pmxchords (12dec13)

git-svn-id: svn://tug.org/texlive/trunk@32405 c570f23f-e606-0410-a88d-b1316a301751

50 files changed, 2899 insertions, 2 deletions

diff --git a/Master/bin/alpha-linux/pmxchords b/Master/bin/alpha-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/alpha-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/amd64-freebsd/pmxchords b/Master/bin/amd64-freebsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/amd64-freebsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/amd64-kfreebsd/pmxchords b/Master/bin/amd64-kfreebsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/amd64-kfreebsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/amd64-netbsd/pmxchords b/Master/bin/amd64-netbsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/amd64-netbsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/armel-linux/pmxchords b/Master/bin/armel-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/armel-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/armhf-linux/pmxchords b/Master/bin/armhf-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/armhf-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-cygwin/pmxchords b/Master/bin/i386-cygwin/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-cygwin/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-freebsd/pmxchords b/Master/bin/i386-freebsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-freebsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-kfreebsd/pmxchords b/Master/bin/i386-kfreebsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-kfreebsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-linux/pmxchords b/Master/bin/i386-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-netbsd/pmxchords b/Master/bin/i386-netbsd/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-netbsd/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/i386-solaris/pmxchords b/Master/bin/i386-solaris/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/i386-solaris/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/mips-irix/pmxchords b/Master/bin/mips-irix/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/mips-irix/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/mipsel-linux/pmxchords b/Master/bin/mipsel-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/mipsel-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/powerpc-linux/pmxchords b/Master/bin/powerpc-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/powerpc-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/sparc-solaris/pmxchords b/Master/bin/sparc-solaris/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/sparc-solaris/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/universal-darwin/pmxchords b/Master/bin/universal-darwin/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/universal-darwin/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/win32/pmxchords.exe b/Master/bin/win32/pmxchords.exe
new file mode 100755
index 00000000000..5777d90a17a
--- /dev/null
+++ b/Master/bin/win32/pmxchords.exe
diff --git a/Master/bin/x86_64-darwin/pmxchords b/Master/bin/x86_64-darwin/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/x86_64-darwin/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/x86_64-linux/pmxchords b/Master/bin/x86_64-linux/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/x86_64-linux/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/bin/x86_64-solaris/pmxchords b/Master/bin/x86_64-solaris/pmxchords
new file mode 120000
index 00000000000..571fd4e9370
--- /dev/null
+++ b/Master/bin/x86_64-solaris/pmxchords
@@ -0,0 +1 @@
+../../texmf-dist/scripts/pmxchords/pmxchords.lua
\ No newline at end of file
diff --git a/Master/texmf-dist/doc/man/man1/pmxchords.1 b/Master/texmf-dist/doc/man/man1/pmxchords.1
new file mode 100644
index 00000000000..e9e4990852f
--- /dev/null
+++ b/Master/texmf-dist/doc/man/man1/pmxchords.1
@@ -0,0 +1,33 @@
+.TH pmxchords 1 "11 Dec 2013" "Version 2013-12-11" "pmxchords Manual Page"
+.SH NAME
+pmxchords \- This script processes pmx files with chord symbols, allowing for key transpositions
+.SH SYNOPSIS
+[ texlua ]
+.B pmxchords
+{
+.IR option
+|
+.IR jobname 
+[ .pmx ] 
+} ...
+.TP
+The default effect is to preprocess each pmx file so that chords are transposed as necessary, generating a temporary pmx file which is then processed by pmxab.  Finally the resulting tex file is renamed to have the original jobname.  The default filename for the temporary file is <jobname>_chtr.pmx.
+
+.SH OPTIONS
+.TP 8
+.B -v 
+output program name and version number, and quit
+.TP
+.B -h
+output usage summary and quit
+.TP
+.B -s 
+stop after first step (of producing a temporary pmx file with transposed chord symbols).
+
+
+.SH SEE ALSO
+pmx(1), musixtex(1)
+.SH AUTHORS 
+pmxchords was written by Ondrej Fafejta
+<fafejtao@gmail.com>. This manual page was written by Bob Tennent
+<rdt@cs.queensu.ca>.
diff --git a/Master/texmf-dist/doc/man/man1/pmxchords.man1.pdf b/Master/texmf-dist/doc/man/man1/pmxchords.man1.pdf
new file mode 100644
index 00000000000..2e5400d6bca
--- /dev/null
+++ b/Master/texmf-dist/doc/man/man1/pmxchords.man1.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/README b/Master/texmf-dist/doc/pmxchords/README
new file mode 100644
index 00000000000..a8f378429cf
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/README
@@ -0,0 +1,20 @@
+2013-12-11
+Author: Ondrej Fafejta <fafejtao@gmail.com>
+Website: https://github.com/fafejtao/pmxChords
+
+Pmxchords extends the PMX preprocesor for musixtex to output chord
+notations over the notes. The syntax for chord symbols is as inline
+tex commands in the .pmx file. 
+e.g. \ch.C.\ c44 e \ch.G7.\ d2 | \ch.C.\ c r /
+
+PMX supports key transposition and the pmxchords.lua script is
+used to transpose chord symbols accordingly (and then call pmxab as
+usual to generate a .tex file). From version 0.3, the pmx2pdf script
+in the PMX package supports a -c option to use pmxchords (and then
+pmxab) as the preprocessor (rather than pmxab directly).
+
+For installation and usage, see the pmxchords-install document.
+
+pmxchords is licensed under the GPL version 2 or later.
+
+This README was edited by Bob Tennent (rdt@cs.queensu.ca).
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRef.pdf b/Master/texmf-dist/doc/pmxchords/chordsRef.pdf
new file mode 100644
index 00000000000..d54e2ffa11c
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRef.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRef.tex b/Master/texmf-dist/doc/pmxchords/chordsRef.tex
new file mode 100644
index 00000000000..128abed2a85
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRef.tex
@@ -0,0 +1,426 @@
+\documentclass[10pt]{article}
+\usepackage[landscape,a4paper,top=1.5cm,right=1.5cm,bottom=1.5cm,left=1.5cm]{geometry}
+\pagestyle{empty}
+%\usepackage[utf8]{inputenc}
+%\usepackage{czech}
+
+\begin{document}
+
+\input chords
+
+\def\chBase#1{\chFont #1}   % override default chord base macro
+
+\def\chSrc#1{\small \tt $\backslash$ch.#1.}
+
+\subsection*{Macro: chords}
+\begin{tabular}{ | l | l | l | l | l | l | l | l | l | l | l | l |}
+\hline
+  \ch.C.
+& \ch.Cs.
+& \ch.D.
+& \ch.Ef.
+& \ch.E.
+& \ch.F.
+& \ch.Fs.
+& \ch.G.
+& \ch.Af.
+& \ch.A.
+& \ch.Bf.
+& \ch.B.
+\\ 
+  \chSrc{C}
+& \chSrc{Cs}
+& \chSrc{D}
+& \chSrc{Ef}
+& \chSrc{E}
+& \chSrc{F}
+& \chSrc{Fs}
+& \chSrc{G}
+& \chSrc{Af}
+& \chSrc{A}
+& \chSrc{Bf}
+& \chSrc{B}
+\\ 
+\hline
+  \ch.Cm.
+& \ch.Csm.
+& \ch.Dm.
+& \ch.Efm.
+& \ch.Em.
+& \ch.Fm.
+& \ch.Fsm.
+& \ch.Gm.
+& \ch.Afm.
+& \ch.Am.
+& \ch.Bfm.
+& \ch.Bm.
+\\ 
+  \chSrc{Cm}
+& \chSrc{Csm}
+& \chSrc{Dm}
+& \chSrc{Efm}
+& \chSrc{Em}
+& \chSrc{Fm}
+& \chSrc{Fsm}
+& \chSrc{Gm}
+& \chSrc{Afm}
+& \chSrc{Am}
+& \chSrc{Bfm}
+& \chSrc{Bm}
+\\ 
+\hline
+  \ch.C+.
+& \ch.Cs+.
+& \ch.D+.
+& \ch.Ef+.
+& \ch.E+.
+& \ch.F+.
+& \ch.Fs+.
+& \ch.G+.
+& \ch.Af+.
+& \ch.A+.
+& \ch.Bf+.
+& \ch.B+.
+\\ 
+  \chSrc{C+}
+& \chSrc{Cs+}
+& \chSrc{D+}
+& \chSrc{Ef+}
+& \chSrc{E+}
+& \chSrc{F+}
+& \chSrc{Fs+}
+& \chSrc{G+}
+& \chSrc{Af+}
+& \chSrc{A+}
+& \chSrc{Bf+}
+& \chSrc{B+}
+\\ 
+\hline
+  \ch.C4.
+& \ch.Cs4.
+& \ch.D4.
+& \ch.Ef4.
+& \ch.E4.
+& \ch.F4.
+& \ch.Fs4.
+& \ch.G4.
+& \ch.Af4.
+& \ch.A4.
+& \ch.Bf4.
+& \ch.B4.
+\\ 
+  \chSrc{C4}
+& \chSrc{Cs4}
+& \chSrc{D4}
+& \chSrc{Ef4}
+& \chSrc{E4}
+& \chSrc{F4}
+& \chSrc{Fs4}
+& \chSrc{G4}
+& \chSrc{Af4}
+& \chSrc{A4}
+& \chSrc{Bf4}
+& \chSrc{B4}
+\\ 
+\hline
+  \ch.Cdim.
+& \ch.Csdim.
+& \ch.Ddim.
+& \ch.Efdim.
+& \ch.Edim.
+& \ch.Fdim.
+& \ch.Fsdim.
+& \ch.Gdim.
+& \ch.Afdim.
+& \ch.Adim.
+& \ch.Bfdim.
+& \ch.Bdim.
+\\ 
+  \chSrc{Cdim}
+& \chSrc{Csdim}
+& \chSrc{Ddim}
+& \chSrc{Efdim}
+& \chSrc{Edim}
+& \chSrc{Fdim}
+& \chSrc{Fsdim}
+& \chSrc{Gdim}
+& \chSrc{Afdim}
+& \chSrc{Adim}
+& \chSrc{Bfdim}
+& \chSrc{Bdim}
+\\ 
+\hline
+  \ch.Cmaj.
+& \ch.Csmaj.
+& \ch.Dmaj.
+& \ch.Efmaj.
+& \ch.Emaj.
+& \ch.Fmaj.
+& \ch.Fsmaj.
+& \ch.Gmaj.
+& \ch.Afmaj.
+& \ch.Amaj.
+& \ch.Bfmaj.
+& \ch.Bmaj.
+\\ 
+  \chSrc{Cmaj}
+& \chSrc{Csmaj}
+& \chSrc{Dmaj}
+& \chSrc{Efmaj}
+& \chSrc{Emaj}
+& \chSrc{Fmaj}
+& \chSrc{Fsmaj}
+& \chSrc{Gmaj}
+& \chSrc{Afmaj}
+& \chSrc{Amaj}
+& \chSrc{Bfmaj}
+& \chSrc{Bmaj}
+\\ 
+\hline
+  \ch.C6.
+& \ch.Cs6.
+& \ch.D6.
+& \ch.Ef6.
+& \ch.E6.
+& \ch.F6.
+& \ch.Fs6.
+& \ch.G6.
+& \ch.Af6.
+& \ch.A6.
+& \ch.Bf6.
+& \ch.B6.
+\\ 
+  \chSrc{C6}
+& \chSrc{Cs6}
+& \chSrc{D6}
+& \chSrc{Ef6}
+& \chSrc{E6}
+& \chSrc{F6}
+& \chSrc{Fs6}
+& \chSrc{G6}
+& \chSrc{Af6}
+& \chSrc{A6}
+& \chSrc{Bf6}
+& \chSrc{B6}
+\\ 
+\hline
+  \ch.C7.
+& \ch.Cs7.
+& \ch.D7.
+& \ch.Ef7.
+& \ch.E7.
+& \ch.F7.
+& \ch.Fs7.
+& \ch.G7.
+& \ch.Af7.
+& \ch.A7.
+& \ch.Bf7.
+& \ch.B7.
+\\ 
+  \chSrc{C7}
+& \chSrc{Cs7}
+& \chSrc{D7}
+& \chSrc{Ef7}
+& \chSrc{E7}
+& \chSrc{F7}
+& \chSrc{Fs7}
+& \chSrc{G7}
+& \chSrc{Af7}
+& \chSrc{A7}
+& \chSrc{Bf7}
+& \chSrc{B7}
+\\ 
+\hline
+  \ch.C9.
+& \ch.Cs9.
+& \ch.D9.
+& \ch.Ef9.
+& \ch.E9.
+& \ch.F9.
+& \ch.Fs9.
+& \ch.G9.
+& \ch.Af9.
+& \ch.A9.
+& \ch.Bf9.
+& \ch.B9.
