diff options
author | Karl Berry <karl@freefriends.org> | 2017-06-20 22:18:03 +0000 |
---|---|---|
committer | Karl Berry <karl@freefriends.org> | 2017-06-20 22:18:03 +0000 |
commit | d1d17eb787a0c0122a9180855c1b73f0d9a87416 (patch) | |
tree | 5f2695c3b6fa85e5294a3979ee28af3566d0d7c1 /Master | |
parent | 4a593e5a1eee2ec877019bac9cba7a9203597d23 (diff) |
poetry (20jun17)
git-svn-id: svn://tug.org/texlive/trunk@44655 c570f23f-e606-0410-a88d-b1316a301751
Diffstat (limited to 'Master')
-rw-r--r-- | Master/texmf-dist/doc/latex/poetry/CHANGES | 1 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/poetry/README | 24 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/poetry/lppl.txt | 416 | ||||
-rw-r--r-- | Master/texmf-dist/doc/latex/poetry/poetry.pdf | bin | 0 -> 259510 bytes | |||
-rw-r--r-- | Master/texmf-dist/source/latex/poetry/poetry.dtx | 1531 | ||||
-rw-r--r-- | Master/texmf-dist/source/latex/poetry/poetry.ins | 64 | ||||
-rw-r--r-- | Master/texmf-dist/tex/latex/poetry/poetry.sty | 369 | ||||
-rwxr-xr-x | Master/tlpkg/bin/tlpkg-ctan-check | 2 | ||||
-rw-r--r-- | Master/tlpkg/tlpsrc/collection-humanities.tlpsrc | 1 | ||||
-rw-r--r-- | Master/tlpkg/tlpsrc/poetry.tlpsrc | 0 |
10 files changed, 2407 insertions, 1 deletions
diff --git a/Master/texmf-dist/doc/latex/poetry/CHANGES b/Master/texmf-dist/doc/latex/poetry/CHANGES new file mode 100644 index 00000000000..a1d5a4cd072 --- /dev/null +++ b/Master/texmf-dist/doc/latex/poetry/CHANGES @@ -0,0 +1 @@ +17 June 1201 (19 June 2017): Version 1.0, initial release. diff --git a/Master/texmf-dist/doc/latex/poetry/README b/Master/texmf-dist/doc/latex/poetry/README new file mode 100644 index 00000000000..2e78708316a --- /dev/null +++ b/Master/texmf-dist/doc/latex/poetry/README @@ -0,0 +1,24 @@ ++AMDG + +This document is copyright 2017 by Donald P. Goodman, and is +released publicly under the LaTeX Project Public License. The +distribution and modification of this work is constrained by the +conditions of that license. See + http://www.latex-project.org/lppl.txt +for the text of the license. This document is released +under version 1.3 of that license, and this work may be distributed +or modified under the terms of that license or, at your option, any +later version. + +This work has the LPPL maintenance status 'maintained'. + +The Current Maintainer of this work is Donald P. Goodman +(dgoodmaniii@gmail.com). + +This work consists of the files poetry.ins and +poetry.dtx, along with derived files poetry.sty and +poetry.pdf. + +This package should run properly on any properly running LaTeX +system. It's been tested specifically with TeXLive on +GNU/Linux. diff --git a/Master/texmf-dist/doc/latex/poetry/lppl.txt b/Master/texmf-dist/doc/latex/poetry/lppl.txt new file mode 100644 index 00000000000..22443139013 --- /dev/null +++ b/Master/texmf-dist/doc/latex/poetry/lppl.txt @@ -0,0 +1,416 @@ +The LaTeX Project Public License +=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- + +LPPL Version 1.3c 2008-05-04 + +Copyright 1999 2002-2008 LaTeX3 Project + Everyone is allowed to distribute verbatim copies of this + license document, but modification of it is not allowed. + + +PREAMBLE +======== + +The LaTeX Project Public License (LPPL) is the primary license under +which the LaTeX kernel and the base LaTeX packages are distributed. + +You may use this license for any work of which you hold the copyright +and which you wish to distribute. This license may be particularly +suitable if your work is TeX-related (such as a LaTeX package), but +it is written in such a way that you can use it even if your work is +unrelated to TeX. + +The section `WHETHER AND HOW TO DISTRIBUTE WORKS UNDER THIS LICENSE', +below, gives instructions, examples, and recommendations for authors +who are considering distributing their works under this license. + +This license gives conditions under which a work may be distributed +and modified, as well as conditions under which modified versions of +that work may be distributed. + +We, the LaTeX3 Project, believe that the conditions below give you +the freedom to make and distribute modified versions of your work +that conform with whatever technical specifications you wish while +maintaining the availability, integrity, and reliability of +that work. If you do not see how to achieve your goal while +meeting these conditions, then read the document `cfgguide.tex' +and `modguide.tex' in the base LaTeX distribution for suggestions. + + +DEFINITIONS +=========== + +In this license document the following terms are used: + + `Work' + Any work being distributed under this License. + + `Derived Work' + Any work that under any applicable law is derived from the Work. + + `Modification' + Any procedure that produces a Derived Work under any applicable + law -- for example, the production of a file containing an + original file associated with the Work or a significant portion of + such a file, either verbatim or with modifications and/or + translated into another language. + + `Modify' + To apply any procedure that produces a Derived Work under any + applicable law. + + `Distribution' + Making copies of the Work available from one person to another, in + whole or in part. Distribution includes (but is not limited to) + making any electronic components of the Work accessible by + file transfer protocols such as FTP or HTTP or by shared file + systems such as Sun's Network File System (NFS). + + `Compiled Work' + A version of the Work that has been processed into a form where it + is directly usable on a computer system. This processing may + include using installation facilities provided by the Work, + transformations of the Work, copying of components of the Work, or + other activities. Note that modification of any installation + facilities provided by the Work constitutes modification of the Work. + + `Current Maintainer' + A person or persons nominated as such within the Work. If there is + no such explicit nomination then it is the `Copyright Holder' under + any applicable law. + + `Base Interpreter' + A program or process that is normally needed for running or + interpreting a part or the whole of the Work. + + A Base Interpreter may depend on external components but these + are not considered part of the Base Interpreter provided that each + external component clearly identifies itself whenever it is used + interactively. Unless explicitly specified when applying the + license to the Work, the only applicable Base Interpreter is a + `LaTeX-Format' or in the case of files belonging to the + `LaTeX-format' a program implementing the `TeX language'. + + + +CONDITIONS ON DISTRIBUTION AND MODIFICATION +=========================================== + +1. Activities other than distribution and/or modification of the Work +are not covered by this license; they are outside its scope. In +particular, the act of running the Work is not restricted and no +requirements are made concerning any offers of support for the Work. + +2. You may distribute a complete, unmodified copy of the Work as you +received it. Distribution of only part of the Work is considered +modification of the Work, and no right to distribute such a Derived +Work may be assumed under the terms of this clause. + +3. You may distribute a Compiled Work that has been generated from a +complete, unmodified copy of the Work as distributed under Clause 2 +above, as long as that Compiled Work is distributed in such a way that +the recipients may install the Compiled Work on their system exactly +as it would have been installed if they generated a Compiled Work +directly from the Work. + +4. If you are the Current Maintainer of the Work, you may, without +restriction, modify the Work, thus creating a Derived Work. You may +also distribute the Derived Work without restriction, including +Compiled Works generated from the Derived Work. Derived Works +distributed in this manner by the Current Maintainer are considered to +be updated versions of the Work. + +5. If you are not the Current Maintainer of the Work, you may modify +your copy of the Work, thus creating a Derived Work based on the Work, +and compile this Derived Work, thus creating a Compiled Work based on +the Derived Work. + +6. If you are not the Current Maintainer of the Work, you may +distribute a Derived Work provided the following conditions are met +for every component of the Work unless that component clearly states +in the copyright notice that it is exempt from that condition. Only +the Current Maintainer is allowed to add such statements of exemption +to a component of the Work. + + a. If a component of this Derived Work can be a direct replacement + for a component of the Work when that component is used with the + Base Interpreter, then, wherever this component of the Work + identifies itself to the user when used interactively with that + Base Interpreter, the replacement component of this Derived Work + clearly and unambiguously identifies itself as a modified version + of this component to the user when used interactively with that + Base Interpreter. + + b. Every component of the Derived Work contains prominent notices + detailing the nature of the changes to that component, or a + prominent reference to another file that is distributed as part + of the Derived Work and that contains a complete and accurate log + of the changes. + + c. No information in the Derived Work implies that any persons, + including (but not limited to) the authors of the original version + of the Work, provide any support, including (but not limited to) + the reporting and handling of errors, to recipients of the + Derived Work unless those persons have stated explicitly that + they do provide such support for the Derived Work. + + d. You distribute at least one of the following with the Derived Work: + + 1. A complete, unmodified copy of the Work; + if your distribution of a modified component is made by + offering access to copy the modified component from a + designated place, then offering equivalent access to copy + the Work from the same or some similar place meets this + condition, even though third parties are not compelled to + copy the Work along with the modified component; + + 2. Information that is sufficient to obtain a complete, + unmodified copy of the Work. + +7. If you are not the Current Maintainer of the Work, you may +distribute a Compiled Work generated from a Derived Work, as long as +the Derived Work is distributed to all recipients of the Compiled +Work, and as long as the conditions of Clause 6, above, are met with +regard to the Derived Work. + +8. The conditions above are not intended to prohibit, and hence do not +apply to, the modification, by any method, of any component so that it +becomes identical to an updated version of that component of the Work as +it is distributed by the Current Maintainer under Clause 4, above. + +9. Distribution of the Work or any Derived Work in an alternative +format, where the Work or that Derived Work (in whole or in part) is +then produced by applying some process to that format, does not relax or +nullify any sections of this license as they pertain to the results of +applying that process. + +10. a. A Derived Work may be distributed under a different license + provided that license itself honors the conditions listed