setslot{six}
+  \Unicode{0036}{DIGIT SIX}
+\endsetslot
+
+\setslot{seven}
+  \Unicode{0037}{DIGIT SEVEN}
+\endsetslot
+
+\setslot{eight}
+  \Unicode{0038}{DIGIT EIGHT}
+\endsetslot
+
+\setslot{nine}
+  \Unicode{0039}{DIGIT NINE}
+\endsetslot
+
+
+\begincomment
+\subsection{Symbols and punctuation}
+\endcomment
+
+\nextslot{13}
+\setslot{quotesinglbase}
+  \Unicode{201A}{SINGLE LOW-9 QUOTATION MARK}
+\endsetslot
+
+\setslot{guilsinglleft}
+  \Unicode{2039}{SINGLE LEFT-POINTING ANGLE QUOTATION MARK}
+  \comment{In French typography this is an opening quotation mark, 
+    but in German typography it is a closing quotation mark. The 
+    character should kern well in both cases.}
+\endsetslot
+
+\setslot{guilsinglright}
+  \Unicode{203A}{SINGLE RIGHT-POINTING ANGLE QUOTATION MARK}
+  \comment{In French typography this is a closing quotation mark, 
+    but in German typography it is an opening quotation mark. The 
+    character should kern well in both cases.}
+\endsetslot
+
+\setslot{quotedblleft}
+  \Unicode{201C}{LEFT DOUBLE QUOTATION MARK}
+\endsetslot
+
+\setslot{quotedblright}
+  \Unicode{201D}{RIGHT DOUBLE QUOTATION MARK}
+  \comment{In English typography this quotation mark is always 
+    closing, but in Swedish typography it is also an opening 
+    quotation mark. The character should kern well in both cases.}
+\endsetslot
+
+\setslot{quotedblbase}
+  \Unicode{201E}{DOUBLE LOW-9 QUOTATION MARK}
+\endsetslot
+
+\setslot{guillemotleft}
+  \Unicode{00AB}{LEFT-POINTING DOUBLE ANGLE QUOTATION MARK}
+  \comment{In French typography this is an opening quotation mark, 
+    but in German typography it is a closing quotation mark. The 
+    character should kern well in both cases. The glyph name is 
+    misspelt (it should be \texttt{guillemetleft}), but this 
+    incorrect name is \emph{de facto} the glyph name used.}
+\endsetslot
+
+\setslot{guillemotright}
+  \Unicode{00BB}{RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK}
+  \comment{In French typography this is a closing quotation mark, 
+    but in German typography it is an opening quotation mark. The 
+    character should kern well in both cases. The glyph name is 
+    misspelt (it should be \texttt{guillemetright}), but this 
+    incorrect name is \emph{de facto} the glyph name used.}
+\endsetslot
+
+\setslot{endash}
+  \Unicode{2013}{EN DASH}
+  \label{endash}
+  \Ligature{LIG}{hyphen}{emdash}
+\endsetslot
+
+\setslot{emdash}
+  \Unicode{2014}{EM DASH}
+  \comment{In a monowidth font this character is preferably given the 
+     width of two normal characters.}
+\endsetslot
+
+\nextslot{32}
+\setslot{visiblespace}
+  \Unicode{2423}{OPEN BOX}
+  \comment{A visible space glyph `\textvisiblespace'.}
+\endsetslot
+
+\setslot{exclam}
+  \Unicode{0021}{EXCLAMATION MARK}
+  \Ligature{LIG}{quoteleft}{exclamdown}
+\endsetslot
+
+\setslot{quotedbl}
+  \Unicode{0022}{QUOTATION MARK}
+  \comment{The `neutral' double quotation mark, included for use in 
+    monowidth fonts, or for setting computer programs.}
+\endsetslot
+
+\setslot{numbersign}
+  \Unicode{0023}{NUMBER SIGN}
+\endsetslot
+
+\setslot{dollar}
+  \Unicode{0024}{DOLLAR SIGN}
+\endsetslot
+
+\setslot{percent}
+  \Unicode{0025}{PERCENT SIGN}
+\endsetslot
+
+\setslot{ampersand}
+  \Unicode{0026}{AMPERSAND}
+\endsetslot
+
+\setslot{quoteright}
+  \Unicode{2019}{RIGHT SINGLE QUOTATION MARK}
+  \Ligature{LIG}{quoteright}{quotedblright}
+\endsetslot
+
+\setslot{parenleft}
+  \Unicode{0028}{LEFT PARENTHESIS}
+\endsetslot
+
+\setslot{parenright}
+  \Unicode{0029}{RIGHT PARENTHESIS}
+\endsetslot
+
+\setslot{asterisk}
+  \Unicode{002A}{ASTERISK}
+\endsetslot
+
+\setslot{plus}
+  \Unicode{002B}{PLUS SIGN}
+\endsetslot
+
+\setslot{comma}
+  \Unicode{002C}{COMMA}
+  \Ligature{LIG}{comma}{quotedblbase}
+\endsetslot
+
+\setslot{hyphen}
+  \Unicode{002D}{HYPHEN-MINUS}
+  \Ligature{LIG}{hyphen}{endash}
+  \Ligature{LIG}{hyphenchar}{hyphenchar}
+  \comment{See also slot \ref{hyphenchar}.}
+  \label{hyphen}
+\endsetslot
+
+\setslot{period}
+  \Unicode{002E}{FULL STOP}
+\endsetslot
+
+\setslot{slash}
+  \Unicode{002F}{SOLIDUS}
+\endsetslot
+
+\skipslots{10}
+\setslot{colon}
+  \Unicode{003A}{COLON}
+\endsetslot
+
+\setslot{semicolon}
+  \Unicode{003B}{SEMICOLON}
+\endsetslot
+
+\setslot{less}
+  \Unicode{003C}{LESS-THAN SIGN}
+  \Ligature{LIG}{less}{guillemotleft}
+\endsetslot
+
+\setslot{equal}
+  \Unicode{003D}{EQUALS SIGN}
+\endsetslot
+
+\setslot{greater}
+  \Unicode{003E}{GREATER-THAN SIGN}
+  \Ligature{LIG}{greater}{guillemotright}
+\endsetslot
+
+\setslot{question}
+  \Unicode{003F}{QUESTION MARK}
+  \Ligature{LIG}{quoteleft}{questiondown}
+\endsetslot
+
+\setslot{at}
+  \Unicode{0040}{COMMERCIAL AT}
+\endsetslot
+
+\nextslot{91}
+\setslot{bracketleft}
+  \Unicode{005B}{LEFT SQUARE BRACKET}
+\endsetslot
+
+\setslot{backslash}
+  \Unicode{005C}{REVERSE SOLIDUS}
+\endsetslot
+
+\setslot{bracketright}
+  \Unicode{005D}{RIGHT SQUARE BRACKET}
+\endsetslot
+
+\setslot{asciicircum}
+  \Unicode{005E}{CIRCUMFLEX ACCENT}
+  \comment{The ASCII upward-pointing arrow head `\textasciicircum'.
+     This is included for compatibility with typewriter fonts used
+     for computer listings.}
+\endsetslot
+
+\setslot{underscore}
+  \Unicode{005F}{LOW LINE}
+  \comment{The ASCII underline character `\textunderscore', usually
+     set on the baseline. This is included for compatibility with 
+     typewriter fonts used for computer listings.}
+\endsetslot
+
+\setslot{quoteleft}
+   \Unicode{2018}{LEFT SINGLE QUOTATION MARK}
+   \Ligature{LIG}{quoteleft}{quotedblleft}
+\endsetslot
+
+\nextslot{123}
+\setslot{braceleft}
+  \Unicode{007B}{LEFT CURLY BRACKET}
+\endsetslot
+
+\setslot{bar}
+  \Unicode{007C}{VERTICAL LINE}
+  \comment{The ASCII vertical bar `\textbar'.
+    This is included for compatibility with typewriter fonts used
+    for computer listings.}
+\endsetslot
+
+\setslot{braceright}
+  \Unicode{007D}{RIGHT CURLY BRACKET}
+\endsetslot
+
+\setslot{asciitilde}
+  \Unicode{007E}{TILDE}
+  \comment{The ASCII tilde `\textasciitilde'.
+     This is included for compatibility with typewriter fonts used
+     for computer listings.}
+\endsetslot
+
+\nextslot{159}
+\setslot{section}
+  \Unicode{00A7}{SECTION SIGN}
+\endsetslot
+
+\nextslot{189}
+\setslot{exclamdown}
+  \Unicode{00A1}{INVERTED EXCLAMATION MARK}
+\endsetslot
+
+\setslot{questiondown}
+  \Unicode{00BF}{INVERTED QUESTION MARK}
+\endsetslot
+
+\setslot{sterling}
+  \Unicode{00A3}{POUND SIGN}
+\endsetslot
+
+
+
+\begincomment
+\subsection{Miscellanea}
+\endcomment
+
+\nextslot{23}
+\setslot{compwordmark}
+  \Unicode{200C}{ZERO WIDTH NON-JOINER}
+  \comment{An invisible glyph, with zero width and depth, but the
+     height of lower case letters without ascenders.
+     It is used to stop ligaturing in words like `shelf{}ful'. 
+     It is possible that this character should be considered a 
+     letter (and that hyphenation patterns should be designed to 
+     include it), but since its |\lccode| is 0, \TeX's hyphenation 
+     mechanism considers it to be a nonletter which ends the 
+     hyphenatable part of a word.}
+\endsetslot
+
+\setslot{perthousandzero}
+  \comment{A glyph which is placed after `\%' to produce a
+    `per-thousand', or twice to produce `per-ten-thousand'.
+    Your guess is as good as mine as to what this glyph should look
+    like in a monowidth font. Since most fonts don't include this 
+    glyph anyway, its use is discouraged.}
+\endsetslot
+
+\nextslot{127}
+\setslot{hyphenchar}
+  \label{hyphenchar}
+  \comment{This character is provided as a discretionary hyphen 
+    symbol and may only appear at the end of a line, since it is often 
+    hanging out of the character box, but apart from that it is almost 
+    always the same as the \texttt{hyphen} character. Since \LaTeX\ 
+    sets the |\hyphenchar| of \texttt{T1} fonts to slot \ref{hyphen} 
+    rather than this slot, this feature is usually not used.}
+\endsetslot
+
+
+
+\begincomment
+\section{Usual characters}
+The following characters are only accessed through ligatures and can 
+therefore be replaced by others or completely left out if the 
+ligature programs are modified accordingly.
+\endcomment
+
+\nextslot{27}
+\setslot{ff}
+  \Unicode{FB00}{LATIN SMALL LIGATURE FF}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+  \ligature{LIG}{i}{ffi}
+  \ligature{LIG}{l}{ffl}
+\endsetslot
+
+\setslot{fi}
+  \Unicode{FB01}{LATIN SMALL LIGATURE FI}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{fl}
+  \Unicode{FB02}{LATIN SMALL LIGATURE FL}
+  \comment{This glyph should be two characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{ffi}
+  \Unicode{FB03}{LATIN SMALL LIGATURE FFI}
+  \comment{This glyph should be three characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\setslot{ffl}
+  \Unicode{FB04}{LATIN SMALL LIGATURE FFL}
+  \comment{This glyph should be three characters wide in a monowidth 
+    font.}
+\endsetslot
+
+\nextslot{156}
+\setslot{IJ}
+  \Unicode{0132}{LATIN CAPITAL LIGATURE IJ}
+  \comment{This is a single letter, and in a monowidth font should 
+    ideally be one letter wide.}
+\endsetslot
+
+\nextslot{188}
+\setslot{ij}
+  \Unicode{0133}{LATIN SMALL LIGATURE IJ}
+  \comment{This is a single letter, and in a monowidth font should 
+    ideally be one letter wide.}
+\endsetslot
+
+
+\begincomment
+\section{Fontdimens}
+\endcomment
+
+\setfontdimen{1}{italicslant}    % italic slant
+\setfontdimen{2}{interword}      % interword space
+\setfontdimen{3}{stretchword}    % interword stretch
+\setfontdimen{4}{shrinkword}     % interword shrink
+\setfontdimen{5}{xheight}        % x-height
+\setfontdimen{6}{quad}           % quad
+\setfontdimen{7}{extraspace}     % extra space after .
+\setfontdimen{8}{capheight}      % cap height
+\setfontdimen{9}{ascender}       % ascender
+\setfontdimen{10}{acccapheight}  % accented cap height
+\setfontdimen{11}{descender}     % descender's depth
+\setfontdimen{12}{maxheight}     % max height
+\setfontdimen{13}{maxdepth}      % max depth
+\setfontdimen{14}{digitwidth}    % digit width
+\setfontdimen{15}{verticalstem}  % dominant width of verical stems
+\setfontdimen{16}{baselineskip}  % baselineskip
+
+
+\begincomment
+\section{Coding scheme}
+\endcomment
+
+\setstr{codingscheme}{EXTENDED TEX FONT ENCODING - LATIN}
+
+
+\endencoding
+
+
+\section{Discussion}
+
+As the \texttt{T1} encoding is an established standard, the discussion 
+of it has already been published elsewhere. [Unfortunately, I do not 
+know where as it all happened long before I started using \TeX. This 
+part of the document definitely needs to be improved. To begin with, I 
+would like to know if the TUGboat articles whose bibliography entries 
+appear in Figure~\ref{Bib-entries} are relevant for the matter. 
+\begin{figure*}
+\small
+\begin{verbatim}
+@Article{Beebe:TB11-2-171,
+  author =       "Nelson Beebe",
+  title =        "{Character set encoding}",
+  journal =      j-TUGboat,
+  volume =       "11",
+  number =       "2",
+  pages =        "171--175",
+  month =        jun,
+  year =         "1990",
+  ISSN =         "0896-3207",
+  bibdate =      "Fri Jun 4 18:08:09 MDT 1999",
+  bibsource =    "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+                 http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+  acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+@Article{Bien:TB11-2-175,
+  author =       "Janusz S. Bie{\'n}",
+  title =        "{On standards for computer modern font extensions}",
+  journal =      j-TUGboat,
+  volume =       "11",
+  number =       "2",
+  pages =        "175--183",
+  month =        jun,
+  year =         "1990",
+  ISSN =         "0896-3207",
+  bibdate =      "Fri Jun 4 18:08:09 MDT 1999",
+  bibsource =    "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+                 http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+  acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+@Article{Ferguson:TB11-4-514,
+  author =       "Michael Ferguson",
+  title =        "{Report on multilingual activities}",
+  journal =      j-TUGboat,
+  volume =       "11",
+  number =       "4",
+  pages =        "514--516",
+  month =        nov,
+  year =         "1990",
+  ISSN =         "0896-3207",
+  bibdate =      "Fri Jun 4 18:08:09 MDT 1999",
+  bibsource =    "ftp://ftp.math.utah.edu/pub/tex/bib/tugboat.bib;
+                 http://www.math.utah.edu/pub/tex/bib/index-table-t.html#tugboat",
+  acknowledgement = ack-bnb # " and " # ack-nhfb,
+}
+\end{verbatim}
+\normalsize
+
+\caption{Entries in \texttt{tugboat.bib} which may describe papers 
+that contain (at least part of) the discussion regarding the 
+\texttt{T1} encoding}
+\label{Bib-entries}
+\end{figure*}
+Actually reading them would be nice too, as would of course getting 
+the references for whatever other papers there might be that 
+constituted the discussion of the \texttt{T1} encoding. The file 
+\texttt{cork.enc} in the \textit{Fontname} standard makes a cryptic 
+reference to ``TTN 1(4), December 1992'', whatever that might be.]
+
+I can however answer questions on the more immediate matter of how the 
+interpretation of the established standard that this file expresses was 
+constructed. It is mainly the result of a comparison between the 
+file \texttt{t1.etx}~\cite{t1.etx}, the Unicode 
+standard~\cite{Unicode}, and the Adobe glyph list~\cite{AGL}.
+
+(Some concerns have been expressed about the fact that the glyph name 
+listed for slot~0 is `\texttt{grave}', although that glyph name in 
+\cite{AGL} corresponds to \textunicode{0060}{GRAVE ACCENT}, whereas 
+\textunicode{0300}{COMBINING GRAVE ACCENT} is listed as corresponding 
+to `\texttt{gravecomb}'. This is however formally irrelevant, since 
+the glyph names are formally only internal labels in the encoding 
+specification. `\texttt{gravecomb}' would furthermore be a more 
+impractical label, since most font contains a `\texttt{grave}' glyph 
+that is used as a combining accent but no `\texttt{gravecomb}' 
+glyph.)
+
+
+\section{Changes}
+
+The changes made to this specification since the original 2001/06/19 
+version are as follows.
+
+2001/09/01: Corrected some typos (reported by Vladimir Volovich). /LH
+
+2001/09/16: Added \cite{latin-page} to the bibliography. /LH
+
+2001/09/21: Removed comment on \textunicode{2012}{FIGURE DASH} from 
+slot~\ref{endash}. \cite[Sec.~6.1]{Unicode} makes quite clear that 
+it's not to be used for ranges. /LH
+
+2002/07/05: Added the Ferguson:TB11-4-514 and ``TTN~1(4)'' references 
+to the discussion section. Also added remark on \texttt{grave} versus 
+\texttt{gravecomb}. /LH
+
+
+\begin{thebibliography}{9}
+\bibitem{AGL}
+   Adobe Systems Incorporated: \textit{Adobe Glyph List}, 1998;
+   \textsc{http}:/\slash \texttt{partners.adobe.com}\slash 
+   \texttt{asn}\slash \texttt{developer}\slash \texttt{type}\slash 
+   \texttt{glyphlist.txt}
+\bibitem{latin-page}
+   Roman Czyborra: \textit{The ISO 8859 Alphabet Soup}, web page at
+   \textsc{http:}/\slash \texttt{czyborra.com}\slash 
+   \texttt{charsets}\slash \texttt{iso8859.html}, 1998.
+\bibitem{ISO8859-1}
+   International Organization for Standardization: 
+   \textit{ISO/IEC standard 8859-1} (Information technology -- 
+   8-bit single-byte coded graphic character sets --
+   Part 1: Latin alphabet No. 1).
+   See also~\cite{latin-page}.
+\bibitem{t1.etx}
+   Alan Jeffrey, Sebastian Rahtz, and Ulrik Vieth:
+   \textit{The \TeX\ extended text encoding vector}, 
+   version~1.801, 1998, 
+   \textsc{ctan}:\discretionary{}{}{\thinspace}\texttt{fonts}\slash
+   \texttt{utilities}\slash \texttt{fontinst}\slash 
+   \texttt{inputs}\slash \texttt{etx}\slash \texttt{t1.etx}.
+\bibitem{TeXbook}
+   Donald E.\ Knuth, Duane Bibby (illustrations): 
+   \textit{The \TeX book}, Ad\-di\-son--Wes\-ley, 1986; 
+   ISBN~0-201-13447-0.
+\bibitem{Unicode}
+   The Unicode Consortium (editor), \emph{et al.}:
+   \textit{The Unicode Standard, Version 3.0}, 
+   Addison Wesley Longman Publisher, 2000; ISBN~0-201-61633-5.
+   Most of the information in this book is also available online at 
+   the Unicode consortium website, at \textsc{http}:/\slash
+   \texttt{www.unicode.org}\slash \texttt{unicode}\slash 
+   \texttt{uni2book}\slash \texttt{u2.html}.
+\end{thebibliography}
+
+
+
+\end{document}
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/examples/basicex.tex b/Master/texmf-dist/doc/fontinst/base/examples/basicex.tex
new file mode 100644
index 00000000000..fe7f6f69935
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/examples/basicex.tex
@@ -0,0 +1,431 @@
+% basicex.tex
+% 
+% This file contains some basic examples of commands for
+% installing the AGaramond family of fonts with fontinst v1.9.
+% It is pretty similar to what the \latinfamily command
+% does for these fonts, but the details are not identical.
+% 
+% In case you want to run this file yourself, the metrics for 
+% the AGaramond font family can be downloaded from
+% 
+%   ftp://ftp.adobe.com/pub/adobe/type/win/all/afmfiles/051-100/100/
+% and
+%   ftp://ftp.adobe.com/pub/adobe/type/win/all/afmfiles/101-150/101/
+% 
+% The AFM files found in these directories should then be renamed 
+% as indicated in the Fontname adobe.map file. Also note that 
+% the line endings are Windows-style (CRLF), so you probably need
+% to download as binary and do some conversion before you can use
+% these files comfortably.
+
+\input fontinst.sty
+
+% This tells fontinst to collect information about font 
+% transformations in the file basicex.recs. That file is
+% then used by basicex2.tex.
+\recordtransforms{basicex.recs}
+
+% These commands perform transformations on the metrics of
+% some of the fonts, thereby creating new metrics files for
+% the transformed fonts.
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padrc8r}{\reencodefont{8r}{\fromafm{padrc8a}}}
+\transformfont{padri8r}{\reencodefont{8r}{\fromafm{padri8a}}}
+\transformfont{padro8r}{\slantfont{250}{\frommtx{padr8r}}}
+\transformfont{padro8x}{\slantfont{250}{\fromafm{padr8x}}}
+
+% The first three lines of each group reencode fonts 
+% so that TeX can access all glyphs in them.
+\transformfont{pads8r}{\reencodefont{8r}{\fromafm{pads8a}}}
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\transformfont{padsi8r}{\reencodefont{8r}{\fromafm{padsi8a}}}
+% The last two lines artifically create slanted variants
+% of fonts by skewing them. 250 is the natural slant of
+% the italics in this family.
+\transformfont{padso8r}{\slantfont{250}{\frommtx{pads8r}}}
+\transformfont{padso8x}{\slantfont{250}{\fromafm{pads8x}}}
+
+\transformfont{padb8r}{\reencodefont{8r}{\fromafm{padb8a}}}
+% There is no padbc8a, hence nothing to make a padbc8r from.
+\transformfont{padbi8r}{\reencodefont{8r}{\fromafm{padbi8a}}}
+\transformfont{padbo8r}{\slantfont{250}{\frommtx{padb8r}}}
+\transformfont{padbo8x}{\slantfont{250}{\fromafm{padb8x}}}
+% The DVI driver must be told to make the same transformations 
+% to the actual fonts when a document using them is to be viewed
+% or printed. The information collected in basicex.recs can
+% help with this. The job of basicex2.tex is to translate this
+% information to a format understood by DVI drivers.
+
+
+% The \transformfont commands above generate metric files in MTX 
+% format (for use by the \installfont commands below) and PL 
+% format (for transformation to TFMs that are needed by the DVI
+% driver when interpreting VFs based on these fonts). These PL
+% files are minimal and not suitable for direct use in typesetting
+% since there is no kerning information, ligaturing instructions,
+% or fontdimens, but they are perfectly adequate to serve as
+% base fonts for VFs.
+% 
+% The next bunch of commands generate a new set of PL files for 
+% these fonts (overwriting the previous), and these new files
+% do contain kerning information, ligaturing instructions, and
+% fontdimens. (As a side-effect, these files are also larger than
+% the previous ones.) Since 8r-encoded fonts are not in practice
+% used for typesetting (not much, anyway), it is perfectly 
+% possible to skip this step.
+\installfonts
+  \installrawfont {padr8r}{padr8r,8r}{8r}   {8r}{pad}{m}{n}{}
+  \installrawfont {padrc8r}{padrc8r,8r}{8r} {8r}{pad}{m}{sc}{}
+  \installrawfont {padri8r}{padri8r,8r}{8r} {8r}{pad}{m}{it}{}
+  \installrawfont {padro8r}{padro8r,8r}{8r} {8r}{pad}{m}{sl}{}
+  
+  \installrawfont {pads8r}{pads8r,8r}{8r}   {8r}{pad}{sb}{n}{}
+  \installrawfont {padsc8r}{padsc8r,8r}{8r} {8r}{pad}{sb}{sc}{}
+  \installrawfont {padsi8r}{padsi8r,8r}{8r} {8r}{pad}{sb}{it}{}
+  \installrawfont {padso8r}{padso8r,8r}{8r} {8r}{pad}{sb}{sl}{}
+  
+  \installrawfont {padb8r}{padb8r,8r}{8r}   {8r}{pad}{b}{n}{}
+  \installrawfont {padbi8r}{padbi8r,8r}{8r} {8r}{pad}{b}{it}{}
+  \installrawfont {padbo8r}{padbo8r,8r}{8r} {8r}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% In the above commands, the commands have been lined up to 
+% visually separate those arguments that have to do with how
+% a font is declared to LaTeX (rightmost) from those arguments 
+% that specify how the font is made and what it should be called.
+
+
+% The following commands make a very basic installation of "pad"
+% families in the OT1, T1, and TS1 encodings; there is not attempt
+% to make use of the -Exp (expert) or -SC (smallcaps) fonts in 
+% the AGaramond family. (One reason for making this distinction
+% is that Adobe sell these other fonts separately, so some people
+% may have the basic set used below and nothing more. Another
+% reason is that for many typefaces, there are no expert or -SC
+% fonts at all. Adapting an example using such fonts to a typeface
+% which do not have them is much too confusing for a beginner.)
+\installfonts
+  \installfamily{OT1}{pad}{}
+  \installfamily{T1}{pad}{}
+  \installfamily{TS1}{pad}{}
+  
+  \installfont {padr8t}{padr8r,newlatin}{t1}                {T1}{pad}{m}{n}{}
+  \installfont {padr7t}{padr8r,newlatin}{ot1}               {OT1}{pad}{m}{n}{}
+  \installfont {padrc8t}{padr8r,newlatin}{t1c}              {T1}{pad}{m}{sc}{}
+  \installfont {padrc7t}{padr8r,newlatin}{ot1c}             {OT1}{pad}{m}{sc}{}
+  \installfont {padr8i}{padr8r,textcomp}{ts1}               {TS1}{pad}{m}{n}{}
+  % There is no difference between the n and the sc shapes 
+  % of TS1 encoded fonts, hence the same TeX font can be
+  % used for both. LaTeX does however need the declarations
+  % to be explicit, hence this \installfontas command.
+  \installfontas{padr8i}                                    {TS1}{pad}{m}{sc}{}
+  % The "option nosc" below is a speed optimization.
+  % newlatin.mtx normally makes sure that a smallcaps 
+  % alphabet is defined (faking it if necessary), 
+  % regardless of whether that alphabet is at all 
+  % going to be used. By passing it the "nosc" option,
+  % one can tell newlatin.mtx to completely skip those 
+  % commands that have to do with smallcaps.
+  \installfont {padri8t}{padri8r,newlatin option nosc}{t1}  {T1}{pad}{m}{it}{}
+  \installfont {padri7t}{padri8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{it}{}
+  \installfont {padri8i}{padri8r,textcomp}{ts1}             {TS1}{pad}{m}{it}{}
+  \installfont {padro8t}{padro8r,newlatin option nosc}{t1}  {T1}{pad}{m}{sl}{}
+  \installfont {padro7t}{padro8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sl}{}
+  \installfont {padro8i}{padro8r,textcomp}{ts1}             {TS1}{pad}{m}{sl}{}
+  
+  % The reason newlatin is not passed the nosc option when
+  % making the "n" shape fonts here is another (more tricky)
+  % speed optimization. If the metric argument of two
+  % subsequent \installfont commands are identical then the
+  % respective glyph bases will be identical too, and in these 
+  % cases fontinst saves work by not rebuilding the glyph base
+  % at the second command, but instead using the cached 
+  % definitions from the first.
+  \installfont {pads8t}{pads8r,newlatin}{t1}                {T1}{pad}{sb}{n}{}
+  \installfont {pads7t}{pads8r,newlatin}{ot1}               {OT1}{pad}{sb}{n}{}
+  \installfont {padsc8t}{pads8r,newlatin}{t1c}              {T1}{pad}{sb}{sc}{}
+  \installfont {padsc7t}{pads8r,newlatin}{ot1c}             {OT1}{pad}{sb}{sc}{}
+  % Thus the last four commands cause four fonts to be
+  % generated, but the pads8r.mtx and newlatin.mtx files
+  % are only read once.
+  \installfont {pads8i}{pads8r,textcomp}{ts1}               {TS1}{pad}{sb}{n}{}
+  \installfontas{pads8i}                                    {TS1}{pad}{sb}{sc}{}
+  \installfont {padsi8t}{padsi8r,newlatin option nosc}{t1}  {T1}{pad}{sb}{it}{}
+  \installfont {padsi7t}{padsi8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{it}{}
+  \installfont {padsi8i}{padsi8r,textcomp}{ts1}             {TS1}{pad}{sb}{it}{}
+  \installfont {padso8t}{padso8r,newlatin option nosc}{t1}  {T1}{pad}{sb}{sl}{}
+  \installfont {padso7t}{padso8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sl}{}
+  \installfont {padso8i}{padso8r,textcomp}{ts1}             {TS1}{pad}{sb}{sl}{}
+  
+  \installfont {padb8t}{padb8r,newlatin}{t1}                {T1}{pad}{b}{n}{}
+  \installfont {padb7t}{padb8r,newlatin}{ot1}               {OT1}{pad}{b}{n}{}
+  \installfont {padbc8t}{padb8r,newlatin}{t1c}              {T1}{pad}{b}{sc}{}
+  \installfont {padbc7t}{padb8r,newlatin}{ot1c}             {OT1}{pad}{b}{sc}{}
+  \installfont {padb8i}{padb8r,textcomp}{ts1}               {TS1}{pad}{b}{n}{}
+  \installfontas{padb8i}                                    {TS1}{pad}{b}{sc}{}
+  \installfont {padbi8t}{padbi8r,newlatin option nosc}{t1}  {T1}{pad}{b}{it}{}
+  \installfont {padbi7t}{padbi8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{it}{}
+  \installfont {padbi8i}{padbi8r,textcomp}{ts1}             {TS1}{pad}{b}{it}{}
+  \installfont {padbo8t}{padbo8r,newlatin option nosc}{t1}  {T1}{pad}{b}{sl}{}
+  \installfont {padbo7t}{padbo8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{sl}{}
+  \installfont {padbo8i}{padbo8r,textcomp}{ts1}             {TS1}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% The set of commands above will "fake" an sc shape for the typeface
+% by making dual use of the capitals in the n shape (Regular): both
+% as normal (for the upper case in the sc shape) and shrunk to 80% of
+% their normal size (for the lower case in the sc shape). This works
+% (anyone who looks at it will understand what was intended), but it 
+% does not look good, and therefore it is always better to make use
+% of proper smallcaps when it is available.
+% 
+% The next set of commands is another take at creating the "pad" 
+% families, this time making use of the proper smallcaps in padrc8r
+% and padsc8r. The files created by this set of commands will 
+% completely overwrite the files created by the previous set of
+% commands; in practice one would only include one set of commands,
+% but both are provided here for comparison.
+\installfonts
+  \installfamily{OT1}{pad}{}
+  \installfamily{T1}{pad}{}
+  \installfamily{TS1}{pad}{}
+  
+  % Since the glyph bases used for the n and sc shapes in this
+  % case are different, there is no point in doing the smallcaps
+  % processing when making the n shape fonts.
+  \installfont {padr8t}{padr8r,newlatin option nosc}{t1}    {T1}{pad}{m}{n}{}
+  \installfont {padr7t}{padr8r,newlatin option nosc}{ot1}   {OT1}{pad}{m}{n}{}
+  % There is actually no point in doing that processing for
+  % the sc shape fonts either! This is because the glyph names
+  % used in padrc8r are the same as those used in padr8r (and
+  % padri8r), and thus the smallcaps glyphs will already have
+  % been delt with by the code for lower case glyphs. Another
+  % consequence is that the same ETX files as are used for 
+  % the other shapes should be used for the sc shape.
+  \installfont {padrc8t}{padrc8r,newlatin option nosc}{t1}  {T1}{pad}{m}{sc}{}
+  \installfont {padrc7t}{padrc8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sc}{}
+  \installfont {padr8i}{padr8r,textcomp}{ts1}               {TS1}{pad}{m}{n}{}
+  \installfontas{padr8i}                                    {TS1}{pad}{m}{sc}{}
+  \installfont {padri8t}{padri8r,newlatin option nosc}{t1}  {T1}{pad}{m}{it}{}
+  \installfont {padri7t}{padri8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{it}{}
+  \installfont {padri8i}{padri8r,textcomp}{ts1}             {TS1}{pad}{m}{it}{}
+  \installfont {padro8t}{padro8r,newlatin option nosc}{t1}  {T1}{pad}{m}{sl}{}
+  \installfont {padro7t}{padro8r,newlatin option nosc}{ot1} {OT1}{pad}{m}{sl}{}
+  \installfont {padro8i}{padro8r,textcomp}{ts1}             {TS1}{pad}{m}{sl}{}
+  
+  \installfont {pads8t}{pads8r,newlatin option nosc}{t1}    {T1}{pad}{sb}{n}{}
+  \installfont {pads7t}{pads8r,newlatin option nosc}{ot1}   {OT1}{pad}{sb}{n}{}
+  \installfont {padsc8t}{padsc8r,newlatin option nosc}{t1}  {T1}{pad}{sb}{sc}{}
+  \installfont {padsc7t}{padsc8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sc}{}
+  \installfont {pads8i}{pads8r,textcomp}{ts1}               {TS1}{pad}{sb}{n}{}
+  \installfontas{pads8i}                                    {TS1}{pad}{sb}{sc}{}
+  \installfont {padsi8t}{padsi8r,newlatin option nosc}{t1}  {T1}{pad}{sb}{it}{}
+  \installfont {padsi7t}{padsi8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{it}{}
+  \installfont {padsi8i}{padsi8r,textcomp}{ts1}             {TS1}{pad}{sb}{it}{}
+  \installfont {padso8t}{padso8r,newlatin option nosc}{t1}  {T1}{pad}{sb}{sl}{}
+  \installfont {padso7t}{padso8r,newlatin option nosc}{ot1} {OT1}{pad}{sb}{sl}{}
+  \installfont {padso8i}{padso8r,textcomp}{ts1}             {TS1}{pad}{sb}{sl}{}
+  
+  % There is however no padbc8r font; hence the sc shape of 
+  % the b series must still be faked, just as above.
+  \installfont {padb8t}{padb8r,newlatin}{t1}                {T1}{pad}{b}{n}{}
+  \installfont {padb7t}{padb8r,newlatin}{ot1}               {OT1}{pad}{b}{n}{}
+  \installfont {padbc8t}{padb8r,newlatin}{t1c}              {T1}{pad}{b}{sc}{}
+  \installfont {padbc7t}{padb8r,newlatin}{ot1c}             {OT1}{pad}{b}{sc}{}
+  \installfont {padb8i}{padb8r,textcomp}{ts1}               {TS1}{pad}{b}{n}{}
+  \installfontas{padb8i}                                    {TS1}{pad}{b}{sc}{}
+  \installfont {padbi8t}{padbi8r,newlatin option nosc}{t1}  {T1}{pad}{b}{it}{}
+  \installfont {padbi7t}{padbi8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{it}{}
+  \installfont {padbi8i}{padbi8r,textcomp}{ts1}             {TS1}{pad}{b}{it}{}
+  \installfont {padbo8t}{padbo8r,newlatin option nosc}{t1}  {T1}{pad}{b}{sl}{}
+  \installfont {padbo7t}{padbo8r,newlatin option nosc}{ot1} {OT1}{pad}{b}{sl}{}
+  \installfont {padbo8i}{padbo8r,textcomp}{ts1}             {TS1}{pad}{b}{sl}{}
+\endinstallfonts
+
+
+% The "pad" family installed above is however still far from perfect. 
+% The `ff', `ffi', and `ffl' ligatures are fakes, since those aren't 
+% available in the fonts used. There are however such glyphs in the 
+% expert (8x) companions of the fonts used above, and hence the 
+% results will be better if these resources can be combined.
+% 
+% One of the great advantages with TeX, virtual fonts, and fontinst 
+% is the ease with which one can combine glyphs from (what the foundry 
+% has packaged as) several different fonts into a single font; 
+% if \installfont is given the metrics of two fonts, and some glyph
+% is available in one font but not the other, then fontinst will 
+% automatically take it from the font where it was available.
+% Hence one can fill in (at least some of) the blanks of one font 
+% by also listing a second font in the metrics argument of 
+% \installfont. It will do the right thing automatically.
+\installfonts
+  \installfamily{OT1}{padx}{}
+  \installfamily{T1}{padx}{}
+  \installfamily{TS1}{padx}{}
+  % The "padx" family name used here is mainly motivated by 
+  % tradition. It has been considered useful to simultaneously 
+  % on a single system have both a family of virtual fonts which 
+  % do not make use of the expert set of base fonts, and a family
+  % of virtual fonts which do make use of the expert set of base 
+  % fonts. For this to work, the different fonts must have
+  % different names. In the Fontname scheme, this is accomplished
+  % by including an "x" variant letter in the names to signify that
+  % the font is "expertized". In LaTeX there is no proper standard
+  % for this, but the custom is to similarly append an "x" to the
+  % basic three letter family name, thus yielding "padx" instead
+  % of "pad".
+  
+  % The Fontname scheme is in this case further complicated by
+  % a desire to avoid names of more than eight characters 
+  % (a limit which is important in many old file systems).
+  % Therefore many of the two-character variants starting with
+  % 9 is a combination of an encoding variant with one or two
+  % other variants (most commonly the "x" variant). The commands
+  % below utilize these abbreviations (but there is no software
+  % involved which would require them to).
+  \installfont {padr9e}{padr8r,padr8x,newlatin}{t1}                 {T1}{padx}{m}{n}{}
+  \installfont {padr9t}{padr8r,padr8x,newlatin}{ot1}                {OT1}{padx}{m}{n}{}
+  % Besides the extra ligatures, the upright 8x fonts also contain 
+  % a proper smallcaps alphabet. This makes it possible to make do 
+  % without the -c8r fonts. The commands below will make a font
+  % using the upper case from padr8r and (as lower case) the
+  % small caps from padr8x.
+  \installfont {padrc9e}{padr8r,padr8x,newlatin}{t1c}               {T1}{padx}{m}{sc}{}
+  \installfont {padrc9t}{padr8r,padr8x,newlatin}{ot1c}              {OT1}{padx}{m}{sc}{}
+  \installfont {padr9i}{padr8r,padr8x,textcomp}{ts1}                {TS1}{padx}{m}{n}{}
+  \installfontas{padr9i}                                            {TS1}{padx}{m}{sc}{}
+  \installfont {padri9e}{padri8r,padri8x,newlatin option nosc}{t1}  {T1}{padx}{m}{it}{}
+  \installfont {padri9t}{padri8r,padri8x,newlatin option nosc}{ot1} {OT1}{padx}{m}{it}{}
+  \installfont {padri9i}{padri8r,padri8x,textcomp}{ts1}             {TS1}{padx}{m}{it}{}
+  \installfont {padro9e}{padro8r,padro8x,newlatin option nosc}{t1}  {T1}{padx}{m}{sl}{}
+  \installfont {padro9t}{padro8r,padro8x,newlatin option nosc}{ot1} {OT1}{padx}{m}{sl}{}
+  \installfont {padro9i}{padro8r,padro8x,textcomp}{ts1}             {TS1}{padx}{m}{sl}{}
+  
+  \installfont {pads9e}{pads8r,pads8x,newlatin}{t1}                 {T1}{padx}{sb}{n}{}
+  \installfont {pads9t}{pads8r,pads8x,newlatin}{ot1}                {OT1}{padx}{sb}{n}{}
+  \installfont {padsc9e}{pads8r,pads8x,newlatin}{t1c}               {T1}{padx}{sb}{sc}{}
+  \installfont {padsc9t}{pads8r,pads8x,newlatin}{ot1c}              {OT1}{padx}{sb}{sc}{}
+  \installfont {pads9i}{pads8r,pads8x,textcomp}{ts1}                {TS1}{padx}{sb}{n}{}
+  \installfontas{pads9i}                                            {TS1}{padx}{sb}{sc}{}
+  \installfont {padsi9e}{padsi8r,padsi8x,newlatin option nosc}{t1}  {T1}{padx}{sb}{it}{}
+  \installfont {padsi9t}{padsi8r,padsi8x,newlatin option nosc}{ot1} {OT1}{padx}{sb}{it}{}
+  \installfont {padsi9i}{padsi8r,padsi8x,textcomp}{ts1}             {TS1}{padx}{sb}{it}{}
+  \installfont {padso9e}{padso8r,padso8x,newlatin option nosc}{t1}  {T1}{padx}{sb}{sl}{}
+  \installfont {padso9t}{padso8r,padso8x,newlatin option nosc}{ot1} {OT1}{padx}{sb}{sl}{}
+  \installfont {padso9i}{padso8r,padso8x,textcomp}{ts1}             {TS1}{padx}{sb}{sl}{}
+  
+  \installfont {padb9e}{padb8r,padb8x,newlatin}{t1}                 {T1}{padx}{b}{n}{}
+  \installfont {padb9t}{padb8r,padb8x,newlatin}{ot1}                {OT1}{padx}{b}{n}{}
+  % The padb8x font does not contain a smallcaps alphabet --
+  % hence in this case the newlatin.mtx file reverts to faking
+  % such an alphabet by shrinking the upper case. The commands
+  % can however be the same as above!
+  \installfont {padbc9e}{padb8r,padb8x,newlatin}{t1c}               {T1}{padx}{b}{sc}{}
+  \installfont {padbc9t}{padb8r,padb8x,newlatin}{ot1c}              {OT1}{padx}{b}{sc}{}
+  \installfont {padb9i}{padb8r,padb8x,textcomp}{ts1}                {TS1}{padx}{b}{n}{}
+  \installfontas{padb9i}                                            {TS1}{padx}{b}{sc}{}
+  \installfont {padbi9e}{padbi8r,padbi8x,newlatin option nosc}{t1}  {T1}{padx}{b}{it}{}
+  \installfont {padbi9t}{padbi8r,padbi8x,newlatin option nosc}{ot1} {OT1}{padx}{b}{it}{}
+  \installfont {padbi9i}{padbi8r,padbi8x,textcomp}{ts1}             {TS1}{padx}{b}{it}{}
+  \installfont {padbo9e}{padbo8r,padbo8x,newlatin option nosc}{t1}  {T1}{padx}{b}{sl}{}
+  \installfont {padbo9t}{padbo8r,padbo8x,newlatin option nosc}{ot1} {OT1}{padx}{b}{sl}{}
+  \installfont {padbo9i}{padbo8r,padbo8x,textcomp}{ts1}             {TS1}{padx}{b}{sl}{}
+\endinstallfonts
+
+
+% Finally we get to my personal favourite -- the families with hanging
+% (a.k.a. oldstyle) figures. From a historical point of view, this is
+% really the most correct appearence of these fonts, because in the 16th
+% century (when Claude Garamond designed the metal types after which the
+% AGaramond fonts where modelled) there was no such thing as lining 
+% figures; all figures were hanging.
+% 
+% The 8x fonts all contain a suitable set of hanging figures. This makes
+% it very straightforward to make use of these instead of the lining
+% digits of the base fonts. One simply has to make use of ETX files
+% which selects these glyphs hanging figure glyphs instead of the
+% lining figure glyphs.
+\installfonts
+  \installfamily{OT1}{padj}{}
+  \installfamily{T1}{padj}{}
+  \installfamily{TS1}{padj}{}
+  % Another custom: a "j" (the Fontname hanging figure variant letter) 
+  % is appended to the LaTeX family name to distinguish between 
+  % lining and hanging figure families.
+  
+  \installfont {padr9d}{padr8r,padr8x,newlatin}{t1j}                 {T1}{padj}{m}{n}{}
+  \installfont {padr9o}{padr8r,padr8x,newlatin}{ot1j}                {OT1}{padj}{m}{n}{}
+  \installfont {padrc9d}{padr8r,padr8x,newlatin}{t1cj}               {T1}{padj}{m}{sc}{}
+  \installfont {padrc9o}{padr8r,padr8x,newlatin}{ot1cj}              {OT1}{padj}{m}{sc}{}
+  \installfont {padr9i}{padr8r,padr8x,textcomp}{ts1}                 {TS1}{padj}{m}{n}{}
+  \installfontas{padr9i}                                             {TS1}{padj}{m}{sc}{}
+  \installfont {padri9d}{padri8r,padri8x,newlatin option nosc}{t1j}  {T1}{padj}{m}{it}{}
+  \installfont {padri9o}{padri8r,padri8x,newlatin option nosc}{ot1j} {OT1}{padj}{m}{it}{}
+  \installfont {padri9i}{padri8r,padri8x,textcomp}{ts1}              {TS1}{padj}{m}{it}{}
+  \installfont {padro9d}{padro8r,padro8x,newlatin option nosc}{t1j}  {T1}{padj}{m}{sl}{}
+  \installfont {padro9o}{padro8r,padro8x,newlatin option nosc}{ot1j} {OT1}{padj}{m}{sl}{}
+  \installfont {padro9i}{padro8r,padro8x,textcomp}{ts1}              {TS1}{padj}{m}{sl}{}
+  
+  \installfont {pads9d}{pads8r,pads8x,newlatin}{t1j}                 {T1}{padj}{sb}{n}{}
+  \installfont {pads9o}{pads8r,pads8x,newlatin}{ot1j}                {OT1}{padj}{sb}{n}{}
+  \installfont {padsc9d}{pads8r,pads8x,newlatin}{t1cj}               {T1}{padj}{sb}{sc}{}
+  \installfont {padsc9o}{pads8r,pads8x,newlatin}{ot1cj}              {OT1}{padj}{sb}{sc}{}
+  \installfont {pads9i}{pads8r,pads8x,textcomp}{ts1}                 {TS1}{padj}{sb}{n}{}
+  \installfontas{pads9i}                                             {TS1}{padj}{sb}{sc}{}
+  \installfont {padsi9d}{padsi8r,padsi8x,newlatin option nosc}{t1j}  {T1}{padj}{sb}{it}{}
+  \installfont {padsi9o}{padsi8r,padsi8x,newlatin option nosc}{ot1j} {OT1}{padj}{sb}{it}{}
+  \installfont {padsi9i}{padsi8r,padsi8x,textcomp}{ts1}              {TS1}{padj}{sb}{it}{}
+  \installfont {padso9d}{padso8r,padso8x,newlatin option nosc}{t1j}  {T1}{padj}{sb}{sl}{}
+  \installfont {padso9o}{padso8r,padso8x,newlatin option nosc}{ot1j} {OT1}{padj}{sb}{sl}{}
+  \installfont {padso9i}{padso8r,padso8x,textcomp}{ts1}              {TS1}{padj}{sb}{sl}{}
+  
+  \installfont {padb9d}{padb8r,padb8x,newlatin}{t1j}                 {T1}{padj}{b}{n}{}
+  \installfont {padb9o}{padb8r,padb8x,newlatin}{ot1j}                {OT1}{padj}{b}{n}{}
+  \installfont {padbc9d}{padb8r,padb8x,newlatin}{t1cj}               {T1}{padj}{b}{sc}{}
+  \installfont {padbc9o}{padb8r,padb8x,newlatin}{ot1cj}              {OT1}{padj}{b}{sc}{}
+  \installfont {padb9i}{padb8r,padb8x,textcomp}{ts1}                 {TS1}{padj}{b}{n}{}
+  \installfontas{padb9i}                                             {TS1}{padj}{b}{sc}{}
+  \installfont {padbi9d}{padbi8r,padbi8x,newlatin option nosc}{t1j}  {T1}{padj}{b}{it}{}
+  \installfont {padbi9o}{padbi8r,padbi8x,newlatin option nosc}{ot1j} {OT1}{padj}{b}{it}{}
+  \installfont {padbi9i}{padbi8r,padbi8x,textcomp}{ts1}              {TS1}{padj}{b}{it}{}
+  \installfont {padbo9d}{padbo8r,padbo8x,newlatin option nosc}{t1j}  {T1}{padj}{b}{sl}{}
+  \installfont {padbo9o}{padbo8r,padbo8x,newlatin option nosc}{ot1j} {OT1}{padj}{b}{sl}{}
+  \installfont {padbo9i}{padbo8r,padbo8x,textcomp}{ts1}              {TS1}{padj}{b}{sl}{}
+\endinstallfonts
+
+% This closes the file opened by \recordtransforms above.
+\endrecordtransforms
+
+\bye
+
+% The installations made by the above commands are certainly not
+% optimal. Some things which can be improved are:
+% 
+%  - Although the padrc9e, padrc9t, padsc9e, padsc9t, padrc9d,
+%    padrc9o, padsc9d, and padsc9o fonts contain proper smallcaps
+%    glyphs, there are no kerns between the smallcaps and 
+%    the upper case in these fonts, because there were no such 
+%    kerns in any of the fonts they are based on. There are 
+%    however such kerning pairs in padrc8r and padsc8r, and it is
+%    quite easy to extract this information using the \reglyphfont
+%    command with the settings in the csckrn2x.tex file.
+%    
+%  - The padrc8t, padrc7t, padsc8t, and padsc7t fonts that are 
+%    based on padrc8r and padsc8r respectively have hanging figures,
+%    whereas the other fonts in the same family have lining figures.
+%    This is only because that is how the foundry packaged the 
+%    glyphs into fonts, and the careful font installer might want
+%    to straighten out this situation. One way to do that is
+%    to make use of the unsetnum.mtx file, another is to make
+%    use of the `suffix' mechanism (new in v1.923).
+%    
+%  - One glyph which is missing from all the fonts made above is
+%    the Euro glyph (and that is kind of awkward these days, although 
+%    as of v1.926 textcomp.mtx fakes this using a C and two rules).
+%    One way to supply a Euro glyph is to provide yet another font 
+%    (besides the -8r's and -8x's) as base font, if that extra 
+%    font contains the missing Euro glyph. The same trick can be used
+%    to get greek capitals for the OT1-encoded fonts.
+
diff --git a/Master/texmf-dist/doc/fontinst/base/examples/basicex2.tex b/Master/texmf-dist/doc/fontinst/base/examples/basicex2.tex
new file mode 100644
index 00000000000..74fe2a4df5a
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/examples/basicex2.tex
@@ -0,0 +1,50 @@
+%
+% basicex2.tex
+%
+% fontinst command file for writing map file fragments for 
+% the raw fonts used by the fonts made in basicex.tex.
+%
+
+\input finstmsc.sty
+
+% At this point, you might want to change some settings
+% to make the map file fragments written better adjusted
+% to your particular system. Some common examples are:
+% 
+%   \resetstr{PSfontsuffix}{.pfb}
+% 
+% which is useful if the actual fonts are in PFB format.
+% 
+%   \AssumeLWFN
+% 
+% This is useful if the font files are named according to
+% the old Mac OS Classic convention for PostScript fonts
+% (names like AGarBolIta).
+
+\adddriver{dvips}{dvips.map}
+% This causes a .map file for dvips to be written. 
+% It is probably better to choose a name that has to 
+% do with the fonts than to use `dvips.map'.
+% In some systems, there is a program updmap which combines
+% several small .map files such as this one into a large
+% psfonts.map file. 
+\adddriver{dvipdfm}{dvipdfm.map}
+% Similar file for dvipdfm.
+\adddriver{pltotf}{pltotf-script.sh}
+% A shell script that runs pltotf on those .pl files
+% which you need to turn into .tfm files.
+\adddriver{debug}{mapdump.txt}
+% This file contains the available data in a human-readable
+% format. This is useful if your dvi driver uses some other
+% kind of map file.
+
+\input basicex.recs
+% This is where all the work is done.
+
+\donedrivers
+% This closes the files and does some cleanup.
+
+\bye
+
+
+
diff --git a/Master/texmf-dist/doc/fontinst/base/manual/fontinst.pdf b/Master/texmf-dist/doc/fontinst/base/manual/fontinst.pdf
new file mode 100644
index 00000000000..af1d415db39
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/manual/fontinst.pdf
diff --git a/Master/texmf-dist/doc/fontinst/base/manual/fontinst.tex b/Master/texmf-dist/doc/fontinst/base/manual/fontinst.tex
new file mode 100644
index 00000000000..b87c937e515
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/manual/fontinst.tex
@@ -0,0 +1,3599 @@
+%%% ====================================================================
+%%%  @LaTeX-file{
+%%%     author          = "Alan Jeffrey and Rowland McDonnell and
+%%%                        Ulrik Vieth and Lars Hellstr{\"o}m",
+%%%     version         = "1.927",
+%%%     date            = "6 August 2004",
+%%%     time            = "22:10:00 CEST",
+%%%     filename        = "fontinst.tex",
+%%%     email           = "fontinst@tug.org",
+%%%     checksum        = "",
+%%%     codetable       = "ISO/ASCII",
+%%%     keywords        = "fontinst, TeX, PostScript, documentation",
+%%%     supported       = "yes",
+%%%     abstract        = "This is the documentation for the fontinst
+%%%                        font installation package.",
+%%%     package         = "fontinst",
+%%%     dependencies    = "ltxguide.cls, url.sty, xspace.sty"
+%%%  }
+%%% ====================================================================
+
+% Copyright 1993, 1994, 1995, 1996 Alan Jeffrey
+
+% Modified by Rowland McDonnell June 1998
+% Modified and revised by Ulrik Vieth June 1998
+% Modified by Lars Hellstr\"om July 2004
+
+
+\documentclass[a4paper]{ltxguide}
+\usepackage[OT1]{fontenc}
+\usepackage{url,xspace}
+\usepackage{graphicx}
+% \renewcommand\rmdefault{ppl}
+%\renewcommand\rmdefault{padx}
+%\renewcommand\rmdefault{pmnx}
+
+% \MakeShortVerb{\|}
+
+
+% Title page and running heads.
+
+\makeatletter
+\newcommand{\subtitle}[1]{\renewcommand{\@subtitle}{#1}}
+\newcommand{\version}[1]{\renewcommand{\@version}{#1}}
+\newcommand{\illustration}[1]{\renewcommand{\@illustration}{#1}}
+
+\newcommand{\@subtitle}{}
+\newcommand{\@version}{???}
+\newcommand{\@illustration}{cover.eps}
+
+% \pagestyle{myheadings}
+% \AtBeginDocument{\markright{\small\itshape
+%   \@author\hfill\@title: \@subtitle\quad}}
+
+
+\renewcommand{\maketitle}{{%
+   \thispagestyle{empty}%
+   \normalfont\centering
+   \null
+   {\fontsize{100}{100}\textit{\@title}}%
+   \par\bigskip
+   {\Large\textbf{\@subtitle}}%
+   \vfill
+   \includegraphics[width=\textwidth]{\@illustration}%
+   \vfill
+   {\Large\textbf{%
+      \def\and{\egroup\qquad\hbox\bgroup}
+      \leavevmode \hbox{\@author}\\[\smallskipamount] 
+      \@title~v\@version
+      \quad\textperiodcentered\quad \@date}}%
+   \clearpage
+}}
+\makeatother
+
+
+% Set lists tighter (assuming non-zero \parskip).
+
+\makeatletter
+\renewcommand{\@listI}{%
+   \leftmargin\leftmargini
+   \parsep\medskipamount
+   \itemsep\z@ % + parsep
+   \topsep\z@ % + parskip
+   \partopsep\z@
+}
+\newenvironment{isyntax}{%
+   \let\\\@centercr
+   \list{}{%
+      \itemsep \z@
+      \itemindent -1.5em%
+      \listparindent \itemindent
+      \advance \leftmargin 1.5em%
+   }%
+   \advance \rightskip \z@\@plus0.7\linewidth \relax
+   \linepenalty=100\relax
+   \item\relax
+}{\endlist}
+\makeatother
+
+\newenvironment{smalldes}{%
+   \list{}{%
+      \setlength\labelwidth{0pt}%
+      \setlength\itemindent{-\leftmargin}%
+      \setlength\listparindent{1em}%
+      \setlength\parsep{0pt}%
+      \setlength\itemsep{0pt plus 1pt}%
+      \setlength\topsep{\itemsep}%
+      \let\makelabel\descriptionlabel
+   }%
+}{\endlist}
+
+\newenvironment{hackernote}{%
+   \list{}{
+     \setlength{\leftmargin}{0pt}%
+     \setlength\labelwidth{0pt}%
+     \setlength{\listparindent}{1.4em}%
+     \setlength{\parsep}{0pt plus 1pt}%
+     \setlength{\itemsep}{\medskipamount}%
+   }\item[]%
+   \small
+   \textit{Note for hackers.}\hspace{0.5em}%
+}{\endlist}
+
+% % I don't use the <...> feature for verbatim, 
+% % so I undo that ltxguide feature.
+% \makeatletter
+% \renewcommand{\verbatim@font}{%
+%   \normalfont \ttfamily
+% %   \catcode`\<=\active
+% %   \catcode`\>=\active
+% }
+\makeatother
+
+% Set spacing around captions.
+
+\setlength{\abovecaptionskip}{\medskipamount}
+\setlength{\belowcaptionskip}{\medskipamount}
+
+% Markup for logos, file types, programs, etc.
+
+\newcommand*{\meta}{\m}
+\newcommand*{\marg}{\arg}
+\newcommand*{\parg}[1]{\texttt{(}\m{#1}\texttt{)}}
+
+\newcommand*{\cs}[1]{\texttt{\char`\\ #1}\xspace}
+
+\newcommand*{\OzTeX}{O\kern-.03em z\kern-.15em\TeX}
+\newcommand*{\OzMF}{O\kern-.03em zMF}
+\newcommand*{\OzTools}{O\kern-.03em z\kern-.15em Tools}
+
+\newcommand{\PS}{Post\-Script\xspace}
+\newcommand{\TT}{True\-Type\xspace}
+
+\newcommand*{\setfilename}[1]{\texttt{#1}}
+\newcommand*{\setdotfilename}[1]{\setfilename{.#1}}
+\newcommand*{\setpackagename}[1]{\textsf{#1}}
+
+\newcommand{\dvips}   {\setpackagename{dvips}\xspace}
+\newcommand{\Dvips}   {\setpackagename{Dvips}\xspace}
+\newcommand{\fontinst}{\setpackagename{font\-inst}\xspace}
+\newcommand{\Fontinst}{\setpackagename{Font\-inst}\xspace}
+
+% \show\fontname
+\newcommand{\fontnamekb}{fontname\xspace}
+\newcommand{\Fontnamekb}{Fontname\xspace}
+
+\newcommand{\mf} {\setfilename{mf}\xspace}
+\newcommand{\Mf} {\setfilename{Mf}\xspace}
+\newcommand{\vf} {\setfilename{vf}\xspace}
+\newcommand{\Vf} {\setfilename{Vf}\xspace}
+\newcommand{\pl} {\setfilename{pl}\xspace}
+\newcommand{\Pl} {\setfilename{Pl}\xspace}
+\newcommand{\fd} {\setfilename{fd}\xspace}
+\newcommand{\Fd} {\setfilename{Fd}\xspace}
+\newcommand{\pk} {\setfilename{pk}\xspace}
+\newcommand{\Pk} {\setfilename{Pk}\xspace}
+\newcommand{\afm}{\setfilename{afm}\xspace}
+\newcommand{\Afm}{\setfilename{Afm}\xspace}
+\newcommand{\vpl}{\setfilename{vpl}\xspace}
+\newcommand{\Vpl}{\setfilename{Vpl}\xspace}
+\newcommand{\tfm}{\setfilename{tfm}\xspace}
+\newcommand{\Tfm}{\setfilename{Tfm}\xspace}
+\newcommand{\mtx}{\setfilename{mtx}\xspace}
+\newcommand{\Mtx}{\setfilename{Mtx}\xspace}
+\newcommand{\etx}{\setfilename{etx}\xspace}
+\newcommand{\Etx}{\setfilename{Etx}\xspace}
+\newcommand{\pfa}{\setfilename{pfa}\xspace}
+\newcommand{\Pfa}{\setfilename{Pfa}\xspace}
+\newcommand{\pfb}{\setfilename{pfb}\xspace}
+\newcommand{\Pfb}{\setfilename{Pfb}\xspace}
+\newcommand{\dvi}{\setfilename{dvi}\xspace}
+\newcommand{\Dvi}{\setfilename{Dvi}\xspace}
+\newcommand{\pdf}{\setfilename{pdf}\xspace}
+\newcommand{\Pdf}{\setfilename{Pdf}\xspace}
+\newcommand{\ttf}{\setfilename{ttf}\xspace}
+\newcommand{\Ttf}{\setfilename{Ttf}\xspace}
+
+\newcommand{\vftovp}{\setpackagename{vftovp}\xspace}
+\newcommand{\vptovf}{\setpackagename{vptovf}\xspace}
+\newcommand{\pltotf}{\setpackagename{pltotf}\xspace}
+\newcommand{\tftopl}{\setpackagename{tftopl}\xspace}
+
+\newcommand{\BibTeX}{Bib\TeX}
+
+
+% % Stolen from Dr Knuth
+% \makeatletter % borrow the private macros of PLAIN (with care)
+% \def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+% \def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+% % macros for font tables
+% \def\oddline#1{\cr
+%   \noalign{\nointerlineskip}
+%   \multispan{19}\hrulefill&
+%   \setbox0=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}\smash{\box0}\cr
+%   \noalign{\nointerlineskip}}
+% \def\evenline{\cr\noalign{\hrule}}
+% \def\chartstrut{\lower4.5pt\vbox to14pt{}}
+% \def\beginchart#1{$$\global\count@=0 #1
+%   \halign to\hsize\bgroup
+%     \chartstrut##\tabskip0pt plus10pt&
+%     &\hfil##\hfil&\vrule##\cr
+%     \lower6.5pt\null
+%     &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+% \def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+%   &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$}
+% \def\*{\global\advance\count@ by1 }
+% \def\:{\setbox0=\hbox{\char\count@}%
+%   \ifdim\ht0>7.5pt\reposition
+%   \else\ifdim\dp0>2.5pt\reposition\fi\fi
+%   \box0\global\advance\count@ by1 }
+% \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}
+% \def\smallchart{%
+% %\global\advance\count@ by16
+%   &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+%   &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+%   &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+%   &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+%   &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+%   &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+%   &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+%   &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+%   &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+% 
+% \def\bigchart{%
+% %\global\advance\count@ by16
+%   &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+%   &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+%   &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+%   &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+%   &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+%   &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+%   &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+%   &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+%   &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{20x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline8
+%   &\oct{21x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{22x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline9
+%   &\oct{23x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{24x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{A}
+%   &\oct{25x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{26x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{B}
+%   &\oct{27x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{30x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{C}
+%   &\oct{31x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{32x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{D}
+%   &\oct{33x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{34x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{E}
+%   &\oct{35x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+%   &\oct{36x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{F}
+%   &\oct{37x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+% 
+% % \font\xrm = cmr10 at 10pt % change this line to test font
+% % \beginchart\xrm \normalchart \endchart
+% 
+% \newcommand{\smallfontchart}[1]{%
+%   \font\xrm = #1 \beginchart\xrm \smallchart \endchart}
+% \newcommand{\bigfontchart}[1]{%
+%   \font\xrm = #1 \beginchart\xrm \bigchart \endchart}
+% 
+% % \smallfontchart{cmr10 at 10pt}
+% % \bigfontchart{ecrm1000 at 10pt}
+% \makeatother
+% % End stolen from Dr Knuth
+
+
+
+\title{fontinst}
+\subtitle{Font installation software for \TeX}
+\author{Alan Jeffrey\and Rowland McDonnell\and Lars Hellstr\"om}
+\illustration{roadmap.eps}
+\version{1.9}
+\date{July 2004}
+
+\errorcontextlines=999
+
+\begin{document}
+
+\maketitle
+
+\begin{itshape}
+  This manual is currently being rewritten, and may therefore be a 
+  bit disorganised. For authoritative information on command syntaxes 
+  and the like, see the Literate Programming sources for 
+  \fontinst. The main file there is \textsl{\texttt{fisource.tex}}.
+\end{itshape}
+
+\bigskip
+
+\begin{footnotesize}
+  This manual describes the \texttt{fontinst} software for converting
+  fonts from Adobe Font Metric format to forms readable by \TeX.  This
+  manual should be distributed with the \texttt{fontinst} software,
+  which is available by anonymous FTP from
+  \url{ftp://ftp.tex.ac.uk/tex-archive/fonts/utilities/fontinst}, and
+  on the various CD-ROMs containing material from the CTAN archives.
+  Please do not contact the author directly for copies.
+
+  If you would like to report a bug with \texttt{fontinst}, please
+  mail \url{fontinst@tug.org}.  The mail will be sent to the
+  \texttt{fontinst} mailing list.  If you would like to be on the
+  \texttt{fontinst} mailing list, see 
+  \url{http://tug.org/mailman/listinfo/fontinst}.
+\end{footnotesize}
+
+\tableofcontents
+
+% \vfill
+
+\clearpage
+
+
+% \section{Introduction}
+% 
+% Digital fonts, as they may be bought from a foundry or other supplier, 
+% are usually not directly usable with \LaTeX. An obvious problem can be 
+% that the font information is not available in a format that \LaTeX\ 
+% understands. A more subtle problem is that the fonts are often 
+% organised in a way that is unsuitable for automatic typesetting. 
+% % \Fontinst was written to overcome these problems.
+% 
+% % The main thing \fontinst does is creating virtual fonts (\vf's).
+% 
+% 
+% % The \fontinst package is a set of \TeX\ macros written to create
+% % virtual fonts for use with \TeX. 
+
+
+\section{Defining terms}
+
+This is rather a large and perhaps tedious section.  You might be
+tempted to skip it so you can get to some more direct information on
+how to use \fontinst.  That's fine if you understand everything about
+how \TeX\ handles fonts.  If not, I suggest you at least skim though
+this section.
+
+\subsection{What's a font?}
+
+Once upon a time, this question was easily answered: a font is a
+set of type in one size, style, etc.  There used to be no
+ambiguity, because a font was a collection of chunks of type metal
+kept in a drawer, one drawer for each font.
+
+These days, with digital typesetting, things are more complicated.
+What a font `is' isn't easy to pin down.  A typical use of a \PS
+font with \LaTeX\ might use these elements:
+\begin{itemize}
+\item Type 1 printer font file
+\item Bitmap screen font file
+\item Adobe font metric file (\afm file)
+\item \TeX\ font metric file (\tfm file)
+\item Virtual font file (\vf file)
+\item font definition file (\fd file)
+\end{itemize}
+Looked at from a particular point of view, each of these files
+`is' the font.  So what's going on?
+
+
+\subsubsection{Type 1 printer font files}
+
+These files contain the information needed by your printer to draw
+the shapes of all the characters in a font.  They're typically
+files with a \pfa or \pfb extension; on Macs they're usually in
+files of type `LWFN' which usually have icons that look like a
+laser printer.  The information in all these files is basically
+the same: the only difference is in its representation.  \pfa
+stands for `printer font ASCII', while \pfb stands for `printer
+font binary'.  That is, \pfa files contain plain text information,
+while \pfb files contain the same information encoded as
+machine-readable binary data.
+
+If you have Adobe Type Manager (ATM) installed on your computer,
+ATM will use these files to draw an accurate representation of the
+letters on the screen of your computer when you are previewing a
+\TeX\ document.
+
+Printer font files are not used directly by \TeX\ at all -- \TeX\
+just prepares a \dvi file that refers to the fonts by name and the
+characters by number: \TeX\ knows nothing about the shapes
+involved.  The DVI driver uses the printer font files when you ask
+it to print the \dvi file.  This means that you can produce a \dvi
+file which uses, say, Palatino, even if you do not have the
+Type~1 printer font file for this font on your computer.  You will
+need to find a computer that does have Palatino before you can
+print it or preview it, though.
+
+Pdf\TeX\ is different from \TeX\ in this respect; since pdf\TeX\ 
+integrates most of the functionality of a DVI driver, it may be unable 
+to generate working \pdf output if the some Type~1 printer font file 
+is not available.
+
+
+\subsubsection{Bitmap screen font files}
+
+These files contain a low-resolution bitmap for drawing a
+representation of the font on the screen of your computer if ATM
+is not installed.  In the \TeX\ world, these files are only used
+for screen previews by the DVI driver.  They are kept in font
+suitcase files on Macintoshes.
+%\marginnote{And where on other computers?}
+
+
+\subsubsection{Adobe font metric files (\afm files)}
+
+These files are text files which contain information about the
+size of each character in a font, kerning and ligature
+information, and so on.  They can't be used by \TeX\ directly, but
+the information they contain is essential if you want to use a
+font with \TeX. \Fontinst can create from an \afm file the
+necessary \tfm and \vf files so you can use a font with \TeX.
+Once you have created all the files you need to use a font with
+\TeX, you can remove the corresponding \afm files from your
+computer unless you have other software that needs them.
+
+The job of turning an \afm file into a set of \tfm and \vf files
+is one of the main uses for \fontinst.  Most of this document is
+concerned with this process, so don't worry if it seems a bit
+vague at the moment.
+
+
+\subsubsection{\TeX\ font metric files (\tfm files)}
+
+These are binary data files in a format designed for use by \TeX\
+which contain (more-or-less) the same information as \afm files:
+the size of each character in a font (font metric data), kerning,
+and ligature information.
+
+When you select a font in \TeX, you are telling \TeX\ to typeset
+using a particular \tfm file; from \TeX's point of view, a \tfm
+file (and nothing else) \emph{is} a font.  \TeX\ itself doesn't
+see printer font files, screen bitmaps, \pk files, \vf files, or
+anything else to do with fonts: only \tfm files.
+
+\TeX\ uses these \tfm files to decide where to put characters when
+typesetting.  From \TeX's point of view, \tfm files are fonts,
+even though they contain no information about the shape of
+letters, and are not used by anything except \TeX\ -- once you
+have produced a \dvi file, you don't need the \tfm files to print
+it out.  (This is a slight lie: \dvips can read \tfm files
+corresponding to \PS and \TT fonts so it can modify the metrics
+slightly to improve the letterspacing at your chosen output
+resolution.  This is an optional minor tweak and not an essential
+part of the output process.)
+
+
+\subsubsection{Property list files (\pl files)}
+
+\pl files are human-readable text files which contain all the font
+metric, kerning, ligature, and other information needed to create
+a \tfm file.  You can convert between the two file formats using
+\tftopl and \pltotf.
+
+
+\subsubsection{Virtual font files (\vf files)}
+
+These are binary data files in a format designed for use by \TeX\
+\dvi drivers.  They're main purpose in life is to let you use
+fonts in different encodings to the standard \TeX\ encodings.
+These files are used by \dvi driver software only.
+
+They are used only by \dvi drivers to work out what it should
+\emph{really} print when you ask for a particular character. 
+Technically they are like subroutine libraries for \dvi drivers, 
+with one subroutine for each character in the virtual font: when 
+the \dvi driver sees a \dvi command to set a character from a virtual 
+font, it will execute a sequence of \dvi commands (the ``mapcommands 
+property'' of this character) that it reads in the \vf file. You need 
+not worry about the details of this, as \fontinst deals with them for 
+you. Creating and using virtual fonts is what this document is about,
+so don't worry if this doesn't make sense yet. (After all, how much 
+do you need to know about the inner workings of \dvi files to typeset 
+and print \TeX\ documents?)
+
+Each \vf file has a \tfm file with the same name.  To use a
+virtual font, you select the \tfm file as the font to use in your
+document.  When the \dvi driver comes across this \tfm file in the
+\dvi file, it looks up the \vf file and uses that to decide what
+to do.
+
+
+\subsubsection{Virtual property list files (\vpl files)}
+
+\vpl files are human-readable text files which contain all the
+font metric, kerning, mapping, and other information needed to
+create a \vf and \tfm pair.
+
+\vptovf will create a \vf/\tfm pair from a \vpl file.  \vftovp
+will create a \vpl from a \vf/\tfm pair.  \vftovp also needs to be
+able to read all the \tfm files that are referred to by a \vf to
+recreate the \vpl\ -- it looks at the checksums to verify that
+everything's okay.
+
+
+\subsubsection{Font definition files (\fd files)}
+
+These are files containing commands to tell \LaTeX\ which \tfm
+files to associate with a request for a font using \LaTeX's font
+selection commands.
+
+For example, here is a small and edited part of the \fd file
+supplied with \setpackagename{PSNFSS} to allow you to use the
+Adobe Times font in T1 encoding:
+
+\begin{verbatim}
+  \ProvidesFile{t1ptm.fd}
+      [1997/02/11 Fontinst v1.6 font definitions for T1/ptm.]
+
+  \DeclareFontFamily{T1}{ptm}{}
+
+  \DeclareFontShape{T1}{ptm}{m}{n} {<<->> ptmr8t}{}
+  \DeclareFontShape{T1}{ptm}{m}{it}{<<->> ptmri8t}{}
+  ...
+  \DeclareFontShape{T1}{ptm}{b}{n} {<<->> ptmb8t}{}
+  \DeclareFontShape{T1}{ptm}{b}{it}{<<->> ptmbi8t}{}
+  ...
+\end{verbatim}
+What this means is: when you use \LaTeX\ to select the font family
+|ptm| in T1 encoding in the medium series (|m|) and normal shape
+(|n|), \TeX\ uses the font \texttt{ptmr8t.tfm}.  Similarly, if you
+select bold italic, \TeX\ uses \texttt{ptmbi8t.tfm}.
+
+\LaTeX\ works out which \fd file to load based on the current
+encoding and font family selected.  If you've selected T1 encoded
+|ptm| like this:
+\begin{verbatim}
+  \fontencoding{T1}\fontfamily{ptm}\selectfont
+\end{verbatim}
+\LaTeX\ loads the file \url{t1ptm.fd} (if it doesn't exist, you're
+in trouble).  As you can see above, this file contains information
+so that \LaTeX\ knows which \tfm file to use.  So if you ask for,
+say, |T1/ptm/b/it| (T1 encoded Times-Roman, bold series, italic
+shape), you get the font \texttt{ptmbi8t}.
+
+You can find more about \fd files and \LaTeX's font selection commands
+at CTAN:
+\url{ftp://ftp.tex.ac.uk/tex-archive/macros/latex/base/fntguide.tex}
+and \url{ftp://ftp.tex.ac.uk/tex-archive/info/simple-nfss.tex} are
+both useful.
+
+
+\subsection{What does \fontinst do?}
+
+\fontinst creates \vpl and \pl files from \afm or \pl files to map
+any glyph or combination of glyphs in the original font files to
+any slot in the output font file.  There, isn't that better?  Off
+you go now\ldots
+
+If you're still confused, I'll explain a few things.
+\begin{description}
+\item[Glyph] 
+  A glyph is an image, often associated with one or several characters. 
+  Some examples of glyphs are: 
+  `A', `\textsf{A}', `$\mathcal{A}$', `B', `F', 
+  `{\usefont{OT1}{cmr}{m}{n}f}', 
+  `{\usefont{OT1}{cmr}{m}{n}fi}', `\~{}'.
+  Fonts are collections of glyphs. \Fontinst refers to glyphs by name.
+\item[Slot] 
+  This is jargon for `a numbered position in a font'. (What is 
+  important is the number, and that this number refers to a position 
+  in a font, but which font is usually irrelevant.)
+\item[Character]
+  The modern definition is that a character is the smallest component 
+  of written language that has semantic value. Speaking of a 
+  character, one refers to the abstract meaning and/or shape, rather 
+  than a specific shape.
+  
+  Since fonts have often contained a unique glyph for each character 
+  and each usable glyph has been assigned a particular slot, 
+  it is not uncommon (in particular in older terminology) to see the 
+  three mixed up, usually so that one says `character' where one of 
+  the other two would have been more correct. The \TeX-related font 
+  file formats is no exception, as you may see examples of elsewhere 
+  in this document.
+\item[Encoding] 
+  There are really two different encoding concepts that one encounters 
+  when using \fontinst. The differences are not great, and an 
+  encoding of one kind often corresponds to an encoding of the other 
+  kind, but it is not merely a matter of translation.
+  
+  A \emph{\LaTeX\ encoding} is a mapping from characters (or more 
+  formally \LaTeX\ Internal Character Representations) to slots. 
+  In the \texttt{OT1} encoding, `\o' (or more technically `|\o|') maps 
+  to slot~28, whereas in the \texttt{T1} encoding it maps to slot~248. 
+  This kind of encoding affects what \TeX\ is doing; \dvi drivers are 
+  not involved.
+  
+  A \emph{font encoding} (or \emph{encoding vector}) is a mapping from 
+  slots to glyph names. This is the kind of encoding that \fontinst 
+  primarily deals with, and also the kind of encoding that \dvi 
+  drivers make use of. \texttt{ot1.etx} associates slot~28 with 
+  `\texttt{oslash}', whereas \texttt{t1.etx} and \texttt{EC.enc} (one 
+  of several to \texttt{T1} corresponding encoding vectors that come 
+  with \dvips) associates slot~28 with `\texttt{fi}'.
+  
+  \LaTeX\ encodings occur in \fontinst only as names and only in 
+  relation to \fd files. It is unlikely that you will need to create 
+  one of your own. The mappings defined by font encodings are on the 
+  other hand of great importance and \etx files are used to direct 
+  the generation of virtual fonts. Advanced \fontinst users may well 
+  find that they need to create new font encodings to achieve their 
+  goals.
+\end{description}
+
+% You're probably familiar with ASCII
+% encoding, which has the letter `A' in slot~65, `B' in slot~66,
+% and so on.  That's it, really.  \TeX\ uses several different
+% encodings.  The most common ones are OT1 (the original \TeX\
+% 7~bit encoding) and T1 (the newer \TeX\ 8~bit encoding).
+% % -- much more on this later.
+
+The thing is that the average \PS font comes in Adobe standard
+encoding, which, for example, has the glyph dotless~i `\i' in
+slot~245.  But \TeX\ \texttt{T1} encoding expects the glyph o~dieresis
+`{\"o}' in that slot, and wants dotless~i in slot~25.  So if you
+tried to use a raw \PS font with \TeX, any time you tried to get
+a `{\"o}', you'd get a `\i'; and every time you tried to get a `\i',
+you'd get a blank, because Adobe standard encoding says that
+slot~25 is empty.  The process of dealing with this problem is
+called `re-encoding', and is what \fontinst helps with.
+
+This might not make much sense yet; the best thing to do is relax.
+There's a lot of things that need to be dealt with when you're
+setting up \LaTeX\ to use a new font, so you can expect to be a
+bit confused until you've done it a few times.
+
+
+\subsection{What do you do with \fontinst?}
+
+If you're using \fontinst, the usual steps you need to take to use
+an ordinary \PS text font with \LaTeX\ are these:
+
+\begin{enumerate}
+\item Give the \afm files an appropriate name.
+\item Use \fontinst to produce an |8r| encoded \pl files from
+  these \afm files.
+\item Use \fontinst to create T1 and OT1 encoded \pl and \vpl
+  files from the |8r| encoded \pl files (this procedure will also
+  create suitable \fd files).
+\item Use \pltotf to turn each \pl file into a \tfm file.
+\item Use \vptovf to turn each \vpl file into a pair of \vf and
+  \tfm files.
+\item Move the \tfm, \vf, and \fd files into the appropriate
+  directories so \LaTeX\ can see them.
+\item Tell your DVI driver about the new font (edit \dvips's
+  \texttt{psfonts.map} file, or \OzTeX's \texttt{Default}
+  configuration file.
+\item Perhaps write a package file to make selecting the new font
+  a little easier.
+\item Test it.
+\end{enumerate}
+
+
+\section{Fontmaking commands}
+
+There are three main types of files that you may write to control what 
+\fontinst does: \emph{command files} (usually with suffix 
+\setdotfilename{tex}), \emph{encoding definition files} (suffix 
+\setdotfilename{etx}), and \emph{metric files} (suffix 
+\setdotfilename{mtx}). Command files directly tell \fontinst to do 
+things, whereas the purpose of an encoding or metric file is more to 
+store data, but all three file types are technically sequences of 
+\TeX\ commands that \fontinst execute when reading the file. Normal 
+\TeX\ syntax rules apply in all three file types, although a few 
+commands may behave in unfamiliar ways.
+
+Within the command file category, it is possible to discern certain 
+subcategories. Most command files are written for one particular 
+task, but some are common pieces that have been factored out from 
+larger command files and are merely meant to be |\input| where 
+appropriate. (\setfilename{csc2x.tex} in the \fontinst distribution is 
+an example of this latter kind.) One may also distinguish between 
+command files that are made for use with \setfilename{fontinst.sty} 
+command definitions and command files that are made for use with 
+\setfilename{finstmsc.sty} command definitions. This section documents 
+the commands that are particular to the former category, whereas the 
+next section documents commands that are particular to the latter.
+
+
+\subsection{Install commands}
+
+The core fontmaking takes place within a block of ``install 
+commands''. (This name is a bit unfortunate since nothing is actually 
+installed; rather some files that need to be installed are generated.) 
+Such blocks have the structure
+\begin{quote}
+  |\installfonts|\\
+  \m{install commands}\\
+  |\endinstallfonts|
+\end{quote}
+The \m{install commands} describe the fonts, glyphs and encodings used
+to build fonts, whereas the purpose of the delimiting |\installfonts| 
+and |\endinstallfonts| are rather to organise the writing of \fd files.
+\begin{decl}
+  |\installfonts|\\
+  |\endinstallfonts|
+\end{decl}
+At |\installfonts|, \fontinst's internal list of \fd files to generate 
+are cleared. At |\endinstallfonts|, \fd files are written for those 
+combinations of encoding and font family that appeared in the 
+\meta{install commands}.
+
+\begin{hackernote}
+  |\installfonts|, |\endinstallfonts|, and the individual 
+  install commands between them also cooperate in a rather complicated 
+  grouping scheme to cache glyphbases. This may interfere with 
+  non-\fontinst commands in the \meta{install commands}. If for 
+  example an assignment to some |\tracing|\dots\ parameter here does 
+  not seem to have any effect, try making the assignment |\global|.
+\end{hackernote}
+
+The most important \meta{install command} is
+\begin{decl}
+  |\installfont|\arg{font-name}\arg{metrics-list}\arg{etx-list}\\
+  \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+  \arg{shape}\arg{size}
+\end{decl}
+This produces a \TeX\ virtual font called \m{font-name}. The 
+\meta{metrics-list} and the \meta{etx-list} determine this font, 
+whereas the other arguments specify how the \fd file will declare it 
+for \LaTeX. The \m{encoding}, \m{family}, \m{series}, and \m{shape} 
+are precisely the NFSS parameters. The \m{size} is either a shorthand 
+declared by \verb|\declaresize| (see below), or is an \fd size 
+specification.
+
+Like most \fontinst lists, the elements in the \meta{metrics-list} and 
+\meta{etx-list} are separated by commas (so-called comma-separated 
+lists). In their simplest form, the elements of these lists are file 
+names (minus suffixes): \mtx files in the \meta{metrics-list} and 
+\etx files in the \meta{etx-list}. First the \mtx files are processed 
+to build up a glyphbase, i.e., store definitions of glyphs and their 
+metric properties in memory, and then the \etx files are processed 
+(several times) to select a set of glyphs and write the corresponding 
+information to a \vpl file.
+
+For example, to install the T1-encoded Times Roman font
+(using \texttt{t1.etx} and \texttt{latin.mtx}), you say:
+\begin{verbatim}
+  \installfont{ptmr8t}{ptmr8r,latin}{t1}
+    {T1}{ptm}{m}{n}{}
+\end{verbatim}
+To install a OT1-encoded Times Roman font with a scaled version of
+Symbol for the Greek letters, you say:
+\begin{verbatim}
+  \installfont{zptmrsy}{ptmr8r,psyr scaled 1100,latin}{ot1}
+    {OT1}{ptm}{m}{n}{}
+\end{verbatim}
+
+As the second example indicates, there is more to the list items than 
+just file names. In the case of an metrics list item, the syntax 
+permits the two forms
+\begin{decl}
+  \meta{filename}\meta{optional modifiers}\\
+  |\metrics| \meta{metric commands}
+\end{decl}
+\NEWfeature{v1.923}
+where an \meta{optional modifier} is one of
+\begin{decl}
+  \verb*| scaled |\meta{rawscale factor}\\
+  \verb*| suffix |\meta{glyph name suffix}\\
+  \verb*| encoding |\meta{etx}\\
+  \verb*| option |\meta{string}
+\end{decl}
+A list item may contain several such modifiers, but most commonly it 
+does not contain any. The 
+\meta{metric commands} are explicit metric commands, as described in 
+Section~\ref{Sec:Metric}; this latter feature is meant for minor 
+adjustments that you don't want to bother creating a separate \mtx 
+file for.
+
+The \meta{filename} above primarily refers to a file 
+\meta{filename}\texttt{.mtx}, but that need not always exist before 
+executing the above command. If there exists a \pl, \afm, or \vpl file 
+with the right name then that is first converted to a corresponding 
+\mtx file. However, a special case occurs if there is an |encoding| 
+modifier: this forces conversion of a \pl or \vpl file even if an 
+\mtx file exists, and also forces using the specified \etx file when 
+assigning glyph names to the slots of that file. Normally the choice 
+of \etx file for such conversions to \mtx is based on 
+|\declareencoding| declarations.
+
+The |scaled| modifier sets the \texttt{rawscale} variable for the 
+processing of that file. This has the effect of scaling all raw 
+glyphs from that file to \meta{rawscale factor} per milles of their 
+previous size. The |suffix| modified causes the \meta{glyph name 
+suffix} to be implicitly appended to all glyphs defined by this file. 
+The |option| modifier adds the \meta{string} to the list of ``options'' 
+for this file. The |\ifoption| command can be used in the file to test 
+whether a particular string has been supplied as an option.
+
+\begin{hackernote}
+  In general, \fontinst commands process comma-separated list arguments 
+  by first splitting at commas and then fully expanding each item, but 
+  this \meta{metrics-list} argument is an exception. This is first 
+  fully expanded (|\edef|) and then split into items. The difference 
+  is that a macro used in this \meta{metrics-list} argument can expand 
+  to several list items, whereas a macro used in an ordinary 
+  comma-separated list argument can only expand to (part of) a single 
+  list item.
+  
+  The |\metrics| list items do however constitute an exception within 
+  this exception. These list items are in their entirety protected 
+  from the initial full expansion, so you don't have to worry about 
+  peculiar fragility errors there.
+\end{hackernote}
+
+The elements in the \meta{etx-list} have fewer variants, but there is 
+still a general syntax
+\begin{decl}
+  \meta{filename}\meta{optional modifiers}
+\end{decl}
+The only \meta{optional modifier} permitted is however
+\begin{decl}
+  \verb*| mtxasetx|
+\end{decl}
+and that is probably only relevant for use with |\installrawfont| (see 
+below).
+
+
+\begin{decl}
+  |\installfontas|\arg{font-name}\\%
+  \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+  \arg{shape}\arg{size}
+\end{decl}
+\NEWfeature{v1.912}
+This install command adds an \fd entry for the \meta{font-name}, but 
+it doesn't actually generate that font. Usually that font was 
+generated by a previous |\installfont|, and this is used to create 
+additional entries for the font.
+
+
+\begin{decl}
+  |\installrawfont|\arg{font-name}\arg{metrics-list}\arg{etx-list}\\
+  \hspace*{1.5em}\arg{encoding}\arg{family}\arg{series}%
+  \arg{shape}\arg{size}
+\end{decl}
+This is similar to |\installfont| except that it produces
+a \TeX\ raw font as \pl file rather than a virtual font. Often a \pl 
+font with the specified name will already exist when this command is 
+called, and that will then be overwritten. These two \pl files will 
+typically be somewhat different.
+The normal reason for using this command is that one wishes to 
+``refine'' the metrics of a font that was generated by transformation 
+commands.
+
+For example, to install an 8r-encoded Times Roman raw font
+(using \texttt{8r.etx} and \texttt{8r.mtx}), you say:
+\begin{verbatim}
+  \installrawfont{ptmr8r}{ptmr8r,8r}{8r}
+    {8r}{ptm}{m}{n}{}
+\end{verbatim}
+
+The effect of a
+\begin{decl}
+  \meta{filename}\verb*| mtxasetx|
+\end{decl}
+\NEWfeature{v1.923}
+in the \meta{etx-list} is not that \meta{filename}\texttt{.etx} is 
+read, but that \meta{filename}\texttt{.mtx} is read. The 
+interpretation of the commands in this file is however not the 
+customary, and almost the only thing paid attention to is the 
+correspondence between glyph names and slot numbers that is provided 
+by the |\setrawglyph| and |\setscaledrawglyph| commands; this 
+correspondence is treated as if it was given by |\setslot| \dots\ 
+|\endsetslot| commands in an \etx file. This is however only 
+guaranteed to work with transformable metric files.
+
+The purpose of this feature is to simplify installation of fonts with 
+very special encodings, such as ``Dingbat'' or ``Pi'' fonts. Instead 
+of creating an \etx file, which would probably only be useful with 
+that particular font, one can make use of the fact that the 
+interesting information is anyway available in the \mtx file. To 
+install Zapf Dingbats in their default encoding, one can thus say
+\begin{verbatim}
+  \installrawfont{pzdr}{pzdr}{pzdr mtxasetx}
+    {U}{pzd}{m}{n}{}
+\end{verbatim}
+
+Unlike the case with |\installfont|, which actually creates a real 
+(although virtual) font, |\installrawfont| can only create the 
+metrics for a font. The \dvi driver will require some other kind of 
+implementation of this font, usually an entry in some map file (e.g. 
+\texttt{psfonts.map}, in the case of \dvips) that links the \TeX\ font 
+name to e.g.\ a \PS\ font name and file. (Many \dvi drivers are 
+configured in such a way that they, without such a map file entry, 
+will call Metafont with the font name and thereby raise a sequence of 
+error messages about a \setdotfilename{mf} that doesn't exist. These 
+results are often rather confusing.)
+
+
+
+\begin{decl}
+  |\installfamily|\arg{encoding}\arg{family}\arg{fd-commands}
+\end{decl}
+This tells \fontinst to write an \fd file for the given combination 
+of encoding and family, and clears the internal list of entries to 
+put in that file. |\installfamily| commands usually come first in each 
+block of \meta{install commands}.
+
+For example, to produces a \LaTeX\ family with the Cork-encoded Times 
+family, you say:
+\begin{verbatim}
+  \installfamily{T1}{ptm}{}
+\end{verbatim}
+The \m{fd-commands} are executed every time a font in that family is
+loaded, for example to stop the Courier font from being hyphenated you
+say:
+\begin{verbatim}
+  \installfamily{T1}{pcr}{\hyphenchar\font=-1}
+\end{verbatim}
+In more recent versions of \fontinst, the |\installfamily| command is 
+only necessary if you want the \m{fd-commands} argument to be 
+nonempty, but it doesn't hurt to make it explicit.
+
+
+
+
+\subsection{Transformation commands}
+
+
+\begin{decl}
+  |\transformfont|\arg{font-name}\arg{transformed font}
+\end{decl}
+This makes a raw transformed font, for example expanded, slanted,
+condensed or re-encoded.  \emph{It is the responsibility of the device
+  driver to implement this transform.}  Each \verb|\transformfont|
+command writes out an \mtx file and a raw \pl file for \m{font-name}.
+
+A \m{transformed font} is given by the following commands:
+\begin{decl}
+  |\fromafm|\arg{afm}\\
+  |\fromany|\arg{whatever}\\
+  |\frompl|\arg{pl}\\
+  |\fromplgivenetx|\marg{pl}\marg{etx}\\
+  |\frommtx|\arg{mtx}
+\end{decl}
+This reads the metrics of a font which is about to be transformed from
+an external file. |\fromafm|, |\frompl|, and |\fromplgivenetx| write out 
+an \mtx file corresponding to the \afm or \pl file.  In addition, 
+|\formafm| also writes out a raw \pl file, containing just the glyph 
+metrics but no kerning information. |\fromplgivenetx| permits 
+specifying which encoding file to use when associating glyph names to 
+slots, whereas |\frompl| tries to guess this from the 
+\texttt{CODINGSCHEME} property of the \pl file. |\fromany| looks for 
+a file in any of the formats (in the order \mtx, \pl, \afm) and 
+behaves as the first |\from|\dots\ for which it found a file.
+
+A \m{transformed font} may also be one of the following:
+\begin{decl}
+  |\scalefont|\arg{integer expression}\arg{transformed font}\\
+  |\xscalefont|\arg{integer expression}\arg{transformed font}\\
+  |\yscalefont|\arg{integer expression}\arg{transformed font}\\
+  |\slantfont|\arg{integer expression}\arg{transformed font}
+\end{decl}
+This applies a geometric transformation to the font metrics of
+\m{transformed font}.  The scale factor or slant factor are given in
+1000 units to the design size.  Typical examples are 167 for slanted
+fonts or 850 for condensed fonts.
+
+The final case of a \m{transformed font} is:
+\begin{decl}
+  |\reencodefont|\arg{etx}\arg{transformed font}
+\end{decl}
+This rearranges the encoding vector of \m{transformed font} to match 
+the encoding given by the \etx file.
+
+
+For example, to create an oblique, |8r|-encoded version of Adobe Times
+called \texttt{ptmro8r} you say:
+\begin{verbatim}
+  \transformfont{ptmro8r}{\reencodefont{8r}{\slantfont{167}{\fromafm{ptmr8a}}}}
+\end{verbatim}
+This will create \texttt{ptmr8a.mtx}, \texttt{ptmr8a.pl},
+\texttt{ptmro8r.mtx} and \texttt{ptmro8r.pl}, which can then be used
+as raw fonts in \verb|\installfont| commands.  The same transformation
+can also be achieved in two steps:
+\begin{verbatim}
+  \transformfont{ptmr8r}{\reencodefont{8r}{\fromafm{ptmr8a}}}
+  \transformfont{ptmro8r}{\slantfont{167}{\frommtx{ptmr8r}}}
+\end{verbatim}
+This will create \texttt{ptmr8a.mtx}, \texttt{ptmr8a.pl},
+\texttt{ptmr8r.mtx}, \texttt{ptmr8r.pl}, \texttt{ptmro8r.mtx} and
+\texttt{ptmro8r.pl}.
+
+You will have to inform your device driver about the transformed font,
+using the syntax appropriate for that driver.  For example, in \dvips
+you add a line to \texttt{psfonts.map}:
+\begin{verbatim}
+  ptmro8r Times-Roman ".167 SlantFont TeXBase1Encoding ReEncodeFont" <<8r.enc
+\end{verbatim}
+
+
+\subsection{Miscellaneous settings}
+
+\begin{decl}
+  |\substitutesilent|\arg{to}\arg{from}\\
+  |\substitutenoisy|\arg{to}\arg{from}
+\end{decl}
+This declares a \LaTeX\ font substitution, that the series or shape
+\m{to} should be substituted if necessary by the series or shape
+\m{from}.  \verb|\substitutesilent| means that when the font
+substitution is made, no warning will given.
+
+\verb|\substitutenoisy| is the same as \verb|\substitutesilent|, but
+gives a warning when the substitution is made by \LaTeX.
+
+For example, to say that the series |bx| can be replaced by the
+series |b|, you say:
+\begin{verbatim}
+  \substitutesilent{bx}{b}
+\end{verbatim}
+To say that the shape |ui| can be replaced by the shape |i|, you say:
+\begin{verbatim}
+  \substitutenoisy{ui}{it}
+\end{verbatim}
+
+The following weight substitutions are standard:
+\begin{verbatim}
+  \substitutesilent{bx}{b}
+  \substitutesilent{b}{bx}
+  \substitutesilent{b}{sb}
+  \substitutesilent{b}{db}
+  \substitutesilent{m}{mb}
+  \substitutesilent{m}{l}
+\end{verbatim}
+The following shape substitutions are standard:
+\begin{verbatim}
+  \substitutenoisy{ui}{it}
+  \substitutesilent{it}{sl}
+  \substitutesilent{sl}{it}
+\end{verbatim}
+
+The |\installfontas| command should be considered as an 
+alternative to using font substitution, as it gives much finer 
+control over what \fd entries will be made.
+
+
+\begin{decl}
+  |\declaresize|\arg{size}\arg{fd-size-range}
+\end{decl}
+This declares a new size, and gives the \fd commands for it.  For
+example, \url{fontinst.sty} declares the following sizes:
+\begin{verbatim}
+  \declaresize{}{<<->>}
+  \declaresize{5}{<<5>>}
+  \declaresize{6}{<<6>>}
+  \declaresize{7}{<<7>>}
+  \declaresize{8}{<<8>>}
+  \declaresize{9}{<<9>>}
+  \declaresize{10}{<<10>>}
+  \declaresize{11}{<<10.95>>}
+  \declaresize{12}{<<12>>}
+  \declaresize{14}{<<14.4>>}
+  \declaresize{17}{<<17.28>>}
+  \declaresize{20}{<<20.74>>}
+  \declaresize{25}{<<24.88>>}
+\end{verbatim}
+
+\begin{decl}
+  |\declareencoding|\arg{string}\arg{etx}
+\end{decl}
+This declares which \etx file corresponds to which encoding
+string.  For example, \url{fontinst.sty} declares the following
+encoding strings:
+\begin{verbatim}
+  \declareencoding{TEX TEXT}{ot1}
+  \declareencoding{TEX TEXT WITHOUT F-LIGATURES}{ot1}
+  \declareencoding{TEX TYPEWRITER TEXT}{ot1tt}
+  \declareencoding{TEX MATH ITALIC}{oml}
+  \declareencoding{TEX MATH SYMBOLS}{oms}
+  \declareencoding{TEX MATH EXTENSION}{omx}
+  \declareencoding{EXTENDED TEX FONT ENCODING - LATIN}{t1}
+  \declareencoding{TEX TEXT COMPANION SYMBOLS 1---TS1}{ts1}
+  \declareencoding{TEXBASE1ENCODING}{8r}
+  \declareencoding{TEX TYPEWRITER AND WINDOWS ANSI}{8y}
+\end{verbatim}
+
+
+
+
+
+\subsection{Other}
+
+The following commands belong to this section, but there is currently 
+no description of them here.
+
+
+|\afmtomtx|\marg{afmfile}\marg{mtxfile}
+
+|\endrecordtransforms|
+
+|\endreglyphfonts|
+
+|\etxtopl|\marg{encoding list}\marg{plfile}
+
+|\etxtovpl|\marg{encoding list}\marg{vplfile}
+
+|\fakenarrow|\marg{width factor}
+
+|\generalpltomtx|\marg{plfile}\marg{mtxfile}\marg{plsuffix}\marg{opt-enc}
+
+|\killglyph|\marg{glyph}
+
+|\killglyphweighted|\marg{glyph}\marg{weight}
+
+|\latinfamily|\marg{family}\marg{commands}
+
+|\mtxtomtx|\marg{source MTX}\marg{destination MTX}
+
+|\mtxtopl|\marg{mtxfile}\marg{plfile}
+
+|\NOFILES|
+
+|\offmtxcommand|\marg{command}
+
+|\onmtxcommand|\marg{command}
+
+|\recordtransforms|\marg{filename}
+
+|\reglyphfont|\marg{destination font}\marg{source font}
+
+|\reglyphfonts|
+
+|\renameglyph|\marg{to}\marg{from}
+
+|\renameglyphweighted|\marg{to}\marg{from}\marg{weight}
+
+
+
+\section{Mapmaking commands}
+
+The following commands belong to this section, but there is currently 
+no description of them here. Note that several of them have a 
+different syntax and meaning than they do in fontmaking command files.
+
+|\adddriver|\marg{driver name}\marg{fragment file name}
+
+|\AssumeAMSBSYY|
+
+|\AssumeBaKoMa|
+
+|\AssumeLWFN|
+
+|\AssumeMetafont|
+
+|\debugvalue|\arg{name}
+
+|\declarepsencoding|\marg{etx}\marg{postscript name}\marg{action}
+
+|\donedrivers|
+
+|\download|\marg{file}
+
+|\enctoetx|\marg{encfile}\marg{etxfile}
+
+|\etxtoenc|\marg{etxfile}\marg{encfile}
+
+|\fromafm|\marg{AFM name}\marg{PS name}
+
+|\frompl|\marg{PL name}
+
+|\frommtx|\marg{MTX name}
+
+|\fromvpl|
+
+|\makemapentry|\marg{\TeX\ font name}
+
+|\reencodefont|\marg{etx}
+
+|\reglyphfont|
+
+|\specifypsfont|\marg{PS font name}\marg{actions}
+
+|\storemapdata|\marg{\TeX\ font name}\marg{source}\marg{transforms}
+
+|\transformfont|\marg{x-scale}\marg{slant-scale}
+
+
+
+\section{General commands}
+
+
+
+This section describes commands and mechanisms that are the same in 
+all file types. Commands that are particular for one type of file are 
+described in subsequent sections.
+
+
+\subsection{Variables}
+
+Many (but not all) of the activities \fontinst perform can be 
+understood as either ``setting variables'' or ``formatting and writing 
+to file data stored in some variable''. The accessing of variables is 
+an important aspect of how \fontinst works.
+
+Variables come in different types and variables of different types 
+live in different namespaces; |\int{foo}|, |\str{foo}|, and 
+|\dim{foo}| refer to three different variables which are all named 
+|foo|. Variables are either set or not set. Unless the contrary is 
+stated explicitly, variables default to not being set. It is an error 
+to access the value of a variable that has not been set. \Fontinst 
+variable assignments are as a rule local, i.e., will be undone when 
+the enclosing \TeX\ group is ended. Most command file commands that 
+cause files to be read will begin a group before reading the file(s) 
+and end the group at some point after having read them.
+
+Taking string variables as an example, there are three commands for 
+changing a string variable:
+\begin{decl}
+  |\setstr|\arg{name}\arg{string expression}\\
+  |\resetstr|\arg{name}\arg{string expression}\\
+  |\unsetstr|\arg{name}
+\end{decl}
+The |\resetstr| command unconditionally sets the string variable 
+\meta{name} to the full expansion of the \meta{string expression}. 
+The |\unsetstr| command unconditionally renders the string variable 
+\meta{name} unset. If the the string variable \meta{name} is 
+currently unset then the |\setstr| command will set it to the full 
+expansion of the \meta{string expression}, but if it already is set 
+then |\setstr| does nothing.
+
+This pattern with three commands, one |\set|\dots\ which only sets 
+unset variables, one |\reset|\dots\ which sets variables regardless of 
+whether they have been set or not, and one |\unset|\dots\ which unsets 
+variables is recurring in \fontinst. Variables are most commonly set 
+using some |\set|\dots\ command; this has the effect that the first 
+command to try to set a variable is the one which actually sets it. 
+
+
+
+% \subsection{Argument types}
+% 
+% There are roughly five types of arguments that \fontinst 
+% commands can take. These are
+% \begin{itemize}
+%   \item integer expressions,
+%   \item string expressions,
+%   \item dimensions,
+%   \item commands (i.e., \TeX\ control sequences), and
+%   \item other (pretty much ``none of the above'').
+% \end{itemize}
+% The most common form of an integer expression is simply a \TeX\ 
+% \meta{number} and the most common form of a string expression is 
+% simply a sequence of character tokens, but there are more complicated 
+% forms. Dimensions are simply \TeX\ \meta{dimen}s; their use is rather 
+% limited. Common to integer expressions, string expressions, and 
+% dimensions is that these argument types get expanded during 
+% evaluation (in the case of string expressions, this expansion 
+% \emph{is} the evaluation), which means one can use macros in 
+% arguments of these types.
+% 
+% Command arguments do not get expanded---they are mainly used with 
+% commands that modify the definitions of other commands. As for the 
+% ``other'' arguments one cannot give any rules: they might get 
+% expanded, but it could also happen that they won't.
+
+
+
+
+
+% There are three types of files used by the \fontinst package:
+% \begin{itemize}
+% \item \emph{fontinst files} contain commands to process fonts
+%   metrics so you can use a font with \TeX. For example,
+%   \texttt{fontptcm.tex} is a \emph{fontinst file}.
+% 
+% \item \emph{encoding files} contain information about an encoding,
+%   including the code table, ligatures, and font dimensions.  For
+%   example, \texttt{8r.etx} is an \emph{encoding file}.
+% 
+% \item \emph{metric files} contain information about glyphs,
+%   including glyph dimensions, composite characters, and kerning.
+%   For example, \texttt{latin.mtx} is a \emph{metric file}.
+% \end{itemize}
+
+
+\subsection{General commands}
+
+The following \emph{general commands} can be used anywhere:
+
+\begin{decl}
+  |\needsfontinstversion|\arg{version}
+\end{decl}
+This issues a warning if the current version of the \fontinst
+package is less than \m{version}.
+
+\begin{decl}
+  |\setdim|\arg{dim}\arg{dimension}\\
+  |\setint|\arg{int}\arg{integer expression}\\
+  |\setstr|\arg{str}\arg{string}
+\end{decl}
+If the dimension variable \m{dim} is currently undefined, it is
+defined to be the current value of \m{dimension}.
+
+If the integer variable \m{int} is currently undefined, it is
+defined to be the current value of \m{integer expression}.
+
+If the string variable \m{str} is currently undefined, it is
+defined to be the current value of \m{string}.
+
+\begin{decl}
+  |\setcommand|\arg{command}\meta{parameter text}\arg{replacement text}
+\end{decl}
+If the command \m{command} is currently undefined, it is defined
+to be the \m{definition}.  This uses the same syntax for
+parameters as the \TeX\ \verb|\def| command.
+\begin{center}
+  \begin{tabular}{r l}
+    No. parameters& \meta{parameter text}\\
+    0& (empty)\\
+    1& |#1|\\
+    2& |#1#2|\\
+    3& |#1#2#3|\\
+    \multicolumn{2}{c}{and so on.}
+  \end{tabular}
+\end{center}
+
+\begin{decl}
+  |\resetdim|\arg{dim}\arg{dimension}\\
+  |\resetint|\arg{int}\arg{integer expression}\\
+  |\resetstr|\arg{str}\arg{string}
+\end{decl}
+The dimension variable \m{dim} is defined to be the current value
+of \m{dimension}.
+
+The integer variable \m{int} is defined to be the current value of
+\m{integer expression}.
+
+The string variable \m{str} is defined to be the current value of
+\m{string}.
+
+\begin{decl}
+  |\resetcommand|\arg{command}\meta{parameter text}\arg{replacement text}
+\end{decl}
+The command \m{command} is defined to be the \m{definition},
+regardless of whether it was already defined or not.  This is a
+synonym for the \TeX\ \verb|\def| command.
+
+\begin{decl}
+  |\ifisint|\arg{int}|\then|\\
+  |\ifisdim|\arg{dim}|\then|\\
+  |\ifisstr|\arg{str}|\then|\\
+  |\ifisglyph|\arg{glyph}|\then|\\
+  |\ifiscommand|\arg{command}|\then|
+\end{decl}
+Expands out to \verb|\iftrue| if the integer variable
+\m{int} is defined, and \verb|\iffalse| otherwise.
+
+Expands out to \verb|\iftrue| if the dimension variable
+\m{dim} is defined, and \verb|\iffalse| otherwise.
+
+Expands out to \verb|\iftrue| if the string variable
+\m{str} is defined, and \verb|\iffalse| otherwise.
+
+Expands out to \verb|\iftrue| if the glyph variable
+\m{glyph} is defined, and \verb|\iffalse| otherwise.
+
+Expands out to \verb|\iftrue| if the command
+\m{command} is defined, and \verb|\iffalse| otherwise.
+
+\begin{decl}
+  |\unsetdim|\arg{dim}\\
+  |\unsetint|\arg{int}\\
+  |\unsetstr|\arg{str}\\
+  |\unsetcommand|\arg{command}
+\end{decl}
+Makes \m{dim}, \m{int}, \m{str}, or \m{command} an undefined
+dimension, integer, string or command.
+
+\subsection{Integer expressions}
+\label{Sec:integer}
+
+The \emph{integer expressions} provide a user-friendly syntax for
+\TeX\ arithmetic.  They are used to manipulate any integers,
+including glyph dimensions, which are given in \afm units, that is
+1000 to the design size.  \TeX\ \pl fonts have their dimensions
+converted to \afm units automatically.
+
+The \emph{integer expressions} are:
+
+\begin{decl}
+  \m{number}
+\end{decl}
+Returns the value of a \TeX\ \m{number} (as explained in \emph{The \TeX book}).
+
+\begin{decl}
+  |\int|\arg{int}
+\end{decl}
+Returns the value of the integer variable \m{int}.
+
+\begin{decl}
+  |\width|\arg{glyph}\\
+  |\height|\arg{glyph}\\
+  |\depth|\arg{glyph}\\
+  |\italic|\arg{glyph}
+\end{decl}
+Returns the width, height, depth, or italic correction of the glyph
+variable \m{glyph}.
+
+\begin{decl}
+  |\kerning|\arg{left}\arg{right}
+\end{decl}
+Returns the kerning between the \m{left} and \m{right} glyph
+variables.
+
+\begin{decl}
+  |\neg|\arg{integer expression}\\
+  |\add|\arg{integer expression}\arg{integer expression}\\
+  |\sub|\arg{integer expression}\arg{integer expression}\\
+  |\max|\arg{integer expression}\arg{integer expression}\\
+  |\min|\arg{integer expression}\arg{integer expression}\\
+  |\mul|\arg{integer expression}\arg{integer expression}\\
+  |\div|\arg{integer expression}\arg{integer expression}\\
+  |\scale|\arg{integer expression}\arg{integer expression}\\
+  |\half|\arg{integer expression}\\
+  |\otherhalf|\arg{integer expression}
+\end{decl}
+|\neg| returns the negation of the \m{integer expression}.
+
+|\ad| returns the sum of the two \m{integer expression}s.
+
+|\sub| returns the first \m{integer expression} minus the second.
+
+|\mul| returns the product of the two \m{integer expression}s.
+
+|\div| returns the first \m{integer expression} divided by the second.
+
+|\scale| returns the first \m{integer expression} times the second,
+divided by 1000.
+
+
+\subsection{Other}
+
+The following commands belong to this section, but there is currently 
+no description of them here.
+
+|\begincomment|
+
+|\bye|
+
+|\Else|
+
+|\endcomment|
+
+|\endfor|\parg{name}
+
+|\eTeX|\marg{version number}
+
+|\Fi|
+
+|\fontinstcc|
+
+|\fontinsterror|\marg{subsystem}\marg{error}\marg{help}
+
+|\fontinstinfo|\marg{subsystem}\marg{info}
+
+|\fontinstwarning|\marg{subsystem}\marg{warning}
+
+|\fontinstwarningnoline|\marg{subsystem}\marg{warning}
+
+|\for|\parg{name}\marg{start}\marg{stop}\marg{step}
+
+|\foreach|\parg{name}\marg{csep-list}
+
+|\ifareglyphs|\marg{glyph list}|\then|
+
+|\ifiskern|\marg{glyph1}\marg{glyph2}|\then|
+
+|\ifnumber|\marg{integer expression}\meta{rel}%
+\marg{integer expression}|\then|
+
+|\ifoption|\marg{string}|\then|
+
+|\input| \meta{file name}
+
+|\messagebreak|
+
+|\needsTeXextension|\marg{extension tests}\marg{who}
+
+|\normalcc|
+
+|\offcommand|\marg{command}
+
+|\oncommand|\marg{command}
+
+|\pdfTeX|\marg{version number}\marg{revision}
+
+|\strint|\arg{int}
+
+
+
+\section{Encoding files}
+
+An \emph{encoding file} (or \texttt{.etx} file) is a \TeX\ document
+consisting of:
+
+\begin{decl}
+  |\relax|\\
+  \emph{ignored material}\\
+  |\encoding|\\
+  \m{encoding commands}\\
+  |\endencoding|\\
+  \emph{ignored material}
+\end{decl}
+This describes the encoding of a font, using the \m{encoding
+  commands}.
+
+Since the encoding file ignores any material between \verb|\relax| and
+\verb|\encoding|, an \emph{encoding file} can also be a \LaTeX\
+document.
+
+See also the descriptions in \texttt{encspecs.tex}.
+
+
+\subsection{Encoding commands}
+
+The \m{encoding commands} are:
+
+\begin{decl}
+  |\nextslot|\arg{integer expression}
+\end{decl}
+Sets the number of the next slot.  If there is no \verb|\nextslot|
+command, the number is the successor of the previous slot.
+
+\begin{decl}
+  |\skipslots|\arg{integer expressions}
+\end{decl}
+\NEWfeature{v1.8}
+Advances the number of the next slot.
+
+\begin{decl}
+  |\setslot|\arg{glyph}\\
+  \m{slot commands}\\
+  |\endsetslot|
+\end{decl}
+Sets the slot of the \m{glyph}.  The \m{slot commands} describe
+the glyph, and give its usage in \TeX.
+
+\begin{decl}
+  |\inputetx|\arg{file}
+\end{decl}
+Inputs the \m{encoding commands} of \m{file}\texttt{.etx}.
+
+
+
+\subsection{Slot commands}
+
+The \m{slot commands} are:
+
+\begin{decl}
+  |\comment|\arg{text}
+\end{decl}
+A comment, which is ignored by \fontinst.
+
+\begin{decl}
+  |\label|\arg{text}
+\end{decl}
+A reference label. Ignored by \fontinst.
+
+\begin{decl}
+  |\ligature|\arg{ligtype}\arg{glyph}\arg{glyph}\\
+  |\Ligature|\arg{ligtype}\arg{glyph}\arg{glyph}\\
+  |\oddligature|\marg{note}\arg{ligtype}\arg{glyph}\arg{glyph}
+\end{decl}
+Specifies a ligature of type \m{ligtype} from the current glyph
+followed by the first glyph to the second glyph.  The \m{ligtype}s are
+as in \vpl files (see the \texttt{vptovf} Web source for more
+details).  For example:
+\begin{verbatim}
+  \setslot{ff}
+    \ligature{LIG}{i}{ffi}
+    \ligature{LIG}{l}{ffl}
+    \comment{The `ff' ligature.}
+  \endsetslot
+\end{verbatim}
+
+\begin{decl}
+  |\makerightboundary|\arg{glyph}
+\end{decl}
+
+\begin{decl}
+  |\Unicode|\marg{code point}\marg{name}
+\end{decl}
+
+
+\begin{decl}
+  |\usedas|\arg{type}\arg{control sequence}
+\end{decl}
+\NEWfeature{Obsolete?!}
+Sets the \TeX\ control sequence for this slot, with the \emph{type}
+taken from:
+\begin{verbatim}
+  char       accent     mathord
+  mathbin    mathrel    mathopen
+  mathclose  mathpunct  mathvariable
+  mathaccent mathdelim
+\end{verbatim}
+
+\begin{decl}
+  |\nextlarger|\arg{glyph}
+\end{decl}
+Sets a \textsc{nextlarger} entry from the current slot to the
+\m{glyph}.
+
+\begin{decl}
+  |\varchar|\\
+  \m{varchar commands}\\
+  |\endvarchar|
+\end{decl}
+Sets a \textsc{varchar} entry for the current slot, using the
+\m{varchar commands}.  The \m{varchar commands} are:
+\begin{decl}
+  |\vartop|\arg{glyph}\\
+  |\varmid|\arg{glyph}\\
+  |\varbot|\arg{glyph}\\
+  |\varrep|\arg{glyph}
+\end{decl}
+Sets the top, middle, bottom, or repeated \m{glyph} of the
+\textsc{varchar}.
+
+
+\subsection{Other}
+
+The following commands belong to this section, but there is currently 
+no description of them here.
+
+|\endsetleftboundary|
+
+|\ifdirect|
+
+|\ifisinslot|\marg{glyph}\marg{slot}|\then|
+
+|\resetslotcomment|\marg{text}
+
+|\setfontdimen|\marg{fontdimen no.}\marg{integer variable}
+
+|\setleftboundary|\marg{glyph}
+
+|\setslotcomment|\marg{text}
+
+|\useexamplefont|\marg{font}
+
+|\unsetslotcomment|
+
+
+
+\section{Metric files}
+\label{Sec:Metric}
+
+
+A \emph{metric file} (or \texttt{.mtx} file) is a \TeX\ document
+consisting of:
+
+\begin{decl}
+  |\relax|\\
+  \emph{ignored material}\\
+  |\metrics|\\
+  \m{metric commands}\\
+  |\endmetrics|\\
+  \emph{ignored material}
+\end{decl}
+This describes the glyphs in a font, using the \m{metric commands}.
+
+Metric files are usually either \emph{hand-crafted} or 
+\emph{transformable}. The transformable metric files typically encode 
+the metrics of one particular font and are automatically generated. 
+Hand-crafted metric files (such as \setfilename{latin.mtx}) typically 
+do not contain much explicit metric data, instead the code there makes 
+use of metrics previously specified by other files to construct new 
+glyphs or adjust metrics to meet special conditions. Whereas 
+transformable metric files tend to be mere lists of metric data, the 
+hand-crafted metric files are more like programs.
+
+
+\subsection{Metric commands}
+
+The \m{metric commands} are:
+
+\begin{decl}
+  |\setglyph|\arg{name}\\
+  \m{glyph commands} \\
+  |\endsetglyph|
+\end{decl}
+If the glyph called \m{name} is undefined, it is built using the
+\m{glyph commands} given below, for example:
+\begin{verbatim}
+  \setglyph{IJ}
+     \glyph{I}{1000}
+     \glyph{J}{1000}
+  \endsetglyph
+  \setglyph{Asmall}
+     \glyph{A}{850}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\resetglyph|\arg{name}\\
+  \m{glyph commands}\\
+  |\endsetglyph|
+\end{decl}
+Gives the definition of the glyph called \m{name} using the
+\m{glyph commands}.
+
+\begin{decl}
+  |\unsetglyph|\arg{name}
+\end{decl}
+Makes the glyph called \m{name} undefined.
+
+\begin{decl}
+  |\setrawglyph|\arg{name}\arg{font}\arg{dimen}\arg{integer}\\
+    \arg{integer}\arg{integer}\arg{integer}\arg{integer}\\
+  |\setscaledrawglyph|\arg{name}\arg{font}\arg{dimen}\arg{integer}\arg{integer}\\
+    \arg{integer}\arg{integer}\arg{integer}\arg{integer}
+\end{decl}
+This sets a glyph called \m{name} from the \m{font}, which has the
+given design size, slot, width, height, depth and italic correction.
+If the integer variable \texttt{rawscale} is set, the glyph will be
+scaled by that amount.  This command will usually be generated
+automatically from an \afm or \pl file.
+
+\begin{decl}
+  |\setnotglyph|\arg{name}\arg{font}\arg{dimen}\\
+    \arg{integer}\arg{integer}\arg{integer}\arg{integer}\\
+  |\setscalednotglyph|\arg{name}\arg{font}\arg{dimen}\arg{integer}\arg{integer}\\
+    \arg{integer}\arg{integer}\arg{integer}\arg{integer}
+\end{decl}
+This sets a glyph called \m{name}\texttt{-not}, which is present in
+the \m{font}, but is not in the default encoding.  It takes the same
+arguments as \verb|\setrawglyph|, although the slot will normally be
+$-1$.  This command will usually be generated automatically from an
+\afm file.
+
+\begin{decl}
+  |\setkern|\arg{glyph}\arg{glyph}\arg{integer expression}\\
+  |\resetkern|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+|\setkern| sets a kern between the two glyphs, scaled by the current 
+value of \texttt{rawscale}, unless such a kern already has been set.
+
+
+\begin{decl}
+  |\setleftkerning|\arg{glyph}\arg{glyph}\arg{integer expression}\\
+  |\setrightkerning|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+Sets the amount by which the first glyph should mimic how the second
+glyph kerns on the left or right, for example:
+\begin{verbatim}
+  \setleftkerning{Asmall}{A}{850}
+  \setrightkerning{Asmall}{A}{850}
+  \setleftkerning{IJ}{I}{1000}
+  \setrightkerning{IJ}{J}{1000}
+\end{verbatim}
+Sets the amount by which the first glyph should mimic how the second
+glyph kerns on the right, for example:
+
+\begin{decl}
+  |\setleftrightkerning|\arg{glyph}\arg{glyph}\arg{integer expression}
+\end{decl}
+\NEWfeature{v1.8}
+Sets the amount by which the first glyph should mimic how the second
+glyph kerns on both sides, for example:
+\begin{verbatim}
+  \setleftrightkerning{Asmall}{A}{850}
+\end{verbatim}
+
+\begin{decl}
+  |\noleftkerning|\arg{glyph}\\
+  |\norightkerning|\arg{glyph}\\
+  |\noleftrightkerning|\arg{glyph}
+\end{decl}
+\NEWfeature{v1.9}
+Removes all kerning on the specified side(s) of the \meta{glyph}.
+
+\begin{decl}
+  |\inputmtx|\arg{file}
+\end{decl}
+Inputs the \m{metric commands} of \m{file}\texttt{.mtx}.