+\\ 
+  \chSrc{C9}
+& \chSrc{Cs9}
+& \chSrc{D9}
+& \chSrc{Ef9}
+& \chSrc{E9}
+& \chSrc{F9}
+& \chSrc{Fs9}
+& \chSrc{G9}
+& \chSrc{Af9}
+& \chSrc{A9}
+& \chSrc{Bf9}
+& \chSrc{B9}
+\\ 
+\hline
+  \ch.C9f.
+& \ch.Cs9f.
+& \ch.D9f.
+& \ch.Ef9f.
+& \ch.E9f.
+& \ch.F9f.
+& \ch.Fs9f.
+& \ch.G9f.
+& \ch.Af9f.
+& \ch.A9f.
+& \ch.Bf9f.
+& \ch.B9f.
+\\ 
+  \chSrc{C9f}
+& \chSrc{Cs9f}
+& \chSrc{D9f}
+& \chSrc{Ef9f}
+& \chSrc{E9f}
+& \chSrc{F9f}
+& \chSrc{Fs9f}
+& \chSrc{G9f}
+& \chSrc{Af9f}
+& \chSrc{A9f}
+& \chSrc{Bf9f}
+& \chSrc{B9f}
+\\ 
+\hline
+  \ch.Cm7.
+& \ch.Csm7.
+& \ch.Dm7.
+& \ch.Efm7.
+& \ch.Em7.
+& \ch.Fm7.
+& \ch.Fsm7.
+& \ch.Gm7.
+& \ch.Afm7.
+& \ch.Am7.
+& \ch.Bfm7.
+& \ch.Bm7.
+\\ 
+  \chSrc{Cm7}
+& \chSrc{Csm7}
+& \chSrc{Dm7}
+& \chSrc{Efm7}
+& \chSrc{Em7}
+& \chSrc{Fm7}
+& \chSrc{Fsm7}
+& \chSrc{Gm7}
+& \chSrc{Afm7}
+& \chSrc{Am7}
+& \chSrc{Bfm7}
+& \chSrc{Bm7}
+\\ 
+\hline
+  \ch.Cm6.
+& \ch.Csm6.
+& \ch.Dm6.
+& \ch.Efm6.
+& \ch.Em6.
+& \ch.Fm6.
+& \ch.Fsm6.
+& \ch.Gm6.
+& \ch.Afm6.
+& \ch.Am6.
+& \ch.Bfm6.
+& \ch.Bm6.
+\\ 
+  \chSrc{Cm6}
+& \chSrc{Csm6}
+& \chSrc{Dm6}
+& \chSrc{Efm6}
+& \chSrc{Em6}
+& \chSrc{Fm6}
+& \chSrc{Fsm6}
+& \chSrc{Gm6}
+& \chSrc{Afm6}
+& \chSrc{Am6}
+& \chSrc{Bfm6}
+& \chSrc{Bm6}
+\\ 
+\hline
+  \ch.Cm5f.
+& \ch.Csm5f.
+& \ch.Dm5f.
+& \ch.Efm5f.
+& \ch.Em5f.
+& \ch.Fm5f.
+& \ch.Fsm5f.
+& \ch.Gm5f.
+& \ch.Afm5f.
+& \ch.Am5f.
+& \ch.Bfm5f.
+& \ch.Bm5f.
+\\ 
+  \chSrc{Cm5f}
+& \chSrc{Csm5f}
+& \chSrc{Dm5f}
+& \chSrc{Efm5f}
+& \chSrc{Em5f}
+& \chSrc{Fm5f}
+& \chSrc{Fsm5f}
+& \chSrc{Gm5f}
+& \chSrc{Afm5f}
+& \chSrc{Am5f}
+& \chSrc{Bfm5f}
+& \chSrc{Bm5f}
+\\ 
+\hline
+  \ch.C47.
+& \ch.Cs47.
+& \ch.D47.
+& \ch.Ef47.
+& \ch.E47.
+& \ch.F47.
+& \ch.Fs47.
+& \ch.G47.
+& \ch.Af47.
+& \ch.A47.
+& \ch.Bf47.
+& \ch.B47.
+\\ 
+  \chSrc{C47}
+& \chSrc{Cs47}
+& \chSrc{D47}
+& \chSrc{Ef47}
+& \chSrc{E47}
+& \chSrc{F47}
+& \chSrc{Fs47}
+& \chSrc{G47}
+& \chSrc{Af47}
+& \chSrc{A47}
+& \chSrc{Bf47}
+& \chSrc{B47}
+\\ 
+\hline
+  \ch.Cm75f.
+& \ch.Csm75f.
+& \ch.Dm75f.
+& \ch.Efm75f.
+& \ch.Em75f.
+& \ch.Fm75f.
+& \ch.Fsm75f.
+& \ch.Gm75f.
+& \ch.Afm75f.
+& \ch.Am75f.
+& \ch.Bfm75f.
+& \ch.Bm75f.
+\\ 
+  \chSrc{Cm75f}
+& \chSrc{Csm75f}
+& \chSrc{Dm75f}
+& \chSrc{Efm75f}
+& \chSrc{Em75f}
+& \chSrc{Fm75f}
+& \chSrc{Fsm75f}
+& \chSrc{Gm75f}
+& \chSrc{Afm75f}
+& \chSrc{Am75f}
+& \chSrc{Bfm75f}
+& \chSrc{Bm75f}
+\\ 
+\hline
+
+\end{tabular}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf
new file mode 100644
index 00000000000..335d57174a1
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex
new file mode 100644
index 00000000000..1feb4dbcaf2
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/chordsRefCZ.tex
@@ -0,0 +1,426 @@
+\documentclass[10pt]{article}
+\usepackage[landscape,a4paper,top=1.5cm,right=1.5cm,bottom=1.5cm,left=1.5cm]{geometry}
+\pagestyle{empty}
+%\usepackage[utf8]{inputenc}
+%\usepackage{czech}
+
+\begin{document}
+
+\input chordsCZ
+
+\def\chBase#1{\chFont #1}   % override default chord base macro
+
+\def\chSrc#1{\small \tt $\backslash$ch.#1.}
+
+\subsection*{Macro: chordsCZ}
+\begin{tabular}{ | l | l | l | l | l | l | l | l | l | l | l | l |}
+\hline
+  \ch.C.
+& \ch.Cs.
+& \ch.D.
+& \ch.Ef.
+& \ch.E.
+& \ch.F.
+& \ch.Fs.
+& \ch.G.
+& \ch.Af.
+& \ch.A.
+& \ch.Bf.
+& \ch.B.
+\\ 
+  \chSrc{C}
+& \chSrc{Cs}
+& \chSrc{D}
+& \chSrc{Ef}
+& \chSrc{E}
+& \chSrc{F}
+& \chSrc{Fs}
+& \chSrc{G}
+& \chSrc{Af}
+& \chSrc{A}
+& \chSrc{Bf}
+& \chSrc{B}
+\\ 
+\hline
+  \ch.Cm.
+& \ch.Csm.
+& \ch.Dm.
+& \ch.Efm.
+& \ch.Em.
+& \ch.Fm.
+& \ch.Fsm.
+& \ch.Gm.
+& \ch.Afm.
+& \ch.Am.
+& \ch.Bfm.
+& \ch.Bm.
+\\ 
+  \chSrc{Cm}
+& \chSrc{Csm}
+& \chSrc{Dm}
+& \chSrc{Efm}
+& \chSrc{Em}
+& \chSrc{Fm}
+& \chSrc{Fsm}
+& \chSrc{Gm}
+& \chSrc{Afm}
+& \chSrc{Am}
+& \chSrc{Bfm}
+& \chSrc{Bm}
+\\ 
+\hline
+  \ch.C+.
+& \ch.Cs+.
+& \ch.D+.
+& \ch.Ef+.
+& \ch.E+.
+& \ch.F+.
+& \ch.Fs+.
+& \ch.G+.
+& \ch.Af+.
+& \ch.A+.
+& \ch.Bf+.
+& \ch.B+.
+\\ 
+  \chSrc{C+}
+& \chSrc{Cs+}
+& \chSrc{D+}
+& \chSrc{Ef+}
+& \chSrc{E+}
+& \chSrc{F+}
+& \chSrc{Fs+}
+& \chSrc{G+}
+& \chSrc{Af+}
+& \chSrc{A+}
+& \chSrc{Bf+}
+& \chSrc{B+}
+\\ 
+\hline
+  \ch.C4.
+& \ch.Cs4.
+& \ch.D4.
+& \ch.Ef4.
+& \ch.E4.
+& \ch.F4.
+& \ch.Fs4.
+& \ch.G4.
+& \ch.Af4.
+& \ch.A4.
+& \ch.Bf4.
+& \ch.B4.
+\\ 
+  \chSrc{C4}
+& \chSrc{Cs4}
+& \chSrc{D4}
+& \chSrc{Ef4}
+& \chSrc{E4}
+& \chSrc{F4}
+& \chSrc{Fs4}
+& \chSrc{G4}
+& \chSrc{Af4}
+& \chSrc{A4}
+& \chSrc{Bf4}
+& \chSrc{B4}
+\\ 
+\hline
+  \ch.Cdim.
+& \ch.Csdim.
+& \ch.Ddim.
+& \ch.Efdim.
+& \ch.Edim.
+& \ch.Fdim.
+& \ch.Fsdim.
+& \ch.Gdim.
+& \ch.Afdim.
+& \ch.Adim.
+& \ch.Bfdim.
+& \ch.Bdim.
+\\ 
+  \chSrc{Cdim}
+& \chSrc{Csdim}
+& \chSrc{Ddim}
+& \chSrc{Efdim}
+& \chSrc{Edim}
+& \chSrc{Fdim}
+& \chSrc{Fsdim}
+& \chSrc{Gdim}
+& \chSrc{Afdim}
+& \chSrc{Adim}
+& \chSrc{Bfdim}
+& \chSrc{Bdim}
+\\ 
+\hline
+  \ch.Cmaj.
+& \ch.Csmaj.
+& \ch.Dmaj.
+& \ch.Efmaj.
+& \ch.Emaj.
+& \ch.Fmaj.
+& \ch.Fsmaj.
+& \ch.Gmaj.
+& \ch.Afmaj.
+& \ch.Amaj.
+& \ch.Bfmaj.
+& \ch.Bmaj.
+\\ 
+  \chSrc{Cmaj}
+& \chSrc{Csmaj}
+& \chSrc{Dmaj}
+& \chSrc{Efmaj}
+& \chSrc{Emaj}
+& \chSrc{Fmaj}
+& \chSrc{Fsmaj}
+& \chSrc{Gmaj}
+& \chSrc{Afmaj}
+& \chSrc{Amaj}
+& \chSrc{Bfmaj}
+& \chSrc{Bmaj}
+\\ 
+\hline
+  \ch.C6.
+& \ch.Cs6.
+& \ch.D6.
+& \ch.Ef6.
+& \ch.E6.
+& \ch.F6.
+& \ch.Fs6.
+& \ch.G6.
+& \ch.Af6.
+& \ch.A6.
+& \ch.Bf6.
+& \ch.B6.
+\\ 
+  \chSrc{C6}
+& \chSrc{Cs6}
+& \chSrc{D6}
+& \chSrc{Ef6}
+& \chSrc{E6}
+& \chSrc{F6}
+& \chSrc{Fs6}
+& \chSrc{G6}
+& \chSrc{Af6}
+& \chSrc{A6}
+& \chSrc{Bf6}
+& \chSrc{B6}
+\\ 
+\hline
+  \ch.C7.
+& \ch.Cs7.
+& \ch.D7.
+& \ch.Ef7.
+& \ch.E7.
+& \ch.F7.
+& \ch.Fs7.
+& \ch.G7.
+& \ch.Af7.
+& \ch.A7.
+& \ch.Bf7.
+& \ch.B7.
+\\ 
+  \chSrc{C7}
+& \chSrc{Cs7}
+& \chSrc{D7}
+& \chSrc{Ef7}
+& \chSrc{E7}
+& \chSrc{F7}
+& \chSrc{Fs7}
+& \chSrc{G7}
+& \chSrc{Af7}
+& \chSrc{A7}
+& \chSrc{Bf7}
+& \chSrc{B7}
+\\ 
+\hline
+  \ch.C9.
+& \ch.Cs9.
+& \ch.D9.
+& \ch.Ef9.
+& \ch.E9.
+& \ch.F9.
+& \ch.Fs9.
+& \ch.G9.
+& \ch.Af9.
+& \ch.A9.
+& \ch.Bf9.
+& \ch.B9.
+\\ 
+  \chSrc{C9}
+& \chSrc{Cs9}
+& \chSrc{D9}
+& \chSrc{Ef9}
+& \chSrc{E9}
+& \chSrc{F9}
+& \chSrc{Fs9}
+& \chSrc{G9}
+& \chSrc{Af9}
+& \chSrc{A9}
+& \chSrc{Bf9}
+& \chSrc{B9}
+\\ 
+\hline
+  \ch.C9f.