in + Clause 6 above, in regard to the Work, though it does not have + to honor the rest of the conditions in this license. + + b. If a Derived Work is distributed under a different license, that + Derived Work must provide sufficient documentation as part of + itself to allow each recipient of that Derived Work to honor the + restrictions in Clause 6 above, concerning changes from the Work. + +11. This license places no restrictions on works that are unrelated to +the Work, nor does this license place any restrictions on aggregating +such works with the Work by any means. + +12. Nothing in this license is intended to, or may be used to, prevent +complete compliance by all parties with all applicable laws. + + +NO WARRANTY +=========== + +There is no warranty for the Work. Except when otherwise stated in +writing, the Copyright Holder provides the Work `as is', without +warranty of any kind, either expressed or implied, including, but not +limited to, the implied warranties of merchantability and fitness for a +particular purpose. The entire risk as to the quality and performance +of the Work is with you. Should the Work prove defective, you assume +the cost of all necessary servicing, repair, or correction. + +In no event unless required by applicable law or agreed to in writing +will The Copyright Holder, or any author named in the components of the +Work, or any other party who may distribute and/or modify the Work as +permitted above, be liable to you for damages, including any general, +special, incidental or consequential damages arising out of any use of +the Work or out of inability to use the Work (including, but not limited +to, loss of data, data being rendered inaccurate, or losses sustained by +anyone as a result of any failure of the Work to operate with any other +programs), even if the Copyright Holder or said author or said other +party has been advised of the possibility of such damages. + + +MAINTENANCE OF THE WORK +======================= + +The Work has the status `author-maintained' if the Copyright Holder +explicitly and prominently states near the primary copyright notice in +the Work that the Work can only be maintained by the Copyright Holder +or simply that it is `author-maintained'. + +The Work has the status `maintained' if there is a Current Maintainer +who has indicated in the Work that they are willing to receive error +reports for the Work (for example, by supplying a valid e-mail +address). It is not required for the Current Maintainer to acknowledge +or act upon these error reports. + +The Work changes from status `maintained' to `unmaintained' if there +is no Current Maintainer, or the person stated to be Current +Maintainer of the work cannot be reached through the indicated means +of communication for a period of six months, and there are no other +significant signs of active maintenance. + +You can become the Current Maintainer of the Work by agreement with +any existing Current Maintainer to take over this role. + +If the Work is unmaintained, you can become the Current Maintainer of +the Work through the following steps: + + 1. Make a reasonable attempt to trace the Current Maintainer (and + the Copyright Holder, if the two differ) through the means of + an Internet or similar search. + + 2. If this search is successful, then enquire whether the Work + is still maintained. + + a. If it is being maintained, then ask the Current Maintainer + to update their communication data within one month. + + b. If the search is unsuccessful or no action to resume active + maintenance is taken by the Current Maintainer, then announce + within the pertinent community your intention to take over + maintenance. (If the Work is a LaTeX work, this could be + done, for example, by posting to comp.text.tex.) + + 3a. If the Current Maintainer is reachable and agrees to pass + maintenance of the Work to you, then this takes effect + immediately upon announcement. + + b. If the Current Maintainer is not reachable and the Copyright + Holder agrees that maintenance of the Work be passed to you, + then this takes effect immediately upon announcement. + + 4. If you make an `intention announcement' as described in 2b. above + and after three months your intention is challenged neither by + the Current Maintainer nor by the Copyright Holder nor by other + people, then you may arrange for the Work to be changed so as + to name you as the (new) Current Maintainer. + + 5. If the previously unreachable Current Maintainer becomes + reachable once more within three months of a change completed + under the terms of 3b) or 4), then that Current Maintainer must + become or remain the Current Maintainer upon request provided + they then update their communication data within one month. + +A change in the Current Maintainer does not, of itself, alter the fact +that the Work is distributed under the LPPL license. + +If you become the Current Maintainer of the Work, you should +immediately provide, within the Work, a prominent and unambiguous +statement of your status as Current Maintainer. You should also +announce your new status to the same pertinent community as +in 2b) above. + + +WHETHER AND HOW TO DISTRIBUTE WORKS UNDER THIS LICENSE +====================================================== + +This section contains important instructions, examples, and +recommendations for authors who are considering distributing their +works under this license. These authors are addressed as `you' in +this section. + +Choosing This License or Another License +---------------------------------------- + +If for any part of your work you want or need to use *distribution* +conditions that differ significantly from those in this license, then +do not refer to this license anywhere in your work but, instead, +distribute your work under a different license. You may use the text +of this license as a model for your own license, but your license +should not refer to the LPPL or otherwise give the impression that +your work is distributed under the LPPL. + +The document `modguide.tex' in the base LaTeX distribution explains +the motivation behind the conditions of this license. It explains, +for example, why distributing LaTeX under the GNU General Public +License (GPL) was considered inappropriate. Even if your work is +unrelated to LaTeX, the discussion in `modguide.tex' may still be +relevant, and authors intending to distribute their works under any +license are encouraged to read it. + +A Recommendation on Modification Without Distribution +----------------------------------------------------- + +It is wise never to modify a component of the Work, even for your own +personal use, without also meeting the above conditions for +distributing the modified component. While you might intend that such +modifications will never be distributed, often this will happen by +accident -- you may forget that you have modified that component; or +it may not occur to you when allowing others to access the modified +version that you are thus distributing it and violating the conditions +of this license in ways that could have legal implications and, worse, +cause problems for the community. It is therefore usually in your +best interest to keep your copy of the Work identical with the public +one. Many works provide ways to control the behavior of that work +without altering any of its licensed components. + +How to Use This License +----------------------- + +To use this license, place in each of the components of your work both +an explicit copyright notice including your name and the year the work +was authored and/or last substantially modified. Include also a +statement that the distribution and/or modification of that +component is constrained by the conditions in this license. + +Here is an example of such a notice and statement: + + %% pig.dtx + %% Copyright 2005 M. Y. Name + % + % This work may be distributed and/or modified under the + % conditions of the LaTeX Project Public License, either version 1.3 + % of this license or (at your option) any later version. + % The latest version of this license is in + % http://www.latex-project.org/lppl.txt + % and version 1.3 or later is part of all distributions of LaTeX + % version 2005/12/01 or later. + % + % This work has the LPPL maintenance status `maintained'. + % + % The Current Maintainer of this work is M. Y. Name. + % + % This work consists of the files pig.dtx and pig.ins + % and the derived file pig.sty. + +Given such a notice and statement in a file, the conditions +given in this license document would apply, with the `Work' referring +to the three files `pig.dtx', `pig.ins', and `pig.sty' (the last being +generated from `pig.dtx' using `pig.ins'), the `Base Interpreter' +referring to any `LaTeX-Format', and both `Copyright Holder' and +`Current Maintainer' referring to the person `M. Y. Name'. + +If you do not want the Maintenance section of LPPL to apply to your +Work, change `maintained' above into `author-maintained'. +However, we recommend that you use `maintained', as the Maintenance +section was added in order to ensure that your Work remains useful to +the community even when you can no longer maintain and support it +yourself. + +Derived Works That Are Not Replacements +--------------------------------------- + +Several clauses of the LPPL specify means to provide reliability and +stability for the user community. They therefore concern themselves +with the case that a Derived Work is intended to be used as a +(compatible or incompatible) replacement of the original Work. If +this is not the case (e.g., if a few lines of code are reused for a +completely different task), then clauses 6b and 6d shall not apply. + + +Important Recommendations +------------------------- + + Defining What Constitutes the Work + + The LPPL requires that distributions of the Work contain all the + files of the Work. It is therefore important that you provide a + way for the licensee to determine which files constitute the Work. + This could, for example, be achieved by explicitly listing all the + files of the Work near the copyright notice of each file or by + using a line such as: + + % This work consists of all files listed in manifest.txt. + + in that place. In the absence of an unequivocal list it might be + impossible for the licensee to determine what is considered by you + to comprise the Work and, in such a case, the licensee would be + entitled to make reasonable conjectures as to which files comprise + the Work. + diff --git a/Master/texmf-dist/doc/latex/poetry/poetry.pdf b/Master/texmf-dist/doc/latex/poetry/poetry.pdf Binary files differnew file mode 100644 index 00000000000..5880eb99759 --- /dev/null +++ b/Master/texmf-dist/doc/latex/poetry/poetry.pdf diff --git a/Master/texmf-dist/source/latex/poetry/poetry.dtx b/Master/texmf-dist/source/latex/poetry/poetry.dtx new file mode 100644 index 00000000000..0d552e87d98 --- /dev/null +++ b/Master/texmf-dist/source/latex/poetry/poetry.dtx @@ -0,0 +1,1531 @@ +% \iffalse +% +AMDG +% +% This document is copyright 2017 by Donald P. Goodman, and is +% released publicly under the LaTeX Project Public License. The +% distribution and modification of this work is constrained by the +% conditions of that license. See +% http://www.latex-project.org/lppl.txt +% for the text