+
+
+
+\subsection{Glyph commands}
+
+The \m{glyph commands} are:
+
+\begin{decl}
+  |\glyph|\arg{glyph}\arg{integer expression}
+\end{decl}
+Sets the named glyph \m{glyph} at the given scale, with 1000 as the
+natural size.  This:
+\begin{itemize}
+\item Advances the current glyph width.
+\item Sets the current glyph height to be at least the height of the
+  named glyph, adjusted for the current vertical offset.
+\item Sets the current glyph depth to be at least the depth of the
+  named glyph, adjusted for the current vertical offset.
+\item Sets the current glyph italic correction to be the same as the
+  set glyph.
+\end{itemize}
+The named glyph must have already been defined, otherwise an error
+will occur.  For example:
+\begin{verbatim}
+  \setglyph{fi}
+    \glyph{f}{1000}
+    \glyph{i}{1000}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\glyphrule|\arg{integer expression}\arg{integer expression}
+\end{decl}
+Sets a rule of the given width and height, for example:
+\begin{verbatim}
+  \setglyph{underline}
+    \glyphrule{333}{40}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\glyphspecial|\arg{text}
+\end{decl}
+Sets a driver-dependent \verb|\special|, for example:
+\begin{verbatim}
+  \setglyph{crest}
+    \glyphspecial{Filename: crest.eps}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\glyphwarning|\arg{text}
+\end{decl}
+Sets a warning \verb|\special|, and produces a warning message each
+time the glyph is used, for example:
+\begin{verbatim}
+  \setglyph{missingglyph}
+    \glyphrule{500}{500}
+    \glyphwarning{Missing glyph `missingglyph'}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\movert|\arg{integer expression}
+\end{decl}
+Moves right by the given amount, and advances the current glyph width,
+for example:
+\begin{verbatim}
+  \setglyph{Asmall}
+    \movert{50}
+    \glyph{A}{700}
+    \movert{50}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\moveup|\arg{integer expression}
+\end{decl}
+Moves up by the given amount, and advances the current vertical
+offset.  Each glyph should always end at vertical offset zero, for
+example:
+\begin{verbatim}
+  \setglyph{onehalf}
+    \moveup{500}
+    \glyph{one}{700}
+    \moveup{-500}
+    \glyph{slash}{1000}
+    \moveup{-200}
+    \glyph{two}{700}
+    \moveup{200}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\push|\\
+  \m{glyph commands}\\
+  |\pop|
+\end{decl}
+Performs the \m{glyph commands} without adjusting the current position
+or glyph width, for example:
+\begin{verbatim}
+  \setglyph{aacute}
+    \push
+      \movert{\div{\sub{\width{a}}{\width{acute}}}{2}}
+      \glyph{acute}{1000}
+    \pop
+    \glyph{a}{1000}
+  \endsetglyph
+\end{verbatim}
+
+\begin{decl}
+  |\glyphpcc|\arg{glyph}\arg{integer expression}\arg{integer expression}
+\end{decl}
+This is generated from \texttt{PCC} instructions in an \afm file, and
+is syntactic sugar for:
+\begin{quote}
+\begin{small}
+|\push|\\
+|\movert|\arg{first integer expression}\\
+|\moveup|\arg{second integer expression}\\
+|\glyph|\arg{glyph}|{1000}|\\
+|\pop|
+\end{small}
+\end{quote}
+
+\begin{decl}
+  |\resetwidth|\arg{integer expression}\\
+  |\resetheight|\arg{integer expression}\\
+  |\resetdepth|\arg{integer expression}\\
+  |\resetitalic|\arg{integer expression}
+\end{decl}
+Sets the width, height, depth, or italic correction of the current
+glyph.
+
+\begin{decl}
+  |\samesize|\arg{glyph}
+\end{decl}
+Sets the dimensions of the current glyph to be the same as \m{glyph}.
+
+Inside the definition of \m{glyph}, you can use expressions such as
+|\width|\arg{glyph}, which will refer to the glyph defined so far.
+For example, a display summation sign can be defined to be a text
+summation $\sum$ scaled 120\% with 0.5\,pt extra height and depth
+using:
+\begin{verbatim}
+  \setglyph{summationdisplay}
+    \glyph{summationtext}{1200}
+    \resetheight{\add{\height{summationdisplay}}{50}}
+    \resetdepth{\add{\depth{summationdisplay}}{50}}
+  \endsetglyph
+\end{verbatim}
+Within a |\resetglyph|, these expressions will refer to the previous
+definition of the glyph.  For example, you can add sidebearings to the
+letter `A' with:
+\begin{verbatim}
+  \resetglyph{A}
+    \movert{25}
+    \glyph{A}{1000}
+    \movert{25}
+  \endresetglyph
+\end{verbatim}
+
+
+\subsection{Other}
+
+The following commands belong to this section, but there is currently 
+no description of them here.
+
+|\aliased|\marg{font's name}\marg{alias name}
+
+|\ProvidesMtxPackage|\marg{package~name}
+
+|\unsetkerns|\marg{left~glyph~list}\marg{right~glyph~list}
+
+|\usemtxpackage|\marg{package~list}
+
+
+
+\section{\textsf{fontdoc} commands}
+
+|\macroparameter|\marg{digit}
+
+|\plaindiv|
+
+|\plainint|
+
+|\plainmax|
+
+|\plainmin|
+
+|\showbranches|
+
+|\slotexample|
+
+|\textunicode|\marg{code point}\marg{name}
+
+
+
+\section{\fontinst variables}
+
+The following is a list of the \fontinst variables that are 
+accessible for the user through the |\set|\textellipsis, 
+|\reset|\textellipsis, |\unset|\textellipsis, etc.\ commands. You may 
+of course set or use other variables in the MTX and ETX files you 
+write yourself, as does for example the standard MTX file 
+\texttt{latin.mtx}, but all variables that \fontinst commands 
+implicitly use or set are listed below.
+
+\begin{list}{}{%
+   \setlength\labelwidth{0pt}%
+   \setlength\itemindent{-\leftmargin}%
+   \setlength\parsep{0pt}
+   \def\makelabel#1{\hspace\labelsep \normalfont\ttfamily #1}%
+}
+  \item[acccapheight] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The height of accented full capitals.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[address] (string)
+    \begin{smalldes}
+      \item[Description] Snailmail address put in \BibTeX-style file 
+        header of automatically generated ENC files. No 
+        \texttt{address} field is written unless the \texttt{address} 
+        string is set. Quotes are not automatically inserted around 
+        the \texttt{address} string.
+      \item[Set by] ETX files.
+      \item[Used by] The ETX-to-ENC converter.
+    \end{smalldes}
+  \item[afm-name] (string)
+    \begin{smalldes}
+      \item[Description] Name of source font. Internal variable.
+      \item[Set by] |\from|\dots\ commands.
+      \item[Used by] The |\transform|\-|font|, |\install|\-|font|, 
+        |\install|\-|raw|\-|font|, and |\reglyph|\-|font| commands.
+    \end{smalldes}
+  \item[ascender] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The ascender height of the font.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this integer.
+      \item[Used by] Some MTX and ETX files.
+    \end{smalldes}
+  \item[author] (string)
+    \begin{smalldes}
+      \item[Description] Author name(s) put in \BibTeX-style file 
+        header of automatically generated ENC files. See the macro 
+        |\ref_to_sourcefile| for more details.
+      \item[Set by] ETX files.
+      \item[Used by] The ETX-to-ENC converter. When not set, the 
+        value \texttt{"See file }\meta{etx name}\texttt{"} is used 
+        instead.
+    \end{smalldes}
+  \item[\cs{autoinstallfamily}] (command)
+    \begin{smalldes}
+      \item[Description] Command called by the font installation 
+        commands, as
+        \begin{quote}
+          |\autoinstallfamily|\marg{encoding}\marg{family}
+        \end{quote}
+        when they are asked to install a font with a combination of 
+        \meta{encoding} and \meta{family} that has not been seen 
+        before (there was no explicit |\installfamily|).
+      \item[Set by] Explicit commands. Defaults to calling 
+        |\installfamily|.
+      \item[Used by] Font installation commands.
+    \end{smalldes}
+  \item[axisheight] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{22}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[baselineskip] (integer denoting length)
+    \begin{smalldes}
+      \item[Description]
+        The font designer's recommendation for natural length of the 
+        \TeX\ parameter |\baselineskip|.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[bigopspacing1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{9}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[bigopspacing2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{10}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[bigopspacing3] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{11}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[bigopspacing4] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{12}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[bigopspacing5] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{13}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[capheight] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The height of the font's full capitals.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this variable.
+      \item[Used by] Some MTX and ETX files.
+    \end{smalldes}
+  \item[codingscheme] (string)
+    \begin{smalldes}
+      \item[Description] The codingscheme name.
+      \item[Set by] ETX files.
+      \item[Used by] The (V)PL writer. When not set, the 
+        value \texttt{UNKNOWN} is used instead.
+    \end{smalldes}
+  \item[defaultrulethickness] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\xi\sb{8}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[delim1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{20}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[delim2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{21}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[denom1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{11}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[denom2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{12}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[descender] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The depth of lower case letters with descenders.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[descender\_neg] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The vertical position of the descender line 
+        of the font, i.e., the negative of the font's descender depth.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this variable.
+      \item[Used by] Some MTX and ETX files.
+    \end{smalldes}
+  \item[designsize] (dimension)
+    \begin{smalldes}
+      \item[Description] The design size of the font.
+      \item[Set by] MTX files. The (V)PL-to-MTX converter usually writes 
+        |\setdim| commands for this variable.
+      \item[Used by] The (V)PL writer. The design size defaults to 
+        $10\,\mathrm{pt}$ if this variable is not set.
+      \item[Note] The value of this variable has no effect on how 
+        the font is declared to \LaTeX.
+    \end{smalldes}
+  \item[designunits] (dimension denoting a real number)
+    \begin{smalldes}
+      \item[Description] The design size of a font expressed in the 
+        design unit used in a (V)PL file. 
+      \item[Set by] MTX files. The (V)PL-to-MTX converter usually writes 
+        |\setdim| commands for this variable.
+      \item[Used by] Nothing. If this variable is set, but to any 
+        value other than $1\,\mathrm{pt}$, then some metrics are most 
+        likely wrong.
+    \end{smalldes}
+  \item[digitwidth] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The median width of the digits in the font.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[email] (string)
+    \begin{smalldes}
+      \item[Description] Email address put in \BibTeX-style file 
+        header of automatically generated ENC files. See the macro 
+        |\ref_to_sourcefile| for more details.
+      \item[Set by] ETX files.
+      \item[Used by] The ETX-to-ENC converter. When not set, the 
+        value \texttt{"See file }\meta{etx name}\texttt{"} is used 
+        instead.
+    \end{smalldes}
+  \item[encodingname] (string)
+    \begin{smalldes}
+      \item[Description] The name by which the encoding in question is 
+        made known to a Postscript interpreter.
+      \item[Set by] ETX files.
+      \item[Used by] The ETX-to-ENC converter. When not set, the 
+        value |fontinst-|\nolinebreak[1]|autoenc-|\nolinebreak[1]%
+        \meta{etx name} is used instead.
+    \end{smalldes}
+  \item[etx-name] (string)
+    \begin{smalldes}
+      \item[Description] Name of ETX file. Internal variable in 
+        |\transform|\-|font|.
+      \item[Set by] The |\reencodefont| command.
+      \item[Used by] The |\mtxtomtx| command.
+    \end{smalldes}
+  \item[extraspace] (integer denoting length)
+    \begin{smalldes}
+      \item[Description]
+        The natural width of extra interword glue at the end of a 
+        sentence.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[fontdimen($n$)] (integer)
+    \begin{smalldes}
+      \item[Description] Family of semi-internal variables that store 
+         the values to use for font dimension $n$. It is preferred 
+         that the newer |\set|\-|font|\-|dimen| interface is used for 
+         setting these values.
+      \item[Set by] ETX files.
+      \item[Used by] The (V)PL writer.
+    \end{smalldes}
+  \item[\cs{iftokeep}] (macro)
+    \begin{smalldes}
+      \item[Description] |\iftokeep|\,\#1\,|\then|, where \#1 will 
+        be a \meta{number}, behaves like a switch and decides whether 
+        a glyph is kept or not while reglyphing.
+      \item[Set by] Explicit commands. Defaults to
+        $$
+          \mbox{\cs{iftokeep}\,\#1\,\cs{then}} \mapsto
+          \mbox{\cs{ifnum}\,\texttt{-1<}\#1}
+        $$
+      \item[Used by] The |\reglyphfont| command.
+    \end{smalldes}
+  \item[interword] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The natural width of interword glue (spaces).
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[italicslant] (integer denoting factor)
+    \begin{smalldes}
+      \item[Description] The italic slant of a font.
+      \item[Set by] MTX files generated from AFM or (V)PL files. MTX 
+        files generated by |\transformfont|. Locally in the AFM-to-MTX 
+        converter for possible use in |\uprightitalcorr| or 
+        |\slanteditalcorr|.
+      \item[Used by] MTX files (\texttt{latin.mtx} and the like). ETX 
+        files (for determining \texttt{fontdimen(1)}).
+    \end{smalldes}
+  \item[killweight] (integer)
+    \begin{smalldes}
+      \item[Description] Weight for glyphs that are killed.
+      \item[Set by] Explicit commands. Defaults to $-10$ if not set.
+      \item[Used by] The |\kill|\-|glyph| command; indirectly 
+        the |\reglyphfont| command.
+    \end{smalldes}
+  \item[letterspacing] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Extra width added to all glyphs of a font.
+      \item[Set by] ETX or MTX files.
+      \item[Used by] The (V)PL writer. Defaults to $0$ if not set.
+    \end{smalldes}
+  \item[maxdepth] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The maximal depth over all slots in the font.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[maxdepth\_neg] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The negative of the maximal depth of a glyph in 
+        the font.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this variable.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[maxheight] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The maximal height of a glyph in the font.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this variable.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[minimumkern] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Kerns whose size in absolute value is less 
+        than or equal to this variable are ignored.
+      \item[Set by] Command files or MTX files.
+      \item[Used by] The AFM-to-MTX converter and the (V)PL file 
+        generator. When not set, the value $0$ is used instead.
+    \end{smalldes}
+  \item[monowidth] (flag integer)
+    \begin{smalldes}
+      \item[Description] Set if this font is monowidth, unset otherwise.
+      \item[Set by] MTX files. The AFM-to-MTX converter writes a 
+        |\setint| command for this variable if the AFM specifies 
+        \texttt{IsFixedPitch true}.
+      \item[Used by] Some MTX files (\texttt{latin.mtx} and the like), 
+         ETX files.
+    \end{smalldes}
+  \item[num1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{8}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[num2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{9}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[num3] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{10}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[quad] (integer denoting length)
+    \begin{smalldes}
+      \item[Description]
+        The quad width of the font, normally approximately equal to 
+        the font size and\slash or the width of an `M'.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[PSfontsuffix] (string)
+    \begin{smalldes}
+      \item[Description] Suffix added to font names to form name of 
+        file to download to include font.
+      \item[Set by] Explicit commands in mapmaking command 
+        files. Defaults to `\texttt{.pfa}'.
+      \item[Used by] The map file fragments writer.
+    \end{smalldes}
+  \item[rawscale] (integer denoting factor)
+    \begin{smalldes}
+      \item[Description] Scaling factor applied to raw glyphs.
+      \item[Set by] The |\installfont| command (\texttt{scaled} 
+        clauses in argument \#2). Unset for metric files listed 
+        without a \texttt{scaled} clause.
+      \item[Used by] The |\set|\-|raw|\-|glyph|, 
+        |\set|\-|not|\-|glyph|, |\set|\-|scaled|\-|raw|\-|glyph|, 
+        |\set|\-|scaled|\-|not|\-|glyph|, |\set|\-|kern|, and 
+        |\reset|\-|kern| commands.
+    \end{smalldes}
+  \item[renameweight] (integer)
+    \begin{smalldes}
+      \item[Description] Weight for glyphs that are renamed.
+      \item[Set by] Explicit commands. Defaults to $1$ if not set.
+      \item[Used by] The |\rename|\-|glyph| command; indirectly 
+        the |\reglyphfont| command.
+    \end{smalldes}
+  \item[requireglyphs] (flag integer)
+    \begin{smalldes}
+      \item[Description] Set if warnings are to be generated for 
+        glyphs listed in ETX files but not present in the glyph 
+        base.
+      \item[Set by] Explicit commands. By default not set.
+      \item[Used by] The (V)PL file generator.
+    \end{smalldes}
+  \item[rightboundary] (string)
+    \begin{smalldes}
+      \item[Description] The name of a glyph with the property that 
+        kerns on the left may be intended as right word boundary kerns.
+      \item[Set by] MTX files. The (V)PL-to-MTX converter can write 
+        |\setstr| commands for this variable.
+      \item[Used by] Some MTX files.
+    \end{smalldes}
+  \item[shrinkword] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] 
+        The (finite) shrink component of interword glue.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[slant-scale] (integer denoting factor)
+    \begin{smalldes}
+      \item[Description] Factor to slant by. 
+        Internal variable in |\transform|\-|font|.
+      \item[Set by] The |\slant|\-|font|, |\xscale|\-|font|, and
+        |\scale|\-|font| commands.
+      \item[Used by] The |\mtxtomtx| command.
+    \end{smalldes}
+  \item[\cs{SlantAmount}] (macro expanding to an integer expression)
+    \begin{smalldes}
+      \item[Description] Slant factor used for faking oblique shape.
+      \item[Set by] Explicit commands. Defaults to \texttt{167}.
+      \item[Used by] The |\latinfamily| command.
+    \end{smalldes}
+  \item[\cs{slanteditalcorr}]
+    (macro expanding to an integer expression)
+    \begin{smalldes}
+      \item[Description] The integer expression used to calculate a 
+        guess for the italic correction of glyphs in a font with 
+        positive slant. It has the syntax
+        \begin{quote}
+          \cs{slanteditalcorr}\marg{width}\marg{left}\marg{right}%
+          \marg{bottom}\marg{top}
+        \end{quote}
+        where \meta{width} is the glyph's advance width, and the 
+        remaining arguments are coordinates of sides of the glyph's 
+        bounding box. The \texttt{italicslant} integer provides the 
+        italic slant of the font.
+      \item[Set by] Explicit commands in \textsf{fontinst} command 
+        files. Defaults to 
+        $$
+          \max\{0, \mathit{right}-\mathit{width}\}.
+        $$
+      \item[Used by] The AFM-to-MTX converter.
+    \end{smalldes}
+  \item[stretchword] (integer denoting length)
+    \begin{smalldes}
+      \item[Description]
+        The (finite) stretch component of interword glue.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[sub1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{16}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[sub2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{17}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[subdrop] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{19}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[sup1] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{13}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[sup2] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{14}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[sup3] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{15}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[supdrop] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Math formula parameter $\sigma\sb{18}$.
+      \item[Set by] MTX files.
+      \item[Used by] Some ETX and MTX files.
+    \end{smalldes}
+  \item[TFMfileprefix] (string)
+    \begin{smalldes}
+      \item[Description] Prefix (typically a path) added to names of 
+        TFM files.
+      \item[Set by] Explicit commands in mapmaking command 
+        files. By default not set, which is equivalent to being empty.
+      \item[Used by] The \textsf{PLtoTF} ``map file fragments writer''.
+    \end{smalldes}
+  \item[underlinethickness] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The recommended thickness of an underlining 
+        rule.
+      \item[Set by] MTX files. The AFM-to-MTX converter usually writes 
+        |\setint| commands for this variable.
+      \item[Used by] Some MTX files (\texttt{latin.mtx} and the like).
+    \end{smalldes}
+  \item[\cs{uprightitalcorr}]
+    (macro expanding to an integer expression)
+    \begin{smalldes}
+      \item[Description] The integer expression used to calculate a 
+        guess for the italic correction of glyphs in a font with 
+        non-positive slant. It has the syntax
+        \begin{quote}
+          \cs{uprightitalcorr}\marg{width}\marg{left}\marg{right}%
+          \marg{bottom}\marg{top}
+        \end{quote}
+        where \meta{width} is the glyph's advance width, and the 
+        remaining arguments are coordinates of sides of the glyph's 
+        bounding box. The \texttt{italicslant} integer provides the 
+        italic slant of the font.
+      \item[Set by] Explicit commands in \textsf{fontinst} command 
+        files. Defaults to $0$.
+      \item[Used by] The AFM-to-MTX converter.
+    \end{smalldes}
+  \item[version] (string)
+    \begin{smalldes}
+      \item[Description] Version number put in \BibTeX-style file 
+        header of automatically generated ENC files. See the macro 
+        |\ref_to_sourcefile| for more details.
+      \item[Set by] ETX files.
+      \item[Used by] The ETX-to-ENC converter. When not set, the 
+        value \texttt{"See file }\meta{etx name}\texttt{"} is used 
+        instead.
+    \end{smalldes}
+  \item[verticalstem] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The dominant width of vertical stems 
+        (usually the width of stems of lower case letters).
+      \item[Set by] MTX files. The AFM-to-MTX converter writes 
+        |\setint| commands for this variable if the AFM file specifies 
+        \texttt{StdVW}.
+      \item[Used by] Currently nothing.
+    \end{smalldes}
+  \item[\texttt{warningspecials}] (switch)
+    \begin{smalldes}
+      \item[Description] Controls whether |\glyphwarning| commands 
+        will generate VPL \texttt{SPECIAL}s. Defaults to `true'.
+      \item[Set by] Explicit commands (|\warningspecialstrue| and 
+        |\warningspecialsfalse|).
+      \item[Used by] The (V)PL file generator.
+    \end{smalldes}
+  \item[x-scale] (integer denoting factor)
+    \begin{smalldes}
+      \item[Description] Horizontal scaling factor. 
+        Internal variable in |\transform|\-|font|.
+      \item[Set by] The |\xscale|\-|font| and |\scale|\-|font| commands.
+      \item[Used by] The |\mtxtomtx| command.
+    \end{smalldes}
+  \item[xheight] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] The x-height of the font.
+      \item[Set by] MTX files. The AFM-to-MTX and (V)PL-to-MTX 
+        converters usually write |\setint| commands for this variable.
+      \item[Used by] MTX files, and ETX files (for determining 
+        \texttt{fontdimen(5)}).
+    \end{smalldes}
+  \item[y-scale] (integer denoting factor)
+    \begin{smalldes}
+      \item[Description] Vertical scaling factor. 
+        Internal variable in |\transform|\-|font|.
+      \item[Set by] The |\yscale|\-|font| and |\scale|\-|font| commands.
+      \item[Used by] The |\mtxtomtx| command.
+    \end{smalldes}
+  \item[\meta{\rmfamily glyph}-spacing] (integer denoting length)
+    \begin{smalldes}
+      \item[Description] Glyph-specific override for 
+        \texttt{letterspacing}; extra width added to the glyph 
+        \meta{glyph} as part of the process of writing a VPL 
+        file.
+      \item[Set by] ETX or MTX files.
+      \item[Used by] The (V)PL writer. Defaults to $0$ if not set.
+    \end{smalldes}
+\end{list}
+Besides these, the |\latinfamily| command provides a whole range of 
+parameters (|\latin_weights|, |\latin_widths|, |\latin_shapes|, etc.) 
+that are often used somewhat like variables. That subject 
+does however deserve to be treated separately.
+
+
+
+\section{Customisation}
+
+The \fontinst package reads a file \texttt{fontinst.rc} if it
+exists.  This can contain your own customisations.
+
+You can create a \texttt{fontinst} format by running ini\TeX{} on
+\texttt{fontinst.sty} then saying \verb|\dump|.
+
+
+\section{Notes on features new with v\,1.9}
+
+The following notes are copied from \texttt{fisource.tex}; they were 
+written to explain new \fontinst features to old \fontinst users.
+
+
+\subsection{Metric packages}
+
+\Fontinst has traditionally come with a collection of MTX 
+files that complement the MTX files generated from base font metrics, 
+in that they build glyphs that may be missing from the base fonts or 
+in some other way needs to be improved. The most well-known of these 
+is the \texttt{latin.mtx} file; other examples include 
+\texttt{textcomp.mtx}, \texttt{mathit.mtx}, and \texttt{latinsc.mtx}. 
+A problem with these is however that they cannot produce optimal 
+results for all fonts simply because there are irregular differences 
+in how fonts are set up by the foundries. Most glyphs come out all right, 
+but there are usually a few for which the parameters used are more or 
+less wrong. Therefore most high quality font installations are made 
+with modified versions of these files, where the parameters have been 
+tuned to the specific font design.
+
+Modifying in particular \texttt{latin.mtx} is however not an entirely 
+easy task, because this is a rather large file (with plenty of 
+archaic pieces of code in curious places). Doing it once is no big 
+problem, but if one has to do it several times (maybe because some 
+errors are discovered in the original \texttt{latin.mtx}) then it is 
+probably no fun anymore. Furthermore, if one has two or three 
+modified copies of this file because one has made high quality 
+installations of that many different fonts then even a trivial bugfix 
+might start to feel like entirely too much work.
+
+If one has to make modifications then it is usually easier to deal 
+with several small files (many of which can be used unchanged) than 
+one big file. Thus it would be better if these big files were split up 
+into several smaller ones.
+The main problem with splitting up something like \texttt{latin.mtx}
+is that there are some commands which are defined at the top and 
+which are then used in almost all sections of the file. One must make 
+certain that these commands are always loaded, which makes the metric 
+files somewhat harder to use (especially if the one who tries to use 
+them is not the one who wrote them).
+
+One strategy is to include all definitions needed for a metric file in 
+it. This has the slight disadvantage that the commands will have to be 
+defined several times. What is worse however, is that the command 
+definitions will appear in several files, so if one finds a bug in one 
+of them, one cannot simply correct this bug in one place. As the number 
+of files can soon become quite large, correcting such bugs can become 
+a boring procedure indeed.
+
+Another strategy is to put all the command definitions in one file 
+and then explicitly include it in the \meta{file-list} argument of 
+|\installfont|. This eliminates the repeated bug fixing problem, but 
+requires the user to do something that the computer can actually do 
+just as well.
+
+A third strategy is to put the command definitions in one or several 
+files and then in each metric file the user explicitly mentions load 
+the command definitions needed for that particular file. Metric 
+packages uses an improved version of this strategy, since they also 
+make it possible for \fontinst to remember which packages (i.e., sets 
+of command definitions) that have already been loaded, so that they 
+are not unnecessarily loaded again. The \texttt{newlatin.mtx} file is 
+an alternative to \texttt{latin.mtx} that implements this strategy. 
+Most of the actual code is located in the following metric packages:
+\begin{center}
+\begin{tabular}{l p{0.7\linewidth}}
+  \texttt{ltcmds.mtx}& Defines some common commands used by the other 
+    files.\\
+  \texttt{llbuild.mtx}& Builds the latin lower case alphabet 
+    (unaccented letters are `unfakable', the rest are constructed if 
+    not present in the base fonts).\\
+  \texttt{lubuild.mtx}& Builds the latin upper case alphabet.\\
+  \texttt{lsbuild.mtx}& Builds accented letters in the latin 
+    smallcaps alphabet, but only if there are unaccented letters to 
+    build them from in the base fonts.\\
+  \texttt{lsfake.mtx}& Fakes a latin smallcaps alphabet by shrinking 
+    the upper case alphabet, but only if the glyph had not already 
+    been manufactured.\\
+  \texttt{lsmisc.mtx}& Make some miscellaneous smallcaps glyphs 
+    (mostly ``smallcaps f-ligatures'').\\
+  \texttt{ltpunct.mtx}& Makes digits, punctuation marks, and other 
+    symbols (mostly by marking as ``unfakable'').
+\end{tabular}
+\end{center}
+\noindent All of these are easy to use as components of equivalents 
+of a modified \texttt{latin.mtx} files, and all dependencies of one 
+package upon another are handled via explicit |\usemtxpackage| 
+commands.
+
+% For information on the syntax etcetera of commands related to metric 
+% packages, see Section~\ref{Sec:Metric files}.
+
+
+\subsection{Word boundary ligatures and kerns}
+
+One of the new features added in \TeX~3 was that of ligatures and 
+kerns with word boundaries. \Fontinst has had an interface 
+for making such ligatures and kerns, but it has been completely 
+redesigned in v\,1.9 and the old interface (setting the integer 
+|boundarychar|) is no longer recognized by \fontinst. Files 
+which use the old interface can still be processed with 
+\texttt{cfntinst.sty}, though.
+
+Before considering the new commands, it is suitable to make a 
+distinction between proper glyphs and pseudoglyphs. A proper glyph has 
+been set using one of the commands |\setrawglyph|, |\setglyph|, and 
+|\resetglyph|. A pseudoglyph is any name used in the context of a 
+glyph name which does not denote a proper glyph. If a pseudoglyph 
+|g-not| was set using the |\setnotglyph| command, then 
+|\ifisglyph{g-not}\then| will evaluate to true, but something can be 
+a pseudoglyph even if an |\ifisglyph| test evaluates to false. The 
+interesting point about pseudoglyphs when considering word boundaries 
+however, is that a pseudoglyph can have ligatures and kerns.
+
+Kerns and ligatures at the left word boundary (beginning of word) are 
+specified using the commands |\setleftboundary| and 
+|\endsetleftboundary|, which are syntactically identical to 
+|\setslot| and |\endsetslot| respectively. One important difference is 
+however that the argument to |\setslot| must be a proper glyph, while 
+the argument to |\setleftboundary| may be any glyph, hence any 
+pseudoglyph will do just fine.
+
+|\ligature| commands between |\setleftboundary| and 
+|\endsetleftboundary| will generate beginning of word ligatures. Kerns 
+on the right of the glyph specified in |\setleftboundary| will become 
+beginning of word kerns.
+
+Kerns and ligatures at the right word boundary (end of word) are 
+trickier, due to the asymmetrical nature of the ligkern table in a PL 
+file. What a font can do is to specify that the right word boundary, 
+for purposes of kerning and ligatures, should be interpreted as 
+character $n$. By including a kern or ligature with character $n$ on 
+the right, that kern or ligature will be used at the end of a word, 
+but it will also be used each time the next character is character 
+$n$. Because of this, one usually wants the slot $n$, which the right 
+word boundary is interpreted as being, to be empty whenever the 
+encoding allows this.
+
+The command
+\begin{quote}
+  |\setrightboundary|\marg{glyph}
+\end{quote}
+will mark the current slot as used to denote the right word boundary, 
+and leave the slot empty, increasing the current slot number by one 
+just like a |\setslot| \textellipsis\ |\endsetslot| block does. Kerns on 
+the left of \meta{glyph} will be end of word kerns and |\ligature| 
+commands with \meta{glyph} as the second argument will be for the end 
+of a word.
+
+The command
+\begin{quote}
+  |\makerightboundary|\marg{glyph}
+\end{quote}
+is similar to |\setrightboundary|, but it is a slot command which may 
+only be used between a |\setslot| and the matching |\endsetslot|. Like 
+|\setrightboundary|, it marks the current slot as used to denote the 
+right word boundary, but the glyph specified in the enclosing |\setslot| 
+will be written to that slot. Ligatures for the glyph specified by the 
+|\setslot| and ligatures for the glyph specified by the 
+|\makerightboundary| will both be for this single slot. Kerns on the 
+right of the |\setslot| glyph and the |\makerightboundary| glyph will 
+similarly both be for this single slot. The idea is that the |\setslot| 
+glyph should be used when making a kern or ligature for that glyph, 
+while the |\makerightboundary| glyph should be used when making a kern 
+or ligature for the end of a word. \Fontinst will warn you if 
+these two uses of the slot directly contradict each other.
+
+
+\subsection{Changing the names of glyphs}
+\label{Ssec:Des:Reglyph}
+
+Sometimes, primarily when making a virtual font from more than one raw 
+font and two of the raw fonts contain different glyphs with the same 
+name, it becomes necessary to change the names of some glyphs to make 
+some sense out of it. The main source of this kind of trouble is the 
+``caps and small caps'' (SC) and ``oldstyle figures'' (OsF) fonts 
+within many commercial font families. The typical problem is that what 
+is typographically different glyphs---such as the lowercase `a' 
+(\texttt{a}, for \fontinst) and the smallcaps `\textsc{a}' 
+(\texttt{Asmall}, for \fontinst)---are given the same name by 
+the foundry. 
+
+One way to get round this is to say for example
+\begin{quote}
+  |\setglyph{Asmall} \glyph{a}{1000} \endsetglyph|\\
+  |\setleftrightkerning{Asmall}{a}{1000}|\\
+  |\unsetglyph{a}|\\
+  |\noleftrightkerning{a}|
+\end{quote}
+and continuing like that for all the duplicate glyph names. This is 
+however a rather prolix method and if the number of glyphs is large 
+then it is usually simpler to use the |\reglyphfont| command.
+
+To reglyph one or several fonts, one writes
+\begin{quote}
+  |\reglyphfonts|\\
+  \vadjust{}\quad \meta{reglyphing commands}\\
+  |\endreglyphfonts|
+\end{quote}
+There are two types of reglyphing commands: the |\reglyphfont| 
+command, and the commands that modify what |\reglyphfont| will do to 
+the fonts it operates on. The syntax of |\reglyphfont| is
+\begin{quote}
+  |\reglyphfont|\marg{destination font}\marg{source font}
+\end{quote}
+The \meta{source font} font here is the name (suffix not included, of 
+course) of the font metric file one wants to change the glyph names in. 
+This font metric file can be in any of the formats MTX, PL, AFM, and 
+VPL, and it will be converted to MTX format if it isn't already in 
+that format (this happens just as for files listed in the second 
+argument of |\installfont|). \meta{destination font} (which must be 
+different from \meta{source font}) will be taken as the name for a 
+new \texttt{.mtx} file that will be generated. The destination font 
+can differ from the source font only in two ways: the names of some 
+glyphs in the source font might be changed, and some of the commands 
+from the source font might not have been copied to the destination 
+font. To what extent the fonts are different is determined by what 
+modifying commands have been executed; when no modifying commands 
+have been executed, the source and destination font are equal.
+
+The modifying reglyphing commands are
+\begin{quote}
+  |\renameglyph|\marg{to}\marg{from}\\
+  |\renameglyphweighted|\marg{to}\marg{from}\marg{weight}\\
+  |\killglyph|\marg{glyph}\\
+  |\killglyphweighted|\marg{glyph}\marg{weight}\\
+  |\offmtxcommand|\marg{command}\\
+  |\onmtxcommand|\marg{command}
+\end{quote}
+|\renameglyph| simply declares that occurrences of the glyph name 
+\meta{from} should be replaced by the glyph name \meta{to}. To each 
+glyph name is also assigned a \emph{weight}, which is used by a 
+mechanism which conditions copying of commands from the source font to 
+the destination font by the set of glyphs that command mentions. The 
+details of this mechanism are however somewhat tricky, so those 
+interested in the full generality should read the comments in the 
+source of \fontinst. Here it needs only be noted that if one applies 
+|\killglyph| to a glyph name, then (under most circumstances) commands 
+that refer to that glyph name will not be copied to the destination 
+font.
+
+|\offmtxcommand| and |\onmtxcommand| also control whether commands are 
+copied to the destination font, but they look at the actual command 
+rather than the glyphs it refers to. For example, after the command
+\begin{quote}
+  |\offmtxcommand{\setkern}|
+\end{quote}
+no |\setkern| commands will be copied. By using |\offmtxcommand|, it 
+is possible to achieve effects similar to those of the files 
+\texttt{kernoff.mtx} and \texttt{glyphoff.mtx}---the difference is 
+that with |\offmtxcommand|, it happens at an earlier stage of the font 
+generation. As expected, |\onmtxcommand| undoes the effect of 
+|\offmtxcommand|.
+
+A special rule pertains to the |\set|\-|raw|\-|glyph|, 
+|\set|\-|not|\-|glyph|, |\set|\-|scaled|\-|raw|\-|glyph|, and 
+|\set|\-|scaled|\-|not|\-|glyph| commands, since |\transformfont| 
+doesn't care what something was in the source font when it generates 
+the transformed font. To turn these commands off while reglyphing, 
+you use |\offmtx|\-|command| on |\set|\-|scaled|\-|raw|\-|glyph|.
+
+The effects of modifying reglyphing commands are delimited by 
+|\reglyphfonts| and |\endreglyphfonts|, which starts and ends a group 
+respectively.
+
+As we expect the most common reglyphing operation will be to go from SC 
+glyph names to expert glyph names, there is a file \texttt{csc2x.tex} 
+in the \fontinst distribution which contains the modifying 
+reglyphing commands needed for setting up that conversion. Thus you 
+can write for example
+\begin{quote}
+  |\reglyphfonts|\\
+  |  \input csc2x|\\
+  |  \reglyphfont{padrcx8r}{padrc8r}|\\
+  |  \reglyphfont{padscx8r}{padsc8r}|\\
+  |\endreglyphfonts|
+\end{quote}
+to alter the glyph names in the SC fonts in the Adobe Garamond 
+(\texttt{pad}) family. 
+Note that the names of the destination fonts here really are rather 
+arbitrary, since they will only exist as \texttt{.mtx} files, and 
+thus only need to work within your local file system. In particular, 
+all the |\setrawglyph| commands in the destination font files still 
+refer to the source font, so it is that font which the drivers need 
+to know about.
+
+
+\subsection{Making map file fragments}
+
+A \emph{map file fragment} is the lines\footnote{Not in general an 
+entire map file, hence the word \emph{fragment}.} of a map file that 
+the corresponding driver would need for handling some set of fonts. 
+When told to, \fontinst can (in a fairly automatic way) create 
+the map file fragment which is needed for the set of raw fonts 
+\fontinst has (i) installed directly (using |\installrawfont|) 
+or (ii) used as a base font for some installed virtual font (generated 
+by |\installfont|). \Fontinst does not support the map file 
+syntaxes of every existing driver, but the system is designed to be 
+extendable and contributions that extend its capabilities are welcome. 
+Nor can \fontinst examine your \TeX\ system and 
+determine every piece of information needed to make the correct map 
+file fragments, but you can tell it roughly how your installation 
+looks, it can make guesses which work most of the time, and you can 
+specify most things explicitly if the guesses turn out to be wrong. 
+Should the available options for configuring the process turn out to 
+be inadequate for your needs, then please write to the 
+\fontinst mailing list about this---there is probably a way 
+to improve the system so that your needs can be met.
+
+Now what does one have to do to use this map file fragment writer, 
+then? First you need to tell \fontinst to record the 
+information the map file fragment writer needs. You do this by giving 
+the command
+\begin{quote}
+  |\recordtransforms{whatever.tex}|
+\end{quote}
+at the beginning of the run. Here \texttt{whatever.tex} is the name of 
+a file that will be created, so you can use some other name if you 
+like. After that you do all the calls to |\transform|\-|font|, 
+|\install|\-|font|, |\install|\-|raw|\-|font|, |\latin|\-|family|, 
+etc.\ you need to make the fonts you want. When you're done, you give 
+the command
+\begin{quote}
+  |\endrecordtransforms|
+\end{quote}
+and end the run (say |\bye|). The file \texttt{whatever.tex} will now 
+contain the information about which fonts were used and what needs to 
+be done with them.
+
+The second step is to actually run the map file fragment writer. 
+Observe that it is located in the file \texttt{finstmsc.sty}, not 
+\texttt{fontinst.sty}! The commands you need to give it can be so few 
+that you can type them in at \TeX's \texttt{*} prompt, but if you are 
+writing a command file then it should typically have the following 
+structure (comments not necessary, of course):
+\begin{quote}
+  \begin{tabular}{ll}
+    |\input finstmsc.sty|& |%| Input command definitions\\
+    \meta{general settings} & |%| See below\\
+    |\adddriver|\marg{driver name}\marg{output file}& 
+      |%| Open output file\\
+    |\input whatever.tex|& |%| Writes to output file(s)\\
+    |\donedrivers|& |%| Close output file(s), tidy up\\
+    |\bye|& |%| Quit
+  \end{tabular}
+\end{quote}
+The |\adddriver| command gives the order ``write map file entries for 
+the \meta{driver name} DVI driver to the file \meta{output file}.'' The 
+plan is that it should be possible to use the name of just about any 
+major driver (\texttt{dvips}, \texttt{xdvi},\footnote{Or 
+does that use the same map file as \texttt{dvips}? I heard somewhere 
+that it did. /LH} \texttt{pdftex},\footnote{pdf\TeX\ can read 
+the map files generated for \texttt{dvips}, but a separate driver is 
+desirable because the formats are not completely identical.} 
+\texttt{OzTeX}, etc.) here and get suitable map file entries for that 
+driver as output, but for the moment only the \texttt{dvips} and 
+\texttt{dvipdfm}\footnote{Whose support I made very much to illustrate 
+that you \emph{don't} have to be a big and ancient driver like 
+\texttt{dvips} to have supporting code put into \fontinst. 
+(The fact that I just happened to have printed out the documentation and 
+that is was easy to read also helped, of course.) Note, however, that 
+there won't be any support for a driver unless someone sits down and 
+writes the code for it! Don't assume I will. /LH} drivers are supported. 
+
+You may also use \texttt{debug} or \texttt{pltotf} for \meta{driver name}. 
+The \texttt{debug} ``DVI driver'' file simply contains all the available 
+information about each font (hence it should come handy for debugging 
+code writing entries for real drivers) in a format that should be easy 
+to interpret for a human. It could be the right choice if you're going 
+to write the map file manually, as the combined effects of several 
+font transformations are not always easy to compute manually. The 
+file generated for the \texttt{pltotf} ``driver'' is actually a shell 
+script consisting of a sequence of \pltotf commands. These commands 
+perform the \pl to \tfm conversion for precisely those fonts that are 
+actually needed (\fontinst usually generates \pl files also for a 
+number of fonts at intermediate stages of transformation, and many of 
+these need not be converted to \tfm files). The \texttt{TFMfileprefix} 
+string can be used to add a directory path to the \tfm file names, 
+perhaps saving the step of moving them to their proper location later.
+
+The file \texttt{whatever.tex} in the above example contains the 
+commands (|\makemapentry| commands) that actually cause entries to be 
+written to the output file. It also contains a number of |\storemapdata| 
+commands---these describe how some given font was made. If some 
+metric file you have used contains |\setrawglyph| commands that were 
+not automatically generated by \fontinst, then there might 
+not be a |\storemapdata| for the font they refer to in 
+\texttt{whatever.tex}, so you will have to include such a command 
+yourself somewhere. This can for example be done in the \meta{general 
+settings} part of the above example file.
+
+Another class of things that will typically appear in the 
+\meta{general settings} part above is commands that will inform the 
+routines actually writing output about your \TeX\ system, about the set 
+of fonts you are using on this run, or about something else that might 
+be useful. Some such commands are of a general nature and affect what 
+assumptions \fontinst will make in certain conditions when no 
+specific information is available. For the moment there commands are:
+\begin{description}
+  \item[\cs{AssumeMetafont}] Assume all fonts with PL metrics are 
+    bitmaps generated by Metafont, and therefore make no entries for 
+    them.
+  \item[\cs{AssumeAMSBSYY}] Assume all fonts with PL metrics have their 
+    \TeX\ names in all upper case as postscript names---just like the 
+    Computer Modern fonts in the AMS\slash Blue~Sky\slash Y\&Y 
+    distribution.
+  \item[\cs{AssumeBaKoMa}] Assume all fonts with PL metrics have their 
+    \TeX\ names in all lower case as postscript names---just like the 
+    Computer Modern fonts in the BaKoMa distribution.
+\end{description}
+Otherwise the default action of the routine for finding out the 
+postscript name of a font simply is to observe that it hasn't got a clue 
+about what the right value is when the metrics were taken from a PL 
+file, and therefore it writes `\texttt{??????}' for the postscript name.
+\begin{description}
+  \item[\cs{AssumeLWFN}] Assume postscript fonts for which nothing 
+    else has been specified are stored in files which are named 
+    according to the \mbox{MacOS} scheme for 
+    \texttt{LWFN}s.%\footnote{LaserWriter FoNt}
+\end{description}
+Otherwise the default action is to use the name of the AFM or PL from 
+which the metrics were originally taken, and add the file suffix stored 
+in the string \texttt{PSfontsuffix}. The default value of this string 
+is \texttt{.pfa}, but it can be changed using |\resetstr|.
+
+If neither the default nor the LWFN scheme produce correct results 
+then you may use the more specific |\specifypsfont| command, which 
+describes exactly which file (or files, if any) a given font is stored 
+in. The syntax of this command is
+\begin{quote}
+  |\specifypsfont|\marg{PS font name}\marg{actions}
+\end{quote}
+where the \meta{actions} is a sequence of ``action commands''. 
+Currently the only such command is
+\begin{quote}
+  |\download|\marg{file}
+\end{quote}
+which instructs the map file writer to include in any entry using 
+that PS font and ``instruction'' that the specified file should be 
+downloaded. Some examples are
+\begin{verbatim}
+   \specifypsfont{Times-Roman}{}
+   \specifypsfont{Shareware-Cyrillic-Regular}{\download{fcyr.gsf}}
+   \specifypsfont{zmnl8ac6}{%
+      \download{MinionMM.pfb}\download{zmnl8ac6.pro}%
+   }
+\end{verbatim}
+Many \dvi drivers (for example \dvips) have more than one style of 
+font downloading (e.g., partial and full downloading). This interface 
+could be extended to control also such finer details (for example by 
+adding a |\fulldownload| command to force full download of a font), 
+but requests for this has so far been scarce.
+
+Finally, there is the |\declarepsencoding| command which is used to 
+link ETX files to postscript encodings. If no postscript encoding has 
+been linked to a given ETX file then \fontinst will 
+automatically create a postscript encoding (\texttt{.enc}) file for 
+that encoding, and use this file for all reencoding commands. 
+The \texttt{8r} encoding is predeclared, and it doesn't 
+matter if an encoding is undeclared if you never use it to reencode 
+fonts, but there is potentially a problem with not having declared 
+encodings you have installed and use for reencoding, as you may then 
+find yourself having two files with identical names that define 
+encodings that do not have the same name (as far as postscript is 
+concerned).
+
+
+
+\subsection{Tuning accent positions---an application of loops}
+
+The accent placements made by \texttt{latin.mtx} certainly aren't 
+perfect for all fonts, and the only way to find out where they should 
+be put is through trying in text the accented letters you get for a 
+couple of values for the position parameter and deciding which one 
+works best. Since to try one parameter value you need to (i) edit it 
+into an MTX file, (ii) run \fontinst, (iii) run 
+\vptovf, (iv) run \TeX\ on some test text, and (v) print that 
+text, trying one parameter value can take annoyingly much time. 
+Repeating the same procedure ten times to test ten values is not 
+something one does without being bored (unless one scripts it, of 
+course), but it is possible to try ten parameter values in a single 
+virtual font, and without doing very much typing.
+
+Say you're not too happy with how \texttt{latin.mtx} positions the 
+accent in the \texttt{ohungarumlaut} glyph:
+\begin{quote}
+  |\setglyph{ohungarumlaut}|\\
+  |   \topaccent{o}{hungarumlaut}{500}|\\
+  |\endsetglyph|
+\end{quote}
+The |500| is the horizontal position (in thousandths of the width of 
+the \texttt{o}) that the centre of \texttt{hungarumlaut} in the glyph 
+constructed will have, so that is the position parameter value that 
+you want to change. Create an MTX file containing the code
+\begin{quote}
+  |\for(pos){250}{750}{50}|\\
+  |   \setglyph{ohungarumlaut\strint{pos}}|\\
+  |      \topaccent{o}{hungarumlaut}{\int{pos}}|\\
+  |   \endsetglyph|\\
+  |   \setleftrightkerning{ohungarumlaut\strint{pos}}|\\
+  |      {ohungarumlaut}{1000}|\\
+  |\endfor(pos)|
+\end{quote}
+This will set eleven glyphs \texttt{ohungarumlaut250}, 
+\texttt{ohungarumlaut300}, \texttt{ohungarumlaut350}, \textellipsis\,, 
+\texttt{ohungarumlaut750}, each being an Hungarianly umlauted `o' 
+(i.e., an `\H{o}') but all having that umlaut in slightly different 
+positions. In order to put them in a font, you also need to make an 
+encoding that contains them. Therefore create an ETX file which 
+contains the code
+\begin{quote}
+  |\relax\encoding|\\
+  |\nextslot{"C0}|\\
+  |\for(pos){250}{750}{50}|\\
+  |   \setslot{ohungarumlaut\strint{pos}}|\\
+  |   \endsetslot|\\
+  |\endfor(pos)|\\
+  |\endencoding|
+\end{quote}
+The command for installing this experiment font would be something like
+\begin{quote}
+  |\installfont|\marg{some name}|{|\meta{the normal list of metrics}%
+    |,|\penalty0\meta{the new MTX}|}|\penalty0
+    |{ot1,|\meta{the new ETX}|}|\penalty0|{OT1}|\textellipsis
+\end{quote}
+The reason for including \texttt{ot1} in the third argument above is 
+that you'll need letters other than `\H{o}' against which you can 
+compare the experimental glyphs. It would not have been possible to 
+use \texttt{t1} instead of \texttt{ot1} (even though that has more 
+Hungarian letters) since that would set all slots in the font and 
+leave none for these experimental \texttt{ohungarumlaut}s. 
+
+It is even possible to use a loop for making the test text. The 
+\LaTeX\ macros
+\begin{verbatim}
+\newcount\slotcount
+\newcommand\testtext[3]{%
+  \slotcount=#1\relax
+  \begin{description}%
+  \loop\item[\the\slotcount]#3%
+  \ifnum #2>>\slotcount \advance \slotcount 1 \repeat
+  \end{description}%
+}
+\DeclareTextCompositeCommand{\H}{OT1}{o}{\char\slotcount}
+\end{verbatim}
+will let you write
+\begin{quote}
+  |\testtext|\marg{first}\marg{last}\marg{text}
+\end{quote}
+to get the text \meta{text} typeset once for each slot from 
+\meta{first} to \meta{last} inclusive, with |\H{o}| ranging through the 
+glyphs in this interval. Thus in this case 
+|\testtext|\penalty\hyphenpenalty|{"C0}|\penalty\hyphenpenalty|{"CA}|%
+\penalty\hyphenpenalty|{Erd\H{o}s}| would be a trivial test.
+
+
+\subsection{Font installation commands}
+\label{Ssec:FontInstCmds}
+
+The |\installfont|, |\installrawfont|, and |\installfontas| commands 
+have the respective syntaxes
+\begin{isyntax}
+  |\installfont|\marg{font-name}\marg{metrics}\marg{etx-list}\penalty0
+    \marg{encoding}\marg{family}\marg{series}\marg{shape}\marg{size}\\
+  |\installrawfont|\marg{font-name}\marg{metrics}\marg{etx-list}%
+    \penalty0
+    \marg{encoding}\marg{family}\marg{series}\marg{shape}\marg{size}\\
+  |\installfontas|\marg{font-name}\penalty0\marg{encoding}%
+     \marg{family}\marg{series}\marg{shape}\marg{size}
+\end{isyntax}
+The \meta{font-name} argument and the last five arguments are common 
+to all these commands. The first argument is the name of a \TeX\ font 
+to install. The last five arguments are the NFSS attributes under which 
+that font will be declared to \LaTeX---encoding, family, series, shape, 
+and size. It is worth observing that encoding names are usually in 
+upper case, whereas the family, series, and shape are usually in lower 
+case. The size argument is either a shorthand (declared using 
+|\declaresize|) for a particular font 
+size (or range of font sizes), or an explicit list of font sizes or 
+ranges of sizes, which is copied directly to the font declaration. 
+The most common case is to let the size argument be empty, as that is 
+declared as a shorthand for ``any size''.
+
+The |\installfontas| command does not itself create the font, it just 
+makes a note that the specified font declaration should be written to 
+the proper FD file at |\end|\-|install|\-|fonts|. The 
+|\install|\-|font| and |\install|\-|raw|\-|font| commands do however 
+produce the font, in the sense that they write a VPL and PL 
+respectively file for the font. It depends solely on the \meta{metrics} 
+and \meta{etx-list} arguments what this font will contain. Many 
+features of these arguments are new with \fontinst v\,1.9; 
+therefore the complete syntaxes are described below.
+
+Both arguments are comma-separated lists of basically file names (not 
+including an extension). The files listed in the \meta{metrics} are 
+font metric files which together build up a \emph{glyph base} 
+(definitions of glyphs and metrics related to one or several glyphs), 
+whereas the files listed in the \meta{etx-list} are encoding definition 
+files that select a subset of the glyph base for turning into a 
+\TeX\ font. The font metrics can be in either of the four formats 
+MTX, PL, AFM, and VPL, which are considered in that order. If the 
+metrics are not originally in MTX format then they will be converted 
+to this format (a new file will be created) before they are used. 
+The encoding definitions must be in ETX format. The files actually 
+read will have a suffix \texttt{.mtx}, \texttt{.pl}, \texttt{.afm}, 
+\texttt{.vpl}, or \texttt{.etx} appended to the name given, depending 
+on which format is expected.
+
+Within each element of the comma-separated list, the actual file name 
+is followed by zero or more \emph{modifier clause}s. A \meta{modifier 
+clause} consists of a \emph{keyword} followed by some number (usually 
+one) of \emph{arguments}, separated by spaces. The whole thing looks 
+a lot like the \meta{rule specifications} of e.g.\ the |\vrule| 
+command, but here the spaces are mandatory. The currently defined 
+\meta{modifier clause}s are
+\begin{description}
+  \item[\mdseries\textvisiblespace\texttt{option}\textvisiblespace
+    \meta{string}]
+    Available for metric and encoding files. This adds \meta{string} 
+    to the list of options for this file, which may affect what code 
+    the file executes. The file can then test, using the |\ifoption| 
+    command, whether a specific string is one of the options it was 
+    given.
+  \item[\mdseries\textvisiblespace\texttt{scaled}\textvisiblespace
+    \meta{factor}]
+    Available for metric files. Causes the \texttt{rawscale} integer 
+    variable to be set to the \meta{factor} (an integer expression) 
+    while the file is being read. This scales glyphs and kerns that 
+    are added to the glyph base by the \meta{factor}.
+  \item[\mdseries\textvisiblespace\texttt{suffix}\textvisiblespace
+    \meta{suffix}]
+    Available for metric files. Causes \meta{suffix} to be appended 
+    to every glyph name appearing in a glyph or kern that file adds 
+    to the glyph base. Thus ``\texttt{suffix /2}'' effectively 
+    changes a
+    \begin{quote}
+      |\setrawglyph{a}|\dots
+    \end{quote}
+    to a
+    \begin{quote}
+      |\setrawglyph{a/2}|\dots
+    \end{quote}
+  \item[\mdseries\textvisiblespace\texttt{encoding}\textvisiblespace
+    \meta{etx-name}]
+    Available for metric files, and forces \fontinst to 
+    only consider the PL and VPL formats for this font. 
+    As these file formats do not contain glyph names, an ETX file 
+    is used to assign glyph names to the slots in the font. 
+    This ETX file is usually selected according to the 
+    \texttt{CODINGSCHEME} property of the PL or VPL (using the 
+    correspondences set up via the |\declare|\-|encoding| command), 
+    but that information is not always as one would want it (there 
+    are even fonts for which it is quite wrong). An \texttt{encoding} 
+    clause bypasses this automatic mechanism, so that the file 
+    \meta{etx-name}\texttt{.etx} is used instead.
+    
+%     % The following is no longer true as of v1.926:
+%     \textbf{Note:} The first time that a file in PL or VPL format is 
+%     used in a \meta{metrics} argument, a corresponding MTX file is 
+%     generated. This means that if the same file reference is used 
+%     another time then the reference will be to the MTX file, not to 
+%     the original PL or VPL, and thus \texttt{encoding} clauses on 
+%     subsequent uses will have no effect. Each font only has one 
+%     encoding, so it usually makes no sense to switch the ETX file 
+%     used to interpret a font, but since MTX files are not 
+%     automatically deleted between runs there is a risk that this 
+%     takes away the intended effect of an \texttt{encoding} clause.
+    
+  \item[\mdseries\textvisiblespace\texttt{mtxasetx}]
+    This is available for files in the \meta{etx-list}. The actual 
+    function of a
+    \begin{quote}
+      \meta{file-name} \texttt{mtxasetx}
+    \end{quote}
+    item in the \meta{etx-list} is that the file 
+    \meta{file-name}\texttt{.mtx} is inputted (\emph{not} 
+    \meta{file-name}\texttt{.etx}) and that the correspondence 
+    between glyph names and slot numbers set up in 
+    |\set|\-|raw|\-|glyph| or |\set|\-|scaled|\-|raw|\-|glyph| 
+    commands in this file is treated as if it had been set up by 
+    |\setslot| commands in an ETX file. Provided the MTX file is 
+    transformable, the glyph base will be unaffected.
+    
+    The purpose of this feature is to simplify quick and dirty 
+    installations of odd fonts for which no suitable ETX file is 
+    available. This can be useful in early stages of the design of 
+    a new font, but is inferior to installation using proper ETX 
+    files since one for example cannot specify any ligatures in 
+    MTX files.
+\end{description}
+Furthermore there is a special exception for the \meta{metrics}: if 
+the first token in one of the list items is the control sequence 
+|\metrics|, then the rest of that item is interpreted as explicit 
+metric commands to execute.
+
+If the \meta{metrics} of two subsequent |\install|\-|font| 
+or |\install|\-|raw|\-|font| commands are identical then the glyph 
+bases will be identical as well. This creates an opportunity for 
+optimization, which \fontinst makes use of by caching glyph 
+bases from one installation command to the next so that the glyph 
+base does not have to be rebuilt in these cases. A side-effect of 
+this caching is that local assignments made between two font 
+installation commands are cleared out with the glyph base, but 
+|\setint| and similar \fontinst commands make global 
+assignments when used in such positions.
+
+Some examples might be in order. The first is an adaptation of an 
+installation command from \texttt{mfnt-0.59} %~\cite{mfnt} 
+by Matthias Clasen and Ulrik Vieth: the installation command for the 
+8-bit math font \texttt{xma1000} (which can be thought of as being 
+to \texttt{cmmi10} sort of as \texttt{ecrm1000} is to \texttt{cmr10}). 
+The first three \texttt{encoding} clauses are more fine-tuning---without 
+them, a few glyphs would get incorrect names---but the last two are 
+quite essential, as the \texttt{msam10} and \texttt{msbm10} fonts 
+incorrectly claim to have the coding scheme \texttt{TEX MATH 
+SYMBOLS}.
+\begin{verbatim}
+  \installfont{xma1000}{%
+     yma1000 encoding mcin,%
+     cmr10 encoding ot1upright,%
+     cmmi10,%
+     cmsy10 encoding omscal,%
+     msam10 encoding msam,%
+     msbm10 encoding msbm,%
+     mccmhax,mccmkern,mcmissing,%
+     cmsy10-base,cmsy10-extra%
+  }{mc}{MC}{cm}{m}{n}{<10->}
+\end{verbatim}
+Also note the explicit \LaTeX\ size specification for the range 
+``10\,pt and up''.
+
+The second example makes use of a \texttt{suffix} clause to combine 
+the letters from one font with the digits from another.
+\begin{verbatim}
+  \installfont{msbrj8t}{msbr8r,msbrc8r suffix /2,latin}{digit2,t1}
+    {T1}{msbj}{m}{n}{}
+\end{verbatim}
+In this case, the glyph base contains the glyphs of Monotype Sabon 
+(SabonMT)---under names such as \texttt{A} for `A', \texttt{a} for 
+`a', and \texttt{one} for a lining digit one---as well as the 
+glyphs of Monotype Sabon Small Caps and Oldstyle Figures 
+(SabonMT-SCOSF)---under names such as \texttt{A/2} for `A', 
+\texttt{a/2} for `\textsc{a}', and \texttt{one/2} for a hanging 
+digit one. The \texttt{digit2.etx} file simply makes the definition
+\begin{verbatim}
+  \setcommand\digit#1{#1/2}
+\end{verbatim}
+which causes \texttt{t1.etx} to put \texttt{zero/2} in slot 48 (digit 
+zero), \texttt{one/2} in slot 49 etc., instead of as it normally 
+would \texttt{zero} in slot 48, \texttt{one} in slot 49 and so on. 
+The net effect is that the digits in the generated \texttt{msbrj8t} 
+is from \texttt{msbrc8r} (SabonMT-SCOSF) but everything else is from 
+\texttt{msbr8r} (SabonMT).
+
+The third example makes use of an \texttt{mtxasetx} clause to install 
+(with its default encoding) a font for which creating an appropriate 
+ETX file seems not worth the trouble.
+\begin{verbatim}
+  \installrawfont{psyr}{psyr,\metrics 
+     \setint{xheight}{\height{alpha}}
+  }{txtfdmns,psyr mtxasetx}{U}{psy}{m}{n}{}
+\end{verbatim}
+The effect of the second \texttt{psyr} is that \texttt{psyr.mtx} is 
+read (in case there was no \texttt{psyr.mtx} then it is created from 
+(hopefully) \texttt{psyr.afm}) and the information in it will form 
+the glyph base. Because of the |\metrics| control sequence, the rest 
+of that item will be interpreted as explicit metric commands 
+modifying the glyph base, and thus the |\setint| command can provide 
+a value for the \texttt{xheight} variable (there doesn't seem to be 
+such a value in the AFM). Once the glyph base is completed, the 
+|\install|\-|raw|\-|font| starts writing the file \texttt{psyr.pl} 
+(that's for the first \texttt{psyr}). The encoding of that font will, 
+because of the \texttt{psyr mtxasetx}, be the same as that used in 
+\texttt{psyr.mtx}. Finally, the \texttt{txtfdmns} is for 
+\texttt{txtfdmns.etx}, an ETX file which sets fontdimens 1--16 as for 
+a \texttt{T1} encoded font but does not set any slots. Since 
+\texttt{psyr.mtx} reinterpreted as an ETX file sets slots but no 
+fontdimens, these complement each other nicely.
+
+
+
+\subsection{Bounding boxes}
+
+Han The Thanh has created an implementation of bounding box support 
+for \fontinst, and it is a modified form of that support 
+is distributed with \fontinst as the file \texttt{bbox.sty}. To load 
+this, begin your command file with
+\begin{verbatim}
+   \input fontinst.sty
+   \input bbox.sty
+\end{verbatim}
+The reason for not making it default is that keeping track of bounding 
+boxes increases some of \fontinst's memory requirements quite a lot.
+
+One important 
+characteristic of this implementation is that the dimensions of the 
+bounding box are not bundled into the same data structure (the 
+|\g-|\meta{glyph} macros) as the glyph's width, height, depth, and 
+italic correction are, but stored in a separate data structure (the 
+|\gb-|\meta{glyph} macros). A glyph doesn't need to have its bounding 
+box set, it is simply a piece of information that \fontinst 
+will store if you tell it to and which you can later retrieve.
+
+The bounding box will be stored as coordinates of the sides in the 
+normal AFM coordinate system. The commands for retrieving these 
+coordinates are
+\begin{center}
+  \begin{tabular}{ll}
+    \textbf{Command}& \textbf{Side}\\
+    |\bbtop|\marg{glyph}& top ($y$-coordinate)\\
+    |\bbbottom|\marg{glyph}& bottom ($y$-coordinate)\\
+    |\bbleft|\marg{glyph}& left ($x$-coordinate)\\
+    |\bbright|\marg{glyph}& right ($x$-coordinate)
+  \end{tabular}
+\end{center}
+In Thanh's implementation the command names were |\ury|, |\lly|, 
+|\llx|, and |\urx| respectively instead, but I think the former are 
+easier to remember. If no bounding box has been set for a glyph then 
+the above commands will instead report the corresponding coordinate of 
+the glyph's \TeX\ box (i.e.\ |\height|\marg{glyph}, 
+|\neg{\depth|\marg{glyph}|}|, |0|, and |\width|\marg{glyph} 
+respectively).
+
+The command for setting the bounding box of a glyph is
+\begin{quote}
+  |\setglyphbb|\marg{glyph}\marg{left}\marg{bottom}\marg{right}%
+  \marg{top}
+\end{quote}
+
+
+
+\section{Miscellaneous notes}
+
+\subsection{On verbatim, typewriter, and monowidth fonts}
+
+The verbatim, typewriter, and monowidth concepts are common sources 
+of confusion for those who use \fontinst to install fonts 
+with \LaTeX; in particular 
+there are many misconceptions about the relation between them. The 
+official view (of which not much has actually been brought forward) 
+is that these concepts are really about three quite different things. 
+
+A font is a \emph{monowidth} (monospaced, fixed-pitch) font if all 
+glyphs in it have exactly the same width. Some font formats make 
+special provisions for such fonts; the most notable example is the 
+AFM format, where a single \texttt{CharWidth} keyword specifies the 
+width for all glyphs in the font. \Fontinst responds to this 
+by including the command
+\begin{quote}
+  |\setint{monowidth}{1}|
+\end{quote}
+in the MTX file generated from an AFM, but that is everything that is 
+hard-wired into the program. That a font is monowidth is however 
+something that one should take note of when installing it for \TeX, 
+as it means many of the glyphs in it have such a strange appearance 
+that they are (pretty much) useless. The \texttt{endash} is for 
+example usually only half as long as the \texttt{hyphen} and the 
+letters in ligature glyphs are only half as wide as normal letters. 
+Many of the ETX and MTX files that come with \fontinst 
+contain special commands to avoid making use of such degenerate 
+glyphs.
+
+That a font is a \emph{typewriter} font really only means that it has 
+a typewriterish look about it. The two most familiar typewriter fonts 
+are probably Computer Modern Typewriter (\texttt{cmtt}) and Courier. 
+Both of these fonts are monowidth, but there is no absolute rule about 
+this. One of the standard \TeX\ fonts is for example Computer Modern 
+Variable-width Typewriter (\texttt{cmvtt}), which is not a monowidth 
+font, as Figure~\ref{Fig:TTvsVTT} shows.
+\begin{figure}
+  \begin{tabular}{ll}
+    \texttt{cmtt}:& \fontfamily{cmtt}\selectfont
+      The quick brown fox jumps over the lazy dog.\\
+    \texttt{cmvtt}:& \fontfamily{cmvtt}\selectfont
+      The quick brown fox jumps over the lazy dog.
+  \end{tabular}
+  \caption{Two typewriter fonts}
+  \label{Fig:TTvsVTT}
+\end{figure}
+
+The verbatim concept has very little to do with fonts at all; in 
+\LaTeX\ it is considered to be a property of the environment 
+(\texttt{verbatim}, \texttt{macrocode}, etc.) rather than a property 
+of the font. The connection there is with fonts is that the encoding 
+of the font must contain visible ASCII (as defined in Appendix~C 
+of \emph{The \TeX book}%~\cite{TeXbook}
+) as a subset for the text to 
+be rendered correctly. The \texttt{cmtt} family is the only one amongst 
+the original Computer Modern fonts which meets this criterion and 
+that is the primary grounds for the idea that these three concepts 
+should be connected. Today that reason is at best a very weak one, as 
+all \texttt{T1}-encoded fonts also meet the criterion of containing 
+visible ASCII as a subset.
+
+A circumstance which has probably added to the confusion is that 
+\texttt{OT1} is usually claimed to be an encoding. In reality the 
+Computer Modern fonts that are declared in \LaTeX\ as being 
+\texttt{OT1} display as many as five different encodings, as shown in 
+Table~\ref{Tab:OT1-fonts}.
+\begin{table}
+  \begin{tabular}{lccc}
+    & \texttt{TEX TEXT}& 
+      \begin{tabular}[b]{c}\texttt{TEX TEXT WITHOUT}\\
+        \texttt{F-LIGATURES}\end{tabular}&
+      \texttt{TEX TYPEWRITER TEXT}\\
+      \noalign{\medskip}
+    non-italic&
+      \begin{tabular}{l}
+        \texttt{cmb10}\\
+        \texttt{cmbx5}--\texttt{12}\\
+        \texttt{cmbxsl10}\\
+        \texttt{cmdunh10}\\
+        \texttt{cmff10}\\
+        \texttt{cmfib8}\\
+        \texttt{cmr6}--\texttt{17}\\
+        \texttt{cmsl8}--\texttt{12}\\
+        \texttt{cmss8}--\texttt{17}\\
+        \texttt{cmssbx10}\\
+        \texttt{cmssdc10}\\
+        \texttt{cmssi8}--\texttt{17}\\
+        \texttt{cmssq8}\\
+        \texttt{cmssqi8}\\
+        \texttt{cmvtt10}
+      \end{tabular}&
+      \begin{tabular}{l}
+        \texttt{cmcsc8}--\texttt{10}\\
+        \texttt{cmr5}
+      \end{tabular}&
+      \begin{tabular}{l}
+        \texttt{cmsltt10}\\
+        \texttt{cmtcsc10}\\
+        \texttt{cmtt8}--\texttt{12}
+      \end{tabular}\\
+      \noalign{\medskip}
+    italic&
+      \begin{tabular}{l}
+        \texttt{cmbxti10}\\
+        \texttt{cmfi10}\\
+        \texttt{cmti7}--\texttt{12}\\
+        \texttt{cmu10}
+      \end{tabular}&&
+      \begin{tabular}{l}
+        \texttt{cmitt10}
+      \end{tabular}
+  \end{tabular}
+  \caption{``\texttt{OT1}-encoded'' Computer Modern fonts, collected 
+    according to the actual font encoding}
+  \label{Tab:OT1-fonts}
+\end{table}
+Since most monowidth fonts are only used for setting verbatim text, 
+there is some code in \texttt{ot1.etx} which automatically chooses a 
+\texttt{TEX TYPEWRITER TEXT} encoding for the font when the 
+\texttt{monowidth} integer is set. The only reason for this is the 
+guess that this is what the user wanted.
+
+
+
+\section*{Acknowledgements}
+
+I'd like to thank all of the \fontinst $\alpha$-testers, especially
+Karl Berry, Damian Cugley, Steve Grahthwohl, Yannis Haralambous, Alan
+Hoenig, Rob Hutchings, Constantin Kahn, Peter Busk Laursen, Ciar{\'a}n {\'O}
+Duibh{\'\i}n, Hilmar Schlegel, Paul Thompson, Norman Walsh and John Wells,
+who made excellent bug-catchers!
+
+Thanks to Barry Smith, Frank Mittelbach, and especially Sebastian
+Rahtz for many useful email discussions on how virtual fonts should
+interact with \LaTeXe.
+
+Thanks to Karl Berry and Damain Cugley for detailed comments on this
+documentation.
+
+Thanks to David Carlisle for the use of his \texttt{trig} macros for
+calculating trigonometry.
+
+
+% \section*{Warranty and distribution}
+% 
+% There is no warranty for the \fontinst package, to the extent
+% permitted by applicable law. Except when otherwise stated in writing,
+% the author provides the program `as is' without warranty of any kind,
+% either expressed or implied, including, but not limited to, the
+% implied warranties of merchantability and fitness for a particular
+% purpose. The entire risk as to the quality and performance of the
+% program is with you.  Should the package prove defective, you assume
+% the cost of all necessary servicing, repair or correction.
+% 
+% In no event unless required by applicable law or agreed to in writing
+% will the author be liable to you for damages, including any general,
+% special, incidental or consequential damages arising out of the use or
+% inability to use the program (including but not limited to loss of
+% data or data being rendered inaccurate or losses sustained by you or
+% third parties or a failure of the program to operate with any other
+% programs), even if such holder or other party has been advised of the
+% possibility of such damages.
+% 
+% Redistribution of unchanged files is allowed provided that all files
+% listed in the \texttt{MANIFEST} file are distributed.
+% 
+% If you receive only some of these files from someone, or if you
+% receieve altered files, then complain!
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fontinst/base/manual/intro98.pdf b/Master/texmf-dist/doc/fontinst/base/manual/intro98.pdf
new file mode 100644
index 00000000000..d18cd3d8616
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/manual/intro98.pdf
diff --git a/Master/texmf-dist/doc/fontinst/base/manual/intro98.tex b/Master/texmf-dist/doc/fontinst/base/manual/intro98.tex
new file mode 100644
index 00000000000..0e7c485ab6c
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/manual/intro98.tex
@@ -0,0 +1,1330 @@
+%%% ====================================================================
+%%%  @LaTeX-file{
+%%%     author          = "Alan Jeffrey and Rowland McDonnell and
+%%%                        Ulrik Vieth and Lars Hellstr{\"o}m",
+%%%     version         = "1.927",
+%%%     date            = "28 July 2004",
+%%%     time            = "23:20:27 CEST",
+%%%     filename        = "intro98.tex",
+%%%     email           = "fontinst@tug.org",
+%%%     checksum        = "",
+%%%     codetable       = "ISO/ASCII",
+%%%     keywords        = "fontinst, TeX, PostScript, documentation",
+%%%     supported       = "yes",
+%%%     abstract        = "This is documentation for the fontinst
+%%%                        font installation package.",
+%%%     package         = "fontinst",
+%%%     dependencies    = "ltxguide.cls, url.sty, xspace.sty"
+%%%  }
+%%% ====================================================================
+
+% Copyright 1993, 1994, 1995, 1996 Alan Jeffrey
+
+% Modified by Rowland McDonnell June 1998
+% Modified and revised by Ulrik Vieth June 1998
+
+\documentclass[a4paper]{ltxguide}
+\usepackage[OT1]{fontenc}
+\usepackage{url,xspace}
+\usepackage{graphicx}
+%\renewcommand\rmdefault{ppl}
+%\renewcommand\rmdefault{padx}
+%\renewcommand\rmdefault{pmnx}
+
+
+% Title page and running heads.
+
+\makeatletter
+\newcommand{\subtitle}[1]{\renewcommand{\@subtitle}{#1}}
+\newcommand{\version}[1]{\renewcommand{\@version}{#1}}
+\newcommand{\illustration}[1]{\renewcommand{\@illustration}{#1}}
+
+\newcommand{\@subtitle}{}
+\newcommand{\@version}{???}
+\newcommand{\@illustration}{cover.eps}
+
+\pagestyle{myheadings}
+\AtBeginDocument{\markright{\small\itshape
+  \@author\hfill\@title: \@subtitle\quad}}
+
+
+\renewcommand{\maketitle}{{%
+   \thispagestyle{empty}%
+   \normalfont\centering
+   \null
+   {\fontsize{100}{100}\textit{\@title}}%
+   \par\bigskip
+   {\Large\textbf{\@subtitle}}%
+   \vfill
+   \includegraphics[width=\textwidth]{\@illustration}%
+   \vfill
+   {\Large\textbf{%
+      \@author\\[\smallskipamount] \@title~v\@version
+      \quad\textperiodcentered\quad \@date}}%
+   \clearpage
+}}
+\makeatother
+
+
+% Set lists tighter (assuming non-zero \parskip).
+
+\makeatletter
+\renewcommand{\@listI}{%
+   \leftmargin\leftmargini
+   \parsep\medskipamount
+   \itemsep\z@ % + parsep
+   \topsep\z@ % + parskip
+   \partopsep\z@
+}
+\makeatother
+
+% Set spacing around captions.
+
+\setlength{\abovecaptionskip}{\medskipamount}
+\setlength{\belowcaptionskip}{\medskipamount}
+
+% Markup for logos, file types, programs, etc.
+
+\newcommand*{\cs}[1]{\texttt{\char`\\ #1}\xspace}
+
+\newcommand*{\OzTeX}{O\kern-.03em z\kern-.15em\TeX}
+\newcommand*{\OzMF}{O\kern-.03em zMF}
+\newcommand*{\OzTools}{O\kern-.03em z\kern-.15em Tools}
+
+\newcommand{\PS}{Post\-Script\xspace}
+\newcommand{\TT}{True\-Type\xspace}
+
+\newcommand*{\setfilename}[1]{\texttt{#1}}
+\newcommand*{\setdotfilename}[1]{\setfilename{.#1}}
+\newcommand*{\setpackagename}[1]{\textsc{#1}}
+
+\newcommand{\dvips}   {\setpackagename{dvips}\xspace}
+\newcommand{\Dvips}   {\setpackagename{Dvips}\xspace}
+\newcommand{\fontinst}{\setpackagename{font\-inst}\xspace}
+\newcommand{\Fontinst}{\setpackagename{Font\-inst}\xspace}
+
+% \show\fontname
+\newcommand{\fontnamekb}{fontname\xspace}
+\newcommand{\Fontnamekb}{Fontname\xspace}
+
+\newcommand{\mf} {\setfilename{mf}\xspace}
+\newcommand{\Mf} {\setfilename{Mf}\xspace}
+\newcommand{\vf} {\setfilename{vf}\xspace}
+\newcommand{\Vf} {\setfilename{Vf}\xspace}
+\newcommand{\pl} {\setfilename{pl}\xspace}
+\newcommand{\Pl} {\setfilename{Pl}\xspace}
+\newcommand{\fd} {\setfilename{fd}\xspace}
+\newcommand{\Fd} {\setfilename{Fd}\xspace}
+\newcommand{\pk} {\setfilename{pk}\xspace}
+\newcommand{\Pk} {\setfilename{Pk}\xspace}
+\newcommand{\afm}{\setfilename{afm}\xspace}
+\newcommand{\Afm}{\setfilename{Afm}\xspace}
+\newcommand{\vpl}{\setfilename{vpl}\xspace}
+\newcommand{\Vpl}{\setfilename{Vpl}\xspace}
+\newcommand{\tfm}{\setfilename{tfm}\xspace}
+\newcommand{\Tfm}{\setfilename{Tfm}\xspace}
+\newcommand{\mtx}{\setfilename{mtx}\xspace}
+\newcommand{\Mtx}{\setfilename{Mtx}\xspace}
+\newcommand{\etx}{\setfilename{etx}\xspace}
+\newcommand{\Etx}{\setfilename{Etx}\xspace}
+\newcommand{\pfa}{\setfilename{pfa}\xspace}
+\newcommand{\Pfa}{\setfilename{Pfa}\xspace}
+\newcommand{\pfb}{\setfilename{pfb}\xspace}
+\newcommand{\Pfb}{\setfilename{Pfb}\xspace}
+\newcommand{\dvi}{\setfilename{dvi}\xspace}
+\newcommand{\Dvi}{\setfilename{Dvi}\xspace}
+\newcommand{\ttf}{\setfilename{ttf}\xspace}
+\newcommand{\Ttf}{\setfilename{Ttf}\xspace}
+
+\newcommand{\vftovp}{\setpackagename{vftovp}\xspace}
+\newcommand{\vptovf}{\setpackagename{vptovf}\xspace}
+\newcommand{\pltotf}{\setpackagename{pltotf}\xspace}
+\newcommand{\tftopl}{\setpackagename{tftopl}\xspace}
+
+
+% Stolen from Dr Knuth
+\makeatletter % borrow the private macros of PLAIN (with care)
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+% macros for font tables
+\def\oddline#1{\cr
+  \noalign{\nointerlineskip}
+  \multispan{19}\hrulefill&
+  \setbox0=\hbox{\lower 2.3pt\hbox{\hex{#1x}}}\smash{\box0}\cr
+  \noalign{\nointerlineskip}}
+\def\evenline{\cr\noalign{\hrule}}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\beginchart#1{$$\global\count@=0 #1
+  \halign to\hsize\bgroup
+    \chartstrut##\tabskip0pt plus10pt&
+    &\hfil##\hfil&\vrule##\cr
+    \lower6.5pt\null
+    &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+  &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$}
+\def\*{\global\advance\count@ by1 }
+\def\:{\setbox0=\hbox{\char\count@}%
+  \ifdim\ht0>7.5pt\reposition
+  \else\ifdim\dp0>2.5pt\reposition\fi\fi
+  \box0\global\advance\count@ by1 }
+\def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}
+\def\smallchart{%
+%\global\advance\count@ by16
+  &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+  &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+  &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+  &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+  &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+  &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+  &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+  &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+  &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+\def\bigchart{%
+%\global\advance\count@ by16
+  &\oct{00x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline0
+  &\oct{01x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{02x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline1
+  &\oct{03x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{04x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline2
+  &\oct{05x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{06x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline3
+  &\oct{07x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{10x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline4
+  &\oct{11x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{12x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline5
+  &\oct{13x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{14x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline6
+  &\oct{15x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{16x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline7
+  &\oct{17x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{20x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline8
+  &\oct{21x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{22x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline9
+  &\oct{23x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{24x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{A}
+  &\oct{25x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{26x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{B}
+  &\oct{27x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{30x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{C}
+  &\oct{31x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{32x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{D}
+  &\oct{33x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{34x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{E}
+  &\oct{35x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline
+  &\oct{36x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\oddline{F}
+  &\oct{37x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&\evenline}
+
+% \font\xrm = cmr10 at 10pt % change this line to test font
+% \beginchart\xrm \normalchart \endchart
+
+\newcommand{\smallfontchart}[1]{%
+  \font\xrm = #1 \beginchart\xrm \smallchart \endchart}
+\newcommand{\bigfontchart}[1]{%
+  \font\xrm = #1 \beginchart\xrm \bigchart \endchart}
+
+% \smallfontchart{cmr10 at 10pt}
+% \bigfontchart{ecrm1000 at 10pt}
+\makeatother
+% End stolen from Dr Knuth
+
+
+
+\title{fontinst}
+\subtitle{Font installation software for \TeX}
+\author{Alan Jeffrey and Rowland McDonnell}
+\illustration{roadmap.eps}
+\version{1.8}
+\date{30 June 1998}
+
+\begin{document}
+
+\maketitle
+
+
+\begin{small}
+  This is the tutorial part of the 1998 \fontinst manual, chiefly 
+  written by Rowland McDonnell and conveying his then-view on related 
+  subjects. Although most of it is still correct, 
+  the passing of time has rendered it somewhat antiquated, and the 
+  average current (2004) user new to \fontinst would probably find 
+  Philipp Lehman's \emph{The Font Installation Guide} 
+  (\url{http://www.ctan.org/tex-archive/info/Type1fonts/fontinstallationguide/})
+  more relevant.
+\end{small}
+
+\tableofcontents
+
+
+\clearpage
+
+\section{Introduction}
+
+The \fontinst package is a set of \TeX\ macros written to create
+virtual fonts for use with \TeX. Its main use is creating the
+files needed so you can use PostScript Type 1 fonts with \LaTeX.
+
+\Fontinst needs information about the fonts it works with.  This
+information needs to be supplied in an Adobe Font Metric (\afm) or
+\TeX\ Property List (\pl) file.  \pl files can be created from
+\tfm files using \tftopl, a program normally included with a \TeX\
+system.
+
+The job that \fontinst does is complicated, but it can be used for
+many tasks by people who are not \TeX\ font wizards.  Having said
+that, you do need to understand at least the basics of \LaTeXe's
+font selection mechanism, which is documented in
+\texttt{fntguide.tex}, part of the standard \LaTeX\ distribution.
+\url{ftp://ftp.tex.ac.uk/tex-archive/macros/latex/base/fntguide.tex}
+will fetch a copy if you don't have one to hand.
+
+To get the most benefit out of \fontinst, it's important to
+understand and use Karl Berry's `\Fontnamekb' naming scheme.  The
+definitive version of this is available from your nearest CTAN
+server.  The following URL will fetch all the files needed
+compressed into a single ZIP archive:
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname.zip}.  I
+suggest that you print out the \Fontnamekb documentation and have
+it handy when you're learning about \fontinst.
+
+The \fontinst package:
+\begin{itemize}
+\item Is written in \TeX, for maximum portability (at the cost of
+  speed).
+\item Supports the OT1 (Computer Modern) and T1 (Cork) encodings.
+\item Allows fonts to be generated with arbitrary `fake'
+  characters; for example the `ij' character can be faked if
+  necessary by putting an `i' next to a `j'.
+\item Allows caps and small caps fonts with letter spacing and
+  kerning.
+\item Allows kerning to be shared between characters, for example
+  `ij' can be kerned on the left as if it were an `i' and on the
+  right as if it were a `j'.  This is useful, since many
+  PostScript fonts only include kerning information for characters
+  without diacriticals.
+\item Allows the generation of math fonts with \verb|nextlarger|,
+  \verb|varchar|, and arbitrary font dimensions.
+\item Allows more than one PostScript font to contribute to a
+  \TeX\ font, for example the `ffi' ligatures for a font can be
+  taken from the Expert encoding, if you have it.
+\item Can automatically generate a \fd file for use with \LaTeXe.
+\item Can be customized by the user to deal with arbitrary font
+  encodings.
+\end{itemize}
+Fontinst has been a stable piece of software since mid-1994.  All
+further updates will be upwardly compatible with the interface
+described in this document.
+
+\subsection{What does \fontinst do?}
+
+\Fontinst is a tool written in \TeX\ that can create the various
+extra files needed so you can use \PS fonts with \LaTeX\ and \TeX.
+It can read in \afm files, and produces the necessary \vpl, \pl,
+and \fd files to use the fonts (the human-readable \vpl and \pl
+files produced by \fontinst are turned into the machine-readable
+\vf and \tfm forms by \vptovf and \pltotf).  It does not help you
+configure your DVI driver.
+
+There also exists a \texttt{perl} front-end to \fontinst, intended
+specifically for use with a Unix \TeX\ system, which takes care of
+routine tasks such as running \vptovf and \pltotf on the generated
+files after \fontinst has finished it's job.  It also generates a
+font map file for use with \dvips.
+
+\Fontinst's main job is creating \vf files (virtual fonts).  Not
+all \TeX\ systems can use them.  As far as I know, all current
+(1998) free and shareware \TeX\ systems can; virtual fonts have
+been in widespread use with \TeX\ since 1990.  If you have a TeX
+system that can't use virtual fonts, \fontinst is most likely
+useless to you.
+
+There are some nice things about having a tool written in \TeX\ to
+do this: it's completely portable and you can modify its behaviour
+using \TeX\ commands.  The only real problem is that it's
+relatively slow: you can expect a typical \fontinst run to take
+something like 10--20 minutes on, say, a 40~MHz 80486SX PC or a
+25~MHz 68LC040 Macintosh.
+
+\Fontinst can do its work on any font for which you have a
+corresponding \afm or \tfm metric file, so it's not limited to
+working with \PS fonts; I have used it to produce the files I
+needed to use \TT fonts with \LaTeX. Whether or not you can do
+this depends on whether or not you have suitable metric files and
+whether or not your \TeX\ system can use \TT fonts.  In
+particular, the pdf\TeX\ program supports \TT fonts and includes a
+utility \texttt{ttf2afm} to generate \afm files from \ttf fonts.
+
+Some people have used \fontinst to produce `special effects' with
+normal \TeX\ fonts.  One example is the \setpackagename{eco} set
+of fonts (available from CTAN:
+\url{ftp://ftp.tex.ac.uk/tex-archive/fonts/eco/}).  These fonts
+are the same as the standard EC (European Modern) fonts, but with
+normal numerals replaced with old style numerals --
+\oldstylenums{12345} rather than 12345 -- everywhere except in
+maths mode.
+
+\subsection{Installation}
+
+To install \fontinst, put the contents of the \url{inputs/tex},
+\url{inputs/etx}, \url{inputs/mtx} and \url{examples} directories
+into a directory read by \TeX, for example
+\url{TEXMF/tex/generic/fontinst}.
+
+When you use \fontinst, you need to make sure that the \afm and
+\pl files it will work on are in a directory searched by \TeX.
+
+If you are using \texttt{web2c} \TeX\ on a Unix system with the
+\TeX\ directory structure (TDS), you might put all the \afm files
+in subdirectories of \url{TEXMF/fonts/afm/*}.  And then say:
+\begin{verbatim}
+   setenv TEXINPUTS $TEXMF/fonts/afm//::
+\end{verbatim}%$
+Note that \pl files are not normally kept in \TeX\ installations, so
+if you want to use MF fonts with \fontinst you have to generate the
+corresponding \pl files from \tfm files and put them in your working
+directory before running \fontinst.
+
+You could adopt a similar strategy with other \TeX\ systems:
+create directories for the required files and then change the
+relevant parameter (\url{input_folders} in the default
+configuration file with \OzTeX, for example).
+
+The approach I use is this: I write a file containing commands for
+\fontinst to process, and put the \afm and \pl files needed in the
+same directory as that file.  When \fontinst has finished working,
+I delete the \afm and \pl files because they are not needed and
+waste space on my hard disc drive.  Some application programs on
+some computers need \afm files, so it's not always a good idea to
+remove them completely.
+
+\subsection{Why do we need \fontinst?}
+
+\TeX\ refers to characters by number when it's typesetting.  When
+you use a command like \verb|\i|, \TeX\ puts a number (16 if
+you're using OT1, 25 if you're using T1) into the \dvi file.  If
+you're using a font designed for use with \TeX, this number will
+correspond to the character `\i'.  Assuming OT1 encoding for the
+moment, when you come to print out your \dvi file, the DVI driver
+will see the number 16 in the \dvi file, and select the character
+that sits in position 16 of the corresponding printer font file (a
+\pk file in the case of normal \TeX\ fonts).  Unless something has
+gone wrong, that will result in the character `\i' being placed on
+the page.
+
+It's useful to think of these numbers and the actual characters
+corresponding to each number as sets called `encodings'.  A
+particular set of characters are assigned particular numbers.  An
+example of an encoding is shown in table~\ref{OT1table}.
+
+\TeX\ began life using 7-bit fonts.  This means the original \TeX\
+fonts used the numbers 0--127 to represent characters:
+128~characters per font.  \TeX\ can now use 8-bit fonts:
+256~numbers from 0--255, but even so, most typesetting with \TeX\
+still uses the original 7-bit encoding, now called `OT1' (Old
+\TeX~1 encoding).  This has a correspondance between numbers and
+characters shown in table~\ref{OT1table}.  The numbers used in
+that table are hexadecimal and octal because it makes for a neat
+table and anyway I stole the code to generate it from Donald Knuth
+and that's how he did it.
+
+\begin{table}[!t]
+\smallfontchart{cmr10 at 10pt}
+\caption{The OT1 font encoding}\label{OT1table}
+\end{table}
+
+Returning to the example above, if you've a number 16 in your \dvi
+file (expecting `\i', a dotless~i), but rather than printing
+with an OT1 encoded font, you print using a non re-encoded \PS
+font in Adobe standard encoding, you'll get a blank, because the
+Adobe standard encoding has nothing in that character position.
+
+There are several ways round this problem; I'll consider two cases
+here.  If you are using \LaTeX\ you can tell it about a new
+encoding and re-define the commands that produce characters like
+`\i' that live in different positions in different encodings, or
+you can use a tool to re-encode the font so that it has the
+expected characters in the appropriate positions.
+
+Re-encoding is the approach \fontinst uses: it can produce files
+to map the characters in the new font to one of \TeX's existing
+encodings; this works with formats other than \LaTeX.
+
+The first approach is used to define the standard encodings that
+\LaTeX\ uses.  See, for example, the file \texttt{ot1enc.def} that
+comes with the current \LaTeX\ distribution, which defines the a
+few commands that refer to characters which aren't in the
+positions \TeX\ would otherwise assume.  This works only with
+modern versions of \LaTeX.
+
+The second approach is used to allow you to use fonts in other
+encodings with any dialect of \TeX. It has the some advantages
+over the first method: it works with any \TeX\ format; and it
+improves portability, because you can typeset a document using a
+standard \TeX\ encoding, sure that the same document will print
+correctly on a different kind of computer using a font with a
+different encoding.  For example, you might say:
+\begin{verbatim}
+  \usepackage{times}
+\end{verbatim}
+in the preamble of your document.  On my computer, that means my
+DVI driver will use a Macintosh encoded \TT version of Times.  On
+your computer, it might mean the dvi driver will use a Unicode
+encoded \PS version of Times-Roman.  The results will be identical
+in either case, without needing to modify the document.
+
+\subsection{How do you use \fontinst?}
+
+\Fontinst works on \afm files named (more-or-less) according to
+Karl Berry's font naming scheme (see
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname} at CTAN).
+Let's say you want to use the Adobe Times fonts.  You can get the
+metric files for this font from CTAN:
+\begin{center}
+\begin{small}
+\begin{tabular}{ll}
+  \emph{Location of file at CTAN} & \emph{Rename to} \\
+  \url{fonts/psfonts/adobeafm/base35/tib_____.afm} &
+  \texttt{ptmb8a.afm} \\
+  \url{fonts/psfonts/adobeafm/base35/tibi____.afm} &
+  \texttt{ptmbi8a.afm} \\
+  \url{fonts/psfonts/adobeafm/base35/tii_____.afm} &
+  \texttt{ptmri8a.afm} \\
+  \url{fonts/psfonts/adobeafm/base35/tir_____.afm} &
+  \texttt{ptmr8a.afm}
+\end{tabular}
+\end{small}
+\end{center}
+The new name is the name you should give the \tfm files so that
+\fontinst understands what each file contains.  The initial `|p|'
+means `Adobe'; `|tm|' means `Times'; `|b|' bold, `|r|' roman,
+`|i|' italic; and `|8a|' means `Adobe standard encoding'.
+
+The simplest use of \fontinst is to put the four \afm files in the
+same directory as \texttt{fontinst.sty} and run \TeX\ on
+\texttt{fontinst.sty}.  At the \verb|*| prompt type:
+\begin{verbatim}
+  *\latinfamily{ptm}{} \bye
+\end{verbatim}
+
+Some time later (about 17 minutes on my rather old computer),
+\fontinst will have finished, having created:
+\begin{itemize}
+\item Two \pl files for each \afm file
+\item One \vpl file for each \TeX\ font
+\item One \fd file for each family
+\end{itemize}
+The \pl files come in pairs: for example, \texttt{ptmb8a.pl} and
+\texttt{ptmb8r.pl}.  The |8a| version has the same encoding as the
+original font; the |8r| version is re-encoded to |TeXBase1| (|8r|)
+encoding, and is the font that is the base on which the T1 and OT1
+encoded versions are based on.  The raw |8a| (Adobe standard)
+encoded font is not normally used.
+
+These can be converted to \TeX\ fonts using \pltotf or \vptovf.
+If you have \OzTeX, launch \OzMF, select \pltotf (or \vptovf) from
+the Tools menu, and say `Do all files'.
+
+If you use the \texttt{bash} shell on a Unix system,  you can
+process all files using these one-liners at the \verb|$| prompt:
+\begin{verbatim}
+   $ for f in in *.pl;  do pltotf $f; done
+   $ for f in in *.vpl; do vptovf $f; done
+\end{verbatim}%$
+(This assumes that \pltotf and \vptovf can deduce the file names
+of the corresponding \tfm and \vf files automatically.)
+
+You should then:
+\begin{itemize}
+\item Move the \tfm files to your \TeX\ fonts directory\\
+   (e.g.~\url{TEXMFLOCAL/fonts/tfm/*}).
+\item Move the \vf files to your virtual fonts directory\\
+   (e.g.~\url{TEXMFLOCAL/fonts/vf/*}).
+\item Move the \fd files to your \TeX\ inputs directory\\
+   (e.g.~\url{TEXMFLOCAL/tex/latex/psfonts/*}).
+\end{itemize}
+If your \TeX\ installation is organized using the \TeX\ directory
+structure (TDS), it is customary to subdivide the \tfm and \vf
+files into subdirectories by supplier and typeface name.
+
+The \pl, \vpl, and \mtx files are debris that can now be deleted.
+\mtx files are font metric files \fontinst creates for its own use
+from \afm and \pl files.  They're just more convenient for \TeX\
+to read than other forms -- think of them as \fontinst readable
+\afm and \pl files.
+
+By now, you have all the files in place to produce a \dvi file
+using the new fonts.  You can make Adobe Times the default roman
+font in your document by putting this in your preamble:
+\begin{verbatim}
+   \renewcommand{\rmdefault}{ptm}
+\end{verbatim}
+
+\TeX\ will now happily produce a perfectly good \dvi file
+including the new font, which your DVI driver will choke on
+because you've not yet told it about the new fonts.  Exactly how
+you do this depends on the dvi driver, but they all need the same
+information: the name of a \TeX\ font; the printer font name it
+corresponds to; some information to handle an re-encoding needed;
+and (in the case of a \PS driver) perhaps an instruction to
+download the font to the printer.  You don't need to download the
+Times font to a \PS printer, because Times is built in to every
+\PS printer.
+
+If you use \dvips, these lines added to your \texttt{psfonts.map}
+file will do the job:
+\begin{verbatim}
+  ptmr8r   Times-Roman       "TeXBase1Encoding ReEncodeFont"  <<8r.enc
+  ptmri8r  Times-Italic      "TeXBase1Encoding ReEncodeFont"  <<8r.enc
+  ptmb8r   Times-Bold        "TeXBase1Encoding ReEncodeFont"  <<8r.enc
+  ptmbi8r  Times-BoldItalic  "TeXBase1Encoding ReEncodeFont"  <<8r.enc
+  ptmro8r  Times-Roman       "0.167 SlantFont TeXBase1Encoding ReEncodeFont"  <<8r.enc
+  ptmbo8r  Times-Bold        "0.167 SlantFont TeXBase1Encoding ReEncodeFont"  <<8r.enc
+\end{verbatim}
+And now you can print a \dvi file containing the new fonts.  If
+you really do want to use the `raw' |8a| encoded fonts for some
+reason, you need to add these lines to your \texttt{psfonts.map}
+file:
+\begin{verbatim}
+  ptmr8a   Times-Roman
+  ptmri8a  Times-Italic
+  ptmb8a   Times-Bold
+  ptmbi8a  Times-BoldItalic
+  ptmro8a  Times-Roman       "0.167 SlantFont"
+  ptmbo8a  Times-Bold        "0.167 SlantFont"
+\end{verbatim}
+
+Assuming that you're using the \fd file that \fontinst has
+produced, and that you've asked for the Adobe Times family (|ptm|)
+in medium series (|m|) and upright shape (|n| for normal) using
+the NFSS font selection commands:
+\begin{verbatim}
+  \renewcommand{\rmdefault}{ptm}
+  \rmfamily \mdseries \upshape
+\end{verbatim}
+Assuming further that you are using the \fd file \texttt{t1ptm.fd}
+produced by \fontinst, the \TeX\ font (\tfm file) \texttt{ptmr8t.tfm}
+will be selected by the above commands, as you can see from the
+relevant line in \texttt{t1ptm.fd}:
+\begin{verbatim}
+  \DeclareFontShape{T1}{ptm}{m}{n}{<<->> ptmr8t}{}
+\end{verbatim}
+
+This is what happens:
+\begin{itemize}
+\item \TeX\ typesets your document using the font metric file
+  \texttt{ptmr8t.tfm}; this is the font that is put in the \dvi
+  file.
+\item \Dvips looks at the \dvi file, and sees a reference to the
+  font \texttt{ptmr8t}.
+\item \Dvips searches for a \vf file corresponding to
+  \texttt{ptmr8t}; when it finds \texttt{ptmr8t.vf}, it knows it
+  has a virtual font on its hands.
+  %\footnote{This is a slight lie--why?}
+\item \Dvips follows the instructions in the \vf file, which map
+  characters in \texttt{ptmr8t.tfm} to characters in the font
+  \texttt{ptmr8r.tfm}.  That is, when it sees a number~25 in the
+  \dvi file (dotless~i -- `\i' -- in T1 encoding), it replaces it
+  with a number~17, which is a dotless~i in |8r| encoding.
+\item Then \dvips looks up the name of each number according to
+  the scheme given in the file \texttt{8r.enc}, and replaces each
+  number with the name of the character, in this case, number~17
+  is listed as `dotlessi'.
+\item And finally, \dvips tells the printer to print the named
+  character.
+\end{itemize}
+
+Not all DVI drivers can manage re-encoding as well as \dvips can.
+For example, \OzTeX's built-in non-\PS \dvi driver can only work
+with numbers, so if I'm using a \PS font, I can't print characters
+(such as Eth) that don't have a number in Macintosh text encoding
+unless I use \dvips and print on a \PS printer.  \Dvips works with
+character names, so it's not subject to this restriction.  In the
+example above, \OzTeX\ would replace the number~17 for `dotlessi'
+in |8r| encoding with a number~245 for `dotlessi' in Macintosh
+text encoding.
+
+The details of the \LaTeXe{} font selection scheme are described
+in \emph{\LaTeXe{} font selection} (distributed with \LaTeXe\ as
+the file \texttt{fntguide.tex}) and \emph{The \LaTeX\ Companion}
+(Goossens, Mittelbach and Samarin, Addison-Wesley).
+%You might also find useful the file \url{info/simple-nfss.tex}
+%available at your nearest comprehensive \TeX\ archive network
+%(CTAN) FTP server.
+
+The files you need to use Times, Helvetica, Courier, and the rest
+of the `standard' \PS fonts are distributed as part of the
+\setpackagename{PSNFSS} bundle available from CTAN, so there's no
+need to create new files to use these fonts.
+
+A more involved example of \fontinst use can be seen in the file
+\texttt{fontptcm.tex} which creates the files you need to use a
+combination of Times, Symbol, Zapf Chancery and Computer Modern as
+\TeX\ math fonts.
+
+
+\section{Installing your own font family}
+
+The \fontinst package has a command \verb|\latinfamily| meant to
+do most of the work to install a `normal' set (family) of roman
+text fonts from Adobe.  Assuming you have a set of \afm files to
+match the fonts you wish to use, the first step is to rename the
+\afm files according to the \Fontnamekb naming scheme.
+
+A `normal' set of text fonts usually includes the basic upright
+roman version, bold, italic, and bold italic.  Sometimes there
+will also be small caps versions, perhaps some `expert' fonts, and
+maybe some other weights such as light, medium, semi bold, black
+or ultra bold.
+
+The most important point to note is this: no matter what sort of
+computer you're using and no matter what font encoding it uses
+normally, \afm files for text fonts are almost always in |8a|
+encoding (Adobe standard encoding), so the \afm files when renamed
+normally end in |8a|.
+
+A typical set of four \afm files re-named for use with \fontinst
+is this:
+\begin{verbatim}
+  ptmr8r.afm    Times-Roman
+  ptmri8r.afm   Times-Italic
+  ptmb8r.afm    Times-Bold
+  ptmbi8r.afm   Times-BoldItalic
+\end{verbatim}
+Not all \afm files use |8a| encoding.  If you open an \afm file
+using a text editor, you'll see a line looking like this somewhere
+near the top:
+\begin{verbatim}
+  EncodingScheme AdobeStandardEncoding
+\end{verbatim}
+and if you see exactly that, the \afm file should end with |8a|.
+If you see something like this:
+\begin{verbatim}
+  EncodingScheme FontSpecific
+\end{verbatim}
+have a look at the name of the font in the \afm file.  If you see
+something like this:
+\begin{verbatim}
+  FontName AGaramondExp-Regular
+  FullName Adobe Garamond Regular Expert
+\end{verbatim}
+you have an `expert' encoded font on your hands, and the \afm file
+should end with |8x| to indicate this to \fontinst.  An |8x|
+encoded font contains extra glyphs like old style numerals, small
+capital letters, more ligatures, and so on.
+
+%% UV: taken out -- repeated below
+%%
+%If you have an expert font, you can tell \fontinst to use it when
+%it's processing a \verb|\latinfamily| command by putting an `|x|'
+%on the end of the family name:
+%\begin{verbatim}
+%  \latinfamily{padx}{}
+%\end{verbatim}
+%If you want to tell \fontinst to use expert fonts to install fonts
+%with old style numerals, you can do so by putting an `|j|' on the
+%end of the family name:
+%\begin{verbatim}
+%  \latinfamily{padj}{}
+%\end{verbatim}
+
+The |\latinfamily| command is used like this:
+\begin{decl}
+  |\latinfamily|\arg{family}\arg{commands}
+\end{decl}
+This installs a Latin family of fonts.
+
+For example, to install Adobe Times, you say:
+\begin{verbatim}
+  \latinfamily{ptm}{}
+\end{verbatim}
+The \textit{commands} issued by \LaTeX\ each time a font from that
+family is loaded.  This is most often used with typewriter fonts,
+to switch off hyphenation.  For example, Adobe Courier can be
+installed with:
+\begin{verbatim}
+  \latinfamily{pcr}{\hyphenchar\font=-1}
+\end{verbatim}
+Once the installation is over (which may take some time) the fonts
+can be used in \LaTeX\ by selecting an appropriate
+\verb|\fontfamily|, for example Adobe Times can be selected with:
+\begin{verbatim}
+  \fontfamily{ptm}\selectfont
+\end{verbatim}
+If the fourth letter of the family name is `|x|' then \fontinst
+will use expert fonts in creating the fonts.  If the fourth letter
+is `|j|' (or for backward compatibility `|9|') then \fontinst will
+use expert fonts to create fonts with old style digits.
+
+For example, to install Adobe Garamond using expert fonts, you say:
+\begin{verbatim}
+  \latinfamily{padx}{}
+\end{verbatim}
+To install Adobe Garamond using expert fonts with oldstyle digits,
+you say:
+\begin{verbatim}
+  \latinfamily{padj}{}
+\end{verbatim}
+
+When you have expert fonts, and you've told \fontinst to use
+them, it will carry on as normal, but the resulting font family
+will have the name `|padx|' or `|padj|', and it will use expert
+glyphs whenever possible, so you'll have a real (rather than
+faked) small caps font, real (rather than faked) `ffl' ligatures,
+and so on.
+
+Before using these commands, you will need to make sure that you
+have the Adobe Font Metric (\afm) files for the fonts, and that
+they have appropriate names.  The \fontinst package uses the
+\LaTeX\ convention for naming fonts, and uses a \emph{font family}
+name which consists of:
+\begin{itemize}
+\item a \emph{supplier} (or foundry), such as `|p|' for Adobe.
+\item a \emph{typeface}, such as `|ad|' for Adobe Garamond.
+\item up to two \emph{variants}, such as `|j|' or `|x|' for `old
+  style digits' or `expert'.
+\end{itemize}
+So the family name `|padj|' indicates Adobe Garamond with old
+style digits.  Note that the variants `|j|' or `|x|' are
+interpreted by \fontinst itself and do not appear in external font
+names, whereas other variants are passed through as part of the
+font names.  (This is needed for families which have a sans serif
+or typewriter variant.)
+
+The \emph{supplier} must be one letter, and the \emph{typeface}
+must be two (this is an attempt to fit all filenames into MS-DOS
+format).  Each variant is one letter.  The full list of foundries,
+typefaces, shapes and variants is given in Karl Berry's
+`\emph{Filenames for fonts}' (available by anonymous FTP from
+\url{ftp://ftp.tex.ac.uk/tex-archive/info/fontname}), but the more
+common ones are given in
+Tables~\ref{Tab:foundry}--\ref{Tab:typeface}.
+
+\begin{table}[!t]
+\begin{minipage}{0.5\textwidth}
+  \small
+  \begin{tabular}{ll}
+    |b| & Bitstream             \\
+    |f| & `free' (public domain) \\
+    |h| & Bigelow \& Holmes     \\
+    |i| & ITC                   \\
+    |l| & Linotype              \\
+    |m| & Monotype              \\
+    |p| & Adobe (|p| for \PS)   \\
+    |r| & `raw' (obsolete)      \\
+    |u| & URW                   \\
+    |z| & bizarre
+  \end{tabular}
+  \caption{A partial list of foundries}
+  \label{Tab:foundry}
+  \begin{tabular}{ll}
+    |a| & alternate             \\
+    |d| & display, titling      \\
+    |f| & fraktur, handtooled   \\
+    |j| & oldstyle digits       \\
+    |n| & informal, casual      \\
+    |p| & ornaments             \\
+    |s| & sans serif            \\
+    |t| & typewriter            \\
+    |w| & script, handwriting, swash \\
+    |x| & expert                \\
+  \end{tabular}
+  \caption{A partial list of variants}
+  \label{Tab:variant}
+  \begin{tabular}{ll}
+    |c| & small caps            \\
+    |i| & italic                \\
+    |o| & oblique (i.e.,~slanted) \\
+    |u| & unslanted italic      \\
+  \end{tabular}
+  \caption{A partial list of shapes}
+  \label{Tab:shape}
+\end{minipage}
+\begin{minipage}{0.5\textwidth}
+  \small
+  \begin{tabular}{ll}
+    |ac| & Adobe Caslon \\
+    |ad| & Adobe Garamond \\
+    |ag| & Avantgarde \\
+    |bb| & Bembo \\
+    |bd| & Bodoni \\
+    |bk| & Bookman \\
+    |bv| & Baskerville \\
+    |ca| & Caslon \\
+    |ch| & Charter \\
+    |cr| & Courier \\
+    |fr| & Frutiger \\
+    |fu| & Futura \\
+    |gl| & Galliard \\
+    |gm| & Garamond \\
+    |gs| & Gill Sans \\
+    |hv| & Helvetica \\
+    |mn| & Minion \\
+    |lc| & Lucida \\
+    |lh| & Lucida Bright \\
+    |ls| & Lucida Sans \\
+    |nb| & New Baskerville \\
+    |nc| & New Century Schoolbook \\
+    |op| & Optima \\
+    |pl| & Palatino \\
+    |sy| & Symbol \\
+    |tm| & Times \\
+    |ut| & Utopia \\
+    |zc| & Zapf Chancery \\
+    |zd| & Zapf Dingbats \\
+  \end{tabular}
+  \caption{A partial list of faces}
+  \label{Tab:typeface}
+\end{minipage}
+\end{table}
+
+The \fontinst package uses Karl Berry's naming scheme for \afm
+files.  The full naming scheme is rather more flexible than the
+subset used by \fontinst, which uses filenames consisting of:
+\begin{itemize}
+\item a \emph{supplier}, such as `|p|' for Adobe.
+\item a \emph{typeface}, such as `|hv|' for Helvetica.
+\item a \emph{weight}, such as `|r|' for regular.
+\item up to two \emph{shapes} or \emph{variants}, such as `|o|'
+  for oblique.
+\item an \emph{encoding}, such as `|7t|' for Knuth's 7-bit \TeX{}
+  encoding.
+\item an optional \emph{width}, such as `|n|' for narrow.
+\item a \emph{file extension}, such as `\texttt{.tfm}'
+  for \TeX{} Font Metric.
+\end{itemize}
+So the filename name `\texttt{phvro7tn.tfm}' indicates Adobe
+Helvetica regular oblique narrow, in the 7-bit \TeX{} encoding.
+
+The full list of shapes, encodings and weights is given in Karl
+Berry's `\emph{Filenames for fonts}', but the more common ones are
+given in Tables~\ref{Tab:shape}--\ref{Tab:weight}.
+
+\begin{table}
+\begin{minipage}{0.5\textwidth}
+  \small
+  \begin{tabular}{ll}
+    |b| & bold \\
+    |c| & black \\
+    |d| & demibold \\
+    |h| & heavy \\
+    |k| & book \\
+    |l| & light \\
+    |m| & medium \\
+    |r| & regular \\
+    |s| & semibold \\
+    |u| & ultra bold \\
+    |x| & extra bold \\
+  \end{tabular}
+  \caption{A partial list of weights}
+  \label{Tab:weight}
+  \begin{tabular}{ll}
+    |c| & condensed \\
+    |n| & narrow \\
+    |w| & wide \\
+    |x| & extended \\
+  \end{tabular}
+  \caption{A partial list of widths}
+  \label{Tab:width}
+\end{minipage}
+\begin{minipage}{0.5\textwidth}
+  \small
+  \begin{tabular}{ll}
+   |8a| & Adobe Standard        \\
+   |8x| & Adobe Expert          \\
+   |8r| & \TeX{} 8-bit `raw' (\texttt{TeXBase1})        \\
+   |8y| & \TeX{} 8-bit `raw' (\texttt{TeXnANSI})        \\
+   |7t| & \TeX{} 7-bit text             (\texttt{OT1})  \\
+   |7m| & \TeX{} 7-bit math italic      (\texttt{OML})  \\
+   |7y| & \TeX{} 7-bit math symbol      (\texttt{OMS})  \\
+   |7v| & \TeX{} 7-bit math extension   (\texttt{OMX})  \\
+   |8t| & \TeX{} 8-bit text             (\texttt{T1})   \\
+   |8c| & \TeX{} 8-bit text symbols     (\texttt{TS1})  \\
+   |9t| & \TeX{} 7-bit text with expert glyphs  \\
+   |9o| & \TeX{} 7-bit text with expert glyphs  \\
+        & and old-style digits  \\
+   |9e| & \TeX{} 8-bit text with expert glyphs  \\
+   |9d| & \TeX{} 8-bit text with expert glyphs  \\
+        & and old-style digits  \\
+   |9c| & \TeX{} 8-bit symbols with expert glyphs \\
+        & and old-style digits  \\
+   \end{tabular}
+   \caption{A partial list of encodings}
+\end{minipage}
+\end{table}
+
+For example, to install Adobe Garamond including the expert fonts, you
+would need to rename the \afm files:
+\begin{center}
+\begin{small}
+\begin{tabular}{lll}
+  \emph{Adobe name} & \emph{ATM name} & \emph{Fontinst name} \\
+  |AGaramond-Bold.afm|              & |gdb_____.afm|    & |padb8a.afm|   \\
+  |AGaramond-BoldItalic.afm|        & |gdbi____.afm|    & |padbi8a.afm|  \\
+  |AGaramond-Italic.afm|            & |gdi_____.afm|    & |padri8a.afm|  \\
+  |AGaramond-Regular.afm|           & |gdrg____.afm|    & |padr8a.afm|   \\
+  |AGaramond-Semibold.afm|          & |gdsb____.afm|    & |pads8a.afm|   \\
+  |AGaramond-SemiboldItalic.afm|    & |gdsbi___.afm|    & |padsi8a.afm|  \\
+  |AGaramondExp-Bold.afm|           & |geb_____.afm|    & |padb8x.afm|   \\
+  |AGaramondExp-BoldItalic.afm|     & |gebi____.afm|    & |padbi8x.afm|  \\
+  |AGaramondExp-Italic.afm|         & |gei_____.afm|    & |padri8x.afm|  \\
+  |AGaramondExp-Regular.afm|        & |gerg____.afm|    & |padr8x.afm|   \\
+  |AGaramondExp-Semibold.afm|       & |gesb____.afm|    & |pads8x.afm|   \\
+  |AGaramondExp-SemiboldItalic.afm| & |gesbi___.afm|    & |padsi8x.afm|  \\
+  |AGaramond-RegularSC.afm|         & |gdsc____.afm|    & |padrc8a.afm|  \\
+  |AGaramond-SemiboldSC.afm|        & |gdsbs___.afm|    & |padsc8a.afm|  \\
+\end{tabular}
+\end{small}
+\end{center}
+You can then run \TeX{} on the following document to install the
+Adobe Garamond family:
+\begin{verbatim}
+  \input fontinst.sty
+  \latinfamily{padx}{}
+  \latinfamily{padj}{}
+  \bye
+\end{verbatim}
+Not all font families can be installed using the \verb|\latinfamily|
+command, nor does it always produce optimal results. The main 
+interfaces to \fontinst are at a slightly lower level, where all font 
+names appear explicitly in command arguments, and at that level it is 
+possible to fine tune the font generation. The \verb|\latinfamily| 
+command is mainly a clever collection of macros which expand to a 
+mostly fixed\footnote{Commands that would refer to files which are 
+not present are skipped, and in some cases there is a ``Plan B'' 
+when ``Plan A'' would have made use of such a nonexistent file, but 
+that is about it.} sequence of lower level \fontinst commands.
+
+\begin{bfseries}
+  Descriptions of the sub-\verb|\latinfamily| commands can be found 
+  in the main \fontinst manual.
+\end{bfseries}
+
+
+
+\section{More on the \cs{latinfamily} command}
+
+The \verb|\latinfamily| command is essentially a short-cut to save you
+preparing a huge file with many different \fontinst commands in it.
+
+It takes \afm or \mtx files as the source of font metric data to work
+with.  Usually, you have a set of \afm files.  They must be named
+according to a subset of the \Fontnamekb naming scheme.  To illustrate
+the process, here is an edited part of the console log from a use of
+\verb|\latinfamily|:
+\begin{verbatim}
+  \latinfamily{pad}{}
+\end{verbatim}
+This log does not show \fontinst `in action'; it's just to illustrate
+which fonts are looked for when you use the \verb|\latinfamily|
+command.
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,m,n,>> seek padr8r.mtx
+  INFO>> to make LaTeX font shape <<pad,m,sc,>> seek padrc8r.mtx
+  INFO>> to make LaTeX font shape <<pad,m,sl,>> seek padro8r.mtx
+  INFO>> to make LaTeX font shape <<pad,m,it,>> seek padri8r.mtx
+  INFO>> to make LaTeX font shape <<pad,m,n,c>> seek padr8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,m,sc,c>> seek padrc8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,m,sl,c>> seek padro8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,m,it,c>> seek padri8rn.mtx
+\end{verbatim}
+
+The important point to notice is that \fontinst needs an |8r| encoded
+\mtx file for each font when you are using the \verb|latinfamily|
+command.  If it can't find an |8r| encoded \mtx file, it'll look for
+for an |8a| encoded \afm file.  It will automatically turn the file it
+finds into an |8r| encoded \mtx file.  So when \fontinst says
+`\verb|seek padr8r.mtx|', it is in fact looking for
+\texttt{padr8r.mtx} and \texttt{padr8a.afm}.  Whatever it finds, it
+will end up with \verb|padr8r.mtx| to work on.
+
+The first line of the log shows that \fontinst is trying to create a
+\vpl file for |pad/m/n|.  That is, font family |pad| (Adobe Garamond),
+font series |m| (normal `book' or `regular' weight), and font shape
+|n| (normal upright).
+
+If it finds what it's looking for, it will create the files:
+\begin{verbatim}
+  padr7t.vpl
+  padr8t.vpl
+  padr8c.vpl
+\end{verbatim}
+And add these lines to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{m}{n}{<<->> padr7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{m}{n}{<<->> padr8t}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{m}{n}{<<->> padr8c}{}
+\end{verbatim}
+This means you will have three new fonts to use in \LaTeX: the OT1, T1
+and TS1 encoded versions of |pad/m/n|.  You'll be able to select (say)
+|T1/pad/m/n| by saying:
+\begin{verbatim}
+  \fontencoding{T1}\fontfamily{pad}\fontseries{m}\fontshape{n}\selectfont
+\end{verbatim}
+This is the clumsiest way of selecting that particular font, but I've
+done it to illustrate exactly what's happening.
+
+The next line:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,m,sc,>> seek padrc8r.mtx
+\end{verbatim}
+shows that \fontinst is trying to install a small caps font.  If you
+have a real small caps metric file named \texttt{padrc8r.mtx} (don't
+forget it'll look for an |8a| encoded \afm file), \fontinst will go
+ahead and create the \vpl file and \fd file entry as expected.
+
+But you don't normally have a real small caps font, so \fontinst will
+quite happily produce a fake small caps font.  To do this, it looks
+for a suitable metric file by dropping the `|c|':
+\begin{quote}
+  `Hmm\ldots\ I can't find \texttt{padrc8r}, so I'll look for
+  \texttt{padr8r}.'
+\end{quote}
+And you will eventually have:
+\begin{verbatim}
+  padrc7t.vpl
+  padrc8t.vpl
+\end{verbatim}
+And add these lines to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{m}{sc}{<<->> padrc7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{m}{sc}{<<->> padrc8t}{}
+\end{verbatim}
+(Note that it won't install a TS1-encoded small caps font because
+TS1 is a text symbol font, which would look the same in the upright
+and small caps shape.)
+
+The next log line shows \fontinst trying to create a \vpl for the
+oblique version of Adobe Garamond:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,m,sl,>> seek padro8r.mtx
+\end{verbatim}
+It's quite usual for an oblique version to be unavailable, but
+\fontinst has a way round this: it can fake an oblique font from the
+corresponding `straight' version:
+\begin{quote}
+  `Oh dear: I can't find \texttt{padro8r}, so I'll look for
+  \texttt{padr8r} and use clever maths to fake a slanted version.'
+\end{quote}
+This is not as straightforward as the small caps case.  \Fontinst
+only works out what the metrics ought to be if the entire font is
+slanted to the right.  It's up to the DVI driver to actually print a
+slanted font.  \Dvips can do this.