+& \ch.Cs9f.
+& \ch.D9f.
+& \ch.Ef9f.
+& \ch.E9f.
+& \ch.F9f.
+& \ch.Fs9f.
+& \ch.G9f.
+& \ch.Af9f.
+& \ch.A9f.
+& \ch.Bf9f.
+& \ch.B9f.
+\\ 
+  \chSrc{C9f}
+& \chSrc{Cs9f}
+& \chSrc{D9f}
+& \chSrc{Ef9f}
+& \chSrc{E9f}
+& \chSrc{F9f}
+& \chSrc{Fs9f}
+& \chSrc{G9f}
+& \chSrc{Af9f}
+& \chSrc{A9f}
+& \chSrc{Bf9f}
+& \chSrc{B9f}
+\\ 
+\hline
+  \ch.Cm7.
+& \ch.Csm7.
+& \ch.Dm7.
+& \ch.Efm7.
+& \ch.Em7.
+& \ch.Fm7.
+& \ch.Fsm7.
+& \ch.Gm7.
+& \ch.Afm7.
+& \ch.Am7.
+& \ch.Bfm7.
+& \ch.Bm7.
+\\ 
+  \chSrc{Cm7}
+& \chSrc{Csm7}
+& \chSrc{Dm7}
+& \chSrc{Efm7}
+& \chSrc{Em7}
+& \chSrc{Fm7}
+& \chSrc{Fsm7}
+& \chSrc{Gm7}
+& \chSrc{Afm7}
+& \chSrc{Am7}
+& \chSrc{Bfm7}
+& \chSrc{Bm7}
+\\ 
+\hline
+  \ch.Cm6.
+& \ch.Csm6.
+& \ch.Dm6.
+& \ch.Efm6.
+& \ch.Em6.
+& \ch.Fm6.
+& \ch.Fsm6.
+& \ch.Gm6.
+& \ch.Afm6.
+& \ch.Am6.
+& \ch.Bfm6.
+& \ch.Bm6.
+\\ 
+  \chSrc{Cm6}
+& \chSrc{Csm6}
+& \chSrc{Dm6}
+& \chSrc{Efm6}
+& \chSrc{Em6}
+& \chSrc{Fm6}
+& \chSrc{Fsm6}
+& \chSrc{Gm6}
+& \chSrc{Afm6}
+& \chSrc{Am6}
+& \chSrc{Bfm6}
+& \chSrc{Bm6}
+\\ 
+\hline
+  \ch.Cm5f.
+& \ch.Csm5f.
+& \ch.Dm5f.
+& \ch.Efm5f.
+& \ch.Em5f.
+& \ch.Fm5f.
+& \ch.Fsm5f.
+& \ch.Gm5f.
+& \ch.Afm5f.
+& \ch.Am5f.
+& \ch.Bfm5f.
+& \ch.Bm5f.
+\\ 
+  \chSrc{Cm5f}
+& \chSrc{Csm5f}
+& \chSrc{Dm5f}
+& \chSrc{Efm5f}
+& \chSrc{Em5f}
+& \chSrc{Fm5f}
+& \chSrc{Fsm5f}
+& \chSrc{Gm5f}
+& \chSrc{Afm5f}
+& \chSrc{Am5f}
+& \chSrc{Bfm5f}
+& \chSrc{Bm5f}
+\\ 
+\hline
+  \ch.C47.
+& \ch.Cs47.
+& \ch.D47.
+& \ch.Ef47.
+& \ch.E47.
+& \ch.F47.
+& \ch.Fs47.
+& \ch.G47.
+& \ch.Af47.
+& \ch.A47.
+& \ch.Bf47.
+& \ch.B47.
+\\ 
+  \chSrc{C47}
+& \chSrc{Cs47}
+& \chSrc{D47}
+& \chSrc{Ef47}
+& \chSrc{E47}
+& \chSrc{F47}
+& \chSrc{Fs47}
+& \chSrc{G47}
+& \chSrc{Af47}
+& \chSrc{A47}
+& \chSrc{Bf47}
+& \chSrc{B47}
+\\ 
+\hline
+  \ch.Cm75f.
+& \ch.Csm75f.
+& \ch.Dm75f.
+& \ch.Efm75f.
+& \ch.Em75f.
+& \ch.Fm75f.
+& \ch.Fsm75f.
+& \ch.Gm75f.
+& \ch.Afm75f.
+& \ch.Am75f.
+& \ch.Bfm75f.
+& \ch.Bm75f.
+\\ 
+  \chSrc{Cm75f}
+& \chSrc{Csm75f}
+& \chSrc{Dm75f}
+& \chSrc{Efm75f}
+& \chSrc{Em75f}
+& \chSrc{Fm75f}
+& \chSrc{Fsm75f}
+& \chSrc{Gm75f}
+& \chSrc{Afm75f}
+& \chSrc{Am75f}
+& \chSrc{Bfm75f}
+& \chSrc{Bm75f}
+\\ 
+\hline
+
+\end{tabular}
+
+\end{document}
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf
new file mode 100644
index 00000000000..86370f4594b
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx
new file mode 100644
index 00000000000..71e3f7a589a
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/misty/misty.pmx
@@ -0,0 +1,155 @@
+%----------------%
+%
+% misty.pmx
+%
+% Created at: 2012-03-18
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}
+\def\raisebarno{2\internote}
+\def\shiftbarno{1.3\Interligne}
+
+
+\def\raisevolta{8\internote} % change volta offset (default is 4\internote)
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       4       4      4      4        2    -3
+%
+% npages,nsyst,musicsize,fracindent
+       1     6        16       0
+
+t
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Tc99
+Erroll Garner
+Tt
+Misty
+Ar
+K-2+0
+
+%
+% Bar 0
+%
+b44 g /
+
+%
+% Bar 1
+%
+m4400
+Rl \ch.Efmaj.\ r2b \ch.Ef6.\ r2b //
+d24d [ b8 c ] /
+
+%
+% Bar 2
+%
+\ch.Bfm7.\ [ d84f c+ c c ] \ch.Ef7.\ [ c b g e ] /
+
+%
+% Bar 3
+%
+\ch.Afmaj.\ c24 \ch.Af6.\ r4x3 g a  c4x3 e g /
+
+%
+% Bar 4
+%
+\ch.Afm7.\ [ b84 b b a ] \ch.Cs7.\ b4d a8 /
+
+%
+% Bar 5
+%
+\ch.Gm7.\ ( g44 g4x3 ) a b \ch.Cm7.\ ( e4- ex3 ) f g /
+
+%
+% Bar 6
+%
+\ch.Fm7.\ a84 c4- c8 \ch.Bf7.\ d2x3 e f /
+
+%
+% Bar 7
+%
+V1
+g0 s //
+\ch.G7.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 8
+%
+\ch.Fm7.\ g2 s \ch.Bf7.\ r4 [ b8 g ] Rr /
+
+%
+% Bar 9
+%
+V2x
+e04 //
+\ch.Efmaj.\ r2b \ch.Fm7.\ r2b /
+
+%
+% Bar 10
+%
+\ch.Ef.\ r2x3 e44 f \ch.Fm.\ g2x3 b c Rd /
+
+%
+% Bar 11
+%
+Vb
+\ch.Bfm.\ [ d85f d d  d s ] \ch.F9f.\ d2 s s /
+
+%
+% Bar 12
+%
+\ch.Bfm7.\ d45 s [ d8f e ] \ch.Ef9f.\ ff2x3 e d /
+
+%
+% Bar 13
+%
+\ch.Afmaj.\ [ c85 c c c s ] \ch.Csmaj.\ c2 s /
+
+%
+% Bar 14
+%
+\ch.Afmaj.\ r2x3 e44 f a2x3 b c /
+
+%
+% Bar 15
+%
+\ch.Am7.\ [ d85 d d c ] \ch.D7.\ d2 s /
+
+%
+% Bar 16
+%
+\ch.Cm7.\ [ d85 s d d c ] \ch.F7.\ f2x3 d c /
+
+%
+% Bar 17
+%
+b04 s //
+\ch.Gm7.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 18
+%
+\ch.Fm.\ b24 s \ch.Bf7.\ r4 [ b8 g ] Rd /
+
+%
+% Bar 19
+%
+V3
+e04 //
+\ch.Efmaj.\ r2b \ch.C7.\ r2b /
+
+%
+% Bar 20
+%
+r0-1 //
+\ch.Fm7.\ r2b \ch.Bf7.\ r2b /
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf
new file mode 100644
index 00000000000..1f6a1ca8f65
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx
new file mode 100644
index 00000000000..2f7b8e58073
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema.pmx
@@ -0,0 +1,93 @@
+%----------------%
+%
+% schema.pmx
+%
+% Created at: 2012-03-19
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+\nobarnumbers  % disable bar numbers
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   2      1       4       4      4      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     1        16       0
+
+bt
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Ar
+%K-3+1
+%K+3-1
+
+%K+1+2
+%K-1-2
+
+%K-2+3
+%K+2-3
+
+%K+2+4
+%K-2-4
+
+%
+% Bar 1
+%
+d22 g /
+\ch.Dm7.\ c24 zf \ch.G7.\ b23 zf+ /
+
+%
+% Bar 2
+%
+e22 a /
+\ch.Em7.\ d24 zg \ch.A7.\ cs24 zg+ /
+
+%
+% Bar 3
+%
+d22 g /
+\ch.Dm7.\ c24 zf \ch.G7.\ b23 zf+ /
+
+%
+% Bar 4
+%
+c02 zc+ /
+\ch.Cmaj.\ b23 ze \ch.C6.\ a- ze+ /
+
+%
+% again in other position
+%
+
+%
+% Bar 5
+%
+Rd d23 g- /
+\ch.Dm7.\ f24 zc+ \ch.G7.\ f24 zb /
+
+%
+% Bar 6
+%
+e23 a- /
+\ch.Em7.\ g24 zd+ \ch.A7.\ g24 zcs /
+
+%
+% Bar 7
+%
+d23 g- /
+\ch.Dm7.\ f24 zc+ \ch.G7.\ f24 zb /
+
+%
+% Bar 8
+%
+c02 zc+ /
+\ch.Cmaj.\ e24 zb+ \ch.C6.\ e- za /
+
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf
new file mode 100644
index 00000000000..6f8ceb69110
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx
new file mode 100644
index 00000000000..ca2acb5026d
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/jazz/schema/schema_full.pmx
@@ -0,0 +1,93 @@
+%----------------%
+%
+% schema2.pmx
+%
+% Created at: 2012-03-19
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex
+\input pmx
+
+\input chords     % default chords macro
+%\input chordsCZ   % czech chords macro B -> H, Bf -> B
+
+\nobarnumbers  % disable bar numbers
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   2      1       4       4      4      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     1        16       0
+
+bt
+./
+\\\stafftopmarg12\Interligne\relax\
+%\\\staffbotmarg12\Interligne\relax\
+Ar
+%K-3+1
+%K+3-1
+
+%K+1+2
+%K-1-2
+
+%K-2+3
+%K+2-3
+
+%K+2+4
+%K-2-4
+
+%
+% Bar 1
+%
+d22 g /
+\ch.Dm7.\ c24 ze zf za \ch.G7.\ b23 ze zf za /
+
+%
+% Bar 2
+%
+e22 a /
+\ch.Em7.\ d24 zfs zg zb \ch.A7.\ cs24 zfs zg zb /
+
+%
+% Bar 3
+%
+d22 g /
+\ch.Dm7.\ c24 ze zf za \ch.G7.\ b23 zef zf zaf /
+
+%
+% Bar 4
+%
+c02 zc+ /
+\ch.Cmaj.\ b23 zd ze zg \ch.C6.\ a- zc ze zg /
+
+%
+% again in other position
+%
+
+%
+% Bar 5
+%
+Rd d23 g- /
+\ch.Dm7.\ f24 za zc ze \ch.G7.\ f24 za zb ze /
+
+%
+% Bar 6
+%
+e23 a- /
+\ch.Em7.\ g24 zb zd zfs \ch.A7.\ g24 zb zcs zfs /
+
+%
+% Bar 7
+%
+d23 g- /
+\ch.Dm7.\ f24 za zc ze \ch.G7.\ f24 zas zb zef /
+
+%
+% Bar 8
+%
+c02 zc+ /
+\ch.Cmaj.\ e24 zg zb zd \ch.C6.\ e- zg za zc /
+
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf
new file mode 100644
index 00000000000..d21a69b202f
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx
new file mode 100644
index 00000000000..553891104fd
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx
@@ -0,0 +1,112 @@
+%----------------%
+%
+% aj_co_to_hlasaju.pmx
+%
+% created at: 2011-11-18
+% Autor: Ondrej Fafejta
+%----------------%
+---
+\input musixtex   % These commands are necessary
+\input pmx        % because pmx.tex MUST be \input
+\input musixlyr   % before musixlyr.tex!