of the license. This document is released +% under version 1.3 of that license, and this work may be distributed +% or modified under the terms of that license or, at your option, any +% later version. +% +% This work has the LPPL maintenance status 'maintained'. +% +% The Current Maintainer of this work is Donald P. Goodman +% (dgoodmaniii@gmail.com). +% +% This work consists of poetry.dtx, poetry.ins, and +% derived files poetry.sty and poetry.pdf. +% \fi + +% \iffalse +%<package>\NeedsTeXFormat{LaTeX2e}[1999/12/01] +%<package>\ProvidesPackage{poetry}[2017/06/19 v1.0 support for typesetting poetry] +%<*driver> +\documentclass{ltxdoc} + +\usepackage{doc} +\usepackage{xellipsis} +\usepackage{parcolumns} +\usepackage{array} +\usepackage{lettrine} + \setcounter{DefaultLines}{3} + \setlength{\DefaultFindent}{2pt} + \renewcommand{\LettrineFontHook}{\color{red}} +\usepackage{url} +\usepackage{poetry} +\usepackage{spverbatim} +\usepackage[typeone]{dozenal} +\usepackage[colorlinks]{hyperref} +\usepackage{makeidx} +\EnableCrossrefs +\PageIndex +\CodelineNumbered +\RecordChanges +\makeindex +\DoNotIndex{\?,\{,\},\|,\DeclareFontFamily,\DeclareFontShape, + \if,\else,\fi,\def,\divide,\clubpenalty,\widowpenalty,\ifdim,\fi, + \ifnum,\fi, \ifx, \fi, \Huge, \Large, \LARGE, \begin, \end, + \bfseries, \baselineskip, \begingroup,\endgroup, + \jobname, \l@poem,\leftskip, \linewidth, \index, + \@dottedtocline, \@firstoftwo, \@ifnextchar, \@starttoc, + \addcontentsline, \advance, \everypar, \expandafter, + \hangafter, \hangindent, \hbox, \hfil, \hsize, \hskip, + \multiply, \linewidth, \llap, \blap, \rlap, \tlap, + \makeindex, \newcommand, \newcount, \newcounter, + \newdimen, \newif, \newlength, \noindent, \par, + \parindent, \penalty, \ProvidesPackage, \relax, + \RequirePackage, \setcounter, \setlength, \settowidth, + \stepcounter, \textwidth, \the, \today, \value, \vbox, + \vskip, \vss, +} + +\def\example#1#2{% + \begin{parcolumns}{2} + \colchunk[1]{#1}% + \colchunk[2]{#1}% + \end{parcolumns} +}% + +\tracingmacros=3 +\begin{document} +\DocInput{poetry.dtx} +\end{document} +%</driver> +% \fi +% +% \title{The |poetry| Package, v1.0} +% \author{Donald P.\ Goodman III} +% \date{\today} +% +% \maketitle +% +% \begin{abstract} +% The |poetry| package provides some macros and general +% doodads for typesetting poetry. There is, of course, +% already the excellent |verse| package, and the |poetrytex| +% package provides some extra functionality on top of it. +% But |poetry| provides much of the same functionality in a +% bit of a different way, and with a few additional +% abilities, such as facilities for a list of poems, an +% index of first lines, and some structural commands. +% \end{abstract} +% +% \tableofcontents +% +% \section{Introduction} +% +% The |verse| package provides some truly excellent verse +% typesetting abilities. Its documentation, particularly, +% is a great demonstration of (1) how to write \LaTeX\ +% documentation, and (2) how difficult typesetting poetry +% with \LaTeX\ was before |verse| came along. And yet, +% occasionally one comes to some things that it doesn't seem +% able to do. At least, I personally did; when lines +% wrapped, the line number was placed along the +% \emph{bottom} of the line, rather than the top, and there +% doesn't seem to be any way to fix this rather odd +% behavior. +% +% So, the |poetry| package was born. It endeavors to +% provide all the same functionality as |verse|, in a +% (mostly) compatible way; but also to fill in this little +% lacuna, plus any others I happened across while doing it. +% It also endeavors to add similar functionality as I found +% in the other major \LaTeX\ poetry package, |poetrytex|, +% which includes some great ideas for document structure. +% Finally, it adds some new functionality which is not, to +% my knowledge, included elsewhere. +% +% This document is written in accordance with the \LaTeX\ +% \textsc{docstrip} utility, which allows the automatic +% extraction of package code and documentation. +% +% The numbering in this document is in \emph{dozenal}; that +% is, numbering goes 1, 2, 3, 4, 5, 6, 7, 8, 9, \x, \e, 10, +% 11\xelip It uses the |dozenal| \LaTeX\ package to make +% this happen. For more information, visit +% \url{http://www.dozenal.org}. +% +% \section{Typesetting Verse} +% \label{sect:verse} +% +% \subsection{Basics} +% \label{sub:basics} +% +% |poetry|'s basic environment is, as one would expect, the +% |poem| environment. \DescribeEnv{poem}|\begin{poem}| +% and |\end{poem}| will get your poem off and running, no +% questions asked. The environment redefines certain +% commands, particularly |\\|, so be aware that you can't +% use |\\| just anywhere within your poem. Alternatively, +% you can use \DescribeMacro{\poem}|\poem| to begin the +% poem, and just use the normal |\\-| to end it (about which +% more in a moment). +% +% Conceptually, each line of the poem is a paragraph, so in +% order to ensure proper paragraph setting, the |poem| +% environment also resets |\parindent|, |\hangindent|, and +% |\hangafter| to appropriate values. We will see how to +% customize those values in Section \ref{sub:custspace}. +% +% End each line of your poem with \DescribeMacro{\\}|\\|, +% which will end the line and also number the next line. By +% default, every line is numbered; if you want some other +% behavior, you will find how to customize line numbering in +% Section \ref{sub:custlineno}. +% +% If the poem has stanzas, end them with the command +% \DescribeMacro{\\!}|\\!|; this will insert the appropriate +% amount of vertical spacing, as well as reset the verse +% line number counter. +% +% To end the entire poem, after the last line use +% \DescribeMacro{\\-}|\\-| (double backslash followed by a +% hyphen). This clearly differentiates normal line endings; +% line endings which also end stanzas; and the final line of +% the poem. +% +% If you wish to end the poem for a moment, then resume it +% later, use \DescribeMacro{\\*}|\\*|. You can then insert +% whatever you want (e.g., a subpart heading, or some +% annotations). When you want to start the poetry again, +% begin the line with \DescribeMacro{\*}|\*|. This allows +% you insert mostly arbitrary material without leaving the +% |\poem| environment. +% +% Finally, if you want to end the poem for a moment (that +% is, insert some non-poetical material, like a subpart +% heading or some annotations), but also want to end a +% verse, you can use \DescribeMacro{\\?}|\\?|. This +% combines |\\!| and |\\*|; it has the same visual effect as +% the latter, but the semantic meaning of the former. Since +% non-poetical material will follow, it does \emph{not} +% insert the inter-stanza spacing. You must still use |\*| +% when you restart poetical material. +% +% The idea behind these commands is not to make life +% difficult for the typesetter, but to mark semantic +% concepts; that is, to mark very clearly when a line ends; +% when a line ending is also a stanza ending; when a line +% ending is followed by non-poetry material; and when a line +% ending is also the final line of the poem. This kind of +% information makes it much easier for format converters to +% work, as well as for semantic readers to figure out what's +% going on. +% +% If you need to include some non-poetry material right at +% the beginning of a poem, use the starred version to begin +% it: \DescribeMacro{\poetry*}|\poetry*| or +% \DescribeMacro{\begin\{poem\}*}|\begin{poem}*|. This will +% suppress the first line number. When you're ready to +% begin your first line, begin it with |\*| to insert the +% first line number. +% +% If a line needs some extra indentation, indent it with +% \DescribeMacro{\hin}|\hin|. This adds the space +% |\poemhinwd| to the left margin of that particular line and +% no other. All other paragraph settings are adjusted +% accordingly. This command can be repeated as needed to +% produce specific indentation. +% +% An example of this basic usage: +% +% \begin{verbatim} +% \begin{poem} +% Let me not to the marriage of true minds \\ +% \hin Admit impediments. Love is not love \\ +% Which alters when it alteration finds, \\ +% \hin Or bends with the remover to remove: \\! +% +% O, no! it is an ever-fixed mark, \\ +% \hin That looks on tempests and is never shaken; \\ +% It is the star to every wandering bark, \\ +% \hin Whose worth's unknown, although his height be taken. \\- +% \end{poem} +% \end{verbatim} +% +% Which produces (with drastically reduced line length, to +% show how wrapping will work in these cases; though keep in +% mind that all these lengths are customizable): +% +% \setlength{\poemindent}{1.5in} +% \setlength{\poemmaxlinewd}{2in} +% \begin{poem} +% Let me not to the marriage of true minds \\ +% \hin Admit impediments. Love is not love \\ +% Which alters when it alteration finds, \\ +% \hin Or bends with the remover to remove: \\! +% +% O, no! it is an ever-fixed mark, \\ +% \hin That looks on tempests and is never shaken; \\ +% It is the star to every wandering bark, \\ +% \hin Whose worth's unknown, although his height be taken. \\- +% \end{poem} +% +% \subsection{Customizing Spacing and Indentation} +% \label{sub:custspace} +% +% |poetry| inserts some space above and below the typeset +% poems (unless you tell it not to). +% \DescribeMacro{\poemtopskip}|\poemtopskip| is inserted +% above the poem, and +% \DescribeMacro{\poembotskip}|\poembotskip| is inserted +% below it. These are standard \LaTeX\ lengths, and can be +% reset in the usual way. By default, both are set at +% |1em|. +% +% \DescribeMacro{\poemindent}|\poemindent| is the length +% that governs how far the poem will be indented from the +% left margin. Reset it as usual with \LaTeX's |\setlength| +% command; e.g., |\setlength{\poemindent}{1.5in}| to indent +% the entire poem 1.5in from the left line. By default, +% |\poemindent| is |0pt|, meaning that verses are flush with +% the left margin. This also means that line numbers, if +% they are on the left, will hang into the left margin. +% +% It may be that you wish to control the overall widths of +% lines; for example, you may want poetry lines to be +% shorter than the actual text lines. For this, use +% \DescribeMacro{\poemmaxlinewd}|\poemmaxlinewd|. By +% default, this standard \LaTeX\ length is set to equal +% |\linewidth|, so poetry lines can equal the length of the +% text block. If you don't want this, then you can set it +% as you please. E.g., if your text block is |5in| wide and +% you want a half inch of space on either side of your +% poetry lines, set |\poemmaxlinewd| to |4in| and +% |\poemindent| to |0.5in|. +% +% When lines wrap, |poetry| applies a certain |\hangindent| +% to make them look nice. To change the length of this +% hanging indent, reset the value of the standard \LaTeX\ +% length \DescribeMacro{\poemhangindent}|\poemhangindent|, +% in any of the usual ways (e.g., |\setlength|). By +% default, |\poemhangindent| is |1em|. +% +% Often, particularly when a poem (or lyrics) are simply a +% small portion of a largely prosaic work, we want the lines +% more-or-less centered within the text block. The |verse| +% package does this by providing an optional argument to the +% |verse| environment, giving the length of a line which +% will serve as the basis for centering the