rm musictex, superseded by musixtex

git-svn-id: svn://tug.org/texlive/trunk@20506 c570f23f-e606-0410-a88d-b1316a301751

1 files changed, 0 insertions, 225 deletions

diff --git a/Master/texmf-dist/tex/generic/musictex/musicext.tex b/Master/texmf-dist/tex/generic/musictex/musicext.tex
deleted file mode 100644
index 243b1354f17..00000000000
--- a/Master/texmf-dist/tex/generic/musictex/musicext.tex
+++ /dev/null
@@ -1,225 +0,0 @@
-
-
-\edef\catcodeat{\the\catcode`\@}\catcode`\@=11
-\edef\catcode@gt{\the\catcode`\>}\catcode`\>=12
-\edef\catcode@lt{\the\catcode`\<}\catcode`\<=12
-
-% \dyn {pitch}{text} inserts a dynamic
-\def\dyn#1#2{\zcharnote{#1}{{\ppff #2}}}
-
-% \nobarnumbers prevents bar numbering
-\def\nobarnumbers{\def\wbarno{\relax}}
-
-% \barnumbers restores bar numbering
-\def\barnumbers{\def\wbarno{\w@barno}}
-
-% \tab is defined as a tab character, so that I can still use tabs.
-\catcode`\@=4
-\let\tab=@
-\catcode`\@=11
-
-% The next few sections define some extra macros to produce notes.
-
-% shifted dotted whole notes
-\def\rwp#1{\kern \wd@skip\zwp{#1}\kern -\wd@skip}
-\def\lwp#1{\kern -\wd@skip\zwp{#1}\kern \wd@skip}
-
-% Half-shifted notes. I sometimes use these for close intervals: for instance
-% \zlqu g\zrql f
-
-\def\zrwh{\zrw}
-\def\zlwh{\zlw}
-\def\zrw#1{\kern .52\wd@skip\zw{#1}\kern -.52\wd@skip}
-\def\zlw#1{\kern -.52\wd@skip\zw{#1}\kern .52\wd@skip}
-\def\zrhu#1{\kern .45\hn@width\zhu{#1}\kern -.45\hn@width}
-\def\zlhu#1{\kern -.45\hn@width\zhu{#1}\kern .45\hn@width}
-\def\zrhl#1{\kern .45\hn@width\zhl{#1}\kern -.45\hn@width}
-\def\zlhl#1{\kern -.45\hn@width\zhl{#1}\kern .45\hn@width}
-\def\zrhup#1{\kern .45\hn@width\zhup{#1}\kern -.45\hn@width}
-\def\zlhup#1{\kern -.45\hn@width\zhup{#1}\kern .45\hn@width}
-\def\zrhlp#1{\kern .45\hn@width\zhlp{#1}\kern -.45\hn@width}
-\def\zlhlp#1{\kern -.45\hn@width\zhlp{#1}\kern .45\hn@width}
-\def\zrqu#1{\kern .45\qd@skip\zqu{#1}\kern -.45\qd@skip}
-\def\zlqu#1{\kern -.45\qd@skip\zqu{#1}\kern .45\qd@skip}
-\def\zrql#1{\kern .45\qd@skip\zql{#1}\kern -.45\qd@skip}
-\def\zlql#1{\kern -.45\qd@skip\zql{#1}\kern .45\qd@skip}
-\def\zrqup#1{\kern .45\qd@skip\zqup{#1}\kern -.45\qd@skip}
-\def\zlqup#1{\kern -.45\qd@skip\zqup{#1}\kern .45\qd@skip}
-\def\zrqlp#1{\kern .45\qd@skip\zqlp{#1}\kern -.45\qd@skip}
-\def\zlqlp#1{\kern -.45\qd@skip\zqlp{#1}\kern .45\qd@skip}
-\def\zrcu#1{\kern .45\qd@skip\zcu{#1}\kern -.45\qd@skip}
-\def\zlcu#1{\kern -.45\qd@skip\zcu{#1}\kern .45\qd@skip}
-\def\zrcl#1{\kern .45\qd@skip\zcl{#1}\kern -.45\qd@skip}
-\def\zlcl#1{\kern -.45\qd@skip\zcl{#1}\kern .45\qd@skip}
-%
-% half left shifted accidentals - for putting before half shifted notes
-%
-\def\hlfl#1{\getn@i{#1}\global\n@raise=\fl@raise
-  \pl@llap{\f@lat\kern 0.45\qd@skip}%
-}%
-\def\hldfl#1{\getn@i{#1}\global\n@raise=\fl@raise
-  \pl@llap{\df@lat\hskip 0.45\qd@skip}%
-}%
-\def\hlsh#1{\getn@i{#1}\global\n@raise=\sh@raise
-  \pl@llap{\s@harp\hskip 0.45\qd@skip}%
-}%
-\def\hldsh#1{\getn@i{#1}\global\n@raise=\z@
-  \pl@llap{\ds@harp\hskip 0.45\qd@skip}}%
-\def\hlna#1{\getn@i{#1}\global\n@raise=\na@raise
-  \pl@llap{\n@at\hskip 0.45\qd@skip}}%
-
-%
-% The following macros can be used to surround a note by parentheses. They
-% are also used as ornaments by J.P. Rameau.