+
+You will eventually have:
+\begin{verbatim}
+  padro7t.vpl
+  padro8t.vpl
+  padro8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{m}{sl}{<<->> padro7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{m}{sl}{<<->> padro8t}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{m}{sl}{<<->> padro8c}{}
+\end{verbatim}
+
+The next line is straightforward:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,m,it,>> seek padri8r.mtx
+\end{verbatim}
+If \fontinst can't find a suitable metrics file (\texttt{padri8r.mtx}
+or \texttt{padri8a.afm}), it carries on without doing anything.  If it
+does find a suitable metrics file, it churns away until you will
+eventually have:
+\begin{verbatim}
+  padri7t.vpl
+  padri8t.vpl
+  padri8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{m}{it}{<<->> padri7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{m}{it}{<<->> padri8t}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{m}{it}{<<->> padri8c}{}
+\end{verbatim}
+
+The next line is a bit different.  \Fontinst is now trying to create a
+\vpl file for a \emph{condensed} font:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,m,n,c>> seek padr8rn.mtx
+\end{verbatim}
+If it finds a suitable metric file (Adobe Garamond, medium weight,
+normal upright shape, condensed), it will eventually produce:
+\begin{verbatim}
+  padr7tn.vpl
+  padr8tn.vpl
+  padr8cn.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{mc}{n}{<<->> padr7tn}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{mc}{n}{<<->> padr8tn}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{mc}{n}{<<->> padr8cn}{}
+\end{verbatim}
+There is no standard \LaTeX\ command like \verb|\bfseries| to select
+the medium condensed (|mc|) series created here.  If you want to use
+this font, you must do something like:
+\begin{verbatim}
+  \fontfamily{pad}\fontseries{mc}\selectfont
+\end{verbatim}
+If it doesn't find a suitable metric file for a narrow series,
+\fontinst will just skip over and continue, unless you specifically
+tell it to fake a narrow series.
+
+And so the process continues: \fontinst attempts to create \vpl files
+for condensed versions of all the font shapes met so far, and then
+goes on to:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,b,n,>> seek padb8r.mtx
+\end{verbatim}
+And again, if it finds a suitable metric file (\texttt{padb8r.mtx} or
+\texttt{padb8a.afm}), it'll potter off and create the files:
+\begin{verbatim}
+  padb7t.vpl
+  padb8t.vpl
+  padb8c.vpl
+\end{verbatim}
+And these lines added to the given \fd files:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{b}{n}{<<->> padb7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{b}{n}{<<->> padb8t}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{b}{n}{<<->> padb8c}{}
+\end{verbatim}
+With this step done, fontinst will try to create \vpl files for the
+small caps, slanted, and italic versions of |pad/b|; and then it'll
+try to create condensed versions of all those:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,b,n,>> seek padb8r.mtx
+  INFO>> to make LaTeX font shape <<pad,b,sc,>> seek padbc8r.mtx
+  INFO>> to make LaTeX font shape <<pad,b,sl,>> seek padbo8r.mtx
+  INFO>> to make LaTeX font shape <<pad,b,it,>> seek padbi8r.mtx
+  INFO>> to make LaTeX font shape <<pad,b,n,c>> seek padb8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,b,sc,c>> seek padbc8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,b,sl,c>> seek padbo8rn.mtx
+  INFO>> to make LaTeX font shape <<pad,b,it,c>> seek padbi8rn.mtx
+\end{verbatim}
+If it manages to find the files it needs to create the \vpl files to
+use all those fonts with \LaTeX, you'll end up with the following
+lines in the T1 \fd file (I've ignored the OT1 \fd file to save some
+space):
+\begin{verbatim}
+  \DeclareFontShape{T1} {pad}{b} {n} {<<->> padb8t}{}
+  \DeclareFontShape{T1} {pad}{b} {sc}{<<->> padbc8t}{}
+  \DeclareFontShape{T1} {pad}{b} {sl}{<<->> padbo8t}{}
+  \DeclareFontShape{T1} {pad}{b} {it}{<<->> padbi8t}{}
+  \DeclareFontShape{T1} {pad}{bc}{n} {<<->> padb8tn}{}
+  \DeclareFontShape{T1} {pad}{bc}{sc}{<<->> padbc8tn}{}
+  \DeclareFontShape{T1} {pad}{bc}{sl}{<<->> padbo8tn}{}
+  \DeclareFontShape{T1} {pad}{bc}{it}{<<->> pckbi8tn}{}
+\end{verbatim}
+To translate into English: Adobe Garamond bold in `normal', small
+caps, slanted, and italic versions, as well as condensed versions of
+all four.
+
+Again, because there's no convenient way of selecting the condensed
+versions with existing \LaTeX\ commands, you need to say something
+like:
+\begin{verbatim}
+  \fontfamily{pad}\fontseries{bc}\selectfont
+\end{verbatim}
+to use the bold condensed (|bc|) versions of this font; you can of
+course use \verb|\itshape|, \verb|\scshape|, \verb|\slshape|, and
+\verb|upshape| to switch between the italic, small caps, slanted, and
+`normal' versions of Adobe Garamond bold condensed once you've got
+|pad/bc| selected.
+
+So far, you've seen \verb|\latinfamily| look at two different weights
+and two different widths.  For each weight, \verb|\latinfamily| will
+try and install eight different fonts as you can see above.  It will
+try and install the same eight different fonts for each of the
+following different weights:
+\begin{center}
+\begin{tabular}{lll}
+  \emph{\LaTeX} & \emph{Fontname} & \emph{description} \\
+  |ul|     & |a|           & ultra light  \\
+  |el|     & |i|           & extra light  \\
+  |l|      & |l|           & light        \\
+  |m|      & |k|, |r|      & book, regular \\
+  |mb|     & |m|           & medium       \\
+  |db|     & |d|           & demi bold    \\
+  |sb|     & |s|           & semi bold    \\
+  |b|      & |b|           & bold         \\
+  |eb|     & |c|, |h|, |x| & black, heavy, extra bold \\
+  |ub|     & |u|           & ultra bold
+\end{tabular}
+\end{center}
+The \LaTeX\ column contains the label that will be used in the
+\verb|\DeclareFontShape| command to specify the font series.  The
+\Fontnamekb column contains the width specifier used to name the font
+metric file that \fontinst will look for in that case.
+
+In other words, at some stage \fontinst will look for:
+\begin{verbatim}
+  INFO>> to make LaTeX font shape <<pad,sb,n,>> seek pads8r.mtx
+\end{verbatim}
+and if it finds a suitable metric file (\texttt{pads8r.mtx} or
+\texttt{pads8a.afm}), it will create:
+\begin{verbatim}
+  pads7t.vpl
+  pads8t.vpl
+  pads8c.vpl
+\end{verbatim}
+and \fd file entries like this:
+\begin{verbatim}
+  OT1pad.fd:    \DeclareFontShape{OT1}{pad}{sb}{n}{<<->> pads7t}{}
+   T1pad.fd:    \DeclareFontShape{T1} {pad}{sb}{n}{<<->> pads8t}{}
+  TS1pad.fd:    \DeclareFontShape{TS1}{pad}{sb}{n}{<<->> pads8c}{}
+\end{verbatim}
+and since |sb| is not a normal \LaTeX\ font series, you'll need to use
+something like:
+\begin{verbatim}
+  \fontfamily{pad}\fontseries{sb}\selectfont
+\end{verbatim}
+to use this font.
+
+% For example, \verb|\latinfamily{ptm}{}| is
+% syntactic sugar for:
+% \begin{verbatim}
+%    \transformfont{ptmr8r}{\reencodefont{8r}{\fromafm{ptmr8a}}}
+%    \transformfont{ptmri8r}{\reencodefont{8r}{\fromafm{ptmri8a}}}
+%    \transformfont{ptmb8r}{\reencodefont{8r}{\fromafm{ptmb8a}}}
+%    \transformfont{ptmbi8r}{\reencodefont{8r}{\fromafm{ptmbi8a}}}
+%    \transformfont{ptmro8r}{\slantfont{167}{\frommtx{ptmr8r}}}
+%    \transformfont{ptmbo8r}{\slantfont{167}{\frommtx{ptmb8r}}}
+%    \installfonts
+%       \installfamily{T1}{ptm}{}
+%       \installfamily{OT1}{ptm}{}
+%       \installfont{ptmr8t}{ptmr8r,latin}{T1}{T1}{ptm}{m}{n}{}
+%       \installfont{ptmr7t}{ptmr8r,latin}{OT1}{OT1}{ptm}{m}{n}{}
+%       \installfont{ptmrc8t}{ptmr8r,latin}{T1c}{T1}{ptm}{m}{sc}{}
+%       \installfont{ptmrc7t}{ptmr8r,latin}{OT1c}{OT1}{ptm}{m}{sc}{}
+%       \installfont{ptmri8t}{ptmri8r,latin}{T1}{T1}{ptm}{m}{it}{}
+%       \installfont{ptmri7t}{ptmri8r,latin}{OT1i}{OT1}{ptm}{m}{it}{}
+%       \installfont{ptmro8t}{ptmro8r,latin}{T1}{T1}{ptm}{m}{sl}{}
+%       \installfont{ptmro7t}{ptmro8r,latin}{OT1}{OT1}{ptm}{m}{sl}{}
+%       \installfont{ptmb8t}{ptmb8r,latin}{T1}{T1}{ptm}{b}{n}{}
+%       \installfont{ptmb7t}{ptmb8r,latin}{OT1}{OT1}{ptm}{b}{n}{}
+%       \installfont{ptmbc8t}{ptmb8r,latin}{T1c}{T1}{ptm}{b}{sc}{}
+%       \installfont{ptmbc7t}{ptmb8r,latin}{OT1c}{OT1}{ptm}{b}{sc}{}
+%       \installfont{ptmbi8t}{ptmbi8r,latin}{T1}{T1}{ptm}{b}{it}{}
+%       \installfont{ptmbi7t}{ptmbi8r,latin}{OT1i}{OT1}{ptm}{b}{it}{}
+%       \installfont{ptmbo8t}{ptmbo8r,latin}{T1}{T1}{ptm}{b}{sl}{}
+%       \installfont{ptmbo7t}{ptmbo8r,latin}{OT1}{OT1}{ptm}{b}{sl}{}
+%    \endinstallfonts
+% \end{verbatim}
+
+
+The \texttt{basicex.tex} file in the \texttt{examples} directory of 
+the main \fontinst distribution is an annotated command file which 
+does roughly the same things as the \verb|\latinfamily| command for 
+the \texttt{pad} family of fonts.
+
+
+\end{document}
diff --git a/Master/texmf-dist/doc/fontinst/base/manual/roadmap.eps b/Master/texmf-dist/doc/fontinst/base/manual/roadmap.eps
new file mode 100644
index 00000000000..8ca14df79de
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+++ b/Master/texmf-dist/doc/fontinst/base/manual/roadmap.eps
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diff --git a/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tables.pdf b/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tables.pdf
new file mode 100644
index 00000000000..8d6c2b593c7
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tables.pdf
diff --git a/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tutorial.pdf b/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tutorial.pdf
new file mode 100644
index 00000000000..4ae8a1eeb75
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/talks/et99-font-tutorial.pdf
diff --git a/Master/texmf-dist/doc/fontinst/base/test/comparemetrics.sty b/Master/texmf-dist/doc/fontinst/base/test/comparemetrics.sty
new file mode 100644
index 00000000000..7864da89731
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/comparemetrics.sty
@@ -0,0 +1,941 @@
+% We start by making some default catcode assignments, in case we are 
+% using ini\TeX{}.
+%    \begin{macrocode}
+%<*pkg>
+\catcode`\{=1
+\catcode`\}=2
+\catcode`\#=6
+\catcode`\^=7
+%</pkg>
+%    \end{macrocode}
+%
+% \package{fontinst} uses some unusual, but convenient, settings of 
+% |\catcode|. |@| and |_| are made letters, |~| is made a space, and 
+% space and newline are ignored. Before setting those however, we save 
+% the current values of the catcodes, so that they can be restored at 
+% the end of \texttt{fontinst.sty}.
+%
+%    \begin{macrocode}
+%<*pkg>
+\edef\spacecatcode{\the\catcode`\ }
+\edef\nlcatcode{\the\catcode`\^^M}
+\edef\atcatcode{\the\catcode`\@}
+\edef\underscorecatcode{\the\catcode`\_}
+\edef\tildecatcode{\the\catcode`\~}
+%    \end{macrocode}
+%
+%    \begin{macrocode}
+\catcode`\ =9
+\catcode`\^^M=9
+\catcode`\@=11
+\catcode`\_=11
+\catcode`\~=10
+%</pkg>
+%    \end{macrocode}
+%
+
+
+\newlinechar=`\^^J
+
+% \begin{macro}{\a_read}
+% \begin{macro}{\b_read}
+% \begin{macro}{\a_filelineno}
+% \begin{macro}{\b_filelineno}
+%   These control sequences are used for keeping track of the ``physical'' 
+%   side of the two input files. |\a_read| and |\b_read| are the stream 
+%   numbers. |\a_filelineno| and |\b_filelineno| are the respective 
+%   line numbers of the lines most recently read from these files.
+%    \begin{macrocode}
+\newread\a_read
+\newread\b_read 
+\newcount\a_filelineno
+\newcount\b_filelineno
+%    \end{macrocode}
+% \end{macro}\end{macro}\end{macro}\end{macro}
+% 
+% \begin{macro}{\a_lineno}
+% \begin{macro}{\b_lineno}
+% \begin{macro}{\a_bufbase}
+% \begin{macro}{\b_bufbase}
+% \begin{macro}{\a_bufmid}
+% \begin{macro}{\b_bufmid}
+% \begin{macro}{\a_buftop}
+% \begin{macro}{\b_buftop}
+%   These count registers are used for managing the buffert of lines 
+%   that are read from the input files when a match between lines is 
+%   being looked for. This buffert consists of lines which are saved in 
+%   the macros
+%   \begin{quote}
+%     |\|\meta{letter}|_saved-|\meta{ofs}
+%   \end{quote}
+%   where \meta{letter} is |a| or |b| and \meta{ofs} is an integer, 
+%   being the index into the buffert. |\a_bufbase| and |\b_bufbase| 
+%   contain the \meta{ofs} of the first line currently in the buffert, 
+%   whereas |\a_buftop| and |\b_buftop| contain the \meta{ofs} of the 
+%   last such line. |\a_bufmid| and |\b_bufmid| hold the buffert 
+%   positions of the lines which are currently considered the next by 
+%   |\get_next_line|. If \(\mathtt{buftop}<\mathtt{bufmid}\) then the 
+%   buffert is empty. |\a_lineno| and |\b_lineno| are the respective 
+%   line numbers of the |\a_bufbase| and |\b_bufbase| lines.
+%   
+%   All these registers should be set globally.
+%    \begin{macrocode}
+\newcount\a_lineno   \newcount\b_lineno
+\newcount\a_bufbase  \newcount\b_bufbase
+\newcount\a_bufmid   \newcount\b_bufmid
+\newcount\a_buftop   \newcount\b_buftop
+%    \end{macrocode}
+% \end{macro}\end{macro}\end{macro}\end{macro}\end{macro}\end{macro}
+% \end{macro}\end{macro}
+
+
+% \begin{macro}{\get_next_line}
+%   The |\get_next_line| macro is called as
+%   \begin{quote}
+%     |\get_next_line|\marg{letter}
+%   \end{quote}
+%   where \meta{letter} is |a| or |b|. This sets the 
+%   |\|\meta{letter}|_line| macro to the next line of that file and 
+%   updates the value of |\|\meta{letter}|_lineno|.
+%   
+%   The ``next line'' is normally read from input stream 
+%   |\|\meta{letter}|_read|, but if a line mismatch recently occured 
+%   then it might happen that the next line has already been read from 
+%   the file, and in that case it is taken from one of the 
+%   |\|\meta{letter}|_saved-|\meta{ofs} macros.
+%    \begin{macrocode}
+\def\get_next_line#1{
+   \ifnum \csname#1_buftop\endcsname<\csname#1_bufmid\endcsname
+      \ifeof \csname#1_read\endcsname
+         \x_cs\let{#1_line}\end_of_file_line
+      \else
+         \read\csname#1_read\endcsname t\x_cs{o}{#1_line}
+         \global\advance \csname#1_filelineno\endcsname \@ne
+      \fi
+   \else
+      \expandafter\let \csname#1_line\expandafter\endcsname
+         \csname#1_saved-\the\csname#1_bufmid\endcsname\endcsname
+   \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\end_of_file_line}
+%   This macro expands to the text \verb*|(ENDOFFILE) | with the 
+%   catcodes it would have if read from an input file. It is used as an 
+%   end-of-file marker.
+%    \begin{macrocode}
+\begingroup
+   \catcode`\(=13
+   \catcode`\)=13
+   \gdef\end_of_file_line{(ENDOFFILE)~}
+\endgroup
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\the_line}
+%   The |\the_line| macro is called as
+%   \begin{quote}
+%     |\the_line|\marg{letter}\marg{ofs}
+%   \end{quote}
+%   where \meta{letter} is |a| or |b|, and \meta{ofs} is a \TeX\ number. 
+%   It expands to the control sequence |\|\meta{letter}|_saved-|^^A
+%   \meta{ofs}.
+%    \begin{macrocode}
+\def\the_line#1#2{\csname#1_saved-\number#2\endcsname}
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\initialise_search}
+%   The |\initialise_search| macro sets everything up for a search for 
+%   a match between lines.
+%   
+%    \begin{macrocode}
+\def\initialise_search{
+   \global\a_bufbase=\a_bufmid
+   \global\b_bufbase=\b_bufmid
+   \add_to_buffert{a}
+   \add_to_buffert{b}
+   \global\advance \a_bufmid \@ne
+   \global\advance \b_bufmid \@ne
+}
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\add_to_buffert}
+%   The |\add_to_buffert| macro is called as
+%   \begin{quote}
+%     |\add_to_buffert|\marg{letter}
+%   \end{quote}
+%   It adds the line returned by |\get_next_line| to the corresponding 
+%   buffert (if it wasn't already there) and updates the counters for 
+%   that buffert. After this, the line following the line being put into 
+%   the buffert will be the line that |\get_next_line| returns.
+%    \begin{macrocode}
+\def\add_to_buffert#1{
+   \ifnum \csname#1_buftop\endcsname<\csname#1_bufmid\endcsname
+      \expandafter\let 
+         \csname#1_saved-\the\csname#1_bufmid\endcsname
+            \expandafter\endcsname
+         \csname#1_line\endcsname
+      \global\advance \csname#1_buftop\endcsname \@ne
+   \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+
+
+\newcount\first_integer
+\newcount\second_integer
+
+% \begin{macro}{\match_lines}
+%   The |\match_lines| macro tests if two lines can be considered the 
+%   same (up to metrics changes, which need not be small). It is called as
+%   \begin{quote}
+%     |\match_lines|\marg{line a}\marg{line b}
+%   \end{quote}
+%   \meta{line a} and \meta{line b} may be any amount of text which 
+%   eventually expands to the lines in question. |\match_lines| returns 
+%   its answer by setting the |_a_| switch to |false| (if the lines 
+%   match) or |true| (if the lines don't match).
+%   
+%   |\match_lines| also causes the |\first_dimen| and |\second_dimen| 
+%   registers, as well as the |_histogram_dimen_| switch to be updated, 
+%   so it can be immediately followed by a test of the metrics.
+%    \begin{macrocode}
+\def\match_lines#1#2{
+   \first_integer=\z@
+   \second_integer=\z@
+   \first_dimen=\z@
+   \second_dimen=\z@
+   \x_cs\let{string-+}\empty_command
+   \x_cs\let{string--}\empty_command
+%    \end{macrocode}
+%    \begin{macrocode}
+   \def\sign{+}
+   #1\line_stop
+   \def\sign{-}
+   #2\line_stop
+%    \end{macrocode}
+%    \begin{macrocode}
+   \_a_false
+   \expandafter\ifx \csname cmd-+ \expandafter\endcsname
+      \csname cmd--\endcsname
+   \else  \_a_true  \fi
+   \ifnum \first_integer=\z@ \else  \_a_true  \fi
+   \ifnum \second_integer=\z@ \else  \_a_true  \fi
+   \expandafter\ifx \csname string-+ \expandafter\endcsname
+      \csname string--\endcsname
+   \else  \_a_true  \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\try_matching}
+% \begin{macro}{\a_bufP}
+% \begin{macro}{\b_bufP}
+%   The |\try_matching| descends through the buffert until the |_a_| 
+%   switch gets |false| or it has tried the bottommost lines in the 
+%   buffert. Since |\body| is already defined by the |\loop| in 
+%   |\process_lines|, |\try_matching| uses an explicit end recursion to 
+%   make the loop.
+%    \begin{macrocode}
+\newcount\a_bufP
+\newcount\b_bufP
+\def\try_matching{
+   \global\advance \a_bufP \m@ne
+   \global\advance \b_bufP \m@ne
+%    % Begin debug
+%    \wlog{a_bufbase:~\the\a_bufbase\space\space\space
+%          b_bufbase:~\the\b_bufbase}
+%    \wlog{a_bufmid:~\the\a_bufmid\space\space\space
+%          b_bufmid:~\the\b_bufmid}
+%    \wlog{a_buftop:~\the\a_buftop\space\space\space
+%          b_buftop:~\the\b_buftop}
+%    \wlog{a_bufP:~\the\a_bufP\space\space\space
+%          b_bufP:~\the\b_bufP}
+%    \begingroup
+%       \def\do_left_paren{(}\def\do_right_paren{)}
+%       \wlog{a_line:~\a_line}
+%       \wlog{b_buf_line:~\the_line{b}{\b_bufP}}
+%       \wlog{b_line:~\b_line}
+%       \wlog{a_buf_line:~\the_line{a}{\a_bufP}^^J}
+%    \endgroup
+%    % End debug
+   \match_lines{\a_line}{\the_line{b}{\b_bufP}}
+   \if_a_
+      \match_lines{\the_line{a}{\a_bufP}}{\b_line}
+      \if_a_ \else
+         \global\a_bufmid=\a_bufP
+      \fi
+   \else
+      \global\b_bufmid=\b_bufP
+   \fi
+   \ifnum \a_bufP>\a_bufbase \if_a_
+      \expandafter\expandafter\expandafter\try_matching
+   \fi \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+% \begin{macro}{\report_mismatch}
+%   The |\report_mismatch| macro does precisely what it says. It also increases 
+%   the \texttt{bufbase} and \texttt{lineno} registers to point at the 
+%   matching lines.
+%    \begin{macrocode}
+\def\report_mismatch{
+   \begingroup
+      \def\do_left_paren{(}
+      \def\do_right_paren{)}
+      \wlog{Mismatch~in~first~file~(at~\the\a_lineno):}
+      \loop
+         \wlog{\the_line{a}{\a_bufbase}}
+      \ifnum \a_bufbase<\a_bufmid
+         \global\advance \a_bufbase \@ne
+         \global\advance \a_lineno \@ne
+      \repeat
+      \wlog{Match~found~at~line~\the\a_lineno.}
+      \wlog{Mismatch~in~second~file~(at~\the\b_lineno):}
+      \loop
+         \wlog{\the_line{b}{\b_bufbase}}
+      \ifnum \b_bufbase<\b_bufmid
+         \global\advance \b_bufbase \@ne
+         \global\advance \b_lineno \@ne
+      \repeat
+      \wlog{Match~found~at~line~\the\b_lineno.}
+   \endgroup
+   \glyphified_location
+   \ifnum 4>\compared_status
+      \global\chardef\compared_status=4
+   \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+\def\glyphified_location{
+   \ifx \encoding_name\empty_command
+      \ifnum \m@ne<\last_character
+         \wlog{This~is~related~to~slot~\the\last_character.^^J}
+      \else
+         \wlog{This~is~in~the~header.^^J}
+      \fi
+   \else
+      \if_undefined{name-\encoding_name-\the\last_character}\then
+         \ifnum \last_character=\m@ne
+            \wlog{This~is~in~the~header.^^J}
+         \else
+            \wlog{This~is~related~to~slot~\the\last_character\space
+               (unencoded).^^J}
+         \fi
+      \else
+         \wlog{This~is~related~to~the~glyph~
+            \csname name-\encoding_name-\the\last_character\endcsname
+            .^^J}
+      \fi
+   \fi
+}
+% \begin{macro}{\compared_status}
+%   |\compared_status| is a \meta{chardef token} which stores the 
+%   current status of the comparision, according to the following table
+%   \begin{enumerate}
+%     \item[0] The property lists are equal---there may be checksum 
+%       differences, but nothing else.
+%     \item[1] The property lists are almost equal---there are 
+%       differences in the metrics, but these are within the |\tolerance| 
+%       level.
+%     \item[2] The property lists are essentially equal---there are 
+%       differences in the metrics, but these are within the |\tolerance| 
+%       level, with the exception of some \texttt{CHARHT}, 
+%       \texttt{CHARDP}, and \texttt{CHARIC} values.
+%     \item[3] The property lists have metric differences---there are 
+%       metric differences not with category 2.
+%     \item[4] The property lists are not completely matched.
+%   \end{enumerate}
+% \end{macro}
+
+% \begin{macro}{\step_linenos}
+%   The |\step_linenos| macro increments the |_lineno| line numbers. If 
+%   the current line was fetched from the buffert, then it also 
+%   increments the |_bufmid| and |_bufbase| registers, and checks 
+%   whether the buffert ended (in which case it is normalized to its 
+%   starting position, to conserve hash table space).
+%    \begin{macrocode}
+\def\step_linenos{
+   \global\advance \a_lineno \@ne
+   \ifnum \a_bufmid=\a_buftop
+      \global\a_bufbase=\z@
+      \global\a_bufmid=\z@
+      \global\a_buftop=\m@ne
+   \else\ifnum \a_bufmid<\a_buftop
+      \global\advance \a_bufmid \@ne
+      \global\advance \a_bufbase \@ne
+   \fi\fi
+   \global\advance \b_lineno \@ne
+   \ifnum \b_bufmid=\b_buftop
+      \global\b_bufbase=\z@
+      \global\b_bufmid=\z@
+      \global\b_buftop=\m@ne
+   \else\ifnum \b_bufmid<\b_buftop
+      \global\advance \b_bufmid \@ne
+      \global\advance \b_bufbase \@ne
+   \fi\fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+
+\newdimen\first_dimen
+\newdimen\second_dimen
+\newcount\ht_hist_i
+\newcount\ht_hist_ii
+\newcount\ht_hist_iii
+\newcount\ht_hist_iv
+\newcount\dp_hist_i
+\newcount\dp_hist_ii
+\newcount\dp_hist_iii
+\newcount\dp_hist_iv
+\newcount\ic_hist_i
+\newcount\ic_hist_ii
+\newcount\ic_hist_iii
+\newcount\ic_hist_iv
+
+% \begin{macro}{\clear_histograms}
+%   This macro clears all the histograms.
+%    \begin{macrocode}
+\def\clear_histograms{
+   \global\ht_hist_i=\z@
+   \global\ht_hist_ii=\z@
+   \global\ht_hist_iii=\z@
+   \global\ht_hist_iv=\z@
+   \global\dp_hist_i=\z@
+   \global\dp_hist_ii=\z@
+   \global\dp_hist_iii=\z@
+   \global\dp_hist_iv=\z@
+   \global\ic_hist_i=\z@
+   \global\ic_hist_ii=\z@
+   \global\ic_hist_iii=\z@
+   \global\ic_hist_iv=\z@
+}
+%    \enc{macrocode}
+% \end{macro}
+
+% \begin{macro}{\present_histograms}
+%   This macro writes the histogram data to the log file.
+%    \begin{macrocode}
+\def\present_histograms{
+   \wlog{\string\tolerance*~\space CHARHT~\space CHARDP~\space CHARIC}
+   \wlog{~\space\space 1--~\space\space 10\hist_to_eight{ht}{i}
+      \hist_to_eight{dp}{i}\hist_to_eight{ic}{i}}
+   \wlog{~\space 10--~\space 100\hist_to_eight{ht}{ii}
+      \hist_to_eight{dp}{ii}\hist_to_eight{ic}{ii}}
+   \wlog{~100--~1000\hist_to_eight{ht}{iii}\hist_to_eight{dp}{iii}
+      \hist_to_eight{ic}{iii}}
+   \wlog{1000--10000\hist_to_eight{ht}{iv}\hist_to_eight{dp}{iv}
+      \hist_to_eight{ic}{iv}}
+}
+\def\hist_to_eight#1#2{\x_cs\hist_to_eight_i{#1_hist_#2}}
+\def\hist_to_eight_i#1{
+   \ifnum #1<\@M
+      \four_spaces
+      \ifnum #1<\one_hundred
+         \space\space
+         \ifnum 10>#1 ~\fi
+      \else \ifnum #1<\one_thousand \space\fi \fi
+   \else
+      \ifnum 1000000>#1
+         \space\space
+         \ifnum 100000>#1 ~\fi
+      \else \ifnum 1000000>#1 ~\fi \fi
+   \fi
+   \the#1
+}
+%    \end{macrocode}
+% \end{macro}
+
+
+% \begin{macro}{\metric_statistics}
+% \begin{macro}{\metric_origin}
+%   The |\metric_statistics| macro takes care of comparing the metrics 
+%   by inspecting the values of |\first_dimen| and |\second_dimen|. It 
+%   has four classes of differences, which are represented by 
+%   |\compared_status| values 0--3: no difference, tolerable (almost no)
+%   difference, histogrammed (essentially no) difference, and 
+%   non-tolerable difference. If a non-tolerable difference is found, 
+%   then the current lines are written to the log file. Histogrammed 
+%   differences causes the corresponding 
+%   |\|\meta{type}|_hist_|\meta{group} register to be incremented, and 
+%   tolerable differences only affect the value of |\compared_status|.
+%   
+%   The |\metric_origin| macro contains the \meta{type} of the metric 
+%   data. It is usually empty, but PL properties with metrics that have 
+%   histograms set it so that the correct histogram is updated.
+%   
+%    \begin{macrocode}
+\def\metric_statistics{
+   \_a_false
+   %
+   \ifdim \first_dimen<\z@ \first_dimen=-\first_dimen \fi
+   \ifdim \first_dimen=\z@
+   \else\ifdim \first_dimen<\tolerance
+      \ifnum 1>\compared_status
+         \global\chardef\compared_status=1
+      \fi
+   \else\ifx \metric_origin\empty_command
+      \_a_true
+   \else
+      \a_count=\@ne
+      \def\a_macro{10}
+      \loop\ifdim \a_macro\tolerance<\first_dimen
+         \edef\a_macro{\a_macro 0}
+         \advance \a_count \@ne
+      \repeat
+      \if_undefined{\metric_origin _hist_ \romannumeral\a_count}\then
+         \_a_true
+      \else
+         \global\advance \csname \metric_origin _hist_ 
+            \romannumeral\a_count \endcsname \@ne
+         \ifnum 2>\compared_status
+            \global\chardef\compared_status=2
+         \fi
+      \fi
+   \fi\fi\fi
+   %
+   \ifdim \second_dimen<\z@ \second_dimen=-\second_dimen \fi
+   \ifdim \second_dimen=\z@
+   \else\ifdim \second_dimen<\tolerance
+      \ifnum 1>\compared_status
+         \global\chardef\compared_status=1
+      \fi
+   \else\ifx \metric_origin\empty_command
+      \_a_true
+   \else
+      \a_count=\@ne
+      \def\a_macro{10}
+      \loop\ifdim \a_macro\tolerance<\second_dimen
+         \edef\a_macro{\a_macro 0}
+         \advance \a_count \@ne
+      \repeat
+      \if_undefined{\metric_origin _hist_ \romannumeral\a_count}\then
+         \_a_true
+      \else
+         \global\advance \csname \metric_origin _hist_ 
+            \romannumeral\a_count \endcsname \@ne
+         \ifnum 2>\compared_status
+            \global\chardef\compared_status=2
+         \fi
+      \fi
+   \fi\fi\fi
+   %
+   \if_a_
+      \ifnum 3>\compared_status
+         \global\chardef\compared_status=3
+      \fi
+      \begingroup
+         \def\do_left_paren{(}
+         \def\do_right_paren{)}
+         \wlog{Metric~differences~at~lines~\the\a_lineno\space
+            and~\the\b_lineno\space respectively:}
+         \wlog{\a_line}
+         \wlog{\b_line}
+      \endgroup
+      \glyphified_location
+   \fi
+}
+%    \end{macrocode}
+% \end{macro}\end{macro}
+
+  
+
+
+\newif\if_b_
+
+% \begin{macro}{\process_lines}
+%   The |\process_lines| macro is the cheif executive in the comparision. 
+%   Its normal mode of operation is to retrive the next two lines from 
+%   the input files, match them, and update the metric differences 
+%   statistics. If the lines do not match, however, it starts building a 
+%   buffert of lines in which it searches for two matching lines. When 
+%   these two lines are found the mismatching portions of the files are 
+%   written to the log file, and the metric difference statistics are 
+%   updated for the two lines that matched.
+%   
+%    \begin{macrocode}
+\def\process_lines{
+   \get_next_line{a}
+   \get_next_line{b}
+   \match_lines{\a_line}{\b_line}
+   \if_a_
+%    \end{macrocode}
+%   Now the process of trying to find a match begins. At each step of 
+%   the search for a match, it tries all possible matches with the 
+%   lines read so far that haven't been tried at an earlier step.
+%    \begin{macrocode}
+%       \tracingmacros=\@ne\tracingcommands=\tw@ % DEBUG
+      \initialise_search
+      \loop
+         \get_next_line{a}
+         \get_next_line{b}
+         \add_to_buffert{a}
+         \add_to_buffert{b}
+         \match_lines{\a_line}{\b_line}
+         \if_a_
+            \global\a_bufP=\a_bufmid
+            \global\b_bufP=\b_bufmid
+            \try_matching
+         \fi
+      \if_a_
+         \global\advance \a_bufmid \@ne
+         \global\advance \b_bufmid \@ne
+         \ifnum \a_bufmid>\sixt@@n 
+            \errmessage{Big~buffert.~\the\a_lineno[\the\a_filelineno]:
+              \the\b_lineno[\the\b_filelineno]}
+         \fi % DEBUG
+      \repeat
+      \report_mismatch
+%       \tracingcommands=\z@\tracingmacros=\z@ % DEBUG
+%    \end{macrocode}
+%    \begin{macrocode}
+   \fi
+   \metric_statistics
+   \step_linenos
+   \par % DEBUG
+   \if \ifx \a_line\end_of_file_line 
+      \ifx \b_line\end_of_file_line 1\else 0\fi\else 0\fi 0
+   % then
+      \expandafter\process_lines
+   \fi
+}
+%    \end{macrocode}
+% \end{macro}
+
+\def\loadencoding#1{{
+   \def\do_slot{\x_cs\xdef{name-#1-\the\slot_number}{\slot_name}}
+   \inputetx{#1}
+}}
+
+% \begin{macro}{\comparePLs}
+%   The |\comparePLs| command compares two property lists files. It is 
+%   geared against verifying that two different such files are as good 
+%   as equal, and it might take a very long time before it gives up on 
+%   trying to find any resemblance between them. It is furthermore only 
+%   meant to be used on (V)PL files generated by \package{TFtoPL} or 
+%   \package{VFtoVP}, because it assumes the property lists follow a 
+%   stricter syntax than \package{PLtoTF} and \package{VPtoVF} requires 
+%   them to. Finally it needs to be said that the comparision is rather 
+%   stupid in many respects, as it is completely line-oriented and 
+%   takes no notice of what kind of property list it is reading. This 
+%   may in some cases cause it to find ``matches'' between lines which 
+%   for syntactical reasons alone cannot match.
+%   
+%   |\comparePLs| is called as
+%   \begin{quote}
+%     |\comparePLs|\marg{first PL}\marg{second PL}\marg{encoding}
+%   \end{quote}
+%   where \meta{first PL} and \meta{second PL} are the complete names 
+%   (including extensions) of the files to compare. \meta{encoding} is 
+%   the name of the encoding to use when translating slots to glyph 
+%   names; leave it empty if you don't want to specify one. (One could 
+%   use the \texttt{CODINGSCHEME} property to determine the encoding in 
+%   that case, but this is not currently done). The slot to glyph 
+%   translation is only done to make it easier to locate the position of 
+%   some mismatch; it has not effect on the actual comparision.
+%    \begin{macrocode}
+\newcount\last_character
+\def\comparePLs#1#2#3{{
+   \def\encoding_name{#3}
+   \last_character=\m@ne
+   \openin\a_read=#1\x_relax
+   \openin\b_read=#2\x_relax
+   \immediate\write\sixt@@n{#1~and^^J #2}
+   \pl_catcodes
+   \let\do_left_paren=\do_property
+   \let\do_right_paren=\empty_command
+   \global\chardef\compared_status=\z@
+   \clear_histograms
+   \global\a_filelineno=\@ne
+   \global\b_filelineno=\@ne
+   \global\a_lineno=\@ne
+   \global\b_lineno=\@ne
+   \global\a_bufbase=\z@
+   \global\b_bufbase=\z@
+   \global\a_bufmid=\z@
+   \global\b_bufmid=\z@
+   \global\a_buftop=\m@ne
+   \global\b_buftop=\m@ne
+   \process_lines
+   \closein\a_read
+   \closein\b_read
+   \ifcase \compared_status
+      \immediate\write\sixt@@n{are~equal.^^J}
+   \or
+      \immediate\write\sixt@@n{are~almost~equal.^^J}
+   \or
+      \immediate\write\sixt@@n{are~essentially~equal.}
+   \or
+      \immediate\write\sixt@@n{have~non-tolerated~metric~differences.}
+   \or
+      \immediate\write\sixt@@n{do~not~completely~match.}
+   \else
+      \immediate\write\sixt@@n{could~not~be~matched!}
+   \fi
+   \ifnum 1<\compared_status
+      \immediate\write\sixt@@n{See~log~file~for~specification.}
+      \present_histograms
+      \immediate\write\sixt@@n{}
+   \fi
+}}
+%    \end{macrocode}
+% \end{macro}   
+
+
+\begingroup
+   \catcode`\(=13 \catcode`\)=13
+   \gdef\pl_catcodes{
+      \catcode`\(=13 \def({\do_left_paren}
+      \catcode`\)=13 \def){\do_right_paren}
+   }
+\endgroup
+
+\def\do_property#1~{
+   \x_cs\edef{cmd-\sign}{#1}
+   \let\metric_origin=\empty_command
+   \x_cs\ifx{pl-#1}\x_relax
+      \expandafter\ignore_parens
+   \else
+      \csname pl-#1 \expandafter\endcsname
+   \fi
+}
+\def\pl_def_s#1(#2){\x_cs\def{pl-#1}#2~}
+\begingroup
+   \catcode`\!=13\lccode`\!=`\)
+\lowercase{\endgroup
+   \def\pl_def_p#1(#2){\x_cs\def{pl-#1}#2!}
+}
+\def\pl_let#1#2{
+   \expandafter\let 
+      \csname pl-#1 \expandafter\endcsname \csname pl-#2 \endcsname
+}
+
+
+
+\newdimen\tolerance  \tolerance=110sp
+
+% The following is for gobbling to the next unmatched right parenthesis. 
+% The |\catcode| trick used by the PL-to-MTX converter's 
+% |\ignore_parens| cannot be used since the characters are already 
+% tokenized, but one can do something similar with an |\edef| since one 
+% does not have to worry about the PL files containing material which 
+% expands in an undesirable way.
+% 
+% The |\line_stop| is so that linebreaks in the parenthesis being 
+% gobbled will not cause total havok (although the parenthesis won't be 
+% gobbled completely). It inserts end-of-group tokens until the |\edef| 
+% is terminated, and then the |\afterassignment| token will close the 
+% group and restore the normal definition.
+
+\def\ignore_parens{
+   \begingroup
+   \def\do_left_paren{{\iffalse}\fi}
+   \def\do_right_paren{\iffalse{\fi}}
+   \def\line_stop{\do_right_paren\line_stop}
+   \afterassignment\endgroup
+   \edef\a_macro{\iffalse}\fi
+}
+\def\line_stop{\x_relax}
+%    \end{macrocode}
+%
+\begingroup
+   \catcode`\(=1
+   \catcode`\)=2
+   \gdef\pl_string{
+      \begingroup
+      \def\do_left_paren{(\iffalse)\fi}
+      \def\do_right_paren{\iffalse(\fi)}
+      \def\line_stop{\iffalse{\fi}\line_stop}
+      \afterassignment\pl_string_i
+      \edef\a_macro{\iffalse}\fi
+   }
+\endgroup
+\def\pl_string_i{
+   \expandafter\endgroup \expandafter\def 
+      \csname string-\sign \expandafter\endcsname 
+      \expandafter{\a_macro}
+}
+
+\def\pl_real#1{\sign#1\hundred_pt}
+\newdimen\hundred_pt  \hundred_pt=100pt
+
+% Convert a PL int to a \TeX{} int, assuming it's prefixed
+% by |C|, |D|, |O|, or |H|.
+%
+%    \begin{macrocode}
+\def\pl_int#1#2{
+   \sign \ifx#1C `#2
+   \else\ifx#1D #2
+   \else\ifx#1O '#2
+   \else\ifx#1H "#2
+   \else -1\errmessage{Unknown~PL~number~prefix~`#1'}
+   \fi\fi\fi\fi
+}
+%    \end{macrocode}
+
+
+%    \begin{macrocode}
+\pl_def_p{NEXTLARGER}(#1~#2){\advance \first_integer \pl_int{#1}{#2}}
+\pl_let{BOUNDARYCHAR}{NEXTLARGER}
+%    \end{macrocode}
+% 
+% 
+%    \begin{macrocode}
+\x_cs\let{pl-VTITLE}=\pl_string
+\pl_let{FONTNAME}{VTITLE}
+\pl_let{FONTAREA}{VTITLE}
+% \pl_let{CHECKSUM}{VTITLE} 
+% % Not really a string, but unsigned numbers can become too large for TeX.
+% \pl_let{FONTCHECKSUM}{CHECKSUM}
+% Commented out since checksums vary too much.
+\pl_def_p{FONTAT}(R~#1){\advance \first_dimen \pl_real{#1}}
+\pl_let{FONTDSIZE}{FONTAT}
+\pl_let{SELECTFONT}{NEXTLARGER}
+\pl_let{SETCHAR}{NEXTLARGER}
+\pl_def_p{SETRULE}(R~#1~R~#2){
+   \advance \first_dimen \pl_real{#1}
+   \advance \second_dimen \pl_real{#2}
+}
+\x_cs\let{pl-POP}\empty_command
+\pl_let{PUSH}{POP}
+\pl_let{MOVERIGHT}{FONTAT}
+\pl_let{MOVELEFT}{FONTAT}
+\pl_let{MOVEUP}{FONTAT}
+\pl_let{MOVEDOWN}{FONTAT}
+\pl_let{SPECIAL}{VTITLE}
+\pl_let{SPECIALHEX}{VTITLE}
+%    \end{macrocode}
+% 
+%
+
+\pl_let{CODINGSCHEME}{VTITLE}
+\pl_let{DESIGNSIZE}{FONTAT}
+
+\def\pl_parameter#1#2#3{
+   \advance \first_integer \pl_int{#1}{#2}
+   \advance \first_dimen \pl_real{#3}
+}
+
+\pl_def_p{PARAMETER}(#1~#2~R~#3){\pl_parameter{#1}{#2}{#3}}
+
+\pl_def_p{SLANT}(R~#1){\pl_parameter{D}{1}{#1}}
+\pl_def_p{SPACE}(R~#1){\pl_parameter{D}{2}{#1}}
+\pl_def_p{STRETCH}(R~#1){\pl_parameter{D}{3}{#1}}
+\pl_def_p{SHRINK}(R~#1){\pl_parameter{D}{4}{#1}}
+\pl_def_p{XHEIGHT}(R~#1){\pl_parameter{D}{5}{#1}}
+\pl_def_p{QUAD}(R~#1){\pl_parameter{D}{6}{#1}}
+\pl_def_p{EXTRASPACE}(R~#1){\pl_parameter{D}{7}{#1}}
+
+\pl_def_p{NUM1}(R~#1){\pl_parameter{D}{8}{#1}}
+\pl_def_p{NUM2}(R~#1){\pl_parameter{D}{9}{#1}}
+\pl_def_p{NUM3}(R~#1){\pl_parameter{D}{10}{#1}}
+\pl_def_p{DENOM1}(R~#1){\pl_parameter{D}{11}{#1}}
+\pl_def_p{DENOM2}(R~#1){\pl_parameter{D}{12}{#1}}
+\pl_def_p{SUP1}(R~#1){\pl_parameter{D}{13}{#1}}
+\pl_def_p{SUP2}(R~#1){\pl_parameter{D}{14}{#1}}
+\pl_def_p{SUP3}(R~#1){\pl_parameter{D}{15}{#1}}
+\pl_def_p{SUB1}(R~#1){\pl_parameter{D}{16}{#1}}
+\pl_def_p{SUB2}(R~#1){\pl_parameter{D}{17}{#1}}
+\pl_def_p{SUPDROP}(R~#1){\pl_parameter{D}{18}{#1}}
+\pl_def_p{SUBDROP}(R~#1){\pl_parameter{D}{19}{#1}}
+\pl_def_p{DELIM1}(R~#1){\pl_parameter{D}{20}{#1}}
+\pl_def_p{DELIM2}(R~#1){\pl_parameter{D}{21}{#1}}
+\pl_def_p{AXISHEIGHT}(R~#1){\pl_parameter{D}{22}{#1}}
+
+\pl_let{DEFAULTRULETHICKNESS}{NUM1}
+\pl_let{BIGOPSPACING1}{NUM2}
+\pl_let{BIGOPSPACING2}{NUM3}
+\pl_let{BIGOPSPACING3}{DENOM1}
+\pl_let{BIGOPSPACING4}{DENOM2}
+\pl_let{BIGOPSPACING5}{SUP1}
+
+\def\boundarychar_name{BOUNDARYCHAR}
+\pl_def_s{LABEL}(#1){
+   \def\a_macro{#1}
+   \ifx \a_macro\boundarychar_name
+      \x_cs\let{string-\sign}\a_macro
+   \else
+      \def\a_macro{\csname pl-LABEL(i\endcsname #1~}
+      \expandafter\a_macro
+   \fi
+}
+\pl_def_p{LABEL(i}(#1~#2){
+   \last_character=\first_integer
+   \advance \first_integer \pl_int{#1}{#2}
+}
+\pl_def_p{LIG}(#1~#2~#3~#4){
+   \advance \first_integer \pl_int{#1}{#2}
+   \advance \second_integer \pl_int{#3}{#4}
+}
+\pl_let{/LIG}{LIG}
+\pl_let{/LIG>}{LIG}
+\pl_let{LIG/}{LIG}
+\pl_let{LIG/>}{LIG}
+\pl_let{/LIG/}{LIG}
+\pl_let{/LIG/>}{LIG}
+\pl_let{/LIG/>>}{LIG}
+
+\pl_let{HEADER}{LIG}
+
+% \def\pl_lig#1~#2~#3~#4~#5~{
+%    \x_cs\def{string-\sign}{#1}
+% \def\LIG#1~{
+%    \if\ifx #1C 0
+%       \else\ifx #1D 0
+%       \else\ifx #1H 0
+%       \else\ifx #1O 0 \else 1\fi\fi\fi\fi 0
+%    % then
+%       \expandafter\both_of_two
+%    \else
+%       \expandafter\first_of_two
+%    \fi{\pl_lig LIG}{~}#1~
+% }
+% \def\/{\pl_lig/}
+
+\pl_let{KRN}{PARAMETER}
+\pl_let{SKIP}{NEXTLARGER}
+
+\pl_def_s{CHARACTER}(#1~#2){
+   \last_character=\first_integer
+   \advance \first_integer \pl_int{#1}{#2}
+}
+\pl_let{CHARWD}{FONTAT}
+\pl_def_p{CHARHT}(R~#1){
+   \def\metric_origin{ht}
+   \advance \first_dimen \pl_real{#1}
+}
+\pl_def_p{CHARDP}(R~#1){
+   \def\metric_origin{dp}
+   \advance \first_dimen \pl_real{#1}
+}
+\pl_def_p{CHARIC}(R~#1){
+   \def\metric_origin{ic}
+   \advance \first_dimen \pl_real{#1}
+}
+
+\pl_let{TOP}{NEXTLARGER}
+\pl_let{MID}{NEXTLARGER}
+\pl_let{BOT}{NEXTLARGER}
+\pl_let{REP}{NEXTLARGER}
+
+\pl_let{FONTDIMEN}{POP}
+\pl_let{LIGTABLE}{POP}
+\pl_let{VARCHAR}{POP}
+\pl_def_s{MAPFONT}(#1~#2){\advance \first_integer \pl_int{#1}{#2}}
+\pl_let{MAP}{POP}
+
+
+%    \begin{macrocode}
+\catcode`\@=\atcatcode
+\catcode`\^^M=\nlcatcode
+\catcode`\ =\spacecatcode
+\catcode`\~=\tildecatcode
+\catcode`\_=\underscorecatcode
+%    \end{macrocode}
diff --git a/Master/texmf-dist/doc/fontinst/base/test/comparepls.tex b/Master/texmf-dist/doc/fontinst/base/test/comparepls.tex
new file mode 100644
index 00000000000..a735a34ed79
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/comparepls.tex
@@ -0,0 +1,73 @@
+\input fontinst.sty
+\input comparemetrics.sty
+
+% % \tracingmacros=1\tracingcommands=2
+% \comparePLs{cmr5.pl}{cmr5.pl}
+% 
+% \bye
+
+\tracingstats=1
+
+\def\oldf{::efficiency:saved:v1.912:}
+\def\newf{::efficiency:saved:v1.913:}
+
+\loadencoding{t1}
+\loadencoding{ot1}
+\loadencoding{ts1}
+\loadencoding{8r}
+
+\comparePLs{\oldf padb7t.vpl}{\newf padb7t.vpl}{ot1}   %OK 11sp
+\comparePLs{\oldf padb8c.vpl}{\newf padb8c.vpl}{ts1}   %OK 11sp
+\comparePLs{\oldf padb8t.vpl}{\newf padb8t.vpl}{t1}   %OK 11sp
+\comparePLs{\oldf padbc7t.vpl}{\newf padbc7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padbc8t.vpl}{\newf padbc8t.vpl}{t1}
+\comparePLs{\oldf padbi7t.vpl}{\newf padbi7t.vpl}{ot1}
+\comparePLs{\oldf padbi8c.vpl}{\newf padbi8c.vpl}{ts1}
+\comparePLs{\oldf padbi8t.vpl}{\newf padbi8t.vpl}{t1}
+\comparePLs{\oldf padbo7t.vpl}{\newf padbo7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padbo8c.vpl}{\newf padbo8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padbo8t.vpl}{\newf padbo8t.vpl}{t1}
+\comparePLs{\oldf padr7t.vpl}{\newf padr7t.vpl}{ot1}   %OK 11sp
+\comparePLs{\oldf padr8c.vpl}{\newf padr8c.vpl}{ts1}   %OK 11sp
+\comparePLs{\oldf padr8t.vpl}{\newf padr8t.vpl}{t1}   %OK 11sp
+\comparePLs{\oldf padrc7t.vpl}{\newf padrc7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padrc8t.vpl}{\newf padrc8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padri7t.vpl}{\newf padri7t.vpl}{ot1}
+\comparePLs{\oldf padri8c.vpl}{\newf padri8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padri8t.vpl}{\newf padri8t.vpl}{t1}
+\comparePLs{\oldf padro7t.vpl}{\newf padro7t.vpl}{ot1} %OK 11sp
+\comparePLs{\oldf padro8c.vpl}{\newf padro8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padro8t.vpl}{\newf padro8t.vpl}{t1}
+\comparePLs{\oldf pads7t.vpl}{\newf pads7t.vpl}{ot1}
+\comparePLs{\oldf pads8c.vpl}{\newf pads8c.vpl}{ts1}
+\comparePLs{\oldf pads8t.vpl}{\newf pads8t.vpl}{t1}
+\comparePLs{\oldf padsc7t.vpl}{\newf padsc7t.vpl}{ot1}
+\comparePLs{\oldf padsc8t.vpl}{\newf padsc8t.vpl}{t1} %OK 11sp
+\comparePLs{\oldf padsi7t.vpl}{\newf padsi7t.vpl}{ot1}
+\comparePLs{\oldf padsi8c.vpl}{\newf padsi8c.vpl}{ts1} %OK 11sp
+\comparePLs{\oldf padsi8t.vpl}{\newf padsi8t.vpl}{t1}
+\comparePLs{\oldf padso7t.vpl}{\newf padso7t.vpl}{ot1}
+\comparePLs{\oldf padso8c.vpl}{\newf padso8c.vpl}{ts1}
+\comparePLs{\oldf padso8t.vpl}{\newf padso8t.vpl}{t1}
+
+\comparePLs{\oldf padb8a.pl}{\newf padb8a.pl}{}
+\comparePLs{\oldf padb8r.pl}{\newf padb8r.pl}{8r}
+\comparePLs{\oldf padbi8a.pl}{\newf padbi8a.pl}{}
+\comparePLs{\oldf padbi8r.pl}{\newf padbi8r.pl}{8r}
+\comparePLs{\oldf padbo8r.pl}{\newf padbo8r.pl}{8r}
+\comparePLs{\oldf padr8a.pl}{\newf padr8a.pl}{}
+\comparePLs{\oldf padr8r.pl}{\newf padr8r.pl}{8r}
+\comparePLs{\oldf padrc8a.pl}{\newf padrc8a.pl}{}
+\comparePLs{\oldf padrc8r.pl}{\newf padrc8r.pl}{8r}
+\comparePLs{\oldf padri8a.pl}{\newf padri8a.pl}{}
+\comparePLs{\oldf padri8r.pl}{\newf padri8r.pl}{8r}
+\comparePLs{\oldf padro8r.pl}{\newf padro8r.pl}{8r}
+\comparePLs{\oldf pads8a.pl}{\newf pads8a.pl}{}
+\comparePLs{\oldf pads8r.pl}{\newf pads8r.pl}{8r}
+\comparePLs{\oldf padsc8a.pl}{\newf padsc8a.pl}{}
+\comparePLs{\oldf padsc8r.pl}{\newf padsc8r.pl}{8r}
+\comparePLs{\oldf padsi8a.pl}{\newf padsi8a.pl}{}
+\comparePLs{\oldf padsi8r.pl}{\newf padsi8r.pl}{8r}
+\comparePLs{\oldf padso8r.pl}{\newf padso8r.pl}{8r}
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/scaledtest.tex b/Master/texmf-dist/doc/fontinst/base/test/scaledtest.tex
new file mode 100644
index 00000000000..f5e9dd03a2d
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/scaledtest.tex
@@ -0,0 +1,8 @@
+%&Plain
+\input fontinst.sty
+
+\installfonts
+  \installfont{foo}{scaledtest scaled 300}{ot1}{OT1}{zzz}{m}{n}{}
+\endinstallfonts
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/speedtest1.tex b/Master/texmf-dist/doc/fontinst/base/test/speedtest1.tex
new file mode 100644
index 00000000000..a92823e7210
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/speedtest1.tex
@@ -0,0 +1,62 @@
+\input fontinst.sty
+
+\edef\spacecatcode{\the\catcode`\ }
+\edef\nlcatcode{\the\catcode`\^^M}
+\edef\atcatcode{\the\catcode`\@}
+\edef\underscorecatcode{\the\catcode`\_}
+\edef\tildecatcode{\the\catcode`\~}
+\catcode`\ =9
+\catcode`\^^M=9
+\catcode`\@=11
+\catcode`\_=11
+\catcode`\~=10
+
+\def\Mtxtopl#1#2{{
+   \open_out{#2.pl}
+   \top_of_pl_hook
+   \out_line{(COMMENT~raw~font~#2~created~by~fontinst~
+      v\fontinstversion)}
+   \out_line{}
+   \out_line{(COMMENT~Filename:~#2.pl)}
+   \out_line{(COMMENT~Created~by:~tex~\jobname)}
+   \out_line{(COMMENT~Created~using:~\string\mtxtopl{#1}{#2})}
+   \out_line{}
+   \out_line{(COMMENT~This~file~can~be~turned~into~a~ligless~TeX~font~
+      with)}
+   \out_line{(COMMENT~pltotfm~#2.pl~#2.tfm)}
+   \out_line{}
+   \out_line{(COMMENT~THIS~FILE~CAN~THEN~BE~DELETED.)}
+   \out_line{}
+   \out_line{(DESIGNSIZE~R~10.0)}
+   \out_line{}
+   \let\setglyph=\iffalse
+   \let\endsetglyph=\fi
+   \let\setkern=\gobble_three
+   \let\setrawglyph=\Pl_raw_glyph
+   \inputmtx{#1}
+   \out_line{}
+   \out_line{(COMMENT~END~OF~FILE~#2.pl)}
+   \close_out{Raw~font}
+}}
+\def\Pl_raw_glyph#1#2#3#4#5#6#7#8{
+   \a_count=#4
+   \out_line{(CHARACTER~\vpl_int\a_count\space(COMMENT~#1)}
+   \out_lline{(CHARWD~R~\make_factor{#5})}
+   \out_lline{(CHARHT~R~\make_factor{#6})}
+   \out_lline{(CHARDP~R~\make_factor{#7})}
+   \out_lline{(CHARIC~R~\make_factor{#8})}
+   \out_lline{)}
+}
+
+
+\catcode`\@=\atcatcode
+\catcode`\^^M=\nlcatcode
+\catcode`\ =\spacecatcode
+\catcode`\~=\tildecatcode
+\catcode`\_=\underscorecatcode
+
+\batchmode
+\for(n){1}{500}{1}\Mtxtopl{cmr5}{cmr5.new}\endfor(n)
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fontinst/base/test/testfont.tex b/Master/texmf-dist/doc/fontinst/base/test/testfont.tex
new file mode 100644
index 00000000000..544642aae45
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/testfont.tex
@@ -0,0 +1,208 @@
+% A testbed for font evaluation (see The METAFONTbook, Appendix H)
+
+\tracinglostchars=0
+\tolerance=1000
+\raggedbottom
+\nopagenumbers
+\parindent=0pt
+\newlinechar=`@
+\hyphenpenalty=200
+\doublehyphendemerits=30000
+\hyphenation{prom-i-nent}
+
+\newcount\m \newcount\n \newcount\p \newdimen\dim
+\chardef\other=12
+
+\def\today{\ifcase\month\or
+  January\or February\or March\or April\or May\or June\or
+  July\or August\or September\or October\or November\or December\fi
+  \space\number\day, \number\year}
+\def\hours{\n=\time \divide\n 60
+  \m=-\n \multiply\m 60 \advance\m \time
+  \twodigits\n\twodigits\m}
+\def\twodigits#1{\ifnum #1<10 0\fi \number#1}
+
+\def\init{\message{@Name of the font to test = }
+  \read-1 to\fontname \startfont
+  \message{Now type a test command (\string\help\space for help):}}
+\def\startfont{\font\testfont=\fontname \spaceskip=0pt
+  \leftline{\sevenrm Test of \fontname\unskip\ on \today\ at \hours}
+  \medskip
+  \testfont \setbaselineskip
+  \ifdim\fontdimen6\testfont<10pt \rightskip=0pt plus 20pt
+  \else\rightskip=0pt plus 2em \fi
+  \spaceskip=\fontdimen2\testfont % space between words (\raggedright)
+  \xspaceskip=\fontdimen2\testfont \advance\xspaceskip by\fontdimen7\testfont}
+
+{\catcode`\|=0 \catcode`\\=\other
+|gdef|help{|message{%
+\init switches to another font;@%
+\end or \bye finishes the run;@%
+\table prints the font layout in tabular format;@%
+\text prints a sample text, assuming TeX text font conventions;@%
+\sample combines \table and \text;@%
+\mixture mixes a background character with a series of others;@%
+\alternation interleaves a background character with a series;@%
+\alphabet prints all lowercase letters within a given background;@%
+\ALPHABET prints all uppercase letters within a given background;@%
+\series prints a series of letters within a given background;@%
+\lowers prints a comprehensive test of lowercase;@%
+\uppers prints a comprehensive test of uppercase;@%
+\digits prints a comprehensive test of numerals;@%
+\math prints a comprehensive test of TeX math italic;@%
+\names prints a text that mixes upper and lower case;@%
+\punct prints a punctuation test;@%
+\bigtest combines many of the above routines;@%
+\help repeats this message;@%
+and you can use ordinary TeX commands (e.g., to \input a file).}}}
+
+\def\setbaselineskip{\setbox0=\hbox{\n=0
+\loop\char\n \ifnum \n<255 \advance\n 1 \repeat}
+\baselineskip=6pt \advance\baselineskip\ht0 \advance\baselineskip\dp0 }
+
+\def\setchar#1{{\escapechar-1\message{\string#1 character = }%
+  \def\do##1{\catcode`##1=\other}\dospecials
+  \read-1 to\next
+  \expandafter\finsetchar\next\next#1}}
+\def\finsetchar#1#2\next#3{\global\chardef#3=`#1
+  \ifnum #3=`\# \global\chardef#3=#2 \fi}
+\def\promptthree{\setchar\background
+  \setchar\starting \setchar\ending}
+
+\def\mixture{\promptthree \domix\mixpattern}
+\def\alternation{\promptthree \domix\altpattern}
+\def\mixpattern{\0\1\0\0\1\1\0\0\0\1\1\1\0\1}
+\def\altpattern{\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0\1\0}
+\def\domix#1{\par\chardef\0=\background \n=\starting
+  \loop \chardef\1=\n #1\endgraf
+  \ifnum \n<\ending \advance\n 1 \repeat}
+
+\def\!{\discretionary{\background}{\background}{\background}}
+\def\series{\promptthree \!\doseries\starting\ending\par}
+\def\doseries#1#2{\n=#1\loop\char\n\!\ifnum\n<#2\advance\n 1 \repeat}
+\def\complower{\!\doseries{`a}{`z}\doseries{'31}{'34}\par}
+\def\compupper{\!\doseries{`A}{`Z}\doseries{'35}{'37}\par}
+\def\compdigs{\!\doseries{`0}{`9}\par}
+\def\alphabet{\setchar\background\complower}
+\def\ALPHABET{\setchar\background\compupper}
+
+\def\lowers{\docomprehensive\complower{`a}{`z}{'31}{'34}}
+\def\uppers{\docomprehensive\compupper{`A}{`Z}{'35}{'37}}
+\def\digits{\docomprehensive\compdigs{`0}{`4}{`5}{`9}}
+\def\docomprehensive#1#2#3#4#5{\par\chardef\background=#2
+  \loop{#1} \ifnum\background<#3\m=\background\advance\m 1
+  \chardef\background=\m \repeat \chardef\background=#4
+  \loop{#1} \ifnum\background<#5\m=\background\advance\m 1
+  \chardef\background=\m \repeat}
+
+\def\names{ {\AA}ngel\aa\ Beatrice Claire
+  Diana \'Erica Fran\c{c}oise Ginette H\'el\`ene Iris
+  Jackie K\=aren {\L}au\.ra Mar{\'\i}a N\H{a}ta{\l}{\u\i}e {\O}ctave
+  Pauline Qu\^eneau Roxanne Sabine T\~a{\'\j}a Ur\v{s}ula
+  Vivian Wendy Xanthippe Yv{\o}nne Z\"azilie\par}
+\def\punct{\par\dopunct{min}\dopunct{pig}\dopunct{hid}
+  \dopunct{HIE}\dopunct{TIP}\dopunct{fluff}
+  \$1,234.56 + 7/8 = 9\% @ \#0\par}
+\def\dopunct#1{#1,\ #1:\ #1;\ `#1'\ ?`#1?\ !`#1!\ (#1)\ [#1]\ #1*\ #1.\par}
+
+\def\bigtest{\sample
+  hamburgefonstiv HAMBURGEFONSTIV\par
+  \names \punct \lowers \uppers \digits}
+
+\def\math{\textfont1=\testfont \skewchar\testfont=\skewtrial
+ \mathchardef\Gamma="100 \mathchardef\Delta="101
+ \mathchardef\Theta="102 \mathchardef\Lambda="103 \mathchardef\Xi="104
+ \mathchardef\Pi="105 \mathchardef\Sigma="106 \mathchardef\Upsilon="107
+ \mathchardef\Phi="108 \mathchardef\Psi="109 \mathchardef\Omega="10A
+ \def\ii{i} \def\jj{j}
+ \def\\##1{|##1|+}\mathtrial
+ \def\\##1{##1_2+}\mathtrial
+ \def\\##1{##1^2+}\mathtrial
+ \def\\##1{##1/2+}\mathtrial
+ \def\\##1{2/##1+}\mathtrial
+ \def\\##1{##1,{}+}\mathtrial
+ \def\\##1{d##1+}\mathtrial
+ \let\ii=\imath \let\jj=\jmath \def\\##1{\hat##1+}\mathtrial}
+\newcount\skewtrial \skewtrial='177
+\def\mathtrial{$\\A \\B \\C \\D \\E \\F \\G \\H \\I \\J \\K \\L \\M \\N \\O
+ \\P \\Q \\R \\S \\T \\U \\V \\W \\X \\Y \\Z \\a \\b \\c \\d \\e \\f \\g
+ \\h \\\ii \\\jj \\k \\l \\m \\n \\o \\p \\q \\r \\s \\t \\u \\v \\w \\x \\y
+ \\z \\\alpha \\\beta \\\gamma \\\delta \\\epsilon \\\zeta \\\eta \\\theta
+ \\\iota \\\kappa \\\lambda \\\mu \\\nu \\\xi \\\pi \\\rho \\\sigma \\\tau
+ \\\upsilon \\\phi \\\chi \\\psi \\\omega \\\vartheta \\\varpi \\\varphi
+ \\\Gamma \\\Delta \\\Theta \\\Lambda \\\Xi \\\Pi \\\Sigma \\\Upsilon
+ \\\Phi \\\Psi \\\Omega \\\partial \\\ell \\\wp$\par}
+\def\mathsy{\begingroup\skewtrial='060 % for math symbol font tests
+ \def\mathtrial{$\\A \\B \\C \\D \\E \\F \\G \\H \\I \\J \\K \\L
+  \\M \\N \\O \\P \\Q \\R \\S \\T \\U \\V \\W \\X \\Y \\Z$\par}
+ \math\endgroup}
+
+\def\oct#1{\hbox{\rm\'{}\kern-.2em\it#1\/\kern.05em}} % octal constant
+\def\hex#1{\hbox{\rm\H{}\tt#1}} % hexadecimal constant
+\def\setdigs#1"#2{\gdef\h{#2}% \h=hex prefix; \0\1=corresponding octal
+ \m=\n \divide\m by 64 \xdef\0{\the\m}%
+ \multiply\m by-64 \advance\m by\n \divide\m by 8 \xdef\1{\the\m}}
+\def\testrow{\setbox0=\hbox{\penalty 1\def\\{\char"\h}%
+ \\0\\1\\2\\3\\4\\5\\6\\7\\8\\9\\A\\B\\C\\D\\E\\F%
+ \global\p=\lastpenalty}} % \p=1 if none of the characters exist
+\def\oddline{\cr
+  \noalign{\nointerlineskip}
+  \multispan{19}\hrulefill&
+  \setbox0=\hbox{\lower 2.3pt\hbox{\hex{\h x}}}\smash{\box0}\cr
+  \noalign{\nointerlineskip}}
+\newif\ifskipping
+\def\evenline{\loop\skippingfalse
+ \ifnum\n<256 \m=\n \divide\m 16 \chardef\next=\m
+ \expandafter\setdigs\meaning\next \testrow
+ \ifnum\p=1 \skippingtrue \fi\fi
+ \ifskipping \global\advance\n 16 \repeat
+ \ifnum\n=256 \let\next=\endchart\else\let\next=\morechart\fi
+ \next}
+\def\morechart{\cr\noalign{\hrule\penalty5000}
+ \chartline \oddline \m=\1 \advance\m 1 \xdef\1{\the\m}
+ \chartline \evenline}
+\def\chartline{&\oct{\0\1x}&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&\:&&}
+\def\chartstrut{\lower4.5pt\vbox to14pt{}}
+\def\table{$$\global\n=0
+  \halign to\hsize\bgroup
+    \chartstrut##\tabskip0pt plus10pt&
+    &\hfil##\hfil&\vrule##\cr
+    \lower6.5pt\null
+    &&&\oct0&&\oct1&&\oct2&&\oct3&&\oct4&&\oct5&&\oct6&&\oct7&\evenline}
+\def\endchart{\cr\noalign{\hrule}
+  \raise11.5pt\null&&&\hex 8&&\hex 9&&\hex A&&\hex B&
+  &\hex C&&\hex D&&\hex E&&\hex F&\cr\egroup$$\par}
+\def\:{\setbox0=\hbox{\char\n}%
+  \ifdim\ht0>7.5pt\reposition
+  \else\ifdim\dp0>2.5pt\reposition\fi\fi
+  \box0\global\advance\n 1 }
+\def\reposition{\setbox0=\vbox{\kern2pt\box0}\dim=\dp0
+  \advance\dim 2pt \dp0=\dim}
+\def\centerlargechars{
+  \def\reposition{\setbox0=\hbox{$\vcenter{\kern2pt\box0\kern2pt}$}}}
+
+\def\text{{\advance\baselineskip-4pt
+\setbox0=\hbox{abcdefghijklmnopqrstuvwxyz}
+\ifdim\hsize>2\wd0 \ifdim 15pc>2\wd0 \hsize=15pc \else \hsize=2\wd0 \fi\fi
+On November 14, 1885, Senator \& Mrs.~Leland Stanford called
+together at their San Francisco mansion the 24~prominent men who had
+been chosen as the first trustees of The Leland Stanford Junior University.
+They handed to the board the Founding Grant of the University, which they
+had executed three days before. This document---with various amendments,
+legislative acts, and court decrees---remains as the University's charter.
+In bold, sweeping language it stipulates that the objectives of the University
+are ``to qualify students for personal success and direct usefulness in life;
+and to promote the publick welfare by exercising an influence in behalf of
+humanity and civilization, teaching the blessings of liberty regulated by
+law, and inculcating love and reverence for the great principles of
+government as derived from the inalienable rights of man to life, liberty,
+and the pursuit of happiness.'' \moretext
+(!`THE DAZED BROWN FOX QUICKLY GAVE 12345--67890 JUMPS!)\par}}
+\def\moretext{?`But aren't Kafka's Schlo{\ss} and {\AE}sop's {\OE}uvres
+often na{\"\i}ve  vis-\`a-vis the d{\ae}monic ph{\oe}nix's official r\^ole
+in fluffy souffl\'es? }
+\def\omitaccents{\let\moretext=\relax}
+
+\def\sample{\table\text}
+
+\ifx\noinit!\else\init\fi
diff --git a/Master/texmf-dist/doc/fontinst/base/test/testsc.tex b/Master/texmf-dist/doc/fontinst/base/test/testsc.tex
new file mode 100644
index 00000000000..c54452d45e1
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/testsc.tex
@@ -0,0 +1,41 @@
+\input fontinst.sty
+
+\transformfont{padr8r} {\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padrc8r}{\reencodefont{8r}{\fromafm{padrc8a}}}
+\transformfont{pads8r} {\reencodefont{8r}{\fromafm{pads8a}}}
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\fromafm{padr8x}
+\fromafm{pads8x}
+
+\installfonts
+
+\installfamily{T1}{pad} {}
+\installfamily{T1}{padx}{}
+\installfamily{T1}{padj}{}
+
+\installfont{padrc8t}{padrc8r,latin}
+            {T1}{T1}{pad}{m}{sc}{}
+\installfont{padrc9e}
+            {kernoff,padr8r,padr8x,kernon,glyphoff,padrc8r,glyphon,
+             resetsc,latinsc}
+            {T1c}{T1}{padx}{m}{sc}{}
+\installfont{padrc9d}
+            {kernoff,padr8r,padr8x,kernon,glyphoff,padrc8r,glyphon,
+             resetosf,resetsc,latinsc}
+            {T1cj}{T1}{padj}{m}{sc}{}
+
+\installfont{padsc8t}{padsc8r,latin}
+            {T1}{T1}{pad}{m}{sc}{}
+\installfont{padsc9e}
+            {kernoff,pads8r,pads8x,kernon,glyphoff,padsc8r,glyphon,
+             resetsc,latinsc}
+            {T1c}{T1}{padx}{sb}{sc}{}
+\installfont{padsc9d}
+            {kernoff,pads8r,pads8x,kernon,glyphoff,padrc8r,glyphon,
+             resetosf,resetsc,latinsc}
+            {T1cj}{T1}{padj}{sb}{sc}{}
+
+\endinstallfonts
+\bye
+
+
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1901test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1901test.tex
new file mode 100644
index 00000000000..81a6218f679
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1901test.tex
@@ -0,0 +1,214 @@
+% Test of fontinst v1.901.
+% Started 1999/03/13.
+\input fontinst.sty
+
+% Part one---test of pooled file allocation.
+\catcode`\_=11
+\catcode`\@=11
+
+\def\show_out_filenames{%
+   \immediate\write16{\string\count17=\the\count17}%
+   \for(i){-1}{16}{1}%
+      \immediate\write16{Stream \strint{i}: 
+         \x_cs\meaning{out_filename-\strint{i}}%
+      }%
+   \endfor(i)%
+}
+
+% %1 Standard usage
+% \show_out_filenames
+% \open_pout\tF{\jobname.out}
+% \show_out_filenames
+% \pout_line\tF{Hello world!}
+% \close_pout\tF{Test output}
+% \show_out_filenames
+% % Seems to work fine.
+
+% %2 Allocating LOTS of files.
+% \newcount\j_count
+% \newcount\k_count
+% \j_count=0
+% \k_count=1
+% \for(o){1}{48}{1}
+%    \x_cs\open_pout{F-\strint{o}}{\jobname.\strint{o}}%
+%    \ifodd \int{o} \else
+%       \x_cs\pout_line{F-\the\k_count}{%
+%          open=\strint{o} close=\the\j_count\space write=\the\k_count
+%       }%
+%       \multiply \k_count \thr@@
+%       \advance \k_count \@ne
+%       \d_count=\k_count
+%       \divide \d_count \int{o}%
+%       \multiply \d_count \int{o}%
+%       \advance \k_count -\d_count
+%       \advance \k_count \@ne
+%       \advance \j_count \@ne
+%       \x_cs\close_pout{F-\the\j_count}{Test data}%
+%    \fi
+%    \d_count=\int{o}%
+%    \divide \d_count 8%
+%    \multiply \d_count 8%
+%    \advance \d_count -\int{o}%
+%    \ifnum 0=\d_count \show_out_filenames \fi
+% \endfor(o)
+% % Seems to work fine as well.
+
+
+%% Part two---test of reimplemented \transformfont stuff
+%% Part two B---test of \recordtransforms stuff
+
+\recordtransforms{mapfrags.tex}
+\transformfont{v1901test1}{
+   \xscalefont{2000}{\reencodefont{t1c}{\frommtx{v1901test}}}
+}
+\transformfont{v1901test2}{
+   \yscalefont{500}{\xscalefont{2000}{\frommtx{v1901test}}}
+}
+\transformfont{v1901test3}{
+   \reencodefont{t1}{\slantfont{100}{\frommtx{v1901test}}}
+}
+\endrecordtransforms
+
+
+\bye
+
+%% Part three---test of reglyphing
+
+\reglyphfonts
+  \resetcommand\iftokeep#1\then{\ifnum 0<#1}
+  % This means that an AFM command will survive the conversion only if 
+  % it refers to at least one renamed glyph and not refer to any killed 
+  % glyph.
+  
+%   \offmtxcommand\setrawglyph
+%   \offmtxcommand\setglyph
+%   % This reglyphing file is inteded for extracting information from the 
+%   % AFM file of a Caps, Small caps, and Oldstyle figures fonts--with the 
+%   % intention to build a corresponding virtual font with glyphs that are 
+%   % present in the Regular and Expert Regular variants instead. Hence 
+%   % there is no need for \setrawglyph or \setglyph commands (the 
+%   % dimensions of the characters are known from the Reg. and Exp.Reg. 
+%   % AFM's), but the \setkern commands are most interesting (since 8x 
+%   % fonts don't contain any upper case letters, and hence has no kerning 
+%   % pairs between these and the small caps either).
+  
+  
+  \renameglyph{dollaroldstyle}{dollar}
+  \renameglyph{ampersandsmall}{ampersand}
+  
+  \renameglyph{zerooldstyle}{zero}
+  \renameglyph{oneoldstyle}{one}
+  \renameglyph{twooldstyle}{two}
+  \renameglyph{threeoldstyle}{three}
+  \renameglyph{fouroldstyle}{four}
+  \renameglyph{fiveoldstyle}{five}
+  \renameglyph{sixoldstyle}{six}
+  \renameglyph{sevenoldstyle}{seven}
+  \renameglyph{eigtholdstyle}{eight}
+  \renameglyph{nineoldstyle}{nine}
+  
+  \renameglyph{Asmall}{a}
+  \renameglyph{Bsmall}{b}
+  \renameglyph{Csmall}{c}
+  \renameglyph{Dsmall}{d}
+  \renameglyph{Esmall}{e}
+  \renameglyph{Fsmall}{f}
+  \renameglyph{Gsmall}{g}
+  \renameglyph{Hsmall}{h}
+  \renameglyph{Ismall}{i}
+  \renameglyph{Jsmall}{j}
+  \renameglyph{Ksmall}{k}
+  \renameglyph{Lsmall}{l}
+  \renameglyph{Msmall}{m}
+  \renameglyph{Nsmall}{n}
+  \renameglyph{Osmall}{o}
+  \renameglyph{Psmall}{p}
+  \renameglyph{Qsmall}{q}
+  \renameglyph{Rsmall}{r}
+  \renameglyph{Ssmall}{s}
+  \renameglyph{Tsmall}{t}
+  \renameglyph{Usmall}{u}
+  \renameglyph{Vsmall}{v}
+  \renameglyph{Wsmall}{w}
+  \renameglyph{Xsmall}{x}
+  \renameglyph{Ysmall}{y}
+  \renameglyph{Zsmall}{z}
+  
+  \renameglyph{centoldstyle}{cent}
+  
+  % \renameglyph{FIsmall}{fi}
+  % \renameglyph{FLsmall}{fl}
+  % These two aren't really necessary, since the ligature `fi' looks 
+  % exactly as the letters `f'`i' next to each others.
+  \killglyph{fi}
+  \killglyph{fl}
+  
+  \renameglyph{Gravesmall}{grave}
+  \renameglyph{Acutesmall}{acute}
+  \renameglyph{Circumflexsmall}{circumflex}
+  \renameglyph{Tildesmall}{tilde}
+  \renameglyph{Macronsmall}{macron}
+  \renameglyph{Brevesmall}{breve}
+  \renameglyph{Dotaccentsmall}{dotaccent}
+  \renameglyph{Dieresissmall}{dieresis}
+  \renameglyph{Ringsmall}{ring}
+  \renameglyph{Cedillasmall}{cedilla}
+  \renameglyph{Ogoneksmall}{ogonek}
+  \renameglyph{Caronsmall}{caron}
+  
+  \renameglyph{AEsmall}{ae}
+  \renameglyph{dotlessIsmall}{dotlessi}
+  \renameglyph{Lslashsmall}{lslash}
+  \renameglyph{Oslashsmall}{oslash}
+  \renameglyph{OEsmall}{oe}
+  % \renameglyph{SSsmall}{germandbls}
+  % This isn't really needed in the AGaramond font family, since `SSsmall' 
+  % looks exactly like `Ssmall'`Ssmall'
+  \killglyph{germandbls}
+  
+  \renameglyph{Oacutesmall}{oacute}
+  \renameglyph{Odieresissmall}{odieresis}
+  \renameglyph{Ucircumflexsmall}{ucircumflex}
+  
+  \renameglyph{Uacutesmall}{uacute}
+  \renameglyph{Eacutesmall}{eacute}
+  \renameglyph{Iacutesmall}{iacute}
+  \renameglyph{Icircumflexsmall}{icircumflex}
+  
+  \renameglyph{Thornsmall}{thorn}
+  \renameglyph{Yacutesmall}{yacute}
+  
+  \renameglyph{Ocircumflexsmall}{ocircumflex}
+  \renameglyph{Otildesmall}{otilde}
+  \renameglyph{Ntildesmall}{ntilde}
+  \renameglyph{Ydieresissmall}{ydieresis}
+  \renameglyph{Ethsmall}{eth}
+  \renameglyph{Acircumflexsmall}{acircumflex}
+  \renameglyph{Aringsmall}{aring}
+  \renameglyph{Ccedillasmall}{ccedilla}
+  
+  \renameglyph{Ugravesmall}{ugrave}
+  \renameglyph{Zcaronsmall}{zcaron}
+  \renameglyph{Idieresissmall}{idieresis}
+  \renameglyph{Agravesmall}{agrave}
+  
+  \renameglyph{Ogravesmall}{ograve}
+  
+  \renameglyph{Udieresissmall}{udieresis}
+  \renameglyph{Edieresissmall}{edieresis}
+  \renameglyph{Aacutesmall}{aacute}
+  \renameglyph{Igravesmall}{igrave}
+  \renameglyph{Idieresissmall}{idieresis}
+  \renameglyph{Adieresissmall}{adieresis}
+  
+  \renameglyph{Scaronsmall}{scaron}
+  \renameglyph{Egravesmall}{egrave}
+  \renameglyph{Atildesmall}{atilde}
+  \renameglyph{Ecircumflexsmall}{ecircumflex}
+  
+  \reglyphfont{K-padrc}{gdsc}
+  \reglyphfont{K-padsc}{padsc8a}
+\endreglyphfonts
+
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1902test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1902test.tex
new file mode 100644
index 00000000000..7274fb76597
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1902test.tex
@@ -0,0 +1,11 @@
+\input fontinst.sty
+
+\generalpltomtx{cmr5}{cmr5;1}{pl}{OT1}
+\generalpltomtx{padr9d}{padr9d;1}{vpl}{}
+\generalpltomtx{padr9d}{padr9d;2}{vpl}{OT1}
+
+\transformfont{cmr5;2}{\fromplgivenetx{cmr5}{OT1}}
+\transformfont{padr9d;3}{\fromvpl{padr9d}}
+\transformfont{padr9d;4}{\fromvplgivenetx{padr9d}{OT1}}
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1905test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1905test.tex
new file mode 100644
index 00000000000..47117acc5fb
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1905test.tex
@@ -0,0 +1,22 @@
+\input fontinst.sty
+\catcode`\_=11\catcode`\ =9\catcode`\^^M=9
+\catcode`\~=10\catcode`\@=11
+
+\fontinst_error{Hungarian}{
+   I~will~not~buy~this~record,\message_break
+   it~is~scratched
+}\error_help_a
+
+\fontinst_warning{Hungarian}{Your~hovercraft~is~full~of~eels}
+
+\fontinst_info{Hungarian}{That~will~be~six~pence,~please}
+
+\fontinst_warning_no_line{Hungarian}{
+   Do~you~want~to~come~home~to~my~place\message_break
+   and~pantsy~pantsy?
+}
+
+
+
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1906test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1906test.tex
new file mode 100644
index 00000000000..92ed6281198
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1906test.tex
@@ -0,0 +1,12 @@
+%&Plain
+% Test of fontinst v1.906.
+% Begun 1999/08/01.
+\input fontinst.sty
+
+\installfonts
+   \installfamily{U}{ztest1}{}
+   \installfont{v1906test}{v1906test}{v1906test}{U}{ztest1}{m}{n}{}
+\endinstallfonts
+
+\bye
+
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1913test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1913test.tex
new file mode 100644
index 00000000000..b9382cdf898
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1913test.tex
@@ -0,0 +1,21 @@
+\input fontinst.sty
+
+\recordtransforms{v1913test.recs}
+
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\transformfont{padr8r-ys}{\yscalefont{\div{397000}{663}}{\frommtx{padr8r}}}
+\reglyphfonts
+   \renameglyph{oneoldstyle}{one}
+   \reglyphfont{padr8r-ys2}{padr8r-ys}
+\endreglyphfonts
+
+\installfonts
+   \installfamily{T1}{pad}{}
+   \installfamily{8r}{pad}{}
+   \installfont{padr9d}{padr8r,padr8r-ys2,padr8x,latin}{t1j}{T1}{pad}{m}{n}{}
+   \installrawfont{padr8r2}{padr8r-ys}{8r}{8r}{pad}{m}{n}{}
+\endinstallfonts
+
+\endrecordtransforms
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1914test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1914test.tex
new file mode 100644
index 00000000000..73b271b986c
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1914test.tex
@@ -0,0 +1,50 @@
+\input fontinst.sty
+
+%1
+\recordtransforms{v1914test.recs}
+
+\transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+\for(x){0}{2}{1}
+   \for(y){0}{2}{1}
+      \transformfont{p-ad-rr--8r--\strint{x}=\strint{y}}{
+         \xscalefont{\add{\mul{\int{x}}{300}}{700}}{
+         \yscalefont{\add{\mul{\int{y}}{300}}{700}}{
+         \frommtx{padr8r}}}}
+   \endfor(y)
+\endfor(x)
+
+\installfonts
+   \installfamily{T1}{padxy}{}
+   \installfamily{8r}{padxy}{}
+   \for(x){0}{2}{1}
+      \for(y){0}{2}{1}
+         \installfont{p-ad-rr--8t--\strint{x}=\strint{y}}
+            {p-ad-rr--8r--\strint{x}=\strint{y},latin}
+            {t1}{T1}{padxy}{m\strint{x}\strint{y}}{n}{}
+         \installrawfont{p-ad-rr--8r--\strint{x}=\strint{y}}
+            {p-ad-rr--8r--\strint{x}=\strint{y},8r}
+            {8r}{8r}{padxy}{m\strint{x}\strint{y}}{n}{}
+      \endfor(y)
+   \endfor(x)
+\endinstallfonts
+
+\endrecordtransforms
+
+% % \tracingmacros=1\tracingcommands=2
+% %2
+% \installfonts
+%    \installrawfont{cmr5}{cmr5,\metrics
+%       \resetint{xheight}{\mul{\int{xheight}}{2}},kernoff}{ot1}{OT1}
+%       {cmr}{m}{n}{5}
+%    \installfont{padr18t}{padr8r scaled 856,%
+%       \metrics \message{%
+%          \ifisint{rawscale}\then\strint{rawscale}\else None\fi
+%       }%
+%       \expandafter\show \csname g-A\endcsname
+%       ,latin,%
+%       \metrics \message{%
+%          \ifisint{rawscale}\then\strint{rawscale}\else None\fi
+%       }}{t1}{T1}{pad}{m}{ns}{}
+% \endinstallfonts
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1914testmap.tex b/Master/texmf-dist/doc/fontinst/base/test/v1914testmap.tex
new file mode 100644
index 00000000000..17dd9c2375d
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1914testmap.tex
@@ -0,0 +1,9 @@
+\input finstmsc.sty
+\AssumeLWFN
+\adddriver{dvips}{v1914test.map}
+\adddriver{debug}{v1914test.debug}
+\debugvalue{PS_font_file}
+\adddriver{pltotf}{v1914test.sh} % v1.915 feature, actually
+\input v1914test.recs
+\donedrivers
+\bye
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1915test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1915test.tex
new file mode 100644
index 00000000000..b60946a402b
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1915test.tex
@@ -0,0 +1,25 @@
+\input fontinst.sty
+
+% %1: Catcodes
+% \def\do#1{Catcode of `\string#1 = \the\catcode`#1 ^^J}
+% \def\showcatcodes{\message{\do{\ }\do{\^^M}\do{\@}\do{\_}\do{\~}}}
+% 
+% \showcatcodes
+% \show\fontinstcc
+% \fontinstcc
+% \showcatcodes
+% \show\normalcc
+% \normalcc
+% \showcatcodes
+
+%2: Aliased glyphs
+\input Knuth:fontinst:New.fontinst:cyrfinst:etc:fnstcorr.tex
+\transformfont{padsc8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+\def\renameglyph#1#2{\galias{#1}{#2}}
+\input csc2x.tex
+\transformfont{padscx8r}{\reencodefont{8r}{\fromafm{padsc8a}}}
+% När glyfnamnen har tagits bort från de omkodade PL-filerna så är
+% de i allt väsentligt lika. Sålunda tycks det fungera!
+
+
+\bye
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1915testmap.tex b/Master/texmf-dist/doc/fontinst/base/test/v1915testmap.tex
new file mode 100644
index 00000000000..7e83526cd40
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1915testmap.tex
@@ -0,0 +1,9 @@
+\input finstmsc.sty
+\adddriver{pltotf}{v1915test.sh}
+\input v1914test.recs
+\donedrivers
+\setstr{TFMfileprefix}{:a:b:c:}
+\adddriver{pltotf}{v1915test.sh2}
+\input v1913test.recs
+\donedrivers
+\bye
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1916test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1916test.tex
new file mode 100644
index 00000000000..56f26a51b0f
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1916test.tex
@@ -0,0 +1,14 @@
+% v1916test.tex
+
+\input fontinst.sty
+
+% \half and \otherhalf
+\fontinstcc
+\for(i){-5}{5}{1}
+   \eval_expr_to\b_count{\half{\int{i}}}
+   \eval_expr{\otherhalf{\int{i}}}
+   \immediate\write16{\strint{i}:~\the\b_count \space+~ \the\result}
+\endfor(i)
+\normalcc
+
+\bye
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1916test2.tex b/Master/texmf-dist/doc/fontinst/base/test/v1916test2.tex
new file mode 100644
index 00000000000..8cc954f2615
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1916test2.tex
@@ -0,0 +1,27 @@
+%&Plain
+\input fontinst.sty
+
+% %1 \ifareglyphs
+% 
+% \setrawglyph{f}{xfont}{10pt}{102}{375}{750}{375}{50}
+% \setrawglyph{g}{xfont}{10pt}{102}{375}{750}{375}{50}
+% \setrawglyph{h}{xfont}{10pt}{102}{375}{750}{375}{50}
+% 
+% \ifareglyphs{}\then True \else False \fi
+% \ifareglyphs{a}\then True \else False \fi
+% \ifareglyphs{f}\then True \else False \fi
+% \ifareglyphs{f,a}\then True \else False \fi
+% \ifareglyphs{a,f}\then True \else False \fi
+% \ifareglyphs{f,g}\then True \else False \fi
+% \ifareglyphs{f,g,a}\then True \else False \fi
+
+%2 \setfontdimen
+\generalpltomtx{ecrm1000}{ecrm1000}{pl}{t1draft}
+\generalpltomtx{ecss1000}{ecss1000}{pl}{t1draft}
+\transformfont{ecdh-shrunk}{%
+   \yscalefont{500}{\fromplgivenetx{ecdh1000}{t1draft}}%
+}
+
+\bye
+
+
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1923test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1923test.tex
new file mode 100644
index 00000000000..5115f93b373
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1923test.tex
@@ -0,0 +1,43 @@
+%&Plain
+
+\input fontinst.sty
+
+% %1
+% \transformfont{padr8r}{\reencodefont{8r}{\fromafm{padr8a}}}
+% \transformfont{padri8r}{\reencodefont{8r}{\fromafm{padri8a}}}
+% 
+% \installfonts
+%   \installfamily{T1}{pad2}{}
+%   \installfont{zpad2i8t}{padri8r scaled 1009,%
+%      padr8r scaled 999 suffix -upright  scaled 1009,\metrics
+% %      \expandafter\show \csname r-T-upright\endcsname
+%      \unsetglyph{parenleft}
+%      \setglyph{parenleft}
+%        \glyph{parenleft-upright}{1000} 
+%      \endsetglyph
+%      \resetglyph{parenright}
+%        \glyph{parenright-upright}{1000} 
+%      \endresetglyph,latin}{t1}{T1}{pad2}{m}{it}{}
+% \endinstallfonts
+
+% %2
+% 
+% \installfonts
+%    \installfamily{U}{fad}{}
+%    \installfont{fadrr}{fadrr}{textfdim,fadrr mtxasetx}{U}{fad}{m}{n}{}
+% \endinstallfonts
+
+% %3
+% \transformfont{pagk8r}{\reencodefont{8r}{\fromafm{pagk8a}}}
+% \installfonts
+%    \installfont{pagk8t}{pagk8r,newlatin}{t1}{T1}{pag}{m}{n}{}
+% \endinstallfonts
+
+%4
+\installfonts
+   \installfont{test}{rsfs10 encoding rsfs,cmsy10}{oms}{OMS}{xxx}{m}{n}{}
+\endinstallfonts
+
+
+\bye
+     
diff --git a/Master/texmf-dist/doc/fontinst/base/test/v1927test.tex b/Master/texmf-dist/doc/fontinst/base/test/v1927test.tex
new file mode 100644
index 00000000000..b21f16bf60e
--- /dev/null
+++ b/Master/texmf-dist/doc/fontinst/base/test/v1927test.tex
@@ -0,0 +1,18 @@
+%&Plain
+
+\input finstmsc.sty
+
+% %1
+% \etxtoenc{ot1}{temp}
+
+%2
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XY}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{}
+\storemapdata{a}{\fromafm{a}{XX}}{\reencodefont{8r}}
+
+
+
+\bye
+     
diff --git a/Master/texmf-dist/doc/fontname/8a.html b/Master/texmf-dist/doc/fontname/8a.html
new file mode 100644
index 00000000000..c85083d7e12
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/8a.html
@@ -0,0 +1,304 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="8a">8a</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="8r.html#8r">8r</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>8a.enc</code>: Adobe standard encoding</h3>
+
+<pre class="example">
+
+     % @psencodingfile{
+     %   author = "Adobe",
+     %   version = "1.0",
+     %   date = "22 June 1996",
+     %   filename = "8a.enc",
+     %   email = "kb@mail.tug.org",
+     %   address = "135 Center Hill Rd. // Plymouth, MA 02360",
+     %   codetable = "ISO/ASCII",
+     %   checksum = "269     317    2399",
+     %   docstring = "Adobe StandardEncoding as an afm2tfm/dvips .enc file."
+     % }
+     /StandardEncoding [
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /space
+     /exclam
+     /quotedbl
+     /numbersign
+     /dollar
+     /percent
+     /ampersand
+     /quoteright
+     /parenleft
+     /parenright
+     /asterisk
+     /plus
+     /comma
+     /hyphen
+     /period
+     /slash
+     /zero
+     /one
+     /two
+     /three
+     /four
+     /five
+     /six
+     /seven
+     /eight
+     /nine
+     /colon
+     /semicolon
+     /less
+     /equal
+     /greater
+     /question
+     /at
+     /A
+     /B
+     /C
+     /D
+     /E
+     /F
+     /G
+     /H
+     /I
+     /J
+     /K
+     /L
+     /M
+     /N
+     /O
+     /P
+     /Q
+     /R
+     /S
+     /T
+     /U
+     /V
+     /W
+     /X
+     /Y
+     /Z
+     /bracketleft
+     /backslash
+     /bracketright
+     /asciicircum
+     /underscore
+     /quoteleft
+     /a
+     /b
+     /c
+     /d
+     /e
+     /f
+     /g
+     /h
+     /i
+     /j
+     /k
+     /l
+     /m
+     /n
+     /o
+     /p
+     /q
+     /r
+     /s
+     /t
+     /u
+     /v
+     /w
+     /x
+     /y
+     /z
+     /braceleft
+     /bar
+     /braceright
+     /asciitilde
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /exclamdown
+     /cent
+     /sterling
+     /fraction
+     /yen
+     /florin
+     /section
+     /currency
+     /quotesingle
+     /quotedblleft
+     /guillemotleft
+     /guilsinglleft
+     /guilsinglright
+     /fi
+     /fl
+     /.notdef
+     /endash
+     /dagger
+     /daggerdbl
+     /periodcentered
+     /.notdef
+     /paragraph
+     /bullet
+     /quotesinglbase
+     /quotedblbase
+     /quotedblright
+     /guillemotright
+     /ellipsis
+     /perthousand
+     /.notdef
+     /questiondown
+     /.notdef
+     /grave
+     /acute
+     /circumflex
+     /tilde
+     /macron
+     /breve
+     /dotaccent
+     /dieresis
+     /.notdef
+     /ring
+     /cedilla
+     /.notdef
+     /hungarumlaut
+     /ogonek
+     /caron
+     /emdash
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /AE
+     /.notdef
+     /ordfeminine
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /Lslash
+     /Oslash
+     /OE
+     /ordmasculine
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     /ae
+     /.notdef
+     /.notdef
+     /.notdef
+     /dotlessi
+     /.notdef
+     /.notdef
+     /lslash
+     /oslash
+     /oe
+     /germandbls
+     /.notdef
+     /.notdef
+     /.notdef
+     /.notdef
+     ] def
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Adobe-fonts.html b/Master/texmf-dist/doc/fontname/Adobe-fonts.html
new file mode 100644
index 00000000000..ee705d3a678
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Adobe-fonts.html
@@ -0,0 +1,2749 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Adobe%20fonts">Adobe fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Standard-PostScript-fonts.html#Standard%20PostScript%20fonts">Standard PostScript fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Adobe fonts</h3>
+
+<p>The <code>adobe.map</code> file has abbreviations for Adobe fonts.