entire poem. +% |poetry| instead provides the |\centerpoem| commands. +% \DescribeMacro{\centerpoemon}|\centerpoemon| sets the +% centering mechanism on, and (obviously) +% \DescribeMacro{\centerpoemoff}|\centerpoemoff| turns it +% off. |\centerpoemon| takes a mandatory argument, the line +% which you wish to serve as the basis for the centering: +% +% \begin{center} +% \cmd{\centerpoemon} \marg{line-to-use-for-centering} +% \end{center} +% +% What this command does is measures the length of the line, +% compares it to the text block, and then centers that line; +% all other lines in the poem will share a left and right +% margin with that line. E.g.: +% +% \begin{verbatim} +% \centerpoemon{The ship has weather'd every rack, the prize we sought is won} +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% The ship has weather'd every rack, the prize we sought is won;\\- +% \end{poem} +% \end{verbatim} +% +% Which gives us: +% +% \setlength{\poemmaxlinewd}{\textwidth} +% \centerpoemon{The ship has weather'd every rack, the +% prize we sought is won} +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% The ship has weather'd every rack, the prize we sought is won;\\- +% \end{poem} +% +% Note that this \emph{does} set the maximum line width to +% the width of that line, as well. You can reset this after +% issuing |\centerpoemon| if that's not the behavior you +% want; that is, if you want to center on that particular +% line but still allow other lines to be longer. This +% behavior makes it default that your poem will actually be +% centered on the width of the line you've entered; however, +% if you're really just looking for an approximate optical +% centering, with lines extending longer if necessary, set +% |\poemmaxlinewd| to what you want your longest line to be. +% Just make sure that you set it \emph{after} you set +% |\centerpoemon|. +% +% |\centerpoemoff| simply resets |\poemindent| to |0pt| and +% |\poemmaxlinewd| to |\textwidth|. +% +% The indentation given by |\hin| is controlled by the +% \LaTeX\ length \DescribeMacro{\poemhinwd}|\poemhinwd|, +% which can be set however the user wishes. By default, it +% is |1em|. E.g.: +% +% \begin{verbatim} +% \centerpoemon{Alas, poor Yorick! I knew him. Horatio!} +% \settowidth{\poemhinwd}{Alas, poor Yorick! I knew him. } +% \begin{poem} +% Alas, poor Yorick! I knew him.\\ +% \hin Horatio! \\ +% \setlength{\poemhinwd}{2em} +% A fellow of infinite jest, of most excellent fancy. \\ +% \hin He hath borne me on his back a thousand times, \\ +% and now, how abhorred in my imagination it is! \\ +% My gorge rises at it. Here hung those lips\xelip\\- +% \end{poem} +% \end{verbatim} +% +% This is a common requirement when the meter of one line is +% continued onto the next, as in this famous line(s) from +% \textit{Hamlet}: +% +% \centerpoemon{Alas, poor Yorick! I knew him. Horatio!} +% \begin{poem} +% \settowidth{\poemhinwd}{Alas, poor Yorick! I knew him. } +% Alas, poor Yorick! I knew him.\\ +% \hin Horatio! \\ +% \setlength{\poemhinwd}{2em} +% A fellow of infinite jest, of most excellent fancy. \\ +% \hin He hath\label{ln:ex} borne me on his back a thousand times, \\ +% and now, how abhorred in my imagination it is! \\ +% My gorge rises at it. Here hung those lips\xelip\\- +% \end{poem} +% +% This way we can advance the second line so that it's +% clearly a continuation of the first. The second |\hin| +% command here is just to show that the lengths can be +% adjusted at will throughout the poem, and it doesn't +% effect the line numbering in any way. +% +% Using |\hin| manually works fine, but sometimes it's a +% hassle, particularly when the indentation pattern is +% regular. E.g., when every second line is to be indented, +% why should you manually have to insert |\hin| every second +% line? That's the sort of thing computers are good at. +% Fortunately, |poetry| agrees with you, and offers the +% \DescribeMacro{poemindentevery}|poemindentevery| counter. +% This is a standard \LaTeX\ counter. If its value is |0|, +% it has no effect whatsoever; if its value is any other +% integer, however, it will indent every multiple of that +% line number. E.g.: +% +% \begin{verbatim} +% \setcounter{poemindentevery}{3} +% \setcounter{poemlinenumsevery}{2} +% \begin{poem} +% Once upon a midnight dreary, while I pondered, weak and weary,\\ +% Over many a quaint and curious volume of forgotten lore---\\ +% While I nodded, nearly napping, suddenly there came a tapping,\\ +% As of someone gently rapping, rapping at my chamber door.\\ +% ``'Tis some visitor,'' I muttered, ``tapping at my chamber door---\\ +% Only this and nothing more.''\\- +% \end{poem} +% \end{verbatim} +% +% Which will give us this: +% +% \setcounter{poemindentevery}{3} +% \setcounter{poemlinenumsevery}{2} +% \begin{poem} +% Once upon a midnight dreary, while I pondered, weak and weary,\\ +% Over many a quaint and curious volume of forgotten lore---\\ +% While I nodded, nearly napping, suddenly there came a tapping,\\ +% As of someone gently rapping, rapping at my chamber door.\\ +% ``'Tis some visitor,'' I muttered, ``tapping at my chamber door---\\ +% Only this and nothing more.''\\- +% \end{poem} +% \setcounter{poemindentevery}{0} +% \setcounter{poemlinenumsevery}{1} +% +% Notice that line numbers are also unaffected by this +% setting; line numbers will be placed where needed, and +% indents will be added as needed, without regard for one +% another. (We will officially meet the counter +% |poemlinenumsevery| in Section \ref{subsub:basiclineno}.) +% +% Sometimes, however, indenting every third line (or +% whatever) isn't the right solution; sometimes each +% \emph{verse} has a particular indentation pattern. For +% that, |poetry| offers the command +% \DescribeMacro{\poemvsindentlines}|\poemvsindentlines|. +% Redefine this command to contain a list of the line +% numbers (by verse) you wish to indent, and |poetry| will dutifully +% indent them. E.g.: +% +% \begin{verbatim} +% \def\poemvsindentlines{23}% +% \begin{poem} +% I saw you starting for another war,\\ +% The emblem of adventure and of youth,\\ +% So that men trembled, saying: He forsooth\\ +% Has gone, has gone, and shall return no more.\\- +% \end{poem} +% \end{verbatim} +% +% \def\poemvsindentlines{23}% +% \begin{poem} +% I saw you starting for another war,\\ +% The emblem of adventure and of youth,\\ +% So that men trembled, saying: He forsooth\\ +% Has gone, has gone, and shall return no more.\\- +% \end{poem} +% \def\poemvsindentlines{0}% +% +% If you give a line number larger than the number of lines +% in a verse, it will be quietly ignored. +% +% Note that |\poemvsindentlines| and |poemindentevery| will +% \emph{stack}; if a line qualifies for both, it will be +% indented twice. +% +% |\poemvsindentlines| allows you to arrange the indentation +% on each verse with very fine detail, assuming that all +% your verses are indented the same way. +% +% Finally, you should meet +% \DescribeMacro{\poemverseskip}|\poemverseskip|, which +% controls the distance between verses (stanzas) of the +% poem. By default, this is set equal to |\baselineskip|, +% leaving about one full line between stanzas. This is a +% standard \LaTeX\ length, and can be reset in the usual +% way. +% +% \subsection{Customizing Line Numbering} +% \label{sub:custlineno} +% +% \subsubsection{Basics of Line Numbering} +% \label{subsub:basiclineno} +% +% Line numbers, unlike in |verse|, \emph{are} typeset by +% default. To turn them off, just say +% \DescribeMacro{\poemlinenumsfalse}|\poemlinenumsfalse|. +% Of course, issuing +% \DescribeMacro{\poemlinenumstrue}|\poemlinenumstrue| will +% do the opposite. +% +% \centerpoemoff +% \begin{verbatim} +% \poemlinenumsfalse +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% \poemlinenumstrue +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% \end{verbatim} +% +% Which gives us: +% +% \poemindent=0pt +% \poemlinenumsfalse +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% \poemlinenumstrue +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% +% Notice that |poetry| actually sets the line number +% \emph{before} the rest of the line; so when turning line +% numbers on again, you need to put |\poemlinenumstrue| one +% line earlier than you might expect. +% +% Line numbers aren't just on or off, however; you can have +% them every certain number of lines, for example. The +% command for this is +% \DescribeMacro{\poemlinenumsevery}|\poemlinenumsevery|; note that +% this is a \emph{counter}, so redefine it with +% |\setcounter| and friends. By default, its value is |1|. +% The value works as one would expect; |2| means a number +% every two lines, |3| every three lines, and so on. For +% example: +% +% \begin{verbatim} +% \setcounter{poemlinenumsevery}{2} +% \poemlinenumstrue +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% \end{verbatim} +% +% Gives us this: +% +% \setcounter{poemlinenumsevery}{2} +% \poemlinenumstrue +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% +% This can, of course, be set to any value, though typically +% 1--4 are reasonable ones. A sufficiently high number will +% essentially turn off line numbering; e.g., 84, as by the +% time you've seen the 84th line you won't remember what the +% last line number was. But I'm certainly not going to make +% it impossible. +% +% Line numbers can be placed on either the right or the +% left. By default, they are placed on the left; to place +% them on the right, use +% \DescribeMacro{\poemlinenumrighttrue}|\poemlinenumrighttrue|; +% to put them back on the left, use the corresponding +% command +% \DescribeMacro{\poemlinenumrightfalse}|\poemlinenumrightfalse|. +% +% \begin{verbatim} +% \setcounter{poemlinenumsevery}{1} +% \poemlinenumrighttrue +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% \poemlinenumrightfalse +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% \end{verbatim} +% +% Which gives us this (notice that right-side line numbers +% are placed after |\poemmaxlinewd|): +% +% \setcounter{poemlinenumsevery}{1} +% \poemlinenumrighttrue +% \begin{poem} +% O captain! my captain! The fearful trip is done; \\ +% \poemlinenumrightfalse +% The ship has weather'd every rack, the prize we sought is won;\\ +% The port is near, the bells I hear, the people all exulting, \\ +% While follow eyes the steady keel, the vessel grim and daring; \\- +% \end{poem} +% +% Notice again that the line's line number is printed +% \emph{first}, before the line; so you need to put this +% command one line earlier than you'd expect. +% +% Please notice also that \emph{the line numbers are +% \emph{not} part of the line when calculating widths}. +% They are boxes which overhang the end or beginning of the +% line. Please keep that in mind when you're planning your +% formats. +% +% \subsubsection{Styling Line Numbers} +% \label{subsub:stylelineno} +% +% As mentioned before, the line numbers are set in boxes +% which overhang either the left or right margins of the +% line, depending on the value of |\ifpoemlinenumright| +% (that is, on whether you've isseud |\poemlinenumrighttrue| +% or not). The size of that box, and how much it overhangs +% the margin, are both within your control. +% +% By default, the box is |2em| wide, and it's separated from +% the margin by |0pt|. To change the space between the box +% and the line itself, use the standard \LaTeX\ length +% \DescribeMacro{\poemlinenumboxgap}|\poemlinenumboxgap|; +% below, see some lines from \textit{Henry V} to +% demonstrate. The first two lines are set with default +% line number spacing; the second two with +% |\poemlinenumboxgap| set to |1em|: +% +% \centerpoemon{We few, we happy few; we band of brothers;} +% +% \poemlinenumrightfalse +% \begin{poem} +% We few, we happy few; we band of brothers; \\ +% \setlength{\poemlinenumboxgap}{1em} +% for he today who sheds his blood with me \\ +% shall be my brother; be he ne'er so vile \\ +% this day shall gentle his condition. \\- +% \end{poem} +% +% The width of the line number box itself is controlled by +% \DescribeMacro{\poemlinenumboxwd}|\poemlinenumboxwd|, +% another standard \LaTeX\ length which can be reset, as +% usual, with |\setlength|. Below, we have some more of +% \textit{Henry V}, this time with varying line number box +% widths; the first two lines have the default, the second +% two have a width of |1em|: +% +% \centerpoemon{shall think themselves accurs'd they were not here,} +% \poemlinenumrighttrue +% \begin{poem} +% And gentlemen in England now abed \\ +% \setlength{\poemlinenumboxwd}{1em} +% shall think themselves accurs'd they were not here, \\ +% and hold their manhoods cheap whilst any speaks \\ +% that fought with us, upon St.