-% \lpar p  produces a left parenthesis, or "port de voix" at pitch p
-% \rpar p  produces a right parenthesis, or "pinc\'e"
-
-\def\lpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern -0.76\wd@skip (}}}
-\def\rpar#1{\zcharnote{#1}{\raise -2.5pt\hbox{\tentt\kern 0.76\wd@skip )}}}
-
-
-\newdimen\tmp@dimen
-\def\bracketshrink{0.17\Interligne}
-
-% \bracket pn draws a square bracket ( [ ) to bracket an interval of an n-th
-% whose lowest note is p.
-
-\def\bracket#1#2{\tmp@dimen #2\Interligne\advance\tmp@dimen by\Interligne
-   \divide\tmp@dimen by2\relax
-   \advance\tmp@dimen by-\bracketshrink\advance\tmp@dimen by-\bracketshrink
-   \advance\tmp@dimen by-\lthick
-   \zcharnote#1{\kern-.75\Interligne\raise-.5\Interligne
-   \hbox{\raise\bracketshrink\hbox{\rlap{\vrule height\tmp@dimen}\relax
-   \rlap{\vbox{\hrule width .5\Interligne}}\relax
-   \raise\tmp@dimen\vbox{\hrule width .5\Interligne}}}}}
-
-\newdimen\tmp@dimenc
-\newdimen\z@iii\newdimen\z@iv\newdimen\z@v
-
-% \oblique {l}{s}{h} draws an oblique line of length l, slope s percent, and
-% height h. This will cause an unrecorded space so it should be used within
-% \rlap. Note that this macro is a hack and probably gobbles up resources!
-% This macro is used by some of the others which follow.
-
-\def\oblique#1#2#3{\relax % length slope height
-\ifnum #2=0\relax\raise #3\vbox{\hrule width #1 height\lthick depth\z@}\relax
-\else\q@antum=25\lthick\divide\q@antum by #2\relax
-\ifdim\q@antum<0pt\relax\multiply\q@antum by -1\fi
-\global\z@iv=0pt\relax
-\loop\ifdim\z@iv<#1\relax
- {\z@v=#1\relax\advance\z@v by -\z@iv\relax\advance\z@v by -\q@antum\relax
- \tmp@dimenc\z@iv\multiply\tmp@dimenc by#2\relax
- \z@iii=#3\relax\advance\z@iii by .01\tmp@dimenc\relax\advance\z@iii by
- -0.5\internote
- \ifnum #2<0\relax\advance\z@iii by \lthick\relax\fi
- \tmp@dimenc\z@v\multiply\tmp@dimenc by#2\relax
- \ifdim\z@v<0pt\relax\advance\z@iii by .01\tmp@dimenc\relax\hskip\z@v\fi
- \advance\z@iii by 0.6\internote\relax
- \raise\z@iii\hbox to \q@antum{\vrule width\q@antum height .5\lthick depth
- .5\lthick}\relax
- \global\advance\z@iv by \q@antum\relax
-}\repeat
-\fi
-}
-
-\newdimen\tmp@dimenb\newcount\tmp@ct
-\def\crescwidth{1.8\Interligne}
-
-% These macros produce variable size crescendo and diminuendo marks.
-% \varcresc{p}{l} produces a crescendo at pitch p, and of length l, causing
-% no space.
-\def\varcresc#1#2{\relax% height (note), length (dimen)
-   \tmp@dimenb \crescwidth\tmp@dimen #2\multiply
-   \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
-   \ifnum 0=\tmp@ct\relax
-   \tmp@ct 1\fi
-   \getn@i{#1}\tmp@dimen\n@i\internote
-   \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}\relax
-   \advance\tmp@dimen by-\lthick
-   \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}}
-
-% \vardim{p}{l}  draws a diminuendo at pitch p, and of length l, causing
-% no space.