+
+<pre class="example">
+
+     pcrb8a    Courier-Bold                      A    0.1    cob_____
+     pcrbo8a   Courier-BoldOblique               A    0.1    cobo____
+     pcrr8a    Courier                           A    0.1    com_____
+     pcrro8a   Courier-Oblique                   A    0.1    coo_____
+     phvr8a    Helvetica                         A    0.2    hv______
+     phvb8a    Helvetica-Bold                    A    0.2    hvb_____
+     phvbo8a   Helvetica-BoldOblique             A    0.2    hvbo____
+     phvro8a   Helvetica-Oblique                 A    0.2    hvo_____
+     psyr      Symbol                            A    0.3    sy______
+     ptmb8a    Times-Bold                        A    0.4    tib_____
+     ptmbi8a   Times-BoldItalic                  A    0.4    tibi____
+     ptmri8a   Times-Italic                      A    0.4    tii_____
+     ptmr8a    Times-Roman                       A    0.4    tir_____
+     phvr8an   Helvetica-Narrow                  A    0.5    hvn_____
+     phvb8an   Helvetica-Narrow-Bold             A    0.5    hvnb____
+     phvbo8an  Helvetica-Narrow-BoldOblique      A    0.5    hvnbo___
+     phvro8an  Helvetica-Narrow-Oblique          A    0.5    hvno____
+     pplb8a    Palatino-Bold                     A    001    pob_____
+     pplbi8a   Palatino-BoldItalic               A    001    pobi____
+     pplri8a   Palatino-Italic                   A    001    poi_____
+     pplr8a    Palatino-Roman                    A    001    por_____
+     pbkd8a    Bookman-Demi                      A    002    bkd_____
+     pbkdi8a   Bookman-DemiItalic                A    002    bkdi____
+     pbkl8a    Bookman-Light                     A    002    bkl_____
+     pbkli8a   Bookman-LightItalic               A    002    bkli____
+     pzcmi8a   ZapfChancery-MediumItalic         A    003    zcmi____
+     pzdr      ZapfDingbats                      A    003    zd______
+     pagd8a    AvantGarde-Demi                   A    004    agd_____
+     pagdo8a   AvantGarde-DemiOblique            A    004    agdo____
+     pagk8a    AvantGarde-Book                   A    004    agw_____
+     pagko8a   AvantGarde-BookOblique            A    004    agwo____
+     pncb8a    NewCenturySchlbk-Bold             A    005    ncb_____
+     pncbi8a   NewCenturySchlbk-BoldItalic       A    005    ncbi____
+     pncri8a   NewCenturySchlbk-Italic           A    005    nci_____
+     pncr8a    NewCenturySchlbk-Roman            A    005    ncr_____
+     popr8a    Optima                            A    006    op______
+     popb8a    Optima-Bold                       A    006    opb_____
+     popbi8a   Optima-BoldItalic                 A    006    opbi____
+     popbo8a   Optima-BoldOblique                A    006    opbo____
+     popri8a   Optima-Italic                     A    006    opi_____
+     popro8a   Optima-Oblique                    A    006    opo_____
+     psvd8a    Souvenir-Demi                     A    007    sud_____
+     psvdi8a   Souvenir-DemiItalic               A    007    sudi____
+     psvl8a    Souvenir-Light                    A    007    sul_____
+     psvli8a   Souvenir-LightItalic              A    007    suli____
+     plbd8a    LubalinGraph-Demi                 A    008    lud_____
+     plbdo8a   LubalinGraph-DemiOblique          A    008    ludo____
+     plbk8a    LubalinGraph-Book                 A    008    luw_____
+     plbko8a   LubalinGraph-BookOblique          A    008    luwo____
+     pgmb8a    Garamond-Bold                     A    009    gab_____
+     pgmbi8a   Garamond-BoldItalic               A    009    gabi____
+     pgml8a    Garamond-Light                    A    009    gal_____
+     pgmli8a   Garamond-LightItalic              A    009    gali____
+     patb8a    AmericanTypewriter-Bold           A    010    atb_____
+     patba8a   AmericanTypewriter-BoldA          A    010    atba____
+     patb8ac   AmericanTypewriter-BoldCond       A    010    atbc____
+     patba8ac  AmericanTypewriter-BoldCondA      A    010    atbca___
+     patr8ac   AmericanTypewriter-Cond           A    010    atc_____
+     patra8ac  AmericanTypewriter-CondA          A    010    atca____
+     patl8a    AmericanTypewriter-Light          A    010    atl_____
+     patla8a   AmericanTypewriter-LightA         A    010    atla____
+     patl8ac   AmericanTypewriter-LightCond      A    010    atlc____
+     patla8ac  AmericanTypewriter-LightCondA     A    010    atlca___
+     patm8a    AmericanTypewriter-Medium         A    010    atm_____
+     patma8a   AmericanTypewriter-MediumA        A    010    atma____
+     pbgb8a    Benguiat-Bold                     A    011    bgb_____
+     pbgk8a    Benguiat-Book                     A    011    bgw_____
+     pfqr8a    FrizQuadrata                      A    011    fq______
+     pfqb8a    FrizQuadrata-Bold                 A    011    fqb_____
+     pgpr8a    Glypha                            A    012    gy______
+     pgpb8a    Glypha-Bold                       A    012    gyb_____
+     pgpbo8a   Glypha-BoldOblique                A    012    gybo____
+     pgpro8a   Glypha-Oblique                    A    012    gyo_____
+     phvc8a    Helvetica-Black                   A    013    hvbl____
+     phvco8a   Helvetica-BlackOblique            A    013    hvblo___
+     phvl8a    Helvetica-Light                   A    013    hvl_____
+     phvlo8a   Helvetica-LightOblique            A    013    hvlo____
+     phvr8ac   Helvetica-Condensed               A    014    hvc_____
+     phvb8ac   Helvetica-Condensed-Bold          A    014    hvcb____
+     phvc8ac   Helvetica-Condensed-Black         A    014    hvcbl___
+     phvbo8ac  Helvetica-Condensed-BoldObl       A    014    hvcbo___
+     phvro8ac  Helvetica-Condensed-Oblique       A    014    hvcdo___
+     phvl8ac   Helvetica-Condensed-Light         A    014    hvcl____
+     phvlo8ac  Helvetica-Condensed-LightObl      A    014    hvclo___
+     phvco8ac  Helvetica-Condensed-BlackObl      A    014    hvco____
+     ptvb8a    TrumpMediaeval-Bold               A    015    tmb_____
+     ptvbi8a   TrumpMediaeval-BoldItalic         A    015    tmbi____
+     ptvri8a   TrumpMediaeval-Italic             A    015    tmi_____
+     ptvr8a    TrumpMediaeval-Roman              A    015    tmr_____
+     pmlr8a    Melior                            A    016    me______
+     pmlb8a    Melior-Bold                       A    016    meb_____
+     pmlbi8a   Melior-BoldItalic                 A    016    mebi____
+     pmlri8a   Melior-Italic                     A    016    mei_____
+     pglb8a    Galliard-Bold                     A    017    glb_____
+     pglbi8a   Galliard-BoldItalic               A    017    glbi____
+     pglri8a   Galliard-Italic                   A    017    gli_____
+     pglr8a    Galliard-Roman                    A    017    glr_____
+     pnbb8a    NewBaskerville-Bold               A    018    nbb_____
+     pnbbi8a   NewBaskerville-BoldItalic         A    018    nbbi____
+     pnbri8a   NewBaskerville-Italic             A    018    nbi_____
+     pnbr8a    NewBaskerville-Roman              A    018    nbr_____
+     pkrb8a    Korinna-Bold                      A    019    krb_____
+     pkrbi8a   Korinna-KursivBold                A    019    krkb____
+     pkrr8a    Korinna-KursivRegular             A    019    krkx____
+     pkrri8a   Korinna-Regular                   A    019    krrg____
+     pgyr8a    Goudy                             A    020    go______
+     pgyb8a    Goudy-Bold                        A    020    gob_____
+     pgybi8a   Goudy-BoldItalic                  A    020    gobi____
+     pgyri8a   Goudy-Italic                      A    020    goi_____
+     psor      Sonata                            A    021    so______
+     pcub8a    CenturyOldStyle-Bold              A    022    csb_____
+     pcuri8a   CenturyOldStyle-Italic            A    022    csi_____
+     pcur8a    CenturyOldStyle-Regular           A    022    csrg____
+     pfgd8a    FranklinGothic-Demi               A    023    frd_____
+     pfgdi8a   FranklinGothic-DemiItal           A    023    frdi____
+     pfgdo8a   FranklinGothic-DemiOblique        A    023    frdo____
+     pfgh8a    FranklinGothic-Heavy              A    023    frh_____
+     pfghi8a   FranklinGothic-HeavyItal          A    023    frhi____
+     pfgho8a   FranklinGothic-HeavyOblique       A    023    frho____
+     pfgm8a    FranklinGothic-Medium             A    023    frm_____
+     pfgmi8a   FranklinGothic-MediumItal         A    023    frmi____
+     pfgk8a    FranklinGothic-Book               A    023    frw_____
+     pfgki8a   FranklinGothic-BookItal           A    023    frwi____
+     pfgko8a   FranklinGothic-BookOblique        A    023    frwo____
+     pctb8a    Cheltenham-Bold                   A    024    chb_____
+     pctbi8a   Cheltenham-BoldItalic             A    024    chbi____
+     pctk8a    Cheltenham-Book                   A    024    chw_____
+     pctki8a   Cheltenham-BookItalic             A    024    chwi____
+     ppar8a    ParkAvenue                        A    025    pa______
+     pbdr8a    Bodoni                            A    026    bd______
+     pbdb8a    Bodoni-Bold                       A    026    bdb_____
+     pbdbi8a   Bodoni-BoldItalic                 A    026    bdbi____
+     pbdri8a   Bodoni-Italic                     A    026    bdi_____
+     pbdp8a    Bodoni-Poster                     A    026    bdps____
+     plgr8a    LetterGothic                      A    027    lg______
+     plgb8a    LetterGothic-Bold                 A    027    lgb_____
+     plgbo8a   LetterGothic-BoldSlanted          A    027    lgbsl___
+     plgro8a   LetterGothic-Slanted              A    027    lgsl____
+     pper8a    PrestigeElite                     A    028    pe______
+     ppeb8a    PrestigeElite-Bold                A    028    peb_____
+     ppebo8a   PrestigeElite-BoldSlanted         A    028    pebsl___
+     ppero8a   PrestigeElite-Slanted             A    028    pesl____
+     porr8a    Orator                            A    029    or______
+     porro8a   Orator-Slanted                    A    029    orsl____
+     pngr8a    NewsGothic                        A    030    ng______
+     pngb8a    NewsGothic-Bold                   A    030    ngb_____
+     pngbo8a   NewsGothic-BoldOblique            A    030    ngbo____
+     pngro8a   NewsGothic-Oblique                A    030    ngo_____
+     ptfr8a    Tiffany                           A    031    tf______
+     ptfd8a    Tiffany-Demi                      A    031    tfd_____
+     ptfdi8a   Tiffany-DemiItalic                A    031    tfdi____
+     ptfh8a    Tiffany-Heavy                     A    031    tfh_____
+     ptfhi8a   Tiffany-HeavyItalic               A    031    tfhi____
+     ptfri8a   Tiffany-Italic                    A    031    tfi_____
+     pcbc8a    CooperBlack                       A    032    cb______
+     pcbci8a   CooperBlack-Italic                A    032    cbi_____
+     pburw8a   BrushScript                       A    033    bs______
+     phbrw8a   Hobo                              A    033    ho______
+     pslb8a    Stencil                           A    033    st______
+     paab8a    Aachen-Bold                       A    034    acb_____
+     pfsrw8a   FreestyleScript                   A    034    fs______
+     prvb8a    Revue                             A    034    re______
+     puyr8a    UniversityRoman                   A    034    ur______
+     prtr      Carta                             A    035    cr______
+     plcr8a    Lucida                            A    036    lc______
+     plcb8a    Lucida-Bold                       A    036    lcb_____
+     plcbi8a   Lucida-BoldItalic                 A    036    lcbi____
+     plcri8a   Lucida-Italic                     A    036    lci_____
+     punr8a    Univers                           A    037    uv______
+     punb8a    Univers-Bold                      A    037    uvb_____
+     punc8a    Univers-Black                     A    037    uvbl____
+     punco8a   Univers-BlackOblique              A    037    uvblo___
+     punbo8a   Univers-BoldOblique               A    037    uvbo____
+     punl8a    Univers-Light                     A    037    uvl_____
+     punlo8a   Univers-LightOblique              A    037    uvlo____
+     punro8a   Univers-Oblique                   A    037    uvo_____
+     punr8ac   Univers-Condensed                 A    038    uvc_____
+     punb8ac   Univers-CondensedBold             A    038    uvcb____
+     punbo8ac  Univers-CondensedBoldOblique      A    038    uvcbo___
+     punro8ac  Univers-CondensedOblique          A    038    uvcdo___
+     punl8ac   Univers-CondensedLight            A    038    uvcl____
+     punlo8ac  Univers-CondensedLightOblique     A    038    uvclo___
+     pfub8a    Futura-Bold                       A    039    fub_____
+     pfubo8a   Futura-BoldOblique                A    039    fubo____
+     pful8a    Futura-Light                      A    039    ful_____
+     pfulo8a   Futura-LightOblique               A    039    fulo____
+     pfuk8a    Futura-Book                       A    039    fuw_____
+     pfuko8a   Futura-BookOblique                A    039    fuwo____
+     pstr8a    StoneSerif                        A    040    sr______
+     pstb8a    StoneSerif-Bold                   A    040    srb_____
+     pstbi8a   StoneSerif-BoldItalic             A    040    srbi____
+     pstri8a   StoneSerif-Italic                 A    040    sri_____
+     psts8a    StoneSerif-Semibold               A    040    srsb____
+     pstsi8a   StoneSerif-SemiboldItalic         A    040    srsbi___
+     ps8a8a    StoneSans                         A    041    ss______
+     ps8b8a    StoneSans-Bold                    A    041    ssb_____
+     ps8bi8a   StoneSans-BoldItalic              A    041    ssbi____
+     ps8ai8a   StoneSans-Italic                  A    041    ssi_____
+     ps8s8a    StoneSans-Semibold                A    041    sssb____
+     ps8si8a   StoneSans-SemiboldItalic          A    041    sssbi___
+     psir8a    StoneInformal                     A    042    si______
+     psib8a    StoneInformal-Bold                A    042    sib_____
+     psibi8a   StoneInformal-BoldItalic          A    042    sibi____
+     psiri8a   StoneInformal-Italic              A    042    sii_____
+     psis8a    StoneInformal-Semibold            A    042    sisb____
+     psisi8a   StoneInformal-SemiboldItalic      A    042    sisbi___
+     ponr8a    Corona                            A    043    cn______
+     ponb8a    Corona-Bold                       A    043    cnb_____
+     ponri8a   Corona-Italic                     A    043    cni_____
+     pesr8a    Eurostile                         A    044    eu______
+     pesb8a    Eurostile-Bold                    A    044    eub_____
+     pesbi8a   Eurostile-BoldOblique             A    044    eubo____
+     pesd8a    Eurostile-Demi                    A    044    eud_____
+     pesdi8a   Eurostile-DemiOblique             A    044    eudo____
+     pesri8a   Eurostile-Oblique                 A    044    euo_____
+     pexr8a    Excelsior                         A    045    ex______
+     pexb8a    Excelsior-Bold                    A    045    exb_____
+     pexri8a   Excelsior-Italic                  A    045    exi_____
+     pfur8a    Futura                            A    046    fu______
+     pfux8a    Futura-ExtraBold                  A    046    fueb____
+     pfuxo8a   Futura-ExtraBoldOblique           A    046    fuebo___
+     pfuh8a    Futura-Heavy                      A    046    fuh_____
+     pfuho8a   Futura-HeavyOblique               A    046    fuho____
+     pfuro8a   Futura-Oblique                    A    046    fuo_____
+     pfuxo8ac  Futura-CondExtraBoldObl           A    047    fcebo___
+     pfur8ac   Futura-Condensed                  A    047    fuc_____
+     pfub8ac   Futura-CondensedBold              A    047    fucb____
+     pfubo8ac  Futura-CondensedBoldOblique       A    047    fucbo___
+     pfux8ac   Futura-CondensedExtraBold         A    047    fuceb___
+     pful8ac   Futura-CondensedLight             A    047    fucl____
+     pfulo8ac  Futura-CondensedLightOblique      A    047    fuclo___
+     pfuro8ac  Futura-CondensedOblique           A    047    fuco____
+     plsr8a    LucidaSans                        A    048    ls______
+     plsb8a    LucidaSans-Bold                   A    048    lsb_____
+     plsbi8a   LucidaSans-BoldItalic             A    048    lsbi____
+     plsri8a   LucidaSans-Italic                 A    048    lsi_____
+     pmpb8a    Memphis-Bold                      A    049    mpb_____
+     pmpbi8a   Memphis-BoldItalic                A    049    mpbi____
+     pmpx8a    Memphis-ExtraBold                 A    049    mpeb____
+     pmpl8a    Memphis-Light                     A    049    mpl_____
+     pmpli8a   Memphis-LightItalic               A    049    mpli____
+     pmpm8a    Memphis-Medium                    A    049    mpm_____
+     pmpmi8a   Memphis-MediumItalic              A    049    mpmi____
+     phvx8ap   Helvetica-ExtraCompressed         A    050    hvek____
+     phvr8ap   Helvetica-Compressed              A    050    hvk_____
+     phvu8ap   Helvetica-UltraCompressed         A    050    hvuk____
+     pitb8a    Italia-Bold                       A    051    itb_____
+     pitm8a    Italia-Medium                     A    051    itm_____
+     pitk8a    Italia-Book                       A    051    itw_____
+     pblb8a    Belwe-Bold                        A    052    bwb_____
+     pblr8ac   Belwe-Condensed                   A    052    bwc_____
+     pbll8a    Belwe-Light                       A    052    bwl_____
+     pblm8a    Belwe-Medium                      A    052    bwm_____
+     pc5ri8a   CaslonFiveForty-Italic            A    053    cfi_____
+     pc5r8a    CaslonFiveForty-Roman             A    053    cfr_____
+     pc3ri8a   CaslonThree-Italic                A    053    cti_____
+     pc3r8a    CaslonThree-Roman                 A    053    ctr_____
+     pgyx8a    Goudy-ExtraBold                   A    054    goeb____
+     pgyh8a    Goudy-Heavyface                   A    054    goh_____
+     pgyhi8a   Goudy-HeavyfaceItalic             A    054    gohi____
+     pjnb8a    JansonText-Bold                   A    055    jtb_____
+     pjnbi8a   JansonText-BoldItalic             A    055    jtbi____
+     pjnri8a   JansonText-Italic                 A    055    jti_____
+     pjnr8a    JansonText-Roman                  A    055    jtr_____
+     ierb8a    ItcEras-Bold                      A    056    erb_____
+     ierk8a    ItcEras-Book                      A    056    erbk____
+     ierd8a    ItcEras-Demi                      A    056    erd_____
+     ierl8a    ItcEras-Light                     A    056    erl_____
+     ierm8a    ItcEras-Medium                    A    056    erm_____
+     ieru8a    ItcEras-Ultra                     A    056    eru_____
+     ikbb8a    ItcKabel-Bold                     A    057    kbb_____
+     ikbd8a    ItcKabel-Demi                     A    057    kbd_____
+     ikbm8a    ItcKabel-Medium                   A    057    kbm_____
+     ikbu8a    ItcKabel-Ultra                    A    057    kbu_____
+     ikbk8a    ItcKabel-Book                     A    057    kbw_____
+     p_____    MICR                              A    058    mi______
+     poar      OCRA                              A    058    oa______
+     poara     OCRA-Alternate                    A    058    oaalt___
+     pobr      OCRB                              A    058    ob______
+     pobra     OCRB-Alternate                    A    058    obalt___
+     phnc8a    HelveticaNeue-Black               A    059    hlbl____
+     phnci8a   HelveticaNeue-BlackItalic         A    059    hlbli___
+     phnu8a    HelveticaNeue-UltraLight          A    059    hlul____
+     phnui8a   HelveticaNeue-UltraLightItal      A    059    hluli___
+     phnb8a    HelveticaNeue-Bold                A    060    hlb_____
+     phnbi8a   HelveticaNeue-BoldItalic          A    060    hlbi____
+     phnri8a   HelveticaNeue-Italic              A    060    hli_____
+     phnr8a    HelveticaNeue-Roman               A    060    hlr_____
+     phna8a    HelveticaNeue-Thin                A    060    hlt_____
+     phnai8a   HelveticaNeue-ThinItalic          A    060    hlti____
+     phnh8a    HelveticaNeue-Heavy               A    061    hlh_____
+     phnhi8a   HelveticaNeue-HeavyItalic         A    061    hlhi____
+     phnl8a    HelveticaNeue-Light               A    061    hll_____
+     phnli8a   HelveticaNeue-LightItalic         A    061    hlli____
+     phnm8a    HelveticaNeue-Medium              A    061    hlm_____
+     phnmi8a   HelveticaNeue-MediumItalic        A    061    hlmi____
+     pttb8a    TimesTen-Bold                     A    062    ttb_____
+     pttbi8a   TimesTen-BoldItalic               A    062    ttbi____
+     pttri8a   TimesTen-Italic                   A    062    tti_____
+     pttr8a    TimesTen-Roman                    A    062    ttr_____
+     pkur8a    Kaufmann                          A    063    kf______
+     pkub8a    Kaufmann-Bold                     A    063    kfb_____
+     pcdr8a    Clarendon                         A    064    cl______
+     pcdb8a    Clarendon-Bold                    A    064    clb_____
+     pcdl8a    Clarendon-Light                   A    064    cll_____
+     ppgb8a    Peignot-Bold                      A    065    pgb_____
+     ppgd8a    Peignot-Demi                      A    065    pgd_____
+     ppgl8a    Peignot-Light                     A    065    pgl_____
+     pndr8a    NewCaledonia                      A    066    nl______
+     pndb8a    NewCaledonia-Bold                 A    066    nlb_____
+     pndbi8a   NewCaledonia-BoldItalic           A    066    nlbi____
+     pndc8a    NewCaledonia-Black                A    066    nlbl____
+     pndci8a   NewCaledonia-BlackItalic          A    066    nlbli___
+     pndri8a   NewCaledonia-Italic               A    066    nli_____
+     pnds8a    NewCaledonia-SemiBold             A    066    nls_____
+     pndsi8a   NewCaledonia-SemiBoldItalic       A    066    nlsi____
+     pcfb8a    Clearface-Bold                    A    067    ceb_____
+     pcfbi8a   Clearface-BoldItalic              A    067    cebi____
+     pcfc8a    Clearface-Black                   A    067    cebl____
+     pcfci8a   Clearface-BlackItalic             A    067    cebli___
+     pcfh8a    Clearface-Heavy                   A    067    ceh_____
+     pcfhi8a   Clearface-HeavyItalic             A    067    cehi____
+     pcfr8a    Clearface-Regular                 A    067    cerg____
+     pcfri8a   Clearface-RegularItalic           A    067    cergi___
+     pamr8a    Americana                         A    068    am______
+     pamb8a    Americana-Bold                    A    068    amb_____
+     pamx8a    Americana-ExtraBold               A    068    ameb____
+     pamri8a   Americana-Italic                  A    068    ami_____
+     psgr8a    SerifGothic                       A    069    sg______
+     psgb8a    SerifGothic-Bold                  A    069    sgb_____
+     psgc8a    SerifGothic-Black                 A    069    sgbl____
+     psgx8a    SerifGothic-ExtraBold             A    069    sgeb____
+     psgh8a    SerifGothic-Heavy                 A    069    sgh_____
+     psgl8a    SerifGothic-Light                 A    069    sgl_____
+     pcnr8ax   CenturyExpanded                   A    070    cy______
+     pcnri8ax  CenturyExpanded-Italic            A    070    cyi_____
+     psfb8a    Serifa-Bold                       A    071    seb_____
+     psfc8a    Serifa-Black                      A    071    sebl____
+     psfri8a   Serifa-Italic                     A    071    sei_____
+     psfl8a    Serifa-Light                      A    071    sel_____
+     psfli8a   Serifa-LightItalic                A    071    seli____
+     psfr8a    Serifa-Roman                      A    071    ser_____
+     pcarl8a   CaslonOpenFace                    A    072    ca______
+     pfrb8a    Frutiger-Bold                     A    073    ftb_____
+     pfrbi8a   Frutiger-BoldItalic               A    073    ftbi____
+     pfrc8a    Frutiger-Black                    A    073    ftbl____
+     pfrci8a   Frutiger-BlackItalic              A    073    ftbli___
+     pfrri8a   Frutiger-Italic                   A    073    fti_____
+     pfrl8a    Frutiger-Light                    A    073    ftl_____
+     pfrli8a   Frutiger-LightItalic              A    073    ftli____
+     pfrr8a    Frutiger-Roman                    A    073    ftr_____
+     pfru8a    Frutiger-UltraBlack               A    073    ftubl___
+     pceb8a    Centennial-Bold                   A    074    cib_____
+     pcebi8a   Centennial-BoldItalic             A    074    cibi____
+     pcec8a    Centennial-Black                  A    074    cibl____
+     pceci8a   Centennial-BlackItalic            A    074    cibli___
+     pceri8a   Centennial-Italic                 A    074    cii_____
+     pcel8a    Centennial-Light                  A    074    cil_____
+     pceli8a   Centennial-LightItalic            A    074    cili____
+     pcer8a    Centennial-Roman                  A    074    cir_____
+     pegb8a    StempelGaramond-Bold              A    075    gsb_____
+     pegbi8a   StempelGaramond-BoldItalic        A    075    gsbi____
+     pegri8a   StempelGaramond-Italic            A    075    gsi_____
+     pegr8a    StempelGaramond-Roman             A    075    gsr_____
+     pwsr8a    Weiss                             A    076    we______
+     pwsb8a    Weiss-Bold                        A    076    web_____
+     pwsx8a    Weiss-ExtraBold                   A    076    weeb____
+     pwsri8a   Weiss-Italic                      A    076    wei_____
+     pg3r8a    GaramondThree                     A    077    gm______
+     pg3b8a    GaramondThree-Bold                A    077    gmb_____
+     pg3bi8a   GaramondThree-BoldItalic          A    077    gmbi____
+     pg3ri8a   GaramondThree-Italic              A    077    gmi_____
+     pulrk     Universal-GreekwithMathPi         A    078    unvmg___
+     pulrncp   Universal-NewswithCommPi          A    078    unvnc___
+     pavh8a    Avenir-Heavy                      A    079    aeh_____
+     pavho8a   Avenir-HeavyOblique               A    079    aeho____
+     pavl8a    Avenir-Light                      A    079    ael_____
+     pavlo8a   Avenir-LightOblique               A    079    aelo____
+     pavr8a    Avenir-Roman                      A    079    aer_____
+     pavro8a   Avenir-Oblique                    A    079    aero____
+     pavc8a    Avenir-Black                      A    080    aebl____
+     pavco8a   Avenir-BlackOblique               A    080    aeblo___
+     pavm8a    Avenir-Medium                     A    080    aem_____
+     pavmo8a   Avenir-MediumOblique              A    080    aemo____
+     pavk8a    Avenir-Book                       A    080    aew_____
+     pavko8a   Avenir-BookOblique                A    080    aewo____
+     pwbb8a    WalbaumBook-Bold                  A    081    wbb_____
+     pwbbi8a   WalbaumBook-BoldItalic            A    081    wbbi____
+     pwbri8a   WalbaumBook-Italic                A    081    wbi_____
+     pwbm8a    WalbaumBook-Medium                A    081    wbm_____
+     pwbmi8a   WalbaumBook-MediumItalic          A    081    wbmi____
+     pwbr8a    WalbaumBook-Regular               A    081    wbrg____
+     paob8a    AntiqueOlive-Bold                 A    082    aqb_____
+     paoc8a    AntiqueOlive-Black                A    082    aqbl____
+     paori8a   AntiqueOlive-Italic               A    082    aqi_____
+     paol8a    AntiqueOlive-Light                A    082    aql_____
+     paor8a    AntiqueOlive-Roman                A    082    aqr_____
+     plfb8a    Life-Bold                         A    083    lib_____
+     plfri8a   Life-Italic                       A    083    lii_____
+     plfr8a    Life-Roman                        A    083    lir_____
+     pocri8a   ConcordeBE-Italic                 A    084    qqi_____
+     pocm8a    ConcordeBE-Medium                 A    084    qqm_____
+     pocmi8a   ConcordeBE-MediumItalic           A    084    qqmi____
+     pocr8a    ConcordeBE-Regular                A    084    qqrg____
+     pg1r8a    Gothic-Thirteen                   A    085    gtt_____
+     ptph8ac   Tempo-HeavyCondensed              A    085    tehc____
+     ptphi8ac  Tempo-HeavyCondensedItalic        A    085    tehci___
+     pcor8a    Cochin                            A    086    cc______
+     pcob8a    Cochin-Bold                       A    086    ccb_____
+     pcobi8a   Cochin-BoldItalic                 A    086    ccbi____
+     pcori8a   Cochin-Italic                     A    086    cci_____
+     pbhb8a    Bauhaus-Bold                      A    087    bhb_____
+     pbhd8a    Bauhaus-Demi                      A    087    bhd_____
+     pbhh8a    Bauhaus-Heavy                     A    087    bhh_____
+     pbhl8a    Bauhaus-Light                     A    087    bhl_____
+     pbhm8a    Bauhaus-Medium                    A    087    bhm_____
+     psbb8a    Sabon-Bold                        A    088    sab_____
+     psbbi8a   Sabon-BoldItalic                  A    088    sabi____
+     psbri8a   Sabon-Italic                      A    088    sai_____
+     psbr8a    Sabon-Roman                       A    088    sar_____
+     phgb8a    Hiroshige-Bold                    A    089    hrb_____
+     phgbi8a   Hiroshige-BoldItalic              A    089    hrbi____
+     phgc8a    Hiroshige-Black                   A    089    hrbl____
+     phgci8a   Hiroshige-BlackItalic             A    089    hrbli___
+     phgm8a    Hiroshige-Medium                  A    089    hrm_____
+     phgmi8a   Hiroshige-MediumItalic            A    089    hrmi____
+     phgk8a    Hiroshige-Book                    A    089    hrw_____
+     phgki8a   Hiroshige-BookItalic              A    089    hrwi____
+     pabr8a    ArnoldBoecklin                    A    090    ab______
+     pftrf8a   FetteFraktur                      A    090    ff______
+     pftrf7c   FetteFraktur-Dfr                  A    090    ffdfr___
+     phir8a    HelveticaInserat-Roman            A    090    hir_____
+     pptr8a    Present                           A    090    pr______
+     pdcr8a    DomCasual                         A    091    dc______
+     pdcb8a    DomCasual-Bold                    A    091    dcb_____
+     ppqm8a    PostAntiquaBE-Medium              A    092    pbm_____
+     ppqr8a    PostAntiquaBE-Regular             A    092    pbrg____
+     pfob8a    Folio-Bold                        A    093    fob_____
+     pfob8ac   Folio-BoldCondensed               A    093    fobc____
+     pfox8a    Folio-ExtraBold                   A    093    foeb____
+     pfol8a    Folio-Light                       A    093    fol_____
+     pfom8a    Folio-Medium                      A    093    fom_____
+     plnrw8a   Linoscript                        A    094    lp______
+     plnrf8a   Linotext                          A    094    lx______
+     plnrf7c   Linotext-Dfr                      A    094    lxdfr___
+     pvrb8a    VAGRounded-Bold                   A    095    vrb_____
+     pvrc8a    VAGRounded-Black                  A    095    vrbl____
+     pvrl8a    VAGRounded-Light                  A    095    vrl_____
+     pvra8a    VAGRounded-Thin                   A    095    vrt_____
+     pazb8a    AkzidenzGroteskBE-Bold            A    096    gfb_____
+     pazbi8a   AkzidenzGroteskBE-BoldIt          A    096    gfbi____
+     pazri8a   AkzidenzGroteskBE-It              A    096    gfi_____
+     pazl8a    AkzidenzGroteskBE-Light           A    096    gfl_____
+     pazlj8a   AkzidenzGroteskBE-LightOsF        A    096    gflos___
+     pazm8a    AkzidenzGroteskBE-Md              A    096    gfm_____
+     pazmi8a   AkzidenzGroteskBE-MdIt            A    096    gfmi____
+     pazr8a    AkzidenzGroteskBE-Regular         A    096    gfrg____
+     pazu8a    AkzidenzGroteskBE-Super           A    096    gfsu____
+     pipb8a    Impressum-Bold                    A    097    imb_____
+     pibri8a   Impressum-Italic                  A    097    imi_____
+     pipr8a    Impressum-Roman                   A    097    imr_____
+     pubb8a    BauerBodoni-Bold                  A    098    bbb_____
+     pubbi8a   BauerBodoni-BoldItalic            A    098    bbbi____
+     pubri8a   BauerBodoni-Italic                A    098    bbi_____
+     pubr8a    BauerBodoni-Roman                 A    098    bbr_____
+     pnar8a    NewAster                          A    099    na______
+     pnab8a    NewAster-Bold                     A    099    nab_____
+     pnabi8a   NewAster-BoldItalic               A    099    nabi____
+     pnac8a    NewAster-Black                    A    099    nabl____
+     pnaci8a   NewAster-BlackItalic              A    099    nabli___
+     pnari8a   NewAster-Italic                   A    099    nai_____
+     pnas8a    NewAster-SemiBold                 A    099    nas_____
+     pnasi8a   NewAster-SemiBoldItalic           A    099    nasi____
+     padb8a    AGaramond-Bold                    A    100    gdb_____
+     padbi8a   AGaramond-BoldItalic              A    100    gdbi____
+     padri8a   AGaramond-Italic                  A    100    gdi_____
+     padr8a    AGaramond-Regular                 A    100    gdrg____
+     pads8a    AGaramond-Semibold                A    100    gdsb____
+     padsi8a   AGaramond-SemiboldItalic          A    100    gdsbi___
+     padbij8a  AGaramond-BoldItalicOsF           A    101    gdbio___
+     padbj8a   AGaramond-BoldOsF                 A    101    gdbos___
+     padrij8a  AGaramond-ItalicOsF               A    101    gdio____
+     padsc8a   AGaramond-SemiboldSC              A    101    gdsbs___
+     padrc8a   AGaramond-RegularSC               A    101    gdsc____
+     padsij8a  AGaramond-SemiboldItalicOsF       A    101    gdsis___
+     padrd8a   AGaramond-Titling                 A    101    gdttl___
+     padb8x    AGaramondExp-Bold                 A    101    geb_____
+     padbi8x   AGaramondExp-BoldItalic           A    101    gebi____
+     padri8x   AGaramondExp-Italic               A    101    gei_____
+     padr8x    AGaramondExp-Regular              A    101    gerg____
+     pads8x    AGaramondExp-Semibold             A    101    gesb____
+     padsi8x   AGaramondExp-SemiboldItalic       A    101    gesbi___
+     padri7a   AGaramondAlt-Italic               A    101    ggi_____
+     padr7a    AGaramondAlt-Regular              A    101    ggrg____
+     pcib8a    Candida-Bold                      A    102    cgb_____
+     pciri8a   Candida-Italic                    A    102    cgi_____
+     pcir8a    Candida-Roman                     A    102    cgr_____
+     pfgr8ac   FranklinGothic-Condensed          A    103    fgc_____
+     pfgr8aq   FranklinGothic-ExtraCond          A    103    fgec____
+     pfgr8a    FranklinGothic-Roman              A    103    fgr_____
+     putb8a    Utopia-Bold                       A    104    utb_____
+     putbi8a   Utopia-BoldItalic                 A    104    utbi____
+     putc8a    Utopia-Black                      A    104    utbl____
+     putri8a   Utopia-Italic                     A    104    uti_____
+     putr8a    Utopia-Regular                    A    104    utrg____
+     puts8a    Utopia-Semibold                   A    104    utsb____
+     putsi8a   Utopia-SemiboldItalic             A    104    utsbi___
+     putb8x    UtopiaExp-Bold                    A    105    ueb_____
+     putbi8x   UtopiaExp-BoldItalic              A    105    uebi____
+     putc8x    UtopiaExp-Black                   A    105    uebl____
+     putri8x   UtopiaExp-Italic                  A    105    uei_____
+     putr8x    UtopiaExp-Regular                 A    105    uerg____
+     puts8x    UtopiaExp-Semibold                A    105    uesb____
+     putsi8x   UtopiaExp-SemiboldItalic          A    105    uesbi___
+     putbij8a  Utopia-BoldItalicOsF              A    105    utbio___
+     putbj8a   Utopia-BoldOsF                    A    105    utbos___
+     putrij8a  Utopia-ItalicOsF                  A    105    utio____
+     putrp     Utopia-Ornaments                  A    105    utor____
+     putrc8a   Utopia-RegularSC                  A    105    utrsc___
+     putsc8a   Utopia-SemiboldSC                 A    105    utsbs___
+     putsij8a  Utopia-SemiboldItalicOsF          A    105    utsis___
+     putrd8a   Utopia-Titling                    A    105    utttl___
+     putcj8a   Utopia-BlackOsF                   A    105    utzof___
+     pbyb8a    Berkeley-Bold                     A    106    byb_____
+     pbybi8a   Berkeley-BoldItalic               A    106    bybi____
+     pbyc8a    Berkeley-Black                    A    106    bybl____
+     pbyci8a   Berkeley-BlackItalic              A    106    bybli___
+     pbymi8a   Berkeley-Italic                   A    106    byi_____
+     pbym8a    Berkeley-Medium                   A    106    bym_____
+     pbyk8a    Berkeley-Book                     A    106    byw_____
+     pbyki8a   Berkeley-BookItalic               A    106    bywi____
+     paob8ac   AntiqueOlive-BoldCond             A    107    aqbc____
+     paor8ap   AntiqueOlive-Compact              A    107    aqct____
+     paohix8a  AntiqueOlive-Nord                 A    107    aqnr____
+     paohrx8a  AntiqueOlive-NordItalic           A    107    aqnri___
+     ppsr8a    Parisian                          A    108    pn______
+     pumr8a    Umbra                             A    108    um______
+     pmsrw8a   Mistral                           A    109    ms______
+     prprw8a   Reporter-Two                      A    109    rp______
+     pccrw8a   CascadeScript                     A    110    ck______
+     pmirw8a   MediciScript                      A    110    mc______
+     pnurw8a   NuptialScript                     A    110    nu______
+     pubb8ac   BauerBodoni-BoldCond              A    111    bbbc____
+     pubc8a    BauerBodoni-Black                 A    111    bbbl____
+     pubc8ac   BauerBodoni-BlackCond             A    111    bbblc___
+     pubci8a   BauerBodoni-BlackItalic           A    111    bbbli___
+     pmdb8a    Meridien-Bold                     A    112    m0b_____
+     pmdbi8a   Meridien-BoldItalic               A    112    m0bi____
+     pmdri8a   Meridien-Italic                   A    112    m0i_____
+     pmdm8a    Meridien-Medium                   A    112    m0m_____
+     pmdmi8a   Meridien-MediumItalic             A    112    m0mi____
+     pmdr8a    Meridien-Roman                    A    112    m0r_____
+     zpcp29ab  Copperplate-TwentyNineAB          A    113    cp29a___
+     zpcp29bc  Copperplate-TwentyNineBC          A    113    cp29c___
+     zpcp30ab  Copperplate-ThirtyAB              A    113    cp30a___
+     zpcp30bc  Copperplate-ThirtyBC              A    113    cp30c___
+     zpcp31ab  Copperplate-ThirtyOneAB           A    113    cp31a___
+     zpcp31bc  Copperplate-ThirtyOneBC           A    113    cp31c___
+     zpcp32ab  Copperplate-ThirtyTwoAB           A    113    cp32a___
+     zpcp32bc  Copperplate-ThirtyTwoBC           A    113    cp32c___
+     zpcp33bc  Copperplate-ThirtyThreeBC         A    113    cp33c___
+     pnvb8a    Novarese-Bold                     A    114    nob_____
+     pnvbi8a   Novarese-BoldItalic               A    114    nobi____
+     pnvm8a    Novarese-Medium                   A    114    nom_____
+     pnvmi8a   Novarese-MediumItalic             A    114    nomi____
+     pnvu8a    Novarese-Ultra                    A    114    nou_____
+     pnvk8a    Novarese-Book                     A    114    now_____
+     pnvki8a   Novarese-BookItalic               A    114    nowi____
+     pksbw8a   KuenstlerScript-TwoBold           A    115    kt2b____
+     pkscw8a   KuenstlerScript-Black             A    115    ktbl____
+     pksmw8a   KuenstlerScript-Medium            A    115    ktm_____
+     parr8a    Arcadia                           A    116    a_______
+     parra8a   Arcadia-A                         A    116    a_aaa___
+     pinrh8a   Industria-Inline                  A    116    inin____
+     pinrha8a  Industria-InlineA                 A    116    inina___
+     piar8a    Insignia                          A    116    ins_____
+     piara8a   Insignia-A                        A    116    insa____
+     pinr8a    Industria-Solid                   A    116    insd____
+     pinra8a   Industria-SolidA                  A    116    insda___
+     psvb8a    Souvenir-Bold                     A    117    sub_____
+     psvbi8a   Souvenir-BoldItalic               A    117    subi____
+     psvm8a    Souvenir-Medium                   A    117    sum_____
+     psvmi8a   Souvenir-MediumItalic             A    117    sumi____
+     pbdb8ac   Bodoni-BoldCondensed              A    118    bdbc____
+     pbdp8ap   Bodoni-PosterCompressed           A    118    bdpsc___
+     pbdpi8a   Bodoni-PosterItalic               A    118    bdpsi___
+     pbdk8a    Bodoni-Book                       A    118    bdw_____
+     pbdki8a   Bodoni-BookItalic                 A    118    bdwi____
+     prqr8a    RussellSquare                     A    119    ru______
+     prqro8a   RussellSquare-Oblique             A    119    ruo_____
+     pcgb8a    Charlemagne-Bold                  A    120    czb_____
+     pcgr8a    Charlemagne-Regular               A    120    czrg____
+     ptjb8a    Trajan-Bold                       A    120    tjb_____
+     ptjr8a    Trajan-Regular                    A    120    tjrg____
+     plob8a    Lithos-Bold                       A    121    lob_____
+     ploc8a    Lithos-Black                      A    121    lobl____
+     ploi8a    Lithos-ExtraLight                 A    121    loel____
+     plol8a    Lithos-Light                      A    121    lol_____
+     plor8a    Lithos-Regular                    A    121    lorg____
+     pcwr8a    Cottonwood                        A    122    c_______
+     piwr8a    Ironwood                          A    122    i_______
+     pjpr8a    Juniper                           A    122    j_______
+     pmqr8a    Mesquite                          A    122    m_______
+     ppor8a    Ponderosa                         A    122    p_______
+     ppi026    WoodtypeOrnaments-One             A    122    woor____
+     ptkb8a    Tekton-Bold                       A    123    tkb_____
+     ptkbo8a   Tekton-BoldOblique                A    123    tkbo____
+     ptkro8a   Tekton-Oblique                    A    123    tko_____
+     ptkr8a    Tekton                            A    123    tkrg____
+     pagb8ac   AvantGarde-CondBold               A    124    agcb____
+     pagd8ac   AvantGarde-CondDemi               A    124    agcd____
+     pagm8ac   AvantGarde-CondMedium             A    124    agcm____
+     pagk8ac   AvantGarde-CondBook               A    124    agcw____
+     pssb8a    StempelSchneidler-Bold            A    125    skb_____
+     pssbi8a   StempelSchneidler-BoldItalic      A    125    skbi____
+     pssc8a    StempelSchneidler-Black           A    125    skbl____
+     pssci8a   StempelSchneidler-BlackItalic     A    125    skbli___
+     pssri8a   StempelSchneidler-Italic          A    125    ski_____
+     pssl8a    StempelSchneidler-Light           A    125    skl_____
+     pssli8a   StempelSchneidler-LightItalic     A    125    skli____
+     pssm8a    StempelSchneidler-Medium          A    125    skm_____
+     pssmi8a   StempelSchneidler-MedItalic       A    125    skmi____
+     pssr8a    StempelSchneidler-Roman           A    125    skr_____
+     ptgr8a    TradeGothic                       A    126    tg______
+     ptgb8a    TradeGothic-Bold                  A    126    tgb_____
+     ptgbo8a   TradeGothic-BoldOblique           A    126    tgbo____
+     ptgc8a    TradeGothic-BoldTwo               A    126    tgb2____
+     ptgco8a   TradeGothic-BoldTwoOblique        A    126    tgb2o___
+     ptgl8a    TradeGothic-Light                 A    126    tgl_____
+     ptglo8a   TradeGothic-LightOblique          A    126    tglo____
+     ptgro8a   TradeGothic-Oblique               A    126    tgo_____
+     ptgb8ac   TradeGothic-BoldCondTwenty        A    127    tgbc____
+     ptgbo8ac  TradeGothic-BoldCondTwentyObl     A    127    tgbco___
+     ptgr8ac   TradeGothic-CondEighteen          A    127    tgc_____
+     ptgro8ac  TradeGothic-CondEighteenObl       A    127    tgco____
+     prar8a    Raleigh                           A    128    ra______
+     prab8a    Raleigh-Bold                      A    128    rab_____
+     prad8a    Raleigh-DemiBold                  A    128    rad_____
+     pram8a    Raleigh-Medium                    A    128    ram_____
+     pmtb8a    Minister-Bold                     A    129    mzb_____
+     pmtbi8a   Minister-BoldItalic               A    129    mzbi____
+     pmtc8a    Minister-Black                    A    129    mzbl____
+     pmtci8a   Minister-BlackItalic              A    129    mzbli___
+     pmtl8a    Minister-Light                    A    129    mzl_____
+     pmtli8a   Minister-LightItalic              A    129    mzli____
+     pmtk8a    Minister-Book                     A    129    mzw_____
+     pmtki8a   Minister-BookItalic               A    129    mzwi____
+     pesb8ac   Eurostile-BoldCondensed           A    130    eubc____
+     pesb8ax   Eurostile-BoldExtendedTwo         A    130    eubex___
+     pesr8ac   Eurostile-Condensed               A    130    euc_____
+     pesr8ax   Eurostile-ExtendedTwo             A    130    euex____
+     pwdb8a    Weidemann-Bold                    A    131    wdb_____
+     pwdbi8a   Weidemann-BoldItalic              A    131    wdbi____
+     pwdc8a    Weidemann-Black                   A    131    wdbl____
+     pwdci8a   Weidemann-BlackItalic             A    131    wdbli___
+     pwdm8a    Weidemann-Medium                  A    131    wdm_____
+     pwdmi8a   Weidemann-MediumItalic            A    131    wdmi____
+     pwdk8a    Weidemann-Book                    A    131    wdw_____
+     pwdki8a   Weidemann-BookItalic              A    131    wdwi____
+     pqrb8a    Quorum-Bold                       A    132    qob_____
+     pqrc8a    Quorum-Black                      A    132    qobl____
+     pqrl8a    Quorum-Light                      A    132    qol_____
+     pqrm8a    Quorum-Medium                     A    132    qom_____
+     pqrk8a    Quorum-Book                       A    132    qow_____
+     pcxb8a    Caxton-Bold                       A    133    cxb_____
+     pcxbi8a   Caxton-BoldItalic                 A    133    cxbi____
+     pcxl8a    Caxton-Light                      A    133    cxl_____
+     pcxli8a   Caxton-LightItalic                A    133    cxli____
+     pcxk8a    Caxton-Book                       A    133    cxw_____
+     pcxki8a   Caxton-BookItalic                 A    133    cxwi____
+     psxb8a    Syntax-Bold                       A    134    sxb_____
+     psxc8a    Syntax-Black                      A    134    sxbl____
+     psxri8a   Syntax-Italic                     A    134    sxi_____
+     psxr8a    Syntax-Roman                      A    134    sxr_____
+     psxu8a    Syntax-UltraBlack                 A    134    sxubl___
+     pdrb8a    Doric-Bold                        A    135    drb_____
+     pmxr8a    Maximus                           A    135    mx______
+     pserd8a   Shelley-AllegroScript             A    136    shal____
+     pser8a    Shelley-AndanteScript             A    136    shan____
+     pserw8a   Shelley-VolanteScript             A    136    shvo____
+     pnzk8a    NeuzeitS-Book                     A    137    new_____
+     pnzh8a    NeuzeitS-BookHeavy                A    137    newh____
+     pvlb8a    Versailles-Bold                   A    138    veb_____
+     pvlbi8a   Versailles-BoldItalic             A    138    vebi____
+     pvlc8a    Versailles-Black                  A    138    vebl____
+     pvlci8a   Versailles-BlackItalic            A    138    vebli___
+     pvlri8a   Versailles-Italic                 A    138    vei_____
+     pvll8a    Versailles-Light                  A    138    vel_____
+     pvlli8a   Versailles-LightItalic            A    138    veli____
+     pvlr8a    Versailles-Roman                  A    138    ver_____
+     pgmb8ac   Garamond-BoldCondensed            A    139    gabc____
+     pgmbi8ac  Garamond-BoldCondensedItalic      A    139    gabci___
+     pgml8ac   Garamond-LightCondensed           A    139    galc____
+     pgmlu8ac  Garamond-LightCondensedItalic     A    139    galci___
+     pgmu8ac   Garamond-UltraCondensed           A    139    gauc____
+     pgmui8ac  Garamond-UltraCondensedItalic     A    139    gauci___
+     pgmk8ac   Garamond-BookCondensed            A    139    gawc____
+     pgmki8ac  Garamond-BookCondensedItalic      A    139    gawci___
+     pctl8a    Cheltenham-Light                  A    140    chl_____
+     pctli8a   Cheltenham-LightItalic            A    140    chli____
+     pctu8a    Cheltenham-Ultra                  A    140    chu_____
+     pctui8a   Cheltenham-UltraItalic            A    140    chui____
+     pcnb8a    Century-Bold                      A    141    icb_____
+     pcnbi8a   Century-BoldItalic                A    141    icbi____
+     pcnl8a    Century-Light                     A    141    icl_____
+     pcnli8a   Century-LightItalic               A    141    icli____
+     pcnu8a    Century-Ultra                     A    141    icu_____
+     pcnui8a   Century-UltraItalic               A    141    icui____
+     pcnk8a    Century-Book                      A    141    icw_____
+     pcnki8a   Century-BookItalic                A    141    icwi____
+     pcnb8ac   Century-BoldCondensed             A    142    icbc____
+     pcnbi8ac  Century-BoldCondensedItalic       A    142    icbci___
+     pcnl8ac   Century-LightCondensed            A    142    iclc____
+     pcnli8ac  Century-LightCondensedItalic      A    142    iclci___
+     pcnu8ac   Century-UltraCondensed            A    142    icuc____
+     pcnui8ac  Century-UltraCondensedItalic      A    142    icuci___
+     pcnk8ac   Century-BookCondensed             A    142    icwc____
+     pcnki8ac  Century-BookCondensedItalic       A    142    icwci___
+     pmnb8a    Minion-Bold                       A    143    mob_____
+     pmnbi8a   Minion-BoldItalic                 A    143    mobi____
+     pmnc8a    Minion-Black                      A    143    mobl____
+     pmnrd8a   Minion-DisplayRegular             A    143    mods____
+     pmnrid8a  Minion-DisplayItalic              A    143    modsi___
+     pmnri8a   Minion-Italic                     A    143    moi_____
+     pmnr8a    Minion-Regular                    A    143    morg____
+     pmns8a    Minion-Semibold                   A    143    mosb____
+     pmnsi8a   Minion-SemiboldItalic             A    143    mosbi___
+     pmnb8x    MinionExp-Bold                    A    144    mjb_____
+     pmnbi8x   MinionExp-BoldItalic              A    144    mjbi____
+     pmnc8x    MinionExp-Black                   A    144    mjbl____
+     pmnrd8x   MinionExp-DisplayRegular          A    144    mjds____
+     pmnrid8x  MinionExp-DisplayItalic           A    144    mjdsi___
+     pmnri8x   MinionExp-Italic                  A    144    mji_____
+     pmnr8x    MinionExp-Regular                 A    144    mjrg____
+     pmns8x    MinionExp-Semibold                A    144    mjsb____
+     pmnsi8x   MinionExp-SemiboldItalic          A    144    mjsbi___
+     pmnbij8a  Minion-BoldItalicOsF              A    144    mobio___
+     pmnbj8a   Minion-BoldOsF                    A    144    mobos___
+     pmnricd8a Minion-DisplayItalicSC            A    144    modis___
+     pmnrcd8a  Minion-DisplayRegularSC           A    144    modsc___
+     pmnric8a  Minion-ItalicSC                   A    144    moisc___
+     pmnrp     Minion-Ornaments                  A    144    moor____
+     pmnsc8a   Minion-SemiboldSC                 A    144    mosbs___
+     pmnrc8a   Minion-RegularSC                  A    144    mosc____
+     pmnriwd7a Minion-SwashDisplayItalic         A    144    mosdi___
+     pmnsic8a  Minion-SemiboldItalicSC           A    144    mosic___
+     pmnsiw7a  Minion-SwashSemiboldItalic        A    144    mossb___
+     pmnriw7a  Minion-SwashItalic                A    144    moswi___
+     pmncj8a   Minion-BlackOsF                   A    144    mozof___
+     mnsb8a    TimesNewRomanPS-Bold              A    145    mtb_____
+     mnsbi8a   TimesNewRomanPS-BoldItalic        A    145    mtbi____
+     mnsri8a   TimesNewRomanPS-Italic            A    145    mti_____
+     pnsr8a    TimesNewRomanPS                   A    145    mtr_____
+     pbkb8a    Bookman-Bold                      A    146    bkb_____
+     pbkbi8a   Bookman-BoldItalic                A    146    bkbi____
+     pbkm8a    Bookman-Medium                    A    146    bkm_____
+     pbkmi8a   Bookman-MediumItalic              A    146    bkmi____
+     psrrw8a   SnellRoundhand-Script             A    147    sn______
+     psrbw8a   SnellRoundhand-BoldScript         A    147    snb_____
+     prscw8a   SnellRoundhand-BlackScript        A    147    snbl____
+     pigb8a    SimonciniGaramond-Bold            A    148    gib_____
+     pigri8a   SimonciniGaramond-Italic          A    148    gii_____
+     pigr8a    SimonciniGaramond                 A    148    gir_____
+     pbcr8a    Banco                             A    149    bc______
+     phmr8a    Charme                            A    149    cu______
+     pfyc8ac   Flyer-BlackCondensed              A    149    flblc___
+     pfyx8ac   Flyer-ExtraBlackCondensed         A    149    flebc___
+     pwgrf8a   WilhelmKlingsporGotisch           A    149    wk______
+     pwgrf7c   WilhelmKlingsporGotisch-Dfr       A    149    wkdfr___
+     pgmu8a    Garamond-Ultra                    A    150    gau_____
+     pgmui8a   Garamond-UltraItalic              A    150    gaui____
+     pgmk8a    Garamond-Book                     A    150    gaw_____
+     pgmki8a   Garamond-BookItalic               A    150    gawi____
+     prwr8a    Rockwell                          A    151    rk______
+     prwb8a    Rockwell-Bold                     A    151    rkb_____
+     prwbi8a   Rockwell-BoldItalic               A    151    rkbi____
+     prwri8a   Rockwell-Italic                   A    151    rki_____
+     prwl8a    Rockwell-Light                    A    151    rkl_____
+     prwli8a   Rockwell-LightItalic              A    151    rkli____
+     pgsr8a    GillSans                          A    152    gn______
+     pgsb8a    GillSans-Bold                     A    152    gnb_____
+     pgsbi8a   GillSans-BoldItalic               A    152    gnbi____
+     pgsri8a   GillSans-Italic                   A    152    gni_____
+     pgsl8a    GillSans-Light                    A    152    gnl_____
+     pgsli8a   GillSans-LightItalic              A    152    gnli____
+     pspb8a    Serpentine-Bold                   A    153    sfb_____
+     pspbo8a   Serpentine-BoldOblique            A    153    sfbo____
+     pspl8a    Serpentine-Light                  A    153    sfl_____
+     psplo8a   Serpentine-LightOblique           A    153    sflo____
+     pspm8a    Serpentine-Medium                 A    153    sfm_____
+     pspmo8a   Serpentine-MediumOblique          A    153    sfmo____
+     plcrv     LucidaMath-Extension              A    154    lme_____
+     plcrim    LucidaMath-Italic                 A    154    lmi_____
+     plcry     LucidaMath-Symbol                 A    154    lms_____
+     ppi005    EuropeanPi-One                    A    155    euro1___
+     ppi006    EuropeanPi-Two                    A    155    euro2___
+     ppi007    EuropeanPi-Three                  A    155    euro3___
+     ppi008    EuropeanPi-Four                   A    155    euro4___
+     ppi001    BorderPi-OneFiveOneFiveNine       A    155    j1515___
+     ppi002    BundesbahnPi-One                  A    156    db1_____
+     ppi003    BundesbahnPi-Two                  A    156    db2_____
+     ppi004    BundesbahnPi-Three                A    156    db3_____
+     pc2b8a    CaslonTwoTwentyFour-Bold          A    157    c2b_____
+     pc2bi8a   CaslonTwoTwentyFour-BoldIt        A    157    c2bi____
+     pc2c8a    CaslonTwoTwentyFour-Black         A    157    c2bl____
+     pc2ci8a   CaslonTwoTwentyFour-BlackIt       A    157    c2bli___
+     pc2m8a    CaslonTwoTwentyFour-Medium        A    157    c2m_____
+     pc2mi8a   CaslonTwoTwentyFour-MediumIt      A    157    c2mi____
+     pc2k8a    CaslonTwoTwentyFour-Book          A    157    c2w_____
+     pc2ki8a   CaslonTwoTwentyFour-BookIt        A    157    c2wi____
+     ppi020    MathematicalPi-One                A    158    mh1_____
+     ppi021    MathematicalPi-Two                A    158    mh2_____
+     ppi022    MathematicalPi-Three              A    158    mh3_____
+     ppi023    MathematicalPi-Four               A    158    mh4_____
+     ppi024    MathematicalPi-Five               A    158    mh5_____
+     ppi025    MathematicalPi-Six                A    158    mh6_____
+     plwb8a    Leawood-Bold                      A    159    lwb_____
+     plwbi8a   Leawood-BoldItalic                A    159    lwbi____
+     plwc8a    Leawood-Black                     A    159    lwbl____
+     plwci8a   Leawood-BlackItalic               A    159    lwbli___
+     plwm8a    Leawood-Medium                    A    159    lwm_____
+     plwmi8a   Leawood-MediumItalic              A    159    lwmi____
+     plwk8a    Leawood-Book                      A    159    lww_____
+     plwki8a   Leawood-BookItalic                A    159    lwwi____
+     pbir8a    Birch                             A    160    bi______
+     pb0r8a    Blackoak                          A    160    bo______
+     pmrr8a    Madrone                           A    160    mq______
+     pp0r8a    Poplar                            A    160    pp______
+     pwwr8a    Willow                            A    160    wi______
+     ppi027    WoodtypeOrnaments-Two             A    160    woor2___
+     pbbr8a    Bembo                             A    161    bm______
+     pbbb8a    Bembo-Bold                        A    161    bmb_____
+     pbbbi8a   Bembo-BoldItalic                  A    161    bmbi____
+     pbbri8a   Bembo-Italic                      A    161    bmi_____
+     pgsb8ac   GillSans-BoldCondensed            A    162    gnbc____
+     pgsr8ac   GillSans-Condensed                A    162    gnc_____
+     pgsx8a    GillSans-ExtraBold                A    162    gneb____
+     pgsu8a    GillSans-UltraBold                A    162    gnub____
+     pgsu8ac   GillSans-UltraBoldCondensed       A    162    gnubc___
+     prwb8ac   Rockwell-BoldCondensed            A    163    rkbc____
+     prwr8ac   Rockwell-Condensed                A    163    rkc_____
+     prwx8a    Rockwell-ExtraBold                A    163    rkeb____
+     pgpc8a    Glypha-Black                      A    164    gybl____
+     pgpco8a   Glypha-BlackOblique               A    164    gyblo___
+     pgpl8a    Glypha-Light                      A    164    gyl_____
+     pgplo8a   Glypha-LightOblique               A    164    gylo____
+     pgpa8a    Glypha-Thin                       A    164    gyt_____
+     pgpao8a   Glypha-ThinOblique                A    164    gyto____
+     pzcb8a    ZapfChancery-Bold                 A    165    zcb_____
+     pzcd8a    ZapfChancery-Demi                 A    165    zcd_____
+     pzcri8a   ZapfChancery-Italic               A    165    zci_____
+     pzcl8a    ZapfChancery-Light                A    165    zcl_____
+     pzcli8a   ZapfChancery-LightItalic          A    165    zcli____
+     pzcr8a    ZapfChancery-Roman                A    165    zcr_____
+     puwb8a    Usherwood-Bold                    A    166    usb_____
+     puwbi8a   Usherwood-BoldItalic              A    166    usbi____
+     puwc8a    Usherwood-Black                   A    166    usbl____
+     puwci8a   Usherwood-BlackItalic             A    166    usbli___
+     puwm8a    Usherwood-Medium                  A    166    usm_____
+     puwmi8a   Usherwood-MediumItalic            A    166    usmi____
+     puwk8a    Usherwood-Book                    A    166    usw_____
+     puwki8a   Usherwood-BookItalic              A    166    uswi____
+     isyb8a    ItcSymbol-Bold                    A    167    isb_____
+     isybi8a   ItcSymbol-BoldItalic              A    167    isbi____
+     isyc8a    ItcSymbol-Black                   A    167    isbl____
+     isyci8a   ItcSymbol-BlackItalic             A    167    isbli___
+     isym8a    ItcSymbol-Medium                  A    167    ism_____
+     isymi8a   ItcSymbol-MediumItalic            A    167    ismi____
+     isyk8a    ItcSymbol-Book                    A    167    isw_____
+     isyki8a   ItcSymbol-BookItalic              A    167    iswi____
+     punb8ax   Univers-BoldExt                   A    168    uvbv____
+     punbo8ax  Univers-BoldExtObl                A    168    uvbvo___
+     punx8ax   Univers-ExtraBlackExt             A    168    uvfv____
+     punxo8ax  Univers-ExtraBlackExtObl          A    168    uvfvo___
+     punr8ax   Univers-Extended                  A    168    uvv_____
+     punro8ax  Univers-ExtendedObl               A    168    uvvo____
+     punc8ax   Univers-BlackExt                  A    168    uvzv____
+     punco8ax  Univers-BlackExtObl               A    168    uvzvo___
+     poyr8a    Olympian                          A    169    ol______
+     poyb8a    Olympian-Bold                     A    169    olb_____
+     poybi8a   Olympian-BoldItalic               A    169    olbi____
+     poyri8a   Olympian-Italic                   A    169    oli_____
+     puhb8a    Cushing-Bold                      A    170    iub_____
+     puhbi8a   Cushing-BoldItalic                A    170    iubi____
+     puhh8a    Cushing-Heavy                     A    170    iuh_____
+     puhhi8a   Cushing-HeavyItalic               A    170    iuhi____
+     puhm8a    Cushing-Medium                    A    170    ium_____
+     puhmi8a   Cushing-MediumItalic              A    170    iumi____
+     puhk8a    Cushing-Book                      A    170    iuw_____
+     puhki8a   Cushing-BookItalic                A    170    iuwi____
+     pcqr      Cheq                              A    171    cq______
+     ps7rp     Sassoon-Primary                   A    172    sass____
+     pfnb8a    Fenice-Bold                       A    173    feb_____
+     pfnbo8a   Fenice-BoldOblique                A    173    febo____
+     pfnl8a    Fenice-Light                      A    173    fel_____
+     pfnlo8a   Fenice-LightOblique               A    173    felo____
+     pfnr8a    Fenice-Regular                    A    173    ferg____
+     pfnro8a   Fenice-RegularOblique             A    173    fergo___
+     pfnu8a    Fenice-Ultra                      A    173    feu_____
+     pfnuo8a   Fenice-UltraOblique               A    173    feuo____
+     pctb8ac   Cheltenham-BoldCond               A    174    chbc____
+     pctbi8ac  Cheltenham-BoldCondItalic         A    174    chbci___
+     pctl8ac   Cheltenham-LightCond              A    174    chlc____
+     pctli8ac  Cheltenham-LightCondItalic        A    174    chlci___
+     pctu8ac   Cheltenham-UltraCond              A    174    chuc____
+     pctui8ac  Cheltenham-UltraCondItalic        A    174    chuci___
+     pctk8ac   Cheltenham-BookCond               A    174    chwc____
+     pctki8ac  Cheltenham-BookCondItalic         A    174    chwci___
+     phrb8a    HelveticaRounded-Bold             A    175    heb_____
+     phrb8ac   HelveticaRounded-BoldCond         A    175    hebc____
+     phrbo8ac  HelveticaRounded-BoldCondObl      A    175    hebco___
+     phrc8a    HelveticaRounded-Black            A    175    hebl____
+     phrco8a   HelveticaRounded-BlackObl         A    175    heblo___
+     phrbo8a   HelveticaRounded-BoldObl          A    175    hebo____
+     pehra8a   DINEngschrift-Alternate           A    176    dinea___
+     pehr8a    DINEngschrift                     A    176    dinen___
+     pm6ra8a   DINMittelschrift-Alternate        A    176    dinma___
+     pm6r8a    DINMittelschrift                  A    176    dinmi___
+     pzgb8ac   DINNeuzeitGrotesk-BoldCond        A    176    dngbc___
+     pzgl8a    DINNeuzeitGrotesk-Light           A    176    dngl____
+     psnh8a    Spartan-HeavyClassified           A    177    sqhcl___
+     psnk8a    Spartan-BookClassified            A    177    sqwcl___
+     pugb8a    BenguiatGothic-Bold               A    178    beb_____
+     pugbo8a   BenguiatGothic-BoldOblique        A    178    bebo____
+     pugh8a    BenguiatGothic-Heavy              A    178    beh_____
+     pugho8a   BenguiatGothic-HeavyOblique       A    178    beho____
+     pugm8a    BenguiatGothic-Medium             A    178    bem_____
+     pugmo8a   BenguiatGothic-MediumOblique      A    178    bemo____
+     pugk8a    BenguiatGothic-Book               A    178    bew_____
+     pugko8a   BenguiatGothic-BookOblique        A    178    bewo____
+     ptmx8a    Times-ExtraBold                   A    179    tieb____
+     ptms8a    Times-Semibold                    A    179    tisb____
+     ptmsi8a   Times-SemiboldItalic              A    179    tisbi___
+     pacb8a    ACaslon-Bold                      A    180    awb_____
+     pacbi8a   ACaslon-BoldItalic                A    180    awbi____
+     pacri8a   ACaslon-Italic                    A    180    awi_____
+     pacr8a    ACaslon-Regular                   A    180    awrg____
+     pacs8a    ACaslon-Semibold                  A    180    awsb____
+     pacsi8a   ACaslon-SemiboldItalic            A    180    awsbi___
+     pacb7a    ACaslon-AltBold                   A    181    awab____
+     pacbi7a   ACaslon-AltBoldItalic             A    181    awabi___
+     pacri7a   ACaslon-AltItalic                 A    181    awai____
+     pacr7a    ACaslon-AltRegular                A    181    awarg___
+     pacs7a    ACaslon-AltSemibold               A    181    awasb___
+     pacsi7a   ACaslon-AltSemiboldItalic         A    181    awasi___
+     pacbij8a  ACaslon-BoldItalicOsF             A    181    awbio___
+     pacbj8a   ACaslon-BoldOsF                   A    181    awbos___
+     pacrij8a  ACaslon-ItalicOsF                 A    181    awio____
+     pacrp     ACaslon-Ornaments                 A    181    awor____
+     pacsc8a   ACaslon-SemiboldSC                A    181    awsbs___
+     pacrc8a   ACaslon-RegularSC                 A    181    awsc____
+     pacsic8a  ACaslon-SemiboldItalicOsF         A    181    awsis___
+     pacsiw7a  ACaslon-SwashSemiboldItalic       A    181    awssb___
+     pacbiw7a  ACaslon-SwashBoldItalic           A    181    awswb___
+     pacriw7a  ACaslon-SwashItalic               A    181    awswi___
+     pacb8x    ACaslonExp-Bold                   A    181    axb_____
+     pacbi8x   ACaslonExp-BoldItalic             A    181    axbi____
+     pacri8x   ACaslonExp-Italic                 A    181    axi_____
+     pacr8x    ACaslonExp-Regular                A    181    axrg____
+     pacs8x    ACaslonExp-Semibold               A    181    axsb____
+     pacsi8x   ACaslonExp-SemiboldItalic         A    181    axsbi___
+     phnj8ax   HelveticaNeue-UltraLigExt         A    182    hlav____
+     phnjo8ax  HelveticaNeue-UltraLigExtObl      A    182    hlavo___
+     phnc8ax   HelveticaNeue-BlackExt            A    182    hlzv____
+     phnco8ax  HelveticaNeue-BlackExtObl         A    182    hlzvo___
+     phnb8ax   HelveticaNeue-BoldExt             A    183    hlbv____
+     phnbo8ax  HelveticaNeue-BoldExtObl          A    183    hlbvo___
+     phna8ax   HelveticaNeue-ThinExt             A    183    hltv____
+     phnao8ax  HelveticaNeue-ThinExtObl          A    183    hltvo___
+     phnx8ax   HelveticaNeue-Extended            A    183    hlv_____
+     phnxo8ax  HelveticaNeue-ExtendedObl         A    183    hlvo____
+     phnh8ax   HelveticaNeue-HeavyExt            A    184    hlhv____
+     phnho8ax  HelveticaNeue-HeavyExtObl         A    184    hlhvo___
+     phnl8ax   HelveticaNeue-LightExt            A    184    hllv____
+     phnlo8ax  HelveticaNeue-LightExtObl         A    184    hllvo___
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+     phnmo8ax  HelveticaNeue-MediumExtObl        A    184    hlmvo___
+     pshb8a    Shannon-Bold                      A    185    sbb_____
+     pshx8a    Shannon-ExtraBold                 A    185    sbeb____
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+     pshk8a    Shannon-Book                      A    185    sbw_____
+     pbbx8a    Bembo-ExtraBold                   A    186    bmeb____
+     pbbxi8a   Bembo-ExtraBoldItalic             A    186    bmebi___
+     pbbs8a    Bembo-Semibold                    A    186    bmsb____
+     pbbsi8a   Bembo-SemiboldItalic              A    186    bmsbi___
+     pggr8a    GarthGraphic                      A    187    gh______
+     pggb8a    GarthGraphic-Bold                 A    187    ghb_____
+     pggb8ac   GarthGraphic-BoldCondensed        A    187    ghbc____
+     pggbi8a   GarthGraphic-BoldItalic           A    187    ghbi____
+     pggr8ac   GarthGraphic-Condensed            A    187    ghc_____
+     pggx8a    GarthGraphic-ExtraBold            A    187    gheb____
+     pggri8a   GarthGraphic-Italic               A    187    ghi_____
+     pggc8a    GarthGraphic-Black                A    187    ghz_____
+     phnj8ac   HelveticaNeue-UltraLigCond        A    188    hla_____
+     phnjo8ac  HelveticaNeue-UltraLigCondObl     A    188    hlao____
+     phnx8ac   HelveticaNeue-ExtBlackCond        A    188    hlj_____
+     phnxo8ac  HelveticaNeue-ExtBlackCondObl     A    188    hljo____
+     phnc8ac   HelveticaNeue-BlackCond           A    188    hlzc____
+     phnco8ac  HelveticaNeue-BlackCondObl        A    188    hlzco___
+     phnb8ac   HelveticaNeue-BoldCond            A    189    hlbc____
+     phnbo8ac  HelveticaNeue-BoldCondObl         A    189    hlbco___
+     phnr8ac   HelveticaNeue-Condensed           A    189    hlc_____
+     phnro8ac  HelveticaNeue-CondensedObl        A    189    hlco____
+     phna8ac   HelveticaNeue-ThinCond            A    189    hltc____
+     phnao8ac  HelveticaNeue-ThinCondObl         A    189    hltco___
+     phnh8ac   HelveticaNeue-HeavyCond           A    190    hlhc____
+     phnho8ac  HelveticaNeue-HeavyCondObl        A    190    hlhco___
+     phnl8ac   HelveticaNeue-LightCond           A    190    hllc____
+     phnlo8ac  HelveticaNeue-LightCondObl        A    190    hllco___
+     phnm8ac   HelveticaNeue-MediumCond          A    190    hlmc____
+     phnmo8ac  HelveticaNeue-MediumCondObl       A    190    hlmco___
+     punx8a    Univers-ExtraBlack                A    191    uvf_____
+     punxo8a   Univers-ExtraBlackObl             A    191    uvfo____
+     punj8ac   Univers-LightUltraCondensed       A    191    uvluc___
+     puna8ac   Univers-ThinUltraCondensed        A    191    uvtuc___
+     punu8a    Univers-UltraCondensed            A    191    uvuc____
+     pglc8a    Galliard-Black                    A    192    glbl____
+     pglci8a   Galliard-BlackItalic              A    192    glbli___
+     pglu8a    Galliard-Ultra                    A    192    glu_____
+     pglui8a   Galliard-UltraItalic              A    192    glui____
+     pg3bij8a  GaramondThree-BoldItalicOsF       A    193    gmbio___
+     pg3bj8a   GaramondThree-BoldSC              A    193    gmbsc___
+     pg3rij8a  GaramondThree-ItalicOsF           A    193    gmio____
+     pg3rc8a   GaramondThree-SC                  A    193    gmsc____
+     ptmbij8a  Times-BoldItalicOsF               A    194    tibio___
+     ptmbc8a   Times-BoldSC                      A    194    tibsc___
+     ptmrij8a  Times-ItalicOsF                   A    194    tiio____
+     ptmrc8a   Times-RomanSC                     A    194    tirsc___
+     pddrf8a   DucDeBerry                        A    195    du______
+     pddrf7c   DucDeBerry-Dfr                    A    195    dudfr___
+     phcr8a    Herculanum                        A    195    herc____
+     pomr8a    Omnia                             A    195    omni____
+     pttbij8a  TimesTen-BoldItalicOsF            A    196    ttbio___
+     pttbj8a   TimesTen-BoldOsF                  A    196    ttbof___
+     pttrij8a  TimesTen-ItalicOsF                A    196    ttiof___
+     pttrc8a   TimesTen-RomanSC                  A    196    ttrsc___
+     psbbij8a  Sabon-BoldItalicOsF               A    197    sabio___
+     psbbj8a   Sabon-BoldOsF                     A    197    sabof___
+     psbrij8a  Sabon-ItalicOsF                   A    197    saiof___
+     psbrc8a   Sabon-RomanSC                     A    197    sarsc___
+     pwbbij8a  WalbaumBook-BoldItalicOsF         A    198    wbbio___
+     pwbbi8x   WalbaumBook-BoldItalicExpert      A    198    wbbix___
+     pwbbj8a   WalbaumBook-BoldOsF               A    198    wbbos___
+     pwbb8x    WalbaumBook-BoldExpert            A    198    wbbxp___
+     pwbrij8a  WalbaumBook-ItalicOsF             A    198    wbios___
+     pwbri8x   WalbaumBook-ItalicExpert          A    198    wbixp___
+     pwbmij8a  WalbaumBook-MdItalicOsF           A    198    wbmio___
+     pwbmi8x   WalbaumBook-MdItalicExpert        A    198    wbmix___
+     pwbmc8a   WalbaumBook-MediumSC              A    198    wbmsc___
+     pwbm8x    WalbaumBook-MdExpert              A    198    wbmxp___
+     pwbr8x    WalbaumBook-RegularExpert         A    198    wbrgx___
+     pwbrc8a   WalbaumBook-RegularSC             A    198    wbsc____
+     pubbij8a  BauerBodoni-BoldItalicOsF         A    199    bbbio___
+     pubbj8a   BauerBodoni-BoldOsF               A    199    bbbof___
+     pubrij8a  BauerBodoni-ItalicOsF             A    199    bbiof___
+     pubrc8a   BauerBodoni-RomanSC               A    199    bbrsc___
+     pmhr8a    Machine                           A    200    ma______
+     pmhb8a    Machine-Bold                      A    200    mab_____
+     pr1r8a    RotisSemiSerif                    A    201    rf______
+     pr1b8a    RotisSemiSerif-Bold               A    201    rfb_____
+     pror8a    RotisSerif                        A    201    rg______
+     prob8a    RotisSerif-Bold                   A    201    rgb_____
+     prori8a   RotisSerif-Italic                 A    201    rgi_____
+     pr3r8a    RotisSemiSans                     A    202    rc______
+     pr3b8a    RotisSemiSans-Bold                A    202    rcb_____
+     pr3x8a    RotisSemiSans-ExtraBold           A    202    rceb____
+     pr3ri8a   RotisSemiSans-Italic              A    202    rci_____
+     pr3l8a    RotisSemiSans-Light               A    202    rcl_____
+     pr3li8a   RotisSemiSans-LightItalic         A    202    rcli____
+     pr4r8a    RotisSansSerif                    A    203    rb______
+     pr4b8a    RotisSansSerif-Bold               A    203    rbb_____
+     pr4x8a    RotisSansSerif-ExtraBold          A    203    rbeb____
+     pr4ri8a   RotisSansSerif-Italic             A    203    rbi_____
+     pr4l8a    RotisSansSerif-Light              A    203    rbl_____
+     pr4li8a   RotisSansSerif-LightItalic        A    203    rbli____
+     pjnbij8a  JansonText-BoldItalicOsF          A    204    jtbio___
+     pjnbj8a   JansonText-BoldOsF                A    204    jtbof___
+     pjnrij8a  JansonText-ItalicOsF              A    204    jtiof___
+     pjnrc8a   JansonText-RomanSC                A    204    jtrsc___
+     pgjr8a    Granjon                           A    205    gr______
+     pgjb8a    Granjon-Bold                      A    205    grb_____
+     pgjri8a   Granjon-Italic                    A    205    gri_____
+     pcebij8a  Centennial-BoldItalicOsF          A    206    cibio___
+     pcebj8a   Centennial-BoldOsF                A    206    cibof___
+     pcerij8a  Centennial-ItalicOsF              A    206    ciiof___
+     pcelij8a  Centennial-LightItalicOsF         A    206    cilio___
+     pcelc8a   Centennial-LightSC                A    206    cilsc___
+     pcerc8a   Centennial-RomanSC                A    206    cirsc___
+     pcecij8a  Centennial-BlackItalicOsF         A    206    cizio___
+     pcecj8a   Centennial-BlackOsF               A    206    cizof___
+     ppnr8a    Plantin                           A    207    pl______
+     ppnb8a    Plantin-Bold                      A    207    plb_____
+     ppnbi8a   Plantin-BoldItalic                A    207    plbi____
+     ppnri8a   Plantin-Italic                    A    207    pli_____
+     pteb8a    TimesEuropa-Bold                  A    208    tub_____
+     ptebi8a   TimesEuropa-BoldItalic            A    208    tubi____
+     pteri8a   TimesEuropa-Italic                A    208    tui_____
+     pter8a    TimesEuropa-Roman                 A    208    tur_____
+     pgjbj8a   Granjon-BoldOsF                   A    209    grbos___
+     pgjrij8a  Granjon-ItalicOsF                 A    209    grios___
+     pgjrc8a   Granjon-SC                        A    209    grsc____
+     ptvbij8a  TrumpMediaeval-BoldItalicOsF      A    210    tmbio___
+     ptvbj8a   TrumpMediaeval-BoldOsF            A    210    tmbos___
+     ptvrij8a  TrumpMediaeval-ItalicOsF          A    210    tmios___
+     ptvrc8a   TrumpMediaeval-SC                 A    210    tmsc____
+     pbsr8a    BakerSignet                       A    211    ba______
+     picr8a    Impact                            A    211    impa____
+     pagb8a    AvantGarde-Bold                   A    212    agb_____
+     pagbo8a   AvantGarde-BoldObl                A    212    agbo____
+     pagi8a    AvantGarde-ExtraLight             A    212    agel____
+     pagio8a   AvantGarde-ExtraLightObl          A    212    agelo___
+     pagm8a    AvantGarde-Medium                 A    212    agm_____
+     pagmo8a   AvantGarde-MediumObl              A    212    agmo____
+     pplbij8a  Palatino-BoldItalicOsF            A    213    pobio___
+     pplbj8a   Palatino-BoldOsF                  A    213    pobos___
+     pplrij8a  Palatino-ItalicOsF                A    213    poios___
+     pplrc8a   Palatino-SC                       A    213    posc____
+     pndbij8a  NewCaledonia-BoldItalicOsF        A    214    nlbio___
+     pndbc8a   NewCaledonia-BoldSC               A    214    nlbsc___
+     pndrij8a  NewCaledonia-ItalicOsF            A    214    nlios___
+     pndrc8a   NewCaledonia-SC                   A    214    nlsc____
+     pppb8a    Perpetua-Bold                     A    215    ptb_____
+     pppbi8a   Perpetua-BoldItalic               A    215    ptbi____
+     pppri8a   Perpetua-Italic                   A    215    pti_____
+     pppr8a    Perpetua                          A    215    ptrg____
+     pilb8a    Caecilia-Bold                     A    216    ecb_____
+     pilbi8a   Caecilia-BoldItalic               A    216    ecbi____
+     pilbij8a  Caecilia-BoldItalicOsF            A    216    ecbio___
+     pilbj8a   Caecilia-BoldOsF                  A    216    ecbos___
+     pilh8a    Caecilia-Heavy                    A    216    ech_____
+     pilhi8a   Caecilia-HeavyItalic              A    216    echi____
+     pilhij8a  Caecilia-HeavyItalicOsF           A    216    echio___
+     pilhj8a   Caecilia-HeavyOsF                 A    216    echos___
+     pilri8a   Caecilia-Italic                   A    216    eci_____
+     pilrij8a  Caecilia-ItalicOsF                A    216    ecios___
+     pill8a    Caecilia-Light                    A    216    ecl_____
+     pilli8a   Caecilia-LightItalic              A    216    ecli____
+     pillij8a  Caecilia-LightItalicOsF           A    216    eclio___
+     pillj8a   Caecilia-LightOsF                 A    216    eclos___
+     pilr8a    Caecilia-Roman                    A    216    ecr_____
+     pilrj8a   Caecilia-RomanOsF                 A    216    ecros___
+     pimx8a    Imago-ExtraBold                   A    217    ioeb____
+     pimxi8a   Imago-ExtraBoldItalic             A    217    ioebi___
+     piml8a    Imago-Light                       A    217    iol_____
+     pimli8a   Imago-LightItalic                 A    217    ioli____
+     pimm8a    Imago-Medium                      A    217    iom_____
+     pimmi8a   Imago-MediumItalic                A    217    iomi____
+     pimk8a    Imago-Book                        A    217    iow_____
+     pimki8a   Imago-BookItalic                  A    217    iowi____
+     pfab8a    Formata-Bold                      A    218    fmb_____
+     pfabi8a   Formata-BoldItalic                A    218    fmbi____
+     pfari8a   Formata-Italic                    A    218    fmi_____
+     pfal8a    Formata-Light                     A    218    fml_____
+     pfali8a   Formata-LightItalic               A    218    fmli____
+     pfam8a    Formata-Medium                    A    218    fmm_____
+     pfami8a   Formata-MediumItalic              A    218    fmmi____
+     pfar8a    Formata-Regular                   A    218    fmrg____
+     pnfb8a    Nofret-Bold                       A    219    nfb_____
+     pnfbi8a   Nofret-BoldItalic                 A    219    nfbi____
+     pnfri8a   Nofret-Italic                     A    219    nfi_____
+     pnfl8a    Nofret-Light                      A    219    nfl_____
+     pnfli8a   Nofret-LightItalic                A    219    nfli____
+     pnfm8a    Nofret-Medium                     A    219    nfm_____
+     pnfmi8a   Nofret-MediumItalic               A    219    nfmi____
+     pnfr8a    Nofret-Regular                    A    219    nfrg____
+     ppnb8ac   Plantin-BoldCondensed             A    220    plbc____
+     ppnl8a    Plantin-Light                     A    220    pll_____
+     ppnli8a   Plantin-LightItalic               A    220    plli____
+     ppns8a    Plantin-Semibold                  A    220    plsb____
+     ppnsi8a   Plantin-SemiboldItalic            A    220    plsbi___
+     pbrb8a    Berling-Bold                      A    221    bnb_____
+     pbrbi8a   Berling-BoldItalic                A    221    bnbi____
+     pbrri8a   Berling-Italic                    A    221    bni_____
+     pbrr8a    Berling-Roman                     A    221    bnr_____
+     pcyb8a    City-Bold                         A    222    tzb_____
+     pcybi8a   City-BoldItalic                   A    222    tzbi____
+     pcyl8a    City-Light                        A    222    tzl_____
+     pcyli8a   City-LightItalic                  A    222    tzli____
+     pcym8a    City-Medium                       A    222    tzm_____
+     pcymi8a   City-MediumItalic                 A    222    tzmi____
+     paur8a    Auriol                            A    223    al______
+     paub8a    Auriol-Bold                       A    223    alb_____
+     paubi8a   Auriol-BoldItalic                 A    223    albi____
+     pauc8a    Auriol-Black                      A    223    albl____
+     pauci8a   Auriol-BlackItalic                A    223    albli___
+     pauri8a   Auriol-Italic                     A    223    ali_____
+     ptbb8a    BodoniBE-Bold                     A    224    bpb_____
+     ptbbi8a   BodoniBE-BoldItalic               A    224    bpbi____
+     ptbri8a   BodoniBE-Italic                   A    224    bpi_____
+     ptbl8a    BodoniBE-Light                    A    224    bpl_____
+     ptbli8a   BodoniBE-LightItalic              A    224    bpli____
+     ptbm8a    BodoniBE-Medium                   A    224    bpm_____
+     ptbmi8a   BodoniBE-MediumItalic             A    224    bpmi____
+     ptbr8a    BodoniBE-Regular                  A    224    bprg____
+     pegbij8a  StempelGaramond-BoldItalicOsF     A    225    gsbio___
+     pegbj8a   StempelGaramond-BoldOsF           A    225    gsbof___
+     pegrij8a  StempelGaramond-ItalicOsF         A    225    gsiof___
+     pegrc8a   StempelGaramond-RomanSC           A    225    gsrsc___
+     pnbbij8a  NewBaskerville-BoldItalicOsF      A    226    nbbio___
+     pnbbj8a   NewBaskerville-BoldSC             A    226    nbbsc___
+     pnbrij8a  NewBaskerville-ItalicOsF          A    226    nbio____
+     pnbrc8a   NewBaskerville-SC                 A    226    nbsc____
+     pgybij8a  Goudy-BoldItalicOsF               A    227    gobio___
+     pgybj8a   Goudy-BoldOsF                     A    227    gobos___
+     pgyrij8a  Goudy-ItalicOsF                   A    227    goios___
+     pgyrc8a   Goudy-SC                          A    227    gosc____
+     phnbl8a   HelveticaNeue-BoldOutline         A    228    hlbou___
+     pcvrf7c   Clairvaux-Dfr                     A    229    aodfr___
+     pcvrf8a   Clairvaux                         A    229    aor_____
+     pc0rf7c   Carolina-Dfr                      A    229    kldfr___
+     pc0rf8a   Carolina                          A    229    klr_____
+     ps0rf7c   SanMarco-Dfr                      A    229    sjdfr___
+     ps0rf8a   SanMarco                          A    229    sjr_____
+     pvjb8a    Veljovic-Bold                     A    230    vlb_____
+     pvjbi8a   Veljovic-BoldItalic               A    230    vlbi____
+     pvjc8a    Veljovic-Black                    A    230    vlbl____
+     pvjci8a   Veljovic-BlackItalic              A    230    vlbli___
+     pvjm8a    Veljovic-Medium                   A    230    vlm_____
+     pvjmi8a   Veljovic-MediumItalic             A    230    vlmi____
+     pvjk8a    Veljovic-Book                     A    230    vlw_____
+     pvjki8a   Veljovic-BookItalic               A    230    vlwi____
+     pscb8a    Slimbach-Bold                     A    231    spb_____
+     pscbi8a   Slimbach-BoldItalic               A    231    spbi____
+     pscc8a    Slimbach-Black                    A    231    spbl____
+     pscci8a   Slimbach-BlackItalic              A    231    spbli___
+     pscm8a    Slimbach-Medium                   A    231    spm_____
+     pscmi8a   Slimbach-MediumItalic             A    231    spmi____
+     psck8a    Slimbach-Book                     A    231    spw_____
+     pscki8a   Slimbach-BookItalic               A    231    spwi____
+     pbvri8a   BaskervilleBook-Italic            A    232    bti_____
+     pbvm8a    BaskervilleBook-Medium            A    232    btm_____
+     pbvmi8a   BaskervilleBook-MedItalic         A    232    btmi____
+     pbvr8a    BaskervilleBook-Regular           A    232    btrg____
+     murb8a    CentaurMT-Bold                    A    233    nrb_____
+     murbi8a   CentaurMT-BoldItalic              A    233    nrbi____
+     murri8a   CentaurMT-Italic                  A    233    nri_____
+     murria8a  CentaurMT-ItalicA                 A    233    nria____
+     murr8a    CentaurMT                         A    233    nrr_____
+     phvr7f    Helvetica-Fraction                A    234    hvfr____
+     phvb7f    Helvetica-FractionBold            A    234    hvfrb___
+     pncr7f    NewCenturySchlbk-Fraction         A    234    ncfr____
+     pncb7f    NewCenturySchlbk-FractionBold     A    234    ncfrb___
+     pilbic8a  Caecilia-BoldItalicSC             A    235    ecbis___
+     pilbc8a   Caecilia-BoldSC                   A    235    ecbsc___
+     pilhic8a  Caecilia-HeavyItalicSC            A    235    echis___
+     pilhc8a   Caecilia-HeavySC                  A    235    echsc___
+     pilric8a  Caecilia-ItalicSC                 A    235    ecisc___
+     pillc8a   Caecilia-LightItalicSC            A    235    eclis___
+     pillic8a  Caecilia-LightSC                  A    235    eclsc___
+     pilrc8a   Caecilia-RomanSC                  A    235    ecrsc___
+     mjob8a    JoannaMT-Bold                     A    236    job_____
+     mjobi8a   JoannaMT-BoldItalic               A    236    jobi____
+     mjox8a    JoannaMT-ExtraBold                A    236    joeb____
+     mjori8a   JoannaMT-Italic                   A    236    joi_____
+     mjor8a    JoannaMT                          A    236    jor_____
+     mjos8a    JoannaMT-SemiBold                 A    236    josb____
+     mjosi8a   JoannaMT-SemiBoldItalic           A    236    josbi___
+     ppi017    LHolidayPi-One                    A    237    holi1___
+     ppi018    LHolidayPi-Two                    A    237    holi2___
+     ppi019    LHolidayPi-Three                  A    237    holi3___
+     ppi011    LDecorationPi-One                 A    238    deco1___
+     ppi012    LDecorationPi-Two                 A    238    deco2___
+     po7r8a    OldStyleSeven                     A    239    os______
+     po7ri8a   OldStyleSeven-Italic              A    239    osi_____
+     po7rij8a  OldStyleSeven-ItalicOsF           A    239    osios___
+     po7rc8a   OldStyleSeven-SC                  A    239    ossc____
+     ppi013    LGamePi-ChessDraughts             A    240    gamcd___
+     ppi014    LGamePi-DiceDominoes              A    240    gamdd___
+     ppi015    LGamePi-EnglishCards              A    240    gamec___
+     ppi016    LGamePi-FrenchCards               A    240    gamfc___
+     pc5rij8a  CaslonFiveForty-ItalicOsF         A    241    cfiof___
+     pc5rc8a   CaslonFiveForty-RomanSC           A    241    cfrsc___
+     pc3rij8a  CaslonThree-ItalicOsF             A    241    ctiof___
+     pc3rc8a   CaslonThree-RomanSC               A    241    ctrsc___
+     mgtrf8a   GoudyTextMT                       A    242    gx______
+     mgtrf7a   GoudyTextMT-Alternate             A    242    gxalt___
+     mgtrf7c   GoudyTextMT-Dfr                   A    242    gxdfr___
+     mgtrfd8a  GoudyTextMT-LombardicCapitals     A    242    gxlom___
+     pefb8a    EgyptienneF-Bold                  A    243    efb_____
+     pefc8a    EgyptienneF-Black                 A    243    efbl____
+     pefri8a   EgyptienneF-Italic                A    243    efi_____
+     pefr8a    EgyptienneF-Roman                 A    243    efr_____
+     pwkb8a    Wilke-Bold                        A    244    wlb_____
+     pwkbi8a   Wilke-BoldItalic                  A    244    wlbi____
+     pwkc8a    Wilke-Black                       A    244    wlbl____
+     pwkci8a   Wilke-BlackItalic                 A    244    wlbli___
+     pwkri8a   Wilke-Italic                      A    244    wli_____
+     pwkr8a    Wilke-Roman                       A    244    wlr_____
+     ppxb8a    PopplPontifexBE-Bold              A    245    pjb_____
+     ppxri8a   PopplPontifexBE-Italic            A    245    pji_____
+     ppxm8a    PopplPontifexBE-Medium            A    245    pjm_____
+     ppxm8ac   PopplPontifexBE-MediumCn          A    245    pjmc____
+     ppxr8a    PopplPontifexBE-Regular           A    245    pjrg____
+     mtlr8a    CastellarMT                       A    246    el______
+     malr8a    AlbertusMT                        A    246    lr______
+     malri8a   AlbertusMT-Italic                 A    246    lri_____
+     mall8a    AlbertusMT-Light                  A    246    lrl_____
+     pgvb8a    Giovanni-Bold                     A    247    gvb_____
+     pgvbi8a   Giovanni-BoldItalic               A    247    gvbi____
+     pgvc8a    Giovanni-Black                    A    247    gvbl____
+     pgvci8a   Giovanni-BlackItalic              A    247    gvbli___
+     pgvk8a    Giovanni-Book                     A    247    gvw_____
+     pgvki8a   Giovanni-BookItalic               A    247    gvwi____
+     pazbi8ax  AkzidenzGroteskBE-BoldExIt        A    248    gfbei___
+     pazb8ax   AkzidenzGroteskBE-BoldEx          A    248    gfbv____
+     pazr8ax   AkzidenzGroteskBE-Ex              A    248    gfex____
+     pazl8ax   AkzidenzGroteskBE-LightEx         A    248    gflex___
+     pazm8ax   AkzidenzGroteskBE-MdEx            A    248    gfmex___
+     p_____    AGOldFace-Bold                    A    249    qwb_____
+     p_____    AGOldFace-BoldOutline             A    249    qwbou___
+     p_____    AGOldFace-Medium                  A    249    qwm_____
+     p_____    AGOldFace-Outline                 A    249    qwou____
+     p_____    AGOldFace-Regular                 A    249    qwrg____
+     p_____    AGOldFace-Shaded                  A    249    qwsh____
+     p_____    GaramondBE-Bold                   A    250    gwb_____
+     p_____    GaramondBE-Condensed              A    250    gwc_____
+     p_____    GaramondBE-Italic                 A    250    gwi_____
+     p_____    GaramondBE-Medium                 A    250    gwm_____
+     p_____    GaramondBE-MediumCn               A    250    gwmc____
+     p_____    GaramondBE-MediumItalic           A    250    gwmi____
+     p_____    GaramondBE-Regular                A    250    gwrg____
+     pgub8a    Guardi-Bold                       A    251    gub_____
+     pgubi8a   Guardi-BoldItalic                 A    251    gubi____
+     pguc8a    Guardi-Black                      A    251    gubl____
+     pguci8a   Guardi-BlackItalic                A    251    gubli___
+     pguri8a   Guardi-Italic                     A    251    gui_____
+     pgur8a    Guardi-Roman                      A    251    gur_____
+     pkbc8a    Kabel-Black                       A    252    kabl____
+     pkbh8a    Kabel-Heavy                       A    252    kah_____
+     pkbl8a    Kabel-Light                       A    252    kal_____
+     pkbk8a    Kabel-Book                        A    252    kaw_____
+     ppi009    LAstrologyPi-One                  A    253    astr1___
+     ppi010    LAstrologyPi-Two                  A    253    astr2___
+     pprl8a    PopplResidenz-Light               A    254    pzl_____
+     pprr8a    PopplResidenz-Regular             A    254    pzrg____
+     pstr5a    StoneSerif-PhoneticAlternate      A    255    srpa____
+     pstr5i    StoneSerif-PhoneticIPA            A    255    srpi____
+     ps8a5a    StoneSans-PhoneticAlternate       A    255    sspa____
+     ps8a5i    StoneSans-PhoneticIPA             A    255    sspi____
+     prnb8a    Rotation-Bold                     A    256    rnb_____
+     prnri8a   Rotation-Italic                   A    256    rni_____
+     prnr8a    Rotation-Roman                    A    256    rnr_____
+     pasri8a   Aldus-Italic                      A    257    afi_____
+     pasrij8a  Aldus-ItalicOsF                   A    257    afiof___
+     pasr8a    Aldus-Roman                       A    257    afr_____
+     pasrc8a   Aldus-RomanSC                     A    257    afrsc___
+     mlir8ac   LatinMT-Condensed                 A    258    lnc_____
+     moxr8a    OnyxMT                            A    258    ox______
+     mrur8ac   RunicMT-Condensed                 A    258    ric_____
+     p_____    Colossalis-Bold                   A    259    kob_____
+     p_____    Colossalis-Black                  A    259    kobl____
+     p_____    Colossalis-Medium                 A    259    kom_____
+     p_____    Colossalis-Regular                A    259    korg____
+     p_____    BertholdScript-Medium             A    260    qrm_____
+     p_____    BertholdScript-Regular            A    260    qrrg____
+     pqsrw8a   Bellevue                          A    260    qsrg____
+     pqtrw8a   Boulevard                         A    260    qtrg____
+     pfrb8ac   Frutiger-BoldCn                   A    261    ftbc____
+     pfrc8ac   Frutiger-BlackCn                  A    261    ftblc___
+     pfrr8ac   Frutiger-Cn                       A    261    ftc_____
+     pfrx8ac   Frutiger-ExtraBlackCn             A    261    ftebc___
+     pfrl8ac   Frutiger-LightCn                  A    261    ftlc____
+     pflb8a    Flora-Bold                        A    262    fab_____
+     pflm8a    Flora-Medium                      A    262    fam_____
+     metri8a   EhrhardtMT-Italic                 A    263    ehi_____
+     metr8a    EhrhardtMT-Regular                A    263    ehrg____
+     mets8a    EhrhardtMT-Semibold               A    263    ehsb____
+     metsi8a   EhrhardtMT-SemiboldItalic         A    263    ehsbi___
+     pppbij8a  Perpetua-BoldItalicOsF            A    264    ptbio___
+     pppbi8x   Perpetua-BoldItalicExp            A    264    ptbix___
+     pppbj8a   Perpetua-BoldOsF                  A    264    ptbos___
+     pppb8x    Perpetua-BoldExp                  A    264    ptbxp___
+     pppr8x    Perpetua-Exp                      A    264    ptexp___
+     ppprij8a  Perpetua-ItalicOsF                A    264    ptios___
+     pppri8x   Perpetua-ItalicExp                A    264    ptixp___
+     ppprc8a   Perpetua-SC                       A    264    ptsc____
+     ppxbj8a   PopplPontifexBE-BoldOsF           A    265    pjbos___
+     ppxb8x    PopplPontifexBE-BoldExp           A    265    pjbxp___
+     ppxrij8a  PopplPontifexBE-ItalicOsF         A    265    pjios___
+     ppxri8x   PopplPontifexBE-ItalicExp         A    265    pjixp___
+     ppxmc8ac  PopplPontifexBE-MediumCnSC        A    265    pjmcs___
+     ppxm8xc   PopplPontifexBE-MediumCnExp       A    265    pjmcx___
+     ppxmc8a   PopplPontifexBE-MediumSC          A    265    pjmsc___
+     ppxm8x    PopplPontifexBE-MediumExp         A    265    pjmxp___
+     ppxr8x    PopplPontifexBE-RegularExp        A    265    pjrgx___
+     ppxrc8a   PopplPontifexBE-RegularSC         A    265    pjrsc___
+     p_____    ConcordeNova-Italic               A    266    nvi_____
+     p_____    ConcordeNova-ItalicOsF            A    266    nviof___
+     p_____    ConcordeNova-ItalicExp            A    266    nvixp___
+     p_____    ConcordeNova-Medium               A    266    nvm_____
+     p_____    ConcordeNova-MediumSC             A    266    nvmsc___
+     p_____    ConcordeNova-MediumExp            A    266    nvmxp___
+     p_____    ConcordeNova-Regular              A    266    nvrg____
+     p_____    ConcordeNova-RegularExp           A    266    nvrgx___
+     p_____    ConcordeNova-RegularSC            A    266    nvsc____
+     peib8a    Esprit-Bold                       A    267    esb_____
+     peibi8a   Esprit-BoldItalic                 A    267    esbi____
+     peici8a   Esprit-BlackItalic                A    267    esbli___
+     peim8a    Esprit-Medium                     A    267    esm_____
+     peimi8a   Esprit-MediumItalic               A    267    esmi____
+     peik8a    Esprit-Book                       A    267    esw_____
+     peiki8a   Esprit-BookItalic                 A    267    eswi____
+     peic8a    Esprit-Black                      A    267    esz_____
+     ptbbij8a  BodoniBE-BoldItalicOsF            A    268    bpbio___
+     ptbbi8x   BodoniBE-BoldItalicExp            A    268    bpbix___
+     ptbbj8a   BodoniBE-BoldOsF                  A    268    bpbof___
+     ptbb8x    BodoniBE-BoldExp                  A    268    bpbxp___
+     ptbrij8a  BodoniBE-ItalicOsF                A    268    bpiof___
+     ptbri8x   BodoniBE-ItalicExp                A    268    bpixp___
+     ptblij8a  BodoniBE-LightItalicOsF           A    268    bplio___
+     ptbli8x   BodoniBE-LightItalicExp           A    268    bplix___
+     ptblc8a   BodoniBE-LightSC                  A    268    bplsc___
+     ptbl8x    BodoniBE-LightExp                 A    268    bplxp___
+     ptbmij8a  BodoniBE-MediumItalicOsF          A    268    bpmio___
+     ptbmi8x   BodoniBE-MediumItalicExp          A    268    bpmix___
+     ptbmc8a   BodoniBE-MediumSC                 A    268    bpmsc___
+     ptbm8x    BodoniBE-MediumExp                A    268    bpmxp___
+     ptbr8x    BodoniBE-RegularExp               A    268    bprgx___
+     ptbrc8a   BodoniBE-RegularSC                A    268    bpsc____
+     melr8a    EllingtonMT                       A    269    ei______
+     melb8a    EllingtonMT-Bold                  A    269    eib_____
+     melbi8a   EllingtonMT-BoldItalic            A    269    eibi____
+     melx8a    EllingtonMT-ExtraBold             A    269    eieb____
+     melxi8a   EllingtonMT-ExtraBoldItalic       A    269    eiebi___
+     melri8a   EllingtonMT-Italic                A    269    eii_____
+     mell8a    EllingtonMT-Light                 A    269    eil_____
+     melli8a   EllingtonMT-LightItalic           A    269    eili____
+     pazb8ac   AkzidenzGroteskBE-BoldCn          A    270    gfbc____
+     pazr8ac   AkzidenzGroteskBE-Cn              A    270    gfc_____
+     pazx8a    AkzidenzGroteskBE-XBd             A    270    gfeb____
+     pazl8ac   AkzidenzGroteskBE-LightCn         A    270    gflc____
+     pazm8ac   AkzidenzGroteskBE-MdCn            A    270    gfmc____
+     pazmi8ac  AkzidenzGroteskBE-MdCnIt          A    270    gfmci___
+     pazx8ac   AkzidenzGroteskBE-XBdCn           A    270    gfxc____
+     pazxi8ac  AkzidenzGroteskBE-XBdCnIt         A    270    gfxci___
+     pptr8a    Present                           A    271    pr______
+     pptb8a    Present-Bold                      A    271    prb_____
+     pptb8ac   Present-BoldCondensed             A    271    prbc____
+     pptc8a    Present-Black                     A    271    prbl____
+     pptc8ac   Present-BlackCondensed            A    271    prblc___
+     pptr8ac   Present-Condensed                 A    271    prc_____
+     lvcb8a    VectoraLH-Bold                    A    272    vcb_____
+     lvcbi8a   VectoraLH-BoldItalic              A    272    vcbi____
+     lvcc8a    VectoraLH-Black                   A    272    vcbl____
+     lvcci8a   VectoraLH-BlackItalic             A    272    vcbli___
+     lvcri8a   VectoraLH-Italic                  A    272    vci_____
+     lvcl8a    VectoraLH-Light                   A    272    vcl_____
+     lvcli8a   VectoraLH-LightItalic             A    272    vcli____
+     lvcr8a    VectoraLH-Roman                   A    272    vcr_____
+     pbab8a    Barmeno-Bold                      A    273    bfb_____
+     pbax8a    Barmeno-ExtraBold                 A    273    bfeb____
+     pbam8a    Barmeno-Medium                    A    273    bfm_____
+     pbar8a    Barmeno-Regular                   A    273    bfrg____
+     p_____    Cosmos-ExtraBold                  A    274    kzeb____
+     p_____    Cosmos-Light                      A    274    kzl_____
+     p_____    Cosmos-LightItalic                A    274    kzli____
+     p_____    Cosmos-Medium                     A    274    kzm_____
+     pmyMMi8a  MyriadMM-It                       A    275    _mi_____
+     pmyMM8a   MyriadMM                          A    275    _mrg____
+     pmnMMi8a  MinionMM-It                       A    276    zgi_____
+     pmnMM8a   MinionMM                          A    276    zgrg____
+     pmnMMic8a MinionMM-ItSC                     A    277    zgisc___
+     pmnMMi8x  MinionMM-ItEp                     A    277    zgix____
+     pmnMMp    MinionMM-Or                       A    277    zgo_____
+     pmnMMc8a  MinionMM-SC                       A    277    zgsc____
+     pmnMMiw7a MinionMM-Sw                       A    277    zgsw____
+     pmnMM8x   MinionMM-Ep                       A    277    zgx_____
+     ptmr5a    Times-PhoneticAlternate           A    278    tipa____
+     ptmr5i    Times-PhoneticIPA                 A    278    tipi____
+     lpi003    AudioLH-Pi                        A    279    audi1___
+     lpi002    WarningLH-Pi                      A    279    warn1___
+     ppmri8a   PostMediaeval-Italic              A    280    pmi_____
+     ppmm8a    PostMediaeval-Medium              A    280    pmm_____
+     ppmr8a    PostMediaeval-Regular             A    280    pmrg____
+     lffb8a    FairfieldLH-Bold                  A    281    fdb_____
+     lffbi8a   FairfieldLH-BoldItalic            A    281    fdbi____
+     lffh8a    FairfieldLH-Heavy                 A    281    fdh_____
+     lffhi8a   FairfieldLH-HeavyItalic           A    281    fdhi____
+     lffl8a    FairfieldLH-Light                 A    281    fdl_____
+     lffli8a   FairfieldLH-LightItalic           A    281    fdli____
+     lffm8a    FairfieldLH-Medium                A    281    fdm_____
+     lffmi8a   FairfieldLH-MediumItalic          A    281    fdmi____
+     lffbd8a   FairfieldLH-CaptionBold           A    282    fdbcp___
+     lffbijw8a FairfieldLH-SwBoldItalicOsF       A    282    fdbio___
+     lffbc8a   FairfieldLH-BoldSC                A    282    fdbsc___
+     lffhd8a   FairfieldLH-CaptionHeavy          A    282    fdhcp___
+     lffhijw8a FairfieldLH-SwHeavyItalicOsF      A    282    fdhio___
+     lffhc8a   FairfieldLH-HeavySC               A    282    fdhsc___
+     lffld8a   FairfieldLH-CaptionLight          A    282    fdlcp___
+     lfflijw8a FairfieldLH-SwLightItalicOsF      A    282    fdlio___
+     lfflc8a   FairfieldLH-LightSC               A    282    fdlsc___
+     lffmd8a   FairfieldLH-CaptionMedium         A    282    fdmcp___
+     lffmijw8a FairfieldLH-SwMediumItalicOsF     A    282    fdmio___
+     lffmc8a   FairfieldLH-MediumSC              A    282    fdmsc___
+     lgzb8a    GazetteLH-Bold                    A    283    gzb_____
+     lgzri8a   GazetteLH-Italic                  A    283    gzi_____
+     lgzr8a    GazetteLH-Roman                   A    283    gzr_____
+     lcfbs8a   ClearfaceGothicLH-Bold            A    284    fcb_____
+     lcfcs8a   ClearfaceGothicLH-Black           A    284    fcbl____
+     lcfls8a   ClearfaceGothicLH-Light           A    284    fcl_____
+     lcfms8a   ClearfaceGothicLH-Medium          A    284    fcm_____
+     lcfrs8a   ClearfaceGothicLH-Roman           A    284    fcr_____
+     pidb8a    Isadora-Bold                      A    285    irb_____
+     pidr8a    Isadora-Regular                   A    285    irrg____
+     pbax8a    Barmeno-ExtraBold                 A    286    bfeb____
+     pfarl8a   Formata-Outline                   A    286    fmou____
+     p_____    Cosmos-ExtraBold                  A    286    kzeb____
+     p_____    AGOldFace-Shaded                  A    286    qwsh____
+     p_____    AGBook-Stencil                    A    286    tast____
+     ltgb8ax   TradeGothicLH-BoldExtended        A    287    tgbv____
+     ltgr8ax   TradeGothicLH-Extended            A    287    tgv_____
+     mphb8a    PhotinaMT-Bold                    A    288    phb_____
+     mphbi8a   PhotinaMT-BoldItalic              A    288    phbi____
+     mphri8a   PhotinaMT-Italic                  A    288    phi_____
+     mphr8a    PhotinaMT                         A    288    phrg____
+     mphs8a    PhotinaMT-SemiBold                A    288    phsb____
+     mphsi8a   PhotinaMT-SemiBoldItalic          A    288    phsbi___
+     mphu8a    PhotinaMT-UltraBold               A    288    phub____
+     mphui8a   PhotinaMT-UltraBoldItalic         A    288    phubi___
+     mdsrw8a   DorchesterScriptMT                A    289    dsscr___
+     mp2rw8a   PepitaMT                          A    289    epscr___
+     mbfrw8a   BiffoMT                           A    289    ifscr___
+     ms2bw8a   ScriptMT-Bold                     A    289    tbscr___
+     lenb8a    EngraversLH-BoldFace              A    290    ew______
+     l_____    SerlioLH                          A    290    oi______
+     pplc8a    Palatino-Black                    A    291    pobl____
+     pplci8a   Palatino-BlackItalic              A    291    pobli___
+     ppll8a    Palatino-Light                    A    291    pol_____
+     pplli8a   Palatino-LightItalic              A    291    poli____
+     pplm8a    Palatino-Medium                   A    291    pom_____
+     pplmi8a   Palatino-MediumItalic             A    291    pomi____
+     pocrij8a  ConcordeBE-ItalicOsF              A    292    qqiof___
+     pocri8x   ConcordeBE-ItalicExp              A    292    qqixp___
+     pocmij8a  ConcordeBE-MediumItalicOsF        A    292    qqmio___
+     pocmi8x   ConcordeBE-MediumItalicExp        A    292    qqmix___
+     pocmc8a   ConcordeBE-MediumSC               A    292    qqmsc___
+     pocm8x    ConcordeBE-MediumExp              A    292    qqmxp___
+     pocrc8x   ConcordeBE-RegularExp             A    292    qqrgx___
+     pocr8a    ConcordeBE-RegularSC              A    292    qqsc____
+     mc8b8a    CalvertMT-Bold                    A    293    vtb_____
+     mc8l8a    CalvertMT-Light                   A    293    vtl_____
+     mc8a8a    CalvertMT                         A    293    vtrg____
+     mgqr8a    GrotesqueMT                       A    294    gq______
+     mgqb8a    GrotesqueMT-Bold                  A    294    gqb_____
+     mgqc8a    GrotesqueMT-Black                 A    294    gqbl____
+     mgqri8a   GrotesqueMT-Italic                A    294    gqi_____
+     mgql8a    GrotesqueMT-Light                 A    294    gql_____
+     mgqli8a   GrotesqueMT-LightItalic           A    294    gqli____
+     pckb8a    CaslonBookBE-Bold                 A    295    qxb_____
+     pckri8a   CaslonBookBE-Italic               A    295    qxi_____
+     pckm8a    CaslonBookBE-Medium               A    295    qxm_____
+     pckr8a    CaslonBookBE-Regular              A    295    qxrg____
+     pckbj8a   CaslonBookBE-BoldOsF              A    296    qxbof___
+     pckb8x    CaslonBookBE-BoldExp              A    296    qxbxp___
+     pckrij8a  CaslonBookBE-ItalicOsF            A    296    qxiof___
+     pckri8x   CaslonBookBE-ItalicExp            A    296    qxixp___
+     pckmc8a   CaslonBookBE-MediumSC             A    296    qxmsc___
+     pckm8x    CaslonBookBE-MediumExp            A    296    qxmxp___
+     pckr8x    CaslonBookBE-RegularExp           A    296    qxrgx___
+     pckrc8a   CaslonBookBE-RegularSC            A    296    qxsc____
+     mr2b8a    CantoriaMT-Bold                   A    297    eob_____
+     mr2bi8a   CantoriaMT-BoldItalic             A    297    eobi____
+     mr2ri8a   CantoriaMT-Italic                 A    297    eoi_____
+     mr2r8a    CantoriaMT                        A    297    eorg____
+     mr2x8a    CantoriaMT-ExtraBold              A    298    eoeb____
+     mr2xi8a   CantoriaMT-ExtraBoldItalic        A    298    eoebi___
+     mr2l8a    CantoriaMT-Light                  A    298    eol_____
+     mr2li8a   CantoriaMT-LightItalic            A    298    eoli____
+     mr2s8a    CantoriaMT-SemiBold               A    298    eosb____
+     mr2si8a   CantoriaMT-SemiBoldItalic         A    298    eosbi___
+     mgqb8ax   GrotesqueMT-BoldExtended          A    299    gqbv____
+     mgqr8ac   GrotesqueMT-Condensed             A    299    gqc_____
+     mgqr8aq   GrotesqueMT-ExtraCondensed        A    299    gqec____
+     mgql8ac   GrotesqueMT-LightCondensed        A    299    gqlc____
+     ppc___    Poetica-ChanceryI                 A    300    pvch1___
+     ppc___    Poetica-ChanceryII                A    300    pvch2___
+     ppc___    Poetica-ChanceryIII               A    300    pvch3___
+     ppc___    Poetica-ChanceryIV                A    300    pvch4___
+     ppc___    Poetica-ChanceryExpert            A    300    pvchx___
+     ppc___    Poetica-RomanSmallCapsAlt         A    300    pvrsa___
+     ppc___    Poetica-RomanSmallCaps            A    300    pvrsc___
+     ppc___    Poetica-SuppAmpersands            A    301    pvam____
+     ppc___    Poetica-SuppInitialSwashCaps      A    301    pvisw___
+     ppc___    Poetica-SuppLowercaseAltI         A    301    pvla1___
+     ppc___    Poetica-SuppLowercaseAltII        A    301    pvla2___
+     ppc___    Poetica-SuppLowercaseBegI         A    301    pvlb1___
+     ppc___    Poetica-SuppLowercaseBegII        A    301    pvlb2___
+     ppc___    Poetica-SuppLowercaseEndI         A    301    pvle1___
+     ppc___    Poetica-SuppLowercaseEndII        A    301    pvle2___
+     ppc___    Poetica-SuppLigatures             A    301    pvlg____
+     ppc___    Poetica-SuppOrnaments             A    301    pvor____
+     ppc___    Poetica-SuppSwashCapsI            A    301    pvsw1___
+     ppc___    Poetica-SuppSwashCapsII           A    301    pvsw2___
+     ppc___    Poetica-SuppSwashCapsIII          A    301    pvsw3___
+     ppc___    Poetica-SuppSwashCapsIV           A    301    pvsw4___
+     msmr8x    SpectrumMT-Expert                 A    302    ekexp___
+     msmri8a   SpectrumMT-Italic                 A    302    eki_____
+     msmrij8a  SpectrumMT-ItalicOsF              A    302    ekio____
+     msmri8x   SpectrumMT-ItalicExpert           A    302    ekixp___
+     msmr8a    SpectrumMT                        A    302    ekrg____
+     msms8a    SpectrumMT-SemiBold               A    302    eksb____
+     msmsc8a   SpectrumMT-SemiBoldOsF            A    302    eksbo___
+     msms8x    SpectrumMT-SemiBoldExpert         A    302    eksbx___
+     msmrc8a   SpectrumMT-SC                     A    302    eksc____
+     p_____    AGBookRounded-Bold                A    303    kdb_____
+     p_____    AGBookRounded-BoldCn              A    303    kdbc____
+     p_____    AGBookRounded-BoldCnOutline       A    303    kdbcl___
+     p_____    AGBookRounded-BoldOutline         A    303    kdbou___
+     p_____    AGBookRounded-Medium              A    303    kdm_____
+     p_____    AGBookRounded-MediumOutline       A    303    kdmou___
+     p_____    AGBookRounded-Regular             A    303    kdrg____
+     p_____    BodoniOldFaceBE-Bold              A    304    qvb_____
+     p_____    BodoniOldFaceBE-BoldItalic        A    304    qvbi____
+     p_____    BodoniOldFaceBE-Italic            A    304    qvi_____
+     p_____    BodoniOldFaceBE-Medium            A    304    qvm_____
+     p_____    BodoniOldFaceBE-MediumItalic      A    304    qvmi____
+     p_____    BodoniOldFaceBE-Regular           A    304    qvrg____
+     mg4ri8a   GoudyModernMT-Italic              A    305    ygi_____
+     mg4r8a    GoudyModernMT                     A    305    ygrg____
+     ms1ri8a   ScotchRomanMT-Italic              A    305    ysi_____
+     ms1r8a    ScotchRomanMT                     A    305    ysrg____
+     p_____    AGSchoolbook-RegularA             A    306    okarg___
+     p_____    AGSchoolbook-Medium               A    306    okm_____
+     p_____    AGSchoolbook-MediumA              A    306    okma____
+     p_____    AGSchoolbook-Regular              A    306    okrg____
+     pbeb8a    BellGothic-Bold                   A    307    dgb_____
+     pbec8a    BellGothic-Black                  A    307    dgbl____
+     pbel8a    BellGothic-Light                  A    307    dgl_____
+     misb8a    ItalianOldStyleMT-Bold            A    308    ieb_____
+     misbi8a   ItalianOldStyleMT-BoldItalic      A    308    iebi____
+     misri8a   ItalianOldStyleMT-Italic          A    308    iei_____
+     misr8a    ItalianOldStyleMT                 A    308    ierg____
+     p_____    BellCentennial-Address            A    309    bladd___
+     p_____    BellCentennial-BoldListingAlt     A    309    blbla___
+     p_____    BellCentennial-BoldListing        A    309    blbls___
+     p_____    BellCentennial-NameAndNumber      A    309    blnan___
+     p_____    BellCentennial-SubCaption         A    309    blscp___
+     p_____    BodoniOldFaceBE-BoldItOsF         A    310    qvbio___
+     p_____    BodoniOldFaceBE-BoldItExp         A    310    qvbix___
+     p_____    BodoniOldFaceBE-BoldOsF           A    310    qvbos___
+     p_____    BodoniOldFaceBE-BoldExp           A    310    qvbxp___
+     p_____    BodoniOldFaceBE-ItalicSC          A    310    qvisc___
+     p_____    BodoniOldFaceBE-ItalicExp         A    310    qvixp___
+     p_____    BodoniOldFaceBE-MediumItOsF       A    310    qvmio___
+     p_____    BodoniOldFaceBE-MediumItExp       A    310    qvmix___
+     p_____    BodoniOldFaceBE-MediumSC          A    310    qvmsc___
+     p_____    BodoniOldFaceBE-MediumExp         A    310    qvmxp___
+     p_____    BodoniOldFaceBE-RegularExp        A    310    qvrgx___
+     p_____    BodoniOldFaceBE-RegularSC         A    310    qvrsc___
+     p_____    BerlinerGrotesk-Light             A    311    otl_____
+     p_____    BerlinerGrotesk-Medium            A    311    otm_____
+     mntb8ac   TimesNewRomanMT-BoldCond          A    312    mtbc____
+     mntr8ac   TimesNewRomanMT-Cond              A    312    mtc_____
+     mntri8ac  TimesNewRomanMT-CondItalic        A    312    mtci____
+     movr8x    OctavianMT-Expert                 A    313    ocexp___
+     movri8a   OctavianMT-Italic                 A    313    oci_____
+     movrij8a  OctavianMT-ItalicOsF              A    313    ocio____
+     movri8x   OctavianMT-ItalicExpert           A    313    ocixp___
+     movr8a    OctavianMT                        A    313    ocrg____
+     movrc8a   OctavianMT-SC                     A    313    ocsc____
+     p_____    Christiana-Bold                   A    314    hcb_____
+     p_____    Christiana-BoldItalic             A    314    hcbi____
+     p_____    Christiana-Italic                 A    314    hci_____
+     p_____    Christiana-Medium                 A    314    hcm_____
+     p_____    Christiana-MediumItalic           A    314    hcmi____
+     p_____    Christiana-Regular                A    314    hcrg____
+     p_____    Christiana-RegularExpert          A    314    hcrgx___
+     p_____    Christiana-RegularSC              A    314    hcsc____
+     pmnb6w    MinionCyr-Bold                    A    315    mkb_____
+     pmnbi6w   MinionCyr-BoldItalic              A    315    mkbi____
+     pmnri6w   MinionCyr-Italic                  A    315    mki_____
+     pmnr6w    MinionCyr-Regular                 A    315    mkrg____
+     pmns6w    MinionCyr-Semibold                A    315    mksb____
+     pmnsi6w   MinionCyr-SemiboldItalic          A    315    mksbi___
+     ptbb8ac   BodoniBE-BoldCn                   A    316    bpbc____
+     ptbbi8ac  BodoniBE-BoldCnItalic             A    316    bpbci___
+     ptbr8ac   BodoniBE-Condensed                A    316    bpc_____
+     ptbri8ac  BodoniBE-CnItalic                 A    316    bpci____
+     ptbm8ac   BodoniBE-MediumCn                 A    316    bpmc____
+     ptbmi8ac  BodoniBE-MediumCnItalic           A    316    bpmci___
+     mfsr8a    FalstaffMT                        A    317    fprg____
+     mifb8a    InflexMT-Bold                     A    317    iqb_____
+     mm8bl8a   MonotypeOldStyleMT-BoldOut        A    317    mbbou___
+     pdjb8a    Delta-Bold                        A    318    djb_____
+     pdjbi8a   Delta-BoldItalic                  A    318    djbi____
+     pdjl8a    Delta-Light                       A    318    djl_____
+     pdjli8a   Delta-LightItalic                 A    318    djli____
+     pdjm8a    Delta-Medium                      A    318    djm_____
+     pdjmi8a   Delta-MediumItalic                A    318    djmi____
+     pdjrl8a   Delta-Outline                     A    318    djou____
+     pdjk8a    Delta-Book                        A    318    djw_____
+     pdjki8a   Delta-BookItalic                  A    318    djwi____
+     mnrrw8a   NewBerolinaMT                     A    319    _n______
+     mp1rw8a   PalaceScriptMT                    A    319    _p______
+     mp1sw8a   PalaceScriptMT-SemiBold           A    319    _psb____
+     mahrw8a   AshleyScriptMT                    A    319    le______
+     mm1rw8a   MonolineScriptMT                  A    319    on______
+     pbtb8a    Boton-Bold                        A    320    tnb_____
+     pbtbi8a   Boton-BoldItalic                  A    320    tnbi____
+     pbtri8a   Boton-Italic                      A    320    tni_____
+     pbtl8a    Boton-Light                       A    320    tnl_____
+     pbtli8a   Boton-LightItalic                 A    320    tnli____
+     pbtm8a    Boton-Medium                      A    320    tnm_____
+     pbtmi8a   Boton-MediumItalic                A    320    tnmi____
+     pbtr8a    Boton-Regular                     A    320    tnr_____
+     mfer8a    ForteMT                           A    321    fz______
+     mklr8a    KlangMT                           A    321    kn______
+     mmebw8a   MercuriusMT-BoldScript            A    321    uzbs____
+     ldob8a    DidotLH-Bold                      A    322    dob_____
+     ldobj8a   DidotLH-BoldOsF                   A    322    dobos___
+     ldord8a   DidotLH-Headline                  A    322    dohe____
+     ldordj8a  DidotLH-HeadlineOsF               A    322    dohes___
+     ldori8a   DidotLH-Italic                    A    322    doi_____
+     ldor7a    DidotLH-Initials                  A    322    doini___
+     ldorij8a  DidotLH-ItalicOsF                 A    322    doios___
+     ldorp1    DidotLH-OrnamentsOne              A    322    door1___
+     ldorp2    DidotLH-OrnamentsTwo              A    322    door2___
+     ldor8a    DidotLH-Roman                     A    322    dor_____
+     ldorj8a   DidotLH-RomanOsF                  A    322    doros___
+     ldorc8a   DidotLH-RomanSC                   A    322    dorsc___
+     pfab8ac   Formata-BoldCondensed             A    323    fmbc____
+     pfabi8ac  Formata-BoldCondensedItalic       A    323    fmbci___
+     pfar8ac   Formata-Condensed                 A    323    fmc_____
+     pfari8ac  Formata-CondensedItalic           A    323    fmci____
+     pfarl8ac  Formata-CondensedOutline          A    323    fmcou___
+     pfal8ac   Formata-LightCondensed            A    323    fmlc____
+     pfali8ac  Formata-LightCondensedItalic      A    323    fmlci___
+     pfam8ac   Formata-MediumCondensed           A    323    fmmc____
+     pfami8ac  Formata-MediumCondensedItalic     A    323    fmmci___
+     pebb8a    BaskervilleBE-Bold                A    324    vib_____
+     pebri8a   BaskervilleBE-Italic              A    324    vii_____
+     pebm8a    BaskervilleBE-Medium              A    324    vim_____
+     pebmi8a   BaskervilleBE-MediumItalic        A    324    vimi____
+     pebr8a    BaskervilleBE-Regular             A    324    virg____
+     pb6r8ac   BlockBE-Condensed                 A    325    lkc_____
+     pb6r8aq   BlockBE-ExtraCn                   A    325    lkec____
+     pb6ri8aq  BlockBE-ExtraCnIt                 A    325    lkeci___
+     pb6h8a    BlockBE-Heavy                     A    325    lkh_____
+     pb6ri8a   BlockBE-Italic                    A    325    lki_____
+     pb6r8a    BlockBE-Regular                   A    325    lkrg____
+     pllb8a    LinoLetter-Bold                   A    326    llb_____
+     pllbi8a   LinoLetter-BoldItalic             A    326    llbi____
+     pllc8a    LinoLetter-Black                  A    326    llbl____
+     pllci8a   LinoLetter-BlackItalic            A    326    llbli___
+     pllri8a   LinoLetter-Italic                 A    326    lli_____
+     pllm8a    LinoLetter-Medium                 A    326    llm_____
+     pllmi8a   LinoLetter-MediumItalic           A    326    llmi____
+     pllr8a    LinoLetter-Roman                  A    326    llr_____
+     p_____    ComeniusAntiqua-Bold              A    327    hzb_____
+     p_____    ComeniusAntiqua-Italic            A    327    hzi_____
+     p_____    ComeniusAntiqua-Medium            A    327    hzm_____
+     p_____    ComeniusAntiqua-Regular           A    327    hzrg____
+     ppub8a    PopplLaudatio-Bold                A    328    pyb_____
+     ppubi8a   PopplLaudatio-BoldItalic          A    328    pybi____
+     ppuri8a   PopplLaudatio-Italic              A    328    pyi_____
+     ppul8a    PopplLaudatio-Light               A    328    pyl_____
+     ppuli8a   PopplLaudatio-LightItalic         A    328    pyli____
+     ppum8a    PopplLaudatio-Medium              A    328    pym_____
+     ppumi8a   PopplLaudatio-MediumItalic        A    328    pymi____
+     ppur8a    PopplLaudatio-Regular             A    328    pyrg____
+     ppub8ac   PopplLaudatio-BoldCondensed       A    329    pybc____
+     ppur8ac   PopplLaudatio-Condensed           A    329    pyc_____
+     ppul8ac   PopplLaudatio-LightCondensed      A    329    pylc____
+     ppum8ac   PopplLaudatio-MediumCondensed     A    329    pymc____
+     pocb8ac   ConcordeBE-BoldCn                 A    330    qqbc____
+     pocbl8ac  ConcordeBE-BoldCnOutline          A    330    qqbcl___
+     pocr8ac   ConcordeBE-Condensed              A    330    qqc_____
+     pocm8ac   ConcordeBE-MediumCn               A    330    qqmc____
+     p_____    GaramondBE-BoldOsF                A    331    gwbof___
+     p_____    GaramondBE-BoldExpert             A    331    gwbxp___
+     p_____    GaramondBE-CondensedSC            A    331    gwcsc___
+     p_____    GaramondBE-CnExpert               A    331    gwcxp___
+     p_____    GaramondBE-ItalicOsF              A    331    gwiof___
+     p_____    GaramondBE-ItalicExpert           A    331    gwixp___
+     p_____    GaramondBE-MediumCnOsF            A    331    gwmcf___
+     p_____    GaramondBE-MediumCnExpert         A    331    gwmcx___
+     p_____    GaramondBE-MediumItalicOsF        A    331    gwmio___
+     p_____    GaramondBE-MediumItalicExpert     A    331    gwmix___
+     p_____    GaramondBE-MediumSC               A    331    gwmsc___
+     p_____    GaramondBE-MediumExpert           A    331    gwmxp___
+     p_____    GaramondBE-RegularExpert          A    331    gwrgx___
+     p_____    GaramondBE-RegularSC              A    331    gwsc____
+     p_____    GaramondBE-SwashItalic            A    331    gwswi___
+     pdnb8a    DailyNews-Bold                    A    332    jdb_____
+     pdnbi8a   DailyNews-BoldItalic              A    332    jdbi____
+     pdnx8a    DailyNews-ExtraBold               A    332    jdeb____
+     pdnxi8a   DailyNews-ExtraBoldItalic         A    332    jdebi___
+     pdnri8a   DailyNews-Italic                  A    332    jdi_____
+     pdnm8a    DailyNews-Medium                  A    332    jdm_____
+     pdnmi8a   DailyNews-MediumItalic            A    332    jdmi____
+     pdnr8a    DailyNews-Regular                 A    332    jdrg____
+     murbij8a  CentaurMT-BoldItalicOsF           A    333    nrbio___
+     murbi8x   CentaurMT-BoldItalicExpert        A    333    nrbix___
+     murbj8a   CentaurMT-BoldOsF                 A    333    nrbof___
+     murb8x    CentaurMT-BoldExpert              A    333    nrbxp___
+     murr8x    CentaurMT-Expert                  A    333    nrexp___
+     murri7a   CentaurMT-ItalicAlternate         A    333    nrial___
+     murrij8a  CentaurMT-ItalicOsF               A    333    nrio____
+     murri8x   CentaurMT-ItalicExpert            A    333    nrixp___
+     murrc8a   CentaurMT-SC                      A    333    nrsc____
+     murriw8a  CentaurMT-SwashCapitals           A    333    nrswc___
+     mmob8a    ModernMT-Bold                     A    334    nmb_____
+     mmobi8a   ModernMT-BoldItalic               A    334    nmbi____
+     mmor8ac   ModernMT-Condensed                A    334    nmc_____
+     mmori8ac  ModernMT-CondensedItalic          A    334    nmci____
+     mmor8ax   ModernMT-Extended                 A    334    nmex____
+     mmori8ax  ModernMT-ExtendedItalic           A    334    nmexi___
+     mmor8aw   ModernMT-Wide                     A    334    nmwd____
+     mmori8aw  ModernMT-WideItalic               A    334    nmwdi___