~Crispin's day. \\- +% \end{poem} +% +% The line number itself is held in the \LaTeX\ macro +% \DescribeMacro{\thepoemline}|\thepoemline|; so you can +% style this as you wish. However, in the event you want +% line numbers to look a certain way in the poem itself, +% but a different way when you use them elsehwere, you can +% use \DescribeMacro{\poemlinenumstyle}|\poemlinenumstyle| +% to change their appearance. For example, the following +% uses |\def\poemlinenumstyle{\footnotesize\color{green}}|: +% +% \centerpoemon{Thou see'st the world, Volumnius, how it goes; } +% \poemlinenumrightfalse +% \def\poemlinenumstyle{\footnotesize\color{green}} +% \begin{poem} +% Thou see'st the world, Volumnius, how it goes; \\ +% our enemies have beat us to the pit. \\ +% It would be better to jump in ourselves, \\ +% than tarry till they push us. \\- +% \end{poem} +% +% By default, |\poemlinenumstyle| does nothing. +% \def\poemlinenumstyle{} +% +% Labels can be placed on any line of poetry, and refer back +% to that line. Hyperlinks will work properly, if you're +% using |hyperref| to produce them. For example, ``line +% \ref{ln:ex}'' refers to line 4 of the quotation from +% \textit{Hamlet} we gave you earlier. Make such references +% with the usual \LaTeX\ |\ref| and |\label| commands. +% +% \section{Document Structure} +% \label{sect:structure} +% +% |poetry| actually provides some significant structural +% commands, as well, which may make it easier to typeset +% larger amounts of poetry. It was inspired here more by +% |poetrytex| than by |verse|; indeed, this area is really +% where |poetrytex| shines. However, |poetry| does add some +% functionality to it. We'll explore first counters, +% then sectioning. +% +% \subsection{Other Counters} +% \label{sub:othcounters} +% +% |poetry| provides several other counters, which will +% probably rarely be useful when typesetting poetry, but +% which are provided just in case. +% +% Besides |\thepoemline|, we also have +% \DescribeMacro{verseline}|verseline|, a counter which +% keeps track of what line in a given verse is currently +% being typeset. It's reset every time you call |\\!|, to +% signify the end of a verse (or, more properly for poetry, +% stanza). It's typeset with |\theverseline|, which can be +% redefined in the normal \LaTeX\ ways. For example, to +% number each verse with the poem line number, a colon, and +% a verse line number, try: +% +% \begin{center} +% |\renewcommand{\thepoemline}{\arabic{poemline}:\arabic{verseline}}| +% \end{center} +% +% You'll get something like this: +% +% \renewcommand{\thepoemline}{\arabic{poemline}:\arabic{verseline}} +% \centerpoemon{Whose woods these are I think I know.} +% \begin{poem} +% Whose woods these are I think I know. \\ +% His house is in the village though; \\ +% He will not see me stopping here \\ +% To watch his woods fill up with snow. \\! +% +% My little horse must think it queer \\ +% To stop without a farmhouse near \\ +% Between the woods and frozen lake \\ +% The darkest evening of the year. \\- +% \end{poem} +% +% We also have a counter for the number of poems themselves; +% two, actually. First is +% \DescribeMacro{abspoemno}|abspoemno|, which keeps track of +% the poem numbers throughout the entire document. +% |abspoemno| is typeset, as always with \LaTeX\ counters, +% with |\theabspoemno|. This number can be useful with sets +% of poems, such as Shakespeare's sonnets; or with +% anthologies which include untitled poems, which might +% otherwise be difficult to list in a table of contents. +% +% Second, there is the \emph{poem group} counter, or +% \DescribeMacro{poemno}|poemno|. |poemno| equals +% |abspoemno| unless you're utilizing poem groups (for which +% see Section \ref{sub:structures}). Starting a new poem +% group resets |poemno| but not |abspoemno|. +% +% We will see some poetry-specific sectioning commands in +% Section \ref{subsub:usemeta}. These commands increment +% |poemno| and |abspoemno|; so if you're not using those +% sectioning commands, these numbers won't be incremented. +% If for some reason you don't use a visible title for your +% poem, or wish to use your own sectioning commands, but +% still want it counted for the purposes of these counters, +% you need to tell |poetry| so. Issue +% \DescribeMacro{\poemnew}|\poemnew| prior to starting your +% |poem| environment; it will increment your counters +% without putting anything in your text. +% +% These counters are formatted, as always, with the \LaTeX\ +% |\the| commands: |\thepoemno|, |\theabspoemno|. +% +% \subsection{Other Variables} +% \label{sub:othervars} +% +% |poetry| gives a few variables that we can use to fill in +% gaps when we have them. +% +% \DescribeMacro{\poemblanktitle}|\poemblanktitle| is the +% word that |poetry| will use when it's asked to typeset a +% title but it doesn't have one; by default, this is set as +% |Untitled|. Reset this with |\def| or |\renewcommand|; +% e.g., |\renewcommand{\poemblanktitle}{Not Titled}|. Then, +% when you are expected to input a title and you don't have +% one (possible in, for example, the |\titlepoem| command, +% for which see Section \ref{sub:metadata}), instead of +% printing ``Untitled'', |poetry| will print ``Not Titled''. +% +% There is a corresponding +% \DescribeMacro{\poemblankauthor}|\poemblankauthor|, which +% does the same thing. Its default value is |Anonymous|. +% +% \subsection{Metadata} +% \label{sub:metadata} +% +% All poems have authors, even if we don't know who; and +% some also have titles. In other words, poems have +% \emph{metadata}, data about themselves, and |poetry| +% provides easy ways to deal with these things, whether we +% have the information or not. Sometimes it will be +% convenient to use the variables from Section +% \ref{sub:othervars} in these commands. +% +% |poetry| keeps the issue of \emph{having} the metadata +% separate from \emph{typesetting} it. You can set these +% variables but never have them appear in the final +% document. In theory, this information could instead by +% embedded in the |pdf| for document readers to use, or +% things of that nature. At present, pdf doesn't have any +% means to embed metadata about individual parts of a +% document; however, should such a capability be added, +% |poetry| will be ready. +% +% \subsubsection{Setting Metadata Values} +% \label{subsub:setmeta} +% +% \DescribeMacro{\thepoemtitle}|\thepoemtitle| holds the +% currently defined poem title, if any. You might find this +% handy for running headers, TOC entries, and the like. +% +% \DescribeMacro{\thepoemauthor}|\thepoemauthor| corresponds +% to |\thepoemtitle|, and is useful for the same sorts of +% things. +% +% Most written works these days have \emph{licenses}; +% |poetry| makes it easy to specify that, as well. The +% variable is +% \DescribeMacro{\thepoemlicense}|\thepoemlicense|, and +% defaults to the string |Public Domain|. To alter this, +% simply redefine it with |\def| or |\renewcommand|; e.g., +% |\renewcommand{\thepoemlicense}{CC-BY-SA}|. To change the +% default, redefine +% \DescribeMacro{\poemdefaultlicense}|\poemdefaultlicense|. +% +% Publication date can also be important, particularly when +% combined with certain types of licensing. To specify +% this, redefine +% \DescribeMacro{\thepoempubdate}|\thepoempubdate|, which +% defaults to the value of |\today|. +% +% \subsubsection{Using Metadata} +% \label{subsub:usemeta} +% +% The most obvious way of using the metadata you've set for +% a poem is to \emph{typeset} it. |poetry| offers a number +% of ways to do this. +% +% If you're only interested in printing the poem's title, +% you can use the \DescribeMacro{\titlepoem}|\titlepoem| +% command: +% +% \begin{center} +% \cmd{\titlepoem} \marg{title} +% \end{center} +% +% E.g., with the default settings: +% +% \bigskip\hrule\bigskip +% \begin{parcolumns}[rulebetween]{2}% +% \colchunk[1]{ +% |\titlepoem{\poemblanktitle}| +% }\colchunk[2]{% +% \titlepoem{\poemblanktitle} +% }\end{parcolumns}% +% \bigskip\hrule\bigskip +% +% If you have multiple untitled poems to typeset, it may be +% convenient to use |\thepoemno| or |\theabspoemno| to +% different them; e.g., +% +% \begin{center} +% |\titlepoem{Untitled No.\ \thepoemno}| +% \end{center} +% +% |\titlepoem| will reset the variable |\thepoemtitle| to +% whatever argument you give it. This will be available +% later for other uses. +% +% If you want to typeset both the title and the author, +% |poetry| provides you with +% \DescribeMacro{\titleauthorpoem}|\titleauthorpoem|: +% +% \begin{center} +% \cmd{\titlepoem} \marg{title} \marg{author} +% \end{center} +% +% \bigskip\hrule\bigskip +% \begin{parcolumns}[rulebetween]{2}% +% \colchunk[1]{ +% \noindent|\titleauthorpoem|\par +% \quad|{\poemblanktitle}|\par +% \quad|{\poemblankauthor}| +% }\colchunk[2]{% +% \titleauthorpoem{\poemblanktitle}{\poemblankauthor} +% }\end{parcolumns}% +% \bigskip\hrule\bigskip +% +% |\titleauthorpoem| resets both |\thepoemtitle| and +% |\thepoemauthor| to the values you submit. +% +% |poetry| also gives you hooks to control the appearance of +% these macros. +% \DescribeMacro{\poemtitleprehook}|\poemtitleprehook| is +% inserted by |poetry| prior to the title text, and +% \DescribeMacro{\poemtitleposthook}|\poemtitleposthook| is +% inserted afterward. For |\titleauthorpoem|, there is also +% \DescribeMacro{\poemauthorprehook}|\poemauthorprehook| and +% \DescribeMacro{\poemauthorposthook}|\poemauthorposthook|, +% inserted before and after the author. By default, the +% |pre| commands simply |\begin{center}|, while the +% |post| commands contain |\end{center}|, but you can +% certainly change their values to achieve the appearance +% you want: +% +% \bigskip\hrule\bigskip +% \begin{parcolumns}[colwidths={1=1.5in}]{2}% +% \colchunk[1]{ +% \begin{verbatim} +% \def\poemtitleprehook{% +% \bigskip\noindent} +% \def\poemtitleposthook{} +% \def\poemauthorprehook{\hfill} +% \def\poemauthorposthook{\bigskip} +% \titleauthorpoem{\poemblanktitle}{\poemblankauthor} +% \end{verbatim} +% }\colchunk[2]{% +% \def\poemtitleprehook{\bigskip\noindent}% +% \def\poemtitleposthook{}% +% \def\poemauthorprehook{\hfill}% +% \def\poemauthorposthook{\bigskip}% +% \titleauthorpoem{\poemblanktitle}{\poemblankauthor}% +% }\end{parcolumns} +% \bigskip\hrule\bigskip +% +% These settings are rather na\"\i{}ve, since they don't +% take the length of either author or title into account, +% but they suffice to show the power of using these hooks. +% +% There is also +% \DescribeMacro{\poemtitlestyle}|\poemtitlestyle|, which +% sets the styling of the title. By default, it is simply +% set with |\def\poemtitlestyle{\LARGE\bfseries}|. +% +% Similarly, there is +% \DescribeMacro{\poemauthorstyle}|\poemauthorstyle|, which +% provides the styles for the author (if one will be +% typeset). By default, this is +% |\def\poemauthorstyle{\Large}|. +% +% \subsection{Structural Features} +% \label{sub:structures} +% +% In addition to typesetting poems individually, |poetry| +% has some features to facilitate typesetting collections of +% poetry. Structurally, primarily we're dealing with poem +% groups (for which see Section \ref{subsub:poemgroups}); +% however, we also have significant power in indexing and +% tracking poems. +% +% \subsubsection{Poem Groups} +% \label{subsub:poemgroups} +% +% Poem groups are just what they sound like: groups of +% poems. They might be arranged by topic, by author, by +% style, or by any other criteria. As we have already seen +% in Section \ref{sub:othcounters}, the |poemno| counter +% tracks the number of poems individually within poem +% groups. Let's see a few of the commands we have for +% creating and dealing with these groups. +% +% \DescribeMacro{\poemgroup}|\poemgroup| starts a new poem +% group; it resets the |poemno| counter and adds one to the +% poem group counter. That's it; it's a purely structural +% command. Formatting title pages and the like for poem +% groups is another matter. +% \DescribeMacro{\endpoemgroup}|\endpoemgroup| can +% optionally be used to end the poem group. Like |\poem|, +% however, these can also be used like a \LaTeX\ +% environment, using |\begin{poemgroup}| and +% |\end{poemgroup}|. +% +% \DescribeMacro{poemgroupno}|poemgroupno| is the counter +% which keeps track of which poem group you're currently in. +% It is a standard \LaTeX\ counter, which can be reset, +% manipulated, formatted, and displayed in the usual ways. +% +% \DescribeMacro{\poemgroupheading}|\poemgroupheading| +% prints a heading for the poem group. This may or may not +% be on its own page; that's up to your formatting. +% +% \begin{center} +% \cmd{\poemgroupheading} \marg{title} \marg{other} +% \end{center} +% +% Both these arguments are mandatory, though of course one +% or the other might be empty. The first is the title of +% the poem group; the second is whatever else. It may be +% the author of the group; the style of poetry (e.g., +% anapestic, or alliterative); or any other criteria by +% which the poetry is broken into groups. +% +% |\poemgroupheading| also resets the value of +% \DescribeMacro{\thepoemgroupname}|\thepoemgroupname|, +% which is another bit of metadata that can used throughout +% that group. It resets it to the value of its first +% argument. If it is not reset, its value is simply the +% value of +% \DescribeMacro{\poemgroupblankname}|\poemgroupblankname|, +% which defaults to |Untitled Group|. By redefining this +% command, you can change the default group name. You can +% also redefine |\thepoemgroupname| separately, but be aware +% that calling |\poemgroupheading| will reset it again. +% +% The hooks listed to the left +% \DescribeMacro{\poemgrouptitleprehook} +% \DescribeMacro{\poemgrouptitleposthook} +% \DescribeMacro{\poemgroupotherprehook} +% \DescribeMacro{\poemgroupotherposthook} are inserted where +% their names imply into the heading. By default, all are +% defined to do nothing, but you can fix this with |\def| or +% |\renewcommand|. A common styling would involve putting +% |\begin{center}| and |\end{center}| into one or both of the +% |pre| and |post| hooks, respectively. Another common +% requirement would involve putting |\cleardoublepage| into +% |\poemgrouptitleprehook|, along with whatever else is +% required, in order to ensure a poem group starts on the +% next new recto (right-side and odd-numbered) page. +% +% The title can be styled by redefining +% \DescribeMacro{\poemgrouptitlestyle}|\poemgrouptitlestyle|, +% which by default simply contains |\Huge|. The ``other'' +% argument can be styled with +% \DescribeMacro{\poemgroupotherstyle}|\poemgroupotherstyle|, +% which by default contains simply |\LARGE|. + +% +% +% +% \subsubsection{List of Poems} +% \label{subsub:tocpoems} +% +% To go along with the table of contents, the list of +% figures, and the list of tables, |poetry| provides a list +% of poems. We use standard \LaTeX\ facilities to produce +% this list, so they should be pretty familiar to you. The +% source below can give the nitty-gritty. +% +% \DescribeMacro{\listofpoems}Just add |\listofpoems| +% wherever you want your list of poems to appear. Unlike +% |\tableofcontents| and the like, |\listofpoems| does +% \emph{not} start a new chapter or section, change the +% headings, and so forth; since |poetry| doesn't know what +% document class you're using, or how you want the list set +% up, it leaves the details up to you. This is easy enough +% to elaborate on; for example, to set up the list of poems +% like an unmarked chapter, like the table of contents: +% +% \begin{verbatim} +% \chapter*{\lopname} +% \listofpoems +% \end{verbatim} +% +% \DescribeMacro{\lopname}|\lopname| is a macro which simply +% contains whatever you want the title of the list of poems +% to be; by default, it is |List of Poems|. +% +% |poetry| also provides a little syntactic sugar to make +% adding entries to the list of poems easier. Rather than +% doing |\addcontentsline| and the like, simply use +% \DescribeMacro{\addtolop}|\addtolop|: +% +% \begin{center} +% \cmd{\addtolop} \marg{contents-line} +% \end{center} +% +% This will add an entry to the list of poems in the default +% style; this is set up much like a normal section entry +% without indentation. To alter this, redefine +% \DescribeMacro{\poemlopformat}|\poemlopformat|. By +% default, this is defined in a very \LaTeX-y way; the +% standard definition is shown on top below, with a +% different one underneath it: +% +% \begin{quote} +% |\def\poemlopformat{\@dottedtocline{1}{0em}{2.3em}}|\\ +% |\def\poemlopformat#1#2{\hbox to\linewidth{\textit{#1}\hfill#2}}| +% \end{quote} +% +% You can specify it however you like. +% +% There is an equivalent +% \DescribeMacro{\poemgrouplopformat}|\poemgrouplopformat|, +% which by default is designed to mimic |\chapter| lines in +% the standard \LaTeX\ classes. This can be redefined as +% necessary, too. You add a group to the list of poems by +% using \DescribeMacro{\addgrouptolop}|\addgrouptolop|, +% which functions just like |\addtolop| does. So something +% like this: +% +% \begin{quote} +% |\def\poemgrouplopformat#1#2{\hbox to\linewidth{#1\hfil#2}}|\\ +% |\addgrouptolop{Poem Group Name}| +% \end{quote} +% +% Note that none of our sectioning commands insert +% themselves into the table of contents or the list of poems +% by default. If you want this to happen automatically, +% best to write small wrappers macros around them. E.g.: +% +% \begin{verbatim} +% \def\makenewpoem#1{% +% \titlepoem{#1}% +% \addtolop{#1}% +% }% +% \end{verbatim} +% +% +% \subsubsection{Index of First Lines} +% \label{subsub:iofl} +% +% Few people remember ``Sonnet 18,'' but many people +% remember, ``Shall I compare thee to a summer's day?'' For +% this reason, an index of first lines is an important part +% of most books of poetry. |poetry| provides facilities to +% easily create them. +% +% |poetry| uses the |imakeidx| package to produce this +% index, so you can use the options it contains. To run the +% index, |poetry| uses the following configuration line: +% +% \begin{center} +% |\makeindex[intoc,columns=1,name={\jobname-iofl},title={\poemioflname}]| +% \end{center} +% +% Obviously, you can change this if you need to. This means +% that, by default, the index will appear in the table of +% contents (if there is one); the index will be set in one +% column; the index file name will be |\jobname-iofl| +% (|\jobname| is a \TeX\ variable that contains the name of +% your document, without its extension), and the title of +% the index (what appears on the top of the page) will be +% the value of the command |\poemioflname|. +% +% To change the title that appears at the top of the index, +% change \DescribeMacro{\poemioflname}|\poemioflname| to +% whatever you want; e.g., |\def\poemioflname{Index}|. +% +% \DescribeMacro{\printiofl}Use |\printiofl| at whatever +% point in your document you want the index to actually +% appear. +% +% To make entries in the index, you have two options. +% First, use \DescribeMacro{\poemfirstline}|\poemfirstline|, +% which takes a single argument, which is the entry you want +% to appear in the index. This command will \emph{not} +% typeset its argument in the document, only send it to the +% index. Second, you can use \DescribeMacro{\iofl}|\iofl|, +% which also takes a single argument; however, it will not +% only enter that line into the index, but it will also +% typeset it in the document. This means that you can wrap +% the first line of your poem in |\iofl| (\emph{without} the +% |\\|), and it will put it both in your poem and your +% index, without you having to type it twice. +% +% \section{Implementation} +% \label{sect:implem} +% +% \begin{macrocode} +\ProvidesPackage{poetry}% +\newcounter{poemline}% +\newcount\poemlineno% +\newcounter{verseline}% +\newcount\vslineno% +\newcounter{abspoemno}% +\newcount\poem@abspoemno% +\newcounter{poemno}% +\newcount\poem@poemno% +\newcounter{poemgroupno}\setcounter{poemgroupno}{0}% +\newcount\poem@groupno\poem@groupno=0% +\newcounter{poemlinenumsevery}\setcounter{poemlinenumsevery}{1}% +\newcount\poem@linenumsevery\poem@linenumsevery=\value{poemlinenumsevery}% +\newlength{\poemindent}\setlength{\poemindent}{0pt}% +\newlength{\poemtopskip}{\setlength{\poemtopskip}{1em}% +\newlength{\poembotskip}{\setlength{\poembotskip}{1em}% +\newdimen\poem@topskip\newdimen\poem@botskip% +\newdimen\poem@defleftskip\poem@defleftskip=\the\poemindent% +\newdimen\poem@maxlinewd% +\newlength{\poemmaxlinewd}\setlength{\poemmaxlinewd}{\textwidth}% +\newdimen\poem@hinwd\poem@hinwd=1em% +\newlength{\poemhinwd}\setlength{\poemhinwd}{1em}% +\newif\ifpoemlinenums\poemlinenumstrue% +\newif\ifpoemlinenumright\poemlinenumrightfalse% +\newdimen\poem@linenumboxwd\poem@linenumboxwd=2em% +\newlength{\poemlinenumboxwd}\setlength{\poemlinenumboxwd}{2em}% +\newdimen\poem@linenumboxgap\poem@linenumboxgap=0pt% +\newlength{\poemlinenumboxgap}\setlength{\poemlinenumboxgap}{0pt}% +\def\poemlinenumstyle{}% +\newdimen\poem@hangindent\poem@hangindent=1em% +\newlength{\poemhangindent}\setlength{\poemhangindent}{1em}% +\newcount\poem@indentevery\poem@indentevery=0% +\newcounter{poemindentevery}\setcounter{poemindentevery}{0}% +\newdimen\poem@verseskip\poem@verseskip=\baselineskip% +\newlength{\poemverseskip}\setlength{\poemverseskip}{\baselineskip}% +\newdimen\poem@buff% +\newcount\poem@tmp% +% from David Carlisle's answer on tex.stackexchange.com, +% question 57598; allows us to loop through a string in a +% command. We will use this for the verse indentation +% counter, as well as for the generic line indentatin +% counter, both in |\placelineno|. +\def\poem@expandvsloop#1{\poem@xvsloop#1\relax}% +\def\poem@xvsloop#1{% + \ifx\relax#1\else% + \poem@tmp=#1% + \ifnum\poem@tmp=\the\vslineno% + \hin% + \fi% + \expandafter\poem@xvsloop% + \fi% +}% +% from verse.sty +\newcommand{\poem@ifbang}[1]{\@ifnextchar !