+
+%\input chordsCZ     % chords input czech - B is displayed as H, Bf is displayed as B
+\input chords     % chords default - B -> B, Bf -> Bf
+
+\let\BM\beginmel % For brevity within the subsequent
+\let\EM\endmel   % music coding recommended
+
+\def\verseNum#1{\llap{\sl#1 }}
+
+\setlyrics{V1}
+{\verseNum{1.}Aj, co to hl\'a-sa-j\'u
+u n\'as v~d\v e-di-n\v e?
+U\v z sa to roz-n\'es-lo v~ce-l\'ej do-li-n\v e.
+Zro-di-lo sa v~Bet-l\'e-m\v e
+Bo-\v z\'\i{} d\'\i{}t-ko na se-n\v e,
+Ve-li-k\'y Me-si-\'a\v s, Vy-ku-pi-tel n\'a\v s.}
+
+\assignlyrics{1}{V1}
+%\assignlyrics{2}{text}\lyrmodealter2
+% posuneme text vertikalne
+%\lyrraise{1}{-2\internote}
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}
+\def\raisebarno{2\internote}
+\def\shiftbarno{1.3\Interligne}
+
+% make a text that starts after the last system
+\def\verses{
+\centerline{
+ \vbox{ 
+  \hbox{\verseNum{2.}K~Betl\'emu cesta je od n\'as dalek\'a,}
+  \hbox{ale m\v na mal\'eho nijak nelek\'a.}
+  \hbox{Obuju si papu\v cky, budu \v slapat tichu\v cky}
+  \hbox{dalek\'ym chodn\'\i{}\v ckem tam, za Je\v z\'\i{}\v skem}
+ }
+}
+\vskip1cm
+\centerline{
+ \vbox{
+  \hbox{\verseNum{3.}V\v cera mn\v e sl\'ubili na\v si sta\v re\v cek,}
+  \hbox{\v ze mn\v e pro\v n zrobij\'u p\v ekn\'y hrk\'a\v cek.}
+  \hbox{Sta\v renka d\'a jabl\'\i{}\v cka pro Bo\v z\'\i{}ho syne\v cka:}
+  \hbox{To\v t m\'a\v s aj krupi\v cky, di\v ta malu\v ck\'y.}
+ }
+}
+} \
+
+% add space between lowest staff and foot line
+% and put the text in it:
+\let\Endpiecesav\Endpiece\
+\def\Endpiece{\let\Endpiece\Endpiecesav\Endpiece\vskip 1.5cm\verses}\
+
+---
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       2     4      2      4        0    -1
+%
+% npages,nsyst,musicsize,fracindent
+       1     2        16       0
+
+t
+./
+\\centerline{\bigtype Aj, co to hl\'asaj\'u}\
+\\vskip0.5cm\
+\\line{M\'\i{}rn\v e\hfill \sl Slov\'acko}\
+\\vskip.8cm\
+\\\stafftopmarg10\Interligne\relax\
+\\\staffbotmarg8\Interligne\relax\
+
+%
+% bar 1-4
+%
+Ar
+%K-2+2
+\ch.F.\ f84a a c4- | f8a a c4 | 
+\ch.C7.\ c15a b8da aa g | \ch.F.\ f4d r8 /
+
+%
+% bar 5-8
+%
+\ch.C.\ g84a g g4 | c8a g g4 |
+\ch.G7.\ g14a f8da ea d | \ch.C.\ c4d \ch.C7.\ r8 /
+
+%
+% bar 9-12
+%
+\ch.F.\ c85a ca da c | \ch.Gm.\ ca ba b4 |
+\ch.C7.\ b8a ba ca b | \ch.F.\ b8a a a4 /
+
+%
+% bar 13-14
+%
+\ch.Dm.\ f84a f f4 | \ch.Bf.\ f8a d+ d4 /
+
+%
+% bar 15-16
+%
+m3434
+\ch.Gm.\ c8a b \ch.F.\ a4 \ch.C7.\ g |
+\ch.F.\ f2d /
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README
new file mode 100644
index 00000000000..fcb2186e502
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/README
@@ -0,0 +1,6 @@
+This noel shows how to write verse number in musixlyr.
+
+Special hidden space is prepared for verse number.
+See the first BAR in pmx file
+
+\llyr\lyroffset{-3}\lyr\
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf
new file mode 100644
index 00000000000..2ae8e3029d3
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx
new file mode 100644
index 00000000000..1a802a6ec0b
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/examples/noel/pasli_ovce_valasi/pasli_ovce_valasi.pmx
@@ -0,0 +1,84 @@
+%----------------%
+%
+% pasli_ovce_valasi.pmx 
+%
+% created at: 2011-01-06
+% Author: Ondrej Fafejta <fafejtao@gmail.com>
+%----------------%
+---
+\input musixtex   % These commands are necessary
+\input pmx        % because pmx.tex MUST be \input
+\input musixlyr   % before musixlyr.tex!
+
+\input chords     % default chords macro
+%\input chordsCZ     % czech chords macro B -> H, Bf -> B
+
+\def\verseNum#1{\llap{\sl#1}}
+
+%
+% lyrics
+%
+% The space after \verseNumber{x} is mandatory.
+%
+\setlyrics{v1}
+{\verseNum{1.} P\'a-sli ov-ce Va-la-\v si, p\v ri be-tl\'em-sk\'em sa-la-\v si.}
+
+\setlyrics{v2}
+{\verseNum{2.} An-d\v el se jim u-k\'a-zal, do Be-tl\'e-ma j\'\i{}t k\'a-zal.}
+
+\setlyrics{v3}
+{\verseNum{3.} Vsta\v n-te ho-re a cho\v d-te, P\'a-na Kri-sta naj-de-te.}
+
+\setlyrics{v4}
+{\verseNum{4.} On tam le-\v z\'\i{} v~je-sli\v c-k\'ach o-vi-nu-t\'y v~plen-\v ci\v c-k\'ach.}
+
+\setlyrics{ref}
+{Haj-dom, haj-dom ty-dli dom, haj-dom, haj-dom ty-dli dom.}
+
+\assignlyrics{1}{v1,v2,v3,v4}
+
+% better bars numbering
+\def\writebarno{\llap{\tenrm\the\barno\barnoadd}}% % REMOVE
+\def\raisebarno{2\internote}% % REMOVE
+\def\shiftbarno{1.3\Interligne}% % REMOVE
+
+---
+%
+%
+%
+% nv,noinst,mtrnuml,mtrdenl,mtrnmp,mtrdnp,xmtrnum0,isig,
+   1      1       2       4      2      4        0    0
+%
+% npages,nsyst,musicsize,fracindent
+       1     2        16       0
+
+t
+./
+\\centerline{\bigtype P\'asli ovce Vala\v si}\
+\\vskip8mm\
+\\interstaff{22}\
+\\\stafftopmarg14\Interligne\relax\
+\\\staffbotmarg8\Interligne\relax\
+%Tt
+%P\'asli ovce vala\v si
+%
+% Bar 1-2
+%
+% added hidden space for verse number.
+\llyr\lyroffset{-3}\lyr\
+\ch.C.\ [ c85 g ] [ g f ] | [ e f ] g4 /
+
+%
+% Bar 3-4
+%
+[ c85 g ] [ g f ] | \ch.G7.\ [ e d ] \ch.C.\ c4 /
+
+%
+% Bar 5-6
+%
+\assignlyricshere{ref}\ \ch.C.\ [ c84 e ] [ e f ] | [ e d ] e4 /
+
+%
+% Bar 7-8
+%
+[ c84 e ] [ e f ] | \ch.G7.\ [ e d ] \ch.C.\ c4 /
diff --git a/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt b/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt
new file mode 100644
index 00000000000..d159169d105
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/gpl-2.0.txt
@@ -0,0 +1,339 @@
+                    GNU GENERAL PUBLIC LICENSE
+                       Version 2, June 1991
+
+ Copyright (C) 1989, 1991 Free Software Foundation, Inc.,
+ 51 Franklin Street, Fifth Floor, Boston, MA 02110-1301 USA
+ Everyone is permitted to copy and distribute verbatim copies
+ of this license document, but changing it is not allowed.
+
+                            Preamble
+
+  The licenses for most software are designed to take away your
+freedom to share and change it.  By contrast, the GNU General Public
+License is intended to guarantee your freedom to share and change free
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+General Public License applies to most of the Free Software
+Foundation's software and to any other program whose authors commit to
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+   TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
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+You may charge a fee for the physical act of transferring a copy, and
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+    Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
+    This is free software, and you are welcome to redistribute it
+    under certain conditions; type `show c' for details.
+
+The hypothetical commands `show w' and `show c' should show the appropriate
+parts of the General Public License.  Of course, the commands you use may
+be called something other than `show w' and `show c'; they could even be
+mouse-clicks or menu items--whatever suits your program.
+
+You should also get your employer (if you work as a programmer) or your
+school, if any, to sign a "copyright disclaimer" for the program, if
+necessary.  Here is a sample; alter the names:
+
+  Yoyodyne, Inc., hereby disclaims all copyright interest in the program
+  `Gnomovision' (which makes passes at compilers) written by James Hacker.
+
+  <signature of Ty Coon>, 1 April 1989
+  Ty Coon, President of Vice
+
+This General Public License does not permit incorporating your program into
+proprietary programs.  If your program is a subroutine library, you may
+consider it more useful to permit linking proprietary applications with the
+library.  If this is what you want to do, use the GNU Lesser General
+Public License instead of this License.
diff --git a/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf b/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf
new file mode 100644
index 00000000000..decfa88be36
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/pmxchords-install.pdf
diff --git a/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex b/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex
new file mode 100644
index 00000000000..1e1fef83171
--- /dev/null
+++ b/Master/texmf-dist/doc/pmxchords/pmxchords-install.tex
@@ -0,0 +1,100 @@
+\documentclass[11pt]{article}
+\usepackage[textwidth=6.5in,textheight=8.5in]{geometry}
+\usepackage[osf]{mathpazo}
+\PassOptionsToPackage{urlcolor=black,colorlinks}{hyperref}
+\RequirePackage{hyperref}
+\usepackage{xcolor}
+\newcommand{\myurl}[1]{\textcolor{blue}{\underline{\textcolor{black}{\url{#1}}}}}
+\newcommand{\pmxVersion}{2.7.0}
+\begin{document}
+\title{Installation of the CTAN pmxchords Distribution}
+\author{Bob Tennent\\
+\small\url{rdt@cs.queensu.ca}}
+\date{\today}
+\maketitle 
+\thispagestyle{empty}
+
+\section{Introduction}
+We assume that you have already installed a MusiXTeX distribution
+and PMX.
+Before trying to install pmxchords from CTAN, check whether your TeX distribution
+provides a package for pmxchords; this will be easier than doing it yourself.
+But if your TeX distribution
+doesn't have pmxchords (or doesn't have the most recent version), this distribution
+of pmxchords is very easy to install, though
+you may need to read the material on 
+installation of (La)TeX files in the 
+TeX FAQ\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html}},
+particularly
+the pages on 
+which tree to use\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=what-TDS}}
+and installing files\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=inst-wlcf}}.
+
+\section{Installing \texttt{pmxchords.tds.zip}}
+
+In this distribution of pmxchords, most of the files to be installed 
+(including macros, documentation, and a processing script) are in 
+\texttt{tex-archive/install/support/pmxchords.tds.zip} at CTAN.
+The file \verb|pmxchords.tds.zip| is a zipped TEXMF
+hierarchy; simply download it and unzip in the root folder/directory of whichever TEXMF tree
+you decide is most appropriate, likely a ``local'' or ``personal'' one.
+This should work with any TDS\footnote{%
+\myurl{http://www.tex.ac.uk/cgi-bin/texfaq2html?label=tds}}
+compliant TeX distribution, including MikTeX, TeXlive and teTeX.
+
+After unzipping the archive, update the filename database as necessary,
+for example, by executing \verb\texhash ~/texmf\ or 
+clicking the button labelled ``Refresh FNDB" in the MikTeX settings program.
+
+Documentation for pmxchords is installed under \verb\doc/generic/pmx\
+in the TEXMF tree.  
+
+\section{The Processing Script}
+
+The Lua script \verb\.../scripts/pmx/pmxchords.lua\ 
+transposes chord symbols in the \verb\pmx\ file as necessary
+and then calls \verb\pmxab\. 