+     p_____    ElseNPL-Bold                      A    335    enb_____
+     p_____    ElseNPL-Light                     A    335    enl_____
+     p_____    ElseNPL-Medium                    A    335    enm_____
+     p_____    ElseNPL-SemiBold                  A    335    ens_____
+     p_____    Tiepolo-Bold                      A    336    tpb_____
+     p_____    Tiepolo-BoldItalic                A    336    tpbi____
+     p_____    Tiepolo-Black                     A    336    tpbl____
+     p_____    Tiepolo-BlackItalic               A    336    tpbli___
+     p_____    Tiepolo-Book                      A    336    tpw_____
+     p_____    Tiepolo-BookItalic                A    336    tpwi____
+     pfaric8ac Formata-CnItalicSC                A    337    fmcis___
+     pfari8xc  Formata-CnItalicExpert            A    337    fmcix___
+     pfarc8ac  Formata-CondensedSC               A    337    fmcsc___
+     pfar8xc   Formata-CondensedExpert           A    337    fmcxp___
+     pfaric8a  Formata-ItalicSC                  A    337    fmisc___
+     pfari8x   Formata-ItalicExpert              A    337    fmixp___
+     pfalc8ac  Formata-LightCnSC                 A    337    fmlcs___
+     pfalic8ac Formata-LightCnItalicSC           A    337    fmlct___
+     pfal8xc   Formata-LightCnExpert             A    337    fmlcx___
+     pfali8xc  Formata-LightCnItalicExpert       A    337    fmlcy___
+     pfalic8a  Formata-LightItalicSC             A    337    fmlis___
+     pfali8x   Formata-LightItalicExpert         A    337    fmlix___
+     pfalc8a   Formata-LightSC                   A    337    fmlsc___
+     pfal8x    Formata-LightExpert               A    337    fmlxp___
+     pfar8x    Formata-RegularExpert             A    337    fmrgx___
+     pfarc8a   Formata-RegularSC                 A    337    fmsc____
+     pnfbij8a  Nofret-BoldItalicOsF              A    338    nfbio___
+     pnfbi8x   Nofret-BoldItalicExpert           A    338    nfbix___
+     pnfbj8a   Nofret-BoldOsF                    A    338    nfbof___
+     pnfb8x    Nofret-BoldExpert                 A    338    nfbxp___
+     pnfrij8a  Nofret-ItalicOsF                  A    338    nfiof___
+     pnfri8x   Nofret-ItalicExpert               A    338    nfixp___
+     pnflij8a  Nofret-LightItalicOsF             A    338    nflio___
+     pnfli8x   Nofret-LightItalicExpert          A    338    nflix___
+     pnflc8a   Nofret-LightSC                    A    338    nflsc___
+     pnfl8x    Nofret-LightExpert                A    338    nflxp___
+     pnfmij8a  Nofret-MediumItalicOsF            A    338    nfmio___
+     pnfmi8x   Nofret-MediumItalicExpert         A    338    nfmix___
+     pnfmc8a   Nofret-MediumSC                   A    338    nfmsc___
+     pnfm8x    Nofret-MediumExpert               A    338    nfmxp___
+     pnfr8x    Nofret-RegularExpert              A    338    nfrgx___
+     pnfrc8a   Nofret-RegularSC                  A    338    nfsc____
+     p_____    Amigo                             A    339    ig______
+     p_____    Pelican                           A    339    lq______
+     pmgr8a    Marigold                          A    339    my______
+     pofr8a    Oxford                            A    339    of______
+     pvgr8a    Visigoth                          A    339    vg______
+     mapr8x    ApolloMT-Expert                   A    340    ezexp___
+     mapri8a   ApolloMT-Italic                   A    340    ezi_____
+     maprij8a  ApolloMT-ItalicOsF                A    340    eziof___
+     mapri8x   ApolloMT-ItalicExpert             A    340    ezixp___
+     mapr8a    ApolloMT                          A    340    ezr_____
+     maprc8a   ApolloMT-SC                       A    340    ezrsc___
+     maps8a    ApolloMT-SemiBold                 A    340    ezsb____
+     mapsj8a   ApolloMT-SemiBoldOsF              A    340    ezsbo___
+     maps8x    ApolloMT-SemiBoldExpert           A    340    ezsbx___
+     p_____    Catull-Bold                       A    341    qlb_____
+     p_____    Catull-Italic                     A    341    qli_____
+     p_____    Catull-Medium                     A    341    qlm_____
+     p_____    Catull-Regular                    A    341    qlrg____
+     pagMMo8a  ITCAvantGardeMM-Oblique           A    342    zfi_____
+     pagMM8a   ITCAvantGardeMM                   A    342    zfrg____
+     mhob8a    HorleyOldStyleMT-Bold             A    343    hsb_____
+     mhobi8a   HorleyOldStyleMT-BoldItalic       A    343    hsbi____
+     mhori8a   HorleyOldStyleMT-Italic           A    343    hsi_____
+     mhol8a    HorleyOldStyleMT-Light            A    343    hsl_____
+     mholi8a   HorleyOldStyleMT-LightItalic      A    343    hsli____
+     mhor8a    HorleyOldStyleMT                  A    343    hsrg____
+     mhos8a    HorleyOldStyleMT-SemiBold         A    343    hssb____
+     mhosi8a   HorleyOldStyleMT-SbItalic         A    343    hssbi___
+     p_____    Cremona-Bold                      A    344    _cb_____
+     p_____    Cremona-BoldItalic                A    344    _cbi____
+     p_____    Cremona-Italic                    A    344    _ci_____
+     p_____    Cremona-Regular                   A    344    _crg____
+     pgsb8aq   GillSans-BoldExtraCondensed       A    345    gnbxc___
+     pgslh8a   GillSans-LightShadowed            A    345    gnls____
+     pgsrh8a   GillSans-Shadowed                 A    345    gns_____
+     pgsxd8a   GillSans-ExtraBoldDisplay         A    345    gnxbd___
+     p_____    LoType-Bold                       A    346    ljb_____
+     p_____    LoType-Light                      A    346    ljl_____
+     p_____    LoType-Medium                     A    346    ljm_____
+     p_____    LoType-MediumCondensed            A    346    ljmc____
+     p_____    LoType-MediumItalic               A    346    ljmi____
+     p_____    LoType-Regular                    A    346    ljrg____
+     mknr8a    KinoMT                            A    347    qi______
+     mwrrf8a   WittenbergerFrakturMT             A    347    wf______
+     mwrbf8a   WittenbergerFrakturMT-Bd          A    347    wfb_____
+     mwdbf7c   WittenbergerFrakturMT-BdDfr       A    347    wfbdf___
+     mwdrf7c   WittenbergerFrakturMT-Dfr         A    347    wfdfr___
+     mm7r8a    MaturaMT                          A    347    zz______
+     mm7rw8a   MaturaMT-ScriptCapitals           A    347    zzscc___
+     pllbij8a  LinoLetter-BoldItalicOsF          A    348    llbio___
+     pllbk8a   LinoLetter-BoldOsF                A    348    llbof___
+     pllbc8a   LinoLetter-BoldSC                 A    348    llbsc___
+     pllrij8a  LinoLetter-ItalicOsF              A    348    lliof___
+     pllmij8a  LinoLetter-MediumItalicOsF        A    348    llmio___
+     pllmj8a   LinoLetter-MediumOsF              A    348    llmof___
+     pllmc8a   LinoLetter-MediumSC               A    348    llmsc___
+     pllrj8a   LinoLetter-RomanOsF               A    348    llros___
+     pllrc8a   LinoLetter-RomanSC                A    348    llrsc___
+     pllcij8a  LinoLetter-BlackItalicOsF         A    348    llzio___
+     pllcj8a   LinoLetter-BlackOsF               A    348    llzof___
+     pllcc8a   LinoLetter-BlackSC                A    348    llzsc___
+     pbbbij8a  Bembo-BoldItalicOsF               A    349    bmbio___
+     pbbbi8x   Bembo-BoldItalicExpert            A    349    bmbix___
+     pbbbj8a   Bembo-BoldOsF                     A    349    bmbos___
+     pbbb8x    Bembo-BoldExpert                  A    349    bmbxp___
+     pbbxj8a   Bembo-ExtraBoldOsF                A    349    bmebs___
+     pbbx8x    Bembo-ExtraBoldExpert             A    349    bmebx___
+     pbbxij8a  Bembo-ExtraBoldItalicOsF          A    349    bmeis___
+     pbbxi8x   Bembo-ExtraBoldItalicExpert       A    349    bmeix___
+     pbbr8x    Bembo-Expert                      A    349    bmexp___
+     pbbrij8a  Bembo-ItalicOsF                   A    349    bmios___
+     pbbri8x   Bembo-ItalicExpert                A    349    bmixp___
+     pbbrc8a   Bembo-SC                          A    349    bmrsc___
+     pbbsj8a   Bembo-SemiboldOsF                 A    349    bmsbo___
+     pbbs8x    Bembo-SemiboldExpert              A    349    bmsbx___
+     pbbsij8a  Bembo-SemiboldItalicOsF           A    349    bmsis___
+     pbbsi8x   Bembo-SemiboldItalicExpert        A    349    bmsix___
+     ptkMMo8a  TektonMM-Oblique                  A    350    zji_____
+     ptkMM8a   TektonMM                          A    350    zjrg____
+     pvvMM8a   VivaMM                            A    351    zkrg____
+     pb7b8a    BernhardModern-Bold               A    352    rdb_____
+     pb7bi8a   BernhardModern-BoldItalic         A    352    rdbi____
+     pb7ri8a   BernhardModern-Italic             A    352    rdi_____
+     pb7r8a    BernhardModern-Roman              A    352    rdr_____
+     p_____    Ariadne-Roman                     A    353    aria____
+     pdiri8a   Diotima-Italic                    A    353    dti_____
+     pdirij8a  Diotima-ItalicOsF                 A    353    dtiof___
+     pdir8a    Diotima-Roman                     A    353    dtr_____
+     pdirj8a   Diotima-RomanOsF                  A    353    dtros___
+     pdirc8a   Diotima-RomanSC                   A    353    dtrsc___
+     p_____    Smaragd                           A    353    smar____
+     p_____    Smaragd-Alternate                 A    353    smara___
+     pttb6w    TimesTenCyr-Bold                  A    354    ttyb____
+     pttbo6w   TimesTenCyr-BoldInclined          A    354    ttybi___
+     pttro6w   TimesTenCyr-Inclined              A    354    ttyi____
+     pttr6w    TimesTenCyr-Upright               A    354    ttyu____
+     panr8a    Anna                              A    355    iarg____
+     p_____    Beesknees                         A    355    ikh_____
+     p_____    MonaLisa-Recut                    A    355    iyin____
+     p_____    MonaLisa-Solid                    A    355    iysd____
+     p_____    Ozwald                            A    355    ozh_____
+     po8b8a    OfficinaSerif-Bold                A    356    ovb_____
+     po8bi8a   OfficinaSerif-BoldItalic          A    356    ovbi____
+     po8k8a    OfficinaSerif-Book                A    356    ovbk____
+     po8ki8a   OfficinaSerif-BookItalic          A    356    ovwi____
+     po9b8a    OfficinaSans-Bold                 A    357    owb_____
+     po9bi8a   OfficinaSans-BoldItalic           A    357    owbi____
+     po9k8a    OfficinaSans-Book                 A    357    owbk____
+     po9ki8a   OfficinaSans-BookItalic           A    357    owwi____
+     p_____    SanvitoMM                         A    358    zhrg____
+     p_____    CaflischScriptMM-Alt              A    359    zea_____
+     p_____    CaflischScriptMM                  A    359    zerg____
+     p_____    CaflischScriptMM-Sw               A    359    zesw____
+     p_____    GraphiteMM                        A    360    _grg____
+     phir6w    HelveticaInseratCyr-Upright       A    361    hiyu____
+     phvb6w    HelveticaCyr-Bold                 A    361    hvyb____
+     phvbo6w   HelveticaCyr-BoldInclined         A    361    hvybi___
+     phvro6w   HelveticaCyr-Inclined             A    361    hvyi____
+     phvr6w    HelveticaCyr-Upright              A    361    hvyu____
+     plebs8a   LegacySans-Bold                   A    362    lvb_____
+     plebis8a  LegacySans-BoldItalic             A    362    lvbi____
+     plems8a   LegacySans-Medium                 A    362    lvm_____
+     plemis8a  LegacySans-MediumItalic           A    362    lvmi____
+     pleus8a   LegacySans-Ultra                  A    362    lvu_____
+     pleks8a   LegacySans-Book                   A    362    lvw_____
+     plekis8a  LegacySans-BookItalic             A    362    lvwi____
+     pleb8a    LegacySerif-Bold                  A    363    lzb_____
+     plebi8a   LegacySerif-BoldItalic            A    363    lzbi____
+     plem8a    LegacySerif-Medium                A    363    lzm_____
+     plemi8a   LegacySerif-MediumItalic          A    363    lzmi____
+     pleu8a    LegacySerif-Ultra                 A    363    lzu_____
+     plek8a    LegacySerif-Book                  A    363    lzw_____
+     pleki8a   LegacySerif-BookItalic            A    363    lzwi____
+     pexr6w    ExcelsiorCyr-Upright              A    364    exy_____
+     pexb6w    ExcelsiorCyr-Bold                 A    364    exyb____
+     pexro6w   ExcelsiorCyr-Inclined             A    364    exyi____
+     pbvr6w    BaskervilleCyr-Upright            A    365    _by_____
+     pbvb6w    BaskervilleCyr-Bold               A    365    _byb____
+     pbvbo6w   BaskervilleCyr-Inclined           A    365    _byi____
+     p_____    Pepperwood-Fill                   A    366    uwfi____
+     p_____    Pepperwood-Outline                A    366    uwou____
+     p_____    Pepperwood-Regular                A    366    uwrg____
+     p_____    Rosewood-Fill                     A    366    uxfi____
+     p_____    Rosewood-Regular                  A    366    uxrg____
+     p_____    Zebrawood-Fill                    A    366    uyfi____
+     p_____    Zebrawood-Regular                 A    366    uyrg____
+     p_____    MendozaRoman-Bold                 A    367    zab_____
+     p_____    MendozaRoman-BoldItalic           A    367    zabi____
+     p_____    MendozaRoman-Medium               A    367    zam_____
+     p_____    MendozaRoman-MediumItalic         A    367    zami____
+     p_____    MendozaRoman-Book                 A    367    zaw_____
+     p_____    MendozaRoman-BookItalic           A    367    zawi____
+     phhb8a    Highlander-Bold                   A    368    hhb_____
+     phhbi8a   Highlander-BoldItalic             A    368    hhbi____
+     phhk8a    Highlander-Book                   A    368    hhbk____
+     phhm8a    Highlander-Medium                 A    368    hhm_____
+     phhmi8a   Highlander-MediumItalic           A    368    hhmi____
+     phhki8a   Highlander-BookItalic             A    368    hhwi____
+     pbgb8a    Benguiat-Bold                     A    369    bgb_____
+     pbgbi8a   Benguiat-BoldItalic               A    369    bgbi____
+     pbgm8a    Benguiat-Medium                   A    369    bgm_____
+     pbgmi8a   Benguiat-MediumItalic             A    369    bgmi____
+     pbgk8a    Benguiat-Book                     A    369    bgw_____
+     pbgki8a   Benguiat-BookItalic               A    369    bgwi____
+     p_____    MezzMM                            A    370    zmrg____
+     lrzb8a    RuzickaFreehandLH-Bold            A    371    rzb_____
+     lrzbc8a   RuzickaFreehandLH-BoldSC          A    371    rzbsc___
+     lrzr8a    RuzickaFreehandLH-Roman           A    371    rzr_____
+     lrzrc8a   RuzickaFreehandLH-RomanSC         A    371    rzrsc___
+     pnorf7c   NotreDame-RomanDfr                A    372    nhdfr___
+     pnorp     NotreDame-Ornaments               A    372    nhorn___
+     pnorf8a   NotreDame-Roman                   A    372    nhr_____
+     ppjrp     Pompeijana-Borders                A    372    qbbor___
+     ppjr8a    Pompeijana-Roman                  A    372    qbr_____
+     prxrp     Rusticana-Borders                 A    372    rxbor___
+     prxr8a    Rusticana-Roman                   A    372    rxr_____
+     lpi005    CaravanLH-One                     A    373    cara1___
+     lpi006    CaravanLH-Two                     A    373    cara2___
+     lpi007    CaravanLH-Three                   A    373    cara3___
+     lpi008    CaravanLH-Four                    A    373    cara4___
+     leab8a    ElectraLH-Bold                    A    373    etb_____
+     leabi8a   ElectraLH-BoldCursive             A    373    etbi____
+     leari8a   ElectraLH-Cursive                 A    373    eti_____
+     lear8a    ElectraLH-Regular                 A    373    etr_____
+     leabij8a  ElectraLH-BoldCursiveOsF          A    374    etbio___
+     leabj8a   ElectraLH-BoldOsF                 A    374    etbos___
+     leabc8a   ElectraLH-BoldSC                  A    374    etbsc___
+     leabd8a   ElectraLH-BoldDisplay             A    374    etdb____
+     leabid8a  ElectraLH-BoldCursiveDisplay      A    374    etdbi___
+     learid8a  ElectraLH-CursiveDisplay          A    374    etdi____
+     leard8a   ElectraLH-Display                 A    374    etdr____
+     learij8a  ElectraLH-CursiveOsF              A    374    etios___
+     learj8a   ElectraLH-RegularOsF              A    374    etros___
+     learc8a   ElectraLH-RegularSC               A    374    etrsc___
+     p_____    RulingScript-Two                  A    375    rul2____
+     p_____    Sho-Roman                         A    375    sho_____
+     p_____    WiesbadenSwing-Roman              A    375    wn______
+     p_____    MotterCorpusMM                    A    376    kprg____
+     p_____    PenumbraMM                        A    377    zlrg____
+     p_____    NuevaMM-It                        A    378    twi_____
+     p_____    NuevaMM                           A    378    twr_____
+     pctbif8a  Cheltenham-HandtooledBdIt         A    379    chiin___
+     pctbf8a   Cheltenham-HandtooledBold         A    379    chin____
+     pgmbif8a  Garamond-HandtooledBoldItalic     A    379    gaiin___
+     pgmbf8a   Garamond-HandtooledBold           A    379    gain____
+     pcnbif8a  Century-HandtooledBoldItalic      A    379    iciin___
+     pcnbf8a   Century-HandtooledBold            A    379    icin____
+     pgmMM8a   ITCGaramondMM                     A    380    gc______
+     pgmMMi8a  ITCGaramondMM-It                  A    380    gci_____
+     p_____    Cerigo-Bold                       A    381    qcb_____
+     p_____    Cerigo-BoldItalic                 A    381    qcbi____
+     p_____    Cerigo-Medium                     A    381    qcm_____
+     p_____    Cerigo-MediumItalic               A    381    qcmi____
+     p_____    Cerigo-Book                       A    381    qcw_____
+     p_____    Cerigo-BookItalic                 A    381    qcwi____
+     phab8a    Hadriano-Bold                     A    382    hab_____
+     phax8a    Hadriano-ExtraBold                A    382    haeb____
+     phax8ac   Hadriano-ExtraBoldCondensed       A    382    haebc___
+     phal8a    Hadriano-Light                    A    382    hal_____
+     prcb8a    Romic-Bold                        A    383    rob_____
+     prcx8a    Romic-ExtraBold                   A    383    roeb____
+     prcl8a    Romic-Light                       A    383    rol_____
+     prcli8a   Romic-LightItalic                 A    383    roli____
+     prcm8a    Romic-Medium                      A    383    rom_____
+     p_____    Copal-Decorated                   A    384    _ddc____
+     p_____    Copal-Outline                     A    384    _dou____
+     p_____    Copal-Solid                       A    384    _dsd____
+     pxpMM7a   ExPontoMM-Alternate               A    385    jvalt___
+     pxpMM7ab  ExPontoMM-Beginning               A    385    jvbeg___
+     pxpMM7ae  ExPontoMM-Ending                  A    385    jvend___
+     pxpMM8a   ExPontoMM                         A    385    jvrg____
+     pxpMMj8a  ExPontoMM-OsF                     A    385    jvros___
+     pysb8a    GoudySans-Bold                    A    386    hgb_____
+     pysbi8a   GoudySans-BoldItalic              A    386    hgbi____
+     pysk8a    GoudySans-Book                    A    386    hgbk____
+     pyski8a   GoudySans-BookItalic              A    386    hgbki___
+     pysc8a    GoudySans-Black                   A    386    hgbl____
+     pysci8a   GoudySans-BlackItalic             A    386    hgbli___
+     pysm8a    GoudySans-Medium                  A    386    hgm_____
+     pysmi8a   GoudySans-MediumItalic            A    386    hgmi____
+     p_____    Delphin-I                         A    387    df1_____
+     p_____    Delphin-IA                        A    387    df1a____
+     p_____    Delphin-II                        A    387    df2_____
+     p_____    Delphin-IIA                       A    387    df2a____
+     pc7b8a    Kompakt                           A    387    kq______
+     p_____    KochAntiqua                       A    387    kv______
+     pnlb8a    Neuland                           A    387    nq______
+     p_____    Caliban                           A    388    ni______
+     paxrw8a   Alexa                             A    388    xa______
+     pbzrw8a   Balzano                           A    388    zn______
+     p_____    JimboMM                           A    389    jprg____
+     pb7b8ac   Bernhard-BoldCondensed            A    390    dhbc____
+     pnw1r8a   NeueHammerUnziale-One             A    390    nw1_____
+     pnw1r7a   NeueHammerUnziale-OneAlt          A    390    nw1al___
+     pnw2r8a   NeueHammerUnziale-Two             A    390    nw2_____
+     pnw2r7a   NeueHammerUnziale-TwoAlt          A    390    nw2al___
+     pclrl8a   Cloister-OpenFace                 A    390    oein____
+     poir8a    Ondine                            A    390    og______
+     pghr7a    Galahad-Alternate                 A    391    g_alt___
+     pghr8a    Galahad-Regular                   A    391    g_rg____
+     pghrj8a   Galahad-OsF                       A    391    g_ros___
+     popc8a    Optima-Black                      A    392    opbl____
+     popci8a   Optima-BlackItalic                A    392    opbli___
+     popd8a    Optima-DemiBold                   A    392    opd_____
+     popdi8a   Optima-DemiBoldItalic             A    392    opdi____
+     popx8a    Optima-ExtraBlack                 A    392    opf_____
+     popm8a    Optima-Medium                     A    392    opm_____
+     popmi8a   Optima-MediumItalic               A    392    opmi____
+     popxi8a   Optima-ExtraBlackItalic           A    392    opxfi___
+     p_____    Aja                               A    393    ja______
+     p_____    PopplExquisit-Medium              A    393    xqm_____
+     p_____    PopplExquisit-Regular             A    393    xqrg____
+     ppi033    NationalCodes-Africa              A    394    ncaf____
+     ppi034    NationalCodes-America             A    394    ncam____
+     ppi035    NationalCodes-AsiaPlus            A    394    ncas____
+     ppi036    NationalCodes-Europe              A    394    nceu____
+     ppi037    NationalCodes-Universal           A    394    ncun____
+     p_____    ElGreco                           A    395    eq______
+     pakm8a    Arkona-Medium                     A    395    xnm_____
+     pakr8a    Arkona-Regular                    A    395    xnrg____
+     pfgd8ap   FranklinGothic-DemiCmpr           A    396    frdcp___
+     pfgdi8ap  FranklinGothic-DemiCmprItal       A    396    frdpi___
+     pfgd8aq   FranklinGothic-DemiXCmpr          A    396    frdx____
+     pfgk8ap   FranklinGothic-BookCmpr           A    396    frwcp___
+     pfgki8ap  FranklinGothic-BookCmprItal       A    396    frwpi___
+     pfgk8aq   FranklinGothic-BookXCmpr          A    396    frwx____
+     pfgd8ac   FranklinGothic-DemiCnd            A    397    frdc____
+     pfgdi8ac  FranklinGothic-DemiCndItal        A    397    frdci___
+     pfgm8ac   FranklinGothic-MedCnd             A    397    frmc____
+     pfgmi8ac  FranklinGothic-MedCndItal         A    397    frmci___
+     pfgk8ac   FranklinGothic-BookCnd            A    397    frwc____
+     pfgki8ac  FranklinGothic-BookCndItal        A    397    frwci___
+     p_____    Sassafras-Italic                  A    398    xfi_____
+     p_____    Sassafras-LxItalic                A    398    xflgi___
+     p_____    Sassafras-Lx                      A    398    xflgr___
+     p_____    Sassafras-Roman                   A    398    xfr_____
+     p_____    Sassafras-SxItalic                A    398    xfshi___
+     p_____    Sassafras-Sx                      A    398    xfshr___
+     pkxrd8a   Kigali-Block                      A    399    kxblk___
+     pkxrw8a   Kigali-ZigZag                     A    399    kxdc____
+     pkxri8a   Kigali-Italic                     A    399    kxi_____
+     pkxli8a   Kigali-LxItalic                   A    399    kxlgi___
+     pkxl8a    Kigali-Lx                         A    399    kxlgr___
+     pkxr8a    Kigali-Roman                      A    399    kxr_____
+     pkxsi8a   Kigali-SxItalic                   A    399    kxshi___
+     pkxs8a    Kigali-Sx                         A    399    kxshr___
+     pajMMi8a  AJensonMM-It                      A    400    jei_____
+     pajMM8a   AJensonMM                         A    400    jer_____
+     pajMM7a   AJensonMM-Alt                     A    401    jealt___
+     pajMM8x   AJensonMM-Ep                      A    401    jeexp___
+     pajMMi7a  AJensonMM-ItAlt                   A    401    jeial___
+     pajMMic8a AJensonMM-ItSC                    A    401    jeisc___
+     pajMMi8x  AJensonMM-ItEp                    A    401    jeixp___
+     pajMMc8a  AJensonMM-SC                      A    401    jersc___
+     pajMMiw8a AJensonMM-Sw                      A    401    jeswc___
+     mbmb8a    BulmerMT-Bold                     A    402    ybb_____
+     mbmbi8a   BulmerMT-BoldItalic               A    402    ybbi____
+     mbmbd8a   BulmerMT-BoldDisplay              A    402    ybdb____
+     mbmbid8a  BulmerMT-BoldItalicDisplay        A    402    ybdbi___
+     mbmrd8a   BulmerMT-RegularDisplay           A    402    ybds____
+     mbmrid8a  BulmerMT-ItalicDisplay            A    402    ybdsi___
+     mbmri8a   BulmerMT-Italic                   A    402    ybi_____
+     mbmr8a    BulmerMT-Regular                  A    402    ybrg____
+     mbms8a    BulmerMT-SemiBold                 A    402    ybsb____
+     mbmsi8a   BulmerMT-SemiBoldItalic           A    402    ybsi____
+     mbmb7a    BulmerMT-BoldAlt                  A    403    ybab____
+     mbmbi7a   BulmerMT-BoldItalicAlt            A    403    ybabi___
+     mbmr7a    BulmerMT-RegularAlt               A    403    ybarg___
+     mbms7a    BulmerMT-SemiBoldAlt              A    403    ybasb___
+     mbmsi7a   BulmerMT-SemiBoldItalicAlt        A    403    ybasi___
+     mbmbd7a   BulmerMT-BoldDisplayAlt           A    403    ybbda___
+     mbmbid7a  BulmerMT-BoldItalDisplayAlt       A    403    ybbid___
+     mbmbi8x   BulmerMT-BoldItalicExpert         A    403    ybbix___
+     mbmb8x    BulmerMT-BoldExpert               A    403    ybbxp___
+     mbmri7a   BulmerMT-ItalicAlt                A    403    ybial___
+     mbmrid7a  BulmerMT-ItalicDisplayAlt         A    403    ybida___
+     mbmri8x   BulmerMT-ItalicExpert             A    403    ybixp___
+     mbmrd7a   BulmerMT-RegularDisplayAlt        A    403    ybrda___
+     mbmr8x    BulmerMT-RegularExpert            A    403    ybrgx___
+     mbmrc8a   BulmerMT-RegularSC                A    403    ybrsc___
+     mbmsc8a   BulmerMT-SemiBoldSC               A    403    ybsbs___
+     mbms8x    BulmerMT-SemiBoldExpert           A    403    ybsbx___
+     mbmsi8x   BulmerMT-SemiBoldItalExpert       A    403    ybsix___
+     pizr8a    Isabella                          A    404    iz______
+     prrr8a    Raphael                           A    404    rr______
+     pxcr8a    Eccentric                         A    404    xc______
+     p_____    OceanSansMM-It                    A    405    ohi_____
+     p_____    OceanSansMM                       A    405    ohr_____
+     plcrt8a   LucidaTypewriter                  A    406    tl______
+     plcbt8a   LucidaTypewriter-Bold             A    406    tlb_____
+     plcbot8a  LucidaTypewriter-BoldObl          A    406    tlbo____
+     plcrot8a  LucidaTypewriter-Obl              A    406    tlo_____
+     plsrt8a   LucidaSansTypewriter              A    407    ty______
+     plsbt8a   LucidaSansTypewriter-Bd           A    407    tyb_____
+     plsbot8a  LucidaSansTypewriter-BdObl        A    407    tybo____
+     plsrot8a  LucidaSansTypewriter-Obl          A    407    tyo_____
+     p_____    BriemScriptMM-Ep                  A    408    iiexp___
+     p_____    BriemScriptMM                     A    408    iirc____
+     p_____    BriemScriptMM-SC                  A    408    iisc____
+     pkpMM8a   KeplMM                            A    409    k_______
+     pkpMMi8a  KeplMM-It                         A    409    k_i_____
+     pkpMM8x   KeplMM-Ep                         A    410    k_exp___
+     pkpMMic8a KeplMM-ItSC                       A    410    k_isc___
+     pkpMMi8x  KeplMM-ItEp                       A    410    k_ixp___
+     pkpMMp1   KeplMM-Or1                        A    410    k_or1___
+     pkpMMp2   KeplMM-Or2                        A    410    k_or2___
+     pkpMMp3   KeplMM-Or3                        A    410    k_or3___
+     pkpMMc8a  KeplMM-SC                         A    410    k_rsc___
+     pkpMMiw8a KeplMM-Sw                         A    410    k_sw____
+     pmjr8a    Mojo                              A    411    fbrg____
+     p_____    Shuriken-Boy                      A    412    s_boy___
+     p_____    Andreas                           A    413    hy______
+     poqr8a    Ouch                              A    414    oq______
+     p_____    CongaBravaMM                      A    415    vbrg____
+     p_____    CongaBravaMM-St                   A    415    vbst____
+     p_____    CronosMM                          A    416    xo______
+     p_____    CronosMM-It                       A    416    xoi_____
+     p_____    CronosMM-Ep                       A    417    xoexp___
+     p_____    CronosMM-ItSC                     A    417    xoisc___
+     p_____    CronosMM-ItEp                     A    417    xoixp___
+     p_____    CronosMM-Or                       A    417    xoor____
+     p_____    CronosMM-SC                       A    417    xorsc___
+     p_____    CronosMM-Sw                       A    417    xosw____
+     pdkb8a    Diskus-Bold                       A    418    d_b_____
+     pdkr8a    Diskus                            A    418    d_rg____
+     potb8a    Coronet-Bold                      A    418    n_b_____
+     potr8a    Coronet                           A    418    n_rg____
+     p_____    ChaparralMM-It                    A    419    xti_____
+     p_____    ChaparralMM                       A    419    xtr_____
+     p_____    ChaparralMM-Ep                    A    420    xtexp___
+     p_____    ChaparralMM-ItSC                  A    420    xtisc___
+     p_____    ChaparralMM-ItEp                  A    420    xtixp___
+     p_____    ChaparralMM-Or                    A    420    xtor____
+     p_____    ChaparralMM-SC                    A    420    xtrsc___
+     ppi038    WiesbadenSwing-Dingbats           A    421    wgdb____
+     p_____    BermudaLP-Dots                    A    422    uddc1___
+     p_____    BermudaLP-Squiggle                A    422    uddc2___
+     p_____    BermudaLP-Open                    A    422    udou____
+     p_____    BermudaLP-Solid                   A    422    udrg____
+     p_____    SpumoniLP                         A    423    uu______
+     pzpr8a    ZiptyDo                           A    424    zp______
+     pkwr7a    KoloLP-Alternates                 A    425    kwalt___
+     pkwr8an   KoloLP-Narrow                     A    425    kwn_____
+     pkwr8a    KoloLP-Regular                    A    425    kwrg____
+     pkwr8aw   KoloLP-Wide                       A    425    kwwd____
+     pnxr8a    Nyx                               A    426    nxrg____
+     p_____    Banshee                           A    427    zo______
+     p_____    KinesisMM                         A    428    kj______
+     p_____    KinesisMM-It                      A    428    kji_____
+     p_____    KinesisMM-Ep                      A    429    kjexp___
+     p_____    KinesisMM-ItSC                    A    429    kjisc___
+     p_____    KinesisMM-ItEp                    A    429    kjixp___
+     p_____    KinesisMM-SC                      A    429    kjrsc___
+     p_____    HardwoodLP                        A    430    hw______
+     p_____    ManitoLP                          A    431    mw______
+     p_____    Coriander                         A    432    uc______
+     p_____    SpringLP                          A    433    td______
+     p_____    SpringLP-Light                    A    433    tdl_____
+     pwhb8a    WendyLP-Bold                      A    434    whb_____
+     pwhl8a    WendyLP-Light                     A    434    whl_____
+     pwhm8a    WendyLP-Medium                    A    434    whm_____
+     p_____    BickhamScriptMM-AltI              A    435    b_a1____
+     p_____    BickhamScriptMM-AltII             A    435    b_a2____
+     p_____    BickhamScriptMM-Beg               A    435    b_bg____
+     p_____    BickhamScriptMM-End               A    435    b_en____
+     p_____    BickhamScriptMM-Lig               A    435    b_lig___
+     p_____    BickhamScriptMM-Or                A    435    b_or____
+     p_____    BickhamScriptMM                   A    435    b_rg____
+     p_____    BickhamScriptMM-SwCaps            A    435    b_swc___
+     pojr8a    OldClaudeLP                       A    436    oj______
+     pojrj8a   OldClaudeLP-OsF                   A    436    ojosf___
+     pojrc8a   OldClaudeLP-SC                    A    436    ojsc____
+     p_____    FlorensLP                         A    437    fn______
+     p_____    FlorensLP-Alternates              A    437    fnalt___
+     p_____    BriemAkademiMM                    A    438    dkrg____
+     p_____    Khaki-One                         A    439    hk1_____
+     p_____    Khaki-Two                         A    439    hk2_____
+     p_____    Pompeia-InlineItalic              A    440    vpiit___
+     p_____    Pompeia-Inline                    A    440    vpin____
+     p_____    Flood                             A    441    fyrg____
+     pwtMM7a   WatersTitlingMM-Alt               A    442    jwalt___
+     pwtMM7al  WatersTitlingMM-Lig               A    442    jwlig___
+     pwtMM8a   WatersTitlingMM                   A    442    jwr_____
+     pwtMMd8a  WatersTitlingMM-TallCaps          A    442    jwtlc___
+     p_____    CelestiaAntiqua-Regular           A    443    zs______
+     p_____    CelestiaAntiqua-Bold              A    443    zsb_____
+     p_____    CelestiaAntiqua-BoldLig           A    443    zsbdl___
+     p_____    CelestiaAntiqua-Italic            A    443    zsi_____
+     p_____    CelestiaAntiqua-ItalicLig         A    443    zsitl___
+     p_____    CelestiaAntiqua-Ligatures         A    443    zslig___
+     p_____    CelestiaAntiqua-Ornaments         A    443    zsor____
+     p_____    CelestiaAntiqua-Semibold          A    443    zssb____
+     p_____    CelestiaAntiqua-SmBdLig           A    443    zssbl___
+     p_____    CelestiaAntiqua-SC                A    443    zssc____
+     pmyr8ac   Myriad-Condensed                  A    444    wmc_____
+     pmyb8ac   Myriad-CnBold                     A    444    wmcb____
+     pmybi8ac  Myriad-CnBoldItalic               A    444    wmcbi___
+     pmyri8ac  Myriad-CnItalic                   A    444    wmci____
+     pmys8ac   Myriad-CnSemibold                 A    444    wms_____
+     pmysi8ac  Myriad-CnSemiboldItalic           A    444    wmsi____
+     p_____    Immi505                           A    445    firg____
+     p_____    MagnoliaMVB                       A    446    xm______
+     p_____    MagnoliaMVB-Ligatures             A    446    xmlig___
+     p_____    BossaNovaMVB                      A    447    xb______
+     p_____    BossaNovaMVB-Alternates           A    447    xbalt___
+     p_____    Emmascript                        A    448    xe______
+     p_____    RusselOblique                     A    449    zr______
+     p_____    RusselOblique-InformalAlt         A    449    zralt___
+     p_____    RusselOblique-Informal            A    449    zrinf___
+     mdtb8a    DanteMT-Bold                      A    450    dlb_____
+     mdtbi8a   DanteMT-BoldItalic                A    450    dlbi____
+     mdtri8a   DanteMT-Italic                    A    450    dli_____
+     mdtm8a    DanteMT-Medium                    A    450    dlm_____
+     mdtmi8a   DanteMT-MediumItalic              A    450    dlmi____
+     mdtr8a    DanteMT-Regular                   A    450    dlrg____
+     mdtb7a    DanteMT-BoldAlt                   A    451    dlab____
+     mdtbi7a   DanteMT-BoldItalicAlt             A    451    dlabi___
+     mdtri7a   DanteMT-ItalicAlt                 A    451    dlai____
+     mdtr7a    DanteMT-RegularAlt                A    451    dlarg___
+     mdtm7a    DanteMT-MediumAlt                 A    451    dlasb___
+     mdtmi7a   DanteMT-MediumItalicAlt           A    451    dlasi___
+     mdtbij8a  DanteMT-BoldItalicOsF             A    451    dlbio___
+     mdtbi8x   DanteMT-BoldItalicExpert          A    451    dlbix___
+     mdtbj8a   DanteMT-BoldOsF                   A    451    dlbos___
+     mdtb8x    DanteMT-BoldExpert                A    451    dlbxp___
+     mdtrij8a  DanteMT-ItalicOsF                 A    451    dlios___
+     mdtri8x   DanteMT-ItalicExpert              A    451    dlixp___
+     mdtmij8a  DanteMT-MediumItalicOsF           A    451    dlmio___
+     mdtmi8x   DanteMT-MediumItalicExpert        A    451    dlmix___
+     mdtmj8a   DanteMT-MediumOsF                 A    451    dlmof___
+     mdtm8x    DanteMT-MediumExpert              A    451    dlmxp___
+     mdtr8x    DanteMT-RegularExpert             A    451    dlrgx___
+     mdtrc8a   DanteMT-RegularSC                 A    451    dlsc____
+     mdtrd8a   DanteMT-Titling                   A    451    dlttl___
+     myhb8a    StrayhornMT-Bold                  A    452    yhb_____
+     myhbi8a   StrayhornMT-BoldItalic            A    452    yhbi____
+     myhx8a    StrayhornMT-ExtraBold             A    452    yheb____
+     myhxi8a   StrayhornMT-ExtraBoldItalic       A    452    yhebi___
+     myhri8a   StrayhornMT-Italic                A    452    yhi_____
+     myhl8a    StrayhornMT-Light                 A    452    yhl_____
+     myhli8a   StrayhornMT-LightItalic           A    452    yhli____
+     myhr8a    StrayhornMT-Regular               A    452    yhrg____
+     myhbij8a  StrayhornMT-BoldItalicOsF         A    453    yhbio___
+     myhbj8a   StrayhornMT-BoldOsF               A    453    yhbos___
+     myhxj8a   StrayhornMT-ExtraBoldOsF          A    453    yhebs___
+     myhxij8a  StrayhornMT-ExtraBoldItaOsF       A    453    yheis___
+     myhrij8a  StrayhornMT-ItalicOsF             A    453    yhios___
+     myhlij8a  StrayhornMT-LightItalicOsF        A    453    yhlio___
+     myhlc8a   StrayhornMT-LightSC               A    453    yhlsc___
+     myhrc8a   StrayhornMT-RegularSC             A    453    yhrsc___
+     p_____    Postino-Italic                    A    454    xzi_____
+     p_____    Postino                           A    454    xzr_____
+     p_____    ReliqMM-OsF                       A    455    qeosf___
+     p_____    ReliqMM                           A    455    qer_____
+     p_____    Critter                           A    456    wc______
+     p_____    Cutout                            A    457    wu______
+     p_____    Studz                             A    458    wp______
+     p_____    Rad                               A    459    wr______
+     p_____    Mythos                            A    460    wy______
+     p_____    Toolbox                           A    461    wt______
+     p_____    Quake                             A    462    wq______
+     pg2r8a    Giddyup-Regular                   A    463    wg______
+     pg2r      Giddyup-Thangs                    A    463    wgtha___
+     pmyrl8a   Myriad-Sketch                     A    464    wmske___
+     pmyrn8a   Myriad-Tilt                       A    464    wmtil___
+     mbeb8a    BellMT-Bold                       A    465    xlb_____
+     mbebi8a   BellMT-BoldItalic                 A    465    xlbi____
+     mberi8a   BellMT-Italic                     A    465    xli_____
+     mber8a    BellMT-Regular                    A    465    xlrg____
+     mbes8a    BellMT-SemiBold                   A    465    xlsb____
+     mbesi8a   BellMT-SemiBoldItalic             A    465    xlsbi___
+     mber7a    BellMT-RegularAlt                 A    466    xlarg___
+     mbes7a    BellMT-SemiBoldAlt                A    466    xlasb___
+     mbesi7a   BellMT-SemiBoldItalicAlt          A    466    xlasi___
+     mbebi8x   BellMT-BoldItalicExpert           A    466    xlbix___
+     mbeb8x    BellMT-BoldExpert                 A    466    xlbxp___
+     mber8x    BellMT-RegularExpert              A    466    xlexp___
+     mberi7a   BellMT-ItalicAlt                  A    466    xlial___
+     mberi8x   BellMT-ItalicExpert               A    466    xlixp___
+     mberx7a   BellMT-RegularExpertAlt           A    466    xlrxa___
+     mbesc8a   BellMT-SemiBoldSC                 A    466    xlsbs___
+     mbes8x    BellMT-SemiBoldExpert             A    466    xlsbx___
+     mberc8a   BellMT-RegularSC                  A    466    xlsc____
+     mbesi8x   BellMT-SemiBoldItalicExpert       A    466    xlsix___
+     mbesx7a   BellMT-SemiBoldExpertAlt          A    466    xlsxa___
+     mf1ri7a   FournierMT-ItalicAlt              A    467    xyali___
+     mf1r7a    FournierMT-RegularAlt             A    467    xyalt___
+     mf1ri8a   FournierMT-Italic                 A    467    xyi_____
+     mf1rij8a  FournierMT-ItalicOsF              A    467    xyios___
+     mf1ri8x   FournierMT-ItalicExpert           A    467    xyixp___
+     mf1rp     FournierMT-Ornaments              A    467    xyorn___
+     mf1r8a    FournierMT-Regular                A    467    xyrg____
+     mf1r8x    FournierMT-RegularExpert          A    467    xyrgx___
+     mf1rc8a   FournierMT-RegularSC              A    467    xysc____
+     mf1rid8a  FournierMT-ItalicTallCaps         A    467    xytti___
+     mf1rd8a   FournierMT-TallCaps               A    467    xyttl___
+     p_____    CTMercurius-Black                 A    468    uibl____
+     p_____    CTMercurius-BlackItalic           A    468    uibli___
+     p_____    CTMercurius-Light                 A    468    uil_____
+     p_____    CTMercurius-LightItalic           A    468    uili____
+     p_____    CTMercurius-Medium                A    468    uim_____
+     p_____    CTMercurius-MediumItalic          A    468    uimi____
+     p_____    Fusaka-Regular                    A    469    fv______
+     p_____    Fusaka-Alternates                 A    469    fvalt___
+     p_____    MagnesiumMVB                      A    470    uh______
+     p_____    MagnesiumMVB-Grime                A    470    uhdc1___
+     m_____    GillFloriatedCapsMT-Alt           A    471    fwalt___
+     m_____    GillFloriatedCapsMT               A    471    fwcap___
+     p_____    Origami-Bold                      A    472    xrb_____
+     p_____    Origami-BoldItalic                A    472    xrbi____
+     p_____    Origami-Italic                    A    472    xri_____
+     p_____    Origami-Medium                    A    472    xrm_____
+     p_____    Origami-MediumItalic              A    472    xrmi____
+     p_____    Origami-Regular                   A    472    xrrg____
+     p_____    Origami-Semibold                  A    472    xrsb____
+     p_____    Origami-SemiboldItalic            A    472    xrsbi___
+     p_____    GreymantleMVB                     A    473    qg______
+     p_____    GreymantleMVB-Alternates          A    473    qgalt___
+     p_____    GreymantleMVB-Ornaments           A    473    qgor____
+     p_____    VerveMM-A                         A    474    vvaaa___
+     p_____    VerveMM                           A    474    vvr_____
+     p_____    VolutaScript                      A    475    vs______
+     p_____    VolutaScript-Alternates           A    475    vsalt___
+     p_____    VolutaScript-Swash                A    475    vssw____
+     pcwr8a    Cottonwood                        A    476    c_______
+     piwr8a    Ironwood                          A    477    i_______
+     pjpr8a    Juniper                           A    478    j_______
+     pmqr8a    Mesquite                          A    479    m_______
+     ppor8a    Ponderosa                         A    480    p_______
+     pbir8a    Birch                             A    481    bi______
+     pb0r8a    Blackoak                          A    482    bo______
+     pmrr8a    Madrone                           A    483    mq______
+     pp0r8a    Poplar                            A    484    pp______
+     pwwr8a    Willow                            A    485    wi______
+     p_____    Pepperwood-Fill                   A    486    uwfi____
+     p_____    Pepperwood-Outline                A    486    uwou____
+     p_____    Pepperwood-Regular                A    486    uwrg____
+     p_____    Rosewood-Fill                     A    487    uxfi____
+     p_____    Rosewood-Regular                  A    487    uxrg____
+     p_____    Zebrawood-Fill                    A    488    uyfi____
+     p_____    Zebrawood-Regular                 A    488    uyrg____
+     ppi026    WoodtypeOrnaments-One             A    489    woor____
+     ppi027    WoodtypeOrnaments-Two             A    489    woor2___
+     pg1r8a    Gothic-Thirteen                   A    490    gtt_____
+     ptph8ac   Tempo-HeavyCondensed              A    491    tehc____
+     ptphi8ac  Tempo-HeavyCondensedItalic        A    491    tehci___
+     ppsr8a    Parisian                          A    492    pn______
+     pumr8a    Umbra                             A    493    um______
+     mg4ri8a   GoudyModernMT-Italic              A    494    ygi_____
+     mg4r8a    GoudyModernMT                     A    494    ygrg____
+     ms1ri8a   ScotchRomanMT-Italic              A    495    ysi_____
+     ms1r8a    ScotchRomanMT                     A    495    ysrg____
+     mfsr8a    FalstaffMT                        A    496    fprg____
+     mifb8a    InflexMT-Bold                     A    497    iqb_____
+     mm8bl8a   MonotypeOldStyleMT-BoldOut        A    498    mbbou___
+     mfer8a    ForteMT                           A    499    fz______
+     mklr8a    KlangMT                           A    500    kn______
+     mmebw8a   MercuriusMT-BoldScript            A    501    uzbs____
+     p_____    Smaragd                           A    502    smar____
+     p_____    Smaragd-Alternate                 A    502    smara___
+     p_____    Ariadne-Roman                     A    503    aria____
+     pdiri8a   Diotima-Italic                    A    503    dti_____
+     pdirij8a  Diotima-ItalicOsF                 A    503    dtiof___
+     pdir8a    Diotima-Roman                     A    503    dtr_____
+     pdirj8a   Diotima-RomanOsF                  A    503    dtros___
+     pdirc8a   Diotima-RomanSC                   A    503    dtrsc___
+     p_____    Legault                           A    504    ul______
+     p_____    Legault-Alternates                A    504    ula_____
+     p_____    Legault-BoldAlternates            A    504    ulab____
+     p_____    Legault-Bold                      A    504    ulb_____
+     p_____    BlueIsland                        A    505    ihrg____
+     pbdp8ap   Bodoni-PosterCompressed           A    900    bdpsc___
+     pbax8a    Barmeno-ExtraBold                 A    900    bfeb____
+     pb0r8a    Blackoak                          A    900    bo______
+     zpcp33bc  Copperplate-ThirtyThreeBC         A    900    cp33c___
+     prtr      Carta                             A    900    cr______
+     pdcr8a    DomCasual                         A    900    dc______
+     mtlr8a    CastellarMT                       A    900    el______
+     mp2r8a    PepitaMT                          A    900    epscr___
+     pgsr8ac   GillSans-Condensed                A    900    gnc_____
+     pgsu8a    GillSans-UltraBold                A    900    gnub____
+     mgtrd8a   GoudyTextMT-LombardicCapitals     A    900    gxlom___
+     piwr8a    Ironwood                          A    900    i_______
+     mbfrw8a   BiffoMT                           A    900    ifscr___
+     pimx8a    Imago-ExtraBold                   A    900    ioeb____
+     mjori8a   JoannaMT-Italic                   A    900    joi_____
+     mjor8a    JoannaMT                          A    900    jor_____
+     p_____    Colossalis-Bold                   A    900    kob_____
+     plgr8a    LetterGothic                      A    900    lg______
+     plor8a    Lithos-Regular                    A    900    lorg____
+     pmqr8a    Mesquite                          A    900    m_______
+     pmnrp     Minion-Ornaments                  A    900    moor____
+     pnurw8a   NuptialScript                     A    900    nu______
+     pper8a    PrestigeElite                     A    900    pe______
+     pqsr8a    Bellevue                          A    900    qsrg____
+     p_____    AGOldFace-Outline                 A    900    qwou____
+     mrur8ac   RunicMT-Condensed                 A    900    ric_____
+     prwx8a    Rockwell-ExtraBold                A    900    rkeb____
+     pslr8a    Stencil                           A    900    st______
+     pwwr8a    Willow                            A    900    wi______
+     ppi027    WoodtypeOrnaments-Two             A    900    woor2___
+     pbir8a    Birch                             A    901    bi______
+     putrd8a   Utopia-Headline                   A    901    uthd____
+     p_____    Critter                           A    901    wc______
+     pg2r8a    Giddyup-Regular                   A    901    wg______
+     pg2r      Giddyup-Thangs                    A    901    wgtha___
+     pmyrd8a   Myriad-Headline                   A    901    wmhd____
+     pmyrl8a   Myriad-Sketch                     A    901    wmske___
+     pmyrn8a   Myriad-Tilt                       A    901    wmtil___
+     p_____    Studz                             A    901    wp______
+     p_____    Quake                             A    901    wq______
+     p_____    Rad                               A    901    wr______
+     p_____    Toolbox                           A    901    wt______
+     p_____    Cutout                            A    901    wu______
+     p_____    Mythos                            A    901    wy______
+     pagd8a    AvantGarde-Demi                   A    902    agd_____
+     pagdo8a   AvantGarde-DemiOblique            A    902    agdo____
+     pagk8a    AvantGarde-Book                   A    902    agw_____
+     pagko8a   AvantGarde-BookOblique            A    902    agwo____
+     pamr8a    Americana                         A    902    am______
+     pamx8a    Americana-ExtraBold               A    902    ameb____
+     pacri8a   ACaslon-Italic                    A    902    awi_____
+     pacr8a    ACaslon-Regular                   A    902    awrg____
+     pacs8a    ACaslon-Semibold                  A    902    awsb____
+     pacsi8a   ACaslon-SemiboldItalic            A    902    awsbi___
+     pbab8a    Barmeno-Bold                      A    902    bfb_____
+     pbax8a    Barmeno-ExtraBold                 A    902    bfeb____
+     pbam8a    Barmeno-Medium                    A    902    bfm_____
+     pbar8a    Barmeno-Regular                   A    902    bfrg____
+     pbkd8a    Bookman-Demi                      A    902    bkd_____
+     pbkdi8a   Bookman-DemiItalic                A    902    bkdi____
+     pbkl8a    Bookman-Light                     A    902    bkl_____
+     pbkli8a   Bookman-LightItalic               A    902    bkli____
+     pb0r8a    Blackoak                          A    902    bo______
+     pcrb8a    Courier-Bold                      A    902    cob_____
+     pcrbo8a   Courier-BoldOblique               A    902    cobo____
+     pcrr8a    Courier                           A    902    com_____
+     pcrro8a   Courier-Oblique                   A    902    coo_____
+     prtr      Carta                             A    902    cr______
+     pfari8a   Formata-Italic                    A    902    fmi_____
+     pfam8a    Formata-Medium                    A    902    fmm_____
+     pfami8a   Formata-MediumItalic              A    902    fmmi____
+     pfar8a    Formata-Regular                   A    902    fmrg____
+     padb8a    AGaramond-Bold                    A    902    gdb_____
+     padbi8a   AGaramond-BoldItalic              A    902    gdbi____
+     padri8a   AGaramond-Italic                  A    902    gdi_____
+     padr8a    AGaramond-Regular                 A    902    gdrg____
+     phvr8a    Helvetica                         A    902    hv______
+     phvb8a    Helvetica-Bold                    A    902    hvb_____
+     phvbo8a   Helvetica-BoldOblique             A    902    hvbo____
+     phvr8an   Helvetica-Narrow                  A    902    hvn_____
+     phvb8an   Helvetica-Narrow-Bold             A    902    hvnb____
+     phvbo8an  Helvetica-Narrow-BoldOblique      A    902    hvnbo___
+     phvro8an  Helvetica-Narrow-Oblique          A    902    hvno____
+     phvro8a   Helvetica-Oblique                 A    902    hvo_____
+     pkur8a    Kaufmann                          A    902    kf______
+     ploc8a    Lithos-Black                      A    902    lobl____
+     plor8a    Lithos-Regular                    A    902    lorg____
+     pncb8a    NewCenturySchlbk-Bold             A    902    ncb_____
+     pncbi8a   NewCenturySchlbk-BoldItalic       A    902    ncbi____
+     pncri8a   NewCenturySchlbk-Italic           A    902    nci_____
+     pncr8a    NewCenturySchlbk-Roman            A    902    ncr_____
+     ppar8a    ParkAvenue                        A    902    pa______
+     ppsr8a    Parisian                          A    902    pn______
+     pplb8a    Palatino-Bold                     A    902    pob_____
+     pplbi8a   Palatino-BoldItalic               A    902    pobi____
+     pplri8a   Palatino-Italic                   A    902    poi_____
+     pplr8a    Palatino-Roman                    A    902    por_____
+     p_____    Poetica-SuppOrnaments             A    902    pvor____
+     psyr      Symbol                            A    902    sy______
+     ptmb8a    Times-Bold                        A    902    tib_____
+     ptmbi8a   Times-BoldItalic                  A    902    tibi____
+     ptmri8a   Times-Italic                      A    902    tii_____
+     ptmr8a    Times-Roman                       A    902    tir_____
+     ptjb8a    Trajan-Bold                       A    902    tjb_____
+     ptkb8a    Tekton-Bold                       A    902    tkb_____
+     ptkr8a    Tekton                            A    902    tkrg____
+     ppi027    WoodtypeOrnaments-Two             A    902    woor2___
+     pzcmi8a   ZapfChancery-MediumItalic         A    902    zcmi____
+     pzdr      ZapfDingbats                      A    902    zd______
+     mp1rw8a   PalaceScriptMT                    A    903    _p______
+     pdjk8a    Delta-Book                        A    903    djw_____
+     pdjki8a   Delta-BookItalic                  A    903    djwi____
+     lenb8a    EngraversLH-BoldFace              A    903    ew______
+     pfarl8a   Formata-Outline                   A    903    fmou____
+     pgsxd8a   GillSans-ExtraBoldDisplay         A    903    gnxbd___
+     mbfrw8a   BiffoMT                           A    903    ifscr___
+     p_____    MonaLisa-Solid                    A    903    iysd____
+     pjpr8a    Juniper                           A    903    j_______
+     p_____    LoType-Medium                     A    903    ljm_____
+     p_____    LoType-MediumItalic               A    903    ljmi____
+     p_____    BerlinerGrotesk-Light             A    903    otl_____
+     prwb8ac   Rockwell-BoldCondensed            A    903    rkbc____
+     prwr8ac   Rockwell-Condensed                A    903    rkc_____
+     p_____    AGBook-Stencil                    A    903    tast____
+     ms2bw8a   ScriptMT-Bold                     A    903    tbscr___
+     p_____    Cutout                            A    903    wu______
+     ms1ri8a   ScotchRomanMT-Italic              A    903    ysi_____
+     ms1r8a    ScotchRomanMT                     A    903    ysrg____
+     mm7r8a    MaturaMT                          A    903    zz______
+     mr2l8a    CantoriaMT-Light                  A    904    eol_____
+     p_____    Beesknees                         A    904    ikh_____
+     p_____    LoType-Medium                     A    904    ljm_____
+     pm1rw8a   MonolineScriptMT                  A    904    on______
+     p_____    Ozwald                            A    904    ozh_____
+     mknr8a    KinoMT                            A    904    qi______
+     pb7r8a    BernhardModern-Bold               A    904    rdb_____
+     puyr8a    UniversityRoman                   A    904    ur______
+     pbdp8ap   Bodoni-PosterCompressed           A    905    bdpsc___
+     pctl8ac   Cheltenham-LightCond              A    905    chlc____
+     pazl8ac   AkzidenzGroteskBE-LightCn         A    905    gflc____
+     pgsb8aq   GillSans-BoldExtraCondensed       A    905    gnbxc___
+     p_____    GaramondBE-Condensed              A    905    gwc_____
+     p_____    LoType-MediumCondensed            A    905    ljmc____
+     mrur8ac   RunicMT-Condensed                 A    905    ric_____
+     prwr8ac   Rockwell-Condensed                A    905    rkc_____
+     p_____    Mezz-Regular                      A    906    vurg____
+     p_____    Mezz-Black                        A    906    vuz_____
+     p_____    CaflischScript-Bold               A    906    vwb_____
+     p_____    CaflischScript-Regular            A    906    vwrg____
+     p_____    Nueva-BoldExtendedItalic          A    906    vxbei___
+     p_____    Nueva-BoldExtended                A    906    vxbv____
+     p_____    Nueva-Italic                      A    906    vxi_____
+     p_____    Nueva-Roman                       A    906    vxr_____
+     pmyb8a    Myriad-Bold                       A    906    wmb_____
+     pmybi8a   Myriad-BoldItalic                 A    906    wmbi____
+     pmyri8a   Myriad-Italic                     A    906    wmi_____
+     pmyr8a    Myriad-Roman                      A    906    wmr_____
+     pmnb8ac   Minion-BoldCondensed              A    907    mobc____
+     pmnbi8ac  Minion-BoldCondensedItalic        A    907    mobci___
+     pmnr8ac   Minion-Condensed                  A    907    moc_____
+     pmnri8ac  Minion-CondensedItalic            A    907    moci____
+     pvvx8ax   Viva-BoldExtraExtended            A    907    vabxe___
+     pvvl8ac   Viva-LightCondensed               A    907    valc____
+     pvvr8a    Viva-Regular                      A    907    varg____
+     p_____    Sanvito-Light                     A    907    vyl_____
+     p_____    Sanvito-Roman                     A    907    vyr_____
+     p_____    Penumbra-SemiboldFlare            A    907    vzsfl___
+     p_____    Penumbra-SemiboldSans             A    907    vzssa___
+     p_____    Penumbra-SemiboldSerif            A    907    vzsse___
+     ppc___    Poetica-ChanceryI                 A    908    pvch1___
+     ppc___    Poetica-SuppLigatures             A    908    pvlg____
+     ppc___    Poetica-SuppOrnaments             A    908    pvor____
+     ppc___    Poetica-SuppSwashCapsI            A    908    pvsw1___
+     p_____    CaflischScript-Bold               A    908    vwb_____
+     p_____    CaflischScript-Regular            A    908    vwrg____
+     p_____    Sanvito-BoldDisplay               A    908    vydb____
+     p_____    Sanvito-Roman                     A    908    vyr_____
+     p_____    Sanvito-Semibold                  A    908    vysb____
+     pxpr8a    ExPonto-Regular                   A    908    xprg____
+     padri8a   AGaramond-Italic                  A    912    gdi_____
+     padr8a    AGaramond-Regular                 A    912    gdrg____
+     pads8a    AGaramond-Semibold                A    912    gdsb____
+     padrc8a   AGaramond-RegularSC               A    912    gdsc____
+     padrd8a   AGaramond-Titling                 A    912    gdttl___
+     pacri8a   ACaslon-Italic                    A    913    awi_____
+     pacrp     ACaslon-Ornaments                 A    913    awor____
+     pacr8a    ACaslon-Regular                   A    913    awrg____
+     pacs8a    ACaslon-Semibold                  A    913    awsb____
+     pacrc8a   ACaslon-RegularSC                 A    913    awsc____
+     pajrd8a   AJenson-RegularDisplay            A    914    jsds____
+     pajri8a   AJenson-Italic                    A    914    jsi_____
+     pajr8a    AJenson-Regular                   A    914    jsrc____
+     pajs8a    AJenson-Semibold                  A    914    jssb____
+     pajrc8a   AJenson-RegularSC                 A    914    jssc____
+     p_____    Jimbo-Bold                        A    915    jpb_____
+     pajsd8a   AJenson-SemiboldDisplay           A    915    jssp____
+     pkpbd8ax  Kepler-BoldExtendedDisplay        A    915    k_bed___
+     pkpsd8ac  Kepler-SemiboldCondensedDisplay   A    915    k_scd___
+     p_____    Mezz-Bold                         A    915    vub_____
+     p_____    Penumbra-BoldSerif                A    915    vzbsr___
+     p_____    Cronos-Display                    A    915    xodr____
+     pxpr8a    ExPonto-Regular                   A    915    xprg____
+     p_____    Chaparral-Display                 A    915    xtdr____
+     zpeurs    EuroSans-Regular                  A    916    _1______
+     zpeubs    EuroSans-Bold                     A    916    _1b_____
+     zpeubis   EuroSans-BoldItalic               A    916    _1bi____
+     zpeuris   EuroSans-Italic                   A    916    _1i_____
+     zpeurt    EuroMono-Regular                  A    916    _2______
+     zpeubt    EuroMono-Bold                     A    916    _2b_____
+     zpeubit   EuroMono-BoldItalic               A    916    _2bi____
+     zpeurit   EuroMono-Italic                   A    916    _2i_____
+     zpeur     EuroSerif-Regular                 A    916    _3______
+     zpeub     EuroSerif-Bold                    A    916    _3b_____
+     zpeubi    EuroSerif-BoldItalic              A    916    _3bi____
+     zpeuri    EuroSerif-Italic                  A    916    _3i_____
+     pmsrw8a   Mistral                           A    917    ms______
+     ppc___    Poetica-ChanceryII                A    917    pvch2___
+     ppc___    Poetica-SuppSwashCapsII           A    917    pvsw2___
+     pprl8a    PopplResidenz-Light               A    917    pzl_____
+     pprr8a    PopplResidenz-Regular             A    917    pzrg____
+     psrrw8a   SnellRoundhand-Script             A    917    sn______
+     mmebw8a   MercuriusMT-BoldScript            A    917    uzbs____
+     pwhm8a    WendyLP-Medium                    A    917    whm_____
+     pbzrw8a   Balzano                           A    917    zn______
+     ppi028    ScienceTypeCustomPi-No1T               ???    ________
+     ppi029    ScienceTypeCustomPi-No2T               ???    ________
+     ppi030    ScienceTypeCustomPi-No3T               ???    ________
+     ppi031    ScienceTypeCustomPi-No4T               ???    ________
+     ppi032    ScienceTypeCustomPi-No5T               ???    ________
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Apple-fonts.html b/Master/texmf-dist/doc/fontname/Apple-fonts.html
new file mode 100644
index 00000000000..bb2de0bbafb
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Apple-fonts.html
@@ -0,0 +1,44 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Apple%20fonts">Apple fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Bitstream-fonts.html#Bitstream%20fonts">Bitstream fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Adobe-fonts.html#Adobe%20fonts">Adobe fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Apple fonts</h3>
+
+<p>The <code>apple.map</code> file has abbreviations for Apple fonts.
+
+<pre class="example">
+
+     eecr8r   AppleChancery
+     eger8r   Geneva
+     ehtr8r   HoeflerText
+     emcr8r   Monaco
+     epi001   Zeal
+     eskr8r   Skia
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Bitstream-fonts.html b/Master/texmf-dist/doc/fontname/Bitstream-fonts.html
new file mode 100644
index 00000000000..1e41a4bd842
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Bitstream-fonts.html
@@ -0,0 +1,884 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Bitstream%20fonts">Bitstream fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="DTC-fonts.html#DTC%20fonts">DTC fonts</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Apple-fonts.html#Apple%20fonts">Apple fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>
+<hr><br>
+</div>
+
+<h3 class="section">Bitstream fonts</h3>
+
+<p>The <code>bitstrea.map</code> file has abbreviations for Bitstream fonts.
+
+<pre class="example">
+
+     bhvl8a    Swiss721BT-Light                  BT  0001    swz721l
+     bhvli8a   Swiss721BT-LightItalic            BT  0002    swz721li
+     bhvr8a    Swiss721BT-Roman                  BT  0003    swz721n
+     bhvri8a   Swiss721BT-Italic                 BT  0004    swz721i
+     bhvb8a    Swiss721BT-Bold                   BT  0005    swz721b
+     bhvbi8a   Swiss721BT-BoldItalic             BT  0006    swz721bi
+     bhvc8a    Swiss721BT-Black                  BT  0007    swz721k
+     bhvci8a   Swiss721BT-BlackItalic            BT  0008    swz721ki
+     bhvr8ac   Swiss721BT-RomanCondensed         BT  0009    swz721c
+     bhvb8ac   Swiss721BT-BoldCondensed          BT  0010    swz721bc
+     btmr8a    Dutch801BT-Roman                  BT  0011    dut801n
+     btmri8a   Dutch801BT-Italic                 BT  0012    dut801i
+     btmb8a    Dutch801BT-Bold                   BT  0013    dut801b
+     btmbi8a   Dutch801BT-BoldItalic             BT  0014    dut801bi
+     bopr8a    ZapfHumanist601BT-Roman           BT  0015    zhum601n
+     bopri8a   ZapfHumanist601BT-Italic          BT  0016    zhum601i
+     bopb8a    ZapfHumanist601BT-Bold            BT  0017    zhum601b
+     bopbi8a   ZapfHumanist601BT-BoldItalic      BT  0018    zhu601bi
+     bsvl8a    SouvenirITCbyBT-Light             BT  0019    souvnrl
+     bsvli8a   SouvenirITCbyBT-LightItalic       BT  0020    souvnrli
+     bsvd8a    SouvenirITCbyBT-Demi              BT  0021    souvnrd
+     bsvdi8a   SouvenirITCbyBT-DemiItalic        BT  0022    souvnrdi
+     bplr8a    ZapfCalligraphic801BT-Roman       BT  0023    zcal801n
+     bplri8a   ZapfCalligraphic801BT-Italic      BT  0024    zcal801i
+     bplb8a    ZapfCalligraphic801BT-Bold        BT  0025    zcal801b
+     bplbi8a   ZapfCalligraphic801BT-BoldItal    BT  0026    zca801bi
+     bexr8a    News702BT-Roman                   BT  0027    news702n
+     bexri8a   News702BT-Italic                  BT  0028    news702i
+     bexb8a    News702BT-Bold                    BT  0029    news702b
+     bexbi8a   News702BT-BoldItalic              BT  0030    new702bi
+     bbdk8a    BodoniBT-Book                     BT  0035    bodonin
+     bbdki8a   BodoniBT-BookItalic               BT  0036    bodonini
+     bbdb8a    BodoniBT-Bold                     BT  0037    bodonib
+     bbdbi8a   BodoniBT-BoldItalic               BT  0038    bodonibi
+     bcnr8ax   CenturyExpandedBT-Roman           BT  0039    centexn
+     bcnri8ax  CenturyExpandedBT-Italic          BT  0040    centexi
+     bcnb8ax   CenturyExpandedBT-Bold            BT  0041    centexb
+     bcnbi8ax  CenturyExpandedBT-BoldItalic      BT  0042    centexbi
+     bg3r8a    AmericanGaramondBT-Roman          BT  0043    amrgaran
+     bg3ri8a   AmericanGaramondBT-Italic         BT  0044    amrgarai
+     bg3b8a    AmericanGaramondBT-Bold           BT  0045    amrgarab
+     bg3bi8a   AmericanGaramondBT-BoldItalic     BT  0046    amrgarbi
+     bngr8a    NewsGothicBT-Roman                BT  0047    newsgotn
+     bngri8a   NewsGothicBT-Italic               BT  0048    newsgot
+     bngb8a    NewsGothicBT-Bold                 BT  0049    newsgotb
+     bngbi8a   NewsGothicBT-BoldItalic           BT  0050    newgotbi
+     bmlr8a    ZapfElliptical711BT-Roman         BT  0051    zelp711n
+     bmlri8a   ZapfElliptical711BT-Italic        BT  0052    zelp711i
+     bmlb8a    ZapfElliptical711BT-Bold          BT  0053    zelp711b
+     bmlbi8a   ZapfElliptical711BT-BoldItalic    BT  0054    zel711bi
+     bbdr8a    BodoniBT-Roman                    BT  0055    bodoni
+     bbdri8a   BodoniBT-Italic                   BT  0056    bodonii
+     bhbr8a    HoboBT-Regular                    BT  0057    hobon
+     bonr8a    News705BT-RomanB                  BT  0058    news705n
+     bonri8a   News705BT-ItalicB                 BT  0059    news705i
+     bonb8a    News705BT-BoldB                   BT  0060    news705b
+     b_____    BusoramaITCbyBT-Medium            BT  0062    busoramm
+     bglr8a    GalliardITCbyBT-Roman             BT  0067    galirdn
+     bglri8a   GalliardITCbyBT-Italic            BT  0068    galirdi
+     bglb8a    GalliardITCbyBT-Bold              BT  0069    galirdb
+     bglbi8a   GalliardITCbyBT-BoldItalic        BT  0070    galirdbi
+     bbkl8a    BookmanITCbyBT-Light              BT  0075    bookmnl
+     bbkli8a   BookmanITCbyBT-LightItalic        BT  0076    bookmnli
+     bbkd8a    BookmanITCbyBT-Demi               BT  0079    bookmnd
+     bbkdi8a   BookmanITCbyBT-DemiItalic         BT  0080    bookmndi
+     bcsr8a    CenturySchoolbookBT-Roman         BT  0083    censbkn
+     bcsri8a   CenturySchoolbookBT-Italic        BT  0084    censbki
+     bcsb8a    CenturySchoolbookBT-Bold          BT  0085    censbkb
+     bcsbi8a   CenturySchoolbookBT-BoldItalic    BT  0086    censbkbi
+     bkrr8a    KorinnaITCbyBT-Regular            BT  0087    korinan
+     bkrri8a   KorinnaITCbyBT-KursivRegular      BT  0088    korinani
+     bkrb8a    KorinnaITCbyBT-Bold               BT  0089    korinab
+     bkrbi8a   KorinnaITCbyBT-KursivBold         BT  0090    korinabi
+     bhva8a    Swiss721BT-Thin                   BT  0100    swz721t
+     bhvai8a   Swiss721BT-ThinItalic             BT  0101    swz721ti
+     bhvh8a    Swiss721BT-Heavy                  BT  0102    swz721h
+     bhvhi8a   Swiss721BT-HeavyItalic            BT  0103    swz721hi
+     bhvh8aq   Swiss911BT-ExtraCompressed        BT  0105    swz911xc
+     bhvh8au   Swiss911BT-UltraCompressed        BT  0106    swz911uc
+     bgor8a    GoudyOldStyleBT-Roman             BT  0107    goudyosn
+     bgori8a   GoudyOldStyleBT-Italic            BT  0108    goudyosi
+     bgob8a    GoudyOldStyleBT-Bold              BT  0109    goudyosb
+     bgobi8a   GoudyOldStyleBT-BoldItalic        BT  0110    goudosbi
+     bgox8a    GoudyOldStyleBT-ExtraBold         BT  0111    goudosxb
+     bpnr8a    Aldine721BT-Roman                 BT  0112    ald721n
+     bpnri8a   Aldine721BT-Italic                BT  0113    ald721i
+     bpnb8a    Aldine721BT-Bold                  BT  0114    ald721b
+     bpnbi8a   Aldine721BT-BoldItalic            BT  0115    ald721bi
+     bjnr8a    KisBT-Roman                       BT  0116    kisn
+     bjnri8a   KisBT-Italic                      BT  0117    kisi
+     bc5r8a    Caslon540BT-Roman                 BT  0118    casl540n
+     bc5ri8a   Caslon540BT-Italic                BT  0119    casl540i
+     b_____    GothicNo13BT-Regular              BT  0120    gothic13
+     bbol8a    BalloonBT-Light                   BT  0121    balloonl
+     bwnr8a    WindsorBT-Roman                   BT  0122    wndsrn
+     bbgk8a    BenguiatITCbyBT-Book              BT  0123    benguian
+     bbgki8a   BenguiatITCbyBT-BookItalic        BT  0124    benguini
+     bbgb8a    BenguiatITCbyBT-Bold              BT  0127    benguiab
+     bbgbi8a   BenguiatITCbyBT-BoldItalic        BT  0128    benguibi
+     bbdp8a    PosterBodoniBT-Roman              BT  0129    pstrbodn
+     bbdpi8a   PosterBodoniBT-Italic             BT  0130    pstrbodi
+     bbwr8a    BroadwayBT-Regular                BT  0131    brdwayn
+     bngl8a    NewsGothicBT-Light                BT  0132    newsgotl
+     bngli8a   NewsGothicBT-LightItalic          BT  0133    newgotli
+     bopd8a    ZapfHumanist601BT-Demi            BT  0134    zhum601d
+     bopdi8a   ZapfHumanist601BT-DemiItalic      BT  0135    zhu601di
+     bopu8a    ZapfHumanist601BT-Ultra           BT  0136    zhum601u
+     bopui8a   ZapfHumanist601BT-UltraItalic     BT  0137    zhu601ui
+     bful8a    FuturaBT-Light                    BT  0138    futural
+     bfuli8a   FuturaBT-LightItalic              BT  0139    futurali
+     bfuk8a    FuturaBT-Book                     BT  0140    futuran
+     bfuki8a   FuturaBT-BookItalic               BT  0141    futurani
+     bfum8a    FuturaBT-Medium                   BT  0142    futuram
+     bfumi8a   FuturaBT-MediumItalic             BT  0143    futurami
+     bfub8a    FuturaBT-Bold                     BT  0144    futurab
+     bfubi8a   FuturaBT-BoldItalic               BT  0145    futurabi
+     bfuh8a    FuturaBT-Heavy                    BT  0146    futurah
+     bfuhi8a   FuturaBT-HeavyItalic              BT  0147    futurahi
+     bfux8a    FuturaBT-ExtraBlack               BT  0148    futuraxk
+     bfuxi8a   FuturaBT-ExtraBlackItalic         BT  0149    futurxki
+     bsnk8a    Geometric212BT-Book               BT  0150    geo212n
+     bsnh8a    Geometric212BT-Heavy              BT  0151    geo212h
+     bagk8a    AvantGardeITCbyBT-Book            BT  0154    avgardn
+     bagko8a   AvantGardeITCbyBT-BookOblique     BT  0155    avgardni
+     bagm8a    AvantGardeITCbyBT-Medium          BT  0156    avgardm
+     bagmo8a   AvantGardeITCbyBT-MediumOblique   BT  0157    avgardmi
+     bkbk8a    KabelITCbyBT-Book                 BT  0162    kabeln
+     bkbm8a    KabelITCbyBT-Medium               BT  0163    kabelm
+     bkbd8a    KabelITCbyBT-Demi                 BT  0164    kabeld
+     bkbu8a    KabelITCbyBT-Ultra                BT  0166    kabelu
+     bs4r8a    ShotgunBT-Regular                 BT  0167    shotgunn
+     bhvl8ac   Swiss721BT-LightCondensed         BT  0169    swz721lc
+     bhvli8ac  Swiss721BT-LightCondensedItalic   BT  0170    sw721lci
+     bhvri8ac  Swiss721BT-ItalicCondensed        BT  0171    swz721ci
+     bhvbi8ac  Swiss721BT-BoldCondensedItalic    BT  0172    sw721bci
+     bhvc8ac   Swiss721BT-BlackCondensed         BT  0173    swz721kc
+     bhvci8ac  Swiss721BT-BlackCondensedItalic   BT  0174    sw721kci
+     bhvbl8a   Swiss721BT-BoldOutline            BT  0175    swz721bo
+     bunl8a    ZurichBT-Light                    BT  0176    zurchl
+     bunli8a   ZurichBT-LightItalic              BT  0177    zurchli
+     bunr8a    ZurichBT-Roman                    BT  0178    zurchn
+     bunri8a   ZurichBT-Italic                   BT  0179    zurchi
+     bunb8a    ZurichBT-Bold                     BT  0180    zurchb
+     bunbi8a   ZurichBT-BoldItalic               BT  0181    zurchbi
+     bunc8a    ZurichBT-Black                    BT  0182    zurchk
+     bunci8a   ZurichBT-BlackItalic              BT  0183    zurchki
+     b____     BoltBoldITCbyBT-Regular           BT  0184    boltb
+     bslr8a    StencilBT-Regular                 BT  0191    stenciln
+     batm8a    AmerTypewriterITCbyBT-Medium      BT  0193    amrtypen
+     batb8a    AmerTypewriterITCbyBT-Bold        BT  0194    amrtypeb
+     bd0b8a    DavidaBoldBT-Regular              BT  0195    davidab
+     bs5r8a    SnellBT-Regular                   BT  0196    snelln
+     bs5b8a    SnellBT-Bold                      BT  0197    snellb
+     bs5c8a    SnellBT-Black                     BT  0198    snellk
+     bburw8a   BrushScriptBT-Regular             BT  0199    brushscn
+     bful8ac   FuturaBT-LightCondensed           BT  0200    futuralc
+     bfum8ac   FuturaBT-MediumCondensed          BT  0201    futuramc
+     bfub8ac   FuturaBT-BoldCondensed            BT  0202    futurabc
+     bfubi8ac  FuturaBT-BoldCondensedItalic      BT  0203    futurbci
+     bfux8ac   FuturaBT-ExtraBlackCondensed      BT  0204    futurxkc
+     bfuxi8ac  FuturaBT-ExtraBlackCondItalic     BT  0205    futuxkci
+     bfuc8a    FuturaBlackBT-Regular             BT  0206    futurak
+     botr8a    Ribbon131BT-Regular               BT  0207    ribn131n
+     botb8a    Ribbon131BT-Bold                  BT  0208    ribn131b
+     bi1r8a    ImpressBT-Regular                 BT  0209    impressn
+     ba7r8a    AmericanTextBT-Regular            BT  0211    amrtextn
+     benrf8a   EngraversOldEnglishBT-Regular     BT  0212    engrolen
+     bo2r8a    OrbitBbyBT-Regular                BT  0213    orbitbn
+     bp4r8a    PioneerITCbyBT-Regular            BT  0214    pioneern
+     bv0r8a    VinetaBT-Regular                  BT  0215    vinetan
+     byml8a    StymieBT-Light                    BT  0216    stymiel
+     bymm8a    StymieBT-Medium                   BT  0217    stymiem
+     bymb8a    StymieBT-Bold                     BT  0218    stymieb
+     bymx8a    StymieBT-ExtraBold                BT  0219    stymiexb
+     btfl8a    TiffanyITCbyBT-Light              BT  0220    tifanyl
+     btfli8a   TiffanyITCbyBT-LightItalic        BT  0221    tifanyli
+     btfd8a    TiffanyITCbyBT-Demi               BT  0224    tifanyd
+     btfdi8a   TiffanyITCbyBT-DemiItalic         BT  0225    tifanydi
+     btfh8a    TiffanyITCbyBT-Heavy              BT  0226    tifanyh
+     btfhi8a   TiffanyITCbyBT-HeavyItalic        BT  0227    tifanyhi
+     bcdb8ac   ClarendonBT-BoldCondensed         BT  0228    clrndnbc
+     bcbcd8a   CooperBT-BlackHeadline            BT  0231    coopbla
+     bcbcid8a  CooperBT-BlackItalicHeadline      BT  0232    coopblia
+     bs4rl8a   ShotgunBlanksBT-Regular           BT  0234    shotgunk
+     bnar8a    Dutch823BT-RomanB                 BT  0235    dut823n
+     bnari8a   Dutch823BT-ItalicB                BT  0236    dut823i
+     bnab8a    Dutch823BT-BoldB                  BT  0237    dut823b
+     berl8a    ErasITCbyBT-Light                 BT  0238    erasl
+     berk8a    ErasITCbyBT-Book                  BT  0239    erasn
+     berm8a    ErasITCbyBT-Medium                BT  0240    erasm
+     berd8a    ErasITCbyBT-Demi                  BT  0241    erasd
+     berb8a    ErasITCbyBT-Bold                  BT  0242    erasb
+     beru8a    ErasITCbyBT-Ultra                 BT  0243    erasu
+     besr8a    Square721BT-Roman                 BT  0246    sqr721n
+     besb8a    Square721BT-Bold                  BT  0247    sqr721b
+     besr8ac   Square721BT-RomanCondensed        BT  0248    sqr721c
+     besb8ac   Square721BT-BoldCondensed         BT  0249    sqr721bc
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+     bngb8ac   NewsGothicBT-BoldCondensed        BT  0377    newgotbc
+     bngbi8ac  NewsGothicBT-BoldCondItalic       BT  0378    newgtbci
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+     bcpbs8ac  CopperplateGothicBT-BoldCond      BT  0424    copgotbc
+     bfqr8a    FrizQuadrataITCbyBT-Roman         BT  0428    frzquadn
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+     bgmb8ac   GaramondITCbyBT-BoldCondensed     BT  0455    garamdbc
+     bgmbi8ac  GaramondITCbyBT-BoldCondItalic    BT  0456    garambci
+     bugk8a    BenguiatGothicITCbyBT-Book        BT  0459    bengothn
+     bugki8a   BenguiatGothicITCbyBT-BookItal    BT  0460    bengotni
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+     baob8ac   Incised901BT-BoldCondensed        BT  0467    inc901bc
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+     blgb8a    LetterGothic12PitchBT-Bold        BT  0533    legot12b
+     bmhr8a    MachineITCbyBT-Regular            BT  0534    machinen
+     bazb8a    Gothic725BT-BoldA                 BT  0541    goth725b
+     ba4r8a    AlternateGothicNo2BT-Regular      BT  0542    altgot2n
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+     btmx8a    Dutch801BT-ExtraBold              BT  0549    dut801xb
+     bsyb8a    SymbolITCbyBT-Bold                BT  0554    symbolb
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+     bcbmi8a   CooperBT-MediumItalic             BT  0578    coopermi
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+     bpgd8a    Exotic350BT-DemiBold              BT  0627    exo350db
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+     buhh8a    CushingITCbyBT-Heavy              BT  0641    cushngh
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+     bfgk8a    FranklinGothicITCbyBT-Book        BT  0670    frkgotn
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+     bfgd8a    FranklinGothicITCbyBT-Demi        BT  0674    frkgotd
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+     bfgh8a    FranklinGothicITCbyBT-Heavy       BT  0676    frkgoth
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+     bfnb8a    FeniceITCbyBT-Bold                BT  0684    feniceb
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+     b_____    GrizzlyITCbyBT-Regular            BT  0688    grizzlyn
+     bymmi8a   StymieBT-MediumItalic             BT  0689    stymiemi
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+     b_____    NewtextITCbyBT-Regular            BT  0697    newtxtn
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+     bgjr8a    ElegantGaramondBT-Roman           BT  0711    eleggarn
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+     bppbi8a   Lapidary333BT-BoldItalic          BT  0718    lap333bi
+     brmci8a   CarminaBT-BlackItalic             BT  0719    carminki
+     bpbr8a    PTBarnumBT-Regular                BT  0720    ptbarnmn
+     brmm8a    CarminaBT-Medium                  BT  0721    carminam
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+     brmb8a    CarminaBT-Bold                    BT  0723    carminab
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+     bnvki8a   NovareseITCbyBT-BookItalic        BT  0731    novareni
+     bnvb8a    NovareseITCbyBT-Bold              BT  0734    novareb
+     bnvbi8a   NovareseITCbyBT-BoldItalic        BT  0735    novarebi
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+     bcdr8ac   ClarendonBT-RomanCondensed        BT  0846    clrndnc
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+     bssmi8a   SchneidlerBT-MediumItalic         BT  0904    schndlmi
+     bssb8a    SchneidlerBT-Bold                 BT  0905    schndlb
+     bssbi8a   SchneidlerBT-BoldItalic           BT  0906    schndlbi
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+     bssci8a   SchneidlerBT-BlackItalic          BT  0908    schndlki
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+     bdcbi8a   DomDiagonalBT-Bold                BT  0921    domdiagb
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+     bysli8a   GoudySansITCbyBT-LightItalic      BT  0923    goudsali
+     bysm8a    GoudySansITCbyBT-Medium           BT  0924    goudsanm
+     bysmi8a   GoudySansITCbyBT-MediumItalic     BT  0925    goudsami
+     bysb8a    GoudySansITCbyBT-Bold             BT  0926    goudsanb
+     bysbi8a   GoudySansITCbyBT-BoldItalic       BT  0927    goudsabi
+     bysc8a    GoudySansITCbyBT-Black            BT  0928    goudsank
+     bysci8a   GoudySansITCbyBT-BlackItalic      BT  0929    goudsaki
+     bnbr8a    NewBaskervilleITCbyBT-Roman       BT  0930    newbaskn
+     bnbri8a   NewBaskervilleITCbyBT-Italic      BT  0931    newbaski
+     bnbb8a    NewBaskervilleITCbyBT-Bold        BT  0934    newbaskb
+     bnbbi8a   NewBaskervilleITCbyBT-BoldItal    BT  0935    newbasbi
+     bclrl8a   CloisterOpenFaceBT-Regular        BT  0938    cloisofn
+     bt2r8a    TypoUprightBT-Regular             BT  0939    typouprn
+     bs2r8a    Script12PitchBT-Roman             BT  0940    scrpt12n
+     blwk8a    LeawoodITCbyBT-Book               BT  0941    leawodn
+     blwki8a   LeawoodITCbyBT-BookItalic         BT  0942    leawodni
+     bngd8a    NewsGothicBT-Demi                 BT  0949    newsgotd
+     bngdi8a   NewsGothicBT-DemiItalic           BT  0950    newsgtdi
+     b_____    CataneoBT-Light                   BT  0951    catanltn
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+     b_____    CataneoBT-Bold                    BT  0953    catanbon
+     blfr8a    LifeBT-Roman                      BT  0954    lifen
+     blfri8a   LifeBT-Italic                     BT  0955    lifei
+     blfb8a    LifeBT-Bold                       BT  0956    lifeb
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+     bunl8aq   ZurichBT-LightExtraCondensed      BT  0958    zurchlxc
+     bunr8aq   ZurichBT-ExtraCondensed           BT  0959    zurchxc
+     bunb8aq   ZurichBT-BoldExtraCondensed       BT  0960    zurchbxc
+     beel8a    Egyptian505BT-Light               BT  0961    egyt505l
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+     beem8a    Egyptian505BT-Medium              BT  0963    egyt505m
+     beeb8a    Egyptian505BT-Bold                BT  0964    egyt505b
+     b_____    BruceOldStyleBT-Roman             BT  0965    bruolstn
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+     bhsr8a    Swiss924BT-RegularB               BT  0969    swz924n
+     bunx8a    ZurichBT-ExtraBlack               BT  0970    zurchxk
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+     bbdb8ac   BodoniBT-BoldCondensed            BT  0973    bodonibc
+     benb8a    EngraversRomanBT-Bold             BT  0974    engrvrb
+     bi0r8a    CommercialScriptBT-Regular        BT  0976    comscrtn
+     bs6r8a    StuyvesantBT-Regular              BT  0980    stuyvesn
+     bnur8a    NuptialBT-Regular                 BT  0981    nuptualn
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+     bw0r8a    WeddingTextBT-Regular             BT  0985    wedtxtn
+     bb7rw8a   BernhardTangoBT-Regular           BT  0986    bnhrdtan
+     bl1r8a    LibertyBT-Regular                 BT  0987    libertyn
+     bwnrl8a   WindsorBT-Outline                 BT  0988    wndsro
+     bp3r8a    Brush445BT-Regular                BT  0990    brus445n
+     bgql8a    Gothic720BT-LightB                BT  0991    goth720l
+     bgqli8a   Gothic720BT-LightItalicB          BT  0992    got720li
+     bgqr8a    Gothic720BT-RomanB                BT  0993    goth720n
+     bgqri8a   Gothic720BT-ItalicB               BT  0994    goth720i
+     bgqb8a    Gothic720BT-BoldB                 BT  0995    goth720b
+     bgqbi8a   Gothic720BT-BoldItalicB           BT  0996    got720bi
+     baur8a    Freeform721BT-Roman               BT  0997    frfm721n
+     bauri8a   Freeform721BT-Italic              BT  0998    frfm721i
+     baub8a    Freeform721BT-Bold                BT  0999    frfm721b
+     baubi8a   Freeform721BT-BoldItalic          BT  1000    frf721bi
+     bauc8a    Freeform721BT-Black               BT  1001    frfm721k
+     bauci8a   Freeform721BT-BlackItalic         BT  1002    frf721ki
+     bb7b8ac   BernhardBoldCondensedBT-Regular   BT  1003    brhrdbc
+     bazc8a    Gothic725BT-BlackA                BT  1007    goth720k
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+     b_____    MattAntiqueBT-Roman               BT  1014    matantqn
+     b_____    MattAntiqueBT-Italic              BT  1015    matantqi
+     b_____    MattAntiqueBT-Bold                BT  1016    matantqb
+     bmar8a    Freehand521BT-RegularC            BT  1018    frhnd521
+     bmpm8ac   GeometricSlab703BT-MediumCond     BT  1019    geo703mc
+     bmpb8ac   GeometricSlab703BT-BoldCond       BT  1020    geo703bc
+     bmpx8ac   GeometricSlab703BT-XtraBoldCond   BT  1021    ge703xbc
+     bbll8a    BelweBT-Light                     BT  1022    belwel
+     bblm8a    BelweBT-Medium                    BT  1023    belwem
+     bblb8a    BelweBT-Bold                      BT  1024    belweb
+     bblr8ac   BelweBT-RomanCondensed            BT  1025    belwec
+     btvc8a    Kuenstler480BT-Black              BT  1026    kuen408k
+     ba8a8ac   AuroraBT-RomanCondensed           BT  1027    aurorac
+     ba8b8ac   AuroraBT-BoldCondensed            BT  1028    aurorabc
+     b_____    CataneoBT-RegularSwash            BT  1030    catanswn
+     bcbcl8a   CooperBT-BlackOutline             BT  1034    coopblo
+     btmrd8a   Dutch801BT-RomanHeadline          BT  1035    dut801na
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+     b_____    Modern880BT-Roman                 BT  1037    mod880n
+     b_____    Modern880BT-Italic                BT  1038    mod880i
+     b_____    Modern880BT-Bold                  BT  1039    mod880b
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+     bvirid8a  DeVinneBT-ItalicText              BT  1042    devinnit
+     bb5r8a    Freehand591BT-RegularA            BT  1043    frhnd591
+     b_____    Blackletter686BT-Regular          BT  1044    blklt686
+     benbf8a   EngraversOldEnglishBT-Bold        BT  1045    engroleb
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+     bgyh8a    GoudyHeavyfaceBT-Regular          BT  1049    goudhfcn
+     bgyh8ac   GoudyHeavyfaceBT-RegularCond      BT  1050    goudhfcc
+     bb7rn8a   BernhardFashionBT-Regular         BT  1051    bnhrdfan
+     bppc8a    Lapidary333BT-Black               BT  1052    lap333k
+     bgyrf8a   GoudyHandtooledBTsRegular         BT  1053    goudhndn
+     bg5r8a    GoudyCatalogueBT-Regular          BT  1054    goudcatn
+     bcnr8a    Century725BT-Roman                BT  1055    cen725n
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+     bcnr8ac   Century725BT-RomanCondensed       BT  1057    cen725c
+     bcnb8ac   Century725BT-BoldCondensed        BT  1058    cen725bc
+     bcnri8a   Century725BT-Italic               BT  1059    cen725i
+     bcnc8a    Century725BT-Black                BT  1060    cen725k
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+     bocb8a    Dutch809BT-BoldC                  BT  1063    dut809b
+     bpsr8a    ParisianBT-Regular                BT  1064    parisnn
+     bctb8ac   CheltenhamBT-BoldCondensed        BT  1065    chltboc
+     bctbi8ac  CheltenhamBT-BoldCondItalic       BT  1066    chltboci
+     bctb8aq   CheltenhamBT-BoldExtraCondensed   BT  1067    chltboxc
+     bbrr8a    Revival565BT-Roman                BT  1068    revi565n
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+     bbrbi8a   Revival565BT-BoldItalic           BT  1071    rev565bi
+     bubrd8a   BauerBodoniBT-Titling             BT  1072    baubodti
+     bumr8a    UmbraBT-Regular                   BT  1074    umbran
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+     brar8a    RaleighBT-Roman                   BT  1078    raleighn
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+     brad8a    RaleighBT-DemiBold                BT  1080    raleigdb
+     brab8a    RaleighBT-Bold                    BT  1081    raleighb
+     brax8a    RaleighBT-ExtraBold               BT  1082    raleigxb
+     boyr8a    Dutch811BT-RomanD                 BT  1083    dut811n
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+     bwdb8a    WeidemannITCbyBT-Bold             BT  1091    weidmnb
+     bwdbi8a   WeidemannITCbyBT-BoldItalic       BT  1092    weidmnbi
+     burr8a    Venetian301BT-Roman               BT  1095    ven301n
+     burri8a   Venetian301BT-Italic              BT  1096    ven301i
+     burd8a    Venetian301BT-Demi                BT  1097    ven301d
+     burdi8a   Venetian301BT-DemiItalic          BT  1098    ven301di
+     burb8a    Venetian301BT-Bold                BT  1099    ven301b
+     burbi8a   Venetian301BT-BoldItalic          BT  1100    ven301bi
+     b_____    FrysBaskervilleBT-Roman           BT  1101    frybaskn
+     baar8a    AachenBT-Roman                    BT  1102    aachenn
+     baab8a    AachenBT-Bold                     BT  1103    aachenb
+     bhwl8a    SchadowBT-Light                   BT  1104    schadwl
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+     bhwb8a    SchadowBT-Bold                    BT  1107    schadwb
+     bhwc8a    SchadowBT-Black                   BT  1108    schadwk
+     bder8a    DellaRobbiaBT-Roman               BT  1112    delarobn
+     bdeb8a    DellaRobbiaBT-Bold                BT  1113    delarobb
+     bhwc8ac   SchadowBT-BlackCondensed          BT  1114    schadwkc
+     bnlr8a    Informal011BT-Roman               BT  1115    infr011n
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+     bkbr8a    Geometric231BT-RomanC             BT  1127    geo231n
+     bkbb8a    Geometric231BT-BoldC              BT  1128    geo231b
+     bkbh8a    Geometric231BT-HeavyC             BT  1129    geo231h
+     ba5r8a    AllegroBT-Regular                 BT  1138    allegron
+     bc9r8a    Calligraphic421BT-RomanB          BT  1139    calg421n
+     b_____    Geometric885BT-RegularD           BT  1140    geo885n
+     bpi005    Formal436BT-Regular               BT  1141    frml436n
+     bl4r8a    LucianBT-Roman                    BT  1142    luciann
+     bl4b8a    LucianBT-Bold                     BT  1143    lucianb
+     brsr8a    ArrusBT-Roman                     BT  1145    arrusn
+     brsri8a   ArrusBT-Italic                    BT  1146    arrusi
+     brsb8a    ArrusBT-Bold                      BT  1147    arrusb
+     brsbi8a   ArrusBT-BoldItalic                BT  1148    arrusbi
+     brsc8a    ArrusBT-Black                     BT  1149    arrusk
+     brsci8a   ArrusBT-BlackItalic               BT  1150    arruski
+     bt0r8a    TangoBT-Regular                   BT  1151    tangon
+     bbsr8a    BakerSignetBT-Roman               BT  1152    bakrsign
+     bczr8a    Staccato555BT-RegularA            BT  1153    stac555n
+     ba3r8a    AdLibBT-Regular                   BT  1154    adlibn
+     bmor8a    Modern20BT-RomanB                 BT  1168    modrn20n
+     bmori8a   Modern20BT-ItalicB                BT  1169    modrn20i
+     be1r8a    EmpireBT-Regular                  BT  1176    empiren
+     bhxr8a    HuxleyVerticalBT-Regular          BT  1177    huxvertn
+     bozr8a    OzHandicraftBT-Roman              BT  1178    ozhandin
+     biyr8a    IowanOldStyleBT-Roman             BT  1198    iwolstyn
+     biyri8a   IowanOldStyleBT-Italic            BT  1199    iwolstyi
+     biyb8a    IowanOldStyleBT-Bold              BT  1200    iwolstyb
+     biybi8a   IowanOldStyleBT-BoldItalic        BT  1201    iwolstbi
+     biyc8a    IowanOldStyleBT-Black             BT  1202    iwolstyk
+     biyci8a   IowanOldStyleBT-BlackItalic       BT  1203    iwolstki
+     bo1r8a    OrandaBT-Roman                    BT  1204    orandan
+     bo1ri8a   OrandaBT-Italic                   BT  1205    orandai
+     bo1b8a    OrandaBT-Bold                     BT  1206    orandab
+     bo1bi8a   OrandaBT-BoldItalic               BT  1207    orandabi
+     bo1r8ac   OrandaBT-RomanCondensed           BT  1208    orandac
+     bo1b8ac   OrandaBT-BoldCondensed            BT  1209    orandabc
+     bm4r8a    MisterEarlBT-Regular              BT  1221    mrearln
+     bb9b8a    BremenBT-Bold                     BT  1231    bremenb
+     bb9c8a    BremenBT-Black                    BT  1232    bremenk
+     bwcr8a    SnowCapBT-Regular                 BT  1237    ________
+     bpi007    SprocketDeluxeBT-Regular          BT  1243    ________
+     bpi008    SprocketBT-Regular                BT  1244    ________
+     bpi009    SonicCutThruBT-Heavy              BT  1247    ________
+     bo0r8a    OldDreadfulNo7BT-Regular          BT  7009    ________
+     bzdr      ZapfDingbatsITCbyBT-Regular       BT  8556    zafdingn
+     b_____    MICR10byBT-Regular                BT  8729    micr010n
+     b_____    MICR12byBT-Regular                BT  8730    micr012n
+     b_____    MICR13byBT-Regular                BT  8731    micr013n
+     bpi003    UniversalMath1BT-Regular          BT  9014    ________
+     bpi004    CommercialPiBT-Regular            BT  9025    ________
+     bpi002    SymbolProportionalBT-Regular      BT  9830    symbpron
+     bpi010    HolidayPiBT-Regular               BT  9832    ________
+     bpi001    NewspaperPiBT-Regular             BT  9836    ________
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Filenames-for-fonts.html b/Master/texmf-dist/doc/fontname/Filenames-for-fonts.html
new file mode 100644
index 00000000000..7a23728b1e6
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Filenames-for-fonts.html
@@ -0,0 +1,88 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Filenames%20for%20fonts">Filenames for fonts</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Long-names.html#Long%20names">Long names</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Introduction.html#Introduction">Introduction</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Filenames for fonts</h2>
+
+<p>We must limit ourselves to eight character names, for compatibility with
+DOS filesystems and the ISO 9660 standard used for CD-ROM distribution. 
+Names may consist of only the letters (monocase a-z), numerals (0-9),
+and underscore.
+
+   <p>Here is the basic division of the eight characters (the spaces here are
+merely for readability):
+
+<pre class="example">      <var>S</var> <var>TT</var> <var>W</var> [<var>V<small class="dots">...</small></var>] [<var>N</var>] [<var>E</var>] [<var>DD</var>]
+     </pre>
+
+<p>where
+
+     <dl>
+<dt><var>S</var>
+     <dd>represents the supplier of the font.
+
+     <br><dt><var>TT</var>
+     <dd>represents the typeface name.
+
+     <br><dt><var>W</var>
+     <dd>represents the weight.
+
+     <br><dt><var>V<small class="dots">...</small></var>
+     <dd>represents the variant(s), and is omitted if both it and the width are
+normal.  Many fonts have more than one variant.
+
+     <br><dt><var>N</var>
+     <dd>represents the encoding, and is omitted if the encoding is nonstandard. 
+Encodings are subsumed in the section on variants (see <a href="Variants.html#Variants">Variants</a>).
+
+     <br><dt><var>E</var>
+     <dd>represents the width ("expansion"), and is omitted if
+it is normal.
+
+     <br><dt><var>DD</var>
+     <dd>represents the design size (in decimal), and is omitted if the font is
+linearly scaled.  Mittelbach in <cite>TUGboat</cite> 13(1) proposes using
+hexadecimal or base-36 notation.  I don't think the increased range
+makes up for the unreadability of the common sizes (e.g., 10pt
+fonts would have a suffix <code>a</code> (in hex), or <code>j</code> (in base 36)).
+
+   </dl>
+
+   <p>The weight, variants, and width are probably all best taken from the
+original name of the font, instead of trying to relate them to some
+external standard.
+
+<ul class="menu">
+<li><a accesskey="1" href="Suppliers.html#Suppliers">Suppliers</a>: 
+<li><a accesskey="2" href="Typefaces.html#Typefaces">Typefaces</a>: 
+<li><a accesskey="3" href="Weights.html#Weights">Weights</a>: 
+<li><a accesskey="4" href="Variants.html#Variants">Variants</a>: 
+<li><a accesskey="5" href="Widths.html#Widths">Widths</a>: 
+</ul>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Font-legalities.html b/Master/texmf-dist/doc/fontname/Font-legalities.html
new file mode 100644
index 00000000000..b47b85bb25e
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Font-legalities.html
@@ -0,0 +1,99 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Font%20legalities">Font legalities</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Index.html#Index">Index</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Encodings.html#Encodings">Encodings</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="appendix">Font legalities</h2>
+
+<p>This section owes a great deal to Charles Bigelow (co-designer with Kris
+Holmes of the Lucida typeface family, among others), who has generously
+answered our many queries about fonts and the law around the world with
+remarkable patience and understanding.  (But he is naturally not
+responsible for any errors here, much less our opinions.)
+
+   <p>Fonts have always been treated rather strangely under the law, as befits
+their rather strange nature: letterforms are indivisibly both
+<em>useful</em> and <em>artistic</em>.  In most countries--in all countries
+until recently--utility has taken precedence; i.e., it has been legal
+to copy fonts without permission or fee.
+
+   <p>In any case, to the best of my knowledge, the situation in those
+countries which have adopted any sort of typeface protection is as
+follows:
+
+     <dl>
+
+     <br><dt>United States
+     <dd>Typeface designs can be patented, but not copyrighted.  Only a few
+designs have been patented.  (Lucida and Stone are the only ones I know
+of.  I don't know what the grounds were for patenting Stone, but Lucida
+had some novel features in its design which make it reasonable to
+patent, given the acceptance of the patent system in the first place.)
+
+     <p>Particular programs which instantiate a font can be copyrighted just as
+any other computer program can.  This is arguably wrong, since font
+programs are nothing but a description of the shapes, possibly with some
+simple hints, and there's only one basic way to describe the shapes in
+any given language.  Thus, the creativity lies in making the shape
+right, not in making the computer program right, so it would seem that
+to be consistent, the copyright laws should protect the design, not the
+program--the opposite of the current situation.
+
+     <br><dt>Germany
+     <dd>Typeface designs have been copyrightable as original works of art since
+1981.  As a result, many (perhaps most) designs have been copyrighted
+there. The law is not retroactive, but German courts have upheld the
+intellectual property rights of designers of earlier fonts as well: In
+one case the heirs of Paul Bauer (designer of Futura) won a suit against
+the Bauer foundry for arbitrarily discontinuing a portion of their
+royalties.
+
+     <br><dt>England
+     <dd>A copyright law passed in 1989 covers typeface designs first published
+in England (or published in Britain within 30 days of its publication
+elsewhere), and it <em>is</em> retroactive.  It's unclear how far back the
+law extends, but Times Roman, designed in the late 1920's and 1930's by
+Stanley Morison and cut by Victor Lardent for Monotype is probably
+covered.  This does not mean GNU (for example) cannot have a Times
+Roman; it just means we cannot start with an English version, as the law
+does not forbid importing foreign versions of English typefaces.
+
+     <br><dt>France
+     <dd>The Romain du Roi typeface designed by Philippe Grandjean in 1702 for
+the French royal family is protected, and perhaps other such "royal"
+designs.  There is no protection for designs in general.
+
+   </dl>
+
+   <p>In 1973 the international Vienna treaty on typeface design protection
+was proposed.  France ratified it in 1974 or 1975, and Germany in 1981. 
+The English law might constitute ratification, but this has not been
+settled.  In any case, since at least four countries have to ratify it
+before it takes effect (and even then it takes effect only in those
+countries which ratify it), it is still of no consequence for now.
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Long-names.html b/Master/texmf-dist/doc/fontname/Long-names.html
new file mode 100644
index 00000000000..f333d196296
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Long-names.html
@@ -0,0 +1,43 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Long%20names">Long names</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Font-name-lists.html#Font%20name%20lists">Font name lists</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="index.html#Top">Top</a>
+<hr><br>
+</div>
+
+<h2 class="chapter">Long names</h2>
+
+<p>Eight characters is not enough to unambiguously represent all fonts.  To
+do that, we have to allow ourselves arbitrarily long names.  Although we
+certainly cannot use such names for the files themselves, we could still
+use them in TeX documents given a simple mapping file, as discussed
+below.
+
+<ul class="menu">
+<li><a accesskey="1" href="Name-mapping-file.html#Name%20mapping%20file">Name mapping file</a>:            Aliases for fonts. 
+<li><a accesskey="2" href="Long-naming-scheme.html#Long%20naming%20scheme">Long naming scheme</a>:           A way to use more than 8 alphanumerics. 
+</ul>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Makefile b/Master/texmf-dist/doc/fontname/Makefile
new file mode 100644
index 00000000000..e398d947952
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Makefile
@@ -0,0 +1,100 @@
+# Makefile for the fontname document.
+
+# For make install.
+prefix = /usr/local
+infodir = $(prefix)/info
+datadir = $(prefix)/share
+texmf = $(datadir)/texmf
+fontnamedir = $(texmf)/fontname
+psheaderdir = $(texmf)/dvips
+
+INSTALL = install -c
+INSTALL_DATA = $(INSTALL) -m 664
+
+MAKEINFO = /usr/local/gnu/bin/makeinfo
+MAKEINFO_FLAGS = --no-split
+TEXI2DVI = texi2dvi
+TEXI2PDF = texi2dvi --pdf
+TEXI2HTML = $(MAKEINFO) --html
+#TEXI2HTML = texi2html
+#TEXI2HTML_FLAGS = -split_chapter -menu
+
+SHELL = /bin/sh
+
+doc = fontname
+
+default doc all: $(doc).info $(doc)/index.html $(doc).html $(doc).dvi $(doc).pdf
+
+dvi $(doc).dvi: $(doc).texi *.map *.enc
+	$(TEXI2DVI) $(doc).texi
+
+info $(doc).info: $(doc).texi *.map *.enc
+	$(MAKEINFO) $(MAKEINFO_FLAGS) $<
+
+$(doc).html: $(doc).texi *.map *.enc
+	$(TEXI2HTML) --no-split $(doc).texi 
+
+$(doc)/index.html: $(doc).texi *.map *.enc
+	$(TEXI2HTML) -o html $(doc).texi 
+
+pdf $(doc).pdf: $(doc).texi *.map *.enc
+	$(TEXI2PDF) $(doc).texi 
+	for f in $(doc).??; do test -s $$f || rm $$f; done; rm -f $(doc).log
+
+install: info
+	$(SHELL) mkdirchain $(fontnamedir) $(psheaderdir) $(infodir)
+	for m in *.map; do $(INSTALL_DATA) $$m $(fontnamedir)/$$m; done
+	for e in *.enc; do $(INSTALL_DATA) $$e $(psheaderdir)/$$e; done
+	for i in $(doc).info*; do $(INSTALL_DATA) $$i $(infodir)/$$i; done
+
+# Prevent GNU make 3 from overflowing arg limit on system V.
+.NOEXPORT:
+
+distdir = $(fontname)/fontname
+toplevel = $(addprefix ../, \
+             ChangeLog Makefile NEWS README *.enc *.texi *.map *.aka)
+
+dist: $(doc).info check distclean
+	-grep '	' *.map # check for tabs
+	rm -rf $(distdir)
+	mkdir -p $(distdir)
+	cd $(distdir) && ln -s $(toplevel) .
+	cd $(distdir) && ln -s $(txinfo)/doc/texinfo.tex $(HOME)/bin/mkdirchain .
+# Have to add version number and date before making the Info file.
+	(cd $(distdir) && \
+         add-version $(version) $(doc).texi; \
+         add-date $(doc).texi; \
+         fix-checksum $(doc).texi; \
+ 	 $(MAKE) doc distclean; \
+	 ln -s fontname_toc.html index.html; \
+	 mv $(doc).texi $(doc)-$(version).texi; \
+	 ln -s $(doc)-$(version).texi $(doc).texi)
+	cd $(distdir)/..; basedir=$(notdir $(distdir)); \
+	  GZIP=-9 tar chzf $$basedir.tar.gz $$basedir
+#	rm -rf $(distdir)
+
+mostlyclean clean:
+	rm -f $(doc).?? *.log #*.dvi
+
+distclean: clean
+	for f in $(doc).??s; do test -s $$f || rm -f $$f; done
+
+extraclean: distclean
+	rm -f *~ \#* patch* *.orig *.rej *.bak *.ckp core a.out
+
+maintainer-clean realclean: distclean
+	rm -f *.info* $(doc).???
+
+old-check:
+	rm -rf testhier
+	mkdir testhier
+	for s in `sed '/^%/d' supplier.map | awk '{print $$2}'`; do \
+	  mkdir testhier/$$s; done
+	for t in `sed '/^%/d' typeface.map | awk '{print $$2}'`; do \
+	  mkdir testhier/unknown/$$t; done
+	find testhier | doschk
+	rm -rf testhier
+
+check:
+	grep -vh "^@" `ls -1 *.map | egrep -v '(softkey.*|texfonts).map'` | sort | uniq -dw 9
+	-grep '	' *.map *.texi *.enc
diff --git a/Master/texmf-dist/doc/fontname/Weights.html b/Master/texmf-dist/doc/fontname/Weights.html
new file mode 100644
index 00000000000..ac676b890ab
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Weights.html
@@ -0,0 +1,64 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Weights">Weights</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="Variants.html#Variants">Variants</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Typefaces.html#Typefaces">Typefaces</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Weights</h3>
+
+<p>The <dfn>weight</dfn> of a font specifies its boldness.  Arranged from
+lightest to heaviest (more or less):
+
+<pre class="display">     hairline, extra light, light
+     book, regular, medium
+     demibold, semibold, bold, extra bold, heavy
+     black, ultra, poster
+     </pre>
+
+   <p>Here is the table, from the file <code>weight.map</code>.  It is organized
+alphabetically by abbreviation.  Each line consists of an abbreviation
+and any parts of a PostScript <code>FontName</code> which use that
+abbreviation.
+
+<pre class="example">
+
+     a Thin Hairline
+     b Bold
+     c Black
+     d Demi
+     h Heavy Heavyface
+     j ExtraLight
+     k Book
+     l Light
+     m Medium
+     p Poster
+     r Regular Roman
+     s Semibold
+     u Ultra UltraBlack
+     x ExtraBold ExtraBlack
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/Widths.html b/Master/texmf-dist/doc/fontname/Widths.html
new file mode 100644
index 00000000000..373fb64c40a
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/Widths.html
@@ -0,0 +1,69 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="Widths">Widths</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="Variants.html#Variants">Variants</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Filenames-for-fonts.html#Filenames%20for%20fonts">Filenames for fonts</a>
+<hr><br>
+</div>
+
+<h3 class="section">Widths</h3>
+
+<p>The <dfn>width</dfn> of a font specifies the compression or expansion of the
+font.  Arranged from narrowest to widest (more or less):
+
+<pre class="display">     ultra compressed, extra condensed, compressed, condensed, narrow
+     regular
+     extended, expanded, wide
+     </pre>
+
+   <p>Expansion or compression of fonts is sometimes done automatically (as by
+the PostScript <code>scale</code> operator), and sometimes done by humans.  In
+the latter case, the human will also presumably choose a font name which
+includes `Extended' or `Expanded' or `Condensed' or `Narrow' or whatever
+according to their own preferences; the abbreviation can follow along. 
+When creating a new synthetically expanded or compressed font for use
+with TeX, e.g., with Afm2tfm or <code>fontinst</code>, use <code>n</code> and
+<code>e</code>.
+
+   <p>Here is the table, from the file <code>width.map</code>.  It is organized
+alphabetically by abbreviation.  Each line consists of an abbreviation
+and any parts of a PostScript <code>FontName</code> which use that
+abbreviation.
+
+<pre class="example">
+
+     c Condensed Cond
+     e Expanded
+     n Narrow
+     o UltraCondensed
+     p Compressed Compact
+     q ExtraCompressed ExtraCondensed
+     r Normal Medium Regular (usually omitted)
+     t Thin
+     u UltraCompressed
+     v ExtraExpanded more than <tt>Expanded</tt>, less than <tt>Wide</tt>
+     w Wide
+     x Extended Elongated
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/bitstrea.aka b/Master/texmf-dist/doc/fontname/bitstrea.aka
new file mode 100644
index 00000000000..7afd85f6d01
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/bitstrea.aka
@@ -0,0 +1,475 @@
+From: mark@sdd.hp.com (Mark Overton)
+Newsgroups: comp.fonts
+Subject: Bitstream AKA list, x-ref'ed + reformatted
+Date: 10 Apr 1995 19:33:53 GMT
+
+Hi,
+
+I've taken Jon Pastor's Bitstream AKA list, and added a cross-reference to
+find a Bitstream name based on a common name.  And I reformatted it to be
+more human-readable.  I had to throw out a bunch of ancillary information
+to get everything to fit in 80 character-wide lines.
+
+This file consists of four sections:
+
+   - Bitstream => Common name list
+   - Common => Bitstream name list
+   - Jon's original comma-separated list
+   - Jon's original tab-separated list
+
+Jon Pastor wrote in his original AKA list:
+
+Well, here's the latest version, incorporating all of the information supplied
+by a cast of half-dozens, including Mike Macrone, Rory Jaffe, John C Haugeland,
+and P.Doherty. Mike contributed most of the designers and dates; I added a few
+on this go-round. P.Doherty added a few fonts from other CDs that Bitstream
+has licensed; since these are part of the full Bitstream library, which I hope
+someday soon to be able to cross-ref, I'm leaving them in. This includes
+Italian Garamond, which is not on the 500 CD.
+
+- Mark
+
+------------------------------------------------------------------------------
+Mark Overton,  Hewlett-Packard (San Diego Division),  mark@sdd.hp.com
+------------------------------------------------------------------------------
+
+
+Bitstream Name           Common Name
+
+Aldine 401               Bembo
+Aldine 721               Plantin
+Blackletter 686          London Text
+Brush 445                Palette
+Brush 738                Bison
+Calligraphic 421         Codex
+Calligraphic 810         Diotima
+Century 725              Madison
+Century 731              Textype
+Century 751              Primer
+Decorated 035            Profil
+Dutch 766                Imprint
+Dutch 801                Times Roman
+Dutch 809                Concorde
+Dutch 811                Olympian
+Dutch 823                Aster
+Egyptian 505             VGC Egyptian 505
+English 157              Englische Screibschrift
+Exotic 350               Peignot
+Flareserif 821           Albertus
+Formal 436               Oscar
+Formal Script 421        Mermaid
+Formal Script 421        Ondine
+Freeform 710             Eckmann
+Freeform 721             Auriol
+Freehand 471             Cascade
+Freehand 521             Mandate
+Freehand 575             Jefferson
+Freehand 591             Bingham Script
+Garamond American        Garamond No. 3
+Garamond Classic         Sabon
+Garamond Elegant         Granjon
+Garamond Italian         Simoncini Garamond
+Garamond Original        Stempel Garamond
+Geometric 212            Spartan
+Geometric 231            Cable
+Geometric 415            Metro
+Geometric 706            Neuzeit Grotesk
+Geometric 885            Bloc
+Geometric Slabserif 703  Memphis
+Geometric Slabserif 712  Rockwell
+Geometric Slabserif 712  Slate
+Gothic 720               Grotesque 126,215,216
+Gothic 725               Akzidenz Grotesk
+Gothic 821               Block
+Humanist 521             Gill Sans
+Humanist 521             Hammersmith
+Humanist 531             Syntax
+Humanist 777             Frutiger
+Humanist 970             Adsans
+Humanist Slabserif 712   Egyptienne
+Incised 901              Antique Olive
+Incised 901              Provence
+Industrial 736           Torino
+Informal 011             Neuland
+Kis                      Janson
+Kuenstler 480            Activa
+Kuenstler 480            Trump Medieval
+Lapidary 333             Perpetua
+Latin 725                Meridien
+Modern 735               Bodoni Campanile
+Modern 880               Linotype Modern
+Monospace 821            Helvetica Monospaced
+News 701                 Ionic No. 5
+News 702                 Excelsior
+News 705                 Corona
+News 706                 Aurora
+Raleigh                  Cartier
+Revival 565              Berling
+Ribbon 131               Coronet
+Square 721               Eurostile
+Square Slabserif 711     City
+Staccato 222             Mistral
+Staccato 555             Choc
+Swiss 721                Helvetica
+Swiss 911                Helvetica Compressed
+Swiss 921                Helvetica Inserat
+Swiss 924                Hanseatic
+Transitional 511         Caledonia
+Transitional 521         Electra
+Transitional 551         Fairfield
+Typo Upright             Linoscript
+Venetian 301             Centaur
+Wedding Text             Linotext
+Zapf Calligraphic        Palatino
+Zapf Elliptical 711      Melior
+Zapf Humanist 601        Optima
+Zurich                   Univers
+
+
+=============================================================================
+
+
+Common Name              Bitstream Name
+
+Activa                   Kuenstler 480
+Adsans                   Humanist 970
+Akzidenz Grotesk         Gothic 725
+Albertus                 Flareserif 821
+Antique Olive            Incised 901
+Aster                    Dutch 823
+Auriol                   Freeform 721
+Aurora                   News 706
+Bembo                    Aldine 401
+Berling                  Revival 565
+Bingham Script           Freehand 591
+Bison                    Brush 738
+Bloc                     Geometric 885
+Block                    Gothic 821
+Bodoni Campanile         Modern 735
+Cable                    Geometric 231
+Caledonia                Transitional 511
+Cartier                  Raleigh
+Cascade                  Freehand 471
+Centaur                  Venetian 301
+Choc                     Staccato 555
+City                     Square Slabserif 711
+Codex                    Calligraphic 421
+Concorde                 Dutch 809
+Corona                   News 705
+Coronet                  Ribbon 131
+Diotima                  Calligraphic 810
+Eckmann                  Freeform 710
+Egyptienne               Humanist Slabserif 712
+Electra                  Transitional 521
+Englische Screibschrift  English 157
+Eurostile                Square 721
+Excelsior                News 702
+Fairfield                Transitional 551
+Frutiger                 Humanist 777
+Garamond No. 3           Garamond American
+Gill Sans                Humanist 521
+Granjon                  Garamond Elegant
+Grotesque 126,215,216    Gothic 720
+Hammersmith              Humanist 521
+Hanseatic                Swiss 924
+Helvetica                Swiss 721
+Helvetica Compressed     Swiss 911
+Helvetica Inserat        Swiss 921
+Helvetica Monospaced     Monospace 821
+Imprint                  Dutch 766
+Ionic No. 5              News 701
+Janson                   Kis
+Jefferson                Freehand 575
+Linoscript               Typo Upright
+Linotext                 Wedding Text
+Linotype Modern          Modern 880
+London Text              Blackletter 686
+Madison                  Century 725
+Mandate                  Freehand 521
+Melior                   Zapf Elliptical 711
+Memphis                  Geometric Slabserif 703
+Meridien                 Latin 725
+Mermaid                  Formal Script 421
+Metro                    Geometric 415
+Mistral                  Staccato 222
+Neuland                  Informal 011
+Neuzeit Grotesk          Geometric 706
+Olympian                 Dutch 811
+Ondine                   Formal Script 421
+Optima                   Zapf Humanist 601
+Oscar                    Formal 436
+Palatino                 Zapf Calligraphic
+Palette                  Brush 445
+Peignot                  Exotic 350
+Perpetua                 Lapidary 333
+Plantin                  Aldine 721
+Primer                   Century 751
+Profil                   Decorated 035
+Provence                 Incised 901
+Rockwell                 Geometric Slabserif 712
+Sabon                    Garamond Classic
+Simoncini Garamond       Garamond Italian
+Slate                    Geometric Slabserif 712
+Spartan                  Geometric 212
+Stempel Garamond         Garamond Original
+Syntax                   Humanist 531
+Textype                  Century 731
+Times Roman              Dutch 801
+Torino                   Industrial 736
+Trump Medieval           Kuenstler 480
+Univers                  Zurich
+VGC Egyptian 505         Egyptian 505
+
+
+============================================================================
+
+
+From: pastor@vfl.paramax.com (Jon Pastor)
+Subject: Bitstream AKA list; the story continues...
+
+
+I have reverted the entries for the various Garamonds to the "Garamond,
+Variant" form, because I do this list mostly for my own convenience and that's
+the way I like it; if you prefer the other way, re-sort it. Nyah, nyah. ;-)
+
+Anyway, here it is in CSV and tab-sep form; I have been persuaded that
+UUENCODED Excel spreadsheets are a colossally dumb thing to distribute, and
+that formatted output looks nice but is pretty useless for loading into your
+own spreadsheet program.
+
+P.S. I've sent these to Norm Walsh, who will hopefully put them somewhere on
+his server (or in his web). It would be nice to think that they don't have to
+be posted every fifteen or twenty minutes, and that people with net/web access
+could be pointed toward the IFA...
+
+******************************** CSV ********************************
+
+Bitstream Name,Common Name,Designer(s),Date(s),Orig.Vend.,Remarks/Attributions,,,,,,,
+,(all),(M.Macrone/J.Pastor),(M.Macrone),(J.Pastor),,,,,,,,
+Aldine 401,Bembo,F. Griffo/A. Tagliente,1929,4,,,,,,,,
+Aldine 721,Plantin,,,4,,,,,,,,
+Blackletter 686,London Text ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Brush 445,Palette,M. Wilke,1953,5,,,,,,,,
+Brush 738,Bison,,,?,,,,,,,,
+Calligraphic 421,Codex,G. Trump,1954,2,,,,,,,,
+Calligraphic 810,Diotima,G. Zapf von Hesse,1952-53,2,,,,,,,,
+Century 725,Madison ,,,?,"from P.Doherty, not on 500 CD",,,,,,,
+Century 731,Textype ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Century 751,Primer ,,,2,"from P.Doherty, not on 500 CD",,,,,,,
+Decorated 035,Profil,E. & M. Lenz,1946,12,,,,,,,,
+Dutch 766,Imprint ,,,4,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 801,Times Roman,S. Morrison/V. Lardent,1931-35,"2,4",,,,,,,,
+Dutch 809,Concorde ,,,5,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 811,Olympian,M. Carter,after 1969,2,"from P.Doherty, not on 500 CD",,,,,,,
+Dutch 823,Aster,,,7,"from P.Doherty, not on 500 CD",,,,,,,
+Egyptian 505,VGC Egyptian 505,A. Grtler,1966,18,"from M. Macrone, not identified in BT catalog ",,,,,,,
+English 157,Englische Screibschrift,,,5,,,,,,,,
+Exotic 350,Peignot,A. M. Cassandre,1937,2,,,,,,,,
+Flareserif 821,Albertus,B. Wolpe,1938,4,,,,,,,,
+Formal 436,Oscar ,,,16,"from P.Doherty, not on 500 CD",,,,,,,
+Formal Script 421,Mermaid,A. Frutiger,1954,1,(Debergny et Peignot),,,,,,,
+Formal Script 421,Ondine,A. Frutiger,1954,2,(Debergny et Peignot),,,,,,,
+Freeform 710,Eckmann,O. Eckmann,1900,2,,,,,,,,
+Freeform 721,Auriol,G. Auriol,1901-04,2,,,,,,,,
+Freehand 471,Cascade,M. Carter,1966,2,,,,,,,,
+Freehand 521,Mandate,,,10,,,,,,,,
+Freehand 575,Jefferson,,,?,,,,,,,,
+Freehand 591,Bingham Script,,,?,,,,,,,,
+"Garamond, American",Garamond No. 3,,1925-30,2,,,,,,,,
+"Garamond, Classic",Sabon,J. Tschichold,1960-5,2,
+"Garamond, Elegant",Granjon,G. H.  Jones (dir.),ca.1925,2,
+"Garamond, Italian",Simoncini Garamond,,,7,
+"Garamond, Original",Stempel Garamond,,,2,
+Geometric 212,Spartan,,early 1930s,2,"[Futura copy] from P.Doherty, not on 500 CD"
+Geometric 231,Cable,R. Koch,1927,2,
+Geometric 415,Metro,W. A. Dwiggins,1930-32,2,
+Geometric 706,Neuzeit Grotesk,W. Pischner,1928,2,
+Geometric 885,Bloc ,,,18,"from P.Doherty, not on 500 CD"
+Geometric Slabserif 703,Memphis,R. Wolf/C. H. Griffith,1929-38,2,
+Geometric Slabserif 712,Rockwell,F. H. Pierpont,1934,4,
+Geometric Slabserif 712,Slate,,,1,
+Gothic 720,"Grotesque 126,215,216",,,4,"from P.Doherty, not on 500 CD"
+Gothic 725,Akzidenz Grotesk,,,5,
+Gothic 821,Block,,,5,
+Humanist 521,Gill Sans,E. Gill,1928-32,4,
+Humanist 521,Hammersmith,,,1,
+Humanist 531,Syntax ,,,2,"from P.Doherty, not on 500 CD"
+Humanist 777,Frutiger,A. Frutiger,,2,
+Humanist 970,Adsans,W. Tracy,1959,2,
+Humanist Slabserif 712,Egyptienne ,,,2,"from P.Doherty, not on 500 CD"
+Incised 901,Antique Olive,R. Excoffon,1962-68,15,
+Incised 901,Provence,,,1,
+Industrial 736,Torino,A. Butti,1908,16,
+Informal 011,Neuland,R. Koch,1923,2,
+Kis,Janson ,,1937,"2,4","from P.Doherty, not on 500 CD"
+Kuenstler 480,Activa,G. Trump,1958,1,
+Kuenstler 480,Trump Medieval,,,2,
+Lapidary 333,Perpetua,E. Gill,1928-35,4,
+Latin 725,Meridien ,,,2,"from P.Doherty, not on 500 CD"
+Modern 735,Bodoni Campanile,,1936,10,
+Modern 880,Linotype Modern ,,,2,"from P.Doherty, not on 500 CD"
+Monospace 821,Helvetica Monospaced,,,?,
+News 701,Ionic No. 5,C. H. GRiffith,1924,2,
+News 702,Excelsior ,,1931,2,"from P.Doherty, not on 500 CD"
+News 705,Corona ,,1941,2,"from P.Doherty, not on 500 CD"
+News 706,Aurora ,,,2,"from P.Doherty, not on 500 CD"
+Raleigh,Cartier,,,14,attributed to M.Macrone by R.Jaffe
+Revival 565,Berling,K. E. Forsberg,1951-58,?,
+Ribbon 131,Coronet,R. H. Middleton,1937,10,
+Square 721,Eurostile,A. Novarese,1962,2,
+Square Slabserif 711,City,G. Trump,1930,5,
+Staccato 222,Mistral,R. Excoffon,1953,15,
+Staccato 555,Choc,R. Excoffon,1954,15,
+Swiss 721,Helvetica,M. Miedinger,ca.1957,2,
+Swiss 911,Helvetica Compressed,H. J. Hunziker/M. Carter,1974,?,
+Swiss 921,Helvetica Inserat,,,?,
+Swiss 924,Hanseatic,,,2,
+Transitional 511,Caledonia ,W. A. Dwiggins,1941,2,"from P.Doherty, not on 500 CD"
+Transitional 521,Electra,W. A. Dwiggins,1935-44,2,
+Transitional 551,Fairfield,A. Kaczun,1991,2,
+Typo Upright,Linoscript,,,6,"from J.Haugeland, not identified in BT catalog"
+Venetian 301,Centaur,B. Rogers/F. Warde,1928-30,4,
+Wedding Text,Linotext,,,6,"from J.Haugeland, not identified in BT catalog"
+Zapf Calligraphic,Palatino,H. Zapf,1948,2,
+Zapf Elliptical 711,Melior,H. Zapf,1952,2,
+Zapf Humanist 601,Optima,H. Zapf,1958-68,2,
+Zurich,Univers,A. Frutiger,1957,2,
+
+Vendor,Key,,,,
+1,"Bitstream, Inc.",,,,
+2,Linotype AG and/or its subsidiaries,,,,
+3,International Typeface Corporation,,,,
+4,Monotype Corporation plc,,,,
+5,H. Berthold AG,
+6,Kingsley-ATF Type Corporation,
+7,Officine Simoncini s.p.a.,
+8,Fundicion Tipografica Neufville SA,
+9,FotoStar International,
+10,Ludlow Industries (UK) Ltd.,
+11,Johannes Wagner,
+12,Tetterode Nederland (Lettergieterij Amsterdam),
+13,Stephenson Blake & Co. Ltd.,
+14,Ingrama S.A.,
+15,Fonderie Olive,
+16,Societea Nebiolo,
+17,Esselte Pendaflex Corporation [Letraset?],
+18,Visual Graphics Corporation,
+
+
+
+******************************** TAB ********************************
+
+Bitstream Name	Common Name	Designer(s)	Date(s)	Orig.Vend.	Remarks/Attributions							
+	(all)	(M.Macrone/J.Pastor)	(M.Macrone)	(J.Pastor)								
+Aldine 401	Bembo	F. Griffo/A. Tagliente	1929	4								
+Aldine 721	Plantin			4								
+Blackletter 686	London Text 			2	"from P.Doherty, not on 500 CD"							
+Brush 445	Palette	M. Wilke	1953	5								
+Brush 738	Bison			?								
+Calligraphic 421	Codex	G. Trump	1954	2								
+Calligraphic 810	Diotima	G. Zapf von Hesse	1952-53	2								
+Century 725	Madison 			?	"from P.Doherty, not on 500 CD"							
+Century 731	Textype 			2	"from P.Doherty, not on 500 CD"							
+Century 751	Primer 			2	"from P.Doherty, not on 500 CD"							
+Decorated 035	Profil	E. & M. Lenz	1946	12								
+Dutch 766	Imprint 			4	"from P.Doherty, not on 500 CD"							
+Dutch 801	Times Roman	S. Morrison/V. Lardent	1931-35	"2,4"								
+Dutch 809	Concorde 			5	"from P.Doherty, not on 500 CD"							
+Dutch 811	Olympian	M. Carter	after 1969	2	"from P.Doherty, not on 500 CD"							
+Dutch 823	Aster			7	"from P.Doherty, not on 500 CD"							
+Egyptian 505	VGC Egyptian 505	A. Grtler	1966	18	"from M. Macrone, not identified in BT catalog "							
+English 157	Englische Screibschrift			5								
+Exotic 350	Peignot	A. M. Cassandre	1937	2								
+Flareserif 821	Albertus	B. Wolpe	1938	4								
+Formal 436	Oscar 			16	"from P.Doherty, not on 500 CD"							
+Formal Script 421	Mermaid	A. Frutiger	1954	1	(Debergny et Peignot)							
+Formal Script 421	Ondine	A. Frutiger	1954	2	(Debergny et Peignot)							
+Freeform 710	Eckmann	O. Eckmann	1900	2								
+Freeform 721	Auriol	G. Auriol	1901-04	2								
+Freehand 471	Cascade	M. Carter	1966	2								
+Freehand 521	Mandate			10								
+Freehand 575	Jefferson			?								