-\def\vardim#1#2{\tmp@dimenb 1.6\Interligne\tmp@dimen #2\multiply
-   \tmp@dimenb by50\divide\tmp@dimenb by\tmp@dimen \tmp@ct\tmp@dimenb
-   \ifnum 0=\tmp@ct\relax
-   \tmp@ct 1\fi
-   \getn@i{#1}\tmp@dimen\n@i\internote
-   \tmp@dimenb\crescwidth\divide\tmp@dimenb by2\relax
-   \advance\tmp@dimen by\tmp@dimenb
-   \rlap{\oblique{#2}{-\tmp@ct}{\tmp@dimen}}\relax
-   \advance\tmp@dimen by \lthick
-   \tmp@dimenb #2\multiply\tmp@dimenb by\tmp@ct\advance\tmp@dimen
- by-.02\tmp@dimenb
-   \rlap{\oblique{#2}{\tmp@ct}{\tmp@dimen}}}
-
-% \overbracket{p}{l}{s}   draws a bracket over the music starting at the
-% current position at pitch p, width l and slope s percent, causing no space.
-\def\overbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
-   \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
-   \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
-   \raise\n@i\internote\rlap{\vrule width\lthick height \lthick
-   depth .8\Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
-   \advance\tmp@dimenb by.5\lthick\relax
-   \raise\tmp@dimenb\hbox{\vrule width\lthick height \lthick
- depth.8\Interligne}}}
-
-% \ovbkt{p}{n}{s} is the same as \overbracket, except that it draws the
-% bracket to cover n notes (note however that glue inserted by \temps
-% commands will expand the space between the notes but will not affect the
-% bracket).
-% I use this macro to indicate triplets, for instance.
-
-\def\ovbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
-   \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
-   by -\noteskip\advance\tmp@dimen by\lthick \overbracket{#1}{\tmp@dimen}{#3}}
-
-% \underbracket and \unbkt are similar to the above, but produce
-% brackets under the music.
-\def\underbracket#1#2#3{\relax % height (note), length (dimen) slope (%)
-   \tmp@dimenb #2\multiply\tmp@dimenb by#3\divide\tmp@dimenb by100\relax
-   \getn@i{#1}\advance\tmp@dimenb by\n@i\internote\rlap{\relax
-   \raise\n@i\internote\rlap{\vrule width\lthick depth -\lthick
-   height \Interligne}\oblique{#2}{#3}{\n@i\internote}\relax
-   \advance\tmp@dimenb by.5\lthick\relax
-   \raise\tmp@dimenb\hbox{\vrule width\lthick depth -\lthick
- height\Interligne}}}
-\def\unbkt#1#2#3{\relax % height (note), length (number of notes) slope (%)
-   \tmp@dimen #2\noteskip\advance\tmp@dimen by\wd@skip\advance\tmp@dimen
-   by -\noteskip\advance\tmp@dimen by\lthick
-   \kern-2\lthick\underbracket{#1}{\tmp@dimen}{#3}\kern2\lthick}
-
-% Here are several macros to make use of the alternative note graphics found
-% in the font files. I copied the idea from the usual note macros in
-% MusicTeX.
-
-
-% \ttrill p    makes a terminated trill ...
-\def\ttrill#1{\zcharnote{#1}{\o@skp\musicnorfont\char"58\dimen@4.6pt%
-   \advance\dimen@-1.5\internote\tenrm\lower\dimen@\hbox{'}}}
-
-% J.P. Rameau indicated "arpegements" by drawing oblique strokes through the
-% note stems.
-% \downarpeg p  is written just before the note at pitch p with its stem
-%               pointing up in order to indicate a descending arpeggio
-% \uparpeg p    is written just before the note at pitch p with its stem
-%               pointing down in order to indicate an ascending arpeggio
-
-\font\linew=linew10 %would be nice to have slightly shorter lines...
-\def\downarpeg#1{\getn@i{#1}\advance\n@i by3\raise\n@i\internote
- \rlap{\linew\char"61}}
-\def\uparpeg#1{\getn@i{#1}\advance\n@i by-3\raise\n@i\internote
- \rlap{\linew\char"21}}
-
-% \qqs is a demi-semiquaver rest
-\def\qqs{\charnote0{{\musicnorfont\char"41}}}
-
-% These macros change context while forbidding line breaks
-\def\xchangecontext{{\def\updatecontext{\x@updatecon}\changecontext}}
-\def\xChangecontext{{\def\updatecontext{\x@updatecon}\Changecontext}}
-
-
-\catcode`\>=\catcode@gt
-\catcode`\<=\catcode@lt
-\catcode`\@=\catcodeat
-