+
+On a Unix-like system (with \texttt{texlua} installed), put a
+symbolic link \texttt{pmxchords} in any directory on the executable PATH as follows:
+\begin{list}{}{}
+\item \verb\ln -s <path to pmxchords.lua> pmxchords \
+\end{list}
+On Windows, you can \emph{either}
+copy the batch file
+\begin{list}{}{}
+\item \verb|Windows\pmxchords.bat| 
+\end{list}
+to a folder
+on the executable PATH \emph{or} add the folder
+\verb|Windows| to the executable PATH.
+
+\section{Testing}
+
+Copy \verb\doc/pmxchords/example/noel/aj_co_to_hlasaju/aj_co_to_hlasaju.pmx\ to a
+working directory and do
+\begin{list}{}{}\item
+\verb\pmxchords aj_co_to_hlasaju\
+\end{list}
+Then process the resulting \verb\aj_co_to_hlasaju.tex\ file as usual. The piece
+is in the key of F~major.  
+
+Uncomment the line
+\verb\K-2+2\ in the \verb\pmx\ file and repeat as above; the piece should
+now be typeset in D major, with appropriate chords. If the line
+\begin{list}{}{}\item
+\verb|\input chords|
+\end{list}
+in the source file is replaced by
+\begin{list}{}{}\item
+\verb|\input chordsCZ|
+\end{list}
+the chord symbols will be in Czech style (e.g., Hmi instead of Bmi).
+
+The macro calls for various chord symbols are displayed in the \verb|chordsRef|
+and \verb|chordsRefCZ| documents.
+
+\end{document}
diff --git a/Master/texmf-dist/scripts/pmxchords/ChordsTr.lua b/Master/texmf-dist/scripts/pmxchords/ChordsTr.lua
new file mode 100644
index 00000000000..e58ff11424a
--- /dev/null
+++ b/Master/texmf-dist/scripts/pmxchords/ChordsTr.lua
@@ -0,0 +1,124 @@
+--[[
+   (c) Copyright 2013 Ondrej Fafejta <fafejtao@gmail.com>
+       https://github.com/fafejtao/pmxChords
+]]--
+--
+-- Chords transposition class
+--
+ChordsTr = {}               -- the table representing the class, which will double as the metatable for the instances
+ChordsTr.__index = ChordsTr -- failed table lookups on the instances should fallback to the class table, to get methods
+setmetatable(
+   ChordsTr, 
+   {
+      __call = function (cls, ...)
+	 return cls.new(...)
+      end,
+   })
+
+--
+-- global constants
+--
+ChordsTr.CHORDS_BEGIN="\\ch."
+ChordsTr.CHORDS_END=".\\"
+ChordsTr.BASE_CHORDS_ARR= { -- lua is indexing from 1 I need from 0 ...
+   [0] = "C", 
+   [1] = "Cs", 
+   [2] = "D", 
+   [3] = "Ef", 
+   [4] = "E", 
+   [5] = "F", 
+   [6] = "Fs", 
+   [7] = "G",
+   [8] = "Af", 
+   [9] = "A", 
+   [10] = "Bf", 
+   [11] = "B"
+}
+
+--
+-- Create instance of chords transposition class
+-- params iSig input signature  e.g. -1 - F major
+--        oSig output signature e.g.  2 - D major
+--
+function ChordsTr.new(iSig, oSig)
+   local self = setmetatable({}, ChordsTr)
+   self.trMap = ChordsTr.__createTransposeMap(oSig - iSig)
+   return self
+end
+
+--
+-- Core of transposition.
+-- Prepare map of transposed chords.
+-- Key is input base chord and value is output base chord.
+--
+function ChordsTr.__createTransposeMap(sigDiff)
+   local size = 12
+   local halfTones = (sigDiff * 7) % size
+   if (halfTones < 0 ) then
+      halfTones = halfTones + size
+   end
+   
+   -- generate transpose map of base chords ...
+   local res = {}
+   local i 
+   for i = 0, size - 1, 1 do
+      local key = ChordsTr.BASE_CHORDS_ARR[i]
+      local trIdx = (i + halfTones) % size;
+      res[key] = ChordsTr.BASE_CHORDS_ARR[trIdx]
+   end
+   return res
+end
+
+--
+-- transpose one line.
+-- Find each chords in line and transpose it into output signature.
+-- return transposed line.
+--
+function ChordsTr:lineTranspose(line) 
+   local pos = 0;
+   local trLine = "" -- transposed line (result)
+   while true do
+      local i = string.find(line, ChordsTr.CHORDS_BEGIN, pos)
+      if i == nil then 
+	 trLine = trLine .. string.sub(line, pos)
+	 break
+      end
+      i = i + 3 -- move after \ch.
+      trLine = trLine .. string.sub(line, pos, i)  -- append non chord string into result
+      pos = string.find(line, ChordsTr.CHORDS_END, i)
+      if pos == nil then                        -- TODO check correctly end of chords ... e.g. check wrong line (first chord is not finished correctly): \ch.C. c \ch.G7.\ b 
+	 io.stderr:write("End of chords was not found!\n")
+	 os.exit(-1)
+      end
+      chord = string.sub(line, i + 1, pos - 1)
+      trLine=trLine .. self:doTranspose(chord)
+   end
+   return trLine
+end
+
+--
+-- do transpose of one chord.
+--
+function ChordsTr:doTranspose(chord)
+   local base, alt = ChordsTr.splitChord(chord)
+   return self.trMap[base]..alt
+end	
+
+--
+-- Split chord into two part: base chord and chord alteration.
+-- e.g. Fsm7 - base chord is Fs, alteration is m7
+--
+function ChordsTr.splitChord(chord)
+   if(chord.len == 1) then
+      return chord, ""
+   end
+   local secondChar = string.sub(chord, 2, 2)
+   if (secondChar == 's' or secondChar == 'f' ) then
+      return chord.sub(chord, 1, 2), chord.sub(chord, 3)
+   else
+      return chord.sub(chord, 1, 1), chord.sub(chord, 2)
+   end
+end
+--
+-- end of ChordsTr class
+--
diff --git a/Master/texmf-dist/scripts/pmxchords/pmxchords.lua b/Master/texmf-dist/scripts/pmxchords/pmxchords.lua
new file mode 100755
index 00000000000..13da5178d5b
--- /dev/null
+++ b/Master/texmf-dist/scripts/pmxchords/pmxchords.lua
@@ -0,0 +1,194 @@
+#!/usr/bin/env texlua
+--
+-- global constants
+--
+VERSION = "0.9.1"
+FILE_SUFFIX="_chtr"
+PMX_CMD="pmxab"
+
+--[[
+   pmxchords.lua: transposes chord macros (e,g., \ch.C.\) and calls pmxab
+
+   (c) Copyright 2013 Ondrej Fafejta <fafejtao@gmail.com>
+       https://github.com/fafejtao/pmxChords
+
+This program is free software; you can redistribute it and/or modify it
+under the terms of the GNU General Public License as published by the
+Free Software Foundation; either version 2 of the License, or (at your
+option) any later version.
+
+This program is distributed in the hope that it will be useful,
+but WITHOUT ANY WARRANTY; without even the implied warranty of
+MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General
+Public License for more details.
+
+You should have received a copy of the GNU General Public License along
+with this program; if not, write to the Free Software Foundation, Inc.,
+51 Franklin Street, Fifth Floor, Boston, MA 02110-1301, USA.
+
+--]]
+
+--[[
+  ChangeLog:
+
+     version 0.9.1 2013-12-09 - added some options. Improved processing.
+
+     version 0.9   2013-12-05 - rewrite code from perl to lua...
+--]]
+
+function usage()
+  print("Usage:  [texlua] pmxchords.lua  basename[.pmx] ")
+  print("     1. transpose chords into new file basename"..FILE_SUFFIX..".pmx")
+  print("     2. call pmxab on transposed file basename"..FILE_SUFFIX..".pmx")
+  print("     3. rename basename"..FILE_SUFFIX..".tex to basename.tex")
+  print("options: -v  version")
+  print("         -h  help")
+  print("         -s  stop after first step. e.g. generate only transposed basename"..FILE_SUFFIX..".pmx file")
+end
+
+function whoami ()
+  print("This is pmxchords.lua version ".. VERSION)
+end
+
+whoami()
+if #arg == 0 then
+  usage()
+  os.exit(0)
+end
+
+kpse.set_program_name("luatex")  -- allows ChordsTr.lua to be installed in a texmf tree
+require "ChordsTr" 
+
+function parseInputSignature(line)
+   -- parse input signature from pmx digits line. Only one line digits format is supported!
+   -- e.g.
+   --    1      1       2     4      2      4        0    -1
+   -- signature is -1 : F major
+   local res =  string.match(line, "^%s*[0-9]+%s+[0-9]+%s+[0-9]+%s+[0-9]+%s+[0-9]+%s+[0-9]+%s+[0-9]+%s+([%+%-]?[0-9]+)%s*$")
+   return tonumber(res)
+end
+
+function parseOutputSignature(line)
+   -- parse output signature from pmx 
+   -- e.g.
+   -- K-2+2
+   -- output signature is +2 : D major
+   local res =  string.match(line, "^K[%+%-]?[0-9]+([%+%-]?[0-9]+)")
+   return tonumber(res)
+end
+
+function handleErr(msg) 
+   io.stderr:write(msg.."\n")
+   os.exit(2)
+end
+
+--
+-- get file name without .pmx suffix
+--
+function getBaseFileName(fileName) 
+   if fileName ~= "" and string.sub(fileName, -4, -1) == ".pmx" then
+	  return string.sub(fileName, 1, -5)
+   else
+	  return fileName
+   end
+end
+
+--
+-- Make chords transposition. Generates new pmx file with transposed chords.
+--
+-- param baseName input file name without .pmx suffix
+-- return outputBaseName transposed pmx file name without .pmx suffix
+-- 
+function makeChordsTransposition(baseName)
+   local inputFileName = baseName..".pmx"
+   local inputFile = io.open(inputFileName, "r")
+   if(inputFile == nil) then
+      handleErr("File does not exist: "..inputFileName)
+   end
+
+   local outputBaseName = baseName..FILE_SUFFIX   -- output base name without suffix. Used for renaming generated .tex file ...
+   local outputFileName = outputBaseName..".pmx"
+   local outputFile = io.open(outputFileName, "w")
+   if(outputFile == nil) then
+      handleErr("Can not create temporary file: ".. outputFileName)
+   end
+
+   --
+   -- transpose chords from inputFile into outputFile
+   --
+   -- input and output signature will be parsed from input pmx file
+   -- 
+   local iSig = nil  -- input signature
+   local chTr = nil  -- chords transposition class
+
+   for line in inputFile:lines() do
+      if(chTr ~= nil) then
+	 outputFile:write(chTr:lineTranspose(line).."\n")
+      else
+	 outputFile:write(line.."\n")
+      end
+      if(iSig == nil) then
+	 iSig = parseInputSignature(line)
+	 if(iSig ~= nil) then
+	    io.stderr:write("Chords: input signature detected: "..iSig .."\n")
+	 end
+      elseif(chTr == nil) then
+	 local oSig = parseOutputSignature(line)
+	 if(oSig ~= nil) then
+	    io.stderr:write("Chords: output signature detected: "..oSig .."\n")
+	    chTr = ChordsTr(iSig, oSig)
+	 end
+      end
+   end
+   inputFile:close()
+   outputFile:close()
+
+   return outputBaseName
+end
+
+--
+-- Make pmxab process.