+Freehand 591	Bingham Script			?								
+"Garamond, American"	Garamond No. 3		1925-30	2								
+"Garamond, Classic"	Sabon	J. Tschichold	1960-5	2	
+"Garamond, Elegant"	Granjon	G. H.  Jones (dir.)	ca.1925	2	
+"Garamond, Italian"	Simoncini Garamond			7	
+"Garamond, Original"	Stempel Garamond			2	
+Geometric 212	Spartan		early 1930s	2	"[Futura copy] from P.Doherty, not on 500 CD"
+Geometric 231	Cable	R. Koch	1927	2	
+Geometric 415	Metro	W. A. Dwiggins	1930-32	2	
+Geometric 706	Neuzeit Grotesk	W. Pischner	1928	2	
+Geometric 885	Bloc 			18	"from P.Doherty, not on 500 CD"
+Geometric Slabserif 703	Memphis	R. Wolf/C. H. Griffith	1929-38	2	
+Geometric Slabserif 712	Rockwell	F. H. Pierpont	1934	4	
+Geometric Slabserif 712	Slate			1	
+Gothic 720	"Grotesque 126,215,216"			4	"from P.Doherty, not on 500 CD"
+Gothic 725	Akzidenz Grotesk			5	
+Gothic 821	Block			5	
+Humanist 521	Gill Sans	E. Gill	1928-32	4	
+Humanist 521	Hammersmith			1	
+Humanist 531	Syntax 			2	"from P.Doherty, not on 500 CD"
+Humanist 777	Frutiger	A. Frutiger		2	
+Humanist 970	Adsans	W. Tracy	1959	2	
+Humanist Slabserif 712	Egyptienne 			2	"from P.Doherty, not on 500 CD"
+Incised 901	Antique Olive	R. Excoffon	1962-68	15	
+Incised 901	Provence			1	
+Industrial 736	Torino	A. Butti	1908	16	
+Informal 011	Neuland	R. Koch	1923	2	
+Kis	Janson 		1937	"2,4"	"from P.Doherty, not on 500 CD"
+Kuenstler 480	Activa	G. Trump	1958	1	
+Kuenstler 480	Trump Medieval			2	
+Lapidary 333	Perpetua	E. Gill	1928-35	4	
+Latin 725	Meridien 			2	"from P.Doherty, not on 500 CD"
+Modern 735	Bodoni Campanile		1936	10	
+Modern 880	Linotype Modern 			2	"from P.Doherty, not on 500 CD"
+Monospace 821	Helvetica Monospaced			?	
+News 701	Ionic No. 5	C. H. GRiffith	1924	2	
+News 702	Excelsior 		1931	2	"from P.Doherty, not on 500 CD"
+News 705	Corona 		1941	2	"from P.Doherty, not on 500 CD"
+News 706	Aurora 			2	"from P.Doherty, not on 500 CD"
+Raleigh	Cartier			14	attributed to M.Macrone by R.Jaffe
+Revival 565	Berling	K. E. Forsberg	1951-58	?	
+Ribbon 131	Coronet	R. H. Middleton	1937	10	
+Square 721	Eurostile	A. Novarese	1962	2	
+Square Slabserif 711	City	G. Trump	1930	5	
+Staccato 222	Mistral	R. Excoffon	1953	15	
+Staccato 555	Choc	R. Excoffon	1954	15	
+Swiss 721	Helvetica	M. Miedinger	ca.1957	2	
+Swiss 911	Helvetica Compressed	H. J. Hunziker/M. Carter	1974	?	
+Swiss 921	Helvetica Inserat			?	
+Swiss 924	Hanseatic			2	
+Transitional 511	Caledonia 	W. A. Dwiggins	1941	2	"from P.Doherty, not on 500 CD"
+Transitional 521	Electra	W. A. Dwiggins	1935-44	2	
+Transitional 551	Fairfield	A. Kaczun	1991	2	
+Typo Upright	Linoscript			6	"from J.Haugeland, not identified in BT catalog"
+Venetian 301	Centaur	B. Rogers/F. Warde	1928-30	4	
+Wedding Text	Linotext			6	"from J.Haugeland, not identified in BT catalog"
+Zapf Calligraphic	Palatino	H. Zapf	1948	2	
+Zapf Elliptical 711	Melior	H. Zapf	1952	2	
+Zapf Humanist 601	Optima	H. Zapf	1958-68	2	
+Zurich	Univers	A. Frutiger	1957	2	
+
+Vendor	Key				
+1	"Bitstream, Inc."				
+2	Linotype AG and/or its subsidiaries				
+3	International Typeface Corporation				
+4	Monotype Corporation plc				
+5	H. Berthold AG	
+6	Kingsley-ATF Type Corporation	
+7	Officine Simoncini s.p.a.	
+8	Fundicion Tipografica Neufville SA	
+9	FotoStar International	
+10	Ludlow Industries (UK) Ltd.	
+11	Johannes Wagner	
+12	Tetterode Nederland (Lettergieterij Amsterdam)	
+13	Stephenson Blake & Co. Ltd.	
+14	Ingrama S.A.	
+15	Fonderie Olive	
+16	Societea Nebiolo	
+17	Esselte Pendaflex Corporation [Letraset?]	
+18	Visual Graphics Corporation
+	
+-----------------------------------------------------------------------
+Jon A. Pastor                                    pastor@vfl.paramax.com
+
diff --git a/Master/texmf-dist/doc/fontname/texmsym.html b/Master/texmf-dist/doc/fontname/texmsym.html
new file mode 100644
index 00000000000..8e3a0eb9bbe
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/texmsym.html
@@ -0,0 +1,219 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texmsym">texmsym</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texmital.html#texmital">texmital</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmext.html#texmext">texmext</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texmsym.enc</code>: TeX math symbol encoding</h3>
+
+<pre class="example">
+
+     % TeX math symbols encoding.
+     % No ligatures or kerns.
+     %
+     /TeXMathSymbolEncoding [          % now 256 chars follow
+     % 0x0
+     /minus
+     /periodcentered
+     /multiply
+     /asteriskmath
+     /divide
+     /diamondmath
+     /plusminus
+     /minusplus
+     
+     % 0x8
+     /circleplus
+     /circleminus
+     /circlemultiply
+     /circledivide
+     /circledot
+     /circlecopyrt
+     /openbullet
+     /bullet
+     
+     % 0x10
+     /equivasymptotic
+     /equivalence
+     /reflexsubset
+     /reflexsuperset
+     /lessequal
+     /greaterequal
+     /precedesequal
+     /followsequal
+     
+     % 0x18
+     /similar
+     /approxequal
+     /propersubset
+     /propersuperset
+     /lessmuch
+     /greatermuch
+     /precedes
+     /follows
+     
+     % 0x20
+     /arrowleft
+     /arrowright
+     /arrowup
+     /arrowdown
+     /arrowboth
+     /arrownortheast
+     /arrowsoutheast
+     /similarequal
+     
+     % 0x28
+     /arrowdblleft
+     /arrowdblright
+     /arrowdblup
+     /arrowdbldown
+     /arrowdblboth
+     /arrownorthwest
+     /arrowsouthwest
+     /proportional
+     
+     % 0x30
+     /prime
+     /infinity
+     /element
+     /owner
+     /triangle
+     /triangleinv
+     /negationslash
+     /mapsto
+     
+     % 0x38
+     /universal
+     /existential
+     /logicalnot
+     /emptyset
+     /Rfractur
+     /Ifractur
+     /latticetop
+     /perpendicular
+     
+     % 0x40
+     /aleph
+     /A
+     /B
+     /C
+     /D
+     /E
+     /F
+     /G
+     
+     % 0x48
+     /H
+     /I
+     /J
+     /K
+     /L
+     /M
+     /N
+     /O
+     
+     % 0x50
+     /P
+     /Q
+     /R
+     /S
+     /T
+     /U
+     /V
+     /W
+     
+     % 0x58
+     /X
+     /Y
+     /Z
+     /union
+     /intersection
+     /unionmulti
+     /logicaland
+     /logicalor
+     
+     % 0x60
+     /turnstileleft
+     /turnstileright
+     /floorleft
+     /floorright
+     /ceilingleft
+     /ceilingright
+     /braceleft
+     /braceright
+     
+     % 0x68
+     /angbracketleft
+     /angbracketright
+     /bar
+     /bardbl
+     /arrowbothv
+     /arrowdblbothv
+     /backslash
+     /wreathproduct
+     
+     % 0x70
+     /radical
+     /coproduct
+     /nabla
+     /integral
+     /unionsq
+     /intersectionsq
+     /subsetsqequal
+     /supersetsqequal
+     
+     % 0x78
+     /section
+     /dagger
+     /daggerdbl
+     /paragraph
+     /club
+     /diamond
+     /heart
+     /spade
+     
+     % Have to have 128 .notdef's now to fill things out.
+     %
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef
+     ] def
+     </pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/texnansi.html b/Master/texmf-dist/doc/fontname/texnansi.html
new file mode 100644
index 00000000000..3d920862794
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/texnansi.html
@@ -0,0 +1,353 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="texnansi">texnansi</a>,
+Next:&nbsp;<a rel="next" accesskey="n" href="texnansx.html#texnansx">texnansx</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="texmital.html#texmital">texmital</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>texnansi.enc</code></h3>
+
+<p>From Y&amp;Y.
+
+<pre class="verbatim">% @psencodingfile{
+%   author = "Y&amp;Y, Inc.",
+%   version = "1.1",
+%   date = "1 December 1996",
+%   filename = "texnansi.enc",
+%   email = "help@YandY.com",
+%   address = "45 Walden Street // Concord, MA 01742, USA",
+%   codetable = "ISO/ASCII",
+%   checksum = "xx",
+%   docstring = "Encoding for fonts in Adobe Type 1 format for use with TeX."
+% }
+%
+% The idea is to have all 228 characters normally included in Type 1 text
+% fonts (plus a few more) available for typesetting.  This is effectively
+% the character set in Adobe Standard Encoding, ISO Latin 1, plus a few more.
+%
+% Character code assignments were made as follows:
+%
+% (1) The character layout largely matches `ASCII' in the 32 -- 126 range,
+% except for `circumflex' in 94 and `tilde' in 126, to match `TeX text'
+% (`asciicircumflex' and `asciitilde' appear in 158 and 142 instead).
+%
+% (2) The character layout matches `Windows ANSI' in almost all places,
+% except for `quoteright' in 39 and `quoteleft' in 96 to match ASCII
+% (`quotesingle' and `grave' appear in 129 and 18 instead).
+%
+% (3) The character layout matches `TeX typewriter' used by CM text fonts
+% in most places (except for discordant positions such as hungarumlaut
+% (instead of braceright), dotaccent (instead of underscore) etc.
+%
+% (4) Remaining characters are assigned arbitrarily to the `control character'
+% range (0 -- 31), avoiding 0, 9, 10 and 13 in case we meet dumb software
+% - similarly one should really avoid 127 and 128 if possible.
+% In addition, the 8 open slots in Windows ANSI between 128 and 159 are used.
+%
+% (5) Y&amp;Y Lucida Bright includes some extra ligatures and such; ff, ffi, ffl,
+% and `dotlessj,' these are included 11 -- 15, and 17.
+%
+% (6) Hyphen appears both at 45 and 173 for compatibility with both ASCII
+% and Windows ANSI.
+%
+% (7) It doesn't really matter where ligatures appear (both real, such as ffi,
+% and pseudo such as ---) since these should not be accessed directly, only
+% via ligature information in the TFM file.
+%
+% SAMPLE USAGE (in `psfonts.map' file for DVIPS):
+% 
+% lbr LucidaBright "TeXnANSIEncoding ReEncodeFont" &lt;texnansi.enc &lt;lbr.pfb
+%
+% This tells DVIPS that the font called `lbr' in TeX has PostScript 
+% FontName `LucidaBright.'  It also asks DVIPS to expand the file `lbr.pfb'
+% into PFA form, to include the attached `texnansi.enc' encoding vector,
+% and to then actually reencode the font based on that encoding vector.
+%
+% Revised 1996 June 1 by adding second position for `fl' to avoid Acrobat bug.
+% Revised 1996 June 1 by adding second position for `fraction' for same reason.
+% Revised 1997 Oct 1 by adding cwm  (used in boundary char TFM code)
+% Revised 1998 Mar 1 by adding Unicode for Euro character
+%
+/TeXnANSIEncoding [
+/.notdef % 0
+/Euro % /Uni20AC 1
+/.notdef % 2
+/.notdef % 3
+/fraction %	4
+/dotaccent %	5
+/hungarumlaut %	6
+/ogonek	%	7
+/fl	%	8
+/.notdef % /fraction %	9	not used (see 4), backward compatability only
+/cwm	%	10	not used, except boundary char internally maybe
+/ff    %	11
+/fi    %	12
+/.notdef % /fl    %	13	not used (see 8), backward compatability only
+/ffi   %	14
+/ffl   %	15
+/dotlessi %	16
+/dotlessj %	17
+/grave %	18
+/acute %	19
+/caron %	20
+/breve %	21
+/macron %	22
+/ring  %	23
+/cedilla %	24
+/germandbls %	25
+/ae    %	26
+/oe    %	27
+/oslash %	28
+/AE    %	29
+/OE    %	30
+/Oslash %	31
+/space %	32	% /suppress in TeX text
+/exclam %	33
+/quotedbl %	34	% /quotedblright in TeX text
+/numbersign %	35
+/dollar %	36
+/percent %	37
+/ampersand %	38
+/quoteright %	39	% /quotesingle in ANSI
+/parenleft %	40
+/parenright %	41
+/asterisk %	42
+/plus  %	43
+/comma %	44
+/hyphen %	45
+/period %	46
+/slash %	47
+/zero  %	48
+/one   %	49
+/two   %	50
+/three %	51
+/four  %	52
+/five  %	53
+/six   %	54
+/seven %	55
+/eight %	56
+/nine  %	57
+/colon %	58
+/semicolon %	59
+/less  %	60	% /exclamdown in Tex text
+/equal %	61
+/greater %	62	% /questiondown in TeX text
+/question %	63
+/at %	64
+/A %	65
+/B %	66
+/C %	67
+/D %	68
+/E %	69
+/F %	70
+/G %	71
+/H %	72
+/I %	73
+/J %	74
+/K %	75
+/L %	76
+/M %	77
+/N %	78
+/O %	79
+/P %	80
+/Q %	81
+/R %	82
+/S %	83
+/T %	84
+/U %	85
+/V %	86
+/W %	87
+/X %	88
+/Y %	89
+/Z %	90
+/bracketleft %	91
+/backslash %	92	% /quotedblleft in TeX text
+/bracketright %	93
+/circumflex %	94	% /asciicircum in ASCII
+/underscore %	95	% /dotaccent in TeX text
+/quoteleft %	96	% /grave accent in ANSI
+/a %	97
+/b %	98
+/c %	99
+/d %	100
+/e %	101
+/f %	102
+/g %	103
+/h %	104
+/i %	105
+/j %	106
+/k %	107
+/l %	108
+/m %	109
+/n %	110
+/o %	111
+/p %	112
+/q %	113
+/r %	114
+/s %	115
+/t %	116
+/u %	117
+/v %	118
+/w %	119
+/x %	120
+/y %	121
+/z %	122
+/braceleft %	123	% /endash in TeX text
+/bar   %	124	% /emdash in TeX test
+/braceright %	125	% /hungarumlaut in TeX text
+/tilde %	126	% /asciitilde in ASCII
+/dieresis %	127	not used (see 168), use higher up instead
+/Lslash	%	128	this position is unfortunate, but now too late to fix
+/quotesingle %	129
+/quotesinglbase %	130
+/florin %	131
+/quotedblbase %	132
+/ellipsis %	133
+/dagger %	134
+/daggerdbl %	135
+/circumflex %	136
+/perthousand %	137
+/Scaron %	138
+/guilsinglleft %	139
+/OE    %	140
+/Zcaron %	141
+/asciicircum %	142
+/minus %	143
+/lslash %	144
+/quoteleft %	145
+/quoteright %	146
+/quotedblleft %	147
+/quotedblright %	148
+/bullet %	149
+/endash %	150
+/emdash %	151
+/tilde %	152
+/trademark %	153
+/scaron %	154
+/guilsinglright %	155
+/oe    %	156
+/zcaron %	157
+/asciitilde %	158
+/Ydieresis %	159
+/nbspace %	160	% /space (no break space)
+/exclamdown %	161
+/cent  %	162
+/sterling %	163
+/currency %	164
+/yen   %	165
+/brokenbar %	166
+/section %	167
+/dieresis %	168
+/copyright %	169
+/ordfeminine %	170
+/guillemotleft %	171
+/logicalnot %	172
+/sfthyphen %	173 % /hyphen (hanging hyphen)
+/registered %	174
+/macron %	175
+/degree %	176
+/plusminus %	177
+/twosuperior %	178
+/threesuperior %	179
+/acute %	180
+/mu    %	181
+/paragraph %	182
+/periodcentered %	183
+/cedilla %	184
+/onesuperior %	185
+/ordmasculine %	186
+/guillemotright %	187
+/onequarter %	188
+/onehalf %	189
+/threequarters %	190
+/questiondown %	191
+/Agrave %	192
+/Aacute %	193
+/Acircumflex %	194
+/Atilde %	195
+/Adieresis %	196
+/Aring %	197
+/AE    %	198
+/Ccedilla %	199
+/Egrave %	200
+/Eacute %	201
+/Ecircumflex %	202
+/Edieresis %	203
+/Igrave %	204
+/Iacute %	205
+/Icircumflex %	206
+/Idieresis %	207
+/Eth   %	208
+/Ntilde %	209
+/Ograve %	210
+/Oacute %	211
+/Ocircumflex %	212
+/Otilde %	213
+/Odieresis %	214
+/multiply %	215	% OE in T1
+/Oslash %	216
+/Ugrave %	217
+/Uacute %	218
+/Ucircumflex %	219
+/Udieresis %	220
+/Yacute %	221
+/Thorn %	222
+/germandbls %	223
+/agrave %	224
+/aacute %	225
+/acircumflex %	226
+/atilde %	227
+/adieresis %	228
+/aring %	229
+/ae    %	230
+/ccedilla %	231
+/egrave %	232
+/eacute %	233
+/ecircumflex %	234
+/edieresis %	235
+/igrave %	236
+/iacute %	237
+/icircumflex %	238
+/idieresis %	239
+/eth   %	240
+/ntilde %	241
+/ograve %	242
+/oacute %	243
+/ocircumflex %	244
+/otilde %	245
+/odieresis %	246
+/divide %	247	% oe in T1
+/oslash %	248
+/ugrave %	249
+/uacute %	250
+/ucircumflex %	251
+/udieresis %	252
+/yacute %	253
+/thorn %	254
+/ydieresis %	255	% germandbls in T1
+] def
+</pre>
+
+   </body></html>
+
diff --git a/Master/texmf-dist/doc/fontname/xt2.html b/Master/texmf-dist/doc/fontname/xt2.html
new file mode 100644
index 00000000000..3ec3f0f32de
--- /dev/null
+++ b/Master/texmf-dist/doc/fontname/xt2.html
@@ -0,0 +1,342 @@
+<html lang="en">
+<head>
+<title>Filenames for TeX fonts</title>
+<meta http-equiv="Content-Type" content="text/html">
+<meta name="description" content="Filenames for TeX fonts">
+<meta name="generator" content="makeinfo 4.6">
+<!--
+This document is in the public domain and may be used freely.-->
+<meta http-equiv="Content-Style-Type" content="text/css">
+<style type="text/css"><!--
+  pre.display { font-family:inherit }
+  pre.format  { font-family:inherit }
+  pre.smalldisplay { font-family:inherit; font-size:smaller }
+  pre.smallformat  { font-family:inherit; font-size:smaller }
+  pre.smallexample { font-size:smaller }
+  pre.smalllisp    { font-size:smaller }
+--></style>
+</head>
+<body>
+<div class="node">
+<p>
+Node:&nbsp;<a name="xt2">xt2</a>,
+Previous:&nbsp;<a rel="previous" accesskey="p" href="xl2.html#xl2">xl2</a>,
+Up:&nbsp;<a rel="up" accesskey="u" href="Encodings.html#Encodings">Encodings</a>
+<hr><br>
+</div>
+
+<h3 class="section"><code>xt2.enc</code>: typewriter OT1 + ISO Latin 2 extended</h3>
+
+<pre class="example">
+
+     % This is the typewriter version of xl2.
+     /XT2encoding [
+     %%%%%   '000 = "00
+        /Gamma
+        /Delta
+        /Theta
+        /Lambda
+        /Xi
+        /Pi
+        /Sigma
+        /Upsilon
+     %%%%%   '010 = "08
+        /Phi
+        /Psi
+        /Omega
+        /arrowup
+        /arrowdown
+        /quotesingle
+        /exclamdown
+        /questiondown
+     %%%%%   '020 = "10
+        /dotlessi
+        /dotlessj
+        /grave
+        /acute
+        /caron
+        /breve
+        /macron
+        /ring
+     %%%%%   '030 = "18
+        /cedilla
+        /germandbls
+        /ae
+        /oe
+        /oslash
+        /AE
+        /OE
+        /Oslash
+     %%%%%   '040 = "20
+        /.notdef
+        /exclam
+        /quotedblright
+        /numbersign
+        /dollar
+        /percent
+        /ampersand
+        /quoteright
+     %%%%%   '050 = "28
+        /parenleft
+        /parenright
+        /asterisk
+        /plus
+        /comma
+        /hyphen
+        /period
+        /slash
+     %%%%%   '060 = "30
+        /zero
+        /one
+        /two
+        /three
+        /four
+        /five
+        /six
+        /seven
+     %%%%%   '070 = "38
+        /eight
+        /nine
+        /colon
+        /semicolon
+        /less
+        /equal
+        /greater
+        /question
+     %%%%%   '100 = "40
+        /at
+        /A
+        /B
+        /C
+        /D
+        /E
+        /F
+        /G
+     %%%%%   '110 = "48
+        /H
+        /I
+        /J
+        /K
+        /L
+        /M
+        /N
+        /O
+     %%%%%   '120 = "50
+        /P
+        /Q
+        /R
+        /S
+        /T
+        /U
+        /V
+        /W
+     %%%%%   '130 = "58
+        /X
+        /Y
+        /Z
+        /bracketleft
+        /backslash
+        /bracketright
+        /circumflex
+        /underscore
+     %%%%%   '140 = "60
+        /quoteleft
+        /a
+        /b
+        /c
+        /d
+        /e
+        /f
+        /g
+     %%%%%   '150 = "68
+        /h
+        /i
+        /j
+        /k
+        /l
+        /m
+        /n
+        /o
+     %%%%%   '160 = "70
+        /p
+        /q
+        /r
+        /s
+        /t
+        /u
+        /v
+        /w
+     %%%%%   '170 = "78
+        /x
+        /y
+        /z
+        /braceleft
+        /bar
+        /braceright
+        /tilde
+        /dieresis
+     %%%%%   '200 = "80
+        /ellipsis
+        /dagger
+        /daggerdbl
+        /bullet
+        /sterling
+        /paragraph
+        /.notdef
+        /.notdef
+     %%%%%   '210 = "88
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /perthousand
+        /.notdef
+        /.notdef
+     %%%%%   '220 = "90
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+        /.notdef
+     %%%%%   '230 = "98
+        /Agrave
+        /.notdef
+        /.notdef
+        /.notdef
+        /hyphen
+        /ogonek
+        /guillemotleft
+        /guillemotright
+     %%%%%   '240 = "A0
+        /.notdef
+        /Aogonek
+        /breve
+        /Lslash
+        /currency
+        /Lcaron
+        /Sacute
+        /section
+     %%%%%   '250 = "A8
+        /dieresis
+        /Scaron
+        /Scedilla
+        /Tcaron
+        /Zacute
+        /.notdef
+        /Zcaron
+        /Zdotaccent
+     %%%%%   '260 = "B0
+        /ring
+        /aogonek
+        /cedilla
+        /lslash
+        /acute
+        /lcaron
+        /sacute
+        /caron
+     %%%%%   '270 = "B8
+        /agrave
+        /scaron
+        /scedilla
+        /tcaron
+        /zacute
+        /hungarumlaut
+        /zcaron
+        /zdotaccent
+     %%%%%   '300 = "C0
+        /Racute
+        /Aacute
+        /Acircumflex
+        /Abreve
+        /Adieresis
+        /Lacute
+        /Cacute
+        /Ccedilla
+     %%%%%   '310 = "C8
+        /Ccaron
+        /Eacute
+        /Eogonek
+        /Edieresis
+        /Ecaron
+        /Iacute
+        /Icircumflex
+        /Dcaron
+     %%%%%   '320 = "D0
+        /Eth
+        /Nacute
+        /Ncaron
+        /Oacute
+        /Ocircumflex
+        /Ohungarumlaut
+        /Odieresis
+        /multiply
+     %%%%%   '330 = "D8
+        /Rcaron
+        /Uring
+        /Uacute
+        /Uhungarumlaut
+        /Udieresis
+        /Yacute
+        /Togonek
+        /germandbls
+     %%%%%   '340 = "E0
+        /racute
+        /aacute
+        /acircumflex
+        /abreve
+        /adieresis
+        /lacute
+        /cacute
+        /ccedilla
+     %%%%%   '350 = "E8
+        /ccaron
+        /eacute
+        /eogonek
+        /edieresis
+        /ecaron
+        /iacute
+        /icircumflex
+        /dcaron
+     %%%%%   '360 = "F0
+        /eth
+        /nacute
+        /ncaron
+        /oacute
+        /ocircumflex
+        /ohungarumlaut
+        /odieresis
+        /divide
+     %%%%%   '370 = "F8
+        /rcaron
+        /uring
+        /uacute
+        /uhungarumlaut
+        /udieresis
+        /yacute
+        /quotedblbase
+        /quotedblleft
+     ] def
+     
+     % LIGKERN quoteleft quoteleft =: quotedblleft ;
+     % LIGKERN quoteright quoteright =: quotedblright ;
+     % LIGKERN exclamdown exclamdown =: guillemotleft ;
+     % frenchdblquotes
+     % LIGKERN questiondown questiondown =: guillemotright ;
+     % csquoteleft
+     % LIGKERN comma comma =: quotedblbase ;
+     % LIGKERN space {} * ; * {} space ; zero {} * ; * {} zero ;
+     % LIGKERN one {} * ; * {} one ; two {} * ; * {} two ;
+     % LIGKERN three {} * ; * {} three ; four {} * ; * {} four ;
+     % LIGKERN five {} * ; * {} five ; six {} * ; * {} six ;
+     % LIGKERN seven {} * ; * {} seven ; eight {} * ; * {} eight ;
+     % LIGKERN nine {} * ; * {} nine ;
+     % LIGKERN question {} quoteleft ; exclam {} quoteleft ;
+     % LIGKERN f {} f ; f {} i ; f {} l ;
+     </pre>
+
+   </body></html>
+
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diff --git a/Master/texmf-dist/doc/omega/base/doc-1.8.tex b/Master/texmf-dist/doc/omega/base/doc-1.8.tex
new file mode 100644
index 00000000000..ec991c36710
--- /dev/null
+++ b/Master/texmf-dist/doc/omega/base/doc-1.8.tex
@@ -0,0 +1,2323 @@
+\documentclass[fleqn]{article}
+\usepackage[T1]{fontenc}
+
+\newcommand{\OMEGA}{$\Omega$}
+\newcommand{\LAMBDA}{$\Lambda$}
+\newcommand{\OTP}{\OMEGA TP}
+\newcommand{\OCP}{\OMEGA CP}
+\newcommand{\mymathtt}[1]{\mbox{\texttt{#1}}}
+\newcommand{\mymathit}[1]{\mbox{\emph{#1}}}
+\newcommand{\myit}[1]{\mbox{\emph{#1}}}
+\newcommand{\OFM}{\OMEGA FM}
+\newcommand{\TFM}{TFM}
+\newcommand{\PL}{PL}
+\newcommand{\VF}{VF}
+\newcommand{\VP}{VP}
+\newcommand{\OPL}{\OMEGA PL}
+\newcommand{\OVF}{\OMEGA VF}
+\newcommand{\OVP}{\OMEGA VP}
+\newcommand{\bits}[1]{\langle\mbox{\emph{#1-bit number}}\rangle}
+\newcommand{\showfile}{\langle\mbox{\emph{file}}\rangle}
+\newcommand{\showmode}{\langle\mbox{\emph{mode}}\rangle}
+\newcommand{\showdir}{\langle\mbox{\emph{direction}}\rangle}
+\newcommand{\showcs}{\langle\mbox{\emph{control-sequence}}\rangle}
+\newcommand{\showtext}{\langle\mbox{\emph{typeset-material}}\rangle}
+\newcommand{\showpenalty}{\langle\mbox{\emph{penalty}}\rangle}
+\newcommand{\showtno}{\langle\mbox{\emph{table-no}}\rangle}
+\newcommand{\showeno}{\langle\mbox{\emph{entry-no}}\rangle}
+\newcommand{\showtable}{\langle\mbox{\emph{table-definition}}\rangle}
+\newcommand{\showrule}{\langle\mbox{\emph{rule-definition}}\rangle}
+\newcommand{\showglue}{\langle\mbox{\emph{glue-definition}}\rangle}
+\newcommand{\showivalue}{\langle\mbox{\emph{ivalue-definition}}\rangle}
+\newcommand{\showfvalue}{\langle\mbox{\emph{fvalue-definition}}\rangle}
+\newcommand{\showmvalue}{\langle\mbox{\emph{mvalue-definition}}\rangle}
+\newcommand{\showpenaltydef}{\langle\mbox{\emph{penalty-definition}}\rangle}
+\newcommand{\showinteger}{\langle\mbox{\emph{integer}}\rangle}
+\newcommand{\showfixword}{\langle\mbox{\emph{real}}\rangle}
+\newcommand{\showorder}{\langle\mbox{\emph{order}}\rangle}
+\newcommand{\showkind}{\langle\mbox{\emph{kind}}\rangle}
+\newcommand{\showchardefn}{\langle\mbox{\emph{character-definition}}\rangle}
+\newcommand{\showligocp}{\langle\mbox{\emph{ocp-file-name}}\rangle}
+
+\begin{document}
+\title{Draft documentation for the \OMEGA\ system}
+\author{John Plaice\thanks{School of Computer Science
+and Engineering, University of New South Wales,
+Sydney 2052, Australia.  \texttt{plaice@cse.unsw.edu.au}}
+\and Yannis  Haralambous\thanks{Atelier Fluxus Virus,
+187,~rue Nationale, F-59800 Lille, France.
+\texttt{yannis@fluxus-virus.com}}}
+\date{March 1999}
+\maketitle
+
+\section{Introduction}
+The \OMEGA\ (Omega) typesetting system, an extension of Donald Knuth's \TeX,
+is designed for the typesetting of all the world's languages.  It
+normally uses the Unicode character encoding standard
+as internal representation, although it can
+accept any other character set for input or output.  Since it allows
+one to dynamically define finite state automata to translate from
+one encoding to another, it is possible to define complex contextual
+analysis for ligature choice, character cluster building or diacritic
+placement, as required for scripts such as Arabic, Devanagari,
+Hebrew or Khmer.  It also allows any number of transliterations,
+allowing anyone to type texts for any script, using any other script.
+\OMEGA\ currently supports multidirectional writing, therefore
+allowing typesetting of Hebrew, Arabic, Chinese, Japanese, Mongolian
+and many other scripts.
+
+A Unicode-based font is also being designed for the alphabetic
+scripts.  This font is made up of four subfonts: (1)~Latin, Greek,
+Cyrillic, Armenian, Georgian, punctuation; (2)~Hebrew, Arabic, Syriac;
+(3)~Dingbats and non-letterlike symbols; (4)~Indic and South-East
+Asian scripts.  This font consists of all the glyphs required to
+properly typeset each of the scripts, which means much more than
+designing one glyph for each Unicode position.
+
+This document is the draft documentation for the \OMEGA\ typesetting
+system, designed and developed by the authors.  This draft document
+accompanies the 1.8~release of~\OMEGA, which is available~at:
+\begin{verbatim}
+     ftp://ftp.cse.unsw.edu.au/users/plaice/Omega
+\end{verbatim}
+or at any of the CTAN sites.
+
+This documentation should be considered cursory.
+In particular, it only describes the drivers that
+have been developed for typesetting and viewing,
+and only presents the tools that are
+based on \texttt{web2c}.
+
+For more information, see our Web page, currently~at:
+\begin{verbatim}
+     http://www.ens.fr/omega
+\end{verbatim}
+
+\section{Implementation}
+
+The canonical \OMEGA\ implementation is based on the standard
+\texttt{web2c} \TeX\ distribution.  Currently, \OMEGA\ is based
+on \texttt{web2c-7.3}.  This means that the following standard
+distributions automatically include~\OMEGA:
+\begin{itemize}
+\item
+Thomas Esser's Te\TeX\ (Unix).\\
+Look up \verb|http://www.tug.org/tetex/|\\
+or \verb|mailto:te@informatik.uni-hannover.de|~.
+\item
+Fabrice Popineau's \TeX Win32 (Windows95/NT).\\
+Look up \verb|ftp://ftp.ese-metz.fr/pub/TeX/win32|\\
+or \verb|mailto:popineau@esemetz.ese-metz.fr|~.
+\item
+Sebastian Rahtz's \TeX Live (CD-ROM).\\
+Look up \verb|http://www.tug.org/texlive.html|\\
+or \verb|mailto:s.rahtz@elsevier.co.uk|~.
+\end{itemize}
+
+In addition, there are currently two other prepackaged
+\TeX\ environments that support~\OMEGA:
+\begin{itemize}
+\item
+Tom Kiffe's CMac\OMEGA\ (MacIntosh).\\
+Look up \verb|http://www.kiffe.com/cmacomega.html|\\
+or \verb|mailto:tom@kiffe.com|~.
+\item
+Christian Schenk's MiK\TeX\ (Windows95/NT).\\
+Look up \verb|http://www.inx.de/~cschenk/miktex|\\
+or \verb|mailto:cschenk@snafu.de|~.
+\end{itemize}
+
+The three files distributed with the \OMEGA\ implementation are
+\begin{verbatim}
+     web2c-7.3-omega-1.8.tar.gz
+     omegalib-1.8.tar.gz
+     omegadoc-1.8.tar.gz
+\end{verbatim}
+To install \OMEGA, you will require the standard \TeX\ distribution
+as well.  These files include
+\begin{verbatim}
+     web-7.3.tar.gz
+     web2c-7.3.tar.gz
+\end{verbatim}
+as well as a standard \texttt{texmf} tree.
+In addition to these files, the following drivers are needed:
+\begin{verbatim}
+     dvipsk.tar.gz
+     odvipsk.tar.gz
+     gsftopk.tar.gz
+     xdvik.tar.gz
+     oxdvik.tar.gz
+     libwww.tar.gz
+\end{verbatim}
+These files are all made available in the above \texttt{ftp} sites.
+
+The installation procedure is described below.  Assume that
+\begin{itemize}
+\item \verb|/usr/local/ftp| contains your downloaded files;
+\item \verb|/usr/local/src| is where you place source files; and
+\item \verb|/usr/local/share| is where the \texttt{texmf} tree is
+to be placed;
+\end{itemize}
+\begin{verbatim}
+     FTP=/usr/local/ftp
+     SHARE=/usr/local/share
+     SRC=/usr/local/src
+     cd $SHARE
+     tar xzf $FTP/texmflib.tar.gz
+     tar xzf $FTP/omegalib-1.8.tar.gz
+     cd $SRC
+     tar xzf $FTP/web-7.3.tar.gz
+     tar xzf $FTP/web2c-7.3.tar.gz
+     tar xzf $FTP/web2c-7.3-omega-1.8.tar.gz
+     cd web2c-7.3
+     tar xzf $FTP/dvipsk.tar.gz
+     tar xzf $FTP/odvipsk.tar.gz
+     tar xzf $FTP/gsftopk.tar.gz
+     tar xzf $FTP/xdvik.tar.gz
+     tar xzf $FTP/oxdvik.tar.gz
+     tar xzf $FTP/libwww.tar.gz
+     configure
+     make
+\end{verbatim}
+You will have to choose whether your call to \texttt{configure}
+needs any arguments.  Note that the files may not look exactly
+like this, but you should be able to figure out what is happening.
+
+\section{What does \OMEGA\ offer?}
+
+The \OMEGA\ system is a derivative of Donald Knuth's \TeX.  As such,
+all of the \TeX\ file types can be used by \OMEGA\ as well.  In
+addition there are six new file types.  They are:
+\vspace*{.2cm}
+
+\begin{tabular}{lll}
+Suffix & Replaces & Description\\
+\hline
+\texttt{.opl} & \texttt{.pl} & Font property list (text)\\
+\texttt{.ofm} & \texttt{.tfm} & Font metric (binary)\\
+\texttt{.ovp} & \texttt{.vpl} & Virtual property list (text)\\
+\texttt{.ovf} & \texttt{.vf} & Virtual font (binary)\\
+\texttt{.otp} & ------ & \OMEGA\ Translation Process (text)\\
+\texttt{.ocp} & ------ & \OMEGA\ Compiled Process (binary)\\
+\end{tabular}
+\vspace*{.2cm}
+
+\noindent These different file types are described in future sections.
+
+\noindent
+The \OMEGA\ distribution contains several binaries, described below:
+\vspace*{.2cm}
+
+\begin{tabular}{lll}
+Binary & Replaces & Description\\
+\hline
+\texttt{omega} (\OMEGA) & \TeX & Typesetting engine
+    ($\texttt{.tex} \rightarrow \texttt{.dvi}$) \\
+\texttt{lambda} (\LAMBDA) & \LaTeX & For structured documents
+    ($\texttt{.tex} \rightarrow \texttt{.dvi}$) \\
+\texttt{odvips} & \texttt{dvips} & PostScript driver
+    ($\texttt{.dvi} \rightarrow \texttt{.ps}$) \\
+\texttt{oxdvi} & \texttt{xdvi} & Screen previewer for \texttt{.dvi}
+    ($\texttt{.dvi} \rightarrow \textrm{screen}$) \\
+\texttt{odvicopy} & \texttt{dvicopy} & De-virtualizes \texttt{.dvi}
+    ($\texttt{.dvi} \rightarrow \texttt{.dvi}$) \\
+\texttt{odvitype} & \texttt{dvitype} & Debugging for \texttt{.dvi}
+    ($\texttt{.dvi} \rightarrow \textrm{text}$) \\
+\texttt{opl2ofm} & \texttt{pltotf} & Build font metric
+    ($\texttt{.opl} \rightarrow \texttt{.ofm}$) \\
+\texttt{ofm2opl} & \texttt{tftopl} & Debugging for \texttt{.ofm}
+    ($\texttt{.ofm} \rightarrow \texttt{.opl}$) \\
+\texttt{ovp2ovf} & \texttt{vptovf} & Build virtual font
+    ($\texttt{.ovp} \rightarrow \texttt{.ofm}\times\texttt{.ovf}$) \\
+\texttt{ovf2ovp} & \texttt{vftovp} & Debugging for \texttt{.ovf}
+    ($\texttt{.ofm}\times\texttt{.ovf} \rightarrow \texttt{.ovp}$) \\
+\texttt{otp2ocp} & ------ & Compile \OTP{}
+    ($\texttt{.otp} \rightarrow \texttt{.ocp}$) \\
+\texttt{outocp} & ------ & Debugging for \texttt{.ocp}
+    ($\texttt{.ocp} \rightarrow \textrm{text}$)\\
+\texttt{mkofm} & \texttt{mktextfm} & Generate \texttt{.ofm} file if needed\\
+\texttt{mkocp} & ------ & Generate \texttt{.ocp} file if needed\\
+\end{tabular}
+
+\section{Sixteen-bit fonts, registers, etc.}
+
+One of the fundamental limitations of \TeX3 is that most quantities can
+only range between 0~and~255.  Fonts are limited to~256 characters each,
+only 256 fonts are allowed simultaneously, only 256 of any given kind of
+can be used simultaneously, etc.  \OMEGA\ loosens these restrictions,
+allowing 65~536 (0--65~535) of each of these entities.
+
+\subsection{Characters}
+
+Each font can allow up to 65~536 characters, ranging between
+0~and~65~535.  Unless other means are provided, using \OMEGA\
+Translation Processes (see section~\ref{lab:otps}), the input
+and output mechanisms for characters between 256 (hex~100)
+and 65~535 (hex~ffff) use four circumflexes.  For example,
+\verb|^^^^cab0| means hex value \verb|cab0| and \verb|^^^^0020|
+is the space character.
+
+\subsection{Fonts}
+
+Up to 65~536 fonts may be used.  This is handled automatically,
+and space is allocated as needed.
+
+\subsection{Registers}
+
+Up to 65~536 registers of each kind may be used.  The only case to
+be noted is that \verb|\box255| remains the box used by the output
+routine.
+
+\subsection{Math codes}
+
+\TeX\ allows the use of 16 ($2^4$) font families, each font
+of 256 ($2^8$) characters.
+To access the characters in the math fonts, and to define how
+they are to be used, there are several basic primitives:
+
+\begin{itemize}
+\item \verb|\mathcode| $\bits{8}=\bits{15}$:\\
+Defines 15-bit math code for character;
+\item \verb|\mathcode| $\bits{8}$:\\
+Outputs 15-bit math code associated with character;
+\item \verb|\mathchar| $\bits{15}$:\\
+Generates a math character with 15-bit math code;
+\item \verb|\mathaccent| $\bits{15}$:\\
+Generates a math accent with 15-bit math code;
+\item \verb|\mathchardef| $\showcs=\bits{15}$:\\
+Defines a control sequence with a 15-bit math code;
+\item \verb|\delcode| $\bits{8}=\bits{27}$:\\
+Defines 27-bit delimiter code for character;
+\item \verb|\delcode| $\bits{8}$:\\
+Outputs 27-bit delimiter code associated with character;
+\item \verb|\delimiter| $\bits{27}$:\\
+Generates a math delimiter with 27-bit delimiter code;
+\item \verb|\radical| $\bits{27}$:\\
+Generates a math radical with 27-bit delimiter code;
+\end{itemize}
+where
+\begin{itemize}
+\item $\bits{8}$ refers to an 8-bit character;
+\item $\bits{15}$ refers to value \texttt{0x8000} or a triple
+\begin{itemize}
+\item 3 bits for math category,
+\item 4 bits for font family,
+\item 8 bits for character in font,
+\end{itemize}
+called a \emph{math code};
+\item $\bits{27}$ refers to a negative number or a quintuple
+\begin{itemize}
+\item 3 bits for math category,
+\item 4 bits for first font family,
+\item 8 bits for first character in font,
+\item 4 bits for second font family,
+\item 8 bits for second character in font,
+\end{itemize}
+called a \emph{delimiter code}.
+\end{itemize}
+
+\OMEGA, on the other hand, allows 256 ($2^8$)
+font families, each font of 65~536 ($2^{16}$) characters.
+So, in addition to the \TeX\ math font primitives, which continue to work,
+there are 16-bit versions:
+
+\begin{itemize}
+\item \verb|\omathcode| $\bits{16}=\bits{27}$:\\
+Defines 27-bit math code for character;
+\item \verb|\omathcode| $\bits{16}$:\\
+Outputs 27-bit math code associated with character;
+\item \verb|\omathchar| $\bits{27}$:\\
+Generates a math character with 27-bit math code;
+\item \verb|\omathaccent| $\bits{27}$:\\
+Generates a math accent with 27-bit math code;
+\item \verb|\omathchardef| $\showcs=\bits{27}$:\\
+Defines a control sequence with a 27-bit math code;
+\item \verb|\odelcode| $\bits{16}=\bits{51}$:\\
+Defines 51-bit delimiter code for character;
+\item \verb|\odelcode| $\bits{16}$:\\
+Outputs 51-bit delimiter code associated with character;
+\item \verb|\odelimiter| $\bits{51}$:\\
+Generates a math delimiter with 51-bit delimiter code;
+\item \verb|\oradical| $\bits{51}$:\\
+Generates a math radical with 51-bit delimiter code;
+\end{itemize}
+where
+\begin{itemize}
+\item $\bits{16}$ refers to a 16-bit character;
+\item $\bits{27}$ refers to value \texttt{0x8000000} or a triple
+\begin{itemize}
+\item 3 bits for math category,
+\item 8 bits for font family,
+\item 16 bits for character in font,
+\end{itemize}
+called a \emph{math code};
+\item $\bits{51}$ refers to a pair of numbers, either both negative
+or arranged as $\bits{27}\;\bits{24}$, with the first number being:
+\begin{itemize}
+\item 3 bits for math category,
+\item 8 bits for first font family,
+\item 16 bits for first character in font,
+\end{itemize}
+and the second number being:
+\begin{itemize}
+\item 8 bits for second font family,
+\item 16 bits for second character in font,
+\end{itemize}
+called a \emph{delimiter code}.
+\end{itemize}
+
+Since \OMEGA\ is upwardly compatible with \TeX, the older primitives
+still continue to function as expected.  Internally, math codes are
+27-bit numbers and delimiter codes are 51-bit numbers.  However,
+if \verb|\mathcode|$\bits{15}$ appears in text mode, it
+continues to generate a 15-bit number, to remain upwardly compatible
+with \TeX: Donald Knuth defines several numerical constants through
+\verb|\mathcode|.
+
+\section{New typesetting routines}
+
+Most of the development in \OMEGA\ has dealt with different means
+for manipulating character streams.  Nevertheless, there are new
+typesetting routines.
+
+\subsection{New infinity level}
+
+A new infinity level \texttt{fi} has been added.  It is smaller than
+\texttt{fil} but bigger than any finite quantity.  Its original intention
+was for inter-letter stretching: either \emph{filling-in-the-black},
+as is done for calligraphic scripts such as Arabic; or for emphasis,
+as in Russian; all this without having to rewrite existing macro packages.
+There is therefore a new keyword, \texttt{fi}, and two new primitives,
+\verb|\hfi| and~\verb|\vfi|.
+
+\subsection{Local paragraph parametrization}
+
+The \OMEGA\ system allows the finetuning of layout, using
+\emph{local} paragraph primitives.  The first two,
+\verb|\localinterlinepenalty| and \verb|\localbrokenpenalty|, are
+generalizations of \verb|\interlinepenalty| and \verb|\brokenpenalty|.
+
+When, say,  \verb|\localinterlinepenalty=200| appears,  a \emph{whatsit} node
+is deposited into the token list for the current paragraph.  If the
+value is changed again, another whatsit node is deposited.  When
+\OMEGA\ cuts the paragraph into lines, it will add the current value
+of the local penalty to the penalty node that is placed after every line
+in the vertical list.  Similarly for \verb|\localbrokenpenalty| when a
+discretionary hyphen is placed at the end of a line.  With these primitives,
+it becomes possible to discourage or encourage page breaks at more
+specific parts of a paragraph.
+
+This same local approach is taken for a completely different task:  placing
+fixed-width typeset material at the beginning (or the end) of every
+line in a paragraph.
+
+{<<~\localleftbox{<<~}The original problem to be solved
+was for fine French typesetting, in which guillemets
+are placed running down the left side of a paragraph,
+as in this paragraph, so long as material is being
+quoted.~>>} Since \TeX\ breaks paragraphs in arbitrary
+places, it was impossible to develop a robust macro
+package that could, in a single pass, place the
+guillemets in the right positions.
+
+The original text for the previous paragraph was:
+\begin{verbatim}
+      {<<~\localleftbox{<<~}The original problem to be solved
+      was for fine French typesetting, in which guillemets
+      are placed running down the left side of a paragraph,
+      as in this paragraph, so long as material is being
+      quoted.~>>} Since \TeX\ breaks paragraphs in arbitrary
+      places, it was impossible to develop a robust macro
+      package that could, in a single pass, place the
+      guillemets in the right positions.
+\end{verbatim}
+There are currently four local primitives:
+\begin{itemize}
+\item \verb|\localleftbox{|$\showtext$\verb|}|:\\
+Until this primitive is redefined, then the typeset material
+will be placed at the beginning of every line that follows
+the occurrence of this primitive in the text.
+\item \verb|\localrightbox{|$\showtext$\verb|}|:\\
+Until this primitive is redefined, then the typeset material
+will be placed at the end of every line that follows
+the occurrence of this primitive in the text.
+\item \verb|\localinterlinepenalty|$\;=\showpenalty$:\\
+Until this primitive is redefined, then the given penalty
+value will be added to the penalty node placed between
+successive lines in a paragraph.
+\item \verb|\localbrokenpenalty|$\;=\showpenalty$:\\
+Until this primitive is redefined, then each time that a
+line ends with a discretionary node, then the given penalty
+value will be added to the penalty node following that line.
+\end{itemize}
+Grouping is respected by all of the local paragraph primitives.
+
+\section{Multiple directions}
+
+Below is what is available in the experimental versions of~\OMEGA.
+Unfortunately we did not consider it to be sufficiently stable
+for it to be released generally.  Therefore, \OMEGA\ continues
+to support the bidirectionality functions of \verb|TeX--XeT|.
+In addition, with the \verb|\pagedirHR| and \verb|\pagedirHL|,
+primitives, it is possible to transform the entire page into
+a right-to-left page or a left-to-right page.  Similarly,
+\verb|\pardirHR| and \verb|\pardirHL| allow the paragraph
+direction to change.  The page direction changes should occur
+in empty pages, and the paragraph direction changes should
+occur outside of horizontal mode.  To ensure that tables
+are used properly, there is a primitive \verb|nextfakemath|,
+which, put in front of math mode, ignores that the mathematics
+is supposed to be typeset from left-to-right.  This is used
+in~\LAMBDA, which goes into math mode to do \verb|tabular|
+environments.
+
+\bigskip
+
+{\em 
+Since \TeX\ was originally designed for English, it only supports
+left-to-right typesetting.  This situation was improved somewhat
+with Knuth and MacKay's \verb|TeX-XeT|, modified into Breitenlohner's
+\verb|TeX--XeT|.  However, these modifications to \TeX\ only
+allow the use of right-to-left typesetting, and even then, only
+within a particular paragraph.  In other words, these systems do
+not support the typesetting of a full text in the different writing
+directions.
+
+The \OMEGA\ system distinguishes sixteen different directions,
+which are designated by three parameters:
+\begin{enumerate}
+\item The \emph{beginning of the page} is one of \texttt{T}~(top),
+\texttt{L}~(left), \texttt{R}~(right) or~\texttt{B}~(bottom).
+For English and Arabic, the beginning of the page is~\texttt{T};
+for Japanese it is~\texttt{R}; for Mongolian it is~\texttt{L}.
+\item The \emph{beginning of the line} defines where each line begins.
+For English, it is~\texttt{L}; for Arabic, it is~\texttt{R}; for Japanese
+and Mongolian, it is~\texttt{T}.
+\item The \emph{top of the line} corresponds to the notion
+of `up' within a line.  Normally, this will be the same as for the
+beginning of the page, as in \texttt{TLT} for English, \texttt{TRT}
+for Arabic, \texttt{RTR} for Japanese, or \texttt{LTL} for Mongolian.
+However, for English included in Mongolian text, successive lines
+move `up' the page, which gives direction~\texttt{LTR}.
+\end{enumerate}
+
+The \OMEGA\ system distinguishes three levels of different writing
+direction: page (\verb|\pagedir|), text (\verb|\textdir|) and
+mathematics (\verb|\mathdir|).  Each of these primitives takes
+as primitive one of the above sixteen writing directions.
+\begin{itemize}
+\item \verb|\pagedir| $\showdir$:\quad
+The page direction can only be changed if the current vlist
+is empty.  This decision avoids ambiguous situations.
+\item \verb|\textdir| $\showdir$:\quad
+This primitive can appear anywhere in a text, and \OMEGA\ will
+allow for the moment only mixed horizontal combinations.
+Future versions will allow many different combinations, with
+parametrization.
+Grouping is respected, so it is possible to have inserts
+within a paragraph:  these are implemented using the local paragraph
+mechanism described in the previous section.
+\item \verb|\mathdir| $\showdir$:\quad
+Normally mathematics is done in the same direction as English,
+namely~\texttt{TLT}.  There have been situations where it has been
+written~\texttt{TRT}.  \OMEGA\ allows only eight directions for
+mathematics, namely those in which
+the first and third direction parameters are identical.
+\end{itemize}
+
+In addition, \OMEGA\ allows one to designate the direction of a box.
+For example \verb|\hbox dir TRT{...}| creates a horizontal box,
+and uses direction~\texttt{TRT} while building that box.
+
+Finally, fonts can be stored either naturally or not.  In the unnatural
+situation, called with primitive \verb|\unnaturaldir|, it is understood
+that glyphs in the current font will always appear to the right of the
+current point, above the baseline.  In the natural situation, called
+with \verb|\naturaldir|, glyphs appear in the `correct' direction.  So a
+natural Arabic font would have the glyphs appear to the left of the
+current point, and a natural Japanese font would make the glyphs appear
+below the current point.
+}
+
+\section{Fonts for \OMEGA}
+
+The \TeX\ system takes the following approach to fonts.  The \TeX\ driver
+reads \TeX\ documents and generates \texttt{.dvi} files.  The driver
+uses font metric files (suffix \texttt{.tfm}, text version \texttt{.pl})
+to determine how to lay out boxes on a pages.  The screen
+driver or printer driver transforms the \texttt{.dvi} file in the
+appropriate format, using bitmap fonts (\texttt{.pk}), scaled fonts
+(\texttt{.pfa} or \texttt{.pfb}), or virtual fonts (\texttt{.vf},
+text version \texttt{.vp}).
+
+In the \OMEGA\ system, we make no attempt, for the moment, to change the
+definition of bitmaps or scaled fonts.  We have focused on the font
+metrics (\texttt{.ofm}, text version \texttt{.opl}), and the 
+virtual fonts (\texttt{.ovf}, text version \texttt{.ovp}).
+
+Currently, these new font file formats come in two versions.  The first,
+called level~0, corresponds to the 16-bit version of \TFM\ files, with
+no new functionality.  Level~1 fonts are more ambitious, and provide
+for more powerful features, including compression methods and additional 
+parameters.
+
+\subsection{Level-0 \OFM\ files}
+
+The level-0 \OFM\ files are simply 16-bit versions of \TFM\ files, and have
+corresponding entries.
+Below is a description of the first 14 words of a level-0 \OFM\ file.
+Each entry is a 32-bit integer, non-negative and less than~$2^{31}$:
+\begin{eqnarray*}
+\myit{ofm-level} & = & 0; \\
+\myit{lf} & = & \mbox{length of the file, in words}; \\
+\myit{lh} & = & \mbox{length of the header data, in words}; \\
+\myit{bc} & = & \mbox{smallest character code in the font}; \\
+\myit{ec} & = & \mbox{largest character code in the font}; \\
+\myit{nw} & = & \mbox{number of entries in the width table}; \\
+\myit{nh} & = & \mbox{number of entries in the height table}; \\
+\myit{nd} & = & \mbox{number of entries in the depth table}; \\
+\myit{ni} & = & \mbox{number of entries in the italic correction table}; \\
+\myit{nl} & = & \mbox{number of entries in the lig-kern table}; \\
+\myit{nk} & = & \mbox{number of entries in the kern table}; \\
+\myit{ne} & = & \mbox{number of entries in the extensible character table}; \\
+\myit{np} & = & \mbox{number of font parameter words}; \\
+\myit{font-dir} & = & \mbox{direction of font}.
+\end{eqnarray*}
+We must have that $\myit{bc}-1\leq \myit{ec}\leq 65535$.
+Furthermore, the following identity must hold:
+\begin{eqnarray*}
+\myit{lf} & = &
+14 + \myit{lh} + 2*(\myit{ec}-\myit{bc}+1) +
+\myit{nw} + \myit{nh} + \myit{nd} + \myit{ni} +\\
+& & 2*\myit{nl} + \myit{nk} + 2*\myit{ne} + \myit{np}.
+\end{eqnarray*}
+Note that a font may contain as many as 65536 characters (if $\myit{bc}=0$
+and $\myit{ec}=65535$), and as few as 0~characters
+(if $\myit{bc}=\myit{ec}-1$).
+
+As with \TFM\ files, if two or more octexts are combined to form an integer
+of 16~or more bits, the most significant octets appear first in the file.
+This is called BigEndian order.
+
+Also as with \TFM\ files, the rest of the file is a sequence of ten data arrays having the informal specification
+\begin{eqnarray*}
+\myit{header} & : &
+     \mathbf{array}\;[0..\myit{lh}-1]\;\mathbf{of}\;\myit{stuff}\\
+\myit{char-info} & : &
+     \mathbf{array}\;[\myit{bc}..\myit{ec}]\;\mathbf{of}\;
+     \myit{char-info-word}\\
+\myit{width} & : &
+     \mathbf{array}\;[0..\myit{nw}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{height} & : &
+     \mathbf{array}\;[0..\myit{nh}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{depth} & : &
+     \mathbf{array}\;[0..\myit{nd}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{italic} & : &
+     \mathbf{array}\;[0..\myit{ni}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{lig-kern} & : &
+     \mathbf{array}\;[0..\myit{nl}-1]\;\mathbf{of}\;
+     \myit{lig-kern-command}\\
+\myit{kern} & : &
+     \mathbf{array}\;[0..\myit{nk}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{exten} & : &
+     \mathbf{array}\;[0..\myit{ne}-1]\;\mathbf{of}\;
+     \myit{extensible-recipe}\\
+\myit{param} & : &
+     \mathbf{array}\;[1..\myit{np}]\;\mathbf{of}\;\myit{fix-word}
+\end{eqnarray*}
+
+There is no need to describe the entire file, only those parts that differ
+from \TFM\ files:  $\myit{char-info-word}$,
+$\myit{lig-kern-command}$ and $\myit{extensible-recipe}$.
+Here is a summary of those differences.
+\begin{itemize}
+\item $\myit{char-info-word}$ (8 octets):
+
+\begin{tabular}{lr}
+$\myit{width}$ & 16 bits\\
+$\myit{height}$ & 8 bits\\
+$\myit{depth}$ & 8 bits\\
+$\myit{italic}$ & 8 bits\\
+$\myit{RFU}$ & 6 bits\\
+$\myit{tag}$ & 2 bits\\
+$\myit{remainder}$ & 16 bits\\
+\end{tabular}
+
+The meaning is as in \TFM\ files, so there are 65536 possible widths,
+256 possible widths, 256 possible heights and 256 possible italic corrections.
+
+\item $\myit{lig-kern-command}$ (8 octets):
+
+\begin{tabular}{lr}
+$\myit{skip-byte}$ & 16 bits\\
+$\myit{next-char}$ & 16 bits\\
+$\myit{op-byte}$ & 16 bits\\
+$\myit{remainder}$ & 16 bits\\
+\end{tabular}
+
+The meaning is as in \TFM\ files, with every entry doubling in size.
+
+\item $\myit{extensible-recipe}$ (8 octets):
+
+\begin{tabular}{lr}
+$\myit{ext-top}$ & 16 bits\\
+$\myit{ext-mid}$ & 16 bits\\
+$\myit{ext-bot}$ & 16 bits\\
+$\myit{ext-rep}$ & 16 bits\\
+\end{tabular}
+
+Once again, the meaning is as in \TFM\ files, but every entry has
+been doubled.
+\end{itemize}
+
+\subsection{Level-0 \OPL\ files}
+
+The level-0 \OPL\ files are the same as \PL\ files, with the exception
+that values restricted to 8~bits can now be 16~bits.
+
+\subsection{Level-0 \OVF\ files}
+
+The \OVF\ files are indistinguishable from \VF\ files,
+except for the file suffix.  They exist only because
+the vast majority of drivers balk when they see
+characters that are not 8~bits.
+
+\subsection{Level-0 \OVP\ files}
+
+The level-0 \OVP\ files are the same as \VP\ files, with the exception
+that values restricted to 8~bits can now be 16~bits.
+
+\subsection{Level-1 \OFM\ files}
+
+The level-1 fonts take a different approach to level-0 fonts.  They do
+not make the assumption that typesetting means simply placing
+placing glyphs on the baseline, one after another.  Example
+applications include the automatic placement of glue between characters
+in East Asian scripts, the building of consonental clusters for
+South-Asian and South-East-Asian scripts, as well as the placing of
+diacritics in Arabic and Hebrew.
+
+Level-1 fonts are different from level-0 fonts at three levels.  First, they
+allow the definition of six new kinds of table:
+\begin{itemize}
+\item \textsc{ivalue} tables contain integers.
+\item \textsc{fvalue} tables contain fixword values that do not grow with
+magnification.
+\item \textsc{mvalue} tables contain fixword values that do grow with
+magnification.
+\item \textsc{rule} tables contain \TeX\ rule definitions.
+\item \textsc{glue} tables contain \TeX\ glue definitions.
+\item \textsc{penalty} tables contain \TeX\ penalty definitions.
+\end{itemize}
+There can be several copies of each kind of table, but for the moment,
+there is a maximum of 32~new tables in all.
+
+These new tables can be used as global tables, or can be indexed
+on a character-by-character basis in the $\myit{char-info-word}$ entries,
+which define character parameters.  So, in addition to the standard
+parameters of width, height, depth and italic correction, additional
+parameters (of the six kinds outlined above) can be given for the
+characters.
+
+To allow these new tables to be used, changes have also been made
+to the lig-kern table.
+\begin{itemize}
+\item Characters can be put into equivalence classes, where all
+characters in the same class will act the same in the lig-kern table;
+\item Glue nodes, rule nodes and penalty nodes can be inserted
+automatically into the stream, exactly as for kern nodes in~\TeX.
+\item The lig-kern program can be completely replaced by an \OTP\ (see
+section~\ref{lab:otps}).
+\end{itemize}
+
+Now we begin with the first part of the header of a level-1 \OFM\ file.
+Here are the first 17~words of a level-1 \OFM\ file.
+Each entry below is a 32-bit integer, non-negative and less
+than~$2^{31}$.
+\begin{eqnarray*}
+\myit{ofm-level} & = & 1; \\
+\myit{lf} & = & \mbox{length of the file, in words}; \\
+\myit{lh} & = & \mbox{length of the header data, in words}; \\
+\myit{bc} & = & \mbox{smallest character code in the font}; \\
+\myit{ec} & = & \mbox{largest character code in the font}; \\
+\myit{nw} & = & \mbox{number of entries in the width table}; \\
+\myit{nh} & = & \mbox{number of entries in the height table}; \\
+\myit{nd} & = & \mbox{number of entries in the depth table}; \\
+\myit{ni} & = & \mbox{number of entries in the italic correction table}; \\
+\myit{nl} & = & \mbox{number of entries in the lig-kern table}; \\
+\myit{nk} & = & \mbox{number of entries in the kern table}; \\
+\myit{ne} & = & \mbox{number of entries in the extensible character table}; \\
+\myit{np} & = & \mbox{number of font parameter words}; \\
+\myit{font-dir} & = & \mbox{direction of font}; \\
+\myit{nco} & = & \mbox{offset of the character entries, in words}; \\
+\myit{ncw} & = & \mbox{number of character info words}; \\
+\myit{npc} & = & \mbox{number of parameters per character}.
+\end{eqnarray*}
+Most of the entries in the first part are as for level-0 fonts.  The new
+entries pertain to how the $\myit{char-info-word}$ entries are stored.
+\begin{itemize}
+\item $\myit{nco}$:\quad This value gives the offset into the file
+for the first word of the $\myit{char-info-word}$ table.  The
+$\myit{nco}$ value is required by output drivers, which need quick
+access to the characters, even if the total length
+of the tables preceding them is not easily computed,.
+\item $\myit{ncw}$:\quad Since many large fonts have large numbers
+of consecutive characters with identical metrics.  These are compressed
+in level-1 fonts, and so the number of $\myit{char-info-word}$
+entries is not simply $\myit{ec}-\myit{bc}+1$.  The $\myit{ncw}$
+value gives the number of words used for character information,
+not the number of entries.
+\item $\myit{npc}$:\quad This is the number of extra parameters per character.
+\item $\myit{real-lf}$:\quad This would be the length of
+the file, were there no compression.
+\end{itemize}
+
+The next twelve entries come in pairs.
+For each kind of parameter (\textsc{ivalue}, \textsc{fvalue},
+\textsc{mvalue}, \textsc{rule}, \textsc{glue}, \textsc{penalty}),
+the first entry states how many tables of that kind there are,
+and the second states how many words these tables require.
+\begin{eqnarray*}
+\myit{nki} & = & \mbox{number of \textsc{ivalue} tables}; \\
+\myit{nwi} & = & \mbox{number of words for \textsc{ivalue} tables}; \\
+\myit{nkf} & = & \mbox{number of \textsc{fvalue} tables}; \\
+\myit{nwf} & = & \mbox{number of words for \textsc{fvalue} tables}; \\
+\myit{nkm} & = & \mbox{number of \textsc{mvalue} tables}; \\
+\myit{nwm} & = & \mbox{number of words for \textsc{mvalue} tables}; \\
+\myit{nkr} & = & \mbox{number of \textsc{rule} tables}; \\
+\myit{nwr} & = & \mbox{number of words for \textsc{rule} tables}; \\
+\myit{nkg} & = & \mbox{number of \textsc{glue} tables}; \\
+\myit{nwg} & = & \mbox{number of words for \textsc{glue} tables}; \\
+\myit{nkp} & = & \mbox{number of \textsc{penalty} tables}; \\
+\myit{nwp} & = & \mbox{number of words for \textsc{penalty} tables}.
+\end{eqnarray*}
+
+We must have that $\myit{bc}-1\leq \myit{ec}\leq 65535$.
+Furthermore, the following identity must hold:
+\begin{eqnarray*}
+\myit{lf} & = &
+29 + \myit{lh} + \myit{ncw} +
+\myit{nw} + \myit{nh} + \myit{nd} + \myit{ni} +\\
+& & 2*\myit{nl} + \myit{nk} + 2*\myit{ne} + \myit{np} +\\
+& & \myit{nki} + \myit{nwi} +
+\myit{nkf} + \myit{nwf} +
+\myit{nkm} + \myit{nwm} +\\
+& & \myit{nkr} + \myit{nwr} +
+\myit{nkg} + \myit{nwg} +
+\myit{nkp} + \myit{nwp}.
+\end{eqnarray*}
+Finally, the sum
+$\myit{nki}+ \myit{nkf}+ \myit{nkm}+
+\myit{nkr}+ \myit{nkg}+ \myit{nkp}$
+must be less than 32.
+
+The rest of the file is composed of a number of arrays.  The new parameter
+tables are placed before the standard dimension tables, as it is difficult
+to estimate space requirements without having read the new tables.
+Furthermore, the character parameter indices in the $\myit{char-info-word}$
+entries are relative and must be translated into an absolute reference
+into the tables.
+
+\begin{eqnarray*}
+\myit{header} & : &
+     \mathbf{array}\;[0..\myit{lh}-1]\;\mathbf{of}\;\myit{stuff}\\
+\myit{ivalue-no} & : &
+     \mathbf{array}\;[0..\myit{nki}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{fvalue-no} & : &
+     \mathbf{array}\;[0..\myit{nkf}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{mvalue-no} & : &
+     \mathbf{array}\;[0..\myit{nkm}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{rule-no} & : &
+     \mathbf{array}\;[0..\myit{nkr}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{glue-no} & : &
+     \mathbf{array}\;[0..\myit{nkg}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{pen-no} & : &
+     \mathbf{array}\;[0..\myit{nkp}-1]\;\mathbf{of}\;\myit{integer}\\
+\myit{ivalue-table}[0] & : &
+     \mathbf{array}\;[0..\myit{ivalue-no}[0]-1]\;
+     \mathbf{of}\;\myit{integer}\\
+& \vdots\\
+\myit{ivalue-table}[\myit{nki}-1] & : &
+     \mathbf{array}\;[0..\myit{ivalue-no}[\myit{nki}-1]-1]\;
+     \mathbf{of}\;\myit{integer}\\
+\myit{fvalue-table}[0] & : &
+     \mathbf{array}\;[0..\myit{fvalue-no}[0]-1]\;
+     \mathbf{of}\;\myit{fix-word}\\
+& \vdots\\
+\myit{fvalue-table}[\textit{nkf}-1] & : &
+     \mathbf{array}\;[0..\myit{fvalue-no}[\textit{nkf}-1]-1]\;
+     \mathbf{of}\;\myit{fix-word}\\
+\myit{mvalue-table}[0] & : &
+     \mathbf{array}\;[0..\myit{mvalue-no}[0]-1]\;
+     \mathbf{of}\;\myit{fix-word}\\
+& \vdots\\
+\myit{mvalue-table}[\textit{nkm}-1] & : &
+     \mathbf{array}\;[0..\myit{mvalue-no}[\textit{nkm}-1]-1]\;
+     \mathbf{of}\;\myit{fix-word}\\
+\myit{rule-table}[0] & : &
+     \mathbf{array}\;[0..\myit{rule-no}[0]-1]\;
+     \mathbf{of}\;\myit{rule-entry}\\
+& \vdots\\
+\myit{rule-table}[\textit{nkr}-1] & : &
+     \mathbf{array}\;[0..\myit{rule-no}[\textit{nkr}-1]-1]\;
+     \mathbf{of}\;\myit{rule-entry}\\
+\myit{glue-table}[0] & : &
+     \mathbf{array}\;[0..\myit{glue-no}[0]-1]\;
+     \mathbf{of}\;\myit{glue-entry}\\
+& \vdots\\
+\myit{glue-table}[\textit{nkg}-1] & : &
+     \mathbf{array}\;[0..\myit{glue-no}[\textit{nkg}-1]-1]\;
+     \mathbf{of}\;\myit{glue-entry}\\
+\myit{pen-table}[0] & : &
+     \mathbf{array}\;[0..\myit{pen-no}[0]-1]\;
+     \mathbf{of}\;\myit{integer}\\
+& \vdots\\
+\myit{pen-table}[\textit{nkp}-1] & : &
+     \mathbf{array}\;[0..\myit{pen-no}[\textit{nkp}-1]-1]\;
+     \mathbf{of}\;\myit{integer}\\
+\myit{char-info} & : &
+     \mathbf{array}\;[0..\myit{ncw}-1]\;\mathbf{of}\;
+     \myit{char-info-word}\\
+\myit{width} & : &
+     \mathbf{array}\;[0..\myit{nw}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{height} & : &
+     \mathbf{array}\;[0..\myit{nh}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{depth} & : &
+     \mathbf{array}\;[0..\myit{nd}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{italic} & : &
+     \mathbf{array}\;[0..\myit{ni}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{lig-kern} & : &
+     \mathbf{array}\;[0..\myit{nl}-1]\;\mathbf{of}\;
+     \myit{lig-kern-command}\\
+\myit{kern} & : &
+     \mathbf{array}\;[0..\myit{nk}-1]\;\mathbf{of}\;\myit{fix-word}\\
+\myit{exten} & : &
+     \mathbf{array}\;[0..\myit{ne}-1]\;\mathbf{of}\;
+     \myit{extensible-recipe}\\
+\myit{param} & : &
+     \mathbf{array}\;[1..\myit{np}]\;\mathbf{of}\;\myit{fix-word}
+\end{eqnarray*}
+
+So, for parameter $x$, there is a table $\myit{x-no}$, of
+length~$\myit{nkx}$, giving the size of each table.
+In addition, there are $\myit{nkx}$ tables
+containing the actual entries, where the $i$-th table is of
+length~$\myit{x-no}[i]$.
+
+The only parameter entries with an unclear structure are
+$\myit{rule-entry}$ and $\myit{glue-entry}$.
+
+\begin{itemize}
+\item
+Each $\myit{rule-entry}$ uses three words (12~octets):
+\vspace*{.1cm}
+
+\begin{tabular}{llrl}
+1st word & $\myit{width}$ & 32 bits & fixword\\
+2nd word & $\myit{height}$ & 32 bits & fixword\\
+3rd word & $\myit{depth}$ & 32 bits & fixword\\
+\end{tabular}
+\vspace*{.1cm}
+
+The interpretation of the values should be clear.  If one of the 
+three values is~0, then it can stretch in the appropriate direction,
+as is standard in~\TeX.
+\item
+Each $\myit{glue-entry}$ uses four words (16~octets):
+\vspace*{.1cm}
+
+\begin{tabular}{llrl}
+1st word & $\myit{subtype}$ & 4 bits & (0--3)\\
+& $\myit{argument-kind}$ & 4 bits & (0--2)\\
+& $\myit{stretch-order}$ & 4 bits & (0--4)\\
+& $\myit{shrink-order}$ & 4 bits & (0--4)\\
+& $\myit{char-rule}$ & 16 bits\\
+2nd word & $\myit{width}$ & 32 bits &  fixword\\
+3rd word & $\myit{stretch}$ & 32 bits &  fixword\\
+4th word & $\myit{shrink}$ & 32 bits &  fixword\\
+\end{tabular}
+\vspace*{.1cm}
+
+\begin{itemize}
+\item$\myit{subtype}$ is one of
+\vspace*{.1cm}
+
+\begin{tabular}{ll}
+0 & $\myit{normal}$\\
+1 & $\myit{a-leaders}$\\
+2 & $\myit{c-leaders}$\\
+3 & $\myit{x-leaders}$\\
+\end{tabular}
+\vspace*{.1cm}
+
+\item $\myit{argument-kind}$ is one of
+\vspace*{.1cm}
+
+\begin{tabular}{ll}
+0 & $\myit{space}$\\
+1 & $\myit{rule}$ ($\myit{subtype}$ must be leader)\\
+2 & $\myit{character}$ ($\myit{subtype}$ must be leader)\\
+\end{tabular}
+\vspace*{.1cm}
+
+\item $\myit{stretch-order}$ and $\myit{shrink-order}$
+are one of
+\vspace*{.1cm}
+
+\begin{tabular}{ll}
+0 & $\myit{normal}$\\
+1 & $\myit{fi}$\\
+2 & $\myit{fil}$\\
+3 & $\myit{fill}$\\
+4 & $\myit{filll}$\\
+\end{tabular}
+\vspace*{.1cm}
+
+\item $n=\myit{char-rule}$ depends on the value of
+$\myit{argument-kind}$:
+\begin{enumerate}
+\item[0.] 0;
+\item[1.] $n$-th rule in rule table~0;
+\item[2.] $n$-character in font.
+\end{enumerate}
+\end{itemize}
+The explanation here only really makes sense if the reader has a clear
+understanding of how glue nodes are built in~\TeX.  More detailed
+documentation is forthcoming.
+\end{itemize}
+
+The new $\myit{char-info-word}$ array is of great interest.  Its length
+is not directly computable from the number of characters in the font.  Each
+$\myit{char-info-word}$ entry contains a minimum of 12 octets, and is in
+any case a multiple of four octets. Each entry is as follows:
+\vspace*{.1cm}
+
+\begin{tabular}{llrl}
+1st word & $\myit{width}$ & 16 bits\\
+& $\myit{height}$ & 8 bits\\
+& $\myit{depth}$ & 8 bits\\
+\hline
+2nd word & $\myit{italic}$ & 8 bits\\
+& $\myit{RFU}$ & 5 bits\\
+& $\myit{ext-tag}$ & 1 bit\\
+& $\myit{tag}$ & 2 bits\\
+& $\myit{remainder}$ & 16 bits\\
+\hline
+& $\myit{no-repeats}$ & 16 bits\\
+& $\myit{param}_0$ & 16 bits\\
+& \ldots\\
+& $\myit{param}_{\it npc-1}$ & 16 bits\\
+& $\myit{padding}$ & 16 bits & if necessary\\
+\end{tabular}
+\vspace*{.1cm}
+
+\noindent
+where $\myit{npc}$ is the number of characters per parameter.
+
+The $\myit{repeat}$ entry allows one to state that the following
+\texttt{no-repeats} characters have identical attributes, thereby
+allowing the \OFM\ file to be much smaller.  This attribute is essential
+for Chinese, Japanese and korean ideogram fonts.  In other words, this
+$\myit{char-info-word}$ entry is relevant to $(\myit{no-repeats}+1)$
+characters.
+
+If the $\myit{ext-tag}$ bit is on, then the lig-kern entry pointed to
+by $\myit{remainder}$ is shared with all the other characters in its
+\emph{equivalence class}, which corresponds to $\myit{param}_0$
+if there exists an \textsc{ivalue} table.
+
+We are now ready for the changed lig-kern table.  There are four
+new instructions, which can be distinguished by the fact that
+the 0-th 16-bit entry ($\myit{skip-byte}$) is exactly~256.
+In that case, then the 1st 16-bit entry ($\myit{next-char}$)
+defines an equivalence class.  If the next character is of that
+equivalence class, then the 2nd 16-bit entry
+(the $\myit{op-byte}$) is interpreted as follows:
+\begin{enumerate}
+\item[17.]  Add the glue node defined by entry $\myit{remainder}$
+in the 0-th glue table.
+\item[18.]  Add the penalty node defined by entry $\myit{remainder}$
+in the 0-th penalty table.
+\item[19.]  Add the penalty node defined by entry
+$\myit{remainder}/256$ in the 0-th penalty table, then
+add the glue node defined by entry
+$\myit{remainder}\;\textrm{mode}\;256$ in the 0-th glue table.
+\item[20.]  Add the kern node defined by entry $\myit{remainder}$
+in the 0-th mvalue table.
+\end{enumerate}
+
+\subsection{Level-1 \OPL\ files}
+
+The level-1 \OPL\ files are the text versions of level-1 \OFM\ files.
+Hence, level-1 \OPL\ files contain six kinds of new tables:
+integer (\textsc{ivalue}), fixed (\textsc{fvalue}),
+magnifiable fixed (\textsc{mvalue}), rule (\textsc{rule}),
+glue (\textsc{glue}) and \textsc{penalty}) tables.
+In addition, the character entries can include new parameters,
+which can then be used in the extended lig-kern table.
+
+We begin with the new tables.
+These extra tables are numbered within each class, from 0 to $n-1$,
+where $n$ is the number of tables in that class.  To define, say,
+the fifth \textsc{ivalue} table, one begins as follows:
+\[
+     \bigl(\texttt{FONTIVALUE H 5 } \showtable\bigr)
+\]
+The instructions for defining tables are
+\[
+\begin{array}{lll}
+     \bigl(\texttt{FONTIVALUE} & \showtno & \showtable\bigr)\\
+     \bigl(\texttt{FONTFVALUE} & \showtno & \showtable\bigr)\\
+     \bigl(\texttt{FONTMVALUE} & \showtno & \showtable\bigr)\\
+     \bigl(\texttt{FONTRULE}   & \showtno & \showtable\bigr)\\
+     \bigl(\texttt{FONTGLUE}   & \showtno & \showtable\bigr)\\
+     \bigl(\texttt{FONTPENALTY}& \showtno & \showtable\bigr)\\
+\end{array}
+\]
+
+The property lists for these tables contain as many entries as there are
+slots in the table.  So the fourth entry, starting from~0, in a glue
+table would begin as follows:
+\[
+     \bigl(\texttt{GLUE H 4 } \showglue\bigr)
+\]
+The instructions for defining entries are:
+\[
+\begin{array}{lll}
+     \bigl(\texttt{IVALUE} & \showeno & \showivalue\bigr)\\
+     \bigl(\texttt{FVALUE} & \showeno & \showfvalue\bigr)\\
+     \bigl(\texttt{MVALUE} & \showeno & \showmvalue\bigr)\\
+     \bigl(\texttt{RULE}   & \showeno & \showrule\bigr)\\
+     \bigl(\texttt{GLUE}   & \showeno & \showglue\bigr)\\
+     \bigl(\texttt{PENALTY}& \showeno & \showpenaltydef\bigr)\\
+\end{array}
+\]
+
+Now we come to the definitions of the individual entries.
+The four simple ones are for \textsc{ivalue}, \textsc{fvalue},
+\textsc{mvalue} and \textsc{penalty}, which are as follows:
+The instructions for defining entries are:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{IVALUEVAL} & \showinteger\bigr)\\
+     \bigl(\texttt{FVALUEVAL} & \showfixword\bigr)\\
+     \bigl(\texttt{MVALUEVAL} & \showfixword\bigr)\\
+     \bigl(\texttt{PENALTYVAL}& \showinteger\bigr)\\
+\end{array}
+\]
+with some examples:
+\begin{verbatim}
+     (IVALUEVAL H 42)
+     (PENALTYVAL D 1000)
+     (FVALUEVAL R 42.0)
+     (MVALUEVAL R 42.0)
+\end{verbatim}
+which define an integer value of hex-42, a penalty value of 1000,
+a fix-word value of 42.0, and a magnifiable fix-word value of
+42.0.
+
+A $\showrule$ contains three components, each defaulting to~0:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{RULEWD} & \showfixword\bigr)\\
+     \bigl(\texttt{RULEHT} & \showfixword\bigr)\\
+     \bigl(\texttt{RULEDP} & \showfixword\bigr)\\
+\end{array}
+\]
+
+The most complex entries are for glue, which can take several
+instructions.  The first few instructions should be clear:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{GLUEWD}      & \showfixword\bigr)\\
+     \bigl(\texttt{GLUESTRETCH} & \showfixword\bigr)\\
+     \bigl(\texttt{GLUESHRINK}  & \showfixword\bigr)\\
+     \bigl(\texttt{GLUESTRETCHORDER} & \showorder\bigr)\\
+     \bigl(\texttt{GLUESHRINKORDER} & \showorder\bigr)\\
+\end{array}
+\]
+where $\showorder$ is one of \texttt{UNIT}, \texttt{FI}, \texttt{FIL},
+\texttt{FILL}, \texttt{FILLL}.
+
+
+Now, glue can either be blank, or consist of a leader:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{GLUETYPE} & \showkind\bigr)\\
+\end{array}
+\]
+where $\showkind$ is one of \texttt{NORMAL}, \texttt{ALEADERS},
+\texttt{CLEADERS}, \texttt{XLEADERS}.  If a leader is chosen,
+then one of the following alternatives can be given:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{GLUERULE} & \showinteger\bigr)\\
+     \bigl(\texttt{GLUECHAR} & \showinteger\bigr)\\
+\end{array}
+\]
+We give below the tables for an initial test with East Asian fonts:
+\begin{verbatim}
+     (FONTIVALUE H 0
+        (IVALUE H 0
+           (IVALUEVAL H 0)
+           )
+        (IVALUE H 1
+           (IVALUEVAL H 1)
+           )
+        (IVALUE H 2
+           (IVALUEVAL H 2)
+           )
+        (IVALUE H 3
+           (IVALUEVAL H 3)
+           )
+        )
+     (FONTGLUE H 0
+        (GLUE H 0
+           (GLUETYPE H 0)
+           (GLUESTRETCHORDER NORMAL)
+           (GLUESHRINKORDER NORMAL)
+           (GLUEWD R 0.0)
+           (GLUESTRETCH R 0.0)
+           (GLUESCHRINK R 0.0)
+        )
+        (GLUE H 1
+           (GLUETYPE H 0)
+           (GLUESTRETCHORDER NORMAL)
+           (GLUESHRINKORDER NORMAL)
+           (GLUEWD R 1.2333
+           (GLUESTRETCH R 4.5555)
+           (GLUESCHRINK R 2.3444)
+        )
+    (FONTPENALTY H 0
+       (PENALTY H 0
+           (PENALTYVAL H 0)
+           )
+       (PENALTY H 1
+           (PENALTYVAL H 122A)
+           )
+       )
+\end{verbatim}
+
+The extra tables can appear in any order, but they must all appear
+\emph{before} the first character entry has appeared, since the
+character parameters can refer to these tables.
+
+When defining the character entries, the standard entries (width,
+height, depth and italic correction) all exist.  One can also add
+parameters to the characters by referring to the above
+tables.  The syntax for an entry resembles
+\begin{verbatim}
+     (CHARIVALUE H 0 H 2)
+\end{verbatim}
+For this character, it is entry 2 in \textsc{ivalue} table 0 that is
+relevant.  All entries are similar:
+\[
+\begin{array}{lll}
+     \bigl(\texttt{CHARIVALUE}  & \showinteger & \showinteger\bigr)\\
+     \bigl(\texttt{CHARFVALUE}  & \showinteger & \showinteger\bigr)\\
+     \bigl(\texttt{CHARMVALUE}  & \showinteger & \showinteger\bigr)\\
+     \bigl(\texttt{CHARRULE}    & \showinteger & \showinteger\bigr)\\
+     \bigl(\texttt{CHARGLUE}    & \showinteger & \showinteger\bigr)\\
+     \bigl(\texttt{CHARPENALTY} & \showinteger & \showinteger\bigr)\\
+\end{array}
+\]
+There is a special use for the 0-th integer table, which defines
+the equivalence class of the character for the lig-kern table:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{CHARIVALUE H 0} & \showinteger\bigr)
+\end{array}
+\]
+The idea is that characters that act similarly with respect to
+their neighboring characters should have the same lig-kern
+entry, allowing for the dramatic reduction in size of the
+lig-kern table.  More later.
+
+Also to save space, it is possible to state that several characters use the
+same information.  This is done with the \textsc{charrepeat}
+instruction:
+\[
+\begin{array}{ll}
+     \bigl(\texttt{CHARREPEAT H 34 H 42 } \showchardefn\bigr)
+\end{array}
+\]
+states that characters \texttt{0x34} through to \texttt{0x76}
+(\texttt{0x34}+\texttt{0x42}) all use the same information.
+This clustering is done automatically by the \texttt{ovp2ovf} program.
+
+The lig-kern table uses four new instructions for the automatic
+insertion of kern, glue and penalties between characters.  For example,
+\begin{verbatim}
+     (CKRN H 3 H 2)
+\end{verbatim}
+states that if we encounter this instruction, and the next character
+has 3~in its 0-th \textsc{ivalue} table, then the 2-nd entry in the 0-th
+\textsc{mvalue} table is inserted into the stream.
+Similarly,
+\begin{verbatim}
+     (CGLUE H 3 H 2)
+\end{verbatim}
+states that if we encounter this instruction, and the next character
+has 3~in its 0-th \textsc{ivalue} table, then the 2-nd entry in the 0-th
+\textsc{glue} table is inserted into the stream.
+Once again,
+\begin{verbatim}
+     (CPENALTY H 3 H 2)
+\end{verbatim}
+does the same thing, except that it inserts the 2-nd entry in the 0-th
+\textsc{penalty} table into the stream.  The other one is
+\begin{verbatim}
+     (CPENGLUE H 3 H 2 H 4)
+\end{verbatim}
+which inserts the 2-nd entry in the 0-th \textsc{penalty} table, then
+the 4-th entry in the 0-th \textsc{glue} table.
+
+The \textsc{label} instruction used in \PL\ files has a variant called
+\textsc{clabel}, which means that several characters are using the same
+lig-kern entry.  It is this technique that allows \texttt{ovp2ovf}
+to cluster the characters with similar properties, otherwise each would
+point to a different lig-kern entry.
+
+Our example shows how East Asian fonts might be coded.  The
+equivalence class of a character has three possible values: 1~for
+`left' characters (opening parenthesis, opening quote, etc.),
+2~for `middle' or ordinary characters,
+and 3~for `right' characters
+(closing parenthesis, closing quote, period, etc.).
+Here is the lig-kern table.
+\begin{verbatim}
+     (LIGTABLE
+        (CLABEL H 1)
+        (CPENGLUE H 1 H 0 H 0)
+        (CPENGLUE H 2 H 0 H 0)
+        (CPENGLUE H 3 H 0 H 0)
+        (STOP)
+        (CLABEL H 2)
+        (CGLUE H 1 H 0)
+        (CGLUE H 2 H 0)
+        (CPENGLUE H 3 H 0 H 0)
+        (STOP)
+        (CLABEL H 2)
+        (CGLUE H 1 H 0)
+        (CGLUE H 2 H 0)
+        (CPENGLUE H 3 H 0 H 0)
+        (STOP)
+\end{verbatim}
+Glue is inserted between all pairs of characters that are of category 1,
+2, or~3.  In addition, a penalty is added in front of characters of
+category 3 (`right' characters), preventing a linebreak just prior to
+such characters.  At the same time, a penalty is added after all
+occurrences of characters of category~1 (`left' characters).
+
+Another possibility is to completely replace the lig-kern table,
+with the instruction
+\[
+\begin{array}{ll}
+     \bigl(\texttt{LIGTABLEOCP} & \showligocp\bigr)\\
+\end{array}
+\]
+Here the \OCP\ $\showligocp$ will be used instead of the lig-kern
+table.
+
+\subsection{Level-1 \OVF\ files}
+
+The level-1 \OVF\ files are indistinguishable from level-0
+\OVF\ files.
+
+\subsection{Level-1 \OVP\ files}
+
+The level-1 \OVP\ files are similar to level-1 \OPL\ files for
+the description of the tables.  For the actual character layout
+stuff, there is no difference with level-0 \OVP\ files.
+
+\section{\OMEGA\ Translation Processes}
+\label{lab:otps}
+
+The changes described above are very useful, and allow the resolution
+of several problems.  However, they do not radically alter the
+structure of \TeX.  This is not the case for the \OMEGA\ Translation
+Processes, which allow text to be passed through any number of finite
+state automata, in order to impose the required effects.  
+
+These processes are necessary for translating one character set to
+another.  They are also used to choose the various forms of letters in
+Arabic, or to create consonental clusters in Khmer, or to rearrange
+letter order in Indic scripts.  They could also offer alternative
+means of changing texts to upper or lower case or to hyphenate texts.
+
+Each translation process is placed in a file with the suffix \verb|.otp|.
+Its syntax is similar but not identical to a \texttt{lex} or
+\texttt{flex} file on Unix.  Examples of translation processes can 
+be found in the \texttt{texmf/omega/otp} directory.
+
+An \verb|.otp| file defines a finite state automaton that transforms
+an input character stream into an output character stream.  
+It consists of six parts:
+
+\begin{tabular}{l}
+\emph{Input}\\
+\emph{Output}\\
+\emph{Tables}\\
+\emph{States}\\
+\emph{Aliases}\\
+\emph{Expressions}\\
+\end{tabular}
+
+\noindent
+where the \emph{Expressions} actually state what translations take
+place and in what situation.
+
+In what follows, $n$ refers to a positive integer between 0~and
+$2^{24}-1$. It can be given in decimal form, octal form (preceded by
+\texttt{@'}) or hexadecimal form (preceded by \texttt{@"}).
+Hexadecimal numbers can use both minuscule and majuscule letters
+to express the digits~\emph{a--f}.  Numbers can also be given in
+character form:  a printable \textsc{ascii} character, when placed
+inside a pair of quotes, generates the \textsc{ascii} code for that
+character. For example, \verb|`a'| is equivalent to~\verb|@"61|.
+
+The \emph{Input} part states how many octets are in each input character.
+If the section is empty, then the default value is~2, since we hope 
+that Unicode will become the standard means of communication in the future.
+If the section is not empty, it must be of the form
+\[ \mymathtt{input:}\;\mymathit{in}\mymathtt{;} \]
+where \emph{in} states how many octets are in each input character.
+
+The \emph{Output} part states how many octets are in each output character.
+If the section is empty, then the default value is~2, since we hope 
+that Unicode will become the standard means of communication in the future.
+If the section is not empty, it must be of the form
+\[ \mymathtt{output:}\;\mymathit{out}\mymathtt{;} \]
+where \emph{out} states how many octets are in each output character.
+
+The \emph{Tables} part is used for defining tables that will be
+referred to later in the expressions.  Often, translations from one
+character set to another are most efficiently presented through table
+lookup.  This section can be empty, in which case no tables have been
+defined.  If it is not empty, it is of the form 
+\[ \mymathtt{tables:}\; \mymathit{table}^+ \]
+where each \emph{table} is of the form
+\[ \mymathit{id}\mymathtt{[}n\mymathtt{]}\;\mymathtt{=}\;
+\mymathtt{\char'173}n^+\mymathtt{\char'175}\mymathtt{;} \]
+where the numbers in $n^+$ are comma-separated.
+
+The \emph{States} part is used to separate out the expressions.  Not
+all expressions will necessarily be applicable in all situations.
+To do this, the user can name states and identify expressions with
+state names, in order to express what expressions apply when.
+This section can be empty, in which case there is only one state.  If
+it is not empty, it is of the form
+\[ \mymathtt{states:}\; \mymathit{id}^+\mymathtt{;} \]
+where the identifiers in $\mymathit{id}^+$ are comma-separated.
+
+The \emph{Aliases} part is used to simplify the definition of the left
+hand sides of the expressions.  Each expression consists of a 
+left-hand side, in the form of a simplified regular expression, and of a
+right-hand side, which states what should be done with a recognized
+string.  To simplify the definitions of the left-hand sides,
+aliases can be used. This section can be empty, in which case there
+are no aliases.  If it is not empty, it is of the form
+\[ \mymathtt{aliases:}\; \mymathit{alias}^+ \]
+where each \emph{alias} is of the form
+\[ \mymathit{id}\;\mymathtt{=}\;\mymathit{left}\mymathtt{;}\]
+and \emph{left} is defined below.
+
+The \emph{Expressions} part is the very reason for an \verb|.otp|
+file.  It states what translations must take place, and when.  It
+cannot be empty, and its syntax is
+\[ \mymathtt{expressions:}\; \mymathit{expr}^+ \]
+Each \emph{expr} is of the form
+\[
+   \mymathit{leftState}\; \mymathit{totalLeft}\; 
+   \mymathit{right} \; \mymathit{pushBack} \; \mymathit{rightState} \mymathtt{;}
+\]
+where \emph{leftState} defines the state for which this expression is
+applicable, \emph{totalLeft} defines the left-hand-side regular
+expression, \emph{right} defines the characters to be output,
+\emph{pushBack} states what characters must be added to the input
+stream and \emph{rightState} gives the new state.
+
+Intuitively, if the automaton is in macro-state \emph{leftState} and
+the regular expression \emph{totalLeft} corresponds to a prefix of the current
+input stream, then (1)~the input stream is advanced to the end of the recognized
+prefix, (2)~the characters generated by the \emph{right}
+expression are put onto the output stream, (3)~the characters
+generated by the \emph{pushBack} stream are placed at the beginning
+of the input stream and (4)~the system changes to the macro-state
+defined by \emph{rightState}.
+
+The \emph{leftState} field can be empty.  If it is not, its syntax is
+\[ \mymathtt{<} \mymathit{id} \mymathtt{>} \]
+
+The syntax for \emph{totalLeft} is
+\[ \mymathtt{beg:}? \; \mymathit{left}^+ \; \mymathtt{end:}? \]
+The \texttt{beg:}, if present, will only match the string if it is
+at the beginning of the input.  The \texttt{end:}, if present, will
+only match the string if it is at the end of the input.
+
+The syntax for \emph{left} is given by
+\begin{eqnarray*}
+\mymathit{left} & ::= & n\\
+& \mid & n\mymathtt{-}n\\
+& \mid & \mymathtt{.}\\
+& \mid & \mymathtt{(}\mymathit{left}^+\mymathtt{)}\\
+& \mid & \mymathtt{\char94(}\mymathit{left}^+\mymathtt{)}\\
+& \mid & \{\mymathit{id}\}\\
+& \mid & \mymathit{left}\;\mymathtt{<}n\mymathtt{,}n?\mymathtt{>}\\
+\end{eqnarray*}
+where the $\mymathit{left}^+$ means a series of \emph{left} separated
+by vertical bars.  Therefore, $n$ means a single number, $n\mymathtt{-}n$ is a
+range, $\mymathtt{.}$~is a wildcard character, 
+$\mymathtt{(}\mymathit{left}^+\mymathtt{)}$ is a choice,
+$\mymathtt{\char94(}\mymathit{left}^+\mymathtt{)}$ is the negation of a choice,
+$\mymathtt{\char'173}\mymathit{id}\mymathtt{\char'175}$
+is the use of an alias and
+$\mymathit{left}\mymathtt{<}n\mymathtt{,}n?\mymathtt{>}$
+means between $n$~and $n'$~occurrences of \emph{left}.  Should there
+be no~$n'$, then the expression means at least $n$~occurrences.
+
+The syntax for \emph{right} is
+\[ \mymathtt{=>}\; \mymathit{stringExpr}^+ \]
+while that for \emph{pushBack}, if it is not empty, is
+\[ \mymathtt{<=}\; \mymathit{stringExpr}^+ \]
+The \emph{right} expression corresponds to the characters that are to
+be output.  The \emph{pushBack} expression corresponds to the
+characters that are put back onto the input stream.
+
+A \emph{stringExpr} defines a string of characters, using the
+characters in the recognized input stream as arguments.  It is of the form
+
+\begin{tabular}{ll}
+& $s$\\
+$\mid$ & $n$\\
+$\mid$ & \verb|\|$n$\\
+$\mid$ & \verb|\$|\\
+$\mid$ & \verb|\($-|$n$\verb|)|\\
+$\mid$ & \verb|\*|\\
+$\mid$ & \verb|\(*-|$n$\verb|)|\\
+$\mid$ & \verb|\(*+|$n$\verb|)|\\
+$\mid$ & \verb|\(*+|$n$\verb|-|$n'$\verb|)|\\
+$\mid$ & \verb|#|\emph{arithExpr}\\
+\end{tabular}
+
+\noindent
+where $s$~is an \textsc{ascii} character string enclosed in double
+quotation marks.
+The \verb|\|$n$ means the $n$-th character (starting from 1)
+in the recognized prefix; the \verb|\$| means the last character in the 
+prefix; \verb|\($-|$n$\verb|)| the $n$-th, counting from the end.
+The \verb|\*| means the entire recognized prefix;
+\verb|\(*-|$n$\verb|)| the prefix without the last $n$~characters;
+\verb|\(*+|$n$\verb|)| without the first $n$~characters;
+\verb|\(*+|$n$\verb|-|$n'$\verb|)| removes the first~$n$ and last~$n'$
+characters.
+
+For example, Indic scripts are encoded with vowels at the end of a
+syllable, but the vowel is actually printed first on the page.  Up
+to six consonants can precede a vowel, yielding the following
+transliteration:
+\begin{verbatim}
+     {consonant}<1,6> {vowel}  =>  \$ \(*-1);
+\end{verbatim}
+
+The \emph{arithExpr} entry allows for calculations to actually be
+effected on the characters in the prefix. Their syntax is as follows:
+
+\begin{tabular}{ll}
+ & $n$\\
+$\mid$ & \verb|\|$n$\\
+$\mid$ & \verb|\$|\\
+$\mid$ & \verb|\($-|$n$\verb|)|\\
+$\mid$ & \emph{arithExpr}\verb| + |\emph{arithExpr}\\
+$\mid$ & \emph{arithExpr}\verb| - |\emph{arithExpr}\\
+$\mid$ & \emph{arithExpr}\verb| * |\emph{arithExpr}\\
+$\mid$ & \emph{arithExpr}\verb| div: |\emph{arithExpr}\\
+$\mid$ & \emph{arithExpr}\verb| mod: |\emph{arithExpr}\\
+$\mid$ & \emph{id}\verb|[|\emph{arithExpr}\verb|]|\\
+$\mid$ & \verb|(|\emph{arithExpr}\verb|)|\\
+\end{tabular}
+
+\noindent
+where \emph{id}\verb|[|\emph{arithExpr}\verb|]| means a table lookup:
+the \emph{id} must be a table defined in the \emph{Tables} section.
+The other operations should be clear.
+
+The following example shows the use of tables.
+\label{gb:unicode}
+\begin{verbatim}
+% File inbig5.otp
+% Conversion to Unicode from Chinese Big 5 (HKU)
+% Copyright (c) 1995 John Plaice and Yannis Haralambous
+% This file is part of the Omega project.
+%
+% This file was derived from data in the tcs program
+% ftp://plan9.att.com/plan9/unixsrc/tcs.shar.Z, 16 November 1994
+%
+
+input:  1;
+output: 2;
+
+tables:
+
+in_big5_a1[@"9d] = {
+@"20,   @"2c,   @"2ce,  @"2e,   @"2219, @"2219, @"3b,   @"3a,
+...
+@"2199, @"2198, @"2225, @"2223, @"2215
+};
+
+in_big5[@"3695] = {
+@"3000, @"ff0c, @"3001, @"3002, @"ff0e, @"30fb, @"ff1b, @"ff1a,
+...
+@"fffd, @"fffd, @"fffd, @"fffd, @"fffd
+};
+
+expressions:
+
+@"1a                    => @"0a;
+@"00-@"a0               => \1;
+@"a1(@"40-@"7e)         => #(in_big5_a1[\2-@"40]);
+@"a1(@"a1-@"fe)         => #(in_big5_a1[\2-@"62]);
+(@"a2-@"fe)(@"40-@"7e)  => #(in_big5[(\1-@"a2)*@"9d + \2-@"40]);
+(@"a2-@"fe)(@"a1-@"fe)  => #(in_big5[(\1-@"a2)*@"9d + \2-@"62]);
+. .                     => @"fffd;
+\end{verbatim}
+
+In the future, more operations may well be added.  Research is still
+under way for such things as providing means for defining functions, 
+local variables, error handling and other functionality.
+
+The \emph{pushBack} part, which serves to put characters back onto the
+input stream, uses the same syntax as the \emph{right} part.  When
+characters are placed back onto the input stream, they will be looked
+at upon the next iteration of the automaton.
+
+Finally, the \emph{rightState} can be empty or one of the following
+three forms:
+
+\begin{tabular}{ll}
+& \verb|<|\emph{id}\verb|>|\\
+$\mid$ & \verb|<push: |\emph{id}\verb|>|\\
+$\mid$ & \verb|<pop:>|\\
+\end{tabular}
+
+\noindent
+If it is empty, the automaton stays in the same state.
+If it is of the form \verb|<|\emph{id}\verb|>|, then the automaton
+changes to state~\emph{id}. The \verb|<push: |\emph{id}\verb|>|
+means change to state~\emph{id}, but remembering the current state.
+The \verb|<pop:>| means return to the previously saved state.
+
+Several \texttt{.otp} files are in the
+\texttt{omega/texmf/otp} directory.
+The \texttt{char2uni} directory contains \OTP s that
+convert national character sets to Unicode, while the
+\texttt{omega} directory contains \OTP s designed to work
+with the \OMEGA\ fonts.
+
+\section{Compiled Translation Processes}
+
+\OMEGA\ does not know anything about \OMEGA\ Translation Processes.
+It actually reads a compiled form of these filters, known as
+Compiled Translation Processes (file suffix \texttt{.ocp}).
+Essentially, the \OCP s can be considered to be portable assembler
+programs, and \OMEGA\ includes an interpreter for the generated
+instructions.
+
+The command for reading in a \OCP\ file is similar to a font
+declaration.  The example
+\begin{verbatim}
+     \ocp\TexUni=TeXArabicToUnicode
+\end{verbatim}
+means that the file \verb|TeXArabicToUnicode.ocp| is read 
+in by~\OMEGA\ and that internally the translation process is
+referred to as \verb|\TeXUni|.
+
+The \OCP s consist of a sequence of 4-octet words.  The first seven
+words have the following form:
+
+\begin{tabular}{ll}
+\emph{lf}&length of the entire file, in words;\\
+\emph{in}&number of octets in an input character;\\
+\emph{ot}&number of octets in an output character;\\
+\emph{nt}&number of tables;\\
+\emph{lt}&number of words allocated for tables;\\
+\emph{ns}&number of states;\\
+\emph{ls}&number of words allocated for states;\\
+\end{tabular}
+
+\noindent
+The header words are followed by four arrays:
+\begin{eqnarray*}
+\mathit{table\_length} & : & 
+   \mathbf{array} \; [0..\mathit{nt}-1] \; \mathbf{of} \; \mathit{word}\\
+\mathit{tables} & : & 
+   \mathbf{array} \; [0..\mathit{lt}-1] \; \mathbf{of} \; \mathit{word}\\
+\mathit{state\_length} & : & 
+   \mathbf{array} \; [0..\mathit{ns}-1] \; \mathbf{of} \; \mathit{word}\\
+\mathit{tables} & : & 
+   \mathbf{array} \; [0..\mathit{ls}-1] \; \mathbf{of} \; \mathit{word}
+\end{eqnarray*}
+
+The \emph{table\_length} array states how many words are used for each
+of the tables in the~\OCP.  For the GB~$\rightarrow$~Unicode example on
+page~\pageref{gb:unicode}, the \emph{table\_length} would have two
+entries: hex values \texttt{9d} and~\texttt{3695}.
+
+The \emph{tables} array is simply the concatenation of the tables in
+the \OTP\ file.
+
+The \emph{state\_length} array states how many words are used for each
+of the states in the~\OCP.  For the GB~$\rightarrow$~Unicode example on
+page~\pageref{gb:unicode}, the \emph{state\_length} would have one
+entry.
+
+The \emph{states} array is simply the concatenation of the sequence of
+instructions for each state in the \OTP\ file.  Each instruction takes
+one or two 4-octet words.  Zero- and one-argument instructions use
+one word. If the instruction consists of one word,
+then the actual instruction is in the first two octets and the
+argument is in the last two octets.  If the instruction consists of
+two words, then the actual instruction is in the first two octets,
+the first argument is in the next two octets and the last argument is
+in the last two octets.  The instructions are as follows:
+
+\begin{tabbing}
+\makebox[1cm][r]{99} \= \quad \verb|OTP_GOTO_NO_ADVANCE| \= \quad 2 arguments\kill
+\makebox[1cm][r]{1} \> \quad \verb|OTP_RIGHT_OUTPUT| \> \quad 0 arguments\\
+\makebox[1cm][r]{2} \> \quad \verb|OTP_RIGHT_NUM| \> \quad 1 argument\\
+\makebox[1cm][r]{3} \> \quad \verb|OTP_RIGHT_CHAR| \> \quad 1 argument\\
+\makebox[1cm][r]{4} \> \quad \verb|OTP_RIGHT_LCHAR| \> \quad 1 argument\\
+\makebox[1cm][r]{5} \> \quad \verb|OTP_RIGHT_SOME| \> \quad 2 arguments\\
+\\
+\makebox[1cm][r]{6} \> \quad \verb|OTP_PBACK_OUTPUT| \> \quad 0 arguments\\
+\makebox[1cm][r]{7} \> \quad \verb|OTP_PBACK_NUM| \> \quad 1 argument\\
+\makebox[1cm][r]{8} \> \quad \verb|OTP_PBACK_CHAR| \> \quad 1 argument\\
+\makebox[1cm][r]{9} \> \quad \verb|OTP_PBACK_LCHAR| \> \quad 1 argument\\
+\makebox[1cm][r]{10} \> \quad \verb|OTP_PBACK_SOME| \> \quad 2 arguments\\
+\\
+\makebox[1cm][r]{11} \> \quad \verb|OTP_ADD| \> \quad 0 arguments\\
+\makebox[1cm][r]{12} \> \quad \verb|OTP_SUB| \> \quad 0 arguments\\
+\makebox[1cm][r]{13} \> \quad \verb|OTP_MULT| \> \quad 0 arguments\\
+\makebox[1cm][r]{14} \> \quad \verb|OTP_DIV| \> \quad 0 arguments\\
+\makebox[1cm][r]{15} \> \quad \verb|OTP_MOD| \> \quad 0 arguments\\
+\makebox[1cm][r]{16} \> \quad \verb|OTP_LOOKUP| \> \quad 0 arguments\\
+\makebox[1cm][r]{17} \> \quad \verb|OTP_PUSH_NUM| \> \quad 1 argument\\
+\makebox[1cm][r]{18} \> \quad \verb|OTP_PUSH_CHAR| \> \quad 1 argument\\
+\makebox[1cm][r]{19} \> \quad \verb|OTP_PUSH_LCHAR| \> \quad 1 argument\\
+\\
+\makebox[1cm][r]{20} \> \quad \verb|OTP_STATE_CHANGE| \> \quad 1 argument\\
+\makebox[1cm][r]{21} \> \quad \verb|OTP_STATE_PUSH| \> \quad 1 argument\\
+\makebox[1cm][r]{22} \> \quad \verb|OTP_STATE_POP| \> \quad 1 argument\\
+\\
+\makebox[1cm][r]{23} \> \quad \verb|OTP_LEFT_START| \> \quad 0 arguments\\
+\makebox[1cm][r]{24} \> \quad \verb|OTP_LEFT_RETURN| \> \quad 0 arguments\\
+\makebox[1cm][r]{25} \> \quad \verb|OTP_LEFT_BACKUP| \> \quad 0 arguments\\
+\\
+\makebox[1cm][r]{26} \> \quad \verb|OTP_GOTO| \> \quad 1 argument\\
+\makebox[1cm][r]{27} \> \quad \verb|OTP_GOTO_NE| \> \quad 2 arguments\\
+\makebox[1cm][r]{28} \> \quad \verb|OTP_GOTO_EQ| \> \quad 2 arguments\\
+\makebox[1cm][r]{29} \> \quad \verb|OTP_GOTO_LT| \> \quad 2 arguments\\
+\makebox[1cm][r]{30} \> \quad \verb|OTP_GOTO_LE| \> \quad 2 arguments\\
+\makebox[1cm][r]{31} \> \quad \verb|OTP_GOTO_GT| \> \quad 2 arguments\\
+\makebox[1cm][r]{32} \> \quad \verb|OTP_GOTO_GE| \> \quad 2 arguments\\
+\makebox[1cm][r]{33} \> \quad \verb|OTP_GOTO_NO_ADVANCE| \> \quad 1 argument\\
+\makebox[1cm][r]{34} \> \quad \verb|OTP_GOTO_BEG| \> \quad 1 argument\\
+\makebox[1cm][r]{35} \> \quad \verb|OTP_GOTO_END| \> \quad 1 argument\\
+\makebox[1cm][r]{36} \> \quad \verb|OTP_STOP| \> \quad 0 arguments\\
+\end{tabbing}
+
+The \verb|OTP_LEFT|, \verb|OTP_GOTO| and \verb|OTP_STOP| instructions
+are used for recognizing prefixes in an input stream.  The \verb|OTP_RIGHT|
+instructions place characters on the output stream, while the
+\verb|OTP_PBACK| instructions place characters back onto the input
+stream.  The instructions \verb|OTP_ADD| through to
+\verb|OTP_PUSH_LCHAR| are used for internal computations in preparation
+for \verb|OTP_RIGHT| or \verb|OTP_PBACK| instructions.  Finally, the
+\verb|OTP_STATE| instructions are for changing macro-states.
+
+The system that reads from the input stream uses two pointers, which
+we will call \emph{first} and \emph{last}. The \emph{first} value
+points to the beginning of the input prefix that is currently being
+identified.  The \emph{last} value points to the end of the input
+prefix that has been read.  When a prefix has been recognized, then
+\emph{first} points to~\verb|\1| and \emph{last} points to~\verb|\$|.
+
+The \verb|OTP_LEFT_START| instruction, called at the beginning of
+the parsing of a prefix, advances \emph{first} to $\emph{last}+1$;  
+\verb|OTP_LEFT_RETURN| resets the \emph{last} value to
+$\emph{first}-1$ (it is called when a particular \emph{left} pattern
+does not correspond to the prefix); \verb|OTP_LEFT_BACKUP| backs up
+the \emph{last} pointer by~1.
+
+Internally, a \OCP\ program uses a program counter (PC), which is simply an
+index into the appropriate state array.  Like for all assembler
+programs, this counter is normally incremented by 1 or~2, depending on
+the size of the instruction, but it can be abruptly changed through
+an \verb|OTP_GOTO| instruction.
+
+The argument in single-argument \verb|OTP_GOTO| instructions is the
+new~PC.  For the two-argument instructions, the first is the comparand
+and the second is the new~PC should the test succeed. The
+\verb|OTP_GOTO| instruction itself is an unconditional branch;
+\verb|OTP_GOTO_NO_ADVANCE| advances \emph{last} by~1, and branches if
+has reached the end of input; \verb|OTP_GOTO_BEG| branches at the
+beginning of input and \verb|OTP_GOTO_END| branches at the end of
+input.  As for \verb|OTP_GOTO_|\emph{cond}, it succeeds if the
+character pointed to by \emph{last} (we'll call it
+\verb|*|\emph{last}) satisfies the test
+\emph{cond}(\verb|*|\emph{last}, \emph{firstArg}).
+
+The \verb|OTP_STOP| instruction stops processing of the currently
+recognized prefix.  Normally the automaton will be restarted with an
+\verb|OTP_LEFT_START| instruction.
+
+When computations are undertaken for the \verb|OTP_RIGHT| and
+\verb|OTP_PBACK| instructions, a computation stack is used.
+This stack is accessed through instructions \verb|OTP_ADD| through
+to \verb|OTP_PUSH_LCHAR|, as well as through the instructions
+\verb|OTP_RIGHT_OUTPUT| and \verb|OTP_PBACK_OUTPUT|.
+
+Since the \verb|OTP_RIGHT| and \verb|OTP_PBACK| instructions are
+analogous, only the former are described.
+The \verb|OTP_RIGHT_OUTPUT| instruction pops a value of the top of the
+stack and outputs it; \verb|OTP_RIGHT_NUM|$(n$) simply places $n$
+on the output stream; \verb|OTP_RIGHT_CHAR|$(n)$ places the $n$-th input 
+character on the output stream; \verb|OTP_RIGHT_LCHAR| does the same,
+but from the back;  finally, \verb|OTP_RIGHT_SOME| places a substring
+onto the output stream.
+
+Three instructions are used for placing values on the stack:
+\verb|OTP_PUSH_NUM|$(n)$ pushes $n$ onto the stack,
+\verb|OTP_PUSH_CHAR|$(n)$ pushes the $n$-th character and
+\verb|OTP_PUSH_LCHAR|$(n)$ does the same from the end.
+
+The arithmetic operations of the form \verb|OTP_|\emph{op} apply the
+operation 
+\begin{eqnarray*}
+\mathit{stack}[\mathit{top}-1] & := & 
+\mathit{stack}[\mathit{top}-1] \; \mathit{op} \;
+\mathit{stack}[\mathit{top}]
+\end{eqnarray*}
+where \emph{top} is the stack pointer, and then decrement the stack
+pointer.  Finally, the \verb|OTP_LOOKUP| instruction applies the
+operation
+\begin{eqnarray*}
+\mathit{stack}[\mathit{top}-1] & := & 
+\mathit{stack}[\mathit{top}-1][\mathit{stack}[\mathit{top}]]
+\end{eqnarray*}
+and then decrements the pointer.
+
+Last, but not least, are the \verb|OTP_STATE| instructions, which
+manipulate a stack of macro-states.  The initial state is always~0.
+The \verb|OTP_STATE_CHANGE|$(n)$ changes the current state 
+state~$n$; \verb|OTP_STATE_PUSH|$(n)$ pushes the current state onto
+the state stack before changing the current state;
+\verb|OTP_STATE_POP| pops the state at the top of the state stack into
+the current state.
+
+\section{Translation process lists}
+
+Translation processes can be used for a number of different purposes.
+Since not all uses can be foreseen, we have decided to offer a means
+to dynamically reconfigure the set of translation processes that are
+passing over the input text.  This is done using stacks of translation
+process lists.
+
+For any single purpose, for example to process a given language,
+several \OCP s might be required.  If one makes a context switch,
+such as processing a different language, then one would to be able
+to quickly replace \emph{all} of the \OCP s that are currently being
+used.  This is done using \OCP\ lists.
+
+A \OCP\ list is actually a list of pairs.  Each pair consists of a
+positive scaled value and a doubly ended queue of \OCP s.  For
+example,
+\begin{verbatim}
+     \ocplist\ArabicOCP=[(1.0 : \TexUni,\UniUniTwo,\UniTwoFont)]
+\end{verbatim}
+the output from \OMEGA\ once the \OCP\ list \verb|\ArabicOCP| has
+been typed, shows that that list has one element, namely the pair
+with the scaled value~1.0 and the doubly ended queue with three
+\OCP s, \verb|\TexUni|, \verb|\UniUniTwo| and \verb|\UniTwoFont|.
+
+\OCP\ lists are built up using the five operators \verb|\nullctlist|,
+\verb|\addbefore|\-\verb|ocp|\-\verb|list|, \verb|\addafterocplist|,
+\verb|\removebeforeocplist| and \verb|\removeafter|\-\verb|ocp|\-\verb|list|.
+For example, the above output was generated by the following
+sequence of \OMEGA\ statements:
+\begin{verbatim}
+     \ocp\TexUni=TeXArabicToUnicode
+     \ocp\UniUniTwo=UnicodeToContUnicode
+     \ocp\UniTwoFont=ContUnicodeToTeXArabicOut
+
+     \ocplist\ArabicOCP=
+     \addbeforeocplist 1 \TexUni
+     \addbeforeocplist 1 \UniUniTwo
+     \addbeforeocplist 1 \UniTwoFont
+     \nullocplist
+\end{verbatim}
+
+The \verb|\ocplist| command is similar to the \verb|\ocp| command:\\
+\verb|\ocplist|~\emph{listName}~\verb|=|~\emph{ocpListExpr}.
+
+All \emph{ocpListExpr} are built up from either the empty \OCP\ list,
+\verb|\nullocplist|, or from an already existing \OCP\ list.  In the
+latter case, the list is completely copied, to ensure that the named
+list is not itself modified.  Given a list~$l$, the instruction
+\verb|\addbeforeocplist|~$n$~\emph{ocp}~$l$ states that the
+\OCP\ \emph{ocp} is added at the head of the doubly ended queue for
+value~$n$ in list~$l$.  If that queue does not exist, it is created
+and inserted in the list so that the scaled values are all in
+increasing order.  The instruction
+\verb|\addafterocplist|~$n$~\emph{ocp}~$l$ does the same, except the
+addition takes place at the tail of the doubly ended queue.  The
+instruction
+\verb|\removebeforeocplist|~$n$~$l$ removes the \OCP\ at the head of the
+doubly ended queue numbered~$n$.  The instruction
+\verb|\removeafterocplist|~$n$~$l$ does the same at the tail of the
+doubly ended queue.  See the next section for more examples.
+
+\section{Input Filters}
+
+Here we come to the crucial parts of \OMEGA.  What happens to the
+input stream as it passes through translation processes?  What is
+the interaction between \TeX's macro-expansion and \OMEGA's translation 
+processes?
+
+When \OMEGA\ is in horizontal mode and it encounters a
+token of the form
+\emph{letter}, \emph{other\_char}, \emph{char\_given} or
+\emph{char\_num}, that character and all the successive 
+characters in those categories are read into a buffer.
+The currently active \OCP\ is applied to the buffer, and 
+the result is placed back onto the input, to be reread
+by the standard \TeX\ input routines, including macro
+expansion.
+
+The currently active \OCP\ is designated by a pair $(v,i)$, 
+where $v$~is a scaled value and $i$~is an integer.  If all the
+enabled \OCP s are in a \OCP\ list, then the~$v$ designates the index into
+the \OCP\ list and the~$i$ designates which element in the $v$-queue is
+currently active.
+
+Once a \OCP\ has been used, the~$i$ is incremented; if it points to the
+end of the current queue, then $v$~is set to the next queue, and
+$i$~is reset to~1.
+
+When the last enabled \OCP\ has been used, then the standard techniques
+for treating letters and other characters are used, namely generating
+paragraphs, etc.
+
+What this means is that it is now possible to apply a filter on the 
+\emph{text} of a file without macro-expansion, generate a new text,
+possibly with macros to be expanded, macro-expand, re-apply filters,
+etc.  All this without active characters, and without breaking macro
+packages.
+
+How are \OCP\ lists enabled?  \OCP\ lists are placed on a stack, each
+numbered queue in a given list masking the queues with the same number
+for the lists below that one on the stack.
+
+There are three commands, which all respect the grouping mechanism.
+The \verb|\clearocplists| command disables all \OCP\ lists.
+The \verb|\pushocplist|~\emph{OCPlist} command pushes \emph{OCPlist}
+onto the stack. The \verb|\popocplist| command pops the last list 
+from the stack.