{\@firstoftwo{#1}}} +\newcommand{\poem@ifhyph}[1]{\@ifnextchar -{\@firstoftwo{#1}}} +\newcommand{\poem@ifstar}[1]{\@ifnextchar *{\@firstoftwo{#1}}} +\newcommand{\poem@ifques}[1]{\@ifnextchar ?{\@firstoftwo{#1}}} +% get modulus +\newcount\poem@tmpa +\def\modulo#1#2{% + \poem@tmpa=#1% + \divide\poem@tmpa by#2% + \multiply\poem@tmpa by#2% + \multiply\poem@tmpa by-1% + \advance\poem@tmpa by#1\relax% +}% +\def\poemvsindentlines{}% +\def\poemlnindentlines{}% +\def\tlap#1{\vbox to0pt{\vss\hbox{#1}}}% +\def\blap#1{\vbox to0pt{\hbox{#1}\vss}}% +\def\placelineno{% + \setcounter{verseline}{\the\vslineno}% + \setcounter{poemline}{\the\poemlineno}% + \poem@linenumsevery=\value{poemlinenumsevery}% + \poem@linenumboxgap=\the\poemlinenumboxgap% + \poem@linenumboxwd=\the\poemlinenumboxwd% + \modulo{\the\poemlineno}{\the\poem@linenumsevery}% + \ifpoemlinenums% + \ifnum\poem@tmpa=0% + \ifpoemlinenumright% + \hskip0pt\tlap{% + \rlap{% + \hskip\poem@maxlinewd% + \hskip\poem@linenumboxgap% + \hbox to\poem@linenumboxwd{% + \hfil% + \poemlinenumstyle\thepoemline% + }% + }% + }% + \else% + \hskip-\poem@linenumboxgap% + \llap{% + \tlap{% + \hbox to\poem@linenumboxwd{% + \poemlinenumstyle\thepoemline% + \hfil% + }\penalty10000% + }% + }\penalty10000% + \fi% + \else + \hskip-\poem@linenumboxgap% + \llap{\tlap{\hbox to\poem@linenumboxwd{\hfil}}}% + \penalty10000% + \fi% + \else + \hskip-\poem@linenumboxgap% + \llap{\tlap{\hbox to\poem@linenumboxwd{\hfil}}}% + \penalty10000% + \fi% + \par\vskip-\baselineskip% + \poem@indentevery=\value{poemindentevery}% + \ifnum\poem@indentevery=0% + \else% + \modulo{\the\poemlineno}{\the\poem@indentevery}% + \ifnum\poem@tmpa=0% + \hin% + \fi% + \fi% + \expandafter\poem@expandvsloop\expandafter{\poemvsindentlines}% + \def\@currentlabel{\thepoemline}% + \phantomsection% +}% +\def\poem@endline{% + \par% + \advance\poemlineno by1% + \advance\vslineno by1% + \poem@defaultpars% + \leftskip=\poem@defleftskip% + \placelineno% +}% +\def\poem@endpart{% + \par% + \advance\poemlineno by1% + \advance\vslineno by1% + \poem@defaultpars% + \leftskip=\poem@defleftskip% +}% +\def\poem@resume{% + \placelineno% +}% +\def\*{% + \poem@resume% +}% +\def\poem@endverse{% + \par% + \vslineno=1% + \advance\poemlineno by1% + \poem@verseskip=\the\poemverseskip% + \vskip\poem@verseskip% + \leftskip=\poem@defleftskip% + \placelineno% +} +\def\poem@endversepart{% + \par% + \advance\poemlineno by1% + \vslineno=1% + \poem@defaultpars% + \leftskip=\poem@defleftskip% +} +\def\poem@defaultpars{% + \poem@hangindent=\the\poemhangindent% + \everypar={% + \parindent=0pt% + \hangindent=\poem@hangindent% + \hangafter=1% + }% +}% +\def\hin{% + \poem@hinwd=\the\poemhinwd% + \advance\leftskip by\the\poem@hinwd% + \penalty10000% +}% +\def\poemnew{% + \advance\poem@poemno by1\stepcounter{poemno}% + \advance\poem@abspoemno by1\stepcounter{abspoemno}% +}% +\def\poem{% + \widowpenalty=0\clubpenalty=0% + \def\\{% + \poem@ifbang{\poem@endverse}{% + \poem@ifhyph{\par\vskip\poem@botskip\relax}{% + \poem@ifstar{\poem@endpart}{% + \poem@ifques{\poem@endversepart}{\poem@endline}% + }% + }% + }% + }% + \poem@defleftskip=\the\poemindent% + \leftskip=\poem@defleftskip% + \poem@maxlinewd=\the\poemmaxlinewd% + \hsize=\the\poem@defleftskip% + \advance\hsize by\the\poem@maxlinewd% + \poemlineno=1% + \vslineno=1% + \poem@topskip=\the\poemtopskip% + \poem@botskip=\the\poembotskip% + \vskip\poem@topskip% + \poem@defaultpars% + \noindent% + \poem@ifstar{}{\placelineno}% +}% +\def\endpoem{% +}% +\newdimen\poem@centlinewd +\def\centerpoemon#1{% + \settowidth{\poem@centlinewd}{#1}% + \ifdim\poem@centlinewd>\linewidth\poem@defleftskip=0pt% + \else + \poem@buff=\linewidth% + \advance\poem@buff by-\poem@centlinewd% + \divide\poem@buff by2% + \poem@defleftskip=\the\poem@buff% + \poemindent=\the\poem@buff% + \poem@maxlinewd=\the\poem@centlinewd% + \setlength{\poemmaxlinewd}{\poem@maxlinewd}% + \fi +}% +\def\centerpoemoff{% + \poem@defleftskip=0pt\setlength{\poemindent}{0pt}% + \poem@maxlinewd=\the\linewidth% + \setlength{\poemmaxlinewd}{\linewidth}% +}% +% \end{macrocode} +% Define a few variables for document metadata. +% \begin{macrocode} +\def\thepoemtitle{\poemblanktitle}% +\def\thepoemauthor{\poemblankauthor}% +\def\thepoemlicense{Public Domain}% +\def\poemdefaultlicense{Public Domain}% +\def\thepoempubdate{\today}% +% \end{macrocode} +% Here we begin the structural code; which, of course, uses +% a lot of the code above, particularly the counters. +% First, let's give folks a way to title their poems. But +% even before that, we need to define some more commands to +% help people style them. +% \begin{macrocode} +\def\poemblanktitle{Untitled}% +\def\poemblankauthor{Anonymous}% +\def\poemtitlestyle{\LARGE\bfseries}% +\def\poemauthorstyle{\Large}% +\def\poemtitleprehook{% + \begin{center}% +}% +\def\poemtitleposthook{% + \end{center}% +}% +\def\poemauthorprehook{% + \begin{center}% +}% +\def\poemauthorposthook{% + \end{center}% +}% +% \end{macrocode} +% Specifically, one for titles with no authors: +% \begin{macrocode} +\def\titlepoem#1{% + \advance\poem@poemno by1\stepcounter{poemno}% + \advance\poem@abspoemno by1\stepcounter{abspoemno}% + \def\thepoemtitle{#1}\def\thepoemauthor{\poemblankauthor}% + \begingroup% + \poemtitleprehook% + \poemtitlestyle #1% + \poemtitleposthook% + \endgroup% +}% +% \end{macrocode} +% Next, one for titles and authors: +% \begin{macrocode} +\def\titleauthorpoem#1#2{% + \advance\poem@poemno by1\stepcounter{poemno}% + \advance\poem@abspoemno by1\stepcounter{abspoemno}% + \def\thepoemtitle{#1}\def\thepoemauthor{#2}% + \begingroup% + \poemtitleprehook% + \poemtitlestyle #1% + \poemtitleposthook% + \endgroup% + \begingroup% + \poemauthorprehook% + \poemauthorstyle #2% + \poemauthorposthook% + \endgroup% +}% +% \end{macrocode} +% Now we define the poem group commands. These are pretty +% simple, essentially just resetting various variables to +% sensible values. We have the |\endpoemgroup| command here +% just to allow people to use them as environments, if they +% want. +% \begin{macrocode} +\def\poemgroup{% + \advance\poem@groupno by1% + \stepcounter{poemgroupno}% + \poem@poemno=0\setcounter{poemno}{0}% + \def\thepoemgroupname{\poemgroupblankname}% +}% +\def\endpoemgroup{% +}% +\def\poemgrouptitleprehook{}% +\def\poemgrouptitleposthook{}% +\def\poemgroupotherprehook{}% +\def\poemgroupotherposthook{}% +\def\poemgrouptitlestyle{\Huge}% +\def\poemgroupotherstyle{\LARGE}% +\def\poemgroupblankname{Untitled Group}% +\def\poemgroupname{\poemgroupblankname}% +\def\poemgroupheading#1#2{% + \def\thepoemgroupname{#1}% + \begingroup% + \poemgrouptitleprehook% + \poemgrouptitlestyle #1% + \poemgrouptitleposthook% + \endgroup% + \begingroup% + \poemgroupotherprehook% + \poemgroupotherstyle #2% + \poemgroupotherposthook% + \endgroup% +}% +% \end{macrocode} +% Now let's define the necessary commands for the list of +% poems. (\emph{Not} the index of first lines, yet.) +% \begin{macrocode} +\def\poemlopformat{% + \@dottedtocline{1}{0em}{2.3em}% +}% +\def\l@poem{\poemlopformat}% +\def\addtolop#1{% + \addcontentsline{lop}{poem}{#1}% +}% +\def\addgrouptolop#1{% + \addcontentsline{lop}{poemgroup}{#1}% +}% +\def\lopname{List of Poems}% +\def\listofpoems{% + \@starttoc{lop}% +}% +\def\poemgrouplopformat#1#2{% + \ifnum \c@tocdepth >\m@ne + \addpenalty{-\@highpenalty}% + \vskip 1.0em \@plus\p@ + \setlength\@tempdima{1.5em}% + \begingroup + \parindent \z@ \rightskip \@pnumwidth + \parfillskip -\@pnumwidth + \leavevmode \bfseries + \advance\leftskip\@tempdima + \hskip -\leftskip + #1\nobreak\hfil \nobreak\hb@xt@\@pnumwidth{\hss #2}\par + \penalty\@highpenalty + \endgroup + \fi% +}% +\def\l@poemgroup{\poemgrouplopformat}% +% \end{macrocode} +% Now let's set up the index of first lines. We use the +% |imakeidx| package for this, so as not to interfere with +% any existing indices. +% \begin{macrocode} +\RequirePackage{imakeidx} +\makeindex[intoc,columns=1,name={\jobname-iofl},title={\poemioflname}] +\def\poemioflname{Index of First Lines}% +\def\poemfirstline#1{% + \index[\jobname-iofl]{#1}% +}% +\def\iofl#1{% + \index[\jobname-iofl]{#1}% + #1% +}% +\def\printiofl{% + \printindex[\jobname-iofl]% +}% +% \end{macrocode} +% \listofpoems +% \PrintIndex diff --git a/Master/texmf-dist/source/latex/poetry/poetry.ins b/Master/texmf-dist/source/latex/poetry/poetry.ins new file mode 100644 index 00000000000..d6808258f2f --- /dev/null +++ b/Master/texmf-dist/source/latex/poetry/poetry.ins @@ -0,0 +1,64 @@ +% +AMDG This document was begun on 3 June 1201, and it is +% humbly dedicated to St. Francis de Sales, St. John the +% Apostle, and the Immaculate Heart of Mary, for their +% prayers, and to the Sacred Heart of Jesus, for His mercy. +% +% This document is copyright 2017 by Donald P. Goodman, and is +% released publicly under the LaTeX Project Public License. The +% distribution and modification of this work is constrained by the +% conditions of that license. See +% http://www.latex-project.org/lppl.txt +% for the text of the license. This document is released +% under version 1.3 of that license, and this work may be distributed +% or modified under the terms of that license or, at your option, any +% later version. +% +% This work has the LPPL maintenance status 'maintained'. +% +% The Current Maintainer of this work is Donald P. Goodman +% (dgoodmaniii@gmail.com). +% +% This work consists of poetry.dtx, poetry.ins, and +% derived files poetry.sty and poetry.pdf. + +\input docstrip.tex + +\preamble +This is a generated file. + +This document is copyright 2014 by Donald P. Goodman, and is +released publicly under the LaTeX Project Public License. The +distribution and modification of this work is constrained by the +conditions of that license. See + http://www.latex-project.org/lppl.txt +for the text of the license. This document is released +under version 1.3 of that license, and this work may be distributed +or modified under the terms of that license or, at your option, any +later version. + +This work has the LPPL maintenance status 'maintained'. + +The Current Maintainer of this work is Donald P. Goodman +(dgoodmaniii@gmail.com). + +This work consists of poetry.dtx, poetry.ins, and +derived files poetry.sty and poetry.pdf. +\endpreamble + +\keepsilent +\generate{\file{poetry.sty}{\from{poetry.dtx}{package}}} + +\Msg{******************************************************} +\Msg{*} +\Msg{* To finish the installation you have to move the} +\Msg{* following file into a directory searched by TeX:} +\Msg{*} +\Msg{* \space\space poetry.sty} +\Msg{*} +\Msg{* To produce the documentation run the file poetry.dtx} +\Msg{* through LaTeX.} +\Msg{*} +\Msg{* Happy TeXing!