+-- param baseName input file name without .pmx suffix
+-- param outputBaseName transposed pmx file name without .pmx suffix
+--
+function pmxabProcess(baseName, outputBaseName) 
+   --
+   -- call pmxab to generate .tex file
+   --
+   local pmxResCode = os.execute(PMX_CMD .. " " .. outputBaseName )
+   if (pmxResCode ~= 0 ) then
+      io.stderr:write("PMX process fail! "..outputBaseName .."\n")
+      os.exit(pmxResCode)
+   end
+
+   os.rename(outputBaseName..".tex", baseName..".tex")
+
+   -- remove temporary files
+   os.remove(outputBaseName..".pmx")
+   os.remove(outputBaseName..".pml")
+   os.remove("pmxaerr.dat")
+end
+
+narg = 1
+onlyTranspose = false
+
+repeat
+   this_arg = arg[narg]
+   if this_arg == "-v" then
+      os.exit(0)
+   elseif this_arg == "-h" then
+      usage()
+      os.exit(0)
+   elseif this_arg == "-s" then
+      onlyTranspose = true
+   else
+      local baseName = getBaseFileName(this_arg)
+      local outputBaseName = makeChordsTransposition(baseName)
+      
+      if (not onlyTranspose) then
+	 pmxabProcess(baseName, outputBaseName)
+      end
+   end
+
+   narg = narg + 1
+until narg > #arg 
diff --git a/Master/texmf-dist/tex/generic/pmxchords/chords.tex b/Master/texmf-dist/tex/generic/pmxchords/chords.tex
new file mode 100644
index 00000000000..fbf305ce1d0
--- /dev/null
+++ b/Master/texmf-dist/tex/generic/pmxchords/chords.tex
@@ -0,0 +1,333 @@
+\font\chFont=cmbx10 scaled \magstep0
+\font\chFontRm=cmbx8 scaled \magstep0
+\font\chFontIdx=cmbx7 scaled \magstep0
+
+
+\def\ch.#1.{\csname  ch:#1\endcsname}
+\def\defch.#1.{\expandafter \def \csname ch:#1\endcsname}
+
+\def\chFlat{$\scriptstyle\flat$}
+\def\chSharp{$\scriptstyle\sharp$}
+%\def\chDim{$\circ$}
+\def\chDim{dim}
+\def\chMaj{$\scriptstyle\bigtriangleup$}
+%\def\chMaj{maj}
+
+%
+% Base chords
+%
+\def\chVerticalAlign{13}% basic vertical align \internotes
+\def\chBase#1{\zchar{\chVerticalAlign}{\chFont #1}}
+
+%
+% Macros for chords without sharp or flat
+% it means C, D, E, F, G, A, B
+%
+\def\chX#1{\chBase{#1}}
+\def\chXOneParam#1#2{\chBase{#1{\chFontRm #2}}}
+\def\chXm#1{\chXOneParam{#1}{m}}
+\def\chXPlus#1{\chXOneParam{#1}{+}}
+\def\chXSus#1{\chXOneParam{#1}{sus}}
+\def\chXDim#1{\chXOneParam{#1}{\chDim}}
+\def\chXMaj#1{\chXOneParam{#1}{\chMaj}}
+
+\def\chXOneParamUpper#1#2{\chBase{#1\lower-1ex\hbox{\chFontIdx #2}}}
+%\def\chXDim#1{\chXOneParamUpper{#1}{\chDim}}
+\def\chXSix#1{\chXOneParamUpper{#1}{6}}
+\def\chXSeven#1{\chXOneParamUpper{#1}{7}}
+\def\chXNine#1{\chXOneParamUpper{#1}{9}}
+\def\chXNineFlat#1{\chXOneParamUpper{#1}{\chFontIdx 9\chFlat}}
+
+\def\chXTwoParams#1#2#3{\chBase{#1{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXmSeven#1{\chXTwoParams{#1}{m}{7}}
+\def\chXmSix#1{\chXTwoParams{#1}{m}{6}}
+\def\chXmFiveFlat#1{\chXTwoParams{#1}{m}{5\chFlat}}
+\def\chXSusSeven#1{\chXTwoParams{#1}{sus}{7}}
+
+\def\chXmSevenFiveFlat#1{\chBase{#1{\chFontRm m}\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}
+%\def\chXmSevenFiveFlat#1{\chBase{#1{\chFontRm m}\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}
+
+
+%
+% Macros for chords with flat
+% it means Ef, Af, Bf
+%
+\def\chXFlat#1{\chXOneParamUpper{#1}{\chFlat}}
+
+\def\chXFlatOneParam#1#2{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em\hbox{\chFontRm #2}}}
+\def\chXFlatm#1{\chXFlatOneParam{#1}{m}}
+\def\chXFlatPlus#1{\chXFlatOneParam{#1}{+}}
+\def\chXFlatSus#1{\chXFlatOneParam{#1}{sus}}
+\def\chXFlatDim#1{\chXFlatOneParam{#1}{\chDim}}
+\def\chXFlatMaj#1{\chXFlatOneParam{#1}{\chMaj}}
+
+
+\def\chXFlatOneParamUpper#1#2{\chXOneParamUpper{#1}{\chFlat\kern 0.2ex\chFontIdx #2}}
+\def\chXFlatSix#1{\chXFlatOneParamUpper{#1}{6}}
+\def\chXFlatSeven#1{\chXFlatOneParamUpper{#1}{7}}
+\def\chXFlatNine#1{\chXFlatOneParamUpper{#1}{9}}
+\def\chXFlatNineFlat#1{\chXFlatOneParamUpper{#1}{9\chFlat}}
+
+\def\chXFlatTwoParams#1#2#3{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em\hbox{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXFlatmSeven#1{\chXFlatTwoParams{#1}{m}{7}}
+\def\chXFlatmSix#1{\chXFlatTwoParams{#1}{m}{6}}
+\def\chXFlatmFiveFlat#1{\chXFlatTwoParams{#1}{m}{5\chFlat}}
+\def\chXFlatSusSeven#1{\chXFlatTwoParams{#1}{sus}{7}}
+
+\def\chXFlatmSevenFiveFlat#1{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em{\chFontRm m\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}}
+
+%
+% Macros for chords with sharp
+% it means Cs, Fs
+%
+\def\chXSharp#1{\chXOneParamUpper{#1}{\chSharp}}
+
+\def\chXSharpOneParam#1#2{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em\hbox{\chFontRm #2}}}
+\def\chXSharpm#1{\chXSharpOneParam{#1}{m}}
+\def\chXSharpPlus#1{\chXSharpOneParam{#1}{+}}
+\def\chXSharpSus#1{\chXSharpOneParam{#1}{sus}}
+\def\chXSharpDim#1{\chXSharpOneParam{#1}{\chDim}}
+\def\chXSharpMaj#1{\chXSharpOneParam{#1}{\chMaj}}
+
+
+\def\chXSharpOneParamUpper#1#2{\chXOneParamUpper{#1}{\chFontIdx\chSharp\kern 0.2ex#2}}
+\def\chXSharpSix#1{\chXSharpOneParamUpper{#1}{6}}
+\def\chXSharpSeven#1{\chXSharpOneParamUpper{#1}{7}}
+\def\chXSharpNine#1{\chXSharpOneParamUpper{#1}{9}}
+\def\chXSharpNineFlat#1{\chXSharpOneParamUpper{#1}{9\chFlat}}
+
+\def\chXSharpTwoParams#1#2#3{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em\hbox{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXSharpmSeven#1{\chXSharpTwoParams{#1}{m}{7}}
+\def\chXSharpmSix#1{\chXSharpTwoParams{#1}{m}{6}}
+\def\chXSharpmFiveFlat#1{\chXSharpTwoParams{#1}{m}{5\chFlat}}
+\def\chXSharpSusSeven#1{\chXSharpTwoParams{#1}{sus}{7}}
+
+\def\chXSharpmSevenFiveFlat#1{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em{\chFontRm m\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}}
+
+%
+% C
+%
+\defch.C.{\chX{C}}
+\defch.Cm.{\chXm{C}}
+\defch.C+.{\chXPlus{C}}
+\defch.C4.{\chXSus{C}}
+\defch.Cdim.{\chXDim{C}}
+\defch.Cmaj.{\chXMaj{C}}
+\defch.C6.{\chXSix{C}}
+\defch.C7.{\chXSeven{C}}
+\defch.C9.{\chXNine{C}}
+\defch.C9f.{\chXNineFlat{C}}
+\defch.Cm7.{\chXmSeven{C}}
+\defch.Cm6.{\chXmSix{C}}
+\defch.Cm5f.{\chXmFiveFlat{C}}
+\defch.C47.{\chXSusSeven{C}}
+\defch.Cm75f.{\chXmSevenFiveFlat{C}}
+
+%
+% D
+%
+\defch.D.{\chX{D}}
+\defch.Dm.{\chXm{D}}
+\defch.D+.{\chXPlus{D}}
+\defch.D4.{\chXSus{D}}
+\defch.Ddim.{\chXDim{D}}
+\defch.Dmaj.{\chXMaj{D}}
+\defch.D6.{\chXSix{D}}
+\defch.D7.{\chXSeven{D}}
+\defch.D9.{\chXNine{D}}
+\defch.D9f.{\chXNineFlat{D}}
+\defch.Dm7.{\chXmSeven{D}}
+\defch.Dm6.{\chXmSix{D}}
+\defch.Dm5f.{\chXmFiveFlat{D}}
+\defch.D47.{\chXSusSeven{D}}
+\defch.Dm75f.{\chXmSevenFiveFlat{D}}
+
+%
+% E
+%
+\defch.E.{\chX{E}}
+\defch.Em.{\chXm{E}}
+\defch.E+.{\chXPlus{E}}
+\defch.E4.{\chXSus{E}}
+\defch.Edim.{\chXDim{E}}
+\defch.Emaj.{\chXMaj{E}}
+\defch.E6.{\chXSix{E}}
+\defch.E7.{\chXSeven{E}}
+\defch.E9.{\chXNine{E}}
+\defch.E9f.{\chXNineFlat{E}}
+\defch.Em7.{\chXmSeven{E}}
+\defch.Em6.{\chXmSix{E}}
+\defch.Em5f.{\chXmFiveFlat{E}}
+\defch.E47.{\chXSusSeven{E}}
+\defch.Em75f.{\chXmSevenFiveFlat{E}}
+
+%
+% F
+%
+\defch.F.{\chX{F}}
+\defch.Fm.{\chXm{F}}
+\defch.F+.{\chXPlus{F}}
+\defch.F4.{\chXSus{F}}
+\defch.Fdim.{\chXDim{F}}
+\defch.Fmaj.{\chXMaj{F}}
+\defch.F6.{\chXSix{F}}
+\defch.F7.{\chXSeven{F}}
+\defch.F9.{\chXNine{F}}
+\defch.F9f.{\chXNineFlat{F}}
+\defch.Fm7.{\chXmSeven{F}}
+\defch.Fm6.{\chXmSix{F}}
+\defch.Fm5f.{\chXmFiveFlat{F}}
+\defch.F47.{\chXSusSeven{F}}
+\defch.Fm75f.{\chXmSevenFiveFlat{F}}
+
+%
+% G
+%
+\defch.G.{\chX{G}}
+\defch.Gm.{\chXm{G}}
+\defch.G+.{\chXPlus{G}}
+\defch.G4.{\chXSus{G}}
+\defch.Gdim.{\chXDim{G}}
+\defch.Gmaj.{\chXMaj{G}}
+\defch.G6.{\chXSix{G}}
+\defch.G7.{\chXSeven{G}}
+\defch.G9.{\chXNine{G}}
+\defch.G9f.{\chXNineFlat{G}}
+\defch.Gm7.{\chXmSeven{G}}
+\defch.Gm6.{\chXmSix{G}}
+\defch.Gm5f.{\chXmFiveFlat{G}}
+\defch.G47.{\chXSusSeven{G}}
+\defch.Gm75f.{\chXmSevenFiveFlat{G}}
+
+%
+% A
+%
+\defch.A.{\chX{A}}
+\defch.Am.{\chXm{A}}
+\defch.A+.{\chXPlus{A}}
+\defch.A4.{\chXSus{A}}
+\defch.Adim.{\chXDim{A}}
+\defch.Amaj.{\chXMaj{A}}
+\defch.A6.{\chXSix{A}}