+
+For example, consider the following purely hypothetical situations:
+\begin{verbatim}
+     \ocplist\FrenchOCP = \addbeforeocplist 1 \ocpA
+                          \addbeforeocplist 2 \ocpB
+                          \addbeforeocplist 3 \ocpC
+                          \nullocplist
+\end{verbatim}
+
+\begin{verbatim}
+     \ocplist\GermanOCP = \addbeforeocplist 1 \ocpD
+                          \addbeforeocplist 2 \ocpE
+                          \addbeforeocplist 3 \ocpF
+                          \nullocplist
+\end{verbatim}
+
+\begin{verbatim}
+     \ocplist\ArabicOCP = \addbeforeocplist 1 \ocpG
+                          \addbeforeocplist 2 \ocpH
+                          \addbeforeocplist 2 \ocpI
+                          \addbeforeocplist 3 \ocpJ
+                          \nullocplist
+\end{verbatim}
+
+\begin{verbatim}
+     \ocplist\SpecialArabicOCP =
+                          \addafterocplist 3 \ocpK
+                          \ArabicOCP
+\end{verbatim}
+
+\begin{verbatim}
+     \ocplist\UpperCaseOCP =
+                          \addbeforeocplist 2.5 \ocpL
+                          \nullocplist
+\end{verbatim}
+There are now 5 \OCP\ lists \emph{defined}, but none of them are
+\emph{enabled}.  The defined lists are:
+\begin{verbatim}
+     \ocplist\FrenchOCP =
+         [(1.0:\ocpA), (2.0:\ocpB), (3.0:\ocpC)]
+     \ocplist\GermanOCP =
+         [(1.0:\ocpD), (2.0:\ocpE), (3.0:\ocpF)]
+     \ocplist\ArabicOCP =
+         [(1.0:\ocpG), (2.0:\ocpH,\ocpI), (3.0:\ocpJ)]
+     \ocplist\SpecialArabicOCP =
+         [(1.0:\ocpG), (2.0:\ocpH,\ocpI), (3.0:\ocpJ,\ocpK)]
+     \ocplist\UpperCaseOCP =
+         [(2.5:\ocpL)]
+\end{verbatim}
+Consider now the sequence of instructions
+\begin{verbatim}
+     \clearocplists
+     \pushocplist\FrenchOCP
+     \pushocplist\UpperCaseOCP
+     \pushocplist\GermanOCP
+     \popocplist
+     \popocplist
+     \pushocplist\ArabicOCP
+     \pushocplist\SpecialArabicOCP
+     \pushocplist\GermanOCP
+\end{verbatim}
+The effective enabled \OCP\ list is, in turn:
+\begin{verbatim}
+     []
+     [(1.0:\ocpA), (2.0:\ocpB), (3.0:\ocpC)]
+     [(1.0:\ocpA), (2.0:\ocpB), (2.5:\ocpL), (3.0:\ocpC)]
+     [(1.0:\ocpD), (2.0:\ocpE), (2.5:\ocpL), (3.0:\ocpF)]
+     [(1.0:\ocpA), (2.0:\ocpB), (2.5:\ocpL), (3.0:\ocpC)]
+     [(1.0:\ocpA), (2.0:\ocpB), (3.0:\ocpC)]
+     [(1.0:\ocpG), (2.0:\ocpH,\ocpI), (3.0:\ocpJ)]
+     [(1.0:\ocpG), (2.0:\ocpH,\ocpI), (3.0:\ocpJ,\ocpK)]
+     [(1.0:\ocpD), (2.0:\ocpE), (3.0:\ocpF)]
+\end{verbatim}
+     
+The first test of the \OCP\ lists was for Arabic.  The text was typed
+in \textsc{ascii}, using a Latin transliteration.  This text was first
+transformed into Unicode, the official 16-bit encoding for the 
+world's character sets.  These letters were then translated into
+their appropriate visual forms (isolated, initial, medial or final)
+and then the text was translated into the font encoding.  During the
+second translation, inter-letter black spacing is inserted, since Arabic
+typesetting calls for word expansion to fill out a line.  Here is the
+input:
+\begin{verbatim}
+     \font\ARfont=oar10 scaled 1728 offset 256 %% an X-font
+     \def\keshideh{%
+     \begingroup\penalty10000%
+     \clearocplists\xleaders\hbox{\char'767}\hskip0ptplus1fi%
+     \endgroup}
+     \ocp\TexUni=TeXArabicToUnicode
+     \ocp\UniUniTwo=UnicodeToContUnicode
+     \ocp\UniTwoFont=ContUnicodeToTeXArabicOut
+     \ocplist\ArabicOCP=%
+     \addbeforeocplist 1 \TexUni
+     \addbeforeocplist 1 \UniUniTwo
+     \addbeforeocplist 1 \UniTwoFont
+     \nullocplist
+     \def\AR#1{\begingroup\noindent\pushocplist \ArabicOCP%
+     \ARfont\language=255\textdir TRT #1\endgroup}
+\end{verbatim}
+Notice that the \verb|\keshideh|, which is dynamically inserted
+between letters by the \verb|\UniUniTwo| \OCP, uses the \verb|fi|
+infinity.  It also disables all of the \OCP s, within a group.
+
+\section{Input and output character sets}
+
+In a multilingual, heterogeneous environment, it it inevitable that
+different files will be written using different character sets.  It
+is even possible that the same file might have different parts that
+use different character sets.  How is it possible to tag
+these files internally so that \OMEGA\ can read and write differently
+encoded files in a meaningful manner.
+
+After looking at a lot of character sets, we have decided that the
+vast majority of the world's character sets --- unfortunately not
+all --- can be categorized into one of the following groups:
+\begin{itemize}
+\item \texttt{onebyte} includes all those character sets that include
+the basic Roman letters, backslash and percent in the same positions
+as does \textsc{ascii} (\textsc{iso-646}).  Hence all the \textsc{iso-8859}
+character sets, as well as many of the shifted East-Asian sets,
+such as Shift-\textsc{jis}, are included.
+\item \texttt{ebcdic} includes all those character sets that include
+the basic Roman letters, backslash and percent in the same positions
+as does \textsc{ebcdic-us}.  Once again there are shifted character
+sets that fall into this category.
+\item \texttt{twobyte} includes all those character sets that include
+the basic Roman letters, backslash and percent in the same positions
+as does \textsc{unicode} (\textsc{iso-10646}).
+\item \texttt{twobyteLE} is the same as \texttt{twobyte}, but in Little
+Endian order, for ``Microsoft \textsc{unicode}''.
+\end{itemize}
+These categories are called \emph{modes}.
+
+In \OMEGA, it is assumed that every textual input source and textual output
+sink has a mode, as well as two translations: one from the character set to
+the internal encoding, and one from the internal encoding to the character
+set in question.  Normally the internal encoding will be \textsc{unicode},
+which means that linguistic information such as hyphenation will only need
+to be defined once.  There are situations in which extra characters will
+be needed, if the characters or their scripts are not included in
+\textsc{unicode}, but this will not be the norm.
+
+\OMEGA\ has two basic style of input: the old \TeX\ style, or the
+automatic \OMEGA\ style.
+In the automatic style, upon opening a file, \OMEGA\ reads the first
+two octets, and draws the following conclusions:
+\begin{itemize}
+\item Hex \texttt{0025} (\textsc{unicode} \verb|%|)
+or \texttt{005c} (\textsc{unicode} \verb|\|): the mode is \texttt{twobyte}.
+\item Hex \texttt{2500} (\textsc{unicode} \verb|%|)
+or \texttt{5c00} (\textsc{unicode} \verb|\|): the mode is \texttt{twobyteLE}.
+\item Hex \texttt{25} (\textsc{ascii} \verb|%|)
+or \texttt{5c} (\textsc{ascii} \verb|\|): the mode is \texttt{onebyte}.
+\item Hex \texttt{6c} (\textsc{ebcdic-us} \verb|%|)
+or \texttt{e0} (\textsc{ebcdic-us} \verb|\|): the mode is \texttt{ebcdic}.
+\item If none of these four situations
+occurs, then the default input mode is assumed.
+\end{itemize}
+%
+Here are the primitives for manipulating modes:
+\begin{itemize}
+\item \verb|\DefaultInputMode| $\showmode$ :  The default input mode is set
+to $\showmode$.
+\item \verb|\noDefaultInputMode|  :  The standard \TeX\ style of
+input is restored.
+\item \verb|\DefaultOutputMode| $\showmode$ :  The default output mode
+is set to $\showmode$.
+\item \verb|\noDefaultOutputMode|  :  The standard \TeX\ style of
+output is restored.
+\item \verb|\InputMode| $\showfile$ $\showmode$ : The input mode for
+file $\showfile$ is changed to $\showmode$, where $\showfile$ can be
+\texttt{currentfile}, meaning the current file being \verb|\input|,
+or an integer~$n$, which corresponds to \verb|\openin|~$n$.
+\item \verb|\noInputMode| $\showfile$ :  The input mode for
+file $\showfile$ is restored to the standard \TeX\ style.
+\item \verb|\OutputMode| $\showfile$ $\showmode$  :  The output
+mode for file $\showfile$ is changed to $\showmode$, where
+$\showfile$ can be an integer~$n$, which corresponds to
+\verb|\openout|~$n$.
+\item \verb|\noOutputMode| $\showfile$ :  The output mode for
+file $\showfile$ is restored to the standard \TeX\ style.
+\end{itemize}
+%
+Here are the primitives for manipulating translations:
+\begin{itemize}
+\item \verb|\DefaultInputTranslation| $\showmode$ $\showligocp$ :
+The default input translation for mode $\showmode$ is $\showligocp$.
+\item \verb|\noDefaultInputTranslation| $\showmode$ :
+There is no longer a default input translation for mode $\showmode$.
+\item \verb|\DefaultOutputTranslation| $\showmode$ $\showligocp$ :
+The default output translation for mode $\showmode$ is $\showligocp$.
+\item \verb|\noDefaultOutputTranslation| $\showmode$ :
+There is no longer a default output translation for mode $\showmode$.
+\item \verb|\InputTranslation| $\showfile$ $\showligocp$ :
+The input translation for file $\showfile$ is $\showligocp$,
+where $\showfile$ is \verb|currentfile| or an integer~$n$.
+\item \verb|\noInputTranslation| $\showfile$ :
+There is no longer an input translation for file $\showfile$.
+\item \verb|\OutputTranslation| $\showfile$ $\showligocp$ :
+The output translation for file $\showfile$ is $\showligocp$,
+where $\showfile$ is an integer~$n$.
+\item \verb|\noOutputTranslation| $\showfile$ :
+There is no longer an output translation for file $\showfile$.
+\end{itemize}
+All of the above instructions apply only after the carriage return
+ending the current line.
+
+The default mode when the system begins is \OMEGA\ style,
+assuming \texttt{onebyte}.  This is sufficient for all the
+\texttt{iso-8859} character sets, for the \textsc{utf-8}
+encoding for \textsc{unicode}, many national character sets,
+and most mixed-length character sets used in East Asia.
+
+Once the basic family of character sets has been determined, 
+\OMEGA\ can read the files, and actually interpret control sequences.
+It is then possible to be more specific and to specify exactly what
+translation process must be applied to the entire file to convert
+the input to \textsc{unicode}.
+
+Input translations are simply single \OCP s, which
+differ from input filters in that they apply to \emph{all} characters
+in a file, not simply the letters and other characters in horizontal
+mode.  For each kind of mode, there can be a default input
+translation.  
+
+Upon startup, there is no default translation for the
+\texttt{onebyte}, \texttt{twobyte} or \texttt{twobyteLE} modes,
+but there is one for \texttt{ebcdic}, namely 
+\begin{verbatim}
+     \ocp\OCPebcdic=ebcdic
+     \DefaultInputTranslation ebcdic \OCPebcdic
+\end{verbatim}
+
+\section{Further work}
+
+The \OMEGA\ project is far from finished.  Currently much of the current
+work is geared towards font development.  Nevertheless, new
+functionality is to be added in the future.  In particular, more
+general methods for hyphenation, as well as for text output, using
+\OTP s, are envisaged.
+
+\end{document}
+
+
+
+The \verb|.tfm| files used by \TeX3 only allow 256~characters each.
+Like \TeX, \OMEGA\ uses \verb|.tfm| files, but it also uses
+\emph{extended font metric} (\verb|.ofm|) files, which are
+generalizations of \verb|.tfm| files for fonts of up to
+65~536~characters each.
+
+The description below focuses on the differences between \verb|.tfm|
+files and \verb|.ofm| files.  The standard definition of \verb|.tfm|
+files is in the second volume of Knuth's \emph{Computers and
+Typesetting} series.
+
+The first 52 bytes (13 words) of an \verb|.ofm| file contain thirteen
+32-bit integers that give the lengths of the various subsequent
+portions of the file.  These thirteen integers are, in order:
+
+\begin{tabular}{ll}
+$0$ &empty word to designate \verb|.ofm| file;\\
+\emph{lf}&length of the entire file, in words;\\
+\emph{lh}&length of the header data, in words;\\
+\emph{bc}&smallest character code in the font;\\
+\emph{ec}&largest character code in the font;\\
+\emph{nw}&number of words in the width table;\\
+\emph{nh}&number of words in the height table;\\
+\emph{nd}&number of words in the depth table;\\
+\emph{ni}&number of words in the italic correction table;\\
+\emph{nl}&number of words in the lig-kern table;\\
+\emph{nk}&number of words in the kern table;\\
+\emph{ne}&number of words in the extensible character table;\\
+\emph{np}&number of font parameter words.\\
+\end{tabular}
+
+The first word is~0 (future versions of
+\verb|.ofm| files could have different values;  what is important is that
+the first two bytes be~0 to differentiate \verb|.tfm| and \verb|.ofm| files).
+The next twelve integers are as above, all non-negative and less
+than~$2^{31}$.  The inequality $\mathit{bc}-1\leq\mathit{ec}\leq65535$
+must hold, as must the equality
+\[\mathit{lf}=13+
+\mathit{lh}+
+2(\mathit{ec}\!-\!\mathit{bc}\!+\!1)+
+\mathit{nw}+
+\mathit{nh}+
+\mathit{nd}+
+\mathit{ni}+
+\mathit{nl}+
+\mathit{nk}+
+\mathit{ne}+
+\mathit{np}.\]
+Note that an \verb|.ofm| font may contain as many as 65~536 characters 
+(if $\mathit{bc}=0$ and $\mathit{ec}=65535$), and as few as 0~characters 
+(if $\mathit{bc}=\mathit{ec}+1$).
+
+The rest of the \verb|.ofm| file is, like in \verb|.tfm| files, a
+sequence of ten data arrays.  Three of the arrays are different:
+\emph{char\_info}, \emph{lig\_kern} and \emph{exten}.
+
+The \emph{char\_info} array contains one \emph{char\_info\_word} entry
+per character.  Each \emph{char\_info\_word} in an \verb|.ofm| file
+takes 2~words (8~octets), packed as follows:
+
+\begin{description}
+\item[octets 0--1:] \emph{width\_index} (16~bits);
+\item[octet 2:]  \emph{height\_index} (8~bits);
+\item[octet 3:] \emph{depth\_index} (8~bits);
+\item[octets 4--5:]
+\emph{italic\_index} (14 bits) times 4, plus \emph{tag} (2~bits);
+\item[octets 6--7:] \emph{remainder} (16 bits).
+\end{description}
+
+Therefore the \verb|.ofm| format imposes a limit of 256~different heights,
+256~different depths, and 16~384~different italic corrections.
+
+The \emph{lig\_kern} array consists of a sequence of
+\emph{lig\_kern\_command} entries.  Each \emph{lig\_kern\_command}
+in an \verb|.ofm| file takes 2~words (8~octets), packed as follows:
+
+\begin{description}
+\item[octets 0--1:] \emph{skip\_byte}, indicates that this is the final
+program step if the byte is 128 or more, otherwise the next step is obtained
+by skipping this number of intervening steps.
+\item[octets 2--3:] \emph{next\_char}, ``if \emph{next\_char}
+follows the current character, then perform the operation and stop,
+otherwise continue.''
+\item[octets 4--5:] \emph{op\_byte}, indicates a ligature step if less
+than~128, a kern step otherwise.
+\item[octets 6--7:] \emph{remainder}.
+\end{description}
+
+For \verb|.tfm| files, if the very first instruction of a
+character's \emph{lig\_kern} program has $\mathit{skip\_byte}>128$, 
+the program actually begins in location
+$256*\mathit{op\_byte}+\mathit{remainder}$.
+This feature allows access to large \emph{lig\_kern} arrays,
+because the first instruction must otherwise appear in a location $\leq255$.
+For \verb|.ofm| files, the latter value is $\leq65535$.
+
+Extensible characters are specified by an \emph{extensible\_recipe},
+which consists of four 2-octet words called \emph{top}, \emph{mid},
+\emph{bot}, and \emph{rep} (in this order). These bytes are the
+character codes of individual pieces used to build up a large symbol.
+If \emph{top}, \emph{mid}, or \emph{bot} are zero, they are not
+present in the built-up result. For example, an extensible vertical
+line is like an extensible bracket, except that the top and bottom
+pieces are missing.
+
+\paragraph{Font offsets.}
+
+When switching from one alphabet to another in Unicode, one passes
+from one Unicode page to another.  However, the corresponding fonts will
+normally all be numbered from~0.  To deal with this situation, a 
+new keyword, \texttt{offset}, is introduced.  In the \verb|\font|
+command, $\mathtt{offset}\;n$ states that character~$c$ in the 
+font is referred to in \OMEGA\ by $n+c$.  For example, 
+\begin{verbatim}
+     \font\ARfont=oar10 scaled 1728 offset 256 %% an Omega font
+\end{verbatim}
+states that the font \texttt{oar10} is to be loaded, using a scaling
+factor of~1728, and that character~$c$ in the font will be referred to
+in \OMEGA\ as $c+256$ or, equivalently, that character~$C$ in 
+\OMEGA\ refers to character $C-256$ in the font.
+
+\paragraph{Extended virtual property files.}
+
+The \texttt{.ovp} files are the same as \texttt{.vpl} files, except that 
+characters are no longer limited to 8~bits, but to 16~bits.
+
+\paragraph{Extended virtual font files.}
+
+The \texttt{.vf} file format already supports fonts with large
+numbers of characters.  However, not all drivers that read
+\texttt{.vf} files properly support large fonts.  Therefore, the
+files generated from \texttt{.ovp} files are labeled \texttt{.ovf}
+rather than~\texttt{.vf}.
+
+\section{Character dimensions}
+
+To simplify the acrobatics necessary for diacritic placement for
+certain alphabets, four new primitives (\verb|\charwd|, \verb|\chardp|,
+\verb|\charht|, and \verb|\charit|) are provided.  When followed by
+a integer designating a character, they respectively provide the
+width, the depth, the height and the italic correction of the
+character.  For example,
+\begin{verbatim}
+     \charwd120
+\end{verbatim}
+can be considered to be an abbreviation of
+\begin{verbatim}
+     \setbox250=\hbox{P}\wd250
+\end{verbatim}
+but without the side effect of creating a box and putting something inside it.
+
+\end{document}
diff --git a/Master/texmf-dist/doc/omega/base/torture.ps b/Master/texmf-dist/doc/omega/base/torture.ps
new file mode 100644
index 00000000000..30bdb8628f7
--- /dev/null
+++ b/Master/texmf-dist/doc/omega/base/torture.ps
@@ -0,0 +1,7612 @@
+%!PS-Adobe-2.0
+%%Creator: (Omega) odvips(k) 5.92a Copyright 2002 Radical Eye Software
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+%%Pages: 18
+%%PageOrder: Ascend
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+%%+ OmegaSerifArabicThree-Bold
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+%%CreationDate: 1991 Aug 20 16:46:05
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
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+%%CreationDate: 1992 Apr 26 10:42:42
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+11 dict begin
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+%%CreationDate: 10/03/99 at 15:10
+%%VMusage: 1024 42164
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996 \(v. 1997-02-08\)
+% ADL: 771 229 0
+%%EndComments
+FontDirectory/OmegaSerifLatin-Italic known{/OmegaSerifLatin-Italic findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
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+/Notice (Copyright The Omega Project 1996 \(v. 1997-02-08\)) readonly def
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+end readonly def
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+%%EndFont 
+%%BeginFont: OmegaSerifArabicThree
+%!PS-AdobeFont-1.0: OmegaSerifArabicThree 001.000
+%%CreationDate: 6/03/98 at 9:43
+%%VMusage: 1024 23867
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996
+% ADL: 595 405 0
+%%EndComments
+FontDirectory/OmegaSerifArabicThree known{/OmegaSerifArabicThree findfont dup/UniqueID known{dup
+/UniqueID get 4405653 eq exch/FontType get 1 eq and}{pop false}ifelse
+{save true}{false}ifelse}{false}ifelse
+20 dict begin
+/FontInfo 16 dict dup begin
+/version (001.000) readonly def
+/FullName (OmegaSerifArabicThree) readonly def
+/FamilyName (OmegaSerifArabicThree) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition -100 def
+/UnderlineThickness 50 def
+/Notice (Copyright The Omega Project 1996) readonly def
+/em 1000 def
+/ascent 595 def
+/descent 405 def
+end readonly def
+/FontName /OmegaSerifArabicThree def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 50 /alifwaslaiso put
+dup 70 /urduhehfin put
+dup 71 /hamzasindhi put
+dup 72 /meemsindhi put
+dup 73 /arabicstroke put
+dup 74 /hehgoalfinvar put
+dup 77 /zalowerdotiso put
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+dup 80 /sallallahou put
+dup 128 /charaaa put
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+dup 157 /charabe put
+dup 161 /charabj put
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+readonly def
+/PaintType 0 def
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+/StrokeWidth 0 def
+/FontMatrix[0.001 0 0 0.001 0 0]readonly def
+/UniqueID 4405653 def
+/FontBBox{-68 -616 989 984}readonly def
+currentdict end
+currentfile eexec
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+%%BeginFont: OmegaSerifArabicOne
+%!PS-AdobeFont-1.0: OmegaSerifArabicOne 001.000
+%%CreationDate: 6/03/98 at 9:43
+%%VMusage: 1024 38500
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996
+% ADL: 701 299 0
+%%EndComments
+FontDirectory/OmegaSerifArabicOne known{/OmegaSerifArabicOne findfont dup/UniqueID known{dup
+/UniqueID get 4250676 eq exch/FontType get 1 eq and}{pop false}ifelse
+{save true}{false}ifelse}{false}ifelse
+20 dict begin
+/FontInfo 16 dict dup begin
+/version (001.000) readonly def
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+/FamilyName (OmegaSerifArabicOne) readonly def
+/Weight (Medium) readonly def
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+/UnderlineThickness 50 def
+/Notice (Copyright The Omega Project 1996) readonly def
+/em 1000 def
+/ascent 701 def
+/descent 299 def
+end readonly def
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+% Copyright The Omega Project 1996 \(v. 1997-02-08\)
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+cleartomark
+%%EndFont 
+%%BeginFont: OmegaSerifCommon-Bold
+%!PS-AdobeFont-1.0: OmegaSerifCommon-Bold 001.000
+%%CreationDate: 10/03/99 at 16:16
+%%VMusage: 1024 28616
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996 \(version 1997-02-08\)
+% ADL: 769 231 0
+%%EndComments
+FontDirectory/OmegaSerifCommon-Bold known{/OmegaSerifCommon-Bold findfont dup/UniqueID known{dup
+/UniqueID get 16262002 eq exch/FontType get 1 eq and}{pop false}ifelse
+{save true}{false}ifelse}{false}ifelse
+20 dict begin
+/FontInfo 16 dict dup begin
+/version (001.000) readonly def
+/FullName (OmegaSerifCommon-Bold) readonly def
+/FamilyName (OmegaSerifCommon) readonly def
+/Weight (Bold) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition -100 def
+/UnderlineThickness 50 def
+/Notice (Copyright The Omega Project 1996 \(version 1997-02-08\)) readonly def
+/em 1000 def
+/ascent 769 def
+/descent 231 def
+end readonly def
+/FontName /OmegaSerifCommon-Bold def
+/Encoding 256 array
+0 1 255 {1 index exch /.notdef put} for
+dup 46 /period put
+dup 47 /slash put
+dup 49 /one put
+dup 50 /two put
+dup 51 /three put
+dup 52 /four put
+dup 53 /five put
+dup 54 /six put
+dup 55 /seven put
+dup 56 /eight put
+dup 58 /colon put
+dup 63 /question put
+dup 105 /quoteright put
+readonly def
+/PaintType 0 def
+/FontType 1 def
+/StrokeWidth 0 def
+/FontMatrix[0.001 0 0 0.001 0 0]readonly def
+/UniqueID 16262002 def
+/FontBBox{-167 -488 1697 826}readonly def
+currentdict end
+currentfile eexec
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+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
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+11 dict begin
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+%%CreationDate: 6/03/98 at 10:04
+%%VMusage: 1024 20172
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996
+% ADL: 903 97 0
+%%EndComments
+FontDirectory/OmegaSerifTifinagh known{/OmegaSerifTifinagh findfont dup/UniqueID known{dup
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+{save true}{false}ifelse}{false}ifelse
+20 dict begin
+/FontInfo 16 dict dup begin
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+/FullName (OmegaSerifTifinagh) readonly def
+/FamilyName (OmegaSerifTifinagh) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition 0 def
+/UnderlineThickness 0 def
+/Notice (Copyright The Omega Project 1996) readonly def
+/em 1000 def
+/ascent 903 def
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+end readonly def
+/FontName /OmegaSerifTifinagh def
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+cleartomark
+%%EndFont 
+%%BeginFont: OmegaSerifIPA
+%!PS-AdobeFont-1.0: OmegaSerifIPA 001.000
+%%CreationDate: 6/03/98 at 10:03
+%%VMusage: 1024 39496
+% Generated by Fontographer 4.1.3
+% Copyright The Omega Project 1996
+% ADL: 722 278 0
+%%EndComments
+FontDirectory/OmegaSerifIPA known{/OmegaSerifIPA findfont dup/UniqueID known{dup
+/UniqueID get 4345888 eq exch/FontType get 1 eq and}{pop false}ifelse
+{save true}{false}ifelse}{false}ifelse
+20 dict begin
+/FontInfo 16 dict dup begin
+/version (001.000) readonly def
+/FullName (OmegaSerifIPA) readonly def
+/FamilyName (OmegaSerifIPA) readonly def
+/Weight (Medium) readonly def
+/ItalicAngle 0 def
+/isFixedPitch false def
+/UnderlinePosition 0 def
+/UnderlineThickness 0 def
+/Notice (Copyright The Omega Project 1996) readonly def
+/em 1000 def
+/ascent 722 def
+/descent 278 def
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+% Copyright The Omega Project 1996
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+%!PS-AdobeFont-1.1: CMSY8 1.0
+%%CreationDate: 1991 Aug 15 07:22:10
+% Copyright (C) 1997 American Mathematical Society. All Rights Reserved.
+11 dict begin
+/FontInfo 7 dict dup begin
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+b(\322)-154 b(\233)-117 b(\330)-76 b(\216)-112 b(u)-175
+b(\203)-83 b(n)-71 b(\276)3338 3572 y(\273)-95 b(\336)-167
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+b FB(\310)-77 b(`)-29 b(A)-82 b(\216)-76 b(\327)g(\220)f(\313)g(\217)
+-69 b(\322)-133 b(~)-110 b(\336)-139 b(\313)-67 b(\333)j
+FA(Q)g FB(\332)-54 b(n)-101 b Fz(G)-112 b FB(\212)-64
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+b(\317)-65 b(\213)-74 b(\216)-110 b FA(\))-54 b FB(\333)f(\320)-64
+b(\213)-74 b FA(l)-163 b(\247)-107 b FB(n)-64 b(\216)-76
+b(\327)-66 b(m)-54 b(j)-94 b Fz(\200)-67 b(\204\210)-72
+b FB(v)-81 b(\336)-141 b FA(\273)-80 b FB(\324)k(\217)-96
+b(\335)-131 b(\317)-80 b(\250)-91 b(\217)-120 b(\216)-78
+b(\273)e(\330)-88 b(\316)3352 3685 y(v)-49 b Fz(J)-107
+b FB(\212)i(\227)d(\314)-89 b(\321)-126 b Fz(G)-133 b
+FB(~)-83 b(n)-64 b(\216)-93 b(\203)-83 b(\333)-96 b(x)-144
+b FA(\045)-95 b FB(\224)g(\320)-64 b(\213)-120 b(\267)-74
+b(\330)-66 b(v)g(\330)-88 b(\316)-126 b Fz(G)-104 b FB(m)-95
+b(\223)g(n)-76 b(\316)-124 b(v)-81 b(\336)-137 b(\267)-62
+b(n)-54 b(p)-125 b(\241)-181 b(\267)-74 b(\330)-66 b(v)g(\330)-88
+b(\316)-134 b(\212)-64 b(\317)-54 b(\333)g(n)-131 b(~)-110
+b(\336)-129 b(m)-54 b(\317)-64 b(\213)-74 b(\216)-112
+b FA(\))-54 b FB(\333)g(\320)-64 b(\213)-74 b FA(l)-112
+b FB(v)-54 b(q)-64 b(\213)g(\332)-48 b(\300)-88 b Fz(\200)-67
+b(\204\210)3338 3798 y FB(\273)-95 b(\336)-172 b(\223)-95
+b(\320)-64 b(\213)-86 b(\316)-155 b(\203)-106 b(\271)-137
+b Fz(H)-116 b(G)-147 b FB(\223)-95 b(\320)-64 b(\213)-86
+b(\316)-139 b(\313)-75 b(\264)-62 b(n)e(\212)-86 b(\316)-155
+b(~)-110 b(\336)-160 b(\203)-106 b(\271)-137 b Fz(H)-71
+b FB(!)-142 b(\223)-95 b(\320)-64 b FA(U)-114 b FB(v)-81
+b(\336)-160 b(~)-83 b(n)-64 b(\216)-93 b(\203)-84 b(\333)-96
+b(x)-154 b(\267)-62 b(n)-54 b(\361)-64 b(\315)-125 b(\216)-78
+b(\273)-90 b FA(\345)-155 b FB(~)-110 b(\336)-160 b(\203)-107
+b(\271)-137 b Fz(H)-71 b FB(!)3311 3911 y(\223)-95 b(\320)-64
+b FA(U)-123 b FB(\273)-95 b(\336)-139 b(\313)-108 b(\224)-95
+b(w)-62 b(\270)-79 b(\301)-124 b(\267)-62 b(q)-102 b(\240)-129
+b(\336)-136 b Fz(H)-162 b FA(\247)-117 b FB(\217)-86
+b FA(\344)-150 b FB(~)-110 b(\336)-155 b(\203)-106 b(\271)-132
+b Fz(H)-162 b FA(\247)-107 b FB(\333)-54 b(k)-76 b(\321)-175
+b FA(\247)-107 b FB(w)-96 b(r)-142 b(a)-54 b(\361)-81
+b(\336)-136 b(\216)-85 b(\323)-76 b(\333)-66 b(\330)-88
+b(\316)-121 b(a)-75 b(\323)-97 b(\321)-83 b FQ(.)1836
+5652 y FB(80)p eop end
+%%Trailer
+
+userdict /end-hook known{end-hook}if
+%%EOF
diff --git a/Master/texmf-dist/doc/omega/base/torture.tex b/Master/texmf-dist/doc/omega/base/torture.tex
new file mode 100644
index 00000000000..7f2085fee86
--- /dev/null
+++ b/Master/texmf-dist/doc/omega/base/torture.tex
@@ -0,0 +1,1127 @@
+% This file is changed by Roozbeh Pournader to make it work
+% with Omega 1.23 and fixing obvious bugs
+\documentclass[a4paper,11pt]{article}
+\usepackage{amsmath}
+\usepackage{omega}
+%\usepackage[dvips]{draftcopy}\draftcopyName{\today}{140}
+\def\shortarab#1{{\pushocplist\ArabicOCP\fontfamily{omarb}\selectfont#1\popocplist}}
+\def\shortberber#1{{\pushocplist\ArabicBerberOCP\fontfamily{omarb}\selectfont#1\popocplist}}
+\def\shortgreek#1{{\pushocplist\GreekOCP\fontfamily{omlgc}\selectfont#1\popocplist}}
+\def\shortlatberber#1{{\pushocplist\LatinBerberOCP\fontfamily{omlgc}\selectfont#1\popocplist}}
+\def\shorttifi#1{{\pushocplist\TifinaghOCP\fontfamily{omlgc}\selectfont#1\popocplist}}
+\def\shortpashto#1{{\pushocplist\AfghaPashtoOCP\fontfamily{omarb}\selectfont#1\popocplist}}
+\def\shortpashtop#1{{\pushocplist\PakiPashtoOCP\fontfamily{omarb}\selectfont#1\popocplist}}
+\def\shortsindhi#1{{\pushocplist\SindhiOCP\fontfamily{omarb}\selectfont#1\popocplist}}
+\def\tl#1#2#3#4#5#6{\hline\rule[-5pt]{0pt}{14pt}\texttt{#1}&\shortarab{#1}&\texttt{#2}&\shortarab{#2}&\texttt{#3}&\shortarab{#3}&
+\texttt{#4}&\shortarab{#4}&\texttt{#5}&\shortarab{#5}&\texttt{#6}&\shortarab{#6}\\}
+%
+\def\ttl#1#2#3{\hline\rule[-5pt]{0pt}{14pt}\texttt{#1}&\shortlatberber{#1}&\shortberber{#1}&\shorttifi{#1}&
+\texttt{#2}&\shortlatberber{#2}&\shortberber{#2}&\shorttifi{#2}&
+\texttt{#3}&\shortlatberber{#3}&\shortberber{#3}&\shorttifi{#3}\\}
+%
+\def\stl#1#2#3#4#5#6{\hline\rule[-5pt]{0pt}{14pt}\texttt{#1}&\shortsindhi{#1}&\texttt{#2}&\shortsindhi{#2}&\texttt{#3}&\shortsindhi{#3}&
+\texttt{#4}&\shortsindhi{#4}&\texttt{#5}&\shortsindhi{#5}&\texttt{#6}&\shortsindhi{#6}\\}
+\def\patl#1#2#3#4#5#6{\hline\rule[-5pt]{0pt}{14pt}\texttt{#1}&\shortpashto{#1}&\texttt{#2}&\shortpashto{#2}&\texttt{#3}&\shortpashto{#3}&
+\texttt{#4}&\shortpashto{#4}&\texttt{#5}&\shortpashto{#5}&\texttt{#6}&\shortpashto{#6}\\}
+\def\paptl#1#2#3#4#5#6{\hline\rule[-5pt]{0pt}{14pt}\texttt{#1}&\shortpashtop{#1}&\texttt{#2}&\shortpashtop{#2}&\texttt{#3}&\shortpashtop{#3}&
+\texttt{#4}&\shortpashtop{#4}&\texttt{#5}&\shortpashtop{#5}&\texttt{#6}&\shortpashtop{#6}\\}
+\begin{document}
+\setcounter{page}{63}
+\title{Multilingual Typesetting with \OMEGA, a Case Study: Arabic}
+\author{Yannis Haralambous\thanks{Atelier Fluxus Virus, 187, rue Nationale,
+59800 Lille, France, \texttt{yannis@fluxus-virus.com}}
+\and
+John Plaice\thanks{School of Computer Science and Engineering,
+The University of New South Wales, Sydney 2052 Australia,
+\texttt{plaice@cse.unsw.edu.au}}
+}
+\date{}
+\maketitle
+\begin{abstract}
+In this paper we describe the internal structure of the Arabic script
+package for the \OMEGA{} typesetting system, as well as the techniques
+and tools used for its development. This package allows typesetting
+using regular \LaTeX{} styles, in all Arabic alphabet languages:
+Arabic, Berber, Farsi, Urdu, Pashto, Sindhi, Uighur, etc.
+
+We also give a description of the character codes added to Unicode, to
+obtain the Unicode++ encoding, used by the \OMEGA{} system for
+typesetting purposes.
+\end{abstract}
+
+\section{Overview of the \OMEGA{} Arabic Script Package}
+
+Typesetting with \OMEGA{} is a process similar to typesetting with
+\TeX: the user prepares a ``source'' file, containing the text of
+\hisher{} document and a certain number of macro-commands for
+attribute changes of the text (font characteristics, language, case,
+etc.), references to figures (included in graphical format files on
+disk) and other material included in or accompanying the text.
+
+Once this source file prepared, \OMEGA{} is launched: it reads the
+file, expands the commands and typesets the text accordingly. To
+perform this task, \OMEGA{} loads and executes several \OTP{}s
+(\OMEGA{} Translation Processes), which take care of low level
+properties of the document (contextual analysis of the script, case
+switching according to script and language, etc.). It also uses
+different fonts, most of which are \emph{virtual}, in the sense that
+they themselves call other fonts. On a higher level, such a document
+uses \LaTeX{} packages, some of them modified to take advantage of the
+additional features of \OMEGA{} vs.\ \TeX.
+
+The leading idea of the \OMEGA{} Arabic Script Package (as of any
+\OMEGA{} language package) is that the low level properties of the
+script have to be separated from higher level typesetting
+commands. For example, contextual analysis of the Arabic script has to
+be completely independent of the \LaTeX{} command level, so that one
+can use Arabic text in any context (inside a table or a formula, or
+deeply nested inside several \LaTeX{} environments and commands, etc.)
+and under any circumstances, as in the following example, which has been
+typeset with ordinary \LaTeX{} environments and macros:
+ 
+{%\pardir TRT\textdir TRT
+\pushocplist\ArabicOCP\fontfamily{omarb}\selectfont
+\begin{center}\begin{tabular}{|c|c|}\hline
+{\textdir TRT HayA"t} & {\textdir TRT mayyit}\\\hline
+{\mathdir TLT$\displaystyle\int_{\text{\textdir TRT Sif<>r}}^{\hbox dir TRT{\textdir TRT ghyr maH<>duUd}}f(x)\,dx$} & {\textdir TRT 'aanA}\\\hline
+\end{tabular}\end{center}
+\popocplist}
+ 
+There are two key aspects to Arabic script typesetting,
+unfortunately of unequal complexity: the first one is contextual
+analysis, that is the fact that Arabic letters change shape according
+to their position in a word, or according to the fact that they are
+part of an abbreviation, etc. This aspect can be handled easily and
+efficiently by \OTP{}s.  The second aspect is more global: it is the
+fact that Arabic script is written from right to left.
+
+Two methods can be applied: the first one is to change the default
+direction of the whole document. This method is extremely efficient
+when the document is entirely in Arabic, or if left-to-right text
+excerpts are exceptional. Being global, this method applies also to
+page-level typesetting methods, such as the order of columns in a
+multicolumn environment, etc. Of course, mathematical formulas are not
+affected by this global direction change.
+
+The second method is to keep left-to-right as default direction and to
+temporarily switch to right-to-left for every Arabic script
+sentence. This can be practical for a document where Arabic excerpts
+are exceptional.
+
+\section{Parts of the \OMEGA{} Arabic Script Package}
+
+This package consists of the following elements:
+
+\begin{enumerate}
+\item{}\tolerance=3000 The \texttt{OmegaSerifArabic} PostScript fonts:
+files \texttt{omsea1.pfb}, \texttt{omsea2.pfb}, \texttt{omsea3.pfb}
+and the corresponding AFM files. A Sans-serif font
+(\texttt{Omega\-Sans\-Arabic}), as well as additional styles of the
+Serif font are under development.
+\item{}\tolerance=3000 The virtual font \texttt{omrl}: files
+\texttt{omrl.ovf}, \texttt{omrl.ofm}, \texttt{omsea1.tfm},
+\texttt{omsea2.tfm}, \texttt{omsea3.tfm}.
+\item{} The configuration file \texttt{omrl.cfg}, which is used by the
+PERL utility MakeOVP to create the virtual font out of the AFM files
+and other information.
+\item{} A certain number of \OTP{}s: 
+\begin{enumerate}
+\item{} \texttt{7arb2uni.otp}, 7-bit Arabic/Farsi transcription to Unicode;
+\item{} \texttt{7ber2uni.otp}, 7-bit Berber transcription to Unicode;
+\item{} \texttt{7urd2uni.otp}, 7-bit Urdu transcription to Unicode;
+\item{} \texttt{7pas2uni.otp}, 7-bit Afghanistani Pashto transcription to Unicode;
+\item{} \texttt{7pap2uni.otp}, 7-bit Pakistani Pashto transcription to Unicode;
+\item{} \texttt{7snd2uni.otp}, 7-bit Sindhi transcription to Unicode;
+\item{} \texttt{uni2cuni.otp}, contextual analysis, sending Unicode++ to cUnicode++
+(`c' for `contextual');
+\item{} \texttt{cuni2oar.otp}, cUnicode++ to \texttt{omrl} font.
+\end{enumerate}
+These \OTP{}s are available in human-readable and compiled binary
+format (OCP), the latter being loaded by \OMEGA{} on runtime.
+\item{} A \LaTeX{} style (\texttt{arabic.sty}) defining a command that
+will activate and deactivate the \OTP{}s.
+\item{} Documentation and test files (\texttt{testarab.tex},
+\texttt{testsind.tex}).
+\end{enumerate}
+
+\section{Installation of the \OMEGA{} Arabic Script Package}
+
+To use the \OMEGA{} Arabic Script Package you must have \OMEGA{}
+version 1.45 or higher installed on your machine. Place OFM, OVF, TFM
+and OCP files where the system expects to find them (if in doubt,
+consult the \texttt{texmf.conf} file). Keep the \texttt{arabic.sty}
+file somewhere where it can be found by \OMEGA{}. Finally add the
+following few lines to the \texttt{psfonts.map} configuration file of
+\texttt{odvips}:
+\begin{verbatim}
+omsea1 OmegaSerifArabicOne </foo/omsea1.pfb
+omsea2 OmegaSerifArabicTwo </foo/omsea2.pfb
+omsea3 OmegaSerifArabicThree </foo/omsea3.pfb
+\end{verbatim}
+where \texttt{/foo} stands for the absolute path of the directory
+containing the PFB files.
+
+This is all you need to do: you can start already by launching
+\OMEGA{} on files \texttt{testarab.tex} and \texttt{testsind.tex}.
+
+In the following sections we will describe the use of the package,
+from the end users' point of view.  We will assume that the user is
+familiar with the \TeX{} typesetting system and the \LaTeX{} macro
+package.
+
+\section{Basic Macros}
+
+Before starting a new document one has to choose if the ``background
+language'' is going to be an Arabic alphabet language, in other terms,
+if we expect pages and columns to be typeset from right to left, and
+the whole global page design to be right-to-left oriented.
+
+If this the case, then the macro
+\verb=\GlobalArabic[=\texttt{\textit{language}}\verb=]= has to be used
+in the document header, where the optional argument
+\texttt{\textit{language}} is one of the following: \texttt{arabic}
+(by default), \texttt{farsi}, \texttt{urdu}, \texttt{pashto},
+\texttt{sindhi}, \texttt{custom}.
+
+This macro will switch the global typesetting direction of the
+document to right-to-left and will launch the \OTP s necessary for the
+language chosen.
+
+Inside the document, independently of the choice of background
+language, one can use \LaTeX{} environments \texttt{arabic},
+\texttt{berber}, \texttt{farsi}, \texttt{urdu}, \texttt{pashto},
+\texttt{pashtop}, \texttt{sindhi} to switch to the corresponding
+language, and \texttt{latin} or \texttt{greek} to switch to a Latin
+alphabet language or some flavour of Greek. It should be noted that
+these macros are only temporary and will be adapted to a more global
+language-switching scheme, currently being elaborated by the \LaTeX3
+and \OMEGA{} working groups.
+
+\section{Input of Arabic Alphabet Text}
+
+\subsection{You Have an Arabic Keyboard}
+
+If you have an Arabic Keyboard, containing sufficiently many keys for
+the language you want to typeset (for example, with a standard Arabic
+keyboard one can perhaps typeset Farsi, possibly Urdu but not Pashto
+and certainly not Sindhi), you need to configure \OMEGA{} to your
+\emph{input encoding}, by providing the appropriate input \OTP{} by
+use of the \verb=\ArabicInputEncoding= macro, which you have to place
+in the header of your document. We have already written such \OTP{}s
+for three input encodings: Macintosh Arabic (\texttt{applemac},
+covering Arabic, Farsi, Urdu), Windows Arabic (\texttt{1256}, covering
+Arabic and Farsi), MS-DOS Arabic ASMO (\texttt{708}, covering Arabic
+only) and ISO~8859-6 (\texttt{iso8859-6}, covering only Arabic).  If
+your equipment is not in this list, go to section~\ref{writingOTPs} to
+see how to write your own \OTP{}s.
+
+\subsection{You Don't Have an Arabic Keyboard}
+
+In that case you can use a Latin transcription: we have prepared ASCII
+Latin transcriptions for each of the main Arabic-alphabet languages:
+Arabic, Berber, Farsi, Urdu, Pashto (Afghanistani and Pakistani),
+Sindhi. Here they are:
+
+\subsubsection{Arabic/Farsi Transcription}\label{arabtrans}
+
+\begin{center}
+\begin{tabular}{|c|c||c|c||c|c||c|c||c|c||c|c|}
+\tl{A}{p}{z}{`}{m}{I}
+\tl{'a}{j}{zh}{gh}{n}{y}
+\tl{'i}{H}{s}{f}{'n}{'y}
+\tl{'A}{kh}{sh}{q}{-h}{||}
+\tl{"A}{ch}{S}{v}{"h}{E}
+\tl{b}{d}{D}{k}{e}{}
+\tl{t}{dh}{T}{g}{U}{LLah}
+\tl{th}{r}{Z}{l}{'u}{SLh}
+\hline
+\end{tabular}
+\end{center}
+
+\noindent
+Remarks:
+
+\begin{enumerate}
+\item The \emph{tah marbutah} \shortarab{"h} can be written in two
+ways: \texttt{"h} or \texttt{"t}.
+\item The \emph{waw} \shortarab{w} can be written in two ways:
+\texttt{w} or \texttt{U}.
+\item The hyphen in front of the transcription of \shortarab{h} is
+only necessary to prevent confusion between cases such as \texttt{kh}
+(\shortarab{kh}) and \texttt{k-h} (\begin{arab}k-h\end{arab}).  We
+suggest you use it all the time.
+\item VERY IMPORTANT: the duplication of consonants (\emph{shaddah})
+is obtained by writing the consonants twice. So for example,
+\texttt{Dmm"h} will produce \begin{arab}Dmm"h\end{arab} and not
+\begin{arab}Dm-m"h\end{arab}; to obtain the latter, type \texttt{Dm-m"h},
+as for example in the word \begin{arab}t-tHrrk\end{arab}, which
+presents both cases, and which is typed \texttt{t-tHrrk}.
+\end{enumerate}
+
+Vowels and other diacritics are obtained in the following way: (they
+are typed after the consonant to which they belong)
+
+\begin{center}
+\begin{tabular}{|l|c|}
+\hline fatha & \texttt{a}\\
+\hline kasra & \texttt{i}\\
+\hline damma & \texttt{u}\\
+\hline soukoun & \texttt{<>}\\
+\hline vertical fatha & \texttt{a|}\\
+\hline fathatan & \texttt{aN}\\
+\hline kasratan & \texttt{iN}\\
+\hline dammatan & \texttt{uN}\\\hline
+\end{tabular}\end{center}
+
+Example: it is a trivial task now to welcome you to this system of
+Arabic input, by saying
+
+\begin{verbatim}
+\begin{arab}
+\Huge
+'aahlAaN wa sahlAaN!
+\end{arab}
+\end{verbatim}
+
+{\pardir TRT\textdir TRT
+\begin{center}
+\begin{arab}
+\Huge
+'aahlAaN wa sahlAaN!
+\end{arab}
+\end{center}
+}
+
+\noindent
+Example of vowelized Arabic:\\[8pt]
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\ArabicOCP\fontfamily{omarb}\selectfont\LARGE li'aannahaA
+"Al<>'Ana laA tufakkiru fiI naf<>sihaA, walakinnahaA tufakkiru fiI
+'aakhaway<>haA wafiI "Al<>khaTari "AlladhiI laHiqahumaA.  \popocplist
+\end{quote}
+}
+
+\noindent transcribed: 
+
+\begin{quote}
+\texttt{li'aannahaA "Al<>'Ana laA tufakkiru fiI naf<>sihaA,\\
+walakinnahaA tufakkiru fiI 'aakhaway<>haA\\
+wafiI "Al<>khaTari "AlladhiI laHiqahumaA.}
+\end{quote}
+
+\subsubsection{Urdu Transcription}
+
+The Urdu transcription is similar to the Arabic/Farsi one described
+above, with a few additional characters, and one exception.
+
+The additional characters are \shortarab{'t}, \shortarab{'d} and
+\shortarab{'r}, transcribed by \texttt{'t}, \texttt{'d},
+\texttt{'r}. The exception concerns the two different uses of the
+\emph{hah} glyph \shortarab{h}. In Urdu it can be used as the second
+part of a digraph, such as for example
+\begin{smallurdu}jh\end{smallurdu}, in which case we transcribe it as
+\texttt{-h}; it can also be the standard consonant \emph{hah}, in
+which case we transcribe it by \texttt{x}.  Notice the four forms of
+the latter in Urdu: \begin{smallurdu}x-x-x x\end{smallurdu}, while in
+Arabic the same letter is written \begin{smallarab}h-h-h
+h\end{smallarab}.
+
+\noindent
+Example: 
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\UrduOCP\fontfamily{omarb}\selectfont xmArI Trf prAnE
+zmAnE my'n dstUr t-hA kx Agr ksI shkhS kU kAghdh pr kchh lk-hA xUA grA
+p'rA ml jAtA tU Uh As przE kU AHtyAT sE A't-hA kr kxy'n rk-h dytA yA
+pAnI mI'n bxA dytA tAkx lk-hE xU'yE HrUf kI bE HrmtI nx xU.
+\popocplist
+\end{quote}}
+
+\noindent
+transcribed: 
+
+\begin{quote}
+\texttt{xmArI Trf prAnE zmAnE my'n dstUr t-hA kx Agr ksI\\
+shkhS kU kAghdh pr kchh lk-hA xUA grA p'rA ml jAtA tU Uh\\
+As przE kU AHtyAT sE A't-hA kr kxy'n rk-h dytA yA pAnI mI'n\\
+bxA dytA tAkx lk-hE xU'yE HrUf kI bE HrmtI nx xU.}
+\end{quote}
+
+\subsubsection{Pashto Transcription}
+
+The Pashto transcription is similar to the Arabic/Farsi one described
+beyond, with a few additional characters and some exceptions. We are
+proposing two \OTP{}s, using the same transcription, for the two
+flavors of written Pashto: Afganistani and Pakistani.
+
+1. Afghanistani Pashto
+
+\begin{center}
+\begin{tabular}{|c|c||c|c||c|c||c|c||c|c||c|c|}
+\patl{A}{'z}{'r}{D}{g}{-y}
+\patl{b}{c}{z}{T}{l}{e}
+\patl{p}{H}{zh}{Z}{m}{ay}
+\patl{t}{kh}{'g}{`}{n}{ey}
+\patl{'t}{d}{s}{gh}{'n}{||}
+\patl{'s}{'d}{sh}{f}{w}{}
+\patl{j}{dh}{x}{q}{-h}{LLah}
+\patl{ch}{r}{S}{k}{L}{SLh}
+\hline
+\end{tabular}
+\end{center}
+
+2. Pakistani Pashto
+
+\begin{center}
+\begin{tabular}{|c|c||c|c||c|c||c|c||c|c||c|c|}
+\paptl{A}{'z}{'r}{D}{g}{-y}
+\paptl{b}{c}{z}{T}{l}{e}
+\paptl{p}{H}{zh}{Z}{m}{ay}
+\paptl{t}{kh}{'g}{`}{n}{ey}
+\paptl{'t}{d}{s}{gh}{'n}{||}
+\paptl{'s}{'d}{sh}{f}{w}{}
+\paptl{j}{dh}{x}{q}{-h}{LLah}
+\paptl{ch}{r}{S}{k}{L}{SLh}
+\hline
+\end{tabular}
+\end{center}
+
+Nevertheless, one should be aware that an automatic transcription from
+one glyph set to the other is not possible because, for example, a
+letter such as \begin{pashto}x\end{pashto} is not used in Pakistani
+Pashto and can be replaced by \begin{pashto}kh\end{pashto} or
+\begin{pashto}sh\end{pashto}, depending on its pronunciation in a given word.
+
+\noindent
+Example of Afghanistani Pashto: 
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\AfghaPashtoOCP\fontfamily{omarb}\selectfont k-h ghUA'ray
+chh d`ql yh zyAn AUDrrpUh shay dA U mnI || chh `ql hghh.  qUtUnh
+p-hs'rI kxI wzhnI zhh zhUnde wlA'rdI. zhUndUn p-h`ml AUArAd-h
+wlA'rdI. ghUxtnh lUArAd-h d-hre-yshr ft ASl AUAsAs dI. cUmrh chh `ql
+zyAtebz hghUmrh ArAd-h D`yf-h kebzI.  \popocplist
+\end{quote}}
+
+\noindent
+and the same in Pakistani Pashto: 
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\PakiPashtoOCP\fontfamily{omarb}\selectfont k-h ghUA'ray
+chh d`ql yh zyAn AUDrrpUh shay dA U mnI || chh `ql hghh.  qUtUnh
+p-hs'rI kxI wzhnI zhh zhUnde wlA'rdI. zhUndUn p-h`ml AUArAd-h
+wlA'rdI. ghUxtnh lUArAd-h d-hre-yshr ft ASl AUAsAs dI. cUmrh chh `ql
+zyAtebz hghUmrh ArAd-h D`yf-h kebzI.  \popocplist
+\end{quote}}
+
+\noindent
+transcribed:
+
+\begin{quote}
+\texttt{k-h ghUA'ray chh d`ql yh zyAn AUDrrpUh shay dA\\
+U mnI || chh `ql hghh. qUtUnh p-hs'rI kxI wzhnI zhh zhUnde\\
+wlA'rdI. zhUndUn p-h`ml AUArAd-h wlA'rdI. ghUxtnh lUArAd-h\\
+d-hreyshr ft ASl AUAsAs dI. cUmrh chh `ql zyAtebz hghUmrh\\
+ArAd-h D`yf-h kebzI.}
+\end{quote}
+
+A variant form \shortpashto{^^^^015d} of \shortpashto{'g} is provided
+in the font. The user can change the \OTP{}s (see~\ref{writingOTPs})
+so that the former is used instead of the latter.
+
+\subsubsection{Sindhi Transcription}
+
+Sindhi being a language with many more letters than Arabic, and using
+Arabic letters in a way quite different than Arabic, it is not
+surprising that the Sindhi transcription is fundamentally different
+from the Arabic, Farsi, Urdu and Pashto ones. As a matter of fact we
+have tried to use as few non-alphabetic characters as possible,
+following a more-or-less rational scheme loosely based on the
+correspondence between Sindhi written in Arabic and in Devanagari
+script and the standard transcription of the latter.  Since shadda is
+much more seldom in Sindhi than in Arabic, the ``double consonant $=$
+consonant $+$ shadda'' convention is not valid in this transcription;
+instead we propose a transcription of the shadda diacritic:
+\texttt{+}.
+
+\begin{center}
+\begin{tabular}{|c|c||c|c||c|c||c|c||c|c||c|c|}
+\stl{A}{p}{dh}{sh}{kh}{y}
+\stl{'A}{ph}{.=d}{.s}{.n}{'y}
+\stl{b}{j}{.d}{.z}{g}{meN}
+\stl{=b}{=j}{.dh}{..t}{=g}{||eN}
+\stl{bh}{=n}{=z}{..z}{l}{||}
+\stl{t}{c}{r}{`}{m}{}
+\stl{th}{ch}{.r}{gh}{n}{}
+\stl{.t}{.h}{z}{f}{'n}{}
+\stl{.th}{=kh}{zh}{q}{U}{LLah}
+\stl{=s}{d}{s}{k}{-h}{SLh}
+\hline
+\end{tabular}
+\end{center}
+
+\noindent
+Remarks:
+
+\begin{enumerate}
+\item The transcription \texttt{/} is used for constructions such as
+\begin{sindhi}b/\end{sindhi} (\texttt{b/}),
+\begin{sindhi}t/\end{sindhi} (\texttt{t/}), \begin{sindhi}kh/\end{sindhi}
+(\texttt{kh/}), etc.
+\item The \emph{waw} \shortarab{w} can be written in two ways:
+\texttt{w} or \texttt{U}.
+\end{enumerate}
+  
+\noindent
+Example:
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\SindhiOCP\fontfamily{omarb}\selectfont tn-hn kry AsAn khy
+pn-hnjy =z-hnn khy sjA=g rkh'nU pUndU ||eN pn-hnjy jdUj-hd meN .=dA-hp
+pydA kr'ny. AhU b/ m`lUm kr'nU pUndU t/ sndh meN hr 'A'yy wqt chA chA
+thy r-hyU 'Ahy ||eN dshmn AsAn jy ||eN AsAn jy jdUj-hd jy khlAf k-h.rA
+k-h.rA g-hA.t g-h.ry r-hyU 'Ahy.  \popocplist
+\end{quote}}
+
+\noindent
+transcribed:
+
+\begin{quote}
+\texttt{tn-hn kry AsAn khy pn-hnjy =z-hnn khy sjA=g rkh'nU\\
+pUndU ||eN pn-hnjy jdUj-hd meN .=dA-hp pydA kr'ny. AhU b/\\
+m`lUm kr'nU pUndU t/ sndh meN hr 'A'yy wqt chA chA thy r-hyU\\
+'Ahy ||eN dshmn AsAn jy ||eN AsAn jy jdUj-hd jy khlAf k-h.rA\\
+k-h.rA g-hA.t g-h.ry r-hyU 'Ahy.}
+\end{quote}
+
+\subsubsection{Berber Transcription}
+
+The Berber transcription is different from the previous ones because
+it is based on a tri-alphabetic system (Tifinagh, Latin and Arabic
+alphabets).\footnote{The reader can find more information in \emph{Un
+syst^^^^00e8me \TeX{} berb^^^^00e8re}, ^^^^00c9tudes et Documents
+Berb^^^^00e8res, 11 (1994), La bo^^^^00eete ^^^^00e0
+Documents/^^^^00c9disud, Paris (France).} The goal of this
+transcription is to enable output in the three alphabets, out of the
+same code. In particular, since Latin alphabet has upper and lower
+case, it should be possible to distinguish these (and of course ignore
+the distinction when typesetting in Arabic or Tifinagh). In the table
+below, all transcribed letters are in lowercase ASCII, but can very
+well be written also in uppercase, producing the same result:
+\texttt{Tifinagh}, \texttt{tifinagh} or \texttt{TIFINAGH} will all
+three produce \begin{arab}tyfynAgh\end{arab}.
+
+\begin{center}
+\begin{tabular}{|c|c|c|c||c|c|c|c||c|c|c|c|}\hline
+Tr. & Lat. & Ar. & Tif. & Tr. & Lat. & Ar. & Tif. & Tr. & Lat. & Ar. & Tif. \\\hline
+\ttl{a}{.h}{.s}
+\ttl{b}{i}{t}
+\ttl{c}{j}{.t}
+\ttl{gh}{k}{u}
+\ttl{d}{l}{x}
+\ttl{.d}{m}{z}
+\ttl{.e}{n}{.z}
+\ttl{f}{.n}{.i}
+\ttl{g}{q}{--}
+\ttl{.g}{r}{}
+\ttl{h}{s}{}
+\hline
+\end{tabular}
+\end{center}
+
+\noindent
+Remarks:
+
+\begin{enumerate}
+\item Letter \shortarab{U} can also be transcribed \texttt{w}.
+\item Letter \shortarab{I} can also be transcribed \texttt{y}.
+\item The stroke \shortberber{^^^^063f} is not to be confused with the
+graphical connecting stroke \emph{keshideh}.  It is placed between
+words and plays a grammatical role.
+\item Duplication of consonants (\emph{shaddah}) again is transcribed
+by writing the corresponding consonant twice.
+\end{enumerate}
+
+\noindent
+Example: 
+
+{\pardir TRT\textdir TRT
+\begin{quote}
+\pushocplist\ArabicBerberOCP\fontfamily{omarb}\selectfont Tifinagh,
+d--tira timezwura n .imazighen.  Llant di tmurt--nnegh dat tira n
+ta.erabt d--tla.tinit. Nnulfant--edd dat .imir n ugellid
+Masinisen. .Imazighen n .imir--en, ttarun--tent ghefi.zra, degg
+.ifran, ghef .igduren, maca tiggti ghef i.zekwan~: ttarun fell--asen
+.isem n umettin, d wi--t--ilan, d wayen yexdem di tudert--is akken ur
+t ttettun .ina.tfaren.  \popocplist
+\end{quote}}
+
+\noindent
+transcribed:
+
+\begin{quote}\small
+\texttt{Tifinagh, d--tira timezwura n .imazighen.\\ 
+Llant di tmurt--nnegh dat tira n ta.erabt d--tla.tinit.\\
+Nnulfant--edd dat .imir n ugellid Masinisen. .Imazighen n\\
+.imir--en, ttarun--tent ghefi.zra, degg .ifran, ghef .igduren,\\
+maca tiggti ghef i.zekwan~: ttarun fell--asen .isem n umettin,\\ 
+d wi--t--ilan, d wayen yexdem di tudert--is akken ur t ttettun\\
+.ina.tfaren.}
+\end{quote}
+
+\noindent
+The same code will produce the following output in the Tifinagh alphabet:
+
+\begin{quote}
+\begin{tifinagh}Tifinagh, d--tira timezwura n .imazighen. 
+Llant di tmurt--nnegh dat tira n ta.erabt d--tla.tinit.  Nnulfant--edd
+dat .imir n ugellid Masinisen. .Imazighen n .imir--en, ttarun--tent
+ghefi.zra, degg .ifran, ghef .igduren, maca tiggti ghef i.zekwan~:
+ttarun fell--asen .isem n umettin, d wi--t--ilan, d wayen yexdem di
+tudert--is akken ur t ttettun .ina.tfaren.\end{tifinagh}
+\end{quote}
+
+\noindent
+and the following one in the Latin alphabet:
+
+\begin{quote}
+\begin{latberber}Tifinagh, d--tira timezwura n .imazighen. 
+Llant di tmurt--nnegh dat tira n ta.erabt d--tla.tinit.  Nnulfant--edd
+dat .imir n ugellid Masinisen. .Imazighen n .imir--en, ttarun--tent
+ghefi.zra, degg .ifran, ghef .igduren, maca tiggti ghef i.zekwan~:
+ttarun fell--asen .isem n umettin, d wi--t--ilan, d wayen yexdem di
+tudert--is akken ur t ttettun .ina.tfaren.\end{latberber}
+\end{quote}
+
+\section{Writing Your Own Transcription}\label{writingOTPs}
+
+We have developed and presented in this paper a certain number of
+Arabic alphabet language transcriptions for two reasons: first, to
+show the possibilities and power of \OMEGA, and second, to give a
+starting point for the user to create \hisher{} own transcriptions.
+
+The process of creating a new transcription is twofold: the first
+part, which can be very difficult and painful, consists of finding the
+combination of letters, digits and ASCII symbols which will transcribe
+each character; the second one, which is straightforward (modulo some
+precautions) is to implement this in \OMEGA{} by writing the
+appropriate \OTP.
+
+\subsection{A Good Transcription: Is it Possible?}
+
+There are (at least) two goals for a good transcription:
+
+\begin{enumerate}
+\item \emph{It has to be readable and easily memorizable}. In other
+words, \texttt{AHmd} is better than \texttt{'.hmd}, for denoting
+\begin{smallarab}AHmd\end{smallarab} : although an apostrophe can be
+considered a logical choice for transcribing an alif and the period in
+front of the h may denote that it is an emphatic `h' sound, taking an
+A for alif and a capital H for the emphatic h is more readable; also
+using rules such as ``uppercase ASCII characters transcribe emphatic
+letters'' is an easy way to memorize the transcriptions of
+\shortarab{H}, \shortarab{T}, \shortarab{D}, \shortarab{S},
+\shortarab{Z}.
+\item \emph{It has to be complete and avoid ambiguities}. Of course
+all letters of the target language have to be covered, but having many
+letters to transcribe leads sometimes to ambiguities: for example
+taking \texttt{h} for \shortarab{h}, \texttt{k} for \shortarab{k} and
+\texttt{kh} for \shortarab{kh} are perfectly logical choices;
+nevertheless there is a hitch: when you need to transcribe
+\begin{smallarab}k-h\end{smallarab} you are tempted to write simply
+\texttt{kh} and this will of course produce \shortarab{kh}
+instead. The solution we have given to this problem is to type a
+hyphen between the letters which are not considered as a `digraph',
+but this is only a compromise solution: the user must constantly be
+aware of this problem, and this is hardly the case when you are
+concentrated in your text...
+\end{enumerate}
+
+It is clear that these two goals are contradictory: an accurate and
+unambiguous transcription has to be complicated and will be difficult
+to read and memorize; a friendly and easily readable transcription
+will be full of ambiguities.
+
+An additional problem when making a transcription is to choose between
+\emph{(etymo)logical}, \emph{phonetic} and \emph{graphical}
+representations of characters. A typical example is the standard
+\OMEGA{} transcription of Greek: \texttt{w} is chosen for letter
+\shortgreek{w}, this is a purely \emph{graphical} choice: the `w'
+looks like an omega, but has absolutely no other relation with,
+neither historical nor phonetic (the letter omega represents the sound
+`o' in modern Greek); \texttt{b} is chosen for letter \shortgreek{b},
+this is an \emph{etymological} choice: the Latin `B' derives from the
+ancient Greek `B', otherwise \shortgreek{b} looks quite different than
+`b' and is pronounced `v' in modern Greek; finally, \texttt{x} is a
+\emph{phonetic} transcription of letter \shortgreek{x}; clearly they
+do not bear any resemblance, and historically it is not clear (at
+least to the author) why `x' should be derived from \shortgreek{x}
+(their positions in the alphabet is quite different as well, and this
+is an argument speaking against an etymological relation between the
+letters).
+
+The reader may object that this distinction between etymological,
+phonetic and graphical representations is not relevant for Arabic
+alphabet transcriptions; actually this is only partly true: take for
+example \texttt{bh} for \shortsindhi{bh}, this is an
+\emph{etymological} transcription in the sense that it reflects the
+standard transcription of the Indic alphabet letter which corresponds
+to that Sindhi letter. Also \texttt{`} for ayn is in some sense a
+\emph{graphical} representation: it has been chosen because it
+resembles the IPA transcription of the ayn, which is ^^^^0295. For the
+same reason, \texttt{'} has been chosen for the hamza with carrier (in
+\shortarab{'a}, \shortarab{'u}, etc.): the hamza's IPA transcription
+is ^^^^0294.
+
+We hope to have convinced the reader that the making of a
+transcription is a difficult task, needing a lot of thought,
+compromises and tests. Once again, we would like to emphasize the fact
+that our transcriptions are only temptative proposals and should not
+be taken as standards of any kind; after all the power of \OMEGA\ is
+that it can work with any input transcription without affecting
+further processing, be it contextual analysis, diacritic placement or
+esthetical ligaturing.
+
+In the next section we will see how to implement a new transcription
+or change an existing one by writing/modifying an \OTP\ file. But
+first some generalities on the \OTP{}s used by the Arabic \OMEGA\
+system.
+
+\subsubsection{The \OTP{}s used by the Arabic \OMEGA{} system}
+
+When \OMEGA{} reads the text flow it places letters, digits and
+punctuation (whatever is not an escape or special character) into a
+buffer. When it encounters a special character it stops buffering and
+executes one after the other all currently active \OTP{}s on the
+buffer.  In theory, \OTP{}s could be used to arbitrarily send
+character combinations to other combinations: one could very well
+imagine an \OTP{} sending the string "Yannis" to "John" and "John" to
+"Yannis", or "Microsoft Word" to
+"^^^^02a7\kern-1pt^^^^04a9^^^^03be^^^^0468^^^^029a"; nevertheless,
+such an \OTP{} would not be of general use...
+
+Our development has mainly been focused in building \OTP{}s in
+accordance to the following scheme:
+$$
+\boxed{\text{Input text}} \xrightarrow{\text{\texttt{foo2uni}}} \boxed{\text{Unicode++}} 
+\xrightarrow{\text{\texttt{uni2foo}}} \boxed{\text{DVI output}} 
+$$
+where \texttt{foo2uni} sends text encoded in an arbitrary encoding
+into Unicode++ (Unicode++ is Unicode extended for the needs of
+\OMEGA{} and typography), and \texttt{uni2foo} converts
+Unicode++-encoded data into the encoding of the output font. By this
+method we are able to keep completely separate input encoding and font
+encoding.
+
+In the case of Arabic things are slightly more complicated since an
+additional step is needed: contextual analysis. This is where our
+scheme proves to be extremely efficient: by performing contextual
+analysis on the level of Unicode++, and hence obtaining the following
+new scheme:
+$$
+\boxed{\text{Input text}} \xrightarrow{\text{\texttt{foo2uni}}} \boxed{\text{Unicode++}} 
+\xrightarrow{\text{\texttt{uni2cuni}}} \boxed{\text{cUnicode++}} 
+\xrightarrow{\text{\texttt{cuni2oar}}} \boxed{\text{DVI output}}
+$$
+we still remain independent of both the input and the font
+encoding. This means that if we need to adapt \OMEGA{} to a new Arabic
+encoding we only need to indicate which code position corresponds to
+which Unicode character, and, on the other hand, if we want to adapt a
+new font to \OMEGA, we only need to indicate which font position
+corresponds to which contextual form of which character, in
+cUnicode++.
+
+In the next section we will partly describe the syntax of \OTP{} files
+by giving examples of \texttt{foo2uni} cases.
+
+\subsection{Implementing a Transcription}
+
+The \OTP{} files we will need for input encoding $\to$ Unicode++
+transformations use only part of the syntax of \OTP{}
+files.\footnote{The \texttt{uni2cuni} \OTP{} file already needs more
+complicated constructions.}  Such an \OTP{} file is of the following
+form:
+
+\begin{verbatim}
+input: 1;
+output: 2;
+expressions:
+...
+...
+\end{verbatim}
+
+\noindent where \texttt{input: 1; output: 2;} means that input is
+8-bit while output is 16-bit, and \texttt{...} are lines of the
+following form:
+
+\begin{verbatim}
+before => after ;
+\end{verbatim}
+
+\noindent where \texttt{before} is an expression before the
+transformation, and \texttt{after} after it.  For example,
+
+\begin{verbatim}
+`a' => "o" ;
+\end{verbatim}
+
+\noindent will transform all `a's in the file into `o's. 
+
+How do we describe characters and strings? On the left side of
+\texttt{=>} we can only put separate characters: they can be written
+either as ``grave accent+ASCII character+apostrophe'' or as
+\texttt{@"XYZT} where \texttt{XYZT} are hexadecimal digits: in this
+case we are not restricted to ASCII characters. The latter syntax can
+also be used on the right side. For example,
+
+\begin{verbatim}
+`i'`j' => @"0133 ;
+@"008E => @"00E9 ;
+\end{verbatim}
+
+\noindent will send the string `ij' to the Unicode++ character
+representing the Dutch ^^^^0133 ligature, and the 8-bit code 8E (a
+Macintosh `e' with acute accent) to the Unicode++ character 00E9
+(which is the Unicode `e' with acute accent).
+
+On the right side of \texttt{=>} we can also write complete strings,
+possibly containing \OMEGA{} commands, which will be forwarded to the
+next \OTP{} or to the typesetting engine of \OMEGA. For example,
+
+\begin{verbatim}
+`~' => "\penalty10000" ;
+\end{verbatim}
+
+\noindent sends the tilde character to the \TeX{} command of infinite
+penalty.\footnote{By this we obtain the same result as in \TeX{} but
+without turning tilde into an active character, a fact that \TeX{}
+users will surely appreciate.} We can also use ranges on the left
+side: for example, \texttt{`a'-`k'} means ``all characters between a
+and k''.
+
+By using parentheses and the vertical bar on the left side, we obtain
+the Boolean `or' operator:
+
+\begin{verbatim}
+(`E'|`e') => ;
+\end{verbatim}
+
+\noindent for example, will send both uppercase and lowercase letters
+`e' to nothing (a transformation which would leave Perec's book
+\emph{La disparition} unchanged\footnote{Although there are rumors
+that there is a single `e' in that book... The authors were not able
+to find it yet.}).
+
+This operator becomes even more useful by the fact that we can use on
+the right side the exact character matched on the left side: the
+commands \verb=\1=, \verb=\2=, ... , \verb=\9= used on the right side
+stand for the first, second, ..., ninth character matched on the left
+side. For example:
+
+\begin{verbatim}
+`c'(`a'|`e'|`i'|`o'|`u')`t' => "m" \1 "p" ;
+\end{verbatim}
+
+\noindent will send cat, cet, cit, cot, cut respectively to map, mep,
+mip, mop, mup.
+
+We can go even further: \OTP{} syntax allows us to add or substract a
+fixed offset to the characters matched on the left side. For example:
+
+\begin{verbatim}
+`a'-`z' => #(\1 - @"0020) ;
+\end{verbatim}
+
+\noindent will substract 20 from the code position of the character
+found on the left side. The characters on the left side being
+precisely lowercase letters, this offset will turn them into uppercase
+ones.
+
+\subsubsection{Examples}
+
+The beginning of the \OTP{} \texttt{7arb2uni}, used to send the ASCII
+transcription of Arabic to Unicode++, described in~\ref{arabtrans}, to
+Unicode++, looks like this:
+
+\begin{verbatim}
+input: 1;
+output: 2;
+
+expressions:
+
+`L'`L'`a'`h'      => @"FDF2 ;
+`S'`L'`h'         => @"FDFA ;
+
+`|'`|'`|'`|'      => @"0621 @"0651 ;
+`|'`|'            => @"0621 ;
+`z'`h'`z'`h'      => @"0698 @"0651 ;
+`z'`h'            => @"0698 ;
+`z'`z'            => @"0632 @"0651 ;
+`z'               => @"0632 ;
+`y'`y'            => @"064A @"0651 ;
+`y'               => @"064A ;
+`v'`v'            => @"06A4 @"0651 ;
+`v'               => @"06A4 ;
+`u'`N'            => @"064C ;
+`u'               => @"064F ;
+\end{verbatim}
+
+Let us take a closer look at these lines. The left sides
+\texttt{`L'`L'`a'`h'} and \texttt{`S'`L'`h'} correspond to the
+(religious) ligatures \shortarab{LLah} and \shortarab{SLh} which
+appear in the \emph{Arabic Presentation Forms} part of Unicode, that's
+why the code positions we send them to are so high. The line
+\texttt{`|'`|'`|'`|'} corresponds to a double hamza; according to our
+transcription rules, by writing a letter's transcription twice without
+intermediate hyphen, we get the letter followed by a \emph{shaddah}
+diacritic. On the right side of \texttt{`|'`|'`|'`|'} you see two
+codes: 0621 stands for the stand-alone hamza in Unicode++, and 0651
+for the \emph{shaddah}. The next line will send \texttt{||} to the
+stand-alone hamza.
+
+WARNING: the order of these lines is very important: transformations
+are matched in the order lines are read. By putting the double hamza
+before the single one, \OMEGA{} will first look for a double hamza and
+\emph{only if it does not find any} will then proceed to transforming
+a single one.
+
+For the same reason digraphs such as \texttt{zh} must appear before
+their first letter in the \OTP{} file (and trigraphs before the
+starting digraph, etc.). That's why the order of lines starting with a
+`z' is `zhzh', `zh', `zz', `z'.%
+\footnote{There is a simple way of avoiding ordering problems: after
+having written this part of the \OTP{} file, run a line sorting
+program on it so that lines are sorted in \emph{inverse}
+lexicographical order. This will automatically place trigraphs before
+digraphs before singletons, etc.}
+
+Our sample file ends like this:
+
+\begin{verbatim}
+`h'`h'    => #(@"0647) #(@"0651) ;
+`h'       => #(@"0647) ;
+`-'`-'`-' => @"2014;
+`-'       =>  ;
+.         => #(\1) ;
+\end{verbatim}
+
+This means that after having entered all digraphs using `h' as second
+character, we enter the stand-alone `h', first as a double letter, and
+secondly as a single letter. Finally we send the triple hyphen to an
+m-dash `---' and the single hyphen to nothing: its purpose is to
+prevent combinations of letters to be interpreted as digraphs: when
+reading \texttt{k-h}, \OMEGA{} will not match it with \texttt{kh}: it
+will first match \texttt{k} with letter kaf, then send the hyphen to
+the vacuum of non-existence and when arriving to the \texttt{h} the
+\texttt{k} will already be matched so that it is too late to construct
+a \texttt{kh} digraph.
+
+The period at the beginning of the last line is part of the \OTP{}
+syntax we have not seen yet: it means `any character'.  Since this is
+the last line of the file, we can interpret it rather like `any still
+not matched character'. This line simply sends any character not yet
+matched to itself.
+
+\subsection{Wrapping it up}
+
+Once the \OTP{} file has been written or modified, one only needs to
+compile it (by using the \texttt{otp2ocp} utility) and place it where
+\OMEGA{} expects to find it. On the \LaTeX{} command level, \OTP{}s
+are loaded via the \verb=\ocp= command, in a way similar to fonts: to
+load the file \texttt{foo2uni} one will write
+
+\begin{verbatim}
+\ocp\FooUni=foo2uni
+\end{verbatim}
+
+Of course this is preferably done inside a \LaTeX{} package or style
+file: the final user should not need to deal with or understand this
+kind of code. Once the \OTP{}s are loaded they are combined into
+\emph{lists}. In this way we can push or pop simultaneously \OTP{}s
+on/from a stack. This is useful because a language switch usually
+requires several \OTP{}s to be changed at once. To define \OTP{} lists
+we use the following syntax:
+
+\begin{verbatim}
+\ocplist\ArabicOCP=
+\addbeforeocplist 100 \ArabUni
+\addbeforeocplist 200 \UniCUni
+\addbeforeocplist 300 \CUniArab
+\nullocplist
+\end{verbatim}
+
+The numbers (100, 200, 300) allow us to introduce additional \OTP{}s,
+if necessary, between the already defined ones.  Finally, to
+activate/desactivate an \OTP{} list, we use the commands
+\verb=\pushocplist= (followed by the name of the \OTP{} list) and
+\verb=\popocplist=. To take a real life example,
+
+\begin{verbatim}
+\ocp\ArabUni=7arb2uni
+\ocp\UniCUni=uni2cuni
+\ocp\CUniArab=cuni2oar
+\ocplist\ArabicOCP=
+\addbeforeocplist 100 \ArabUni
+\addbeforeocplist 200 \UniCUni
+\addbeforeocplist 300 \CUniArab
+\nullocplist
+\pushocplist\ArabicOCP
+\end{verbatim}
+
+\noindent is sufficient to load all \OTP{}s necessary for typesetting
+in the Arabic language.
+
+\section{Availability and Further Information}
+
+The \OMEGA{} system is entirely in the public domain. It can be
+obtained from any CTAN server. The latest information on \OMEGA{} and
+its Arabic system can be found on the \OMEGA{} server:
+
+$$\text{\texttt{http://www.ens.fr/omega}}$$
+
+\noindent courtesy of the ^^^^00c9cole Normale Sup^^^^00e9rieure de
+Paris.
+
+\section{Samples}
+
+Starting from next page, a few samples (Arabic, Berber, Sindhi). For
+these examples we have switched the background language to Arabic, so
+that even page numbers are in Arabic.
+
+\newpage
+\makeatletter
+\def\@evenfoot{\reset@font\hfil{\textdir TLT\thepage}\hfil}
+\let\@oddfoot=\@evenfoot
+\makeatother
+\pagedir TRT
+\bodydir TRT
+\pardir TRT
+\textdir TRT
+\def\latinit#1{{\fontfamily{omlgc}\selectfont\pushocplist\BasicLatinOCP%
+\textdir TLT #1\popocplist}}
+\def\rmdefault{omarb}
+\fontfamily{omarb}\selectfont
+\pushocplist\ArabicOCP
+
+
+\subsection{'aTfAl AlghAb"t}
+
+kAn l'aHd AlmlUk AlqdmA|| 'akht t`ysh m`h fI qSrh, b`d 'an mAt-t
+zUjt-h, wtrkt lh mn Al'awlAd thlAth"t: 'amyryn w'amyr"t. wqd AzdAd Hbb
+Almlk l'awlAd-h, b`d wfA"t wAldt-hm Almlk"t, w'aHbbhm HbbA kthyrA;
+ly`wwDhm mA fqdUh mn `Tf 'ammhm wHbbhA lhm, wtfkyr hA fyhm; fkAn ys'al
+`nhm kllmA HDr, wyfkkr fyhm kllmA dkhl, wywSI bhm kllmA khrj, wyTlbhm
+kllmA jls ltnAwl T`Am Al'ifTAr 'aU AlghdA|| 'aU AlshshAI 'aU Al`shA||.
+
+mHHm"t 'akhyhA l'awlAd-h, wSmm-mt fymA bynhA wbyn nfs-hA 'an t`ml srrA
+kll wsyl"t m-mkn"t l'ib`Ad-hm `n 'abyhm wAlttkhllS mnhm.
+
+wfI yUm mn Al'ayyAm kAn Al'amyrAn yl`bAn m` 'akht-hmA Al'amyr"t fI
+HdA'yq AlqSr b`d khrUj Almlk, fshUUqt-hm `mmt-hm wHbb-bt 'ilyhm
+Aldhdh-hAb m`hA 'ilI AlghAb"t l-ll`Ab fyhA, w-w`dt-hm 'an tryhm
+'ashyA|| jmyl"t w'al`AbA ldhydh"t sArr"t tHt Al'ashjAr hnAk.
+
+fSddq Al'amyrAn wAl'amyr"t mA qAlt-h `mmt-hm, wlm y`rfUA mA tkhfyh
+`nhm mn Alshshrr, wdhhbUA m`hA l-ll`b wAlrryAD"t fI 'alghAb"t,
+wmshAhd"t Al'ashA|| Aljmyl"t fyhA, wr'uy"t Al'al`Ab Alghryb"t tHt
+'ashjArhA.
+
+wqd sh`r Al'aTfAl bsrUr kthyr `nd mAkhrjUA m` `mmt-hm lhdhh
+AlrrHl"t. w'akhdhUA ymshUn m`hA fI AlghAb"t HttI wSlUA 'ilI wsThA,
+f'aHssUA bAltt`b Alshshdyd, wThrt `lAmAt-h fI mshyt-hm, w`lI wjUh-hm
+b`d hdhh AlrrHl"t AlTTUyl"t Almt`b"t AlltI lm yjrrbUhA mn qbl.  UlmAA
+sh`rt Al`mm"t bshdd"t t`bhm, qAlt lhm: nAmUA hnA tHt hdhh Alshshjr"t
+HttI tHDr AlHUryyAt ltl`b 'amAmkm 'al`AbA lm trUhA, wstjdUn fI
+mshAhdt-hA kll ldhdh"t wsrUr.  \popocplist
+
+\pushocplist\ArabicBerberOCP
+
+\subsection{Allal i useqdc n y.drisn \OMEGA\ d-tamazight}
+
+%\noindent{\leaders\hrule height0.5pt\hfill}
+%\par
+
+A dd nessken s wayes yif useqdec n \OMEGA\ i tira s tutlayt tamazight,
+ama s tifinagh, ama s isekkilen ila.taniyen. Newwi-dd tamazight am,
+tutlayt yeddren (yettwarun s tifinagh tiynayin)~: izmer umdan ad
+iseddu yall tighura n usuddes n tira, i waraten ussnanen, itekniken
+negh i wid n tsikkla, am wid ssexdamen i usemsaru n tfransist.
+
+\OMEGA, d ameslay n usmihel i usuddes n tira. Am-wakken ne.zra, d ayen
+i dd yttakken i.zubba.z war taggara i useqdec d usihrew, maca issefk
+ad ilmed uqeddac kra tussniwin. Nunz-as, ta.z.zayt n ulmad-a, nezmer a
+tt nsifess s useqdec n inagrawen n urmas n tira, isegh.zanen n usmihcl
+n waraten, ittwassnen a.tas (wid ittnuzun, srayn ghef umdan, wid
+izemren ad ssxedmen tazmert tasemsirawt n kra inagrawen imehlanen am
+wid n \latinit{Macintosh, Windows, Unix}.
+
+Tan.da tamzwarut n \OMEGA{} --- ghas tin ay ittalasen ism n \OMEGA{}
+---, us tli ageruedm i uqeddac. Am gg imeslayen n usmihel akk, ad yaru
+wmdan ahil, deffir, a t issefsu akken a t yessughal s anqal n
+tmacint. Di \OMEGA{}, ahil d ara n u.dris (n.t.te.dn ghur-s kra n
+tsun.diwin i usbuni d tghessa tame.z.zult).  Asefsu, d aselkem n wahil
+\OMEGA~; angal n tmacint ara dd iffghen, d win, i d aglam n usebter ay
+ittusuddsen, Iqqim-dd imir-n usemsaru.
+
+Akala-ya, yezmer a t yaf yefregh win inumen iseqdac n i.drisen ghef
+\latinit{Macintosh, Windows}, d wiyi.d, i degg a.dris a dd iffegh di
+tsemsarut akken yella gg uqdil [Anagraw-a yettwassnen s yism-is
+imiwzil, s tglizit \latinit{<<~wysiwyg~>>}, ycsseghla.d kra~: a.dris
+ara dd yesuffegh uqeddac, ad yili ghas s tseddi umi yessawe.d ugdil~;
+asgmu.d ara dd tsuffegh tsemsarut, yesmer ad yili yuser kra.]
+
+Iwakken ad yeqqim useqdec sray f umdan, yezmer ad yessexdem asegh.zan
+ittwassnen d allaeln i urmas. Taghessa tame.z.zult n wara (ighfawen,
+tifula, tiseddarin, tizmilin tinaddayin, timitar tinmudag, asmel n
+tektabin), a tt yessyghal si tbunit n usegh.zan-nni gher tsun.diwin n
+\OMEGA. Imir, \OMEGA, ad issefsu angal-nni a dd yessuffegh a.dris
+yuq.zen taghessa tame.z.zult tamezwarut, maca tira-ines ad ilint
+ulaghent ugar.  \popocplist
+
+\pushocplist\SindhiOCP
+\subsection{ktyn kr mU.ryA j.=d-hn}
+
+%\noindent{\leaders\hrule height0.5pt\hfill}
+%\par
+
+tn-hn kry AsAn khy pn-hnjy =z-hnn khy sjA=g rkh'nU pUndU ||eN pn-hnjy
+jdUj-hd meN .=dA-hp pydA kr'ny. AhU b/ m`lUm kr'nU pUndU t/ sndh meN
+hr 'A'yy wqt chA chA thy r-hyU 'Ahy ||eN dshmn AsAn jy ||eN AsAn jy
+jdUj-hd jy khlAf k-h.rA k-h.rA g-hA.t g-h.ry r-hyU 'Ahy.
+
+
+AsAn khy AhA b/ =khbr hj'n g-hrjy t/ AsAn jy 'As pAs ||eN ysgrdA'yy
+meN chA chA thy r-hyU 'Ahy. hndstAn meN chA thy r-hyU 'Ahy, AfghAnstAn
+meN chA thy r-hyU 'Ahy. `rAq ||eN AyrAn meN chA thy r-hyU 'A-hy ||eN
+'AmrykA ||eN sUUyt yUnyn chA chA sUcy r-hyA 'Ahn. j.=d-hn AsAn s=jy
+dnyA jy syAst ty ||eN s=jy dnyA jy jdUj-hd ty ||eN s=jy dnyA jy
+tndylyn ty n..zr rkhndAsUn ||eN An-hn tbdylyn jy A=srn khy pn-hnjy
+mlk, qUm ||eN `rAm ty pUndy .=dsndAsUn t/ An-hn tbdylyn mAn k-h.rA
+mnfy ||eN k-h.rA m=sbt A=sr 'Ahn. t.=d-hn 'yy AsAn pn-hnjy jdUj-hd khy
+b-htr b/ kry sg-hndAsUn t/ chU.tkAry UArU .hl b/ =gUly UyndAsUn.
+
+
+r=gU =gAl-hyUn kndy ||eN n`rn h'nndy AsAn jy qUm chAlyh sAl py.rA'yUn
+||eN `=zAb bhU=gyA 'Ahn ||eN An-hn n`rn AsAn jy qUm lA||i Udhyk
+py.rA'yUn ||eN `=zAb nAzl kyA 'Ahn . jyk.=d-hn AsAn meN A=j qUm jy
+Amyd pydA thy 'Ahy t/ AhA AsAn jy `ml ||eN AsAn jy by lU=s jdUj-hd jy
+kry pydA thy 'Ahy ||eN mA'y-hU AsAn .=dAn-hn wAj-hA'yy rhyA 'Ahn. t/
+AsAn 'yy 'AhyUn jyky kj-h n/ kj-h kndAsUn. pr AsAn khy .=ds'nU 'Ahy t/
+dnyA jy Andr chA thy rhyU {}'Ahy ||eN AsAn jU dshmn ky'yn .hAltn khy
+pn-hnjn mfAdn meN ktb 'A'n'n jy kUshsh kry rhyU 'Ahy, An-hy||a jy
+lA||i .zrUry 'Ahy t/ AsAn pA'n meN .=dAhp pydA kryUn ||eN pA'n meN
+=jA'n jU hk Usy` =khzAnU pydA kryUn. ||eN AsAn mUjUd-h .sUrt .hAl khy
+smj-h'n lA||i rUzmrh jy my.dyA ||eN dnyA jy Andr thynd.r kArUA'yyn ty
+g-hry n..zr rkhUn t/ dshmn ||eN jAr.hyt psnd qUtUn ||eN AsAn ty qAb.z
+qUtUn dnyA jy Andr thynd.r tbdylyn khy sndn .hq meN ||eN sndn mfAdn jy
+.hq meN, sndh ty jAr.hyt qA'nm rkh'n jy .hq meN, sndh khy mstql qb.zy
+meN kr'n jy .hq meN ky'yn ktb 'A'ny r-hyUn 'Ahn.
+
+\popocplist
+\end{document} 
diff --git a/Master/texmf-dist/doc/omega/omega-devanagari/india.ps.gz b/Master/texmf-dist/doc/omega/omega-devanagari/india.ps.gz
new file mode 100644
index 00000000000..c22c0a6e78f
--- /dev/null
+++ b/Master/texmf-dist/doc/omega/omega-devanagari/india.ps.gz
diff --git a/Master/texmf-dist/doc/phyzzx/base/phyzdoc.tex b/Master/texmf-dist/doc/phyzzx/base/phyzdoc.tex
new file mode 100644
index 00000000000..221fbb23b86
--- /dev/null
+++ b/Master/texmf-dist/doc/phyzzx/base/phyzdoc.tex
@@ -0,0 +1,3279 @@
+% Note:   I have included the Phyzzx macros on the CMS distribution
+% tape for TeX at the request of several TeX users who have heard of it
+% or used it. Some of the information herein is specific to facilities
+% or practices at Stanford Linear Accelerator Center.
+%                                     -- Alan Spragens 17 July 1986
+\input phyzzx
+\nopagenumbers
+\singlespace
+\def\leaderfill{\leaders\hbox to 1em{\hss.\hss}\hfill}
+\centerline{TABLE OF CONTENTS}
+\item{1.} INTRODUCTION\leaderfill 2
+\item{2.} BASICS\leaderfill 3
+\sitem{2.1} What is \TeX\ ?\leaderfill 3
+\sitem{2.2} What Is PHYZZX?\leaderfill 7
+\item{3.} STRUCTURING PREPRINTS\leaderfill 10
+\sitem{3.1} Chapters, Sections and Subsections\leaderfill 11
+\sitem{3.2} Other Subdivisions: Appendices
+and Acknowledgements\leaderfill 19
+\sitem{3.3} Controlling the Way Chapters
+are Numbered\leaderfill 21
+\item{4.} DISPLAYED EQUATIONS: NUMBERING
+AND NAMING THEM\leaderfill 23
+\sitem{4.1} A Simple Solution to Numbering
+Equations\leaderfill 25
+\sitem{4.2} Naming Equations: A Powerful Tool\leaderfill  28
+\sitem{4.3} Other Macros For Naming Equations\leaderfill  30
+\item{5.} REFERENCES, FIGURE CAPTIONS AND TABLE \hfil\break CAPTIONS:
+THEIR NAMING AND NUMBERING \leaderfill  33
+\sitem{5.1} References: Stuff Which Comes
+at the Back\leaderfill 33
+\sitem{5.2} Figures and Tables\leaderfill 45
+\item{6.} FOOTNOTES: THINGS WHICH
+COME AT THE BOTTOM\leaderfill 47
+\item{7.} ITEMIZED LISTS: POINTS,
+ITEMS AND OTHER STUFF\leaderfill 49
+\sitem{7.1} Fixed Format Lists:
+Points, Subpoints, Subsubpoints\leaderfill 50
+\sitem{7.2} For Less
+Structure Consider Items\leaderfill 53
+\sitem{7.3} Having Your
+Cake and Eating It Too! -- Making Your Own Points
+\leaderfill 54
+\item{8.} MISCELLANEOUS
+STUFF ABOUT PAPERS\leaderfill 56
+\sitem{8.1} Page Numbers\leaderfill 56
+\sitem{8.2} Spacing\leaderfill 57
+\sitem{8.3} Commands Which Break
+Lines and Pages\leaderfill 58
+\sitem{8.4} Some Remarks About Penalties\leaderfill 59
+\sitem{8.5} The Titlepage\leaderfill 59
+\item{9.} MEMOS\leaderfill 66
+\eject
+\item{10.} TYPING LETTERS AUTOMATICALLY\leaderfill 71
+\sitem{10.1} Multiple Letters\leaderfill 74
+\item{11.} MISCELLANEOUS MACROS
+WHICH PHYZZX DEFINES\leaderfill 76
+\item{12.} GOODBYE\leaderfill 78
+\sitem{12.1} Using Your MYPHYX File\leaderfill 78
+\endpage
+ 
+ 
+\pagenumbers
+\FRONTPAGE
+\Pubnum={$\caps SLAC - TN - 84 - \the\pubnum $}
+\pubnum{7}
+\date{October 1984}
+\pubtype={\ }
+\titlepage
+\vfil
+\title{EVERYTHING YOU WANTED TO KNOW ABOUT\ \
+{\bf
+PHYZZX}\ \ BUT DIDN'T KNOW TO ASK}
+\vskip .50in
+\author{M. Weinstein\doeack}
+\SLAC
+\vfil
+\endpage
+ 
+\Pubnum={$\caps SLAC - PUB - \the\pubnum $}
+\def\hbreak{\hfil \break}
+\def\tc#1{\nextline \hskip 2.5\itemsize {\bf #1 }\nextline }
+\def\tcon#1{\hskip 2.5\itemsize {\bf #1 }\nextline }
+\newcount\tempchap  \tempchap=0
+\newcount\tempsec   \tempsec=0
+\def\storechap{\tempchap=\chapternumber}
+\def\recallchap{\chapternumber=\tempchap \advance\chapternumber by -1}
+\def\storesec{\tempsec=\sectionnumber }
+\def\recallsec{\sectionnumber=\tempsec }
+\chapterminspace=1pt
+\sectionminspace=1pt
+ 
+\chapter{INTRODUCTION}
+ 
+Hi \TeX\  fans, the time has come to document the new
+version of the macro package, PHYZZX.
+Vadim Kaplunovsky has updated it to
+run under \TeX 1.
+Since we envision this to be the penultimate version
+of PHYZZX, except for minor corrections to remove heretofore
+undiscovered bugs, it now pays to explain what PHYZZX is
+and how to use its various features in some detail.
+For those of you who are familiar with the old version of
+PHYZZX you can rest easy, this version has been designed to be
+as upward compatible as possible.
+Unfortunately, there are a few minor changes in the way some
+macros work simply because Knuth changed \TeX\  and made it
+impossible for us to keep some of the old commands.
+In general the changes make things easier to use and any file
+written for \TeX 97 will, with very few changes, run on \TeX  1.
+For this reason the adventurous user can begin by ignoring this
+writeup completely and try to run his old files.
+If luck is with you, you will not have to change anything;
+if luck deserts you, then either PHYZZX will help you along
+(only somewhat likely) or you will have to do a little reading.
+ 
+Our present incarnation of PHYZZX resides in two places.
+The FMT file (a term designed to strike terror into the hearts of
+those who have not been initiated into the high mysteries)
+is on the T--disk, and this is the version you really want to use.
+One uses the FMT file because it loads much faster and so you don't
+have the interminable wait for something to happen while the computer
+is reading all of the definitions contained in PHYZZX TEX.
+To use the FMT file all you have to do is make the first command
+to \TeX\  say {\tt\&phyzzx} instead of putting
+\tc{\\input phyzzx} in the file.
+ 
+For the curious we try to keep an updated version of the
+file PHYZZX TEX on the theory group disk.
+People interested in mucking around in the guts of this file
+in order to see how things were done and what goodies, not described
+in this writeup (and there are many),  are available
+can access this disk by
+saying
+\tc{GIME PUB\$TH }
+If you wish to use this file to convince yourself how much better it
+is to use an FMT file, you can do this by accessing the PUB\$TH disk
+and starting your file with
+\tc{\\input phyzzx}
+{\it For cognoscenti\/}:
+as in earlier incarnations you can tailor much of PHYZZX to
+your liking by having a file MYPHYX TEX on your A disk.
+Each time you run PHYZZX it loads this file.
+Any definitions which are in this file then take precedence over
+those specified in PHYZZX.
+So much for generalities, now on to specifics.
+ 
+\chapter{BASICS}
+ 
+\section{What is \TeX\ ?}
+ 
+In order to make this as simple as possible for the first time
+user, we will say a few words about what \TeX\ is, before going on
+to talk about what PHYZZX does.
+ 
+\TeX\ is the baby of Donald~E.~Knuth of Stanford University and
+it is our choice for the best available text processor for
+use at SLAC.
+{\it Clear as mud!} you say. {\it What the hell is a
+text processor ?}, you say.
+{\it How is it different from Xedit and Wylbur ?}, you say.
+Tell you what I'm gonna do, I'm going to tell you the answers to
+these questions even if you weren't perceptive enough to ask.
+A text processor is to Xedit and Wylbur what a publishing company
+(as embodied by editors and printers) is to
+a technical typist; namely, it is a thingamajig which takes a
+crudely typed manuscript and turns it into a book.
+Physicists and engineers all know that the
+nicer your paper looks before it goes out, the more your
+colleagues believe what is in it.
+Therefore we all want to use \TeX\
+to prepare our papers for journals, summer schools
+and conference proceedings.
+Some of us (hopefully that means some of you reading this
+introduction) will use \TeX\ to type our own papers, and some
+of us will rely on others for this task.
+In any event somewhere in that chain someone has to know how to
+use the thingamajig or beautiful manuscripts just won't come out the
+other end.
+In that case our colleagues won't know all of the wonderful things
+we have to say.
+To facilitate this process to some degree we wrote the macro package
+PHYZZX. In order
+to make PHYZZX and \TeX\ more accessible to people at the
+lab, we have generated this writeup.
+ 
+As I said,
+to all intents and purposes you and Xedit (or you and Wylbur, if
+you insist on living in prehistoric times) make a typist.
+Actually, you make a pretty good typist for text, but you
+don't do too well as a technical typist because neither
+Xedit nor Wylbur does a very good job at typing equations.
+You plus Xedit plus \TeX\ make a stupendous technical typist
+and a remarkably good printing company.
+Pursuing this analogy the process for producing a beautiful
+book quality manuscript starts with somebody typing the
+first draft.
+This somebody is presumably you, the reader, and the
+tools you use are your trusty computer terminal and an editor like
+Xedit.
+Obviously I have no intention of explaining how to use Xedit
+since this is probably unnecessary and anyhow, everything you
+have to know for the purpose of typing a text file
+can be easily learned by reading the {\bf IBM Virtual Machine/
+System product: CMS Primer}.
+Hence, this writeup assumes that you know how to log on to the
+computer and use the editor.
+ 
+To use the editor to start collecting a file which \TeX\ will
+turn into a beautiful paper, memo, or letter, you have to
+follow a simple procedure.
+First, in your incarnation as typist, you have log on
+and enter an editor (e.g., Xedit) by telling it you want to
+create a file whose name is {\bf CRAP} and whose filetype is {\bf TEX}.
+You accomplish this feat by typing something difficult like
+\tc{X {\rm (or XEDIT)} CRAP TEX A }
+whereupon the powers that be will throw you into the editor.
+At this point, since you are a person of discerning tastes,
+the very next line you enter is
+\tc{\\input phyzzx}.
+This command will make sure that when you tell the computer
+to print a version of the paper it will become an editor and instruct
+the typesetter to lay out the copy according to the criteria
+established by the macro package PHYZZX.
+The very next thing you do is skip a line (i.e., enter a blank line)
+in order to make your copy easy to read, and then
+start to enter your copy.
+So much for you as a typist.
+ 
+\subsection{You As An Editor: Correcting a Mistaken Impression}
+ 
+The preceding discussion indicates that you are to take your
+manuscript and type it into the editor in exactly the same way
+as you would at a typewriter.
+While this is a possible way of proceeding it is not really
+the best way to do things.
+In order to you to understand why this is true, you have to
+understand that once you have functioned as a typist, the
+next thing you have to be is an editor.
+ 
+An editor's job is to make sure the text looks good and that
+the printer knows how he is supposed to layout the copy which
+he receives.
+For example, he has to know:
+how much space to put between lines of text,
+what font to set chapter headings in, how much space to skip
+before and after a chapter heading, which math symbols are
+exponents, greek letters etc.
+Since you are the editor and \TeX\ is going to be the printer,
+you have to mark up the copy so that \TeX\ and/or PHYZZX knows
+what to do with it.
+This feat is accomplished by including editor's comments (or marks)
+in the text.
+These comments (or commands to \TeX ) have to have a special
+character in front of them so that \TeX\ will recognize them
+for what they are; this character is the $\backslash$, and the
+combination of a \\ followed by a string of characters
+is called a control sequence.
+One example of a control sequence is {\bf \\par} which tells
+\TeX\ to begin a new paragraph.
+Note that this is not a trivial thing since \TeX\ has to know
+to skip some extra space between the text in different paragraphs,
+indent the first line by some amount, etc.
+The basic version of \TeX\ has lots of control sequences
+which tell \TeX\ to do lots of wonderful things.
+To learn about these things (probably more than you initially
+want to know about how \TeX\ operates) you have to read
+{\it selectively} in the \TeX book written by Knuth.
+Since this discussion is between friends, let me warn you
+this book stinks as a reference manual and ain't so hot
+as an introduction to \TeX .
+Knuth has a philosophy of learning by ever increasing levels of
+mistakes which I (and many of my acquaintances) find
+at best distracting and at worst impenetrable.
+Unfortunately, this book is all that is
+available as an in depth introduction
+to the basic version of \TeX .
+If you want to know how to do sophisticated things which lie
+outside of the purview of PHYZZX you will have to read quite a
+lot of it.\foot{To get a feeling for \TeX\
+it is advisable to browse through the first three
+chapters and read about boxes and modes.
+If you just wish to type papers in the most straightforward way
+you can defer this reading until you are more experienced so long as
+you use PHYZZX.
+However, in any event, you must
+read the sections on typing math formulas,
+typing displayed equations and a little bit about making boxes
+since I have neither the time nor inclination to go into those things
+in this writeup, and you must have a basic idea of how this stuff
+works in order to proceed.
+After all, ostensibly this writeup is about how to use PHYZZX
+and is not a primer on \TeX .}
+A really good thing to read to get an idea of the basic
+things you can do with \TeX\ and to learn about the important control
+sequences is a primer entitled {\bf First Grade \TeX\ \bf A Beginner's
+\TeX\ Manual \rm by \it Arthur L. Samuel}.
+This is short, readable and contains everything you need to
+supplement this discussion of PHYZZX.
+You can request a copy of this manual from the SLAC Library \hbreak
+\vskip .10in
+\vbox{\kern 3\lineskip
+\centerline{ \bf First Grade Tex -- A Beginner's \TeX\ Manual}
+\centerline{by}
+\centerline{\it Arthur L. Samuel}
+\centerline{ STAN--CS--83--985}}
+ 
+Since you are going to be both typist and editor it pays for
+you to combine these jobs and mark up the manuscript at the
+same time that you type it.
+To be precise, this means that you want to type in equations
+so that superscripts, \break \eject \noindent
+subscripts, etc., are clearly indicated.
+You also want to type chapter headings, subchapter headings, etc.,
+in such a way that the font to be used, the space to be skipped
+above and below the heading, etc. are all clearly indicated.
+In general you want to tell the printer how to lay out the
+resulting copy as you type it in.
+This of course requires that you make many formatting decisions
+and then use the basic \TeX\ control sequences in order to tell
+it what to do.
+It will come as no surprise to you that this can get very
+complicated very quickly.
+That's where PHYZZX comes in.
+ 
+\section{What Is PHYZZX?}
+ 
+PHYZZX is a {\it macropackage} which is designed to make typing papers
+destined for Physical Review or Nuclear Physics as simple as possible.
+In addition it allows you to type letters and produce memos without
+knowing much about the way \TeX\ works.
+ 
+The first question which arises at this point is {\it What is a
+macropackage ?}, or for that matter {\it What is a macro?}.
+Despite the name a {\it macro} is not something eaten on a
+macrobiotic diet.
+It is a name for a simple thing.
+Unfortunately, this name has
+been carefully designed by computerniks
+to strike terror into the heart of occasional users and keep them
+in their place.  (There is nothing more annoying than an
+uppity occasional user.)
+Basically a macro is a way of defining an entry in a dictionary
+which is kept in the guts of the computer.
+The computer uses this dictionary to
+find the meaning of words which have been defined
+using the control sequence {\bf \\def}.
+A macropackage is, as the name implies, a package of macros (or
+definitions of commands) which we can use to give complicated
+formatting instructions to \TeX\ without having to go
+to the trouble of typing everything out each time we want to
+give the same instruction.
+ 
+It follows from this discussion that PHYZZX is just a collection
+of definitions which tell \TeX\ to do a well defined set of things
+to make the text which follows look just the way you want it to look.
+The best thing about a macropackage is that once it is written
+you only have to know what happens when you
+issue a given instruction;
+you don't have to know how it is made to happen.
+Although each of the commands which appear in the macropackage
+cause apparently simple things to happen, making them happen can
+get quite involved if you try to use the PLAIN version of \TeX .
+ 
+\subsection{Why Create A Macropackage like PHYZZX ?}
+ 
+Finally we get down to brass tacks.
+We already pointed out that you, the person preparing the
+manuscript, must to play the role of typist and editor.
+As editor you have the job of telling the printer how large to
+make chapter titles, what typeface to use for chapter titles,
+how much space to skip above and below a chapter title, etc.
+Having to give this set of instructions every time you want to
+type a chapter title can get to be a pain in the neck.
+Not only that, but imagine the problem of remembering exactly what
+format you want for chapter titles, section titles, subsection
+titles, etc., if -- as is the case with PHYZZX -- you use a different
+format for each one.
+Clearly, if one had to type all of this each time and keep all this
+information in one's head one would probably choose not to use
+\TeX\ at all.
+ 
+This discussion raises another point, namely that if one did
+not have a predefined set of macros to tell \TeX\ what to
+do at a certain point then you would have one more job dumped upon
+your shoulders.
+In addition to being typist and editor you would have to be a book
+designer.
+That means that you would have to make all of the esthetic decisions
+about the most attractive print to use for a given paper, the spacing
+to use between lines, the best way to number equations and
+the rest of that crap.
+This can be an onerous task which the average user doesn't want to
+have to deal with.
+Moreover, everybody has his own esthetic criteria (even though some
+people have more taste than others), so without
+a macropackage, to
+set the formats into predefined molds, there would be little
+or no uniformity in the layout of papers coming out of SLAC.
+While this would be no great tragedy, it could get confusing.
+ 
+Okay, so PHYZZX is a macropackage which provides a dictionary
+of editor's commands which allow one to easily format a
+document for the printer.
+It makes a set of esthetic choices for how these documents should
+look and, in the interests of simplicity, doesn't make it trivial
+for the casual user to mess around with these choices.
+(Actually, this is not really true since there are many
+ways in which PHYZZX can be tailored to your personal preferences,
+but we will discuss that as we go along.)
+The obvious question which comes up at this point is {\it Who
+made all of these esthetic decisions?\/}.
+In the interests of preserving the lives of the parties involved,
+anonymity must be preserved.
+Rest assured, however, it was a consultative process
+and many people had an input into the final result.
+Despite the fact that PHYZZX is an animal put together
+by a committee, we think it does its job fairly well.
+ 
+\subsection{ So, what does it do?}
+ 
+The main job which PHYZZX is designed to do is to make
+it easy to format SLAC preprints destined for submission to
+Physical Review or Nuclear Physics.
+Since these journals require different ways of handling line spacing,
+footnotes, references, etc., PHYZZX you need to specify the journal
+to which the preprint is to be submitted.
+Actually, you only have to tell if the journal is going to be
+Physical Review, since the default format is that for
+Nuclear Physics.
+This is because we, with our usual impeccable good taste,
+decided that the Nuclear Physics format was a better
+general purpose format.
+If you don't like our decision write your own macropackage.
+ 
+All kidding aside,
+changing to Physical Review format is easy, all you have to
+do is start your typing with
+\tc{\\input phyzzx}
+\tcon{\\PHYSREV}
+Note, when you are typing a control sequence everything counts; i.e.,
+\TeX\ cares about capital letters, small letters, spaces, etc.
+Be careful to copy just what you see typed here or it won't work;
+worse yet, it might work in an unexpected way.
+ 
+In addition to formatting papers PHYZZX does a great job of
+producing letters and memos.
+In each of these cases it produces, by itself, the appropriate
+letterhead and formats the text in a way appropriate to the
+document at hand.
+Since, however, we consider the preprint formatting capabilities
+of PHYZZX to be of paramount importance, we will discuss them first
+and turn to letters and memos when we have finished.
+ 
+ 
+\chapter{STRUCTURING PREPRINTS}
+ 
+A preprint is a document which eventually
+will be submitted to a journal for publication.
+In setting up PHYZZX we assumed that format of a preprint
+is essentially fixed.
+The size type to be used in the body of
+the preprint is chosen so that when run off on the laser printer
+and reduced for distribution it will be easily readable.
+In addition, normally we skip
+one and a half lines between lines of text.
+We think this looks most attractive with the size type we are using
+and makes the preprints a little shorter, saving paper.
+To satisfy the requirements of journals like Phys.Rev. Letters
+which specify the number of lines per inch which a
+manuscript must have, you must use double spacing;
+the command {\bf \\PHYSREV} automatically
+takes care of this, as well as
+a number of other things.
+ 
+Concerning spacing and other parameters you may well ask
+{\it How fixed is fixed ?\/}.
+The answer varies.
+For example,
+since we realize that people like to play around with line spacing
+to some degree, we have provided commands which we hope will
+enable you to change the average interline spacing to
+something closer to your heart's desire.
+The commands which perform this wondrous feat are
+\tc{\\singlespace}
+\tcon{\\doublespace}
+and
+\tc{\\normalspace}
+Obviously, {\bf \\doublespace} means twice {\bf \\singlespace};
+but {\it What is the meaning of \bf \\normalspace \it ?\/}.
+The answer to this question is that {\bf \\normalspace}
+corresponds to a spacing between single and doublespace.
+ 
+You might think, having read a little in the \TeX\ book,
+that you can achieve the same thing by changing {\bf \\baselineskip}
+and {\bf \\lineskip}.
+In a sense you would be correct.
+However, you should know that the commands {\bf \\doublespace}, etc.,
+do more; this is because
+they do different things depending upon the font and
+format you are using.
+If you want to do the same thing you will have to modify
+a lot of basic \TeX\ parameters or the esthetic impact of the
+document which emerges just won't be the same.
+ 
+All of this is by way of a parenthetical comment since it won't
+do you any good unless you know how to use the simplest version
+of PHYZZX first.
+ 
+\section{Chapters, Sections and Subsections}
+ 
+\subsection{Chapters}
+ 
+Most longer papers are divided into several parts in order
+to make them easier to read.
+These parts usually are preceded by headings or titles
+which indicate the subject to be covered in discussion which follows.
+Stylistically, several decisions have to be made about how
+these headings are to be set in type.
+You, as editor, have to tell the printer what to do.
+ 
+We will refer to the major divisions of a paper as chapters.
+In general each chapter has a heading.
+Our choice as book designers has been to set this heading in
+larger type and preface the text of the heading with a number.
+The number is automatically increased each time you declare a
+new chapter.
+In addition, some extra space is skipped both above and below
+each chapter heading.
+All of this magic is at your disposal if you simply use the
+{\bf \\chapter} command to indicate that the text you are
+about to type is the heading of a chapter.
+\storechap \storesec
+To be precise, the way you use this command is to type
+\tc{ \\chapter $\{$ {\it text} $\}$ }
+where $\{$ {\it text} $\}$ stands
+for the chapter name which you have to make
+up and insert.
+For example, the chapter title for this chapter was generated by
+typing
+\tc{\\chapter$\{$ {\it STRUCTURING PREPRINTS} $\}$}
+ 
+Note, I chose to type the heading in capitals.
+That's because I like the way it looks.
+You certainly don't have to do that.
+If you don't, but instead type
+\tc{\\chapter$\{$ {\it Structuring Preprints} $\}$}
+then you obtain \recallchap
+\chapter{Structuring Preprints}
+ 
+One thing to notice is the curly braces surrounding the text.
+These braces are absolutely necessary.
+They are grouping symbols which tell \TeX\ how much of the
+text to follow is to be considered part of the chapter heading
+and if they are omitted you will get a disastrous error message
+saying something like \TeX 's capacity is exhausted.
+Unfortunately, on the screen of a computer terminal,
+these symbols are easy to confuse with ( \
+and so you will have to be careful.
+If you are in {\bf XEDIT}
+you will be able to issue the command {\bf balance}.
+This is an {\bf XEDIT} command defined by an exec file on the U
+disk which counts matching pairs of curly braces.
+It is helpful in that it tells you there is a problem, but
+unfortunately it doesn't find the problem for you.
+ 
+In general you won't want to play around with the choice of font
+inside of a chapter heading and so, by default, you will
+get a roman font.
+However, you can play with it if you wish.
+We have provided a series of control sequences, or editors marks,
+which allow you to change between different fonts all of which
+have essentially the same size.
+Hence, if you type {\bf \\rm} you get the current roman font,
+if you type {\bf \\bf} you get the bold face version of the current font,
+if you type {\bf \\sl} you get a slanted version of the current font,
+if you type {\bf \\it} you get an italic font, and if
+you type {\bf \\tt} you usually get a typewriter font.
+I say that you usually get a typewriter font because we do not
+have typewriter available in all sizes of print.
+When we don't PHYZZX makes a substitution of the same font at a different
+size.
+Another font for which this happens is {\bf \\caps} which is
+a font \endpage \noindent which is made up of only capital letters.
+This font distinguishes between upper and lowercase letters only by size.
+As an example of switching fonts let us see what happens if we change
+font inside the command chapter.
+ 
+If you type \recallchap
+\tc{\\chapter$\{$\\bf{ \it Formatting Text}$\}$ }
+you get
+\chapter{\bf Formatting Text}
+If you type \recallchap
+\tc{\\chapter$\{$\\sl {\it Formatting Text}$\}$ }
+you get
+\chapter{\sl Formatting Text}
+If you type \recallchap
+\tc{\\chapter$\{$\\it {\it Formatting Text}$\}$ }
+you get
+\chapter{\it Formatting Text}
+\endpage
+If you type \recallchap
+\tc{\\chapter$\{$\\caps {\it Formatting Text}$\}$ }
+you get
+\chapter{\caps Formatting Text}
+Finally, if you type \recallchap
+\tc{\\chapter$\{$\\tt {\it Formatting Text} $\}$ }
+you get
+\chapter{\tt Formatting Text}
+ 
+While all of this is very nice you should note that the font
+used to set the chapter number does not change with the text.
+This illustrates something about \TeX 's grouping symbols.
+Since we put the control sequences for changing fonts inside the
+braces, only the text inside the braces is affected.
+That is, the change only occurs {\it locally}.
+In general any change you make inside a pair of curly braces only
+affects the material inside the braces, unless you force
+the effect to persist.
+(If you want to know how to do this look up the {\bf \\global}
+command in the \TeX\ book.)
+It follows, therefore, that if we want the number to change
+we have to change the font before we give the {\bf \\chapter}
+command.
+ 
+\medbreak
+If you type \recallchap
+\tc{$\{$ \\bf \\chapter$\{$ {\it Formatting Text}$\} \}$}
+you get
+{\bf \chapter{Formatting Text}}
+\endpage
+If you type \recallchap
+\tc{$\{$ \\sl \\chapter$\{$ {\it Formatting Text} $\} \}$}
+you get
+{\sl \chapter{ Formatting Text}}
+\medbreak
+If you type \recallchap
+\tc{$\{$ \\it \\chapter$\{$ {\it Formatting Text} $\} \}$ }
+you get
+{\it \chapter{ Formatting Text}}
+\goodbreak
+If you type \recallchap
+\tc{$\{$ \\caps \\chapter$\{$ {\it Formatting Text} $\} \}$ }
+you get
+{\caps \chapter{ Formatting Text}}
+\medbreak
+Finally, if you type \recallchap
+\tc{$\{$ \\tt \\chapter$\{$ {\it Formatting Text} $\} \}$ }
+you get
+{\tt \chapter{ Formatting Text}}
+\noindent Much better, no?
+ 
+We have already mentioned that PHYZZX put extra space
+above and below a chapter heading.
+Since all of the chapter headings for this writeup
+were generated using
+the command {\bf \\chapter}, you only have to examine them
+to see how \TeX\ handles these extra spaces.
+ 
+Another remark worth making is that in the current incarnation
+of PHYZZX you do not have to worry about chapter titles which
+are too long.
+The chapter macro is set up to split your line when necessary
+and automatically center each line.
+To accomplish this feat PHYZZX makes use of a control sequence
+called {\bf \\titlestyle}.
+The command {\bf \\titlestyle} is worth knowing about because
+sometimes you want to be able to type in a longish amount of
+material and want the various lines to be centered, not left or
+right adjusted after each break.
+Typing {\bf \\titlestyle$\{$ {\it text} $\}$} will accomplish this feat.
+In addition,
+if you don't like the way PHYZZX chooses to break the lines
+you can force your desires upon the machine by inserting: the
+command {\bf \\break}.
+This command forces the line to break at the point where the command is
+given.
+The command {\bf \\nobreak} will stop the line from
+breaking at an undesirable place, and the symbol \~ \ will
+insert some unbreakable space between words.
+This stuff is covered in the basic books on \TeX\ and we refer you to
+there for details.
+Combining these control sequences with the control sequence
+{\bf \\titlestyle} allows you to {\it easily}
+achieve many interesting effects.
+For example, you can generate an invitation by typing \hbreak
+{\bf \\titlestyle $\{$ \\it \it You are cordially invited \bf \\break
+\hbreak
+\it to the coming out party for \bf \\break \hbreak
+\it the new macro package \bf \\break \hbreak
+\\rm \it PHYZZX \bf \\break $\}$ } \hbreak
+and obtain
+\titlestyle {\it You are cordially invited \break
+to the coming out party for \break
+the new macro package \break
+\rm  PHYZZX \break }
+ 
+If you are really sharp, and I assume that you are, you will
+have noticed that the type in which the invitation is set is larger
+than the normal type.
+Remember that I already told you that titles are set in larger
+type than the basic text.
+I also told you that the commands {\bf \\rm}, {\bf \\bf}, {\bf \\it},
+etc., change the style of the font but leave it the same size.
+What we have not discussed is how you change the size of the font
+the way {\bf \\titlestyle} does with impunity.
+Well, all things come to he who waits!
+Now's the time to discuss this point.
+ 
+Font sizes, as you learn from reading the \TeX book come in sizes
+measured in a mysterious printer's unit call {\it points}.
+You don't have to know what a point is, you only have to know that
+most of the text in this writeup is twelve point type, the titles
+are in fourteen point type and the footnotes are in ten point type.
+It is possible for you to force \TeX\ to use a particular size
+of type by saying {\bf \\tenpoint},{\bf \\twelvepoint} or
+{\bf \\fourteenpoint}; in which case the obvious thing happens.