} +\Msg{******************************************************} + +\endbatchfile diff --git a/Master/texmf-dist/tex/latex/poetry/poetry.sty b/Master/texmf-dist/tex/latex/poetry/poetry.sty new file mode 100644 index 00000000000..e0a0751a6e1 --- /dev/null +++ b/Master/texmf-dist/tex/latex/poetry/poetry.sty @@ -0,0 +1,369 @@ +%% +%% This is file `poetry.sty', +%% generated with the docstrip utility. +%% +%% The original source files were: +%% +%% poetry.dtx (with options: `package') +%% This is a generated file. +%% +%% This document is copyright 2014 by Donald P. Goodman, and is +%% released publicly under the LaTeX Project Public License. The +%% distribution and modification of this work is constrained by the +%% conditions of that license. See +%% http://www.latex-project.org/lppl.txt +%% for the text of the license. This document is released +%% under version 1.3 of that license, and this work may be distributed +%% or modified under the terms of that license or, at your option, any +%% later version. +%% +%% This work has the LPPL maintenance status 'maintained'. +%% +%% The Current Maintainer of this work is Donald P. Goodman +%% (dgoodmaniii@gmail.com). +%% +%% This work consists of poetry.dtx, poetry.ins, and +%% derived files poetry.sty and poetry.pdf. + +\NeedsTeXFormat{LaTeX2e}[1999/12/01] +\ProvidesPackage{poetry}[2017/06/19 v1.0 support for typesetting poetry] + +\ProvidesPackage{poetry}% +\newcounter{poemline}% +\newcount\poemlineno% +\newcounter{verseline}% +\newcount\vslineno% +\newcounter{abspoemno}% +\newcount\poem@abspoemno% +\newcounter{poemno}% +\newcount\poem@poemno% +\newcounter{poemgroupno}\setcounter{poemgroupno}{0}% +\newcount\poem@groupno\poem@groupno=0% +\newcounter{poemlinenumsevery}\setcounter{poemlinenumsevery}{1}% +\newcount\poem@linenumsevery\poem@linenumsevery=\value{poemlinenumsevery}% +\newlength{\poemindent}\setlength{\poemindent}{0pt}% +\newlength{\poemtopskip}{\setlength{\poemtopskip}{1em}% +\newlength{\poembotskip}{\setlength{\poembotskip}{1em}% +\newdimen\poem@topskip\newdimen\poem@botskip% +\newdimen\poem@defleftskip\poem@defleftskip=\the\poemindent% +\newdimen\poem@maxlinewd% +\newlength{\poemmaxlinewd}\setlength{\poemmaxlinewd}{\textwidth}% +\newdimen\poem@hinwd\poem@hinwd=1em% +\newlength{\poemhinwd}\setlength{\poemhinwd}{1em}% +\newif\ifpoemlinenums\poemlinenumstrue% +\newif\ifpoemlinenumright\poemlinenumrightfalse% +\newdimen\poem@linenumboxwd\poem@linenumboxwd=2em% +\newlength{\poemlinenumboxwd}\setlength{\poemlinenumboxwd}{2em}% +\newdimen\poem@linenumboxgap\poem@linenumboxgap=0pt% +\newlength{\poemlinenumboxgap}\setlength{\poemlinenumboxgap}{0pt}% +\def\poemlinenumstyle{}% +\newdimen\poem@hangindent\poem@hangindent=1em% +\newlength{\poemhangindent}\setlength{\poemhangindent}{1em}% +\newcount\poem@indentevery\poem@indentevery=0% +\newcounter{poemindentevery}\setcounter{poemindentevery}{0}% +\newdimen\poem@verseskip\poem@verseskip=\baselineskip% +\newlength{\poemverseskip}\setlength{\poemverseskip}{\baselineskip}% +\newdimen\poem@buff% +\newcount\poem@tmp% +\def\poem@expandvsloop#1{\poem@xvsloop#1\relax}% +\def\poem@xvsloop#1{% +\ifx\relax#1\else% +\poem@tmp=#1% +\ifnum\poem@tmp=\the\vslineno% +\hin% +\fi% +\expandafter\poem@xvsloop% +\fi% +}% +\newcommand{\poem@ifbang}[1]{\@ifnextchar !{\@firstoftwo{#1}}} +\newcommand{\poem@ifhyph}[1]{\@ifnextchar -{\@firstoftwo{#1}}} +\newcommand{\poem@ifstar}[1]{\@ifnextchar *{\@firstoftwo{#1}}} +\newcommand{\poem@ifques}[1]{\@ifnextchar ?{\@firstoftwo{#1}}} +\newcount\poem@tmpa +\def\modulo#1#2{% +\poem@tmpa=#1% +\divide\poem@tmpa by#2% +\multiply\poem@tmpa by#2% +\multiply\poem@tmpa by-1% +\advance\poem@tmpa by#1\relax% +}% +\def\poemvsindentlines{}% +\def\poemlnindentlines{}% +\def\tlap#1{\vbox to0pt{\vss\hbox{#1}}}% +\def\blap#1{\vbox to0pt{\hbox{#1}\vss}}% +\def\placelineno{% +\setcounter{verseline}{\the\vslineno}% +\setcounter{poemline}{\the\poemlineno}% +\poem@linenumsevery=\value{poemlinenumsevery}% +\poem@linenumboxgap=\the\poemlinenumboxgap% +\poem@linenumboxwd=\the\poemlinenumboxwd% +\modulo{\the\poemlineno}{\the\poem@linenumsevery}% +\ifpoemlinenums% +\ifnum\poem@tmpa=0% +\ifpoemlinenumright% +\hskip0pt\tlap{% +\rlap{% +\hskip\poem@maxlinewd% +\hskip\poem@linenumboxgap% +\hbox to\poem@linenumboxwd{% +\hfil% +\poemlinenumstyle\thepoemline% +}% +}% +}% +\else% +\hskip-\poem@linenumboxgap% +\llap{% +\tlap{% +\hbox to\poem@linenumboxwd{% +\poemlinenumstyle\thepoemline% +\hfil% +}\penalty10000% +}% +}\penalty10000% +\fi% +\else +\hskip-\poem@linenumboxgap% +\llap{\tlap{\hbox to\poem@linenumboxwd{\hfil}}}% +\penalty10000% +\fi% +\else +\hskip-\poem@linenumboxgap% +\llap{\tlap{\hbox to\poem@linenumboxwd{\hfil}}}% +\penalty10000% +\fi% +\par\vskip-\baselineskip% +\poem@indentevery=\value{poemindentevery}% +\ifnum\poem@indentevery=0% +\else% +\modulo{\the\poemlineno}{\the\poem@indentevery}% +\ifnum\poem@tmpa=0% +\hin% +\fi% +\fi% +\expandafter\poem@expandvsloop\expandafter{\poemvsindentlines}% +\def\@currentlabel{\thepoemline}% +\phantomsection% +}% +\def\poem@endline{% +\par% +\advance\poemlineno by1% +\advance\vslineno by1% +\poem@defaultpars% +\leftskip=\poem@defleftskip% +\placelineno% +}% +\def\poem@endpart{% +\par% +\advance\poemlineno by1% +\advance\vslineno by1% +\poem@defaultpars% +\leftskip=\poem@defleftskip% +}% +\def\poem@resume{% +\placelineno% +}% +\def\*{% +\poem@resume% +}% +\def\poem@endverse{% +\par% +\vslineno=1% +\advance\poemlineno by1% +\poem@verseskip=\the\poemverseskip% +\vskip\poem@verseskip% +\leftskip=\poem@defleftskip% +\placelineno% +} +\def\poem@endversepart{% +\par% +\advance\poemlineno by1% +\vslineno=1% +\poem@defaultpars% +\leftskip=\poem@defleftskip% +} +\def\poem@defaultpars{% +\poem@hangindent=\the\poemhangindent% +\everypar={% +\parindent=0pt% +\hangindent=\poem@hangindent% +\hangafter=1% +}% +}% +\def\hin{% +\poem@hinwd=\the\poemhinwd% +\advance\leftskip by\the\poem@hinwd% +\penalty10000% +}% +\def\poemnew{% +\advance\poem@poemno by1\stepcounter{poemno}% +\advance\poem@abspoemno by1\stepcounter{abspoemno}% +}% +\def\poem{% +\widowpenalty=0\clubpenalty=0% +\def\\{% +\poem@ifbang{\poem@endverse}{% +\poem@ifhyph{\par\vskip\poem@botskip\relax}{% +\poem@ifstar{\poem@endpart}{% +\poem@ifques{\poem@endversepart}{\poem@endline}% +}% +}% +}% +}% +\poem@defleftskip=\the\poemindent% +\leftskip=\poem@defleftskip% +\poem@maxlinewd=\the\poemmaxlinewd% +\hsize=\the\poem@defleftskip% +\advance\hsize by\the\poem@maxlinewd% +\poemlineno=1% +\vslineno=1% +\poem@topskip=\the\poemtopskip% +\poem@botskip=\the\poembotskip% +\vskip\poem@topskip% +\poem@defaultpars% +\noindent% +\poem@ifstar{}{\placelineno}% +}% +\def\endpoem{% +}% +\newdimen\poem@centlinewd +\def\centerpoemon#1{% +\settowidth{\poem@centlinewd}{#1}% +\ifdim\poem@centlinewd>\linewidth\poem@defleftskip=0pt% +\else +\poem@buff=\linewidth% +\advance\poem@buff by-\poem@centlinewd% +\divide\poem@buff by2% +\poem@defleftskip=\the\poem@buff% +\poemindent=\the\poem@buff% +\poem@maxlinewd=\the\poem@centlinewd% +\setlength{\poemmaxlinewd}{\poem@maxlinewd}% +\fi +}% +\def\centerpoemoff{% +\poem@defleftskip=0pt\setlength{\poemindent}{0pt}% +\poem@maxlinewd=\the\linewidth% +\setlength{\poemmaxlinewd}{\linewidth}% +}% +\def\thepoemtitle{\poemblanktitle}% +\def\thepoemauthor{\poemblankauthor}% +\def\thepoemlicense{Public Domain}% +\def\poemdefaultlicense{Public Domain}% +\def\thepoempubdate{\today}% +\def\poemblanktitle{Untitled}% +\def\poemblankauthor{Anonymous}% +\def\poemtitlestyle{\LARGE\bfseries}% +\def\poemauthorstyle{\Large}% +\def\poemtitleprehook{% +\begin{center}% +}% +\def\poemtitleposthook{% +\end{center}% +}% +\def\poemauthorprehook{% +\begin{center}% +}% +\def\poemauthorposthook{% +\end{center}% +}% +\def\titlepoem#1{% +\advance\poem@poemno by1\stepcounter{poemno}% +\advance\poem@abspoemno by1\stepcounter{abspoemno}% +\def\thepoemtitle{#1}\def\thepoemauthor{\poemblankauthor}% +\begingroup% +\poemtitleprehook% +\poemtitlestyle #1% +\poemtitleposthook% +\endgroup% +}% +\def\titleauthorpoem#1#2{% +\advance\poem@poemno by1\stepcounter{poemno}% +\advance\poem@abspoemno by1\stepcounter{abspoemno}% +\def\thepoemtitle{#1}\def\thepoemauthor{#2}% +\begingroup% +\poemtitleprehook% +\poemtitlestyle #1% +\poemtitleposthook% +\endgroup% +\begingroup% +\poemauthorprehook% +\poemauthorstyle #2% +\poemauthorposthook% +\endgroup% +}% +\def\poemgroup{% +\advance\poem@groupno by1% +\stepcounter{poemgroupno}% +\poem@poemno=0\setcounter{poemno}{0}% +\def\thepoemgroupname{\poemgroupblankname}% +}% +\def\endpoemgroup{% +}% +\def\poemgrouptitleprehook{}% +\def\poemgrouptitleposthook{}% +\def\poemgroupotherprehook{}% +\def\poemgroupotherposthook{}% +\def\poemgrouptitlestyle{\Huge}% +\def\poemgroupotherstyle{\LARGE}% +\def\poemgroupblankname{Untitled Group}% +\def\poemgroupname{\poemgroupblankname}% +\def\poemgroupheading#1#2{% +\def\thepoemgroupname{#1}% +\begingroup% +\poemgrouptitleprehook% +\poemgrouptitlestyle #1% +\poemgrouptitleposthook% +\endgroup% +\begingroup% +\poemgroupotherprehook% +\poemgroupotherstyle #2% +\poemgroupotherposthook% +\endgroup% +}% +\def\poemlopformat{% +\@dottedtocline{1}{0em}{2.3em}% +}% +\def\l@poem{\poemlopformat}% +\def\addtolop#1{% +\addcontentsline{lop}{poem}{#1}% +}% +\def\addgrouptolop#1{% +\addcontentsline{lop}{poemgroup}{#1}% +}% +\def\lopname{List of Poems}% +\def\listofpoems{% +\@starttoc{lop}% +}% +\def\poemgrouplopformat#1#2{% +\ifnum \c@tocdepth >\m@ne +\addpenalty{-\@highpenalty}% +\vskip 1.0em \@plus\p@ +\setlength\@tempdima{1.5em}% +\begingroup +\parindent \z@ \rightskip \@pnumwidth +\parfillskip -\@pnumwidth +\leavevmode \bfseries +\advance\leftskip\@tempdima +\hskip -\leftskip +#1\nobreak\hfil \nobreak\hb@xt@\@pnumwidth{\hss #2}\par +\penalty\@highpenalty +\endgroup +\fi% +}% +\def\l@poemgroup{\poemgrouplopformat}% +\RequirePackage{imakeidx} +\makeindex[intoc,columns=1,name={\jobname-iofl},title={\poemioflname}] +\def\poemioflname{Index of First Lines}% +\def\poemfirstline#1{% +\index[\jobname-iofl]{#1}% +}% +\def\iofl#1{% +\index[\jobname-iofl]{#1}% +#1% +}% +\def\printiofl{% +\printindex[\jobname-iofl]% +}% +\endinput +%% +%% End of file `poetry.sty'. diff --git a/Master/tlpkg/bin/tlpkg-ctan-check b/Master/tlpkg/bin/tlpkg-ctan-check index 0a78a40632d..1c1327d5a84 100755 --- a/Master/tlpkg/bin/tlpkg-ctan-check +++ b/Master/tlpkg/bin/tlpkg-ctan-check @@ -486,7 +486,7 @@ my @TLP_working = qw( plain-doc plainpkg plari plantslabels plates platex platex-tools platexcheat play playfair plipsum plnfss plstmary plweb pmgraph pmx pmxchords pnas2009 - poemscol poetrytex polski poltawski + poemscol poetry poetrytex polski poltawski polyglossia polynom polynomial polytable postcards poster-mac powerdot powerdot-FUBerlin ppr-prv pracjourn preprint prerex present presentations presentations-en diff --git a/Master/tlpkg/tlpsrc/collection-humanities.tlpsrc b/Master/tlpkg/tlpsrc/collection-humanities.tlpsrc index f4e2e3cb207..f4389d7c9e6 100644 --- a/Master/tlpkg/tlpsrc/collection-humanities.tlpsrc +++ b/Master/tlpkg/tlpsrc/collection-humanities.tlpsrc @@ -38,6 +38,7 @@ depend phonrule depend plari depend play depend poemscol +depend poetry depend poetrytex depend qobitree depend qtree diff --git a/Master/tlpkg/tlpsrc/poetry.tlpsrc b/Master/tlpkg/tlpsrc/poetry.tlpsrc new file mode 100644 index 00000000000..e69de29bb2d --- /dev/null +++ b/Master/tlpkg/tlpsrc/poetry.tlpsrc |