+\defch.A7.{\chXSeven{A}}
+\defch.A9.{\chXNine{A}}
+\defch.A9f.{\chXNineFlat{A}}
+\defch.Am7.{\chXmSeven{A}}
+\defch.Am6.{\chXmSix{A}}
+\defch.Am5f.{\chXmFiveFlat{A}}
+\defch.A47.{\chXSusSeven{A}}
+\defch.Am75f.{\chXmSevenFiveFlat{A}}
+
+%
+% Cs
+%
+\defch.Cs.{\chXSharp{C}}
+\defch.Csm.{\chXSharpm{C}}
+\defch.Cs+.{\chXSharpPlus{C}}
+\defch.Cs4.{\chXSharpSus{C}}
+\defch.Csdim.{\chXSharpDim{C}}
+\defch.Csmaj.{\chXSharpMaj{C}}
+\defch.Cs6.{\chXSharpSix{C}}
+\defch.Cs7.{\chXSharpSeven{C}}
+\defch.Cs9.{\chXSharpNine{C}}
+\defch.Cs9f.{\chXSharpNineFlat{C}}
+\defch.Csm7.{\chXSharpmSeven{C}}
+\defch.Csm6.{\chXSharpmSix{C}}
+\defch.Csm5f.{\chXSharpmFiveFlat{C}}
+\defch.Cs47.{\chXSharpSusSeven{C}}
+\defch.Csm75f.{\chXSharpmSevenFiveFlat{C}}
+
+%
+% Fs
+%
+\defch.Fs.{\chXSharp{F}}
+\defch.Fsm.{\chXSharpm{F}}
+\defch.Fs+.{\chXSharpPlus{F}}
+\defch.Fs4.{\chXSharpSus{F}}
+\defch.Fsdim.{\chXSharpDim{F}}
+\defch.Fsmaj.{\chXSharpMaj{F}}
+\defch.Fs6.{\chXSharpSix{F}}
+\defch.Fs7.{\chXSharpSeven{F}}
+\defch.Fs9.{\chXSharpNine{F}}
+\defch.Fs9f.{\chXSharpNineFlat{F}}
+\defch.Fsm7.{\chXSharpmSeven{F}}
+\defch.Fsm6.{\chXSharpmSix{F}}
+\defch.Fsm5f.{\chXSharpmFiveFlat{F}}
+\defch.Fs47.{\chXSharpSusSeven{F}}
+\defch.Fsm75f.{\chXSharpmSevenFiveFlat{F}}
+
+%
+% Ef
+%
+\defch.Ef.{\chXFlat{E}}
+\defch.Efm.{\chXFlatm{E}}
+\defch.Ef+.{\chXFlatPlus{E}}
+\defch.Ef4.{\chXFlatSus{E}}
+\defch.Efdim.{\chXFlatDim{E}}
+\defch.Efmaj.{\chXFlatMaj{E}}
+\defch.Ef6.{\chXFlatSix{E}}
+\defch.Ef7.{\chXFlatSeven{E}}
+\defch.Ef9.{\chXFlatNine{E}}
+\defch.Ef9f.{\chXFlatNineFlat{E}}
+\defch.Efm7.{\chXFlatmSeven{E}}
+\defch.Efm6.{\chXFlatmSix{E}}
+\defch.Efm5f.{\chXFlatmFiveFlat{E}}
+\defch.Ef47.{\chXFlatSusSeven{E}}
+\defch.Efm75f.{\chXFlatmSevenFiveFlat{E}}
+
+%
+% Af
+%
+\defch.Af.{\chXFlat{A}}
+\defch.Afm.{\chXFlatm{A}}
+\defch.Af+.{\chXFlatPlus{A}}
+\defch.Af4.{\chXFlatSus{A}}
+\defch.Afdim.{\chXFlatDim{A}}
+\defch.Afmaj.{\chXFlatMaj{A}}
+\defch.Af6.{\chXFlatSix{A}}
+\defch.Af7.{\chXFlatSeven{A}}
+\defch.Af9.{\chXFlatNine{A}}
+\defch.Af9f.{\chXFlatNineFlat{A}}
+\defch.Afm7.{\chXFlatmSeven{A}}
+\defch.Afm6.{\chXFlatmSix{A}}
+\defch.Afm5f.{\chXFlatmFiveFlat{A}}
+\defch.Af47.{\chXFlatSusSeven{A}}
+\defch.Afm75f.{\chXFlatmSevenFiveFlat{A}}
+
+%
+% B
+%
+\defch.B.{\chX{B}}
+\defch.Bm.{\chXm{B}}
+\defch.B+.{\chXPlus{B}}
+\defch.B4.{\chXSus{B}}
+\defch.Bdim.{\chXDim{B}}
+\defch.Bmaj.{\chXMaj{B}}
+\defch.B6.{\chXSix{B}}
+\defch.B7.{\chXSeven{B}}
+\defch.B9.{\chXNine{B}}
+\defch.B9f.{\chXNineFlat{B}}
+\defch.Bm7.{\chXmSeven{B}}
+\defch.Bm6.{\chXmSix{B}}
+\defch.Bm5f.{\chXmFiveFlat{B}}
+\defch.B47.{\chXSusSeven{B}}
+\defch.Bm75f.{\chXmSevenFiveFlat{B}}
+
+%
+% Bf
+%
+\defch.Bf.{\chXFlat{B}}
+\defch.Bfm.{\chXFlatm{B}}
+\defch.Bf+.{\chXFlatPlus{B}}
+\defch.Bf4.{\chXFlatSus{B}}
+\defch.Bfdim.{\chXFlatDim{B}}
+\defch.Bfmaj.{\chXFlatMaj{B}}
+\defch.Bf6.{\chXFlatSix{B}}
+\defch.Bf7.{\chXFlatSeven{B}}
+\defch.Bf9.{\chXFlatNine{B}}
+\defch.Bf9f.{\chXFlatNineFlat{B}}
+\defch.Bfm7.{\chXFlatmSeven{B}}
+\defch.Bfm6.{\chXFlatmSix{B}}
+\defch.Bfm5f.{\chXFlatmFiveFlat{B}}
+\defch.Bf47.{\chXFlatSusSeven{B}}
+\defch.Bfm75f.{\chXFlatmSevenFiveFlat{B}}
diff --git a/Master/texmf-dist/tex/generic/pmxchords/chordsCZ.tex b/Master/texmf-dist/tex/generic/pmxchords/chordsCZ.tex
new file mode 100644
index 00000000000..55b7b22f5f7
--- /dev/null
+++ b/Master/texmf-dist/tex/generic/pmxchords/chordsCZ.tex
@@ -0,0 +1,333 @@
+\font\chFont=cmbx10 scaled \magstep0
+\font\chFontRm=cmbx8 scaled \magstep0
+\font\chFontIdx=cmbx7 scaled \magstep0
+
+
+\def\ch.#1.{\csname  ch:#1\endcsname}
+\def\defch.#1.{\expandafter \def \csname ch:#1\endcsname}
+
+\def\chFlat{$\scriptstyle\flat$}
+\def\chSharp{$\scriptstyle\sharp$}
+%\def\chDim{$\circ$}
+\def\chDim{dim}
+\def\chMaj{$\scriptstyle\bigtriangleup$}
+%\def\chMaj{maj}
+
+%
+% Base chords
+%
+\def\chVerticalAlign{13}% basic vertical align \internotes
+\def\chBase#1{\zchar{\chVerticalAlign}{\chFont #1}}
+
+%
+% Macros for chords without sharp or flat
+% it means C, D, E, F, G, A, B
+%
+\def\chX#1{\chBase{#1}}
+\def\chXOneParam#1#2{\chBase{#1{\chFontRm #2}}}
+\def\chXm#1{\chXOneParam{#1}{m}}
+\def\chXPlus#1{\chXOneParam{#1}{+}}
+\def\chXSus#1{\chXOneParam{#1}{sus}}
+\def\chXDim#1{\chXOneParam{#1}{\chDim}}
+\def\chXMaj#1{\chXOneParam{#1}{\chMaj}}
+
+\def\chXOneParamUpper#1#2{\chBase{#1\lower-1ex\hbox{\chFontIdx #2}}}
+%\def\chXDim#1{\chXOneParamUpper{#1}{\chDim}}
+\def\chXSix#1{\chXOneParamUpper{#1}{6}}
+\def\chXSeven#1{\chXOneParamUpper{#1}{7}}
+\def\chXNine#1{\chXOneParamUpper{#1}{9}}
+\def\chXNineFlat#1{\chXOneParamUpper{#1}{\chFontIdx 9\chFlat}}
+
+\def\chXTwoParams#1#2#3{\chBase{#1{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXmSeven#1{\chXTwoParams{#1}{m}{7}}
+\def\chXmSix#1{\chXTwoParams{#1}{m}{6}}
+\def\chXmFiveFlat#1{\chXTwoParams{#1}{m}{5\chFlat}}
+\def\chXSusSeven#1{\chXTwoParams{#1}{sus}{7}}
+
+\def\chXmSevenFiveFlat#1{\chBase{#1{\chFontRm m}\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}
+%\def\chXmSevenFiveFlat#1{\chBase{#1{\chFontRm m}\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}
+
+
+%
+% Macros for chords with flat
+% it means Ef, Af, Bf
+%
+\def\chXFlat#1{\chXOneParamUpper{#1}{\chFlat}}
+
+\def\chXFlatOneParam#1#2{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em\hbox{\chFontRm #2}}}
+\def\chXFlatm#1{\chXFlatOneParam{#1}{m}}
+\def\chXFlatPlus#1{\chXFlatOneParam{#1}{+}}
+\def\chXFlatSus#1{\chXFlatOneParam{#1}{sus}}
+\def\chXFlatDim#1{\chXFlatOneParam{#1}{\chDim}}
+\def\chXFlatMaj#1{\chXFlatOneParam{#1}{\chMaj}}
+
+
+\def\chXFlatOneParamUpper#1#2{\chXOneParamUpper{#1}{\chFlat\kern 0.2ex\chFontIdx #2}}
+\def\chXFlatSix#1{\chXFlatOneParamUpper{#1}{6}}
+\def\chXFlatSeven#1{\chXFlatOneParamUpper{#1}{7}}
+\def\chXFlatNine#1{\chXFlatOneParamUpper{#1}{9}}
+\def\chXFlatNineFlat#1{\chXFlatOneParamUpper{#1}{9\chFlat}}
+
+\def\chXFlatTwoParams#1#2#3{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em\hbox{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXFlatmSeven#1{\chXFlatTwoParams{#1}{m}{7}}
+\def\chXFlatmSix#1{\chXFlatTwoParams{#1}{m}{6}}
+\def\chXFlatmFiveFlat#1{\chXFlatTwoParams{#1}{m}{5\chFlat}}
+\def\chXFlatSusSeven#1{\chXFlatTwoParams{#1}{sus}{7}}
+
+\def\chXFlatmSevenFiveFlat#1{\chBase{#1\lower-1.1ex\hbox{\chFlat}\kern-0.3em{\chFontRm m\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}}
+
+%
+% Macros for chords with sharp
+% it means Cs, Fs
+%
+\def\chXSharp#1{\chXOneParamUpper{#1}{\chSharp}}
+
+\def\chXSharpOneParam#1#2{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em\hbox{\chFontRm #2}}}
+\def\chXSharpm#1{\chXSharpOneParam{#1}{m}}
+\def\chXSharpPlus#1{\chXSharpOneParam{#1}{+}}
+\def\chXSharpSus#1{\chXSharpOneParam{#1}{sus}}
+\def\chXSharpDim#1{\chXSharpOneParam{#1}{\chDim}}
+\def\chXSharpMaj#1{\chXSharpOneParam{#1}{\chMaj}}
+
+
+\def\chXSharpOneParamUpper#1#2{\chXOneParamUpper{#1}{\chFontIdx\chSharp\kern 0.2ex#2}}
+\def\chXSharpSix#1{\chXSharpOneParamUpper{#1}{6}}
+\def\chXSharpSeven#1{\chXSharpOneParamUpper{#1}{7}}
+\def\chXSharpNine#1{\chXSharpOneParamUpper{#1}{9}}
+\def\chXSharpNineFlat#1{\chXSharpOneParamUpper{#1}{9\chFlat}}
+
+\def\chXSharpTwoParams#1#2#3{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em\hbox{\chFontRm #2}\lower-1ex\hbox{\chFontIdx #3}}}
+\def\chXSharpmSeven#1{\chXSharpTwoParams{#1}{m}{7}}
+\def\chXSharpmSix#1{\chXSharpTwoParams{#1}{m}{6}}
+\def\chXSharpmFiveFlat#1{\chXSharpTwoParams{#1}{m}{5\chFlat}}
+\def\chXSharpSusSeven#1{\chXSharpTwoParams{#1}{sus}{7}}
+
+\def\chXSharpmSevenFiveFlat#1{\chBase{#1\lower-1.4ex\hbox{\chSharp}\kern-0.3em{\chFontRm m\lower0.5ex\vbox{\baselineskip=1ex\hbox{\chFontIdx 7}\hbox{\chFontIdx 5\chFlat}}}}}
+
+%
+% C
+%
+\defch.C.{\chX{C}}
+\defch.Cm.{\chXm{C}}
+\defch.C+.{\chXPlus{C}}
+\defch.C4.{\chXSus{C}}
+\defch.Cdim.{\chXDim{C}}
+\defch.Cmaj.{\chXMaj{C}}
+\defch.C6.{\chXSix{C}}
+\defch.C7.{\chXSeven{C}}
+\defch.C9.{\chXNine{C}}
+\defch.C9f.{\chXNineFlat{C}}