+Thus, for example, if you change the typed instructions for generating
+the invitation to read \hbreak
+{\bf \\titlestyle $\{$ \\twelvepoint
+\\it \it You are cordially invited \bf \\break
+\hbreak
+\it to the coming out party for \bf \\break \hbreak
+\it the new macro package \bf \\break \hbreak
+\\rm \it PHYZZX \bf \\break $\}$ }  \hbreak
+you get
+\vskip -\parskip
+\titlestyle {\twelvepoint \it You are cordially invited \break
+to the coming out party for \break
+the new macro package \break
+\rm  PHYZZX \break }
+\endpage
+\noindent and if you type \hbreak
+{\bf \\titlestyle $\{$ \\tenpoint
+\\it \it You are cordially invited \bf \\break
+\hbreak
+\it to the coming out party for \bf \\break \hbreak
+\it the new macro package \bf \\break \hbreak
+\\rm \it PHYZZX \bf \\break $\}$ }\hbreak
+the result is
+\titlestyle {\tenpoint \it You are cordially invited \break
+to the coming out party for \break
+the new macro package \break
+\rm  PHYZZX \break }
+ 
+\subsection{Sections}
+ 
+Now that we know everything about generating chapters, we turn
+to the problem of generating smaller subdivisions; namely,
+sections and subsections.
+ 
+\recallchap \recallsec
+The numbering is done as $\{ chapter number\}.\{section number\}$ .
+Each time you start a new chapter, the section numbers restart from
+1.
+You have already seen many examples of the results produced by
+the section macro in this writeup.
+As in the case of the chapter macro all of the numbering is taken
+care of automatically.
+To accomplish the feat of generating a new section heading you type
+\tc{\\section $\{$ {\it section heading} $\}$ }
+For example, if you type
+\tc{ \\section $\{$ {\it New Section} $\}$ }
+you get
+\advance\sectionnumber by -1 \section{ New Section }
+As in the case of chapter headings you can play with the
+fonts if you insist; however, remember that the space above and
+below chapter and section headings have been carefully matched
+to our choices of fonts.
+If you play too much, the esthetic balance of the final copy
+won't be the same.
+ 
+\subsection{Subsections}
+ 
+The smallest subdivision for which we have a formal macro
+defined is a subsection.
+Our choice has been to make subsections unnumbered and underlined.
+When you type the command {\bf \\subsection
+$\{$ {\it subsec.heading} $\}$ }
+you get the sort of heading which introduces this paragraph.
+All of the control sequences, {\bf \\chapter}, {\bf \\section} and
+{\bf \\subsection} force the start of a new paragraph, so in principle
+you do not have to skip lines as you type in text.
+However, from the point of being able to proofread your
+typed copy in order to make corrections, not skipping lines
+can be a disaster.
+ 
+The underlining of the text in the section macro is accomplished using
+the control sequence
+\tc{\\undertext $\{$ {\it text} $\}$ }
+This is a command worth knowing about, but in general using italics
+is a better way to emphasize text.
+ 
+This completes our discussion of the macros which handle the
+generation of titles for the major subdivisions of the usual paper.
+ 
+\section{Other Subdivisions: Appendices and Acknowledgements}
+ 
+In addition to chapters, sections and subsections, papers tend
+to have auxiliary junk attached.
+This extra junk is usually called either
+acknowledgements or appendices.
+To save you the bother of figuring out which font sizes and spacing
+choices are necessary to make these appendages
+consistent with the rest of the paper we also have
+control sequences to generate headings for them.
+Typing the command
+\tc{ \\ack }
+generates the line
+\ack
+Note the beauty of the typeface and the precisely chosen amounts of
+extra space which gracefully offset the title generated with this
+simple command.
+Once again, for the Philistines among you, you can play with
+the fonts using the commands {\bf \\bf}, {\bf \\sl}, etc.;
+however, let the esthetic violence you do to the manuscript
+be on your own head.
+ 
+Generating appendices presents us with a slightly more complex
+situation and so you get more choices as to how to proceed.
+The questions which arise at this juncture are
+{\it How many appendices will there be ?\/} and
+{\it How do you want them numbered ?\/}.
+Clearly, if there is to be only one appendix then the choice is
+simple.
+In that event you generate a lovely heading by simply typing
+\tc{ \\appendix }
+which causes \TeX\ to generate the line
+\appendix
+If there are to be many appendices and you want to number them
+in any way which suits you, you only need type
+\tc{\\Appendix$\{$ {\it text} $\}$ }
+note the capital letter appearing as the first letter of this control
+sequence.
+Remember, \TeX\ cares about upper and lowercase, so this is a
+different command from { \bf \\appendix}.
+ 
+Typing
+\tc{\\Appendix$\{$ {\it A} $\}$ }
+generates
+\Appendix{A}
+\noindent Typing
+\tc{ \\Appendix$\{$ {\it I} $\}$ }
+generates
+\Appendix{I}
+\endpage
+\noindent and typing
+\tc{ \\Appendix$\{$ {\it 1} $\}$ }
+generates
+\Appendix{1}
+ 
+\recallchap \recallsec \advance\chapternumber by 1
+\def\chapterlabel{3.}
+\advance\sectionnumber by 1
+\def\sectionlabel{\number\sectionnumber \quad}
+ 
+This completes the discussion of the basic commands which generate
+division headings.
+Now we turn to a discussion of the special commands which
+PHYZZX has included to allow you to tailor the way in which
+these macros handle numbering conventions.
+ 
+\section{Controlling the Way Chapters are Numbered}
+ 
+The discussion to follow is really not necessary if what you want to
+learn is how to use PHYZZX to type a paper.
+This section is devoted to making PHYZZX do something out of
+the ordinary; i.e., something it ordinarily doesn't want to do.
+ 
+\subsection{Playing With Numbers}
+ 
+There will be times when you want to print out just a
+piece of a paper either because it is long, or because (as I
+understand is the case for that strange group of people called
+{\it experimental physicists}) many people are working on different
+chapters (perhaps even sections) of the same paper.
+In this event you probably want the chapter and section numbers to
+print correctly when you are proof reading so that you don't get
+confused.
+Rest easy, this can be done.
+PHYZZX defines two quantities which it updates and refers to when
+it needs chapter and section numbers.
+These quantities are called {\bf \\chapternumber} and
+{\bf \\sectionnumber} (big surprise!).
+You, as the editor, can tell PHYZZX to set these numbers to a
+specific value, say 7, by typing
+\tc{\\chapternumber$=$7}
+or
+\tc{\\sectionnumber$=$7}
+Note that for the first time you have encountered an $=$
+sign occurring in a statement to \TeX .
+You will encounter this sort of syntax many times,
+in general when it occurs it will be because it is the natural
+way to write something.
+ 
+Once you get involved in fooling with chapter and section numbers
+there are a few things you have to know.
+Both the {\bf \\chapter} and {\bf \\section} macros increase
+the respective chapter or section number by 1 before they print
+anything.
+Thus, if you want to get a chapternumber like 7 you set
+\tc{\\chapternumber$=$6}
+The same is true for setting the section number.
+If you are so perverse as to start in the middle of a chapter, then
+when you set the section number you must also set
+the chapter number, since it appears as part of the section
+heading.
+Actually, the quantity which appears in the section heading is
+called {\\bf \\chapterlabel} and to set it you have to say
+\tc{\\let\\chapterlabel={\it 6}}
+or whatever label you want instead of 6.
+This extra step is required because we really don't think its
+such a great idea to start in the middle of a chapter  and
+so didn't bother to make it too trivial to do so.
+If you are starting a chapter, then you don't have to worry
+about setting the section number since the command {\bf \\chapter}
+automatically resets the section number to 0.
+ 
+\subsection{Changing Styles}
+ 
+Another way you might want to modify the way PHYZZX handles divisions
+is to have it number chapters using letters, or roman numerals,
+instead of arabic numerals.
+Although this defeats the purpose of establishing some sort
+of uniformity of style for preprints, etc., it is possible to do.
+This feature was added to PHYZZX because we recognize that some
+folks, particularly experimentalists, just can't leave well
+enough alone.
+The mood of people like this begins to verge upon hysteria if
+they don't have knobs to twiddle and buttons to push.
+For this small number of benighted souls there exists the
+special command called {\bf \\chapterstyle}.
+You change the way in which PHYZZX numbers chapters by saying
+\settabs 2 \columns
+\+ {\bf \\chapterstyle$=$$\{$\\alphabetic$\}$}& to get
+the l.c. letters a,b,c,$\ldots$ \cr
+\+ {\bf \\chapterstyle$=$$\{$\\Alphabetic$\}$}& to get
+the u.c. letters A,B,C,$\ldots$ \cr
+\+ {\bf \\chapterstyle$=$$\{$\\roman$\}$} & to get
+the l.c. roman numerals i,ii,iii,$\ldots$ \cr
+\+ {\bf \\chapterstyle$=$$\{$\\Roman$\}$} & to get
+the u.c. roman numerals I,II,III,$\ldots$ \cr
+ 
+There is one more option open to you, that is to have all
+chapters, sections and subsections unnumbered.\foot{Note that
+this implies that all equations will automatically be sequentially
+numbered}
+To select this option you begin your file with the command
+\tc{\\unnumberedchapters}
+This is not too difficult, but it is long to type.
+ 
+One final remark.
+We have not made it possible, other than shutting it off
+completely, for you to change the style used when numbering subsections.
+All you get is {$ chapterlabel.section number $} no matter what you
+do.
+Moreover, the section number is always an arabic numeral.
+If you don't like this, write your own section macro.
+(This isn't as bad as it sounds.  We'll discuss doing this sort of
+thing at the end of this writeup.)
+ 
+\chapter{DISPLAYED EQUATIONS: NUMBERING AND NAMING THEM}
+ 
+We have now discussed the macros available for defining the basic
+parts of a paper and appropriately titling them.
+Now let us turn to the most important
+stuff -- other than text -- which appears in each section; namely
+equations.
+If you've done your homework and read Knuth or {\bf First Grade
+\TeX\ } you know that equations are typed in {\it math mode}
+and that you let \TeX\ know that you are in math mode by
+typing either \$ or \$\$ .
+Enclosing an equation inside a pair of single \$  signs
+puts it in ordinary mode; enclosing the same equation between
+matching pairs of \$\$ signs puts it in display mode.
+Regular math mode is used for inserting equations into a line of
+text.
+Since you have done your homework we don't have to say
+anything about this, since PHYZZX doesn't play with ordinary math mode
+at all.
+Display mode is used for generating equations which are to stand out
+from the ordinary text.
+It allows you to type  \hbreak
+{\bf \$\$} {\it (x+y)(x-y) = x\^\ 2 - y\^\ 2 }{\bf\$\$ } \hbreak
+in order to get
+$$ (x+y)(x-y) = x^2 -y^2 $$
+This is called a displayed equation.
+ 
+Displayed equations are used in all journals and are usually
+numbered.
+In PLAIN \TeX\ there is a built in
+capability for allowing you to generate
+equation numbers; it is the macro {\bf \\eqno}.
+If you type \hbreak
+{\bf \$\$ \it  (x+y)(x-y) = x\^\ 2 - y\^\ 2 \bf \\eqno({\it 13}) \$\$ }
+you get
+$$ (x+y)(x-y) = x^2 -y^2 \eqno(13) $$
+This example shows what the command {\bf \\eqno} does. It makes
+the material appearing to the right of this command into
+a label for the displayed equation and sticks it in the right hand
+side of the line.
+There is also the PLAIN \TeX\ command {\bf \\leqno} which does the same
+thing but puts the equation number on the left.
+For example, typing \hbreak
+{\bf \$\$ \it 7x+12 = 24 \bf \\leqno ({\it 13}) \bf \$\$ } \hbreak
+produces
+$$ 7x + 12 = 24 \leqno(13) $$
+ 
+{\it So}, you ask, {\it what does PHYZZX have to do with this?}
+Well the answer to that question depends upon who you are.
+If you are typing someone else's handwritten manuscript which is
+in final proofread form, then these macros for putting in
+equation numbers are all you need.
+If, however, you are the author of the paper, typing it in yourself,
+either from a rough copy or composing it directly at the
+terminal, then these two commands leave a great deal to be desired.
+ 
+To begin with, if you are anything like me, when composing
+at the typewriter you usually forget the number of the last
+equation you have typed.
+Of course you can always go back and look it up, but this is time
+consuming and sometimes difficult to do.
+In addition if, as is usually the case, you expect the manuscript
+to be changed after it is typed, then it is highly likely
+that equations will be added, deleted and moved around.
+In that case, if you have used {\bf \\eqno} or {\bf \\leqno}
+you will have to go through the text and change all of the
+equation numbers and all references to those numbers each time
+there is a revision.
+Clearly this can get to be a big nuisance.
+Wouldn't it be nice if \TeX\ would just take care of numbering
+all of the equations properly each time it prints the manuscript
+taking into account all of the revisions automatically.\hbreak
+\centerline{{\it Joy of joys} it can be done!}
+ 
+\section{A Simple Solution to Numbering Equations}
+ 
+PHYZZX has a macro {\bf \\eq} which can take care of this chore for
+you automatically.
+All you have to do is type \hbreak
+\tc{ \$\$ \it x + y = {\bf $\{$} 2 {\bf \\over} (x - y) {\bf $\}$}
+\bf  \\eqno\\eq \$\$}
+to get \hbreak
+$$ x + y =  {2 \over (x-y)} \eqno\eq $$
+and you will have automatically generated an equation number.
+The question is, {\it What sort of equation
+number will you generate ?\/}.
+Once again, this is a question of style.
+If you are in the Phys.Rev. format, or in the default Nuclear Physics
+format then the equation label is of the form
+{ \it chapterlabel.equation number}.
+Equations are numbered sequentially within each chapter, but
+when you change chapters the chapter number is increased by
+1 and the equation number is reset to 1.
+If you have chosen the format with unnumbered chapters and sections,
+then {\\eq } will automatically generate sequential equation numbers.
+As far as we are concerned this is the most satisfactory way of
+numbering things.
+For short papers, i.e. those with only one chapter, choose the unnumbered
+chapter format and all of your equations will be numbered sequentially;
+for longer papers, i.e. those which call for dividing them into
+chapters, numbering the equations by their chapter and number within
+the chapter makes it easier to refer to them.
+Sometimes, however, either out of perversity or because a paper
+has many chapters but very few equations, an author wishes to
+choose the format with numbered chapters but sequential equation numbers.
+This will happen if, before entering the first equation in your paper
+you type the command {\bf \\sequentialequations}
+Hence, in the default mode, typing
+\tc{ \$\$ \it 7x + 11x\bf \^\ \it 2 = 50 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 3x +   x\bf \^\ \it 3 = 85 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 4x +  8x\bf \^\ \it 7 = 12 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 7x + 4x\bf \^\ \it 2 = 0 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it  x + 21x\bf \^\ \it 5 = -5 \bf \\eqno\\eq \$\$ }
+yields
+\equanumber=0
+$$  7x + 11x^2 = 50 \eqno\eq $$
+$$  3x +   x^3 = 85 \eqno\eq $$
+$$  4x +  8x^7 = 12 \eqno\eq $$
+$$  7x +  4x^2 = 0  \eqno\eq $$
+$$   x + 21x^5 = -5 \eqno\eq $$
+If, however, you first type {\bf \\sequentialequations};
+then typing \hbreak
+\tc{ \$\$ \it 7x + 11x\bf \^\ \it 2 = 50 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 3x +   x\bf \^\ \it 3 = 85 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 4x +  8x\bf \^\ \it 7 = 12 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it 7x + 4x\bf \^\ \it 2 = 0 \bf \\eqno\\eq \$\$ }
+\tcon{ \$\$ \it  x + 21x\bf \^\ \it 5 = -5 \bf \\eqno\\eq \$\$ }
+yields
+\sequentialequations
+$$  7x + 11x^2 = 50 \eqno\eq $$
+$$  3x +   x^3 = 85 \eqno\eq $$
+$$  4x +  8x^7 = 12 \eqno\eq $$
+$$  7x +  4x^2 = 0  \eqno\eq $$
+$$   x + 21x^5 = -5 \eqno\eq $$
+ 
+Since you are an astute reader you have no doubt noticed
+that what I have told you to this point only solves half of the
+problem.
+While {\bf \\eq} automatically generates equation numbers
+which, each time you run the paper through \TeX\ ,
+are automatically updated to conform to the order in which
+they appear in the text, we have no a priori way of knowing what these
+numbers are.
+The question is, {\it How do we get hold of these numbers so that
+we can refer to them in the text?\/}
+Well, {\bf \\eq} provides a partial solution to this problem by
+definiing the control sequence {\bf \\?} a synonym for that
+number each time it is invoked.
+Hence, typing {\bf \\?} at any point in the text causes \TeX\ to
+print the number of the last equation in which you used the
+command {\bf \\eq}.
+For example by typing {\it equation \bf \\?} we cause \TeX\ to print
+equation \? , which is the number of the last equation
+appearing in our examples.
+The only thing wrong with this solution is that the meaning of
+the symbol {\bf \\?} changes each time you invoke {\bf \\eq},
+so what happens if you want to refer back to an equation
+at several different points in the text?
+ 
+\section{Naming Equations: A Powerful Tool}
+ 
+In order to make it possible to refer back to a specific equation
+without knowing its number, PHYZZX has a way of giving the equation
+a symbolic name, like {\bf \\?}, which will always stand for the
+number of that equation.
+The macro which accomplishes this feat does this at the same time
+it generates (and prints) the number associated with this
+equation.
+Since this command does just one more thing than the command
+{\bf \\eq} does, we have given it a name which is just one
+letter longer; the name is {\bf \\eqn}.
+To use {\bf \\eqn} you type
+\tc{ \\eqn\\{\it equation\_name}}
+\equanumber=6
+Note carefully the \\ appearing before the equation name inside the
+braces.
+This backslash must always precede the name itself because you
+are using {\bf \\eqn} to define a new control sequence and, as
+we have already noted, control sequences always start with a \\ .
+Also note the grouping symbols.
+They tell \TeX\ to include everything in the braces as the
+equation name and they are necessary.
+To use this command you type something like \nextline
+{\bf {\it the value of} \$ \\pi \$ {\it is}} \nextline
+\tc{ \$\$ \\pi \\approx {\it 3.14159 } \\eqn\\{\it valueofpi}  \$\$ }
+to obtain \nextline
+ 
+the value of $\pi$ is
+$$ \pi \approx 3.14159 \eqn\valueofpi $$
+If you now type       \nextline
+{\it the circumference of a circle is given by} \nextline
+{\bf \$\$ {\it 2} \\pi {\it r}
+\^\  {\it 2} \\eqn\\{\it circumference} \$\$ }\nextline
+you define a new equation number and a new name.
+The result of this is  \nextline
+ 
+\noindent the circumference of a circle is given by
+$$  2\pi r^2 \eqn\circumference $$
+If we now type {\bf \\valueofpi} we get \valueofpi ,
+if we type {\bf \\circumference} we get \circumference .
+ 
+A little thought will convince you that this ability to name
+equations is a very powerful time saving tool.
+By giving names to equations you are able to refer to them
+at will without ever giving a thought to the number they
+will be assigned when the paper is printed.
+If you use the command {\bf \\eqn\\{\it name}} to
+deal with the numbering problem, then the number assigned to the
+equation and all references to the equation will always be correct.
+It won't matter if you delete equations, add equations, move
+equations around, or decide to switch from the normal conventions
+for numbering equations to sequential numbering, etc.
+ 
+\subsection{Restrictions on Equation Names}
+ 
+There are only a few simple rules you should observe when giving
+names to equations using the command {\bf \\eq}
+\pointbegin
+First, the name has to be proceeded by a \\ as we already noted
+\point
+Second, the rest of the name has to be all letters.
+{\it No numbers are allowed\/}.
+You may however use upper and lowercase letters, and names can
+be arbitrarily long.
+Everyone seems to have his own favorite way of naming equations
+in order to facilitate referring back to them later.
+I invite you to play around with this until you find a scheme
+which makes you comfortable.
+\point
+Third, try to remember to always use a different name for each
+equation.
+Neither \TeX\ nor PHYZZX will warn you if you give two equations
+the same name.
+They will quite happily change the meaning of the
+previously defined name to mean the number of the last equation
+to which you have given that name.
+If you wish this to happen, o.k., however be sure that is what you
+want or you will be in for some surprises later.
+\point
+Finally, {\it never use the name of any macro for an equation name},
+this road surely leads to disaster.
+For example, if you accidentally type {\bf \\eqn\\bf}
+you not only change the previous meaning of {\bf \\bf} but you
+also mess up any macro which uses that control sequence.
+ 
+As an example of this I note that the names {\bf \\herman},
+{\bf \\Suzanne}, {\bf \\duMMy } are all good names; however,
+{\bf \\jerk3}, {\bf \\don't} and {\bf \\sl} are not.
+There is one exception to this rule, you can give the name {\bf \\?}
+to an equation, which is what the macro {\bf \\eq} does.
+This is useful only if you intend to use it as a temporary name
+for an equation that will be referred to once or twice before
+the name is redefined.
+If you really want to give use numbers for you equation names
+roman numerals are all right.
+You can name equations {\bf \\eqi},{\bf \\eqii},$\ldots$,
+{\bf \\eqix }, etc.
+ 
+\section{Other Macros For Naming Equations}
+ 
+We have already noted that \TeX\ allows you to put equations
+on the left hand side of a line using the macro {\bf \\leqno}.
+For this reason, we too need a version of the naming macros
+which do the same thing.
+The obvious name for such a macro would be {\bf \\leqn}
+and it is invoked by typing
+\tc{\\leqn\\{\it equation.name}}
+If you include this in an equation the number comes out on the left.
+ 
+In addition to this obvious addition to the macro set
+there are macros meant to be used for the automatic numbering of
+aligned equations.
+To learn about aligned equations you should read in the \TeX book
+or in {\bf First Grade \TeX }.
+Assuming that you have done so, let me remind you how about how
+aligned equations are generated, in order to set the stage for
+explaining how the macros {\bf \\eqinsert}, {\bf \\leqinsert},
+{\bf \\mideqn} and {\bf \\midleqn} work.
+ 
+Aligned equations are, as the name implies, a set of equations
+which appear one after the other.
+In order to make the spacing between these equations look nice
+and in order to make them line up so as not to look messy
+PLAIN \TeX\ introduces the macro {\bf \\eqalign}.
+This macro produces a list of equations which are aligned with
+respect to some common feature of each equation, for example
+an $=$ sign.
+As with single displayed equations \TeX\ allows you to number these
+sets of equations as if they are a single equation by using the
+commands {\bf \\eqno}, {\bf \\leqno}.
+PHYZZX, too, is kind and permits exactly the same thing; to do this you
+use the commands {\bf \\eqn} and {\bf \\leqn}.
+Since {\bf \\eqalign} is a macro whose argument is the text of the
+equations, the way to use {\bf \\eqn}, etc. is to type them
+{\it after} the right $\}$ which closes the {\bf \\eqalign}    %{
+command.
+For example, typing \nextline
+{\bf \$\$ \\eqalign$\{$ \\cos $\{$ \\pi \\over {\it 6} $\}$\\ = \& \\
+\\sqrt$\{${\it 3/4}$\}$ \\cr \nextline
+\\cos$\{$\\pi\\over{\it 4}$\}$\\ =\&\\ \\sqrt$\{${\it 1/2}$\}$ \\cr
+\nextline
+\\cos$\{$\\pi\\over{\it 3}$\}$\\ =\&\\ \\sqrt$\{${\it 8}$\}$ \\cr $\}$
+\\eqn\\trig \$\$ }\nextline
+yields
+$$ \eqalign{\cos{\pi \over 6}\ = &\ \sqrt{3/4} \cr
+\cos{\pi\over 4}\ = &\ \sqrt{1/2} \cr
+\cos{\pi \over 3}\ =&\ \sqrt{8} \cr} \eqn\trig $$
+ 
+\subsection{Things to Remember About {\bf \\eqalign}}
+ 
+\pointbegin
+The entire argument of {\bf \\eqalign} must be enclosed in braces.
+Successive rows of the equation must be separated by the control
+symbol {\bf \\cr} to tell \TeX\ to make a carriage return.
+\point
+Every row contains two parts (or {\it templates}) separated
+by the special tabulation symbol \&.
+This symbol tells \TeX\ what character you want to line up in each
+line of the set of equations.
+If you want half of some of the lines to be empty that is all right,
+but the symbol \& must always appear.
+Left and right braces within a {\it template} must balance separately.
+\point
+PLAIN \TeX\ sometimes puts aligned equations too close together.
+If you want to force {\bf \\eqalign} to spread the lines apart
+somewhat there is a special control symbol for doing this.
+All you have to do is type {\bf \\cropen$\{${\it space}$\}$}
+instead of {\bf \\cr} at the end of each line.
+For example, {\bf \\cropen$\{${\it 12pt}$\}$ } will force
+the lines 12pt further apart.
+The control sequence {\bf \\crr} is an abbreviation for
+{\bf \\cropen$\{${\it 10pt}$\}$}.
+ 
+Although it is not obvious from the previous example, {\bf \\eqalign}
+won't always put the equation number where you would like it.
+For example, if one of the equation lines is very long and
+pushes into the right hand margin, then {\bf \\eqalign} will
+put the equation number on a separate line below the last equation
+in the set.
+If, as often happens, there is only one or two long lines and
+there is room on one of the other lines for an equation number
+you can force \TeX\ to put it there if you wish.
+The way to do this is to use the PLAIN \TeX\ control sequence
+{\bf \\eqinsert} immediately following the {\bf \\cr} or
+{\bf \\cropen} ending the line you wish to have the equation on.
+If you type \nextline
+{\bf \$\$} $\ldots$ {\bf =\&} $\ldots$ {\bf \\cr \\eqinsert$\{$
+{\it equation.number}$\}$ \$\$ } \nextline
+then you get the equation number you specify on the line
+indicated.
+The corresponding PHYZZX macros which allow you to do this
+while at the same time automatically generating a name and number
+for the aligned set of equations are
+\tc{\\mideqn\\{\it name}}
+If you don't want to name the equation at the same time that
+you automatically generate a number for it you can simply use
+\tc{\\eqinsert\\eq}
+ 
+\subsection{Numbering Aligned Equations Independently}
+ 
+Sometimes you will wish to generate a set of aligned equations
+but refer to each of them individually.
+In this case you will wish to be able to number them independently.
+PLAIN \TeX\ provides the control sequence {\bf \\eqaligno}
+to handle this eventuality.
+The command {\bf \\eqaligno} works like {\bf \\eqalign}
+except that each equation line consists of three
+parts (or {\it templates\/}) separated by the character \&.
+The third template is where you put the appropriate label for
+that line of the set of equations.
+If you wish to number each equation line sequentially without
+generating a name, then all you have to do is type \nextline
+{\bf \$\$  \\eqaligno $\{$ {\it junk} \& {\it more junk} \&
+\\eq \\cr $\}$ \$\$ }\nextline
+If, however, you wish to name each line separately
+you {\it may not} use the macro {\bf \\eqn}.
+It will not work and will give you a peculiar message of the form
+{\it you cannot use {\bf \\eqno} inside {\bf \\eqalign}}.
+To name individual lines of aligned equations the correct macro
+to use is {\bf \\eqnalign $\{$ \\{\it name} $\}$ } as the
+entry for the third template followed by the command {\bf \\cr}.
+The same command will work in {\bf \\leqaligno} which works
+in exactly the same way as {\bf \\eqalign} but puts the contents
+of the third template to the left of each equation instead of to
+the right.
+In general, {\bf \\leqaligno} causes more difficulties than
+{\bf \\eqaligno} and you should read about it in the \TeX book
+before using it.
+ 
+\chapter{REFERENCES, FIGURE CAPTIONS AND TABLE CAPTIONS:
+THEIR NAMING AND NUMBERING }
+ 
+\section{References: Stuff Which Comes at the Back}
+ 
+To this point we have discussed the partitioning of a document
+into it's major parts, and the automatic numbering and naming
+of equations.
+We now come to the question of generating references.
+In general a reference is signaled by attaching a
+label or reference mark, i.e.
+either a superscripted number or a superscripted number
+enclosed in delimiters (e.g., braces, brackets or parentheses),
+to a specified word in the text.
+This number indicates that in the back of the document, on a page
+(or pages) labelled REFERENCES, one will find a corresponding
+chunk of text prefaced by the same number.
+This text will usually be
+a reference to work published in some journal
+or some comment which is only marginally relevant to the subject
+being discussed.
+Your problem as typist and editor is to generate the appropriate
+number, attach it to the desired word and then type the desired
+text into a separate file of text at the same time numbering it
+with the corresponding number.
+You therefore are faced with several formatting decisions;
+namely, how to attach the reference number to the word in
+the text, and how to format the references when they are typed
+in the back of the paper.
+Clearly, there is a real need for a macro
+to help you handle this dull and repetitive chore.
+ 
+\subsection{What features should such a macro possess ?}
+ 
+First it should handle the task of
+attaching the desired number to the designated word, and
+then it should file away the pertinent text in a form which will
+allow it to be printed at the end of the paper.
+In addition to the mechanical act of attaching the reference mark and
+sending the text to another page, we would also like it
+to automatically generate the number for us; so that we don't have to
+constantly refer back to the number of the last reference
+inserted.
+As in the case of equations, this would be nice, since then
+the numbering will automatically come out correct even if we
+add, delete or move references around.
+Finally, since one often cites the same reference
+in many places in the text, it would be nice for the macro to
+allow us to name a reference (in the same way we named equations)
+so that we can cite it without ever knowing exactly
+what number PHYZZX has assigned to it.\nextline
+ 
+\centerline{PHYZZX \it has the macro capability to do all of this
+and more.}
+ 
+Since, however,
+there are may different ways in which people like to
+generate and cite references we had to make the commands for
+carrying out these tasks more flexible than those which we
+have been discussing to now.
+For this reason there are more of them to learn about
+and their syntax is a little more complicated.
+We will take them one at a time in increasing order of
+generality.
+ 
+\subsection{Single References}
+ 
+Let us deal with the simplest case first.
+Suppose you wish to generate a reference, mark the appropriate word
+and save the indicated text for printing in the back of the paper.
+The command used to accomplish this feat is
+{\bf \\ref}.
+The syntax of this command is
+\tc{ \\ref$\{$\it text$\}$}
+where the indicated text is the material which you wish to have
+appear in the back of the paper.
+For example if you type\ref{This is the place you want to put a
+reference}{\bf \\ref$\{$ \it This is the place you want to put a
+reference \bf $\}$}; then PHYZZX will, as you see, generate a
+reference number, attach it to the word immediately preceding
+the macro command and store the text in a file on your A disk.
+Each time you invoke the macro {\bf \\ref} it increases the
+reference number by 1 and adds the next reference to the file on
+your A disk.
+Anytime that you wish to print this file all you have to do is
+type the command {\bf \\refout}.
+Normally, you would wait to do this until the end of the document;
+however, to see what happens we will now type {\bf \\refout} to
+obtain
+\nobreak
+\refout
+ 
+\referencecount=0
+Note, that the simple command {\bf \\ref} is like the command {\bf \\eq}:
+it automatically numbers the reference and stores it away,
+however it does not allow you the freedom of naming it.
+It is like {\bf \\eq} in another way;
+like {\bf \\eq} it automatically
+gives the reference the name {\bf \\?}.
+This allows you to refer to the last reference until
+you do something to redefine {\bf \\?}.
+Clearly, this command has only
+limited flexibility and one needs a more sophisticated command
+to allow you to individually name each reference.
+The command which does this is {\bf \\Ref}; the syntax for this
+command is
+\tc{\\Ref\\{\it name}$\{${\it text of reference}$\}$}
+where {\it name} is the name you wish to assign to this
+reference and {\it text} is the material which you wish to have
+appear on the page of references at the back of the document.
+To use the command {\bf \\Ref} you simply begin typing the
+appropriate reference immediately following the word to which
+the reference number is to be attached.
+For example if you type \nextline
+$ \ldots $ {\it this is the result obtained by Banks and
+Kaplunovsky{\bf \\Ref\\}junkname{\bf $\{$}T.\~\ Banks
+and V.\~\ Kaplunovsky \bf $\}$}
+you get \nextline
+$\ldots$ this is the result
+obtained by Banks and Kaplnovsky\Ref{\junkname}{T.~Banks
+and V.~Kaplunovsky}\nextline
+Note that the word Kaplunovsky has a superscripted version of the
+current reference number attached to it and the text has disappeared.
+The text is stored away in a file called
+{\bf referenc.texauxil}.
+This file is automatically stored on your A disk
+when the \TeX\ file is processed.
+Once again, to print this stuff we type {\bf \\refout}
+ 
+\refout
+ 
+\noindent If we wish to refer to this reference we need only type
+{\it Ref. {\bf \\junkname}} to obtain Ref.\junkname .
+Note that when you type {\bf \\junkname} you do not automatically
+get a space after the number generated, even if you typed one.
+This is because \TeX\ eats a space which appears after a control
+sequence.
+If you want a space to follow the number you should type
+{\bf \\junkname\\ \quad }; i.e., {\bf \\junkname} followed
+by a {\bf \\ \it (space)}, which is \TeX 's control sequence for an
+extra space.
+ 
+\subsection{Gaining Ultimate Control of Referencing}
+ 
+Recapping, we see that
+the command {\bf \\Ref} basically does for references what {\bf \\eqn}
+does for equations.
+Ordinarily, {\bf \\Ref} is the most convenient version of the
+reference command and will be the one you will use most
+often.
+There will be situations, however, where you wish to generate a named
+reference without generating its reference mark.
+For example, you may be typing a formula, or a footnote and wish
+to put the superscripted reference mark inside the footnote or formula
+(or for that matter, inside some {\bf \\hbox} which you are
+defining).
+You must be careful because the command
+{\bf \\Ref} cannot be used in these situations.
+This has to do with the way in which it goes about doing its job.
+You really don't have to know the reasons why it won't work,
+you just have to know it won't.
+This problem is easily solved if you know how to use the most
+flexible form of the reference command; namely, the command
+\tc{\\REF\\{\it junkname}$\{$ {\it text }$\}$}
+As you see the syntax of this command is identical to {\bf \\Ref}
+and in fact, it does almost exactly the same thing.
+It generates a dummy name ({\bf \\junkname}) and writes the text
+material into the file {\bf referenc.texauxil}.
+The difference is that when {\bf \\REF} is finished it does not
+attach the reference mark to the preceding word.
+To attach the reference mark to a specific word you type the command
+{\bf \\refend} immediately following that word.
+Basically, what {\bf \\Ref} does is invoke the command {\bf \\REF}
+immediately followed by the command {\bf \\refend}.
+Dividing the reference generating command from the
+command which attaches the reference mark
+solves all of the aforementioned problems.
+If you wish to put a reference in a forbidden place, like a footnote,
+or hbox, or formula, all you have to do is use {\bf \\REF}
+somewhere before you enter the forbidden territory and then use
+{\bf \\refend} immediately following the place where you want the
+reference mark.
+ 
+\subsection{Generating Your Own Reference Marks}
+ 
+Since the referencing commands are the ones which are
+most often played with (because
+so many people have their own styles for referencing things) it
+is worth spending a few moments giving you a better understanding
+of the various subcommands which go into their construction.
+First, you should know that the current value of the number
+assigned to the last reference
+is filed away under the name
+{\bf \\referencecount}.
+To get hold of this number you type
+\tc{\\number\\referencecount}
+and then \TeX\ will type out the current value of this number.
+PHYZZX attaches this number to a word by invoking
+the command {\bf \\refmark}.
+The syntax of the control sequence {\bf \\refmark} is
+\tc{\\refmark$\{$ {\it number or name of reference}$\}$ }
+When this command is issued PHYZZX tells \TeX\ to generate a
+superscripted version of the material appearing inside the braces
+and attach it to the word immediately preceding the place where you
+typed this control sequence.
+It is not advisable to leave spaces between the word
+and the command {\bf \\refmark} (or for that matter {\bf \\ref, \\Ref}
+and {\bf \\refend}),
+because if space is left it might creep into the text.
+The command {\bf \\refmark} does one more thing, it changes the
+appearance of the reference mark depending upon whether the paper
+is in Nuclear Physics or Physical Review format.
+ 
+Since I have referred to {\bf \\refmark} as a subcommand
+it is only fair to give an example of how it is used.
+One place is in the definition of the command {\bf \\refend}.
+PHYZZX defines the command {\bf \\refend} to mean
+\tc{\\refmark$\{$\\number\\referencecount$\}$}
+Using {\bf \\REF} to define a reference outside
+of a forbidden region and using {\bf \\refend} inside this region
+to generate the reference mark provides only a partial solution to the
+problem we have been discussing.
+This is because {\bf \\refend} causes the current value
+of {\bf \\referencecount} to be printed.
+If, for some reason you wish to delay the printing of
+several reference names; or, if you wish to mix and match various
+references and stick them in a single reference mark, you can
+do this by typing {\bf \\refmark$\{$ \\junkname} $\ldots$ {\bf $\}$}
+In this way you can gain all but stylistic control
+of your reference marks.
+It is still true that {\bf \\refmark} changes the form of the
+reference mark depending upon whether the paper is headed for
+Phys.Rev. or Nucl.Phys.
+ 
+To gain total control of your reference marks
+you need to use the command {\bf \\attach}.
+The syntax of this command is
+\tc{\\attach$\{$ \it stuff \bf $\}$}
+What {\bf \\attach} does is put {\it stuff} into math mode,
+make a superscript out of it and attach it to the word that
+comes before.
+It also spaces from that word so as to make the attached
+quantity look most natural.
+The {\bf \\attach} command does nothing at all to the reference
+mark and it is independent of the format of the paper.
+ 
+\subsection{Multiple References}
+ 
+You have now learned all you should know about generating
+single references and taking complete control of the way in which
+they generate reference marks.
+However, you still do not know everything about the
+way in which PHYZZX can handle references.
+This is because we have not yet discussed the question of
+multiple references.
+ 
+{\it What is a multiple reference?} and {\it Why should I care about
+multiple references?} you ask.
+Good question!
+In principle you don't need to care about them at all.
+You already have the basic tools for handling any referencing problem
+should the need arise, all you need to do is
+use the commands {\bf \\REF} and {\bf \\refmark}.
+Nevertheless, since multiple references occur frequently, especially
+in experimental papers, they merit a special
+construct to make them simpler to handle.
+ 
+The problem of generating multiple references comes up
+when you reach a point in the text where you wish to
+add a reference to several authors and at the same time
+you do not wish to have this saved as a single reference.
+This may happen for several reasons, the principal reason
+being that you may wish to refer to some of these references
+individually at a later point in the text.
+In this case there exists a set of commands which allow you
+to do this.
+These commands allow you to tell \TeX\ that the material to
+follow will define and name several references.
+They assign a number to each of these references,
+store them away individually and then attach the reference mark \nextline
+$\{$ {\it number of first ref. in set -- number of last ref. in set}$\}$
+\nextline
+The presence or absence of delimiters (in the form of brackets) depends
+upon whether or not you have typed {\bf \\PHYSREV}.
+The commands which perform this service are
+\tc{\\REFS\\{\it name}\bf$\{$ \it text \bf$\}$}
+\tcon{\\REFSCON\\{\it name}\bf $\{$ \it text \bf $\}$}
+and
+\tc{\\refsend  .}
+ 
+To use these commands to generate multiple references you invoke
+them sequentially.
+For example, suppose you wish the next three references to form
+a single multiple reference.
+Begin by selecting the word to which you wish to attach the
+reference mark.
+After the word to which you wish to attach the appropriate
+reference mark, you type in the first reference
+\referencecount=0
+\REFS\first{This is the first reference of a series.}
+\REFSCON\second{The papers just mentioned are unimaginative,
+stupid, incorrect and besides I did it first.}
+\REFSCON\third{I am running out of references.}
+by typing \nextline
+{\bf \\REFS\\{\it first}\bf $\{$ \it
+This is the first reference of a series. \bf $\}$} \nextline
+You then type the next reference using the command {\bf \\REFSCON}
+as follows \nextline
+{\bf \\REFSCON\\{\it second}\bf $\}\{$ \it
+The papers just mentioned are unimaginative,
+stupid, incorrect and besides I did it first.\bf $\}$} \nextline
+In the same way you continue with {\bf \\REFSCON} to generate
+all succeeding references.
+Hence, to input the third reference you type \nextline
+{\bf \\REFSCON\\{\it third}\bf $\{$ \it
+I am running out of references. \bf $\}$ } \nextline
+You finally cause PHYZZX to generate the reference mark by
+typing\refsend
+\tc{\\refsend}
+after the closing brace of the last reference.
+As you see, this set of macros has kept track of the numbers
+of the references, filed the text for
+each reference away and finally combined the number of the first
+and last reference in the set into a single reference mark and
+attached it to the word {\it typing}.
+To see what has been filed away we type {\bf \\refout}
+and obtain
+ 
+\refout
+ 
+If you wish to generate an automatically numbered multiple
+reference but have no need to name the individual references
+then we provide the commands {\bf \\refs} and {\bf \\refscon}.
+The syntax of these commands are
+\tc{\\refs$\{$ \it text \bf $\}$ }
+and
+\tc{\\refscon$\{$ \it text \bf $\}$ }
+The command {\bf \\refs$\{$ \it text \bf $\}$} is equivalent
+to {\bf \\REFS\\?$\{$ \it text \bf $\}$ }
+and the command {\bf \\refscon$\{$ \it text \bf $\}$}
+is equivalent to {\bf \\REFSCON\\?$\{$ \it text \bf $\}$}.
+The fact that the name {\bf \\?} is assigned
+to each reference in turn makes it less useful than in the command
+{\bf \\ref} and so you would not tend to use this command unless
+you are typing an already finalized manuscript.
+ 
+\subsection{The Problem of Long References }
+ 
+First, you we should observe that there is no problem combining
+many citations in a single reference.
+Obviously, this can be done by typing them in as the argument
+of any one of the reference commands.
+If, however, you wish to have a series of citations all appear
+under the same number, but wish to have them appear on
+individual lines all you have to do is follow each one by the
+command {\bf \\nextline}.
+What {\bf \\nextline} does is generate a neat break and starts
+\TeX\ off printing the material which follows at the beginning of
+a new line.
+The important fact about {\bf \\nextline} is that it preserves
+the indentation of the text established by the reference macro.
+ 
+This brings us to the second point.
+{\it What happens if you wish to have a reference which consists
+of several paragraphs ?\/}
+Here you have to be careful, since if you use the command {\bf \\par}
+or leave a blank line (which amounts to the same thing)
+you will spoil the indentation of the text material.
+To avoid this a special macro exists called {\bf \\subpar}.
+To get vertical space between text in a single reference
+type the command {\bf \\subpar}
+whenever you would ordinarily insert
+the command {\bf \\par} or leave a blank line.
+It will accomplish the same feat as {\bf \\par \\noindent}
+but it will not mess up the formatting of the reference page.
+ 
+Having discussed the way to properly generate long references, we
+now come to the problems this will cause.
+The fact is, \TeX\ has trouble writing long lines to
+an external file.
+Since, as far as \TeX\ is concerned the argument of any one of
+the reference macros is just one long line, there will come the
+time when \TeX\ will complain in a mysterious way.
+If you are running interactively it will issue a horrible looking
+PASCAL error message (sending the unforwarned into a case of
+cardiac arrest) and then continue with its processing.
+Since \TeX\ will resume processing after this frightening hiatus
+you will promptly recover, shake your head and say {\it Ain't
+computers peculiar?\/}.
+You will also, in all probability, ignore the fact that it happened.
+This will be a mistake.
+If you look in {\bf referenc.texauxil} on your A disk, you will find
+that \TeX\ has found one of the references is too long
+and has chopped it off, replacing most of the text by
+{\bf \\ETC}.
+I presume that in general this will not be what you intended.
+\nextline
+\titlestyle{\twelvepoint \it Have no fear, PHYZZX is here !}\nextline
+There is a control sequence which solves this problem; unfortunately,
+it is not a really neat solution.
+The solution is to go back into the reference and type
+{\bf \\splitout} at various places in the text.
+This command tells \TeX\ to begin sending a new line to the
+file.
+As I said, this is a solution but not an elegant one.
+We are saddened that the elegant solution has escaped us and
+hope that a \TeX pert out there will tell us a better way to proceed.
+ 
+\subsection{Questions of Style}
+ 
+Sometimes you will wish to attach a reference mark to a word
+which is immediately followed by a comma.
+This presents you with two choices neither of which produce
+truly satisfactory text.
+If you type \nextline
+\ $\ldots $ {\it this is the place,}{\bf \\refend} \nextline
+you get \nextline
+$\ldots $ this is the place,\refend \nextline
+and if you type  \nextline
+$\ldots $ {\it this is the place}{\bf \\refend}, \nextline
+you get
+$\ldots $ this is the place\refend , \nextline
+In the first case the reference mark is really attached to the
+comma, causing an unsightly extra amount of space;
+in the second case the reference mark separates the word from
+the comma, which is even worse.
+The way out of this predicament is to make use of Knuth's
+command {\bf \\rlap}
+If you type \nextline
+$\ldots $ {\it this is the place}{\bf \\rlap},{\bf \\refend} \nextline
+you get \nextline
+$\ldots $ this is the place\rlap,\refend \nextline
+which is much better.
+Obviously the same trick applies to the macros
+{\bf \\refsend}, {\bf \\refmark}, {\bf \\ref}, {\bf \\Ref} and
+{\bf \\attach}.
+ 
+Because of the way references work you always get a single
+space after an attached reference.
+Basically this means that if you attach the reference mark to
+the last word in a sentence, the next sentence will start too
+close.
+There is a way out of this dilemma.
+Type  \nextline
+{\it the  end of the world}{\bf \\rlap}.{\bf \\refend\\ \quad}
+The next\nextline
+which will produce \nextline
+the end of the world\rlap .\refend\   The next \nextline
+The {\bf \\ \quad} forces more space between the sentences.
+ 
+Finally, if you need a reference followed by a colon and want
+to get rid of the extra space that the reference macro puts in
+simply type {\bf \\refend\\unskip}.
+The command {\bf \\unskip} is a Knuth construct which eats
+the last extra space you entered.
+(Actually, it eats the last bit of glue that
+was inserted into the text, but that is a matter for \TeX perts.)
+ 
+\subsection{Typing Journal Entries: A Convenient Macro }
+ 
+Since many of the references which appear in a paper are
+citations of articles appearing in various physics journals
+we have a special macro to handle this problem.
+The reason one uses a macro to do this is that \TeX perts
+are expected to typeset such references with the journal name
+in as slanted ({\bf \\sl}) font, the volume number in boldface
+({\bf \\bf}) font and the remaining text in roman ({\bf \\rm}) font.
+You can either remember to do all of this or you can use the
+command {\bf \\journal}.
+The syntax of this command is
+\tc{\\journal{\it journal name}{\bf \&}{\it volume number}%
+{\bf (}{\it year}\bf )}
+This command is used inside any
+one of the reference commands as follows:
+if you want to obtain the same result as typing \nextline
+{\bf \\ref$\{$ \it T.\~\ Banks and V.\~\ Kaplunovsky \bf \\sl
+\it Nucl. Phys. \bf \~\
+\\bf \it B211 \bf \\rm \it (1983) 529 \bf $\}$} \nextline
+you need only type \nextline
+{\bf \\ref$\{$ \it T.\~\ Banks and V.\~\ Kaplunovsky \bf
+\\journal \it Nucl.Phys.\bf \& \it B211 (83) 529 $\}$}
+This will produce a reference entry of the form \nextline
+\refitem{1.} T.~Banks and V.~Kaplunovsky \journal Nucl.Phys. & B211 (83)
+529
+ 
+Note, the blanks before {\bf \\journal}, before and after the
+character {\bf \&} and before and after the {\it (year)} are
+optional.
+If everything is working as it should they will have no effect
+on the final result.
+On the other hand, be careful about blanks within the parentheses;
+if you put them in they will appear.
+Thus, typing ( 83 ) produces a different result from typing (83).
+The first will result in the journal year being typed as 19 83
+and not 1983 which is, presumably, the desired result.
+ 
+\section{Figures and Tables}
+ 
+There are two other things which tend to appear at the end
+of a paper and to which one refers in the text.
+These are Figure Captions and Table Captions.
+In general these things come up as you are typing
+in some text and decide {\it Aha! This is a good place for a figure
+(or table)}.
+As with equations and references, it is convenient to be able
+to generate a number for this figure(table), name it and file
+away the text of the figure caption (or something which will remind
+you what figure you wanted to put there) in a file called
+{\bf figures.texauxil} (or {\bf tables.texauxil}) to be printed
+at the end of the paper.
+The commands which accomplish this feat are
+\tc{\\FIG\\{\it name}\bf$\{$ \it text $\}$}
+and
+\tc{\\TABLE\\{\it name}\bf $\{$ \it text \bf $\}$}
+As in all other variants of this naming convention,
+{\bf \\name} will be the name of the figure (or table)
+generated, and {\it text} is the material to be stored away
+in a file on your A disk.
+These commands work like the reference or equation commands
+in that the numbering is automatic and
+will always be correct no matter how you subsequently modify the
+text.
+The commands, analagous to {\bf \\refout}, which print the
+list of figure or table captions are
+\tc{\\figout}
+and
+\tc{\\tabout}
+which should come as no big surprise.
+ 
+There is a fundamental way in which the figure and table caption
+macros differ from the reference macros; namely, they do not
+automatically generate a reference mark.
+This is because you normally want to say something like \nextline
+$\ldots$ {\it as you can see from Fig. 7 } \nextline
+or something like that.
+The basic macros, i.e. {\bf \\FIG} or {\bf \\TABLE} permit
+you to type this in as you please.
+For example, one way to have \TeX\ generate the line above
+is to type \nextline \figurecount=7
+{$\ldots $ \it as you can see from \bf \\FIG\\?$\{$ \it text
+\bf $\}$} Fig.{\bf \~\ \\?} \nextline
+which will produce  \nextline
+$\ldots $ as you can see in \FIG{\?}{this is the picture of the Mona
+Lisa generated as a fractile} Fig.~\? \nextline
+Obviously, using this form of the command (either for a figure or
+a table) you have total control of what follows.
+Moreover, for simplicity I chose to name the figure {\bf \\?}
+since I only intended to refer to it this one time.
+It is clear that I could have given it any name.
+ 
+For those of you who are happy to use the command exactly in this
+way, i.e. to name the figure {\bf \\?}, file away the caption
+and then type either {\it Fig.\~\ \\?} or {\it fig.\~\ \\?}
+there are two macros, named {\bf \\Fig} and {\bf \\fig}
+respectively.
+The syntax of these commands is somewhat simpler; namely,
+\tc{\\Fig$\{$ \it text \bf $\}$}
+and
+\tc{\\fig$\{$ \it text \bf $\}$ }
+They are the analogues of the set of reference macros which
+automatically generate a reference mark whose name is {\bf \\?}
+after filing away the text of the figure caption.
+What they do is first execute the command \nextline
+\tc{\\FIG\\?$\{$ \it text \bf $\}$}
+and then follow this by either Fig.\~\ or fig.\~\ .
+The analagous macro for tables is
+\tc{\\Table$\{$ \it text \bf $\}$}
+which performs the same task as typing
+\tc{\\TABLE\\?$\{$ \it text \bf $\}$ \rm Table\bf \~\ \\?}
+ 
+This completes our discussion of macros associated with {\it things
+which come at the back}.
+ 
+\chapter{FOOTNOTES: THINGS WHICH COME AT THE BOTTOM}
+ 
+Everybody knows what a footnote is and you have already seen an
+example of a footnote appearing on page~5.
+Basically what a footnote macro has to do is
+attach a footnote mark to a specified word and then
+file away material to be put at the bottom of the page
+(in ten point type).
+The macro has to decide what to do if the footnote is too long,
+or if many footnotes appear on the same page.
+In addition, it has to decide what footnote mark to generate.
+PHYZZX has two macros which carry out this feat.
+ 
+The first macro, {\bf \\foot}, has the syntax
+\tc{\\foot$\{$ \it text $\}$}
+where the text of the footnote is to be inserted between the
+braces.
+When you invoke this command immediately following the word
+to which you want to attach a footnote mark it does several
+things.
+First it generates the footnote mark and attaches it to the
+preceding word.
+If you are in the Nucl.Phys. format, this symbol will automatically
+be chosen from the set of symbols $\star$, $\dagger$, $\ast$,
+$\ddagger$, $\natural$, $\diamond$, $\bullet$ and $\nabla$.
+The macro will continually cycle through this table, according
+to a specified algorithm, in such a way that the same symbol
+will not (except in truly extraordinary circumstances) appear twice
+on a single page.
+If you are in PHYSREV mode, then the footnote mark will be a
+superscripted $\sharp$ sign followed by the current value of
+{\bf \\number\\footsymbolcount}.
+This is a truly ugly convention, however it is included only
+to provide something for people who insist on numbering footnotes.
+Actually, Phys.Rev. does not like footnotes and preferes this
+material be included in with the references as endnotes.
+ 
+Note, that as with references, the text of a footnote is
+indented using the \TeX\ command {\bf \\hangindent},
+hence to insert multi-paragraph footnotes one cannot use the {\bf \\par}
+command but must use instead the {\bf \\subpar} command.
+If you don't do this, but use {\bf \\par} (or equivalently insert a
+blank line) then \TeX\ will, obligingly, turn off the {\bf \\hangindent}.
+This will, of course, mess up the footnote considerably.
+ 
+\subsection{Hints and Warnings}
+ 
+Since footnotes use \TeX 's basic {\bf \\insert} command,
+they are meant to be used in {\it unrestricted horizontal mode}.
+In other words, you use them inside paragraphs, but outside
+of {\bf \\hbox}, {\bf \\centerline} or similar commands.
+If you don't understand the meaning of the phrase {\it unrestricted
+horizontal mode} you should read about it in the \TeX book,
+or in {\bf First Grade \TeX }.
+This fact means that one has to be careful in attempting combine
+certain other control sequences with the {\bf \\foot} command.
+ 
+\pointbegin
+Do not define references, figure captions, table captions, etc.,
+inside the text of a footnote.
+If you must put a reference mark inside a footnote use the command
+{\bf \\REF} somewhere before you start the footnote and then
+use {\bf \\refend} inside the text of the footnote.
+ 
+\point
+If you choose to invoke a footnote when you are in vertical mode
+between paragraphs, then the footnote, complete with its footnote
+mark, will be generated; however, since there is nothing to
+attach this mark to, no superscripted footnote mark will appear.
+Since the command will generate a footnote mark, the counter
+{\bf \\footsymbolcount} will be advanced and so, insofar as PHYZZX
+is concerned, the symbol is waiting around to be used.
+Hence, if you wish to attach this symbol to a word at a later point
+this can be accomplished by use of the subcommand {\bf \\footattach}.
+All you have to do to use {\bf \\footattach} is type it immediately
+following the word to which you wish to attach the footnote mark.
+This command works just like {\bf \\attach} or {\bf \\refmark}
+except that it attaches the current footnote mark and knows whether
+to use Nucl.Phys. or Phys.Rev. format.
+ 
+\point
+We already noted that if you wish to attach a footnote
+inside of a box (either horizonatal or vertical)
+the way to do it is to use {\bf \\foot} after the previous paragraph
+has ended, but before you make the box in question.
+Then use the command {\bf \\footattach} inside the box.
+What happens if you need to attach the footnote mark
+to something inside a box which appears inside a paragraph?
+In this case you can use the PLAIN command {\bf \\vadjust}
+to accomplish this feat.
+Simply type
+\tc{\\vadjust$\{$ \it text \bf $\}$\\nobreak}
+immediately before the box and then use {\bf \\footattach} inside
+the box.
+ 
+\subsection{Controlling Your Footnote Marks}
+ 
+Once again, this section is for those who wish to go beyond
+the mundane and use unusual symbols for their footnotes.
+This can be done by using the PHYZZX command
+\tc{\\footnote$\{$ \it symbol \bf $\}\{$ \it text \bf $\}$ }
+which will generate a footnote using the {\it symbol} you have
+specified as the footnote mark.
+The symbol can be any math mode symbol, or any outr\'e thing
+that you can think up.
+The symbol does have to be in math mode, so if it is something
+you made up instead of a math mode control sequence, be sure to
+{\bf \\hbox} it and enclose it in \$ signs.
+ 
+\chapter{ITEMIZED LISTS: POINTS, ITEMS AND OTHER STUFF}
+ 
+You now have all of the necessary information to allow you
+to use PHYZZX to format a paper for the printer:  you can
+tell him to set up chapter, section and subsection headings;
+number equations; format the reference, figure caption and
+table caption page; format footnotes, keep track of how
+many are on a page and carry them over to succeeding pages if
+it is necessary.
+From a stylistic point of view there is nothing more for you
+to learn about papers.
+Using the basic commands defined in PLAIN \TeX\ and those
+PHYZZX macros which we have already discussed, you are now
+capable of generating a paper of the correct style to be
+the body of a SLAC preprint.
+What we have not discussed to this point are things like macros for
+title pages and macros which make typing special constructions
+simpler than they would be in PLAIN.
+ 
+In this section we will discuss a set of
+macros which make the construction
+of {\it itemized lists} particularly easy to achieve.
+Itemized lists appear most often when one is outlining a paper
+and trying to arrange the material in some systematic fashion.
+This sort of outline shows up in memos and the introduction to a
+paper.
+Itemized lists also appear in the body of the text when one wants
+to make a series of points and, at the same time, clearly separate them
+from the format of the general body of the text.
+ 
+Lists of this sort are conventionally set up as a series of indented
+paragraphs preceded by some sort of highlighting symbol.
+This symbol can be a number, letter, roman numberal or some math
+mode symbol such as a dot, star, diamond, etc.
+When used in writing outlines, etc., one indicates the major divisions of
+the outline by indenting the text associated with
+them some fixed amount and highlighting this text with a specific
+type of symbol.
+When itemizing the ideas which fall within each major division, one
+usually indents the text somewhat more than one did for the major
+divisions and highlights each of these sub-points with a symbol
+which differs in type from those used to highlight the major points.
+One then further subdivides each of these categories into smaller
+steps and indicates this fact by once again increasing the amount of
+indentation and once again changing the type of highlighting symbol used.
+So on ad-infinitum $\ldots$
+ 
+Obviously, at least for those of you who have read the \TeX book,
+all of this can be done using the commands {\bf \\hangindent}
+and {\bf \\hangafter}.
+However, if one is creating long lists of points, subpoints,
+subsubpoints, etc., then keeping track of the symbols and
+appropriate levels of indentation can get to be a problem.
+For this reason PHYZZX provides a series of macros to make this as simple
+as possible.
+As in the previous cases, we will begin by discussing the
+fixed format versions of the macros, which are the ones which are easiest
+to use, and go on to discuss the ones which allow you greater flexibility.
+ 
+\section{Fixed Format Lists: Points, Subpoints, Subsubpoints}
+ 
+\subsection{Points}
+ 
+The macros {\bf \\point},{\bf \\subpoint} and {\bf \\subsubpoint}
+exist to make it easy to deal with itemized
+lists having up to three levels
+of indentation.
+The first level of indentation is the smallest and is generated by
+typing the command {\bf \\point} followed by the text associated with that
+point.
+Note that unlike the reference or footnote macros,
+the text associated with
+a {\bf \\point} {\it does not} need to be enclosed in braces.
+Points, etc. are constructed using the {\bf \\hangindent} command
+and so \TeX\ accepts all of the text up to the next {\bf \\par} (or blank
+line) and formats it as you desire.
+For this reason, if a point is to consist of more than one paragraph
+{\it do not use the {\bf \\par} command to generate the second paragraph}
+but, instead, use the special command {\bf \\subpar}.
+In addition to indenting the material to follow, the command
+{\bf \\point} also generates a number for the point and attaches it
+to the left of the first line.
+You have seen examples of points in other parts of this writeup; go back
+and look at them if my sentences are confusing.
+Each time you type {\bf \\point}
+PHYZZX generates a new paragraph, increases
+the number of the last point by one and appends this to the left of the
+first line of the new point.
+Obviously, this works well until you finish with a given set of points
+and then decide you want to make a new list of points at a later point
+in the same paper.
+Except in unusual circumstances you would like the first item on this
+list to be labelled 1, and not start up from the number assigned to
+the last point in the previous list.
+To avoid this sort of calamity you use a special command to begin
+a new set of points namely, the command {\bf \\pointbegin}.
+(Clearly this choice of nomenclature is far
+from sprightly and imaginative,
+but it is easy to guess what the correct command is even if you
+have forgotten it.)
+ 
+As an example suppose you type \nextline
+{\bf \\pointbegin} \nextline
+This is the first point I wish to make.  \nextline
+{\bf \\point} \nextline
+This is the second point. \nextline
+{\bf \\point} \nextline
+I am not very imaginative, so this is the third point. \nextline
+You then obtain
+\pointbegin
+This is the first point I wish to make.
+\point
+This is the second point.
+\point
+I am not very imaginative, so this is the third point.
+ 
+\noindent
+You then return to typing ordinary text by following the text of
+the last point in your list with a {\bf \\par} or blank line.
+ 
+\subsection{Subpoints and Subsubpoints}
+ 
+The format of a subpoint is that it is indented further and
+highlighted by lower case letters enclosed in parentheses.
+The command for generating a subpoint is {\bf \\subpoint}
+and, as with points, each time you type {\bf \\subpoint}
+you automatically generate the next letter in the alphabet
+as a highlight.
+As with points, in order to start the numbering over again
+you start each set of subpoints by typing
+{\bf \\subpointbegin} instead of {\bf \\subpoint}.
+For example, typing \nextline
+{\bf \\pointbegin} \nextline
+This is the first point I wish to make.  \nextline
+{\bf \\subpointbegin} \nextline
+This is the first subpoint. \nextline
+{\bf \\subpoint} \nextline
+This is the second subpoint \nextline
+{\bf \\subpoint} \nextline
+Etc. \nextline
+{\bf \\point} \nextline
+This is the second point. \nextline
+will generate
+\pointbegin
+This is the first point I wish to make.
+\subpointbegin
+This is the first subpoint.
+\subpoint
+This is the second subpoint
+\subpoint
+Etc.
+\point
+This is the second point.
+ 
+Subsubpoints are the last automatically provided subdivision
+and are generated using the commands {\bf \\subsubpointbegin}
+and {\bf \\subsubpoint}.
+They are indented still further and highlighted by lower case
+roman numerals enclosed in parentheses.
+I leave it to you to generate you own examples of subsubpoints,
+the syntax is completely similar to that of the previous examples.
+ 
+The command {\bf \\spoint} is acceptable as an abbreviation
+for {\bf \\subpoint}.
+Abbreviations for the other commands are similar; i.e.,
+\settabs 3 \columns
+\+ {\bf \\spointbegin} & for &{\bf \\subpointbegin} \cr
+\+ {\bf \\sspoint} & for & {\bf \\subsubpoint} \cr
+and
+\+ {\bf \\sspointbegin} & for & {\bf \\subsubpointbegin} \cr
+ 
+\section{For Less Structure Consider Items}
+ 
+There will come the time, especially for those of you who learn
+to use \TeX\ to generate transparencies, when you want to be able
+generate itemized lists, but you don't want the highlighting
+to happen automatically.
+Instead you might like to generate stuff with a {\bf \\bullet}
+or an {\bf \\ast} as a highlight.
+For those among you who are left brain dominated and
+feel the need for a macro set which
+takes care of the boring details of indentation, but allows
+you to play fast and loose with the highlights,
+PHYZZX provides the macros
+\tc{\\item$\{$ \it symbol \bf $\}$}
+\tc{\\subitem$\{$ \it symbol \bf $\}$}
+and
+\tc{\\subsubitem$\{$ \it symbol $\}$}
+(The last two commands can be abbreviated as {\bf \\sitem} and
+{\bf \\ssitem} respectively.)
+ 
+\item\bullet
+For example, this item was generated by typing {\bf \\item\\bullet}.
+Note that I did not put {\bf \\bullet} in braces since it
+is a single control sequence. If I had, however, it would have
+done no harm.
+Spaces and blank lines before {\bf \\item} are irrelevant,
+however, since {\bf \\bullet} is a control sequence and eats
+one space following it, you have to have at least one blank
+after {\it symbol}.
+Once again I caution you that if you put a blank line or {\bf \\par}
+after {\bf \\item} and before the text, or inside a multiparagraph
+{\bf \\item}, then you destroy the level of indentation.
+{\it Remember, indentation only holds for a single paragraph in \TeX .}
+ 
+\item\ast
+As a second example consider this item which was generated by
+typing {\bf \\item\\ast}
+ 
+\item\dash
+Or this, which was generated by typing {\bf \\item\\dash}.
+ 
+At this point I have inserted a blank line in my text and have
+caused the item to terminate and the text reverts to its ordinary
+format.
+ 
+\item\clubsuit
+This is item {\bf \\item\\clubsuit}
+ 
+\sitem\diamondsuit
+And this is {\bf \\sitem\\diamondsuit}
+ 
+\ssitem\dash
+Finally, this is a subsubitem; \nextline
+it was generated by typing
+{\bf \\ssitem\\dash}.
+ 
+\section{Having Your Cake and Eating It Too!}
+ 
+Clearly, the {\bf \\item},{\bf \\sitem} and {\bf \\ssitem}
+macros provide you with the ultimate in flexibility
+in the choice of highlighting conventions.
+With them alone you can choose your own format for numbered lists
+and never have to accept the format imposed by {\bf \\point}, etc.
+However, the total lack of structure of {\bf \\item}, etc.
+has a drawback; namely, if you use it to define your points, subpoints
+etc., you are responsible for keeping track of all of the numbering.
+This is certainly not too
+formidable a task, but it can get tedious. \nextline
+\centerline{\it  Fortunately,  there is a middle ground.}
+ 
+\subsection{Levels of Indentation}
+ 
+If all that you want to do is change the levels of indentation
+of points, subpoints and subsubpoints you only have to modify
+the parameter {\bf \\itemsize}.
+This parameter is a dimension stored away in \TeX 's memory
+and items are indented {\bf 1.0\\itemsize}, subitems are indented
+{\bf 1.75\\itemsize} and subsubitems are indented {\bf 2.5\\itemsize}.
+The current value of {\bf \\itemsize} is 30pt (30 points);
+however, you can change this by simply typing
+\tc{\\itemsize = \it 40pt}
+or whatever else strikes your fancy.
+ 
+\subsection{Getting More Serious}
+ 
+Let us suppose, although I cannot imagine that this could possibly
+be the case, that you have more serious problems with points, subpoints
+and subsubpoints.
+Perhaps you would prefer to define your own listing macros
+so that {\bf \\mypoint} generates a point whose highlight
+is a capital letter followed by a period; {\bf \\myspoint}
+generates a subpoint highlighted by a number square brackets;
+and {\bf \\mysspoint} generates a subsubpoint highlighted
+by a lowercase letter in parentheses.
+You have two options, you can write your own macro set
+or you can use the PHYZZX command {\bf \\newlist}.
+ 
+The command {\bf \\newlist} allows you to define your own
+listing macros which format things in a manner which is closer
+to your heart's desire.
+All you have to decide is what sort of delimiters you want
+around the highlighting number and what you want the numbering
+convention for that level of point to be.
+Your available choices are the five defined when we discussed
+changing chapterstyle; namely, {\bf \\Number},
+{\bf Alphabetic}, {\bf \\alphabetic},
+{\bf \\Roman} or {\bf \\roman}.
+ 
+The syntax of the newlist command is as follows
+\tc{\\newlist\\{\it name}= \it [left delim.][style]\& [right delim.] \&
+[dimen]; }
+(Note that the =, \& , and ; all count.)
+As an example of its application note that the {\bf \\point}
+command is defined by saying
+\tc{\\newlist\\point=\\Number\&.\&1.0\\itemsize;}
+This line tells PHYZZX to define a new command called
+{\bf \\point} and to have it generate a highlighting symbol
+which consists of no left delimiter, followed by a number,
+followed by a right delimiter which is a period and the indentation
+of a point is to be {\bf 1.0\\itemsize}.
+Similarly, subpoints are defined to be
+\tc{\\newlist\\subpoint=(\\alphabetic\&)\&1.75\\itemsize;}
+and subsubpoints are defined by saying
+\tc{\\newlist\\subsubpoint=(\\roman\&)\&2.5\\itemsize;}
+The abbreviations for {\bf \\subpoint} and {\bf \\subsubpoint}
+are obtained by following their definition with the
+statements
+\tc{\\let\\spoint=\\subpoint}
+\tcon{\\let\\sspoint=\\subsubpoint}
+Note, if you have chosen to redefine {\bf \\subpoint}
+and {\bf \\subsubpoint} using newlist, the commands {\bf \\spoint}
+and {\bf \\sspoint} will {\it not} be redefined unless you follow
+your newlist instructions with the two lines printed above.
+ 
+To define the new set of listing macros mentioned earlier you would type
+\tc{\\newlist\\mypoint=\\Alphabetic\&.\&1.0\\itemsize;}
+\tcon{\\newlist\\myspoint=[\\number \& ]\& 1.75\\itemsize;}
+and
+\tc{\\newlist\\mysspoint=(\\alphabetic\& )\& \\2.5\\itemsize;}
+Note, while there are only five styles available for numbering
+things, delimiters are limited only by your imagination.
+ 
+\chapter{MISCELLANEOUS STUFF ABOUT PAPERS}
+ 
+\section{Page Numbers}
+ 
+Page numbering is a totally automatic procedure
+and, in general, requires none of your attention.
+Normally, if you are not doing anything funny PHYZZX will
+produce a document whose pages are numbered consecutively
+starting from 1.
+In general the first page you get will be numbered, unless
+you have told PHYZZX not to do so.
+The macros {\bf \\FRONTPAGE}, {\bf \\MEMO}, {\bf \\letter}
+and {\bf \\titlepage} do issue such a command, and when
+invoked produce a document where all pages but the
+first page are numbered consecutively.
+If you type {\bf \\FRONTPAGE} then PHYZZX will complete the previous
+page (if there is any), set the current value of the page number to
+1 and then tells \TeX\ not to number this page.
+Visible numbers appear at the bottom of all the pages which follow
+and the first visible number is 2.
+The command {\bf \\Frontpage} is a synonym for {\bf \\FRONTPAGE}.
+The {\bf \\letter} and {\bf \\MEMO} macros, which
+will be discussed later,
+and the {\bf \\titlepage} macro, which is invoked when you are about
+to type the title page of your latest magnum opus, all suppress
+the printing of the pagenumber at the bottom of the first page.
+ 
+If you wish to start a document in the middle and set the pagenumber
+all you have to do is reset the counter called, of all things,
+{\bf \\pagenumber} by typing
+\tc{\\pagenumber= \it number}
+This will make the first page \TeX\ prints have this number.
+To make sure that the printing of this number is not suppressed
+you should also type {\bf \\frontpagefalse}.
+If you wish to have PHYZZX number the pages using roman numerals
+you can accomplish this by saying {\bf \\pagenumber=-1}
+(or {\bf \\pagenumber=-n} if you wish to start with the roman
+numeral equivalent to the number n).
+ 
+\item\dash
+If you wish no pagenumbers type {\bf \\nopagenumbers}
+(be careful, its not easy to make them come back afterwards).
+\item\star
+If you want to suppress the page number on a particular page you
+can type {\bf \\frontpagetrue}, which will make PHYZZX
+think that this is the front page.
+You'll sometimes have to play to make this happen where you want.
+ 
+\section{Spacing}
+ 
+We have already talked about changing font sizes and selecting
+spacing, and have pointed out that three families of fonts are
+available.
+These are fonts which are fourteen points high, twelve points
+high and tenpoints high.
+The twelvepoint font is the font PHYZZX uses for normal text
+because it looks best when reduced.
+The fourteenpoint fonts are used for chapter titles, etc., and
+the tenpoint font sets, which are kind of small when reduced,
+are generally reserved for footnotes.
+To change font size at will you type either
+{\bf \\tenpoint}, or {\bf \\twelvepoint}, or
+{\bf \\fourteenpoint}.
+To change spacing conventions you use the commands
+{\bf \\singlespace}, or {\bf \\normalspace}
+or {\bf \\doublespace}.
+Note that all of these commands can be used inside the paper
+to temporarily change what is going on;
+however, you should only invoke the
+commands which change spacing when you are between paragraphs.
+If you violate this rule, eventually, you
+will be sorry.
+ 
+\section{Commands Which Break Lines and Pages}
+ 
+\TeX\ has its own way of breaking lines and pages and you can learn
+about them by reading the \TeX book.
+However, we have added three commands which are convenient.
+The first command {\bf \\nextline} allows you to generate and
+incomplete line.
+For example, typing {\it This is the way the world ends \bf \\nextline}
+produces \nextline
+This is the way the world ends \nextline
+Notice that \TeX\ has not tried to space the words out to fill
+the line the way it would have if you had typed {\bf \\break}.
+The command {\bf \\nextline} is essentially the same as typing
+{\bf \\hfil\\break}; it differs slightly in that it also
+does some things about glue, but you don't have to know about that.
+ 
+The command which forces \TeX\ to break the page at will
+is {\bf \\endpage}.
+Typing this command forces \TeX\ to start a new page
+and at the same time it insures that even if the previous page
+is not completely full of text the material will be spaced correctly.
+ 
+The command with which you finish a paper, memo, letter, etc.,
+is {\bf \\bye}.
+This command tells \TeX\ to complete the last page, print it and
+then turn itself off, returning you to CMS.
+ 
+\section{Some Remarks About Penalties}
+ 
+There are a few commands, which belong to PLAIN and not PHYZZX
+which you should know about.
+The basic command which allows you to tell \TeX\ that you
+would advise it that this is a good or bad place to break
+a page or line of text is {\bf \\penalty}.
+Penalties can be either positive or negative.
+If a penalty is positive it tells \TeX\ that this is not a good
+place to put in a break.
+The bigger the penalty is, the worse \TeX\ thinks it is to cause
+a break at this point.
+The biggest allowable penalty is {\bf \\penalty 10000}.
+If you type {\bf \\penalty 10000} at a specific point in the text
+than \TeX , as the printer, will assume that no matter what his
+judgement tells him, you insist that no break can occur at this
+point.
+\TeX\ defines a control sequence {\bf \\nobreak} which equivalent
+to typing {\bf \\penalty 10000}.
+If the penalty is negative, then \TeX\ is advised that you
+believe this point to be a good place to cause a break.
+The more negative the penalty, the better you think this place is.
+If the penalty is negative and greater than
+-10000, then \TeX\ will
+use its own judgement to balance off your suggestion against its
+own esthetic criteria.
+If the penalty is -10000 (or less), then you are telling \TeX\
+that your judgement must carry the day.
+The abbreviation of {\bf \\penalty -10000} is {\bf \\break}.
+ 
+Note that using the
+same commands inside paragraphs and between paragraphs
+tell \TeX\ to do different things.
+Inside of a paragraph {\bf \\break} tells \TeX\ to break the
+current line at this point, between paragraphs it tells \TeX\
+to break the page.
+If you wish to force \TeX\ to break the page inside a paragraph,
+without terminating the paragraph, you have to type
+\tc{\\vadjust\\break}
+ 
+ 
+\section{The Titlepage}
+ 
+We have now finished with our discussion of macros which PHYZZX
+defines for simplifying the formatting of the body of a paper.
+To complete our discussion of the paper generating capabilities
+of PHYZZX we now have to turn to the question of generating
+the title page.
+A SLAC title page has several parts.
+\pointbegin
+First, in the upper right hand corner of the title page
+one has the publication number, date of submission and
+a line telling whether this paper is to be distributed as
+T, E or T/E .
+This chunk of text has to be set up as a block with the
+appropriate typeface chosen for each line and then the
+entire block is right adjusted.
+This block is referred to as the pub-block
+\point
+Next comes the title of the paper, which is set in fourteen point
+type and this is followed by the list of authors and the
+institutions they come from.
+\point
+After the title and author list you have a choice.
+If you have a short abstract it is included at this point
+and printed on the title page.
+If, however, the abstract is too long, it will not fit
+on the title page.
+In this event you skip it and put it on the next page of the paper.
+\point
+After the abstract, or after the title and author list if the abstract
+is too long, we have a line which tells the journal to which the
+preprint has been submitted.
+\point
+The next line ends the main body of the title page.
+After this line the remaining material, which are contract
+acknowledgements, etc., are put at the bottom page in footnote format.
+ 
+As you can see from this discussion the problem of formatting
+the title page can get to be quite difficult if we don't have
+special macros to help out.
+For this reason a special set of macros for formatting title pages
+has been included in PHYZZX.
+ 
+\subsection{The Publication Block or Pub-block}
+ 
+The first commands which you use relate to setting up the
+block of type which gives the date, publication number, etc.
+If you do not want such a block, you type
+\tc{\\nopubblock}
+If, as will usually be the case you want a pub-block, then
+you have to specify what goes into it.
+To specify the publication number you type
+\tc{\\pubnum$\{$\it number \bf$\}$}
+This causes PHYZZX to put the quantity {\bf \\pubnum} into
+the publication number.
+When you start the quantity {\bf \\pubnum} is {\bf 0000}.
+ 
+The next item which appears in the macro is the date.
+If you do nothing, then each time you run \TeX\ to produce a new
+copy of the file it will put the current date in this place.
+If you wish to set the date to printed by yourself, then you type
+\tc{ \\date = $\{$ \it month day, year \bf $\}$ }
+Note the braces around the entry because they have to be there.
+ 
+Finally, the last thing that has to specified for the pub-block
+is the pubtype, which is either T, E, or T/E.
+To specify this quantity you type
+\tc{\\pubtype=$\{$ \it publication type \bf $\}$}
+ 
+\subsection{Specifying the Titlepage}
+ 
+The next macro which has to be invoked is
+\tc{\\titlepage}
+This is a single control sequence which you type in just before the
+titlepage. This command must follow the setting of the
+{\bf \\pubnum}, {\bf \\date} and {\bf \\pubtype}
+or you will only get the default values for these quantities.
+What this macro does is tell \TeX\ that this is the titlepage of the
+document and it should not be numbered.
+ 
+ 
+\subsection{Typesetting the Title}
+ 
+The next item to be typed is the title of the paper.
+Since this is set in different size type and requires a certain
+amount of spacing above and below the text, you should use the
+macro {\bf \\title}.
+The syntax of this command is
+\tc{\\title$\{$ \it title \bf $\}$}
+You are now ready to type in the name and institution of the author (or
+authors) of the paper.
+ 
+\subsection{Getting the Author(s) Right}
+ 
+If there is a single author you type
+\tc{\\author$\{$ \it author's name \bf $\}$}
+This is, of course to be followed by his address.
+PHYZZX will set the name in upper and lower case capital letters
+and center it on the page.
+Then, if you use the macro {\bf \\address} PHYZZX will typeset the
+address in italics and center it
+directly below the author's name.
+The syntax of this macro is
+\tc{\\address$\{$ \it address \bf $\}$}
+In general PHYZZX will let \TeX\ decide how to break the address
+into several lines if it is too long.
+If you wish to force these breaks use the command {\bf \\break}.
+Note, this is a place where you do not want to use the command
+{\bf \\nextline} or you will force the address to come out
+without having been properly centered.
+For those lucky persons who live at SLAC, there is a special macro
+to save them typing.
+This macro has the name {\bf \\SLAC} and if you wish to tell PHYZZX
+that your address is SLAC all you have to type
+\tc{\\SLAC}
+If the author of the paper is a visitor, or is here on detached service,
+then you might want to give two addresses.
+To have \TeX\ print the second address below the first with the
+word {\it and} in between, all you have to do is type
+\tc{\\andaddress$\{$ \it second address \bf $\}$}
+ 
+If the paper has more than one author you have two options.
+If the number of authors is small and they come from different
+institutions, then you use the macro {\bf \\andauthor}
+whose syntax is
+\tc{\\andauthor$\{$ \it author's name \bf $\}$}
+This does what the {\bf \\author} command does but it also
+precedes this name with a line which has the word {\it and}
+centered above the author's name.
+This command is then to be followed by {\bf \\address} in order to
+give the address of the second author.
+This can go on as long as you like.
+ 
+All of this works well for theorists, however it does not work
+well for experimental papers.
+Experimantal collaborations tend to involve many authors from
+several different institutions.
+All we can do in this situation is to type the command
+{\bf \\authors} and then follow this with a list of authors
+and institutions.
+All this command does for you is put the correct amount of
+space between the list of authors and the material preceding it.
+ 
+\subsection{Setting up the Abstract}
+ 
+At this point you have to decide whether or not you want to
+include the abstract on the titlepage.
+If you wish to do so this is the time to type
+{\bf \\abstract}.
+This will cause \TeX\ to typeset the word ABSTRACT in the center
+of the next line of text, skip the appropriate amount of space
+and set you up in a new paragraph.
+The next thing you do is type in the body of the abstract.
+If you don't put the abstract on the titlepage then you
+carry out this sequence of commands after you have finished the
+titlepage with the command {\bf \\endpage}.
+After you type in the abstract on the second page you should force
+\TeX\ to print this as a separate page by once again typing
+{\bf \\endpage}.
+This will produce an abstract on its own page with white space
+above and below the text.
+ 
+If you are in the situation of having an abstract which is too
+long for the title page but too short to fill the entire
+second page you will get ugly output if you type it in
+and follow it with the command {\bf \\endpage}.
+\TeX\ will simply shove everything to the top of the
+page because {\bf \\endpage} is the same as {\bf \\vfil\\break}.
+The way to force \TeX\ to center the title and material is to type
+\tc{\\vfil}
+\tcon{\\abstract}
+\tcon{\it text of abstract}
+\tcon{\\endpage}
+ 
+\subsection{Where's The Paper Going?}
+ 
+In order to specify the journal to which you have submitted the paper
+you type
+\tc{\\submit$\{$ \it journal \bf $\}$}
+For example, if it is going to Phys.Rev. D you would type
+\tc{\\submit$\{$ \it Physical Review \bf \\bf \it D \bf $\}$}
+which will produce the line \nextline
+\centerline{ Submitted to Physical Review \bf D}
+ 
+\subsection{Acknowledgements}
+ 
+It is customary to acknowledge the support of various grants or
+contracts somewhere on the titlepage.
+Generally this is done in the form of a footnote.
+The easiest way to get \TeX\ to typeset such acknowledgements is to
+use the macro {\bf \\foot}.
+You insert this footnote just after the last word of the title
+or author's name, depending upon the situation, and then continue
+setting the title page.
+The {\bf \\title}, {\bf \\author} and {\bf \\address} macros
+have been written in such a way that the {\bf \\foot} command
+can be used with these macros without any trouble.
+If you fool around with the title page and put things inside boxes
+using the PLAIN \TeX\ commands {\bf \\line} or {\bf \\centerline}
+this is not true.
+In this case the text will be put inside a box in restricted
+horizontal mode and you must use the commands {\bf \\footnote}
+and {\bf \\footmark} as explained in our discussion of footnotes.
+ 
+For theory group users there is a special macro which generates
+the acknowledgement to the Department of Energy.
+the command is {\bf \\doeack}.
+To generate this acknowledgement you simply type
+{\bf \\doeack} immediately after the last word in the title.
+If other groups want to have their own {\bf \\doeack} macro
+they need generate a file called MYPHYX TEX
+and make sure it contains the lines  \nextline
+{\bf \\def\\doeack$\{$\\foot$\{$ \rm Work supported by the Department of
+Energy, contract \bf \$\\caps \rm DE-$\ldots$ \bf \$ $\}\}$ }
+ 
+\subsection{Finishing the Title Page}
+ 
+Close the title page with command {\bf \\endpage}.
+If you don't do this \TeX\ will make some stupid decision about
+adding extra material to this page.
+You won't be happy with the results.
+ 
+\section{A Sample Titlepage}
+ 
+Let us conclude this section by including a sample title page.
+If you type \nextline
+\newcount\lastpage \lastpage=\pagenumber
+\newcount\lastchap \lastchap=\chapternumber
+\newcount\lastsection \lastsection=\sectionnumber
+\let\lastchapterlabel=\chapterlabel   \lastsection=\sectionnumber
+ 
+\tc{\\pubnum=$\{$ \it  6666\bf $\}$}
+\tcon{\\date$\{$\it September 1984\bf $\}$}
+\tcon{\\pubtype$\{$CRAP$\}$}
+\tcon{\\titlepage }
+\tcon{\\title$\{$\it THE JOY OF TYPING PAPERS USING PHYZZX
+\bf \\doeack$\}$ }
+\tcon{\\author$\{$\it Marvin Weinstein
+\\footnote$\{$\\dag$\}\{$%
+\it another acknowledgement \bf $\}$
+$\}$}
+\tcon{\\SLAC}
+\tcon{\\andauthor$\{$\it V.\~\ K.\~\ Kaplunovsky \bf $\}$ }
+\tcon{\\address$\{$ \it Princeton \bf $\}$ }
+\tcon{\\abstract}
+\tcon{\\centerline$\{$ \it This paper is a crock. \bf $\}$}
+\tcon{\\submit$\{$ \it Physical Review D \bf $\}$ }
+\tcon{\\endpage}
+ 
+then you get
+ 
+\endpage
+ 
+\pubnum{6666}
+\date{September 1984}
+\pubtype{CRAP}
+\titlepage
+\title{THE JOY OF TYPING PAPERS USING PHYZZX\doeack}
+\author{Marvin Weinstein}
+\SLAC\footnote{\dag}{another acknowledgement}
+\andauthor{V.~K.~Kaplunovsky}
+\address{Princeton}
+\abstract
+\centerline{This paper is a crock}
+\submit{Physical Review D}
+ 
+\endpage
+ 
+\advance\lastpage by 1 \pagenumber=\lastpage
+\let\chapterlabel=\lastchapterlabel \chapternumber=\lastchap
+\sectionnumber=\lastsection
+ 
+\chapter{MEMOS}
+ 
+We have now finished discussing all of the macros which have to
+do with the formatting of papers.
+Now as promised we will turn to a discussion of the two other
+formats which PHYZZX supports.
+The first format is that of a SLAC memorandum.
+The second format is that of a letter.
+ 
+A memorandum, as we have defined it, is a document meant for internal
+distribution, addressed to a specific group of people and
+designed to transmit information on a specific subject.
+This sort of document tends to have a heading which identifies it
+as a memorandum, gives the date, says to whom the memorandum is
+being sent, from whom the memorandum comes and briefly summarizes
+the topic being discussed.
+This heading is then separated from the body of the memorandum
+by some sort of ruled line and then one types in the text of
+the memorandum.
+ 
+To type a memorandum you begin by typing the formatting instruction
+\tc{\\MEMO}
+which tells PHYZZX the document to follow is a memorandum.
+It also forces the document to be single spaced and generates
+the heading which identifies the document as a SLAC memo
+and gives the date at which the file was processed; \ie , the current
+date.
+If you wish to type a heading which has the date of your choice
+then use the command {\bf \\memodate} instead of {\bf \\MEMO}.
+The syntax of this command is
+\tc{\\memodate$\{$ \it date of your choice \bf $\}$}
+ 
+Now you have to generate the remainder of the heading; i.e.,
+the to, from and topic (or subject) entries.
+The macros which do this are
+\tc{\\to \rm , \bf \\from \rm , and \bf \\topic \rm or \bf \\subject }
+The commands {\bf \\to}, {\bf \\from} and {\bf \\topic} or
+{\bf \\subject} work like points or items.
+Hence, they do not need braces.
+ 
+Finally, after typing in these commands followed by the relevant
+text you need to generate a line to separate the heading from the
+body of the memorandum.
+This is done with the command {\bf \\rule}.
+Having done this you are now ready to type in the text of the memorandum.
+ 
+Note, all of the itemized list macros which we have discussed
+in earlier sections work in the MEMO format too.
+Hence, you can use them with impunity.
+The same is true for footnotes, etc.
+ 
+Finally, when you complete the memo, if you wish to indicate to whom
+copies are to be sent you type
+\tc{\\copies}
+This command works like {\bf \\point} or {\bf \\item}
+and so you would type
+\tc{\\copies}
+Mr. A. {\bf \\nextline} \nextline
+Mr. B. {\bf \\nextline} \nextline
+etc. \nextline
+in order to get what you want
+ 
+Don't be surprised when you generate multipage memoranda.
+The way pages are numbered is going to be different from the
+numbering of papers.
+For a memorandum all but the first page are numbered with the numbers
+appearing at the top of the page.
+ 
+A sample memorandum is generated as follows; \nextline
+ 
+\vbox{\tc{\\MEMO}
+\tc{\\to}
+Whom it may concern
+\tc{\\from}
+Marvin Weinstein
+\tc{\\subject}
+Generating memos without tears.
+\tc{\\rule}
+{\it
+Look how easy it is to generate a sample memo.
+Even a baby can type something like this.
+If you use this macro to type your memos people will probably
+take what you have to say more seriously.
+(They shouldn't but they will!)
+You can even type points, for example: \nextline
+{\bf \\pointbegin} \nextline
+Any fool would recognize that if we proceed in this way we can only
+wind up with a disaster. \nextline
+{\bf \\point} \nextline
+Who cares if the DOE doesn't want us to use the construction funds
+to take a Hawaiian vacation.  They're just a bunch of old stick in the
+muds. }
+\tc{\\copies}
+{\it Burton Richter \bf \\nextline} \nextline
+{\it Richard Taylor }
+\tc{\\endpage}
+Which generates something which looks like this}
+ 
+\endpage
+\lastpage=\pagenumber \lastchap=\chapternumber
+\lastsection=\sectionnumber \let\lastchapterlabel=\chapterlabel
+ 
+\MEMO
+\to
+Whom it may concern
+ 
+\from
+Marvin Weinstein
+ 
+\subject
+Generating memos without tears.
+ 
+\rule
+ 
+Look how easy it is to generate a sample memo.
+Even a baby can type something like this.
+If you use this macro to type your memos people will probably
+take what you have to say more seriously.
+(They shouldn't but they will!)
+You can even type points, for example:
+ 
+\pointbegin
+Any fool would recognize that if we proceed in this way we can only
+wind up with a disaster.
+ 
+\point
+Who cares if the DOE doesn't want us to use the construction funds
+to take a Hawaiian vacation.  They're just a bunch of old stick in the
+muds.
+ 
+\copies
+Burton Richter  \nextline
+Richard Taylor
+ 
+\endpage
+ 
+\papers \advance\lastpage by 1 \pagenumber=\lastpage
+\chapternumber=\lastchap \sectionnumber=\lastsection
+\let\chapterlabel=\lastchapterlabel
+ 
+If we use the commands {\bf \\memodate} and
+we would obtain
+ 
+\vbox{\tc{\\memodate$\{$ \it the fifth of octember \bf $\}$}
+\tc{\\to}
+Whom it may concern
+\tc{\\from}
+Marvin Weinstein
+\tc{\\topic}
+Generating memos without tears.
+\tc{\\rule}
+\noindent {\it
+Look how easy it is to generate a sample memo.
+Even a baby can type something like this.
+If you use this macro to type your memos people will probably
+take what you have to say more seriously.
+(They shouldn't but they will!)
+You can even type points, for example: \nextline
+{\bf \\pointbegin} \nextline
+Any fool would recognize that if we proceed in this way we can only
+wind up with a disaster. \nextline
+{\bf \\point} \nextline
+Who cares if the DOE doesn't want us to use the construction funds
+to take a Hawaian vacation.  They're just a bunch of old stick in the
+muds.}
+\tc{\\copies}
+{\it Burton Richter \bf \\nextline} \nextline
+{\it Richard Taylor }
+\tc{\endpage}}
+\lastpage=\pagenumber
+\endpage
+ 
+\memodate{fifth of octember}
+ 
+\to
+Whom it may concern
+ 
+\from
+Marvin Weinstein
+ 
+\topic
+Generating memos without tears.
+ 
+\rule
+ 
+Look how easy it is to generate a sample memo.
+Even a baby can type something like this.
+If you use this macro to type your memos people will probably
+take what you have to say more seriously.
+(They shouldn't but they will!)
+You can even type points, for example:
+ 
+\pointbegin
+Any fool would recognize that if we proceed in this way we can only
+wind up with a disaster.
+ 
+\point
+Who cares if the DOE doesn't want us to use the construction funds
+to take a Hawaian vacation.  They're just a bunch of old stick in the
+muds.
+ 
+\copies
+Burton Richter  \nextline
+Richard Taylor
+ 
+\endpage
+ 
+\papers \advance\lastpage by 1 \pagenumber=\lastpage
+\chapternumber=\lastchap \sectionnumber=\lastsection
+\let\chapterlabel=\lastchapterlabel
+ 
+\chapter{TYPING LETTERS AUTOMATICALLY}
+ 
+In addition to typing papers and memos PHYZZX supports a format
+for typing letters.
+To choose this format all you need to type the command
+\tc{\\letters}
+immediately following
+\tc{\\input phyzzx}
+This command will cause PHYZZX to switch over to a different page
+size, 8 inches long by 6.5 inches wide (this is a little
+wider than a preprint) and it automatically changes the linespacing
+to singlespace.
+In addition, the same command tells PHYZZX to put a SLAC letterhead
+at the top of the first page, and to change the way in which pages are
+are numbered.
+ 
+Having switched over to this mode the very next thing you need to do
+is type in the date, followed by the name and address
+of the person to whom the letter is being sent.
+Getting the alignment of these various elements just right
+takes some doing and so we have a macro to do the job.
+The name of this macro is
+\tc{\\letter}
+Do not confuse this command with the initialization
+command {\bf \\letters}.
+Both statements must appear in your file and the command {\bf \\letters}
+must come first.
+I apologize for this construction but it is a leftover from
+previous incarnations of PHYZZX.
+Since we wanted this version of PHYZZX to be upward compatible we didn't
+change it.
+What the command {\bf \\letters} does is to tell PHYZZX that the
+text to follow is to be set in {\bf \\letterstyle} and then
+it makes PHYZZX print {\bf STANFORD UNIVERSITY} across the top of the
+first page.
+The command {\bf \\letter} tells PHYZZX that this is the first page
+of a letter, prints the rest of the SLAC letterhead,
+suppresses the printing of the pagenumber at the
+bottom of this page and then allows you to type in the
+name and address of the person to whom the letter is being sent.
+The syntax of this command is
+\tc{\\letter$\{$ \vtop{\hbox{\it Name \bf \\cr}
+                       \hbox{\it first line of address \bf \\cr}
+                       \hbox{$\ldots$  \\cr}
+                       \hbox{\it last line of address \bf \\cr $\}$}}}
+Note that any of the {\bf \\cr}'s can be replaced by the command
+\tc{\\cropen$\{$ \it extra space \bf $\}$}
+which will cause PHYZZX to leave the extra amount of space requested
+between the lines; or you can replace the {\bf \\cr} by {\bf \\crr}
+if what you want is 10 points of extra space.
+ 
+The reason for typing the commands {\bf \\letters} and {\bf \\letter}
+separately is that {\bf \\letters} initializes the format for typing
+a letter and then {\bf \\letter} allows you to start several new letters
+in a single file.
+So long as you begin each letter with the {\bf \\letter} macro
+each letter will start on a new page, and the letters will not know
+about one another.
+ 
+As with the titlepage macro, PHYZZX assumes that the date which is
+to appear above the name and address is the current date.
+If, however, you wish to fix the date appearing on the letter you
+can do so by typing
+\tc{\\date$\{$ \it your date \bf $\}$}
+The {\bf \\date} macro will then make {\it your date} appear on all
+of the letters in this file.
+ 
+Once you have generated the letterhead, date and filled in the name
+and address of the person to whom the letter is being sent,
+you are ready to type in the body of the letter.
+This is to be done in the same manner as for a paper or memo,
+and all of the itemized list, etc., macros will work in this format
+too.
+ 
+\subsection{Typing the Salutation}
+ 
+Finally, having typed in the body of the letter we come to the
+problem of generating the signature.
+Once again, since placing this upon the space and leaving the
+correct space between the {\it Very truly yours,\/} and
+the typed version of your name can get to be hairy, we provide the
+macro {\bf \\signed}.
+The syntax of this command is
+\tc{\\signed$\{$
+\vtop{\hbox{ \it Very truly yours (or whatever) {\bf \\cr}}
+      \hbox{ \it Your name \bf \\cr $\}$ }}}
+If copies of the letter are to go to several people you type this
+at the bottom of the letter using the {\bf \\copies} command
+discussed in the section on memos.
+ 
+You finish a letter with the command {\bf \\endletter}.
+This command insures that if there are several letters in the same
+file each one will be processed independently.
+ 
+\lastpage=\pagenumber  \lastchap=\chapternumber
+\lastsection=\sectionnumber \let\lastchapterlabel=\chapterlabel
+ 
+A sample letter is generated as follows
+\tc{\\letters}
+\tcon{\\letter$\{$ \vtop{\hbox{\it Dr. Boris Kayser \bf \\cr }
+        \hbox{\it Program Director for Theoretical Physics \bf \\cr}
+        \hbox{\it National Science Foundation \bf \\cr}
+        \hbox{\it Washington, D. C.  20550 \bf \\cr $\}$ }}}
+\tcon{\it Dear Boris,}
+ 
+{\it  Please send more money.}
+ 
+ 
+ 
+\tc{\\signed$\{$ \vtop{\hbox{\it Sincerely, \bf \\cr}
+        \hbox{\it Michael E. Peskin \bf \\cr $\}$ }}}
+\tcon{\\endletter}
+\tcon{\\end}
+which produces
+ 
+\lastpage=\pagenumber \lastchap=\chapternumber
+\lastsection=\sectionnumber \let\lastchapterlabel=\chapterlabel
+\endpage
+ 
+\letters
+\letter{Dr. Boris Kayser \cr
+        Program Director for Theoretical Physics \cr
+        National Science Foundation \cr
+        Washington, D. C.  20550\cr}
+Dear Boris,
+ 
+     Please send more money.
+ 
+ 
+ 
+\signed{Sincerely, \cr
+        Michael E. Peskin \cr  }
+\endletter
+ 
+ 
+\papers \advance\lastpage by 1 \pagenumber=\lastpage
+\chapternumber=\lastchap \sectionnumber=\lastsection
+\let\chapterlabel=\lastchapterlabel
+ 
+ 
+\section{Multiple Letters}
+ 
+Very often you wish to send the same letter to many different
+people; hence, the text of each letter is the same but the
+salutations will be different.
+There are two ways to go about generating such a series of letters.
+The only difference between them is that the first is somewhat
+more conservative of computer time, but it can only be used for
+relatively short letters; the second is a bit more demanding of
+computer time, but it doen't care how long the letter is.
+By a short letter I mean one which is no more than
+one or two pages in length.
+ 
+\subsection{Short Letters}
+ 
+To type in short letters you begin by typing
+\tc{\\letters\\multiletter}
+This command is to be followed by the text of your letter.
+What {\bf \\multiletter} does is tell PHYZZX to file away the
+material to follow in the depths of its memory, to be used later.
+You let PHYZZX know to stop stuffing stuff away by typing
+\tc{\\letterend}
+when you have finished.
+Having now saved the body of the letter for future use you
+generate your letters by typing
+\tc{\\letter$\{$ \it Addressee  \bf $\}$}
+followed by
+\tc{\it Dear Mr. Soandso \bf \\par}
+followed by the commands
+\tc{\\lettertext\\endletter}
+As you will have guessed the command {\bf \\lettertext}
+is the name PHYZZX has assigned to the body of the
+letter.
+ 
+\subsection{For Longer Letters}
+ 
+The second method for generating many letters is slightly more wasteful
+of computer time, but to my mind it is simpler to use.
+I reccommend it over the command {\bf \\multiletter} and
+have included a brief discussion of the previous case only
+to keep the macro set upward compatible.
+Do us both a favor and forget I mentioned it.
+ 
+This method takes a little longer because it requires \TeX\ to input the
+same file many times.
+It is simpler because it requires no change in syntax from
+the format used for a single letter.
+To use this method you create a file YOUR FILE A (the filetype
+doesn't have to be TEX here),
+which contains the body of your letter, including your signature.
+You then create a driver file (filename TEX A) of the form
+\tc{\\input phyzzx}
+\tcon{\\letters}
+\tcon{\it optional \quad \bf \\date$\{$ \it your date \bf $\}$}
+\tcon{\\letter$\{$ \it Addressee \bf $\}$}
+\tcon{\it Dear $\ldots$ \bf \\par}
+\tcon{\\input your.file}
+\tcon{\\endletter}
+\tcon{\it $\ldots$}
+\tcon{\\letter$\{$ \it Addressee \bf $\}$}
+\tcon{\it Dear $\ldots$ \bf \\par}
+\tcon{\\input your.file}
+\tcon{\\endletter}
+\tcon{\\end}
+Note, the period between the filename and filetype is crucial.
+What is being done in this method is that we are using \TeX 's
+ability to input an external file as often as you wish.
+This technique has the added advantage that you can even have the
+letters vary somewhat.
+To perform this trick you use the {\bf \\def} command.
+To begin you use the names of some undefined control sequences in
+the file YOUR FILE A, and then redefine these sequences
+in the main driver file after each {\bf \\endletter} and before
+the start of the next letter.
+ 
+ 
+\chapter{MISCELLANEOUS MACROS WHICH PHYZZX DEFINES}
+ 
+We have now finished our discussion of all of the macros which
+pertain to the formatting of special documents.
+This section simply lists some special macros which we have
+included in PHYZZX simply because they simplify the task of
+typing things which occur frequently.
+ 
+The commands will be listed giving the syntax of each command and
+an example of what it does.
+ 
+\pointbegin
+\tc{\\ie \quad \rm generates  \ie}
+\point
+\tc{\\eg \quad \rm generates \eg}
+\point
+\tc{\\dash \quad \rm generates \dash}
+\point
+\tc{\\\\ \quad \rm generates \\}
+ 
+In math mode we have the following useful commands
+ 
+\point
+\tc{\\coeff$\{$ \it a \bf $\}\{$ \it b \bf $\}$ \quad \rm generates}
+$$ \coeff{a}{b} $$
+ 
+\endpage
+ 
+ 
+\point
+\tc{\\partder$\{$ \it f(x)
+\bf $\}\{$ \it x \bf $\}$ \quad \rm generates}
+$$ \partder{f(x)}{x} $$
+\point
+\tc{\\bra$\{$ \it \\Psi \bf $\}$ \quad \rm generates }
+$$ \bra{\Psi} $$
+\point
+\tc{\\ket$\{$ \it phi \bf $\}$ \quad \rm generates }
+$$ \ket{\phi} $$
+\point
+\tc{\\VEV$\{$ \it H \bf $\}$ \quad \rm generates }
+$$ \VEV{H} $$
+\point
+\tc{\\Tr$\{$ \it G \bf $\}$ \quad \rm generates }
+$$ \Tr{G} $$
+ 
+\endpage
+ 
+\point
+\tc{\\int \rm generates }
+$$ \int $$
+\point
+\tc{\\prop \rm generates  $\prop $}
+\point
+\tc{\\lsim \rm generates $\lsim $}
+\point
+\tc{\\gsim \rm generates $\gsim $ }
+ 
+\chapter{GOODBYE}
+ 
+This completes the basic writeup of the capabilities of PHYZZX.
+As I indicated in the introduction, this is not the final version of
+the macro set, but is in fact the last but one version that I
+will have something to do with.
+The final version will appear one of these days and will include
+in the body of the FMT file several macros for creating wrap around
+figure inserts and simple tables.
+The macros already exist but
+have not yet been collected together and finalized in format.
+In addition, it will probably include a label making capability
+to generate mailing labels for letters.
+Don't hold your breath for this version, however, first I have
+to get over having typed this documentation.
+ 
+\section{Using Your MYPHYX File}
+ 
+I promised you a short discussion of tailoring PHYZZX
+into your own inimitable macro package.
+The simplest way to do this is to have a complicated
+file called MYPHYX TEX on your A disk.
+If there are a few features of PHYZZX which do almost what you
+want, but not quite, you can
+look at the file PHYZZX TEX.
+By reading Knuth and studying this file you will see how
+everything PHYZZX does is made to happen.
+The way to change something is to steal the relevant definition
+from this file and copy it to your MYPHYX file.
+Then, make the changes which you wish to make.
+Since PHYZZX inputs this file after it makes its own
+definitions, you desires will override the PHYZZX definitions.
+ 
+\titlestyle{ \bf GOOD LUCK !!!!!}
+ 
+\bye
+ 
diff --git a/Master/texmf-dist/doc/psizzl/base/psizzl.commands b/Master/texmf-dist/doc/psizzl/base/psizzl.commands
new file mode 100644
index 00000000000..a2737cce66c
--- /dev/null
+++ b/Master/texmf-dist/doc/psizzl/base/psizzl.commands
@@ -0,0 +1,312 @@
+  PSIZZL COMMANDS - reference manual
+ 
+             Reference guide to Psizzl macros
+ This is a list of all the user macros in Psizzl.
+ They are grouped logically according to function.
+ 
+MACROS
+ 
+These macros are general-purpose macros used
+everywhere in Psizzl, or are of general interest.
+    \Psizzl - this gives the logo: Psizzl
+    \diagnostics - turns on tracing diagnostics
+    \endpage - causes a page break
+    \underscore#1 -
+       gives the argument, \underscore{{\it underscored}}
+    \leaderfil - gives leaders of dots:\hbox to 1in{(\leaderfil)}
+    \centertitle#1 - along with |\breaktitle|, below, gives a centered
+       title, whose line breaks are controlled by the user
+    \breaktitle - to be used with |\centertitle| to break the lines
+    \monthdayyear - causes the date used in \Psizzl macros to appear
+       as {\sl ``month day, year''}, instead of {\sl ``day month year''},
+       which is the default.
+    \date#1 - sets the date to the argument. See also  |\letterdate| and
+          |\pubdate|.
+    \loosepar - To be used to terminate any paragraph which
+       has an overfull |\hbox|, due to the line breaker not working.
+    \unlock - To ``unlock'' the macros, so that the character `|@|'
+       may be used in macro names.
+    \lock - To undo |\unlock|.
+ 
+    \adddef#1#2 - adds #2 to the \def of #1
+    \bumpcount#1 - increases the absolute value of \count#1 by 1
+    \numorroman#1 - expands to arabic if \count#1 is positive, and to
+       roman if \count#1 is negative
+    \lapcomma - gives a comma which will overlap the chracter to the left
+    \translate#1#2#3 - causes TeX to typeset the object specified by #3
+       at the postion specified by X = #1 and Y = #2 relative to the
+       current postion. The current position is not, however, changed.
+    \iftemp  - this is a `scratch' switch. It can be used at any time.
+ 
+LISTS
+ 
+These are the macros pertaining to lists.
+    \itembegin#1 - Starts an itemized list and sets the symbol to the
+       argument.
+    \item - Makes an entry in an itemized list with the current symbol.
+    \itemcon - Continues an item in a list starting with a new paragraph.
+    \itemset#1 - sets the symbol to #1, but does not begin an item.
+ 
+    \sitembegin#1 - Similar to |\itembegin|, for a subitem.
+    \sitem - Similar to |\item|, for a subitem.
+    \sitemcon - Similar to |\itemcon|, for subitem.
+    \sitemset#1 - Similar to |\itemset|, for a subitem.
+ 
+    \ssitembegin#1 - Similar to |\itembegin|, for a subsubitem.
+    \ssitem - Similar to |\item|, for a subsubitem.
+    \ssitemcon - Similar to |\itemcon|, for subsubitem.
+    \ssitemset#1 - Similar to |\itemset|, for a subsubitem.
+ 
+    \pointbegin - Start a sequential list of points.
+    \point - Put another item in a seqential list.
+    \pointcon - Like |\itemcon| for a sequentail list.
+ 
+    \spointbegin - Like |\pointbegin|, for a sublist.
+    \spoint - Like |\point|, for a sublist.
+    \spointcon - Like |\pointcon|, for a sublist.
+ 
+    \sspointbegin - Like |\pointbegin|, for a subsublist.
+    \sspoint - Like |\point|, for a subsublist.
+    \sspointcon - Like |\pointcon|, for a subsublist.
+ 
+PICTURE
+These macros facilitate making pictures.
+     \blankbox#1#2 - Makes a blank box of the specified dimensions.
+     \scalein - An inch dimension which magnifies with the type size.
+     \boxit#1 - Put a box around the argument.
+     \picture#1#2 - Currently just |\blankbox|.
+ 
+FONTDEFS
+These define the fonts used in \Psizzl.
+% `X' denotes that the font is loaded
+% suffixes:   rm  ss  fib  i it  bf  sy  sl  ss  tt  x  caps
+% prefixes:
+% \twelve      X   X       X  X   X   X   X   X   X  X    X
+% \ten         X   X       X  X   X   X   X   X   X  X    X
+% \eight       X           X      X   X   X
+% \seven       X           X      X   X
+% \five        X           X      X   X
+ 
+% e.g.: \twelverm is a roman font at 12 point
+%       \tencaps  is a cap/smallcap font at 10 pt
+ 
+% Plus the following special fonts:
+%    \fortyss
+%    \fifteenrm
+%    \fourteenrm
+%    \tenex
+The following macros are defined in this file:
+ 
+     \singlespace - Set to single spaced lines.
+     \normalbaselines - Set to one-and-one-half spaced lines.
+     \doublespace - Set to double spaced lines.
+     \largetype - Set to large type size.
+     \mediumtype - Set to medium type size.
+ 
+OPTIONS
+These macros turn on various switches, which control how
+certain options are used in \Psizzl depending on what publication
+you are writing for.
+ 
+    \APS - American Physical Society.
+    \IEEE - IEEE.
+    \NIM - Nuclear Instruments and Methods.
+    \NPB - Nuclear Physics B.
+    \PRL - Phys. Rev. Letters.
+    \PRD - Phys. Rev. D.
+    \PL - Physics Letters.
+    \illn#1 - when in |\proof| mode, it expands to ``Illn. #''
+    \draft - Specifies that this is a draft.
+    \preprint - Specifies that this is a preprint.
+    \proof - Specifies that this is a proof copy.
+    \submit - Specifies that this will be submitted to a journal.
+    \foreign - selects specifications for non-APS journals
+    \journal - selects specifications for journal articles
+    \conference - selects specifications for conference proceedings
+    \ifdraft - flag: this is the draft style of a document
+    \ifproof - flag: this is the proof style of a document
+    \ifsubmit - flag: this is the submit style of a document
+ 
+OUTPUT
+These macros control how the output will appear on the page.
+   \ifdoubleside - flag: the document will be double sided
+   \ifquadside - flag: the document will be two-pages-per-leaf
+ 
+PUBLICAT
+These macros generate the title page of a publication,
+and indirectly invoke some switches.
+    \docspec#1 - document specifications. Appear in upper right of title
+        page
+    \contract#1 - Defines the contract to be cited.
+    \contracttrue - Specifies that the given contract is to be cited.
+    \title#1 - Title of the document.
+    \subtitle#1 - specify the subtitle of a document.
+    \authors#1 - Author list.
+    \institute#1 - The publishing institution.
+    \submittedto#1 - The journal to be submitted to.
+    \abstract#1 - The abstract.
+    \university#1 - Specify the university of the thesis student
+    \price#1 - Specify the price code of NTIS
+    \workingauthor#1 - Specify the working author.
+    \workingauthorbin#1 - Specify the mail stop of the working author.
+    \workingauthoraddress#1
+        {Specify the address of the workin g author.
+    \publicationstyle#1 - macros to be invoked at the beginning of the
+         publication
+    \publication - specify that document will be a publication
+    \thesisstyle#1 - macros to be invoked at the beginning of the thesis.
+    \thesis - specify that document will be a thesis
+    \reportstyle#1 - macros to be invoked at the beginning of a report.
+    \report - specify that document will be a report
+    \acknowledge#1 - specify the text of the acknowledgement
+    \begindocument - begin production of the specified document.
+       Title page, etc. are produced now.
+    \enddocument - end production of the document.
+    \sigpage#1#2#3#4#5 - specify details of signature page of a thesis.
+    \iffrontmatter - flag: the front matter of the document is to be
+        produced.
+    \ifabstractsigned - flag: the abstract page is to be signed.
+    \ifcopyright - flag: this document is to be copyrighted.
+ 
+MEMO
+These macros will cause a memo to be produced.
+    \memohead#1 - Specify the header of the memo.
+       Default is institution-dependent
+    \memodate#1 - Specify the date of the memo.
+    \memoto#1 - Who the memo is to.
+    \memofrom#1 - Who the memo is from.
+    \memosubject#1 - Specify the topic of the memo.
+    \beginmemo - To begin the memo.
+    \endmemo - To end the memo.
+    \memostyle#1 - Specify the style of the memo.
+ 
+LETTER
+These macros control how letters are made.
+    \letterdate#1 - Specify the date of the letter.
+    \salutation#1 - Specify the salutation.
+    \closing#1 - Specify the closing.
+    \typist#1 - Specify the initials of the typist.
+    \copiesto#1 - Specify the cc:
+    \MyRef#1 - Specify your reference number.
+    \YourRef#1 - Specify the receiver's reference number.
+    \breakletter - Break the page at this point.
+    \letterto#1#2 - Name and address of the receiver.
+    \letterfrom#1#2#3 - Specify the sender.
+    \everyletter#1 - Text to be included in every letter.
+    \beginletter - Begin the letter.
+    \endletter - End the letter.
+    \letterhead#1#2#3#4 - Specify the letterhead.
+    \postscript#1 - specify the postscript of the letter
+    \enclosure#1#2 - specify the enclosures of the letter
+    \prescript#1 - specify the prescript of the letter
+    \letterstyle#1 - macros to be invoked at the start of the letter
+    \ifletter - flag: for output routine: this is a letter
+    \ifletterhead - flag: a letterhead is to be produced. Default: true
+    \ifstreetaddress - flag: the street address of the institution
+       is to appear in the letterhead. default: false.
+    \ifwindowenvelope - flag: the address of the letter will be typeset
+       so that it will appear within the window of a window envelope.
+CHAPTERS
+The body of a document (be it publication, memo, or letter)
+are produced by these macros.
+    \beginbody - Begin the body of the paper.
+    \chapter#1 - Begin a new chapter.
+    \beginappendices - Subsequent |\chapter|s will be appendices.
+    \endbody - End the body. Get out list of references, \etc
+    \section#1 - Start a bew section.
+    \subsection#1 - Start a new subsection.
+    \subsubsection#1 - Start a new subsubsection.
+ 
+CITATION
+Citations such as references, figures, tables and equations are
+done by these macros.
+ 
+In the following macros,
+#1 is a valid TeX control squence name
+(`\' followed by alphabetic characters only: don't use any numerals!).
+ 
+Where the macros use `=', they are defining the mnemonic name, so
+\<NAME> must not have been previously defined. (Hint: use some CAPITALS).
+Once this has been done, the mnemonic name can be used with the macro
+without the `=' and following one (or three) arguments:
+e.g.: first use: `\cite\DrellYan={Private communication}'
+      second use: `\Reference\DrellYan\ has clearly shown....'
+ 
+In the reference, equation, and author address macros,
+#2 is the text of the respective thing being defined.
+ 
+    REFERENCES:
+    The following three macros set the style of the reference:
+    \superreference - References will be superscripted: `$^{#1}$'
+    \bracketreference - References will appear in brackets: `[#1]'
+    \parenreference - References will appear in parenthesis: `(#1)'
+ 
+    The following five macros define or cite references:
+    \cite#1=#2 - Define a new reference and put out, e.g.: `$^{#1}$'
+    \hideref#1=#2 - define a new reference, but don't put out any text.
+       This is how multiple references are produced.
+    \bareref#1=#2 - define a new reference, and put out #1 only (bare).
+    \reference#1=#2 - Define a new reference and put out `Ref.#1'
+    \Reference#1=#2 - Define a new reference and put out `Reference #1'
+ 
+    \refspec#1,#2(#3)
+        Specify a reference in a way that the journal style can switch.
+    \volyearpageref - |\refspec| will be: volume, year, page.
+    \cernref - References will appear in CERN's style.
+ 
+    EQUATIONS:
+    \equation#1=#2 - Define a new equation.
+    \Equation#1=#2 - Define a new equation.
+    \display#1=#2  - define a new equation and display it.
+ 
+    AUTHOR ADDRESS SPECIFICATION:
+    \authoraddress#1=#2 - define a new authoraddress
+    \presentaddress#1=#2 - define a new authoraddress
+       as `Present address: #2'
+    \addressreference - specify author addresses to be references
+    \addressfootnote - specify author addresses to be footnotes
+    \addressinline - specify author addresses to be inline
+ 
+    In the figure and table macros,
+    #2 is the title of the figure or table, which will appear in the
+    table of contents.
+    #2 and #3 concatenated together constitute the caption of the figure
+    or table.
+    #4 will be the contents of the figure or table itself.
+ 
+    FIGURES:
+    \figure#1=#2#3#4 - Define a new figure and put out `Fig.#1'
+    \Figure#1=#2#3#4 - Define a new figure and put out `Figure #1'
+    \iffigureembed - figures are to be imbedded into the text.
+       Default: true.
+ 
+    TABLES:
+    \table#1=#2#3#4 - Define a new table and put out `table #1'
+    \Table#1=#2#3#4 - Define a new table and put out `table #1'
+    \iftableembed - tables are to be embedded into the text.
+       Default: true.
+ 
+    MISC:
+    \hangpar#1#2 - starts a paragraph with hanging indentation.
+    \lowercasecite - Citations will be lower case, not upper.
+    \vita#1 - specify a curriculum vitae for this document
+    \hyphen - punctuation for equations and multiple references
+    \comma  - punctuation for multiple references
+    \lapperiod - a period which overlaps to the left.
+ 
+ 
+VERBATIM
+These are the macros for verbatim scanning.
+     \begintt - Begin verbatim mode.
+     \endtt - End verbatim mode.
+     |stuff| - Verbatim mode, inline.
+     \listfile#1 - Make a listing of the specified file.
+     \iflistnumber - flag: \listfile produces a numbered listing.
+ 
+INDEX
+These are the macros for doing the index of a document.
+They can each turn into a ``silent'' index entry by doubling the `^'
+   ^\{text} - Ordinary index entry.
+   ^\|text| - A special term, index entry.
+   ^\|\text| - A control sequence, index entry.
+   ^\<text> - A bracketed concept, index entry.
diff --git a/Master/texmf-dist/doc/psizzl/base/psizzl.doc b/Master/texmf-dist/doc/psizzl/base/psizzl.doc
new file mode 100644
index 00000000000..b1c9b1469de
--- /dev/null
+++ b/Master/texmf-dist/doc/psizzl/base/psizzl.doc
@@ -0,0 +1,41 @@
+PSIZZL DOC - introduction to Psizzl macros for TeX version 1.1
+ 
+This disk contains the TeX macro package PSIZZL.
+It is to be used in conjunction with Tex82 ver. 1.1
+ 
+To use these macros,
+prepare a TeX input file of filetype `TEX',
+and give the (CMS) command `TEX &PSIZZL <filename>',
+where <filename> is the name of your file.
+ 
+You may want to make a file called MYPSIZZL TEX,
+which would have your customized Psizzl macros on it.
+A dummy version of this file is provided.
+ 
+The file `PSIZZL ARCHLIST' contains a listing of all the distribution
+Psizzl files.
+ 
+A file `PSIZZL COMMANDS' gives a listing of the user commands in Psizzl,
+along with a discussion of how to use them.
+ 
+Models (templates) for various types of jobs, such as letters, memos,
+papers, reports, theses, chapters, lists, figures, tables, and references
+may be found in the files `* TEMPLATE'.
+These files may be edited directly into Psizzl input files.
+Note the file `PSIZZL TEMPLATE', which shows how to
+surround your file with the appropriate commands to run it.
+ 
+For CMS systems, there are two REXX exec files which, respectively
+carry on a dialog with the user to build Psizzl letters and memos.
+In addition, there is a file called `PSIZBILD' which builds the
+PSIZZL FMT file.
+ 
+A document describing these macros, ``Psizzl Macros'' is available
+as SLAC-REPORT-268 from the author,
+Arthur Ogawa, CLA B226, Bin 96, SLAC, Stanford, CA 94305,
+(415) 854-3300 X2698,
+vmid `OGAWA' at `SLACVM' on net `BITNET'.
+Future releases of Psizzl will have this paper online.
+ 
+Any problems, questions, suggestions for improvements, etc.
+should be sent to Ogawa.
diff --git a/Master/texmf-dist/doc/startex/base/guide.pdf b/Master/texmf-dist/doc/startex/base/guide.pdf
new file mode 100644
index 00000000000..04ffd5ac1c4
--- /dev/null
+++ b/Master/texmf-dist/doc/startex/base/guide.pdf
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