+\defch.Cm7.{\chXmSeven{C}}
+\defch.Cm6.{\chXmSix{C}}
+\defch.Cm5f.{\chXmFiveFlat{C}}
+\defch.C47.{\chXSusSeven{C}}
+\defch.Cm75f.{\chXmSevenFiveFlat{C}}
+
+%
+% D
+%
+\defch.D.{\chX{D}}
+\defch.Dm.{\chXm{D}}
+\defch.D+.{\chXPlus{D}}
+\defch.D4.{\chXSus{D}}
+\defch.Ddim.{\chXDim{D}}
+\defch.Dmaj.{\chXMaj{D}}
+\defch.D6.{\chXSix{D}}
+\defch.D7.{\chXSeven{D}}
+\defch.D9.{\chXNine{D}}
+\defch.D9f.{\chXNineFlat{D}}
+\defch.Dm7.{\chXmSeven{D}}
+\defch.Dm6.{\chXmSix{D}}
+\defch.Dm5f.{\chXmFiveFlat{D}}
+\defch.D47.{\chXSusSeven{D}}
+\defch.Dm75f.{\chXmSevenFiveFlat{D}}
+
+%
+% E
+%
+\defch.E.{\chX{E}}
+\defch.Em.{\chXm{E}}
+\defch.E+.{\chXPlus{E}}
+\defch.E4.{\chXSus{E}}
+\defch.Edim.{\chXDim{E}}
+\defch.Emaj.{\chXMaj{E}}
+\defch.E6.{\chXSix{E}}
+\defch.E7.{\chXSeven{E}}
+\defch.E9.{\chXNine{E}}
+\defch.E9f.{\chXNineFlat{E}}
+\defch.Em7.{\chXmSeven{E}}
+\defch.Em6.{\chXmSix{E}}
+\defch.Em5f.{\chXmFiveFlat{E}}
+\defch.E47.{\chXSusSeven{E}}
+\defch.Em75f.{\chXmSevenFiveFlat{E}}
+
+%
+% F
+%
+\defch.F.{\chX{F}}
+\defch.Fm.{\chXm{F}}
+\defch.F+.{\chXPlus{F}}
+\defch.F4.{\chXSus{F}}
+\defch.Fdim.{\chXDim{F}}
+\defch.Fmaj.{\chXMaj{F}}
+\defch.F6.{\chXSix{F}}
+\defch.F7.{\chXSeven{F}}
+\defch.F9.{\chXNine{F}}
+\defch.F9f.{\chXNineFlat{F}}
+\defch.Fm7.{\chXmSeven{F}}
+\defch.Fm6.{\chXmSix{F}}
+\defch.Fm5f.{\chXmFiveFlat{F}}
+\defch.F47.{\chXSusSeven{F}}
+\defch.Fm75f.{\chXmSevenFiveFlat{F}}
+
+%
+% G
+%
+\defch.G.{\chX{G}}
+\defch.Gm.{\chXm{G}}
+\defch.G+.{\chXPlus{G}}
+\defch.G4.{\chXSus{G}}
+\defch.Gdim.{\chXDim{G}}
+\defch.Gmaj.{\chXMaj{G}}
+\defch.G6.{\chXSix{G}}
+\defch.G7.{\chXSeven{G}}
+\defch.G9.{\chXNine{G}}
+\defch.G9f.{\chXNineFlat{G}}
+\defch.Gm7.{\chXmSeven{G}}
+\defch.Gm6.{\chXmSix{G}}
+\defch.Gm5f.{\chXmFiveFlat{G}}
+\defch.G47.{\chXSusSeven{G}}
+\defch.Gm75f.{\chXmSevenFiveFlat{G}}
+
+%
+% A
+%
+\defch.A.{\chX{A}}
+\defch.Am.{\chXm{A}}
+\defch.A+.{\chXPlus{A}}
+\defch.A4.{\chXSus{A}}
+\defch.Adim.{\chXDim{A}}
+\defch.Amaj.{\chXMaj{A}}
+\defch.A6.{\chXSix{A}}
+\defch.A7.{\chXSeven{A}}
+\defch.A9.{\chXNine{A}}
+\defch.A9f.{\chXNineFlat{A}}
+\defch.Am7.{\chXmSeven{A}}
+\defch.Am6.{\chXmSix{A}}
+\defch.Am5f.{\chXmFiveFlat{A}}
+\defch.A47.{\chXSusSeven{A}}
+\defch.Am75f.{\chXmSevenFiveFlat{A}}
+
+%
+% Cs
+%
+\defch.Cs.{\chXSharp{C}}
+\defch.Csm.{\chXSharpm{C}}
+\defch.Cs+.{\chXSharpPlus{C}}
+\defch.Cs4.{\chXSharpSus{C}}
+\defch.Csdim.{\chXSharpDim{C}}
+\defch.Csmaj.{\chXSharpMaj{C}}
+\defch.Cs6.{\chXSharpSix{C}}
+\defch.Cs7.{\chXSharpSeven{C}}
+\defch.Cs9.{\chXSharpNine{C}}
+\defch.Cs9f.{\chXSharpNineFlat{C}}
+\defch.Csm7.{\chXSharpmSeven{C}}
+\defch.Csm6.{\chXSharpmSix{C}}
+\defch.Csm5f.{\chXSharpmFiveFlat{C}}
+\defch.Cs47.{\chXSharpSusSeven{C}}
+\defch.Csm75f.{\chXSharpmSevenFiveFlat{C}}
+
+%
+% Fs
+%
+\defch.Fs.{\chXSharp{F}}
+\defch.Fsm.{\chXSharpm{F}}
+\defch.Fs+.{\chXSharpPlus{F}}
+\defch.Fs4.{\chXSharpSus{F}}
+\defch.Fsdim.{\chXSharpDim{F}}
+\defch.Fsmaj.{\chXSharpMaj{F}}
+\defch.Fs6.{\chXSharpSix{F}}
+\defch.Fs7.{\chXSharpSeven{F}}
+\defch.Fs9.{\chXSharpNine{F}}
+\defch.Fs9f.{\chXSharpNineFlat{F}}
+\defch.Fsm7.{\chXSharpmSeven{F}}
+\defch.Fsm6.{\chXSharpmSix{F}}
+\defch.Fsm5f.{\chXSharpmFiveFlat{F}}
+\defch.Fs47.{\chXSharpSusSeven{F}}
+\defch.Fsm75f.{\chXSharpmSevenFiveFlat{F}}
+
+%
+% Ef
+%
+\defch.Ef.{\chXFlat{E}}
+\defch.Efm.{\chXFlatm{E}}
+\defch.Ef+.{\chXFlatPlus{E}}
+\defch.Ef4.{\chXFlatSus{E}}
+\defch.Efdim.{\chXFlatDim{E}}
+\defch.Efmaj.{\chXFlatMaj{E}}
+\defch.Ef6.{\chXFlatSix{E}}
+\defch.Ef7.{\chXFlatSeven{E}}
+\defch.Ef9.{\chXFlatNine{E}}
+\defch.Ef9f.{\chXFlatNineFlat{E}}
+\defch.Efm7.{\chXFlatmSeven{E}}
+\defch.Efm6.{\chXFlatmSix{E}}
+\defch.Efm5f.{\chXFlatmFiveFlat{E}}
+\defch.Ef47.{\chXFlatSusSeven{E}}
+\defch.Efm75f.{\chXFlatmSevenFiveFlat{E}}
+
+%
+% Af
+%
+\defch.Af.{\chXFlat{A}}
+\defch.Afm.{\chXFlatm{A}}
+\defch.Af+.{\chXFlatPlus{A}}
+\defch.Af4.{\chXFlatSus{A}}
+\defch.Afdim.{\chXFlatDim{A}}
+\defch.Afmaj.{\chXFlatMaj{A}}
+\defch.Af6.{\chXFlatSix{A}}
+\defch.Af7.{\chXFlatSeven{A}}
+\defch.Af9.{\chXFlatNine{A}}
+\defch.Af9f.{\chXFlatNineFlat{A}}
+\defch.Afm7.{\chXFlatmSeven{A}}
+\defch.Afm6.{\chXFlatmSix{A}}
+\defch.Afm5f.{\chXFlatmFiveFlat{A}}
+\defch.Af47.{\chXFlatSusSeven{A}}
+\defch.Afm75f.{\chXFlatmSevenFiveFlat{A}}
+
+%
+% B
+%
+\defch.B.{\chX{H}}
+\defch.Bm.{\chXm{H}}
+\defch.B+.{\chXPlus{H}}
+\defch.B4.{\chXSus{H}}
+\defch.Bdim.{\chXDim{H}}
+\defch.Bmaj.{\chXMaj{H}}
+\defch.B6.{\chXSix{H}}
+\defch.B7.{\chXSeven{H}}
+\defch.B9.{\chXNine{H}}
+\defch.B9f.{\chXNineFlat{H}}
+\defch.Bm7.{\chXmSeven{H}}
+\defch.Bm6.{\chXmSix{H}}
+\defch.Bm5f.{\chXmFiveFlat{H}}
+\defch.B47.{\chXSusSeven{H}}
+\defch.Bm75f.{\chXmSevenFiveFlat{H}}
+
+%
+% Bf
+%
+\defch.Bf.{\chX{B}}
+\defch.Bfm.{\chXm{B}}
+\defch.Bf+.{\chXPlus{B}}
+\defch.Bf4.{\chXSus{B}}
+\defch.Bfdim.{\chXDim{B}}
+\defch.Bfmaj.{\chXMaj{B}}
+\defch.Bf6.{\chXSix{B}}
+\defch.Bf7.{\chXSeven{B}}
+\defch.Bf9.{\chXNine{B}}
+\defch.Bf9f.{\chXNineFlat{B}}
+\defch.Bfm7.{\chXmSeven{B}}
+\defch.Bfm6.{\chXmSix{B}}
+\defch.Bfm5f.{\chXmFiveFlat{B}}
+\defch.Bf47.{\chXSusSeven{B}}
+\defch.Bfm75f.{\chXmSevenFiveFlat{B}}
diff --git a/Master/tlpkg/bin/tlpkg-ctan-check b/Master/tlpkg/bin/tlpkg-ctan-check
index e00d5a90d0a..92593558827 100755
--- a/Master/tlpkg/bin/tlpkg-ctan-check
+++ b/Master/tlpkg/bin/tlpkg-ctan-check
@@ -363,7 +363,7 @@ my @TLP_working = qw(
     pictex pictex2 pictexsum piechartmp piff pigpen
     pinlabel pitex pittetd pkfix pkfix-helper pkuthss placeins placeins-plain
     plain-doc plainpkg plari plantslabels plates play plipsum
-    plnfss plstmary plweb pmgraph pmx pnas2009
+    plnfss plstmary plweb pmgraph pmx pmxchords pnas2009
     poemscol poetrytex polski poltawski
     polyglossia polynom polynomial
     polytable postcards poster-mac powerdot powerdot-FUBerlin
diff --git a/Master/tlpkg/libexec/ctan2tds b/Master/tlpkg/libexec/ctan2tds
index fd781c5e300..213001a9189 100755
--- a/Master/tlpkg/libexec/ctan2tds
+++ b/Master/tlpkg/libexec/ctan2tds
@@ -768,7 +768,6 @@ chomp ($Build = `cd $Master/../Build/source && pwd`);
  'pitthesis',	"die 'skipping, noinfo license",
  'pl',		"die 'skipping, not ready, cf. cc-pl, sorry",
  'pl-qx',	"&MAKEplqx",
- 'pmxchords',	"die 'skipping, problematic musixtex scripts'",
  'pointRuler',	"die 'skipping, requires compilation'",
  'poltawski',	"&MAKEcopy",
  'polyglossia-kannada',	"die 'skipping, now in polyglossia proper'",
@@ -1183,6 +1182,7 @@ chomp ($Build = `cd $Master/../Build/source && pwd`);
  'pgfplots'		=> '&POSTpgfplots',
  'pict2e'		=> '&POSTpict2e',
  'pmx'			=> '&POSTpmx',
+ 'pmxchords'		=> '&POST_do_man',
  'prerex'		=> '&POSTprerex',
  'pst-cox'		=> '&POSTpstcox',
  'pst-geo'		=> '&POSTpstgeo',
@@ -2469,6 +2469,7 @@ $standardxmt='\.xmt';
  'pkfix'		=> '\.pl$',
  'pkfix-helper'		=> 'pkfix-helper$',
  'pmx'			=> '\.lua$',
+ 'pmxchords'		=> 'pmxchords\.lua$',
  'pst2pdf'		=> 'pst2pdf\.pl$',
  'ptex2pdf'		=> 'ptex2pdf\.lua$',
  'purifyeps'		=> 'purifyeps$',
@@ -5678,6 +5679,8 @@ sub POST_do_man {
     $src_mandir = "$DEST/doc/man/man1";
   } elsif (<$DEST/doc/*/$package/*.1>) {
     $src_mandir = "doc/*/$package";
+  } elsif (<$DEST/doc/$package/*.1>) {
+    $src_mandir = "doc/$package";
   } else {
     warn ("$0: could not find man pages starting from " . `pwd`);
   }
diff --git a/Master/tlpkg/tlpsrc/collection-music.tlpsrc b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
index 3aab6e948b4..d44e21f4734 100644
--- a/Master/tlpkg/tlpsrc/collection-music.tlpsrc
+++ b/Master/tlpkg/tlpsrc/collection-music.tlpsrc
@@ -17,5 +17,6 @@ depend musixguit
 depend musixtex
 depend musixtex-fonts
 depend pmx
+depend pmxchords
 depend songbook
 depend songs
diff --git a/Master/tlpkg/tlpsrc/pmxchords.tlpsrc b/Master/tlpkg/tlpsrc/pmxchords.tlpsrc
new file mode 100644
index 00000000000..aefd3a571c4
--- /dev/null
+++ b/Master/tlpkg/tlpsrc/pmxchords.tlpsrc
@@ -0,0 +1,2 @@
+binpattern f bin/${ARCH}/${PKGNAME}
+